My name is Shauna Bailey and I am a licensed real estate agent with the RE/MAX Joyce Tourney Realty team. I was born and raised in Chilliwack, BC and obtained my Bachelor of Arts degree from the University of British Columbia. In 2005, I made the move to Regina and have called the Prairies home ever since. In 2008 I ventured into real estate. Since then, I have specialized in both residential real estate and new home construction. I help with all of Joyce's and Leanne's listings, and I will be an additional point of contact for you when you list your home. I can also help you find that house that will become your new home! When I am not helping clients with their real estate goals, you will find me at home or out and about with my dog Paxton. I also enjoy taking in Rider and Pats games, or other sporting events. I also like to explore new local stores and restaurants in and around Regina.
Real Estate magazines. Any question that had come up from potential buyers was handled extremely fast.
The sale was fast as well as all closing details.
Thank you not just for selling our house but for making us comfortable and peace with our decisions.
My very favourite quality from Leanne and her team is their professionalism. She offers great advice, is very helpful and I appreciate how she tells you as it is and doesn't sugar-coat the facts. She is very knowledgable about the market and shares it with you as it is. I will definitely be calling her for my next sale or home purchase! I can't leave Shauna out she was wonderful too!!!


Exceptional Garden Design Trends 2018 #10 - Modern Fireplace Designs was published in July 21, 2018 at 7:41 am. If you wish to use this image as your laptop wallpaper, please tap the download link below or you can just right click on the image above , then select "Save Image As" to download the Exceptional Garden Design Trends 2018 #10 - Modern Fireplace Designs or by pick the "Set Desktop Background As" section if your browser has that option. If you were no able to bring the the greatest picture you are hoping for, you shall go for "Search Column" at top right or browse different image wallpapers whichever you want. This photo has the image size is 537kB and the dimension of 900x600. Exceptional Garden Design Trends 2018 #10 - Modern Fireplace Designs has been seen by 52 users and it is an attachment from Garden Design Trends 2018.


text:
New Survey Finds Parents Support School Tech and Data, But Want Privacy Assurances
Contact: Melanie Bates, Director of Communications, [email protected]
Washington, DC – Today, the Future of Privacy Forum (FPF) released a new survey, Beyond One Classroom: Parental Support for Technology and Data Use in Schools. The survey asked parents to comprehensively outline their goals and concerns about the use of technology and student data. Their answers, and the conclusions that can be drawn from them, should inform the debate regarding local, state, and national policies concerning K-12 education and data use.
Beyond One Classroom follows FPF's 2015 survey, which showed that parents were generally aware of and understood the technology used in their children's schools, but lacked knowledge of many of the specific laws and practices that provide guidelines and important protections for children's information.
"Parents are the strongest advocates for their children's educational success, and all other stakeholders in the educational system should embrace the opportunity to communicate and work with parents as partners in addressing these issues," said Amelia Vance, FPF Policy Counsel.
The survey found the rates of technology use in schools – both by students and parents – went up by 20% since 2015 (see below graph). Not only are students using more technology provided by schools, but more parents are using school-related technology to supervise their child's education process, and to communicate with the school.
The key findings of Beyond One Classroom indicate that the closer the use of data is to individual classrooms and to the parent's child, the more strongly parents support, and desire, the benefits of student data collection and use. According to most parents, the most convincing reasons to use individual student information are to:
Identify students who are struggling so that schools can provide appropriate support earlier (85%);
Personalize the learning process by identifying the strengths and weaknesses of individual students (82%); and
Help schools build profiles on individual students, such as those used to predict best fits for future vocations or professions (57%).
The results point out that as data use becomes less directly tied to students, parents still want to comprehend the benefit to the classroom. Moreover, parents support research that can be used in a school or classroom to directly benefit students.
"Communicating and demonstrating these additional benefits to parents is key to establishing and maintaining trust in an ongoing relationship between parents, their communities, and the schools and vendors that serve them," Vance said.
The findings also illustrated that parents may be seeing the value school districts gain from the use of traditionally "sensitive" information. Support for the collection and use of parents' marital status, family income, and social security numbers all increased significantly:
parental marital status — 45%, up 8%,
family income — 37%, up 10%, and
Social Security numbers — 35%, up 11%.
Over half of parents of school age children now agree that race and ethnicity are data that is appropriate for collection and use by schools.
"The use of this type of data, appropriately controlled and protected, is critical for research that identifies potentially discriminatory policies and practices, and it is heartening to see that parents appreciate the value that this data can provide when it is used responsibly," Vance said.
"Overall, 2016 showed the increasing prevalence of technology use by both parents and students, increasing levels of support by parents of the appropriate collection and use of data by schools, and continued strong belief in the possibilities of technology to improve their child's educational opportunities," said Brenda Leong, FPF's Senior Counsel and Director of Operations. "The goals for educators, advocates, and policymakers remain to communicate policies clearly; establish transparent practices; and work with parents as key partners in the educational system to achieve the best learning outcomes for our children."
Beyond One Classroom was produced with funding provided from the Bill & Melinda Gates Foundation.
The Future of Privacy Forum (FPF) is a non-profit organization that serves as a catalyst for privacy leadership and scholarship, advancing principled data practices in support of emerging technologies. Learn more about FPF by visiting www.fpf.org.
Published: December 8, 2016 Last Updated: August 31, 2020
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FPF Staff
About FPF
Blogs by FPF
FPF in 2020: Adjusting to the Unexpected
FPF Health and AI & Ethics Policy Counsels Present a Scientific Position at ICML 2020 and at 2020 CCSQ World Usability Day
Workshop Report: Privacy & Pandemics – Responsible Use of Data During Times of Crisis
South Korean Personal Information Protection Commission Announces Three-Year Data Protection Policy Plan
Machine Learning and Speech: A Review of FPF's Digital Data Flows Masterclass
How Federal Privacy Legislation Could Affect US-EU-UK Relations
Seven Questions to Ask if You Have XR on Your Holiday Wish List
The Complex Landscape of Enforcing the LGPD in Brazil: Public Prosecutors, Courts and the National System of Consumer Defense
Policy Brief: Location Data Under Existing Privacy Laws
The Spectrum of Artificial Intelligence – An Infographic Tool
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Future of Privacy Forum, National Education Association Call for Review of Mandatory Video Policies in Online Learning
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LIC Housing Finance Limited - LIC HFL published result for Assistant, Assistant Manager And Associate written exam. You can view this result online through your web browser or download this result in pdf format by below mentioned link. You can also view other related updates for above said examination in this update.


In this session the amazing Jonathan Drummey draws on his experiences helping thousands of users work with Tableau to describe how Tableau is different from Excel and other Business Intelligence tools and give examples of ways that Tableau can be used more effectively. This presentation is useful for both new Tableau users as well as more experienced users who are supporting other users and clients.
Come see how to make any Mapbox map available as a canvas for your Tableau visualizations. No code required.
Mapbox's custom cartography, data tools, and live-updating base maps bring a new level of geo insight to Tableau's powerful business intelligence platform.
You can enter the Mapbox office via the front entrance on 2nd Street. Take the elevators in the lobby to the 3rd floor.


South Dakota School of Real Estate provides a broad range of continuing education and additional training opportunities. From license law to principles and practices, we have the right course for you. We provide a hands-on approach to real estate training that will give you the results needed to launch that new career or take it to the next level.
Select the link on the right for Pre-Licensing opportunities.


JUBIZOL EPS with added graphite is used for new constructions as well as in renovation of all types of walls. It is optimum and economical thermal protection of exterior walls. Holes in boards end right before the end along the thickness on the exterior side of the board.
Specific characteristics of graphite EPS are the installed fine reflective graphiteparticles which deflect heat, thus considerably decreasing the transfer of heat. In comparison with white EPS thermal insulation capabilities are improved by 20 %. Therefore a thinner facade cover of a building is required, which is important mainly as far as appearance of exterior and interior sills, terraces, and balconies is concerned.
Tensile strength perpendicular to the surface: 150 kPa.
Insulation boards must not be exposed to direct sunbeams. The use of protective scaffold netting is obligatory when fixing insulation boardsonto a surface.


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DMK to announce candidate on Jan. 4
CHENNAI, January 01, 2019 01:05 IST
Applications can be filed till January 3
The Election Commission's decision to conduct the byelection to the Tiruvarur Assembly constituency alone for the time being, instead of holding polls in all 20 vacant constituencies at once, has offered an advantage to the DMK, as it could focus its energy on known turf.
Late DMK leader M. Karunanidhi, who had contested in many constituencies across the State during the course of his political career, chose to enter the fray in Tiruvarur — his home town — in the 2016 Assembly poll after it became a general constituency in the wake of delimitation. He won the seat with the highest margin — 68,366 votes.
Immediately after the announcement of the bypoll on Monday, the DMK leadership called on aspiring candidates to submit their applications between January 2 and 3. Each application would cost ₹25,000.
DMK president M.K. Stalin said that candidates would be interviewed on January 4, and the party's pick would be announced the same day.
"We will evolve a strategy to win the polls. The Lok Sabha polls, slated for 2019, will bring about a great change in politics," he told reporters.
CPI's support
CPI State secretary R. Mutharasan said that his party would support the DMK's candidate in the byelection.
"We have a good base in the constituency, and contested the 2016 polls as part of the People's Welfare Front. Now, as a friendly party of the DMK, we will work for its candidate," he said.
CPI(M) State secretary K. Balakrishnan said that the objective was to defeat the AIADMK and the BJP, adding that his party would evolve a strategy accordingly.
The AIADMK has asked candidates to submit their applications by January 3. The party will scrutinise the applications on January 4.
Related Topics Tiruchirapalli Tamil Nadu
Printable version | Jan 19, 2020 2:29:17 AM | https://www.thehindu.com/news/national/tamil-nadu/dmk-to-announce-candidate-on-jan-4/article25875500.ece
A 'Jallikattu' for women
Blindfolded participants have to catch a hen tied to their leg
Vignesh Vijayakumar
'Nellai' Kannan signs in police records
As per bail condition, he has to sign every morning and evening


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How to Be a Radio Presenter
WARNING: This is a rather long blog post!
In this post I'll cover:
What's a radio presenter?
The playlist radio DJ
Specialised music radio presenters
The two types of talkshow radio presenters
Matching your show content to the format
Keeping the tone the same
Targeting the right station with your show
Creating a radio talkshow
Do I need to study at college to be a radio DJ?
Radio presenter hacks
Plus much more
So you want to become a radio presenter? Well good for you! I've been a radio DJ on three FM stations. (This was back in the days when FM was big.) I've also hosted radio shows on far too many community radio stations O_o! Let me tell you this, being a radio DJ is great fun. I've been training volunteers in radio for eighteen years now and....
The Number One Radio Question I'm Always Asked Is....
What qualifications do I need to be a radio presenter?
It's a great question, but first, we have to take a step back and look at what a radio presenter does.
Radio Presenter Defined
A radio DJ is the voice of the radio station or the main voice of the radio programme. You can be a radio DJ in music radio, a speech-based radio presenter on talk radio, a sports-based radio presenter or you can be a radio reporter.
The Three Types of Radio Presenter
There are three main types of radio presenter. Playlist radio DJs, specialised music radio presenters and talk based radio hosts.
Music Radio: The Playlist DJs
Most paid radio presenters work in 'playlist radio.' That is, the radio DJ is given the music to play at the radio station. The music is in the format of a playlist. The DJs have no say over what music they can play. The radio station has researched their audience and pre-selected music to match their listener's interests. A radio presenter's job here is to find compelling content to talk about in between the music. At a playlist station, the material the radio host presents must be similar to the output and style of the station. Click here to see a perfect example of this.
The Content Must Match The Output
This is a very important point to note. The content the radio host finds and presents must be similar to the output and style of the station.
Mirror the Output of Your Station
Let's say your radio station is an entertainment based station. When sourcing content for your show, what do you need to do as a radio presenter?
Match the Audience's Passion
You will need to read the same websites as your audience, watch the same TV programmes as your audience, listen to the same music as your audience etc.
We do this for two reasons:
1) It makes it easier to research related content.
2) Your content will match your audience's passions. Doing this means you'll be able to connect better with your audience on a one to one basis.
Connect Rather Than Disconnect
If you're presenting a music-based radio show, then there's no point having loads of references to an audience from a different region. For example, those childhood references to your youth in south London won't be relevant to an audience located in Scotland.
Target the Right Station with Your Show
I managed a hospital radio station with over thirty volunteers for six years.
Our main listener base was the elderly and infirm. i.e. predominately people aged 50 and over. Many volunteers approached us wanting to present hip-hop, trans based, heavy metal, grunge rock shows etc. However, we were a station that had a gold format. These shows were not relevant to our audience. We always turned these DJs away. We needed radio DJs to present radio shows that our audience would want to listen to. You may want to present a show on toy trains and movie theme music, but if your show has nothing to do with what the station is about, then no one will want to listen to you. (Click here for an exception to this rule.)
Match the Music Policy of the Station
The music policy of our hospital radio station was to play music from the 1950s to the early 2000s. We needed our DJs to find show content that connected with our "theme" / listener base. In the case of our hospital radio station, this meant targeting seniors. So whatever music playlist station you're presenting at, you need to know your target audience. Who are they and what do they like? How do you find this information out? Simple. Ask the station manager or the programme controller this question.
Keep the Tone the Same: Classic FM
I once did work experience for Classic FM. Classic FM is a UK national commercial radio station that broadcasts classical music. The Classic FM presenters tailored their shows to match the output of the station. In other words, their content was relevant to the station and their audience. However, they also presented in the same tone and style of the station's output. For example, Classic FM plays relaxing music, so their DJs also presented in a relaxed manner.
I'm a Hip and Trendy Radio DJ
If the station presents an image of being an upbeat, hip and snappy station for young people, then your style of presenting needs to mirror this image. In other words, you'll also need to be upbeat, hip and snappy as well.
Well... "DUH!"
While this sounds incredibly obvious and a bit of a "duh" moment, many new presenters still don't do this. They rock up to a community radio station and want to present a radio show that has nothing to do with the output of the station. My advice is, please don't do this. It's pointless. You'll only be broadcasting to yourself. Remember: Match your show to the tone of the station. Don't be like a certain author who thought that a sketch-based comedy show would work well on a soul based music station. It didn't. Live and learn hey!
Exception to This Rule: Mixed Programming Stations
Again there is an exception to this rule. What if your radio station has mixed programming? In other words, anyone can present any type of radio show? For example, it goes from a rock show straight to a poetry show. I've answered this in a massive blog!
Music Radio Presenting: Specialised Music Radio DJs
You can also be a radio disc jockey that hosts a specialised music show. John Peel is a very famous UK example.
Specialised music radio DJs often select their own music and create their own shows. In other words, they have the creative freedom that playlist radio DJs don't have. Creating, presenting and playing music that you love can be an incredibly rewarding experience.
These types of radio shows were always my preferred format of radio presenting. It's one reason why I love community radio. Presenters can create their own shows, support local bands, and can also help the local community. It's another reason why I train for free in local radio. While there may not be many paid jobs in community radio, it's not all doom and gloom. In my next blog, I'll discuss "listen again." Listen again has opened up a new door for radio presenters.
Keep Your Radio Show Synced
Remember, you still have to match your content to your audience. So if you're targeting a rock audience, then make sure what you talk about is relevant to that audience. Many new presenters forget this point. They end up rambling about nothing related to their audience. A classic I hear time and time again is: "Guess what I did/ate/drank watched last night etc.?"
Talk Based Radio Presenters
Talk based radio broadcasters often work on talk shows that discuss topical issues.
A good example of this could be Adrian Chiles on BBC Radio 5 Live.
There are a few different ways that talk show radio presenters can host shows.
The Topic / Question-Based Talk Show
One way is to pick a topic and then ask a question. For example, let's say the topic is Israel and the question is: Does Israel operate an apartheid state?
The talk show presenter introduces the topic to the listeners. Next, they open up the show for a debate on the subject.
Two Ways to Host a Radio Talk Show: Impartial or Not?
For many years in the UK, radio DJs were impartial. That is, they didn't take a side in the debate. They simply played a devil's advocate role. Let's take our Israeli topic as an example. In an impartial debate, the radio host would introduce the subject, give a pro argument analysis, give an anti-argument analysis and then throw the debate open to the public. They may also have studio guests from opposing sides of the argument. Callers would phone in and debate the subject with the guests. The host's role, in this case, would be to stay neutral. They'd drive the discussion forward and also bat the questions from side to side.
The Non-Impartial Radio Talkshow Host
In recent years, the UK has moved towards more of an American format of talk show. In this case, the host of the show doesn't stay impartial. They state their personal views and the audience tries to persuade the presenter. The idea behind this method is to generate controversy. Controversy motivates people to call in and argue their point of view. talkSPORT in the UK has been incredibly successful using this approach of presenting. (And later on, I'll be writing a blog about how I think talkSPORT is a great station to study.)
There's No Right or Wrong Way to Talkshow Presenting
While my favourite style of radio talk show is to have an impartial host (I worked for the BBC remember!), I'm also a massive fan of talkSPORT. There's no right or wrong way when it comes to presenting talk based radio shows. It just comes down to a matter of personal taste.
Which method do you prefer and why? Drop me an email and let me know!
Creating a Radio Talkshow Format
When I was at BBC Radio London, the producer and presenter would get together and discuss the big news stories of the day. Once they'd decided on the topics, the next step was to consider their questions. They needed to think about what type of questions would generate debate. What would encourage listeners to make contact with the show? Then they would section their show off and cover two to three subjects throughout the transmission.
Pre-Recording Radio Shows
Radio presenters can also pre-record their shows. One time at a UK national radio station, I noticed that the radio DJs had pre-recorded their presenter links onto a CD. My job as the technical operator was to play the pre-recorded 'presenter links' in between the songs.
Every day the producer would select the music for the next day's show. He/she would then send a list of the songs to the presenter. The presenter then recorded their links onto a CD. (Remember, this was ten years ago = CD.) My job was to play the song from the computer playout system and then follow it with a numbered presenter track from the CD. Can you imagine if that went wrong!
Mixed Programming and Listen Again
I've decided to write a separate blog about this topic.
Do I Have to Study Radio at a College Level?
This question is difficult to answer. It has many layers to it. In short, it's no, yes, maybe.
No: You Don't Need to Study Radio at a College
If you want to be a music radio DJ, then my answer is no. However, it's not so clear cut. It's a tricky answer because I went to radio college. At college, I learned the basics. However, radio college didn't teach me how to be a radio DJ, and it didn't get me the job at the BBC. Nowadays, there are thousands of internet radio stations where you can get free, full-on practical radio experience. It was much harder to find this in 1997. After I left Lambeth College, I joined the hospital radio station, Radio Kings. The truth is, it was my volunteer work at the hospital radio station where I learned the most radio skills. Two years after joining Radio Kings, I became the manager. Suddenly, I was running a community radio station with two broadcast studios and thirty volunteers. This experience gave me professional authority. Next, I trained in all aspects of radio. My hands-on community radio experience was the main reason I was employed at the BBC. They wanted radio skills, but they also wanted people and teamworking skills.
Disclaimer to This Answer
However, if there is a radio course at your local college and it's cheap, then go for it. When I was unemployed, I studied an H.N.C in Radio Production at Lambeth College. In 1997, it cost me £30 / $40. I got the course cheap because I was unemployed. A couple of years ago, the UK government changed the rules. Nowadays, if you're unemployed and over 24 years old, then you have to pay £1,000 / $1,400 for the same course. That's too much money for a radio course. If you want to become a music radio DJ, then my advice is you don't need to pay £1,000 for a course. Study with me and build up a good portfolio of work. A good portfolio of work (and a rocking website) allows you to approach potential employers. You don't need college for that.
Always Join a Community Radio Station
You definitely should join a local radio station. Use my radio presenting course to gain the necessary skills, and use the station's equipment for practice. Being at a local station also gives you something to put on your CV. Having a pumped up CV is important.
Check out my blog: How to apply for jobs in radio here.
When Radio College Is a Good Idea
Radio college is useful when you want to be a radio journalist. Strong journalism skills get you into jobs like news reading, radio reporting etc. These are skills you can teach yourself, but many employers want to know that you've had official journalism training. This is so you don't make a costly mistake and say the wrong thing on air. In other words, defamation etc. Defamation can get you sued.
The next question you want to ask is, do you want to be a radio journalist/reporter? Journalism is very different from being a music radio DJ. Do you really want to cover topics like death and tragedy etc.?
Making Radio Documentaries
You don't have to ask tough questions to make radio packages and radio documentaries.
Check out "The Beginner's Guide To Making Radio Documentaries" here.
You don't have to be a journalist to be a talk show host. However, you do need to know about libel, editorial guidelines and what you can and can't say on the radio. Get these wrong, and your station could be sued. My radio presenter course covers libel for music radio DJs.
Radio Presenting Hacks
Before we finish this massive blog on how to be a radio presenter, let's look at some radio presenting hacks.
Present with a Purpose
When presenting a radio show, it's important to have a purpose to everything you say. Make sure everything has a beginning, middle and an end.
Present Your Radio Show to One Person
Present as though you're only talking to one person. It will give your show a more personal feel. Don't talk to a group of individuals. It will sound impersonal.
Know your audience. Make sure you connect with them. Like what they like, talk like they talk. Be interested in the same things as them.
Use Your Emotions When Being a Radio Presenter
Use your emotions when presenting. Laugh when something is funny, feel sad when something is sad etc. However, try not to project anger. Anger is a very negative emotion. Anger can make you sound arrogant. As DJs, we need to capture our audience, not push them away.
Plan Your Radio Show
Always plan your shows. That means doing your research, scripting your links, selecting your music, finding your content, creating your running order, practising your openings etc. It takes a lot of hard work to be a real radio DJ. Many new presenters think they can just wing it. Trust me; you can't. I've tried it. If you make it up as you go along, you'll end up producing a poor show that no one wants to hear.
The Number One Radio Presenting Tip
If you take one important thing away from this blog of doom, it's this, ALWAYS prep your shows.
Listen to Your Radio Station
Listen to your radio station and know what's going on. Many presenters at community radio stations live in their own show bubble. They get so focused on their shows that they don't listen to the station. You need to know what the other DJs at your station are doing. In fairness, I have also been guilty of this myself.
Promote Other Radio Shows
Promote other DJs shows on your show. You're not in competition with them. Email them and ask if they have any interesting guests etc. coming up on their shows. Most of them will return the favour. The more listeners the station has, the more chance your show has of being discovered. Promoting other radio presenter shows is win-win for you and the station.
Know What Your Radio Station Is Involved In
Knowing what your radio station is doing is also important. It means you can trail events and community projects for your station. Don't just think of yourself and your show, think of your station as well.
Listen Back to Your Shows
Listen back to your radio shows/podcasts and see where you can improve. How were your audio levels? What was your content like? Did you feel you connected with your audience? How was your tone? Were you using inflexions or did you present in a monotone way? How was your delivery? Was it too fast, too slow etc.?
Your role as a radio presenter is to provide 'relevant' information to the listener. Your job is also to provide 'interesting' information to the audience. Interesting being the keyword here. Whenever I'm training any radio student, be it in person or online through my online radio courses, my number one mantra is always: Make everything you talk about have a purpose. Make it interesting and relevant to either the show or the station. Too many beginner radio presenters talk aimlessly without any purpose to their output. Please don't do that!
Bonus Radio Presenting Tip
To develop an impressive one-hour, jam-packed radio show can take up to two days of hard work. Once you've presented that show on air, you have to start preparing the next show. Radio presenting is like a factory. You need to develop a system of preparing. Present your show, then take a day off and relax. Now, you have six days to prepare for your next show. Six days sounds like ages to prepare a radio show, but in reality, it isn't. It normally takes one full day to prep a well thought out, well-researched, professionally sounding show. Preparing your show at the last minute takes a LOT of energy. Of course, I never did that! O_o Try and avoid last minute preparing. I speak from experience.
Break the job up. Block off sections in your diary to prepare your show. Always think ahead. If you don't do this, you'll run out of time. Then you'll be prepping at the last minute once again. You know you've done this already!
Start with the fun part. Select your music. It will help you start. Next, make a running order. Work out your timings. Finally, work on your presenter links.
If you don't push yourself, you'll get "comfortable." "Comfortable" = bland shows. Bland shows = always being an average hospital/community radio DJ.
Pull yourself up with self-critique. It will raise your standards. Professional standards will lead you to make excellent radio shows. Good radio shows open doors.
Gather as much radio experience as you can. Study how to present, how to operate the mixing desk, how to create radio packages, learn to interview etc. The experience I gained at hospital radio led me to become a studio manager at the BBC.
Never be an arrogant radio presenter. Always listen to your radio trainer. Take on board everything they tell you. Develop an attitude of wanting to learn and wanting to improve. If you can't find a radio trainer, then enrol on one of my courses. You'll be able to ask me for advice anytime. I'll even listen to your shows and offer feedback.
Listen Again Blog Coming Soon
Got a question? Drop me an email:
onlineradioschool@protonmail.com
And now for coffee!
Other Radio Training Blogs
In his spare time he's London Irish (so he likes a beer) and he also teaches guitar. He's recently created an online "Fingerpicking for Guitar" course. There he teaches the art of fingerpicking for erm...guitar. Students can learn twenty different fingerpicking styles for their chords.
How to Broadcast a Radio Show from Your Wardrobe
Today, one of my students from The Under Priced Awesomely Made Radio DJ Training Course describes how he broadcasts a live radio show from his wardrobe. Over to you Neil.
Background to the Show: Hard Rock Hallelujah
I've always loved radio, especially radio comedies (my true love) and BBC Radio 4 type output. However, when it comes to music, rock is where my predominate taste has been since the heady days of the late 80's 'Hair Metal' and 90's Grunge and Alt-Rock.
Podcasting captured my attention when I started a job in London and had a 2.5hr commute to deal with. Quickly getting bored of the same old things I had in my collection I quickly found a large number of podcasts to fill my time with. Comedies, quiz shows, music shows, plenty of tech and even dare I say it, The Archers, which I still listen to daily now. Don't judge me!
I have always wanted to do something with radio but my life took me down the heady path of working in IT. So the more I listened to podcasts the more I wanted in. It seemed the best way to satisfy that itch for creating radio type content.
I quickly decided I wanted to create a show that was presented "as live." I didn't want to just record it and then edit it together later. I researched and ordered a load of kit. To be honest, I didn't truly understand it all. I also didn't understand how a lot of the kit worked. I mean how hard could it be? Well, it took a good few iterations of software, hardware and work-flows until I managed to produce what I thought was a fun hour or so of music.
To The Show
Performed under the guise of 'International Beige' it's a rock show lasting between one and two hours. It's full of power ballads, hair metal moments, cover versions, metal mash-ups and so on.
I broadcast live to the Internet during recording at http://internationalbeige.com and I put it out as a podcast with the RSS feed available at http://tiny.cc/HRH.
I currently record the show in my small walk-in wardrobe (nicknamed the Boom Closet. Those of you old enough to remember early children's BBC should hopefully get the pun.) I use the drawers as a standing-desk for the equipment.
Computer: 2013 MacBook Pro running playout. Also runs Twitter, chatroom client and live broadcast & master recording software.
Cart Machine: iPad mini running iJingle pro.
Mixer: USB link back to computer to record.
Microphone: Dynamic mic with a pop filter and a stand.
Skype interface: A guitar interface for iOS iRig that I plug into an iPhone for a mix-minus call.
Playout software: MegaSeg
Cart Machine: iJingle Pro
Broadcast & Recording: Nicecast
Audio Editor: Fission
Web Broadcast Host: www.internet-radio.com
Podcast Host: JustCast
Link shortener: tiny.cc
How I Produce The Show
Before studying The Under Priced Awesomely Made Radio DJ Course, my workflow when producing the show was fairly haphazard. After putting together a huge selection of music, I'd then quickly check that it sounded good in the playout software. Next, I'd grab a few beers, hit play and then wing it through each presenter link (getting slowly more sozzled during each song!) I wasn't aiming to be professional, to me it was just a hobby; however, after studying Ashley's course, I now wanted to make everything better. Ashley's course has definitely shown me the way.
My workflow to produce the show since taking the course is as follows:
1. Find some music.
2. Load it into a playlist in MegaSeg. Organise the playlist into features and things I like.
3. Rename and change the colours as necessary. Add in the breaks for my presenter links.
4. Play the playlist through and check my track intro/outros. Add in ramp times and check if the music order works, changing as necessary.
5. Fill in my running order spreadsheet with the music times, jingle times etc. Check to see how much time I've left to chat. Dropbox link to running order spreadsheets.
6. Script the introduction, the ending, and each link in between the songs.
7. Get an idea of how long it will take to read all my links. Check to see if it fits in the talking time allowed.
8. Edit the script ruthlessly, cutting out all the waffle.
9. Perform the show as live and see how close to the time I can keep it. (For my first show I was still 3 minutes over my target of 1 hour.)
10. Put the recording of the show through an audio editor to clean up the start and the ending. Run a normalisation across the MP3.
11. Export the MP3 at a slightly lower quality to reduce the file size.
12. Upload the file to my podcasting host, which auto-generates the RSS feed.
How To Listen to HRH
If you want, you can give the last three shows of HRH a listen. At the moment, the show isn't available via iTunes so you'll need to add the following URL to your podcatcher manually: http://tiny.cc/HRH.
You can also listen to the last three shows directly here at Dropbox
If you want to know more about my set up and show, then you can find me on Twitter at @intlbeige, or on email at internationalbeige@gmail.com
Thanks and rock on!
Neil!
Should Radio Presenters Type Their Shows Out?
I've been training beginner radio presenters for eighteen years now. I get asked this question a lot. Should I type out my words when I present a radio show?
All Radio DJs Are Different
Every radio presenter has their unique way of presenting a radio show. However, for beginners, I always make them script their links. In other words, I make them type out exactly what they're going to say. At first, they all moan and groan :)
"Hello & welcome to Whitechapel AM, your award winning radio station! Here with you for the next hour ….My name's Bobby, and you're listening to Music to Make you Smile."
(Click here for an excellent example of how to start your show.)
The Circle of Doooooom
I make radio DJs type out their shows for a couple of reasons. When a radio presenter has to type out their entire show, it forces them to think about their content. It helps them see if their show is strong or weak. Beginner radio broadcasters are impatient. All they want to do is open the microphone and start speaking. However, it never works like this. In the real world of broadcasting, this method makes for an awful show.
Community Stations Need to Monitor Their Output
A lot of community stations don't bother to track their DJs content. They give the DJ an on-air slot and then just leave them alone. No one follows up on the content. The trouble with this method is that the DJ continually puts out weak shows. If no one is analysing their show, they're not going to improve. A radio show which is unprepared and unmonitored doesn't sound great. It also doesn't have many listeners. When no one is listening to you, your motivation for presenting begins to drop. When your motivation drops, then you can't be bothered prepping. When you're not prepping, then your show sounds poor, and around and around we go.
The Community Station Excuse
"We're voluntary run, so we don't have the manpower."
Do you want your station to broadcast poor shows or great shows?
When you set up the station, was your goal to broadcast weak shows? If you don't listen to the shows, how do you know if they're any good?
If the programme controller/station manager can't offer show feedback, then delegate that task to an experienced volunteer.
Scripting Makes You Prep
When I force beginner radio presenters to script their links, I'm forcing them to prep at the same time. My hope is that scripting their links makes their shows strong from the start. Presenters with prior experience hate doing this. Beginners who start off by scripting tend to end up better than the experienced presenters. I've found that the more experienced presenters that don't script tend to waffle a lot more. There's less focus to their links; there's less journey for their show, there's less purpose to their content.
Scripting Takes a Lot of Effort and Time
Scripting takes a long time, and it takes effort. Many beginners spend two days prepping their one hour show. They often come to me and say: "I can't believe how much work I've put into this." My reply is always the same: "Good. Now you'll have a strong show." And they always do.
Scripting Gives You Confidence
Many beginner DJs are very nervous. There are many things they have to master. For the first two weeks, we focus on technical operations. From week three to week eight, we focus on show content. Making the beginner DJ script gives them confidence. When they're confident, they relax.
At Whitechapel AM, (a hospital radio station in East London) I created an eight-week radio presenter course. From week three to week eight, myself and the DJ listen back to the shows. In other words, we analyse their content. It's at this moment when the penny drops. They suddenly realise their shows are pretty bad. I love seeing the light bulbs going off in their heads! They're like, "Yeah, I DO have to prep!"
The Bullet System
After a few shows, I give them the option of bullet pointing their links. They don't have to type out every single word. They can structure their show in chunks and ad lib a bit more.
Show Opening
Straight into music followed by story on Donald Trump
Move into The Beatles Taxman song
Give out station ident
Straight into song
Discuss topic about open mics
Then I ask them, which system do they prefer? Surprisingly, most of the presenters I've trained stick with typing out their links. There is no right or wrong way here. It's what works best for you. I like to script; others don't. Try both methods and ask yourself, which method produces the best show?
Make Sure It Sounds Natural
Of course, when you script a show, it has to read naturally. It's important to read out your links and practice them thoroughly. Actors do this with their lines; radio DJs need to do the same. If it doesn't sound like you, then retype it.
At the end of the day, whether you script or bullet point your show, you have to prep well. Crap in = crap out.
If you're a total beginner, my advice is: type out your links word for word. Later on, you can switch over to the bullet system if that's easier for you.
Click here for more radio advice blogs
Conversational Advice / Writing for Radio
As we're writing for the ear, we need to grab the listener's attention straightaway. We also have to keep their attention. Beginner presenters who translate newspaper articles tend to write their links in a written style. Writing this way, however, doesn't work for radio. For radio, we need to write in a conversational manner. Our listeners need to understand the information first time around. Unlike a book, in live radio, they can't go back to the point again.
Conversational Tone
Try to keep your presenter links as natural as possible. Think about it as telling a story to a friend in a pub. Write in a style that sounds relaxed. Use the same words and phrases that you'd normally use in everyday life. Use contractions. Write "don't" instead of "do not" etc.
Practice reading your links aloud. Actors do this with their lines. Their goal is to make their lines sound conversational and natural. For us as radio presenters, we have the same purpose. Therefore, when you practice reading your links aloud, consider if it sounds like you.
Use Visual Words
Let your listeners imagine. Your links need to help your listeners picture images, people, and places, etc. Use descriptive, describing words.
Keep it Focused
Long winding sentences packed with words etc. don't work well in music radio. Think in short chunks and keep it varied. Listen to the professionals. Study how they're presenting their information.
Consider Tenses
Present tense tends to give the listeners a sense of familiarity and intimacy. It's not always possible to write everything in the present tense, however, keep this in mind when scripting your links. Try not to bounce between different tenses in your link, i.e. moving from present tense to past tense, then back to present tense again, etc. Of course, this is not always possible. It's just a suggestion to consider if you feel your link is not working.
Don't just give the facts of a story. Ask yourself, why does this story matter? Can you learn something from this story? Can you relate something from this story to your real life or your listener's real life? You don't have to give an in-depth breakdown of every single point. However, do consider moving the story on to another point. If you do this, it can be more interesting than just reporting the story alone.
Dave from Dartford fell out of a window onto twenty boxes of eggs. Lame egg joke - into song.
Dave from Dartford fell out of a window onto twenty boxes of eggs. Lame egg joke - link to a point in real life, which the listeners can relate to - move the story onward - tell us what we learned from the story- into song.
Use the active voice. Lecture 10 on the radio presenting course covers this point. Use verbs that "kick!"
Try not to break up your subjects and verbs. (This point is geared more to news writing, but it's worth noting.)
Bernard Stockton, who is the head trainer of We Rock AM, says We Rock AM is rocking.
We Rock AM head trainer, Bernard Stockton, says the station is rocking.
Bernard Stockton is the head trainer of We Rock AM. He says the station is rocking.
By the time you get to the end of the first sentence, Bernard Stockton gets lost. The next two sentences make the information clearer.
"What's that you say? You still love me? Well, I love you too!"
In more of his spare time, he's London Irish (so he likes a beer). He's recently created an online "Fingerpicking for Guitar" course. There he teaches the art of fingerpicking for... erm...guitar. Students can learn twenty different fingerpicking styles for their chords.
If you'd like him to listen to one of your shows and offer feedback, then click here.
Linking Questions from Your Radio Topic to Your Guests
In 2016, I ran an eight-week radio presenter training course at Whitechapel AM. A typical mistake that beginner presenters make is when they question their guests. They'll have a topic; they'll mention their point of view, and then they'll ask their guests for their opinion.
It generally goes like this:
Prepared Script
"The star is offering four hundred lucky guests - the chance to come and see her perform - With tickets ranging in price - from four thousand pounds to a whopping one hundred and fifty grand ..blah blah blah."
What do you think Dave? - Answer.
Jackie. What do you think about this? - Answer.
Stephen. Is she charging too much?" - Answer.
Why This Form of Questioning Doesn't Work
There are two problems with this style of questioning. The first issue is that the presenter hasn't bothered to think about their topic. They also haven't bothered to think about their questions. It's basically: "I think this. What do you make of this?" It makes for boring radio.
The second problem is that the conversation and topic never move on. The guests' replies are also very similar. Similar replies makes the segment sound dull.
What You Need to Do Is:
1) Have a beginning, a middle and an end for everything that you want to discuss.
2) Know how you're getting into your topic.
3) Know what you're going to discuss.
4) Know how to move the issue forward.
5) Understand how you're going to end the segment.
Plan Your Journey Beforehand
If you're commenting on a news story and you're throwing it open to your guests, then plan your "journey" beforehand.
Example of Moving the Topic Forwards
Here's an excellent example of questioning your studio guests. It came from one of my trainees on my eight-week radio presenter training course. Let's look at it first and then break it down.
If you had the money, would you pay four grand or more to see Madonna - or anyone else?
Is this a good thing - using her name to help charities?
What do you think of celebrities cashing in on their fame?
Or do you think - this is just Madonna promoting herself?
Call us and let us know on XXXXXX
And we have our lovely guests on the show tonight - I'm sure they'll have some thoughts on this.
Mel, Duncan, Joshua and Andreas. Good evening.
To Mel:
What do you think of celebrities endorsing or setting up charities?
To Duncan:
Would you pay so much to see Madonna?
To Joshua:
Who would you pay four thousand pounds to see?
To Andreas:
Have you ever spent a huge amount of money - to see your music idol?
I'm sure you've all got thoughts on this. If you'd like to share them with us, then call now on XXXXXX. Whitechapel AM."
Let's Take a Look at Why It Worked
1. Describe the Story
You've done your show prep and you've researched! :) You've found an interesting story for your show. You describe the story to your listeners and your guests.
Always write your numbers in words. It makes it easier to read.
2. Throw the Question Open to Your Listeners
"If you had the money, would you pay four grand or more to see Madonna - or anyone else?
Or do you think - this is just Madonna promoting herself?"
3. Call for an Interaction
"Call us and let us know on XXXXXX"
4. Now Move on to Your Guests
5. Final Call for Interaction
Why This Style of Questioning Works
1. He's researched the topic and he's found further questions to ask on the same subject.
2. He asks his listeners different questions (on the same topic) to get them thinking.
3. He asks each guest a different question to move the item on from the last point.
4. He sums up the topic and once again calls for interaction from the audience.
Create a Journey for Your Questions
When you look at his questions, you see he's created a journey. The topic is always moving. It's much more interesting than:
What do you think A?
What do you think B?
What do you think C?
Find an interesting story for your show. DO YOUR SHOW PREP! :)
Have a beginning, middle and end for your topic.
Prepare / ask some questions to get your audience interested and thinking.
(We're after an interaction.)
Research further questions to ask your guests.
(We're after their interaction.)
Ask each guest a different question. It will give your topic a "journey," and it will stop your guests giving similar answers.
Recap with a call for audience interaction.
A random Japanese Twitter friend drew this for me. I like it!
Common Community Radio Presenter Mistakes
Comedy Training Blog 3
Meet Romedales Bufflehead
It's 7:05 pm and Romedales Bufflehead steps off the train at East Dulwich station in south London. With his Oyster card in hand, he starts to floss his trendy hipster beard. Only cool people had hipster beards thought Romedales, as a chicken leg fell from his beard onto platform one.
The Nerdy Man's Beard
The whole hipster beard fashion was a bit of a con really. Many hipsters thought themselves cool with their beards. Many others, however, thought the whole beard thing was just an attempt by boring, nerdy middle-aged men, to try and make themselves seem a bit cooler. And to be honest, it did work for a while. That was until Sharon from the Catford Tesco's went "Eeer Romedales you plonker, you're just a boring middle-aged computing nerd with a beard. I'm out of here..By the way that'll be £2.45 plus 5p for the plastic bag." Romedales was devastated. Bang went his 30% Tesco discount.
Beards are for Winners
Sharon thought he was a bit of a loser. A man with lentils and a KFC chicken wing dangling from his beard wasn't cool. She had met Romedales in her local supermarket. He was the bloke with a pot noodle dangling from his face.
East Dulwich is Peckham with a Beard
As he stood at platform one in his green flannel shirt, bucket hat and beat up Converse trainers, Romedales rolled up a cigarette. He lit it and started smoking. To him, he was the epitome of cool. I mean if he were a refrigerator, then he'd be the Liebherr K2330 - 217 Litre A+ Larder Fridge… in white. To the rest of the general public, he looked more like an iceQ - 4 Litre Mini Fridge – in purple.
"Get a fire extinguisher!" screamed a member of the public as Romedales beard suddenly went up in flames. As smoke billowed up into the air, Bob, the Native American from the Appomattoc tribe in Virginia suddenly called out. In fluent Algonquian, Bob said, "Oi Dave mate, what do you think those smoke signals over there say? It's twisting my melon man."
Dave paused for a second, stroked his Native American hipster beard and said, "It says….can I please get a tall, non-fat latte with caramel drizzle mailed to south London please?"
"Best pop it in the post then," said Bob as he started doing a traditional Native American rain dance in his local Walmarts - with a packet of frozen chicken McNuggets down his pants. "Security to aisle five" went the intercom.
Hipster FM: Giving Your Beard Attitude Since 2014
It's wasn't until 7:15 pm when the slightly singed Romedales finally made it into Hipster FM. Even though his show started at 7 pm, Romedales was relaxed. Starting on time was for losers. Cool DJs, on the other hand, rocked up without any show prep, opened the mic and then blew their audience away! It didn't matter to Romedales that his audience of three had been sitting at the computer listening to silence for the last fifteen minutes.
"Oswald is this bloody thing on?" said Serenity as she stroked her beard with a fork. "And by the way, Oswald, tell me this. Why the hell does it say 'Bouncy Hooters' in the task bar when I go to type in Bournemouth?"
Community Presenter Mistake Number One
START YOUR SHOW ON TIME! If your show starts at 7 pm, then be in the studio at 6:50 pm. Be ready to sit in the presenter chair at 6:55 pm waiting to go. Don't roll into the studio at 6:59 pm and then go on air at 7:05 pm. It's just unprofessional. I see so many community presenters doing this. Starting a transmission late as a BBC studio manager was a sackable offence. If you have an empty studio, then get in there thirty minutes before your show and set up.
We'll Put The "G" into Gentrification
Hipster FM was one of the most hippest, trendiest and funkiest online radio stations that the bearded infested town of Dulwich had ever seen. In fact, beards were so respected at Hipster FM; even the microphones had them.
All one had to do to join Hipster FM was:
1) Own a beard.
2) Love beards.
3) Make your wife grow a beard.
4) Have an iphone with a bearded cover.
5) Be a part time club DJ…with a beard.
Formed in 2014, by a communist, revolutionary Marxist banker named Asquith Spogony, Hipster FM was originally set up to be the radio station for the local non-league football team, Dulwich Hornets.
Dulwich Hornets FC
Dulwich Hornets were probably the most yuppiest football team in the entire country. You'd never catch their supporters eating a pie and chips. To Hornet fans, paying £18 for a posh sounding German hotdog was part and parcel of being a Dulwich supporter. Hornet fans were posh. They didn't drink beer. They brought cheese and wine to every home game. Sitting in the Dulwich stands sipping on a Chilean red was how to do football at Dulwich. Sometimes (after a few too many Chilean reds) the Dulwich fans could get a little "naughty." To be honest, Dulwich fans could intimidate the opposition with the best of them. "Hit him with a Camembert Tarquinius!" went the chant.
Raising Piles of Money
Dulwich believed in equality. For every single home game, Dulwich Hornets would run a fundraiser. Even if you were a one legged Irish leprechaun with herpes on your haemorrhoids, Dulwich would hold a fundraiser for you.
They Were More PC Than PC World
Being the most PC football club in the land, Dulwich believed that everyone was welcome….apart from Tooting and Mitcham. To them, Tooting and Mitcham were scum. The local Sainsbury's always did a roaring trade in Camembert when the two teams met at home.
Dulwich was so non-football that they played in pink and blue. To them, pink didn't mean that they were "up hill gardeners." No. To them, pink was a manly colour. They were proud to play in pink. Even their season tickets and programmes were pink. Some of the players, however, did object to the burgundy frilly tutu's that went along with the kit. "Here come the ballerina boys" went the club song.
Stick With Me
It's now 7:20 pm and Romedales is set up and ready to broadcast. He gargles some mineral water, does his vocal exercises "beard, beard, beaaaaaard" and then places his right index finger onto the microphone fader. A sense of dread suddenly fills his body. Someone's left a bogey on the fader. Romedales screamed. "ARGHHH THERE'S A BOGEY ON MY FINGER!!" The resulting output was so loud that forty-four people in a local Romanian supermarket in Croatia suddenly went deaf. Romedales threw his headphones twenty feet into the air screaming "Ahhh my ears! OH NO! THE BOGEY'S NOW ON MY FACE!"
Community Presenter Mistake Number Two
In his panic, Romedales hadn't set the levels on his microphone. It meant he was distorting.
A very common community presenter mistake is distortion on the microphone. In other words, broadcasting far too loud. When this happens, it means the presenter is doing one or two things.
A. They haven't checked their levels before opening the fader.
B. They're chatting away paying no attention to the levels on the meters once they play their song.
So always check any levels of any item / person BEFORE you open the fader. And always listen to the output in your headphones. Constantly ask yourself questions like: Does this song etc. sound lower or higher than the last item? Always listen to your output and always analyze your output WHILE presenting. Keep one ear on your levels and one eye on your meters throughout your whole show.
Download the PDF on setting levels with three different meters.
Where There's A Bogey There's A Way
After Romedales had finally stopped dry retching, (and had managed to scrape the foreign entity under the presenter's chair), he leaned into the microphone and said: "You're listening to the industrialised Marquis of Dulwich, and this is movie theme tunes from Albania."
Bugger. He'd opened the CD fader by mistake.
Always check your faders!
Community Presenter Mistake Number Three
Always make a show for your listeners. Don't make a show as a self-indulged piece for yourself. Many community radio presenters make self-indulged shows. "Here's a show on film theme music etc." Also, don't choose or talk about a subject that only interests you but has no appeal to your audience. A segment on the problems of Mexican immigration in the US will have no appeal to an audience in south London. Always remember your target audience. Make sure that whatever you talk about is relevant to your target audience. Many community presenters forget this point. At the hospital radio station that I managed, we had a "gold" format as most of our patients were old. Many of our presenters wanted to make trans based, hip hop, techno, heavy metal shows that had no relevance to our audience. Remember your target audience.
The Fader Strikes Back
"Hey you out there! This is Romedales Bufflehead, and you're listening to the industrialised Marquis of Dulwich. You guys are going to love this; this is movie theme tunes from Albania."
Community Presenter Mistake Number Four
When presenting, always speak to the "individual" and not the group. This means avoiding generic phrases like: "Hello you guys out there!"
Think about your listener as "one person only." Speak to your listeners as though you're only talking to one person. People listen to the radio as an individual. If you present your show as though you're presenting to a 'group' of people, you can create a distance between yourself and the listener. During my radio training days, the message "radio is a personal medium" was always drummed into me. So think of your listeners as one person only.
Car Crash Vocals
As Romedales was introducing his first song, the vocals suddenly kicked in. Bum! He hadn't bothered to listen to the song before playing it.
Community Presenter Mistake Number Five
Don't crash the vocals of a song. If you're going to speak over a song opening, then make sure what you've got to say is:
a) Relevant
b) Interesting.
Fader Wanking
No problem thought Romedales; I'll just lower the fader, chat some more, bring up the music for a bite and then lower it again. All the pro radio DJs do this. It will make me sound awesome!
Community Presenter Mistake Number Six
Don't "fader wank!" Pulling the fader down then speaking, then pushing the fader back up again for music, then bringing the fader back down again for more inane chat, then pushing the fader back up again, etc. This sounds tacky.
Bogey Bluetack
As the song twanged away, Romedales decided to have a rummage around his nostrils. Blimey, he thought as he pulled out the equivalent of the rocky mountains in one dig. For some reason, he just had to look at his bogey. For a split second, he'd even thought he seen the face of Jesus looking back at him. As he gazed into his Jesus bogey, enraptured that so much gunk was up his hooter in the first place, his song suddenly ended. "Shit," thought Romedales as he opened the microphone with his little finger while balancing Jesus on his index finger. "Err, ummm, errr. That was the Albanian Sheep Shearers Collective..umm….from the film…err…..Albania Rocks….errr…"
Community Presenter Mistake Number Seven
Always have the timer on countdown so you know how long you have left on the song. I've been caught out a few times when the song has suddenly stopped!
Community Presenter Mistake Number Eight
Don't make every second word a "ermmm" and "ummmm." This is very annoying to listen to on the radio.
Who Wants Waffles for Breakfast?
Romedales leaned into the mic and said "Basically, Albania Rocks was the biggest, smallest, film ever made in Albania. In fact, in 1993, I once went to Albania. Basically, I was like 11 years old but get this. I remember sitting in the back of the coach like reading my Beano comic. Does anyone remember the Beano comic? Basically, that was a funny comic. But anyway, as I was saying like, I was in Albania, and I remember eating this bagel and.."
Community Presenter Mistake Number Nine
Don't waffle! Make everything you say interesting and relevant. Remove unnecessary words and communicate your point in the shortest possible way.
Community Presenter Mistake Number Ten
Avoid "filler" words such as "like, basically, well, but, etc." as this can annoy listeners.
Production of Doom
"Time for a jingle!" said Romedales as he leaned under the chair and added his new found bogey to the collective.
"This is Hipster FM!" he said as his freshly cleaned finger pushed the jingle button.
"This is Hipster FM" went the jingle.
Community Presenter Mistake Number Eleven
Never repeat the production (the jingles etc.). Don't say something that a pre-recorded jingle already says for you.
You: And here's the news:
Jingle: And here's the news
Make sure you know how the jingles start and end.
"Right, time for some gig listings," said Romedales as he pressed the button to start his funky hipster music bed. "We love beaaaaaaards!" it sang before the music kicked in. Romedales lowered the fader and started talking.
Community Presenter Mistake Number Twelve
Don't bring the fader down so low that you can't even hear the music. Romedales didn't have his headphones on. If you don't wear your headphones, you can't monitor your levels.
ALWAYS wear your headphones.
Gigedy Gigedy
"Ok, our first gig is about The Bearded Bananas from Peckham. They'll be playing a live vegetable and fruit set down at The Crown and Beard in..ermmm..Peckham. Our second gig is live at The Swan and Beard in Stockwell. The Melons will be playing a live 130-hour set this Thursday. Get down there for Monday at 0400....
Five minutes later….
Finally, our ninety-seventh gig will be inside the Dulwich Sainsbury's. David and Tina will be playing a twenty-minute, Icelandic whale music set. You can find them by the tinned mackerel section. That was your twelve-minute gig guide in association with "Just for Pubes." Don't let your pubic hair look older than what it should be. For a fuller, thicker look with an easy to brush-in application, "Just for Pubes" will have you impressing the ladies in under five minutes."
Community Presenter Mistake Number Thirteen
Don't give out lots of information (events etc.) in the style of a massive list. Listeners don't sit by the radio with a pen and paper. Mention two to three events and then redirect listeners to the website.
Romedales pressed play on the computer and his next Albanian theme music song started playing. Cuthbert the eight pm DJ walked into the studio.
"Romedales! How goes it o' bearded wonder!"
"Not good Cuthbert sir. I think I've got food poisoning mate. Since yesterday I've had diarrhoea man."
"Sounds shit Romedales. Still you're almost done now, mate."
"Oh man, it's bad. Last night I was in The Bearded Gnome pub with Sandra. I gave her a kiss and pooed my pants. She kept asking me what the smell was. All I could say was it was my new Lynx Cowpat deodorant."
Romedales suddenly let out a large gaseous fart. Cuthbert's face crinkled like a ten-pound note in a washing machine. "Jaysus that's a bit meaty for a vegetarian mate and…..OH MY GOD! ROMEDALES! THE MIC'S UP!"
Community Presenter Mistake Number Fourteen
Always make sure your mic fader is closed once you play a song. After the song has finished, close its fader. The song may have something at the end of it. The song may continue into the next song. You could get confused with what item you've just played and end up playing the same song twice. Closing the fader is a good visual stop to let you know where you are.
It's All About the Timing Init
"Well it's 7:59 pm and I've been Romedales Bufflehead. Time to play my last Albanian theme music song. It's a short 12-minute piece entitled fjalimit të kreut të opozitës Lulzim Basha gjatë fjalimit të tij përshëndetës. Coming up next we've got Cuthbert with his show on Moroccan sponges."
Community Presenter Mistake Number Fifteen
GET OFF AIR ON TIME! If your show ends at 8 pm, then start playing your last song at 7:55 pm. Next, get out of the studio ASAP. Let the next DJ sit down and set up for their show. Giving the next presenter no setup time is very unfair on them. You wouldn't like it if someone did it to you. Therefore, don't do it to someone else. Often presenters get sucked into their shows and end up talking to 58 past the hour. Then they play their last song. Next, they slowly move from the chair and slowly pack up. This gives the next presenter no time to set up.
Play your last song on air at 55 past and then get out of the studio.
Get five extra tips with this free PDF download.
20 Community Presenting Mistakes
Ashley Cowan (bloke getting mangled on Cat Tail) runs the Online Radio School where he tutors in radio presenting and media interviewing techniques. He was a BBC World Service, Radio studio manager for nine years. He was also the station manager for Radio Kings, the hospital radio station for Kings College Hospital. Other crimes include being the training manager for K2K Radio & Whitechapel AM.
In his spare time, he's London Irish (so he likes a beer), and he also teaches guitar. He's recently created an online "Fingerpicking for Guitar" course. There he teaches the art of fingerpicking for... erm...guitar. Students can learn twenty different fingerpicking styles for their chords.
A Good Example of a Show Opening
Bobby rocking the airwaves!
If you're new to radio presenting, here's a good template to use. Bobby presented his show opening over a one minute music bed.
This is why I like it:
It tells you who we are
Tells you who he is
Tells you the name of the show.
Tells you what his show is going to do for you.
Calls for a request
Let's us know that his show has guests, but he doesn't open the mic and start talking to his guests during the opening. I would advise on focusing your opening on you and your show only.
He tells us what topics are coming up in his show
He mentions the station number again
He introduces the first song.
All in all, it's very good.
Opening (50 seconds)
Hello and welcome to Whitechapel AM, your award winning radio station here with you for the next hour ….
My name's Bobby, and you're listening to "Music to Make you Smile."
We're gonna have a selection of hits that will make you feel relaxed, lift you up and improve your mood.
If you've got a request for a special song that means something to you, or you just want hear something that'll put a smile on your face, then call us up on XXXXXX and let us know what you'd like to hear.
Also this evening - we'll have a light-hearted look at the week's news and events, and we'll have some fun conversation from our wonderful guests:
and the lovely Melly-Mel
Up ahead we've got news and chat about pop star Madonna's latest charity venture… and we'll find out about Mayor Sadiq Khan's refurbished hire cycles (previously known as Boris Bikes)
So relax and enjoy the show - and don't forget to call us on XXXXX to let us know that special song you want to hear………
But first up - one of my favourite tunes from an absolute legend of music, this is the phenomenal Prince….
Other Community Radio Training Blogs
The Beginner's Guide to Radio Presenting
Marconi was an Italian and a prolific inventor. He's widely believed to be the first man to invent the radio. I know this because I can read Wikipedia.
In 1894, aged 9, Marconi invented a device that could make a bell ring in another room. It did this by using radio waves. He quickly patented the device and started selling it to his school friends. Soon, legions of students could be seen hiding in bushes outside Italian houses killing themselves laughing. They were having great fun playing radio controlled Knock Down Ginger (Ding Dong Ditch). Sniggering away, they secretly rang doorbells from afar while mustachioed females cried out "Mama mia it's the door-ah bella again!"
Bankruptcy soon followed. Back in 1894, radio sets were the size of a garden shed. Hiding behind a bush, sniggering at mustachioed females in calzone shoes, with a twenty-foot radio receiver sticking out of your arse didn't do your art of camouflage any good. And trying to make a fast getaway from a livid Italian housewife while wearing a shed on your back was no mean feat either.
In 1911, aged 26, Marconi moved to London and invented the world's first ever radio set. He loved listening to radio in bed. His girlfriend, Calamity Whiffletree, on the other hand, hated it. She was always turning over in her sleep and knocking her brains out against the two-foot dials.
Marconi fell in love with radio. If he wasn't bumming one, or french kissing another, then he was always building new sets. By the end of the year, he had sixty-five radio sets in his house. No matter where in the house Calamity went, she was always walking face first into a radio set. She had to sleep standing up due to the bedroom set, cook with her nose to the wall because of the kitchen set, and she even had to do her business with her left leg stuck out of the right bathroom window because of the toilet set.
Going for a walk was always problematic. Before she and Marconi could go anywhere, they'd have to hire twelve men, a crane and a horse and carriage so that Marconi could take his portable set with him. Trying to walk hand in hand while Marconi rode on a horse and carriage was very challenging for Calamity.
At aged 28, Marconi opened his first radio rental store in New Cross, south London. Soon his radio sets were flying out the window. In fairness, that was mainly due to the local Millwall fans who used to trash his shop after every home defeat. Millwall fans liked his sets. You could do some severe damage to a rival fans testicles with "The Marconi Mauler" twenty-foot radio set. As one Millwall fan said, "The dials on his sets are ideal for stabbing people!" He said this while ramming a Marconi Mauler up a Leeds fan's left nostril.
By 1913, Marconi had rented out over 120,000 radio sets. He was well on his way to becoming a millionaire. Disaster, however, was soon to strike for the second time. Marconi had forgotten a simple fact. No one had actually invented a radio show yet.
To stave off a second bankruptcy, Marconi was forced to become the world's first ever 24/7, 365 days a year, radio DJ. Wherever he was, wherever he went, Marconi had to create a radio show just to stay in business.
"Ok, coming up on The Marconi Toilet Hour this..PLOP. And that was PLOP with their first hit single 'Get the air freshener please and - oh my god I think I'm going to honk.'
Happy Jingle Music
The Marconi Toilet Hour is brought to you by Squirty McSquirts constipation relief."
Being the world's first ever 24/7, 365 days a year, radio presenter drove his poor wife Calamity nuts. "Hi my name's Marconi, and welcome to the love hour. For the next hour, I'll be making love to my wife and Ooooooh Myyyyy GoooooOOooood..., thar she bloooows….and we'll be right back after this short message by THUD...Zzzz."
"Marconi! Is this thing still on?"
Over the next four years, Marconi went on to present 15,456 radio shows. His most famous show being "Where'd my foreskin go?" W.M.F.G was a two-hour weekly show aimed at the east end Jewish community from Penge. Guests would come onto the show to ask their parents about their missing foreskins. The show, for some reason, failed to make it in the US.
Other shows included "Mapmaking with Midgets": "Small people need never get lost again" went the jingle.
Marconi even broadcast from an abattoir once. "And now he's going for the leg, and OOOH there goes the leg..and wow there's so much blood..and OH MY GOD I'm feeling sick, I think I'm going to be the first ever Italian to throw up live on air, and yes here it comes people, I'm now vomiting live on air what looks like diced carrots. But, and get this people, I haven't eaten any carrots today. THUD..and now I'm face down in my own vomit. It looks like my father was right."
To keep the funds coming in, Marconi started inventing radio adverts:
"I make £500 an hour by showing my penis on the radio. If you'd like to have a throbbing bank account too, then write to us now at: 'I'll get my nob out on air for cash,' Cock Street, Bell End, London SE5 4PZ."
Marconi also made a lot of money with radio pornography. Everything was going throbbingly well until one day the sound effects man got rather drunk. Boris, the Russian cockney sound effects man, got so mangled that he inadvertently destroyed an episode of: "Would You like to Stroke My Microphone?"
"Oooh, Aaah, oh Maximilian your receiver is so manly."
Cow mooing sound.
"Errr….umm...oh Maximilian, your antenna is too large."
Elephant trumpeting.
"FFS! (Deep breath). Maxy, it feels so warm."
Creaky door sound opening.
"Nice hooters Mandy!"
Sound of someone sneezing.
"Ride me like a steamship Horace."
Sound of a horse doing a curry poo.
More pressure was put on Marconi when a rival radio station started broadcasting in 1916. talkBOLLOCKS was started by a man called Albrecht Stringybark. Albrecht was to become Marconi's radio nemesis.
Even as a boy, Albrecht was dastardly. He used to have great fun sucking the water out of his goldfish bowl with a straw. Laughing cruelly as his pet fish "Gilbert" flapped around for dear life, Albrecht, as the doctors back then called it, was a complete basket case.
As a teenager, he liked using a flick knife to clean out the black bits from between his toes. This toe cleaning, flick knife maneuver, really impressed the local girls. At aged twenty-five and with only one toe left, Albrecht started talkBOLLOCKS.
talkBOLLOCKS was a male only radio station, and unlike Marconi, it hired professional radio DJs. Their primary goal was to talk bollocks about things that women thought were bollocks. On February the 12th, 1916, the breakfast show went live. It was hosted by an overweight Scots man called Barclay Buckminster-Fuller-Soloncrank. The first ever talkBOLLOCKS radio topic was: "Don't drop your chocolate spread and toast onto your white bedspread otherwise, the lassie will think you have diarrhea." While it proved to be highly controversial at the time, it was a massive rating winner.
Marconi hit back in 1917 with his new station talkUNREFRIGATEDFROZENGOODS. While listeners didn't flock to the station in its early days, "The Horse and Carriage" drive time show proved to be immensely popular. The show had a new feature, "The Eye in the Sky." It was cutting edge technology back in 1917. Basically, it was a bloke strapped to the top of Nelson's Column with a candle on his head. His job was to report the local traffic news.
"We've had a horse decapitation on the Charing Cross High Road. And a carriage has shed its load of horse manure on the Sidcup bypass and... oh my god...... the straps can't hold me and my twenty-foot radio set anymoooooooooreeeeee..."
Audio silence.
When Marconi wasn't involved with the radio, then he was inventing things. Marco loved to invent. He invented the motorised toilet so one could do one's business while out and about. He also invented the haemorrhoid flosser, and the speaking colostomy bag. Every time you did a number one, it would say, "Aaah I needed that." Every time you did a number two, it would make a loud flushing sound. It flashed green and red until the bag was emptied. Walking around a Glasgow high street while one's pants continuously flashed was never going to be a top seller.
Marconi sadly died in 1937 while out walking around St Pauls. A traffic reporter fell on his head. After Marconi's death, his wife Calamity sold all of his radio sets. After thirty years of being crushed by radios, she was finally able to walk around her house. Two weeks later, a hidden set in the loft crashed through the ceiling and flattened her like a pancake. Her last words were: "Marconi you bastarrrrrrr….."
So what can we learn from Marconi's life? (The boring part)
1. Find a station that's broadcasting what you want to do. Don't join a station that isn't playing your style of music.
2. Sign up, volunteer and practice as much as you can at a local community radio station/a hospital radio station.
3. Study professional radio DJs. Imitate their shows in your early days.
4. Accept the fact that (like this blog) you're going to be terrible at first. However, with constant practice, you will get better.
5. Always prepare your shows. Most beginner radio presenters believe they can talk entertainingly off the top of their heads without scripting. They can't. At Whitechapel AM, I've created an eight-week radio presenter training program. By week two, 90% of the beginner radio DJs realise they need to prep their shows. I love it when they get this point.
6. Listen back and analyse your shows. Ask what worked and what didn't work. How can you make it better?
7. Practice at home with your show openings and a music bed playing. Read your presenter links aloud at home first. See what sounds good and what sounds bad.
8. In your early days, script everything. As soon as you get better, you can move over to a bullet system of prepping. It means you won't have to script every single link.
To develop a great one hour show can take up to three days of work. As soon as you've finished one show, you need to start on the next show. It's like a factory, so you need a system. After you've presented your show, take a day off and do nothing. That leaves you six days to prepare for your next show. Six days sounds like a long time, but in reality, it isn't. It typically takes one full day to prep a well thought out, well-researched show. Prepping at the last minute takes a LOT of energy so try and avoid this. I speak from experience.
Break your tasks up. Look in your diary and block off sections that you can use to prepare your show. You need to think ahead. If you don't, you'll be out of time, and you'll be stressing out again prepping at the last minute.
Start with the fun stuff first. Choose your music. It will help get you rolling. Then make a running order. Put in your music and work out your times. Next, work on your presenter links.
If you don't push yourself, you'll become "comfortable" with presenting averagely bland shows. And once you become comfortable, you'll never get past being a hospital/community radio DJ.
If however, you consistently pull yourself up with self-critique, your standards will naturally become higher. It will lead you to start making strong radio shows. Once you do that, doors in radio can open up. There are other jobs in radio that hospital/community radio DJs can also do.
If you give yourself a comfortable ride, you'll be a boringly average amateurish radio DJ, etc. If you pull yourself up regularly, demand more from yourself, you will excel. I trained at Radio Kings, the hospital radio station for King's College Hospital from 2000 - 2005. Four of my trainees (including myself), went on to work for the BBC. Therefore, I know that getting a real radio job from community radio, etc. is possible
Get as much radio experience as you can. Learn to present, master the mixing desk, create radio packages and learn to interview. My hospital radio experience got me a studio manager job at the BBC.
Don't be an arrogant radio DJ. Listen to your trainer and take on board everything they tell you. Walk away with an attitude of always wanting to learn and always wanting to improve. If you can't find a trainer, then enroll on one of my courses, and you'll be able to ask my advice anytime.
I'm now practicing comedy writing for fun (hence these rather dodgy blogs). I know I have a long way to go. Therefore, I'm adopting the same strategy I used to break into radio. One, I study. I've read some excellent books by John Vorhaus. Next, I practice. I force myself (through these blogs) to consistently write. It's tough; it's hard, but by always trying to write I'm hoping to create a system for myself. Now I'll do nothing but practice until I'm happy with my style and skillset. Then I'll step up to the next league and start again. If I continually practice, in five years time, I will be much better than I am now. I'm playing the long game. It took me five years to break into the BBC. But I made it. You can too.
If you want to know more, then here's a straight written blog about breaking into radio.
Finally, enjoy it all. Enjoy the struggle, the prep, the mistakes, the learning and the improvement. As long as what you're doing makes YOU happy, that's all that matters. This blog was a killer. I struggled. It's not my funniest. However, I laughed, and I enjoyed myself while writing it. And guess what? It all starts again tomorrow! GROAN! :)
Keep on rocking!
Learn about where to find show ideas.
Radio King's (King's College Hospital) circa 2001.
Check out Cool Edit Pro 2 and that PC!
How Radio Changed My Life
It's 1995, and I'm in Aarhus, Denmark. I'm there to "study" at Aarhus University. The course carries no grades, so I ask the American teacher if I "have" to attend. He says no, but believes I should attend classes for cultural reasons. I agree with him. And that was the only class I went to at Aarhus University.
Summer In Denmark
It's summer in Denmark and the temperature has reached a crazy, sweltering and rather humid thirteen degrees. To the frozen Danes, a single ray of sunshine instantly means shorts and T-shirts. There I am wrapped up like a giant tampon on a day trip to trauma counseling, meanwhile every Dane is strutting around like it's Miami.
The Ex-Girlfriend Of Doom
It's Friday, and I'm happily skipping down "By Thor!" street. Suddenly I bump into the ex-girlfriend. "By Odin," she says while adjusting her Viking horns. "Bugger," I say as I look for an escape route down Valhalla street.
"Ashley! How are you!!" says the girl who once performed a ritual sacrifice on my heart using a Viking axe, 123 pin tacks, 4,321 staples, four casks of dynamite, a number 12 double-decker bus from Peckham and a Norwegian cow with diarrhea.
I replied to this Viking heartbreaker with a line of such awesome magnitude that even Japanese earthquakes where shaking more than Elvis's hips on amphetamines.
"Errr..yeah I'm great," I said as I looked down at some Danish pigeon poo and wondered if the Vikings ever used it in coffee.
It turns out the ex is now a radio presenter on the rather poorly named local FM radio station: "The Open Tape Workshop."
Can you imagine the jingles for that station: "You're listening to Accounting with Becky on The Open Tape Workshop." I mean it's not exactly a German sausage in your pants bulge now is it?
Bertha The Lesbian
Anyway, it turns out that old Bertha was presenting a gay and lesbian radio show every Friday to 100,000 Danes. Specialist topics such as: "What does a Swedish marrow feel like?" and "Last night a cucumber changed my life" were flying across the Danish airways. Bemused Danes were suddenly looking at their lunches in an entirely different way. "Err, Freja, hold the cucumber!"
The Most Important Question That All Men Have To Ask
There was one important question, however, that I had to ask her. "Ermm Bertha? Was I your last boyfriend before you went over to Carpet World"? Thankfully, she said no. She turned lesbian after the boyfriend after me. Hoorah! My manhood was saved!
My Manhood Was Saved!
Bertha invited me down to the sexy tape workshop. Being relieved that my manhood was still intact, I agreed.
OMG! The Station Had A….
I knew I was destined for good times as soon as I walked into the station. The station..wait for it…only smegging had…drum roll please maestro…something that could only have been passed down from heaven… something that would never have happened in the UK...something that was the equivalent of putting 747 jumbo jets into my underpants - so that when I finally did meet a female, I could say "boarding!" Yes! The station had...GET ON WITH IT.....a beer vending machine!!!
Yup for 75p / $1 you could buy a bottle of ice cold Carlsberg beer from a machine, in a radio station, whenever you wanted it! Here I was face to face with a beer vending machine! Once they crowbarred me off it and detangled my tongue from the coin insert, I went and sat in the station's canteen. There I sipped on a cold Carlsberg (or HOF as it's more commonly known) while Bertha discussed the pros and cons of candles, cacti, and cold coffee jugs live on the station's channel 2.
After I had sucked dry the HOF with the station's vacuum cleaner, a rather hot and saucy Danish girly came over and started talking English. Back in 1995, Aarhus was still off the beaten track, in other words, "mingers" like me were what I like to call "exotic." All I had to do was say "I'm English." If they were mad enough, and could at least count their toes, then I was well in.
Saucy Mette And The Bum From Another Planet
Saucy Mette (pronounced Med-da) for some reason, invited me on to her radio show. She was broadcasting on channel one, the posh channel with all the listeners. The lesbian implement show (on channel two) probably had about 5,000 listeners, whereas channel one had around 100,000 listeners. On hearing this, my bowels got up, put on a Shakin Steven's record and started grooving. I remember sitting in the studio, smoking a cigarette (Denmark rocks) talking a load of old cak about God only knows what (Denmark rocks) pretending that I was a radio DJ. However, my rectum had other ideas. He decided he was auditioning for an episode of X Factor and Simon Cowell wasn't being nice to him. "You're like poo." said Simon in his white t-shirt as the crowd booed.
After ten minutes going "Erm, um...yeah….beer vending machine rocks.. WOOO!" to 100,000 Vikings, I was finished. I came out of the studio and I went and sat in the canteen. That was the moment when radio changed my life! I was hooked there and then! Man, it was so much fun!
Saucy Mette oozed out of the studio bum first (beep, beep, beep) and my tongue started doing the Riverdance across the floor. She came over to me and told me to wait in the pub across the road. Like a school boy virgin who mistakenly eaten 23 blue Viagra's instead of red and yellow M&M's, I was in the bar faster than an Exocet missile with a boner.
Wetherspoons Are The Garden Of Eden Compared To.....
If you've never been to a "traditional" Danish bar, then boy are you in for a shock. You think Wetherspoons are an amazing experience well trust me you haven't seen anything yet.
As I swung open the door, three old men turned and looked at me. "Stranger," they said in a heavy Danish accent, using a totally different language, and a word, to me that sounded like "twat." The tumbleweed sensing freedom from this alcoholic old folks home of hell packed up his things, and then promptly made a break for the door as twelve rats tried to hold him back.
This Bar Was Danish Equivalent To Deliverance
And there I was, all alone in this version of a Danish "Deliverance." "Squeal like a Frikadeller" wouldn't have gone amiss here. https://en.wikipedia.org/wiki/Frikadeller
I ordered a bottle of Carlsberg (in English) thus blowing my super awesome plan of trying to look hard, tough and erm.. Danish. Then I sat down and waited (as the tumbleweed karate chopped one rat while another rat brought out some nunchucks).
One hour later, saucy Mette thrust her posterior in and woke me up by sitting on my face. She wasn't alone. She was with a couple of male friends, Preben and Bent.
Bent seemed ok until I told him that his name meant homosexual in London slang. I can still hear his voice to this day going "Oh..I'm not going to London then." I don't think he ever did, poor bloke.
Mette disappeared again. I was now stuck in an old man's Danish bar with a bent guy and a bloke called Preben. Preben challenged me to a game of pool, and when Mette finally came back, Preben and I were locked in an epic beer drinking, pool playing, more beer drinking, "we love everyone in this bar" mission of doom. Mette, seeing how mangled we were, said goodbye and went home. It turns out she had a live-in boyfriend, so I was glad that I found the pool and beers more enticing that day.
Oh My Lordy! I'm Exotic!
More of the radio station gang piled into the bar, and suddenly the beers were flowing. Because I was "exotic," I was getting well tanked for free. The station invited me to their staff party. We ended up somewhere not too far from the bar. Drunkenly, I asked the assistant manager if there was any work experience. More drunkenly, he offered me an FM radio show to 100,000 Danish people starting on Tuesday (it was now Saturday morning). After they had scraped me off the floor, I accepted.
My First Radio Show To 100,000 Vikings
My first ever radio show was a fantastic combination of: "and that was AC/DC..and now this is Oasis. And that was Blur, and now this is The Beatles" And WHAT???? I still have forty-three minutes left to fill! "Fuuuuuu…"
Always Prep Your Shows!
The guy who did the show after me always prepped (swotty bastard). He started me on the road to prepping my music shows. He also ended up being my lifelong friend. I even went to both of his weddings, just like his ex-wife. (Hey this is Denmark, they're kind of relaxed about these things).
Always Listen Back To Your Shows
After my first show, I started listening back to my shows. "Gordon's Alive!" went Brian Blessed as he looked down the toilet after a bowl too many of Fruit n' Fibre. Man, my shows were bad! Forcing myself to listen to my shows was a good thing to do. By hearing how bad I was, I was able to start asking myself why? Genuine questions like: Why was that link bad? Answer: I didn't do my research. Why was that link bad? Answer: I rushed it through. Why was that link bad? Answer: I was on the floor at the time licking beer of a chair leg.
I Fell In Love With Radio
Something inside of me clicked, and I became determined to create great radio shows. And soon enough I started getting better. You can take all the drugs in the world but trust me on this, when you nail a radio show, when you get it right, when that hour flies by and everything you say hits home, then it's the best feeling in the world. And I wanted more.
Back To Hospital Radio
After a year of presenting an FM radio show (in English) to naughty Danes in Denmark, I decided to return to London and study radio at Lambeth College.
Twenty Years Of Radio Hopscotch
Stepping into that Danish radio studio in 1996, led me to study radio in 1997. I took those skills and joined a hospital radio station in 1998. I became the manager. I trained for five years. I joined the BBC and stayed there for nine years. I've now started an online radio training school, and almost twenty years later, I've become a volunteer radio trainer again at hospital radio. Why? Put simply; I love radio. I love it so much that I still do it for free. In fact as you read this I'm tonguing my clock radio and rubbing my groin along the mixing desk.
Basement Of Doom
I'm currently writing this blog from the basement of Whitechapel AM. After an eleven-year break from hospital radio, I'm back. I've already implemented an eight-week radio presenter training course. Volunteers get hands-on practical training and free access to my online radio presenter training course. There they learn the most important aspects of presenting, show preparation.
Five weeks into the training programme, I can see the volunteers improving from when they first started. It's this "change" that drives me on.
What Radio Gave Me
First of all, radio gave me fun and laughter in my life. One thing they don't teach you at college is that radio presenting is so much fun. Without it being fun, I wouldn't still be involved in radio twenty years later.
Radio Gave Me Confidence
I can interview and approach anyone now. In the past, I was quite scared of approaching people. However, if I need a guest, an interview or if I just need to call someone randomly and make heavy breathing noises, then it's no problem. Being on the air for twenty years, forcing myself to call and interview random people time and time again has made me more confident.
Radio Has Helped Me Be More Creative
When I first started presenting in Denmark, I presented a comedy hour. The show was all over the place, but week in week out we tried new ideas. We made many bad comedy packages, had many terrible show segments ("Call and We'll Draw" being a rather stupid one. Or "Cooking with Swedish Pierre.") That's when I called a mate in Sweden, he put on a dodgy French accent and we cooked live on air in Denmark. Most of it was crap, but we had a cracking laugh, and it forced me to think, research and create.
Radio Has Helped Me Help The Sick And The Infirm
I love hospital radio, and it's why I've gone back to it after an eleven-year break. Hospital radio provides two core services. One, it offers quality radio training for free in return for voluntary commitment. Two, it provides a service of care and comfort. Being in a hospital can sometimes be a lonely, frightening and stressful experience. Hospital radio stations provide a service of entertainment, comfort, and care through one on one contact. Just one thing though. Don't try to play bingo with the patients on the stroke ward. That went down like a lead balloon. "Hi! We're from the hospital radio station! Would you like to play bingo....oh...ok."
Radio Got Me A Job At The BBC
My love of radio got me a job for nine years at The BBC World Service. I worked for The Africa and Middle East region, working on some humongous radio transmissions. We even had an on-site bar at work! Back in 1995, when I walked into that Danish station, I couldn't imagine that seven years later I'd be working on one of the largest radio shows in Africa.
Radio Gave Me Life Long Friends
Everyone that gets into radio gets into it because they love it. You'll always share a common bond with these people. Most of my best friends came from my love of radio. And guess what, we still love radio even to this day!
Radio changed my life, and if you give it a go, I'm sure it will change your life too.
He's always available for a free beer and even accepts cans of beers in the post!


Once students have been taught explicitly, systematically, and directly to decode and synthetically blend the 43-44 phonics concepts, they will be able to decode most of these words that many reading programs teach as words that must be memorized "by sight" or by their configuration.
How Can High-Frequency Words or Highly-Irregular Words be Taught?
In Phonics Steps to Reading Success, for example, the TM indicates a type of troublemaker. TM usually stands for a trademark. In PSRS, troublemakers or highly-irregular words are introduced will be marked as a TM troublemakers. This makes more sense to students who are learning an orderly phonetic system.
Words like if, in, it, is or this, that, these, those, thus can be very confusing visually, particularly to English-language learners who generally have no frame of contextual reference when they are reading.
The confusion that arises when students are taught to read words by their shape is clearly explained in an excellent article, Parts, Wholes, and Context in Reading: A Triple Dissociation by Denis G. Pelli and Katharine A. Tillman.
Work on 'crowding' has shown that words are not usually recognized as wholes, even by adults, but rather that the visual system must isolate and recognize the individual letters to get the word….
we want them to be accurate, not just fast.
Reading comprehension requires students have accurate decoding (which you will be teaching), understanding of the meanings of the words used which reinforces the need to teach as much oral/aural vocabulary as we can, and sufficient background knowledge.
Be very cautious in teaching students to memorize words by shape/configuration.
to its recognition by beginning readers (emphasis added)."
One simple aspect is that the primary books have large print often with predictable stories and the students practice and drill the sight-memorization with large print.
Even in those easy books, one misreading or incorrect guess of one word can lead to poor comprehension of a passage or text.
The dog is in it in the game if we play Tag with him.
The dog is it in the game if we play Tag with him.
The dog is to sit in it in the game if we play Tag with him.
Any slight misreading would be confusing. Accuracy is essential.
The teaching of sight-word memorization (now called high frequency words), in fact, does not contribute to reading excellence but does contribute to the many reading problems we see long term.
In many schools now, reading aloud is not permitted because it is too confusing for the students to follow along when the reader is applying error-causing strategies and misreading even a few little words.
Pat Doran's Phonics Steps to Reading Success teaches students how to read and spell with increased accuracy.