THE FOURTH ITERATION of Made in L.A. is currently on view at the Hammer Museum. The biennial features 33 emerging and under-recognized artists, some of the most interesting and thought-provoking figures working in the Los Angeles area. Spanning nearly four generations, the diverse group includes African American artists Diedrick Brackens, Aaron Fowler, Lauren Halsey, EJ Hill, Christina Quarles, Michael Queenland, taisha paggett, and Suné Woods.
Los Angeles Times art critic Christopher Knight called Made in L.A. 2018 "the best one yet." In his review of the biennial, which opened June 3 and runs through Sept. 2, Knight credits the exhibition's curators for its success.
The Hammer Museum announced the curators for Made in L.A. in February 2017. Christovale (pictured below, at right) was a Los Angeles-based independent curator and film programmer at the time. A few months later, in June, she was named assistant curator at the museum.
CHRISTOVALE IS AMONG A WAVE of black curators hired over the past several years to fill plum posts at major American art museums. They are relatively young—mostly in their 30s and 40s—and responsible for some of the most anticipated and groundbreaking exhibitions of 2018.
Erin Christovale is among a wave of black curators hired over the past several years to fill plum posts at major American art museums.
The first-ever survey of multidisciplinary artist Howardena Pindell was co-curated by Naomi Beckwith and Valerie Cassel Oliver, who worked closely with the New York-based artist to present the comprehensive exploration of her five-decade practice. "Howardena Pindell: What Remains to be Seen" opened at the Museum of Contemporary Art Chicago earlier this year and is traveling to the Virginia Museum of Fine Arts (VMFA) where it will be on view beginning Aug. 25.
Since 2011, Beckwith has been a curator at MCA Chicago. She came to the institution from the Studio Museum in Harlem. This week, MCA Chicago announced Beckwith's promotion to senior curator. When they began organizing the Pindell show, Cassel Oliver was a senior curator at the Contemporary Arts Museum in Houston. In June 2017, she was hired at VMFA as curator of modern and contemporary art.
"Soul of a Nation: Art in the Age of Black Power" was developed at the Tate Modern by curators Mark Godfrey and Zoe Whitley. In London, the sprawling exhibition featured more than 200 works made by about 60 African American artists made between 1963-1983 in response to the Civil Rights, Black Power, and Black Feminism movements. Given the show's high profile and focus on American racial, political and social justice issues, its arrival in the United States was much anticipated. The U.S. tour is scheduled for venues in Bentonville, Ark., Brooklyn, N.Y., and Los Angeles (a late addition, announced last week).
Lauren Haynes curated "Soul of a Nation" at the Crystal Bridges Museum of American Art in Bentonville (Feb. 3-April 23, 2018). She was appointed curator of contemporary art at Crystal Bridges in 2016, joining the museum after a decade at the Studio Museum in Harlem, where she served as an associate curator.
At the Brooklyn Museum, "Soul of the Nation" opens Sept. 14 and is curated by Ashley James, the museum's assistant curator for contemporary art. She was hired in June 2017 after serving as a Mellon Research Consortium fellow in the Department of Drawings and Prints at the Museum of Modern Art. James filled a vacancy left by Rujeko Hockley who joined the Whitney Museum of American Art in March 2017.
A veteran of the Studio Museum in Harlem, Hockley served as assistant curator for contemporary art at the Brooklyn Museum for four years, where she co-curated "We Wanted a Revolution: Black Radical Women, 1965–85" at the end of her tenure. When "We Wanted a Revolution" opened, she was already working at the Whitney, where she is an assistant curator. Thus far, Hockley has curated "Toyin Ojih Odutola: To Wander Determined" (Oct. 20, 2017-Feb. 25, 2018), the artist's first solo museum exhibition in New York.
CULTURE TYPE DOCUMENTS appointments of black curators. Just this week, art museums in Detroit, Chicago and New York made new staff announcements. Larry Ossei-Mensah was named senior curator at the Museum of Contemporary Art Detroit (MOCAD). At MCA Chicago, Beckwith was elevated to senior curator. And on Thursday, the Studio Museum in Harlem announced Legacy Russell is joining the museum as associate curator.
Last month, there were at least three more curatorial hires. Vera Grant was named deputy director of curatorial affairs and curator of modern and contemporary art at the University of Michigan Museum of Art in Ann Arbor. Kelli Morgan was appointed associate curator of American Art at the Indianapolis Museum of Art at Newfields. Also, the New Orleans Museum of Art (NOMA) named Ndubuisi C. Ezeluomba curator of African art.
Just this week, art museums in Detroit, Chicago and New York made new staff announcements. …Last month, at least three more black curators were hired.
In 2016, Culture Type noted 18 new appointments at museums and cultural institutions and, in 2017, published a list of 23 curators named to new positions, including posts leading programming at biennials and art fairs.
Curatorial roles at biennials and art fairs, such as the Made in L.A. biennial, allow curators to spread their wings, raise their profile, and pursue grand visions—projects that may not be conducive to the standard museum exhibition and programming environment. These seasonal events provide curators with opportunities to work with a variety of artists, commission new works, collaborate with new peers and colleagues, and often step outside their institutions to reach wider audiences in new locations.
In May of this year, Adrienne Edwards (pictured below, at left) served as the inaugural curator of the new Artist Award at Frieze New York at Randall's Island Park, and she also directed "Assembly," the fair's Live section featuring time-based programming that focused on protest and collectivity. Assembly featured nine artists, including Renée Green, Dave McKenzie, Hank Willis Thomas, and Adam Pendleton, who flew an artwork titled "Black Dada Flag (Black Lives Matter)" over Randall's Island. Kapwani Kiwanga, a Canadian artist based in Paris, won the artist award.
Edwards joined the Whitney Museum as curator of performance in May. Prior to the appointment, she was a longtime curator at Performa, which presents New York City's biennial of visual art performance, and curator at-large at the Walker Art Center in Minneapolis. At the Walker, Edwards curated the first museum exhibition of Jason, the multidisciplinary artist, musician, and composer, which is on view through Aug. 26.
V. Mitch McEwen was appointed curator of the New Museum's IdeasCity, an annual initiative that "explores the future of cities with culture as a driving force" through enterprising gatherings, projects, and exhibitions. McEwen is principal and cofounder of A(n) Office, a collaborative of design studios based in Detroit and New York and she is also a professor of architecture at Princeton University.
Other curators have been tapped for prime biennial and art fair opportunities. In March, Beckwith of MCA Chicago, chaired a new Curatorial Leadership Summit at the Armory Show in New York. Hockley was recently named co-curator of the 2019 Whitney Biennial. And Naima Keith, deputy director and chief curator at the California African American Museum (CAAM) in Los Angeles, is co-curating the next New Orleans triennial, Prospect.5 in 2020. Keith joined CAAM in 2016, after serving as an associate curator at the Studio Museum in Harlem.
AFTER OVERLOOKING African American artists for generations, many American art museums have revisited their collections and are attempting to correct the canon. They are broadening their holdings to more accurately reflect the nation's art history with new acquisitions by important, often under-recognized African American figures and a new generation of critically recognized black artists, an exercise that extends to other artists of color, as well as women artists.
This re-calculation is also evidenced in a more diverse slate of exhibitions presented at museums across the United States. In addition to solo exhibitions featuring black artists and topical shows such as "Soul of a Nation," works by African American artists are increasingly integrated into group exhibitions based on the style and genre of their work (portraiture, for example, contemporary painting, modern sculpture, or women working in abstraction) and is also being brought out of storage and displayed in collection galleries.
Now some museums are finally entering a new stage of diversifying their institutions, turning their attention to curatorial staffing. They are prioritizing curator training, hiring, and advancement, through a series of special programs and fellowships, foundation funded-grants, and collaborations with universities.
Despite some of the significant strides noted earlier, few curatorial positions are held by people of color. A demographic study of art museum staff conducted by the Andrew W. Mellon Foundation in 2015, revealed that among museum curators, conservators, educators and leaders, only 4 percent are African-American, and 3 percent are Hispanic. In terms of leadership at art museums, only 16 percent of positions are held by people of color.
"The situation was worse than in almost any sector I've seen," Mariët Westermann, executive vice president of the Mellon Foundation, told the Times.
Despite some of the significant strides noted earlier, few curatorial positions are held by people of color. "The situation was worse than in almost any sector I've seen," said Mariët Westermann of the Mellon Foundation.
THE COVERAGE CHARTS diversity at U.S. museums based on self reporting from the institutions. Thirteen museums shared information with the Times about full-time curators on staff who identify as people of color.
In terms of the general population, about 38 percent of Americans are black, Asian, Hispanic, or multiracial. By comparison, 11 percent of curators at the Metropolitan Museum of Art are non-white. Figures for the Art Institute of Chicago (19 percent), Museum of Modern Art (23 percent), Whitney Museum of American Art (25 percent), and Museum of Fine Arts Houston (32 percent), are higher. The composition of the curatorial staffs at the three most diverse participating museums closely reflects or exceeds representation in the population at-large: Los Angeles County Museum of Art (36 percent), Brooklyn Museum of Art (39 percent), and Pérez Art Museum Miami (PAMM), where the staff is 50 percent non-white.
Franklin Sirmans is director of PAMM now. He joined the Miami museum in October 2015 after serving as department head and curator of contemporary art at LACMA.
The article also includes insights from Thomas J. Lax, who serves as associate curator of media and performance art at the Museum of Modern Art in New York and is a veteran of the Studio Museum in Harlem. He elucidates the value of diversity among curatorial ranks.
The goal isn't simply to hire more curators of color or to do more shows featuring diverse artists, experts say, but for museums to fundamentally alter the artwork they acquire and their approach to exhibitions, "shifting the way our stories are told," said Thomas J. Lax, an associate curator at MoMA.
Challenging the canon is not a zero sum game that requires abandoning art historical standards, he added, but one that adds depth to programming. In presenting the narrative of modernism, for example, Mr. Lax suggested museums should include the history of artists throughout the world— like hanging a Jacob Lawrence next to a Mondrian. "We don't want to fuel the idea something is being taken away," he said.
IN LOS ANGELES, Christovale worked with Anne Ellegood, senior curator at the Hammer Museum, to put together one of the more diverse biennials in the nation. The 33 artists in Made in L.A. 2018 range in age from 29 to 97, an incredible two-thirds are women, two-thirds are people of color, four address queer identity, and eight (about 25 percent) are African American.
TOP IMAGES: From left, Legacy Russell (Studio Museum in Harlem), Larry Ossei-Mensah (Museum of Contemporary Art Detroit), and Naomi Beckwith (MCA Chicago). | Courtesy Studio Museum in Harlem, Photo by Andrew Boyle, Photo by Maria Ponce.
"Made in L.A. 2018" documents the Hammer Museum biennial in Los Angeles and features contributions by co-curators Erin Christovale and Anne Ellegood. "Soul of a Nation: Art in the Age of Black Power" was published to accompany the traveling exhibition. "Howardena Pindell: What Remains to be Seen" is highly recommended. The new catalog coincides with the multidisciplinary artist's first major survey.


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Behind the North Wind: Barbara Ridland, Kristín Reynisdóttir, Malfridur Aðalsteindóttir
By Jenny Leask
Behind the North Wind
Taking place from 2 September to 15 October 2017, the next exhibition at Bonhoga Gallery draws together work by three prominent artists from the Nordic region: Malfridur Aðalsteindóttir (Norway), Kristín Reynisdóttir (Iceland) and Barbara Ridland (Shetland).
Each has explored their connection to the idea of North, described variously throughout history as either a place of darkness and cold, hard and evil or - in complete contrast - a place where virtuous people live in happiness and joy, behind the north wind.
Malfridur Adalsteinsdottir originates from Iceland, but now lives and works in Norway. Her work is concerned with nature, cultural heritage and craft tradition. It often focuses on the harsh nature of Iceland, northern Norway and Spitsbergen - the clear and bright light that forms a pattern when shining on water, ice and snow, the beauty and stillness, but also the grandness of nature and climate. She combines contemporary art with traditional time-consuming craft traditions, demanding close ties between the product and the maker and a reliance on natural resources.
Barbara Ridland lives in Shetland and studied Drawing and Painting at Gray's School of Art, Aberdeen in the late eighties. She has exhibited internationally including Norway, Faroe and Iceland. Her work has been shaped by Nordic elements and island identities. Her approaches are two and three-dimensional and are both painterly and textile based.
Kristín Reynisdóttir lives and works in Iceland. Her work deals with the personal and the societal, what she refers to as inner and outer worlds. Speculating about how man deals with his surroundings and under strong influence from nature, the latest works refer to global warming. She works with light, glass or plexiglass, natural elements and other fabrics, making photos, videos and sculpture.
Exhibitions in the Lower Gallery complement the textile focus with a collection of linen prints by artist Gail Kelly and contemporary textiles and textile-inspired jewellery by a selection of the UK's finest contemporary designers.
The exhibition opening will take place at Bonhoga on Friday 1 September from 6-7.30pm. Everyone welcome.

redpajama_set_name: RedPajamaCommonCrawl


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Karina and Zara
Everything was different with Zara. She herself opened the door for her. She had a small apartment on the very border of "Upper" and "Lower", most likely not even an apartment, but a little room. Pretty poor thing.
"I was sleeping," Zara explained languidly, "I apologize for making you wait..."
And Karina looked at her in all eyes and couldn't hide it. This girl Zara... she was pretty sweet, maybe even beautiful, but with some rude predatory beauty. And most importantly, she was all covered in tattoos. The short towel which she turned around herself didn't really cover anything. Legs, arms… When she lazily straightened her black hair, Karina saw that even herarmpits were tattooed. "Gods! It's probably terribly painful!" Flashed through Karina's head. She saw blackpatterns on the temples of Zara, and they obviously continued on and moved to the forehead, only they were hidden by a thick long bang. For some reason, Karina became very interested in what was tattooed on Zara's forehead, under this fringe.
"I work in the evening, I dance," Zara said, "and during the day I sleep. Now... I will show you all my documents. I have all the documents. I've been checked many times already."
"You dance?"
"Yes, striptease," Zara grinned, "in one eatery nearby, but this is not forbidden, right? I'm not a prostitute!"
"It's interesting what makes people cover their bodies with tattoos like this, go dance striptease, how crappy her life should have been, why did she do that with herself," thought Karina.
"That's all here," Zara handed Karina a stack of stamp papers.
"I believe you."
Zara shrugged.
"Then what do you need? Will you drink something? But I only have strong drinks," she grimaced in a smile, and, having folded in a certain way the filter of a cheap cigarette, lit it.
"Yes, I'll have a drink," Karina agreed, not believing her ears. For some reason, next to this girl, sheimmediately wanted to drink, just looking at her, no other thought came to her mind. Well, what else to do with her? Only to drink!"
"Ah, great!" Zara yawned and slowly walked over to the loose buffet.
"One person bought me out. My owner. In his will, he wrote that he freed all his slaves after his death. He was alone. And old," Zara handed Karina a small glass filled to the brim with a dark, sharp-smelling liquid.
Karina drank it in one gulp.
"You don't look like a snoop," said Zara, "however,I'm saying that all the documents are in order. I am a free city dweller now. I wish the kingdom of heaven to my lord. And let him feast with the Gods at the same table forever!"
"He freed all his slaves?"
"Yes. I was very lucky," Zara drank her glass too:
"Some more?"
Karina nodded.
"The old man was very kind."
"I know that your documents are in order, and this person made sure that you did not have problems with the law. Well, only if you yourself don't make them."
Zara raised her thickly blackened eyebrows:
"I am not looking for adventures."
"I hope so. Friends should also be chosen with caution."
"Clear. I have practically no friends. Rather, I don't have them at all, with friends it's only an extra mess, I know this, life has taught me."
"No doubt."
"Well, so which of my friends did you come to talk about? I have nothing to hide."
"Do you know Atley Alis?"
Zara wrinkled her nose, remembering.
"He is calles Lis," Karina remarked curiously and wondered if Zara noticed how treacherously her voice trembled.
"Ah! Lis!" Zara laughed. "He's a scum! But charming! No. He is not my friend! And not even a buddy. He dropped in a couple of times, gave a long song and dance." She abruptly moved closer to Karina, causing her to involuntarily recoil.
"He promised that he would promote me and make me the King's mistress. He said he had influential friends in the palace, everything was a complete chatter!" Zara stood up abruptly, again pouring herself a glass and lighting another cigarette, "Where is all his promised?! Chatterbox! There's only one benefit from him – at least he fucks well. Beautifully takes a woman... Hey! Are you leaving?! Did I say something wrong? Who are you?"
"Heck!" Said Zara to herself, when Karina hastily ran out the door, "Was it a snoop, or his girlfriend? Oh shit!"
And she laughed.


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Miller, Delbert James
June 8, 1938 — February 5, 2022
Delbert James Miller (affectionately known as Papa to his grandchildren), age 83, stepped into glory and entered into the presence of his Savior on February 5th, 2022. Delbert was born on June 8th, 1938 in Vienna, Missouri to Horace and May Miller. The son and stepson (by death) of preachers, faith was a core part of Delbert's life from the beginning. He accepted Jesus as his Lord and Savior at a revival as a child and was baptized in the Gasconade River. Delbert attended Vienna High School (class of 1956) and played on some of their most successful basketball teams, including a sweet 16 run in the state tournament. His love for basketball would be a lifelong affair as he loved shooting hoops with his children and grandchildren, as well as cheering on the Mizzou Tigers. After high school, Delbert attended Missouri State University. He married the love of his life, Beverly, on August 6th, 1960 in Vienna, Missouri. They would go on to be married for 61 years. Soon after college, Delbert entered the Air Force from 1961-1965. During part of his service, he and Beverly were stationed in Alaska, including during the great earthquake there in 1964. Following his service, Delbert worked at a number of different airlines including Ozark, TWA, and American Airlines. In addition to living in Alaska, Delbert and Beverly also made their home in a number of different cities in Missouri over the years including St. Louis, Waynesville, Columbia, and Kansas City. Delbert was a dedicated church member wherever he lived, especially at First Baptist North Kansas City. Over the years, he served as a Deacon, sang in the choir, and drove the church courtesy van. Delbert was always a jokester and never knew a stranger. He was an avid traveler, master tomato gardener, sports fan, and professional curbside collector among other things. More than all of these, Papa loved his children and grandchildren. He never missed a youth sporting event or school concert. He was a model father and grandfather. Above all else, Delbert loved Jesus and is now joining in with the eternal choir singing praises to his Savior.
Delbert was preceded in death by his parents Horace and May Miller, stepfather Harrison King, siblings Delores Swarthout, Helen-Louise Miller, Bob Miller, Wilma Reeder, Charles Miller, Donnie King, Maurice Miller, and son Randall. Delbert is survived by his wife Beverly Miller, daughters Dana Eissler (husband Chuck) and Heather Bleyenberg (husband David), grandchildren Caleb Eissler (wife Carlie), Olivia Finley (husband Kenny), Shelby Fagan, and Parker Bleyenberg; great-granddaughter Lily (mother Shelby) and sister Ruth Allen.
The visitation will be held at Pleasant Valley Baptist Church's Chapel on Thursday, February 10th, 2022, at 5 pm with the funeral service to follow at 6 pm. A graveside service will be held on Saturday, February 12th at 1 pm at Kenner Cemetery in Dixon, Missouri. In lieu of flowers, memorial donations can be made to Pleasant Valley Baptist Church.
Miller, Delbert James's Guestbook
Sign Miller, Delbert James's Guestbook


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Game Boy Games – Batman: The Video Game
Batman Games | DC Games | Nintendo Game Boy | Superhero Video Games | Video Games
I loved Tim Burton's 1989 Batman movie when it first came out, so you could imagine how happy I was when I found out that my grandmother bought me a Batman game for my Game Boy. And it was a direct tie in to the movie too. Since I'm still a big fan of Marvel, I've decided to use my extra free time to go back to video games based on comic book superheroes. Yes, I know that Batman is a DC character. But there are a lot of good Batman games dating back to the late 80s and early 90s, so I decided to revisit this one first. How does the first Batman game on the Game Boy hold up today? Let's find out.
A cool animation of a spinning Bat logo serves as the introduction to this generic looking title screen.
Gameplay Basics
Sunsoft's first Batman title for the Game Boy is a standard action platformer. Immediately, what stands out with this game is that it's a shooter like Mega Man. Yes, Batman has a gun in this game and his only method of combat is to shoot it. He doesn't use guns, and he definitely did not use one in combat in the Burton film, so this definitely stands out.
The game has several different power ups, most of which are standard to platformers. You have ones that change your shot type, increase your bullets, give you more lives or refill your health meter. There are two power ups that fit the Batman theme, the first one turns your bullets into Batarangs. The other gives Batman a Batarang that spins around him. This acts as a shield that blocks enemy fire and damages them upon contact. These also serve as armor – when you get hit, instead of losing health you lose one of these. You can have up to four, and there are power ups that can make them spin faster or slower.
Adding to the game's challenge are the inclusion of what I'd like to call as power downs, which are items that penalize you instead of help you. There's one that turns your shots into regular bullets with limited range. Another reduces the number of shots you can make. It hurts when you get these power downs late in the game especially the short ranged shot, so you need to factor these in as you progress throughout the levels.
The game's design is pretty basic, but solid. This was released early in the Game Boy's life cycle so I understand. However, I think Sunsoft could have done more to represent Batman's abilities, like giving him a grappling hook.
Visuals, Sounds, and Tie-In Accuracy
Even back then, I was impressed with how closely this game follows the events of the movie. The game's stages are based on the same locations of Batman's action sequences in film. For most of the areas, there are static cutscenes that follow the events of the movie. For a kid, this was a great way to relive the movie's action-packed moments. There are even a couple of stages wherein you pilot the Batwing!
The Batwing stage.
Being this closely tied into the source material is also detrimental however. Since the film only has one major supervillain, the game only has two boss battles if you don't count the end level bosses in the Batwing stages.
In terms of visuals, this game excels when it comes to how each of the stages look. The developers maximized the dot matrix screen of the Game Boy and added a lot of detail in the backgrounds. The factory stages actually look like the insides of a factory, the Batwing stages include a view of the Gotham skyline, and so on.
The final battle between Batman and the Joker.
I wish the same could be said about the game's sprites. Since the stages are restricted vertically, I think the developers had to settle for small sprites. Batman does have the cowl and cape but his body is just a black glob with minimal detail. Human enemies look fine, but occasionally I run across an enemy that I could not identify.
What am I fighting here?
And finally, the audio. From the opening sequence to the end of the game, Batman is filled with great themes. I'd compare this game's tracks to classic Castlevania music – that's how much I like this game's music.
Final Thoughts and Conclusion
Like most of the Game Boy games released at that time, this Batman game was quite short. With save states, I can beat this game in under two hours. Back then though, it was a good length for a portable game device running via AA batteries. As you progressed each stage would get harder, so it took me a good amount of time before I was able to beat the game.
Knowing that there are a lot of bad movie tie-in games during this era, I'm actually quite impressed at how solid Batman is. It's not outstanding, yes. But the great music and decent gameplay mechanics helped me enjoy my replay attempts. I'd recommend anyone who is into retrogaming or superhero games to give this one a shot.
For more video games based on Batman, click here. If you want video games based on all DC characters, click here. And click here to check out every Game Boy video game that I've played.


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Q: TesseractEngine does not release the traineddata file After I run the following code I can not delete the *.traineddata file in datapath folder, until I completely closes the program.
Shared Function GetOcrText(ByVal imagePath As String,
                         ByVal datapath As String,
                         ByVal languages As IEnumerable(Of String)) As String

    Dim languagesStr = String.Join("+", languages)
    Dim resultText As String = ""

    Using engine = New TesseractEngine(datapath, languagesStr, EngineMode.Default)
        Using img = Pix.LoadFromFile(imagePath)
            Using page = engine.Process(img)
                resultText = page.GetText()
            End Using
        End Using
    End Using

    Return resultText

End Function

Am I wrong about something?
What should I do to be able to delete the file?

A: Use 3.2.0-alpha4 version of .Net wrapper for tesseract-ocr.
I tried your code with this version and everything works fine.

redpajama_set_name: RedPajamaStackExchange


SB-3540PM Front Sway Bar for 1935-1940 Ford (Pinto Mustang IFS). Front sway bar fits with P/M IFS kits. The bar may need to be lowered to clear lower radiator hose on some 1939 Deluxe and 1940 Fords. This is an excellent way to improve the handling. All hardware linkage included.
If you are using non-Chassis Engineering full lower A-arms (no strut rods), please include part AU-0010PMA (link) with your order of your Pinto Mustang Swaybar for no additional cost. We will substitute weld-on sway bar mounting tabs in place of the regular Pinto Mustang mounting brackets.
Drill these holes out to 3/8". Hold frame brackets in place and mark 2nd hole.
Sway bar brackets extend forward.
Place the "D" shaped rubber bushings on the bar in line with the mounting holes.
Install frame brackets over bushings and start bolts through brackets and frame.
Note: If any interference is present, spacers may be installed between frame and frame brackets.
The lower mount installs on the lower arm, using the same holes that hold the strut rod in place.
Notice that the linkage mounting hole is offset.
For stock Mustang width and kits using stock width spacing, the hole goes to the outside.
For wider kits the hole faces inward.
Check all clearances through full wheel travel.


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Featured Government
Puerto Rico Treasury processes 99% of returns filed this taxable year
Treasury Secretary Francisco Parés.
The Puerto Rico Treasury Department confirmed that despite the need of more staff, close to 1.2 million income tax returns for individuals and corporations for taxable year 2020 have been processed, which represents 99% of the total returns filed.
Of that total, about 1 million have received their refunds.
"We have quickly disbursed close to $974.5 million in tax refunds. Having as a priority the technological and digital transformation of the systems has been one of the greatest successes for the agency," said Treasury Secretary Francisco Parés-Alicea.
"This transformation has resulted in benefits for taxpayers with more accessible services and the fastest processing and disbursement of refunds in the agency's history," added Parés.
He explained that for this next taxable year 2021, the returns of conduit entities will be electronic, for taxable year 2022 the returns of nonprofit entities will be added and for taxable year 2023 all tax incentive forms will be electronic.
"This means that by 2023 we'll have substantially all types of taxpayers filing electronically," said Parés-Alicea.
Another initiative that will be implemented next year is a manager of tax credits from incentive laws. This electronic tool will allow to control, monitor, and generate reports digitally of the granting, transfer/sale and claim of credits by taxpayers in income tax forms without requiring cumbersome procedures for the taxpayer.
Regarding tax credits, even though the audits of these transactions have not shown significant findings, Parés-Alicea said the agency seeks to establish a control to avoid the audit process.
"In this way, we would avoid undue burden on taxpayers since the granting of credits already goes through a rigorous application and approval process," he said.
This story was written by our staff based on a press release.
collaborator@newsismybusiness.com
GUIA reports 36% YoY new car sales growth in '21, highest jump in 16 yrs.
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Puerto Rico Ports Authority lands $8M from FAA for airport upgrades
Contributor January 13, 2022
Discover Puerto Rico sends delegation to International Tourism Fair in Madrid


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In fact, many forensic document examiner jobs require experience in a role such as special agent. That means that the types of items a document examiner … Job Description A forensic document examiner scrutinizes suspicious documents of all kinds in order to determine validity, originality, and authenticity. Click the link in the email we sent to to verify your email address and activate your job alert. The average annual salary of a forensic document examiner is $57,850. Get email updates for new Forensic Document Examiner jobs in Canada, Kansas, United States. This may be the reason why this specialisation is often thought of as "handwriting expertise� but it is more than that, as other questions are addressed by document examiners. Fast & Free. Only current vacancies. Indeed ranks Job Ads based on a combination of employer bids and relevance, such as your search terms and other activity on Indeed. Search and apply for the latest Forensic document examiner jobs. 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Photo Section Staffed by civilian Photo Technicians, are responsible for processing images from crime scenes and other police - related events and producing photographic products for investigative and court purposes. Full-time, temporary, and part-time jobs. Indeed may be compensated by these employers, helping keep Indeed free for jobseekers. They may also examine written medical charts to confirm who listed an entry or inspect the signatures on a petition. Forensic Ballistics Expert. New Forensic Document Examiner jobs added daily. Forensic document examiner jobs is easy to find. Only current vacancies. Prepares reagents and verify/document reagent performance. They also present reports on a number of documents under contention, such as wills, medical records, deeds, income tax, tickets, contracts, and loans and agreements; election petitions, checks, and even anonymous written documents, in a law court where … Search and apply for the latest Forensic examiner jobs. Indeed may be compensated by these employers, helping keep Indeed free for jobseekers. Explore all 377.000+ current Jobs in United Kingdom and abroad. Forensic jobs in Montréal, QC. Search and apply for the latest Document examiner jobs in Québec, QC. Apply to Forensic Document Examiner, DNA Analyst, and Ballistic Technician jobs now! Forensic document examiners, also known as questioned document examiners (QDEs), are forensic scientists who help solve crimes by verifying the authenticity of documents. Job email alerts. Select Accept cookies to consent to this use or Manage preferences to make your cookie choices. Displayed here are job ads that match your query. You can unsubscribe from these emails at any time. Forensic jobs in Quebec Province. Start your new career right now! For more information, see our Cookie Policy. Important Facts About This Occupation Board certification is awarded to individuals who successfully pass the proctored written and performance examinations. Indeed may be compensated by these employers, helping keep Indeed free for job seekers. The Board of Forensic Document Examiners (BFDE) was established to administer a professional certification program designed to evaluate the knowledge, practical skills and abilities of forensic document examiners. By using this site, you agree to this use. Apply for Forensic document examiner jobs. Forensic Medical jobs. Non-Merit vacancies exist in the Police Department. Forensic document examiners, or questioned document examiners, are called upon to find forged and non-genuine signatures and documents in criminal cases. Forensic document examiners fall within the career category of forensic science technicians, and can expect an incredibly fast rate of job growth during the 2018-2028 decade. Find the job with Jobitel! It is a precise science that looks at scientific methods of examining a document for a criminal investigation. Duties of a Forensic Examiner Forensic examiners are responsible for collecting and preserving the integrity of evidence at crime scenes. Tip: Enter your city or zip code in the "where" box to show results in your area. 776 Forensic Chemistry jobs available on Indeed.com. By creating this job alert, you agree to the LinkedIn User Agreement and Privacy Policy. Six (6) years of full-time experience working as either a technician or, Respond as PREA (Prison Rape Elimination Act). Today's top 5 Forensic Document Examiner jobs in Canada. Competitive salary. Today's top 2 Forensic Document Examiner jobs in Canada. Today's top 816 Forensic Document Examiner jobs in United States. As of Nov 15, 2020, the average annual pay for a Forensic Document Examiner in Kentucky is $44,629 an year. New Forensic Document Examiner jobs added daily. The job growth for forensic document examiners is expect to increase tremendously in the upcoming years. Forensic document examiner jobs in UK. 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Try double-checking your spelling or searching for a less specific term to get more results. Forensic document examiners usually define the authenticity of statutory documents, including contracts, wills, and deeds. Indeed ranks Job Ads based on a combination of employer bids and relevance, such as your search terms and other activity on Indeed. Find your next job near you & 1-Click Apply! Apply to Examiner, Forensic Scientist, Forensic Accountant and more! Page 1 of 17 jobs. Full-time, temporary, and part-time jobs. New forensic document examiner careers are added daily on SimplyHired.com. Job email alerts. Sort by: relevance - date. Page 1 of 57 jobs. Job email alerts. Find the job with Jobitel! Medical terminology, anatomy and physiology, Assist in developing, optimizing, and/or validating new, Applicants must attach a legible photocopy of their American…. Staffed by a civilian Fingerprint Examiner and a Document Technician, they are responsible for the chemical treatment and examination of criminal writings for fingerprints. Verified employers. Apply to Forensic Scientist, Examiner, Senior Chemist and more! Browse 117 FORENSIC DOCUMENT EXAMINER Jobs ($31K-$86K) hiring now from companies with openings. Displayed here are Job Ads that match your query. Forensic document examiners analyze all aspects of the document and prepare an opinion to hat they can present in court if they are called upon to testify. 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We and third parties such as our customers, partners, and service providers use cookies and similar technologies ("cookies") to provide and secure our Services, to understand and improve their performance, and to serve relevant ads (including job ads) on and off LinkedIn. Apply to Examiner, Biologist, Forensic Investigator and more! Sort by: relevance - date. 3,097 forensic document examiner vacancies in USA. Indeed may be compensated by these employers, helping keep Indeed free for job seekers. Search 162 Document Examiner jobs now available in Laval, QC on Indeed.com, the world's largest job site. Find the right Forensic Document Examiner job with estimated salaries, company ratings, and highlights. For more information, see the, Los Angeles County Department of Human Resources, New York City DEPT OF HEALTH/MENTAL HYGIENE. This website uses cookies to improve service and provide tailored ads. Free, fast and easy way find Forensic document examiner jobs of 1.492.000+ current vacancies … … 227 forensic document examiner jobs available. Work Schedule: Monday to Friday, 8:00 AM to 5:00 PM. You can change your cookie choices and withdraw your consent in your settings at any time. Sign in to create your job alert for Forensic Document Examiner jobs in Canada, Kansas, United States. There are a number of clues that an examiner looks for in working with documents and varying means by which they authenticate a document. Full-time, temporary, and part-time jobs. Tasks: Conducts complex and sensitive forensic document examinations through the application of scientific practices for the recognition, collection, analysis, and interpretation of physical evidence for criminal and civil law or regulatory purposes utilizing the most appropriate scientific methodologies and forensic and instrumental techniques. See salaries, compare reviews, easily apply, and get hired. 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text:
The women's triple jump event at the 2002 Commonwealth Games was held on 31 July.

Results

Final

References
Official results
Results at BBC

Triple
2002
2002 in women's athletics

redpajama_set_name: RedPajamaWikipedia


text: Graduated at the legendary Bunka Fashion College in Tokyo and raised under the wing of Rei Kawakubo, Junya Watanabe began his career as a pattern-maker at Comme des Garçons. In 1992 he launched his own brand, Junya Watanabe Comme des Garçons. Famous for his conceptual approach, his endless experimentation and his thought-provoking designs, he says: "I don't know how others see fashion. But to me fashion is creating something, creating something new through clothes."


text:
Obama Asked To Take Up Torture of Fil Am With GMA
by Joseph G. Lariosa July 16, 2009
written by Joseph G. Lariosa July 16, 2009
CHICAGO (July 16) — Instead of taking with her the 100 Filipino congressmen in her audience with President Barack Obama on July 30 in Washington, D.C., President Gloria Macapagal Arroyo might be better off taking with her her Defense Secretary.
The lawyer of abducted Filipino American Melissa Roxas wrote on July 15 President Obama to bring "to the attention of the Philippines President, Gloria Macapagal Arroyo, in your meeting with her on July 30" the case of Ms. Roxas, "a U.S. citizen residing in Los Angeles, California, who was abducted and tortured by suspected military agents in the Philippines."
In a three-page letter obtained by this reporter, Ms. Roxas's pro bono lawyer, Arnedo S. Valera, reminded President Obama's statement on June 26, 2009 on the occasion of the United Nations International Day in Support of Torture Victims when Mr. Obama said:
"Twenty-five years ago, the United Nations General Assembly adopted the Convention Against Torture, and twenty-two years ago this very day, the Convention entered into force. The United States' leading role in the negotiation of the Convention and its subsequent ratification and implementation enjoyed strong bipartisan support. Today, we join the international community in reaffirming unequivocally the principles behind that Convention, including the core principle that torture is never justified.
"Torture violates United States and international law as well as human dignity. Torture is contrary to the founding documents of our country, and the fundamental values of our people. It diminishes the security of those who carry it out, and surrenders the moral authority that must form the basis for just leadership. That is why the United States must never engage in torture, and must stand against torture wherever it takes place […]."
Valera filed a complaint on July 1 against the Philippine government on the abduction and torture of Roxas before U.S. Secretary Hillary Rodham Clinton. But he wants to take advantage of the Arroyo's visit with Obama so that the matter can be brought to the attention of both Presidents Obama and Arroyo.
The letter was also copy-furnished to Vice President Joseph R. Biden, Jr., First Lady Michelle Obama and Secretary Clinton.
In his letter to the U.S. president, Obama, Arnedo reiterated the content of his letter to Secretary Clinton that "Ms. Roxas is the first known American citizen under the new administration of your presidency who has been subject to torture and degrading treatment in the Philippines, a close ally of and receiving military aid from the U.S. government."
He told Obama that Roxas was in the Philippines to volunteer as a health care worker. Roxas is also a poet and a writer, studying the conditions of the country and gathering materials for her writing project.
She was in the midst of conducting an initial survey of the place when she was suddenly attacked and forcibly abducted by 15 armed men in La Paz, Tarlac last May 19, 2009. She was released six days later after being subjected to both physical and mental torture during her captivity in a suspected military camp.
Roxas returned to her Los Angeles home June 1 after filing a Writ of Amparo and Habeas Data before the Philippine Supreme Court.
Valera is writing the letter "as a formal Protest and Complaint against the Philippine Government."
He said he is writing Mr. Obama this letter, "(i)n response to your speech during the historical commemoration of the U.N. International Day in Support of Torture Victims, (where) your Excellency emphasized that, "Torture is contrary to the founding documents our country and the fundamental values of our people. The U.S. must stand against torture wherever it takes place."
He hopes as president, Obama can "order an end to these abusive practices" and work with U.S. "Congress to prevent future abusive practices at the hands of government officials."
Valera, a fellow alumnus of President Obama at Columbia University, urged him to urge the U.S. State Department to conduct an impartial and vigorous investigation of the Philippine government's culpability and that appropriate sanctions are meted for the intentional abduction, kidnapping and torture of Melissa Roxas.
Joseph G. Lariosa
Correspondent and syndicated columnist of Journal GlobaLinks (JGL), formerly Journal Group Link International, a Chicago, Illinois-based news agency, public relations and advertising outfit, has been a veteran journalist from both sides of the Pacific. He holds a Bachelors degree in Journalism from the Lyceum University of the Philippines. He is few units short of completing his Masters degree in Journalism at Chicago, Illinois-based Roosevelt University.
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The real, hot advice to live as yourself!
The solid consolation for those of you who are adults for the first time!
Kim Soo Hyun opens the book by saying, �When I became an adult, I realized the world is a cold place.� It was full of irrationality, everyone drew excessive lines toward each other, and even the plain enjoyed discrimination and scorn when given the chance. In a capitalist society, we were all strictly becoming those who gave and those who received. That is the world we are struggling to live in.
This book tells us what we need to live sincerely as �me�. It tells you that you don�t need to feel bad after looking at some rich person�s SNS, that you don�t need to make excuses to yourself, and that you don�t need to be understood by everyone. There�s no need to work hard just because you are uneasy, and it supports you by saying not to bend down to the �right answer� that the world gives. It tells you not to be hurt by the people that go by in life, not to be shaken by someone�s words, and now to mistake something for a problem that�s only yours. It tells us what we need to hear the most: to live as yourself.
This book gifts time to reflect to people who do not even have time to think about who they are. It contains what you must think and ponder about not to live like someone else, but to truly live like yourself. It is a book necessary for those who are wandering, adult-children who want to find themselves, and to everyone who are tired from working and being adults.


text:
Posted on July 31, 2018 by Tyler Altmeyer
Donny Schatz earns podium finish at Ransomville, rallies for top-ten at Weedsport
(Photo: Donny Schatz during prior start – Jason Brown Motorsports Photography)
Date: Friday, July 27th
Event: The Big "R" Outlaw Shootout
Track: Ransomville Speedway (Ransomville, N.Y.)
Donny Schatz A-Main Finish (Start): 3rd (1st)
Date: Sunday, July 29th
Event: Empire State Challenge
Track: Weedsport Speedway (Weedsport, N.Y.)
Donny Schatz A-Main Finish (Start): 6th (15th)
World of Outlaws Championship Standings (as of 7/31/2018): 1st – 6110 points (202-point margin over second place, Brad Sweet)
BROWNSBURG, Ind. (July 31, 2018) – Although stuck behind the eight ball during the second half of his two-race weekend in the Empire State, nine-time and defending World of Outlaws Craftsman Sprint Car Series champion, Donny Schatz, persevered and rallied in a big way, eventually ending the weekend with a pair of two-ten finishes, one of which the result of a hard charge from the inside of row eight. Schatz's New York results increased his top-ten count to 41 in 43 World of Outlaws starts, 34 of them earned within the top-five. In addition, the Fargo, North Dakota native used his weekend results to maintain the current World of Outlaws championship point lead, now ahead of Brad Sweet by 202 markers.
Donny Schatz kicked-off his two-day sweep through New York with a stop at Ransomville Speedway on Friday night, July 27. Although missing the top spot on the podium, the driver of the Tony Stewart/Curb-Agajanian Racing/Textron Off Road/Ford Performance/Curb Records/Sage Fruit/No. 15 sprint car finished third at the final checkers after starting from the pole position, earning his point position by way of dash victory, just after finishing second during his respective heat race.
After an off-day on Saturday, July 28, Donny Schatz returned to World of Outlaws competition on Sunday evening, July 29, at the state-of-the-art Weedsport Speedway. Issues during qualifying forced the TSR entry to start shotgun during heat race action. Although transferring, Schatz was forced to start 15th on the main event grid, eventually mounting a charge to sixth. The feature rally earned Schatz the KSE Hard Charger Award for advancing the most feature positions.
"Sometimes things don't go our way, but you can never count this team out," Donny Schatz explained. "Having the ability to rebound like this is important, especially in terms of winning championships. Hopefully we can put all of the mistakes and mishaps behind us and head back west with a clear mind and complete focus."
Donny Schatz will continue his 2018 World of Outlaws Craftsman Sprint Car Series campaign with a pair of Ironman 55 starts at the Federated Auto Parts Raceway at I-55 in Pevely, Mo., on Friday and Saturday, August 3 & 4. Each night will feature a complete program headlined with a 55-lap feature awarding $20,000 to the winner. Schatz finished second during the Night Before the Ironman in 2017.
Fans are encouraged to follow the progress of Donny Schatz, Tony Stewart Racing and the No. 15 Textron Off Road/Ford Performance/Curb Records/Sage Fruit/J&J Auto Racing motorsports team on the Web and on social media. More information can be found at www.tonystewartracing.com, as well as at www.donnyschatzmotorsports.com.
Tony Stewart Racing: Facebook at www.facebook.com/TonyStewartRacing or on Twitter and Instagram @TonyStewart_Rcg.
Donny Schatz: Facebook at www.facebook.com/DonnySchatz or on Twitter and Instagram @DonnySchatz.
Watch Donny Schatz and Tony Stewart Racing live on www.dirtvision.com during each and every World of Outlaws Craftsman Sprint Car Series event of 2018.
2018 Donny Schatz / Tony Stewart Racing Statistics: (thru July 31, 2018)
Total Wins: 17
World of Outlaws Races: 43
World of Outlaws Wins: 15
World of Outlaws Top-5s: 34
World of Outlaws Top-10s: 41
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Haiku: Summer | Mostly True Stories of K. Renae P.
This entry was posted in Poetry Corner, Teaching and tagged education, hurry up!, NaPoWriMo, poem, poetry, school, summer, teaching. Bookmark the permalink.
I wish you had been my teacher!!! You really have a gift. I have so enjoyed reading some of your posts and look forward to learning more as I follow you.
Wow. Thank you so much. I'm glad to have you.
Here in Brazil summer has left some time ago and now we're on fall – apparently… where I live the weather is rarely cold. Today the temperature dropped a little, but not enough to turn off the air conditioner.
We are in that really nice time of year too. It's a little too warm to go without the AC. In a few weeks it will be hot and humid and miserable.
My students always act surprised when we talk about how our neighbors in the southern hemisphere have opposite seasons. We talk about the earth's axis and everything. "I don't believe that! Nobody has winter in July!" quote from one of my students.
Hahaha it is funny to think about, even for us. Last time I traveled to the US it was April/May. People here freezing and my husband and I burning in Nevada's dry sun. It was ackward to see them under blankets on Skype!


Scotland's national deaf school, based in Linlithgow, is rolling out new services to celebrate young people who are "differently abled".
Designed and delivered by The Donaldson Trust, #Junx10n and #JunX10n Education are support services for young people in West Lothian and Edinburgh who have Asperger's, autism, dyslexia, ADHD, social anxiety disorders and other conditions.
And such has been the initial success of the services that The Donaldson Trust is now looking to recruit around 12 new staff and a number of new trustees.
In particular the trust is looking to recruit creative specialists in the field of the sciences, music, technology, sports and the arts to help both meet existing demand and grow the service.
#Junx10n and #JunX10n Education have been designed to empower "neuro-diverse" young people by supporting them to reboot their options for life, improve their wellbeing and increase their chances of achieving sustained meaningful education or employment.
Launched as a pilot in October 2016, #Junx10n has already supported many young people to develop their skills and talents as well as reduce their anxieties, enabling engagement and improvements in self-esteem and personal growth.
In addition to the highly skilled core team a number of creative specialists have been recruited to enrich the service and further develop the skills identified in the trainees. Each offer a range of development skills including computer coding and gaming, music, creative arts, horticulture, photography, film making and mindfulness.
Laura Battles, chief executive officer, the Donaldson Trust said: "The launch of #Junx10n is a major development for the trust which builds on our heritage and experience of educating and supporting young people with complex additional support needs.
"If nurtured and supported appropriately positive attributes associated with neuro-diversity include creativity, lateral thinking, bringing a 'different perspective', development of highly specialised skills and the consistency in tasks once mastered.
"The #Junx10n approach provides a can-do culture and environment which engages young people and enables them to access the space required to be the best they can be.


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The only recording by the mysterious Nepalese psychedelic artist Gopal. Dating from the time Tsuyama was wandering around the globe, this miraculous tape features a live collaboration. Recorded in Nepal in 1979.


Dr. Desiree Reedus, MD, MS, FACC, a Physician from Temecula, California, was selected to be one of the 6th delegates from California for the Shot for Life Organization to go to Washington, DC.
The purpose of this summit was to advocate, with the Senate and Congress, and to maintain global funding for childhood vaccines. The effort has since been successful, with funding maintained through this year. The effort will need ongoing assistance.
Dr. Reedus discovered that the General Federation of Women's Club National Headquarters, was in walking distance from the hotel where the delegates were being hosted for the Shot for Life Summit.
Subsequently, various GFWC members were in attendance (this being one of the GFWC projects). The GFWC President invited them to attend a reception at Headquarters (GFWC National Office).
There were about twelve ladies that were Shot For Life Delegates from various States. The women in the center of the photo, in the brown suit, is the GFWC National/International President and Dr. Reedus is in the beige jacket on the far right.
Most of the delegates at the Shot for Life Summit were not GFWC members but predominantly healthcare related providers (nurses, pharmacists, educators, etc.). Most attendees found the event to be a great experience.
Dr. Reedus, a member of the GFWC Riverside Group, California and the De Anza District were represented.


Habitat connectivity and matrix restoration: the wider implications of agri-environment schemes, Donald & Evans (2006) refer to the threat that agri-business has on indigenous wildlife and the long-term problems this dynamic poses to both human and non-human species. Almost half of all land surfaces on the planet are consumed by agricultural endeavors, note the authors. Agricultural develop threatens species diversity more so than overpopulation itself. Monocrops and cash crops like soybean, rubber, and oil palm are only the most obvious means by which habitats are destroyed. When any pristine landscape is compromised by human development, the result is an irreversible fragmentation.
Cronon, William, "The Uses of Environmental History." Environmental History Review, 17 (Fall 1993), 1-22. .
Dolph, James A., and Dolph, C. Ivar, "The American Bison: His Annihilation and Preservation." The Magazine of Western History, 25.3 (Summer, 1975), 14-25.
Isenberg, Andrew. The Destruction of the Bison: An Environmental History, 1750-1920. New York: Cambridge University Press, 2000.
The first tactic the groups used was to intimidate the local inhabitants with a show of military force and then introduce domesticated animals that often used up a disproportionate amount of the local food resources for their needs.
Daritt-Newton, D., & Erlandson, I. (2006). Little Choice for the Chumash. American Indian Quarterly, 416-432.
McWilliams. (1973). Southern California: An Island on the Land.
Wilson. (1999). The Earth Shall Weep: A History of Native America.
Do you agree with the Court's decision, based upon the language of the Endangered Species Act quoted above? That is, did the Endangered Species Act preclude construction of the dam? Should the ESA have precluded construction of the dam? as Congress right to amend the ESA to permit the dam to be built?
Church, T.W. (2007). Review: The Snail Darter Case: TVA vs. The Endangered Species Act by Kenneth M. Murchison. Law and Politics Book Review, 17(8).
Garrett, E. (2009). The Story of TVA v. Hill: Congress Has the Last Word. Weblaw.usc.edu.
Rizzardi, K. (2008). Tennessee Valley Authority v. Hill -- 437 U.S. 153. ESA Blawg.
However, not all biologists agree that building or preserving corridors is the best way to proceed, because it still allows much of the animal's habitat to be diverted for human use (Thwaites, PAGE). They suggest that corridors are an expensive solution, but often those biologists prefer to see less land diversion.
Nickens, Eddie. "Woodpecker wars (red-cockaded woodpecker as an endangered specie)." American Forests. January 1, 1998.
Pyper, Wendy. "Changing habitat: the revival of the Richmond birdwing butterfly offers hope that through research, education, dedication and teamwork, local communities can secure a future for threatened species." Ecos. January 1, 2001.
Thwaites, Tim. " Safe passage.(wildlife conservation aided by strips of conserved habitat)(Wildlife Corridors)." International Wildlife. July 17, 1998.
Paying landowner easements to restrict development on their property is another way to protect habitats (Terris). However, it is still feared that these measures may be inadequate. The most popular solution appears to be controlling growth development to lessen the impact of future urbanization. This means making better use of already developed areas, and providing mixed land uses (Terris). Environmentalists agree that strategic planning is the best solution to help curb further destruction in the future.
Shaw, Jane. Nature in the Suburbs. (SMG 261-65) http://www.heritage.org/Research/SmartGrowth/BG1724.cfm (Accessed November 4, 2008).
Terris, Jutka. Unwelcome (Human) Neighbors: The Impacts of Sprawl on Wildlife. (SMG 256- 61) http://www.nrdc.org/cities/smartGrowth/pwild.asp (Accessed November 4, 2008).
As happens with some anoles and other reptiles in the Caribbean, the St. Croix ground lizard is seriously endangered because of human encroachment and exotic predators. For all their speed and quick reflexes, a number of ameivas are easy prey to mongooses. On June 03, 1977, the St. Croix ground lizard was designated as endangered in the St. Croix area. There are currently only two islands where the St. Croix ground lizard, now extinct on St. Croix and listed as an endangered species, still exists -- Green Cay and Protestant Cay.
Dodd, C., Jr. (1980). Ameiva polops Cope. St. Croix ground lizard. Catalogue of American Amphibians and Reptiles.
U.S. Fish and Wildlife Association (UFWA). (February, 1992). Endangered and Threatened Species of the Southeastern United States (The Red Book) FWS Region.
U.S. Fish and Wildlife Association Service. (2003). Green Cay National Wildlife Refuge General Information. Retrieved from the Internet at http://caribbean-ecoteam.fws.gov/green_cay_index.htm.
Urban, Val. (1977). Green Cay, National Wildlife Refuge. Refuge Facts.
Two general approaches are used in connection with mangrove restoration. One method only focuses on the replanting of mangroves to replenish those that were lost. The other concentrates on discovering the reason for losses and preventing further loss of mangrove habitat. This philosophy supports natural recovery of the ecosystem, once the sources of destruction have been discovered and eliminated (Lewis & Streever, 2000). Both of these approaches have merit for different reasons.
Coastal Conservancy Association (CCA). (2007). CCA Florida Habitat Restoration Projects. Retrieved April 9, 2008 at http://www.ccaflorida.org/habitat.html.
Hill, K. (2001). What is a Lagoon? Smithsonian Marine Station at Fort Pierce. Retrieved April 9, 2008 at http://www.sms.si.edu/irLspec/Whatsa_lagoon.htm.
Mature io Grande Cutthroat Trout live between six and eight years, about average for their species (Spaete, 2006). They are stream spawners, and their average age of sexual maturity is between five and seven years of age, with breeding occurring only once or twice during the lifespan (Spaete, 2006). In general, breeding season is between spring and early summer, with offspring in the 1000 to 2000 range (Spaete, 2006). Environmental factors including temperature and food availability will impact the breeding cycle as well as overall size of the individuals.
In recent article in the magazine Grist, Comet's co-owner (with Salfi) Shaffer mentioned that he is the executive director of "Business Alliance for Local Living Economies" (BALLE). Shaffer explained that BALLE - which is interconnected with Comet's entrepreneurship processes - is an alliance of more than 5,400 entrepreneurs in the U.S. And in Canada who are "...dedicated to building "Local Living Economies" (LLE). These economies are committed to "the long-term health of a particular place," Shaffer went on, "whether it is a big city like Philadelphia, medium-sized town like Grand Rapids, Michigan, or a rural area like the Rogue River Valley" in Oregon.
Comet Skateboards. "Phoresia Interview with Jason Salfi." Retrieved May 3, 2008, at http://blog.cometriders.org/?p=41.
Comet Skateboards. "Products. Factory. Contact." Retrieved May 3, 2008, at http://www.cometskateboards.com .
Forest Stewardship Council. "The History of FSC-U.S.." Retrieved May 4, 2008, at http://www.fcus.org/about_us/.
Grist Magazine. "Skate of Grace: Don Shaffer, local-biz promoter and green skateboard entrepreneur answer's Grist's questions." (June 6, 2006). Retrieved May 4, 2008, at http://www.grist.org.
preservation of the cougar in eastern U.S. As well as for its survival and regeneration in areas of that district and to argue, simultaneously, that care be taken to promote its survival in other parts of the U.S.
The so-called North American cougar is only called so because, whilst, at one time, rampant in the Eastern states, it has virtually been eliminated from there due to hunting and other factors overtly and unintentionally directed to destroying its species. Whilst once commonly found in eastern N. America, it is, nowadays, more prevalent in the western states that seem to care more for its survival.
Baron, David (July 28, 2011). "The Cougar Behind Your Trash Can." Boulder, Colorado: New York Times. http://www.nytimes.com/2011/07/29/opinion/the-cougar-behind-your-trash-can.html. Retrieved 9/8/2011.
Barringer, Felicity (March 2, 2011). "U.S. Declares Eastern Cougar Extinct, With an Asterisk." The New York Times. http://www.nytimes.com/2011/03/01/us/03cougar.html?hpw. Retrieved 9/8/2011.
Boswell, Randy (March 2, 2011). "Montreal Gazette: U.S. officials declare eastern cougar extinct, despite sightings in Canada." Montreal Gazette, Postmedia News.
Cardoza, J.E., & Langlois, SA. (2002). The eastern cougar: A management failure? Wildlife Society Bulletin 30(1):265-273.
Over the years, there has been concern over the fats shifting weather pattern occasioned by the global warming. Extreme and erratic weather conditions have been experienced in almost every part of the world. This essay will review the literature that is available on the definition of Global warming, the causes of global warming, effects of global warming on the community and nations, what the government is doing to stop global warming, as well as what Non-Governmental Organizations or Non-State Organizations are doing to stop global warming and finally what should be done to stop global warming.
Why the issue of becoming a vegan is relevant in the contemporary socisty.
Bassil, K.L. et al. (2007). Cancer health effects of pesticides. Canadian Family of Physicians.
The College of Family Physicians of Canada: Canada. (53:10). 1704-11.
Lear, L. (1997). Rachel Carson: Witness for Nature. New York: Henry Hoyten.
Savage, S. (2012). When increased pesticide use is a good thing. Science 2.0.
Paleozoic time period. Two internet sources, author.
Six major continents were present by the beginning of the Paleozoic Era, as the supercontinent had started to break apart during the latest Proterozoic period. Each of these continents can be separated into two principal constituents: a craton and one or several mobile belts. In contrast to the geological history of the Mesozoic and Cenozoic periods, there is lesser information concerning the Paleozoic era because the development of Pangaea led to the destruction of magnetic anomaly patterns that would normally be preserved in ocean crust. Experts thus focused on other concepts in trying to find out more regarding the period's geological history, such as how plants and animals were distributed and other structural relationships.
Fielding, Cristopher R., Frank, Tracy D., and Isbell, John L., "The late Paleozoic ice age revisited," EOS, TRANSACTIONS AMERICAN GEOPHYSICAL UNION, VOL. 87, NO. 8,-PAGE 87, 2006 doi:10.1029/2006EO080005.
Cheeseman, H.R. (2010). The legal environment of business and online commerce: Business ethics, e-commerce, regulatory, and international issues. Upper Saddle River, N.J: Pearson/Prentice Hall.
Dukes, M.N.G. (2006). The law and ethics of the pharmaceutical industry. Amsterdam: Elsevier.
Palmer, D.E. (2010). Ethical issues in e-business: Models and frameworks. Hershey, PA: Business Science Reference.
Keillor, B.D., & Wilkinson, T.J. (2011). International business in the 21st century. Santa Barbara, Calif: Praeger.
S. Department of State). Since them the severity and frequency of bleaching events continues to increase. These bleaching events correlate with rising average sea temperatures on a global basis, rising sea levels, and more frequent tropical storms fueled by increasingly stronger heat masses (U.S. Department of State).
Begley, S. The Truth About Denial. Newsweek. August 13, 2007.
< http://www.newsweek.com/id/32482 > Accessed June 1, 2009.
CO2 growth from economic activity, carbon intensity, and efficiency of natural sink.
Booth, D., Jackson, R. (1997). Urbanization of aquatic systems -- degradation thresholds, stormwater detention, and the limits of mitigation. Journal of the American Water Resources Association, 22(5): 1-20.
Booth, D., Hartley, D., Jackson, R. (2002). Forest cover, impervious-surface area, and the mitigation of stormwater impacts. Journal of the American Water Resources Association, 38(3): 835-845.
etlands are the main link between the land and the water, and as such are vitally important to the ecology. etlands have been misunderstood and abused throughout the history of the United States -- and elsewhere in the world -- and that has led to enormous environmental losses. This paper explores all pertinent information with regard to wetlands.
The Environmental Protection Agency (EPA) defines wetlands as those "…transition zones where the flow of water, the cycling of nutrients," along with the sun's energy, all meet in order to create "…a unique ecosystem characterized by hydrology, soils, and vegetation" (EPA). The four categories of wetlands are swamps, bogs, fens and marshes. The EPA describes marshes as wetlands that are "…dominated by soft-stemmed vegetation"; swamps are quite different, as they are composed of "mostly woody plants."
July 23, 2012, from http://www.epa.gov.
Moreno-Mateos, David, Power, Mary E., Comin, Francisco A., and Yockteng, Roxana. (2012).
Structural and Functional Loss in Restored Wetland Ecosystems. PloS Biology, 10(1), 1-8.
The most obvious front-line application of this study is in the conceptualization of the relative needs of the respective species in connection with human efforts to prevent extinction, especially extinction that is directly attributable to human activity. The traditional approach to species conservation emphasizes the data establishing declining populations. That approach ignores species that are equally at risk by virtue of human activity. Therefore, continued reliance on that approach to defining acceptable human activity in sensitive habitats and to allocating conservation attention and resources does not adequately protect species that may be tremendously vulnerable to extinction within a relatively short period of habitat invasion by human activity.


Hunstanton Sealife Centre invite you to join them for the Marine Conservation's Great British Beach Clean!
Meet outside the Sea Life Centre in Hunstanton and making your way down New Hunstanton beach collecting litter & plastic that would otherwise harm wildlife.
Hunstanton Sealife Centre will provide all equipment, just wear sturdy shoes and appropriate clothing.
Times may change due to the tide, so please check the website for more information.
The Great British Beach Clean Hunstanton - Hunstanton Sealife Centre invite you to join them for the Marine Conservation's Great British Beach Clean!


text:
Бостунич (справжнє прізв. — Шварц) Григорій Васильович (Вільгельмович; псевд. — Маркіз Поза; 19 листопада 1883 — імовірно, 1945) — драматург, видавець, дослідник масонства.

Біографія
Народився в м. Київ у сім'ї страхового чиновника Вільгельма-Бартольда Шварца. 1915 прийняв прізвище діда з материного боку (офіційно — Давид Бостунов). Закінчив 4-ту Київську гімназію (1903) та юридичний факультет Київського університету (1908). Понад 8 років працював адвокатом з кримінальних справ. Під час Першої світової війни 1914 побував у німецькому полоні.

Літературну діяльність почав від 1905 спершу як автор водевілів. Видавав журнали «Киевский набат» (1906, 2 вип., підписані Грегуар Ле-Нуар), «Киевский театрал» (1906– 07), «Арсетвита» (1910) та «Киевский звонок». 1909 заснував видавництво «Гонг», 1910 — газету «Южная копейка» (1 січ. 1917 перетворена на АТ). На «злобу дня» написав трагедію «Любов імператриці: Коронована зрадниця» (1917) та драму «Ремесло Юди» (1917). Викладав у Київському музично-драматичному інституті ім. М.Лисенка, Драматичній консерваторії, на кінокурсах Азагарова, студії «Дніпросоюзу». Виїхавши до Німеччини, надрукував у ж. «Луч света» п'єсу про ЧК «Останній подих ката».

Оберштурмбанфюрер СС (січень 1937), штандартенфюрер СС (листопад 1944). Приятелював з Г.Гіммлером, Р.Гейдріхом, Олендорфом та К.Вольфом.

Примітки

Джерела та література
 Білокінь С. І. Бостунич Григорій Васильович  //

Випускники юридичного факультету Київського університету
Уродженці Києва
Драматурги
Члени НСДАП


I am on my way to the fabulous Style Maniac to guest post about some of my favorite places in Bulgaria. If you'd like, please come over. Doreen and I would love to have you.
So sieht die Wohnung des "Maroon 5″-Sängers Adam Levine aus.
A look inside the beautiful home of Adam Levine – the front man for Maroon 5.
It's my pleasure to welcome the American architect David Jameson to Design Elements today. Enjoy the interview. I sure did!
Recall always wanting to be an architect – always involved in building things.
In-between space. In a sense, the outdoor rooms between moments of the buildings.
What have been the rewards of practicing architecture?
The ability to affect others mind, eye, and soul through spatial experience.
Be with my wife and kids doing anything they want.
Donald Judd and Richard Serra.
Books about change enactors – like Abraham Lincoln.
Satisfaction in that the work has meaning, and both peers and my family can experience what I do.
Develop an ability to critique and edit your own work. As Rem Koolhas stated – architects are always the last to see the apple fall.
Those that support an architectural idea that drives each project.
Brazil again… a beautiful house in Sao Sebastiao, interior design: Júlia Blumenschein, architecture: André Becker.
Wochenendhaus mit traumhaftem Blick… Design: Lua und Pedro Nitsche. Schönes Wochenende!
Weekend house with a dream view designed by Lua and Pedro Nitsche. Happy weekend!
Ein modernes Haus in den Hampons… Architektur: Leroy Street Studio. Schönes Wochenende!
Beautiful Hamptons home designed by Leroy Street Studio. Happy weekend!
Ein Blick nach Texas in die Wohnung des Architekten Francisco Arredondo von North Arrow Studio.
A look inside the Austin home of architect Francisco Arredondo of North Arrow Studio.
So sieht ein Apartment in Salvador aus… Interior Design und Architektur: Joana Requião.
Beautiful apartment in Salvador… interior design and architecture: Joana Requião.