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NVC.005.1152 Print, Photographic Color photo of: (L to R) May Yamada and Mayor of Bruyeres Alain Thirion, in Bruyeres, France.
NVC.005.1153 Print, Photographic Color photo of Reverend Kiyoshi Matsukuma in the chapel at Epinal American Cemetary.
NVC.005.1154 Print, Photographic Color photo of a sign marking the town of Biffontaine, France.
NVC.005.1155 Print, Photographic Color photo of: (L to R) Jeanne Rupp, Isabella Rupp, and May Yamada.
NVC.005.1156 Print, Photographic Color photo of: (L to R) Kazu Matsukuma, Kiyoshi Matsukuma, Jeanne Rupp, Isabella Rupp, and Jim Riley.
1991.100.338 Postcard Black and white postcard of huge, bronze cast statue of Buddha. Three steps with bronze lanterns on each side lead up to the statue. In the middle is a stone platform. Postcard caption reads: Daibutsu of Kamakura.
NVC.005.1157 Print, Photographic Color photo of a memorial in Biffontaine, France.
NVC.005.1158 Print, Photographic Color photo of Rev. Kiyoshi Matsukuma at a monument for the 442nd in the forest of Bruyeres.
NVC.005.1159 Print, Photographic Color photo of Rev. Kiyoshi Matsukuma pouring a libation.
NVC.005.116 Print, Photographic Location: Leghorn, Italy Original caption: Hawaiian-American troops of Japanese ancestry, with the 100th Battalion, 34th Division, rest in Leghorn, Italy, after its fall. Fifth Army, July 19, 1944. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.1160 Print, Photographic Color photo of: front (L to R), May Yamada, Alain Thirion, Jeanne Rupp, and rear (L to R), Kazu Matsukuma, Mrs. Thirion, Michel Rupp.
NVC.005.1161 Print, Photographic Color photo of: front (L to R), Michel Rupp, Jeanne Rupp, Alain Thirion, May Yamada, Kazu Matsukuma, and rear (L to R), Mrs. Thirion, Isabella Rupp.
NVC.005.1162 Print, Photographic Color photo of an autographed sign celebrating the 50th Anniversary of the 442nd's operations in France.
NVC.005.1163 Print, Photographic Color photo of Jim Riley and May Yamada in front of the Biffontaine City Hall.
NVC.005.1165 Print, Photographic Color photo of a sign marking the rescue of the "Lost Battallion" on the way to Biffontaine.
1991.100.339 Postcard Black and white photo of large case bronze statue of Buddha in Kamakura, Japan. Blooming cherry tree in left foreground, two students on stairs at right leading up to the statue. Postcard caption reads: The cherry blossoms of Daibutsu.
NVC.005.1166 Print, Photographic Color photo of Dorothy Narasaki and Dick Narasaki dancing.
NVC.005.1167 Print, Photographic Color photo of Sen. Inouye dancing with Louise Kashino.
NVC.005.1168 Print, Photographic Color photo of Sen. Inouye exiting a car.
NVC.005.1169 Print, Photographic Color photo of Leslie Ann Inaba, recipient of the Kashino Scholarship.
NVC.005.117 Print, Photographic Location: La Houssiere, France Original caption: La Houssiere Area, France. Combat Team of a Cannon Company, fires from their new position in the woods. This particular Unit is composed of almost all Japanese-American troops. 442nd Infantry. 4 Nov 1944. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.1170 Print, Photographic Color photo of Sen. Inouye talking with Dale Watanabe.
NVC.005.1171 Print, Photographic Color photo of Jean Okazaki and Fleazy Okazaky dancing.
NVC.005.1172 Print, Photographic Color photo of Joe Kamiwara and Kay Kamikawa.
NVC.005.1173 Print, Photographic Color photo of Joe Kamikawa speaking at a podium.
NVC.005.1174 Print, Photographic Color photo of Tyrone Nakawatase, recipient of the Kashino Scholarship.
1991.100.340 Postcard Black and white photo of ornate, wooden Japanese temple building on stilts (probably a storehouse) with 2 tiered thatched roofs set on concrete slab. A:Postcard;B:Envelope;C:History of Daibutsu. Postcard caption reads: Engakuji of Kamakura.
NVC.005.1175 Print, Photographic Color photo of Rachel Ono, recipient of the NVC Scholarship.
NVC.005.1176 Print, Photographic Color photo of an elderly woman raising her right hand and possibly swearing an oath.
NVC.005.1177 Print, Photographic Color photo of Massie Watanabe and Sam Watanabe with Tana.
NVC.005.1178 Print, Photographic Black and white photo of food being prepared by volunteers.
NVC.005.118 Print, Photographic Date: November 13, 1944 Location: Saint-Die, France Original caption: St. Die Area, France. A Japanese-American soldier talks to a buddy through the observation port of a well camouflaged fox-hole. This unit, comprised of Japanese-Americans, are holding a section of the front line. Company "F", 2nd Battalion, 442nd Regiment, (Combat Team). 13 Nov 1944. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.1180 Print, Photographic Black and white photo of volunteers in a kitchen.
NVC.005.1181 Print, Photographic Black and white photo of volunteers preparing trays in a kitchen.
NVC.005.1182 Print, Photographic Black and white photo of volunteers washing dishes in a kitchen.
NVC.005.1183 Print, Photographic Black and white photo of people relaxing in a hall.
1991.100.341 Postcard Black and white photo of 2 samurai on horseback created by fabric pieces glued on cardboard. Japanese caption on postcard.
NVC.005.1184 Print, Photographic Black and white photo of a registration table at a carnival.
NVC.005.1185 Print, Photographic Black and white photo of cooks in a kitchen.
NVC.005.1186 Print, Photographic Black and white photo of volunteers preparing food.
NVC.005.1187 Print, Photographic Black and white photo of food-preparing volunteers posing for a picture.
NVC.005.1189 Print, Photographic Black and white photo of a man wiping dishes in a kitchen.
NVC.005.119 Print, Photographic Date: October 14, 1944 Location: Chambois, France Original caption: A line of Army trucks, loaded with 2nd Battalion Japanese-American infantrymen, moves up to a new bivouac area in the Chambois sector, in France. 10/14/44. 2nd Bn, 442nd Combat Team. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.1190 Print, Photographic Black and white photo of people by a grill.
NVC.005.1191 Print, Photographic Black and white photo of women shaping rice balls.
NVC.005.1192 Print, Photographic Black and white photo of a food booth at a carnival.
1991.100.342 Postcard Black and white photo of lines of laborers standing on wooden scaffolding handing up baskets of coal for fuel. The scaffolding leans against the side of the ship from the pier. Postcard caption reads: Coaling the S.S. at Nagasaki.
NVC.005.1193 Print, Photographic Black and white photo of a baked goods booth at a carnival.
NVC.005.1195 Print, Photographic Black and white photo of a hot dogs and pop booth at a carnival.
NVC.005.1196 Print, Photographic Black and white photo of George Morihiro speaking behind a table.
NVC.005.1198 Print, Photographic Black and white photo of a George Morihiro speaking before an audience.
NVC.005.1199 Print, Photographic Black and white photo of people by a table of sliced fruit.
NVC.005.120 Print, Photographic Location: France Original captions: France. A Japanese-American Combat Team moves through town. 23 Oct 1944. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.1200 Print, Photographic Black and white photo of people in line at a grill.
NVC.005.1201 Print, Photographic Black and white photo of a gift bar booth at a carnival.
1991.100.343 Postcard Postcard,b&w,front view of prefectural office Nagasaki
NVC.005.1202 Print, Photographic Black and white photo of people sitting a table.
NVC.005.1203 Print, Photographic Black and white photo of women sitting in front a table of sliced fruit.
NVC.005.1204 Print, Photographic Black and white photo of George Morihiro with students.
NVC.005.1205 Print, Photographic Black and white photo of people putting food on their plates.
NVC.005.1206 Print, Photographic Black and white photo of a man wiping his mouth.
NVC.005.1207 Print, Photographic Black and white photo of a group of Ben Sugawara, Massie Tomita, Shiz Hoshide, and George Yamane preparing food.
NVC.005.1208 Print, Photographic Black and white photo of a woman in a kimono performing a dance.
NVC.005.1209 Print, Photographic Black and white photo of Frank Tsujii speaking to an audience in front of a stage.
NVC.005.121 Print, Photographic Location: Honolulu, Hawaii Original caption: Honolulu, T.H. Mrs. Shizuko Kina receives the Silver Star Medal posthumously awarded her brother, Pfc. Tomaki Shimabukuro, during a ceremony at 1965 South King Street, Honolulu, T.H. The presentation, by Chaplain Corwin H. Olds, CPBC, is made for gallantry in action with the 2nd Bn., 442nd Reg. Combat Team, near Bruyeres, France, on October 20, 1944. 25 August 1945. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.1210 Print, Photographic Black and white photo of a woman speaking through a microphone to an audience.
1988.008.002 Photograph Black & white photo,line of men & women carrying placards or flags. Pg. from photo album,Chinese-Americans protesting iron shipments to Japan.
1991.100.344 Postcard Postcard b&w, daitokuji temple,nagasaki,japan
NVC.005.1211 Print, Photographic Black and white photo of a woman spreading her arms wide.
NVC.005.1212 Print, Photographic Black and white photo of a table of people being served a food plate. In this picture: Salty Mizuta, Shiro Kashino, Bill Yanagimachi, Paul Minato, Zen Shibayama, Tosh Tokunaga, and unknown.
NVC.005.1213 Print, Photographic Black and white photo of Dick Narasaki and Mrs. Zen Shibayama with students for scholarships.
NVC.005.1214 Print, Photographic Black and white photo of two men at a grill.
NVC.005.1215 Print, Photographic Black and white photo of a group of children at a microphone.
NVC.005.1216 Print, Photographic Black and white photo of a woman spreading her arms wide on a stage.
NVC.005.1217 Print, Photographic Black and white photo of a woman holding a mask and a ball.
NVC.005.1218 Print, Photographic Black and white photo of Mr. Yoshito Fuji presenting a framed document to a woman.
NVC.005.1219 Print, Photographic Black and white photo of five women in front of an audience of children.
NVC.005.122 Print, Photographic Location: Honolulu, Hawaii Original caption: Yoshinao Omiya, former soldier with the famed 100th Inf. Bn., blinded in the Volturno River battle in Italy when a buddy tripped over a booby trap, leaves his home, guided by his seeing-eye dog, Audrey, purchased from Seeing-Eye Inc. for $1.00. 5/2/45. Honolulu, T.H. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
1991.100.345 Postcard Postcard, b&w,enttrance to suwa temple at nagasaki
NVC.005.1220 Print, Photographic Black and white photo of a man dressed as Santa Claus and children lining up to sit on his lap.
NVC.005.1221 Print, Photographic Black and white photo of a man holding a white cloth.
NVC.005.1222 Print, Photographic Black and white photo of five women with different sashes.
NVC.005.1223 Print, Photographic Black and white photo of women making shushi at Buddhist Church.
NVC.005.123 Print, Photographic Location: Leghorn, Italy Original caption: Lt. Gen. Lucian K. Truscott, CG. U.S. Fifth Army. ties Presidential Citation ribbon on the guidon of the 442nd Infantry Regiment's 3rd Battalion, during ceremonies at Peninsular Base Section, Yankee Stadium, Leghorn, Italy. Col. T.J. Miller, CO, 442nd Infantry Regiment, stands on Gen. Truscott's left. 9/4/45. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.124 Print, Photographic Location: Pacific Ocean Area Original caption: Pacific Ocean Area. Colonel Francis E. Gillette, Commandant, Fort Kam Casual Depot, left, presents Army Discharges to Tec 4 Kenichi Suehiro, 2855 E. Hanoa Road, center, and Pfc. Richard F. Yoneshige, 1427 Elm St., both of Honolulu, T.H., veterans of the famed 100th Inf. Bn., which fought in the Italian Campaign. The Battalion is composed entirely of AJA's. 6 March 1945. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.125 Print, Photographic Location: Pacific Ocean Area Original caption: Pacific Ocean Area. Col. Francis E. Gillette, Commandant, Ft. Kam Casual Depot, left, pins the Good Conduct Medal on Tec 4 Kenichi Suehiro, 2855 E. Manoa Rd., Honolulu, T.H. He is a veteran of the famed 100th Inf. Bn., consisting of AJA's that saw action in the Italian Campaign. He has received an army discharge due to injuries sustained in action. 6 March 1945. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.126 Print, Photographic Date: May 23, 1945 Location: Oahu, Hawaii Original caption: Oahu, T.H. After 34 months of action in Italy and France, when he became the most highly decorated of the 46 veterans of the 100th Bn., 34th Div., T/Sgt. Yukio Yokota of Honolulu, T.H., is honorably discharged under the Army point system. His citations include the Distinguished Service Cross, Purple Heart, Legion of Merit, and the Combat Infantryman's Badge. 23 May 1945. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.127 Print, Photographic Location: Oahu, Hawaii Original caption: Oahu, T.H. These members of the 100th Infantry Bn., composed entirely of Hawaiian AJA's, are entertained by Pfc. Marty Rakitt, 534 S. 16th St., Newark, N.J., on the steps of the 147th General Hospital, Honolulu, T.H. The men in the front row are, l. to r., Pvt. Gerico Hashimoto, Lihue, Kauai; Pfc. Mamoru Takabayashi, Kahului, Maui; Pvt. Hideo Toyama, Lahaina, Maui. The men in the back row are, l. to r., Pvt. Jahuro Akiyama, Honapepe, Kauai; Pfc. Tsuneo Onaka, Holualoa, Hawaii; and Pfc. Nakagawa, Hakalau, Hawaii, T.H. 28 March 1945. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.128 Print, Photographic Location: Santa Luce, Italy Original caption: Santa Luce, Italy. American troops of Japanese descent of the 100th Inf. Bn., 34th Division, U.S. Fifth Army, peer through glasses from the flag-bedecked city hall of Santa Luce to the level country ahead, before the gates of Leghorn, Italy. Santa Luce has just fallen to the Allies, 14 July 1944. U.S. Fifth Army. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
1991.100.346 Postcard Postcard b&w stone steps suwa temple,nagasaki
NVC.005.129 Print, Photographic Location: Brescia, Italy Original caption: Breacia Area, Italy. The Germans brought with them their own horse-drawn field kitchens, to the Fifth Army enemy concentration area. Here, Pfc. Genzo Toguchi, Headquarters Company, 100th Battalion, 442nd Infantry Regiment of Honolulu, Hawaii and Sgt. Seisaburo Taba, Headquarters Company, 100th Battalion, 442nd Infantry Regiment, also of Honolulu, inspecting a German kitchen. Fifth Army. 18 May 1945. The correct spelling of the location is Brescia. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.130 Print, Photographic Location: Tokyo, Japan Original caption: 2nd Lieutenant Fred A. Suzawana of El Monte, Calif., Nisei Japanese interpreter for the international prosecution section, of the International Military Tribunal for the Far East, Tokyo, Japan, questions Mr. Isao Fujita (left), a witness for the prosecution, in the War Ministry Building, Tokyo, Japan. 9-3-46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.131 Print, Photographic Date: March 14, 1948 Location: Tokyo, Japan Original caption: 1st Lt. Fred Uyehara of Chicago, Ill., assignment officer at the linguist training and control section, G-2, GHQ-FEC, left, interviews Lt. Yoshio Hotta of Oakland, Calif., concerning reassignment as a linguist officer in the Far East Command. Lt. Uyehara and Lt. Hotta are typical of the Niseis serving with the occupation forces in Japan. Tokyo, Japan. 14 Mar 48. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.132 Print, Photographic Location: Tokyo, Japan Original caption: These Nisei character writers, Takashi Kikuta of Maui, T.H., left, and Hiroshi Yoshida of Los Angeles, Calif., right, insert Japanese characters following the romanization of Japanese proper names and special phrases in documents which have been translated. Characters must be written neatly in a size comparable to typewriter type. They are employed by the Allied Translator and Interpreter section, GHQ, Army Forces in the Pacific. Tokyo, Japan. 9/3/46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.133 Print, Photographic Date: September 3, 1946 Location: Tokyo, Japan Original caption: Tec 4 [illegible] from Hilo, Hawaii, checks a document to determine its accuracy before it is delivered to the Supreme Commander of the Allied Powers, and other Allied military authorities. Proof-reading of all manuscripts and documents for typegraphical errors, is one of the important positions held by both civilian and military Nisei personnel in Japan. He works in the production section, General Headquarters, Tokyo, Japan. 9-3-46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.134 Print, Photographic Date: September 3, 1946 Location: Tokyo, Japan Original caption: Tec 4 M. Mori of Chicago, Ill., radio repairman with the Allied translator and interpreter section, General Headquarters, Allied Powers in the Pacific, Tokyo, Japan, works at repairing a radio in the repair shop. 9-3-46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.135 Print, Photographic Location: Tokyo, Japan Original caption: Nisei Capt. Steve S. Yammoto of Chicago, Ill., International Prosecution section, International Military Tribunal in the Far East, center, checks Japanese documents used in the war crimes trials, held in the War Ministry Bldg., Tokyo, Japan. He is assisted by two members of the Allied Translator and Interpreter section. They are, l. to r., Tec 4 Satoshi Tomita of Seattle, Wash., and Tec 4 Tahoe P. Tagashi of Sacramento, Calif. 9/3/46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.136 Print, Photographic Location: Tokyo, Japan Original caption: Nisei mail clerks attached to the Allied Translators and Interpreter Section, General Hq, Army Forces in the Pacific, Tokyo, Japan, sort mail in the Nippon Yusen Kaisha Bldg., Tokyo, Japan. They are, l. to r., Tec 5 Sam Morimoto, 2nd Det., ATIS, of Kansas City, Mo., and Pfc. Tadao Satow, 3rd Det., ATIS, of Hawthorne, Calif. Official and personal mail is handled in this mail room. 9/3/46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.137 Print, Photographic Location: Tokyo, Japan Original caption: Capt. R. W. Pedlow of Chester, Pa., right, and Tec 3 James Iso of San Jose, Calif., Nisei, left, are attached to the G2 Liaison section, Allied Translation and Interpreter section, GHQ, Army Forces in the Pacific, Nippon Yusen Kaisha Bldg., Tokyo, Japan. They are responsible for furnishing qualified Nisei interpreters and translators needed by Occupation Forces in the Pacific Theater. 9/3/46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.138 Print, Photographic Location: Tokyo, Japan Original caption: Nisei defense attorney for Tojo, one of the major war criminals to be tried before the International Military Tribunal for the Far East, War Ministry Bldg., Tokyo, Japan, is George Yamaoka, a civil service employee, who stands at the addressing stand. Mr. Yamaoka, who lives in N.Y. City, was attached to the Japanese delegation, London Naval Conference, 1929-1930, and is counsel to leading Japanese business and banking firms in New York. Also he is legal advisor to government agencies. 9/3/46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
1991.100.347 Postcard Postcard b&w city waters at honkochi,nagasaki
NVC.005.139 Print, Photographic Location: Tokyo, Japan Original caption: Miss Doris Y. Shibamo, Nisei Japanese civil service employee who was born in Wahiawa, Oahu, T.H., and Pfc. Jim Morikawa of Baker's Field, Calif. (right), prepare letters for proof-readers and subsequent delivery to the Supreme Commander of the Allied Powers. They are typists in the typing subsection, NYK Building, Tokyo, Japan. 9-3-46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.140 Print, Photographic Location: Honolulu, Hawaii Original caption: Honolulu, T.H. Mrs. Risaku Kanaya is presented the Silver Star Medal posthumously awarded her son, Pvt. Walter E. Kanaya, for gallantry in action near Bruyeres, France, 17 October 1944, with the 2nd Bn., 442nd Infantry, as Mr. Kanaya stands with her. Chaplain (Colonel) Corwin H. Olds, CPBC, makes the presentation at 1521 Young St., Honolulu. 25 August 1945. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.141 Print, Photographic Location: Tokyo, Japan Original caption: Miss Yukie Konai, Nisei clerk-typist, Special Service, GHQ, Army Forces in the Pacific, Tokyo, Japan, locates a rest area for a GI. She came to Tokyo from New York City in 1940 and was forced to remain until the conclusion of the war. When her citizenship was reinstated, she secured a position in the War Department. 9/3/46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.142 Print, Photographic Location: Bougainville, Solomon Islands Original caption: One of the most miraculous escapes from a bomb explosion is pictured here. In this foxhole in the side of the shell crater is S. Sgt. Oye Ogata of Helena, Mont. This is the position he occupied when the bomb landed next to him. He was buried alive by the sand thrown up by the explosion but succeeded in scraping a hole large enough to call for help. His buddies dug him out, unharmed, by tunneling into the sides of the shell-hole. In the center of the crater is Sgt. Tom Uyeda of Sacramento, Calif., and on edge of crater is Sgt. William Ishida of Lindsay, Calif. All men are Japanese personnel. 11/16/43. Bougainville. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.143 Print, Photographic Location: Okinawa Original caption: S/Sgt. Kenyo Miyashiro, U.S. Army interpreter, and his family have a reunion at Stoman. 1945. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.144 Print, Photographic Location: Tokyo, Japan Original caption: An effort is made to find housing for military personnel by a house-to-house canvass of homes in the Tokyo, Japan, area. Nisei Tec 5 Tom T. Aoyagi, Hq. Co., dependents' housing section, GHQ, Army Forces in the Pacific, of Milo, Hawaii, assists Major Clarence L. Dufgeans, Pacusa Chofu Flight section, of Montgomery, Ala., right. Tokyo, Japan. 9/3/46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.145 Print, Photographic Location: Tokyo, Japan Original caption: Team G, Nisei Japanese, of the translation and scanning sub-section, General Headquarters, Allied Forces in the Pacific, NYK Building, Tokyo, Japan, work at translating Japanese documents requested by other organizations. This team is responsible for the full translation of letters for Gen. Douglas MacArthur, Supreme Allied Commander for the Allied Powers. L-R: Tec 4 Larry L. Kazahaya of Los Angeles, Calif.; Mr. Dick R. Oda of Moneta, Calif., and Mr. Fred Umeda of Sacramento, Calif. These men are in the front row. 9-3-46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.146 Print, Photographic Location: Tokyo, Japan Original caption: The typing sub-section of the production section, Allied translator and interpreter sectioin, General Headquarters, Allied Forces in the Pacific, NYK Building, Tokyo, Japan. All documents which have first been translated and written in long hand by both civilian and military Nisei personnel, are typed by the sub-section and sent to proof-readers for final check before delivery to the Supreme Commander of the Allied Powers, and other Allied military authorities. 9-3-46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.147 Print, Photographic Location: Tokyo, Japan Original caption: Pfc. Taka Oka, Nisei Japanese sign-painter for the Allied translator and interpreter section, General Headquarters, Allied Powers in the Pacific, Tokyo, Japan, prepares a sign announcing the weekly dance. He is from Seattle, Wash., and a member of the Allied occupation forces in Japan. 9-3-46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.148 Print, Photographic Location: Sand Island, Hawaii Original caption: Sand Island, Honolulu. Pvt. Harry Koka of Ewa, Oahu, T.H., is awarded the Purple Heart by Col. Ernst T. Barco, CO, AP & SC. He was wounded while fighting with the famed 100th Infantry in the Italian Campaign. 6 June 1945. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
1991.100.348 Postcard Postcard b&w, mitsubishi dock yard,merchant vessel
NVC.005.149 Print, Photographic Location: Tokyo, Japan Original caption: Nisei Japanese supply clerks, work in the supply room from which supplies are issued to the Allied translator and interpreter section, General Headquarters, Allied Powers in the Pacific, Tokyo, Japan. L-R: Pfc. Hideo Ikeuchi, Tec 5 Tom Maruyama, and Pfc. Francis Nakagawa. 9-3-46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.150 Print, Photographic Location: Tokyo, Japan Original caption: Tec 5 George Fuyasho of Portland, Oregon, a Nisei Japanese draftsman for the Allied translator and interpreter section, General Headquarters, Allied Forces in the Pacific, prepares sketches and maps necessary for the production of documents, Floor plans and blueprints. Tokyo, Japan. 9-3-46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army
NVC.005.151 Print, Photographic Location: Tokyo, Japan Original caption: Tec 5 Tom Tashiro (left) of Illinois, Nisei Japanese education counselor and Information and Education non-commissioned officer, advises Pfc. Norman Shimakawa of the 3d Detachment, a typist in the production section, General Headquarters, Allied Powers in the Pacific, on the selection of a course to better his education and to prepare for future schooling. Tokyo, Japan. 9-3-46. Courtesy of the Seattle Nisei Veterans Committee and the U.S. Army


Patient Info | Clarion, Pennsylvania | Kevin L. Moore, D.M.D.
Your first visit to Kevin L. Moore, D.M.D. involves a few special steps so that we can get to know you. To understand what to expect, please read through this page. You'll find all the practical information you need, such as a map and directions to our office, practice hours, payment policies and more. There's also background information about our committed staff and our first visit procedures. You can also save some time by printing out and completing the patient forms in advance of your appointment.
We will serve you confidently, with genuine care and personalized attention, while always striving to exceed your expectations.
We will value your time, listen to and address any concerns you may have along the way.
We will maintain such a business that allows us to continue to provide you with the individual care you desire.
We will strive to enthusiastically present and provide excellence in dentistry and customer care as we journey to "open your dream" for a smile made especially for you.


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Q: Remote Desktop APP Credentials I got two remote desktop client applications on my Windows 10 desktop.
I want to execute my .RDP file with windows 10 remote desktop APP.
Its the APP with the red border.
When i launch te .rdp file its prompts me with a username and password.
But ther is no option to save it. ( in Windows Vault )
Prompt username and password
Normaly i open .rdp files with the the other remote desktop program ( the one without the red border ) and it will prompt me once to save my credentials.
enter image description here
Is it possible to save my credentials with te remote destop APP

A: Username is stored in rdp file, what can be edited with notepad.
About password is more security matter than usability. Storing password in file is not safe but can try out this method and here, but I advise to use specific software as password safe like KeePass or any other and configure it to fill all the needed credentials.

redpajama_set_name: RedPajamaStackExchange


20th from 5:00PM to 8:00PM.
her life is Jonathan Daine. Will he give in to his desire of passion or his thirst as a vampire?
Children at http://www.helpfeednow.com/. A 100-copy quota is needed on the second book.
is currently in the works.
contact you for her next local casting call. Be a part of what is fastly becoming known at the "TDDM Epic".
and Serinya. For more information on Chelsea Raine, please visit her website at http://www.
dragonflydagger.com/, or look her up on Facebook.
specials. Visit them on Facebook.


Get your acting pants on for this fun, dreaming-inspired play!
Use the Performing the Dreaming Resource Bundle to engage your students in a study of the dreaming and its significance to Indigenous Australians!
Purchase Issue 29 of HistoriCool Magazine in print or digital format to use this resource alongside the coinciding mag.


The Institute for International and Comparative Law in Africa (ICLA) was established as a research institute in the Faculty of Law of the University of Pretoria in 2011. Its main focus is on international and domestic law across Africa, but it also engages with international law beyond the borders of the continent, housing several members of UN mechanisms.
As part of the Centre for Human Rights, ICLA partners with universities across the continent, and also engages frequently with the African Union.
Building upon research expertise accumulated during the Director's mandate as UN Special Rapporteur on extrajudicial, summary or arbitrary executions, ICLA is now the home of a multidisciplinary research hub, "Freedom from Violence" which looks to bring together expertise from both human-rights based and public-health approaches to the problem of interpersonal and collective violence in Africa. In this connection it has begun an extensive doctoral programme, bringing students from seven different African countries to Pretoria to research issues ranging from counter-terrorism to public health statistics.


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The Education of Fredrick Fitzell 2021
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Watch The Education of Fredrick Fitzell (2021) : Full Movie Online Free With a corporate job, a steady relationship, and a sick mother, Fred's chance encounter with a man from his youth leads to frightening memories. Little by little, he unravels a mystery that has been hidden for years about a missing girl, a drug called Mercury, and a terrifying creature who has accompanied him every step of the way. Past, present and future intertwine, and Fred begins to explore all the possible lives he could lead. Which one will he choose?
Released: Jul 01, 2021
Genre: Thriller, Drama, Mystery
Stars: Dylan O'Brien, Maika Monroe, Hannah Gross, Emory Cohen, Keir Gilchrist, Amanda Brugel, Josh Cruddas, Sima Fisher, Aaron Poole, Liisa Repo-Martell, Ian Matthews
Production Company: Resolute Films and Entertainment, Addictive Pictures, Trinity Media Financing
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Economic arguments against antenatal cystic fibrosis screening are not valid, claims Dr H Cuckle of the Centre for Reproduction Growth and Development at the University of Leeds, UK. Cystic fibrosis screening would not be "much more expensive than other established services, such as maternal serum screening for Down's syndrome," he says (BMJ, December 2nd). The researchers considered the costs of pre- and post-test counselling, parental DNA testing (including both sequential carrier testing and couple carrier testing) and other prenatal diagnostics. Their analysis assumed that all women have two pregnancies, 20% have missing information from previous pregnancies and that the proportion of women changing partners between pregnancies is 20%.


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Der er ingenting i verden så stille som sne blev skrevet af Helge Rode i 1896. Det findes tre melodier til teksten, skrevet af Thomas Laub (1857 – 1927) og af hans elev, Povl Hamburger (1901 – 1972), i 1937 samt af Klaus Brinch (1939-2020)

Sange fra 1896

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Irish Topple ETSU In Extras, 7-6
by Tony Jones
AUBURN, Ala. – Another late rally, a hallmark of the 2017 University of Notre Dame softball season, was the order of the day on Saturday. An RBI double in the bottom of the eighth inning by Katie Marino carried the Irish to a 7-6 walk-off win over ETSU at Auburn's Jane B. Moore Field.
Notre Dame (34-22) struck quickly for three runs in the bottom of the first inning. Ali Wester ripped a one-out single into center field to set the table for Morgan Reed. Reed ripped an RBI double to the gap in right center to score Wester for the 1-0 Irish advantage. Caitlyn Brooks followed up with a deep home run to left field one batter later. Brooks' eighth home run of the season made it 3-0 Notre Dame.
ETSU (29-26) clawed back with a run in the top of the third, rallying on an RBI single with two outs to trim the deficit to 3-1. On what looked to be a sure base hit one batter later, Katie Marino made a diving stab on a hard-hit ball up the middle and flipped the ball to Reed on the bag at second for a huge third out.
A leadoff double for ETSU in the top of the fourth inning was erased by Notre Dame starter Katie Beriont. A ground ball out to Reed at short and two straight back to the circle held the Bucs runner on the pond.
The Irish padded their lead in the bottom of the fourth frame. Melissa Rochford blasted a leadoff single through the right side, and took second base on a Kimmy Sullivan sacrifice bunt. Marino turned on the first pitch she saw and blasted an RBI double into the corner in left field, plating Rochford for the 4-1 Notre Dame cushion.
A Notre Dame throwing error in the top of the fifth allowed two ETSU runners to come all the way around to score, further cutting the lead to 4-3. Rachel Nasland entered in relief with the bags full and one out and forced a shallow flyout to left and a swinging strikeout to leave the bases loaded.
Reed kept the Notre Dame momentum rolling in the bottom of the fifth. The Notre Dame shortstop blasted a 3-1 pitch with two outs over the wall in right center for a solo home run. Reed's eighth long ball of 2017 made it 5-3 Irish. A solo shot for Marino in the bottom of the sixth inning, her fourth of the season, pushed the lead to 6-3.
ETSU answered with a three-run home run of its own to tie the contest at 6-6 in the top of the seventh. A scoreless bottom of the frame sent the game to extra innings.
Rochford got the Irish offense going with a leadoff single through the left side in the bottom of the eighth. Marino then put the finishing touches on the win two batters later, ripping a game-winning double to left center that plated Rochford for the 7-6 victory.
Notre Dame and California will resume an elimination game at 11 a.m. (ET) on Sunday at Jane B. Moore Field. The Golden Bears led the Irish 4-3 with two outs in the top of the fifth inning before the game was suspended on Saturday night.
For the latest news and updates on all things Notre Dame softball, visit www.und.com/softball, follow the Irish @NDsoftball and @NDcoachGumpf on Twitter and at Instagram.com/notredamesoftball, and Like the team at Facebook.com/NDSoftball.
Tony Jones, athletics communications assistant director at the University of Notre Dame, has been part of the Fighting Irish athletics communications team since 2012 and coordinates all media efforts for the Notre Dame softball and men's soccer programs. A native of Jamestown, New York, Jones is a 2011 graduate of St. Bonaventure University, and prior to arriving at Notre Dame held positions at the University of Louisiana Monroe and with the National Football League's Buffalo Bills.


This vintage c. 1950 bottle stopper was handcrafted by the famous artisans of the ANRI workshop in the South Tyrol region of Italy. The "Kissing Couple" is one of the classic ANRI mechanical bottle stoppers. When the lever is pressed, they raise and swivel their heads to kiss. So romantic! This vintage stopper is in very good working condition.


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Location: Home › Music Articles › Noel Richards: Artist Output - The worship leader talks about his releases so far
Noel Richards: Artist Output - The worship leader talks about his releases so far
In our ongoing series well known artists run through their albums and books. This time one of the fathers of British worship music, NOEL RICHARDS
My early years as a singer/songwriter focussed on performance songs rather than worship songs. In the early 1970s when I started out, there were no worship leaders and very few contemporary worship songs.
Noel Richards
(Various) Together Apart, Independent, 12" vinyl, 1976
Over the last 34 years, much of my recording has taken place at ICC studios in Eastbourne, UK, a studio which has been the birthplace of so many great Christian albums. My first visit there was in the autumn of 1976, to record a track entitled "Thank You" on a compilation album featuring all of the then current British Youth For Christ artists. Among those were Ishmael and Graham Kendrick, who was heading up the YFC music department in those days. The album was called 'Together Apart'. It was produced by John Pantry and that's about all I can remember.
(with Shamgar) Getting Closer, FFG, cass, 1979
During the late 1970s I was based in Plymouth, Devon and along with my wife Tricia formed a folk/rock band called Shamgar (he was an obscure Old Testament Prophet). From 1977 through until 1980 we performed extensively in Devon and Cornwall and it was there, in a little seaside village called Cawsand, that we recorded our first and only album, 'Getting Closer'. The album was produced by Dave Pickering Pick (who later went on produce Eden Burning) in the front room of his cottage on a four-track open reel recorder. Dave's label was FFG and we were recording FFG1. The album was released on cassette only and all the songs were written by Tricia and myself. The cassette has been out of print for a long time but occasionally Dave is happy to burn a CD of the original recording for die hard collectors of our old material.
Songs Of Fellowship Vol 8, Kingsway Music, CD, 1983
It was in 1979 that I wrote my first worship song called "Lord And Father, King Forever". We sang it at our local church in Plymouth and after we moved to Cobham, Surrey in 1980, it became more widely used. The church that we were part of - Cobham Christian Fellowship - was involved in recording the Songs Of Fellowship series of worship albums. In 1983 they recorded 'Songs Of Fellowship Vol 8' and I got to sing "Lord And Father" on that album. I remember Nigel Coltman, who was songbook editor for Kingsway and I believe the executive producer of the album, signing up my song to Kingsway's Thank You Music. They have been the publishers of my worship songs ever since that time.
The Danger Line, Pioneer, 12" vinyl, 1986
During the period of the early 1980s, worship songs were not my main focus of writing. The Christian music world at that time was still dominated by the concert artist and so it was performance songs that were my main output. My second worship song, "You Laid Aside Your Majesty", was written in 1985, six years after my first one! However, I was continually writing songs that I performed at events where my good friend Gerald Coates was speaking. We worked together for more than 25 years and my songs were inspired by much of his preaching and written to complement what he was doing. In the 1980s Norman Miller (Proper Management) was part of our church in Cobham and through his role as director of Word Europe, my first solo album 'The Danger Line' was recorded and released on the Pioneer label in the autumn of 1986. The album was recorded at ICC Studio 1 in Eastbourne and produced by Paul Field. I had the privilege of working with some great musicians on this project - Dave Cooke (keys), Bryn Haworth (guitars), Dave Markee ex-Eric Clapton (bass), Clem Cattini - The Sputniks (drums). Julie Costello sang some BVs as well. The songs on the album were a collection of the performance songs that I was using in my concerts at that time. It also included a version of "Lord And Father, King Forever". While not receiving a great response from the critics, I think it still managed to sell around 4,500 copies, which I guess was not too bad for an unknown artist with little or no promotional support. This is the only album of mine that was released as a 12" vinyl.
Lionheart, Pioneer, cass, 1989
During the late 1980s I was performing a greater number of concerts and had a regular band comprising Dougie Brown (keys), Doug Horley author of "We Want To See Jesus Lifted High" (guitar), Alun Leppitt (drums) and Simon Deeth (bass). It was this band that featured on 'Lionheart', a further recording of my contemporary songs, released in 1989 on cassette only. Again, this album was recorded at ICC Studio 1 in Eastbourne. Initially, I had approached Les Moir to see if he would be interested in producing the album. But he felt that Andy Piercy would be a much better fit for what I was doing. So, I contacted Andy and he agreed to produce the album and also do some essential and much needed editing/pre-production of my material. Andy is a great songwriter/producer/artist, having had considerable success at that point in time with his band After The Fire. It was through his input that I received loads of really helpful advice on improving my songwriting technique. He was particularly harsh with one of my songs. He suggested I keep the melody and the first word! But I will always be grateful to Andy for his encouragement and support at that time and over these many years since. The album sold in a similar volume to 'The Danger Line' but it marked the end of my "career" as a contemporary Christian artist. A new direction was just around the corner!
By Your Side, Kingsway Music, CD, 1990
In the summer of 1989 John Paculabo came across my path once again, at the De Bron music festival in Holland. I had first met John when I played support to his band Parchment in 1974. He had just joined Kingsway and over the next few years would become the MD of the company. Something of what I was doing must have connected with him because later that year he suggested that I record a worship album for Kingsway. He felt that my strength lay in writing worship songs and that this should be the direction for me to pursue. Very wise advice. In 1987 Tricia and I had written "All Heaven Declares" which is probably the most popular song we have composed. John commissioned me to go away and come up with a bunch of new worship songs, which we would record in the summer of 1990. In addition to "All Heaven Declares" I already had the title track, "There Is Power In The Name Of Jesus", "Our Confidence Is In The Lord" and "You Laid Aside Your Majesty". Over the coming months I wrote a further three songs. However, I was still short of the required 12 songs and that caused me to look around for good songs from other writers that I believed deserved wider exposure. This is something I have continued to do in all my recordings and hopefully it has served those writers well. 'By Your Side' was recorded between June and August 1990 at ICC Studio 2, Eastbourne and released in the autumn of that year. It is probably my most mellow album. In those days, the concept of a guitar-driven rock'n'roll worship album was a bridge too far! So it has more of a soft rock feel. It also features some great musicians and singers from the world of UK black gospel. It was produced by Les Moir and he produced the remainder of my albums during that decade. To this day, Les continues to advise me on my recordings and songs. Neil Costello played most of the electric guitar parts on the album. He and Les are close friends and have worked on many projects together over the years. Neil has played guitar on all my albums to date and continues to play in my band. While I was recording the album I was taken to a photographer's studio in Eastbourne for the album cover shots. The images were included in the cover design but those were the days when not a lot of creativity was employed at Kingsway! The cover was so awful that we politely asked if it could be redesigned. This resulted in a multi-coloured patchwork cover which was not great, but a vast improvement on the first attempt. Eventually, in 1994, the cover was completely redesigned with a decent image. The album sold over 24,000 units.
Up To Zion, Hosanna Music, CD, 1992
This album was a strange release from Hosanna/Integrity. In the early '90s they had a short-lived policy of removing the original US worship leader from their live recordings and insert a UK worship leader, for the European release. The album was originally recorded with Paul Wilbur as the worship leader and is a collection of Messianic worship songs. Integrity invited me over to Mobile, Alabama, in August 1991 to overdub my vocal track and the resulting album was released in Europe in 1992. I was never really into Messianic music but thought it would be interesting to do it. It is hard to sing songs that are not really your style but I did the best that I could. I think Tony Cummings summed up the result very well in his review of the album: "This seems a classic case of the wrong man for the job. For me it's nonsensical and suspiciously like a case of corporate expediency, to dream up a Messianic Praise album, assemble a set of top line Jewish-flavoured songs from composers like Marc Chopinsky but then fly out a Brit, who isn't Jewish and has no opportunity to do any of his fine material, to lead the worship." Enough said!
Thunder In The Skies, Kingsway Music, CD, 1993
In 1992 we began work on the follow up album to 'By Your Side'. Les Moir was aware of my vision to see stadiums filled with worship and encouraged me to write songs that would work in gatherings of thousands of people. Songs such as "Behold The Lord", "Nothing Shall Separate Us" and "Come, Lord Jesus" reflected this new direction. At the end of the year we went back to ICC studios to record the album. This time, the budget allowed us to use Studio 1. We also began to push the envelope in terms of the musical style. The album had a much rockier feel to it than 'By Your Side' and we hoped it would take churches on a journey, which would make them more open to including edgier music within church services. For this recording Les and Neil assembled the same team to lay down the tracks and do the vocals. The engineer we used was Martin Smith (Delirious?) who in those days was one of the engineers at ICC. Shortly after finishing this recording Martin headed off to Littlehampton, to set up his own studio with Tim Jupp and the rest is history. . . In those far off days Les would often work through the night to finish a project. I remember going to bed late one night (the studio had an artist's flat) and the next morning greeting Martin in the corridor as I was making my way to the bathroom. He was already dressed, so I said something like "early start for you to today?" His reply was that he was just coming to bed! I think Les came close to exhausting Martin during this recording. The album featured nine of my own songs and four from other writers, including the classic Rick Founds' "Lord I Lift Your Name On High". Two other songs I included were from Chris Falson and Stu G, who I had recently got to know and who was writing under his stage name of Stuart David. The theme of the album was very much a linking of mission with worship. 'Thunder In The Skies' was released in the spring of 1993 and proved to be a really popular product in the UK trade. It was awarded the title Album Of The Year 1994 at the UK Christian Booksellers Convention. A huge encouragement to myself, Les and the team at Kingsway.
Warrior, Kingsway Music, CD, 1994
This album marked another turning point in my work as a songwriter/recording artist and the public beginning of a journey that would see us fill Wembley Stadium with 45,000 people. Since 1986, I had held a vision to see Wembley filled with worshippers. Les Moir also had a similar vision, as he had done some smaller stadium events with Graham Kendrick. Early in 1994, as we began pre-production work on this album, Les suggested that maybe this recording should be one where we make the vision public and begin to share the idea for a worship gathering at Wembley Stadium. So on the sleevenotes for the album I wrote these words: "Several years ago I watched a concert on TV coming live from London's Wembley Stadium. The rock band Queen were playing their anthem 'We Are The Champions'. It was incredible to see 70,000 people singing along with Freddie Mercury, their hands raised in adoration. So began a dream. To one day see Wembley Stadium and similar venues filled with Christians declaring that there is only one champion of the world, and his name is Jesus. I am sure it will happen. In the meantime I have endeavoured to write and gather worship songs that have an anthemic feel. The sort of songs that could be used in stadiums as well as local churches. This album represents the latest stage of that journey. . . I hope you enjoy the album and that as you listen you will begin to catch our dream. See you at Wembley." The eventual title track was a song that Tricia and I had written in 1992. We had not been 100 per cent happy with it and had shelved the song for two years. Les asked us to look at it again and see if we could improve it, with a view to it being included in the shortlist of songs for the album. Somehow, we came up with a new version that we finally really liked. Shortly before going into the studio we had a visit from a "wild" prophetic Australian singer/songwriter, Stephen Bennett. He and his friend Chris Falson were both on staff at a large church in Sydney, called Christian City Church. They had a picture of Wembley Stadium on their office wall and often joked that one day they would play there. (Something that became a reality for both a few years later.) Steve encouraged us to go for the Wembley vision and after an inspiring evening with him, we sat down and wrote the theme song for the event, "Champion". This song became the final track on 'Warrior'. We tried it out a few days after writing it, at the Global March For Jesus event in Hyde Park, London, which was attended by 80,000 people. The tracks for the album were put down "live" at Neil Costello's Music Shed studio in Derby and the musicians for this were Neil (guitars), Les (bass), Terl Bryant (drums) and Howard Francis (keys). The band rocked and it was obvious that this was going to be a rock'n'roll worship album. We featured guest vocals from some of the musicians at the forefront of Christian music today including Ishmael, Martin Smith, Matt Redman, Graham Kendrick and Dave Bilbrough. Other studios used for this recording were ICC Studios, Eastbourne; Marcus Studios, London and Snake Ranch, London. Before recording 'Warrior', Tricia, Les Moir and I went to Wembley Arena to see Bryan Adams play. We wanted to get some ideas for "stadium praise" and Bryan Adams' style was definitely a role model for this. You can hear a little influence in "He Has Risen", which definitely has an opening similar to Adams' "Summer Of 69". We also had a guest appearance by Paul Jones (Manfred Mann) playing a harmonica solo on Chris Falson's "I Walk By Faith". It was such a blast having a living rock'n'roll legend in the studio, playing on my album! The songs were so strong and is probably the most congregational friendly of all my albums recorded in the 1990s. Many of the songs, such as "I Could Sing Of Your Love Forever" and "We Want To See Jesus Lifted High", have become huge classics around the world. It became my biggest selling album. The album was recorded between June and September and released in the autumn of 1994 and, combined with the Warrior Tour at the same time, made public our intention to hire Wembley Stadium for the Champion Of The World worship event in June 1997.
Live, Kingsway Music, CD, 1996
In November/December 1994 we did the Warrior Tour which promoted the new album and also gave us an opportunity to begin to sow the Wembley Stadium vision across the UK. At the end of the tour we did two consecutive evenings at the acoustically challenged Salvation Army venue Regents Hall, in central London. Kingsway had decided to use these two evenings for recording the 'Warrior' video and the soundtrack for the video became the album 'Noel Richards Live', which was released in early 1996. The CD/video features the fantastic sax playing of Dave Fitzgerald (Iona) and also the guitar playing of Stu Garrard. In the two years before Delirious?, Stu was sharing the guitar playing duties in my band with Doug Horley (Duggie Dug Dug). The rest of my "live" band on this album were a young team that had been with me on the road for many years: Brad Mason (drums), Andi Skipsey (bass), James Taylor (keys), Vanessa Freeman (BVs). They were also the core band that did the journey with me, all the way to Wembley. On a personal note: two days before the recording a young guy, Matthew, from our home church, died suddenly, aged 14. On the evening of the first recording all the youth group showed up at the venue and their enthusiasm for worship, in the light of our tragic loss, really inspired me when singing songs such as "He Has Risen".
Dangerous People, Kingsway Music, CD, 1996
By the time we came to record this album we were in the final stages of our journey to call people to Wembley Stadium. As an artist, my songwriting was gearing more towards worship songs for stadiums, rather than for a Sunday congregation. This is quite evident in the song "Let Your Love Come Down", which was written for a crowd of thousands. This album was created as a resource for "stadium praise" events. The title for the album came about during November 1995, when I was at a church conference in Switzerland. One of the speakers, Fiona des Fontaines from South Africa, spoke about God's dangerous people. She spoke on how God is looking for people who will be dangerous for the Lord and do battle with Satan's kingdom. It was inspiring! Once again, Les Moir and Neil Costello were the production team behind the album, which was recorded at Soundfield in Derby, Black Barn in Ripley (Surrey) and of course ICC, Eastbourne. The opening track - "Love Songs From Heaven" - is an epic, running at over eight minutes. We wanted to create an anthemic feel right from the beginning. The song has become a real call to mission. The track features the outstanding Uilleann pipe playing of Troy Donockley, both at the beginning and the end. We created a kind of Braveheart feel with this song, as we wanted that sense of destiny and vision to be captured. I remember sitting in the studio while Les and Neil mixed the track. It took 18 hours and I simply provided them with coffee and encouragement. When Les, Tricia and I heard the final mastered result and how it touches the emotions we sat and wept! The album also featured moments of intimacy in songs such as "You Are My Passion" and Chris Falson's "I See The Lord". In terms of artwork, I took my cue from Bryan Adam's '18 'til I Die' album cover. He was something of a role model for me, as mentioned earlier. In fact, my son and I got to meet him backstage at Wembley Arena in the spring of 1997. His tour manager was best friend to the guy who produced the Champion Of The World event at Wembley Stadium for us. 'Dangerous People' was released in the autumn of 1996.
Calling All Nations, Kingsway Music, CD, 1999
On the day before the Wembley Stadium event some friends gave me a letter. In it they shared their conviction that stadiums would be filled with worship throughout Europe and beyond. They drew my attention to three venues: The Olympic Stadium at Berlin, Germany, the Peoples Stadium in Budapest, Hungary and the Olympic Stadium in Barcelona, Spain. It was Berlin that really caught my attention, so I began to read about the Olympic Stadium, Berlin, scene of the 1936 Olympics. I discovered that there was a giant bell which was rung to signal the commencement of the games. On that bell, which now stands alongside the stadium, are the words, "I summon the youth of the world". When I read those words I got excited and sensed that this would be the vision for a worship gathering at the Berlin Olympic Stadium - "to gather the youth of the world and the young at heart, to worship Jesus Christ". From that moment in 1997, this vision to call the nations to worship in Berlin and beyond became the driving force behind everything I did. In 1998, I got together with my good friend and fellow songwriter Wayne Drain, from Russellville, Arkansas. He thought my next album should be one that spoke of calling nations to worship. We worked together on the song "Calling All Nations" which became the title track of the album. At the end of 1998 Brian Houston from Belfast wrote "Passion For Jesus" for me to record on the album. We have been friends ever since that time. 'Calling All Nations' was recorded in the early months of 1999 and released in May of that year. It was mainly recorded in the inspiring surroundings of Waverley House in Surrey, England, a genuine stately home. It was wonderful to record a real string section scores written by Caroline Bonnett in the ballroom at the house. All that was missing were the period costumes! Other studios used were Soundfield, Derby; Black Barn, Ripley; ICC Studio 2 and Ground Zero.
(with The Hudson Taylors) Hurricane, Kingsway Music, CD, 2002
The end of the 1990s marked another change of direction for me. My focus was now firmly on mainland Europe and other nations as I worked on organising the worship event at the Olympic Stadium, Berlin, Germany. In the period from the end of 1997 to 2006 I travelled to more than 26 nations on every continent. I racked up a load of air-miles! The big UK tours that I had done from 1994 to 1999 with my band were now a thing of the past. It seemed that season was over. I found myself being invited to do more acoustic type events, as well as regular band gigs. In early 2001 I was en-route to the annual Pioneer Churches leaders' conference in Lowestoft (UK) when I had a call from my friend Gerald Coates, who was leading the event. He was responsible for putting the worship team together for the conference and at the last moment, the lead guitarist had dropped out. He asked me if I knew anyone who, at a few hours notice, could come to the conference and play. I was travelling in the car with Wayne Drain and we remembered that at a recent worship conference we had done together in Florida, Brian Houston from Belfast had played lead. I called Brian and, amazingly, he was free for the whole period of the conference. He promptly got on a plane and arrived at the venue that afternoon. For some reason, Wayne, Brian and myself found ourselves opening the conference with an acoustic worship set. Just our three voices and guitars. What we did was extremely well received and we were encouraged by a prophetic word from a good friend, Amanda Collins, that we should do some recording together. On the Monday following the conference I was meeting with Steve Doherty, my A&R at Kingsway, and we talked about the three of us doing an acoustic type of album together. Steve was very positive and over the next months we began to plan and prepare for this. Kingsway had recently released an acoustic album featuring the worship songwriters Stuart Townend, Gary Sadler, Robin Mark and John Hartley. This album that we were working on would be another in that series. However, as the months went on we decided it might be a better idea to have Wayne, Brian and myself featured as a band, rather than three people doing individual tracks. Brian came up with the name suggestion which had a kind of Travelling Wilburys feel to it. In a recent interview he said, "I think, because I didn't really have a religious upbringing, therefore I never encountered this name Hudson Taylor. When I did hear it I thought that's a great name for a band because it sounded like the River Hudson and Taylors. That's why I chose the spelling and made it like that, and when we needed a band name I said 'guys why don't we use Hudson Taylors' and we did". In the autumn of 2001 we all headed out to Nashville to work with producer Derri Daugherty (Lost Dogs, The Choir) and a host of great musicians based in that city. The result was 'Hurricane', featuring five songs from Brian, six songs from Wayne and myself and one co-write which we completed, sitting on the front yard of Derri's house cum studio. The idea for the cover design was something that my band came up with, while we were touring in Germany with Wayne, just after 9/11. We wanted something that would communicate the acoustic nature of The Hudsons and the guitar string packet fitted the bill perfectly. 'Hurricane' was released in the spring of 2002 and re-issued in 2010.
(with Noel Richards Band) Road To Berlin, Kingsway Music, CD, 2004
By the end of 2003 we were really gearing up for the big worship event at the Olympiastadion, Berlin, Germany. Most weekends I would be doing concerts somewhere in mainland Europe with my band. Kingsway suggested that I record an album filled with anthemic stadium songs that would continue to sow the seeds of the vision. Included with the CD would be the DVD version of the Champion Of The World event video, which was no longer available for purchase. I thought it would be a great idea to record the album with my "live" band. The Noel Richards Band has been around in various guises since the mid 1980s. Currently, the longest serving member is Bradley Mason (drums), who has been with me since 1989. He is closely followed by Neil Costello (guitars), who has been the driving force behind my recorded sound since 1990. The new guy in the band is Mark Prentice (bass), who has been playing with me for a mere 10 years. Sam Richards was the keyboard player with the band during this time period. Over the years, the Noel Richards Band has featured on many live worship albums. Our version of "We Want To See Jesus Lifted High" recorded at London's Wembley Stadium before a crowd of 45,000 in 1997 has been heard by hundreds of thousands of people. In fact the track was featured on a US various artists album that sold more than 500,000 units, earning me my one and only Gold disc! However, this is the first time that myself and the guys got together to make a studio album. We wanted to produce something that the people who came to our concerts could take home with them. This album is the result. It is a collection of worship and praise songs, written and co-written by myself and other writers from the UK, Germany, Ireland and Canada. Songs that can be sung in local churches and the great arenas. They convey worship, praise, prayer and celebration. One little detail on the cover that the observant will notice: when the artwork was designed, we had a date planned for the stadium event in 2005. However, for all sorts of reasons, the date was moved to July 2006. The date never got changed on the artwork! You can see it on the bottom right of the cover. While I think about the cover, I also remember the photo shoot we did in a freezing industrial unit, in the east end of London, during January 2004. We suffered for our art! The album was recorded at ICC Studio 1 over the winter of 2003/4 and released in April 2004.
25 Years: The Singer, The Songs, Kingsway Music, CD, 2005
This is the definitive collection of six Noel Richards worship CDs, including a brand new "live" compilation. Over the years, Kingsway had repackaged my early CDs. 'By Your Side/Thunder In The Skies' became a 2CD pack, as did 'Warrior/Dangerous People'. It was a great way of introducing a new audience to my older recordings and songs. Kingsway came up with this fantastic box set idea, which would include the above four CDs plus 'Calling All Nations' and a new compilation of my "live" recordings. The "live" compilation CD contains 13 tracks recorded in the UK and Canada. Three of these songs have not appeared on any of my solo studio albums. It would provide the purchaser with my complete back catalogue of 25 years of songwriting and 10 years of recording. A total of 71 tracks for just £20. Included in the package is a specially written 48 page booklet, giving the background to each album, plus all the lyrics. This compilation was released in 2005.
(Various) Love Songs From Heaven: The Worship Songs Of Noel Richards, Kingsway Music, CD, 2008
I thought this CD should have a mention, even though I am not singing on it. Stephen Doherty at Kingsway had the idea of taking some of my best known songs and re-recording them with a whole bunch of different worship leaders. So the 13 songs on the CD feature: Tim Hughes, Darlene Zschech, Brenton Brown, Matt Redman, David Ruis, Martin Smith, Lou Fellingham, Stuart Townend, Brian Doerksen, Graham Kendrick, Cathy Burton, Aaron Keyes and Kelly Minter. I was so thrilled and honoured that all these guys agreed to appear on the CD and brought a fresh interpretation to these songs. The album was released in the spring of 2008.
Heaven's King, Kingsway Music, CD, 20008
In early 2007 I realised that the responsibilities of the Calling All Nations event in Berlin had taken a lot out of me. The event took place in July 2006 and the remainder of that year had been really busy. Berlin had been my main focus for nine years. Tricia and I decided that we should take a break, to think about our future direction. This resulted in us spending almost five months in North America, visiting different churches and areas and enjoying a far less stressful rhythm of life. We spent a short time in Nashville with our friends John and Kristen Hartley and did some co-writing with a few songwriters there. John also suggested that it might be good to record my next album there and we brainstormed some ideas about the project. A few years previously, John Paculabo (Kingsway MD) had said to me, "You have written the songs for stadiums, now you need to get back to writing songs for the Church". Wise words and ones that I had started to act upon. I had been steadily writing a collection of new worship songs and had been "road testing' them in various concerts and church settings. Together, John Hartley and I came up with a list of 10 new songs to record. These were all songs that I had co-written with Tricia Richards, Tom Lane, Kees Kraayenoord, Wayne Drain, Dave Clifton and Tim Sherrington. Tricia and I went to Nashville in August 2008 and began working on the tracks for the new album at Derri Daugherty's home studio. Derri was engineering the album and John Hartley producing. In addition to Derri, we pulled together the same team that recorded 'Hurricane' in 2001: Chris Donohue (bass), Ken Lewis (drums) and Phil Madeira (Hammond). Other musicians were Jamie Kenney and Stephen Leiweke. Having spent an intense week laying down the tracks and putting on the lead vocals, Tricia and I left Nashville and John Hartley put on all the finishing touches to an album that I am really pleased with. The album also features Tricia singing backing vocals on a couple of the tracks. The first time we have sung together on a studio album since the days of Shamgar. The album was released in November 2008.
All Heaven Declares: The Very Best Of Noel Richards, Kingsway Music, CD, 2010
This is currently the very latest Noel Richards CD which has been released by my publisher Kingsway. According to the figures, there are 17 of my songs that feature in the CCLI Top 500 and 15 of them are included on this CD. Stephen Doherty at Kingsway came up with the idea of producing a "very best of" CD and this compilation album is the result, which was released on my birthday, 15th February 2010. These are the original recordings of the songs from my various albums and is selling well at all my concerts. It even got a 9 out of 10 in a Cross Rhythms review, which was a great encouragement. I often joke that this album should have been called the "very best so far" because I am still writing and believe there are better songs that I have yet to write. There are no new albums planned at the moment but when I next have a good collection of songs that work and the time is right, I plan on adding to my Artist Output.
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Posted by Edward Frost in Windham NH USA @ 12:35 on Feb 13 2011
My then girlfriend Jill Knight lent me the Shamgar album and it's been a favorite ever since. A few years a go I contacted Dave Pickering Pick who dusted off the master tapes and kindly cut a new CD for me. Thanks Noel for the permission! Excellent music. 'Bad time and Sad times' was my sons favorite lullaby.
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Posted by Mike Norbury in Wrexham, North Wales, UK @ 07:53 on Sep 19 2010
What an excellent and amazing history brought together using the albums. Not only Noel's story but that of the development of the UK Christian music industry. Sorry to say I have only seen Noel live three times - once in Denver Colorado back in the 90s and twice in Market Drayton (Shropshire UK) in recent years. God's infectious worshipper!
Posted by Kevin Hanford in Monroe, WA @ 00:59 on Sep 18 2010
Your worship-leading has been a real example for me and I truly love worshipping with you! Thanks for following Him and His calling Noel! Love ya brother!
The opinions expressed in the Reader Comments are not necessarily those held by Cross Rhythms.
Music Articles home
Life Articles home
Noel Richards artist profile
Birthday Concert
Veteran Noel Richards celebrates birthday with Budapest concert
Pony Tail No More
Artist Noel Richards has cut his pony tail
Calling All Nations Phase 1
Worship singer Noel Richards is to be one of the main performers at the Calling All Nations event
Delirious Article
CCM magazine declares Noel Richards and friends gig a worship conference
Awaited Album
A new album titled 'Calling All Nations' is out by Noel Richards
For more on Noel Richards visit the Noel Richards artist profile
2010: The Best Of Newl Richards
2010: All Heaven Declares: The Very Best Of Noel Richards
2008: Heaven's King
2005: 25 Years: The Singer, The Songs
2004: Road To Berlin
2001: Warrior/Dangerous People
1999: Calling All Nations
1996: Dangerous People
1996: Live
1995: Warrior...Live On Tour (VHS video)
1994: Warrior
1994: Praise Track: There Is Power In The Name Of Jesus (Cassette)
1993: Thunder In The Skies
1993: Thunder In The Skies/By Your Side
1991: By Your Side
1991: Up To Zion
1989: Lionheart (Cassette)
1986: The Danger Line (12 inch vinyl)
Live on the edge and shout what you believe in our Dedication Room


Of Far Earth is an exploration of the phenomenological stance of planet Earth as an entity that exists both within and beyond humanity's reach. It focuses on the publication of The Blue Marble, a photograph of the planet taken during the Apollo 17 mission in 1972, which marks the last time a human being saw the Earth directly. The source material on which the volume is based comes from digitized newspaper pages that displayed The Blue Marble. One of the published versions of the photograph was blown up, fragmented, and distributed throughout the book. The implicit presence of the whole aims at problematizing environmental aesthetics while it repurposes the journal as a potential installational device.


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SGB Finance adds North America to marine market
SGB Finance North America announced its plans to enter the retail and floorplan marine finance market in the United States.
SGB Finance North America is the wholly owned subsidiary company of SGB Finance S.A. France, a finance company with more than 10 years of experience in boat financing. SGB Finance S.A. France, through its exclusive partnership with the Beneteau Group, offers retail and wholesale marine financing solutions to about 250 distributors in Europe.
"We are continuing the SGB Finance expansion, due to the success we had in Europe. SGB Finance North America was created in the fourth quarter of 2009 in order to promote and create financing options for the Beneteau Group brand," said Hervé Bonnet, president and CEO of SGB Finance North America, in a statement.
"We started the wholesale lending program for the Beneteau Group dealers in March 2010 and are now introducing the retail financing program," he added.
SGB Finance North America is based in Baltimore.
SGB Finance North America


Are you interested in visiting our program in Kenya? How about with the purpose of enriching the lives of the children in our program through your service at our August holiday camp? Now is your chance! Apply for the 2016 camp volunteer travel grant today!


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IM Israel travel is a boutique travel agency specialized in designing each trip according to the guest's wishes, needs and budget. All the Tours are planed exclusively by Yossef and Ram, founders and owners of IM Israel Travel who are well known and experience tour guides!
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The Cotopaxi Batac 16L is made of lightweight, repurposed materials. It's perfect for holding all your essentials whether it's for a day hike or a day at the office. A front zipper gives you easy access to things you need frequently, and there are two mesh side pockets, a large main compartment, internal hydration sleeve, and ultralight mesh shoulder straps. Best of all, no two Batac packs are alike!


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→ Royal Northern Sinfonia → Players → Cristina Mateo
Cristina Mateo
Section Leader, Clarinet
Spanish clarinetist Cristina Mateo Sáez has been prizewinner of several national and international competitions, including Grand Prize in the Pasadena Showcase House Instrumental Competition (Los Angeles), Second Prize at Lancelot International Clarinet Competition (France); Second Prize in the International Clarinet Association (ICA), among others.
Ms. Mateo Sáez has appeared as a soloist with different orchestras, including the Rouen Opera Orchestra playing the world premiere Concerto for Clarinet and Orchestra "Summerwind" by F. Tanada; the Colburn Orchestra under the baton of Esa-Pekka Salonen, playing the Mozart Clarinet Concerto Kv.622, Introduction, Theme and Variations by G. Rossini with the Los Angeles Chamber Orchestra or Tomasi Clarinet Concerto with the National Repertory Orchestra.
In 2020 she graduated from her Bachelor and Masters of Music degrees at The Colburn Conservatory, in Los Angeles, where she studied with Mr. Yehuda Gilad,; having previously studied with Javier Trigos in Spain. After that, she moved back to Europe and held the Clarinet Position at the Royal Stockholm Philharmonic Academy while freelancing in severeal different countries in Europe.
Cristina has collaborated as a Principal Clarinet with orchestras around the world, including the Philharmonia Orchestra, Danish National Orchestra, Swedish Chamber Orchestra, Minnesota Orchestra, the Royal Opera (Teatro Real) in Madrid, or the Navarra Symphony Orchestra; and has worked with renowned artists such as Gianandrea Noseda, Esa-Pekka Salonen, Neville Marriner, Stéphane Devène, Sol Gabetta or Yo-Yo Ma.
In addition to her orchestral career and solo performances, she is a chamber music lover. One of her highlights is playing the Dvořák Serenade for Woodwinds, Op.44 together with Andrew Marriner.
In 2019, Cristina released her first clarinet and piano album, "Grand Duo" which includes pieces by Weber, Guastavino and Setaccioli.
In her free time, she enjoys being in nature, doing yoga, and spending time with friends.
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The last time I attended a Mizo wedding was in 1998. For 14 years Mizo wedding was hard to come by in Trichy,Chennai and Bangalore. I did attend a lot of wedding receptions. The Muslims were my favorite because of the always delicious biryani.
Day before yesterday, Helen of Lunglei and a cousin I've hardly met got married. We have hardly met (and her side of the family) because her grandpa got a job at Lunglei and settled down there whereas the rest of us remained in Kawrthah.
Unbeknownst to them and outside the world of Facebook here are some wedding photos I shot with my 50mm prime lens.
Every time I come out to our balcony there is one scene that has my attention. I was told it is Muthi Tlang. A hill and a village by the name Muthi. And I wanted to go there. It seems so close and and not many seem to go there. Read not viral among Mizo community on Facebook. After some weeks I finally decided I should go there and invited Zualtea to come along. He readily agreed and off we went.
At the North end of the village is a playground. Besides the ground there's a small park in the making – rest houses, paved pathways,benches and very good view points. No tea shops and vendors like elsewhere in India. We were told it is called LAD Tlang(hill).
I generally get up around 8 in the morning, late my Mizoram standard as opposed to early in Bangalore. Tea is served in bed. How royal 🙂 After a heavy breakfast which is more like lunch here, I either watch movies on my tiny netbook, read or watch TV all day long. At noon i read the newspaper Vanglaini unlike TOI in Bangalore. A few times, I go out to town. With poor 2G only signal (Airtel) in my locality I hardly get online. Right now I am parked at a road side where I get 3G signal. Today being Sunday evening, it is quite noisy as boys zoom past in their motorcycles. It's 5pm as I write this, the Sun is down and it will be dark soon. That means dinner will soon be served. So I will stop here for today.
Before I leave, I would like to show you my current accommodation.
Rare or not depending on where you are from and where you live.
An UPS Inverter enough to power a few tube lights for sometime. Power cut is pretty much a part of our life in India, anywhere. Even in the metros.


Today we turn our attention to these words from our passage: "the virgin shall be with child and shall bear a son." We are told that these words were previously spoken by the Lord through the prophet. The prophet is Isaiah and the words were recorded centuries before in Isaiah 7:14. With the conception and birth of Jesus Christ this prophecy was fulfilled. Many reasons have been put forth for why all this was a necessary part of the birth of Christ. In reality there is only one: without a Divine conception there cannot be a Divine person. A human father and a human mother will always result in a human conception and the birth of a human person.
To put it another way, the only way God the Son could take on human form was for God the Father to be the actual cause of the conception that came about in Mary's womb. The angel in Luke 1:35 described it in this way to Mary, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you; and for that reason the holy Child shall be called the Son of God." Without a Divine conception and birth we don't have Jesus Christ here on earth in the flesh. If we don't have Jesus Christ here on earth in the flesh, we don't have a Savior to "save His people from their sins." Without our being saved from our sins God cannot reclaim a lost humanity for himself (to live for his glory and his purposes) and everyone perishes in the absence of eternal life.
Lord, I bow before you today in worship and adoration. What an amazing event the birth of Christ really is. Help me enter fully into all that Christmas really is. I get it: Christmas gives us the one who sets everything in order and makes everything right. Thank you for the awe inspiring measures that were taken for us to have a Divine Savior who takes care of everything. Amen!


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News > Business > Lease renewals – agreeing the rent
Lease renewals – agreeing the rent
It is rare for lease renewals under the Landlord and Tenancy Act 1954 to go to court because the landlord and tenant cannot agree the new rent but that is what happened in Flanders Community Centre Ltd v Newham London Borough Council [2016].
The original lease provided for a rent of only £1 but did require the tenant to carry out works to the property. On the renewal of the lease the tenant argued that the rent should remain at £1 whereas the landlord wanted the rent to increase to £16,000 per year. Both landlord and tenant put forward what they considered to be expert evidence to support their assertions.
The judge's view of the "expert" nature of the evidence was different however. She decided that the evidence was unreliable and lacking detail. As such, she discounted it and relied on the current rent. Both parties had agreed that the current rent was a relevant factor in deciding the new rent.
The landlord appealed but the Court of Appeal's view was that the judge was entitled to form her assessment of the "expert" nature of the evidence and she was entitled to take note of the current rent. The Court of Appeal noted that whilst the judge could have made her own assessment of the rent, she was not obliged to.
What can we learn from this case?
Judges do not have an expert knowledge of valuation and so parties should ensure their experts do as good a job as possible. If you want to use proceedings where the assessor has specialist knowledge then you can consider using the PACT (Professional Arbitration on Court Terms) Scheme where lease renewal disputes would be settled by a chartered surveyor acting as expert or arbitrator.
For more information on pursuing a lease claim please contact David Farmer.
LinkedIn Local Northants – 18 February 2021
Join us for our second event in September with not one, but TWO high profile speakers!
Make sure your business isn't on a road to nowhere
When your business is operating successfully and your financial future looks secure, it can be hard to stop long enough to consider your exit plan. Whether an exit is years away, just over the horizon, or not in your game plan at all, a succession plan is vital to ensuring the continued success of a business, something which Covid-19 has taught a lot of businesses in the last few months.
Data Protection – How Companies should handle Personal Data and key steps to avoid Pitfalls and Fines.
"Turnover Rent" – A useful option for Commercial Landlords and Tenants in the Pandemic
Hitting All The Right Notes: De-merger Advice In The Music Sector
The Corporate and Commercial team at Wilson Browne Solicitors has recently advised in the de-merger…
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Vepr Super in .308 Win caliber features a front sight / gas block combination and a full length one piece walnut thumbhole stock. Unlike an AK or the standard Vepr rifle, there is no scope rail attached to the sided of the receiver. Instead, there is a rail system built into the receiver directly, just above the fire control group and below the top cover. A scope mount can be attached to this rail system.
Vepr Super .308 Rem, chrome lined cold hammer forged 21.6-in barrel, wood 1-piece thumbhole stock, front sight block/gas block combination, (2) 5-rd magazines.
Vepr Super .308 Rem, chrome lined cold hammer forged 25.5-in barrel, wood 1-piece thumbhole stock, front sight block/gas block combination, (2) 5-rd magazines.


After a five year wait, 2015 sees the arrival of the world's most keenly anticipated hot hatch, the Honda Civic Type R. Billed as a 'race car for the road', the all-new Honda Civic Type R is powered by the most extreme and high-performing Type R engine ever built.
Available only as a five-door, with two trim grades, it is set to catapult Honda back to the top of the two-wheel drive performance hatchback league when it goes on sale across Europe from July 2015.
At the heart is an all-new, direct-injected turbocharged 2.0 litre VTEC TURBO petrol engine, which delivers power, torque and performance figures unmatched in the front-wheel drive hot hatch segment. Peak power output is 310 PS* at 6,500 rpm, and peak torque is 400 Nm* at 2,500 rpm – both higher than for any previous Honda Type R model.
Combining a turbocharger with Honda's VTEC and VTC provides benefits in output, efficiency and packaging. VTC allows a degree of valve timing overlap which is finely controlled across a broad rev range to improve responsiveness and efficiency. VTEC varies the degree of exhaust valve lift to reduce turbo lag through increased exhaust pressure at lower rpm while delivering a high output at higher rpm. As a result of the benefits these technologies bring, a mono scroll turbocharger can be used to produce a class-leading peak output, while maintaining response at lower engine speeds and a high-revving power delivery. To further improve responsiveness, the turbo-charging system has an electronic wastegate offering a higher degree of freedom in induction pressure control.
The new Civic Type R's performance is unmatched in the front-wheel drive hot hatch segment: the 0-to-62 mph sprint takes just 5.7 seconds and top speed is a class-leading 167 mph.
The Civic Type R is available in two specifications – standard and GT. The base price starts at £29,995, while GT adds £2300 to the cost and adds auto lights and wipers, dual zone climate control, driver assist safety systems and a more powerful stereo.


With the temperatures warming up, I had my office windows open and in addition to a refreshing breeze, I got the to enjoy the sounds of the season: birds chirping, lawnmowers running, pedestrians laughing, and construction vehicles back-up alarms.
It turns out that nothing says progress better than the sound of hammering nails and in case you haven't noticed there's a flurry of hammers around downtown right now.
In less than one-tenth of a mile walk from my office, here's some images of all that construction: 1. New Avant 220 (micro-apartment complex upstairs, Pizza Fire, sushi, and bubble tea on the ground floor); 2. Dan Smith Park stage; 3. Dan Smith Park new waterfall construction; 4. New Police Station (site work contractor mobilization); and 5. Flats 345 (apartment complex).
The Police Station should open by the end of 2017 but everything else should be cutting ribbons in 2016.