Roughly 5 years ago a group of minoritized students decided that enough was enough. Fueled by a desire to be represented in the campus community, they took action to make their voices heard. Years of petitioning and protest has culminated in the establishment of the Diversity Center. A testament to the power of student activism and determination, this center is more than a community to those who are minoritized, it's a legacy project that all minoritized students have the opportunity to be a part of. Building on a foundation to improve the experience of those who lack privilege in the world, I can imagine the center's growth will be exponential as its presence within the campus community expands and grabs people's attention.
With a story as vast and unique as the Diversity Center's, it's hard to imagine what it must have been like to be involved. That's why the archive is here: to capture the experience then and the experience now within the actualized space. We recognize that no single person along this journey has had the same experience and we value the vast array of perspectives that those involved possess. This archive holds true that the human existence is not uniform or black and white, but in fact a complex and colorful state of being. Documenting this difference of perspective and lived experience is crucial to understanding the full scope of the Diversity Center past, present, and future.
At this current point in time, the Diversity Center Archive is in its formation phase. My role in this phase is to develop the guiding principles and practices of archiving as the archiving student specialist. Prior to this role, I have worked with a multitude of organizations and communities in the past to help bring their voices forward. Two of my most notable being the Gender Justice League and survivors from Japanese American Internment Camps. It was these experiences that showed me the value and necessity of bringing these forgotten and overlooked stories forward. As a member of the LGBTQIA+ community, I understand what it feels like to be silenced and looked over by those with privilege. In this position, I have a great responsibility to change the way the struggle and strife students with minoritized identities face within the halls of academia. Student voices will take prevalence in this archive as you all are the reason the Diversity Center is here and an archive is being constructed to honor and showcase your achievements. This work has provided me with such a strong sense of agency that I can change my position within society and I want this archive to serve as an inspiration to others that you too can make a change and impact. I encourage you to continue to express yourselves and consider sharing your experience related to the Diversity Center with the archive.


Teachers can receive CEUs for attending this workshop ( .5 CEUs for 5 hours of training or more).
UNCG will provide documentation (a Certificate) at the Registration Table stating the number of hours or CEUs awarded. Teachers will need to submit this information along with an agenda for the time at the work shop to their district.
Click Here for the CEU Web Page for Guilford County Schools.


text:
Q: Автоматизация ввода бинарного дерева У меня есть дерево,размер и количество элементов которого мне заранее не известны,мне необходимо обеспечить консольный ввод этого дерева,но проблема в том,что используя мою функцию root->left=newNode(элемент) при большом количестве элементов,приходиться писать root->left->left->...(при этом невозможно отсеять момент,когда я не ввожу сына,тоесть последовательность на нем должна прекратиться )это очень неудобно.Мне необходимо автоматизировать этот процесс,но вот я никак не могу понять как заменить этот способ.
Структура дерева:
struct node
{
int data;
struct node* left;//левый сын
struct node* right;// правый сын
};

Функция,создающая новый узел:
struct node* newNode(int data)
{
struct node* node = (struct node*)
                            malloc(sizeof(struct node));
node->data = data;
node->left = NULL;
node->right = NULL;

return(node);
}

Функция,добавляющая новый узел:
struct node* insert(struct node* node, int data) {
// 1. If the tree is empty, return a new, single node
if (node == NULL) {
return(newNode(data));
}
else {
// 2. Otherwise, recur down the tree
if (data <= node->data) node->left = insert(node->left, data);
else node->right = insert(node->right, data);

return(node); // return the (unchanged) node pointer
}
}

Пример дерева:
 /*
          1
        /   \
      2      3
    /  \    /
  4     5  6
 /
7
*/

Текущая версия ввода:
int counter;
printf("Vvedite kolichestvo uzlov: ");
scnaf("%d",&counter);
int nodarr=(int *)malloc(sizeof(int)*counter);
printf("Vvedite koren`: ");
scanf("%d",&nodarr[0]);
struct node *root = newNode(nodarr[0]);
printf("next %d ");
scanf("next %d",&nodarr[1]);
root->left = newNode(nodarr[1]);
scanf("next %d",&nodarr[2]);
root->right = newNode(nodarr[2]);
printf("next %d ");
scanf("next %d",&nodarr[3]);
root->left->left = newNode(nodarr[3]);

A: Не нужно вам вводить размер дерева изначально. Само определится :)
#include <stdio.h>
#include <stdlib.h>

struct node
{
    int data;
    struct node *left;
    struct node *right;
};

static struct node *newNode(int data)
{
    struct node *newnode = malloc(sizeof(struct node));
    if( newnode ) {
        newnode->data = data;
        newnode->left = NULL;
        newnode->right = NULL;
    }
    return newnode;
}

static struct node *insert(struct node **node, int data)
{
    if( !*node )  {
        *node = newNode(data );
        return *node;
    }
    if( data <= (*node)->data ) {
        return insert( &(*node)->left, data);
    }
    return insert( &(*node)->right, data);
}

/* не очень наглядно, но на скорую руку сгодится */
static void printNode( struct node *node, int level ) {

    if( node ) {
        int i = 0;
        while( i++ < level ) {
            putchar( ' ' );
        }

        printf( "%d\n", node->data );
        printNode( node->left, level+1 );
        printNode( node->right, level+1);
    }
}

int main(void)
{
    int n;
    struct node *root = NULL;

    /* конец - ввод 0 */
    printf( "Enter nodes (0 to end)\n" );
    while( scanf( "%d", &n ) != EOF && n ) {
        if( !insertNode( &root, n ) ) {
            perror( "Node creation" );
            break;
        }
    }
    printNode( root, 0 );
    /* освободить память дерева не забыть */
    return 0;
}

redpajama_set_name: RedPajamaStackExchange


Today's eggs come from huge indoor factories where literally millions of hens are kept in the most inhumane, disease-ridden conditions imaginable.
In the crowded "battery cages" of today's egg factories, the life of a factory farmed hen is one of intense suffering. She is confined her entire life in a tiny cage with four, five (or more) other hens. There's barely room to stand, let alone walk or stretch her wings. Normal behaviors such as nest building, dust bathing, perching, scratching the ground, and walking are all impossible.
The advertising phrase "No Hormones" is used deceptively by the industry to lead consumers to believe eggs are raised naturally. The industry fails to warn of the enormous amounts of antibiotics, pesticides, and other chemicals used.
Up to five hens are crowded for life in a cage with the floor space barely larger than the size of a folded newspaper.
Feed additives are used to artificially color egg yolks in order to create a "natural" yellow appearance.
Barely able to move, the hens incessantly strike out in frustration - pecking at the only thing available: each other.
To reduce cannibalism, laying hens are "debeaked." Debeaking is a painful procedure whereby the hen's sensitive upper beak is sliced off with a hot blade. Many die from shock during the process.
Male chicks are of no value to the egg industry. They are thrown into plastic bags to suffocate slowly under the weight of chicks dumped on top. Others are ground into animal feed - while still alive.
Veterinary care is non-existent. Individual hens are considered cheap and expendable. Critically ill birds are simply thrown onto "dead piles".
Anything goes, all right - antibiotics, pesticides, food poisoning, "debeaking" hens with hot blades, suffocating baby chicks, food and water deprivation, battery caging….
Excessive cholesterol is only one among many hazards posed by egg consumption. To keep millions of hens alive in the polluted egg factory environment, the industry relies upon antibiotics, pesticides, and other hazardous chemicals. The toxic dangers these hidden ingredients pose to consumers make the health hazards associated with cholesterol seem minor by comparison.
Can eggs from drugged and diseased hens possibly be good for consumers as the advertisements claim? Certainly not. Leading public health professionals warn that the wholesale misuse of antibiotics is creating hazardous strains of bacteria, such as salmonella. Many of these antibiotic resistant "super bugs" can be lethal to human beings.
Insecticides are not only sprayed around the cages but are actually mixed in the feed given to the hens. "Feed-through" insecticides are designed to make the excrement that piles up in and around the cages toxic to flies and other insects.
Over 98% of the egg market is under the control of huge agribusiness corporations. This surplus of cheap factory eggs is certainly no benefit to consumers. When the eggs you buy are tainted, the hidden costs are much higher than the price per dozen!
The Humane Farming Association believes all animals deserve to be treated with compassion and decency. Your boycott of factory farmed eggs and support of HFA will help end this cruelty.


An art project 'Pop Bottles' aims to raise awareness about social issues like alcohol consumption while pregnant.
The bottles are NOT for sale, they are part of an art exhibition. This is an art project to raise social awareness on topics such as alcohol abuse by teens, alcohol abuse by pregnant women, the disinterest of some parents towards their children (abandoned for days between toys and video games), how far marketers can go to gain the attention of their younger customers. There are no commercial purposes.
What do you think of this social awareness campaign through art?


Earlier this month a store employee in Berlin called the police claiming that LG employees had damaged the doors of four high-end washing machines that retail at around $2,700 ahead of a trade show in Germany.
While bizarre, the two companies have enjoyed a bitter rivalry for decades. The two compete in numerous arenas from smartphones to televisions and back to home appliances with Samsung Electronics Co. Ltd. (LON:BC94) (KRX:0059935) enjoying the lead in most categories. Samsung had revenues of roughly for times that of LG Electronics Inc. (KRX:066570) (OTCMKTS:LGEAF) but LG has enjoyed recent successes including strong sales of its newest smartphone the G3 at the expense of Samsung.
Samsung recently saw a drop in its net profit for the first time in years with a lot of that being blamed on poor sales of its flagship Galaxy S5 smartphone.
LG has confirmed the washing machine incident but insists that there was no deliberate vandalism of the machine by its "researchers." These researchers were in Berlin for the IFA consumer-electronics trade show.
Apparently, an LG president, Jo Seong-jin was involved in the incident. Mr. Jo is the president and chief executive of LG's home-appliance division. "Our executives, which included a company president, indeed paid this shop a visit to check out a number of products," LG's statement said referring to Mr. Jo.
"We hope this incident isn't meant to hurt us, the world's No. 1 seller of washing machines," the LG spokeswoman said.
While LG seems content with admitting to the incident, Samsung seems genuinely hurt by the affair.
"Despite our best efforts to avoid further confrontation and escalation of the situation, the company in question has tarnished not only Samsung's brand image but also the reputation of Samsung employees by making slanderous claims that our washing machines were defective," the statement continued.
So far no statement has been given by the Seoul Central District Prosecutors Office into this goofiness.


Find articles written by the Associated Press during the past 14 days. The AP frequently sends out multiple versions, and most of these articles were not published in the newspaper. To browse the complete wire, just hit "go." Articles appear in chronological order.
Search Tip: To find words used together in an article, put "quote marks" around the entire phrase.


text:
Q: an error says "TypeError: 'int' object is not subscriptable " on a print() line but I changed every int value to a str value I am trying to print some information for a project I'm working on:
SnakePosX is an int value
SnakePosY is an int value
Direction is a string (either up, down, right or left)
ApplePos is a list containing 2 int values
SnakeLength is an int value.
I have turned every int value into a string like this: {str(SnakePosX)} even tho it was perfectly fine until I added ApplePos[1].
Here's the full string:
print(f"New pos: {str(SnakePosX)},{str(SnakePosY)} // Direction: {direction} // Apple pos: {str(ApplePos[0])},{str(ApplePos[1])} // Length: {str(SnakeLength)}")

Tell me if I need to add anything.

A: ApplePos was an int instead of a list. I made it a list and everything works fine now.


text:
#ifndef art_Framework_Core_TriggerResultInserter_h
#define art_Framework_Core_TriggerResultInserter_h

// ======================================================================
//
// TriggerResultInserter - This is an unusual module in that it is always
// present in the schedule and it is not configurable.  The ownership of
// the bitmask is shared with the scheduler.  Its purpose is to create a
// TriggerResults instance and insert it into the event.
//
// ======================================================================

#include "art/Framework/Core/EDProducer.h"
#include "art/Framework/Principal/fwd.h"
#include "cetlib/exempt_ptr.h"
#include "fhiclcpp/ParameterSet.h"
#include "fhiclcpp/ParameterSetID.h"

// ----------------------------------------------------------------------

namespace art {
  class Event;
  class HLTGlobalStatus;

  class TriggerResultInserter
    : public art::EDProducer
  {
  public:
    typedef cet::exempt_ptr<HLTGlobalStatus> TrigResPtr;

    // standard constructor not supported for this module
    explicit TriggerResultInserter(fhicl::ParameterSet const& ps) = delete;

    // the pset needed here is the one that defines the trigger path names
    TriggerResultInserter(fhicl::ParameterSet const& ps, HLTGlobalStatus & pathResults);

    void produce(art::Event& e) override;

  private:
    TrigResPtr trptr_;
    fhicl::ParameterSetID pset_id_;
  };  // TriggerResultInserter

}  // art

// ======================================================================

#endif /* art_Framework_Core_TriggerResultInserter_h */

// Local Variables:
// mode: c++
// End:

redpajama_set_name: RedPajamaGithub


I have always been the type who would value time like it's my most precious possession. As much as possible, I would like to avoid idle moments and spend my every day doing something that I like, regardless if it is just a spontaneous night-out, a writing gig, or just lounging around the house, watching my favorite series.
At work, apart from the usual tasks that I do everyday as a publicist, I "try" (with it being the operative word in this statement) to get involved in company events, such as parties, and surprisingly for me, volunteer activities. I must admit that in the past, doing volunteer works wasn't really in my list of most favorite things to do, simply because I thought it was not the perfect definition of spending my time wisely.
However, two years ago, my job has opened an opportunity for me, which eventually led to changing this lousy way of thinking.
As usual, I was not the happiest person when I found out that I would join a volunteer activity – on a Saturday – and write about it. Aside from the fact that I was a new hire then and I did not know a single soul joining the same activity, I thought I would rather spend my Saturday at work than tire myself building houses. All I cared about was getting it over and done with and heading home.
During the culmination of the activity, the area's officer-in-charge gave his parting words to the volunteers, which left me feeling guilty.
These words, as simple as they seem, struck a chord in my heart. I did not have the purest intentions when I kicked off that day, but I ended it with big realizations. I couldn't help but feel sorry for myself because my life has been revolving around superficial things while there are those, who have dedicated most of their time changing and alleviating the lives of the oppressed. I was too busy devoting my time and effort to useless activities when I could be spending just an hour or two changing people's lives.
The reality finally sank in. My eyes and heart were too closed to see and respond to the calling of serving our fellowmen. Forgive me for sounding a little too pious, but I believe it was because I was volunteering for the wrong reasons. I was not doing it to serve the Lord, but to serve myself. This realization, no matter how sad it sounds, made me see the good in the bad. My awful perception about volunteerism pushed me to rethink my relationship with God. Have I really lived my life in His glory? Have I really seen Him in other people? Have I really loved Him?
Needless to say, I was able to complete my work assignment. But apart from that, I took home something from that activity, which changed the way I see things, especially time. I can't say that I have mastered it, but I am taking baby steps to be able to fulfill whatever it is that He wants me to do.
Today, I am trying to join as many volunteer activities as I can. I have painted classrooms, cooked food for the abandoned, ran for scholars, and fed the orphans. These still do not compare to the amount of work that most volunteers that I know have done, but I believe these are good starting points. What is important is that I am able to spend my time, not only for the things that I like, but also for the things that really matter. Best part is, of course, doing all of these for God's greater glory.


text:
Q: Length of string exceeding maxJsonLength property I have the following code, being called by an ajax, which is converting a pdf to a base64 string and then sending the result as a json:
public object LoadPDF(string fileName)
{
    string filePath = Server.MapPath(new Uri(fileName).LocalPath);
    PdfLoadedDocument loadedDoc = new PdfLoadedDocument(filePath);
    MemoryStream stream = new MemoryStream();
    loadedDoc.Save(stream);

    byte[] docBytes = stream.ToArray();
    loadedDoc.Close(true);

    return Json(new { data = "data:application/pdf;base64," + Convert.ToBase64String(docBytes.ToArray()) });
}

This is working fine except that when the file is above 2MB.  I get the following error message in my ajax success:

Error during serialization or deserialization using the JSON JavaScriptSerializer. The length of the string exceeds the value set on the maxJsonLength property.

Any work around for this please?


Book your flight tickets from Las vegas to Knoxville at lowest airfare. Get best offers on international flight bookings when you fly from Las vegas to Knoxville. Also Check flight schedule, status and low cost airlines for Knoxville to Las vegas flight. Use promo code YINTSALE and get flat 25% eCash (Up to Rs.15,000 Off).


The following article was originally published in the July 2002 issue of The Breakout Bulletin.
Short term trading on daily bars has certain advantages; notably, you don't need the expense and hassle of real-time data. However, it also has certain limitations. Recently, I received the same question from two different customers regarding a trade that was stopped out on the day of entry. Even though the trade was stopped out, TradeStation showed the trade still long. I was asked if there was a problem with the MiniMax system logic.
The problem is not with the system. The problem is that TradeStation doesn't always have enough information on the day of entry when using daily bars to determine if the trade was stopped out that day. Whether a long trade is stopped out or not on the day of entry depends on whether the market declines to your stop price after the trade is entered. If the low of the day is below the stop price, TradeStation has to make an assumption about when this low occurred. All it has to go on is the open-high-low-close. There is no information in a daily bar about the order in which these prices occurred during the day.
The daily bar is shown at left. The day opens near the low and closes near the high. We enter long at the green arrow. One possible scenario for the intraday price movement is shown as Scenario #1. The day moves lower after the open, and puts in the high near the end of day before closing off the high. In this scenario, the market never retests the low of the day, so we're not stopped out.
However, Scenario #2 is also possible. Here, the market opens near the low, establishes the high of the day early, puts in the low following the high, and finally moves back up to the close. In this scenario, we're stopped into the long trade during the first move up and stopped out on the way down to the low. Based solely on the open-high-low-close, it's impossible to deduce which scenario occurred.
TradeStation assumes Scenario #1, which is statistically the most likely. Nonetheless, on some days, Scenario #2 will occur. When it does, TradeStation will show the trade is still long at the close, based on assuming the first scenario, even though the trade has been stopped out.
Of course, this is only an issue when the trade is stopped out on the day of entry. On any day following the day of entry, it's simply a matter of checking to see if the low of the day is below the stop price (or the high is above the stop price for a short exit).
The lack of intraday information can also be a problem if you're trying to day trade off daily bars. One common source of problems is applying a trailing stop to daily bars when the trade enters and exits on the same day, as it does for a day trading system. You can run into the same problem noted above. It's possible to use the built-in trailing stop in TradeStation to develop a very impressive day trading system using a very tight trailing stop. Unfortunately, the results might be total fiction.
Let's say, for example, that you're working on developing a day trading system for the E-mini S&P and decide to run it on daily bars. You choose a trailing stop that waits until you have at least two points of profit then protects half the open profit. This might look great in the TS performance report. Unfortunately, in real trading, most if not all of your trades would be stopped out with one point of profit because it takes very little to move the S&P one point.
However, TradeStation doesn't know anything about the intraday ups and downs when it only has the daily bar to work with. It uses the assumptions of Scenario #1. This means it assumes the trailing stop for your long trade is in place through the high of the day (see Scenario #1, above) before it starts to calculate the exit point based on protecting half the open profit as the market retraces from the high. In reality, you would have been stopped out long before the market reached the high of the day, even if Scenario #1 was largely correct.
The lesson from this is simply: if you're using daily bars and have a lot of trades entering and exiting on the same day, take a careful look at the results to make sure TradeStation is reporting an accurate picture of what's actually happening in the market.


The caress of the body is a symptom of tenderness towards a being.
The Indonesian tradition of nurturing purification is based on the belief that external appearance reflects the inside of a human being. Therefore, Indonesian women for centuries attached great importance to the use of various treatments to properly care for health and beautiful appearance of the body and, above all, the skin - its elasticity, smoothness, velvet softness. Originally, the practices of LULUR were used in the palaces of Bali and Java by a strictly initiated group of women who, in the wedding ritual, carried out the bride's "skin stroking" and other mysterious treatments to prepare the girl's body, mind and soul for her future life with her husband.
and tree bark. And these components with exotic-sounding names, such as pandanus, papaya, and avocado, are components of masks and peels that calm the senses with the aroma itself. Their varied consistency gives the Lulur effect - a deep "skin stroking"


text:
Twitter Will Shut Down Periscope Live-Streaming App in 2021
Softwares, Latest News / December 16, 2020 December 16, 2020
Twitter has officially announced that it is shutting down Periscope as a stand-alone service. The announcement was made by an official blog post and a tweet to its followers. It is essentially a confirmation of recent reports that spotted a line within the app's code that hinted towards an imminent demise of the service.
Periscope will cease to exist as an individual application for Android and iOS starting in March 2021. The team will also release a new update to remove the new account creation option for the time being. It means while existing users can continue using the apps until the deadline, no new users will be allowed to join the platform.
The blog post cites two major reasons behind the decision to kill the service. The first one is a decline in usage that the company says has been evident for the past couple of years. The drop makes the app maintenance cost look like an avoidable expense as it just keeps on increasing with time. The second reason is that Twitter has already integrated Periscope's live streaming functionality with its main app. This makes it redundant to work on the Periscope app as well as on the connection between the two apps.
All live broadcasts from Periscope that were shared on Twitter will continue to be accessible as replays. It will further allow users to download all the broadcasts and their data as an archive. It goes without saying that anyone who wishes to do so will have to do it before the app shutdown deadline.
For the uninitiated, Periscope was one of the first platforms on the internet to allow anyone to go live from anywhere. It was acquired by Twitter in 2015, soon after it became popular, as it wanted to take on Meerkat. It would not be exaggerating if Periscope was to be credited for playing a crucial role in making live streaming mainstream. As things stand now, Periscope's legacy will continue to live as Twitter Live.
India govt opens bids to sell majority stake in Shipping Corporation of India
7-seat Hyundai Creta (Alcazar) To Be Launched In 2021
Apple iPhone 13 to come with Wi-Fi 6E
Samsung to bring a 5G phone for below Rs. 15,000 in India
PUBG Mobile India: Here's What IT Ministry Says About Its Launch Date
Realme X7 Pro begins global rollout in Thailand
Foldable iPhone: Is Apple planning to release one in 2022?
Apple TV app coming to Chromecast with Google TV in early 2021
Jio Meet
Messenger Rooms
We hate spamming. If You like our articles you may like our social media channels to get updated with the latest articles and news.
Copyright © 2021 OPSULE. All Rights Reserved.

redpajama_set_name: RedPajamaCommonCrawl


Focusing In: Camera's & The Desire To Photograph.
What do I want to do and will it fit in my budget?
So you want to do some photography? Or maybe even be known as a photographer?
Now that's a huge thing to decide right off the bat isn't it? Who cares about a category name anyway?
Seriously though, first decide what is it you're wanting to do with your camera and possible future ideas of where you'd like this interest to lead. Write down your ideas, dreams, and goals. Then determine your budget. How much can I actually afford to begin? Cameras come in all shapes, sizes, with gizmos, and budgets tailored towards the consumers needs. After all what you can afford could have some influence over where you start.
(Be patient. Everyone has to begin somewhere).
Some of us want to climb Everest, but is that a good place to start?
Once you've a general idea of your budget and where you'd like to focus your eye upon to photograph then the next step comes!
*Next step will be posted soon!


text:
We are proud to announce that we have become one of the first organisations in the television production sector to become an accredited Living Wage Employer. The Living Wage is an hourly rate set independently and updated annually, based on the cost living in the UK.
Oxford Scientific Films is committed to nurturing and supporting up-and-coming television talent, from all backgrounds, and we believe that paying the Living Wage to our junior employees will actively encourage young entrants into the industry who are then able to concentrate on their work and careers at Oxford Scientific Films without the fear of falling into debt.
Rhys Moore Director of the Living Wage Foundation said "The benefits the Living Wage brings to staff and business are clear. I welcome the leadership shown by Oxford Scientific Films on this important issue."
/1 Tweets/in News
New Show – Meerkats: Secrets of an Animal Superstar
/0 Tweets/in New Show, News
We're delighted to announce that OSF walked away as award winners from the Jackson Hole Wildlife Film Festival 2013 .
Best Hosted or Presenter-led Program
Richard Hammond's Miracles of Nature: Super-bodies
Oxford Scientific Films, Hamster's Wheel & Terra Mater Factual Studios
Host: Richard Hammond
Page 3 of 6‹12345›»
Latest Productions
Australia: Earth's Magical KingdomMarch 26, 2019 - 12:38 pm
Magical Land Of OzFebruary 14, 2019 - 11:55 am
Dogs With Extraordinary JobsFebruary 14, 2019 - 10:41 am
Messages Home: Lost Films of the British Army nominated for Bulldog 2017 Television Awards
A Very British Hotel first airs on Thursday 2nd March at 9pm on Channel 4
Secret Life of Dogs first airs on Tuesday 7th February at 9pm on ITV
Oxford Scientific Films Privacy Policy
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Oxford Scientific Films will only collect Personal Information (information which personally identifies you) if you provide it to us voluntarily. Oxford Scientific Films will always tell you the purpose for which we are collecting your information in a way that is clear and easy to understand, either when collecting the information or via this Privacy Policy.
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• Ask to see a copy of your personal information
5. Other (non-personal) Information Collected Automatically
Oxford Scientific Films may occasionally collect information about you that is not personally identifiable. Examples of this type of information include the type of Internet Browser you are using, the type of computer operating system you are using and the domain name of the website from which you linked to our website.
6. Cookies – i.e. Information We May Place Automatically On Your Computer's Hard Drive
When you view one of our websites, we may store some information on your computer. This information will be in the form of a "Cookie" or similar file and will help us in many ways. Cookies allow us to tailor a website or advertisement to better match your interest and preferences. With most Internet Browsers, you can erase Cookies from your computer hard drive, block all Cookies, or receive a warning before a Cookie is stored. Please refer to your Browser instructions to learn more about these functions.
7. Security and Information Transfer
Your personally identifiable information will be stored in our databases located in the United Kingdom. Oxford Scientific Films will not sell your information to anyone else. We will only pass on your information on to a different organisation (a Broadcaster) with your consent.
Oxford Scientific Films is committed to keeping secure the data you provide us and we will use our best endeavours to protect your personally identifiable information from loss, misuse or alteration.
We will keep your information for as long as it is useful for the purpose it was originally collected and lawful for us to keep it.
We may update this privacy and cookie policies from time to time and will post any changes on our website www.oxfordscientificfilms.tv
Oxford Scientific Films Ltd Privacy Notice for Programme Applicants, Participants and Contributors
This Privacy Notice concerns the personal information of people who are applicants, participants or contributors (including anyone nominated by another to participate) who we are considering, or have decided, to include in a programme which we intend to produce, and anyone attending in the studio audience when we are filming a programme.
Your information is very important to us and we will look after it in line with privacy and data protection laws, including the EU General Data Protection Regulation.
This policy explains what data we collect and why, how we use it and who we share it with, as well as your rights as a data subject.
We are committed to keeping your information secure with appropriate technical and organisational measures to ensure its confidentiality, integrity and availability.
It is important that you read this Privacy Notice together with any additional Privacy Notices which we give you, so that you are fully aware of how and why we are collecting and using your data. This Privacy Notice supplements these other notices (if provided) and is not intended to override them.
We may update this Privacy Notice from time to time and will post any changes on our website so it's a good idea to check this page, from time to time.
This Privacy Notice was last updated on 25 May 2018 and historic versions can be obtained by writing to us at Oxford Scientific Films, 21 Berners Street, London, W1T 3LP.
Any reference to "we", "us" and "our" is to Oxford Scientific Films TV Ltd (company no. 07473151) and its subsidiary companies including OSF Wales (company no. 08077125). We are known as the "data controller" of your personal data and you can write to us at Oxford Scientific Films, 21 Berners Street, London, W1T 3LP for more information about how we process your data, including how to exercise your rights as a data subject.
What personal information do we process about you?
The information we process may include your name, address, email address, IP address, gender, date of birth, age, phone number, passport details or other national identifier, driving licence, your national insurance or social security number and income, employment information and details about your previous roles and personal history. We collect information about you from a number of sources, including from you directly.
1 Information that you give us
How we collect this information / from where
? from the forms and any associated documentation that you (or an agent on your behalf) complete when you apply for a role or part in, or contribute to, a programme when you provide it to us in correspondence and conversations (e.g. application telephone interviews, pre-filming questionnaires and release forms)
? when you apply, participate or contribute to a programme, or attend a live recording, information which is relevant to your application or contribution. The information will be dependent on the nature of the programme, but where relevant this could also include special category data such as medical information, political opinions, sexual orientation, etc, and where relevant your criminal history. The nature of the programme and the information which we will be asking you for will be explained to you in advance and a supplemental Privacy Notice will be provided to you
? with your consent, we will pass your email address to Silvermouse and Soundmouse, who may contact you as part of Oxford Scientific Films' commitment to monitoring diversity as part of the Diamond project. This is the diversity monitoring system managed by the Creative Diversity Network on behalf of UK broadcasters BBC, ITV, Channel 4, Sky, Channel 5/Viacom.
2 Information we obtain from others
How we collect this infomation / from where
? publicly available and accessible directories and sources
? social media platforms, including Facebook, Instagram, Twitter, Linkedin
? subscription only databases such as Factiva.
? tax authorities, including those that are based outside the UK and the EEA if you are subject to tax in another jurisdiction
? governmental and competent regulatory authorities to whom we have regulatory obligations
? agents and production companies
? fraud prevention and detection agencies and organisations
? where we need to do so for regulatory purposes, and this is in the public interest, crime enforcement and criminal records agencies such as Disclosure Scotland and uCheck
Why do we process your personal information?
? We obtain personal information about you when you apply to take part in a programme or are confirmed as a participant or contributor to a programme which we are producing, or apply for tickets to a live recording of one of our programmes.
? We need to process this information to consider your application or to make the programme once you have been selected.
? We have set out below some more specific information about why we process your personal data.
(1) Our contracts with you
We consider it necessary to process your personal data to perform our contracts with you in the following circumstances:
(a) to meet the contractual obligations between us;
(b) as part of any legally binding contract which you have entered into with us for your application, contribution and/or participation in a programme; and
(c) if you are due any payment to provide to our in-house payments team in order for this to be paid.
Contracts are retained for a minimum of 6 years from the date of signature, or for the period during which we have rights in the programme whichever is the longest.
(2) To comply with applicable laws
We process your personal data where it is necessary to do so to comply with applicable laws which apply to us as an organisation, including:
(a) to verify your identity;
(b) to carry out verification and anti-money laundering checks, prevent and detect fraud and carry out other legally mandated checks; and
(c) if we are legally obliged to disclose your personal data.
(3) Our legitimate interests
We consider that we have a legitimate interest in producing audio visual programming for commercial exploitation, as such, 'on-screen' and 'off-screen' contributions from individuals are crucial to this production activity and require the processing of personal information about these individuals.
We consider that it is in our legitimate interests (or those of a third party) to process your personal information, namely:
(a) to produce audio-visual programming for commercial purposes, such as processing 'on-screen' and 'off-screen' contributions from individuals. When we refer to a "programme" in this notice we mean not just the finished programme but all rushes, clips and unused material; development work;
(b) to assess your continuing involvement for the programme that you are contributing to;
(c) to deal with any questions or complaints arising in relation to your participation in the programme;
(d) to deal with any agents acting on your behalf;
(e) to retain the programme and your personal data in it in our archive, for the purposing of repeating the programme or otherwise using it for commercial purposes;
(f) to commercially make full use of either the entire programme or clips from it in the UK and around the world, for the period in which we have rights in the programme. We also keep an archive copy of the programme after our rights have expired – as a record of programming we have either made and/or broadcast;
(g) if applicable, to provide to any third parties (e.g. travel agencies, airlines, resorts and/or hotels) who require it to supply any prizes and/or benefits to you during your participation in a programme, or to facilitate your participation in the programme.
(h) to share with our professional advisors and/or the commissioning entity or commissioning broadcaster that we are producing the programme for and/or within the ITV plc group of companies and/or any co-producer that we are producing the programme with;
(i) to verify your age, identity and other information as we may require for the production and exploitation of the programme we are producing;
(j) in the event that we sell or buy any business or assets, in which case we may disclose your information to the prospective seller or buyer of such business or assets, along with its professional advisers. If Oxford Scientific Films TV Limited or substantially all of its assets are acquired by a third party, personal information held by Oxford Scientific Films TV Limited about its applicants, entrants or nominee(s) may be one of the transferred assets. In such circumstances the acquirer of the information will become the new data controller;
(k) to comply with applicable regulatory obligations;
(l) to pass on to a competent regulator, prosecutor or competent authority or law enforcement authorities including without limitation the UK Information Commissioner and/or the Office for Communications (OFCOM) should it be requested from us;
(m) to comply with our accounting and tax reporting requirements;
(n) to comply with our audit requirements;
(o) to protect our business against fraud, breach of confidence, theft of proprietary materials, and other financial or business crimes (to the extent that this is not required of us by law);
(p) to monitor communications to/from us using our systems;
(q) to protect the security and integrity of our IT systems; and
(r) to arrange for you to attend the live recording of our programmes.
We only process data on this legal basis where we have considered that, on balance, our legitimate interests are not overridden by your interests, fundamental rights or freedoms.
Monitoring as described at (p) above
We monitor communications where the law requires us to do so. We will also monitor where we are required to do so to comply with our regulatory rules and practices and, where we are permitted to do so, to protect our business and the security of our systems.
Future participation
Where you have agreed to this, we process your personal data in connection with your consideration for future series of programmes and/or other shows produced by us or by another company within the ITV plc group of companies. This information may be kept by us for period of up to 3 years from date of the applicable agreement, unless you ask us to delete it earlier.
Diversity monitoring
Oxford Scientific Films is part of an industry-wide diversity monitoring initiative called Diamond. The Diamond project uses personal information regarding on and off-screen contributors to programmes to report on the diversity of TV production in the UK.
? If you have provided us with your email address (unless you have asked us not to) we will share this with Creative Diversity Network Limited, Soundmouse and Silvermouse and you will be invited to participate in the Diamond project.
? The company running the Diamond project will contact you to ask whether you are willing to contribute to the project by providing certain information regarding your diversity characteristics such as; gender, ethnicity, disability, age, gender identity and sexual orientation. This information is collected, processed and stored anonymously on the Diamond system, with the relevant data being jointly controlled by the main UK broadcasters including the BBC, ITV, C4, C5, CDN and Sky). If you provide Diamond with your diversity data, they will issue you with a separate privacy notice.
What do we do with children's personal information?
We are committed to protecting the privacy of children aged under 18 years old. If you are aged 17 or under' please get your parent/guardian's permission beforehand whenever you provide us with any personal information. We will take reasonable steps to verify this by contacting your parent or guardian to confirm their consent.
Who else do we share your data with?
Your information will be used by the relevant production team for the purposes of making the programme. It may also be shared internally with the Business Affairs team to prepare contractual documentation or provide legal advice, and with any other ITV teams involved in commercial exploitation such as the finance teams where a payment is required, and the Health and Safety and Insurance teams (and their respective advisors) if their advice is required.
We may pass your information to our third party service providers such as agents, subcontractors, ticket providers and other associated organisations for the purposes of facilitating your application, entry or enquiry or nomination for the programme you are interested in taking part in. However, when we use third party service providers, we disclose only those elements of your information that are necessary to deliver the required service.
Please be reassured that we will not otherwise share your information further, unless:
? we are required to do so by law, for example by a court order or for the purposes of prevention of fraud or other crime; or
? we are asked to by competent regulatory, prosecuting and other governmental agencies, or litigation counterparties, in any country or territory; or
? for the purposes of prevention of fraud or other crime.
Sending your personal information internationally
We may transfer your personal data to other members of our group, and to third party service providers outside of the European Economic Area, which do not have similarly strict data protection and privacy laws.
Where we transfer personal data to other members of our group, or our service providers, we have put in place data transfer agreements and safeguards using European Commission approved terms. Please contact us at info@oxfordscientificfilms.tv if you would like to know more about these agreements or receive a copy of them.
Where this happens, we will ensure that adequate security and safeguards are in place to appropriately protect your information.
How long do you keep my information?
We do not retain your information for longer than necessary for the purpose it was collected.
? We keep your personal data for as long as it is required by us for our legitimate business purposes, to perform our contractual obligations, or where longer, such longer period as is required by law or regulatory obligations which apply to us.
? In general we keep your information only for the period we have legal rights to exploit the programme that your information relates to, but we have included some exceptions to that rule above.
We will usually delete your personal information at the end of that period.
Do you need my consent to include me in a programme?
There are circumstances in which we can make programmes about an individual without their consent provided we comply with the relevant laws and regulatory codes, such as the Ofcom Broadcasting Code.
We do not generally rely on obtaining your consent to process your personal data to make a programme in which you appear. This is something which we do as part of our legitimate business interests, as explained above.
Where you have entered into a contract with us to participate in our programmes, we may be entitled to show the programme whether or not you later change your mind about participation.
Like many other websites, the Oxford Scientific Films website uses cookies. 'Cookies' are small pieces of information sent by an organisation to your computer and stored on your hard drive to allow that website to recognise you when you visit. They collect statistical data about your browsing actions and patterns and do not identify you as an individual. For example, we use cookies to store your country preference, this helps us to improve our website and deliver a better more personalised service.
It is possible to switch off cookies by setting your browser preferences.
What are my data subject rights and how can I use them?
In law you are the 'Data Subject' and you have several rights that you can exercise over your data such as the right to access, correct and request to delete your personal information. From 25th May 2018 you have some additional rights e.g. data portability, restrict the processing or object to it which we outline below.
You also have the right to lodge a complaint with a supervisory authority (e.g. the Information Commissioner's Office in the UK), about our processing of your personal information.
Please contact info@oxfordscientificfilms.tv for more information on your rights and how to use them,
Access to my data
You can request access to the information we hold on you and we will also tell you:
? why we are processing it;
? who are we sharing it with and if any information is transferred to a country not deemed to have adequate protections in place for personal data;
? how long will we be keeping your data;
? the source of the information, if it was not collected directly from you;
? if we are using your data for automated decision making or profiling.
If you are making a request for a copy of your personal data that we are processing, please be as specific as possible as this will both help us to identify the information more quickly and provide you with a copy without any undue delay.
Rectifying inaccuracies
If you feel the information we hold on you is inaccurate or incomplete, you can ask us to correct or update it.
You can also request that we erase your information in certain circumstances, although that might not always be possible if doing so means we cannot perform our contract with you, or we have a legal obligation or legitimate interest to keep the data. We will explain the consequences of erasing your data.
Restrict the processing
If you feel we are processing your information unlawfully or with inaccurate data, you can ask us to restrict any further processing. Where personal information is subjected to restriction in this way we will only process it with your consent or for the establishment, exercise or defence of legal claims unless we have your consent. Please note that even if the processing is restricted, we will continue to store the data.
Object to the processing
If you disagree with any legitimate interest or public interest we have relied upon to process your data, you can object to the processing. We will then stop processing the data unless we can demonstrate a compelling legitimate ground that overrides your rights (e.g. exercising or defend a legal claim).
You can request to receive personal data that you have provided to us in a commonly used format and request that we transmit it to another data controller where feasible, or to you directly.
We are committed to safeguarding your data and upholding your rights, but if you feel we have not done that, please write to Viewers Services, Oxford Scientific Films, 21 Berners Street, London, W1T 3LP. Additionally you have the right to complain to the relevant supervisory authority, which in the UK is the Information Commissioner's Office (ICO).
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