The participants of the Congress appealed to all presidential candidates of Ukraine, urging them to withdraw their candidatures in favor of a single opposition candidate from the South-East, which has the highest rating and chances of winning. Women also adopted a resolution which set out their main requirements – the achievement of peace and social protection of people.
"Five years of war have taught us to unite, to act, to build a world! Together with women leaders of Ukraine we have developed the women's peace plan, most of the items which formed the basis for the PACE resolution on Ukraine. Risking their lives, women have made more than 100 humanitarian missions in the zone of active hostilities in the East of Ukraine, where they provided humanitarian, legal and psychological assistance to more than 30 thousand children and civilians. We did a fantastic job and showed an example to all, that at the crucial moment for the country need to be wise and unite, putting aside ambitions and contradictions", – said the initiator of the National platform "Women for Peace" Natalia Korolevska.
Congress participants called on all presidential candidates to follow their example, for the early return of peace in Ukraine.
"Today, women from all regions of the country, appealed to all presidential candidates of Ukraine with a call to join forces to put aside all political ambitions, contradictions and withdraw their candidacies in favor of a single candidate Yuriy Boyko, who has the highest ranking and a chance to win, as quickly as possible to restore peace in the Donbass. For women it will be the best gift on March 8," – said Natalia Korolevska.


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Congrats to the Hall of Fame Class of 2010!
Hey guys, Drew back here. It's that time of year again where the hallowed Hall of Fame is opened to new players, and they join an elite group of superstar athletes. This year, the Hall of Fame inductions featured players such as Don Mattingly, Dave Parker, Jack Morris, Lee Smith, Alan Trammell, Roberto Alomar, Jeff Bagwell, Dale Murphy, Tim Raines, Larry Walker, Mark McGwire, Barry Larkin, Fred McGriff, Rafael Palmeiro, and the forever searching Bert Blyleven. These players were great on the field, but only 2 of them were inducted into Cooperstown in 2011.
The first was former All Star second baseman Roberto Alomar! Alomar played 15 years in baseball, playing for the Padres, Blue Jays, Orioles, Indians, Mets, White Sox, and Diamondbacks. He had a lifetime batting average of .300, with 2,724 hits, 210 home runs, 1,134 RBI, and 474 steals. He made 12 All Star teams and won 10 Gold Gloves, more Gold Gloves than any other second baseman in history. He can be considered the greatest second baseman to ever play the game, and that showed when he received 90% of the vote in his 2nd year of eligibility! I don't know a whole lot about Alomar, considering he retired the year before I began to follow baseball, but recently the MLB Network had a segment comparing him to current day All Star second baseman and one of my favorite players, Robinson Cano. Of course, Cano has only played a few seasons in baseball, so the career stats don't come close, but at the rate he's at, he could very well be very comparable to Mr. Alomar!
The second player inducted into the Hall of Fame in 2011 was former All Star pitcher Bert Blyleven! Blyleven pitched for the Twins, Rangers, Pirates, Indians, Twins, and Angels throughout his 22 year career. He won 287 games, lost 250, struck out 3,701 batters, and had a 3.31 career ERA. He made 2 All Star teams and won 2 World Series championships, but that was enough to finally get him into Cooperstown. Many people question if Blyleven deserved to be in the company of such legendary pitchers, because he didn't necessarily have the "swagger" and express fear in hitters, he just knew how to pitch, especially with his great curveball. It took 14 years, but finally, Bert Blyleven will get his plaque in the Baseball Hall of Fame!
I wanna say Congratulations to both Roberto and Bert on the inductions, that is the best accomplishment imaginable in sports, and being in that Hall of Fame must make you feel awful special!
Labels: Bert Blyleven, drewscards, Hall Of Fame, Inductions, MLB News and Notes, Roberto Alomar
William Regenthal January 6, 2011 at 10:10 PM
Great post, Drew. I love how Alomar looks like he could pick up a bat today and go 3 for 4. I was satisfied with the picks for this year, for sure.
Upper Deck Confusion.. The Always Continuing Saga
TTM #39- INCREDIBLE SUCCESS!
My 1st Major Piece of Game Used Memorabilia!
TTM #38- The Show I Watch Every Morning
A Lot of Great Catch Up Mail!
Talk about a Huge Giveaway!
Amazing Jets Pickup for an Amazing Jets Game!
Upper Deck Situation Resolved.. FINALLY!
TTM #37
Grandpa Roy Column
Words Cannot Describe Last Night!
GET PUMPED! It's Game Time!
2010 Topps Update- NEED HELP!!!
Mariano Rivera's Replacement..
1960 World Series Customs!
Check Out My Cards Pickups
Trip to the Card Shop- Nice Vintage Pickups!
Complete Autograph Set? Yes Sir!
2010 Topps Update Jumbo Box Break Recap
Christmas Gift from Dad! Sweet Stuff!
Vintage Cards From Pop Popps- Nice RC!
Bowman Chrome Contest?

redpajama_set_name: RedPajamaCommonCrawl


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You are here: Home > Laws & Regulations
The Farm Credit Act
The Farm Credit Act (pdf) of 1971, as amended (Act), is the applicable federal law governing the Farm Credit System, the Farm Credit Administration (FCA), and FCSIC. FCSIC's authorities are primarily contained in Title V, Part E of the Act (sections 5.51-5.65, 12 U.S.C. §§ 2277a-2277a-14).
The Farm Credit Act provides that FCSIC's primary purpose is to ensure the timely payment of principal and interest on debt obligations jointly issued by Farm Credit System banks used to fund the operations of the Farm Credit System. The Act establishes FCSIC's organization and provides it with corporate powers. In addition to insuring timely payment, the Act provides FCSIC with certain other powers and responsibilities, including:
Determining and collecting insurance premiums;
Providing discretionary assistance to a system bank or association (by providing loans or contributions, purchasing assets and debt securities, assuming liabilities and facilitating consolidations and mergers) so long as the total cost of assistance does not exceed the alternative cost of liquidating the institution;
Acting as receiver or conservator for Farm Credit System institutions upon appointment by the FCA Board;
Examining system institutions (using FCA examiners); and
Regulating "golden parachute" payments made to departing system institution-related parties when the system institution is insolvent, in conservatorship or receivership, has been assigned a composite 4 or 5 rating under FCA's supervisory rating system, or is otherwise in troubled condition.
The linked materials are provided for reader convenience but are not the official publication of the materials contained herein. The sources for the official publication of statutory provisions are the Statutes at Large and the United States Code. If there are any inconsistencies between an official publication and those same materials available here, the official publication is controlling.
FCSIC regulations
Regulations issued by the Farm Credit System Insurance Corporation (FCSIC) Board cover administrative issues for FCSIC employees, the Privacy Act, assessment of FCS institution premiums, collection of claims, golden parachutes, and indemnification payments.
These regulations are found in parts 1400–1403, 1408, and 1410–1412 of title 12 of the Code of Federal Regulations (CFR). The CFR catalogs the general and permanent rules published in the Federal Register by the executive departments and agencies of the Federal Government. Each of the CFR's titles represents a broad area subject to Federal regulation. Title 12 covers banks and banking.
The rules in part 1401 of title 12 supplement rules provided in part 4001 of title 5, which covers standards of ethical conduct for Farm Credit System Insurance Corporation personnel. See "Supplemental Standards of Ethical Conduct for Employees of the Farm Credit System Insurance Corporation." (pdf)
FCA Regulations
FCA develops regulations (rules) implementing the Farm Credit Act and other relevant laws which address the Farm Credit System's public mission and promote the safe and sound operation of the System. Certain FCSIC regulations make reference to FCA regulations.
The sources for the official publication of regulations are the Federal Register and the Code of Federal Regulations. If there are any inconsistencies between an official publication and those same materials available here, the official publication is controlling.


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"Anyone who doesn't regret the passing of the Soviet Union has no heart. Anyone who wants it restored has no brains," Vladimir Vladimirovich Putin once said. Back in 2000, he personally ordered the restoration of Soviet "icons of dictatorship" in St. Petersburg that Russians celebrating the collapse of communism had stripped away years before. In doing so, he was practicing a particular kind of nostalgia that defines an entire generation's relationship to present-day Russia, a generation now producing a body of post-Soviet literature that's just in its infancy. These authors are children of the Soviet Union — their parents were taught to worship the impossible ideal of the Socialist Realist "New Soviet Man" before they boldly transported themselves and their children to the mythical West. They are neither of Putin's Russia nor other to it, nor are their books.
Nostalghia has understandably compelled many American-Russian authors, all of whom have parents who left the rodina, the homeland, in Soviet times, to make return trips to Russia. Von Bremzen, Gary Shteyngart, and Gregory Feifer in his forthcoming Russians: The People Behind the Power all chronicle their revisitations of Russia in their semi-autobiographical works, treading where their grandparents, parents, and younger selves tread before. Each has his or her own style: Von Bremzen's is culinary, Shteyngart's humoristic, Feifer's journalistic. They are just as much Soviet social histories as they are personal histories (Von Bremzen and Shteyngart's are also testimonies to the food and publishing industries, respectively). They tuck family heirlooms — old photographs and recipes– into their pages. They returned to warily reacquaint themselves with the landscape of their youth and history, primed to report back to their audiences back in the United States.
For Von Bremzen, returning to the USSR only made her want to leave, to "flee from this insane asylum where history has been dismantled and Photoshopped into a pastiche of victims and murderers, dictators and dissidents, all rubbing sentimental shoulders together." Within Russia, nostalgia has taken the form of patriotism: "In today's society, one so desperately lacking an anchoring national narrative, the Kremlin was once again exploiting the cult of [the Great Patriotic War] to mobilize what was left of national patriotism, to bring generations together in a tightly scripted rite of remembering," Von Bremzen explains. The result is that the cult of Stalin is still alive and well in Russia, along with the glorified Socialist Realist imagery of Soviet Russia and the "bureaucratic Sovietspeak [that] inadvertently stripped the language of Pushkin of much of its greatness and might," as Shteyngart put it. To restore some of that greatness — and to provide some context for the systemic dysfunction of Russian culture — seems to be the common goal of these writers, who themselves have a fraught relationship with the rodina. Writing of their one-time home from the safe harbors of New York and Boston, they are uniquely positioned to start piecing together a national narrative — or rather a narrative of the Russian people.
"An outsider's perspective means being able to see the forest for the trees," Mark Lawrence Schrad cautions in the preface to Vodka Politics. Schrad, an American scholar of Russian studies, felt the need to provide a disclaimer regarding his "biases and motivations as a foreigner writing about a taboo subject like alcohol in Russia." Whether one can understand an entire nation while observing it from the distanced position of an ex-patriot is well-trodden ground. In a now-infamous letter to Nikolai Gogol from 1847, the Russian literary critic Vissarion Belinsky reproached Gogol for writing home from his exilic perch in Italy with unsolicited counsel for Mother Russia. "You have been accustomed for so many years to look at Russia from your beautiful far-away; and [do] not know that there is nothing easier than seeing things from a distance the way we want to see them," Belinsky wrote, enraged and heartbroken that Gogol, who by that point had been living in Italy for the better part of a decade, had proposed that religion alone could save the spirit of the country. "In that beautiful far-away you live a life that is entirely alien…Therefore you failed to realize that Russia sees her salvation not in mysticism or asceticism or pietism, but in the successes of civilization, enlightenment, and humanity," Belinsky surmised. His disdain for his friend's abandonment and resulting mischaracterization of Russia — their shared rodina — is a familiar critique of emigrant literature. Living in the "mythical zagranitsa" — the mythical abroad, as Von Bremzen calls it, can sentimentalize one's understanding of Mother Russia. For the sake of making Russia legible to foreign eyes, one might be lulled into lazily attributing the country's systemic idiosyncrasies, abuses, and dysfunction to the tremors of a universal, mystical "Russian Soul." But does such a thing really exist? Did it ever? Is it the only explanation for what makes Russians Russian? For this crop of authors, the answer is nyet.
"I do not believe in a Russian soul," Shteyngart writes. "You are not what you want. You are what wants you back." Shteyngart has capitalized on the seemingly endless well of comedy that is the immigrant experience in America, a comedy that my own family became intimately familiar when they left the Latvian Soviet Socialist Republic during Perestroika. His life story is not at all unique among Soviet emigrés, but what makes Little Failure worthwhile is what it has to say about how Russianness registers to American eyes and ears. Shteyngart's statement of purpose comes as he recalls sitting amidst a gathering of his American classmates, and writes, "this is a community. These people know each other, understand one another, came of age with one another. They were tied by kin and outlook, as were their parents…What happened here, this was nobody's fault. We Soviet Jews were simply invited to the wrong party. And then we were too frightened to leave. Because we didn't know who we were. In this book, I'm trying to say who we were." Who they were was a group of people bonded by religion, origin, and culture — bonded by a willful failure to live up to the cosmonaut ideal of the "New Soviet Man" infamously satirized by the "eternal dissident" Alexander Zinoviev in his 1985 Homo Sovieticus."We were all connected by failure back then," Shteyngart writes.
It has been a big year for H. Sovieticus, who makes quite the comeback in these works. In Shteyngart's depiction, this species of man never makes it past adolescence: "Often at a dinner table, a male Homo soveticus will say something uncouth, hurtful, disgusting, because this is his teenager's right and prerogative." For Von Bremzen, he becomes the "Long-suffering Homo sovieticus" who "gobbled down deception," raised as he was on socialist realism. Socialist realist art and literature defined the Soviet ideal for almost the entirety of the 20th century; since then, it has been almost entirely discounted as blatant propaganda, despite the fact that some Soviet artists successfully critiqued its utopian premise even while working on official state commissions. "In socialist realist visions, kolkhoz maidens danced around cornucopic sheaves of wheat, mindless of famines," Von Bremzen explains. "Socialist realism encircled like an enchanted mirror: the exhausted and hunger-gnawed in real life peered in and saw only their rosy future-transformed reflections." It was more or less the inverse of how wishful Soviet emigrants fantasized about the abundance of the capitalist West before actually setting foot there.
Feifer provides the historical background: "Socialist realist literature, a term coined in 1932 to describe what had emerged as the single genre acceptable to the state, extolled privation in private life," he writes. "Its protagonists — 'positive heroes' — epitomized the ideal 'new Soviet man,' who recapitulated the official version of history, which invariably led to the triumph of Marxism-Leninism." Feifer's mother grew up in the USSR and his family photos of life in Soviet Moscow are scattered throughout the book, just as Shteyngart's are in Little Failure. Like Shteyngart and Bremzen, Feifer meticulously explains the various episodes of uprooting in the nation's history that displaced the authors' grandparents and great-grandparents, but he has an almost unbearably scientific approach to discerning "the fundamental Russian character," which derives from the unfailingly objective reportage that makes up the bulk of the book. But because he is unabashedly determined to deliver "a definitive explanation of what makes Russia Russian," Feifer misses the point. In Vodka Politics, Schrad explains why: "simply assuming that intoxication and self-destruction are somehow inherent cultural traits — unalienable parts of what it is to be Russian, almost down to the genetic level — is akin to blaming the victim." And indeed, it's especially in Feifer's explanation of the Russian predilection to drink that this comes through; "I believe Russia's attitudes to drinking reflect something deeper in the country's culture: a sense of pessimism about the ability to better oneself," inoculated over centuries of systemic dysfunction and political upheaval. But if that pessimism was actually an endemic trait, it's possible that none of these authors would have been able to write of the Soviet Union from their homes in the West; their parents might not have got them out.


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Concert Review: 5/09/2013 Crystal Castles – Mr. Smalls Pittsburgh, PA
Posted on May 15, 2013 by 2020k | RJ Kozain
Ethan Kath of Crystal Castles walked past me at Mr. Smalls venue before their Pittsburgh, PA show. It's true. Pictureplane had just finished his opening set and it happened. No one noticed. No one flinched or bothered to take a second glance. It just happened. I followed him with my eyes, then looked at my brother, my accomplice for the night, who hadn't even thought of it until I made mention of it.
What's interesting about this is not the anonymous persona that Kath is able to keep despite being one-half of the duo. The interesting part about this is also not how the story would've been different if the band's more recognizable member, Alice Glass, attempted to walk through the venue. But, what is this intriguing side-fact here for? More on that in a second.
Journalists seem to give this band a reputation of encouraging mayhem. For example, on a 2011 review of a Riviera Theater Chicago show, mosh pits were apparently so out of hand that security was bracing themselves and leading people up to the balcony to ensure safety. Glass has punched fans and hit them with her microphone, afterward defending herself stating "I've never punched someone that didn't deserve it." Fans feed into this frenzy as well with countless YouTube comments sharing stories of seeing ears being bitten off and attending one of the most high energy shows they've ever experienced.
The funny thing about everything in the aforementioned paragraph is that nothing was out of control at the Pittsburgh, PA show. The energy? It was raw and it was present with a vengeance to sing, dance, jump, and cheer, but not one mosh pit or inconsiderate attendant was present. This is known because I b-lined it to the very back of the venue to avoid any hostility, which tends to happen in the middle and front sections of lively slows. I've wanted to see these two perform since their debut record and I was not about to have some asshole disrupt my celebration of it finally happening. I wanted to see it all.
Alice Glass crowd surfed several times, even having a few audience members hold her up so she could completely stand (see the above picture), but all the while the singer still remained cautious; watching where she would step and who she would climb on.
Now, remember with Ethan Kath walked past me? The most mesmerizing part of all of this is that when Crystal Castles take the stage they're both equally present. They're one entity, a band with lots of lights, synthesizers, live drummer Christopher Chartrand, and a message. In the picture above, Glass is having the crowd hold her up while Kath mans the music, but he's obviously present and an extremely recognizable character inside the photo.
During the hour and a half set, the live trio plowed through their three album catalog and straying for more heavier versions of the songs than what the album versions give away. It's an intricate set up, with vocoder and vocal effects varying in and out of the songs, "Suffocation" is a great example of this as it features less of a high-frequency cut off on it's leading synth-bass, which opens up the song for a more hard-hitting, harsh version of the track.
At times, Crystal Castles stray for difference, with a stripped sound as well. The painful, emotional callouts that end "Wrath of God" on (III) have vanished, as have the frontwards and backwards calls on "Plague". Instead of these manipulations, the crowd is left with Glass' insane amounts of energy as Ethan and Christopher continue on with the composition of the song. These absences are not to be complained about, but rather justified as it brings a more live feel to the show instead of relying on copious amounts of pre-recorded material that may or may not sync every night (the band does switch up their setlist quite often).
The live rendition of "Doe Deer" is also a treat for longtime fans. It's pretty obvious that the album version of the song's lyrics are not really deathray, deathray, deathray. At least, they aren't straight on. However, the live version does contain these lyrics and much of the heavy, purposefully distorted mixing techniques of this song are traded in so that the melody and rhythms can flourish. The result? Just as hard of a punch as the studio session.
Speaking of Alice Glass, her stage presence is absolutely insane. The amount of effort it takes just to watch how much she does on stage can be exhausting in and of itself. She'll smoke a few cigarettes, pour whiskey in her mouth to spit all over the crowd, bounce all over the place, and do the things she's known for. However, there is a segment of the show that gets experiemental. The two of them come together and play with the oscillation and manipulation of various synthesizers on stage. They stand next to each other and stare down at their gear, focused, motivated by the music and what the other is doing. They look like two playmates with a strong bond that's completely driven and fueled by the other.
This bond became apparent during the encore of the set. At the end of "Intimate," which is quite the serious song considering many fans equate the lyrics to being about an HIV+ man who is purposefully having unprotected sex and spreading the disease he has, the left speaker seems to blow out. It's at the catalyst of the track and while it would seem like a bummer to everyone, it was actually interesting that this would happen. Musically speaking, and traveling a bit too far down the rabbit hole, it was as if the meaning of the song transpired through the speakers and became physically too much that it had to give.
Eventually the sound was fixed and "Yes No" followed. Presumably some sync issues happened between communication with Kath and the sound men, that caused a small skip. Ethan looked frustrated, but Alice looked back at the employees handling the sound and gave a big smile that almost read thanks for the effort. The engineers were professional, afterall. Half the crowd was looking back at them when trouble was happening and the two men troubleshot without breaking a sweat.
Alice did, however, take another swig of whiskey after the smile. She didn't spit it out this time. She swallowed it, showing a bit of vulnerability as well. Regardless, they had nothing to worry about. The serious dance music Crystal Castles presented blew the speakers out and blew the heads up of everyone attending the exuberant, inspiring, light-filled and enthusiastic Pittsburgh show.
Wrath of God
Telepath
Pale Flesh (Interlude)
Alice Practice
Vanished/Untrust Us/Transgender/Cryptocracy
Not in Love
Doe Deer
Cut from the set, most likely because of issues with the the left speaker being blown out is the "Vietnam/Kerosene/$$ Troopers" medley.
This entry was posted in Tour and tagged Alice Glass, Chicago, Christopher Chartrand, Crystal Castles, Ethan Kath, live, Mr. Smalls, Pictureplane, Pittsburgh, Riviera Theater. Bookmark the permalink.
1 Response to Concert Review: 5/09/2013 Crystal Castles – Mr. Smalls Pittsburgh, PA
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text:
Q: Until i hit Start Debugging in Visual Studio Code everything is fine
Application works fine until start debugging!
why i encounter this error?
i also have launch.json file , what should i consider to change as i changed the port no many times from 3000 , 4000 etc but still not able to debug

Following is my code:
  `const http = require('http');

  const fs = require('fs');

  const server = http.createServer((req, res) => {
  const url = req.url;
  const method = req.method;
  if (url === '/') {
    res.write('');
    res.write('<title>Enter Message</title>');
    res.write('<form action="/message" method="POST"><input
    type="text" name="message"><button type="submit">Send</button></form>
    ');
    res.write('');
    return res.end();
  }
  if (url === '/message' && method === 'POST') {
    const body = [];
    req.on('data', (chunk) => {
      console.log(chunk);
      body.push(chunk);
      console.log(body);
    });
    req.on('end', () => {
      const parsedBody = Buffer.concat(body).toString();
      console.log(parsedBody);
      const message = parsedBody.split('=')[1];
      console.log(message);
      fs.writeFileSync('message.txt', message);
    });
    res.statusCode = 302;
    res.setHeader('Location', '/');
    return res.end();
  }
  res.setHeader('Content-Type', 'text/html');
  res.write('');
  res.write('<title>My First Page</title>');
  res.write('
Hello from my Node.js Server!
');
  res.write('');
  res.end();
});

server.listen(4000);
`

redpajama_set_name: RedPajamaStackExchange


text:
Q: tkinter: Can't make frame scrollable On python tkinter, I am using 2 different frames on a Toplevel window, one on the right and another on the left.
The frame which is on right side is not scrollable. I have created a canvas on top of the frame on that frame and one more frame on top of that canvas. I have made that canvas scrollable and pasted the widgets on that canvas but it's not scrollable. I am attaching the code of the scrollable part.
w1 = Canvas(frame2, width=600, height=300,background="white", scrollregion=(1500,1500,3000,3000))
scr_h1 = ttk.Scrollbar(frame2,orient=HORIZONTAL)
scr_h1.pack(side=BOTTOM,fill=X)
scr_h1.config(command=w1.xview)

scr_v1 = ttk.Scrollbar(frame2,orient=VERTICAL)
scr_v1.pack(side=RIGHT,fill=Y)
scr_v1.config(command=w1.yview)

w1.config(xscrollcommand=scr_h1.set,yscrollcommand=scr_v1.set)
w1.pack(fill=BOTH,expand=True)

A: This code works for me running Python 3.4 - a tkinter window pops up with a red oval (for testing), and the scrollbar allows you to navigate the frame.  If you are using Python 2, change tkinter to Tkinter (capital T).
from tkinter import *

root = Tk()

frame2 = Frame(root)
frame2.pack(side=RIGHT)

w1 = Canvas(frame2, width=600, height=300,background="white", scrollregion=(0,0,3000,3000))

scr_h1 = Scrollbar(frame2,orient=HORIZONTAL)
scr_h1.pack(side=BOTTOM,fill=X)
scr_h1.config(command=w1.xview)

scr_v1 = Scrollbar(frame2,orient=VERTICAL)
scr_v1.pack(side=RIGHT,fill=Y)
scr_v1.config(command=w1.yview)

w1.config(xscrollcommand=scr_h1.set,yscrollcommand=scr_v1.set)
w1.pack(fill=BOTH,expand=True)

# inserted to see if it's actually scrolling
w1.create_oval(0,0,50,50,fill='red')

root.mainloop()

Two Possible Issues

*

*Why were you using a ttk ScrollBar? The simple tkinter scroll bar will suffice for your code. When things aren't working, it might help to go back to the simpler model.

*Why your starting scroll region was 1500 - any object placed on the canvas in the first 1500 units in either direction were not visible, with this setting, which may have given you the illusion that the scrollbar was not working. See http://effbot.org/zone/tkinter-scrollbar-patterns.htm for more information on using scroll bars.

It should not matter that there are two frames or their orientation, though you may run into problems if you try to mix managers (grid,pack,etc.). These problems are more along the lines of stalled programs, not stationary scrollbars.


12 SepFixed vs Variable Interest Rates: Which is the Best Option for You?
With interest rates at an all-time low, many people start wondering is now the right time to fix my loan? Will interest rates continue to drop or will they start to rise?
Let's face it; interest rates are cyclical. While they might be at historic lows right now, there are always points in the economic cycle when they may start to rise again. The threat of being caught in a series of interest rate hikes is often enough to prompt many home owners to jump over to a fixed loan.
A variable interest rate mortgage is a loan where the interest rates can fluctuate in line with the cash rate. Of course, there are also occasions when banks can raise or lower the interest rates even when there are no changes from the Reserve Bank.
When your mortgage is on a variable interest rate, the interest you pay can fluctuate at any time. If interest rates go down, your repayments will also reduce. However, if interest rates start to climb, you can expect your repayments to increase accordingly.
Many variable rate mortgages are quite flexible. You have the freedom to make additional payments, which helps to repay your mortgage faster. There are also no penalty fees for paying extra off your home loan balance. Some banks also offer a redraw facility, which allows you to redraw any additional payments you've made.
You may also choose to link an offset account to your variable rate mortgage. An offset account gives you the opportunity to reduce the amount of interest that can be charged on your remaining balance.
While variable loans offer lots of flexibility, there are also some disadvantages to consider. Perhaps the biggest drawback is that your repayments will increase if interest rates go up. If you're on a tight budget, it can be challenging trying to keep up with payments when they start to rise.
A fixed rate loan allows you to lock in your interest rate for a predetermined period of time. Most banks offer fixed interest rates for varying terms. You can choose to fix your loan for 1, 2, 3, 4, or 5 years, although there are some banks out there that may let you fix for up to 10 years.
While locking in your interest rate can be a good idea for some people, always take into account the benefits and drawbacks before you make a decision.
During the fixed rate term, your interest rate can't be affected by any fluctuations in the market. This means your payments also won't change during the fixed term. You'll know exactly what your monthly payments are, which can make your budgeting easier.
It can be tricky to know how long to lock in your mortgage for. Most banks offer very competitive interest rates for 2 and 3 year terms. However, the 5 year fixed rates tend to be a little higher in comparison, simply because the banks tend to hedge their bets against future increases in the cash rate.
Many first home buyers and families can find it reassuring to know that repayments won't change for a certain period of time. If the variable rates start to rise, you have the peace of mind that you won't be affected while you're protected by your fixed rate loan.
Some investors may also find the certainty of a fixed rate reassuring. Locking in the interest rate for a period of 2 or 3 years can mean knowing the payments remain the same. However, the rental income may increase over the same period of time, which could help to improve your cash flow.
While the advantages of locking your mortgage into a fixed rate might be tempting, it's a good idea to remember there are also some disadvantages to take into account.
When you agree to lock your mortgage into a fixed rate term, you may need to pay hefty break fees if you choose to change the loan before the end of the term. For example, if you switch back to a variable rate, refinance your mortgage, or sell your home during the fixed rate term, break fees may apply.
In some cases, the bank may also charge you break fees if you make substantial additional payments throughout the fixed term. Many banks will place limits on the maximum extra repayments you can make each year. In many cases, the limit is between $5,000 and $20,000.
It's also worth noting that the fixed rate offered by many banks is often higher than the variable rate. If the variable rate drops, you'll miss out on reaping the benefits of reduced payments.
In most cases, an offset account is not available to fixed loans, but there are some lenders who will offer a partial offset during the fixed term. Some banks may also not allow you to redraw any extra payments you've made until after the fixed term has ended.
If you're unsure whether to choose a fixed or variable loan, it is possible to split your mortgage and take advantage of both options. You can keep a part of your mortgage variable to take advantage of the flexible options and fix the remaining part to take advantage of locking in a low interest rate.
No one can accurately predict how interest rates will move. Likewise, your individual financial situation isn't the same as anyone else's, so what works well for one person might not suit your financial goals.
The best way to check which option might work best for your financial circumstances, your budget, and your goals is to discuss your home loan type and structure with a mortgage specialist.
Call us today on 1300 832 554 or click here to request a FREE Home Loan & Finance Structure Health Check.


1840 PennyBlack/ Red Matched Pair Spec AS5/6 Plate 1b (EE) fine used examples with 4 good margins......... Black has a tiny thin and a light bend. The item "1840 Penny Black/Red Matched Pair Spec AS5/6 Plate 1b (EE) Fine Used 4 Margins" is in sale since Friday, January 25, 2019. This item is in the category "Stamps\Great Britain\Victoria\Line-Engraved Issues". The seller is "elldave53" and is located in Cheltenham, Gloucestershire. This item can be shipped worldwide.


Convertible note payable, including interest at 10%, due December 31, 2016, convertible at $1.47 per share. This note is in default as of September 30, 2018 and continues to accrue interest at 10%.
Four convertible denture notes payable dated in August and September 2017, including interest at 0% (12% after an event of default) due in August and September of 2020, convertible at any time into shares of the Company's common stock at $0.0615 per share. The Company recorded a debt discount of $25,756 for the beneficial conversion feature upon issuance, with an unamortized balance of $16,576 and $25,161 as of September 30, 2018 and 2017, respectively. A total of $200,000 of these notes were assumed in the Merger, with $40,000 received in cash subsequent the Merger.
Interest expense related to these notes for the years ended September 30, 2018 and 2017 was $11,210 and $15,424, respectively. Amortization of the debt discount was $8,585 and $596 for the years ended September 30, 2018 and 2017, respectively, and included in interest expense for each period on the accompanying consolidated statement of operations.
The entire disclosure for convertible notes payable.


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	display:inline-block;
}
.m-lineBox-userinfo .author-followed:hover .act-unfollow,.m-lineBox-userinfo .author-followedHover .act-unfollow {
	display:inline;
}
.m-shareMange {
	position:relative;
	z-index:1;
	display:inline-block;
	*display:inline;
	*zoom:1;
	vertical-align:bottom;
}
.m-shareMange .w-borderarrow-r {
	border-color:transparent transparent transparent #999;
	vertical-align:middle;
}
.m-shareMange .w-borderarrow-b {
	border-color:#999 transparent transparent transparent;
	vertical-align:text-bottom;
}
.m-shareMange .shareMange-title a {
	text-decoration:none;
}
.m-shareMange .shareMange-items {
	position:absolute;
	z-index:2;
	left:-99999px;
	box-shadow:0 0 5px lightblue;
	border:1px solid #e0e5eb;
	padding:2px;
	width:120px;
	background:#fff;
}
.m-shareMange:hover .shareMange-items,.m-shareMangeHover .shareMange-items {
	left:0;
}
.m-shareMange .mange-item a {
	display:inline-block;
	padding:5px 0 5px 5px;
	width:115px;
}
.m-shareMange .mange-item a:hover {
	color:#fff;
	text-decoration:none;
	background-color:#3eb1f0;
}
.m-shareMange .mange-item a:hover .w-borderarrow-r {
	border-color:transparent transparent transparent #fff;
}
.g-mainwraper-picsetinfo {
	overflow:hidden;
	margin-top:35px;
	line-height:24px;
	color:#333;
	text-align:left;
	word-wrap:break-word;
	word-spacing:normal;
}
.g-mainwraper-picsetinfo .picset-cc,.g-mainwraper-picsetinfo .picset-cc:hover {
	color:#666;
	text-decoration:none;
}
.g-mainwraper-picsetinfo .picset-intro {
	padding-right:10px;
	white-space:pre-wrap;
	*white-space:pre;
}
.g-mainwraper-picsetinfo .picset-introModify .modify-tip {
	visibility:hidden;
	color:#666;
}
.g-mainwraper-picsetinfo .picset-introModify:hover,.g-mainwraper-picsetinfo .picset-introModifyHover {
	background-color:#fff5e7;
}
.g-mainwraper-picsetinfo .picset-introModify:hover .modify-tip,.g-mainwraper-picsetinfo .picset-introModifyHover .modify-tip {
	visibility:visible;
}
.g-mainwraper-piclist {
	overflow:hidden;
	margin-bottom:-60px;
	padding:0 10px;
	width:960px;
}
.g-mainwraper-piclist .m-picsetitem {
	margin-bottom:60px;
	word-spacing:normal;
}
.g-mainwraper-piclist .m-picsetitem .pic-index {
	margin-bottom:10px;
	color:#ccc;
	text-align:center;
	font-size:12px;
	font-family:Georgia;
}
.g-mainwraper-piclist .m-picsetitem .pic-area {
	position:relative;
	*zoom:1;
	background-color:#f9f9f9;
}
.g-mainwraper-piclist .m-picsetitem .onpic-exifbtn,.g-mainwraper-piclist .m-picsetitem .m-picexif {
	visibility:hidden;
}
.m-picsetitem .pic-area img {
	*zoom:1;
	cursor:pointer;
	background:url(../images/ico_autoLoading.gif) no-repeat center center scroll;
}
.m-picsetitem .pic-area .pic-exifbg,.m-picsetitem .pic-area .pic-exifbtn {
	overflow:hidden;
	position:absolute;
	z-index:5;
	left:10px;
	bottom:10px;
	*zoom:1;
}
.m-picsetitem .pic-area .pic-exifbg {
	-moz-border-radius:2px;
	-webkit-border-radius:2px;
	border-radius:2px;
	width:20px;
	height:20px;
	background-color:#000;
	filter:alpha(opacity=80);
	-moz-opacity:.8;
	-khtml-opacity:.8;
	opacity:.8;
}
.m-picsetitem .pic-area .pic-exifbtn {
	z-index:6;
	width:20px;
	height:20px;
	line-height:0;
	font-size:0;
	-webkit-text-size-adjust:none;
	color:#fff;
	text-align:center;
	cursor:pointer;
	background:url(http://r.ph.126.net/share/images/ico/ico_shareSet_exif_weibo.png) no-repeat center 0 scroll;
}
.m-picexif,.m-picexif .picexif-title,.m-picexif .picexif-container,.m-picexif .picexif-bg,.m-picexif .picexif-titlebg,.m-picexif .picexif-none {
	position:absolute;
	z-index:10;
	letter-spacing:0;
	color:#ccc;
}
.m-picexif,.m-picexif .picexif-bg {
	left:0;
	bottom:0;
	width:280px;
	height:280px;
}
.m-picexif .picexif-bg {
	z-index:11;
	background-color:#000;
	filter:alpha(opacity=80);
	-moz-opacity:.8;
	-khtml-opacity:.8;
	opacity:.8;
}
.m-picexif .picexif-titlebg,.m-picexif .picexif-title {
	overflow:hidden;
	z-index:12;
	left:10px;
	bottom:10px;
}
.m-picexif .picexif-titlebg {
	-moz-border-radius:2px;
	-webkit-border-radius:2px;
	border-radius:2px;
	width:20px;
	height:20px;
	background-color:#6c6e6a;
}
.m-picexif .picexif-title {
	overflow:hidden;
	z-index:13;
	width:20px;
	height:20px;
	line-height:0;
	color:#fff;
	font-weight:normal;
	font-size:0;
	-webkit-text-size-adjust:none;
	text-align:center;
	cursor:default;
	background:url(../images/ico_shareSet_exif_weibo.png) no-repeat center 0 scroll;
	background-color: rgba(0,0,0,.8);
}
.m-picexif .picexif-none,.m-picexif .picexif-container {
	z-index:12;
	padding:25px 10px 39px 10px;
	width:260px;
	line-height:24px;
}
.m-picAct .pic-description,.m-picAct .pic-camerainfo {
	line-height:25px;
	text-align:left;
	color:#666;
	word-wrap:break-word;
	word-break:break-all;
}
.m-picAct .pic-camerainfo {
	margin-bottom:10px;
}
.m-picAct .pic-description {
	margin-bottom:10px;
	white-space:pre-wrap;
	*white-space:pre;
}
.m-picAct .pic-descModify .pic-modifytip {
	visibility:hidden;
	color:#666;
}
.m-picAct .pic-descModify:hover,.m-picAct .pic-descModifyHover {
	background-color:#fff5e7;
}
.m-picAct .pic-descModify:hover .pic-modifytip,.m-picAct .pic-descModifyHover .pic-modifytip {
	visibility:visible;
}
.m-picsetitem-full .m-picAct {
	margin-top:20px;
	letter-spacing:-4px;
	text-align: right;
}
.m-picsetitem-full .pic-descArea,.m-picsetitem-full .pic-btnarea {
	display:inline-block;
	*display:inline;
	*zoom:1;
	letter-spacing:0;
	vertical-align:top;
}
.m-picsetitem-full .pic-descArea {
	width:690px;
}
.m-picsetitem-full .pic-btnarea {
	width:270px;
	text-align:right;
}
.m-picsetitem-lite .main-area {
	letter-spacing:-4px;
	background-color:#f8f8f8;
}
.m-picsetitem-lite .pic-area,.m-picsetitem-lite .m-picAct {
	display:inline-block;
	*display:inline;
	*zoom:1;
	vertical-align:top;
}
.m-picsetitem-lite .pic-area,.m-picsetitem-lite .m-picAct {
	letter-spacing:0;
}
.m-picsetitem-lite .m-picAct {
	padding:30px;
}
.m-picsetitem-lite .m-floatcmtArea {
	padding:15px 0 0;
}
.m-picsetitem-lite .m-floatcmtArea .editor-wraper {
	text-align:left;
}
.m-picsetitem-lite .m-floatcmtArea .w-btnDeepSkyBlue {
	margin-left:0;
}
.m-picsetitem-lite .m-floatcmtArea .i-textarea {
	margin-bottom:5px;
	width:95%;
}
.m-picsetitem-lite .m-floatcmtArea .w-borderarrow-t {
	left:90px;
	right:auto;
}
.m-floatcmtArea .editor-container .l-box-con {
	display:inline;
	word-break:break-all;
	word-wrap:break-word;
}
.m-floatcmtArea .editor-container .l-box-con img {
	display:inline;
	vertical-align:middle;
}
.g-mainwraper-footAuthor {
	margin-top:60px;
}
.g-mainwraper-footAuthor .footAuthor-title {
	margin-bottom:15px;
	font-size:14px;
	font-weight:normal;
	color:#666;
}
.g-mainwraper-footAuthor .m-lineBox {
	margin-right:-15px;
}
.g-mainwraper-footAuthor .m-lineBox .o-box-face,.g-mainwraper-footAuthor .m-lineBox .o-box-info,.g-mainwraper-footAuthor .m-lineBox .o-box-recommend {
	overflow:hidden;
	margin-right:15px;
}
.g-mainwraper-footAuthor .m-lineBox .o-box-face {
	width:140px;
	height:140px;
}
.g-mainwraper-footAuthor .m-lineBox .o-box-info {
	width:220px;
}
.m-lineBox .nick-area .host-title {
	font-size:22px;
	font-family:\5FAE\8F6F\96C5\9ED1,Arial,\5B8B\4F53;
}
.m-lineBox .nick-area .host-title,.m-lineBox .nick-area .host-title:hover {
	color:#666;
}
.m-lineBox .nick-area .host-grade {
	color:#999;
	vertical-align:baseline;
}
.m-lineBox .o-box-info .w-lineBlock {
	border-right:1px solid #ebebeb;
	padding-right:15px;
	height:50px;
	text-align:center;
}
.m-lineBox .o-box-info .w-lineBlock,.m-lineBox .o-box-info .w-lineBlock:hover {
	color:#666;
	text-decoration:none;
}
.m-lineBox .o-box-info .w-lineBlock-followed {
	padding:0 10px;
}
.m-lineBox .o-box-info .w-lineBlock-liked {
	border-right:none;
	padding:0 0 0 10px;
}
.m-lineBox .w-lineBlock .num,.m-lineBox .w-lineBlock .num-t {
	display:block;
}
.m-lineBox .w-lineBlock .num {
	font-family:Georgia;
	font-size:26px;
	line-height:30px;
	margin-bottom:5px;
}
.m-lineBox .w-lineBlock .num-t {
	color:#999;
	line-height:15px;
}
.g-mainwraper-footAuthor .m-lineBox .o-box-recommend {
	margin-right:-1px;
	width:570px;
	letter-spacing:-4px;
	text-align:left;
}
.g-mainwraper-footAuthor .o-box-recommend img {
	display:inline-block;
	margin-right:1px;
	width:140px;
	height:140px;
}
.g-mainwraper-cmt {
	margin:60px auto 200px;
	letter-spacing:-20px;
}
.g-mainwraper-cmt .g-aside {
	margin-top:25px;
}
.g-mainwraper-cmt .g-main,.g-mainwraper-cmt .g-aside {
	float:left;
	display:inline;
}
.g-mainwraper-cmt .cmtarea-title {
	margin-bottom:15px;
	font-size:14px;
	font-weight:normal;
	color:#666;
	letter-spacing:0;
}
.cmt .anony-hint {
	vertical-align:baseline;
}
.cmt .cmt-title {
	padding-left:0;
	background:none;
}
.cmt .cmt-avt img,.nbw-cmt .nbw-f50 img.cwd,.nbw-cmt .nbw-f40 img.cwd,.nbw-cmt .nbw-f50,.nbw-cmt .nbw-f40 {
	border:none;
	margin:0;
	padding:0;
	width:50px;
	height:50px;
}
.w-ceditor .zhnd,.w-rep-editor .zhnd {
	background-image:none;
	-webkit-border-radius:2px;
	-moz-border-radius:2px;
	border-radius:2px;
	border:none;
	border-bottom:1px solid #1FABE7;
	padding:3px 5px;
	height:24px;
	line-height:1;
	width:60px;
	color:#fff;
	background-color:#3eb1f0;
}
.w-ceditor .zhnd:hover,.w-rep-editor .zhnd:hover {
	background-image:none;
	background-color:#1687cb;
}
.w-ceditor .zbcc,.w-rep-editor .zbcc {
	border:none;
	border-bottom:1px solid #e4e4e4;
	color:#666;
	background-color:#f1f1f1;
}
.w-ceditor .zbcc:hover,.w-rep-editor .zbcc:hover {
	text-decoration:none;
	background-color:#e1e1e1;
}
.w-pub-editor .zmsg {
	background-color:#FFF;
	height:22px;
	position:absolute;
	right:65px;
	top:120px;
	width:240px;
}
body .m-shareSetXbox {
	position:absolute;
	left:0;
	top:0;
	height:100%;
	width:100%;
	z-index:99;
}
body .m-shareSetXbox-frm {
	display:none;
	background:none repeat scroll 0 0 transparent;
}
body .m-shareSetXbox .zmov {
	display:none;
}
body .m-shareSetXbox .zcnt {
	padding:0;
	height:100%;
	width:100%;
	background:transparent;
}
body .m-shareSetXbox .zwrp {
	height:100%;
	width:100%;
	box-shadow:none;
	border:none;
}
.m-shareSetXbox .m-xboxModule {
	position:fixed;
	_position:absolute;
	left:auto;
	padding:0;
	height:100%;
	width:100%;
	white-space:nowrap;
	text-align:center;
}
.m-shareSetXbox .m-xboxModule img {
	display:inline-block;
	margin:auto 0;
	vertical-align:middle;
}
.m-shareSetXbox .m-xboxModule img,.m-hdXbox .m-xboxModule .w-circle {
	vertical-align:middle;
}
.m-shareSetXbox .m-xboxModule .w-circle {
	position:absolute;
	right:0;
	top:50%;
	margin-top:-33px;
}
.m-shareSetXbox .m-xboxModule .w-circle-l,.m-shareSetXbox .m-xboxModule .w-circle-l:visited .m-shareSetXbox .m-xboxModule .w-circle-l:hover {
	left:0;
	right:auto;
}
.m-shareSetXbox .m-xboxModule .w-circle-l:active {
	left:3px;
}
.m-shareSetXbox .m-xboxModule .w-circle-r,.m-shareSetXbox .m-xboxModule .w-circle-r:visited .m-shareSetXbox .m-xboxModule .w-circle-r:hover {
	right:0;
	left:auto;
}
.m-shareSetXbox .m-xboxModule .w-circle-r:active {
	right:3px;
}
.m-shareSetXbox .m-xboxModule .xbox-topbtn {
	text-align:center;
}
.m-shareSetXbox .m-xboxModule .content-wraper {
	position:relative;
	width:100%;
	height:100%;
}
.m-shareSetXbox .m-xboxModule .xbox-picarea {
	position:relative;
	display:table;
	height:100%;
	width:100%;
}
.m-shareSetXbox .m-xboxModule .xb-imgP {
	display:table-cell;
	position:relative;
	*top:50%;
	*zoom:1;
	height:auto;
	vertical-align:middle;
}
.m-shareSetXbox .m-xboxModule .xb-imgP2 {
	position:relative;
	*top:-50%;
	*zoom:1;
}
.m-xboxModule .xbox-img,.m-xboxModule .xbox-topbtn {
	display:inline-block;
	*display:inline;
	*zoom:1;
	vertical-align:middle;
}
.m-shareSetXbox .m-xboxModule .picinfo-area,.m-shareSetXbox .m-xboxModule .picinfo-container,.m-shareSetXbox .m-xboxModule .picinfo-bg {
	position:absolute;
	bottom:0;
	left:0;
	right:0;
	z-index:9;
}
.m-shareSetXbox .m-xboxModule .picinfo-container {
	padding:15px;
	text-align:left;
}
.m-shareSetXbox .m-xboxModule .picinfo-bg {
	z-index:9;
	background-color:#000;
	filter:alpha(opacity=90);
	-moz-opacity:.9;
	-khtml-opacity:.9;
	opacity:.9;
	height:100%;
}
.m-shareSetXbox .m-xboxModule .pic-desc,.m-shareSetXbox .m-xboxModule .pic-camerainfo,.m-shareSetXbox .m-xboxModule .pic-author {
	position:relative;
	z-index:9;
}
.m-shareSetXbox .m-xboxModule .pic-desc,.m-shareSetXbox .m-xboxModule .pic-camerainfo {
	color:#999;
}
.m-modifyArea {
	padding:20px 25px;
	width:800px;
	height:30px;
	background-color:#fff5e7;
}
.m-modifyArea .i-textarea {
	height:28px;
	width:580px;
	vertical-align:middle;
}
.m-modifyArea .i-text {
	height:28px;
	width:580px;
	vertical-align:middle;
}
.m-picsetDescEditor {
	width:930px;
	height:100%;
}
.m-picsetDescEditor .i-textarea {
	margin-bottom:5px;
	height:80px;
	width:920px;
}
.m-descEditor {
	height:100%;
	width:auto;
}
.m-descEditor .i-textarea {
	margin-bottom:5px;
	height:80px;
	width:100%;
}
.m-singleWeibo {
	overflow:hidden;
	position:absolute;
	z-index:5;
	bottom:0;
	left:32px;
	height:30px;
	width:93px;
	visibility:hidden;
}
.m-singleWeibo .lay-bg {
	position:absolute;
	z-index:5;
	bottom:0;
	left:0;
	right:0;
	top:0;
	width:100%;
	height:100%;
	background-color:#000;
	filter:alpha(opacity=80);
	_background-color:#49423d;
	_filter:none;
	-moz-opacity:.8;
	-khtml-opacity:.8;
	opacity:.8;
	visibility:hidden;
}
.m-singleWeibo .lay-weibo {
	position:absolute;
	top:0;
	left:0;
	z-index:6;
	visibility:hidden;
}
.m-singleWeibo .lay-weibo a {
	position:relative;
	display:block;
	padding:10px;
	width:73px;
	white-space:nowrap;
	zoom:1;
}
.m-singleWeibo .lay-weibo b {
	margin-bottom:0;
	vertical-align:middle;
}
.m-singleWeibo .weibo-ico {
	display:inline-block;
	*display:inline;
	*zoom:1;
	vertical-align:middle;
	width:25px;
}
.m-singleWeibo .weibo-txt {
	display:inline-block;
	*display:inline;
	*zoom:1;
	margin-left:0;
	color:#9B9B9B;
}
.m-singleWeibo .lay-weibo a:hover {
	text-decoration:none;
	background-color:#555;
	_background-color:none;
}
.m-singleWeibo .lay-weibo a:hover .weibo-txt {
	color:#fff;
}
.m-singleWeibo .btnArea-weibo {
	overflow:hidden;
	position:absolute;
	z-index:6;
	bottom:10px;
	left:10px;
	-moz-border-radius:2px;
	-webkit-border-radius:2px;
	border-radius:2px;
	width:20px;
	height:20px;
}
.i-share-lofter {
	overflow:hidden;
	position:absolute;
	z-index:6;
	left:75px;
	bottom:10px;
	visibility:hidden;
	cursor:pointer;
	width:96px;
	height:20px;
	-moz-border-radius:2px;
	-webkit-border-radius:2px;
	border-radius:2px;
}
.i-share-lofter .lofter-bg,.i-share-lofter .lofter-txt {
	position:absolute;
	left:0;
	top:0;
	display:block;
	height:100%;
	width:100%;
	z-index:0;
}
.i-share-lofter .lofter-bg {
	background-color:#000;
	filter:alpha(opacity=80);
	-moz-opacity:.8;
	-khtml-opacity:.8;
	opacity:.8;
}
.i-share-lofter .lofter-txt {
	z-index:1;
	background:url(http://r.ph.126.net/share/images/common/ico_share_lofter_txt.png) no-repeat center center scroll;
}
.i-share-lofter-hover,.i-share-lofter:hover {
	visibility:visible;
}
.i-share-lofter-hover .lofter-bg,.i-share-lofter:hover .lofter-bg {
	filter:alpha(opacity=100);
	-moz-opacity:1;
	-khtml-opacity:1;
	opacity:1;
	background-color:#6c6e6a;
}
.m-singleWeibo-default {
	visibility:visible;
}
.m-singleWeibo-default .btnArea-weibo .lay-bg {
	-moz-border-radius:2px;
	-webkit-border-radius:2px;
	border-radius:2px;
	background-color:#000;
	filter:alpha(opacity=80);
	-moz-opacity:.8;
	-khtml-opacity:.8;
	opacity:.8;
	visibility:visible;
}
.m-singleWeibo-hover {
	height:320px;
	visibility:visible;
	z-index:7;
}
.m-singleWeibo-hover .lay-bg,.m-singleWeibo-hover .lay-weibo {
	visibility:visible;
}
.m-singleWeibo-hover .lay-weibo {
	left:0;
	top:0;
}
.m-singleWeibo-hover .btnArea-weibo .lay-bg {
	-moz-border-radius:2px;
	-webkit-border-radius:2px;
	border-radius:2px;
	background-color:#6c6e6a;
}
.m-singleWeibo-hover .btnArea-weibo .weibo-txt {
	color:#fff;
}
.m-singleWeibo .btn-weibo {
	overflow:hidden;
	position:absolute;
	z-index:6;
	width:20px;
	height:20px;
	line-height:0;
	text-align:center;
	font-size:0;
	-webkit-text-size-adjust:none;
	color:#fff;
	background:url(http://r.ph.126.net/share/images/ico/ico_shareSet_exif_weibo.png) no-repeat center -20px scroll;
}
.zcnt textarea {
	width: 100%;
	height: 100%;
	border: 0;
	outline: none;
	resize: none;
	padding: 5px 3px 5px 3px;
	box-sizing: border-box;
}
.zbtn{
	text-align: right;
}

redpajama_set_name: RedPajamaGithub


Civil Litigation Attorney in Naples, Florida - Edward Larsen, Esq.
Civil lawsuits are claims in which one person, company or entity sues another. Civil lawsuits are fundamentally different from criminal ones.
First, civil lawsuits are not brought by a prosecutor, district attorney or agent of the state, but instead are brought by an individual or an entity (like a corporation). Second, the remedies sought in civil lawsuits are generally limited to monetary damages, whereas criminal cases often lead to jail time. Special rules of court procedure apply to both civil and criminal cases and dictate what evidence is admissible and what must be proven for a plaintiff or a defendant to prevail.
Contact Edward L. Larsen, Esq.
Edward L. Larsen serves his clients in Southwest Florida with excellent legal representation and practical advice. Using over 20 years of knowledge and experience in litigation and conflict resolution, Mr. Larsen will handle matters effectively, while obtaining the best possible outcome for your case. Mr . Larsen assists with breach of contract, probate litigation, property disputes, and general council services.
If you require legal advice, private consultations or trial, Edward L Larsen, Esq. will be attentive to your needs in an efficient and reasonable way, while always seeking the justice you deserve.


Born in the mountain ranges of British Columbia, Canada, Nomad Nutrition is the culmination of a lifelong pursuit of wild places and good food.
Nomad sees a landscape where a passion for wild pursuits spurs environmental activism and is supported by an understanding of what humans need to feel and perform at their best. That means a deeper understanding of ourselves and our environment. It also means better food.
Their mission is to feed avid adventurers and their pursuits with locally crafted, wholesome and sustainable meals; to share their passion for clean, non-GMO sports nutrition; and to support local food producers whenever they can. In short, they've set a new standard for adventure meals.
Nomad's goulash is blissfully free of the old-world reliance on animal products.
Ingredients: Potatoes, Kidney Beans, Onions, Red Peppers*, Carrots, Lentils, Tomatoes, Olive Oil*, Mushrooms*, Garlic*, Smoked Paprika*, Spices*, Sea Salt*.
Nomad kicked things up with more heartwarming ingredients to satisfy any craving, anywhere in the world. This vegan version of a classic keeps your body fuelled and your taste buds happy. Power your trip with 14 grams of cruelty-free protein.
Ingredients: Potatoes, Carrots, Lentils, Coconut Milk, Onions, Peas, Olive Oil*, Sundried Tomatoes*, Garlic*, Spices*, Sea Salt*.
Traditional shepherd's pie might need the minced lamb to satisfy cravings, but Nomad's vegan version keeps your body fuelled and your taste buds happy. Power your trip with 12 grams of cruelty-free protein. Don't worry - we kept the potatoes.
Ingredients: Potatoes, Carrots, Coconut Milke, Lentils, Onions, Peas, Corn, Olive Oil*, Sundried Tomatoes*, Garlic*, Spices*, Sea Salt*.
Best backpack food for the soul. Nourish your body and your spirit with this energy-dense and flavourful Nepalese-style curry. Let this aromatic blend of spices, vegetables, and noodles infuse your soul and inspire your next adventure.
Ingredients: Potatoes, Chickpeas, Rice Noodles, Coconut Milk, Onions, Red Peppers*, Spinach*, Carrots, Mushrooms*, Sundried Tomatoes*, Olive Oil*, Garlic*, Sea Salt*.


Austen was born in Rochester, New York, and grew up in the nearby small town of Kendall. In 1999 he moved to Sydney, Australia, where he became a citizen in 2003. He returned to Rochester for high school and his undergraduate degree, studying at Brighton High School and the University or Rochester.
At UR, Austen obtained a BSc in Physics, as well as BScs in Mathematics, and Enviornmental Science, with a Certificate in Biophysics and Clusters in Philosophy, Political Science, and Chemistry. He was also a member of the Sigma Nu Fraternity, several honors societies (Sigma Pi Sigma, Sigma Gamma Epsilon, and the Order of Omega), and rowed crew for several years. Following the completion of his degrees, Austen stayed on an extra year as a part of the University's 'Take 5' program to study Environmental Economics and Political Science, graduating in 2011. In 2012, he obtained a MSc in Applied Mathematics, and moved back to Sydney, where he is currently pursuing a PhD in Applied Mathematics from the University of New South Wales part-time.
His past research has ranged from geophysics - performing paleomagnetic research on meteorite samples, to biomathematics - where he developed a model of the human eye, and is currently pursuing his thesis studying early-stage HIV infection. In various capacities he has also taught mathematics, physics, environmental science, economics, and persuasion and leadership skills at a university level.
He is also a frequent public speaker, giving talks to academic and business audiences on topics ranging from political communication to effective altruism. He has MC'd several weddings, and even given a sermon on one occasion.
He lives with his partner Sarah, and their dog Charlie, and enjoys hiking and reading whenever he gets the chance.
Austen is a freelance consultant who provides a wide range of services. While he started out in data science and analytics, his practice has expanded to included management consulting, persuasion and life coaching, business systems optimization, and political advocacy.
His clients range from private business, to non-profits, to universities. Currently he is engaged by a think tank to assist in several policy campaigns, a university where he gives a seminar on the science of persuasion, and a tech start-up company to help redesign their payment systems.
In addition to his consulting practice, Austen is a commissioned officer in the Australian Army Reserve, where he serves in the Royal Australian Electrical and Mechanical Engineers.
I would acknowledge that my career path is fairly atypical for someone with my formal training, but that my background in physics and mathematics have been invaluable in helping me achieve what I have been able to accomplish.
The critical thinking and quantitative skills I gained from my physics degree have proven their worth time and time again. Similarly, an understanding experimental design and how to analyze the resulting data has been exceptionally useful in settings far removed from the typical laboratory.
Having a degree in physics will set you apart from others in any field. A skill that is vital to add to that training is the ability to communicate effectively both verbally and in writing - practice speaking publicly, and learn how to explain difficult technical concepts to non-experts, and you will be wildly competitive in whatever endeavor you choose to pursue.


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THEIR EVIL KNOWS NO BOUNDS: TALIBAN EXECUTES 5 "SAVE THE CHILDREN WORKERS" AS ISIS KIDNAPS 120 SCHOOLCHILDREN TO BE TRAINED AS TERRORISTS
The Taliban or ISIS? Does it really matter? Radical islam is just evil and knows no bounds.
Killing aid workers is as low as they could go except now they've brought it down to the kid level…
Five aid workers who'd been kidnapped were found murdered:The bodies of five Afghan aid workers working for Save the Children were found on Friday, 39 days after their abduction by the Taliban in the central province of Uruzgan, a spokesman for provincial governor Dost Mohammad Nayab said.
ISIS KIDNAPS 120 CHILDREN:
The Islamic State group has abducted 120 schoolchildren in the embattled Iraqi city of Mosul, it was reported Sunday, and has transported the kids to an unknown location
According to Iraqi sources quoted by the German DPA wire service, the children, aged 12-15, were reportedly snatched from their classrooms and loaded on military vehicles by the Islamist extremists.
According to local reports, the abducted children were taken by IS to be trained as fighters for the terror group. The children of wealthy families are said to be ransomed back to their families for significant sums that can run into hundreds of thousands of dollars.
On Saturday, Islamic State fighters launched suicide attacks against the Baiji oil refinery, Iraq's largest, a senior army officer said. The jihadist group claimed it broke in but the Iraqi army said the site, which has been the scene of fierce battles since IS swept across the region last year, remained under its control.
The Islamic State group launched a massive offensive on northwestern Iraq in June and swept across much of the country's Sunni Arab heartland within days.
Counter-terror and other forces tasked with protecting the vital Baiji refinery held out and remained besieged for months.
VIA: GATEWAY PUNDIT
ARMED ANTIFA TERRORIST Manifesto Reveals Inspiration By Democrat AOC
VIDEO: Investigative Reporter of Epstein Case: Bill Clinton is "Not Telling the Truth"
THE PROBLEM WITH ILLEGAL IMMIGRATION…Explained As If You Were 5-Years-Old


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Acretongue - Ghost Nocturne (Midnight Edition) (2019)
ARTIST.... Acretongue
TITLE....... Ghost Nocturne (Midnight Edition)
STYLE...... Electro, Industrial, Synth
LABEL...... Dependent
QUALITY..... 320kbps / FLAC
COUNTRY... South Africa
It has taken Nico J. seven years to find the sound and the shape of a successor for his brilliant debut album "Strange Cargo", released in 2011. Now the long awaited "Ghost Nocturne" will see the light of day in February 2019, and the record matches the high expectations with ease. "Hypnotic" is the first word that comes to mind, when you intend to describe the music's reach and effect, but "Ghost Nocturne" branches out from there into different territory. Slowly, steadily, carefully Nico J expands his musical horizon.
A dreamlike, hypnotic state always seems to be the entry point of Acretongue's musical effects, but "Ghost Nocturne" is more diverse than its predecessor. Not only in terms of the vocals, which come across more varied, but also in the different ways in which it sets up its rhythmic structure and pace. The compositions surround its listeners like dreams, sometimes weird, sometimes upbeat, sometimes in slow pace, but always with surreal yet careful electronic precision and warmth. An electronic music Nocturne.
01. Abacus (4:54)
02. Requiem (5:27)
03. Endling's Call (5:42)
04. Nocturne I - Dawn Crimson (2:16)
05. Contra (4:05)
06. Nightrunner (5:37)
07. Minutia's Curse (4:09)
08. Nocturne II - The Drowning Hour (3:31)
09. Haven (6:03)
Bonus: Nightrunner EP
10. Nightrunner (Single Mix) (4:58)
11. Nightrunner (2nd Face Remix) (5:51)
12. Contra (Rotersand Rework) (4:03)
13. Nightrunner (Extended) (6:40)
14. Nightrunner (Architect Remix) (5:22)
15. Flowers In The Attic (Encephalon Remix) (5:16)
16. Night(t)error (3:30)
DOWNLOAD in 320kbps:
https://novafile.com/hojngip0aohc
DOWNLOAD in FLAC Lossless:
https://novafile.com/mz5edaona2kk
ALSO DOWNLOAD:
Acretongue - Strange Cargo (2011)
Acretongue - Nihil (2011)
Acretongue - Lowhover (2004)


For all of the World Baseball (kind of) Classic's shortcomings--playing a "world championship" during spring training tops our list--there still are plenty of reasons to watch. Try Derek Jeter, Albert Pujols, Ichiro Suzuki and Johan Santana. And Dontrelle Willis, Manny Ramirez, Carlos Beltran and Miguel Cabrera. Then there's the possibility of Team USA's Roger Clemens taking on the Cubans for the championship. If that's not enough to turn your goosebumps red, white and blue, perhaps you should hang on to the halfpipe or stick to the skeleton.
* Team USA, which will be based in Phoenix, won't play east of Maricopa County, Ariz.
HighBeam Business is operated by Cengage Learning. © Copyright 2015. All rights reserved.


Product prices and availability are accurate as of 2019-04-10 21:38:05 UTC and are subject to change. Any price and availability information displayed on http://www.amazon.com/ at the time of purchase will apply to the purchase of this product.
We are reluctantly selling the extremeley popular High Speed USB Data Sync Charger Charging Cable For Nintendo NEW 2DS LL / 2DS XL / 3DS XL / 3DS / DSi / DSi XL at a reduced price. Don't miss it - purchase the High Speed USB Data Sync Charger Charging Cable For Nintendo NEW 2DS LL / 2DS XL / 3DS XL / 3DS / DSi / DSi XL online today!


It's March!! Although this isn't notoriously the best weather month for Ohio, it does happen to be my very favorite month of the year. My birthday is this month. Adding to my excitement this year are a baby shower I'm throwing for my sister-in-law, and the release of The Hunger Games, a movie I've been anticipating for I don't even know how long.
With the arrival of March, it also seems as though I've regained my enthusiasm for cooking. I made some delicious meals last week that I can't wait to share with you, and I'm really excited about everything on our meal plan this week, too.
Monday: Grilled balsamic chicken with mozzarella and pesto, noodles with roasted cherry tomatoes, steamed asparagus. This chicken looks absolutely delicious. For the noodles, I'll just toss some thin spaghetti with butter, parmesan cheese, herbs, and the roasted tomatoes.
Tuesday: Buffalo chicken quesadillas. Jury's still out on what I'll serve with these, but I'm sure no matter what I decide on, these quesadillas will be the star of the meal.
Wednesday: Crock pot ranch pork chops, mashed potatoes, steamed broccoli. These pork chops are simple, delicious and flavorful -- a perfect Hump Day meal!
Thursday: Chicken and broccoli pockets, rice pilaf. I knew I'd be making these as soon as I saw them on Leigh's blog. We definitely have a mutual love of crescent rolls.
Friday: Salsa chicken taco salads. Everyone makes salsa chicken, it seems, and I'm eager to use it in a taco salad.
Saturday: Not-so-dirty dirty rice. I have a roll of spicy sausage in the freezer just waiting to be used in this rice. My friend Allison tried it and loved it, so I'm sure we will too.
Sunday: Burrito chicken enchiladas. We haven't had enchiladas for a while, and these look absolutely delicious.
can't wait to hear what you think of them!! And we are having the pork chops again too, very excited about those!!


Owners, users, regulatory and accreditation agencies are all demanding more from today's facilities. Safety, a comfortable environment, and reliable utilities are the primary demands of building occupants while owners and facilities personnel want cost effective, energy efficient systems that are easy to maintain. Both regulatory and accreditation agencies dictate the parameters for building performance in order to comply with indoor/outdoor environmental and public safety requirements. Global Engineering Solutions certified commissioning professionals ensure that a facility's mechanical, electrical, plumbing and life-safety systems function as designed, both at installation and throughout the life of the facility. In doing so, we assure all stakeholders that the facility provides a comfortable and safe environment, maximum operational efficiency, and regulatory compliance.
GES provided mechanical, electrical, plumbing and fire protection engineering and commissioning services for the adaptive reuse of two residential buildings for use as a headquarters office facility by The Links, Incorporated. The goal of the project was to create a state-of-the-art, energy efficient, sustainable facility that would support its mission of ensuring the cultural and economic survival of African Americans by providing world class office and meeting facilities. This is the first LEED Gold facility for an African American organization.


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Sun Life Financial continues to share the joy of music
Sun Life Financial continues to share the joy of music by expanding its Musical Instrument Lending Library program to Ottawa Public Library
Sun Life Financial Inc., Canadva News Wire
Sun Life Financial and the Ottawa Public Library will be launching a new musical instrument lending program to help share the joy of music. Grammy and Juno Award-winning Canadian music icon Ms. Sarah McLachlan will join us to announce the details of the Sun Life Financial Musical Instrument Lending Library program expansion in the nation's capital.
Ottawa Public Library, Main branch
120 Metcalfe St.
K1P 5M2
Ms. Sarah McLachlan, Grammy and Juno Award-winning Canadian artist
Mayor Jim Watson, City of Ottawa
Mr. Paul Joliat, Assistant Vice-President, Philanthropy & Sponsorships, Sun Life Financial
Mr. Tim Tierney, Chair, Ottawa Public Library Board
Ms. Danielle McDonald, CEO, Ottawa Public Library
The Sun Life Financial Musical Instrument Lending Library program is the first of its kind in the city of Ottawa and the sixth musical instrument lending library program supported by Sun Life Financial in a Canadian public library. This innovative program helps put musical instruments into the hands of more Canadians.


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University of Waikato Research
Management Papers
An illustration of the average exit time measure of poverty
Gibson, John; Olivia, Susan
Economics_wp_0204.pdf
Gibson, J. & Olivia, S. (2002). An illustration of the average exit time measure of poverty. (Department of Economics Working Paper Series, Number 4/02). Hamilton, New Zealand: University of Waikato.
The goal of the World Bank is 'a world free of poverty' but the most widely used poverty measures do not show when poverty might be eliminated. The 'head-count index' simply counts the poor, while the 'poverty gap index' shows their average shortfall from the poverty line. Neither measure reflects changes in the distribution of incomes amongst the poor, but squaring the poverty gap brings sensitivity to inequality, albeit at the cost of intuitive interpretation. This paper illustrates a new measure of poverty [Morduch, J., 1998, Poverty, Economic Growth and Average Exit Time, Economics Letters, 59: 385-390]. This new poverty measure is distributionally-sensitive and has a ready interpretation as the average time taken to exit poverty with a constant and uniform growth rate. The illustration uses data from Papua New Guinea, which is the country with the highest degree of inequality in the Asia-Pacific region.
Department of Economics Working Paper Series
Report No.
Management Papers [1125]


Cool fact I learned in the movie (though I had an idea is that the Bàb forbade his followers from attributing miracles to him.
Newspaper underneath? Grandpa Kasel always looked forward to the changing of Linoleum every couple decades as he'd have a winter's worth of reading between removal and installation.


Learn about our vendor partnerships, new product offerings, hybrid systems and more with All-Tex's video library—PVF TV. Check back frequently to view product demos, industry trend analyses and behind-the-scenes jobsite footage.
Get alerts when we release a new video plus the latest in market updates, special promotions and All-Tex news — sign up for the PVF Value Report today!


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Viacom, EchoStar End Dispute
Viacom Inc. and EchoStar Communications Corp. said today (March 11) they ended a contractual dispute, restoring CBS broadcasts to 1.6 million EchoStar viewers.
Viacom said that more than 9 million EchoStar viewers nationwide will be able to watch Viacom-owned cable networks including MTV, VH1 and CMT again.
The agreement follows EchoStar's Tuesday removal of CBS in 16 local markets and dropping of 10 Viacom national channels from its service, as the companies had failed to reach an agreement on contract terms by a particular deadline.
The new long-term agreement means that EchoStar will also air a new Viacom channel, Nicktoons, this spring. The satellite-television provider had previously balked at what it described as Viacom's demands that it carry channels such as Nicktoons in exchange for rights to broadcast CBS.
The pair, which have disputed for months, have also settled all litigation between them, according to a release issued by Viacom. They did not disclose the terms of the new pact.
EchoStar sued Viacom in January, charging it with illegally forcing the satellite-television provider to carry newer cable networks it did not want in exchange for the right to retransmit CBS television stations in 16 local markets.
--Reuters
Olivia Rodrigo on Waking Up to Taylor Swift's Instagram Comment: 'I Just About Died' | THR News


A panel of poets and editors will be reading selected works at Reader Con in July in Quincy, MA. Readers include Mike Allen, C.S.E. Cooney, Carlos Hernandez, Brittany Warman, Sara Cleto, and Sandi Leibowitz. We'll keep you posted once we learn the exact date and time!
Next PostNext Two New Books Being Launched This Summer!