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Pokemon Episode 58 Analysis: Riddle Me This
January 29, 2020 April 14, 2022 fiddletwix Pokemon Episode Analyses 4kids, analysis, anime, badge, blaine, cinnabar island, fire, gym, magmar, pokemon, review, The riddle stuff is KINDA taken from the games. He's a quiz master there and asks trivia questions about Pokemon.
Badge Episode Attempt 1 – Volcano Badge: Cinnabar Island
Gym Leader: Blaine – A very eccentric man who likes to speak in riddles, Blaine is a very serious Fire Pokemon Trainer who detests that Cinnabar Island has become littered in tourists with real Pokemon Trainers becoming rarer every year.
Reappears?: After the next episode, which is a continuation of this one, no. 😦
Pokemon: Blaine likely has many more Fire Pokemon, but he's shown to have a Ninetales, Rhydon and his signature Pokemon, Magmar.
Ash has a failed Gym match attempt and does not get the Volcano badge. (Technically, this episode leaves the match in a cliffhanger, but he loses at the beginning of the next episode, so I'm counting it here.)
Plot: Ash FINALLY arrives in Cinnabar Island to get his seventh Badge – the Volcano Badge. As he journeys by boat to the island, he bumps into Gary who is having a nice time on vacation since he's got plenty of Badges to enter the Pokemon League now. Ash butts heads with him, but Gary pays him no mind. He even mocks Ash because he believes everyone on the boat is a Pokemon Trainer.
Gary reveals that everyone traveling to the island, but himself, Ash, Misty and Brock, of course, are tourists. Cinnabar Island is merely a resort, and there hasn't been an active Gym on the island since his grandfather was young.
When they come ashore, the group discovers that Cinnabar Island does seem like a tourist trap, and they can't find a Gym anywhere. When Brock wonders why, of all the islands in the area, this one is so special, a strange man pops up to answer their question through riddle – What do tourists think is hot and cool?
While Ash answers incorrectly, Misty correctly deduces that the answer is a hot spring. The man explains that, due to the active volcano on Cinnabar, there are many hot springs around, and tourists love to visit the island to enjoy the relaxation of the springs. Over the years, the place has been decimated by vacationers enjoying the hot springs. Pokemon Trainers simply don't come around anymore.
They ask if he knows anything about the Cinnabar Island Gym and the Gym Leader, Blaine. He gives his answer in another riddle – The Gym is right where you put your glasses.
Again, Misty correctly guesses – right in front of your eyes. And the Gym IS right in front of their eyes….in a big pile of rubble.
The man explains that Blaine abandoned the Gym when tourists started flooding the area. He was sick of battling tourists who weren't serious Pokemon Trainers, so he left the Gym to rot, much to Ash's dismay and anger. The man leaves him with his card, which reveals that he owns a big hotel called the Big Riddle Inn.
They try to go to their other destination, which was a prestigious Pokemon research laboratory, but find that it's also a bunch of tourist attractions.
Resigned, the group tries to find a place to stay, but everywhere, including the Pokemon Center, is filled with people. Ash can't help but try to sneak into a hotel room where they're having a banquet, and it just so happens to be Gary's room. He ribs him for a while, even offering to give Ash some leftovers if he makes a fool of himself for Gary's entertainment, but Ash refuses.
Suddenly, Jigglypuff shows up, prompting Ash and the others to bolt out of there before it starts singing. Gary and his cheerleaders, however, unwittingly fall into a deep slumber caused by Jigglypuff's song…and the facial drawings that come with it.
The kids suddenly remember that the man from before gave them a card for the inn, but the directions are another riddle – If you look near the swings, you'll see my hands or at least my face.
They spot some swings, and Misty figures out the rest when she sees a clock since a clock has hands and a face. The clock is atop the Big Riddle Inn.
The man congratulates them on figuring out the riddle and offers them free room and board as a prize.
That night, Team Rocket attacks the island's Pokemon research laboratory, nabbing up all of the Pokemon inside. The man is contacted about this attack, sending him and Ash, Misty and Brock to investigate.
When they arrive, Ash uses Pikachu and Pidgeotto to save the Pokemon and blast Team Rocket off.
Impressed by his skills, the man offers Ash some information. He happens to know that Blaine has a secret Gym set up somewhere on the island, but he will only give a riddle as a clue to its location – it's in a place where firefighters could never win.
Back at the inn, Ash, Misty and Brock relax in the hot springs to try and figure out the riddle. Togepi hops on one of the stone Gyarados statues feeding water into the spring, which suddenly opens the door to a secret passage. The passageway lead to Blaine's secret Gym deep in the heart of a volcano – the arena is even suspended over a lava pit.
The man is waiting on the other side of the arena, offering Ash another riddle – It's not a hat, but it keeps your head dry. If you wear it, it's only because you already lost it.
Misty, again, correctly deduces the answer – a wig. The man has been wearing a disguise this whole time. He's actually Blaine, the Cinnabar Island Gym Leader!
Blaine challenges whomever wishes to battle him, in this case Ash, and starts the match with a Ninetales. Feeling cocky with a type advantage, Ash chooses Squirtle, but he soon realizes that type only counts for so much. Blaine commands Ninetales to use Fire Spin, and it makes quick work of poor Squirtle.
Blaine chastises Ash for thinking purely about type in his battles, so Ash decides to fight fire with fire, literally, and sends out Charizard. However, predictably, Charizard refuses to battle and goes off to nap instead. Having left the arena, Blaine gets his second victory.
Ash sends out his last hope, Pikachu, to battle Rhydon. He does a good job evading Rhydon's attacks, but finds that his Electric attacks do nothing against the Ground type. Using its horn as a lightning rod, Pikachu manages to knock Rhydon out with a Thunderbolt.
Realizing the heat has been turned up in this battle, Blaine uses his most powerful Fire Pokemon – out from the depths of the lava comes Magmar, a Pokemon who might as well be the living embodiment of magma.
Pikachu gets slightly burned from one of Magmar's Fire Punches, but gets up to try a Thunderbolt. Ash and Pikachu are shocked to find that Pikachu's electricity will not work against Magmar. The air around it is so hot that it is able to create an air lens that refracts the electricity.
Stuck between the edge of the arena with a pool full of lava at his feet and the fierce Magmar before him, Pikachu faces Magmar's most powerful move – Fire Blast. With nowhere to go, will Pikachu be fried or will he find some way to beat the heat?
– Gary doesn't mention how many badges he has right now, but considering he later has ten, I'll say he has between eight and ten if he feels he can take a vacation before the Indigo League Conference – and he definitely has more than Ash right now. Also, this basically confirms that Gary definitely didn't get a Volcano Badge yet, even if one of the Badges in his case later on looks VERY similar to it (It just looks longer for some reason. I believe it is the right Badge.) If he only has eight or nine as of now, I suppose it's possible that, after Ash discovered the Gym, Gary found out about the real Gym, went to Blaine and got one himself after Ash left just so Ash wouldn't best him anywhere.
– I find it somewhat odd that Gary wasn't able to determine that there actually was a Gym on Cinnabar. Ash found out, and Gary's much smarter than he is. Gary should have checked to see if the Badge or Gym was still valid under the Pokemon League's certification. If it was, then there has to be a Gym or at least some place to obtain the Badge. Unless Gary's so full of himself and has such a lack of caring about Badges at this point, considering he later has so many, that he just didn't bother really looking into it and just accepted the vacation opportunity.
– Ash: "A real Trainer never takes a break!" Excuse me, need to laugh raucously for a minute.
Ash, your life IS taking a break from training. I can probably count the amount of times you have actually trained so far on one hand. MAYBE two, if I'm generous. And lest we forget Charizard who has been wading in the lack of training pool for quite some time now.
– The Pokemon League doesn't have any problem with Blaine having such inactivity in his Gym that nearly everyone thinks it simply doesn't exist anymore?
– I'm just imagining how pissed I'd be if the Cinnabar Island Gym really didn't exist and we'd have to spend god knows how long getting to one of Gary's non-canon Gyms where he got one of the six mystery Badges (if that other one is a Volcano Badge) And, remember, it's confirmed that Gary never got an Earth Badge either – he lost his match there, and the Gym shut down before he could get a rematch.
– Oh hey, Jigglypuff. Come back to remind me that you exist again, eh?
– I find it weird that they seem very willing to accept that ALL of Cinnabar is nothing but a big tourist trap just because they see a lot of festivities and stuff right off of the boat. Of course they'd put that stuff right by the harbor and get as many people hooked in as quickly as possible. At least have a look around before you start giving up. Places like Celadon City and Saffron City have much more than just their Gyms right out the gate, and you kinda have to walk around a while before you find the Gyms.
– I'm really not gonna rag on Ash's silly riddle solution. It may be silly, but sometimes people just throw out weird ideas when they're trying to figure out riddles.
– Misty: "I heard that the Gym Leader was someone called Blaine." It really bothers me that it's never made clear whether or not Gym Leaders know each other in the anime. You'd think at least the ones in the same region would have met a few times before. Also, who did you hear this info from if everyone believes Cinnabar Island is a Gym-less tourist trap and has been for decades?
– The man laments that more and more tourists come to the island and hardly any Trainers come anymore, but how do you expect Trainers to come if you have at least had the rumor going around for decades that the island's Gym doesn't exist anymore?
– Doesn't help the tourist or Trainer situation if, when led to the Gym, they basically get confirmation that it doesn't have one by showing them a collapsed building and explaining that Blaine essentially quit.
– Misty: "An inn? How can you run a hotel and then blame tourists for ruining the island?" Uh, it's called making a living, Misty. If your island has nothing but tourists and you still want to live on the island, sucking up a bit of pride and taking advantage of the deep pockets of vacationers is the best course of action. Plus, him running an inn doesn't mean the tourists still didn't ruin the island. They come for the hot springs, which are natural. Everything else is just taking advantage of the tourists.
– Without actually going INTO the Pokemon research lab, the kids determine that it's just another tourist trap because of all the stands outside of it. They really aren't good at actually looking into things, are they?
– I guess it's nice that they do let everyone in, but it's really weird that the Pokemon Center is full up for the night with people who don't have Pokemon. Also, if this place is purely for tourists, why are so many of them so ill-prepared that they didn't book a hotel?
– Come to think of it, if no Pokemon Trainers ever come to Cinnabar anymore, why is there even a Pokemon Center there? Just for the research lab and wild Pokemon?
– I would say Gary heard Misty and Brock yelling or Ash talking, but they clearly imply that Gary somehow heard Ash's stomach growling from outside, which is what caused him to go to the porch. I sincerely doubt that is louder than either of the aforementioned noises.
– I feel very uncomfortable asking this, but here goes: Are Gary's cheerleaders……sleeping in the same room as him? Their situation is creepy enough without this, thank you.
– Ash: "I'd die of hunger first!" 4KIDS! The D word! Have you no shame?
– Gary's, again, being unreasonably dumb to not think twice when seeing that a Jigglypuff is about to sing to them….
– Jigglypuff is really out of sync with the music. This isn't just an audio syncing issue, it happens very frequently when Jigglypuff sings. It's like the voice track for Jigglypuff is sped up for some reason or Rachel Lillis doesn't have the audio track playing when singing.
– Brock: "Ash, what about that card that old guy gave you?" I love how they try literally every. single. other hotel on the island before they remember that they had a card for an inn on them.
Ash: *pulls out card* "Hmm…must be directions to his hotel." No. It must be little illegible squiggles.
Also, it seems like a bad business practice to have a riddle be the directions to your hotel. It's even worse that it's a terrible riddle. Either Blaine had to make sure his inn could be seen from every swing on the island or guests have to stumble upon the exact swing set that Blaine is referring to in the riddle.
– The prize for figuring out his riddle is free room and board? That's a REALLY bad business practice….
– Ash: "Your riddles may be dumb, but your prizes are terrific!" Your riddles are dumb, says the boy who thought the answer to his first riddle was wrapping yourself in an electric blanket while laying in front of an open refrigerator.
I know I said I wouldn't rag on Ash much for making silly guesses, but he's open to ridicule when he starts putting down others.
– I love this exchange.
Blaine: "Well………guess you want dinner too."
Ash: "Right."
It's the timing and delivery – it's golden.
– See? The research laboratory isn't just a tourist trap. The power of actually seeing what's in a building to know…what's in the building.
– I love that they contact Blaine when the research lab is attacked. Not only does this give them a realistic excuse to have Ash and the others go to the research lab to help, but it also hints at Blaine's real identity.
– I would get excited over Pidgeotto being let out, but it's literally just a vehicle for Pikachu to get close enough to attack the balloon.
– Why is Team Rocket so shocked (oh god, the puns are infecting me) that Ash and Pikachu are on the scene. The only reason they're on Cinnabar is because Ash and co. are.
– Nice that Ash had no plan to actually catch the Pokemon – instead he let them all fall to the ground and break their necks.
– Blaine only gives Trainers a hint to the location of his actual secret Gym once they prove themselves to him in some way. So Trainers not only have to ignore rumors that the Gym doesn't exist and come to Cinnabar anyway, ignore that the original Gym is a pile of rubble and meet Blaine while he's in disguise so they can get on the trail of the real Gym, not even realizing there even is a real Gym, but they also have to have the opportunity to prove themselves to him somehow and solve his riddles that lead to the real gym before they can find the real Gym and challenge him.
Not that it would help if they figured it out anyway. The answer is simply 'a volcano.' How the hell were they supposed to find the Gym in a volcano unless they stumbled upon the secret entrance to the place – which they did.
Blaine, I love you, buddy, but this is a lot of convoluted and, quite frankly, unfair bullshit just to try and avoid tourists challenging you – especially considering this requires you to be in disguise 24/7. You could literally clear this up with a pre-requisite test or something before you're allowed admittance into the Gym. "Are you a tourist?" "Do you have at least a few other Pokemon League Badges?" "How many Pokemon do you own?" Stuff like that.
– Always kinda bugged me that Ash and the others never really figured out Blaine's riddle until the answer was literally in their faces. Togepi just activated his plot convenience powers and found the switch that opened the door to the place.
– It's kinda funny how Misty freaks out when Ash and Brock see her in a towel. She's technically at least as covered up as she usually is in her street clothes.
– Why would Blaine have it set up so that opening the door destroys the hot spring divider?
– Was Blaine alerted to the fact that the door to the secret entrance had been opened or was he just waiting down there for Ash and the others to randomly stumble upon the switch?
– Forget Blaine's really odd practices as a Gym Leader – how does the Pokemon League not have safety rules against this place? Holding a battle over a LAVA PIT is insane! The arena doesn't even have any safety rails or anything. It would just take one false move and Pokemon or people could die in there easily.
The walkways to the arena aren't even walkways, they're narrow pillars you have to balance on one at a time. In fact, given the heat, you wouldn't even need to die from falling in the pit, you could just die from heat stroke.
The fact that any unlucky person who happens to lean on a Gyarados statue in his hot spring could get to this death trap without issue is even more alarming. Sure, there's a red-hot secondary door, but if you manage to open that, you might be as good as dead.
– Ninetales! Whoo!
– Either Dexter didn't have much useful information to share on Ninetales, which I find hard to believe, or Ash cut Dexter off before it said anything other than its type and what it evolved from.
– Brock: "Fire Spin is Ninetales' most powerful attack!" No, no it's not. Even with DOT, it's not as powerful as Flamethrower. Fire Spin has 15 power and can last for up to five turns. Flamethrower has 95 power. Even though it can't learn it with a TM, in Gen I anyway, there's also Fire Blast with 120 power.
– That Ninetales' Fire Spin is much less the massive fire tornado that Brock's Vulpix makes. Its eyes didn't glow or anything. It's almost like the move was ridiculously overblown in that episode.
– Look….I get that Ash, again, doesn't have many options, even though this would be a GREAT time to have gotten out Krabby or Muk or even one of his Tauros, but using Charizard just seems misguided. I know that Charizard is his powerhouse, but he's banking on having a stronger Fire Pokemon than this Fire Pokemon Gym Leader….This Fire Pokemon Gym Leader who loves fire so much he put his Gym OVER A LAVA PIT DEEP INSIDE A VOLCANO.
– What else did I have to say about this?
…..Uhmmm…..Oh, oh yeah, yeah, CHARIZARD STILL ISN'T TRAINED, YOU IGNORAMUS!
– I get that a Rhydon would be able to withstand the intense temperatures of the lava pit Gym, but Blaine, you're a Fire Pokemon Gym Leader who put his Gym OVER A LAVA PIT. Why are you using a Rock/Ground type? I guess it could just be because Ash sent out Charizard, but come on – you can't take a Fire v. Fire match? Especially after you literally just said matches aren't purely about type?
You can't even justify this by saying this is something they took from the games, because he never has a Rhydon in the games. He has a Golem in the manga, but that's about as close as you get. As a Fire fan, I am disappointed.
And I'll be even more disappointed in a few minutes…..
– Oh look, Charizard refuses to battle and goes off to nap.
Imagine the look of pure shock on my face.
– Ash: "Awh, gimme a break, Charizard!" You don't deserve one!
– I know what happens, I do. People who have never seen Pokemon know what happens next. But Ash is a full-blown airheaded shit-for-brains idiot for sending out a PIKACHU against a Rhydon. We've already been over the type debate, but there's a difference between using a Pokemon who does or does not have the advantage and using a Pokemon whose attacks DO NOT AFFECT your opponent. Even physical moves would do little to nothing.
Pidgeotto's also not a good choice, but if Bulbasaur could survive in the hot arena, he'd be a decent selection. However, the lack of sunlight would mean no Solar Beam. Ash, your roster blows. Please do better.
– I'm going to ding Ash for this just because he needs extra punishment for the stupidity that will happen in a minute – Ash should know Rhyhorn is Ground type, which means he must know RhyDON is Ground type too. Yet he still launches an Electric attack.
– Ya know, I'm not even going to bother analyzing the scene. It's been done to death. So, I'll just go ahead and say it.
(Aim for)….The horn.
Gonna give you a minute to soak that in, maybe find some appropriate memes to enjoy. I'll just take a sec to curl up into a ball and weep.
– Blaine: "This Pokemon is too hot to handle. And it has a power that should interest you, because it turns all of its opponents into ash."
Ash: "No fair, it's too hot to solve riddles!" That was in no way a riddle. He's just saying he has a super powerful Fire Pokemon.
– It's pretty badass that Magmar lives in the lava pit.
Likewise, its reveal is sick.
– I never liked Magmar as a kid, but now I love it quite a bit.
– This battle has always been one of my favorites because it's so intense. Pikachu gets burned and the cliffhanger has him between Magmar and nearly falling into the lava pit.
– Brock explains that Magmar is immune to Electric attacks because it's so superheated that it creates an air lens around it that refracts electricity. This, as far as I can see, is completely false.
I wanted to go in depth about the air lens itself, really I did, but my research on air lenses is pathetically sparse. I just can't find much on anything that doesn't correlate to cameras. The best I got was a Wiki page which mentioned them in passing when talking about explosive lenses, and that wasn't very applicable to what was happening here.
So enough about air lenses, I don't even know how 4Kids knew that term (Dogasu's comparison doesn't even mention that this is a change, so maybe the original writers are to blame for this?) what of heat's affect on electricity?
As far as I can tell, nothing. Remember, lightning itself is INSANELY hot. It causes fires all the time, but it's much hotter than you might think. In fact, according to National Geographic, a flash of lightning can heat the air around the bolt to temperatures up to five times hotter than the surface of the sun.
Lava, at best, reaches a little over 2,200°F, while the sun can reach 10,000°F (Source). So, obviously, being five times hotter than that makes lava look like an ice cream sundae. By all means, making the air around Magmar even hotter than lava levels would have no effect at all on Pikachu's electricity.
In conclusion, I have no clue what they were thinking.
I actually find it funny that they did this, because that means they did BS science to Rhydon to make it vulnerable to electricity and then did BS science to Magmar to make it immune to electricity.
– So….Is Blaine trying to straight up murder Pikachu? It's at the very edge of the arena and it's commanding Magmar to use FIRE BLAST of all things, which, considering it's cornered, would surely mean its demise.
– And Ash refuses to stop the battle. Best Trainer ever.
– I always thought Fire Blast was trying to take the shape of a stick figure. It wasn't until I was much older that I found out that it's actually the kanji for "large" or "great."
Cinnabar Island, Blaine and Fire Types are some of my favorites in Pokemon (Really bummed that Cinnabar Island was basically completely decimated beyond Gen I), and I do love this match even with the bullshittery that goes on. Having Squirtle be instantly KO'd out the gate was a massive blow that I didn't expect, but it doesn't get really awesome until it's just Pikachu v. Magmar. It's intense and ends on one of the best cliffhangers of the series. Of course we know little Messiahchu won't die or anything, but it did get actually wounded, and that kinda surprised me as a kid. Still does, to be honest.
I also enjoyed Gary and his dickishness, even if he was a tad badly written this time around. He's earned a vacation, I suppose, but he had one too many moments where he was too stupid to the point where it was almost OOC. He has an almost encyclopedic knowledge of Pokemon and the League, but he seemingly doesn't do any actual serious research into whether or not the Cinnabar Gym exists?
I guess if Blaine's so ridiculously overly secret about the Gym that it might be beyond researching, but I still found it odd for him.
I like Blaine when he's this weird riddle hippy dude. He's pretty amusing. I find his methods of getting 'real' Trainers to his real Gym and masking the fact that his Gym still exists to be massively overcomplicated and dumb, and I find the Gym itself to be dumb just based on the safety hazard aspect (though I find it really cool as a concept.) but at least it adds some flavor to the story, I suppose.
Oddly, one thing I really remember a lot about this arc it's an audio flub that happens in the recap in the next episode. It's almost laughably bad, and it was seemingly done on purpose for whatever reason.
As for the rematch, I actually didn't like it as much as this match, but we'll tackle that when we get to it.
Next episode, spoiler alert – Ash loses his bout with Blaine and has to figure out a way to beat him to earn his Volcano Badge.
….Previous Episode.
Yu-Gi-Oh! Episode 13: Trap of the Metamorph Pot! Flame Swordsman in Danger | Sub/Dub Comparison


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I wont deny that there are a ton of books out there on the elements of the care of livestock and poultry. Unfortunately the problem with most books on the subject is that they are either filled with plenty of promises and no solid techniques and strategies to back up those promises or they contain only one or two pieces of useful information and not a comprehensive look at everything you need to know to succeed.
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As my success with livestock and poultry care grew, I started to feel guilty. I knew there were a lot more people out there who wanted the same solutions I had found. Somehow, it just didnt seem right to keep it to myself.
One night as I made some changes to my book, I wondered how many other people might have the same problem? After all, if I couldnt find a decent livestock and poultry care manual, what were the chances anyone else could? Given the tremendous success I had encountered using my manual; I was sure that other people could take the same easy to read and understands strategies and achieve success as well.
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I wont deny for a minute that there are some good farm and ranch books out there-after all Ive read most of them, if not all of them. The difference, however; is that my book blows all the others out of the water because it doesnt just focus on one area of the game.


President Trump blasts Iran as preparation for new talks?
Trump Blasts Iran – As Part Of A Larger Plan?
This capped an entire weekend of tweets about the Trump-Russia investigation. Readers should be aware that aggressive language is very much a part of Iran's own posturing. This has been for decades. Even to the point of endorsing an EMP attack on this country.
"To the President of Iran, Hassan Rouhani: "Never threat the US ever again, or you'll suffer serious consequences," Trump said in a tweet.
Rouhani also warned Trump saying that playing with the tail of the lion is something that he will regret eternally. But the Iranian president held out the prospect of the two countries having a peaceful relationship according to the state media of Iran.
On Monday, Commander Gen. Gholam Hossein Gheibparvar of Iran's Revolutionary Guards described Trump's remarks as psychological warfare.
Even before Trump "tweet blasted" Iran, the administration had already intensified its stand against the Iranian regime.
US Secretary of State, Mike Pompeo, made a blistering speech comparing Iran to the mafia. Pompeo also accused clerics of ruling the country to enrich themselves. He said the Iranian regime funds terrorism, disregarding the welfare of Iranian citizens.
"To the regime, the security, freedom, and prosperity of Iranian citizens are acceptable casualties to fulfill a revolution," said Pompeo in front of a crowd in Simi Valley, CA's R. Reagan National Library.
Among the startling allegations made by Pompeo was that Ali Khamenei, Iran's Supreme Leader, has his own hedge fund worth no less than $95 billion. Pompeo was a former CIA director.
President Trump's criticism against the Iranian president is similar to his approach to Kim Jong-un. Trump taunted and threatened Kim before agreeing to a peace declaration and summit.
Yet even by Trump's standards, the language was forceful, brutal, and harsh, which surprised millions of watchers from the Middle East.
"We constantly hear aggressive words from the US president. However this tweet, I think, was taken to an entirely different level," reported CNN's military analyst, Rick Francona.
"It seems to be a bit out of character for him and it's really alarming for a lot of people. This is certainly getting dangerous," said Francona, who was a former intelligence officer of the US Air Force.
White House press secretary, Sarah Sanders, told reporters that she would NOT say directly whether the Trump consulted with the national security team assigned to him before making the tweet. Sanders did note that Trumps speaks to the team daily; however, she didn't give any details regarding future steps that Trump could take regarding Iran.
Pentagon's undersecretary of defense, John Rood, told Barbara Starr that the US is still not making any new adjustments to its military posture.
"I don't think we should do that and I definitely don't recommend it," Rood said.
On the other hand, Pompeo said that the US is currently undertaking a financial and diplomatic pressure campaign. The campaign will cut off funds that the regime uses to enrich itself and support destruction. Pompeo asked those who don't like Iran's destructive behavior to join the United States' pressure campaign.
While many on the left and right claim to be afraid of the presidential "loose cannon," it should be understood that Donald Trump is perhaps the best-trained negotiator to ever occupy the White House. Anyone not recognizing his tweets as "strategy and tactics" does not understand this president. Look for Trump to continue to build a framework for a meeting with Iranian leaders. My guess is he'll do it by continuing to tweet like Teddy Roosevelt would have, had he had a twitter account.
Let's be honest about all this. Tough people respect other tough people and the truth is… they respond to tough language. Above all, they disrespect weakness. All negotiators know this. Think Jimmy Carter and the Iranian hostage situation. A few tough words from "tough guy" Reagan scared the hell out of Ayatollah Khomeini and his shameless band of cowardly kidnappers. The results are obvious despite liberal attempts to rewrite history.


Communications 1 (COMN 151) is designed to advance the reading and writing skills of ESL learners at Canadian Language Benchmark 4. The course takes an integrated task-based approach to language learning. Four broad areas of competency provide the framework for building fluent basic reading and writing skills: 1) interacting with others; 2) comprehending instructions and reproducing information; 3) getting things done; and 4) comprehending and sharing information. Topics and tasks are contextualized within Canadian professional settings, so that learners begin to develop the strategies and skills required for effective communication in English-speaking, multicultural contexts.


"SPECIAL FINANCING INCENTIVES AVAILABLE ON THIS PROPERTY FROM SIRVA MORTGAGE." Looking for a like-new, beautifully remodeled home, yet nestled in an established, park-like neighborhood? Then you must see this home! Located in the desirable Fairway Estates and conveniently located to all Tri Cities, this beautiful home is situated on 2.38 meticulously, manicured acres. The upgrades and remodeling are too much to list, but you'll be delighted as you enter the stunning foyer with beautiful hardwood floors. The kitchen is every woman's dream, as is the amazing master bath with tiled, walk-in shower! With 4 large bedrooms, 3.5 baths, and a finished basement for the "man-cave" or a great place for teenagers to hang out, you have lots of space for the growing family! The oversized deck overlooking the gorgeous yard provides the perfect spot for early morning coffee or evening entertaining! Come see it today! All info taken from courthouse records; Buyers/buyer's agent to verify.
I was searching for a Property and found this listing (MLS® #419272). Please send me more information regarding 411 Woodway, Blountville, TENNESSEE, 37617. Thank you!
I'd like to request a showing of 411 Woodway, Blountville, TENNESSEE, 37617 (MLS® #419272). Thank you!


Webster's Dictionary defines providence as: "God conceived as the power sustaining and guiding human destiny." Western culture no longer sees God as the One who shapes and controls the events of each day. Today we call Providence, news.
This shift leads to public cynicism and discouragement. News stories are reported as random events. Paul reminded the pundits on Mars Hill that it is God who is in control of life's events, even to the point of determining where each person lives. No such unifying truth is present in the 24/7 news cycle.
For example, the zika virus has migrated from Brazil to South Florida and beyond. It is an unpleasant disease with devastating impact on unborn babies. It is carried by mosquitoes. There are efforts being made to contain the virus. This is what is reported. There is no call for prayer or acknowledgment that God's help is needed. Rather the "news" leaves a mood of uncertainty and fear. Experts ask questions that have to do with what governments can do to protect us.
A recent earthquake in Italy destroyed a beautiful old city. News reports blame the damage on construction that was done before modern building codes were implemented. Again, random loss and tragedy is the theme, along with the notion that we can somehow protect ourselves from earthquakes.
There is bad news, but no hope. After all, prayer to the "Christian God" is offensive and unconstitutional. The idea that man is accountable to the Christian God is prejudicial and bigoted.
If you inserted "Providence" when you hear the word news, the events of each day would look and "feel" quite different. News ignores the reality of God in everyday life. Providence affirms that reality. News calls for government action and human investigations. Providence calls for repentance and humility. News implies that life is out of control and subject to the unfolding evolutionary processes. Providence declares God's sustaining and controlling power over the affairs of man. Providence is a reminder that there is a God who is holy and is angry at sin. Providence also reminds us that all that is good in life comes from the hand of God.
Shepherd PressCurrent Events WorldviewNews or Providence?


Mundosol Quality is the result of a family effort for consolidating what in 1986 was an idea: the company as an extension of the family.
This family culture is the mainstay of the Mundosol Quality concept; something conveyed almost spontaneously among colleagues.
Each and every one of the work posts existing at Mundosol Quality are indispensable and are supported by another, making up a production chain where each link is joined to the previous and next one.
Internal promotion has been implemented at Mundosol Quality since the very beginning, the same as ongoing training; its employees are what make a company great.
No doubt, the satisfaction of our customers must be the aim of the workers at Mundosol Quality.
The strategic location of the warehouse and offices, blending into the landscape of our estate at La Murada, make day-to-day smooth communication between departments and sections possible, which in turn allows for global production.
We currently have more than 30 persons in the different departments at the Mundosol Quality offices. The lemons we produce are picked one-by-one every day by the more than 500 labourers who make up our work teams. Around 260 people work in the warehouse preparing our customers' orders.


I move slowly through your dresser drawers.
I load black bags with protesting clothes.
you held them on your skin.
even if the thermometer lied.
Your bras cry "don't blame us, we didn't know!
that I remember very well.
four full black bags beside one dresser, mostly empty.


Themefantasy is a web design and development Freelancing Agency located in the Mumbai, India. We create inspired, fully featured, and highly customizable WordPress themes and Concepts. Our wide-ranging services from Installation to website design and development are customized to suit your needs. Don't know where to start? Get in touch now!
WordPress Free Plugin and Pro Plugin.
Showcase your Blog authors with new look to attract the visitors. As the name suggests The Fancy WordPress Author List plugin displays list of authors on your website using the widget area section.
The Simple Custom Lightweight Video Popup plugin allows you to embed videos on a page using lightbox overlay display. This plugin can be used to displya YouTube and Vimeo videos in a popup overlay. The embedded videos can be viewed on iPhone and iPad too.
Facebook Voucher Generator App is a very sophisticated application for auto-generation of Voucher. User can download voucher using Facebook login. Once the user logged in and authenticate the app the voucher will automatically appear. User can download and print it.
WooCommerce Coupon Scratch Discount is very flexible and can be attached to any existing Woocomerce Website. Its bring real customers to your shop where they redeem and buy. In this way, you can collect Data and send the newsletter whenever needed and increase brand awareness.User account get automated created and hence become a member as well.
I have the attached the file for your reference.
If you would like to display on pages then use this shortcode.
By: Mohsin Mulani Posted on: 2016-11-10.
By: develop Posted on: 2016-11-05.
By: develop Posted on: 2016-06-05.
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The effect of ph value temperature concenrtation and electrolyte of dye liquor on dyeing nature silk with direct dyes having different structures; the relationship between the dye structures and dyeing properties of nature silk were given in this paper.iob value of direct dyes as a factor for evaluating dyeing properties of nature silk was proposed.
The decolorization of five kinds of azo dyes-azo blue eriochrome black t arsenazo iii acid chrome blue k and methyl orange and one kind of quinoid dye-alizarine red with potassium ferrate are studied.
To solve the problem of adverse influence on the environment exerted by the residue dye liquid from traditional dyeing of wool with acid mordant dyes by after-chroming and to lessen the pressure of chromium-containing waste water treatment the dyeing method was modified by adopting two-bath dyeing technique in which the initial dyeing liquid and mordant dyeing liquid could be used in the recycled way thus saving dyestuff and reducing the drainage of chromium-containing waste water.


The first generation, Unreal Engine integrated rendering, collision detection, AI, visibility, networking and file system management into one complete engine.
The biggest mod stories for the week of May 25 2018.
The Unreal Engine developers have offered subscription codes to winners in the 2014 awards.
Deus Ex - 10 Years of sunglasses at night.
Its Deus Ex's 10th birthday! Thats like 60 in human years, so here is a simple list of mods you guys should look at for Deus Ex.
So your new at mapping and you want to know how to make a room.. Ok Sounds easy enough.
The Unreal Wiki is the premier source for all modding information that relates to the Unreal Series of Engines. From Unreal 1, to Unreal Tournament 2003.


For the cost of listening to one or two audio ads, 20 seconds or less each, you can make a free international phone call. It only lasts 10 minutes, but for certain types of phone users, that's more like a feature than a restriction. And it actually works.
The hardest part of using FreePhone2Phone is likely entering in the international and area codes to complete your call. Find your local access number on FreePhone2Phone's site, dial it, listen to an ad, enter your number, then (perhaps) listen to one more ad. Then your call is connected, and that's about it.
FreePhone2Phone is, as you guessed, free to use in the U.S., with advertising. Only a few countries allow for calling cellular phones, but most land line numbers are free to call. Calling the same number twice in one day also cuts the call limit to five minutes.


text:
Family walk in aid of hospice
Friends of a woman who has been told she only has three weeks to live have walked from Worcester to Droitwich to help raise money for the hospice that is helping her.
Michelle Badger, from Droitwich, was diagnosed with breast cancer two and half years ago and although she was given the all-clear after treatment, the disease has returned. The walk was organised by Mrs Badger's daughters and friends, who all wore neon clothes and tutus to celebrate her personality.
All money raised will go towards St Richard's Hospice, an independent charity which cares for over 2,600 patients, their families and carers each year in Worcestershire. At the moment Mrs Badger is receiving care at home but is due to move in.
A friend of Mrs Badger said both her uncle and grandmother's partner received care at St Richard's Hospice: "The hospice helped – it's more like a home than hospital bed."
Tags: charity, Droitwich, hospice, Michelle Badger, St Richard's, walk, Worcester

redpajama_set_name: RedPajamaCommonCrawl


Product|Kameizumi Sake Brewing Co., Ltd.
Made with the utmost care, this sake is the pinnacle of the craft. This rich sake for connoisseurs has a luxurious flavor and smooth finish.
Brilliant aromas lead to a smooth, rich flavor and a refreshing coolness. This sake is the perfect drink for special occasions.
This highly-fragrant sake has bitter notes when freshly-made, but following 1 year of low-temperature aging, the bitterness is replaced by a richness and smooth mouthfeel.
This is a crisp sake notable for its refreshing aromas and acidity. The refined brewing process results in a brew almost as crystal clear as water.
This highly-fragrant sake was made using the hard-to-find sake rice "Kame no O". It has a rich aroma and distinctive acidity without any residual sweetness for a clean finish.
Kaze Naruko the rare rice strain used for this brew, was developed under the code name "Koiku No. 63". It has rich aromas and subtle flavors.
The pronounced aromas and balance between acidic and sweet flavors are reminiscent of white wine.
The fresh, aromatic acidity is expertly-balanced against bitter notes for a fine flavor.
This sake, with its fresh aroma and acidity balanced against a young bitterness, evokes the cheerful yet independent women of Tosa known locally as "Hachikin". This is a refined, straightforward, and dry sake.
The rich aromas and soft sweetness is accompanied by a champagne-like effervescence. This sparkling sake undergoes secondary fermentation in the bottle to provide an ideal accompaniment for elegant celebrations.
Fruity aromas are followed by a substantial richness in the mouth.
Sweet, acidic, bitter, and rich flavors are well-balanced in this highly-drinkable sake that can be enjoyed at any time.
The balanced flavors are brought out from the soft fragrance with bright undertones in this sake, which is conditioned at low temperatures similar to ginjo varieties.
This dry sake is well-loved in Kameizumi's hometown of Tosa. Tastes great served hot.
This "shinshu" (new sake) is the first freshly-brewed sake made at years-end.
This liqueur uses "Golden Ginger", a specialty product of Kochi, which is blended with "konatsu" citrus juice for a clean, fresh taste. The liqueur can also be enjoyed served hot.
This liqueur uses the fresh-squeezed juice of "konatsu" citrus, a specialty product of Kochi. The bright aromas give way to a fresh, juicy taste.
KAMEIZUMI since 2009-04-06 / Copyright kameizumi shuzou.co.,ltd. All Rights Reserved.


We also provide hands-on support if you need help to use computers and get online, access services, register for housing or get money advice at our weekly drop in at Kentish Town Library every Tuesday or Friday 10am-1pm and Pancras Square Library Wednesday 10am-1pm.
Mon-Fri 9am-5pm or 8am-6pm by prior arrangement.
Mon-Fri 9am-5pm. Appointments can be made to visit the service at one of their drop in surgeries, but they provide support primarily in people's homes.
Mon to Fri 9am-5pm (Duty desk).
People in need of housing related support, including: older people, offenders and people at risk of offending, victims of domestic violence, people with HIV or AIDS, people with learning disabilities, families, single people, people leaving care, young people at risk, people with physical disabilities, people with substance misuse issues.
Please complete a referral and assessment form and email it to FSSReferrals@camden.gov.uk.


text:
Tensegrity – and Other Contradictory Complicities
Tensegrity – Symposium
– organised by Monica Ursina Jäger and Damian Christinger
Nicole Bachmann, Ruth Beale, Giselle Genillard, Justin Hibbs, Matylda Krzykowski, Luc Mattenberger, Karen Mirza, John Palmesino, public works, Emily Rosamond, Nicola Ruffo, Aidan Treays, Roman Vasseur, Sarah Zürcher and Fine Art Students of Arts University Bournemouth
18 and 19 November 2016
Two Day Symposium
'Whether it is to be Utopia or Oblivion will be a touch-and-go relay race right up to the final moment. ... Humanity is in 'final exam' as to whether or not it qualifies for continuance in Universe.'
– Buckminster Fuller
In 1948 the young student Kenneth Snelson attended the summer institute at Black Mountain College. Influenced by Richard Buckminster Fuller's visions he created the first sculptures based on a very simple, but seemingly magical principle: Tensegrity (portmanteau of tension and integrity). Giving the impression of a cluster of struts floating in the air, tensegrity structures are composed by a set of compression components suspended within a continuous tension network. This results in a structure where 'compression elements become small islands in a sea of tension' (Buckminster Fuller 1961).
While Snelson examined this principle in his sculptures, Buckminster Fuller and David Georges Emmerich explored its applications to architecture and engineering. Thirty years later, Donald E. Ingber, professor of pathology at Harvard Medical School discovered tensegrity structures in biology (carbon atoms, water molecules, proteins, viruses and other living creatures). Tensegrity proved to be a universal principle corresponding to a particular field of forces in a stable equilibrium under a precise distribution of elements. Recently it has been proposed that not only the human skeleton but also the central nervous system function as tensegrity structures, where some elements are continuously pulling and others are discontinuously pushing.
Since the advent of the Internet, with its explosive cross pollination of knowledge, ideas and discoveries, tensegrity has become a key principle across many disciplines. Research is being conducted in biotensegrity to examine the architecture of cells and viruses to invent revolutionary treatment. New ways of geometric, responsive structures are being developed in design and engineering and anatomical research has led to new ways of understanding the structure of the human body. Very few researchers, though, have elaborated on social, political or theoretical approaches to tensegrity.
This symposium takes tensegrity as a starting point to examine whether 'tensional integrity' is something other than just a spatial structure of struts and strings. Where do we recognise forms of push and pull strategies, tension- pressure relationships and stability-flexibility structures within our fields of research and interests? In the face of he current political climate with social shifts, systemic ruptures and collective upheaval, notions around fragility, tension and dynamic relations become more and more important. With regard to philosophical approaches, tensegrity can be understood as moments of 'discontinuities installed within the continuity of time'. (Ignasi Solà-Morales 1996). While Solà-Morales refers in his essay 'Difference' to built elements of the city within the continuity of time, how can we apply this notion of 'contradictory complicity' to other disciplines such as language, performance, history, politics and sociology?
Can tensegrity serve as a mental model to investigate these issues? To what extent is it valuable as point of departure to re-evaluate force fields within contemporary arts? Could this idea also be applied poetologically, as an artistic approach, allowing new forms of artistic practice? Tensegrity is seemingly precarious, but proves to be a stable force in nature. Facing the challenges of the current era, it may become clear that issues around tension, resilience and integrity are at the core of the ultimate task to save our 'spaceship earth'. If art is supposed to address these questions, could tensegrity become one of the new guiding principles?
This symposium brings together artists, curators, writers, critics and other voices to explore how tensegrity could be defined in relation to their practices, whether through their working methods, concepts fabricated around tension/pressure or challenging space-time relations. The concept might be quite new to the field of art theory, but stems from an established practice we can draw from, thus allowing us to continually test our ideas in the making.
12.30-12.45 Welcome
12.45-13.30: Monica Ursina Jäger, artist (CH/UK), Damian Christinger curator (CH)
13.45-14.15: John Palmesino (Territorial Agency), artist (CH/UK)
14.30-15.00: Sarah Zürcher, art historian and curator (CH)
15.15-15.45: Emily Rosamond, artist and writer (CA/UK)
17.00-17.45: Giselle Genillard, SOS Internationale, Trauma Relief (UK)
18.00-18.30: Justin Hibbs, artist (UK)
18.45-19.00: AUB students (Rebeca Guirando, Monica Bonomo), summary and recap
19.15-20.00: Aidan Treays, Dance, Movement and Structural Integrity (UK)
Saturday 19 Nov 2016
11.00-11.30: Nicole Bachmann, artist (CH/UK)
11.45-12.15: Karen Mirza (Museum of Non-Participation), artist (UK)
12.30-13.00: public works London, architects, designers, activists (UK)
14.00-14.30: Ruth Beale, artist (UK)
14.45-15.15: Nicola Ruffo, Kunstverein Zürich, curator (CH), Matylda Krzykowski, designer (UK)
15.30-16.00: Luc Mattenberger, artist (CH)
16.30-17.00: Roman Vasseur, artist (UK)
17.15- 17.45: AUB students (Joely Neilan, Charlie Pritchard), summary and recap
18.00-18.30: Roundtable with participants and audience, conclusions
A publication and a poster accompany the event.
They contain the programme and a collection of research material and ideas.
Damian Christinger, writer and curator from Zurich, studied Asian Art History and Intercultural Studies. He was the co-founder, of Christinger De Mayo, a project gallery trying to build bridges between European and Latin American Art, which closed its doors December 2015. He now works as an independent curator and publicist. His main focus is on the construction of "the other" in intercultural relations and art history. His last museum show at the Museum Rietberg featured 21 Swiss artists, who questioned the relationship between the collection of antique non- European art and its local public. His current projects include such different topics as the history of curry, the Swiss Merchant Navy and the Moomins. He worked as a curator for the TBA21 project The Current and is lecturing at the University of the Arts Zurich.
Monica Ursina Jäger is a Swiss artist and lecturer living in London and Zurich. Her multidisciplinary practice engages with spatial experiences both within the natural and constructed environment. Recent works address the uncertainties of geopolitics related to natural resources and man-made production. Interdisciplinary projects include urban planning, green infrastructures and narrative environments in public parks. Jäger studied in Singapore and London and gained her MA at Goldsmiths College. She has exhibited widely nationally and internationally, e.g., Kunsthalle Düsseldorf, Kunstmuseum Thun, Helmhaus Zurich, Galeria Pilar Sao Paulo, Sammlung Essl Klosterneuburg/Wien, Haus Konstruktiv Zurich, Kunsthalle Osnabrück, Kunstverein Pforzheim. Winner of the Swiss Art Award 2007. Monica Ursina Jäger is a lecturer at the Institute of Natural Resource Sciences IUNR at University of Applied Sciences Zurich ZHAW. www.muj.ch
Nicole Bachmann is an artist based in London. She works in performance, installation, audio and writing. In her current artistic research, she is investigating the voice as a tool and method of knowledge production. Through layering, intonation, repetition, fragmentation and musicality, the voice pushes her text beyond "pure" signification of words and surplus meanings are created, an alternative way of producing knowledge. Her works are sites for examining the connections and similarities between the construction of language and the making of things. Thinking about language as material, the rhythm of making, cadenza of speech and construction of language and things. www.nicolebachmann.net
Ruth Beale's works are informed by varying cultural expressions and the reordering of political and social ideas. In 2011 she presented the event series 'Public Knowledge' at Cubitt Gallery, the first in the new programme curated by Fiona Parry, and was part of 'The Department of Overlooked Histories' at Wysing Arts Centre, Cambridge. Her work takes on collaboration in themed discussions such as her ongoing 'Miss B's Salons', and didactic performance such as 'Art for Virtue's Sake' ICA, London, a lecture on the historical relationship between education and 'culture as a social project' and 'The Aesthetics of Power' Form Content, London (2010), a play about fetishisation of fascist architecture. Ruth Beale was born in the UK. She lives and works in London. www.ruthbeale.net
Giselle Genillard founder and director of SOS INTERNATIONALE, is a Licensed Midwife, a member of the European Association of Body Psychotherapy (EABP), a Somatic Experiencing (SE)® Practitioner, a member of the International Association of Structural Integrators (IASI), a Touch-in-Parenting Instructor and founding Secretary of the Board of EASE, the European Association for Somatic Experiencing. She combines her training as a somatic therapist with the art of midwifery, the core principles of Somatic Experiencing (SE)®, and her widespread cross- cultural experiences. She works internationally, is multilingual, and was a member of trauma outreach teams in South-East India post-tsunami, New Orleans post-Katrina and post-colonial South Africa post-independence. Giselle brought Peter Levine's ('Waking the Tiger') SE trainings to England and France where she teaches workshops related to traumatic stress. Giselle specializes in working with PTSD in early childhood disorders, adolescents, combat and high-stress situations, and international disasters. www.sosinternationale.org
Justin Hibbs studied at Central St. Martins, London (1991-94) and currently lives and works in London. He has exhibited his work both nationally and internationally, and has also curated a series of artist-led exhibitions. Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking to establish and question relationships between real and idealised notions of space. This is enacted through a uniquely multi-disciplinary approach that incorporates painting, drawing, sculpture and architectural interventions. carrollfletcher.com/justin-hibbs
Matylda Krzykowski is a designer and curator. She focuses on collaborative and performative projects. Krzykowski's work is introspective, as it explores and experiments with the inner mechanisms of design. As such, her projects dissect the design process to its different stages – from methodologies and education to network and politics. With a strong perspective of design as a discipline of communication, her work explores interdisciplinary links, which may differ from Choreography to Reportage and to TV game shows, to name a few. Krzykowski is founding member and co-director of Depot Basel place for contemporary design, Switzerland, and is a former participant of the Jan van Eyck Academy. matyldakrzykowski.com
Luc Mattenberger is a Swiss artist who lives and works in Geneva and Berlin. He completed his Academic degree (Hons.) and a postgraduate at the Geneva University of Art and Design (HEAD) in 2007. He works essentially in the field of sculpture and installation. His works explore the multiples convinces between man and machine, with a particular interest for the engine as vector and symbol of power. During his career, the artist has been rewarded with several prizes, (e.g. Prix de la Fondation UBS, Swiss art award, etc.) and residency programs in Roma, Prague, Paris, Berlin and Marfa. Mattenberger is co-founder and co-editor of the literary review Coma. www.lucmattenberger.com
The Museum of Non Participation is one aspect of Karen Mirza and Brad Butler's wider artistic practice, an investigation of the terms and conditions of images, objects, collaboration, dialogue and the social. The Museum of Non Participation confronts (non) participation and the socio-political in art works. 'Non Participation' is not a negation, it is a threshold—a political plastic that expands and contracts, that is both unstable and malleable. This is an international neoliberal life condition, frequently (un)consciously exercised in the excess of one's own society, often gained at the expense of another's nameless plight elsewhere. Whilst locally it can be witnessed, for example, in the moment urgent social issues are both recognized and simultaneously ignored or rejected. It is also a structure including, in the UK, the filtering of government and corporate policies and agendas through the arts and arts funding. www.museumofnonparticipation.org
John Palmesino is an architect and urbanist, born in Switzerland. He has established, together with Ann-Sofi Rönnskog, Territorial Agency, which has designed the integrated vision for the future of the Markermeer, in the Netherlands. He is in charge of the Master course at the Research Architecture Centre, Goldsmiths, University of London, where he is also conducting his researches for his PhD. He is the initiator and curator of the research project Neutrality, a multidisciplinary investigation in the territorial implications of UN policies and self-organisation processes of transformation and control of the contemporary human landscapes. He has been Head of research at ETH Zurich, Studio Basel / Contemporary City Institute, between 2003, and 2007, a research platform for the investigation of the transformation patterns of the city of the 21st Century founded by the Pritzker Prize winner architects Jacques Herzog and Pierre de Meuron. His researches at ETH Studio Basel focus on Paris, Napoli, San Francisco, St Petersburg, Hong Kong, and the Canary Islands. Open and Closed: Transformations in the 21st Century City is the working title of his forthcoming publication. He also has co-founded the Milan-based organisation, multiplicity, a research network on contemporary territorial transformations. territorialagency.com
public works is a critical design practice set up in 2004 that occupies the terrain in-between architecture, art, performance and activism. Together with their interdisciplinary network, they re-work the city's opportunities towards citizen driven development and nurturing their rights over the city. public works' projects are interested in what constitutes civic in the city and how to re-design structures that restrict it. The work gives space to and facilitates civic practices which promote direct involvement and collective action in order to transform and re-appropriate contemporary public life. They create long sustained relationships that build commonality, trust and enable co- authorship. This method allows, engagement and knowledge production, be it informal and intimate or political and academic. - it is through the production and sharing of knowledge that they can redefine the city through its inhabitants. www.publicworksgroup.net
Emily Rosamond is a Canadian artist, writer and educator. She is a Lecturer in Fine Art Theory at the Arts University Bournemouth. Previously, she was a Lecturer in Fine Art at the University of Kent and an Associate Lecturer at Goldsmiths. She completed her PhD in Art in 2016 at Goldsmiths, where she held a Commonwealth Scholarship. Her doctoral work focused on character as a prominent speculative, representational logic of personhood in an era of predictive analytics. www.emilyrosamond.com
Nicola Ruffo works as a curator in the fields of contemporary art, film and architecture. Amongst other things, he has co-curated the exhibitions Learning from Warsaw at the Centre for Contemporary Art Ujazdowski Castle (Poland) and Go! You Sure? Yeah! at Pool Project, in collaboration with the LUMA Foundation and Ringier collection (Switzerland). Recently he has co-published the architectural book Up Up, which portrays the urban development of Johannesburg (South Africa). He runs, together with Nele Dechmann, the Kunstverein Zurich – an art club, which practices since 2010 a nomadic work and exhibition style. kunstvereinzurich.ch
Aidan Treays is a Certified Rolfer®, based in London. He started his life long passion for the body and movement as a dancer. Training at Elmhurst Ballet School, this led to a career, rich with different styles of dance. He worked as a flamenco dancer, musical theatre performer and as a movement artist in devised Circus and physical theatre. He then took the natural step from performer to choreographer. His choreographic work has been seen in the West end, on Broadway, and in major motion pictures. The path to Rolfing drew closer with his experience as Head of Movement at Drama Studio London. He has observed, in the course of his career, what holds a body back and what makes the body sing. www.london-rolfing.com
Roman Vasseur's artworks appropriate cinematic and political narratives to produce installations and actions that engage the forceful materiality of these fictions. Whether it is transporting a crate of earth from Transylvania to Los Angeles, planning the ritual execution of an international mural artist or disinterring a town's original master-plan as a noirish material fiction, past work has constructed scenarios around which the 'social' materialises as an unstable, mythological figure – a figure that cannot be looked upon directly but remains forceful nonetheless. Vasseur is currently completing a PhD in the Department of Art of Goldsmith's College entitled 'I am the Sun and Cannot be Gazed upon Fixedly'. He is a Senior Lecturer at Kingston University, London as well as lecturing elsewhere in the UK and abroad including Tate Britain and Otis College of Art and Design, LA. He has exhibited at Cubitt Gallery, London and the ICA. www.romanvasseur.com
Sarah Zürcher is an independent curator and art critic. Since 2008 she has organised exhibitions and festivals around the globe - London, Cairo, Delhi, São Paulo, Algiers, Paris, Marseille, Tallinn, Basel, Nairs, Lausanne and Baden. In 2014 and in 2015, she worked as Director of Museum Langmatt (CH) and from 2009 to the end of 2013 as Director of the Art School esba TALM in Tours (FR). From 2002 to the end of 2007, she directed Fri-Art, the Fribourg contemporary art centre. She has worked in particular at the Kunsthalle in Bern, Mamco and the Cabinet des estampes (Print Room) in Geneva. For the cities of Baden and Zurich, she has worked on a number of projects in public space including the 'Infolge Kunstprojekt'. She has regularly published articles and essays on contemporary art since the 1990's. Among others, she has also edited catalogues, notably for the 9th Biennial of the image in movement in 2001. www.sarahzurcher.com


When designing tables you may not always know what columns need to exist prior to when the table is created. Therefore over time table changes are made where you may add or drop columns. Based on this table modification you may want to have certain columns next to each other for easier management and grouping of like data in the table structure. It doesn't really matter to SQL Server where the column is located, but to us humans it sometimes makes a difference. Dropping a column is not a big deal because the column just goes away, but when adding a column the default process is to add the column to the end of the table. So how can you modify the table structure so all of the like columns are next to each other?
The short answer is that there is not an easy way to move columns around once the table has been created, but let's take a look at a couple of examples and why this is not that straightforward.
When using T-SQL to add a new column, the new column is always added to the end of the table. Let's take a look at how this works using T-SQL.
From the output below we can see the new column is added to the end of table. Also, there is no option for the ALTER TABLE command to specify where the new column should go.
The other approach that you might take is to use Enterprise Manager or SQL Server Management Studio. When moving columns around using the GUI tools you can make the changes and add a column in the middle of the table, but let's take a look at what happens when this is done. Below is a sample trace that captures the events that occur after you press the save button.
As you can see the management tools do the following to get this to work.
create a temporary table called dbo.Tmp_Test1 with the new structure.
So this is not a big issue if the tables are small, but think about the impact this would have if the table had millions of rows of data as well as multiple indexes that would need to be recreated.
Also, this approach is not always possible either. Here is an example of a table that was being changed to insert a new column in the middle of the table. As you can see from the error message this change could not be performed, because the table is being replicated and therefore could not be dropped. Other conditions where this would fail is if there were foreign key constraints referencing the table.
If you really need to modify the table and move columns around you would need to remove the table from replication, drop the foreign keys and then you can manually go through the same steps that the management tools use. This seems like quite an undertaking to just move the columns around in the table, but it can be done if you really need to.
As mentioned above SQL Server does not really care where the column is located in the table. This is really an issue that we have when managing our database tables. As long as you specify column names when Selecting and Inserting data this positional information will not be an issue. It does become an issue though when you use SELECT * or insert data into tables without specify the column list. As a best practice it is always better to explicitly list the columns you are dealing with instead of relying on the position of the column for your database operations.
If you really need the columns to be displayed next to each other try using a view over the table instead of modifying the underlying table structure.
When adding a column to the end of the table using the GUI tools SQL Server does not drop and recreate the table. A simple ALTER TABLE statement is used instead.
Get over having to have your columns in your table all line up next to each other. Database changes happen all of the time and everything can't be perfect.
Greg Robidoux is the President of Edgewood Solutions and a co-founder of MSSQLTips.com.
I noticed that similar thing happens when we generate an alter/update script as part of Schema Comparison using SQL Server Data Tools.


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text:
Q: mongodb map-reduce output doubles my source database have documents like..
{date:14, month:1, year:2011, name:"abc", item:"A"}
{date:14, month:1, year:2011, name:"abc", item:"B"}
{date:14, month:1, year:2011, name:"def", item:"A"}
{date:14, month:1, year:2011, name:"def", item:"B"}
{date:15, month:1, year:2011, name:"abc", item:"A"}
{date:16, month:1, year:2011, name:"abc", item:"A"}
{date:15, month:1, year:2011, name:"def", item:"A"}
{date:16, month:1, year:2011, name:"def", item:"A"}

and my map reduce is like...
var m = function(){
            emit({name:this.name, date:this.date, month:this.month, year:this.year},        {count:1})
        }
var r = function(key, values) {
        var total_count = 0;
        values.forEach(function(doc) {
            total_count += doc.count;
            });
    return {count:total_count};
};

var res = db.source.mapReduce(m, r, { out : { "merge" : "bb_import_trend" } } );

so "myoutput" collection will have counts like this....
{ "_id" : { date : 14,
    month : 1,
        year : 2011,
        name : "abc"
      },
  "_value" : { "count" : 2 }
},
{ "_id" : { date : 14,
    month : 1,
        year : 2011,
        name : "def"
      },
  "_value" : { "count" : 2 }
},
{ "_id" : { date : 15,
    month : 1,
        year : 2011,
        name : "abc"
      },
  "_value" : { "count" : 1 }
},
{ "_id" : { date : 15,
    month : 1,
        year : 2011,
        name : "def"
      },
  "_value" : { "count" : 1 }
},
{ "_id" : { date : 16,
    month : 1,
        year : 2011,
        name : "abc"
      },
  "_value" : { "count" : 1 }
},
{ "_id" : { date : 16,
    month : 1,
        year : 2011,
        name : "def"
      },
  "_value" : { "count" : 1 }
}

so total 6 documents
so when aother three documents of date 17 like...
{date:17, month:1, year:2011, name:"abc", item:"A"}
{date:17, month:1, year:2011, name:"abc", item:"B"}
{date:17, month:1, year:2011, name:"def", item:"A"}

has been added to my source collection...and again i am running map-reduce it should be jus addition of two documents like...
previous 6 plus
...
{ "_id" : { date : 17,
    month : 1,
        year : 2011,
        name : "abc"
      },
  "_value" : { "count" : 2 }
},
{ "_id" : { date : 17,
    month : 1,
        year : 2011,
        name : "def"
      },
  "_value" : { "count" : 1 }
}

but instead of this it duplicates all the previous 6 documents and adds another 2 new ones..so total of 14 documents in my output collection(though i 've used merge in output).
Note > : when i am using another database having same source collection and doing the same procedure it gives me desired output(of only 8 collection).but my database using by my gui is still duplicating the old ones.

redpajama_set_name: RedPajamaStackExchange


text:
Botanical illustration of ' Eugenia ventenatii (Large leaved water gum/ Drooping Myrtle)' by Agard Hagman
Hagman, Agard
This is a watercolour of a botanical drawing depicting one of the native plants of Australia, Eugenia ventenatii (the large leaved water gum or Drooping Myrtle), known as a plant food. It is one of 98 watercolours 'drawn from life' by Agard Hagman and commissioned by the Museum between 1886 and 1889. Hagman worked in Sydney between 1885 and 1891. He was actually a civil engineer who arrived in Australia from Sweden in 1885 on board the ship 'Sorata' and returned to Sweden in 1891. The Sands Sydney Directory notes him working at Tattersall's Chambers, in Hunter Street in 1888. Apparently Hagman produced both engineering and botanical drawings for the Museum while he was in Sydney. His botanical illustrations were displayed at the Melbourne and Adelaide International Exhibitions.
The first curator of the Museum was the botanist, Joseph Maiden, who later became Director of the Royal Botanic Gardens. In 1887 Australia's natural resources were little explored. A major focus for the Museum during its early years was the collection of Australian plants and the investigation of their potential for commercial purposes.
This watercolour was one of many illustrations included in an extensive display of Australian timbers in the Timber Courts at the Museum in the late nineteenth century. When the Museum opened in 1893, the whole first floor was given over to the vegetable kingdom. Subjects included timber, food, drugs, oil and many others. The Museum did not limit itself to just exhibitions and advice, it actively promoted the commercial potential of Australian plants, particularly Eucalypts and Wattles. The display of Australian timbers included drawings, jars filled with leaves and seeds, sections through tree trunks, examples of raw and polished timbers and furniture and fittings made from different timbers.
A note in the 'New South Wales Catalogue of Exhibitions' stated that: 'Each drawing is 3 ft. 3 in by 2 ft 2 in., and is framed and glazed. Scale, three times natural size. In each case the fullest information (in large bold type) is affixed to the drawings themselves. In all cases the drawings have been made from fresh flowering or fruiting specimens, under the immediate supervision of the Curator, who certifies to their botanical correctness'.
'Yesterday's Tomorrows: Powerhouse Museum and its precursors 1880-2005', Graeme Davison and Kimberley Webber, Powerhouse Publishing, Sydney, 2005.
Botanical drawing, 'Eugenia ventenatii (Large leaved water gum/ Drooping Myrtle)', watercolour, paper / canvas made by Agard Hagman, Sydney, New South Wales, Australia, 1887
Watercolour painting in scale 3 to 1. The drawing shows a branch with foliage, flowers and seed nuts.
Printed above the illustration 'Timber Food'. Printed underneath 'Scale 3 to 1, Myrataceae / Eugenia Ventenatii, Benth. / Large leaved water gum / Drooping Myrtle, N.S.W. & Q.
Artist's name in lower left corner, in black 'Ag. Hagman ad nat'
Artist's signature near end of branch, handwritten in black 'Hgn'
Agard Hagman was commissioned by the Museum to paint a series of botanical illustrations of economic plants in the 1880s. Hagman was civil engineer who came to Australia from Sweden in 1885 onboard the ship 'Sorata'. He returned to Sweden in 1891. He is registered as working at Tattersall's Chambers, Hunter Street in the Sands Directory, 1888. Hagman provided both engineering and botanical drawings to the Museum.
Economic botany was an important focus in the early years of the Museum of Applied Arts and Sciences. Hagman's drawing were used in displays such as the Timber Courts. The drawings accompanied samples of raw and polished Australian timbers alongside jars filled with seeds and leaves, sections through tree trunks and furniture and fittings made from different timbers.
This species is now called 'Waterhousia floribunda' or the Weeping Lilly Pilly.
Botanical illustration of ' Eugenia ventenatii (Large leaved water gum/ Drooping Myrtle)' by Agard Hagman 2020, Museum of Applied Arts & Sciences, accessed 16 January 2021, <https://ma.as/320463>
{{cite web |url=https://ma.as/320463 |title=Botanical illustration of ' Eugenia ventenatii (Large leaved water gum/ Drooping Myrtle)' by Agard Hagman |author=Museum of Applied Arts & Sciences |access-date=16 January 2021 |publisher=Museum of Applied Arts & Sciences, Australia}}
Copyright for the above image is held by MAAS and may be subject to third-party copyright restrictions. Please contact MAAS Rights and Permissions for information regarding reproduction, copyright and fees. Text is released under Attribution-Non Commercial-No Derivatives licence
Submit an image license enquiry.
History of the Museum of Applied Arts and Sciences


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Last updated 15.07pm 18/04/2019 (live) ?


text:
Tempers flare as shirtless Tyson Fury & Deontay Wilder clash at fiery LA presser (VIDEO, PHOTOS)
© Reuters / Andrew Couldridge
What started out as a run-of-the-mill occasion descended into an ugly shouting match as scuffles broke out on stage at the pre-fight press conference between Deontay Wilder and Tyson Fury in Los Angeles.
Tempers erupted when the pair confronted each other during an intense face-off, with Wilder shouting in the Brit's face, telling him he was going to knock him out while Fury mockingly bobbed and weaved his head in response.
And when members of Wilder and Fury's respective teams moved in to prevent tempers from boiling over, scuffles broke out among the teams and Fury took off his jacket and shirt as the two protagonists were separated to avoid an ugly clash.
Wednesday's press conference took place on the three-year anniversary of Fury's world title-winning performance over Wladimir Klitschko, and the timing wasn't lost on the Brit.
"It's my anniversary today," he told the assembled press. "It's three years since I went to Germany and kicked Wladimir Klitschko's arse all over Dusseldorf, and I'll do the same to Deontay on Saturday.
"I'm here to do a job and enjoy myself, and I hope the boxing fans around the world are going to enjoy this fight as much as I will."
Wilder started out calm and composed in his opening statement as he revealed his excitement ahead of the contest.
"I can't wait," he enthused. "It's been my saying this whole time: I cannot wait. Time is clicking, it's boiling down. Can you feel the energy?
"This is a moment I've been waiting for my entire career. This is the time, it's my time. Fury had his time. When he beat Klitschko that was his time, that was his window. Now it's my time."
But things started to heat up when the press conference went to the Q&A segment, which quickly descended into a back-and-forth shouting match between the pair.
Before the chaos ensued, Fury said that he was returning to the sport not just as the heavyweight division's lineal champion, but as a champion for people around the world who deal with mental illness.
READ MORE: 5 reasons Tyson Fury can topple Deontay Wilder in world heavyweight title clash
The Brit suffered with mental health issues during his time away from the sport. But he explained that now he is back on the world stage, he wants to be an inspiration to those who deal with similar issues every day.
"I stand for more than a championship. I stand here as an ambassador for mental health," he said.
"I'm the people's champion. I've got millions of people around the world who look up to me and I'm on a mission to inspire these people."
Then Fury turned up the mental warfare and clearly touched a nerve when he questioned Wilder's tough-guy image.
"When I look at him I don't see a bad man, I see a pretender," said Fury.
"This ain't an act. I am what I am. A bald-headed, big-bearded hulk of a man. And I didn't practice to talk like this. I just do it."
READ MORE: Betting bonanza: Boxer Billy Joe Saunders makes £70K wager on Tyson Fury to beat Deontay Wilder
It left Wilder all fired up, as the American turned his sights on Fury as he sought to question the Brit's boxing credentials.
"I was at the Olympics. I medalled. I've never seen him in the Olympics, I've never seen him medal," he stated.
"I've knocked out every fighter I've faced. Why hasn't he? Why is his ratio so low?
"He didn't beat Klitschko, Klitschko beat himself. If Klitschko had shown up and thrown more punches he'd have won. Everybody knows that."
And with the fight just a matter of days away, the defending WBC champion issued a warning to the returning Fury, saying that he's been ready for their match-up for weeks, and that the smiling adversary he had spent time with during the lead-up to the event was now replaced by a world champion determined to defend his crown.
READ MORE: 'I'm a different monster in that ring and he knows it': Wilder questions Fury's coaching switch
"So much emotion is running through my body right now. I was ready two weeks ago," he declared.
"I can't wait to put these hands on you. When I get in the ring, it'll be no more Mr. Nice Guy."
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2 birds, 1 stone: Muay Thai fighter knocks out opponent AND referee with combination (VIDEO)
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Irish football club 'faked death' of their own player to request match postponement
Betting bonanza: Boxer Billy Joe Saunders makes £70K wager on Tyson Fury to beat Deontay Wilder


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text:
Q: Where to ask about identification and clarification of military equipment? The question aims to find a similar place to the "identify-aircraft" tag in Aviation SE but for military equipment such as missiles. Whether this is from an active war or a past one doesn't matter, the question is more general.
As an example: I have a video/picture that depicts a missile hitting a building and would like to find out what type of missile it could have been.
However, I do not know the right place to ask this question. A similar meta question points to Space Exploration with the ICBM tag, however, posting it there with the cautious hint that I am glad about better suiting sites resulted in immediate closure as off-topic (and no suggestion on a better place).
I've seen this kind of question in the Aviation SE for airplanes, however this is about missiles and weapon systems.
This is not just about "seeing" a missile, but about logical factors involved (see also the link above), such as: from which angle is the object coming, why does it have a white trail, how large is the explosion radius?

Actuality: it was brought up in comments that during the conflict it may not be a good idea to discuss this. However, there are many SE threads that discuss very recent topics such as why India abstained on the UNSC resolution on Russia and Ukraine. I therefore see no problem in trying to ask questions on matters that are happening right now.

A: Well, identification questions are generally "not" a great fit — especially if the video is of them being fast moving objects that have come to a sudden, destructive stop inside a civilian building in the middle of an ongoing war.
ICBMs are on topic for space since, well, an ICBM is pretty much a suborbital launcher whose payload returns, and many ex-ICBMs were used either as a basis for, or as low cost launch vehicles with minimal modifications. It wasn't a general allowance for anything to do with rocketry I suspect.
In theory, once this... godawful mess is over this might be a fit for history — they do seem to do identification questions.
Right now though, it's precious little solace to the people who live there. I've been following a bit of discussion over this and right now, I'm fairly convinced that many mods wouldn't feel this is a good fit for their site. Topicality aside as I told someone else, it's a little too soon.