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Toddler Sizes are from American Apparel and are solid black 100% cotton.


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Q: android is it possible to get all the dates from a year by entering a day of the week? i want to do a timetable - that allows the user to sets a tasks that he will have. so let's say that on  monday the user sets that he is going to the gym - than i want to applay it to every monday on the next weeks.
So what i want to know is, as my title is says,  is it possible to get all the dates from a year by entering a day of the week? and if so how would i do it?
thanks for any kind of help

A: You can use a Calendar object.
Calendar cal = Calendar.getInstance();
// init to date picked by user
cal.setTime(myDate);
while([your stop condition here]) {
    // go to same day next week
    cal.add(Calendar.WEEK_OF_YEAR, 1);
    Date next = cal.getTime();
    // .. do something with the date
}

redpajama_set_name: RedPajamaStackExchange


My husband, battling a bad cold, gave me three glorious days on the North Shore on Oahu, the most relaxed I've been since I moved to Hawaii almost four years ago.
So why did I want a soft landing this week?
Because for most of these four years I've readjusted expectations and hopes, letting many go but finding new goals and discovering beliefs I have wanted to sow.
I've also spent many, many hours in the office and other places to establish a solid work record with a new job in a completely new part of the world to my family, to find communities on an island where many people come from families related to each other or who have known each other for generations, to stay in shape, to be a better father and husband, to write better poems, to be an advocate for my daughter.
And after nearly four years in Hawaii, heading to the North Shore for the New Year's long weekend, I was kaputt!
And thanks to my husband, I came back to the first week in January feeling better than I have since we made Hawaii our (permanent) home.
I couldn't extend the stay on the North Shore, so I practiced gratitude and strove to be mindful of my resolutions for 2018.
And prayed for a soft landing to the return of deadlines, to familiar landmines that are part of one's day, to needing to be out the door at prescribed hours seven days a week.
And treated myself to just a little Glühwein, part of my heritage and comfort during winter days — not the bitter cold days most folks are facing on the Mainland, but even for Hawaii days still a little darker and colder. Glühen in English means "glow." As a Quaker, I try to hold my family, friends and myself in the Light. A little glow helps.
I wish all of you, Dear Readers, much Light, soft landings, and a little glow for the new year!
I was probably too stunned to cry last night, and I think I still am.
I am now stating that as a gay man, as a human, as a father of a daughter born with an extra chromosome, as a citizen, I am forevermore beyond hope for the current occupant of the White House.
But even if any of those scenes actually played out, I truly doubt it would change what Trump has now broken: faith that the person occupying his current office will protect and preserve civil rights.
There is a silver lining: more and more citizens of the world are expressing out loud their commitment to diversity, inclusion, and to respect the rights and worth of every individual.
A G.O.A.T. in the Room?
≈ Comments Off on A G.O.A.T. in the Room?
My goal for this blog when I began it a year ago was to write every day except weekends and holidays. No one in my family is headed off to school today! In Hawaii, we honor Kamehameha The Great, the monarch who established the kingdom of Hawaii.
So my post will be brief, but I need to ask the question that has popped into every tennis aficionado's mind since yesterday's mammoth letdown of a French Open final between Rafael Nadal and Stan Wawrinka.
Given the considerable time difference between Hawaii and Paris, I wasn't sure how much of the match I would see live. When my daughter joyfully — and loudly — began her day around 5:15, I turned on the TV. I saw the last three points of the match!
For those of us who think Stan the Man has given professional tennis a much needed boost with his playing style and personality, yesterday was a letdown.
Rafael looked reborn as he claimed his 10th French Open in three quick sets and his 15th major title, just three behind Roger Federer against whom he has won nine more matches in their head-to-head rivalry (24 to 13).
Is Rafael the true emerging G.O.A.T. (greatest of all time)? We'll know better after Wimbledon. Grass courts favor Federer, but if Rafael can continue his golden winning streak into the summer and defeat Roger, like Kamehameha, he will have a great case for G.O.A.T.-dom!
Given the decision by Trump and his close advisors to ignore what is staring everyone in the face — our climate is changing so fast that Antarctica will soon be green and a major tourist destination — life makes sense to me at times like this when I stop trying too hard to make sense of it.
After a few conversations with close friends and my husband, I go back to what gives me hope: making time to be more active so the world will be a healthy place for my child and all children. I want them to look forward to viewing the world from an oversized pineapple or other vantage points and see trees — palm trees, maple trees, birch trees, any trees will do — clear, blue skies, and water they can drink safely and swim in.
One of my close friends told me after the presidential election that now more than ever people need to become more resilient to decisions imposed upon us by the new occupants of the White House. This resilience can take the form of art, poetry, other forms of writing, community activism, taking on leadership roles in faith groups — in general taking on a more active role rather than passively despair.
And still enjoy and appreciate life! And keep disappointment in perspective but taking delight in what we have: the joy and innocence of children and the possibility of making the future better for them.
Have you ever had encounters you wish you could do over?
Sometimes they are with people you know quite well; other times they are with someone with whom you are fleetingly acquainted or have met just once.
This happens to me. I'm a bit of a perfectionist, but I have a good heart. I try to be fair and treat others as I would wish to be treated.
An unexpected opportunity came along this past Friday evening. I was hosting an event for the fourth consecutive year. The first time I did it, soon after I moved to the Aloha State, a couple whom I barely knew came into the VIP area of the event. In Hawaii, lei etiquette — presenting, receiving, and wearing lei, usually a wreath of flowers — is still a mystery to me. Lei had been ordered for VIPs. The elderly couple who came in had looked at the table of lei. I was behind the table. I did not see their names on a list. I smiled and welcomed them to the event, but I did not give them lei. I was actually afraid I would run out. I saw a trace of disappointment in their faces.
It was just a trace, but it stayed with me. I would see the couple from time to time. In any conversation with them, I wanted to make sure they knew how much I appreciated their understated but significant service to the community to which I belong here in Honolulu.
Then it happened: the second chance, three years later.
The same couple did not "make" the VIP list this year, but I saw them arrive late to the event. I smiled and greeted them warmly. I asked them to wait for a few seconds. I ran to the VIP area where I had a few extra lei. I came back to the couple and presented them. The couple beamed! "We so did not expect this," both husband and wife said. I thanked them again for all they do.
After they went inside to the event, I found a quiet corner of the VIP area and smiled.
Sometimes we really do get another chance to make things right, even if we have to wait.
It isn't the weekend, nor an official holiday, but it's my own holiday!
For one of the few times since I moved to Hawaii more than three years ago, I'm taking a day off for me: no child staying home from school, no cable installation where I need to be present, no bad cold I'm getting over, no forms I have to fill out by the end of the week!
I'm heading into the homestretch of the last two months of the fiscal year at work with goals to meet, I'm wrapping up a German elective with six wonderful students, I have a few reports to write as treasurer for the Honolulu Quakers and Fulbright Association, but I'm going to relax about those — at least for today!
I may work out at the Y or not, I may catch up on my reading, I may, to my husband's dismay, continue to declutter our home! (I've been cleaning for an hour and it feels great!) I will call a best friend with whom I haven't spoken in a month. She is in a different time zone and that works out just fine!
It's one of the few times in recent memory I feel this relaxed about not having a specific plan! I'm grateful to have this kind of day once in a while. I haven't even changed out of my pajamas yet! I might leave them on and not shave!
Thank you, Dear Readers, for taking in the intensity of my posts for the last two days. On this Wednesday, though, my hope is that you will let yourself feel a lightness I am enjoying more than I expected! See you tomorrow.
When I set my goal last June of writing a post for my blog every day except on weekends and holidays, I wondered if I could live up to my pledge!
So far, so good, although this journey has been filled with unexpected twists and turns. While I've written a great deal about tennis and Trisomy 21, especially about being a parent of a gifted child born with an extra chromosome, I've also introduced an angel sub-theme, and posted about Anne Boleyn and Mary Tyler Moore, royalty, the presidential election, growing up gay, living in Hawaii, and marathon training!
An unanticipated joy has been a return to poetry. When I was a teenager, I usually wrote a poem every day. They won awards, and I met wonderful people in museums or writers' conferences when my poems were read at events. They even helped me receive college scholarships!
So to embrace writing poetry again has felt as great as picking up a tennis racket after not playing for a few years, trading baseline shots with a good friend, and rediscovering how much I love hitting forehands!
Two other unforeseen aspects of writing this blog stand out: the timing and the emotions.
I wake up not knowing when I'm going to write my post. Once in a great while it happens in the wee morning hours. Occasionally, before I fall asleep. So far, I've never turned into a pumpkin! Usually, though, I write during my lunch hour, so my poems are very much directly from my gut even if some have been in my head for years.
I probably ought not to be surprised by the range of emotions I've experienced writing this blog, but I have been. A few posts, such as a recent one about Glittering Royal Events, have felt as light and easy as skipping along the ocean. Some poems, like For Ellen While Sleeping or Hawaii Mountains, I've almost written in a trance.
Then there have been times where I've dug a little deeper, like the poem I wrote about my dad's leaving this world, Language of the House Sparrows, or about my being bullied in college and how lucky I was to survive: Words that Hit Hard.
I rely on my mother and my husband for their honesty about my writing. When I wrote my post yesterday, Ellen's World, and invoked Andrew Wyeth's Christina's World, I felt drained afterward! This morning, in between helping Ellen get ready for school and brushing my teeth, I blurted out to my husband, "Hey, what did you think about the post I wrote yesterday?" He told me he hadn't read it yet. Thud!
But I rebounded quickly. Ben truly has far more important priorities than reading my blog every day. He helps me keep my sense of humor about my goal for keeping it going for a year, and sometimes, when I least expect it, he will put his arm around me and tell me how impressed he was by what I've posted.
I'm a lucky guy to have him and to share this blog with my readers. Thank you for inspiring me to keep it going!
To tag on to my anniversary post yesterday, today is official: three years in Hawaii!
A lot has happened, and hair styles come and go, but our family has made it through thick and thin (and long hair and short)! Thank you to my husband and daughter and our new ′ohana (extended family) for all your patience and love!
I like anniversaries. Milestone numbers. They're fun, right? Who doesn't usually like them? With my German heritage and having lived in Europe for a while, I even began to embrace the anniversaries of when people died. Go figure!
But tomorrow is a special anniversary. I celebrate three years in Hawaii, the most beautiful place I have ever seen or known. It's been quite a three years: my husband having a stroke out of the blue at age 42; my mother having a stroke shortly thereafter; my father fighting a heroic battle against cancer a few months later before he died; my mother-in-law following him soon thereafter; vicissitudes with a job I love and why I and my family moved to Hawaii; my own cancer scare; a phenomenal teacher and school for my extraordinary daughter; the shock of the new occupants of the White House; new friends and being embraced by communities that have given me all the faith I need to breathe; having a poem published in a national journal; my husband's remarkable recovery; joining two Buddhist temples as a Quaker; and finally, the breathtaking everything about Hawaii that lifts me every minute. I still can't believe I'm here!


text:
Property Watch: A Delightful Pink and Green Bungalow Just Steps from Hollywood
Sorry, the houseplants are not included in the sale.
By Melissa Dalton January 25, 2023
Image: Courtesy 22 Pages Photography
Editor's Note: Portland Monthly's "Property Watch" column takes a weekly look at an interesting home in Portland's real estate market (with periodic ventures to the burbs and points beyond, for good measure). This week: a bungalow in Northeast that just a few years older than the nearby Hollywood Theatre. Got a home you think would work for this column? Get in touch at [email protected].
In the early 1900s, what's now the Hollywood District was technically Hollyrood and commonly referred to as being "near Rose City Park," a neighborhood then considered out in the burbs. But on July 17, 1926, Claude C. Jensen and John G. von Herberg changed all that. The pair opened the Hollywood Theatre, a gorgeous ode to the golden age of movies and vaudeville. With its glazed terra-cotta façade, 50-foot-stage, and full-size screen, the opening drew so many people that the first presentation—including a screening of the movie More Pay–Less Work and music and vaudeville acts—ran continuously for nine hours. It's no wonder that after that, the surrounding area would become known as Hollywood.
Just a few blocks away and built in 1923, this salmon-and-dark green bungalow on NE 37th Avenue is a bit older than the 97-year-old movie house, but feels young at heart thanks to the plethora of updates it's gotten over the past few years. That goes for both the Instagrammable rooms, which is pretty much all of them, as well as the less obvious stuff, like a new roof, HVAC, and electrical panel.
The main floor remains an excellent combination of old and new. Things like the original pink and black bathroom tile have been kept charmingly intact, as have the living room fireplace, original hardwood floors, hall built-ins, and period windows.
However, the kitchen has been thoughtfully redone, complete with custom cabinets, walnut butcher block counters, Clé backsplash tile, and new appliances. (The retro-looking Smeg refrigerator is an especially nice touch.) Through a petite arched doorway, the original banquette seating was rebuilt to bring the cozy back to the breakfast nook, while modern Hygge & West wallpaper keeps the look fresh.
Upstairs, find a primary suite that you'll never want to leave, even in the summer, since there's AC via a ductless mini-split unit. The previous dropped ceiling was removed to expose rafters and install three skylights, creating an airy, light-filled room that, at 375 square feet, is big enough to fit lots of extra lounge/yoga/office/craft space. In addition to that, there's a walk-in closet and large bathroom, with a clawfoot soaking tub, double sinks in the custom oak and terrazzo vanity, and a generous walk-in shower outfitted in tile from Clé and our local Tempest Tileworks.
Technically, this home sits in Grant Park, though the neighbors across the street are in Hollywood. That just means it's the best of both neighborhoods: a short distance to the grass and trees at Grant Park proper, as well as all the conveniences of Hollywood, including bars, restaurants, shops, farmers market, and grocery stores. And of course, the Theatre.
Listing Fast Facts
Address: 1731 NE 37th Ave, Portland, OR 97212
Size: 2,678 square feet, 3 bedroom/2 bath
List Date: 1/13/2023
List Price: $850,000
Listing Agent: Chandra Noble-Ashford, Think Real Estate
Melissa Dalton is a freelance writer who has focused on Pacific Northwest design and lifestyle since 2008. She is based in Portland, Oregon. Contact Dalton here.
Hollywood Theatre, Real Estate News, Home Design, Northeast Portland, Property Watch
As Temperatures Drop, the Real Estate Market Is Cooling Down, Too
11/09/2022 By Margaret Seiler
Where to Live Now
Neighborhood Guide: Hollywood
02/22/2021 By Conner Reed
The Hollywood Theatre Gets a Makeover
Property Watch: A Pioneering, Climate-Friendly Home in Cully
12/12/2022 By Melissa Dalton

redpajama_set_name: RedPajamaCommonCrawl


Launching a successful email marketing campaign is not simply a matter or writing a few interesting articles, sprinkling in some affiliate advertisements, and sending them zipping into email space. Any email marketing campaign worth its salt has been carefully researched before one word has ever been written. The basic precept is that your message needs to address the needs of the market you are targeting; therefore you need to do your research first in order to get the best return on investment. Getting started with marketing research for your email marketing campaign involves several key steps. Use these to get more from your email marketing strategy.
The most important aspect of running a great email marketing campaign is understanding the unique nature of your audience. These are the folks on the receiving end of the email, who in an instant will decide whether to read or delete your message. Try to consider their habits, where they hang out, what they like to read, when and how they digest information before sending out an email blast. This is part of researching the overall reader persona that will make or break your email marketing efforts.
Research has consistently shown that keyword choice has a major impact on how responsive readers are to email newsletters and other forms of marketing content. From the sign up landing page copy and the email title to the internal copy included in your email marketing newsletters, you'll want to make sure you are using the most search engine optimized keywords throughout. Use Google keyword research to get this information in advance.
Email marketing campaigns are the perfect opportunity to conduct comparison testing, also sometimes referred to as A/B testing. Create two versions of the same email newsletter and send out to a select number of your subscribers. Note how each group responds and then tweak your email campaign to produce fewer bounces and more opens.
After launching a new email marketing campaign, take a moment to check analytical data to uncover more helpful information about your success rate. Look for the number of emails that have been read, the amount of time spent reading them, and the results of the link campaigns you included. Did you get click-throughs to your website or promotions? Did your emails get marked as spam? Use this information to further enhance your email marketing campaigns moving forward.
Part of your research as an email marketer is to also study the best practices of other successful marketers. Learn how to write quality content and format your newsletters for optimal performance. Use killer graphics and imagery to make your email marketing "pop". Sign up for email marketing tutorials through your email distribution service to learn of important updates. This industry is constantly evolving, therefore the more you do your homework, the better you will become at email marketing.
Just as in other forms of online marketing, research is a critical aspect of being more successful. Take the time to carefully study each aspect of this process and you'll see the results improve over time and practice.


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Treebank Statistics: UD_Irish: Features: Mood

This feature is universal but the values Int are language-specific.
It occurs with 5 different values: Cnd, Imp, Ind, Int, Sub.

1917 tokens (8%) have a non-empty value of Mood.
721 types (13%) occur at least once with a non-empty value of Mood.
264 lemmas (7%) occur at least once with a non-empty value of Mood.
The feature is used with 4 part-of-speech tags: <tt>VERB</tt> (1877; 8% instances), <tt>PART</tt> (17; 0% instances), <tt>AUX</tt> (16; 0% instances), <tt>X</tt> (7; 0% instances).

VERB

1877 <tt>VERB</tt> tokens (98% of all VERB tokens) have a non-empty value of Mood.

The most frequent other feature values with which VERB and Mood co-occurred: <tt>Voice</tt><tt>=EMPTY</tt> (1627; 87%).

VERB tokens may have the following values of Mood:

Cnd (137; 7% of non-empty Mood): bheadh, mbeadh, dtiocfadh, dhéanfadh, rachadh, bhféadfadh, bhféadfaí, chuirfeadh, dtuigfí, fhéadfadh

Imp (88; 5% of non-empty Mood): bhíodh, féach, bíodh, déan, cuir, dhéanadh, Tabhair, faigh, mbínn, mbíodh

Ind (1647; 88% of non-empty Mood): bhí, tá, raibh, atá, bhfuil, bheidh, beidh, thug, tháinig, mbeidh

Sub (5; 0% of non-empty Mood): Roinne, chroma, n-imí, raibh, shéide

EMPTY (34): bíonn, bhíonn, mbíonn, cuirfead, deemed, labhair

Paradigm bí	<tt>Ind</tt>	<tt>Imp</tt>	<tt>Cnd</tt>	<tt>Sub</tt>

<tt>_</tt>			beadh

<tt><tt>Case</tt><tt>=NomAcc</tt>|<tt>Gender</tt><tt>=Masc</tt>|<tt>Number</tt><tt>=Sing</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>	Tá's

<tt><tt>Form</tt><tt>=Ecl</tt></tt>			mbeadh

<tt><tt>Form</tt><tt>=Ecl</tt>|<tt>Number</tt><tt>=Sing</tt>|<tt>Person</tt><tt>=1</tt></tt>			mbeinn

<tt><tt>Form</tt><tt>=Ecl</tt>|<tt>Number</tt><tt>=Sing</tt>|<tt>Person</tt><tt>=1</tt>|<tt>Tense</tt><tt>=Past</tt></tt>	rabhas	mbínn

<tt><tt>Form</tt><tt>=Ecl</tt>|<tt>Number</tt><tt>=Plur</tt>|<tt>Person</tt><tt>=1</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>	bhfuilimid

<tt><tt>Form</tt><tt>=Ecl</tt>|<tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Fut</tt></tt>	mbeidh

<tt><tt>Form</tt><tt>=Ecl</tt>|<tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Fut</tt>|<tt>Voice</tt><tt>=Auto</tt></tt>	mbeifear

<tt><tt>Form</tt><tt>=Ecl</tt>|<tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>	bhfuil

<tt><tt>Form</tt><tt>=Ecl</tt>|<tt>Tense</tt><tt>=Fut</tt></tt>	mbeidh

<tt><tt>Form</tt><tt>=Ecl</tt>|<tt>Tense</tt><tt>=Past</tt></tt>	raibh	mbíodh

<tt><tt>Form</tt><tt>=Ecl</tt>|<tt>Tense</tt><tt>=Past</tt>|<tt>Voice</tt><tt>=Auto</tt></tt>	rabhthas

<tt><tt>Form</tt><tt>=Ecl</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>	bhfuil, fuil			raibh

<tt><tt>Form</tt><tt>=Emp</tt>|<tt>Number</tt><tt>=Sing</tt>|<tt>Person</tt><tt>=1</tt>|<tt>PronType</tt><tt>=Rel</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>	atáimse

<tt><tt>Form</tt><tt>=Emp</tt>|<tt>Number</tt><tt>=Sing</tt>|<tt>Person</tt><tt>=2</tt>|<tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>	nílirse

<tt><tt>Form</tt><tt>=Len</tt></tt>			bheadh

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Number</tt><tt>=Sing</tt>|<tt>Person</tt><tt>=1</tt>|<tt>Tense</tt><tt>=Past</tt></tt>	bhíos

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Number</tt><tt>=Sing</tt>|<tt>Person</tt><tt>=2</tt></tt>			bheifeá

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Number</tt><tt>=Plur</tt>|<tt>Person</tt><tt>=1</tt>|<tt>Tense</tt><tt>=Fut</tt></tt>	bheimid

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Number</tt><tt>=Plur</tt>|<tt>Person</tt><tt>=1</tt>|<tt>Tense</tt><tt>=Past</tt></tt>	Bhíomar

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Number</tt><tt>=Plur</tt>|<tt>Person</tt><tt>=3</tt></tt>			bheidís

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Number</tt><tt>=Plur</tt>|<tt>Person</tt><tt>=3</tt>|<tt>Tense</tt><tt>=Past</tt></tt>	bhíodar

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Polarity</tt><tt>=Neg</tt></tt>			bheadh

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Fut</tt></tt>	bheidh

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Past</tt></tt>	raibh

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Past</tt>|<tt>Voice</tt><tt>=Auto</tt></tt>	rabhthas

<tt><tt>Form</tt><tt>=Len</tt>|<tt>PronType</tt><tt>=Rel</tt>|<tt>Tense</tt><tt>=Past</tt></tt>		bhíos

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Tense</tt><tt>=Fut</tt></tt>	bheidh

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Tense</tt><tt>=Past</tt></tt>	bhí	bhíodh

<tt><tt>Number</tt><tt>=Sing</tt>|<tt>Person</tt><tt>=1</tt>|<tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>	Nílim

<tt><tt>Number</tt><tt>=Sing</tt>|<tt>Person</tt><tt>=3</tt></tt>		bíodh

<tt><tt>Number</tt><tt>=Sing</tt>|<tt>Person</tt><tt>=3</tt>|<tt>Polarity</tt><tt>=Neg</tt></tt>		bíodh

<tt><tt>Number</tt><tt>=Plur</tt>|<tt>Person</tt><tt>=1</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>	Táimid

<tt><tt>Number</tt><tt>=Plur</tt>|<tt>Person</tt><tt>=2</tt></tt>		bígí

<tt><tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>	níl, fuil

<tt><tt>PronType</tt><tt>=Rel</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>	atá

<tt><tt>Tense</tt><tt>=Fut</tt></tt>	beidh, bhéidh

<tt><tt>Tense</tt><tt>=Past</tt></tt>	raibh

<tt><tt>Tense</tt><tt>=Pres</tt></tt>	tá

<tt><tt>Tense</tt><tt>=Pres</tt>|<tt>Voice</tt><tt>=Auto</tt></tt>	Táthar

PART

17 <tt>PART</tt> tokens (1% of all PART tokens) have a non-empty value of Mood.

The most frequent other feature values with which PART and Mood co-occurred: <tt>PartType</tt><tt>=Vb</tt> (17; 100%), <tt>PronType</tt><tt>=EMPTY</tt> (17; 100%).

PART tokens may have the following values of Mood:

Imp (10; 59% of non-empty Mood): ná

Int (5; 29% of non-empty Mood): nach

Sub (2; 12% of non-empty Mood): go

EMPTY (1514): a, go, ní, d', nach, gur, Ó, is, do, níor

AUX

16 <tt>AUX</tt> tokens (4% of all AUX tokens) have a non-empty value of Mood.

The most frequent other feature values with which AUX and Mood co-occurred: <tt>VerbForm</tt><tt>=Cop</tt> (16; 100%), <tt>Form</tt><tt>=EMPTY</tt> (15; 94%), <tt>PronType</tt><tt>=EMPTY</tt> (15; 94%), <tt>Tense</tt><tt>=Pres</tt> (11; 69%), <tt>Polarity</tt><tt>=EMPTY</tt> (9; 56%).

AUX tokens may have the following values of Mood:

Cnd (2; 13% of non-empty Mood): Ba, mba

Int (14; 88% of non-empty Mood): nach, an, Cén, cad, nár

EMPTY (379): is, gur, ba, ní, b', nach, gurb, níor, ar, gurbh

Paradigm is	<tt>Cnd</tt>	<tt>Int</tt>

<tt><tt>Form</tt><tt>=Ecl</tt></tt>	mba

<tt><tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Past</tt></tt>		nár

<tt><tt>Polarity</tt><tt>=Neg</tt>|<tt>Tense</tt><tt>=Pres</tt></tt>		nach

<tt><tt>Tense</tt><tt>=Pres</tt></tt>		an

<tt></tt>	Ba

X

7 <tt>X</tt> tokens (3% of all X tokens) have a non-empty value of Mood.

The most frequent other feature values with which X and Mood co-occurred: <tt>Abbr</tt><tt>=EMPTY</tt> (7; 100%), <tt>Dialect</tt><tt>=Munster</tt> (7; 100%), <tt>Foreign</tt><tt>=EMPTY</tt> (7; 100%), <tt>PronType</tt><tt>=EMPTY</tt> (7; 100%).

X tokens may have the following values of Mood:

Imp (2; 29% of non-empty Mood): dein

Ind (5; 71% of non-empty Mood): dhein, Bhraitheas, chuireas, deineadh

EMPTY (258): san, (2), (a), (b), so, (1), (c), (3), (4), Co.

Paradigm dein	<tt>Ind</tt>	<tt>Imp</tt>

<tt><tt>Form</tt><tt>=Len</tt>|<tt>Tense</tt><tt>=Past</tt></tt>	dhein

<tt><tt>Number</tt><tt>=Sing</tt>|<tt>Person</tt><tt>=2</tt>|<tt>Polarity</tt><tt>=Neg</tt></tt>		dein

<tt><tt>Tense</tt><tt>=Past</tt>|<tt>Voice</tt><tt>=Auto</tt></tt>	deineadh

Relations with Agreement in Mood

The 10 most frequent relations where parent and child node agree in Mood:
<tt>VERB –[<tt>conj</tt>]–> VERB</tt> (136; 96%),
<tt>VERB –[<tt>advcl</tt>]–> VERB</tt> (133; 90%),
<tt>VERB –[<tt>ccomp</tt>]–> VERB</tt> (115; 78%),
<tt>VERB –[<tt>xcomp</tt>]–> VERB</tt> (12; 67%),
<tt>VERB –[<tt>parataxis</tt>]–> VERB</tt> (11; 69%),
<tt>VERB –[<tt>csubj:cleft</tt>]–> VERB</tt> (2; 67%),
<tt>VERB –[<tt>csubj:cop</tt>]–> VERB</tt> (2; 100%),
<tt>X –[<tt>advmod</tt>]–> PART</tt> (2; 100%),
<tt>X –[<tt>conj</tt>]–> VERB</tt> (2; 100%),
<tt>VERB –[<tt>acl:relcl</tt>]–> VERB</tt> (1; 100%).

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text:
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FLORIDA COURT HOLDS THAT THE RENUNCIATION RULE DOES NOT APPLY TO SELF-SETTLED TRUSTS
By Mavrick Law Firm
Under Florida law, if a person wishes to contest the validity of a legal instrument, i.e., a will or trust, he or she cannot simultaneously benefit from that instrument. The "renunciation rule" requires that an individual challenging the validity of a legal instrument return the payments or benefits that he or she received under that instrument. The renunciation, however, is qualified, not absolute. In other words, the party challenging the validity of the legal instrument would be entitled to those payments he or she received should the challenge be unsuccessful and the legal instrument declared valid. The bottom line is that a person cannot unfairly hold inconsistent positions regarding a legal instrument, i.e., a person cannot accept and keep payments from a will or trust while simultaneously challenging the validity of that will or trust. Like all rules, however, there are exceptions. One such exception was recently articulated by a Florida district court in Fintak v. Fintak, 120 So. 3d 177 (Fla. 2d DCA 2013).
Edmund Fintak created a trust for his own benefit that was entirely funded by his own assets (a "self-settled" trust). The self-settled trust was created to provide regular payment to Mr. Fintak for his health, education, and support. In addition to the regular payments, the self-settled trust included a provision requiring payment from the trust upon Mr. Fintak's written demand. The self-settled trust also provided that upon Mr. Fintak's death, the trust assets were to be divided into equal parts and distributed to his six children. Two of Mr. Fintak's children served as co-trustees.
After executing the trust, Mr. Fintak accepted and kept several payments from the self-settled trust. However, when the co-trustees refused to pay Mr. Fintak the $30,000 that he demanded, Mr. Fintak filed a complaint challenging the validity of the trust. The co-trustees argued that under the renunciation rule, Mr. Fintak could not challenge the validity of the trust because he accepted and kept trust payments. The court disagreed.
In Barnett Nat'l Bank v. Murrey, 49 So. 2d 535, 537 (Fla. 1950), the Florida Supreme Court stated three rationales for the renunciation rule: (1) it protects the trustee in the event that the trust is held invalid, (2) it demonstrates sincerity of the person challenging the legal documents and avoid vexatious challenges, and (3) it makes the property readily available for disposition at the outcome of the challenge.
The court in Fintak found that none of the three rationales applied to Mr. Fintak's case. First, application of the renunciation rule would not serve to protect the co-trustees if the trust is held invalid because Mr. Fintak was legally entitled to the trust assets regardless of the outcome of the challenge. Second, the risk that Mr. Fintak's challenge is insincere or vexatious is mitigated by the fact that Mr. Fintak is challenging the validity of his own prior act rather than the act of another party. Finally, because Mr. Fintak was lawfully entitled to receive the benefits of the self-settled trust even if the trust never existed, application of the renunciation rule would not work to ensure that the property is available for disposition to the rightful owner at the outcome of the challenge.
Because the rationales behind the renunciation rule did not apply to the case, the court in Fintak refused to mechanically apply the rule, to do so "would be to elevate form over substance." Fintak, 120 So. 3d at 184. Thus, the court held that "the settlor of a self-settled trust funded with his own assets is not required to renounce any benefits received under the trust before he can challenge its validity." Fintak, 120 So. 3d at 179.
Florida law will not allow a person to benefit from a trust or will while simultaneously challenging the validity of that trust or will. The Fintak case demonstrates a small and rarely applicable exception to this rule. However, if a person wishes to challenge the validity of a trust or will, then that person should keep in mind that he or she must generally renounce any benefit received from that trust or will before raising such a challenge.
Probate attorney Peter T. Mavrick represents clients in probate, trust, and guardianship litigation. This article is not a substitute for legal advice tailored to a particular situation. Peter T. Mavrick can be reached at: Website: www.mavricklaw.com; Telephone: 954-564-2246; Address: 1620 West Oakland Park Boulevard, Suite 300, Fort Lauderdale, Florida 33311; Email: peter@mavricklaw.com.
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I want to create a new series of logo's, using a combination of different logos.
2. The second option - Try adding Social underneath Soapy in a plainer font?
3. For the abbreviated version to use with social icons - Can you place an S (SEGA Font) inside the bubble.
4. If you have any other creative ideas please add to this... Perhaps adding a bubble to the main soapy logo also?
All required in png white backgrounds.


Marcel Proust disse que a verdadeira viagem não consiste em ver novas paisagens, mas em ver com novos olhos. No Manifesto são várias as publicações que nos sugerem caminhos desconhecidos, culturas diferentes e paisagens exóticas. Pequenos vislumbres daquilo que vivenciamos ao viajar. Entre a chegada e a partida, seleccionámos as revistas que nos dão sempre novos motivos para pegar na mochila e rumar à aventura.
"Cereal is a biannual, travel & style magazine based in the United Kingdom. Each issue focusses on a select number of destinations, alongside engaging interviews and stories on unique design, art, and fashion."
"Another Escape is an outdoor lifestyle, creative culture and sustainable living publication that explores the stories of passionate people, alluring landscapes and intriguing ideas. We cover a disparate selection of subject matter all deep-rooted in exploration, creativity, innovation and discovery, and aim to be a source of inspiration for those who seek an active and considered lifestyle by encouraging an optimistic, forward-thinking and responsible mindset."
"Ernest is a printed journal for curious and adventurous gentlefolk. It is a guide for those who appreciate true craftsmanship and the care that goes into making, who are fascinated by curious histories and eccentric traditions and who care more for timeless style than trends. It is a periodical of substance created for folk who love to build fires, embark on road trips, camp under a canopy of stars and run full pelt into the sea. Ernest appeals to those of us who appreciate a craft gin cocktail as much as a hearty one-pot supper, who love the grain of wood and the smell of paper, who'd like to learn how fly fish, brew beer in their shed and name all the constellations of the northern hemisphere. It is for people who like to whittle."
"Sidetracked has always been rooted in inspirational journeys. We were born from the passion of wanting to tell the stories of those who put themselves out there, setting aside fear and doubt in order to experience the breathtaking, the awe-inspiring and the magical. Everything about our magazine is intended to present those narratives in the most compelling and visually stunning way possible. Words and images portraying the inspirational truth of the experience. It's more than a magazine – it's about being immersed in the journey of those with captivating stories to tell."
"The Rolling Home Journal is a quarterly print publication celebrating alternative living. Created by those who choose to travel & live in campervans and vehicles of all shapes and sizes. Our magazine documents stories, interviews, artwork, images, technical knowledge and advice. Helping to connect our community with a shared passion for adventure."
"Elementum will give the reader a space to reflect and absorb ideas, not be harried by advertising, stories of human failing or imminent threat. Our vision is to produce a publication about getting back to what really matters through nurturing our connection to the natural world. Constantly inspired and fascinated by the living world around us, we believe that in better understanding it we will better understand our place within it, our responsibilities and the possibilities open to us."
"NOMAS magazine is a biannual edition for the wanderers of this world. Walking the city streets or roaming the country side, NOMAS gazes at people and places with the curiosity, the joy and the longing of a Nomad, the desire to belong, even for a while, to another culture. NOMAS explores a different destination in every issue. The magazine's editors and photographers dive into local life: Art, fashion, food culture, famous and everyday people, everything that makes a place unique in an ever-changing world."
"Cartography is a new travel magazine specialized in itineraries across the globe. Each destination in Cartography comes with a photographic album, a short text, a map and an itinerary with recommended stops. We are passionate about all things contemporary, traditions, nature, exploration, people and places. Cartography is made for the modern traveller. It's where your next journey starts."


text:
Glosar de termeni folosiți în NLP

Programarea neuro-lingvistică (NLP) reprezintă explorarea modului în care comunicăm, gândim și producem schimbări. Acest tip de explorare are ca rezultat creșterea abilităților de comunicare, a încrederii, a motivației și a nivelului personal de succes.
Domeniile din viață și din afaceri în care NLP are aplicații sunt multiple, câteva dintre ele sunt:
-formularea și atingerea obiectivelor;
-comunicarea eficientă;
-tehnici de învățare rapidă;
-leadership;
-coaching pentru performanță.

abilitate (eng. capability) = stăpânire desăvârșită a unei întregi clase de comportamente — a ști cum să faci ceva. Abilitățile provin din dezvoltarea unei hărți mentale care ne permite să selectăm și să organizăm grupe de comportamente individuale. În NLP, aceste hărți mentale iau forma strategiilor cognitive și metaprogramelor.

a da forță (engl. empowerment) = procesul de a da unei persoane vitalitate, energie și noi resurse pline de forță; când spunem vitalitate ne referim la nivelul neuronal, la schimbarea obiceiurilor.

a doua poziție (engl. second position) = punct de vedere; a fi conștient de modul în care percepe realitatea o altă persoană.

a treia poziție (engl. third position) = a percepe lumea din punctul de vedere al unui observator; vă vedeți atât pe voi cât și pe ceilalți oameni.

acordare (engl. matching) = adoptarea caracteristicilor modului de exprimare a unei alte persoane (comportament, cuvinte etc.) pentru o mai bună raportare.

acordare în viitor (engl. future pacing) = procesul prin care o persoană repetă mental trecerea printr-o situație viitoare pentru a mări șansele ca acel comportament dorit să se petreacă în mod natural și automat; procesul de a trăi mental un eveniment înainte ca acesta să se petreacă. Este unul dintre procesele cheie pentru a asigura permanența unui rezultat, un ingredient cheie foarte frecvent utilizat în majoritatea intervențiilor NLP.

acuitate senzorială (engl. sensory acuity) = a fi conștient de lumea exterioară, de simțuri, a face distincții rafinate cu privire la informația senzorială pe care o recepționăm din lumea înconjurătoare.

analoagă (engl. analogue) = o sub-modalitate analoagă variază continuu de la o extremă la alta, pe când o sub-modalitate digitală are doar două variante (la fel ca un comutator, pornit/oprit). De exemplu, putem vedea o imagine fie asociat, fie disociat.

ancorare (engl. anchoring) = procesul prin care un răspuns intern se asociază cu unele declanșatoare externe (similar condiționării clasice), astfel încât răspunsul poate fi rapid, uneori ascuns, reaccesat. Procesul prin care un stimul sau o reprezentare (interioară sau exterioară) este legată de și, prin urmare, ajunge să declanșeze un anumit răspuns. Ancorele apar în mod natural și în toate sistemele de reprezentare. Pot fi utilizate intenționat / conștient, cum este de exemplu cazul accentuării analoage, sau al numeroaselor tehnici de schimbare personală, cum este procedeul de distrugere/prăbușire a ancorelor. Conceptul NLP referitor la ancore derivă de la reacția pavloviană de tip stimul-răspuns, care este un exemplu clasic de condiționare. În cadrul studiului lui Pavlov, diapazonul era stimulul (ancora) care îl făcea pe câine să saliveze.

asociere (engl. association) = un proces opus disocierii. În cazul disocierii, ne vedem pe noi înșine "acolo". În general, disocierea înlătură emoțiile pe care le implică experiența. Atunci când suntem asociați experimentăm informația în mod direct și prin urmare și emoțional.

auditiv (engl. auditory) = referitor la auz sau la simțul auzului; simțul auzului, unul dintre sistemele principale de reprezentare.

avantaj secundar (engl. secondary gain) = apare atunci când un comportament aparent negativ sau problematic îndeplinește, de fapt, unele funcții pozitive la un alt nivel. De exemplu, fumatul poate ajuta o persoană să se relaxeze sau o poate ajuta să se încadreze într-o anumită imagine de sine.

buclă calibrată (engl. calibrated loop) = tipar inconștient de comunicare în care indiciile comportamentale ale unei persoane declanșează răspunsuri specifice din partea unei alte persoane într-o interacțiune în desfășurare.

buclă / ciclu (engl. loop) = un cerc, un ciclu, o povestire, o metaforă sau o reprezentare care se reia de la început, astfel încât ajunge să realizeze un circuit închis. Un ciclu / circuit deschis: un lucru neterminat. Un ciclu / circuit închis: un lucru încheiat. În cazul strategiilor, ciclurile se referă la a fi prins într-un set de procedee, fără cale de ieșire.

cadru (engl. frame) = context, mediu, metanivel, o modalitate de a percepe ceva (ex.: cadrul scopului, cadrul "as if", cadrul backtracking etc.)

cadrul "ca și cum" (engl. as - if frame) = "a pretinde." A presupune, a spune că "aceasta este situația" și a acționa apoi ca și cum ar fi adevărată. Acest fapt încurajează rezolvarea creativă a problemelor prin deplasarea mentală dincolo de obstacolele aparente către soluția dorită.

calibrare (engl. calibration) 1. Procesul de învățare pentru a citi inconștientul altei persoane, răspunsurile non-verbale dintr-o interacțiune în desfășurare prin cuplarea indicilor/indicatorilor comportamentali observabili cu un răspuns intern specific. 2. Acordarea la starea și la operațiunile de procesare senzorială interioară ale celuilalt prin interpretarea semnalelor non-verbale observate anterior.

categoriile Satir (engl. Satir categories) = cele cinci poziții corporale și stiluri de limbaj care indică modalități specifice de a comunica: mediatorul, cel care învinuiește, cel care se auto-compătimește, cel care analizează și cel care distrage, așa cum sunt ele descrise de Virginia Satir.

căutare transderivațională (engl. transderivational search) = procesul de căutare în trecut prin amintirile înmagazinate și reprezentările mentale ale unei persoane, pentru a găsi experiența de referință de la care a fost derivat un comportament sau răspuns prezent.

citate (engl. quotes) = un tipar prin care un mesaj pe care doriți să-l transmiteți poate fi întrodus în  citate ca și cum altcineva ar fi spus acel mesaj.

comportament (engl. behavior) = 1. acțiuni și reacții fizice specifice prin intermediul cărora interacționăm cu oamenii și mediul din jurul nostru. 2. orice activitate în care ne implicăm, de la activitățile motorii grosiere, până la acțiunea de a gândi.

condiții de formulare corespunzătoare (engl. well-formedness conditions) = un set  de condiții pe care ceva trebuie să le satisfacă pentru a produce un rezultat ecologic și eficient. În NLP, un scop anume este bine formulat dacă poate fi: (1) afirmat în termeni pozitivi, (2) definit și evaluat conform dovezilor bazate pe simțuri, (3) inițiat și menținut de persoana care dorește scopul, (4) realizat pentru a păstra efectele secundare pozitive ale stării prezente și (5) contextualizat corespunzător pentru a se potrivi ecologiei externe.

conducere (engl. leading) = schimbarea comportamentului propriu după stabilirea raportării astfel încât cealaltă persoană să ne urmeze. Prin conducere se testează cât este de bună raportarea.

congruență (engl. congruence) = 1. se manifestă atunci când toate credințele, strategiile și comportamentele interne ale unei persoane se află în acord total și sunt orientate către garantarea unui rezultat dorit. 2. o stare în care reprezentările noastre interioare sunt în armonie. Ceea ce spunem este în acord cu ceea ce facem. Atât semnalele non-verbale, cât și afirmațiile verbale sunt în acord. Este o stare de unitate, acord, armonie interioară și totodată o stare non-conflictuală.

conștient (engl. conscious) = conștiența momentului prezent. A fi conștient de șapte + / - două elemente de informație.

context (engl. context) 1. cadrul care înconjoară un eveniment particular. Acest cadru va determina deseori cum este interpretată o experiență sau un eveniment concret. 2. cadrul sau procesul în care au loc evenimentele și prin intermediul căruia conținutul dobândește o semnificație.

conținut (engl. content) = elementele specifice și detaliile unui anumit eveniment. Conținutul răspunde la întrebările ce? și de ce?. Este un element opus procesului sau structurii.

crezuri (engl. beliefs) 1. generalizări atent păstrate referitoare la (1) cauza, (2) înțelesul și (3) granițele din (a) lumea din jurul nostru, (b) comportamentul nostru, (c) capabilitățile/abilitățile nostre și (d) identitățile noastre. Crezurile funcționează la un nivel diferit de realitatea concretă și servesc la a ghida și interpreta percepțiile noastre despre realitate, adeseori conectându-le la criteriile sau sistemele noastre de valori. Crezurile sunt notorii ca fiind greu de schimbat prin reguli tipice de gândire logică sau rațională. 2. Generalizările pe care le facem referitor la cauzalitate, semnificație, noi înșine, ceilalți, comportament, identitate, etc. Crezurile noastre sunt ceea ce considerăm ca fiind "adevărat" în orice clipă. Crezurile ne ghidează în perceperea și interpretarea realității. Crezurile sunt foarte apropiate de valori. Programarea neurolingvistică include unele tipare de schimbare a crezurilor.

criterii (engl. criteria) = valorile sau standardele pe care o persoană le folosește pentru a lua decizii și a emite judecăți.

cuantificatori universali (engl. universal quantifiers) = o generalizare pornind de la un eșantion către întreaga populație - termeni universali (fiecare, tot, niciodată, niciunul etc.). O afirmație care nu permite excepții.

cvadruplă (engl. four tuple / 4-tuple) = o metodă din stenografie folosită pentru a nota structura oricărei experiențe particulare. Conceptul de cavdruplă păstrează faptul că orice experiență trebuie să fie compusă dintr-o combinație de patru clase reprezentări primare — (A, V, K, O) — unde A = auditiv, V = vizual, K = kinestezic și O = olfactiv/gustativ.

descriere multiplă (engl. multiple description) = procesul de a descrie același lucru din poziții perceptuale diferite.

descrieri bazate pe pecepția senzorială (engl. sensory based description) = informații care sunt direct observabile și verificabile prin intermediul simțurilor; un limbaj bazat pe acțiunile de a vedea, a auzi, a simți, pe care îl putem testa la modul empiric, în contrast cu descrierile evaluative.

dezacordare (engl. mismatching) = a oferi celuilalt tipare diferite de comportament, a rupe raportarea în scopul redirecționării, al întreruperii; a termina o întâlnire sau o conversație.

digital (engl. digital) = care variază între două stări, o polaritate. De exemplu, un comutator electric care are două poziții: pornit/oprit. Termenul digital auditiv se referă la a gândi, a procesa și a comunica folosind cuvinte, nu cele cinci simțuri.

disociere (engl. dissociation) = a nu face parte dintr-o experiență, ci, a vedea și a auzi din exterior, din punctul de vedere al unui spectator, spre deosebire de poziția asociată.

downtime (engl. downtime) = care nu se află în câmpul conștienței senzoriale, ci "în interiorul" minții noastre. A vedea, a auzi și a simți gânduri, amintiri, procese conștiente; o stare ușoară de transă având atenția focalizată spre interior.

distorsiune (engl. distortion) = procesul prin care ne reprezentăm realitatea exterioară în termenii propriei neurologii. Procesul de modelare prin care ne reprezentăm în mod inadecvat un anumit lucru prin intermediul componentei lingvistice sau neurologice poate crea limitări sau resurse. Distorsiunile apar atunci când folosim limbajul pentru a descrie, generaliza, a emite teorii referitoare la experiență.

echivalență complexă (engl. complex equivalence) = un tipar de distorsiune lingvistică prin care stabilim semnificația comportamentului unei alte persoane pornind de la semnalele observabile, fără a corobora în mod direct și alte dovezi primite de la respectiva persoană.
ecologie ecology Preocuparea pentru relațiile globale din cadrul propriei ființe, precum și dintre noi și mediul sau sistemul înconjurător. Ecologia interioară: relațiile globale dintre o persoană și gândurile, strategiile, comportamentul, abilitățile, valorile și crezurile proprii. Echilibrul dinamic al elementelor unui sistem.

elicitare / obținere (engl. elicitation) = evocarea unei stări prin intermediul cuvintelor, a comportamentului, gesturilor sau a oricăror alți stimuli. A aduna informații prin observare directă a semnalelor non-verbale sau punând întrebări despre meta-model.
epistemologie epistemology Teoria cunoașterii, cum anume știm ceea ce știm.

filtre perceptuale (engl. perceptual filters) = idei, experiențe, crezuri, valori, metaprograme, decizii, amintiri specifice și un limbaj care este unic, toate împreună influențând propriul nostru model asupra lumii.

fiziologic / componenta fiziologică (engl. physiologic) = partea fizică a unei persoane.

flexibilitate comportamentală (engl. behavioral flexibility) = abilitatea de a varia propriul comportament pentru a extrage sau asigura un răspuns de la o altă persoană.

fragmentare (engl. chunking) = 1. organizarea sau împărțirea unei experiențe în bucăți mai mari sau mai mici. Fragmentarea în sus presupune trecerea la un nivel de informație mai larg, mai abstract. Fragmentarea în jos presupune trecerea la un nivel de informație mai specific și mai concret. Fragmentarea laterală presupune găsirea altor exemple la același nivel de informație. 2. schimbarea modului de percepție, parcurgând în sus sau în jos nivelurile și/sau nivelurile logice. Trunchierea / împărțirea / accesarea în sus / de la mic la mare se referă la a merge mai sus cu un nivel (a induce în sus, inducție). Se ajunge astfel la abstractizări superioare. Trunchierea / împărțirea / accesarea în jos / de la mai mare la mai mic se referă la a merge mai jos cu un nivel (a deduce, deducție). Se ajunge astfel la exemple sau cazuri mai specifice.

generalizare (engl. generalization) = procesul prin care o experiență specifică ajunge să reprezinte o întreagă clasă de experiențe, unul dintre cele trei procese de modelare ale programării neurolingvistice.

gestalt (engl. Gestalt) = un ansamblu de amintiri conectate neurologic și care se bazează pe emoții similare.

gustativ (engl. gustatory) = referitor la gust sau la simțul gustului.

harta realității (engl. map of reality) = model al lumii, o reprezentare unică a lumii care este alcătuită în mintea fiecărei persoane prin abstractizare, pornind de la experiență, și care este alcătuită dintr-o hartă neurolingvistică, adică din reprezentările interioare ale persoanei. (vezi model despre/asupra lumii).

identitate (engl. identity) = sentimentul nostru referitor la cine suntem. Sentimentul nostru de identitate ne organizează crezurile, capabilitățile/abilitățile și comportamentele într-un sistem unic.

implementare (engl. installation) = procesul de implementare a unei noi strategii mentale (a unui nou mod de a acționa) în cadrul ansamblului minte-corp, astfel încât acesta să opereze automat. Procedeu adesea realizat prin intermediul ancorelor, al unor mecanisme bazate pe pârghii, al metaforelor, parabolelor, reîncadrării, acordării în viitor etc.
în timp in time A avea o linie a timpului care trece prin propriul corp, unde trecutul este în spatele nostru și viitorul în față, iar momentul "prezent" este în interiorul corpului nostru.

incongruență (engl. incongruence) = starea de a fi în contradicție cu propria ființă, de a avea părți în conflict unele cu celelalte. Este caracterizată de-o atitudine rezervată, de atitudinea de a nu fi total dăruit unui scop, de a exprima mesaje incongruente caracterizate de o lipsă de aliniere/armonie sau acord între părțile verbale și non-verbale ale comunicării.

inconștient (engl. unconscious) = tot ceea ce nu se află în câmpul conștiinței în momentul prezent.

instalare (engl. installation) = procesul prin care se facilitează/înlesnește dobândirea unei noi strategii sau a unui nou comportament. O nouă strategie poate fi instalată printr-o combinație de ancorare, indicii de accesare, metaforă și acordare a viitorului.

kinestezic (engl. kinesthetic) = 1. referitor la senzațiile corpului. În NLP, termenul kinestezic este folosit pentru a cuprinde toate tipurile de simțuri, inclusiv tactil, visceral și emoțional. 2. senzații, sentimente, senzații tactile la suprafața pielii, senzații proprioceptive în interiorul corpului; este inclus aici și sistemul vestibular sau simțul echilibrului.

linia timpului /linia temporară (engl. time line) = o metaforă referitoare la modul în care depozităm imaginile, sunetele și senzațiile aferente amintirilor și imaginației noastre; o modalitate de codificare și procesare a "timpului" construit.

marcare analoagă (engl. analogue marking) = utilizarea tonului vocii, a expresiei faciale, a gesturilor sau a atingerii pentru a sublinia în mod non-verbal anumite cuvinte, în conversație. Cuvintele subliniate/accentuate/marcate transmit un mesaj adițional / în plus.

mediu înconjurător (engl. environment) = contextul extern în care se desfășoară comportamentul nostru. Mediul nostru este ceea ce percepem ca fiind "în afara" noastră. Nu face parte din comportamentul nostru, ci este mai degrabă ceva la care trebuie să reacționăm.

meta (engl. meta) = deasupra, dincolo de, mai mult decât, la un nivel superior, un nivel logic superior; exprimă ideea de transformare, de schimbare.

meta-model (engl. meta-model) = un model ce prezintă anumite distincții lingvistice care identifică tiparele de limbaj ce ascund semnificația în procesul comunicării prin intermediul distorsiunilor, al ștergerilor și al generalizărilor. Include și metodele de contracarare sau întrebările specifice prin care limbajul "prost formulat" este re-conectat la experiența senzorială și la structura de profunzime. Aceste metode de contracarare specifice meta-modelului fac persoana să iasă din starea de transă. Dezvoltat în 1975 de către Richard Bandler și John Grinder.

metaforă (engl. metaphor) = procesul de gândire despre o situație sau un fenomen ca fiind altceva, de exemplu povești, parabole și analogii.

meta-niveluri (engl. meta-levels) = care se referă la acele niveluri abstracte de conștiință pe care le experimentăm interior.

metaprogram (engl. meta-program) 1. Un nivel de programare mentală care determină cum ne clasificăm, orientăm și divizăm experiențele. Metaprogramele noastre sunt mai abstracte decât strategiile noastre specifice de a gândi; ele definesc abordarea noastră generală privitoare mai degrabă la un aspect particular decât la detaliile procesului nostru de gândire. 2. Programele mentale/perceptuale pentru sortarea și recepționarea stimulilor, filtre perceptuale care guvernează procesul atenției, uneori al "neuro-sortării", sau meta-procesele.

meta-stare (engl. meta-state) = o stare referitoare la o altă stare, care face ca o stare ce implică ansamblul minte-corp să se refere la o altă stare de la un nivel logic superior, generează o stare de tip gestalt, respectiv o meta-stare; model dezvoltat de Michael Hall.

model (engl. model) = o descriere a modului în care funcționează un anumit lucru, o copie distorsionată, ștearsă sau generalizată a originalului; o paradigmă.

model asupra lumii (engl. model of the world) = 1. o hartă a realității, o reprezentare unică a lumii pe care o generalizăm pentru experiențele noastre. 2. ansamblul de principii operative ale unei persoane.

modelare (engl. modeling) = 1. procesul prin care se observă și se realizează harta comportamentelor de succes ale altor oameni. 2. procesul de observare și duplicare a unor acțiuni sau comportamente pline de succes ale altora; procesul de a discerne între succesiunea reprezentărilor interioare și a comportamentelor care fac o persoană să reușească să realizeze o anumită sarcină.

neurosemantică (engl. neuro-semantics) = 1. un model al sensurilor sau evaluării ce folosește modelul meta-stărilor pentru a articula și a lucra cu nivelurile superioare ale stărilor, precum și modelul programării neurolingvistice pentru detalierea modului de experimentare și procesare al ființelor umane. 2. un model care prezintă un model mai amplu și mai bogat ce ne oferă o modalitate de a ne gândi la și de a lucra cu modul în care sistemul nostru nervos (componenta neuronală) și lingvistica creează semnificațiile (semantica).
niveluri primare primary levels Se referă la modul nostru de a experimenta lumea în principal prin intermediul simțurilor.

niveluri logice (engl. logical levels) = 1. o ierarhie internă în care fiecare nivel este în mod progresiv mai cuprinzător și are un impact mai mare din punct de vedere psihologic. În ordinea importanței (de sus în jos), aceste niveluri includ: (1) identitatea, (2) crezurile, (3) capabilitățile/abilitățile, (4) comportamentul și (5) mediul înconjurător. 2. Un nivel superior, un nivel referitor la un nivel inferior, un meta-nivel care informează și modulează nivelul inferior.

nominalizare (engl. nominalization) = o distincție lingvistică a meta-modelului, un tipar hipnotic al limbajului specific stării de transă, un proces sau un verb transformat într-un substantiv (abstract), un proces înghețat în timp.

olfactiv (engl. olfactory) = referitor la miros și la simțul mirosului.

operatori modali (engl. modal operators) = distincții lingvistice ale meta-modelului care indică "modalitatea" prin care "operează" o persoană: modalitatea necesității, a posibilității, a dorinței, a obligației, etc. Predicatele (pot, nu pot, posibil, imposibil, a trebui să, a trebui neapărat să, etc.) pe care le utilizăm pentru a ne motiva.

părți (engl. parts) = 1. un mod metaforic de a vorbi despre programe și strategii independente de comportament. Programele sau "părțile" vor dezvolta deseori o voce naratoare care devine una dintre caracteristicile lor de identificare. 2. o metaforă pentru a descrie responsabilitatea față de propriul comportament sub diverse aspecte ale psihicului nostru. Acestea pot fi văzute asemenea unor sub-personalități care au "o viață a lor"; atunci când acestea au intenții diferite unele față de altele putem experimenta conflicte interioare și senzația de incongruență.

poziție (engl. position) = un punct de vedere sau o perspectivă anume. În NLP există trei poziții de bază pe care cineva le poate adopta în perceperea unei experiențe particulare. Prima poziție implică a trăi ceva prin proprii noștri ochi în legătură cu un punct de vedere propriu. A doua poziție implică a trăi ceva de parcă am fi în locul unei alte persoane. A treia poziție implică distanțarea și perceperea relației dintre noi înșine și ceilalți dintr-o perspectivă disociată.

poziție perceptuală (engl. perceptual position) 1. un punct de vedere sau o perspectivă anume. În NLP există trei poziții de bază pe care cineva le poate adopta în perceperea unei experiențe particulare. Prima poziție implică a trăi ceva prin proprii noștri ochi în legătură cu un punct de vedere propriu. A doua poziție implică a trăi ceva de parcă am fi în locul unei alte persoane. A treia poziție implică distanțarea și perceperea relației dintre noi înșine și ceilalți dintr-o perspectivă disociată. 2. punctul nostru de vedere; una dintre cele trei poziții mentale adoptate (prima poziție - asociat în propria ființă; a doua poziție - din perspectiva celuilalt; a treia poziție - dintr-o poziție în afara celor implicați).

predicate (engl. predicates) = 1. cuvinte referitoare la proces (precum verbe, adverbe și adjective) pe care o persoană le selectează pentru a descrie un subiect. Predicatele sunt folosite în NLP pentru a identifica sistemul de reprezentare pe care îl folosește o persoană pentru a procesa informațiile. 2. ceea ce afirmăm sau formulăm în legătură cu un anumit subiect, termeni cu specific senzorial ce indică un anumit sistem de reprezentare (predicate vizuale, auditive, kinestezice, nespecificate).

presupoziții (engl. presuppositions) = idei sau presupuneri pe care le luăm drept bune sau le considerăm ca fiind adevărate pentru a da un sens comunicării.

prima poziție (engl. first position) = perceperea lumii din propriul punct de vedere, în mod asociat, una dintre cele trei poziții perceptuale.

prin timp (engl. trough time) = o linie a timpului în care trecutul, prezentul și viitorul se află în fața noastră. De exemplu, timpul este reprezentat spațial, ca și în cazul planificării anuale.

programare neurolingvistică (NLP) (engl. neuro-linguistic programming) = 1. un model comportamental și un set de aptitudini și tehnici explicite ale căror baze au fost puse de către John Grinder și Richard Bandler în 1975. Definită ca studiul structurii experienței subiective, NLP studiază tiparele sau "programarea" creată prin interacțiunea dintre creier (neuro), limbaj (lingvistic) și corp care produce atât comportament eficient, cât și ineficient. Aptitudinile și tehnicile au fost derivate din observarea tiparelor de excelență ale experților din diverse domenii de comunicare profesionistă, inclusiv psihoterapie, afaceri, hipnoză, drept și învățământ. 2. studiul excelenței. Un model referitor la modul în care oamenii își structurează propriile experiențe; structura experienței subiective; cum anume își programează ființele umane modul de a gândi, de a percepe emoțiile și de a se comporta prin intermediul propriei structuri neurologice, mediată fiind de limbaj și de sistemul de codare folosit pentru procesarea, depozitarea și re-accesarea informației.

raport / raportare (engl. rapport) = 1. stabilirea încrederii, armoniei și cooperării într-o relație. 2. senzația de a fi în legătură cu celălalt, senzația de reciprocitate, de încredere, creată prin intermediul ritmării, oglindirii și al acordării; o stare de empatie sau de a fi în cea de-a doua poziție.

reîncadrare (engl. reframing) = 1. un proces folosit în NLP prin care un comportament problematic este separat de intenția pozitivă a "părții" sau programului intern care este responsabil de acel comportament. Sunt stabilite noi alternative de comportament punând partea responsabilă de vechiul comportament să-și asume responsabilitatea implementării altor comportamente care satisfac aceeași intenție pozitivă, dar nu au efecte secundare problematice. 2. a schimba contextul sau cadrul de referință al unei experiențe astfel încât aceasta să dobândească o altă semnificație.

reprezentare (engl. representation) = o idee, un gând, o prezentare a unei informații bazate pe evaluare sau pe experiența senzorială.

reprezentare interioară (engl. internal representation) = Tipare informaționale semnificative pe care le creăm și le depozităm în mintea noastră, o combinație de imagini, sunete, senzații, mirosuri și gusturi.

resurse (engl. resources) = Orice mijloace pe care le putem face să susțină un anumit scop: componenta fiziologică, stările, gândurile, strategiile, experiențele, oamenii, evenimentele sau proprietățile.

rezultate (engl. outcomes) = 1. scopurile sau stările dorite pe care aspiră să le obțină o persoană sau o organizație. 2. un rezultat specific bazat pe descrierea senzorială. 3. Un scop bine conturat care îndeplinește criteriile aferente.

ritmare  (engl. pacing) = 1. o metodă folosită de comunicatori pentru a stabili rapid un raport potrivind anumite aspecte ale comportamentului lor cu acelea ale persoanei cu care ei comunică — o potrivire sau o oglindire de comportament. 2. a stabili și a menține raportarea cu o altă persoană alăturându-ne modelului său asupra lumii, acordându-ne la limbajul folosit de aceasta, la crezurile, valorile, experiența sa curentă etc.; aspect crucial pentru stabilirea raportării.

semnale (engl. cues) = informațiile care ne furnizează indicii referitoare la structura subiectivă a unei alte persoane, cum ar fi: semnalele de accesare vizuală, predicatele, poziția corpului, gesturile, tonul vocii, tonalitatea, etc.

semnale de accesare vizuală (engl. eye accessing cues) = mișcări ale ochilor în diverse direcții, indicând o gândire (procesare) de tip vizual, auditiv sau kinestezic.
semnale de accesare accessing cues 1. Comportamente subtile care vor ajuta atât la a declanșa, cât și la a indica sistemul de reprezentare pe care îl folosește o persoană pentru a gândi. Exemple tipice de indicii de accesare includ mișcările ochilor, intonația și ritmul vocii, postura corpului, gesturile și modurile de respirație. 2. Modul în care ne folosim componenta fiziologică și  neuronală prin intermediul respirației, poziției corpului, gesturilor și  mișcărilor oculare pentru a accesa anumite stări și moduri de a gândi. Toate acestea pot fi observate și de către ceilalți.

sinestezie (engl. synesthesia) = 1. procesul de suprapunere dintre sistemele de reprezentare caracterizate de fenomene precum circuite văz-simț, în care o persoană derivă senzații din ceea ce vede, sau precum circuite auz-simț, în care o persoană obține senzații de la ceea ce aude. Oricare două modalități senzoriale pot fi conectate. 2. o stare de "întreg" aferentă experienței senzoriale prin intermediul a două sau mai multe modalități, o legătură automată între un sistem de reprezentare și altul. De exemplu, o sinestezie de tipul V-K poate să implice perceperea cuvintelor sau a sunetelor ca fiind colorate.

sistem de reprezentare primar (engl. representational system primacy) = atunci când un individ folosește în mod sistematic un simț în detrimentul altor simțuri pentru a-și procesa și organiza experiențele. Sistemul de reprezentare principal va determina multe trăsături de personalitate, precum și capabilități/capacități/abilități/aptitudini de învățare.

sistem preferat (engl. prefered system) = sistemul de reprezentare care este folosit în mod obișnuit de către o persoană în gândire și în organizarea experiențelor.

sistem  de reprezentare (engl. representational system) = 1. cele cinci simțuri: văzul, auzul, tactilul, olfactivul și gustul. 2. modul în care codificăm mental informația folosind sistemele senzoriale: vizual, auditiv, kinestezic, olfactiv și gustativ.

stare (engl. state) = 1. totalitatea condițiilor fizice și mentale în desfășurare din care provin acțiunile unei persoane. 2. fenomen holistic ce cuprinde ansamblul minte-corp-emoții, dispoziție, condiție emoțională; suma totală a tuturor proceselor fizice și neuronale experimentate de o ființă umană la un anumit moment dat.

stare plină de resurse (engl. resourceful state) = ansamblul experienței neuro-fizice atunci când persoana se simte plină de resurse.

stări primare (engl. primary states) = descriu acele stări de conștiință aferente experiențelor noastre asupra lumii exterioare de nivel primar.

ștergere - omisiune (engl. deletion) = partea lipsă a unei experiențe, fie din punct de vedere lingvistic, fie din cel al reprezentării.

strategie (engl. strategy) = 1. un set de etape mentale și comportamentale explicite folosite pentru a obține un rezultat specific. În NLP, cel mai important aspect al unei strategii îl reprezintă sistemele de reprezentare folosite pentru a executa pașii specifici. 2. o succesiune de moduri de a ne gândi și de a ne comporta pentru a obține un anumit rezultat sau pentru a crea o anumită experiență; structura subiectivității ordonată în cadrul modelului linear TOTE.

structură de bază (engl. hard wire) = factor având o bază neurologică, conexiunile neuronale formate în principal pe parcursul gestației, componentă similară cu partea hard a unui calculator.

structura de suprafață  = cuvintele sau limbajul folosit pentru a descrie sau a simboliza reprezentările senzoriale primare efective înmagazinate în creier.

structură profundă (engl. deep structure) = hărțile senzoriale (atât conștiente, cât și inconștiente) pe care oamenii le folosesc pentru a-și organiza și ghida comportamentele.

sub-modalități (engl. sub-modalities) = 1. calități senzoriale speciale percepute de fiecare dintre simțuri. De exemplu, sub-modalitățile vizuale includ culoarea, forma, mișcarea, strălucirea, adâncimea etc.; sub-modalitățile auditive includ volumul, intensitatea, tempoul etc.; sub-modalitățile kinestezice includ presiunea, temperatura, textura, localizarea etc. 2. distincțiile pe care le facem în cadrul fiecărui sistem de reprezentare, caracteristicile reprezentărilor noastre interioare.

substantive nespecificate (engl. unspecified nouns) = substantive care nu specifică la cine sau la ce se referă.

T.O.T.E. (engl. T.O.T.E.) =dezvoltat de Miller, Galanter și Pribram, termenul definește secvența Test-Operare-Test-Evacuare, care descrie circuitul de bază al răspunsului folosit pentru a ghida toate comportamentele.

translatare (engl. translating) = procesul de reformulare a unei fraze înlocuind predicatele specifice unui sistem de reprezentare în predicate corespunzătoare altui sistem.

uptime (engl. uptime) = o stare în cazul căreia atenția și simțurile sunt direcționate în exterior, către mediul înconjurător, toate canalele senzoriale sunt deschise și în alertă.

utilizare (engl. utilisation) = o tehnică în care o secvență de strategie specifică sau un tipar de comportament este ritmat sau potrivit pentru a influența răspunsul altcuiva.
valoare value Ce este important pentru noi într-un anumit context. Valorile noastre (criteriile) sunt ceea ce ne motivează în viață. Toate strategiile motivaționale au o componentă kinestezică.

variația necesară (engl. requisite variety) = flexibilitate în gândire, în perceperea emoțiilor, în vorbire, comportament; persoana care dă dovadă de cea mai mare flexibilitate de comportament controlează actul comunicării; legea variației necesare.

verbe nespecificate (engl. unspecified verbs) = verbe care nu descriu specificul acțiunii, cum a fost aceasta realizată; adverbul a fost șters.

vizual (engl. visual) = 1. referitor la văz sau simțul văzului. 2. a vedea, a-și imagina, sistemul de reprezentare al vederii.

vizualizare (engl. visualisation) = procesul de a vedea imagini cu ochii minții.

Bibliografie
Glosar de termeni folositi in NLP (programarea neuro - lingvistica) este un material oferit de Editura Excalibur si care se regaseste inserat in:

 Michael Hall: Manualul de utilizare a creierului, Editura Excalibur - Colectia NLP, Bucuresti 2008,

 Richard Bandler: Vremea Schimbarii, Editura Excalibur - Colectia NLP, Bucuresti 2008,

 Robert Dilts: Strategii de Geniu vol. I - III, Editura Excalibur - Colectia NLP, Bucuresti 2008,

 Robert Dilts: Bazele NLP (Programarii Neuro - Lingvistice), Editura Excalibur - Colectia NLP, Bucuresti 2008,

 Robert Dilts: Schimbarea sistemului de crezuri cu ajutorul NLP (Programarii Neuro - Lingvisitce), Editura Excalibur - Colectia NLP, Bucuresti 2008.

NLP
Programare neuro-lingvistică

redpajama_set_name: RedPajamaWikipedia


text:
Q: Type hinting in Python3.5 : Typed lists with aliases sorry for being a newbiem but I don't find any way to solve my problem.
I'm developing a Python application on a 3.5.10 version.
    def doStuff(self) -> List[MyClass]:
        variable1 = MyClass()
        myList = list()
        myList.append(variable1)
        return myList

I'd like to be able to use an alias as mentionned in this Python documentation
I tried to create aliases for my list but it doesn't work :
MyAlias = list[MyClass]

I tried to type the code from the documentation as well. It doesn't work neither:
Python 3.5.10 (default, Feb 20 2021, 21:50:32)
[GCC 9.3.0] on linux
Type "help", "copyright", "credits" or "license" for more information.
>>> Vector = list[float]
Traceback (most recent call last):
  File "<stdin>", line 1, in <module>
TypeError: 'type' object is not subscriptable
>>>

Did I do something bad ?

A: The older version of Python didn't support this syntax whereas, from Python 3.9, it's available.
>>> Vector = list[float]
>>>

PEP 585 introduced this syntax. In older Python versions after 3.5 the syntax as follows
>>> import typing
>>> Vector = typing.List[float]


text:
Kobe Bryant formally…
Kobe Bryant formally inducted into Hall of Fame in postponed ceremony
Kobe Bryant has been posthumously inducted into the Naismith Memorial Basketball Hall of Fame.
The five-time NBA champion died, aged 41, in a helicopter crash in January 2020 alongside his 13-year-old daughter Gianna and seven others.
He was presented at the ceremony in Connecticut by NBA great Michael Jordan and his widow, Vanessa, accepted his induction on his behalf.
In a speech, she said: "You did it, you're in the Hall of Fame now."
Vanessa Bryant added: "You're a true champ. You're not just an MVP, you are an all-time great. I'm so proud of you. I love you forever and always, Kobe Bean Bryant."
Los Angeles Lakers great Bryant retired in 2016; he was the NBA Most Valuable Player in 2008, was Finals MVP twice and earned 18 All-Star selections.
He was in the United States team that won Olympic gold in 2008 and 2012.
The 2020 Hall of Fame enshrinement ceremony was delayed by a year because of the coronavirus pandemic.
Tim Duncan, a five-time NBA champion with the San Antonio Spurs, and Kevin Garnett, who helped the Boston Celtics win the championship in 2008, were among the other inductees.
Each inductee is given 10 minutes for their acceptance speech, but the clock was turned off for Vanessa Bryant, who was later joined on stage by her youngest daughters Capri and Bianka.
"I know Kobe was really looking forward to being here," she said. "He didn't really talk about upcoming awards, but he did mention this one a week before he and Gigi passed.
"If my husband were here tonight, he would have a long list of people to thank who helped inspire him and get him into the Hall of Fame. At the risk of leaving anyone out, I can only say, 'Thank you.' To all those who helped him get here, you know who you are."
She added: "There will never be anyone like Kobe. Kobe was one of a kind. He was special. He was humble – off the court – but bigger than life."
Kobe Bryant is honoured during a performance by Ne-Yo


You are at:Home»News»Congratulations to Norwegian Cruise Line!
Congratulations to Norwegian Cruise Line!
On-trend, eco-friendly and seriously accomplished in the art of cleaning up at industry award nights, Norwegian Cruise Line is no stranger to success. This year the line has retained its crown as one of the best companies in the cruise business, winning itself the World's Leading Large Ship Cruise Line award for the fourth year in a row. As one of the key honours at the World Travel Awards, it's a huge achievement for the Florida based company.
Competition at the Morocco based awards was tough, with Norwegian going up against the likes of Royal Caribbean Carnival, Princess and their fellow industry giants. The judging panel was made up of thousands of travel and tourism professionals from around the world, with most enjoying a stellar experience with Norwegian.
As well as being named as the world's leading large ship cruise line, Norwegian also topped the best Cruise Line Website category. With an interactive and user friendly website that's packed full of fabulous information, it's no surprise that the digital savvy company came out on top.
The dignities don't stop there, with Norwegian also named Europe's Leading Cruise Line earlier this year. It was the eighth consecutive year that the line stole the show, reflecting its amazing line up of European based itineraries. This season Norwegian Epic will serve the continent, sailing around the stunning Mediterranean coastline from its Barcelona base.
The line also retained its reign as the Caribbean's Leading Cruise Line, for the third year in a row. It's little wonder, given the fact that Norwegians 14 strong fleet of freestyle cruising vessels specialises in Caribbean itineraries. From the Panama Canal, South America and Mexican Riviera, cruising with Norwegian is a sun kissed experience.
Set sail with Norwegian Cruise Line!
Ready to set sail with the crème de la crème of cruising? With a trio of 4,200-passenger vessels currently on order at Meyer Werft, the next few years are shaping up to be huge for Norwegian Cruise Line. If you'd like to experience the award winning cruise line for yourself, we can help! Check out the huge range of Norwegian Cruise Line itineraries here! Alternatively, give our friendly sales team a call on 0808 274 6777.
This year the line has retained its crown as one of the best companies in the cruise business, winning itself the World's Leading Large Ship Cruise Line award for the fourth year in a row.


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Patrick Douglas Purcell (born 17 March 1947) is an Australian politician. He was a Labor member of the Legislative Assembly of Queensland for Bulimba from 1992 to 2009.

Early life
Purcell was born in the New South Wales town of Cowra. Prior to election to parliament he was the secretary of the Australian Building Construction Employees' and Builders Labourers' Federation (Queensland Branch).

Politics
Purcell entered parliament at the 1992 state election as the member for Bulimba. He held the seat until his retirement in 2009.

Purcell served as the Minister for Emergency Services from July 2005 to July 2007 in the Beattie Ministry. Before that he was the Parliamentary Secretary to the Minister for Public Works, Housing and Racing. On 4 July 2007, Pat Purcell announced he would resign as Minister after allegations arose that he assaulted two public servants. The subsequently proven allegations forced the then Queensland Premier Anna Bligh told him "he had no choice but to resign". Those charges were subsequently withdrawn following mediation.

Purcell did not contest the 2009 Queensland state election.

References

1947 births
Living people
Members of the Queensland Legislative Assembly
People from Cowra
Australian Labor Party members of the Parliament of Queensland
21st-century Australian politicians


Among these platforms, Android and Apple iOS Apps dominate the market.
As a new Start Up or Business Venture, you can also focus on app development having a core function of your service or it may be a simple app having your organizational insights. While we suggest that new organizations shouldn't go for App Development if it's not absolute necessary. However if you offer particular services which require continuous involvement of client then it is good, else a nice responsive website can also be a great option.
At Sarvotarzan.org, we can help our clients in development of any type of App based on Android / iOS. We have a team of experienced developers with app developing experience of 4+ years. So one thing you can be sure about us is we can create a masterpiece for you, with you & according to you.


Söll universal posts are components of anchor devices that can be fixed onto buildings as part of their structures. As such, they are exempt from the EN standard, but can be used with horizontal systems and anchor points that are EN795** certified. These posts replace all previous Miller anchorage posts and can be used in various types of horizontal roof installation environments.
The universal post range offers specific structural and safety features for the benefit of the building owner, project manager and user.
With only four posts (end & intermediate posts in galvanised & stainless steel) to choose from, customers will now find it easier and faster to select the right post for a particular project with reduced risk of error. This makes stock management easier, reduces overall inventory costs and helps to scope the project requirements in shorter timescales.
The universal post can be used for all Miller horizontal anchorage systems: Söll Xenon®, Söll SafeLine®, Söll MultiRail® and Söll GuideLoc.
The post can also be used as a single anchorage point and can be installed on both concrete and metal beam bases.
The Söll universal post features a round tube for easy sealing and a head plate with only one fastening thread for quick installation.
The anchor post is corrosion resistant and is made from galvanised or stainless steel. It is available as an intermediate/anchor post or an end/corner post. Both have undergone rigorous load testing to ensure limited damage is caused to a roof top or a building structure in the event of a fall.
This new rigid anchor post at a height of 500mm ensures minimised fall clearance (compared to bending posts), reducing the risk of injuries and allowing for quick and easy rescue.
We sincerely believe that our fall protection equipment is the best in the world. Our products endure rigorous test to ensure that the fall protection equipment you trust is manufactured to the highest standards. Miller fall protection products are tested to withstand normal wear and tear, but are not indestructible and can be damaged by misuse. Our warranty does not apply to abusive treatment of the product. In the unlikely event that you should discover defects in either workmanship or materials, under our warranty of one year after delivery, we will repair or replace the product at our expense. If a replacement is necessary and your product is no longer available, a comparable product will be substituted. Should a product issue surface, contact us at +33 248 53 08 97 (France, Spain, Portugal, North Africa) or +49 9281 8302 0 (Northern and Central Europe, Italy). Manufacturing specifications are subject to change without notice.
Proper product training and professional fall protection training is recommended. Refer to Product Use Instructions enclosed with products.


This research investigated the importance and priorities of the project overhead costs in Iraq via a questionnaire using the fuzzy analytic hierarchy process technique (FAHP). Using this technique is very important in the uncertain circumstances as in our country. The researcher reached to frame an equation through the results of the priorities of weights include the percentages of each of the main items of the project overhead costs. The researcher tested this equation by applying it to one of the completed projects and the results showed suitability for the application. The percentages of the (salaries, grants, and incentives) and (fieldwork requirements) in equation represent approximately two-thirds of project overhead costs. So the contractors should deal with the project overhead costs carefully during estimate the bid.
Rashed, S. and Al-Dhaheri, S. (2018) "Evaluation of the Project Overhead Costs in Iraqi Construction Industry using Fuzzy Analytic Hierarchy Process (FAHP)", Journal of Engineering, 24(11), pp. 68-83. doi: 10.31026/j.eng.2018.11.06.


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Ryan Bradford
Hailed as an "outstanding baritone" (Oregon Music News) Ryan Bradford recently made his debut with Opera Colorado singing Happy in La Fanciulla del West and covering Hannah Before in As One. Further roles on tour with company include Belcore in L'elisir d'amore and Figaro in Il Barbiere di Siviglia. He appeared as Jake Wallace and Sid in La fanciulla del West at the Castleton Festival, Virginia, under the baton of Maestro Lorin Maazel. During the 2015-2016 season he was a Mosher Studio Artist with Opera Santa Barbara singing Masetto in Don Giovanni as well as covering the title role. He completed a residency at Shreveport Opera singing the Baron in La Traviata, Samuel in Pirates of Penzance and Dandini in La Cenerentola. Other 2014 engagements for the Bay Area native came as John Brooke in Little Women for the San Francisco Conservatory of Music, Guglielmo in Così fan tutte for both SFCM and the Santa Cruz Symphony, and Masetto in Don Giovanni for Hidden Valley Opera, Carmel, CA.
A proponent of contemporary opera, this past summer, he made the west coast premiere of Libby Larsen's Frankenstein with West Edge Opera and last year made his Canadian debut in the world premier opera, Ours. He has performed concert work with Oakland Symphony, American Bach Soloists, Rogue Valley Symphony, Shreveport Symphony, and Opera Parallèle with Nicole Paiment. This past summer, he was a Marc and Eva Stern Fellow with LA Opera/Songfest. His is an alumnus of DePaul University, The San Francisco Conservatory of Music and has received distinction from the Fort Worth Opera McCammon Competition, Gerda Lissner Lieder Competition, the Loren. L. Zachary Competition, East Bay Opera League, Florida Grand Opera Young Patronesses, and the Pacific Musical Society.


Hope you all enjoying all the banking services available at your fingertips. Imagine living in the same world without banks and their functions. What would be the best alternative for banking and financial systems?
Data Science for freshers...Start the Journey!!
General Data Protection Regulation (GDPR) came into force in European Union (EU) member states from 25th May 2018. It has far reaching ramifications for businesses and organizations given that data is ubiquitous and all businesses today rely on customer data to remain competitive in their industry and relevant to their customers.


Amsterdam-based Joris Laarman Lab teamed up with the Institute for Advanced Architecture of Catalonia (IAAC) to design a 3D printer that can produce complex metal objects in thin air. MX3D-Metal is a combination of a 3D printer and a welding machine that can print lines of steel, stainless steel, aluminium, bronze or copper. The device made its debut at the Fabricate2014 Digital Fabrication Conference in Zurich, Switzerland.
The MX3C-Metal 3D printer can manufacture complex metal forms that include irregular and non-horizontal surfaces. This breakthrough technology has finally moved away from the build platform and has opened the door to free-form 3D printing of material that doesn't need additive layers. A robotic arm extrudes a special fast-curing resin and can 3D print objects independent of their inclination, smoothness or shape.
The device will have to use an interface that will allow the user to print directly from CAD. Vertical, horizontal and spiraling lines require different settings such as pulse time, pause time, layer height and tool orientation which should be incorporated into the software, currently being developed by experts at Joris Laarman Lab and IAAC.


Crafted of wood with handsome metal markers, our vintage-inspired perpetual calendar features the days of the week on the top row, the months of the year in the middle and the days of the month along the bottom. Simply slide the markers to display every day stylishly, year after year.
Embossed with a Parisian address and featuring three storage tiers for sorting letters, files and office supplies, our exclusive organizer adds vintage French style to the desktop.
Gilded accents on a matte gunmetal finish gives this desk organizer an industrial-chic edge we love for office organization. Tuck letters, pens or sticky notes into this handy accessory to keep your workspace clutter-free and on-trend.


New York isn't known for being a sunny state, as a matter of fact they have more weather warnings about freezing weather than they do sun. They have absolutely proved that you don't have to be a "top sunny year around city" that is projected to have better sun lighting than others to make solar panels be a wise investment. While at it, they have also had tremendous solar growth in New York City, The Bronx area and Brooklyn to name a few, but what is the reason behind their solar success?
Some other states like Florida, have the perfect weather, but lack incentives for going solar due to the companies that are trying to shut solar down to keep their pockets big. Sorry to say, but it's going to happen anyway. In New York, due to generous city and state tax breaks while the cost of solar is plummeting create the perfect equation for solar to be an absolute no brainer. The exciting part is that most of these installations have been commercial from business owners sharing what they're doing to save money. Installed solar capacity has exploded 800% in the past five years, with state efforts to get panels on to churches and schools. In August, Governor Cuomo announced that utilities would be required to source half of the state's electricity from solar and wind by 2030.
New York has set the bar pretty high now for the other states who haven't supported solar yet to follow. Not only are people building solar grid communities to trade power with each other, read more about it out in one of our recent blogs, now the government is giving THOUSANDS for people and business. Pretty soon everyone will be seeing panels spring up in the most unexpected places and will be eager to switch to solar. The City gets a little brighter every new panel they put up.
When YOU'RE ready to go solar, Mynt Solar is here to provide the best solar at the best price for you.Find out if solar is right for you.To see if solar is right for you by filling out the FREE quote form next to this article.


Chainsaw 40V Lithium-Ion Brushless Cordless 14in Bar and amp Variable Speed Bar. If you've wondered whether a cordless chainsaw could perform as well as gas, Ryobi has your answer. 40-Volt Brushless Chainsaw includes features to make your cutting experiences just as efficient as a gas unit. With a high-capacity 40-Volt lithium-ion battery powering the brushless motor, this saw delivers the fast cutting speed and higher torque you would expect from a gas model.
And as part of the Ryobi 40-Volt system, the lithium-ion battery recharges in just 1 hour and works with any of the other tools in the Ryobi 40-Volt family. Also including comfort features like the wrap-around handle and automatic oiler, this saw provides easy, comfortable operation for larger clean up jobs.
With all these gas-like features and power, you can trust your clearing job to Ryobi. Bar and Chain Optimized for Cordless EfficiencyIncludes 40-Volt Compact Lithium-Ion Battery and ChargerIncludes a Brushless Motor for Increased Run Time and Power. Bar and Chain Optimized for Cordless Efficiency. Includes 40-Volt Compact Lithium-Ion Battery and Charger. Includes a Brushless Motor for Increased Run Time and Power. Chainsaw 40V Lithium-Ion Brushless Cordless 14in Bar and amp Variable Speed Bar 14 in. Bar and Chain Optimized for Cordless EfficiencyIncludes 40-Volt Compact Lithium-Ion Battery and ChargerIncludes a Brushless Motor for Increased Run Time and Power 14 in. 40-Volt Brushless Lithium-Ion Cordless Chainsaw 1.5 Ah Battery and Charger Included If you've wondered whether a cordless chainsaw could perform as well as gas, Ryobi has your answer. And as part of the Ryobi 40-Volt system, the lithium-ion battery.
The item "Chainsaw 40V Lithium-Ion Brushless Cordless 14in Bar and amp Variable Speed Bar" is in sale since Friday, March 16, 2018. This item is in the category "Home & Garden\Yard, Garden & Outdoor Living\Outdoor Power Equipment\Chainsaws".
The seller is "popeyethesellerman" and is located in 11435. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi arabia, Ukraine, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Costa rica, Panama, Trinidad and tobago, Guatemala, Honduras, Jamaica, Bahamas, Viet nam.


We are delighted to be able to launch our Young People's Live your Life programme, which will go live with our first workshop in Cambridge on 3 February.
Over the next 18 months, thanks to a £18,860 grant from the BUPA UK Foundation, we will hold eight Young People's Live your Life workshops around the UK for 18-30 year olds who have been diagnosed with lymphoma. The workshops are aimed at helping them to manage their physical and mental health and wellbeing after treatment and in the longer-term.
Each of the one-day workshops, which are an extension of our existing Life your Life health and wellbeing survivorship programme, will be held near to the UK's teenage and young adult cancer treatment centres and will be facilitated by a young person who has had lymphoma.
Around 160 young people across the UK are expected to benefit from the workshops. The first event will take place on 3 February at the Signal Box Centre in Cambridge, followed by events in Birmingham, Cardiff, and Edinburgh.
Topics covered in the workshops include returning to work or university after treatment, fertility and relationships, and the emotional impact of cancer.