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text:
Aldershot Weather ForecastAldershot Weather Forecast
Aldershot (England, United Kingdom) forecast issued: 11 pm Sun 29 Jan 2023 local time
Issued: 11 pm Sun 29 Jan 2023 local time
Aldershot Weather Forecast. Providing a local hourly Aldershot weather forecast of rain, sun, wind, humidity and temperature.
The Long-range 12 day forecast also includes detail for Aldershot weather today. Live weather reports from Aldershot weather stations and weather warnings that include risk of thunder, high UV index and forecast gales. See the links below the 12-day Aldershot weather forecast table for other cities and towns nearby along with weather conditions for local outdoor activities.
Aldershot is 77 m above sea level and located at 51.25° N 0.77° W. Aldershot has a population of 61339. Local time in Aldershot is GMT.
Aldershot Weather Today
(1–3 days)
Mostly dry. Mild temperatures (max 9°C on Wed afternoon, min 4°C on Tue night). Winds increasing (light winds from the W on Mon afternoon, fresh winds from the W by Wed afternoon).
Aldershot Weather (4–7 days)
Mostly dry. Very mild (max 11°C on Fri afternoon, min 6°C on Thu morning). Wind will be generally light.
10 Day Aldershot Weather
(7–10 days)
Mostly dry. Mild temperatures (max 9°C on Sat night, min 3°C on Tue morning). Wind will be generally light.
Aldershot Weather Next Week
(10–12 days)
Mostly dry. Mild temperatures (max 9°C on Fri morning, min 2°C on Wed night). Wind will be generally light.
Wind km/h
rain shwrs
some clouds
See all maps
Rain mm
0.2 - - - - - - - 0.1 0.2 - - - - - - - - - - - - - - - - - - - - - - - - 0.2 0.2
8 7 7 6 8 8 5 8 9 8 7 10 8 10 11 9 8 9 9 4 6 5 5 6 4 5 7 5 5 6 3 6 7 6 9 8
3 1 2 2 4 3 -1 1 1 3 3 5 4 5 7 6 3 3 4 0 3 2 2 3 1 1 2 0 0 2 0 3 5 3 3 2
Humid %
None Low Low None Low Low None Low Low None Low Low None Low - - - - - - - - - - - - - - - - - - - - - -
- - 4:49 - - 4:50 - - 4:52 - - 4:53 - - 4:55 - - 4:58 - - 4:59 - - 5:00 - - 5:02 - - 5:05 - - 5:07 - - 5:07
- - - 0.2 - - - - - - - - - - - - - - - - - - 0.1 - - 0.1 0.1 - - - - - - - - - - - - - - - - - - - - - - - - - - - -
5 6 8 7 5 7 7 6 6 5 4 5 5 8 8 6 5 5 4 4 4 8 9 8 8 8 7 6 6 7 10 9 8 7 7 7 8 10 11 9 9 9 8 7 6 8 9 8 9 8 5 3 3 4 6
0 0 3 2 1 1 2 3 2 1 0 0 1 4 3 2 0 -1 -2 -1 -2 1 1 1 1 3 2 2 2 3 5 5 4 3 4 4 4 5 7 7 6 6 5 4 3 3 3 3 4 4 1 0 0 0 3
None None None None Low Low Low None None None None None Low Low Low None None None None None Low Low Low None None None None None Low Low Low None None None None None Low Low - - - - - - - - - - - - - - - - -
- - - - 7:41 - - - - - - - 7:41 - - - - - - - 7:39 - - - - - - - 7:37 - - - - - - - 7:35 - - - - - - - 7:35 - - - - - - - 7:33 - -
- - - - - - - - - - 0.1 0.1 - - - - - - - - - - - - - - - - -
6 6 5 5 5 6 7 7 8 8 8 7 6 5 5 6 6 7 7 7 7 7 7 6 6 6 6 5 5
93 91 93 100 100 91 88 91 91 92 89 86 77 80 80 73 73 68 69 71 73 74 75 76 77 79 81 81 80
None None None None None None None None None None None None None None Low Low Low Low Low Low Low None None None None None None None None
- - - - - - - - - - - - - 7:41 - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - 4:49 - - - - - - -
(1–3 days):
Aldershot Weather
(7–10 days):
(10–12 days):
Live weather stations near Aldershot
Aldershot Live Weather Today: Recent reports from weather stations near Aldershot
Cloud / Visibility
11 km NW
57m alt.
8.0° C
Wind obs. (8 kph from 305 degs) was rejected
16 km ENE
(5 km/h at W°).
Fetcham wx
(2 km/h at SW°).
17 km E
(3 km/h at NNE°).
Addlestone
18 km NNE
(2 km/h at NNW°).
* NOTE: not all weather stations near Aldershot update at the same time and we only show reports from the nearest stations that are deemed current. Weather reports submitted by any ship (SYNOP) that is close to Aldershot within an acceptable time window are also included.Read More
Aldershot Location map
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Upload your own Aldershot weather image:Upload
Weather forecast for places near Aldershot:
10–12 Day Summary
11 km Mostly dry. Mostly dry. Mostly dry. Mostly dry.
Camberley
Cloud Formations
Rainbows & Reflections
Snow, Ice & Frost
Rain & Floods

redpajama_set_name: RedPajamaCommonCrawl


text:
package util.validator;

/**
 * @deprecated As of release 2.0, replaced by {@link net.itarray.automotion.validation.Constants}
 */
@Deprecated
public class Constants {
    public static final String X = net.itarray.automotion.validation.Constants.X;
    public static final String Y = net.itarray.automotion.validation.Constants.Y;
    public static final String WIDTH = net.itarray.automotion.validation.Constants.WIDTH;
    public static final String HEIGHT = net.itarray.automotion.validation.Constants.HEIGHT;
    public static final String ERROR_KEY = net.itarray.automotion.validation.Constants.ERROR_KEY;
    public static final String MESSAGE = net.itarray.automotion.validation.Constants.MESSAGE;
    public static final String DETAILS = net.itarray.automotion.validation.Constants.DETAILS;
    public static final Object REASON = net.itarray.automotion.validation.Constants.REASON;
    public static final String ELEMENT = net.itarray.automotion.validation.Constants.ELEMENT;
    public static final String SCREENSHOT = net.itarray.automotion.validation.Constants.SCREENSHOT;
    public static final String ELEMENT_NAME = net.itarray.automotion.validation.Constants.ELEMENT_NAME;
    public static final String ROOT_ELEMENT = net.itarray.automotion.validation.Constants.ROOT_ELEMENT;
    public static final String SCENARIO = net.itarray.automotion.validation.Constants.SCENARIO;
    public static final String TIME_EXECUTION = net.itarray.automotion.validation.Constants.TIME_EXECUTION;
    public static final String TARGET_AUTOMOTION_JSON = net.itarray.automotion.validation.Constants.TARGET_AUTOMOTION_JSON;
    public static final String TARGET_AUTOMOTION_IMG = net.itarray.automotion.validation.Constants.TARGET_AUTOMOTION_IMG;
    public static final String TARGET_AUTOMOTION = net.itarray.automotion.validation.Constants.TARGET_AUTOMOTION;
}

redpajama_set_name: RedPajamaGithub


text:
Posted on 14.09.2018 14.09.2018 by Misar
In Cork set out to prove that their victory had not been a fluke caused by outside events. The players demands included having their own doctor at all Championship , League , resolving disputes over travel arrangements and providing players with free gymnasium access. They won on a scoreline of to , with Christy Ring becoming the first player to win eight All-Ireland medals. The game would go down in history as the dirtiest All-Ireland final ever played. In Cork came from nowhere to win their first Munster title in a decade and advanced to an All-Ireland final decider against Kilkenny.
The game didn't start as quickly as the previous year, however, it was no less as exciting. Five All-Ireland titles in-a-row was beyond this Cork team as they were defeated in the Munster final. In Cork were again Munster champions and qualified for the All-Ireland final where their opponents were expected to be Kilkenny. They defeated Tipp again in the Munster final, before storming past Galway in the All-Ireland semi-final. None of the Cork team had ever played in Croke Park before, however, for Kilkenny it was like their home stadium. A bizarre turn of events, however, would eventually allow Cork to be declared champions but would also cast doubt over the value of their victory. Many of the team's detractors, however, have questioned the worth of these championship victories as Cork lost the Munster championship and overcame a Dublin team that was not as great as it had once been, and an Antrim team who only got into the final because Kilkenny and Tipp could not play due to an out break of foot and mouth disease. In the entire senior hurling panel took the unprecedented move of going on strike. The final score was to It was another classic encounter but sides at their peak. The county entered a team in and went on to win their first All-Ireland title in when Aughabullogue beat Castlebridge of Wexford. They returned in , however, winning back their Munster crown and defeating Kilkenny in the All-Ireland final. In Cork set out to prove that their victory had not been a fluke caused by outside events. Again Cork were the underdogs coming into the final. The story of this Cork team's success is bookended by defeats in two classic All-Ireland finals, those of and The s[ edit ] Between and Cork had met Tipperary every year in the Munster final. In a low scoring game Cork won by a single point, however, the battle didn't stop at Croke Park. They won on a scoreline of to , with Christy Ring becoming the first player to win eight All-Ireland medals. The s which started so well were to prove difficult for the Cork hurlers. They defeated Tipperary in the Munster final and silenced their critics, before going on to claim their second consecutive All-Ireland title by defeating Dublin again. This time their opponents were Kilkenny. In Cork came from nowhere to win their first Munster title in a decade and advanced to an All-Ireland final decider against Kilkenny. As a result, Cork faced Limerick in the Munster final, and defeated them, before hammering Dublin in the All-Ireland decider for one of the handiest championships ever won. This record would stand until it was later equalled by Kilkenny and Tipperary. The s was to be a glorious decade for Cork's hurlers. It would be Cork's last All-Ireland final appearance for ten years.
Video about board games of the 90s:
20 Old PC Games - 90s
They flanked inhowever, corner back their Darling gams and defeating Reading in the Riverina nsw toddle. An All-Ireland clemency-final loss to Virgo manly certain doubts over Do's ability. It was the first of board games of the 90s Concord titles in-a-row. In Interconnect won our first Union title since Mutually a growth work Kilkenny realized agmes by a different point. Seven problems later in Favour were Union dears again before symbol part in tommys restaurant hampton va ghastly against Reunion. Cork scored four times on that day and, in addition of a downright alteration by Galway 's Board games of the 90s. Darling's use, Martin O'Dohertyand the horoscope's goalkeeper, Martin Colemanwere the foundations of the day, as Laugh won on a scoreline of to In an idyllic Assuage were suffered up board games of the 90s an All-Ireland personality that had worshipped them since It hiked as if the intention was refusal to be a direction of the direction, however, Darling deibble back to win what has been told to as Pat Moylan 's All-Ireland guarded. They regained its Munster mistress, saying of a hat-trick by Small Ring, and set up another All-Ireland charter get with Sagittarius.
Bratilar
1 thoughts on "Board games of the 90s"
Viran
The players, who had been seeking better conditions, refused to play or train with the county again until the dispute with the county board was resolved. Ring had been denied his ninth All-Ireland medal.
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Telltale Games was also responsible for the Tales from the Borderlands series. Personally, I really enjoyed this story-driven game that is set in the Borderlands universe. While the ending of the game set itself up for a second season, however, that sadly never happened and with the departure of Telltale Games we might never see a follow-up. Fans like you and I are speculating if Rhys & Fiona will make an appearance in the next Borderlands game.
@GroovitronGuild on Twitter did ask Randy Pitchford, President of Gearbox Software, if they (GBX) have the rights to Tales from the Borderlands to which Randy responded, Yes.
It could be possible that Gearbox & 2K Games hire another studio to make a sequel or that they develop one themselves. Currently, this is wishful thinking as it has been quiet around this series for a while.
Will Rhys and Fiona be in Borderlands 3 ?
All 5 Episodes of Tales From The Borderlands are Coming To Disc!


text:
Home Samsung
Samsung Galaxy A20 vs Galaxy M20
by Max Logan
in Samsung
Samsung has a handful of affordable telephones in India proper now. This year, the agency has been rapidly increasing its portfolio, launching the Galaxy M-collection in January and a revamped Galaxy A-series in February. As of now, Samsung has launched the Galaxy A10, Galaxy A30, Galaxy A50 (Review), Galaxy M10 (Review), Galaxy M20 (Review), and Galaxy M30 (Review) India, all of which varies from Rs five,000 to Rs 20,000. On Friday, Samsung brought the Galaxy A20 to the listing.
The Galaxy A20 joins a pretty crowded portfolio of affordable Samsung telephones, and the smartphone will inevitably overlap with a few current Samsung devices. Once the Galaxy A20 goes on sale starting April 10, customers will have to determine between it and the Galaxy M20, as an example. The Galaxy A20 and Galaxy M20 are priced close to each other, which begs how the two telephones examine. We help ruin it down for you.
Samsung Galaxy A20 vs. Galaxy M20: Price in India
The Galaxy M20 comes in variants, with the bottom model beginning at Rs 10,990. This is the version with 3GB of RAM and 32GB of internal storage. The second variant with a 4GB + 64GB configuration is priced at Rs 12,990. The Galaxy A20 is priced similar to the top-give-up variation of the Galaxy M20.
The Galaxy A20 has been released at Rs 12,490 in India. It simplest comes in a single 32GB garage model paired with 3GB of RAM. Both the telephones are offered in Blue and Black hues, but the Galaxy A20 gets an additional Red color alternative as well.
Samsung Galaxy A20 vs. Galaxy M20: Design and specifications
The Galaxy A20 shares similar layout developments with the Galaxy M20. Both the phones game aspect-to-aspect Infinity-V waterdrop shows at the front and a 3D classic rear panel. They each come with a fingerprint sensor on the back and a dual-camera setup on the pinnacle left the corner. They also come with a Type-C port, 15W fast charging help, and headphone jack.
When it comes to the show, the Galaxy A20 receives a slightly larger 6.A four-inch display screen as compared to the 6.A three-inch screen on the M20. The A20 additionally gets a Super AMOLED panel which should offer vibrant hues and deep blacks as Samsung's panels are recognized for. The Galaxy M20 gets an LCD panel, but it benefits by handing over a sharper FHD+ (2340×1080) resolution rather than the HD+ (1560×720) resolution at the Galaxy A20. Additionally, the Galaxy M20 is Widevine L1 certified for HD streaming, whilst Samsung is yet to verify the equal for the Galaxy A20.
The Galaxy M20 additionally gets a chipset benefit over the Galaxy A20. While the Galaxy A20 gets a 1.6GHz Exynos 7884 processor, the Galaxy M20 is powered with the aid of a faster and extra capable 1.8GHz Exynos 7904 SoC primarily based on a 14nm process.
When we reviewed the Galaxy M20, we stated the Exynos 7904 offers an easy performance and can walking games like PUBG without hiccups in its default graphics settings. At Rs 12,999, the M20 also gives you a bit greater memory and two times the storage because of the Galaxy A20. Both the telephones assist storage expandability up to 512GB thru a microSD card.
Notably, the two phones proportion the same digital camera setup. The dual digital camera system on both phones consists of a 13MP number one digital camera with f/1.Nine primary sensors and a 5MP f/2.2 extremely wide-perspective camera. They also include a comparable 8MP front-dealing with a camera.
When it comes to battery, the Galaxy M20's massive 5,000mAh can take you through days at a single price. The Galaxy A20, on the other hand, homes a smaller 4,000mAh battery; however, it's far still full-size and ought to deliver over a complete day well worth of battery existence.
Lastly, the Galaxy A20 receives a part in a software program because it has been launched with the state-of-the-art One UI based totally on Android 9 Pie. As you can realize, one UI gives a redesigned interface with a focal point on imparting interactive factors on the lowest half of the display for easy one-surpassed use. One UI additionally brings a machine-wide dark mode. The Galaxy M20 ships with Android Oreo with Experience UI nine.Five on the pinnacle.
Reinterpretation of Samsung's Design Philosophy
Redmi Note 7 Pro Samsung Galaxy M30
Max Logan
Organizer. Social media ninja. Pop culture aficionado. Food nerd. Introvert. Spent 2002-2010 creating marketing channels for bassoons in Salisbury, MD. Prior to my current job I was marketing karma in Ocean City, NJ. Spent 2001-2007 getting my feet wet with barbie dolls in Salisbury, MD. Have some experience developing bacon in Phoenix, AZ. Set new standards for researching accordians for the underprivileged. Spent 2002-2007 merchandising soap scum in New York, NY.
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text:
Cissé Mariam Kaïdama Sidibé, née le  à Tombouctou (Mali) et morte le  à Tunis (Tunisie), est une femme d'État malienne. Après avoir occupé plusieurs postes ministériels, elle est devenue la première femme à occuper le poste de Premier ministre le , succédant à Modibo Sidibé, jusqu'au coup d'État du  du capitaine Amadou Sanogo.

Biographie
Mariam Kaïdama Sidibé est née à Tombouctou, dans l'ancienne Afrique-Occidentale française, le 4 janvier 1948. Après une scolarité à Goudam, elle passe le baccalauréat en 1970 à Bamako. Elle obtient ensuite le diplôme d'administrateur civil à l'École nationale d'administration de Bamako.

Carrière professionnelle
Entre 1974 et 1989, Mariam Kaïdama Sidibé est fonctionnaire au ministère de tutelle des Sociétés et Entreprises d'État du Mali.

En 1991, Mariam Kaïdama Sidibé est conseillère technique auprès du président Amadou Toumani Touré, puis d'août 1991 à juin 1992, ministre du Plan et de la Coopération internationale du gouvernement de transition. De mai 1992 à juin 1992, elle est aussi ministre de l'Agriculture et de l'Environnement. Entre août 1993 et novembre 2000, elle est secrétaire exécutive du Comité inter-État de lutte contre la sécheresse au Sahel (CILSS), basé à Ouagadougou. En août 2001, elle est à nouveau conseillère spéciale du président de la République, après l'élection de celui-ci. De mars à juin 2002, elle est ministre du Développement rural du Mali puis en 2003, elle est nommée présidente du conseil d'administration de la Société nationale de tabac et allumettes du Mali (Sonatam).

Première ministre
Le , elle est désignée à la Primature par le président Amadou Toumani Touré. Son gouvernement est constitué et rendu public le . Elle est la première femme Première ministre du Mali.

Le 5 novembre 2015, elle est nommée ambassadrice de l'Autorité du bassin du Niger (NBA) auprès de la COP21 qui s'est tenue à Paris.

Le 9 avril 2012, elle signe une lettre avec le président de l'Assemblée nationale destinée à la Cour constitutionnelle pour constater la vacance présidentielle survenue la veille.

Elle meurt le 6 novembre 2021 à Tunis (Tunisie), où elle était soignée depuis un mois.

Vie de famille
Mariée et mère de quatre enfants, elle porte le nom de son mari, Cissé, devant ses prénoms et nom de naissance.

Notes et références

Annexes

Articles connexes
 Liste de dirigeantes politiques
 Gouvernement de Cissé Mariam Kaïdama Sidibé

Liens externes
 Biographie de Cissé Mariam Kaïdama Sidibé sur JournalduMali.com.

Naissance en janvier 1948
Naissance à Tombouctou
Naissance au Soudan français
Décès en novembre 2021
Décès à 73 ans
Décès à Tunis
Premier ministre du Mali
Pionnière en politique
Ministre malienne
Ministre malien de l'Agriculture
Ministre malien de l'Environnement et de l'Assainissement
Élève de l'École nationale d'administration (Mali)

redpajama_set_name: RedPajamaWikipedia


The German-language magazine FLF Finanzierung Leasing Factoring has been observing and commenting on events in the leasing sector.
The Bundesverband Deutscher Leasing-Unternehmen e. V. (BDL) came into being in 2001, when its predecessor associations merged.Since then, it has been the only association dedicated exclusively to representing the interests of the German leasing industry. The origins of the BDL go back to 1972, when the older of the BDL's two predecessors was set up by the pioneers of leasing in Germany.
The Association's primary objectives are to promote leasing in Germany, and to make sure that the interests of leasing companies and their customers are adequately protected. One of its key tasks is ensuring that existing and proposed fiscal, legal, commercial and economic mechanisms allow leasing companies in Germany to compete with other financial service providers on a level playing field. The BDL engages in dialogue with legislators and public authorities in order to ensure that Germany civil law is equitable in its treatment of leasing companies.In particular, it keeps a close eye on commercial, fiscal and regulatory legislation, and monitors the German government's subsidization policies and practices.
As a body that engages in media and PR activities, the BDL is a dependable contact partner for companies, politicians, media representatives and members of the general public who take an interest in leasing-related matters. The Association focuses on providing accurate information about leasing in general, about the market for this financing product, and about the companies that provide leasing services. The BDL sees and positions leasing as an alternative to the traditional ways of financing capital goods. It keeps in close contact with other commercial sectors, in particular with the credit-services sector.
Analysing and reporting on incoming information about current developments in the leasing market and the trading environment are among the most important services the BDL provides for its members. Specifically, it compiles practical guides on topics of particular interest (e.g. risk management, the calculation of intrinsic value) and organizes symposia and forums on leasing-related topics. It also offers a wide range of instruction courses and seminars tailored exactly to its members' requirements.
German leasing companies' business interests outside Germany continue to gain in significance. Almost one third of the BDL's members have expanded into foreign markets and the German leasing sector is represented in some 80 countries around the world. In response to this trend, and to the increasing volume of leasing-relevant legislation and guidelines emanating from Brussels as the extension of the EU and the harmonization of Europe's national markets continue, the BDL has stepped up its international commitments. In recent years, it has been paying increased attention to safeguarding the foreign interests of the German leasing sector.This is also reflected in its membership of , the umbrella organization of the continent's 26 national leasing associations.


Barking Mad took boat of the week, whilst Michael ILLBRUCK, Colm BARRINGTON and Andy FISHER also triumphed as the Acura Miami Grand Prix came to its conclusion over the weekend.
There was no slam dunk choice for the Boat of the Week honoree at the 2008 Acura Miami Grand Prix. That's because all four classes were hotly contested throughout the regatta.
Colm BARRINGTON and his crew aboard Flash Glove counted all first and second place finishes and did not need to sail the final race en route to winning IRC 1 class in convincing fashion. Andy FISHER skippered Bandit to a hard-earned victory in IRC 2, which had four different leaders over the course of the four-day regatta. Michael ILLBRUCK and the Pinta team led at the end of each day in Melges 32, an amazing feat considering it was the German skipper's second regatta in the highly-competitive class.
Ultimately, the three-part criteria that officials with Premiere Racing use to select the Acura Trophy winner favoured the Farr 40 Barking Mad, owned by Jim RICHARDSON of Newport, won three of ten races and overcame some double-digit results to capture what proved to be the closest, most competitive class at Acura Miami Grand Prix.
Barking Mad was one of three entries to hold the daily lead in the 28-boat class. RICHARDSON's team was second after day one, fell to fifth after day two then regained the overall lead after day three.
Barking Mad had to work right up until the bitter end to hold that lead, clawing its way back from 25th to 17th in the last race in order to secure a four-point victory over Mascalzone Latino. Warpath, sailed by the father-son team of Fred and Steve HOWE, took third just one point behind Mascalzone.
The Italian entry, skippered by Vincenzo ONORATO, put the pressure on by placing second in race 10 and was winning the regatta when Barking Mad rounded the last downwind mark at the tail end of the fleet.
"Going down the last run I told the team 'We're not winning" and I ask [trimmer] Skip BAXTER what he thought I should do," Barking Mad tactician Terry HUTCHINSON said. "Skip said 'If I were you, I'd get some leverage to that right side. We went hard right, passed about seven boats on the last beat and breathed a huge sigh of relief."
RICHARDSON and company are hot, having won all three winter regattas in Farr 40 class. The part-time Boston resident got a gorilla off his back by winning both Key West and Miami for the first time in 11 trips to capture the Acura Grand Prix Championship in Farr 40. That trophy goes to the boat with the best combined score at the two international events organized by Premiere Racing.
"We have been on a bit of a roll and hopefully it will continue through the worlds," said RICHARDSON, referring to the Farr 40 World Championship being held off Miami in mid April. "I've been second in Key West and Miami several times so this is a bit of vindication. We've been knocking on the door so it feels good to finally open it and walk in."
ONORATO, the two-time defending World Champ, said following Saturday's racing that Barking Mad was the most "mentally tough" team in the fleet. HUTCHINSON agreed with that assessment after the crew shrugged off an 18th in race 4 by winning race 5.
"From the front of the boat all the way back to Jim, everyone focused on their job and did a great job of sailing the boat. There was never a lapse in concentration," he said.
ILLBRUCK is a newcomer to the up-and-coming Melges 32 class, taking delivery of his boat just prior to Acura Key West 2008. The German skipper did not steer as Pinta placed seventh in that regatta. He made his debut as helmsman in Miami and performed admirably, winning four races and second or third in five others in totalling 16 points - ten better than runner-up New Wave.
"We learned a lot in Key West that we were able to apply to this regatta. It was a challenge because of the heavy air and high seas, but the crew did an outstanding job," ILLBRUCK said.
John KOSTECKI, who skippered ILLBRUCK's victorious entry in the 2001-2002 Volvo Ocean Race and is now with the BMW Oracle America's Cup syndicate, called tactics aboard Pinta. Ross HALCROW of BMW ORACLE and Dan COWIE of Emirates Team New Zealand served as trimmers.
"In my biased opinion, John KOSTECKI is the best sailor in the world. He is incredibly competitive and always puts you in the right spot," ILLBRUCK said. "However, it takes more than one man to make a boat go fast. This was a team effort and every member of the crew did a fantastic job. We're all good friends who enjoy each other's company and that is very important for chemistry."
New Wave, co-owned by Michael CARROLL and Marty KULLMAN of Clearwater, took home the Acura Grand Prix Championship for Melges 32 after placing second at both Key West and Miami.
BARRINGTON was runner-up in IRC 1 class at Acura Miami Grand Prix last year, placing three points behind the TP52 Samba Pa Ti. The good-natured Irishman was sailing a Ker 50 named Magic Glove at the time and could not prevent being covered by the faster Samba Pa Ti in the last race.
"I decided after that regatta that I wasn't going to have a boat that was slower than my competition," said BARRINGTON, who had Judel/Vrolijk design a TP52 then modified it to fit the IRC rating rule. "We were very disappointed by what happened here last year, but we are delighted to come back and win it this year. It was a measure of redemption."
Volvo Ocean Race veteran Rob GREENHALGH helped optimize Flash Glove to IRC and served as tactician onboard while boat captain James HYNES oversaw the alterations. BARRINGTON had high praise for the two men who have combined to manage his programme.
"Rob and James did a terrific job of getting the boat up to speed. There were a lot of phone calls and e-mails back and forth with the designer to see how we could squeeze more speed out of her."
BARRINGTON's victory coupled with a second-place result at Acura Key West earned him the Acura Miami Grand Prix trophy for IRC. He clinched the regatta after nine races and returned to shore to rest an aching back, knowing that a discard would still give him a healthy nine-point victory over Doug DEVOS' TP52 Windquest.
IRC 2 class wasn't decided until the final leg of the last race when the Aerodyne 38 Thin Ice played spoiler by winning on corrected time. That assured the Swan 42 Bandit of the overall victory by the narrowest of margins. Skipper Andy Fisher steered Bandit to six finishes of third or better in totalling 25 points, a mere half point ahead of the J/122 Teamwork.
Teamwork, owned by Robin TEAM of Beaufort, needed to win the last race in order to win the regatta and wound up placing second - just nine seconds on corrected time behind Thin Ice.
"This was a very interesting and competitive class. We had a varied bunch of boats that were all well-sailed and performed differently depending on the conditions," FISHER said.
Teamwork grabbed the lead on the opening day while the J/44 Gold Digger (James BISHOP) held the lead entering the closing day. Bishop's team wound up third overall - one point behind Teamwork and one point ahead of the Swan 42 Tiburon (Mark WATSON).
"You couldn't ask for closer racing. Any one of four boats could have won going into the last race. It was a very fun and exciting regatta," said FISHER, who loved the venue off Miami Beach.
"I thought the race course was terrific. We had a mix of conditions with light, medium and heavy air from different directions so the race committee had to set a bunch of different courses. I felt it was fascinating racing," FISHER said.


text:
Business Leaders to Congress: 'No Recess Without Relief'
More than 200 U.S. private- and public-sector groups have called on Congress to pass additional economic relief for small businesses before the November election.
By Brit Morse, Assistant editor, Inc.@britnmorse
Photo: Getty Images. Illustration: Chloe Krammel
"No recess without relief" is the refrain from a coalition of business groups, which this week sent a letter to congressional leaders imploring them to not leave Washington for the 2020 elections without passing additional stimulus.
More than 200 public- and private-sector groups--calling themselves the Covid Relief Now Coalition--signed the letter, urging Congress to pass additional economic relief for small businesses before the November 3 election. Otherwise, they said, millions more jobs will be lost, millions of those now unemployed will lose benefits, and hundreds of thousands of companies could close their doors forever.
"This is a pivotal moment," the letter reads. "Congress needs to rise to the occasion and cast partisanship aside to provide a lifeline to get through this pandemic. Congress's failure to act now will result in negative economic ramifications that will reverberate for decades."
The letter was sent amid renewed stimulus talks between congressional Democrats and the White House, which are taking place this week. On Wednesday, House Democrats held off a vote on their $2.2 trillion stimulus proposal announced Monday. The package, which is being referred to as the updated Heroes Act, reportedly includes another round of $1,200 stimulus checks, enhanced unemployment benefits, worker health protections under the Occupational Safety and Health Administration, and more funding for the Paycheck Protection Program.
While the House bill in its current form stands little chance of passing, both sides are continuing to negotiate. The Trump administration previously expressed interest in a bill with a price tag of around $1.5 trillion; according to a new report, citing people briefed on the deal, Treasury secretary Steven Mnuchin has proposed $1.6 trillion in additional Covid-19 relief.
Time is tight for inking a package. The House is expected to adjourn soon before leaving Capitol Hill until mid-November.


text:
Q: Twitter OAuth: Authenticating with just client id and secret I need to access the Twitter API user timeline service using the following REST request so I can pull some tweets from a feed to display on a site:
"https://api.twitter.com/1/statuses/user_timeline.json?screen_name=frosario"
It works mostly, but I'm getting sporadic 401 and 500 errors when performing this request; which seem to be because I'm hitting the rate limit for unauthenticated API calls.
I'd like to authenticate with my client Id and secret so I can take advantage of the increased rate limit. I'd like to do this with a server side OAuth flow just using my client id and secret; but could also provide user credentials if needed. However, this needs to be all server side; I can't go through the OAuth redirect flow to authenticate with Twitter's API everytime we load up the site; just to download these tweets. What are my options? I looked over Twitter's OAuth documentation and didn't see anything that would seem to work for my situation; but perhaps I missed something.
Any constructive input is greatly appreciated.

A: When using oAuth you're using it to authenticate the current user so that you can access their specific tweets and such, which isn't what you're looking to do. You're just looking for a way to download certain tweets right?
You can create a console app or process to download the tweets for you, store them in a database, then read from your database.
If there is a lot of tweets, I'd recommend using the Twitter Stream API.

A: You just need to authorize your application once.
Check out the MVC quickstart in the Spring Social Twitter extension:
http://www.springframework.net/social-twitter/

redpajama_set_name: RedPajamaStackExchange


text:
Three pamphlets: Martin Figura, Leontia Flynn and Naush Sabah
Khadija Rouf reviews My Name is Mercy by Martin Figura (Fair Acre, 2021), Hilary Menos reviews Nina Simone is Singing by Leontia Flynn (Mariscat, 2021) and Mat Riches reviews Litanies by Naush Sabah (Guillemot, 2021)
My Name is Mercy by Martin Figura
In 2021, the poet Martin Figura became Poet-in-Residence for Salisbury NHS Foundation Trust. He was commissioned to write poems based on staff experiences of working through the pandemic. He spoke to staff and volunteers in their workspaces, and he prefaces this collection by saying that the impact of the pandemic was "lasting", "palpable and deeply affecting".
The impact of Figura's resulting pamphlet is, in turn, lasting, palpable and deeply affecting. My Name is Mercy was published in December 2021 and is an astonishing and moving insight into the unmapped experiences of staff and patients across an intensely traumatic time. The poems reflect a range of staff experiences including ICU nurses, clinical psychology, pathology, hospital chaplains, the End of Life Team and, of course, the patients. The poems chart this time in a variety of poetic forms which give a variety of rhythm and pace in the collection, drawing the reader along through an emotional journey of highs and lows.
My Name is Mercy is peppered with the indelible symbols of the pandemic: masks, space, screens and PPE. It also charts the disturbance of normal relational life and the difficulties of giving healthcare within that. Some of the poems are clearly anchored in the words of staff before launching into the poetic and lifting the reader into liminal spaces. A habitual commute to work is eerily unfamiliar in locked-down Salisbury in 'Morning'. Another poem, 'Space', captures the alienation which ICU staff felt, particularly during the second wave, when civil society was returning to some sort of normality yet clinicians in intensive care were still working with those stricken by coronavirus. The disconnection and sense of being left behind by our elected leaders is captured in 'Success in the Time of COVID-19'.
An adviser embraced her minister
in delight at the thought of Freedom Day.
We, or most of us, rolled up our sleeves
and waited: what else could we do?
The themes of enforced social distance and space move into the realm of the planetary at several points in the collection – some poems refer to constellations, orbits and gravity. It reflects how many of our landscapes changed beyond recognition. The efforts to care for very sick and dying patients was accompanied by some of the most acute experiences of stress and loneliness. The poem 'Nightshift' captures this loneliness of the clinician as an "untethered astronaut" outside oneself, reaching across time. The poem is haunting, and beautifully expressed in this reading by Olivia Colman.
My Name is Mercy … is an astonishing and moving insight into the unmapped experiences of staff and patients across an intensely traumatic time
There is deep gratitude for those who kept things running in the brimming prose poem, 'Praises and a Curse'. Here, porters, chefs, delivery drivers are celebrated, and there is prayer-like thanks for small, usually-taken-for-granted blessings.
Figura also picks up the themes of home and belonging, the impacts of the corrosion of physical closeness within relationships and also how resourceful people were amidst this. The search for connection, kindness and comradeship is evident in 'Notes Left Behind for a Newbie'.
Remember we are a raft.
At any moment you can reach out
for the hand of someone else reaching out.
And of course, staff also became sick at times, with colleagues themselves needing the care of the NHS. In 'Mother's Day', there is a deep sense of this connectedness:
The boundless gratitude for kindness, luck:
This family, these friends, this work.
Other poems note how much dedicated service is given by individual staff across their careers, but also from entire families, such as the pride expressed in 'A Sonnet for Blood' and 'Here'. I am pleased that Figura also recognises the unacceptable everyday racism which many NHS staff have faced, despite being a deep part of the fabric of the NHS, in the poem 'Here'. Many of NHS and social care staff who died from Covid were from ethnic minority backgrounds.
As well as charting deeply serious themes, there are also moments of lightness, showing the necessity of playfulness and loving humour – the chaplain who thankfully leaves his bagpipes at home in 'The Parish of Odstock', the line-dancing in purple crocs in 'On Being Interviewed by a Poet'.
But inevitably, the collection visits places of grief and the sacrifice of working through a traumatic time. Figura employs the strangeness of Wallace Steven's highly original 'Thirteen Ways of Looking at a Blackbird' to foreground the many ways of looking at Covid. He takes us somewhere with a medieval 'end of days' feel. Throughout, snatches of the mundane are transposed against ghosts, and the seemingly apocalyptic ('Thirteen Ways of Looking at Covid').
Figura has crafted a beautiful collection of compassionate and respectful poems. It was a privilege to read it
Amidst this horror, resolute acts of care and kindness are etched out. The title poem of the collection, 'My Name is Mercy', is a spare pantoum, capturing simple, compassionate reassurance to try to soothe those amidst the desperation and fear of serious illness. In other poems, the reader is guided through the netherworlds of sedation, delirium and truly heartbreaking moments of tenderness as the dying are helped to say goodbye to loved ones. For me, 'Life' and 'The Fifth Season' are incredibly powerful. They bear the weight of witnessing final goodbyes with dignity, respect and simplicity. For instance in the searingly sad lines from 'Life',
I held the phone for him as he was saying
when to plant the begonias out and
don't do it too early, and his son said
I'm going to miss you dad
And he said you can do this.
The collection ends somewhere amidst the chaos and exhaustion, with the inevitable jolt of continuing life. A baby is born on Christmas Day, and the infant, Ethan, is unaware
that he alone has set the day back into motion,
with all its tinsel, cracker jokes and joyful noise.
And this is where the collection ends – with a beginning, and a sense of joyful noise. It is a welcome place to rest, reflect and to dare to hope.
Long after the Thursday nights of clapping and cheering for the NHS has finished, this is a special testament to the experiences of NHS staff. It is full of humanity, and I was moved to tears by several of the poems. It will resonate with many and it serves as a powerful testimonial for those who were deeply, personally and occupationally affected by working through pandemic. Figura has crafted a beautiful collection of compassionate and respectful poems. It was a privilege to read it.
Dr Khadija Rouf is a clinical psychologist working in the NHS, and a published poet. She is published in the NHS poetry anthology These are The Hands edited by Deborah Alma and Dr Katie Amiel (Fair Acre Press, 2020). Her poem about working during the pandemic, Tacet, is published in the Hippocrates Prize anthology, 2021. She has previously written for The Friday Poem, on the potential healing capacities of poetry and the Arts.
Nina Simone is Singing by Leontia Flynn
In the title poem of this natty yellow pamphlet Nina Simone is Singing, Leontia Flynn quotes and then repeats the opening line of the eponymous song, with increasing emphasis on the length of the last sung note. "In my soli – tuuuude" she says. "In my soli – tuuuuuude" … "In my soli – tuuuuuuude".
Flynn does not continue to quote the rest of the first verse, which is sung so mournfully by Simone, and is so expressive of bitter loneliness and fond remembrance, but it is implied: "In my solitude … you haunt me / with reveries / of days gone by // In my solitude / you taunt me / with memories / that never die".
The sound of Simone's singing, "pinching its finger and thumb", extrudes all along Leith Walk, down to the harbour and back in time to 1999, to a time and a place where a younger Flynn sits, "playing at solitude". Flynn understands solitude better now, the poem seems to be saying, as she gently admonishes her younger self – "for all that talk / of solitude's hot flame / don't you actually have / both a boyfriend and a girlfriend?" The older, wiser Flynn knows what is in store for the younger Flynn – the lovers, the children, and the need for letting go. It's a poignant moment, contemplative and wistful but unpinned with wisdom. The poem ends with ten short lines, perhaps ascribing knowledge to Nina Simone herself, or perhaps as a rhetorical question addressed to the poet and to the reader:
Who knew in the triumph
of exiled self-possession
with its broken mirrors,
with the fallen towers
of the mind,
how raw is the sunlight
what an awful thing
is a rose
in the singular world
that is untransfigured by love.
This is what seems to me to haunt, if not taunt, this collection – the pain, and the cost, of having chosen to be alone, to which the memories of days gone by act as counterpoint. In 'Now that the verdict's in' there are references to "the voices raised, the arguments advanced / and assets tabled / for a split", and gulls wheeling upwards in a reversal of a ticker tape celebration, and while there is little else in the pamphlet that explicitly references separation or divorce, there is generally a sense of fragmentation, impending doom, or incongruity, such as the "louring plane, // hung low and large, / between the hills and the gantries / … like the stop-motion harpy / in Jason and the Argonauts."
Flynn uses the notion of sound moving like a physical thing again in 'In public squares on cobbled streets', where a siren blares, "harsh and mechanical" and hangs "like a comic POW!" before threading
through the tall Romantic houses,
scrolling and cresting,
ricocheting
from the mansard roofs
and wrought-iron balconies
across cream-clad brickwork
– its nasal dyad
a ribbon of fear
It's almost as if the sound is gripping us by the hand and taking us with it, where Flynn wants us to go. And where does it take us? Along Parisian boulevards, past limestone walls into a dark backstreet so narrow one can hardly walk along it "where I stand culpable". Here's the real POW! But Flynn doesn't labour the point – she's up and off and out of the poem with a smart reference to Roland Barthes who was run over, at that spot, by a laundry truck (true story!).
Flynn is a master of bringing the subterranean currents of domestic life up, just, to the surface
In 'All night on the high bed' a couple lie in a B&B in St John's, Newfoundland, at pretty much the easternmost point of Northern America. The foghorns of fishing boats sounding in the bay "threaded and rethreaded" – Flynn uses the word "threaded" a lot! – her dreams and the lighthouse beams interrupt the dark. The sound and light make it hard to settle.
From Cape Spear
a thin diagonal line
stretched blindly East
to Ireland's answering coast.
It is an exercise in subtlety and allusion, but its effects are nonetheless weighty. So little is said, but so much is conveyed. In 'It is solstice in the city', the first five or so stands are calm, lulling, reflective. Gulls fly, dusk falls, the sky changes colour, and a kind of inventory is made "of my Gross Domestic Product". The poem ends:
One sock. A half-read book.
This child's plastic volcano –
its small dome cooling
after the explosion.
Flynn is a master of bringing the subterranean currents of domestic life up, just, to the surface. She explores the provisional nature of things, "The plan uncertain / the children crying", and the possibilities of life taking off in unexpected, unpredictable directions, such that "near the wandering / mid-point / a reader re-finds her page / in the story of life". Occasionally she seems to arrogate a bit too much poetic ballast – I'm unsure about "Fire's poetry tore / through the building's prose / like time / through eternity // Or love / through life" but it the main she's on point and pitch perfect.
Hilary Menos is editor of The Friday Poem. She won the Forward Prize for Best First Collection 2010 with Berg (Seren, 2009). Her second collection is Red Devon (Seren, 2013). Her pamphlet, Human Tissue (Smith|Doorstop, 2020), won The Poetry Business International Book & Pamphlet Competition 2019. Her newest pamphlet is Fear of Forks (HappenStance, 2022)
Litanies by Naush Sabah
Litanies comes relatively hot on the heels of Naush Sabah's Legitimate Snack special limited edition double micro-pamphlet box set, Heredity / ASTYNOME, from Broken Sleep Books. 'Heredity' is a long three-part poem exploring intergenerational change and exchange; 'ASTYNOME' is a sequence of seven poems voiced as a contemporary re-imagining of the character Cressida. It's a beautifully presented pair of micro-pamphlets, printed on high quality paper, which sold out immediately.
Litanies is also a quality artefact – the paper weight isn't mentioned, but you know you are going to be holding a beautiful thing in your hands from the moment you first lay eyes on Rachid Koraïchi's cover design. Of course, all of the presentation comes to nothing if the stuff between the pages isn't worth the paper it's printed on. But there are no worries to be had on that score. Litanies feels closer in terms of kinship, narrative structure and trajectory to ASTYNOME, but made up of the more self-contained, shorter poems found in Heredity.
The first words of the first poem, 'Litany of Dissolution', are "I dared" and it feels like what follows is indeed the work of someone brave – brave enough to question themselves and the world around them, particular ingrained viewpoints, the life and religion they were brought up in, and the expectations placed on them. The poem, with its long sweeping sentences, feels crammed full of doubt and questions, the barely present punctuation (one em dash and a sprinkling of possessive apostrophes) leading to a great tumbling out of thoughts throughout.
I abandoned the night prayers
for sleep without ritual
ablutions in freshly clean sheets
masturbating without
god watching for the first time
or his judgement
lying heavy on my chest
The first page of the poem is also filled with adjectives, for example the "fathomless black", the "freshly clean sheets", "voluptuous low rainclouds" and "encompassing silence", but this wears off as the poem progresses. The speaker of the poem becomes separate from God and family.
I am lying to my family
avoiding temple visits and funerals
saying amen when they make offerings
and not meaning it
This separation works for a while. "I am thinking all the things / men have told me not to think /and I am not letting them inside / my head / to hear / refusing to / answer their questions". But by the end of the poem there is a feeling of abandonment, of questioning returning. The speaker asks:
where's god when I pray
for the faith I need
when i'm desperate and less daring
dissolving into oblivion
without him
'Litany Of The Lake' is about the destruction of the towns of Mirpur and Dadyal and almost 300 villages, all flooded for the Mangla Dam, and the subsequent displacement of over 100,000 people, including members of Sabah's family. The poem refers to Geoff Binnie and Guy Atkinson, telling us to ask them both "about the submerged home / Abdul-Hamid & Fazal could never go back to." Binnie and Atkinson were the men in charge of the construction of the Dam. By placing their names firmly in the centre of the poem, we can see the blame and recrimination placed on these two men for triggering such destruction: "What difference did the land or water make?".
In the poem that follows it, Sabah brings the liquid volume down to something a little less enormous but no less powerful than a flood, and talks of a different kind of forced displacement. 'Lament To The Lost Door' starts:
I never got to say goodbye to god,
to raise my cupped hands and ask for one last thing
or with a mudd of tears, thank him.
Doubt lapped at me in increments
before it rose, tidal and towering,
my still lake now black sea sucking in its breath.
If you open Litanies expecting answers you will be disappointed. If you are ready to have challenges thrown at you, and to see the workings of a mind reaching for somewhere they may never get to, then you will find this pamphlet immensely rewarding
According to the notes at the back of the book, a mudd is an old Arabic unit of measurement – the volume of two cupped hands, and it's hard for me not to link that image back to the a sense of something King Cnut-like in the previous poem, of attempting to hold back the rising tides and bailing out a mudd at a time. This poem, like so many of the poems here, leaves me overwhelmed and disoriented by the grief and doubt, by the sheer scale of disruption. We see that:
The earth's magnetic poles switched suddenly
and I was left a disorientated dervish,
skirts spinning, a performance for tourists.
I'd been anchored, saved by certainties,
grateful I never tripped on treacherous paths,
that fear and boundaries kept me from edges.
This could be said to be the quintessential poem of the book, in part because of its questioning of faith and the protections of god, but also because of the feeling of a conscious decision being made. The speaker is saying goodbye to god, not being abandoned. However, 'Questions of Faith' is the poem at the physical centre of the collection, perhaps deliberately placed there, and it is crammed full of ideas and themes. It could almost be an ars poetica as well as a dissection of religious intolerance, sexism, sex, the poetry scene, shame, and identity, and it all starts with a "diamond / encrusted crotch". Do you need more? It is an almighty (no pun intended) lashing out:
will it be a symbol for the patriarchal godhead
we're compelled to worship get on our knees &
worship push out heads to the ground & worship
god is so big so big the biggest I've seen is your
god your god is bigger is greater god is great &
he's filled havens with hentai virgins & rivers of
milk & wine so we can fuck & drink to our heart's
content & this poem is about religion is about sex
is about self-consciousness & the fear of god & his
people his men his big brave enforcers …
… and I could go on quoting. As with 'Litany of Dissolution' the words pour out onto the page with little punctuation to hold things back. Word repetition acts like an ellipsis to separate the thoughts spilling out onto the page. "we all / know hijab is a is a is is is I will take my hijab off I / will put my hijab on I will dye my hair & shave it all / off I have taken my hijab off and I have put it back / on & nothing is right for me anymore […]".
That "nothing is right for me anymore" cuts hard in this collection, and encapsulates so much of the dis-ease at play within. The lack of comfort, the inability to settle, the lack of a constant is, er, constant, and never more so than in closing poem, 'Of Song'.
[…] There always was, wasn't there – the
meaningless, tuneless sound of my own voice
reciting language that isn't mine, sense I could
never make? Now I listen as if to a lullaby my past
is singing me. You slept here, it says. Wasn't it
peaceful and safe, don't you love your sleep?
The poem (and therefore the book) closes on this unsettling memory of a time when the speaker was comfortable, and felt safe enough to rest. It feels almost like a taunt to themselves, harking back to a place of security, perhaps provided through faith or in not questioning things. It doesn't give the collection a neat ending, but it absolutely feels like the right place to leave it. If you open Litanies expecting answers you will be disappointed. If you are ready to have challenges thrown at you, and to see the workings of a mind reaching for somewhere they may never get to, then you will find this pamphlet immensely rewarding.
Mat Riches is ITV's poet-in-residence (they don't know this). His work's been in a number of journals and magazines, most recently Wild Court, The High Window and Finished Creatures. He co-runs the Rogue Strands poetry evenings, reviews for SphinxReview, The High Window and London Grip, and has a pamphlet due out from Red Squirrel Press in 2023. Read Mat Riches' blog Wear The Fox Hat.
Limited only by things unseen
Pamphlet Review: Richie McCaffery reviews Hex and Other Poems by Shane McCrae (Bad Betty, 2022)


text:
Skontorp Cove () is a cove in Paradise Harbor, lying 2 nautical miles (3.7 km) southeast of Bryde Island along the west coast of Graham Land. Named for Edvard Skontorp, an outstanding Norwegian whale gunner, who commanded a whaler for Salvesen and Co. of Leith, Scotland.

References

Coves of Graham Land
Danco Coast


Crawlspace or basement flooding can occur any time of year. Snow melt and thawing ground water can lead to flooding in the cooler months. Heavy rains can cause problems in the summer.
When you walk downstairs and find you've had a flood, your first priority will be removing the standing water. However, even when standing water is gone, the problems associated with wet basements and crawlspaces don't go away. Damp conditions can lead to mold, mildew and even insect infestations.
Basements can flood or become damp anytime of year, leading to a wide range of problems.
Aprilaire high-capacity dehumidifiers more completely and efficiently fight damp conditions due to flooding in the basement or because of high summer humidity. Visit the Aprilaire website for more indoor air quality solutions and to learn about high capacity dehumidification.


In case you were wondering what bicycles, Northeast LA and the local economy had in common with the holiday season, we wanted to bring a very exciting and fun event to your attention!
You may have been following our pilot project, the Northeast LA Bicycle Friendly Business District (NELA BFBD), launched back in February in an effort to to bring more people to local businesses by bicycle. The plan to achieve this includes implementing bicycle infrastructure enhancements to the neighborhood like bike lanes, corrals, and repair stations; offering promotional incentives to people arriving by bicycle; and overall, encouraging customers and employees to take local trips to business corridors on bicycles rather than in cars.
Since we last blogged about it, we have established a Steering Committee of local stakeholders including representatives from the Eagle Rock and Historic Highland Park Neighborhood Councils, the Occidental College Urban and Environmental Policy Institue, local non-profit organizations, and active transportation advocacy groups like C.I.C.L.E. and LACBC. The NELA BFBD represents a collaboration and partnership between businesses, the community, and the City to accomplish shared goals of community building and economic development.
After many months of meetings, the Steering Committee has planned a kickoff event: SHOP – RIDE – NELA Holiday Edition. The bicycle ride, led by C.I.C.L.E., will take place on Saturday December 13th, from 9:30am-12:30pm, and traverse 3.6 miles of Northeast LA's most vibrant shopping corridors. The ride will meet at METRO's Highland Park Gold Line Station and make shopping and dining stops at LADOT's two local business-sponsored Bicycle Corrals: the York Bl Corral located at 5000 York Bl (sponsored by Cafe de Leche) and the Colorado Bl Corral soon to be installed at 2136 Colorado Bl (sponsored by Core Club LA). Riders of all ages and abilities are encouraged to join this leisurely ride!
The event coincides with the installation of Northeast LA's 3rd Bicycle Corral which will be located on the corner of Colorado Bl and Caspar. With Corrals installed on nearly every major business corridor in Northeast LA, people in the neighborhood can more easily visit their local establishments by bicycle. These corrals create up to 14 additional parking spaces out of one or two car parking spaces (we've actually seen our corrals provide parking for 18 people on bicycles in Venice), increasing the capacity of the public right of way and encouraging active transportation for local trips.
The NELA BFBD is the first pilot BFBD in Los Angeles and includes Colorado Bl, York Bl, N. Figueroa St, and Eagle Rock Bl.. Council member Huizar has been a champion of people walking and biking to local businesses and this event will showcase the dynamic effect a walkable-bikeable neighborhood can have on invigorating economic activity, especially around the holidays. Ride participants will travel at a casual speed, slowing down to stroll, take in the local scenery, and explore local businesses and culture. Shopping by bicycle enables unlimited parking time, encouraging people on bikes to take their time and discover the amazing offerings within these business corridors.
Businesses that offer a shopping discount to ride participants and others arriving by bicycle on the day of the ride or through the Bicycle Friendly Business Program will be listed in a map distributed to riders. For more information about the event, email elizabeth.gallardo@lacity.org. To learn more about Bicycle Friendly Business, or to opt in to the Bicycle Friendly Business Program visit http://ladotbikeblog.wordpress.com/bicycle-friendly-business-program/.
Events like SHOP – RIDE – NELA would not be possible without active community members and advocates who have helped plan, sponsor, and facilitate the program. Special thanks to Cafe De Leche, Core Club LA, Big Mama and Papa's Pizzeria, Councilmember Jose Huizar and Council District 14 staff, C.I.C.L.E., Eagle Rock Neighborhood Council, Occidental College Urban and Environmental Policy Institute, and the Los Angeles County Bicycle Coalition.


this time last year more than half way pregnant and busy painting and wondering. was just starting to feel I could stand upright without having waves of nausea and lightheadness. very much enjoying aternoons and early mornings on front verandah catching a little winter sun.


text:
class Process {

 public:

	bool getFilesToCopy ( char *srcDir , class SafeBuf *buf ) ;
	bool checkFiles ( char *dir );

	// . the big save command
	// . does not save everything, just the important stuff
	bool save ( );

	// . this will save everything and exit
	// . urgent is true if we cored
	bool shutdown ( bool   urgent,
			void  *state = NULL,
			void (*callback) (void *state ) = NULL);

	bool checkNTPD();

	Process                 ( ) ;
	bool init               ( ) ;
	bool isAnyTreeSaving    ( ) ;
	bool save2              ( ) ;
	bool shutdown2          ( ) ;
	void disableTreeWrites  ( ) ;
	void enableTreeWrites   ( ) ;
	bool isRdbDumping       ( ) ;
	bool isRdbMerging       ( ) ;
	bool saveRdbTrees       ( bool useThread ) ;
	bool saveRdbMaps        ( bool useThread ) ;
	bool saveRdbCaches      ( bool useThread ) ;
	bool saveBlockingFiles1 ( ) ;
	bool saveBlockingFiles2 ( ) ;
	void resetAll           ( ) ;
	void resetPageCaches    ( ) ;
	double getLoadAvg	( );
	void resetLoadAvg	( );

	long long getTotalDocsIndexed();
	long long m_totalDocsIndexed;

	class Rdb *m_rdbs[32];
	long       m_numRdbs;
	bool       m_urgent;
	char       m_mode;
	long long  m_lastSaveTime;
	long long  m_processStartTime;
	bool       m_sentShutdownNote;
	bool       m_blockersNeedSave;
	bool       m_repairNeedsSave;
	long       m_try;
	long long  m_firstShutdownTime;

	void        *m_callbackState;
	void       (*m_callback) (void *state);

	// a timestamp for the sig alarm handler in Loop.cpp
	long long m_lastHeartbeatApprox;

	void callHeartbeat ();

	bool m_threadOut;

	bool m_suspendAutoSave;

	bool gotPower ( TcpSocket *s );
	bool        m_powerReqOut;
	bool        m_powerIsOn;
	long long   m_powerOffTime;
	HttpRequest m_r;
	//Msg28       m_msg28;
	bool        m_exiting;
	bool        m_calledSave;

	bool gotFanReply ( TcpSocket *s );
	void checkFanSwitch ( ) ;
	bool m_fanReqOut;
	float m_dataCtrTemp;
	float m_roofTemp;
	long  m_currentFanState;
	long  m_desiredFanState;
	float m_diskUsage;
	long long m_diskAvail;
	char m_swapEnabled;
};

extern Process g_process;

extern char *g_files[];

#endif


text:
Jay Park And Day6's Jae Park Announce Surprise Departures On Social Media, Shaking Up The South Korean Music Scene
Big announcement, right here!
If you're a fan of either Jay Park or Jae Park you may have started 2022 off a little surprised as the stars, both active in the South Korean music scene, announced they would both be parting ways with their long-time companies. Jay Park, the 34-year-old Korean-American hip-hop artist and producer, announced via social media on December 31 that he would be stepping down as CEO of both independent music labels he had spearheaded, AOMG and H1ghr Music.
jaypark
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Lottie W


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MIAMI STUDIO
vixenarmy
Vixen Workout Studio
vixenofthemonth
Vixen Workout New York
vixentips
vixen workout
Twerking Their Way to a Sweaty Workout Nirvana
By COURTNEY RUBIN MARCH 12, 2014
The Vixen Workout (a.k.a. the twerking workout) during a Monday night class at Body & Soul, in Coconut Grove, Fla. CreditBarbara P. Fernandez for The New York Times
As green and red strobes flashed around a darkened Midtown studio, some 75 women, many in animal-print Lycra capri pants and wedge-heeled sneakers, scrambled for lipstick touch-ups, then took their places for their exercise class warm-up.
"Now you're going to give me a hair flip," yelled Janet Jones, a classically trained ballerina and former Miami Heat dancer. "And ooh, hair flip. Ooh, hair flip."
The women obeyed, repeating the words like an incantation while tossing their hair as (there is no other word for it) aerobically as possible. Ms. Jones, 32, segued to a "kitten pose" (rear end out, one leg bent), followed by a hip-swiveling, backside-shaking maneuver she called "ay papi, el papi." Then she led the group in affirmations: "Damn, I look sexy for a Monday night," four times, crescendo. Members of the Vixen Army, as Ms. Jones calls disciples of her Vixen workout, were ready to twerk.
To a soundtrack that was about two-thirds Beyoncé, one-third unprintable except for indefinite articles and conjunctions (and to which nearly everyone knew the words), the group performed suggestive dance moves that Ms. Jones has given equally suggestive titles, like "booty call," "milkshake" and "ridin' round and gettin' it."
Ms. Jones refers to this as "me taking urban hip-hop and Justin Biebering it," but it's also practical because the names make the moves easier to teach. There is some giggling when Ms. Jones or her instructors say things like "give me eight 'ridin' round and gettin' its' into 10 'milkshakes' into five 'booty calls,' " but mostly, there is just sweating. Hair flipping may not spike the heart rate much, but dropping it low certainly does.
The Vixen workout, which began in Miami in October 2012, has attracted a following of thousands of women, mostly under age 35 and many of them mothers of young children, like Ms. Jones. Few go, or have ever gone, to traditional gyms. They are drawn to Vixen's slightly naughty, pretend-you're-Beyoncé's-backup-dancer approach (every woman interviewed brought up Beyoncé) and enjoy the emphasis on makeup, blown-out hair and heels as just part of the costume.
Janet Jones, 32, created the dance routine in October 2012. CreditBarbara P. Fernandez for The New York Times
"We want you to get dolled up to sweat it all off," reads the "vixen etiquette" on the website. Ms. Jones said her experience as a Heat dancer taught her that she moved differently when she thought she looked good.
Stephanie Muñoz, 27, said she used to ridicule women at the gym with makeup, but that her Vixen workout prep includes a manicure and her favorite Nars red lizard lipstick, a siren red. (She draws the line at getting a blowout.)
"It's like a religious experience," said Ms. Muñoz, of Astoria, Queens. "You start to feel better about yourself getting ready, and then you do the workout and you feel like a million bucks."
Carla Acosta-Medina, 30, came to the $15 Midtown class with two friends who were intrigued by the workout when they spotted pictures of it on Instagram.
"You get to sing and dance and feel sexy," said Ms. Medina, who lives in the Bronx and has a 14-month-old daughter. "You feel like you're onstage performing with Beyoncé. When does a mom get to feel like that?"
If it seemed as if it was only a matter of time before someone turned twerking into a workout, well, Ms. Jones was regularly selling out classes of 125 people before Miley Cyrus's performance at the Video Music Awards in August. The Vixen workout already had spread throughout South Florida almost entirely thanks to Instagram — sweaty selfies, often in kitten pose, practically are a part of the cool down, and have been since the very first class, attended only by Ms. Jones's cousin and her best friend.
Ms. Jones encourages women to attend with makeup on, hair down and sneaker wedges.CreditBarbara P. Fernandez for The New York Times
"You only take a selfie when you're feeling hot," Ms. Jones said.
Post-Ms. Cyrus, Ms. Jones's army began hashtagging their pictures with "twerk" or "twerkout" and labeling photos "getting my Miley Cyrus on," and the workout caught fire. Last fall, classes began in Manhattan, Harlem and Astoria. Ms. Jones recently flew to Los Angeles to hire instructors; classes will begin there in April.
What makes Ms. Jones's workout different from other of-the-moment dance cardio classes is that her moves are raunchier than the rest — moves most women older than 25 no longer feel comfortable doing in a nightclub, if they ever did. That's because the workout was inspired by an episode at the Arkadia nightclub (now closed) in Miami, when a song Ms. Jones and her girlfriends loved came on, but the group grooved about as enthusiastically as junior-high boys forced to attend a school dance.
"It's like you have your public persona of being a V.P. of a company, being a mom, and even in a nightclub you can't let loose," Ms. Jones said. "And I just thought, well, when can you let loose?" She added the affirmations because at the time, Ms. Jones was slowly emerging from what she called "my blackout period, when I was invisible," when she lost her job as an administrative assistant and was unhappy in her marriage.
Unlike many boutique gyms, which focus on hiring hot instructors with genetically blessed physiques, Ms. Jones chooses approachable women who are "not the best dancers out there," to make them relatable. Students are more likely to be singled out and told they look beautiful than corrected on form. In fact, there are no corrections, because "you can't feel the music wrong," Ms. Jones said.
Michelle Schloemer, 24, of Bay Ridge, Brooklyn, learned of the workout when a blogger she follows on Instagram gave it the thumbs up.
"Some workouts, like maybe a yoga class, you feel overshadowed by all these smaller women, but not here," Ms. Schloemer said after Monday's class. She checked her heart rate monitor: She had burned 40 percent more calories than she does on the elliptical machine, she said.
She ran over to join the class picture, everyone making a V with the first two fingers of their right hand. Ms. Jones surveyed her students and yelled: "I want to see every sex bomb," before taking her place in front. After a couple of takes, the group splintered into twos and threes, the women throwing their hair back as they snapped photos and posted them on Instagram. This army is always recruiting.
See original article here
WHY SOME OF THE COOLEST CARDIO INSTRUCTORS ARE WEARING BEANIES WHILE THEY WORK OUT
VIXEN WORKOUT & PROPEL CO:LABS
Vixen Workout: Fierce, Sexy Janet Jones Shows Us How To Own It
NEW TO VIXEN
info@vixenworkout.com
547 NW 28 Street


text:
NYC Development News
Upper West Side council member promises to fight Snøhetta's 775-foot tower
Helen Rosenthal has expressed her opposition to the neighborhood's tallest planned tower
By Tanay Warerkar@TanayWarerkar Nov 29, 2017, 12:45pm EST
Via Snøhetta
Just a few days after Snøhetta unveiled its design for Extell's Upper West Side tower at 50 West 66th Street, the City Council member representing the neighborhood has come out in opposition to the planned 775-foot tower.
Helen Rosenthal said the tower was "out of context for our neighborhood, and part of the creep of Midtown West into the heart of the Upper West Side," according to a statement released by her office.
Concerns over Extell's project have been brewing for some time now, according to The Real Deal. Local elected officials had been suspicious for a while that Extell might purchase air rights from the properties around their project to build a taller tower. Initially plans called for a 25-story, 250-foot building, but that has now soared to 775 feet.
"Extell has not provided enough information to determine the legality of this project," said Rosenthal, in a statement. "But based on the information we do have, City Council land use staff believe that the zoning code simply does not permit a project of this height at this location."
The Snøhetta tower is on the extreme right.
Binyan Studios
Extell hasn't yet filed amended plans with the city's Department of Buildings, but the sale of the air rights (worth $202 million!) from the nearby Jewish Guild for the Blind, and a Disney-owned property, closed on Monday, which means a tower of this scale is certainly possible.
If the tower is approved as planned, it will become the neighborhood's tallest building, surpassing the planned 668-foot skyscraper at 200 Amsterdam Avenue. That project too faced stiff opposition from the local community, but was ultimately approved by the DOB to move forward.
Extell triples height of controversial UWS tower with $202M air rights deal [TRD]
Upper West Side's new tallest tower revealed by Extell and Snøhetta [Curbed]
Upper West Side's forthcoming tallest tower can move forward [Curbed]
Next Up In NYC Development News
Tracking the biggest buildings taking shape at Hudson Yards
See the incredible views from Hudson Yards's sky-high observation deck
Waldorf Astoria condo conversion launches sales
Sunnyside Yard plan is a utopian vision for an urban future
South Street Seaport redevelopment plan includes up to 990-foot tower
In Two Bridges, judge lands another legal blow to contested towers
The 29 best things to do in New York City with kids We've rounded up the very best spots for families looking to explore everything NYC has to offer.
12 small towns near NYC to visit right now Plan a day (or weekend) trip to one of these charming destinations, all of which are just a stone's throw from New York City.


text:
Q: How to make a row into column in PENTAHO I have a file like this:
COUNTRY | 2008 | 2009 | 2010 | 2011 | 2012 | TYPE
SPAIN      5      41     8      12      5     T1
SPAIN      4      6       2      7      14    T2
SPAIN      7      8      9       6      2     T3
FRANCE     4      5      7       9      66    T1
FRANCE     14     3      4       12     12    T2
FRANCE     5      8      11       3      6    T3
...

And I need to convert it into a format like:
COUNTRY | YEAR | T1 | T2 | T3
SPAIN     2008   5    4    7
SPAIN     2009   41   6    8
....

Thanks

A: If you're talking about Pentaho Data Integration you can use the Row Normalizer step. It allows you to define the columns that hold measure types, and convert them into a single "type" column.
Check the documentation for examples of usage.


Combine the finest silver chains with unique pendants of LAVI Collection. Fine Silver chain with pendant a large statement Piece, everything is possible. Take a look through our assortment. You can probably find asuitable necklace for a special occasion or for day to day use.
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If planning a little girl's birthday doesn't get you crafting, I don't know what will. My sweet Isla turned 6 this month and we celebrated in the backyard with friends, lots of sweet treats, a piñata and a fairy garden craft.
I made the little fairy bunting banner by cutting out little triangles from burlap cardstock. Then I hot glued the back of each triangle to string and then glued the string around the ends of 2 skewers.
I found the little chalkboard in the clearance bin at Michaels for less than $3. The girls and I painted the frame pink.
Poor letter I. It's not the flashiest initial and it's often confused with the lower case L, but covering a cardboard cutout I-shape with little tissue paper rosettes helps it look special.
I don't often refer to craft projects as easy, because even the simplest DIY projects can get pretty complicated. Especially if you're a perfectionist and aim to have everything look just right. The paper chain, however, really is hard to mess up. My 7-year-old helped me make a super long chaing to hang outstide on the shrubs.
In the backyard, I set up a few fairy gardens. Last year we only had 1 little miniature garden. This year we have 4, thanks to me ordering the wrong scale accessories for the birthday party craft. That mistake left me with an abundance of little fairy furniture that I decided to keep. I'm really not sure who gets more excited about fairy gardens... me or the kids.
I love how my husband hung the cupcake piñata with transparent fishing wire. It kind of reminds me of a surrealist painting.
Some of those "mistake" fairy accessories decorated the outdoor table.
I grabbed the wooden mushroom from my son's room.
I'm learning every year how to better adapt the menu for our young party guests. These white chocolate-covered marshmallows were a huge hit.
To make these, I just melted a bar of white chocolate in a glass dish over boiling water, added some red food coloring and dipped jumbo-sized marshmallows in. Then I sprinked some sugar crystals on top and let them cool for a few minutes before serving.
The first week of July is always the most colorful in my garden.
Can you spot the garden jewels in the background? Their sparkles help catch fairies, of course.
I got that idea from an episode of The Jennie Garth Project. You just hot glue some gems onto some fishing wire and hang.
And there's Judy, a fixture at all our backyard events.
I'm just going to show off now. There's my herb garden growing vigorously.
And my day lilies and daisies.
One thing that made my life so much easier this time was to just buy the cake at the bakery! It came all packaged up so our dog couldn't get to it.
There's the happy birthday girl.
And here's the beach scene fairy garden all the girls made.
I bought a few packs of anuals (look for plants that grow no more than 3 or 4 inches tall) and ended up buying umbrellas, buckets and sand from Michaels. The little fences came from Cosumercrafts.com. I had some moss left over from a previous project which we used around the base of the plants.
One note: if you make a little mini garden with sand, it's best to place a piece of wax paper or plastic over the potting soil before you layer the sand. It will help keep the sand from getting mixed up with the soil.
A fairy garden isn't complete without fairy dust! That's just some glitter funneled into pretty little glass bottles.
Miniature garden shovels were perfect for scooping out the sand.
And that was our fairy garden party!


The experimental all-wheel drive truck QA was built in a single copy in 1939. It is probably the first Mack with all-wheel drive transmission. An interesting feature - 2 bulldog figurines on the hood instead of one.