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'Summer in the Alps' - Day 45 - Zermatt - A Visit to Täschhütte and Weingartensee
The sun returned today. All day. There were just a few wisps of afternoon cloud skirmishing with some of the higher peaks.
We took the Sunnegga train/lift at about 9 am. It was frosty in the shade up at 2200 metres. Sue tried to get some artistic images.
As usual we left the crowds to huddle around the vicinity of an easy journey back to Zermatt. There was hardly anybody on the lovely belvedere path that hugs the 2200 to 2350 metre contours all the way to Täschalp, some 8 km from Sunnegga. Just a couple of walkers, a mountain biker and a runner.
We eschewed the attractions of Tufteren soon after starting out, but after those 8 km of superb paths we couldn't resist pausing for coffees (in mugs!) and apfelstrudel with vanilla sauce at the Europaweg Hütte in Täschalp. En route we enjoyed magnificent views back to the Matterhorn, and we passed an area where rockfall is clearly a problem. There were lots of warning signs, and three small bunkers in which to hide. I wonder whether the protection on the path (which is the 'Walker's Haute Route' trail) further north has improved since I was last there in about 2006.
A few other people were enjoying a break at the Europaweg Hütte. I have a feeling it's on the Tour of Monte Rosa route as well as the Haute Route.
We left them to luxuriate in the sunshine and headed on up to Täschhütte, a 500 metre climb past edelweiss and grasshoppers. Lunch was on a bench near the hut, after we'd taken some 'Project 1949' photos. The hut has been extended since then.
The weather was so good that we decided to continue by way of Weingartensee, a lake at 3058 metres. The signpost for this pointed directly up an apparently pathless hill, but before heading off at 90° to the sign we thought we'd better check with the guardian.
"Oh, there was a big party here last night and they licked all the salt of the signpost and it's now pointing in the wrong direction. I must see to that" she said.
A partying herd of Valais blackneck two tone goats was responsible. The punishment, if the culprits are ever found, will be severe. Also in this area are herds of Valais black nose sheep. They are rather cute and very tame. Apparently they are a delicacy. Whilst we were out today, a big celebration was taking place in Zermatt, where one such juicy specimen has been crowned 'Miss Zermatt 2018'. We were sorry to miss the party.
The path beyond Täschhütte was great, after an initial section that was uncomfortably vertiginous. We climbed a further 500 metres past the yellow flowers of Grey Alpine Groundsel to around 3200 metres. Here the path signs changed from yellow to blue. We soon decided that 'blue' means more difficult. Our pace slowed dramatically as we slowly made our way across a field of huge boulders. After some time the route - marked by small cairns and by painted waymarks, there was no path in the normal sense of the word - avoided an obvious but very bouldery descent route and headed up to another minor col. From here we could see the attractively named Weingartensee lake. It was nearly empty and looked more like a giant farmyard full of slurry. Sue thought it looked as if someone had stolen the plug. There would be no magical reflections of the Matterhorn or any other mountain in that today.
By way of compensation, our views to the nearby mountains were stunning, with the snow draped summits sitting below a deep vermillion backdrop. Täschhorn (4491 metres) was dominant. It looked very inaccessible.
Täschalp could be seen far below. It was a steep 900 metre descent to get there. We lost the marked route (path it was not) at one point and had to backtrack. Soon after that the route evolved into a discernable path that descended steeply via the top of a glacial moraine wall.
We made it back down to Täschalp by 5.15 and then, after a final tea and biscuits break, took a lovely scenic path directly to Täsch. A train at 6.30 returned us to base in a carriage full of stony faced tourists who were wrapped in winter coats and looked as if they would rather be anywhere but here. We must have looked out of place in our t-shirts and shorts and wide grins after a classic day out in perfect weather.
We walked just over 22 km, with 1200 metres ascent and 1800 metres descent.
Today's pictures:
The Matterhorn from Sunnegga
Looking back on the path to Täschalp
Approaching Täschalp
Täschhütte
Weingartensee
Labels: Alps '18, Walks, Zermatt
'Summer in the Alps' - Day 44 - Zermatt - Lunch at Zum See
Friday 7 September 2018
The day started badly with the news of the sudden death yesterday of Mike Collier, a UMIST contemporary of mine with whom many happy times were enjoyed. Very sad news indeed, and we send our condolences to Linda and the rest of the family. This has played on our minds all day.
A rainy morning encouraged us to rest indoors. My current book, Raymond Chandler's 'The Long Good-bye' continues to enthrall with its wonderful prose and gripping plot.
By 12.30 the sun had returned, so we strolled up to Zum See for lunch, as prescribed by Richard, who knows Zermatt quite well. John had also eaten there the other day and had extolled its virtues.
On the way we passed the Old Presbytery, which apparently dates from 1742. It's part of 'Project 1949' and today's top two pictures illustrate the 'Then and Now' nature of the project. This is one location that (with Josef's help) we got right. Others have been more difficult.
Whilst the mountains held onto their clouds all day, it was a warm and sunny day in the valley once the rain had stopped. A pleasant 3 km stroll up to the restaurant at Zum See. We enjoyed an excellent lunch that obviated the need for a large evening meal. Sadly the house Petit Arvene wine recommended by Richard wasn't on the list and a brief scrutiny of that list resulted in an order for a thirst quenching beer.
The other customers included ancient and well heeled visitors who arrived on foot, and three workmen who arrived by helicopter.
Richard had suggested that we book the restaurant, but there was no need. Whilst it was busy, there was no question of anyone being turned away. Richard's visits have been in winter, when we are told that the takings in the town for a day are equivalent to a month's taking in the summer.
After our meal we continued up the south side of the valley to around 2100 metres, before descending and crossing the torrent to reach the pretty hamlet of Zmutt, with its Walliser style buildings. Beyond that we took a lovely 'middle path' back to Zermatt. There were hardly any people around. So few in fact that I nearly trod on a 70 cm adder that was sunning itself in the middle of the path. Then I nearly trod on a red squirrel as it ambled across the path just where I happened to be passing at the time. There were lots of birds about, from warblers to finches, nuthatches and thrushes, not to mention the ubiquitous nutcrackers.
Back at the apartment, we had time for a game of Boggle before settling down with a beer and a snack and a good book.
We strolled about 10 km with 500 metres ascent.
The Old Presbytery (2)
Lunch at Zum See
A helicopter drops in for lunch
Old buildings in the Walliser style in Zmutt
'Summer in the Alps' - Day 43 - Zermatt - A Visit to Fluhalp, 2620 metres
Thursday 6 September 2018
Yesterday we walked about 18 km, with 800 metres ascent.
Today we covered around 16 km, with 500 metres ascent.
Another sunny start, but it soon clouded over and the views lacked the contrast and clarity of the previous two days. Today we got back to the apartment at 4.15, a few minutes after which it was pouring with rain.
The Sunnegga train provided our means of ascent today, whisking us up from 1620 metres after a five minute walk from our apartment, to 2288 metres at Sunnegga. The journey took place entirely in a tunnel, and lasted five minutes. More a sort of 600 metre goods lift than a train journey.
We were soon alone on the hillside, with the vast majority of customers taking the onward gondola to Blauherd (2571 metres).
Some black and white goats shunned Sue's attempt to befriend them, en route to Stellisee, a small lake surrounded by persons of an oriental nature. (Not a problem as whilst there are many such folk at the flesh pots, they are a rare sight more than a few metres from a point of transport.)
We tried our best to get a good 'reflection of the Matterhorn' picture, but the conditions weren't so good today. Fish were continuously breaking the reflective surface of Stellisee, despite the efforts of a fly fisherman to reduce the population.
Not many folk were continuing to Fluhalp, where Project 1949 had an assignment. Coffees and apfelstrudel were duly consumed, and every effort was made, with limited success, to replicate the old photos.
We continued up the Tallinen valley for a while, but failed to locate the exact place where one of the 1949 photos had been taken. Marmots shrieked in derision.
After walking along the crest of the moraine for a while, we descended to Grindjisee, where the views were not really worth recording. Then it was on to Grünsee, where we spent ages trying to find the exact location for a project picture. It's a shame that clouds obscured much of the mountain view.
A long woodland descent down virtually deserted paths crossed the Gornergrat railway above Findelbach Station. Our waves generated a generous response from the passengers on a long train, though the squirrels didn't sound too pleased with our presence.
Housing in the pretty suberb of Winkelmatten seemed to be competing for the best floral display, mostly in a deep shade of purple.
An excellent walk, and as noted earlier, we got home before it started to rain. Another roast chicken dinner was concocted, preceded by avocado salad, with baked peaches and ice cream for dessert. The Swiss 'Dôle du Valais' Grand Pierraz wine provided by our guest for the evening, John Burt, went down very well.
Apartment Dolomit, our home for the week
Reflections in Stellisee
The mountain hut at Fluhalp
On the moraine near Fluhalp
John and Sue before dinner
'Summer in the Alps' - Day 42 - Zermatt - A Visit to Hörnlihütte, 3260 metres
Another lovely sunny day and a fine walk.
These days we aren't averse to using whatever means there may be in order to gain a bit of early height. Nick impressed us yesterday with his tale of staying overnight at the top of the Gornergrat railway so that he and Daniella could watch the sunrise from over 3000 metres. Today we simply caught the 'Matterhorn Express', a gondola ride, from Zermatt to Schwarzee, via Furi.
Then an easy climb of 700 metres past some cute sheep took us to the sunny terrace outside Hörnlihütte. We enjoyed coffee and cake with a German couple from near Nuremberg whilst studying the route taken by climbers up the Matterhorn. There were plenty of people on it in today's superb conditions.
After a sharp initial descent, we left the throngs to return to Schwarzee and their easy trip back to Zermatt. Having accomplished today's 'Project 1949' tasks, we took a path to the left (north) that led eventually to Stafel and an easy valley path back to Zermatt via a dam crossing and the hamlet of Zmutt.
It was great to be able to enjoy lunch in a deserted meadow with fine views to the summit of the Matterhorn and to numerous other peaks that litter the horizon in all directions hereabouts. There was just a handful of other walkers about, some of whom we later discovered had come this way from Schwarzee by mistake, and a few mountain bikers.
After stopping for a while to finish our tea and biscuits just above Zmutt, we continued our amble back to Zermatt, past fields full of Autumn Crocuses, and past a bench on which the unmistakable form of John Burt was perched. John is a stalwart of the TGO Challenge, having completed that backpack across Scotland some 18 times. I first met him on the 2007 Challenge (my first) in a restaurant in Drumnadrochit. He was covered in tick bites. Today he was covered in smiles. It was good to know that his tiresome feet had recovered from May's backpacking stresses. We spent a good half hour with John, and will see him again tomorrow.
We had just about enough time to cook and consume our dinner, master the intricacies of the house's laundry facilities, and catch up with admin, before adjourning to the basement cinema for the weekly showing of Josef's amateur film of the local wildlife over the period of a year, featuring eagles, ibex, chamois, black grouse lecking, foxes, ptarmigan, snow finches, a plethora of flora, and much more. All set to Vivaldi's Four Seasons. It was lovely, despite being narrated in German. Well done Josef.
Were taken on the ascent to Hörnlihütte, at Hörnlihütte, and finally above Zmutt, from our tea and cake break. You can see the Breithorn, 4159 metres, on that bottom picture. I've been up it!
Tuesday, 4 September 2018
'Summer in the Alps' - Day 41 - Zermatt - A Walk from Gornergrat
Cloud free skies encouraged us to get a reasonably early start, before the Matterhorn inevitably attracted some cloud.
Sue nipped out for croissants etc and we had our day sacks packed in time to arrive at the bookshop just as it opened at 9 am. My maps of the area date from 1968, so the acquisition of a more up to date version seemed appropriate. We settled for a 1: 33,333 scale offering on waterproof paper, dating from 2013.
Then we scooted across to the Gornergrat railway station and hopped on a train that whisked us and many others up to Gornergrat, which at 3090 metres is nearly twice the height of Zermatt. We were here to try to replicate some photos.
'Project 1949' involves a photograph album of a holiday in Zermatt taken in 1949. The album was created by Frank and Doris Sale, who I understand were keen Peak District walkers. Doris ran a chip shop in Droylsden. They had no children, and the album passed into the hands of Doris's niece, Christine. She and her husband Rodney were encountered on our 2008 trip to New Zealand, following which I was given the album after doing a favour for Rodney. There are 36 black and white photographs, sized 8" x 6", plus 16 postcards.
Our plan is to try to identify some of the places where the 1949 pictures were taken and take pictures of the same views. Our host here, Josef, was helpful yesterday in identifying some incorrect annotations in the album. That could really have confused us!
So today we spent a while snapping at Gornergrat before slowly making our way back down to Zermatt via Riffelsee, Gagenhaupt and Gletschergarten. The lower section of this splendid walk that faces the Matterhorn was adorned with information boards about the massive Gorner Glacier. There are photographs of settlements that were destroyed by the advancing ice. The glacier only started to recede around 1864, and since then it has receded by more than 3 kilometres.
My 1968 map shows the tip of the glacier, named Boden Glacier, reaching much closer to Zermatt than on our new map, on which all reference to the Boden Glacier has disappeared.
We returned via the supermarket, after walking about 13 km with maybe 100 metres of ascent.
A roast chicken dinner in our apartment satisfactorily rounded off the day.
Looking across the Gorner Glacier to a variety of summits
The Matterhorn, with Riffelsee (2)
A Matterhorn view
Zermatt from above Furi
Wildlife report:
I finally got to see some red squirrels - playing chicken with the train.
Lots of nutcracker birds on the descent.
Many flowers, including Fringed Gentian and German Gentian, as well as swathes of Autumn Crocuses - list to follow.
'Summer in the Alps' - Day 40 - Scuol to Zermatt
The top picture, taken from our apartment in Scuol, shows the extent of the improvement in the weather after we finished our ride. Sod's Law!
A leisurely breakfast and departure saw the end of our sojourn with Richard, who went off to the station for a scenic train ride to Zurich and a flight home. Thanks for your company Richard, we hope you enjoyed the trip despite the weather.
Meanwhile, Sue and I pottered gently along the Swiss roads for nearly 200 miles, skilfully avoiding motorways as we have no vignette for Switzerland. It's quite pricey as you have to buy a pass for a whole year even if, like us, you only need one for two days.
Three high mountain passes were negotiated before an easy run down to Brig and Visp got us on to the road to Tasch, where car borne visitors to Zermatt are obliged to abandon their steeds and complete the last five miles of their journey by train. We had booked the car park and train in advance. It all worked very smoothly.
En route, we travelled via Davos after crossing the Flüelapass. I have a vivid memory of completing this traverse with Markus in the other direction some years ago on my first TransAlp mountain bike ride. It was pouring with rain but the descent from the pass was brilliant. Today we continued over the Oberalppass, where there's a rather out of place lighthouse, and a railway station, before picking up some lunch from a supermarket in Andermatt and soon afterwards stopping at a pull in place with a bench.
This was the road to the Furkapass, and a sign in the pull in place said 'James Bond Str.' Another sign told us that the dramatic car chase scenes in the 1964 James Bond movie Goldfinger, (including the famous scene in which 007's Aston Martin shreds the tyres of Tilly Masterson's Ford Mustang) were filmed on the roads which you see below you from this pull in (fourth picture).
We enjoyed some sunshine today, as well as passing through some showers and encountering cloud below some of the passes.
At one point we were descending a pass next to a tourist (there were open carriages) train. Everyone on the train returned Sue's waves, including the driver.
The train journey to Zermatt from Tasch only takes a few minutes, and the walk to our apartment was mercifully short. Just as well, as we were quite heavily laden. We are in an Airbnb property - Apartment Dolomit Zermatt number 23. Josef welcomed us to his house and helped us with 'Project 1949', then we popped to the supermarket and sourced ingredients for a rather simpler meal than last night's.
A wander around town at dusk was pleasantly warm, with views of a nearly out of cloud Matterhorn, and crowds of tourists littering the streets.
Morning view from Scuol
Coffee at a pizzeria near Cazis
An old Skoda on Oberalppass
The view from 'James Bond Str.'
Dusk in Zermatt
Labels: Alps '18, Zermatt
After days of cloud, the sun is now beaming down on us again.
Labels: Alps '18
'Summer in the Alps' - Day 39 - Baita Luleta to Scuol
Yesterday: was Day 38, not Day 37 (that was Friday)
The missing statistics - Sta Maria to Luleta: 39 km, 1300 metres ascent, 7 hours including stops
Today's statistics, in case I forget later:
63 km, 1300 metres ascent, 7.7 hours including stops
We had a lie in today as Luleta doesn't serve breakfast until 8.30. It wasn't raining!
However, having set off in dry weather at 9.45, it was something of a disappointment when the rain arrived at 10 o'clock. Frustrating after having received a message from Markus suggesting it would be sunny. The drizzle lasted until about 2 pm.
Luleta, for all its quirkyness (for example our breakfast coffees were served in a Moka pot clearly designed for one person's expresso), was on the 444 cycle route out of Livigno. As we set off, a large group made its way past us. We caught up with six of them at lunchtime. They turned out to be the now fragmented group of 21 sanitary ware company employees on their annual bonding trip. I can understand why they split into several groups - had there been more people in our own group Richard would have been in the fast set and I would have been at the back. As there were just the two of us, Richard was obliged to wait for me at regular intervals. To his credit, he never complained despite getting a bit cold.
After a couple of easy kilometres past curious marmots we reached the start of the 700 metre ascent to Pass Chaschauna (2694 metres), the high point of route 444. The climb is achieved in the space of about three kilometres. Very few mountain bikers can ride up that gradient. We walked. It's quite hard work pushing a mountain bike up such a steep path. The cloud didn't help. It engulfed us in wetness from about 2100 to 2500 metres, at which point we emerged from that cloud below the ugly concrete of Rifugio di Cassana, which we knew from previous signs would be shut. It looked as if it had been boarded up for some time. A grey place on a grey day. Having exited one cloud we were still subjected to drizzle from the next one up. Above 2600 metres there was a thin covering of snow, but not enough to affect our progress.
A final push to the col revealed more greyness, but as it was our high point we managed a few pictures before Richard's cold hands forced us down to Margun. Neither of us was confident of controlling our bike on the steep slithery surface, so we walked down most of the first 300 metres of descent.
After that it was relatively easy despite some thick cloying claymud and a herd of cattle that refused to budge even after I crashed into the back end of one of them. It just gave me a blank stare and stood its ground. My bike is still covered in mud from this section of the ride.
We soon reached Alp Chaschauna, from where a dirt road led towards S-Chanf. Shortly before reaching a turn to the east of S-Chanf, which can be easily by-passed, a small trackside café served us drinks and goulash soup with fries for lunch. We had come 15 km and had covered less than a quarter of the day's route in about three hours. Richard was worried. He might not get to the bike shop in time for them to be open when he returns his bike...
We sped on down the valley. The track to Zernez was interspersed with small uphill sections and was scenic despite the low cloud. And it had finally stopped raining!
A few other cyclists and walkers were encountered as we made our way around Zernez and along the cycle route through Susch and Lavin, before a long 250 metre ascent to Guarda. This was a lovely ride at a good pace. Richard saw red squirrels and I saw more goldfinches.
The final section to Scuol is completed high above the Inn valley, culminating in an exciting descent from Ftan-. Here I missed a Route 444 sign and inadvertently finished the trip with a 6 km road descent. Richard was ahead of me and saw the sign. My 6 km took ten minutes or so. Exciting around the hairpin bends. I was back at the apartment at 5.15. Richard made it to the bike shop by 5.29, one minute before they closed. They were impressed by his itinerary - apparently most of the bikes they hire are e-bikes.
Sue had returned from her Tuoi adventures in mid afternoon. We celebrated with beers and enjoyed winding down (hot bath was great) before adjourning for a fine meal at Uje Traube restaurant. Thanks for the wine, Richard.
Despite the unfortunate weather this was a trip I found most enjoyable. Richard was an ideal (if a bit quick) companion and everything turned out successfully. Credit also goes to Richard's Trek hire bike, which now needs a service, and my old Specialised Stumpjumper that was serviced by Luke at BikeShak in Altrincham in preparation for the 140 km trip with around 4000 metres of ascent.
Leaving Luleta
At Pass Chaschauna
Zernez
A tractor for Alan
Top team
Swiss National Park - Mountain Bike Route 444
Richard and I completed this 140 km route in two and a half days, finishing back in Scuol this afternoon. An excellent trip.
I'm pictured outside our apartment before consigning a rather muddy Stumpy back to the boot of the car. Sue had returned from Tuoi hut to take the photo, and Richard was busy returning his bike to the hire shop.
That's all for now - I'll report on today in more detail tomorrow, but now we are off for a sociable evening.
'Summer in the Alps' - Day 45 - Zermatt - A Visit ...
'Summer in the Alps' - Day 44 - Zermatt - Lunch at...
'Summer in the Alps' - Day 41 - Zermatt - A Walk f...


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Budgeting & Savings
Budgeting & Savings Budgeting
Shoestring Definition
By Maya E. Dollarhide
Updated Sep 1, 2019
What Is a Shoestring or Shoestring Budget?
The slang term "shoestring" often describes a small amount of money which may be an inadequate amount to fund the intended purpose of its use in full. The budgeting process is where the term will most frequently appear, as in a "shoestring budget" or alternately as "on a shoestring."
Examples of the idiom in use may include:
The company financed the renovation project on a shoestring.
Jim is living in a small studio apartment because he is on a shoestring budget.
People who live on shoestring budgets may still have options to invest for their futures.
Origins of the Idiom Shoestring
According to Quora, the Oxford English Dictionary (OED) lists the first occurrence of the word in print as being from an 1882 issue of The Century Magazine. The magazine used the term as it described a card player saying, "[He] could draw to a shoe-string, as the saying went, and obtain a tan-yard!"
Merriam-Webster further describes the connection of the term shoestring and its link to a small amount of money to the custom of early, itinerate peddlers. The wandering peddlers would sell or trade small items such as needles, pots, and shoelaces—which was the most popular item. These traveling trinket sellers made a meager income as they charged little for their wares. Some believe this is the origin of the connection of the term "shoestring" to a small amount of money. Further, Merriam-Webster found the first use of the word as an adjective in 1859.
Bootstrapping refers to those who live or work with shoestring budgets, but learn to stretch their resources.
What Constitutes a Shoestring Budget?
While a shoestring budget is considered inadequate, it may be just enough when stretched. Much like a shoelace which breaks and must stretch to accomplish the tying task or leave part of the shoe unclosed, the same applies to money which must stretch to achieve the bare minimum. The practice may refer to an individual, family, or to business spending. When an entity is living or operating on a shoestring budget, they usually have limited access to additional funding.
Shoestring is a slang term used to describe a small amount of money that is not enough to cover its intended use.
The term often describes the budgeting process as in "shoestring budget."
People or companies that live on a shoestring budget usually have limited access to additional funding.
Real World Example
According to the November 2018 food expenditures figures from the United States Department of Agriculture (USDA), the smallest amount a family of four may expect to spend on groceries is approximately $148 per week. This limited food budget called the "thrifty plan" by the USDA, would indicate a family that is, most likely, living on a shoestring budget.
Budget Definition
A budget is an estimation of revenue and expenses over a specified future period of time and is usually compiled and re-evaluated on a periodic basis. Budgets can be made for a variety of individual or business needs or just about anything else that makes and spends money.
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Gay Indie Actor Matthew Montgomery Honor & Lesbian Jane Austen Adaptation + L.A. Film Festival LGBT Entries
by Alt Film Guide 9 years ago
Alt Film Guide 9 years ago
Gay indie actor Matthew Montgomery and Steve Callahan, Role/Play (top); Montgomery in Robert Gaston's Flight of the Cardinal (bottom).
Described as "an unheralded superstar in the American independent gay filmmaking scene," gay indie actor Matthew Montgomery, among whose credits are Gone, But Not Forgotten, Back Soon, Socket, and Pornography: A Thriller, will be the recipient of the 2010 Artistic Achievement Award for Acting at this year's Philadelphia QFest, which runs July 8–19.
Montgomery, 32, will be honored at 7:15 on Sat., July 10, at the Ritz East Theater 1. The award presentation will be followed by a screening of Rob Williams' Role/Play, in which Montgomery co-stars with his off-screen partner Steve Callahan.
In Role/Play, Callahan plays a soap opera star outed by a gay sex tape scandal. Distraught, he seeks refuge at an exclusive Palm Springs resort, where he meets a (recently divorced) marriage-equality activist (Montgomery).
Additionally, Montgomery is one of the stars of QFest's closing night film, Robert Gaston's ensemble suspense drama Flight of the Cardinal. Also in the cast: Ross Beschler, David J. Bonner, Claire Bowerman, and Liz Douglas.
More information on Matthew Montgomery here.
Photos: Philadelphia QFest
Frameline, San Francisco's Gay & Lesbian Film Festival now in its 34th year, will kick off on Thursday, June 17, with a screening of James Kent's The Secret Diaries of Miss Anne Lister, about "what might have happened if Elizabeth Bennet had ignored Mr. Darcy and pursued the local ladies?"
Actually, The Secret Diaries of Miss Anne Lister is not a revamping of a Jane Austen novel. Instead, Jane English's screenplay follows a young woman attempting to live an authentic "lesbian life" in Regency England. Maxine Peake plays Anne Lister. Others in the film's cast are: Anna Madeley, Susan Lynch, Gemma Jones, and Michael Culkin.
Attendees at Frameline's gala opening ceremony will quite possibly be met by picketers protesting the Israeli consulate's participation as one of the festival's sponsors.
Frameline 2010 comes to a close on June 27 with a screening of Rob Epstein and Jeffrey Friedman's Howl, starring James Franco.
Photo: Frameline
Annette Bening, Julianne Moore in lesbian comedy-drama The Kids Are All Right
Lesbian Family, Christopher Nolan & Colombian Drug Lords: Los Angeles Film Festival
Downtown Los Angeles every day: traffic jams, pollution, more traffic jams.
Downtown Los Angeles today: traffic jams, pollution, more traffic jams, a National Basketball Association Championship game, the opening night of the Los Angeles Film Festival, (many?) more traffic jams. (I wish the LA Film Festival had remained on the Westside.)
LAFF kicks off at 7:30 p.m. tonight at the Regal Cinemas, with a screening of Lisa Cholodenko's acclaimed family comedy-drama The Kids Are All Right. By "family," I mean the movie itself is about a family – not that it's aimed at five-year-olds and their $obliging$ parents/guardians or what have you.
Written by Cholodenko and Stuart Blumberg, The Kids Are All Right stars Annette Bening and Julianne Moore as a couple whose two children (Alice in Wonderland's Mia Wasikowska and Josh Hutcherson) – conceived by artificial insemination – have tracked down and brought home their biological father (Mark Ruffalo).
The Kids Are All Right, which opened at the Sundance Film Festival, has been getting a lot of good buzz, especially for Bening and Moore, both of whom have (inevitably) already been mentioned as possible awards season contenders.
The synopsis below is from the LAFF's website:
In Lisa Cholodenko's intoxicating and deeply touching comedy, Annette Bening's Nic—a Type A doctor with a tongue that can get tart on her third glass of wine—and Julianne Moore's Jules—the warmer, flakier partner—are going through a rough patch in their relationship. Matters are further complicated when their teenaged kids, Joni and Laser (wonderfully played by Mia Wasikowska and Josh Hutcherson), track down their biological father. Played by a very seductive Mark Ruffalo, he's a cool, laid-back, motorcycle-riding restaurant owner who's happy to insinuate himself into the family circle, whether the kids' ""momzies"" like it or not. One does (a lot) and one doesn't.
Cholodenko, who wrote the wise, sparkling screenplay with Stuart Blumberg, fuses classic Hollywood craftsmanship with a generous and sophisticated indie spirit in this irresistible exploration of the true meaning of family. Bening and Moore, two of our finest actors, are at the top of their game here: their chemistry is delicious. Unpredictable, un-polemical, and un-politically correct, The Kids Are All Right is a crowd-pleaser in the most honorable sense of the term.
David Ansen
Photo: Focus Features
Andres Escobar in Jeff Zimbalist and Michael Zimbalist's The Two Escobars (top); Elsa Daniel in Leopoldo Torre Nilsson's The House of the Angel (bottom)
Below are a few highlights at the Los Angeles Film Festival on Friday, June 18:
Following a screening ofPink Floyd: The Wall, The Dark Knight's and the upcoming Inception's filmmaker Christopher Nolan will talk with film critic Elvis Mitchell about the influence of Alan Parker's 1982 feature/music video on his work.
John Kastner's Canadian documentary Life with Murder shows how the parents of a murdered young woman do what they can to protect their son, the accused murderer, while Jeff Zimbalist and Michael Zimbalist's documentary The Two Escobars shows how sports, big money, and tribalism can be an explosive mix.
The two Escobars in question are Colombian drug lord and soccer financier Pablo Escobar, and Colombian soccer player Andres Escobar, who scored a goal against his own team at the World Cup in Los Angeles in 1994. That goal led to Colombia's elimination from the Cup and Escobar's point blank murder a couple of weeks later. (Sports are a unifying force only as long as your team wins.)
More at LAFF: Veterans Guy Marchand and Françoise Fabian can be found in Jacques Martineau and Olivier Ducastel's family drama – featuring deep, dark gay secrets – L'Arbre et la Foret / Family Tree (literally, "The Tree and the Forest"), while Natacha Regnier and Bruno Todeschini are the stars of Angela Schanelec's drama Orly, set at the Paris airport.
And finally, there's Leopoldo Torre Nilsson's 1957 classic La casa del ángel / The House of the Angel, about the repressively puritanical and hypocritical mores of upper class Argentinean society in the 1920s.
Synopses from the LAFF website. For more information/buy tickets, click here.
The Two Escobars
Directed By: Jeff Zimbalist, Michael Zimbalist
Pablo Escobar was the richest, most powerful drug kingpin in the world, ruling the Medellín Cartel with an iron fist. Andres Escobar was the biggest soccer star in Colombia. The two were not related, but their fates were inextricably—and fatally—intertwined. Pablo's drug money had turned Andres' national team into South American champions, favored to win the 1994 World Cup in Los Angeles. It was there, in a game against the U.S., that Andres committed one of the most shocking mistakes in soccer history, scoring an "own goal" that eliminated his team from the competition and ultimately cost him his life.
The Two Escobars is a riveting examination of the intersection of sports, crime, and politics. For Colombians, soccer was far more than a game: their entire national identity rode on the success or failure of their team. Jeff and Michael Zimbalist's fast and furious documentary plays out on an ever-expanding canvas, painting a fascinating portrait of Pablo, Andres, and a country in the grips of a violent, escalating civil war. David Ansen
Directed By: Angela Schanelec
Cast: Natacha Regnier, Bruno Todeschini, Mireille Perrier, Emile Berling, Jirka Zett
Set in the waiting-hall limbo of Paris' bustling Orly Airport, Angela Schanelec's tightly focused, keenly observed film examines the fleeting connections of lives in transit. Placing her actors amidst actual passengers, Schanelec gives us the experience of wandering among strangers, eavesdropping on their intimate moments and private conversations. The atmosphere, however, is not one of voyeurism, but of intimacy—in spite of the thousands of passengers milling about, little pockets of privacy are created.
A director in total command of her craft, Schanelec creates a mosaic of tiny epiphanies: a mother and son sharing long delayed intimacies; a woman reading a letter from her former lover; two French expats forging a connection as they wait to board flights that will bear them in opposite directions; a young, backpacking German couple about to embark on their first big trip. Throughout all this, the silent character of Orly Airport itself shapes each scene, its wide horizontal spaces captured in the filmmaker's fascinating compositions. Orly explores the experience of waiting, the freedom and the powerlessness of being in limbo, the evanescence of life. Hebe Tabachnik
La casa del ángel / The House of the Angel
Directed By: Leopoldo Torre Nilsson
Cast: Elsa Daniel, Lautaro Murúa, Guillermo Battaglia, Bárbara Mujica, Berta Ortegosa
Shown at the 1957 Cannes Film Festival, this is the movie that made Leopoldo Torre Nilsson an international art house star. Based on a novel by his wife and usual screenwriter, Beatriz Guido, The House of the Angel focuses on the ruling class in 1920s Argentina, a deeply repressive society where political arguments were often settled in a duel and young women—such as the cloistered teenaged Ana, played by Elsa Daniel—were expected to be totally ignorant of sex.
With dark expressionistic camera angles that have been compared to Orson Welles' and dissonant blasts of music, Torre Nilsson unfolds the story of young Ana, suffocating under her mother's fanatically enforced purity. Her fall from grace comes at the hands of a dashing politician—a friend of her father's—who visits the family's imposing home in the suburbs of Buenos Aires. (Architecture plays a crucial role in the director's films.) Appropriately, when it was first released in the U.S., this striking story of political hypocrisy, sexual discovery, and Catholic guilt was re-titled End of Innocence. David Ansen
Photos: LAFF
'Waiting for Superman,' Gay Orthodox Jews & US Military Lies: Los Angeles Film Festival
The documentaries One Lucky Elephant and The Tillman Story, Pernille Fischer Christensen's A Family, and Hossein Keshavarz's Dog Sweat are a few of the highlights at the Los Angeles Film Festival on Saturday evening, June 19.
Lisa Leeman's One Lucky Elephant portrays the heartfelt relationship between a circus owner and an elephant named Flora. Flora, ready to retire, must get used to living among other elephants after spending her life in a circus surrounded by another type of animal (human beings).
Amir Bar-Lev's The Tillman Story examines the exploitation of National Football League player Pat Tillman as a red-white-and-blue poster boy for the American military, whose powers-that-be later decided to lie about Tillman's death – telling the world that Tillman died while fighting the Taliban, instead of revealing that the former football player had been killed by one of his fellow comrades in arms.
A Family revolves around a woman's choice between living her own life and perpetuating her family's business legacy, while Dog Sweat follows several Teheran denizens at odds with the repressive social mores imposed on them by religious freaks.
One Lucky Elephant
Directed By: Lisa Leeman
What happens to a circus elephant when it's time to retire? After 16 years in the spotlight, Flora, an African elephant living in St. Louis, must find a new home, and David, the circus owner who has cared for her all these years, must say goodbye to the animal he thinks of as a "daughter." The road to Flora's retirement, however, is a difficult and emotional one. While David finds himself drawn into the current debate in the animal rights community over the ethical treatment of elephants, Flora must adjust to living among other elephants for the first time ever.
Ten years in the making, One Lucky Elephant is a remarkable achievement. Eschewing easy sentimentality, the film beautifully captures the delicate love between David and Flora, but it also doesn't shy away from examining the problems and mysteries posed by keeping wild animals in captivity. It's a complicated, fascinating issue, and there are no clear answers for anyone involved, least of all David and Flora, two extraordinary individuals you'll never forget. Doug Jones
Directed By: Pernille Fischer Christensen
Ditte has been a dutiful and adoring daughter all her life, the darling of her charismatic father's eye. It's been a privileged life too, for the Rheinwald family has built its fortune as master bakers—selected by the royal family as purveyors of bread to the Danish crown. In this intimate and powerful family saga, Ditte's devotion to her father is tested when she's offered her dream job as a curator for a New York art gallery just as her recently remarried father falls ill and asks her to take over the family business.
A Family is dominated by the staggering performance of Jesper Christensen as the proud patriarch, whose charm and urbanity masks a steely will. Confronted with mortality, he rages against his fate with the ferocity and terror of a haute bourgeois King Lear. Pernille Fischer Christensen's fluid, superbly shot film captures every nuance of feeling (and of class) that ricochets through the Rheinwald household. It has the emotional honesty one associates with Ingmar Bergman, but Christensen views her large cast of characters with a warmer, more forgiving eye. David Ansen
Dog Sweat
Directed By: Hossein Keshavarz
Invoking the subversive urgency of cinema vérité, filmmaker Hossein Keshavarz interweaves the lives of seven young people in contemporary Iran. Misunderstood by their families and oppressed by conservative Islamic society, they act out their personal desires behind closed doors. A feminist finds herself in an affair with a married man; new lovers search for a place to be physically intimate; a gay man is pressured to leave his partner for an arranged marriage; a female pop singer risks exposure; and a grief-stricken son lashes out at fundamentalists.
Keshavarz's film debut is certain to trigger conversation about the contradictions brewing within contemporary Iran, where two-thirds of the population is under thirty. This covert society, forced to operate without government sanctions, is bravely brought into the sunlight by Dog Sweat, which displays a side of Iranian life virtually unseen by the outside world. Shot clandestinely in Tehran—a risky endeavor for the cast and crew—this provocative film provides the new generation of Iranians a fervent voice of rebellion. Jonathan Wysocki
The Tillman Story
Directed By: Amir Bar-Lev
In life, the government tried to turn NFL star Pat Tillman into a one-dimensional patriotic symbol. In death, the Pentagon concocted a headline-ready myth about his heroic demise by Taliban fire. It was all spin, a cynical fabrication. In the powerful, probing The Tillman Story, filmmaker Amir Bar-Lev looks behind the propaganda to reveal the complex, private man who kept to himself his motives for enlisting at the height of his football career. Digging deeper, Bar-Lev also reveals the true story behind Tillman's death on the battlefield and the military's dogged cover-up of what really happened.
In addition to the men who fought alongside Tillman and were subsequently told to hold their tongues after his death, Bar-Lev introduces us to Tillman's tenacious, loving, and righteously angry family, who refused to accept the official lies they were fed at every turn, as witnessed in the startling footage of Tillman's younger brother's unvarnished speech at the funeral. Both an expose of the military's deceptions and a portrait of the tireless efforts of his family to speak truth to power, The Tillman Story will move, outrage, and enlighten you. David Ansen
Photos: Los Angeles Film Festival
Scott Pilgrim vs. the World director Edgar Wright will be present to talk about his career at the Los Angeles Film Festival on Sunday evening, June 20. Star Trek's J.J. Abrams will be Wright's conversation partner.
Other Sunday highlights at the LAFF include Samuel Maoz's Lebanon, Jung Sung-Il's Cafe Noir, Haim Tabakman's Eyes Wide Open, and Hilda Hidalgo's Del amor y otros demonios / Of Love and Other Demons.
Winner of the Golden Lion at last year's Venice Film Festival and of four Ophir Awards from the Israeli Film Academy, Lebanon takes place inside an Israeli tank on the first day of Israel's invasion of Lebanon in 1982, while Cafe Noir is an homage of sorts to recent Korean cinema and movies in general.
In Eyes Wide Open, two Orthodox Jewish men fall in love and must deal with the consequences of living within the confines of intolerant religiosity.
Religion and repressive traditions are also at the core of Of Love and Other Demons, a Colombian-Costa Rican period drama set during colonial times. Based on a novel by Gabriel Garcia Marquez, the film chronicles the passion that blossoms between a young priest (Pablo Derqui) and a 13-year-old (Eliza Triana) believed to have been possessed by the devil.
Also, Norma Aleandro is one of the stars of Leopoldo Torre Nilsson's Los Siete locos / The Seven Madmen, a 1973 Argentinean drama set among a group of underground subversives in 1920s Buenos Aires. The Seven Madmen was based on a novel by Roberto Arlt.
And finally, Jaak Kilmi and Kiur Aarma's Disko ja tuumasõda / Disco and Atomic War shows how Estonians were more concerned about who killed Dallas' J.R. than with Communist ideology, having become fascinated with "Western" (trash) culture. Too bad they weren't exposed to Mexican soap operas – Communism would have fallen decades earlier.
Directed By: Samuel Maoz
Cast: Yoav Donat, Itay Tiran, Oshri Cohen, Michael Moshonov, Zohar Strauss, Dudu Tasa, Ashraf Barhom, Reymonde Amsellem
Exploring the brutality of combat while simultaneously constructing a tense chamber-piece thriller, writer-director Samuel Maoz's Lebanon chronicles the first day of the 1982 Lebanon War from the perspective of four young Israeli soldiers manning a tank. Their initial mission—provide backup for a paratrooper unit in a seemingly resistance-free Lebanese village—soon turns deadly, forcing these inexperienced men to work together to stay alive.
The top prizewinner at last year's Venice Film Festival, the visceral Lebanon was inspired by Maoz's nightmarish experience as a novice tank gunner during the '82 conflict. Compressing the drama within the confines of an armored military vehicle, Maoz's film greatly benefits from its claustrophobic setting, but Lebanon's structural masterstroke comes from its limiting what the audience sees outside the tank to the gunner's viewfinder, not only enhancing the suspense but also calling into question how we ""view"" the physical and psychological damage of the battlefield. Emphasizing the personal over the political, Lebanon emerges as one of the new century's most revelatory war films, one that insists that we look at combat with fresh eyes. Tim Grierson
Disco and Atomic War
Directed By: Jaak Kilmi, Kiur Aarma
For young Estonians growing up under the repressive thumb of Soviet ideology, the only images of the West they saw came in the form of pirated television signals from powerful transmitters in Finland. But the impact of these images was life-changing. Once Estonians beheld Dallas, disco dancing, and Knight Rider, not to mention supermarkets full of goods unavailable to them, there was no turning back.
Spanning the mid-1950s to the fall of Communism, the wild and original Disco & Atomic War offers a provocative and playful counter-history of the Cold War. It documents the increasingly paranoid efforts of the Estonian puppet government to block these subversive transmissions and the ever more imaginative ways the citizens found to get around the blockades. Director Jaak Kilmi mixes rich archival footage with droll recreations that show us a nation more obsessed with "Who killed J.R.?" than Communist doctrine. Tongue in impassioned cheek, this mile-a-minute documentary vividly demonstrates how the "soft power" of pop culture toppled a totalitarian regime. David Ansen
Directed By: Jung Sung-Il
Cast: Shin Ha-kyun, Kim Hye-na, Jung Yu-mi
Writer-director Jung Sung-il may prove to be contemporary Korean cinema's answer to Jean-Luc Godard, an adventurous film critic turned auteur with an audacious vision. Witness Café Noir, his ambitious, subversively funny film debut that references literature, leftist politics, Bollywood, and Christianity while paying loving homage to the last decade of Korean cinema.
This formally rigorous, but sprawling and endlessly playful examination of unrequited love trails Young-soo, a heartsick music teacher, as he wanders the lonely streets of Seoul. In what its creator calls a "musical variation" on Johann Goethe's The Sorrows of Young Werther and Fyodor Dostoevsky's "White Nights," this diptych begins with Young-soo being unceremoniously dumped by his married lover on Christmas Eve and then struggling to win her back. In its second half, he finds himself drawn to a young woman in her own state of romantic purgatory. Young-soo's digressive journey takes us through an uncanny cityscape that's both "reel" and unreal—teasingly populated with characters and images from Old Boy, The Host, and films too numerous to mention. Matt Cornell
Mikhail Khodorkovsky in Cathryn Collins' Vlast / Power.
The omnibus feature Revolución, Davis Guggenheim's Waiting for Superman, Cathryn Collins' Vlast / Power, Tobias Lindholm and Michael Noer's R, and "Over the Top: An Evening with John Lithgow" are some of the highlights at the Los Angeles Film Festival on Tuesday, June 22.
Fernando Eimbcke, Diego Luna, Gael Garcia Bernal, and Carlos Reygadas are some of the directors of several short films found in Revolución, about the Mexican Revolution of 1910.
Vlast shows how Russian businessman Mikhail Khodorkovsky became a threat to Vladimir Putin's power, while R follows life behind bars for two inmates in a Danish prison: one a local Dane; the other a Muslim.
"Why," asks Davis Guggenheim's Waiting for Superman, "does one of the richest nations in the world do such a poor job educating its children?" Film critic David Ansen, for one, praises the An Inconvenient Truth Academy Award-winning filmmaker's take on the broken American educational system.
John Lithgow will be present to explain the "art of Acting Big" following a screening of the 1984 comedy-adventure-sci-fier The Adventures of Buckaroo Banzai Across the 8th Dimension, co-starring Jeff Goldblum, Peter Weller, and Ellen Barkin.
Below are a few synopses from the LAFF website. For more information or to buy tickets, click here.
Vlast / Power
Directed By: Cathryn Collins
The collapse of the Soviet Union led to a volatile but highly advantageous environment for young Russian businessmen eager to build the fledgling market economy by any means necessary. Striking extraordinary deals with the government to acquire newly privatized industries, a small group of men became phenomenally rich almost overnight. The most successful of these oligarchs was Mikhail Khodorkovsky, who quickly became the wealthiest man in Russia. But Khodorkovsky was invested not only in business, but also in true social reform and a new ideal of an open society, an attitude that ran afoul of the absolute rule of Vladimir Putin. Within months of announcing a deal which would have opened the formerly state-controlled Russian oil industry to investment by Western corporations, Khodorkovsky and his business partners were arrested and jailed for fraud and tax evasion.
Tracing Khodorkovsky's dramatic, ambiguous rise to power and subsequent fall at the hands of Putin's KGB-infested government, this probing, deeply troubling documentary reveals a nation still unsure of its commitment to economic and social liberties. Travis Miles
Hello Lonesome
Directed By: Adam Reid
Lonely since his wife left him and alienated from his daughter, a cantankerous voice-over artist (played by the instantly aurally recognizable Harry Chase in his first on-screen role) strikes up an unlikely friendship with his regular deliveryman. Many suburbs away, an elderly widow loses her license to drive and turns to her wry younger neighbor for nostalgic cuddles and comfort. Meanwhile, a young urban sports fanatic meets a girl online and unexpectedly falls in love, though the trials the couple endure prove even more unexpected.
Adam Reid's enchanting, compassionate debut weaves together the worlds of six lonely individuals as they negotiate the age-old process of giving and receiving love. It isn't easy, and it never happens the way they expect it, but for these isolated souls, there's an oddball magic in the way they make connections they never imagined. Wonderfully acted and written, the intimate exchanges in this triptych of tales percolate with laughter and longing. As the film itself says, "A little hello can go a long way." Jonathan Wysocki
Directed By: Isao Yukisada
The stylish Parade could easily be mistaken, at first glance, for a Japanese sitcom, as it gathers four twenty-somethings together in a small Tokyo apartment. Roommates for convenience, they don't have a lot in common. One's a driven yuppie who works for a film distribution company. Another's a naïve college boy who carries a torch for a more wordly classmate. Then there's the aspiring actress, hopelessly pining for a self-absorbed TV star, and the hard-drinking young woman who works as an illustrator and hangs out in gay bars. They don't question each other's comings and goings, so no one raises an eyebrow when a streetwise male teen hustler suddenly appears in their living room. How he got there is a mystery, but he becomes a staple in their household. But suspicions and paranoia arise among the group with each new report of a woman brutally attacked in the neighborhood.
Isao Yukisada's intriguing drama is full of deceptions. Neither the characters nor the movie itself are quite what they first seem. Underneath the pop energy and gentle comedy lie darker undercurrents and unexpected twists. Parade asks us to ponder just how well we know the strangers we call friends, and what, in the name of getting along, we are willing to tolerate. David Ansen
Amir Bar-LevAnnette BeningChristopher NolanDavis GuggenheimDocumentariesGay Interest / LGBTIndependent (Indie) MoviesJesper ChristensenJulianne MooreLesbian Interest / LGBTLGBT Movie FestivalsLisa CholodenkoLos Angeles Film FestivalLos Angeles Film NewsMark RuffaloMatthew MontgomeryMovie FestivalsPhiladelphia QFestThe Two EscobarsWorld Cinema
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Frank wins prestigious award from student-veterans group
When Tony Frank began his nearly 11-year tenure as president of Colorado State University in 2008, one of his goals was to make was to make the campus among the most veteran-friendly in the country.
CSU has been one of the top-ranked schools in the annual "Best for Vets" listings in Military Times for the past several years, coming in at No. 6 nationally in the latest rankings. CSU's user-friendly approach to veterans, which includes access to significant scholarship assistance, counseling, tutoring and other services, has made Fort Collins a destination for former and current members of the military.
ASCSU President Tristan Syron, left, Jared Lyon, president of Student Veterans of America, center, and Josh Johnson, president of CSU's student-veteran chapter. They accepted Tony Frank's award for service to veterans.
And CSU's commitment – and that of Frank – to veterans has not gone unnoticed. Last weekend, student-veterans from CSU accepted on Frank's behalf the William Pearson Tolley Champion for Veterans in Higher Education Award at the annual gathering of the Student Veterans of America in Orlando, Fla.
"This award may have my name of it, but let's be clear; recognition for our advocacy and support for helping student veterans succeed is a team effort at CSU," Frank said. "From peer mentors who support their fellow students, to benefits officers who process the GI Bill payments, to deans and faculty members who create educational opportunities, we have an outstanding team and culture that welcomes, values, and honors the members of our military as they journey through higher education to new careers. I am humbled by the recognition and share it with our entire CSU community who serve those who have served us."
Prestigious award
The Tolley Award is presented to a campus leader "for their long-standing commitment to significantly improve higher education for student-veterans. This leader has created a significant and enduring impact for student-veterans through advocacy, public policy, service and research. They recognize student-veterans are assets to their campus, community and country. This is reflected in the campus environment and culture that their leadership has cultivated. They know a commitment to student-veterans is an investment in helping yesterday's warriors become today's scholars, and tomorrow's leaders."
Marc Barker, director of CSU's Adult Learner and Veteran Services program, said Frank, who is stepping down as president June 30 but will remain as chancellor of the CSU System, was a natural choice for the award.
"During my 20-plus years as an administrator in higher education working primarily with student-veterans and military-connected students I have had the good fortune of working with colleges and universities around the country, and I will tell you that Dr. Frank's commitment to this population at CSU makes me the envy of every one of my peers," Barker said. "He truly cares about student-veterans and is committed to making CSU the best possible destination in the country for all student-veterans."
Frank was unable to attend the ceremony but Josh Johnson, president of CSU's student-veteran organization, and ASCSU President Tristan Syron accepted the Tolley Award on his behalf. In all, 18 CSU student-veterans attended the event.
In addition to Frank's award, Maggie Walsh, CSU's director of veterans initiatives, was nominated for chapter advisor of the year.
Adult Learner and Veteran ServicesAlumniTony FrankVeterans


For months, I have watched the latest Philadelphia Magazine Design Home go from an empty lot, to an 8200 square foot luxury manor home. Trees went, and trees came. The footprint was poured, the frame went up, stones, a pool and a three-car garage with a lift were all added.
All of those amazing and beautiful things were visible from the outside. What you couldn't see, and I found out last week, was all the amazing stuff on the INSIDE. The 2014 Design Home is not just pretty to look at and luxurious to be in, it is also fully equipped with Xfinity Home. Comcast and Real Mom Media invited me, along with some other area bloggers, to come check it all out for ourselves.
The house is simply stunning. With four floors of living space, room for three cars in the garage and luxurious outdoor living space, this house was something to see. What was so fascinating, was what you couldn't see. On my visit, I learned that Xfinity Home offers customers a way to manage your home security and "smart home" devices in a simple and secure way, from anywhere. The platform seamlessly integrates a wide range of electronics, appliances and security technology into one easy-to-use experience.
According to Comcast, one in five Americans own a home appliance that's connected to the internet, and it's estimated that there will be 25 billion (BILLION!!) devices connected to the Internet by 2015 and 50 billion by 2020.
Now, if you are anything like me, you're probably asking yourself, who needs that much connectivity?? You may be surprised. With Xfinity Home you can control your lights and your thermostat. Those are two ways that Xfinity Home may be able to help you lower your utility costs and help your home run more efficiently. In fact, EcoFactor learns your home's heating and cooling patterns and automatically makes adjustments or you can make adjustments remotely.
The security sensors can alert you to such things as leaking water in your basement, broken windows or opened doors. Multiple arming modes can help keep you safe around the clock. And again, you can monitor this remotely through the Xfinity Home App.
If home security and monitoring isn't your thing, Xfinity has a nice selection of Apps for their customers that can help you with your entertainment and on the go lifestyle. My favorite is by far Xfinity Connect. This keeps me in touch with my email and home phone and voice mail no matter where I may be. A close second is the Xfinity WiFi App. With this app, you can locate thousands of Xfinity hotspots across the country.
For you TV buffs, you may want to check out Xfinity TV Go, which lets you watch live TV on any device anywhere you go (Hello Good Wife!) or check out Xfinity TV Remote which allows you to control your TV from your smartphone. Never forget to turn on the DVR again!
So this house really is smart on both the outside AND on the inside. It's also move-in ready, and I'm ready . . .now only to come up with the money.
What home technology are you most interested in learning more about?
I was invited by Comcast and Real Mom Media to tour the Philadelphia Design Home and the Comcast features of the home. I received a Samsung Tab4 from Comcast to facilitate my review of Xfinity. .All opinions, are as always my very own.


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Deciding to put a swimming pool in your backyard is a big decision that we, at Smart Pools take seriously. With our 30 years of experience, we can help you make the decision that is right for you and your family.
The owner of Smart Pools, Rob will personally share his knowledge and expertise to guide you through the process every step of the way. There are no pressured sales, simply information sharing … if you are excited by what you hear, you can deal directly with Rob and his experienced staff to customize your pool order.
Following your consultation, you will be able to order your entire pool kit and equipment accessories directly through Rob at Smart Pools On-Ground Swimming Pools.
Your pool will then be delivered directly to your yard before construction begins (see our construction photos) and all of your backyard design details will be confirmed with you to ensure your complete satisfaction.
Swimming pool installation & service in Burlington, Hamilton, Dundas, Ancaster, Waterdown, Niagara and Brantford areas.


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