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Daily News for Commercial Real Estate & Business – April 1, 2011
April 1, 2011 by Nick Miner, CCIM No comments Filed Under: Daily News
To view the 1st Quarter Sales Comps for the Apartment Market in Phoenix (thanks Jim Crews at CW), click here.
Nationwide Health buys Arbor Rose Nationwide Health Properties Inc., a real estate investment trust in Newport Beach, Calif., purchased the Arbor Rose Assisted Living center in Mesa for $12 million. The center is located at 6033 Arbor Ave. Milestone Retirement Communities LLC, based in Vancouver, Wash., will take over operations at the center, which was 95 percent occupied at the time of sale. View article…
TANGER FACTORY OUTLET EXPANDING TO VALLEY . . . PLANS PROJECTS IN SCOTTSDALE & PHOENIX Tanger Factory Outlet Centers Inc. in Greensboro, N.C. (NYSE:SKT, Steven Tanger, pres.) plans to develop outlet shopping centers in Scottsdale and west Phoenix. The new developments will mark the entrance into the Valley market for Tanger Factory Outlet Centers, a publicly traded real estate investment trust (REIT) which owns 33 outlet centers in 22 states across the country. Representatives of Tanger confirmed that the company plans to develop outlet projects in the Scottsdale and west Phoenix area, but declined to discuss specific locations or tenants for the centers. View article…
Ecuador to open consulate in Phoenix The ambassador of Ecuador, Luis Gallegos, will be in Phoenix Thursday to open a new consulate and meet with local leaders. The country is opening a consulate here primarily because Arizona is the main route for illegal immigration from Ecuador into the United States, said Maria Gabriela Troya, who will oversee the new consulate. View article…
Peoria to launch Cafe Quench in City Hall When you crave a jumbo pretzel, lox and cream cheese or mmm, turtle brownie sundae, you'd think of heading to City Hall … not. Soon you could. Peoria unveiled plans to launch Caf Quench in what used to be the Economic Development Department. A 1,700 square-foot space is being renovated for $160,000 to make room for a caf, which will be open from 6:30 a.m. to 4 p.m. Monday through Thursday. City Hall is open 7 a.m. to 6 p.m. on weekdays. It's closed Fridays. View article…
Former Bethany Properties Go to Special Servicing In February 2009, The Bethany Group, an Irvine, Calif.-based apartment owner, made headlines when it essentially abandoned its Phoenix portfolio. Though it filed for bankruptcy protection in March 2009, many of its portfolios are still in so much flux (even under new ownership) that its making the most ardent industry watcher's head spin. View article…
Ultimate Electronics heads to final days The final days have arrived for Ultimate Electronics, and three Phoenix-area stores will close for good by April 10. The national consumer electronics retailer announced in February that it would close all 46 of its stores, including six in the Valley. View article…
Taylor Morrison swept up in $955M deal Scottsdale home builder Taylor Morrison is being swept up in a sale valued at nearly $1 billion to investment funds led by TPG Capital, Oaktree Capital Management and JH Investments. Taylor Wimpey PLC (LON: TW), a U.K. builder, is selling its North American holdings, Taylor Morrison in the U.S. and Monarch in Canada, for $955 million. View article…
Intel official: Planned Chandler factory a 'big gamble.' Intel starts construction this summer on its huge Fab 42 factory, and it's a gamble, a company executive says. "We're making a $5 billion fab to manufacture a product that doesn't exist to service a market that doesn't exist," said Jason Bagley, Intel's manager of government affairs. "It's a big gamble, but it's an educated gamble." View article…
The 3.8% Tax Is Not a Real Estate Transfer Tax Shortly after the federal government enacted sweeping healthcare reform earlier this year, there was considerable concern over a last-minute addition to the legislation: a 3.8 percent tax on investment income of upper-income households to help shore up Medicare. The tax takes effect in 2013. View article…
Current Global Conditions: Inflation and Unemployment In the aftermath of the global financial crisis, the main challenge facing the U.S. and its trading partners was a return to growth. After these economies improved in 2010, the outlook now for the main trading partners of the U.S. is for slower growth in 2011, accompanied by unemployment worries and new inflationary pressures from oil and commodities…View article…


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Roy Fleischmann, MD: The Current State of Biosimilars
Roy Fleischmann, MD, examines the current state of biosimilars as it relates to rheumatologists in the United States.
In the second part of our biosimilars series, Roy Fleischmann, MD, examines the current state of biosimilars as it relates to rheumatologists in the United States. Fleischmann is Clinical Professor of Medicine at the University of Texas Southwestern Medical Center at Dallas and co-Medical Director of the Metroplex Clinical Research Center in Dallas.
Rheumatology Network: How can rheumatologist help patients accept biosimilars?
Roy Fleischmann, MD: The way the rheumatologist introduces the topic of the biosimilar and explains the topic is what's really important. If I said, "I'm going to give you a drug, because it's cheaper, may not be quite as good, but it's cheaper," there are [some] patients who will say, "Well, it's not quite as good, but it may work so I'll try it." But I think most would say, "If I can afford the biooriginal, I'd rather do that." If I [explain] that these drugs are truly similar, it's cheaper to you, and you have a 90% to 95% chance of not being able to tell the difference, I think patients will accept it. So it really is how the physician or how the health care provider, whoever that is, really explains what the biosimilar does, how similar it is to the biooriginal, and why you'd want to do it. But it's still going to come down to cost. I have friends in the United Kingdom who have had biosimilars for years. The drugs have come down from $60,000 or $70,000 a year to $2000 a year. Theoretically, more patients can get on the drug, except the British healthcare system is almost as broken as ours because you still have to have high disease activity before you can get a biologic. But in those patients, it should be much more available and more patients should be able to get on these drugs who are not on these drugs at present. I think the rheumatologist needs to understand that there's no reason not to encourage the patient to switch.
Now the only problem, which I think is going to be resolved probably relatively soon, would be the concern whether a patient switching to a biosimilar would respond as well as the biooriginal. The biosimilar companies did something which I thought was inappropriate. There are patients who do not respond to the biosimilar as well as they do to the biooriginal. The companies said this is a nocebo effect. The nocebo effect is the opposite of a placebo effect in which the patient thinks that the drug doesn't work as well but they wrong. However, it probably isn't in a nocebo effect. There probably are patients who do not respond as well. So that was the original question. Can you switch the patient back? Well, in many countries, that's exactly what they did. If the patient doesn't feel that they're responding, they do go back to the original. So, let's handle that problem.
The second problem is if the patient's better on the biooriginal and then you switch to a biosimilar, will the patient have a reaction? And I've done published trials, and there are many trials, that show that a switch from biooriginal to biosimilar really does work quite well. If you start with a biooriginal, go to a biosimilar, and then go back to the biooriginal, will that be problematic? There are studies on that which have shown it's not. Or the reverse, we started biosimilars, then biooriginal, and then back to the biosimilar. Is that problematic in terms of losing effect? And I've done those studies and it's not. But what about going from a biooriginal to a biosimilar, then to another biosimilar, then to a different biosimilar, and then back to the biooriginal, and then back to the second biosimilar? Because the prices change week by week, right? And that is [currently] occurring in the UK with a patient going from one to the other to the other. And it can be every week, every 2 weeks, or every 3 weeks. Will you develop neutralizing antibodies to the biosimilars? Will it lose effectiveness? That's still a concern. But I think that that's being answered in the real world as this occurs and I have not seen reports yet that there are patients who really do run into the problem of developing neutralizing antibodies to that molecule. That's the one small area of concern that I have.
In summary, I think the Biosimilars are quite reasonable, cheaper, and they should be used only if they are cheaper to the patient, not to the insurance company. I haven't seen insurance companies drop my premium any year. As a matter of fact, I see significant increases in my premium. Even if these prices come down, it has to be cheaper to the patient. And I think if that occurs, there will be more and more use of the biosimilars.
Clinical NewsRheumatology

redpajama_set_name: RedPajamaCommonCrawl


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Samajwadi Party to field Shatrughan Sinha against PM Modi in Varanasi for 2019?
At the event, Shatrughan and Yashwant launched a full-scale attack against the Modi-led National Democratic Alliance.
Published: 13th October 2018 07:36 AM | Last Updated: 13th October 2018 11:39 AM | A+A A-
BJP MP Shatrughan Sinha (File| PTI)
By Namita Bajpai
LUCKNOW: The presence of Actor and Bharatiya Janata Party (BJP) MP Shatrughan Sinha and former BJP leader Yashwant Sinha on Thursday at an event to mark the birth anniversary of freedom fighter Jayaprakash Narayan that was organised at the Samajwadi Party (SP) headquarters in Lucknow, has set off speculation that the actor may contest the 2019 Lok Sabha elections against Prime Minister Narendra Modi on an SP ticket.
After the event, SP chief Akhilesh Yadav held a closed door meeting with Shatrughan as well as Yashwant Sinha. SP leaders, who did not want to be named, said they had drawn Yadav's attention to Sinha. They added that the decision is still pending but deliberations are ongoing.Lately, the actor has been voicing his displeasure against the BJP government's publicly. However, he has not faced any action from the party so far.
There is a feeling within the party that Shatrughan may find a large following among the Kayasths in Varanasi, which is adjacent to his home state Bihar, said above-mentioned sources.
Speaking about the Rafale deal, Shatrughan exhorted the Centre to clarify its stand on the deal.
"Why was Hindustan Aeronautics Limited (HAL) denied a role in the deal despite having expertise in making planes?" he asked, raising questions on the credentials of Anil Ambani's Reliance Defence saying it was included in the deal "without even having manufactured the components of a motorcycle so far".
Shatrughan also touched on the issue of the demonetisation, claiming it was not a decision taken by the BJP as a party. "I am not against the party. I am against those people who are autocratic. Demonetisation was not the decision of the BJP. Demonetisation and the Goods and Services Tax (GST) have ruined the poor," he said.
"People often ask me why I speak against the BJP despite being its member. I tell them that I speak the truth. If speaking the truth is rebellion, then I am indeed a rebel," he added.Yashwant Sinha described the scenario in the country as "worse than the days of the emergency". He called upon the anti-BJP parties to stitch up a strong and formidable 'mahagathbandhan' (grand alliance) to ensure the saffron party's ouster from the Centre in 2019. "If people do not wake up even now, it will be too late," he said.
Shatrughan Sinha Yashwant Sinha Varanasi elections Narendra Modi
Savari
Not a good idea. They are sure to lose and their reputation Will be devalued. Why not Mulayam or Akhilesh stand against Modi. They know the reality.


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MOZAMBIQUE: 'No one heard victims crying for help as they were carried away by floods' says priest
March 21, 2019 ▪ Citra Abbott
Young girl carrying a child in a cloth on her back in Tete Diocese, Mozambique (© ACN)
A priest in Mozambique has given a graphic account of the devastating impact of the cyclone amid reports that up to 1,000 people have been killed.
Speaking in an interview with Catholic charity Aid to the Church in Need, Father Sandro Faedi, apostolic administrator of Tete, described how people cried for help as the flood waters came towards them.
The priest's personal testimony comes as ACN revealed that it is working with the local Church in the port city of Beira to provide essential aid.
"Beira is no longer a city. It has been destroyed almost entirely… a lot of people have lost their lives" – Father Sandro Faedi
Father Faedi told the charity: "Beira is no longer a city. It has been destroyed almost entirely."
He continued: "From the airplanes, the city presents itself as a large lake, from which emerge buildings without ceilings.
"You don't see streets, houses, fields. A lot of people have lost their lives.
"Above the houses or above the trees, [many people were] asking for help, which nobody heard.
"They were carried away by the fury of the rivers entering the city."
Father Faedi told ACN that the region, which is now mostly under water, has "no telephone, communications and no drinking water", as 125 mile (200 km) per hour winds, heavy rains and flooded rivers continue to destroy the country's infrastructure.
"For now, we only pray, ready to give our contribution when the time comes."
With the death toll expecting to rise, he said: "For now, we only pray, ready to give our contribution when the time comes."
The priest's comments come as Pope Francis expressed his "pain and closeness to those dear people".
Today (Wednesday 20th March) Mozambique starts three days of mourning for the victims.
Floods and winds flattened Beira, an 'economic lung' of Mozambique, before moving to Malawi and Zimbabwe, affecting more than 2.5 million people.
"The help from ACN will be useful… we thank you for your generosity" – Archbishop Claudio Dalla Zuanna
Archbishop Claudio Dalla Zuanna of Beira told ACN: "The help from ACN will be useful because it will serve to revive the ecclesial presence by confronting immediate expenses such as the acquisition and distribution of plastic tarpaulins, material, etc. buckets, glasses, plates, etc. and the logistics for transport.
"Once again we thank you for your generosity and we will keep you informed."
Mosul: Barely 40 Christians home
ACN welcomes vital review into persecution of Christians


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GARRY WINOGRAND: ALL THINGS ARE PHOTOGRAPHABLE
5:10 ONLY
Must End Thursday, October 25
PRODUCED, DIRECTED, AND EDITED BY SASHA WATERS FREYER
"What is a photograph?" Garry Winogrand (1928-1984) asks in his iconic, gravelly Bronx accent. Winogrand was a compulsive street photographer (although he hated that term), working for decades in NYC, then in Texas and California, to create a huge body of work (hundreds of thousands of images taken with his 35mm Leica) that comprise an encyclopedic portrait of America. During his lifetime he was celebrated (as a favorite of MoMA curator John Szarkowski) and reviled (especially for his book, Women Are Beautiful) and then more-or-less forgotten after his untimely death at age 56. Writes Jennifer Szalai in The New York Times: "(Winogrand) captured the fallout from the midcentury American moment – those few decades from the 1950s on, when placid, middle-class prosperity started to give way to something less affluent, more fragmented and harder to define."
Presented with support from the Helen Frankenthaler Endowed Fund for Films on Art and the Roy Lichtenstein Foundation Fund
USA 2018 90 MINS. GREENWICH ENTERTAINMENT
Personalized armrest-fitted closed captioning devices are available.
"The probing and insightful biographical documentary... shows how Winogrand's confrontational, teeming pictures pulled street photography into artistic modernity... (Shows) his method wondrously on display. He composed instantaneously, impulsively, improvisationally, as if making a kind of pictorial jazz."
– Richard Brody, The New Yorker online
"The Norman Mailer of photography."
– The New York Times
"An unusually rich art-doc with an old-New York twang. Delivers the sensation of seeing a story unfold dramatically onscreen. Fascinating. Speaks to the most sophisticated students of fine-art photography without alienating casual buffs."
– John DeFore, The Hollywood Reporter
"Before street-style photography became a major element of both fashion and art, Winogrand transformed his surroundings and the social issues of his time into expressive images… Director Sasha Waters Freyer does an incredible job. (The film) is a rather remarkable work."
– Jacob Knight, Birth.Movies.Death.
"An excellent cinematic retrospective of Winogrand's life and career, showcasing his achievements and influence on those who came later. He helped usher in a new era of more complex framing choices. Freyer gives us Winogrand, warts and all, and clearly shows us why he made a difference."
– Christopher Llewellyn Reed, Hammer to Nail


My girl looking ever so innocent...don't be fooled, she is a wild panther!
I have lost loved ones, both animals and humans, to cancer, car accidents, suicide, addiction, and other diseases. I am all too familiar with the struggle of loss. You are not alone.
Throughout my grief process, I spent a great deal of time considering how I want to be remembered when I pass. I found that, without a doubt, I would want my loved ones to turn their focus away from the tragedy of my death, and instead focus on memorializing my unique personality and the beauty of the life I lived.Over the years, I've asked many people about this, and I found that they all felt the same way. I believe animals, if they could speak to us in words, would want us to be happy and at peace through the memories of their playfulness and unconditional love. That is why I started doing Memorial Paintings for others, to help people heal from their loss and find happiness in the good memories. I am also so happy to make Celebration Paintings as a way to remind us of the gift of the beautiful living people and animals we love.


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Скульптурное оформление Летнего сада насчитывает 92 мраморные скульптуры (5 скульптурных групп, 38 статуй, 48 бюстов и 1 герму). Большая часть была выполнена итальянскими мастерами конца XVII — начала XVIII веков. В число скульптурных произведений Летнего сада включаются также 29 терракотовых рельефов, украшающих фасад Летнего дворца Петра I.

Коллекция была создана по инициативе Петра I, который не только интересовался изобразительными искусствами, но и стремился к тому, чтобы превзойти Версальское собрание скульптуры короля Франции. Произведения изящных искусств Пётр рассматривал также как средство образования своих подданных, как средство продвижения новых идей и нового европейского образа жизни. Возможно, что и понятие относительно воздействия скульптурных произведений, доступных широкой публике, он сформировал, познакомившись именно с версальским собранием. Составление коллекции Летнего сада велось не хаотическим образом: Пётр поручил купцу и дипломату, представлявшему его в Риме и Венеции, Савве Рагузинскому, составить программу украшения парков. Впоследствии именно по ней приобретались и размещались скульптуры Летнего сада. Рагузинский разделил все произведения на четыре группы: парная скульптура, главным образом, на темы «Метаморфоз» Овидия; аллегорические фигуры; боги античности; короли и римские императоры с супругами. В полном соответствии с этой программой, собрание скульптуры Летнего сада формировалось прежде всего как имеющая назидательное и образовательное значение, а сами изваяния размещались тематическими группами.

Уже в 1710 году в саду насчитывалось около тридцати статуй и бюстов. В последующие годы количество их увеличивалось и к 1728 году достигло уже более ста, основная часть была приобретена к 1721 году. В 1732 году собрание Летнего сада пополнилось статуями из сада при дворце А. Д. Меншикова на Васильевском острове — Меншиков, как и Ф. М. Апраксин увлекся садовой скульптурой по примеру Петра. Со смертью Петра интерес к садовой скульптуре в России угас и возродился только с воцарением его дочери, Елизаветы Петровны.

История

С самого начала царь Пётр намеревался сделать не просто «огород» (так в XVIII веке называли сады), а нечто большее. По свидетельству Я. Штелина Пётр, однажды, призвав садовника, сказал ему: «Я желал бы, чтоб люди, которые будут гулять здесь по саду, находили бы в нём что-нибудь поучительное». Садовник ответил шуткой: «Прикажите разложить по местам книги, прикрывши их от дождя, чтобы гуляющие, садясь, могли их читать». Но царь приказал сделать в саду «Эзопов лабиринт»: расставить статуи, изображающие персонажи басен Эзопа с поучительными надписями. Фигуры сделали из позолоченного свинца в Голландии по заказу Б. И. Куракина. Образцы для свинцовой скульптуры брались из гравированного издания 1695 года, представлявшего скульптуру Версаля. Некоторая часть была выполнена скульптором Б. К. Растрелли Старшим. Так в Санкт-Петербурге, в Летнем саду возник первый музей под открытым небом (скульптуры не сохранились).

В 1707—1716 годах в качестве военных трофеев Северной войны из окрестностей Львова и Варшавы, а затем из Италии, по распоряжению царя Петра I «со смыслом, по списку» привозили мраморные скульптуры: бюсты («грудные штуки») и статуи, изображающие античных богов и богинь, героев древности, а также аллегорические фигуры, служившие «просвещению». С 1716 года приобретением скульптур в Италии для Санкт-Петербурга занимались С. Л. Рагузинский и Ю. И. Кологривов. Помимо знаменитой «Венеры Таврической» С. Л. Рагузинский вывез из Италии более двадцати скульптур, некоторые (девять статуй и два бюста) он заказал П. Баратта и его помощникам. Баратта получил прозвание «скульптора Московии». Скульптуры были также заказаны Джованни Бонацца, Антонио Тарсиа, Альвизе Тальяпьетра, Антонио Коррадини и другим. Безусловным шедевром Летнего сада является знаменитая «Нимфа Летнего сада» работы фламандского скульптора Томаса Квеллинуса.

Последним заказом Рагузинского для Летнего сада (1723) стала серия скульптур во славу победы России в Северной войне, скульптуры были доставлены в Петербург в 1726 году. Впоследствии две скульптуры из этой серии — «Воинская доблесть» и «Слава» по приказу Елизаветы Петровны были отправлены в Царское Село.

Рельефы Летнего дворца
Самыми ранними по времени создания являются рельефные украшения Летнего дворца — терракотовые панели, покрытые охрой с мифологическими сюжетами морской тематики. Двадцать девять рельефов выполнены по распоряжению Петра, эскизы для них, вероятно, выполнил Андреас Шлютер. Историк искусства Ж. А. Мацулевич подразделяла рельефы Летнего дворца, отличающиеся по степени мастерства исполнителей, на три группы. В первую включаются пять наиболее монументальных панелей (шестая находится внутри дворца) с амурами на морских животных. Вторая группа — изображения Минервы с военными трофеями «мастерского, но малохудожественного» исполнения. Из-за мелкого рисунка эти панели, расположенные достаточно высоко, плохо читаются. По предположению Мацулевич, рельефы второй группы могли выполнить либо берлинский формовщик Люрберг, либо автор статуй для Грота Конрад Осснер. К третьей группе Мацулевич отнесла «ремесленные доделки», выполненные, вероятно, по эскизам Шлютера очень невысокого качества. Согласно относительно недавним данным рельефы выполнены по гравюрам немецкого художника А. Фукса, повторяющим в зеркальном изображении итальянские оригиналы А. Майоли XVI века. Рельеф над входом выполнен из кирпичной крошки на цементе скульптором Морбергом по рисунку Г. И. Маттарнови.

Венера Таврическая
В 1720 году в галерее (самой большой из трёх галерей сада) на берегу Невы была установлена купленная в Риме античная статуя Венеры, найденная при раскопках в Италии в 1719 году. У скульптуры была отбита голова, отсутствовали руки. Кологривов тайно (так как в Риме действовал папский запрет на вывоз древностей из города) отдал её для реставрации в мастерскую Легри. Однако до властей Рима дошёл слух о ценной находке, и Венера была конфискована, её испытали (по обычаю того времени ударами долота в трёх разных местах) и признали древней работой. Последовали сложные дипломатические переговоры, к которым был привлечён известный своей ловкостью Рагузинский. В конце концов Климент XI согласился обменять античную статую на мощи святой Бригитты — военный трофей русских войск при взятии Ревеля. Однако в официальной бумаге причиной передачи скульптуры было названо обещание Петра I содействовать католическим миссионерам, отправлявшимся в восточные страны. Превосходная по качеству выполнения римская копия с греческого оригинала III века до н. э. (существуют иные датировки) привлекала в XVIII веке особое внимание посетителей Летнего сада как одна из главных его достопримечательностей. Теперь эта статуя, которая называется «Венера Таврическая», находится в собрании Государственного Эрмитажа.

Вместе со статуей Венеры Рагузинскому удалось вывезти из Рима ещё десять античных скульптур и портретных бюстов, среди них изображения Луция Вера, Вителлия, Марка Аврелия, Нерона. Возможно они были установлены внутри Грота в нишах.

Большая часть скульптурных произведений Летнего сада подписана исполнителями.

Коллекция
В коллекции представлены работы:
 итальянских скульпторов:
 Пьетро Баратта (Pietro Baratta) (1668—1729) — скульптурная группа «Мир и Победа. Аллегория Ништадтского мира» (1725), статуи «Аллегория архитектуры» (около 1722), «Аллегория милосердия» (1717), «Аллегория мореплавания» (до 1722), «Аллегория правосудия» (1719), «Слава» (около 1718), бюсты «Александр Македонский» (около 1720), «Аллегория изобилия» (нач. XVIII в.), «Аллегория мира» («Женщина в диадеме») (около 1719), «Аллегория осени (Вакх)» (около 1717), «Аллегория солнца (Аполлон)» (около 1717), «Камилла» (нач. XVIII в.), «Молодая женщина (римлянка)» (нач. XVIII в.), «Флора»? (нач. XVIII в.), «Юноша» (нач. XVIII в.);
 Школа Джованни Лоренцо Бернини (Giovanni Lorenzo Bernini) (1598—1680) — скульптурная группа «Амур и Психея» (конец XVII в.);
 Джованни Бонацца (Giovanni Banazza) (1654—1736) — статуи «Аврора» (1717), «Закат» (1717), «Ночь» (1717), «Полдень» (1717), «Сивилла Дельфийская» (1719);
 Джузеппе Гроппелли/Гропелли (Giuseppe Groppelli) (1675—1735) и Паоло Гроппелли/Гропелли (Paolo Groppelli) (1677—1751) — статуи «Нимфа воздуха» (около 1717), «Талия» (около 1719), «Терпсихора» (около 1722), «Эвтерпа» (около 1722);
 Марино Гроппелли/Гропелли (Marino Groppelli) (1662—1728) — статуи «Аллегория искренности» (1717), «Аллегория истины» (1717);
 Джованни Дзордзони/Зорзони (Giovanni Zorzoni) (1663—1741) — статуи «Аллегория красоты» (около 1719), «Сивилла Европейская» (1717), «Сивилла Ливийская» (1717);
 Антонио Коррадини (Antonio Corradini) (1668—1752) — статуя «Нереида» (около 1717), бюсты «Петрония Прима» (1717), «Скрибония» (нач. XVIII в.);
 Орацио Маринали (Orazio Marinali) (1643—1720) — бюсты «Аполлон» (около 1717), «Аристотель» (нач. XVIII в.), «Гераклит» (нач. XVIII в.), «Демокрит» (нач. XVIII в.), «Диоген» (нач. XVIII в.), «Марс» (около 1717), «Сенека» (нач. XVIII в.), «Царь Мидас» (1717), «Эскулап» (нач. XVIII в.);
 Бортоло Модоло (Bortolo Modolo) (около 1681—?) — бюсты «Сивилла Самосская» (нач. XVIII в.), «Сивилла Эритрейская» (около 1717);
 Франческо Пенсо (Кабьянка/Кабианка) (Francesco Penso, Cabianca) (1665—1737) — статуи «Антиной» (1722), «Вертумн» (1717), «Помона» (1717), «Сатурн» (1716), бюсты «Веспасиан» (около 1717), «Марция Фурнилла» (около 1716), «Нерон» (нач. XVIII в.), «Тиберий» (около 1717), «Тит» (около 1717), «Траян» (нач. XVIII в.);
 Альвизе Тальяпьетра (Alvise Tagliapietra) (1670—1747) — статуя «Беллона» (около 1718);
 Антонио Тарсиа (1662—1739) — статуи «Немезида» (1716), «Рок» (около 1716), «Юность» (около 1722), бюст «Аллегория дня» (нач. XVIII в.);
 Паоло Трискорни (Paolo Triscornia) (1757—1833) — статуи «Аполлон» (около 1800), «Диана» (XVIII в.);
 фламандского скульптора Томаса Квеллинуса (T. Quellinus) (1661—1709) — статуи «Минерва» (1690-е), «Нимфа Летнего сада» (1690-е), «Церера» (1690-е);
 немецкого скульптора Генриха Мейринга (Heinrich Meyring) (1628—1723) — статуя «Флора» (1717);

 неизвестных скульпторов из Италии, Германии и Польши — скульптурные группы «Похищение сабинянки» 1 (XVIII в.), «Похищение сабинянки» 2 (XVIII в.), «Сатир и Вакханка» (нач. XVIII в.), статуи «Аллегория сладострастия» (около 1717), «Вакх» (нач. XVIII в.), «Женщина с гирляндой роз» (нач. XVIII в.), «Юноша» (нач. XVIII в.), бюсты «Аллегория весны» (около 1717), «Аллегория скоротечности жизни» (нач. XVIII в.), «Аллегория чистоты» (1700-е годы), «Амазонка» (нач. XVIII в.), «Вельможа»? (нач. XVIII в.), «Двуликий Янус» (XVIII в.), «Женщина в серой драпировке» (нач. XVIII в.), «Коринна»? (нач. XVIII в.), «Курфюрстина Бранденбургская» (нач. XVIII в.), «Марцелл Марк Клавдий»? (нач. XVIII в.), «Мария-Каземира» (конец XVII в.), «Молодая женщина в розовой драпировке» (нач. XVIII в.), «Молодая женщина (римлянка)» (нач. XVIII в.), «Римлянка в чалме» (нач. XVIII в.), «Римский император» (нач. XVIII в.), «Фридрих I» (нач. XVIII в.), «Юлий Цезарь» (нач. XVIII в.), «Юноша» (нач. XVIII в.), «Ян Собеский» (конец XVII в.).

Скульптурное убранство Летнего сада в XVIII веке дополняли многочисленные, главным образом свинцовые, позолоченные изваяния, украшавшие его фонтаны, впоследствии утраченные.

По тематике скульптуру Летнего сада можно разделить на три большие группы: исторического, аллегорического и мифологического содержания. Среди них имеются отдельные небольшие серии, связанные единством содержания: такова серия, изображающая различное время суток, аллегорические статуи, олицетворяющие науки и искусства, и т. п.

Интересны скульптурные портреты исторических деятелей — Александра Македонского, Марка Аврелия, польского короля Яна Собесского, а также статуи, аллегорически изображающие Архитектуру, Славу, Мореплавание, Правосудие и персонажей античной мифологии — Минерву, Беллону, Немезиду, Евтерпу, Терпсихору, Флору, Меркурия, Вакха и др. Некоторые являются подражанием античным оригиналам. Большая часть скульптур неоднократно подвергалась реставрации.

В 1974 году во время археологических раскопок в районе хозяйственного двора в земле была найдена скульптурная герма «Вакх» (неизвестный скульптор, Италия, XVIII в., мрамор). Находится в павильон «Голубятня» (боскет «Птичий двор»), является экспонатом Археологической экспозиции.

Проблемы сохранности садовой скульптуры

За годы своего существования в столице России мрамор под воздействием сырого климата стал разрушаться. Неоднократные попытки закрывать статуи вначале деревянными «шкафами» на зимнее время, а затем и другие способы защиты и консервации не давали желаемого результата. В процессе первого этапа комплексной реставрации и реконструкции Летнего сада статуи были отреставрированы и перемещены в помещения Михайловского замка в Санкт-Петербурге на постоянное хранение (в 1991 году Михайловский замок вошёл в состав Государственного Русского музея). Исключение составили герма «Вакх», являющаяся экспонатом постоянной экспозиции, посвящённой истории археологических изысканий в Летнем саду, развёрнутой в Музее археологии Летнего сада, и скульптурная группа «Мир и Победа» («Аллегория Ништадтского мира»). С 2012 года в Летнем саду находятся копии, выполненные из искусственного мрамора. В общей сложности были изготовлены 90 копий скульптур (статуи, бюсты, скульптурные группы) и 152 пьедестала и подставки под бюсты.

Порфировая ваза полностью отреставрирована и установлена в мае 2012 года на своё прежнее историческое место в Летнем саду.

Список
В списке-галерее представлена информация обо всех находящихся в Летнем саду скульптурах: это два оригинала (группа «Мир и Победа», герма «Вакх») и девяносто копий. Также приведены их изображения по состоянию на осень 2021 года. Названия скульптур, фамилии авторов и даты создания произведений приведены так, как они указаны в информационных табличках Государственного Русского музея, установленных возле скульптур. Список-галерея состоит из четырёх разделов: скульптурные группы, статуи, бюсты и скульптурная герма.

Примечания

Литература
 Мацулевич Ж. А. Летний сад и его скульптура. — Л.: ОГИЗ-ИзоГИЗ, 1936. — 172 с.

 Androsov S. О. Pietro il Grande: Collezionista d'arte veneta. — Venice, 1999. — Р. 218.
 Андросов С. О. Итальянская скульптура в собрании Петра Великого. — СПб.: Дмитрий Буланин, 1999. — 287 с.
 Андросов С. О. Петр Великий и скульптура Италии. — СПб.: АРС, 2004.

Летний сад
Скульптуры Санкт-Петербурга
Садово-парковая скульптура России

redpajama_set_name: RedPajamaWikipedia


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Freaks Movie Review
The best part about the original sci-fi thriller Freaks is that for a good chunk of its running time, you're not sure what is real, what is imagined, or what exactly the hell is going on. Writing-directing duo Zach Lipovsky and Adam B. Stein purposefully keep you at arm's length for quite a while, opting to tell their story through the eyes of lead protagonist Chloe (Lexy Kolker). It's a worthwhile move, the mystery arguably more satisfying than the answer.
Chloe lives in a house and has been seemingly confined within under the direction of her father (Emile Hirsch), who either is rightfully protective or batshit crazy. Chloe has special gifts but is largely unaware they are special, and an ice cream man (Bruce Dern) who often hangs around the house appears to have hidden motives.
What matters most is that Chloe doesn't know what's going on, which means you don't either. Lipovsky and Stein make the most of the off-kilter world they have envisioned, injecting a sense of eeriness and suspicion into every corner of every scene. Between its title and its Friday the 13th theatrical release date, Freaks is clearly being positioned as a form of horror movie, but sci-fi thriller is a much more apt description.
Hirsch, whose star power plummeted after he violently attacked a Paramount executive years ago (never forget!), is nonetheless a good actor and he makes the most of the opportunity, delivering a sometimes manic and certainly emotional performance. But it's young Kolker who rightfully steals the show, charging ahead with a dangerous innocence that evolves significantly as the story progresses.
Once things click into place and you realize what's going on, Freaks does lose a bit of its luster. It is clearly inspired by a certain famous comic book series—the similarities are the least original aspect of the production—but the filmmakers do a fine job of taking a unique angle to it all. Even still, the third act is unfortunately much more conventional than the rest of the movie—a shame given how strongly it starts out.
Freaks isn't an amazing movie, but Lipovsky and Stein have created an intriguing and oft suspenseful thriller that is just odd enough to separate itself from its more mainstream counterparts.


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ESYP Middle School Musical will be James and the Giant Peach, Jr.! Spaces Still Available.
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text:
Mark Youngman
Researching ideology, political violence, and Russia's North Caucasus
Broader, Vaguer, Weaker: The Evolving Ideology of the Caucasus Emirate Leadership
03/11/2016 15/03/2020 ~ extremistrussia
In October 2007, veteran Chechen field commander Dokka Umarov proclaimed the formation of the Caucasus Emirate (IK), formalizing the victory of the North Caucasus insurgency's Islamist wing over its nationalist separatists. Despite the importance of this decision, however, the IK's ideology and Umarov's role in shaping it remain understudied. By analyzing Umarov's statements throughout his lengthy tenure as leader, it is possible to identify three distinct phases to Umarov's ideological positioning of the insurgency: nationalist-jihadist (June 2006-October 2007); Khattabist (October 2007-late 2010); and partially hybridized (late 2010-September 2013). Understanding these phases helps us gain a clear picture of the IK's ideological transformation and the limits of its engagement with external actors, and suggests that weakness was a key factor driving that transformation.
Phase One: National-Jihadism (June 2006-October 2007)
In his early communiqués as leader, Umarov clearly identified what he viewed as the main problem facing the insurgency and the region: an "imperial" Russia was "occupying" the North Caucasus and perpetrating "genocide" against the civilian population. The North Caucasian authorities, by contrast, were a secondary concern, the "apostates, traitors, cowards, and outcasts" facilitating Russia's presence in the region. References to actors beyond Russia's borders demonstrated deep disillusionment with the West without elevating it to the status of an enemy.
The goals Umarov established for the insurgency were equally clear cut: "driving the occupier from the Caucasus," and establishing an independent state governed by Shariah. Religion underpinned his efforts to appeal beyond Chechnya to the broader North Caucasus region: The conflict was portrayed as a "jihad," and jihad as fard al-ayn, an individual religious duty, to all those in and from the region. Yet this religious rhetoric had a distinct local logic and tells us very little about Umarov's overall ideological orientation at this time.
Umarov's positioning of the movement in this first phase was clearly distinct from any transnational agenda, focusing instead liberating historically Islamic lands from non-Muslim rule. Usually, such ideology is categorized as irredentist jihadist, yet the dividing lines between this and national-separatism pursued by Islamic actors is unclear. Instead it may more usefully be termed national-jihadism: sharing many of the goals of national-separatism but differing in the prioritization of religion as a defining characteristic of both problem and solution.
Phase Two: Khattabism (October 2007-Late 2010)
The proclamation of the IK significantly transformed the way in which the conflict was framed. Religion became not one the primary defining characteristic of the conflict itself, but also of its protagonists, with Umarov describing Russia predominantly as kaffir (infidel) rather than occupier. He continued to accuse Russia of "genocide," but now it was genocide against Muslims. Similarly, he rebranded the local authorities as murtady/verootstupniki (apostates) and munafiq (hypocrites). The proclamation also introduced a greater focus on affairs outside Russia, with Umarov claiming "the whole world of nonbelievers and apostates" is fighting against Muslims. Umarov sought a closer alignment with both the Muslim and the jihadist world, declaring that "all who have attacked Muslims, no matter where they are located, are our enemies."
Umarov's transformation of how the conflict was framed and the movement was positioned ideologically, however, had evident limits. Umarov's references to events outside Russia's borders were mostly superficial, demonstrating little genuine interest and neglecting to establish targeting the West as a goal for North Caucasus insurgents. On the contrary, there was little change in the priorities Umarov articulated.
The significance of the decision to proclaim the IK cannot be understated. Umarov presented a starkly different overall conceptualization of what the insurgency was fighting for and against, rhetorically aligned the movement with jihadists elsewhere, and displayed greater hostility towards the West. At the same time, he did not alter the overall hierarchy of enemies or undermine the focus on domestic affairs. Umarov's positioning of the movement at this time was therefore clearly distinct from the transnational agenda of Al-Qaeda, reflecting instead the territorially bounded ideology of Ibn Khattab, the most famous of the foreign fighter contingent to participate in the North Caucasus conflict.
Phase Three: Partial Hybridization (Late 2010-September 2013)
From approximately late 2010, Umarov demonstrated increased engagement with the outside world. Following the 2011 suicide attack on Domodedovo airport, Umarov articulated in-depth grievances about the deaths of fellow Muslims in foreign conflicts, accused Israel and the U.S. of dismantling Sudan, and denigrated the heads of Muslim states as "puppets." He celebrated the martyrdom of Bin Laden and explicitly claimed the IK was "part of this global jihad." Umarov also increasingly appealed to Muslims outside the North Caucasus, both in the Volga-Urals region and the broader umma.
As before, however, there were clear limits to the transnational dimension of Umarov's ideological positioning. Umarov made only one explicit threat to an external actor, accusing Turkey of allowing Russian agents to target alleged IK personnel — an external threat with a distinctly domestic dimension. He later sought to engage in a balancing act over the Syrian conflict, expressing concern that events there would negatively affect the situation at home and portraying North Caucasians participating in it as people unable to return to the region.
This third phase is characterized by increasingly detailed references to events outside Russia and a gradual blurring of enemy hierarchies. Whereas in both preceding phases Russia was clearly the primary enemy—with the North Caucasus authorities a distant second and, despite increasingly hostile references, the West a tertiary concern—from late 2010, the gap between these actors is much less pronounced. Umarov devoted greater efforts to elevating the IK's status vis-à-vis other jihadist movements and afforded more space to grievances about the West's treatment of Muslims elsewhere. He also appealed more frequently to the external communities. At the same time, he did not abandon Russia as an enemy or establish goals extending beyond the Caucasus for those actually fighting in the Caucasus. This blurring of enemy hierarchies is far from unique to Umarov, and reflects an incomplete progression towards what Thomas Hegghammer has labelled hybridization: "the mixing of ideal rationales for violence and the attendant bleeding of their associated enemy hierarchies."
Weakness as a Driver of Ideological Change
Strain and weakness have been offered as key reasons for the process of hybridization, allowing groups to expand their potential support base with reduced costs of alienating original supporters. Umarov's communiqués provide ample evidence to suggest that weakness was behind not just hybridization, but the entire transformation process. When Umarov assumed the leadership, the insurgency was in a perilous state, and it was clear that the insurgency needed to expand its appeal if it were to survive. Religion offered a means both of appealing to the broader region and downplaying perceptions of weakness. Moreover, it appeared to resonate more strongly among both the younger generation of fighters and those outside Chechnya.
The reason for further transformation beyond the proclamation of the IK ultimately lies in the failure of this transformation to bring the desired results. By late 2010, the IK had lost more leading figures, and security service losses were declining across the region. There is little evidence that Umarov's efforts to attract support from the Volga-Urals region brought significant results. Thus, the pressures and rationale driving the original transformation remained in force. In the international sphere, it appears that the insurgency had nothing to lose from hostility towards the West: Russia designated the IK as terrorist in February 2010 and, although the U.S. and the UN did not follow suit until mid-2011, by that point the U.S. had already designated Umarov personally. Meanwhile, the Arab Spring and, in particular, the conflict in Syria radically altered the situation in the Muslim world. Aligning the IK with jihadists elsewhere allowed Umarov to respond to these changes in the international environment; given the absence of alternatives, alienating the West was largely a costfree endeavour.
This article is based on my paper, published in Terrorism and Political Violence, entitled "Broader, Vaguer, Weaker: The Evolving Ideology of the Caucasus Emirate Leadership." The paper, supporting data and sourcing, is open-access and available here.
Posted in Publications	Caucasus EmirateDokka UmarovFramingIdeologyInsurgencyJihadismSocial Movement TheoryTerrorism
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2.10 Upon sending us the Order Form telematically, you unconditionally accept and undertake to comply with these General Terms and Conditions of Sale in all dealings with us, the Vendor. Please do not send us the Order Form for the purchase of products on "shop.dermophisiologique.it" if you do not agree with any of the terms and conditions of these General Terms and Conditions of Sale.
2.12 Once the contract has been formed, we will send you an email of acknowledgement of the purchase order. This will contain a summary of these General Terms and Conditions of Sale, together with information on the essential features of the products you have purchased, the product prices and corresponding shipping costs, your chosen method of payment and any extra delivery charges, as well as information on your cancellation rights and how to exercise these, how to make complaints, how to contact our Customer Service and our current commercial warranties.
2.13 13 Please note that we normally expect any product you purchase from our website to be delivered within the country in which you place the order. If, therefore, you wish to purchase a product and then have it delivered to a different country, you accept full liability for entering such details and the transaction itself, including compliance with any applicable laws or restrictions on exports in the country in which you have placed the order and any import laws and restrictions on imports in the country of delivery. We cannot, therefore, be held liable for any loss incurred in such cases.
3.1Only the highest quality DERMOPHISIOLOGIQUE products are offered for sale on the "shop.dermophisiologique.it" website. These products are manufactured directly by us, the Vendors, and are carefully selected by means of strict quality controls.
3.2 We, the Vendor, do not sell used or irregular products or any product of a quality below current market standards.
3.3The essential characteristics of the products listed on "shop.dermophisiologique.it" are detailed in a product sheet in accordance with Articles 52 and 53 of the Italian Consumer Code. We guarantee that the details, descriptions and images of the products on the website are correct at the time of publication; we cannot, however, guarantee, within reasonable legal limits, that the details, descriptions and images of the products on the website are accurate, complete, reliable, updated or free of errors, including any errors caused by your Internet browser and/or monitor.
3.4 All the prices shown for the products listed on "shop.dermophisiologique.it" are inclusive of VAT at the current Italian rate and are in Euro. The product price does not include the cost of shipping and delivery. We regularly check that all prices on our website are correct, although we cannot guarantee a total absence of error. If there is an evident error in the price shown for a product, we shall offer you, the customer, the chance to buy the product at the correct price or to cancel your order. Product prices may be subject to change. All products are sold on the basis of the price published on the website and so you should check the final price, including costs, before sending us your Order Form.
3.5We cannot accept enquiries from countries not included in the list of countries on the "shopping-cart" page.
3.6 All our products are guaranteed by a safety seal or sealed with clear plastic film.
3.7If you should decide to cancel your order, we, the Vendor, have the right to refuse acceptance of any returned products without the original safety seal and/or clear plastic film, whose essential features or qualities have been altered or that show signs of damage.
4.1 You can choose any of the payment methods shown on the Order Form when it comes to paying for the products and their shipping and delivery costs. Your current account will be debited the corresponding amount as soon as the products are shipped.
4.2 If paying by credit card, please note that all credit card holders are subject to checks by the card issuer (card validity and authorisation). We cannot be held liable for any delays in delivery or non delivery of a product if the issuer of the credit card used by the customer has refused or fails to authorise the transaction, for any reason, before or after actual payment.
5.1 "Vouchers" are personalised codes, also called Dermophisiologique Cards, offering you a discount on purchases made on "shop.dermophisiologique.it".
5.2 The box for your Dermophisiologique Card or Promotional Code is shown on the first page of your "shopping-cart": after adding items to your cart, enter the code in the Promotional Code box and then click on "Recalculate price". You can use vouchers for more than one order, depending on your promotional code.
• A voucher is only valid for those items whose actual value is at least one (1) Euro more than the value of the voucher itself.
• Vouchers cannot be used in conjunction with other promotions and/or charity sales.
5.4 If, for any reason, you are dissatisfied with your order, you can return any products bought using a voucher by following the standard returns procedure in the Returns section of this website. Once your return has been accepted, the relevant code will be reactivated at the original value. We will refund you any difference between the value of the voucher and the amount actually paid in the manner and within the time indicated for the normal refund procedure.
6.1 Please go to the PURCHASES AND SHIPPING section in the Information area of this website for details of the product shipping and delivery methods. Please read this section carefully, as the information it contains forms an integral and substantial part of these General Terms and Conditions of Sale and, as such, are deemed to have been read and accepted by you at the moment you send us your Order Form. Your products will be delivered within thirty (30) days from the date after receipt of your order unless we, the Vendor, inform you within the same period, also by email, that the ordered products are temporarily or permanently unavailable.
servizioclientiweb@dermophisiologique.it. See the Information area for further details.
8.1 Our goal is to offer our customers superior cosmetic products. If, for any reason, you are not satisfied with your order, you can exercise your cancellation rights (right of withdrawal) within ten (10) working days from the day on which you received the product(s) and without having to give us any reason. You cannot, however, ask for another product in exchange.
8.2 You must use the Contact Form to cancel your or send a registered letter to our head office within 10 days from receipt of the product(s).
8.3 You should then return the products to us by handing them to the courier within fifteen (15) working days from receipt of your order.
8.4 The only costs you will incur will be those for returning the products.
8.55 If you should decide to exercise your right to cancel the order, you may use the same courier as we, the Vendor, used to deliver your order or a different one, in either case you are expected to pay the cost of return shipping yourself. We will only refund you the actual purchase price, excluding any shipping costs. You will be entirely liable for any loss or damage to the products during transit.
• returned products must be handed to the courier within fifteen (15) working days from the date on which you received the products.
8.8 If you meet all the above conditions, we will refund you the original purchase price received for the products, provided that these are returned to us unused and undamaged, having been looked after with due care and attention, within fifteen (15) working days from the date on which you received the products.
8.9 After checking that you have satisfied the above terms and conditions, we will refund you the amount due as indicated in paragraph 9 below.
8.10 You forfeit your right to any refund if you fail to satisfy the above terms and conditions when cancelling the order; you may, however, recover the returned goods, at your expense, in the same condition in which they were returned to us; otherwise, we, the Vendor, may keep the products, together with the original purchase amount.
8.11You, the customer, are expected to check the state of the product(s) upon delivery by the courier.
9.1 Once you have returned the products, we check that the terms and conditions in paragraph 8 above have been met. If all is well, we will send you an email confirming that we have accepted the returned products.
9.2 Regardless of how you paid for the products, we will refund you the due amount as soon as possible and, in any case, within thirty (30) days from the date on which you informed us of your decision to exercise your cancellation rights, always provided that the terms and conditions for cancellation have been met and that the returned products have been accepted.
9.3 If the recipient of the products indicated in the Order Form and the person who paid the amount due for their purchase are not one and the same, any refund will be paid to the person who actually paid for the products if the order is cancelled.
9.4 We will re-credit your account within thirty (30) days at the latest after receipt of the returned products.
9.5We, the Vendor, recommend using TNT (www.tnt.it) as the courier to return your order. If you decide to use this courier to return the products to us, you will not be expected to pay the cost of return shipping. In fact, provided you cancel your order in accordance with the aforementioned terms and conditions, this option allows us to pay the cost of return shipping to TNT on your behalf, meaning that you will not be asked to pay the courier. This method also allows us to track the pack at all times and relieves you of all liability for any loss or damage to the products during transit.
9.6 If, however, you prefer to use a different courier to that indicated by the Vendor to return the products, you will be expected to pay the full cost of return shipping yourself and you will have full liability for any loss or damage to the products during transit.
10.2 Please read our General Terms and Conditions of Use if you have not already done so, as these contain important details on how we process the personal data of our users and which data security systems we have adopted.
11.1 The contract with the Vendor is formed in the Italian language and these General Terms and Conditions of Sale are regulated, disciplined and interpreted in accordance with the law of Italy, including Legislative Decree n° 206 dated 6th September 2005 ("Consumer Code") and subsequent amendments, as well as Legislative Decree n° 70 dated 9th April 2003 ("Implementation of European Directive n° 2000/31/EC on certain legal aspects of information society services, in particular electronic commerce, in the Internal Market" - "E-commerce Decree") and subsequent amendments.
11.2 Any dispute arising from the interpretation, validity and/or execution of these General Terms and Conditions of Sale shall be adjudicated by the Consumer Claims Tribunal.
12.1 These General Terms and Conditions of Sale may be changed whenever necessary, also to reflect any changes in the law. The new General Terms and Conditions of Sale will come into effect as of the date that they are published on "shop.dermophisiologique.it".


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text:
Best of 2019: Fears latest Parapara road closure could be long-term
Local farmer Rex Martin supplied an early morning photo of the slip on SH4.
By: Jesse King
Jesse King is a reporter with the Whanganui Chronicle
jesse.king@nzme.co.nzWhangaChron
This summer the Chronicle is bringing you another look at some of the best content of 2019. This story originally ran on October 03, 2019
Following this week's slip which closed the State Highway 4 Parapara Rd, a trucking advocate now fears Whanganui and Raetihi could be looking at a "Manawatū Gorge-like situation". Jesse King reports.
Executive officer of the National Road Carriers Association, Tom Cloke, is planning to visit the site of an underslip about 500m north of the Matahiwi Track which closed the troubled road on Wednesday.
On Thursday, NZTA commissioned a geotechnical investigation to determine the exact cause of the slip, the severity of it and what repair work is needed.
Cloke said the latest closure was going to be long-term.
Local Rex Martin said the underslip is running through his farmland and blocking off the river down below. Photo / Supplied
"It's going to have a severe impact to the local economy, for the farmers and for people getting from Raetihi to Whanganui," Cloke said.
"We could be seeing another Manawatū Gorge situation. From what I'm told it's around about 400m long. It's a long piece of road."
The Manawatū Gorge recently got the green light for a replacement highway after it had been closed since 2017 due to multiple slips.
Rex Martin owns the farmland that the Parapara slip is running through and said it would take "months and months" to fix the issue.
"You won't believe what's below it. It's stopped right down below the river and it's actually blocking the river," Martin said.
New Zealand|Crime
Police investigating unexplained death in Whanganui
Watch: Massive section of State Highway slips down hill near Whanganui
4 Oct, 2019 06:07 AM Quick Read
"I haven't seen anything like this for years and I've never seen something this bad."
• State Highway 4: Can Whanganui's most hazardous road stay open?
• Manawatū Gorge replacement highway gets go-ahead
• Man dies after rock fall on State Highway 4 near Whanganui
Tom Cloke, the executive officer of the National Road Carriers Association, is expecting the closure to be long-term for the SH4 Parapara Rd. Photo / Supplied
The Chronicle reported that the State Highway 4 Parapara Rd had been closed on Wednesday due to an unstable surface near Ohotu Rd.
Contractors advised NZTA that the road would remain closed overnight and in an update on Thursday, NZTA said the road would continue to be closed until Friday.
They are expecting to have more updates available by 10am today.
Cloke said that a long-term closure would be quite devastating for truck drivers carrying freight.
"It's going to be a cost that's ongoing for some time. You have to recover the extra mileage and the extra hour in the day that we're going to lose to get that freight in.
"It's going to have a major tourist impact for skiing and those things. It's not just about the freight industry, it's about the livelihood of people throughout the area."
An essential thoroughfare, the Parapara Rd is renowned for experiencing slips, having sharp bends and eroding cliffs.
In February 2018, Paul Lenard Batchelor, aged 70, was killed by falling rocks when he stopped to clear debris off the road near Raukawa Falls.
By 2019 a total of more than $40 million had been spent on emergency works to fix damage caused by the 2015 storm.
The current detour routes for motorists in light vehicles is through SH1 and Fields Track, while heavy vehicles are advised to use SH1 and 49.
NZTA said they will be able to provide an update after the investigation is complete.