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text:
How to contribute/ fiction V/FT
Oh ok we can leave midwinter out of the stories by author page then.
if we have the info here, we're fine.
https://www.orionsarm.com/page/490
06-16-2021, 08:16 AM (This post was last modified: 06-16-2021, 10:44 AM by Worldtree.)
(08-26-2020, 02:05 PM)Dfleymmes1134 Wrote:
(08-26-2020, 05:14 AM)Dfleymmes1134 Wrote: _____________
Orion's Arm is interested in your voice!
We are looking for long-form fiction, snapshots/ vignettes, nonfictional articles, and art submissions for Orion's Arm. Guidelines are as set forth below:
The Orion's Arm Universe Project seeks literate, strongly plotted science fiction stories between 1,000 and 10,000+ words, set at any time within the span of the Orion's Arm universe. Successful submissions will have original ideas, strong characterization, fidelity to the OA canon (as set forth at http://www.orionsarm.com), and appeal to the sense of wonder. Stories should be clear and understandable. Longer submissions can be considered for serialization and authors are welcome to publish them as standalone novels through a publishing service as well, with proper attribution.
Due to time or other constraints, many contributors may instead prefer to write vignettes or single scenes which can published as short OA fiction, or be added to Encyclopedia articles as snapshots or "historical primary source quotes" to expand the ground level view of the OA universe.
The Orion's Arm Universe Project encourages non-traditional forms of storytelling. Virtually any format, including (but not limited to) comics/manga, animations, hypertext, poetry, or music will be considered. Please bear in mind that technical dazzle is fun… but story is essential.
GENERAL POLICIES:
All submissions, regardless of genre, are subject to the following editorial policies:
Format: Submissions will be accepted via the OA Forum, specifically through the Creative Writing sub-forum or via email. Email submissions should be sent to OAoperations@gmail.com; with "Fiction Submissions" in the header, and with the article itself as an attachment in DOC or RTF format. In the event that we publish another book, submissions should include title, author's full name, address, contact information, and word count at the top of the story. Avoid the use of unusual fonts. Please include a brief bio and credits, if any, in the body of your email. Queries are welcome. Most writers find it helpful to brainstorm and test out ideas in the forums or on Discord before submitting any story drafts.
Comic, manga, and animation submissions should be complete and web-ready upon final submission though we encourage discussion of any rough drafts of plot or sketches in the forum beforehand. Where applicable, such final submissions should NOT rely upon browser-specific tags or plugins; Fiction in OAUP is meant to be read on a variety of browsers, including current versions of Chrome and Internet Explorer, older versions of those browsers, Mozilla, Opera, Safari and others.
Audio files must have contact information (see the instructions above) in the body of the email. Submit files in standard MP3 format.
Our goal is to respond within five to eight weeks after receiving a submission. Depending on numerous variables, however, it may take longer. Please give us ample time before inquiring about a submission's status. All submissions, whether fiction or nonfiction, are subject to spelling and grammar editing as well as to review for content. The Orion's Arm Universe Project retains the right to act as any other publication and decline submissions for either artistic or technical reasons.
Copyright and renumeration: (i'll definitely wait for more feedback about this part)
Articles published by Orions Arm Universe Project are published by permission of the authors. Fiction which has appeared in other venues can be considered for OAUP, if it can be adapted to fit OA canon, in accordance with the rights of the author and all prior publishers. Any fiction published in OA can be removed upon request of the owner, at which time electronic rights revert to the owner.
All articles based on the Orion's Arm canon are published in accordance with the Terms and Conditions of the OA project. In the event that negotiations for commercial rights to an author's work occur after publication, the Board of Directors of the Orion's Arm Universe Project is the point of contact for permission to use Orion's Arm material for commercial purposes.
Save as set forth above, all other rights are retained by the author.
Link to stories by Author https://www.orionsarm.com/xcms.php?r=oa-...=by-author
Link to voices future tense issues https://www.orionsarm.com/page/516
Link to writing help https://www.orionsarm.com/xcms.php?r=oa-links
<eventually> maybe a Link to writer's FAQ about questions like "achailects dominate OA and angelnets stop 99% of modern problems how do i write about anything??"
Back to How to Contribute
I can update the revision of Voices future tense since it's a simple copy paste here
onto this page
and we can update the copyright and renumeration later?
let me know if anyone has any objections
08-23-2021, 09:53 AM (This post was last modified: 08-23-2021, 09:54 AM by Drashner1.)
Feedback and some suggested wordsmithing below...
(06-16-2021, 08:16 AM)Dfleymmes1134 Wrote: Orion's Arm is interested in your voice!
We are looking for long-form fiction, snapshots/ vignettes, non-fiction articles, and art submissions for Orion's Arm. Guidelines are as set forth below:
Hm. Given that we have separate contribution guidelines for EG articles and artwork for the EG - do we want to also mention 'non-fiction articles, and art submissions' here? This made sense in the context of V:FT as a somewhat separate entity, but I'm not sure if it would potentially cause confusion now that V:FT is no longer a going concern. Also - technically all the EG articles are 'fiction' so perhaps we want to tweak the wording on that a bit.
That said - I can imagine circumstances in which we (the OAUP) might be asked to consider accepting a submitted article/whitepaper/essay that is not actually an EG article - meaning it is outside the fourth wall of the setting. I'm less clear on what the equivalent might be for artwork, but am inclined to think that if such exists it would be better/simpler to cover it in the Artwork Submission section to maintain a 'single source of truth'.
With that in mind, perhaps we should tweak the wording a bit to something like:
We are looking for narrative fiction, including short stories, novellas, novels, and snapshots/vignettes. We are also happy to consider non-fiction essays, whitepapers, and articles relevant to, but outside the 'fourth wall' of, the setting. Guidelines are as set forth below:
(06-16-2021, 08:16 AM)Dfleymmes1134 Wrote: FICTION:
The Orion's Arm Universe Project seeks literate, strongly plotted science fiction stories between 1,000 and 10,000+ words, set at any time within the span of the Orion's Arm universe.
I'd suggest that we not specify the lower word limit or else make it a much smaller number. A very very quick-n-dirty check indicates that a goodly number of our Snapshots fall well below 1000 words. Not quite sure how we would word such a thing if we decide to set no lower limit, though. Thoughts?
(06-16-2021, 08:16 AM)Dfleymmes1134 Wrote: Successful submissions will have original ideas, strong characterization, fidelity to the OA canon (as set forth at http://www.orionsarm.com), and appeal to the sense of wonder. Stories should be clear and understandable. Longer submissions can be considered for serialization and authors are welcome to publish them as standalone novels through a publishing service as well, with proper attribution.
Should we remove the bit about 'through a publishing service' as too specific? Wondering if that would make someone think they have to self-publish vs go through a conventional publisher or just post to Scribd or their blog or somesuch. I think the only thing we really care about in this instance is proper attribution, so should retain that part.
(06-16-2021, 08:16 AM)Dfleymmes1134 Wrote: Due to time or other constraints, many contributors may instead prefer to write vignettes or single scenes which can be published as short OA fiction, or be added to Encyclopedia articles as snapshots or "historical primary source quotes" to expand the ground level view of the OA universe.
Format: Submissions will be accepted via the OA Forum, specifically through the Creative Writing sub-forum, or via email. Email submissions should be sent to OAoperations@gmail.com; with "Fiction Submissions" in the header, and with the article itself as an attachment in DOC or RTF format. In the event that we publish another book, submissions should include title, author's full name, address, contact information, and word count at the top of the story. Avoid the use of unusual fonts. Please include a brief bio and credits, if any, in the body of your email. Queries are welcome. Most writers find it helpful to brainstorm and test out ideas in the forums or on Discord before submitting any story drafts.
I'd suggest that we remove mention of book publication guidelines. Those can be included in the relevant documentation if/when we publish another book. My thinking is to both avoid potential confusion about which guidelines pertain to books and which pertain to project submissions. Also, it is not impossible that by the time we are of a mind to do another book, the state of the art in the area of submissions will have changed such that instructions we put here now are out of date.
(06-16-2021, 08:16 AM)Dfleymmes1134 Wrote: Comic, manga, and animation submissions should be complete and web-ready upon final submission though we encourage discussion of any rough drafts of plot or sketches in the forum beforehand. Where applicable, such final submissions should NOT rely upon browser-specific tags or plugins; fiction in OAUP is meant to be read on a variety of browsers, including current versions of Chrome and Internet Explorer, older versions of those browsers, Mozilla, Opera, Safari and others.
Random thought - What about video files? And should those be mentioned above in the formats we are good with as well? Or should video (and maybe audio) guidelines be in their own separate sections?
(06-16-2021, 08:16 AM)Dfleymmes1134 Wrote: Our goal is to respond within five to eight weeks after receiving a submission. Depending on numerous variables, however, it may take longer. Please give us ample time before inquiring about a submission's status. All submissions, whether fiction or nonfiction, are subject to spelling and grammar editing as well as to review for content. The Orion's Arm Universe Project retains the right to act as any other publication and decline submissions for either artistic or technical reasons.
Articles published by the Orions Arm Universe Project are published by permission of the authors. Fiction which has appeared in other venues can be considered for the OAUP, if it can be adapted to fit OA canon, in accordance with the rights of the author and all prior publishers. Any fiction published in OA can be removed upon request of the owner, at which time electronic rights revert to the owner.
This mainly talks about the 'author' but in this last section there is mention of the 'owner'. Do we mean 'author' here and just need to tweak the wording? Or are we considering potential situations where the owner of a work's copyright might not be the author? For example, a publisher, a surviving spouse/dependent/family member, and estate, etc.? In which case - are there any other spots we need to user 'owner' wording? And do we need to specify what we mean by 'owner'? Or maybe stick to 'author' wording along with something like (or their designated agent/publisher/survivor/trustee/etc)?
Or am I overthinking this?
My 2c worth,
(editing in progress)
Dfleymmes1134 Wrote: _____________
The Orion's Arm Universe Project seeks literate, strongly plotted science fiction stories (removed word count) set at any time within the span of the Orion's Arm universe. Successful submissions will have original ideas, strong characterization, fidelity to the OA canon (as set forth at http://www.orionsarm.com), and appeal to the sense of wonder. Stories should be clear and understandable. Longer submissions can be considered for serialization and authors are welcome to publish them as standalone novels through a publishing service, or using self publishing, as well, with proper attribution.
" attribution"
Due to time or other constraints, many contributors may instead prefer to write vignettes or single scenes which can be published as short OA fiction, or be added to Encyclopedia articles as snapshots or "historical primary source quotes" to expand the ground level view of the OA universe.
Format: Submissions will be accepted via the OA Forum, specifically through the Creative Writing sub-forum, or via email. Email submissions should be sent to OAoperations@gmail.com; with "Fiction Submissions" in the header, and with the article itself as an attachment in DOC or RTF format.
In the event that we publish another book, submissions should include title, author's full name, address, contact information, and word count at the top of the story. Avoid the use of unusual fonts. Please include a brief bio and credits, if any, in the body of your email. Queries are welcome. Most writers find it helpful to brainstorm and test out ideas in the forums or on Discord before submitting any story drafts.
Audio files must have contact information (see the instructions above) in the body of the email. Submit files in standard MP3 or MP4 format.
Copyright and renumeration:
Articles published by the Orions Arm Universe Project are published by permission of the authors. Fiction which has appeared in other venues can be considered for the OAUP, if it can be adapted to fit OA canon, in accordance with the rights of the author and all prior publishers. Any fiction published in OA can be removed upon request of the owner/author, at which time electronic rights revert to the owner/author.
Haven't forgotten about this or the Memetics review/update - just limited time atm and trying to post what I can in the time available and with the amount of concentration I can bring to bear.
I'm taking tomorrow off and - although I've got a bunch of stuff to take care of - am hopeful I will also have time to do some deep dives into this stuff.
Thanks for taking this on!
Finally got time to read thru this and share thoughts and feedback.
Overall, I think this looks good, with only a few points of discussion or suggested tweaks coming to mind. Please see below...
We are looking for long-form fiction, snapshots/vignettes, nonfictional articles, and art submissions for Orion's Arm. Guidelines are as set forth below:
The Orion's Arm Universe Project seeks literate, strongly plotted science fiction stories set at any time within the span of the Orion's Arm universe. Successful submissions will have original ideas, strong characterization, fidelity to the OA Canon, and appeal to the sense of wonder. Stories should be clear and understandable. Longer submissions may be considered for serialization. Authors are welcome to publish their work outside of the Orion's Arm project with proper attribution. Please contact us directly, or via the Orion's Arm forum or Discord (Note - Maybe set these up as hyperlinks as well?) to inquire about attribution guidelines.
Due to time or other constraints, many contributors may instead prefer to write vignettes or single scenes which can be published as short OA fiction, or be added to Encyclopedia articles as snapshots or "historical primary source quotes" to expand the "ground level view" of the OA universe.
The Orion's Arm Universe Project also encourages non-traditional forms of storytelling. Virtually any format, including (but not limited to) comics/manga, animations, hypertext, poetry, or music will be considered. Please bear in mind that technical dazzle is fun… but story is essential.
I'm going to suggest that we remove this bit about publishing another book - since exact guidelines may change over time depending on factors outside our control, like whatever the publisher/publishing system we use requires. Rather, I'd suggest we figure out guidelines that are (hopefully) 'evergreen' and work with our current online format (e.g., we don't currently need someone's RL name or address), but which would dovetail easily (we hope) into the wider guidelines we would likely need to put in place if/when we publish another book and are looking at author's potentially getting paid and such.
I also don't want potential authors to interpret requirements for a published book as being our general requirement for any submitted fiction and hesitate to send us something because they are uncomfortable providing RL name and address info.
We could include wording to the effect that if/when we publish another book additional guidelines will be provided without getting specific.
Not entirely sure what 'general evergreen guidelines' would be off the top of my head other than word count and contact information (email being the big one). But something we can discuss.
Also, I'd suggest adding a header to separate out the part about comic/manga/animation/etc. from written submission just to make the space between them a bit clearer. Also, it looks like the guidelines for written fiction might differ from those for these other formats. So we might want separate guidelines in each section.
If we can create a set of 'universal' (and reasonably 'evergreen') guidelines across the board, perhaps put that info after this entire section (but before the copyright section) and focus the parts about literature and other formats on things like discussion in the forum and such?
(03-09-2022, 05:50 AM)Dfleymmes1134 Wrote: Comic, manga, and animation submissions should be complete and web-ready upon final submission though we encourage discussion of any rough drafts of plot or sketches in the forum beforehand. Where applicable, such final submissions should NOT rely upon browser-specific tags or plugins; content in the OAUP is meant to be read on a variety of browsers, including current versions of Chrome and Internet Explorer, older versions of those browsers, Mozilla, Opera, Safari and others.
Is IE still considered a going browser or should we remove it entirely? I ask because my work is in the throws of IE going away and my sense is that Edge or other things have replaced IE in the Windows universe. Thoughts?
Do we want to say anything in here about our use of English in British, Australian, and American flavors?
(03-09-2022, 05:50 AM)Dfleymmes1134 Wrote: Copyright and renumeration:
Material published by the Orions Arm Universe Project is published by permission of the authors. Fiction which has appeared in other venues can be considered for the OAUP, if it can be adapted to fit OA canon, in accordance with the rights of the author and all prior publishers. Any fiction published in OA can be removed upon request of the owner/author, at which time electronic rights revert to the owner/author.
All Encyclopaedia Galactica articles based on the Orion's Arm canon are published in accordance with the Terms and Conditions of the OA project. In the event that negotiations for commercial rights to an author's work occur after publication, the Board of Directors of the Orion's Arm Universe Project is the point of contact for permission to use Orion's Arm material for commercial purposes.
Back to How to Contribute[/size]
Re the links at the end - Generally agreed, although I'd suggest posting two separate links to the Worldbuilding and Fiction Writing Help pages of links instead of the wider Links and Extras page, just to make them a bit more direct to find. There's also no reason we couldn't also have a link to the Links and Extras page if we want.
Agreed very much with the idea of eventually creating a Writer's FAQ page.
(03-12-2022, 03:17 AM)Drashner1 Wrote: Finally got time to read thru this and share thoughts and feedback.
(03-09-2022, 05:50 AM)Dfleymmes1134 CHANGES to version..3? in red Wrote: Orion's Arm is interested in your voice!
Format: Submissions will be accepted via the OA Forum, specifically through the Creative Writing sub-forum, or via email. Email submissions should be sent to OAoperations@gmail.com; with "Fiction Submissions" in the header, and with the article itself as an attachment in DOC or RTF format. Please include a brief bio and credits, if any, in the body of your email, and avoid the use of unusual fonts. Queries are welcome.
Most writers find it very helpful to brainstorm and test out ideas in the forums or on Discord before submitting any story drafts, and we also strongly recommend this pathway for making sure stories follow OA canon.
In the event that we publish another book, additional guidelines will be provided for potentially submitted stories.
submissions should include title, author's full name, address, contact information, and word count at the top of the story.
(03-09-2022, 05:50 AM)Dfleymmes1134 Wrote: Comic, manga, and animation submissions should be complete and web-ready upon final submission- though we strongly encourage discussion of any rough drafts of plot or sketches in the forum beforehand. Where applicable, such final submissions should NOT rely upon browser-specific tags or plugins; content in the OAUP is meant to be read on a variety of browsers, including current versions of Chrome and Microsoft Edge, older versions of those browsers (Internet Explorer, etc), Mozilla, Opera, Safari and others.
Audio files and video files should be submitted on the OA forum or via email (see the instructions above) in the body of the email. Submit files in standard MP3 or MP4 format, or with a link to YouTube/ Vimeo.
I say mention any common browsers, so keep IE
(03-09-2022, 05:50 AM)Dfleymmes1134 Wrote: Our goal is to respond within five to eight weeks after receiving a submission. Depending on numerous variables, however, it may take longer. Please give us ample time before inquiring about a submission's status. All submissions, whether fiction or nonfiction, are subject to spelling and grammar editing as well as to review for content. The Orion's Arm Universe Project retains the right to act as any other publication and decline submissions for either artistic or technical reasons. Please specify if you use British, Australian, American, or other varieties of English, to help avoid spelling errors.
Editing this still in progress

redpajama_set_name: RedPajamaCommonCrawl


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text:
Haunted Washington D.C.
Washington D.C.'s Haunted Hotels
Most Haunted Hotels in Washington D.C.
Washington DC has a rich historical and political background behind it making it the ideal breeding ground for paranormal activity. It certainly does not disappoint and there are several haunted hotels to choose from if you don't mind sharing with a ghostly roommate! Book one of the below hotels on your visit to one of America's most haunted cities.
Let's explore the most haunted hotels in Washington DC.
4 - Hay Adams HotelBook Now
The Hay Adams Hotel is said to be haunted by the spirit of Clover Adams, the wife of the hotel's original owner Henry Adams.
According to the stories, Clover actually took her own life in the hotel sometime in 1885. That is why she is now tied to the hotel and wanders on the fourth floor. However, it might not be as simple as that because there are many who believe that Clover was murdered. She had some episodes of depression and had suffered a bereavement, but many people were surprised by her 'suicide' and whispered about murder!
Those who have encountered clover say that she is a sad ghost and is in no way threatening. She is often heard sobbing softly in guest rooms and stairwells.
There are also reports of a female voice asking 'what do you want?' when people are alone in their room. It is not just guests who have encountered Clover, some of the housekeeping staff say that she has hugged them and said their name when they are cleaning the rooms on the fourth floor!
Other strange activity that has been reported includes locked doors opening by themselves and clock radios turning on and off. The paranormal activity in the hotel increases in frequency at the beginning of December coinciding with Clover's death.
Learn more about the ghosts of the haunted Hay-Adams Hotel, Washington D.C.
3 - The Allen Lee Hotel
There is some debate over whether or not The Allen Lee Hotel is actually haunted! It is a relatively run-down hotel and it certainly looks as though it is a likely candidate for a ghost story. However, nobody can pinpoint why it is supposedly haunted! There are no confirmed ghost stories, but locals are frightened enough of the hotel that it has become custom for students from George Washington University to dare their friends to spend 10 minutes alone in the adjacent parking lot.
(The hotel is closed until further notice)
2 - The Mayflower HotelStay Here
The Renaissance Mayflower Hotel first opened in 1925. It is known affectionately as 'The Grande Dame of Washington DC' and it incorporates more gold inlay than any other building in America apart from the Library of Congress! It has an important place in political history in Washington DC.
The hotel was the venue of President Calvin Coolidge's Inaugural Ball on January 20, 1925. However, the president did not attend because he was in mourning for his 16-year-old son who had died of an infection a few days earlier. He has been quoted as saying that when his son passed away 'the power and the glory of the presidency went with him'.
So, what does this have to do with the haunting of the Renaissance Mayflower Hotel? Well, ever since that night on the anniversary of the inaugural ball, All of the lights in the hotel dim and flicker at 10 pm on the dot – the time when the first guests would have been announced. At the same time, the elevator sits unmoving on the eighth floor and only returns to the ground floor at 10.15 pm which is the time that Coolidge should have arrived at the party.
It is not clear if the spirit is said to be Coolidge himself, making good on the commitment he failed to fulfill in life, or if it is his son. Either way, it is very strange and difficult to explain!
Read more about the ghosts of the Mayflower Hotel
1 - Omni Shoreham HotelBook a Stay
The Omni Shoreham Hotel was built in 1930 and has overseen some key events throughout Washington DCs political history. It is also one of the most haunted hotels in Washington DC. In the early part of its history, the hotel was a residential hotel where people couple essentially move into a room as though it was an apartment.
Room 864 was occupied by one of the financial backers, Henry Doherty, and his family. However, soon after they moved in his daughter's nanny Juliette Brown collapsed and died from an unknown illness. A short time later, his daughter Helen also died and it was rumored that she took her own life. The couple immediately left, but the room was certainly not unoccupied.
Since the couple left, there were reports of strange activity in the room. Lights and appliances turn on and off by themselves, people feel cold rushes of air and there are unexplained noises in the room. The three-bedroom suite was renovated in 2000 and has been officially renamed 'The Ghost Suite'!
Read more about the ghosts of the haunted Omni Shoreham Hotel, Washington D.C.


Hello squad - I've been scouring these boards without any avail, hoping someone who had a similar experience could lend any suggestions.
However, after testing the start motor it began to make a rapid clicking sound. Almost like spinning a wheel (think wheel of fortune) or putting a baseball card between your bike spokes. This is now the norm whenever I attempt to start the engine via the yellow start button. I have also been having incredible trouble getting the bike to start via the kickstart (hundreds of buddy kick start vids watched) so have been unable to take it into my local shop.
Any info would be greatly apprecaited!
How often do you ride your Blur? What is the average distance of each trip? How old is the battery? Has the battery been tested under a load and not just a voltage check?
FWIW, the kickstarter in my Blur never really worked very well at starting the engine. I will probably remove the kickstart arm just to save a little bit of weight.
During the summer i'm riding daily. I just decided to get myself a new battery which totally fixed the cranking problem, cranks just fine now. However now it just continues to crank without starting. It's been about 3 months since last start so I'm going to wait for a warming day...but I'm starting to think it could be an issue with the fuel pump as I've heard it's a notorious Blur issue.
Blur 150's don't have a fuel pump, fuel is gravity fed. Between the fuel tank and carb is a fuel filter and vacuum actuated fuel petcock. The petcock can sometimes get gummed up and not open, but as long as theres fuel in the carbs float bowl the engine should at least start. Check to make sure theres fuel in the float bowl and if there is then check the ignition system. Don't forget to check the kill switch on the handlebar.
Wonderful news! I'll give that a go later today. I believe the person I was speaking with that mentioned the fuel pump issue was under the impression I had the 220i but either way appreciate the info babble, I'll let you know how my investigation turns out.
Quick question, is this fuel filter/petcock exposed or will I need to expose the fuel tank as shown in 120? I assume the diagram on 119 is for the 220i. Also, you think i'll need to drain the tank before performing the cleaning?
The fuel filter is underneath the fuel tank while the petcock is mounted on the frame, left side. Remove the pet carrier and you should be able to see it. No need to drain the tank, just pinch off the rubber fuel line with a clamp. I use a small locking plier (Visegrip) to do the job, just make sure it's not set so tight that it damages the rubber line.
That thing labelled "fuel pump" in the diagram you referenced is actually the fuel petcock. That diagram is for the Blur 150. The fuel pump for the 220i is in the fuel tank itself.
From your description of the problem, it sounds to me like your battery is dead. You can try recharging it to see if that solves your problem. If this doesn't help then I suggest getting a new battery. You can always try jump starting the engine by using jumper cables to a car battery. Just make sure the car's engine isn't running.
And BTW, I've never been very successful at starting my Blur using the kick starter either. In the ten or so years I've had my Blur, kick starting only worked a couple of times. Tried so many times that the gears for the kick starter is now stripped. That's OK, I don't kick start my car either.
Gotcha, I'll take a look today and attempt to clean out the petcock. I have a Blur 150 so was just a little confused as you mentioned the 150 doesn't have a true 'fuel pump' as the diagram appears to indicate, but good to know that is what I'll be looking for.
Unfortunately, the issue came about as I initially thought I needed a new battery. So I just forked over for a fresh one to have that piece of mind this year, unfortunately after replacing the battery it turns over just fine but just doesnt seem to fire up.
The geniune shop in my area has given me the standard 'you need to clean the carb' pitch but that was fully replaced/cleaned a month before putting it in to storage so I remain hesitant to just bite on the sell and see if I can't figure it out myself.
I haven't had any success with the kick start as well and at this point will likely just opt for transporting it to the shop w/ a Uhaul if cleaning that fuel petcock doesnt do the trick.
Thanks for the help Babble, i'll keep this thread updated as I get to work.
So i was able to clear out all the fuel lines, and that was unfortunately not the issue. Problem was more than likely caused by it sitting for a couple months over the winter...had the carb cleaned out and got myself a fresh battery for the season and she's back to running like normal.


text:
Worth driving to: Old Mission San Juan Bautista
Largest of the California missions was featured in Hitchcock movie "Vertigo"
Emily Morris2020-02-20T18:52:02-08:00February 21st, 2020|
Exterior of Mission San Juan Bautista Dave G. Houser/Getty Images
Name of Church Mission San Juan Bautista
Address 406 Second Street, San Juan Bautista, CA 95045
Website www.oldmissionsjb.org
Mass times Saturday vigil, 5 p.m. Sundays, 8:30 a.m., 10 a.m., noon (Spanish), 1:30 p.m. (Spanish) Daily, Wednesday – Friday, noon in the Guadalupe Chapel. (The Guadalupe Chapel is a smaller, 70-seat church which was used in the years the main church was being built, and was restored for use in 1997.)
Confessions 4 p.m. in the Guadalupe Chapel.
Names of priests Fr. Alberto Cabrera, pastor.
School No.
Special groups and activities Moms in Prayer group, Friday night adoration, rosary and Divine Mercy Prayer group.
Fellow parishioners English and Spanish-speaking communities.
Parking San Juan Bautista is a tourist town, so it gets crowded on the weekends. However, you should be able to find parking on the grounds or street. In the summer, a community festival may shut down the main street by the Mission.
Acoustics Good.
Cry room No. There's a garden area alongside the church you can take your children if they get noisy.
Additional observations Mission San Juan Bautista was founded by Fr. Fermin de Lasuen, successor to Blessed Junipero Serra, in 1797. It is the 15th of California's 21 Spanish missions. Work began on its church began in 1803; it was dedicated in 1812. It has been in continuous use since then. It is the widest of the mission churches, and the largest of the California missions. Other buildings on the ground include a barracks, convent and the Jose Castro House, which are located around a large grassy plaza. There is also a historic cemetery containing the remains of 4,000 Indians and Europeans. The Mission was prominently featured in the 1958 Alfred Hitchcock/Jimmy Stewart movie "Vertigo," although the bell tower that is part of the plot is a Hollywood creation. (But, you can still see the carriage and mannequin horse where Jimmy Stewart talks with Kim Novak.) Visit the gift shop to purchase mission-related and religious items or for tourist information. The historic grounds are open daily 9:30 a.m. – 4:30 p.m. Gift shop and tour information: (831) 623-4528. Take a video tour here: https://www.youtube.com/watch?v=MqdCokuZjTY.
Worth driving to: Sacred Heart Church, Palm DesertParish has old ties to Catholic celebrities and a Former Anglican priest as pastor
Worth driving to: Sacred Heart Church, Palm Desert
Parish has old ties to Catholic celebrities and a Former Anglican priest as pastor
Worth driving to: St. Anne Byzantine Catholic Church, San Luis ObispoBeautiful church that also welcomes Roman rite Catholics
Worth driving to: St. Anne Byzantine Catholic Church, San Luis Obispo
Beautiful church that also welcomes Roman rite Catholics
Worth driving to: St. Margaret Church, OceansideChurch has reverent Masses and a good homilist
Worth driving to: St. Margaret Church, Oceanside
Church has reverent Masses and a good homilist
November 25th, 2022 | 1 Comment
Worth driving to: St. Paschal Baylon ChurchPerpetual adoration chapel is open to the general public
Worth driving to: St. Paschal Baylon Church
Perpetual adoration chapel is open to the general public
September 2nd, 2022 | 15 Comments
Worth driving to: Holy Martyrs Church, MurrietaChurch of the Personal Ordinariate of the Chair of St. Peter; Mass is celebrated in English and ad orientem
Worth driving to: Holy Martyrs Church, Murrieta
Church of the Personal Ordinariate of the Chair of St. Peter; Mass is celebrated in English and ad orientem
July 22nd, 2022 | 13 Comments
Worth driving to: Monastery of the Angels, Los AngelesHollywood Hills monastery has three remaining nuns
Worth driving to: Monastery of the Angels, Los Angeles
Hollywood Hills monastery has three remaining nuns
July 8th, 2022 | 9 Comments
Anon. February 23, 2020 at 10:35 pm - Reply
I saw the movie "Vertigo," many years ago, several times– and had always wondered about the bell tower! So. It was a Hollywood creation? That explains it! Thanks!
Larry February 24, 2020 at 8:58 am - Reply
How beautiful and blessed it was a decade ago when Fr Millich was regularly celebrating the Traditional Latin Mass in that chapel on Sundays. And I recall a warm All Souls evening and confirmation with Bishop Garcia. After the ceremony in the chapel and before the generous reception, an angelic voice in the semi-darkness sang, a capella, Adoro te devote.
How unseemly that the Mass is not said and chanted these days in that beautiful, holy space where, for more than 200 years it was celebrated and loved. How to explain that? How to explain clerics who would put up obstacles to oppose such beautiful tradition? How to explain to the more than 4,000 souls whose bodily remains in the adjacent cemetery can no longer share those saving Latin prayers and chant?
helen wheels February 25, 2020 at 6:06 pm - Reply
Vertigo – back when the City was still beautiful
Mission Delores also in the film
Anonymous February 20, 2021 at 11:15 am - Reply
Beloved and beautiful mission. And never more beautiful in the last 50 years than when Fr Nicolas Milich was celebrating the Traditional Latin Mass there ten and eleven years ago. What decorum, what reverence, what a community. Memories that for me will last forever.


text:
Home > Blogs > Anita Sullivan > Blog-Home > Blog Archive
Anita Sullivan's (anitasullivan) Blog
By Anita Sullivan
Real Estate Agent - RE/MAX Suburban
Liberty Junior High School, Burbank, IL - February 2019
Liberty Junior High School, Burbank, IL - February 2019 About Liberty Junior High School Liberty Junior High School is a 7-8 school in District 111, and is located at 5900 W 81st Street in Burbank, IL. It services homes in Burbank. Average taxes $4,017 Average year built 1965 Homes for sale that...
Edward J Tobin Elementary School, Burbank, IL - February 2019
Edward J Tobin Elementary School, Burbank, IL - February 2019 About Edward J Tobin Elementary School Edward J Tobin Elementary School is a K,1-6 school in District 111, and is located at 8501 Narragansett Avenue in Burbank, IL. It services homes in Burbank. Average taxes $4,711 Average year buil...
Homes for Sale in Sugar Grove, Illinois - February 2019
Homes for Sale in Sugar Grove, Illinois - February 2019Sugar Grove is a far west suburban Chicago village in Kane County, Illinois, United States. According to the 2010 census, the population was 8,997.Sugar Grove currently has 60 single family homes with an average list price of $382,891 and 17 ...
455 W. St James, Lincoln Park, Chicago, Illinois - February 2019
455 W. St James, Lincoln Park, Chicago, Illinois - February 2019455 W. St James is a 28 unit condominium building built in 1970. 455 W. St James is located in the Lincoln Park neighborhood of Chicago. Average taxes in 455 W. St James $2,229 Average association fees in 455 W. St James $281 ($163 ...
Arthur Traube, Algonquin, Illinois - February 2019
Arthur Traube, Algonquin, Illinois - February 2019Arthur Traube is a single family home subdivision. Arthur Traube is located in Algonquin, Illinois west of Main Street and south of Edgewood Drive. Average taxes in Arthur Traube $0 Average association fees in Arthur Traube $0 Average home size i...
Coquille Point, Frankfort, Illinois - February 2019
Coquille Point, Frankfort, Illinois - February 2019Coquille Point is a single family home community built in the early 2000s by Highlander Development. Coquille Point features custom home ranging from 2,500 to 2,850 square feet. Coquille Point is located in Frankfort, Illinois north of Steger Ro...
Plum Grove Village, Rolling Meadows, Illinois - February 2019
Plum Grove Village, Rolling Meadows, Illinois - February 2019Plum Grove Village is a townhouse community built in the late 1960s. Plum Grove Village is located in Rolling Meadows, Illinois south of Euclid Avenue and east of Plum Grove Road. Average taxes in Plum Grove Village $4,206 Average asso...
Inverness on the Pond, Inverness, Illinois - February 2019
Inverness on the Pond, Inverness, Illinois - February 2019Inverness on the Pond is a single family home and town home community built in the 1980's by Hemphill Builders. Inverness on the Pond features 123 homes and 44 townhouses with floor plans ranging from 2,100 to 3,400 square feet of living ...
Crestview Knolls, Naperville, Illinois - February 2019
Crestview Knolls, Naperville, Illinois - February 2019Crestview Knolls is a single family home neighborhood built in the mid 1990's. Crestview Knolls is located in Naperville, Illinois north of 103rd Street east of Route 59. Average taxes in Crestview Knolls $9,672 Average association fees in Cr...
518 Winnetka, Winnetka, Illinois - February 2019
518 Winnetka, Winnetka, Illinois - February 2019518 Winnetka (Winnetka Belvedere) is a 10 unit condo building built in 2005. 518 Winnetka is located in Winnetka, Illinois on the southwest corner of Green Bay Road and Winnetka Avenue. Average taxes in 518 Winnetka $10,209 Average association fees...
Anita Sullivan
Find IL real estate agents and Naperville real estate on ActiveRain.


Metal Gear Informer… has changed.
That's right, you are now looking at Metal Gear Informer's new layout. After two years of a virtually unchanged look, we decided that it was time for a change. Due to how limited the previous theme was, and the fact that it wasn't supported anymore, we began looking for a new theme that would suit our demands of how we wanted the site to look.
Today also marks the fourth anniversary of Metal Gear Informer. On January 15th 2012 the site went online, and in the past four years it has grown into one of the largest Metal Gear fansites around. Thanks to everyone who has supported us over the years, we appreciate it! The past year has been our biggest year, with over 6 million hits.
The past few months people have asked us what was going to happen with the site now that Kojima has officially left Konami and Metal Gear is no longer his series. Our plans are to continue as we already have done: we are both going to cover Kojima Productions' projects as well as any Metal Gear news. In the meantime we will still be posting articles about the past Metal Gear games, the series as we know it may be over, but there's still plenty to talk about. Currently there are no plans to change the website's name. As of now Metal Gear is still the main focus, and changing a site name is not something that's recommended. But you never know what the future holds.
We are also wondering what your expectations for the website are. What would you like to see?
We hope you continue to enjoy the site, and to see you in the comment section!


text:
You are here: Home / News / Community / MTEMC teams with Tesla
Community, Cooperatives, Efficiency, News
MTEMC teams with Tesla
Middle Tennessee Electric selects Tesla battery to drive power savings
Murfreesboro – Middle Tennessee Electric (MTEMC) has teamed with Tesla, one of the most innovative technology companies in the energy industry, to test a new program intended to save its members money via a cutting-edge energy management process.
Middle Tennessee Electric has installed the latest Tesla Powerpack at one of their substations in Murfreesboro, TN. The Tesla Powerpack is a battery energy storage system (BESS) designed for a wide range of uses. In this pilot program, it will be used to reduce MTEMC's energy demand charges from the Tennessee Valley Authority (TVA) and improve demand response time to its members when additional energy is needed. "We're really excited about what the Tesla Powerpack allows us to do. It's yet another asset we can use to improve the quality of our system while being financially responsible stewards of our members' resources," says Chris Jones, MTEMC President/CEO.
The BESS's primary purpose will be to help reduce MTEMC's monthly wholesale electricity purchases during peak demand hours, a change that should result in saving the cooperative tens of thousands of dollars annually. This is done through a process called energy time shift for distributed generation. The process allows the BESS to be charged when TVA rates are lower during low usage hours and is then discharged when energy demand costs are higher. Middle Tennessee Electric members will benefit significantly because they will be billed based on the lower off-peak rates in effect when the BESS was being charged rather than the higher on-peak rates normally charged when the electricity is used during those peak hours.
In addition to saving the cooperative money, the Tesla Powerpack allows MTEMC to evaluate innovative energy technology and educate members about its Distributed Energy Resources (DER). "Education is another important benefit of the project. As with any new technology, there is a lot to learn as we educate our employees and members," says Avery Ashby, an MTEMC electrical engineer. "A better understanding comes from owning, operating and maintaining new technology, so we can advise our members to make informed decisions as more distributed energy resources are adopted in our service area." MTEMC currently operates a subscription solar power program called Cooperative Solar as another part of its DER offerings to members.
Jones continues, "We exist to serve our members by making their lives better. As one of the largest electric cooperatives in the nation, we are constantly looking for new ways to improve the reliability and affordability of electricity for our members, and the Tesla Powerpack allows us to realize those goals. Members should be focused on living their lives, not on the system powering them."
The deployment of Tesla technology is one of the latest innovations MTEMC has embraced in its role to be their members' trusted energy advisor and provider. MTEMC provides electricity and community programs to more than 500,000 Tennessee residents through 230,000 metered accounts. The MTEMC service area covers more than 2,100 square miles and is served by more than 12,000 miles of electric line across parts of 11 Tennessee counties including Cannon, Rutherford, Williamson and Wilson counties.
October 3, 2019 /0 Comments/by Trent Scott
https://www.tnelectric.org/wp-content/uploads/2019/10/2019-MTEMC-teams-up-with-Tesla.jpg 746 1500 Trent Scott https://www.tnelectric.org/wp-content/uploads/2017/07/TECA-logo-full.png Trent Scott2019-10-03 09:43:462019-10-03 09:44:13MTEMC teams with Tesla
Trevathan joins TECA team Twenty-nine projects completed on 2019 Day of Service


Sabha Airport is located in Sabha District, Libya. It is classed as a medium airport and as such only available to approved aircraft. SEB is the commonly known airport code and useful when searching for flights into and out of Sabha Airport.
Taminhint Airport is located in Sabha District, Libya. It is classed as a small airport and as such only available to approved aircraft.


text:
FinCanna Announces Extension and Repricing of Previous Convertible Debenture Financing and an Increase in the Convertible Debenture to Raise $2.5 million
June 25 | 2020
FinCanna Capital Corp. ("FinCanna") (CSE:CALI)(OTCQB:FNNZF), a royalty company for the U.S. licensed cannabis industry, announces amendments to the terms of its outstanding Convertible Debentures and Warrants and announces a new Convertible Debenture Financing.
Amendments to Outstanding Debentures and Warrants
The Company has received Debenture and Warrant Holder approval to amend the Convertible Debentures and Warrants as follows. The Maturity period for the Debentures and Warrants will be extended for an additional 24 months to January 10, 2023, and February 8, 2023, for the first and second tranches, respectively. The conversion price of the Debenture has been decreased from $0.20 to $0.15, the amount of debt that the Company can raise that will rank pari pasu with the Convertible Debentures has been reduced from $4,000,000 to zero and the Debenture Limit under the Trust Indenture has been increased from $4,800,000 to $7,300,000.
Debenture Financing
The Company now intends to raise $2.5 million by way of a new Convertible Debenture financing on the following terms:
The subscription price is $1,000 per Unit. The Debentures will mature on February 8, 2023, and will bear interest at 12% per annum, payable in cash or, at the option of the Subscriber, in common shares of FinCanna subject to certain conditions. The Debenture is convertible into Common Shares at CAD$0.15 per share. Subscribers for Debentures will receive 5,000 common share purchase warrants for each Unit of the principal amount of Debenture. Each Warrant will entitle the holder to acquire one Common Share of FinCanna for CAD$0.30 at any time up to the maturity date.
The FinCanna management team will subscribe for $500,000 principal amount of the Debentures.
FinCanna intends to use the net proceeds from the Convertible Debenture to fund ongoing working capital and general corporate purposes as well as selective royalty investment opportunities.
"It is great to see such strong support from several prominent debenture holders and from our management team for the restructuring of our previous convertible debenture and the additional funds to FinCanna." said Andriyko Herchak, CEO of FinCanna Capital. "This is a strong vote of confidence for what we've accomplished to date and for the future growth of our business."
This financing is expected to close on or before July 3, 2020. FinCanna will pay a cash finder's fee of 8% on a portion of the proceeds raised.
This press release does not constitute an offer to sell or a solicitation of an offer to sell any of the securities in the United States. The securities have not been and will not be registered under the United States Securities Act of 1933, as amended (the "1933 Act") or any state securities laws and may not be offered or sold within the United States or to U.S. Persons unless registered under the 1933 Act and applicable state securities laws or an exemption from such registration is available.
The Canadian Securities Exchange has in no way passed upon the merits of the amendments to the terms of the outstanding Convertible Debentures and Warrants and new Convertible Debenture Financing and has neither approved nor disapproved the contents of this press release.
About FinCanna Capital Corp.
FinCanna is a royalty company that provides growth capital to rapidly emerging private companies operating in the licensed U.S cannabis industry. The company earns its revenue from royalties paid by its investee companies that are calculated based on a percentage of their total revenues.
FinCanna's scalable royalty model provides an attractive alternative or complement to debt or equity financing for its investee companies. FinCanna is focused on delivering high impact returns to its shareholders by way of a strategically diversified investment portfolio.
For additional information visit www.fincannacapital.com and FinCanna's profile at www.sedar.com
Andriyko Herchak, CEO & Director
Arlen Hansen
Kin Communications
CALI@kincommunications.com
This news release contains forward-looking information based on current expectations. Statements about, among other things, the closing of the Convertible Debenture financing, expected terms and conditions of the Convertible Debenture financing, the completion, terms and size of the Convertible Debenture financing and the use of proceeds of the Convertible Debenture financing are all forward-looking information. These statements should not be read as guarantees of future performance or results. Such statements involve known and unknown risks, uncertainties and other factors that may cause actual results, performance, or achievements to be materially different from those implied by such statements. Such factors include but are not limited to the ability to find suitable subscribers for the Convertible Debenture and the risk that the Convertible Debenture financing will not close as currently contemplated, or at all. Although such statements are based on management's reasonable assumptions at the date such statements are made, there can be no assurance that the Convertible Debenture financing will occur or that, if the Convertible Debenture financing does occur, it will be completed on the terms described above and that such forward-looking information will prove to be accurate, as actual results and future events could differ materially from those anticipated in such forward-looking information. Accordingly, readers should not place undue reliance on the forward-looking information. FinCanna assumes no responsibility to update or revise forward-looking information to reflect new events or circumstances unless required by applicable law.
SOURCE: FinCanna Capital Corp.
https://www.accesswire.com/595172/FinCanna-Announces-Extension-and-Repricing-of-Previous-Convertible-Debenture-Financing-and-an-Increase-in-the-Convertible-Debenture-to-Raise-25-million
June 25, 2020 – 5:00 AM PDT
Request an Investor Kit:
By completing this form, you are giving consent to receive communication from FinCanna Capital Corp. using the contact information you provide. And remember you can unsubscribe at any time.


text:
Wieland, dans la mythologie des Saxons de Grande-Bretagne, est un dieu forgeron, tout comme dans la mythologie nordique Völund (Völunðr en vieux norrois) (Edda poétique). Il a joui d'une grande célébrité au Moyen Âge sous le nom de Galan, en ancien français.

Sources
L'orfèvre mythique du monde germanique est nommé Voļundr en vieil-islandais et Wēland dans les langues westiques. Cette légende des Germains de l'Est nous est indirectement attestée par un passage de la Vita sancti Severini (). S'étendant au monde anglo-saxon, plusieurs textes anglais (Beowulf, Complainte de Deor...) y font allusion. Mais il nous est connu essentiellement par le Chant de Völundr, qui fait de celui-ci un prince lapon, et par la Saga de Thidrek. Cette dernière lui conserve son nom d'origine basse-allemande: Vēlent.

Le premier témoignage littéraire concernant Wieland le forgeron provient d'Angleterre. Il s'agit d'un texte acéphale copié dans le Livre d'Exeter compilé vers 950-1000. En raison de la langue utilisé, les érudits pensent que le poème fut écrit entre le  et le . On a donné à ce texte anonyme le nom de Complainte de Deor ou Plainte de Deor. Il comporte des éléments absents des textes norrois. La diffusion précoce de la légende de Wieland en Angleterre est attestée par le coffret d'Auzon, réalisé sans doute en Northumbrie au , qui montre un épisode de la légende du forgeron.

La légende semble s'être diffusée à l'époque des grandes invasions, notamment avec les Francs, l'analyse philologique montrant un important substrat westique. On note ainsi l'importance de la diffusion du nom de Wieland sous des formes romanisées à partir de l'époque carolingienne. Comme anthroponyme, Galan et ses variants apparaîssent à Dijon en 877, Cluny en 878, en 952 à Metz et à Savigny. En Italie, on rencontre un Guelantus entre 802 et 805 à Farfa et un Walandus à Pavie en 996.

Étymologie
L'étymologie des deux noms est rattachée à un composé possessif *wē/alō-handu- « aux bonnes mains », une désignation formulaire typique du « feu artiste »

Légende

Völund avait deux frères, Egil et Slagfidur (ou Slagfin). Dans l'une des versions du mythe, les trois frères découvrirent des valkyries, des princesses-cygnes, en train de se baigner. Pour ce faire, les trois valkyries, Œlrun, Alvit et Svanhvit, avaient ôté leurs habits de cygne. Les trois frères cachèrent ces habits, empêchant les trois princesses de s'enfuir en s'envolant, et ainsi purent les épouser. Quelques années plus tard, les trois princesses retrouvèrent leurs costumes de cygne et disparurent. Les deux frères de Völund partirent à leur recherche, tandis que lui resta. Dans une autre version, Völund épousa la femme-cygne Hervör et eut un fils avec elle, Heime. Hervör le quitta un peu plus tard. Dans les deux versions, il se retrouva seul mais garda une bague de son mariage. Dans le premier mythe, il forgea sept cents copies de cet anneau.

Par la suite, il fut capturé pendant son sommeil par le roi Nidud de Suède. Pour l'empêcher de s'enfuir, Nidud lui fit couper les tendons de la jambe et l'emprisonna sur l'île de Saeverstod. Il le força à forger des pièces pour lui et sa famille. La bague de Völund fut offerte à sa fille, Bodvild. Nidud, lui, prit son épée.

Pour se venger, Völund tua les deux fils de Nidud venus le voir en cachette. Il fit des gobelets avec leurs crânes qu'il offrit au roi, des bijoux avec leurs yeux, qu'il offrit à la reine, et une broche avec leurs dents, qu'il offrit à leur fille. Quand celle-ci vint le voir à son tour, il la séduisit, la met enceinte, puis s'enfuit grâce à des ailes qu'il s'était confectionnées.

Dans la légende allemande, il est dit qu'il forgea une épée pour son fils Heime, qui fut maniée par Miming puis par Hod. On dit aussi qu'il est le Prince des Alfes noirs, de Svartalfheim.

Il est aussi associé à la Forge de Wieland, un tombeau funéraire dans le Comté d'Oxford. Ce monument mégalithique fut ainsi nommé par les Saxons, mais il leur est largement antérieur. De cette assimilation vient la superstition selon laquelle un cheval laissé une nuit entière avec une petite pièce d'argent (groat) serait retrouvé le lendemain complètement ferré, la pièce ayant disparu…

Il est l'idéal nordique de l'ingénieur.

Interprétation
Le forgeron Wieland / Völund est très proche du dieu romain Vulcain et encore davantage du dieu grec Héphaïstos. Il est initialement un dieu : le poème éddique qui lui est consacré figure dans le cycle mythologique et non dans le cycle héroïque. Il est dit « Prince des Alfes ». Tout comme leurs homologues grecs et romains, Wieland / Völund sont d'anciens Feux divins et leur légende reprend plusieurs images héritées : dans le poème éddique, Völund est dit sédentaire avant même d'être mutilé, représentations typiques des feux du foyer et de la forge souvent décrits comme faibles et démunis, leur survie dépend de celui qui l'entretient. Néanmoins, paradoxe du feu, s'ils sont liés au foyer, leur flamme s'élève dans les airs (après s'être vengé en tuant les deux fils et en déshonorant la fille, il s'enfuit dans les airs).

Postérité littéraire
L'anthroponomastique montre que le personnage est suffisamment connu et estimé pour que l'on donne son nom à des clercs comme à des laïcs. Sa popularité est également attestée par la littérature, puisque sur 203 chansons de geste françaises et provençales, le forgeron divin apparaît dans 22. Wieland / Galan est ainsi présent dans Le Roman de Thèbes, rédigé vers 1150 dans le sud-ouest de la France, dans la Chanson d'Antioche et la Chanson de Jérusalem, composées respectivement vers 1125-1150 et 1180-1200. En Espagne, la Gran Conquista de Ultramar, compilée entre 1295 et 1312 évoque Galan maestro de Toledo. L'historiographie également n'ignore pas le personnage et Adémar de Chabannes évoque dans son Chronicon, rédigé entre 1024 et 1029, une épée faite par Wolandus faber.

Bibliographie

 Jean Haudry, Le feu dans la tradition indo-européenne, Archè, Milan, 2016, , p.322-326.
 Claude Lecouteux, , Nouvelle École, , 2014.
 Claude Lecouteux, Wieland le forgeron, in Contes, diableries et autres merveilles du Moyen-Âge, Imago, 2013
 Jean-Marie Maillefer, « Essai sur Völundr-Weland : la religion scandinave ancienne a-t-elle connue un dieu forgeron? », in Lecouteux et Gouchet (ed), Hugr, P.U.P.S., 1997, p.331-352

Références

Voir aussi

Articles connexes
 Wieland le forgeron est un personnage des bandes dessinées Fables de Bill Willingham.
 La Völundarkvida, ou Völundarkviða en vieux norrois (« Chant de Völund »), est un poème de l'Edda poétique racontant l'histoire du forgeron Völund.
 Panthéon de la mythologie nordique
 Mythologie nordique
 Héphaïstos
 Forgeron

Liens externes
 Site en anglais sur Wayland the Smith
 Austin Simmons, The Cipherment of the Franks Casket (PDF)
 Article du Wikipédia anglais sur le tombeau funéraire Wayland's Smithy

Divinité nordique

redpajama_set_name: RedPajamaWikipedia


text:
require File.dirname(__FILE__) + '/../../spec_helper'
require 'cuke-inspector/formatter/pickle_sanitizer'
require 'pickle' # pickle is required to run the test suite

module Cucumber
  module Formatter
    describe PickleSanitizer do
      describe "when pickle is not loaded" do
        before do
          Gem.stub!(:available?).with('pickle').and_return false
        end

        it "returns any regexp string unmodified" do
          regexp_string = "a user exists with name: \"??\""
          PickleSanitizer.unpickle(regexp_string).should == regexp_string
        end

        it "never creates a pickle parser" do
          Pickle::Parser.should_not_receive(:new)
          PickleSanitizer.unpickle('foo')
        end
      end

      describe "when pickle is loaded" do
        before do
          PickleSanitizer.reset
          Gem.stub!(:available?).with('pickle').and_return true
          @parser = mock('pickle parser')
          @parser.stub!(:capture_model).and_return 'mock capture model'
          @parser.stub!(:capture_fields).and_return 'mock capture fields'
          @parser.stub!(:capture_factory).and_return 'mock capture factory'
          @parser.stub!(:capture_plural_factory).and_return 'mock capture plural factory'
          @parser.stub!(:capture_predicate).and_return 'mock capture predicate'
          Pickle::Parser.stub!(:new).and_return @parser
        end

        it "creates a pickle parser with a new config" do
          mock_config = mock('pickle config')
          Pickle::Config.stub!(:new).and_return mock_config
          Pickle::Parser.should_receive(:new).with hash_including(:config => mock_config)
          PickleSanitizer.unpickle('foo')
        end

        it "only creates a pickle parser once" do
          PickleSanitizer.unpickle('foo')
          Pickle::Parser.should_not_receive(:new)
          PickleSanitizer.unpickle('foo')
        end

        it "maps a model capture to a placeholder" do
          @parser.stub!(:capture_model).and_return('stubbed model capture regexp')
          regexp_string = "this is a stubbed model capture regexp example"
          PickleSanitizer.unpickle(regexp_string).should ==
            "this is a \#{capture_model} example"
        end

        it "maps a fields capture to a placeholder" do
          @parser.stub!(:capture_fields).and_return('stubbed fields capture regexp')
          regexp_string = "this is a stubbed fields capture regexp example"
          PickleSanitizer.unpickle(regexp_string).should ==
            "this is a \#{capture_fields} example"
        end

        it "maps capture_factory to a placeholder" do
          @parser.stub!(:capture_factory).and_return('stubbed factory capture regexp')
          regexp_string = "this is a stubbed factory capture regexp example"
          PickleSanitizer.unpickle(regexp_string).should ==
            "this is a \#{capture_factory} example"
        end

        it "maps capture_plural_factory to a place holder" do
          @parser.stub!(:capture_plural_factory).and_return('stubbed plural factory capture regexp')
          regexp_string = "this is a stubbed plural factory capture regexp example"
          PickleSanitizer.unpickle(regexp_string).should ==
            "this is a \#{capture_plural_factory} example"
        end

        it "maps capture_predicate" do
          @parser.stub!(:capture_predicate).and_return('stubbed predicate capture regexp')
          regexp_string = "this is a stubbed predicate capture regexp example"
          PickleSanitizer.unpickle(regexp_string).should ==
            "this is a \#{capture_predicate} example"
        end

        it "maps capture_predicate even if it has changed" do
          predicate_example = "((?:position[_ ]by[_ ]type|respond[_ ]to[_ ]without[_ ]attributes|invalid|publishing[_ ]enabled|attribute[_ ]present|nil|updated[_ ]at|acts[_ ]like|first[_ ]item|present))"
          @parser.stub!(:capture_predicate).and_return(predicate_example)
          regexp_string = "this string contains a simple predicate capture ((?:position[_ ]by[_ ]type|respond[_ ]to[_ ]without[_ ]attributes|invalid|publishing[_ ]enabled)) just before here"
          PickleSanitizer.unpickle(regexp_string).should ==
            'this string contains a simple predicate capture #{capture_predicate} just before here'
        end
      end
    end
  end
end

redpajama_set_name: RedPajamaGithub


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Mega Power Star Ram Charan's Vinaya Vidheya Rama finished the hunt for the item girl for their film. They have approached Ileana for that but later changed their plan since he is demanding a huge pay cheque. They also approached Rakul Preet Singh and Shruti Hassan but their call sheets are not available.


Ms. Acevedo serves as Town Attorney for the Town of San Anselmo. Ms. Acevedo has significant experience advising and representing local municipalities. She has provided guidance to city officials and staff concerning a broad range of subjects, including the California Environmental Quality Act (CEQA), land use, and open meeting law requirements. In addition, Ms. Acevedo has represented public entities in litigation involving CEQA, public contract disputes, and eminent domain actions. Ms. Acevedo also litigated cases on behalf of the People of the State of California as a Deputy Attorney General for the California State Attorney General's Office.
Ms. Acevedo received her J.D. from the UCLA School of Law in 2003 as part of the Public Interest Law and Policy Program. Before attending law school, Ms. Acevedo worked as a Program Assistant for a nonprofit environmental law firm. In 1995 Ms. Acevedo received her B.A. in American Studies from the University of California, Santa Cruz with highest honors. Ms. Acevedo grew up in Mill Valley and she now lives in Corte Madera with her husband and two children.


Talking Streets at Open Streets Mitchells Plain explored the disconnection between transport policy and culture, and the importance of factoring memory, creativity and social cohesion into transport planning and implementation.
Will you make it your New Year's resolution to join us on your bicycle on the road?
On 27 January 2019, Bree Street will become Open Streets...a day full of colour, activity and self-propelled mobility.
Executive Mayor Dan Plato will formally open the collaborative community day. He will be joined by a few other surprise special guests throughout the day.


The far-reaching utilization of internet and it's ever intensifying requirement in our culture is utterly unparalleled Lots of people are making use of tons of information found online based upon their needs. These days, almost everyone belonging to any age group is able to get any type of information at the drop of a hat. Yet how can you put this on your side to making money online.
The present internet development has a flip-side to that. Far, a good deal of us might just have the impression that being seated in front of our computers and laptops, is just making us consumers of information. Yet, this is not quite the case! As a matter of fact, online world has emerged as a great source to make online money.
If you have been thinking ways about getting extra income, this particular blog will hopefully be of an immense help for you. Here, I am detailing certain means with which you are able to keep your cash-flow undisturbed. These are simple but reliable strategies that require no big investment to start with. You, however, have to have a number of skills so as to leverage them to your reward.
Web blog content writing has turned into one of probably the most reliable means of generating passive income nowadays. Despite the fact that it takes a while but the rewards are tremendous. If you are going to start your blog site as soon as today, you will most likely have to wait for a few months or even a year before you see any kind of revenue coming in. No one can stop you from monetizing your skills if you are specialized in a particular topic or you have an expertise in a specific domain.
There are many blogging platforms where you can post your blogs. For example, WordPress.org, WordPress.com, Blogger, Tumblr, Medium, Squarespace, etc are some of the widely used platforms. You can choose any of these platforms (I will personally recommend WordPress) and register your domain name and hosting. After designing your blog, you can then add posts and pages.
Should you already have a solid expertise about a topic or a skill set and want to communicate this in successive chapters and installments, putting together an online course would certainly be the very best proposition for you. Online courses are significantly emerging as sought-after because students and learners find them really convenient in regards to availability, convenience and because they can possibly do it in their own time.
So, just how do you establish your internet-based course? Well, you can easily find many networks where you can put your training programs available for sale, for example, Skillshare, Udemy, Click4Course, and WizIQ, etc. You can upload your courses in any of these platforms and establish your personal price points. Whenever an individual purchases the course, you get a specified amount of it.
how and what you do with your YouTube channel as it is the top video platform throughout the internet today. There are many YouTube stars who have already accomplished it and are earning millions of dollars. However, I can not offer any guaranteed assurance that you will become one but, I can promise you taking modest steps your online videos can generate income for you.
people will enjoy and share, you can publish it on YouTube. There certainly are certain aspects that you will have to focus on if you want people to watch and like your videos. To begin, it should have a captivating headline. Secondly, it needs to have ideal audio, light, resolution and clarity. Additionally, share your videos on every one of your active social media sites.
efficient means to start making money online.
If you are looking forward to become an affiliate, you will have to market products or services as well as a online web sites to generate a specific amount as a commission from sales produced. Affiliate marketing has turned into a crucial source of online profits for thousands of people all over the world..
So, how will you do affiliate online marketing?
Brand New Affiliate Marketers Playbookt ..
Discover Why Affiliate Marketing As You Know It Is DEAD..


Uruguay won an arbitration case against US tobacco giant Philip Morris, which sued the state claiming its strict anti-tobacco law harmed the cigarette maker's business, both sides said. "The Uruguayan state has emerged victorious and the tobacco company's claims have been roundly rejected," Uruguayan President Tabara Vasquez said in a televised address. Philip Morris reacted by saying "we respect" the verdict, which is binding in any case.
Officials from the cities of Strasbourg and Lyon are pressing France to wrest the European Medicines Agency (EMA) from London following Britain's vote to leave the European Union. The EMA approves medicines for all EU countries and employs 890 people including temporary staff. Philippe Richert, president of Grand Est regional council in eastern France, urged President Francois Hollande in a July 1 letter to call for the EMA to be headquartered in Strasbourg.
Brazilian President Dilma Rousseff vowed to "win the war" against the Zika virus, but some experts criticized her government's response and warned the Olympics could fuel the disease's spread. The tropical virus is blamed for cases of brain damage in babies as it sweeps through Latin America, and Rousseff, whose government is deploying 220,000 soldiers to help eradicate the mosquitoes that transmit it, likened the outbreak to a battle. Rousseff and US President Barack Obama agreed Friday to launch a high-level bilateral group to develop a vaccine.
By Karolos Grohmann ATHENS (Reuters) – This year's Olympic Games in Rio de Janeiro will be successful despite the country's financial and political turmoil which have made final preparations harder, International Olympic Committee President (IOC) Thomas Bach said on Wednesday. Brazil is faced with a severe economic downturn, having been awarded the Olympics with the country experiencing a financial boom back in 2009. "It is, as you know, six months before the Olympic Games and it is the most difficult time to prepare for Games," Bach, speaking at the Greek Olympic Committee headquarters, told reporters.
By Will Dunham WASHINGTON (Reuters) – House of Representatives Speaker Paul Ryan on Sunday ruled out working with President Barack Obama on overhauling U.S. immigration policy, saying it would be "a ridiculous notion" to pursue legislation because Obama cannot be trusted on the issue. Republicans have fought Obama's unilateral steps that bypassed a gridlocked Congress to try to shield millions of illegal immigrants from deportation. Obama's executive orders, announced last November but put on hold by the courts, would let up to 4.7 million illegal immigrants stay without threat of deportation.


Scene shall be marked in a visible way by using the triangle reflector, etc..
Curious people shall be kept away from the scene.
In case of gas leaking, necessary prevention shall be taken to avoid poisoning.
The scene shall be ventilated.
Any kind of lightning or call bleep which may cause spark shall not be used.
Sick/wounded shall not be moved.
Sick/wounded shall be checked in terms of vital signs (A, B, C).
Sick/wounded shall be evaluated in terms of fracture and bleeding.
If sick/wounded is unconscious, anything oral shall not be given.
Sick/wounded shall be kept warm.
Medical assistance shall be called.
Sick/wounded shall be taken care with gentle and tolerant, anxiety shall be eliminated.
Sick/wounded shall be prevented from seeing her/his own wound.
Information about sick/wounded and scene should be recorded,.
Shall wait on the scene until medical assistance arrives.
Perks of being a parent in your 20s.


text:
Porte: Tour Down Under was a goal, but now I want Paris-Nice
Australian tips Froome as the man to beat at the Tour
Richie Porte (BMC Racing) in the Tour Down Under ochre leader's jersey (Image credit: Tim de Waele/TDWSport.com)
Chris Froome (Team Sky) and Richie Porte (BMC) (Image credit: Tim de Waele/TDWSport.com)
Richie Porte (BMC Racing) (Image credit: Tim de Waele/TDWSport.com)
Richie Porte (BMC Racing) stayed safe during the final stage (Image credit: Tim de Waele/TDWSport.com)
Fran Ventoso (BMC) keeping Richie Porte safe during the final stage of the Tour Down Under (Image credit: Tim de Waele/TDWSport.com)
Due to an extended break from racing, Richie Porte (BMC Racing) has had several weeks to watch his Tour de France rivals in action, but next month the Australian returns to competition at Paris-Nice, where he will go up against Alberto Contador (Trek-Segafredo) for the first time this year.
Porte sets down Tour de France marker with home win
Ochowicz: Paris-Nice will give a clearer indication of Porte's form
Porte still top of WorldTour standings after Cadel Evans Great Ocean Road Race
Porte primed for European success after training block on home roads
Contador: Froome is Tour de France favourite, Quintana is taking a risk
Porte opened his 2017 account in fine fettle in January with two stage wins and the overall title at the Tour Down Under. The win marked his first GC success in the race, but it was the manner of his comprehensive victory that stood out. He won both hilltop finishes and was head-and-shoulders above the opposition.
Bar the Cadel Evans races, Porte has spent the last few weeks training in Tasmania and he only returned to Europe last week, with Paris-Nice his next target.
"Tour Down Under was a big goal but I want to win Paris-Nice. It's a race I'm easily motivated for. There's no time trial up Col d'Èze but we've still got the one to Mont-Brouilly. I wouldn't say that I'm in my top condition yet but I still think that there's time," he told Cyclingnews from his base in Monaco.
Porte's season is focused on the Tour de France, and he will race sparingly in the build up with Paris-Nice followed by Catalunya, Tour of Romandie, Criterium du Dauphine and then the Tour. Considering he took several months off after crashing out in the Olympic Games in August of last year, it is a relatively light schedule when compared to a number of his rivals.
That said, Porte and BMC Racing go to each of his 2017 races with the desire to win.
"There's always pressure with the team," he adds.
"Whether you arrive at a race and the team says it's a goal or not, it's always a goal. I love Paris-Nice and it's a stage race that I'd love to try and win for a third time."
Porte's recent break from racing has allowed him to switch off but he has still kept tabs on some of his closest Tour rivals. Former teammate Chris Froome was unable to retain his Herald Sun Tour victory from last year, while Contador narrowly missed out on victory at the Ruta del Sol.
"With Froome you don't know but he tends to come out swinging around Romandie," Porte said.
"As for me, I've had two weeks of not doing too much. I've taken it easy but that's been good because I feel a lot fresher now that I've started training again. I still rode my bike and did a bit of swimming but just didn't have such a strict regime with the diet."
Diet and weight are two key elements for any professional rider, and Porte believes that he still has a few kilos to lose before July. He looked as lean as he ever has done at the Tour Down Under last month, but the Australia admitted that he has been lighter in the past.
"People say I was lighter this year, but I wasn't. The scales don't lie, and in 2015 I was a kilo lighter than I was this year. I don't really weigh myself too much, but obviously if you look at pictures of myself from my neo-pro years I've lost weight, but that comes with learning how about your body and how to diet. I'm good at that now. I'm still a good two kilos off my Tour weight. I think I rode it last year at around 58 kilos, so there's still a bit more to come off."


text:
Lucy Foley is a No.1 Sunday Times bestselling author. Her contemporary murder mystery thrillers, The Hunting Party and The Guest List, have sold over a million copies worldwide and also hit the New York Times and Irish Times bestseller lists. The Guest List was a Waterstones Thriller of the Month selection, a Reese's Book Club pick, it was chosen as one of The Times and Sunday Times Crime Books of the Year, and it won the Goodreads Choice Award for best mystery/thriller.
Lucy's novels have been translated into multiple languages and her journalism has appeared in publications such as Sunday Times Style, Grazia, ES Magazine, Vogue US, Elle, Tatler and Marie Claire. Lucy lives in Brussels with her husband their baby son.
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Is there a "Natural Allergist" / Natural Allergy Testing?
If you are looking for the best allergist–Los Angeles, or best allergist in Beverly Hills, there are some things you should consider: Will the allergist be testing for environmental toxins like lead or arsenic? Typically, food allergy testing, or food sensitivity testing, does not consider these metal toxins.
Will the allergist be checking for the root causes of symptoms mimicking allergies? Some root causes of "allergy" include: parasites, chemical intolerance, and adverse reactions to food that are not considered to be food allergies. If the allergist will not be checking for these, then you need an alternative to a conventional Los Angeles allergist.
Ideally, you would want your Los Angeles allergist to consider the environmental toxins that might be affecting you. Some "adverse reactions" are not considered to be a true allergy because they do not trigger certain parts of the immune system. Some people are allergic to weight loss, but it is more of an intolerance than an allergy. Many food intolerances are not considered to be true food allergies, but can give symptoms mimicking environmental allergies: like chronic fatigue, itching skin, acne, skin outbreaks, insomnia, forgetfulness, bloating after meals, IBS, indigestion, depression, dizziness and vertigo, headaches, asthma, or migraines.
What is the point of going to an allergist in Los Angeles or a Beverly Hills allergist who does not even consider some toxins most commonly found in the Los Angeles water supply? Do you think you are not exposed to those toxins because you drink filtered water? Any food you eat that has been processed with tap water will contain the toxins that contaminate the water supply.
method is totally non-invasive and comfortable. Here in Beverly Hills, Los Angeles, we have an effective holistic method of kinesiology testing to uncover the true causes of your allergies, or allergy-like symptoms. This unique kinesiology testing method is not a blood test. There are no needles. However, we may order specialized allergy blood tests for you after your second visit, such as the food allergy tests available through Cyrex Labs that can check for immune intolerance to foods, or cellular food sensitivity tests through ALCAT.
Conventional blood tests and skin allergy testing can miss many things to which you are allergic. Kinesiology allergy testing—like we do, can be much more sensitive for you. That's why we always start with kinesiology testing first. The scope of allergies we address here in Beverly Hills is much wider than what is usually labeled as allergies. We check for the most common health barriers, some of which are not included in the tests a Los Angeles allergist performs.
? Will the allergist prescribe drugs that mask the allergy symptoms temporarily? People diagnosed with asthma are often given steroid inhalants when the doctors are running out of options in their limited tool box of pharmaceuticals. You can't stay on steroids for long without having long-term detrimental effects to your overall health. The same goes for allergy treatment medicines, which are toxins themselves. You need to get natural allergy treatment solutions.
Your alternative to chronic allergy treatment: What you need is a "natural allergist," if there were such a thing, or a Los Angeles allergist who would use nutrition and natural solutions. For supportive allergy care, our health optimization program is totally natural. It is an alternative to toxic anti-allergy treatment. We never use any drugs to cover-up your symptoms. Instead we may use nutritional purification methods to help you rebuild and repair your body.
After we discuss your concerns with you, you will know if you are with the best allergy doctor for your needs. Then, you can make your own decision to continue to the next step, and let us help you reach your allergy-free goals, naturally. Contact us today to request your initial appointment.


text:
<?php
namespace SCSS\EnrollmentBundle\Controller;

use Symfony\Bundle\FrameworkBundle\Controller\Controller;
use Sensio\Bundle\FrameworkExtraBundle\Configuration\Route;
use Sensio\Bundle\FrameworkExtraBundle\Configuration\Template;
use Symfony\Component\HttpFoundation\Request;
use SCSS\EnrollmentBundle\Entity\PasselEnrollment;
use SCSS\EnrollmentBundle\Form\Type\PasselEnrollmentType;
use Pagerfanta\Pagerfanta;
use Pagerfanta\Adapter\DoctrineORMAdapter;

class PasselEnrollmentController extends Controller
{
    /**
     * @Route("/", name="scss_passel_enrollment_index")
     * @Template("SCSSEnrollmentBundle:PasselEnrollment:index.html.twig")
     */
    public function indexAction()
    {
        // get route name/params to decypher data to delimit by
        $query = $this->get('doctrine')
            ->getRepository('SCSSEnrollmentBundle:PasselEnrollment')
            ->createQueryBuilder('l')
            ->orderBy('l.updated, l.name', 'ASC');

        $pager = new Pagerfanta(new DoctrineORMAdapter($query));
        $pager->setMaxPerPage($this->getRequest()->get('pageMax', 5));
        $pager->setCurrentPage($this->getRequest()->get('page', 1));

        return array(
          'passel_enrollments' => $pager->getCurrentPageResults(),
          'pager'  => $pager
        );
    }

    /**
     * @Route("/{slug}", name="scss_passel_enrollment_show")
     * @Template("SCSSEnrollmentBundle:PasselEnrollment:show.html.twig")
     */
    public function showAction($slug)
    {
        $passel_enrollment = $this->getDoctrine()
            ->getRepository('SCSSEnrollmentBundle:PasselEnrollment')
            ->findOneBySlug($slug);

        if (!$passel_enrollment) {
            $this->get('session')
                ->getFlashBag()->add(
                    'error',
                    'no matching passel_enrollment found.'
                );
            $this->redirect($this->generateUrl('scss_passel_enrollment_index'));
        }

        return array('passel_enrollment' => $passel_enrollment);
    }

    /**
     * @Route("/new", name="scss_passel_enrollment_new")
     * @Template("SCSSEnrollmentBundle:PasselEnrollment:new.html.twig")
     */
    public function newAction(Request $request)
    {
        $passel_enrollment = new PasselEnrollment();
        $form = $this->createForm(new PasselEnrollmentType(), $passel_enrollment);

        if ("POST" == $request->getMethod()) {
            $form->handleRequest($this->getRequest());
            if ($form->isValid()) {
                $em = $this->getDoctrine()->getEntityManager();
                $em->persist($passel_enrollment);
                $em->flush();

                $this->get('session')->getFlashBag()->add(
                    'success',
                    'passel_enrollment created.'
                );

                return $this->render(
                    'SCSSEnrollmentBundle:PasselEnrollment:show.html.twig',
                    array(
                        'passel_enrollment' => $passel_enrollment
                    )
                );
            }
        }

        return array('form' => $form->createView());
    }
}