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A new YouGov poll from leading cycling brand Ribble Cycles has revealed less than 1 in 10 working Londoners currently cycle to work, with concerns about accidents and the Great British weather keeping a huge 86% out of the cycling lane.
Despite so many workers leaving their bikes at home, drivers in London spend an average of £382.16 (inner) and £493.63 (outer) a year on petrol for their work commute, in addition to the high cost of parking in the capital. The annual cost of public transport is even higher, with travel around Outer London costing £2,364 p.a. and Inner London costing £1,520 p.a. Train fares increased by an average of 1.1% this year, while petrol and diesel prices currently remain around the £1 mark, with further price rises forecasted.
39% of Londoners were concerned about having an accident while on their bike. Londoners also lacked confidence in their cycling abilities more than any other region, with 35% citing this as a deterrent to cycling to work compared to the national average of 25%. Women were more than twice as likely to lack this confidence here than men, at 34% and 15% respectively. Distance to work was the top reason for not cycling to work, with 42% claiming they live too far away to cycle to work.
Cycling rates were lowest among the 18 to 24 year old age group, with just 2% of this group currently cycling to work. Men are more than twice as likely as women to cycle to work, at 13% and 5% respectively. Cycling to work has many benefits on both the pocket and the body. Of those surveyed who do cycle to work, 83% stated that cycling helps them to improve their health and fitness and 61% claim it reduces their transport costs.
The Ribble brand was established in 1897 and acquired by the current owners, the Dove family, in 1980. In the past the brand has been supported by ambassadors of the cycling world and sponsored Chris Boardman to race a Ribbles bike between 1991 – 1992 including those taking place at the 1992 Barcelona Olympics, at which he won a gold medal.


text:
Luciano Tajoli (* 17. April 1920 in Mailand; † 3. August 1996 in Merate, Provinz Lecco), auch Luciano Taioli, war ein italienischer Sänger und Schauspieler.

Leben und Karriere
Tajoli wuchs in ärmlichen Verhältnissen auf und erkrankte als Einjähriger an Poliomyelitis, weshalb ihm später längeres Stehen schwerfiel. Schon als Kind liebte er es, zu singen. Nach der Pflichtschule arbeitete er zunächst in einer Schneiderei, dann in einem Friseursalon und schließlich als Schuster. Regelmäßig suchte er daneben die musikalischen Veranstaltungsorte Mailands auf, um seinen Gesang zu verbessern. Hauptsächlich autodidaktisch, aber auch mit der Hilfe von bekannten Musikern wie Giovanni D'Anzi, Cesare Andrea Bixio, Vittorio Mascheroni oder Mario Schisa bildete er sich zum Sänger heran. Großes Vorbild war ihm dabei der Tenor Beniamino Gigli. Unter der Woche nach Feierabend gab Tajoli seine ersten Gesangsdarbietungen.

Öffentliche Aufmerksamkeit erregte der junge Sänger erstmals 1939 als er an einem Gesangswettbewerb teilnahm und diesen mit dem Lied Raggio di sole des Komponisten Alexandre Derevitsky gewann. Ein erster kommerzieller Erfolg gelang ihm in der Folge 1941 mit der Aufnahme des Liedes Villatriste von Mario Ruccione. Ungeachtet des Zweiten Weltkriegs konnte Tajoli seine Karriere in den folgenden Jahren weiterverfolgen, mit diversen Auftritten in Lokalen und Plattenaufnahmen für das Label Odeon. Zu seinen Erfolgen aus jener Zeit zählen E zitto amore, Credimi, Casetta tra gli abeti, Lontananza, Son geloso di te oder Serenata sincera. 1942 spielte er erstmals eine Nebenrolle in einem Film, 1943 heiratete er.

Nach Kriegsende erhielt Tajoli 1950 seine erste Hauptrolle in einem Musikfilm (Canzoni per le strade von Mario Landi). Diesem folgte eine ganze Reihe von Filmen, in denen der Sänger zusammen mit bekannten Schauspielern wie Ernesto Calindri, Giulietta Masina, Milly Vitale, Dante Maggio, Antonella Lualdi oder Franco Interlenghi zu sehen war. Für die Soundtracks der Filme nahm er oft Klassiker auf, sang aber auch eigene Lieder, die er teilweise selbst geschrieben hatte. Im Laufe der 50er-Jahre entwickelte sich Tajoli so zu einem der erfolgreichsten und gefragtesten italienischen Sängern, neben vor allem Claudio Villa. Er unternahm lange Tourneen, erzielte hohe Plattenverkäufe und war auch im Ausland sehr beliebt.

Nachdem er es zunächst nicht schaffte, den Schritt vom Radio ins neu aufkommende Fernsehen zu machen, wurde er endlich beim Sanremo-Festival 1961 als Teilnehmer zugelassen. Dort interpretierte er (neben Betty Curtis) das Lied Al di là von Mogol und Carlo Donida, das das Festival überraschend gewann, ein großer Triumph für Tajoli. Curtis präsentierte das Lied später auch beim Eurovision Song Contest 1961. Neben Sanremo, wohin er noch dreimal zurückkehrte, nahm Tajoli an einer Vielzahl anderer Musikwettbewerbe teil, etwa dem Cantagiro. Seine Auslandstourneen führten ihn nach Australien, Südamerika und in den Fernen Osten. In New York trat er in der Ed Sullivan Show an der Seite von Perry Como auf.

Auch in späteren Jahren blieb Tajoli musikalisch aktiv, gab Konzerte und veröffentlichte Platten. Sein letztes Konzert gab er am 21. Juni 1996 in Merate, wo er noch im selben Jahr verstarb.

Diskografie (Auswahl)

Alben und EPs
 1954 – Luciano Tajoli (Odeon, MODQ 6216)
 1954 – Il re della canzone (Odeon, MODQ 6218)
 1955 – Canzoni del passato (Odeon, MODQ 6228)
 1958 – Io sono te / La canzone che piace a te / Nel blu dipinto di blu / Amare un'altra (Odeon DSEQ 560)
 1958 – Terra straniera (Odeon, DSEQ 583)
 1959 – Il valzer della strada / La mamma dei sogni / Credimi / Luce degli occhi miei (Odeon DSEQ 585)
 1960 – Sagra della Canzone Nova – Assisi 1960 (Juke-Box, JLP 330003)
 1960 – Luciano Tajoli (Juke-Box, JLP 330004)
 1961 – Tutte le canzoni del festival di Sanremo 1961 (Juke-Box, JLP 330005; mit Jenny Luna)
 1962 – Luciano Tajoli (Juke-Box, JLP 330010)
 1963 – When We Were in Italy (Juke-Box JLP 330013)
 1965 – Nozze d'argento con la canzone (Juke-Box, JLP 330020)
 1970 – Luciano Tajoli 4 (Telerecord, TLC LP8888)
 1972 – Un saluto da Napoli… (Cipiti Record, LP OK 2)
 1975 – 35 anni dopo (Alpharecord, AR 3015)
 1975 – Ieri e oggi (Alpharecord, AR 3016)
 1976 – A Napoli con affetto (Alpharecord, AR 3021)
 1976 – Dedicato alla mamma (Alpharecord, AR 3022)
 1977 – Disco d'oro (Alpharecord, AR 3025)
 1977 – Tajoli… alpini… un cuore solo (Alpharecord, AR 3031)
 1978 – Balocchi e profumi (Alpharecord, AR 3035)
 1979 – Oggi… domani… sempre (Alpharecord, AR 3040)
 1979 – Bussoladomani (13 settembre 1978) dal vivo (Alpharecord, AR 3043/3044)
 1980 – Io… cantautore (Alpharecord, AR 3039)
 1980 – Una vita cantando (Alpharecord, AR 3047)
 1980 – 1940-1980 "Un mito" 40 anni dedicati alla canzone italiana (Alpharecord, AR 3049/3056)
 1984 – 45 anni con voi amici miei (NAR, PDLP 00784)
 1988 – Nozze d'Oro con la Canzone Italiana – 50° – Luciano Tajoli nel mondo (1941-1957) (Alpharecord, AR 3129-3130-3131-3132)
 1989 – Nozze d'Oro con la Canzone Italiana – 50° – Luciano Tajoli nel mondo vol. 2 (1940-1955) (Alpharecord, AR 3166-3167-3168)
 1994 – Miniera (NAR)

Singles
 1939 – Madonna fiorentina / Fior di rose (Odeon, GO 19842)
 1939 – Amami di più / Chi sarà (Odeon, GO 19844)
 1943 – Buongiorno madonna primavera / Rosamorena (Odeon, TW. 3028)
 1943 – Signorina della 1.B / Accanto al fuoco (Odeon, TW. 3029)
 1945 – Niente… / Lontananza (Odeon, H 18115)
 1946 – Buonanotte angelo mio / Il valzer della borse nera (Odeon, T.W. 3297)
 1946 – Il primo amore / Signorinella (Odeon, H 18123)
 1946 – Mai e poi mai / Dov'è… (Odeon, H 18136)
 1947 – Canta, se la vuoi cantar (I parte) / Canta, se la vuoi cantar (II parte) (Odeon, H 18144)
 1947 – Valzer delle candele / Buon giorno amore mio (Odeon, H 18148)
 1947 – Stornello del marinaio / E vanno (Odeon, H 18169)
 1948 – Torna ideal / Madonnina delle rose (Odeon, H 18178)
 1948 – Trieste mia / Qui sotto il cielo di Capri (Odeon, H 18212)
 1948 – Sei stata tu / Lei e lui sposi (Odeon, H 18229)
 1948 – Campane di Montenevoso / Me so 'mbriacato 'e sole (Odeon, H 18231)
 1951 – Grazie dei fior / La luna si veste d'argento (Odeon, H 18252)
 1951 – Arrotino / Tre lune (Odeon, H 18256)
 1951 – Anema e Core / Vierno (Odeon, H 18258)
 1951 – Malafemmena / Nu quarto 'e luna (Odeon, H 18279)
 1952 – Vola colomba / Madonna delle rose (Odeon, H 18305)
 1953 – Vecchio scarpone / Tamburino del reggimento (Odeon, H 18345)
 1958 – Giuro d'amarti così / Fragole e cappellini (Odeon, MSOQ 83)
 1958 – Piccolissima serenata / Io vendo baci (Odeon, MSOQ 93)
 1958 – Spazzacamino / Madonna degli angeli (Odeon, MSOQ 138)
 1958 – Venezia, la luna e tu / Serenata sincera (Odeon, MSOQ 165)
 1958 – Lontananza / Poter tornar bambini (Odeon, MSOQ 167)
 1958 – Mai e poi mai / E vanno (Odeon, MSOQ 168)
 1959 – Quattro gondole / Il valzer della strada (Odeon, MSOQ 185)
 1959 – Firenze sogna / Samba alla Fiorentina (Odeon, MSOQ 186)
 1959 – Tutte le mamme / Mamma buonanotte (Odeon, MSOQ 187)
 1960 – Miniera / Torna al paesello (Odeon, MSOQ 5247)
 1960 – Tango di Marilù / Pour toi je prie (Odeon, MSOQ 5265)
 1960 – Marina / Un giorno (Juke-Box, JN 1885)
 1960 – Serenata a Margellina / Serenatella c' 'o sì e c' 'o no (Juke-Box JN 1945)
 1960 – Uè uè che femmena / Sti 'mmane (Juke-Box, JN 1947)
 1960 – Balocchi e profumi / Scrivimi (Juke-Box, JN 1961)
 1960 – Cantastorie / Ti voglio amar… (Juke-Box, JN 1963)
 1960 – Lasciala correre / Ruberò (il respiro dei fiori) (Juke-Box, JN 1965)
 1961 – Cara piccina / Come una sigaretta (Odeon, MSOQ 5289)
 1961 – Signorinella / Core 'ngrato (Odeon, MSOQ 5290)
 1961 – Al di là / Notturno senza luna (Juke-Box, JN 2019)
 1961 – Al di là / Come sinfonia (Juke-Box, JN 2035)
 1961 – Perdonami / Romagna mia (Juke-Box, JN 2073)
 1961 – Cielo / Te staie scurdanno 'e me (Juke-Box, JN 2079)
 1961 – Plegaria / Dolce mammina (Juke-Box, JN 2097)
 1962 – Perdonami / Javapache (Odeon, MSOQ 5305)
 1961 – Perdonami / Romagna mia (Juke-box JN 2073)
 1962 – Tango italiano / L'anellino (Juke-box JN 2125)
 1962 – Spazzacamino / Arrotino (Juke-Box, JN 2181)
 1962 – Serenata delle serenate / Serenata celeste (Juke-Box, JN 2187)
 1962 – Lo studente passa / Credimi (Juke-Box, JN 2189)
 1962 – 'O destino / 'Nterr'arena (Juke-Box, JN 2213)
 1962 – Quando calienta el sol / Stornello del marinaio (Juke-Box, JN 2215)
 1962 – Bentornata mademoiselle / Stornello del marinaio (Juke-Box, JN 2217)
 1962 – Perdonami / Cantastorie (Juke-Box, JN 2219)
 1963 – Ricorda / Grazie San Remo (Juke-Box, JN 2225)
 1963 – Le voci / Avventura a Casablanca (Juke-Box, JN 2227)
 1963 – La strada nel bosco / Nannì (Juke-Box, JN 2253)
 1963 – Cara piccina / Come una sigaretta (Odeon, MSOQ 5289)
 1963 – Emigrante / Terra straniera (Odeon, MSOQ 5338)
 1964 – Inferno / O paesanella (Odeon, MSOQ 5358)
 1964 – Campane di Monte Nevoso / Canto dell'emigrante (Juke-Box, JN 2351)
 1964 – Miniera / Violino tzigano (Juke-Box, JN 2353)
 1965 – Non a caso il destino (ci ha fatto incontrare) / Stornello del marinaio (Juke-Box, JN 2363)
 1965 – Luna marinara / Maria Luna (Juke-Box, JN 2389)
 1967 – Addio felicità / Torna a cantare (CAR Juke-Box, CRJ NP 1017)
 1968 – Il vento mio / Non guardatela (CAR Juke-Box, CRJ NP 1031)
 1970 – Sole, pioggia e vento / Stasera (Telerecord, TLC NP 515)
 1970 – Reginella campagnola / Piccola vagabonda (Telerecord, TLC NP 517)
 1970 – Balocchi e profumi / Scrivimi (Telerecord, JN 010)
 1970 – Al di là / Notturno senza luna (Telerecord, JN 011)
 1970 – Perdonami / Romagna mia (Telerecord, JN 012)
 1970 – Spazzacamino / Arrotino (Telerecord, JN 013)
 1970 – Mai e poi mai / Terra straniera (Telerecord, JN 014)
 1970 – Lo studente passa / Credimi (Telerecord, JN 015)
 1970 – La strada nel bosco / Nannì (Gita alli castelli) (Telerecord, JN 016)
 1970 – Basta che tu sia qui / Mamma (Telerecord, JN 017)
 1970 – La mamma / Ti vodglio baciar (Telerecord, JN 018)
 1970 – Campane di Monte Nevoso / Canto dell'emigrante (Telerecord, JN 019)
 1970 – Miniera / Violino tzigano (Telerecord, JN 020)
 1971 – 'O surdato 'nnammurato / Anema e core (Junior, JN 035)
 1971 – Scalinatella / Tic-tì tic-tà (Junior, JN 036)
 1971 – Chiove / 'Nu quarto 'e luna (Junior, JN 037)
 1971 – Maria, Marì (oj Marì) / 'O ciucciariello' (Junior, JN 038)
 1971 – Vierno / Aggio perduto 'o suonno (Junior, JN 039)
 1971 – Malafemmena / Me so' mbriacato 'e sole (Junior, JN 040)
 1971 – Sciummo / Funiculì funiculà (Junior, JN 041)
 1971 – Serenata a Margellina / Addio felicità (Junior, JN 042)
 1971 – Te staie scurdanno 'e me / 'Nterra 'arena (Junior, JN 043)
 1971 – 'Sti 'mmane / 'O destino (Junior, JN 044)
 1971 – Ue' ue' che femmena / Serenatella c'o "si" e c'o "no" (Junior, JN 045)
 1972 – Un sorriso ed un fiore / Incontro (Cipiti, CPT 1003)
 1975 – Tango dell'emigrante / Il valzer della strada (Alpharecord, 8015)

Filmografie
 1942: La bisbetica domata – Regie: Ferdinando Maria Poggioli
 1943: Il diavolo va in collegio – Regie: Jean Boyer
 1947: Che tempi! – Regie: Giorgio Bianchi
 1950: Canzoni per le strade – Regie: Mario Landi
 1951: I due sergenti – Regie: Carlo Alberto Chiesa
 1951: Trieste mia! – Regie: Mario Costa
 1952: Solo per te Lucia – Regie: Franco Rossi
 1952: Don Lorenzo – Regie: Carlo Ludovico Bragaglia
 1952: Il romanzo della mia vita – Regie: Lionello De Felice
 1953: La pattuglia dell'Amba Alagi – Regie: Flavio Calzavara
 1954: Napoli piange e ride – Regie: Flavio Calzavara
 1954: Il cantante misterioso – Regie: Marino Girolami
 1954: La porta dei sogni – Regie: Angelo D'Alessandro
 1956: La voce che uccide – Regie: Aldo Colombo
 1956: Il canto dell'emigrante – Regie: Andrea Forzano
 1956: Cantando sotto le stelle – Regie: Marino Girolami
 1956: Occhi senza luce – Regie: Flavio Calzavara
 1957: … und vergib mir meine Schuld (Ascoltami) – Regie: Carlo Campogalliani
 1958: Meravigliosa – Regie: Carlos Arévalo, Siro Marcellini
 1963: Urlo contro melodia nel Cantagiro 1963 – Regie: Arturo Gemmiti

Weblinks
 LucianoTajoli.it (italienisch)

Belege

Popsänger
Interpret eines Siegerbeitrags zum Sanremo-Festival
Filmschauspieler
Italiener
Geboren 1920
Gestorben 1996
Mann

redpajama_set_name: RedPajamaWikipedia


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text:
Q: Package and execute jar file from react-native app I have a jar library which I want to be able to use from my react-native app. Currently I'm working on an android project and I want to be able to execute the jar from based on some user interactions. Is this possible and if it is, how can I do this? Bonus points if it's possible for iOS as well.

A: To use a jar library within a react-native app, you can follow these steps:

*

*Copy the jar file somewhere inside android folder

*Declare the jar file as a dependency of the android app project

compile files('<path_to_jar_file>.jar')

*Create a native module (https://facebook.github.io/react-native/docs/native-modules-android), call to your jar file classes inside the java code and expose the functionalities via javascript module

You can also make a library from that jar file and your native module code (https://github.com/frostney/react-native-create-library)
Unfortunately, you cannot directly use the jar file for ios.
You can find a similar library for ios and create the ios native module and expose the same interface so your js module is cross-platform.

redpajama_set_name: RedPajamaStackExchange


Volcano Hotel, the smallest of country hotels in Iceland. Volcano Hotel is in a building that previously performed as the primary school for the area, but was redesigned in 2011 as a hotel. All seven rooms are spacious, modernly designed, have free WiFi and private bathroom with shower.
Volcano Hotel is in only 170 km distance from the capital of Iceland, Reykjavík. The next village, the village of Vík is 12 km east of our hotel. In the village is a gas station, swimming pool, a small shop and an ATM.
Volcano Hotel is just by the main road (the official ring road) around Iceland. Coming from the east or the west, very easy to find on your road trip. Dinner is served privately to guests so arrange that with us at time of booking.


text:
'Dracula' in Spanish finds new blood after 91 years: NPR
By Ralph S. Dillon Last updated Sep 19, 2022
Carlos Villarías and Lupita Tovar starred in the 1931 Spanish version of Dracula.
Mike Gallegos for NPR
In 1931 Universal Studios shot their classic horror movie Dracula, starring Bela Lugosi as the bloodsucking Count of Transylvania. But after production wrapped for the day, an entirely new cast and crew arrived at night to reshoot all the scenes in Spanish.
This version of Dracula en Español starred Carlos Villarías as the caped vampire looking for blood. He had been a stage actor in Spain and his resemblance to Bela Lugosi was uncanny, said the late actress Lupita Tovar, who played the lovely Eva.
"There were so many things that looked alike, but the main difference was their hands," she said in a video for the complete Legacy Collection. Dracula. "Lugosi had very long fingers, you know, and Carlos Villarías has shorter fingers."
Tovar remembered his teamwork at the cemetery. "We shot all night until the next morning because we used exactly the same sets. In fact, we got the same notes as the English actors, we intervened in the same place."
She remembered the creepy landscape and its dark shadows, the burning candles and the cobwebs.
"Once you walked into that setting, it was a different world. You fell in love with Dracula," she said. "You know, if someone wants to touch me, I think I'd scream. I was scared. I was really scared of Dracula, you know?
Carlos Villarías and Lupita Tovar on the set of the 1931 Spanish version of Dracula.
Greenhouse Images/Alamy
The actors came from different Spanish-speaking countries, but the director George Melford did not speak the language. His instructions were translated for the cast and crew.
"We wanted our version to be the best," Tovar said. "And according to the critics, I think so."
By all accounts, it's true. This version of Dracula was 29 minutes longer than the English version.
Tovar's son, Pancho Kohner, said Melford and Villarías would watch scenes shot during the day and make improvements. They were able to setup better camera angles and add more exciting elements.
"They didn't have to deal with the Hays Office, the censorship," Kohner said from his home in the Pacific Palisades neighborhood of Los Angeles. "My mom wore a low-cut negligee and it was very sexy. My dad, who was in love with my mom, he was on set. He was producing it, making sure it was a better movie."
Kohner, who became a producer like his father, helped his mother write her memoir before she died in 2016, aged 106. He says she was a high school student in Oaxaca when Robert J. Flaherty, the film's director Northern Nanook, Discovery. Fox Studios had sent him to find the most beautiful girl in Mexico.
"My mother came to Hollywood with her Irish grandmother as her chaperone," Kohner said. Tovar spent a year at Fox Studios doing little bits, but she didn't speak English. "When the talkies came they weren't going to renew his contract."
Pancho Kohner, in front of a portrait of his mother, Lupita Tovar, painted by Mexican artist Diego Rivera
Mandalit del Barco/NPR News
Someone at Fox recommended her to Universal Studios, where she met voice-over executive Paul Kohner, "who immediately fell in love with her," according to their son.
Tovar was reluctantly preparing to return to Mexico, but getting her signed on to do Dracula in Spanish was part of Kohner's plan, said Chris Weitz, the grandson of Tovar and Kohner, who have been married for more than 50 years.
Weitz is now a well-known director. Just like his brother Paul. Together, the Weitz brothers write a screenplay for a film about the making of Spanish Dracula. Pancho Kohner, their uncle, will produce it.
Directors Chris and Paul Weitz.
Amanda Edwards/Getty Images
"It's a love story between two immigrants", explained Paul Kohner. "Our grandfather was from what would now be the Czech Republic. So he was part of the immigrant European Jewish community. And then our grandmother was from a completely different immigrant community."
Chris Weitz said spanish dracula could also be seen as an immigrant story: "Dracula comes from Transylvania in England and is generally considered bad news. He's a bloodsucker. It's a parasite. immigrants in this country, that is to say, they are the cornerstone of the functioning of the country. »
For a time in the 1930s hundreds of films were made not only in Spanish but also in French, German and Italian. It was a mini-boom in Hollywood, before the film industries of other countries got ready, and before dubbing or subtitles became fashionable.
And now, in addition to spanish dracula the film, there will soon be a television series on Vix+, TelevisaUnivision's new streaming service.
"It's a single-camera workplace comedy," producer Ben Odell said. "It starts with bringing the actors together, a bit like a Ocean's Eleven. Once we set it up, it's about this kind of cast of quirky characters trying to do this thing, which ends up being awesome."
Actor Eugenio Derbez at his star on the Hollywood Walk of Fame.
ROBYN BECK/AFP via Getty Images
Odell said this production will be shot in Mexico, with actor Eugenio Derbez directing and playing the role of Dracula. Odell said in their version that the actor who plays Dracula is a ham. "He loves the attention, he loves the applause. He's a stage actor, so he's disgusted with the movie industry. When he's offered this movie role, he turns it down at first. He says to himself: "They don't know who I am.?'"
The character of Lupita Tovar is based on stories from her memoirs. "Lupita was very afraid of her dad, who was an alcoholic and abusive. So that's the idea that there's this monster in the house," Odell said. "She doesn't want to go back to Mexico. With the end of the era of silence. She thinks she might be forced to go back."
Odell explained that the cast and crew of the Spanish original Dracula worked under the worst circumstances.
"They had to come in at night and work shitty hours and they had a lower budget, but they ended up making a better movie," he said. "It's such a great American immigrant story and such a great Latino story because a lot of times coming to this country you have to work harder, you have less support, less opportunity, and you always have to try to deliver. . And they deliver it too much, as it often does. So it was just a nice story of an oppressed immigrant."
This story is part of our five-part Latinos in Hollywood series, which pays tribute to some film industry legends and pioneers and examines how some Latinx actors, songwriters and directors get or create more opportunities.
UCLA researchers discover how immune cells can be formed to fight viruses – NBC Los Angeles
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redpajama_set_name: RedPajamaCommonCrawl


In a baseband transmission, the entire bandwidth of the cable is consumed by a single signal.
In broadband transmission, signals are sent on multiple frequencies, allowing multiple signals to be sent simultaneously.
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text:
Ride With the Devil —conocida para su distribución en español como Cabalga con el diablo y Cabalgando con el diablo— es una  película estadounidense dirigida por Ang Lee y estrenada en el año 1999.

Argumento

EE.UU., 1861. Durante la Guerra Civil, los Bushwhackers, partidarios de la causa sudista, se dedican a luchar a modo de guerrilla. Jack Roedel (Tobey Maguire) y Jack Bull Chiles (Skeet Ulrich), amigos desde la infancia, se unirán a ellos y acabarán convirtiéndose en adiestrados pistoleros y expertos jinetes. Con la llegada del invierno, los Bushwhackers se dispersan y buscan cobijo en un refugio subterráneo. Su estancia se verá iluminada por las visitas de una viuda compasiva, Sue Lee (Jewel). Sin embargo, esta luz no durará mucho. Acabado el invierno, la guerra volverá a irrumpir en sus vidas haciendo trizas al grupo y a los jóvenes, que sufrirán una honda transformación.

Reparto

Banda sonora y música
"Ride with the Devil": Música de e inspirada por la película

Enlaces externos

 labutaca.net

 Criterion edition
 20minutos.es

Referencias

Películas rodadas en Misuri
Películas sobre la esclavitud


Identity and Design by Kevin Tsui.
BUNKER is a pop up art gallery specializing in emerging artists who create engaging, beautiful work that often involves technology.
BUNKER operates under the assumption that art doesn't have to be inaccessible and pretentious in order to be valuable.
BUNKER is a gallery for people who hate technology but love art.
BUNKER is a gallery for people who love technology but hate art.
The Bard Graduate Center (BGC), a division of Bard College located on West 86th Street in New York City, is seeking a full-time Junior Designer.
Founded in 1993, the BGC is comprised of an Academic Program, Research Institute and Gallery. We offer MA and PhD programs in the study of the cultural history of the material world and are committed to the encyclopedic study of things, drawing on methodologies and approaches from art and design history, history of technology, philosophy, anthropology, and archaeology and cultural history.
The world renowned Gallery organizes four exhibitions during the academic year. Our exhibitions examine the material evidence of cultures extending from ancient world to the present inclusive of Africa, the Americas, Asia, and Europe. Each exhibition is accompanied by a scholarly book published in collaboration with, or distributed by, Yale University Press.
Reporting to the Art Director, the Junior Designer will divide their time between design responsibilities and design support responsibilities. Design tasks include work for print, digital, and signage projects. Support includes maintenance of the BGC website, responding to varied web update and small print needs from around the institution, and managing supplies and digital files for the Art Department.
• Photograph and video BGC events.
The Language and Enrichment Center is a non-profit learning center for young children, whose primary focus is to teach children the Italian language and culture. They are seeking creative and talented graphic design interns with basic to intermediate knowledge of website management, designing marketing materials, app design, social media management, and public relations. Interns will design, maintain, and update websites regularly, increase company presence through web optimization, and assist with visual media. Basic knowledge of Photoshop, Illustrator, AppleMac, and web creation programs is a requirement. Qualified student must have the following skills: Microsoft Word, Excel, PowerPoint, strong analytical skills, standard troubleshooting, communication, organizational, and strong creative design skills.
Graduate Student Kimele Persaud in the Cognitive Psychology department at Rutgers is currently conducting a series of studies quantifying the communicative value of color naming in conversation and the influence of knowledge and expectations for color on episodic memory. So far she has assessed people's expectations for color labels and color values across several populations including, young adults (Rutgers students), children, and a small native population in Bolivia, and is currently seeking to measure expectations among individuals who have some level of expertise with color (e.g. painters, visual design students, etc.).
The New Jersey Center for Teaching and Learning (CTL) is a fast growing organization that is dedicated to improving mathematics and science education. CTL is an independent, non-profit, 501 (c)3 organization that has developed two award winning programs: The Progressive Science Initiative (PSI) and the Progressive Mathematics Initiative (PMI). PSI and PMI offer a proven mathematics and science curriculum to best position students for success in the 21st Century. CTL is undergoing remarkable growth as an increasing number of school systems nationally and internationally recognize the benefits of PSI-PMI.
For more information about CTL and the PSI-PMI programs, visit www.njctl.org.
The graphic design intern position requires working under the supervision of the Senior Program Manager to improve the appearance of all curriculum materials.
The above duties are representative of the position and are not all-inclusive.
Fluency with the use of SMART notebook or ability to learn quickly.
Highly self motivated to work quickly and efficiently.
Please submit a resume along with a brief letter of interest expressing your design background and skills. In addition, please include a before and after work sample for a project that you have completed.
All applications and assignments should be sent to jobs@njctl.org.
This looks to be an informative and fun event, good for networking with local designers and technology entrepreneurs, especially those interested in the non-profit realm. Aardvark Brigade, Sept 18 2014, Somerset NJ.
You can attend this one-day design conference for free by registering online.
CBS Sports Network is looking for a Graphic Design Intern to join us for summer 2013.
The Graphic Design Intern will assist in the creation of website and banner graphics, print ads, flash motion graphics, presentations & signage for CBS Sports Network programming, sales and special projects.
We are looking for passionate students to join our winning team during the summer 2013 season. Interested students must be able to commit to the full summer program which runs from June through early August and be available to intern 5 days per week. This is an UNPAID, FOR-CREDIT ONLY internship program. And, proof of credit eligibility and course enrollment from an accredited academic institution must be provided prior to start date.
Our network's internships are professional and learning experiences. As such, they present priceless opportunities for undergraduate students that want to learn the workings of a fast-paced, innovative, and growing cable network.
Seeking designers to work in pre-production or web/collateral graphic design internships helping support print design team in creating catalogs, sales, sheets, and marketing materials. Sports enthusiasts a plus.
Also available- new FULL-TIME position open, a Web/Collateral Design position that would help support print design team in creating catalogs, sales, sheets, and marketing materials.
If you are around this summer, I was hoping to have at least a couple of you in my screen printing class this summer. It's a good way to handle and challenge a lot of ideas you have been using so far. We will be working with screen print to make books, posters, editions, and whatever else you might be interested in. Please contact me at adamsultan249@gmail.com if you have any other questions. Looking forward to meeting some of you!
Applications due May 6 for this graduate program in interaction design in southern Switzerland. Taught in English.
Hey everyone, Mark here. I'm writing because the Student Financial Review is looking for a design student to create the layout and style of the magazine. I was their designer last semester when the student publication began and I'd like to pass off the torch to any design students interested in getting experience with a publication and building their portfolio. The paper is very willing to give them a tremendous amount of flexibility with the layout, and are very open to new ideas.
As a student officer position, it is voluntary and can last through the academic year. The students will work with other editors, writers, and photographers to put out 2-3 issues a semester. Because we are willing to consider a whole new look, the amount of time put in each week is up to designer. However, you will be required to commit 4-10 hours one week with about 3 weeks without work. It can be more or less if you decide to create your own look or go with the last year's template.
I want to reiterate the point that we're still experimenting with our style, which tries to incorporate the serious edge of a newspaper with the creative liberties of magazines. So anything goes. Anything. Also, the name of the paper suggests we cover just financial news, but we are very interested in local issues, business, and events.
Container List is the blog of the Milton Glaser Design Study Center and Archives, featuring weekly graphics and ephemera from the design archives at the School of Visual Arts.


Jérôme Jacoillot, the Krug winemaker in charge of the iconic Clos du Mesnil, delighted attendeese in a masterclass of Chardonnay through Krug Champagne.
Wines from the house included two vintages of the famed Krug Clos du Mesnil; meanwhile, Jérôme provided context on how he manages to respect the purity and singularity of this key varietal in Champagne. To illustrate the beauty of Chardonnay, Jérôme brought from the cellars in Reims, Krug Clos du Mesnil Vintage 2004, the first time the wine had been presented in the United States.


text:
public class RetailItem
{
	private String description;
	private double price;

	public RetailItem(String description, double price)
	{
		setDescription(description);
		setPrice(price);
	}

	public String getDescription()
	{
		return description;
	}

	public double getPrice()
	{
		return price;
	}

	public void setDescription(String description)
	{
		this.description = description;
	}

	public void setPrice(double price)
	{
		this.price = price;
	}
}

redpajama_set_name: RedPajamaGithub


Ambiance Matchmaking is an exclusive matchmaking service that caters to highly accomplished single professionals. Ninety-five percent of its clients have college degrees and 70 percent have advanced degrees. The company works with CEOs, executives, founders, entrepreneurs, high-net-worth individuals, and celebrities. Potential clients participate in a 2-hour interview, during which your ideal partner, relationship goals, and personal background are discussed. Members at all 3 levels work directly with Wardman. There are 3 membership levels to choose from: This article is an orphanas no other articles link to it.


Terri has 25 years managing an Agency!
Gary has 31 years of experience specializing in retirement strategies and life insurance.
Jocelyn has more than 3 years experience. Nagsasalita ng Tagalog.
Lannette has 9 years experience in the insurance industry. Hablamos Espanol!
Office located on Grove ave just south of the 60 freeway in the 7-11 shopping center!!
Proud to serve the areas of Ontario, Chino, Chino Hills. Call or email me today for a personalized insurance review.
William Clark is insurance licensed in the state(s) of California, South Carolina, and Texas. If you do not reside in the state(s) of California, South Carolina, or Texas, please go to the Find an Agent section on allstate.com to search for another Allstate Agent or Personal Financial Representative.


text:
4 hands piano
Duos with piano
Ensembles with piano
Organ solo
Ensembles with organ
Ensembles with celesta
Percussion solo
Duos with percussion
Ensembles with percussion
Plucked string
Harp solo
Duos with harp
Trios with harp
Duos with guitar
Trios with guitar
Ensembles with guitar
Salterium
Salterium solo
Duos with salterium
Trios with salterium
Bowed string
Duos with violin
Trios with violin
Ensembles with violin
Viola and piano
Duos with viola
Trios with viola
Ensembles with viola
Violoncello and piano
Duos with violoncello
Trios with violoncello
Ensembles with violoncello
Double bass solo
Double bass and piano
Duos with double bass
Trios with double bass
Ensembles with double bass
Duos with flute
Trios with flute
Ensembles with flute
Duos with oboe
Trios with oboe
Ensembles with oboe
English horn and piano
English horn trios
English horn ensembles
Duos with clarinet
Trios with clarinet
Ensembles with clarinet
Bass clarinet solo
Bassoon and piano
Trios with bassoon
Ensembles with bassoon
Saxophone solo
Duos with saxophone
Trios with saxophone
Ensembles with saxophone
Accordion and piano
Duos with accordion
Brass wind
French horn and piano
Trios with french horn
Ensembles with french horn
Trumpet and piano
Trios with trumpet
Ensembles with trumpet
Five or more instruments
Symphonic Music
Soloist and symphonic band
Brass orchestra
With piano
Voice and piano
With other instruments
With symphony orchestra
With chamber orchestra
Male choir
Female choir
Choir and orchestra
Scenic music
Gralla trio
Digital Sheet Music
Chamber music instruments
Piano duos
Piano Ensembles
Organ Ensembles
Celesta Ensembles
Percussion duos
Harp Duos
Harp Trios
Guitar Trios
Guitar Ensembles
Violin Duos
Violin Trios
Violin Ensembles
Viola Duos
Viola Trios
Viola Ensembles
Violoncello Duos
Violoncello Trios
Violoncello Ensembles
Double Bass Duos
Double Bass Trios
Double Bass Ensembles
Flute Duos
Oboe Duos
Oboe Trios
Clarinet Duos
Bassoon Trios
Bassoon Ensembles
Saxophone Duos
Saxophone Trios
Duos with accordeon
Trumpet Ensembles
French Horn Ensembles
Trombone and piano
Trombone Ensembles
Tuba Ensembles
String Orchestra with soloist
Chamber Orchestra with soloist
Shawm Type
Gralla Duos
Gralla Trios
Gralla Ensembles
Tenora and piano
Tenora Duos
Tenora Trios
Tenora Ensembles
Duos with tible
Hire materials
About CLIVIS
> Authors:
Authors There are 104 authors
ANGELS ALABERT AND FELIU: teacher of the Conservatory of Girona where it imparts Music's of Camera matters, Piano; Harmony, Counterpoint, Composition and instrumentation carrying out an intense pedagogic task.
Composer of works for Piano, Orchestrates and choir, the composition has worked with the teachers: Manel Oltra, Xavier Monsalvatge, C. Guinovart and Josep Sole, orchestra's ditection with A. Ros Marbá and the direction Coral with E. Ribó and Oriol Martorell.
She imparts cycles of conferences d ' History of the Music and Musical Aesthetics. She is advisory member of the Department of Popular Culture of the Generality of Catalonia having worked for their responsibility in the search and transcription of songs and popular topics and etnomusicologics.
For 18 years it directs the Choir Maragall of Gerona with who has worked a wide and varied repertoire of Catalan music, Classicism, Romanticism and Contemporary authors' works.
As pianist it is also part from the year 1991 of the group Word of Poet.
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1 music sheet
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Álvaro Bertrand was born in Barcelona where he studied piano and flute at the Alicia de Larrocha Music Academy. He later went to the United States to further his musical education.
His composition teachers include Vincent Persichetti at the Juilliard School and Hugo Weisgall at Manhattan School of Music, where he was awarded the Doctor of Musical Arts degree.
Since the completion of his academic training, Mr. Bertrand has been teaching Composition and Electronic Music Technology at the University of Minnesota at St. Cloud, Long Island University in New York and at Miami International university of Arts and Design in Miami, Florida. Upon his recent return to Spain he has been teaching courses of Musical Composition applied to the Audiovisual and Scenic Media in the Conservatori Superior del Liceu de Barcelona.
His catalog includes choral music and chamber works, many compositions for solo instruments, band, orchestra and also ballets.
Javier Armenter was born in Barcelona in 1965 and entered the Barcelona Municipal Conservatoire in 1984 where he obtained a degree in solfeggio, harmony, specialised pedagogy, conducting choirs and orchestra. He has studied under prestigious masters such as X. Boliart, Miquel Martí Guàrdia Josep Soler, B. Casablancas, Salvador Mas, Albert Argudo, Carme Poch, Carles Guinovart, Josep Crivillé, Montserrat Torrent and A. Soler among others.
He has composed numerous pieces for different instrumental and vocal formations, many of which have been performed for the first time in Spain and various European countries – France, Italy and Germany. He has won several prizes, amongst which the 11th Barcelona Young Musicians Competition (1990) with the piece Arc en Ciel for a quartet of flutes, the Second Mollet del Vallès Composing Competition (1994) with the piece Homenatge a Toldrà, a sardana (Catalan dance) for cobla (Catalan brass band) and the City of Reus Composing Prize (9th edition, 1996) with the piece Punició for choir and piano stand out.
We can highlight his pedagogic aspect with the publication of the piece Cambra per als nens in five volumes, written together with Alberto Sampablo.
Several authors
Born in 1954, Peter Bacchus got addicted to music after the impression caused on him at a jazz concert by the American flutist Herbie Mann. Thus, he started his musical studies under the influence of jazz. He earned his diploma at Suny University Purchase (USA), composition at Aspen Festival and at Conservatoire Americain of Fontainebeu (France) and was a chamber music scholar at the Yale Summer School of Music and Art. He has studied with Julius Baker, John Corigliano,Nards Bonet,Thomas Nyfenger, and Keith Underwood.
He is a founder of Flute Force, an American flute quartet of a markedly innovative character that has received many awards. He has various recordings both as performer and of his own music. Currently he is on the faculty of the international festival College-Conservatory of Music of Cincinnati and in the Lucca Opera Theater in Italy.
The flutist and conductor Ransom Wilson has said about his music,"it has a consistency of style and a harmonious language, rarely found in composers of any age."
His works include chamber music pieces, orchestral works, and numerous choral works.
Carlota Baldrís Rafecas obtained her intermediary piano certificate at the Conservatory of Tarragona, and the advanced certificate in music theory, and composition and instrumentation with Xavier Boliart, and electro-acoustic music with Albert Llanas, at the MS Conservatory of Barcelona. She studied piano with Núria del Clos, Àngel Soler, Albert Giménez Attenelle and Liliana Mafiotte, and received master classes from Monique Deschaussé. She has also taken courses in music for films, with José Nieto; contemporary music, with Jean Pierre Dupuy and Agustí Charles; orchestra and choir direction, with Antoni Ros Marbà and Francesc Llongueres; and in jazz, with Manel Camp and Francesc Capella, to name just a few.
She has taught musical language and harmony at Pau Casals del Vendrell Municipal School of Music since it was founded in 1986. She was on the judges' panel for the Conservatory of Tarragona's 2006 Composition Competition, among others. She is a patron of the Fundació Pau Casals, and is a member of the Col·lectiu de Compositors de Tarragona (Tarragona Composers Collective), and in 2001 was awarded the Teresina Martorell prize.
Her musical production is made up of works destined for different disciplines and formations such as chamber and choir pieces. She has also ventured into the world of both pop and electronic music, and has written for ballet, theatre, radio, television, advertising and short films. Several of her works have been recorded on CD, including the release of the single Rap solidari (Solidarity Rap), to raise money for the victims of the 2005 tsunami, recorded at Pau Casals Municipal School of Music.
Spanish composer, Jose Maria Beltran Fernandez (1827-1907) was born in Valencia. He was a military musician, forming part of the Zamora Infantry No. 8 ( ref. 1860) and later pursued a highly successful and garlanded career as a director of military bands, composer and pedagogical writer. He is principally known for having written the first method of saxophone playing in the musical history of Spain. He also wrote various didactic books for the flute and cornet. Two works for piano are also preserved in the Spanish National Library in Madrid. His salon style of writing is charmingly simple and idiosyncratic, based on the popular music of the era.
Lluís Benejam was born in Barcelona in 1914, he studied at the Conservatori del Gran Teatre del Liceu in his hometown. He always remembered with fondness and admiration the teachings of professors Antoni Bosom, Josep Barberà and Joan Lamote de Grignon, and particularly of P. Antoni Massana, with whom he studied har-mony and composition.
He played the violin and viola in several symphonic and chamber groups. In 1953, he was awarded the Ciutat de Barcelona music prize for the work for string orchestra, Poema.
In 1954, he moved to Ecuador where he founded the country's National Symphonic Orchestra. He lived there for four years and was the concertino and assistant conductor of this orchestra. In 1958, he moved to the USA and performed as a concertino in the city of Birmingham's orchestra (Alabama) and as a professor of composition and instrumentation at Birmingham Southern College and University of Montevallo. He recived his master at University of Alabama. He died in Birmingham on 28th March 1968.
Lluís Benejam's music flows forth from an open and vivacious spirit, susceptible to different influences. His work includes reminiscences of impressionism and jazz, incorporated in a personal way of understanding music: formally clear and with carefully fashioned themes, rhythmically solid sections, naturally shaped melodies, often narrative, and a harmony which evolves from a jazz-impressionistic conception towards polyinterval chords generated by the procedure of added notes and substitutions.
His work is the result of a professional, music-playing career. He wrote for his chord ensembles, which predominate in chamber music. Of the wind instruments, chamber and orchestral works are dedicated to the oboe, the trumpet and the saxophone.
The last 8 years of his life, spent in Birmingham (USA), afforded him a unique opportunity to produce most of his orchestral work, which he grasped. Montevallo University (Alabama) named its music library after Lluís Benejam, in recognition of his artistic work. His manuscripts are stored there.
His entire work is published by Clivis Publicacions of Barcelona.
68 music sheets
Born in Mataró in 1967, is an advanced piano, solfège, music theory and composition teacher from Barcelona's Liceu Higher Conservatory of Music, and holds a Doctorate in Musical Arts from The Hartt School (Universityof Hartford-USA). He has studied composition with Salvador Pueyo and James Sellars, and piano with Maria Jesús Crespo and Luiz de Moura Castro.
He has won several national and international awards for composition. He taught piano, music theory, harmony and composition in both Spain and the USA. He is currently a Professor at the Music Conservatory of the National University of Colombia in Bogota, where he lives nowadays.
His latest of most important musical activities have been the revision and conclusion of the Quintet in G minor Op. 49 of Enric Granados and the conception, organization and direction of the "Colombo-Catalan Week", musical, cultural and pedagogic event around the classical music of the XX and XXI centuries of Catalunya and Colombia.
He was selected to become a member of the American Music College Honor Society Pi Kappa Lambda in 1994, and has been a member of the Catalan Composers' Association since 1992.
Born in Barcelona in 1944. A composer and an architect. From 1950 until 1961, she studied the piano, musical theory, and musical composition, with J. Albareda, J. Cercós, and X. Montsalvatge. Between 1968 and 1971, she studied harmony, counterpoint, and the fugue, with Josep M. Mestres-Quadreny. Until 1977, she continued studying with him the development ofmusical structures throughout history, until arriving at the modern concepts on the application of mathematical probabilities in music. She has studied electroacoustics music with Lluís Callejo and Gabriel Brncic, at the Phonos Laboratory, and later, computer music with Xavier Serra. She has also studied musical composition with Luigi Nono. In 1985, she obtained a grant from the Catalonian Commission on Research and Technological Innovation (CIRIT), to work in Paris at the Centre d'Études de Mathématique etAutomates Musicales (CEMAMU), or the Center for the Study of Mathematicsand Automated Music, directed by Iannis Xenakis. She has translated, tothe Catalan, his work Música y Arquitectura (Music and Architecture).
At the same time, she continued to study at the Escuela Técnica Superior de Arquitectura de Barcelona (Barcelona's Superior Technical School of Architecture), where she earned, in 1974, her architecture doctorate. Anna Bofill Levi is a practicing Architect.
She has written works for diverse solo instruments, for chamber orchestra, for voice, and for electroacoustics. Some of them have been performed all around the Spanish territory, and also in cities like Paris, Berlin, New York, Mexico City, Santiago de Chile, etc., and in numerous festivals andcongresses of contemporary music.
She is a member of the Associació Catalana de Compositors (Catalonian Composers Association), Asociación de Mujeres en la Música (Women in Music association), Asociación Española de Música Electroacústica (Spanish Electroacoustic Music Association), the International Computer Music Association, and of the International Alliance for Women in Music.
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The OFFICIAL app of HP Youth, the youth ministry of Highland Park Church in Lakeland, FL.
* Cloud Based Journal: Your Pursue Journal is accessible online anytime at www.PursueJournal.com. This allows you to be able to add entries anywhere, anytime and they are automatically linked to your HP Youth app.


text:
namespace autofill {
namespace wallet {

namespace {

std::string FormOfPaymentToString(Instrument::FormOfPayment form_of_payment) {
  switch (form_of_payment) {
    case Instrument::UNKNOWN:
      return "UNKNOWN";
    case Instrument::VISA:
      return "VISA";
    case Instrument::MASTER_CARD:
      return "MASTER_CARD";
    case Instrument::AMEX:
      return "AMEX";
    case Instrument::DISCOVER:
      return "DISCOVER";
    case Instrument::JCB:
      return "JCB";
  }
  NOTREACHED();
  return "NOT_POSSIBLE";
}

}  // namespace

Instrument::Instrument(const string16& primary_account_number,
                       const string16& card_verification_number,
                       int expiration_month,
                       int expiration_year,
                       FormOfPayment form_of_payment,
                       scoped_ptr<Address> address)
    : primary_account_number_(primary_account_number),
      card_verification_number_(card_verification_number),
      expiration_month_(expiration_month),
      expiration_year_(expiration_year),
      form_of_payment_(form_of_payment),
      address_(address.Pass()) {
  DCHECK(address_);
  if (primary_account_number_.size() >=4) {
    last_four_digits_ =
        primary_account_number_.substr(primary_account_number_.size() - 4);
  }
}

Instrument::~Instrument() {}

scoped_ptr<base::DictionaryValue> Instrument::ToDictionary() const {
  // |primary_account_number_| and |card_verification_number_| can never be
  // sent the server in way that would require putting them into a dictionary.
  // Never add them to this function.

  scoped_ptr<base::DictionaryValue> dict(new base::DictionaryValue());
  dict->SetString("type", "CREDIT_CARD");
  dict->SetInteger("credit_card.exp_month", expiration_month_);
  dict->SetInteger("credit_card.exp_year", expiration_year_);
  dict->SetString("credit_card.fop_type",
                  FormOfPaymentToString(form_of_payment_));
  dict->SetString("credit_card.last_4_digits", last_four_digits_);
  dict->Set("credit_card.address",
            address_.get()->ToDictionaryWithoutID().release());

  return dict.Pass();
}

bool Instrument::IsValid() const {
  if (!IsStringASCII(primary_account_number_))
    return false;
  bool primary_account_number_valid =
      autofill::IsValidCreditCardNumber(primary_account_number_);
  bool card_verification_number_valid = card_verification_number_.size() == 3 ||
                                        card_verification_number_.size() == 4;
  bool exp_month_valid = expiration_month_ >= 1 && expiration_month_ <= 12;
  bool exp_year_valid = expiration_year_ >= 2013 && expiration_year_ <= 2100;

  return primary_account_number_valid &&
         card_verification_number_valid &&
         exp_month_valid &&
         exp_year_valid;
}

}  // namespace wallet
}  // namespace autofill


Dealing with Family Hostility at the Holiday Table?
Narcissists, Sociopaths: Similarities, Differences, Dangers: Both of these personalities present a false self, so we must be aware.
An EAR Statement can calm an upset or hostile person within seconds.


text:
Inland Empire 66ers News
Sixers Defeated by Quakes in 2019 Finale
By Inland Empire 66ers | September 3, 2019 4:29 PM
Rancho Cucamonga, CA- The Inland Empire 66ers of San Bernardino finished the 2019 campaign on the losing end of a 4-3 decision to the Rancho Cucamonga Quakes snapping a four-game winning streak. The Sixers demise was due, in large part to three unearned runs that scored in the first for the playoff-bound Quakes (81-57, 40-30).
The 66ers took a lead out of the gates as Jordyn Adams drilled a double to open the game in the first and came home on Orlando Martinez' RBI single. After allowing a leadoff single in the bottom of the first, IE righty Cristopher Molina (2-6) got two quick outs. He appeared to get out of the inning when Miguel Vargas popped up on the infield, but Sixers first baseman Devin Davis dropped the ball to extend the frame. Dillon Paulson then flared a two-run single to left and Marcus Chui drove him home with a base-hit for a 3-1 lead. Inland Empire got a run back in the second when Spencer Griffin walked against Quakes starter Jose Martinez, stole second and was driven home on a Zane Gurwitz RBI single. That was all Martinez (3-0) allowed in his six strong innings. Molina took the tough-luck loss as he went six frames giving up no earned runs on four hits, two walks and fanning eight. Chui boosted the lead for the Quakes to 4-2 in the seventh with a solo homer to right, his 14th of the year. The Sixers got a run back in the eighth when the Angels' 2018 first-round pick smoked a solo homer to right, his first since joining the 66ers and his third hit of the day. Inland Empire put the tying run on base in the ninth but Austin Drury got a ground out from Spencer Griffin for his first save and the final out that Inland Empire had to give in 2019. The 66ers finished the season 57-82 overall and 31-38 in the second half.
The 66ers open the 2020 campaign at Rancho Cucamonga on April 9th at 7:05 pm. The contest can be heard live on 66ers.com.


hd00:22SINGAPORE - CIRCA JUNE 2012, land mark of Singapore, Marina Bay with Merlion statue and Marina Bay Sands integrated resorts and casino.
hd00:05Bratislava, Slovakia. May 2017. A time lapse view of UFO tower over the Danube river.
4k00:22SINGAPORE - CIRCA JUNE 2012, land mark of Singapore, Marina Bay with Merlion statue and Marina Bay Sands integrated resorts and casino. 4k video format.


Dirty Dangle Hockey: Why Is Jonathan Toews Getting a Free Pass?
Why Is Jonathan Toews Getting a Free Pass?
20 games. 1 goal and 9 points is Jonathan Toews' stat line in the 2013 playoffs so far. Not the kind of production you would expect from a guy who scored 23 goals and 48 points in 47 games during the shortened regular season. Toews' goal scoring slump is not for a lack of trying as he has taken 63 shots these playoffs, but he just hasn't been able to get into any sort of groove and start scoring consistently.
From reading blogs and main stream media it looks like Jonathan Toews has gotten a free pass from criticism these playoffs. Helping to downplay his offensive performance these playoffs was the NHL handing out awards last week and Toews taking home the Frank J. Selke Trophy as the league's best defensive forward. Even on the defensive side Toews isn't dominating with a +4 rating and a faceoff percentage of 52.1 that ranks 19th in the playoffs. Last years Selke winner and runner up this year, Patrice Bergeron, also sports a +4 rating, but has been dominant on the draws with a 62.7 faceoff percentage (then again he did get to take a lot of faceoffs against the Maple Leafs).
So is Toews getting a free pass because he has already won a Stanley Cup and took home the Conn Smythe Trophy those playoffs? When the Blackhawks won the Stanley Cup back in 2010, Toews dominated and led the Hawks in scoring with 29 points in 22 games. But in the last 3 playoffs since then, Toews has just scored 4 goals and 17 points in 33 games. Is Toews getting a free pass because he is the team captain and brings leaderships and other intangibles during every game? I am not really buying that one either since Toews seems to be more of a quiet captain and leads by example. Not producing when your team needs you just doesn't seem like the Jonathan Toews we all know. If his last name was Toewsokov he would be taking a beating from the media for not producing but Toews has managed to evade any criticism. What's up with that?


Network architecture is the process of building your entire communications channels from the ground up. Not only can it be time-consuming, but even the slightest error could put a wrench in your entire operation.
Our network architecture specialists in Philadelphia can ensure that your entire network is experiencing the best possible uptime, has the clearest communications, and isn't bogged down by unnecessarily complicated connections. Our team speaks the language of hubs and repeaters, defining the physical, data-linking,session, transport, presentation and application layers.
Network architecture in Philadelphia requires intensive systems that work together guarantees that your communications network speaks to all the parts involved. Your hardware and software needs to interact with all modes of transmission to guarantee that your business stays in business. Which is why we work with you to determine the best layout for the most optimal uptime, quickest response, and ease-of-use.
We also want to make sure that maintenance of your network is organized in such a way that maintenance and server management is a breeze. You need to have access to your business-critical data at all times, and our network architecture framework makes sure that we've laid the groundwork for accessibility and future scalability.


There are only a handful of companies bearing great importance in the field of zootechnical supplies, from fence energizers to cattle prods.
Switches, tensioner, insulators, pickets: all items required to complete an electric fence.
Although the basic elements of an electric fence is definitely the energizer and conductor, these certainly are not enough to complete the job: it takes pickets, insulators, grounding, circuit breakers, insulated handles, joints and connections so that the fence is fully efficient. You will find all these essential accessories in this section.


text:
// --------------------------------------------------------------------------------------------------------------------
// <copyright file="IRuntimeModelRegistry.cs" company="Kephas Software SRL">
//   Copyright (c) Kephas Software SRL. All rights reserved.
//   Licensed under the MIT license. See LICENSE file in the project root for full license information.
// </copyright>
// <summary>
//   Registrar application service for providing runtime elements used in building the model space.
// </summary>
// --------------------------------------------------------------------------------------------------------------------

namespace Kephas.Model.Runtime
{
    using System.Collections.Generic;
    using System.Threading;
    using System.Threading.Tasks;

    using Kephas.Services;

    /// <summary>
    /// Application service for providing runtime elements used in building the model space.
    /// </summary>
    [SingletonAppServiceContract(AllowMultiple = true)]
    public interface IRuntimeModelRegistry
    {
        /// <summary>
        /// Gets the runtime elements.
        /// </summary>
        /// <param name="cancellationToken">The cancellation token.</param>
        /// <returns>
        /// An asynchronous result yielding an enumeration of runtime elements.
        /// </returns>
        Task<IEnumerable<object>> GetRuntimeElementsAsync(CancellationToken cancellationToken = default);
    }
}


Not to be left behind its global peers, the Indian stock market on Monday crashed 4% in pre-lunch trading. The CNX Nifty fell below the psychological mark of 8,000 during the morning trade. In the past 10 years, on closing basis, Nifty has fallen over 4% on at least 36 occasions.
It is advisable not to panic just because the market has fallen the way it has. "We expect markets to fall further and portfolios may need adjustments, but today is not the day to go out and sell," said Daljeet Kohli, head of research, IndiaNivesh Securities Pvt. Ltd. Experts say investors should wait for some stability in the market even if they want to change the composition of their portfolios.
There is a chance that some stocks may have fallen disproportionately and may look cheaper. However, experts suggest that investors should not rush to buy at the moment just because prices have come down "Do not go by the price alone and look at the fundamentals before buying," said Prasanth Prabhakaran, president (retail broking), India Infoline Ltd, adding that these are temporary pain points for the Indian market because of global factors.
Investors should never get into the market with the view that stocks that have fallen will see a sharp bounce-back in the near future. There is always the risk of investors getting trapped with the wrong stocks. In all markets conditions, and a steep fall is no exception, investors should not lose track of the fundamentals. As the markets stabilize, experts suggest, they may open up opportunities to buy good large-cap and bigger mid-cap companies with strong fundamentals, at reasonable valuations.
The best strategy for a retail long-term equity investor, who already has a regular systematic investment plan, is to stay on course. Don't redeem. Don't buy more. Just stay the course.


WAFFLES: Wait. I have a JOB???
Yesterday Waffles almost broke the internet... or at least our Facebook Page, when Glogirly photoshopped him into a meme. The original photo had a (gasp!) dog in the picture. We just knew it needed a little upgrade.
Meanwhile, Waffles is just a little bit panicked over the whole job thing.
The photo originally had a DOG?! Bleagh! Waffles rocked it SO much better!
Katie looks serious. Oh oh Waffles! And Waffles, I love your pj's!
OH What did I Miss!!!!
Ooo, a paycheck can e very enticing to get a job. Go for it.
Waffles, the mom says she feels like that.
Mom knows this feeling very, very well.
Waffles, our the mom just wants to kiss your adorable face, so please hide from her - she has bad breath.
MOL! Don't let your mom fool you, you guys!
*sigh* Waffles, Waffles, Waffles. We got nothing really. We just love mentioning Waffles.
Upgrade is correct! Much better.
That is just tooooo precious. Sorry I missed it on FB.
So cute! Photoshop solves the never ending dilemma of what to do with the ears when cats wear hats.
Oh Waffles, you are soooo cute!!!
Mum said she saved the picture on her day hunting puter so it will come up. She is counting down the days until she won't have to go day hunt anymore. So she wakes up and thinks this every working day.
Allie: hold on - let me just...finish...filling out Faraday's job application... THERE. Maybe the boys can carpool. Somewhere far, far away.


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This Asian-American Artist Creates Community with a Porcelain Pantry
The concept for the project quickly evolved after Stephanie Shih first posted photos of the dumplings on Instagram and was overwhelmed by enthusiastic support from fellow Asian-Americans
On a humid night in July, Stephanie Shih sat down in her studio and folded 30 identical clay dumplings by hand. The next day, she folded 30 more and the day after, 30 more.
What prompted the 32-year-old ceramic artist to methodically shape nearly a hundred replicas of a Chinese dish she grew up eating is still unclear to her. The plump, smooth porcelain dumplings were unlike anything she had created before yet the rhythm of rolling, folding and pinching the thin discs of clay into small dumplings felt deeply meditative and reminded her of working with the actual dough.
Shih is currently working on an upcoming exhibit titled ORIENTAL GROCERY that examines first-generation nostalgia through replicas of Asian-American pantry and kitchen staples.
"It was this muscle memory of folding them with all my āyís [aunties] around the table where everyone is teasing each other, like, 'Yours are ugly. No yours are ugly,'" grins Shih, seated in the quiet basement of Gasworks NYC, a clay studio in South Slope where she hand-builds ceramics. She's currently working on an upcoming exhibit (location TBD) titled ORIENTAL GROCERY that examines first-generation nostalgia through replicas of Asian-American pantry and kitchen staples.
The concept for the project quickly evolved after she first posted photos of the dumplings on Instagram and was overwhelmed by enthusiastic support from fellow Asian-Americans who were from culturally different backgrounds living in different parts of the U.S. yet shared a deep nostalgia for the same things that shaped her own experiences growing up as a first-generation Chinese-Taiwanese kid from Central Jersey.
The response from white people, however, often treated the dumplings like a joke. "They didn't see it as a sculpture, they saw it as some kind of novelty," says Shih of Internet strangers and friends alike who impulsively asked when she was going to make soy sauce and fortune cookies, and suggested that she sell the dumplings in egg roll wrappers or Chinese takeout containers. "They're not egg rolls and it's not rice," Shih says flatly. "It's not like I started this project to connect with my dead āyís or whatever, but those interactions made me start thinking more deeply about it."
Shih, seated in the quiet basement of Gasworks NYC, a clay studio in South Slope where she hand-builds ceramics.
Three weeks later, she launched a site to sell the dumplings, including a limited series of lucky gold-lustered "dumps" (as she affectionately calls them) but not before releasing the ceramicist equivalent of a mic drop: a photo of an intricately hand-painted bottle of Gold Plum Chinkiang vinegar, its label written in English and Chinese. The post was accompanied by a caption that read, "the real ones know."
The rice-based black vinegar is a central ingredient for the sauce traditionally used to dip dumplings in, something Shih knew few non-Asians could relate to, whereas all Asians would be able to rally around its cultural significance. Likes, comments and the dialogue that followed motivated her to create more space for Asian-Americans to reconnect with their childhood memories and cultural identity through food they all grew up eating. After making a 50-pound bag of Kokuho rice, its top rolled down and its bottom lumpy from her fingerprints, Shih jokes that she didn't know rice came in smaller quantities until she was 20-years-old. A small red-tipped bottle of Yakult, Japanese fermented milk, reminds everyone that kids like her were drinking probiotics long before it was trendy.
Social media polls, phone calls with her mom, and digging around on the Internet for images of labels as old as she is have brought answers to looming questions.
Food carries meaning for everyone but maybe especially people who have only known life in the diaspora, whose identities are tied to a figurative homeland that "exists only in the memories and experiences that this set of people have had," Shih explains. Asia-America isn't a location on a map, she continues, but is "a collective of people who happen to live here."
Memory is fleeting and branded objects change over time which means Shih has to research details like the brand of oyster sauce from Hong Kong everyone remembers using, or the color of the lid on the bottle of Vietnamese garlic chili sauce that was always in her parents' refrigerator. Social media polls, phone calls with her mom, and digging around on the Internet for images of labels as old as she is have brought answers to looming questions. But no matter how explicitly her polls hail people of Asian backgrounds, "white people always respond," she laughs, shaking her head.
Memory is fleeting and branded objects change over time which means Shih has to research details like the brand of oyster sauce from Hong Kong everyone remembers using.
Shih was raised with one younger brother by Chinese-Taiwanese parents whose love of home cooking laid the foundation of her fascination with food. At two years old, she insisted on sitting atop the kitchen counter next to her mother who was busy preparing meals and often wielded a large Chinese cleaver. By middle school, she taught herself how to cook, usually baking and never her parents' cuisine. Attending a racially-mixed school with a large Asian-American population didn't shield her from internalizing the notion that being Chinese meant "you can't be cool. You have to be white to be cool," she remembers.
It wasn't until college where she studied hospitality management and media, surrounded by mostly white friends and classmates, that she began to see Asian-Americanness as an essential part of her identity rather than something to downplay or assimilate to white norms.
What prompted the 32-year-old ceramic artist to methodically shape nearly a hundred replicas of a Chinese dish she grew up eating is still unclear to her. The plump, smooth porcelain dumplings were unlike anything she had created before.
For the next eight years, Shih navigated front- and back-of-house positions in restaurants and catering businesses in Boston and New York City before settling into design work. Over the last three years, she has nurtured her childhood love of art, something that was "out of the question" for her to pursue in school, into a growing side career as a ceramicist. Ceramics is a form that has a long tradition in Asia, she tells me, but is commonly practiced today in places like Brooklyn by predominantly white people who learn to shape Korean moon jars, Peruvian water jugs and Japanese sake sets—relics of someone else's culture—for their own skill development and personal profit. The more she considers what it means for non-Asian people to make art (or food for that matter) from a history and culture they have no connection to, the more she wants to make something explicitly centered around her own personal history as an Asian-American.
Shih isn't shy about calling out tactless assumptions of white people on social media, and it's led to a noticeable shift in conversations about her replicas that include more respect and less presumptions. But this project isn't an educational platform for people who equate Chinese cuisine with soy sauce and fortune cookies. Each piece offers an opportunity to share something that goes deeper than the food or the art and to connect with other Asian-Americans around food, like sweet Chinese haw flakes and Italian Ferrero Rocher, that symbolize their particular experiences and memories.
Each piece offers an opportunity to share something that goes deeper than the food or the art and to connect with other Asian-Americans around food.
"I think it feels important to me to create space because we don't have a shared physical place. We have to create dialogue and that becomes the space that we have," says Shih, hopeful that other first-generation kids balancing dual identities will see her work and recognize themselves in it. "This is ours and it's just for us."
Tags: ceramics, clay, dumplings, Gasworks NYC, porcelain, Stephanie Shih
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Business Traveler? Here is the secret to more reward points.
Business Traveler? Here Is The Secret To Receive Additional Reward Points.
BUSINESS TRAVELER REWARDS, WE ALL LOVE THEM.
You are currently a business traveler and are receiving your hotel reward points. You are receiving your frequent flyer miles and maybe rental car points as well. If you have the ability to book your traveling itinerary through a booking site of your own choice, then you are in the right place.
I can show you how to receive additional reward points that actually convert points to dollars in addition to the reward points you are already receiving. Here's how.
When you become a member of the fastest growing traveling club in it's category, you receive these additional points that convert points to dollars. These points are earned when you book hotels and rental cars averaging 5% of the hotel stay or car rental cost. These points are referred to what is known as Rovia dollars. Rovia dollars are then converted dollar for dollar to purchase AirFare, Hotels and Rental cars.
Okay, I know you are asking what is the catch? Nothing is free right? How much does it cost to be a member of this club? First, I can assure you through personal experience, that if you are a business traveler who stays in a hotel 2-3 nights a week, this is what you are looking for. Let me start by showing you the calculations and you use can see using your travel dollars spent.
WOULDN'T IT BE NICE TO STAY LONGER?
If you spend $200 a night for 3 nights you would spend $600.00 a week. You will be awarded an average of 5% . So you would of awarded 30.00 points($30.00) for the week. 30 points a week multiplied by 50 weeks a year would be 1,500 points a year extra to be converted to real dollars to purchase Airfare, Hotels and Rental cars.
OR MAYBE YOU COULD USE THOSE EXTRA $$$ TO RENT A CAR IN STYLE ?
Again it's the same calculation as hotels. The cost of the rental cars over the year multiplied by approximately 5% would be your reward dollars.
OR MAYBE YOU HAD ENOUGH REWARD POINTS TO COVER YOUR HOTEL BUT NOT ENOGH TO COVER YOUR AIRFARE? PROBLEM SOLVED NOW!
Due to government regulation, monetary incentives are prohibited. However, an award of $1.00 will be given as a courtesy for booking through the travel club. Keep in mind though that these points you are earning are converted to dollars, and it is your choice to use for either airfare, hotels and or car rentals. Oh, I almost forgot. HERE IS ONE OF THE MANY ADDED BENEFITS THE CLUB MEMBERSHIP OFFERS. Click on the image below for the details.
GET A REFUND IF THE AIRLINE LOWERS THEIR PRICE!
So all these reward dollars are in addition to what you are all ready receiving. You can earn these extra dollars by becoming a member of this great travel club. There is a one time activation fee of $199.00 for the membership. (This fee is given back to you to use on a heavily discounted DreamTrips). There is also a $50.00 monthly fee as well. Again this is given back to you at the end of the year to use on a heavily discounted DreamTrips.
Just for a worst case scenario, lets say you never went on a DreamTrip. Under The Rewards Program, you are given the $199 one time life long fee to be a member back to use for travel as well as the $50 monthly fee back to use on a DreamTrip. That would be a total of $800.00 you would of paid in. So if you never went on a DreamTrip or use any of the many other features of the club to save money, your cost would be $800.00. If your reward dollars that you earned did not total $800.00, then strictly from a monetary cost, this incredible travel club would not be for you. On the other hand, if you earned more than the $800 and never went on a DreamTrip or use any of the everyday savings, even from a monetary cost, this membership is definitely for you. Why, because you are receiving more reward points! And the best part is, you even have not been exposed to the half of it! Now that is what I call The DEAL!
I can explain to you how great this travel club is, and not even begin to get close to explaining the value, let alone the life time experiences you can receive by becoming a member.
To learn more, watch this short video and get a glimpse of the experiences that lie ahead for you.
P.S. Click here to see how the booking engine works when you are ready to see how easy it is earn more reward points. You are already traveling, why not earn more?


Who is Fantastic Mr Fox? What is he like? What does he look like?
This week, Y2 have been writing character descriptions about Fantastic Mr Fox and other characters from the book. This morning, we have been reading each other's work and improving our work through checking spellings, punctuation and word choice. Now we are about to write our presentation piece of work. Well done to Y2 for your hard work this week.
The children have had a fantastic day creating their very own fox dens. Super effort year 2!
Y2 had a great afternoon making our dens for Mr Fox. We have loved reading Fantastic Mr Fox and now we are making the perfect den for the Fox family. Tomorrow we are having 'Fantastic Foxy Friday'….photos to follow!
Jasmine Day on Time for homework!


2011 Harley Davidson Street Glide Twin Cam 103ci & 6 Speed, runs excellent looks gorgeous! Only 30k miles, loaded ABS, Security, Cruise, Custom Chrome Wheels, Custom Saddle, Rinehart Racing Exhaust. Call, text or emails for more photos & details! Diane Marie 850-377-9136.
2012 harley davidson street glide clean 16,000 miles abs brakes,security system,new tires front and rear from harley,15,000 mile service done by harley,new brakes and rotors,from harley,has day maker head light,all led lights,rinehart true dual exhaust,xm radio title in hand it is fore sale local sale may end at any time.


The AT-HDVS-150-TX-WP, the AT-HDVS-150-TX and the AT-HDVS-150-RX are capable of passing through 2ch audio. If you require the ability to pass multi-channel audio from your sources please use the AT-HDVS-200-TX-WP, AT-HDVS-200-TX and AT-HDVS-200-RX which do have the ability to pass multi-channel audio through the HDMI output of the 200-RX. For both the HDVS-150 and HDVS-200 systems, analog audio can only play back 2ch audio.


In the 2015-2016 school year alone, we purchased 150 Chrome Books and four mobile carts!
We have about 80 laptops for student use, in addition to the new Chrome Books!
The majority of our staff received new laptops just last month!
Our students have controlled access to Chrome Books and laptops for testing, assignments and research on a daily basis!
Each of our classrooms have dedicated classroom Chrome Books, in addition to community available Dell computers.
The majority of our middle school classrooms are paper-less through the use of Google Classrooms application.
Technology is used in our reading and math intervention.
Our free after-school activity that utilizes Kahn Academy is web-based.
Students do their short-cycle assessments, PARCC testing and SBA testing on our computers/Chrome Books.
Our entire school is completely wireless so our classrooms have the ability to utilize the internet remotely.


This is Too Much Fun To Be Allowed.
Ordinarily I don't go in for the sharing of musical tastes online -- there's way too much posturing involved -- but this little toy turned out to be too entertaining to pass up. So I've put together my own FineTune radio.
I have no idea how to link to it.
Chris, there's a little link on the side of your list-editing page that says "share this: embed this playlist on your blog/myspace page; get it here." You click on it, copy the code, and paste it in you blog. Presto.
You can't sequence the songs--it seems to be random. But sequencing forty-five songs is too fussy, anyway.
Aha. Then here is Crywalt Radio. Guaranteed 100% annoying.
Okay, Chris, it's official. We vibrate on different frequencies.
This is why I generally avoid sharing music online. Because you suddenly realize this person you thought you liked in fact has dreadful taste in music.
I thought for sure Dar Williams would do something for you. Or Beth Orton.
Dreadful taste? Dreadful? Do you mean to say that Pretty Lady has poor taste in selecting her own blood type, as well?
I simply do not see it this way. We simply Resonate with one frequency or another, and I believe that this may be genetic. I have noted, for example, that my sister's former roomate and I have precisely the same taste in music; not similar taste, the same taste. It is perhaps a Virgo thing.
Let's not mince words. Dreadful is what it is, and dreadful is what we'll call it. Not your taste; mine. Of course.
Also, I should note I do not resonate or vibrate. If I did, surely my wife would be happier.


text:
Q: ArcGIS - after merging multiple shapefiles, there is a boundary between them I want rid of. How do I get rid of them?
I have downloaded four geology tiles and merged them together. It works, and I can then go on to customise the tiles to colour code each geological unit no problem, but those four lines joining the tiles I merged look so messy and I want rid of them. I get these lines when I merge shapefiles to make the merged file, and when I merge layers to make the merged file. No solution as of yet.
I imagine it could be a stylistic thing, where I need to make the borders transparent or something. Thoughts?

A: You can try dissolving features based on one common attribute. This should solve your problem. This may create multi-part polygons that you can break by Multipart To Singlepart algorithm.

A: So for geology maps specifically, I was able to rectify this by simply removing the outlines of the rock units after I filled them in. For the type of map I'm making, it is fine to just make your own boundaries with polylines, or just simply leave them empty because there is only one 'type' of geological boundary between rock units on this map and I think it actually looks better with no outline as this is more realistic given scales (too many geological maps have boundaries that are too thick).
However, fixing this issue for other purposes could be important to others so I will leave the question up.


text:
Album Review: Hope
Dennis Leogrande
Dennis' Website Dennis' Artist Page on MainlyPiano
The Great Kate Studio
2022 / Dennis Leogrande
Review by Kathy Parsons
There was a span of nine years between Dennis Leogrande's first album and his second one (Yesterday Once More in 2003 and Just Sayin' in 2012) and although it's been ten years between albums again, the great news is that Dennis has two new albums he is releasing in 2022 - Hope and Déjà Vu. Like his previous albums, the nine piano solos on Hope reflect the wide range of Leogrande's musical life and experience. Most of the pieces have a strong jazz influence, but some are more classical, two are bluesy, a couple are upbeat and some are slower and more reflective - a wonderful combination of moods and expressions! Leogrande composed all nine of the pieces and plays all but two - Ron Levy performed those two tracks. The album was recorded on a Yamaha C3 (6'1") grand piano in Leogrande's own The Great Kate Studio in New Jersey.
Dennis Leogrande has been a music educator and music supervisor in the New Jersey public schools where he taught band and string instruments in addition to directing bands, jazz ensembles, and orchestras. He holds a Masters degree in Music Education from New York University as well as a Supervisor of Music degree. In addition to teaching, Leogrande has published numerous educational works, composed music for animated films, and operates his recording studio, The Great Kate Studio.
Hope begins with the title track, a beautiful piece that very accurately expresses the odd mix of emotions most of us have felt at various times during the past few years. Through it all, hope has been kept alive, and for many of us, that hope has manifested itself via some of the amazing music that has been created during the Covid-19 pandemic. Dreamy and expressive, "Hope" is a great opening track! "How Long Have You Known" seems to flow directly from the heart to the fingers to the piano keys. Feelings of deep sadness run through the piece and express far more than words ever could. "I Can Explain" continues in a similar slow jazz style, although it isn't nearly as sad as the previous track and seems to be a musical bridge to understanding. It's no secret that I love piano blues, and "I Got This" is a good example of why. Played by Ron Levy, it's bold and funky with just enough bravado and attitude to be fun. "Just This Once" returns to a quieter, more introspective mood that flows with the spontaneity and honesty of a deep conversation between close friends. "Strut Yourself" is the other piece performed by Ron Levy, and it's also a fun, bluesy piece sure to put a smile on your face! Although it is very free, "Through It All" has a more distinctive melody than some of the other tracks - kind of like the soundtrack to a story of your own creating. Beautifully heartfelt, it's another favorite!
Hope is well worth the wait between albums and is now available from The Great Kate Studio store. I give Hope an enthusiastic both thumbs up!
More reviews of Dennis Leogrande albums
Yesterday Once More


Notes: FACTORY PAINTED - AS BUILT, WITH 'K' BRAKES, STRAIGHT TOP RAIL OF END HANDRAILS WITH BRAKE WHEEL ABOVE. LEAF SPRING TRUCKS AND TALL 4'-0 STACK, PAINTED MINERAL RED WITH BLACK UNDERFRAME AND TRUCKS. CIRCA 1942-1955.


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Dance joins GuideStone as director of pastoral wellness
Posted by Roy Hayhurst and Staff | Jan 6, 2022 | Feature, News
Mark Dance is joining GuideStone Financial Resources in the newly created director of pastoral wellness position. He served Oklahoma Baptists as director of pastoral development and a regional ministry partner, beginning these roles in 2019.
"We are grateful for the important ministry Mark Dance had during his tenure with Oklahoma Baptists, and his positive impact will be felt across our state for many years to come," said Todd Fisher, executive director-treasurer for Oklahoma Baptists. "We pray the Lord continues to bless Mark and Janet, as he steps into this new role with GuideStone and trust that his positive impact on pastors will only grow."
Serving the east central region of Oklahoma, Dance was on the ground floor of developing regional ministry, as well as other ministerial aspects for Oklahoma Baptists.
"From establishing the Ministry Pipeline here in Oklahoma to connecting with and encouraging many Oklahoma Baptist pastors as part of our regional ministry efforts and strategy, Mark's efforts and friendship are vitally important," said James Swain, Oklahoma Baptists' associate executive director and regional group leader.
Dance was senior pastor for 28 years in churches in Texas, Arkansas and Tennessee before joining Lifeway Christian Resources in 2014. He is the co-founder of Care4Pastors.
"When I was called to join the ministry of GuideStone, I felt deep in my soul a responsibility to care for pastors, not just in their financial and health lives, but for the whole pastor and pastor's family, to help them do well and do right by being well, serving well and finishing well," GuideStone President-elect Hance Dilbeck said. "As I've spent these last several months becoming acquainted with GuideStone, I was excited by the prospects of Mark joining us here to advance the vision we believe we have received from the Lord."
God has opened many doors for Dance to minister to pastors, he said.
"Pastors have been a priority to GuideStone for over 100 years, and I am thrilled to build on that legacy with Dr. Dilbeck and his team," Dance said. "Pastors are still leading through a historically challenging season, so our GuideStone team desires to lock arms with other ministries to help pastors and other ministry leaders fulfill their calling. I have never been more excited about a ministry opportunity than I am today."
Dance has three earned degrees, a bachelor of business administration degree from Howard Payne University, a master of divinity degree from Southwestern Seminary and a doctor of ministry degree Southern Seminary. He is married to Janet. They currently live in Tulsa, where he serves as an interim pastor, and will relocate to Dallas. They have two adult children, Holly (married to Brandon) and Brad.
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Roy Hayhurst
Roy Hayhurst is director of denominational and public relations for GuideStone Financial Resources of the Southern Baptist Convention.
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Andi prompted our writing group this week to talk about lists. I am a list fiend. I love making lists. As someone who is not naturally grand at organization, lists (and extensive training from my mother, who is the list queen) have been my salvation in that area. My genes are missing that one little nugget of an otherwise pristine INTJ personality. I love anything that makes me look good at something for which I have almost no natural talent.
Many of my lists are kept on my phone. I keep a running grocery/home list of things I need so that I can grab them if I'm out and happen upon them so that I don't have to make an extra trip later. I also keep a list of books I want to read and gift ideas for friends (also something that doesn't come naturally to me, so I grab all the help I can get). I keep lists of story ideas and blog posts ideas. These lists have saved me from a lot of wasted time, frustration, and writer's block, and unlike paper lists, which I will surely misplace or leave at home/work or douse with coffee, I always have them.
A few of my lists are old-school, written lists. At the beginning of every season (you can take the girl off the farm…), I make a master list of meals before I put them on my food calendar in my kitchen. Then I file it away with recipes (or notes on where I stashed the recipe online). It makes meal-planning super easy.
If I am making a special trip to the store for a specific event, I sometimes write the list out by hand. I'm not sure why. It could be nostalgia, or it could just be because I'm using my Pinterest app for ingredients and don't want to keep flipping back over to the notes. These lists sometimes show up in my art journal, because they tell their own story. For instance, this list is for the first testing of Feast recipes. It's a notable moment for me. It also might be my most favorite grocery list I've ever made.
I also write out goal lists. I have yearly goals, which I divide into quarterly goals, which I divide into weekly task lists. There is something about seeing a goal written in my own writing that makes it mean more to me. It's weightier. I can't blame anyone else for pushing it on me. It's mine. I can tell, because it's written in my own scrawl. It's more satisfying to cross them off when they're finished, too. I used to separate writing goals and work goals and personal goals, but now I put them all in one place, which has helped me be more realistic.
Do you make lists? Are they a help or a hindrance to you?
Yesterday, I went to see the new Into the Woods with my sister and Mel and Hope. It was really the only way we could have seen it, since Mel and Hope were the people who introduced us to it to begin with. We giggled all the way through it, sometimes before the line was even finished. It was a great outing.
Amendment: Tammy and I totally saw the filmed version of this play in high school. We have loved it even longer than I remembered.
On the movie itself, I have some thoughts.
1. I know what was missing from my life. Chris Pine singing Agony. It made me so happy.
3. I really liked Anna Kendrick as Cinderella. She did a great job.
4. Okay. I know I'm going to lose some people here. Meryl Streep. She's awesome. She's amazing. She's fantastic. She did a fine job – a job she should be proud of. Worth every penny.
She's no Bernadette Peters. There. I said it.
5. This movie really should be a sing-along. I know at least four people who would really enjoy that.
6. Just because it's Disney and involves fairy tales does not automatically make it a movie for children. At least, not a public movie for children. Sure, it was funny when a certain character said, "May I kiss you?" and a kid in the theatre shouted out "NO!" But there were some moments when it was really uncomfortable that the children were there. Maybe they could watch it when it comes out on video at home, where they are free to ask questions or be redirected or distracted by puppets or something when scenes come up that raise questions that parents aren't prepared to answer yet. That's what a parental guidance rating means – that some parental guidance might be necessary, and that's hard to do (and terribly annoying to others who are old enough to understand the movie without it being explained to them) while whispering in a theater.
7. Speaking of moments (or whole, complete scenes) that are not necessarily child-friendly, Johnny Depp as the wolf was everything I imagined he would be.
8. I didn't enjoy Lilla Crawford as Red Riding Hood. She wasn't bad, and she has a nice voice. But…the timing or something was off. There were some great lines that she just didn't hit right.
All in all, I liked it, and I really love that Hope drove in for the afternoon just to see it with us. That made it spectacular. Good friends. Good times.


April often starts off busy for a couple of weeks due to Easter and Spring Break crowds and then ends with light crowds.
Traveling to Disney World during a busier time means you have to be extra diligent about having a good touring plan. As long as you're zigging while other people zag, you'll do fine.
Weather in April at Disney World varies from nice to warm. Check the forecast before your trip so you'll know what to pack.


On certain vehicles, vibration during travel may cause interference between the wires and the bracket securing the glove box, because there is not sufficient space between them. At worst, this may cause a short circuit and a blown fuse, and result in engine starting failure and/or poor wiper operation.
Protective tape should be applied to the bracket securing the glove box. Also, the wires should be inspected, and the one with damage should be either repaired or replaced with a new one.