text:
5:30 P.M. W. in the best of humor and condition, and we had the happiest chat. He said he had had a note from Tom about his mother: that she was to be buried from Tom's house, etc. Expressed tenderest sympathy.
What was the news? We talked of many things. W. still felicitates himself and us on the political situation. He asked me about the Arena: wished to see a copy; had never seen one. "What is its character? Is it radical, generous, receptive? Is it a free trade or is it a protection paper? The North American is hospitable to new, strange views; invites, accepts, and that is a gift these days." I assured him of the nature of the Arena and he appeared satisfied. I had previously urged him to write something about free trade—freedom in trade in its truest sense: from moral standpoints, solidarity, America as a summons to the world—and we now discussed it. "I wondered if the editor would like it, or was rather a man such as was on the North American Review years ago and refused my articles—Metcalf—he is on the Forum now." And then he spoke of free trade itself: "I should of course largely discuss it from the standpoint you suggest—solidarity, America to lead the way and all that. I would, however, much rather write two articles than one—two short ones. It is easier for me, but we shall see how I am led on.
Ingersoll is a protectionist, isn't he? It is hard to explain in him. But however, my view will be extreme. I shall take the ground that it is a false ideal from the start—that it is never good. Infant industry? Why, it is to take the infant, put it in a warm room, curtain it, carpet it, sickly it—and then you have—what do you have? Everything but virility, self-dependence, the show of men and women. And that is protection—that only; and wrong from the start. I had a friend, who had a sickly son: a poor, pale, frail, useless creature, who even threatened not to live at all; coddled, having every wish gratified, cared for wherever he went, whatever he did. That is protection. But then along came another, a wiser, who said, 'If that boy is to live, he must be set free: must be sent into the fresh fields.' Before, they had hardly dared let him breathe the air of heaven. And the good advice was taken. They bought him an ass—a donkey—the queerest, shabbiest, dirtiest devil of a creature you ever saw, and set the boy free with him—and straightaway the youngster prospered; got strong, robust, almost lived with the animal. That was free trade, and free trade in the natural state. We must say that—our fellows—though we die!" And finally, "I have not finally decided on a subject, but I may take this, treating it as I now do with you."
While we sat talking Mrs. Davis brought in some mail: a letter from Bucke (written Sunday) among other things. As soon as he opened it he said, "Well, the trunk has arrived: that is good!" And then read the whole letter aloud. Bucke was warm in thanks for W.'s autographing, etc. Towards close, reminded W. of his (Bucke's) old suggestion that he should write autobiographical notes, etc. I thought "it would be almost farcical to write autobiography deliberately, when all 'Leaves of Grass' and the prose was autobiography if anything." W. laughed and said, "You are right about it—right: and I suppose, as you suppose." Merrily: "That after all is said by the others, I will pursue my own way; that the worm, the tortoise, the snake, the whatever, will leave its trail wherever it goes. The show of autobiography
everywhere in my work." Then proceeded: "I read 'Old Poets' last night again, after passing it by several days, and I can see now why it should be an offense to some people. It's egotism—egotism: that is the trouble. It is somewhat scrappy, very gossipy and terribly egotistical—and that is its trouble with some. But it is my vein, and I must flow in it. All my work is set on the same plane—no other. I do not think even the Doctor sees that though he must feel it—all of you must feel it—and I know as no other how dead-set I am in that purpose." We talked prices. He thought both North American Review and Arena "very liberal and good. I can accept them for the generosity they indicate."
I urged W. to send a portrait to Bob. "The Gutekunst," I said. He was at once favorable. Took up "The Laughing Philosopher" from table. "What do think of that? That is the picture I sent to Tennyson. I think often the best, and I heard he liked it." I said, "Doctor told me in London he was getting rather tired of it." W. laughed, "Well, no doubt, but I think it very good—with the best, though I acknowledge the Gutekunst picture is great, too." But after all "the Washington, Gardner, picture is the best—the one you have—no doubt has elements found in no other." But I continued to urge the Gutekunst picture as the picture of the now, and he acquiesced. "I am sure you are right. That is the picture to send. But, Horace, I must frame it. How would it do to take one to Neumeyer—have him put a handsome frame on it? And then, I should rather send it to the wife, to Mrs. Ingersoll—somehow that might please both best." I thought Ingersoll would feel complimented; that he was sensitive to such love and act, as all poets were—to which W. in a sweet tender tone, "You think that, boy? Well, so do I: so do I know it. I have always been sure Tennyson was open to it, liked the word of comrade, the light touch of friendship, the sign of companionship. The tribe welcome—are seized by—it. A true and necessary passport!" And so he promised me, if he could not take the picture for framing, he would let me do so.
Half expect Bush over tomorrow.
W. commenting upon Higginson, said, "He is poor water enough, but a handsome fellow to look at: erect, on his own feet!"
Somehow turned back to night of the lecture. W. said, "The papers seem particularly to make me out weak, old, senile (almost)—trembling, supported." I rallied him on that, but told him what Bucke and I thought that night: that he would collapse. "It was the only time," I said, "that to my knowledge you ever seemed knocked out," etc. He laughed over that for quite a space, then pursued the thread of our talk: "I was dazzled, but not confused. For instance, it was with me as at this moment: I do not feel at all confused, troubled—I do feel as if there was a bushel basket of lead pressing, pressing on my brain, and I felt that the lecture night. And everything tended to produce it: the glare, the light, the people around before—the speech itself—the rapid life of those two hours—seized, penetrated me. I had certain things to say—indeed, had prepared to say two or three sentences—as on the printed slip, but the event itself partly frustrated me, but only part. Then there was some uncertainty about the place for my remarks. I had hoped to have them come in somewhere among Ingersoll's lecture, with some pause. But when I spoke to him about it, he seemed to prefer to have it come in last." Baker had told me this would undoubtedly be Bob's decision. W. now said, "And I respect it in him—you know how I do. It is part of the man!"
The Higginson piece of which I have several times spoken in my notes is called "Literary High-Water Marks" (from the Independent) and his comment upon W. was this:
In some cases, as in Whitman's O Captain, My Captain, the high-water mark may have been attained precisely at the moment when the poet departed from his theory and confined himself most nearly to the laws he was wont to spurn—in this case, by coming nearest to a regularity of rhythm. The praise generally bestowed on the admirable selection in the Library of American Literature by Mr. Stedman
and Mrs. Hutchinson is a proof that there is a certain consensus of opinion on this subject," etc.
Does this apply to W. W. or to the selections in general?
W. said, "If you should get a chance tonight to say a word to Harris, give him my greeting. Tell him I am still holding the fort, sorta, as I say. He was very kind to me when I was in St. Louis, and I shall not forget it. Came several times to see me, generally with a carriage, always with true consideration. He is so simple, natural a man, you would wonder where is the connection between him and his philosophy." Nearby a couple of copies of the Journal of Speculative Philosophy. W. thought I might take them, "If there's anything at all in them to interest you, you are welcome: I have not and shall not read them. They are not in my line—my habit, anyway."


text:
The moon landing wasn't a hoax (and you can still see Apollo leftovers on the moon to prove it)
by Alex Hollings Oct 5, 2019
(NASA)
On July 20th, 1969 mankind accomplished what may be its greatest feat to date, as American astronauts Neil Armstrong and Buzz Aldrin departed their Apollo 11 lunar lander and set foot on an alien world for the first time. It was a momentous victory for the United States over its competitors in the Soviet Union, but through hindsight, it was much more. Humanity had escaped the bonds of our pale blue dot and began an age of interplanetary expansion that is set to continue in the coming years with both government and private enterprises setting their sights on the Earth's celestial neighbor, Mars.
Or did they? A cursory search about the Apollo missions that sent human beings to the moon will undoubtedly be met with a fair number of "skeptics" (read: conspiracy theorists) that believe the moon landing never occurred at all. Extensive evidence, a term used loosely in this context, has been presented on everything from poorly cobbled together blogs to feature-length documentaries. In the minds of many, this issue simply isn't settled, and it seems somehow more likely that the hundreds of thousands of people involved in the Apollo program must all be keeping quiet in what amounts to the largest and most expertly laid out misinformation campaign ever levied by a formal government (depending on your stance on the Phantom Time Hypothesis and Byzantine Emperor Constantine VII).
The easiest way to debunk the nitpicking of Apollo footage, the suppositions that Stanley Kubrick actually faked the landing and then bragged about it via symbolism in movies like "The Shining," and the angry internet commenters that just know the deep state is up to something in space… is to point to legitimate governmental attempts to cover things up. After all, a mere three years after Armstrong made "one small step for man," the President of the United States was forced to resign in shame because his administration couldn't keep a lid on a good old-fashioned breaking and entering case.
For some, of course, expecting a logical leap is asking too much. Just ask B.o.B. – a musician turned crackpot who has actively tried to prove the earth is flat, and expected you to pay for it via Kickstarter. In the face of self-celebrated ignorance, it can be tough to offer up well thought out and respectful rebuttals without relenting to frustration and shaking your fist in the air. In those moments, it helps to come prepared with some concrete evidence to support your position.
About Alex Hollings
Alex Hollings writes on a breadth of subjects with an emphasis on defense technology, foreign policy, and information warfare. He holds a master's degree in communications from Southern New Hampshire University, as well as a bachelor's degree in Corporate and Organizational Communications from Framingham State University.
Apollo 11: One of the most significant events of the 20th century
Russia says they plan to 'verify' whether Americans really reached the moon
Think the moon landing was a hoax? Then we'll make this simple...
German team schedules launch for moon lander to explore Apollo 17 landing site
On this day in history: the final Apollo mission lands safely on Earth
Remembering aviation & space hero NASA Astronaut Eugene Cernan

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Reading from pre-formatted file Golang I am trying to write a golang program which will be able to read from a file of the following type of data
#define __LPM_classic__(addr) (__extension__({ uint16_t __addr16 = (uint16_t)(addr); uint8_t __result; __asm__ __volatile__ ( "lpm" "\n\t" "mov %0, r0" "\n\t" : "=r" (__result) : "z" (__addr16) : "r0" ); __result; }))
#define PRIXFAST32 "lX"
#define INT0 0
#define INT1 1
#define clockCyclesToMicroseconds(a) ( (a) / clockCyclesPerMicrosecond() )
#define B00010000 16
#define B11101000 232
#define B11101001 233
#define PRADC 0
#define M_SQRT1_2 0.70710678118654752440 /* 1/sqrt(2) */
#define Arduino_h
#define sq(x) ((x)*(x))
#define B01000100 68
#define B01000101 69

(For anyone wondering, yes this is an output from a Clang pre-processor. The reasons for me doing this is pretty complicated, and I don't want to trouble people with un-necessary details)
I need to write a golang program, which will read through this file, and give me the defined value of a string. For example
func getDefinedValue(filepath string,defineName string) string{
    //Need help with this part
}

So if I run the function in the following manner
Value :=getDefinedValue("preprocessorOutput.txt","PRADC")

Then the variable value should hold 0, as per the example file above.
I have tried using fmt.Fscnaf in the following manner
file, err := os.Open("preprocessorOutput.txt")
Value :=""
readLine :=""
defName :=""
var errr error
for (errr == nil) && (len(Value)==0){
    ret,err :=fmt.Fscanf(file,"#define %s %s",&defName,&readLine)
    errr=err
    fmt.Println("This is returned ",ret, " and this is the defName ",defName, " And this is the value ",readLine," and this is the error",err)
    if(ret <1){
        continue
    }
    //I planned to process the defName and readline to get the actual value here, as per which defName I want to get.
}

(Don't sweat the details, this is my attempt at an MCVE)
 which allows me to use a format string like CLang's scanf allows, but it fails on the 1st line of the example and throws an error on the 2nd line.
This is my first-day using golang, and I would probably kill to have a package do this work for me.

A: Personally, I'd do something like this:
file, _ := os.Open("preprocessorOutput.txt")
br := bufio.NewReader(file)
results = make(map[string]string)
for {
    ln, _, err := br.ReadLine()
    // Trim off #define
    ln = ln[8:]
    // Get key value
    parts = bytes.Splitn(ln, []byte{' '}, 2)
    // Save
    results[string(parts[0])] = string(parts[1])

    if err != nil {
        break
    }
}

Then you can answer any query for the value associated with a key by doing a map lookup. Note that this is very rough with no error checking, sanity checking, or indeed testing, but I hope it gives a decent starting point.

redpajama_set_name: RedPajamaStackExchange


text:
Q: Algorithms disappear when I use multicols This is my code:
\documentclass[11pt]{llncs}
\usepackage[utf8]{inputenc}
\usepackage{amsfonts}
\usepackage{amssymb}
\usepackage{dsfont}
\usepackage{multicol}
\usepackage{fixltx2e}
\usepackage{multicol}
\newcommand\blfootnote[1]{%
  \begingroup
  \renewcommand\thefootnote{}\footnote{#1}%
  \addtocounter{footnote}{-1}%
  \endgroup
  }
\usepackage[T1]{fontenc}
 \usepackage{comment}
\usepackage{amsmath}
\setcounter{MaxMatrixCols}{20}
\usepackage[margin=1in]{geometry}
\usepackage[boxruled, linesnumbered]{algorithm2e}
\usepackage{xcolor}
\usepackage{setspace}
\usepackage{hyperref}
\definecolor{bl}{rgb}{0.0,0.2,0.6}
\definecolor{dark-red}{rgb}{0.4,0.15,0.15}
\definecolor{dark-blue}{rgb}{0.15,0.15,0.4}
\definecolor{medium-blue}{rgb}{0,0,0.5}
\usepackage{sectsty}
\hypersetup{
    colorlinks, linkcolor={dark-red},
    citecolor={dark-blue}, urlcolor={medium-blue}
}
\usepackage{graphicx}
\usepackage[compact]{titlesec}
\begin{document}
\begin{multicols}{2}
\begin{algorithm}[!h]
\label{alg:quad}
    \SetAlgoLined
    \KwData{\textsc{Something} $S$, \textsc{Another thing} $A$}
    do something with $S$\;
    do another thing with $A$\;
\end{algorithm}
\columnbreak
\begin{algorithm}[!h]
\label{alg:cbl}
    \SetAlgoLined
    \KwData{\textsc{Something} $S$, \textsc{Another thing} $A$}
        do something with $S$\;
        do another thing with $A$\;
\end{algorithm}
\end{multicols}
\end{document}

The page appears blank.
When I remove \begin{multicols}...\end{multicols}, the page returns to normal.
What I'm trying to do is to display those very short two algorithms side by side.
What shall I do?

A: The multicol package complains in the .log:

Package multicol Warning: Floats and marginpars not allowed inside `multicols'
  environment!.

This happens even though you think you're forcing a placement here in the text, which seems like things shouldn't float. However, as is discussed in How to influence the position of float environments like figure and table in LaTeX?, placing a float here doesn't always have the expected output nor does it change it's floating status.
algorithm2e provides a forced, non-float Here placement though, which provides the desired output:

\documentclass{article}
\usepackage{multicol}
\usepackage[margin=1in]{geometry}
\usepackage[boxruled, linesnumbered]{algorithm2e}
\begin{document}
\begin{multicols}{2}
  \begin{algorithm}[H]
    \label{alg:quad}
    \SetAlgoLined
    \KwData{\textsc{Something} $S$, \textsc{Another thing} $A$}
    do something with $S$\;
    do another thing with $A$\;
  \end{algorithm}

  \columnbreak

  \begin{algorithm}[H]
    \label{alg:cbl}
    \SetAlgoLined
    \KwData{\textsc{Something} $S$, \textsc{Another thing} $A$}
      do something with $S$\;
      do another thing with $A$\;
  \end{algorithm}
\end{multicols}
\end{document}

If you're only after a side-by-side setting of two algorithms, then you can just set them using separate minipages:
\documentclass{article}
\usepackage[margin=1in]{geometry}
\usepackage[boxruled, linesnumbered]{algorithm2e}
\begin{document}
\noindent
\begin{minipage}{\dimexpr.5\textwidth-.5\columnsep}
  \begin{algorithm}[H]
    \label{alg:quad}
    \SetAlgoLined
    \KwData{\textsc{Something} $S$, \textsc{Another thing} $A$}
    do something with $S$\;
    do another thing with $A$\;
  \end{algorithm}
\end{minipage}\hfill%
\begin{minipage}{\dimexpr.5\textwidth-.5\columnsep}
  \begin{algorithm}[H]
    \label{alg:cbl}
    \SetAlgoLined
    \KwData{\textsc{Something} $S$, \textsc{Another thing} $A$}
      do something with $S$\;
      do another thing with $A$\;
  \end{algorithm}%
\end{minipage}
\end{document}

The above minipages are made to fit the original columns with a gap between them equalling \columnsep.


Hey guys, how are you doing today? I am finally getting down to writing the review on PAC brushes, and OMG, was it asked for by you guys.
If you love makeup, you would understand the importance of makeup brushes. It used to always make me sad that there were no good quality affordable brushes in Indian market at all. The ones available in health and glow or newU are simple brushes, but they do not cover the entire range or variety of brushes. When I started doing makeup, I went to MAC straight to buy brushes, but the prices had me shook. I mean, if I pay almost 2K for a single brush, it will take me eternity to build my vanity.
This is when I discovered PAC cosmetics on amazon.in. It was long back PAC cosmetics became the rage that they are today. I ordered one brush because the pic online looked promising and the price was surprisingly low. When I received the brush, I was dancing with joy. The quality of these brushes is almost at par with MAC but the prices are almost 1/3rd or even less. Slowly I build my collection with PAC brushes, and now I think I have almost all the kinds of brushes I need, including face and eye makeup brushes.
That being said, I don't say I am going to stop buying brushes, because, well, lets just say I am a makeup addict. I need to try everything. But I would also like to emphasize, you don't need to own every single brush I have to show here. These brushes can very easily multi task, especially the face brushes. So go ahead, find the ones you like, and enjoy using them.
The brushes, they come individually in a zip pouch, which is great for travelling. Although I don't store my brushes in these, but they are great on the go or if you are a hygiene freak and want your brushes to be covered all the time. All these brushes have been washed atleast 10 times by me, and I am no delicate user. So after using them for months, i can gladly say, they stay put, do not loose their shape easily. They do shed every once in a while, but mostly like a hair or two, nothing crazy at all.
Their website does not state what are they made of, and I can't say for the ones with white bristles. But the dual toned and the black bristle brushes are definitely synthetic. All the brushes are very soft to touch, and they do not feel scratchy at all. They pick product nicely and blend it all seamlessly. I will state what I use every brush for, but you don't have to stick to that. Use however you like to use them, there are no rules. All the brushes have wooden handles, so do keep them away from water when washing them, if you get the handle wet, wipe it with a tissue before you leave them to dry.
PAC 301: Tulip shaped brush, ideal for powder and bronzer application, I use it to apply my blush too sometimes. With the tapered shape, it easily gives you control to place contour and bronzer where you want them to be. The bristles are really soft.
PAC 272 and 218: These both are synthetic brushes, ideal for concealer application. 272 has an angle to it, while 218 is more dome shaped. They both fit nicely under the eye and are dense enough to buff the concealer nicely without loosing the coverage. You don't need to have both, its more of what shape you prefer. The angled one helps to reach the contours around ones nose and eyes, so I would recommend that more. Both the brushes are very soft and sturdy. The tapered handle of the brushes makes them super easy to store too.
PAC 262: This is a flat, tapered brush, much like a foundation brush, but it is very fluffy. I use to set my under eye concealer. Given the shape, it can be used to contour as well. The bristles are very soft, and it has not lost its shape after numerous washes.
PAC 275: This is a multitask brush, as PAC names it and I couldn't agree more. This is a dense, but slightly tapered brush. It is a little flattened which makes it a little stiff. The stiffness is why I love to use it for highlighting, when I want my highlight to be on fleek. I also use this as a blush brush. Again, soft bristles, great for contouring too. The bristles are white, so they do tend to stain over time.
PAC 036: This is the best brush for highlighting. It is fluffy, with long bristles. Picks up the product nicely and blends it nicely too. I also use it to contour my cheeks on the days I want my contour to be sharp. It is a little too abused at the moment and has lost the tapered shape a bit. But once I wash it and reshape it, it will be back to being new.
PAC 045: Its a fan brush with almost duo fiber like bristles. You can see the density of bristles goes less towards the ends, while it is denser towards the base. This makes it ideal for highlight application, if you prefer to use less product. I use it with very pigmented highlighters, to make sure not to look like a glitter ball.
PAC 243: It is a large fan brush, with dense bristles. I am obsessed with this brush. It is PERFECT for contouring. Being fan like, it places my contour nicely and precisely, but with all the dense bristles, it blends the contour like a dream. I pick up product only on the center of the brush, place it at the edge of my face, in the centre of my ear, and blend towards my mouth. And there you are, perfect contour in no time. If you are new with contouring, try this brush, it will never fail you.
PAC 393: This is a fluffy blending brush, much like Sigma E40. It is a little bigger than Sigma one. It is quite fanned out and not very tapered at the end. I love to use this to apply my transition shade. Sometimes I use it to just buff one color all over my lid and be done with it. It's a great brush for beginners, although if you don't have much lid space, or a crease, this brush might not be ideal for you.
PAC 032 and 028: Both these brushes are like 393 but both are tapered in the end, which makes them great to place color more precisely in the crease. With the fluffy base, it makes super easy to blend the color but without spreading the color too far. 032 and 028 are almost the same shape, with 028 having longer bristles. Longer bristles give a more blown out look. So if you are someone with hooded eyelids, both these brushes would be great to use in the crease.
PAC 202: This is the most epic pencil brush I have ever used. It is much better than the MAC 219 as well. It is not scratchy, its very tiny and precise and I love to use it on my lower lashline and inner corner. This is my must have. If you like applying kajal on daily basis, use this to smudge it on the lower lashline. Love love love how precise it is.
PAC 050: This was my first ever brush from PAC. It is a tiny, tapered blender brush. It is great for cut creases and also blending lower lashline. I use this one probably everytime I do makeup and I have 2 of these. I will probably buy a few more, that's how much I love this one. Hooded eyelids and smaller eyes will love this brush, you can create a crease using this brush alone. It is very pointy and precise.
PAC 033: This one is a perfect dupe for MAC 217. A must have for all makeup lovers. You can use it to blend color, to pack on color, to define the crease. I can do my entire eye makeup, alonw with this brush. A must have.
PAC 208: This one is a thicker pencil brush. I use it to apply color on my outer corners or inner corners of the eye. The tip is very pointy and the brush is stiff so it works great for precise application; but its not ideal for blending at all. I like to use it to spot conceal blemishes on my face too, works great for that.
I can't find a reason to hate these.
These are a 10 on 10 for me. If you are building you makeup kit, give these a try, you will not be disappointed.
8 Comments on "PAC Makeup Brushes – Review"
Hi, great review! I am so happy now that I ordered the right product. Was panicking earlier thinking it might not pick up the product that well. Wanted to ask you the large fan brush 243 be used for highlighting as well right? I've ordered it for that purpose.
Hi there…. thanks for stopping by…. I am glad the review could help you.
Hey Harman, thanks for stopping by.
I am usually not a fan of brush sets. We need at most 4-5 brushes to do our everyday makeup, given the extent of makeup we practise. The sets usually have atleast 7-10 brushes that are not as good and are never used. I would recommend buying individual brushes instead of a big set of 22 brushes.
That being said, PAC has recently launched smaller sets, for face and for eyes separately. I have used the brushes in them, and I find them very useful. You might want to try to start with those.


Floor Protection - Protective Products Int'l, Inc.
Floor Protection is perfect for protecting most hard, non-porous surfaces and flooring such as vinyl, ceramic tile and grout. Blue-tinted for visual I.D., Floor Protection is adhesive-backed and the tough polyethylene film peels right off when the job is done.
Simply unroll it to apply. Floor Protection is reverse wound so it unrolls adhesive-side down.
In addition to floors, Floor Protection can be used to protect tub & shower walls and kitchen & bathroom tile.


text:
Mosby mounts late push for sexual assault legislation
By Justin Fenton
Apr 10, 2015 | 9:41 AM
Baltimore State's Attorney Marilyn Mosby is mounting a last-minute push for legislation that would help prosecutors' win convictions against accused repeat sex offenders, but the chairman of a Senate committee where the bill is stalled said the effort isn't going anywhere.
Mosby is pushing Senate Bill 933, which was sponsored by freshman Sen. Robert Cassilly, a Harford County Republican. The bill would allow evidence of previous sexual assault allegations to be brought in to criminal trials, which Mosby says would bring state law more in line with federal rules.
"Maryland has seen far too many rapists escape justice because of current law," Mosby wrote in an op-ed published in The Sun.
On social media, her office was also encouraging people to contact Sen. Bobby Zirkin, a Baltimore County Democrat who chairs the Senate Judicial Proceedings committee.
Zirkin said the bill had "lots of problems" and called it a "very dangerous piece of legislation."
[More news] Baltimore fire officials, responding to a call about a brush fire, find a burning car and a body »
"I want to make sure every single rapist goes to jail for a long, long, long time," Zirkin said. "That being said, the state's attorney's bill would make it very, very easy to convict an innocent person. There has to be a balance under the law."
This is the second year Mosby has pushed the legislation. Cassilly is the only sponsor of this year's version, and there is no companion bill filed in the House of Delegates.
Mosby's push is tied to the case of Nelson Bernard Clifford, who has been acquitted at trial four times on sex offense charges since 2010.
In each case, Clifford took the stand and said the sex was consensual. The jurors heard 911 calls of the victims screaming for help, and DNA matched Clifford to the crimes. But his account on the stand introduced enough doubt to win acquittal.
Jurors in each case were not able to know of Clifford's prior allegations, because the jury could only decide whether he had committed the crime for which he wason trial. The prior allegations are considered prejudicial to that process.
[More news] Inmate pleads out, gets 30 more years, for killing cellmate »
Clifford is currently in jail awaiting additional trials. Before his fourth acquittal, two cases against him that had been dropped in 2007 due to weak evidence were revived by prosecutors in a move to keep him behind bars.
Prosecutors attempted to have the two cases tried jointly in front of a jury, arguing Clifford had a "modus operandi" that linked the allegations, but Chief Judge Alfred Nance denied the motion. The cases will be heard in May.
Mosby criticized former State's Attorney Gregg Bernstein for the way the previous cases were handled, and challenged him to personally try Clifford.
"The State's Attorney must rise to the occasion and try Nelson Clifford's fifth rape trial," Mosby said in an email to campaign supporters in October 2013. "Win, lose or draw, women in Baltimore deserve to know that the State's Attorney's [sic] is fully invested in the outcome of this case."
But Mosby is not personally trying Clifford's upcoming cases.
In arguing for the legislation, Mosby invoked Darren Sharper, the former NFL player charged in a series of sexual attacks across the country.
"Federal lawmakers realized more than twenty years ago that the rules of evidence should require special exceptions to protect the public from people like Darren Sharper," Mosby testified in March.
Zirkin, the Baltimore County senator, said the "modus operandi" law is sufficient, and he "can't imagine why, based on the facts of [Clifford's] case, that they couldn't get that evidence in."
"As I read the law, those past acts should have gotten in, under the existing law," he said.
But Zirkin warned of "bad cases making bad law."
"That would be a prime example of a really bad case making really bad law," Zirkin said. "That's why people aren't in support of it."
Marilyn J. Mosby
Darren Sharper


The OAEA High School Show is dedicated to showcasing Ohio's Emerging Artist artistic efforts, perhaps from students who have taken only one art class that may need an extra boost in their confidence. We hope to recognize budding talent and provide a professional forum for young people to experience competition, something they will encounter in their college applications, portfolio reviews and future art careers in college.
Students who are just beginning to explore the arts in high school are welcome to exhibit their work. The Emerging Artist show will continue to be dedicated to showcasing artistic efforts of students who have only had the chance to take one or two art classes. We are pleased to offer a competitive professional forum as talented students prepare for their creative future in college and in an art career.
Each OAEA Secondary Member can submit 5 artworks.
All submissions must be entered digitally via online form.
If accepted into the Emerging Artist show, please identify artwork Teacher Name, Region, School, Student Name, Title of Work and Medium.
The exhibition is open to any Ohio High School student whose art teacher is a member of the OAEA. Each member may submit a digital image of up to five works of art. Once the work is selected, the art teacher will be notified by email. At that time, selected art work will need to be matted and submitted to their OAEA Regional Director in late summer so that it may be delivered at the September OAEA board meeting.
The Emerging Artist show will be on display through mid-September and early October in the 2nd floor lobby of the State Teachers Retirement Building in Columbus. At the reception, various awards and prizes will be given to selected students with art in the exhibition. Students may celebrate their work with their families and claim their pieces at the closing reception. See OAEA Calendar for reception date.


The Canon EOS-1D Mark II and the Sony Cyber-shot DSC-RX100 V are two digital cameras that were officially introduced, respectively, in January 2004 and October 2016. The 1D Mark II is a DSLR, while the RX100 V is a fixed lens compact. The cameras are based on an APS-H (1D Mark II) and an one-inch (RX100 V) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Sony provides 20 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D Mark II and the Sony RX100 V. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 V is considerably smaller (76 percent) than the Canon 1D Mark II. It is worth mentioning in this context that the 1D Mark II is splash and dust resistant, while the RX100 V does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 V has a lens built in, whereas the 1D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1D Mark II gets 1200 shots out of its NP-E3 battery, while the RX100 V can take 220 images on a single charge of its NP-BX1 power pack. As can be seen in the images above, the 1D Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the RX100 V can be charged via the USB port, which can be very convenient when travelling.
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera's release place the model in the market relative to other models in the producer's line-up and the competition. The RX100 V was launched at a lower price than the 1D Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Sony RX100 V an one-inch sensor. The sensor area in the RX100 V is 79 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the RX100 V offers a higher resolution of 20 megapixels, compared with 8.2 MP of the 1D Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 8.17μm for the 1D Mark II). However, it should be noted that the RX100 V is much more recent (by 12 years and 8 months) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Canon EOS-1D Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 V are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600..
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the RX100 V has a markedly higher DXO score than the 1D Mark II (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, 1.3 EV in additional dynamic range, and 0.8 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Many modern cameras are not only capable of taking still images, but can also record movies. The RX100 V indeed provides for movie recording, while the 1D Mark II does not. The highest resolution format that the RX100 V can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX100 V has an electronic viewfinder (2359k dots), while the 1D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1D Mark II has a higher magnification than the one of the RX100 V (0.55x vs 0.22x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D Mark II and Sony RX100 V in connection with corresponding information for a sample of similar cameras.
One feature that is present on the 1D Mark II, but is missing on the RX100 V is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The RX100 V has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1D Mark II does not have a selfie-screen.
The 1D Mark II writes its imaging data to Compact Flash or SD cards, while the RX100 V uses SDXC or Memory Stick PRO Duo cards. The 1D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 V only has one slot. The RX100 V supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II and Sony Cyber-shot DSC-RX100 V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
It is notable that the 1D Mark II has a hotshoe, while the RX100 V does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1D Mark II (unlike the RX100 V) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The RX100 V is a recent model that features in the current product line-up of Sony. In contrast, the 1D Mark II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1D Mark II was succeeded by the Canon 1D Mark II N. Further information on the two cameras, as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is there a clear favorite between the Canon 1D Mark II and the Sony RX100 V? Below is a summary of the relative strengths of each of the two contestants.
More modern: Reflects 12 years and 8 months of technical progress since the 1D Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the RX100 V is the clear winner of the contest (22 : 13 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
Do the specifications of the Canon 1D Mark II and the Sony RX100 V place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 1D Mark II and the RX100 V in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.


text:
Speaker congratulates HRH Premier on UNESCO honour
June 13, 2020 June 14, 2020 General
Manama: Council of Representatives Speaker Fawzia bint Abdulla Zainal congratulated His Royal Highness Prime Minister Prince Khalifa bin Salman Al-Khalifa…
HRH Premier gives directives to repatriate citizen from Yemen
Manama: Bahraini citizen Saleh Ali Saif has been repatriated safely this evening to Bahrain from Yemen. This came in light…
HRH Premier congratulated on UNESCO honour
Manama: Bahrain Society for Tolerance and Interfaith Coexistence Chairman Youssef Buzabun congratulated His Royal Highness Prime Minister Prince Khalifa bin…
Shura Council President congratulates HRH Premier
Manama: Shura Council President Ali bin Saleh Al-Saleh congratulated His Royal Highness Prime Minister Prince Khalifa bin Salman Al-Khalifa on…
UNESCO approves celebrating HRH Premier's International Day of Conscience annually
Manama: The Preparatory Group of the Executive Board of the United Nations Educational, Scientific and Cultural Organization (UNESCO) has approved…
Information Minister receives BNA Director-General
Manama: Information Affairs Minister, Ali bin Mohammed Al-Romaihi, received the Director-General of the Bahrain News Agency (BNA), Abdulla Khalil Buhijji,…
HRH Crown Prince congratulates HM Queen Elizabeth II
Manama: His Royal Highness Prince Salman bin Hamad Al Khalifa, the Crown Prince, Deputy Supreme Commander and First Deputy Prime…


Designed as an around-the-world adventure for gifted students, these activities emphasize creativity, problem solving, inquiry, and critical thinking in the fields of math, language arts, leadership skills, social studies, and science.
Projects include writing a fairy tale using jargon and cliches, studying and composing wartime songs, designing a Martian space colony, and inventing secret codes using binary, octal, and hexadecimal systems. Bonus miles are logged as each project is completed, encouraging self-directed students to focus and develop their independent study skills.
Designed to keep gifted students motivated to work independently, this unique collection of integrated activities will enhance students' organizational and study skills while challenging them to fly.


Thoughts from Maharrey Head #86: Who's We?
In this episode of Thoughts from Maharrey Head, I talk about the size and scope, of "society," and why it matters.
"We need to take care of the poor.
This raises an important question: who's we? In other words, how should we conceive of our society? What is its scope and scale?
Americans generally think of "we" as the United States – all 320-plus million of us. But is this really a good conception of society? Can you really have a functioning society made up of so many millions of people spread out over thousands of miles? Or should we perhaps consider viewing things through a narrower lens?
Over the last 100 years, the federal government has taken on more roles that used to be carried out at the state and local level. The founding generation believed this type of micromanaging government wouldn't work if imposed over a large area. In this episode of Thoughts from Maharrey Head, I talk about the scope of society, and I make the case that for most things, we need to think more locally.


'Guacamole' has spectacular, huge, ribbed, avocado-green, glossy leaves with dark green streaked edges; like an avocado split open. This is a very distinctive and a magnificent addition to the garden. This is one of the few available hostas with flowers so intensely fragrant there's no need to seek out the scent; it finds you. Guacamole is one of our favorite hostas plus it's fast-growing and sun tolerant. The plant may be divided every few years or left undisturbed indefinitely. Hosta's perform well in woodland settings where filtered light is abundant. American Hosta Grower's Hosta Of The Year 2002!
Foliage Avocado-green with dark green streaked edges. Full, heart-shaped leaves variously marked with colored foliage.


In this unit of study students learn to perform a repertoire of Balinese pieces of music on the Conservatorium's Balinese gamelan instruments. Through this, they will gain understanding of terminology for Balinese music, Balinese tuning systems, the roles of instruments in the gamelan, and formal characteristics of Balinese gamelan music. Performative aspects of Balinese music will be experienced and analysed.


text:
Lake Country to Receive Water Conservation and Quality Grant
The District of Lake Country, British Columbia will receive a $10,000 Water Conservation and Quality Improvement grant from the Okanagan Basin Water Board. The money will go toward the Vernon Creek Watershed/Beaver Lake Road Drainage Assessment project.
"The work was identified as a necessary risk management action," said Lake Country mayor, James Baker. "It involves investigating the drainage of culverts and ditches along Beaver Lake Road and connections between sediment sources on Vernon Creek that may be influencing terrain stability."
According to a 2010 source water assessment of the Vernon Creek watershed, slope failures and landslides upstream of Lake Country's water intake posed a high risk to both water quality and infrastructure. A project to identify areas along Beaver Lake Road where downslope terrain instability could be linked to road drainage issues is the last remaining high priority risk management action from a list proposed in 2010.
"The overall purpose of the project is to improve drinking water quality," said District of Lake Country director of engineering and operations, Michael Mercer. "The District is very proactive in taking action on water conservation and water quality improvements for our community."
"Lake Country's Water Master Plan approved in 2012 was developed to provide direction on work to be undertaken to meet defined provincial objectives and health requirements for drinking water," he added. "We are very pleased with the progress made thus far."
Previous articleFor Us, By Us
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My Daily Logs Summary has errors in it. is there a way I can see the logs and their source?
Also, is there a way to see error logs and their sources in the analytics window?
These logs are stored in the runtime collection "script.log", you can view this collection in the No Sql explorer or you can view them in the Manage Screen. Here you will be able to query the log by level, script, playerID, timestamp or a mixture any of these to get the results you require.
ah ok. I missed the level query. Thanks!


Drake already has a platinum mixtape to show for 2015–one released with no prior promotion, other than a few Toronto Raptors player's loose lip. A recent interview with Four-Pins infers that the aforementioned project, filled with party anthems and b-side cuts, may pale in comparison to his upcoming Views From The 6 album.
Creatively speaking, Drake nodded in agreement when asked if he's liken this project to Kanye West's fourth studio release, 808s & Heartbreak, in a sense that it will be his most experimental body of work to date. So far, only two finished tracks are being considered for the album, and one recorded some time ago features Beyoncé.
It's possible that the Drake and Beyoncé track may date back to "Mine," which appeared on the singer's self-titled surprise album back in 2014.
If all goes as planned, Views From The 6 will release later this year.


text:
Nothing So Strange
Jennie Rose
MOVIE $9 Plus Popcorn Bang. It's December 2, 1999, and Bill Gates is assassinated by an unknown gunman in LA's MacArthur Park. In the crime's wake, the conspiracy group Citizens for Truth rises up to uncover the killer. This is the premise of Brian Flemming's digital spoof, Nothing So Strange. To maintain the 90-minute mockumentary's […]
$9 Plus Popcorn
Bang. It's December 2, 1999, and Bill Gates is assassinated by an unknown gunman in LA's MacArthur Park. In the crime's wake, the conspiracy group Citizens for Truth rises up to uncover the killer. This is the premise of Brian Flemming's digital spoof, Nothing So Strange.
To maintain the 90-minute mockumentary's sense of realism, Flemming filmed his actors at actual events, such as the 2000 Democratic National Convention. He also produced a ring of phony Web sites. Check out the DA's findings (www.garcettireport.org) and Jack Perdue's Billgatesisdead.com portal.
Even if you think you can't bear to imagine a world without Chairman Bill, see this film. At its best, Nothing So Strange is a hilarious parody of social activism's pitfalls. It's hard not to laugh as the nonexistent Citizens for Truth earnestly votes on whether to make decisions based on consensus or majority rule.
See www.nothingsostrange.com for festival dates.
Game On: The Culture and History of Videogames
Star Wars Jedi Knight II: Jedi Outcast
Dogtown and Z-Boys
What Just Happened: A Chronicle From the Information Frontier, by James Gleick
Rustboy.com
Jin-Roh: The Wolf Brigade - Special Edition
Pro Tools Mbox
Blow-Up: Inflatable Art, Architecture, and Design, by Sean Topham
Mister Mosquito
StreamSage
Small Pieces Loosely Joined: A Unified Theory of the Web, by David Weinberger
Topicsmagazine-10.05street-cred-archivestreet-cred-magazine-10-05
Twitter's 'Vox Populi' Is a Lie
Twitter's pseudo-democracy has failed to live up to its grand ideals, but the dream of a digital town square lives on.
Why Does AI Art Look Like a '70s Prog-Rock Album Cover?
The boom in generative AI art is creating an aesthetic movement—one that looks oddly familiar.
Kate Knibbs
Why Velma Is the Internet's New Punching Bag
The show's got cred and lots of viewers, yet it's still in the social media crosshairs. Blame the character's legacy.
Amos Barshad


text:
Les Miserables >
Crowds gather to mourn 'Les Miserables' actor Kyle Jean-Baptiste...
Crowds gather to mourn 'Les Miserables' actor Kyle Jean-Baptiste outside the Imperial Theatre
Follow Les Miserables
crowds - Managers of Broadway's Imperial Theatre, home to the revival of the musical 'Les Miserables', dimmed the marquee lights after the Sept. 1 evening's performance in memory of 21-year-old actor Kyle Jean-Baptiste, who died tragically on (29Aug15) at Imperial Theatre,, Imperial Theatre - New York City, New York, United States - Wednesday 2nd September 2015 (1 Picture)
Les Miserables and Crowds
Photo credit: Joseph Marzullo
Opening Night After Party for Broadway's Les Miserables -...
Next Les Miserables Slideshow: Opening Night After Party for Broadway's Les Miserables - Arrivals. - New York New York United States - Sunday 23rd March 2014
More Les Miserables Slides
Opening Night After Party For Broadway's Les Miserables - Arrivals.
Walking Hand In Hand Down Shaftesbury Avenue After Watching 'Les Miserables'
Imperial Theatre
Crowds gather to mourn 'Les Miserables' actor Kyle Jean-Baptiste outside the Imperial Theatre - New York City New York United States - Wednesday 2nd September 2015
Les Miserables Gallery
More Les Miserables Photos
'Les Miserables' Broadway Star, Kyle Jean-Baptiste, Dies Aged 21
Audiences Of 'Les Miserables' & 'Curious Incident' Evacuated From Two London Theatres After Power Cut
Les Miserables Duo Re-teams For The Danish Girl
Mackintosh's 'Les Miserables' Arrives on Broadway, But What's the Verdict?
Eddie Redmayne And Felicity Jones Join Bafta Jury
Samantha Barks Finds Love With Male Model David Gandy
Colm Wilkinson: 'There's Another Two Hours Of Les Mis Footage'
Samantha Barks Dating British Tv Host - Report
Who Needs The Movie? 'Les Miserables' Returning To Broadway In 2014
Various Artists - Les Miserables: Highlights From The Motion Picture Soundtrack Album Review
Eddie Redmayne Struggles With Style Due To Colour Blindness
Out Now: US Album Releases - Les Miserables OST Destined For Chart Success, Christian Rocker Chris Tomlin Evolves With New Album, Can Dropkick Murphys Improve Chart Record?
Les Miserables Lyricist Thrilled By Susan Boyle's Dream
At The Movies: Les Miserables Review Roundup
Entity Index: 0 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


text:
Bacterial meningitis case confirmed in Milwaukee
Updated: 1:59 PM CDT Jun 15, 2015
The Milwaukee Health Department said a case of bacterial meningitis has been confirmed in the city.Health officials said that people in close contact with the individual have been contacted, and information and medical resources have been provided.Bacterial meningitis is spread through the exchange of saliva or mucus and is usually spread through direct contact including kissing, sharing of beverages or eating utensils. It is not spread by casual contact or by breathing the air.Symptoms include rapid fever, headache and stiff neck.Bacterial meningitis can be treated with antibiotics. Individuals should consult with their health care provider about their risks and eligibility for vaccination.For more information, go to http://www.cdc.gov/meningitis/index.html.
The Milwaukee Health Department said a case of bacterial meningitis has been confirmed in the city.
Health officials said that people in close contact with the individual have been contacted, and information and medical resources have been provided.
Bacterial meningitis is spread through the exchange of saliva or mucus and is usually spread through direct contact including kissing, sharing of beverages or eating utensils. It is not spread by casual contact or by breathing the air.
Symptoms include rapid fever, headache and stiff neck.
Bacterial meningitis can be treated with antibiotics. Individuals should consult with their health care provider about their risks and eligibility for vaccination.
For more information, go to http://www.cdc.gov/meningitis/index.html.


What's Happening at ERI? | Eastern Revenue, Inc.
The ACA member company's donations to The Children's Hospital of Philadelphia will help provide gifts to young patients during the holiday season.
Employees at Eastern Revenue, Inc. are holding a toy drive at their office in Wayne, Pa. to support a local boy and other families at The Children's Hospital of Philadelphia starting Nov. 14.
Donations through the "Snowflake Station Toy Drive," are in the name of Holton Weingrad, who suffered a traumatic brain injury last year.
Eastern Revenue, Inc.'s Business System Specialist Dianne Schmitt is a friend of Holton's aunt, who told her about the opportunity to support their family and others in need this holiday season.
Schmitt passed on the information to the company's president Kyle Shanahan and he was immediately on board to help.
Eastern Revenue, Inc., will take the toy and gift card donations it collects to The Children's Hospital of Philadelphia, where parents can select gifts for their children at the hospital.
The toy drive at Eastern Revenue, Inc., ends Dec. 15, 2015 and donations can also be made at The Children's Hospital of Philadelphia.
Eastern Revenue, Inc. was recently ranked number one in the Best Places to Work in Collections small company category for the sixth year in a row. This program was created by insideARM.com and Best Companies Group.
industry, benefiting the nation's economy, its workforce and businesses.
In an effort to promote environmental and economic health for all, Eastern Revenue, Inc., has launched the "Go Green Campaign". We will be able to provide you with invoices and reports via email. In addition, we can send an ACH to your bank, provided your invoice reflects payment due at no cost to you. If you opt-in please email placements@easternrevenue.com.


text:
Q: SonarQube Typescript dependency error in Jenkins Our UI is written on JS using Typescript and builds by 'npm run build ....'
I'm trying to add SonarQube analysis, but it fails on Typescript check with error:
ERROR: Cannot find module 'typescript'
ERROR: TypeScript dependency was not found and it is required for analysis.
ERROR: Install TypeScript in the project directory or use NODE_PATH env. variable to set TypeScript location, if it's located outside of project directory.
ERROR: Missing TypeScript dependency

Here is my Jenkinsfile:
nodejs(nodeJSInstallationName: 'NodeJS') {
                env.NODEJS_HOME = "${tool 'NodeJS'}"
                def scannerHome = tool "sonar"
                withSonarQubeEnv('sonar'){
                    sh """
                        ${scannerHome}/bin/sonar-scanner \
                            -Dsonar.projectKey=project-name-${BUILD_ENV} \
                            -Dsonar.sources=src
                    """
                }
            }

But every time I'm running this stage, I'm receiving output with error mentioned above. Please see full output:
INFO: Scanner configuration file: /home/jenkins/tools/hudson.plugins.sonar.SonarRunnerInstallation/sonar/conf/sonar-scanner.properties
INFO: Project root configuration file: NONE
INFO: SonarScanner 4.3.0.2102
INFO: Java 1.8.0_162 Oracle Corporation (64-bit)
INFO: Linux 5.3.0-1017-aws amd64
INFO: User cache: /home/jenkins/.sonar/cache
INFO: Scanner configuration file: /home/jenkins/tools/hudson.plugins.sonar.SonarRunnerInstallation/sonar/conf/sonar-scanner.properties
INFO: Project root configuration file: NONE
INFO: Analyzing on SonarQube server 8.1.0
INFO: Default locale: "en_US", source code encoding: "UTF-8" (analysis is platform dependent)
WARN: SonarScanner will require Java 11 to run starting in SonarQube 8.x
INFO: Load global settings
INFO: Load global settings (done) | time=546ms
INFO: Server id: *********
INFO: User cache: /home/jenkins/.sonar/cache
INFO: Load/download plugins
INFO: Load plugins index
INFO: Load plugins index (done) | time=122ms
INFO: Load/download plugins (done) | time=160ms
WARN: Plugin SonarQube CNES Report [cnesreport] uses a child first classloader which is deprecated
INFO: Process project properties
INFO: Process project properties (done) | time=12ms
INFO: Execute project builders
INFO: Execute project builders (done) | time=12ms
INFO: Project key: project-name
INFO: Base dir: /home/jenkins/workspace/project-name
INFO: Working dir: /home/jenkins/workspace/project-name/.scannerwork
INFO: Load project settings for component key: 'project-name'
INFO: Load project settings for component key: 'project-name' (done) | time=104ms
INFO: Load quality profiles
INFO: Load quality profiles (done) | time=143ms
INFO: Detected Jenkins
INFO: Load active rules
INFO: Load active rules (done) | time=2245ms
INFO: Indexing files...
INFO: Project configuration:
INFO: Load project repositories
INFO: Load project repositories (done) | time=104ms
INFO: 7 files indexed
INFO: 0 files ignored because of scm ignore settings
INFO: Quality profile for css: Sonar way
INFO: Quality profile for js: Sonar way
INFO: Quality profile for ts: Sonar way
INFO: ------------- Run sensors on module project-name
INFO: Load metrics repository
INFO: Load metrics repository (done) | time=108ms
INFO: Sensor SonarCSS Metrics [cssfamily]
INFO: Sensor SonarCSS Metrics [cssfamily] (done) | time=32ms
INFO: Sensor SonarCSS Rules [cssfamily]
INFO: 1 source files to be analyzed
INFO: 1/1 source files have been analyzed
INFO: Sensor SonarCSS Rules [cssfamily] (done) | time=1058ms
INFO: Sensor JaCoCo XML Report Importer [jacoco]
INFO: Sensor JaCoCo XML Report Importer [jacoco] (done) | time=3ms
INFO: Sensor JavaScript analysis [javascript]
INFO: TypeScript dependency was not found inside project directory, Node.js will search TypeScript using module resolution algorithm; analysis will fail without TypeScript.
INFO: 5 source files to be analyzed
INFO: 5/5 source files have been analyzed
INFO: Sensor SonarJS [javascript]
INFO: 5 source files to be analyzed
INFO: Sensor SonarJS [javascript] (done) | time=304ms
INFO: 5/5 source files have been analyzed
INFO: Sensor JavaScript analysis [javascript] (done) | time=2296ms
INFO: Sensor TypeScript analysis [javascript]
INFO: Found 1 tsconfig.json file(s): [/home/jenkins/workspace/project-name/tsconfig.json]
ERROR: Cannot find module 'typescript'
ERROR: TypeScript dependency was not found and it is required for analysis.
ERROR: Install TypeScript in the project directory or use NODE_PATH env. variable to set TypeScript location, if it's located outside of project directory.
ERROR: Missing TypeScript dependency
org.sonar.plugins.javascript.eslint.MissingTypeScriptException: Missing TypeScript dependency
    at org.sonar.plugins.javascript.eslint.EslintBridgeServerImpl.loadTsConfig(EslintBridgeServerImpl.java:270)
    at java.util.stream.ReferencePipeline$3$1.accept(ReferencePipeline.java:193)
    at java.util.ArrayList$ArrayListSpliterator.forEachRemaining(ArrayList.java:1382)
    at java.util.stream.AbstractPipeline.copyInto(AbstractPipeline.java:481)
    at java.util.stream.AbstractPipeline.wrapAndCopyInto(AbstractPipeline.java:471)
    at java.util.stream.ReduceOps$ReduceOp.evaluateSequential(ReduceOps.java:708)
    at java.util.stream.AbstractPipeline.evaluate(AbstractPipeline.java:234)
    at java.util.stream.ReferencePipeline.collect(ReferencePipeline.java:499)
    at org.sonar.plugins.javascript.eslint.TypeScriptSensor.loadTsConfigs(TypeScriptSensor.java:173)
    at org.sonar.plugins.javascript.eslint.TypeScriptSensor.analyzeFiles(TypeScriptSensor.java:109)
    at org.sonar.plugins.javascript.eslint.AbstractEslintSensor.execute(AbstractEslintSensor.java:107)
    at org.sonar.plugins.javascript.eslint.TypeScriptSensor.execute(TypeScriptSensor.java:53)
    at org.sonar.scanner.sensor.AbstractSensorWrapper.analyse(AbstractSensorWrapper.java:48)
    at org.sonar.scanner.sensor.ModuleSensorsExecutor.execute(ModuleSensorsExecutor.java:85)
    at org.sonar.scanner.sensor.ModuleSensorsExecutor.lambda$execute$1(ModuleSensorsExecutor.java:59)
    at org.sonar.scanner.sensor.ModuleSensorsExecutor.withModuleStrategy(ModuleSensorsExecutor.java:77)
    at org.sonar.scanner.sensor.ModuleSensorsExecutor.execute(ModuleSensorsExecutor.java:59)
    at org.sonar.scanner.scan.ModuleScanContainer.doAfterStart(ModuleScanContainer.java:82)
    at org.sonar.core.platform.ComponentContainer.startComponents(ComponentContainer.java:136)
    at org.sonar.core.platform.ComponentContainer.execute(ComponentContainer.java:122)
    at org.sonar.scanner.scan.ProjectScanContainer.scan(ProjectScanContainer.java:386)
    at org.sonar.scanner.scan.ProjectScanContainer.scanRecursively(ProjectScanContainer.java:382)
    at org.sonar.scanner.scan.ProjectScanContainer.doAfterStart(ProjectScanContainer.java:351)
    at org.sonar.core.platform.ComponentContainer.startComponents(ComponentContainer.java:136)
    at org.sonar.core.platform.ComponentContainer.execute(ComponentContainer.java:122)
    at org.sonar.scanner.bootstrap.GlobalContainer.doAfterStart(GlobalContainer.java:141)
    at org.sonar.core.platform.ComponentContainer.startComponents(ComponentContainer.java:136)
    at org.sonar.core.platform.ComponentContainer.execute(ComponentContainer.java:122)
    at org.sonar.batch.bootstrapper.Batch.doExecute(Batch.java:72)
    at org.sonar.batch.bootstrapper.Batch.execute(Batch.java:66)
    at org.sonarsource.scanner.api.internal.batch.BatchIsolatedLauncher.execute(BatchIsolatedLauncher.java:46)
    at sun.reflect.NativeMethodAccessorImpl.invoke0(Native Method)
    at sun.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:62)
    at sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43)
    at java.lang.reflect.Method.invoke(Method.java:498)
    at org.sonarsource.scanner.api.internal.IsolatedLauncherProxy.invoke(IsolatedLauncherProxy.java:60)
    at com.sun.proxy.$Proxy0.execute(Unknown Source)
    at org.sonarsource.scanner.api.EmbeddedScanner.doExecute(EmbeddedScanner.java:189)
    at org.sonarsource.scanner.api.EmbeddedScanner.execute(EmbeddedScanner.java:138)
    at org.sonarsource.scanner.cli.Main.execute(Main.java:112)
    at org.sonarsource.scanner.cli.Main.execute(Main.java:75)
    at org.sonarsource.scanner.cli.Main.main(Main.java:61)

INFO: Sensor TypeScript analysis [javascript] (done) | time=117ms
INFO: Sensor JavaXmlSensor [java]
INFO: Sensor JavaXmlSensor [java] (done) | time=1ms
INFO: Sensor HTML [web]
INFO: Sensor HTML [web] (done) | time=3ms
INFO: Sensor SonarTS [typescript]
INFO: Since SonarTS v2.0, TypeScript analysis is performed by SonarJS analyzer v6.0 or later. No TypeScript analysis is performed by SonarTS.
INFO: Sensor SonarTS [typescript] (done) | time=0ms
INFO: ------------- Run sensors on project
INFO: Sensor Zero Coverage Sensor
INFO: Sensor Zero Coverage Sensor (done) | time=8ms
INFO: CPD Executor 3 files had no CPD blocks
INFO: CPD Executor Calculating CPD for 2 files
INFO: CPD Executor CPD calculation finished (done) | time=10ms
INFO: Analysis report generated in 119ms, dir size=91 KB
INFO: Analysis report compressed in 34ms, zip size=22 KB
INFO: Analysis report uploaded in 222ms
INFO: ANALYSIS SUCCESSFUL, you can browse https://******
INFO: Note that you will be able to access the updated dashboard once the server has processed the submitted analysis report
INFO: More about the report processing at https://********
INFO: Analysis total time: 10.225 s

I tried to add typescript as Global npm packages to install in Global tool configuration, tried to install it via Jenkinsfile (sh "npm install -g typescript"), tried to manually add its installation path to my NODE_PATH and PATH environment variables, but without any success.
Could anyone help me with it, as I don't know what else I can do?
P.S. Installing NodeJS and Typescript on slave instance will not work, as Jenkins has a lot of slaves and many of them automatically start, stop, spin up etc.

A: Had the same problem.
Was solved by moving the SonarQube analysis step in Jenkins to be after the build step, which comprises of npm install and npm run build.


Well, that caught my attention. I was sitting in a summer school class and the professor must have looked at my feet. It was so nice of him to share his observation with the class, wasn't it?
In case you have heard this or something similar, it is a myth. It is also a myth that because my second toe is longer that I am more dependable. I am more dependable because, well, I just am.
Isn't it funny what people will think of? I had never noticed that my toes were any different from anyone else's toes. I had no clue that having a longer second toe was unusual.
But taking up space in the Foot Blogger Chick's head right now is the question of whether having a longer second toe makes a difference in foot's structure.
Is there a name for having a longer second toe?
Having a longer second toe is officially called Morton's Toe. The name Morton's Toe is a bit misleading. It seems that the toe bone is not actually longer; it is the metatarsal bone (the bone inside your foot that connects to the toe bone) that is longer. So the issue is that the first metatarsal bone is shorter than the second. You can tell if you have Morton's Toe without having to have an x-ray. Look at your foot. If the space between the first and second toe looks deeper than the space between your second and third toe, then you have Morton's toe. The picture below shows a foot with a Morton's Toe.
It can. Morton's Toe can lead to musculoskeletal problems. The problems start with the feet and move up the leg from there. Often times, the problem is not seen in the young because they are stronger. The syndrome can be seen in older adults. It can lead to ball of the foot pain, a Morton's Neuroma, metatarsal stress fractures, plantar fasciitis, bunions and malformations of the toes. It is felt that the syndrome can also be the cause for some leg and knee problems.
If you look at your foot and you see that you have Morton's Toe Syndrome, I suggest that you go to your friendly local podiatrist and have them check it out. It may be that you need to make a small correction that will save you in the future.
Please come join us on Facebook ("like" Evanston Podiatric Surgeons), twitter (@evpodiatric) and on Pinterest (Evanston Podiatric Surgeons). We look forward to seeing you there.


As moms, we're all pressed for time. This is why I developed this list, 5 Busy Mom Workout Tips for the Beginner. Energy can be severely lacking, especially when our kids are little. This, however, is why we need to focus on our own health and fitness even more so to be able to have the stamina to keep up with the daily demands of caring for our children.
So, what's a busy mom to do? The gym is usually the first stop, but what if you don't have the time or the funds for such an "extravagance"? What if purchasing equipment is out of the question? Here are 5 Busy Mom Workout Tips for the Beginner that you can do at home…you know, in between diaper changes and keeping kids out of the dryer.
Tip 1: Use Your Furniture!
Dining room chairs, the couch, a low coffee table… All of these can assist with squats and other exercises where you need stability. As a newbie (especially postpartum), it's important to take it slow and use a means of stabilization until you're comfortable and able to balance.
You don't have to set aside an hour, or even a half hour, all in one block. Anyone with kids knows that unless they're in school, this is virtually impossible. Ten minutes in the morning before they get up, ten minutes during nap time, ten minutes after bed time. Find ten minutes a few times per day and do something simple.
Tip 3: You Don't Need Equipment!
Exercise equipment like weights and yoga mats can become a large expense. If you want weights, fill gallon jugs with water (preferably with a screw-on cap). A gallon jug of water weighs approximately 8 lbs. Fill to the desired amount (or use half gallon jugs for less weight). A thick towel can double as a yoga mat. Even a small child can be useful for weight training!
Tip 4: Involve Your Kids!
You're never too young to start engaging in a physical fitness routine. Involve your little ones. Lay on your back and lift your baby. Make it a game. Ten reps, up and down. I guarantee your little one will love it! Do lower leg lifts while sitting…with your child on your lower legs. The added weight will increase strength, and it's a fun ride! Put on some music and have a dance-off with your older kids. Get your hearts pumping and have some fun!
Tip 5: Use Your Stroller!
There are amazing exercises that you can do while on a walk with your little one. A quick internet search provides loads of options and workout routines. Stroller exercises serve a multifaceted purpose. You're getting a workout (of course), you're getting out of the house (which fends off depression and helps with the baby blues), and your baby is getting their fill of outdoor time which can help with naps and crankiness.
Whatever you choose to do, make sure you always start with a warm-up and stay hydrated. Remember, fitness isn't a quick fix, but a lifestyle. Slow and steady, and enjoy the journey! I hope you enjoyed the list of 5 Busy Mom Workout Tips for the Beginner.
I also recommend using Youtube for videos. I use my chromecast to display on my t.v. My favorites are Zumba and Yoga. It is perfect for rainy days or if you are busy. We all deserve 40 minutes to take care of ourselves and you can pause the videos if you have to!


text:
South Holland Public Library (6)
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William Leonard Public Library District (1)
Hewitt, Jennifer Love (1)
Hewitt, Jennifer Love, 1979 (1)
Menken, Alan (1)
Children's films (16)
Adopción -- Teatro (1)
Advertising executives -- California -- San Francisco -- Drama (1)
Amistad -- Películas cinematográficas infantiles (2)
Animales -- Teatro (2)
Animated films (13)
Authors -- Drama (1)
Bell ringers -- Drama (1)
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Brothers and sisters -- California -- Drama (4)
Brothers and sisters -- Drama (1)
Businesswomen -- Drama (4)
California -- Drama (4)
Christmas films (1)
Christmas music (1)
Christmas plays (1)
Christmas stories -- Juvenile films (1)
Christmas television programs (1)
Coffeehouses -- Pennsylvania -- Philadelphia -- Drama (1)
Commencement ceremonies -- Drama (1)
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Criminal behavior, Prediction of -- Drama (1)
Criminal investigation -- Drama (1)
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Dating (Social customs) (1)
Dead -- Drama (1)
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DVD-Video discs (2)
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Esmeralda (Fictitious character) -- Juvenile films (1)
Espionage -- Equipment and supplies -- Drama (1)
Excerpts (1)
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Television specials (3)
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» Jennifer Love Hewitt
1) The hunchback of Notre Dame: The hunchback of Notre Dame II
2013. Disney 1 blu-ray videodisc (approximately 159 min.) : sound, color ; 4 3/4 in. English
2013. Blu-ray plus 2 DVD set. Disney : 1 Blu-ray disc (approximately 157 min.) : sound, color ; 4 3/4 in. + 2 DVD-videos English
2013. Disney : 2 videodiscs (approximately 157 min.) : sound, color ; 4 3/4 in. English
Hunchback of Notre Dame: Quasimodo is the kind hearted but misshapen bell ringer of Notre Dame who must fight to defend his friend Esmeralda and the people he loves. Hunchback of Notre Dame 2: Quasimodo must protect the cathedral's most famous bell and find true love.
2) The day I shot Cupid: hello, my name is Jennifer Love Hewitt and I'm a love-aholic
Hewitt, Jennifer Love
2010 1st ed. Hyperion 196 p. : ill. ; 20 cm. English
Explains how a woman can stay true to herself while looking for the man of her dreams, combining personal anecdotes with sound, witty advice on such topics as body image, text flirting, and dating long distance.
3) Garfield: A tail of two kitties
20th Century Fox Home Entertainment
[2011] 20th Century Fox Home Entertainment 1 videodisc (86 min.) : sound, color ; 4 3/4 in. English
Widescreen and Full screen.
Jon Arbuckle travels to the London and decides to bring his cat, Garfield, along for the trip. A case of mistaken cat identity finds Garfield ruling over a castle after swapping places with an aristocratic kitty who has inherited a fabulous castle. Garfield's reign is soon jeopardized by the nefarious Lord Dargis, who has designs on the estate.
4) The hunchback of Notre Dame II
DVD, Other Video
[2002] [Widescreen version]. Buena Vista Home Entertainment 1 videodisc : sound, color ; 4 3/4 in. English
[2002] Buena Vista Home Entertainment 1 videocassette : sound, color ; 1/2 in. English
Still the faithful protector of Notre Dame's beloved bells, Quasimodo now rings them with the help of Esmeralda's and Phoebus' little boy, Zephyr, who is Quasi's best friend. Stopping with Zephyr at a travelling circus owned by the evil magician Sarousch, Quasi is captivated by Sarousch's lovely assistant, Madellaine. But greedy Sarousch is plotting to steal the Cathedral's most famous bell--with Madellaine's unwilling help. Surrounded by sorcery,...
5) I know what you did last summer
Columbia TriStar Home Video
[1998] Columbia TriStar Home Video 1 videodisc (approximately 101 min.) : sound, color ; 4 3/4 in. English
[1998] Columbia TriStar Home Video 1 videocassette (approximately 101 min.) : sound, color ; 1/2 in. English
After an accident on a winding road, four teens make the fatal mistake of dumping their victim's body into the sea. But exactly one year later, the dead man returns from his watery grave, and he's looking for more than an apology.
6) Garfield la película
[2005]. 20th Century Fox Home Entertainment 1 DVD-video (approximately 80 min.) : sound, color ; 4 3/4 in. Español
[2005] The purrrfect collector's edition. 20th Century Fox Home Entertainment 2 videodiscs (approximately 82 min.) : sound, color ; 4 3/4 in. English
Garfield is at it again and adventure is sure to arise. When John meets a beautiful veterinarian by the name of Liz, he gets the idea that Garfield needs a playmate to keep him active. John brings home a loveable but high-strung dog by the name of Odie. Garfield finds himself jealous and wants to keep John's attention all to himself. He makes a plan to lure Odie away, which carries with it some real mishaps.
7) Garfield the movie
[2004] 20th Century Fox Home Entertainment 1 videodisc (approximately 82 min.) : sound, color ; 4 3/4 in. English
Garfield's owner, Jon, takes in sweet, but dimwitted pooch Odie, turning Garfield's perfect world upside-down. Now Garfield wants only one thing: Odie out of his home and his life! But when the hapless pup disappears and is kidnapped by a nasty dog trainer, Garfield, feeling responsible, tears himself away from the TV and springs into action.
8) Can't hardly wait
[1998] Widescreen edition. Columbia TriStar Home Video 1 videodisc (101 min.) : sound, color ; 4 3/4 in.
2008. 10-year reunion edition, widescreen. Columbia TriStar Home Entertainment 1 videodisc (100 min.) : sound, color ; 4 3/4 in.
It's graduation day at Huntington Hills High, and the seniors are ready to leave it all behind for the things that really matter - romance, revenge, and rock 'n roll.
9) Ghost whisperer: The complete first season
[2006] Paramount Pictures 6 videodiscs (approximately 960 min.) : sound, color ; 4 3/4 in. English
Ever since she was a young girl, Melinda Gordon has been able to see and talk to dead people. Earth-bound spirits who have yet to cross over to the other side seek her help in communicating and resolving unfinished business with the living.
10) Ghost whisperer: The third season
CBS DVD :
5 videodiscs (13 hr., 16 min.) : sound, color ; 4 3/4 in.
Widescreen edition. 5 videodiscs (796 min.) : sound, color ; 4 3/4 in.
Melinda Gordon has the ability to communicate with the earthbound spirits of people who have died, providing deeply moving and important closure for them and their loved ones. This season, Melinda is blamed for a ghost's death; a ghost who thinks he's Santa might not have good intentions; an old friend of Rick's comes to town, leaving Melinda to question her ideas about children; and more.
11) The tuxedo
DreamWorks Home Entertainment
[2003] Widescreen version.
[2002] Full screen version.
Jimmy Tong is an ordinary cabbie-turned-chauffeur who slips on a 2 billion dollar, super-spy suit and inadvertently becomes a dashing secret agent. Fit for trouble, this deluxe tux unwittingly thrusts Jimmy and his dazzling partner into a dangerous world of international espionage.
12) Heartbreakers
MGM Home Entertainment
[2001] Special edition ; widescreen. MGM Home Entertainment 1 videodisc (123 min.) : sound, color ; 4 3/4 in. English
[2001] MGM Home Entertainment 1 videocassette (123 min.) : sound, color ; 1/2 in. English
A sexy mother-daughter con team steals their way into wealthy men's hearts ... and their bank accounts. Page wants to be on her own, but her mom pleads one more big con. But before they can complete their last big score, Page breaks the rules and falls in love. Can Page hang on to her heart and the fortune?
13) If only
[2006] Full screen. Sony Pictures Home Entertainment 1 videodisc (approximately 96 min.) : sound, color ; 4 3/4 in. English
A talented young singer/songerwriter had met the love of her life while studying classical music in London. Unfortunately, the two have a terrible argument and she becomes involved in a terrible accident. But when fate miraculously intervenes, her grief-stricken boyfriend gets a second chance to relive the tragic day - and hopefully change their destiny.
14) I know what you did last summer
[1998] Widescreen and full screen.
[2003] Special edition.
15) Yes, Virginia ; produced by Kallan Kagan, Kate Schwerin ; written by Chris Plehal ; directed by Pete Circuitt
New Video Group
[2010] New Video Group 1 videodisc (approximately 24 min.) : sound, color ; 4 3/4 in. English
Virginia O'Hanlon is a little girl who lives in New York City in 1897, and loves Christmas more than anything else in the world. But when a schoolyard bully challenges her belief in Santa Claus, Virginia embarks on a quest across the city to prove he is real. Finally her father inspires her to write a letter to the New York Sun Newspaper, claiming 'if you see it in the Sun, it's so.' Included is commentary, and a featurette.
16) The adventures of Tom Thumb & Thumbelina
Buena Vista Home Entertainment [distributor]
[2002] Buena Vista Home Entertainment [distributor] 1 videodisc (75 min.) : sound, color ; 4 3/4 in. English
An action-packed musical adventure in which Tom Thumb and Thumbelina join forces and face towering odds in a journey to find their true home.
17) The client list
2011. Sony Pictures Home Entertainment 1 videodisc (approximately 88 min.) : sound, color ; 4 3/4 in. English
When an injury leaves her husband unable to work, and her family faces foreclosure on their home, a former beauty queen is forced to take a job in a massage parlor. She soon realizes that it's a front for a high-end call girl operation, one so lucrative, she can't afford to turn it down. But when the parlor is raided, she must either cooperate with the police and give up her clients' identities, or lose everything she tried so hard to save.
18) I still know what you did last summer
Widescreen. 1 videodisc (101 min.) : sound, color ; 4 3/4 in.
Remember Ben Willis? He's the man in the slicker with a hook in his hand, ready to exact bloody justice. Well, he's back. It's hard to forget a man who refuses to die.
19) Criminal minds: The tenth season
Paramount Pictures :
[2015] Paramount Pictures : 6 videodiscs (approximately 971 minutes) : sound, color ; 4 3/4 in. English
To solve the most twisted crimes, the FBI's Behavioral Analysis Unit (BAU) explores the darkest places--inside the depths of Criminal Minds. Seasoned undercover, FBI Agent Kate Callahan joins the elite team led by Supervisory Special Agent Aaron Hotchner as they pursue a serial killer who hacks his victims beyond all recognition. Experienced profiler David Rossi is dogged by mysterious woman from his past, while Dr. Spencer Reid grapples with the...
20) Ghost whisperer: The second season
[2007] CBS DVD : 6 videodiscs (967 min.) : sound, color ; 4 3/4 in. English
Melinda Gordon has the ability to communicate with the earthbound spirits of people who have died, providing deeply moving and important closure for them and their loved ones. This season, Melinda and her husband, Jim Clancy, are joined by new friend and employee Delia Banks, as Melinda battles a dark force taking over her beloved town of Grandview.
123Next »[3]


I loved my 17 years with R.E.M., but I'm ready to reflect, assess and move on to a different phase of my life. The four of us will continue our close friendship, and I look forward to hearing their future efforts as the world's biggest R.E.M. fan.
I am deeply spiritual; I revel in those things that make for good - the things that we can do to shed a little light, to help place an oft-dissonant universe back in tune with itself... Long live art, long live friendship, long live the joy of life!


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The ideal restaurant takes effort. It's not just about classy and stylish design, but also about functionality and efficiency in kitchen operations. Restaurant construction is a process that requires time and attention.
Carefully plan the construction. Every construction requires planning. Already visualize the kind of restaurant that you wish to have. Include the material, features, and functionality that you will need. A site survey is also needed to check the status of the utilities and condition of the building.
You might want to factor in your location for the construction plans. If you are located in a building with other tenants, your project should not interfere with the other activities in the building. You will probably need to limit noise pollution during peak hours and schedule the construction accordingly.
Build an efficient kitchen. Aside from the flair in the dining area, the kitchen has to be planned as well. Involve the kitchen staff or ask the chef for suggestions. The kitchen needs to be efficient for food preparations. Functional stations and ample of space must also be provided to make the kitchen well-organized.
Get your preliminary plans reviewed. Have your space plans reviewed by the local inspector. The restaurant needs to follow the local codes, fire safety requirements, and health codes. You might need to adjust your plans to satisfy these code.
Set a reasonable schedule. A restaurant construction is usually completed in three to six months. However, you need to account for the lead time needed for the materials and the appropriate construction schedule depending on your location. You might want to include the weather conditions and possible disruptions in setting the schedule.
Work with a trusted contractor. Find a reliable contractor who can help you from the planning phase to the restaurant's completion. Look for one that specializes in restaurant construction. These contractors understand the challenges of building a restaurant and will accomplish all the goals with little to no problem and worries.


Happy Easter from our crew to yours! Just a reminder the club will be closed tomorrow (Easter Sunday) and will reopen regular hours on Monday. Have a great weekend!
Congrats to the HRC U9 Future Stars Champ Kaden Ng (right) from ACE Tennis Toronto and Finalist Patrick Purnis from Tessa Tennis. HRC will be hosting another U9 Future Stars event on May 5 so come out and support these future stars of Canadian tennis!
Another fun day on the Squash courts with a school group from Robert F. Hall. We love having school groups to the club so we can expose the kids to this great game! Thank you @rfhwolfpackathletics for coming to play!
We had a full house on Friday for our free Squash Exhibition match between Canada's #1 and Top 5 players, Nick Sachvie & Cameron Seth. ~ About 100 spectators enjoyed the show as the pros played some HRC juniors, the sponsors, our Club Champion then each other. ~ Thank you to our generous sponsors this season @caledonbuild , @caledon_timberframes & Grand Valley Wind Farms. ~ And thanks to the players @nicksac22 & @cameronsethsquash for putting on such a great show!
Tune in to 101.5 FM today to take part in their radiothon for Headwaters Health Care Centre. HRC will be on air today between 8:00am to 9:00am!
We are very excited to be hosting a FREE exhibition match of two of Canada's top Squash players this Friday, April 12. Canadian #1 Nick Sachvie @nicksac22 & Canadian Top 5 Cameron Seth @cameronsethsquash will warm up playing some HRC juniors and our top two men's players before putting on a show for us. Action starts at 5:45 pm. Thanks to our season's sponsors @caledonbuild & @caledon_timberframes this is a FREE event. If you've never seen professional squash live before, you will be shocked at the athleticism of these men. Come watch!
We'd like to give a BIG thanks to the supporters of this year's HRC Open Squash tournament. @caledonbuild and @caledon_timberframes are our 2018-19 Squash sponsors. With their help, we have been able to enhance all of the tournaments we ran this season. We also owe a HUGE thank you to Stefan & Monica @caledonhillsbrewing Their generosity, delicious beer and sincere personalities add so much to any event they are involved with. @blackknightsquash helped us out with prizes. Sobeys Orangeville donated fruit. We have such generous supporters. Please consider supporting them as well as they have this great sport!


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BIOGRAPHY Passionate and committed to his art, Canadian Tenor Y.C. Lee sings Art Song, Opera, Oratorio and Early Music with authentic Italian bel canto technique. He infuses these works with a warmth and finesse that lifts and soothes the soul. His versatile three-octave range voice envelops listeners in an exquisitely pure quality of tone. YC's first two collaborative projects were #SoloMessiahProject and #SoloRecitalDebut. He is currently showcasing selections from his third collaborative project with Solo Dowland Project Live 2018, and Solo Dowland Project: The Studio Recordings, Parts I and II. In addition to recordings, YC performs Opera, Oratorio and Art Song favourites at various performance venues in the greater Toronto area and beyond. YC has worked with Tapestry Opera, Opera Hamilton and Opera bel Canto of York, among others. Performance highlights include Beppe (I Pagliacci) with Brampton Lyric Opera, Kaspar (Amahl & the Night Visitors) with No Strings Theatre, Don Basilio (Le Nozze di Figaro) with Opera Buffa & Casalmaggiore International Music Festival, and Franz (Les Contes d'Hoffmann) with Creative Artists Productions. Awards include Gold Medal from the Royal Conservatory of Music (Associate Diploma in Voice Performance). His mentors are Lawrence Pitchko and David Varjabed.
You're invited - Save the date! #SoloMessiahProject Live concert: Saturday, April 13, 2019 at 7:30pm; College St United Church (Tickets $20; more info: here & facebook events). Benefit concert for homeless & community meals, as part of College St United outreach programs. Performers include YC Lee, Antonia De Wolfe, and guests: Lilac Caña, Victoria Borg, Austin Larusson.
Part I iTunes, Part 2 iTunes, Part 3 iTunes.
Part I iTunes, Part 2 iTunes.
Recorded Sunday February 25th, 2018. College Street United Church, Toronto.
YC Lee, tenor performed selected love songs by John Dowland (1563-1626) with pianists Mario Ostrowski and Ann Sublett. #SoloDowlandProject represents a unique part of YC's vocal journey; a very different & equally passionate side of YC's personality & a contrast from his previous projects: #SoloMessiahProject and #SoloRecitalDebut. This vocal chamber concert was truly a one-of-a-kind intimate performance.
Porgiamor Chamber Concerts is an ad-hoc collective of artists specializing in vocal chamber music. Proceeds from this fundraising concert were donated to College Street United Church outreach programs: "Peace of Pizza" Fridays and "Musical Instrument for Cuba"..


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