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text:
The G29 Hands-On: Taking Logitech's Latest Racing Wheel For A Spin
By Rexly Peñaflorida 19 August 2015
For many gamers, the controller is an adequate substitution for the driving wheel. The trigger buttons provide the same sensitivity as the gas and brake pedals, and the analog sticks steer your expensive automobile to the finish line. Those who prefer manual gears can use a variety of button combinations to shift up or down, and some games even include a clutch for added measure. However, it doesn't feel the same as driving the real thing. After all, no one exactly drives their car with a controller -- they use a wheel.
Logitech has been one of the more well-known racing wheel manufacturers in the market, and with a new generation of consoles comes a new set of wheels. The G29 is the PlayStation 4 variant, but it also works with the PC. It's a beautiful piece of work that delivers as close as anyone can get to an actual racing experience, yet it suffers from a few drawbacks that can turn people away.
Right out of the box, you can tell that the G29 isn't just something made out of plastic. There's considerable quality put into the wheel and pedals. The wheel grip is covered in a sturdy leather coating so your hands don't slip during tight turns, and the spokes are made from aluminum.
The pedal shifters behind the wheel, as well as the pedal faces, are made from brushed stainless steel. The pedals also include a small area for a footrest that includes a gripped surface so your heels don't sleep as you tango between the clutch, gas and brake. These all add some weight to the product, but it also shows that a lot of care was put into manufacturing the device. It might still seem like a toy (technically it is, we suppose), but for the purposes of simulating the driver's seat in a race, these qualities count in making it feel like the real thing.
As for the various buttons from the PlayStation controller, they are placed throughout the center of the wheel. The Shape buttons are on the upper right; the directional pad on the upper left; the L1, L2, R1 and R2 buttons flank both sides of the center, which has the PlayStation logo; and finally the Options, Share and PS buttons are in a line near the bottom of the wheel.
There are also some non-PlayStation features, as well. The wheel includes plus and minus buttons in conjunction with an adjustment dial for players to make quick changes to the car during a race. There's even a line of LED lights that illuminate, starting on both sides of the strip and then working their way to the blinking red light in the center, indicating the best time to shift to a higher gear. It's bright enough so that you can see it in your peripheral vision without taking your eyes off the screen.
Above that is a switch that enables toggling between the wheel being used for the PlayStation 3 or PlayStation 4. It also works with PC games, and you just need to keep it switched to the PlayStation 4 side to make it work with a game on Steam.
To make it all work, there's a series of three wires that all need to be connected to the wheel: one from the pedals; a USB cord for the PS4, PS3 or PC; and an electric plug for the outlet. Connect these all together, and soon your space becomes a web of tangled wires due to their length. Fortunately, Logitech thought of that issue as well, and provided a storage area for all three wires beneath the frame of the wheel to stow any extra slack.
To top it all off, the wheel can be mounted onto a surface with two large clamps that you can tighten with knobs. The clamps come with a removable set of large grips for thin surfaces, but it helps to take it off, especially when it's attached to a thicker table.
Start Your Engines
For testing we used two games: Driveclub for the PlayStation 4 and Project Cars on PC. Naturally, the first thing to do when starting both games is to check the settings for the wheel. Unsurprisingly, Project Cars had a more in-depth setting for the G29 compared to Driveclub.
In the latter, you can change only a few settings, such as the strength of the Force Feedback features, the rotation angle, wheel assist, and vibration strength. There's also a few more levels of customization with button configurations.
For Project Cars, you can adjust all of the above, and then some. Everything from the wheel deadzone to overall sensitivity can be changed with just a few sliders. There's even a calibration setup for the wheel and pedals. Unfortunately, the game or the wheel didn't provide a set of detailed instructions for what each setting actually does in terms of performance, so I only changed a few obvious settings.
Finally, it was time to race. I revved the gas pedal in anticipation, and it felt so realistic to push down on the stainless steel pedals. As the light turned green, each car jostled for first place. Opting for more control, I used manual gears with the paddle shifters. There was a small click from the paddles every time I went up or down a gear. The cold steel was a strange feeling on my fingers, but each press felt authoritative. It didn't matter if I was driving a go-kart or the Mercedes SLS AMG — each shift felt like I was actually sitting in the car and controlling it on some other level that couldn't be matched on a simple gamepad.
Then the bumps and the crashes started.
Force Feedback is a feature that allows the player to feel each bump and turn through the wheel. If the car goes off the track and into the sand, it will shake. Navigate a series of tight turns, and you'll feel the wheels graze the apex boundary, indicating that the car is on the perfect racing line. It's a great feature on paper as well as in practice.
However, the strength of the feedback is bound to vary from player to player. The default setting for Force Feedback is at 50 percent. At that setting, one would expect a balance of feedback that translated every bump and wheel interaction on the road, but not in a way that it's too strong on the vibrations. That's not the case.
Tiny bumps felt like huge potholes, judging by the wheel's feedback. Running the car off the track and into the sand translated to the wheel violently jerking around more than expected. Going head to head with a rival racer was supposed to be intense, but a costly mistake at a turn will send the car flying into oversteer or understeer with the wheel locking into place, making it nearly impossible to regain control. Understandably, some of the violent reactions by the wheel is warranted. However, it's too strong to perfectly simulate certain features of the road. Turning it down to 25 percent strength seemed to do the trick. At that level, I found that it was possible to enjoy the race while determining if the car is performing well on tight turns and following the racing line.
Other changes to the wheel settings included the overall sensitivity. The fact that the wheel can turn 900 degrees is impressive, but it's really not the best way to turn on any race track. With the new configurations, even the tightest turns can be made with a 90-degree spin on the wheel.
As far as the pedals go, they were interesting to say the least. The gas pedal was deep enough to give a full range of speeds, and I was able to easily switch from a constant pace to a fast speeding bullet down the straights. On the other hand, the brake pedal needs some work. It doesn't go down as far as the gas pedal. I pushed my foot down to what I assumed was a 50 percent brake pressure. However, it seemed that I didn't brake hard enough, bringing the contention for the first place to an end with the car smacking into the wall. Even when it's fully pressed down, the brakes aren't at 100 percent. You have to actually slam your feet into the pedal to stop the car. If only it was as deep as the gas pedal, the brakes would feel more natural, especially with the faster cars. Unfortunately, you can only adjust the pedal faces to the left or right with a 2.5mm hex key. Other than that, the depth of each pedal stays the same as when it came out of the box.
The other unfortunate news is that I was unable to use the clutch like I had the paddle shifters. In order to use the clutch, you'll need an additional peripheral, Logitech's Driving Force Shifter, which is an additional $59.99. However, it wasn't really necessary, as the paddles were a comfortable substitute. It allowed me to keep both hands on the wheel at all times and not worry about having to look down to find the right gear.
Most of the issues mentioned above were quickly remedied through the settings, but with so many granular settings to play with, it will take time to tinker with them all before you can really understand how it truly affects the way you drive in Project Cars and Driveclub. Still, it's comforting to know that there is an in-depth configuration for the wheel. A device that is made for simulation games as well as arcade-style gameplay needs to be readily accessible for the beginner as well as in-depth and customizable for the enthusiast.
However, price might be an issue. At $399.99, the G29 is way out of the price range of some consumers. With the optional Driving Force Shifter, you're spending close to $500, so if price is an issue, there are definitely other options available on the market.
Nevertheless, the quality and offerings from the G29 are hard to pass up. From the leather grip to the steel pedals, combined with Force Feedback, LED lighting to determine the perfect gear change, and the paddle shifters, it's quite an experience that's hard to duplicate without actually sitting in a racing car. A professional racing career is an expensive endeavor and takes years until the winnings pile up. Thanks to racing games, and more importantly, racing wheels like the Logitech G29, you can have that same experience at home for a fraction of the cost.
Follow Rexly Peñaflorida II @Heirdeux. Follow us @tomshardware, on Facebook and on Google+.
moogleslam 19 August 2015 16:38
No offense intended, but I think a review like this should be left to someone who has a lot of experience with not only sim racing, but also other wheels, and preferably, the G27 from which to make a comparison. The issues you mentioned are not really issues; they're just you not being familiar with certain aspects of sim racing, or the settings of the Logitech Profiler or in-game wheel adjustments. The only real issue with this wheel, which you do correctly mention, is the price.
10tacle 19 August 2015 17:02
^^What he said.
"However, it seemed that I didn't brake hard enough, bringing the contention for the first place to an end with the car smacking into the wall. Even when it's fully pressed down, the brakes aren't at 100 percent. You have to actually slam your feet into the pedal to stop the car....Unfortunately, the game or the wheel didn't provide a set of detailed instructions for what each setting actually does in terms of performance, so I only changed a few obvious settings."
That is not a problem with the brake pedal itself. That is an issue of the software setup in the profiler and in my opinion more of the in-game settings of the brake axis and sensitivity. There are very complex settings in Project Cars with brake settings down to individual cars. Driveclub has very little in the way of in-game pedal axis settings. You did not look into all that is required to make full setup use of the brake axis in PCars. Was this a time-sensitive review?
I have a G27 and a Thrustmaster T300 (using my G27 pedals with an adapter) and thousands of hours in racing sims and simcade hybrid racers like the Grid and Dirt series between my PC and PS3/PS4. I have used the G29 wheel in a Fry's demo kiosk using Driveclub on a PS4 and it feels inferior to my T300 on Driveclub, just like my G27 feels inferior on PCars on my PC (I have two copies of the game, one for the PS4, one for the PC, and I use the T300 for both...the G27 is put away). The direct gear driven wheel design is inferior to a belt driven wheel in every way, from centering feel down to feeling bumps and when the car's front wheels are breaking loose in understeer. Also, the direct gear drive is more jerky with the Logitech design.
The only thing I can possibly see that makes the G29 better than the T300 is the pedals. The T300 comes with cheap pedals that are worthless. You need to spend money to buy the better 3-pedal setup from Thrustmaster. If you have a G27 like I have, then just buy an adapter and use those pedals and get the superior wheel, the T300. The G29 is just a G27 with a new face plate and rim and only slightly improved G27 pedals for better tactile feel.
scolaner 19 August 2015 23:41
Thanks for the feedback folks. We love to hear from readers who are familiar with the tech we're working with.
To be clear, this is not a review -- it's a hands-on look. That's why it's in the news feed and not in the article review carousel at the top of the homepage. But still, your points are well taken.
TeamColeINC 20 August 2015 07:09
In case anyone was in the market for a racing wheel and wondering which to get, just get the G27. Its essentially the same product just with a wheel tailored towards Playstation users and a few other near-irrelevant changes for twice the price as the G27 AND it doesnt come with a shifter like the G27, sold separately for another $60.
If you've been driving a car where the brake pedal has the same travel as your accelerator pedal then you need to get your brakes checked.
Why would you want to use the clutch with the paddle shift? If you've ever driven a car with paddle-shift (any VW/Audi DSG box, Nissan GT-R, etc) then you'd know that you don't have a clutch. Paddle shift and clutch pedals belong together like fish and bicycles.
16491489 said:
FYI the G27 does not work on the PS4 or XBone, only the PS3 (and PC). And yes, it is a good bargain for a complete wheel package (decent wheel, very good pedals, decent side shifter). I believe I paid $320 originally for mine back in the late '00s and they can still be had for around $230-$240US while they last in stock. It's a great advanced "starter" wheel and definitely worth the price over the cheap $100-$150 wheels.
jigawatt 23 August 2015 01:40
Glad to see that there is a new model out. Hopefully Logitech's quality assurance has also improved. A little background to why I say that: I'm on my 3rd G27. What often happens is that force feedback would "slip". It would give the sensation that of a belt driven wheel skipping/slipping. This is extremely troublesome when in a race, especially when reputation is on the line (iracing). However, due to realizing that this issue is inevitable with the G27, I now race without the force feedback (most pro racers in iracing don't use it either). Other than this issue (which can be rather large for those who actually rely on force feedback), the wheel has been pretty stout for me.
From a PC racer's point of view, it is a shame to see how console oriented it is. No separate shifter would be a deal breaker for me. I'm not digging the button layout, either. Even with the problems that I've had... G27 is what I'll stick with, although, I'm a PC guy and not a PS4 guy (ymmv). And yes, I'm aware the G29 is PS4 oriented, and that the G920 is XBone oriented. It is a shame there isn't an updated/improved option that is more PC oriented.
The stick shifter is available as a separate accessory. Not everyone will opt for the shifter.
bit_user 20 September 2015 21:33
This is especially true of racing brakes, or any high-performance brake kit with stiff calipers and steel-reinforced lines. There's much less spongyness in the brake pedal than the typical street car. Much of the brake modulation happens within a small range of travel, and it's a lot more to do with how hard you step than how far the pedal moves.
I applaud Logitec for making the brakes more realistic. Now, it's up to the software - you should be able to lock up the wheels (or engage ABS) without an unreasonable amount of force.
Intel Rocket Lake Price, Benchmarks, Specs and Release Date, All We Know

redpajama_set_name: RedPajamaCommonCrawl


"Sister of Mine" marks the third release for multiple Music Newfoundland and Labrador winner Sherry Ryan.
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The album has a lilting, meandering gait that paints a portrait of a warm, thoughtful night at the far end of summer. Sister of Mine is a lovely and poignant follow-up to her aptly titled second release, "Wonderful Cures".


JuiicyScoop: Ashanti and her Double Chin??
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This page was last edited on 28 February 2018, at 17:24.


text:
Q: How can I track instances of structs in rust? I have a simple example game entity called a Nation, which is a struct that contains all the data relevant to the player's assets and activities.  The player is allowed to change their nation name, which is used to log in and take their turns.  Thus, the player has to have a unique identifier that doesn't change.
There are also other things in the game system which similarly need unique identifiers, so to my dinosaur C brain, the obvious solution was to try making a global HashMap to contain the struct name as a key, and the instance count... and then auto-increment that counter whenever a new struct is created, using the current value as the ID.
Rust really hates me for trying that, which is fine.  But, I'd like to learn a more proper way to accomplish this.  Since I have to implement Default for these anyways, putting the increment and then assignment in the default() function seems like the right place to use it, but the counters themselves need to live somewhere accessible to those functions.
Right now, I have this, which is ugly but seems to work, so far:
static mut nation_id : i64 = 0;

#[derive(Debug)]
struct Nation {
    id          : i64,          // unique naiton ID, established at allocation
    name        : String,       // the nation name, entered at runtime
    // more stuff here...
}

impl Default for Nation {
    fn default() -> Nation {
        unsafe {
            nation_id += 1;
            Nation {
                id: nation_id,          // We want this to actually come from a counter
                name: String::from(""),
                // more stuff here...
            }
        }
    }
}

// World just holds a Vec<Nation> that is initialized to new() and thus empty.

fn main() {
    println!("This is just a test.");
    let mut w : World = Default::default();
    println!("{:?}", w);
    println!("{} nations exist.", w.nations.len());
    let mut n : Nation = Default::default();
    println!("{:?}", n);
    w.nations.push(n);
    println!("{} nations exist.", w.nations.len());
    let mut n2 : Nation = Default::default();
    println!("{:?}", n2);
    w.nations.push(n2);
    println!("{} nations exist.", w.nations.len());
    println!("Test completed.");
}

A: If you want a counter, one way to do that is to use atomics. This function will return a counter and can work on multiple threads concurrently.
use std::sync::atomic::AtomicU64;
use std::sync::atomic::Ordering::SeqCst;

pub fn unique_id() -> u64 {
    static COUNTER: AtomicU64 = AtomicU64::new(0);

    COUNTER.fetch_add(1, SeqCst)
}

We can also improve it by enforcing that ids must be unique.
pub fn unique_id() -> u64 {
    static COUNTER: AtomicU64 = AtomicU64::new(0);

    let id = COUNTER.fetch_add(1, SeqCst);
    assert_ne!(id, u64::MAX, "ID counter has overflowed and is no longer unique");
    id
}

Rust Playground

redpajama_set_name: RedPajamaStackExchange


text:
E Hika Vodafone!
Vodafone in partnership with Hika Group Limited are supporting Māori Language Week. Together they have launched a Māori language Smartphone application. The application offers the translation of more than 600 words and thousands of phrases at the touch of a screen.
The Hika application developed by Auckland University senior lecturer Sophie Tauwehe Tamati, is a fun, engaging and portable tool which translates English to Māori in written and verbal forms. "Hika concept was inspired by my own experience of using English to help fast track my learning Māori. When it worked for me, I wanted to use it to help others. "Māori language is a beautiful, precious treasure for New Zealanders to embrace, cherish and pass on to their children and mokopuna," says Sophie.
Vodafone has again lent its support to Māori Language Week. Russell Stanners, Vodafone NZ CEO, says: "We're delighted to support the Hika application during Māori Language Week and beyond. It's a fantastic innovation that uses modern technology to connect people in an easy and engaging way." To celebrate Māori Language Week the Vodafone and Hika are offering the first 50,000 applications downloaded for free until 31 August 2012.
"Our vision is to have te reo Māori be a everyday means of communication, and I acknowledge both Hika and Vodafone for taking us a step closer to fulfilling that vision. This application contributes to mobilising our Māori language and have it be more accessible for everyone," says Glenis Philip-Barbara, Chief Executive of Te Taura Whiri i te Reo Māori.
Nicky Birch
www.koreromaori.co.nz
Learn some basic phrases and greetings in te reo Māori
Learn some phrases for special occasions
Some ideas for Māori Language Week
Māori Language Week is made possible with the support of:
Te Taura Whiri i te Reo Māori – Māori Language Commission
Te Puni Kōkiri – Ministry of Māori Development
Te Kāhui Tika Tangata – Human Rights Commission


text:
package com.voxelwind.api.game.entities.components.system;

import com.voxelwind.api.game.entities.Entity;

/**
 * A SystemRunner handles entity tick logic for a {@link Entity} with specified {@link com.voxelwind.api.game.entities.components.Component}s.
 */
public interface SystemRunner {
    /**
     * Ticks this system.
     * @param entity the entity being ticked
     */
    void run(Entity entity);
}

redpajama_set_name: RedPajamaGithub


text:
"""
Base implementation for high level workflow.

The goal of this design is to make it easy to share
code among different variants of the Inferelator workflow.
"""

"""
Add doc string here.
"""

from . import utils
import numpy as np
import os
import random
import pandas as pd

class WorkflowBase(object):

    # Common configuration parameters
    input_dir = None
    expression_matrix_file = "expression.tsv"
    tf_names_file = "tf_names.tsv"
    meta_data_file = "meta_data.tsv"
    priors_file = "gold_standard.tsv"
    gold_standard_file = "gold_standard.tsv"
    random_seed = 42

    # Computed data structures
    expression_matrix = None  # expression_matrix dataframe
    tf_names = None  # tf_names list
    meta_data = None  # meta data dataframe
    priors_data = None  # priors data dataframe
    gold_standard = None  # gold standard dataframe

    def __init__(self):
        # Do nothing (all configuration is external to init)
        pass

    def run(self):
        """
        Execute workflow, after all configuration.
        """
        raise NotImplementedError  # implement in subclass

    def get_data(self):
        """
        Read data files in to data structures.
        """
        self.expression_matrix = self.input_dataframe(self.expression_matrix_file)
        tf_file = self.input_file(self.tf_names_file)
        self.tf_names = utils.read_tf_names(tf_file)

        # Read metadata, creating a default non-time series metadata file if none is provided
        self.meta_data = self.input_dataframe(self.meta_data_file, has_index=False, strict=False)
        if self.meta_data is None:
            self.meta_data = self.create_default_meta_data(self.expression_matrix)
        self.set_gold_standard_and_priors()

    def set_gold_standard_and_priors(self):
        self.priors_data = self.input_dataframe(self.priors_file)
        self.gold_standard = self.input_dataframe(self.gold_standard_file)

    def input_path(self, filename):
        return os.path.abspath(os.path.join(self.input_dir, filename))

    def create_default_meta_data(self, expression_matrix):
        metadata_rows = expression_matrix.columns.tolist()
        metadata_defaults = {"isTs":"FALSE", "is1stLast":"e", "prevCol":"NA", "del.t":"NA", "condName":None}
        data = {}
        for key in metadata_defaults.keys():
            data[key] = pd.Series(data=[metadata_defaults[key] if metadata_defaults[key] else i for i in metadata_rows])
        return pd.DataFrame(data)

    def input_file(self, filename, strict=True):
        path = self.input_path(filename)
        if os.path.exists(path):
            return open(path)
        elif not strict:
            return None
        raise ValueError("no such file " + repr(path))

    def input_dataframe(self, filename, strict=True, has_index =True):
        f = self.input_file(filename, strict)
        if f is not None:
            return utils.df_from_tsv(f, has_index)
        else:
            assert not strict
            return None

    def compute_common_data(self):
        """
        Compute common data structures like design and response matrices.
        """
        self.filter_expression_and_priors()
        print('Creating design and response matrix ... ')
        self.design_response_driver.delTmin = self.delTmin
        self.design_response_driver.delTmax = self.delTmax
        self.design_response_driver.tau = self.tau
        (self.design, self.response) = self.design_response_driver.run(self.expression_matrix, self.meta_data)

        # compute half_tau_response
        print('Setting up TFA specific response matrix ... ')
        self.design_response_driver.tau = self.tau / 2
        (self.design, self.half_tau_response) = self.design_response_driver.run(self.expression_matrix, self.meta_data)

    def filter_expression_and_priors(self):
        """
        Guarantee that each row of the prior is in the expression and vice versa.
        Also filter the priors to only includes columns, transcription factors, that are in the tf_names list
        """
        exp_genes = self.expression_matrix.index.tolist()
        all_regs_with_data = list(set.union(set(self.expression_matrix.index.tolist()), set(self.priors_data.columns.tolist())))
        tf_names = list(set.intersection(set(self.tf_names), set(all_regs_with_data)))
        self.priors_data = self.priors_data.loc[exp_genes, tf_names]
        self.priors_data = pd.DataFrame.fillna(self.priors_data, 0)

    def get_bootstraps(self):
        """
        Generate sequence of bootstrap parameter objects for run.
        """
        col_range = range(self.response.shape[1])
        return [[np.random.choice(col_range) for x in col_range] for y in range(self.num_bootstraps)]

    def emit_results(self):
        """
        Output result report(s) for workflow run.
        """
        raise NotImplementedError  # implement in subclass


text:
<?php

namespace Drago\Http;

use Nette;
use Nette\Http;

/**
 * Using sessions outside the presenter.
 */
class Sessions
{
	use Nette\SmartObject;

	/**
	 * @var string
	 */
	private $namespace;

	/**
	 * @var Http\Session
	 */
	private $session;

	public function __construct(Http\Session $session, $namespace)
	{
		$this->session   = $session;
		$this->namespace = $namespace;
	}

	/**
	 * Getting sessions.
	 * @return Http\Session
	 */
	public function getSession()
	{
		return $this->session;
	}

	/**
	 * Getting sessions section by namespace.
	 * @return Http\SessionSection
	 */
	public function getSessionSection()
	{
		return $this->session->getSection($this->namespace);
	}

}


text:
The dazzling Golden Grimoire slot on our mobile phone casino is set to become just as much a legend as the magical book that it takes its name from. The game is a fantasy-themed title from NetEnt whose focus is an ancient book of the occult. Entirely what's written on its pages, nobody knows, but as the French word "grimoire" means a book of magic spells and invocations, we can only assume that it must be extremely powerful.
The Golden Grimoire slot game offers you twenty fixed paylines, five reels, and four rows of symbols, and you can play it on all devices with bets of 20p to £400.
The mysterious Golden Grimoire appears on the paytable as the Mystery Symbol, and it can perform symbol transformations to conjure up potential big wins. There are also low-value playing card symbols, skulls, and a variety of talismans and amulets.
The playing experience takes you to a chamber high up in a tower of an old castle which, judging from the paraphernalia strewn around the room, belongs to a powerful wizard. Burning candles cast shadows on the spell books and vials that lie on the wooden tables, and a round portal at the back of the study looks up into the night sky. When the Mystery Symbol Feature is triggered, the music gets louder and the objects on the tables start to float around the room, sending chills down your spine.
Running underneath the reels of the slot, you have a variety of buttons and icons that let you mute the music, change the coin value and bet level, look at the paytable, turn on Auto-Play or place the maximum bet.
NetEnt has used the Skull to represent the wild symbol. Like most wilds, it can help you win more frequently by substituting for other symbols apart from the scatter. But, in the case of this slot game, the wild can only appear on the reels through the Mystery Symbol Feature.
The Keyhole is the scatter, and three or more of it award the Free Spins Feature.
The Spell Book is called the Mystery Symbol in the Golden Grimoire slot, and if it lands on the third, fourth or fifth reel of any spin, it turns itself and all other spell books into one of the other paytable symbols. If the symbol that lies adjacent to it on the first reel happens to match the chosen paytable symbol, all symbols between them are also transformed.
The Free Spins Feature is unlocked when the Keyhole scatter appears on the first, third, and fifth reel simultaneously. You receive eight free spins, and during the feature, the Mystery Symbol can land on Reels 2, 3, 4, and 5.
Any Mystery Symbols that come into view are held in place until you've taken your last free spin, upon which, all of them are transformed into a randomly chosen symbol. If you'd like to try another exciting fantasy-themed game, make sure you play the Forbidden Throne slot.
Enchanted Woods
Wild Catch
Tomb Raider Secret Of The Sword
Boss The Lotto
Triple Pocket Hold'em Poker Gold


text:
Alexandria, Falls Church, Arlington officials see ways to cooperate, save money
Libby Garvey, chair of Arlington County Board. (Astrid Riecken/For The Washington Post)
Patricia Sullivan
Reporter covering government, politics and other regional issues in Arlington County and Alexandria
The most mundane of municipal meetings, in which 18 local elected officials listened to reports on transportation planning, 911 service and residential rentals, somehow felt notable Tuesday night, as if three Northern Virginia communities were out to prove that cooperation in government can work.
Members of the Alexandria and Falls Church city councils and Arlington County Board officials met jointly to discuss how to collaborate on transit and land use, an enhanced 911 system and regulations governing short-term rentals such as Airbnb and to consider whether working together can save taxpayers money.
No major agreements emerged from the 2½ -hour session at Alexandria's Durant Recreation Center. But the officials encouraged their city and county employees to keep sharing information and coordinating plans, which they were quick to point out has been happening informally for years.
[Metroway, region's first bus rapid transit, to debut in Northern Virginia]
"With all the negativity going on at the national level, it's good to see these three groups can come together," said Alexandria council member Willie Bailey (D).
"I hope this is not a one-off," said Falls Church council member David Snyder (R). "We need to tighten our relationship and exchange information and see where it takes us in the future."
Other officials, who noted that those present had not all met before Tuesday, suggested working together on legislative requests to the General Assembly, focusing on housing affordability and joining to address airport noise.
The three relatively small jurisdictions have a lot in common, said Arlington County Board Chair Libby Garvey (D), who added that the discussion was "better than I expected." Alexandria Mayor Allison Silberberg (D) urged colleagues to "borrow each other's ideas and share what works."
The populations of the communities — Arlington has 225,000 residents, Alexandria has 149,000 and Falls Church has 13,500 — are dwarfed by those of their neighbors, starting with Fairfax County, with 1.1 million residents. Across the Potomac River, Prince George's County in Maryland has 890,000 residents, and the District has about 659,000.
The smaller and the larger jurisdictions participate in the Metropolitan Washington Council of Governments and the National Capital Region Transportation Planning Board. But the officials from the three smaller, inside-the-Beltway Virginia communities said they shared enough similarities to make their own annual meeting worthwhile.
The session began with Alexandria's official town crier, Ben Fiore-Walker, in his Colonial uniform, reading an original poem welcoming the officials. Falls Church Mayor P. David Tarter offered to host the next meeting, but he had a request.
"I want a town crier," he said.


Sidewalk Labs has been shopping for financing partners for infrastructure on Toronto's eastern waterfront, entering into preliminary agreements with private investors and engaging in discussions with the Canada Infrastructure Bank about the proposed smart-city development, according to an internal document obtained by The Globe and Mail.
A subsidiary of Google parent company Alphabet Inc., the urban-planning firm signed a deal with the tripartite development agency Waterfront Toronto in October, 2017, to develop a 12-acre plot at the foot of Parliament Street called Quayside, with the potential to extend some aspects of planning across much larger swaths of the waterfront. The two parties have since faced criticism, including from Ontario's auditor-general, for the project's procurement process, governance, and potential data-collection and privacy implications.
Sidewalk has floated many public ideas about potential technologies that could be installed in its proposed Toronto community, but less has been made public about its progress toward infrastructure plans for the area. While public agreements show that Sidewalk has long planned to finance some infrastructure with the Quayside project, it has not yet been given final approval by Waterfront Toronto's board or city council. Many concrete details are not expected until a draft "master innovation and development plan" is released to the public for consultation later this year.
During the interview, Mr. Doctoroff said that investing in light-rail transit for the eastern waterfront would be Sidewalk's No. 1 infrastructure priority. Details from the internal Sidewalk presentation, some previously reported by the Toronto Star, show that in return for investments both in the Quayside plot of land and, potentially, across as much as 85 further acres of waterfront property, the company wants a share of incremental tax revenue and developer charges. It also hopes for a share of the increase in land value for a broader swath of waterfront that would benefit from Sidewalk's presence in the area. In the interview, Mr. Doctoroff likened this plan to the financing of Hudson Yards in New York by the Bloomberg administration, for which he was a deputy mayor.
Sidewalk Labs is Alphabet's bet on becoming a kind of digital layer for urban development – an attempt to rethink urban planning through data, just as Google changed how the world gathers and consumes information.
Its engagement with the Infrastructure Bank gives a glimpse into a Liberal promise to attract large outside investors such as pension funds to participate in Canadian projects dating back to the 2015 election campaign.
Finance Minister Bill Morneau announced a decision to go ahead with the bank in his 2016 economic update, providing it with a budget of at least $35-billion. It did not formally announce its first project until the summer of 2018. At that time, the bank said it would provide a $1.28-billion low-interest loan for Montreal's REM light-rail line.
John Brodhead, a Liberal Party veteran who helped write the party's infrastructure promises, played a senior role in the bank's creation as chief of staff to then-Infrastructure Minister Amarjeet Sohi. He is also a former senior aide to ex-Ontario premier Dalton McGuinty, where he worked closely with Gerald Butts, who recently resigned as principal secretary to Prime Minister Justin Trudeau. Mr. Brodhead left government in April, 2018, to join Sidewalk Labs after a brief stint working as chief of staff to the federal Indigenous Services Minister.
Federally, Waterfront Toronto reports to Infrastructure Canada. Government correspondence obtained by an Access-to-Information request shows that Mr. Brodhead was involved in Waterfront Toronto discussions before and during the Quayside request-for-proposals (RFP) process. That correspondence showed that Waterfront Toronto staff had discussed financing some of its infrastructure needs on the eastern downtown portion of the waterfront through the bank with Mr. Brodhead before the Quayside RFP process opened.
Sidewalk described Mr. Brodhead's involvement in the conversations as "perfunctory" and said that they had nothing to do with the company.
Six months after the deal was approved, Sidewalk hired Mr. Brodhead in a role overseeing policy and strategy. His position involves connecting the project with influential people; he took part in recruiting members for an "advisory panel" of executives and prominent Canadians whose meetings are not open to the public.
Both Mr. Doctoroff and the Infrastructure Bank said Mr. Brodhead had no involvement in Sidewalk's conversations with the bank. Asked if he believed Mr. Brodhead's involvement might be a conflict of interest, Mr. Doctoroff said: "We're very aware of every conflict-of-interest law and rule that actually exists, and are scrupulous in terms of abiding by them." The Globe and Mail requested an interview with Mr. Brodhead through Sidewalk Labs, but was declined.
Waterfront Toronto spokesperson Andrew Tumilty confirmed in an e-mail the agency's pre-RFP interaction with Infrastructure Canada staff who were responsible for the bank's setup. "Given its mandate to invest in public transit, economic development, and green infrastructure projects, the CIB presented an opportunity to investigate financing for a bundle of infrastructure projects on the Eastern waterfront," he wrote.


text:
Dispelling the myth. The realities of organ trafficking. Professor Nancy Scheper-Hughes in interview.
The Euro – Friend or Foe?
From Fertility Symbol to Political Propaganda – Decoding the Massa Marittima Mural.
After the Flood – Aid, Conflict, and the political Future of Aceh
Without a voice. Dublin band Steerage turn to the tunes.
Pretty Good Year – The Kaiser Chiefs in Rome
Wild Cat Strutting Thing – Interference in interview
Where tragedy, tractors and comedy meet. Marina Lewycka in interview.
The legendary Andrew Loog Oldham, in interview
Daisy Godwin's lament about the lack of redmption in so many of today's novels – made whilst chairing the Orange Prize judging panel – put her in good company. Samuel Johnson famously endorsed Nahum Tate's sugar coated revision of Shakespeare's King Lear. The play had been too bleak, by far, for a Restoration audience, prompting Tate to rewrite the ending allowing Cordelia to live and marry Edgar. Debate raged over the tragic ending's substitution, but Johnson defended it when he included Tate's version in his edition of Shakespeare's plays (1765) commenting:
"Cordelia, from the time of Tate, has always retired with victory and felicity. And, if my sensations could add anything to the general suffrage, I might relate that I was many years ago so shocked by Cordelia's death, that I know not whether I ever endured to read again the last scenes of the play till I undertook to revise them as an editor."
From the old King wandering madly in a violent storm, and the savage gouging out of Gloucester's eyes, through to the dramatic dashing of the audience's hopes with Cordelia's death, Johnson was right – at least about one thing. It is truly shocking, and part of the unease comes precisely from the lack of charity or kindness shown towards the characters by the playwright. "As flies to wanton boys are we to th' gods, They kill us for their sport". Shakespeare modified the story deliberately to strike off Cordelia – all the versions of the story in circulation, from which he based the play, had her survive and happily marry Edmund.
Niccolò Ammanati's The Crossroads [published also as 'As God Commands', a literal translation of the Italian title Come Dio Commanda] has significant echoes of King Lear, though it's set in modern day Italy (an Italy of dreary shopping malls, social services and bleak peripheries – heck, there's not even a glimpse of sunshine or sun-dried tomatoes!), its central characters are a Neo-Nazi and his son, and it is written in short, sharp, nail-biting chapters which owe more to Stephen King (in his heyday) than the Bard. Most obviously the main action takes place against the backdrop of an apocalyptic storm, but underneath that bluster the themes being touched upon are remarkably similar.
It is a strange and gripping story that revolves primarily around the idea of fatherhood (and, along with Cormac McCarthy's The Road, and Nick Cave's The Death of Bunny Monroe could make up an imaginative box-set for any Father's Day gift). By extension it balances contending concepts of the universe, between that which has a loving God at its centre, and one which has energy and chaos as its only design . The story opens in the early hours of the morning, with 13 year old Cristiano being brutally woken by his drunken father, who orders him to navigate through the snow outside to a nearby furniture factory to silence a barking guard-dog – with a pistol. Switch back to Lear's opening scenes where the King, in his hubris, is ready to divide his kingdom based upon fawning declarations of love. The demands of both these fathers are the same – unquestioning obedience, and unquestioning love.
What follows in The Crossroads is harrowing and compelling, though I'll avoid getting too involved in the plot as part of Ammaniti's appeal is the skill with which he weaves a complicated story, throwing cliffhangers with abandon into his page-turningly brief chapters – bringing to mind Chuck Palahniuk, who (in interview with TMO) said of his own style:
"I always want to keep the story moving, – he explains. – This means a constant flow of plot points, occurring in short scenes. Over the length of a novel, this forces the plot beyond any moderate crisis. What might be the dramatic peak of another book will just be the first-act peak in my books."
Suffice to say that, like Shakespeare, Amminiti has no compunction about inflicting harm on his characters, and there are casualties aplenty strewing the stage by the end of the drama – a drama that, no doubt would have Godwin and Johnson squirming in their seats (or perhaps striking a title off of a longlist). The casualties though are far from casual, and as in his other novels (I'll Steal You Away, and I'm not Scared) the bloodshed poses larger questions about society.


text:
Bufalina
Dining Pick
by Karen Spezia
Photographs by Evan Prince
Sometimes a place is so real, so pure, so honest, you can't help but love it.
That's Bufalina. Novice restaurateur/chef Steven Dilley runs the place. Before that, he was a corporate money manager or something. But it really doesn't matter. What he does now is his true calling: He makes pizza. Damn good pizza. The kind like they make in Naples, Italy, pizza's birthplace. Like they make in acclaimed US spots like Kesté in NYC, Tony's in San Francisco, Pomo in Phoenix, and Dough in San Antonio. Bufalina ranks with the best of them.
Dilley spent time in Naples studying pizza and it shows. His pies are the real deal: light, chewy dough with a crispy, blistered crust. His Marinara—the benchmark for true Neapolitan pizza—is as good as I've had in Naples. Bufalina's is simplistic perfection: tomatoes, garlic and oregano. That's all. No cheese. No meat. No bells and whistles. Just pure, clean flavors. The Margherita is equally good, topped with excellent hand-pulled mozzarella. A half-dozen other rotating choices include the Calabrese with spicy salami, the Fresca with prosciutto and arugula, and the Nduja with tomatoes and caramelized onions.
Besides pizza, there are only a handful of other menu items, yet all are brilliantly executed. Salads are miniature works of art. Simple and sublime, they're made with the freshest local ingredients and studded with surprising additions like fresh tarragon or marigold petals. Meat and cheese plates are lovingly sliced and composed, accompanied by delicious chewy-crisp Easy Tiger baguettes. For dessert, Dilley's girlfriend makes treats like homemade ice cream and classic cakes.
The wine list is a delightful romp through Italy, offering tasty selections rarely found on other wine lists. The fantastic Occhipinti from Sicily is available in both white and red and offered by the glass or bottle (you'll want a bottle). Conversely, there are no Italian options on beer list—which leans towards local craft brews—but the Austin Beer Works Peacemaker Ale paired perfectly with my meal.
At Bufalina, food is the focus and scenery is an afterthought. Although spartan, the environment feels warm and inviting and the genial staff makes you feel welcome. Communal picnic tables take up most of the tiny space, with a smattering of tables along the unadorned walls and a half-dozen seats at the compact bar. At center stage is the pizza oven, a hulking, white-tiled dome imported from Naples where Dilley constantly slides pies into its wood-burning furnace. There's usually a line out the door, with no place to wait inside, but no one seems to mind. They know the deliciousness that awaits them.
If I'm gushing about Bufalina, I don't apologize. But I do have two gripes: It doesn't serve coffee (yet), and it's not open seven nights a week (yet). I can live without my after-dinner espresso, but I need more than five nights a week of pizza this good.
Bufalina: A Dining Guide Pick2014-11-012019-01-24https://tribeza.com/wp-content/uploads/2020/03/asset-24x-resized.pngTribezahttps://tribeza.com/wp-content/uploads/2016/06/w200.jpg200px200px
First Look at the Beautiful Homes on Tribeza Interiors Tour 2020
Leah Ashley Makes the Case for Collecting
This Valentine's Day, Thanks to Loot Rentals, Fourteen Couples Will Take the Leap
Tribeza's Sixth Annual Interiors Tour


ceiling ~ 2pcs Lamp Zipper Switch Wall Light Ceiling Fan Wire Single Amazing Pull 64 Amazing Ceiling Fan Pull Chain.
Ceiling fan pull chain amazing inches pulls set with connector 61umgiwfh4l. Ceiling fan pull chain wire switch awesome new amazing wiring. How to replace ceiling fan pull chain switch with pictures step version.


I have an unbound form/subform where I populate a combo box on the main form, and using the onchange event, display fields from a table in a datasheet subform.
Me.Kitchen and me.lookupRoute are columns on the datasheet, Me.Parent.Kitchen is a combo box on the parent form.
It's not clear here what Kitchen(1) and Kitchen(2) stand for.
I assume they are first and second column in the drop-down list of your combo control named Kitchen.
In that case try reffering to them using column property.
Thanks for that, I've been looking at this for ages, and couldn't see what was wrong.


text:
Up until the age of five Connie was a typical little girl. She loved the Disney Princesses, her favourite colour was pink and no amount of sparkle and glitter was too much. She was exceptionally bright and fiercely independent.
For me the biggest part of Connie's personality was her sense of humour. She was witty beyond her years, her quick one-liners could leave you giggling for hours afterwards. Connie had a cheeky, mischievous streak and wouldn't feel the least bit guilty for belly laughing at somebody else's misfortune.
We became increasing worried about Connie after she started school. Initially we noticed her concentration levels were not what they once were. She stopped wanting to read and write, things she had previously enjoyed. She became forgetful and struggled to carryout simple tasks like putting on her shoes.
We originally suspected that Connie was having difficulty settling in to her new school. However it quickly became apparent to us as her parents that it was something much more serious. We had difficulty getting people to listen to our concerns, especially Connie's school who had labelled her as the naughty child and us as neurotic parents.
Eventually somebody did hear us and subsequent tests revealed Connie had MLD and our world fell apart. Two short months after diagnosis and at the age of five and a half Connie took her last steps, just a few months later Connie spoke her last words.
Four years on and Connie is completely dependent on others for every aspect of her care. She takes a cocktail of drugs in an attempt to keep her as comfortable as possible. The condition has not only taken away everything she had previously learnt, but has also inflicted seizures, scoliosis, dystonia, blindness and there is still more this disease is able to dispense.
As MLD is a genetic condition Connie's younger brother Joe was tested after her diagnosis. Approximately one month after Connie was confirmed as having MLD we were left reeling again when we received a phone call confirming Joe had also inherited the condition. He was just three and a half.
Doctors felt it was not in Connie's best interest to offer treatment as disease progression had been swift and she was already struggling with symptoms. Joe was pre-symptomatic and he was offered pioneering Gene Therapy treatment being trialled in Italy. We all travelled to Milan in November 2014, Joe was admitted to San Rafaele and began chemotherapy straight away. Joe spent 50 days in isolation over Christmas and into the New Year and in total we were in Italy for four months. As the Gene Therapy treatment is a clinical trial Joe has to return to Italy every six months where he undergoes medical assessment.
We are nearly four years post-transplant and Joe continues to live life to the fullest and we encourage him to make the most of every opportunity that presents itself. He is caring, compassionate, thoughtful and takes everything in his stride. His positive 'glass half full' attitude makes us proud every single day.
Connie and Joe have taught us how to dance in the rain, make the most of what we have and cherish every precious moment. Even now Connie is able to light up a room with her smile and it is hard to put into words the overwhelming euphoria you are left feeling if you are privileged enough to hear her chuckle. Their bravery and courage inspire us to keep going.


Your Coin, Stamp, Collectables Dealers receives Bitcoins / Ethereums ?
Why Coin, Stamp, Collectables Dealers use ExagonPay?
How to accept Bitcoin in an Coin, Stamp, Collectables Dealers?
Why Coin, Stamp, Collectables Dealers Now Accept Bitcoin Payments?
Since the launching of Bitcoin as a digital currency in 2009, it has gained a lot of media and public attention from all over the world. Its continued growth had been as a result of its decentralized nature, making no organization have control over its use. Thus businesses such as coin, stamp, collectibles dealers have adopted its use as a payment method to ensure their relevance in being major players in the business. Already considered as the future for currency use, Bitcoin has not missed on having negative feedbacks with some believing it to be a bubble. Bitcoin use is evidently the future and that is why it is important for businesses to implement its use so as not to be left behind technologically.
Various advantages have been listed over using Bitcoin as a payment method as opposed to using other forms of online payments such as PayPal. This is why coin, stamp, collectables dealers have embraced its use as a result of having to import various goods to be used in the business. Bitcoin offers the best payment experience as it is borderless and takes minimum time to conduct transactions. Bitcoin transactions are known to take up to 5 minutes as opposed to banking platforms that can take up to 3 days making Bitcoin the most preferred for businesses. Bitcoin also has the advantage of having no transaction limit in the Transferred amount thus making it's the best choice for coin, stamp, collectibles dealers.
Accepting Bitcoin as a payment option is as a result of it having various advantages over credit card payments. Below are some of the reasons.
Blockchain technology is most responsible for the safety in Bitcoin transaction as they have been able to fully decentralize Bitcoin use making no organization have control over its use. Bitcoin transactions are then recorded on a public ledger and this ensures the client has full control of the finances. Credit cards have a centralized institution that makes it prone to manipulation.additionally, cases of pingbacks are not available when using Bitcoin in making online transactions. Client information when using Bitcoin is fully secure thus eliminating cybercrimes such as identity theft and hacking and enhancing businesses such as a coin, stamp, collectables dealers.
Another reason why Bitcoin is preferred as a mode of payment is that its transaction cost is close to zero with this value not being fixed, thus cannot be compared to credit card payments that have very high transaction fees. Bitcoin's transaction fees fluctuate with performance in the digital currency market compared to credit card fees that stay fixed no matter the currency performance hence the preference by coin, stamp, collectibles dealers to using Bitcoin for transactions.
Customers will want to be associated with businesses that embrace future technology such as Bitcoin transacting. Implementing the use of bitcoin in the business ensures the business looks future-oriented thus customers will be attracted as they will want to be associated with developing establishments.
Bitcoin has received a lot of media attention since its launch in 2009 with businesses that have it implemented gaining free media attention as evident from previous business implementation. Being an important market tool, businesses have had to accept Bitcoin as a valid payment option so as to gain customer awareness through free publicity. coin, stamp, collectibles dealers have thus accepted Bitcoin implementation to improve on sales as a result of the free media it provides for businesses.
Made up of focused individuals who are miners and investors, the Bitcoin community is largely making it an untapped area for businesses. This community is always seeking to help a fellow member thus allowing Bitcoin transaction in coin, stamp, collectibles dealers ensure the business is part of this community. This ensures an increase in customers thus resulting in improved sales from the Bitcoin supporters.
Bitcoin supporters are a loyal breed therefore if competition implements Bitcoin use before the coin, stamp, collectables dealers do, then the business is bound to lose all Bitcoin users as they will want to spend their Bitcoins elsewhere. It is therefore essential for the business to continue being the trendsetter.
The future of money is in digital currencies. With Bitcoin already making huge steps in businesses its will become a mainstream option of payment within a short period of time. Businesses that accept Bitcoin early enough will benefit more when Bitcoin becomes a mainstream payment method.


text:
Mystery Tour Memories
Beatles Visit Locations
When The Beatles visited Newquay 1967
The Magical Mystery Tour Revival Project
This project highlights the cultural link between the worlds most famous and successful group, and all of the places touched by The Beatles on their location filming tour across the south of England in the autumn of 1967. Then on Monday 11 September 1967 the Fab Four set off on their colourful Magical Mystery Tour Bus to the West Country from their homes in London.
At the time The Beatles were reeling from the recent death of their manager and friend Brian Epstein, but in an attempt to keep the group going forward, Paul McCartney decided to press ahead with the making of the group's third film. Hence the tour idea, which took the famous foursome and their passengers to various places along the journey. Teignmouth and Plymouth in Devon were visited and there was also a narrow bridge and their much wider coach.. causing traffic pandemonium on route to Widdecombe Fair!
Eventually the tour reached Cornwall, calling in for ice creams at Bodmin before their eventual destination at the seaside resort of Newquay, which became their base. Each place on the route saw great excitement as the locals discovered exactly who had arrived in their neighbourhood!
The filming trip returned to London on Friday 15th September, calling in for fish & chips at Taunton, and on a separate stage of the filming the tour concluded at West Malling in Kent.
The aim of this MMT Revival was to capture the eye witness accounts of those fortunate fans and onlookers, who found themselves in the right place at the right time, some of those even gaining chance encounters with the Beatles. Many of these stories provide the theme to the DVD that came from this project, and was released worldwide in 2008.
Another feature of the MMT Revival is The official Plaque which was unveiled by the then Mayor of Restormel Council on 19th October 2002 during a festival weekend at around the start of the MMT Revival. It is worth commemorating the groups visit, because although they had such incredible success, it was all confined to a relatively short period of some seven or eight years. And Newquay, along with the other ports of call for the Mystery Tour Bus, are a part of that unique and fantastic story.
The Plaque can be found in the heart of Newquay, with the large Atlantic Hotel across the bay. It was the scene of great excitement when The Beatles came and stayed on their Magical Mystery Tour!
Newquay Beatles Revival Project
Enquiries please contact Mr. Keith Gray
Beatles illustrations credit Clive Wakfer
www.clivewakfer-cartoonist-illustrator.co.uk
© 2019 Newquay Beatles
Web Design by www.pixelism.co.uk