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Feast your eyes on this scary Halloween party decoration that is certain to strike fear into to your guests!
Dimensions: 5″ x 7 1/4″ x 5 5/8″ high. Weight: 1.8 lbs.
Spread some Halloween fun to your kitchen with the Zombie Head Salt and Pepper Shaker Set. This extremely detailed Zombie Head looks great and doubles as a stand holder for Salt and Pepper shakers. The glass shakers are included with the Zombie Head. The Zombie Head Salt and Pepper Shaker Set is hand made from poly-resin so colors may vary slightly from the picture. Don't just pull this out for Halloween because it looks good out all year long and gives you kitchen a Gothic type of feel. Cut down on salt in your diet by being frightened each time you go to spice up your food! The salt and pepper shakers are included, but not the actual seasonings.


If I could, I honestly think I'd spend all day every day eating Nutella straight from the jar. Perhaps every now and then, I'd throw in a 3-Ingredient Nutella cookie (one cup of Nutella, one cup of flour and an egg… seriously, try this!), but my real guilty pleasure is eating that chocolatey goo by the spoonful.
Sadly, Nutella really isn't all that good for me and contains palm oil. And although the adverts tell me it's full of goodness, it really isn't great on those abs, either.
Thankfully, my addiction is currently very happy indeed. You see, I've managed to recreate my own healthy Nutella. Healthy, PROTEIN-PACKED Nutella. Oh yes! And somehow, it manages to taste even better than the sugary, processed kind.
If you're a nut butter fiend like me, you're going to love this stuff. Make it by the bucket-load because it will be gone in minutes!
1) Blitz the nuts in a high-powered blender until they start to form a nut butter like texture.
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3) Pour into airtight containers and store in the fridge. Spread on toast or eat straight from the jar!
Bio: Former journalist turned freelance health food writer and recipe creator. I love to eat, so I've taken it upon myself to make healthier, guilt-free treats of all my favourite foods! My recipe ebook, containing 70 healthy recipes and treats, will be out soon.


text:
Recent papers
ACP Letters
Measurement reports
SI overview articles
Guidelines for editors
Many thanks to Cristina Facchini and Rolf Sander and welcome to Barbara Ervens as executive editor of ACP
First ACP Letter: The value of remote marine aerosol measurements for constraining radiative forcing uncertainty
Atmospheric evolution of emissions from a boreal forest fire: the formation of highly functionalized oxygen-, nitrogen-, and sulfur-containing organic compounds
Observing the timescales of aerosol–cloud interactions in snapshot satellite images
New ACP Letter: How alkaline compounds control atmospheric aerosol particle acidity
Changes in biomass burning, wetland extent, or agriculture drive atmospheric NH3 trends in select African regions
Two of ACP's founding executive editors step down
ACP, 13, 129–146, 2013
Atmos. Chem. Phys., 13, 129–146, 2013
https://doi.org/10.5194/acp-13-129-2013
Transport analysis and source attribution of seasonal and interannual variability of CO in the tropical upper troposphere and lower stratosphere
J. Liu1, J. A. Logan1, L. T. Murray1, H. C. Pumphrey2, M. J. Schwartz3, and I. A. Megretskaia1 J. Liu et al. J. Liu1, J. A. Logan1, L. T. Murray1, H. C. Pumphrey2, M. J. Schwartz3, and I. A. Megretskaia1
1School of Engineering and Applied Sciences, Harvard University, Cambridge, Massachusetts, USA
2School of Geosciences, The University of Edinburgh, Edinburgh, UK
3NASA Jet Propulsion Laboratory, Pasadena, CA, USA
Received: 15 May 2012 – Discussion started: 13 Jul 2012 – Revised: 20 Dec 2012 – Accepted: 21 Dec 2012 – Published: 08 Jan 2013
Abstract. We used the GEOS-Chem chemistry-transport model to investigate impacts of surface emissions and dynamical processes on the spatial and temporal patterns of CO observed by the Microwave Limb Sounder (MLS) in the upper troposphere (UT) and lower stratosphere (LS). Model simulations driven by GEOS-4 and GEOS-5 assimilated fields present many features of the seasonal and inter-annual variation of CO in the upper troposphere and lower stratosphere. Both model simulations and the MLS data show a transition from semi-annual variations in the UT to annual variations in the LS. Tagged CO simulations indicate that the semi-annual variation of CO in the UT is determined mainly by the temporal overlapping of surface biomass burning from different continents as well as the north-south shifts of deep convection. Both GEOS-4 and GEOS-5 have maximum upward transport in April and May with a minimum in July to September. The CO peaks from the Northern Hemisphere (NH) fires propagate faster to the LS than do those from the Southern Hemisphere (SH) fires. Thus the transition from a semi-annual to an annual cycle around 80 hPa is induced by a combination of the CO signal at the tropopause and the annual cycle of the Brewer-Dobson circulation. In GEOS-5, the shift to an annual cycle occurs at a lower altitude than in MLS CO, a result of inadequate upward transport. We deduce vertical velocities from MLS CO, and use them to evaluate the velocities derived from the archived GEOS meteorological fields. We find that GEOS-4 velocities are similar to those from MLS CO between 215 hPa and 125 hPa, while the velocities in GEOS-5 are too low in spring and summer. The mean tropical vertical velocities from both models are lower than those inferred from MLS CO above 100 hPa, particularly in GEOS-5, with mean downward, rather than upward motion in boreal summer. Thus the models' CO maxima from SH burning are transported less effectively than those in MLS CO above 147 hPa and almost disappear by 100 hPa. The strongest peaks in the CO tape-recorder are in late 2004, 2006, and 2010, with the first two resulting from major fires in Indonesia and the last from severe burning in South America, all associated with intense droughts.
Supplement (151 KB)
How to cite. Liu, J., Logan, J. A., Murray, L. T., Pumphrey, H. C., Schwartz, M. J., and Megretskaia, I. A.: Transport analysis and source attribution of seasonal and interannual variability of CO in the tropical upper troposphere and lower stratosphere, Atmos. Chem. Phys., 13, 129–146, https://doi.org/10.5194/acp-13-129-2013, 2013.
Final-revised paper

redpajama_set_name: RedPajamaCommonCrawl


Select: Select a Section Can I Afford a Microbubble Tub?FIRST Volunteer Talks Ethics, Advocacy & Why He Chose FIRSTSwollen Lymph Nodes & IchthyosisWhat is Cyberbullying?
Please join us in welcoming back FIRST's Medical & Scientific Advisory Board (MSAB) member and medical guest blogger, Dr. John Browning from UT Health Science Center at San Antonio, Texas. Today, Dr. Browning discusses the "hot" topic of dental issues and ichthyosis.
We have noticed many comments and concerns arising lately from the FIRST community over the question of "weak teeth" with ichthyosis. Most people with ichthyosis do not have any problems with their teeth. However, oral and dental reports in ichthyosis have included gingivitis, periodontitis, enamel hypoplasia, high rate of tooth decay, bruxism (grinding of the teeth), delayed tooth eruption, abnormally shaped teeth, and raised hyperkeratotic tongue plaques. Because there are many genes and types of mutations that cause ichthyosis, tooth involvement depends on the exact mutation and how it is expressed.
For example, autosomal recessive congenital ichthyosis (ARCI) is caused by multiple mutations which can cause the skin to look similar but might have other associated abnormalities. As we continue to learn about the different genetic mutations associated with ichthyosis, we will then also understand better which types are associated with abnormal teeth.
Stay informed! You'll receive skin care tips, research news and ways to connect all year long when you sign up for FIRST's FREE E-News!


According to the Many-worlds interpretation of quantum mechanics, which almost no one understands, there is always more than one realistic outcome to every given conundrum. The theory explains (please pay attention) that everything that could have happened, but hasn't, has actually happened, just not in the same universe. In other words, for every universe where Hilary Clinton becomes the next president, there is one where she loses, and Donald Trump turns out to be the leader of the free world. So, although most known religions disagree with quantum theory, let's pray for the citizens of the latter universe.
The great value of both candidates is that they are emblematic of the far and apart notions of ruling and leading. This isn't so much a race between a republican and a democrat, but a battle in which a proudly illogical man is pitted against a practical, dogged, politician. Metaphorically, it is anarchism versus democracy.
It has been said, time and again, that since Clinton is flawed, was she to run against any other Republican candidate, such as Marco Rubio or Ted Cruz, she would not have been a front-runner. But as things are right now, it is her or him (Trump). If people have a hard time taking in some of the things she has done in the past without a grain of salt, it is important to take note that all the harm she could possibly -but more importantly consciously – do, in either the four or eight years of her (potential) presidency.
Trump is a very different story. What he really represents are the traditional values of protectionism of heritage and promises all white men over 45, the glory of the cowboy-like vision of John Wayne to America. The Republican-candidate never explains how he intends to achieve his vision in a globalized world and it is doubtful if it is ever possible to isolate a country from the rest of the world without making it poorer. That is true even for a rich and fortunate country like his.
There is also the issue of immigration, which is played out in the election without ever really mentioning the "elephant in the room". Trump promises that he will never let any Syrian refugees into the country, while Clinton, in a saint like manner, will let in more than what the country is letting in at the moment. The rationale of his is a lot more straightforward than hers.
Let us say that Clinton lets in at least a thousand Syrian children. There will be a stricter vetting process and it will be impossible to guarantee a 100pc precision rate. Out of those let in, there may be a suicide bomber who, say, blows up 5 Americans. But – and I apologies if some may find this grotesque -wouldn't it still be worth it? Seeing how Syria is now, Clinton will have given those children a far better future, if she isn't outright saving them.
To Trump, this is a fundamentally harmful way of thinking as it diminishes enthusiastic feelings of nationalism. Sure, it would be nice if those children lived, but not at the expense of an American life. This is a practically important attitude for a candidate to have, as the voters are exclusively American. But Trump, like with the rest of his radical dogma, takes it to the next level. He argues, not in so many words, that patriotism trumps (pun intended) even democracy and science.
One of the most colorful moments of the self-described billionaire's is, when he suggested that he would never accept the election results unless he won. He has, on many occasions, made it clear, that he believes the election will be rigged, not just by the Democrats, but also by the media, whom Trump considers unfair.
It is, of course very possible that the election may be rigged but it is also improbable. It is likely that he believes this himself, and his only goal may be to cast a shadow over the country's age-old democracy. Trump is a very unprecedented phenomenon and this is part of his sly scheme to win the presidency.
What is perhaps more unnerving is his total disdain for fact and logic. Tell Trump that he hates woman, and he would respond, "Only Rosie O'Donnell". Show him a tape of himself implying sexual assault, base this video with the numerous amounts of credible women that have accused him of sexual harassment, and Trump would retort that he is a different person now, and that the Clinton's had done worse.
Let's also keep in mind that this is a man who doesn't believe in global warming. Why? I have no idea. There has been a long standing position held by American Conservatives (which are of Trump's persuasion) that global warming, however the amount of scientific evidence heaped to support it, doesn't exist. There is even a theory that the Earth's rising temperature is a hoax concocted by the Chinese to deceive the Americans into reducing the producing power of their factories.
When all of this is taken into consideration, it becomes increasingly unlikely, if anyone really takes this self-proclaimed sole redeemer of America seriously. But then again, it would be fatal to underestimate the current wave of anti-elitism.
The rise of Trump is not an isolated incident – so called populists are popping all over the world, in America, Europe and in some-parts-of Africa, upstaging the establishment and promising quick fixes to the fabric of one's economy and class structure.
Western media is so transparent in that they have very openly chronicled Americans' dissatisfaction with both Clinton and Trump. That is probably why we hear the same recurring accusation – which the choice is between bad and worse. In truth, most of the negative coverage Clinton earns, fairly or unfairly, is actually a consequence of the media agencies' desire to fulfill one of the oldest credos of reportage – fairness.
On November 8, election night, all will come clear and if Trump does win, it would have only been because the current generation takes all its political rights and privileges for granted.


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Scoville Unit
Everybody Knows (Ernest Jenning) 2004
Drew Isleib
Sounds Through the Wall (Ernest Jenning) 2002
Neatness may count in certain circles, but bands that know better than to blow an aura of casual fun in favor of some fussy techno-musical ideals are always worth knowing. The Scoville Unit, a five-man pop-punk combo (whose secret weapon is Tony Senés on organ and piano) from New Haven, recorded their debut album in a basement — and managed to make it sound that way, which is an altogether fine thing. The homey, sweet, understated, brief and cheerful Everybody Knows carries the torch of late '70s twee romantic-boy power pop into the After Green Day era; the group swings easily from the chart-styling bratpunky chord bop of "The Morning After" to a winning simplification of the Moody Blues' "Wildest Dreams" to gently strong folky-pop ("Do Not Disturb," "Oh, Centuries Ago"), Weezery charm ("Bitter Drinks") and spare acoustic strummery ("Last Train to Scoville"). "The New Design" does a nifty time warp, opening with a couple of lines from the Everly Brothers and then leaping 45 years ahead without harshing the mellow or sounding old-fashioned. Singer/guitarists Gandhar Savur and Drew Isleib (who actually made his one-man solo album before the band's debut disc, how's that for flipping the script?) have perfectly nondescript voices that blend comfortably with each other and the band's uncluttered energy. Savur's tunes are immediately likable (only "Secret Mission to Your Heart" falls on the precious side of sweet), and the eleven-track album is over before it has a chance to overstay its welcome. Neat!
Scratch Acid


text:
Larry Austin Collection...
Larry Austin Collection
Larry Austin Collection Finding Aid
Larry Austin's full biography, UNT College of Music Division of Composition
Larry Austin (1930-2018) studied with distinguished composers including Violet Archer (University of North Texas), French composer Darius Milhaud (Mills College), and American composer Andrew Imbrie (University of California-Berkeley), and "enjoyed extended associations in California in the 1960s with composers John Cage, Karlheinz Stockhausen, and David Tudor." Austin also co-founded the groundbreaking journal of new and experimental music, Source: Music of the Avant Garde, whose archives also reside in the Music Library.
He was a member of the UNT College of Music faculty from 1978 until 1996, and served as director of the Center for Experimental Music and Intermedia (CEMI) from 1983 to 1991, and in 1995 and 1996. The Larry Austin Collection consists of 88 boxes of musical works by Larry Austin and includes his compositions, sound recordings, films and videos.
Highlights from Music Special Collections
Music Special Collections Finding Aids
Request Special Collections Items
Music Library Digital Collections
Search the Music Library Catalog
Digital Audio Reserves


REVIEW: Spider-Gwen #26 – "Nothing Left to Fear"
To find the answers she seeks, Gwen must go back to the beginning. Back to Cindy Moon.
Plot: Still living with the Venom symbiote, Gwen gets the help of Reed Richards to seek out Cindy Moon to understand why she created Spider-Gwen. Meanwhile, the police and Gwen's friends continue to search for her. Eventually, S.H.I.E.L.D. joins the hunt as well.
Story: A strong intro establishes how erratic Gwen's behavior has become and we once again get a glimpse of her growing loss of identity through her internal monologue. But one of the best choices of this issue isn't about Gwen, it's about the people Jason Latour surrounds her with. After feeling so alone, Gwen starts to seek out help.
This gives the perfect excuse to reintroduce some standout characters from earlier in the series. In a much-appreciated move, wunderkind Reed Richards replaces some of the humor we've lost when the Venom symbiote took over Gwen. The use of Cindy Moon in this issue is especially interesting. When Gwen goes looking for her, you expect a big confrontation. But that's not what you get. Instead, Cindy serves as the voice of reason for Gwen, telling her that her anger doesn't make her stronger but weak. The role reversals in this issue remind the reader that Gwen is a flawed hero and her return from darkness isn't inevitable, it's something she has to chose.
The meeting with Cindy has a huge effect on Gwen, but Latour has one more twist up his sleeve. When Gwen meets up with one more character from early in the run who was also defeated by Matt Murdock, the reader is left with uncertainty over Gwen's next move. All the parts of Gwen's life: S.H.I.E.L.D., the police, her family, the Mary Janes and even the Parkers begin to converge. With so many players on the board, there are a lot of directions this arc could go and I'm enjoying the unpredictability.
Art: Robbi Rodriguez continues to capture the movement of Gwenom and find the beauty in something so dangerous. The tongue vacillates between looking like a weapon and a ribbon used for rhythm gymnastics. The panel below really highlights the role reversal of the narrative between Gwen and her enemies.
In the moments we see Gwen's face behind the mask, you can see her pain and conflict so clearly. Her posture, like in the scenes with Reed, also betrays her emotions. The recurring missing person poster asks "Have you seen our friend?" and in a way, we haven't. The visual device reminds us there are two parts fighting for control of Gwen and we have yet to figure out who will win.
I really enjoy Rico Renzi's use of black for the Gwenom arc. Instead of saving it just for her costume, the black seeps throughout the panels like a mold covering the backdrops just as the symbiote seeps through Gwen. The darkness gets broken up with the panels without Gwen, and especially with the S.H.I.E.L.D. characters, you get a glimpse of the old, happy-go-lucky neon palette.
Verdict: In my opinion, Spider-Gwen has never been better. They've been building towards this arc for some time, but the creative team on this book has gone even farther recently to prove this book can be more than what readers have come to expect. In addition to strong story development, Spider-Gwen #26 brings back a lot of characters we haven't seen in a while which makes it a fun read. If you haven't picked up the book in a while, I'd strongly encourage you to catch up so you'll be there to see the ending Gwenom.
Tags: Cindy Moon, Gwenom, Jason Latour, Reed Richards, Rico Renzi, Robbi Rodriguez, S.H.I.E.L.D., Spider Gwen, Spider-Gwen #26, VC's Clayton Cowles, Venom?
Marvel's Contest of Champions Pops Coming Soon!


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The idea for this blog post steals directly from the New York Times Sunday feature, usually appearing on page 3 of the "Arts & Leisure" section. The Times asks a cultural figure each week to run through their pandemic leisure-time choices, favorite books, films, genres, online haunts, artistic influences, and other obsessions. I follow suit with a much more prosaic list that draws heavily on nostalgia and fantasy.
1 Books about North Korea
It's natural to blame the pandemic for fascination with a "hermit kingdom," a so-called isolated and inscrutable state known for the patch of monolithic blackness it offers at night to prying satellites. In truth, though, I name my own inner darkness and fear of reaching out for this deep dive, first into Suki Kim's "Without You, There Is No Us," the tense chronicle of teaching English in Pyongyang, then expanding to Barbara Demick's Nothing to Envy, Krys Lee's novel How I Became a North Korean, The Cleanest Race by B. R. Myers, The Great Successor by Anna Fifield, Ask a North Korean from NK News, and the visual works Printed in North Korea (Phaidon) and Model City Pyongyang (MIT Press). The most poetic characterization of North Korean life—and strangely evocative of contemporary life in a pandemic—comes from Kang Chol-Hwan's Aquariums of Pyongyang: Ten Years in a North Korean Gulag. He witnesses the execution of two escapees from the now-shuttered Yodok concentration camp, then remarks, "I had the strange feeling of being swallowed up in a world where the earth and sky had changed places."
2 The Ricky Gervais Show, Xfm archive
Tapping into the world-weary sensibility of Karl Pilkington and his mates Gervais and Stephen Merchant has not grown stale, even nearly twenty years on. I am not alone in this affection. A surprisingly vibrant community of followers exists on YouTube, those who cycle through the archive of Xfm radio programs, podcasts, and other appearances to titter after Pilkington's observations about cruise liners ("My mum says some are so big that they have rough areas") and Merchant's eccentric dance moves ("It's like weird art"). Myself included, many of those who comment on YouTube notice the show's soothing, soporific qualities. It has taken on the aspect for me of bedtime prayer. As one comrade writes, "Early night for me tonight. Wouldn't be proper without a side of Pilkboys."
3 San Antonio Missions
Misión Concepción, San Antonio, Texas
Although I feel rootless in a bludgeoned San Antonio landscape, my rare pilgrimages to the San Antonio Missions restore a sense of solidity … even faith. There are five in San Antonio, including the Alamo—the least interesting of the lot. The others are UNESCO World Heritage sites and managed by the National Parks Service. The still functioning Roman Catholic parishes are built from stone, having stood on the mission sites for close to 300 years. Many of the Coahuiltecan people, descendants of the indigenous who had settled the land for some 10,000 years, were housed within the mission walls and were taught Spanish and educated through the catechism and other means. The mission locations are spare and parched and tranquil, surprisingly small for having developed industries such as weaving, stonework, brickmaking, and agriculture. Their interiors feature the stone foundations of native housing, granaries, secured entryways, and fortresses, or bastions, that allowed for defense against Apache or Comanche raids. The Alamo is remembered primarily as a place of military engagement and the assertion of Texan independence. Its sister missions, however, speak to a quieter daily routine of work, religious observance, colonial control, and survival.
I adopted the practice of scanning and zooming on Google Maps as a complement to reading about North Korea (see item one). Imagine the thrill, guided by the My North Korea blog, of flying over Kim Jong Un's Onpho hot springs resort in North Hamgyong province, marveling at the array of luxury villas and the earth-moving still under way. But I have pressed on to studying other targets, the more remote and seemingly forsaken the better: Nunavut villages, Tajikistan border areas (like from the Aleksandr Sokurov film Spiritual Voices), Arctic harbors, South Pacific atolls, and Baltic shorelines (such as the Ekologinis pažintinis takas "Litorina"). I am interested in future travel destinations, no matter how unlikely: the Thule Air Base in Greenland, the Arctic University Museum of Norway in Tromsø, the Manda de Laos restaurant in Luang Prabang, the Litla Brauðstofan bakery in Hveragerði, Iceland. Just to be sitting at the latter in a turtleneck and sweater, cupping a hot coffee and dunking a slice of Kartöflubrauð …
Nuuk, Greenland, via Google Maps
5 Star Trek, the 'Next Generation,' 'Picard,' and 'Discovery' series
Especially endearing was the participation in October of numerous Star Trek cast members in a "Trek the Vote" fund-raiser for Joe Biden and Kamala Harris. Democratic presidential candidates Andrew Yang and Pete Buttigieg revealed themselves as knowledgeable Trekkies, but all were outdone by Georgia organizer and former gubernatorial candidate Stacey Abrams, who timidly raised her hand in answer to almost all the questions in the trivia phase. Even stars Patrick Stewart and Sonequa Martin-Green appeared, brimming with approachability. My softest spot, though, resides with the alien and supposedly non-sentient characters who express the most human of vulnerabilities: crowned by Lieutenant Commander Data of "The Next Generation" (played by Brent Spiner) and Captain Saru (Doug Jones) of "Discovery." The latter's role is written with eloquence, and I look for Saru's spindly Kelpien fingers pressed toward his chest after one of his empathic speeches. There is tenderness, these personae show, even in cold-hearted space.
6 Eclectic and 'raw' YouTube filmography
Who needs to travel to Iceland to imagine the croft-dotted landscape of Halldór Laxness? You can, in the video above, ride on the passenger side of a GoPro-equipped vehicle and be chauffeured between glacier and lowland, for hours at a time, with only the murmur of pavement underneath and the occasional whoosh of a passing sedan or RV. I only discovered such videos this year, but they exist even for unimaginable locales: the Yukon Territory, Cuba, Patagonia, Madagascar, and, yes, for North Korea. As an alternative, since I do not live in a wintry biome and miss snowfall acutely, there is a variety of raw snow footage (at lengths of one hour, two hours, and three hours). Consecrated silence, as in Laxness's words from Under the Glacier: "That which is beyond words remains silent at Christmas too, my friend."
7 The Baltimore Orioles
The Birds. Growing up near Washington, DC, in the 1970s, there was no professional baseball in the nation's capital, but Baltimore's Memorial Stadium was only an hour or so away. I continued to venture on my own in my late teens and twenties. A friend of mine took pleasure in my father's mid-Atlantic drawl when my friend would telephone and hear, "I think he's at an Orioles game," my dad swallowing the "r" in Orioles like it was a gobstopper. Since the resumption of Major League Baseball in late July, I spent a lot of time with the Orioles: Cedric Mullins, Hanser Alberto, José Iglesias, Ryan Mountcastle, Rio Ruiz, Anthony Santander, and the rest. I scored a few games (pitch-by-pitch), which I also did during replays of my favorite Korean Baseball Organization club, SK Wyverns. The wyvern is a winged two-legged dragon with barbed tail, which I never knew.
8 Tiny Desk concerts, NPR
It started with Natalia Lafourcade (see below), then I moved on to other Latin acts like Café Tacvba, Rodrigo y Gabriela, Juanes, and Bomba Estéreo. Who else? Steve Martin, Cat Stevens, Wilco, Billy Bragg, Aimee Mann, Norah Jones, Karine Polwart, The Cranberries, the Soweto Gospel Choir, Gogol Bordello, Pixies, and Natalie Merchant getting everyone to sing along. I believe the drummer from Wilco is brushing some Post-It notes? I'm not sure I remember correctly. I have no platitudes about music to offer, but I entertain a fantasy that these talented folk are playing in my living room, in front of my bookcases, and that the world party for 15 minutes has decided to stop at my address.
9 A Promised Land, by Barack Obama
I'm not an Obama worshiper (no one should be, as Obama himself implies); nevertheless, it is easy to be obediently led by his prose and his curious self-distancing from events, his references to an iconoclastic upbringing in Hawai'i and Indonesia, and his thumbnail sketches of world leaders (the "forceful staccato" of Recep Tayyip Erdoğan, the "big and bright blue" eyes of Angela Merkel, and Nikolas Sarkozy's "dark, expressive, vaguely Mediterranean features"). The diminutive Sarkozy comes off as somewhat comic character, grabbing Obama at the conclusion of the G20 summit in 2009 and gushing, "This agreement is historic, Barack!" That Obama recognizes the comic quality is reassuring. He represents his wife, Michelle, as full of zingers: especially about the desirability of Obama being able to pin back his ears.
10 Comedians in Cars Getting Coffee, Netflix
As a tidy segue from item nine, what introduced me to this series was Jerry Seinfeld's visit to 1600 Pennsylvania Avenue, sharing coffee with Obama in the West Wing canteen. They cruise the White House grounds, at about 5mph, in a sky-blue Corvette. Again, Obama comments on the maniacal broodings of some world leaders; he looks into their eyes and discerns that there is nothing there. Taking the series as a whole (I have not seen all of them), I can do without the cars—why not a vintage Yugo, for once? But the sensibilities of comedians are compelling: the familiar bickering of Mel Brooks and the late Carl Reiner, Ricky Gervais's fear and bracing at Seinfeld driving him around, Howard Stern's self-doubting, and mostly the confessional dimension of Michael Richards, who played Kramer on the Seinfeld program. Richards shows the human qualities of having made a mistake, and we've all made mistakes.
Miscellany, Review, Self-ReflectionBaltimore Orioles, Barack Obama, Google Maps, Iceland, Karl Pilkington, north korea, NPR, Ricky Gervais, San Antonio Missions, Star Trek
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15 sites of spiritual communion →


Healthy Kid's snack- Energy bites!
All moms are thrilled to find a healthy and quick snack, right? This one was shared with me by a good friend (Thank you Audrey) and it is a go-to at our house asked for by name weekly! I did forget to get a pic of the peanut butter as that is the other ingredient in this recipe, we like Jiff Natural Peanut butter.
These are so simple to make, I often have helpers who are less than 3 feet tall so it has to be simple.
You see, I have a helper! Here are what they are supposed to look like when you are finished and they go fast!
Those look so easy and sound delicious! It's always a good thing to make something so simple that littles can help. I'm going to save this recipe for the next time my grandchildren are visiting. Thanks!
If my kiddos are any indication, your grandkids will LOVE them!
These sound yum! I think I'd want the oatmeal ground, too. Have you ever tried that? Did it work?
I use quick oats but haven't specifically ground the oats further than that, right now they just fly out of the kitchen so fast it doesn't really matter how I make them!


As of the date of this blog, 33 states plus the District of Columbia currently allow the use of medical marijuana. Ten states and DC have legalized recreational marijuana. With legalization rolling out across the country, this could have an enormous impact on employers and it's very important that insurance agents have knowledge of how the different statues may affect their clients, even if your state has not yet legalized the use of medical marijuana.
The exact law varies depending on the state, but for the most part, the regulations mandate anyone prescribed medical marijuana must have one of the designated serious medical conditions as diagnosed by a qualified and registered physician. Medical marijuana typically comes as a pill, oil, tincture, or liquid. It may also be dispensed as a gel, cream, or ointment. Patients with lung issues may be approved to use it in their nebulizers. There are a handful of states that allow smoking medical marijuana.
Because of the American Disabilities Act (ADA), employers are not allowed to discriminate against employees on the basis of disability. It requires employers to provide reasonable accommodation to disabled workers if one is needed. In addition, medical marijuana is commonly prescribed to people with disabilities who are considered protected individuals under the ADA. In some cases, the use of marijuana is what allows some disabled people to be able to perform their job functions pain-free.
A study published by the National Institute on Drug Abuse notes employees who tested positive for marijuana had 55% more industrial accidents, 85% more injuries, and 75% greater absenteeism compared to those who tested negative. Researchers also noted decreased productivity, increased worker compensation and unemployment compensation claims, high turnover, and lawsuits. Given this research, it's understandable that employers may have concerns. However, these findings were from recreational marijuana, not medical marijuana.
Medical marijuana that comes in other forms does not contain the same amount of THC, and therefore doesn't have all of the same side effects. In fact, the use of medical marijuana can increase productivity in patients that suffer without the drug. In short, the side effects of taking the drug may outweigh the side effects of the illness.
Some states, though, allow patients to smoke medical marijuana or are pushing through legislation to allow it. This will make the symptoms of both medical and recreational the same and should increase concern for workers in many industries.
Where employees have brought lawsuits against their employers, the states usually side with employers who reprimand workers that test positive for marijuana, even if they have a medical marijuana card. According to the National Safety Council, though, some states protect employee rights and have safeguards in place to protect workers with medical marijuana cards from facing disciplinary action. It's worth noting that federal law supersedes state law, and still classifies marijuana as a Schedule I drug with no accepted medical use and a high potential for abuse. Also, most states will not pay worker compensation to an employee who tests positive for marijuana at the time of an accident.


Choose from an inventive combination of diverse flavors, a daily selection of fresh seafood, prime meat, chicken, pastas, a variety of green salads, and a tantalizing assortment of appetizers.
Click here for our Dinner Menu (pdf).
For the early diners between 5:00 and 6:00 PM, this special menu features soup, salad and dessert all for one complete price.
Click here for our Early Bird Menu (pdf).
Choose from a selection of fine wines.
Click here for our Wine Menu (pdf).
For those little connoisseurs, Grizzly Grill has prepared a special menu just for kids.
Click here for our Children's Menu (pdf).


Keeping these things in mind, there are steps you can take to manage your online courses so they don't become overwhelming, non-navigable, burdensome and out of control.
Fortunately, there is a great way for you to utilize video in your online courses while following the best practice. Just use other video hosts and provide links and embeds in your online course. Here at SHSU, Blackboard has the ability to directly embed YouTube videos in your course while leaving them hosted in YouTube. It does this via the YouTube mash-up. We also utilize Kaltura for video/lecture capture and screen recording. Blackboard employs a Kaltura mash-up and content building tool to place these videos/screen recordings directly in your course content.
In anticipation of the new semester, make copies or request copies be made of the courses you are transitioning. It is difficult to work on getting ready for a new semester if you do not have a place that you can do so without affecting your current students.* For those of you who just use the same course and only the students change, it still might benefit you to have a "sandbox" or "working" course where you can develop outside of the production course.


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DJ Jimmy Laing
March 12, 2018 Comments (0) Interviews Like
Jimmy Laing is an inspiration to follow your passion … originally working as a mechanic, Jimmy's discovery of and love for Electronic Dance Music (EDM) has led to the establishment of a successful new career as a DJ. You can catch Jimmy at regular gigs all over NSW now – in Port Mac, Gunnedah, Tamworth, South West Rocks, on the Central Coast and in Sydney …
Hi Jimmy. What's your association with the Port Macquarie area?
I have lived in the Camden Haven area, which is just south of Port Macquarie, for 24 years. I attended Newman's College for high school in Port Macquarie. About one year after finishing college, I started as a DJ at Altitude Night Club, where I have held a residency for a number of years now.
I picked up a second residency at the Port Macquarie Hotel (The Macca) last year, which is another popular venue in Port Macquarie.
Where did your interest in Electronic Dance Music (EDM) begin?
I can remember I was with a few mates at a house party when I was 17, and one guy had his laptop there with a program called Virtual DJ. Once it was my turn to have a go, I really just couldn't put it down, and it all kicked off from there – trying to find the hottest tracks to play and record my live mixes for my mates to listen to.
What do you think it is about this style of music – and being a DJ – that attracts you most?
The diversity of Electronic Dance Music has attracted me the most, as the options when producing or searching for new song is really endless. There is always something new popping up, new sounds being produced and forever changing, genres cycling.
You've taught yourself a lot of the "tricks" of the DJ trade – but you also underwent six weeks of training in Sydney a couple of years ago now. Tell us a bit about this training – where was it held, and what did you learn?
The training was held via The Academy Sydney, where I was taught how to beat match song, use effects while mixing songs together and how to use a program on my laptop to organise and prepare my music for upcoming gigs.
You've played at quite a few venues around Port Mac, including at Altitude Night Club and the Port Macquarie Hotel. Where are your regular gigs these days?
I am locked into regular gigs at The Courthouse Hotel in Gunnedah, The Albert Hotel in Tamworth and Sea Breeze Hotel in South West Rocks.
I have just recently picked up gigs on The Central Coast and in Sydney, which are yet to be announced.
You were also one of the stars at Lunar Electric's inaugural Festival in January. What was it like playing at an outdoor festival, as opposed to playing the club scene?
Playing at Lunar Electric was such a big change from the club scene, as I was up on a stage, instead of a few feet away from the crowd. I performed just as I would in a club and loved interacting with the crowd from a higher viewpoint. Fun times!
Who/what are some of your biggest musical influences?
Some of my biggest influences with my career would have to be two of my mates, Jesse Bloch and Josh Hart. They have both helped me along and inspired me to follow in the same path as they are.
What are your plans for the remainder of 2018?
Over the past six years I have worked as a mechanic and played music on the weekends. I have recently resigned as a mechanic and would like to focus more on my music.
I plan to travel as much as I can while still teaching myself to produce music and play at as many new venues as possible that I can pick up along the way.
Where can we follow your career, or find out more about you?
Anyone can follow me on my Facebook page or Instagram; they both have regular updates on where I will be next and where my travels are taking me! https://www.facebook.com/dj.jimmylaing
Thanks Jimmy. Interview by Jo Robinson.
DJ Jimmy Laing, EDM, Electronic Dance Music, Gunnedah, Port Macquarie, South West Rocks, Tamworth
Just Brass, David James
Sophie Kubowicz, Short and Swift
Tony Weston Perry Homes Port Macquarie


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Mid 60s to low 70s
College & University Archives, Personal Papers & Manuscripts
Digital Collections and Archives (DCA) is the primary archives and manuscript repository of Tufts University and is open to the public. DCA's team of archivists provides stewardship for the Tufts University Archives, nearly three hundred manuscript collections, and other permanently valuable physical and digital archival materials. DCA staff also assist Tufts students, faculty, and staff with recordkeeping activities, through records management and digital library services.
The Records and Accessioning Archivist plays a key role in DCA's archival accessioning and processing activities and has primary responsibility for accessioning and stabilizing both physical and digital collection material and facilitating the management of collection documentation files for DCA. The Records and Accessioning Archivist serves as a primary point of contact for departments and offices at the university seeking to transfer records to the University Archives. In transferring new material the Records and Accessioning Archivist records information about provenance, original order, or context of creation gained during communications with the donor. The Records and Accessioning Archivist creates or oversees creation of initial collection-level description for all holdings, ensuring responsible administrative and physical control and basic intellectual access for all material at time of accession, and providing the infrastructure upon which any future archival work will be built.
ALA-accredited MLS with concentration in archives management or equivalent experience
1-3 years of related experience
Demonstrated knowledge of archival theory and practice, including experience processing archival records
Knowledge of relevant standards for archival description including DACS, EAD and EAC-CPF, and familiarity with other metadata standards
Excellent supervisory and organizational skills and ability to plan, coordinate, and implement complex projects
Ability to work both independently and collaboratively with a variety of staff in a rapidly changing environment
Experience working in an active university records program
An employee in this position must complete all appropriate background checks at the time of hire, promotion, or transfer.
Equal Opportunity Employer – minority/females/veterans/disability/sexual orientation/gender identity.
Additional Salary Information: Commensurate with experience
About Tufts University -- Digital Collections and Archives
Digital Collections and Archives (DCA) supports the teaching and research mission of Tufts University by ensuring the enduring preservation and accessibility of the university's permanently valuable records and collections. DCA assists departments, faculty, and staff in managing records and other assets. DCA collaborates with members of the Tufts community and others to develop tools to discover and access collections to support teaching, research, and administrative needs in addition to providing reference and instruction services.Tufts is a student-centered research university dedicated to the creation and application of knowledge. We offer a wide range of employment opportunities to support a diverse academic environment. Our highly regarded liberal arts, sciences, and engineering programs draw faculty, staff, and students from around the world.


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text:
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{
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void gs_crypt(unsigned char *buffer_ptr, int buffer_len, gs_crypt_key *key);
void gs_xcode_buf(char *buf, int len, char *enckey);

#ifdef __cplusplus
}
#endif

#endif

redpajama_set_name: RedPajamaGithub


S. Ha, A. A. Sukhorukov, and Y. S. Kivshar, "Slow-Light Switching in Nonlinear Bragg-Grating Couplers," in Integrated Photonics and Nanophotonics Research and Applications / Slow and Fast Light, OSA Technical Digest (CD) (Optical Society of America, 2007), paper SWB4.
We reveal that nonlinear waveguide couplers with phase-shifted Bragg gratings can be used to perform power-controlled switching of slow-light pulses between the output ports, combined with the delay control and suppression of dispersion-induced pulse broadening.


These last three photos are particularly interesting. At the time of his death, Edvins Bekmanis was building his own powered airplane. While I am unable to identify the aircraft being worked on in these images, the first one does not appear to be a glider and may be a photo of Edvins' last project.


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Manchester Is Burning
By Gary M. Kramer Posted on November 28, 2020
Grace Oni Smith in Dennis Keighron-Foster and Amy Watson's documentary "Deep in Vogue."
Shaun Ahterton
The Ballroom scene in Manchester, England, is the setting for Dennis Keighron-Foster and Amy Watson's celebratory documentary "Deep in Vogue." The hour-long film has various Mothers and other members of different Houses telling their stories. The participants include men and women — transgender and cisgender — black and white, straight, gay, and genderqueer, and mostly working class. The Ballroom scene offers them a safe space and a place to find a sense belonging. The personalities are, course large — especially Grace Oni Smith and Joshua Hubbard from the House of Decay, who are prominently featured.
The filmmakers, who immersed themselves in the scene for a year in 2017, spoke with Gay City News about capturing their subjects living the fantasy and making their new energizing documentary.
GARY M. KRAMER: How did you come to find this scene, its participants, and determine you should make a doc about it? Have you participated in Ballroom culture?
AMY WATSON: Dennis has been going to the balls for a few years; they've been happening since 2008 between Liverpool and Manchester. The feeling we got from being in those spaces, it was a kind of spiritual feeling and we wanted to share that feeling with as many people as possible.
DENNIS KEIGHRON-FOSTER: Amy did an amazing strut your stuff at the Manchester International Festival. Me and my friend Esme, who is in the film, we got to walk the ball together as spectators and lovers of the ball.
WATSON: Dennis did a kind of John Galliano look at the Red Ball that the House of Decay threw.
KEIGHRON-FOSTER: Yeah, I was like a New Romantic Pirate! As a queer gay dad, the gay scene and the LGBT scene in Manchester — it's lackluster lately. There aren't a lot of spaces for people to be themselves or that don't fit into that heteronormative box, so walking into ballroom for the first time and Rikki [the emcee] coming out and giving his amazing speech and people of all different shapes and sizes, you think, "Oh, this is where I am meant to belong! Bye bye, Canal Street" — which is the commercial gay street in Manchester.
WATSON: You said something beautiful to me once about being a feminine gay man and finding high heels attractive but being looked down on.
KEIGHRON-FOSTER: Absolutely! Even I, as a left wing, gay queer person, I was stunted and not willing to express myself or maybe thinking it was a bit too much. But as soon as I got into that space, I saw I was wrong, and expressing yourself is the way forward.
Joshua Hubbard in performance.Shaun Ahterton
KRAMER: Can you talk about your approach to the documentary, mixing performance footage with observational footage with archival footage as well as photographs and interviews?
WATSON: I guess it comes down to neither of us had ever made anything before. We just made it up as we went along. We needed something to put over these interviews, and making a dance film we needed to showcase dance. We really wanted to show vogue in the way that ballet dances are typically shot — point out the dignity and artistry of the form in a way that you don't always see. Because it's in a crowded, excited buzzy room. We wanted to heighten it much as we could.
KEIGHRON-FOSTER: With the history of the Ballroom culture and the fact that this is happening in Manchester, it was really important to show the history of the ball, like Rikki does when he's emceeing the ball in the UK. Having the archive footage showing where it came from was really important to us as filmmakers. To show that they are doing something different here in Manchester, but they are paying proper homage to the original scene in New York.
KRAMER: I like that the film isn't a competition documentary, that it is immersive. Were you afraid to root for one House over another? Did you have favorites?
KEIGHRON-FOSTER: We started filming it thinking that the competition element would have to be involved, but we realized it's not necessary to show who the winner is or the competitive vibe. We give viewers insight to how fierce they are. We showcase the two Manchester Houses the most. To show the winner would not have done the whole Ballroom scene any justice. It would have made it about that one moment in time.
WATSON: We didn't want to do that fakey reality TV contest thing. People have seen that so much — you can see the producers saying, "Say something bitchy," or setting up competitiony tropes. It's the taking part that counts.
KEIGHRON-FOSTER: It's being in that room strutting your stuff and everybody clapping for you. That's the prize.
Dancers from the House of Ghetto.Dan McPake
KRAMER: There are discussions about gender roles, as well as race, about being poor, and about being gay and Black, and about being invisible as a woman. What observations do you have about inclusion, exclusion, developing a sense of community, and self-expression?
WATSON: That's what's unique about the Manchester scene. It's very inclusive and it has moved away from the roots of vogue culture, which it catches flack for — it's not completely true to a 1980s New York Ball set-up. There's choreography, there are more cisgender women involved, but everyone in the film does a pretty good job of explaining why they need vogue just as much as anyone else.
House of Ghetto is an all-female house, and the reasons behind that are really strong. The House Mother, Darren Pritchard, said, "We've had austerity measures and a conservative government for a long time and women of color are impacted the most." He created House of Ghetto as an artistic statement about that to promote the dignity of that demographic and raising people up who are being stepped on by our government.
KEIGHRON-FOSTER: There really aren't many places for women to strut their stuff without being sexually objectified by men. And there are no good spaces for women to celebrate themselves and be celebrated in the same way.
KRAMER: I appreciate the Manchester scene is more theatrical. What do you think is key to this culture that appropriates, imitates, and reclaims?|
KEIGHRON-FOSTE: I think each individual House has its own aesthetic and reasons for getting into it. Decay has a very melted, imperfect look that takes a lot of time and effort. Ghetto — they go for a cleaner, sassier look. It's about their backgrounds. Grace and Joshua are doing extreme performance art in queer clubs. The girls of Ghetto are from an area of Manchester that could be called a ghetto. In Liverpool, there is more dance training and leadership from Darren Suarez. They bring own individuality and that what makes it so explosive.
WATSON: To zoom out a bit, Manchester — and how many years of conservative government have we had — it's not culturally, politically, or historically New York in the 1980s. We made the film to ask, "Why is this Black and Hispanic-origin 1980s New York thing happening in Manchester in the 20-aughts? There are similarities — push from the right wing, Brexit, the rise of homophobia and racist attacks. There is a lot in common with 1980s New York.
KEIGHRON-FOSTER: Equality for women, for people of color and members of the LGBT community. In the 1970s in Manchester there were signs that read "No gays, no blacks, no Irish, and no dogs." Maybe we need to start an Irish house?
Darren Suarez, from the Liverpool Ballroom scene.Dan McPake
KRAMER: Doing Ballroom, your participants show off and express themselves, feel acceptance that they may not get otherwise, and have a sense of confidence. What can you say about the aspirational qualities of the scene?
KEIGHRON-FOSTER: What I loved it that everyone who comes on stage, you want to be the person on stage. I want to dance like that and to win that category and to wear that outfit. It rubs off. I've become more flamboyant since making this film. I wear makeup now. I'll go out in more outrageous clothes. Vogue and Ballroom culture helps you self-actualize.
WATSON: I remember talking to Rennae in House of Ghetto. She'd been to dance school and they didn't even make tights that a person of color could wear. There was a feeling of exclusion from the mainstream. All of that anger about that situation gets transformed into something positive in the vogue ball. I don't need to conform to this way of being. I'm going to create my own channel my own way of being because the mainstream can be so disappointing.
DEEP IN VOGUE | Directed by Dennis Keighron-Foster and Amy Watson | FilmRise | Available Dec. 8 on iTunes, Amazon Prime Video, GooglePlay, Microsoft, DirecTV, InDemand, and VUDU
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A man has been fined for harecoursing in High Peak, Derbyshire, after his photo was given to police by a group of photographers attending a workshop.
Dean Sherratt, 30, of Princess Drive in Weston Coyney, Stoke-on-Trent, was seen with two others on Bleaklow on 12 January releasing their dogs to chase and kill the mountain hares.
Police said their photos were captured by a group of photographers and Sherratt was identified after they were shared on social media.
Sherratt appeared at Chesterfield Magistrates' Court on Tuesday where he was found guilty of hunting a wild mammal with a dog and was fined £1,500.
Officers from the Derbyshire rural crime team described the case as "very interesting", and, praising the witnesses, added: "I'm sure everyone who has the best interests of our wildlife at heart would like to thank them for their excellent work."
The team said they are still trying to identify the other two men who were with Sherratt that day.


Before I even start this post can we talk about this door and how it's totally #doorgoals? That blue colour totally compliments my outfit and I'm gutted you can't see how cute the wreath is! From now on if I see a cute door or something I want as my background for a post I'm totally going to take a picture of it for the post as a stand alone image so you know what I'm on about – and yes I am aware of the amount of times I've said totally so far!
No, I haven't gone mad. Firstly, lurking under those boots (boots of course are essential for skirt wearing in the Winter) is a key secret for keeping warm, and secondly, who said skirts are only for the summer or when you're too numb from all the prossecco to care?
I used to be one of those girls, once autumn hit you wouldn't catch me with my legs out till the spring again (unless of course I had a prossecco blanket on) but now, I've got the key, I've got the secret.
Secretly lurking under those boots is a big pair of fluffy socks keeping my toes nice and toasty. A wise man once told me that you loose you're hear through your feet and head so boots with fluffy socks are a must and if it works, hey through a hat on!
Hallelujah to the current over the knee boot trend, it's basically like wearing trousers but with a teensy gap so you can look cute in your skirt but still be nice and warm. Just imagine the layers of socks you could put under those bad boys? The opportunities are endless!
if, like me, you're not really sold on the over the knee trend (no offence if you are I just can't seem to pull it off!) then boots like these ones from Next are ideal. They're not quite an ankle boot but they kind of are. I feel like the extra few inches make a hell of a difference!
You need to finish the look off with a chunky knit. Personally I love the chunky knit/skirt look and my wardrobe is overflowing with jumpers (don't tell my boyfriend I said that, I will never admit to this I always need more) so it's ideal for me! If you've got a super warm jumper on and your feet are snug then you're pretty much covered!
if you're not a fan of chunky knits (who even are you?!) then get a really well made knit that's going to lock in the warm and do the same job! This one from Study 34 is hand made (you even get a super cute card saying who knitted it, can you get any more personal?!) which makes it ridiculously warm despite the fact it's not massively oversized!
Throwing on a blanket scarf is pretty much a fail safe way to walk around looking fashionable and cosy whilst actually you're wearing something that could double up as a blanket or throw (it doesn't have the name blanket scarf for no reason!). If you need some more warmth, blanket scarves – best . invention . ever.
This will probably be my last post until after Christmas now unless I'm suddenly struck by inspiration! So I hope you all have an amazing Christmas and I will see you very soon! Don't forget to follow me on Bloglovin' to make sure you don't miss my next post and to stay up to date with lost of new and exciting things to come in 2016!
I know I love skirts and jumpers !
I was wondering how the Next boots fit! I've been looking online but am unsure on their size chart if they run small or big!


At first it felt it's too soon, now I wish it would always happen twice a year! It was my 8th ENYSSP conference and I have now participated in more of them than I didn't (8/14)! Yay! Yet it never ceases to amaze and inspire.
I was very excited to run a workshop titled "Doing Phenomenology of Life: Becoming a Mindful Practitioner", where I introduced the parallels between phenomenological method of studying lived experience and mindfulness practice, and together with over 40 participants explored what is the human experience of practising mindfulness like. The diversity of human experiences shared in our session was fascinating, and hopefully will encourage the participants to turn towards (not away from) human experience in their life and work with curiosity, kindness and acceptance.
To me this year's conference reflected the shift in understanding in the field of sport and exercise psychology and these are the key themes that I absolutely loved exploring in both formal sessions and in relaxed discussions with colleagues on the grass, under the Zagreb sun.
Psychology as a relatively new scientific field has been guilty of trying too hard to adopt the scientific method to study human behaviour and mind, when in fact full understanding in psychology may not even be possible due to complexities of environmental, mental and biological influences. So there is a need to go beyond numbers and lab experiments to explore these complexities from a first-person perspective and to tap into the subjective nature of human experience.
Keynote of Anthony Papathomas did just that by offering a rich qualitative insight into eating disorders in sports and shifting our attention to stories people tell and how they make sense of this world through construction of narratives. Furthermore, in Anthony's workshop we explored the role of institutional and cultural master narratives in sports and the ways we can work with individual narratives. "What is my story? What is the master narrative? Are there alternative stories to source inspiration for my own?" – these and other questions fuelled the discussions as participants continued to reflect on their experiences with the newly heightened narrative awareness.
ENYSSP has always been a place for young professionals to feel comfortable in their own skin, to dare to question, reflect, ask for help and make mistakes.
The theme continued in the Knowledge Cafe where the hashtag #fuckups gathered a lot of participants to the table for thematic discussions and sharing of experiences of failure and growth. The peacock metaphor introduced by ENYSSP President Peter Schneider at the opening speech really came to life, with participants spreading their feathers and shining with diversity, authenticity and passion.
Another emerging theme was the need to go beyond the focus on performance enhancement and athletic identities, and to adopt a holistic approach embracing athlete as a whole – mind and body inseparable, human being with multiple identities and multiple challenges.
We had workshops on embodied learning experiences and integrating mindful yoga to sport psychology practice, as well as presentation on teaching life skills through sport to refugee children.
Finally, Karin Moesch's keynote "When performance takes a back seat" turned our attention to mental health disorders in elite athlete populations, discussing its relationship to performance and the difficulties a sport psychology practitioner might encounter recognising it. Karin shared good practice examples from European countries and voiced the need to adopt more inclusive view to sport psychology services.
Next to official keynotes, workshops and poster session, a lot was going on in between – coffee breaks, dinner and dancing, relaxing in the grass, exploring Zagreb… these were the times of enlightening discussions with old and new friends, where mind connected with body, growth was found in adversity, second wave of CBT reconciled with mindfulness-based approaches and inspiration was boosted once more.


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I have to say I HATE the new updates to the Developer Tools. In the Resources tab, the image category gone, and I have to search the images from different folders. WHAT ?
Also, it failed to copy the image URL, instead, it gives me a BASE64 image encoding....WHAT ?
ALL I want now is get my original Developer Tools back !!!


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Home > Featured > Brett Kissel Tackles The Question 'What Is Life?' On New Album, Out April 9
Brett Kissel Tackles The Question 'What Is Life?' On New Album, Out April 9
March 6, 2021 March 6, 2021 Music Express
Brett Kissel has announced that his fifth major-label studio album What Is Life? will be released on April 9. Fans of the 18-time CCMA-Award-winning musician get their first taste of what is to come from the next phase of Kissel's career today, with the release of the album's first single, "Make A Life, Not A Living" (LISTEN HERE).
"This song is truly representative of where I'm at in my life right now…and probably – or hopefully – where many people are as we've adjusted to the challenges we've all faced over the last year," says Kissel. "It's about doing your best to live your best life – whatever that might be; being in the moment, being present, having gratitude and making the most of the time we have – that's what is most important."
On his upcoming album What Is Life? Brett says: "That age-old question is one that I've really focused on and centred around for this next phase of my career and for my life. And each and every time, the one thought that is always front and center for me, is doing the best we can with what we have, and making the most of our lives – living the words that I sing in the first song – and I hope that everyone who hears it not just enjoys it, but is also inspired by it."
If you're a fan of country music, you probably already know Brett Kissel's story – owned his first guitar before he was even in school, released his first album before he could even drive – leading to him becoming Canada's most dynamic country music artist before he turned 30 years old. The farm-and-ranch-raised artist has 15 top 10 radio singles, 3 #1 songs, and a tractor bucket full of gold and platinum plaques. He set records on his 112-date cross-country tour, played over 20 shows with his hero Garth Brooks, and has won 18 CCMA Awards and 2 JUNO Awards.
While fans were still buzzing about last year's Now Or Never album, Brett started looking towards his next release, but couldn't get three words out of his head – What Is Life? The search for something "more" weighed heavily on the country star's mind and with the new album, Brett Kissel invites fans to take a deep-dive with him into songs about love, celebration and gratitude.
Alan Doyle Announces New EP 'Back To The Harbour' Out May 21
Greg Keelor Announces New Album 'Share The Love' With Video For The First Single 'Wonder'


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Tanjung Beringin is een bestuurslaag in het regentschap Ogan Komering Ulu Selatan van de provincie Zuid-Sumatra, Indonesië. Tanjung Beringin telt 585 inwoners (volkstelling 2010).

Plaats in Zuid-Sumatra

redpajama_set_name: RedPajamaWikipedia


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Maciej de Miechów (Miechów, 1457 - Cracovia, 8 de septiembre de 1523) fue un erudito, profesor, historiador, cronista, geógrafo, médico, alquimista, astrólogo y canónigo polaco. Entre sus labores más notables, se desempeñó como erudito del Renacimiento en Polonia, profesor de la Universidad Jaguelónica y médico particular del rey Segismundo I Jagellón el Viejo.

Biografía
Nacido en la ciudad polaca de Miechów en 1457, Maciej estudió en la Universidad Jaguelónica (también conocida como la Academia de Cracovia), obteniendo su maestría en 1479. Entre 1480 y 1485 estudió en el extranjero y a su regreso se convirtió en profesor de su alma máter, donde ejerció como rector en ocho ocasiones  entre 1501 y 1519. Durante su trayectoria en la institución también ofició en dos ocasiones como vicerrector.

Su obra Tractatus de duabus Sarmatiis (Tratado de las dos sármatas) se considera la primera descripción geográfica y etnográfica exacta de la región de Europa oriental, aunque argumentaba que no existían cadenas montañosas en la zona, algo que años más tarde fue refutado con el descubrimiento de los Montes Urales. La obra sin embargo proporcionó la primera descripción sistemática de las tierras entre los ríos Vístula, Don y el mar Caspio. Este trabajo fue replicado por el cronista Jan Długosz y se encargó de popularizar en el extranjero el mito del sarmatismo: que la nobleza polaca (szlachta) son descendientes de los antiguos sármatas.

El tratado Chronica Polonorum (Crónica Polaca) se convirtió en la obra más amplia y desarrollada sobre la historia y la geografía polacas. Sus dos tratados impresos sobre medicina Contra pestem sevam regimen y Conservatio sanitatis se convirtieron en una guía para combatir las epidemias y sobre el beneficio de la sanidad.

También escribió otras obras, muchas de las cuales aparecieron sólo en manuscritos y no fueron impresos durante su vida, como su biografía de San Juan Cancio. Maciej falleció el 18 de septiembre de 1523 en la ciudad de Cracovia, capital del Reino de Polonia (periodo conocido como la Era Jagellón).

Obras destacadas

 Contra pestem sevam regimen, 1508;
 De sanguinis missione, 1508;
 Conservatio sanitatis, 1512;
 Tractatus de duabus Sarmatis Europiana et Asiana et de contentis in eis, 1517;
 Chronica Polonorum, impreso en 1919 y 1921.

Referencias

Enlaces externos

Historiadores de Polonia
Escritores de Polonia
Médicos de Polonia
Astrólogos de Polonia
Profesores de Polonia
Astrólogos del siglo XVI
Fallecidos en Cracovia
Polacos del siglo XV
Polacos del siglo XVI


This is the fourth installment of JK Rowling's Cormoran Strike series. The third was very dark and twisted but this one is back to being a story about Cormoran and Robin Ellacott, his detecting partner. There is so much going on in this plot! But I figured out who committed the murder but didn't have all the details so the ending was a surprise. And I want more!!!