It is preferable to have one or two 'one to one' sessions prior to commencing larger classes, although this is not essential.
Home Studio Classes – The studio can accommodate up to three people for mat classes. The space is relaxing, comfortable and warm and changing facilities are available. There is plenty of parking nearby and a separate entrance to the studio.
One to One Sessions – If you prefer to work individually these classes offer privacy and lots of personal attention. Sessions can be a 'one off' or booked as a block of five (at a discount).
Two to One Sessions – Sharing a class with a friend or partner. These very small classes allow for more individual attention and exercises are modified to suit each person individually. Sessions can be a 'one off' or booked as a block of five (at a discount).
Please give me a call and we can arrange a mutually convenient time.


text:
Harry Reid: Thesis, Antithesis, Synthesis
Andrew Sullivan excoriates Harry Reid:
I was arguing last night with someone about Harry Reid. Sharron Angle is a nutcase, obviously. But if I were a Nevadan and had the vote (nearly there), I really don't think I could vote for Harry Reid.
He is everything I hate about Democrats: incapable of making an argument, a face so weak it changes depending on the way the wind is blowing, a voice so sad you think he's a funeral director, a man whose appareance on television has never evinced any reaction from me but "where's the remote?" I just couldn't pull the lever for the guy. Sorry. So I won't be surprised if the nutjob wins. And a tiny part of me will feel a pulse of intense pleasure to see him go down.
Kevin Drum counters:
Harry Reid is an inside player, not a Sarah Palinesque bomb thrower. He's no good on TV. But guess what? Against monumental odds, he played the inside game pretty decently this term, shepherding a stimulus bill, a healthcare reform bill, and a financial reform bill through the Senate. And to do it, he needed to figure out how to deal with prima donnas like Ben Nelson, Joe Lieberman, Scott Brown, and Olympia Snowe without losing his sanity. These are some of the most infuriating, self-regarding people on the planet. Could you do it? I know I couldn't. Hell, I probably would have taken a swing at Lieberman on the Senate floor around September of last year.
Some how I agree with both of them. (Except for Sullivan's bit about not voting for him against Angle.) I've had one chance to interact with Reid, in an off-the-record setting, and I was monumentally unimpressed. And even in public he habitually says wildly stupid things, like referring to Chris Coons as his "pet."
Yet somehow, as Drum points out, he managed to herd 60 cats in the Senate when many of us long ago would have gouged our eyes out in frustration. How does he do it? Is sheer incomprehension of the cowardice and crassness surrounding him part of his secret? I don't know.
Jonathan Chait, Harry Reid, Andrew Sullivan

redpajama_set_name: RedPajamaCommonCrawl


More than half of adults aged over 45 will be labelled as hypertensive if new US guidelines are adopted, concludes a study in The BMJ this week (doi:10.1136/bmj.k2357). This equates to 70 million people in the US and 267 million people in China being eligible for antihypertensive drugs, a marked increase on already high rates of drug treatment for high blood pressure. Furthermore, the study calculates that 7.5 million people in the US and 55 million in China would be advised to start drug treatment, while 14 million in the US and 30 million in China would be advised to receive more intensive treatment. The evidence from trials indicates some benefit from drugs in terms of reduced risk of stroke and heart disease, but is mass medication really what we want?
Hypertension is just one of the many heads of the lifestyle disease hydra. Another is type 2 diabetes. Once thought to be irreversible and progressive, it is now known to be potentially reversible through weight loss. This is the cautious conclusion of the review by Nita Forouhi and colleagues (doi:10.1136/bmj.k2234), part of our series on the science and politics of nutrition (bmj.com/food-for-thought). Whether by calorie or carbohydrate restriction, weight loss has been shown to improve glycaemic control, blood pressure, and lipid profile and is the key to treatment and prevention of type 2 diabetes, they say.
This is an appalling prospect. All health systems are under pressure, and it's right that we stop doing things that don't work, as Ann Robinson finds (doi:10.1136/bmj.k3028). But pills can't be the answer to diseases caused by unhealthy living. As well as unsustainable cost for often marginal benefit, they always cause harm. Rather than medicating almost the entire adult population, let's invest our precious resources in societal and lifestyle change, public health, and prevention.
Nonalcoholic steatohepatitis drug pipeline overview. Pharmacy Times. Sep 2016. https://www.pharmacytimes.com/contributor/ryan-chandanais-ms-cpht/2016/09/nonalcoholic-steatohepatitis-drug-pipeline-overview.


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Online learning « Knapp I.T.
Many of my fellow freelance instructors love the convenience of teaching via an online modality (Webex, NetMeeting, Elluminate, etc.). Online classes mean that instructors can teach from their home offices, and students can take the class from anyplace with a 'net connection.
On the surface, it sounds great. Nobody pays for travel, and the instructor gets to wear bunny slippers; everyone wins! :-) Except… not. Student pass rates are lower when students take the class via an online method. Why is that?
My best guess is student engagement. When sitting in front of a PC with speedy 'net access all day, it is pretty fair to assume most students are going to play with Facebook in another tab. ITIL is a dry topic, and even the best instructor is no match for Farmville.
I'm known for talking with my hands almost as much as I do with my mouth. I flail, I point at things, I gesture and jump around while I teach in a classroom setting. I also hang things on the walls that represent different phases of the service lifecycle, so when I say "Service Design" I can point to that phase and students can quickly remember what Service Design looks like and how it fits in with everything else. The problem is, some of that isn't really possible via online learning. The flailing works OK, but the pointing at things hung on the wall… not so much.
Students simply cannot get the same quality of training via an online method as they can in a classroom. Any sales rep that says otherwise has never taken ITIL both in a classroom and via online-live and then done a comparison. This means they are trying to sell you a product they don't understand. This is not cool.
To be fair, I think online training works great for certain types of training; lab-based training (e.g., Outlook) is fine… but lecture-based? No way.
Again, sales reps will think the opposite: "Lecture-based classes are the obvious choice, because students don't have to do anything but sit back and absorb." Not true. Lecture-based classes like ITIL Foundations work much better when the instructors and students can have a dialogue; exchanging ideas, questions, group exercises, conversations with body language, nuances, expressions, and laughs. We need to apply this ITIL stuff to students' lives or it isn't going to stick… and it's hard to do that even with sophisticated systems with tons of interactive functionality like WebEx and Elluminate. There simply is no substitute for being in a classroom for a topic such as ITIL.
Some training companies offer online training at a reduced rate, which I think is terrific. Students aren't getting as much, so they shouldn't have to pay as much. Training companies that offer no discount for their online training vs. their in-person training are slimy. Don't choose them. It's like paying for a 1.75 quarts of ice cream and only getting 1.5 quarts. Sneaky. Uncool.
Service Level Management teaches us that customers can have anything they want, provided they pay for it. You want fresh flowers delivered every time a desktop technician works on your computer? Fresh flowers you shall receive, because that is what you have negotiated and paid for, as shown in your SLA. "Service Level Management works with customers to ensure expectations and service quality match," right? So don't expect riveting, engaging, interactive, fun, thoughtful training in an online environment… you're not going to get it… so you certainly shouldn't be paying for it. If a sales rep tries to tout online training as a benefit and not as the reduction in service that it truly is, you are being duped.
This isn't to say students can't have a good experience via an online class. Online students should expect clear, straightforward, no-frills, Powerpoint-intensive instruction with minimal interaction via an online method. If a student is disciplined to shut Facebook off, then it's do-able. But the moment another browser window is open, all bets are off.


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Cynthia Nixon Says ICE Is a 'Terrorist Organization,' Calls for Its Abolition
Hannah Gold
Filed to:ABOLISH ICE
On Thursday evening, New York gubernatorial candidate Cynthia Nixon was speaking at a church on Manhattan's Upper West Side where Debora Vasquez-Barrios, an undocumented immigrant, is taking sanctuary after ICE (Immigration and Customs Enforcement) officers threatened to deport her. Vasquez-Barrios, who has two small children, faces deportation after she failed to procure a driver's license during a traffic stop instigated by ICE agents.
Not only did Nixon call for the abolition of ICE, as she has before, she also called ICE a "terrorist organization." The full quote being (according to NY1 News):
"ICE has strayed so far away from its mission. It is supposed to be here to keep Americans safe but what it has turned into frankly is a terrorist organization of its own that is terrorizing people who are coming to this country.
Earlier in the day, Nixon appeared on The View, where she also expressed her desire to abolish ICE in similar, though slightly less truculent, terms. Nixon said, "I think it's important to know also parents and children aren't just being separated at the border. They are being separated throughout this country by ICE. I think we need to abolish ICE. That seems really clear. They have strayed so far from the interests of the American people and the interests of humanity."
And, no, current New York Governor Andrew Cuomo does not support abolishing ICE. When asked about the issue earlier this week, Cuomo reportedly said, "No, I think ICE should be a bonafide law enforcement organization that prudently and diligently enforces the law."
To my mind, calling ICE a terrorist organization could be a useful bit of rhetoric if it gets people more fired up about the agency's mistreatment and abuse of immigrants. Unequivocally, abolish that shit.
contributing writer, nights


text:
ATab low-cost Android education tablet launched in India, at Rs. 5,000
AcrossWorld Education, in collaboration with Go-Tech, has launched a 7-inch Android tablet in India, called ATab, priced at Rs. 5,000.
By Digit NewsDesk | Published 01 Mar 2012 20:53 IST
AcrossWorld Education, in collaboration with Go-Tech, has launched a 7-inch Android tablet in India, called ATab, priced at Rs. 5,000. The tablet will come with free access to online educational resources from AcrossWorld Education as well.
Specs of the ATab include a 7-inch touschreen, a 1.1 GHz processor, 512MB of RAM, 2GB of built-in storage expandable via microSD up to 16GB, as well as Wi-Fi and 3G (via USB dongle). Colour options for the ATab will also be available, which will help its "appeal to the younger generation." We expect it will be running Android 2.3 Gingerbread, and the touchschreen to be resistive. When it arrives in the second week of March, the ATab will join other budget-tablets in India, like the BSNL Penta T PAD IS 701R and the education-oriented Aakash.
The ATab comes with three-years of free access to EducationBridge, which will allow give institutions, teachers and students a platform with which share content and educational resources, and "connect, collaborate, and innovate."
AcrossWorld Education will provide professional services to institutions for the deployment of the EducationBridge platform. According to the company, many schools and colleges from various Indian cities have already shown interest in the tablet and platform. Some schools have already partnered with AcrossWorld Education.
Dr. Stephan Thieringer, President and CEO of AcrossWorld, spoke on the launch of the tablet:
"Open Source is the future of education. With the availability of ATab, Indian schools will be able to discover and leverage world-class educational content at their fingertips at the K-12 level itself as well as at the college and University level. It is very timely and appropriate that India schools and colleges alike seriously explore advanced technology solutions that provide instant access to the world's best educational resources , especially now within an affordable budget."
Digit NewsDesk
Email Digit NewsDesk
About Me: Digit News Desk writes news stories across a range of topics. Getting you news updates on the latest in the world of tech. Read More
low-cost tablet budget tablet low-cost Android tablet Aakash BSNL Penta T Pad IS 701R ATab AcrossWorld Education Go-Tech AcrossWorld education tablet
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text:
Q: I need to remove SKU, Inventory, Shipping from vendor dashboard and edit product template in Dokan Pro My shop will be selling all digital items
I'm currently on the vendor edit product page of Dokan and there are some options I would like to remove. Such as the description, SEO, Inventory option, linked product, shipping, tax, discount, and other option. Please help me out.

A: You can do it by overriding the template. The file location is dokan-lite/templates/products/new-product-single.php, inventory.php. Follow this post to know how you can override template file via child-theme: https://wpdoctor.press/overriding-dokan-plugin-template-easy/
Thanks!

A: .dokan-product-inventory.dokan-edit-row {
        display: none !important;
    }

#dokan-product-list-table td:nth-child(5),
#dokan-product-list-table td:nth-child(6),
#dokan-product-list-table th:nth-child(5),
#dokan-product-list-table th:nth-child(6)
{
    display: none !important;
}

redpajama_set_name: RedPajamaStackExchange


Mining techniques can play an important role in automatic image classification and content-based retrieval. A novel method for image classification based on feature element through association rule mining is presented in this chapter. The effectiveness of this method comes from two sides. The visual meanings of images can be well captured by discrete feature elements. The associations between the description features and the image contents can be properly discovered with mining technology. Experiments with real images show that the new approach provides not only lower classification and retrieval error but also higher computation efficiency.
Along with the progress of imaging modality and the wide utility of digital image (include video) in various fields, many potential content producers have emerged, and many image databases have been built. In addition, the growth of Internet and storage capability not only increasingly makes images a widespread information format in World Wide Web (WWW), but also dramatically expands the number of images on WWW and makes the search of required images more complex and time consuming. To efficiently search images on WWW, effective image search engines need to be developed.
Since images require large amounts of storage space and processing time, how to quickly and efficiently access and manage these large, both in the sense of information contents and data volume, databases has become an urgent problem to solve. The research solution for this problem, using content-based image retrieval (CBIR) techniques, is initiated in the last decade (Kato, 1992). An international standard for multimedia content descriptions, MPEG-7, is also formed in 2001 (MPEG). With the advantages of comprehensive descriptions of image contents and consistence to human visual perception, research in this direction is considered as one of the hottest research points in the new century (Castelli, 2002; Zhang, 2003; Deb 2004; Zhang 2007).
Among the many research topics in CBIR, automatic image classification (categorization) plays an important role both for Web image searching and retrieving (classification and retrieval are closely related), as it is time consuming for users to browse through and treat the huge data on Web. A successful image classification will significantly enhance the performance of the content-based image retrieval system by filtering out images from irrelevant classes during matching. Classification has been used to provide access of large image collections with more efficient manner because the classification can reduce search space by filtering out the images in unrelated category (Hirata, 2000).
Pre-processing: It is one of the most important steps in Web mining. It includes data purging, user recognition, dialog recognition, and event recognition.
Pattern discovering (Mining algorithm): It uses statistical analysis, association rule, clustering, and classification.
Pattern analysis: It transforms the rules, patterns and statistical values into knowledge. By using this knowledge, valuable patterns (interesting rules, patterns) can be obtained.
Traditional mining techniques often generate huge amounts of numeric data that could be difficult to interpret and use. Visual mining transforms raw data into visualization and makes it easier to understand the meaning of data and make suitable decisions, in addition to opening the world of visual tools to a much broader audience (Soukup, 2002).
Web Mining: Concerned with the mechanism for discovering the correlations among the references to various files that are available on the server by a given client. Each transaction is comprised of a set of URLs accessed by a client in one visit to the server.
Web Image Search Engine: A kind of search engines that start from several initially given URLs and extend from complex hyperlinks to collect images on the WWW. Web search engine is also known as Web crawler.
Multi-Resolution Analysis: A process to treat a function (i.e., an image) at various levels of resolutions and/or approximations. In such a way, a complicated function could be divided into several simpler ones that can be studied separately.
Classif ication Rule Mining: A technique/procedure aims to discover a small set of rules in the database to form an accurate classifier for classification.
Similarity Transformation: A group of transformations that will preserve the angles between any two curves at their intersecting points. It is also called equi-form transformation, because it preserves form of curves. A planar similarity transformation has four degrees of freedom and they can be computed from two-point correspondence.
Pattern Recognition: Concerned with the classification of individual patterns into pre-specified classes (i.e., supervised pattern recognition), or with the identification and characterization of pattern classes (i.e., unsupervised pattern recognition).
Pattern Detection: Concerned with locating patterns in the database to maximize /minimize a response variable or minimize some classification error (i.e., supervised pattern detection), or with not only locating occurrences of the patterns in the database but also deciding whether such an occurrence is a pattern (i.e., unsupervised pattern detection).


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Shadows That Shine
"It's the songs that will last" – Phil Ochs, 1966
A Phil Ochs Thing
Bibliography etc
I Ain't Marching Anymore
Days of Decision
(Art and words by Lindsay Mercer)
This rather rousing tune came out on Phil's second album, I Ain't Marching Anymore. The lyrics are direct and specific. Phil is calling you and you have absolutely no excuse not to join him. The movement is already happening, and you will either join them or be trampled along with the other side. There is no uninvolved third party. This idea that the apathetic are the problem and almost more dangerous to the movement is seen throughout Phil and his contemporaries' work. Love Me I'm a Liberal deals with this idea that those claiming to be liberal are in fact doing nothing to help the movement move forward and in fact are hindering it from doing so. It is the "If you're not part of the solution, you're part of the problem" mentality.
Phil's voice is strong, clear, and confident. This voice resonates as a natural leader, calling the audience to join him and join the movement. This joining does not involve paper work and there are neither stickers nor buttons; when you join this movement you are pledging action. These words are a call for action, "for these are the days of decision."
The eight verses all end with the tagline "for these are the days of decision." This structure is straightforward, giving examples of what they are going to do and why it needs to be done; then bringing it back to the familiar title line. This structure brings the audience and the speaker back together at the end of each verse, unifying the group as a whole. As the members of the audience begin to recognize that singular line, they are allowing the phrase to sink down into their minds and become familiar with the idea that these are indeed the days of decision. If the audience remembers anything from this song, it will be this line, this bold statement of their own obligation.
The youthful hopefulness, the confidence that change will happen because of him and because of the movement, is looking to the future. There are few references to the past and the heinous crimes that need to be revenged. Instead, the focus is on the glorious act of free rebellion that will ensue, and in fact are already beginning. This song is not about the past, unlike many of Phil's other songs. The idea of calling the audience to action is certainly not unique to this song, within Phil's work alone there are many other examples. But what sets Days of Decision apart is its purity. This song trusts that you, the audience, already understand the direness that is the state of the country and the song is simply calling you to act upon these readily known thoughts and feelings. This song is a song to rally the troops of rebellion. This song is not about anger, but excitement. Unlike I Ain't Marching Anymore, In The Heat of Summer, Links on the Chain, or Here's to the State of Mississippi (all of which are on the same album as Days of Decision) the focus of the song is not on the "other" side. The only line directly referencing such an event comes in the second to last verse, when the audience is already well enthused and has already mentally joined the cause. This line "the three bodies buried in the Mississippi mud" comes as a last reminder of exactly why you must join them, to combat the "warning of the bullet and the blood."
To finish the song, to close this battle cry of the rebellion, Phil sings one of the most articulate calls to arms to come out of the 1960's. What it took Bob Dylan to say in five verses in The Times They Are a Changin', Phil says in four simple and direct lines;
"There's a change in the wind, and a split in the road
You can do what's right or you can do what you are told
And the prize of the victory will belong to the bold
Yes, these are the days of decision."
The confidence Phil exhibits in his belief in the movement is seen in his singing and playing. He embodies the youthful hopefulness, and also the naivety of the movement at this time. Unknowing of what is ahead, the only thing that Phil knows for certain is that there is injustice, and he and everyone else must stop it.
Tagged Phil Ochs
The Ballad of the Carpenter (Ewan MacColl)
"What memories hallowed by a thousand sunny recollections, does not the name of Christ recall. The greatest reformer of his time—the grandest character the world's history possesses. The holiest and hence purest of men: by some a hero, by others a divinity. The God-man. Nazareth. Jerusalem. The alpha omega of His divine life. . . . What adds luster to all His greatness and beauty is the fact that He was a poor humble carpenter—a son of toil, thus adding honor and dignity to the man who labors by the sweat of his brow. That all should do so is a command of God. He who shirks this responsibility is a drone, a clog upon the wheels of life. . . . To point with pride that the greatest, the holiest and grandest of men was a lowly workingman of the bench, the man of hammer and nails, and whose greatest heritage and glory was that same fact . . . proves that divinity is near the laborer, the man who works for his daily living, than the debauched cruel selfishness of wealth. . . . It proves that the cause of Labor is holy; that God honored and dignified it, and as such is the grandest heirloom given unto man. . . . Then, to defend labor is a virtue. To deprive it of lawful rights, to strangle it by insideous laws, reptilish and barbarous, an evil, a sin, and a crime against the mandates of the Creator himself. In such a cause prison bars are jewels grand; prison cells consecrated halls to God and man.! . . .
Murphy O'Hea, "Christ," The Railway Times, 1 November 1895.
The Ballad of the Carpenter may have been the most blatant song Phil recorded about Jesus, but it is far from the only reference Phil would make to the alleged son of God.
Jesus appears to have been a favourite topic for early-sixties folk singers. In his sleeve notes to his album 'Where Have All The Flowers Gone?' Pete Seeger wrote "Once again, the metaphors in that great old book, The Bible, keep getting reworked". Simon And Garfunkel's debut, 'Wednesday Morning 3 A.M.' for example contains several Christian-lite songs, such as You Can Tell The World and Go Tell It To The Mountain (and also contains Last Night I Had The Strangest Dream, which also made its way into Phil's earliest sets, and I used to sing in Welsh in school). It's a little odd to be honest. Not only does the apparent conservatism of Christianity sit uneasily with the bohemian style that was all the rage, but both Paul Simon and Art Garfunkel are Jewish, as was Phil Ochs. Then again, so was Jesus. There is not a single mention of Phil's Jewishness in any of his songs.
And yet Jesus is everywhere.
In Here's To The State Of Mississippi (as well as Here's To The State Of Richard Nixon of course) he appears as a symbol of fallen idols and as a contrast with the brutish forces of hate; "the fallen face of Jesus is chocking in the dust". In Ringing Of Revolution he appears as a symbol of hopelessness, "everything is lost as they kneel by the cross, where the blood of the Christ is still flowing". In Christmas In Kentucky he is a symbol of empathy; "But if you knew what Christmas was, I think you would find, that Christ is spending Christmas in the cold Kentucky mine". And in Where There's A Will There's A Way, he's a civil rights symbol; "he went around the countryside preaching brotherhood". Other symbols of Christianity also turn up in songs such as The Iron Lady, If I Knew, Rivers Of The Blood, The Passing Of My Life, As I Walk Alone, William Moore and Lou Marsh.
A line is drawn between Jesus (and his message) and modern Christianity in The Cannons Of Christianity, suggesting that the Jesus that was such a positive symbol to Phil's generation may not have been the same bloke that Billy Graham was banging on about.
Phil's key Jesus song however was Crucifixion, where Jesus becomes a symbol of all who become a victim of society's bloodlust. Perhaps what is crucial here, is Phil's weakness for martyrdom, of dying for a cause and having a cause worth dying for, a theme that is apparent in songs such as Joe Hill, The Bullets of Mexico, Lou Marsh and A Toast To Those Who Are Gone. Jesus then, emerges as the greatest martyr of all, a symbol far removed from the Jesus of conservative Christianity. I can't help feeling that there is an element of mischief is the appropriation of Jesus as a Socialist hero. With Christianity as the bedrock of Conservative American society, calling into question the role that Jesus's teaching has played in forming the reactionary values of the American Right may serve to call into question the values themselves.
Ewan MacColl's Jesus that emerges in The Ballad of the Carpenter is also a different one to the one that Phil refers to. MacColl notices how "wealth and poverty, live always side by side". Jesus, gathers together working people and tells them "this world belongs to you". His crime, the crime that leads him to the cross, was to anger the "rich men". This theme is also present in Woody Guthrie's "Christ For President",; "the only way you can beat, these crooked politician men, is to run the money changers out of the temple, and put the carpenter in" and his "Jesus Christ" where it's "the bankers and the preachers" who "nailed Him to the cross". This is Jesus as Socialist hero.
Phil's Jesus is less political and more simply symbolic; of purity, of martyrdom, of solidarity. It is perhaps worth noting that much of the politics of the civil rights movement was borne of the black churches. It was after all the politicised black church that gave the world Dr Martin Luther King. Mark A. Noll's book "God and Race in American Politics" faetures an exchange between Howard Thurman, former dean of the chapel at Howard Divinity School, and a member of Gandhi's "circle" that helps illustrate the the way in which the black church viewed Jesus;
"You have lived in a Christian nation in which you are segregated, lynched, and burned. Even in the church, I understand, there is segregation…I am a Hindu. I do not understand. Here you are in my country, standing deep within the Christian faith and tradition. I do not wish to seem rude to you. But, sir, I think you are a traitor to all the darker peoples of the earth. I am wondering what you, an intelligent man, can say in defense of your position.
Thurman's reply described a Jesus who was poor, outcast and despised by the elites of the world, but in whom all the poor, outcast and despised of the world could hope. Those who read Thurman in the 1940s found him promoting belief in the "literal truth of God" but also exploringthe religious implications of social, economic and political conditions".
While the likes of Thurman (as well as Guthrie and MacColl) sought to politicise Jesus, with Phil it was more a case of secularising Him. The debate regarding whether Jesus would have been pro or anti-Capitalism has became rather wearing. Jesus has long became whatever you may want him to be. The fact that the Bible inspired both Dr King and the KKK is testament to this.
Idealistic it may have been, but the notion of Jesus as an idol of the protest kids was obviously a powerful one. In contrast, there appeared little currency in utilising Jewish symbols, despite the prevalence of Jewish singers in the New York scene. It is perhaps no coincidence that David Cohen and Robert Zimmerman would de-Jew their professional names, becoming David Blue and Bob Dylan respectively. Similarly Ramblin' Jack Elliot was born Elliott Charles Adnopoz. Phil's only reference to Jews in his songs is in The Harder They Fall, which playfully, though somewhat inexplicably, refers to Mother Goose "stealing lines from Lenny Bruce, drinking booze and killing Jews" (perhaps a reference to the Goose stepping of the Nazi's?). It may have been simply that Phil's Jewishness was caught up too much in his antipathy towards his parents, that the Jewishness was theirs, and something that he had no apparent interest in. Indeed Marc Eliot notes that "being Jewish meant nothing to [the Ochs children], other than getting off school for the Jewish holidays". And yet his Jewishness was a fact, and one that he seemingly chose to overlook throughout all the many songs he wrote. Christianity, or rather Jesus the man, was a far more popular, even cool, symbol. Jewishness, for whatever reason, was not. Phil would describe his young self as an "American nebbish" and referred to himself in a Broadside interview as a "comfortable, middle-class, Jewish guy" and yet never mentioned this in any song (though he did write a song called The Ballad of The Jewish Mafia, that was about Sonny Liston).
In seeking to identify himself as a progressive American patriot, Phil's Jewishness became sidelined. Perhaps it's a simple case that Jewishness wasn't an aspect of Phil's identity that meant anything to him, much in the same way that being from Texas didn't. In singing this song – the only cover version to appear on any of Phil's studio albums – Phil was reaffirming a part of his identity that he was most certainly keen to promote – that of the left-leaning folk-singer. This isn't just a case of Phil singing a song about Jesus; this is also Phil aligning himself with Ewan MaCcoll. Having written so many songs by this point and with so many unrecorded, it seems odd that Phil should choose to record a song written by somebody else. There is more going on here though than simply singing a song that he liked.
As reported in Broadside #51
In the sleeve notes to I Ain't Marching Anymore Phil writes that "The state department has a nasty habit of blocking the entrance of Ewan MacColl into this country". In the early 1960s Ewan MacColl was refused entry to the United States. According to Peggy Seeger, he was shown a six-inch dossier by the American Consul in London of all the surveillance reports they had on him, supposedly dating back to 1929. This was Phil's way of paying tribute to someone who was fast on the way to becoming something of a martyr himself.
Some ten years later Phil would cover MacColl's Shoals of Herring, a beautiful song about fishermen in Norfolk, England. The contrast between the Phil Ochs who sang MacColl's song about Jesus and the one who sang his song about fishermen is heartbreaking.
Tagged Ewan Maccoll, Jesus, Phil Ochs
Farewells (and fantasies, folks)
Flickering Thoughts #3
The Marines Have Landed On the Shores of Santo Domingo
Cops of the World
Phil Ochs In Concert
Songs Of Innocence


text:
Q: iOS - Trigger Local Notification when message is received I'm building an app that allows its users to send each other messages. When a new message is received, it appears in the current user's Table view. I want my app to send the current user a notification when a new message arrives. Does anyone know how I might go about doing this?
I have notifications set up in my AppDelegate already:
appdelegate.m
- (BOOL)application:(UIApplication *)application didFinishLaunchingWithOptions:(NSDictionary *)launchOptions {

    // Let the device know we want to receive push notifications
    [[UIApplication sharedApplication] registerUserNotificationSettings:[UIUserNotificationSettings settingsForTypes:(UIUserNotificationTypeSound | UIUserNotificationTypeAlert | UIUserNotificationTypeBadge) categories:nil]];
    [[UIApplication sharedApplication] registerForRemoteNotifications];
}

and I know the below code will allow me to fire a notification at a specified time (e.g. set by a picker):
 // Get the current date
    NSDate *pickerDate = [self.datePicker date];

    // Schedule the notification
    UILocalNotification* localNotification = [[UILocalNotification alloc] init];
    localNotification.fireDate = pickerDate;
    localNotification.alertBody = self.itemText.text;
    localNotification.alertAction = @"You are being notified!";
    localNotification.timeZone = [NSTimeZone defaultTimeZone];
    localNotification.applicationIconBadgeNumber = [[UIApplication sharedApplication] applicationIconBadgeNumber] + 1;

    [[UIApplication sharedApplication] scheduleLocalNotification:localNotification];

    // Request to reload table view data
    [[NSNotificationCenter defaultCenter] postNotificationName:@"reloadData" object:self];

    // Dismiss the view controller
    [self dismissViewControllerAnimated:YES completion:nil];

How do I make a notification occur however when a new message is posted to the server (and appears in the tableview) for the logged in user?

A: - (BOOL)application:(UIApplication *)application didFinishLaunchingWithOptions:(NSDictionary *)launchOptions {
       UIUserNotificationSettings *settings = [UIUserNotificationSettings settingsForTypes:(UIUserNotificationTypeBadge|UIUserNotificationTypeSound|UIUserNotificationTypeAlert) categories:nil];
    [[UIApplication sharedApplication] registerUserNotificationSettings:settings];}

If your system is iOS8, you need to register permission.
UILocalNotification * notification = [[UILocalNotification alloc] init];
    NSDate * pushDate = [NSDate dateWithTimeIntervalSinceNow:Time];
    if (notification!=nil) {

        notification.fireDate= pushDate;

        notification.timeZone = [NSTimeZone defaultTimeZone];

        notification.repeatInterval = kCFCalendarUnitDay;

        notification.soundName = UILocalNotificationDefaultSoundName;

        notification.alertBody = @"Time O.K!";
        NSLog(@"Ready");

        notification.applicationIconBadgeNumber = 1;
        //notification.applicationIconBadgeNumber = [[[UIApplication sharedApplication] scheduledLocalNotifications] count]+1;

        NSDictionary * inforDic = [NSDictionary dictionaryWithObject:@"name" forKey:@"key"];
        notification.userInfo =inforDic;

        [[UIApplication sharedApplication] scheduleLocalNotification:notification];
    }

You can have a try,this code I can successfully use on my device.


A danger foreseen is half avoided. If you are prepared to face a problem or difficulty, it will be easier to deal with. A day of sorrow is longer than a month of joy.
A Danger Foreseen Is Half Avoided quotes - 1. A danger foreseen is half avoided Read more quotes and sayings about A Danger Foreseen Is Half Avoided.


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"To the world,you may be one person;but to one person you may be the world!" - Jana
Art: Movies
Man with a Movie Camera vs Run Lola Run
Date Submitted: 01/28/2010 10:08 AM
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Andre Parfeniuk
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The Impact of Dziga Vertov on Film
" The main and essential thing is : the sensory exploration of the world through film. We therefore take as a point of departure the use of the camera as a keno-eye, more perfect than the human eye, for the exploration of the chaos of visual phenomena that fills space."
- Dziga Vertov , Manifesto The Council of Three (1923)
The innovative theories and filmmaking techniques of Dziga Vertov revolutionized the way films are made today. Man With a Movie Camera (1929), a documentary that represented the peak of the Soviet avant-garde film movement in the twenties, displayed techniques in montage, creative camera angles, rich imagery, but most importantly allowed him to express his theories of his writings of Kino-eye (the camera). The film has a very simple plot that describes an average day in Russia, yet the final pieces of this film emerge a complex and fast-paced production that excites the audience. Vertov's ability to use radical editing techniques with unconventional filming to present ordinary things has inspired many directors around the world. And still now modern avant-garde movies apply many of these same techniques to dramatize simple and complex stories.
Vertov was one of the greatest innovators of Soviet cinema in the post WWI era. During this time, the freedom to make films was limited due to low stock of supply. Vertov and his colleagues had to be very creative and innovative if they were going produce anything at all. 'The Kuleshov Workshop', a workshop class at the Moscow Film School led by Lev Kuleshov included famous Soviet filmmakers like Vsevolod Pudovkin and Sergei Eisenstein, but excluded Vertov. This is significant to the fact that Vertov was very different than any other Russian director. Unlike the other Russian filmmakers, Vertov usually captured people with a candid-camera that allowed him to...
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Arun Varghese has more than 15 years of experience in environmental modeling, environmental statistics, predictive analytics, data mining, regulatory support, and economic cost-benefit analyses.
Mr. Varghese has served as technical lead on deterministic and probabilistic ecological risk assessments, human health risk assessments, environmental fate and transport modeling, computational toxicology, statistical analyses of environmental data, water quality standards development support, environmental sampling design, and miscellaneous statistical and regulatory support to U.S. regulatory agencies. His work has included performing complex quantitative analyses involving the application of advanced techniques from the rapidly evolving landscape of analytics and data mining algorithms.
Mr. Varghese recently led the development of a standalone desktop application aimed at making accessible to nontechnical users complex natural language processing and machine learning-based algorithms designed to automatically classify and cluster large volumes of toxicological abstracts.
Health Research is Time-Consuming and Expensive. Can We Do Better Without Compromising Accuracy?


ALDI Stores (A Limited Partnership) ABN 90 196 565 019) ("ALDI Stores") is committed to complying with applicable privacy laws (including the Privacy Act 1988 (Cth)), which set clear standards relating to our collection, storage, use and disclosure of any personal information we obtain as part of our business operations.
ALDI Stores recognises the importance of privacy and our respect for our customers' and other individuals' right to privacy of their personal information is paramount. We have policies and procedures to ensure that all personal information is handled by us in accordance with applicable privacy laws.
ALDI Stores collects personal information from customers, employees, contractors, agents and other individuals. We collect this information when it is necessary for business purposes.
any other personal information you submit to us.
The personal information we collect may be provided on forms filled out by individuals (including when you register on an ALDI Stores website and when you agree to purchase products from us), when you visit an ALDI Stores website, in face-to-face meetings, email messages, telephone conversations, or from third parties. If you contact us, we may keep a record of that contact. We will collect personal information about you only from you where it is reasonable and practical to do so, or required by law.
ALDI Stores and ALDI Liquor Online may use your personal information to advise you of new products and services or special offers or promotions. ALDI Stores' agents or contractors from time to time may also use your personal information to provide information to you about products and services that they may offer from time to time. If at any time you do not wish to receive such information from us, or our agents, you can opt out of receiving such information when registering on an ALDI Stores website, or you may remove your name from our list by calling us on (02) 9675 9000 and asking to be removed from our mailing list. Alternatively, if we have sent you this information by email, you can use the unsubscribe link at the end of the email. In either case, please allow 5 business days for this request to be processed.
In the course of our business, we use a range of service providers to help us maximise the quality and efficiency of our services and business operations. This means that individuals and organisations outside of ALDI Stores and ALDI Liquor Online may sometimes have access to personal information held by ALDI Stores and ALDI Liquor Online and may use this on behalf of ALDI Stores and ALDI Liquor Online. We require our service providers to adhere to strict privacy guidelines and not to keep this information or use it for any unauthorised purpose.
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ALDI Stores may be contacted at 1 Sargents Road Minchinbury NSW 2770, or by telephone on (02) 9675 9000.
Upon your request, we will provide you with access to any of your personal information we hold (except in limited circumstances in which it is permitted by law for us to withhold this information). If you require access to your personal information, please contact us. Of course, before we provide you with access to your personal information, we will require some proof of identity. We will usually be able to respond to your request within 14 days.
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More information about privacy law is available from the Office of the Australian Information Commissioner at http://www.oaic.gov.au/.


New York City Ballet in 'Serenade'.
New York City ballet gave a particularly fiery performance of its "Balanchine/Tchaikovsky" program last Tuesday night – particularly fiery because there was a fire that caused the evacuation of the theater, including the rehearsal/dressing areas, prior to the performance.
At around 6:45 p.m., fire alarms began going off in the theater. They were ignored, but eventually, at around 7:05 (the performance was scheduled to begin at 7:30), those audience members who had already entered the theater were ushered out, joining the throng of balletgoers waiting to get in. As I exited, I heard fire trucks approaching the theater, turning onto 62nd street, by the side (stage) entrance. The dancers had already left the building – many in make up for the performance. As they waited en masse outside the stage door area, they inadvertently provided a relatively festive show before the show; at least one doing a barre on a stairway railing. The others were just trying to keep warm (Peter Martins somewhat giddily wrapped a jacket around one of the ballerina's shoulders).
By 7:30 the dancers, and attendees, were allowed back into the theater. I was told by various sources that the alarm may have been caused by smoke coming from an electrical source, but no formal cause was announced.
The program, previously reviewed, finally began about half an hour late and was marked by several cast changes and debuts. In "Serenade", Sterling Hyltin assumed the central role, the 'lead among leads' as I described it previously, and the one minor criticism I had of her performance in her debut in the role last year has disappeared. She gave the role life – and in the 'Elegy', a memorable 'death and apotheosis' with the ethereality that prompts an audience's sighs. As the 'angel of death', Rebecca Krohn gave her role a deeply emotional resonance (rather than the somewhat stoic portrayal I've seen), marred only by being hidden, at times, behind her partner, Ask la Cour. In a role debut, Savannah Lowery executed the third 'lead' ballerina role with appropriate vibrancy and technical skill, but I kept thinking, given her height and more solid appearance, that she and Ms. Krohn should have switched roles.
"Mozartiana" was led by Sara Mearns, in another role debut, and Chase Finlay. Ms. Mearns' performance overall lacked the polish, awesome extensions, and vivacity of Maria Kowroski's portrayal last week, but in other respects was a strong debut. Mr. Finlay did a fine job, but seemed somewhat disengaged from Ms. Mearns. Anthony Huxley excelled in the 'Gigue', as he usually does dancing solo. The four young dancers in the cast, from the School of American Ballet (Esme Cosgrove, Natalie Glassie, Shelby Mann, and Rommie Tomasini) repeated their flawless performances. Tiler Peck and Joaquin De Luz followed with yet another scintillating performance of the "Tchaikovsky Pas de Deux".
The concluding piece, "Tchaikovsky Suite No. 3", received very strong performances in the first, three-part section, as if the dancers, bottled up backstage longer than usual, performed with added fire in their steps to compensate. In the opening 'Élegie', Russell Janzen, in a role debut, joined Teresa Reichlen, and both gave memorable, sensuous portrayals. Mr. Janzen was top notch, and Ms. Reichlen, energized, delivered a particularly moving, emotion-filled execution. Since I first saw him dance in a leading role as the Cavalier in "George Balanchine's 'The Nutcracker'" last December, Mr. Janzen has given every indication of being a danseur noble, albeit one still in training. This role does not call for such a dancer, but it does call for the ability to transmit a somewhat perplexed and driven form of passion, and Mr. Janzen delivered. He will not be a member of the corps much longer. But beyond that, I've previously commented that Ms. Reichlen and Mr. Janzen play off each other well, and in every performance in which I've seen them paired, since I first saw them dance together in 'Diamonds' from "Jewels" less than eight months ago, they bring out each other's strengths. It's a stage partnership that should be encouraged.
Ashley Laracey and Taylor Stanley, both in role debuts, led the 'Valse Melancolique'. Ms. Laracey, who has exploded since her promotion to soloist last year, delivered a thrilling performance, filled with appropriate expression and dynamism. It was a brilliant debut. Mr. Stanley executed with finesse, but was considerably more careful than Ms. Laracey, and had some problems keeping her centered during partnered turns – in part, I think, because she danced with such abandon. And in the final, 'Scherzo', Erica Pereira and Daniel Ulbricht led with flourish. This is one of Ms. Pereira's finest roles, and last night she was particularly blazing, looking each time she blasted onto the stage as if she'd been fired out of cannon.
The 'Tema Con Variazioni' movement, led by Ashley Bouder and Gonzalo Garcia, while very capably done, was not quite as successful. Ms. Bouder delivered her usual energetic and technically accomplished performance, but until the closing section she added a sense of angst that to me was inappropriate. I appreciate her attempt to interpret the more subdued music in this manner, but it didn't look right here – she looked mournful and in pain until the piece had nearly concluded. Mr. Garcia is the little danseur engine that could. He tries so hard that one wants to overlook the lack of polish. But last night, at the end of the piece, he seemed to run out of gas, and appeared somewhat wobbly and disoriented. That he was nevertheless able to lift Ms. Bouder onto his shoulders seemed a small miracle, and is a tribute to his pluck.
The orchestra throughout was led again by Clotilde Otranto, at her usual blistering NYCB pace – perhaps even more fiery than usual. During the final curtain calls, Ms. Otranto and the orchestra were saluted with applause that seemed to me to be even more exuberant than what greeted the dancers. It was well-deserved.


The Donco Kids Doll House Stairway Bunk (SKU0300) comes in a deluxe Multi color. This bed is made with the finest quality solid mdf/pine construction, adding value to your bedroom. Donco Kids offers strong styles and incredible prices. All products are made with non toxic materials.
Dimensions (Width x Depth x Height): 99"X 41"X 93"


text:
Q: Compactness of intersection of a compact set and an open set If $K \subset E_1 \cup E_2$, where $K$ is compact and $E_1, E_2$ are disjoint open subsets of a topological space, is $K \cap E_1$ compact? Is that always the case if $E_1, E_2$ are not disjoint?
I've seen other threads that have this, so I was wondering why the solution I thought of is incorrect:
Let $U_{\alpha}$ be an open covering of $K$. Then because $K$ is compact, there is a finite subcovering $U_1, U_2, \ldots, U_N \in U_{\alpha}$ that cover $K$. But then $U_1, \ldots, U_N, E_1$ is a finite collection of open sets that covers $K$ and $E_1$, so it covers $K \cap E_1$, and so $K \cap E_1$ must be compact.

A: Assuming that your space is Hausdorff $K\setminus E_2=K\cap E_1$ and $K\setminus E_2$ is compact. On second thoughts you don't need Hausdorff property!.

A: Your proof should start with a cover $\mathcal{U}$ (WLOG by open sets of $X$) of $K \cap E_1$, and produce a finite subcover of that:
Add the one set $E_2$ to $\mathcal{U}$ and we have an open cover of $K$ (any set in $K$ lies in $E_1$ or $E_2$ and the first ones are covered by $\mathcal{U}$ the other by $E_2$..) and so $\mathcal{U} \cup \{E_2\}$ has a finite subcover $\mathcal{U}'$ and then $\mathcal{U}'\setminus \{E_2\}$ is still finite (smaller than the finite $\mathcal{U}'$) and a subcover of $\mathcal{U}$. So $K \cap E_1$ is compact.
Alternatively note that $K\cap E_1 = K \cap (X\setminus E_2)$ and thus is a closed subset of the compact $K$ and hence compact too.


text:
Nathan "Nat" Bor, född 1 mars 1913 i Fall River i Massachusetts, död 13 juni 1972 i New Bedford i Massachusetts, var en amerikansk boxare.

Bor blev olympisk bronsmedaljör i lättvikt vid sommarspelen 1932 i Los Angeles.

Källor

Amerikanska boxare
Amerikanska olympiska bronsmedaljörer
Olympiska bronsmedaljörer 1932
Tävlande i boxning vid olympiska sommarspelen 1932
Tävlande vid olympiska sommarspelen 1932 från USA
Födda 1913
Avlidna 1972
Män

redpajama_set_name: RedPajamaWikipedia


text:
Department of Pathology & Immunology
Pathology and Immunology
Pathology-Anatomic and Clinical Residency
Admissions and Benefits
Blood Banking Transfusion Medicine Fellowship
Clinical Chemistry Fellowship
Clinical Informatics Fellowship
Clinical Microbiology Fellowship
Dermatopathology Fellowship
Molecular Genetic Pathology Fellowship
Neuropathology Fellowship
Pediatric Pathology Fellowship
Surgical Pathology Fellowship
Comprehensive Mechanisms in Reproductive Sciences Training Program
Program Research Themes
Training Faculty
Pathology & Immunology 10th Annual Education Retreat
Trainee Research Symposium
Baylor College of Medicine One Baylor Plaza Houston, TX 77030
College DEI Resources
Position Statements - Office of the President
Office of Institutional Diversity, Equity and Inclusion
Diversity, Equity and Inclusion Policies
College-Wide Diversity, Equity, and Inclusion Programs
Inclusion and Equity Ambassadors
Inclusion and Excellence Council
Reporting and Responding to Breaches of Professionalism and Ethical Conduct
BCM Diversity and Inclusion Week
Diversity and Inclusion Week is an annual celebration of diversity, inclusion and equity at Baylor College of Medicine. The week features exhibits, speakers, interactive activities, service projects and other activities.
Highlighting Baylor's Diversity
Baylor promotes a culture where all people are welcome. Our faculty, staff and students describe what diversity means to them in the workplace, in science and medicine and on a personal level.
Pride Celebration
Pride Month serves as an important reminder that Baylor College of Medicine is committed to fostering a supportive environment for all community members, including LGBTQ+ faculty, staff and trainees.
Pathology & Immunology: Diversity, Equity, and Inclusion
In the education, research, and healthcare missions, we are proud of our 30-year commitment and support of Diversity and Inclusive Excellence in the Department of Pathology & Immunology. Our mission is to maintain a culture and foster an environment that supports and nurtures the talents, skills, and abilities of each individual (from student to fellow to staff to faculty). Our vision is to celebrate the uniqueness of all individuals. By embracing this mission and this vision, we have created an environment where everyone feels welcome; this diversity and openness results in higher rates of scientific novelty as we approach all our missions.
In the education mission, our goal is to recruit and train the 21st Century "A Team". For our pathology residency program, 20 of 31 residents are women and three are African American or Hispanic; similar diversity is observed in our graduate and post-doctoral trainees. Likewise, our faculty are among the most diverse group of educators, researchers, and physicians at Baylor College of Medicine, reflecting the population diversity in Houston, Texas; the fourth largest city in the United States. We welcome all, regardless of race, ethnicity, nationality, gender and sexual orientation, including LGBTQ+ members.
We recognize and celebrate the excellence of our faculty, and from 2019 to 2022, 20 of the 36 promoted faculty members in the Department of Pathology & Immunology have been women; in the most recent academic year, we promoted six women and two African American scientists into tenured faculty positions.
If you have questions or would like to get involved with the our diversity, equity and inclusion initiatives and activities, contact our ambassadors below.
Arthur W. Bracey, M.D.
Item Definition
Professor, Pathology and Immunology
Diversity, Equity and Inclusion Faculty Ambassador
Sridevi Devaraj, Ph.D., DABCC, FAACC, FRSC
Ashley Holloman, M.D.
Assistant Professor, Pathology & Immunology
Christine Garcia Roth, M.D., MMM
Roy Sillitoe, Ph.D.
Neda Zarrin-Khameh, M.D., MPH
DEI Events and Activities
Feb. 6, 2023, Dr. Matthew Krasowski will speak at the Baylor College of Medicine Department of Pathology & Immunology Grand Rounds. The focus of his lecture will be on how pathologists and medical directors can build more diverse, equitable, and inclusive diagnostic systems.
Diversity, Equity and Inclusion Pillars
Healthcare Initiatives: We strive for diversity in the recruitment of clinicians and healthcare providers in our department. Our patient population is diverse and reflects the diversity observed in Houston, which is the most ethnically diverse city in the United States. We also have major clinical expansion in Women's Health, which complements our research mission.
Education Initiatives: Our trainees are diverse. We have National Institutes of Health supported training grants and other National Institutes of Health programs that emphasize training of our diverse undergraduate students, graduate students, residents, clinical fellows, and post-doctoral fellows.
Research Initiatives: Over the last 30 years, our department has had major research programs in Women's Health and Men's Health that are supported by the National Institutes of Health and the Bill and Melinda Gates Foundation. Over the last year, four of our faculty members have been awarded independent National Institutes of Health grants that are focused on endometriosis, a major disorder that causes pain and infertility in women of childbearing age.
Community Initiatives: The overall goals of our National Institutes of Health grant (P20 CA221729) is to enlarge the pipeline for underrepresented trainees to establish careers in cancer research by increasing student opportunities to conduct high-quality, innovative cancer drug discovery/development research at the University of Houston College of Pharmacy and the Dan L Duncan Comprehensive Cancer Center. We have implemented new curricula and lectures designed to educate trainees and the community about cancer research and cancer health disparities.


text:
November 3, 2021 Report
Dismantling Detention
Summary As the harmful effects of immigration detention become more widely known and the appropriateness of detaining migrants is increasingly questioned, governments are looking at alternatives to detention as more humane and rights-respecting…
"Worth Less Than an Animal"
Summary In late 2014, police officers entered the home of Lim Ok Kyung, a smuggler in her forties from North Korea's South Hwanghae province. The police were looking for, and found, home appliances smuggled from China. Lim Ok Kyung was detained at a…
July 13, 2017 Report
"All Thieves Must Be Killed"
Summary The mayor said, "All thieves must be killed." He said it was an order. −Witness to the execution of Fulgence Rukundo on December 6, 2016 Rwandan security forces summarily executed at least…
July 6, 2017 Report
"We Don't Have Him"
Summary My brother asked, "Can I have your identity? What is your force? Are you RAB, CID, DB?" They did not identify themselves. He asked several times. They did not wear any uniform and they had no legal arrest warrant. Nothing. They just said, "…
September 29, 2016 Report
"No Right to Live"
Summary On the morning of February 28, 2013, the opposition Jamaat-e-Islami party called a strike to protest the death penalty handed down against its leader, Delwar Hossain Sayedee, who had been convicted by Bangladesh's International Crimes…
November 19, 2012 Report
Losing Humanity
Summary With the rapid development and proliferation of robotic weapons, machines are starting to take the place of humans on the battlefield. Some military and robotics experts have…
Briefing on the Counter-Terrorism Bill 2008
Briefing on the Counter-Terrorism Bill 2008 Second Reading in the House of Lords July 2008 Executive Summary and Recommendations Pre-charge Detention Inadequate judicial safeguards Inadequate additional safeguards Post-charge …
June 24, 2004 Report
Neither Just Nor Effective
Commentary on the Anti-Terrorism, Crime and Security Bill 2001


text:
KFB
DALE SMITH "SONS" [eBook]
SKU: ISBN: 978-1-989355-13-8
Poetry. Electronic Book. ISBN: 978-1-989355-13-8
AVAILABLE AS AN eBook ONLY.
DALE SMITH is a poet, critic, and scholar of poetry and rhetorical theory on the faculty of English at Ryerson University, Toronto. He is the editor with Robert J. Bertholf of An Open Map: The Robert Duncan / Charles Olson Correspondence and Imagining Persons: Robert Duncan's Lectures on Charles Olson. A critical study of poetry and public culture, Poets Beyond the Barricade: Rhetoric, Citizenship, and Dissent after 1960, was published in 2012. His writing has appeared in The Baffler, Best American Poetry 2002, Columbia Poetry Review, Denver Quarterly, The Walrus, and elsewhere. A recent book of poetry, Slow Poetry in America, was published by Cuneiform in 2014; other poetry includes American Rambler (2000); The Flood & the Garden (2002); Black Stone (2007); and Susquehanna (2008). His reviews and essays have appeared in the Boston Review, the Los Angeles Review of Books, and Brick. Born in Dallas, Texas, Smith has resided in Ontario since 2011 with the poet Hoa Nguyen and their children, Keaton and Waylon.
I simply cannot imagine the Toronto Lit scene without Kirby and knife | fork | book." Jim Johnstone, Poet. Publisher, Anstruther Press
"Toronto is one lucky bitch." Damian Rogers, Poet.


Jharkhand Staff Selection Commission is Simple called as JSSC. The Jharkhand staff Selection Commission released an advertisement of JSSC Recruitment 2017 Notification. This Notification was released for appointing the suitable candidates in the vacancy posts. The candidates who have minimum qualification of 12th class, Diploma in ITI or equivalent, can apply to the Jharkhand SSC Recruitment 2017 for Constable posts. The commission inviting the applications from the eligible candidates to appoint in the 886 constable vacancies. This is good job opportunity to the contenders who looking for jobs in Jharkhand. Interested candidates to apply the JSSC Recruitment 2017 before closing date. The commission will closed the online application submissions on 26th July 2017. The applicants who going to fill application from, should refer the official notification details such as education qualification, age limit, mode of selection, procedure to apply and more details regarding the advertisement. Candidates should refer the official notification before going to apply to this advertisement.
Education Qualification : The candidates who want to apply to this notification, should have possess the 12th, Diploma in ITI in surveyor or equivalent from recognized university.
Age Limit : Applicants do not have below 18 years of age and The applicants age should not exceed 35 years. As per the Govt norms the upper age relaxation will be applicable.
Pay Scale : The Commission will pay the remuneration of Rs. 21700 – 50000/- per month.
Log in to official site of JSSC.
Choose the online application form.
Last Date to submit the applications is 26th July 2017.


text:
" Mona's almost gone. Hanna's next. "
Written by Joseph Dougherty
Directed by Zetna Fuentes
Crazy Next:
Stolen Kisses is the eighth episode of Season 3 of Pretty Little Liars. It aired on July 31, 2012.
The episode opens with the girls who decide they need to figure out what is on the website featuring Maya's picture. Emily tries one possible password but comes up short. Byron tells Aria that Meredith got the job at Rosewood High School. He says he'll tell Ella. Emily and Nate go to one of Maya's favorite spots in town and reminisce. he tells her about Jenna standing him up. She called and told him "something came up." Nate tells her he's thought about killing Garrett with his bare hands and Emily becomes uneasy telling him not to talk like that.
Aria meets Ezra's mother Dianne. She finds out his real last name is Fitzgerald, but he prefers to shorten it to Fitz. Dianne invites Aria and Ezra to an opening at a museum that night. Ezra tells Aria that he fibbed about when their relationship began. He told his mother, Dianne, that it was after he left Rosewood High School. Spencer is struggling to crack the password on Maya's website. She asks Hanna whether it's okay to ask Caleb for help. Hanna agrees, and soon gets a text from Wren saying that they need to talk.
Toby walks in the door wanting to know if Spencer knows where Jason is. Toby is furious because Jason's not at home, and he suspects he's across state lines getting his car fixed. Toby is still furious Spencer's not being open with him and tells her he'll find out what's going on by himself. He leaves, with an upset Spencer behind. Emily goes over to Paige's house to tell her that she wants to explain the truth about what happened with her flask. Hesitantly, Paige agrees to meet her after school.
Wren meets Hanna at The Brew and tells her that Mona is being moved to a facility in New York. They want added security on her. They think she's been passing pills to a visitor. Hanna is upset and asks him to try and change the hospital's mind. Hanna spots Caleb and walks over to him. Before she can say anything, he sees that she was sitting with Wren and walks out looking pained. Spencer asks Caleb about the best way to get around tough password protection. Caleb tells Spencer he's more than willing to help if it means crushing Mona and helping Hanna. After he leaves she gets a text from "A": "Mona's almost gone. Hanna's next."
Spencer shows the girls the text, and Hanna confirms what she heard about Mona through Wren. Spencer says that if Mona is moved, they won't be able to get any more answers from her. They also wonder if Lucas might be the person Mona's been giving pills to. Aria drops by Spencer's place for help with her wardrobe. She goes through her mother's bag and finds Garrett's case file. Once they look through the file, they find the name Bart Comstock in the prosecution witness list. It seems Veronica is planning to attack this person's credibility.
Emily and Paige go for a run. They stop in the woods and Emily tells her the drug was in her flask. She swears it wasn't on purpose and tells her she's not sure who was trying to drug her. Paige reveals that for at least part of the night that Emily was at Alison's grave, they were together. Paige explained that at about 11pm that night Emily was sitting on her steps. Paige took her in to her house, thinking she was drunk. Emily kissed Paige and Paige didn't stop her, although she knew it was wrong. Paige went into the kitchen and came back with a glass of water, but Emily was gone. Paige tried calling her, but nobody answered.
Wren tells Hanna he was unable to change the board's mind about moving Mona. He suggests maybe Hanna should say something. Reluctantly, she agrees. Aria runs into Bart, who manages a movie theater in town. He says he told the police he saw Maya getting into a car with Garrett the day she was killed. Caleb gets into the site. They see a video of Maya reading a book and talking to the camera. Spencer is so happy, she hugs Caleb and he hugs her back. Aria tells Spencer what she learned from Bart. At the art function Aria asks Ezra about his parents' financial situation. He's not comfortable with the fact that his grandparents were extremely wealthy.
Nate tells Emily he believes that even when you do something in a dream or when you're drugged, it's still you. Hearing this, Emily realizes kissing Paige were her true feelings coming out. Dianne asks Aria what her parents think of Ezra. She also asks about her parents being separated. Dianne then starts to get really nosy and rude about Aria's family, beginning to suggest how bad she's been for Ezra. She then says she's not going to let Aria "ruin" Ezra and hints at paying her to break up with her son. Aria leaves in disgust, spilling her drink into a nearby plant on the way. Ezra asks Dianne what she said to Aria, since he can't find her now. Ezra tells her this kind of stuff is why he doesn't want to have anything to do with his family.
Hanna speaks to the hospital board. She tells them she owes Mona for her friendship. She pleads them not send Mona away from her friends and family. Paige apologizes to Emily and says she'll kill whoever put that stuff in her flask. Emily tells her not to say it or mean it. After Emily tells her that even though she was drunk that night, she was "looking for somebody." And came to Paige. Emily passionately kisses Paige. Byron finds Aria sitting by herself on the floor. She asks him if he thinks she ruined Ezra's life. He says nobody could be harmed by having her in their life and hugs her. Aria begins to cry in her father's arms.
Wren tells Hanna that based on her testimony they are no longer sending Mona away to New York. Hanna is really happy. She smiles, and kisses Wren on the lips. When she pulls away, he is surprised but Hanna says she is still pleased. At that moment, she gets a text from Spencer that she needs to see something. Hanna, Aria and Spencer watch a video of Emily from Maya's site. There are hundreds of videos, seemingly in no discernible order. They come across a video where Maya says to the camera, "I'm a coward. I know. I have to face my fears." Police car lights reflect on her as the video ends. They wonder why Mona send them to the site. They decide they need to watch the rest of the videos with Emily, so they try calling her. Emily's phone rings in her jacket and we see she's in the pool skinny dipping with Paige.
The episode closes with "A" collecting a large sum of money from a bank and taking a mint from a bowl. The teller says "Just looking at you in that hoodie makes me shiver. I guess summer's really over."
Keegan Allen as Toby Cavanaugh
Julian Morris as Wren Kingston
Lindsey Shaw as Paige McCullers
Mary Page Keller as Dianne Fitzgerald
Sterling Sulieman as Nate St. Germain
Ptolemy Slocum as Bart Comstock
Lewis John Allen as Hospital Board Member (uncredited)
Kelly-Ann Tursi as Radley Nurse (uncredited)
In the ABC Family promo for Stolen Kisses, Emily gasping "Oh My God!" is from the episode 3x04 Birds of a Feather, when the Liars are searching Melissa's place for clues.
Ezra's last name is not actually Fitz; it is Fitzgerald.
Spencer and Caleb get along very well, they even share a hug.
Caleb and Spencer talk about his new car, computer, and sweater (as paid for by his mother).
Meredith gets accepted as a teacher at Rosewood High.
Paige was present "That Night" and saw Emily while Emily was still drunk.
In both seasons 2 and 3, Spencer and Aria discovered important medical details regarding a death. In episode 2x08, "Save the Date," Spencer and Aria snuck in the morgue to look at Alison's autopsy. In 3x08, the two of them steal Veronica Hastings's files regarding Maya's death.
"Free of Me" by Amy Stroup (Byron tells Aria that Meredith got the job at Rosewood High)
"Not There Yet" by Eric Hutchinson (Aria asks Emily for fashion advice)
"Rocketship" by Jules Larson (Wren tells Hanna they want to move Mona to a different facility)
"The Riot's Gone" by Santigold (close of episode)
Spencer: My mom picks her teeth with court orders.
Spencer [about figuring out the password]: Okay, but it's not a piñata. I can't just whack at it with a stick.
Caleb: If I have a chance to crush the Mona Monster, I'm in.
Aria [to Spencer]: I want something classy but not frumpy. Not that you have frumpy.
Aria [to Ezra]: "Your family doesn't have money — your family has money.
Hanna [advocating for Mona]: No one will care a brown rat's ass for her in Saratoga.
Retrieved from "https://prettylittleliars.fandom.com/wiki/Stolen_Kisses?oldid=907278"


'How Not to be a Tourist in London' gives you the inside dope that no other guidebook can provide. Packed with extraorinary facts and literally incredible stories about this great city, 'How Not to be a Tourist' is full of 'it' - secret, hidden, quirky knowledge that most visitors will simply never hear about.
...and why you must bring a mousetrap!
'How not to be a tourist in London' is a treasure-trove of remarkable information that even the locals may not be aware of!


I firmly believe that purchasing or selling your home can be stress-free and rewarding through a high level of personal care and professionalism on my part. I'm determined to provide each and every client with the utmost devotion and will exceed your expectations, with unparalleled service.
As a real estate professional, I strive for excellence by placing emphasis on honesty and open communication with both buyers and sellers.


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Довірся чоловікові — американський художній фільм режисера Барта Френдліха.

Опис
Дві подружні пари, дві історії кохання і повне розчарування в ньому. Жінки вийшли на пошуки нових емоцій, а чоловіки задумалися, як зберегти старі почуття. Виявляється, чоловіки теж уміють плакати. Але не тільки. Вони можуть і діяти! Напевно кинуті чоловіки що-небудь та придумають, щоб повернути коханих жінок.

У головних ролях
 Девід Духовни
 Джуліанна Мур
 Біллі Крудап
 Меггі Джилленгол
 Єва Мендес
 Еллен Баркін
 Джастін Барта
 Ґленн Фіцджеральд

Цікавий факт
Фільм знімався в українському ресторані Веселка у Нью-Йорку.

Посилання
 https://web.archive.org/web/20140407092413/http://afisha-if.com/filmu/komediji/3070-dovirsja-choloviky-2005
 http://moviestape.com/katalog_filmiv/drama/4826-dovirsja-choloviku.html

Кінокомедії США
Фільми англійською мовою


This entry was posted on Monday, December 14th, 2009 at 1:40 am	and is filed under Contemporary. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


We love when to check out the music scene below Canal Street, and have found some of our recent favorite artists thanks to the slew of performance venues in the neighborhood. When we heard about an upcoming performance presented by the Schimmel Center (3 Spruce Street) featuring Grammy Award winning singer-songwriter and guitarist Tom Chapin and his daughters Lily and Abigail—The Chapin Sisters, we had to learn more.
Set for this Friday, April 20, 2018 at 7:30 p.m., the concert will feature original and traditional songs by the acclaimed family roots group including "Cat's In The Cradle," "Remember When The Music," and "Circle" by Harry Chapin, as well as "Pass The Music On," and "This Pretty Planet" by Tom Chapin. Fun fact: The concert coincides with the debut of the album, At the Turning Point, which celebrates the thirty years of collaborations between Tom Chapin & Friends. The Chapin Sisters additionally will perform songs from their forthcoming recording, Ferry Boat.
The concert coincides with the debut of the album, At the Turning Point, which celebrates the thirty years of collaborations between Tom Chapin & Friends. Congratulations! How does it feel to be returning to these songs?
The Chapin Sisters will perform songs from their forthcoming recording, Ferry Boat. Tell us about the album!
Ferry Boat is a lovely EP of new songs by The Chapin Sisters. This EP showcases their great songwriting and unique vocal blend. It features two new songs each by Lily & Abigail alongside their take on a number written with them in mind by Hilary Hawke.
What are you most excited about performing?
I am most looking forward to performing with my daughters. I don't get to do it enough, and it is one of the joys of my life. And we not only get to sing our own tunes, but will revisit some classic songs by my late brother Harry Chapin, like Cats In The Cradle, Circle and Remember When The Music.
What can concert goers expect?
These concerts are a joyful evening of story and song. You will hear a range of great songs, well played and sung. And if there is a particular song you would like me to sing, you can go to my website, www.tomchapin.com, and request it. I try to honor all those that I receive.
What's your favorite go-to spots in New York City?
That is a difficult question. I am a native New Yorker, having grown up in Greenwich Village and then Brooklyn Heights, who now lives in the lower Hudson Valley. New York is my favorite city in the world, there is so much to see and do that nurtures my soul - the great Museums, the High Line, even walking around the amazing neighborhoods that are constantly changing.


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Expert Interview
Top 5 Ted Talk on How Machine Learning in Medical Field helping Human Race
February 10, 2018 NewTechDojo Machine Learning
The Future technologies and innovation is found to be the new ballgame for Healthcare. It's going to bring adequacy and stability in the Healthcare sector.
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Harnessing the Power of Artificial Intelligence to Diagnose Diseases by Kavya Kopparapu
Countless individuals reside in rural or developing regions where disease treatment is not the problem: it's overcoming the 1:1,000 physician to patient ratio and screening for preventable diseases. High school student Kavya Kopparapu shares the near future of artificial intelligence in this area– as a replacement for doctors in these regions to provide a much-needed medical diagnosis.
Kavya Kopparapu is the Founder and CEO of both GirlsComputingLeague and current junior at Thomas Jefferson High School for Science and Technology. She is devoted to sharing her passion for computer science with others, especially young girls, since this area has given her a huge chance, also has been recognized by organizations such as the White House and the National Center for Women in Information Technology (NCWIT).
Her journey with computer science started in elementary school when she was introduced to the Scratch programming language and developed robots with the Mindstorms programming language. Her interests were fortified when she took AP Computer Science in freshman year, followed by classes like Artificial Intelligence and Computer Vision.
Artificial Intelligence in Healthcare – It's about Time by Casey Bennett
We are in need of tools that may help us both clinicians and individuals create better health care decisions. Yet to be able to accomplish this, those tools will need to "feel as we do" and also the secret to natural intelligence isn't simply X greater than Y, but instead sequences of choices over time. To help us in the best way, our medical computing tools must follow the approximate and the exact procedure. This kind of approach ties to prospective improvements across the wider healthcare area: cognitive computing, smart houses, cyborg clinicians, and robotics. He obtained his Ph.D. in the School of Informatics and Computing at Indiana University. His work concentrates on artificial intelligence in health care, such as the areas of robotics, machine learning, clinical decision support, and personalized medicine.
He had been the lead writer for Centerstone's award-winning organization- the wide analytics platform (2010 TDWI Best Practices Award) and also the federal Knowledge Network Data Warehouse, the biggest ongoing clinical psychological health information repository from the nation. His work has also been featured as a member of IBM's "Smarter Planet" effort. He's now working on projects utilizing artificial intelligence to augment clinical decision-making from chronic illness, in addition to utilizing in-home robots for curative purposes with older individuals.
Better Medicine through Machine Learning by Suchi Saria
Faster medical treatment saves lives. Machine Learning is already saving lives, by scouring a large number of patients' information, examining and comparing them to 1 patient's health information to discover symptoms twelve to twenty-four hours prior to a doctor might.
"In several pressing medical issues, the answers to knowing whom to treat, when to treat, and how to treat with, would possibly already be in your data," says Suchi Saria. find out how pants TREWS (Targeted Targeted Real-Time Early Warning Score) is really grateful for saving lives. Suchi Saria may be an academically the best Professor of technology excelling in Computer Science and health policy. She is the director of the Machine Learning and Health science lab at Johns Hopkins University. Her analysis is targeted on coming up with information solutions for providing personalized care.
Can AI accelerate a medical breakthrough?
While Jonathan Rezek was diagnosed with Parkinson's disease, he discovered that there was no cure but just simply symptom management, assisted primarily by a fifty-year-old drug. Jonathan, a sales govt, dessert apple had an associate idea: what if Watson, IBM's computing platform, might accelerate pharmaceutical research? With Watson's facilitate a team semiconductor diode by associate IB, the man of science. Jonathan's doctors are operating to revolutionize Parkinson's analysis within the hopes of finding a breakthrough in the treatment.
About the TED Institute: We all know that innovative concepts and contemporary approaches to difficult issues will be discovered within visionary corporations around the world. Well. the TED Institute helps surface and shares these insights. Every year, TED works with a selected group of Companies corporations and foundations to spot internal ideators, inventors, connectors, and creators. Drawing on an equivalent rigorous program that has ready speakers for TED's main stage, TED Institute works closely with every partner, overseeing curation and providing intensive one-on-one speak development to sharpen and fine-tune concepts.
A.I. vs. Pathologists: Survival of the Fittest by Sahir Ali
Artificial Intelligence and its promise in predicting cancer outcome: each patient deserves their own equation. Dr. Sahirzeeshan Ali is known as an analysis
soul, the Research Scientist at the Centre of Computation Imaging and personalized medicine (CCIPD) at Case Western Reserve Medical University and Seidman Cancer Center. Dr. Ali received a bachelor's and master's degrees in Electrical and laptop engineering from Rutgers University (2009 & 2011) and a Ph.D. in medical engineering from Case Western Reserve University. He conjointly was the recipient of a Prostate Cancer Research Grant from the Department of Defense in 2014. Dr. Ali's analysis and Research interest lie in developing image analysis, applied mathematics pattern recognition, machine learning and computer science tools to computationally interrogate medicine image information of digital pathology tissue pictures.
The tools were designed to predict the disease progression and supply a score to clinicians on the aggressiveness of a patient's disease, like breast carcinoma and prostate cancer. This might successively facilitate physicians pick in deciding upon the most acceptable treatment possibility. Dr. Ali has written over thirty peer-reviewed journals, conference and abstract publications, showing in journals like Nature Scientific Reports, American Journal of Surgical Pathology, the Annual Review of medicine Engineering, Medical Image Analysis, IEEE Transactions on Medical Imaging. This analysis work has conjointly culminated in varied commercial patents.
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Q: SKShapeNode not working on IOS 7 gameOverBox = [SKShapeNode shapeNodeWithRectOfSize:CGSizeMake(self.size.width-80, self.size.height/2-100)];
gameOverBox.fillColor = [SKColor yellowColor];
gameOverBox.position = CGPointMake(self.size.width/2, self.size.height/4);
[self addChild:gameOverBox];

I was trying to run a game I made on IOS 8, it works with 0 error.
But after trying to run this on an IOS 7 device, simulator or an actual device, the app still crashed. The debugger said that the first line was causing this problem.
But why is the first line causing the error?
The error is [SKShapeNode shapeNodeWithRectOfSize:]: unrecognized selector sent to class

A: This functionality is not available in iOS 7. It is only iOS 8 and later.
SKShapeNode Reference