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Home NYC Teams New York Yankees
New York Yankees top plays: Nobody stops a Gardy Party
Allison Case
The New York Yankees and Mother Nature may have butted heads this week but in the games they did play, all was well in the Bronx.
The Houston Astros and the Baltimore Orioles didn't know what hit them this week. The tropical storm that is the New York Yankees rolled back into the Bronx to face the defending World Series champs and then traveled to Camden Yards to take on the O's.
With two games postponed due to severe weather in Baltimore, the Yankees finished the week with a 4-1 record while going 5-2 against the Astros for their season series.
With that, the Yankees end the week with a 37-17 record for the entire season and head out on yet another road trip to face off against the Detroit Tigers, Toronto Blue Jays and the New York Mets. With the weather already their worst enemy, who knows how many of these games they'll actually get in.
But weather aside, the Yankees found ways to win the games they did play and they did so in exciting fashion. Now let's take a look at what plays deserve some recognition this week.
6. The Judge has spoken
Every week, Aaron Judge gets some sort of recognition on this Lit 6. This week, it's for a monster shot in his favorite ballpark: Camden Yards.
Judge has typically rocked that park and his most recent stint there was no exception. He put on a home run show with his 438-foot shot to left.
You know it's a legitimate shot when the outfielders don't even bother to move, which is exactly what happened with his 16th home run of the season. 16 down and plenty more to go, we're ready to see Aaron Judge tear the cover off the ball again.
5. Pardon me, ladies
Giancarlo Stanton is such a gentleman. He saw that this woman was having her bachelorette party at Camden Yards and he wanted to make sure she left with a souvenir and a memorable time.
Stanton blasted a home run to right at Camden Yards that went right to the group of ladies celebrating, eliciting cheers and celebration from the entire group. His two-run shot was his 12th of the year and his first since May 19.
Stanton is now batting .248 on the season and has yet to fully break out in his MVP way.
4. Everything's Sonny in Baltimore
Sonny Gray has been looking to attack the zone and he did just that in his most impressive start of the season on June 1. So, maybe June is his month?
Gray gave up one run on four hits in six innings, striking out six in the process. He looked incredibly comfortable on the mound and his location was spot-on for the majority of the game.
Could this be the turnaround the Yankees are looking for? Could this be the point in which Gray swings to a reliable starter instead a cringe-worthy watch? Stay tuned, my friends.
3. Bird Bird Bird
If you counted, that marks three "birds" in the title. Greg Bird has just returned for the Yankees and he has already smacked his first career triple.
While this play was odd, seeing as how Adam Jones is such a dynamic center fielder and should've caught that fly ball, he didn't and Bird ended up on third.
So the slowest guy on the team hits a triple? Come on, boys, you've got to catch up to what this kid is doing. Glad to have you back and flying around the bases, Birdy.
2. Wait…what?
There have been plenty of ridiculous baseball plays that have people scratching their heads. However, this play might top them all.
I'll set the scene for you. Gary Sanchez was behind the plate with Aroldis Chapman on the mound in the top of the 10th inning. With Tony Kemp on second, Chapman unloaded a 100 MPH fastball all the way to the backstop.
This is when the fun started. The ball flew right back to Sanchez, who turned and fired a bullet to Miguel Andujar to snag Kemp from trying to head to third.
I mean, you won't see a play like this again in a million years. But this would be the Yankees team that would complete a magical play like that. It's just how they are.
1. Gardy Party x2!
We've been waiting for Brett Gardner to come to life and this week, he did so in a huge way. Gardner clubbed a solo home run to lead off Tuesday night's contest against the Houston Astros and followed that up with his second shot of the game to tie it in the bottom of the ninth.
While the first was a no-doubter, his second just snuck over the right field wall for a two-run home run to tie the game at five runs apiece.
The Yankees had no business being close in that game, as they committed five errors and struck out over a dozen times. However, Gardner wasn't going to let this game escape his clutches.
That game-tying shot was the first major display of emotion we've seen from Gardner this season and I wouldn't be surprised if there are a few more clutch Gardy Parties coming along in the next few months.
So, there you have it! The Yankees have had a pretty exciting week of ball and now they're taking this show on the road to face some new challengers. Stay tuned to the latest up-to-date news for the New York Yankees right here on Elite Sports NY.
NEXT: New York Yankees: Miguel Andujar's Hot Night Leads Bombers to Win in Baltimore
http://www.thatnyychick.wordpress.com
Allison is just a girl with an enormous passion for the game of baseball and the written word. Based in Upstate New York, her life-long relationship with the New York Yankees is something that she developed through close relationships with her mother and grandfather. An aspiring sports writer, she graduated with a journalism degree and is finding places to share her excitement about the sporting world and how it affects us all.
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A disability is defined as an impairment that may be physical, cognitive, mental, sensory, emotional, developmental, or some combination of these. It may be present from birth or occur during a person's lifetime, affecting a person's communication, mobility, self-direction, self-care, work skills, or work tolerance.
Ask yourself: Do I have a condition that may be considered a disability?
had special education or content mastery assistance in school?
had difficulty finding a job because of needing help to fill out an application?
had difficulty with any of the following at a previous job?
had physical difficulties that made it hard to tolerate a full work day?
had a vision impairment that made it difficult to navigate in the workplace?
had a hearing impairment that made it difficult to communicate and/or receive information from others?
These are only some common issues that individuals experience due to having disabilities; it is not a full listing of impairments. If you feel that any of the above statements may apply to you, feel free to contact us. We will be happy to provide you with additional assistance.


Gary Ronberg has been writing professionally for more than 35 years. A journalism graduate of Michigan State University, he's been a staff writer for Sports Illustrated, The Philadelphia Inquirer and St. Louis Post-Dispatch. He's the author five books and a contributor to a wide range of publications, websites and major corporations.
The modern dehydrator produces basically the same food with about 75 percent of its moisture removed. The only threat to deterioration is the remaining moisture. When dehydrating food, it is better to over-dry than under-dry. Once dehydrated, food must be packed inside airtight moisture-proof jars, bags or containers. It should be stored in a cool, dark area such as a pantry or cupboard. According to the Department of Nutrition, Dietetics and Food Science at Brigham Young University, rice, corn, wheat and grains that have been properly dehydrated, canned and stored will last 30 years or more. Dehydrated vegetables, fruits, and pastas have a shelf life of up to 30 years. Powdered milks or milk substitutes can last up to 20 years.
"Living foods are uncooked foods," says The Healing Journal, and "dehydrating food dates back to Biblical times when it was a necessity." Modern dehydrators produce a thin food material with its vitamins and minerals still present. Dried vegetables and sprouts, naturally low in "high-cholesterol" fats, are high in fiber. Almost no Vitamin C is lost in dehydration, and all Vitamin A--Beta Carotene--in plant foods is retained. Such minerals as selenium, potassium and magnesium are preserved. According to the website Life 123, quite a few supporters of the raw foods diet still use dehydrated foods as main food sources due to their rich concentration of nutrition and enzymes.
Do These 11 So-Called Superfoods Live Up to the Hype?


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Abe Keshishian, known professionally as Abe "Voco" Kesh (November 4, 1933 – July 3, 1989) was a San Francisco-based disc jockey and record producer. He is best-known for discovering the seminal hard rock band Blue Cheer, and for producing their first two albums, Vincebus Eruptum and Outsideinside. He also produced the band's 1968 Top 10 cover of Eddie Cochran's "Summertime Blues."

He worked as a DJ at the legendary KSAN San Francisco doing the overnight show.
He was born in Detroit, and died at the Marin Hotel in San Rafael, where he lived the final 14 years of his life.

Record production
Besides Blue Cheer, Kesh produced albums by Harvey Mandel, Graham Bond, Morning Glory, Linn County, The Savage Resurrection, Don Robertson, and others. Many of the artists he worked with originated or first achieved prominence in the San Francisco Bay area. He produced recordings for a number of labels, including Mercury, Philips, Fontana, Blue Thumb, Pulsar, and Janus.

Kesh produced Chuck Berry's Live at the Fillmore Auditorium after Berry's release from jail in 1967. Steve Miller was part of Berry's band, and recalled that during rehearsals, "All of a sudden, Mercury Records says, 'This is great. We want to make a live album.' And a deal was struck that afternoon the day we were going to do the show. They brought in this funky little board to record it on. All of a sudden, this guy Abe Kesh shows up, who was the producer for Mercury. We're rehearsing and all ready to go when he takes Chuck Berry outside for 10 minutes before the show. Chuck comes back in and he's almost unconscious, like he's in slow motion. They went out and had a shot or something. We did four sets and we recorded the album. It came out pretty good."

In 1972, he produced the compilation album Lights Out: San Francisco (Voco Presents the Soul of the Bay Area), spotlighting music from the San Francisco region. The album, released on the Blue Thumb label, featured tracks by John Lee Hooker, Tower of Power, Sylvester and the Hot Band, Dan Hicks & His Hot Licks, and other artists.

Radio broadcasting
Kesh was a radio personality on San Francisco rock station KSAN in the late 1960s, hosting a program titled "Lights Out San Francisco." He was the first rock DJ to air the gospel recording "Oh Happy Day" by the Edwin Hawkins Singers. According to a May 1969 article in Rolling Stone, the album had been released in limited quantities to the gospel market in 1967. In 1969, "John Lingel, rock promotion director at Chatton Distributors in Oakland, was going through some gospel product lying around when he stumbled onto the Hawkins LP [...]. He gave it to Abe 'Voco' Kesh at KSAN-FM, who, he says, 'immediately flipped,' and the rush of phone calls confirmed gospel-fan Lingel's hunch: 'Oh Happy Day' was hit material." Based on the reaction to Kesh's airing, Buddah Records signed the Edwin Hawkins Singers, gave them a $50,000 advance, and the single "Oh Happy Day" became an international hit.

References

1933 births
1989 deaths
Record producers from Michigan
American radio DJs

redpajama_set_name: RedPajamaWikipedia


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The importance of early brain development
Scientists worldwide have called for more research to examine if optimizing early brain development can reduce risk for mental illness
Interventions applied during times when the brain is rapidly developing may provide a unique opportunity to reduce risk for multiple mental disorders across the lifespan
Early interventions are among the smartest social policy investments
Explore the Strong Starts Research Program
John Krzeczkowski is an Assistant Professor in the Department of Health Sciences at Brock University, and the director of the Strong Starts Research Program. He earned his PhD as a Vanier Scholar at McMaster University and has conducted Postdoctoral training at The Centre for Addiction and Mental Health and at York University. His research investigates the foundations of emotional and cognitive development and examines how early interventions can optimize the developing brain. His research program bridges theory with application and spans numerous disciplines, including developmental psychology, social development, interpersonal interactions, neurodevelopment, and intervention science. He is rapidly establishing himself as an expert in the field with 21 publications and has earned close to 1.5 million dollars in funding from grants, awards, and scholarships throughout his career.
Learn more about Dr. Krzeczkowski
John Krzeczkowski, PhD (he/him)
The Strong Starts
John Krzeczkowski, PhD
jkrzeczkowski@brocku.ca

redpajama_set_name: RedPajamaCommonCrawl


Tom's talking 3-D gun parts, 3-D printing plans, and the legality and capability of both. First, CalGuns Foundation's Gene Hoffman discusses the printing plans online via Defense Distributed, and other sites including codeisfreespeech.com. Then, Washington Free Beacon's Stephen Gutowski delves into the media hysteria and the false information that's out there. Plus, subsonic rounds, and unfamiliar rifle brands.


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Horden Rail Station
By wpengine
Horden Rail Station2017-09-192020-01-06/wp-content/uploads/2019/04/logo.pngNorth East Local Enterprise Partnershiphttps://www.northeastlep.co.uk/wp-content/uploads/2017/07/coloured-icon-bg-transport.jpg200px200px
Building of new rail station at Horden in County Durham.
This scheme will provide a new rail station on the Durham Coast Line between Seaham Station (8.5km to the north) and Hartlepool Station (12km to the south). The station is to be served by the existing services along the Durham Coast line. The station will have two 100m platforms connected by a bridge. Each platform will have a shelter. The station will be served by more than 100 car parking spaces, a bus terminal and a taxi rank, there will also be enhanced access for cyclist and walkers . The station will improve access to employment sites in the Tees, Wear and Tyne conurbations and is anticipated to generate over 70,000 journeys a year and benefit from the introduction of larger capacity trains from 2019.
Pipeline - 2015
Pipeline stage
In progress - 2016
Start of feasibility and business case development
Project approved and in construction phase
Project expected to be live mid-2020
Transport and connectivity
Delivery Organisation
Durham County Council
Contact our team for details on this project
A1058 Coast Road
South Shields Transport Corridor


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A retreat with David Haas, "That You Might Have Life: Spiritual Practices for the Call to Holiness." David Haas is highly regarded as one of the most prolific composers in liturgical music today. His songs, including "You Are Mine," "Blest Are They," and "We Are Called," appear in the hymnals of many Christian Denominations.
Reserve in advance $30, $40 at the door (includes lunch). Scholarships available. For more information and tickets, contact Sara Hanson, at Our Lady of the Lake Catholic Church 206-523-6776 x119 or Laura Ash at St. Patrick Catholic Church.
There will also be a concert with David Haas on Friday, March 10 at 7:30 p.m. at St. Patrick Catholic Church. Suggested donation: $15/person; $30/family.
Both events are co-sponsored by St. Patrick and Our Lady of the Lake Catholic Churches.


Art students from Taylor High School, a member of the UNESCO Associated Schools Network (ASPnet), traveled to Paducah — a UNESCO Creative City of Crafts & Folk Art — for an immersive study tour March 20-22.
The UNESCO Associated Schools Network (ASPnet) consists of more than 11,500 ASPnet member schools in 182 countries that operate in support of international understanding, peace, intercultural dialogue, sustainable development and quality education.
Paducah was designated a Creative City in November 2013. The UNESCO Creative Cities Network is a forum for brainstorming the role of creativity as a driver and facilitator for sustainable development, and it recognizes that harnessing and cultivating creativity is essential to the prosperity of any city.
Marney Murphy, the district's media specialist; and Sue Diemer, an art teacher at Taylor High School, envisioned that the creative learning experience would expose students to cultural richness and creative industries.
Discovery of regional cultural attractions, including the National Quilt Museum, historic Paducah riverfront and "wall to wall" flood-wall murals.
After the trip, Diemer reflected on the experience.
"What an opportunity for the students who traveled to Paducah," she said. "We were immersed in three days of art-making, interacting with artists, hands-on collaboration with the local high schools' art department students and teachers, as well as conversation with community members and both ceramicists and musicians from other UNESCO cities."
April 3, 2019, 7:37 a.m.
April 3, 2019, 7:44 a.m.


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No Escape è un film del 2020 scritto e diretto da Will Wernick.

Il film è interpretato da Holland Roden, Keegan Allen, Pasha Lychnikoff, Denzel Whitaker e George Janko, e racconta la storia di una celebrità dei social media la cui avventura a sorpresa per il compleanno va fuori controllo.

Trama
Cole Turner vola a Mosca per celebrare i dieci anni del suo vlog di successo, #ESCAPEREALLIFE. Insieme a lui ci sono la sua ragazza Erin, il suo migliore amico Thomas e Dash e Sam. Una volta arrivati in Russia, Dash presenta al gruppo Alexei Koslov, personalità ricca e mondana, il quale promette di organizzare un'esperienza in un'escape room fuori dal comune.

La sera stessa si ritrovano tutti all'interno di una discoteca, insieme ad Alexei e la sua ragazza Viktoria. Però il gruppo ha un incontro con un paio di mafiosi, i quali minacciano delle ritorsioni, il tutto prima dell'intervento dei bodyguards di Alexei. Il giorno successivo Cole ed Erin prendono parte a un breve giro turistico, guidati dall'autista personale di Alexei, il quale dà dei soldi da spendere a Cole. All'interno delle banconote, Cole trova un pezzo di carta con su scritto un codice.

Alexei accompagna il gruppo di amici alla escape room. L'esperienza verrà trasmessa in diretta tramite il cellulare di Cole e le telecamere di sicurezza montate all'interno della struttura. L'escape room ricrea una prigione bolscevica, e Cole ha il compito di superare varie prove per poter liberare i suoi amici, i quali sono collegati a diversi strumenti di tortura, il tutto prima che il tempo scada. Nella prima stanza, Cole deve sezionare un cadavere e recuperare una chiave che è stata posta al suo interno. La seconda prova consiste nel risolvere un puzzle composto da ingranaggi al fine di liberare Dash da una ragazza di ferro e Thomas da una macchina per lo stretching. A questo punto, Cole, Dash e Thomas risolvono un labirinto di metallo per liberare Sam, la quale è seduta su una sedia elettrica. I quattro, successivamente, trovano Erin imprigionata in una vasca piena d'acqua. Thomas risolve il puzzle legato alla cella di Erina, ma i quattro non riescono ad aprire lo sportello del serbatoio della vasca. Erin inizia ad annegare, così che Cole e gli altri iniziano ad implorare Alexei di fermare il gioco, ma quest'ultimo non risponde. A questo punto Cole rompe il serbatoio e riesce a salvare Erin.

Una volta fuori, il gruppo scopre che Alexei è scomparso e le sue guardie sono state uccise. A quel punto i mafiosi che avevano incontrato in discoteca la sera precedente, sembrano giustiziare Viktoria davanti a tutti. A quel punto il gruppo di amici viene rapito. Essi si riprendono in un magazzino dove il boss dei mafiosi, Andrei, schernisce Cole, il tutto in livestream durante quella che sembra un'operazione di traffico di esseri umani. Nel frattempo, Cole assiste all'omicidio di Sam, alla quale viene tagliata la gola, e Dash viene torturato a morte. A quel punto, Cole utilizza il codice che aveva trovato nascosto nel denaro che gli era stato consegnato da Alexei, e riesce ad aprire una delle porte e a scappare. Cole incontra l'autista di Alexei, il quale gli conferma di aver cercato di aiutare Cole per tutto il tempo. A quel punto Cole si nasconde e i mafiosi prendono Igor.

Cole riesce a trovare Thomas e lo libera. Però uno degli scagnozzi affronta quest'ultimo e i due cadono nel pozzo di un ascensore, e sembrano morire entrambi. A quel punto Cole spia Alexei mentre dà ordini ai mafiosi, e quest'ultimo sembra giustiziare Igor per il suo tradimento. Cole trova Andrei che tortura Erin e gli spara, usando una pistola che aveva trovato in precedenza. Ma Andrei sembra non provare alcun dolore, e giustizia Erin davanti a Cole.

A questo punto Cole decide di affrontare Alexei. Egli cerca di spiegare a Cole che nulla era reale e che i suoi amici sono vivi e stanno bene, ma Cole, incapace di controllare la sua rabbia, picchia selvaggiamente Alexei uccidendolo. Solo successivamente il gruppo conferma l'elaborato scherzo, e nel mentre avevano organizzato una festa a sorpresa per celebrare Cole e il suo vlog.

Produzione
Il film riunisce molti dei membri del film del 2017, Escape Room, scritto e diretto in modo simile da Wernick. Originariamente intitolato Follow Me, il titolo è stato cambiato per il debutto negli Stati Uniti in No Escape. Il film è stato finanziato in modo indipendente e prodotto da Wernick, Sonia Lisette, Jeff e Kelly Delson.

Distribuzione
Il film è uscito il 17 luglio 2020 in Australia e in alcuni paesi asiatici a causa delle chiusure cinematografiche negli altri mercati. È stato distribuito nelle sale in tutto il mondo e per un video on demand limitato il 18 settembre 2020.

Da dicembre 2021, il film è disponibile sulla piattaforma di streaming Infinity.

Accoglienza
Secondo Rotten Tomatoes, il film ha un indice di gradimento del 20% sulla base di 10 recensioni, con una valutazione media di 3,88 / 10.

Note

Collegamenti esterni

Film horror
Film thriller


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We would like to welcome Chris Marshall, a physiotherapy student from AUT at our clinic this week. He is on a placement from the School of Physiotherapy learning from and observing our physiotherapists conduct treatment sessions. Chris is only observing and is not actively involved in the treatment process. We may ask some of you attending BodyFit this week your permission for Chris to be present during the treatment session. You absolutely can choose to say NO if you don't feel comfortable with it.
You might already know Chris as he used to work as a gym instructor at the Howick Community Gym. Thank you for your understanding!


text:
Pack Mentality Grips Hedge Funds
By Jenny Strasburg And Susan Pulliam
Hedge funds scooped up shares of credit-card companies like big spenders on a shopping spree, making Visa Inc. and MasterCard Inc. among the most popular hedge-fund trades.
The bets paid off for a while. But when bad news hit in May, many funds—including 10 hedge funds run by investors connected to the well-known Tiger Management LLC—rushed for the exits, together. Shares plunged.
Hedge funds are crowding into more of the same trades these days, amplifying market swings during crises and unnerving investors. Such trading has stoked market jitters in recent months and helped to diminish the impact of corporate fundamentals on stock-market movements. Droves of small investors have reacted by pulling money from the market, questioning its stability and whether fast-moving traders are distorting prices.
The pack behavior undermines the image of hedge-fund chiefs as savvy money managers who sniff out investment opportunities that others don't see—thereby justifying the hefty fees they charge clients. It also suggests that hedge funds are having a harder time coming up with money-making ideas in rocky markets.
During the bull market, hedge funds regularly generated strong returns as broad stock-market indexes marched higher. But since the start of 2009, the average performance of hedge funds has trailed the return of the Standard & Poor's 500 Index in six out of eight quarters, according to Hedge Fund Research Inc. For 2010, hedge funds were up 10.4% on average, compared with a 15% gain for the Standard & Poor's 500 stock index, including dividends reinvested, according to the hedge-fund research firm.


text:
Sea Bright Man Charged With Defrauding Storm Assistance Program
William Nagle of Sea Bright got a certificate of occupancy for his Center Street apartment on December 29th, yet continued to charge FEMA for 68 nights of hotel stays from January 14 through March 23, according to charges filed by the Monmouth County Prosecutor's Office.
Nagle was arrested and charged Wednesday with third degree Theft by Deception for defrauding FEMA of more than $12,000 in Transitional Aid Housing.
"Being a victim does not open the door to defraud the government in times of need. We can all pull together in times of crisis to help one another, but that combined effort to aid and assist comes with the understanding that no one will take advantage of the situation," Acting Prosecutor Christopher J Gramiccioni said.
Since its launch in February, the Superstorm Sandy Fraud Task Force has opened approximately 112 investigations into complaints of unregistered contractors, reconstruction and home repair fraud, and other consumer-related problems. Of those 112 cases opened by the Task Force, about 20 have involved criminal or potentially criminal matters with the remaining cases mostly being handled by investigators from the State and County Consumer Affairs offices. To date, 44 cases have been remediated or closed after investigation and review by the Task Force.
Monmouth County Superstorm Sandy Fraud Task Force was launched to address complaints arising from fraudulent reconstruction and home repair, charitable contribution or cyber-scams and other consumer-related issues.
Homeowners or citizens can report complaints via the following:
The Task Force webpage at www.SandyFraud.com or call the Task Force hotline at (855) SANDY 39.
Visit the Task Force Command Center, located in the Bayshore Activity Center at Bayshore Waterfront Park, 719 Port Monmouth Road, in the Port Monmouth, New Jersey. Command Center hours are Tuesdays from 9 a.m. to 12:30 p.m. and Thursdays from 2 p.m. to 4:30 p.m.
Nagle is now being housed at Golden's Palace in Freehold on $5000 bail with no 10% option.
Why are people sleeping in cars?
Displaced residents being evicted from temporary housing for weddings. Sleeping in cars for weekends
Sea Bright STEPs Back from FEMA Flop
Will Sandy recovery help or hurt Christie? | Di Ionno
Toms River Man Wanted For Sandy Fraud
Stronger than the storm?
Sea Bright Takes Hurricane Sandy as an Opportunity to Reinvent Itself
FEMA to review every Sandy flood insurance claim
Report: New flood maps to be released on Monday
Youth Detention Guard, his wife and one other busted in Workers Comp scheme
Posted: May 23rd, 2013 | Author: Art Gallagher | Filed under: FEMA, Hurricane Sandy, Monmouth County Correctional Institution, Monmouth County Prosecutor, Sea Bright, Superstorm Sandy | Tags: Christoper Gramicconi, FEMA, Monmouth County Prosecutor, Sea Bright, Transitional Housing Assistance, William Nagle | 6 Comments »
6 Comments on "Sea Bright Man Charged With Defrauding Storm Assistance Program"
Whaaaaaaaaaaambulance said at 12:04 pm on May 23rd, 2013:
Someone call out the Whaaaaaaaaaaaaaaaaaaambulance… Jim Sage is going to be mad that he isn't getting paid OT because one of his union buddies called out sick and someone had to babysit the bad guys. Then Sage will demand the job he didn't get or spread lies about Golden. At least Sage is over the BOE job he didn't get and his lies about Beck.
Ah, excuse me said at 12:37 pm on May 23rd, 2013:
Maybe I missed something, and as much as I despise Sage; can you tell me what this article has to do with Sage and what your need was to reference him?
Why the obsession with Jim Sage? said at 2:23 pm on May 23rd, 2013:
I guess there is
Someone is too obsessed with Sage said at 2:27 pm on May 23rd, 2013:
Sorry about the typo (above)…just typin his name made me scared—-
If he would just stop telling the truth about certain candidates, maybe I wouldn't be here all afraid my candidate may lose to Tea Party folks, because he did some bad things at the Sheriff's Department. Like FRAUD!!!!
It's Simple Folks... said at 2:57 pm on May 23rd, 2013:
No fraud, no mismanagement, no Golden, no problem!!!
Dan Peters for Sheriff!!
Sancho Panza said at 1:19 pm on May 24th, 2013:
Why is it a local prosecution? Under the Arizona SB 1030 precedent, local authorities can't enforce federal laws.


text:
Applicant Portal UR Webmail UR Centers UR Main Website Contact us
WHY STUDY AT UR?
Welcome from Deputy Vice Chancellor
The University of Rwanda
Our Alumni Association
BSc (Honours) Procurement, Logistics and Supply Chain Management
Applicants with Local Qualifications
Applicants with Foreign Qualifications
Applicants With Disability
Guidelines for candidates who completed high school in Rwanda Before 2011
SCHOLARSHIP INFO.
Residence on Campuses
University of Rwanda
The University of Rwanda welcomes students from all around the world to study a range of professional and other programs across the country.
Our six disciplinary Colleges offer as full a complement of academic programs as you will find anywhere else in the world, and we are adding new programs each year.
The six Colleges are:
Arts and Social Sciences (CASS)
Agriculture, Animal Sciences and Veterinary Medicine (CAVM)
Business and Economics (CBE)
Education (CE)
Medicine and Health Sciences (CMHS)
Science and Technology (CST)
As a leading research University we offer specialized and multi-disciplinary programs and embrace different teaching and learning modalities from face-to-face to distance learning.
Our vision is to educate the next generation of leaders prepared and dedicated to building a more just and sustainable world.
At UR you will join a community of people supporting the development of Rwanda by discovering and advancing knowledge, committed to the highest standards of academic excellence, as you prepared for lives of service, leadership and solutions.
This is being realized by:
Delivery of interdisciplinary, problem-based academic programmes aligned with Rwanda's development needs.
Integration of IT-based resources from around the world for widening access and improving quality of programs.
Ensuring students have leadership, entrepreneurial and management skills for success.
Preparing students for service to their communities and country through the application of knowledge.
Creating applied, evidence-driven, research centres focused on problem-solving.
Developing life-long and professional development programs beyond graduation.
UR is innovating its approaches to teaching, learning, research and connections with the community, and with the nation's vision for development, and it shall be recognized as an exemplary employer. UR is committed to student-centred learning, and its research themes are aligned to the global agenda of SDGs as well as the country's and the regional economic imperatives.
At UR we have a set of Core Values that underpin our work and that will guide your time as a student:
Freedom of inquiry
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If you believe in yourself and believe that 'UR' is the best then join us and make a difference!
DISTANCE LEARNING APPLICATIONS
Students E-Filing Platform(SEP)
Tweets by Uni_Rwanda
Copyright © 2017 University of Rwanda. All Rights Reserved.


text:
function Photosphere(image){
	this.image = image;
	//this.worker = new Worker("worker.js");
}

Photosphere.prototype.loadPhotosphere = function(holder){
	holder.innerHTML = "

";

	this.holder = holder;

	if(this.canUseCanvas()){
		self = this;
		this.loadEXIF(function(){
			self.cropImage();
		});
	} else{
		// this is the ugly scroll backup.
		// for silly people on a really old browser!
		holder.innerHTML = "

If you upgrade to a better browser this is 3D!

";
	}
};

Photosphere.prototype.canUseCanvas = function() {
	// return false; // debugging! i don't have a non-supporting browser :$
	// https://github.com/Modernizr/Modernizr/blob/master/feature-detects/canvas.js
	var elem = document.createElement('canvas');
 	return !!(elem.getContext && elem.getContext('2d'));
};

Photosphere.prototype.cropImage = function(){
	var img = new Image();
	var self = this;

	img.onload = function(){
		var canvas = document.createElement('canvas');
		canvas.width = self.exif['full_width'];
		canvas.height = self.exif['full_height'];

		if(this.maxSize != undefined){
			// Now check the size (too big and it'll fail)
			// http://snipplr.com/view/753/create-a-thumbnail-maintaining-aspect-ratio-using-gd/
			if(this.maxSize < canvas.width || this.maxSize < canvas.height){
				var wRatio = this.maxSize / canvas.width;
				var hRatio = this.maxSize / canvas.height;
				if( (wRatio*height) < this.maxSize){
					// Horizontal
					canvas.height = Math.ceil(wRatio * height);
					canvas.width = this.maxSize;
				} else{ // Vertical
					canvas.width = Math.ceil(hRatio * width);
					canvas.height = this.maxSize;
				}
			}
		}

		var context = canvas.getContext("2d");

		context.fillStyle = "#000";
		context.fillRect(0,0,canvas.width,canvas.height);
		context.drawImage(img,
			(self.exif['x'] / self.exif['full_width']) * canvas.width,
			(self.exif['y'] / self.exif['full_height']) * canvas.height,
			(self.exif['crop_width'] / self.exif['full_width']) * canvas.width,
			(self.exif['crop_height'] / self.exif['full_height']) * canvas.height
		);

		self.start3D( canvas.toDataURL("image/png") );
	}
	img.src = this.image;
};

Photosphere.prototype.canDoWebGL = function(){
	// Modified mini-Modernizr
	// https://github.com/Modernizr/Modernizr/blob/master/feature-detects/webgl-extensions.js
	var canvas, ctx, exts;

	try {
		canvas  = document.createElement('canvas');
		ctx     = canvas.getContext('webgl') || canvas.getContext('experimental-webgl');
		exts    = ctx.getSupportedExtensions();
	}
	catch (e) {
		return false;
	}

	if (ctx === undefined) {
		return false;
	}
	else {
		return true;
	}
};

Photosphere.prototype.start3D = function(image){
	if(window['THREE'] == undefined){ alert("Please make sure three.js is loaded"); }

	// Start Three.JS rendering
	this.target = new THREE.Vector3();
	this.lat = 0; this.lon = 90;
	this.onMouseDownMouseX = 0, this.onMouseDownMouseY = 0, this.isUserInteracting = false, this.onMouseDownLon = 0, this.onMouseDownLat = 0;

	this.camera = new THREE.PerspectiveCamera( 75, parseInt(this.holder.offsetWidth) / parseInt(this.holder.offsetHeight), 1, 1100 );
	this.scene = new THREE.Scene();
	mesh = new THREE.Mesh( new THREE.SphereGeometry( 200, 20, 40 ), this.loadTexture( image ) );
	mesh.scale.x = - 1;
	this.scene.add( mesh );

	// Check for WebGL
	console.log(this.canDoWebGL());
	if(this.canDoWebGL()){
		// This is for nice browsers + computers
		try{
			this.renderer = new THREE.WebGLRenderer();
			this.maxSize = this.renderer.context.getParameter(this.renderer.context.MAX_TEXTURE_SIZE);
		} catch(e){
			this.renderer = new THREE.CanvasRenderer();
		}
	} else{
		this.renderer = new THREE.CanvasRenderer();
	}

	this.renderer.setSize( parseInt(this.holder.offsetWidth), parseInt(this.holder.offsetHeight) );
	this.holder.innerHTML = "";
	this.holder.appendChild( this.renderer.domElement );

	self = this;
	this.holder.addEventListener( 'touchstart', function(event){ self.onDocumentTouchStart(event, self); }, false );
	this.holder.addEventListener( 'touchmove', function(event){ self.onDocumentTouchMove(event, self); }, false );
	this.holder.addEventListener( 'mousedown', function(event){self.onDocumentMouseDown(event, self); }, false );
	this.holder.addEventListener( 'mousewheel', function(event){self.onMouseWheel(event, self); }, false );

	document.addEventListener( 'mousemove', function(event){self.onDocumentMouseMove(event, self); }, false );
	document.addEventListener( 'mouseup', function(event){self.onDocumentMouseUp(event, self); }, false );

	this.resetTimer(this, 3000);
};

Photosphere.prototype.startMoving = function(){
	self = this;
	this.interval = setInterval(function(){
		self.lon = self.lon - 0.1;

		if( -3 < self.lat && self.lat < 3){}
		else if(self.lat > 10){ self.lat -= 0.1 }
		else if(self.lat > 0){ self.lat -= 0.04; }
		else if(self.lat < 0 && self.lat > 10) { self.lat += 0.1; }
		else if(self.lat < 0) { self.lat += 0.04;  }

		self.render();
	}, 10);
};

Photosphere.prototype.resetTimer = function(self, t){
	if(self.timer != undefined){ clearTimeout(self.timer); }
	if(self.interval != undefined){ clearInterval(self.interval); }

	self.timer = setTimeout(function(){
		self.startMoving();
	}, t);
};

Photosphere.prototype.onWindowResize = function(self) {

	self.camera.aspect = parseInt(self.holder.offsetWidth) / parseInt(self.holder.offsetHeight);
	self.camera.updateProjectionMatrix();

	self.renderer.setSize( parseInt(self.holder.offsetWidth), parseInt(self.holder.offsetHeight) );

	self.render();

}

Photosphere.prototype.onMouseWheel = function( event, self ) {

	proposed = self.camera.fov - event.wheelDeltaY * 0.05;
	if(proposed > 10 && proposed < 100){
		self.camera.fov = proposed;
		self.camera.updateProjectionMatrix();

		self.render();

		event.preventDefault();
	}

}

Photosphere.prototype.onDocumentMouseDown = function( event, self ) {

	event.preventDefault();

	self.isUserInteracting = true;

	self.onPointerDownPointerX = event.clientX;
	self.onPointerDownPointerY = event.clientY;

	self.onPointerDownLon = self.lon;
	self.onPointerDownLat = self.lat;
};

Photosphere.prototype.onDocumentMouseMove = function( event, self ) {

	if ( self.isUserInteracting ) {

		self.lon = ( self.onPointerDownPointerX - event.clientX ) * 0.1 + self.onPointerDownLon;
		self.lat = ( event.clientY - self.onPointerDownPointerY ) * 0.1 + self.onPointerDownLat;
		self.render();

		self.resetTimer(self, 9000);

	}

};

Photosphere.prototype.onDocumentTouchStart = function( event, self ) {

	if ( event.touches.length == 1 ) {

		event.preventDefault();

		self.onPointerDownPointerX = event.touches[ 0 ].pageX;
		self.onPointerDownPointerY = event.touches[ 0 ].pageY;

		self.onPointerDownLon = lon;
		self.onPointerDownLat = lat;

	}

}

Photosphere.prototype.onDocumentTouchMove = function( event, self ) {

	if ( event.touches.length == 1 ) {

		event.preventDefault();

		self.lon = ( self.onPointerDownPointerX - event.touches[0].pageX ) * 0.1 + self.onPointerDownLon;
		self.lat = ( event.touches[0].pageY - self.onPointerDownPointerY ) * 0.1 + self.onPointerDownLat;

		self.render();
		self.resetTimer(self, 9000);

	}

}

Photosphere.prototype.onDocumentMouseUp = function( event, self ) {

	self.isUserInteracting = false;
	self.render();

};

Photosphere.prototype.loadTexture = function( path ) {
	var texture = new THREE.Texture(  );
	var material = new THREE.MeshBasicMaterial( { map: texture, overdraw: true } );

	var image = new Image();
	self = this;
	image.onload = function () {

		texture.needsUpdate = true;
		material.map.image = this;

		setTimeout(function(){ self.render(); }, 100);
	};
	image.src = path;

	return material;
}

Photosphere.prototype.render = function(){
	this.lat = Math.max( - 85, Math.min( 85, this.lat ) );
	phi = ( 90 - this.lat ) * Math.PI / 180;
	theta = this.lon * Math.PI / 180;

	this.target.x = 500 * Math.sin( phi ) * Math.cos( theta );
	this.target.y = 500 * Math.cos( phi );
	this.target.z = 500 * Math.sin( phi ) * Math.sin( theta );

	this.camera.lookAt( this.target );

	this.renderer.render( this.scene, this.camera );
};

Photosphere.prototype.loadBinary = function(callback){
	if(this.binary_data != undefined){ callback(this.binary_data); return; }
	var oHTTP = null;
	if (window.ActiveXObject) {
		oHTTP = new ActiveXObject("Microsoft.XMLHTTP");
	} else if (window.XMLHttpRequest) {
		oHTTP = new XMLHttpRequest();
	}

	if (typeof(oHTTP.onload) != "undefined") {
		oHTTP.onload = function() {
			if (oHTTP.status == "200") {
				callback(oHTTP.responseText);
			} else {
				// Error?
			}
			oHTTP = null;
		};
	} else {
		oHTTP.onreadystatechange = function() {
			if (oHTTP.readyState == 4) {
				if (oHTTP.status == "200") {
					callback(oHTTP.responseText);
				} else {
					// Error?
				}
				oHTTP = null;
			}
		};
	}
	oHTTP.open("GET", this.image, true);
	oHTTP.send(null);
};

Photosphere.prototype.setEXIF = function(data){
	this.exif = data;
	return this;
};

Photosphere.prototype.loadEXIF = function(callback){
	if(this.exif != undefined){ callback(); return; }
	self = this;
	this.loadBinary(function(data){
		xmpEnd = "</x:xmpmeta>";
		xmpp = data.substring(data.indexOf("<x:xmpmeta"), data.indexOf(xmpEnd) + xmpEnd.length);

		getAttr = function(attr){
			x = xmpp.indexOf(attr+'="') + attr.length + 2;
			return xmpp.substring( x, xmpp.indexOf('"', x) );
		};

		self.exif = {
			"full_width" : getAttr("GPano:FullPanoWidthPixels"),
			"full_height" : getAttr("GPano:FullPanoHeightPixels"),
			"crop_width" : getAttr("GPano:CroppedAreaImageWidthPixels"),
			"crop_height" : getAttr("GPano:CroppedAreaImageHeightPixels"),
			"x" : getAttr("GPano:CroppedAreaLeftPixels"),
			"y" : getAttr("GPano:CroppedAreaTopPixels")
		}
		console.log(self.exif);
		callback();
	});
};

redpajama_set_name: RedPajamaGithub


text:
The North Carolina Zoo, located in Asheboro, NC, is one of only two state-owned and -operated zoos in the country. With 1,400 acres, it is also one of the largest in land area. The zoo, with its "natural habitat" philosophy, replicates the natural environments of the animals that live there. Forty-acre exhibits house the animals and ecosystems that support them. Designers, architects, artists, horticulturists, and an in-house design team all help with the plans for each exhibit.
Zoogeographic zones represent each of the seven continental regions. In the 1970s, the African continent was constructed; the zoo is now in the process of renovating that exhibit. In the 1980s, the North American continent was constructed, and 1,200 animals were added to the zoo's collection.
The animals in the North Carolina Zoo's collection come from other zoos, and are no longer captured in the wild. The zoo actively participates in the Species Survival Plan, a program that breeds and manages captive endangered species. Species such as the red wolf have been brought back from near extinction, and are currently being reintroduced into the wild. Captive breeding allows the zoo to access, via computer, the medical records and breeding histories of many zoos in the country.
Cameroon, West Africa, is a site that North Carolina Zoo supports for its work with wild elephants. Because elephants can cause a great deal of damage to agriculturally supported villages, humans threaten the populations of the animals in West Africa. The Elephant in Ecology Project, conducted through the World Wildlife Fund, educates villages, protects the elephants, and reduces the damage done during migration.
The management program tracks herds of elephants for a five-year period. These animals can migrate up to 2,000 miles in one year in their search for food and water sources. For tracking, the elephants are anesthetized and an intertracheal tube is inserted to help them breathe. Researchers collect information on each elephant and attach a collar. The matriarch of the herd is fitted with a collar containing a radio transmitter, which conveys information about the herd's location to French space agency satellites.
3.L.5 The student will demonstrate an understanding of how the characteristics and changes in environments and habitats affect the diversity of organisms.
3.L.5A The characteristics of an environment (including physical characteristics, temperature, availability of resources, or the kinds and numbers of organisms present) influence the diversity of organisms that live there. Organisms can survive only in...
3.L.5A.1 Analyze and interpret data about the characteristics of environments (including salt and fresh water, deserts, grasslands, forests, rain forests, and polar lands) to describe how the environment supports a variety of organisms.
3.L.5B When the environment or habitat changes, some plants and animals survive and reproduce, some move to new locations, and some die. Fossils can be used to infer characteristics of environments from long ago.
3.L.5B.1 Obtain and communicate information to explain how changes in habitats (such as those that occur naturally or those caused by organisms) can be beneficial or harmful to the organisms that live there.
3.L.5B.2 Develop and use models to explain how changes in a habitat cause plants and animals to respond in different ways (such as hibernating, migrating, responding to light, death, or extinction).
6.L.4B.1 Analyze and interpret data related to the diversity of animals to support claims that all animals (vertebrates and invertebrates) share common characteristics.
7.1 Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary Africa.
7.1.6.AG Gather evidence and construct a map or model to investigate a significant contemporary cultural, economic, or political issue facing Africa at the local, regional, or global scale.


Through National Student Exchange, you can study at another school in the U.S. or Canada for a semester, summer or year. Learn more at an Info Session, where you'll get an overview and application materials.
If you don't see a date listed below, check back later.


text:
Q: Search token color I am using bootstrap search field+tokeninput.
I am trying to get tokens of different colors, and to add the id to each token.
I am using this bootstrap search field:
<input type="text" id="exampleInlineTags" class="token-field" name="search" value="red, green" placeholder="enter text" />

and boostrap tokeninput See the source for bootstrap-tokenfield
, everything is working fine, now I need to set predefined colors on token input, just like this: Example of what I am trying to achieve
EDIT : Corrected the grammar of the question as OP mentioned having a bad level of English

A: If you need a specific id and color assigned based on the value of the token then you could listen for the tokenfield:createtoken event.
However if you need to just cycle colors for the tokens I suggest you use the CSS to achieve your goal. For cycling a pattern of 10 colors you could write:
.token:nth-of-type(10n+1){ ... }

.token:nth-of-type(10n+2){ ... }

...

.token:nth-of-type(10n+10){ ... }

redpajama_set_name: RedPajamaStackExchange


text:
Capitola Mall owners give update on plans for…
Capitola Mall owners give update on plans for building's future
Project is at least five years from completion
Merlone Geier Partners plans to transform the Capitola Mall into a space that is more walkable, with outdoor seating and gathering spaces, with the potential for housing and a move theater. (Shmuel Thaler — Santa Cruz Sentinel: from file)
By Elaine Ingalls | eingalls@santacruzsentinel.com | Santa Cruz Sentinel
PUBLISHED: May 13, 2019 at 4:27 pm | UPDATED: May 15, 2019 at 4:18 pm
CAPITOLA – Mentions of housing, a cinema, local restaurants and live entertainment are in the air for Capitola Mall, but it isn't clear what the transformation will look like.
Stephen Logan, vice president of development of Merlone Geier Partners, the private real investment company that bought a portion of the Capitola mall in April 2016, presented an update on plans for the mall Thursday night at a Capitola City Council meeting. Merlone Geier also presented to the Capitola Planning Commission on May 2.
"Retail's not dead, retail's just changing," he said at the city council meeting.
Merlone Geier acquired the Sears property in December 2018. The company now owns 35.5 acres of the mall. Target, Macy's, Olive Garden, Citibank, Ross and Bank of America are some properties that are independently owned in the mall proper, or the area surrounded by Capitola Road, 41st Avenue and Clares Street.
The city of Capitola and Merlone Geier still have things to sort out, such as a new name for the area and how to work with Santa Cruz Metro on keeping or changing the bus stop at the mall.
After a community meeting in June, Logan said Merlone Geier plans to take the community feedback, modify its plans and submit an application in the third quarter of 2019 to start the 18-24 months-long Environmental Impact Report process, then six months to obtain building permits and 24-30 months to build. He said it won't be an enclosed mall anymore, but there will be more opportunities for walking, outdoor seating or gathering areas and live entertainment. Housing, a fitness center, and a luxury movie theater are also on the table for development plans. These ideas came from feedback from a community meeting in January 2018 and a community survey that ran from April to October in 2018.
Merlone Geier Partners acquired Sears at the Capitola Mall in December. (Dan Coyro — Santa Cruz Sentinel: from file)
Katie Herlihy, community development director for the city of Capitola, presented land use and economic development goals and policies from Capitola's 2014 General Plan at the meeting, highlighting those specific to the Capitola Mall. A goal in the general plan reads "support the long-term transformation of Capitola Mall into a more pedestrian-friendly commercial district with high quality architecture and outdoor amenities attractive to shoppers and families." This goal includes policies on redeveloping the mall in phases, redeveloping the parking lot, relocating the Santa Cruz METRO center and establishing public gathering places.
The city hopes that restructuring the mall will also encourage high quality development along the 41st Avenue corridor and make it more inviting to the public, and "provide businesses and jobs that create a healthy and stable local economy," both goals in the general plan.
Herlihy said Logan's presentation showed public feedback that seemed to line up with the general plan, to have a mixed-use area with an active public realm for people to gather, slow down and have a unique shopping experience.
City Councilman Ed Bottorff said he would like to see places of interest like a yoga studio and interesting food choices, and walkability and housing located on site would be key.
"I hope the new retail is very diversified and if a hotel could be incorporated into the project that would greatly benefit the appeal and support of the merchants in that area," Bottorff said in a prepared statement. "It's very early in the project, but we will work constantly with the developers and the public to insure a great outcome."
UCSC women's basketball team stuns Chico State | Local Roundup
Santa Cruz unable to complete comeback against OKC | G League basketball
Santa Cruz's Greta Gustafson repeats as Ladies Coast Classic champ | Girls wrestling
Santa Cruz's Rashonda Rhodes buries free throws, rival Soquel in SCCAL thriller | Girls basketball
Merlone Geier will return to Capitola for its public outreach event at 6 p.m. June 11 at the Sears building, 1855 41st Ave.
Kidnapped 1-year-old girl is safely surrendered to grandmother, father is in custody
Focal Point | Salem in Santa Cruz
Elaine Ingalls
Elaine Ingalls covers Santa Cruz business, housing, transportation, technology and healthcare. Elaine grew up on the east coast and graduated from Assumption College in Massachusetts with a BA in English: Writing and Mass Communications. Elaine started working as a journalist in 2019.
Follow Elaine Ingalls	@elaine_ingalls


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The 1980 murder of Scarsdale diet doctor, Herman Tarnower, shocks the nation. His lover and headmistress of a prestigious girls' school is arrested and convicted in a sensational trial in the suburbs of New York City. Jean Harris claims the shooting was accidental when the doctor struggled for her handgun to prevent her attempt at suicide. This true story of wealth, fame and jealousy garners sympathy for Harris as a long-time girlfriend rejected by Tarnower and replaced with a younger woman.


I'm home! Did you miss me? LA & San Francisco were amazing! Loved everything about it, particularly the fact that it was nice cool jacket weather in June, unheard of in Miami. Anyways wanted to get started right away, although I have many emails to go through. It might take me awhile to get fully caught up. Here's one that I was about to post before my trip, but I ran out of time.
Goldroom is the solo side project of Josh one of the dudes from Binary's Nightwaves. With his side project he continues with a similar nu-disco tradition that we all know and love, but with a little added carribean flair on "Morgan's Bay" perfect for summer. He has three tracks up on soundcloud with "Morgan's Bay" being offered as a free download. Check that out below, you can sample the other two on his soundcloud I linked above. He's gonna be busy remixing Penguin Prison as well. Can't wait for that, in the meantime enjoy this goodie.


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«Золотой венец границы» — премия, учреждённая в 1995 году Федеральной пограничной службой Российской Федерации. Присуждается в области литературы и искусства. Вручается в День пограничника.

Условия присуждения премии

Цель премии — активизация работы по созданию в литературе и искусстве высокохудожественного образа военнослужащего — защитника государственной границы, стимулирования творческого труда писателей и деятелей искусства России.

Премия присуждается авторам за создание значительных художественных произведений разных жанров литературы и искусства, опубликованных в периодической печати или вышедших отдельными изданиями, выпущенных аудио и видеокассетами, поставленных на сцене, переданных по радио и телевидению, правдиво и талантливо отображающих жизнь, духовный мир и высокую нравственность пограничников.

Присуждается ежегодно в номинациях : «Актёрская работа», «Изобразительное искусство», «Кино», «Культурно-шефская работа», «Музейная работа», «Музыка», «Телевидение и радио», «Художественная литература».

Денежный эквивалент премии — 100 установленных законом минимальных размеров оплаты труда.

Положение о премии
5. Решения о представлении произведений на премию из присланных на конкурс принимают жюри по каждой номинации, создаваемые при Культурном центре. Руководители жюри по номинациям входят в состав Комиссии.

6. В случае выдвижения кого-либо из членов Комиссии в качестве кандидата на соискание премии, его членство в этой Комиссии приостанавливается.

8. Органом, полномочным присуждать премию, является Коллегия Федеральной пограничной службы Российской Федерации, которая рассматривает представления Комиссии.

9. Вручение премии производится директором Федеральной пограничной службы Российской Федерации или по его поручению одним из членов Коллегии.

10. Лауреатам вручаются нагрудные знаки, дипломы лауреатов установленных образцов, а также денежное вознаграждение.

11. Лауреатам премии за литературные произведения предоставляется право на внеочередное издание или переиздание отмеченных премиями произведений в Книжно-журнальном издательстве «Граница».

Имена всех лауреатов премии заносятся в почётную книгу федеральной пограничной службы России.

Лауреаты премии

 1997 — Белянкин, Евгений Осипович — за роман «Оборона Севастополя»
 2001 — Олег Грознецкий, специальный корреспондент ОРТ — за серию репортажей о жизни и работе пограничников Северного Кавказа и Таджикистана
 2002 — Старыгин, Игорь Владимирович — в номинации «Актёрская работа» (за фильм «Государственная граница»)
 2002 — Анатолий Марченко, член Союза Писателей России — за произведения о людях границы, романы «Звездочеты», «Возвращение», повести «Дозорной тропой», «Дальняя гроза», «Школьная фотография»
 2002 — Григорий Бибик, фотокорреспондент журнала «Пограничник» — за многолетнюю творческую деятельность по созданию фотолетописи пограничных войск
 2002 — Николай Овсянников, заслуженный работник культуры РФ, академик Академии российской словесности — в номинации «Культурно-шефская работа»
 2002 — Алексей Вахрушев, режиссёр киностудии «М-ФИЛЬМ», член Союза кинематографистов России — за документальный фильм «Остров» о пограничной заставе на острове Ратманова
 2002 — Андрей Ковальчук, заслуженный художник России — за создание памятника адмиралу Ф. Ф. Ушакову и Герою Советского Союза генералу армии В. А. Матросову
 2002 — Леонид Кафнер, корреспондент РЕН-ТВ — за серию телерепортажей
 2002 — творческая группа Нижегородской государственной телерадиокомпании (генеральный директор директор НГТРК Михаил Грошев и специальный корреспондент Михаил Ткачёв) — за цикл документальных телепрограмм «Границы Отечества»
 2003 — Александр Панкратов-Чёрный
 2003 — Михаил Пуговкин
 2003 — Вячеслав Тарасов, мэр Челябинска — в номинации «Культурно-шефская работа»

Примечания

Ссылки
 Об учреждении ежегодной литературной премии «Золотой веней границы» ФПС России , innovbusiness.ru
 Премия «Золотой венец границы», rsl.ru

Появились в 1995 году в России
Награды по алфавиту


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How to prevent your Facebook account from being stolen: basic tips
Posted in: Applications for FacebookLast update: 28/09/20
"Hello Easypromos, I know how to win all your Facebook voting contests. What will you give me if I tell you how?" This was a genuine email message received by our customer service team. It was sent by a Facebook user from Portugal who gave a false name and email address. Thanks to his email we were able to uncover a case of stolen Facebook accounts and learn more about the technique of Facebook phishing. Below, we share the story of this discovery and provide three tips for ensuring it never happens to you.
"Hello Easypromos. I know how to win all your Facebook voting contests. What will you give me if I tell you how?" The user signed his email with a false name which didn't correspond to any user who'd registered with Easypromos or participated in a contest. My colleagues in the technical development department took this email as a challenge and began investigating the case.
The first thing they did was to analyze the email – in particular the headers, which included information regarding the IP address the message was sent from. This IP address was contrasted with the IP addresses of all users who'd participated in contests via the Easypromos platform. One participant was located: he was from Portugal and he'd won a photo contest by obtaining the most votes for his entry.
In order to participate in that photo contest all participants had had to register using their Facebook account. This made it possible for us to locate and analyze the public profile of this Facebook user. The profile was limited, owing to the user's privacy settings. However, some shared posts, mostly about surfing, were visible on the user's Timeline. Interestingly, the majority had been shared from a single website.
In order to streamline registration, participants were given the option of connecting their Facebook account via the standard Facebook login system, used for registration by many websites
My colleagues then turned the focus of their investigation to the website. First they analyzed unrestricted public information, such as the website's domain name. The technical and administrative contact details of the domain name coincided with the name of the user in Facebook: the user was also the owner of the website.
It appeared to be website about surfing, containing travel tips, users' experiences, opinions regarding equipment, and so on. It also included a forum, in which users asked and answered questions. In order to participate in the forum users had to register, and they were given the opportunity to do so using their Facebook account via the standard Facebook Login system commonly used by many websites with registration. Users who registered using their Facebook account were identified with their Facebook name and profile photo.
Our breakthrough came when my colleagues took one of the Facebook profiles listed in the forum and compared it with the list of users who voted for the winning entry in the photo contest. We found him: the forum member had indeed been one of the voters. We picked another forum member and made the same comparison. One more, we discovered that the user had voted for the winning photo. We found the same pattern again and again. In fact, almost 100% of forum members had seemingly voted for the photo contest winner.
Of course, it was possible that the user had merely used the forum, or sent its members a newsletter, to request that they vote for his photo. But then why did he write to us to say he'd found a way of winning all our contests? Using a forum to ask members for votes might work from time to time, but it wouldn't be possible to this for every contest. Forum members would soon get fed up of being used in such a way. We decided to analyze the public profiles of those who'd voted in the contest. We found that their profiles did not fit with the profiles of users who normally participate in our contests, and, furthermore, looking through their Timelines we couldn't find any instance of the winning photo being shared by these users.
We wrote to 20 users. 12 responded: none had ever voted for this participant.
The next step was to get in touch with these users to ask them directly via private Facebook messaging whether or not they'd really voted for the winning photo. We identified ourselves using our personal Facebook profiles, making it clear that we formed part of the Easypromos team, and asked them directly whether or not they'd voted for the photo. We wrote to 20 users. 12 responded, all saying that they'd never voted for the winning participant.
Our suspicions had been confirmed: this individual had used the profiles of members of his forum to vote for his own entry. He was using their email addresses and passwords to log into their Facebook accounts and cast a vote in their names. How did he get their passwords? Well, many of them registered for his forum with the same password they used to access their Facebook accounts.
We investigated further and discovered online tutorials, videos and documents giving ideas and techniques for stealing users' access data. In addition to the method that we've outlined above, another common technique is Facebook Phishing. This involves displaying a false login page which seems identical to the authentic Facebook login page. The victims, believing they're connected to Facebook, enter their email addresses and passwords in an attempt to log into their accounts. However, in reality users are supplying their login details to the phisher behind the false webpage.
Our four tips
How can you avoid having your Facebook access details stolen? Here are four tips:
1. Change your Facebook password frequently
It's a good idea to change your Facebook password every 90 days for security reasons.
2. If you use your Facebook account to register for a website – which then asks you to provide an additional password – don't use the same password as you use for Facebook
Facebook enables websites to give users the chance to sign up and log in quickly and securely, so that an additional password is not normally required. However, some websites might also request an extra password to complete the registration process. If this happens to you, make sure the additional password is not the same as your Facebook password.
3. Always verify the URL and SSL certificate when connecting to Facebook
Facebook phishing is when users are deceived into trusting a fake version of the Facebook Login Page. This situation may arise when a user accesses the Facebook Login Page from an external link. When accessing Facebook from an external link we suggest you carry out the following checks to ensure you're not the victim of a phishing attack:
Verify that the URL is a domain name and not an IP address. E.g. http://123.214.56.72
Check that the domain name is Facebook: facebook.com and not a subtly altered version, such as www.faceebook.com or www.faceboook.com
Verify that the access protocol is HTTPS: https://www.facebook.com. If in doubt, click on the padlock for a certificate of validity
4. Verify the validity of the application which is requesting additional permissions to access your Facebook account
Many websites and applications offer users the chance to connect via their Facebook Page, thus streamlining the signup process and taking advantage of additional features provided by Facebook, such as sharing, displaying friends, etc. In order to carry out these actions the user will need to authorize Facebook permissions. This is another situation in which users might find themselves subject to an attack. To prevent this from happening, make sure that:
The permissions pop-up is from an official Facebook URL.
The permissions pop-up opens with HTTPS protocol. Verify the security certificate if you're in doubt.
The application contains a link to the privacy policy and conditions of use.
Finally, we recommend you read the following article, in which Facebook provides a complete list of tips for protecting your Facebook account from unauthorized access and theft.


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Home › Movies › Indie Movie Watch: 'Locke'
Indie Movie Watch: 'Locke'
By Blake Baxter on June 9, 2014 • ( 0 )
It was a dreary and rainy night when I went to go see Steven Knight's Locke in a somewhat dingy theater. About halfway through the film, a few drops of rain began leaking through the ceiling, adding a sense of dread and inevitability to a movie that was already filled to the brim with it.
When you watch the trailer of the movie Locke, you think that you're settling in for a can't-breathe, on-the-edge-of-your-seat thriller. It is, but not at all in the traditional sense. While it's technically a "car movie", it's nowhere close to the Fast and the Furious way.It's a psychological thriller, but not one with any violence or unexpected twists and turns. Actually, it's one long, straight road to a predetermined destination. It's a slow burn in the way that a two-hour car drive can be when you're in a hurry. And yet, against the odds, it manages to be utterly fascinating and unbelievably captivating.
In Locke, Tom Hardy stars as a man (Ivan Locke) on the ride of his life – or, rather, the worst ride of it. At the beginning of the film, Ivan Locke seems to be a successful, respectable and wealthy man, in all respects. In his professional life, he's an essential construction manager on the eve of the largest concrete pour in the history of Europe. In his personal life, he's a loving family man, adored by his wife and football-loving (Americans, read: soccer-loving) kids, all of whom are expecting him home this evening. He's a man who has his shit together, a man who more or less has it all. And it's everything that he has that gives the film its stakes, because what he has is what he stands to lose over the course of one fateful drive that takes up the length of the movie.
Yes, Tom Hardy's Locke has it all, but at the beginning of the film, he gets into his car, comes to a crossroads and drives away from it, without ever looking back. Every facet of his life, his home, his family, his work – it's all in Birmingham. Locke, however, is driving to London, where a woman who is not his wife is prematurely going into labor with a child that is his. For Locke, it couldn't be happening at a worse time. But he feels a moral obligation to be there for this woman whom he hardly knows, for this child that was certainly never planned. Once he comes to that crossroads, Ivan Locke is a man who has made his decision, and he's sticking with it until the bitter end – consequences be damned.
Although Locke stands to lose so much of what he currently possesses, he's more focused on what's at risk for his unborn child, the worst of which, to Locke, is the reality of being "a bastard". By archaic definition, that's exactly what this child will be, but Locke is determined to prevent the natural effects that come along with being born out of wedlock. The concept of a "bastard" is a central motif to the film. Locke has a Game of Thrones-like distaste for bastards. We eventually learn, through Shakespeare-esque soliloquies directed to his rearview mirror, that Ivan Locke, like Jon Snow, is a bastard himself. When he's not on the phone, trying to manage his messy personal and business affairs or staring helplessly at the traffic and road ahead of him, Locke is raging against the ghost of his absent father. He screams, he taunts, he pontificates, he smirks and he rages more. He makes the case that he'll be a better father by being a presence in the child's life. He explains the philosophy behind his decision making through clunky metaphors involving concrete pouring. It's one of the only forms of catharsis he has, and he becomes increasingly reliant on it throughout the drive, just as he becomes increasingly reliant on the cough syrup he periodically guzzles along the way.
The film is obsessed with the idea of the intentions and actions and decisions that define a person. As opposed to the generally accepted idea that a person is defined by the sum of these things, Locke asks what if people are really defined by just one? Can a person be defined by the uncontrollable circumstances of their birth? Should they be defined by one mistake? Or, rather, should the person be defined by how they handle that mistake? Do intentions play any part in the equation at all? At different times, Locke addresses nearly every angle to these thought-provoking questions.
As intriguing as the premise sounds and as enticing as the themes may seem, the movie wouldn't work without two things: the impressive direction of Steven Knight and the masterful performance of Tom Hardy. Tom Hardy is the only actor onscreen in the whole movie. Stuck behind the wheel of the car the entire time, there's very little for Hardy to do, which is both the point and what makes his performance so remarkable. Somehow Hardy manages to do to so much with so little. Though, physically, he can do nothing but sit, Hardy's Locke manages to play a multitude of roles while chatting on the phone. One minute, he's the all-business deal breaker; the next, an attentive father, assuring his son he'll be home in the morning. After his son goes back to the game, and his colleague does his bidding, he's playing the role of insubordinate employee, getting chewed out by his boss, who's listed, not by accident, in his phone directory as "Bastard". But that's not all, he also has to be the firm but determined bearer of bad news to his wife ("I need you to hold it together for me." "I'll fix it. It will all go back to normal."), as well as the bright voice of optimism: It will be okay, he's always telling his one time lover. As the film shows, it's a lot for one man to handle, even for as talented of a fixer as Ivan Locke, but as an actor, Hardy seems to effortlessly shift gears.
Although Hardy is probably onscreen 90% of the time, the camera never stays at one angle for very long. It mixes extreme close-ups with medium shots, looks at Locke from his side mirrors, and then from his rearview mirror. The headlights and the streetlights reflect on his windshield, his windows and the shine of his car itself. They grow blurrier as he drives. He might simply be driving in one direction, on a perfectly realistic straight-shot of a drive, but the effects of Knight's direction are so dizzying and disorienting that it all begins to feel surreal. Occasionally, the camera switches to a first-person view; we see what Locke sees. It becomes increasingly difficult to see anything at all.
As Locke's drive goes on and his life spirals out of control, the viewer becomes more and more paranoid. Something bad is going to happen, you think, like a car crash. He's not going to make it. Time, ever so gradually, is running out. Drip. Drip. Drip. In the moment, it's terrifying to think that if he doesn't make it in time, it will all go to hell. But perhaps it's more unsettling to consider what it might mean if, for one reason, one decision, one circumstance or another, it already has.
Blake Baxter is a native of Illinois and a 2013 graduate of Eureka College. He currently writes about sports and culture for Yahoo Sports and Yahoo Voices, and previously covered the Carolina Panthers for Football.com during the 2013 season, as well as college basketball for ESPN Louisville during the 2012-13 season. He has also written about sports, pop culture and politics for The College Fix, The Wine and Cheese Crowd and an assortment of newspapers. Blake works in the communication and marketing field for Technical Solutions & Services, but aspires to write full-time in the near future.
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Tom Arscott wishes to release the following statement via The RPA: "Following the conclusion of the RFU's investigation into the complaint made against me by Sale Sharks, I wish to state that although I am disappointed with the outcome, I would now like to draw a line under this episode. This has been an extremely difficult period for me, my family and friends and I would like to thank all those who have supported me. I look forward to resuming my playing career as soon as possible. I will not be making any further statement on the matter."