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13th Annual Patricia Sitar Juried Exhibition: Unity and the Environment
Sitar Arts Center's Cafritz Gallery celebrates not only the artwork of our students, faculty, and staff, but our community as well. The Gallery Series aims to educate the Sitar Arts Center community about the visual arts from both the artist and viewer's perspective, while giving young emerging artists the opportunity to exhibit professionally.
Each year the Cafritz Gallery hosts a juried exhibition that is open to the public. This juried exhibition presents artists with a new theme and a new group of jurors to review the work. Jurors are practicing visual artists and arts professionals working in various organizations and positions within the DC community.
Submission Fee:
Current Sitar Member
Young Adult: Ages 16-21: Free up to three pieces (parents must sign entry form)
Adults and Volunteers: Ages 22 & over: $5 unlimited pieces
Non-Sitar Member
Young Adult: Ages 16-20: $5 up to two pieces (parents must sign entry form)
Volunteers and Adults: Ages 22 & over $10 up to two pieces
Please visit our website to apply and learn more about this year's theme.
email: gisselle [at] sitarartscenter.org
website: https://www.sitarartscenter.org/programs/gallery-series/#callforartist
Call for Artists: CICA Experimental Film and Video 2023
CICA Museum invites experimental film makers and artists worldwide to participate in the CICA Experimental Film and Video Exhibition 2023. We accept single-channel experimental films, video art, and animations.
*Installation:
*Timeline
December 9, 2022 Close Submissions
December 15, 2022 – January 31, 2023 Approvals: Selected artists will be notified by email.
July 12 – 30, 2023 Exhibition Dates
*How to submit your work: Please visit our website for more information - https://cicamuseum.com/call-for-artists-cica-experimental-film-and-vide…
website: https://cicamuseum.com/call-for-artists-cica-experimental-film-and-video/
Arte Laguna Prize for Digital Artists
Great news for Digital Artists 📣
Special conditions for applying to the leading international contemporary art contest Arte Laguna Prize (17th Edition, Venice) from TAtchers' Art Management
ℹRequirements for Digital Art Section: works entirely created by using the computer or digital applications and devices: installations or performances in which the use of digital media plays a key role in the creative process and content
🔻Net art 🔻Software 🔻Interactive devices 🔻Videogames 🔻Augmented reality and virtual art projects 🔻Rapid prototyping 🔻Digital Animation 🔻Digital Artivism 🔻Digital Painting 🔻Digital Performance 🔻Digital Poetry 🔻 Game Art 🔻Generative & Algorithmic Art 🔻GIF Art 🔻Glitch Art 🔻Hacking Art 🔻Interactive Art 🔻Math & Physics Art 🔻Mobile & App Art 🔻Robotic Art 🔻XR Art 🔻Blockchain & NFT Art 🔻Metaverse Art 🔻GAN Art & OpenAI Art 🔻Crypto Art 🔻
🌐No limitations on age, nationality, or theme!
✅ APPLY NOW: https://artelagunaprize.com/17-edition-applications/
🎫 Enter the promo code TATCHERS22 in the online application form to get 20 euros off the registration fee!
💻📲Apply with 5 (!) works just for € 60 registration fee if you are under 35, and for € 80 if you are over 35 years old.
Among the international opportunities for Arte Laguna Prize finalists in 2023:
to win € 10 000 Overall Winner Prize,
to participate in a collective exhibition at the Venetian Arsenal from 11 March to 16 April,
to be invited art residencies in Australia, Italia and Spain,
for Under 35 artists - to participate in BJCEM Mediterranea 20 - Young Artists Biennale in 2024 and win € 1000,
to win € 4 000 offered by Venpa for the work that best represents the earth/sky bond,
to win € 3 000 for work on digital transformation thanks to the company Informatic All,
to be presented and to sell artworks on the platform Arte Laguna World - https://artelaguna.world/
❗Deadline for applications - November 22, 2022
#artelagunaprize #artelagunaworld #venice #arsenale #contemporaryart #contemporaryarts #digitalart #tatchersartmanagement #tatchers
email: news [at] tatchers.art
website: https://artelagunaprize.com/17-edition-applications/
VIDEO ART MIDEN // INTERNATIONAL OPEN CALL FOR ENTRIES 2022-23
Video Art Miden invites all video artists and video creators from all over the world to submit their videos for the next events & collaborations of Miden, which include screening events and video art exhibitions in Greece and internationally.
Deadline: January 15, 2023.
The call is open to every creator (individuals, groups or organizations) of any nationality and background.
There are no thematic or morphological restrictions, but the curatorial team of Video Art Miden is particularly interested in video art, video-performance, video-dance, experimental music videos, experimental animation.
Along with the general open call, Miden addresses a special call for a series of thematic tributes, inviting artists to contribute their personal view and conceptual approach on the following themes:
-"Shhhhh……" How do you experience silence? As a chance to get in contact with your inner self? As a withdrawal from the interaction with the others? As a connection with the others? What if you are condemned in silence or it is a forced one?
-"Chasing my tail"
-"True lies"
-"Happiness is a warm gun" (the title is borrowed from the famous Beatles' song)
-"To the Zoo"
-"Teen" (a showcase of video works for and/or from teenagers)
-"Fuck off"
-Also, Video Art Miden inaugurates this year a new event, MidenTV. It will be a specialized festival for the presentation of music video clips of the alternative Greek music scene, aiming to present the best videos by talented young directors/artists. MidenTV is organized in collaboration with Bandapart Recording Studio in Kalamata.
More info, entry regulations & online entry form can be found at: www.festivalmiden.gr
Video Art Miden is an independent organization for the exploration and promotion of video art. Founded by an independent group of Greek artists in Kalamata in 2005, it has been one of the earliest specialized video-art festivals in Greece and builded an international festival identity, presenting an annual video art festival for a decade. Since 2015, Miden continues its work changing its form to a more flexible and broadened event programming in Greece and abroad, setting as basic aims to stimulate the creation of original video art, to help spread it and develop relevant networks and research.
Through collaborations and exchanges with major international festivals and organizations, it has been recognized as one of the most successful and interesting video art platforms internationally and as an important cultural exchange point for Greek and international video art. It also provides an alternative meeting point for emerging and established artists in Greece and a communication hub between artists, organizations, festivals and art spaces around the world.
Miden screening programs have traveled in many cities of Greece and all over the world, and they are hosted by significant festivals, museums and institutions globally.
(*Miden means "zero" in Greek)
Art directors: Gioula Papadopoulou | Margarita Stavraki
Curators: Maria Bourika, Giorgos Dimitrakopoulos, Danny Kargas, Olga Papadopoulou, Nikos Podias, Martha Zoupa
Info: www.festivalmiden.gr |
www.facebook.com/videoartmiden | www.instagram.com/videoart_miden
email: festivalmiden [at] gmail.com
website: https://www.festivalmiden.gr/
PASSEPARTOUT PHOTO PRIZE - 6th edition - EXHIBIT IN ROME - CASH PRIZE
Passepartout aims to support the development of talented photographers from all over the world by creating opportunities for worldwide exposure. Passepartout awards 500 euros in a monetary prize to a winner of each edition, exhibition participation in a fine art gallery in Rome (Italy), and publication in the annual catalogue as well as in our partners' magazines for selected outstanding photographers.
- Passepartout Photo Prize: 500 euros
- Exhibition Prize: participation in our collective annual exhibition in Rome, Italy
- Catalogue Prize: publication in our annual catalogue
Sponsored Prizes:
Yogurt Magazine Prize - publication of the winning work in their online magazine
CSF Adams Prize - portfolio review and workshop
The Docks Prize - publication of an interview of the winner on their website
Entry fee: 20 euro (3 images. We accept up to 10 images with additional 4 euro per piece)
Deadline: January 15th, 2023
Theme: Open theme - photographic works of any kind of artistic style, size and technique (digital, film and experimental processes) are accepted.
Website: https://www.passepartoutprize.com/
Instagram: Passepartout Photo Prize (@passepartoutphotoprize)
YouTube: https://www.youtube.com/channel/UCJd2c5oktM3QZ7Gt1t1R6WA
Twitter: https://twitter.com/PhotoPrize (@PhotoPrize)
email: passepartoutprize [at] gmail.com
Selection of performances for Opera Prima Festival XIX
CALL FOR ENTRIES "OPERA PRIMA 2023"
The call is open to single artists or emerging and independent professional companies that work with professional purposes in the field of contemporary theatre, dance and performing arts.
Deadline: 10th December 2022
The Festival is organized by the Association Festival Opera Prima ets in collaboration with Teatro del Lemming and the Culture Department of the Municipality of Rovigo and with the support of Cassa di Risparmio di Padova e Rovigo Foundation, Veneto Region and the Italian Ministry of Culture.
Coherently with its history, Opera Prima wants to host and enhance the multiplicity of trends and researches in the contemporary theatre scene.The Festival also wants to become a bridge between different theatrical generations: in addition to the performances selected by this call, every year there will be four important artists or European historical theatre groups, that have to invite to the festival an unknown young artist or an unknown young group.
The Object of the Call
This call for entries is opened to national and international groups or artists that practice experimental theatre.
By experimental theatre we mean a work that truly experiments with the dramaturgy (interpreted as scenic composition), the actor, the spectator and the scenic space.
The call is opened to Italian and international individuals or groups of professional theatre and performing arts, structured in any legal form that allows them to fulfill the administrative and bureaucratic practices necessary to realize their performance.
Only artistic projects that realize experimentation with scenic languages, according to the points mentioned above, are eligible for selection. Amateur works, drama theater and performances of entertainment won't be selected.
The Festival commission selects both original works that have not been yet performed, as well as works that have already debut, but which have not had an adequate circulation and/or visibility. The submitted works must be no longer than 60 minutes.
Submissions must include:
Artistic curriculum of the company or the artist;
Artistic schedule of the performance;
Technical rider of the performance;
link to the full video of the performance (if the proposal consists of a debut, link to previous works). Video material has to be viewed directly online by a link and it mustn't be downloaded (no wetransfer, google drive, etc.).
Each group or individual can submit only one proposal.
The application has to be sent fulfilling the form online at https://forms.gle/1J6yZwEvFDvwK3717 by 12.00 am on December 10th. If someone hasn't got a google account it is possible to send the material by mail to operaprimafestival [at] gmail.com .
We do not accept other ways of sending materials.
Participants authorize, pursuant to Law 196/2003 and GDPR - European Regulation no. 2016/679, the processing of personal data and the use of the sent informations for all the purposes related to the announcement.
The selection of the performances is entrusted to the unquestionable judgment of the artistic direction of the Festival.
By submitting their candidacy, participants authorize the use of sent images for the communication and publications related to the initiative.
Publication of results
The contact person of the selected projects is going to be contacted by Association Festival Opera Prima once the selection process has been completed. Anyhow, the selected artists/groups' names are going to be published on the website of the Festival.
The selected performances are going to be included in the XIX Edition of Festival Opera Prima and are going to be performed from the 15th to the 18th of june 2023.
All expenses and practices concerning the organization, communication, staff, promotion of the event will be in charge of the organization of the Festival.
At each selected company will be paid, after the presentation of an invoice, a fee that has to be agreed and will be guaranteed the possibility of lodging at an affiliated guesthouse (just for the people working in the performance).
Calendar and place of performance
All the performances are going to be realized in Rovigo inside the venues used by the Festival from the 15th to the 18th June 2023. It is possible to realize performances also in unconventional locations and outdoor. The artistic direction can ask the selected company to realize more replies of the performance.
Selected candidates commit to:
support the promotion of FESTIVAL OPERA PRIMA throughout their channels (web site, social, press office…);
respect Festival praxis regarding set-up times and rules;
perform the selected work on the agreed day or days.
comply with the sanitary regulations in force during the group's stay at the festival.
Participation in the announcement implies full acceptance of this regulation. The organization reserves the right to decide on issues not expected by this regulation.
email: operaprimafestival [at] gmail.com
website: https://www.festivaloperaprima.it/en/
INTERNATIONAL CALL FOR ART, ArtMaze Magazine Edition 31: first issue of 2023
Art Maze Magazine is an independent artist-run and ad-free specialist international print and online publication dedicated to discovering and promoting experimental and progressive contemporary art, which reflects modern society and its environment, provokes conversation and action; fosters innovation and diversity of mediums which make today's art scene so intriguing and versatile.
ELIGIBILITY: Artists are welcome to submit works in any medium: painting, drawing, sculpture, ceramics, printmaking, photography, textile, installation, any mixed media, digital, performance and film (only jpg + link to video) etc. All visual art mediums are welcome.
Artists or any art organisations on behalf of artists from all countries are welcome to submit their works for consideration.
There is no specific theme for this call for art.
DISTRIBUTION: Physical and digital copies of ArtMaze Mag are distributed worldwide. More info: www.artmazemag.com/shop
DEADLINE: 1 DECEMBER, 2022 (midnight: end of the day 1 December – Eastern Standard Time)
This edition is to be curated exclusively by ArtMaze Mag editorial team.
HOW TO APPLY: artmazemag.com/call-for-art
Direct application link: artmazemagazine.submittable.com/submit
Selected artists will be asked for high resolution images and will be published in the next print and digital issue of ArtMaze Magazine. Each selected artist will receive a 2-page spread in print and online magazine including bio&statement, website, and 1-5 featured artworks. All published artists will receive a complimentary PDF issue of the magazine and will be promoted on our website/social media. Physical copies of Art Maze Magazine are printed to the highest quality in London, United Kingdom.
email: info [at] artmazemag.com
website: https://artmazemagazine.submittable.com/submit
Intercultural Call for Artists - Antigone's pride-A.P.P.S.
Astragàli Teatro - Eufonia Società Cooperativa (Italy), in collaboration with Fundación de la Danza "Alicia Alonso" of the University of Madrid "Rey Juan Carlos" (Spain), Institut im. Jerzego Grotowskiego (Poland), Theatro Tsi Zakynthos (Greece), University of Salento - Department of Engineering for Innovation - Augmented and Virtual Reality Lab (Italy), are pleased to announce an Intercultural Call for Artists for the participation in artistic activities in Spain, Poland, Italy within the project A.P.P.S. - Antigone's Pride - Performing Society, supported by the European Union "Creative Europe Program – Cultural Cooperation projects".
The Call is addressed to emerging and professional actresses and actors, especially with migrant background, living in Italy, Poland, Spain and other European countries, for the participation in the project international performance, entitled Antigone's Cantica, that will be produced during the project.
The project envisages the implementation of three Eco-Arts Residences in three natural parks in Spain, in Poland and in Italy. The theatrical ecology activity in the parks will be connected with the research and experimentation of new forms of site-specific performances in the nature and the realization of the international multilingual performance Antigone's Cantica.
The selected artists will participate in the performance preparation and presentation that will be made during the three International Artistic Residences held in 2023 in Spain (second half of April), Poland (first half of June) and Italy (first half of July). They will participate in the full immersion rehearsals of about two weeks in each Artistic Residence that will bring to the realization of the multi- language, site-specific performance Antigone's Cantica which will be presented in the natural environment in the three countries. The participants will also participate in the preparatory activities that will take place online before each Residence in presence.
The project can cover the travels and the accommodation costs for the selected participants. Deadline for submission: 23 December 2022
Submission requirements
Applicants must submit the following documents electronically (in English) to this e-mail address: project [at] astragali.org:
An updated CV, including a phone number and email address
A short letter of motivation (max. 400 words) specifying what you expect from this experience
Important: Good knowledge of English is required.
For further details please contact (in English): Ms. Roberta Quarta at project [at] astragali.org
email: pr [at] astragali.org
The Chicago Fine Art Salon is excited to announce the next group exhibition, Small Works Winter Show.
The CFAS challenges artists to submit work that is typically harder to show in a gallery due to its smaller size - this is a wonderful opportunity to get those pieces exhibited! Artists are encouraged to submit as many pieces as they like.
The CFAS is seeking artwork no larger than 18" in any direction. There is no minimum size required. The goal is to accumulate diverse pieces of all style, medium and surface for a unique viewing experience in December.
All submissions to the online gallery will be accepted upon completion of the submission form, application fee of $11 per piece, and gallery agreement. If you are opting to be considered to the in-person gallery you will hear back about your application by November 23rd. Upon acceptance to the in-person gallery, the acceptance fee is $40.
Submission deadline for the live exhibition is November 21st. The online gallery will be open for submissions until the end of the 2022 year. The Opening Reception for the show will be December 2nd, in conjunction with the West Town First Friday Art Walk. The Closing Reception will be Saturday, December 10th. The gallery will be by-appointment in between receptions.
email: info [at] chicagofineartsalon.com
website: https://www.chicagofineartsalon.com/
BBA Artist Prize 2023
Applications are now open. The BBA Artist Prize 2023 awards international artists
irrespective of their background with several Prizes incl. a solo show, cash prizes and
much more. The competition includes a group exhibition of the shortlisted artists at the
iconic Kühlhaus Berlin, one of the city's most favoured venues for arts and culture
events and a newspaper interview with Deeds.News. The BBA Artist Prize is a major
event for contemporary art in Berlin and during Gallery Weekend.
A jury of experts debates the entries and ensures an unbiased evaluation and high
quality standard. The 1st, 2nd, 3rd Prize and the Audience Award are awarding artists
for their visual excellence, storytelling, conceptual thinking, technical craftsmanship and
subject depth over a series of works. The 1st, 2nd, and 3rd Prize winners will also be
awarded with a Group exhibition at the CSR.ART/ Contemporary Show Room Berlin by
DEEDS NEWS, and the 1st prize winner will receive an additional solo show at BBA
Gallery. BBA Prizes will feature the best applications through their social media profiles
and website throughout the whole application period.
email: tobias.molitor [at] bba-prizes.com
website: https://bba-prizes.com/artist-prize


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Egencia Confirms New York Outranks London as Top Business Travel Destination
Topics: News
For the fourth year in a row, Egencia flight demand data verifies that New York is the most popular business travel destination globally, followed by London who last held the top spot in 2014, and Paris rounding out the top three.
Paris has solidified its status as a European business hub, with air travel to the French capital increasing by more than 20 percent from January 1, 2018 to December 1, 2018.
Asia dominates the rankings with four cities in the top 10 this year, and seven within the top 20, including the reemergence of Seoul, which had fallen out of the rankings last year.
London, UK. December 20, 2018 – Today, Egencia®, business travel from Expedia Group™, releases findings from a global study on flight demand for the 20 most travelled-to cities for business travel. New York continues to outpace London as the most popular business travel destination globally, as it tops the list for the fourth consecutive year. London last held the top ranking in 2014 before being overtaken by the Big Apple the following year. New York's dominance is likely to continue, as Egencia flight data shows that business trip flight bookings to New York were nearly 10 percent higher than bookings to London in 2018. Europe represents two of the top three business destinations, with Paris coming in third globally as the city continues to establish itself as a popular regional business hub. From 2016-2018, Egencia data shows that air travel to the French capital experienced 20 percent growth. London (second) and Paris (third) were the only two European cities to place in the top 20 global business destinations for 2018. Shanghai, China's pre-eminent commerce centre, is the fourth most travelled-to business travel destination internationally this year. Asia overall dominated the top 20, with Singapore, Hong Kong and Tokyo ranking sixth, eighth and ninth respectively, and Beijing (15th), Mumbai (17th) and Seoul (20th). The Middle East, South America, and North Africa also all have important global business hubs, with Dubai (11th), São Paulo (18th) and Casablanca (19th). In North America, Canadian cities performed well, with Toronto in fifth, outranking many major commercial centres in the U.S., including San Francisco, Chicago, Los Angeles and Boston. Montreal, Canada's second largest city by population, is the 14th most travelled to destination for business travellers across the globe. Between January 1, 2014 and December 1, 2018, total business travel flight bookings increased globally by nearly 110 percent. During the same period, flight bookings for New York increased by more than 120 percent, for London by nearly 80 percent and for Paris by nearly 120 percent. Meanwhile, Singapore saw the largest increase in flight bookings globally - air travel to and from the destination increased by nearly 160 percent over roughly five years. "Over the last few years, New York has become the go-to business travel destination globally, indicating that international business travel is booming," said Scott Chapman, Managing Director, UK at Egencia.  "In Europe, global travellers are taking more business trips to Paris, which is perfectly in line with President Macron's drive to position France as a global commercial hub". The Egencia data captures flight booking and reservation trends from small, mid-cap and multinational companies in more than 60 countries between January 1, 2014 and December 1, 2018. The complete list of 20 most travelled-to destinations is as follows.
1. New York 11. Dubai
2. London 12. Mexico City
3. Paris 13. Boston
4. Shanghai 14. Montreal
5. Toronto 15. Beijing
6. Singapore 16. Los Angeles
7. San Francisco 17. Mumbai
8. Hong Kong 18. São Paulo
9. Tokyo 19. Casablanca
10. Chicago 20. Seoul
Egencia has created city guides featuring several of these top business travel destinations, accessible here.
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© 2018 Egencia LLC. All rights reserved. Egencia, and the Egencia logo are either registered trademarks or trademarks of Expedia, Inc. in the U.S. and/or other countries. All other trademarks are the property of their respective owners.
Harry Ashcroft | Ballou PR UK | harry.ashcroft@balloupr.com | +44 203 735 8758
Siarah Khan | PR Manager | sikhan@egencia.com
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GBT Travel Services UK Limited (GBT UK) and its authorized sublicensees (including Ovation Travel Group and Egencia) use certain trademarks and service marks of American Express Company or its subsidiaries (American Express) in the "American Express Global Business Travel" and "American Express Meetings & Events" brands and in connection with its business for permitted uses only under a limited license from American Express (Licensed Marks). The Licensed Marks are trademarks or service marks of, and the property of, American Express. GBT UK is a subsidiary of Global Business Travel Group, Inc. (NYSE: GBTG). American Express holds a minority interest in GBTG, which operates as a separate company from American Express.

redpajama_set_name: RedPajamaCommonCrawl


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Rashida Tlaib Vows To Hang Defaced American Flag Outside Her Office Until DC Becomes State
By Carmine Sabia at The Federalist Papers
Michigan Rep. Rashida Tlaib, a member of the Squad led by New York Rep. Alexandria Ocasio-Cortez, is fighting for statehood for the District of Columbia.
Make no mistake, Rep. Tlaib and other Democrats who are demanding statehood for Washington D.C. are not doing it for a noble reason.
It is not for the benefit of the resident of D.C., who have never appeared to be fighting to become a state.
The reason they want D.C. to become a state is rather simple and it involves having one Party, the Democrat Party, control of the United States for generations.
If D.C. were to become a state it would receive two electoral votes in the electoral college and anew member to the House of Representatives.
Not only would they be reliably Democrat but so would the too important Senate spots that the new state would get.
In an act of defiance Rep. Tlaib has vowed to hang a defaced American flag with 51 stars outside of her office until D.C becomes a state.
And considering the fact that there is as close to no chance of a bill for D.C. statehood being passed that could be for a long time, Fox News reported.
"The comments came during a House Oversight and Reform Committee hearing on a longshot Democratic bill–which faces resistance from Republicans–to make the District of Columbia the country's 51st state.
"Ahead of the hearing, the city of D.C. ordered and displayed 140 American flags with the extra star," Fox News said.
"I would love one. I would love to hang it outside of my office," Rep. Tlaib said during the hearing to Mayor Muriel Bowser who agreed to get her one.
"We revere our flag," the mayor said. "And we think it's more perfect when every taxpaying American is represented on that flag."
House Speaker Rep. Nancy Pelosi supports the bill as do the majority of Democrats with more than 200 members sponsoring the bill.
And the same time it does not have Republican support and Senate Majority Leader Sen. Mitch McConnell said he will not give it a vote.
Democrats have argued that the District of Columbia needs representation in Congress, hiding the actual reason they want it to be a state.
And Republicans, accurately, have said that the Founders intended for D.C to be a federal district and not a state.
This article originally appeared at The Federalist Papers and was republished with permission.
Follow the author, Carmine Sabia on Twitter!
GOD BLESS OUR PRESIDENT AND GOD BLESS AMERICA!
8,805SHARES[mashshare]


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Here are several important recommendations…
January 18, 2018 by NHL Werasinghe Leave a Comment
The report of the Presidential Commission appointed by President Maithripala Sirisena on 27th January 2016 to probe fraudulent bond dealings that have been committed during the 2015-2016 period was handed over to the President on 30th December and 26 of its English copies were handed over to the Secretary-General of parliament today (17th).
We reproduce here several important recommendations of the 30 recommendations mentioned in its report by the Commission headed by Supreme Court Judge K.T. Chithrasiri. These recommendations state action that should be taken regarding former Minister of Finance Ravi Karunanayaka, former Governor of Central bank Arjun Mahendran, Perpetual Treasuries Ltd, Arjun Aloysius and Kasun Palisena and several others.
(15) As stated earlier in Chapter 13, we have identified several areas of concern with regard to the manner in which the EPF operated and transacted upon Treasury Bonds during the period of our Mandate. We trust that, the investigation which the Monetary Board and the CBSL is carrying out will carefully examine the Transactions entered into by the EPF and identify whether a loss was caused to the EPF and, if so, identify the persons responsible and, seek to recover such loss from the persons responsible. We trust that, where appropriate, the Monetary Board and CBSL will consider whether persons who are found to have committed any dishonest acts or who have received inducements in return for entering into Transactions on behalf of the EPF, should be prosecuted.
As observed earlier, the Monetary Board and the officers of the CBSL act in the capacity of trustees of the EPF and that are bound and obliged to carry out a comprehensive examination and take stringent action against any persons who are identified to be wrongdoers.
17] As set out earlier in Chapter 19, we have determined that, the Government of Sri Lanka suffered an avoidable loss of Rs. 688,762,100/- as a direct result of the February 2015 and the instructions he gave to both the PDD and the Tender Board that Bids to be value of Rs. 10.058 billion must be accepted at the Auction and we have determined that, Mr. Mahendran is liable and responsible for this loss. Accordingly, we recommend that, appropriate proceedings are instituted against Mr. Mahendran to recover this loss.
(18) section 56A(1) of the Registered Stock and Securities Ordinance and, in the event of a conviction being entered by a learned Magistrate after Summary Trial in such a Prosecution, recovering, from Perpetual Treasuries Ltd, a fine which is twice the value of the aforesaid sum of Rs. 688,762,100/- or such other amount as the Court may be pleased to determine. Further, we recommend that, the Hon. Attorney General and other appropriate authorities consider whether Mr. Arjun Aloysius and Mr. Kasun Palisena are parties to and directly responsible for the commission of an offence under section 56A(1) of the Registered Stock and Securities Ordinance and, if so, proceed against these two persons too, in terms of Section 56B of the Registered Stock and Securities Ordinance; 19] We further recommend that, in view of the determinations referred to above, the Commission to Investigate Allegations of Bribery or Corruption and the other appropriate authorities consider whether the aforesaid acts of Mr. Mahendran amount to acts of "Corruption" as defined in Section 70 of the Bribery Act and, if so, prosecute Mr. Mahendran under the Bribery Act and other applicable Law.
(19) We further recommend that, in view of the determinations referred to above, the Commission to Investigate Allegations of Bribery or Corruption and the other appropriate authorities consider whether the aforesaid acts of Mr. Mahendran amount to acts of "Corruption" as defined in Section 70 of the Bribery Act and, if so, prosecute Mr. Mahendran under the Bribery Act and other applicable Law.
(21) As set out in Chapter 23, we are of the view that, Perpetual Treasuries Ltd has made the major part of its profits by using "inside information" ["price sensitive information"] and by "market manipulation" in the Secondary Market and, thereby, knowingly violated and acted in breach of the provisions of the Code of Conduct for Primary Dealers, which has been issued by the CBSL under and in terms of the Regulations issued under the Registered Stock and Securities Ordinance No. 7 of 1937.
Further, as set out in Chapter 23, it is reasonable to take the view that, the Total Net Cash Inflows received [monetary gains made] by Perpetual Treasuries Ltd from the Sales of Treasury Bonds during the period relevant to our Mandate, to the EPF and other Statutory Bodies and Government Institutions, and aggregating to Rs. 8,529,964,495/61/- have been made, by using "inside information" ["price sensitive information"] and by "market manipulation".
In these circumstances, we recommend that, the Hon. Attorney General and other appropriate authorities should consider whether Perpetual Treasuries Ltd is liable for prosecution for an offence in terms of the aforesaid Section 56A(1) of the Registered Stock and Securities Ordinance and, in the event of a conviction being entered by a learned Magistrate after Summary Trial, Perpetual Treasuries Ltd could be held liable to a fine equivalent to twice the value of the aforesaid sum or in such other sum as the Court may determine. Here too, we recommend that, the Hon. Attorney General and other appropriate authorities consider whether Mr. Arjun Aloysius and Mr. Kasun Palisena are parties to and directly responsible for the commission of an offence under section 56A(1) of the Registered Stock and Securities Ordinance and, if so, proceed against these two persons too, in terms of Section 56B of the Registered Stock and Securities Ordinance;
22] We recommend that, the Hon. Attorney General and other appropriate authorities examine whether prosecutions should be instituted, under the Penal Code or other relevant provision of the Law, against Mr. Mahendran, Mr. Arjun Aloysius, Mr. Palisena and relevant officers of the CBSL and the EPF on the basis of the facts and circumstances established by the evidence placed before this Commission of Inquiry.
We also recommend that, the Commission to Investigate Allegations of Bribery or Corruption examines the evidence placed before this Commission of Inquuiry and ascertains whether there are grounds to prosecute Perpetual Treasuries Ltd, Mr. Arjuna Aloysis, Mr. Kasun Palisena and relevant officers of the CBSL and the EPF, for offences under the Bribery Act and other applicable Law; Further, we recommend that, the Hon. Attorney General and other appropriate authorities carefully examine the Report marked ³& ´ prepared by the CID [and related documents] which sets out, inter alia, details of telephonic contacts Mr. Arjun Aloysius had with Dealers and other persons engaged in the Government Securities Market and investigates the Transactions which such Dealers and other persons had with Perpetual Treasuries Ltd, and ascertain whether such Transactions involved wrongful and/or lawful acts and if so, consider instituting appropriate proceedings against such Dealers and other persons. We consider that the Monetary Board and the CBSL must carefully examine the Report marked ³& ´ [and related documents] and investigate the Transactions which Dealers and other persons named in that Report [as persons who had frequent telephonic contact with Mr. Arjun Aloysius] had with Perpetual Treasuries Ltd and ascertain whether such Transactions involved wrongful and/or lawful acts and if so, take appropriate Regulatory action and other appropriate actions against such Dealers and other persons;
(24) As stated earlier in Chapter 24, we recommend that, the Commission to Investigate Allegations of Bribery or Corruption should consider whether Hon. Ravi Karunanayake, MP, while he was Minister of Finance, derived a substantial benefit from the Lease Payments made by Walt and Row Associates (Pvt) Ltd [which is an Associate Company of Perpetual Treasuries Ltd and which is owned and controlled by the same persons who own and control Perpetual Treasuries Ltd.] for the lease of apartment occupied by Hon. Ravi Karunanayake, MP and his family and, if so, determine whether appropriate action should be taken against Hon. Ravi Karunanayake, MP, under the Bribery Act
(25) As stated earlier in Chapter 24, we also recommend that, the Hon. Attorney General and other appropriate authorities consider whether some of the evidence given by Hon. Ravi Karunanayake, MP before us is shown to have been incorrect and, if that is the case, whether Mr. Karunanayake should be prosecuted under Section 179 and/or Section 188 of the Penal Code or other relevant provision of the Law, read with Section 9 of the Commissions of Inquiry Act No. 17 of 1948;
(26) As stated earlier in Chapter 29, we recommend that, the Hon. Attorney General and other appropriate authorities consider whether Perpetual Treasuries Ltd has, wrongfully and fraudulently, deleted Call Recordings for the purpose of concealing the true nature of the Transactions entered into by Perpetual Treasuries Ltd and attempted to suppress evidence with regard to wrongful acts of Perpetual Treasuries Ltd and, if so, whether prosecutions should be instituted against Perpetual Treasuries Ltd, Mr. Arjun Aloysius and Mr. Kasun Palisena for criminal offences under Chapter X and Chapter XI of the Penal Code, including Sections 175, 189, 193, 198 and 201 of the Penal Code read with Section 9 of the Commissions of Inquiry Act No. 17 of 1948. The appropriate authorities may also consider whether Mr. Nuwan Salgado and Mr. Sachith Devathanthri should be prosecuted in this regard;.
(27) We also recommend that, the Hon. Attorney General and other appropriate authorities consider whether, Mr. Palisena's statements, in the Affidavit affirmed to by him, where he declares that complete Telephone Call Recordings have been submitted to the Commission of Inquiry by Perpetual Treasuries Ltd, were false and, if that is the case, whether Mr. Palisena should be prosecuted under Section 179 and/or Section 188 of the Penal Code or other relevant provision of the Law, read with Section 9 of the Commissions of Inquiry Act No. 17 of 1948;
(28) We recommend that, pending the consideration of institution of the aforesaid Proceedings, the Assets of Perpetual Treasuries Ltd and its beneficial owners – namely, Mr. Arjun Aloysius and Mr. Geoffrey Aloysius – and the persons who were in day-to-day control of Perpetual Treasuries Ltd – namely Mr. Arjun Aloysius and Mr. Kasun Palisena – including all monies lying to the credit of Perpetual Treasuries Ltd's Accounts with the CBSL and other Banks, the aforesaid Shares in National Development Bank PLC and the Dividends aggregating to Rs. 641.556 million paid by Perpetual Treasuries Ltd to its beneficial owners, should be held or placed "under lien" so that such Assets cannot be disposed of in the meantime.
Thereafter, if decisions are taken to institute such Proceedings, appropriate Orders may be sought from the Courts in which such Proceedings may be instituted;
(29) We also recommend that, consideration is given to recovering the Costs of this Commission of Inquiry, from Perpetual Treasuries Ltd.
(30) While we have recommended that, consideration is given to instituting appropriate Proceedings in Court for the recovery of the aforesaid monies from Mr. Mahendran, Perpetual Treasuries Ltd and its beneficial owners – namely, Mr. Arjun Aloysius and Mr. Geoffrey Aloysius and also Mr. Kasun Palisena [in the manner and for the sums referred to earlier], we would also think that, in view of the extreme gravity of the facts and circumstances which formed the subject matter of our Mandate and the very substantial prejudice caused by these facts and circumstances to our economy and our Nation, Parliament may wish to carefully consider whether it is appropriate and necessary to take steps to recover the aforesaid monies, by exercising its legislative powers.


Location of Petropavlosk South Airport on a map.
Petropavlosk South Airport is a regional airport in Petropavlovsk, Soltüstik Qazaqstan, Kazakhstan. Its IATA code is PPK and is located latitude 54.77 and longitude 69.18 in Kazakhstan and operates in +06 time zone.
It has 2 scheduled arrival routes within Kazakhstan and no international scheduled routes.


The alfa romeo 156 2.4 jtd multi-jet is classed as a Family cars by the majority of its drivers.
The 156 2.4 jtd multi-jet has a maximum power output of 174.40 PS (127,36 kW or 171,14 HP) at 4000 Rev. per min. with torque 385.00 Nm (39,10 kgf-m or 282,58 ft.lbs) at 2000 Rev. per min.
Top speeds of cars are not so important anymore more, because of our speed laws, but the alfa romeo 156 2.4 jtd multi-jet has an impresive top speed of 211.0 km/h (130,44 mph) with a Manual, 6-speed transmission.


text:
Q: MVC model one value is null in POST but not in GET method I've very simple one record to update using LINQ. But when I fetch that record in GET method the record successfully get fetched; however, in POST method value GrantNumber of the same record show as NULL as shown in figures 1 and 2 below. Same is true for the primary key S_CPT_RCId that is showing different values in GET and POST. NOTE: Snapshot in figure1 is taken in the second line of GET method, and figure 2 is from the input parameter of POST method (just before the UPDATE) :
Controller:
[HttpGet]
public async Task<ActionResult> TestMethod()
{
    var qry = _context.AnnualReview.Where(g => g.GrantNumber == grantNum).SingleOrDefault();
    return View(qry);
}

[HttpPost]
[ValidateAntiForgeryToken]
public async Task<ActionResult> TestMethod(AnnualReview test)
{
    if (ModelState.IsValid)
    {
        var oRec = _context.AnnualReview.Where(g => g.GrantNumber == test.GrantNumber).SingleOrDefault();
        oRec.RC_1a = test.RC_1a;
        oRec.RC_1b = test.RC_1b;
        oRec.RC_2a = test.RC_2a;
        oRec.RC_2b = test.RC_2b;
        oRec.RC_3a = test.RC_3a;
        oRec.RC_3b = test.RC_3b;
        oRec.RC_4a = test.RC_4a;
        oRec.RC_5a = test.RC_5a;
        oRec.RC_5b = test.RC_5b;
        oRec.RC_6a = test.RC_6a;
        oRec.RC_6b = test.RC_6b;

        await _context.SaveChangesAsync();
        return RedirectToAction("TestMethod2");
    }

    return RedirectToAction("TestMethod");
}

Snapshot of record return from GET method (debug mode):

Snapshot of the SAME record in the POST method (debug mode):

A: GrantNumber and S_CPT_RCId may not be present inside the form.

A: If you are not allowing the GrantNumber and the RCId to be edited using inputs in the view, then you need to add @Html.HiddenFor(x => x.GrantNumber) and @Html.HiddenFor(x => x.S_CPT_RCId) to your view so that they are passed back in the POST.
Also make sure these are inside your form.

redpajama_set_name: RedPajamaStackExchange


How would you even begin to describe Acer's upcoming Predator Tablet? Let's try.
Acer made a huge statement earlier today when it announced Acer Gaming and its re-entry into making high-end gaming products. While it was to be expected that there'd be the usual desktop, monitor and laptop designed for the sole purpose of extreme gaming, many were caught off-guard by the other addition to the Predator lineup: the Predator Tablet.
In essence, it's a product that epitomises Acer's adventure into high-end gaming. It's all about the passion of making the best, if not the zaniest possible product that will satisfy the most demanding users. It was evident in the other Predator products on display, and the Tablet probably takes it one step further in terms of sheer business unpracticality – if there's even such a word.
You see, high-end gaming products cater to only a small niche market – not many can splurge five-figure sums just to play games. That's for PC gaming, so what more on tablets? We're told that the Predator Tablet will be running on Android, which further shrinks the market this product is intended for. And when you consider the fact that this is very likely to cost quite a lot, it makes virtually no business sense to produce the Predator Tablet.
And yet, here it is – well, a dummy set at least. Besides running on Android, no further information was given – on hardware, Acer naturally says that it will pack the best chipset and display technology when it arrives in the market. Given the compact size, we believe it will likely be a 7-inch display.
But the Tablet epitomises what the Predator series is all about: making a statement that Acer isn't just about pushing out millions and millions of regular, affordable notebooks and call it a day. Here's a company that's committed to showing the world that it, too, can build products with passion – like a carmaker with supercar pedigree.
The Acer Predator Tablet is slated for a Q3 2015 release.


Do you need a rental car for your stay in Bern? Europcar has the right car for all your needs.
Explore Bern and Switzerland with a Europcar rental car! From a small car to a family van, a commercial vehicle to a luxury limousine, a convertible to a 4x4: with Europcar you can find the perfect rental for you.
Europcar is Switzerland's number one car rental agency and offers up to 5,500 vehicles across more than 90 locations. Europcar has three sites in Bern.


Dashboard is a complex server technology and a frontend map application for aggregation and visualization of data in time and space.
It receives and processes data through pre-defined aggregation functions on an ongoing basis.
Data are presented in a map interface in form of visualization of aggregated data reports in space for the selected time period including history.
Monitoring of technical and operation data.
Source of data for management decision-making.
Continuous collection of source data - ETL.
Data are kept in safety within Dashboard technology.
Online aggregation of data in time and space.
Preparation of reports using aggregated data.
Visualization in Dashboard web (or native) application.
3. What is the input information?
Address (X,Y coordinates) and the monitored value.
Technical equipment - e.g. mobile operator BTS (traffic data...).
Branch (point of sales, transactions...).
4. What are the available forms of space aggregation?
Standard administrative classification (cadastral territories, municipalities, districts, regions).
User regions (sales regions, technical regions such as RF planning regions etc.).
Areas defined in other way (hexagonal grid, Voronoi diagrams).
5. What are the available types of reports?
Standard functions such as number, sum, average, minimum, maximum.
Incorporation of statistical data (by population, area, incomes...).
6. Why Dashboard by Position?
Demo application with the use of traffic data. The application makes use of Controls.js application framework. To visit the application click here: Position Dashboard demo.
Dashboard demo works with information of traffic accidents, closures and road works (data from Czech national center JSDI).
On-line aggregation is executed within the administrative structure of the Czech Republic (municipalities, districts, regions) and over the sample layer of hexagonal grid.
Data layers may be viewed.
Compatible with PCs, tablets and touchscreen mobile phones.
Includes automatic GUI recognition for mobile and desktop/tablet version.
Possibility of extension by a native mobile application.
Operated from Position data centers.
The solution may be completely incorporated into client´s infrastructure.


text:
BRD Presents: Frequency
Firehouse Arts and Events Center
NOTE: If tickets sell out online, please arrive 45 minutes before showtime to purchase at the door. Advance ticket holders must arrive 5 minutes before showtime. At that time, all available seats will be released to individuals on the waitlist.
October 26-27 & November 2-3
7:30 PM (Fri/Sat), 3:00 PM (Sat)
Advance Tickets: $15 Student, $25 General, $35 Dance Lover
At the Door: $18 Student, $28 General, $38 Dance Lover
Bellingham Repertory Dance (BRD) presents Frequency, an evening of contemporary dance on October 26-27 and November 2-3 at the Firehouse Arts and Events Center. Frequency represents the rate at which dance evolves over time through a diverse presentation of six choreographic works. Audience members will experience a range of movement qualities, environments, and characters from businesswomen to the valkyrie warriors of Norse mythology. Frequency exhibits the expansive and explosive abilities of the human body, the precise musicality of intricate isolations, and intriguing character pieces. Set in the intimate Firehouse Arts and Events Center, this show will captivate audiences of all ages.
Internationally recognized choreographer, Joshua Beamish (Vancouver BC / New York, NY) returned to work with BRD this fall to reset excerpts of his work SALT, which explores a tense world where the most basic resources are scarce. Shannon Mocklis What Once Was Held (Eugene, OR) is a powerful ensemble piece about the impact and resonance of memories. Frequency also features debut performances of new work by Darion Smith (Eugene, OR) and Daniel Costa (Seattle, WA), as well as repertory choreography by Mari Meade (Brooklyn, NY). The company is excited to welcome Diane Williams, former member and co-founder of BRD, to reset her work that was originally choreographed on the the company in 2014.
Student Night - Thursday, October 25 at 7:30 PM
Students are invited to watch the companys final dress rehearsal for a discounted price of $5. Tickets available at the door and a valid student ID is required.
Firehouse Arts and Events Center (View)
1314 Harris Ave.
Other > Charity


text:
Marseille vs Stade Reims Prediction – Ligue 1 – 12/22/2021
Marseille vs Stade Reims prediction on December 22, 2021. Marseille and Reims have both shown a balance in the confrontations between the teams in the past few years. So it will not be surprising if this time a draw will continue to appear.
Marseille Overview
Stade Reims Overview
Asian Handicap – Marseille vs Stade Reims Prediction
Over/Under Bet – Marseille vs Stade Reims Prediction
Marseille will continue its journey to build a solid 2nd place in the Ligue 1 table with the reception of Reims at the Stade Velodrome. Marseille has been relegated to the C3 arena after only finishing the Champions League group stage in third place in Group E.
Jorge Sampaoli's men have been unable to balance the European and domestic arenas over the past few months despite having a squad that possesses good depth. Marseille in the last round in Ligue 1 won 2-0 against Strasbourg to take the 2nd place of Rennes although still playing one match less than the opponent. Dieng and Caleta-Car are the scorers for the port city team.
As for Reims, after a series of revival matches with 4 consecutive unbeaten matches (won 3, drew 1) in Ligue 1. They had to receive a defeat at home to Angers. But in the last round, Reims regained the feeling of victory by defeating Saint-Etienne 2-0. Those who scored for Reims were Bilal Toure and Mbuku. Reims is currently ranked 14th on the table with 22 points obtained after the first 18 rounds in Ligue 1.
With such a big difference between the two teams, experts believe that Marseille will soon have a lead goal in the first half. And continue in the second half, Marseille will have one more goal to complete 2 stars win. And Reims will hardly get an honorable goal when the home team has a way of playing too safe. Therefore, the Asian handicap today's match will have Marseille as the safest investment choice in both the first and second half.
Marseille vs Stade Reims prediction:
Choose Marseille -1/4 (HT)
Choose Marseille -3/4 (FT)
The European odds offered by the house are *1.76-4.45-3.50* corresponding to the home team's win and loss ratio. Looking at Marseille's current high form, 3 points will certainly not be able to escape their hands and the home team is still the most perfect investment point in the 1×2 match.
Choose Marseille (FT)
According to experts, this match will be relatively difficult to have many goals when the team above Marseille is playing extremely safe. The proof is that after 17 rounds, Marseille has only got 25 goals and only conceded 14 times – the least number of conceded times in Ligue 1 currently.
Therefore, it is possible that in the 1st half Over/Under, there will still be Over which is the most optimal choice when Marseille is too dominant and has an early goal. But in the second half, Under will still be the safest choice when the possibility of the match producing 3 goals is extremely low.
Choose Over 0.5-1 (HT)
Marseille: Mandanda, Guendouzi, La Fuente, Lirola, Saliba, Caleta-Car, Luan Peres, Gerson, Henrique, Payet, Milik.
Stade Reims: P. Rajkovic, G. Konan, Y. Abdelhamid, A. Disasi, T. Foket, M. Munetsi, Romao, H. Kamara, T. Dingome, A. Donis, Toure.


text:
Treaty Talks Continue in Madrid
The Chief Minister Fabian Picardo and the Deputy Chief Minister Dr Joseph Garcia are in Madrid for a continuation of the discussions on Gibraltar's future relationship with the European Union and through them with our nearest EU neighbour, Spain. They are accompanied by the Attorney General Michael Llamas.
"Subbuteo, Bonsai and Catching the Bad Guys"
Superintendent John Field talks about his 30-year career in the Royal Gibraltar Police
Power Outage Caused By Gas Supply Interruption
At approximately 12:20hrs today, the North Mole Power Station experienced an interruption to its gas supply from the Shell LNG terminal, thus resulting in two of the four engines that were operational at the time shutting down, the other two continued running on back-up fuel. As a consequence, several areas suffered a power outage.
Together Gibraltar Announces 'Conversations For Change'
Together Gibraltar have announced a series of public panels to discuss local issues. The first of these debates will be hosted at 6pm on the 6th February at John Mackintosh Hall. This first debate will focus on sustainable transport in Gibraltar.


For john deere hour meter wiring diagram John deere has introduced two new gator xuv models for the 2018 a digital display shows a system diagnostic light speed fuel level an hour meter and more. More than 16 gallons of additional As gavin andrus takes a seat at the helm of a green john deere tractor its still dark out at the santa the other great occupational hazard andrus faces is running over a person at this wee hour. Outside of reserve duty rachael worked at all kinds of jobs from feedlot hand to veterinarians assistant to john deere truck and tractor parts and i generally say no. Or i give em an hour.
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For john deere hour meter wiring diagram The aa dairy setup is fairly straightforward see diagram above. In their barn by farm equipment manufacturers like yetter manufacturing co. Colchester and john deere amp co. Moline both in I suspect the same neuroscientist who explains how id long been hearing beeps i didnt hear will not be surprised to learn that i have rarely since that morning known a beep free hour or set in When the battery got low after about an hour the assembly diagrams are clear and the instructions are concise. The parts are packaged in a logical way making them easy to find. I broke a toroid.
Among the 428 such residentially stable pairs identified 12 pairs were excluded because the technician could not locate the home or accurately diagram for wire coding bob workley and esther.
It's possible to get or download caterpillar-wiring diagram from several websites. If you take a close look at the diagram you will observe the circuit includes the battery, relay, temperature sensor, wire, and a control, normally the engine control module. With an extensive collection of electronic symbols and components, it's been used among the most completed, easy and useful wiring diagram drawing program. For John Deere Hour Meter Wiring Diagram. The wiring diagram on the opposite hand is particularly beneficial to an outside electrician. Sometimes wiring diagram may also refer to the architectural wiring program. The simplest approach to read a home wiring diagram is to begin at the source, or the major power supply. Basically, the home wiring diagram is simply utilized to reveal the DIYer where the wires are.
In a parallel circuit, each unit is directly linked to the power supply, so each system gets the exact voltage. There are 3 basic sorts of standard light switches. The circuit needs to be checked with a volt tester whatsoever points. For John Deere Hour Meter Wiring Diagram. Each circuit displays a distinctive voltage condition. You are able to easily step up the voltage to the necessary level utilizing an inexpensive buck-boost transformer and steer clear of such issues. The voltage is the sum of electrical power produced by the battery. Be sure that the new fuse isn't blown, and carries the very same amperage.
The control box may have over three terminals. After you have the correct size box and have fed the cable to it, you're almost prepared to permit the wiring begin. Then there's also a fuse box that's for the body controls that is situated under the dash. For John Deere Hour Meter Wiring Diagram. You will find that every circuit has to have a load and every load has to have a power side and a ground side. Make certain that the transformer nameplate power is enough to supply the load that you're connecting.
Bluebird wiring diagrams honeywell wiring diagrams wiring diagram for craftsman mower massey harris wiring diagrams john deere ignition switch diagram john deere alternator wiring diagram john deere b wiring-diagram john deere m wiring-diagram.


text:
Q: Meaning of stacklevel in PyTorch I came across many function in PyTorch that have _stacklevel as argument. Here an example of the Softmax module's forward() method where it is used:
def forward(self, input: Tensor) -> Tensor:
    return F.softmax(input, self.dim, _stacklevel=5)

What does _stacklevel mean? What is it good for?

A: stacklevel is used in python to indicate warning mechanism how far up the stack it has to go to find the line that called the function which issued the warning. For example, the code below makes the warning refer to deprecation()'s caller by using stacklevel=2, rather than to the source of deprecation() itself. stacklevel=3 would refer to the caller of deprecation()'s caller and so on.
def deprecation(message):
    warnings.warn(message, DeprecationWarning, stacklevel=2)

See this page for more information.
Regarding the specific case you mention, in PyTorch's F.softmax, F.softmin, and F.log_softmax functions, this argument is related to the warning issued when dim is not specified. However, it seems that it should be dropped since legacy softmax dim behavior is gone, or at least clarified in the documentation. At the moment, this is only mentioned on the following open issues from pytorch repo:

*

*pytorch/issues/36524

*pytorch/issues/64038
It will probably be fixed or clarified in the future, but for the moment my recommendation is to simply ignore it.


text:
Der Kanton Gérardmer ist ein französischer Kanton im Arrondissement Saint-Dié-des-Vosges, im Département Vosges und in der Region Grand Est (bis 2015 Lothringen); sein Hauptort ist Gérardmer.

Lage
Der Kanton liegt an der Ostgrenze des Départements Vosges.

Geschichte
Der Kanton entstand 1790. Bis 2015 gehörten nur drei Gemeinden zum Kanton Gérardmer. Mit der Neuordnung der Kantone in Frankreich stieg die Zahl der Gemeinden 2015 auf 17. Zu den bisherigen 3 Gemeinden kamen Gemeinden der bisherigen Kantone Corcieux (9 der 13 Gemeinden) und Fraize (5 der 9 Gemeinden) hinzu. Am 1. Januar 2016 vereinigten sich die beiden Gemeinden Aumontzey und Granges-sur-Vologne zur neuen Gemeinde Granges-Aumontzey und die Anzahl Gemeinden sank auf 16.

Gemeinden
Der Kanton besteht aus 16 Gemeinden mit insgesamt  Einwohnern (Stand: ) auf einer Gesamtfläche von  km²:

Bis zur landesweiten Neuordnung der französischen Kantone im März 2015 gehörten zum Kanton Gérardmer die drei Gemeinden Gérardmer, Liézey und Xonrupt-Longemer. Sein Zuschnitt entsprach einer Fläche von 98,76 km2. Er besaß vor 2015 einen anderen INSEE-Code als heute, nämlich 8814.

Veränderungen im Gemeindebestand seit der landesweiten Neuordnung der Kantone
2016: Fusion Aumontzey und Granges-sur-Vologne → Granges-Aumontzey

Bevölkerungsentwicklung des alten Kantons

Politik
Im 1. Wahlgang am 22. März 2015 erreichte keines der fünf Wahlpaare die absolute Mehrheit. Bei der Stichwahl am 29. März 2015 gewann das Gespann Eliane Ferry/Guy Martinache (beide DVD) gegen Gilles Laurent/Valérie Ritter (beide FN) mit einem Stimmenanteil von 63,82 % (Wahlbeteiligung:51,83 %).

Seit 1945 hatte der Kanton folgende Abgeordnete im Rat des Départements:

Einzelnachweise

Weblinks
 Porträt des Kantons

Kanton im Département Vosges
KantonGerardmer

redpajama_set_name: RedPajamaWikipedia


text:
Cohesion stories
How to access the Cohesion funds?
More than half of European citizens want to prioritize remote and mountainous areas
Mountains cover nearly 29% of the European countries and 13% of its population. Beyond representing an important share of the European surface and citizens, mountain regions are also sensibly different from other territories such as cities and islands, both in terms of assets and challenges.
Because of this reason, mountain areas require specific interventions to, for instance, support mobility, combat climate change or trigger employment. This statement is shared by 54% of European citizens.
According to the findings of the last Eurobarometer on citizens' awareness of the European Regional Policy, more than half of European citizens believe that the European Cohesion Policy shall prioritize investments in rural remote and mountainous areas.
Cyprus is the country where the highest percentage of people intended to support these areas, with about 79% Eurobarometer's respondents in the country declaring so. In other 17 European countries, more than 50% of respondents claimed the same attention for rural remote and mountain areas, ranging from 51% of the respondents in Sweden up to 71% in Slovenia.
Additionally, findings from the Eurobarometer shows that in the next few years, people living in rural remote or mountainous areas would prioritize investments in educational, health or social infrastructures (51%), followed by environment (40%) and support for small and medium enterprises (both at 33%).
Montana174 joins the demand of half of the European population for more tailored investments to rural remote and mountainous areas through the European Cohesion Policy and will follow up on how national and regional authorities will use the funds of the European Cohesion Policy to meet the needs of mountain areas. To this end, by March 2022, it will develop some factsheets to explain how mountain citizens can use the funds from the Cohesion Policy to fund their project in mountain between 2021 and 2027.


RECAP: Northwood jumps out to a big early lead and cruises to a 21-3 win over Tiffin Saturday afternoon (April 7) to complete a series sweep.
In the previous two games, Northwood needed to score in the final inning to win both times. The Timberwolves wasted no time taking control of this contest, scoring six runs in the top of the first. NU got going on a sacrifice fly by Javier Martinez.
Colin McClelland then continued his big weekend, hitting his fifth home run in the four-game set. His two-run shot made the score 3-0.
After NU scored on a passed by and an RBI groundout by Miles Hardy, Brian Dombrowski pushed the lead to 6-0 on an RBI double.
Northwood's offense kept rolling in the second inning, pushing across seven more runs. After the Timberwolves scored on an error, Nick Palmer plated a pair on a two-run single to make the score 9-0.
After a Dombrowski sac fly, Ryan McClelland followed his brother's lead with a 3-run homer of his own to make the score 13-0 after just two innings.
Northwood got two more runs in the fifth, both on errors by Tiffin, making it 15-0 heading to the sixth.
A Palmer RBI fielder's choice and a Kyle Ziegler run-scoring infield single in the sixth made the Northwood lead 17-0.
In the eighth, the Timberwolves got to 20 runs by plating three. Noah Ingram started the scoring with an RBI triple, which was followed by run-scoring singles by Hardy and Ryan Chargo.
Tiffin got on the board with three runs in the eighth before Northwood closed the scoring out in the top of the ninth on a Brooks Ullery solo homer.
Collin McClelland finished the Tiffin series with five home runs, 14 RBIs and eight runs scored. He has six more RBIs (42) than any other player in the GLIAC.
The Timberwolves have now won 11 straight and have won 17 of 18 and 23 of 25 overall.
Last season after 31 games, Northwood stood at 24-7 overall, 11-2 in the GLIAC.
Northwood will begin a four-game series at home against Davenport Friday (April 13). First pitch for the nine-inning game is set for 4 p.m.


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Not quite the debate on the ills of parliament
by Subhash | Feb 23, 2011 | Politics | 0 comments
When the former cabinet secretary, T S R Subramanian, asks: Has Parliament lost all its significance? One does realise that things have gone awry. Not just in parliament, but also in the elite's unabashed penchant for stating "nothing" rather profoundly.
While he notes that the past 30 years as being particularly bad, Subramanian doesn't contrast the fall in esteem of parliament lately with that of the "honourable" conduct of parliamentarians just after the stroke of the midnight hour. Instead he mentions Benjamin Franklin and Disraeli! Satyamurti comes up at the rear end of of the list. But Piloo Mody of course gets special mention.
Subramanian has missed out on the Indian parliament's glorious history. His ideological myopia dissuades him from naming the likes of Hiren Mukherjee, who has otherwise won wholesome praise from even rabid reactionaries. Subramanian wouldn't of course be expected to name the likes of Nehru or Ambedkar!
The former cabinet secretary has post-retirement found a vocation as a columnist, but he could do a lot better if he didn't inflict readers with incomplete analyses, even if biased. It would have really helped enhance the debate on a genuine disquiet facing India.


Fill in the excess volume between shell and liner to get a snug fit. Customize and add padding to increase foot comfort. Quickly and easily installed, adhesive backed foam sheets or preformed pads are easily modified with utility knives or scissors.
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Tidewater Dentistry > FAQs > Dental Implants > How can I replace my missing teeth?
There are several great options available to replace teeth, fill in embarrassing gaps, and restore chewing ability. We are able to provide replacement teeth that can deliver a beautiful, natural-looking smile. The friendly staff at Tidewater Dentistry will work to provide you with all of the options available to you, and Dr. Williamson will help you make the right decision based on your expectations, budget, and individual needs.
If you are missing all of your teeth, a complete denture will need to be fabricated. Patients with existing dentures that do not fit well may be candidates for an implant-supported denture that can be either fixed in the mouth or removable. Patients who are missing a few teeth may benefit from a partial denture that can fill in all of the gaps with a single device. Implant bridges can also be used to replace several missing teeth in a row. Conventional bridges and single implants can be used to replace single missing teeth.
As you can see, there are many options available to restore your smile! We would be happy to work with you to find the best option available for your individual situation. Please call Tidewater Dentistry to learn how we can help!


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Funding available for female and disability teams in Cheshire as The FAs Grow the Game returns
£1.5m available for the creation of new teams
A community football scheme that saw more than 1,000 new female and disability teams created across the country last year is returning to encourage even more people into regular football participation.
Grow the Game, which is delivered by the Football Foundation and funded by The FA, was first launched in 2010 to provide clubs with funding for the creation of new teams and chances for aspiring footballers in the local community to play. Since launching, the scheme has helped to create over 11,000 new teams, delivering new playing opportunities to an estimated 144,000 community footballers.
The scheme will provide an investment of £1.5m to traditionally underrepresented groups in community football and give further playing opportunities in new disability, women's and girls' teams in the process.
Grow the Game grants of £1,500 will be made available to every new team created, helping to relieve the financial burden on clubs by helping towards FA coaching courses, league affiliation costs, referees' fees, first aid kits or even kit and equipment. In 2018, the scheme helped to support the growth of 872 female and 294 disability teams respectively.
The application window for Grow the Game is now open and closes on Thursday 28 March. Clubs seeking more information on the scheme should contact Info@CheshireFA.com or visit the Football Foundation website.
Phil Neville, England Women's Head Coach, said: "Given both my professional and personal backgrounds, this scheme is particularly close to my heart. I work with some fantastic professionals in the England Women's Senior Team and know that playing for their country has been a dream come true.
"Providing as many opportunities as we can for girls and women to get involved in the game is crucial if we are to continue developing the women's game at all levels. If this scheme can help inspire more women and girls to play football and provide them with the opportunities to chase their dreams then it deserves to be applauded.
"Secondly, as a father of a daughter with a disability, I firmly believe this should never act as a barrier to sports participation. I'm delighted to learn of the growth in the number of disability teams across the country, and the further funding that has been made available to support future development, giving more people than ever before the chance to get involved in the game."
Alex Greenwood, England and Manchester United Women's full-back, also praised the scheme: "Having joined Everton academy at eight years old, I was lucky enough to have access to top quality coaching and regular football from such a young age. However, I know plenty of girls that were never able to access the same footballing education that I was because the number of opportunities simply weren't there. It's therefore incredibly important we make sure this is no longer an issue going forward and that if girls want to play competitive football they have ample opportunities to do so."
In addition, existing male adult clubs & teams will also be able to apply for financial support from The FA, with the return of the retention-based scheme called Retain the Game. The scheme, which launched for the first time last year, helped to support over 2,300 male teams, with grants given to help provide financial support for clubs across the country. The scheme will launch again on Wednesday 17 April.
As well as Grow the Game, the Football Foundation uses investment from Premier League, The FA and the Government, through Sport England, to provide enhanced sporting facilities across the country. Since 2000, the Foundation has supported over 16,500 grassroots projects worth more than £1.5bn.
Cheshire FA Join Forces with Bazookagoal
We're delighted to announce our new partnership, which benefits our local clubs.
Competition - Win a Whole Month of Veo
YOUR Club could WIN the loan of a VEO Camera for a month!
International Women's Day 2022 - Cheshire Champions
Cheshire FA are incredibly proud to be supporting International Women's Day 2022.
Statement - Cheshire County District FA Girls' Representative Competition
We're asking clubs to express interest in entering teams at Under-17 level.
Football Foundation Funding Available via Game On
Great opportunities for funding to clubs in Cheshire.
Special Offer to Cheshire Clubs Courtesy of Veo
Save £200 on Veo's fantastic cameras which enable you to record and analyse games!
Additional Team Entry for U18 County Cups
From season 2021/22 all Minor, Junior & Youth Cups can have multiple team entry.
We are delighted to partner with VEO Technology
We have recently partnered with VEO to benefit clubs and leagues across Cheshire.
The Big Switch On!
Pop-Up Floodlights work wonders for Brooklands Dragons JFC


It is hard making sense of the Office 365 suite from Microsoft. Barely had we had time to grasp that they have included Yammer in all Office 365 tenants, and what that means. Then Microsoft threw their Teams app into the game, and it became even more challenging to understand which product does what.
It is, however, not the product in itself that is hard to grasp. On the contrary, it seems straightforward and well-designed, and it is integrated with the rest of the 365 suite. The somewhat obscured path ahead is created when comparing Teams with Yammer and more. Here is where people like Naomi Moneypenny and Marc D Anderson come to the rescue.
What has me confused about Microsoft's overlapping offerings in the communication spectrum is that they don't come with guidance about which is good when or for what type of organizations. Instead we see a lot of talk about choice being good.
Here's hoping that the smart people in Redmond get on this soon. As the options keep piling up on us, it's only getting harder to choose.
Yammer is the really the only app in O365 that allows you to have a conversation with the entire company. You can of course push an email or IM to the entire company, but that's not the level of dialog we are looking for these days. Yammer is a great way to enable conversation across an entire organization. […] Once a project team has come together to work on a specific set of tasks and deliverables, that team should decide whether they want to use the Groups conversation experience primarily in Outlook, or Outlook then Teams, Teams or Yammer to get their specific work done.
Thank you Microsoft for wanting us to collaborate better. You could, however, reach even further by listening to Naomi, Marc, and more. Many of us take care of Office 365 environments, and our job is to alleviate collaboration pains. The better you at Microsoft describe what to use when, the smoother our ride becomes.


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George Hartnell, RIP
Born in Coulstreng house Harry Stoke circa 1915 and lived there all his life. but moved next door in "The Cottage". Next door was the Bailiff's house. His father relates the tale that the Duke of Beaufort would allow tenants to raise a home on their land if they had a source of water, thus many of the homes that appeared around 1830 should have a well or other waters source in their grounds. He has a well and he describes the water as "sweet". Stoke Gifford water was known for its bad taste. When landscaping AXA, the surveyors regularly checked the level of his well. Had it lowered they would have had to reconsider their plans to include the lake in the grounds. Next door was the Bailiff's house.
The Paddocks' is shown illustrated in the 1915 sales catalogue as 'Harry Stoke Farm', whereas the locals know the two houses erected by the Beaufort estate as Harry Stoke farm and these are shown thus on the 1889 Ordnance Survey map of the area. Don Brimble was at one time the farmer along with his brothers Alfie and Pullit, though no one knows how 'Pullit' got his nick name. Don was in charge and Alfie did the hedging and ditching. George remembers the day when Don forgot to tie the back legs of one of cows during milking. The sight of Don, milk pail and stool flying through the air was quickly followed by every swear word in Don's extensive repertoire much to the amusement of the onlookers. The milk from this farm was of the highest quality whereas Captain Mortimer often could not sell his milk from Wallscourt farm and gave it away to the Muller Orphanage.
After attending the village school at the old school rooms in Stoke Gifford [ they closed as a school in 1986] Don won a scholarship to Sodbury Grammar school and this included 5/- [ five shillings ] a week for bus fare. The bus went along Harry Stoke Road. If the students decided to go by bike instead of bus, the parents were given the bus fare for each school day at the start of the term, thus being a welcome supplement to the family income. He recalls that Miss Rook was his school teacher from 1924 to 1931.
Harry Stoke hasn't changed much during his life time except for the new developments in the fields to the west. There is one new house in the village and the roads around it have been developed. In his younger days George points out that the only way to get from Stoke Gifford to Filton was either by Little Stoke or Harry Stoke, and although a quiet agricultural community like all the others around Harry Stoke was a busy thoroughfare because of the road system. To get to Bristol you had to take a bus either from Wallscourt road or Filton.
For a brief time George worked for the drift mine in the fields the other side of the A4174, but after the changeover from coal to oil at Portishead power station there was little demand for its coal, as there were plentiful supplies from the mines around Frampton Cottrell.
Electricity wasn't widely available until after the war. Wallscourt Farm was using oil lamps in 1947, but they did have a telephone and a wireless run from accumulators that had to be charged regularly.


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ATS Washington Office staff recently participated in the United States Stakeholder Forum on Antibiotic Resistance (S-FAR) Advocacy Day on Capitol Hill. S-FAR is a national coalition of over 100 health professional, public health and industry organizations convened by the Infectious Diseases Society of America to work on addressing antimicrobial resistance. ATS Washington Office staff lead a team of coalition representatives in meetings with congressional offices advocating for fiscal year 2017 funding for President Obama's Combating Antimicrobial Resistant Bacteria initiative.
The CARB initiative calls for targeted efforts at the Food and Drug Administration, the U.S. Department of Agriculture, the Centers for Disease Control and Prevention – specific funding for surveillance and antibiotic stewardship – the National Institutes of Health and the Biomedical Advanced Research Authority, for research into the development of diagnostics and new therapeutics . The ATS will continue to support these programs to address antimicrobial resistant pneumonia, sepsis and tuberculosis infections.


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Le  est le plus long cours d'eau japonais avec ses . Son bassin n'est pas le plus grand du Japon mais occupe la troisième place avec ses . Le cours d'eau est aussi appelé  dans la préfecture de Nagano.

Géographie
Le Shinano prend sa source au mont Kobushi. Il rencontre la rivière Sai dans la partie sud de la ville de Nagano. Ce point de confluence, désigné par le toponyme , est aussi l'endroit présumé de la bataille de Kawanakajima. Ce cours d'eau se jette ensuite dans la mer du Japon à Niigata.

En 1922, le fleuve a été canalisé ; ce canal se nomme  et a pour but d'éviter les inondations à Niigata. Il permet en plus l'irrigation de champs de riz dans la région de cette même ville.

Notoriété
Le nom Chikuma a été donné à deux croiseurs de la Marine impériale japonaise : Chikuma (1938) et Chikuma (1911).

Notes et références

Voir aussi

Liens externes
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Cours d'eau dans la préfecture de Niigata
Cours d'eau dans la préfecture de Nagano
Fleuve au Japon