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As a student in the School of Urban and Regional Planning, you may qualify for some of these awards.
Current students will receive information on the School of Urban and Regional Planning award application process, by email, when it becomes available.
One to three examples of how you've applied research methods or planning analysis to urban and regional planning, in combination with a dedication to community service. Examples might include survey research, statistical analysis, GIS, studio work, independent research projects, professional placements or work term assignments.
Letter to the school director that explains how you meet the award criteria. Describe your international exchange opportunity and outline what you hope to accomplish by participating.
Ryerson is, and always has been, very much a part of its community and city. Declaring its intention to be a city builder, Ryerson has enriched and contributed to public life in broad ways.
In its role as a City Builder, Ryerson enhances access and civic engagement and has a positive, transformative effect on its neighbourhood and the broader community.
Cover letter (500 words max), demonstrating how you embody the approach and spirit of Ryerson University, as noted above, during the course of your studies and directly or indirectly enhance the reputation of the School of Urban and Regional Planning and/or the university as a whole. Consider the range of your experiences and think creatively about how you have contributed — there is no "right" answer. Experiences can include: school involvement (e.g. studio, field placement, student association work, etc.), community engagement, professional experience (paid and/or volunteer), participation in conferences/workshops etc.
The award recipient(s) must be Canadian citizens, permanent residents or protected persons and Ontario residents.
A student who demonstrates integrity, outstanding vision and commitment to community planning through client-based project work and engagement with agencies and firms.
Funds the learning experience and product of up to two studio projects in PLG 620 and/or PLG 720 that advance the study and application of planning for the urban landscape.


Odered a custom cabinet from Gendron. When the cabinet arrived it had some of the dimensions wrong. No argument, they aggreed to redo the cabinet ASAP. New cabinet, which was perfect, was delivered 2 weeks later. Amazing service.
We were looking for original furniture with an old style country flare.
The barnboard counter top and dining room table they delivered both warped within 6 months. As they got worse, I called and asked whether the furniture was warrantied. I was advised the they had a 6 month warrantee and if we were to take the table and counter top in, they would look at it. We had also had a vanity made that was not cut to specifications. It cost us a few hundred dollars to rectify what they said was our error.
The furniture is nice, but some of the craftmanship and after service is unacceptable.
In response to Mr Robert Arbour from Cobden, when you called at the beginning of January 2012,we were sorry to hear of the problems you encountered with the old wood counter top and table that we built for you in 2010. Our conversation was of a positive nature. Despite being 10 months past our warranty, we were more than happy to have a look at both of your items to see what we could do to help. So it goes without saying, that your negative comments and poor rating have come as somewhat of a surprise to us.
When working with solid wood there can be some cracking and worping as a result of expandion and contraction with seasonal changes and subsequent changes in humidity levels in soemone else house. We provide a 6 months warranty to cover such problems. As for the vanity,we worked hard to find a way to modify it when you admitted that the mistake was at your end. It was cut exactly to the specifications provided in your plans and you seemed pleased at the time and you give us the go ahead with the modifications, instead of having to build a new one. the modifications were complicated but we were happy fo find a way to fix the existing problem.
We do not know what happened to your pieces between Oct.2010 and now. We would have appreciated the opprtunity to look at them and co-ordinate a resolution to this problem.
customer service. We hope your family are enjoying all the pieces we built for you and we are truly sorry that you feel our services did not live up to your expectations.
This is my 4th custom piece by them and by far the most stylish and intricate. They piece was slightly small then we had spec'ed out and they redid the entire piece. We loved it. It may seem a little expensive but not for a custom piece of furniture that will last a lifetime.
Gendron has been the best find for me in years. Their furniture is not just antiques and reproductions - they are veritable works of art that function as furniture and decor in my home. I stop by frequently just for fun!
I frequently head straight to Gendron whenever I have a specific piece in mind. They have never let me down, it is always beautiful. I had a homework table made for my kids. Marc made the base and I then topped it with a galvanized metal counter. Marc and Line are lovely people.
Having been working with the team at the Gendron Antiques on the 20.4.20 Designer Day Marathon fundraiser, they offered to let us use some of their wonderful pieces at the Ottawa Home & Design Show. We opted to use one of Marc Gendron's own creations, a beautifully hand-crafted side table, as well as several blue decorative stars. These pieces helped bring a more comfortable and homey touch to our booth. As always, the Gendrons and their manager Kim, were fabulous to work with. I look forward to further cooperation with them all in the future.
I had been searching for a long time for what I though would be easy to find. I wanted a simple office desk that was not much more than a table with legs and a couple horizontal drawers. I had never thought of reclaimed wood until I saw all the amazing handiwork of the Gendron Antiques reproductions team. The desk from the showroom was a bit small for me but they were able to make a larger version that exactly met my needs at a great price.
I love this store and the people that run it. I have been buying furniture from them and having pieces refinished by them for several years now and I love their work and have sent many people to see them. We had a custom vanity built for our master bathroom and we had them finish our new railing and posts for our stair case. I think that we have purchased 8 pieces from them and had 4 or 5 refinished. I will continue to shop at this store as long as there is room in my home.
Gendron Antiques has not added any photos.


Genereral CEU's from VCU – For professionals, it is solely up to the certifying agency-not VCU-whether to accept or decline VCU CEU's. You can register with VCU prior to the event on line (see below) or sign up at the event.
Psychology CEU's -As an accredited university, Virginia Commonwealth University is authorized by the Virginia State Board of Psychology to provide Continuing Education Credits (18VAC125-20-122, Section A). You can register the day of the event.
CEU stands for Continuing Education Unit. A CEU is a unit of credit for participation in an accredited program designed for professionals with certificates or licenses to practice. CEU's for our events are provided by Virginia Commonwealth University (VCU). Registering for CEU's allows VCU to record an individual's successful completion of various activities, allowing individuals to earn CEUs in order to maintain or increase expertise in a career field or renew professional licenses.
While CEU's are generally used for professional continuing education requirements, anyone can sign up for CEU's. For professionals, it is solely up to the certifying agency-not VCU-whether to accept or decline VCU CEU's.
How do I sign up for CEU's?
Sign up and pay on-line prior to the event at vcu.edu. The event will be posted about a week or two prior to the event start date. If you don't see it posted when you log-in, check back a few days later.
Sign up and pay on-line at the event. BIAV will have a computer available for you to sign up and pay thru the VCU website.
Pick up a printed form the day of the event at the CEU table at the event, complete it and mail it, along with a check for payment, to VCU.
Sign up and pay on-line after the event (complete within 14 days of the event).
All paperwork and payment is done directly with VCU.
BIAV is not responsible to collect any payments or complete any paperwork for CEU's.
When do I get confirmation of CEU?
Approximately three weeks after the CEU event end date, event participants may access the online registration system to view and print their transcripts. Instructions on accessing transcripts are available at ocpe.vcu.edu.
What do I do the day of the event?
The day of the event you MUST stop by the CEU table and pick up a Program Attendance Record. This document stays with you the entire day and you are responsible to record the sessions you attend and the number of minutes you are in each session. This form MUST be turned in at the end of the event in order for you to receive CEU credit.
Can I use these CEU's for my professional certification?
Please check with your professional organization. It is solely up to the certifying agency — not VCU — whether to accept or decline VCU CEUs.


Growing up in a family where only sports were discussed, Mohit has always had a passion for all sports. His father has been an inspiration from early childhood. Mohit has played badminton from the District to up to the university level.
Deepak has been coaching for a year in Gurgaon where he taught children of all age groups. He has done the BWF Shuttle Time Programme. Deepak has been the semi finalist in the Bulandshahar District Championship in 2014.
Dilpreet is a student at Spuddy. He helps in coaching as well. Dilpreet has played at the national level. He is a gold Medallist in mens singles mission Olympic Association of India Federation in 2017.
Spuddy Badminton Academy,Near PVVNL Electeicity Bill Centre, Vidhayak Lane,Makanpur Indirapuram, Ghaziabad,U.P.


text:
The Best (a.k.a. My Favorite) Music of 2014
Elias Stein
by Steven Hyden
Here are some songs and albums that I loved this year. The usual caveats for my lists remain. You might notice, as I did after I unknowingly put my albums list together, that nearly every record I really cared about in 2014 came out of some personal trauma in the band or artist's life. The music that touched me the most was born out of romantic strife, political unrest, depression, extended professional inactivity, and the never-ending struggle to assert one's true identity. I guess I'm just into drama. Or maybe I like it when there's something at stake. At any rate, here's what I liked. Hopefully I'll point you toward something that you like, too.
Top 10 Singles of 2014
All of our critics' best-of lists, the Year in Holy S#!t sports moments, and our series on What We Saw in 2014.
I know every song can be a single these days, but I tried to limit this to songs that were formally released in some way outside of albums. I also didn't include any songs from albums in my top 10, just to keep things interesting. (I suppose if you like an album enough to put it in your top 10, then your songs list should be songs from only those albums. But I'd rather spread the wealth.)
10. Echosmith, "Cool Kids"
9. Michael Jackson, "Love Never Felt So Good"
8. Eric Church, "Give Me Back My Hometown"
7. Alvvays, "Archie, Marry Me"
6. Tobias Jesso Jr., "True Love"
5. Hozier, "Take Me to Church"
4. Ryan Adams, "Jacksonville"
3. Calvin Harris ft. Haim, "Pray to God"
2. Charli XCX, "Boom Clap"
1. Run the Jewels ft. Zack de la Rocha, "Close Your Eyes (and Count to Fuck)"
Top 30 Runners-up for the Albums List
40. Alvvays, Alvvays
39. Gerard Way, Hesitant Alien
38. You Blew It!, Keep Doing What You're Doing
37. Sinkane, Mean Love
36. Lana Del Rey, Ultraviolence
35. White Laces, Trance
34. Joyce Manor, Never Hungover Again
33. Real Estate, Atlas
32. Charli XCX, Sucker
31. Gary Clark Jr., Live
30. Hiss Golden Messenger, The Lateness of Dancers
29. Ryan Adams, Ryan Adams
28. Doug Paisley, Strong Feelings
27. Beach Slang, Who Would Ever Want Anything So Broken?
26. The Hotelier, Home, Like Noplace Is There
25. Protomartyr, Under Color of Official Right
24. Eric Church, The Outsiders
23. Pallbearer, Foundations of Burden
22. Flying Lotus, You're Dead!
21. Ex Hex, Rips
20. Modern Baseball, You're Gonna Miss It All
19. Lydia Loveless, Somewhere Else
18. Sun Kil Moon, Benji
17. Steve Gunn, Way Out Weather
16. Run the Jewels, Run the Jewels 2
15. Tony Molina, Dissed and Dismissed
14. Natural Child, Dancin' With Wolves
13. Parquet Courts, Sunbathing Animal
12. Opeth, Pale Communion
11. Jenny Lewis, The Voyager
10. Tinariwen, Emmaar
The baddest guitar band on the planet. These Tuareg rebels — I mean that literally; they fought against the Malian government in the early '90s — had to flee their home country in 2012 due to the threat of Islamist militias. Emmaar was made in the U.S., but it sounds like the desert: vast, indefatigable, serene, and quietly lethal.
9. Restorations, LP3
My new favorite punk group, and by punk I mean "like if Catherine Wheel covered the first Constantines album."
8. Lykke Li, I Never Learn
Power balladry didn't get any more luminous than it did on this stunning breakup record. When Swedish pop singers cry, even the tears come out looking perfectly crafted.
7. D'Angelo and the Vanguard, Black Messiah
Apologies to Jenny Lewis's wonderful comeback record, The Voyager, which got bumped out of the top 10 by the late Black Messiah push. I haven't lived with this record for even 24 hours yet, but I suspect that I'll wish I ranked it higher in retrospect.
6. Cymbals Eat Guitars, LOSE
An excellent quarter-life-crisis album by a New Jersey outfit whose heart matches its considerable braininess. Singer-songwriter Joseph D'Agostino assesses what has mattered in his life thus far — a dead dog, observing drug addiction, Jersey underground legends the Wrens — and whips up the year's most gloriously grandiose indie-rock record.
5. YG, My Krazy Life
Parties and pathos are united by DJ Mustard's brilliantly spartan symphony of icy synth lines and gently creeping beats. Not just one of the year's great hip-hop records, but the most cohesive album I heard in any genre this year.
High Top Mountain
4. Sturgill Simpson, Metamodern Sounds in Country Music
A traditionalist with contrarian tendencies, Sturgill Simpson was greeted as a savior by wizened Waylon Jennings fans and responded by name-checking Skrillex in interviews. Metamodern Sounds in Country Music similarly chucks the rule book, marrying pedal-steel-accented laments with heady lyrics about intergalactic turtles coming to Earth in order to spread enlightenment.
3. Strand of Oaks, Heal
Timothy Showalter is a bighearted dude whose gregariousness belies some serious battle scars on his soul. Heal documents a dark period in his marriage, though the lyrics never weigh down the music, which is full-on, heart-on-sleeve vison-quest rock in the style of Showalter's beloved Smashing Pumpkins, with a sprinkle of humility courtesy of the late Jason Molina.
2. Against Me!, Transgender Dysphoria Blues
A lot has been written about Laura Jane Grace's bravery. But Transgender Dysphoria Blues is all about putting fear in the hearts of her enemies — she howls at tormentors real and imagined, and smashes them with hook after pissed-off hook. No record came anywhere close to feeling as primal for me this year.
1. The War on Drugs, Lost in the Dream
Adam Granduciel and I apparently enjoy a lot of the same musical comfort food: Born in the U.S.A., harmonica solos, the sound of Mike Campbell's guitar, somber synths that hang in the air like tumbleweeds. But the main reason why Lost in the Dream is my favorite record of 2014 is that it moved me the most. It sounds like how I feel when I'm alone, and points a way out of that loneliness. Even if you don't know the album's origin story, the themes of emotional confusion and spiritual deliverance are embedded in the music. People of a certain disposition will connect with Lost in the Dream because it might be the only thing in their lives that gets them.
This post has been updated to make a correction; the Calvin Harris song featuring Haim is titled "Pray to God," not "Honest to God."
Filed Under: 2014 Year in Review, Music, YG, against me, The War on Drugs, Strand of Oaks, sturgill simpson, tinariwen, Restorations, Lykke Li, Cymbals Eat Guitars, D'Angelo, jenny lewis, Opeth, run the jewels, Best of 2014
Steven Hyden is a staff writer for Grantland. His first book, Your Favorite Band is Killing Me, will be released in May.
Archive @ Steven_Hyden
More From Steven Hyden
More 2014 Year in Review
At What Precise Moment Did Bradley Cooper Become Likable? October 23, 2015
Have Another One on Me: The Return of Joanna Newsom October 21, 2015
Songs of the Week: 5 Seconds of Summer, Neon Indian, and EL VY October 16, 2015
See all from Steven Hyden
Who Won 2014? December 30, 2014
Beyond the Edge of Tomorrow: The Year the Blockbuster Was Busted December 18, 2014
The Top 10 Movies of 2014 December 18, 2014
The Year Consensus Died: 2014 and the Baffling Post–'Breaking Bad' Television Universe December 17, 2014
The 10 Best TV Shows of 2014 December 17, 2014
See all 2014 Year in Review
'Hollywood Prospectus Podcast': D'Angelo's 'Black Messiah,' 'Top Five,' and 'Homeland'
Pop Goes on Hiatus: In a Quiet Year, Music Moves Ever Closer to the Margins

redpajama_set_name: RedPajamaCommonCrawl


text:
Kekaha's Crowell traces roots of Captain Cook, and his own family
By CHRIS COOK - TGI Editor | Sunday, March 9, 2003, 12 a.m.
Kekaha man again sails aboard the Endeavour. Mark Crowell's career keeps him busy keeping the books at Roy's restaurant in Po'ipu. But his passion for adventure led him to serve as a crewmember aboard the replica of Captain Cook's ship
Kekaha man again sails aboard the Endeavour. Mark Crowell's career keeps him busy keeping the books at Roy's restaurant in Po'ipu.
But his passion for adventure led him to serve as a crewmember aboard the replica of Captain Cook's ship Endeavour.
In late 1999 Crowell and a handful of other Kaua'i sailors were among the crew who sailed the Endeavour through Hawaiian waters, in particular from the Aloha Tower in Honolulu to Nawiliwili Harbor, and then onto Waimea.
Crowell's second voyage aboard the Endeavour took place in 2002, this time in waters half a world away from Kaua'i's location in the north central Pacific.
"What drove me to go there was a sense of adventure," Crowell said. "Sailing the Endeavour is an adventure most people don't get to do. Only a few thousand out of the millions of people in the world. You're climbing up the ratlines, not hooked in, going up in the dark, wind blowing damp, the boat is rocking and it's dark with no lights on deck. Your grip is hard to get because your hands are cold. Can't use gloves, because you have to tie knots.
The journey to Europe and Great Britain provided Crowell with a history lesson about the roots of his ancestors who hailed from England, and the Azores, an island group in the mid-Atlantic settled by the Portuguese over 500 years ago. He is also a descendent of Hawaiian ali'i.
He was raised in Kekaha where his grandfather worked for Kekaha Sugar, and his father at the Air National Guard Station at Koke'e.
His surname, Crowell, is an English name from London, and his ancestors left that city in the 1850s. Some came on ships, and were sailors. They settled on all the main Hawaiian Islands.
His background is Portuguese, Native Hawaiian and English, plus Chinese.
Crowell met up with the Endeavour in the Azores following an extended journey by air.
He described his ancestral lands and his trip in an interview with The Garden Island:
"Mom's family name is De Borba, from the island of Sao Jorge. I looked up our family name in the phone book. The Azores is like Kalaheo, rolling green hills, cool, fishermen, most things are shipped in. The islands are one-third of the way back to America from Portugal.
"You do get an appreciation for where people came from. They went around the Horn to Hawai'i with the intention of never returning once they got to Hawai'i. Mother's family settled on Maui.
"One of our ancestors was one of the ali'i who welcomed Cook at Kealakekua. Palea is his name. The accounts show he was intrigued with the ship (Cook sailed aboard the Endeavour on his first circumnavigation, he arrived off Waimea in 1778 on his third circumnavigation, this time using the ships Discovery and Resolution for his voyage). There was a skirmish, he was knocked unconscious by one of the men with an oar, when he came to, one of the concerns was whether he would be allowed back on board."
Of his two sails aboard the Endeavour, Crowell said: "You kind of go back into history and you can appreciate better the things they experienced. You get a better appreciation of what life was like back then.
Being a descendent of an ali'i, Crowell was asked what he thought of Captain Cook: "My take on Cook, is if it wasn't Captain Cook, it would have been someone else (who discovered Hawai'i and opened it up to the western world). Captain Cook's coming was a lot better than some of the other captains sailing at the time, he had a conscience. The way he treated his men was much bettereven though he let the cat out of the bag about Hawai'i."
When asked about the details of his trip to rejoin the Endeavour, Crowell said: "In England, they were all very nice to me, they wanted to know all about Hawai'i. They treat people from Hawai'i differently then they do other tourists. On the whole, even in Portugal, it's special because they don't get many tourists from Hawai'i."
Crowell left Kaua'i on June 1, flew to Los Angeles, then to Chicago, where he caught a flight to Frankfurt, and then to Lisbon, Portugal.
"We went the long way, the scenic route. Stayed in Lisbon for a couple days. On June 5 I flew from Lisbon to Ponta Delgada Sao Miguel, the main island of the Azores. I reported to the ship the next day for training. Everyone reporting had already sailed on the Endeavour, and were referred to as 'repeat offenders.'
"The next day we started sailing, we didn't see anything at all, with the exception of a few whales and porpoises for about five days, no rubbish; it made me realize how big the ocean is. On June 15 we landed at Alderney in the Channel Islands and stayed overnight. Captain Blake said we had a flat tire, so we stayed overnight. I took a tour around the island, which is three miles by two miles; it only took half an hour with stops and narration. We sailed off on June 16 and arrived at Whitby on twenty-first, off the northeast coast of England. On the way we saw the white cliffs of Dover.
Whitby is the town where Captain Cook did his apprenticeship as a sailor after working in the town at a grocery near where his farmer father lived. The town's harbor entrance is a narrow one, a slot in the sea cliffs along the coast.
Crowell was at the helm, manning the large wooden wheel when the ship entered the harbor.
"Thousands of people were lining the cliffs up above, along both sides of the approach to the pier. They were hanging out of windows and everything, a band was playing, and dignitaries were there. The BBC was broadcasting, it was a big program. We put the ship to bed, furled all the sails, clean up the ship and moved everything."
The Kekaha sailor brought gifts from Kaua'i to give to the local government of Whitby. Kaua'i and Whitby have a sister city-type relationship, and the mayor of the small English town has recently visited Kaua'i. The gifts included an aerial photograph of the Endeavour taken by Casey Riemer, the manager of Jack Harter Helicopters in Lihu'e.
Crowell visited York, the capital of the Northern England area, traveled to London and flew home. The entire trip took 28 days.
He said it's hoped that the Endeavour will again return to Hawai'i, and Kaua'i.
In the ship's cabin is a replica of a lonomakua, the cross-shaped symbol of the Hawaiian god Lono that Captain Cook saw on his arrival in 1778; it is one of the few items of many given to the Endeavour replica that are kept on permanent display. At a lu'au in 1999 at Waimea's Lucy Wright Park kupuna Aletha Kaohi presented the lonomakua to the crew. It was crafted by a woodworker in Waimea and Kaohi draped a section of family heirloom tapa cloth on it that dates back to the time of Cook.
Summing up his trip in faraway waters, Crowell said he has gained an appreciation for "how it was for the people before us."
"I was able to see where my family came from first met people from different cultures, with different points of view," he said.
His tips for other local travelers venturing far from home are: "If you don't get out and experience it, you really have no idea, when in Rome do like the Romans do, and try not to be the ugly American."


Harajuku teens wearing vintage and eclectic ensembles while out and about around the neighborhood.
Harajuku guy sporting a snakeskin leather fashion ensemble while out and about on the street.
Red-haired Harajuku girl in red and black street style while out on the street.
Pop Idol Miochin on the streets of Harajuku sporting a striking aqua, red & green ensemble.
Harajuku student in a colorful avant-garde style while out on the street.
Harajuku guy in red and black Japanese streetwear look with long coat over mandarin collar shirt, wide leg pants, red sock trainers, and a pointed hat.


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MICHAEL R. RECTOR, INC.
MICHAEL R. REIDER, PH.D., A PROFESSIONAL CORPORATION
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The feature of capitalizing text selections instantly is now available on The Google Docs web app after its official announcement made by the company on Tuesday. It also works the other way too. The larger texts can quickly be converted into lower case letters. All you need to do is simply open a document in Google Docs, select the text you need to change and hover over Format bar given in top toolbar. Select capitalization by moving cursor from there and from the list of side menu, choose the right option for you (changing upper to lower or the lower to upper case letters or capitalize the first letter of chosen word).
Google claimed that the main aim of releasing the new feature is to allow the users to edit documents quickly by saving more time. The feature is being rolled as a stage and it will take a while before getting the benefits of new functionality. Another good news is that Google Docs with the latest feature is available to all G Suite user editions without any restrictions.
The capitalizing feature was requested long before and finally, Google has done it and will likely end upon Google Docs Android version in near future. Let's wait for an update on this matter.
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If a treasure chest has already been opened, it should indicate that so we don't have to click on the chest again to check if there's still something inside.
You mean that the image of an open chest would be different from the image of a closed (locked) chest, right?
Maybe it is because I don't reopen empty chests often, but I prefer the more realistic approach. One can't know a chest is empty until one looks.
Maybe it is because I don't reopen empty chests often, but I prefer the more realistic approach.
Maybe you can't reopen empty chests in most games because chests that you open remain open.
One can't know a chest is empty until one looks.
You're missing the point. I want something that can help players keep track of their progress. While your point may be true, I'm talking about a chest that's been opened by the player, not a chest that's meant to be empty.


Bài 5 Read and complete the text with the words from the box.
Bài 6 Read the text and answer the questions.
1. What will be trialled in the pilot projects for Future City Glasgow in the UK?
2. What will the benefits of installing LED lamps be?
3. Why will sensors be attached to lighting columns?
4. What will happen to the system of smart lights if the noise level rises?
5. How will the street lights on the city's cycle routes operate?
2. Reducing carbon emissions, cutting power consumption and increasing safety.
3. Because they will collect data such as footfall, air and noise pollution levels, and this information will feed into the Open Data Platform which, in turn, will make it available to the public.
4. The programmed system of smart lights will increase in brightness.
5. The lights will operate at low brightness rising to maximum when they sense an approaching cyclist. This will help increase safety in the area and give people more confidence to use the routes after dark.
Bài 7. Listen to the recording and decide whether the following statements are true (T), false (F), or not given (NG). Tick the correct boxes.
Bài 8 Write about what people should do to stay healthy. Use the following prompts or your own ideas.


text:
→ Discuss
→ Orbis Terrarum
"That's What Hate Does"
Started by BklnScott , Dec 18 2006 10:43 PM
LGBT Anti-Gay Demonstration Hate 2006
#41 BklnScott
BklnScott
FKA ScottEVill
So... This guy has been charged with misdemeanor assault & battery.
"I did not push anyone to the ground," Mr. Cirignano said in an e-mailed statement. "I had a portfolio in one hand and escorted the lady back into the crowd and left. I never touched her shoulders and she apparently thought that she could draw a foul like it was a basketball game by falling down. Great theater, not Academy Award material.
By which I take it he plans to plead not guilty. Unfortunately for him, his story contradicts that of several eyewitnesses. For example:
At the time of incident, I was with the pro-equality folks at the front of our circle," Robarge reported. "There was no one in front of me. Ms. Loy was within the anti-marriage group but only about 20 or 15 feet away from me."
Robarge said he saw Loy being pushed. "There was a hand on each of her shoulders and then she fell," he continued. "The back of her head hit the ground. I did not see the face connected to the hands."
The eyewitness reported that he was concerned for her safety, so he dropped the sign he was holding and rushed toward Loy "because there were people around her, but they didn't do anything to help. That's why I didn't see his face right away. There were people around obstructing my view."
As he went to assist Loy, Robarge said he saw a man heading through the crowd, away from Loy, and back towards the podium. "I did see that it was Mr. Cirignano," he told EDGE. "He had just spoken. I had just seen him at the podium. I didn't know who he was but recognized him as the speaker."
Police officers came up to where Loy was lying on the ground. According to Robarge, one said, "You need to get out of here. You need to get back where you are supposed to be. You need to get her out of here, too." There was no apparent concern for Loy's well-being, Robarge added. He was one of several witnesses who later made statements to police about the incident. Police also interviewed Loy and Cirignano.
There isn't enough mommy in the world to further a cause like yours!
#42 Spectacles
Awaiting Authorisation
It'll be interesting to hear him describe exactly how he "escorted the lady back into the crowd." If Loy's account is accurate, I bet he's hell as a wedding usher.
"Facts are stupid things." -Ronald Reagan at the 1988 Republican National Convention, attempting to quote John Adams, who said, "Facts are stubborn things"
"Although health care enrollment is actually going pretty well at this point, thousands and maybe millions of Americans have failed to sign up for coverage because they believe the false horror stories they keep hearing." -- Paul Krugman
#43 Lord of the Sword
Can he do jail time for what he's being charged with? If so...Perhaps some nice inmates can "Escort" him in jail, give him the "tour".
"Sometimes you get the point of the sword, sometimes the edge, sometimes the flat of the blade (even if you're the Lord of the Sword) and sometimes you're the guy wielding it. But any day without the Sword or its Lord is one that could've been better " ~Orpheus.
The Left is inclusive, and tolerant, unless you happen to think and believe different than they do~ Lord of the Sword
Looks like the Liberal Elite of Exisle have finally managed to silence the last remaining Conservative voice on the board.
"The tree of liberty must be refreshed from time to time with the blood of patriots & tyrants. It is it's natural manure." ~Thomas Jefferson
#44 Anastashia
Anastashia
Tyrant Matriarch and Pegan Too!
While what he did was inexcusable, what was she thinking? Why go over to the other group except as a means to incite trouble? She isn't innocent in this by a long shot.
The Science Fiction Examiner
In the quiet of Midden a young child grows.
Does the salvation of his people grow with him?
"Everything we do now is for the child"
"I made a mistake,
just follow along,
isn't that what tyranny is all about?"
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For as long as I shall live
I will testify to love
I'll be a witness in the silences when words are not enough
Testify to Love
Anastashia, on Dec 21 2006, 02:56 PM, said:
No, she isn't innocent by any means. But there is one BIG difference. She didn't assault anyone. I wouldn't be surprised if she went over to the other group, hoping to provoke just such a reaction, so that her side is seen as the non-violent group, ect.
An while this guy was provoked...I doubt very much the "But I was provoked" defense is going to work.
Ani, are you kidding? Would you say the same about the Freedom Riders?
She was exercising her right to free speech (in service to an important, righteous cause, by the way). Moreover, she was doing so peacefully, and by all accounts, respectfully. Her sign read, "Don't Write Discrimination into the Constitution." Explosive stuff, huh?
She in no way asked to be attacked by this nutjob -- But, hey, when you believe that the survival of not just the earth, but Heaven itself, hangs in the balance, what's a little assault & battery?
Edited by ScottEVill, 21 December 2006 - 03:25 PM.
#47 Kosh
Criag Ferguson For President!
She has as much right to protest as anyone else in the USA. He does not have a right to Assault someone.
Can't Touch This!!
ScottEVill, on Dec 21 2006, 03:25 PM, said:
In a way, I disagree. Going over to the other protest group, with a sign that is against their belief, and shouting your opinion...riots have happened for less.
It would be like a KKK member walking up, in full Klan uniform, with sign, walking up to a group of black people gathered together to remember MLK...or something to the effect. I'm sure you can imagine what might happen.
I can, but I can't imagine thinking that the KKK member in your hypothetical deserved it. Or even that s/he deserved to be criticized for expressing freedom of speech.
I think one of the quintissentially American ideas about free speech is that we should defend the right of someone to say that which makes our blood boil.
Actually Scott by what the police officer who is quoted above said she was not being totally respectful. She wasn't respecting the guidelines laid down for the demonstration which assigned a location to each group. If she had respected those guidelines there's a very good chance this wouldn't have happened at all.
Kosh, on Dec 21 2006, 03:45 PM, said:
I believe the first thing I said Kosh was "what he did was inexcusable". Her right to protest was not being impinged by staying with the group she was a part of and by leaving that group she set up the circumstances for what happened to her.
#51 Banapis
Banapis
Tilting at Shadow Depositories
I agree that if she was shoved, it was utterly inappropriate. At the same time, Ani raises a good point:
Her intentionally choosing to violate the rules and jump into the opposing crowd makes her own motives in this entire affair suspect. As long as it remains a "he said - she said" situation I'm more inclined to believe the person that wasn't behaving suspiciously.
Since it looks like she intentionally tried to provoke a situation, and went over to "get in the faces" of her opposition, I wouldn't be surprised at all if she did indeed take a dive.
Actually Scott by what the police officer who is quoted above said she was not being totally respectful. She wasn't respecting the guidelines laid down for the demonstration which assigned a location to each group.
Ani, you're saying, "what he did was inexcusable but..." If what he did was so inexcusable, why do you feel the need to qualify the remark with a variation on the venerable "blame the victim" strategy?
If she wasn't standing where she was directed to stand, fine -- I must've missed that bit.
She wasn't alone, by the way. The person who helped her--whose remarks I quoted up-thread--was also there, and so were other pro-gay marriage protestors. I have to wonder, if they were so disruptive, wouldn't the police have removed them? I'd also point out that non-violent protestors have a loooong, venerated history of putting themselves where they're not supposed to be -- for example, in the front of the bus, or on the steps of the Capitol. Their presence may be disruptive, but it's not violent, and that's an important distinction to make.
In any case, she is not responsible for the assault on her person. Please help me to understand how remarks like " If she had respected those guidelines there's a very good chance this wouldn't have happened at all" do anything other than blame the victim?
banapis said:
It's not a "he said-she said" situation, Banapis, there were many witnesses. (And one of the officers quoted in the article up-thread says Cirignano admitted to her that he "pushed her down," so he's contradicting himself, and the officer, in the denial he issued the next day.)
And she was not acting "suspiciously" -- She was doing what protestors do: protesting. Nothing suspicious about that.
Again, she was not the only pro gay marriage person standing there. According to the witness I quoted up-thread, *he* was closer to the podium than she was... yet Cirignano attacked her.
Could it be that she presented a target for his rage that was somewhat less, oh I dunno... threatening?
BTW, here's the quote from the article again:
During the interview, Robarge described the scene. He said a podium had been set up on the steps of City Hall and there were about 20 or 30 feet of space around it. Anti-gay marriage supporters gathered in a half circle around the podium. The buffer zone about five or six feet separated them from the group of pro-equality supporters, also gathered in a half circle.
"Five or six feet separated them." This was not a situation where she should've been hundreds of feet away -- This was the kind of situation where three steps either way would've brought any of them from one side to the other. Not that that should matter.
ETA: See how he responded to a gay man's email here. This man's opposition to gay marriage in Mass is not principled (not that I've ever seen *principled* opposition on this issue) -- It's fueled purely by hate.
Last edit (promise): here's the picture I mentioend up-thread. The article attached to it indicates that police have taken statements from three witnesses who saw Cirignano "push her down." So, no -- This is not a "he said-she said" situation.
I'm basing what I'm saying on what you just quoted above Scott. The way I read that there was a circle around the podium. One group of protestors was in one half, the other in the other half. She actively moved to the other side. BTW, somebody taking three steps does not move six feet unless they're stretching their leg out as far as they possibly can.
The person you quoted up thread said he only moved there after she went down because he was concerned for her safety. He also said he did not see who knocked her down. He said he saw two hands on her shoulders but not a face. Then he said he saw the alleged attacker moving through the crowd back to the podium. The alleged attacker said he had a portfolio in one of his hands. If that's so then there's a good chance it couldn't have been his two hands on her shoulders.
I went to your originally linked site. I saw no statements from any other witnesses. It was also stated several times that the people around her weren't even aware she had fallen. That to me said there was no action taken by someone so violent that other people wouldn't have noticed it. Sounds to me more like she tripped or went down on purpose as some have suggested.
So it's entirely possible the alleged attacker saw her move into the other group, went down and asked her to move back (and yes he may have placed one hand on her arm and attempted to steer her back to the other side which wasn't right either), and she somehow fell based on the info we have. To be honest I don't think what he did was the best move, but I do think that if she hadn't moved to the other side she wouldn't have gone down at all. Therefore she has some responsibility for what happened to her.
EDIT - It looks like I was composing this post while you were editing in a link to another article. That article actually makes two points I'll mention. There are also witnesses that support Cirignano's version. That article makes it clear she just didn't inadvertantly get into the opposing group but made an active effort to get deeply into that group and disrupt the proceedings.
Edited by Anastashia, 21 December 2006 - 08:51 PM.
#55 scherzo
I know things
"He grabbed my shoulders, both of my shoulders, and I guess I must have turned towards him … Suddenly I was facing him, away from the crowd. He just had grabbed me by the shoulders and said, 'You need to get out of here right now. You need to get out, you need to get out,'" said Loy.
As Cirignano pushed her back towards the edge of the crowd eventually she fell over backwards and landed on her side.
Hmmmmmm....not exactly the 5 point palm exploding heart technique, but I guess ya gotta milk the drama whenever possible. I'm looking forward to Sarah Loy sporting the "neck brace chic" look when she appears in court.
-scherzo
"Well, the trouble with our liberal friends is not that they're ignorant; it's just that they know so much that isn't so." -Ronald Reagan, October 27 1964
If somebody is behind you and has one hand on each of your shoulders and you turn toward them how do they keep a hand on each shooulder in order to be able to push you? You wouldn't be able to turn more than 90 degrees before your falling backward would be precluded by their arm which would now be braced across your back.
#57 Mark
Mark: From the article on October 5, 2006 where the California appeals court upheld the law banning gay marriages in California...when are they gonna get that to their Supreme Court?
Discussion is an exchange of knowledge: argument is an exchange of ignorance.
Peace is not the absence of conflict, but the ability to cope with it.
APOGEE MESSAGE BOARD
Police interviewed Mr. Cirignano, but did not arrest him.
Mark: Sounds like a clear-cut case of assault, to me. I wonder why they chose not to arrest him?
Mark, on Dec 21 2006, 11:12 PM, said:
As someone said above Mark they would have had to see it to arrest him immediately. What they had to do instead was conduct an investigation in order to have sufficient evidence to arrest him.
So make it six steps -- or ten. You were arguing that if she hadn't been where she wasn't supposed to be, this might not have happened, as though she was supposed to be quite a distance away ... and not five to six feet.
The person you quoted up thread said he only moved there after she went down because he was concerned for her safety. He also said he did not see who knocked her down.
From the same article linked up thread, Sgt Hazelhurst, a cop, says:
"He pushed her down and he admits that..."
Who knocked her down is not in dispute, Ani. According to the cop, he admitted what he did on the scene, so either she's lying, or he contradicted himself a day later in the Boston Globe interview. I know who I think has more credibility.
How is that any different from arguing that she had it coming? What she did in no way gave him license to assault her. But, as she said, "that's what hate does."
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There are virtually no side effects with this non surgical treatment and it is available at a reasonable cost. Extracorporeal shockwave or pressure wave treatments are non invasive and promote accelerated recovery of injured soft tissue, bone, heel and joint pain.
Shockwave therapy sessions are short, usually 4 – 5 minutes in length, and provide successful relief of chronic foot or ankle pain and restore mobility painlessly. Permanent relief typically begins about 72 hours following treatment.


Spirit Burn was recorded live at a packed-out Riverside Vineyard Church in London on 1st June 2013.
Spirit Burn features 13 homegrown songs as well as a new version of the Kevin Prosch classic 'Show Your Power' and a new rendition of 'O My Soul' from Samuel Lane's studio album The Fire.
The songs featured on Spirit Burn were either birthed out of local Vineyard churches across the UK & Ireland or written at VRUK's songwriters' retreat in September 2012.
Spirit Burn is both the title track and the central theme that runs through this record; that God is indeed on the move, His Spirit is burning within us so that we may know Him better and see His kingdom come on our streets and in our churches.
Bringing together a total of 17 Vineyard musicians and worship leaders from all over the UK & Ireland, Spirit Burn celebrates the wide spread of talent and gifting in the movement.
Featuring worship leaders Dan Wheeldon, Joe Blustin, Hannah Holley, Joff Alexander- Frye, Harmony Smith, Susanne Courtney and Kate Cooke, this album brings a fresh new sound for all generations of worshippers.
Produced by Casey Corum (Vineyard Worship USA) and Jimmy Cooke (Vineyard Records UK).


If you ever wanted to have the power of a magician to transform a person into the belle of the ball, then becoming an expert in the field of beauty will be the career path for you. Professionals in this field are the -go to' people when it comes to enhancing people's natural features and the impressions given at a first chance encounter. Whether the person is a local or a celebrity on the silver screen, the power will always lie with these skilled artists.
How can you become skilled?
Anyone can start doing beauty. There are many that enter into the industry without formal training. However, if you want to excel in the industry, it is ideal to learn the best practices from leading experts and people that are setting trends within the beauty industry. Undergoing formal training such as attending beauty schools or taking part in tertiary training with TAFE courses online will provide you with the initial skills and knowledge to enter into the beauty industry.
How much can you earn in the beauty industry?
The pay grade varies, depending on your location and your working arrangement. In most cases, beauty professionals will earn a respectable income subject to the supply and demand of the local job market. Variables that will impact your earning potential will include the type of clientele that you attract, as well as the volume of clients that your employment space will offer.
Alternatively, there is the opportunity to work on a self-employed basis or to build your own beauty business. It is in this area where people in the business industry can forge their own empires. This may range from selling your own beauty services to selling your own beauty products. The value of the business will increase and you can then build more beauty related businesses under your brand that will continue to develop your own personal wealth.
People will always need beauty treatments, so you will always have an opportunity to get a job.
There are endless opportunities with a career in beauty. Everyone wants to not just look beautiful, but to feel beautiful. The opportunities aren't limited to local beauty spas and clinics. There are opportunities to participate in fashion shows and to work in the entertainment industry, where make-up and hair is a must!
Below are a few options to take advantage of when it comes to a career in beauty.
Make up makes you as good as you could be. It is versatile and it enhances your beauty to give you a wow effect. Good makeup helps to get you noticed and makes you more striking in the eye of the beholder. In a world where people react to first impressions, mastering the skill of makeup artistry is a talent that is valuable to many.
Skin care is very important for most people. Unfortunately, it is something that is overlooked by many. Skin is the first thing people will notice with beauty. You can hide it under makeup, but nice skin will naturally enhance your look and radiance. As an expert in the field, you will be able to help many people overcome issues with their skin that has led to their low self-esteem and confidence. Having the skills to deal with issues such as acne, dry skin, pores and more will open up a wide range of career opportunities for you.
Hair care is important. As long as someone has hair, they will always be seeking services for someone to help manage it. For men, it is likely that they will have hair for up to forty years. Women are likely to keep their hair for a lifetime. The hairstyle that someone has can greatly enhance someone's look and give them a defined characteristic that can greatly improve a person's confidence and persona.
A career in hair care will allow you to meet a lot of people that will share insights into their own personal life experiences. You can develop skills as a hair stylist or a colourist (or you can learn both, if you are keen). As your skills develop, you will generate a sense of power with transforming someone into their new self. Furthermore, you will gain opportunities to work with people in the industry, from makeup artists to models and more.
A career in the beauty industry is a very respectable position. An expert in this field wields the power to transform a person to such an extent, that it will greatly impact their lives in their workplace and social lives. If you have a passion for any area in beauty, such as fashion and trends, then a career in beauty may be for you!


Pastor Helge Fossmo, who encouraged his nanny to kill his wife by sending text messages purporting to be from God, has become engaged from his cell in Kumla high-security jail.
Fossmo, who was sentenced to life imprisonment in 2004 for incitement to murder, has told Norwegian newspaper Dagbladet that he and his fiancée came into contact after becoming pen-friends. The woman, who came to Fossmo's trial, confirmed the engagement to Swedish tabloid Aftonbladet.
Fossmo was a pastor in the now-notorious evangelical sect in Knutby, near Uppsala. As well as convicted of incitement to the murder of his second wife, he was also convicted on two counts of incitement to attempted murder. He sent text messages to nanny Sara Svensson, in which 'God' told her to kill Fossmo's wife and neighbour.
The pastor's first wife was found dead in the bath in 1999. The death was investigated by police after the murder of his second wife, but Fossmo was cleared of any wrongdoing in that case.


text:
The battle for Tokyo is about to commence
Yama is a social pariah - 18 years old, mouthy and on a road to nowhere. While defending a work colleague from an overbearing customer, Yama unleashes a latent psychic ability that had previously laid dormant for years and is thrown head first into a world she doesn't understand.
Pursued by Furi, an emotionally unstable hunter-killer for the tyrannical Tomo Corporation, Yama's only chance of survival rests in using her ability to discover new and more powerful allies that can aid her in her struggle to survive.
BUY Chapter 1: ComiXology | IndyPlanet
All hell has broken loose in Tokyo. Yama, Indra and a group of secretive rebels are caught in the middle of the action as the Tomo Corporation kick-start their nefarious plan to seize control of the city.
Meanwhile, Furi and the other former students of the Tomo Home for girls will face off to see who controls the playground once and for all.
Japan is at war. As the country begins to make preparations for armed conflict, Yama finds herself some new allies and the events of the last 24hrs start coming into focus.
At the same time everything comes starts to come undone for Beanie as his gang runs afoul of Furi, the Tomo Corporation and their relentless search to find the mysterious rebel group.
There's only one play left – assassination! Yama confronts the Tomo Corporation at last, but her meeting doesn't go exactly the way she planned.
Bizarre landscapes will be uncovered, blood will be spilled and the strange inter-dimensional origins of the Tomo Corporation will be revealed.


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Faith Breezes: Listen to HIM!
Lent always brings out the Jesus programs on TV. Which is good. I'm glad the world notices these pre-Easter days. Lately I've been watching CNN's series Finding Jesus. The programs focus on the people and things connected to Jesus. They begin with the Biblical accounts and then show what our modern culture is saying and believing about these things. The whole point is, of course, to find solid evidence that Jesus lived and that the Bible accounts are true.
With all their scholars and archeologists... people who spend their lives sifting and digging through centuries of buried relics and artifacts and written accounts - both those in the Bible and in other writings from ancient times... they have not produced one shred of anything that in any way changes the story that is the foundation of the Christian faith. It's such a simple story. A baby, a preacher, a cross, an empty tomb. The preacher's words are recorded in what has been accepted for thousands of years as the sacred Scriptures. They're the only words that count.
The seventeenth chapter of the Gospel of Matthew gives us the story of The Transfiguration. Peter, James and John went with Jesus to the top of a high mountain. "There he was transfigured before them. His face shone like the sun, and his clothes became as white as the light...a bright cloud enveloped them, and a voice from the cloud said, 'This is my Son, whom I love; with him I am well pleased. Listen to him!'"
When all is said and done... listen to HIM!


The study of basic electronics technology teaches students how to diagnose, repair, design and create electronics components. Through classroom study and hands-on experience, students prepare for work with lasers, fibre optics, and robotics and computer technology.
Parameters for electronic components to be identified for each type relevant to assembly such as value, package type, Part number, orientation.
Identifying electronic components with respect to bill of material supplied.
Manual assembly process wlak through and practice.
Precaution to be followed for safety of personal.


As lecturer for these courses, I created the syllabi, lectured three times a week, met with students weekly and advised my teaching assistants on a weekly basis about how to run their classes as well as how to evaluate the students' work.
As a teaching assistant, I was responsible for two weekly classes of 27 students each in which I reviewed the week's lectures and assigned reading as well as leading the class in collaborative small group learning exercises. I was also responsible for grading all papers and exams and giving extensive written feedback to students and working with them to improve their work.
For these courses I held bi-weekly review sessions, weekly office hours, and graded papers and exams.


Creator of unclassifiable TV toons like Samurai Jack and Sym-Bionic Titan, director Genndy Tartakovsky has nailed his feature film crossover with the record-setting Hotel Transylvania, out now.
You could tell by its mixed reviews that many critics didn't know they just took a class in cartoon physics after watching director Genndy Tartakovsky's debut feature Hotel Transylvania. But the viewing public caught on right away – audiences were so captivated by its gut-busting gags and anti-realism animation that they helped it become the highest-grossing September opening in film history.
Those happy families didn't seem to care that the film – in which a frazzled Dracula hosts a mad monster party for his daughter Mavis, who's itching to leave the coffin – didn't seem to actually care that Hotel Transylvania was acting like a cartoon. Tartakovsky's debut feature doesn't delimit itself with unnecessary pretense to reality: It's strictly about pure characters unleashing rapid-fire jokes, with some metafictional bows to animation envelope-pushers from back in the day like Tex Avery and Bob Clampett. Which is to say, it's not like anything in the feature animation marketplace today.
"We started out by thinking that animation can do anything – singing flowers, walking chairs, all that stuff," Tartakovsky told Wired by phone, breathing sighs of relief that Hotel Transylvania's box-office performance might widen his feature film horizons. "But then we moved to completely copying realism. Maybe this is a good time to start going back to the old ways, where anything can happen."
The budding success of Hotel Transylvania should help with that, especially since the film spent years in development hell before Tartakovsky arrived following five other directors to save the day. The Dexter's Laboratory creator's next animated film, a 21st-century reboot of Fleischer Studios' salty but surreal Popeye the Sailor, could help a resurgence of the old-school as well.
Not only that, but the director promises that what he has planned for E.C. Segar's maritime savant could make Hotel Transylvania's cartoon physics tutorial look like homeroom.
"When it was first presented to me, it felt like the cheap exploitation of a known property," Tartakovsky said. "But as I started to think about it, it felt more like a great opportunity to do physical animated humor, to take what we did in Hotel Transylvania, multiply it by 10, and design really physical sequences that aren't reliant on dialog. Then I got excited."
Wired spoke with Tartakovsky about Hotel Transylvania's middle-finger to animated realism, how to bring the surreal Popeye and cerebral Samurai Jack to the multiplexes, and whatever happened to his mecha lovechild Sym-Bionic Titan.
Wired: So it seems like you had a good weekend.
Tartakovsky: [Laughs] We did! We had a very good weekend. I went to see [Hotel Transylvania] Friday with a normal audience and I noticed that most of the kids sat in their seats and watched it. [Laughs] And I credit that to the visuals. They're stimulating and fun, and captured the audience like a good cartoon should.
Wired: It set a September record, which seemed to push back against some of what seemed to be unnecessarily lame reviews.
Tartakovsky: Not that we made a perfect film, but the way I look at it is that some of the reviews were definitely harsher than they could have been. I think that it's perception. The problem with animated films is that there's only one kind that you are allowed to make: the Pixar-Disney type, which we don't have. So during all this press, I've been trying to change that perception. This is a different film: It's broad comedy, it's silly and fun. It's not trying to be a drama with comedy, it's trying to be a comedy with comedy! [Laughs] And that's a big difference. You know, I loved Toy Story. It's a great movie, but it has some pretty serious drama.
Wired: It seems like Toy Story has actually made things worse, because it's enabled animated films to think and act like regular films rather than push the limits of cartoon physics on the big screen.
Tartakovsky: I think it's partially because of CG, although it was happening before that. Even before CG came along, we were heading toward realism. If you look back at Disney's The Hunchback of Notre Dame or Pocahontas, animated films were trying to get more and more real before CG really arrived. And that's a shame, because I feel like it's fun to watch animated films that are completely different from realism, with completely different worlds that you can embrace. And that's where I was really trying to push Hotel Transylvania, into a crazy, silly world that still has some rules, but whose animation pushes it further over the top.
Wired: Plus, these are supernatural characters. Pursuing realism doesn't make any sense, not that it hasn't stopped other animators.
Tartakovsky: Watching it with an audience, you can tell it works. It gets a lot of laughs. And I've sat through a bunch of children's films and heard nothing, from kids or adults. But we've had steady laughter throughout our screenings of the film. Number one, I think its animation takes people by surprise, and that allows both adults and children to almost bond at the same level.
Wired: Yeah, I think a lot of critics viewed it through the realism prism, but they should know better that it fits right in with the animation traditions of others who have pushed the envelope.
Tartakovsky: It's hard, because I don't think we did anything really new, just newer for feature animation. Like the first big sequence at the hotel where all the different monsters and characters arrive? We got so many dual reactions to that sequence. Critics saying that it was too hectic and they couldn't stand watching it, or that they had so much fun watching it that they wanted to watch it again.
Wired: Well, if it makes you feel better, I wasn't worried about the film performing well. Knowing what you've been able to do in animation before, I had a feeling you'd give something cool to the viewers that's currently missing.
Wired: Were you freaking out?
Tartakovsky: It's funny, because sometimes your career is on a pattern. For my first 15 years, I had a great one: Come up with a show, make it, it's successful. But then I left and started my own studio Orphanage, and we couldn't sell a movie. And then we finally got Sym-Bionic Titan off the ground, a show that I had to really work hard on, and fight so much for. Then Cartoon Network canceled it. So there I was, in another situation where I had to work and fight just as hard, and, oh look, here comes opening weekend! Oh no, what if the pattern continues? What if it bombs? Because I believe in patterns. Things go your way, and then they don't, and you have to fight through it until they go your way again. I was worried that I was still stuck in my negative pattern.
Wired: It's safe to say you're out of it now. But let's go back to the massively underrated Titan. What the hell happened?
Tartakovsky: Cartoon Network bought into the show for one reason, and when they got it, their mind changed on what they wanted the show to be. I sold it as an action show combined with a John Hughes comedy. Teenage issues and characters with amazing action, and that's what they bought. But as we started making it, they were making Ben 10 and Generator Rex, and they wanted it to be that. And there was no way I was going to make that type of show. So they didn't really push or support the show, we didn't get a toy license, and that was it. It didn't get numbers because they didn't promote it the right way, and we didn't get the audience that we really needed.
Wired: Too bad. I carried the torch hard for that deserving show, and Cartoon Network called me when it was canceled and basically kept telling me how much they loved you. And all I could say is, "If you love him, then support him." I didn't know what to tell them.
Tartakovsky: That's weird they'd say that, because I've always said that it's not the cartoon you're buying. You're buying the person.
'The one positive thing that I just heard is that they're going to start showing Sym-Bionic Titan on Adult Swim.' — Genndy Tartakovsky__Tartakovsky:__ Shows are a dime a dozen. I mean, all shows are good at the outset, but it's really about who makes them and how they're made. The old guard at Cartoon Network used to understand that, but the new guard didn't. But the one positive thing that I just heard is that they're going to start showing Sym-Bionic Titan on Adult Swim.
Wired: Like most of your work, Sym-Bionic Titan is unclassifiable, which probably makes marketing departments mad.
Tartakovsky: No, it's true. It's not the norm. You can't just put it in a box. You have to treat it special, and it should be like that for everything.
Wired: You said at the Hotel Transylvania premiere that you were thinking about picking it up again.
Tartakovsky: Well, we've got 10 more scripts that we wrote for it, which are amazing. When the series was canceled, we were just getting to the meat of the story. The reveal of Lance's father, and other incredible stuff. Alanna falling in love in a '70s musical episode. Way more action. We were excited, so I would love to do it again. If it does well on Adult Swim, maybe there will be an opportunity to bring it back. I don't know how in the hell I can execute it if I'm doing work at Sony, but it really would be a good problem to have. I'll definitely find a way.
Tartakovsky: We agreed to develop two more films. So we're going to see how that goes.
Wired: And it sounds like a Popeye reboot is one of them.
'When Popeye was first presented to me, it felt like the cheap exploitation of a known property. But as I started to think about it, it felt more like a great opportunity to do physical animated humor.' — Genndy Tartakovsky__Wired:__ Radical. And ironic: The last time we saw Popeye in theaters, it was a situation similar to Hotel Transylvania, except that Robert Altman made not a cartoon but a bewildering live-action film that acted like a cartoon, to mixed critical reaction.
Tartakovsky: I liked it. I was younger when I saw it, but it totally resonated with me, especially since I was a big fan of Robin Williams. It was just this weird live-action version that was super artistic. That's what was really cool about it. It was a live-action cartoon. It was definitely weird, but I enjoyed that.
Wired: My hope is that Hotel Transylvania creates more Bob Clampett and Tex Avery geeks, and your Popeye reboot creates the same for Fleischer Studios.
Tartakovsky: That's basically the whole reason for me doing it. When it was first presented to me, it felt like the cheap exploitation of a known property. But as I started to think about it, it felt more like a great opportunity to do physical animated humor. To take what we did in Hotel Transylvania and multiply it by 10, and really push it and design very physical sequences that aren't reliant on dialog. Then I got excited and pitched that to Sony, and they were excited about it. They sensed the fun of the film that we just made, and they could sense it in Popeye, whose material lends itself even more to it.
Wired: Every time Popeye eats spinach, he can turn into a rocket fist flying through the air or something.
Tartakovsky: Yeah, but even something as simple as the way a character can walk. Olive Oyl is one of my top three favorite animated characters, so I can imagine transporting her into CGI's three-dimensional space. She'd still move in that same rubbery way, but with real clothes on. Visuals like that can become the Popeye film's signature, and make it super fun to look at.
Wired: It's important for fans, and animators working today, to know that everything came imaginatively alive in toons from that early period. Trees, houses, everything.
Tartakovsky: That's exactly true. We started out thinking that animation can do anything – singing flowers, walking chairs, all that stuff – but moved to completely copying realism. Maybe this is a good time to start going back to the old ways, where anything can happen.
It's funny, I worked with a lot of feature animators on Hotel Transylvania who were used to doing visual effects for films like Men In Black and Spider-Man, who I had to tell, "No, make it crazier and more cartoony, forget about the physics." It took a while for some of the animators to adjust to that. My favorite story is the one about the simple shot of Hotel Transylvania where Jonathan walks into the pool with a creature on his back for a chicken fight. The first pass of that was so realistic. I mean, it was good and well-animated. But there was no energy and nothing funny about it. It was just a guy, any guy, walking down stairs. So I pitched out a different walk that's more cartoony, although it's just up and down, and the animator just couldn't get it. So finally I broke it down and animated it, and when we all watched it, everybody laughed. Because now it has a little energy, not enough for a guffaw, but enough for a chuckle and smile, and that's what the movie has a lot of.
Wired: But add all of those laughs up, and you've got cartoon comedy. The velocity of Adam Sandler's Dracula increases the more he loses his mind.
Tartakovsky: Dracula is the main reason I took the movie. Stories are important, but I'm really into characters, and if you can give birth to a good one, that's true success. I was like, "Here's my Bugs Bunny, or Daffy Duck. What if I can make him a manic star of a Bugs Bunny movie, starring Dracula?" I figured it would be really fun if I could pull that off. He can be a character who's barely holding on as everything goes wrong, while he's trying to do the right thing and protect his daughter. That was really exciting to me, because it's pure character. [Laughs] And I know some of the reviews said that the story was too thin, but it is thin: If we were doing plot points, we'd have half the gags.
Wired: And half the laughs, and probably half the box-office too. You gave Dracula impressive range, which gave Sandler much to do. I've also read some reviews that said you rehabilitated his sagging brand, which is Hollywood-speak but still carries some truth considering how bad his recent films have been. Has he called to thank you yet?
Tartakovsky: I mean, Adam's actually very happy with how it's played, but that's the extent of it. But you know I don't really think about that. That's not my job. We tried to make the best movie we could make, and I'm happy with the way Adam performed. He's a really funny person; it's not like I actually had to push him. He did what he did, but I think the animation elevated it. I like to think we enhanced his performance to a more manic level. Because that's the thing, this movie could've have been made where the animation didn't push him, and it could've worked. The reviews that killed me are the ones complaining about cameras going all over the place.
Wired: It's a cartoon. They do that.
Wired: Speaking of manic, let's talk about what happens next besides Popeye. Are toon geeks' dreams of a Samurai Jack animated film coming true?
Tartakovsky: Well, I'm developing Popeye and an original animated family film of mine, which is about all I can say right now. But we have been having lots of discussions about Samurai Jack, and they're all about its market. Is it just the fans who will see it? How can we get more of a general audience to see it? It is cult? Can it break out of the cult so that more people see it?
Wired: Is the concern that it's too quiet or cerebral? Are you willing to compromise the series?
Tartakovsky: No, if I'm going to do it, we're going to do it like the show. Just on a feature level, where everything can be tighter and more nuanced. Plus, I'm a better storyteller now, I've learned more. You know, I've seen Samurai Jack on the big screen at my work, and seeing even a television episode on the big screen is a totally different experience. Everything resonates so much more; you can feel it so much more. It would be amazing as a film. I feel that Samurai Jack was pretty bold and cinematic, so you can imagine how it would look blown up three stories high.


Clinicians and researchers in Southampton are leading a pioneering study into the use of computer-generated hand models to help improve the success of joint surgery for patients with arthritis.
Currently, surgery to replace the proximal interphalangeal (PIP) joint – the second joint in the finger from the finger tip – is not as reliable or predictable as surgery to replace the hip or knee.
Although it usually reduces pain, the range of movement does not improve and, in some instances, the joint can dislocate, stiffen or wear out. Now, surgeons at University Hospital Southampton NHS Foundation Trust (UHS) and researchers from the University of Southampton are using data taken from CT scans and MRI scans, together with motion-tracking technology, to build a precise computerised model of the PIP joint containing billions of pieces of information.
The University's computational engineering team in Engineering and the Environment - Dr Chris Phillips, Dr Alex Forrester and Dr Alex Dickinson - have applied sophisticated mathematical methods developed in aerospace engineering to correlate the data from the scans and the motion-capture. Dr Cheryl Metcalf, a specialist in biomechanics within Southampton's Health Sciences, is also part of the research team. Study lead and consultant hand surgeon Professor David Warwick is joined by consultant radiologist Dr Leonard King from UHS on the project.
"Our finger joints can naturally wear out with age and, although symptoms are often manageable, pain can become so troublesome that treatment is considered," said Professor Warwick. "Initially, we can try one or two steroid injections and, if unsuccessful, surgery, which includes either stiffening the joint, known as fusion, or replacement using artificial spacers made of metal or plastic, is considered."
As part of the study, funded by the Engineering and Physical Sciences Research Council (EPSRC), the team will also collect the same data of the PIP joint from patients with arthritis both before and after joint replacement. This will allow greater understanding of the effects of disease and how to improve the reliability and predictability of surgery.
Prof Warwick added: "Although most people are pleased with pain relief following surgery, their range of movement in the fingers does not improve and, in many cases, worsens – in which case the intervention is disappointing.