text:
Q: Trying to understand the limits of 'T extends infer U' I've understood that something like:
type GenericExample<T> = T extends (infer U) ? U : 'bar';

is equal to:
type GenericExample<T> = T extends T ? T : 'bar';

But when stuff becomes more elaborate, TypeScript complains:
type Types = 'text' | 'date' | 'articles' | 'params';

type MyExperiment<Type extends Types> =  { t : Type };

type MyExperimentsUnion = Types extends (infer U) ? MyExperiment<U> : never;
// Type 'U' does not satisfy the constraint 'Types'.
// Type 'U' is not assignable to type '"params"'.

So I'd like to ask why this is wrong: in this particular case distribution over union should take place, so the inferred U type should be text, then date and so on.
So, what does T extends (infer U) really mean and when it would be appropriate to use it?

A: I don't think it was meant to be used the way you are using it - basically infer should be used in order to "infer" (or to resolve maybe better naming?) type, most commonly from a generic.
The way you are using it, you are creating a type that doesn't have any "dynamic" part (basically it's not generic), meaning it's always the same, and therefore inferring from something that is always the same doesn't make sense. Because at compile time you already know that Types extends only Types & '...anything else', and since you can't define that other part in your MyExperimentsUnion type, infer doesn't have much of a use.
Example usage
interface Action<T> {
    payload: T
}

type ExtractGeneric<T> = T extends Action<infer X> ? X : never

function getPayload<T extends Action<any>>(action: T): ExtractGeneric<T> {
    return action.payload;
}

const myAction = { payload: 'Test' };
const myPayloadWithResolvedType = getPayload(myAction);

In the example above myPayloadWithResolvedType would have string as resolved type, because if you weren't using infer, you'd have to pass that return type as second parameter probably like this:
function getPayloadNonExtract<T extends Action<U>, U>(action: T): U {
    return action.payload;
}

Here is the link to the playground.
Cheers.

A: I know that this was asked 1 year ago, but for anyone who is late to the party, here it is.
I can't figure out how I missed this since it's right there in the docs, but as all of us here are in the same boat, let's see what's going on (starting from your code).
type Types = 'text' | 'date' | 'articles' | 'params';

type MyExperiment<Type extends Types> =  { t : Type };

// We can drop the parentheses around "infer U" as they do nothing here
type MyExperimentsUnion = Types extends infer U ? MyExperiment<U> : never;
// Type 'U' does not satisfy the constraint 'Types'.

In your code, you only capture Types using the infer keyword, but that doesn't tell typescript anything about U, so even though you will see this:
type foo = Types extends infer U ? U : never;
// foo will show up as 'text' | 'date' | 'articles' | 'params'

And wonder "Well, isn't U then of type 'text' | 'date' | 'articles' | 'params'? Why is it not assignable to MyExperiment<>?". My guess* is that the union type is only resolved at the end of the conditional, so it is not technically available when you assign it as a type parameter to MyExperiment<>.
If you wanted to do this with infer and distribute the type, you would have to add an extra condition, to constrain U at that time, to ensure that it is available as the correct type when you use it as a type parameter in MyExperiment<>.
type MyExperimentsUnion =
    Types extends infer U ?
        U extends Types ?
            MyExperiment<U>
        : never
    : never;
// MyExperiment<"text"> | MyExperiment<"date"> | MyExperiment<"articles"> | MyExperiment<"params">

Your example, however, could be also done like this
type MyExperimentsUnion<T extends Types = Types> = T extends any ? MyExperiment<T> : never;
// When you use MyExperimentsUnion with no type parameter, it will be
// MyExperiment<"text"> | MyExperiment<"date"> | MyExperiment<"articles"> | MyExperiment<"params">

* I am explicitly stating that it is my guess because I haven't really studied how TypeScript evaluates this.

A: It's probably not worth more than two cents but:
type Types = 'text' | 'date' | 'articles' | 'params';
type MyExperiment<Type extends Types> =  { t : Type };

type MyExperimentsGenericUnion<T extends Types> = T extends (infer U) ? MyExperiment<U> : never;
// same error

type MyExperimentsUnionConstraint = any extends MyExperiment<infer U> ? MyExperiment<U> : never;
// no error

I can think of a few reasons why MyExperimentsUnionConstraint works but MyExperimentsUnion doesn't, but I don't have the in depth language knowledge to express them so that it makes sense.
To give an explanation by example:

*

*in MyExperimentsUnion, from Types extends U, U could be inferred as Types | 'bla' and then MyExperiment<Type | 'bla'> doesn't work.

*in MyExperimentsUnionConstraint, U can only be inferred as something that works with MyExperiment


US-based MRO AAR is now offering HALT (highly accelerated life testing) and HASS (highly accelerated stress screening) to third parties.
The firm, which also manufactures metal parts and assemblies for OEMs, will now offer reliability testing to suppliers of electrical, electronic and electromechanical products for the aerospace sector, alongside offering technical support services and consultation on stress profiles.
AAR also plans to offer additional engineering services in the future, including: fixture design and build; test design and part monitoring; post-test reporting; physics of failure modelling; and "design for reliability" consultation.


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The ECB also reports that interest rates are rising for smaller loans and falling for larger ones.
According to this, EMU average interest rates are now falling on SME loans (see circled area). But the ECB says that average interest rates on new lending to non-financial corporations are rising. How do we explain this discrepancy?
I've outlined in red those that correspond to the "EMU average" line on the chart. For those loans, the average interest rate has indeed fallen, both month-on-month and year-on-year. But overall, the composite cost of borrowing is rising, not falling. There is nothing to be cheerful about yet.
However, despite its limited data set, this chart is still informative - indeed fascinating. Firstly, average interest rates on this particular subset of MFI loans to German, French and Spanish SMEs are falling, but Italy seems to be heading in the opposite direction. This is probably due to its government shenanigans. It's hardly a stable political situation.
Secondly, there is evident credit bifurcation. The "EMU average" SME interest rate does not exist in reality: SMEs in core countries benefit from lower interest rates, while those in periphery countries suffer much higher rates. This is also consistent with lending volume figures that show rapidly falling lending volumes in periphery countries. Basically, banks don't want to lend to SMEs in periphery countries, and if they have to, they charge high rates.
Clearly, the financial crisis took its toll. Corporate defaults have been rising since 2008. In Spain's case, the sharp rise in defaults in 2008-9 is undoubtedly due to the collapse of its construction bubble. But it's hard not to draw the conclusion that deepening recession in all three countries since 2011 is increasing corporate defaults and therefore raising the risk of lending to SMEs. The ECB raised interest rates in 2011, which may have triggered a rise in corporate defaults, but when the ECB cut interest rates again the corporate default rate did not fall back, and neither did interest rates to SMEs. Evidently any banks still lending to periphery SMEs simply used the rate cuts as a means of increasing margins, rather than reducing rates to borrowers.
Banks are certainly under pressure to reduce higher-risk lending and improve their capital positions. The forthcoming Asset Quality Review is the latest in a long line of attempts to cajole or coerce banks into cleaning up their balance sheets. Unfortunately SME lending, which is generally fairly high-risk, tends to be badly hit when bank regulation is being tightened. And lending to SMEs in damaged periphery countries is about the riskiest form of lending there could be. No wonder SME lending volumes in periphery countries are falling off a cliff and interest rates are much higher than in core countries.
To terminate these firms in a misguided belief that capital and labour needs to be reallocated would be to kill the next generation of firms and undermine the process of creative destruction.
If it is true that the combination of recession, fiscal austerity measures and tightening of bank regulation is causing a severe credit crunch for periphery SMEs, then it seems appropriate for targeted support for SME lending in periphery countries to be provided at EU level, most appropriately by the ECB. After all, both sovereign and bank reforms are being done at the behest of the European Commission with the intention of restoring sustainable growth in the long-term. Killing off the very companies that will be needed to secure that sustainable growth is folly.
There is a desperate need to ease credit conditions for SMEs in periphery countries. The slight easing of interest rates on certain categories of loan for Spanish SMEs is welcome, but it is nowhere near enough. The EU must find ways of improving access to finance for SMEs in periphery countries. The future of those countries, and perhaps even of the Eurozone itself, depends on them.
In view of the ballooning levels of private sector debt we've seen in recent decades, and to which Adair Turner amongst others has objected, I've got doubts about the wisdom of effecting stimulus by encouraging yet more debt.
I suggest the EZ copies the US, and spends more base money into it's economy.
As there is no banking procedure by which the ECB could do it , it would have to be more like the Funding For Lending scheme.
Dinero, If you're saying base money can't get out into the real economy, that's a common belief with which I disagree. To illustrate….
If I sell Gilts worth £X (say as part of the QE operation) I get a cheque from the Bank of England for £X which I deposit at my commercial bank, which in turn presents the cheque to the BoE, who in turn credit the commercial bank (in the BoE's books) with £X. I.e. the commercial bank's reserves rise by £X. Now that dollop of dinero / money (excuse my Spanish) is very much mine to use or spend anyway I want, isn't it?
Strictly speaking I don't have direct access to base money or reserves. But the reality is that I do: it's just that my commercial bank acts as a go-between or agent for me in "my dealings" with the BoE.
But that is not base money is it. In your illustration you explicitly said " I get a cheque" so that is not base money that is checking account , personal current account money M2.
Your original point was about government spending. You suggested it would stimulate the economy if the government did some spending and thus put money into peoples current accounts which they would then do some spending in turn. That's not base money that personal current account checking account money M2.
M2 isn't used in the UK. There is M0 which is monetary base, and M4, which is deposits at commercial banks.
Re the rest of your comment, you are still assuming that a given chunk of money has to be M0 or M4 (what you call M2). In fact a given chunk of money can be BOTH M0 and M4 at the same time. Here is a quote from Richard Lipsey's text book which makes the same point as I made above.
That £1m is both monetary base and M4 or "checking account" money.
Well Ralph they are the same thing or more accurately base money follows deposit account transactions if the transacting banks choose to use crest or chaps. But the point is no one can spend base money, the government cannot "spend more base money into the economy".
Whoever the group pick needs to be someone with that vital ability to genuinely lead and engage and encourage the group's staff in a way that has been sadly lacking.
A version of this post appeared on Pieria in December 2013.
In my post "The desert of plenty", I described a world in which goods and services are so cheap to produce that less and less capital is required for investment , and so easy to produce that less and less labour is required to produce them. Prices therefore go into freefall and there is a glut of both capital and labour. This is deflation.
There are two kinds of deflation. There is the "bad" kind, where asset prices go into a tailspin and banks and businesses fail in droves, bankrupting households and governments and resulting in massive unemployment, poverty and social collapse. America experienced this in the Great Depression and narrowly avoided it in the Great Recession. More recently, at least one European country has felt the effects of this catastrophe.
For over a century now, the world has lacked a genuinely international means of payment. This is partly due to decisions made at the Bretton Woods conference in 1944, when the US dollar was adopted as the principal international settlement currency, rather than John Maynard Keynes's suggestion of an independent global currency that he called "bancor". Although the Bretton Woods gold-backed structure ended in 1971, the US dollar became ever more dominant.
In 2008, the dollar's global reach enabled an American financial crisis to spread to the entire world, causing a deep recession and long-lasting malaise. Ever since, there has been a deep longing for a more stable international financial system, one which didn't depend on debt, wasn't dominated by the US and was immune to political whims. Some have called for a new Bretton Woods, or even for the return of the classical gold standard.
How many countries can really claim to have full monetary sovereignty?
The simplistic answer is "any country which issues its own currency, has free movement of capital and a floating exchange rate." I have seen this trotted out MANY times, particularly by non-economists of the MMT persuasion. It is, unfortunately, wrong.
6. The Government does not borrow in any currency other than its own.
This appears solid. But in fact, it too is wrong.


Xavier James is shocked when he runs into the first man who ever broke his heart. His ex-boyfriend has only gotten sexier over the past decade, but Xavier isn't about to go down that road again. When they cross paths at the hospital's urgent care clinic, where Xavier is doing a student nursing rotation, it's more difficult to dismiss the man. Thrown together by work and forced into close quarters, a visit to memory lane is incredibly tempting.
Dr. Trent Cavendish made a huge mistake when he walked away from the love of his life at age 18. When his best friend suddenly dies 12 years later, it rattles Trent into seeing just how empty his life has become. Determined to go back to the moment he put himself on the path to ambition over happiness, he walks away from the OR and takes a temporary position in his hometown. It's time to make amends to the man he left behind.
Instead of the sweet but tame guy he left behind, Trent runs into a smoking-hot Xavier James dressed in bits of lace and silk at a gay nightclub. He never knew he had a fetish for a man in delicate clothing until now. His plan to earn Xavier's forgiveness immediately shifts to lust, and love's not far behind. But Xavier is wary of this new Trent Cavendish. The villain of his memories is considerate and kind, but Xavier wants to be more than a new goal to chase.


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Gurgaon Metamorphosis from an economical wasteland to an It hub in just two decades is nothing short of remarkable.
with the inception of it companies,Gurgaon also called millennium city has become most sought after destination of residential as well as commercial properties.so much that is often showcase as symbol of rising India.
The city has emerge as darling of property investors and real estates companies. so what drives investments in gurgaon ? Real estates agents across the city agree that seem less connectivity and availability of social amenities is acting as a catalyst in attracting investment across the board.
city has undergone a lot of infrastructural upgrade in past couple of year that has directly enhanced return on investment (ROI). and is further accelerating the growth in the region the area such as Sohna road, Dwarka expressway and golf course extension road. are few areas that are currently seeing high real estates activity.
Gurgaon market has witnessed a gradual shift from affordable housing to luxury segment.the precession of sturdy wealth has led to rise the affluent classes,which has turn gurgaon the ultimate destination for luxury living.
what are Payment Plan and their types ?


Marvel at fascinating rock formations on the coast, tour rural Taiwan and release a lantern into the sky for good luck.
Experience some of Taiwan's most celebrated settings, remarkable for their natural and cultural significance. Starting from your base in Taipei, you'll embark on a full-day tour of the island's northern coast. Don't forget your camera — the landscape here is famed for the striking hoodoo rock formations found in postcard-perfect Yehliu Geopark. Continue to Pingxi, where you'll release a lantern into the sky. This town hosts an annual festival that features lanterns and fireworks.
Up for more sightseeing? You'll have ample leisure time to further explore Taipei at your own pace!
•	Yehliu Geopark, on Taiwan's northern coastline, is home to distinctive geological structures known as hoodoo stones. The most notable one is called Queen's Head Rock.
•	Near your hotel is Chiang Kai-shek Memorial Hall, a famous monument built in memory of the former president.
•	In Taiwan, it is believed that letting a lantern float away is like sending good wishes into the sky.
•	Full-day Taipei tour; includes transportation and gratuities for tour driver and guide.
•	Welcome fruit and mineral water upon arrival.
•	4 breakfasts, 1 lunch and 2 dinners.
Airfare is not included in the trip price! The closest commercial airport to the hotel is Taiwan Taoyuan International Airport (TPE), approximately 27 miles (43 kilometers) away. We highly recommend that you purchase travel insurance for any trip.
Taiwan Taoyuan International Airport (TPE) to the hotel on February 18 at 10 a.m., 1 p.m. or 4 p.m.
The hotel to Taiwan Taoyuan International Airport (TPE) on February 22 at 9 a.m., 11 a.m., 1 p.m. or 3 p.m.
To arrange your airport transfers, please submit flight details HERE by February 4.
This trip will close by January 15.
Rich in Chinese and Japanese cultures, indigenous diversity and Western influences, Taiwan is a fascinating country and a study in contrasts. While the country's passion for its ancestry and heritage remains strong, the Taiwanese are a forward-thinking people, boasting top-notch public education, freedom of the press, accessible health care and more. And despite its small size, Taiwan plays a large high-tech role in the global economy as the producer of the majority of the world's personal computers.
The capital of Taipei is the perfect jumping-off point for exploring the ruggedly beautiful scenery and ethnic diversity of the country, which features a vast array of natural and cultural discoveries that can be found nowhere else. Even more, politeness, honor and respect for elders are prime concerns in Taiwan, courtesies also extended to its many visitors.
On top of other exciting excursions, Platinum Members will be treated to an exclusive, per-person visit to Taipei 101 Observatory on Day 2. This structure features one of the world's fastest high-speed elevators — one that travels up 89 floors to the Observatory. From there, take in the panoramic views of the city and, perhaps, Xiangshan (Elephant Mountain) in the distance.
Day 2: Platinum excursion to Taipei 101 Observatory; includes transportation and gratuities.
• 7:30 p.m.: Pickup from a local restaurant and transfer to Taipei 101 Observatory.
•	8-9 p.m.: Visit the Taipei 101 Observatory and see the sights of the city — and beyond!
•	9:30 p.m.: Return to the hotel.
Arrive at the airport and meet our representative for your transfer to the hotel (representative available from 9 a.m. – 6 p.m.).
Transfer to the hotel at 10 a.m., 1 p.m. or 4 p.m.
6-9:30 p.m.: Buffet welcome dinner at the hotel.
8:30 a.m. – 8:30 p.m.: Full-day Taipei tour; includes lunch, dinner, transportation and gratuities for tour driver and guide.
•	8:30 a.m.: Pickup from the hotel.
•	9:30 a.m.: Visit Yehliu Geopark.
•	Noon: Chinese-style, set-menu lunch at a local restaurant.
• 2:30 p.m.: Visit Jiufen Old Street and enjoy a shuttle bus ride, then transfer to Pingxi.
•	3:30 p.m.: Release a flying lantern in Pingxi.
•	6:30 p.m.: Chinese-style, set-menu dinner at a local restaurant.
•	7:30 p.m.: Transfer back to the hotel.
•	8:30 p.m.: Arrive at the hotel.
Transfer to the airport at 9 a.m., 11 a.m. 1 p.m. or 3 p.m.
Sheraton® Grand Taipei Hotel offers an ideal base for visitors ready to embrace the vibrant energy of downtown Taipei. Several top attractions are within walking distance, including Chiang Kai-shek Memorial Hall and Huashi Street Night Market. Nearby Taipei Main Station lies at the intersection of the red and blue lines of the Mass Rapid Transit system — an easy way to explore more of the city sights.
•	7 restaurants, 1 deli and 1 lounge.
•	Seasonal outdoor pool with sun deck.
•	Spa, sauna and whirlpool (usage at an additional cost).
•	Fitness center with complimentary fitness classes.
•	Self-parking: 100 Taiwanese dollars per hour; 2,400 Taiwanese dollars per day.
•	Valet parking: 200 Taiwanese dollars per hour.
•	50-inch (127-centimeter) LED television with remote control and pay-per-view channel options.
Name Change Policy: Name changes must be done no later than January 15, 2019 and are subject to a US$50 name change fee. Name changes after this date are not allowed.


text:
RAFI OTT partners with GCash for reforestation project
by Press Release on March 26, 2021 12:04 pm on March 26, 2021
With the Philippines being one of the most severely deforested countries in the tropics due to climate change, the private sector and civil society are working together to urgently address this massive threat to humanity.
As part of its mission to encourage more people to become biodiversity champions, the Ramon Aboitiz Foundation, Inc. (RAFI), through its biodiversity conservation arm One To Tree (OTT), has partnered with Globe Fintech Innovations, Inc. (Mynt), the company behind the digital financial services provider GCash, through its mobile application GCash Forest.
With over 33 million users, over 86K partner merchants, and more than 1 million social sellers throughout the country, GCash Forest gives its users the power to reduce their carbon footprint, reforest the Philippines by planting and growing trees virtually, and empower local communities.
To implement this project, Mynt and RAFI-OTT will partner to reforest areas in Carmen, Cebu, with 300,000 fruit-bearing trees and timber within five years. This partnership is set to increase watershed forest cover and contribute to biodiversity enhancement.
It will also support two partner communities in Carmen, namely Nagkahiusang Mag-u-uma sa Communal in Brgy. Caurasan and Libuton Farmer's Association in Brgy. Liburon. Mynt and RAFI-OTT will collaborate with these partners on mechanisms to enhance sustainability of the tree growing initiative, including community mobilization, production of native tree seedlings, timber and/or agroforestry development or enhancement training, and maintenance and monitoring. This will also create an opportunity for alternative sources of income for the farmers.
"We welcome RAFI as our GREEN partner to achieve our goal in making the Philippines "greener" for our future generations to experience through GCash's innovative cashless technology. We also commit to creating the so called "lazy enviromentalists" into active and committed "green heroes" caring immensely for the environment strating in the Visayas but nationwide," said Martha Sazon, President and CEO of GCash.
Amaya Aboitiz, President and CEO of RAFI said, "Both Mynt and RAFI, through its One To Tree program, recognize the importance of finding ways to include and engage more people in the process of restoring our forest cover. This partnership will give those who may not be able to physically go out and plant or care for indigenous trees the opportunity to contribute to this effort – from wherever they may be."
One To Tree (RAFI-OTT, formerly known as RAFI Biodiversity Conservation Unit (BCU)), has been active in reforestation and conservation for over two decades and has achieved a more than 80% survival rate for tree growing. RAFI-OTT also assists companies in the service delivery of Environmental Compliance Certificate requirements set by the Philippine Government, as well as helping them achieve their carbon sequestration and biodiversity conservation goals.
For more information on the Ramon Aboitiz Foundation, Inc. (RAFI) One To Tree program, visit www.onetotree.org, www.rafi.org.ph, or www.facebook.com/rafi.org.ph.
BusinessEntrepreneurship
Smart partners with Lamac cooperative, enables Cebu farmers
by Press Release on March 27, 2021 12:10 am on March 27, 2021
PLDT's wireless unit Smart teams up with one of the country's largest cooperatives, the Lamac Multi-Purpose Cooperative (LMPC). The partnership, which makes Smart the newest…
Visayan Electric maintains ISO certifications for QMS and EHSMS
True to its commitment to be a world class electric utility, Visayan Electric Co., Inc, successfully maintained its Integrated Management System (IMS) certifications for ISO…

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Euproctis abythosticta är en fjärilsart som beskrevs av Collenette 1947. Euproctis abythosticta ingår i släktet Euproctis och familjen tofsspinnare. Inga underarter finns listade i Catalogue of Life.

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Abstract art is often misunderstood as it is most often non-representational and the viewers don't quite know what is in front of them. At first glance, the work of Margaret Neill is simply an exploration of the possibilities of the line, but, when given a second or a third look, it is clearly an entire world described through those exact lines. The viewers are invited to join in her expedition as she discovers and portrays her relationship with time and space. She observes the patterns, both natural phenomena and human-made, such as weather patterns, maps or buildings, and transforms them into artworks that are complex, but also serene and in the state of constant flux.
The drawing was the starting point and still is the main part of Neill's work. Black and white introduced her into the world of art. Surroundings are transformed onto the paper and canvases as the viewers clearly feel all of the artist's past experiences and sense the never-ending passing of time. The most important things for an artist are to have a lot of curiosity and to find a vision, no matter how much time it takes. Paper, linen, and canvas serve as a surface for Neill as she applies various mediums, such as colored pencil, charcoal, paint, and graphite. The whole process relies on intuition and is embedded in the artist's personal experience, which is sublimated and appears through drawing and painting. She simply let the forms arrive.
Margaret Neill received her BA from Hiram College, Hiram, OH, in 1978, and her MFA in Painting from Brooklyn College, New York, in 1984. She relies on instinct when creating art. It was the long rides in Ohio while she was a child, observing contours of the car and watching landscapes as they turn into something blurry that first gave Neill the idea that she could be an artist. Since then, art has become the best way to communicate with people around her. Also, it is a perfect way to really know yourself, to understand all the feelings and thoughts. Her artworks are included in many prestigious collections: Yale University Art Gallery, Chicago Museum of Contemporary Art, The New York Public Library, and many more, as well in numerous private collections.
Neill relies on instinct and intuition and communicates with those around her in a way that she thinks is the most honest of them all – her art. From the childhood memories to the patterns only observable when a viewer reaches a certain age, her artworks are a summarization of her personal experiences that reach sublimation through the processes of painting, and especially drawing. Neill's art dances on the delicate line that separates the 'detective' that carefully investigates forms of her surroundings and the artist with primal urges to express herself through the best means possible, combining the two to create amazing artworks.
She is represented by IdeelArt gallery in London, UK.
Margaret Neill lives and works in Brooklyn, New York.


Savepoint failed with error "Checkpoint expired before completing"
- Operator parallelism is also 10.
While trying to run savepoint on this job, it runs for ~10mins and then throws following error. Looks like checkpoint default timeout of 10mins is causing this. What is recommended way to run savepoint for such job? Should we increase checkpoint default timeout of 10mins? Also currently our state size is 100GB but it is expected to grow unto 1TB. Is flink good for usecases with that much of size? Also how much time savepoint is expected to take with such state size and parallelism on Yarn? Any other recommendation would be of great help.
org.apache.flink.util.FlinkException: Triggering a savepoint for the job 434398968e635a49329f59a019b41b6f failed.
Next by Date: flink-1.6.2 in standalone-job mode | Cluster initialization failed.


A dozen straight-backed men in uniform red waistcoats over starched cream kurtas are ready to greet me outside. The President, I'm informed, is not quite ready so I am led to the staff office for a "tea break" with a group of army officers who make up his presidential office team. Musharraf's personal assistant, a dashing, grey-haired, light-eyed naval commander, and a jovial head of security, also a young army officer, joke that the delay is just an excuse for them to do a little preparatory brainwashing.
A bright yellow cake, some intimidating-looking chicken vol-au-vents and chai (milky tea) are wheeled in. Major Qureshi, Musharraf's Alastair Campbell, tucks in happily and regales me for an hour with stories about Soviet-era Pakistani military triumphs and the magnanimity and general excellence of his boss. "Any country in the world would like to have this person as their leader," he tells us proudly.
After an hour I am shown into a huge sitting room, divided in the middle by a latticed wood screen to segregate ladies from men at more formal functions. Musharraf enters. The last time I saw him in the flesh he was in his full army regalia. Somehow his civilian clothes have diminished him. I find his brown business suit and dainty penny loafers which have replaced the sturdy army boots almost unsettling. He seems to have lost both height and swagger. And his body language seems just a touch defensive. The immaculate hair also troubles me. Boot-polish black, artfully grey at the temples, it shows signs of some work.
I start the interview on an unfortunate note. "Given that the last time you saw me, I was protesting outside No 10, I'm grateful that you've granted me this opportunity. It's quite a coup." Bad word. There's a moment's silence while it hangs in the air.
He goes on. Mindful that I have only limited time and that there's a man in uniform sitting at the back of the room already checking his watch before I've even asked my first question, I politely interrupt. I remind him that when I first met him he too was an idealist. There is strange symmetry to this visit. I last met Musharraf three days before the last elections in 2002. And now here I am, five and a half years on, three days before elections on Monday. Back then, especially when Musharraf first came to power, I was a somewhat naive supporter. Selfishly, I was relieved when he succeeded came to power by military coup on 12 October 1999. Nawaz Sharif, the prime minister he deposed, had tried to have me jailed on trumped-up, politically motivated charges of smuggling a non-bailable offence in Pakistan.
I suspect it was to intimidate my ex-husband, who at that time was a noisy critic. I had scarpered to London before I could be arrested and was able to return with my two children to Pakistan six months later only after Musharraf seized power and the charges against me were duly dropped. More importantly, though, Musharraf took over with the express aim of cleaning up Pakistani politics. He despised the corrupt politicians as much as anyone. He immediately set up his own national accountability bureau and declared that his mission was to hold the corrupt accountable.
I'm also disappointed, I tell him. The corrupt got off scot-free. And now it looks as though he will shortly be doing business with the very same politicians he wanted to get rid of.
I press him further. Surely even in spite of pressure from outside, given his feelings about the effects of corruption on Pakistani politics, those charges should never have been dropped. There should have been a proper judicial process.
I put this to him. "No," he replies, "because they would have all joined and then I would have been out." At this point he looks a bit wild eyed. He quickly adds that, of course, being in power has never been his ultimate goal. How much easier it would be, he adds wistfully and a touch unconvincingly, if he'd just resigned to play golf.
A uniformed bearer offers fruit juice and warm roasted almonds. I down my juice in one gulp, then worry it may have looked unseemly. In the past four years I'd forgotten that Pakistani women are expected to overplay their femininity. I'm lounging like a bloke and downing pomegranate juice like lager.
Later when I point out that his old opponent Nawaz Sharif, leader of the Pakistan Muslim League (PML-N), has vowed that if elected he will reinstate the judges who were unconstitutionally deposed by Musharraf, he retorts incredulously, "It is not a dictatorship here! How can you reinstate judges if you become prime minister? How?" This rhetorical question comes from a man who on 3 November dismissed 60 per cent of the superior court judges, including three chief justices, in anticipation of their ruling against his re-election as President while still head of the army. Many remain under house arrest.
He seems to be someone who feels painfully let down and misunderstood. This is particularly the case when he talks about my ex-husband, Imran. "You know, I liked him. But he is the most unrealistic person. I wanted to support him." He mentions him a few times in the interview. And the strange thing is, I detect hurt. President Musharraf, dictator, despot, guardian of the West against al-Qa'ida and all I can see are the wounded eyes of a betrayed lover when he talks about my ex. Under his regime, in the past year, Imran has been held under house arrest, jailed, then released and has had his movements restricted. Hell hath no fury like a general scorned.
I change the subject. Last time I visited him here in Rawalpindi he gave me a spookily accurate prediction of the imminent election results, which suggested information more than insight. Who will win this election? His answer is definitive. The PML-Q (the party otherwise known as the King's Party, assembled by President Musharraf himself six years ago to legitimise his "managed" democracy) allied with the Muttahida Qaumi Movement will "certainly have the majority. Whether they'll be able to form a government is a question mark." This contradicts all the recent opinion polls, which have shown that the popularity of his favoured party is right down, at just 12 per cent. I point out this out to him.
He seems increasingly paranoid. "The media have let me down … The NGOs are against me. I don't know why. I think I have been the strongest proponent of human rights …" In fact, the only people who are not against him, according to him, are the Western leaders who he says are "absolutely supportive" and "express total solidarity".
I don't doubt Musharraf's bravery or even his initial good intentions. Nor is anyone underestimating the scale of the problems that Pakistan faces today.
"It will be the saddest day for Pakistan if Benazirs crooked widower is in power by Monday, I say. Musharraf reponds "At least we part on agreement.
If anything, the impression is one of amateurishness and of a naivety that would be endearing if it had not been so profoundly damaging to his country. And in recent months he has become belligerent with local journalists. In London last month a respected Pakistani editor was castigated for asking about Rashid Rauf, the escaped terror suspect, and the fact that many believe he was deliberately freed by the police. Such impertinent journalists "should be roughed up", he was alleged to have told the assembled crowds in response.
When I ask about the deposed chief justice, Iftikhar Chaudhry, who is still under house arrest, he denounces him as "the scum of the earth a third-rate man a corrupt man". And the lawyers' movement? The lawyers have vowed to continue protesting on the streets and boycotting the courts until the deposed judges are reinstated and the constitution is restored to its pre-3 November status. "With hindsight," he replies solemnly, "it was my personal error that I allowed them to go and express their views in the street… We should have controlled them in the beginning before it got out of control." To those more used to seeing beards and white robes at protests, the images of suited, bookish-looking lawyers fighting off police batons were a memorable spectacle.
great Jemima you and the dictator are in sync. We are bombarded with Musharaf's point of view on PTV and the rest of nuetered media 24/7 why you must for some odd reason give him the respect to interview him.
I am absolutely flabberghasted at his comments about us and our society. It is sickening to hear him in front of western keen listeners.
Man is delusional to the core and those around him (Qureshi) feed to his delusions of grandeur day in and out.
Jemima has earned popularity for standing against dictatorship rule but such kind of typical interview at this critical momenet is surprise for all of us whom are reading her articles in british media for last years.She has some plans or gains in her mind that would surely be clear with the passage of time.There is nothing new in her interview except the frustrated lines of mussarf for civic society.So I can say to mussarf that civic society is not like his JCO's whose become afraid of his uniform or orders.They are simple saying you that you are a failed ruler.
Good interview that once again proves the madness of this man.
Calling the Chief Justice 'the scum of the earth' is just one example, how can a President of any country stoop so low?
But tick tick, as the clock ticks he will soon find his days are numbered, his fall from grace is a certainity and he will not see March 08 I believe, so Goodbye Mush!
I wonder how much supported mr.10percent has from the USGov….?
The interview would have been better if Jemima was more pointed with her questions and less concerned with being 'bamboozled' by Musharraf's charms.
After all those statements that Musharraf gave, she still finds him 'genuinely likeable'?
An interesting interview indeed. How conveniently he's assigned himself the role of the keeper of "checks and balances", he's making the entire country go down the drain as every corrupt man is back contesting the elections.
I wish Jemima had asked him about the rationale of keeping Aitzaz Ahsan, Tariq Mahmood & Ali Kurd in detention.
Now I know what the term 'dumb blonde' means!
I like the tone, shes desprate to make this man look good.
At the age of 66 and after five years of "imprisonment" in the camp-office by his aides (due to security reasons), I doubt Mr. Musharraf's very rhetoric let alone his decisions. He is so disconnected from the ground realities, from the perceptions. The gentleman, who cannot win a seat in the general elections, is ironically our President, elected through a farce referendum and sustained through destruction of the constitution and the very institutions of army and judiciary.
A corrupt politician is far better than a dictator, because s/he is bound to some level of accountability which the dictator is not.
Awesome interview. Mush has an integrity.
these "iftikhar and jalii lawyers company" took the oath in 2000 , under the p.c.o how on this earth they justified to be the supreme court judges??? the only true judges are those who refused to take oath in 2000.if taking oath under pco is wrong then all the civil society should not stand for these corrupt lawyers.
If the judges now realize their mistake, why are we all out to doubt them in their stand? They set a precedent by not taking the oath under the current PCO, when the main aim of the coup was to get rid of the judiciary. Many werent even invited for taking oath. The Civil society is with the Independence of Judiciary, and without getting those judges back who were trying to rule according to the constitution, we're bound to face problems in any future democratic order.
Mush has proved yet again that he is a mad man. a true dictator to his core. a person not loyal to his country even though he once was the head of the armed forces.
Also that benazir was working on a foreign agenda. She would have given up the nuclear programme of the country had she come in power.
very intresting to see the 'good side' of Musharraf. Sad to see that Ms.Jemima feels that rules & ethics about democracy are believed to be only for the western countries and not for us 'peasants' who are too unappreciative of the great general/president(his actions keep me confused). If heroes like justice Ifthikhar are 'scum of the earth' then i think that the prez is pretty confused… infact delusional. Why didnt he have this very same opinion of him earlier when he made the CJ. And is he trying to say that all 60 judges are corrupt traitors???? and people like Malik Qayum, mohd. Ali Durrani, tariq azeem are morally upstanding men??? seems that the prez only has good opinion of those who are 'pro mush' to the core and only those men are true Pakistanis.We as Pakistani citizens must ask ourselves that a person who has appointed 60 so called corrupt judges (not to mention several other massive blunders, along with inhumane house arrest of the judges and their innocent families), is such a man capable of leading this country in this volatile day and age?
musharaf is the best ever president Pakistan has ever had..i appreciate what he has done for country and trying to change the mindset of Pakistanis who vote for person rather than the party and what they stand for..it would take a few more elections for people to understand what vote really means..all who criticize musharaf should be honest to themselves..single murder and corruption case hasn't came forward at musharaf he is mush honest and and loyal to the country as compare to any other politician in the country..
nabeel wait till he leaves his seat, he has done a lot of corruption i.e. stealmill and other priv. He was the president and COAS and head of ruling party, i doubt anyone would file corruption charges against him.
What a stupid interview; Musharraf's allowance of an exclusive interview to an amateur FOREIGN "journalist" and the idiotic comments posted here prove beyond the shadow of a doubt that the colonial mindset still prevails in Pakistan.
I'm not surprised at her pathetic comments about Benazir.
It is so shameful to see people of this country having more respect and value for the foreign media people whether they are known or anyone pretending to be one. Only people with no soul, no moral will say and do things like what is being said on this forum, dont know when will we show some decency of being a human since being a Pakistani is far fetched for us, we are first a servants of BB, Nawaz Sharif and than we belong to PPP, MQM, PML etc, than we are sindhis, Punjabis, muhajirs etc, and finally we are drum beaters for our so called restrained judges and "laiers, why should we be interested in the Pakistan, what is that, oh meaning the land we have conquered and occupied now we have to loot as much as possible and as soon as possible since any time UN may intervene and ask us to leave. I dont expect any decency from people having negative comments on this forum, and with no respect for the office of the president of Pakistan because of the facts I explained above. They think only solution is to get rid of President Musharraf and things will be ok, come on give me a break, I agree things are not so gloomy and may be the out look also not very good, but one giving such solutions can not satisfy any one any more without reasoning and analyzing the situation with the alternates.
It is time for the middle class of this country to rise and start claiming whats their RIGHT, these politicians will blabber for hours for the rights of us the citizens of Pakistan and how they will protect it but THEY WILL NEVER TELL US WHAT OUR RIGHTS ARE.
Lets talk about the role of the media, it is a powerful tool to educate the masses, and specially Pakistani population where we have majority illiterate, uneducated and the only way they get the information for them is what they see or hear, my question to the media is that, when they say that there is a ban or restrictions on the media, what do they exactly mean by that? Is it that they are not allowed to spread chaos in the public now? They are not allowed to have anti Pakistani discussions on their shows anymore? They are not allowed to spread only negativism in the society? Is this what they are wanting and mean by freedom of media and press???????? I have seen live what happened at one of the TV station on May 12th last year and also noticed the anchor how he twisted the reality that day and what drama he created and I also saw a little interview he gave to CNN few days ago. Now when I comment on the events of May 12th with the angle I have described above, I will be labeled as a sympathizer and a member of MQM. When will we start taking the responsibilities as a Pakistani for the things? When will the media start reporting news instead of analyzing? Giving angels to events? When will they stop coming to conclusions without investigating and passing judgments over events?
Question to friends, is this the media looks like all chained up here in Pakistan only for the reasons that they are not allowed to create chaos and anarchy in the country ?????????
I still believe Musharraf is the best option for Pakistan during these difficult times. He has the guts to give interviews to people who are against him and answer all the difficult questions as well …. that to me shows the person is honest and has nothing to hide unlike Benazir or Nawaz.
Well, I see Musharaf as a really confused politician in this interview.
musaraf is a great politicion he spended his eight years life in the devolopment of pakistan i expect to president musharaf he was he is and he will be a great and talant politic person of the future.he want to finished the crices and clean our countery from the tararesiom so that,s why the other political parties are not like to him. becuase the other parties not want to devolopment of pakistan.so i pray to Allah taht to safe the president from the tarareist persons. i am Bakhtyar Ali Khan From shams abad.
Ironic that people trying to defend Musharaf even on this page are making it obvious that they don't know a tarareist from a terrorist and safe from save and there is a new word coined called spended. Without any offense the class supporting Mush is the only 'moderately enlightened' breed who can't see what interference of Army into politics can do to both to positive evolution of both your army and your institutions. Some still wonder why Mush and King Abdullah are acceptable to US while Saddam, Ahmadenejad, Chavez and Ches are guilty of tarnishing 'democracy'.
Anyway when was the last time a dictator made a graceful exit? So if Mush is not budging, why are we surprised?
I have never heard an articulate head of state or general of Pakistan as Musharraf. What, however, he lacked was a will and a vision which makes a difference. The interview reflected his self-negation when he talks of Pakistani society's peculiarity and the necessity of compromise on prodding from the Western leaders. Jamima also used the lines to further the image of his ex.


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text:
Q: MacBook reboots during a long sleep if FileVault is turned on I've turned on FileVault on my MacBook Pro 2018 (High Sierra) and immediately after this the MacBook started to reboot randomly (mostly) when in sleep.
First I noticed that after putting my Mac into sleep I need to enter a password to unlock it (touch ID disabled) and that all my applications are closed. Looks like a reboot...
Then once when waking up my computer from sleep I got this message "Terminal interrupted logout. To continue logout, quit Terminal". This convinced me that the MacBook is trying to reboot itself during sleep.
It never happened before - but happens during all long sleep cycles (no matter if during the day or night) since FileVault is turned on.
Any ideas how can I troubleshoot this?

A: I have this problem and found this Preferences -> Privacy & Security -> "Firewall" -> Advanced -> Log out after 60 minutes of inactivity" setting being turned on too!.
I believe you forgot the  -> "Firewall" -> route in your description!
Thanks this was the solution for me!

redpajama_set_name: RedPajamaStackExchange


text:
Middle School Drama Night: Murder, Medeival, Death, Dystopia
Connor Crafton , Reporter
On the weekend of February 7 – 9, 2020, the Griffith Theatre Company performed their four student-directed shows for the Fourth Annual Middle School Drama Night. Each show had a different theme.
The first show was titled Nobody To Murder. It was a murder mystery, like several other shows the Griffith Theatre Company has put on in the past. The show was directed by Aseret Baez and Vincent Zarndt. The second show was titled Sir Gawain and The Green Knight. It was set in medieval times and was an action filled show, directed by Abby Morrison, Kyle Rassel, and Gabby Fink. The third show was an all high school cast production, titled Don't Fear The Reaper. This show was a crowd pleaser, and full of comedy and drama. It was directed by Abby Wroblewski, Daniel Sheffield, and Bella Andressien. The fourth and final show was titled Dystopia! A Hungry Maze Game of Divergent Death. This show was a spoof of famous titles such as The Maze Runner, Hunger Games, and Divergent, directed by Connor Crafton, Ashley Taylor, and Grace Wothke.
Each show was student directed by high school students who participate in the high school drama season regularly.
One of the three directors of Sir Gawain and the Green Knight was junior Kyle Rassel.
"It was a struggle to direct this show, but it was overall a rewarding experience. I'm glad I was able to be a part of a show that was so different from anything else we've done," said Rassel.
Before each show began, the student directors were able to introduce their directed show in front of the entire audience. One of the directors of Dystopia! A Hungry Maze Game of Divergent Death, junior Grace Wothke, thoroughly enjoyed announcing her show.
"Announcing my show in front of the audience was such a rewarding experience because it allowed for the student directors to be recognized by the audience, and show all of the hard work and dedication we put in," said Wothke.
Fall Sports Senior Night
Homecoming Week in Review
Griffith Staff Opens Courtyard To Students For First Time In Five Years
"Radium Girls" Debuts at Griffith, Captivates Audiences
Disney's Investor Day: What's In Store for 2021?
COVID-19: How to Deal
E-Learning Thursdays and ISTEP Testing in February
Varsity Girls Bowling Team Wins State, Glory
ISSMA Victories for Music Dept.
Winter Wonderland Turnabout 2020


text:
Home » Hollywood News
Jessica Henwick Wanted To Quit Acting Right Before She Landed A Role In 'The Matrix Resurrections'?
Jessica Henwick recently revealed she took a part in 'Knives Out 2' so she could study Rian Johnson's filmmaking style.
Jessica Henwick Took Herself On A 40-Day Hike In Order To Clear Her Head Before Receiving The Offer For 'The Matrix Resurrections'(Photo Credit: Instagram/Poster From The Matrix Resurrections)
Actress Jessica Henwick has shared that she was in a "weird space" prior to finding stardom and almost gave up on her acting dreams just before taking on the role of Bugs in 'The Matrix Resurrections'.
Henwick said: "I just took a second to think, 'Am I doing this because I still want to do it and I love it, or am I doing this because it's what I'm used to?' And so, I stopped and I decided to get out of town and I bought a one-way ticket to France. And then, I just started walking."
The 'Knives Out 2' star Jessica Henwick took herself on a 40-day hike in an effort to clear her head when in-between acting roles, just before receiving the offer to star alongside Keanu Reeves in the latest 'Matrix' movie, reports femalefirst.co.uk.
Spider-Man: No Way Home Writers Reveal Tom Hardy's Venom Was "Definitely Discussed" For The Final Battle
Lucifer Star Tom Ellis Reveals A 'Little Secret' To Sam Heughan: "I Auditioned For Outlander…"
Jessica Henwick told Film: "I just started hiking and I was halfway through a 40-day hike. I turned on my phone, it was near my birthday and I wanted to tell everyone I was alive, and I got an email saying, 'Would you like to audition for the Matrix?' And I just said no, because I hadn't finished the hike and I hadn't come to an answer yet of what I wanted to do in my life.
"I turned it down. (So I) made a self tape, flew to America a couple days later, tested with Yahya (Abdul-Mateen II, who plays a "completely different" version of Morpheus in 'The Matrix Resurrections'), and had the phone call from (director) Lana Wachowski a few days after that."
Meanwhile, Jessica Henwick recently revealed she took a part in 'Knives Out 2' so she could study Rian Johnson's filmmaking style.
She will appear in the murder mystery sequel and admits that she was desperate to get his advice as she was helming a short film at the time.
She said: "The main reason I really signed on was because I actually wanted to study him. I was directing a short film ('Bus Girl') at the same time, which he very kindly was able to make a break in the schedule for me to fly home, shoot and then fly back to set.
"So he let me shadow him on and off throughout production, and he gave me directing advice. So it was just the best time."
Jessica Henwick explained how she has been a fan of Rian since watching his directorial debut 'Brick' during a film class and revealed that the director was "morally obliged" to cast her in the 'Knives Out' sequel after she was cut from his film 'Star Wars: The Last Jedi'.
The 'Underwater' actress recalled: "When I was a teenager, I watched 'Brick' in school and I loved it. So I wrote (Rian Johnson) a fan email, and he never responded.
"Cut to seven years later, I'm in 'Star Wars: The Force Awakens', and I'm meant to go back to 'Star Wars: The Last Jedi'. But Rian cuts me out of the project!"
Jessica Henwick continued: "Cut to this year, I finally got sent this script and I was like, 'Put me in coach. Give me a Zoom. I don't care if I get it. I just want to speak to Rian'. So I revealed all of this to him. I was like, 'I have a bone to pick with you!' And of course, he was forced – he was morally obligated – to cast me in 'Knives Out'."
Must Read: Nicolas Cage Reveals He Would Want To Be Called A 'Thespian' Over An Actor: "So With The Risk Of Sounding Like A Pretentious A*shole…"
Jessica Henwick
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text:
Starý hřbitov v Hořicích v Podkrkonoší je historické pohřebiště na vrchu Gothard nad městem Hořice v okrese Jičín v královéhradeckém kraji. Jedná se o nejstarší část komplexu hořických hřbitovů. Ač se nachází v těsném sousedství nového městského hřbitova, od kterého je oddělen pouze zdí, není s ním komunikačně propojen.

Historie
Na vrchu Gothard byla postavena původně pouze dřevěná kaple, jejímiž fundátory byli premonstrátští řeholníci z pražského Strahova. Kolem kaple postupně vzniklo pohřebiště. Kaple byla v 17. století nahrazena barokním kostelem. V závěru 19. století byl tento starý hřbitov nahrazen novým pohřebištěm, založeným v těsném sousedství. Starý hřbitov je majetkem římskokatolické církve (resp. Římskokatolické farnosti–děkanství Hořice v Podkrkonoší) a není památkově chráněn. Památková ochrana je přiznána pouze kostelu sv. Gotharda, který slouží příležitostným bohoslužbám hořické farnosti.

Stavební podoba
Starý hřbitov má nepravidelný půdorys a je ohraničen kamennou zdí. V jeho severozápadní části se nachází zmíněný kostel sv. Gotharda. Na hřbitově se nachází hromadný hrob obětí prusko-rakouské války z roku 1866 (konkrétně z bitvy u Sadové), mající podobu jehlanu v novogotickém provedení. V prostoru hřbitova je dochováno 52 náhrobků, které jsou dokladem hořické kamenické tradice. Na ostatních hrobech se náhrobky nedochovaly. V ohradní zdi hřbitova, poblíž vstupu na něj, je umístěna pamětní deska hořického rodáka, kněze, řeholníka strahovské premonstrátské kanonie, prof. Ladislava Josefa Jandery, O.Praem., který se zasloužil o astronomické stanovení polohy věže svatogothardského kostela.

Odkazy

Poznámky

Reference

Související články
 Kostel svatého Gotharda (Hořice)
 Nový hřbitov v Hořicích v Podkrkonoší
 Gothard (Jičínská pahorkatina)
 Římskokatolická farnost – děkanství Hořice v Podkrkonoší

Externí odkazy

 Cimiterium.cz
 Turistický portál města Hořice: Vrch Gothard

Hřbitovy v Hořicích


text:
from __future__ import unicode_literals, print_function
import os
import re
import sys
from lxml import etree

try:
    from urlparse import urlparse
    from urllib import unquote
except ImportError:
    from urllib.parse import urlparse, unquote  # NOQA

try:
    import requests
except ImportError:
    requests = None  # NOQA

try:
    import phpserialize
except ImportError:
    phpserialize = None  # NOQA

from nikola.plugin_categories import Command
from nikola import utils
from nikola.plugins.basic_import import ImportMixin, links

class CommandImportWordpress(Command, ImportMixin):
    """Import a WordPress dump."""

    name = "import_wordpress"
    needs_config = False
    doc_usage = "[options] wordpress_export_file"
    doc_purpose = "import a WordPress dump"
    cmd_options = ImportMixin.cmd_options + [
        {
            'name': 'exclude_drafts',
            'long': 'no-drafts',
            'short': 'd',
            'default': False,
            'type': bool,
            'help': "Don't import drafts",
        },
        {
            'name': 'squash_newlines',
            'long': 'squash-newlines',
            'default': False,
            'type': bool,
            'help': "Shorten multiple newlines in a row to only two newlines",
        },
        {
            'name': 'no_downloads',
            'long': 'no-downloads',
            'default': False,
            'type': bool,
            'help': "Do not try to download files for the import",
        },
    ]

    def _execute(self, options={}, args=[]):
        """Import a WordPress blog from an export file into a Nikola site."""
        if not args:
            print(self.help())
            return

        options['filename'] = args.pop(0)

        if args and ('output_folder' not in args or
                     options['output_folder'] == 'new_site'):
            options['output_folder'] = args.pop(0)

        if args:
            print('You specified additional arguments ({0}). Please consider '
                  'putting these arguments before the filename if you '
                  'are running into problems.'.format(args))

        self.import_into_existing_site = False
        self.url_map = {}
        self.timezone = None

        self.wordpress_export_file = options['filename']
        self.squash_newlines = options.get('squash_newlines', False)
        self.output_folder = options.get('output_folder', 'new_site')

        self.exclude_drafts = options.get('exclude_drafts', False)
        self.no_downloads = options.get('no_downloads', False)

        if not self.no_downloads:
            def show_info_about_mising_module(modulename):
                print(
                    'To use the "{commandname}" command, you have to install '
                    'the "{package}" package or supply the "--no-downloads" '
                    'option.'.format(
                        commandname=self.name,
                        package=modulename)
                )

            if requests is None:
                show_info_about_mising_module('requests')
                return

            if phpserialize is None:
                show_info_about_mising_module('phpserialize')
                return

        channel = self.get_channel_from_file(self.wordpress_export_file)
        self.context = self.populate_context(channel)
        conf_template = self.generate_base_site()

        self.import_posts(channel)

        self.context['REDIRECTIONS'] = self.configure_redirections(
            self.url_map)
        self.write_urlmap_csv(
            os.path.join(self.output_folder, 'url_map.csv'), self.url_map)
        rendered_template = conf_template.render(**self.context)
        rendered_template = re.sub('# REDIRECTIONS = ', 'REDIRECTIONS = ',
                                   rendered_template)
        if self.timezone:
            rendered_template = re.sub('# TIMEZONE = \'Europe/Zurich\'',
                                       'TIMEZONE = \'' + self.timezone + '\'',
                                       rendered_template)
        self.write_configuration(self.get_configuration_output_path(),
                                 rendered_template)

    @classmethod
    def _glue_xml_lines(cls, xml):
        new_xml = xml[0]
        previous_line_ended_in_newline = new_xml.endswith(b'\n')
        previous_line_was_indentet = False
        for line in xml[1:]:
            if (re.match(b'^[ \t]+', line) and previous_line_ended_in_newline):
                new_xml = b''.join((new_xml, line))
                previous_line_was_indentet = True
            elif previous_line_was_indentet:
                new_xml = b''.join((new_xml, line))
                previous_line_was_indentet = False
            else:
                new_xml = b'\n'.join((new_xml, line))
                previous_line_was_indentet = False

            previous_line_ended_in_newline = line.endswith(b'\n')

        return new_xml

    @classmethod
    def read_xml_file(cls, filename):
        xml = []

        with open(filename, 'rb') as fd:
            for line in fd:
                # These explode etree and are useless
                if b'<atom:link rel=' in line:
                    continue
                xml.append(line)

        return cls._glue_xml_lines(xml)

    @classmethod
    def get_channel_from_file(cls, filename):
        tree = etree.fromstring(cls.read_xml_file(filename))
        channel = tree.find('channel')
        return channel

    @staticmethod
    def populate_context(channel):
        wordpress_namespace = channel.nsmap['wp']

        context = {}
        context['DEFAULT_LANG'] = get_text_tag(channel, 'language', 'en')[:2]
        context['BLOG_TITLE'] = get_text_tag(channel, 'title',
                                             'PUT TITLE HERE')
        context['BLOG_DESCRIPTION'] = get_text_tag(
            channel, 'description', 'PUT DESCRIPTION HERE')
        context['BASE_URL'] = get_text_tag(channel, 'link', '#')
        if not context['BASE_URL']:
            base_site_url = channel.find('{{{0}}}author'.format(wordpress_namespace))
            context['BASE_URL'] = get_text_tag(base_site_url,
                                               None,
                                               "http://foo.com")
        context['SITE_URL'] = context['BASE_URL']
        context['THEME'] = 'bootstrap3'

        author = channel.find('{{{0}}}author'.format(wordpress_namespace))
        context['BLOG_EMAIL'] = get_text_tag(
            author,
            '{{{0}}}author_email'.format(wordpress_namespace),
            "joe@example.com")
        context['BLOG_AUTHOR'] = get_text_tag(
            author,
            '{{{0}}}author_display_name'.format(wordpress_namespace),
            "Joe Example")
        context['POSTS'] = '''(
            ("posts/*.wp", "posts", "post.tmpl", True),
        )'''
        context['PAGES'] = '''(
            ("stories/*.wp", "stories", "story.tmpl", False),
        )'''
        context['COMPILERS'] = '''{
        "rest": ('.txt', '.rst'),
        "markdown": ('.md', '.mdown', '.markdown', '.wp'),
        "html": ('.html', '.htm')
        }
        '''

        return context

    def download_url_content_to_file(self, url, dst_path):
        if self.no_downloads:
            return

        try:
            with open(dst_path, 'wb+') as fd:
                fd.write(requests.get(url).content)
        except requests.exceptions.ConnectionError as err:
            print("Downloading {0} to {1} failed: {2}".format(url, dst_path,
                                                              err))

    def import_attachment(self, item, wordpress_namespace):
        url = get_text_tag(
            item, '{{{0}}}attachment_url'.format(wordpress_namespace), 'foo')
        link = get_text_tag(item, '{{{0}}}link'.format(wordpress_namespace),
                            'foo')
        path = urlparse(url).path
        dst_path = os.path.join(*([self.output_folder, 'files']
                                  + list(path.split('/'))))
        dst_dir = os.path.dirname(dst_path)
        if not os.path.isdir(dst_dir):
            os.makedirs(dst_dir)
        print("Downloading {0} => {1}".format(url, dst_path))
        self.download_url_content_to_file(url, dst_path)
        dst_url = '/'.join(dst_path.split(os.sep)[2:])
        links[link] = '/' + dst_url
        links[url] = '/' + dst_url

        self.download_additional_image_sizes(
            item,
            wordpress_namespace,
            os.path.dirname(url)
        )

    def download_additional_image_sizes(self, item, wordpress_namespace, source_path):
        if phpserialize is None:
            return

        additional_metadata = item.findall('{{{0}}}postmeta'.format(wordpress_namespace))

        if additional_metadata is None:
            return

        for element in additional_metadata:
            meta_key = element.find('{{{0}}}meta_key'.format(wordpress_namespace))
            if meta_key is not None and meta_key.text == '_wp_attachment_metadata':
                meta_value = element.find('{{{0}}}meta_value'.format(wordpress_namespace))

                if meta_value is None:
                    continue

                # Someone from Wordpress thought it was a good idea
                # serialize PHP objects into that metadata field. Given
                # that the export should give you the power to insert
                # your blogging into another site or system its not.
                # Why don't they just use JSON?
                if sys.version_info[0] == 2:
                    metadata = phpserialize.loads(meta_value.text)
                    size_key = 'sizes'
                    file_key = 'file'
                else:
                    metadata = phpserialize.loads(meta_value.text.encode('UTF-8'))
                    size_key = b'sizes'
                    file_key = b'file'

                if not size_key in metadata:
                    continue

                for filename in [metadata[size_key][size][file_key] for size in metadata[size_key]]:
                    url = '/'.join([source_path, filename.decode('utf-8')])

                    path = urlparse(url).path
                    dst_path = os.path.join(*([self.output_folder, 'files']
                                              + list(path.split('/'))))
                    dst_dir = os.path.dirname(dst_path)
                    if not os.path.isdir(dst_dir):
                        os.makedirs(dst_dir)
                    print("Downloading {0} => {1}".format(url, dst_path))
                    self.download_url_content_to_file(url, dst_path)
                    dst_url = '/'.join(dst_path.split(os.sep)[2:])
                    links[url] = '/' + dst_url
                    links[url] = '/' + dst_url

    @staticmethod
    def transform_sourcecode(content):
        new_content = re.sub('\[sourcecode language="([^"]+)"\]',
                             "\n~~~~~~~~~~~~{.\\1}\n", content)
        new_content = new_content.replace('[/sourcecode]',
                                          "\n~~~~~~~~~~~~\n")
        return new_content

    @staticmethod
    def transform_caption(content):
        new_caption = re.sub(r'\[/caption\]', '', content)
        new_caption = re.sub(r'\[caption.*\]', '', new_caption)

        return new_caption

    def transform_multiple_newlines(self, content):
        """Replaces multiple newlines with only two."""
        if self.squash_newlines:
            return re.sub(r'\n{3,}', r'\n\n', content)
        else:
            return content

    def transform_content(self, content):
        new_content = self.transform_sourcecode(content)
        new_content = self.transform_caption(new_content)
        new_content = self.transform_multiple_newlines(new_content)
        return new_content

    def import_item(self, item, wordpress_namespace, out_folder=None):
        """Takes an item from the feed and creates a post file."""
        if out_folder is None:
            out_folder = 'posts'

        title = get_text_tag(item, 'title', 'NO TITLE')
        # link is something like http://foo.com/2012/09/01/hello-world/
        # So, take the path, utils.slugify it, and that's our slug
        link = get_text_tag(item, 'link', None)
        path = unquote(urlparse(link).path)

        # In python 2, path is a str. slug requires a unicode
        # object. According to wikipedia, unquoted strings will
        # usually be UTF8
        if isinstance(path, utils.bytes_str):
            path = path.decode('utf8')
        slug = utils.slugify(path)
        if not slug:  # it happens if the post has no "nice" URL
            slug = get_text_tag(
                item, '{{{0}}}post_name'.format(wordpress_namespace), None)
        if not slug:  # it *may* happen
            slug = get_text_tag(
                item, '{{{0}}}post_id'.format(wordpress_namespace), None)
        if not slug:  # should never happen
            print("Error converting post:", title)
            return

        description = get_text_tag(item, 'description', '')
        post_date = get_text_tag(
            item, '{{{0}}}post_date'.format(wordpress_namespace), None)
        dt = utils.to_datetime(post_date)
        if dt.tzinfo and self.timezone is None:
            self.timezone = utils.get_tzname(dt)
        status = get_text_tag(
            item, '{{{0}}}status'.format(wordpress_namespace), 'publish')
        content = get_text_tag(
            item, '{http://purl.org/rss/1.0/modules/content/}encoded', '')

        tags = []
        if status == 'trash':
            print('Trashed post "{0}" will not be imported.'.format(title))
            return
        elif status != 'publish':
            tags.append('draft')
            is_draft = True
        else:
            is_draft = False

        for tag in item.findall('category'):
            text = tag.text
            if text == 'Uncategorized':
                continue
            tags.append(text)

        if is_draft and self.exclude_drafts:
            print('Draft "{0}" will not be imported.'.format(title))
        elif content.strip():
            # If no content is found, no files are written.
            self.url_map[link] = self.context['SITE_URL'] + '/' + \
                out_folder + '/' + slug + '.html'

            content = self.transform_content(content)

            self.write_metadata(os.path.join(self.output_folder, out_folder,
                                             slug + '.meta'),
                                title, slug, post_date, description, tags)
            self.write_content(
                os.path.join(self.output_folder, out_folder, slug + '.wp'),
                content)
        else:
            print('Not going to import "{0}" because it seems to contain'
                  ' no content.'.format(title))

    def process_item(self, item):
        # The namespace usually is something like:
        # http://wordpress.org/export/1.2/
        wordpress_namespace = item.nsmap['wp']
        post_type = get_text_tag(
            item, '{{{0}}}post_type'.format(wordpress_namespace), 'post')

        if post_type == 'attachment':
            self.import_attachment(item, wordpress_namespace)
        elif post_type == 'post':
            self.import_item(item, wordpress_namespace, 'posts')
        else:
            self.import_item(item, wordpress_namespace, 'stories')

    def import_posts(self, channel):
        for item in channel.findall('item'):
            self.process_item(item)

def get_text_tag(tag, name, default):
    if tag is None:
        return default
    t = tag.find(name)
    if t is not None:
        return t.text
    else:
        return default

redpajama_set_name: RedPajamaGithub


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Zachary Levi, the star of DC's Shazam!, has revealed the worst thing about wearing the hero's costume.
Playing a major superhero on the big screen is a big moment for Hollywood actors in 2019 and Zachary Levi certainly wouldn't complain about his role starring in the upcoming Shazam! But it's not all easy going, especially when it comes to wearing the hero's costume.
"It's what everybody says, it's the inconvenience of when you need to go to the bathroom. Because in order for it to look great, you have to have it kind of be seamless. You can't have a bunch of zippers and things everywhere, unless you're like Deadpool, I guess. He had a bunch of zippers. If you're created by Rob Liefeld, then you're going to have a bunch of pouches and zippers, and no ankles.
Well, at least the uncomfortableness of the suit hasn't put Levi off from wanting to play the character again. Perhaps he might get an upgrade if a sequel gets made.


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text:
One Man, Two Guvnors
Awake and Sing!
The Prince & The Pauper
The Wild Duck
Waiting For Godot
Long Day's Journey
The Broken Heart
Wilde Tales
Mother Courage
Saint Joan
The Mandrake
The Metamorphosis
Mourning Becomes Electra
She Stoops to Conquer
The Misanthrope
Arms and the Man
Diary of a Madman
The Venetian Twins
The Importance of Being Earnest
John Ford's
Performed in rotating repertory with Shakespeare's LOVE'S LABOR'S LOST.
After the death of their father, an ambitious young solider marries his sister to a powerful older gentleman, despite her father's consent to marry her to her first love, a poor student. The marriage elevates the soldier and his triumphs in war have him in line to marry the princess. But his sister collapses into despair from her loveless marriage, and her student lover swears he will risk all to revenge his loss, even if it means bringing down the kingdom. John Ford's romantic revenge tragedy THE BROKEN HEART proves that one can die from broken a heart.
Performed as part of the the Love & Longing Repertory with William Shakespeare's LOVE's LABOR's LOST.
John Basiulis .............................................. Crotolon
Josh Carpenter* .......................................... Orgilus
Ashton Carter ............................................ Prophilus
Lee Cortopassi ........................................... Groneas / Prince Nearchus
Kristin Devine ........................................... Euphrania
Michael Gamache ...................................... Armostes
Chrisotpher Garofalo ................................. Lemophil / Amelus
Mattie Hawkinson* .................................... Penthea
Gregory Isaac ............................................. Bassanes
Dana Kreitz ............................................... Philema
Daniel Miller ............................................. Ithocles
Aneesa Neibauer ........................................ Chrysalla
Ebony Pullum ............................................... Calantha
John Williams* ........................................... King Amyclas / Technicus
Directed by Alexander Burns
Lighting Design by David Sexton
Costume Design by Jane Casanave
Original Music Composition by Steven Cahill
Choreography by Janet Pilla Marini
Violence by Ian Rose
Wednesday, March 29 at 7:00pm Pay What You Can
Thursday, March 30 at 7:00pm Preview
Friday, March 31 at 8:00pm Preview
Saturday, April 1 at 8:00pm Opening Night
Wednesday, April 5 at 7:00pm
Thursday, April 6 at 7:00pm
Saturday, April 8 at 8:00pm
Sunday, April 9 at 3:00pm Talkback
Wednesday, April 12 at 7:00pm
Friday, April 14 at 8:00pm
Saturday, April 15 at 2:00pm
Thursday, April 20 at 7:00pm Talkback
Sunday, April 23 at 3:00pm Closing
For special student matinee information please email BoxOffice@QuintessenceTheatre.org.


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