text:
L'Ordine reale di Vittoria ed Alberto (in inglese: Royal Order of Victoria and Albert) è una onorificenza familiare e di corte del Regno Unito non più conferita ma ancora inclusa nel sistema premiale britannico, tradizionalmente posta in stato di quiescenza dalla morte del sovrano fondatore, istituita il 10 febbraio 1862 dalla regina Vittoria, ampliato il 10 ottobre 1864, il 15 novembre 1865 e il 15 marzo 1880. Non è stato più conferito dalla morte della regina Vittoria.

L'Ordine si divide in quattro classi esclusivamente femminili per i membri della famiglia Reale o delle famiglie di corte. La medaglia consiste in un cammeo con i ritratti della regina Vittoria e del principe Alberto, suo marito, con sul retro le cifre dei sovrani "VA", il tutto sormontato dalla corona reale inglese e sostenuto da un nastro bianco moiré.

L'ultima insignita dell'Ordine, la principessa Alice di Athlone, morì nel 1981 e l'attuale Sovrano dell'Ordine è il re Carlo III.

Alle dame insignite spettavano le lettere post-nominali VA.

Insigniti notabili

Dame di prima classe
Vittoria, imperatrice consorte di Germania
Elena di Sassonia-Coburgo-Gotha, principessa consorte di Schleswig-Holstein
Alessandra di Danimarca, principessa consorte del Galles
Luisa di Sassonia-Coburgo-Gotha, marchesa consorte di Lorne
Beatrice di Sassonia-Coburgo-Gotha, principessa consorte di Battenberg
Marija Aleksandrovna Romanova, duchessa consorte di Edimburgo
Luisa d'Assia, regina consorte di Danimarca
Maria di Sassonia-Altenburg, regina consorte di Hannover
1878: Maria Enrichetta d'Asburgo-Lorena, regina consorte dei Belgi (nell'occasione delle nozze d'argento dei sovrani inglesi)
1879: Luisa Margherita di Prussia, duchessa consorte di Connaught e Strathearn (al suo matrimonio)
Vittoria d'Assia-Darmstadt, principessa consorte di Battenberg
Elena di Waldeck e Pyrmont, duchessa consorte di Albany
1885: Luisa, Duchessa di Fife
Vittoria, Principessa del Galles
Maud di Sassonia-Coburgo-Gotha, principessa consorte del Galles
Maria Cristina d'Asburgo-Teschen, regina reggente di Spagna

Luisa di Prussia, granduchessa consorte di Baden
Augusta Vittoria di Schleswig-Holstein-Sonderburg-Augustenburg, imperatrice consorte di Germania
Elisabetta di Wied, regina consorte di Romania
Maria di Teck, duchessa consorte di York
1896: Alessandra Feodorovna, zarina di Russia
1898: Guglielmina dei Paesi Bassi, regina dei Paesi Bassi

Dame di seconda classe
Elisabetta d'Assia-Darmstadt, granduchessa di Russia
Carlotta di Prussia, duchessa consorte di Sassonia-Meiningen
Irene d'Assia-Darmstadt, principessa consorte di Prussia
Vittoria di Prussia, principessa consorte di Schaumburg-Lippe
la principessa di Leiningen
Maria Luisa di Schleswig-Holstein, principessa consorte di Anhalt
Sofia di Prussia, principessa consorte di Grecia
Margherita di Prussia, principessa di Prussia
Elena Vittoria di Schleswig-Holstein, principessa di Schleswig-Holstein
Maria di Sassonia-Coburgo-Gotha, regina consorte di Romania
Vittoria Melita di Sassonia-Coburgo-Gotha, Granduchessa consorte di Russia
Alessandra di Sassonia-Coburgo-Gotha, principessa consorte di Hohenlohe-Langenburg
Beatrice di Sassonia-Coburgo-Gotha
Margherita di Connaught e Strathearn, principessa consorte della corona di Svezia
Alice, Contessa di Athlone, principessa di Albany

Dame di terza classe
Elizabeth Wellesley, duchessa di Wellington
Jane Spencer, baronessa Churchill
Susanna Stephania Innes-Ker, duchessa di Roxburghe
Emily Cavendish, baronessa Waterpark
Anne Murray, duchessa di Atholl
Harriet Agar-Ellis, viscontessa Clifden
Blance Bourke, contessa di Mayo
Eliza Hay, contessa di Erroll
Julia Abercromby, baronessa Abercromby
Caroline Augusta, contessa di Mount-Edgcumbe
Francesca, contessa di Gainsborough
Ismania FitzRoy, baronessa Southampton
Charlotte Montagu-Douglas-Scott, duchessa di Buccleuch
Frances Jocelyn, viscontessa Jocelyn
1880: Albertha Spencer-Churchill, duchessa di Marlborough
Elizabeth Russell, duchessa di Bedford
1881: Louisa Jane Hamilton, duchessa di Abercorn
Anne Innes-Ker, duchessa di Roxburghe
1885: Charlotte Spencer, contessa Spencer
Louisa Montagu-Douglas-Scott, duchessa di Buccleuch
Emily Russell, baronessa Ampthill
1889: Hariot Hamilton-Temple-Blackwood, marchesa di Dufferin e Ava
Cecilia Dawnay, viscontessa Downe
Louisa McDonnell, contessa di Antrim
1892: Georgina Gascoyne-Cecil, marchesa di Salisbury
Maud Petty-FitzMaurice, marchesa di Lansdowne
Edith Villiers, contessa di Lytton
Frances Waldegrave, viscontessa Chewton
Beatrix Cadogan, contessa Cadogan

Dama di quarta classe
Lady Hamilton-Gordon
Lady Edith Codrington
Adelaide Biddulph, baronessa Biddulph
Lady Elizabeth Phillipa Biddulph
Hon. Flora C.I. Macdonald
Hon. Mrs. Ferguson
Hon. Horatia C. F. Stopford
Hon. Emily Sarah Cathcart
Lady Cust
Hon. Mrs Magdalen Wellesley
Hon. Lady Ponsonby
Hon. Ina Erskine McNeill, duchessa di Argyll
1889: Lady Geraldine Somerset
Hon. Harriet Lepel Phipps
Hon. Caroline Fanny Cavendish
Mrs. Georgina Townshend Wilson
Lady Cowell
Hon. Mrs. Mallett
Hon. Mrs. Grant
Hon. Ethel H. M. Cadogan
Mrs. Helen Haughton

Fonti
Whitaker's Almanack, 1893
British Imperial Calendar, 1900, 1902
The Times

Note

Voci correlate
 Ordine della famiglia reale

Altri progetti

Onorificenze britanniche

redpajama_set_name: RedPajamaWikipedia


A unique Oregon author tour originally hit the road in the fall of 2012 under the banner of "Crazy Eights Author Tour." Oregon author George Byron Wright said the idea came to him while on a road trip. The intention was to stimulate more interest in Oregon's writing and publishing communities by connecting them with readers, booksellers and libraries in an exciting new way.
The 2015 edition of the Crazy Eights Author Tour kicks off this fall. A pool of 28 award winning authors will converge in groups of eight on new selection of communities that have been invited to participate and all enthusiastically signed on. They are: Albany, Beaverton, Corvallis, Cottage Grove, Eugene, Salem, Seaside and Stayton.
Here we go! Check back often for news and updates.
*For 2015 authors will have eight minutes to speak.


text:
package testsupport_test

import (
	"fmt"

	"github.com/bytesparadise/libasciidoc/pkg/types"
	"github.com/bytesparadise/libasciidoc/testsupport"
	"github.com/google/go-cmp/cmp"
	"github.com/google/go-cmp/cmp/cmpopts"

	. "github.com/onsi/ginkgo/v2"
	. "github.com/onsi/gomega"
)

var _ = Describe("document fragments matcher", func() {

	// given
	expected := &types.TableOfContents{
		Sections: []*types.ToCSection{
			{
				Title: "root",
			},
		},
	}
	matcher := testsupport.MatchTableOfContents(expected)

	It("should match", func() {
		// given
		actual := &types.TableOfContents{
			Sections: []*types.ToCSection{
				{
					Title: "root",
				},
			},
		}
		// when
		result, err := matcher.Match(actual)
		// then
		Expect(err).ToNot(HaveOccurred())
		Expect(result).To(BeTrue())
	})

	It("should not match", func() {
		// given
		actual := &types.TableOfContents{
			Sections: []*types.ToCSection{
				{
					Title: "something else",
				},
			},
		}
		// when
		result, err := matcher.Match(actual)
		// then
		Expect(err).ToNot(HaveOccurred())
		Expect(result).To(BeFalse())
		diffs := cmp.Diff(expected, actual, cmpopts.IgnoreUnexported(types.TableOfContents{}))
		Expect(matcher.FailureMessage(actual)).To(Equal(fmt.Sprintf("expected table of contents to match:\n%s", diffs)))
		Expect(matcher.NegatedFailureMessage(actual)).To(Equal(fmt.Sprintf("expected table of contents not to match:\n%s", diffs)))
	})

	It("should return error when invalid type is input", func() {
		// when
		result, err := matcher.Match(1)
		// then
		Expect(err).To(HaveOccurred())
		Expect(err.Error()).To(Equal("MatchDocumentFragment matcher expects a '*types.TableOfContents' (actual: int)"))
		Expect(result).To(BeFalse())
	})

})

redpajama_set_name: RedPajamaGithub


6900, Europe, Austria, Vorarlberg, Rheintal-Bodenseegebiet ,Bregenz.
quiet but easy to access.
Perfect for cyclists (storing available) and self catering, business travellers and tourists interested in culture.
Bookable from 1 night on! No extra charge for short stays!


text:
Washougal residents to vote on EMS levy
Six-year replacement levy will not involve an increase
By Dawn Feldhaus | July 27, 2010 12:00 am | comments
Washougal voters will soon be asked to approve a six-year replacement emergency medical services levy.
Ballots, which are expected to arrive in local mailboxes later this week, will need to be postmarked no later than Tuesday, Aug. 17.
If the levy is approved, the current tax rate of 50 cents per $1,000 assessed property value will not increase.
"The levy will not cost homeowners any additional tax since it is simply a renewal of an existing levy for another six years to maintain EMS service within Washougal," said Camas Fire Capt. Kevin Bergstrom.
As president of the Camas/Washougal Professional Firefighters Local 2444, he represents firefighters in Camas and Washougal.
The levy, which will require a 60 percent 'yes' vote to pass, will cost the owner of a home assessed at $150,000, $6.25 per month. The owner of a home assessed at $250,000 would pay $10.41. Since it is not a new tax, it replaces a levy approved in 2004.
The current EMS levy provides for paramedic ambulance service for Washougal residents. It also pays the salaries of two firefighters. The department operates with a minimum staffing level of two firefighters on duty. The levy also provides money for emergency medical training for all WFD personnel.
If the levy does not pass, Bergstrom said there is the potential that there would be no ambulance serving any portion of Washougal.
"The voters could have a second attempt to pass the levy during the General Election cycle in November, but that is not an ideal situation," he added. "We feel that this is a simple renewal of a longtime existing levy, and there are more than enough reasons for the voters to pass the levy."
Individuals can register to vote through Friday, Aug. 6, at the Clark County Elections Office, 1408 Franklin St., Vancouver.
For more information, call 397-2345 or visit www.clark.wa.gov/elections.
Dawn Feldhaus

redpajama_set_name: RedPajamaCommonCrawl


"The Convergence of Spirituality and Politics." a lecture by Dr. David Wilkinson, retired former pastor at St. Francis UMC.
The third in a series of lectures/events at St. Francis in the Foothills United Methodist Church (River/Swan) designed to educate, confront, inspire and celebrate our politics and our democracy. For generations, St. Francis UMC has been known as a spiritual community devoted to social justice, activism, building awareness and supporting those who are disenfranchised and disempowered. In this critical lead-up to the most important general election of the past 50 years, it remains fully committed to those ideals and principles.
Dr. Wilkinson spoke on the convergence of Spirituality and Politics, by first defining Spirituality as "oneness with Cosmos", the experience of Wholeness. Then he outlined the Perennial Philosophy by Aldous Huxley as the "simple, metaphysical truth from which all esoteric knowledge has grown, that there is only 1 reality, that each of us is manifested in this reality but identifies with a tribe, which causes anxiety/unnecessary suffering, cultural competition & violence. Anything that causes separation does not equal spirituality. He urged contemplation & then action, to rediscover peace, compassion & justice in humankind. He quoted from an Up With People poem to "arouse conspiracy of hope". Questions from audience were about environmental tribalism, praise for his inspirational talk, how to deal w/ discomfort around us when compassion/communication needed, "First Man" film of faith by Neil Armstrong on the Moon, Moses' passion/fire to take action to free his people in Egypt, oneness we all share to work out differences between tribes, awareness possible, how begin by turning off TV news & re-centering your self, how to re-earn trust when so much hatred/disgust/anger out there in the world, how find moral authority & wisdom to act/reconciliation? As for action, Dr. W said that US going in wrong direction, urged people to please vote on Nov. 6, 2018. We were inspired by his concept of Wholeness and Oneness, as something to be sought as spirituality, common in most religions.


We have recently upgraded to exchange 2010, we had two room mailboxes that followed the upgrade from 2007.
After upgrading clients cannot book meetings by creating a new meeting in their own calender and adding the relevant room. Error message displayed: Direct Booking. Cannot directly book a resource for this meeting. Users can book a meeting using the room shared calender.
Users can use OWA to book meetings without problem, also users using outlook 2010 can book without problems.
I created a new test Room Mailbox, which exhibits the same problem. Possibly pointing towards Outlook 2007 problem. In calender options, Resource Scheduling is not available.
I have tried various settings for the Room Mailbox in OWA and Exchange Shell without a hint of success. What are the differences between 2010 and 2007 in relation to resource booking? Direct Booking supported in 2010?
We have Exchange 2003 but in using Outlook 2010, to use direct booking of resources, I had to add a registry key as Direct Booking is not enable by default in Outlook 2010. Not sure if this will help as I am unfamiliar with how the new booking works with Exc 2007 and 2010.
any idea on how to book meeting rooms?
I'm facing the same issue as well.
Me too. Added the registry keys and now get the " profile is not configured to support..." thing.
I had offline PST as the default datafile. Changing default datafile to online Exchange account resolved the issue for me. I'm able to book the room now and also not getting the error message " profile is not configured to support..."


Located in central Sydney, Downtown Apartments are perfect for guests looking to explore this vibrant city. The area is in abundance of trendy bars and eateries, as well as being within walking distance of a number of attractions and amenities. A short walk will take guests to Darling Harbour, a stunning harbour with an array of shops and restaurants, or slightly further afield guests will find the world famous Sydney Opera House and Sydney Harbour Bridge.
The property comprises studio, one, two and three bedroom apartments which are bright and spacious throughout. Each apartment benefits from kitchen facilities, laundry facilities and free wireless internet access creating the perfect home from home. The property also features an on-site pool and fitness centre and a weekly housekeeping service is provided, offering guests the feel of a hotel but with the space and freedom of their own apartment.
Downtown Apartments offer an ideal location in central Sydney, the nearest train station is just a six minute walk from the apartments ensuring guests are excellently connected throughout their stay. For guests looking to stay local, they will be spoilt for choice with the wide array of amenities and attractions nearby. Sydney is in abundance of fashionable shops, bars and restaurants as well as a number of world famous attractions including the Sydney Opera House. Guests may also wish to spend a day exploring the Sydney Fish Market or the Royal Botanic Gardens which can be reached by foot.


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Click below to see the book trailer.
Who is God? What is He like? Where does He live?
is described and defined in a fun, memorable and interactive way.
and re-read to infants, toddlers, and elementary age children.
With over 35 years experience in teaching infants in cradle roll class through adult marriage seminars and ladies parenting and Bible classes, Robin House is committed to helping both children and adults learn about the God of the Bible.
and an answer key for the discussion topics is also included.


text:
Physical Description of New South Wales and Van Diemen's Land: Accompanied ...
Por Sir Paul Edmund de Strzelecki
organic remains, which will be fully described in the Zoological Section of this work.
Sedimentary Rocks.
Arguxaceous Or Clay Slates.
The clay slates which appear in the second epoch greatly differ, in a mineralogical point of view, from from those described under the first. They seldom possess a foliated structure; on the contrary, their stratification is often indistinct, and the fracture either slaty, conchoidal, or splintery. The numberless varieties of the rock, many of which differ only in colour, may be arranged under three species.
Var. 1. Common Clay Slate (shiste argileux).
Its colours are various: sea-green, yellow, bluish black, pearly grey, and reddish. It is dull, adheres to the tongue, and yields a strong argillaceous odour. Its streak is paler than the surface, structure earthy; it is soft; fracture, slaty.
Localities In New South Wales it is found on
Mount Victoria; also between that locality and Mount King George; on the Middle and Northern Hunter, Campbell and Abernethy rivers; to the south of Arthursleigh, north of Modbury, east of Gidley; at Lake Omeo, and to the north and south of Gipps Land.
In Van Diemen's Land it appears between the mouths of the Great and Little Forrester rivers; at Emu Bay; Rocky Cape and Montague rivers.
Their inclination is irregular; their thickness does not exceed 25 feet.
Var. 2. Claystone. (Jameson.)
This assumes a variety of colours; chiefly yellowish white, lead grey, sky blue, and brick red. The stone is dull, massive, semi-hard, slightly adherent to the the tongue; it yields an argillaceous odour; the streak is similar; fracture is splintery, uneven, or, in some cases, conchoidal.
Localities In New South Wales it is found to the
west of Arthursleigh; in the vale of the Clwyd; at Coyal; to the north-east of the Hunter; and at Lake George.
In Van Diemen's Land it occurs at St. Patrick's Head; at Lake Tomb, Ben Lomond; between Tamar and Rubicon rivers; on the river Forth; at the Western Bluff and the sources of the river Nive.
Var. 3. Aluminous Slate.
Colour, greyish black, sometimes verging on iron black; external and longitudinal fracture shining at times with a metallic lustre; structure slaty, with layers straight or curved. It is unctuous and brittle; fracture somewhat laminated.
Localities.—In New South Wales it is found at Walerowang, also at Balangola and Arthursleigh. In Van Diemen's Land it appears at Emu Bay, and at Cape Grimm.
Gkeywacke. {Jameson.)
A somewhat arenaceous compound, of a yellowish, reddish, or bluish colour; composed of quartz, with occasionally mica and glassy felspar, cemented by an indurated argillaceous or felspathic paste. Its structure varies from a coarse sandstone to a finely comminuted and compact mass, seldom possessing a distinct cleavage, or exhibiting a slaty appearance. Its external and internal aspects differ very little; generally it adheres to the tongue, and exhales an argillaceous odour.
Localities.—In New South Wales it is found at Port Stephen West; at Booral; on the Upper and Lower Hunter; between Bathurst and Frederick Valley; at Lake George, and on the Shoalhaven. In all these localities its geological position is between the uppermost mineral masses of the first epoch and the lowermost sedimentary deposits of the second.
In Van Diemen's Land, greywacke extends over larger tracts of country. It is found on the river Bobiala; at Cape Portland; Mount Cameron, where it is associated with eurite and clay slates; at St. Patrick's Head, where it lies between siliceous slate and limestone; at the confluence of the Tyne and South Esk, where it is associated with siliceous slate and clay slate; on the south side of Ben Lomond, and the west arm of the Tamar, connected with the granular limestone of those localities; at the eastern foot of the Western Tier, between breccia and clay slate; at the source of the Mve, along with clay slates and limestone; and between Emu Bay and Cape Grimm, constantly associated with siliceous slates, granular quartz rock, and clay slates.
General Remarks upon the Second Epoch.
The geological and mineralogical discrepancies which will be observed to exist among the sedimentary rocks above described, great as they appear, are nevertheless such as might have been inferred from an examination of the form of the first upheaved land, which served as a ground-work for the further enlargement of the geological edifice.
The form of this land has given rise to eddies and currents, which, judging by what we see in the present day in Bass's Straits, may have either powerfully assisted the general agencies which effect the abrasion, comminution, and dissemination of materials, and the reconstruction of rocks, or may have equally tended to counteract the effect of such. Thus the difference between two localities, arising either from a difference in the number or mineral character of the members of the series, or the abundance or paucity of the characteristic fossils, becomes only an evidence that one locality has been more favourably situated for the accumulation of certain geological records than another.
The organic remains which have distinguished this epoch had been found, by Mr. Lonsdale and Mr. Morris, to possess great analogies to those of the Palaeozoic series. How far this analogy is borne out by the specific character of the Australian fossils, will be fully discussed in the able paper which these two eminent naturalists have furnished to the Zoological Section of this volume.
As regards the crystalline eruptive rocks, which have been noticed in more than one locality, partly as being merely associated with stratified rocks, partly as immediate causes of their dislocation, convulsed and confused groups as they present, their eruptions may nevertheless be referred to certain distinct and distant periods, and may be classed chronologically by means of the geognostic evidences furnished by the sedimentary rocks with which they are in contact. Thus the eruption of greenstone in the Liverpool, Coyal, and Honeysuckle ranges, those of the basalt along the spur which is crowned by Mount King George, and the eruption of both these rocks in the "Westmoreland country, may be assigned to the period intermediate between the formation of the siliceous and aluminous detrital masses, and that of the aluminous and calcareous fossiliferous and non-fossiliferous sedimentary deposits. In all these three cases the siliceous and aluminous rocks, the lowermost of the series, were in position highly inclined, while those which follow are horizontal, or nearly so.
To this period belong also the most striking eruptions of greenstone in Van Diemen's Land, namely, those by which the completion of the actual dividing range from St. Patrick's Head down to Table Mount was effected, and those which formed the elevations of Ben Lomond, Ben Nevis, Mount Horror, Mount Barrow, Mount Direction, and Mount George. To this same period may likewise be referred the greenstone and basaltic spur running between Western Bluff and Asbestos Hills, and that which shoots out from St. Valentine's Peak to Mount Cameron West, with all those lateral branches that contorted the clayslate system between Emu Bay and Cape Grimm. In all these localities of Van Diemen's Land, as in the preceding ones of New South Wales, the lowermost arenaceous and aluminous detrital masses are the only ones which are disturbed, and which have a highly inclined dip.
Again, the date of the eruption of porphyries and greenstone at Port Stephen must have been at the period at which the deposition of the slaty argillocalcareous fossiliferous rock terminates, and before that at which the formation of the coarse sandstone with conularice and terabratulce began. Coeval with this porphyritic eruption may be classed the eruption of porphyries at Barber's Creek, and that of porphyries, greenstones, and basalts at Mount Canoblas, Boree, Molong, Narrigell, Wellington, and the west of Yass Plains. In Van Diemen's Land, contemporaneously with these eruptions, took place that which produced the spur that shoots off from Table Mount, and is crowned by Mount Dromedary. In all these localities we see every member of the series, including the slaty fossiliferous, greatly disturbed.
Next after this period we can trace the record of


Prim and Propah: Should I Recreate this Desiger's Collective Cap with Netting?
Should I Recreate this Desiger's Collective Cap with Netting?
As you all know by now, the ol' nuptials are fast approaching! I have been searching and searching for that perfect veil to perfectly coordinate with my flowy wedding dress... then I got to thinking, why couldn't I make one myself? I suppose I could, and I may very well do it, but first I have to find an extra special veil that I love now, and then replicate it I guess.
I thought back to this past Fall's runway shows and remembered seeing the Designer Collective looks featuring some fascinating fascinators, splendid veiled pieces and a feather or two. Obviously, I would move in the direction of something ivory with a touch or baby pink (to match my booties y'all) but you get the idea. I want drama! Fashion drama, not wedding drama... don't get it twisted.
A friend of mine recently wore a fantastic headpiece to her wedding; I'm talking a pretty showstopping veil that added about 6 inches to her height. I thought to myself, wow, I would never be able to pull that off but then, why couldn't I? I have a sassy dress and a sassy attitude, why not add a sassy fascinator? Take a look at some of my fave from the show.
What do you think of these veils? Do you think I should give it a whirl on my own?


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text:
Spring 2016 Media Talk Series Featuring Police Chief Dotson
Written by Joshua Daugette on February 2, 2016 . Posted in News
MBU Communications Department kicks the spring 2016 semester off by announcing Samuel Dotson III, St. Louis police chief, will speak at the Media Talk Series. The event will take place at noon Tuesday, Feb. 23.
With all the controversy surrounding the St. Louis area over the past two and a half years, Missouri Baptist University is excited to host St. Louis Police Chief Samuel Dotson III for the spring 2016 Media Talk.
"I think that we are going to have a great turnout," said Amanda Staggenborg, assistant professor of public relations and communication, who coordinates the speaker series. "This is someone that is such a prominent figure in the St. Louis area, that everybody can get something out of this."
The event begins promptly at noon on Tuesday, Feb. 23, in the Don and Mary Pillsbury Wainwright Performance Hall. Two communications students, Shelby Wannemuehler and Rebekah Rutledge, will interview Chief Dotson for approximately 45 minutes, then it will shift to questions from the audience.
This series is free and open to all students, staff, faculty and guests.
Dotson began his career immediately upon graduating from the Police Academy and was soon promoted to sergeant, where he served in the Office of the Chief and the Ninth District of St. Louis.
He continued to serve in the Office of the Chief as he worked up through the ranks and took hold of new positions and responsibilities in the Fourth District, Seventh District, Intelligence Division, Operational Planning and the Board of Police Commissioners.
Dotson has also focused heavily on education, receiving a bachelor of arts degree in management from Webster University and continuing his education with a master's degree in business administration from Fontbonne University, while also being a graduate of the Senior Management Institute for Police.
As current St. Louis police chief, Dotson manages the second largest police department in the state of Missouri. His responsibilities include the department budget, the public safety of 318,000 residents and overseeing 1,300 sworn officers and over 500 civilian employees.
Dotson also played a key leadership role regarding the dispersion of officers during the Ferguson crisis and has played a pivotal role in police reform and transparency during the year post-Ferguson.
Throughout his tenure with the department, Dotson has received a Chief's Letter of Commendation, Officer of the Month, an Award of Excellence as well as several other awards.
Any readers wishing to learn more about Dotson can visit his blog for more information.
MBU welcomes all interested in coming and just asks they come attentive and ready to ask questions of such an interesting speaker.
Tags: Amanda Staggenborg, Josh Daugette, MBU, Media Talk, Samuel Dotson III, St. Louis
Joshua Daugette
Joshua Daugette is the Managing Editor for MBU Timeline. Joshua majors in public relations and advertising with a minor in Journalism. A runner for the cross country and track teams, he transferred to Missouri Baptist University in the fall of 2014. An active member with the MBU Institute for Leadership, Daugette also loves his job at Fleet Feet Sports.


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Q: Share new directory via git repository I am using git to share a project across several computers. On one machine, I create a new directory (with various files in it) within the project. I then pushed this to the repository with the following:
git add directoryname
git commit -m "Adding a new directory"

Judging by the list of files, it seemed to commit everything. However, if I then issue the command
git pull

on another machine, the new directory doesn't appear. I've tried various other options e.g. git fetch but each time it says the local repository is already up-to-date. How can I pull this new directory down from the repository?

A: You need to push it from the computer where you commited
git push origin mybranch

You can add the -u flag if you want to track it, so the next time you use git push it will push automatically the branch there.

A: Where do you host your repositories? There are many different options for this. This example uses GitHub
First, you must register with GitHub

https://github.com/

After you've done it, make sure you remember your login details.
Create a repository by clicking

Give it a name

Do your work on the project
git add .
git commit -m "Behold my awesome feature"

Grab a link to your remote repository

Set up your remote repository on your machine
git remote add project01 https://github.com/edoroskevic/helloworld.git

Note: project01 can be replaced with whatever you like. It's simply a name for your remote repository that will be stored on your local machine.
After it has been set-up you can finally push your work to remote repository
git push project01 master

Note: project01 is the name I have given to this test repository and master is the branch I will be pushing to my remote repository.
After executing the above command you will be asked to provide your login details to GitHub (username, password). Enter those and check out your pushed updates on GitHub.
You may get a nasty fatal error when pushing. Saying something like...

Can't merge unrelated histories...

In that case you can run your push with -f like so
git push -f origin master

Note: -f will force the push on top of your remote. You can also add links between local and remote branches but this post is getting a bit too long.
Next time you are on another machine, you can
git clone https://github.com/edoroskevic/helloworld.git

This will clone the remote repository and set up all the links between branches automatically. Next you just keep doing your usual stuff adding, committing and pushing
Hope its helpful :s

A: The sequence that eventually worked is as follows:
Host 1 (containing new directory, 'Dir_new', with various subdirectories and files)
git add directoryname
git commit -m "Adding a new directory"
git push origin master

Host 2
git fetch
git checkout HEAD
git pull

Note this only transfers subdirectories which contain files. Any empty subdirectories are ignored.

redpajama_set_name: RedPajamaStackExchange


late 14c., "unbiased," from Old French indifferent "impartial" or directly from Latin indifferentem (nominative indifferens) "not differing, not particular, of not consequence, neither good nor evil," from in- "not, opposite of" (see in- (1)) + differens, present participle of differre "set apart" (see differ). Extended sense of "apathetic" first recorded early 15c.; that of "neither good nor bad" 1530s, on notion of "neither more nor less advantageous."


text:
How to Get Sync Rights
Explore this Article Understanding the Rights You Want Getting Sync Rights Ask a Question Related Articles References
If you want to upload a cover song to YouTube, or distribute the video in any way, then you will need what is called a synchronization license.[1] In fact, you need to get "sync rights" to a song whenever you want to bundle a song with your own visual images.[2] This can happen whenever you want to use a song in a music video, commercial, or movie. To get sync rights, you need to contact the song's publisher and get a license.
Understanding the Rights You Want
Decide if you need a "master use license" instead. If you want to use a specific recording of a song, then you need what is called a "master use license."[3] For example, if you want to use Beyonce's version of "If I Were a Boy," then you need the master use license in addition to the synchronization license.
You need only a sync license if you will have someone else perform the song. This person could be you, someone you hire to sing the song, or an orchestra to perform the song.
Identify the song you want to use. You need to find the name of the song that you want to use. If you only know a few lyrics, then try to find the name of the song. You need to contact the publisher to get a sync license.
If you know only a few lines to a song, then see Find a Song You Don't Know the Name Of for tips on how to identify a song.
Understand licenses. If you are successful at getting sync rights, then they will be transferred to you by a license. A license grants you rights for a limited amount of time. A license can also limit your use of those rights.
For example, a license could grant you the right to use the song in a music video but not in a movie. Or the license could grant you the right to use it in one visual production or to use it in an unlimited number of videos.
A license is like a lease to an apartment. When you get a lease, you do not own the apartment. Instead, you are given the right to use it for a set amount of time. However, the landlord can still place limitations on how you use the apartment. The publisher of a song can likewise put limits on how you use your sync rights.
Gather relevant information for your application. You will need to contact the song's publisher and request sync rights. You will also probably need to provide some basic information about what you want to use the song for. Pull together the following information before reaching out to the publisher:[4]
a synopsis of the film, including information about the budget
a detailed description of how you intend to use the song (e.g., in the opening or closing credits)
the number of times you plan to use the song
where a film will be shown (e.g., an independent film festival or online)
Getting Sync Rights
Find the publisher. In order to get sync rights you need to contact the publisher who represents the song's writer or producer. You can find the publisher in a couple of ways:[5]
Check the CD case. The publisher for a song should be listed.
Search websites like BMI, ASCAP, or SESAC. These organizations represent publishers and songwriters. You can search these databases by song title, writer, artist, and publisher.
Contact the licensing department. Once you have a publisher contact, you need to call them and tell them that you would like to license sync rights to a certain song. Tell them the name of the song, the writer, publisher, and length of the music.[6]
For example, you might want to use the first minute of a song in your film's opening credits. You need to accurately state how much of the song you want to use and the purpose because these will impact the fee you are quoted.
Negotiate the licensing fee. There is no standard fee that you will pay.[7] Instead, the publisher will quote you a number. You can either accept it or try to negotiate the fee lower.
It can be very difficult to negotiate with music publishers. Some might have a "take it or leave it" approach. Realize, however, that you might be able to lower the licensing fee if you use less of the song.
Hire a lawyer, if necessary. You might need help getting the synch rights. Sometimes, more than one publisher owns rights to a song, so you need to coordinate with multiple publishers.[8] If you need assistance, then speak with an attorney. You can find an entertainment lawyer by contacting your state's bar association, which should run a referral program.
Some law firms provide "pro bono" services for people who work in the creative arts. You should think about looking into this option if you run into resistance from the publisher. Search for artist organizations in your city or county. These organizations sometimes have contacts with lawyers willing to provide pro bono legal services.
You could also hire a music clearance and licensing company.[9] They have experience obtaining sync rights. To find one, search the Internet for "music rights specialist."
Get the license in writing. Do not use the song until you have a valid, signed license. After you receive the contract from the publisher, show it to your attorney before signing.
Give yourself plenty of time to get sync rights to a song. The whole process can generally take a few weeks (at a minimum) or up to several months.[10]
You should not use a song without permission, even to put it on YouTube. You will not only violate YouTube's terms of service, but it is also copyright infringement to use a song without permission. You could be sued.
Buy a Tax Lien Certificate
Protect Your Business Name
Buy the Rights to a Book
Obtain eBook Resale Rights Inexpensively
Attribute a Creative Commons Licensed Work
Protect Your Ideas Without a Patent
License Content from Associated Press
Use Creative Commons License
Cite Patents
Protect Intellectual Property Rights
Prove Intellectual Property Theft
↑ http://www.musicindustryhowto.com/how-to-get-a-synchronization-license-for-youtube-cover-songs/
↑ http://newenglandfilm.com/magazine/2000/07/getting-in-tune
↑ http://www.ascap.com/music-career/articles-advice/film-tv/How-To-Acquire-Music-For-Films.aspx
Categories: Making YouTube Videos | Songs | Intellectual Property


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First day of election in Sweden – General election 2018
Fredrik Vold September 9, 2018
Election in Sweden has started today after so many debates and party rallies.
The choice in Sweden is now under way. The first election day measurements are expected when the polling stations close at 20 o'clock in the evening.
During the first hour after the premises opened at 8 o'clock the first voters had begun to find themselves.
"So far we have had five or six people," says Vio Szabo, who receives votes in a polling station in Bredäng, southwest Sweden, to TT.
"People start coming," said colleague Maria Martinez.
Election participation in Sweden tend to be high. At the previous parliamentary elections in 2014, 85.81 percent of the voters voted.
A total of 7,492,837 Swedes have voting rights for this year's election, with representatives from the Riksdag, municipalities and county councils being elected.
You must be a Swedish citizen and registered in Sweden to vote in parliamentary elections. In elections to municipalities and county councils you can vote if you are a Swedish citizen or citizen of the EU and the EEA, and are registered in Sweden. However, persons who are nationals of countries outside the EU and EEA or are stateless are entitled to vote in municipal and county council elections if they have been registered in Sweden for at least three years before the election date.
© NTB
SVT dismisses the immigration statements made by Åkesson, SD now decided to boycott SVT
E18 closed at Tranby after accident


text:
Digital Archive:Cast list, She Stoops To Conquer (1992)
CFT archive held at West Sussex Record Office.
SHE STOOPS TO CONQUER
by OLIVER GOLDSMITH
Mrs Hardcastle…………………………………………………………………. Jean Boht
Tony Lumpkin……………………………………………………….. Jonathon Morris
Mr Hardcastle……………………………………………………………… Denis Quilley
Kate Hardcastle……………………………………………………..Susannah Harker
Constance Neville……………………………………………………Leonie Mellinger
Pimple……………………………………………………………..Theresa Fresson
Charles Marlow the Younger…………………………………………………… Iain Glen
George Hastings………………………………………………………. Tom Hollander
Jeremy ………………………………………………………………………Gary Fairhall
Sir Charles Marlow………………………………………………… Michael G Jones
Diggory…………………………………………………………………………Roy Holder
Roger…………………………………………………………………………. Mark Healy
Thomas………………………………………………………………………. James Arlon
Ralph………………………………………………………………………………Peter Carr
Stingo……………………………………………………………………….. Michael G Jones
Aminadab……………………………………… Emmanuel Nelson/Roland Henry
Whistle Jacket……………………………………………………………………………….Legs
Director……………………………………………………………………Peter Wood
Designer……………………………………………………………………..David Walker
Lighting………………………………………………………………………..Bill Bray
Music……………………………………………………………………. Corin Buckeridge
Sound………………………………………………………………….Tom Lishman
Assistant Director…………………………………………………………. Edward Hall
Company Manager…………………………………………………… Michael Throne
Stage Manager……………………………………………………………….Pam Skinner
Deputy Stage Manager………………………………………………………………..Francis Hutchings
Assistant Stage Managers…………………….Dominic Delargy, Karen Duthie
August: Wed 5P, Thu 6Pm&e, Fri 7P, Mon 10P, Tue 11P, Wed 12F, Sat 15m&e, Mon 17, Tue 18,
Thu 20m&e, Fri 21, Sat 22m, Tue 25, Wed 26, Thu 27m(S), Sat 29e, Mon 31
September: Thu 3e, Fri 4, Sat 5m&e, Tue 28, Wed 9, Thu 10m, Sat 12e, Mon 14, Thu 17m(D)&e,
Fri 18, Sat 19m, Tue 22, Wed 23RG, Thu 24m&e, Fri 25, Mon 28, Tue 29, Wed 30
October: Thu 1m&e, Fri 2, Sat 3m&L
RG = Charity Royal Gala
Festival Theatre, Plays, Press and Publicity, Productions
Production photograph, The Sisterhood (1991)
Featuring members of the cast
Production photograph, Pressure (2014)
Featuring Malcolm Sinclair, Scott Gilmour, Anthony Bowers, Laura Rogers and David Haig
Cast List, Feasting with Panthers (1981)
Cast List, The Merchant of Venice (1984)
Poster detailing shows produced by Chichester Festival Theatre in 1982
Production photograph, Hobson's Choice (2007)
Featuring Lizzie Winkler and Dylan Charles
Photograph, Laurence Olivier talking to Kenneth Tynan (c.1961)
Featuring the architects model


I'm already in the Easter mood ! Recently , the Easter holidays began and I'm in the Easter spirit. When the season changes I always feel excited to freshen up the house, and during these days I love to decorate in the Easter theme. Also during this time we start using the garden terrace again….


text:
Outraged Patriot
BREAKING: Hillary Clinton Declared GUILTY – She Really Did It
(breitbart) – Twice failed presidential candidate Hillary Clinton (D) shared fake news on Friday, the day Senate Republicans blocked a bill aiming to establish a commission to investigate the January 6 protests and riots at the U.S. Capitol, asserting that the "angry mob" that rushed the U.S. Capitol that day "killed a policeman."
"An angry mob attacked our Capitol, our lawmakers, and our election. They killed a policeman. And Republican leaders would rather we all not know more about what happened," Clinton said:
An angry mob attacked our Capitol, our lawmakers, and our election.
They killed a policeman.
And Republican leaders would rather we all not know more about what happened.
— Hillary Clinton (@HillaryClinton) May 28, 2021
Clinton is referencing Officer Brian Sicknick, as the establishment media originally advanced the narrative that he was fatally wounded by a fire extinguisher. That, however, was not true. The medical examiner found no evidence of blunt force trauma. In fact, the D.C. chief medical examiner ultimately ruled that Sicknick "suffered two strokes and died of natural causes."
As the Washington Post reported:
The ruling, released Monday, will make it difficult for prosecutors to pursue homicide charges in the officer's death. Two men are accused of assaulting Sicknick by spraying a powerful chemical irritant at him during the siege, but prosecutors have not tied that exposure to Sicknick's death.
None of the deaths that occurred among participants were found to be caused by violence except Ashli Babbitt, who was "shot as she climbed through a broken door into the Speaker's Lobby," per NPR.
"The bullet struck Babbitt in the left shoulder, and she later died from her wounds at Washington Hospital Center," the outlet reported.
Clinton's remark came the same day Senate Republicans blocked a bill — formally known as H.R. 3233, the National Commission to Investigate the January 6 Attack on the United States Capitol Complex Act — aimed to investigate the riots and protests that occurred in the nation's capital January 6, with some referring to the desired investigation as a "politically motivated" witch hunt.
"With multiple investigations already underway, I do not support the politically motivated January 6 Commission led by Sen. Schumer and Speaker Pelosi," Sen. Ted Cruz (R-TX) said in a statement.
Six Republicans voted to advance the bill: Sens. Lisa Murkowski (R-AK), Susan Collins (R-ME), Ben Sasse (R-NE), Bill Cassidy (R-LA), Mitt Romney (R-UT), and Rob Portman (R-OH).
breitbart.com/politics/2021/05/29/hillary-clinton-spreads-fake-news-angry-mob-capitol-killed-policeman/
outragedops88
MUST SEE: Five Memphis Police Officers Charged with Murder for Death of Tyre Nichols
REPORT: George Soros Funds Global 'Fact Checking' Empire
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Copyright 2017 - Outraged Patriot


Hello! Thank you for expressing interest in working with Vicariously Me Brand. Vicariously Me Brand is a growing community of Beauty/Fashion/Lifestyle lovers.
This brand explores many topics in the beauty and fashion industry with a focus on Product Reviews, Natural Hairstyles, Nail Design and Makeup Looks Tips, Tricks & Tutorials. However these categories are not the limitations for this brand.
Vicariously Me is a Growing Brand. The focus moving forward for the brand will be expansion & rapid growth. This growth will occur with the use of high performance tools such as SEMrush, Google Adwords, Social Media Marketing such as Facebook/Instagram Ads and Increased content.
This will benefit all partners & sponsors involved with the brand as your products will be displayed to our audience as well as help create more opportunities for beauty/fashion lovers to Join The Brand.
Vicariously Me Brand is not only a blog. There's a YouTube community also strongly surrounding this brand. This means you have more opportunities to market your products or services across various platforms to create additional opportunities for more exposure.
Vicariously Me Brand Audience is 94% female her age ranges from Ages 13- 54. Her geographical location(s) is in USA, UK, CANADA, JAMAICA, INDIA, & SOUTH AFRICA and many more.
She views Vicariously Me across all devices Mobile being her #1 Choice.
These stats will give you an idea of the growth potential to be realized with this brand. As 2018 is the year of business growth. This brand intends to double and even triple its current reach.


Today's photo comes from the stony, surreal cityscape of Matera, Basilicata. I was reminded to post about the 2019 Italian Capitale della Cultura after yesterday's announcement proclaiming Parma the Italian cultural capital for 2020.
We're currently in the Year of Palermo.
Palermo, Matera, Parma…future winners are sure to be dazzling examples of all that Italy has to offer.
Wow, gorgeous photos of Matera! I really hope to get there this year, I've wanted to go for a quite some time.
A very unique city. Glad they have renovated their city and the world is starting to learn about them.


North Africa Renewable Energy Summit 2018 will be held in Casablanca in May 9-10, 2018. It will focus on the Solar & Wind power decelopment in Morocco, Egypt, Algeria and Tunisia.
It is expected that more than 300 decision makers will join the event and share the latest news in the renewable energy development in North Africa.
–	The No.1 C-Level Renewable Energy event in North Africa focusing on CSP, PV , Wind Energy and Energy Storage.
–	150+ Renewable Energy Industry Players to Focus on Morocco, Egypt and Tunisia.
–	Mr. Badis Derradji. Regional Managing Director. ACWA Power.


Triumph describes the suspension as 'developed for an engaging yet easy-going riding experience'. It's softish, a little bouncy - authentically traditional, you might say - but certainly comfortable. Riding straight through potholes or over speed humps is not an inconvenience. It's got slightly more travel than the outgoing model. The seat is also generously padded, soft and comfortable. Triumph says it's got more foam than the outgoing one, while seat height remains 'comparable', at 785mm.
The riding position is such that the seat feels low and the bars high. Not ape-hanger high, obviously, but enough for your forearms to be near horizontal. For mine to be, anyway. It's relaxed and comfortable, with the pegs a little forward of the seat.
While other manufacturers have long since switched to giving us wet weight figures instead of dry, Triumph still sticks with the latter. With this bike's claimed 224kg, you can see why they'd be keen to use any means available to diminish the impression of weight.
It really doesn't feel as heavy as that figure suggests. It's got a low centre of gravity, revealed by the ease with which you can lean it over a bit at standstill, and push it from side to side letting it rest on one thigh and then the other.
By the same token, it leans and turns with the ease of a lighter bike on the move, too. Asked to guess, I might have said it weighs about 30kg less than it does.
It's got the same tubular steel main frame as the Thruxton and Thruxton R, but with a different welded-on sub-frame and an utterly different feel. The high bars and 18-inch front wheel don't put you in touch with the front tyre and tarmac in the same way the Thruxton R's 17-inch and clip-ons do.
The brakes, twin front discs and two-piston Nissin calipers at both ends, are more than competent, with good, progressive power through the span-adjustable lever.
The Pirelli Phantom Sportscomp tyres seemed good in the dry. They perhaps weren't quite so confidence-inspiring in the wet, but they kept all the shiny chrome the right way up.
That's what makes the Bonneville T120 a nice experience – the shiny bits, the beautiful engine, the rubber grips on the sides of the tank – the genuine period feel.
Above all, it manages to put you in a good mood. Look at the clocks, with the chrome rims. The 'Triumph' embossed handlebar clamp. Have a bit of that easy torque. If you're like me, you'll keep accelerating and decelerating just to feel it again. Hear the engine – not loud, but loud enough to believe it's air-cooled. Warm your hands on the heated grips. And now tell me you're still in a bad mood.
The T120 isn't a traditional-looking bike given some modern performance, like the BMW R nineT and now the Triumph Thruxton R. It's a faithful recreation of a classic motorcycle, or as near as can be got to it, using modern technology.
There's the odd thing that seems to undermine the impression more than strictly necessary. As on the Thruxton R, I wonder if the handlebar switch-gear couldn't look a little more from 1959, instead of straight from 2016.
But overall it seems to recreate the things about an old bike that I imagine made them good, while taking bad bits out and adding some mod cons and safety. There's a torque-assist clutch, so your wrist doesn't seize up from pulling the span-adjustable lever. It's got 10,000-mile service intervals, increased from 6,000. It's got a sixth gear (which there was hardly a chance to use on the morning test ride on twisty roads, and which seemed quite tall).
It's got a centre-stand, which is handy in any era.
Starting from £9,600, it's a lot more expensive than Ducati's popular 800cc Scrambler, which starts from £7,250. That could be a problem for it but I don't think so. People who want a Bonneville will want a Bonneville, not a foray into the Land of Joy.
That's what the T120 has got right. It's not an icon. It's a Bonneville - just what it needed to be.
Brakes: twin 310mm front discs with Nissin two-piston floating calipers, single 255mm rear disc with Nissin two-piston floating caliper. ABS as standard.


text:
Flow management may refer to:
 Bandwidth management
 Network congestion
 Network traffic control
 People flow
 Traffic management


text:
Valencia, Spain •
Red Rake Gaming is a company that's made up of an incredible group of individuals, whose main goal is to bring players fantastic gaming experiences full of great prizes and an immersive atmosphere. Read more details and discover the best Red Rake Gaming slots below.
Red Rake Gaming Games
O′Bryans′ Funland
Million 88
Nefertiti's Riches
Parrot Bay
Million Dracula
Super 15 Stars
1st Of The Irish
Secrets of the Temple
777 Heist
Solomon: The King
Mother of Horus
Gustav Minebuster
Mata Hari: The Spy
Everything You Need To Know About Red Rake Gaming
About Red Rake Gaming
Popular Red Rake Gaming Slots
Our Verdict on Red Rake Gaming
Red Rake Gaming has been in the industry for some time now and despite not being among the top leading software developers, the company is still very popular among players. Plus, its games are being played in many casinos around the world. Red Rake Gaming is also very consistent, as new games are being released on a monthly basis.
In addition to its individual work, the company has also collaborated with some of the biggest names. In 2017 for example, Red Rake Gaming entered into a partnership with iSoftBet and their Game Aggregation Platform was a big advantage for Red Rake Gaming. We suggest you read further about the accomplishments of this company and then you can check out some of the video slots as well.
Red Rake Gaming is a Spanish company that was founded back in 2011 in the city of Valencia. Since then, as the company started to penetrate more markets, it expanded of course, and now it seems to also have offices in Sliema, Malta.
As proof of the quality and safety that Red Rake Gaming offers is the fact that it has been licensed by all the major jurisdictions. The company has a licence by the Malta Gaming Authority, the UK Gambling Commission, the Hellenic Gaming Commission, as well as the Romanian National Gambling Office.
So far, Red Rake Gaming has not received any official recognition or awards, but the company did manage to get shortlisted for the Best Slot Supplier award at the 2019 EGR B2B Awards. More prestigious awards may be on the way for this company, we just have to wait and see.
The developers at Red Rake Gaming want to make the players' experience as incredible as possible, which is why they included the exciting progressive tournaments. These can be integrated into all of their games and they allow players to compete for greater awards and perhaps even some better advantages.
The developers have obviously worked incredibly hard in order to create a great and lengthy library of games. So far, the company boasts a bit over 100 games in total and the fact that new releases are coming out every month means that there is always something new to look forward to.
Red Rake Gaming's portfolio is also incredibly diverse. Many of the games they offer are video slots, but there are many other types of games as well, for players who prefer them. You can find a great selection of video bingo, video poker, blackjack, roulette, and a couple of exciting frenzy disks games as well.
It seems that Red Rake Gaming is not very fond of jackpot games. There is only one jackpot game that the developers have created so far, and that is the exciting Super 12 Stars slot, which offers a Minor, a Major, and a Grand Jackpot.
In terms of visual quality, the games at Red Rake Gaming are made with great and immersive visual designs that can capture the essence of the theme. However, comparing them to the games made by the leading software developers, they might seem a little dated, but they still offer an incredible gaming experience, with good graphics.
One thing that the developers seem to be quite consistent in is the fact that the theoretical RTP values of the games are typically below the industry average. Generally, they are somewhere around 95.30%, but there are also some games where it goes slightly above that value as well.
The games, specifically the video slots, are based on all kinds of themes and genres, which means that every player can find something that suits them. Whether you are looking for a fruit slot, or you prefer the fantasy genre, you can always find something entertaining and enjoyable.
The Red Rake Gaming slots are packed with great bonus features and fun gameplay that can make the experience a lot more enjoyable and maybe even more lucrative. On top of that, Red Rake Gaming is also a very innovative company and they proved that by creating a very distinct and exciting new engine called Orbital Reels, which was first introduced in the Wildcano slot.
Some of the most popular titles by Red Rake Gaming are Million 88, Gustav Minebuster, Mother of Horus, Secrets of the Temple, and 777 Heist, among others.
Million 88 Slot
Million 88 slot is a very simple and retro-looking video slot that offers incredible gameplay. You get to experience a giant layout full of fruit symbols, blank spaces, as well as up to 1,000,000 possible ways to win. On top of that, there are also 8 fantastic bonus features to help you out.
Gustav Minebuster Slot
With the Gustav Minebuster slot, you get to join the rugged Gustav into a rich mine full of all kinds of precious gems. The square grid of 8 rows and 8 reels employs the exciting cluster pays mechanic, as well as the cascading system, so you can look forward to a really fun experience.
Mother of Horus Slot
Enter an ancient tomb and uncover the reels that can bring you massive prizes. The visuals of the Mother of Horus slot are fantastic and they will immerse you completely thanks to the authentic atmosphere and lots of hieroglyphs. Plus there are 4 possible jackpots on offer.
Secrets of the Temple Slot
Secrets of the Temple slot is an incredible video slot that seems to be based around the Tomb Raider games. You can join Lara Croft-inspired character on her dangerous adventure and find the valuable treasures hidden inside the ancient temple. The visuals and gameplay provide a really exciting gaming experience.
777 Heist Slot
Ancient temples are fun, that's true, but with the 777 Heist slot, you get to enter a heavily guarded museum full of valuable paintings, statues, and diamonds, and help the daring thief. The game has an incredibly intense atmosphere accompanied by great visuals and ultimately an amazing gaming experience.
As we mentioned before, the developers at Red Rake Gaming do their best to provide the best possible experience to their players. For that reason, all of their games are very light in terms of size and are also made with sophisticated HTML5 technology.
This allows perfect integration and accessibility even from smaller devices such as tablets and smartphones. You can open the games directly in the browser of your preferred device and enjoy them on the go.
Red Rake Gaming is an experienced software developer that has been in the industry for a while now and has created an extensive portfolio full of many incredible and immersive games. It is a very innovative company that has introduced new ways of playing, as well as exciting features in order to bring its players the best possible experience.
The company works in accordance with the essential safety protocols, which means that all of their games are perfectly secure and you can look forward to fair play. One interesting thing that their games offer is the fun replay feature that allows you to look at a winning combination once again. Check out some of the games we offer here on SlotsWise and enjoy everything they have to offer.
Show More ›
What types of slots does Red Rake Gaming offer?
The company's portfolio is packed with a wide array of games including video slots, video bingo, roulette, video poker and more. Everyone can find something that fits their preference.
Which are the most popular Red Rake Gaming slots?
Million 88, Gustav Minebuster, Mother of Horus, Secrets of the Temple, and 777 Heist are just some of the most popular games that Red Rake Gaming has created.
Are Red Rake Gaming slots secure?
The games are perfectly secure, as the company is licensed by the UK Gambling Commission, the Malta Gaming Authority, the Hellenic Gaming Commission, as well as the Romanian National Gambling Office.
Are Red Rake Gaming slots mobile friendly?
Yes, all of the games are made with sophisticated HTML5 technology, which allows you to play the games on any device that runs on Windows, Android, or iOS operating system, without any issues.


text:
Dirk I van Voorne (ca. 1135, 1189) had de adellijke titel Heer van Voorne (van 1156 tot 1189). Zijn vader was Hugo III van Voorne, en hoorde tot het adellijke geslacht Van Voorne

Hij is getrouwd met een dochter van Unarch van Nadelwick, Heer van Naaldwijk en verwierf zo Naaldwijk. In latere jaren zou die heerlijkheid door een jongere tak van de familie Voorne worden bestuurd.

Hij voerde als wapen een gouden aanziende leeuw op rood. Hij liet de Burcht van Voorne bouwen (samen met zijn broer Floris van Voorne).

Kind(eren):
 Hugo (ovl. na 1215)
 Dirk II van Zeeland Van Voorne 1170-1228
 Bartholomeus van Voorne Van Naaldwijk  1170-????
 een dochter (naam onbekend)

Bronnen
Op 3 oktober 1174 wordt Dirk vermeld als getuige met zijn broer Floris, die hij als heer van Voorne opvolgde.

Externe link
 (1972): Inventaris van het archief van de Heren van Voorne, Burggraven van Zeeland, 1272-1371, Nationaal Archief, Den Haag
 Reeks 133 Van Voskuilen

Heer van Voorne
Huis Voorne
Voorne, Dirk


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NRCM Deeply Disappointed in BEP VOTE to Allow 70% More Toxic Mercury Emissions from Thomaston Cement Plant
Global Warming & Air Pollution, Maine Environmental News, Mercury Pollution
Posted on July 17, 2014 by NRCM
Statement of Dylan Voorhees, Clean Energy Project Director, Natural Resources Council of Maine
NRCM is deeply disappointed in today's Board of Environmental Protection vote, which would allow the Dragon Cement Company in Thomaston to increase its emissions of toxic mercury by 70%, reversing nearly two decades of work by Maine to reduce mercury emissions and protect the health of Maine people and our natural resources.
Dragon Cement Company's request flies in the face of Maine's law to limit mercury, and the state's Mercury Action Plan too. Maine joined with the Conference of New England Governors and Eastern Canadian Premiers in adopting the action plan, the goal of which is the virtual elimination of anthropogenic mercury emissions.[1]
In recommending support for this request from the Spanish-owned Dragon Cement Company, DEP is effectively surrendering the state's ability to limit mercury emissions at Dragon, allowing the plant to pollute at the highest level permitted nationwide.
Mercury emissions are a significant environmental and health hazard in Maine. The risks of mercury are well documented, as noted by the Department's own Mercury Reduction Report[2]. These hazards include impacts to the nervous, respiratory and immune systems, particularly for children and developing fetuses. Because of this risk, and as a result of the legacy of mercury pollution, state health officials warn residents to limit their consumption of fish caught in all of Maine's inland waters.
Dragon's cement facility is the elephant in the room when it comes to mercury pollution in Maine. It put at least 13 lbs. of toxic mercury per year into Maine's environment in 2011-2012. That may not sound like much, but, over time, just one gram of mercury in the air deposited in a 20-acre lake each year, can contaminate the fish in that lake and 13 pounds is almost 6,000 grams.
The next largest emitters are trash incinerators, ecomaine and PERC, which each emit 8-10 and 3 lbs. per year. There is no reason that Maine should not require Dragon to install widely available control technologies such as activated carbon injection or wet scrubbers. To do so would be the equivalent of eliminating Maine's third largest single source of mercury pollution.
But, instead the DEP has proposed and BEP has voted to allow Dragon to at least double the amount of mercury it puts into Maine's environment, and potentially emit as much as seven times as much as its 2011-2012 emission levels. That's the wrong direction for Maine, whether you look at the clear intention of Maine law or at the need to protect public health, natural resources and the economy.
The reality of mercury contamination in Maine hit home once again this year when the state outlawed lobster and clam harvesting in a 7-mile stretch of the Penobscot River due to hazardous levels of mercury contamination in shellfish from industrial pollution.[3] A February 23 editorial from the Portland Press Herald put it succinctly:
The notion that Maine's lobsters could be unsafe to eat, or that Maine air and water might not be clean, could be devastating to those industries. Far from being bad for business, environmental regulation is essential for business to succeed, especially the kinds of businesses that Maine depends on… The next time we hear a politician complain about too much regulation, we should all remember this situation and reflect on how much trouble good regulation can avoid.
The BEP voted to allow Dragon Cement to send more than 70% more toxic mercury into Maine's environment than the factory's actual mercury emissions in 2011-2012 is simply not good regulation.
According to the Department of Environmental Protection's analysis, actual mercury emissions from Dragon for 2011-2012 were estimated using two different methods neither of which showed emissions exceeding 25 lbs. per year. A third method applied using 2007 data also showed emissions well below 25 lbs. per year.
Why did the DEP sanction a limit of 42 lbs. per year, which is 70% higher? We understand that production at Dragon could conceivably increase in the future, but that does not justify this excessive proposed increase.
The Department's draft Findings of Fact clearly show that there are options for reducing mercury emissions below current levels and the BEP voted today to reject these options, primarily because they cost money. However, the BEP failed to even consider the cost of not controlling this pollution, and this this cost could easily dwarf the cost of controls. Think of the cost to the health of people and wildlife, and cost to our lobster fishery, tourism industry and the Maine "brand."
In fact, the draft findings identified and analyzed two widely available control technologies that would reduce emissions at Dragon to just over 10 lbs. per year from its 2011-2012 emissions of about 13 lbs. per year.
In 2013, the DEP recommended that the Legislature change the law to specifically allow cement facilities to pollute more than Maine law allowed – to allow mercury pollution at the highest levels permitted nationwide – but the Legislature declined this recommendation. This is further evidence that it is contrary to the intent of Maine lawmakers to allow Dragon Cement to emit 70% more toxic mercury pollution than is allowed by Maine law, simply because it could meet weaker federal standards and controlling pollution would require an investment by the company.
Filed Under: Global Warming & Air Pollution, Maine Environmental News, Mercury Pollution Tagged With: Board of Environmental Protection, Department of Environmental Protection, Mercury Pollution, News Release, Penobscot River, public health


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Professor Richard Weisberg
Professor Weisberg is the Walter Floersheimer Professor of Constitutional Law at the Benjamin N. Cardozo School of Law of Yeshiva University. Professor Weisberg is involved in theoretical and litigation-oriented approaches to the subject of his book "Vichy Law and the Holocaust in France." Since 2001, Professor Weisberg has been the representative of former plaintiffs in Vichy-related litigation to an oversight committee, consisting of US State Department and French government officials, which has responsibility for the day-to-day restitution of stolen banking assets to victims or their heirs. In 2009, he was awarded the legion of honor by the French government. Professor Weisberg also has pioneered the worldwide Law and Literature movement and is the author of "The Failure of the Word, When Lawyers Write," and "Poethics: And Other Strategies of Law and Literature." He was an editor of the "Columbia Law Review" and was associated with Cleary, Gottlieb, Steen & Hamilton. Professor Weisberg was a fellow of the National Endowment for the Humanities, the Society for the Humanities of Cornell University, the American Council of Learned Societies, and the Rockefeller Foundation. In 1998, he was named a Guggenheim Fellow for his study of the privatization of public discourse. In fall 2002, Professor Weisberg was on the visiting faculty at the Johns Hopkins program in Nanjing, China and is an honorary professor at Wuhan University. From 1979 to 1986, he was president of the Law and Humanities Institute and has been its chair since 1987. He is a former chair of the law and humanities section of the American Association of Law Schools. Professor Weisberg is founding editor of "Law and Literature." Sample Titles Law and...
Rabbi Richard Weiss, M.D.
Rabbi Richard Weiss, M.D., received his rabbinic ordination from the Rabbi Isaac Elchanan Theological Seminary of Yeshiva University. He earned his medical degree from Wayne State University School of Medicine and is a licensed physician in the state of New York, having completed an internship in internal medicine at Maimonides Medical Center in Brooklyn. He is currently the rabbi of the Young Israel of Hillcrest in Queens and an adjunct assistant professor of biology at Yeshiva University's Stern College for Women. He has served as a member of the Geirus Commission of the RCA. In addition, Rabbi Weiss has a special interest in bioethics and, in particular, issues related to end-of-life care and infertility. He has lectured frequently on these topics, and has served on a number of bioethics committees. He is a contributing author to "Overcoming Infertility: A Guide for Jewish Couples," edited by Richard V. Grazi, M.D. and published by Toby Press in 2005, as well as the author of "Pain Management at the End of Life and the Principle of Double Effect: A Jewish Perspective," to be published in the journal Cancer Investigation. Rabbi Weiss has also served as a staff physician for the Metropolitan Hospice/Jewish Hospice of Greater New York. Rabbi Weiss does not feel that his interests in both the rabbinate and medicine are that different, noting that "they are both fundamentally people-oriented professions which involve establishing and maintaining relationships." Sample Titles Dignity at the End of Life Plastic and Cosmetic Surgery in Halacha Interface Between Jewish Bioethics and Secular/General...
Rabbi Jeremy Wieder, PhD is Yeshiva University's Joseph and Gwendolyn Straus Professor of Talmud in the Mazer Yeshiva Program, a rosh yeshiva at the Rabbi Isaac Elchanan Theological Seminary and an adjunct professor of Bible at Yeshiva College. Rabbi Wieder is a prolific scholar, with more than 900 lectures on Judaism captured on audio and video and available online. Rabbi Wieder was one of the first Americans to win the International Bible Contest. He graduated summa cum laude from Yeshiva College in 1991, and received an MS in American Jewish history from the Bernard Revel Graduate School of Jewish Studies. He was ordained at RIETS and holds a PhD in Judaic studies from New York University. Sample Titles Heinz dilemma in Jewish Law Copyright Law in Halakhah Economic and Social deception in Jewish Law The Interaction between Halakhah and Secular Law The Status of and Ethical Treatment of Gentiles in Jewish Civil Law The Dissolution of Kiddushin – A Solution to the Agunah Problem Fraud as Grounds for Invalidating Kiddushin – A Solution to the Agunah Problem? The Halakhic Status of Electricity on Shabbos Abortion in Halakhah A Halakhic view on Disinheriting a Child Parameters and Priorities in the Mitzvah of Tzedakah Conflict Between Science and Halakhah: The Response of Posekim Land for Peace Status of Oats as a Grain in Halakhah The Structure of the Hebrew Calendar Use of Ancient Near East in study of Tanakh Non-literal interpretation of Scripture Tiqqun Soferim in Hazal: Emendation or Interpretation? Textual Variants in Tanakh: A Halakhic Response Targum: An Introduction to the Jewish Aramaic Translations of Scripture How our Biblical Text came to be: The History of the Text and the Tiberian...
Rabbi Netanel Wiederblank
Rabbi Netanel Wiederblank is a Maggid Shiur at Yeshiva University where he teaches college students and semikhah students Tanakh, Talmud, Halakha, and Jewish Philosophy at RIETS and MYP. Rabbi Wiederblank also serves as rabbi at the Yeshiva Community Shul (Shenk Shul) in Washington Heights. He recently published "Illuminating Jewish Thought: Explorations of Free Will, the Afterlife, and the Messianic Era." Sample Titles Limitations on Free Will: Is it ever too late to turn around? What is Olam Haba? Jewish Perspectives on the Afterlife Reason Verses Revelation: The role of the intellect in determining the spirit and letter of the law The Torah's Perspective of Truth and Lying Tzdaka: Philosophical and Halachic Considerations Are we truly free? The Torah's Perspective on Free Will Understanding the Preponderance of Talmudic Debate Eilu ve-eilu – Multiple Truths or Multiple Possibilities What will the messianic era look like? How will we know who the true mashiach is? Contradictions between Torah and Science How old was Rivka when she got married: Did the stories in the Midrash literally take place? Is there a mitzvah to study philosophy? What is Kabbala? Does denying one of Rambam's 13 Principles of Faith always constitute heresy? An eye for an eye—Rambam's perplexing perspective The Guide to the Perplexed—What it's all about and why it was so controversial How do we know God exists? What are Jewish Business Ethics Understanding the opening chapters of Bereishit Why were we chosen? What is the purpose of mitzvos? The nature of divine providence: Does God control everything? What is the purpose of korbanos? Will there be sacrifices in the messianic era? Tikun olam and our responsibility towards humanity Is the Talmud Relevant in Solving Modern Technological Problems? How conceptual analysis ensures the eternal relevance of the...
Chani Wiesman, MS, CGC
Chani Wiesman, MS, CGC is a genetic counselor with the Program for Jewish Genetic Health of Yeshiva/Einstein and with Montefiore Medical Center, where she specializes in reproductive and cancer genetics. Chani received her BA degree in Biology from CUNY-Queens College in 2007 and her MS degree in Genetic Counseling from Northwestern University in 2009. Prior to joining Montefiore, Chani served as a genetic counselor at Columbia-Presbyterian Medical Center, specializing in reproductive and pediatric genetics as well as working closely with Columbia's Cystic Fibrosis Center. Chani presents frequently in the Jewish community about Jewish genetic diseases, carrier testing and available family planning options for carrier couples. Sample Titles Genetics in Medicine: Current Applications and Future Prospects Hereditary Risk: Breast and Ovarian Cancer in the Jewish Community Jewish Genetic Diseases and Ashkenazi Jewish Carrier...
Professor Leon Wildes
Leon Wildes, the founder of Wildes & Weinberg P.C. Law Offices, serves as Senior Partner. Holding J.D. and LL.M. degrees from the New York University School of Law, he is an Adjunct Professor of Law at the Benjamin N. Cardozo School of Law of Yeshiva University in New York, where he teaches immigration law. He regularly publishes scholarly articles in the field and lectures widely to both immigration lawyers and lawyers in general practice, and has practiced in the field for forty-five years. A recognized authority in his field, Professor Wildes served as National President of the American Immigration Lawyers Association and has testified before the United States Congress as an expert in immigration matters. Awarded the Edith Lowenstein Memorial Award for Outstanding Contributions to the field of Immigration Law, he is best known for his successful representation of former Beatle John Lennon and his wife Yoko Ono in deportation proceedings spanning a five year period....
Rabbi Mordechai Willig
Rabbi Mordechai Willig is Yeshiva University's Rabbi Dr. Sol Roth Professor of Talmud and Contemporary Halachah. He has been a rosh yeshiva at the Yeshiva Program/Mazer School of Talmudic Studies since 1973 and a rosh kollel at the Rabbi Isaac Elchanan Theological Seminary. Rabbi Willig has served as spiritual leader of the Young Israel of Riverdale in the Bronx, N.Y., since 1974. He is the author of Am Mordechai, which came out in two volumes (1992 on brachot and 2005 on Shabbat), and has authored many articles in Torah scholarship journals. Rabbi Willig is the deputy av beis din of the Beth Din of America. He has been an outspoken advocate of the halachic prenuptual agreement as a preventative measure against the creation of agunot. Rabbi Willig received a BA in mathematics from Yeshiva College in 1968 and an MS in Jewish history in 1971 from the Bernard Revel Graduate School of Jewish Studies. He received semikha (rabbinic ordination) that same year at RIETS. Sample Titles Peru U'revu – How Many Children and When In G-d We Trust? Balancing Work & Other Mitzvos Marriage and Machlokes: Middos, Parents/In-Laws and Divorce Are We Really Willing To Change? Practical Suggestions for Feeling Yom Hadin Survival Guide to Dating Practical Applications of Tznius: At Home, Work, Shul, and in the Street Gambling in Halacha Hellenism Revisited: Outside Influences on Our Lives Dress Down Shabbos? Laws Relating to Female/Male Patients (negiah, yichud, chattzitza for mikvah etc.) Pursuit of Happiness Drinking: Purim and Beyond Helenism Today: Secular Values vs. Torah Values Teshuva and Tefillah: Two Paths to Hashem Sefira: Halacha and Hashkafa The Weapons of Eisav in the Hands of Yishmael; The Reaction to Twin Tragedies Eis Tsara, Emunah, and 9-11-2001 Shavuos: Preparing for Kabolas HaTorah Should Women Light Chanukah Candles? Simcha on Rosh Hashana Yomim Noraim /...


Popularity - 966 views, 5.0 views per day, 195 days on eBay. Super high amount of views. 10 sold, 0 available.
966 views, 5.0 views per day, 195 days on eBay. Super high amount of views. 10 sold, 0 available.
Seller - 148,811+ items sold. 0.5% negative feedback. Great seller with very good positive feedback and over 50 ratings.
148,811+ items sold. 0.5% negative feedback. Great seller with very good positive feedback and over 50 ratings.
2016 1oz Silver Kangaroo -- NGC Certified from Perth Mint Sealed Box 2!
2015 UKRAINE ANGEL ,ARCHANGEL MICHAEL, 1oz Silver Coin High Quality Toning!!!
2016 1oz Silver Kangaroo -- NGC Certified from Perth Mint Sealed Box 1!
2016 1oz Silver Kangaroo -- NGC Certified from Perth Mint Sealed Box 3!


Regional experts in pediatric and adult neurology.
One phone call gives you immediate access to neurological experts.
Eagle III emergency air transportation for patients affected by stroke, seizure or other acute need.
The region's only pediatric neurologist— and the only in Wisconsin who is fellowship trained in both neuromuscular disorders and epilepsy.
Comprehensive neuroscience services, including neurosurgery, pediatric and adult neurology, neuropsychology, therapy and comprehensive neurodiagnostic services with an accredited EEG lab.
the one family neuroscience difference.
Stroke and neurology market leaders in Brown and Sheboygan Counties.
Extensive evaluation of cognitive abilities — how patients think, move and behave — to clarify diagnosis of brain disorders or disabilities.
Home to one of the first programs in the U.S., and first in Wisconsin, to utilize deep brain stimulation in the treatment of complex movement disorders.
Northeast Wisconsin's only comprehensive epilepsy program served by a fellowship-trained epileptologist.
Region's first Therapeutic Whole Body Hypothermia for birth depression.


The Road Haulage Association (@RHANews) has published the 2016 edition of its highly respected "haulier's bible", the RHA Haulage Manual.
Commenting, the RHA's chief executive Richard Burnett (@RHARichardB) said: "Every haulier, from an owner-driver to those running massive fleets, must be compliant. If for any reason this is not the case, their lorries will be going nowhere. That's why the RHA Haulage Manual has long been recognised as the hauliers 'bible' and no traffic office should be without a copy readily to hand.
Covering every aspect of running a compliant haulage operation from facts on traffic regulations or vocational driver licensing to Health & Safety legislation to plating and testing regulations, the 2016 Haulage Manual has all the latest information written in a clear, concise, easy-to-read style. It is also recommended as part of the course reading for the RHA's transport manager CPC training course and contains the majority of the information the CPC examination syllabus covers.
The RHA 2016 Haulage Manual is available free to members of the RHA. Copies can also be purchased from the RHA shop at the cost of £50.00.


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Rudi Gernreich
Rudi Gernreich's Fashion-Forward Thinking
LA's Skirball Cultural Center honors the socially conscious style innovator whose contributions remain essentials today
By Sabrina Cooper
Fashion designer Rudi Gernreich was constantly pushing boundaries and thinking outside the box in his vast body of work. His bravado and endless imagination challenged social norms of identity, beauty and gender during the height of his career in the '60s and '70s—and arguably his personal life influenced his professional one to be daring. Fearless Fashion: Rudi Gernreich, a new exhibit opening tomorrow on May 9, 2019 at the Skirball Cultural Center in Los Angeles presents a portrait of this fashion innovator including more than 80 outfits (like the topless swimsuit, the thong, unisex apparel and pantsuits) as well as photos, illustrations, and personal letters.
Curator Bethany Montagano tells CR: "His apparel welcomed everyone into the fold—regardless of race, religion, gender, sexuality, and body type—broadening the scope of who is 'fashionable.' We hope that visitors are inspired by Gernreich's fearless fashions and his lifelong credo that style is about freedom and authenticity."
Gernreich was born in 1922 to a Jewish family in Vienna, Austria, and endured a dramatic childhood: His father committed suicide when the designer was only eight years old. At age 16, Gernreich and his mother fled the German Anschluss (when Nazi Germany took over Austria) as Jewish refugees and settled in Los Angeles, California. During his first jobs, Gernreich learned directly about human anatomy: He cleaned corpses at a morgue to prepare them for autopsies. Later, he was a dancer and costume designer for a modern dance company. Although he never officially came out as a gay man—he thought it was apparent in his lifestyle—he was a founding member and financial backer of one of the earliest LGBTQ rights organizations in the United States, The Mattachine Society. Gernreich learned to use many of these life experiences to embolden him in fashion design.
Gernreich with models
Claxton Watts
"He was called at a very young age to a deep understanding of what hatred can do when we lose sight of our common humanity," explains Montagano "When he fled Vienna, he understood what freedom meant. And when he arrived in LA, he figured out what he would use that freedom for."
Gernreich communicated how he felt about social issues through fashion. In the '60s and '70s, Gernreich showed his support for second-wave feminism through styles that shifted the public's thinking about women's appearances. His designs also offered more options for womenswear. The Mini, Mods and Pantsuits part of the exhibit features his mod "micro mini" in addition to pantsuits which were not initially common during those decades.
Vinyl ensemble by Gernreich
Trompe ensemble by Gernreich
His legacy remains linked to his scandalous "monokini" design—a topless one-piece that received harsh criticism from the Pope—and his long-time collaboration with iconic model, Peggy Moffitt. Additionally, the show highlights his swimsuit and undergarment designs, which also convey how he favored comfort over stiff, old-fashioned, traditional conventions. His wireless bras—his "no bra"—and thong underwear became popular and remain wardrobe basics today.
Moreover, Gernreich thought intelligently about design and in some ways, anticipated social needs light years before his peers and colleagues. In his Unisex Collection of 1970, the designer attempted to remove gender details in pieces that anyone could wear. He also experimented with materials: Gernreich employed leather, vinyl, dog leashes as belts, sheer cloths, and exposed zippers in his oeuvre. These elements all became accepted as details integrated in today's garment construction.
"In many ways, Gernreich was ahead of his time. He was avant-garde and provocative in a medium that has always struggled to find acceptance as an art form," Dani Killam, exhibition assistant curator, says. "Though his name is not as well-known as other fashion designers, his work has become a staple in today's fashion landscape."
An Interview with Bob Mackie
Inside the "Azzedine Alaïa: The Couturier" Exhibit
Thierry Mugler Designs the Sublime
A First Look at "What Would Sophia Loren Do?"
A History of the Wet Look in Fashion
Pierre Cardin's Future Fashion
Is Basquiat the Original Father of Streetwear?
Inside Studio 54's Naughty Holiday Parties
How 2020 Has Made Child Stardom Even More Toxic
Gucci Donates $500,000 to UNICEF for COVID Vaccine
Bright Ideas: Fantasizing Fake Ads
Halima Aden: Model Citizen
CR Muse: Mary Quant, Designer of the Swinging '60s
Moschino Takes on Vegas Showgirl Culture
Anwar Hadid and Yoni Laham Present Martyre
Balenciaga Moves Rodeo Drive Boutique
How LA Became the Capital of Sustainable Fashion
The 5 Best Vegan Restaurants in L.A.


text:
Record number of applicants for 2021 Presidential Grants
Home / Regional News / Record number of applicants for 2021 Presidential Grants
The Presidential Grants Fund receives a record number of applications for its second contest of 2021
12,255 applications from CSOs have been received for the Fund's second competition of 2021, beating the previous record of 11,085 set for the second contest last year.
Most applications submitted by CSOs were in the following categories: health care and promoting healthy lifestyles (2,336 projects), support for culture and the arts (1,604) and social services and protection of citizens (1,518).
8% of CSOs were first-time applicants. The results will be announced in June, with funding for successful projects starting from 1 July. The total prize fund will be in excess of four billion roubles.
Source: https://www.asi.org.ru/news/2021/03/16/fond-prezidentskih-grantov-poluchil-rekordnoe-kolichestvo-zayavok-na-vtoroj-konkurs-2021-goda/


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Q: show highcharts node description only in mouse over Is there any possability to show the description of a Node only when mouse over is active? In my exampel both the name and the dexcription of the node will be shown in the node an in the mouse over box.
I want to show the "Merkmale | Makro zur Prüfung" in the node and "[MORE.OAI] Office AddIn(370/454,6)CR: OfficeAddin/DMS-AddIn für MS-Outlook, MS-Excel und MS-Word [OAI](/449,1)" in the mouse over box.
Code https://jsfiddle.net/omurx8Lk/4/


Hi, everyone, isn't this blogging commenting business a huge nuisance? I can now see comments on my own blog, but still don't have guarenteed access to others. If I don't make comments on your work on this challenge, I am sorry but please understand why.
This week at Make My Monday, we continue the theme for January of NATURE, and now we would like you to create-a-scene, now it needn't be a full page as I have made. A scene can consist of a watering can, or any object with weeds, flowers or grass with a bird, or a tree with sky, so let us see how imaginiative and inventive you can be. This may seem a harder than normal challenge, but it can be great fun.
I started by stamping the beautiful funky fairy from Bravura stamps - directly onto the card, then I stamped her onto a piece of paper, cut it out to make a mask and used temp glue to cover the original fairy. This protected the fairy whilst completing the remaining work. the backgtround is watercoloured using TH Distress inks as watercolours. I punched out the moon, coloured it and glued on some glitter. Glued this onto the card for I wanted it to look more dimensional. I then stamped leaves and trees, birds, grasses (Inkyliciousstamps). Once completed, I removed the mask and coloured in the fairy, using Sakura Gelly and Souffle pens, glitter and Promarkers for her skin.
I am also entering this as my 2nd entry to a new monthly blog Craft-a-Scene as soon as I can. it has to be a round about way, whereby once someone has commented on the above pic, I will then have my URL and can go over to add my card. Please Blogger listen to my plea and save my sanity.
Aww Caz, sorry Mr blogger is still playing up but your card is beautiful, a really magical scene.
A fantastic scene - your card looks very magical.
Wow, a magical scene Caz, love the fairy image.
A fabulous scene Caz, love the fairy and the sky.
Fabulous card Caz - love the whole thing, and the way you have put it together - so detailed.
This is a lovely scene, veery mystical!
Fabulous!!! Love your scene and colouring! The fairy is gorgeous!
Well done... Thanks for playing along with us at Craft A Scene!
Lovely scene Caz My daughter would love it! she has a thing about grown up faries and unicorns!..
Amazing job, love the scene, thanks for joining us a Craft a Scene, hope you can join us again!!!