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Free «Systems Development Lifecycle (SDLC)» UK Essay Sample
Systems Development Life Cycle (SDLC) is all the stages that a new system goes through. When some organization decides to modify the existing system or develop a new system from the scratch, it goes through stages or phases called system development life cycle.
System development is important when a change becomes necessary in any organization. This change may be due to new technology alterations, fund growth, the existing system's old age, new organizational requirements, etc. SDLC happens when an old system is being replaced with a new computerized system (Turban &Volonino, 2012). It happens also when a new system is starting to be developed from scratch. The stages of SDLC are not done once but they are repeated so the company objectives are gained. The purpose of this paper is to discuss the process of Systems Development Life Cycle and the associated models with an aim of understanding the Similarities and Differences between the various models involved in system development.
Objectives of SDLC
There are three main objectives of SDLC
Ensuring that high quality systems are delivered
Providing the projects with management controls
Maximizing the productivity of the staff involved in the system development (De et al, 2011).
There are several concise requirements that SDLC ought to meet in order to achieve the three objectives mentioned above. First, SDLC must support systems of different types and scopes. It also must be able to support management activities and technical activities involved in the development of a new system (Munassar & Govardhan, 2010). The organization's top management level decides to use SDLC after they are certain it is obvious that a necessary project has to be implemented within the organization. They must also ensure the best level of knowledge is available while embarking on the process.
Phases of SDLC
This paper will focus on the 7-step model and the 4-step model. The phases of a 7-step model are as follows:
Integration/Testing
Maintenance (Langer, 2012).
Project planning is used to establish the ojectives of the intended system development project. It is also helpful in determining ways of accomplishing the project in the best way possible. A systems analyst, who may be an outside consultant from the company, outlines the system's requirements for the proposed changes (Velagapud, 2012). The analyst also develops a budget and a system's development schedule. The company understands the problem and the offered solution.
Systems analysis refers to the detailed assessment of the recorded facts so as to determine the proposed system requirements. Systems analysis has the following aims: (1) Providing an assessment of the existing system, (2) Evaluating the possible alternatives, (3) Performing a SWOT analysis (Strengthens, Weaknesses, Opportunities, and Threats), and (4) Producing a statement of the requirements (Velagapud, 2012). Systems analysis phase filters the goals into a well-defined operations and functions of the intended project.
Systems design is the process of designing how the intended system will look like once it becomes operational. This means that the outlook or framework of a new system is built at this stage. The logical and the physical structure is determined as well. Some of the system objectives that should be considered in this phase include: cost effectiveness, user friendliness, accuracy, flexibility, reliability, compatibility, acceptability, development time and schedule. Systems design includes business rules, screen layouts, pseudo code, process diagrams and other documentation (Turban et al, 2011).
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Implementation deals with actual system development where the proposed system is programmed and built. The software developers start with module specifications and concentrate on individual modules. The result of the implementation is an executable program.
This is where the system is tested to ensure it works properly and it conforms with all the system requirements. In this phase the system is checked to ensure it is error-free, bugs are corrected and interoperability is checked. Technically, this is not the phase following implementation. That would suggest that testing cannot be done after implementation. Attention to testing should be paid even during project planning (Needs, 2012).
Deploymment
Deployment phase is a stage in the initial development where the system is delivered to the customer and put into production. System conversion or changeover is included in this phase. The system is checked upon its working under real conditions (Langer, 2012).
This is the last phase of the 7-step model. This phase is important because it seemingly continues forever. The system is adapted to changing requirements, changing procedures, programs, and documentation (Needs, 2012).
4-Step Model
The 4-step model includes four phases which the projects go through over time. Each phase may involve more than one iteration which means that the developers go back to the previous phase for some changes before proceeding to the next stage (Turban et al, 2011). The 4 steps involved in this model are:
Inception Phase
Elaboration Phase
Transition phase (Trendowicz, 2013).
The Inception phase is an approximate vision of a new system developed. The building of different business issues for the system is done in this stage. The defining of the project scope, project schedule and costs estimation are also done here. Technically, the system requirements are identified and described in the inception phase (Alkhafaji & Sriram, 2012). The construction phase is where the development of the proposed specifications are carried out iteratively. The transition phase concludes the 4-step model phases by conducting beta test of a new system and its deployment so that users can have a fully working system.
This paper has demonstrated SDLC as an abstract model used in system development and project management. The paper has also described the stages involved in an IS development project from the initial planning to maintenance of the completed system. By looking at the various models that go through different phases in Software development it is possible for organization management to determine the appropriate model to use for there IS development project. For example for a complex system that requires coding the millions of lines of custom codes, it is necessary for analysts, testers, programmers and users to work together and work on the project using a 5-step model as opposed to a 4-step or 7-step model.
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When Amazon opened up pre-orders for the kindle fire, I bought one immediately. I received mine on Tuesday and I've been playing with it for a few days. So I thought I'd post a few thoughts.
A lot of what you think of kindle fire will depend on what your use case is. If you are looking for a less expensive iPad, then this is not for you. But if you, like me, are looking for a kindle with a browser on it, this could well be the device for you.
My biggest frustration with the kindle is that I can't jump out of the book and do a quick map lookup, wikiepedia lookup, google images lookup, etc. I blogged about that a few months ago. I've solved that problem by moving all my reading from the kindle to the kindle app on the iPad. But the 11" form factor of the iPad isn't ideal for me. I like something a bit smaller for reading on the couch, plane, or in bed. So that is why I hit the pre-order button immediately when Amazon announced kindle fire.
A number of critics have said that kindle fire is slow. I have not experienced that very much. It seems plenty snappy for me. Again, I'm mostly using it for reading and light browsing. I am not doing email on it. I am not doing spreadsheets on it. Graphics rich applications like Google Maps do seem to be slower on the kindle fire though.
So with all that said, here's a quick tour. The main screen is what you'd expect. Navigation and apps.
Just a word to the wise. Those Twitter and Facebook apps are web apps, not android apps or kindle fire apps. One of the things I don't understand is why the kindle fire doesn't run android apps natively. I think that's a huge mistake on Amazon's part. The Netflix app is a native kindle fire app.
The best part of this device is the kindle functionality. This is a kindle with an OS and a modern browser. Here's the book library and the book reader.
As a book reading device, kindle fire works great. It is heavier than a kindle, about the same weight (I think) as an iPad. But because it is a smaller device and the same weight, it feels heavier in the hand. That said, I do not have any issue reading on the kindle fire for long lengths of time (same with iPad).
The browser great for reading. Here's the Gotham Gal's blog on the kindle fire.
I do have a few issues with the way Google Maps works on the Kindle Fire browser. It seems less functional and a bit slower.
In addition to books and web, the kindle fire has tabs for newstand, music, video, docs, and apps. The only tabs that interest me on that list are apps and videos. I use the web to access everything else on that list (and much of the video I watch is also on the web). I used kindle fire to watch a youtube video in full screen mode on the treadmill this morning and it worked great (with headphones on).
The app store looks like this. It is pretty sparse right now from what I saw.
Amazon Prime Instant Video is a pretty awesome service. We use it a lot in our home on our mac mini (sure wish it was available on Boxee). Here's what that service looks like on the kindle fire.
So that's a quick tour of the kindle fire. I think it will replace the iPad next to my bed as my primary reading device. It's smaller and fits better in the hand. And while it is not much lighter, it still feels like a better reading device. The browser works fine. I can jump back and forth between reading and browsing easily.
It will be interesting to see how the rest of the family reacts to it. I will put it on our family room coffee table for a few days next to the iPad and see what the rest of the family thinks. If I learn anything interesting, I will report back.
Bottom line – if you are in the market for a kindle or a new kindle, consider this. If you are looking for a less expensive tablet, this is not a good choice, at least yet. I think the android tablets are a better choice for that.


After all the production meetings, castings and lengthy shoot days are finished is when the story we see in a film or series really begins to come together. Naturally the writers and director have a strong idea of how they want their project to play out, but nothing is ever fully set in stone until the project makes its way onto the editor's desk. It's there that the best footage is identified and methodically pieced together into the unfolding story we enjoy as viewers.
Editor Ge Zhai, who is originally from Beijing, China is one of those genius editors who manages to turn hours of footage into a seamless story that grabs the attention of viewers around the world and keeps them watching.
Since moving stateside six years ago, Zhai has made a huge impact in the industry with her work as an editor. She got her start working as an editor for KO Creative, an LA-based creative advertising and strategic marketing group that creates audio/visual and print campaigns for domestic & international theatrical motion pictures, television and more. As an editor at KO Creative Zhai served as the lead editor on over 30 film trailers.
As the editor of the theatrical trailers for films such as multi-award winning director Chris Mason Johnson's (The New Twenty) dramatic film Test and Coury Deeb's ( The New Sudan) documentary BBOY for LIFE, Zhai managed to streamline each story into a concise and intriguing snapshot that made audiences want to go out to watch the films; and her success in cutting each trailer needs little further proof than the international attention received by both films upon release.
She was also the lead editor for the online trailers for several films including those for the Dutch film Boys, a coming of age tale about a homosexual teen and his budding relationship with a fellow teammate on the track team, which won the Golden Calf and Dutch Critics Awards from the Nederlands Film Festival and was nominated for an International Emmy Award; and, the Image Award nominated film drama Life of King starring Oscar Award winner Cuba Gooding Jr. (Men of Honor, Selma).
In addition to sifting through hours of footage, selecting the most revealing and powerful moments, and creating a streamline story that would enthrall viewers, Zhai's work cutting trailers at KO Creative meant she had to understand the divergent audiences each trailer catered to– something the value could be seen as no more integral than when it came to cutting sales trailers, as those are the visuals that actually sell the film to distributors and ensure the project actually reaches audiences. Without a strong and appealing sales trailer, a film may languish alone and unnoticed in a filmmaker's library and never see the light of day. Thankfully for films such as Oscar Award nominee James Franco's 2014 film The Sound and the Fury and Adam Levins' horror film Estranged, Ge Zhai cut strong trailers that attracted the attention of distributors and helped each film make their way onto the big screen.
"I think in today's world, there are so many choices as to video content, you got Netflix, Hulu, Youtube, with hundreds of thousands of films/tv/videos. So for an audience, why do they spend 2 hours on this specific film? The trailer is the first step to involve your audience visually following the poster. Trailers have to grasp their attention in 20 seconds and leave them wanting to see more," explains Zhai.
Though Zhai got her start as an editor in the industry cutting trailers for massively successful film projects, which is impressive enough in itself, she quickly moved on to cutting longer form projects, such as season 4 of the series Being featuring celebrities like three-time Grammy Award winner Erica Atkins Campbell and singer & movie star Tyrese, the comedy series According to Him + Her with Monica Collier (The Watermelon Heist), the poignant documentary Just Extensions and many more.
Zhai's ability to breathe life into the characters we see on screen coupled with her ability to move each story forward with her natural (and virtually unnoticeable) cuts is one of the unique assets she brings to the table, and one of the driving forces behind her success that separates her from others in the industry. She doesn't approach her work from a mechanical, step by step process devoid of emotion– instead she allows her creativity and emotional connection to the work and to the characters to guide the process. This is one of the reasons why the end products of those she's lent her editor's wand to have been so successful.
When it came time for the creation of season 4 of the series Being, Centric, the show's network, which is a cable channel owned by BET, wanted to appeal to a more specific audience and embody a different vibe than that of previous seasons– that is where editor Ge Zhai came in.
Zhai's storytelling skills as the editor of Being season 4 served as a massive asset in creating the season's unfolding story in a way that touched audiences. Her ability to identify the tiny, but impactful moments that a lesser editor might miss, such as the expression of K.Michelle's (Love & Hip Hop: Atlanta) eyes while sitting in church in season 4 episode 1 or six-time Grammy Award nominee Tyrese Gibson's (Furious 7, Fast & Furious 6, Ride Along) joyful look as he revisited his childhood school in season 4 episode 4, were all tantamount to creating an emotionally touching story that drew audiences in and kept them engaged as the season played out.
Zhai's work as an editor is proof enough itself, so much so that she's climbed the ranks much quicker than the majority of her peers in Hollywood. Most recently she's been working on the viral marketing video content for the sequel of the Chinese smash-hit Monster Hunt where her work has embraced millions of viewers.
From beginning her career editing trailers that have been integral to drawing audiences and selling films to buyers, to serving as the editor on highly-watched long form projects that have aired on major networks, Ge Zhai's seasoned skill as an editor combined with her unique power as a storyteller have been integral to the success of a great many projects. This is one editor we know we'll be seeing a whole lot more from as time progresses, so keep your eyes out for her name as the credits roll.
In spite of what the tabloids would have you believe, filmmaking is a team effort. While directors and actors are the faces of this mode of entertainment, the success of each production owes just as much to the talented professionals who perform their feats of magic and ability behind the camera. Think of it like this; if you order a fantastic meal but it isn't handled properly or delivered properly…then it's no good to you. Those whom the public never sees are as responsible for the gripping and endearing stories that we all love just as much as the marquee names we all know. Jun Xia may not be a household name but this editor is widely known and respected in the film industry. His editing has enabled the stories of fright (as in "Emily" and "Inside Linda Vista Hospital"), the touching stories of love and love lost (in "The Good Memory"), and of perseverance and the human spirit in "She Gives Me Sight." This story of a young blind boy who is given a gift stronger than that of sight by a loving family member is the type of inspirational film that simultaneously evokes tears and admiration. Honored with multiple awards (at the Hollywood Boulevard Film Festival, Love Shorts Film Festival, LA underground Film Festival, and many others), "She Gives Me Sight" has a distinct pacing that is the result of Xia's collaboration and planning with director Jiping Liu. When viewing the film, it is apparent that this approach is a major part of how the story is delivered and thus a result of its recognition in the film community.
"She Gives Me Sight" is a story about a little boy named Cecil whose life is full of bullying and darkness. Cecil was blinded in an accident and now lives with his grandmother in a small town. His only playground is the front yard of the old house in which they live. After little Cecil lost his sight, his grandmother decides to give Cecil love and light. Rather than treating him gently or with sympathy, she treats him more strictly than before. She continually asks him to help with simple housework. The neighborhood kids laugh at Cecil and taunt him. Although his grandmother is a witness to all of this, she doesn't say anything about it. When a mishap occurs during these common house chores, Cecil breaks down. He is astonished that his grandmother does not take his situation into consideration and treat him differently than before he lost his sight. That night, she tells Cecil a bedtime story about a rose and a butterfly and how the rose promises to fight against the wind and keep blooming. Cecil dreams that night and understand that the story is about him and the rose's story is his own. Three years later, Cecil became a successful author and writing a book named She Gives Me Sight about his childhood, and thanks his grandmother for teaching him to persevere and find his own way.
While a plethora of awards, nominations, and "official selection" accolades point to the widespread recognition of "She Gives Me Sight" by the film community, it's the power that the film has on the individual when viewed that reveals its true impact. The film's tone creates such a strong connection between the audience and young Cecil that it is almost unfathomable to think of its presentation as any other way. What Jun Xia and Jiping Liu created together is a moving and epic story of love overcoming life's harsh blows. The rose that defies the wind can be found inside any of us; Jun Xia made certain that all viewers understand this lesson.
Only someone that truly loves what they do can enjoy it the way that Minghao Shen enjoys film editing. His understanding of his craft and his commitment to the artistic elements of it allow him to excel at what he does. Not many people are lucky enough to be so talented and so passionate about their work. Shen is one of those fortunate few, and on top of this, he is considered one of the best Chinese film editors right now.
While working on award-winning films such as Red String, Emily, Inside Linda Vista Hospital, and Stay, Shen's editing skills were extremely evident for both audiences and critics.
"I am a creative minded person, so I love the re-creative part of editing a lot. There are many ways to make a film, and I feel editing is one of the best ways to engage in the filmmaking production," said Shen.
Shen engaged in both the filmmaking production and with audiences with his work on the film Cartoon Book. Cartoon Book is about a little boy who tries to go against the school and teacher under severe rules. Afterwards, it seems that the teacher gradually controls the boy by using his vulnerability and letting the rebel boy become a tool to manage other students. The boy draws cartoons, but he feels it is hard to choose between his desire or his morals when the teacher bribes him to be her spy who needs to betray his friends.
"It is a kind of classic tone film, so rather than edit it 'correctly', director more like to keep the smooth and stressful feeling by editing. That is why I, as the editor, needed to understand the story indeed," said Shen. "We had a lot of footage, so it was quite a lot of work at the beginning. But, all the effort and hard work was worth it.
The film went on the be an Official Selection at the prestigious Cannes Short Film Corner where it premiered last year, as well as the Berlin Student Film Festival, the Goa Shots International Short Film Festival, and the Accolade Global Film Festival Competition.
The film was written and directed by Shuhe Wang, who had previously worked with Shen on her film The Regret, and was immediately impressed by his talents. Knowing they work well together, and that she needed the best to make her new film a success, she reached out to Wang to join her on Cartoon Book.
"I worked with Minghao on my award-winning short film Cartoon Book. I was the director and he was the editor. We worked together really well. He was so full of thoughts and understood the story deeply. When we were on set, Minghao watched the footage carefully on each shooting day. His did the rough cuts very quickly and helped me to get the overall storyline," said Wang.
Shen was vital to the successful of the film. He says working on Cartoon Book was unlike any project he had worked on in the past. He read a lot of the director's notes and talked about the story more than just the editing technique with the director. He would meet the cinematographer and communicate about the shot, knowing they all needed to be on the same page for the overall tone of the film. This understanding of not just his role, but the entire filmmaking process, is outstanding.
"The most exciting part of making this film was the journey of the main character. There were many twists and turns in it. It is a bit challenging for editing because the complex storyline, but on another hand, it offered a variety options for editing, and that is what makes my job fun," Shen concluded.
The film industry is home to an army of specialty craftspeople and technicians, each working in distinct specialized niche disciplines. These widely varying duties abound in the post-production field and while many seem almost esoteric in their limited scope, some actually have a critical impact on the finished films emotional appeal and ability to directly reach an audience.
Chinese born Editor/Colorist Liang Xia is a prime example of this. His is a uniquely demanding position, one that requires a masterful sense of nuance and subtlety, balancing the aesthetics' which a production's setting and style requires while subtly enhancing the film's overall mood and emotional appeal. Xia achieves this with a both comprehensive attention to minute detail and an overarching perspective on the sweep of the entire film.
The third aspect of the colorist's job is the most important, and also where Xia excels.
His work on the recent feature film Strawman exemplifies Xia's perfected mix of vision and expression. A gritty look at a youth forced into a life of petty crime to support his siblings after their parents abandon them, Xia's atmospheric approach and attention to detail further burnished director Tian Xie's impactful drama.
Xia is driven by a fascination with the human condition and the inescapable drama of common life. It's a combination of sensitivity, aesthetics and technique striking an unusual balance between meticulous technical precision and broad emotional strokes. For Xia it's almost therapeutic and this unusual artistic perspective enhances every project undertaken and has, in a few short years distinguished him as a professional force to be reckoned with.
And it's working. Strawman took Best Foreign Feature at 2016 Los Angeles Independent Film Festival and Best Feature Film Diamond for director and editor at the 2017 NYC Indie Film Awards, and led to an on-going collaboration with he and director Tian Xie, most recently on the short Promise. In fact, Strawman and Promise each won a Gold Remi Award at 50th WorldFest-Houston International Film Festival. Additionally Strawman officially selected in the 19th San Francisco Indie Film Festival, the 6th Richmond International Film Festival and 23rd New Jersey Film Festival.
Often referred to as the 'invisible art' that takes place behind the scenes of a film, commercial and other visual media projects of the like, the work of an editor is critical to setting the tone, style, and structure of a project. While their work requires extensive skill and often long, laborious hours in order to sew hundred of hours of footage together into something that unfolds seamlessly on screen, editors rarely receive their due credit in the press; but that's just the nature of the game, the mark of the best editors means their work goes unnoticed. One editor who deserves quite a bit of attention for his extraordinary talent though is Frenchman Rudy Vermorel.
Vermorel began his career nearly a decade ago, and what he's accomplished since is nothing short of amazing. With a keen eye for the perfect shots and the ability to create a seamless flow on every project he lends his magic editor's wand to, Vermorel has become known for his distinct skill through his work as the editor of commercials for auto industry leader Ford, the video game Homefront: The Revolution, and countless music videos for artists including Demi Lovato, Party Favor, Av DiVinci, Alexx Mack.
Last year Vermorel signed on as an editor at Eyestorm Productions, an LA-based creative agency whose well-known clients include Hasbro, BJ's Restaurant and Brewhouse, video games such as Tom Clancy's Endwar, Call of Juarez the Cartel, Rocksmith and Zombiu, and many more. Eyestorm Productions also did the TV Spots, behind the scenes and featurettes for "Star Wars III: Revenge of the Sith," and most recently the ad campaign for the video game Clash Royale.
As the lead editor on all of the trailers and commercials for Clash Royale, Vermorel's work for the game has been hugely successful on an international scale with the collection of ads garnering over 120 million combined views on Youtube, and other social media platforms.
"Last year Rudy came on board as the editor of the Clash Royale campaign, one of Eyestorm Productions latest projects. The series of commercials he edited for Clash Royale really drove home the intense competition and modern vibe of the game in a way that seamlessly represented the product to users and made them want to start playing Clash Royale. He nailed the project in every aspect," explains Eyestorm Productions owner Michael Klima.
Released on March 2, 2016 Clash Royale was developed and published by popular mobile gaming company Supercell. Referred to as the 'King of Gaming' by Forbes in 2013, Supercell gained worldwide attention when its first two games, Hay Day and Clash of Clans, began pulling in $2.4 million per day.
Clash Royale is a real-time multiplayer mobile strategy game starring the Royales from the popular Clash of Clans game. Mixing together elements of a collectible card game, tower defense, and multiplayer online battle arena, Clash Royale allows users to form their own Clan and share cards to build their very own battle community. Available on Android and IOS platforms, Clash Royale quickly became No. 1 in the U.S. on the top downloads chart, as well as the top-grossing list on the iOS App Store game upon release. Last year Clash Royale also earned the coveted Google Play Award for Best Game of the Year, an award emphasizing app quality and innovation over the previous 12 months selected by a panel of experts on the Google Play team.
Over the past year Vermorel used his extraordinary editing skills to cut a plethora of commercials and In App ads for Clash Royale, including the incredibly popular "Clash Royale: Settle it with a Duel (Doctor v Doctor)," "Clash Royale: Settle Your Check With A DUEL!," which has earned over 20 million views since it's release last month, "Clash Royale Settle it with a Duel (Santa v. Dad)" and "Clash Royale: DEFUSE the Situation with a DUEL!" commercials.
"Clash Royale: Settle it with a Duel (Doctor v Doctor)" has earned a whopping 14 million views on Youtube since it's debut on the Clash Royale Channel in January. The highly cinematic commercial is full of intensity and bright colors, which heightens the energy as two doctors battle it out over what treatment to give their patient– the perfect parallel to the intense competition users feel when playing Clash Royale.
Any user who sees the commercials edited by Vermorel would be hard pressed not to be pulled in by the cinematic effects, precise cuts and building energy set by the EDM music playing in the background– it's no wonder that millions of users around the world have signed in and begun playing Clash Royale!
Rudy also edited a series of hilarious and visually modern character spots for the campaign, such as "I Am The Knight," "The Log," "Princess Got It," "It's A Goblin Barrel!," and several more, all of which have gained incredible traction with viewers around the world garnering over a million views each on Youtube.
"I wanted to showcase the funny side of the characters and design the ads in a way that made them endearing, then I opted for a modern, dynamic editing approach in order to attract the interest of a large audience," says Vermorel about his inspiration as the editor of the campaign.
Aside from editing the Clash Royale campaign, Vermorel also edited a plethora of successful ads for Supercell's Clash of Clans game. From the way he's edited the commercials for each campaign, endowing the videos with an energetic and engaging vibe that is relevant to modern gamers, one might assume that Vermorel is a gamer himself, but ironically he is not! The fact that he is not a gamer, but has managed to edit the campaigns for both Clash Royale and Clash of Clans in a way that struck an obvious chord with users says quite a lot about his creative talent as an editor.
There is no questioning the fact that the way the world disseminates and receives information and entertainment is forever changed. "Appointment TV", a staple of the home viewing industry only ten short years ago, is almost nonexistent thanks to the DVR. You can watch a film that was released in the theater within almost three month's time on a plane. Digital Downloads now result in more viewers watching on their computer or smartphone than any of the traditional means previously commanded. News and entertainment go everywhere on the planet and they get there quicker than ever before. While this has caused previous models to take a financial hit, it has also produced an industry that has more creative professionals involved in production that at any point in history. The belief is that that not everyone succeeds but, as the saying goes "the cream rises to the top." Ana Arcioni is among this new breed of professionals. A highly in demand editor with a widely diverse resume, Arcioni has the ability to work with productions around the globe who seek out her consummate abilities. Empowered with a wider sphere of influence than that afforded to previous professionals means that editors like Ana are offered a host of diverse opportunities, something which is a part of Arcioni's list of desirable qualities. Productions like the animated film Reality Takes Place, EATV (Educational Access Television), and Premiere Pictures International Inc. are just a short list of the employers who have enlisted this talented editor to make their creations even greater than before.
When Ron Merk, owner/president of San Francisco based Premiere Pictures International Inc. approached Ana about working on the company's new S.E.Q.U.E.N.C.E. project (as a film/video Editor and Artistic Supervisor for Trailers, Promos, Teasers, and interviews), it seemed to her like an opportunity to be really creative and on the ground floor of something new to the industry. It also gave credence to the company's belief that Arcioni could display their technology and approach to the best and brightest of the industry. The owner and president of Premiere Pictures International Inc. declares, "Ana's work with S.E.Q.U.E.N.C.E. proves to the world that It does exactly what I had in mind; it gets the viewer intrigued and want to ask 'what is this and when can we see it?' Editing has its own rhythm and pace, and the project itself is going to tell you when to stop. I love that Ana can read my director's mind and put together a video like if she was? reading my mind. We're in the business of giving great editors great tools, look no further than Ana Arcioni as proof of this." In addition, Ana participated in the projects Outrageous, Repeace, and Harvest during her time at Premiere Pictures International Inc..
Alejandro Salinas discovered MTV when he was just 10 years old. As a child growing up in Mexico City, he would listen to songs and always think about what the music video would look like. When he saw a new one come out and it would not match his expectations, he would become thrilled at the idea of making his own version. When one came out that was better than he imagined, he would become overwhelmed with excitement and the new possibilities that those amazing ideas had brought on for the industry, the world, and his creative perception. The love for music and inspiration it draws generates a need for him to create visuals for it.
Now, that young boy from Mexico City goes by Zeon, and is recognized around the world as an outstanding director and editor. Despite working on films and fashion films and achieving extraordinary success, he still knows his passion is the same as the 10-year-old boy who would watch MTV all day.
"I make music videos. I create a visual world from a song. I direct and edit the process, and I'm very detail-oriented. It's the most rewarding discipline for me. It encompasses so many different art forms and you'll never be bored by it. There will always be new songs to be inspired from to create new visuals, and that keeps me coming back to them," said Zeon.
One of Zeon's greatest accomplishments was working with Lady Gaga on the music video for her Academy Award nominated song "Til It Happens to You", showing the stories of women who are raped on college campuses. The video has been viewed over 37.5 million times on YouTube.
Jamie Holt, the producer of "Til It Happens to You" was impressed with Zeon's work and asked him to be involved with her next projects, the music videos for the band Icon for Hire, for their songs "Now You Know" and "Supposed To Be". "Now You Know" premiered February 2016 and has over 1.4 million views on YouTube. "Supposed To Be" premiered June of this year and has over 826 thousand views.
Still from Icon for Hire's "Now You Know" music video.
Zeon's first taste of true success came when working on the music video for "Arrójame" for the legendary 80s/90s Mexican rock band La Lupita, a humbling experience for Zeon, who had his music video on TV debut with this video.
The producer of the video, Estívaliz Zaragoza, had worked with Zeon previously and says she would never miss an opportunity to collaborate with him.
"Working with Zeon is full satisfaction, because he is always on top of his responsibilities and tasks, he never hesitates on helping his team mates. His creativity and ideas are refreshing and right on spot. He always has something to share, knowledge, helpful information and useful ideas. He has a mixture of skills that make you want to have him in your team and collaborate in his projects: He is proactive, disciplined, detail-oriented, a team player, and super creative," said Zaragoza.
From there, Zeon's career took off. He worked on the fashion film Dieode and the celebrated fashion documentary Mextilo, and worked on the music video for the iconic collaboration of legendary Mexican singer Lila Downs, the Spanish Niña Pastori, and the Argentinian Soledad for their song "Que Nadie Sepa Mi Sufrir". The video has amassed over 2.5 million views on YouTube, and their album received a Grammy nomination.
Zeon knows he has the power to push an artist's vision even further. He has been studying music videos for almost his entire life, and can sense what works and what doesn't. He strives for perfection, and that is what he is known for achieving.
"I love the emotional, narrative and visual impact I can have on the final result of a video. It can completely shift an artist's career. It thrills me to push alongside them, because we're both moving forward in ways we never imagined" he concluded.


text:
Is BBNaija Star, Bambam Truly In Love With Ex Housemate Teddy A? Check
CelebsEntertainment
Lovebirds and BBnaija ex-housemates, Teddy A and BamBam got people emotional when they shared the secrets to their long standing romantic relationship.
Reports have it that the duo, known collectively as BamTeddy, are the only couple with `an intact' relationship post BBNaija double wahala which has left fans wondering how they sustained it.
On Wednesday night during the BBnaija #DoubleWahalareload and reunion show, BamBam told fellow ex-housemates and host, Ebuka Obi-Uchendu that they genuinely love each other and this has kept them stronger.
BamTeddy went down memory lane, digging out details from the budding moments of their relationship, revealing how judging each other's personalities almost ruined it.
BamBam said, "I was just scared of the unknown. I judged him. Like I always said, I judged the book by the cover.
"Vandora and Alex came to calm me down because they saw how terrified I was and told meh was a good person.
"I think they did the same with him. Somehow, he wanted up to me although he was not very nice to me in the beginning.
"When he let his guard down a bit and drew me in, I realised he was a nice guy. I didn't think we were ever going to have chemistry the way we do. I couldn't resist his charms and here I am," she said.
When Ebuka asked Teddy A how they have kept the relationship running despite being opposites, he pegged it on understanding.
He said, "Honestly, I don't know but I feel it's more about how we feel about each other like she said. "We weren't each others types and I didn't like the fact that she carried the whole 'I am a church girl' attitude.
"As we spent time together, she saw what was in the inside We have come to understand each other's differences and respect them," he said.
Reports have it that the couple were the second most controversial in the house, after Tobi and Cee-C.
However, they shared a visible bond that endeared fans to them. Teddy A, who usually maintained a solid facade, cried bitterly when BamBam was evicted and was relieved when he was evicted the next day.
The duo maintained their relationship after the show and even have joint businesses and media appearances, presenting a solid front. Fellow ex-housemates applauded their resilience with Anto wittingly commenting that she could not wait for the wedding Aso-ebi.
https://www.tori.ng/news/118832/is-bbnaija-star-bambam-truly-in-love-with-ex-house.html
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Efe - November 14, 2019
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Lazarus: Grateful Soul ft. Chuzzy
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redpajama_set_name: RedPajamaCommonCrawl


The new Samsung Galaxy S2 mobile phone uses all the latest technologies like the super AMOLED Plus technology. This is often a technology that delivers great clarity and ensures the phone is fast in opening files and application. Its expendable 32GB capability will allow for it to support several applications which mobile phones cannot support. Another good feature of this phone is its eight megapixels camera which may be strong and that can take high quality pictures. This can be a phone anyone save the hustle of carrying a camera when you are on tour. The big memory of this phone allows it offer the 1080 p video recording application which needs lots of memory that is a recording feature which can record videos for a very long time.
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The recalled product bears the establishment number "Est. 221-A" inside the USDA mark of examination. The products were produced on Jan. 11, 2013, and were distributed in Alabama, District of Columbia, Florida, Georgia, Louisiana, Maine, Maryland, North Carolina, New Jersey, New York, Pennsylvania and Texas.
While just about all devices could be saved (Remember that time your baby niece heated your phone in the toaster after slathering it with butter?), there are things can be performed to raise odds of the device surviving a traumatic event and soon you will are qualified to bring it to a professional repair a pc technician.
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text:
A Dialogue with School Counselors and Music Educators: Practical Insights for Supporting Students' Social and Emotional Learning and Success in the Classroom, the Arts, and Beyond
Coming out of the worst of the pandemic, PreK-12 music educators throughout the country have reported a wide range of challenges with behavior management issues in the classroom and the need for social and emotional learning support for students. As noted by NAfME's Professional Learning and Partnerships Committee and many others, these issues (which vary by teaching level and school context) include reacclimating students to classroom behaviors, lack of student participation, the need for a deeper understanding of trauma-informed practices, and supporting all students' social and emotional learning and well-being.
Don't miss this unique, interactive dialogue with experienced school counselors and music educators. During the first half of the program, experienced professionals from the American School Counselor Association (ASCA) will identify trends and issues they are seeing in the field and offer some practical insights, tools, and strategies for how music educators, in tandem with school counselors, principals, and the overall school community, can support students social and emotional learning and success in the classroom, the arts, and beyond. The second half of the program will be an interactive dialogue with the ASCA speakers and a panel of experienced music educators and some Q/A with the audience. Both music educators and school counselors are invited to participate in this program.
Presenters from the American School Counselor Association: Jill Cook, CAE and Dr. Beth Ruff
Discussion facilitators from NAfME: Johnathan Hamiel, Dr. LaSaundra Booth, and Angela Schendel Keedy
Feb 6, 2023 07:00 PM in Eastern Time (US and Canada)
Hi there, You are invited to a Zoom meeting. When: Feb 6, 2023 07:00 PM Eastern Time (US and Canada) Register in advance for this meeting: https://us06web.zoom.us/meeting/register/tZUscuCorzksHtaQJhLWgVZ4mXD5s9c19jEP After registering, you will receive a confirmation email containing information about joining the meeting.


text:
« Millar is top pro in Alliance fixture at Mottram
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Fletcher is Lancashire's next president
Posted November 22, 2018 by David Birtill in Lancashire Golf, Other News.	Leave a Comment
THE Lancashire Union of Golf Clubs has appointed Norman Fletcher as president-elect for 2019-20.
He has been a member of Chorley Golf Club for 58 years and is well-known in golfing circles for his work with the PGA, the Ryder Cup and a number of national golf development projects.
Following an early teaching career, Fletcher worked for the PGA for 33 years before retiring in 2017.
Initially he was the PGA North Region secretary before moving to the National HQ at The Belfry in 1992. He undertook a number of roles and was assistant chief executive from 1997 to 2005.
A move to the role of Director of Regional & External Relations in 2005 provided a little more time for him to continue playing competitive golf at senior level.
His PGA responsibilities have been extensive and wide-ranging. They included his work with the England Golf Partnership, of which he was the first chairman. and partnership manager from 2005-09, working on the whole sport plan for golf 2005-09, and was a director of EGP until 2017.
He was director of the PGA's of Europe from 1994-2010 and a Trustee Director of the Golf Foundation from 1994-2017.
Fletcher was involved in the Ryder Cup as a referee from 1985-89 while from 1993 to 2006 he was responsible for Ryder Cup ceremonies and co-ordinating all arrangements for the Royal Household, Heads of State and VIP visits to the event, including logistics and liaison with security services.
A member of Chorley Golf Club since 1960, he was captain in 1982, president in 1990 and club champion on six occasions.
He has held a Category 1 handicap since 1966, which he still retains. During his time at the University of Exeter he captained the golf team and represented the English Universities v Scotland in 1971-72.
Fletcher has also represented the Bolton Golf Association team in five decades, also playing for Lancashire County Seniors from 2005 to 2016, going to three National County Finals as a player, captain and non-playing captain.
He is also a member of Royal St. David's Golf Club at Harlech since 2000, was chairman of the club in 2017 and is the present captain. He won the Welsh National Teams' Championship with Royal St. David's GC and represented Wales in the European Club Team Championship.
He has been married to wife Kathryn for 45 years and they have two children, Sarah and Daniel.
Fletcher said of his appointment: "I was surprised and delighted to be offered the office of president and I hope to represent this great county to the best of my ability in 2019."Being asked to be president is a real honour and serves as a link back to my grandfather – Norman H Fletcher – who was known as Norrie and represented the Lancashire Union for many years in its early days of the 1920s and 30s."He will officially take up his new role in March.


This year so far, I have been trying out so much new makeup. I have become so bored of wearing the same brands and the same kind of things all the time, so I have been forcing myself to step out of my comfort zone a little bit.
So, now that I have all of this new makeup I thought it would be good to do a new forever favourites post. In these posts I just give you an overall of the makeup that I am loving at the minute. Normally my standard to get into this post is to have repurchased it at least once!
So, I won't ramble on and I will just onto my new favourites!
I was very dubious about this foundation when I first bought it. For me, I just thought that something that cheap surely isn't as good as everybody is making out. I know that may sound a little snobbish, but I don't mean it like that.
I have an oily complexion and normally the drugstore just don't cater for different skin types. But this foundation worked perfectly for my skin. Honestly, I applied this in the morning around 7am and didn't have to powder my face once. Since using it I have bought a spare 2 because I really don't want to run out. When I find a good cheap foundation that works for me I hoard it!
I wanted this purely for the packaging because it really is just so stunning. Then I thought I would love the contour shade, which I do. But I had no idea that I would fall in love with the highlighting shade the way that I have.
I have never really been a fan of highlighting. There are too many people out there now that highlight their face until they look like a glitterball. I hate that kind of look, for me I either want it to look subtle or I don't want anything on at all. This highlight shade is just perfect for my skin tone, I am hooked!
I have been on the hunt for my holy grail lipstick for absolutely ages. For some reason, I just couldn't find the perfect neutral shade for my lips. I wanted one that wasn't too pink or wasn't too mauve or purple in colour.
Then I found this lipstick and fell head over heels for it. Within a month, I had used a full bullet of it which is saying something for me because normally lipsticks last me years. I have been wearing this every single day without fail for months on end and my obsession doesn't seem to be slowing down either!
I am a lover of all things deep. I know that we are heading into spring but I will take a nice deep brown rather than a red any day of the week. When I first tried this MAC lip liner I loved it straight away. The colour of it is just pure perfection.
For the longest time, I had been wearing the MAC Stone Lipstick without having the lip liner and it really has made a world of difference. My lips now just look much more defined and it helps me to overdraw my lips if I want to.
As a girl with oily skin I kind of kick myself for waiting so long to try this foundation because it works so well for my skin type. Never have I tried a foundation before that controls my oil as well as this one does. It looks good all day long and only moves or comes off when I want it to.
My only bug bear with this foundation is that it didn't come with a pump, so I did buy a MAC pump and it works perfectly. It is obviously an extra expense on top of the foundation, but it is one of them things and once you have it, you have it!
Anybody who knows me knows that I'm not a floral girl. If I had my way I would wear men's aftershave, but when I have done that in the past before people tend to think I am strange. So, when I found this deep smell I was hooked on it from first spray.
I must literally go through one of these bad boys a month because I douse myself in it, not to mention that I spray it around my room and especially on my bed linen to make it smell like Chanel. I honestly think this is my new favourite over the Chanel No5.
Never in my life have I used a mascara as good as this one before. I used to be a bit of a scrooge towards mascaras because I could never see how high end ones can differ that much to drugstore ones, how wrong I was.
Since trying this none of my old drugstore favourites seem to be performing as well as I used to think that they did. This YSL Shocking Mascara just makes the lashes so much longer and thicker, plus it holds your lashes up all day and really curled because it really does feel like it sets around each individual lash hair.
I wanted to try this foundation out to start with because I felt like I was the only person in the whole world that didn't have it. When I first tried, it was love at first blend. This foundation just makes the skin look so flawless, and at the same time it is nice and lightweight.
What I love about this foundation is that it covers my hyperpigmentation. I do have to go in with two layers over my problem area on my cheek but that does the job fine. Normally with liquids I can go in with multiple layers and even that doesn't cover it. Plus, this is really quick and easy to use with it been in a stick form.
As soon as I heard the name ultimate coverage concealer I knew that I had to give it a go. Anything that is full coverage and will hide the darkness under my eyes I need to try out immediately. I have been loving this recently for the area right close to my lash line because that is where I get most of my darkness.
Just the smallest amount of this and then blending it out makes my dark circles completely vanish. The good thing about this concealer is that a little bit goes a really long way because it is so pigmented so this small pot will last quite a while!
Everybody raves about this product and it actually took me quite a while to try it out. It is just such a good universal shade. Plus, for a lip liner it is really nice and moisturising and doesn't try my lips out at all which is just what I look for in a lip liner.
This lip cheat is great for lipsticks that I don't have matching lip liners for. This just helps me to guide the lipstick on, plus, even though lipstick bleeding is minimal on me, it still stops it from happening. I think Pillow Talk is just one of them shades that everybody should give a go.
There you have my new ultimate forever favourites. Over the past few months I have been using these products to death and I can't imagine a time when I won't love them. Every single one of them has been repurchased over the past few months and that just shows how much I love it.
As normal I will leave a link down below to everything that I have mentioned. Also, please make sure you leave any questions that you may have below and I will get right back to you. What products are your forever favourites?
Some of my favourites are on here too, I love Pillow Talk liner. Definitely need to try that Becca concealer, it sounds amazing!
I love the Becca Concealer, I was dubious about it to start but I love it!
I know it is sheer dedication to a lipstick isn't it!
Of course it't not too late!
I always try to save my Boots points but I never seem to get anywhere!
It is such a good mascara, I don't think I will ever tire of using it!
It is such a good cheap foundation, if I didn't already know I would think it is high end!
There are some gorgeous products here, I love that mac lip pencil and I think I have smelt the perfume before, it smells lovely!
It is such a good perfume, it is definitely one of them that you either love or hate!
I love it too, it is my most reached for foundation by a mile!


text:
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redpajama_set_name: RedPajamaGithub


text:
The Week: DfT to launch surrealist campaigns for child road safety
The Department for Transport has moved away from the cuddly characters favoured in its children's road safety campaigns in favour of a hard-hitting new push that focuses on how road injuries can impact on children's lives.
The campaign, created by Leo Burnett, introduces three animated characters; Alfie, Emily and Isaac, who all have their own "tale of the road" to share in three 30-second ads that break on 17 November. The ads draw on the animation of the pop surrealist artists Mark Ryden and Camille Rose Garcia and were written by Christopher Birch and art directed by Caroline Rawlings.
The first execution in the series stars Alfie, who can no longer play football because he didn't look when crossing the road and broke his leg.
Previous child road safety ads have featured Nutty the Squirrel, The Green Cross Code Man and, recently, a family of hedgehogs. To view the ad, go to www.brandrepublic.com/campaign/roadsafety.


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Stars Honor Library of Congress at Creative Coalition Bash
Kicks off a weekend of Washington festivities tied to the White House Correspondents Association dinner
Ira Teinowitz | April 30, 2010 @ 6:55 AM
The Creative Coalition on Thursday kicked off a weekend of Washington festivities tied to the White House Correspondents Association dinner, hosting a star-studded tribute to the Library of Congress Thursday night.
Spike Lee, Wendie Malick, Adrian Grenier, Cheryl Hines, Tim Daly and former "Wings" co-star Steven Weber (pictured), Omar Epps, Marlon Wayans, Gloria Reuben, Richard Schiff, Dana Delany, Patricia Arquette and political correspondent Howard Fineman were featured in an hour-long presentation that mixed video and audio highlights of the Library's historic collection of audio recordings, radio, TV and film recordings with praise for the Library's work and some jokes.
As they highlighted the development of TV from the late 1940s in one segment, Hines asked Weber whether it was really possible to fill a 24-hour news channel with news.
"No," responded Weber. He then noted that a 24-hour news channel started in 1996, a time, he said, "when Congress actually passed laws."
Lee who presented a Creative Coalition Spotlight Award to Dr. James H. Billington, the 13th Librarian of Congress, said that besides his background as a Librarian, Billington was a Philadelphia Phillies fan.
"Too bad," said Lee.
The tribute was written by "Oz" and "Homicide: Life on the Street's" Tom Fontana.Billington was honored for the work the Library has done to gather and preserve historic recordings, films and TV shows.
Friday the artists are to make a series of Capitol Hill appearances and also stop in at the White House.
Hollywood, D.C.
What happens when the political world and the entertainment industry collide. From FCC policy wonks to the MPAA to celebs at the White House, it's TheWrap on Washington.


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Speaking of Krugman misspeaking…
Perry Metzger (New York, USA) · Economics, Business & Globalization · Health & medical · North American affairs
In the United States, we're in the midst of a giant scandal about just how bad the Veterans Administration hospital system is.
For those unfamiliar with it, the US maintains a mini-NHS just for former soldiers, and it appears that it has both been undergoing a systematic meltdown and systematically falsifying records that would have allowed outsiders to learn of the situation.
As it happens, Paul Krugman, everyone's favorite economist, effusively praised the VA hospital network as a model for future American health care in 2006, claiming it demonstrated that state operation of the health system was to be wished for rather than feared. Quoting his New York Times Column:
I know about a health care system that has been highly successful in containing costs, yet provides excellent care. And the story of this system's success provides a helpful corrective to anti-government ideology. For the government doesn't just pay the bills in this system–it runs the hospitals and clinics.
No, I'm not talking about some faraway country. The system in question is our very own Veterans Health Administration, whose success story is one of the best-kept secrets in the American policy debate.
The discovery of a column or speech by Professor Krugman that seems embarrassing in the light of later discoveries has become quite routine. (see, for example, his effusive praise for the quality of Thomas Piketty's data and the inability of opponents to refute it at a point where "Capital in the 21st Century" had been in public hands for mere days. There are numerous other examples to be had.)
What is not routine, sadly, is for Professor Krugman to ever acknowledge such a mistake. I am unaware of an instance of his admitting to an error.
May 30th, 2014 | 37 comments - (Comments are closed)
Piketty's Data, Krugman's Shame
Perry Metzger (New York, USA) · Economics, Business & Globalization
An addendum to the earlier post on Thomas Piketty's "Capital in the 21st Century":
As was originally pointed out yesterday by Alisa, the Financial Times attempted to verify the data presented by Piketty in his book, and failed to be able to reproduce it.
They found that the data, as presented, contained (to say the least) substantial inaccuracies. More bluntly, if the correct figures from the sources he cites are used, and the calculations are performed correctly, the effects he claims to describe vanish entirely.
The Financial Times has now published two articles on the subject, but I would prefer to draw people's attention to the blog post by Chris Giles that discusses the matter in full detail. It is absolutely worth reading, especially as Piketty's reply to the FT on the matter is breezy and entirely non-substantive, addressing none of the points brought up by Giles.
There were hints of data problems even before my own earlier blog post on this matter. I will continue to assert that even were the data correct, it would make no real difference, as Piketty's conclusions are absurd. However, it is of significant interest to know that his objective claims about the data are untrue as well.
One wonders why Professor Piketty chose to first publish his ideas in a popular account rather than in academic journals, where peer review might have caught these problems earlier. Perhaps then, however, we would not have experienced the treat of Paul Krugman explaining to us that no real counterargument exists to Piketty's claims. Quoting Professor Krugman only a month ago:
The really striking thing about the debate so far is that the right seems unable to mount any kind of substantive counterattack to Mr. Piketty's thesis
Note that Professor Krugman wrote this mere days after the book even became available to most readers, long before it could be expected that anyone could have double-checked the data or formulated a coherent response, and long before any but the swiftest of readers could have been expected to digest the contents.
I recommend that connoisseurs of schadenfreude read all of Professor Krugman's writings in The New York Times on the subject of Piketty. They are, especially in the light of the emerging news, a rare treat.
Perry Metzger (New York, USA) · Slogans & Quotations
Throughout history, poverty is the normal condition of man. Advances which permit this norm to be exceeded — here and there, now and then — are the work of an extremely small minority, frequently despised, often condemned, and almost always opposed by all right-thinking people. Whenever this tiny minority is kept from creating, or (as sometimes happens) is driven out of a society, the people then slip back into abject poverty.
This is known as "bad luck".
– Robert A. Heinlein
(As brought to my attention in a comment by "Plamus".)
May 22nd, 2014 | 128 comments - (Comments are closed)
Piketty and the Shoe Event Horizon
Perry Metzger (New York, USA) · Best of Samizdata.Net · Economics, Business & Globalization · Philosophical
In Douglas Adams famous non-fiction series on galactic economic history, "The Hitchhiker's Guide to the Galaxy", we are presented with a description of the tragedy of the planet Frogstar B.
On Frogstar B, for a time shoe production increased faster than the rate of overall economic growth. As a result, with time, shoe production became a larger and larger fraction of the economy, until finally the Shoe Event Horizon was hit, at which point nothing but shoes could be manufactured, and lacking any other goods or services, their civilization collapsed.
Thomas Piketty's "Capital in the Twenty-First Century" describes a similar tragedy that lies inevitably in our future, the point at which the only economic activity left is investment, all money is held by a tiny minority of wealthy people, and our civilization permanently ends.
Will we be wise enough to learn from the people of Frogstar B, and place a heavy tax on capital before our doom is reached?
I hope not, because of course Douglas Adams was writing comedy, not an economic history. Sadly, Piketty appears not to be a parodist, and presents the claim, in all seriousness, that something like a Shoe Event Horizon, in this case the Investment Event Horizon, could actually happen.
Normally, I would ignore such a book, but numerous commentators (all of whom, by strange coincidence, were already enthralled by the idea of expansions state power) have responded to Piketty's call for heavy wealth and income taxation with rapturous reviews, driving Piketty's work to the center of much of our current political discussion.
It is therefore, sadly, our duty to seriously to consider his arguments and the effects of his proposed remedies…
→ Continue reading: Piketty and the Shoe Event Horizon
May 21st, 2014 | 73 comments - (Comments are closed)
Pot, Meet Kettle.
Perry Metzger (New York, USA) · North American affairs · Privacy & Panopticon
The United States Government, feeling that it does not have a sufficient worldwide reputation for completely lacking self awareness, has decided to indict members of the Chinese PLA for conducting computer based espionage against US commercial targets.
Note that the Snowden releases have revealed that the US has engaged in precisely the same behavior, including numerous attacks against Chinese equipment maker Huawei.
Indeed, we currently lack evidence that the Chinese state has conducted wholesale interception of calls from entire countries, but the NSA has done precisely that. We have no evidence that the Chinese have intercepted US equipment shipments and sabotaged them, but the NSA has done precisely that. We have no evidence that the Chinese have systematically undermined internet standards or bribed security companies to sabotage their own software to make communications less secure, but the NSA had done precisely that. Indeed, I could reiterate dozens of Snowden revelations here, but I won't waste everyone's time by doing so. (Note that I do not claim the Chinese government has not done such things, only that we do not have evidence of it, while we know for certain that the US government has done such things.)
Today's rhetorical question is therefore this: if foreign countries begin indicting and arresting US officials for espionage and industrial sabotage, will the US government protest?
May Day is for Remembering
Perry Metzger (New York, USA) · Historical views · Opinions on liberty
It is the First of May, a date traditionally associated with Marxism. Let us therefore pause today to remember that at least 100 million people were killed by Marxist governments in the 20th century, a number that dwarfs the predations of every other organized movement in human history.
May 1st, 2014 | 146 comments - (Comments are closed)
Who do the watchmen watch?
Perry Metzger (New York, USA) · Privacy & Panopticon
What are the odds that the NSA, GCHQ, etc. do not spy on the elected officials that oversee them?
What prevents subsequent blackmail of said officials by said agencies, other than policies that would be utterly trivial for agency officials to violate at whim?
February 28th, 2014 | 31 comments - (Comments are closed)
Do minimum wage laws make the poor richer?
Perry Metzger (New York, USA) · Economics, Business & Globalization · Slogans & Quotations
"You think minimum height restrictions make children taller?"
– Luke McCormick, who I think has finally found the minimal summary of minimum wage laws.
December 12th, 2013 | 19 comments - (Comments are closed)
Richman's Law
Perry Metzger (New York, USA) · Opinions on liberty · Slogans & Quotations
"No matter how much the government controls the economic system, any problem will be blamed on whatever small zone of freedom that remains."
– Sheldon Richman
August 22nd, 2013 | 7 comments - (Comments are closed)
On Self-Policing
Perry Metzger (New York, USA) · Military affairs · Opinions on liberty · Personal views
After the My Lai massacre, only one person, William Calley, was charged, and then only after enormous public outcry. He ultimately served 3.5 years in house arrest for ordering and participating in the murder of at least 347 and possibly as many as 504 Vietnamese civilians, presuming he had no knowledge of the gang rapes and mutilations of bodies, which seems unlikely given eyewitness accounts.
The events of My Lai were initially covered up, itself a crime, but no one was ever charged for participating in the coverup.
During the massacre, Hugh Thompson, Jr. saved countless lives by ordering his helicopter crew to protect innocent civilians from execution. For his trouble, he was initially given a medal for a non-existent event in an attempt to shut him up, then condemned in public once the true events were revealed. The Chairman of the House Armed Services Committee, Congressman Mendel Rivers, went so far as to say that Thompson was the only person in the incident worthy of punishment.
Has the world changed much?
Today, it was announced that Bradley Manning, whose chief de facto offense was providing the US public with evidence of multiple war crimes, will be serving ten times the length of William Calley's punishment, 35 years, and in a real prison rather than house arrest. The people who committed the war crimes he revealed evidence of will never be charged.
(On the latter, if you have any doubts that he revealed criminal activity, compare, as just one example, the video of the helicopter machine gunning of two Reuters reporters in Baghdad with the official DoD investigation report of the incident, which had full access to said video. Even if one can bring oneself to believe that the incident itself was not a crime (although it almost certainly was), the subsequent investigation was a fabricated tissue of lies. The events in the video and those described in the investigation report are manifestly not the same. Presumably those engaging in this coverup believed they could never be caught because the video was improperly classified to aid in the coverup, itself a crime. The coverup itself was a felony — but no one was charged but the messenger.)
The State protects its own. It cannot be trusted to police itself.
August 21st, 2013 | 74 comments - (Comments are closed)
Perry Metzger (New York, USA) · Opinions on liberty · Personal views · Philosophical
Recently, I've seen much hubbub to the effect that the US Republican Party must adopt libertarian views to retain its popularity. For example, see this article which, in spite of its title, mostly discusses why the Republicans will fail if they don't abandon "conservatism" for libertarianism.
As other examples, NPR had an extended segment on the news with a very similar topic about a day ago, and I've seen friends posting on similar themes.
I should like to take a radically orthogonal view.
I honestly don't care what will or will not "save" either the Republican Party, or any other party for that matter. Political parties generally disgust me, being organized for much the same purpose as a gang of looters or a crime syndicate, and if only they could all go out of business and their members be sent to prison where they belong I would be pleased beyond measure.
What I do know is this, though: just as the Democrats keep talking about things like "civil liberties" while running Guantanamo and a surveillance state, and talk about "peace" while growing the military and intervening around the world, your odds will be excellent if you bet that a GOP that adopts "libertarianism" so it can win elections will give the ideas lip service while implementing entirely non-libertarian policies to serve their real goals: power and money for themselves and their cronies.
Many people will not understand this distinction between rhetoric and action. After all, few seem to notice it right now. If the rebranding is successful and the Republicans start winning elections, I fear that the public will start blaming "libertarianism" for increased government spending, foreign intervention, business regulation, torture, and whatever else they implement under the pretense of spending cuts, non-intervention, deregulation, civil liberties, and the like.
I suppose that is not really something I can help, though. The underlying problem is that people do not yet widely understand that the higher the political office, the more likely it is that the electoral contest is between two sociopathic con men.
Indeed, the US Presidential election is a sort of quadrennial Olympics for con men. The odds of of a randomly selected untrained amateur winning the Olympic 500m race are poor when hundreds or thousands of professionals train for years for the event. The probability of a decent human being winning the White House when competing against hordes of amoral grifters whose skills are honed to a razors edge by years of competition are even lower.
Worse, people do not understand that even if a decent human being by some astounding accident wins high political office, they are almost inevitably both thwarted and corrupted. The system is built to derail reform, not to enable it, and it holds temptations that few normal people can resist. One is faced with (to name but a few things) the powerful financial interests of the Military-Industrial Complex, blackmail by the intelligence community, lobbyists more numerous than locusts, fellow politicians who do not want their sustenance to end, a press almost as interested in preserving the status quo as the pigs at the trough, Sir Humphrey Appleby's spiritual kin, constant luxuries from banquets to private jets to soften one's moral resistance, and an endless series of instances where one might bend the rules just this once, for the common good.
I would not even trust myself with the power of the Presidency — it should be no surprise that I trust no one else with it either.
I have been asked by some, "then what do you propose we should do, if electoral politics will not work? Surely you must work within the system you have, not the one you wish you had." This viewpoint reminds me of a political cartoon featuring a pair of Aztec priests removing the heart from a victim. One says to the other, "it isn't the best possible system, but it's the one we've got."
I think that until one thinks beyond the current system and its failures, one cannot get away from those failures. You cannot become celibate by increasing your frequency of sexual intercourse, shoot your way to nonviolence, gorge your way to weight loss, or vote your way to a system that respects inalienable rights not subject to the whims of the electorate.
The US's founding fathers conducted an interesting experiment in whether a strong constitution could restrain the worst defects of democracy. (That was literally their intent, as the Federalist Papers reveal.) We would be fools to ignore the result of that experiment. To be sure, it was a partial success for a time, but it did not last. The rot began almost immediately.
(I have acquaintances who are attorneys who believe in a "living constitution." They laugh at me when I say things like "but the plain intent of the words `Congress shall make no law[…] abridging the freedom of speech, or of the press' is that Congress isn't allowed to make laws on that topic." Apparently a belief that words can have plain meanings is the height of naïveté and shows exactly how stupid I am.)
The only rational way forward I see is to try to build the world I want directly, and to leave the political mechanism, which I wish to see eliminated anyway, behind.
My message, and sadly the best path I have to offer (for it is not an easy one) is this: work on ways to achieve the world you want that do not involve politics, and work on letting others know that this is the only long term path to make the world a better place.
In other words, if you want to see people fed, work on ways to feed them — one Norman Borlaug beats a million "food security activists" begging for stolen money. If you want to see people better able to communicate in privacy or avoid censorship when they wish to speak in public, build computer protocols and software to help them do that regardless of the desires of bureaucrats. (The people who built Tor, PGP and the like did not wait to be given "permission" to do so, they simply built what they felt the world needed. You can, too.) If you want to help people live longer and healthier lives, do medical research or open a clinic.
So, if you want to be free, live as freely as you can right now, and help others to be free as well. Build the institutions and technologies you wish existed to support freedom today, not someday after "they" have given you permission to be free. "They" will never grant their permission, so you will be waiting forever. Besides, waiting for "them" to throw you crumbs of freedom is servile. Not only will the things you build improve your own life here and now, those things will also undermine the power of those who would enslave you. ("They" would prefer that you believe yourself to be powerless and dependent on what "they" choose to do. Ignore "them".)
Most of all, do not believe the con men, do not join them, and do not aid them. (Try to help other people understand that they should not believe or aid them either.) The con men are not your friends. The last several millennia of experience with elections are not a fluke to be dismissed as mere experimental error. The next politician and the next election will not be different than all their predecessors. The next politician will not usher in "change", or "hope". The next politician will, if experience is any guide, care mostly about self-maximization. It doesn't matter how hard they pander to your prejudices, they don't care about what you want, they're in it for what they want. If you want a better world to live in, build it yourself instead.
August 19th, 2013 | 46 comments - (Comments are closed)
Total surveillance means absolute power
It has been less than 42 years since a US President ordered his minions to break in to the opposition party's headquarters in an effort to conduct espionage directed at undermining them.
Now, thanks to the NSA, no one would need to physically break in to anything — a few calls would be sufficient.
People keep talking about the current NSA scandal as though privacy was something intended to keep your neighbors from finding out you listen to embarrassing music — an understandable desire but ultimately of no great importance. To believe that is why people need privacy is to completely misunderstand what is at stake here.
Richard Nixon really existed, and was really elected to office. The problem is not a hypothetical one.
Consider just for a moment what an unscrupulous President, like Richard Nixon, equipped with the information already available from the NSA could do to his political opponents, to reporters trying to find out the truth about his activities, to anyone he thought of as being "in the way". Consider how much easier it would be for such a President to find his enemies given what the NSA has already built.
Total Surveillance Means Absolute Power.
The surveillance systems that have been developed by the NSA are too dangerous for us to permit to exist.
(39 years ago almost to the day.)


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