Great quality! Crab 22" Table Lamp good design By Crestview Collection. Crab 22" Table Lamp very well made, sleek and simple. Complete your living room furniture with a modern Crab 22" Table Lamp. Its elegent sturdy, attractivce and it looks expensive and a best value for the money. Crab 22" Table Lamp is one of the most cofy, cozy, beautiful look and exotic Crab 22" Table Lamp especially for the price and made of fantastic products. Great quality, easy to assemble, delivery on time and in perfect condition. Crab 22" Table Lamp is good merchandise at fair prices and wonderful free shipping. Guarantee damaged claim by offering to send parts or to keep the item at a discounted price. Great buy would definitely recommend. Shop with our low-price guarantee and find great deals on ##ptitle# and more!. Reading the reviews helped you purchase.
There aren't that many people who actually have a bar setup at home. For many, it might appear to be some thing unnatural or otherwise suitable for a living room but when done right it may genuinely add individually to the interior of the condo or house. The very first thing that needs to be on the shopping list is a set of a variable club stool. They'll prove their worth when having someone more than or web hosting a small celebration. Barstool merely adds a unique touch that changes the room. Getting adjustable bar stools does bring in some benefits. The first main plus is that they consider very little space on the floor. They are created to be compact but comfy sufficient. Talking about comfort, barstools are not too shabby. Even if they are little, they still supply decent support. Some of them actually have a bit of back support and a soft padded surface. For changes, most of them have a adjustable height. The most important aspect that makes a bar stool so easy to acknowledge is the fact that they swiveling. A good stool was created in a way that it's difficult to lower and comfy enough. The good thing is that there is no shortage when it comes to design diversity. There are plenty of significantly adjustable barstools to choose from but we had to choose just 10. Only 10 of these had been deemed purchase worthy due to their build quality, design and overall utility. Here is what we put together for the listing of the advice for that top 10 greatest adjustable bar stools in 2018.
The good thing that compensates for the time lost the glory of the purchasers is its style without problems. Only for the feel of the upholstery, you receive a nice and tasteful environment. It's available in rich solid shading, imitating as incredible official attire. While maintaining an honorable stature, the material upholstery could be washed effortlessly. You shouldn't regret following generating a cup of consume on your good sofa. You just need to wash the spot without end precisely if this strikes the upholstery. Even though great reputation accompanies delicacy, it is not the problem right here. This incredible sofa is fed with a contour development of solid wood. You are much more unwilling to listen to squeaks and wobbling sounds.
With nearly 100 5-celebrity reviews, this lying loveseat is recommended because of its comfort, sturdiness, look and easy assembly. Along with soft, but encouraging soft cushions, it features a gliding system, so that you can place your ft up and rock (though, not simultaneously.) Padded with ultra-long lasting glued leather-based, this reclining loveseat will resist holes, rips and stainswhich is a good factor, since it also features a storage space area system (where you can hide your treats, of course) and a two-cup holder. Regardless of whether you are deciding in for a Blockbuster online binge or watching football together with your team, this reclining loveseat offers the durability and comfort without emptying your wallet.
If youre searching for some severe relaxation, this loveseats solid pillow back and folded hands will deliverbut at a higher cost. Each seat cushion contains 30 individual pocketed coils for spring and assistance, and resilience seat foam for an extra coating of plushness and durability. Plus, the foam soft cushions are capped with super soft, combined down down. For the extra comfort, there are three standard positions: seated, a small recline by having an raised foot rest, along with a complete lie down by having an raised foot rest. It doesnt harm this lying loveseat appears lux, either. Its all-leather-based upholstery and decorative nail head trim provide a vintage appear that can function with lots of house decorations styles, from traditional to nation to crafts and arts. Plus, leather-based holds up well towards daily use, kids and dog hair and nails. Just remember to situation the leather each and every six to 12 months.
This group of RTA sofas comes in various upholstery smoothness. Some of them include bonded leather, bed linen, corduroy, linen texture, rayon. All you need is to find the correct tapestry in importance for the balanced needs. Obtainable supplies provide an easy-to-thoroughly clean element. A attribute that suggests its versatility to face up to drinks and food. The luxurious seat and back soft cushions vote in support of a cutting-advantage look. The square shaped equip that begins just over them improves the elegance. You will find the comforts and gentle designs that strike your entrance.
While the rear of this couch hints at the Chesterfield, using its series of tufting, a tux sofa has solution, much more angular outlines. It is stated to have been the bellwether of more modern styles in the 20's. While some say this couch design took its title from Tux Recreation area in New York, it is also considered named following the traditional extravagant men's match. You can determine a tuxedo sofa by its hands that are the same peak because the back. The tufting on the back of the sofa and it is rectangular outline are also classic characteristics. Cushions include comfort to this high-equipped design. Also, as the couch over from Upcountry is upholstered in leather, this well-liked style is usually done in textiles of all kinds, such as the really stylish velvet.
The Bridgewater is a sofa style that is primarily casual and definitely comfortable. This style may be the beloved of numerous a designer because you can use it to produce a informal, pleasant room. Bridgewater couches are versatile, depending on the upholstery you select. Done in a neutral material, this kind of couch doesnt contend with additional factors in the room that may be more dramatic, for example artwork or any other large features. More official fabric will yield a more grand type of couch. Numerous characteristics distinguish Bridgewater sofas: Typically they have reduced hands along with a high back, which contributes to the sporadic appear. Most in addition have a tailored dress that conceals the thighs and loose cushions for the chair and back. This specific design was designed to support slipcovers, that also give a casual atmosphere to the couch.
Using the recent surge in interest in the Middle-Century Modern design genre, this sofa design is a warm item. Regardless of whether true classic items, reproductions or new designs that incorporate Middle-Hundred years Modern elements, these are really flexible couches. Most often used in a minimalist or middle-century style scheme, they are fantastic for including a vintage feel to some space. The distinguishing components range from the exposed legs and straight line structure. Most mid-century couches but not every one of them may have some tufting on the back again.
Fluffy, overstuffed loveseat soft cushions arent your lifestyle? This lying loveseat from GDF has sharper, solution lines than your conventional lying loveseat, which makes it a stylish accessory for a middle-century modern, contemporary, modern or contemporary type of house. And, at just 46.46 in . in width, its easy to squeeze into an inferior space, like flats, dens or offices. Available in a number of color and fabric choices, such as grilling with charcoal material, navy fabric and standing micro-fiber, its simple to find the right complement for your house decorations, and the sturdiness your family needs for daily use. Gone are the days of good-looking, but unpleasant furniture you no longer need to give up comfort and ease for style. This reclining loveseat functions an oversized, gentle, luxurious-filled chair cushion with sufficient space for 2 or enough room for you to disseminate and unwind.
This plush set of city-stylish sofas is made to supply an embellished site. Actually, even your modest rooms may have you obliged to have an immaculate film night. Place him lower to get a completely changed bed. This avant-garde sleeper futon mattress is obtainable in different tones. This incorporates some vibrant tones unmanageable for example Lemon, Light Blue, and Light Purple. Place them in your inventive studies or attic to evaluate the exuberance. It is also available in lowering shades such as darkish, darkish and darkish. These subtleties, once again, printing an honorable aspect of the upper class. With the breaking component of your back, you are able to relaxation for your preferred position. This sofa looks rich with tufted material consistency furniture. The good thing is that it's customized with hypo-allergenic filling up. A conclusive outcome provides a comfy relaxation.
This luxurious set of city-stylish couches is made to provide an embellished domain. In fact, even your modest rooms may have you required for an immaculate film night. Place him lower to get a totally changed mattress. This avant-garde sleeper futon mattress is obtainable in various tones. This includes some vibrant shades unmanageable such as Orange, Mild Blue, and Light Crimson. Put them inside your inventive research or attic to assess the exuberance. It is also available in lowering shades such as dark, dark and darkish. These subtleties, once more, printing an honorable aspect of the higher course. With the breaking element of the back, you can rest to your favorite position. This sofa looks rich with tufted fabric texture upholstery. Fortunately that it's personalized with hypoallergenic filling. A conclusive result provides a comfy rest.
Needing Latina 22" Table Lamp By Zanin Lighting Inc.
Copyright © Crab 22" Table Lamp By Crestview Collection in Desk Lamps All right reserved.


text:
Q: How to run Multiple PageFactory pages ONE By ONE using TestNG.XML? I am trying to make POM (PageFactory) based TestNG framework, But i am facing issue with passing WebDriver instance to 2nd TestCase file..
This is my Test Base(to Initialise Browser and log4j)
public class TestBase {
    public static WebDriver driver;
    public static FileInputStream fip;
    public static Properties prop;
    //public static Logger APP_LOGS=null;
    //public static SoftAssert st=null;
    public static boolean TestFail=false;
    public static int temp=0;
    public static final Logger APP_LOGS=Logger.getLogger(TestBase.class.getName());

    public static WebDriver initialization() throws Throwable{
        fip=new FileInputStream("./Files/or.properties");
        prop=new Properties();
        prop.load(fip);
        //APP_LOGS.debug("properties file is loaded");
        String browser=prop.getProperty("browsertype");
            //System.out.println("5");
        if(browser.equalsIgnoreCase("mozilla")){
            System.setProperty("webdriver.gecko.driver", "./drivers/geckodriver.exe");
            driver= new FirefoxDriver();
            //APP_LOGS.debug("Mozilla fire fox browser started");
        }
        else if (browser.equalsIgnoreCase("ie")){
            System.setProperty("webdriver.ie.driver", "./drivers/IEDriverServer.exe");
            driver=new InternetExplorerDriver();
            //APP_LOGS.debug("InternetExplorer browser started");
        } else if(browser.equalsIgnoreCase("chrome")){
            System.setProperty("webdriver.chrome.driver", "./drivers/chromedriver.exe");
            driver=new ChromeDriver();
            //APP_LOGS.debug("Chrome browser started");
        }
        driver.get(prop.getProperty("url"));
        //driver.manage().window().maximize();
        String log4jConfPath = "log4j.properties";
        PropertyConfigurator.configure(log4jConfPath);
        APP_LOGS.info("Opened "+prop.getProperty("browsertype")+" browser");
        APP_LOGS.info("Navigated to Seleniumeasy.com/test");

        driver.manage().timeouts().implicitlyWait(5, TimeUnit.SECONDS);
        return driver;

    }

Above code i am extending in my Test PAGE..i.e InputFormSubmitPage (Below)
public class InputFormSubmitPage extends TestBase{

    WebDriver driver;

    public InputFormSubmitPage(WebDriver driver) {
        this.driver=driver;
        PageFactory.initElements(driver, this);
    }

    //INPUTFORM SUBMIT -- Objects Locators

    @FindBy(how=How.XPATH, using="//*[@id='treemenu']/li/ul/li[1]/a") WebElement inputformlink;
    @FindBy(how=How.XPATH, using="//*[@id='treemenu']/li/ul/li[1]/ul/li[5]/a") WebElement inputFormSubmit;
    @FindBy(how=How.CSS, using="[name='first_name'][placeholder='First Name']") WebElement firstName;
    @FindBy(how=How.CSS, using="[name='last_name'][placeholder='Last Name']") WebElement lastName;
    @FindBy(how=How.CSS, using="[name='email'][placeholder='E-Mail Address']") WebElement eMail;
    @FindBy(how=How.CSS, using="[name='phone'][data-bv-field='phone']") WebElement phoneNumber;
    @FindBy(how=How.CSS, using="[name='address'][placeholder='Address']") WebElement address;
    @FindBy(how=How.CSS, using="[name='city'][placeholder='city']") WebElement city;
    @FindBy(how=How.CSS, using=".form-control.selectpicker") WebElement state;
    @FindBy(how=How.CSS, using="[name='zip'].form-control") WebElement zipCode;
    @FindBy(how=How.CSS, using="[name='comment'][placeholder='Project Description']") WebElement projDescription;
    @FindBy(how=How.CSS, using=".btn.btn-default") WebElement sendButton;
    //@FindBy(how=How.CSS, using="div[class$='has-error']>div>small[data-bv-result='INVALID']") WebElement allFieldsValidationErrorMessages_Invalid;
    //@FindBy(how=How.CSS, using="div[class$='has-error']>div>small[data-bv-result='VALID']") WebElement allFieldsValidationErrorMessages_Valid;

    @FindBy(css="div[class$='has-error']>div>small[data-bv-result='INVALID']") public List<WebElement> allFieldsValidationErrorMessages_Invalid;

public void enterInputFormDetails()
{
    inputformlink.click();
    inputFormSubmit.click();
    firstName.sendKeys("FirstName");
    lastName.sendKeys("LastName");
    eMail.sendKeys("eMail@email.com");
    phoneNumber.sendKeys("9008001242");
    address.sendKeys("1234, 1st street");
    city.sendKeys("City");

    //State Selector
    Select oneState= new Select(state);
    oneState.selectByIndex(3);

    zipCode.sendKeys("12345");
    projDescription.sendKeys("This is Project Description");
    sendButton.click();

        APP_LOGS.info("*****************InputFormSubmit Button is clicked*****************");

    }

Now in my TestCase i.e. InputFormSubmitPageTest i am able to initialising WebDriver... But here is the problem.. in my next test case.. if i pass the same line i.e. WebDriver driver=TestBase.initialization();browser is getting initialising again .. i jus want to avoid that.. But not sure how to perform  i am using TestNG.xml to run the sequential execution
public class InputFormSubmitPageTest { //My First TestCase

    @Test
    public void validatingFieldsData() throws Throwable
    {
        WebDriver driver=TestBase.initialization(); // this is where i am starting browser

        InputFormSubmitPage formSubmit=PageFactory.initElements(driver, InputFormSubmitPage.class);
        formSubmit.inputFormLaunch();
        formSubmit.inputFormSubmitInValidValidations();
        formSubmit.enterInputFormDetails();
    }

}

My 2nd Testcase i.e. AjaxFormSubmitPageTest
public class AjaxFormSubmitPageTest { //My Send TestCase

    @Test
    public static void validatingFieldsData() throws Throwable
    {
        WebDriver driver=TestBase.initialization(); // this is where i am starting browser

        AjaxFormSubmitPage formSubmit=PageFactory.initElements(driver, AjaxFormSubmitPage.class);
        formSubmit.inputFormLaunch();
        formSubmit.inputFormSubmitInValidValidations();
        formSubmit.enterInputFormDetails();
    }
}

My TestNG.xml contains following entries...
class name="testcases.InputFormSubmitPageTest"
class name="testcase.AjaxFormSubmitPageTest"

A: How about creating a @BeforeClass and do your driver initialization there.
Something like:
@BeforeClass
        public static void before() {
    WebDriver driver=TestBase.initialization();
    }

This will be executed only once and will do initialization.
In case you are only worried about the execution order, you will have to make 2 changes : 1. In your testng.xml file, you will have to add :
test name="Test" preserve-order="true"
This will ensure the execution order of the test class mentioned in the testng.xml file. Follow this link for more details http://www.seleniumeasy.com/testng-tutorials/preserve-order-in-testng
In case you want to ensure the priority order within a class, you will have to do something like :
@Test(priority=1) public void Test1() {}

@Test(priority=2) public void Test2() {}

@Test(priority=3) public void Test3() {}

priority encourages execution order but does not guarantee the previous priority level has completed. test3 could start before test2 completes. If a guarantee is needed, then declare a dependency.
Unlike the solutions which declare dependencies, tests which use priority will execute even if one test fails. This problem with dependencies can be worked around with @Test(...alwaysRun = true...) according to http://testng.org/doc/documentation-main.html#annotations

redpajama_set_name: RedPajamaStackExchange


FOX 2.5/3.0 PODIUM® Internal Bypass shocks deliver race-proven, position-sensitive damping technology and performance in a hassle-free, bolt-on kit. Our patented position-sensitive internal bypass technology contains inner passages that allow fluid to bypass the piston through regulated ports as it moves through the travel. The new shocks allow for a plush, predictable ride over normal off-road driving conditions and also have the ability to ramp up damping force for extreme use. These heavy-duty, steel-bodied shocks are loaded with anodized billet aluminum components and race-bred internal valving—designed to bolt right on to your stock UTV. The Dual Speed Compression (DSC) adjuster provides versatility and precise tuning. A simple twist of either of the adjuster knobs allows for twelve separate low-speed and ten high-speed compression levels. Increased cooling capability is achieved through the shock's 2.5-inch remote reservoir with a large -10 hose. FOX 2.5/3.0 PODIUM® Internal Bypass shocks also share many of the same components that our race-proven Trophy Truck shocks use including: stainless steel shock shafts, PTFE-lined spherical bearings, proprietary racing oil, and hightemp Viton® seals.


text:
Accueil » Products » Jim Treliving Decisions : Making the Right Ones, Righting the Wrong Ones
Jim Treliving Decisions : Making the Right Ones, Righting the Wrong Ones
Jim Treliving / Hardcover
Jim Treliving is a police officer turned pizza king. An affable prairie boy, he took the leap from the RCMP and started to build a global empire. In his first book, Jim shows why today, he's not only surviving, he's thriving in a volatile 20th-century global market. For Treliving, success involves hard work and taking a measured, principled approach to making decisions, because successful people make decisions and act. Unsuccessful people freeze in the face of choice.
Decisions is for budding entrepreneurs and fans of the CBC's Dragons' Den, for those who want the story behind the scenes. But it's also for people who want to understand how lasting success is built and how steady wealth is created. It's for people who want to make wiser decisions in business and in life, and become true leaders in their chosen field.
Bernard Madoff, l'escroc du siècle $29.95 $12.00
Consistency Selling : Powerful Sales Results. Every Lead. Every Time. $29.95 $14.00
Histoires de fric : Comment éviter les pires erreurs grâce à celles des autres $26.95 $12.00
How to sell Network Marketing : without fear, anxiety or losing your friends! $10.00

redpajama_set_name: RedPajamaCommonCrawl


Un film qui raconte l'histoire de Surf Church, une église fondée à Hossegor- la capitale européenne du surf. Suivant les vies de ses membres et leaders, alors qu'ils apprennent à vivre en missionnaires dans un monde sécularisé.
A film documenting the story of Surf Church. A church plant based in Hossegor, France - the surf capital of Europe. Following the lives of its leaders and members as they learn what it means to live missionally in a secularised world.
"It's not about building a bigger church it's about building people.
Surf Church ne fonde pas qu'une église, elle construit des personnes.
"The radical life of mission is packaged in the normal moments of day to day life. See what God is doing in the south west of France as a bunch of surfers and misfits try to start a church at the beach.


A place of pioneers who so profoundly influenced the birth and growth of the national park idea.
If you didn't know it was there, you might miss it. Behind the general store and shuttle stop in the Wawona area, and down past the stream-side parking lot, you'll see what looks like an abandoned barn, a collection of old farm equipment, and a covered bridge.
Cross that bridge and you enter the Pioneer Yosemite History Center, a collection of historic buildings from Yosemite's past. Originally constructed in different locations throughout Yosemite, buildings were moved to Wawona in the 1950s and 60s. As you walk among them, it is important to remember that the area does not represent a single village. Instead, each building represents a different chapter in the Yosemite story.
Things to do at the History Center include riding a horse-drawn Wells Fargo wagon, watching a blacksmith work, seeing the horses at the old stable, and strolling among cabins and structures that were important parts of Yosemite history.
The history center explains how Yosemite was the inspiration for national parks across America and throughout the world. The history center is always open, and has explanatory signs in front of the many exhibits.
In the late 1800s, Wawona was the largest stage stop in Yosemite. All Yosemite-bound traffic crossed the covered bridge which was built in 1857.
Artists were some of the first advocates of turning Yosemite into a national park. The cabin on display was built by painter Christian Jorgensen on the banks of the Merced River.
George Anderson, a miner and blacksmith, worked as a guide to Yosemite in the late 1800s.
Blacksmith shops were located throughout the park until automobiles became common. Watch a demonstration during the summer season.
The U.S. Army managed both Sequoia and Yosemite before the National Park Service was created.
After the calvary left Yosemite in 1914, 15 cavalry scouts managed the park and regulated automobile traffic through the entrances.
Originally connected to the Degnan house near the chapel in Yosemite Valley, the bakery provided service to visitors and park staff.
Visitors arriving by horse-drawn or auto stage used this office to make railroad and lodging reservations.
Powderhouses were used to store blasting powder for road construction. And the jail? Well, sometimes it was a little wild in the wilderness.


[LISTEN] Sugarthief - When Did It All Go So Wrong?
SUGARTHIEF have announced the release of their upcoming fourth single 'When Did It All Go So Wrong?' on Friday 31st March The single marks the band's return following the rapid-fire drop of a trio of tracks in 2016, completed by the debut of the video for the bittersweet 'Joy Affair' in December of last year. Channelling indie-rock nostalgia of the mid-00s with nods to early Arctic Monkeys, The View and Reverend and the Makers, 'When Did It All Go So Wrong?' is a fresh and energetic number that is set to propel Sugarthief further forward in 2017.
Intricate guitars and infectious hooks return in full throttle in their latest release. The band's fast trajectory began at the start of last year when they posted their buzz-worthy track, 'New Ends', online in March 2016. It was quickly picked up by tastemakers and press - gaining Sugarthief regular spins on BBC Introducing WM and Amazing Radio - before the drop of pop-drenched second single 'Crowing Youth' saw them invited to perform an unplugged live session in the Mailbox Studio at BBC Birmingham. These two tracks were pressed to 7" vinyl a mere month later courtesy of Flying Vinyl, making Sugarthief the first band to be included via submission of a demo.


Kristen F. Davis Designs: chair.
it was being sent to the reupholsterers soon after i got it, but i tried to style it a little for you guys. i love this chair!
i loved the wood detail on the arms. what a unique chair!
I lurve this chair! I love how the sanding/distressing doesn't take away from all the lines, but enhances them. Did you use a glaze?
Did you do the upholstery yourself??
That is a gorgeous chair for sure! so uniquie!
Wow! That chair will haunt my design dreams! The side detailing is bananas! Amazing work!


text:
Tent cities banned as more people lose their homes
As the number of people experiencing homelessness increases Across the country, more cities and states have passed laws making it illegal to live in tents and cars or sleep in public spaces.
More than 100 jurisdictions have had such bans on the books for years, according to the National Homelessness Law Center. In recent months, high-profile measures have been passed targeting the homeless in many western US cities and entire states.
CONTEXT: Federal data shows that 582,462 people were made homeless in a single night in January 2022. Experts warn that more people will become homeless as housing costs rise, as they have for decades in cities like New York and in much of California.
If visible homelessness and homelessness continue to grow, city leaders will have an easier time passing measures that advocates say criminalize basic needs like sleep and shelter, Eric Tars, legal director of the National Homelessness Law Center, told the USA TODAY.
"The danger is that the worse the housing situation, the more people we see on the streets, the greater the impetus for these punitive policies," Tars said.
These states and cities have passed laws that make it illegal to live in tents or sleep on public property:
Missouri bans sleeping in parks
On January 1st, a state ban on sleeping on state land took effect in Missouri, making it a misdemeanor to sleep in public spaces such as parks or under bridges.
Experts say the Missouri law is troubling because it covers the state and increases pressure on municipal bans.
It's wrong to assume homeless people can just leave and move to another state, Tars said.
People have an "assumption" that "homeless people are infinitely mobile and will go somewhere else," Tars said. "But most people, contrary to this notion of vagrancy and transience, are homeless in the community where they were once housed."
Missouri law also restricts state funding for permanent housing, a model taken from model legislation created by the conservative Cicero Institute, according to Stateline, the Pew Charitable Trusts news service.
"Defunding housing that has the appropriate resources is devastating, problematic and perpetuates homelessness," said Kathy Connors, executive director of the Gateway180 shelter in St. Louis. She added that homeless people who are displaced from rural areas are forced to look for temporary services available only in cities, which is overloading the system.
Tennessee makes it a crime to live in a tent
In July, Tennessee became the first state to make it's a crime live in a tent or sleep on state land.
State bans have been introduced in recent years by legislators in five other states, Pew says.
"Policies like this are making homelessness worse," Tars said, because arrest, imprisonment and a criminal record pose strong barriers to employment, securing an apartment and accessing social services.
Portland, Oregon, bans living in tents
Portland, Oregon City Council voted in November approve a plan to ban living in tents and will change people who live in camps to six city-sanctioned mass camping sites limited to 250 people.
The measure includes plans to build an additional 20,000 affordable housing units and would eventually require everyone living on the streets to move into shelters. Oregon Public Broadcast reported.
Oregon American Civil Liberties Union sent the Portland City Council a letter warning that the new measure may be illegal. Last month, the civil rights group sued the city of Phoenix over a similar ban, resulting in a temporary block by a federal judge.
Newly elected Oregon governor Tina Kotek started her term this week declaring a state of emergency for parts of the state which have seen a huge increase in the number of homeless people, including Portland.
Washoe County, Nevada Considers Bans
In December, Washoe County, Nevada, commissioners voted 3-2 to consider a ordinance banning camping in tents or vehicles and storing personal items in public when doing so poses "significant harm to any person or public area". Violators can be charged with a misdemeanor or a $500 fine. Within the county, Reno and Sparks already had similar ordinances in place.
In 2021, 25% of homeless youth served by the Eddy House shelter in Reno lived on the streets, CEO Trevor Macaluso told USA TODAY. He added that people displaced by sweeps in Reno and Sparks often move their camp elsewhere in the city, which makes the bans ineffective.
Los Angeles bans some cities from tents for the homeless
A City Council-approved ban on tents in certain areas was expanded in August 2022 banning camping within 150 meters of schools and daycare centers after teachers and parents complained that students were unable to access nearby sidewalks.
School administrators said the ban is not always enforced by the city and police, according to EdSourcean agency that covers education in California.
More recently, the mayors of Los Angeles and Long Beach and Los Angeles County declared states of emergency on the homelessness crisis with the aim of streamlining services to reduce and prevent homelessness.
Cancelled D&D Beyond Subscriptions Forced Hasbro's Hand


text:
To contact us about any matter related to DLME, please use the form below.
Digital Library of the Middle East
Everything Title Creator / Contributor Identifier search for
Qur'an Manuscripts
Qur'an Manuscripts 378 items
Relevance Title Creator
List List Gallery Gallery Slideshow Slideshow
Search within this browse category
Clear search box Highlight Off
Search within browse category Search
1. [Qur'ān].
Also available in digital form on the Library of Congress Web site. Manuscript. Arabic and Persian. Title supplied by cataloger. Written by "Ibn ʻAlī". Gift of Cyrus Ebrahim Zadeh, Nov. 9, 2009. Written in Iran? Text proceeded by 2 lithographed fragments pasted front and back; the second one, facing first page of manuscript, is lithograph of Sūrat al-fātiḥah from unidentified edition of the Qur'ān. Paper: yellowish, polished cream color laid paper with horizontal chain line and no visible watermarks; black ink with rubrication; interlinear Persian translation in cursive Naskh; catchwords. Naskh; 11 lines in written area 15.5 x 9 cm. Folio 1b-337a; 337b-338 notes and a poem. Library of Congress. Manuscript, [unnumbered]. Binding: black leather with embossed gold center medallions front and back, spine repaired, rebacked in tan leather.
Also available in digital form on the Library of Congress Web site.
more Angle Down less Angle Up
2. Qur'an
3. Qur'ān
Extent: ff. 336.
Fragments in Kufic writing on vellum.
A portion only, in Kufic writing on vellum, containing sūrahs 71-74 [with a lacuna (between ff. 6 and 7) from lxxii. 12 to lxxii. 18].
Manuscript. Arabic and Persian. Title supplied by cataloger. Written by Aḥmad al-Nayrīzī. Written in Iran. Paper; thin, cream color polished paper with no watermarks; elaborate floral unwan in gold, black, blue and red; fol. 1b and 2a have gold floral design in borders; in remainder of the work, the text is enclosed in an elaborate ruled border of blue, gold, red and blue; the text has an interlinear Persian translation in red ink from the beginning to the end of Sūrat al-Baqarah, 278; verses separated by gold medallions; black ink; catchwords. Naskh; 12 lines in written area 25 x 13.5 cm. Fol. 1b-336b. Library of Congress. Arabic manuscript, M132. Binding is black laquer with orangish gold floral designs; border around center panel contains Qur'anic verses. Also available in digital form on the Library of Congress website. Explicit/Colophon: حرره الداعي لابود الدولة القاهرة الماهرة احمد النيريزي في 1120.
Manuscript.
Manuscript. Arabic. Title suppllied by cataloger. Written by Muṣṭafá al-Khaṭīb in the Sulṭanīyah mosque. Written in Iran. Paper; polished, cream color laid paper with horizontal chain lines and no visible watermarks; elaborate decoration on fol. 1b and 2a in gold, dark blue, red, and light blue; remainder of text enclosed in wide ruled border of gold and black; individual sūrah's have titles in white ink on gilt; verses separated by gold medallions; numerous pages have gold, blue and red medallions in margins; black ink; catchwords. The Holy Koran in the Library of Congress, 1993, 9 Naskh; 13 lines in written area 12.3 x 6.7 cm. Fol. 1b-348b. Library of Congress. Arabic manuscript, M135. Binding; dark brown leather with embossed borders and medallions in gold on both covers and flap; envelope binding. Also available in digital form on the Library of Congress website. Explicit/Colophon: في سنة اثنى وخمسين ومائة والف من هجرة النبوية ... كتبه الفقير المحتاج الى ربه القدير مصطفى الخطيب في جامع سلطانية ...
8. Qur'ān leaves.
Leaves from a copy of the Qur'ān containing the last six words of verse 22 in Fuṣṣilat (41) to the third word of verse 22 in Dukhān (44).
Fragment of the Qur'ān including the end of al-Furqān, all of al-Shuʻarā' and the beginning of al-Naml (25:63 to 27:58).
10. Qur'ān leaves.
Two leaves from the same Qur'ān, though not continuous. Leaf 1 contains the last two words of verse 5 of al-Takāthur (102) through the first two words of verse 6 of al-Humazah (104) . Leaf 2 contains all of al-Kāfirūn (190) except the bismillāh, to the penultimate word of verse 4 of al-Masad (111), called Tabbat yadā here.
11. al-Qur'ān
Illuminated Qurʾān from the library of Tipu Sultan, presented to the University of Cambridge by the Court of Directors of the East India Company in 1806. The volume has two decorated medallions and two magnificent headpieces containing the Fātiḥa. The text of the Qurʾān is followed by some prayers, and a Fal-nāmah. The manuscript is not dated, but dates of ownership of 1028 A.H./1618 C.E. and 1066 A.H./1655 C.E. occur at the beginning.
Layout: 12 lines to the page
12. Qur'ān folio.
Leaf containing a portion of Sūrat al-Rūm, beginning with half of the last word of verse 33 and continuing through the first half of verse 47(30:33-47 [incomplete]).
13. [al-Qur'ān].
Fols. 244; 36 x 50.5 cm.; written surface 26 x 21 cm.; 19 lines to page; on glazed Arabic paper; in Kūfi; with diacritical marks; with vowel signs; with illuminations. An incomplete Koran comprising Sūrahs I-CXl. Margins decorated with medallions in gold and color. First two folios illuminated in gold and color. MS in fair condition; fragile and foxed; Arabic leather binding; blind stamped. MS probably from Xllth century.
14. [Qur'ān]
Also available in digital form. Ms. In Arabic. Title supplied by cataloger. Gift of Charles C. McVicker. Paper: smooth yellowed cream with no visible watermarks; the first two pages and colophon are elaborately illuminated in green, blue and red on gold background; borders are gold, blue and red; titles of individual sūrahs in gold; verses separed by gold circles with catchwords on versos. Library of Congress. The Holy Koran in the Library of Congress, 12. Naskhi script, with vowel markings; 15 lines in written area 10.5 x 5.5 cm. Written in Iran. Illuminations on fol. 1b, 2a and colophon. Binding is contemporary leather, with separate leather carrying case. Copied by Aḥmad Rashīd al-Balawī; illuminated by Ibrāhīm Adʹham Gharbaldah[?] al-Balawī--Colophon.
Also available in digital form.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 61-64 from Sura Ṭaha (سورة طه). The script seems to correspond to the Abbasid Style D Vc as described by F. Deroche. This leaf belongs to the same Qurʾān as the folio with the classmark Add. 1135.
Layout: 5 lines per page
Script: The script seems to correspond to the Abbasid Style D Vc as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 114-154 from Sura al-Ṣāfāt (سورة الصافات). The script seems to correspond to the Abbasid Style B II as described by F. Deroche. This leaf belongs to the same Qurʾān as the folio with the classmark Add. 1135.
Layout: 16 lines per page
Script: The script seems to correspond to the Abbasid Style B II as described by F. Deroche.
Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 58-117 from Sura al-Anʿām (سورة الأنعام).
Script: The script seems to correspond to an Early Maghribi style.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 172-195 from Sura al-Alʿrāf (سورة الاعراف).
Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 12-43 from Sura al-ʿAnkabūt (سورة العنكبوت).
Script: The script seems to correspond to the Abbasid Style D I as described by François Deroche.
Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 5-12 from Sura al-Raʿd (سورة الرعد). Folio 1 missing.
Script: The script seems to correspond to the Abbasid Style D Vb with influence from style D III, as described by François Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 117-197 from the Sura Āl ʿImrān (سورة آل عمران). Folios 13, 18, 47 and 48 are missing.
Script: The script seems to correspond to the Abbasid Style D III as described by François Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 147-160 from Sura Āl ʿImrān (سورة آل عمران). The script seems to correspond to the Abbasid Style D common as described by F. Deroche.
Script: The script seems to correspond to the Abbasid Style D common as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 8-24 from Sura al-Yūsuf (سورة يوسف). The script seems to correspond to a mediocre version of the Abbasid Style D IV as described by F. Deroche.
Script: The script seems to correspond to a mediocre version of the Abbasid Style D IV as described by F. Deroche.
Fragments of an Abbasid Qur'ān from the 3rd century A.H./ 9th century A.D. ( before 262/876), containing verses from the sura Āl ʿImrān (سورة آل عمران). The script seems to correspond to the Abbasid Style D.I as described by F. Deroche. The note added at the top of the folios states that this Qurʾān was an endowment of the governor of Damascus Amajūr. This item was included in the Library's 600th anniversary exhibition Lines of Thought: Discoveries that changed the world .
Layout: 3 lines to the page
Script: The script seems to correspond to the Abbasid Style D.I as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing the last three verses of Sura Yūnus (سورة يونس) and the first 44 verses of Sura Hūd( سورة هود). Unidentified script.
Script: Unidentified script
Fragments of a Hijazi Qur'ān probably written in the second century A.H. / eighth century A.D., containing verses from the Sura al-Anfāl (سورة الأنفال).
Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 66-128 from Sura al-Naḥl (سورة النحل), the complete Sura al-Isrāʾ (سورة الاسراء), and verses 1-22 from Sura al-Kahf (سورة الكهف).
Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 10-200 from Sura Āl ʿImrān (سورة آل عمران) and verses 1-61 from Sura al-Nisāʾ (سورة النساء) .
Script: The script seems to correspond to the Abbasid Style D Va as described by François Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 22-70 from Sura al-Ḥajj (سورة الحج). The script seems to correspond to the Abbasid Style D as described by F. Deroche.
Script: The script seems to correspond to the Abbasid Style D as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 67-72 from the Sura Yūnus (سورة يونس). The script seems to correspond to the Abbasid Style D.Vb as described by F. Deroche.
Script: The script seems to correspond to the Abbasid Style D.Vb as described by F. Deroche.
Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 203-206 from Sura al-Aʿrāf (سورة الأعراف) , the complete Sura al-Anfal (سورة الأنفال) and Sura al-Tawba (سورة التوبة), and verses 1-55 from Sura Yūnus (سورة يونس).
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses from the Sura al-Nisāʾ (سورة النساء). The script seems to correspond to the Abbasid New Style as described by F. Deroche.
Script: The script seems to correspond to the Abbasid New Style as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 1-7 from the Sura al-Fātiḥah (سورة الفاتحة). The script seems to correspond to an Abbasid Style intermediate between D.I and D.IV as described by F. Deroche.
Script: The script seems to correspond to an Abbasid Style intermediate between D.I and D.IV as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 62-78 from Sura al-Ḥajj (سورة الحج), the complete Sura al-Muʾminūn (سورة المؤمنون), verses 1-64 from Sura al-Nūr (سورة النور),verses 1-62 Sura al-Rūm (سورة الروم) verses 1-16 from Sura Luqmān (سورة لقمان) , verses 12-30 from Sura al-Sajda (سورة السجدة), the complete Sura al-Aḥzāb (سورة الأحزاب), Sura Sabaʾ (سورة سبإ), and Sura Fāṭir (سورة فاطر), and verses 1-27 from Sura Yā-Sīn (سورة يس). Folios 1, 21-62, 69-71, 80, 96-100 are missing.
Script: The script seems to correspond to the Abbasid Style E as described by François Deroche.
Fragments of an Abbasid Qur'ān probably written in the second or third century A.H. / eighth or ninth century A.D., containing verses from Sura al-Aḥzāb (سورة الأحزاب) and Sura Sabaʾ (سورة سبا). The script seems to correspond to the Abbasid Style B.Ia or B.Ib as described by F. Deroche.
Fragment of a Maghribi Qur'ān probably written in the fourth century A.H. / tenth century C.E, containing verses 16-128 from Sura al-Naḥl (سورة النحل), and verses 1-35 from Sura al-Isrāʾ (سورة الاسراء). Written in Early Maghribi script.
Script: Written in Early Maghribi script.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 54-120 from Sura al-Māʾida (سورة المائدة), and the first two verses of Sura al-Anʿām (سورة الانعام) . The script seems to correspond to the Abbasid Style D.IV as described by F. Deroche.
Script: The script seems to correspond to the Abbasid Style D.IV as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing the last three verses of Sura Luqmān (سورة لقمان), Sura al-Sajdah (سورة السجدة), Sura Al-Aʿzab (سورة الاعزب). The script seems to correspond to a mediocre version of the Abbasid Style B II as described by F. Deroche.
Script: The script seems to correspond to a mediocre version of the Abbasid Style B II as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 50-75 from Sura al-Anfāl (سورة الأنفال)and verses 1-93 from Sura al-Tawba (سورة التوبة). Folios 1, 2 and 6 are wanting. The script seems to correspond to the Abbasid Style D common as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses from the Sura al-Fātiḥah (سورة الفاتحة), inscribed in a gilded frame, and verses 1-228 from Sura al-Baqarah (سورة البقرة). Folios 2v and 3r are decorated with a rectangular gilded panel. The script seems to correspond to an Abbasid Style intermediate between D.I and D.IV as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 247-248 and 254-255 from Sura al-Baqarah (سورة الابقرة). The script seems to correspond to the Abbasid Style D I as described by F. Deroche. Folios 2 to 5 are missing.
Script: The script seems to correspond to the Abbasid Style D I as described by F. Deroche.
Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 27-46 from Sura al-Muʾminūn (سورة المؤمنون), and verses 1-14 from Sura al-Nūr (سورة النور)Sura al-Nūr (سورة النور). Folios 1 and 3-5 are missing.
Script: The script seems to correspond to a mediocre version of the Abbasid Style B II as described by François Deroche.
Two folios in rather poor condition from two Abbasid Qur'āns probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 82-86 from Sura al-Muʾminūn (سورة المؤمنون) and verses 3-5 from Sura al-Māʾida (سورة المائدة) respectively.
Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 44-68 from Sura al-ʿAnkabut (سورة العنكبوت) and verses 8-34 from Sura Luqmān (سورة لقمان) . Folios 1, 3-8, and 11-30 are missing.
Script: The script seems to correspond to the Abbasid Style NS as described by François Deroche.
Fragments of an Maghribi Qur'ān probably written in the fourth century A.H. / tenth century C.E, containing verses 2-21 and 37-111 from Sura al-Isrāʾ (سورة الإسراء) , verses 1-69 from Sura al-Kahf (سورة الكهف). Folios 1-3 and 8-10 are missing.
Script: The script is an Early Maghribi style.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 9-55 from the Sura al-Qamar (سورة القمر), the complete Sura al-Rahman (سورة الرحمن), Sura al-Wāqiʿā (سورة الواقعة), Sura al-Ḥadīd (سورة الحديد), Sura al-Mujādila (سورة المجادلة), verses 1-17 from Sura al-Ḥashr (سورة الحشر), and the section begining in verse 5 from Sura al-Munāfiqūn (سورة المنافقون) , and ending in verse 9 from Sura al-Ṭāriq (سورة الطارق). Folios 14 to 18 are missing.
Script: The script is an unidentified Abbasid style.
Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 127-143 and 155-206 from Sura al-Aʿrāf (سورة الأعراف), verses 1-12 from Sura al-Anfal (سورة الأنفال), and verses 1-15 from Sura Hūd (سورة هود).
Script: The script seems to correspond to the Abbasid Style D IV as described by François Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century H. / ninth or tenth century C.E, containing verses 19-34 from Sura al-Muʾminūn (سورة المؤمنون), the complete Sura al-Furqān (سورة الفرقان), Sura al-Shuʿarāʾ (سورة الشعراء), Sura al-Naml (سورة النمل) , Sura al-Qaṣaṣ (سورة القصص), Sura al-,Ankabūt (سورة العنكبوت), verses 17-60 from Sura al-Rūm (سورة الروم), te complete Sura Luqmān (سورة لقمان), and verses 1-6 from Sura al-Sajda (سورة السجدة) . Folios 2-10 and 44 are missing.
Script: The script seems to correspond to the Abbasid Style C II as described by François Deroche.
Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 45-70 from Sura Yā-Sīn (سورة يس), verses 59-103 and 150-182 from Sura al-Ṣaffāt (سورة الصافات), the complete Sura Ṣād (سورة ص), and verses 1-20 from Sura al-Zumar (سورة الزمر).
Fragments of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E, containing verses 68-75 from Sura al-Zumar (سورة الزمر), verses 1-14 from Sura al-Ghāfir (سورة الغافر), also called al-Muʾmin (سورة المؤمن), as in the manuscript, and verses 1-14 from Sura al-Fuṣṣilat (سورة الفصلت), referred to as Sura al-Sajdah(سورة السجدة) in the manuscript . The two first folios are misplaced, being folio 1r the continuation of folio 2v.
Script: The script seems to correspond to the Abbasid Style /B II/ as described by F. Deroche.
Fragment of an Abbasid Qur'ān probably written in the fourth or fifth century H. / tenth or eleventh century C.E, containing verses 133-286 from Sura al-Baqara (سورة البقرة) and verses 1-128 from Sura Āl ʿImrān (سورة آل عمران).
Script: The script seems to correspond to the Abbasid Style NS I as described by François Deroche.
Fragment of an Abbasid Qur'ān probably written in the third or fourth century H. / ninth or tenth century C.E, containing verses 27-52 from Sura al-Ibrāhīm (سورة ابراهيم); verses 9-99 fom Sura al-Ḥijr (سورة الحجر); verses 1-61 and 96-128 from Sura al-Naḥl (سورة النحل); verses 1-4, 37-63, and 68-107 from Sura al-Isrāʾ (سورة الإسراء); and verses 1-27 and 30-74 from Sura al-Kahf (سورة الكهف)
Fragment of an Abbasid Qur'ān probably written in the third or fourth century H. / ninth or tenth century C.E, containing verses 75-87, 90-105, and 107-110 from Sura al-Kahf (سورة الكهف); verses 1-2, 13-19, 22-69, and 73-98 fom Sura Maryam (سورة مريم); and verses 10-28, 35-135 from Sura Ṭā-hā (سورة طه).
Fragment of an Abbasid Qur'ān probably written in the third or fourth century H. / ninth or tenth century C.E, containing verses 60-72 from Sura al-Anfal (سورة الأنفال); verses 7-49 from Sura al-Tawba (سورة التوبة); verses 61-111 from Sura al-Isrāʾ (سورة الإسراء); verses 1-24, 50-82, and 102-110 from Sura al-Kahf (سورة الكهف); verses 1-12, and 35-75 from Sura Maryam (سورة مريم); verses 63-112 from Sura al-Anbiyāʾ (سورة الأنبياء); verses 1-41 from Sura al-Ḥajj (سورة الحج); verses 11-29 from Sura al-Fatḥ (سورة الفتح); the complete Sura al-Ḥujurāt (سورة الحجرات); verses 1-6 from Sura Qāf (سورة ق); verses 32-55 from Sura al-Qamar (سورة القمر); the complete Sura al-Raḥman (سورة الرحمن), Sura al-Wāqiʿa (سورة الواقعة), Sura al-Ḥadīd (سورة الحديد), and Sura al-Mujādila (سورة المجادلة); and verses 1-24 from Sura al-Ḥashr (سورة الحشر).
55. al-Qur'ān.
Complete copy of the Qur'ān, the first leaf is likely a later replacement; several owners notes.
Complete copy of the Qur'ān.
Small, complete copy of the Qur'ān on gold sprinkled pages.
Small, complete copy of the Qur'ān in a color-contrast inset paper technique.
Excerpt from the Qur'ān including the end of Āl-ʻImrān verse 85 through al-Nisā' verse12 (3:85-4:12).
Complete copy of the Qur'ān with marginal verse markers for each juz' and ḥizb.
Complete late Ottoman copy of the Qur'ān. Folios 262-295 are copied on a lighter colored, more highly burnished paper.
Complete copy of the Qur'ān, written onto gold sprinkled paper with five larger lines per page between four sets of seven smaller lines.
Nearly complete copy of the Qur'ān, missing only al-Fātiḥah (1). Pagination (1-445 only) and short titles (all the way through) added in a later hand.
Portion of the Qur'ān beginning with the first word of Yūnus verse 61 (10:61) and ending in the sixth word of Hūd 110 (11:110).
Complete copy of the Qur'ān; two pages at the front detached (f. 1-2).
Complete copy of the Qur'ān, followed by a short prayer.
Portion of the Qur'ān containing the 23rd word of 2:283 to the 19th word of 6:81.
Incomplete copy of the Qur'ān, from al-Kawthar (108) to the end (114) is missing. The first two folios are fragmentary with clean marginal repairs; much of the marginal decoration is lost.
Copy of most of Juz' 8 of the Qur'ān. The text begins with the last two words of verse 112 of al-Anʻām, and ends with the penultimate word of verse 78 of al-Aʻrāf.
Nearly complete copy of the Qur'ān, the first two folios are missing, so the text begins with verse 17 of al-Baqarah and one folio is missing from the end, so the last complete sūrah is al-Māʻūn.
Complete copy of the Qur'ān with space for interlinear translation, though only one page has translation (f. 250r).
Complete copy of the Qur'ān with interlinear Persian translation.
Complete copy of the Qur'ān, written in cloudbands with ten sets of dual-page illuminations and marginal medallions some of which contain short recitation notes in Persian. Several leaves of ruled but unwritten paper precede and follow the text.
Complete copy of the Qur'ān, written in at least three hands with varying page layout; also includes six replacement pages on rougher paper (f. 55-57, 59-61).
Incomplete copy of the Qur'ān with interlinear Persian translation containing the last four words of 16:126 to the end (114:6). A few leaves have been replaced and rewritten in two different hands (f. 5, f. 243-247). Most leaves have been repaired along the outside edges, obscuring some marginal notations.
Complete copy of the Qur'ān, written in several different hands (f. [0]-8; f. 9-17; f. 18-30) on several different types of paper; many leaves repaired; the first 30 leaves are later replacements.
Complete copy of the Qur'ān with illuminations and gilding.
Small, complete copy of the Qur'ān in very good condition.
Qur'ān; complete except for first folio.
Miniature, octagonal copy of the Qur'ān for use as an amulet.
Complete copy of the Qur'ān with a final prayer; border-rules have corroded the paper on some leaves.
Complete copy of the Qur'ān in an inset, color-contrast paper technique.
Copy of the Qur'ān.
Nearly complete copy of the Qur'ān. Sūrat al-Layl is missing, though the heading is there as are some of the verse-end decorations (f. 297v).
Complete copy of the Qur'ān. This copy also includes a prayer to be said upon completion of the Qur'ān (f. 303v).
Small copy of the Qur'ān; complete except for first folio and covers; begins with Sūrat al-Baqarah (The Cow) 1 (2:1).
Copy of the Qur'ān; missing first folio, begins with Sūrat al-Baqarah (The Cow) 1 (2:1). Instructions for how much to read from the Qur'ān every day of the week written in modern script in pink ink on lined paper pasted onto f. 238v and the inside back cover.
Complete copy of the Qur'an preceeded by five leaves that include a one-page introduction followed by diagrams of the seven readings of the Qur'ān (f. 1v-5r): (1) Nāfiʿ (2) Ibn Kathīr (3) Ibn Amīr of Damascus (4) Abū ʿAmr b. Al-ʿAlāʾ (5) ʿAāṣim (6) Ḥamzah (7) Kisāʾī. Eight leaves have been replaced and rewritten in a different hand, style, and paper (f. 226-231, 534-536). Some marginalia was lost when leaves were remounted.
Fragments from an Abbasid Qur'ān, probably written in the third century A.H. / ninth century C.E., containing verses from the Sura al-Naḥl (سورة النحل). The script seems to correspond to the Abbasid Style E as described by F. Deroche.
93. Najm al-Qur'ān.
ff. 109. 270 x 176; 196 x 120 mm. 25 lin. Jumādá II, 1222, Walī al-Dīn ibn Muḥammad al-Qasṭamūnī. According to F. Meier, Der Islam v. 24 (1937) p. 14sq. this is a continuation of Najm al-Dīn al-Kubrā's ʻAyn al-ḥayāh by ʻAlā' al-Dawlah al-Simnānī (d. 736/1336) containing an introduction (incip. like ms. Hekimoğlu 54, quoted by Meier, 1. c. p. 14) and commentary on Sūrah 1 and 52-114; the same text also in ms. Berlin 874 (Brockelmann, GAL, S II, 281, no. 1); the title appears on fol. 17a: ... هذا الکتاب المسمى بنجم القران وهو المذىل للتفسىر النجمى کتبه الشىخ الموفق نجم الدىن داىه الاسد [ کذا ] الرازى ... من اول القران الى سورة النجم فلما وصل الى سورة النجم قال what follows agrees with ms. Damad Ibrahim 153, fol. la (quoted by Meier, 1. c. p.l2sq.) except that the present ms. purports to be a continuation of the commentary of Najm al-Dīn al-Dāyah, and not of al-Kubrá; the title Najm al-Qur'ān is mentioned by ḥājjī Khalīfah, Kashf al-ẓunūn, col. 1930; another title appears on fol. 9b, immediately before the beginning of the commentary on Sūrah 52: ... هذا اول المجلد الرابع عشرىن من کتاب مطلع النقطة ومجمع اللفظ Incip.: ... قال ... السمنانى ... النصف الاول فى الاصطلاحات التى لا بد للمستفىد المسترشد من معرفتها
Fragments of an Abbasid Qur'ān probably written in the third century A.H. / ninth century C.E., containing verses from the Sura Ghāfir (سورة غافر). The script seems to correspond to the Abbasid Style B.II as described by F. Deroche.
Fragments of an early Qur'ān written in the Maghrib or al-Andalus in the fourth or fifth century A.H. / tenth or eleventh century C.E. The manuscript has the characteristic square format of the Western tradition and is written in Maghribi script.
Fragments of an Abbasid Qur'ān probably written in the third or fourth century A.H. / ninth or tenth century C.E., containing verses from the Sura Ṭāhā (سورة طه). The script seems to correspond to the Abbasid Style D.Vc as described by F. Deroche.
Project supported by
The Andrew W. Mellon Foundation


The American National Standards Institute and the National Fire Protection Association have recommended to the National Commission on Terrorist Attacks upon the United States that the NFPA 1600 Standard on Disaster/Emergency Management and Business Continuity Programs be recognized as the national preparedness standard. In addition to examining the circumstances surrounding the 2001 terrorist attacks in New York and Washington, D.C., the commission is charged with making recommendations designed to guard against future attacks.
NFPA 1600 establishes a common set of criteria for disaster management, emergency management, and business continuity programs. In addition, it identifies methodologies for exercising those plans and provides a list of resources within the fields of disaster recovery, emergency management, and business continuity planning. The standard also outlines planning guidelines that address stabilizing the restoration of the physical infrastructure, protecting the health and safety of personnel, crisis communication procedures, and management structures for both short-term recovery and long-term continuity of operations.
NFPA 1600 is available online at www.nfpa.org/PDF/nfpa1600.pdf?src=nfpa.


Fiat 500 USA Forum > Fiat 500 ABARTH Forums > Fiat 500 ABARTH Engine and Drivetrain Tuning > Turbo blanket install?
View Full Version : Turbo blanket install?
Has anyone done this yet?? Does the heat shield stay on?? How does it strap down all i got was the blanket.
you can leave it or take it off. use the stock bolts.
So the only thing holding this in is the 2 top bolts?
look at my thread on testing this. there is 3 on top two on the front and it goes under the turbo bracket. it uses all the holes on the blanket to mount it.
Yeah - total 5 bolt all together and Shaggie and I had the bolt come out with the front nut so don't be too alarmed if you experience that. I think I am the only one left running it without the stock heat shield on top. I removed the top heat shield and replaced it with the blanket.
question.the blanket.smel a lil after first time use?
So for those who installed the turbo blanket...any info? Actual data collected? Under hood temps?
I'm still running it without the stock heatshield. The shield at that point is only going to just get in the way of air flow, as the blanked is already keeping all the hot air in the hot side of the turbo, so better air flow around the turbo is only a good thing. It will smell funny like a burning/chem smell for the first several hot runs you do, but that goes away, and is normal, per the written instructions.


The closest international and domestic airports are Roma, Pisa, Perugia and Florence.
Exit for Abbadia San Salvatore and follow directions Monte Amiata.
Exit for Abbadia San Salvatore and follow the directions to Monte Amiata.
Exit for Abbadia San Salvatore Follow directions Monte Amiata.
Follow the signs to Monte Amiata.


text:
require "helper"

require "gapic/grpc/service_stub"

require "google/cloud/talent/v4beta1/event_service"

class ::Google::Cloud::Talent::V4beta1::EventService::ClientPathsTest < Minitest::Test
  def test_project_path
    grpc_channel = ::GRPC::Core::Channel.new "localhost:8888", nil, :this_channel_is_insecure
    ::Gapic::ServiceStub.stub :new, nil do
      client = ::Google::Cloud::Talent::V4beta1::EventService::Client.new do |config|
        config.credentials = grpc_channel
      end

      path = client.project_path project: "value0"
      assert_equal "projects/value0", path
    end
  end

  def test_tenant_path
    grpc_channel = ::GRPC::Core::Channel.new "localhost:8888", nil, :this_channel_is_insecure
    ::Gapic::ServiceStub.stub :new, nil do
      client = ::Google::Cloud::Talent::V4beta1::EventService::Client.new do |config|
        config.credentials = grpc_channel
      end

      path = client.tenant_path project: "value0", tenant: "value1"
      assert_equal "projects/value0/tenants/value1", path
    end
  end
end

redpajama_set_name: RedPajamaGithub


I was a local reporter in Oakland from 2008 to 2011. I spent my days chasing down politicians, sampling food, listening to music, profiling interesting folks who live in Oakland and covering events such as the protests following the shooting of Oscar Grant, the inauguration of Mayor Jean Quan and the ongoing budget crisis. I took thousands of photos while reporting in this city and here is a sampling of some of my favorites.
This was written by admin. Posted on Thursday, July 14, 2011, at 4:26 pm. Filed under Photo. Bookmark the permalink. Follow comments here with the RSS feed.	Post a comment or leave a trackback.


The Quarry is a truly impressive eco-development set to breathe new life into the disused Erith Quarry site which has lain neglected for the past 40 years, and will be transformed into a collection of new homes including 1, 2, 3 and 4 bedroom homes which will be built and released across several phases.
With sustainability at its heart, this innovatively designed development will establish high quality, considered living, educational and community spaces which encourage nature and build on the ecology of the site. It will also become a commuter's paradise, located just 30 minutes by train from central London and easily accessible for the planned Crossrail line from Abbey Wood and Woolwich stations.
The state-of-the-art primary school is The Quarry's most important landmark, signifying the heart and main entrance to the development.
The footprint of the school will be a pure circular ring. Composed of two storeys, the building will sit comfortably in the landscape, elevated above terraced communal spaces.
It's design is both bold and inspirational, providing a playful and aspirational environment aimed at motivating pupils to aspire to high standards. The school's shape maximises natural daylight and ventilation, and provides flexibility of space that will allow a variety of teaching and learning styles. It also lends itself to a much more democratic building arrangement and provides space for a central, external courtyard.
The Quarry spans approximately 20 hectares and is broadly bounded by housing and industrial areas. It will comprise of up to 600 new homes, a three form-entry primary school, community facilities retained ecological areas and newly provided open space.
Since 2016 The Quarry site has gone through a significant transformation and is excitingly gathering pace. With houses starting to go up and the ecology area now complete progress is moving quickly.
The Quarry will also have cycling routes and walking paths across the development for residents and the rest of the local community to enjoy.
To keep up-to-date with the progress of The Quarry development register your interest, and follow us on facebook and twitter.
These exceptional homes, mainly two and three storey houses, offer buyers a wide and varied choice. The majority of these contemporary houses are family houses, but the Quarry also features 2 bedroom maisonettes for sale and apartments to rent later on in the development.
This unique mix of high quality housing inspires a community feel that offers all residents a better way of living.
The strikingly modern primary school provides exceptional education facilities, offering a stimulating learning environment. This will provide 630 new school places from 2018, creating a valuable community resource - a local school for local people.
The school's circular shape maximises natural daylight and ventilation, and provides flexibility of space allowing a variety of teaching and learning styles. It will also feature allotments, outdoor learning spaces, an amphitheatre and a climbing wall.
Surrounded by established woodland, The Quarry provides plenty of green spaces, a network of cycle and walkways, and an ecology area the size of three football pitches.
With newly planted trees and shrubs, the well-defined public spaces provide focal points for community interaction and play for all ages.
These attractive recreation areas mean there are plenty of leisure facilities and local walks right on your doorstep. And, if that's not enough, all family houses feature generous rear gardens.
The Quarry is a truly impressive eco-development designed to breathe new life into an area that's been neglected for 40 years. With equal emphasis on open space, play, and the diversity and quality of housing, the new community is surrounded by woodland and features an extensive ecology area.
This is made up of retained areas of native grassland and scrub, with smaller wooded areas, as well as new wet pond features. Wherever possible trees have been retained and, where required, additional native trees have been planted.
If you travel to London, for work or leisure, The Quarry is perfectly situated for fast access. Located midway between Erith and Belvedere train stations, it's just 35 minutes into Central London, with direct trains to London Canon Street and Tower Bridge.
From 2018, Crossrail will run from Abbey Wood (just 5 minutes from Erith station), speeding you into Liverpool Street in only 17 minutes.
Designed for today's living, The Quarry, Erith, designs feature low maintenance materials, light and airy interiors, and generously-sized internal spaces. Contemporary bathrooms and kitchens provide the apartments with a fresh and stylish feel.
Designed for today's living, homes feature low maintenance materials, light and airy interiors, and generously-sized internal and outdoor spaces.
With a distinct yet harmonised architectural appearance the contemporary homes take aesthetic influence from the natural world e.g. buff brick, grey slate, timber and generous areas of glazing.
Where possible, living or kitchen spaces are south-facing with deeper gardens wrapping the south eastern corners to capture direct natural sunlight. Internal layouts have been designed to maximise light though the use of dual aspect and floor to ceiling windows.
Taking advantage of the natural gradients of the site, the majority of car parking at The Quarry will be 'undercroft', or below ground. This leaves more room for recreation and leisure, and reduces the visual impact of cars, giving residents uninterrupted views across an uncluttered landscape.
The design concept for The Quarry is driven by the site's topography, with its network of streets arranged to hug the contours of the landscape and gently climb the hill in a series of terraced platforms. This means that the majority of residents will enjoy long views towards the River Thames and beyond.
A village green, positioned at the highest level of the site, gives a focal point for the community, while strengthening local links to neighbouring residential areas.
With the wonderful and breath-taking North Downs only 30 minutes away, you'll find a mix of rolling hills, national parks, ancient woods, country walks, picturesque villages, lovely country pubs and restaurants within easy reach and just waiting to be discovered.
The Quarry's location offers residents of Erith the perfect opportunity to get away from city life and escape to the countryside and unwind.
Erith Quarry was integral to the local community for nearly two centuries; an important source of gravel and loam it was mined for everything from ballast for ships to loam for the nearby armaments foundry during WWII. In this video local resident, Ken Chamberlain, gives a fascinating insight into its rich history.
Having first visited the quarry as a child, when his father would bring him to work, Ken talks about the close knit community that existed and how he followed in his father's footsteps by starting working there when he finished school.
When quarrying ended in the 1960s, it was filled-in with rubble and other waste materials. Now it will be transformed with a landmark new school and community spaces to complement much needed new homes.
This leaflet was produced for The Quarry, an eco-development positioned in Erith, providing 600 new homes to the area. The Quarry will comprise of an exceptional collection of around 470 family houses, 130 unique apartments and a state-of-the-art primary school and will be surrounded by woodland.
The Quarry will weave together a new community through its contemporary homes and wealth of open space, providing an ecology area, play and eco-corridors and a village green style area to enjoy. The ground-breaking new three-form entry primary school lies at the heart of the development, creating a playful and inspirational learning environment.
The Quarry will provide the community with a selection of activities and areas to get fit as well and relax and unwind.
Find out the latest news on the The Quarry, including whats on in the area, life in Erith as well as keeping up to date on the latest site development news.


text:
Search results for "Eman Casallos"
X Ongoing Series
Mature (ages 16+)
Publisher: Dynamite
Written by: Kate Leth
Art By: Eman Casallos
Digital Exclusive Edition! What do you get when you put two werewolves, a telepath, a vampire from space, and a demonically-charged horror queen in the basement of a mansion filled with monsters? You get the fifth issue of Vampirella, that's what - the epic conclusion to our first arc!
Digital Exclusive Edition! After the harrowing conclusion of our first arc, Vampirella needs a break - not that it means she'll get one! A horror hostess gig goes awry in this stand-alone adventure tale of Weird Hollywood!
Vampirella: Annual 2011
Written by: Brandon Jerwa
Provenance, Kansas may not be listed on the map, but it's a location of great mystical significance - and the home of a twisted cult that worships Vampirella! When the object of the cult's adoration comes to Provenance looking for answers, things are definitely going to get personal...and bloody. There are surprises in the shadows, choices to be made...and does anyone else hear wedding bells? I hope Vampi's picked out a dress.
Digital Exclusive Edition! After receiving a threatening invitation to a party at Slade's manor, Vampirella and her coven of friends are forced to walk into an obvious trap. Can they outwit Slade at her own game, or will things get even bloodier?
Vampirella and her companions dive into research on the mysterious Slade, with no shortage of trouble in the way - from witches to taxidermy to mutated monsters on the attack, it's one hell of a week for Hollywood's favorite vampire!
Vampirella takes Hollywood in this new adventure of the classic demon-hunting, monster-slaying, thrill-seeking vampire queen. When her stately manor is attacked, she begins to unravel a plot as old as the silver screen, discovering what monsters really lurk in the shadows of the City of Angels. Writer Kate Leth (Adventure Time, Edward Scissorhands) says, "Can Vampirella be both a cult icon on the rise and take down an empire of ghouls and ghosts? Signs point to: Hell, yes!"
Battlestar Galactica: Starbuck #1
Written by: Tony Lee
Art By: Eman Casallos, Sean Chen
Finally, the origin of Lt. Starbuck is told by #1 New York Times best-selling author Tony Lee! See how Starbuck became a Viper pilot, his first meeting with Apollo and why Adama treats him like a son - as he pieces together what really happened the night he was orphaned, and the name of the traitor who ordered it...
The origin of Lt. Starbuck continues, told by #1 New York Times best-selling author Tony Lee! Two years before the attack on Cimtar and Starbuck has hit rock bottom - But when a clue to the Cylon spy behind the attack on Umbra appears, Starbuck finally has a chance to gain justice for his parents - but can Starbuck and Apollo find the spy before the Cylons stop them?
The origin of Lt. Starbuck continues, told by #1 New York Times best-selling author Tony Lee! Framed for a murder he didn't commit, Starbuck is forced on the run with only Apollo by his side, while Adama gains help against Osiris from a trader named Baltar...
Alice Cooper #5
Written by: Joe Harris
Art By: David Mack, Eman Casallos
As friends, fans, demons and derelicts gather for his big "comeback" show, Alice Cooper prepares his final vengeance against Clan Black. The first rocking, shocking story arc concludes... and there will be casualties.


After spending time in Kigali with Bp. Louis and Winnie, the team headed off for Mybo on Saturday. Once in Mybo, they had a tour of the new school building and spent time with the staff. They also spent time with the Compassion project and their staff. On Sunday, they were treated to a lively worship service (that lasted three hours!), with presentations from all of the choirs in the church. Brian preached with a translator present and presided over the dedication of the new cornerstone for the new school building. The team had lunch at Felicien's house and met with Stephen Gahigi who had just presided over 55 baptisms at his own church!
The folks from the agricultural project, Echo, arrived Sunday night–an American who lived in Tanzania for 40 years and a Rwandan who is helping the church in Development. Over 30 farmers showed up Monday morning at 8:00 a.m. to receive what was described as "transformative training". The two trainers are eager to help the Diocese formulate a realistic plan of development. The team also visited a cell group from the Mybo parish and got to see the early church in action.
Please continue to hold them in your prayers. They will continue their agricultural training today and return to Kigali Thursday to meet with our Compassion children and begin the long journey home – arriving at Dulles Friday afternoon.


What was wrong with the disciples?
Wherever else the Gospels may disagree, they agree always on the extent of the thickheaded obtuseness of the disciples.
But if one were to ask who first doubted the Resurrection, well, that would be all the disciples. So, just to be clear, no, it wasn't only "Doubting" Thomas. He just happens to be the disciple who got the most press out of it. The others, too, were frank scoffers, at first.
This, by the way, was said right after Jesus told them, "Listen carefully to what I am about to tell you: The Son of Man is going to be betrayed into the hands of men" and just before they broke into a squabble about which of them had the best chance of becoming just the greatest disciple like ever.
Jesus sternly confronts – that's the word – the disciples on the first evening of the Resurrection, Mark 16. The disciples by now have heard from Mary Magdalene and the women, the first to the tomb, and ignored them. But they have also heard from the two additional disciples who encountered Jesus (presumed to be the two returning from Emmaus), and they discounted that as well.
The accounts of doubting disciples aren't over. St. Matthew's Gospel (28:17ff) carries the scene of The Great Commission. "When [the disciples] saw him, they worshiped him; but some doubted. Then Jesus came to them …" The force of the grammar seems to say exactly that. But what does that mean, some doubted?
Wherever else the Gospels may disagree — in detail or timing, or even the actors involved — they agree always on the extent of the thickheaded obtuseness of the disciples, their inability to understand was what plainly being said, and their repeated failure of faith.
The Synoptic Gospels, Matthew, Mark, and Luke, tend to race through the story of Jesus, Mark especially. Mark is all shake-and-bake with events and conversations, everything. The message is immediate, right now, act now, follow, now. Matthew and Luke follow their own theological themes and emphases. Their gospels are longer largely because they relate more stories, but nonetheless they stay to the same rapid pace.
But the Gospel of John lingers over the Resurrection as it lingers over other crucial episodes. The denial of Peter, for instance, positively crawls. It slows down, going detail by excoriating detail until we are nearly weeping with Peter himself.
John does the same thing with the resurrected Jesus and his disciples. Beginning with Mary Magdalene to the catch of fish and finally to Peter's reinstatement – four times Jesus appears to one or two or all of his disciples. Each time he leaves them more confident, comforted; more resolved, more prepared for the long, long witness to follow. He does not rebuke them, never belittles their small faith, and leaves them ever strengthened.
Ask me, I'll read John for the Resurrection account when I'm feeling good, confident, firm. I'll read the others when my faith needs a little kick.


text:
The high-glam soap about L.A.'s fashionable and fertile Forrester clan was designed as a sister soap to the popular 'The Young and the Restless,' and quickly won ratings and global fans with cast crossovers, exotic remotes, glossy runway shows and fast-paced storylines about beautiful people behaving badly. In 2004, the show introduced a new family, the (more…)The high-glam soap about L.A.'s fashionable and fertile Forrester clan was designed as a sister soap to the popular 'The Young and the Restless,' and quickly won ratings and global fans with cast crossovers, exotic remotes, glossy runway shows and fast-paced storylines about beautiful people behaving badly. In 2004, the show introduced a new family, the Marones, and recruited several nighttime alums to beef up the cast. And to create a little chaos.
07-18-2019 Thursday Jul 18th, 1:30pm New
07-19-2019 Friday Jul 19th, 1:30pm New
07-22-2019 Monday Jul 22nd, 1:30pm New
Season 32, Episode 191 06-21-2019
First Aired: June 21, 2019
Zoe and Xander struggle with being on opposite sides of doing the right thing. As Thomas' obsession with Hope spirals out of control, Hope recalls her life with Liam.


Many homeowners have their own plan for home maintenance every year. Clean the gutters in the spring before summer thunderstorms arrive, cut the yard while the weather is nice, clean the floors every week—you know the drill. Basic home upkeep is important, but it's just as essential to remember a part of your home you may not think about often: your furnace and AC unit.
Unlike an unswept floor or an unkempt yard, though, an unmaintained or neglected furnace or AC unit isn't immediately apparent if you haven't thought about it in a while. Some homeowners unknowingly go ages without servicing or maintaining their HVAC systems. We're so accustomed to AC in the summer and heat in the coldest times of year that it's easy to neglect the systems in place that help bring those livable temperatures about.
The unfortunate part is that putting off maintaining your HVAC system can cause serious trouble down the road. Anyone who's lived in their house for a day in the scorching heat of summer can tell you that! The good news is that, should the need for emergency maintenance arrive, our team here at Olde Towne Heating & Air is here to help.
With many years of experience amongst our technicians, we have the knowledge needed to quickly identify and rectify problems with your heater or air conditioner, large or small. Need your home's HVAC system repaired, and quickly? Give us a call at 843-485-0967 and we'll talk through a plan to take care of the problem.
If you can't remember the last time you had your home's HVAC system serviced, don't fret! Scheduling an appointment with the Olde Towne Heating & Air team will help get you back on track. Once we finish working on your home's HVAC system, we'd also be happy to schedule an annual appointment to keep it running at peak condition. Scheduling this type of professional maintenance is the single best way for you to prevent serious problems down the road.
Of course, eventually, all units need to be replaced. If your air conditioning unit is in need of replacement or you just want to upgrade to something more modern, let us know! Our line of furnaces and AC units carries the important ENERGY STAR certification, paired with one of the best warranties around. Certain products also have other unique features like allergen filtration, humidity control, and quiet operation. Tell us what features you like and we will be able to find something that fits your needs.
For all of your HVAC-related needs, there's no one better in Hanahan than Olde Towne Heating & Air. We value quality customer service and want to make sure we do everything we can to satisfy our customers. No matter whether you're scheduling routine maintenance, in need of emergency HVAC service, or just looking to replace or upgrade a unit, give us a call at 843-485-0967 and we would be happy to help.


text:
Home News Council borrow for weir project
Council borrow for weir project
Cllr Frank O'Flynn and Mayor of County Cork Cllr Christopher O'Sullivan pictured with Ireland's Vice President of the European Investment Bank Andrew McDowell at the signing of the loan agreement last week.
Cork County Council have signed for the drawdown of a €35 million loan from the European Investment Bank, a portion of which The Avondhu understands will be allocated towards the rehabilitation of Fermoy Weir and fishpass.
According to Cllr Frank O'Flynn, the monies will however, have to be matched by central government or another source in order to cover the costs of the entire project.
It is also understood that some of the money will be put towards the redevelopment of the town centres of Fermoy and Mitchelstown.
"This is very welcome news. It shows that Cork County Council are interested in putting the life back into town centres," Cllr O'Flynn told The Avondhu.
"I'm also delighted that the restoration of Fermoy Weir and fishpass is one of the planned projects which means that Cork County Council will have their house in order when the planning permission comes through."
These projects are among a total of 54 across the county which will benefit from the loan and it is expected that a further loan is due to be taken out by the local authority in the near future.
Cllr Frank O'Flynn
Cork County Council
Fermoy Weir and Fishpass
Fermoy Weir Project
Previous articleJust Like Home will deliver for you this Christmas!
Next articlePre-Christmas event for Fermoy International Choir


text:
Q: How to display date at new posts in log I am building an application, and apart of it is a log of conversation, similar to the way how u see messages in whatsapp. The problem I am facing is that the system cannot adapt to different dates nor showcases those in order like:
2018-03-16
item1
item2
2018-03-11
item3
item4
I am making usage of smarty to pull in my data object to my screen:
The back-end
// Fetch info about the support ticket's conversations
$query = "
      SELECT
        conversation_content,
        posted_at,
        is_internal,
        IF(emp_id IS NULL, 0, 1) AS belongsToEmployee,
        EmployeeTBL.EmpFirstname,
        EmployeeTBL.EmpInsertion,
        EmployeeTBL.EmpLastname

      FROM
        ticket_conversation

      INNER JOIN tickets ON ticket_conversation.ticket_id=tickets.id
      LEFT JOIN EmployeeTBL ON ticket_conversation.emp_id=EmployeeTBL.EmpID

      WHERE
        ticket_conversation.ticket_id = :id

      ORDER BY
        ticket_conversation.posted_at
      DESC
      ";
$binds = array(':id' => $_GET['id']);
$ticketConversationList = $db->select($query, $binds);
// Set date container
$ticketDates = [];

// Loop through all the tickets and add their date as a ticket entry
foreach($ticketConversationList as $ticket){
    $ticketDate = date('d-m-Y',strtotime($ticket['posted_at']));
    $ticketDates[$ticketDate][] = $ticket;
}
//var_dump($ticketDates);
// Count all conversations
$conversationCount = count($ticketConversationList);

// Assign the variables
$smarty->assign("ticketDates", $ticketDates);
$smarty->assign("ticketConversationList", $ticketConversationList);
$smarty->assign("conversationCount", $conversationCount);

In my front-end, I am working with the variables provided, as to loop through my array of objects.
The front-end

                    {$ticketChatHistoryLabel}

                    {foreach from=$ticketConversationList key=index item=ticketConversation}

                        {if $index != 0}
                            {$index = $index - 1}
                        {/if}

                        {$dateOfConversation = date('d-m-Y',strtotime($ticketConversation.posted_at))}
                        {$dateOfPreviousConversation = date('d-m-Y',strtotime($ticketConversationList[$index].posted_at))}
                        {$dateOfConversation = date('d-m-Y',strtotime($ticketConversation.posted_at))}
                        {$timeOfConversation = date('H:i',strtotime($ticketConversation.posted_at))}

                        {if $dateOfPreviousConversation < $dateOfConversation || $index == 0}

{$dateOfConversation}

                        {/if}

                        <div class="holder
                            {if $ticketConversation.belongsToEmployee == 1}
                                pull-right
                            {else}pull-left
                            {/if}" style="border-radius: 0; border: 1px solid; padding: 5px; width: 90%;
                        {if $ticketConversation.belongsToEmployee != 0 && $ticketConversation.is_internal == 0}
                                background-color: #c0eed5;
                        {elseif $ticketConversation.belongsToEmployee != 0 && $ticketConversation.is_internal == 1}
                                background-color: #eeeeee;
                        {/if}">
                            {$ticketConversation.conversation_content}

                                {$ticketHistoryPostedAt}{$dateOfConversation} {$atLabel} {$timeOfConversation} {$hoursLabel}

                            {if $ticketConversation.belongsToEmployee}

                                {$ticketHistoryPostAuthor}{$ticketConversation.EmpFirstname} {$ticketConversation.EmpInsertion} {$ticketConversation.EmpLastname}

                            {/if}

                    {/foreach}

- {$endOfTicketConversation} -

At the moment this is the output:

Ticket history as is with current code
Then, I switch
{if $index != 0}
{$index = $index - 1}
{/if}

And I set the green response data as 2018-03-15 (yesterday from time of posting this). The result is as follows:

Ticket history with edited code

A: RESOLVED
Required fake 0 check since we're -1'ing
{foreach from=$ticketConversationList key=index item=ticketConversation}
                        {$fake = $index != 0}
                        {if $index != 0}
                            {$index = $index - 1}
                        {/if}

                        {$dateOfConversation = date('d-m-Y',strtotime($ticketConversation.posted_at))}
                        {$dateOfPreviousConversation = date('d-m-Y',strtotime($ticketConversationList[$index].posted_at))}
                        {$dateOfConversation = date('d-m-Y',strtotime($ticketConversation.posted_at))}
                        {$timeOfConversation = date('H:i',strtotime($ticketConversation.posted_at))}

                        {if (( $index == 0 && !$fake )|| $dateOfPreviousConversation != $dateOfConversation) }

{$dateOfConversation}

                        {/if}


The University of New England provides excellent opportunities for our Australian and International students to study overseas for one semester or one year as part of your degree.
UNE is home to a diverse and exciting community and a vibrant campus. Our unique residential college system will provide you with a "five-star" living-and-learning experience, ensuring you achieve the right balance of both.


text:
Q: What is the format for assembler NASM files? I  want to know what is the format for writing assembler code for NASM. Is there any place which teaches that? I tried to run a MASM32 file on NASM but I think it didn't recognize the instructions.

A: There's always the manual.


Kiteboarding banned from Rickenbacker Cswy.
For anyone who hasn't seen the new signs at Hobie beach and soon coming up on windsurfer beach, kiteboarding as well as other activities have been banned from the area.
The new signs allow the police to now enforce rules by arresting or fining anyone not following basic courtesy .
As we have learned, if we don't patrol ourselves, government will do it for us.


text:
Commodores complete sweep with 14-4 rout of Florida
Saturday marks the first time the Commodores have scored at least ten against the University of Florida in back-to-back games since 2006-2007.
The Vanderbilt Commodores faced off against the 14th ranked Florida Gators on Saturday afternoon, hoping to complete a three game sweep in just their second conference series.
The high-stakes game brought 3,626 fans to the stands, enough to completely sell out Hawkins Field–for the second time this weekend. The large crowd, led by the famous Vandy Whistler, loudly voiced their support for the Commodores all afternoon.
In the end, the VandyBoys did not disappoint. After dropping their first series to the Texas A&M Aggies, they bounced back in spectacular fashion by winning the final game 14-4 and completing the sweep of a talented Florida Gators team.
"We performed well at certain times," said Coach Corbin, as he reflected on the weekend. "But any time you do it in a consistent manner against a good team, it's saying something. It gives you an indication of what some kids are capable of doing."
Corbin gave Kumar Rocker the nod on Saturday despite the freshman's inconsistent play of late. Rocker had not registered a win since their 6-2 defeat of Pepperdine in late February, and his success varied by day.
Today, with the help of a stellar offensive effort, Rocker showed his true colors. His dominance began as early as the first inning, as he wasted no time in striking out three consecutive batters to start the game.
In the bottom of the third inning, Rocker faced the only jam of his outing. While Vanderbilt's offense had yet to log their first hit, Florida started off the inning with a solo home run. This brought up their lead-off hitter, Jacob Young, who hit the first of two straight singles.
The rally continued, and Rocker took a minute to get his grip.
The two baserunners advanced on a sacrifice, leading to Rocker's wild pitch. After seeing the pitch get away from catcher Philip Clarke, Florida tallied their second run of the inning.
Rocker was given the opportunity to prove himself. As a freshman, his performance is often evaluated not by how dominant he is at his best, but rather, how he deals with a jam at his worst.
Rocker welcomed the opportunity with open arms, working his way out of the third without another scrape.
"I was certainly happy with the pitching this weekend," Corbin noted. "I think it's important to see how [Kumar] was going to rebound. After the third with the solo and the ball getting back to the backstop, there was a little bit of frustration. Really what you wanted to see is if a young kid could rebound, and he did. He got himself back on the mound and pitched, he's impressive that way."
In the fourth, the Commodore bats finally got something going. Leadoff hitter Cooper Davis was set to kick-off the inning, and his single sparked a short-lived rally. The second hitter, Austin Martin, followed-up with a single of his own, while the three hitter, JJ Bleday, walked his way to loading the bases.
The rally was short-lived for all the best reasons. Just as they drew it up, clean-up hitter Stephen Scott stepped up to the plate with the bases loaded. Scott wasted no time, absolutely launching a grand slam over the right field fence. He has been devastating to the Gators this weekend, ending the series with six hits and five RBI's.
"Kumar had been doing a great job in that game and we were really trying to give him some run support," said Scott. "Just playing Florida and knowing the history between our two teams puts a lot of emotion in the game. That makes it a lot of fun for us."
This gave the Commodores a 4-2 lead–their first of the night–and from thereon out, it was smooth sailing for Corbin's squad.
Kumar Rocker did not allow another run en-route to a six inning outing, during which Coach Corbin allowed his freshman to reach a pitch count of 105.
Rocker was pulled after six frames, but in the bottom of the sixth, Clarke gave the freshman pitcher some insurance. He joined in on the home run parade, driving in three and extending the Commodore lead to 7-2. The rally didn't end there; Harrison Ray followed-up with a single of his own, and Julian Infante's sacrifice fly drove him in for the eighth run of the game.
The icing on the cake, however, came in the bottom of the seventh. Ray came up to the plate once more, with two runners on, and drove them both home with a double to right-center field. The Commodores had then amassed a lead of 10-2.
This marks the first time they've scored at least 10 against the University of Florida since 2006-2007, when they did it four games in a row.
In the bottom of the 8th, the game started getting out of hand. Austin Martin notched a double down the line, his third hit of the night, scoring two more. The very next batter, JJ Bleday, had not recorded a hit on the day–until he drove Austin Martin home with a deep two-run homerun to center field.
Eventually, the Commodores slowed down, and this exciting game came to its conclusion.
Tyler Brown closed the game in the 9th, but faced some trouble. After the Gators scored two more in the 9th, the Commodores won 14-4.
Unbeknownst to him, the game also marked Tim Corbin's 700th win as the head coach of the Commodores. When asked about the accomplishment after the game, he gave a typical Coach Corbin answer:
"It's a win. That's all that matters."
Austin Martin
Harrison Ray
Kumar Rocker
Tim Corbin
Vanderbilt Baseball
VandyBoys
Press Conference Notes: Corbin speaks to media three weeks before opening day
Pitching dominates in VandyBoys' intrasquad David Williams Fall Classic
Fall Ball: New and familiar names star in VandyBoys' fall scrimmage against Samford
VandyBoys rub elbows with Nashville Predators, raise money for charity in inaugural Smashville Showdown
Vanderbilt Baseball releases SEC schedule for 2023 season
Tate Kolwyck signs with Los Angeles Angels after going undrafted in 2022 MLB Draft
2022 MLB Draft: Carter Young drafted by Baltimore Orioles in 17th round
2022 MLB Draft: Javier Vaz drafted by Kansas City Royals in 15th round
2022 MLB Draft: Chris McElvain drafted by Cincinnati Reds in eighth round
2022 MLB Draft: Dominic Keegan drafted by Tampa Bay Rays in fourth round
2022 MLB Draft: Spencer Jones drafted 25th overall by New York Yankees
2022 MLB Draft: Kumar Rocker drafted third overall by Texas Rangers
What's going on with the VandyBoys and the transfer portal?
Reliever Christian Little enters transfer portal


text:
Home Latest OpenAthens Launches MyAthens Plus with CORE open access
Newly redesigned OpenAthens' library-owned information portal MyAthens Plus has just announced its integration with CORE, the world's largest collection of open access full texts, which are used and referenced by people globally, including researchers, libraries, software developers, funders and many more.
MyAthens Plus is being offered to improve resource discovery to learners and researchers, providing a user-friendly starting point for research.
The CORE collection features around 26 million free-to-read texts across 147 countries and allows researchers across the globe to ensure their referenced texts and reading is up-to-date. This makes research quick and effective and ensures access to current, relevant sources is possible regardless of the institution or student's means.
The CORE discovery service is now available to all MyAthens Plus customers.
Dr Petr Knoth, Head & Founder of CORE at The Open University, explains:
"A key mission of CORE is to aggregate open access research worldwide and increase its discoverability. By partnering with OpenAthens, we are able to make content from the global network of open access repositories and journals who are CORE data providers more visible to the many users at libraries who use MyAthens Plus. Working with OpenAthens to power MyAthens Plus with CORE is a perfect fit to enable institutions to offer their students the widest research base possible. "
Jake Smallridge, senior product manager at OpenAthens explains:
"This MyAthens integration with CORE works as a solution for all students and researchers to access outputs of research quickly, easily and with no cost, which opens material to learners globally. It is a neat solution to discover a range of research papers, theses and grey literature thoroughly and effectively."
If you are interested in learning more about MyAthens Plus and open access content discovery, OpenAthens is hosting a free webinar with the CORE team on 2 December at 2 pm (GMT). Register here.