text:
Q: Expander scrolling problems I have a an Expander inside a Stackpanel, inside a ScrollViewer.
Now when I move my mouse over the expanded expander, the scrolling of the scrollviewer doesnt work anymore.
Can someone help me understand why?
<ScrollViewer VerticalScrollBarVisibility="Auto" Name="Scroller">
    <StackPanel  Name="Panel1">
            <Expander Header="{Binding Source={x:Static properties:Strings.GeneralSettings}}" IsExpanded="True">
                <StackPanel>
                    <Grid>
                        <Grid.ColumnDefinitions>
                            <ColumnDefinition />
                            <ColumnDefinition />
                        </Grid.ColumnDefinitions>
                        <Grid.RowDefinitions>
                            <RowDefinition />
                            <RowDefinition />
                            <RowDefinition />
                            <RowDefinition />
                            <RowDefinition />
                        </Grid.RowDefinitions>
                        <TextBox Grid.Column="0" Grid.Row="0" Text="{Binding ProjectDataService.CurrentProject.ProjectName,Mode=TwoWay}" material:TextFieldAssist.Hint="Projektname" Margin="10" />
                        <TextBox Grid.Column="1" Grid.Row="0" Text="{Binding ProjectDataService.CurrentProject.ProjectLead,Mode=TwoWay}" material:TextFieldAssist.Hint="Projektleitung" Margin="10" />
                        <TextBox Grid.Column="0" Grid.Row="1" Text="{Binding ProjectDataService.CurrentProject.City,Mode=TwoWay}"  material:TextFieldAssist.Hint="Ort" Margin="10" />
                        <TextBox Grid.Column="1" Grid.Row="1" Text="{Binding ProjectDataService.CurrentProject.ZipCode,Mode=TwoWay}" material:TextFieldAssist.Hint="Postleitzahl" Margin="10" />
                        <TextBox Grid.Column="0" Grid.Row="2" Text="{Binding ProjectDataService.CurrentProject.Street,Mode=TwoWay}" material:TextFieldAssist.Hint="Strasse" Margin="10" />
                        <TextBox Grid.Column="1" Grid.Row="2" Text="{Binding ProjectDataService.CurrentProject.HouseNumber,Mode=TwoWay}" material:TextFieldAssist.Hint="Hausnummer" Margin="10" />
                        <TextBox Grid.Column="0" Grid.Row="3" Text="{Binding ProjectDataService.CurrentProject.ContactName,Mode=TwoWay}" material:TextFieldAssist.Hint="Ansprechpartner vor Ort" Margin="10" />
                        <TextBox Grid.Column="1" Grid.Row="3" Text="{Binding ProjectDataService.CurrentProject.ContactEmail,Mode=TwoWay}" material:TextFieldAssist.Hint="Kontaktemail" Margin="10" />
                        <ComboBox Grid.Column="0" Grid.Row="4" Margin="10" SelectedItem="{Binding ProjectDataService.CurrentProject.ProjectStatus,Mode=TwoWay}" material:TextFieldAssist.Hint="Projektstand">
                            <ComboBoxItem Content="Abgenommen" />
                            <ComboBoxItem Content="Eingebaut" />
                        </ComboBox>
                    </Grid>
                </StackPanel>
            </Expander>
    </StackPanel>
</ScrollViewer>

I found out, that it is the MaterialDesign Framework, which breaks the scrolling. To enable the framework I need to put
<ResourceDictionary>
        <ResourceDictionary.MergedDictionaries>

            <ResourceDictionary Source="pack://application:,,,/MaterialDesignThemes.Wpf;component/Themes/MaterialDesignTheme.Light.xaml" />
            <ResourceDictionary Source="pack://application:,,,/MaterialDesignThemes.Wpf;component/Themes/MaterialDesignTheme.Defaults.xaml" />
            <ResourceDictionary Source="pack://application:,,,/MaterialDesignColors;component/Themes/Recommended/Primary/MaterialDesignColor.Indigo.xaml" />
            <ResourceDictionary Source="pack://application:,,,/MaterialDesignColors;component/Themes/Recommended/Accent/MaterialDesignColor.Indigo.xaml" />
        </ResourceDictionary.MergedDictionaries>
    </ResourceDictionary>

into the application.ressources.
the second line breaks the scrolling

A: I had the same issue. It is a bug in the material design nuget: https://github.com/MaterialDesignInXAML/MaterialDesignInXamlToolkit/issues/1395
it is fixed in the current preview for materialdesignthemes 3.0. Check "include prerelease" in nuget manager to be able to select the preview versions for this nuget package.

redpajama_set_name: RedPajamaStackExchange


Current grads, first-time resume writers, and numerous other people frequently really feel over-whelmed at the idea of producing a resume. If you're going back to square one, and also not just stating on an existing resume, it can be quite a daunting task. The first point they do is jump online and locate the very first resume contractor they stumble upon as well as begin to develop the excellent resume right? Wrong. Resume creation software can be your buddy and also worst enemy all in one. The key is knowing when and how to use it properly.
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text:
Q: When I copy an API response to a js file in vscode, it puts everything in double quotes In chrome devtools, when I hover over the preview of a response from a REST API call and click 'copy value', then I paste that value in a json file, it looks as I expect. When I paste that value in a js file, it does not look like I expect. What this is 'supposed' to look like may be irrelevant, I NEED it to look like test-file.json for it to work in my tests. I do not see a prettier rc config file.
Ex) test-file.json
  {
      type: 'mover',
      id: 888,
      organization_id: null
  }

Ex) test-file.js
  {
      "type": "mover",
      "id: 888,
      "organization_id: null
  }

I do not want prettier or vscode to put the key in my key value pair in double quotes. It should have no quotes. This doesn't work unless I painstakingly manually edit it.
My settings json looks like this:
{
    "redhat.telemetry.enabled": true,
    //"editor.codeActionsOnSave": {
    //    "source.fixAll.eslint": true
    //},
    "[typescript]": {
        "editor.defaultFormatter": "esbenp.prettier-vscode"
    },
    "[json]": {
        "editor.defaultFormatter": "vscode.json-language-features"
    },
    "git.confirmSync": false,
    "git.ignoreRebaseWarning": true,
    "[javascript]": {
        "editor.defaultFormatter": "esbenp.prettier-vscode"
    },
    "diffEditor.ignoreTrimWhitespace": false,
    "terminal.integrated.profiles.linux": {

        "bash": {
            "path": "bash",
            "icon": "terminal-bash"
        },
        "zsh": {
            "path": "zsh"
        },
        "fish": {
            "path": "fish"
        },
        "tmux": {
            "path": "tmux",
            "icon": "terminal-tmux"
        },
        "pwsh": {
            "path": "pwsh",
            "icon": "terminal-powershell"
        }
    },
    "html.completion.attributeDefaultValue": "empty",
}

My eslintrc.js looks like this:
module.exports = {
  extends: ['../../.eslintrc', 'next', 'plugin:cypress/recommended'],
  parserOptions: {
    warnOnUnsupportedTypeScriptVersion: false,
  },
  overrides: [
    {
      files: ['./cypress/**/*/*.{tsx,ts,js,jsx}'],
      rules: {
        'import/no-extraneous-dependencies': [
          'error',
          { devDependencies: true },
        ],
      },
    },
  ],
};

In Preferences/Settings I have:
Javascript Preferences: Quote Style to "auto"
Typescript preferences: Quote Style to "auto"
I tried setting Editor: Auto Closing Quotes to never
My coworker can copy and paste values from REST responses all day and he does not have to manually edit anything. What in his settings is different?

A: It sounds like VS Code thinks you are editing JSON.  You can manually set the type of file using the menu:

See how in the bottom right mine says Plain Text?  Yours likely says JSON.  Click that to open the menu you see at the top and then search for Javascript.  That should fix it.


text:
Father Christmas in Narnia
Bless Yourself - Get the CBN Christmas App!
Dr. Michael Ward
Chapter 1 -- The Mystery
For those outside everything is in parables; so that they may indeed see but not perceive, and may indeed hear but not understand. (Mark 4:11-12)
Do you remember when you first heard the story of Lucy Pevensie pushing her way through the back of a wardrobe and finding herself in a snowy wood? Do you recall how you felt when Lucy had tea with Mr. Tumnus and learned that his world, the kingdom of Narnia, was ruled by the evil White Witch, who had banished the old days of jollification? Undoubtedly, The Lion, the Witch and the Wardrobe contains one of literature's greatest fairy-tale openings.
I first followed Lucy as she entered the wardrobe when I was a young boy—too young to read for myself, but not too young to be read to. My older brothers and I jumped into our parents' bed one Sunday morning, and my mother read aloud the opening chapter from The Lion, the Witch and the Wardrobe. We loved it. Sunday by Sunday, the Ward family worked its way through the whole book, and eventually through the six other Narnia Chronicles as well.
Give Father Christmas the Sack!
But one thing confused me about The Lion, the Witch and the Wardrobe. I was surprised when Father Christmas appeared. I didn't expect to meet Santa in Narnia. I was glad he was there, of course, and I was pleased when he gave out the presents. But I somehow felt that Father Christmas belonged to a different kind of story world.
When I got older and began to study Lewis's works more seriously, I discovered that many other people felt the same way. In fact, one of these people, Roger Lancelyn Green, a good friend of Lewis's, had urged him to leave out Father Christmas.
Why had Lewis kept him in? It didn't make sense. Father Christmas is a character who represents the festival of Christ's birth, yet no one in Narnia ever shows any knowledge of a character called Christ. They know only of the Christlike lion Aslan. How, then, do the Narnians know of Christmas? What do they mean by Christmas? It looks like an elementary mistake on Lewis's part.
Several other scholars have made the same complaint as Roger Lancelyn Green. They say the appearance of Father Christmas "strikes the wrong note"; it's "incongruous." One expert said that "to be true to his fantasy world, Lewis should perhaps have created a Narnian equivalent to our Christmas instead of taking it into Narnia."1
Admittedly, a character called Father Aslanmas sounds awkward and probably wouldn't have been a good idea, but it would have made much better logical sense. Better still to have left Father Christmas out entirely—or so I felt.
This puzzle about Father Christmas was the beginning for me of the great Narnian mystery. The Lion, the Witch and the Wardrobe is a powerful and attractive story, and yet it seems to have a weakness that a six-year-old could identify. How could this be?
Perhaps it was simply a careless error on Lewis's part, indicating that he hadn't given much thought to the story. But that seems unlikely, given that he included Father Christmas even after hearing Green's objections. It may have been a mistake, but it wasn't a careless error! Lewis clearly thought there was good reason to keep Father Christmas in the story.
But what was that reason? It was a question I wanted the answer to. I continued to ponder the oddity of Father Christmas's appearance in The Lion, the Witch and the Wardrobe even as my family moved on to the next books in the series. And then I noticed mysterious things in the other Chronicles as well:
The Roman god Bacchus organizes a kind of riot in Prince Caspian and makes everyone merry with wine—but did Bacchus really belong to that story? I wondered.
And how come the children fail to recognize Prince Rilian in The Silver Chair? It was obvious to me that the young man in black clothes was the lost prince they were looking for, and I couldn't see why it took them so long to realize it.
Perhaps the greatest mystery of all was The Horse and His Boy, which seemed to me just one long journey across a desert.
The Good Book and the Seven Good Books
Early on, I was baffled by the series on another level. We were a churchgoing family, and my parents told me that some of the characters in Narnia were linked to biblical characters. Aslan, the lion king, was rather like Jesus, they said. Just as Aslan died on the Stone Table in order to rescue the guilty Edmund from the hands of the White Witch before returning to life, so Jesus died on the Cross to save people from sin and then rose from the grave. Lewis himself (so I later learned) once wrote to a child explaining that the whole Narnia series was "about Christ."2
I liked the idea that there was a second level of meaning to The Lion, the Witch and the Wardrobe. And I could see biblical connections in some of the other books too. The way Aslan sang Narnia into being in The Magician's Nephew was a bit like God creating the world in Genesis. The Last Battle was like God's judgment on the world in the book of Revelation.
What was mystifying was that the biblical links in the other four Narnia Chronicles were not half so obvious. In fact, they were barely present by comparison. Yes, Aslan was still there, and he was still like Jesus in various ways (guiding, teaching, forgiving, and so forth), but there was no clear connection between the overall story and any major episode in Jesus' life or ministry.
In Prince Caspian Aslan enters the story among dancing trees before giving a great war cry. What did that have to do with Jesus? I wondered.
In The Voyage of the "Dawn Treader" Aslan rips off a dragon skin, is made visible by a magic spell, and flies along a sunbeam like a bird. You could find biblical sources for some of these ideas, but what, if anything, tied them together? I was curious.
In The Silver Chair Aslan doesn't appear bodily in Narnia at all but stays in his own high country above the clouds—as if Jesus had gone back to being just "God in heaven" rather than "God with us."
And in The Horse and His Boy (on top of its long journey across the desert that so mystified me), Aslan is mistaken for two lions, or maybe three lions, and does a great deal of dashing about. He is said to be "swift of foot." Now, why would you make your Jesus-like character "swift of foot"? Jesus is never shown running in the Bible!
Jesus' birth, of course, is recorded in the Bible and is obviously a very important event—on par with Creation, salvation, and the final judgment—yet (as I have already pointed out) there's no Narnian version of Christmas, no story about Aslan being born as a cub in Narnia like Jesus was born as a baby in Bethlehem. Nor is there a Narnian version of the Ascension, when Jesus returned to heaven. Nor is there a Narnian Day of Pentecost, when the Christian church was born.
Since three of the Chronicles were clearly connected to biblical passages in Genesis, the Gospels, and Revelation, I thought it strange that the remaining four Chronicles weren't as clearly linked to other major events in the Bible story.
In short, the Narnia books were as mysterious on their second level (the level of biblical parallels) as they were mysterious on their first level (the level of the basic story).
"Every Chapter Better than the One Before"
Although I was occasionally puzzled as a young reader, I still hugely enjoyed the series in general. In fact, I adored it. Reepicheep and Puddleglum were the two standout characters. The Wood between the Worlds in The Magician's Nephew fascinated me. I laughed at the foolish monopods in The Voyage of the "Dawn Treader," and I grieved when Father Time brought the whole sequence to a close at the end of The Last Battle. I wished I could join the characters in that heavenly story "which goes on forever: in which every chapter is better than the one before."3
What a vital, colorful world Narnia was! Perky jackdaws cracking jokes. Guilty dragons made soft and tender. Castles shining like stars on the seashore. Despite being confused at times about his mysterious methods, I thought C. S. Lewis was simply the best author. I was a bookish boy, so I had lots of other stories to compare his work with. Without a doubt, the Chronicles were my favorites.
At school, when my teacher asked the class to make a picture representing the storybook we liked most, it was easy to know what to do. I drew three silhouettes: one of a lion, one of a witch, and one of a wardrobe. I then filled them in with different crayons: gold for the lion, white for the witch, brown for the wardrobe. And finally I put them through a typewriter (we still had typewriters in those days, not computers) and typed "cslewiscslewiscslewis" back and forth across each silhouette. I was very proud of the resulting picture, and I remembered it thirty years later when one night, while I was a student at Cambridge University, quite unexpectedly I had the idea that led to this book. We will come back to those silhouettes in the final chapter.
Did He Plan It?
Yet as I eagerly immersed myself in the series on one hand, I continued pondering its mysteries. The question came down to this: Was it possible there was a third level of meaning that tied together all the puzzling elements—or were the books planless, without any governing logic?
The answer most people have given is that Lewis was deliberately drawing on a rich and wide range of traditions as he created the world of Narnia. They suggest there was no particular logic to his choices—apart from the very loose and vague logic expressed in the old proverb "Variety is the spice of life." "Don't press too hard," they imply. "These are only children's books! They're not to be taken seriously. Narnia is a glorious hodgepodge, nothing more."
Many reviewers have thought the books are effectively planless—just Lewis having fun and not taking much care how. One critic describes Narnia as a "jumble," "full of inconsistencies."3.5 Another critic says the Chronicles are "uneven" and "hastily written."3.75 A third critic thinks Lewis wrote "glibly" in a "whizz-bang, easy-come-easy-go, slap-it-down kind of way."3.9
One primary reason critics think this is because Lewis's great friend J. R. R. Tolkien thought so. Lewis read The Lion, the Witch and the Wardrobe aloud to Tolkien, who hated it. Yes, hated it! In Tolkien's view, Lewis had thrown together things from different traditions (talking animals, English children, fauns and centaurs, Father Christmas, etc.) without good reason.
Tolkien so detested what Lewis had done that he soon gave up trying to read the Narnia books and therefore didn't actually know them very well. He later admitted that they were outside his range of imaginative sympathy.
However, because Tolkien is now such a famous figure, his views have received a great deal of attention. Lots of people have drawn a sharp contrast between Tolkien's The Lord of the Rings, which is set in Middle-earth, and Lewis's Narnia. Middle-earth is obviously extremely detailed in every respect; it even has its own invented languages. Tolkien wanted it to have what he called "the inner consistency of reality."4 The Lord of the Rings was published with no fewer than six appendices!
And yet I believe the classic stories of Narnia deserve to be taken very seriously. What we read as children is perhaps the most important literature we ever read because we're then at a very formative stage of life. "The hand that rocks the cradle is the hand that rules the world" goes the saying. And if that's true, what about the hand that holds the bedtime fairy-tale? For that matter, what about the hand that writes the bedtime fairy-tale?
C. S. Lewis, as a writer for children, shouldn't be dismissed with a casual wave of the hand. Since they were first published in the 1950s, C. S. Lewis's Chronicles of Narnia have been translated into more than thirty different languages and are now firmly established as classics of English literature. Walden Media's film version of The Lion, the Witch and the Wardrobe is one of the top-grossing movies ever made. Simply because of the series's popularity, it matters that we understand what he was up to.
Although Narnia doesn't have the same kind of obvious detail as Middle-earth, that doesn't necessarily mean it isn't detailed in its own way. The question we ought to ask is, what kind of detail does it have? Did Lewis just throw in anything that struck his fancy, or was there a more careful intelligence at work?
As I got older and began to read C. S. Lewis's other writings, I became ever more intrigued by the seemingly random aspects to the Chronicles. They were not what you would expect of a man like Lewis with a highly trained mind. In his younger days he was tutored by a rigorous, logical thinker, William Kirkpatrick, who taught him that he should always have reasons for anything he said.
And it's easy to see that Lewis lapped up what Kirkpatrick taught him because randomness and mishmash are not to be found in his writings. Lewis is so famous as the author of Narnia that most people are unaware he had a day job. His career wasn't in writing children's books; it was in the world of academia. He taught for nearly thirty years at Oxford University and nearly ten at Cambridge University. His ability to think logically and express himself clearly enabled him to have such a successful career as a university professor.
Lewis's special field of academic interest was the literature of the Middle Ages and the Renaissance. He had a vast knowledge of European literature, ranging across a thousand years up to about the year 1650. The biggest book he ever wrote was a massive doorstop of nearly seven hundred pages with the snappy title English Literature in the Sixteenth Century Excluding Drama. It was part of a multivolume series called the Oxford History of English Literature, which took Lewis fifteen years to write.
When I read Lewis's academic books, I noticed that he was a very careful writer, as a learned scholar ought to be. He didn't slop words together thoughtlessly but paid great attention to every single phrase he wrote. One of his closest friends, Owen Barfield, once said of Lewis that "what he thought about everything was secretly present in what he said about anything."5
As a professor, Lewis enjoyed studying the works of old authors like Dante and Chaucer and Spenser, whose poems "cannot be taken in at a glance." He added, "Everything leads to everything else, but by very intricate paths."6
Lewis also wrote a good deal of poetry. I am amazed by how complex it is. He made his poems as intricate as possible, and the subtlety of his word choice and rhyme schemes is simply jaw-dropping. He pointed out that the poems that look as if they have no special pattern were actually the most complicated.
As for his views on fairy-tales, the same love of complexity was there too. Lewis thought that the best fairy-tales have a very strict logic to them. They had to possess order and pattern or else they wouldn't please their readers. Just because a fairy-tale is full of magic and marvels doesn't mean that things can be "arbitrary," he said.
And what Lewis believed about the world of fairy-tales reflected his beliefs about the real world. As a Christian, he thought the universe had been made by God with very definite purposes. Even though the universe has been spoiled by sin, nevertheless God's plan is still being worked out. If only we had eyes to see it, we would notice the divine plan even in seemingly meaningless events—"the curve of every wave and the flight of every insect."7
Lewis's view of fairy-tales sheds light on the Narnian mystery because it suggests that Lewis would have been very likely to write the Chronicles with the most careful attention to detail. The reason Father Christmas appears in The Lion, the Witch and the Wardrobe might not have been obvious to me. I might not have been able to explain the ways in which the books relate to the Bible. And yet that probably meant I was just too far away from Lewis's imagination to understand what he was doing. If you like, I was one of "those outside."
The more I looked into this issue, the more I realized there was probably an inner meaning to the Narnia books even if I couldn't spot what it was. I felt rather like the Victorian astronomer John Couch Adams, who concluded the planet Neptune must exist even before he actually observed it in the night sky.
Adams saw that there was a kink in the orbit of Uranus, which indicated there was a planet beyond Uranus, hidden from view but exerting the pull of gravity. A year after he realized this, Adams saw the mysterious planet through a telescope for the very first time. But he knew it existed before he observed it. (We will come back to Neptune in a later chapter because Lewis attached great importance to its discovery.)
The situation I was in reminded me not only of the search for the planet Neptune but also of what Lewis said about some of his favorite authors. He said each of their stories "at first looks planless, though all is planned."8 That was the Narnian mystery in a nutshell! It looked planless, but surely it was planned. The question I needed to answer about Narnia was this (please excuse the pun): did Lewis plan it or did he not plan it?
The Narnia Code
In addition to the "hodgepodge" theory about the way Lewis wrote the Chronicles, there is another possible explanation. There might be a secret reason why Lewis retained Father Christmas, a hidden logic to his creative choices. Could Lewis have been following some underlying imaginative plan that he kept to himself? Was there perhaps a Narnia "code" waiting to be cracked?
The idea of secret codes usually makes people roll their eyes in disbelief—quite rightly, too, in most cases. When someone claims to have found a hidden code, it nearly always turns out to be a lot of nonsense. The Da Vinci Code is the most famous fictional example of this kind of far-fetched silliness.
And yet we shouldn't jump to a conclusion too quickly. Lewis was interested in codes. Many people know that he dedicated The Lion, the Witch and the Wardrobe to his goddaughter, Lucy Barfield, and named Lucy Pevensie after her. Hardly anyone knows that he had another godchild named Laurence Harwood and that Lewis often sent Laurence letters containing "puzzles to solve or secret writing to decode."9 (Harwood reprints these codes in his book C. S. Lewis, My Godfather). The possibility that Narnia itself contains some kind of coded meaning is not a completely wild or crazy idea.
Lewis said that most of his books were written for tous exo, which is the Greek way of saying "those outside." He was referring to the passage in the Bible (quoted at the beginning of this chapter) in which Jesus said that He taught in parables so that "those outside" may be always seeing and never perceiving.
In other words, Jesus' stories needed to be decoded in order to be properly understood. Often, when He was alone with His disciples, Jesus explained the inner meaning of what He had said to the crowds. His parables are a prime example of coded language being used for a good purpose.
Suppressed by Jack
Assuming for a moment that Lewis did have a plan behind the series, is it really possible that he could have kept the plan to himself and told no one about it? Did he have the sort of personality that was capable of sitting on a big secret of this kind? Let us consider the evidence.
On the one hand, Lewis was an honest and straightforward man. He had a no-nonsense, down-to-earth attitude to life, which went well with his self-chosen nickname, Jack. (He never liked his given names, Clive and Staples.) One of his closest friends, George Sayer, said that he and Jack talked together "in the frankest way as friends should" and that "I have never known a man more open about his private life."9.5
On the other hand, Sayer also records the exact opposite about Lewis! As well as remembering how open Lewis could be, Sayer said "Jack never ceased to be secretive."10 Lewis could put up a smoke screen if he wanted to keep something private.
As a writer, Lewis sometimes wished to keep his own identity private. In order to do so, he used several different pen names in the course of his career.
One pen name was Clive Hamilton, which he used for the first two books he published. He gave one of these volumes to a friend without letting on that he himself was Clive Hamilton. The friend discovered it only later.
Another pen name was N. W. Clerk. N. W. stands for "Nat Whilk," the Anglo-Saxon way of saying, "I know not whom." Clerk means simply a writer or author. Altogether, then, "N. W. Clerk" means "a writer whom I don't know." Lewis used this name for one of his last books and was so keen to conceal his identity that he even disguised his style of writing.
But the most obvious and striking example of Lewis's secretiveness was when he got married and told no one what he had done. (This is what the film Shadowlands is all about.) He kept it secret for the best part of a year—an extraordinary thing to do! He even hid it from his good friend Tolkien. What is more surprising, would you say? To keep a marriage secret or to keep a literary code secret?
Speaking of surprises, Lewis wrote an autobiography called Surprised by Joy. It avoided mentioning so many important things that one of his friends joked a better title would have been Suppressed by Jack!
George Sayer remembered a time when he was out walking in the countryside with Lewis and they came across a bedraggled fox that was being chased by huntsmen with hounds. The fox ran off into a wood, and then the huntsmen rode up on their horses. Lewis shouted out to the first riders, "'Hallo, yoicks, gone that way,' and pointed to the direction opposite to the one the fox had taken. The whole hunt followed his directions."11
All these things show that Lewis was capable of keeping secrets, sometimes very major secrets (such as his marriage), and that he didn't mind misleading people if he thought there was good reason to do so.
The more I found out about his personality, the more I suspected there was a hidden meaning to Narnia.
Reading what other people had written about Lewis and Narnia, I noticed that I wasn't the only person with this suspicion. Lots of people who have studied the Chronicles and their author have asked themselves, "There's more going on here than meets the eye. But what is it?"
Many different answers have been suggested.
One scholar tried to show that the seven Narnia stories are linked to the classical virtues (faith, hope, love, justice, prudence, temperance, and courage).
Another couple of scholars took the exact opposite approach and suggested that Narnia's unifying theme was the seven deadly sins (lust, gluttony, greed, sloth, anger, envy, and pride).
Numerous other ideas have been put forward, such as the seven sacraments and the seven sections of Spenser's Faerie Queene (a poem Lewis loved), but none of these ideas proved to be the solution to the riddle.
I myself once made a halfhearted attempt to link the Chronicles with different plays by Shakespeare, but I soon abandoned it. I knew I was just "twisting" the Chronicles to fit in with my own thinking.
And so the years went by. While I was a student at Oxford University, I occasionally thought about this mystery, trying out one idea and then another—without any success. I steadily read more and more of Lewis's works, teaching and lecturing and writing about them. I even lived for three years in what had been his Oxford home, The Kilns, working there as a warden and curator, sleeping in Lewis's old bedroom and studying in his study.
Then I moved to Cambridge and began to write a doctoral thesis on his imagination. One night, when I was thirty-five years old and lying in bed in my college room, just about to go to sleep, I had a thought. I sat up in bed and said to myself, That's it! I've got it!
The mystery was solved. I had cracked the Narnia code.
Excerpted from The Narnia Code: C.S. Lewis and the Secret of the Seven Heavens by Dr. Michael Ward, Tyndale House Publishers, 2010. Used with Permission.
Reepicheep's Desire: Signpost to God

redpajama_set_name: RedPajamaCommonCrawl


Skull of a 60 million-year-old crocodylomorph along with modeling of the brain and cranial nerves derived from high resolution X-ray micro-CT scans. Professor Turner is using cutting-edge 3D imaging techniques alongside a world-wide sample of fossils to understand how the skull, brain, limbs, and bodies of crocs and their ancestors changed over time.
Stony Brook, NY, March 21, 2018 – Scientists believe that anatomical variation within and between species is the raw material for natural selection. However, the prevalence of convergent evolution, or the repeated evolution of highly similar yet complex forms among distantly related animals, suggests the presence of underlying general principles (or "rules") of evolution. Now Alan Turner, PhD, Associate Professor of Anatomical Sciences, along with colleagues at the University and at Oklahoma State University are conducting research they believe will help to unlock the rules of evolution. Their research is funded by a $579,000 grant from the National Science Foundation.
Professor Turner leads the team, which will use high-tech imaging techniques to assess how the bodies and brains of crocodylomorphs (crocodiles, alligators and their extinct relatives) have changed over the last 230 million years. The research team will then perform computer analysis of these parts to develop conceptual models of anatomical variation and search for common patterns in how their bodies responded to new environmental transitions.
Turner expects that by investigating such a unique and long fossil record, combined with advanced imaging techniques, their research will provide data and insight to how habitat and ecological transitions drive evolution not only in this group but potentially across multiple integrated anatomical systems.


New Zealand's most premium Bollywood events.
Bollywood Affair @ Everybody's - This SATURDAY!
It's all happening at 𝗦𝘄𝗲𝗮𝘁 𝗦𝗵𝗼𝗽 𝗼𝗻 𝟰𝘁𝗵 𝗠𝗮𝘆!
𝗘𝗸 𝗻𝘂𝗺𝗯𝗲𝗿! 𝗔𝗽𝗻𝗲 𝗽𝘂𝗻𝘁𝗲𝗿 𝗹𝗼𝗼𝗴 𝗸𝗲 𝗹𝗶𝘆𝗲.
Country's biggest Holi took place at Mt.Smart stadium this year. Featuring the most elite DJs, great food and colour fun, this is now an annual event not to be missed.
Bollywood Affair regrettably informs you all that we will be cancelling events in light of the Christchurch mosque attacks. Our team has lost family in this devastating attack. We are honouring the fallen with silence this month.
Everyone who has purchased a ticket will be refunded. The refunds have been triggered and should be reversed to your method of payment in the next 2 days.
You can message us for any questions you may have.
Grab your crew cos this will be huge!
Featuring some of the Country's best DJs, we have a full Bollywood set to conclude the night.
Bollywood Affair - New Zealand's most exclusive Bollywood parties. Featuring the country's best Bollywood DJs at premium venues.
Join our monthly glamours monthly events.
Pictures from last Saturday night's glamorous party are up on our Instagram.
Thank you all for another amazing party last Saturday.
Get ready for Auckland Colour Festival - Holi on 9th of March. This will be a free event for all at Mt.Smart stadium. So, make sure you invite everyone!
Join the country's most glamorous Bollywood party Saturday night at Everybody's!
Join Auckland's most premium crowd this Saturday night at Everybody's for Bollywood Affair.
Drop us a message and reserve your tickets.
Join the country's most glamorous Bollywood party this Saturday night at Everybody's.
Drop us a message and reserve your spot.
Final tickets left for this Saturday night's glamorous Bollywood party at Everybody's.
Final 2 VIP booths left for this Saturday's glamorous Bollywood party.
Drop us a message and reserve your booth that comes with a champagne bottle.
Drop us a message and reserve your ticket!
Inviting you all to the funkiest Bollywood party!
Best mix of Hip-Hop and RnB with the best of Bollywood. Final tickets left.
Welcome 2019 with the funkiest Bollywood party in town!
9th Feb get ready to hop in a 'Mum-bhai taxi' as we invite you all to another glamorous 2019.
After years of success and cutting-edge branding, Bollywood Affair has established itself as one of New Zealand's leading event promoters, specialising in unique event experiences, premium parties and an authentic introduction to the diversity of what Bollywood means today.
Bollywood Affair events are highly regarded for their uniqueness, outstanding production, friendly crowds and powerful entertainment line up's. Join us at our next event!
A very Happy New Year all!
It was truly a night of glitz and glamour at Bollywood Affair's Film-Affair event. Thank you for coming out in numbers and making it the biggest Bollywood NYE party again.
Thanks to our sponsor SHOSHA, Laveena Aggarwal and her group will be arriving like true stars in the LIMO.
For all the great nights we have had with you this year and the great memories to come, Merry Christmas everyone!
FINAL week and FINAL tickets!
Claim your Hummer and a double pass to NZ's most glamorous NYE Bollywood party!
Tag the group you would take in the hummer to arrive in style and we will put you in the draw!
After years of success and cutting-edge branding, Bollywood Affair has established itself as one of Auckland's leading event promoters, sepcialising in unique event experiences, premium parties and an authentic introduction to the diversity of what Bollywood means today.
Founded in 2014, Bollywood Affair has organised and promoted over 200 successful events with regular sold out crowds on each occasion.
Bollywood Affair events are highly regarded for their uniqueness, outstanding production, friendly crowds and powerful entertainment line up's that have helped solidify the Bollywood Affair brand and reputation in the market today.


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text:
Business/Corporate Law>
The contractual provision implied in every agreement – the implied covenant of good faith and fair dealing
Post category:Business/Corporate Law
Adam Keilen
Generally, the implied covenant of good faith and fair dealing is a presumption that parties to a contract will handle the contract's affairs in a manner that is honest, fair, and in good faith, meaning, neither party will, in bad faith, attempt to destroy the other party's right to receive the benefits of the agreement. In other words, despite not being an independent cause of action, "[e]very contract imposes upon each party a duty of good faith and fair dealing in its performance and its enforcement." Restatement (Second) of Contracts §205. In Kirke La Shelle Company v. The Paul Armstrong Company et al., 263 N.Y. 79; 188 N.E. 163 (N.Y. 1933), the New York Court of Appeals described the covenant as follows:
"[I]n every contract there is an implied covenant that neither party shall do anything, which will the effect of destroying or injuring the right of the other party, to receive the fruits of the , which means that in every contract there exists an implied covenant of good faith and fair dealing."
The implied covenant of good faith and fair dealing is included in the Uniform Commercial Code (UCC), and was codified by the American Law Institute in Section 205 of the Restatement (Second) of Contracts; however, jurisdictions vary with respect to their view and interpretation of the same. Under Michigan law, as of July 1st, 2013, under MCL § 440.1201(2), under the UCC, good faith is defined as "honesty in fact and the observance of reasonable commercial standards of fair dealing."
What does that really mean? The implied covenant of good faith does not replace written provisions of the agreement; however, it requires good faith for discretionary decisions provided for in the agreement. Stephenson v Allstate Ins Co, 141 F Supp 2d 784 (ED Mich 2001), aff'd, 328 F3d 822 (6th Cir 2003); Van Arnem Co v Manufacturers Hanover Leasing Corp, 776 F Supp 1220 (ED Mich 1991). In other words, Michigan courts affirmed the position that parties exercising discretionary power under an agreement must do so honestly and in good faith.
Case Example – FERRELL V. VIC TANNY INT'L, INC. A fitness club put a dress code in place for certain areas of the club, thereby promoting certain programs. The rules were made pursuant to the club's contractual authority to make rules, guidelines, and regulations. Thus, the undisputed purpose of the dress code was as follows: "the principal purpose of such a dress code in its larger clubs is to provide for a uniformity upon patrons working out, which assists in avoiding feelings of embarrassment or self-consciousness in the exercise rooms which, experience has shown, is often detrimental to the willingness of some patrons to participate in exercise programs." Ferrell v Vic Tanny Int'l, Inc, 137 Mich App 238, 243–244, 357 NW2d 669 (1984). The court held that the purpose of the enacted dress code program, and the discretionary rulemaking, was in good faith; the court held that the code was not made in bad faith to deprive club members of the benefits of club membership. Rather, the dress code was a good faith exercise of the club's discretionary power, power provided by the contract, to make club rules for various programs and locations; thereby, the club acted with good faith and fair dealing with respect to its discretionary contractual authority when it enacted the dress code program. Id.
The take away. If your business has a contract that gives you discretionary power, that contract, and every contract, requires that you exercise such power honestly and in good faith. Burkhardt v City National Bank of Detroit, 57 Mich App 649; 226 NW2d 678 (1975).
What is an Attorney's Role in Commercial Transactions?
Adhesion Contracts – What are they?


Once patients are medically stable, even prior to coming to a rehabilitation setting, the functional implications of injuries and treatment need to be assessed and addressed. Specific assessments vary by primary injury.
The rehabilitation clinician follows any ongoing medical or surgical issues. If relevant, tests like blood counts, coagulation times and inflammatory markers are monitored. Urinalysis and urine culture can be checked to evaluate dysruria. Nutritional status, as reflected by tests like prealbumin and vitamin D, is monitored. Metabolic function can be tracked via electrolytes, blood urea nitrogen, creatinine, and liver function tests.
In rehabilitation settings, imaging is useful for following up on the status of previously treated injuries, like fractures. Imaging is also used to evaluate problems that develop in the rehabilitation setting. For example, head CT can assess structural changes in patients with TBI who demonstrate seizures or other acute changes. Venous ultrasounds assess for deep venous thrombosis in patients with limb tenderness, edema, or related symptoms.
Patients with cognitive impairment, visual impairment, mobility limitations, or related problems are commonly sent for driving assessment. The therapist assesses abilities and provides recommendations for adaptations.
In cases of TBI, spinal cord injuries, burns and traumatic limb loss, and other conditions, physiatrists can lend instrumental expertise to discussions about likely prognosis and rehabilitation needs both in the immediate future and over the long-term.
Throughout the patient's course, rehabilitation clinicians promote environments that are friendly to healing, patient and caregiver empowerment, and functional recovery.
Family members and caregivers play a vital role in recovery. They may learn to provide or manage physical care following injury. Caregivers may also take on financial, familial, and household responsibilities while the patient is unable.
Rehabilitation clinicians connect patients and caregivers with available community resources. Formal support groups and assistance programs are sponsored by counties, states, and local organizations. For example, The Brain Injury Association of America, and its affiliates around the country, provides patients and families with information and support services. Veterans can access services provided by the VA in addition to county and regional service groups.
Clinically significant missed injuries or delayed diagnoses, which can occur in more than 20% of trauma patients and can lead to increased morbidity and mortality, are a significant issue in patients with polytrauma.23 Patients with TBI, GCS of 8 or less, multiple traumatic injuries, and higher severity as measured by ISS are most likely to have injuries that are not diagnosed in the critical or acute care phases.23,24 When these injuries are recognized in the rehabilitation setting, physiatrists collaborate with trauma specialists to develop and implement appropriate treatment plans.
Some polytrauma patients require a stay at a long term acute care facility or skilled nursing facility at some point during their course. Focused rehabilitation interventions at those facilities can help optimize function even though the patient is facing protracted medical issues.
If the VA's Polytrauma System of Care proves to be an effective model long term, it could be generalized to other patients and systems.
Assistive technological advances can optimize recovery, rehabilitation, subsequent quality of life, and overall functional status. Specialized wheelchairs or prosthetic devices can facilitate mobility and independence. Electronic tape recorders and calendar organizers are among the many available cognitive orthotic devices. Rehabilitation engineers and assistive technology experts design and provide patient-centered interventions an individual's goals.
The most effective methods of tracking and caring for polytrauma patients over time are not yet known. This issue is quite pressing, since polytraumatic injuries, which most commonly affect young people, lead to complicated sequelae that often require long-term management.
Charters E, Gillett L, Simpson GK. Efficacy of electronic portable assistive devices for people with acquired brain injury: A systematic review. Neuropsychology Rehabilitation. 2015; 25: 82-121.
Department of Veterans Affairs, Veterans Health Administration Directive. Polytrauma Rehabilitation Centers. Washington DC: Veterans Health Administration; 2005; p.2.
Paffrath T. How to define severely injured patients? An Injury Severity Score (ISS) based approach alone is not sufficient. Injury. 2014; 45S: S64-S69.
Butcher N, Balogh ZJ. The definition of polytrauma: The need for international consensus. Injury. 2009; 40: S12-S22.
Cifu DX, Lew HL. Handbook of Polytrauma Care and Rehabilitation. New York: Demos Medical Publishing; 2014.
Sayer SA, Chiros CE, Sigford B, et al. Characteristics and rehabilitation outcomes among patients with blast and other injuries sustained during the Global War on Terror. Archives of Physical Medicine & Rehabilitation. 2008; 89: 163-170.
Heron M. Deaths: Leading causes for 2013. Centers for Disease Control and Prevention (CDC) National Vital Statistics Reports. 2016; 65: 1-97.
Gunn ML, Kool DR, Lehnert BE. Improving outcomes in the patient with polytrauma: A review of the role of whole body computed tomography. Radiology Clinics of North America. 2015; 53: 639-656.
Baker MS. Casualties of the Global War on Terror and their future impact on health care and society: A looming public health crisis. Mil Med. 2014; 179 :348-355.
Keel M, Trentz O. Pathophysiology of polytrauma. Injury. 2005; 36: 691-709.
Arroyo W, Nelson KJ, Belmont PH, Bader JO, Schoenfeld AJ. Pelvic trauma: What are the predictors of mortality and cardiac, venous, thrombo-embolic and infectious complications following injury? Injury. 2013; 44: 1745-1749.
Hussman B, Lendemans S. Pre-hospital and early in-hospital management of severe injuries: Changes and trends. Injury. 2014; 45S: S39-S42.
Schoenfeld AJ, Dunn JC, Belmont PJ. Pelvic, spinal and extremity wounds among combat-specific personnel serving in Iraq and Afghanistan (2003-2011): A new paradigm in military musculoskeletal medicine. Injury. 2013; 44: 1866-1870.
Brenner LA, Vanderploeg RD, Terrio H. Assessment and diagnosis of mild traumatic brain injury, posttraumatic stress disorder, and other polytrauma conditions: Burden of adversity hypothesis. Rehabilitation Psychology. 2009; 54: 239-246.
Copes WS, Champion HR, Sacco WJ, Lawnick MM, KEast SL, Bain LW. The Injury Severity Score Revisited. J Trauma. 1988; 28: 69-77.
McCulloch K, Pastorek NJ, Miller, BI et al. Clinician versus Veteran ratings on the Mayo-Portland Participation Index in Veterans with a history of mild traumatic brain injury. Journal of Head Trauma Rehabilitation. 2015; 30: 38-46.
Zutt R, Van der Kooi AJ, Linthorst GE, Wanders RJA, De Visser M. Rhabdomyolysis: Review of the literature. Neuromuscular Disorders. 2014; 24: 651-659.
Wongwaisayawan S, Suwannanon R, Prachanukool T, et al. Trauma ultrasound. Ultrasound Med Biol. 2015; 41: 2543-2561.
Gehlback BK, Salamanca VR, Levitt JE et al. Patient-related factors associated with hospital discharge to a care facility after critical illness. American Journal of Critical Care. 2011: 20: 378-386.
Strasser DC, Uomoto JM, Smits SJ. The interdisciplinary team and polytrauma rehabililitation: Prescription for partnership. Archives of Physical Medicine & Rehabilitation. 2008; 89: 179-181.
American College of Surgeons. Advanced Trauma Life Support. 2014; Chicago: ACS.
Brain Trauma Foundation, American Association of Neurological Surgeons, Congress of Neurological Surgeons. Guidelines for the management of severe TBI. Journal of Neurotrauma. 2007; 24: S1-S106.
Pfeifer R, Pape HC. Missed injuries in trauma patients: A literature review. Patient Safety in Surgery. 2008; 2: 1-6.
Lin YK, Lin CJ, Chan HM et al. Surgeon commitment to trauma care decreases missed injuries. Injury. 2014; 45: 83-87.
Needham DM. Mobilizing patients in the intensive care unit: Improving neuromuscular weakness and physical function. JAMA. 2008; 300:1685-1690.
Uomoto JM, William RM. Post-acute polytrauma rehabilitation and integrated care of returning veterans: Toward a holistic approach. Rehabilitation Psychology. 2009; 54: 259-269.
Bell KR, Shenouda CN. Complications associated with immobility. In: Zasler ND, Katz DI, Zafonte RD, eds. Brain Injury Medicine, 2nd Edition. New York: Demos Medical Publishing; 2013.
Sigford BJ. "To care for him who shall have borne the battle and for his widow and his orphan" (Abraham Lincoln): The Department of Veterans Affairs Polytrauma System of Care. Archives of Physical Medicine & Rehabilitation. 2008; 89: 160-162.
Darkins A, Cruise C, Armstrong M, Peters J, Finn M. Enhancing access of combat-wounded veterans to specialist rehabilitation services: The VA Polytrauma Telehealth Network. Archives of Physical Medicine & Rehabilitation. 2008; 89: 182-187.
Carl Granger, MD, Andrew Hall, MD. Polytrauma. Publication Date:2012/07/30.


I have sold a property at 103 630 Speed AVE in VICTORIA.
Built in 2007, this almost 1,300sq 2 bdrm walk-up & South facing 2-level urban townhouse is located on a quiet, tree-lined street in the heart of Victoria. PETS, RENTALS, & BBQS are allowed, & SEC COV GATED PARKING is included. This was the "show suite," meaning it showcased all the upgrades such as custom privacy blinds, bath tiling, designer beams, cabinets, bath, lighting, flooring, appliances, counter-tops, etc. Other features include 2 patios, IN-SUITE LAUNDRY & storage, gourmet kitchen, large windows for natural light, & large master bed w/ walk-in closet, & stunning master bath w/ sep shower. Well-run complex 1-2 blocks from the galloping goose trail, Mayfair mall & Restaurants. 87 Walk score! Check out the virtual tour!


You're at a music gig.
This is a gig you booked 2 years ago. It's a band you've wanted to see for 15 years, and the only reason you're getting the chance to see them now is because they came out of "retirement" to do one last reunion tour (again).
You got standing tickets. You wanted to be right in the middle of the crowd, experiencing the excitement.
You wanted to feel the music, not just listen to it.
And, you wanted to dance. You don't get to do too much of that these days.
The band you've waited 15 years to see are about to come on stage.
You're excited. This might be the most excited you've ever been.
You're completely in the moment. The crowd are chanting.
Everyone is stamping their feet in anticipation.
The curtains raise. The legends you've been waiting 15 years to see are there, in the flesh.
The crowd do two things.
They start cheering. This is fine, because you do too.
They pull out their phones, and start recording.
You're suddenly surrounded by a wall of tiny screens all projecting the band back at you.
It's like being in a hall of funny mirrors but nowhere near as fun.
The band is right there. They're live on the stage right now, 20 feet in front of you, but everybody is looking at them through their phones.
They're making sure the focus is right. That the light is good. That they've got plenty of juice left in the battery.
You look around behind you and to the sides. The entire dark venue is lit up by white glowing faces.
You're the only one trying to watch the band with your actual eyes. The band you've waited 15 years to see.
Every single other person in the room is looking at a facsimile of the band through their phone. They want to capture the moment so they won't forget it.
The biggest irony is that they're missing the moment in the first place.
In a room full of 15,000 people, you're the only one that's present.


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Besides the portable restrooms which do come in specified different styles determined by what they are to be used for, several Small Dumpster For Rent in Blue Ridge, TX companies currently have recycling locations which make the idea very easy to stop working the different elements of your waste products. You may have viewed these locations in store auto parking lots, and infrequently at weekends. While individuals are intended for aluminum ales and baby bottles etc., the concept is the same.


Left-winger Shayne Corson was born in Barrie, Ontario on August 13th, 1966. Corson twice represented his country at the World Junior Hockey Championships during his junior career before turning pro with the Montreal Canadiens. Corson, who played three games with Montreal following the end of his final junior season with the Hamilton Steelhawks in 1986, never played a game in the minors jumping straight to NHL where he steadily developed into a power forward.
Corson scored 26 goals for the Canadiens during the 1988-89 season, a year the Canadiens went all the way to the Stanley Cup Finals. The next year Corson hit the 30-goal plateau and hit a career high with 75 points. Prior to the 1991-92 season Corson was named to Team Canada for the '91 Canada Cup, a tournament Canada won, thanks in part to Corson's five assists in 8 games. However, that season and the next one his production tailed off and the Canadiens, in need of a consistent scoring presence traded him in the summer of 1992 to the Edmonton Oilers.
With the Oilers Corson filled a large leadership role, eventually becoming the team's captain as well as providing steady offense again hitting 25 goals and 54 point in 64 contests during the 1993-94 season.
The St. Louis Blues, under new General Manager Mike Keenan were in need of a gritty power forward and Keenan, who had coached Corson in the Canada Cup, knew he was the player to provide it. The Blues signed Corson as a free agent in 1995 and Corson delivered the goods, chipping in 18 goals while providing a physical presence on the power play and along the boards. In the playoffs that spring Corson led the Blues with 8 goals and registered 14 points in 13 games.
Despite his success in St. Louis he was on the move early the next season in a blockbuster trade with his former club, the Montreal Canadiens. The Canadiens, in need of grit and defense traded slick center Pierre Turgeon along with farm hands Rory Fitzpatrick and Craig Conroy in exchange for Corson and blue liner Murray Baron.
Following an injury plagued 1996-97 season, Corson bounced back strongly the next season though, driving the Canadiens power play with 14 goals and managing 55 points in 62 games on the Canadiens top line with Saku Koivu and Mark Recchi. Corson was rewarded with a spot on Canada's Olympic Team at the 1998 Winter Olympics in Nagano, Japan. Corson was unable to build on his success and his point totals dipped in each of his next two seasons with the Canadiens.
A free agent in the summer of 2000 Corson signed a contract with the Toronto Maple Leafs. With the Maple Leafs Corson was reunited with Darcy Tucker, a former teammate with the Canadiens who had married Corson's sister. The brother in-law's provided much of Toronto's physical presence and made up a big part of the Leafs checking core. With the Maple Leafs Corson was no longer depended on to provide offense, instead he often drew defensive assignments and was often counted on to shut down the top line of the opposition.
After the better part of three seasons in Toronto, Corson, who had left the club during the first round of the 2003 playoffs signed as a free agent with the Dallas Stars in February of 2004. In the playoffs that season the Stars were eliminated in the first round by the Colorado Avalanche, shortly after Shayne Corson retired from the game.
WJC-A All-Star Team (1986) Played in NHL All-Star Game (1990, 1994, 1998) Traded to Edmonton by Montreal with Brent Gilchrist and Vladimir Vujtek for Vincent Damphousse and Edmonton's 4th round pick (Adam Wiesel) in 1993 NHL Draft, August 27, 1992. Signed as a free agent by St. Louis, July 28, 1995. Traded to Montreal by St. Louis with Murray Baron and St. Louis' 5th round pick (Gennady Razin) in 1997 NHL Draft for Pierre Turgeon, Rory Fitzpatrick and Craig Conroy, October 29, 1996. Signed as a free agent by Toronto, July 4, 2000. Officially announced his retirement, April 15, 2003. Signed as a free agent by Dallas, February 18, 2004.


text:
package com.google.protobuf.wrappers

@SerialVersionUID(0L)
final case class UInt32Value(
    value: Int = 0
    ) extends com.trueaccord.scalapb.GeneratedMessage with com.trueaccord.scalapb.Message[UInt32Value] with com.trueaccord.lenses.Updatable[UInt32Value] {
    @transient
    lazy val serializedSize: Int = {
      var __size = 0
      if (value != 0) { __size += com.google.protobuf.CodedOutputStream.computeUInt32Size(1, value) }
      __size
    }
    def writeTo(output: com.google.protobuf.CodedOutputStream): Unit = {
      {
        val __v = value
        if (__v != 0) {
          output.writeUInt32(1, __v)
        }
      };
    }
    def mergeFrom(__input: com.google.protobuf.CodedInputStream): com.google.protobuf.wrappers.UInt32Value = {
      var __value = this.value
      var _done__ = false
      while (!_done__) {
        val _tag__ = __input.readTag()
        _tag__ match {
          case 0 => _done__ = true
          case 8 =>
            __value = __input.readUInt32()
          case tag => __input.skipField(tag)
        }
      }
      com.google.protobuf.wrappers.UInt32Value(
          value = __value
      )
    }
    def withValue(__v: Int): UInt32Value = copy(value = __v)
    def getField(__field: com.google.protobuf.Descriptors.FieldDescriptor): scala.Any = {
      __field.getNumber match {
        case 1 => {
          val __t = value
          if (__t != 0) __t else null
        }
      }
    }
    override def toString: String = com.trueaccord.scalapb.TextFormat.printToUnicodeString(this)
    def companion = com.google.protobuf.wrappers.UInt32Value
}

object UInt32Value extends com.trueaccord.scalapb.GeneratedMessageCompanion[UInt32Value]  {
  implicit def messageCompanion: com.trueaccord.scalapb.GeneratedMessageCompanion[UInt32Value]  = this
  def fromFieldsMap(__fieldsMap: Map[com.google.protobuf.Descriptors.FieldDescriptor, scala.Any]): com.google.protobuf.wrappers.UInt32Value = {
    require(__fieldsMap.keys.forall(_.getContainingType() == descriptor), "FieldDescriptor does not match message type.")
    val __fields = descriptor.getFields
    com.google.protobuf.wrappers.UInt32Value(
      __fieldsMap.getOrElse(__fields.get(0), 0).asInstanceOf[Int]
    )
  }
  def descriptor: com.google.protobuf.Descriptors.Descriptor = GoogleProtobufWrappersProto.descriptor.getMessageTypes.get(5)
  def messageCompanionForField(__field: com.google.protobuf.Descriptors.FieldDescriptor): com.trueaccord.scalapb.GeneratedMessageCompanion[_] = throw new MatchError(__field)
  def enumCompanionForField(__field: com.google.protobuf.Descriptors.FieldDescriptor): com.trueaccord.scalapb.GeneratedEnumCompanion[_] = throw new MatchError(__field)
  lazy val defaultInstance = com.google.protobuf.wrappers.UInt32Value(
  )
  implicit class UInt32ValueLens[UpperPB](_l: com.trueaccord.lenses.Lens[UpperPB, UInt32Value]) extends com.trueaccord.lenses.ObjectLens[UpperPB, UInt32Value](_l) {
    def value: com.trueaccord.lenses.Lens[UpperPB, Int] = field(_.value)((c_, f_) => c_.copy(value = f_))
  }
  final val VALUE_FIELD_NUMBER = 1
}

redpajama_set_name: RedPajamaGithub


The Everett Museum of History "monuments men and women" unveiled more images from a box of glass negatives we found in the museum collection. The collection is estimated to be 1894-1920. Please leave a comment below if you know anything about these photos.
A couple with their dog and cat at the door.
Two men and a woman lean on a fence near their house.
Small girls play with apples in their yard.
Two girls play witha doll in their yard.
A group photo in their side yard.
A woman with her dog, who is on a stool, in their back yard.
A family with their chickens.


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text:
Маглакелидзе () — грузинская фамилия.

 Известные носители
 Маглакелидзе, Герман Онифантович (1908 — ?) — Герой Социалистического Труда.
 Маглакелидзе, Илья Васильевич (1917 — ?) — Герой Социалистического Труда.
 Маглакелидзе, Карло Леванович (род. 1978) — российский и грузинский регбист.
 Маглакелидзе, Шалва (1893—1976) — грузинский коллаборационист.

redpajama_set_name: RedPajamaWikipedia


text:
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Alessandra Furlan
Alessandra Furlan is a trained and registered Nutritionist in Brazil, and a registered Dietician in the UK. She holds a postgraduate degree both in Clinical and Aesthetic Nutrition and in Personalised Clinical Nutrition. She is also a specialist in Nutrition Coaching. Originally from Rio Grande do Sul, Alessandra is passionate about good music, studying, cooking, travelling and photography, as well as everything related to nutrition, health and well-being.5 Articles
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text:
Q: Finite group with elementary abelian centralizer Let $G$ be group of order $q(q^{2}-1)/2$ (where $q=p^n$ is an odd prime power)
such that $C_{G}(P)$ is elementary abelian for every Sylow $p$-subgroup $P$.
Is there any classifications of this type of groups? Thanks.


text:
Ignacio David Fideleff (born 4 July 1989) is an Argentine-Israeli footballer who plays as a centre back. He plays for St. Lucia in Malta.

Early life
Fideleff was born in Rosario, Argentina, to parents of Russian-Jewish descent. He was granted Israeli citizenship in 2013.

Career
Fideleff was born in Rosario, Santa Fe and grown up as a footballer in Club Atlético Newell's Old Boys' youths. He made his debut for the Newell's first team on 24 March 2008 against Lanús, scoring a goal. He played for the club for five seasons, collecting 35 appearances in Argentine Primera División, scoring 3 goals.

At the start of the 2011–12 season, Fideleff was purchased by Serie A club Napoli, for a reported fee of around €3m, believed to be a substitute for Spaniard Víctor Ruiz who was sold to Valencia. He debuted in Serie A on 21 September 2011, featuring in the starting line-up against Veronese club Chievo.

On 14 July 2012, Fideleff joined Parma on a loan deal for the 2012-13 season.

On 30 January 2013, Fideleff joined Maccabi Tel Aviv on a loan deal for the remainder of the season. The deal came through after Fideleff received an Israeli citizenship due to his Jewish origins.

On 5 August 2013, Fideleff returned to Argentina to join Tigre on a season-long loan.

In January 2018, Fideleff signed with ÍBV of the Icelandic Úrvalsdeild karla on trial. In April it was reported that he had been released by ÍBV due to injury.

Fideleff moved to Malta in the summer 2019 and signed with Maltese club St. Lucia on 5 July 2019.

Honours
Napoli
Coppa Italia: 2011–12

Maccabi Tel Aviv
Israeli Premier League: 2012–13

References

External links
Profile at bdfa.com.ar

1989 births
Living people
Footballers from Rosario, Santa Fe
Association football central defenders
Argentine footballers
Argentine expatriate footballers
Argentina under-20 international footballers
Argentine Primera División players
Serie A players
Super League Greece players
Newell's Old Boys footballers
S.S.C. Napoli players
Parma Calcio 1913 players
Ergotelis F.C. players
Club Nacional footballers
Kemi City F.C. players
St. Lucia F.C. players
Expatriate footballers in Italy
Expatriate footballers in Paraguay
Expatriate footballers in Greece
Expatriate footballers in Finland
Expatriate footballers in Malta
Argentine expatriate sportspeople in Italy
Argentine expatriate sportspeople in Paraguay
Argentine expatriate sportspeople in Greece
Argentine expatriate sportspeople in Finland
Argentine expatriate sportspeople in Malta
Argentine people of Russian-Jewish descent
Israeli people of Argentine-Jewish descent
Sportspeople of Argentine descent
Israeli people of Russian-Jewish descent


During your stay, your doctors and nurses will let you know how long they think you will be in hospital.
You are encouraged to ask when you can expect to be discharged and remind the doctors and nurses of that.
Even before this happens, we believe it is in your best interest to start planning for your discharge and after-care as soon as possible.
If you think you will need support at home, please talk to our staff so we can arrange the required support ahead of time.
The official discharge time from the ward is 10.00am. Family and friends can assist by organising transport before you are discharged.
Before leaving the ward, please ensure you collect any private x-rays/scans or medications and confirm if you have any follow-up appointments. Please remember to collect all of your personal items.
Once you are ready for discharge, you may be transferred to our comfortable Transit Lounge to wait for your medications or for a family member/friend to collect you.
Located on the first floor (next to the Same Day Unit), the lounge features coffee and tea making facilities, newspapers, recliner chairs and TV screens. Nurses will be available if you require any medical attention.
If you are ready to be discharged, you can let your nurse know that you wish to be picked up from the Transit Lounge. You can also wait in the lounge for any medications being dispensed from the Pharmacy.
Payment for any prescribed medication that will be taken home from the hospital must be paid for on the day of discharge.
The amount you will be charged for medicines in the hospital will be the same as what you would pay at your local pharmacy. Accounts can be paid at the pharmacy cashier (9.00am – 5.00pm Monday to Friday). Please bring your Medicare card, concession card or safety net card if applicable.
The occupational therapist and/or the physiotherapist may provide you with mobility and other self care aids that can assist you to manage at home. You will be trained in the safe use of this equipment. This equipment is usually on temporary loan until you no longer require it and remains the property of Armadale Health Service.
The therapist may give you the equipment while you are on the ward or make arrangements with you or your family regarding picking up the equipment and returning it when it is no longer required.
If you have agreed to take equipment home with you please ensure it goes with you on the day of discharge.