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Keychains are automatically enabled when auto-login is disabled.
Keychains can store passwords of various types.
Keychain entries cannot be moved between keychains.
Each keychain password entry has a name and a URL associated with it.
You can display keychain contents in Terminal using the keychain command.
Encrypted disk images use AES 128-bit encryption.
The maximum size of encrypted disk images is 1 GB.
Encrypted disk images can be re-sized.
Encrypted disk images are read-only.
Mac OS X does not leave any Cleartext copies of the contents of files opened from encrypted disk images.
A tcpdump of network traffic relating to mounting an encrypted disk image reveals the disk image data in unencrypted form.
Your umask is set to 026. You use touch from the command line to create a new file. What are the permissions on the new file?
A shadow password is stored .
Which tool displays disk capacity and the amount of available space on file systems?
You have manually mounted a non-AFP file system from the command line. To force a volume icon to appear in the Finder, you can .
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FORMER Chelsea defender Mario Melchiot believes the creativity of Eden Hazard means the Blues lack balance going forward.
John Terry hailed the Belgian after Chelsea beat Stoke on Saturday saying the Belgian had been by far their best player this season and was on a similar level to Lionel Messi and Cristiano Ronaldo.
Hazard put Chelsea ahead from the penalty spot with his 17th goal of the season before laying on Loic Remy for their winner.
But Melchiot believes Chelsea need to find a right winger with similar abilities to Hazard to compliment the 24-year-old.
"Going forward it's all about Hazard," Melchiot said.
"That's why sometimes they miss a little bit of balance because they also need someone on the right who can create as much difficulty and problems for the opposition as Hazard does on the left."
He added: "I am a big fan of Hazard.
"Whenever I watch Chelsea play I always feel when he gets on the ball they really start clicking."


Very Good. Book. 12mo-over 6¾"-7¾" tall. Adventures in the Land of Oz. Armada 1981. illus 176pp pb pages browned, vg.
I bought these books for the pictures. I have not read them yet, but I am looking forward to soon as much as I was for Harry Potter which disappointed me with no pictures. There are plenty here.


text:
Euro Flashback: Fortune favours England in Ukraine clash
Steven Gerrard celebrates at full-time after setting up England's winner
Throughout Euro 2020, we have been looking back at classic games from previous tournaments. Today's featured match is England's controversial 1-0 victory over co-hosts Ukraine at Euro 2012.
Hosts in hot water
England were dealt a tricky hand at Euro 2012 after being drawn in a tough group containing France, Sweden and co-hosts Ukraine.
But Oleg Blokhin's men failed to set the group stage alight, despite being roared on by more than 60,000 vociferous supporters in Kiev during their opening matches.
They went into their final Group D match against the Three Lions a point behind England and France, having beaten Sweden but lost to Les Bleus.
Ukraine needed a win at the Olympic Stadium to progress.
Hodgson's strong start
Chosen ahead of Harry Redknapp as Fabio Capello's replacement, Roy Hodgson had been in the England dugout for less than a month when Euro 2012 kicked off.
Expectations were at an all-time low prior to the tournament but the Three Lions made a surprisingly strong start.
A Joleon Lescott header earned England a valuable point against France in their opener, while strikes from Andy Carroll, Theo Walcott and Danny Welbeck saw Hodgson's men come out on top in a ding-dong 3-2 victory over Sweden.
Rooney's return
Wayne Rooney marks his return to the England team by scoring the decisive goal
England's hopes of going deep in the European Championship were boosted by Wayne Rooney's return to the side.
The Manchester United forward had been suspended for the opening two matches but made an immediate impact in his first game of the tournament.
A 48th-minute cross from Steven Gerrard took two deflections inside the box, deceiving goalkeeper Andriy Pyatov and allowing Rooney to head home at the back post for what proved to be the winner.
That 1-0 scoreline does not tell the whole story of an encounter dominated for large periods by Ukraine.
The home side were particularly unfortunate not to be awarded an equaliser when Marko Devic's second-half shot clearly crossed the line despite John Terry's best efforts to scramble the ball away.
In scenes reminiscent of Frank Lampard's disallowed goal against Germany at the 2010 World Cup, Hungarian referee Viktor Kassai was unmoved by the protests of Ukraine's players and supporters.
The ball has already crossed the line as John Terry attempts to clear
Penalty heartbreak
England's victory was enough to see them top the group, while Ukraine exited the competition rueing the decision that helped seal their fate.
But it was not long before the Three Lions joined them, with a penalty shootout against Italy in the quarter-finals eliminating Hodgson's side.
England will be confident of going one stage further at Euro 2020 with a win on Saturday — but Ukraine would love to taste revenge after the events in Kiev nine years ago.
EnglandUkraineEuropean Championship
Euro 2020: Your ultimate guide to the quarter-finals
Today on LiveScore: Get up to speed with our Euro 2020 quarter-finals guide

redpajama_set_name: RedPajamaCommonCrawl


An accent the chair can be a chair that adds warmth and taste to your room. If you have a chair just sitting there and need a little love, you can just relinquish it. Reupholstering is actually simple and can be economical, as well. As long as you are careful and have some spare time. And you can have a new teal accent chair to show in no time. Collect your materials. The materials you must include needle nose pliers, box cutters and spoons, batting, upholstery fabric, tape measure, welds wire, furniture polishing staples and needles, cardboard stripping, chalk, and fabric glue or a glue gun.
Strip the old chair. Use your needle bar and remove the old material by pulling staples. Make sure you take it out carefully, as this will be your template for your new fabric. Take all the old staples and staple out the frame of the chair to leave it clean and neat and ready for new staples. Cut the new structure to fit the new teal accent chair. Put your new fabric on the floor and the old fabric you have removed from the chair on top of it. Trace around the old structure to the new structure and then cut out the shapes and pieces from the new structure.
Cover the chair with the new plate drum and fabric. Start with the back of the chair and work around. Staple batting for your chair to hold it in place. If your new design teal accent chair has arms, put the plate wrap over your arms as well and shorten it to the wooden frame to hold it in place. Fold the plaque around the corners neat and tight. When walking around the legs, make sure the frame bones and folds platters nice and beautiful. Lay your templates on the fabric and cut around them leaving lots of extra nail space. Put the fabric on the chair and pin in place, start with your back and work your way around the chair.
RELATED : How Can I Choose The Best Nursery Rocking Chair?
Laid last hand on the chair. You can use the welded wire if you wish, or you can make your edges slippery. Simply pull your fabric tight and shorten the fabric to the frame. Start with the back, then the seat, and make sure you hit the legs and lay the fabric smooth. The only staples to show are those under the chair. If you wish, you can create flaps around the bottom of the chair to hide the bottom or fold and staple the fabric nicely.


text:
Pan Fantasy Steelband
Pan Fantasy SteelbandPan Fantasy SteelbandPan Fantasy Steelband
Our Band Leader
Pan Fantasy Steelband Celebrating 35 Years of Pan
Band Leader (Captian): Wendy Jones
Supervisor: Edwin John
Arranger: Al "Allos" Foster
We were formed more that 35 years ago by a group of community minded volunteers.
Our Connection to the Jane-Finch Community: In 1986 a group of young people wanted to provide an opportunity for youth in the Jane-Finch community, in the former city of North York (Toronto).
Jane-Finch was categorized as a community of high rise rental apartment buildings and townhouses intentionally designed to be isolated from other residential housing in the area. It was a community with a high proportion of West Indian youth, low-income families and public housing.
Pan Fantasy Steelband, a subset of the North York Inter-Community Youth Group, wanted to make a change in the Jane-Finch community. The goal was, and continues to be, to engage youth and for the youth to learn leadership skills through the performing arts.
Copyright © 2020 Pan Fantasy Steelband - All Rights Reserved.


BRAINITY will only be responsible for and ensure the confidentiality and safety of the personal data collected from the User, or provided by the User through the Web/Platform and the App.
In compliance with the duty of information set forth in Article 10 of Law 34/2002, of July 11, Services of the Information Society and Electronic Commerce (hereinafter, LSSI), we inform you that the Web/Platform and the App are owned by the company BRAINITY SOFTWARE, S.L., with the CIF number B67210369 and with registered office at Casa Joan Teula (Viladordis) 08240 – Manresa (Barcelona, Spain) and registered in the Barcelona Commercial Registry, Sheet B 519091 Volume 46411 Page 21. You can contact us at the following email address legal@brainity.co.
In order to provide a better service and ensure the safety, confidentiality and integrity of the personal data collected, BRAINITY has adopted all the necessary technical and organizational measures, and maintains the safety levels of personal data protection in accordance with the LOPD and its implementing regulations, preventing their loss, alteration and/or access by unauthorized third parties. BRAINITY undertakes to comply with the duty of secrecy and confidentiality regarding the personal data contained in the automated file in compliance with the applicable legislation.
Specifically, in accordance with current regulations, we inform you that BRAINITY complies with basic level safety measures. The encryption used for connections is TLS 1.2 (Transport Layer Security).
We implement a variety of security measures to maintain the safety of your personal information when you place an order or enter, submit, or access your personal information. Access to the Database is only possible from Azure's own servers and we make daily backups of the Database.
BRAINITY also collects other data/information automatically, such as IP address, browser, type of mobile device and country of access.
• Register as a Web/Platform and/or App User.
• Management, administration and control of the services and products contracted through the Web/Platform and/or the App (provide you with the services you have requested; reply to your communication; respond to your request for information; send you the necessary documentation or information requested).
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• Order processing (send you information and updates pertaining to your order, in addition to receiving occasional company news, updates, related product or service information, etc.).
• Sending of commercial or promotional communications (in the event that the User expressly authorises it at the appropriate time), either from BRAINITY or from third parties collaborating with BRAINITY, related to the products and services offered on the Web/Platform and the App, by letter, telephone, e-mail, SMS/MMS, or by other equivalent electronic means of communication.
Your data may also be used for the segmentation of the same, as well as for statistics to know the traffic and use of the Web/Platform and the App by Users, such as the determination of their tastes and preferences, to send promotional information or advertising according to their interests.
By registering, you are accepting the conditions described herein, as well as authorizing BRAINITY and associated companies, to send you by e-mail or any other means, advertising, communications and/or any other type of notification that BRAINITY deems appropriate.
BRAINITY does not sell, trade, or otherwise transfer your personal data to third parties. However, the User expressly consents that all the data provided in the informed sections of the Web/Platform and/or the App (collected by e-mail and/or filling in the forms on the Web/Platform and/or the App) may be communicated and accessed by employees of BRAINITY, associated companies and/or external collaborators, for the purpose of management, administration and control of the services and products contracted through the Web/Platform and/or the App, meaning trusted third parties who assist us in operating our Web/Platform and App, conducting our business, or servicing you, so long as those parties agree to keep this information confidential.
We may also release your personal information when we believe release is appropriate to comply with the law, enforce our site policies, protect our own and third-party rights, or for safety reasons. However, non-personally identifiable visitor information may be provided to other parties for marketing, advertising, or other uses.
Nevertheless, BRAINITY ensures the safeguard of the confidentiality and safety of the personal data at all times, having adopted the legally required safety measures, which allow us to reasonably ensure the protection of your personal data and prevent the loss, misuse, alteration, processing or unauthorized access of them.
The User may exercise his or her rights of access, rectification, cancellation and opposition by sending a written communication to the address Casa Joan Teula (Viladordis) 08240 – Manresa (Barcelona, Spain), or by sending a copy of his or her national identity card or passport to legal@brainity.co.
BRAINITY informs Users that the exercise of these rights is very personal, so that only the User himself may exercise these rights with respect to the personal data of which he is the legitimate owner. Nevertheless, and in the cases in which it is exceptionally admitted, the legal representative of the User may exercise the rights of the User in the terms set out above, provided that he accompanies the aforementioned communication with the document certifying such representation.
By providing their personal data, the User states and ensures that they are accurate, complete, truthful and up to date, leaving BRAINITY free from any liability that may arise as a result of the breach of such obligation.
If the User is a minor or incapable, BRAINITY warns of the need to have the consent of their parents, guardians or legal representatives for the communication of their personal data, so BRAINITY forbids a minor or incapable to provide their data or use the Web/Platform and/or the App if he/she does not have the consent of their parents, guardians or legal representatives, not being otherwise BRAINITY responsible for the actions of the minor or incapable.
Except in the fields in which it is expressly determined otherwise, the answers to the questions on personal data are voluntary, without the lack of an answer to such questions implying a decrease in the quality of the services you request. Failure to fill in the fields identified as mandatory or the provision of incorrect data will make it impossible for BRAINITY to provide the services requested.
Also, in the search for total transparency in its relationship with the User, BRAINITY informs you of the use of other computer mechanisms related to personal data, such as cookies and logs on this Web/Platform and the App.
The purpose of BRAINITY's cookies is to personalize the services we offer, providing you with information that may be of interest to you. If you do not want a cookie to be installed on your hard drive, you can set your computer's browser not to receive them. However, we would like to point out that, in any case, the quality of the Web/Platform and the App operation may decrease.
Logs are files stored on the BRAINITY's server that record data about your browsing and whose main purpose is to gather information about the operations carried out by you. They also allow us to continue providing you with the services you request, to better understand your preferences and to offer you other services that may suit your tastes. They also help us to analyze the functioning of the system, locate incidents and problems that may arise, and resolve them as quickly as possible.
In compliance with current legislation, BRAINITY informs that the data will be kept for the period of time strictly necessary to comply with the above-mentioned provisions.
BRAINITY informs that it will treat the data in a lawful, fair, transparent, adequate, relevant, limited, accurate and up-to-date manner. That is why BRAINITY commits itself to take all reasonable steps to ensure that these are deleted or rectified without delay if they are inaccurate.
BRAINITY advises Users to use the latest versions of the software, given the integration of greater safety measures.
BRAINITY also advises Users to use the safety mechanisms available to them (secure Web servers, cryptography, digital signature, firewall, etc.) to protect the confidentiality and integrity of their data as necessary.
BRAINITY reminds Users that the Internet is not always safe and they must take the necessary and appropriate technical measures to prevent unauthorized processing of their data.


Isiah Factor | The Insite » DEMANDING MINORITY INCLUSION IN THE 288 PROJECT!
DEMANDING MINORITY INCLUSION IN THE 288 PROJECT!
March 27, 2017 | Posted in The Insite | Comments Off on DEMANDING MINORITY INCLUSION IN THE 288 PROJECT!
There will be more than 100 residents traveling to Austin TOMORROW from Houston and Dallas to speak at the TxDOT Transportation Meeting.
At last month's meeting, Senator Borris Miles raised the issue of the lack of minority contractors being selected for projects relating to the Highway 288 Project, located in his district (Senate District 13).
TxDOT originally committed to 12% of contractors selected would come from their Disadvantaged Business Enterprise program.
Miles says to date, they have only been able to commit to a 6% DBE participation rate, with less than one percent going towards African American contractors.
More than 100 residents will be traveling to speak at the TxDOT Transportation Meeting from HOUSTON and DALLAS to share why minority participation is important to the community.
ALL MEDIA IS INVITED TO ATTEND.


text:
import { Injectable } from '@angular/core';
import { Router, CanActivate } from '@angular/router';

import { Logger } from '../logger.service';
import { AuthenticationService } from './authentication.service';

const log = new Logger('AuthenticationGuard');

@Injectable()
export class AuthenticationGuard implements CanActivate {

  constructor(private router: Router,
              private authenticationService: AuthenticationService) { }

  canActivate(): boolean {
    if (this.authenticationService.isAuthenticated()) {
      return true;
    }

    log.debug('Not authenticated, redirecting...');
    this.router.navigate(['/login']);
    return false;
  }

}

redpajama_set_name: RedPajamaGithub


Deprivation of Liberty Safeguards and you.
The Mental Capacity Act is a law about making decisions and what to do when people cannot make some decisions for themselves, this is called lacking capacity. The Deprivation of Liberty Safeguards only applies to people who are lacking capacity.


text:
The worst things on the internet in 2020
A panorama of the worst the internet had to offer in 2020: The "Imagine" celebrities (Screenshot: YouTube), the Avengers Democrats (Screenshot: YouTube), J.K. Rowling's never-logging-off transphobia (Photo: Dia Dipasupil), melting Rudy Giuliani (Photo: Drew Angerer/Getty Images), and deceptive cakes (Screenshot: YouTube)
Graphic: Natalie Peeples
Randall Colburn,
Reid McCarter,
Allison Shoemaker,
and Hannah Hightman
Look, even without COVID, 2020 was going to be garbage. It was an election year, for fuck's sake, so a glut of unhinged political punditry was destined to clog up our social media feeds and needle our glazed eyeballs. In keeping with tradition, it all turned out to be even worse than we could have ever imagined, which was bad for us but good for this list of the absolute dirt-worst shit on the internet in 2020.
Ah, but it wasn't all politics this year. As we experienced our loved ones on the very same screens where we work, post, and scroll, our shared despair resulted in an almost perverse sense of comfort in the dregs of online. Dunking on the rich, callous, and attention-hungry became a group activity, a way to pass the time that wasn't just counting down the days until your unemployment benefits expire. And it's the rich and oblivious that mostly make up this list, an indication of just how intensely issues of class flared up in 2020. (We also have a list of the best things on the internet this year, if you'd rather focus on the positive.)
Enjoy, and remember: This is what we get for never logging off.
10. The celebs are at it again
The celebrities could not—and would not—allow a global pandemic, international protests for Black lives, and a historic U.S. election to interfere with their eternal quest to keep their names and faces at the forefront of our minds. Their desire for our continued worship took many absurd forms this year, including, most infamously, a cover of John Lennon's "Imagine" shot and released in the early days of quarantine. In it, celebrities like Gal Gadot, Will Ferrell, and Amy Adams give a kind of trash budget Live Aid performance from the comfort of their mansions, singing us a lullaby urging us to… actually, we still haven't figured out what we were supposed to take from the video. Despite the backlash to the tone-deaf video's release—and the many good jokes made at its expense—the celebs refused to learn their lesson. They would go on to release shit nobody needed like smooth-brained coronavirus commentary, somber (and hashtagged!) disavowals of racism, and nude PSAs on following voting instructions. Several of the stars involved in the "Imagine" video have since tried to justify their decision-making process, but it's too late. Let 2020 serve as a lesson that there are times when even our most famous celebrities should heed oft-repeated social media advice and, sensing that we all have other stuff to deal with, just log the fuck off. [Reid McCarter]
9. Cakes that don't look like cakes
We hereby decree that cakes are no longer allowed to look like anything but cake. 2020's worst culinary trend began back in January, when the Chicago Med cast commemorated their 100th episode by cannibalizing a cake fashioned to look like a corpse. A month later, a viral video from @the_bakeking horrified us with cakes that looked like spaghetti, Coke bottles, and human arms, among other objects. And then, just when you thought this unasked-for barrage of grotesque, deceitful confectionary was over, Tasty released a monstrous compilation of trompe l'oeil cakes—Crocs, toilet paper, potted plants—set to inappropriately peppy stock music. The artistry of the cakes is notable, but the cognitive dissonance is unwelcome, especially when it causes us to stare into the sky and ask the dispassionate stars: Are we all cake? [Hannah Hightman]
8. Mike Bloomberg wants to be a meme
Between November 2019 and March 2020, former New York City mayor Mike Bloomberg spent nearly a billion dollars on a pathetic campaign that got him a whopping 59 delegates. That's plenty embarrassing in itself, but his campaign's comically inept attempts to turn him into a meme were somehow worse. With serial plagiarizers/Fyre Fest knuckleheads Fuck Jerry leading the charge, the campaign slapped Bloomberg's face on a meatball and funneled money into popular Instagram accounts in an effort to "build a self-aware ironic character" around the multi-billionaire stop and frisk advocate. But money can't buy online savvy, and the campaign's cringey social media posts, including one in which they called Bernie Sanders gay, were routinely (and rightly) ratioed by the right and left alike. All the online piling culminated during a February debate in which Elizabeth Warren brutally roasted Bloomberg over his history of sexism. He became a meme, alright, just not the kind he'd intended. [Randall Colburn]
7. Tom Cruise wants you to see Tenet in a theater
Tom Cruise is willing to devote his boundless, advanced OT energies toward a few noble causes: The advancement of his abusive spaceman cult beliefs, the vicarious enjoyment we get from watching a multi-millionaire nearly die, and, of course, the agnostic pleasures of watching films in a theater. "Big movie. Big screen. Loved it," he wrote alongside a bizarre little film documenting himself—in the midst of a pandemic—heading to a theater to watch Tenet. In the time since he seemingly advocated for extending a public health crisis by watching a Christopher Nolan movie a few months before its home release, COVID-19 has only worsened. "Great to be back in a movie theater everybody," he says to his fellow moviegoers at the end of the clip, suggesting that the pandemic nightmare was behind us. Back in August. Cruise, who's since made quite a show of his reverence for COVID-19 protocols, has been audited so extensively that he's unable to get sick, but the rest of us need to exercise more caution, lest we leave behind obituaries citing our cause of death as: "Big movie. Big screen." [Reid McCarter]
6. Herman Cain tweets from beyond the grave
Whether or not you subscribe to the idea that one should not speak ill of the dead—and, uh, we don't, assuming the dead were giant fucking assholes—surely we can all come together to speak ill of still-dead Herman Cain's still-active Twitter accounts. It's not like Cain, who died of COVID-19 on July 30, was a master of social media prior to his death. Remember when he was tweeting stills from Twin Peaks: The Return for no apparent reason? Good times. But Cain, who, again, was felled by the coronavirus, didn't stop being bad at social media from the afterlife. Granted, the since-rebranded "Cain Gang" account was eventually revealed to be "supervised by his daughter team and family [sic]", but it's still pretty repellant to use a dead man's Twitter account to attempt to dunk on Joe Biden (this time without the Twin Peaks references). But the ghoulish absurdity reached its peak when Cain, still dead from the still-happening pandemic, tweeted about how the libs have totally exaggerated the impact of the disease that killed him. It is objectively, gruesomely, pitch-darkly hilarious, but also nightmarish in a more straightforward, wow this isn't all that funny kind of way. It wasn't the only recent instance of a tweet hitting in a way it shouldn't, but it was the most ridiculous, which makes it a perfect encapsulation of this flaming hot turd of a year. Save it for the group text next time, Herman Cain's Ghost. [Allison Shoemaker]
5. The Dickcourse
In October, famed writer Jeffrey Toobin was fired by The New Yorker after pulling out his dick on a Zoom call with colleagues and making kissy-faces at the camera. He thought he was off-camera, but that doesn't excuse him from, you know, jerking off during a work meeting. It seems like a pretty cut-and-dried sort of thing: Don't jerk off during work meetings, virtual or otherwise, or you'll get fired. That, however, didn't stop our best and brightest from whining about "cancel culture" and penning galaxy-brained op-eds about how Toobin's firing is due not to him jerking off in front of his colleagues but to us for "feeling weird and guilty" about masturbation. In a year of horrible discourse, the dickcourse was the worst, if for no other reason than it forcing us to imagine what Jeffrey Toobin's dick looks like. [Randall Colburn]
4. Turning Democrats into the Avengers
When somebody as cartoonishly corrupt as Donald Trump occupies the White House, it makes sense that people would want to celebrate anyone who stands against him, from slack-jawed grifters to warmongering scumbags. The problem with this kind of thinking is that we begin to see politicians, who are fallible and hyper-aware of their public perception, as heroes instead of public servants who need to be held accountable. So while, yes, we should absolutely campaign and advocate for the political figures whose policies we support, we should also run like hell from anything that tries to equate Mayor fuckin' Pete with Spider-Man. Stephen Colbert was the first to reimagine the Avengers as contemporary Democrats, but in the days following the election a new video emerged that elaborates upon this fantasy by bafflingly throwing Sean Connery and a smoking Hunter Biden into the mix. Even crazier? It was made in earnest. We enjoy the Marvel movies, too, but idolizing policy makers is just another means of giving them too much power. [Randall Colburn]
3. J.K. Rowling casts "Transphobius Maxima"
In a year that included what we'll briefly summarize as "a lot of really bad, extremely serious shit," a woman with a massive platform—incalculably huge, really—decided the time was ripe to air out her transphobic bullshit, again, and again, and again. Often draping feminist language over her bigoted views like a scarf over a really transphobic lamp, she simply would not shut up, going so far as to return a human rights award when the organization rightly called her out. It drove major fan sites to stop devoting coverage to Rowling, and forced quite a few cast members from the Harry Potter film franchise to denounce her many comments, each presumably wishing she'd just delete her account and fuck off back to her castle. That group includes Daniel Radcliffe, whose statement—released through The Trevor Project—is compassionate, frank, and succinct. Rowling's screeds, on the other hand, have been incoherent lies delivered with all the nuance and empathy of the people who yelled "SNAPE KILLS DUMBLEDORE" to readers waiting in line to buy Harry Potter And The Half-Blood Prince. But at least one great thing emerged from all of this when the denizens of the internet decided collectively that the person who created the Potter series is actually Britney Jean Spears, writing under a pen name. Remember, when the time comes to choose between what is right and what is easy, choose what's right, and then give credit to Britney. She deserves a win. [Allison Shoemaker]
2. Having to look at Rudy Giuliani
Photo: Drew Angerer (Getty Images)
As the Titanic sank, the story goes, the ship's band played on while they awaited their death in the icy waters of the Atlantic Ocean. Former New York City mayor and Trump legal gremlin Rudy Giuliani has updated this tale for 2020, entertaining the world with his dipshit antics as the presidency he supported slowly comes to an ignoble end. Giuliani's been busy the last few months, publicly humiliating himself by doing everything from trying to take his dick out in front of a woman he thought was a journalist, putting together an "election fraud" hotline quickly overrun by pranksters, hosting a press conference in the parking lot of the Four Seasons (Total Landscaping), sweating out oily rivulets of shoe polish hair die while quoting from My Cousin Vinny, and trotting out a court witness who slurred her testimony like an anthropomorphic version of gray wine teeth. In the time between writing and publication, we can only imagine that Giuliani will have stepped on even more rakes, cramming in ever more ridiculous last-minute entries to his awful year in an apparent attempt to make us somehow feel bad for the slimeball on the basis of the sheer volume of his fuck-ups. [Reid McCarter]
1. Coronavirus song parodies
They were everywhere in the first weeks of the pandemic and, nine months later, they're somehow still everywhere. We even covered a few, foolish in our thought that this was simply a short-lived novelty. But, with hundreds of thousands dead and millions afflicted with a virus we still know little about, the peppy song parodies continue to roll in. We blame not the creators of the songs, which are harmless, but the specific brand of brain-melt spawned by nearly a year's worth of cabin fever and boredom. Of the innumerable ways to reckon with a global crisis, this is truly one of the strangest. And there are so many.
The chief chronicler of this new and depressing art form is Alexander Smith, the Louisville songwriter behind Lydia Burrell and Howell Dawdy. Since March, he's sought out and excerpted the most relevant sections in a few sprawling Twitter threads. Just dozens and dozens of corona-themed parodies, from "Never Gonna Give You Up" to "Desperado" to the Fresh Prince theme song, are piled one on top of the other, each urging you to wash your hands and wear a mask and stay inside. 2020 will forever be remembered as a year of absolute madness—Trump derangement, anti-maskers, murder hornets, Chewbacca shoes, the Pope liking a photo of an ass on Instagram—but this thread chronicles something altogether more sad: How desperate we were to laugh.
Smith chatted with us over email about his journey with COVID parodies, the form's obsession with toilet paper, and the biggest stinker of the bunch.
The A.V. Club: How did these parodies initially begin coming on your radar?
Alexander Smith: I've always been fascinated by homemade YouTube parody songs. You get all kinds of people doing them, it's a form of comedy everyone thinks they can do, so people who wouldn't be comfortable doing standup or making a comedy short will make one. So it's a fun thing to search on there.
AVC: What kept you coming back for more?
AS: Generally I like to compile song parodies in themed threads because it sort of changes what they are. You aren't supposed to watch hundreds of these. You're supposed to watch the one your cousin did and go "Ah, that's cute" and carry on with your day. Seeing a hundred of them in a row is like going to Burning Man or something, I would guess. Never been to Burning Man.
As for why I keep coming back to coronavirus parodies: I can't believe we're still doing this shit. It's still happening. People are now singing Christmas carols about how you have to wear a mask and wash your hands. The gulf between the seriousness of this tragedy and the silliness of these videos is now just inconceivably vast. I found a bunch of Christmas COVID parodies the other day and one has this guy singing "Rockin' Around the Christmas Tree" but he sings "Walking around with COVID-19 at your local grocery shop' and he's singing in this really sweet voice and… I don't know. I'm addicted to watching these things and I love them but that could actually be the most fucked up thing I've ever seen.
AVC: Which ones are the absolute dirt worst?
I'll link to the one that I think is the worst which is this couple doing a parody of "Eye Of The Tiger." It's a real ride. It starts with them working out for a very long time, then they sing a little bit about how it sucks to go to the grocery store, and then the chorus is about how a disease rose "up from the streets of China" but Jesus will save us.
Aside from that one it's sort of hard to decide which ones are "bad" and which are "good." It's an art form that is universally bad but I love it. You could say low-effort ones are worse on some level but I like them more. There's something I admire about someone just doing a single take in the bathroom while reading their lyrics off an iPad—as opposed to forcing all your neighbors to participate in some shit you make with a crane and a Steadicam.
AVC: Are there any trends you noticed after watching so many?
AS: Yeah, there's lots of trends, because in parody songs you have to say all of the keywords related to a particular topic. But the weirdest trend in COVID parodies, hands down, is the toilet paper thing. Toilet paper has nothing to do with the disease but it ran out back in March everywhere so it has to be mentioned in every corona parody song. And even when it isn't mentioned people use it as a prop. There's videos where people wrap themselves and their families in toilet paper and then don't even mention it in the song. They're just choosing to wear toilet paper. Or they'll have a line about how there's no toilet paper and for a visual gag they'll be sitting on a throne of toilet paper. It ends up looking like the reason there's no toilet paper is because everyone is hoarding it for props in their videos.
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What Would I Actually Want From a "Return to Form" Paper Mario?
This year has been an interesting one for rumors and leaks. As I type this article we're coming off the hot takes inspired by the leaks at Naughty Dog regarding The Last of Us II, but a couple of months ago the new hotness were Nintendo rumors regarding two upcoming titles for 2020. The first was a 2D Metroid title, something we haven't seen since Samus Returns on the 3DS and then an even longer gap before that. The second regarded the Paper Mario franchise, and the rumor was that the series would have a brand new entry which would be a "return to form." It's a loaded phrase, and for those who may not know the history of the series it can be difficult to fully understand why.
The original Paper Mario was a turn-based roleplaying game using timed attack mechanics that was a spiritual sequel of sorts to Super Mario RPG on the SNES. While folks who wanted (and still want) a true Super Mario RPG 2 perhaps found Paper Mario a bit disappointing, the game found its own fans and the strategic battles which were simple to pick up but challenging to master were a big part of the appeal. The game featured a large number of partner characters who were friendly versions of previously hostile Mario monsters. The clever writing, quirky characters, cute art style, and strategic battle system made the game a delightful entry on the Nintendo 64. When The Thousand-Year Door came out, it built meaningfully on the building blocks laid out by the first game. One new feature was a between-chapter segment featuring Bowser that played off of the original Super Mario Bros games, allowing Bowser to jump his way through familiar locales in platforming adventures like his rival. These segments of the game received a lot of positive feedback, and with another Mario RPG out in the world in the form of Mario and Luigi, Paper Mario decided to experiment: why not make the next game a platformer like these beloved sections of The Thousand-Year Door?
It was a divisive experiment. While there were certainly some fans who still liked Super Paper Mario (I include myself among them), the majority agreed that the previous RPG gameplay was the preferred approach for the series. When rumors of a fourth Paper Mario began to appear, it seemed like that was the direction Nintendo and Intelligent Systems would be going. But after a survey from Club Nintendo indicated that a large number of fans didn't like the story in Super Paper Mario, Sticker Star went in a direction that frustrated a large number of longtime fans: no original characters, no storyline, and RPG mechanics focused on managing an expendable inventory rather than leveling up a character. Sticker Star's critical reviews were fine but a quick look at Metacritic tells you everything you need to know – 9.1 for Thousand Year Door compared to 5.7 for Sticker Star reflects a clear and powerful step in the wrong direction for fans of the series.
Sticker Star has its fans, but I am not one of them.
We can go on all day about the causes of Sticker Star's misstep and the issues that brought the game down, but there are plenty of articles on that topic and I don't want to rehash it all here. The negative response to the 3DS Paper Mario was the point where a lot of folks gave up on the series ever becoming what they remembered from their childhood. It's a sentiment I hear from most Paper Mario fans I speak with in the blogging world and that I see from quite a few YouTubers/streamers as well – "I'd love a game that felt like the original and Thousand Year Door, but it probably won't happen." A return to form for the Paper Mario series is something that a lot of people feel is impossible at this point – so a rumor saying it will happen is one that is understandably met with a powerful combination of hope and skepticism.
I can remember my hopes for a Thousand Year Door sequel from my younger days. When the GameCube title was still fresh, what I wanted more than anything was Paper Luigi: the tale of Luigi's adventures while Mario was in Rogueport. Actually getting to play out the hi-jinks he experienced in the Chestnut Kingdom while playing as his unique set of partners seemed like a really fun concept. Luigi had partners that were quite different from most of what we'd seen from Mario – a fried Blooper, a director Dayzee, and a Buzzy Beetle mechanic are just a few examples of the unique characters he ran with. For me, the idea of Paper Luigi captured what fascinated me most about the early Paper Mario games – exploring new parts of the setting with characters who were totally different than the cast we see in a typical Mario game.
These days, I think the time for Paper Luigi (at least as I envisioned in then) have long passed. Paper Mario is the series that has fallen from grace in the minds of the fans, and it is Mario himself who must lead the charge back to where we were before. But that of course raises its own question: is backwards the direction we really want to go? The Thousand-Year Door is an excellent game – my personal favorite – but would remaking a game that felt essentially the same as that one really scratch the itch of modern fans? What about people who only played Color Splash? What about people who never played Paper Mario at all?
I've heard this one is actually pretty solid, but since I never owned a Wii U I didn't get the opportunity to try it for myself.
I think no matter how you slice it, to some degree the series finds itself in impossible circumstances. For players like myself, managing expectations is going to be key. Obviously we've been asking for a game that's a story-driven, turn-based RPG that feels like the first two games in the series. But I can see a future where Nintendo goes too far in that direction, and our partners feel like hackneyed reskins of the characters we knew before and the stories nothing more than a nostalgia handjob for people who played the first two titles. "Hey do you see how this villain is basically Tubba Blubba? That's cool, right? That's what you wanted? *wink*" I want the game I thought was going to come after The Thousand Year Door, but if it tries too hard to be what the series once was then I can see a version of the game where our conclusion is that a port would have been a better option.
All of this begs the question of what exactly a satisfactory Paper Mario game would look like in 2020 (or more likely 2021 if this thing truly does exist, in a mid-COVID world). I can't answer for the whole fandom – some fans feel differently than me about individual games in the series or may have different things they loved about the original two that they would prefer to emphasize. But I can speculate about the things that would potentially help me to get the most out of a modern Paper Mario title, the elements which I consider to be core to idea of "returning to form." I want to talk about those ideas by addressing the game's setting, story structure, characters, and gameplay.
I have one big thing on my setting wish list: I don't want to go back to the Mushroom Kingdom or to Rogueport and its surrounding locales. For me, a Paper Mario returning to form does not mean literally returning to the places we have already been, and I think if that were to happen we'd be pretty firmly in the territory of "may as well have done a port." The main thing I don't want is a screen-by-screen recreation of the settings as they were. I'm okay with revisiting Rogueport as a hub if the places we go around it aren't Boggly Woods or Keelhaul Key or even Glitzville. I want the places we explore to be new ones, even if they technically fall into a world we recognize.
The original Paper Mario is a great demonstration of this. It's set in – you guessed it – the Mushroom Kingdom. But the places we visit within the Mushroom Kingdom are new and interesting. We don't go to Bob-Omb Battlefield or Jolly Roger Bay or Booster's Tower or Tadpole Pond. Paper Mario has an internal consistency with other Mario games by referencing the same species of creatures, but it adds them into new contexts that help them to feel fresh. Goombas who are peaceful hermits instead of loyal footsoldiers, koopas who are harassed by fuzzies, yoshis babysat by a cheep-cheep – we see familiar concepts explored in new ways and that I think is where Paper Mario shines. Piantas may be laid-back on Isle Delfino but don't ever expect to catch Don Pianta selling fruit out of a market stall or he'll give you a new pair of shoes, if you know what I'm saying.
With this in mind, one thing I think could be really cool would be for a new Paper Mario to give us a more concrete look at the kingdoms explored in Mario Odyssey. As a platformer with limited character interactions and storytelling, most of the locations in Odyssey only have one key civilized place (if any part of it is civilized) and we learn very little about the locals. Show us the cities and landmarks of these kingdoms and let us explore them RPG-style, breaking into people's houses and asking about their stories and their lives. There's familiarity but there is newness, too, and the world of the new Paper Mario would be adding flavor and context to the larger Mario universe in the way the first two games did.
I'm not going to pretend to know what the story of a new Paper Mario should be about. In fact, what the story is about isn't nearly as important to me as how it is structured. Classic Super Mario Bros is known for an eight world structure with four levels per world. That structure has been utilized in many other Mario games throughout the years, including in Super Paper Mario. Personally, it's a structure that I don't find enjoyable for an RPG title. When a story is broken up into disjointed episodes, it can feel less like a cohesive whole and you lose sight of how the world itself is connected together because a lot of time and physical space can be elided between episodes. This is something for me that carries over to 3D Mario as well – I like how Odyssey handles its structure better than 64 or Sunshine, and those still better than Galaxy (please note I'm discussing structure ONLY when I say that).
Now while a level structure is what I don't want, a chapter structure is still something I consider core to the Paper Mario experience. Each chapter in the original games is unique in tone, tells its own story with different characters and locations to highlight, but still fit together as progressive pieces of a larger narrative. The best chapters stand out as having strong concepts backed up by lovable characters and fun gameplay. Meeting specific conditions during combat while fighting your way up the ranks in the Glitz Pit, bringing toys to life and finding stolen objects from the real world in Shy Guy's Toy Box; having unique mechanics to engage or new interpretations of familiar mechanics helps to really set a chapter apart in the Paper Mario experience.
The final story element that is truly important to me is the detail. Paper Mario is a game with a lot of layers to its story. You can delve as much or as little into those layers as you want. Take the tale of the four heroes in The Thousand-Year Door. They are only briefly mentioned by Frankly in a description of the calamity that destroyed the original town before Rogueport, but by speaking with Grifty you can learn details about each hero's life. When you connect those stories with little touches spread in the chapters most closely related to each hero, you can see more meaningful connections with the present day that give you a whole new appreciation for what's going on in the grander story. Speaking to NPCs regularly as you progress a chapter or progress the game will slowly fill the world with color and detail. None of it is necessary to finish the game and have a perfectly fun time, but the love and energy spent on building each tiny facet of the setting is a big part of what makes early Paper Mario shine.
Buddy, Peach will mess you up.
There's a lot about Super Paper Mario that I think still managed to hold pretty tightly to what made the first two games special. But one way in which it faltered is that Mario's normally meaningful partner characters are replaced with generic one-off Pixls who bring very little to the game in terms of storytelling. You enjoy their personality for the brief moment in which they are acquired and then you never get a sense of them again throughout the rest of the game. Partners are such an important piece of what makes Paper Mario special, because each one has a place in the setting that they connect to in order to make the world more meaningful.
The original Paper Mario is a world populated by toads, goombas, koopas, squeaks, boos, shy guys, yoshis, bub-ulbs, bob-ombs, penguins – and even within these broad archetypes there are specific characters with personalities that both compliment and reject the stereotypes of their species as a whole. The Thousand-Year Door built on that with piantas, doogans, punies, bandits, twilighters, and x-nauts, and added even more flavors to the archetypes that already existed. Toads and bob-ombs could be sailors, goombas could be thieves, lakitu could be photographers, yoshis could be punks – the NPCs of Paper Mario were characters with tons of flavor due to their unique designs and quirky personalities. Contrast this with the world of Sticker Star, where the only NPCs were toads. A return to form Paper Mario has to have a cast of characters who are colorful and fun and unique.
I think to keep a new Paper Mario feeling like something more than pandering, those new characters need to really have a fresh lens and not just be a reinterpretation of existing tropes. If we start the game with a goomba companion who can tell you about the world, meet a koopa whose shell we can toss at distant objects, and at some point add an exploding bob-omb buddy to our ranks, those characters are likely to feel like copies of the ones we have known before. Not every partner has to be a Mario universe deep cut to make this happen, either. We've never had a Shy Guy companion, for example. No bloopers, either. This could also be a fun opportunity to remind people that piantas exist. Or maybe one of the fun transformations from Odyssey could make an appearance. There are plenty of opportunities for new concepts available for Mario's companions as well as the various NPCs and villains.
This is perhaps the trickiest element to master because on the surface, games like Sticker Star and Color Splash are still technically turn-based roleplaying games. They focus on a different form of advancement and don't use all of the same strategic elements as the original Paper Mario titles, but they're closer to an RPG than Super Paper Mario was. So what does it mean to return to the true gameplay of the first two games? I think a key part is a combat system once again focused on characters with reliable basic attacks. Having even your most basic moves as depletable inventory wasn't an enjoyable experience for a lot of players.
Paper Mario's core mechanic was a battle system which highlighted strategic attack choices. Jump dealt low damage twice and struck flying enemies directly; hammer dealt higher damage once and didn't make direct contact with the opponent. If the enemy was spiked, electrocuted, or on fire, your hammer was the necessary tool. If the enemy was flying, had a protective shell, or behind another opponent where the hammer couldn't reach, your jump would be a much better combat option. It's a simple base on which lots of challenges could be added. What if a spiked enemy charged their attack and was at the back of the enemy line where you couldn't take them out quickly? What if an enemy was on the ceiling where neither your jump nor hammer could reach? Learning to effectively utilize the alternative techniques unlocked by badges and to best take advantage of what your partners could do was key to defeating different combinations of enemies. In that sense, Paper Mario had almost a puzzle or strategy element to it. Defeating enemies wasn't just about grinding levels or having the most powerful attack stat; each encounter had multiple possible solutions – unlike Sticker Star where one specific item was the necessary win button for important battles.
I think one simple step for Paper Mario to become more complex mechanically would be to increase the scale of the battles – two possible partners at once and therefore three battlefield positions (front, middle, and back) could add interesting layers when combined with certain attacks having limited ranges or specific positions giving important boosts. (What little I have seen of Bug Fables, a Paper Mario style indie game, took this approach to its combat.) A third basic attack option could potentially expand things too, creating a sort of rock-paper-scissors dynamic that already fits well with the way that Jump and Hammer are applied in the game. Finally, I think making the player more active on the defensive turn and not just when attacking would make a big difference. There are a couple of specific enemies or attacks that have done this in past games (particularly in the first Paper Mario): trying to mash the A button to shake an enemy off or resist an attack, that sort of thing. Having the same kind of varied button inputs for blocking attacks would make defensive play more compelling and possibly create opportunities for parrying/counterattacking as well.
I don't know if this rumored Paper Mario can possibly live up to my expectations. If it does in fact exist, I've accepted that in all likelihood it will not be what I want it to be. Perhaps what it turns out to be will be enough to satisfy some fans of the series, maybe even a lot of fans. As someone whose favorite game has been The Thousand-Year Door since its release, it's hard to imagine that Nintendo and Intelligent Systems could possibly make a game that could live up to my 15+ year expectations. If this game turns out to be real, my plan is to be cautious and to carefully watch trailers and reviews before I get too excited about the idea of a "return to form."
I'm curious to hear what you think, adventurers. Are you a Paper Mario veteran? How do you feel about the rumors of a return to form? I'd love to see comments on other ideas about what elements are important to keep from classic Paper Mario, or if other players are concerned about Nintendo perhaps overdoing it in their attempts to make this game the same as before. Whether you're hesitant like me or are experiencing unbridled excitement, feel free to share your thoughts on the concept of a modern Paper Mario.
News and Reviews, Posts by Video Game, Predictions and Speculation, Super Mario
Gaming, hopes, Humor, Nintendo Switch, Paper Mario, return to form, speculation, video games
Embracing the Comfort of Familiarity
Announcing the First Ever Adventure Rules Live Stream, Which I Am Totally Not Panicking About
3 thoughts on "What Would I Actually Want From a "Return to Form" Paper Mario?"
Frostilyte says:
I'm right there with you and in agreement with all the points you've captured here. I think for gameplay changes I'd want to see Paper Mario copy some of what the Mario and Luigi series of games do: move active defence, but also tag-style attacks. It'd be a neat strategic decision to utilize both of your character's actions on a single turn for a really powerful attack that can nuke an enemy. Though I'm not exactly sure how something like that would be balanced…
Though admittedly I'd be happy with the writing being fun again. Sticker Star was such a slog entirely because neither the combat nor the writing were worth experiencing.
The writing makes such a big difference, and what I have heard from people who played it was that Color Splash did at least get that part of the Paper Mario magic back. If they can just combine that fun, quirky writing style with some gameplay that's as strong as the originals, I feel like most fans would be pretty happy with the results.
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From Glan Dwr, our mountain lodge in the heart of Snowdonia, we are able to offer a range of group activities including climbing, abseiling, canoeing, guided walks and wilderness therapy. The mountain lodge in Capel Curig, Snowdonia provides the ideal base for an activity programme. The bunkhouse sleeps twenty in bunk style accommodation in four ensuite bedrooms. There is an open plan kitchen and large sitting room. Activities available from the lodge include rock climbing,scrambling, Wilderness therapy, canoeing and kayaking, walking (including navigation skills) and winter climbing.
The lodge is also available to book on an exclusive basis for use by groups. Please visit the lodge website.


Jay Wayne Jenkins (born September 28, 1977), better known by his stage name Young Jeezy (or simply Jeezy), is an American rapper from Atlanta, Georgia. In 1998, he launched the label imprint CTE World (then known as Corporate Thugz Entertainment). Aside from his solo career, Jeezy is the de facto leader of the southern hip hop group United Streets Dopeboyz of America (USDA), and is a former member of the Bad Boy Records' rap group Boyz n da Hood.
Jeezy embarked on his music career in 2001, as Lil J, with the release of Thuggin' Under the Influence (T.U.I.). He later joined Boyz n da Hood in 2005, the same year his solo major label debut Let's Get It: Thug Motivation 101, was released. Its lead single "Soul Survivor", which features R&B singer Akon, became a top-ten hit in the US. His subsequent albums, The Inspiration (2006) and The Recession (2008), both yielded chart-topping singles. Jeezy has also been featured on numerous hip-hop and R&B hit singles, such as "Say I" by Christina Milian, "I'm So Paid" by Akon, "Hard" by Rihanna and "Love in This Club" by Usher, the latter of which reached number one on the US Billboard Hot 100, in 2008.


I initially titled this piece "Regeneration." I made a life size cow skull out of plaster with a bullet hole in the forehead. In the original piece, blue water dripped from the hole into a glass vase with sand in it. To me, the installation piece represented life coming from death; the elements taking the minerals back to the ocean where it starts all over again. But I always felt like this piece had more to say. Finally it hit me that this piece is really about the conflict of water in the West– because that is the root of life in the West. This piece is still in process. It will come again in future installations on this theme.


text:
YouTube details music industry payouts as labels remain skeptical
Brittany A. Roston - Feb 3, 2014, 10:46 pm CST
Music videos are a popular staple among YouTube users, accounting for a large percentage of the video service's overall views and drawing in countless people every day. The Google company has made a continued push into the market, and this week revealed it has paid out more than a billion dollars to the music industry. Still, labels remain skeptical.
During a session at the Midem music show this past week, YouTube's Vice President of Content Tom Pickett said, "We've paid out to the music industry over the last several years over a billion dollars." He went on to reiterate the Google video service's focus on music, clarifying that they're "all-in on music."
Despite the payout number and continued push into the music industry, labels and artists are still expressing concern over the business move, citing reasons ranging from YouTube's dominance in the market to the ratio of funds-to-video views for many music videos.
Another constant concern for labels and artists are stream rippers and similar that allow users to rip MP3s and videos from YouTube. Said BPI Cheif Executive Geoff Taylor, "We've been asking YouTube to deal with these stream-ripping applications for many years. YouTube is supposed to be an ad-funded streaming service, not a free download service. We can't understand why it's taken so long for Google and YouTube to do something about this."
Topics AudioBusinessgoogleMusicstreamingYouTube


the integral fence without any additional tool.
Guide angle in position for machining with the cutterhead below the workpiece.
Guide angle in position for machining with the cutterhead above the workpiece.


text:
package com.asakusafw.lang.compiler.model.graph;

import static com.asakusafw.lang.compiler.model.description.Descriptions.*;
import static org.hamcrest.Matchers.*;
import static org.junit.Assert.*;

import java.lang.annotation.ElementType;

import org.junit.Test;

import com.asakusafw.lang.compiler.model.graph.Operator.OperatorKind;

/**
 * Test for {@link MarkerOperator}.
 */
public class MarkerOperatorTest {

    /**
     * simple case.
     */
    @Test
    public void simple() {
        MarkerOperator operator = MarkerOperator.builder(typeOf(String.class))
                .attribute(ElementType.class, ElementType.TYPE)
                .build();
        assertThat(operator.toString(), operator.getOperatorKind(), is(OperatorKind.MARKER));
        assertThat(operator.getProperties(), hasSize(2));
        assertThat(operator.getInput().getDataType(), is((Object) typeOf(String.class)));
        assertThat(operator.getInput().getOwner(), is(sameInstance((Object) operator)));
        assertThat(operator.getOutput().getDataType(), is((Object) typeOf(String.class)));
        assertThat(operator.getOutput().getOwner(), is(sameInstance((Object) operator)));
        assertThat(operator.getAttributeTypes(), hasSize(1));
        assertThat(operator.getAttribute(ElementType.class), is(ElementType.TYPE));
        assertThat(operator.getAttribute(Dummy.class), is(nullValue()));
    }

    /**
     * test for copy.
     */
    @Test
    public void copy() {
        MarkerOperator operator = MarkerOperator.builder(typeOf(String.class))
                .attribute(ElementType.class, ElementType.METHOD)
                .attribute(Dummy.class, new Dummy(1))
                .build();
        MarkerOperator copy = operator.copy();
        assertThat(copy.toString(), copy, is(not(sameInstance(operator))));
        assertThat(copy.getProperties(), hasSize(2));
        assertThat(copy.getInput().getDataType(), is((Object) typeOf(String.class)));
        assertThat(copy.getInput().getOwner(), is(sameInstance((Object) copy)));
        assertThat(copy.getOutput().getDataType(), is((Object) typeOf(String.class)));
        assertThat(copy.getOutput().getOwner(), is(sameInstance((Object) copy)));
        assertThat(copy.getAttributeTypes(), hasSize(2));
        assertThat(copy.getAttribute(ElementType.class), is(ElementType.METHOD));
        assertThat(copy.getAttribute(Dummy.class).value, is(2));
    }

    private static final class Dummy implements OperatorAttribute {

        final int value;

        public Dummy(int value) {
            this.value = value;
        }

        @Override
        public OperatorAttribute copy() {
            return new Dummy(value + 1);
        }
    }
}


South Korea-based GC Pharma (formerly Green Cross) announced on 8 November 2018 that it had launched its insulin glargine biosimilar Glarzia in South Korea.
Glarzia Prefilled Pen is a biosimilar of Sanofi's Lantus (insulin glargine). GC Pharma gained approval for Glarzia from the Korean Ministry of Food and Drug Safety (MFDS) in March 2018 . The product was developed by Indian drugmaker Biocon. Under a licensing deal made in 2016, GC Pharma holds exclusive sales marketing rights for Glarzia in Korea.
GC Pharma plans to supply the treatment to hospitals and local clinics at a price of Won 10,878 (US$9.7), which represents an 83% discount compared to the originator biological, Lantus.
GC signed a promotional and wholesale agreement with Handok Pharmaceutical in January 2018, in which Handok will be responsible for domestic marketing and sales activities for Glarzia.
On 14 November 2018, US-based generics giant Mylan Pharmaceuticals (Mylan) and Indian biosimilars major Biocon announced that they had launched their insulin glargine biosimilar Semglee in the UK.
Semglee Prefilled Pen 100 units/mL is a biosimilar of Sanofi's Lantus (insulin glargine). Biocon and Mylan gained European Commission (EC) and Australian approval for Semglee in March 2018 .
Diabetes is a growing healthcare problem worldwide. In Europe alone, 58 million people have diabetes, which is predicted to rise to almost 67 million by 2045 . In the UK, almost 3.7 million people have been diagnosed with diabetes and a further 12.3 million people are at increased risk of type 2 diabetes . If nothing changes, it is estimated that more than five million people will have diabetes in the UK by 2025 .
3. International Diabetes Federation. IDF Diabetes Atlas, 8th ed. International Diabetes Federation: Brussels, Belgium; 2015.


text:
"The City that Kept a Secret"
Secrecy in Schenectady
Meet the M7
The M7 Factory
Importance of El Alamein
Battle Timeline
ALCO's M7 Turns the Tide
M7 Day
Desert Victory
"Today's the day - the first birthday of the deadly weapon that turned the tide at El Alamein. And Schenectady has plenty of reason to celebrate."
Schenectady Gazette April 10, 1943
On April 10, 1943 Schenectady celebrated the anniversary of the production of the first M7. Festivities included a parade of tanks, speeches by representatives of the Allied forces, the burial of a time capsule and the world premier of the movie, Desert Victory.
Speakers at the celebration included US General Maxwell, British Colonel Cole, Duncan Fraser, President of ALCO and Schenectady Mayor Ten Eyck.
Quotes from M7 Day
"I like to think that the eighth and Schenectady armies were jointly responsible for the glory of El Alamein. American Production cities are like armies themselves. You know them by their achievements."
Colonel Cole of the British 8th Army
"I have never encountered the degree of gratitude that came our from the British forces for the M7."
Major General Maxwell, Commander of the US Armed Forces in the Middle East
"We are thrilled at the knowledge that in building the M7 they have contributed to the great victories of the British 8th Army."
Mr. Steele, Representative of ALCO Workers at the M7
"The effectiveness of the M7 tank killer, designed and produced in Schenectady by the American Locomotive Co. enabled the British forces at El Alamein to 'succeed where they might have failed.' said Col. A G Cole... at the M7 Day Celebration here Saturday."
Schenectady Gazette, April 12, 1943
Photos from M7 Day
click on photos to enlarge
<< ALCO's M7 Turns the Tide
Desert Victory >>
Sarah Jones ~ Senior Website


Prithibi Onek Boro Lyrics From Bengali Movie Love(2008). The Song is Sung by Dibyendu Mukherjee And Monali Thakur. Starring: Jisshu Sengupta, Koel Mallick. Prithibi Anek Boro Song Lyrics In Bengali Written by Gautam Susmit. Music Composed By Jeet Ganguly. Directed By Riingo Banerjee.


Prof. Dr. Suresh Patankar, Chairman, Dept. of Urology, AMAI Trust's Ace Hospital and Research Centre, Pune and Professor of Urology at the B. J. Govt. Medical College, Pune is a distinguished personality in the field of medicine in general and urology in particular in India. His unprecedented contributions to this field are distinctly reflected in his continued professional and research activities that have proved of immense service to the society, both directly and indirectly. He is a rare combination of one qualified in modern medicine and Ayurveda as well, uniquely practicing both the systems to give the best to his patients.
Dr. Patankar has consistently distinguished himself in academics too. He was nominated as a convener for reconstructive surgery section, a subspecialty of the Urological Society of India. Dr.Patankar has chaired several important positions such as the President of the Urological Society of India(WZ).
He has been actively engaged in the development of innovative technological devices for minimal access surgery. His researching mind has continuously been working to reduce the cost of the present state of the art equipment by promoting better, economical and indigenous solutions. This will significantly help the society in bringing such costly treatments within the reach of the common man.
Dr. Patankar has been honored with the highest national award in Urology ' The Pinnamenani Venkateswara Rao Oration', Citation and Gold medal in 2015 for his outstanding contributions. He has obtained 2 US, 2 European and 1 Indian patent till date. Patent search has found that he is the only Indian national to obtain two or more patents on herbal formulations (and also on kidney disorders) in the territories of the US, Europe and India. He has been honored with several awards, notably among those are which came at the hands of dignitaries such as the chief minister and governor of Maharashtra, for his outstanding contributions to the medical field, that have greatly served the society.


Features a visco elastic "memory foam" and reflex foam upholstery layer in combination with a 1000* spring count pocket sprung system.
The mattress panels are covered in a soft feel "Pure Silk" ticking with contrasting damask borders.
The mattress is hand tufted and the borders are fitted with flag stitch handles and breather vents.
30mm memory foam on 30mm reflex foam.


text:
Judge Nap suspects judge in Roger Stone case gave a calculated sentence to prevent a pardon
February 20, 2020 | Frieda Powers | Print Article
Andrew Napolitano believes the sentencing of longtime Trump confidant Roger Stone reveals some calculated maneuvers by the federal judge.
The Fox News legal analyst reacted to the sentence handed down by Obama-appointed Judge Amy Berman Jackson on Thursday, giving Stone 40 months in prison and a $20,000 fine in what is being slammed as a political attack.
(Source: Fox News)
"She's trying to make this bullet-proof from a pardon," Napolitano speculated on Fox News' "Outnumbered," as he remarked on the judge handing down the lesser sentence than the prosecution's original recommendation of a seven to nine-year prison term.
"She went along exactly with what the attorney general requested. 'How could the government possibly object to this?'" he said, referring to William Barr's intervention in the case after the prosecution's recommendation was slammed by President Trump and others as excessive.
"She gave them exactly what they wanted and it's half of the number that had outraged the president," Napolitano noted.
Asked about the fact that Jackson handed down the sentence even amid rising speculation about a new trial, Napolitano said he believes the judge "wants to keep jurisdiction over the case."
"If there were no longer proceedings before her, then she could not silence Stone," he explained.
The president has said that Stone deserved a new trial and had been treated "very unfairly." The longtime Trump ally was found guilty on all seven counts of lying to Congress, obstruction and witness tampering back in November. The Justice Department overruled the prosecutors in the case and the president questioned the impartiality of the presiding judge.
Stone's legal team has also requested a new trial in light of revelations that the jury foreman in his trial was former Tennessee Democrat congressional candidate Tomeka Hart, who had been posting negative remarks about Trump and had posted about Stone's case before she had even voted to convict him.
Napolitano argued last week that Stone is "absolutely entitled" to a new trial in light of an "inherent bias" from the jury member.
"It is the duty of the judge to ensure that both the government and the defendant get a fair trial and if the judge discovers afterwards that there was a built-in inherent bias on the part of a member of a jury against the defendant, that is an automatic trigger for a new trial," Napolitano explained on "Fox & Friends" last week.
Judge Nap on revelations of biased juror against Roger Stone: 'Automatic trigger for a new trial' https://t.co/eipwGqqvT0
— Conservative News (@BIZPACReview) February 13, 2020
Napolitano also blasted the judge's orders to keep Stone silent during his Thursday appearance on "Outnumbered."
"I can understand a judge silencing a defendant during the trial. You don't want the defendant outside the courtroom speaking to the jury through the media, " he said.
"But Stone was convicted in November. At that point, his First Amendment privileges and rights returned to him," Napolitano continued. "There is no sound moral or legal basis to silence a defendant after conviction."
The former judge of the Superior Court of New Jersey also expressed his views in an opinion piece published by Fox News ahead of Stone's sentencing.
"Stone continues to maintain his innocence — now more so knowing he was tried unfairly. And he is entitled to a new trial, no matter what his jury found," he wrote.
"Why? Because it is better that a thousand guilty persons go free than one unfairly be punished," he added. "Because in America we only punish those who were fairly convicted. Because politics and bias have no moral or lawful place in American criminal prosecutions."
*Update: Late Thursday afternoon President Trump spoke to the press about the Roger Stone sentence and hinted, that at least for now, a pardon wouldn't be forthcoming.
"I want the process to play out," he said while addressing the biased juror and the call for a new trial. "I'd love to see Roger exonerated. And I'd love to see it happen."
Watch below. Above comments around 1:54 mark:
Frieda Powers
Originally from New York, Powers graduated from New York University and eventually made her way to sunny South Florida where she has been writing for the BizPacReview team since 2015.
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DOJ ramps up a 'mere review' to full-fledged investigation after latest Biden doc discovery - January 12, 2023


text:
10 Jun Bruce Barlow Skogen
BRUCE BARLOW SKOGEN
Bruce Barlow Skogen, a proud outdoorsman, grandfather, woodworker, and husband passed away May 29, 2019, with family at his side. He was 82. A memorial service will take place at Bismarck Funeral Home at 10:30 a.m, Tuesday, June 4th. Burial to follow at the North Dakota Veterans Cemetery in Mandan at noon.
Bruce was born on July 9, 1936 to Henry and Arlene Skogen in Hettinger, ND. As a boy, he was "Pinky" to many on account of his strawberry-blonde hair. Bruce met the love of his life, Barbara, in 1955 at his parents' Mobil service station where he worked as an attendant and she would work as café waitress. After a 3 year courtship, they were married in 1958 — celebrating 60 years together this last year.
Bruce and Barbara welcomed their daughter, Linda, to the world in 1965. A proud and loving father, he took her on countless outdoor adventures.
He was an active outdoorsman and hobbyist, enjoying hunting, hiking, fishing, boating, motorcycle trips, woodworking, and even cave explorations with Barb.
Bruce and Barb moved to Bismarck in 1970 where Bruce would work as a manager for Ed Phillips & Sons. Avid antiquers, they ran the Dakota Midwest Flea Market and Antiques on Main together for many years. Bruce restored countless heirloom pieces of furniture to their most beautiful state.
He adored his role of grandpa to two granddaughters: Cady and Courtney. He will be remembered fondly for their time spent together digging in the garden, sharing sweet treats, feeding his birds, and learning about their family history. He treasured his two great-granddaughters, Ella and Lucy.
Bruce is survived by his wife, Barbara; his daughter, Linda (Jason); his granddaughters, Cady (Jonathan) and Courtney (Eric); and his two great-granddaughters. He was preceded in death by his parents, Henry and Arlene, and his older brother, Duane Skogen.
A beloved father, grandfather, great-grandfather, neighbor, and friend, he will be dearly missed. In lieu of flowers, please consider a donation to your favorite wildlife or conservation non-profit.


Dr. Shipchandler splits his time between reconstructive and cosmetic plastic surgery at Indiana Health Physicians Facial Plastic Surgery & Skin Care.
Not all of the physicians practicing cosmetic medicine are completely outside of larger healthcare institutions. We got together with Dr. Taha Shipchandler to learn how he's juggles the cosmetic and reconstructive sides of this practice.
That's interesting: Dr. Shipchandler has performed over 27 facial reanimation surgeries on patients with facial paralysis- this is a surgical procedure no one else in the Midwest is currently performing. He also participates yearly in medical mission trips. He recently traveled to Eldoret, Kenya leading a team of surgeons on a facial plastic surgery trip. He preformed over 27 surgeries in 5 days operating on children with cleft lips and palates and resected a large parotid gland tumor providing all the reconstruction. He also travels yearly to Guatemala with a team of surgeons from Johns Hopkins.
How did you build a career that offers personal satisfaction and business growth?
What interests and challenges me most about medicine is the idea of combining highly technical skills with an aspect of creativity and art to achieve results that are both functionally and visually appealing. This idea is the foundation for my interest in cosmetic and reconstructive surgery. I remember rebuilding a patient's nose who suffered from a saddle nose from Wegener's disease—this was both technically and aesthetically challenging.
I get great satisfaction in knowing that I help patients feel better about themselves as well as helping them breathe, swallow or speak better if I perform a reconstructive procedure. When I was training at Johns Hopkins, I learned all aspects of facial cosmetic and reconstructive medicine and surgery. I now have mirrored my practice based on my breadth of interests including a large amount of complex cosmetic and reconstructive rhinoplasty, facelifts and eyelid surgery as well as cancer reconstruction. I feel that if I focus on what I enjoy the most and analyze my own outcomes, I can excel further and get results and outcomes beyond what is originally thought possible for patients.
Tell us more about your practice.
My practice: "IU Health Physicians Facial Plastic Surgery & Skin Care" has one patient coordinator and one nurse/practice coordinator. Primarily, to keep costs down, my patient coordinator and nurse/practice coordinator manage all of the day-to-day aspects of the practice including scheduling patients, surgeries, post-operative care management, check-in and check-out, as well as practice building activities. We have the latest technology including Vectra 3M 3-dimensional imaging systems for showing our cosmetic patients their projected results before surgery. We also have a photo studio, two exam rooms, and a consult room. We are located on the first floor of a 2 story medical office building on Meridian Street. Walk-ins are welcome. Our patient population is varied from Medicare and Medicaid to cosmetic patients paying out-of-pocket. We offer all cosmetic and reconstructive surgical and medical services of the face head and neck including, fillers, Botox, chemical peels, skin care and detailed facial analysis for cosmetic surgical consultation.
What's your recruitment and profit sharing plan?
I hire my staff based on their interest and commitment. If my staff does not feel vested into the practice then they will not want to perform to the best of their ability. If my staff excels in something, I may give them a gift card or take them to dinner. Whatever it is, I try to make us a group working together rather than individuals performing separate tasks. In addition, my staff and our practice pride themselves on customer service. We are fortunate to have received amongst the highest patient satisfaction scores in our organization. I believe fun and hard work go hand-in-hand thus we try and make work fun.
Do you offer laser treatments? What products and services do you like?
I currently defer lasers to another physician. I have found focusing on fewer things but doing more of them and doing them better generates more referrals and confidence and leads to better results. In addition, referring to someone else for lasers, generates more referrals from that physician for surgical treatment plans. I like light chemical peels, and we carry two excellent skin care systems that work very well. We do have the latest in cosmetic imaging technology which patients find very helpful.
How do you drive patients into your clinic?
Most of our marketing is low-cost and affordable. Social media via Facebook is easy and inexpensive and works well for us for keeping our current patient base informed. Otherwise, our webpage has generated several referrals and provided patients with confidence since they are able to access my publications from the webpage as well. Magazine ads and newspaper ads work well. We have found mailers to not be very effective, but this is difficult to track.
Surgical procedures are the most profitable. That being said, I recommend against surgical procedures for many patients if it is not appropriate for them. I feel that if we do the best job we can for patients, even if that means offering non-profitable treatments, this will pay off in the end. Soon I would like to add an aesthetician to our practice to help patients with skin care. In the end, however, I believe patients want to speak with their doctor, so I spend a lot of time with every patients.
Can you share interesting stories of patients?
What advice would you give to medical students who are choosing their area of specialization?
I truly believe that doctors should practice what they enjoy and in what they have the most expertise. Someone who says they are an expert in areas all over the body, likely is not. This is why I just specialize on the face. I enjoy operating on the face and analyzing the individual contours of facial movements and shadows. By treating what I enjoy the most, I not only get better at the treatments, but I am able to learn more to the point of publishing information for others to read in our national literature so that they may benefit. It is our duty to improve medicine for the future.
About: My training in Facial Plastic & Reconstructive Surgery was at Johns Hopkins University Hospital. Prior to that I completed my residency in Otolaryngology at Cleveland Clinic and completed medical school with honors (Alpha Omega Alpha) at Indiana University School of Medicine.
My practice today consists primarily of cosmetic surgery as well as all reconstructive procedures of the face, head and neck. I am an active member of the American Academy of Facial Plastic & Reconstructive Surgery. By focusing on one part of the body, i.e. the face, I feel I can offer patients the best, most up-to-date treatments available, and conduct studies to further all of our knowledge about the face, head and neck. My goal is not only to follow the standard of care but to be on the forefront of creating the standard of care for my patients.


A model at Charles Voegele Fashion Days 2011 in Zurich, Switzerland, wears neon eyeshadow.
OK, OK -- we already said not to wear neon head-to-toe. But there's a way around this rule if you really want to embrace neon in a big way: Wear two (or more) pieces of neon together using a technique called color-blocking. Warning: This is not for the faint of heart. Only a real fashionista can pull this off!
Basically, color-blocking neon means wearing a solid neon color on top and a contrasting solid neon color on the bottom (think a top and a skirt). No patterns! Or, you can find a color-blocked dress with wide stripes of neon color contrasted with black or white.