Well the truth is we have so many choices now when it comes to learning don't we? There are the traditional courses, the one day skills training options and now of course the MOOCs. There's also the decision about whether to study further in the discipline you've already started or move over into another one. Then there's which provider, method of study……..I could go on & on. You know what though? When you actually find the right course you just know it's the one. If you're umming & ahhing without being able to make a decision that course just isn't speaking to you.
I've finally found the one for me, after much kissing of frogs (figuratively speaking) I found Google's Squared Online. I mean if you're studying digital marketing who better to learn from then Google? For me online learning, though it requires a much higher level of dedication from me as a student, pays dividends in terms of convenience and also in the diversity of the students you study with. When I studied my degree online I was studying with people from all over the world and that can bring other ways of thinking into the equation, never a bad thing.
I do wonder though, in the midst of what has been almost a revolution in terms of adult education in the last decade or so, why we can't bring this revolution to bear in our schools? While there's been some changes in terms of lessons and how they're taught, some good, some not so good, the basic tenet of a child attending school in a building for a set number of hours in a very rigid framework really hasn't changed for generations. There's a great TED talk by a gentleman called Ken Robinson called How Schools Kill Creativity which will really get you thinking.
I saw a quote once, which unfortunately I now cannot find, which said something along the lines of "Education is the one thing someone gives you which no-one can take away" and I love that thought. Education is invaluable, it literally has the power to change us for the better but it should be great fun too. I visited a new University Technical College near me recently where the pupils attend for longer hours each day & more weeks in a year than in the normal state education system & yet they're oversubscribed because they make learning fun & practical. I hope we can see more developments like this in other subjects so my grandsons can enjoy their education as much in their younger years as I am now.
So what do you think? Are you considering learning but can't choose a course? Do you think our state system needs a bit of va va voom? I'd love to hear your thoughts.


text:
Continents » Africa » Kenya
kenya countryprofiles
Kenya: Household Energy Demand and Use
This country synthesis report is based on a detailed country report, which may be accessed through our dynamic report builder is available here.
A Household Energy Demand and Use
B Household Energy Supply
C Household Energy Sector Governace
D Household Energy Information
A. Household energy demand and use
A.1 introduction
Kenya is a very diverse country, in terms of geography, income levels and cultural groups. Depending on income levels, households may cook between 1 and 4 meals per day, although the typical number is 3. Staple foods such as maize and beans can take up to 4 hours to cook, while tea, chapatis, etc., can be prepared much more quickly.
A.2 cooking
Around 90% of rural low-income homes rely on wood for cooking, mostly using 3-stone open fires, with a minority using improved stoves such as the Upesi (typically without chimneys). Where wood is scarce, dung and crop residues are also used. The second most important cooking fuel is charcoal, burned in ceramic or metal jiko stoves, but around 80% of charcoal produced is utilised in urban centres. Although kerosene is available very widely and used for some cooking tasks mostly on wick stoves, it is not typically a primary cooking fuel. LPG and electricity are used for cooking mainly by high income groups, although 8% of urban and 1% of rural low-income households are reported to have access to LPG (most of which is used for cooking). Coal is not available as a household fuel in Kenya.
A.3 Space heating
Space heating is required mainly in the highland areas, particularly in the evenings and in the winter months (July - August are coolest). For most households, wood used for cooking doubles as a heating fuel. Charcoal is also used in jiko stoves for heating, predominantly in the urban areas.
A.4 Hot water
Hot water for domestic use is heated mainly with wood and charcoal, with some use of kerosene. LPG and electricity are in general too expensive for all but the higher-income groups.
A.5 lighting
As an equatorial country where it is dark by around 6.30pm everyday, there is considerable demand for lighting throughout the year. A variety of fuels are used: while many will to some extent use light from the open fire, most low-income homes rely on kerosene in simple wick lamps (around 95% of rural homes are reported to have access to kerosene, around 90% of whom use this fuel for lighting), with some use of candles. Grid electricity is available to around 13% of Kenyan homes - 45% of urban but only 3.1% of rural homes - so makes little contribution to lighting in low-income rural areas.
A.6 Refrigeration and space cooling
For low-income groups, the use of refrigeration and air conditioning are very low. Where these technologies are used, electricity is the main power source.
A.7 Communications and entertainment services
Apart from dry cell (battery) use - which is widespread for radios - almost 10% of the population use lead-acid batteries for TV and radios, but the cost and availability of charging facilities limits this considerably in rural areas. As noted, grid electricity is available to only 3.1% of rural homes.
A.8 Household appliances
Other than electrically powered appliances (radio, TV, music centres, refrigerators, etc.,) which are covered in other sections, the main fuels used in home appliances by low-income families are charcoal and dung for tasks such as ironing.
A.9 Energy for micro-enterprises
Common local micro-enterprises utilise mainly wood (bakeries, restaurants/kiosks, tobacco curing, brick making, fish drying), charcoal (bakeries, restaurants/kiosks), and diesel (corn mills, milk processing, fishing boats). Where available, grid electricity is used for milk processing, corn mills and restaurants.
A.10 Summary and conclusions
There is a wide diversity of energy sources available in Kenya, and these are used for a similar wide diversity of applications. However, the actual patterns of use by low-income households are very constrained by poverty and supply. In rural homes wood, supplemented by dung and crop residues, are overwhelmingly the most important energy sources for cooking, space heating (where/when required), heating water, and for some important micro-enterprises. Charcoal takes on this role in urban areas due to the difficulties of transporting wood into the cities, although wood is also used in urban homes. Kerosene use is widespread, especially for lighting. Access to grid electricity is still very restricted for low-income groups, especially rural, which effectively rules out this modern energy source even for lighting although nearly half of urban homes do have access. LPG use is similarly restricted to higher income groups. Other power sources such as photo-voltaic (PV) solar have made relatively small contributions so far.
Last edited by Miriam Hansen .
Page last modified on Sunday September 19, 2010 17:37:32 GMT.

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text:
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After a brutal day on the campaign trail, an utterly demoralized Mike Pence checked into his hotel room at the Des Moines La Quinta Inn. Sources can confirm that while in the midst of consuming four pints...


text:
How will climate change affect Arctic birds?
Scientists combined ideas from climate science and biology to figure out how climate change and genetics influence the migration habits of peregrine falcons.
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Q: Why am I getting this ActivationException when using Simple Injector with WebApi Self Hosted in OWIN? I have a very simple Web Api v2.2 self hosted in OWIN
public class StartUp
{
    public void Configuration(IAppBuilder appBuilder, IConfigReader configReader)
    {
        var container = new Container();

        container.Register<IConfigReader, ConfigReader>();

        var config = new HttpConfiguration();
        config.Routes.MapHttpRoute(
            name: "DefaultApi",
            routeTemplate: "api/{controller}/{id}",
            defaults: new { id = RouteParameter.Optional }
        );
        config.DependencyResolver = new SimpleInjectorWebApiDependencyResolver(container);
        appBuilder.UseWebApi(config);
    }
}

When I then use on my Main() as:
WebApp.Start(baseAddress, appBuilder =>
                new StartUp().Configuration(appBuilder, new ConfigReader()));

However when I try to execute the last line appBuilder.UseWebApi(config); I get the following exception:

A first chance exception of type 'SimpleInjector.ActivationException'
  occurred in SimpleInjector.dll
Additional information: The given type IHostBufferPolicySelector is
  not a concrete type. Please use one of the other overloads to register
  this type.

Complete Stack:

SimpleInjector.ActivationException occurred   _HResult=-2146233088
  _message=The given type IHostBufferPolicySelector is not a concrete type. Please use one of the other overloads to register this type.
  HResult=-2146233088   IsTransient=false   Message=The given type
  IHostBufferPolicySelector is not a concrete type. Please use one of
  the other overloads to register this type.   Source=SimpleInjector
  StackTrace:
         at SimpleInjector.Advanced.DefaultConstructorResolutionBehavior.VerifyTypeIsConcrete(Type
  implementationType)   InnerException:

The problem is not that single interface it looks like SimpleInjector is trying to find a binding for Every Single Interface; If I provide a dummy implementation for IHostBufferPolicySelector it throws for some other interface e.g. IExceptionHandler etc.
There is a related thread HERE but I am not sure how it relates to SimpleInjector?
The Self host is a Console App which has the following packages installed:

*

*Simple Injector ASP.NET Web API Integration v2.61

*Simple Injector Execution Context Scoping v2.61

*Simple Injector v2.61

*OWIN v1.0

*Microsoft.Owin v2.0.2

*Microsoft.Owin.Hosting v2.0.2

*Microsoft ASP.NET Web API 2.2 OWIN v5.2.2

*Microsoft ASP.NET Web API 2.2 OWIN Self Host v5.2.2

A: According to Simple Injector:

The exceptions you are showing are 'first chance exceptions'. These
  exceptions are thrown by Simple Injector but they are caught and
  processed by Simple Injector and they won't bubble up the call stack.
  It is possible that you see them in some debugger output window, but
  they are quite normal and nothing to worry about.

A: It turned out that the exception only bubbles up when I have the Common Language Runtime Exceptions checked to thrown
When I untick the checkbox everything behaves as normal! which is weird! also wrapping it in a Try-Catch (Exception) doesn't even catch it which makes it even more interesting/werid!

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The Millennium Gallery showcases permanent and visiting exhibitions, while the fabulous Winter Garden is the largest urban glasshouse in the whole of Europe. Presenting more than 2,000 species of plants from around the world, it's a great place to get closer to nature and marvel at the natural world.
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There is an extensive choice of stores at Meadowhall where you will find more than 270 shops. A champagne bar ensures you have somewhere to unwind after a hard days spending.
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There are also a number of great educational facilities for those with children of all ages within the area.
For those with primary age children, Ashton Fence Junior and Infant School, Stocksbridge Junior School and Dobcroft Junior School rank among some of the best within the Sheffield area. Whereas those in high school will find the Ashton Academy, King Edward VII School and High Storrs School are some of the best schools around.
Getting into Sheffield is very straight-forward. The city can be entered from the M1 and M18, while those entering from Manchester and the west can leave the M60 (east) at junction 24.
At the heart of the railway network, you can enjoy regular services between Sheffield and London St Pancras taking just over two hours, Birmingham can be reached in 90 minutes while Manchester, Nottingham and Leeds can be reached in just one hour.
If travelling further afield, the nearest airport to Sheffield is the Robin Hood Airport near Doncaster which is 30 minutes away. Manchester, Leeds Bradford and Nottingham East Midlands all take one hour to get to.
Buying a new home in Sheffield will mean you can experience all this and more. With a huge range of properties and areas to choose from, what are you waiting for?


text:
Achim Bitter (* 1960 in Twistringen) ist ein deutscher Künstler.

Leben und Werk
Achim Bitter studierte Fotografie/Film an der Fachhochschule Bielefeld und anschließend Freie Kunst an der Hochschule für bildende Künste Hamburg. Seit 1993 ist er als Dozent tätig und hatte Lehraufträge an den Kunsthochschulen Bremen, Kiel, Stuttgart und Hamburg. Er ist Mitbegründer von Treasure-Land, einer Initiative, die künstlerische Projekte im städtischen Raum veranstaltet und betreut. Dazu gehört die Organisation von Veranstaltungen, Vorträgen, Debatten und Workshops. Achim Bitter lebt und arbeitet in Bremen.

Seit Anfang der 90er Jahre beschäftigt sich Achim Bitter mit dem Stadtraum als Ausgangspunkt für ortsspezifische, prozesshaften Raumproduktionen.

Die Installationen beziehen den Besucher unmittelbar physisch in das Werk ein und fordern seine Rolle und Wahrnehmung aktiv heraus. "Spuren sichern"- Achim Bitter sammelt Reste und verwendet das "Material der Strasse". Der Stadtraum dient ihm als Ideen- und Materiallager.

Er stapelt Kisten, Möbel, Schränke, Paletten und was sonst gewöhnlich auf dem Sperrmüll vorzufinden ist zu großen begehbaren Raumskulpturen, zu Räumen im Raum, sei es als Bibliothek, Kino oder als Labyrinth. Unterstützung erfährt er durch soziale Einrichtungen (Arbeitsloseninitiativen, Sozialkaufhäuser, Recyclingbörsen), die ihm diverses Material und Teile von Wohnungseinrichtungen zur Verfügung stellen. Das Rohe und Einfache ist ein Merkmal seiner ästhetischen Praxis. Videoarbeiten, Fotokopien, Bücher, Fotografien, Projektionen, eigenes und fremdes Bildmaterial, Abbildungen aus Zeitungen, Magazinen und Heften füllen die Wände und Räume seiner begehbaren Installationen. Hier vermischen sich Gegenwart und Vergangenheit, Realität und Fiktion. Nach Ausstellungsende werden zumeist die Installationen zerstört, einiges Material für neue Arbeiten recycelt oder aber an die Leihgeber zurückgegeben.

Preise und Auszeichnungen
 1996: Stipendium der Stadt Delmenhorst
 1998: Arbeitsstipendium des Kunstfonds e.V. Bonn
 1999: Villa-Massimo-Stipendium  Rom

Öffentliche Sammlungen
 Kunsthalle Bremerhaven
 Städtische Galerie Delmenhorst
 Hamburger Kunsthalle

Ausstellungen (Auswahl)
 1992: "Danach zu Hegel", Parabolica Spaces, Berlin / Salle de Bains, Rotterdam
 1995: Kunst auf Kampnagel, Hamburg
 1996: Städtische Galerie, Delmenhorst
 1997: "Bali", Club Römerstraße (mit Korpys/Löffler), Akademie Schloss Solitude, Stuttgart
 1999: Villa Massimo, Rom
 1999: "Durchreise", Künstlerhaus Bethanien, Berlin
 2000: "ein/räumen. Arbeiten im Museum", Kunsthalle Hamburg
 2001: "Citystripping", Gesellschaft für Aktuelle Kunst, Bremen
 2001: "Archisculptures. Über die Beziehungen zwischen Architektur, Skulptur und Modell." Kunstverein Hannover
 2003: "Modern Islands. Zur De – Konstruktion von Zukunft", Pragerstrasse, Dresden
 2004: Kunsthalle Bremerhaven
 2005: Kunstverein Ruhr, Essen
 2006: "ORR", Stadtbild.Intervention, Pulheim
 2008: "Gegenmaßnahme", Kunstverein Aichach
 2009: "Man Son 1969. Vom Schrecken der Situation", Hamburger Kunsthalle
 2014: Kabinett für aktuelle Kunst, Bremerhaven
 2016: "Künstlerräume", Museum Weserburg, Bremen
 2019: "Der Traum der Bibliothek", Museum für Gegenwartskunst, Siegen

Weblinks
 Homepage von Treasure-Land
 Joachim Kreibohm: Achim Bitter. In: Artist Kunstmagazin, Heft Nr. 36, 3/1998.
 Eva Schmidt: Skulptur als Zeichen und Funktion.
 Radek Krolczyk: Neue Welt aus altem Zeug. TAZ, 29. August 2015.
 Nicole Büsing, Heiko Klaas: Achim Bitter. Portrait Artist Kunstmagazin, Heft Nr. 104, 3/2015.
 Achim Bitter "Rutpluks.KiöR",
 Dorothee Richter: Korpys/ Loeffler and Achim Bitter.
 Stadtbild.Intervention, ORR, Achim Bitter

Bildender Künstler (Deutschland)
Deutscher
Geboren 1960
Mann

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text:
A Christmas Carol is a 2009 American computer-animated Christmas fantasy film written and directed by Robert Zemeckis, produced by ImageMovers Digital and released by Walt Disney Pictures. Based on Charles Dickens's 1843 novel of the same name, the film was animated through the process of motion capture, a technique used in Zemeckis's previous films The Polar Express (2004) and Beowulf (2007), and stars the voices of Jim Carrey, Gary Oldman, Colin Firth, Bob Hoskins, Robin Wright Penn and Cary Elwes. It is Disney's third adaptation of the novel, following Mickey's Christmas Carol (1983) and The Muppet Christmas Carol (1992), and the first of two films produced by ImageMovers Digital.

A Christmas Carol was officially released in Disney Digital 3D, RealD 3D, and IMAX 3D on November 6, 2009. Its world premiere in London coincided with the switching-on of the annual Oxford Street and Regent Street Christmas lights. The film grossed $325 million on a $175–200 million budget and received mixed reviews from critics, who praised its visuals, Alan Silvestri's musical score and the performances of Carrey and Oldman, but criticized its dark tone. Due to the film's unsatisfactory box office performance, ImageMovers Digital was shut down by Disney after the release of its next film, Mars Needs Moms (2011), and re-absorbed into ImageMovers.

Plot

On Christmas Eve 1843, in London, miserly businessman Ebenezer Scrooge  refuses to partake in the merriment of Christmas, declining his nephew Fred's invitation to an annual Christmas dinner party and refusing to make a donation to the poor. His employee, Bob Cratchit, asks Scrooge to give him a day off on Christmas Day to spend time with his family, to which Scrooge reluctantly agrees. Returning home that night, Scrooge encounters the ghost of Jacob Marley, his business partner who died seven years earlier, bound in heavy chains. Marley warns Scrooge to change his wicked ways or be condemned to a worse fate. Before leaving, Marley informs Scrooge that he will be haunted by three spirits over three nights.

Scrooge is visited by the Ghost of Christmas Past, who takes him back in time and makes him relive his lonely childhood in a boarding school. The spirit then shows his beloved younger sister Fan, Fred's future mother, and how he became an employee under Fezziwig, and became engaged to a woman named Belle, who left him after he developed his obsession with wealth. Overwhelmed, Scrooge extinguishes the spirit with his candle snuffer cap and is rocketed back to his house.

Scrooge meets the Ghost of Christmas Present, who shows him the joys of Christmas. Scrooge and the Ghost visit Bob's house, learning that his family is content with their small dinner, and Scrooge starts to take pity on Bob's ill son Tiny Tim, whom the Ghost comments will likely not survive until next Christmas. The Ghost slowly begins to age as they next visit Fred's Christmas party, where Fred insists that they raise a toast to Scrooge in spite of his cold demeanor. Arriving in Big Ben, the Ghost warns Scrooge the evils of "Ignorance" and "Want" before dying when Big Ben begins tolling midnight. "Ignorance" and "Want" manifest themselves before Scrooge as two wretched children who grow into violent, insane individuals, leaving the spirit laughing as he withers away.

The Ghost of Christmas Yet to Come then arrives, appearing as a dark shadow, and takes Scrooge into the future. He witnesses a group of businessmen discussing an unnamed colleague's death, saying they would only attend the funeral if lunch is provided. After being chased across London by the Ghost riding a hearse, Scrooge recognizes his charwoman Mrs. Dilber selling the stolen possessions of the deceased. Shortly after, Scrooge sees the aforementioned colleague's body on a bed, but is too anxious to see his identity. Scrooge then asks to see emotion connected to the death, and is shown a family who is relieved that he is dead, as they now have more time to pay off their debt. When Scrooge asks to see tenderness connected to death, he is shown the Cratchit family, who are in mourning over the passing of Tiny Tim. Scrooge is then escorted to a cemetery, where the Ghost points out the man's neglected grave, revealing Scrooge as the man who died. Devastated, Scrooge promises to change his ways - he is horrified to discover that if he doesn't change, he is destined to die the next morning. The Ghost causes him to fall into his empty coffin above Hell, but before he strikes the coffin, he finds himself back in his own room.

Learning it is Christmas Day, Scrooge gleefully sends Bob's family a turkey dinner while anonymous, ventures out with the charity workers and the citizens of London to spread cheer in the city, and later attends Fred's Christmas dinner, where he is warmly welcomed. The following day, he gives Bob a raise. As Scrooge celebrates, Bob addresses the audience how Scrooge became a father figure to Tiny Tim, who escapes death, and that Scrooge now treats everyone with kindness, generosity, and compassion, thus embodying the spirit of Christmas.

Cast

 Jim Carrey as Ebenezer Scrooge, a stingy, grouchy, and selfish old man whose sheer miserly nature leads him to despise Christmas and all things which engender happiness.
 Carrey also portrays other roles in the film including:
 Ghost of Christmas Past, the first spirit to visit Scrooge. He is depicted as an androgynous man with a flickering flame for a head and a body like a candle and speaks with an Irish accent.
 Ghost of Christmas Present, the second spirit to visit Scrooge. He is depicted as a towering man with red hair, a full beard, and a green ermine robe, and he is a jolly figure prone to hearty laughter and speaks with a Yorkshire accent.
 Ghost of Christmas Yet to Come, the third spirit to visit Scrooge. He is depicted as an ominous shadow of a figure in a large black hooded cloak and he does not speak.
 Gary Oldman as:
 Bob Cratchit, Scrooge's cheerful assistant and underpaid clerk.
 Jacob Marley, the ghost of Scrooge's former business partner who is bound in chains.
 Oldman also provides the motion capture for Tiny Tim, Cratchit's youngest son.
 Colin Firth as Fred, Scrooge's cheerful nephew and only living relative. He is the son of Scrooge's younger sister Fan.
 Bob Hoskins as Mr. Nigel Fezziwig, the proprietor of a warehouse business for whom Scrooge worked as a young apprentice.
 Hoskins also portrays Old Joe, a fence who buys the belongings of the deceased Scrooge from Mrs. Jill Dilber.
 Robin Wright Penn as:
 Fan, Scrooge's beloved younger sister who has since died.
 Belle, Scrooge's neglected fiancée.
 Cary Elwes as Portly Gentleman #1/Dick Wilkins/Mad Fiddler/Guest #2/Business Man #1
 Elwes would also act as a stand-in for Scrooge or the Ghosts of Christmas Past and Present in scenes where these characters appear together, as all were portrayed by Jim Carrey.
 Fionnula Flanagan as Mrs. Jill Dilber, Scrooge's charwoman.
 Steve Valentine as Funerary Undertaker/Topper
 Daryl Sabara as Undertaker's Apprentice/Tattered Caroler #1/Beggar Boy #1/Peter Cratchit/Well-Dressed Caroler #1
 Sage Ryan as Tattered Caroler #2
 Amber Gainey Meade as Tattered Caroler #3/ Well-Dressed Caroler #2
 Ryan Ochoa as Tattered Caroler #4/Beggar Boy #2/Young Cratchit Boy/Ignorance Boy/Young Boy with Sleigh
 Bobbi Page as Tattered Caroler #5/Well-Dressed Caroler #3
 Ron Bottitta as Tattered Caroler #6/Well-Dressed Caroler #4
 Sammi Hanratty as Beggar Boy #3/Young Cratchit Girl/Want Girl
 Julian Holloway as Fat Cook/Portly Gentleman #2/Business Man #3
 Jacquie Barnbrook as Mrs. Allie Fezziwig/Fred's sister-in-law/Well-Dressed Caroler #5
 Lesley Manville as Mrs. Emily Cratchit
 Molly C. Quinn as Belinda Cratchit
 Fay Masterson as Martha Cratchit/Guest #1/Caroline
 Leslie Zemeckis as Janet Holywell, Fred's wife.
 Paul Blackthorne as Guest #3/Business Man #2
 Michael Hyland as Guest #4
 Kerry Hoyt as Adult Ignorance
 Julene Renee-Preciado as Adult Want

Production
After making The Polar Express (2004), Robert Zemeckis stated that he "fell in love with digital theater" and tried finding an avenue in order to use the format again. He eventually decided that an adaptation of Charles Dickens's A Christmas Carol would be an opportunity to achieve this. Upon rereading the story, he realized that "the story has never been realized in a way that it was actually imagined by Charles Dickens as he wrote it," as well as that "it's as if he wrote this story to be a movie because it's so visual and so cinematic." Zemeckis has stated previously that A Christmas Carol is one of his favorite stories dealing with time travel. Carrey has described the film as "a classical version of A Christmas Carol […] There are a lot of vocal things, a lot of physical things, I have to do. Not to mention doing the accents properly, the English, Irish accents […] I want it to fly in the UK. I want it to be good and I want them to go, 'Yeah, that's for real.' We were very true to the book. It's beautiful. It's an incredible film."

Disney partnered with Amtrak to promote the film with a special nationwide train tour, starting in May 2009 and visiting 40 cities, finishing in New York in November.

Release
A Christmas Carol opened London on November 3, 2009, and was theatrically released on November 6, 2009, in the United States by Walt Disney Pictures.

Home media
Disney released the film on November 23, 2010 in a single-disc DVD, two-disc 2D Blu-ray/DVD combo and in a four-disc combo pack that includes a Blu-ray 3D, a Blu-ray 2D, a DVD and a digital copy. This marked the first time that a film was available in Blu-ray 3D the same day as a standard Blu-ray 2D, as well as Disney's first in the Blu-ray 3D market along with Alice in Wonderland. The DVD contains deleted scenes and two featurettes called "On Set with Sammi" and "Capturing A Christmas Carol". The Blu-ray 2D also has a "Digital Advent Calendar" and the featurette "Behind the Carol: The Full Motion-Capture Experience". The Blu-ray 3D has an exclusive 3D game called "Mr. Scrooge's Wild Ride".

Reception

Box office
A Christmas Carol grossed $137.9 million in the United States and Canada, and $187.4 million in other territories, for a worldwide total of $325.3 million. Due to its high production and marketing costs, the film lost the studio an estimated $50–100 million, and forced Mark Zoradi, president of Walt Disney Studios Motion Pictures Group and the head of worldwide marketing, to resign.

The film opened at #1 in 3,683 theaters, grossing $30.1 million its opening weekend, with an average of $8,159 per theater.

In the United Kingdom, A Christmas Carol topped the box office on two occasions; the first was when it opened, the second was five weeks later when it leapfrogged box office chart toppers 2012, The Twilight Saga: New Moon and Paranormal Activity despite family competition from Nativity!, another Christmas-themed film.

Critical response
On review aggregator Rotten Tomatoes, 53% of 202 critics have given the film a positive review with an average rating of 6/10. The site's critical consensus read, "Robert Zemeckis' 3-D animated take on the Dickens classic tries hard, but its dazzling special effects distract from an array of fine performances from Jim Carrey and Gary Oldman." On Metacritic, another aggregator, the film has a weighted average score of 55 out of 100 based on 32 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.

Roger Ebert of the Chicago Sun-Times gave the film four stars out of four, calling it "an exhilarating visual experience". Owen Gleiberman of Entertainment Weekly gave the film an A, applauding the film as "a marvelous and touching yuletide toy of a movie". Joe Neumaier of the New York Daily News gave the film 3/5 stars and stated the film "is well-crafted but artless, detailed but lacking soul." Mary Elizabeth Williams of Salon.com gave the film a mixed review claiming the movie "is a triumph of something—but it's certainly not the Christmas spirit." Joe Morgenstern of The Wall Street Journal wrote in his review that the film's "tone is joyless, despite an extended passage of bizarre laughter, several dazzling flights of digital fancy, a succession of striking images and Jim Carrey's voicing of Scrooge plus half a dozen other roles." The Daily Telegraph reviewer Tim Robey wrote, "How much is gained by the half-real visual style for this story is open to question—the early scenes are laborious and never quite alive, and the explosion of jollity at the end lacks the virtue of being funny." Peter Bradshaw in The Guardian also criticized the technology: "The hi-tech sheen is impressive but in an unexciting way. I wanted to see real human faces convey real human emotions." Time Out London praised the film for sticking to Dickens' original dialogue but also questioned the technology by saying, "To an extent, this 'Christmas Carol' is a case of style—and stylisation—overwhelming substance."

Keith Uhlich of Time Out New York named A Christmas Carol the eighth-best film of 2009.

Awards and nominations

Music

Track listing

The music was composed by Alan Silvestri and orchestrated by William Ross, Conrad Pope, Silvestri, and John Ashton Thomas. The entire score was conducted by Silvestri and performed by the Hollywood Studio Symphony alongside Page LA Studio Voices and London Voices. Much of the music was based on actual carols, including "God Rest You Merry, Gentlemen," "Deck the Halls," "O Come, All Ye Faithful," "Hark! The Herald Angels Sing" and "Joy to the World." The album was later issued physically through Intrada Records. The theme song, "God Bless Us Everyone," was written by Glen Ballard and Silverstri and performed by Italian classical crossover tenor Andrea Bocelli.

See also
 List of Christmas films
 List of ghost films
 Adaptations of A Christmas Carol

References

External links

2009 films
2009 computer-animated films
2009 fantasy films
2009 3D films
2000s fantasy adventure films
2000s fantasy drama films
2000s children's fantasy films
2000s ghost films
2000s Christmas films
2000s children's animated films
2000s American animated films
2000s English-language films
American 3D films
American children's animated adventure films
American children's animated fantasy films
American Christmas films
American computer-animated films
American fantasy adventure films
American fantasy drama films
American ghost films
Films directed by Robert Zemeckis
Films with screenplays by Robert Zemeckis
Films scored by Alan Silvestri
Films set in London
Films based on A Christmas Carol
Animated Christmas films
Animated films based on novels
Animated films set in London
Christmas adventure films
IMAX films
Films using motion capture
Films set in 1843
Films about size change
Animated films about time travel
Films set in the Victorian era
American dark fantasy films
ImageMovers films
Walt Disney Pictures animated films
2009 drama films
Films produced by Robert Zemeckis


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Vietnam PM Calls For More Gov't 'Management' Of Cryptocurrency Following Scam ICOs
News business and finance
Adam Reese April 12, 2018 6:45 PM
After about 32,000 investors allegedly lost the equivalent of $658 million in two Vietnamese ICO scams, the country's prime minister called for the proposal of ICO and cryptocurrency regulations.
After a Vietnamese company known as Modern Tech Joint Stock Company allegedly perpetuated two ICO scams relating to tokens called iFan and Pincoin, the country's prime minister, Nguyễn Xuân Phúc, instructed a range of government agencies to take a more proactive role in fulfilling their mandates with regard to cryptocurrency.
In a directive published on a government website, Nguyễn ordained[LK1] that:
"The Ministry of Justice shall assume the prime responsibility and coordinate with the concerned ministries and branches in expeditiously proposing and perfecting the legal framework on management and handling of virtual money and virtual assets; To coordinate with the Ministry of Finance in studying international practices and … proposing measures to raise capital through the issuance of virtual currency (ICO)."
He also tasked the Ministry of Public Security with preventing entities in the country from using cryptocurrencies to launder money and finance terrorism.
The alleged scams reportedly netted some 15 trillion Vietnamese động, worth about $658 million at press time, from some 32,000 investors. At one point, protestors gathered outside Modern Tech's purported headquarters, though reports indicate that the company's operations were not actually based at that site, and that recent attempts to contact company personnel had failed.
iFan investors were allegedly promised monthly interest in the 40-50 percent range, to be paid in cash, and assured that they would make back their investments in no more than four months. They were also reportedly told that if they could persuade other investors to buy in, they would receive an 8 percent commission. The minimum investment accepted, according to a report in the Thai publication The Nation, was $1,000.
After the value of iFan tokens fell to about $.01 apiece, the company began paying out interest in its native assets at a rate that assumed a token value of $5 apiece, rather than in fiat currency.
The government of Ho Chi Minh City (HCMC), where Modern Tech had claimed it was based, has urged the city's police force to investigate the fraud claims, and Nguyễn Hoàng Minh, the deputy director of the HCMC branch of the country's central bank, pledged to cooperate with any police investigation. He also noted, however, that because the central bank does not recognize the legal status of cryptocurrencies, it may lack the requisite standing to help defrauded investors.
Translations by Google.
Adam Reese
Adam Reese is a Los Angeles-based writer interested in technology, domestic and international politics, social issues, infrastructure and the arts. Adam holds value in Ether, Bitcoin, and Monero.
Like what you read? Follow us on Twitter @ETHNews_ to receive the latest , or other Ethereum business and finance news.


which serves hot meals while giving Christian hospitality to those who need it.
The Waynesboro Area Fellowship of Churches began The Lunch Place in 1990 as an outreach to our community.
The Lunch Place serves a hot, nutritious meal free to the community.


text:
Main Stage, Sunday 2018
FEEDER (Grant Nicholas and Taka Hirose) first shot to fame when their debut EP Swim was released to huge critical acclaim in 1996. Since then, FEEDER have released nine studio albums, three compilations, 41 E.P.s and singles, spending a combined total of 181 weeks on the singles and albums charts. They've accumulated 25 top 75 singles, 20 of them in the Top 40, and amassed over 5 million record sales, including 3 Platinum and 2 Gold Albums. FEEDER have not just survived the last 21 years, they've flourished beyond compare.
Following a hugely successful 2016, which saw the British rock heroes achieve their 7th top 10 album as well as play a rapturous sold out UK tour and host festivals, FEEDER are commencing on a full UK tour in support of their forthcoming album FEEDER – THE BEST OF . The 2018 UK Tour the bands biggest for 10 years, proves their popularity is showing no signs of slowing down. The tour will see the band playing tracks from the new BEST OF Album, which includes an impressive 21 years of releases.
Feeder - Buck Rogers
FEEDER:


Outside the Coconut Creek Casino doors is the Sunset Grill, a tiki bar with a relaxing environment away from the gambling hype. An oval-shaped wooden bar fills the open-air space. Flat-screen televisions hang from the ceiling, showing the latest happenings in sports and entertainment. Although the bar is outdoors, no need to worry about the heat, with misting fans keeping the place cool. In addition to a variety of beers on tap and fruity mixed drinks, the Sunset Grill has a wide selection of burgers and snacks. Casual and laid-back, the Sunset Grill is the casino's spot for unwinding after a long day at the poker tables.


Climate change is a hot topic. The people of The Netherlands came together in Amsterdam to protest during the biggest Dutch climate march to date.
On the subway from the North of Amsterdam to the city center people are carefully carrying their meticulously crafted protest signs. Some are made of sturdy plywood, others on the back of what used to be the side of a moving box. Sturdy or weak, most of the signs have a message for today's climate march that is painted on in thick smears of acrylic paint or scribbled on with a marker. As the metro empties at the Rokin subway station the crowd moves up to where the world is wide awake on this bleary sunday afternoon. The sky is pouring down in fat, cold, droplets that gather in puddles on the pavement and create swimming pools by the edge of the road and miniature gutters of the tram rails. Dam Square is where it's about to happen, or it is already happening. A crowd of hundreds has gathered on the slippery grey cobblestone, all the way from the palace to the Dam Square monument to protest climate change.
New people seem to emerge from every street around the square and take up every available inch, wedged in between luxury department store Bijenkorf and the golden arches of McDonald's on the other side of the road. The rain never seizes, almost as if heaven itself is crying for the state of the earth. Or happy tears for what are now thousands of people gathered to protest the way the environment and climate are treated. The Climate March is an old fashioned solution to attract attention to a modern day problem.
Polar ice caps are melting, bees are dying and the seasons are shifting more and more with each passing year. As old fashioned as the idea of a protest march might be, it seems successful. The turn up is astonishing. Everybody in attendance seems to understand the relevance and severity of climate change, they are gathered here with purpose.
There is finally movement after some roars from the crowd and chants that call for the march to start. People are belting out of tune protest songs, shouting "climate justice, now!", and raising their protest signs high. Some groups carry professionally printed, glossy banners. One of these groups is Stand Up For Science. Their purple banner reads clear: "Science denial is NOT a climate policy, we stand up for science", not is emphasized in bold, orange lettering. A young woman in glasses and her hood drawn up proudly holds the corner of the banner. Zsuzsika explained why she was braving the elements and marching for the climate: "We specifically are here because we see a lot of science denial when it comes to climate science. We are all scientist and we don't like that people deny climate science". Her eyes become sterner, it is clear that she takes this issue to heart: "Science denial is not a policy. It is very important what scientists find when it comes to climate change. We should take it seriously." Zsuzsika and her group of scientist confidently continue the march and chant about their cause.
A bit further on there's a minivan blasting music through its speakers. The march almost feels like a street party instead of a political standpoint. A man with a sign that has a website link on it sticking out of his backpack is waiting on the sidewalk. He says that he isn't part of the march whilst his eyes dart from left to right, he doesn't want to talk. A quick Google search for his website link shows a conspiracy blog that preaches about cannibalism and mind control and thought slavery. Back in the throws of the march there's a man holding up a small sign for Milieudefensie. Mark has his hood drawn up to protect him from the rain that is still pouring. He is part of milieudefensie and thinks it is important to partake in the march: "I think it's a good thing that we show the world, or at least our fellow countrymen and women, that more needs to be done than we currently do to prevent climate change". He looks at the crowd moving in front of him. The rain is collected in puddles on the pavement, people don't seem to notice that their ankles get splashed and muddied, they are still happily chanting their protest songs. Mark took some time to find his words: "The government should…" He stammers for a bit, looking into the distance. "Most big companies are polluters, and I think they could do more about that". He hasn't been with Milieudefensie long, this is his first big event as a member. He continues the march that has now entered its final part before the big conclusion at the Museum quarter.
The protesters continue their march peacefully. Everybody is jolly despite the bleak weather conditions. Nobody cares that their signs are falling apart, or that their jeans are soaking wet. They do care about the climate, the world, their own influence and the future that creeps closer with every passing second. The brass clock on the old Heineken brewery turned tourist attraction says that it is almost 4 p.m. The march is almost over, but the conversation has just gotten started.


text:
Paul Rhys () este un actor galez de film, teatru și televiziune. În 1992 a interpretat rolul lui Sydney Chaplin în  filmul biografic Chaplin.

Filmografie

Film

Televiziune

Teatru

Note

Legături externe

Vezi și
Listă de actori galezi
Listă de actori britanici

Nașteri în 1963
Actori galeziActori britanici


The route begins with the representation of a visible reality, which poses a reflection on the use of images as, not only through our senses. It continues with the exhibition of some instruments (microscopes, enlargers, projectors ...) with which the man wanted to overcome the limitations imposed by their own bodies, to know and also represent images of what is Invisible to the naked eye. Photographic equipment in use in laboratories of the Zoological Station (by the diver for the first Polaroid cameras and SLR) then bring the invention of photography, by which man was able to capture an image MATERIAL; while exposure of film tools (dryers films, cameras, projectors), remind us how we got to represent even the movement. The final part of the exhibition propels us towards a digital image that, in addition to its huge production potential, transmission and sharing, confronts us with the search for new ways and means with which to maintain ... "the magic and memory ". Each theme offers food for thought for each visitor, while also offering the ability to explode the most significant in educational courses to be offered to schools.
the Zoological Station Anton Dohrn, the series is part of a new research project on the relationship between the artist visual arts and science.


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video operation stone crusher. PF Impact Crusher. By absorbing the advanced technology from the world, we researched and designed PF series impact crusher.


text:
ALICE COOPER Talks About Forthcoming Sequel To 'Welcome To My Nightmare'
Radio Metal attended a press conference with legendary rocker Alice Cooper on June 19 at the Hellfest in Clisson, France. Among other topics, Cooper discussed his next album, the sequel — or "shriekquel," as he likes to call it — to "Welcome To My Nightmare". An excerpt from the report follows below.
Q: It appears Alice is currently writing a new album — an album that we heard was a sequel to the mythical "Welcome To My Nightmare", no less…
Cooper: "I've heard that, too! I've got the three new songs right with me. [He shows a CD in his jacket.] I'm very happy with working with [producer] Bob [Ezrin] again. It's 'Welcome 2 My Nightmare', and it's the next nightmare. Thirty years later, he has another nightmare, and this one is even worse than the last one. . . I haven't worked with Bob in a long time. After the 35th anniversary of 'Nightmare', I said, 'Why don't we start writing something else?' And he said, 'Why don't we just do part two?' We'd never done part two, so I went, 'That's a great idea. Let's get me and you together, I think we can still get Steven Hunter and Dick Wagner. We'll put some of the original people on it and add some new people."
Q: What will the sound be like? Is the goal to revisit the past, just like with "Dirty Diamonds", or rather to set this sequel in the current world, and therefore give it a resolutely modern sound?
Cooper: "I didn't think that we could recreate the sound, but the first three things we did are identical to that era. In fact, we purposely added a few '70s things to it to give it that '70s sound. Without even trying, it sounded just like 'Nightmare'. If we can keep that going, it will really be something. It captures an era."
Read the full report at Radio Metal.
GEDDY LEE Misses Making Music With His Friends In RUSH
JANE'S ADDICTION's DAVE NAVARRO: Why I Am Supporting MARIANNE WILLIAMSON In 2020 Presidential Race
GODSMACK Drummer Apologizes For Calling THE APOCALYPSE BLUES REVUE Singer 'Old'
MISFITS To Play Madison Square Garden In October
INTRONAUT Signs With METAL BLADE; New Album Due In 2020


Back in July there was a discussion about not relying on the brass pelican hooks on the lifelines. This past weekend in the Rankin Regatta (as Canada II) I was trimming the spinnaker foreguy and put a hand on the lifeline and it popped. It turned out the end of the hook sheared off - not the pin failiure that was talked about.


Baseball St. Louis Cardinals -- Named former major-leaguer Mike Ramsey manager of Class A Springfield.
NBA -- Announced that game suspended Wednesday night between Boston Celtics and Atlanta Hawks at Boston Garden will be resumed Dec. 23 at 1 p.m. with Boston leading, 37-22, and 10:30 remaining in the second quarter.
Minnesota Timberwolves -- Billy McKinney quit as director of player personnel.
Big East -- Announced it will continue to play its championship basketball tournament at Madison Square Garden in New York through 1996.
USA Basketball -- Named P.J. Carlesimo coach of the U.S. team for the 1991 World University Games.
Colgate -- Signed football coach Mike Foley to a multiyear contract.
Hobart -- Named Bill Maxwell, quarterbacks coach at Syracuse, head football coach.
Loyola -- F Patty Stoffey of Pottsville, Pa., and F Patteann Taylor of Mendham, N.J., signed letters of intent to play women's basketball.
Tennessee -- Starting DT Mark Moore, a senior, was dismissed from the football team for disciplinary reasons.
WLAF -- Announced George Shinn has acquired the ownership rights to the Raleigh-Durham franchise.
F: Raleigh-Durham -- Named Roman Gabriel general manager.
St. Louis Blues -- Called up RW David Bruce from Peoria (IHL).
Baltimore Skipjacks (AHL) -- Returned C Harry Mews to Hampton Roads Admirals (ECHL).
New Haven Nighthawks (AHL) -- Los Angeles affiliate fired coach Marcel Comeau. Garry Unger, assistant coach for Phoenix (IHL), will serve as interim coach.
Horse racing Philadelphia Park -- Announced the resignation of GM Robert L. Bork.
Santos -- Brazilian club agreed to terms with G Edinho, son of Pele, who played 17 years for the club.
Track and field The Athletics Congress -- Approved a world-record bettering throw of 75 feet, 10 1/4 inches by shot putter Randy Barnes in May as an American record. Awarded 1992 Youth Athletics Track and Field Championships to Auburn University.


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Home The State The Insider Retro Rockets Roll
Mike Buckendorf, left, David Bagsby, Mick Casper, Denise Hoey, Gayle Wolfe and Anna Neal are the Retro Rockets. Photo by Mickaela Casper
Retro Rockets Roll
A new group draws inspiration from the rock 'n' roll revival with its 'nostalgia show about a nostalgia show.'
Denise Hoey, left, Gayle Wolfe and Anna Neal are some of the vocalists for Retro Rockets. Photo by Anasandra Azlin
Because there are always stirrings and rumblings before something bursts into the mainstream, it's often difficult to pinpoint the beginning of a pop-culture trend. Some say, for instance, the musical movement known as the rock 'n' roll revival actually began in the late '60s among people who preferred the relative innocence of '50s tunes to the more threatening hard-rock and psychedelic songs of the time.
Many others, however, point to the 1973 hit movie American Graffiti as the revival's real kickoff. Sporting the tagline, "Where were you in '62?," director George Lucas' first big hit successfully brought back the zeitgeist of the late '50s-early '60s by using plenty of songs in conveying the ambiance of the era.
Soon, in addition to providing new work to old rock 'n' rollers who were still around and functioning, the American music scene became populated with new acts playing what were then referred to as "golden oldies." These rock 'n' roll revivalists included such successful groups as Sha Na Na, and Flash Cadillac and the Continental Kids.
A few years later, in the summer of 1980, Tulsa came up with its own spin on the trend. That's when American Theatre Company first presented Eddie & the Ecclectics, a musical full of classic rock 'n' roll tunes that centered around the character of Eddie Edwards (played by Bob Bethel), a performer who claimed to have written many, if not most, of the era's greatest hits. After a sleepy beginning, the live show took off on an amazing run of nearly two decades.
That brings us to the Retro Rockets, a new group drawing generally from the rock 'n' roll revival and more specifically from Eddie & the Ecclectics. In fact, if you'd seen these vocalists and musicians a few months ago, you would have actually seen them as Eddie & the Ecclectics. In February, according to Retro Rockets director David Bagsby, the group "blasted off in a new direction as the Retro Rockets," leaving the auspices of American Theatre Company but continuing to perform at Tulsa's Studio 308, where the members had just finished a six-month run of Eddie.
"The Retro Rockets are a secret division of the USO who were sent to Skylab in 1976 to entertain the astronauts," says Bagsby, setting up the premise of the new production. "However, on the return flight, a freak solar storm created a time dilation, which threw the crew forward into the future of 2018. The Retro Rocketeers realize this conundrum but are still only aware of history from their origin point. So there's a lot of talk about things like Space Food Sticks, Billy Beer and Grit newspapers."
He adds that the Retro Rockets were a rock 'n' roll revival group in the '70s. So what the production offers, in essence, is a double twist. It's not just a nostalgia show – it's a nostalgia show about a nostalgia show. And while it's not Eddie & the Ecclectics, it does utilize the same cast members and much of the same musical palette in conjunction with its very different backstory. Given all that, it's not surprising to find that most members of the Retro Rockets band have a long history with the ATC production.
"This is pretty much the same [Ecclectics] band I joined in, I believe, 1983," keyboardist Jim Downing says. "They're all first-call players, and we're even better than we were 35 years ago."
"It's like finding out your prom tux still fits," he adds with a laugh.
Bagsby was also with Eddie in the early days, playing bass and rhythm guitar during the production's first two years. An actor as well as a musician and composer, he was appearing in ATC's Caine Mutiny Court-Martial in March 2017 when he saw something from the company that mentioned "the return of the Ecclectics," he recalls.
"So I asked, 'Hey, what's the deal with this?' And they said, 'Well, we're just seeing what kind of a reaction we'll get.' I said, 'If you need a guitar player, I'll do it.' And then later I said, 'If you need a music director, I'll do it,'" Bagsby says.
When the company decided to do an Eddie & the Ecclectics reboot as a fundraiser, it took Bagsby up on both of his offers. And Bagsby, a veteran Tulsa music figure with his own record label, knew the musical direction he wanted to pursue.
"After I left the [Eddie] show, I didn't see it again until its last year, I think, and they were doing all kinds of stuff, like 'Love Shack' and all this music from the '70s," he says. "They had definitely exploded the filter beyond what it had been.
"I thought the reason the show was successful was because it was rooted in the [rock 'n' roll] era. So, when they asked me to do the benefit, I said I'd like to go back to the concept of pre-Beatles rock 'n' roll and do the surf-music set and 'The Peppermint Twist' and all the stuff they had done originally that made the show great."
That's what he did, working with some of the performers from Eddie's original run who reunited for this special event, including Karl Krause, Greg Roach, John Riggs and Melanie Fry, who directed the special show as well.
"It was such a success that we carried it over a second night, an encore on Sunday," Downing says.
That, in turn, led to a re-formed Eddie and band beginning a run at Studio 308 with actor-vocalist Mike Buckendorf stepping into the lead role and Bagsby taking over as director.
Publicity material indicates that the Retro Rockets may expand on the Ecclectics' repertoire by including material from the '70s, but indications are that reviving golden oldies is still the name of the game for the new production, which carries the tagline of "Space Age Rock 'n' Roll."
"We do a couple of songs that came along after the Beatles, like 'Chain of Fools,' and 'Devil with A Blue Dress On' and Good 'Golly Miss Molly,' but most of it is pre-British Invasion," Downing says. "That's the general focus of it. Dave wanted to do a lot of doo-wop to begin with, and while we haven't quite mastered that yet, we do things like 'Get A Job' and 'I Only Have Eyes for You.'"
Bagsby adds: "I do want to be doo-wop-centric. And I'm hoping to do some Beach Boys songs, really super-complex harmony stuff that I think we can pull off."
In addition to Buckendorf, vocalists include Denise Hoey, Anna Neal, Gayle Wolfe, Mick Casper and Bagsby himself. Kara Steiger is featured in some of the group's performances.
"The singers we have are really quite adept," Downing says. "The girls all have tremendous voices, and Mickey Casper is a magnificent tenor." As is the case with Bagsby, who plays bass and appears as a character in the production, and Downing, the rest of the band is made up of well-known Tulsa music figures. They include Bagsby's brother Steve on steel guitar and fiddle, Scott Mariner on drums and Tom Hanford on guitar. Both Hanford and Mariner have spent time with Downing in the long-lived Tulsa band the Zigs.
The Retro Rockets' next performance is set for April 21 at Studio 308. Ticket information can be found at studio308tulsa.com or by calling 918.329.0224. Other planned shows include Utica Square's Fifth Night on June 14 and Broken Arrow's Tuesday in the Park on June 19.
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John Wooley - January 27, 2015
Swingin' Our way


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Panama Broadcasting Corporation menu
Friday 8th May 2020. Quiet Friday just, you me and the music this morning.
We take a rummage around the internet for some interesting stories and see what we can find in my music collection.
https://pbcpanama.com/wp-content/uploads/2020/05/Fri-8-May-2020-Full-Episode-Made-by-Headliner.mp4
The vice minister of Health, Luis Francisco Sucre reported that this Saturday, May 9 and Sunday, May 10, the total quarantine measure continues to help mitigate the cases of Covid-19.
The township of Tocumen, in the capital, exceeds 400 cases of coronavirus and ranks as the region with the most infections in the country.
The Ministry of Health (Minsa) published the decree ordering the reopening of the country's hardware stores and regulating their operation.
Tocumen International Airport began with preparatory measures for when there is a reopening of international commercial flights, with the installation of biosafety equipment.
The Association of Municipalities of Panama (Amupa) issued a statement this Thursday, May 7, rejecting the government's intention to lift the Dry Law, which is applied to contain the advance of the coronavirus.
The Public Ministry opened an investigation into the murder of Doctor Luis Carlos Villarreal, that occurred at noon on Thursday, May 7 in the parking lots of the Rafael Hernández de David Regional Hospital.
Compliance judge Roberto Sánchez granted house arrest in favor of the former director of the General Directorate of Income (DGI) Luis Cucalón,
The CAF -Development Bank of Latin America- approved a long-term loan for $ 350 million to help Panama cope with the crisis caused by the new coronavirus pandemic.
The European Commission presented its new methodology to fight money laundering and terrorist financing on Thursday and included Panama and Nicaragua on its blacklist.
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There's been a lot of talk about engagement via mobile in the advertising and marketing circles, but the overwhelming agreement is that mobile is clearly emerging worldwide as the new 'first' screen – or the device of primary engagement.
That does not mean that TV is dying. TV is and will be still around – because it's still about lean-back entertainment and mute consumption. Mobile is about here and now, about participation and most often about lean-forward. Although there's a lot of lean-back consumption happening as well on smartphones that allow for enhanced viewing on large screens and better definitions.
Mike Parker, Chief Digital Officer at McCann Worldgroup says "Our recent Truth about Shopping study, that we presented at Mobile World Congress in Barcelona identified that there are really two 'mobile worlds' emerging. One is about browsing and discovery – Pinterest, instagram are becoming the new 'window shopping' and catalog browsing. Were as the other is about mobile on the go, or about action and utility – which e is so much more about doing things, performing tasks, getting business done."
From an agency point of view, Parker adds "One thing is clear, that our clients are very aware of this shift to mobile usage and are asking questions about where and how to engage consumers in mobile. We need to ensure that we have the knowledge to be able to incorporate mobile thinking on our strategies and work. I believe strongly that it wont be long before the small screen is the main screeen, and all of the work we develop for our clients will need to be thought about in terms of displaying on small screens first…"
Here in the Middle East, this should be no surprise at all, because we have really high rates of smartphone adoption, and there are nearly two handsets in each pocket in some countries like the UAE!
There's a study that's bee done for the US market by Millard Brown that shows mobile emerging as the clear new first screen (no pun intended). The study reveals that Americans now spend 151 minutes per day on smartphones, next to 147 in front of TVs. But the numbers are even greater elsewhere. In China, consumers spend a whopping 170 minutes a day buried in smartphones, nearly double their TV watching time.
Users in Indonesia, the Philippines, Brazil and Vietnam also spend more total screen minutes on average than the U.S., predominately on mobile.The firm surveyed more than 12,000 mobile users, between the ages of 16 and 44, in 30 different countries, polling consumption of ads over TVs, laptops, smartphones and tablets.
AdAge, covering the report tells us "According to the findings, the smartphone has emerged as the primary screen worldwide, but the firm also found users are watching multiple screens simultaneously, a global trend that is most-pronounced in China.
"It's still a recent phenomenon that people are tethered to their phones while watching TV," said Joline McGoldrick, research director at Millward Brown. "Their default is to type something into their smartphone."
The agency classifies simultaneous screen time into two key buckets: "stacking," when the consumed content is unrelated (mindlessly surfacing Facebook during a favorite show); and "meshing," when the content synchs up (searching for an actress in the show).
Across the globe, particularly in Asia, consumers prove much more willing to "mesh" than they do in the US. Only 30% of American screen time is spent soaking in related content. The rates in China, Japan, Indonesia and South Korea are all higher. Sixty percent of Thai users spend their screen time "meshing."
Ad Age also tells us that, in the report we discover that outside the US, consumers are also much more amenable to ads on their devices. Asian smartphone owners responded far more favorably to ads than counterparts in the US; and they were more attentive to ads splashing across their phones. When it comes to mobile ads, global smartphone users are also noticeably open to watching short videos. "Mobile video is just completely poised to explode," Ms. McGoldrick said. The agency's data, she noted, is "showing that other markets are utilizing micro-video more effectively."
Despite the rise in mobile screen time in the U.S., ad spending has failed to catch up. Smartphones and tablets claim around 44% of daily screen time in the U.S. But media spending for the two devices reaches just $18.9 billion, well short of the roughly $70 billion spent on television, according to eMarketer. (Millward Brown does not track global media spending across each device.).
Today's consumer is ready for one-to-one marketing. In a segment of One.


Vintage Christmas is coming to Simon!
We will begin to put out our Christmas holiday decor the day after Thanks giving. Vintage bulbs, midcentury holiday glassware, ceramic Santa's and more!
Come visit us! We are Open Friday Nov. 23rd!


Home » Life's Blog » Comedian Seyi Law confirms his 8-yr-old marriage has hit the rocks!
Humour merchant Seyi Law has confirmed that his eight-year-old marriage to his wife Stacy has crashed, citing irreconcilable differences as the reason they are both parting ways as man and wife.
Seyi Law confirmed the split hours ago on his Instagram page with his fans refusing to believe his announcement was genuine as most of the comments on the post indicate they believe he was joking.
Sharing the bombshell news about the decision to go their separate ways, Seyi Law wrote saying; "Due to irreconcilable differences would have been enough to announce this, but the kind and beautiful heart of my ex-wife must be stated. She is one of the best women I have ever known.
"It is however sad, that I announce that my wife and I have decided to path (sic) ways for good. We will appreciate your love and support at this time. God bless you. Tiwaloluwa is safe and good.
Reports say the decision of the couple to go their separate ways had been building up on Seyi Law's Instagram page, a day prior to the notice which has now left tongues wagging.
It however appears that the comfort of his 2-year-old daughter Tiwaloluwa was at the center of his heart when Seyi Law announced the separation from her mother as he goes on to confirm that his child is being taken care of as her parent's separation seem to be of no significance to her for the time-being.
Seyi Law and his wife Stacy got married in March 2011 after dating for 3 years and the last time the couple were pictured in public was on January 1st and they looked happy together.


I said in the last post that I was going to be working on a Momma post today, but I've changed my mind. I wanted to do something fun, and I've neglected my Crafty corner. Mostly because I haven't crafted a lot lately, but I've done so much in the past year that I really feel like I should share some more.
Last year, we tried to save money over Christmas so I made LOTS of crafts for gifts. I found something on Pinterest that showed how to transfer photos to wood. (I don't know what the link is anymore because I've done so many since the original that I don't use it anymore.) I took a break over summer, but I can't wait to start making them again.
I'm just going to share some of the photos of what I've made so far. There's not a lot of writing I can do for the Craft Corner. This is more of a Show section.
It doesn't take a lot of instruments to do this project. We just printed the photos on regular paper. I also used a paint brush and a cloth.
It's pretty hard getting the paper off, and not ripping part of the photo off. I went through a few before getting it correct. Of course, Anthony (only 18 months at the time) was a lot of help.
Finished Products. I don't think this is all of them, but it's the ones I made before Christmas, and a few after. As I look at these, I can tell which ones I made first, and which I made as I learned more.
I'll share more as I do them. I have to start again as soon as I buy some more wood.
For a while, I had considered trying to sell them, but I'm not good enough at cutting the wood straight or doing certain sizes. I print the photos and go from there. I'm not a perfectionist, and I think that is what is needed to sell them.
Thanks for reading. Happy Monday.


For over 20 years, we've worked with collectors, archives and studios to seek out the soundtrack disks for 1926-30 early sound shorts and features. We then work to arrange their restoration so they may be seen and heard again. To date, we've been involved with over 125 shorts and 10 feature restorations.
I'm writing because my longtime friend, Joe Showler, had contacted me shortly before his death. As you may know, on his own Joe had arranged for the restoration of BEN POLLACK AND HIS CALIFORNIANS (Vitaphone, 1929) which has a young Benny Goodman in the band along with Jack Teagarden. Joe said he wanted The Vitaphone Project to get all the elements he had of this short so we could ensure it got to the right place for safe keeping, sharing and possible updated restoration.
Unfortunately, I was unable to get back to Joe to make arrangements before he died. I understand that all these elements (disk, 35mm and possible 16mm film, etc.) now reside at the Teagarden Museum in Vernon, Texas.
I would like to appeal to the Museum to consider helping us meet Joe's wishes by allowing our Project to get this material, donated if you wish, to the UCLA Film & Television Archive. They are the ones that have restored virtually all of the Vitaphone shorts, and also hold the film and disk elements of many.
This would be very timely, as we are just launching the next round of 50 Vitaphone restorations in conjunction with UCLA, Warner Brothers, The Library of Congress, and The Vitaphone Project. Joe's restoration was not state of the art and some of the picture was cropped. A stellar restoration could now be done and I can get this film into the pending pipeline of restorations, which is already funded. The museum would ultimately get a DVD of the finished new restoration.
Please let me know your thoughts on this. I hope you'll consider this proposal, as it will not only fulfill Joe's wishes, but will also result in a much superior restoration of this important short.
What fantastic news; well done and good wishes to all the team involved.
Wish you All every success from J.T Fans in the U.K.


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Home National Canadians want monument to honour soldiers:poll
Canadians want monument to honour soldiers:poll
A new poll suggests Canadians would like to see efforts to honour fallen soldiers extend well beyond Remembrance Day.
The study commissioned by Historica Canada found a vast majority of respondents would like to see a national monument to soldiers who died in combat in modern times.
About 76 per cent of them said they'd like to see a memorial similar to the United States' Vietnam Wall, which lists the names of those who have died while serving in their country's military.
The poll also found 86 per cent of those surveyed felt creating some sort of national monument should be part of Canada's upcoming 150th birthday celebrations.
Survey respondents also emphasized the need for ongoing education on Canada's military accomplishments, with 62 per cent saying Canada's students are not learning enough about the country's war-time efforts.
The finding comes despite a growing number of Canadian provinces emphasizing Canadian history as part of the middle or high school curriculum.
Historica Canada Chief Executive Anthony Wilson-Smith said the poll results, prepared by Ipsos, carry on a trend that's emerged in recent years.
"We continue to see very strong support that transcends political divisions or even philosophical difference for the principle of honouring veterans," he said in a telephone interview.
The desire for a single, comprehensive monument has been a consistent theme in all of the company's research and on-the-ground outreach efforts, he said.
While people appreciate the hundreds of individual cenotaphs and memorials that exist, Wilson-Smith said there is a clear appetite for a single point at which to congregate and pay tribute to soldiers who fell in conflicts spanning the First World War to the more recent mission in Afghanistan.
A desire for more comprehensive education has also remained consistent, he said, despite recent efforts to beef up performance in that area.
Earlier this year Historica Canada released a report card ranking Canada's provinces and territories on the quality of their history instruction in their middle and high school curricula.
Four provinces and one territory earned A grades, up sharply from 2009 when four provinces were assigned an "F" and none received an "A."
The survey results highlight a long-held belief that people learn best from those who were directly involved in war, with 89 per cent of respondents saying words from veterans are the most powerful way to teach youth about the historical events they took part in.
Wilson-Smith said the number of veterans who took part in major conflicts like the Second World War are dwindling, making it more urgent to document their experiences and share them widely.
Canada also lacks the sort of physical reminders that can keep war-time memories alive across generations, he said, adding this fact highlights the need for more active instruction.
"We have never had conflict in our lifetimes on these shores. When you go to Europe…you go to a town and you see the pock-marked buildings from bullet holes from street fighting, you see the places where the bombs landed," he said. "Here there's a much more distant sense. Here we're much more reliant on actually being taught…than would be the case elsewhere where it's literally part of your upbringing."
The poll also found that 26 per cent of participants plan to attend a Remembrance Day ceremony, down six points from 2015.
More people plan to either wear a poppy or observe two minutes of silence on November 11th, the survey found, citing 77 per cent and 73 per cent of participants respectively.
The Ipsos online poll surveyed 1,004 participants between Oct. 20 and Oct. 24, then weighted the results to best reflect Canada's adult population.
The polling industry's professional body, the Marketing Research and Intelligence Association, says online surveys cannot be assigned a margin of error because they do not randomly sample the population.
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Could You Date Gilmore Girls' Jess?:
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Wondering what a date with "Gilmore Girls" hottie Milo Ventimiglia is like? Well, you can start collecting your pinups of the celeb now because this is one chill dude.
The 24-year-old heartthrob who plays bad-boy Jess on the WB series says his ideal date could be anywhere, because he's all about kicking back and having a good time.
"I could go anywhere and find a good time," Milo dished to us. "Put me in a movie theater, put me in a party, put me in a theme park. I'll pretty much take the situation and have a good time."
And while he admits that having a good time is a major requirement for a date, he also has his rules laid down for the nerve-racking first date. "Don't let thing get too serious," he said. "Just try to enjoy yourself."
We all know Jess has been totally crushing on Rory Gilmore from day one, but which gals actually make Milo's list of potential girlfriends? "Honest caring, compassionate, intelligent. Your basic good qualities," he said about what he looks for in a girl.
Over at Milo's new pad (FYI: he's currently putting the final touches on his new crib in Venice Beach, Calif.), you can find all sorts of movies and music.
"The Godfather" 1 and 2, "Goodfellas," "The Matrix" -- those are movies I can sit down and watch over and over again," Ventimiglia mentioned. As for the music scene you can usually catch Milo listening to stuff he grew up on like the Sex Pistols and a lot of classic punk bands. "Things I listen to now are The Hives, The Strokes," he said about his wide range of interests. "I also listen to a lot of hip-hop like De La Soul, A Tribe Called Quest and Wu Tang."
However, girls, this laid-back dude has a little bit of a rebellious streak running through him. "There's definitely some of Jess in me and some of me in Jess," he explained about the similarities between him and his on-screen ego. "I used to get in trouble in high school. The friends I hung out with, they were considered the bad apples and played pranks and got away with everything."
Luckily, though, Milo wasn't as naughty as his buddies. "Because I was their friend, I relate myself and say I was a rebel," Ventimiglia continued. "But for the most part, I had a halo and a set of wings in high school." If he admitted having similarities to Jess, something tells us Milo isn't as angelic as he says he is.
As for his future in Stars Hollow, Milo assures us he's willing to stick around for as long as the show stays on the air. "It's an amazing cast and crew," he quickly replied. "The writers are the best."
Season 3 of the "Gilmore Girls" starts shooting in August, but Milo is wary of giving his predictions for the new season because the writers are so unpredictable. "When I say, 'Oh, this might happen with Jess,' it doesn't happen," Milo admitted. "I'm constantly surprised by the writers."
However, what Milo would like to see happen to his character is that he doesn't change too much. "I still want to get in trouble," he affirms. "But I want to see him soften up to Luke a little bit. I have a fear that Jess is going to soften up too much, but I really don't see that happening."


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Walk with Me è il terzo album della cantante inglese Jamelia, pubblicato dalla EMI nel settembre 2006. Dall'album sono stati estratti i singoli Something About You, Beware of the Dog e No More.

Tracce
 Something About You - 3:24 - (J. Davis, Soulshock, P. Biker)
 Do Me Right (featuring Afrika Bambaataa) - 3:39 - (J. Davis, A. Bambaataa, M. Prime, H. Robinson, S. Albert, S. Barcelona, J. Harvath, R. Myers, S. Raskin)
 Window Shopping - 3:38 - (J. Davis, M. Prime, H. Robinson
 Know My Name - 3:28 - (J. Davis, K. Poole, Soulshock, P. Biker
 No More - 2:54 - (J. Davis, S. Crichton, T. L. James, The Stranglers
 Ain't A Love - 3:46 - (J. Davis, M. Prime, H. Robinson, J. Belmaati, M. Hansen)
 La La Love - 3:38 - (Fraser T Smith, N. Woodford
 Go - 3:26 - (J. Davis, Eg White
 Get Up, Get Out - 3:18 - (J. Davis, Soulshock & Karlin
 Beware of the Dog - 3:11 - (J. Davis, S. Crichton, T. L. James, K. Poole, Martin Gore)
 Got It So Good - 3:36 - (J. Davis, M. Prime, H. Robinson
 Hustle (featuring Sway) - 3:33 - (J. Davis, M. Prime, H. Robinson)

Collegamenti esterni


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