Dan Klores' Crazy Love tells the astonishing story of the obsessive roller-coaster relationship of Burt and Linda Pugach, which shocked the nation during the summer of 1959.
Their obsessive roller-coaster relationship and his crime of passion have become one of the most famous love-related New York City crime stories.
"It's the ultimate extreme act of a psychopath," Dan Klores, director of Crazy Love, said.
They may be in love, but there doesn't appear to be anything crazy about it – except it was Burt who hired the thugs that blinded Linda.
The lurid nature of the crime was enough to make national headlines. But the ensuing trial in 1961 – which included a lengthy sanity hearing for Pugach – turned the case into a veritable media circus.
24 January 2013, Linda Pugach, whose whirlwind 'fairy tale romance' with Burt Pugach became the subject of the 2007 documentary 'Crazy Love,' died at the age of 75 in Queens, New York.
Delving deeper into the dimmest parts of the human psyche, Crazy Love, which criminally understates the nature of the relationship between Burt Pugach and the late Linda Riss, a fantastically dysfunctional New York couple, whose relationship has spanned a 50-60 year period. It starts with their affair (Burt was married when he first met Linda) in 1959 and begins a gruesome trajectory when the beautiful Linda is permanently disfigured by lye in 1960, after thugs hired by a jealous Burt attack her in her home. This, however, does not spell the end to their twisted liaison, when the seemingly unthinkable happens in 1974.
In 1957, Burt Pugach , charming and talkative, with an impish, low-key sense of humor, was a successful 30-something-year-old lawyer in New York City. He was driving with a buddy in the Bronx one day, when he saw a gorgeous young woman sitting on a bench. He practically jumped out of the moving car to introduce himself to the beauty.
Linda Riss was 21-year-old, is a feisty, stylish woman and a kind-hearted girl from Bronx who was carrying on with Burt Pugach, who was married to another woman.
The Times said that Ms Riss had all the beauty and charm of the winsome Elizabeth Taylor, instantly ensnaring the young woman.
In 1959,overwhelmed by his wealth and charm, as a naïve young woman, Linda was charmed by his affection. Linda dine and wine with him, much to the delight of her lower middle class family. Burt took her to the hottest clubs in New York City, showing her off to his jealous friends. Linda became absolutely smitten with the adoring older man.
But his doting soon turned to stalking, and he would often drive her to work, coming back hours later to take her to lunch, drove her home, and finally take her out to dinner.
Linda's world was shattered when she found out that Burt was married with a daughter. She was heart-broken and disgusted. She broke off their relationship. Burt begged her to come back to him and even showed her some divorce papers to prove he was leaving his wife.
Burt married Francine Rifkin on June 24, 1951. They had one child, a daughter, Caryn Brenda Pugach, born July 21, 1954. Caryn was born mentally disabled and died on April 7, 1995.
Linda was about to relent, because she loved Burt, but then her family's lawyer discovered that the divorce papers were fake. Linda became indignant when Burt's many promises to leave his wife went unfulfilled. So, Linda broke things off with Burt for good.
Burt begged her to come back. She wouldn't relent. He started to become obsessed with her. He called her apartment dozens of times per day. He called her family and her friends. He stood across from her apartment every day. He followed her everywhere she went.
Burt then threatened to kill or hurt her.Linda was frightened and went to the police several times. She reported the threat to the New York Police Department to no avail. But 1959 was a time before stalking laws were in place. The police shrugged off the incidents and told Linda there was nothing she could do.
Pugach is escorted from prison after he slit his wrist in 1959.
Meanwhile, Linda tried desperately to move on with her life. She was briefly engaged to very handsome young man Larry Schwartz, a man she met in Florida.
Upon hearing of her engagement to Larry Schwartz, Pugach was livid. Overwhelmed by jealousy and hatred, he hired three assailants to attack Riss.
One afternoon, the doorbell rang at Linda's apartment. Linda's mom answered it and called out to her daughter that it was a deliverymen with a wedding package.
When Linda came into the doorway, the assailants threw lye in Riss's face. The 23-year-old beauty was rushed to the hospital in an ambulance and was there for several days. The acid trowing left her blind in one eye, nearly blind in the other,spent the remainder of her life wearing thick black glasses and permanently scarred.
The incident made national news. Burt was the most hated man in America that year. Despite the sympathy pouring in from millions of people, Linda's life was destroyed.
Her fiance broke off their engagement because he simply couldn't afford to take care of her, now that she was visually handicapped.
For the rest of her 20s, Linda dated various men, but the relationships all ended when she took off her sunglasses and revealed the horror underneath.
Burt was convicted of the crime and spent 14 years in prison, during which time he continually wrote to Riss. His conviction also meant that he was disbarred.
In March,1974, Burt granted parole after he served out most of his term in Attica. He worked as paralegal.
When Burt released from prison, he immediately contacted Linda, desperate to see her in person. Linda , although against her better judgement, she agreed to see Burt for dinner. And there, he apologized for ruining her life. Linda felt Burt's sincerity and she knew how much he truly loved her. Linda, lonely and living in squalor, accepted his apology despite the fact that she hated him for what he had done.
They began dating again that September, and on several television appearances that fall, Burt proposed marriage to the woman whose maiming he ordered.
Burt had tried to get reinstated into the New York Bar Association in March,1974. According to news reports at the time, Linda joined his petition.
Eventually, Linda accepted the proposal. Their marriage appeared to be oddly blissful until 1997, when a young woman accused Burt of threatening her life. Although Linda was hurt when she discovered her husband had been having an affair with the woman, she was a character witness during the trial, stating her husband wouldn't harm a fly.
In 1997 Burt was once again accused of threatening a woman with whom he was having an affair. His wife, Linda, appeared at his trial as a character witness for him. It worked, because he was found innocent.
He said that he didn't know why the blinded woman agreed to see him again, let alone become his bride. 'You won't believe it, but she won't tell me (why),' he told reporters at the time.
The two were married in a civil ceremony, wearing a yellow turtleneck sweater and her signature dark glasses.
Their marriage shocked the entire nation. They were the subject of every talk show, news report, and magazine article in the country that year.
Linda's family and friends were appalled. But Linda saw it a different way. She felt she finally had a man who still thought she was beautiful, despite the physical damage he had caused. Plus, what better payback than to force him to see what he had done every single day for the rest of his life?
Burt told the Washington Post six years after they married that hate did not serve a purpose in her life.
The wife, with her thick black glasses and largely teased hair, cited the former relationships between countries like Germany and Japan, that once were in the throes of war, but were now operating in peace.
He added that his wife fell ill in December, days before they were set to fly to Boca Raton, Florida in hopes of buying a condo.
Linda Pugach was being laid to rest in a crypt in Paramus, New Jersey next Thursday.
'There's a place for me there. We'll be together,' Burt told the Associated Press today.
Burt and Linda Pugach attend the premiere after party for Crazy Love in New York in 2007.


This listing is for ONE randomly selected Frozen Charlotte doll. They are genuine antiques and were made circa 1880 in Germany. These ones are glazed and measure 2-2.25 inches tall. All have chipping and/or broken limbs.
Perfect for collecting as a curio or use with scrapbooking or assemblage.


The Cybex VR3 Series Row's dependent motion offers the feeling of security to both new and experienced users. By having both arms working together in a fixed plane, the exercise feels better controlled with more comfortable and secure training movement. The VR3 Row offers a diverging path of motion that allows the arms to follow the natural rowing motion that clears the torso. The wider range of movement engages more muscles offering better exercise results. The VR3 Row also provides the descending path of motion with optimised diverging pattern for the arms while keeping the near-neutral wrist position. The unequal length four-bar linkage provides a near linear path of motion for consistent loading at the shoulder, whereas dual foot bars promote torso stabilization consistent with proper lifting technique. Additionally, the VR3 foot bars mean that unwanted pressure on the chest can be avoided (particularly important for women). The VR3 has been designed to withstand the toughest workout routines and is suitable for highly supervised gyms as well as self-service facilities.
for submitting product review about Cybex VR3 Series Row.


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Overview of Florida Taxes
At a 0.80% average effective property tax rate, property taxes in Florida rank below the national average, which currently stands at 0.99%. Median annual property tax bills in the Sunshine State follow suit, as its $2,338 mark is over $400 cheaper than the U.S. median.
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About This Answer
To calculate the exact amount of property tax you will owe requires your property's assessed value and the property tax rates based on your property's address. Please note that we can only estimate your property tax based on median property taxes in your area. There are typically multiple rates in a given area, because your state, county, local schools and emergency responders each receive funding partly through these taxes. In our calculator, we take your home value and multiply that by your county's effective property tax rate. This is equal to the median property tax paid as a percentage of the median home value in your county.
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Florida Property Taxes
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Property taxes in Florida come in a bit below national averages. The state's average effective property tax rate is 0.80%, which is lower than the U.S. average (0.99%). The typical homeowner in Florida pays $2,338 annually in property taxes, although that amount varies greatly between counties.
There are some laws that limit the taxes due on owner-occupied homes in Florida. For example, the Save Our Homes assessment limitation caps increases in assessments for property taxes at 3% annually.
Property taxes are just one of the many things to consider when purchasing a home. If you're looking to refinance an old mortgage or get a new one, you'll want to look at SmartAsset's Florida mortgage guide for information on current mortgage rates in the Sunshine State and more.
A financial advisor can help you understand how homeownership fits into your overall financial goals. SmartAsset's free tool matches you with up to three vetted financial advisors who serve your area, and you can interview your advisor matches at no cost to decide which one is right for you. If you're ready to find an advisor who can help you achieve your financial goals, get started now.
How Do Florida Property Taxes Work?
The first step in the Florida property tax process is property appraisal, which is the act of placing a value on a piece of real estate. Every county in Florida has a property appraiser, which is an elected official who's responsible for the annual appraisal of every lot in the county. In general, this person does this through a mass appraisal, or a systematic analysis of market data in order to assign values to multiple properties at once.
Property tax rates are applied to the assessed value, not the appraised value, of a home. Assessed value takes into account exemptions, including the Save Our Homes assessment limitation.
The most widely claimed exemption is the homestead exemption, which you can claim on owner-occupied residences to protect the value of the home from property taxes, creditors and challenges that arise from the death of a homeowner spouse. It frees the first $25,000 of the home's assessed value from all property taxes, and it exempts another $25,000 from non-school property taxes. This can get confusing, so here's an example:
Let's say you have a home with an assessed value of $80,000. The first $25,000 would be exempt from all property taxes. The next $25,000 (the assessed value between $25,000 and $50,000) is subject to taxes. Then, the next $25,000 (the assessed value between $50,000 and $75,000) is exempt from all taxes except school district taxes. The remaining $5,000 in assessed value is taxable, though.
The end result is that the homestead exemption reduces assessed value by $25,000 for school taxes and by $50,000 for all other types of property taxes.
Homeowners who receive the homestead exemption also benefit from the Save Our Homes assessment limitation, which caps increases in assessed value at 3% or the rate of inflation, whichever is lower. So even if you own a home in a hot housing market, your taxes won't skyrocket (unless one of your local government bodies increases rates).
It's a good idea for homeowners to review their annual Truth in Millage (TRIM) notice, which declares their home's appraised and assessed value. If the appraised value is too high (higher than what you could get for selling your home), you can file an appeal to the county adjustment board. It's important to act quickly, though, as you have only 25 days to file an appeal.
Florida Property Tax Rates
Property taxes in Florida are implemented in millage rates. A millage rate is one-tenth of a percent, which equates to $1 in taxes for every $1,000 in home value. A number of different authorities, including counties, municipalities, school boards and special districts, can levy these taxes.
The table below shows the median property tax payment and average effective tax rate for every county in Florida. The effective tax rate is the median annual tax payment as a percentage of median home value. It can help compare tax burdens between counties and even between states, as it reflects actual payments and incorporates differences in assessments and exemptions.
Median Annual Property Tax Payment
Average Effective Property Tax Rate
Alachua County $201,600 $2,599 1.29%
Baker County $158,000 $1,079 0.68%
Bay County $195,000 $1,199 0.69%
Bradford County $118,900 $862 0.72%
Brevard County $220,000 $2013 0.92%
Broward County $282,400 $3,375 1.20%
Calhoun County $91,100 $584 0.64%
Charlotte County $209,500 $2,449 1.17%
Citrus County $144,100 $1,253 0.87%
Clay County $195,900 $2,016 1.03%
Collier County $366,600 $3,036 0.83%
Columbia County $128,800 $1,361 1.06%
DeSoto County $103,600 $1,123 1.08%
Dixie County $85,000 $543 0.64%
Duval County $195,600 $1,900 0.97%
Escambia County $157,200 $1,295 0.82%
Flagler County $232,700 $2,285 0.98%
Franklin County $193,800 $1,261 0.65%
Gadsden County $98,100 $814 0.83%
Gilchrist County $125,900 $964 0.77%
Glades County $72,100 $816 1.13%
Gulf County $170,700 $1,112 0.65%
Hamilton County $85,900 $655 0.76%
Hardee County $94,100 $1,061 1.13%
Hendry County $105,900 $1,106 1.04%
Hernando County $158,400 $1,569 0.99%
Highlands County $120,500 $1,153 0.96%
Hillsborough County $233,200 $2,677 1.15%
Holmes County $86,400 $521 0.60%
Indian River County $220,700 $1,972 0.89%
Jackson County $101,300 $651 0.64%
Jefferson County $137,300 $1,081 0.79%
Lafayette County $100,600 $754 0.75%
Lake County $202,500 $1,985 0.98%
Lee County $235,300 $2,432 1.03%
Leon County $212,900 $1,976 0.93%
Levy County $119,000 $842 0.71%
Liberty County $83,700 $826 0.99%
Madison County $89,100 $890 1.00%
Manatee County $250,700 $2,575 1.03%
Marion County $151,700 $1,565 1.03%
Martin County $293,000 $2,878 0.98%
Miami-Dade County $310,700 $3,131 1.01%
Monroe County $558,100 $3,715 0.67%
Nassau County $243,700 $2,492 1.02%
Okaloosa County $234,600 $1,662 0.71%
Okeechobee County $116,500 $1,103 0.95%
Orange County $257,800 $2,621 1.02%
Osceola County $221,600 $2,349 1.06%
Palm Beach County $301,000 $3,344 1.11%
Pasco County $173,900 $1,742 1.00%
Pinellas County $219,800 $2,107 0.96%
Polk County $162,400 $1,578 0.97%
Putnam County $103,400 $988 0.96%
St. Johns County $326,300 $3,240 0.99%
St. Lucie County $209,700 $2,747 1.31%
Santa Rosa County $214,900 $1,642 0.76%
Sarasota County $269,300 $2,635 0.98%
Seminole County $263,700 $2,284 0.87%
Sumter County $267,100 $2,792 1.05%
Suwannee County $107,100 $924 0.86%
Taylor County $81,900 $596 0.73%
Union County $112,600 $825 0.73%
Volusia County $194,900 $1,787 0.92%
Wakulla County $171,200 $1,328 0.78%
Walton County $245,400 $1,464 0.60%
Washington County $120,800 $680 0.56%
Want to learn more about your mortgage payments? Check out our mortgage loan calculator.
Miami-Dade County is the southernmost county in the mainland U.S., and it's home to some of the most beautiful beach-front property in the world. So how are the area's property taxes? The county has an effective property tax rate of 1.01% %. That's slightly higher than the 0.99% % national average.
If you have questions about how property taxes can affect your overall financial plans, a financial advisor in Miami can help you out.
Broward County sits north of Miami-Dade and contains the cities of Fort Lauderdale and Hollywood, among others. It has one of the highest average effective property tax rates of any Florida county at 1.20%. Homeowners in Broward County pay a median property tax bill of $3,375 annually.
While Palm Beach County contains lots of nice real estate, it has some hefty property taxes. Palm Beach County's average effective property tax rate is 1.11%, which is higher than most Florida counties. The median real estate tax payment is $3,344, also one of the highest.
Hillsborough County contains the city of Tampa and has a population of nearly 1.4 million people. In terms of both annual payments and effective property tax rates, this county is pricier than Florida averages. In fact, there's a $2,677 median annual property tax payment and a 1.15% average effective rate, the latter of which is higher than the state average.
Homeowners in Orange County pay a median annual property tax bill of $2,621 annually in property taxes. In Orlando, Orange County's largest city, the millage rate varies from about 18.5 and up to more than 19.7 mills depending on where in the city you reside.
Photo credit: ©iStock.com/Meinzahn
Pinellas County sits between Old Tampa Bay and the Gulf of Mexico and has property taxes well below both state and national averages. Homeowners in Pinellas County pay a median property tax of $2,107 per year. That's less than the state average and much less than the national average.
Tax rates in the county are likewise relatively low. The average effective tax rate in Pinellas County is 0.96%.
The average effective property tax rate in Duval County is 0.97%. This means that the typical Duval County homeowner can expect to pay about 1% of their home value in property taxes each year. So, for example, if your home has a market value of $150,000 (close to the county's median value) you may be paying about $1,410 annually in real estate taxes.
Lee County is in Southwest Florida along the Gulf Coast. It has an effective property tax rate of 1,03%. The median annual real estate tax payment in Lee County is $2,432.
The median home value in Polk County, which sits between the cities of Tampa and Orlando, is $162,400. The typical Polk County homeowner pays $1,578 in annual real estate taxes. Therefore, the county's average effective property tax rate is 0.97%.
Property taxes in Brevard County are somewhat lower than state and national averages. The county's average effective property tax rate comes in at 0.92%, with a median annual property tax bill of $2013.
Calculate Your Property Taxes in These Other States
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Worldwide car sales 2010-2021
Number of cars sold in the U.S. 1951-2020
Vehicle sales in China 2009-2020
Battery electric vehicles in use - worldwide 2016-2020
Gas prices in the United States 1990-2020
Automotive industry worldwide - statistics & facts
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Transportation & Logistics›
Gama Aviation's cost of sales 2015-2020
Published by E. Mazareanu, Aug 16, 2021
This statistic depicts the annual cost of sales of Gama Aviation between 2015 and 2020. In 2020, the cost of sales reported by the England-based global business aviation services company was 145.47 million U.S. dollars.
Cost of sales of Gama Aviation between 2015 and 2020 (in million U.S. dollars)
Cost of sales in million U.S. dollars
Figures are for the fiscal year ending December 31 and have been rounded.
Data prior to 2019 was taken from a previous edition.
Revenue of Finnair 2010-2020
Average number of employees of Finnair 2012-2020
Ranking of air transport companies in the Nordic countries by turnover 2021
Number of airport passengers in Finland from 2015-2020, by airport
E. Mazareanu
Research expert covering aviation, aircraft , rail and train manufacturing and the logistics industry
Statistics on "Aviation industry in Finland"
Ranking of air transport companies in the Nordic countries by profit 2021
Ranking of air transport companies in the Nordic countries by employees 2021
Industry revenue of "air transport" in Finland 2012-2025
Industry revenue of "passenger air transport" in Finland 2012-2025
Number of airplanes in Finland 2010-2020
Number of aircraft in Finland 2020, by type
Number of landings at airports in Finland 2020, by airport
Number of domestic/international passengers at airports in Finland 2020, by airport
Monthly number of passengers at airports in Finland 2021
Monthly number of international passengers at airports in Finland 2020
Monthly number of domestic passengers at airports in Finland 2021
Volume of freight and mail handled at airports in Finland 2010-2020
Volume of international freight and mail handled at airports in Finland 2010-2020
Volume of domestic freight and mail handled at airports in Finland 2010-2020
Monthly volume of freight and mail handled at airports in Finland 2020
Number of domestic passengers at Helsinki Airport in Finland 2020, by type
Number of international passengers at Helsinki Airport in Finland 2020, by type
Monthly number of passengers at Helsinki Airport in Finland 2021
Distribution of international passenger traffic at Helsinki Airport in Finland 2019
Passenger revenue of Finnair 2020, by traffic area
Revenue passenger kilometers of Finnair 2010-2020
Available seat kilometers of Finnair 2010-2020
Passenger load factor of Finnair 2010-2020
Aircraft operated by Finnair 2020, by type
Gama Aviation's total assets 2015-2020
Gama Aviation's revenue by region 2020
Gama Aviation's revenue by segment 2020
Business aircraft deliveries worldwide - light jets 2018-2027
Business aircraft deliveries worldwide by segment 2015-2025
Business jet fleet share in the Greater Bay Area in China 2018, by purpose
Private Jets - new prices 2010
Ultra High Net Worth Individuals globally: number of jets owned by region 2017
Ultra High Net Worth Individuals globally: industries associated with jet owners 2017
Textron Inc. - R&D costs 2013-2018
Sky Team members by number of codeshares 2016
SkyTeam's leading airports by seat capacity 2016
Business aviation market in the United States Passenger airlines Airline Alliances Regional airlines in the United States Low Cost Carrier (LCC) market in the United States
Gama Aviation. (May 26, 2021). Cost of sales of Gama Aviation between 2015 and 2020 (in million U.S. dollars) [Graph]. In Statista. Retrieved January 18, 2022, from https://www.statista.com/statistics/857211/gama-aviation-cost-of-sales/
Gama Aviation. "Cost of sales of Gama Aviation between 2015 and 2020 (in million U.S. dollars)." Chart. May 26, 2021. Statista. Accessed January 18, 2022. https://www.statista.com/statistics/857211/gama-aviation-cost-of-sales/
Gama Aviation. (2021). Cost of sales of Gama Aviation between 2015 and 2020 (in million U.S. dollars). Statista. Statista Inc.. Accessed: January 18, 2022. https://www.statista.com/statistics/857211/gama-aviation-cost-of-sales/
Gama Aviation. "Cost of Sales of Gama Aviation between 2015 and 2020 (in Million U.S. Dollars)." Statista, Statista Inc., 26 May 2021, https://www.statista.com/statistics/857211/gama-aviation-cost-of-sales/
Gama Aviation, Cost of sales of Gama Aviation between 2015 and 2020 (in million U.S. dollars) Statista, https://www.statista.com/statistics/857211/gama-aviation-cost-of-sales/ (last visited January 18, 2022)


- Oreo cookies cocoa vanilla cream filling.
- In cases of 20 packages containing 6 cookies per package.
- Vegetable fats (antioxidants: E-306, E-304).
- Cocoa powder scoured (7%).
- Glucose and fructose syrup.
- Raising agents (sodium and ammonium bicarbonate).
- Emulsifier (soy lecithin) and aroma.
Contains wheat, gluten, soy, milk.


Sometimes I have leftovers before I even finish cooking. That is the source of my "inspiration" for today's naked gyoza. I ran out of wrappers before I ran out of filling, so I meatballed the rest and fried them up. Since gyoza wrappers are noodly I served these over udon noodles. On the other side I have miscellaneous stir-fried vegetables with some tonkatsu sauce (which also seasoned the noodles), simmered shiitake mushrooms, and light-fried plantains.


/tg/ - Traditional Games » Searching for posts with the image hash '6HlNzlttMKpubGCmU4NNnQ=='.
Searching for posts with the image hash '6HlNzlttMKpubGCmU4NNnQ=='. 2 results found.
>you need to be hot blooded! To charge forth with reckless abandon at the first sign of adventure! Of glory! You are one who grapples monsters, challenges gods and performs feats of strength to change the world.
You seem to have confused 'hero' with 'braggart'. Heroes refuse the first call to adventure. You'll have a hard time finding quality characters who behave as you describe.
>a fighter or something else entirely?


Image courtesy of Dutco Balfour Beatty.
Floor space: 5,900,000 square feet.
Retail space: 3,770,000 square feet.
At the time of its completion, this was the world's largest mall.
Part of the mall features a retractable roof.
This mall has the first branch of Paris' famous Galleries Lafayette in the Middle East.
2004: Dubai Mall joint venture formed.
2006: Original opening date for this mall (missed).
August 28, 2008: This mall opens for business.


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text:
Reavis works overtime for victory
Rams 1 game from Toyota Park game after topping Bolingbrook
By Steve Millar
BURBANK – In the opening minute of the second overtime period of Saturday's game against Bolingbrook, Reavis senior midfielder Kim Marquez was given a message from teammate Litzy Corona.
After nearly 76 minutes of scoreless soccer, Corona was ready to see a goal.
"Litzy came over and told me 'Kim, you've got to get this,'" Marquez said.
Marquez answered the call, directing in Corona's corner kick for the game-winning goal as the Rams topped Bolingbrook 1-0 in a Windy City Ram Classic consolation quarterfinal.
Reavis (2-1-0) advanced to take on Leyden in Tuesday's consolation semifinals.
Marquez's goal came just 36 seconds into the second overtime.
"I saw Litzy take the corner, and I saw it was coming to me," she said. "I put my chest on it, and it was in the net. Then my emotions started running wild. I was like 'Oh my God, I can't believe it.'
"We came close to scoring a lot of times before that. We just kept going. We had the intensity and the passion we needed, and it was just a great finish."
After the heroics from Marquez, Chicagoland Soccer's MVP of the Match, Reavis still had to hang on for the final 4:24.
Bolingbrook (1-2-0) got one good look in the closing minutes, but Alexa Ballesteros fired wide.
The result was satisfying for Reavis coach Phil Basile, who felt his team earned the victory with its effort.
"When it comes to these really close games, it often comes down to who's willing to lay it all out there," he said. "My team was ready to play in overtime. It was more difficult of a win than we wanted it to be, but a win is a win, and I'm happy we got it."
Reavis used its speed, and the playmaking abilities of Marquez and forward Sylwia Rzadkosz, to create some early scoring opportunities.
The Rams earned two corner kicks in the opening 15 minutes and Corona sent dangerous balls into the box both times, but each attempt was thwarted by the aggressive goalkeeping of Bolingbrook's Julia Lentz, a Northern Illinois recruit.
Lentz also made an impressive play to stymie Rzadkosz on a breakaway, charging out to the top of the box to cut off Rzadkosz's angle, then batting down her shot.
"Julia is a great goalkeeper," Bolingbrook coach Matt Kocourek said. "Having her back there is huge. We know she'll keep us in games."
Four minutes into the second half, Rzadkosz made a nifty move to split two defenders and get into the box unmarked but fired just wide.
Moments later, Corona had her shot stopped by Lentz, who made her third and final save.
"We had success on counters," Basile said. "We're running a pretty high-energy system, but we have girls with the legs to do it. We try to work the seams and stretch the defense outside.
"We did a good job getting them on their heels, but we allowed them to stay in the game by not finishing."
Bolingbrook, meanwhile, created a dangerous opportunity of its own five minutes into the second half. Rachel Perez played a short corner kick to Ariana Hopewell, who quickly played the ball back to Perez.
Perez unleased a shot toward the top of the net, but Reavis goalkeeper Briana Silva was able to bat it down.
Silva made four saves to record the shutout in her first game of the season. She missed the first two games after undergoing LASIK surgery.
"Having her back, I think that gave my defense more confidence," Basile said.
Silva got plenty of help from the backline of Alejandra Rodriguez, Yasmeen Perez, Alyssa Froylan and Camilina Valdez.
"Alyssa Froylan is a phenomenal athlete in the back, and she's really smart," Basile said. "She sees the angles, knows when to drop, and she's quick. She's like the no. 3 cross country runner in our school, so that helps."
Froylan, a sophomore, was able to use her speed to chase down Bolingbrook's forwards and limit the Raiders' chances.
"Cross country helps me a lot," she said. "It gets me conditioned for the season, and I'm ready to run.
"I'm the most experienced player in the back, and I try to be the leader back there, make sure we communicate and not let them score."
It was the second 1-0 loss of the young season for Bolingbrook.
Kocourek, though, is optimistic.
"We're young, and I'm pleasantly surprised that we're in these games with good programs," he said. "Reavis is a really good team, and Phil does a great job. Plus we had a 1-0 loss to Morton. We're in these games, and it's just a matter of getting on the winning end of it. We're right where we need to be. I think it's going to be an exciting year."
Kocourek said the key now is for the Raiders to find difference-makers.
"This was an exciting game, a great battle; and it just came down to how do you minimize your mistakes and how do you take advantage of the other team's," he said. "We tell our girls you've got to be really tough inside the 18.
"That's where these girls transition from being just regular contributors to being All-Conference, All-Sectional or All-State. The really good players are going to get in there and finish. Reavis finished at the right time."
As a result, the Rams are one win away from playing at Toyota Park for the consolation championship.
"We're super fired up," Marquez said. "We really want to push to get to Toyota Park. This is my last chance playing in this tournament, and I really want to go out with a bang for my last year."
GK: Julia Lentz
D: Graciela Navas
D: Lizvette Paz
D: Eunice Fowora
D: Rachel Perez
M: Paige Smith
M: Jasmine Urbanek
M: Abigail Dellamorte
M: Jane Villagran
F: Ariana Hopewell
F: Salma Ramos
GK: Briana Silva
D: Alejandra Rodriguez
D: Yasmeen Perez
D: Alyssa Froylan
D: Camilina Valdez
M: Isabel Guzman
M: Kim Marquez
M: Litzy Corona
M: Arlette Hernandez
M: Lily Saenz
F: Sylwia Rzadkosz
Chicagoland Soccer's MVP of the Match: Kim Marquez, sr., MF, Reavis
2nd Overtime
Reavis: Kim Marquez (Litzy Corona), 76th minute


Is Peanut Butter Good For You & Your Cholesterol?
1 What Are The Health Benefits Of Peanut Butter?
2 Is Peanut Butter Good For Your Heart?
3 Is Peanut Butter Good For Your Cholesterol?
4 Is It A Tasty Snack To Eat If You're Aiming To Lose Weight?
5 Is It Good To Eat If You're Aiming To Put On Muscle?
At first glance, peanut butter's place in the pantheon of healthy foods seems somewhat questionable, since it's high in both fat and calories. However, take a step back and the wider picture reveals peanut butter's merits, especially for anyone with an active lifestyle (and isn't allergic to peanuts, obviously).
For the final word on whether peanut butter is good for you, we spoke to dietitian Alana MacDonald of the British Dietetic Association.
Let's start with the good news. There are lots to like about peanut butter.
"Peanut butter is high in energy and protein," says MacDonald.
Are there any unhealthy ingredients or types of peanut butter to look out for?
Even healthy foods can contain hidden nasties if you don't check the label.
"It is best to go for peanut butter that is as natural as possible, avoiding added sugar and added salt in particular," says MacDonald.
Is Peanut Butter Good For Your Heart?
"Peanut butter is a source of fiber and has monounsaturated fats which help control cholesterol levels, making them healthy for your heart," says MacDonald.
Peanut butter gets the thumbs up for heart health then, but again be wary of added ingredients.
"Be careful that the peanut butter does not contain any added salt because this can be detrimental to heart health," says MacDonald.
Is Peanut Butter Good For Your Cholesterol?
Once again it's good news for the nutty spread. "Monounsaturated fats can help to reduce cholesterol levels, as can the soluble fiber found in peanut butter," says MacDonald.
Is It A Tasty Snack To Eat If You're Aiming To Lose Weight?
Peanut butter is often said to be a better snack choice than chocolate biscuits or crisps for dieters. And despite being high in calories, it is indeed a worthy mid-afternoon treat.
"There is some evidence that indicates that small volumes of foods which are higher in monounsaturated fats can support weight loss by helping us stay fuller for longer," says MacDonald.
"Choosing a no-added-sugar peanut butter will reduce the risks of blood sugars crashing, which can support weight loss.
Is It Good To Eat If You're Aiming To Put On Muscle?
Nut butter have long been beloved of gym regulars aiming to build muscle, and for good reason.
"Peanut butter will enhance and maintain energy levels due to its nutritional balance – low in sugar, high in fat, slow-release energy," says MacDonald.
Peanut butter is fatty, but the ratio between saturated and unsaturated fat leans heavily towards the latter, which can help maintain healthy cholesterol levels and lower your risk of heart disease. Because peanut butter provides so much monounsaturated and polyunsaturated fat, it can also reduce the appetite, and the healthy fats assist in the production of the muscle-building hormone testosterone.
There's a reason peanut butter is a snacking staple for gym regulars: a couple of tablespoons of the stuff will bring in around 8g of protein, which will help your muscles recover from any exercise.
Every two tablespoons of peanut butter contain 2g of fiber, a useful boost towards the RDA of 30g (most in the UK fall short of this target). Fiber is linked with a lower risk of heart disease, type 2 diabetes and bowel cancer.
The peanut butter is indeed high in calories, but that's just a glass-half-empty way of saying it's full of energy. Also, the magnesium in peanut butter provides slow-release energy to keep you fuelled for longer. If you're want to support an active lifestyle then peanut butter will provide the fuel.
You can enjoy peanut butter's brilliance in an unending variety of ways. Spread it on sandwiches, dip celery or something better than celery in it for a snack, mix it into curries, blend it into smoothies… or just spoon it in directly.


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70 (2018-2019): Review: SCRAPS (seen August 20, 2018)
"Black and White and Red All Over"
For my review of Scraps please click on THEATER PIZZAZZ.
69 (2018-2019): Review: DAYS TO COME (seen August 21, 2018)
"When Hellman Doesn't Bring Out the Best"
For my review of Days to Come please click on THE BROADWAY BLOG.
Posted by Samuel L. Leiter at 7:20 AM
68 (2018-2019): Review: NEUROSIS: A MUSICAL THAT GETS IN YOUR HEAD (seen August 25, 2018)
"High Anxiety"
For my review of Neurosis: A Musical that Gets in Your Head please click on THEATER LIFE.
67 (2018-2019): Review: PRETTY WOMAN (seen August 23, 2018)
"The Billionaire and the Sex Worker"
Twenty-eight years ago, in 1990, Donald Trump was a married playboy billionaire, a ruthless businessman whose affair with actress Marla Maples led to his divorce that year from Ivana Trump.
Andy Karl, Samantha Barks. Photo: Matthew Murphy.
Also in 1990, the late Garry Marshall's rom-com movie, Pretty Woman, appeared. It told of a playboy billionaire, a ruthless businessman who's just broken up with his girlfriend, falling in love with a rough-edged professional sex worker. The pleasant fantasy of their unlikely affair, as embodied in the megawatt charisma of Richard Gere and 23-year-old Julia Roberts helped make this potentially tawdry tale into a blockbuster hit.
So, with today's news cycle consumed with stories about Trump's later, more egregious peccadilloes, especially the POTUS-pokes-porn star scandal, maybe this is the right moment for a Broadway adaptation of Pretty Woman's Cinderella-like treatment of the billionaire falls for sex worker plot, in which each is positively transformed by their relationship. Apart from the title's commercial viability, there aren't too many other reasons to justify the show's existence.
Given the film's success, and its continuing popularity, it was only a matter of time before it was monetized as a Broadway musical. It's just as likely that the film that slightly trails it in domestic ticket sales in the same category, My Big Fat Greek Wedding, will one day celebrate its heroine's nuptials on the Great White Way. If that happens, one can only hope for a sturdier offspring than what Pretty Woman has birthed.
The show, which is doing boffo business, is far from a disaster. Adapted from the original screenplay by its authors, Marshall and J.F. Lawton, the book sticks close to the movie, including much of its dialogue; even the program cover is a direct steal from the film's poster, except for Vivian's streetwalker ensemble being replaced by her iconic red gown.
Otherwise, the show has a pleasurable, if undistinguished score—lots of late 80s-sounding soft, country, and folk rock—by Bryan Adams and Jim Vallance. Don't expect to hear the famous Roy Orbison/Bill Dees song that gives the show its name, or any other tunes from the film's triple platinum soundtrack.
Some songs border on the commonplace, like "Something About Her"; some too derivative, like "On a Night Like Tonight," a tango number which may remind you of Evita's "On This Night of a Thousand Stars"; some are confusing, like "Freedom," ostensibly about personal feelings but suggestive of a political anthem; and some inspire big production numbers, like "Never Give Up on a Dream," whose tired title says all you need to know about its novelty.
Eric Anderson, Samantha Barks, Andy Karl, Anna Ellinsfield, and company. Photo: Matthew Murphy.
The script, meanwhile, has been deflated by its morphing into a musical. Its use of songs that barely move the action forward or explore characters and themes necessitates a two and a half-hour production that takes the air out of whatever little dramatic action there is. Comedy lines and business are cluttered with clichés (including wheezers like "It's been a business doing pleasure with you"), and Jerry Mitchell's energetic direction and choreography substitute obviousness for nuance. Most seriously, its attractive, talented stars—Broadway veteran Andy Karl and Broadway newbie Samantha Barks—are unable to capture Gere and Roberts's lightning in a bottle, thereby accenting the artificiality of the conceit.
Coming at a time when the best musicals are challenging the musical, staging, design, and thematic standards of the form, Pretty Woman, while superficially entertaining, is a throwback. Those classic predecessors now running in revivals only serve to highlight its shallowness. Its subject, a woman whose empowerment comes from her use of sex to snare a lavishly generous lover, is barely saved from its dated premise by its heroine's determined desire for self-improvement.
Edward Lewis (Karl), the handsome, perfectly groomed tycoon, whose love life is crumbling, is in Los Angeles to oversee a hostile takeover of James Morse's (Ezra Knight) company. He borrows the fancy sports car of his lawyer, Philip Stuckey (Jason Danieley), and gets lost in a sleazy spot on Hollywood Boulevard. There, he runs into a pretty, young prostitute, Vivian (Barks, Éponine in the movie of Les Misérables), who needs $300 to pay her rent.
Samantha Barks, Andy Karl. Photo: Matthew Murphy.
Edward pays Vivian, who knows a thing or two about cars, to drive him back to his luxury hotel, where, because his girlfriend is no longer available, he makes a deal to pay Vivian $3,000 to be his escort for the week. She will have to attend various business-related functions. One is an elite polo match, which inspires a production number, "Welcome to Our World," whose lovely costuming (by designer Gregg Barnes) instantly recalls the Ascot races scene in My Fair Lady.
Just as that show's Henry Higgins teaches flower seller Eliza Doolittle how to be a lady, so does Edward convert the crass, untutored Vivian into an elegantly dressed consort whose innate charm allows her to pass muster among his snooty circle. He even whisks her and that stunning red dress (and diamond necklace) off to San Francisco to see La Traviata, whose plot, of course, reflects his own relationship with Vivian. (Brava to Allison Blackwell for her Violetta aria!)
Andy Karl, Ezra Knight, Samantha Barks, Robby Clater. Photo: Matthew Murphy.
Edward and Vivian's relationship blooms, blows up (after he reveals her secret to the predatory Stuckey), then blossoms again, with Edward not only abandoning his cutthroat practices, but fulfilling Vivian's childhood fantasy of rescuing her from a tower (her fire escape).
Orfeh. Photo: Matthew Murphy.
Playing important supporting roles are another hooker, Vivian's older, wiser, and more experienced friend, Kit, strongly sung by Orfeh (Legally Blonde), and several characters portrayed by the highly versatile Eric Anderson (Soul Doctor). Most notable are two, a jiving, Hollywood hipster cum narrator called Happy Man, and the punctilious but ultimately warmhearted hotel manager, Mr. Thompson, who only need snap his fingers and say Giulio (Tommy Bracco) for the diminutive, dancing bellhop of that name to appear.
As Edward, Broadway stalwart Karl (Rocky, Groundhog Day) adds another famous movie hero to his musical resume. For all his natural gifts, however, he's unable to do more with this reactive role than be an attractive straight man to the vivacious Vivian. After all, his is the character of which Marshall said to Gere: "In this movie, one of you moves and one of you does not. Guess which one you are?"
In the role of the one who moves, British actress Barks reveals a dynamic voice well suited for pop singing. Like Roberts, her smile could sell toothpaste, but she falls a bit short of the spontaneity, naturalness, and innocent sophistication to make you believe she is Vivian, rather than acting her. The script says Edward falls in love with her. I had to suspend my disbelief.
Eric Anderson Orfeh. Photo: Matthew Murphy.
This is why the most memorable performance comes not from the leads but from Eric Anderson, who displays a noteworthy range of singing, acting, comic, and dancing skills in his several characters and numbers.
David Rockwell's set for the multi-scened show moves from locale to locale with units flying and sliding in and out. These range from the simplified—hotel rooms, a booth at the opera, Rodeo Drive boutiques, and so on, often placed against the cyclorama—to the complex (Hollywood Boulevard, with a tenement building at one side). Most look familiar, like renegades from other shows. A small trap downstage allows for various surprise entrances and exits. The sets and actors are often used by Kenneth Posner and Phillip S. Rosenberg's lighting to create pretty silhouettes against pastel backgrounds.
Cavils aside, it looks so far like Pretty Woman will keep walkin' down the street. She seems to be what Broadway theatregoers like to meet.
Nederlander Theatre
101 W. 41st St., NYC
66 (2018-2019): Review: GETTIN' THE BAND BACK TOGETHER (seen August 17, 2018)
"The Boys in the Other Band"
For my review of Gettin' the Band Back Together please click on THE BROADWAY BLOG.
65 (2018-2019): Review: R.R.R.E.D.: THE SECRET MUSICAL (seen August 20, 2018)
"Their Blood Runs Red"
For my review of R.R.R.E.D.: The Secret Musical please click on THEATER PIZZAZZ.
64 (2018-2019): Review: BE MORE CHILL (seen August 16, 2018)
"A Little Plll Will Do You"
For my review of Be More Chill please click on THEATER LIFE.
Posted by Samuel L. Leiter at 12:26 PM
63 (2018-2019): Review: LESS THAN 50% (seen August 10, 2018)
If you're tired of conventional rom-coms and are looking for something a little different, something pretty funny, and with an unexpected twist, you may find it in Gianmarco Soresi's self-described "unromantic comedy," Less Than 50%, at the tiny Theater C at 59E59 Theaters.
Gianmarco Soresi, Hannah Hale. Photo: Hunter Canning.
Gianmarco (if I may), who plays himself, is a tall, thin, bespectacled, standup comedian—father Catholic, mother Jewish—whose big-nosed looks he likens to Jeff Goldblum's. His semiautobiographical play is influenced by Woody Allen via Annie Hall (considered semiautobiographical by some despite Allen's disclaimers), which it frequently references. Nor can we overlook his affinity for film writer/director Charlie Kaufman, also mentioned; however, for all the play's preoccupation with illusion and reality, we never hear the more obvious name of Luigi Pirandello.
Actually, Gianmarco's aggressive persona (honesty first, people's feelings second) is much closer to Larry David's. There's even a stealthy "pretty, pretty" slipped in at one point. As on David's "Curb Your Enthusiasm," such a personality doesn't augur well for romantic stability.
Less Than 50%, a title alluding to the dismal number of marriages that succeed in our divorce-prone age, is an essentially two-character play about Gianmarco's on-again, off-again romantic relationship with an actress named Laura Catalano. The couple met when they were studying theatre in a conservatory and she was his scene partner in Romeo and Juliet.
Gianmarco's unusual setup is to tell his story by presenting it within the context of a standup routine. That is, he addresses us directly as himself, holding a mic and backed by several movable walls with comedy club bricks painted on them: Ashleigh Poteat is the designer, with terrific lighting by Driscoll Otto. The narrative, which covers several years, requires costumer Samantha Rose Lind to provide multiple outfits for Laura, while our hero wears a white shirt and black slacks throughout.
The 80-minute play alternates between his standup-style explanations and flashback scenes depicting his and Laura's affair and his writing this play about it while in the process of performing it. Thus we see the ups and downs of the relationship as well as how it's being dramatized, with helpful advice from Laura herself.
As performed, it's not as complicated as this may sound: generally upbeat, it has bits of music and dance, lots of amusing lines, occasional profanity, and various theatricalist touches, nicely crafted by director Jen Wineman. Those touches include a sequence imagining the story as a surrealistic sitcom called Gianmarco! and one where the play's principal actions are reenacted in fast-forward pantomime for an imagined upstage audience.
The comedy's situations are more conventional than its format, dealing with subjects like marriage registries, the separation of Gianmarco's parents soon after his birth, the use of dating services, therapy, getting the play performed at the New York Fringe Festival, Laura's pregnancy concerns, handling a sprung mousetrap, confronting depression, and so on. Sometimes we're forced to wonder where the play leaves off and life begins, or vice versa. It's taken for granted that much of this is fictional but it's also clear that much of it really happened (more or less).
Gianmarco wants to confuse the reality of what happens in the play with the reality on which it's based, making it difficult not to disclose too many spoilers. I guess it's safe to reveal that, as soon as the play begins, Gianmarco informs us that, because of certain circumstances, the actress playing Laura at this performance will be Laura herself, the actual person about whom the play was written. The veracity of this claim, of course, is belied by the program, but it's the kind of riff on the play's proximity to actuality with which the star likes to toy.
Toward the end comes an unexpected development that seems to bring the play to a halt as it makes a strong effort to conclude on a Pirandellian note. I'll say no more about it other than to point out that such theatrical hanky panky is incredibly difficult to pull off successfully; this one may go a bit too far but, looking back on what's preceded it, you can't say it doesn't fit.
The audience when I attended, especially a group of women in their 40s, seemed to find much of the play a hoot; I, though, was more inclined to smile than to laugh out loud. Gianmarco Soresi's humor, like Larry David's, clever as it often is, often lacks subtlety and is a bit too self-conscious. Hannah Hale, though, is about as refreshing a comic find as any presently on a New York stage. This petite, baby-faced actress, with the faintest of lisps, is an adorable hand grenade of emotional and comedic shrapnel. Less Than 50% gets 100% out of her.
As for the show itself, let's give it 25% more than 50%.
59E59 Theaters/Theater C
59 E. 59th St., NYC
Through September 1
Posted by Samuel L. Leiter at 10:25 AM
62 (2018-2019): Review: SUMMER SHORTS 2018: SERIES B (seen August 9, 2018)
"Three Nonidentical Stage Plays"
Series B. the second set of three one-acts at this year's Summer Shorts festival, is only marginally better than Series A. That's because it concludes with what is perhaps the best play in the festival, "Sparring Partners," written by its best-known playwright, Neil LaBute, returning for his 10th consecutive season. The other two plays, Claire Zajdel's "The Plot" and Eric Lane's "Ibis," are little more than undercard matches, neither of them a contender, placeholders for the main event.
The plays are performed on the same neutral, adaptable set of a curtain-like background with a central arch, designed by Rebecca Lord-Surratt, used in Series A. The lighting is by Greg MacPherson, the sound design and original music by Nick Moore, the costumes by Amy Sutton, and the projections—from gravestones to noirish images to scattered numbers—by Joshua Langman.
Molly Groome, Jake Robinson. Photo: Carol Rosegg.
Series B is bookended by plays featuring verbal sparring. It opens with Zajdel's "The Plot," a featherweight family drama featuring a brother and sister in their mid to late 20s. Frankie Novak (Molly Broome) is an uptight lawyer just beginning her career at a big firm. Tyler Novak (Jake Robinson), her smartass, slacker brother, is a "freelancer. With emphasis on the word free."
These contrasting siblings meet early one morning at the Niles, Illinois, cemetery, where their mom, Debra, has purchased family plots at a bargain price, even having her own headstone placed there. Their mission is to approve the site, even though mom has chosen not to come, communicating her unheard commentary via cellphone. Clearly, these grown children will be subject to their demanding mother's authority even beyond this world.
As they plod about on the plots, Frankie's spikes sinking in the sod, the siblings exchange mutually snarky swipes. These cover religion (their background is Catholic), life and death, the afterlife, cremation, depression, responsibility, their rivalry for mom's affection, their parent's separation, and their romantic futures. We're in a graveyard, so ghosts also float into the dialogue. A few amusing quips, though, aren't enough to compensate for "The Plot" being a play in search of a plot.
In Series A, the characters do little but sit so you'd think a Series B play set in a cemetery with no visible benches would force them to stand. You'd be wrong, as the script finds opportunities for Frankie and Tyler not only to sit but lie and kneel on the grass, with the expected consequences for her lawyerly slacks. A seriously ridiculous scene (and a rare example of energetic physical activity) involves Frankie trying to dig up the headstone with one of her expensive shoes. Groome and Robinson do their best to overcome the exaggerations of their material, getting little help from director James Reese. This one is D.O.A.
Deandre Sevon, Lindsey Broad. Photo: Carol Rosegg.
Equally lackluster is Eric Lane's "Ibis," which begins in a film noir style. Director Terry Berliner can do little more with this stylistic requirement than provide some mildly noirish music and a projection of light streaming through venetian blinds.
Lindsey Broad, Deandre Sevon. Photo: Carol Rosegg.
Lane's premise is that an African-American man named Tyrone (Deandre Sevon), 27, hires a female private eye with the pseudonym Sam Spade (Lindsey Broad) to find his long-missing father, Victor. In what Lane must think is droll humor, Sam Spade pretends never to have heard of Humphrey Bogart or The Maltese Falcon, although the dialogue soon engages in geeky movie references.
Harold Surratt, Deandre Sevon. Photo: Carol Rosegg.
Tyrone's mother has just passed away from cancer and he's determined to locate Victor (Harold Surratt), who abandoned the family 20 years earlier and whose disappearance has produced a slew of rumors as to what became of him. Tracking Victor down proves fairly easy, given a certain change in his fortunes (hey, you never know). Reluctant father and anxious son thereby have a tense reunion. Eventually, their sentimental journey toward reconciliation concludes when Tyrone uses his mathematical gifts to prove that his emotionally resistant dad, who had a similar relationship with his own father, still has him on his mind.
Neither the situation, the humor, nor the shifting styles click. Aside from Surratt's effectiveness as Victor, the other roles are miscast, with both Sevon and Broad lacking the required gravitas, the former being decidedly lightweight, the latter seeming more like a pretty college student in a black leather jacket than the Camels-voiced, hard-bitten P.I. the role suggests.
Regardless of her importance to the setup, Sam, whose potentially interesting past remains unexplored, turns out to be something of a red herring, dropping out well before the play ends. In fact, given what leads to Victor's discovery, and the play's reliance on coincidence, Tyrone could likely have found his father by himself. By the time "Ibis" ends, we've moved from film noir to film blah.
Joanna Christie, KeiLyn Durrel Jones. Photo: Carol Rosegg.
With the program on the ropes, Neil LaBute's "Sparring Partners," while a minor work about a conventional office romance, nonetheless lands one on the chin with its tightly scripted, granularly acted depiction of the relationship between the anonymously named Man (KeiLyn Durrel Jones) and Woman (Joanna Christie). (Playwrights: enough with the Man-Woman/He-She nominals! Do we really need the morality play labels? Will a play about a transgender character use the pronoun They?)
KeiLyn Durrel Jones, Joanna Christie. Photo: Carol Rosegg.
Woman, who is single, works for Man, who is married. The pair, mutually attracted, are having lunch on a park bench outside their place of employment. (Is there a rule that every one-act festival include at least one park bench play?) Their usual lunch activity is to play a trivia game involving movie stars and their films, a game at which Woman is much the better player, to Man's deepening frustration. Much stage time is occupied by the game, which serves as a cover for their subtextual yearnings.
KeiLyn Durrel Jones, Joanna Christie. Photo: Carol Rosegg
Man is attracted to Woman but not so much that he'll risk his marriage, depressing as it is. Woman, increasingly desperate, wants to move the affair to another level, forcing Man, fearful of going too far, to politely deflect her attentions, or else stop their meetings altogether. When Man's wife calls him—isn't it time cell phones got billing in the program?—we see just how much he's under her thumb.
Woman uses the expression "an affair of the mind," suggesting that, for all Man's seemingly above-board behavior, he enjoys the thrill of the relationship, in which he exploits his power over his romantic adversary without having to see things through to a physical conclusion.
What makes the play work are the subtle tensions in the characters' relationship in terms of timing, nuance, and emotional reactions. Less successful is an implausible sequence in which the otherwise knowledgeable and canny Woman must be informed of her misuse of the word "gorgon" to refer to a man.
Although this is yet another play about people sitting around talking, director J.J. Kandel makes the most of it, handling the ebb and flow of revelation, humor, rivalry, flirting, and recrimination with tasteful discrimination. Jones and Christie come closer to behaving like real people than any others in either series, creating a fine-tuned blend of script and performance in which each lifts the other to a higher level.
"Sparring Partners" may not be a championship play but, set against those it follows, it wins Series B by a TKO.
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text:
Q: Several appendix chapters after each part in book I have a plain latex document with book document class, which has several \parts. And I would like to organize my book in the following manner:
Part I
  Chapter 1
  Chapter 2
  Chapter 3
  Chapter* (unnumbered) Appendix A
Part II
  Chapter 1
  Chapter 2
  Chapter* (unnumbered) Appendix A
  Chapter* (unnumbered) Appendix B
Part III
  Chapter 1
  Chapter 2
  Chapter 3
  Chapter 4
  Chapter* (unnumbered) Appendix A

As you can see, I want to have an appendix for each part of my book. Each appendix may have one or more appendix chapters.
What I currently have is this:
\documentclass{book}
\begin{document}
    \part{One}
        \chapter{Ch One}
        \chapter{Ch Two}
        \chapter{Ch Three}
        \chapter*{Appendix A}
    \part{Two}
        \chapter{Ch One}
        \chapter{Ch Two}
        \chapter*{Appendix A}
        \chapter*{Appendix B}
    \part{Three}
        \chapter{Ch One}
        \chapter{Ch Two}
        \chapter{Ch Three}
        \chapter{Ch Four}
        \chapter*{Appendix A}
\end{document}

This works almost fine except for the headers. In the appendix pages, header shows the name of the last numbered chapter and section.
How can I make a true appendix for each part of my book? I would like a standard solution rather than a hack.

A: You can make use of the appendix package.
\documentclass{book}
\usepackage{appendix}
\usepackage{chngcntr}

% To reset chapter counter for every part
\counterwithin*{chapter}{part}

% To reset appendix counter for every `appendices` environment
\renewcommand{\restoreapp}{}

\begin{document}
    \part{One}
        \chapter{Ch One}
        \chapter{Ch Two}
        \chapter{Ch Three}
      \begin{appendices}
        \chapter{Appendix A}
      \end{appendices}
    \part{Two}
        \chapter{Ch One}
        \chapter{Ch Two}
      \begin{appendices}
        \chapter{Appendix A}
        \chapter{Appendix B}
      \end{appendices}
    \part{Three}
        \chapter{Ch One}
        \chapter{Ch Two}
        \chapter{Ch Three}
        \chapter{Ch Four}
      \begin{appendices}
        \chapter{Appendix A}
      \end{appendices}
\end{document}

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SINGAPORE – While the world geared up to celebrate the arrival of 2016, TBWA\Santiago Mangada Puno was marking a milestone of another kind, making history as it became the most-awarded advertising agency at the Campaign Asia-Pacific Agency of the Year Awards – the first time a Philippine house has held the record – with four wins.
Held in Singapore, the awarding ceremony saw the Philippines score its biggest ever-achievement at the 22-year old show, as TBWA\SMP won Silver in the Integrated Agency of the Year category. Managing Partner and Chief Creative Officer Melvin Mangada took pride of place as Southeast Asia's Creative of the Year, while Managing Director Portia Catuira became the first in the Philippines to win Account Person of the Year.
Scoring such a significant triumph at the prestigious AOY was a fitting finale to TBWA\SMP's stellar 2015, whose highlights included blockbuster wins at awards shows and festivals here and abroad – including Clio, One Show, Spikes Asia, and Cannes Lions – for campaigns such as Shokubutsu Hana's 'Water Billboard'.
According to Mangada, the Agency's ability to win big on the international stage is a testament to hard work and the power of TBWA\SMP's parent network's philosophy of Disruption over convention – a credo that necessitated the introduction of new technologies, specialists, and facilities to meet the demands of a rapidly-changing media landscape.
With their reputation as The Disruption Agency proven beyond a doubt, TBWA\SMP stands ready and willing to meet whatever creative challenges await in the year ahead.


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text:
Aliaksandr Buikevici (, ; n. 19 octombrie 1984, Brest) este un scrimer belarus specializat pe sabie, campion european în 2008 și vicecampion mondial pe echipe în 2011.

S-a apucat de scrima la vârsta de 14 ani pentru a-l urma pe fratele său. S-a alăturat lotului național bielorus în 2002. A participat la Jocurile Olimpice de vară din 2008 de la Beijing, unde s-a clasat pe locul 8 după ce a fost învins de românul Mihai Covaliu în sferturile de finală. La Londra 2012 a încheiat competiția pe locul 16, pierzând cu un alt român, Rareș Dumitrescu, în optimi de finală.

Referințe

Legături externe
 Prezentare  la Confederația Europeană de Scrimă

Scrimeri bieloruși
Sportivi bieloruși în viață
Scrimeri la Jocurile Olimpice de vară din 2008
Scrimeri la Jocurile Olimpice de vară din 2012
Sabreri
Scrimeri la Jocurile Olimpice de vară din 2016

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