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Features of putlockersfree.stream
If you are looking for a website to watch free movies and series, Putlocker is your website. It is a widely used website where the users don't need to register to access their repository for movies and tv shows. On the homepage, users can find the latest content added and scroll through the top-rated movies and series. Users can also search for movies based on the actors under the people tab. The website is compatible with PCs, tablets, and mobiles for the users to stream the content as per their convenience. It was started in 2011 in the UK and temporarily discontinued in end 2016. Since then it has seen a lot of domain name changes.
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Driving down Pippin Orchard Road in Cranston, number 35 stands out. There's a large sign for Urban Edge Farm next to the driveway. Turn in and you will see beautiful herbs, luscious vegetable fields, and an old barn.
This year, a new CSA named Sanctuary Herbs of Providence was formed, specializing in tea blends and medicinal herbs.


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Watford 2 Manchester United 0 (22/12/2019)	23/12/2019
1- There's an edginess. Before kick-off, there's an edginess. Nige has been around for a fortnight, but we've not seen a proper game yet. Anfield was great but… you know. As good a performance as could have been hoped for didn't really scratch the surface.
Meanwhile matters are progressing without us, and defeat today will mean – as well as single-figure points at Christmas, maybe single-figure "goals for" also – a nine point gap to make up. Yes, I still believed. Yes, I think it still matters. The size of the gap isn't insurmountable in itself. The fact that we can't hit a cow's arse with a banjo makes it insurmountable. But… but…. nine points. "Now or never" might be overstating it. But not by much.
The near-mythical João Pedro is presented before kick-off. He's stashed his cape for the moment, but he does a good line in waving confidently to the crowd. No diffidence here, that's a good thing. A goal machine needs a bit of cockiness. No pressure, son.
Over the tannoy, Nouvelle Vague's version of "Making Plans for Nigel" has replaced the XTC original aired before Palace. It's a good tune, and apt. We all want to see more of what Nigel's plan entails. It turns out there's plenty to see.
2- The first and most striking element of which is the level of vigour and aggression in the performance. Or to put it another way, we kick the living shit out of them from the off and it's bloody wonderful. We're sharp into tackles and pouncing on any semblance of a second touch and it's just what the team needs and just what the support needs.
At the vanguard is Will Hughes, redeployed as at Anfield in one of the two deeper central midfield positions. He's absolutely everywhere, a blond whirlwind who snarls into challenge after challenge. The many appeals for him to be employed centrally rather than on the wing, as I understood it, hoped to take advantage of his quick feet and creativity. Instead we have a John Eustace performance, and there are surely few higher compliments.
Second. We have full back issues. Full back issues at the best of times, arguably, but certainly so with one right back and two left backs out of action (or returning to fitness on the bench). So we have Mapps at right back, where he started his first Premier League game thirteen years ago, and Kiko on the "wrong" side as at Anfield. Against, you know, Manchester United and that.
And they're great. And they're disciplined. And the idea that Kiko isn't really a full back, say, based on some nervy fretful performances earlier in the season, is completely dispelled. This is aggressive and impressive and bolshy.
And helped by (third), similarly gutsy, disciplined performances by wide attackers Deulofeu and Sarr. Both play their more traditional attacking roles with varying levels of success, we'll come to that. But the other thing, the new thing, the striking thing is the tracking back and the sticking a foot in and the not leaving people alone and then charging back upfield to rejoin the attack.
The first half is tight and scruffy, and United get the better of the chances through Martial, who slips a shot wide, and Lingard, who is played through when a worryingly simple ball over the top peels us open. His lob is too high. Perhaps that was a break for Nige, the break that Quique didn't get when Craig Dawson didn't score his late header against Sheffield United. But we look tough and emboldened and up for this, and if the lingering concern is that we still aren't creating an awful lot then that kicking of opponents up in the air mentioned previously, abetted by a tolerant performance by Lee Mason, is providing entertainment value.
3- United, meanwhile, look a bit like us in some respects. I mean… not, obviously. Because however this is going to turn out (no spoilers), we're still going to be bottom and United's relative failure still involves being in the top half of the table. Nonetheless. If our season can be summed up at all it's in being kind of OK at some things but critically not OK at others which undermine the half good bits.
And that's where United are really. Because the speed and agility of their forwards is quite something, and every now and again it clicks and it's pretty devastating but only briefly. Only briefly because we're in their faces, but also because their midfield isn't moving the ball anything like quickly enough. And because they've not got anything for the ball to stick to up front, no presence.
At the back, Win-Bissaka is a monster. He'll give away the penalty in the second half but one on one he's tremendous. Otherwise though… the defence is get-attable. Good bits, and not so good bits that make the good bits slightly redundant.
A different level of inadequate though, obviously, which is why you have to be a little bit apprehensive as we start the second half. If we can't score, can we at least continue to keep United at arm's length and maybe, maybe snaffle something. Maybe.
4- But as you'll know that's not how it turns out at all. During the interval Felix pleads for a lucky break, the sort of lucky break that we've been desperate for all season. And we observe that if we grab a lead we're rather well set up to defend it.
And lo. Merry Christmas one and all. A Will Hughes free kick from the left (Fourth: Gerry's nowhere near the set piece deliveries), and it's flicked on and then Sarr is contorting himself to propel the ball towards the top corner. It should be no threat. It is no threat. Except that somehow de Gea loses his concentration, perhaps with half a mind on not colliding with the goalpost and the ball has squirmed through his grasp and it's in. My God it's in. Sarr can't believe it, we're remembering what celebrating a goal feels like and de Gea, significantly, is displaying no stoicisim whatsoever. He's flat out.
Within minutes it's two as Sarr takes advantage of United's evident befuddlement and goes for the jugular. The jugular reacts rather anxiously to this development and after a brief delay for a VAR check in which David de Gea tries to gain some sort of control over the situation with a bit of gamesmanship but it doesn't matter. At all. I think we'd all been hoping for one of those "Troy hammers the ball through the goalkeeper" efforts but first goal of the season moments are significant, even for Troy, and it's a more careful slot down the middle and away from the diving keeper. The effect is the same, and now the roof comes off.
And for the rest of the game, we're pretty magnificent. Troy's flame has burned every more brightly as the game progresses and he's an absolute monster for most of the second half. It's easier to dominate the forward line and win every header when nobody's anywhere near you of course, but the reason nobody's anywhere near Troy is that he's already battered them out of the way. It's a huge effort, and something we've missed an awful lot.
Changes are made, the most effective of which sees Pogba bring some strength, elegance and grease to United's midfield. In there, as throughout, there are blocks and tackles and one particularly startling save from Ben Foster who is big and deliberate throughout.
And then it's done.
5- So this is all manner of new stuff. We've remembered what it feels like to watch the end of a game with fingers clasped into scalp, waiting for the final whistle. What it's like to stumble up Occupation Road grinning stupidly whilst realising for the first time how sore your throat is, stopping to share a bear hug with someone who's obviously in the same place as you.
We've remembered what it's like to have an effective, aggressive, potent team capable of hurting others. No, this isn't a great Manchester United, but it's still Manchester United and suddenly the gap to saefty is only six points. And as above, the biggest problem wasn't the margin as much as our apparent inability to do anything close to attacking it.
That may have changed.
There's a difference between "probably" and "definitely".
Foster 4, Mariappa 4, Femenía 4, Cathcart 4, Kabasele 5, Capoue 4, *Hughes 5*, Doucouré 4, Sarr 4, Deulofeu 4, Deeney 5
Subs: Chalobah (for Doucouré, 69) 3, Pereyra (for Capoue, 77) NA, Success (for Sarr, 87) NA, Dawson, Masina, Gray, Gomes
1.	Jez Fayerman - 23/12/2019
First match my eight month old daughter has sat and watched on TV with me and the boys here in deepest Scotland. Clearly she is some kind of lucky charm – I wonder if I can persuade my wife that we must all spend Boxing Day afternoon in front of Amazon Prime? Based on yesterday's starting XI's and their performances how many United players would have made a combined team? I would suggest not one. Would probably have Pogba on the bench though! Merry Christmas to all Hornets around the world!
We Hornets must all show solidarity with the team, whether 8 months or 80 years old. Your wife has no say in this.
A great performance from both coaches on the line too. Shouting and cajoling for the ninety minutes. Whenever United attacked in the 2nd half it looked like we had 20 defenders behind the ball – but we still always looked like a threat on the break. Now the question is can we keep the intensity generated for the last 2 games against the likes of Sheffield United, Villa, Wolves etc? Time will tell but we're in a much better place than were a few weeks ago. It's ridiculously early days but this no-nonsense straight talking duo who have landed here almost by accident could be the best thing we've seen here for a long time.
3.	John - 23/12/2019
Brilliant Matt, as always! Had me excited all over again! Thanks
4.	Captain Ping Pong - 23/12/2019
Great report as always Matt. Yesterday was enjoyable for any number of reasons, shape, commitment, skill and sheer bloody-mindness! The new boss has something about him, which has installed some hope – where many of us may have accepted our fall from grace.
Hope and pray, that the win has given the lads and the fans some vim in our fight to stay in the Premier League. If we play like that and take at least some the chances we create, we have a good chance. As Nige would say – lets worry about ourselves first …
Good report as usual. I thought Deulofeu missed a trick or two when he won possession and played it back. Instead of sprinting past the full back and taking a pass over the top, he stayed put and waited for a possible return pass.
Geat analysis Matt. My son went to the match so I rely on your in-depth and balanced account. All the media concentrate on Manure errors and woes, not our improvement. The main thing is that our performances are improving and confidence will breed success. Great opportunity now to dig ourselves out of the hole. Although we are playing a proper united next time out hope is returning. A Merry Xmas to you all.
7.	david - 23/12/2019
On these pages a couple of weeks back I commented that Hughes does not have the physicality to play centre mid. How wrong I was, he was amazing yesterday.
Merry Christmas everyone.
8.	Essex Horn - 23/12/2019
One of the big improvements for me yesterday was timing and selection of the substitutions. Instead of just becoming defensive and trying to hold on, they were positive and kept the game plan that had been working. It definitely made the last ten minutes less nervy.

redpajama_set_name: RedPajamaCommonCrawl


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Q: Send data from service to bound activity periodically I have an Activity that starts and binds to a service. It sends an intent with a List of data and the service is responsible for periodically updating that data. This is done in the handleIntent (Intent) method. What I want to do is send the updated data back to the activity. Both the activity and the service are in the same application. How can I "listen" for requests from my service? Do I have to use a Messenger and/or Broadcast Receiver? what's the cleanest, easiest, most efficient way of doing this? Thanks.

A: I suggest you check EventBus. it will allow you to send events like local broadcast receiver. And from that in activity you can listen specific event and display result. you can even use interface to get callback from service also.
Without any library you can achieve this with LocalBroadcastManager.
http://developer.android.com/reference/android/support/v4/content/LocalBroadcastManager.html

A: For this problem, you can use a ResultReceiver. If both the service and activity share the same ResultReceiver object then you can "push" data to the Activity from the Service using the "send(int, Bundle)" method and on the Activity side receive it with "onReceiveResult(int, Bundle)".
ResultReceiver | Android reference

redpajama_set_name: RedPajamaStackExchange


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Q: Git flow- Need to create feature branch off of another branch I am using Git flow and I started out with a develop branch, master branch. Later, created a feature branch branching off of develop and when the functionality was complete, I merged it back to develop. Next time, Instead of creating a new feature branch, I created a new branch and added commits on that. Currently, I am on Origin/Mybranchname instead of develop/my-feature-branch. How do I make my current branch converted as a feature branch that branches off of develop?

A: You need to rename your branch so it follows the convention of feature branches, and then to rebase your branch onto the develop branch.
To rename your current branch, check out your branch and use git branch -m:
git checkout my-branch-name
git branch -m feature/my-branch-name

Once your feature branch has been appropriately renamed, you can proceed with the rebase. Make sure you have the latest origin/develop changes using git fetch, and then rebase your feature branch onto origin/develop using git rebase:
git fetch
git rebase origin/develop

Depending on whether your changes overlap with the ones that have been done on origin/develop, you may have merge conflicts. You can fix these conflicts similarly to the ones you may have had in the past with git merge.


YCreate, our new fun, creative weekly dance classes for ages 1 – 11, are designed to develop your child's co-ordination, creativity and confidence.
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While we take every opportunity to ensure the details for YCreate - Creative Dance Classes For Ages 1 - 11 are accurate, we always advise that you contact the event organiser before setting out for the event to avoid disapointment.


text:
Library consortia
Read & Publish agreement with IReL
2020-2022 Read & Publish agreement with IReL
Researchers at nine institutions in Ireland can publish an unlimited number of Open Access research articles in leading biological science journals, immediately and at no cost to them, following a three-year Read & Publish agreement between The Company of Biologists and IReL.
The agreement also covers the Higher Education Authority and Science Foundation Ireland.
IReL is an Irish e-resource licensing consortium, which has been providing online access to journals and databases for libraries in participating publicly funded Irish higher education institutions since 2004. IReL is based in Maynooth University.
The cost-neutral agreement, which runs from 1 January 2020 to 31 December 2022, also enables faculty and students at participating institutions to benefit from unlimited access to all articles published in Development, Journal of Cell Science and Journal of Experimental Biology.
Jack Hyland, IReL Manager, said:
"IReL is delighted to sign an agreement with The Company of Biologists. It provides our corresponding authors with immediate Open Access publishing without them needing to pay article processing charges. The agreement also enables students and researchers to have access to additional journals previously unavailable to them."
Hear IReL Officer Aaron Binchy talk about the Read & Publish agreement between IReL and The Company of Biologists in this short video.
Institutions from across Ireland are participating in the agreement:
Maynooth University
Science Foundation Ireland
University College Cork
University of Galway
Further information about our Read & Publish initiative?
Please contact us at subscriptions@biologists.com.
Read & Publish Open Access initiative
Available to libraries and library consortia worldwide, our Read & Publish agreements offer a cost-neutral transition to Open Access.
See participating institutions
Read & Publish – frequently asked questions
Keep up to date with the latest library news and events
Read & Publish for researchers
Learn how Read & Publish agreements benefit researchers. View our step-by-step guide to publishing Read & Publish Open Access research articles.
16 years of Open Access publishing
Read our OA story


text:
Clenora F. Hudson-Weems (born July 23, 1945) is an African-American author and academic who is currently a Professor of English at the University of Missouri.  She coined the term "Africana womanism" in the late 1980s, contending that women of African descent have always been Africana womanists by their very nature, dating back to Africana women in antiquity, even before the coinage of the word itself.  Africana Womanism, a family-centered paradigm, observed this phenomenon, then proceeded in naming and defining a paradigm relative to who Africana women are and how they go about their daily lives in both the home place and the workplace.

Hudson-Weems wrote a research paper entitled "The Tripartite Plight of the Black Woman—Racism, Classism and Sexism—in Our Nig, Their Eyes Were Watching God and The Color Purple" during her first semester as a Ph.D. student at the University of Iowa in 1985. She set up a panel on the need for prioritizing race, class and gender for Black women and presented it at the 1986 National Council for Black Studies Annual conference, which was later published in the Journal of Black Studies in 1989.

Hudson-Weems has written many papers concerning the distinctions between Africana womanism, earlier called Black Womanism, Womanism and Black feminism. She believed that Black Feminism was lacking some crucial ideas in its concept, which motivated her to come up with Black/Africana Womanism. She was concerned about how the already existing concepts such as feminism, black feminism, womanism, did not include an authentic agenda for Africana women.

Her book Africana Womanism: Reclaiming Ourselves was released in 1993 even though several publishers were hesitant to take on the manuscript due to the controversial issues surrounding black women's rejection of "mainstream" feminist ideology.

Hudson-Weems took a strong position that black women should not have to rely on Eurocentric feminism for their liberation when they have a rich history and legacy of women of African descent. [Hill 1811] She believed that many people viewed Africana Womanism as risking their professional security and also as invalidating their years of research from the Black feminist perspective. She wished people viewed the concept as "a natural evolutionary process of ideological growth and development" from Black feminism to Africana womanism (Hudson-Weems, "... Entering the New Millenium" 36).

Hudson-Weems criticized Black feminists because they did not acknowledge Africana feminism's essential and underlying foundation "nommo", its name. She discusses Africana Womanism and compares it to other branches of feminism and explains what they are lacking in her book Africana Womanist Literary Theory in 2004.

Hudson-Weems is also the author of Emmett Till: The Sacrificial Lamb of the Civil Rights Movement (1994).

Distinctions
Some very clear distinctions exist between the terms womanist and feminist. Feminism is focused on the equal treatment of women in terms of social, political, and economic rights. Despite the fact that there has been immense progress for women under this ideology, some feminist scholars argue that it has effectively upheld white supremacist thought and boxed out women of color.

Womanism, on the other hand, is the notion that women should be valued not only as much as men, but as much as other women—regardless of race, class, and other elements that dictate social order. Its origins trace back to Sojourner Truth's 1851 speech "Ain't I A Woman?" where she calls into question this notion of womanhood that does not successfully encompass all the lives it seeks to control. As a black woman, and a slave, Truth was denied the courtesies, the respect, and the basic human rights given to her white female counterparts. This skewed social dynamic that glorified white womanhood transcended time periods, which is why distinctions between feminism and womanism are necessary today. Womanism focuses specifically on the ties linking women of color to one another, while also creating a very distinct dichotomy between the ways in which women of color might operate differently than their white feminist counterparts under the same oppressive forces. As Alice Walker famously said, "Womanism is to feminism as purple is to lavender", one pales in comparison to the other. Clenora Hudson-Weems contends that feminism, on its own, does not consider the intersectional realities of the lives of Africana women, thus, solidifying their position as "the other". The bias shown toward these individuals is upheld by the longstanding existence of patriarchy. It was noted that "...patriarchal societies have manifested a fear of foreigners or difference and have suppressed women in numerous ways". In so doing, the delineation between which forms of womanhood are acceptable and which are not, is very clearly established. To combat this lack of inclusivity, womanism—as an ideology—acts as the voice of the unheard; it is "...an Afrocentric paradigm that can embrace the activism of all African women, recognized or ignored, who have struggled to liberate African people on a global scale". This gives Africana women a platform on which they can stand up and be heard, a people with whom they can identify, and a voice with which they can actively speak.

An even more specific subset of womanism, which identifies African women as the focus, is Africana womanism. Some scholars argue that feminism in some ways waters down an individual's cultural identity and generalizes women to a non-inclusive umbrella category, while Africana womanism allows one to maintain their cultural identity. In terms of its distinction from womanism, Africana womanism is very ethnically specific. It facilitates the distinction of individual self-identification, dependent upon one's cultural background. The agency of Africana individuals is lacking, primarily because Western culture advocates Eurocentric beliefs rather than Afrocentric beliefs. To consider one's ethnic identity in the context of patriarchy is to encourage women of African descent to acknowledge their own unique, situational experiences. This offers women a mechanism of self-identification that can ease the burden of everyday life under socially, economically, religiously, and culturally limiting structures.

See also
 Africana womanism
 Womanism

References

External links
"'Africana Womanism': An authentic agenda for women of Africana descent", December 30, 2010.

1945 births
African-American women writers
American women writers
American writers
Black studies scholars
American literary theorists
Living people
Womanist writers
African-American writers
University of Iowa alumni
University of Missouri faculty
American women academics
21st-century African-American people
21st-century African-American women
20th-century African-American people
20th-century African-American women

redpajama_set_name: RedPajamaWikipedia


text:
Три тела Будды, Трика́я (, , кит. 三身, сань шэнь — «три тела») — триединая сущность, или три способа бытия Будды. Учение о Трёх телах Будды отсутствовало в раннем буддизме и в буддизме Тхеравады, но наличествует в махаянских школах буддизма. Письменно зафиксировано примерно с первого века новой эры.

Согласно учению махаяны, Будда проявляет себя в трех аспектах.
 Дхармакая (, кит. 法身, фа шэнь — «сущностное тело») или Ваджракая (, «алмазное тело») — высшее, абсолютное проявление духовной сущности, сущность мироздания, постижимая только посредством высшего просветления.
 Самбхогакая (, кит. 報身, бао шэнь — «тело блаженства» или «божественное тело») — образ Будды, постижимый в глубокой медитации. В этой мистической форме Будда проявляет себя, чтобы дать глубокие поучения бодхисаттвам и йогинам.
 Нирманакая (, кит. 化身 хуа шэнь — «феноменальное тело»). Будда, проявляющий себя в обыденном мире. В частности, нирманакаей считается исторический Будда (принц Сиддхартха Гаутама).

См. также
 Ланкаватара сутра
 Троица

Литература
 на русском языке

 на других языках

 Trikāya // Encyclopædia Britannica

Понятия буддизма
Буддийская мифология


This thesis explores Nintendo's past and present games and marketing, linking them to the broader trend of the commodification of nostalgia. The use of nostalgia by Nintendo is a key component of the company's brand, fueling fandom and a compulsive drive to recapture the past. By making a significant investment in cultivating a generation of loyal fans, Nintendo positioned themselves to later capitalize on consumer nostalgia. The commodification of fan nostalgia is evident across multiple platforms, from the development of the Virtual Console digital game storefront to the use of pastiche and remediation in multi-generation, Nintendo developed franchises. Additionally, Nintendo frequently places their heritage front and center and creates tightly controlled spaces to guide fan discourse and continue to shape the Nintendo legacy on their terms.
Cuff, Steven, "Now You're Playing with Power: Nintendo and the Commodification of Nostalgia" (2017). Theses and Dissertations. 1459.


text:
echo $SLURM_JOBID - `hostname` >> ~/slurm-lstm-jobs.txt

module purge
module load tensorflow/1.0.0
cd /home/usaxena/work/690/project/src/memn2n
python memn2n.py 8

redpajama_set_name: RedPajamaGithub


text:
Brighton Royal Pavilion Gardens second report of attempted rape
Mike Mackenzie
Police want to find a woman in connection with an incident at Brighton's Royal Pavilion Gardens in the early hours of today (Monday, June 24).
Police were called by the Royal Pavilion estates security team shortly after 1am, following concerns for a woman in distress, who was seen on CCTV to run off from the area, said police.
Second report of attempted rape in Brighton Royal Pavilion Gardens
A spokesman said: "A 36-year-old local man was detained by security staff prior to officers' arrival, and arrested on suspicion of attempted rape. He remains in custody at this stage."
Brighton and Hove Police Chief Inspector Rachel Swinney said: "We are aware this is the second report of such an incident at the same location in a relatively short space of time, and each case is being fully investigated.
"There is nothing to suggest the incidents are linked.
"We are working hard to establish the full circumstances in liaison with Brighton and Hove City Council.
"In the meantime, our priority is to locate the woman involved to ensure she is safe and that she receives the necessary support she needs."
Officers are concerned for the welfare of the woman involved, and are urging her – or anyone with any information about the incident – to come forward.
Call 101, quoting serial 65 of 24/06, or Crimestoppers anonymously on 0800 555 111 or report it online.
Brighton attempted rape suspect appears in court
Police seek witnesses after 'life-threatening' stabbing near Brighton Pavilion Gardens
'Extremely offensive' Hove graffiti - do you know this man?
Hailsham man admits assaulting woman


text:
var pageEnum = ['loginscreen', 'pickscreen', 'gamescreen']

function loadPageById(id){
  for(var i = 0, iLen = pageEnum.length; i < iLen; i++){
    document.getElementById(pageEnum[i]).style.display = "none";
  }

  document.getElementById(id).style.display = "inline";
}

var waifus = [];

function pickWaifu(waifu, id){
  if( waifus.length >= 4 ){
    return
  }

  waifus.push(waifu);

  document.getElementById(id).style.borderColor = 'blue';

  if( waifus.length >= 4 ){
    socket.emit('pick', { char_ids: waifus });
  }
}

function getSpriteAsset(charid){
  switch(charid){
    case "Bleaku":
      return "/static/images/bleaku.png"
    case "Dontno":
      return "/static/images/dontno.png"
    case "Exconata":
      return "/static/images/ExConata.png"
    case "Loise":
      return "/static/images/Loise.png"
    case "Mayo":
      return "/static/images/Mayo.png"
    case "Moyuri":
      return "/static/images/Moyuri.png"
    case "RAM":
      return "/static/images/RAM.png"
    case "Ray":
      return "/static/images/Ray.png"
    case "Stabber":
      return "/static/images/Stabber.png"
    case "Winery":
      return "/static/images/Winery.png"
  }
}


This is a collection for the classic lovers out there. It includes two Sharing Boxes (Date & Walnut and Hazelnut) and three Goupie Minis (Original, Orange and Mint). ALL of these flavours are vegan friendly, because everyone should be able to enjoy the classics!


Pamplona is one of the most traditional and antique cities of Spain. It was founded by the Roman general Pompey around 75 B.C and, after a long time, it was stablished as the capital city of the Community of Navarra. Romans, Germans, Visigoths and also Muslims were settled in this city during ancient times before it got finally united to the Spanish Crown in 1512. And, do you know what? It is just 43km away from the Parador de Olite.
Its fortress and walls are worldwide famous, as well as its gastronomy. It is definitely a city that has to be visited. It would be a great plan to combine the visit to Pamplona with a stay at Parador de Olite and so be able to enjoy both experiences. That is why we are suggesting now a getaway plan to guide you on what to see and where to go when going to this beautiful region.
The worthiest and most important place to stop by is, definitely, the historic part of Pamplona. Walking down its streets, going into handcrafted shops and trying some delicious D.O. wines while eating their local products will make your time in Pamplona a perfect trip.
- The Old Cathedral: Santa María la Real de Pamplona Cathedral. It is famous because of its unique architecture, maybe one of the more complex ones according to preserved religious buildings in Spain. There you can admire some great sculptures from the old Navarra Kingdom back in the 12th Century.
- Museum of Navarra. It is located in the Old Hospital Nuestra Señora de la Misericordia, a building that was founded in the XVII century. You can find different remains of the History of Navarra, including Roman Art, Renaissance Art and even Prehistory remains.
- Plaza del Castillo (Castle's Square). Go through it and visit the Palace of Navarra. It is a building from the XIX century and it is now where the Government stays. This is also the central spot of the city of Pamplona and where so many cultural events take place.
As it has been said, just some kilometres away from this city, there is Olite: one of the most beautiful and interesting medieval towns. The most impressive part of this spot is the magnificent Palace-Castle of Olite, as it is considered a National Monument. Can you guess what is going on in the Castle now? Part of the Castle is a luxurious hotel… The Parador de Olite. This means that you can stay, eat and sleep at this great and ancient building with stone walls and non-ecclesiastical architecture because it is the wonderful Parador de Olite.
Long corridors, medieval and royal atmosphere, historical location, and excellent food will determine your stay at this great hotel, Parador de Olite. Trying the local gastronomy is also a must in case of going to Navarra.The Parador de Olite offers you the opportunity to try a great variety of exquisite local products that come from natural production and farms of the region, and of course the wine. Do not forget to try Navarre asparagus; everyone loves them!
Combine some urban tourism in Pamplona with some rural tourism around its surroundings in Olite. Both will be full of History and beauty. Discover the essence of nobility, castles and walls that Navarra hides inside its villages.


The continued uncertainty surrounding the UK's exit from the European Union is having a knock-on effect on the number of European visitors booking to visit the UK, according to data from UKinbound.
New research has shown that Germany has become the main declining market, overtaking France, while marketing such as China and the US are showing growth.
According to UKinbound business confidence amongst UK tourism firms remains low, with only 53% stating they were confident about the upcoming 12 months, a drop of 6% on November and December 2018.
Full story at Travel Weekly.
Hoteliers in Spain are bracing themselves for a decline in guests from the UK – the country's biggest source market – if the UK opts for a hard Brexit.
According to the Confederation of Spanish Hotels & Tourist Accommodation (CEHAT), a hard Brexit that would require visas for British visitors or a further devaluation of the Pound Sterling, could see visitor numbers to Spain drop by as much as 15%.
In 2018 Spain welcomed 18 million British travellers, but CEHAT says that number could drop by up to three million in 2019.
Full story at Hotel New Now.
The latest data on Europe's hotel industry showed small gains across all key metrics for the month of February 2019, compared with February 2018. Occupancy was up 0.1% to 65%, Average Daily Rate (ADR) was up 1.9% to €100.60 and Revenue Per Available Room (RevPAR) was up 2% to €65.34.
Saint Petersburg in Russia fielded the strongest performance, with RevPAR up 9.5% to RUB1,877.22, ADR up 2.6% to RUB4,128.27 and occupancy up 6.7% to 45.5%.
Hotels as a real estate asset class remain favourable with both hotel developers and investors, according to panellists at the recent International Hotel Investment Forum (IHIF) in Berlin.
Speaking on a panel titled "Money makes the world go round," Abhishek Agarwal, managing director of real estate for Blackstone, said demand is still exceeding supply. Fellow panellist Mai-Lan de Marcilly, principal, real estate, at Kohlberg Kravis Roberts, agreed there was growth in Europe, especially in hotels.
Full story at Hotel News Now.
An annual increase in business rates in the UK, which came into effect at the start of April, will severely impact the hospitality sector, says UKHospitality.
Introduced on 1 April 2019, the new rates will see UK hotels, hostels and guest houses paying £25 million more in rates while also missing out on £73 million worth of rates relief.
UKHospitality CEO Kate Nicholls has called on the government to reform the rates system and has called for a Royal Commission – a formal public enquiry – into the issue.
The UK hotel industry has got off to a sluggish start in 2019, posting a second consecutive month of profit decline in February. Gross Operating Profit Per Available Room (GOPPAR) for the month was down 4.4% year on year to £35.44.
On a positive, hotels managed to see a small gain on Total Revenue Per Available Room (TRevPAR), up 0.2% to £123.42 and a similar 0.5% increase in RevPAR to £78.80.
The second annual AHIC Hotel Investment Forecast, released in conjunction with the annual Arabian Hotel Investment Conference (AHIC), has revealed that hotel construction contracts worth up to US$30 billion will be awarded in the Middle East and North Africa between now and 2023.
Research conducted by Meed Projects in Q4 2018 found that hotel development is most active in the UAE, Egypt and Saudi Arabia. The MENA region has seen more than 800 new hotels worth in excess of US$44 billion built over the past seven years.


The full and sole copyright for all original artworks, including commissioned work and photographs reside with the artist/photographer, Leanne Byrom unless otherwise agreed by special written arrangement.
Reproduction of any works in any format is unauthorised unless duly formalised in a written licensing and production agreement.
The artist/photographer, Leanne Byrom, retains all permissions to use of any commissioned or licensed works of art for the purposes of marketing and print reproduction.


How do Elexio Check-In Hardware Pagers Work?
Elexio Check-In has the ability to create events that use physical hardware pagers and can help you keep track of these pagers through the use of barcoded identifiers. This works the best when you use events that require check out, although this is not required. It may help to think of interactions with Elexio Check-In in terms of 'transactions'.
Does a hardware pager need to be issued?
If any family member is checking INTO any event that is set up to use a hardware pager, then a pager needs to be issued.
Does a hardware pager need to be returned?
If any family member is checking OUT OF an event that is set up to use a hardware pager, then a pager needs to be returned.
If a hardware pager needs to be issued and one has not already been issued to the family for the day, the user will be given the opportunity to scan in a new pager.
If a hardware pager needs to be issued and one has already been issued to the family for the day, the user will be given the opportunity to continue to use the same pager that was originally assigned to the family or to get a different one.
If a hardware pager needs to be returned but there are people in the household still checked into events that use a hardware pager, the user will be notified and asked if they still want to return the pager at that time.
If a hardware pager needs to be returned and there is no one from the household still checked into events that use a hardware pager, the user will be asked to scan their pager in and it will be compared to the pager that was originally issued and marked as returned if it matches.
If you are not requiring that people check out of events, hardware pagers will never be returned as far as Elexio Check-In is concerned. In this case your reports may show that the same pager was issued to multiple families throughout the day. In the event that a pager goes missing, you can identify all of the families that used it that day but not necessarily if they returned it (although the most likely culprit would be the last family to scan it out).
If a hardware pager needs to be issued and one has not already been issued to the family for the day, the user will be given the opportunity to scan in a new pager. Keep in mind that this may be a pager that has already been issued to another family for the day.
If a hardware pager needs to be issued and one has already been issued to the family for the day, the user will be given the opportunity to continue to use the same pager that was originally assigned to the family or to get a different one. If your parents are physically returning the pagers then you should always choose to scan a new pager.


The Morningstar Corporation SunSaver Charge Controller with Low Voltage Disconnect 24V, 20A (3rd Generation) SS-20L-24V third generation SunSaver charge controllers now have a bi-color Charging Status LED on the left side of the controller. Morningstar has also added a third LED for battery state of charge indication (Green, Yellow, Red). Each new generation SunSaver also ships with a plastic terminal cover for UL certified installations. The Morningstar SunSaver controllers are uniquely qualified for use in oil and gas installations. Each product version has been certified and reaffirmed by an independent laboratory.


text:
Q: Como faço pra pegar cada objeto do JSON, adicionar em uma lista e mostrar na activity? Tenho que desenvolver um app de ecommerce e tenho uma dúvida em relação a listas. Estou recebendo um JSON com alguns dados de produto de uma API e estou tentando pegar cada objeto desse JSON, colocar em uma lista e mostrar cada produto com seus dados em uma Activity. Mas ja tentei de tudo e mesmo assim nao lista nada, a tela fica em branco
JSON que é retornado
[
  {
  "id": 7,
  "name": "Repelente Premium Bite Stop",
  "price": "35.5000",
  "description": "O repelente Premium Bite Stop é indicado para cães, gatos,
                  cavalos, ferrets e roedores. Protege objetos e móveis que os
                  animais possam lamber, mastigar ou morder. Pode ser utilizado
                  sobre a pele para desencorajar automutilação e para proteção de
                  talas, feridas pós-cirúrgicas e curativos. Não é tóxico.",
  "discountPromotion": "0.00",
  "activeProduct": 1,
  "minimumStockQuantity": 30,
  "image": "FFD8FFE000104A46494600010101006000600000FFE100224578696600004D4D002A000000...",
  "categoryId": 3
 },
 {
  "id": 6,
  "name": "Dry Shampoo Banho a Seco",
  "price": "25.0000",
  "description": "Indicado para:\r\n\r\nCachorro, todas as raças;\r\nA partir de
                  2 meses de idade;\r\nA embalagem é de 150ml;\r\nPet Clean /
                  Linha Shampoo Banho Seco;\r\n\r\nBenefícios:\r\n\r\nEconomiza
                  água e deixa seu pet limpo e cheiroso;\r\nFácil e prático de
                  aplicar;\r\nIndicado para todos os tipos de pelo;\r\nNão
                  precisa enxágue;\r\nAroma de Morango e Limonada;",
  "discountPromotion": "3.00",
  "activeProduct": 1,
  "minimumStockQuantity": 10,
  "image": ""FFD8FFE000104A46494600010101006000600000FFDB0043...",
  "categoryId": 5
 }
]

Código da MainActivity
import java.text.NumberFormat;
import android.graphics.Bitmap;
import android.graphics.BitmapFactory;
import android.os.AsyncTask;
import android.os.Build;
import android.support.annotation.RequiresApi;
import android.support.design.widget.NavigationView;
import android.support.v4.widget.DrawerLayout;
import android.support.v7.app.ActionBarDrawerToggle;
import android.support.v7.app.AppCompatActivity;
import android.os.Bundle;
import android.util.Base64;
import android.view.MenuItem;
import android.view.View;
import android.widget.ArrayAdapter;
import android.widget.ImageView;
import android.widget.ListView;
import android.widget.TextView;
import org.json.JSONArray;
import org.json.JSONObject;
import java.io.BufferedReader;
import java.io.IOException;
import java.io.InputStream;
import java.io.InputStreamReader;
import java.net.HttpURLConnection;
import java.net.URL;
import java.util.ArrayList;
import java.util.List;

public class MainActivity extends AppCompatActivity {
    private ListView list_products;
    private ImageView product_picture;
    private TextView product_name;
    private TextView product_price;
    private TextView product_description;
    private NavigationView navigationView;
    private DrawerLayout drawerLayout;
    private ActionBarDrawerToggle actionBarDrawerToggle;

    List<Product> products = new ArrayList<Product>();

    @Override
    protected void onCreate(Bundle savedInstanceState) {
        super.onCreate(savedInstanceState);
        setContentView(R.layout.activity_main);

        NetWorkCall myCall = new NetWorkCall();
        myCall.execute("http://kanino-pi4.azurewebsites.net/Kanino/api/produtos");

        list_products = (ListView) findViewById(R.id.list_products);
        product_name = (TextView) findViewById(R.id.product_name);
        product_price = (TextView) findViewById(R.id.product_price);
        product_description = (TextView) findViewById(R.id.product_description);

        ArrayAdapter<Product> adapter = new ArrayAdapter<Product>(this, android.R.layout.simple_list_item_1, products);
        list_products.setAdapter(adapter);

        getSupportActionBar().setHomeButtonEnabled(true);
        getSupportActionBar().setDisplayHomeAsUpEnabled(true);

        //--------------NAVIGATION VIEW---------------------
        navigationView = (NavigationView) findViewById(R.id.navigation_view);
        navigationView.setNavigationItemSelectedListener(
                new NavigationView.OnNavigationItemSelectedListener(){
                    public boolean onNavigationItemSelected(MenuItem menuItem){
                        if(menuItem.isChecked()){
                            menuItem.setChecked(false);
                        }else{
                            menuItem.setChecked(true);
                        }

                        drawerLayout.closeDrawers();
                        if(menuItem.getItemId() == R.id.action_product){
                            ProductFragment fragment = new ProductFragment();
                            getSupportFragmentManager().beginTransaction().replace(R.id.frag_container, fragment).commit();
                            return true;
                        }
                        if(menuItem.getItemId() == R.id.action_login){
                            LoginFragment fragment = new LoginFragment();
                            getSupportFragmentManager().beginTransaction().replace(R.id.frag_container, fragment).commit();
                            return true;
                        }
                        if(menuItem.getItemId() == R.id.action_register){
                            RegisterFragment fragment = new RegisterFragment();
                            getSupportFragmentManager().beginTransaction().replace(R.id.frag_container, fragment).commit();
                            return true;
                        }
                        if(menuItem.getItemId() == R.id.action_register){
                            RegisterFragment fragment = new RegisterFragment();
                            getSupportFragmentManager().beginTransaction().replace(R.id.frag_container, fragment).commit();
                            return true;
                        }
                        return false;
                    }
                }
        );

        drawerLayout = (DrawerLayout) findViewById(R.id.drawer);

        actionBarDrawerToggle = new ActionBarDrawerToggle(this, drawerLayout, R.string.openDrawer, R.string.closeDrawer){};
        drawerLayout.setDrawerListener(actionBarDrawerToggle);
        actionBarDrawerToggle.syncState();
        //--------------------------------------------------------
    }

    public boolean onOptionsItemSelected(MenuItem item){
        if(actionBarDrawerToggle.onOptionsItemSelected(item)){
            return true;
        }
        return super.onOptionsItemSelected(item);
    }

    public class NetWorkCall extends AsyncTask<String, Void, String>{
        @Override
        protected String doInBackground(String... params) {
            try{
                HttpURLConnection urlConnection = (HttpURLConnection) new URL(params[0]).openConnection();
                urlConnection.setConnectTimeout(4000);
                InputStream in =  urlConnection.getInputStream();
                BufferedReader bufferedReader =  new BufferedReader(new InputStreamReader(in, "UTF-8"));
                StringBuilder resultado = new StringBuilder();
                String linha = bufferedReader.readLine();

                while(linha != null){
                    resultado.append(linha);
                    linha = bufferedReader.readLine();
                }

                String respostaCompleta = resultado.toString();

                return respostaCompleta;

            } catch (IOException e) {
                e.printStackTrace();
            }
            return null;
        }

        protected void onPostExecute(String result){
            super.onPostExecute(result);
            try{
                JSONArray json = new JSONArray(result);
                for(int i = 0; i < json.length(); i++) {
                    JSONObject j = json.getJSONObject(0);
                    Product product =  new Product(j.getInt("id"),
                                                   j.getString("name"),
                                                   j.getString("price"),
                                                   j.getString("description"),
                                                   j.getString("discountPromotion"),
                                                   j.getInt("activeProduct"),
                                                   j.getInt("minimumStockQuantity"),
                                                   j.getString("image"));
                    addAtTheList(product);
                }
            } catch (Exception e) {
                e.printStackTrace();
            }
        }

        public void addAtTheList(Product product){
            products.add(product);
        }
    }
}

A: O ideal é você criar classes de objetos com os nomes de atributos idênticos aos do json (ou se preferir pode mapear ultilizando a anotação @SerializedName). Sugiro que baixe a biblioteca Gson, para serialização e desserialização de json.
O que essa biblioteca irá fazer é transformar os json's em objetos e os objetos em json's
Exemplo:
public class Produto{
    private int id; //Ou String se preferir
    private String name;
    private float price;
    //outros atributos, getters e setters
}

Para no caso de um objeto ficaria:
String produtoJson = "{\"id\": 7,\"name\": \"Repelente Premium Bite Stop\",\"price\":\"35.5000\"}"
Produto produto = new Gson().fromJson(produtoJson,Produto.class);

Mas no seu caso, você está trabalhando com um array de json, portanto, é nessário desserializar o json em uma List ou Array, portanto:
String variosProdutosJson = "[{\"id\": 7,\"name\": \"Repelente Premium Bite Stop\",\"price\":\"35.5000\"},{\"id\": 8,\"name\": \"Produto Y\",\"price\":\"45.5000\"},{\"id\": 9,\"name\": \"Produto X\",\"price\":\"15.5000\"}]"
List<Produto> produtos = new Gson().fromJson(variosProdutosJson, new TypeToken<List<Produto>>(){}.getType());

Abraços


Ans:-Your DNA, taken from cells inside your mouth, is analyzed in Interleukin's extremely sophisticated laboratory, utilizing state-of-the-art equipment and laptop applications to find specific variations which will pinpoint certain risk factors. The question arises why these corporations are introducing these packages without the social mobilization to check the mindset of the youth. Are they making an attempt to facilitate the frequent man or solely youth? I feel except on very pressing events ordinarily no one wish to discuss after midnight.
It's essential that you already know the place to go for medical care if you want it. There are some massive differences between visits to your primary care supplier and visits to the emergency room, corresponding to value, time spent ready for care, and observe up. That is why it is so essential that we drink enough water to assist preserve good health. Mendacity on stomach, increase head, torso, arms, and legs off the bottom and stretch. Arms ought to be outstretched and pointing in direction of toes.


42 x 14 slip. Golf Cart avail.
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SO MANY DESIGNER DETAILS IT IS WOW + 10 and MORE. Features 10″ ceilings with tray in Great Room. CUSTOM KITCHEN WITH GRANITE, 2 TONED CABINETS, everything is soooo beautiful. Great Room with enormous Fireplace with gas fireplace and honed wood mantle. Deck must be 40+ feet long screened and shaded. beautiful view of quiet Gravois Arm. Includes 42 x 14 slip. Dock has year round PARTY BAR for you and your 7 neighbors. FUN, FUN, FUN. Master Bath is like nothing I've ever seen before with 6 different solid surfaces that match perfectly and blend in perfect harmony. Jetted tub, over sized shower and more. Extra bedroom and Laundry on main level so you never need to go down stairs. But if you do you will be totally impressed. Family Room, 3 Bed rooms, 2 Baths and storage galore. Garage is 2 car attached with room for golf cart to take you to dock and pool and workout center. YOU CANT ASK FOR MORE!


In Section 2.1 Using Variables, objects were listed as a type of variable. Whilst this is a perfectly acceptable statement, in this part, we will explore this in a bit more detail.
If you remember back to Section 1.4 Understanding the Code, objects come in various types, worksheets are objects, cells are objects, charts are objects. In VBA, it is possible to declare a bland 'object' as a variable.
It is also possible to be more specific by declaring an object variable. For example, the code below creates a worksheet object variable called wkSheet.
Both pieces of code are acceptable and will run without error. A variable declared as an object can hold all types of objects. By declaring a variable as a type of object, it can only hold that type of object. For example, a worksheet object variable can only hold worksheets.
But this doesn't work for objects, it will result in an error message.
Objects must be 'Set'. The word Set appears before the name of the variable.
It is now possible to refer to the ActiveWorksheet with just wkSheet. This does not seem like much of a saving, but when working with longer sections of code it can be a big time-saving. For example, when consistently referring to a specific cell, the following code would take a long time to write each time.
Instead, a range object variable could be created.
Now, each time the cell value is required the code could be simplified down as follows.


text:
Long March 5 (Image: Wikimedia)
As Chinese Rocket, Long March 5B, Falls Back To Earth, Concern Rises Over Possible Debris Damage
by Dongyoon ShinMay 8, 2021, 6:11 pmMay 8, 2021, 6:11 pmMay 8, 2021, 6:11 pmHome Featured, News, News Feed >
A huge Chinese Rocket, Long March 5B, is falling back to Earth, as space experts say its debris could land around 11:30 p.m. Saturday if the rocket doesn't burn up on its way.
The Long March 5B rocket, 100-feet tall and weighs 22 tons, is reportedly out of control and falling at 18,000 miles an hour.
According to the European Space Agency, the risk zone, which the debris might fall, is between "41.5N and 41.5S," which s New York, Africa and Australia, parts of Asia and Europe.
"The risk that there will be some damage or that it would hit someone is pretty small – not negligible, it could happen – but the risk that it will hit you is incredibly tiny, " Jonathan McDowell, an astrophysicist at Harvard University, said.
"And so I would not lose one second of sleep over this on a personal threat basis."
McDowell, however, also predicted that the debris, if it comes down to the earth, is likely to land on the Pacific "because Pacific is most of the Earth."
Earlier this week, Secretary of Defense Lloyd Austin has said that the U.S. currently has no plan to shoot down the rocket as he predicts the debris will land somewhere safe.
"We have the capability to do a lot of things, but we don't have a plan to shoot it down as we speak," said Austin Thursday.
Austin criticized China for its poor control of the situation.
"I think this speaks to the fact that for those of us who operate in the space domain, there should be a requirement to operate in a safe and thoughtful mode," he said
china Lloyd Austin
Putin's Threats Of Nuclear War Puts U.S. Military On Alert
Defense Secretary Lloyd Austin Calls On Western Allies To 'Move Heaven & Earth' To Help Ukraine
Blinken & Austin Visit Ukraine For Meeting With Zelensky
Article by Dongyoon Shin
Victoria Beckham Makes Nice With Daughter-in-Law Nicola Peltz After Feud Rumors
VIDEO: Alexander Skarsgard On 'Infinity Pool' Orgy Scene, Brandon Cronenberg At Sundance Premiere
'Pitch Perfect' Star Anna Camp Talks 'Messy' Role In 'A Little Prayer' At Sundance Premiere
Rep. Marjorie Taylor Greene Served A Cease & Desist By Dr. Dre For Using Music In Video
Sheryl Lee Ralph, Chris Stapleton, Babyface To Perform At 2023 Super Bowl Pre-Show
Supreme Court Fails To Find Abortion-Ruling Leaker
Treasury Secretary Warns Congress U.S. Will Soon Hit Debt Ceiling


Snodgrass only joined the Hammers in January, completing a £10m move from the Tigers, where he remained top scorer for the 2016/17 campaign, with seven Premier League goals.
Former Hull City winger Robert Snodgrass has been linked with a shock exit from West Ham United with Brighton and Hove Albion interested in a £8m move, according to Football London.
However, the Scottish international has struggled to make the same impact in east London and could be on the move once again, just six months after joining.
Snodgrass has started just nine games in claret and blue so far but has secured nothing but two assists and criticism from West Ham fans, who have been disappointed with his performances.
With his future in doubt newly-promoted Brighton are reported to be keen to taking the winger to the South Coast ahead of their first season in the Premier League. But, any deal will more than likely see West Ham make a loss on Snodgrass, with a fee of £8m being touted.


text:
#weareallswitzerland
#notSelfinflicted
We therefore call on the Federal Council, the cantons and the responsible authorities to consider the aforementioned consequences of the corona pandemic when making residence and naturalisation decisions and to suspend the factor of economic integration. Persons that are faced with economic difficulties during times of Covid-19 must not be penalised further by making residence permits more difficult to attain or by being refused naturalisation. We call on the Swiss civil society and especially on all political organizations and media representatives to work towards ensuring that this issue receives public attention. There are thousands of individual fates at stake. But it is also about our common future in a democratic society based on participation. This requires security of residence and civil rights. Let us show solidarity here too. We are all Switzerland!
A central factor for decisions on residence rights is sound integration or participation in Swiss economic life: whether this concerns naturalisation, settlement permits, extensions and conversions of the various residence permits, hardship decisions or downgrading processes. Anyone who receives social security benefits, is unemployed, has incurred debts or is undergoing debt enforcement proceedings, is generally disadvantaged. Residents without Swiss citizenship run the additional risk of losing the right of residence or the right to a fair naturalisation procedure. This applies to people from EU/EFTA countries as well as third-party states and affects fellow humans who have come to Switzerland for work, to join their families or to apply for asylum.
The Federal Supreme Court has already stipulated that, in residence and naturalisation decisions, no decisive weight shall be attached to "non-self-inflicted" economic problems. In times of corona, this principle must be implemented on all levels in a truly binding manner. The authorities should have to proactively clarify whether individual economic difficulties are related to the corona crisis. To this end, transparent guidelines and regulations should be issued by the responsible decision-makers at a federal, communal and cantonal level, allbased on the assumption that economic distress in times of corona is, in principle, not the fault of the individual, unless the opposite can be shown. Let us show solidarity here too. We are all Switzerland!
INES Institute New Switzerland


It a rather familiar update this week but still good. First off we got five more pages of Honey B The Amazon Nation Saga as Honey continues her mission. Plus we got five pinups for you as well. All new and exclusive we promise.
I also commissioned a new project for Amorim with Sheena so we should be seeing new adventures for our heroine. Plus new pages are due soon for Vixen by Zeu a good artist and slick style. So membership has benefits stay toned for more art!


text:
Elektriska AB AEG var den svenska representationen för det tyska elektrotekniska företaget AEG.

Elektriska AB AEG startades i Stockholm 1899 efter att den tyskfödde elektroingenjören Hans Mannstaedt, som sedan 1880-talet innehaft generalagenturen, avlidit. Detta bolag representerade även det med AEG samarbetande Gesellschaft für drathlose Telegraphie, sedermera Telefunken, och startade 1910 egen tillverkning i Stockholm av apparater för trådlös telegrafi. Det tillkom även filialer i en rad svenska städer.

Ett tidigt större projekt blev byggandet av Norrköpings elektricitetsverk och spårvägar, vilket genomfördes 1902–1904. Dessa anläggningar kom även att under fem år drivas av Elektriska AB AEG genom ett särskilt dotterbolag för att därefter övergå i stadens ägo. År 1921 tillkom dotterbolaget Svenska AB Trådlös telegrafi (SATT), vilket byggde de flesta större rundradiostationer i Sverige, och 1927 dotterbolaget Svenska Instrument AB (SIA), vilket främst tillverkade bland annat strålkastare och centralinstrument för det svenska försvaret.

År 1971 var huvudkontoret beläget i Solna med försäljningskontor även i Gävle, Göteborg, Jönköping, Karlstad, Kiruna, Linköping, Malmö, Norrköping, Skellefteå, Sundsvall och Örebro. Namnet ändrades vid årsskiftet 1973/1974 till AEG-Telefunken Elektriska AB, vilket 1982 sammanslogs med Ahlsell AB under det sistnämnda namnet.

Verkställande direktörer
1901–1947 Carl Reuterswärd
1947–1949 Viktor Bemfelt
1950–1955 Lars-Olof Skantze
1956–1965 Sven Drakenberg
1965–1969 John-Gabriel Montgomery
1969–1982 Ingmar Norlindh

Referenser

Ej längre existerande svenska företag
Företag bildade 1899
AEG
Ugglan


For the following serial current adds, Cataloging Assistant will add the issue following instructions in Currently Received Serials.
Titles in bold/italic: changes in editor are recorded; if editor changes, refer title to Serials Cataloger. Refer any other questions, such as change in title, to Serials Cataloger.


The trail starts at Matakana and winds its way up past the cemetery, past the turn off to Omaha and Tawharanui, past the Country Park and on to the turn off to Quintal Road on the right. It is a reasonably busy tar-sealed road that would need to have a footpath constructed to be safe. It shares the route with the Te Araroa Trail and also often has large pedestrian numbers with activities at Country Park.


ClickBerry Tagger is an iPhone app developed by Clickberry Media/Actio-Media. ClickBerry Tagger offers a simple, but much-needed, service to iOS users: the ability to tag yourself or friends in a video.
Gone are the days when you'd share a video with friends and family and have to specify where to find yourself. You'll never have to say something like "Skip ahead to the 2-minute mark. You can see me and my friend Mark in the second row of bleachers (he's in the red hat.)" Instead, you just use ClickBerry Tagger to tag yourself, your friends, or anything else you want in the video.
Friends who watch your Tagger videos can see your text-based messages and tags, and can also "Like" the video. Tags can be easily shared via Facebook or Twitter. Not only can you leave notes right inside the video, but you can also add profile links as well!
Given the fact that ClickBerry Tagger is all about incorporating Facebook profiles and Likes into the tagged videos, it shouldn't be surprising that Facebook login is the only way to use this app.
However, there are definitely some users who will avoid the app because of that. It's a shame, because this is a solid app that makes good use of embedded Facebook functionality.
Overall, ClickBerry Tagger has a great user interface. The app is simple to use, and looks utterly beautiful. The tag system creates an elegant bookmarking history to let you easily find videos at a later date.
ClickBerry Tagger is poised to do for video sharing what Facebook did for photo sharing all those years ago. If you want to stand out from a crowd–literally–then ClickBerry Tagger will make sure you're properly tagged and visible.
ClickBerry Taggeris compatible with iPhone 3GS, iPhone 4, iPhone 4S, iPhone 5, iPod touch (3rd generation), iPod touch (4th generation), iPod touch (5th generation) and iPad. Requires iOS 5.0 or later. This app is optimized for iPhone 5.


text:
Jazz Teachers
ANDRE´ JOSEPH – Writer/Director – The Saxophonist
"Jazz Monthly Feature Interview"
ANDRE´ JOSEPH
Writer/Director - The Saxophonist
Andre´Joseph, a Staten Island, NY native had a love for movies from a very early age. He began his career making short films with family and friends on home video. Mr. Joseph attended the New York Film Academy summer program in 2001 where he first gained experience working with 16 millimeter film and later graduated Magna Cum Laude from Emerson College in 2006 where he received a Bachelor's Degree in Film. During his time at Emerson, Mr. Joseph interned in television production with VH1 Classic in the summer of 2006. In 2008, Mr. Joseph formed his own New York-based independent film production company, AJ Epyx Productions, LLC. The company's first feature film, Priceless, which Mr. Joseph wrote, starred, and directed, premiered at Tribeca Cinemas and was selected for exhibition at the NY International Independent Film & Video Festival in 2009. His second feature film, Dishonorable Vendetta, was screened at the Urban Action Showcase in 2015 where it won the award for "Best Firefight." His project, Vendetta Games, won the "Best Urban Action" award at the 2017 Urban Action Showcase.
Andre´s new short film is called "The Saxophonist" which is a romantic drama/musical about a struggling jazz player waiting for his big break to arrive. In the midst of losing his girlfriend and recording a demo record for a major label, he meets a ballet dancer named Adella who he has an instant connection with. When the label requires him to move to Los Angeles, Lonnie must choose between his music career and the girl who could be his soul mate.
"The Saxophonist" truly captures the compound emotion and struggle of Lonnie Johnson.
We would like to welcome Andre´Joseph to JazzMonthly.com.
Jazz Monthly: Making a film has many challenges. How long did it take to produce THE SAXOPHONIST from concept to finish? Tell us a little about the development and progression of this very touching film. When did you realize that this was actually going to happen for you?
Andre´Joseph: It was a 12 year journey for me going as far back as being a student at Emerson College. I had taken a History of Jazz course that taught me all about the legends from the music's humble beginnings to where it is now. I was also going through things in my personal life that inspired me to write a love story with jazz as a focal point by making the main character a saxophone player. It was originally intended as a student film, but I got sidetracked on other projects in school and in the years after I graduated when I started my professional career. Once in a while, I would have the spark to return to the script for rewrites. Then it was exactly 2 years ago when I decided to break away from the usual crowd-pleasing type of films I was used to making and wanted to produce a more personal project. I picked up the script after a long time not working on it and I realized how the themes of being a struggling artist in the big city became relevant in this current stage of my life.
JM: You wrote a very passionate script, now you have to visually interpret this story. Your Video Trailer definitely captures the compound emotion and struggle of Lonnie Johnson. What was your thought process behind this achievement?
AJ: I studied films such as BIRD, ROUND MIDNIGHT, and MILES AHEAD for inspiration in the way that they made jazz performances look exciting on screen. In my first round of storyboards, I envisioned Lonnie's musical performances as well as Adella's ballet dance performance to have a larger than life appearance that's almost like the audience watching a living dream as both artists are in their element. A great deal of credit to the look of the film has to go to my cinematographer, Charlie Williams. We both agreed to use the camera with stability as well as focus control for the performance scenes and more handheld, real world camerawork for the dialogue-heavy scenes.
JM: The actor auditions are now completed and you made your choices. Now come the rehearsals. Do you have a specific method during run-throughs? How do you work with your actors? What is your course-of-action prior to the actual shoot?
AJ: We would do a full table read on the first rehearsal and then an actual scene rehearsal (also known as "blocking") for each scene based on the locations we had secured. For me, I can see the vision at first glance when an actor performs from the script. But once they're aboard, I tend to give them the flexibility to make the character their own by watching what they do instinctively in rehearsals and find their strongest attributes as actors to highlight. Some actors work differently from others of course. However in the case of Beavin Lawrence who was acting for the first time, we would do our own one-on-one rehearsals where we could talk about his personal experiences in relation to moments in the script. Then he can really find himself more confident in his performance when he would read with the other actors in the film.
JM: Is the joy for you in creating a film, in the editing room? Is that what you like most... or is it on set filming the scenes, with the actors? How would you describe the gratification between the two?
AJ: I would say there's a tremendous amount of joy in putting the film together in the edit where you see the story come together and laying the music on the picture is such an absolute delight. With production, however, there's always the challenge of staying on budget and schedule as well as juggling many personalities among the cast and crew. But I will say it's all worth while once I call 'action' and see my script come to life in the flesh. This film in particular was the most gratifying because of Beavin's music. Between him and the band he put together with Warren Byrd, Mark Johnson, and Eric Wheeler, our production team had the pleasure of hearing these cats give an outstanding performance that's equal to the worth of seeing any jazz legend live at the Blue Note.
JM: Tell us about the music in this film. The exceptionally talented Beavin Lawrence not only stars in The Saxophonist, but also composed the music. How was the collaboration in discussing the musical treatment for the film? What steps were taken?
AJ: It was so important for me to cast a real saxophone player like Beavin in the role because I wanted the music to be as authentic as possible without overdubs. He had previously recorded an album back in 2008 called INFINITE POSSIBILITIES and he allowed me to use his tracks for the film. Each song choice we made was based on the mood of each scene. But when it came down to specific scenes where he performs live at home or in the jazz club, I took inspiration from ROUND MIDNIGHT director Bertrand Tavernier who had Dexter Gordon and his band including Herbie Hancock perform and record their music live on the set for the full authenticity of their sound. Recording live music was an aspect of the film where I put my full trust in Beavin who was a student of Jackie McLean at the Hartt School. He certainly gave me enough music choices to make this a longer picture!
JM: Do you like to use multiple cameras on a specific scene or do you compose the shot/scene with one camera and design the lighting for that one-camera scene?
AJ: The plan was always to shoot the jazz bar scenes with two cameras because not only was it the most complex shooting day on the production but it was also necessary for having multiple angles of Beavin's live performance without making awkward cuts in the edit since the music was not going to be overdubbed. Everything else in the film was shot with one camera and specific lighting setups for each shot. Personally, while multiple cameras can save time, they can also be difficult to maneuver whenever you're trying to avoid visible crew, equipment, reflections, etc.
JM: "The Saxophonist" is a sponsored project of the "New York Foundation for the Arts." How did this come about?
AJ: My dad had a co-worker friend whose wife was part of NYFA's fiscal sponsorship staff. I met with the organization for an intro meeting to learn more about their program and how it would allow my project to have tax-exempt status for greater funding access to corporations and foundations. Anyone individuals supporting the project financially would have their donations be tax-deductible and allowed me to operate all production business through a project account. NYFA's biggest mission is to support independent artists that seek to create projects for public benefit and I believe their involvement in this film gave us a great deal of legitimacy.
JM: You've been making films for over 12 years. What are some of your past films and how were you inspired to do The Saxophonist?
AJ: My first professional film was a romantic drama/comedy called PRICELESS which was shot immediately after I graduated college. From there, I made a 80s-inspired crime thriller called DISHONORABLE VENDETTA and most recently completed the sequel VENDETTA GAMES. Both of those films won awards in the feature film category at the Cinemax-sponsored Urban Action Showcase. In addition to the jazz-related films I mentioned, one of my biggest inspirations for making THE SAXOPHONIST was the Ken Burns documentary JAZZ which I watched while I was in college. I felt a spark when I watched how Louis Armstrong, Duke Ellington, Charlie Parker, and Miles Davis among other legends pushed and innovated jazz music in their careers. That was something I could easily relate to as a filmmaker in need to tell a variety of stories while taking a fresh approach every time I stepped foot on a film set. I was also inspired by the film BEYOND THE LIGHTS when it came to the romantic aspect of my project because I connected to the career sacrifices that the main characters make in pursuit of their romance.
JM: You have acted and starred in previous films. Do you enjoy being an actor or do you enjoy a heightened creative energy behind the scenes as Director/Producer/Screenwriter? Do you still plan on acting?
AJ: I have a tremendous amount of respect for actors with their years of training, auditioning daily, and dedicating themselves to their craft. There's a joy in watching them work and put their full effort into a role that can sometimes be very surprising when they bring it to life. As a director and writer, I feel there's a great deal of positive selflessness to making actors look larger than life on the screen. As an actor, I enjoy performing when I can find a role that speaks to me and gives young people someone to look up to. The next project I plan to do is actually a western that I'll be starring in which will shoot the summer of 2019.
JM: What have you learned during your twelve-year career so far on being a happier and a more fulfilled film Director and Producer?
AJ: Everyone has a different voice in storytelling and a different journey towards success. When you learn to accept those individual aspects of yourself as an artist, you go after your dream all the way and never let anyone else's failure deter you from it. I've been blessed to have completed the films I made, won the awards I earned, and most importantly the privilege of working with some incredible people in front of and behind the camera. None of this could ever be accomplished alone. So I tell not only aspiring filmmakers but also aspiring musicians and actors to believe in their full unlimited potential, embrace challenge instead of avoiding it, and never forget your audience.
Managing Editor2018-08-03T22:27:28+00:00
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text:
Kathleen Jamie is a poet and essayist. Raised in Currie, near Edinburgh, she studied philosophy at Edinburgh University, publishing her first poems as an undergraduate. Her 1995 collection The Queen of Sheba won the Somerset Maugham Award and the Geoffrey Faber Memorial Prize and was shortlisted for the T S Eliot Prize and the Mail on Sunday/John Llewellyn Rhys Prize; The Tree House (2002) also won the Forward Poetry Prize and the Scottish Book of the Year Award; The Overhaul, brought out in 2012, won the Costa Poetry Award. In 2016 Kathleen won both the Saltire Poetry Book of the Year and the overall Saltire Book of the Year for her collection The Bonniest Companie.
In recent years she has turned her pen to essays to much acclaim, with her collection Sightlines winning the John Burroughs Medal and the Orion Book Award in the USA. Kathleen is currently Professor of Poetry at Stirling University. One of her poems is inscribed in on the national monument at Bannockburn.
Kathleen's website: http://www.kathleenjamie.com/
Kathleen Jamie is represented at Jenny Brown Associates by Jenny. For all enquiries contact jenny@jennybrownassociates.com
Selected Books by Kathleen
Picador, November 2019
One of the UK's foremost poets, best known for her writing on nature, landscape, and place, this collection shows the full and remarkably diverse range of her work – and why many regard her work as crucially relevant to this troubled age.
The Bonniest Companie
Picador, October 2015
In her extraordinary new collection, Kathleen Jamie examines her native Scotland – a country at once wild and contained, rural and urban – and her place within it. In the author's own words : '2014 was a year of tremendous energy in my native Scotland, and knowing I wanted to embrace that energy and participate in my own way, I resolved to write a poem a week, and follow the cycle of the year.' The poems also venture into childhood and family memory – and look to ahead to the future. The Bonniest Company is visionary response to a year shaped and charged by both local and global forces, and will stand as a remarkable document of our times.
Winner of Saltire Scottish Book of the Year 2016
Sightlines
Sort Of Books, April 2012
North America: The Experiment
In this greatly anticipated sequel to Findings, prize-winning poet and renowned nature writer Kathleen Jamie takes a fresh look at her native Scottish landscapes, before sailing north into iceberg-strewn seas. Her gaze swoops vertiginously too; from a countryside of cells beneath a hospital microscope, to killer whales rounding a headland, to the constellations of satellites that belie our sense of the remote.
Written with her hallmark precision and delicacy, and marked by moments in her own life, Sightlines offers a rare invitation to pause and to pay heed to our surroundings.
Praise for Sightlines
A sorceress of the essay form. Never exotic, down to earth, she renders the indefinable to the reader's ear. Hold her tangible words and they'll take you places
At which point I put the book down again and thought: 'I wonder if I would actually kill to be able to write, or think, like that.' It's like this pretty much all the way through
Nicholas Lezard, The Guardian
Kathleen Jamie, the Scottish poet, has written a book that transcends the definition of nature study… Sightlines is a work of intense purity and quiet genius and we're lucky to have it
The Sunday Telegraph
Exquisite. . . There is such a precision, of both thinking and seeing, displayed in these works that you would have to be a very obtuse kind of reader not to realise that Jamie is a poet
The dance of Jamie's words enacts the mind in motion as it moves between the shifting, shimmering processes of nature and art
Jamie's prose is exquisite, yet never indulgent. . . . This is a book that will stay with you, as its sights and sounds have stayed with its writer. [A] work of intense purity and quiet genius, and we're lucky to have it
A haunting new collection from one of our finest nature writers . . . . Immensely beguiling. There are piquant descriptions that stop you in your tracks . . . . but the real power of the writing derives from the steady increment of detail and the honesty of her responses to the natural world
Winner of the John Burroughs Medal
Winner of the Orion Book Award
Goodreads: http://www.goodreads.com/book/show/13818573-sightlines
Latest author news
Natalie Russell
Jemma Neville
Sarah Jane Douglas
Kimberlie Hamilton
Helen Kellock
Jessica Fox
Clare Hunter
Robin A Crawford
Helen Bellany
Jenny's List
My list is currently closed for fiction, but open for narrative non-fiction ((nature/literary memoir/travel). I work with writers based in Scotland (though not necessarily writing about Scotland). Feel free to email in advance of a formal submission to check whether your writing will be a good fit with my list. submissions@jennybrownassociates.com
Lucy's List
I represent writers and illustrators for children and young people, both fiction and non-fiction. My list is currently closed and will re-open later in the year. Please check back here for details and updates.
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text:
Unit price: €70.00 incl VAT
Unit price: €499.00 incl VAT
Sub-Total: €11068.00 incl VAT
Bottler A-Z
Single Malt Whisky /
Arran Exciseman (Smugglers vol 3)
Arran Exciseman (56.8%, OB, Smugglers' Series Vol. 3 - Limited Release)
Manufacturer: Arran
€199.00 incl VAT
The Isle of Arran distillery is very young. It was founded in 1993 by Harold Currie, who retired as managing director from Chivas Brothers. Building concluded in 1995 and the adjacent visitor center was opened in 1997. It is located in the wonderful scenery of Lochranza on the island. With only 1 wash and 1 spirit still, the output could be 750.000 litres per year, but only a modest 150.000 litres are actually produced. Their official 10 Year Old was launched in 2006. They have also experimented with finishes such as the Marsala Finish (2004), Grand Cru Champagne Cask Finish (2005) and the Port Cask Finish (2010), to name but a few. In 2004, Arran won two bronze medals at the Malt Maniacs Awards. They also produce a Robert Burns single malt and blend, as well as the Lochranza blend and Arran Gold Cream Liqueur.
Country Scotland
ABV% 56.8
Bottler Official Release
Content (cl) 70


It is very easy for an awful scenario to get worse when it comes to a car accident. This is why it's so essential to make safety your main priority. The very first thing that you should do after the accident happens is to examine yourself and those in your automobile for injuries. If other individuals are involved in the accident, then you need to also try assessing their condition. Make sure that anybody that may have injuries moves as little as possible, and minimize your movement.
There's no need to move your vehicle if it doesn't affect safety in any ways. It would be best to move the vehicle to another area if it's in a position that might cause another accident. Before anything is moved from its original position, ensure that you photographed the scene or take note of important information if cameras are not available.
The first step should always be to contact the police. It would be hard for you to get out of the situation if it is not reported. A law enforcement officer can assist you in acquiring a thorough report regarding the incident. For the sake of all of the parties involved, the motorist's information is included generally in most accident reports. This will include the name of the driver, driver's license number, contact details, insurance company, and policy number. Make sure to check and see that this details has been filled out. The details of the accident are very important that is why you have to accumulate them yourself if ever the officer failed to supply you a copy of the report. Moreover, you also have to accumulate details from all the autos involved in the accident such as the model, the maker of the automobile, the plate number, the color, and the likes.
If you get involved in a car accident, it is advisable to contact your insurance provider. Aside from gathering the related information about the incident, the car insurance agency will also function as a mediator between you and other parties included in the incident. Employing the services of a lawyer that are experts in personal injury law suit is a very practical move since situations like this will certainly cause litigation. The lawyer will be able to fight for you and assure that your best interests are looked out for eventually. They will be able to teach you and direct you through the procedure in order to make sure that you will be able to acquire all of details that you will need in order to be able to successfully proceed with your law suit.


Openmind Networks is excited to be exhibiting at the Competitors Carriers Associations' Annual Convention in Fort Lauderdale Oct 7th – 9th. This convention is a great opportunity for all the decision-makers in the competitive mobile ecosystem to get together and we are delighted to be there.
Openmind's Push Messaging is an exciting new service combining the benefits of push notifications and SMS for Mobile Operators and Inter-Carriers. It not only creates a unique monetisation opportunity for Mobile Operators, but also improves how they can communicate with their customers.
Drop by booth 325 where our team will be happy to give you a demo on our new Push Messaging service.