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Hardware - Industrial Print
Durst Rho 900 Unveiled at SGIA
Industrial Print 08 October 2009
Durst has introduced the new Rho 900 Large-Format UV Inkjet Printer- a 98" wide printing platform that combines more efficient automated media handling and "process colour additions" with high-speed printing capabilities to deliver far greater productivity and a wider colour gamut.
The unveiling took place at the SGIA Expo, under way this week in New Orleans. Attendees are being introduced to a high-quality printing platform that simplifies media handling with its automated feeder system, and makes reproduction of even difficult corporate colours possible by printing orange and green or orange and violet process colours - with no special file preparation required.
The new Rho 900 is equipped with Durst's Quadro 30D Array print head technology to deliver high speed, improved efficiency and exceptional image quality. Its media handling incorporates an auto-feed table with belts, sheet feed gate with guides for parallel board printing, and automatic two-point pin registration system to ensure accurate front-to-back registration.
The Rho 900's process colour additions are printed in the same mode as its CMYK process colours. No special file preparation is necessary. These additional colours can be printed - even with white ink or light colours - with no loss in output speed. This enables much smoother colour gradients and more even solids at production-level output speeds.
Top speed of the six-colour Rho 900 is up to 216 boards (125x80cm) per hour. The user can incorporate the process coluor additions with no loss of print speed.
"The Rho 900 also can print white, varnish or light colours along with the new additional process colours to expand the possibilities of print jobs and applications," said Michael Lackner, Marketing Manager at Durst US.
Inca boosts flexibility of Inca Onset
New options deliver more speed, gloss and quality modes - plus the ability to reduce costs
7th October 2009 - Today Inca Digital launches two new options designed to boost the flexibility and productivity of the award-winning Inca Onset UV flatbed printer. One option provides new print techniques delivering higher print speeds as well as two new higher quality print modes. The other delivers higher-end gloss, the ability to improve adhesion on difficult substrates and more versatility with heat-sensitive materials through reduced power consumption.
The Inca Onset was launched just over two years ago and still remains the world's highest productivity UV digital flatbed printer printing sizes up to 3.2 x 1.5m (10.5x 5 ft) with a throughput of 600 sqm/hr (6,458sqft /hr). Incorporating an automated handling system, over 73,000 inkjet nozzles jetting 30 picolitre drops and using the latest generation Fujifilm Sericol Uvijet ink, the Inca Onset has been designed for speed and is ideal for companies with high-volume digital production needs. It produces superb quality display graphics economically for a range of applications including: display POP, exhibition graphics, backlit displays and outdoor signage.
New printing techniques developed by Inca now give the option of a further 16 per cent increase in throughput up to 700sqm/hr (7,534 sqft/hr), equivalent to 145 full-bed sheets (or 435 60in x 40in posters) an hour. Alongside the ability to cut job turnaround times and improve production efficiency, this option also allows companies to print in new quality modes to achieve top quality results at speed.
The Inca Onset has always provided edge-to-edge satin and semi-gloss finish modes as standard. A second new option now gives users an even wider range of gloss levels to provide enormous choice of print finish. Included in this option is the latest UV lamp technology which reduces the input power required to cure UV ink on most substrates. This delivers like for like UV power output with up to 30 percent power input reduction. It also expands the range of heat sensitive materials that can be printed and cured without risk of cracking, buckling or surface damage.
"We will continue to push the boundaries of our inkjet technology to give companies the best and most flexible results from our machines," says Heather Kendle, Inca Digital Director of Marketing. "Quality and productivity are extremely important to Inca Onset users and these latest options allow them to provide an even wider offering to their customers very competitively."
The new gloss/power mode and speed increase options announced today are available to existing and new Inca Onset users. Inca Onset UV inkjet printers are available exclusively from Fujifilm Sericol www fujifilmsericol.co.uk
Carmel Containers Expands Its Solutions with New High Productivity HP Scitex FB7500 Printer
Company plans to penetrate new markets and increase its sales by 50 percent
HP today announced that Carmel Container Systems Ltd, of Caesarea, Israel, has purchased a new HP Scitex FB7500 Printer, complementing its existing HP Scitex FB6700 Printer.
Carmel Container Systems, a public company, is Israel's largest designer and manufacturer of paper-based packaging solutions for the agricultural, food and beverage, and industrial sectors for local and export markets. With an annual turnover of some $100 million, Carmel is one of Israel's top 100 industrial firms. The company attributes the highest importance to embracing new technology in order to continuously extend its capabilities and maintain its leadership position.
Doron Kempler, general manager, said, "HP technology provides us with new options. We thought that the speed, the high print quality and the broad range of substrates that the printer offers would most effectively support our goal to expand. Combining these with our original corrugated packaging solutions has allowed us to branch out into new areas and to compete in market segments that are significantly more profitable."
The HP Scitex FB7500 Printer is designed for screen printers and provides users the highest productivity digital flatbed printer in its price class, with the ability to produce 105 (1.2 x 2.4m) sheets or 95 full beds (3.6m x 1.6m) per hour. The machine uses a six-colour process to maximise print-quality and enhance applications that span POP displays, signage, exhibition graphics, backlit displays, bus shelters, posters and more.
Although only recently installed, Carmel's new printer is already hard at work enabling the company to provide digitally printed jobs they were previously unable to execute. A typical example, and one of their first projects, is a 100-piece short run printed on a double layered (EF-flute) corrugated cardboard for the Israel branch of a leading global healthcare products manufacturer.
Yoram Pirani, Carmel Caesarea's operations manager, described the company's plans, "We intend to enter into the plastic substrates market as well as to produce short run orders for our current customers. HP technology enables both and will allow us to meet our goal to increase our sales by 50 percent." Pirani continued, "We are the leaders in the field of printing on rigid substrates and intend to maintain our market position. We look forward to seeing how HP technology might continue to help us to do so in the future."
VgL orders Inca Onset S20 printer
Industrial Print 25 September 2009
Reading-based digital printer VgL has ordered an Inca Onset S20 flatbed digital printer from Fujifilm Sericol which will be installed in October. The machine is the latest purchase in the company's continuous cycle of investment. "The Inca Onset S20 will change the landscape of what we do", says VgL managing director Michael Ayerst. "It will add considerable capacity and allow us not only to grow our small and medium run volume display business, but also expand into and offer a competitive service on longer runs."
VgL already has an extensive plant list that includes the UK's first Inca Eagle in its two Reading factories, one of which houses digital printing and the other screen printing employing 75 staff between them. The company produces a diverse range of work from labels to building wraps, including the widest format photographic output in the UK, and high quality textile and wallpaper printing.
"If someone is buying print from one of the hundreds of smaller flatbed machines, then they are not buying the right thing", says Ayerst. "They should be buying output from the Inca Onset S20 as it will be better value, it will be quicker and it will be higher quality."
The VgL Inca Onset S20 uses Fujifilm Sericol's 6-colour Ultratone Uvijet inks with orange and violet to produce a wide colour gamut. "Adding Ultratone is really important to us", says Ayerst. "We work a lot with fashion retailers and a close colour match is critical as the point of sale must match the garment. With Ultratone it is easy to get a much closer match than before." Another feature that is expected to prove popular with customers is the Inca Onset S20's ability to produce a variety of gloss finishes, from satin through to high gloss. This is achieved by the curing process rather than the addition of a separate varnish.
The Inca Onset S20 features printheads on a full print width colour bar producing high-quality resolution of 600-1,000 dpi. It can handle substrates up to 50mm thick with a maximum image area of 3.14m x 1.6m, at speeds up to 250sqm/hr, or 50 full bed sheets per hour. The combination of Inca Digital's engineering expertise plus innovative ink formulation means that the Inca Onset S20 is an excellent fit for companies operating 24/7.
"We know from seeing our Eagle being built at the factory in Cambridge that Inca machines are fantastic pieces of engineering", says Ayerst. "When we look to invest in a machine, we want quality and consistency and that's what that engineering gives. Our customers need to know that the machine will be up and running reliably and that the quality will be consistent, and with the Inca Onset S20 it will be."
VgL's recent investment in a Kongsberg digital cutting table puts support in place to handle the increase in output. "Our customers know that they can throw us almost any task and it is no problem", says Ayerst. "Whether it is wrapping a building, wrapping a van or a big retail point of sale, we have an awful lot of flexibility and technical expertise and equipment to cope with it."
The company has invested heavily in keeping its kit up to date and believes its customers keep coming back because they are confident of the quality, speed and reliable service they will receive. "We are probably better at making sure that we have the right equipment base than we are at marketing ourselves", says Ayerst. "Our customers already know that we can fulfil their requirements to the standard that they want and the Inca Onset S20 will give them even more confidence, with its increased output and quality."
Hybrid offer significant trade in against new Mimaki JV33-260 baby grand printer
Mimaki's exclusive distributors for the UK and Ireland, Hybrid Services Ltd, are offering an above-market-value £8,000 when customers trade in their existing baby grand format Mimaki printer against one of the new JV33-260 models.
With a list price of just £39,995, the JV33-260 is already excellent value – given its combination of print quality, speed and production features – and its fully inclusive, two year Gold warranty means customers who take advantage of this promotion are benefiting not only from a significant discount, but also effectively cover the cost of their old service contract too.
The Mimaki JV33-260S shares the class leading print quality of Mimaki's current solvent printer range and produces vibrant, long lasting output onto banner, vinyl, paper, canvas and many other materials using the Mimaki SS21 low odour, full solvent inkset. Capable of running in high speed mode (with the 4 colour inkset), or taking advantage of Mimaki's bright, opaque white ink in hi-fi mode (6 colour plus white) its built in big ink system means long production runs are possible without needing to pause for replenishing inks.
Coupled to this are the machine's impressive powered feed and take-up unit that ensure consistent tracking of media across the full 2,600mm print width. The JV33-260 ships with Mimaki's RasterLink Pro SG RIP software – a 16 bit, full PostScript application, that features powerful production tools and deals effortlessly with the types of files associated with grand format reproduction.
Hybrid's National Sales Manager, John de la Roche tells us; "It's important to get in touch without delay, as the promotion is only due to run during October. We've got a demonstration machine in our showroom, and we look forward to helping our customers trade up to the latest, fastest and best printer in its class."
HP Announces UK Success for its new Latex Printers
HP has announced the success of its new wide-format printer using HP Latex Inks in the United Kingdom; with seven HP Designjet L65500 printers installed since its launch at drupa 2008 last May.
Over 120 units of the HP Designjet L65500 Printer have been installed in Europe, Middle East and Africa and the worldwide response has also been strong.
The HP Designjet L65500 Printer was specifically designed with the environment in mind and is the first printer to feature HP Latex Printing Technologies, including HP Latex Inks and HP Wide Scan Printing Technology. To support the 'printing with the environment in mind' program, a range of recyclable substrates is also available, providing additional environmental benefits. The HP Designjet L65500 Printer enables print service providers (PSPs) to increase their print capacity and grow their business whilst also reducing environmental impact. Compliant with industry-leading certification, Nordic Swan, HP Latex Inks do not produce ozone emissions during printing and contain no hazardous air pollutants. This means improved working environments for PSPs and a greater range of places—especially indoor locations—where graphics can be used.
In the UK, JKN Digital, of Preston; Kingfisher Graphics, of Stockport; Raccoon, of Edenbridge, Kent; and Stylo, of Watford, are amongst customers who have all installed HP Designjet L65500 Printers to cater to different markets, reduce turnaround times, and improve print quality.
"Like us, many of our clients have become increasingly aware of environmental issues and have a desire to reduce their carbon footprint," said Simon Wheeler, operations director at Stylo. "To help us achieve this, Stylo is launching an eco-friendly print package. This is the major reason for choosing the HP Designjet L65500 Printer. It will give our clients the real choice of eco-friendly printing for all situations—exterior or interior and on a wide variety of recycled or recyclable materials. The speed of the printer helps us to continue to provide fast turn-arounds at a high quality."
Raccoon, part of the Raccoon Group, specialises in vehicle graphics, which are printed at its Edenbridge, Kent, facility for installation at sites around the country.
"We installed the HP Designjet L65500 Printer because we wanted to get rid of solvents," said Richard Clark, managing director, Raccoon. "Not only does the elimination of solvents improve working conditions, but over time, solvents can affect the performance quality of vehicle graphics. We've also found other benefits. We save between 36 - 48 hours on jobs because the need for off gassing is eliminated; we can laminate as soon as printing has finished, which makes us more productive, and we're using some of the time saved to improve quality control."
Further installations of HP Designjet L65500 printers are underway in the UK.
"HP Latex Ink technology offers revolutionary new choices to sign and display PSPs," said Nancy Janes, sign and display country manager, UK and Ireland, HP. "The HP Designjet L65500 Printer has found a market very quickly, in the UK and around the world. New technologies can take a long time to become accepted, but the many benefits of this printer are clearly responding to market demands."
Among other dealers, the HP Designjet L65500 Printer is now also available from i-Sub Digital, of Lutterworth, Leicestershire. The company recently added the printer to its portfolio of large-format printers.
"As dealers, we've been keen to add a more environmentally acceptable solution for our customers and their customers who share our concerns about the environment," said Andy Spreag, director, i-Sub Digital. "We believe that HP Latex Inks have a great future, and that the HP Designjet L65500 Printer is a productive and versatile machine capable of printing on both water and solvent based media at high speeds. It is therefore suitable for both indoor and outdoor applications achieving the quality required for both and with the durability and abrasion resistance normally only achievable with solvent inks. We believe it will receive great interest from customers looking for an alternative to solvent inks."


BOGOTÁ, Colombia — Here in the land of coffee, the Juan Valdez coffee chain has had it easy.
Its souvenir-filled stores number 170 nationwide. There are 68 in other countries, from Spain to Chile to the United States, where a store does business a few blocks from the White House in Washington. If anything, the chain named after the iconic coffee farmer — a creation of a Madison Avenue ad firm in 1959 — has faced just one main challenge: getting Colombians, more accustomed to exporting their best coffee beans, to sip white chocolate cappuccinos and iced caramel macchiatos.
But now Juan Valdez has a serious competitor: Starbucks, which has 19,000 outlets in more than 60 countries. The Seattle chain, which in city after city has prompted cafes to close or remake themselves to survive, recently said that it plans to open 50 stores in Colombia in the next few years.
Last week, Starbucks began scouting prime locales in Bogotá for its first stores, set to open in mid-2014. The chain has more than 650 outlets in Latin America.
Juan Valdez, which is run by an 86-year-old federation that markets the coffee of 500,000 growers, is putting on the best possible face on the impending challenge. Its executives hope Starbucks will boost local consumption. And smaller chains say the move will open up a market dominated by Juan Valdez.
Juan Valdez and Starbucks have a history. When Starbucks went public in 1992, Colombian coffee investors rejected an invitation to invest in the growing company, said Luis Samper, a federation spokesman.
"With $200 million to $300 million, the coffee world could control Starbucks," Silva said.
Now, the two companies will be competing over a coffee frontier whose peculiarities might seem unusual to outsiders, if potentially lucrative. Colombia, with a population of about 46 million, is far bigger than some of the other countries where Starbucks operates. And it's an increasingly influential country, where a rising middle class can afford a $3 specialty cappuccino.
But chains continue to face an uphill battle. Colombians have only recently begun to enjoy the high-end, high-quality coffee brewed by baristas in New York or Rome. Colombians consume far less coffee than other top coffee-growing nations, such as Brazil. And the coffee they drink is often weak and blended with low-grade beans from Peru and Ecuador.
Méndez said one of Procafecol's biggest problems was getting Colombians interested in, and willing to pay for, Juan Valdez's high-end brew.
Starbucks chief executive Howard Schultz has told reporters that Starbucks won't be selling its coffee cheaper than competitors.
Starbucks is well aware of strife in the industry here, and Juan Valdez hopes its entry helps matters.
Heavy rain and a nasty blight known as coffee rust devastated crop production, leading to a three-decade low of 7.74 million sacks of coffee in 2012. Thanks to better weather and government subsidies for the planting of 2 billion rust-resistant crops, production is rising, with an estimated 10.1 million bags expected by year's end. But global coffee prices have been plummeting since 2001, and farmers have repeatedly gone on strike this year for more subsidies.
Starbucks — long one of the biggest buyers of Colombian coffee — has promised that all of the drip, espresso and packaged Colombian coffee it sells will be locally roasted and sourced. The company also says it will invest $1.5 million to help teach coffee farmers more sustainable farming practices.
The executives at Juan Valdez have gone out of their way to demonstrate that the company will remain viable with the arrival of Starbucks. On a tour of a sprawling Juan Valdez across the street from federation headquarters, Sandra Garzón, a spokeswoman for Procafecol, showed off a monitor where drinkers can take a sweeping virtual tour of rural coffee plantations, led by "Juan Valdez" and his mule, Conchita.
Juan Valdez knows its biggest selling point over Starbucks is its direct connection to coffee growers, who have ownership stakes in Juan Valdez Cafe and receive royalties and other benefits from each cup of coffee sold.
Still, the company says it needs to make sure consumers know that connection. ¨We have to learn to better communicate what we are all about and differentiate ourselves," Samper said.
At Juan Valdez cafes across Bogotá, several drinkers said Colombians view coffee as a tasty source of national pride.


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Category Archives: Cargo
Blohm & Voss) FGP 227 (Anigrand, Resin)
Gallery 20. August 2014 Gunther Arnold
TYPE: 1:3,75 Scale wooden flying model of the Blohm & Voss Bv 238 Flying boat
ACCOMMODATION: Pilot and flight engineer
POWER PLANT: 6 x 21 hp two stroke engines
COMMENT: Testbed for flight characterics of the giant flying boat Blohm & Voss Bv 238. Built by students of the Flugtechnische Fertigungsgemeinschaft Prag (FGP), Czech Rep.
Blohm u. Voss FGP 227
Heavy Bomber, Reconnaissance, Cargo
Blohm & Voss Bv 238 V1, (Airmodel, Vacu)
TYPE: Long-range Transport, Maritime Patrol and Bomber Flying Boat
ACCOMMODATION: Crew of 12
POWER PLANT: Six Daimler-Benz DB 603G, rated at 1,900 hp
PERFORMANCE: 264 mph at 19,685 ft
COMMENTS: First prototype flew in April 1944, but was sunk early 1945 by strafing Mustangs. At the end of WWII the second prototype was virtually complete and construction of the third was in an advanced stage
Blohm u. Voss Bv 238
Blohm u. Voss Bv 238 and Blohm u. Voss FGP 227
Junkers Ju 52/3m g5e (Italeri)
Gallery 30. July 2014 Gunther Arnold
TYPE: Float plane troop carrier, cargo, minesweeper
ACCOMMODATION: Crew of two plus 18 troop
POWER PLANT: Three BMW 132T-2 radial engines, rated at 830 hp each
PERFORMANCE: 168 mph at 2,000 ft
COMMENT: The Junkers Ju 52/3m (nicknamed "Tante Ju", "Aunt Ju") was German trimotor transport aircraft manufactured in Germany from 1931 until the end of WW II. In total 4.845 aircraft have been built.
Initially designed with a single engine but subsequently produced as a trimotor, Junkers Ju 53 /3m – suffix "3m" means "Drei Motoren" (Three engines) it saw both civilian and military service from mid1930 onwards.
In service with Lufthansa, the Junkers Ju 52/3m had proved to be an extremely reliable passenger airplane. Therefore, it was adopted by the Luftwaffe as a standard aircraft model. The Luftwaffe had 552 Ju 52/3ms in service at the beginning of WW II. Even though it was built in great and production continued until approximately the summer of 1944; when the war came to an end, there were still 100 to 200 aircraft available.
In a military role, the Junkers Ju 52/3m flew with the Luftwaffe as a troop and cargo transport. The seaplane version, designated Junkers Ju 52/3mg5e, was equipped with two large interchangeable floats and served during the Norvegian Campaigne in 1940, and later in the Mediterranean theatre. Some Ju 52/3m's, both floatplanes and landplanes, were also used as minesweepers, known as "Minensuchgerät" ("mine-search" aircraft). This variant, designated Junkers Ju 52/3mg6e MS, and was fitted with a 14-metre diameter current-carrying degaussing ring under the airframe to create a magnetic field that triggered submerged naval mines. The suffix "MS" was usually given to aircraft to designate them as minesweepers, like the similarly equipped Blohm & Voss Ha 139B/MS float plane, and Blohm & Voss Bv 138C-1 MS flying boat, respectively (Ref.: 24).
Junkers Ju 52/3mg5e
Italerie

redpajama_set_name: RedPajamaCommonCrawl


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> Discover Marc Marquez
Marc Marquez was born in February 1993 and began his racing career at age 15, in 2008, the Grand Prix of Portugal 125cm3 . A few weeks later, he got his first podium in England.
Until 2010, he knows a constant progression that leads to win the world championship by a struggle against Nicolas Terol. With 10 wins and 12 pole positions in 17 races, he became the second youngest winner of the championship after Loris Capirossi in 1990 (who had also been trained by Gaëtan Besnier).
The following season, Marc Marquez in Moto2 happens when despite falls and drop it directly fight for the title with seven wins and seven poles. After his fall during testing in Malaysia, he is unfit for the end of the season and leaves the final victory. Requested by Honda MotoGP Marc Marquez decides to proceed anyway in Moto2 with large amibitions .
2012 is a good year for Marc who directs demonstration meet all its opponents. 14 podiums and 9 wins , the winning machine is running and the title of world champion is won with 56 points ahead !
It's time for Marc Marquez joining MotoGP in Honda colors. Again, it broke all records by becoming the youngest winner of a MotoGP grand-prix but especially youngest world champion in the category after an exceptional season which earned him all the specialists praise.
With Marc Marquez and his rivals like Valentino Rossi and Jorge Lorenzo, the MotoGP seasons are more and more animated and contested. In 2014, Marc Marquez recidivates and offers himself a second title in the main category but in 2015, during a season marked by retirements, he must settle for a third place.
Since then, he does not leave the first step of the general classification as well in 2016 than in 2017... On the road for a seventh title in this year 2018 ?
In the opinion of all, Marc Marquez is a genius of the bike, already a legend. Still, the story is not over ...
#7IN18


The UD students behind Lazarus Rising see meaningful employment as the best solution.
The Lazarus Rising team (left to right): Nate Hamilton, Jim Celia, Matt Rojas, Matt Sobel, Eric Albers.
We've heard the Kevin Spacey quote, "If you've done well, it's your obligation to spend a good portion of your time sending the elevator back down." These University of Delaware students are doing just that; they're helping the homeless get off the streets by helping them find jobs.
Students and cofounders Matt Rojas and Matt Sobel found a need for their service when they were volunteering at a homeless shelter. They were providing people experiencing homelessness with food, clothing and a place to stay but there was no longterm help — by way of employment assistance — to be found.
Both Rojas and Sobel incorporated Lazarus Rising last year and brought Eric Albers on this year. Their hope is to expand their initiatives through college chapters. The nonprofit is composed of a team of five: Rojas is the CEO, Sobel is the COO, Jim Celia is the CFO, Nate Hamilton is the CTO and Albers is the CIO.
"Our mission is to get homeless people back into meaningful employment," said Albers, who is currently enrolled in UD's Summer Founders Program.
Albers recalls one of their very first cases: a man who was homeless for over six months. He had been applying for jobs for over eight months and wasn't getting anywhere. So the team looked at his résumé. It was six pages long. They helped him rewrite it and coached him through the interview process. The man became employed within a week and was able to move into his own apartment within a few weeks of his employment.
Lazarus Rising has chapters at the University of Denver, Binghamton University and Stony Brook University. The team has plans to expand to more college campuses in the future.


The gray mist draped Derby Street like a leftover from Halloween the week before and suited my mood perfectly. I had ventured to Salem alone with hopes of testing my brand new camera, but the weather refused to cooperate. The November chill was just another dreary reminder that it was my anniversary. This trip was an escape, part of an unscripted journey I began a few weeks earlier when my marriage suddenly shattered. Looking to get out of the damp cold, I decided to explore the House of Seven Gables instead. I was searching for the elusive parking space when she caught my eye. Moored at the end of the pier, her pirate ship hull stood starkly different from the scores of shiny sailing vessels that filled the harbor. There was something defiant and strong about her that drew me in. I parked my car and wandered into the marina, never taking my eyes off her. I managed to snap a few quick photos despite the heavy mist, but was so fascinated by this unusual boat I almost forgot I had the camera in my hand.
As I neared, I saw a sign on the pier inviting everyone for a tour. I looked up and decided to climb aboard even though the tours were almost over. Stepping onto her deck affirmed my notions that this was no ordinary sailing ship. She was ruggedly beautiful, with the signature of handcrafting everywhere I looked. There was an energy about her, a sense of determination and struggle that resonated somewhere deep within my heart. Like me, she was different, as if the face she presented the world hid the story she lived. Her captain was standing on deck, attending to his chores and talking to the few remaining visitors. I shyly asked him if I may photograph a few sections of the deck that were roped off from the tour. He nodded an OK and told me her name was Raw Faith, cautioning me to watch my step as I walked around the wet deck. Feeling a little awkward as the only person left aboard, I halfheartedly took a few pictures of her details and went over to thank him for his time. His name was George McKay. He asked if I had eaten lunch yet and would I indulge him by sharing a pizza.
I thought about it for a moment, wondering if I was crazy to accept the offer of a complete stranger, but the rumbling in my belly made my decision for me and I agreed. He secured the deck and we walked across the street, grabbing a table in the corner of the pub. As we waited for our lunch, he told me the tale of Raw Faith. I sat watching his face as he talked about his dream, one that would make it possible for his daughter to travel, despite the limitations of her wheelchair. He spoke of his wish to share the splendor of the sea with others who faced similar difficulties. It was a such a noble dream, and his eyes came alive as he poured it out to me. I could sense the struggle behind his journey even before he told me how Raw Faith had grown from dream to reality in a little town in Maine. It was written in the lines of his face and reflected in hands that had seen their fair share of weather and hard work.
A labor of love, her massive 88 foot, 200 ton hull was built entirely by hand with the help of his sons, family and friends. His love for them was vividly clear, as alive as the passion for his dream. He confessed how it eventually consumed him, consumed them all, until one by one they turned away, leaving him to sail the dream on his own. His pain was palpable, but his determination was unflagging. As he finished his story, I reflected on my own pain and the journey I unexpectedly found myself on. He asked about me, and I answered him almost sheepishly, feeling my own saga quickly pale in light of his poignant one. I spoke of the life that fell apart and my fear of where the road would take me. I revealed my own dream of traveling with my camera, capturing life through my lens and sharing it with the world. He smiled, a silent understanding hanging between us. We were two strangers sailing our own uncharted waters, our wakes trailing the debris of broken lives, both clinging to a dream only we believed in. Neither of us knew what lay ahead, but at least for this one moment we weren't alone. I asked him what wind kept him sailing despite all he had lost, through all the storms life threw in his path. He looked at me and said simply, raw faith.
The pizza was gone, the long light of late afternoon was fighting to burn off the gray mist and it was time for us to part ways. We raised our mugs to toast our journeys, to mourn our losses and celebrate what was to come. As we said our goodbyes, Captain George asked me to promise I'd never give up my dream, to keep sailing in spite of the storms and never stop taking my pictures along the way. We vowed to stay in touch, agreeing to meet again when they were settled in another port. I wished him safe travels. As he walked back to Raw Faith, I stood watching her, even more in awe of her strength and defiance after knowing her story. Suddenly I knew, I understood.
It was the last time I would see Raw Faith. She left Salem just a few weeks later and was lost in an early December storm, swallowed by 6000 feet of an unforgiving sea. I only met her and her captain for a day, but they left an indelible mark. I remember how proud and strong she looked as I left the marina that afternoon. I still often think of George's parting wisdom and remember how he and his incredible boat inspired me, igniting a tiny flame of hope. I still carry that inspiration with me, determined to follow my dream through life's many storms, always clinging tightly to my own raw faith.
I am happy to report that I was finally able to get in touch with Captain McKay. He is alive and well, writing his story from dry ground.
it's interesting how the pursuit of a dream can demolish the one you might already have. is there room in a life for too many dreams?
Mike, Thank you very much for the compliment! I don't think one dream demolishes another so much as pursuing one's dream leads to others. Often in the pursuit we find our true selves and choose to take another path we may have never noticed otherwise.
Beautiful. Thank you for sharing that experience.
I thought this piece was extremely well written. My first impression was that it had to have been written by some well known photojournalist. Very interesting story.


- Ashley Furniture's bid of $6.07 million for Berkline/Benchcraft's intellectual property was approved by the a creditor's committee and confirmed by the bankruptcy court judge August 12. Judge Mary Walrath approved an order that requires Ashley Furniture to close on the sale by August 31.
If Ashley does not complete the purchase by that time, Judge Walrath authorized a back-up bidder, LF Centennial Ltd., to purchase the assets. LF Centennial, a holding company based in the British Virgin Islands, is a unit of Li & Fung Ltd., based in Hong Kong and Bermuda.
Berkline/Benchcraft during the transition. Streambank, Needham, MA, specializes in the sale of intangible assets.
Ashley, based in Arcadia, WI, Ashley operates U.S. manufacturing facilities in Mississippi, Pennsylvania and California, and international facilities in China and Vietnam. Furniture giant Berkline/Benchcraft, Morristown, TN, first filed for voluntary reorganization under Chapter 11 bankruptcy code May 2, 2011.


After the mid-term election turned out how the pundits predicted it would, the markets rallied big Wednesday and have been selling off yesterday and today. The results have been good news for our current HIPOS positions.
Since we are short a put spread below the market on the Russell 2000 Index, markets moving further away from our short strike helps the overall positioning of the trade. Currently the short leg of the position remains greater than 13% away from the market.
As always, each day that passes results in more time value being extracted from the value or premium left in the spreads. As of today, we only have five more trading sessions until the November 16th expiration date.
Provided the Russell 2000 Index stays roughly where it is currently, your clients will not notice much of a change in the value of the position through expiration day. This is due to how far away out of the money the short leg sits plus the short time remaining until expiration day.
Looking above at the normal HIPOS position graph you can see visually where the market is in relation to not only the expiration day but also the short strike and purple defensive posture line.
Off course if markets shift materially, we will make sure we update everyone. Any time we have a large portion of an unrealized targeted profit early, we get a few questions about whether ZEGA ever closes or rolls a trade early?
The quick answer is only if there is another trade to execute that would provide a benefit to your clients. Our traders are always monitoring not only the current position, but potential new ones as new money is added to HIPOS all the time.
As always feel free to reach out to the ZEGA team with any questions.


Listed at right are the weather story headlines from 2003, previously listed on the Storm Highway home page.
Most recent headlines are listed first.
For current stories, please visit the Storm Highway home page.
Lunar Eclipse: The eastern USA enjoyed a total lunar eclipse on November 8. The eclipse started after 6:00PM and lasted until after 10:00PM. The moon turned a deep orange-red color during totality at 8:06PM EST (right). Skies over most of West Virginia were clear, allowing for an easy view of the event.
On TV: An approaching cold front brought heavy rain to West Virginia throughout most of the day on November 5, making for a drenching commute. Temperatures will slowly begin to fall as the frontal boundary passes and allows cooler air to push into the region. Right: Heavy rain in Charleston, from Storm Highway video broadcast nationally on The Weather Channel on November 5.
Northern Lights - The state enjoyed a rare display of Aurora Borealis Thursday night just after sunset. Green, red and white colors glowed in the northern sky between 7:00PM and 8:00PM. Faint columns of white continued to appear in the sky until midnight.
On TV: Rush-Hour Drama - During a Storm Highway video shoot October 27 on Fort Hill in downtown Charleston, the camera caught part of a hair-raising series of back-to-back collisions on Interstate 64. Rain-slickened roads contibuted to the chain reaction accident involving at least 12 vehicles on the Interstate 64 bridge over the Kanawha River. Right: Scene from Storm Highway video broadcast nationally on The Weather Channel on October 27.
WINDY EVENING: Although most of West Virginia escaped severe weather from the cold frontal passage on October 14, strong winds behind the front kept the air stirred up around the Mountain State.
19 Degrees F: The coldest temperature in the state on the morning of October 3 in Canaan Valley, Tucker County. The rest of the state experienced freezing temperatures with widespread frost. A few low temperature records were either broken or closely approached.
Small thunderstorms developed and moved over parts of the Mountain State on September 28, in spite of the cool autumn air that had settled into the region.
The 2003 storm season is drawing to a close in West Virginia, but that doesn't mean that the skies aren't worth watching. A pair of bright sun dogs showed up in the western sky on September 6 as Dunbar prepared for the big crusade at Shawnee Park.
Several thunderstorms passed over downtown Charleston on August 28, bringing heavy rain, frequent lightning, and minor flooding - but ending with a nice full rainbow over the city.
A lone but strong thunderstorm rolled across the Kanawha Valley on August 27. Heavy rain and frequent lightning were the main features of this system.
Severe thunderstorms plowed across central Ohio and northern West Virginia on August 26 before moving on towards the Altantic coast. High winds in excess of 65mph caused tree and power line damage, and frequent, powerful lightning was the norm.
Scattered thunderstorms from New York to North Carolina lit up most of the eastern USA on August 16. Steelers fans at Heinz Field in Pittsburgh were treated to a show of lightning during the exhibition game against Philadelphia.
Stationary storms hovered over southern Kanawha County for over an hour and a half on August 9, with a fairly steady display of cloud-to-ground lightning strikes. The areas most affected were south of Charleston along Corridor G, particularly Ruthdale and the Southridge Centre / Trace Fork shopping complexes.
Ominous-looking storms charged through most of the state on August 4. Severe weather was reported in a few isolated locations.
Numerous thunderstorms hovered over West Virginia from the evening of July 18 into the morning of the 19th, giving most areas an unrelenting dose of all-night lightning. Severe weather was noted in northern parts of the state.
Late night storms rolled into the state before midnight on July 15, bringing a great light show to parts of the state. The storms continued to flash long into the early morning hours.
Evening thunderstorms come and go over Charleston on July 12, leaving an array of camera-worthy sights over town in the form of rainbows, lightning and various colorful cloud formations. Most of the state was under two severe thunderstorm watches which spanned most of the day.
Significant severe weather affected many counties in western West Virginia on July 10, with an F2 tornado reported near Parkersburg and up to 100mph winds affecting parts of Jackson County.
Frequent and dazzling lightning accompanied thunderstorms that charged through the Charleston-Huntington metro areas on July 9. The WCHS TV tower in Teays Valley received numerous direct strikes during the storms.
Incredible storms put on a show for the Charleston area on July 7, even though they didn't pass directly over the Kanawha Valley. Enormous thunderstorms loomed in the northern sky over Charleston at sunset, putting on a breathtaking display of lightning and sunlit clouds.
Natural fireworks closed out the July 4th weekend in Charleston as a cluster of thunderstorms moved through the Kanawha Valley.
A night of rough weather lingered over eastern Ohio on July 5, with most of the activity staying to the west of the West Virginia state line.
Unexpected thunderstorms beat the odds and developed over West Virginia on June 28, even though no activity was forecast. One storm became severe, dropping one-inch hail on the coalfields and giving viewers in surrounding counties an interesting lightning display at a distance.
Major flash flooding struck Kanawha County on June 16 for the second time in less than a week, but this time with much more severity. Significant damage to structures, vehicles and roads occurred as several streams north of town raged out of their banks, particularly from north Greenbrier Street to the Elkview/Pinch areas.
Heavy afternoon thunderstorms pounded most of West Virginia on June 11, dropping up to 2 to 3 inches of rain in parts of Kanawha County. The heavy rains triggered widespread street flooding and landslides, bringing traffic in Charleston to a crawl.
The severe weather tables turned east on May 31, as a strong low pressure system threatened the east coast with an unusual tornado outbreak. A trip to North Carolina and Virginia for the event saw very fast-moving storms, one of which produced a tornado less than an hour before we caught it.
A strong but weakening line of storms dropped south across central West Virginia on May 29, treating motorists on I-79 to a breathtaking shelf cloud display in Roane County. A severe thunderstorm warning was issued for the Charleston area as the cells continued south.
Central Plains Trip #3 results in encounters with lightning, hail, and strong winds - but little else, as a persistent inactive pattern has a stronghold on Tornado Alley. After the record outbreaks in early May, the Plains have become unusually tornado-quiet for the remainder of the peak season.
OUTBREAK WEEK - May 4-10: A second unplanned chase to Kansas, Oklahoma, Missouri and Illinois during five days of the most tornado-active week in US history yields little results. Despite the widespread severe weather, critical positioning decisions result in missing several large but fast-moving tornadoes in northeastern Oklahoma, southeastern Kansas, and northeastern Missouri.
A chase to Kentucky on May 5 yielded no tornadoes, but plenty of lightning and spectacular clouds. The system responsible for the major tornado outbreak in Missouri moved into the area, bringing a risk for more severe weather in Appalachia.
For the third day in a row, thunderstorms rolled through the state in the afternoon and evening hours on May 2. This day's lightning show was less intense than in previous days, but still a worthwhile sight.
West Virginia's stormy week continued on May 1 as numerous thunderstorms dotted the landscape. Another round of strong storms was expected to arrive from the west later in the evening.
Afternoon storms were widespread across the Mountain State on April 30. While frequent lightning and hail was common, only a few isolated severe weather incidents were reported.
Broadcast-quality digital video (720x480 NTSC) from these storms is available. Please visit our Storm Highway section for more information.


text:
Commentary OpinionELECTION 2012
What if Congress were truly conservative?
Exclusive: Alan Keyes on possible results of his 'Platform Republican' approach to voting
By Alan Keyes
Published September 27, 2012 at 8:07pm
[From time to time I read a comment in the discussions of something I've written that sparks thinking that might be of general interest to my readers. I often share the results with the readers of my blog. This is one I thought might be of interest to my WND readers.]
The reader's comment:
Obama has shown that he cares nothing about Congress. He has bypassed Congress on many issues. Conservatives would only be able to gain a very narrow majority at best and would not be able to override a presidential veto.
Obama hasn't bypassed the Congress. The elitist faction's GOP leaders in the Congress have handed Obama a pass. They have refused to use the power of impeachment to call him or his minions to account. They have voluntarily surrendered to him congressional prerogatives the Constitution explicitly reserves to the Congress. Under the specious rubric of security, they have handed him unchecked powers of arrest and detention fit only for tyranny.
By their actions they make it undeniably clear that Obama is only one arm of the immediate mortal threat to America's liberty.
On account of this evidence, we should think of the 2012 election in this way: It's as if the American people are in a billiards match, facing the pro-socialist, anti-self-government elitist faction's Tag Team of Romney/Obama. We're about to take our shot, but the situation on the table leaves us no good options. No matter what we do, the elitist faction team is going to be up after us, with either Romney or Obama calling the shots.
It's obvious that if we want to stay in the game, we have to make sure neither of them can run the table from the position that results from the shot we're about to make. A strong conservative majority in Congress formally committed to the principles of the American republic (which the GOP platform language generally represents) gives liberty a fighting chance no matter which of the elitist faction players (Romney or Obama) calls their shots.
But in Romney's case this is only true if the message sent by the conservative electorate leaves him with no basis for claiming that he has a mandate from the conservative grass roots. If the result leaves him with credibility as a conservative, I am morally certain he will use that credibility to confuse and/or discredit real conservatives as they try to mobilize against his implementation of socialism. (This is what he did in Massachusetts after his supposed conversion from the liberal/leftist/socialist camp.)
Conservative credentials will put Romney in position to move the ball toward the socialist goal line without facing the staunch opposition we've mounted against Obama (despite the feckless unwillingness to co-operate, and even sabotage, by the GOP wing of the elitist faction). The result will be a possibly decisive institutionalization of socialism and the corresponding destruction of constitutional self-government in the U.S.
The Platform Republican approach I am presenting at my blog is the only approach to voting in 2012 that can be implemented everywhere in the country at this stage of the election cycle, and that accomplishes objectives that will give principled conservatives a fighting chance to save our country from the elitist faction's imposition of a socialist future.
Anyone who has given up on the Congress has given up on constitutional self-government. If the Congress no longer represents people committed to preserving the Constitution, it's precisely because such people haven't energetically asserted their independent will and judgment. They've allowed party politics to control them, rather than building a political vehicle through which they can control politics.
The aim of the Platform Republican approach is not to trust or rely on the GOP, but to demonstrate the power of principled conservatives. Up to now they have refused let go of the belief that to be politically effective they must have permission from the elitist forces in control of the twin-party sham. They have refused to believe in their own strength, independent of the dictates of the elitist GOP leadership.
The GOP wing of the elitist faction has failed the GOP's essential constituency. But they've succeeded in being exactly what they really intend to be: tools of the elitist, socialist consensus aimed at destroying the republic.
To restore the republic we must first display the strength and restore the confidence of the principled conservatives who hold allegiance to the republic. There's only one generally accessible means left to make that display – the 2012 ballot. By following the Platform Republican strategy we can use the vote to send the message we ourselves need to see and understand.
I realize that, even with a majority in both Houses, the GOP's current leadership in the Congress will, in all likelihood, betray their principled conservative constituency again. (Of course, if the 2012 vote sends enough conservatives into its ranks, there could be a leadership change. But I'm not holding my breath.) Faced once more with the kind of betrayal we saw after the 2010 election, having demonstrated the capacity to think and act independently of the manipulative brainwashing of the elitist faction, principled conservatives will be positioned to withdraw their confidence from the GOP and move energetically to construct a political vehicle that will finally represent Americans who determined to preserve self-government.
Once a high-level Reagan-era diplomat, Alan Keyes is a long-time leader in the conservative movement. He is well-known as a staunch pro-life champion and an eloquent advocate of the constitutional republic, including respect for the moral basis of liberty and self-government. He has worked to promote an approach to politics based on the initiative of citizens of goodwill consonant with the with the principles of God-endowed natural right.
@loyaltoliberty
As it murders conscience, will abortion kill self-government?
The only true meaning of love
Our disrespected borders: A failure of moral will
The Deathocrats
Electoral College scheme: Grounds for civil war?


text:
<?php

declare(strict_types=1);

function getTemplateDirPath(
    string $sub = "default",
    bool $abspath = false
):
 string {
    if ($abspath) {
        $templateDir = Path::resolve(
            "ULICMS_DATA_STORAGE_ROOT/content/templates/"
        ) . "/";
    } elseif (ULICMS_ROOT != ULICMS_DATA_STORAGE_ROOT
            and defined("ULICMS_DATA_STORAGE_URL")) {
        $templateDir = Path::resolve(
            "ULICMS_DATA_STORAGE_URL/content/templates"
        ) . "/";
    } elseif (is_admin_dir()) {
        $templateDir = "../content/templates/";
    } else {
        $templateDir = "content/templates/";
    }

    $templateDir = $templateDir . $sub . "/";
    return $templateDir;
}

// XXX: What's the meaning of this method?
// is this method mandatory or is there an other method
// which can be used as replacement?
function getModuleAdminSelfPath(): string
{
    return _esc(get_request_uri());
}

function getModulePath($module, $abspath = false): string
{
    if ($abspath) {
        return Path::resolve(
            "ULICMS_DATA_STORAGE_ROOT/content/modules/$module"
        ) . "/";
    }
    if (ULICMS_ROOT == ULICMS_DATA_STORAGE_ROOT && !defined("ULICMS_DATA_STORAGE_URL")) {
        // Frontend Directory
        if (file_exists("CMSConfig.php")) {
            $module_folder = "content/modules/";
        } // Backend Directory
        else {
            $module_folder = "../content/modules/";
        }
    } else {
        $module_folder = Path::resolve(
            "ULICMS_DATA_STORAGE_URL/content/modules"
        ) . "/";
    }

    return $module_folder . $module . "/";
}

function getModuleAdminFilePath($module): string
{
    return getModulePath($module, true) . $module . "_admin.php";
}

function getModuleAdminFilePath2($module): string
{
    return getModulePath($module, true) . "admin.php";
}

function getModuleMainFilePath($module): string
{
    return getModulePath($module, true) . $module . "_main.php";
}

function getModuleMainFilePath2($module): string
{
    return getModulePath($module, true) . "main.php";
}

function getModuleUninstallScriptPath(
    string $module,
    bool $abspath = true
): string {
    return getModulePath($module, $abspath) . $module . "_uninstall.php";
}

function getModuleUninstallScriptPath2(
    string $module,
    bool $abspath = true
): string {
    return getModulePath($module, $abspath) . "uninstall.php";
}

redpajama_set_name: RedPajamaGithub


text:
Q: Weird characters appearing at the beginning of my code I've created a code which displays integers till a given value with numbers (up to the maximum of the two digit range), and shows the tens as text. I have noticed that the output gets formatted, separating each group of ten numbers to lines. What is even more weird for me, that some kind of arrow character is put in the beginning of the output and I do not know why.  It looks like character no. 16 in the ASCII-chart. Any help to get rid of the weird formatting and the arrow symbol is highly appreciated!
#include <stdio.h>
#include <stdlib.h>

int main() {
    printf("Provide limit between 0 and 99 (integer): ");
    int limit;
    scanf("%d", &limit);
    if (limit < 0 || limit > 99) exit(1);
    char tens[9][8] = {"ten", "twenty", "thirty", "fourty", "fifty", "sixty", "seventy", "eighty", "ninety"};
    char A[limit];
    int num[limit], tens_index;
    for (int i = 0, j = 1; i < limit; i++, j++) {
        num[i] = j;
        A[i] = j + '0';
            if (num[i] == 10) {
                A[i] = 10;
                num[i] = 1;
                j = 0;
            }
    }
    for (int i = 0; i < limit; i++) {
        for (int j = 0; j < 10; j++) {
            if (i == j * 10) {
                tens_index = j - 1;
                printf("%s ", tens[tens_index]);
            }
        }
        printf("%c ", A[i]);
    }
    return 0;
}

Test output for input = 34.

A: For the formatting, in the code block
if (num[i] == 10) {
   A[i] = 10;
   num[i] = 1;
   j = 0;
}

You are assigning the value 10 to A[i] this corresponds to the new line character '\n', meaning when the following line of code is executed
printf("%c",A[i])

At values of i corresponding to indexes containing 10, you are printing the newline character causing the cursor to advance to the next line.

A: The variable I will be equal to J * 10 when it is equal to 0, when inside this statement, the test_index will be -1 because 0 - 1 = -1, when you try to access a array with negative index it will become very crazy hambuguer.

redpajama_set_name: RedPajamaStackExchange


This video explains about the circulatory system.The heart is an organ which beats continuously to behave as a pump for transport of the blood which carries other substances with it.
This video explains about oxygen transport to the various parts of the body. It explains that cells need oxygen to stay alive in the body. It explains the various activites such as The uptake of oxygen from the air in the blood its transportation in the blood and its delivery to the cells.
This video explains about the types of the blood cells. The types of blood cells are Erythrocytes (Red Blood Cells) Leukocytes (White Blood Cells) These cells fight viral, bacterial, and other infections and participate in the hypersensitivity responses seen in allergic reactions.
This topic explains the excretory system and the process of urine formation.


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John and Stephanie founded Rancho Vista in 2002 with a group of twenty-five friends. John enjoys coaching youth sports, traveling, and studying history. John and Stephanie have two children Jake and Michaela.
John is highly involved in cross border ministries including anti-trafficking efforts, new church planting, and in the housebuilding ministry "Baja Bound".
Nicole has been in church and non-profit administration for over 13 years. She covers a variety of roles at the church.
She enjoys seeing new people warmly greeted and involved in the life of Rancho Vista Church. She is passionate about empowering volunteers to serve God's Kingdom in a way that gives meaning and texture to life.
Nicole and her husband Marvin are natives of San Diego, and proud parents to Brielle and Liam.
Michelle is a Chula Vista native and graduate of San Diego State University where she studied child development. Go Aztecs! She is married to Zach and has two children, Faith and Isaiah.
Michelle is known for her creativity and compassion and loves to create infectious environments for children to discover and love Jesus.
Ashley has a long history of serving in church worship ministries around San Diego. Her heart is to exemplify authentic, passionate worship and to guide others into meaningful experiences with God. She loves developing worship teams of people who work together in unity and community in the common goal of serving the church.
Ashley and her husband Kevin have two rambunctious boys, Kaden and Asher. Teaching music is her job and being a self-taught Spanish learner is her hobby. ¡Bienvenidos!


text:
Augusta, Georgia, native Frank Yerby lived his life and his literary career struggling with racism and became an internationally best-selling author of historical fiction, but the isolation he encountered in his native country forced him to conclude his remarkable career as an American exile in Spain.
Born September 5, 1916, to Rufus Garvin and Wilhelmina Yerby, Frank Yerby's early life was marked by racial conflict, a thread that would run through his fiction. Though he identified as black, Yerby's parents were a racially mixed couple, and the young Yerby had to fight for acceptance from blacks as well as whites.
Late in his career, Yerby told a People magazine interviewer, "When I was young, a bunch of us black kids would get in a fight with white kids and, then, I'd have to fight with a black kid who got on me for being so light."
After obtaining a B.A. in English at Augusta's Paine College in 1937 and an M.A. in English at Fisk University in Nashville, Tennessee, in 1938, Yerby began teaching English at Florida A. & M. College in Tallahassee, Florida. He taught there for one term, and then Yerby moved to Southern University in Baton Rouge, Louisiana, where he taught for another year.
However Yerby wanted to write, not teach, and quickly tired of academia. Giving up his teaching career, he took a job with Ford Motor Co. in Detroit, Michigan, which gave him the time needed to concentrate on writing fiction.
Yerby worked several years before his first published short story, "Health Card" appeared in Harper's Magazine in 1944, but it was an instant success, winning an O. Henry Memorial Award for best first short story. "Health Card" explored the emotional and psychological impact of racism on a young African-American soldier, whose young wife is assumed to be a prostitute by a group of white Military Policemen.
Yerby dealt with similar issues in two more of his early stories, "White Magnolias" (Phylon, 1944) and "The Homecoming". In each of these three stories, Frank Yerby explores the difficulties faced by African-Americans who want to transcend the negative stereotypes of blacks held by whites. Drawing upon his own youthful experiences, Yerby crafts African-American characters who are strong and intelligent, yet still held at the margins of society by the inability of the white characters they encounter to see beyond the stereotypical views of blacks as illiterates, prostitutes, or servants.
Though his early short fiction was received well critically, Yerby was dismayed by its lack of commercial success. He'd hoped to reach out to the public through his fiction and expose the follies of segregation and racial stereotyping, but the public, he felt, wasn't interested in what he was trying to say. Yerby expressed his frustration thusly in an interview with Harper's Magazine: "The idea dawned on me that to continue to follow the route I had mapped out for myself was roughly analogous to shouting one's head off in Mammoth Cave."
Disillusioned by the public's lack of interest in his work, Yerby took a new direction in his writing career. Instead of dealing with racial problems directly in serious short fiction pieces, he would explore ideas of race and identity in the form of the historical novel, which, he felt, would be more appealing to a wide audience.
Yerby's move to the historical novel format and away from serious short fiction was not without controversy. Some critics felt that he was abandoning the cause of racial equality in order to achieve personal fame and fortune. Yerby, however, felt he was still tackling the same issues he'd dealt with earlier in "Health Card" and "White Magnolias," but in a new, more subtle way. In reply to his critics Yerby said, "People who know the themes I've written about either by reason of having lived through them, or deeply and professionally studied them, find no fault in my novels."
While his first historical novel, The Foxes of the Harrow (1947), did not win the critical praise that his short stories garnered, it did gain a much wider audience: Foxes became one of the best-selling novels of the l950s, selling more than 2 million copies worldwide.
For the next thirty years Yerby would continue to publish -- and sell -- historical novels. He would set some in the Antebellum South, but he also branched out to ancient Greece, Spain, the Near East, and Africa. Although these novels did not deal directly with the racism of American society, he never moved too far away, as he continued to invent characters challenged by their identity, ambition, and marginalization.
Eventually disillusioned by the racial problems in America, Frank Yerby chose to relocate to Spain in 1955. He passed away in Madrid in 1991.
Photo by Jerry Bauer. Copyright Jerry Bauer. Reproduced by permission.
The following titles may be found in the Hall of Fame Library:
Benton's Row. New York: Dial Press, 1954.
Bride of liberty. Melbourne: Heinemann, 1955.
Captain Rebel. London: Heinemann, 1957.
El cielo esta´ muy alto, novella. Barcelona: Editorial Planeta, 1954.
The Dahomean. New York: Dial Press, 1971.
The Dahomean. New York: Dell Book, 1975, c1971.
A Darkness at Ingraham's Crest: a Tale of the Slaveholding South. New York: Dial Press, c1979.
The Devil's Laughter. New York: Dial Press, 1953.
The Devil's Laughter. New York: Dial Press, 1975, c1953.
Devilseed. Garden City, New York: Doubleday, 1984.
Fairoaks. New York: Dell, 1974.
Floodtide. New York: Dial Press, 1950.
Floodtide. New York: Dial Press, 1972, c1950.
Floodtide. London: Heinemann, 1951, 1973.
The Foxes of Harrow. New York: Dial Press, 1946.
The Foxes of Harrow. New York: Dial Press, 1976, c1946.
The Garfield Honour. London: Heinemann, 1962.
Gillian. New York: Dial Press, 1960.
Gillian. London: Heinemann, 1961, c1960.
Gillian. New York: Dell, 1976, c1960.
The Girl From Storyville. London: Heinemann, 1972.
The Girl From Storyville. New York: Dial Press, 1972.
The Girl From Storyville. New York: Dell Pub., 1975.
Goat song: a novel of ancient Greece. New York: Dial Press, 1967.
Goat song: a novel of ancient Greece. New Dell ed: New York: 1974, c1967.
Goat song a novel of Ancient Greece. London: Heinemann, 1979, c1967.
The Golden Hawk. New York: Dial Press, 1948.
The Golden Hawk. New York: Dell, 1975, c1948.
The Golden Hawk. London: Heinemann, 1949.
Griffin's Way. New York: Dial Press, c1962.
Hail the Conquering Hero. New York: Dial Press, c1977.
Hail the Conquering Hero. London: Heinemann, 1978.
Jarrett's Jade. New York: Dial Press, 1959.
Jarrett's Jade. London: Heinemann, 1960, c1959.
Jarrett's Jade. New York: Dell, 1976, c1959.
Jarrett's Jade. New York: Pocket Books, 1960, c1959.
Judas, My Brother; the Story of the Thirteenth Disciple. New York: Dell, 1975.
Judas, my brother; the story of the thirteenth disciple. New York: Dial Press, 1968.
Judas, my brother: the story of the thirteenth disciple. London: Heinemann, 1969, c1968.
The man from Dahomey. London: Heinemann, 1971.
McKenzie's hundred. London: Grafton, 1986, c1985.
McKenzie's Hundred. New York: Doubleday, 1985.
Novelas. Barcelona: Editorial Planeta, 1970s.
An odour of sanctity: A Novel of Moorish Spain. London: Heinemann, 1966, c1965.
An Odor of Sanctity. New York: Dell, 1975, c1965.
The Old Gods Laugh: a Modern Romance. New York: Dial Press, 1964.
Pride's castle. New York: Dial Press, 1949.
Pride's castle. New York: Dell, 1975.
A Rose for Ana Maria. New York: Dial Press, 1976.
A Rose for Ana Maria. London: Heinemann, 1976.
The Saracen Blade. London: Heinemann, 1969, c1953.
The Saracen Blade. New York: Dell, 1974.
The Saracen Blade. New York: Dial Press, 1952.
The Serpent and the Staff. New York: Dial Press, 1958.
The Serpent and the Staff. London: Heinemann, 1959.
The Serpent and the Staff. New Dell ed, New York: Dell, 1976.
Speak now; A Modern Novel. New York: Dial Press, 1969.
Tobias and the Angel. London: Heinemann, 1975.
Tobias and the Angel. New York: Dial Press, 1975.
The Treasure of Pleasant Valley. New York: Dial Press, 1955.
The Treasure of Pleasant Valley. New York: Dell Publishing ; 1976, c1955.
The Vixens. New York: Dell, 1947.
The Vixens. London: Heinemann, 1948.
The Vixens. New York: Dell, 1976, c1947.
The Voyage Unplanned. New York: Dial Press, 1974.
The Voyage Unplanned. London: Heinemann, 1974.
The Voyage Unplanned. New York: Dell, 1975.
Western: a Saga of the Great Plains. New York: Dial Press, c1982.
Western: a Saga of the Great Plains. London: Granada , 1983, c1982.
A Woman Called Fancy. New York: Dial Press, 1951.
A Woman Called Fancy. New York: Dell, 1975.
A Woman Called Fancy. London: Heinemann, 1952.
A Woman Called Fancy. New York: Pocket Books, 1966, c1951.
"Frank Yerby (1916-1991)." The New Georgia Encyclopedia "Frank Yerby." Wikipedia.
"Frank Yerby." African-American Registry.
"Who Was Frank Yerby?" African-American Literature Book Club.
A collection of Frank Yerby's manuscripts and some of the author's correspondence is held by the Howard Gotlieb Archival Research Center of Boston University.
Born: September 5, 1916