text:
Man of the World
Michael Trevor, assumed name of Jimmie Powers
Carole Lombard
Wynne Gibson
Irene Harper
Lawrence Gray
Frank Thompson
Guy Kibbee
Cavalier of the Streets, Gentleman of the Streets
Paramount Publix Corp.
Four years ago, Michael Trevor was a promising newspaper man named Jimmie Powers, but because of a scandalous incident, he is no longer able to make a living in the United States. He now runs a scandal sheet in Paris, living on the money he mulcts out of wealthy Americans who conduct secret rendezvous in Paris, but as a gentleman racketeer, Michael refuses to blackmail women. Michael's latest victim is Harold Taylor, the soft coal baron of Pennsylvania. Posing as a novelist, Michael befriends Taylor by suggesting that he prosecute the editor of a scandal sheet who is about to print a story about him and a blonde. Taylor asks Michael to give the editor $2,000 to keep quiet, and Michael pockets the money. He then meets Taylor's charming niece, Mary Kendall, who is in Paris with her suitor, Frank Thompson, whom she does not love. While Frank is in London on business, Mary and Michael fall in love and he confesses his true identity, but promises to reform, and she accepts his proposal. Michael's ex-girl friend, Irene Harper, who helps him run the scandal sheet, was hoping that Michael would swindle Taylor out of enough money for her to post bail for her kid brother in America. When Michael tells her that he and Mary are going to marry, Irene flies into a jealous rage and convinces Michael he will never be allowed to go straight and that marriage to an ex-con would be unfair to Mary. To convince Mary that he was a crook all along, Michael goes to Taylor with a scandalous story about Mary and Michael visiting a notorious inn, and demands $10,000 to keep quiet. Mary, heartbroken, slaps Michael across the face, but agrees to have her uncle write Michael a check. Irene, meanwhile, has tipped off the police, and they politely ask Michael to leave the country. Irene then confesses that she pawned her jewelry to post bail for her brother after she realized Michael really loved Mary. Frank and Mary then sail home to America while Michael and Irene sail to Capetown, South Africa. On the ship's deck, Michael rips up Taylor's check and throws it overboard.
Tom Ricketts
Mr. Bradkin
Andre Cheron
Tom Costello
Maude Truax
Mrs. Jowitt
Edward Goodman
Dialogue Director
[Wrt] by
Man of the World -
Man of the World, directed by Richard Wallace, is probably better known among film fans today for who is in it and what it started rather than the movie itself. The two stars, William Powell and Carole Lombard, met on the set of this movie and were married within a year. They would make two more movies together, but this is the one that started their personal and working relationship. If only the studios had known what they had in the relationship of these two, then Man of the World could have been a much different movie, but sadly no one in 1931 yet knew what to do with Carole Lombard as an actress. Her role could have been filled by just about anyone. It wasn't until her skill with comedy became clear a few years later that her light finally shone.
At the start of the film, Michael (Powell) is in Paris helping out Harry (Guy Kibbee) with a blackmailing incident. Harry has been blackmailed for cheating on his wife back home in the states and as an important businessman, this could hurt him. Michael takes the money from Harry promising that it will lead to the arrest of those involved. Of course, it doesn't. We quickly learn that Michael himself is the perpetrator of the blackmail scheme and, by posing as a detective working with the police, is able to collect the money without detection. Carole Lombard turns out to be Harry's niece, Mary, and Michael falls in love. Aside from the expected complications, Michael is also in a relationship with his blackmail partner Irene, played by Wynne Gibson (who, along with Kibbee, steals most of the movie). Irene wants him out of the relationship, and he wants out of the business altogether.
Powell is as excellent as always, but unfortunately Lombard is a romantic prop for his character, nothing more. Had the producers known what talent she had, perhaps they would have given her the Wynne Gibson role instead, although Gibson is fantastic in the part. The film was written by the legendary Herman J. Mankiewicz, better known as "Mank" to everyone in Hollywood, who by 1931 had already amassed a slew of credits, going back to the silent era. Of course, his most famous screenplay would come exactly ten years later when he coauthored Citizen Kane with Orson Welles.
Man of the World made little to no ripples at the time, but today it stands as a fascinating artifact of the pre-Code era for a couple of reasons. One, because it introduced Powell and Lombard to each other and onscreen as a team, and two, for its absolute punch in the gut ending, not at all what anyone use to Hollywood "boy meets girl" stories would expect. Let's just say, no one ends up happy in the end. And that's one of the lasting achievements of the pre-Code era, coming as it did at the start of the Great Depression. It told things in a straightforward and often blunt manner. Man of the World does that in spades, and while it may not be the best work of Lombard, it's a great early entry in the canon of Mankiewicz, and one of Powell's better early efforts.
Director: Richard Wallace
Screenplay: Herman J. Mankiewicz
Music: Herman Hand
Sound Department: Harry Lindgren
Costume and Wardrobe Department: Eugene Joseff
Cast: William Powell (Michael Trevor), Carole Lombard (Mary Kendall), Wynne Gibson (Irene Harper), Lawrence Gray (Frank Reynolds), Guy Kibbee (Harry Taylor), George Chandler (Fred)
By Greg Ferrara
Man of the World, directed by Richard Wallace, is probably better known among film fans today for who is in it and what it started rather than the movie itself. The two stars, William Powell and Carole Lombard, met on the set of this movie and were married within a year. They would make two more movies together, but this is the one that started their personal and working relationship. If only the studios had known what they had in the relationship of these two, then Man of the World could have been a much different movie, but sadly no one in 1931 yet knew what to do with Carole Lombard as an actress. Her role could have been filled by just about anyone. It wasn't until her skill with comedy became clear a few years later that her light finally shone. At the start of the film, Michael (Powell) is in Paris helping out Harry (Guy Kibbee) with a blackmailing incident. Harry has been blackmailed for cheating on his wife back home in the states and as an important businessman, this could hurt him. Michael takes the money from Harry promising that it will lead to the arrest of those involved. Of course, it doesn't. We quickly learn that Michael himself is the perpetrator of the blackmail scheme and, by posing as a detective working with the police, is able to collect the money without detection. Carole Lombard turns out to be Harry's niece, Mary, and Michael falls in love. Aside from the expected complications, Michael is also in a relationship with his blackmail partner Irene, played by Wynne Gibson (who, along with Kibbee, steals most of the movie). Irene wants him out of the relationship, and he wants out of the business altogether. Powell is as excellent as always, but unfortunately Lombard is a romantic prop for his character, nothing more. Had the producers known what talent she had, perhaps they would have given her the Wynne Gibson role instead, although Gibson is fantastic in the part. The film was written by the legendary Herman J. Mankiewicz, better known as "Mank" to everyone in Hollywood, who by 1931 had already amassed a slew of credits, going back to the silent era. Of course, his most famous screenplay would come exactly ten years later when he coauthored Citizen Kane with Orson Welles. Man of the World made little to no ripples at the time, but today it stands as a fascinating artifact of the pre-Code era for a couple of reasons. One, because it introduced Powell and Lombard to each other and onscreen as a team, and two, for its absolute punch in the gut ending, not at all what anyone use to Hollywood "boy meets girl" stories would expect. Let's just say, no one ends up happy in the end. And that's one of the lasting achievements of the pre-Code era, coming as it did at the start of the Great Depression. It told things in a straightforward and often blunt manner. Man of the World does that in spades, and while it may not be the best work of Lombard, it's a great early entry in the canon of Mankiewicz, and one of Powell's better early efforts. Director: Richard Wallace Screenplay: Herman J. Mankiewicz Music: Herman Hand Cinematography: Victor Milner	Sound Department: Harry Lindgren Costume and Wardrobe Department: Eugene Joseff	Cast: William Powell (Michael Trevor), Carole Lombard (Mary Kendall), Wynne Gibson (Irene Harper), Lawrence Gray (Frank Reynolds), Guy Kibbee (Harry Taylor), George Chandler (Fred) By Greg Ferrara
Working titles for this film were Cavalier of the Streets and Gentleman of the Streets. Onscreen credits and most reviews list Richard Wallace as director, however, Motion Picture Herald lists Wallace as co-director with Edward Goodman, whom Motion Picture Almanac lists as dialogue director. According to a January 21, 1931 news item in Variety, Paramount gave Goodman, a New York stage director, his first screen assignment as co-director with Wallace on this film. This was William Powell and Carole Lombard's first film together. They both starred (with Kay Francis) in Paramount's 1931 film Ladies' Man and in the 1936 Universal film My Man Godfrey. They were married in 1931 and divorced in 1933. Motion Picture Herald calls Powell's character "Michael Wagstag," which was used in an early script. Both an early script and the New York Times review mention the fact that Michael tears up the check without Irene knowing he has, but in the print viewed, it is implied that Irene sees the torn check float away on the waves.


text:
go-project-euler-solutions
==========================

Trying to solve projecteuler.net problems in an attempt to learn the go language

redpajama_set_name: RedPajamaGithub


What a fantastic evening we had at Gaddens at our launch. Despite the sunshine and showers we hosted a very successful networking evening and tours of the house. We had amazing help from Carrie Watkins from Simply Love Vintage who styled our panelled study in her vintage style and together with Maria from Simply Flowers and Laura from Laura Flaura, the floral decorations in the house were amazing.
Suzie Prout from RSVPwedding.co.uk has been a stalwart support from the beginning and was there to help us receive our guests. Frances from Calm Amongst The Chaos provided wonderful dresses worn by Anita that gave a real sparkle to the evening. Mark Humphrys our website designer needs congratulating on the great improvement to our website.
Cerrie Simpson from Neolimn Photography and Design designed our logo and with help from Sarah at The Print Agency, our leaflets arrived at the eleventh hour! Sorrels Catering were so kind and provided us with canapes for the evening and with such help from our daughter Caroline, drinks were served to our fifty guests.
We have met so many interesting people on our journey and thank all those who have supported us so far.


Fleming, Ted and Murphy, Dr Mark (2000) Between common and college knowledge: Exploring the boundaries between adult and higher education. Studies in Continuing Education, 22 (1).
O'Fathaigh, Mairtin (2000) The Social-Interaction Learning Styles of Irish Adult Learners: Some Empirical Findings. UNSPECIFIED. .


Jun.18 (GMM) Not every driver was complaining as F1 action kicked off at Baku's spectacular and unique new street track.
Senior drivers including Nico Rosberg and Jenson Button had suggested the wall-lined, high-speed layout may not be safe, but world champion Lewis Hamilton said it was just a typical "moan"-fest.
"These drivers moan so much -- so much about so many things," said the Briton.
But as their championship battle heats up, Mercedes teammate Rosberg hit back at Hamilton.
"What he just said in the meeting sounded a bit different to that. He was pretty much on the side that it is a bit hairy," the German charged.
Nico Hulkenberg, on the other hand, said he has no complaints about Baku at all.
"None," he confirmed. "My belief is that as drivers we need to go to the limit. If someone thinks it is not safe enough, he can just slow down before the corner, there's nothing stopping him doing that.
"But I don't see any problems," the Force India driver added.
Another German, rookie Pascal Wehrlein, agreed that Baku is a "track for men".
The 'Well done Baku' signage around the track, however, appears to have been premature, with Friday's running affected by loose kerbs that halted GP2 qualifying and damaged many tyres.
"Everything's new," said race director Charlie Whiting, according to Express newspaper. "They've done the best they could and we just needed to do a bit of fixing."
As for the layout itself, however, drivers were comparing it to the awesome Macau F3 track, while photographers were revelling in the shots they were getting amid the backdrop of the old city walls.
"When I laid it out in the first place I was told I was mad," Bernie Ecclestone said. "Trying to get the old city and the new city together was tough. It looks like it's worked all right."
Circuit architect Hermann Tilke confirmed that his task had been "tough".
"With the planning of Baku, we were on the limit," he told Germany's Auto Bild. "More was not possible."
As for the actual pecking-order in Baku, it appears that the works Mercedes team and its customers are set to dominate, with Ferrari and Red Bull further back.
"I was a bit surprised, seeing Force India just behind us," Rosberg admitted.
Hamilton agreed: "I guess our main rivals are ourselves."


UMHB's dance team, The Sader Belles, won the Division II national title at the 2019 American Dance and Drill Team (ADTS) Collegiate Championship on Saturday, March 23. The women traveled to the University of North Texas in Denton for the competition, where they performed in the jazz and pom categories.
Coach Christy Hawkins, who has coached the team for five years, is proud that the women were able to overcome several hardships and find victory in the championship.
"We had some injuries, some illnesses…one girl performed with a sprained ankle," Hawkins said. One woman tore ligaments in her ankle in February, requiring the team to readjust the routine. Despite these challenges, the women fought hard and won first place with their pom routine, which was set to a remix of Aretha Franklin's "Respect." This helped them secure the overall national championship.
UMHB competed in Division II with several larger schools such as Tarleton State University and Dallas Baptist University.
They brought two routines to the competition, making Hawkins proud. "We took two dances, which is huge," she said.
In addition to performing at competitions, The Sader Belles perform at football, volleyball and basketball games, as well as events in the community.
Tryouts for the 2019-2020 team will be held from 10 a.m. to 5 p.m. on Saturday, April 13 in the Mabee- Farris Recreation Gym in Mayborn Campus Center. Applicants must learn a 30-second routine before the tryouts and be prepared to perform it during the auditions. This video can be found on the Sader Belle Facebook and YouTube pages. On the day of the tryouts, this routine will be added to new choreography.
Applicants must bring a typed Sader Belle application, a photo copy of their UMHB acceptance letter, a photo of themselves in all-black dance wear and two letters of recommendation to the tryouts.
To learn more about the Sader Belles and to learn more about tryouts, visit go.umhb. edu/students/rec/sader-belles or follow UMHB Saderbelles on Facebook.


text:
Q: Getting XML values I have an xml which i want to parse it , i succesed to do this but i have a question about the structure of this xml .
<BIBLEBOOK bnumber="1" bname="Genesis" bsname="Gen">
    <CHAPTER cnumber="1">
      <VERS vnumber="1">At the first God made the heaven and the earth.</VERS>
      <VERS vnumber="2">And the earth was waste and without form; and it was dark on the face of the deep: and the Spirit of God was moving on the face of the waters.</VERS>

How can i get the value for bname ?
This is how i parse the xml:
 NSString *xmlString = [[NSBundle mainBundle] pathForResource:@"basic_english" ofType:@"xml"];
    NSData *xmlData = [NSData dataWithContentsOfFile:xmlString];

    NSString* dataStr  = [[NSString alloc] initWithData:xmlData encoding:NSUTF8StringEncoding];
    NSDictionary *xmlDoc = [NSDictionary dictionaryWithXMLString:dataStr];

A: Try this. Hope it will help you.
NSString *bname = [xmlDoc valueForKey:@"_bname"];

redpajama_set_name: RedPajamaStackExchange


Laura enjoys encouraging and empowering women to learn about their bodies and their health care options. She has a special interest in complementary/alternative medicine, including nutrition, herbal counseling and lifestyle support. Her experience includes full-scope pregnancy care, including individual and group prenatal education and extensive lactation support. She has seven years of home birth experience.
Laura was a teacher for the Peace Corps in Turkmenistan and has traveled extensively through Europe and Asia. These days, she and her husband keep busy playing with their three young children. Laura also enjoys hiking, reading and playing the cello. She serves as the pharmacology instructor at Birthingway College of Midwifery and is involved in Common Ground, a group of midwives in Portland who organize workshops and community building.
All the midwives are amazing! With Katie Himel, Laura Bartkho, and Kate Robinson being my favorite!
My first visit with Laura, and I love her! She is friendly and sympathetic and easy to talk to about sensitive topics. Looking forward to working with her in the future!
I was a little disappointed in how urgent it was for me to come in and then the same urgency of responding to my test results were not met the same way. I did not hear back from someone for 2 days when it was an ongoing issue that I had. Everyone was very kind but I felt a little put back on how long it took to get back to me.
After listening to the provider 'shooting the breeze' in the next exam room (no health-related conversation whatsoever) for almost 30 minutes, I gave up and walked out.
She's great- very caring, very professional.


text:
Music/Music Reviews/Reviews
Bob Weir and the Wolf Bros. Reinterpret the Grateful Dead on 'Live in Colorado Vol. 2'
By Jeremy Levine / 17 October 2022
Bob Weir and the Wolf Bros. are a new framework for interpreting the Grateful Dead that's more interested in the true essence of the music.
Featured: Top of Home Page/Features/Lists/Music/Music Features/Pop Past
41 Essential Pop/Rock Songs with Accordion
By David Pike / 26 May 2022
No popular musical instrument has been more frequently maligned than the accordion. Despite gaining hipster cred in the 1990s, its role in pop remains underappreciated.
Pages 1 2 3 4
All Things Reconsidered/Featured: Top of Home Page/Features/Media/Music/Music Features/Pop Past
The First Step in a Long Strange Trip: 'The Grateful Dead' at 55
By Will Layman / 17 March 2022
More than 50 years since the Grateful Dead's debut, how is it imaginable that they are still touring and the "jam band" scene has mushroomed? This is where it started.
Featured: Top of Home Page/Features/Interviews/Music/SAVE/ IGNORE: popular
Pianist Holly Bowling Discusses Grateful Dead, Jazz, and Jam Bands
By Will Layman / 5 November 2020
Classically trained pianist Holly Bowling is releasing her latest recording of Grateful Dead songs in a few weeks. PopMatters catches up with the virtuoso to discuss the intersection of jazz and rock with classical technique.
All Things Reconsidered/Music/Music Reviews/PopMatters Picks/Reviews/SAVE/ IGNORE: popular
Fifty Years Ago the Grateful Dead Became the 'Workingman's Dead'
By Steve Horowitz / 10 June 2020
Psychedelic rockers the Grateful Dead changed directions in 1970 and went country with Workingman's Dead, becoming early folk-rock/country-rock pioneers.
Featured: Top of Home Page/Features/Interviews/Music
"I'm an Audience Member, Playing This Music for Us": An Interview With Keller Williams
By PopMatters Staff / 9 April 2020
Veteran musician Keller Williams discusses his special relationship with the Keels, their third album together, Speed, and what he learned from following the Grateful Dead.
Events/Music/Reviews
Bob Weir and Wolf Bros Mine for Sonic Gold in California
By Greg M. Schwartz / 25 October 2019
Grateful Dead co-founder Bob Weir and his trio Wolf Bros close out the summer with a festive blast in Napa and Santa Cruz.
Bob Weir and Wolf Bros Rock the Zeitgeist in Santa Barbara
There's a certain sonic gravitas in hearing Bob Weir's guitar in the trio format, and when he sings, "you can buy a whole god damn government today", he's reporting more truth than any corporate news media outlet dares.
Music/PopMatters Picks/Reviews/SAVE/ IGNORE: popular
With Rainbow Colors Blended: The Grateful Dead's 'Anthem of the Sun' at 50
By Chris Ingalls / 19 July 2018
Anthem of the Sun is where things really took off for the Grateful Dead. Rhino's new deluxe edition is a reminder of how explosive and musically adventurous this band already was back in those early days.
Events/Featured: Top of Home Page/Music/Reviews
Circles Around the Sun Take Orbit at Terrapin Crossroads
By Greg M. Schwartz / 14 August 2017
It's only the first song of the night, but the band is soon in "the zone" as they go on to deliver a sensational 30-minute opening jam.
DeadPhish Orchestra Soars Over the Hills and Far Away in the Bay
By Greg M. Schwartz / 20 March 2017
There's only band that actively seeks to mix Phish and the Grateful Dead together like Reese's Pieces and that's the DeadPhish Orchestra.
Choose Your Companions: Bill Vitt on Jerry Garcia and Merl Saunders
By PopMatters Staff / 18 January 2017
"We never rehearsed. That probably helped." Longtime Jerry Garcia drummer Vitt looks back on how it all started and what it meant.

redpajama_set_name: RedPajamaCommonCrawl


text:
Home/Uncategorized/What is a Security Operations Center (SOC)?
What is a Security Operations Center (SOC)?
Learn about how security operations centers work and why many organizations rely on SOCs as a valuable resource for security incident detection.
A DEFINITION OF SECURITY OPERATIONS CENTER
A security operations center (SOC) is a facility that houses an information security team responsible for monitoring and analyzing an organization's security posture on an ongoing basis. The SOC team's goal is to detect, analyze, and respond to cybersecurity incidents using a combination of technology solutions and a strong set of processes. Security operations centers are typically staffed with security analysts and engineers as well as managers who oversee security operations. SOC staff work close with organizational incident response teams to ensure security issues are addressed quickly upon discovery.
Security operations centers monitor and analyze activity on networks, servers, endpoints, databases, applications, websites, and other systems, looking for anomalous activity that could be indicative of a security incident or compromise. The SOC is responsible for ensuring that potential security incidents are correctly identified, analyzed, defended, investigated, and reported.
HOW A SECURITY OPERATIONS CENTER WORKS
Rather than being focused on developing security strategy, designing security architecture, or implementing protective measures, the SOC team is responsible for the ongoing, operational component of enterprise information security. Security operations center staff consists primarily of security analysts who work together to detect, analyze, respond to, report on, and prevent cybersecurity incidents. Additional capabilities of some SOCs can include advanced forensic analysis, cryptanalysis, and malware reverse engineering to analyze incidents.
The first step in establishing an organization's SOC is to clearly define a strategy that incorporates business-specific goals from various departments as well as input and support from executives. Once the strategy has been developed, the infrastructure required to support that strategy must be implemented. According to Bit4Id Chief Information Security Officer Pierluigi Paganini, typical SOC infrastructure includes firewalls, IPS/IDS, breach detection solutions, probes, and a security information and event management (SIEM) system. Technology should be in place to collect data via data flows, telemetry, packet capture, syslog, and other methods so that data activity can be correlated and analyzed by SOC staff. The security operations center also monitors networks and endpoints for vulnerabilities in order to protect sensitive data and comply with industry or government regulations.
BENEFITS OF HAVING A SECURITY OPERATIONS CENTER
The key benefit of having a security operations center is the improvement of security incident detection through continuous monitoring and analysis of data activity. By analyzing this activity across an organization's networks, endpoints, servers, and databases around the clock, SOC teams are critical to ensure timely detection and response of security incidents. The 24/7 monitoring provided by a SOC gives organizations an advantage to defend against incidents and intrusions, regardless of source, time of day, or attack type. The gap between attackers' time to compromise and enterprises' time to detection is well documented in Verizon's annual Data Breach Investigations Report, and having a security operations center helps organizations close that gap and stay on top of the threats facing their environments.
ROLES WITHIN A SECURITY OPERATIONS CENTER
The "framework" of your security operations comes from both the security tools (e.g., software) you use and the Individuals who make up the SOC team.
Members of a SOC team include:
Manager: The leader of the group is able to step into any role while also overseeing the overall security systems and procedures.
Analyst: e Analysts compile and analyze at the data, either from a period of time (the previous quarter, for example) or after a breach.
Investigator: Once a breach occurs, the investigator finds out what happened and why, working closely with the responder (often one person performs both "investigator" and "responder" roles).
Responder: There are a number of tasks that come with responding to a security breach. An individual familiar with these requirements is indispensable during a crisis.
Auditor: Current and future legislation comes with compliance mandates. This role keeps up with these requirements and ensures your organization meets them
Note: Depending on the size of an organization, one person may perform multiple roles listed. In some cases, it may come down to one or two people for the entire "team."
BEST PRACTICES FOR RUNNING A SECURITY OPERATIONS CENTER
Many security leaders are shifting their focus more on the human element than the technology element to "assess and mitigate threats directly rather than rely on a script." SOC operatives continuously manage known and existing threats while working to identify emerging risks. They also meet the company and customer's needs and work within their risk tolerance level. While technology systems such as firewalls or IPS may prevent basic attacks, human analysis is required to put major incidents to rest.
For best results, the SOC must keep up with the latest threat intelligence and leverage this information to improve internal detection and defense mechanisms. As the InfoSec Institute points out, the SOC consumes data from within the organization and correlates it with information from a number of external sources that deliver insight into threats and vulnerabilities. This external cyber intelligence includes news feeds, signature updates, incident reports, threat briefs, and vulnerability alerts that aid the SOC in keeping up with evolving cyber threats. SOC staff must constantly feed threat intelligence into SOC monitoring tools to keep up to date with threats, and the SOC must have processes in place to discriminate between real threats and non-threats.
Truly successful SOCs utilize security automation to become effective and efficient. By combining highly-skilled security analysts with security automation, organizations increase their analytics power to enhance security measures and better defend against data breaches and cyber attacks. Many organizations that don't have the in-house resources to accomplish this turn to managed security service providers that offer SOC services.
Source: https://digitalguardian.com/blog/what-security-operations-center-soc


text:
Q: What should go in CodeIgniter models? I've always used the model as something to more or less store and execute database queries. I have heard about the fat model, thin controller concept.
The way I setup my models right now causes a lot of junk in controllers for things like validating forms, formatting data. Does form validation, file uploading and data formatting belong in the controller or the model?
I realize this question is subjective, which should create some good discussion rather than a concrete answer.

A: Form Validation should definitely be part of the model. I generally represent each form as one model and pass it the sanitized post/get paramaters. The model can then take whatever action is necessary based on the input and use a property (optionally with a getter) to signal success or failure. In psuedo code you want it to look something like:
class Controller
{
    function action()
    {
        $input = new Input();
        $form = new FormModel($input);
        if ($errors = $form->errors())
        {
            //load the appropriate view for the errors
        }
        else
        {
            //load the appropriate view for success with an optional redirect
        }
}

A: You have two main roads to go. Thin controller/fat model or fat controller/thin model. Basicly is were you put most of the interaction. I prefer to keep at the model the major portion of the code. That way, the code is available in virtually every controller and/or lib. If the code remain at controller, it's hard (but not impossible) to use it in other controllers.
Things lije validations and other common tasks should be in a lib or helper. You can produce a set of "workers" (this is the name I give to them) to do the heavy lifting. Also, CI has a LOT of ready made libs and helpers both from the CI team and the community. Mess around the wiki to find the wealth of information available.
Hope this helps
Vx

A: The model is what interacts with the data (most often a database). Controllers use the models to access the data.


text:
Mare Balticum Gaming Summit
Baltic and Scandinavian Gaming Summit
Program/Agenda 2020
BSG Awards >
About BSG Awards
BSG Awards 2020 (Online Voting)
Results >
Results '20 (TALLINN, EE)
Results '19 (VILNIUS, LT)
Results '18 (RIGA, LV)
Digital Day 2018: EU countries to commit to doing more together on the digital front
April 9, 2018 Zoltan Tundik
Brussels, 9 April 2018 – Tomorrow the Commission will bring ministers, representatives of EU countries, industry, academia and civil society representatives together to encourage cooperation in artificial intelligence, blockchain, eHealth and innovation.
Discussions will focus on how the technological developments will shape the future of Europe and building a strong Digital Single Market with increased investment and digital skills is crucial.
After last year's Digital Day in Rome that triggered successful cooperation in areas such as high-performance computing, connected mobility and the digitisation of industry, the Commission is repeating the initiative to encourage more cooperation on digital issues.
Within a year, major progress has been made towards a Digital Single Market. The end of roaming charges and the portability of online content are now part of the lives of Europeans. Stronger rules on the protection of personal data and the first EU-wide rules on cybersecurity will become a reality in May 2018.
Many proposals still need to be agreed. Europe should move forward, and building on the Digital Single Market, increase investments and foster cooperation in a series of key areas such as artificial intelligence, blockchain, eHealth and innovation.
Andrus Ansip, Vice-President for the Digital Single Market, said: "Europeans are starting to feel the benefits of the Digital Single Market on the ground. They can now travel across borders with their favourite video and music streaming services – and with no roaming charges. Soon geoblocking when shopping online will be a distant memory. Our personal data will be better protected as of 25 May. This year's Digital Day is the perfect moment to recognise what we have achieved but to also encourage EU Member States to move forward quickly with the legislative proposals still on the table. We need to prepare our digital future together; we need to do more, joining forces and resources to grasp the opportunities offered by technologies such as artificial intelligence and blockchain." (The opening speech will be available here at around 9:30 CET tomorrow).
Mariya Gabriel, Commissioner for the Digital Economy and Society, said: "Digitalisation is transforming our society and we can reap its full benefits only through close and fruitful cooperation. Coordinated EU-level commitment and investments are much needed to tackle the challenges ahead. I expect Digital Day 2018 to bring the digital cooperation in Europe to a new level regarding artificial intelligence as well as eHealth, and I encourage all EU Member States and stakeholders to contribute to our efforts to keep Europe a global player in the digital age."
Highlights of Digital Day 2018 include declarations aimed at:
Joining forces on artificial intelligence (AI): AI can bring major benefits to our society and economy, such as better healthcare, safer transport and a more competitive industry. To fully benefit from the opportunities offered by AI, European countries need to work together, including for using the highest standards of data protection. The Commission will adopt a Communication on AI in the coming weeks. More about the declaration on AI will be available here at around 13:00 CET tomorrow.
Building a European partnership in blockchain technologies: The European Commission recently launched the EU Blockchain Observatory and Forum in February 2018 and will invest some €300 million in projects supporting the use of blockchain. At the same time Member States have been very active in supporting blockchain ecosystems, launching experiments and announcing actions at the government level. In order to harness the many opportunities of blockchain and avoid a fragmented approach, tomorrow the Commission will lay the groundwork for establishing a European Blockchain Partnership to promote interoperable infrastructures that will enhance trusted digital services. More about the declaration on blockchain technologies will be available here at around 15:30 CET tomorrow.
Sharing data to personalise healthcare: Citizens' needs are at the centre of data-driven healthcare innovation and should have an active role in their personalised treatment. The eHealth declaration aims at linking access to existing and future genomic databases across the European Union which will help to advance research in rare diseases, cancer, pharmacogenomics, disease prevention, brain related diseases and other conditions. Enhanced cooperation between Member States will help to overcome lack of interoperability and fragmentation of initiatives across the EU, while guaranteeing highest European standards for personal data protection. This will also keep the EU at the forefront of personalised medicine globally, fostering scientific output and industrial competitiveness. More about the declaration on genomic databankswill be available here at around 17:00 CET tomorrow.
Encouraging innovation with the help of a new online tool: The Innovation Radar can help match innovators with those who can help get their innovations to market. During Digital Day 2018, the Commission encourages the cooperation for supporting breakthrough innovations in Europe. The initiative also aims to develop the online tool further and enrich it with top national innovation projects.More about the declaration on Innovation Radarwill be available here at around 17:30 CET tomorrow.
5G cross-border testing corridors to support connected and automated mobility: A first set of large-scale testing corridors was announced in September 2017. Tomorrow, Spain and Portugal will sign a Memorandum of Understanding to kick-start their cooperation. More about Memorandum of understanding will be available here at around 11:30 CET tomorrow.
During Digital Day 2017, the focus was on five initiatives:
Ministers signed a declaration to establish Europe as a global player in high-performance computing, which led to accelerated European cooperation on supercomputers with the EuroHPC Joint Undertaking in January 2018.
29 European countries signed a letter of intent to establish, together with the Commission, a legal framework for cross-border trials in connected driving, which led to several large-scale testing corridors being announced in September 2017.
The Commission launched a European platform on digitising industry to connect national initiatives; it helped develop a network of Digital Innovation Hubs across Europe and encourage public-private cooperation.
The Commission initiated the Digital Opportunities traineeship programme, which led to the launch of the cross-border traineeship initiative in December 2017. The first traineeships are expected to start this summer.
The Commission presented an updated European Interoperability Framework, which was enshrined in the eGovernment Ministerial Declaration in October 2017 and is considered as the roadmap for the digitalisation of public administrations.
Livestream of the Digital Day 2018
Digital Day 2017 in Rome
Cooperation for building European supercomputers
Timeline: Digital Single Market – Commission actions since 2015
#DigitalDay18
@DSMeu @Ansip_EU @GabrielMariya
IP/18/2902
Nathalie VANDYSTADT (+32 2 296 70 83)
Inga HOGLUND (+32 2 295 06 98)
General public inquiries: Europe Direct by phone 00 800 67 89 10 11 or by email
Source: European Gaming Industry News
Previous Post Exclusive Interview with Niklas Timmermann (Vice President of the German eSports Association – ESBD), speaker at VIGE2018
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Gambling Self-exclusion Increases in Lithuania January 13, 2021
Anastasios (Tassos) Panagiotaros (Sales Director at Golden Race – Virtual Sports & Betting Solutions)https://goldenrace.com/
"MARE BALTICUM Gaming Summit reconfirmed the Organizers' efficacy, to bring together the region's main stakeholders, for structured and multi-faceted interactive discussions. In parallel to the educational aspect, though, it offered the chance of personalized networking, in a relax and unpretentious way. I look already forward to the next edition!"
Ineta Mačinskienė (Head of Sales at ConnectPay)https://connectpay.com/
"MBGS is focused on people looking for collaboration with well-known companies in the Gaming industry."
Lyubomira Petrova (Chief Marketing Officer at UltraPlay)https://ultraplay.co/
"I had the pleasure to speak at Mare Balticum Gaming Summit and present why eSports is going to play a key role in the gambling industry in 2020 and beyond. Discussing what the future holds for the industry, we see the tremendous growth of eSports and its importance in terms of betting and player's engagement."
Margo Prylypska (Director of International Sales at Hyperion Tech)https://hyperion-tech.co/
"We would like to thank Zoltan and Betty for another great event! The organization was at a very high level, great timing and amazing people attending the event! It is definitely the best place to meet good old friends and partners, as well as find new ones and of course, get insights about things happening in the iGaming industry!"
Jaka Repanšek (Media and Gaming Expert)
"Great event. Great timing. Great location."
Domenico Mazzola (Commercial Director at Altenar)https://www.altenar.com/
"MBGS was a pearl in the sea of so many conferences around the world. Such interesting panels! Zoltan and Betty did a great job inviting so many relevant people from the industry, regulators, and from governments putting all of them together to discuss regulations, exchanging ideas, and solutions on how different countries regulate the gambling sector. A must-attend event!"
Kristina Bučinskaitė (Customer Experience Manager at ConnectPay)https://connectpay.com/
"Well organized, industry-focused event. It is a great opportunity to connect with potential clients, partners and create valuable business relationships. Looking forward to the next year!"
Agnė Galvelytė (Head of Legal and Compliance at Matching Visions)https://matchingvisions.com/
"Great conference, bringing together regulators, legal specialists, and igaming business professionals. Perfect opportunity to catch up with the latest developments in the region and the industry."
Dainis Niedra (Regional Director Baltics at Enlabs – Optibet)https://enlabs.se/
"This is a very nice initiative to create and develop such kind of event in the Baltic countries. By working together and establishing a strong base no matter is it compliance or marketing, we build the right environment for the future development of the business and society.
Baltics are small but at the same time are very different in many aspects. It's becoming challenging to replicate the previous experience in the new markets and such events are here to help us. Organizational wise - on a very high level. It's hard to say where did we benefit more - from the main event of from the networking parts."
Sara Urbanovicova (Chief Commercial Officer at Tom Horn Gaming)https://www.tomhorngaming.com/
"This is a fantastic event and it is sure to establish itself as a must-attend conference in the diary for the online gaming community. Its Baltic and Scandinavian focus, with a careful selection of high-quality speakers on the panels, an amazing location, organizers' dedication to creating a welcoming and friendly atmosphere, make it a one-of-a-kind event that proved to be really productive for us. We're sure to return next year!"
Andrius Gabnys (founding attorney at Gabnys Law Firm, Ambassador of the MARE BALTICUM Gaming Summit)http://gabnys.com/
"MBGS2 was literally a very pleasing event. Both content-wise and visually. It's one of those examples when you can feel it goes smooth throughout the whole event, where the interest of the audience is not lost somewhere in the middle, and you don't find yourself waiting for something else, other than what is happening on stage. It's where the organizational talent of Zoltan and Betty really kicks in. This second edition proves that the idea of having the Baltics and Scandinavia in a single event is spot on. It was a pleasure to serve as an ambassador of this event and already looking forward to the third edition."
Andrius Čepkus (Chief Business Development Officer at Ondato)https://ondato.com/
"The event was very well organized. Especially networking breaks and how participants were seated, which opened many new networking and business opportunities. The content was very up to date and valuable. Thanks again for the great experience!"
Satenik Danielyan (Head of Spring BME operations at BetConstruct)https://www.betconstruct.com/
"Everything was just fine! The ambiance was very nice, the moderators were very highly qualified and engaging people, very suportive!"
Marjan Branko (Account Director at SBTech)https://www.sbtech.com/
"Another nice and productive event. Keep up the good job, guys!"
Taivo Põrk (Ministry of Finance, Estonia)
"Looking forward to the next one! I will be back next year as well!"
Sissel Weitzhandler (Group Compliance Manager at Play'n Go)https://www.playngo.com/
"It was an honor to take part at Mare Balticum Gaming Summit in Riga last week. The agenda and topics were extremely relevant, as demonstrated by the high level of interest and the entire event was very well organised. It was an absolute pleasure to take part in the forum so well attended by regulators, legal experts, industry representatives and operators where ideas and lessons can be shared and learned. I would like to thank the organisers, the individual panels including my distinguished fellow panelists. I hope to be back again as I believe this is an event one should not miss."
Andrius Gabnys (Managing partner, Attorney-at-Law at Gabnys Law Firm)http://gabnys.com/
"I strongly believe that the region – Baltic States and beyond – has been an unfortunate gap in the industry media and events coverage for quite a long time. Zoltan and Betty were bold enough to make the first true dedicated gambling forum in the region and from my experience at Mare Balticum Gaming Summit it turned out to be a very good idea.
Smooth organization, accurately selected panels, convenient and cozy venue. A very strong foundation for another successful series of events for European Gaming Media and Events."
Pieter Remmers (Assissa)http://www.assissa.nl/
"A very good industry focused event with lots of attention to the individual participant."
© Mare Balticum Gaming Summit. All rights reserved.


text:
LEGO® Legends of CHIMA™: Laval's Journey for Nintendo DS™
Warner Bros. Interactive Entertainment is pleased to announce the launch of LEGO® Legends of CHIMA™: Laval's Journey for Nintendo DS™! Available from today at all major retail stores in the UK, the game puts the action-packed world and the fate of CHIMA™ into players' hands. The Nintendo DS launch follows successful releases on Nintendo 3DS™ and PlayStation® Vita earlier this summer, both of which were met with positive reviews and accolades from media and consumers alike. The new game will complement a line of branded products and TV content based on the LEGO Legends of Chima™ action packed world ruled by eight animal tribes that tells the classic story of good and evil, friendship and family.
In LEGO Legends of CHIMA: Laval's Journey, players embark on an amazing adventure into the world of CHIMA where Laval, the brave warrior and headstrong prince of the Lion Tribe, and his allies are called upon to fight for justice. Players explore the vast lands of CHIMA, all the while discovering and unlocking more than 60 characters, collecting and using a variety of tools, and reaching secret parts of the game to access hidden collectibles.
LEGO Legends of CHIMA: Laval's Journey for Nintendo DS is rated PEGI 7. Additional information about the handheld games can be found at LEGO.com/videogames.
LEGO LEGENDS OF CHIMA: LAVAL'S JOURNEY software © 2013 TT Games Publishing Ltd. Produced by TT Games under license from the LEGO Group. LEGO, the LEGO logo, the Brick and the Knob configurations and the Minifigure are trademarks of the LEGO Group. © 2013 The LEGO group. © 2013 The LEGO group. Nintendo DS and Nintendo 3DS are trademarks of Nintendo. © 2011 Nintendo. "", "PlayStation", and " " are trademarks or registered trademarks of Sony Computer Entertainment Inc. " " is a trademark of the same company. All other trademarks and copyrights are the property of their respective owners. All rights reserved.
WB SHIELD: ™ & © Warner Bros. Entertainment Inc.


I produced this week's episode, and also co-hosted and engineered as Susan Moran interviewed ecologists Paul Ehrlich and Michael Tobias about their book Hope On Earth.
This entry was posted in Radio on 10 June, 2014 by Ted.
I'm co-host and sound engineer this week for How On Earth, the KGNU science show. Shelley Schlender brings us an interview with Larry Gold, founder of the annual Gold Lab Symposium taking place this week at the University of Colorado. Then co-host Susan Moran is joined in the studio by environmental scientist Kristen Averyt and environmental journalist Dan Glick, who both worked on the National Climate Assessment.
This entry was posted in Radio on 13 May, 2014 by Ted.
I'm co-host and sound engineer for How On Earth this week as co-host Jane Palmer interviews author John C. Havens about his book Hacking Happiness: Why Your Personal Data Counts and How Tracking It Can Change the World.
This entry was posted in Radio on 6 May, 2014 by Ted.
As co-host of How On Earth this week, I attended a talk by NASA's top administrator, Charles Bolden, about the University of Colorado's role in the past, present, and future of the space program. The live show also featured co-host Susan Moran's interview with senior NCAR scientist Linda Mearns — but the recording was swallowed up by a computer glitch at the station, so my segment was all that survived for the podcast.
This entry was posted in Radio on 24 April, 2014 by Ted.
This week I'm a co-host on How On Earth, the KGNU science show. In honor of the Super Bowl, we feature my interview with the authors of "Newton's Football: The Science Behind America's Game." And co-host Jim Pullen interviews some CU researchers who have developed an incredibly accurate atomic clock based on the element strontium.
This entry was posted in Radio on 28 January, 2014 by Ted.


text:
Q: can we use operator overloading to change behaviour of Minus is it possible using operator overloading to change the behavior of minus operator on integers in C++?

A: No, you can't overload your own operators for intrinsic data types.

You can however create your own class / struct to represent an integer type and overload the operator-() for that one:
struct MyInt {
    int i;

    int operator-() { return +i; }
};

A: No!
 If you want to overload an operator, the argument of your operator must contain at least one user-defined type.
For example, in this case, you can overload minus for an integer and a class.


Anyone who uses or in particular works on a computer is going to need to understand about data backup, what it is, and why it is so important. When you backup your data, you are storing your files on a disk or other device that is completely separate from your primary computer.
The purpose for the data backup is so that in the event anything were ever to happen to your computer, for instance if it were to get a virus or something else were to happen that disrupted or even completely deleted any of your files or personal information, you would have the data backup and so you would be able to get all the information back.
There are a few different options that you can choose from when it comes to data backup, including online data backup for one because it is so convenient and because it is often free as well.
There are many different methods that you can choose to use to backup your computer data, but regardless there are a few things that you are going to require. All that is required to store your information on a drive or disk separate from your computer will depend on the method that you choose.
For instance if you operate on a home LAN system, you can transfer your files onto the other computers on the network so that if the computer you use primarily even went down you would have the information still stored on these other computers.
If you want to go with the online data backup option, there are a couple of online companies in particular that you are going to want to consider for their data backup services. This includes Storage Pipe for one, a company that is known for providing world-class corporate data protection solutions including online backup and recovery.
They allow for small to large businesses to decrease operations costs and complexity, and for affordable prices.
Another company that you may want to consider here is Data Protection, which is a privately held company that offers effective data backup solutions. They are focused solely on backup and storage for business clients and they have designed an easily managed and affordable solution that is scalable.
They understand that the handling of data has evolved significantly in the past few years in response to security threats and legislative acts addressing privacy and financial reporting issues and they have made the proper steps to keep up with these advancements.


Four girls vie to become world-class surfers.
A Texan teen moves to New York City to follow her dreams and ends up as a nanny for a high profile couple's four children.
Sonny, a talented Midwestern girl, has won a nationwide talent search to move to Los Angeles and star in a popular television series. Sonny's home and work life is documented along with her adjustment to life in the spotlight.
Two best friends set their sights on becoming the world's greatest skateboarders.
Chyna Parks, a musical prodigy, gets into a gifted program called Advanced Natural Talents at the local high school. Along with her fellow 'ANTs' she must navigate the halls of a new school of older kids who're not particularly fond of grade-skipping newbies.
The misadventures of a young boy with the transplanted brain of a beloved cartoonist.


My first post/thread on this lovely forum (I have been following silently for a while). I would like to start this sketchbook to share my work and learn from this wonderful community. Thank you for your help!
project 1: Enclosed motorcycle in a bio-hazard environment for design class, modelling in MAYA, textures in substance Painter.
project 2: organic modelling practice.
Im trying to link to the sketchfab model, but I keep getting 404 error.
A project I am currently working on, a room design with 28 assets. I would like to practice speed modeling and level design workflow. I started with blocking out the assets in Maya and arranged them in UE4. Then I wrote down everything in an excel sheet and started the meshing pass.
2 variations of doors, will added dirt through decals.
Current work in progress, Unique asset. I will model a high rez, and paint in Painter.
Most of the modulars have been modeled but not textured yet.
New Asset for the same project above, low poly. I just finished the UVs, I will start on the high poly soon.
So that cupboard with mirror. The mirror part seems rather high on polies, given that that is a game asset and its a flat surface that wont deform, I'm questioning if this is justified. If it is hero object then maybe, but to me it looks abit overstated in polies. Maybe you should look into it. Sadly can't help with any more meaningful advices ^^'.
You are right on the wheels of the last asset, my bad. I modeled it quickly, but that's no excuse. I will revisit and see how wheels attach to trolleys properly.
The second as well, I started this project to learn how to create assets, experiment with techniques, and get feedback. I will try to revisit the mirror surface and optimize. Thank you Kazkas for the thoughtful feedback!


text:
Gordon D. Morgan is University Professor at the University of Arkansas, Fayetteville. His writings have spanned many aspects of the African American and Diasporian experience. His work and research have carried him to the Far East, Africa, the Caribbean, and Europe. He has received fellowships from Ford, Russell Sage, American College Testing Program, and from the National Endowment for the Humanities.
SIXTY YEARS A QUE
Gordon D. Morgan
Black Greeks are still quite visible in black community life. They make up a large percentage of the black middle class in almost any city where that ethnicity is numerous. They have spread to Africa and the Caribbean as well. It is fairly hard to become distinguished in these communities without being Greek. There were originally eight of these Greek Letter Societies and they were roughly paired across gender lines. Marriage partners were often considered along Greek lines. Community activities, such as the Howard University Boat Ride, were Greek sponsored.
There is, and remains a tendency of young Greeks to be proud of their brothers who are in the national spotlight. The Alpha Phi Alphas doted on Martin Luther King, Jr., as a member. The Omega National Headquarters was in Washington, D.C., for years. Men like Jesse Jackson, Michael Jordan, Shaq O'Neal, and many others, including Bill Cosby, are Ques. There were struggles to see which colleges had more brothers as presidents.


Model is stitched on 32-count Light Examplar from Lakeside Linens.
This design is the perfect size for an ornament, needlebook cover, hook hanger, pin pillow, etc. (the possibilities are endless)...be creative and have fun with it!


Watch The Price (2017) full movies online free.
Seyi, a 24-year-old Nigerian-American, works on Wall Street. Desperate to succeed because of his outsider status-due to class and race-he commits a crime, insider trading, which brings his entire world crashing down on him. Seyi's troubled circumstances force him finally to confront his tumultuous relationship with his ailing father, his romantic relationship with his privileged white girlfriend, and his racial and immigrant backgrounds-with nothing less at stake for him than his soul.


text:
Faces of the Flood: Leisha Clark
Disappointment is the first word that comes to mind when Leisha Clark recalls the frustrating past ten months of her life. Disappointment in her situation and disappointment in her elected officials. Elected officials like Gov. John Bel Edwards, whose politics, as usual, have unnecessarily prolonged disaster recovery efforts.
Like many residents of North Baton Rouge, Clark is still working to piece her house, and her life, back together following the catastrophic flooding last August.
Clark never thought her home would flood, but when she saw cars stalling in rising water on a bridge near her home, she began to worry. Hours later, those cars were fully submerged.
When the rushing waters bent her garage door open and began to flood her two-story home, Clark gathered her family into her SUV to escape the water. Driving through yards and atop medians to avoid the flooded streets, it took Clark two hours to navigate her way to her mother's home, which was typically only five minutes away.
They joined several other relatives at her mother's dry home, and waited out the storm.
Inside of Leisha Clark's flooded home
When the flood waters finally receded, reality set in that Clark's entire first floor was destroyed. Two feet of water downstairs meant she would have to replace everything, for the second time in four years.
A fire engulfed the family home in 2013, and it took Clark eight months to return home and be made whole again.
The journey through flood recovery would not be as smooth. Clark was one of the thousands of flood victims without flood insurance, relying of FEMA money to help begin the home restoration process.
She stayed with 13 other relatives at her mother's house, waiting for FEMA money to arrive.
"It was horrible," Clark said. "When you're used to having your space, fourteen people is a lot of people."
Clark received a check of federal aid for $13,000 in October and immediately began working to stretch every penny as far as possible. She quickly realized the $13,000 would not come close to covering the full amount needed for repairs. $4,000 dollars to gut the house. $5,000 to install new sheetrock. Her FEMA money would not be enough to replace doors, baseboards, cabinets, furniture and appliances.
Leisha (center) and family
Clark cashed in her 401K, cleaned out her savings and still had to take out loans to continue to fund her home repairs, which ultimately cost around $36,000.
Her frustrations continued when the Shelter at Home Program, a government initiative designed to provide short-term, primitive repairs to allow homeowners to move back into their residence while they rebuild, provided her with sloppy electrical work, completed by an electrical apprentice, not a licensed electrician.
The obstacles continued to pile up, as Clark was laid off. The hotel where she worked suffered enough damage to have to shut down entire floors of rooms, causing business to slow down and employees to be let go.
Every day presented new challenges, but FEMA employees were unable to provide many answers.
"It's not our job to make you whole."
There was hope when the news of billions of federal relief dollars were on the way, but months later, the money had yet to be disbursed.
"When you heard the money was approved, everybody was happy," Clark said. "After six months you're going, I'm still not in my house, still don't have any money. FEMA's saying 'it's not our job to make you whole.'"
"I campaigned for [Edwards], and I voted for him," Clark said. "I feel like he didn't have any sense of urgency."
Clark wondered if her area of town was neglected because of its socio-economic standing. More affluent areas in and around Baton Rouge were being rebuilt at a quicker pace. Even in Baton Rouge, the backyard of the governor, she felt forgotten.
"I'm very disappointed because I thought [Edwards] cared more about the people."
"I'll be working for another year, trying to get my house straight."
Clark completed enough repairs to move back into her house on March 1, but she admits the restoration is only about 70 percent complete. Through trial and error, she picked up new skills to speed up the rebuilding process, even painting the entire downstairs herself.
An unfortunate ultimatum
She filled out the Restore Louisiana homeowner assistance online survey the first day it was available, April 10, nearly eight months after the severe storms in August. In May, Clark was informed she would be reimbursed $3,000 for her repairs in Phase III of the program. The survey was hailed as "the first step toward applying for recovery assistance,"1 but Clark questions why the process was delayed.
"I wouldn't be in the debt that I am in had they [reimbursed money] months ago because I would have had the money to get stuff done."
Clark is one of many flooded homeowners who faced an unfortunate ultimatum during the recovery process: do nothing to your home and let it go to waste, or be proactive and begin repairing your home, and potentially not be completely reimbursed.
Rather than sit on her hands and milk the system living in a hotel paid for with federal money, Clark worked tirelessly to make her home livable again. She spent hours there daily because she was scared someone may try to vandalize or burglarize her home.
"I'm not asking for anything other than what I spent," Clark said despondently. "I almost wish I hadn't done any work because then I might be able to get enough to finish my house."
Exterior of Leisha's flooded home
Disappointed at the incompetence
For Clark, the whole experience made her feel the governor and his administration were too incompetent to handle the disaster relief efforts. From the Shelter at Home program to the length of time it took the state to find a contractor to administer the money, Clark feels a lot of time and money was wasted. Drive down any street in Clark's neighborhood and it's hard not to spot a FEMA trailer sitting outside at least a few homes. Clark thinks the trailers are a waste of money because they typically cost more than the houses in her neighborhood.
"I could have lost my house just because they're playing games," Clark said.
While the governor and his administration continue to play games, Louisiana residents are struggling to rebuild their lives. Nearly a year after historic flooding in south Louisiana, and over a year since the north Louisiana floods, the recovery process is still ongoing, much to the chagrin of all the victims. Rebuilding takes time, but the governor and his team have squandered far too much since August.
A Timeline of John Bel Edwards' Mishandling of Louisiana Flood Recovery
Faces of the Flood: Dennis Perret
Faces of the Flood: Jesse Smith
1 http://restore.la.gov/initial-survey-for-homeowner-assistance-begins-april-10/
Next Up In Louisiana Floods
Louisiana citizens were dealt two massive blows from ...
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At its Worldwide Partner Conference in Denver this week, Microsoft officials are trying to walk the tightrope when it comes to explaining Microsoft's plan to get into the managed services business in a major way.
Microsoft officials have made no bones about the fact that Microsoft is planning to offer a Microsoft-hosted version of services around all of its major products. Already, it's out there selling desktop-management, Exchange, SharePoint, CRM Live and other managed services.
At its gathering of 12,000 partners, company officials are attempting to assuage fears that Microsoft will simply steamroll partners who already are selling hosted Microsoft services.
Some hosting partners are counting on Microsoft targeting only the largest customers and leaving them the mid- and smaller-sized businesses. If history is any indicator, however, Microsoft won't limit itself.
Will hosting partners buy into Microsoft's messaging? Or will Microsoft's managed-services rollout be the straw that breaks the camel's back?
This is interesting for a couple reasons. The first is that it should serve as a reminder that Microsoft has historically been a good partner only as long as the relationship is beneficial to them. Sure, when things are going well it seems like a fantastic setup. After all, you have an industry behemoth behind you. That's the funny thing about being taken under the wing of a dragon: it's warmer than you think. The problem is, when that dragon gets hungry, it's often the cozy partners that end up burnt. I keep hoping the Microsoft will change. I want them to – I think we all do. I think they will, in fact… it will just take time. This should still serve as a warning to other partners and potential partners.
Now, while this move is not good for current hosting partners, who may join the crispy remains of some previous partners, I think this may be the beginning of a new push for Microsoft. One that potentially leads to Open Source. You see, once Microsoft groks that when you are continually providing value via services (as opposed to providing lock-in as they currently do) that customers actually want to pay you, it could lead to the fundamental paradigm shift that will be needed to change the company culture. I still maintain that can't happen with the current leadership, but this move could be the real beginning of the shift. A stretch? possibly. A chance? Most definitely.


The correction that was widely expected only lasted a couple of days; perhaps driven by the Egypt news and it's related uncertainty. This turned out to be a "shake out" and not a "breakout" to the down side. Once again, buying the dips in this market has been rewarded.
* Volume is generally low: buyers are not in a hurry to buy more; this market is selective.
* Market Internals are OK: not overly bad or good, so there are not a lot of clues for anything coming up. We'll call it neutral.
* Prices: generally Bullish; most markets are pushing higher in a steady march. The most strength seems to be in the Large Cap. stocks, Small is bring up the rear and Emerging Markets are weaker (a sign of change ?).
* General Outlook: There is a fair amount of complacency in the market. The VIX indicator (showing option activity) shows more Bullish positions than Bearish being taken.
In summary, prices continue to gain ground, but not in a robust way. So we follow the trend but keep an eye out for trouble. My feeling is this market is subtile to bad news, Egypt taught us that. Good thing it had a happy ending.


text:
Дискримина́нт многочлена — математическое понятие (в алгебре), обозначаемое буквами D или Δ.

Для многочлена , , его дискриминант есть произведение
 ,
 где  — все корни многочлена (с учётом кратностей) в некотором расширении основного поля, в котором они существуют.

Чаще всего используется дискриминант квадратного трёхчлена, знак которого определяет количество действительных корней.

Свойства
 Дискриминант равен нулю тогда и только тогда, когда многочлен имеет кратные корни.
 Дискриминант является симметрическим многочленом относительно корней многочлена и поэтому является многочленом от его коэффициентов; более того, коэффициенты этого многочлена целые независимо от расширения, в котором берутся корни.
 , где  — результант многочлена  и его производной .

Примеры
Во всех следующих примерах рассматриваются многочлены с вещественными коэффициентами и отличным от нуля старшим коэффициентом.

Многочлен второй степени
Дискриминант квадратного трёхчлена  равен

 При  трёхчлен будет иметь два вещественных корня:

 При  — один корень кратности 2 (другими словами, два одинаковых корня):

 При  вещественных корней нет, однако есть два комплексно-сопряженных корня, выражающиеся той же формулой, что и для положительного дискриминанта. Также её можно переписать так, чтобы она не содержала отрицательного подкоренного выражения, следующим образом:

Геометрический смысл дискриминанта квадратного уравнения
Дискриминант квадратного трехчлена геометрически характеризует расстояние от абсциссы точки экстремума функции   до точки пересечения графика функции с осью Ox. Это расстояние определяется по формуле:

 .

Многочлен третьей степени
Дискриминант кубического многочлена  равен

В частности, дискриминант кубического многочлена  (корни которого вычисляются по формуле Кардано) равен .
 При  кубический многочлен имеет три различных вещественных корня.
 При  он имеет кратный корень (либо один корень кратности 2 и один корень кратности 1, и тот, и другой вещественные; либо один-единственный вещественный корень кратности 3).
 При  кубический многочлен имеет один вещественный корень и два комплексных корня (являющихся комплексно-сопряжёнными).

Многочлен четвёртой степени
Дискриминант многочлена четвёртой степени  равен

Для многочлена  дискриминант имеет вид

и равенство  определяет в пространстве  поверхность, называемую ласточкиным хвостом.

 При  многочлен имеет два различных вещественных корня и два комплексных корня.
 При  многочлен имеет четыре различных корня: либо все вещественные, либо все комплексные.
 А именно, для многочлена :
 если , то все корни комплексные;
 если  и , то все корни комплексные;
 если  и , то все корни вещественные.
 При  многочлен имеет по меньшей мере один кратный корень (вещественный или комплексный). Во втором случае многочлен имеет два комплексно сопряжённых кратных корня и, следовательно, распадается в произведение двух многочленов второй степени, неприводимых над полем вещественных чисел.
 Точнее:
 если  и , то один вещественный корень кратности 2 и два комплексных корня;
 если  и , то три различных вещественных корня, один из которых кратности 2;
 если  и , то два вещественных корня, каждый из которых кратности 2;
 если  и , то два вещественных корня, один из которых кратности 3;
 если ,  и , то один вещественный корень кратности 2 и два комплексных корня;
 если ,  и , то одна пара комплексно сопряжённых корней кратности 2;
 если  и , то один вещественный корень кратности 2 и два комплексных корня;
 если  и , то один вещественный корень кратности 2 и два комплексных корня;
 если  и , то один вещественный корень кратности 4.

История
Термин образован от  — «разбираю», «различаю». Понятие «дискриминант квадратной формы» использовалось в работах Гаусса, Дедекинда, Кронекера, Вебера и др. Термин ввёл Сильвестр и Александр Бейгул.

См. также
 Результант

Литература

Примечания

Многочлены

redpajama_set_name: RedPajamaWikipedia


text:
Slavko Ziherl, MD, PhD (September 23, 1945January 21, 2012) was a Slovenian specialist in psychiatry.

Early life and education
Ziherl was born in Ljubljana in 1945. He graduated from the University of Ljubljana Faculty of Medicine in 1970, and specialised in neuropsychiatry at the University Psychiatric Clinic Ljubljana in 1976 and in psychiatry in the Netherlands in 1993. He held a Ph.D. in the field of psychiatry. He  specialised in psychiatry in Great Britain for one year, and attended advanced studies in the US, Great Britain and Canada. Ziherl resided in Ljubljana. He was married with two children.

Career
From 1978 to 1990 Ziherl was the head of the Centre for Treatment of Alcohol Addiction of the University Psychiatric Hospital in Ljubljana, and from 1994 to 1996 he was the head of the Centre for Clinical Psychiatry of the University Psychiatric Hospital, and until 1998 he was the medical director of the Psychiatric Hospital of the University Medical Centre. After the independence of the Ljubljana Psychiatric Hospital, he was the general director until 2000, and since 2004, he was the medical director of this hospital. Since 1976, he was working in the outpatient clinic for treating sexual disorders, and since 1996, he was the head of the clinic.

Ziherl had been a university teacher of psychiatry at the Ljubljana Faculty of Medicine since 1997, and since 1996 he was the holder of the subject Forensic Psychopathology at the Ljubljana Faculty of Law. He was heading postgraduate studies for psychotherapy at the Ljubljana Faculty of Medicine since 1994. He was the holder of the subject Forensic Psychiatry for the master's degree in criminal law at the Faculty of Law. He also held lectures in psychopathology at the postgraduate level at the Ljubljana Faculty of Medicine. He was the national coordinator for specialisation in psychiatry and the chief mentor to specialists of psychiatry.

Ziherl was a member of the Health Council at the Ministry of Health (1997–2002). Since 1999, he was a member of the Committee for Expert Medical Issues at the Medical Chamber of Slovenia. From 1996 to 2000 he was the president of the Association of Psychiatrists, and in 2004 he was re-elected for the president of the Association of Psychiatrists. He was the president of the Extended Expert Council for Psychiatry. In 1995, he was the representative of the Association of Psychiatrists and Slovenian health care centres in the European Union of Medical Specialists (UEMS), Section of Psychiatry and the European Board of Psychiatry (EBP). In2001, he became vice-president of the EBP.

Publications
Ziherl was the author of books on controlling alcohol, on autohypnosis, several articles and chapters in the professional literature, as well as the co-editor and author of several chapters in a textbook on psychiatry.  He translated 10 psychological handbooks from English into Slovenian.  He also wrote about Nazi treatment and extermination of the mentally ill.  His bibliography amounts to more than 190 titles. He also published articles in newspapers and magazines and appeared on radio and television programs.

Later life and death
In his last years, he was an active member of the Liberal Democracy of Slovenia party. He also was a Ljubljana City Councillor. He died in Ljubljana on 21 January 2012 due to heart disease.

References

External links
PubMed search for Slavko Ziherl

1945 births
2012 deaths
Slovenian psychiatrists
Liberal Democracy of Slovenia politicians
People from Ljubljana in health professions
Academic staff of the University of Ljubljana
University of Ljubljana alumni


text:
Karagay (; , Qarağay) is a rural locality (a village) in Uzunlarovsky Selsoviet, Arkhangelsky District, Bashkortostan, Russia. The population was 18 as of 2010. There are two streets.

Geography
Karagay is located 39 km east of Arkhangelskoye (the district's administrative centre) by road. Azovo is the nearest rural locality.

References

Rural localities in Arkhangelsky District


LONDON (AP) — Britain's economy picked up slightly in the three months through September, official figures showed Wednesday, making it more likely that the Bank of England could raise interest rates next month for the first time in a decade.
The economy, which has this year been the slowest among the Group of Seven industrialized democracies, grew by a quarterly rate of 0.4 percent in the third quarter, the Office for National Statistics said. That's still relatively weak but was just above economists' forecasts for a 0.3 percent rate.
The increase could persuade the Bank of England to raise its main interest rate from the record low of 0.25 percent at its next meeting in November as it tries to bring down inflation, which is currently running at 3 percent, a full percentage point above the official target.
The central bank's dilemma has been that the British economy has weakened this year as inflation hurt consumer spending and Brexit uncertainties weighed on business confidence. Higher rates can help rein in inflation but are likely to also weigh on growth.
The pound rose sharply on the release of the figures, reflecting increased expectations by investors of a rate increase. By late morning in London it was up 0.8 percent at $1.3244.
Darren Morgan, the head of national accounts at the ONS, says third quarter growth was driven by the services industry, in particular by increases in IT, as well as car sales and retail. Manufacturing activity also boosted the economy.
The figures will buoy Treasury chief Philip Hammond, who is preparing to release the budget next month. A faster-growing economy will boost tax revenues and projections for cash flowing into government coffers, giving Hammond more wiggle room in spending.
Economists, however, cautioned that the figure was hardly robust. Economist Howard Archer of the EY ITEM Club, said the near term outlook looks "challenging," because of the ongoing impact of Britain's pending departure from the European Union.
The country is struggling to progress in its EU divorce talks, delaying crucial negotiations on future trade relations with the rest of the EU. That is causing anxiety among many businesses, which this week wrote an open letter to the government of Prime Minister Theresa May seeking greater clarity on the country's future.
"Consumer purchasing power is still being squeezed appreciably while business concerns and uncertainties over Brexit are likely to limit investment," Archer said.


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text:
Charles Burchfield
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Charles E. Burchfield
Walking path along the Charles E. Burchfield Nature & Art Center 2001 Union Road, West Seneca, New York 14224
(1893-04-09)April 9, 1893
Ashtabula Harbor, Ohio
January 10, 1967(1967-01-10) (aged 73)
West Seneca, New York
Charles Ephraim Burchfield (April 9, 1893 - January 10, 1967) was an American painter and visionary artist, known for his passionate watercolors of nature scenes and townscapes. The largest collection of Burchfield's paintings, archives and journals are in the collection of the Burchfield Penney Art Center in Buffalo. His paintings are in the collections of many major museums in the USA and have been the subject of exhibitions at the Metropolitan Museum of Art, the Whitney Museum of American Art, the Hammer Museum, and the Museum of Modern Art, as well as other prominent institutions.
Burchfield's childhood home in Salem
Born in Ashtabula, Ohio, Burchfield was raised by his widowed mother in Salem, Ohio.[1] Most of his early works were done at this house, where he lived from the ages of five to 28, and which has since been converted into a museum.[2] While he did think of being a nature writer in high school, he eventually focused entirely on the visual aspect of his creativity, writing short descriptive pieces for the painting on the back of the mount.[3] Stimulated by the nature descriptions of others, his preferred American writers were Thoreau and Willa Cather and later he developed a passion for reading works by Finnish writers describing nature.[3]
Burchfield graduated from the Cleveland Institute of Art in 1916.[4] Later in life he acknowledged the profound effect on his own development by a teacher at the CIA, the artist Henry Keller.[3] Keller led a generation of Ohio watercolor painters of the Cleveland School which included Burchfield.
On becoming engaged, Burchfield moved to Buffalo, New York in 1921, where he was employed as a designer at the H.M. Birge wallpaper company.[5] The following year he married Bertha Kenreich in Greenford, Ohio. In 1928 with a fifth child on the way, he approached artist-gallerist Frank Rehn to see whether he could afford to paint full-time by selling through the Rehn gallery in New York. Though the decision to leave Birge preceded the Great Depression works continued to sell.[3] In 1952, he was elected into the National Academy of Design as an Associate member, and became a full member in 1954.
In 1925, Burchfield had moved from Buffalo to the adjacent suburb of West Seneca, New York, spending the rest of his life in the rural neighborhood of Gardenville. He is buried in Oakwood Cemetery in the Village of East Aurora, New York.
February Thaw, Brooklyn Museum.
Lightning and Thunder at Night, Smithsonian American Art Museum.
According to Burchfield's friend and colleague Edward Hopper, "The work of Charles Burchfield is most decidedly founded, not on art, but on life, and the life that he knows and loves best." Burchfield has been more recently described as "the mystic, cryptic painter of transcendental landscapes, trees with telekinetic halos, and haunted houses emanating ectoplasmic auras."[6]Jerry Saltz suggests his influences as van Gogh, Caspar David Friedrich, Marsden Hartley, John Marin, "calendar art, and Sunday painting." Like Hopper, he seemed to have left cubism out of the equation.[6]
Since its heyday in the nineteenth century, watercolor had remained a popular style but Burchfield was unique among his major contemporaries for working exclusively within the medium.[7]:12 Unlike most watercolorists, he stood at an easel. He applied his colors with a "dry brush" technique (very little water) on machine-made paper, often reworking the surface during the process or sometimes many years later.[3]
Burchfield was an unflagging advocate for the virtues of watercolors, and chafed at the popular misconception of them as fragile and impermanent. He was aware that some fading and hue changes were likely to occur, but he believed that proper handling and display procedures would keep water-based artwork as vibrant as any other medium. Modern curators typically show watercolors like Burchfield's under reduced lighting and for shorter lengths of time than oil-based exhibitions.[7]:16
His work is usually divided into three periods comprising figuration, houses and small town scenes; and abstractions depicting moods (frequently morbid and fearful). Insect and frog sounds have their own calligraphic strokes, and cicada sounds are depicted with zigzag strokes radiating outward; flowers and houses seem to have faces, not always pleasant.
Burchfield's style was largely developed by the summer of 1915, after his junior year at the Cleveland School of Art, as he sketched and painted constantly in and around Salem, OH, "gathering the materials for a lifetime," according to his journals. Exposed in school to modernist European trends, he developed an almost fauvist use of broad areas of simplified color, enlivened by delightful particularizations of nature, and in 1917, began combining visual motifs projecting human moods, often disturbing, into the pictures. Assigned to the camouflage unit in the Army in 1918, he even worked his designs into painting schemes disguising tanks and artificial hills. Biographers note his exposure to modernist trends and traditional Chinese painting while in art school but overlook that the hallucinatory quality in his work may be partly traced to an episode of nervous exhaustion in 1911 while a junior in high school. Determined to record all the area's flowering plants that spring, he stayed up late at night painting whole bouquets of the blooms and had a bout of what was referred to at the time as "brain fever," which might now be termed mania. He seems to have learned to use it as a source of energy and inspiration, and his school transcript records only three days' absence that semester. Painting constantly from 1915, even while working full-time in summer and after college, he sketched on walks to and from home at lunchtime and completed paintings based on them at night. Half of his lifetime output of paintings was produced while living in Salem from 1915 to 1917. The fact that so many paintings of this period were depictions of scenes visible from the windows of his boyhood home prompted Henry Adams, curator of drawings at the Cleveland Museum of Art, to call it "the most important house in American art history."
Middle Work
In his middle period, from 1919 until 1943, prompted partly by the need to provide financially for his new family with salable pictures for the New York art market, he depicted small-town and industrial scenes that put him in the category of the American Scene or Regionalist movement, and he was able to support himself through his painting from 1928, when he resigned his wallpaper design position at Birge & Co. in Buffalo, NY. These large paintings have a solid look unusual in watercolors, resembling oil paintings, and they are the works most often seen in art history texts. Though one critic commented that Burchfield was "Edward Hopper on a rainy day," a 1936 Life Magazine article named him one of America's 10 greatest painters.
Late Work
In his late period, from 1943 on, possibly facing a psychological crisis as he turned 50, he returned to the preoccupations of the early work, incorporating the painting skills he had mastered during his middle period (which he eventually saw as a "diversion" from his true path), and developed large, hallucinatory renditions of nature captured in swirling strokes, heightened colors and exaggerated forms. In his writings he expressed an aim to depict an earlier era in the history of human consciousness when man saw gods and spirits in natural objects and forces, and art historian and critic John Canaday predicted in a 1966 review in The New York Times that the grandeur and power of these pictures would be Burchfield's enduring achievement.
The Burchfield Penney Art Center
The Charles Burchfield Center at Buffalo State College was dedicated in his honor in 1966. It was renamed The Burchfield Art Center in 1983 with an expanded mission to support a multi-arts focus. Between 1991 and 1994, the museum received a series of gifts from Charles Rand Penney, Ph. D., of more than 1,300 works by Western New York artists. Included in that gift were 183 works by Charles E. Burchfield. In honor of such a substantial donation the museum was again renamed as The Burchfield Penney Art Center.
Garden along the Charles E. Burchfield Nature & Art Center
The Charles E. Burchfield Nature & Art Center in West Seneca, New York is named in his honor. Developed in 1999, the 29 acre art and nature center complex also contains wild and cultivated gardens, a large playground, nature trails, playgrounds and an outdoor amphitheater alongside the banks of the Buffalo Creek.[8]
Of his current legacy, Saltz writes that "Consciously or not, recent painters like Peter Doig, Verne Dawson, Gregory Amenoff, Kurt Lightner, and Ellen Altfest are channeling bits of Burchfield's visionary vibe."[6]
Museums containing Burchfield works
Amon Carter Museum, Fort Worth, Texas
Brauer Museum of Art, Valparaiso University
Burchfield Penney Art Center, Buffalo State College, Buffalo, New York. The Burchfield Penney Art Center holds the world's largest collection of Charles E. Burchfield paintings, studio objects and Burchfield memorabilia.
Butler Institute of American Art, Youngstown, Ohio
Carnegie Museum of Art, Pittsburgh, Pennsylvania
Cleveland Museum of Art, Cleveland, Ohio
Columbus Museum of Art, Columbus, Ohio
Detroit Institute of Arts, Detroit, Michigan
Everson Museum of Art, Syracuse, New York
Fine Arts Museums of San Francisco, San Francisco, California
Hunter Museum of American Art, Chattanooga, Tennessee
Lehigh University Art Galleries, Bethlehem, Pennsylvania
Madison Museum of Contemporary Art, Madison, Wisconsin
Memphis Brooks Museum of Art, Memphis, Tennessee
Metropolitan Museum of Art, New York, New York
Minneapolis Institute of Art, Minneapolis, Minnesota
Munson-Williams-Proctor Arts Institute, Utica, New York
Museum of Modern Art, New York, New York
The Phillips Collection, Washington, D.C.
Reynolda House Museum of American Art, Winston-Salem, NC
Philadelphia Museum of Art, Philadelphia, PA
Thyssen-Bornemisza Museum, Madrid, Spain
Smithsonian American Art Museum, Washington, DC
Vero Beach Museum of Art, Vero Beach, Florida
Virginia Museum of Fine Arts, Richmond, Virginia
Wadsworth Atheneum, Hartford, Connecticut
Wellin Museum of Art (Hamilton College), Clinton, New York
Whitney Museum of American Art, New York, New York
^ Schjeldahl, Peter (2010). "Life in a Small Town: Charles Burchfield, homebody modernist". The New Yorker. Condé Nast (July 5, 2010): 76-77. Retrieved 2011.
^ "Salemohio.com". Archived from the original on 2006-10-18. Retrieved .
^ a b c d e Interview with Charles E. Burchfield Conducted by John D. Morse At the Artist's home in West Seneca, NY, August 19, 1959
^ Haddad, Natalie (November 2009). "Heat Waves in a Swamp: The Paintings of Charles Burchfield". The Brooklyn Rail.
^ Buffaloah.com
^ a b c the Village Voice, "Mystic cryptic revelations" by Jerry Saltz, Dec 13, 2005
^ a b Gober, Robert; Burlingham, Cynthia (2009). Heat waves in a swamp: the paintings of Charles Burchfield. Los Angeles: Hammer Museum. ISBN 978-3-7913-4380-8.
^ "History of the Burchfield Property". The Charles E. Burchfield Nature & Art Center. Archived from the original on 31 August 2013. Retrieved 2013.
Charles Burchfield at Wikicommons
Charles Burchfield at DC Moore Gallery
Charles E. Burchfiled - Burchfield Penney Art Center
Charles E. Burchfield Nature & Art Center
Charles Burchfield Homestead Society Website
Charles Burchfield Artwork Examples on AskART.
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