text:
{-# LANGUAGE OverloadedStrings #-}

module Network.SPDY.Server
       ( -- * Creating servers
         ServerOptions(..),
         defaultServerOptions,
         Server,
         server,
         -- * Tools for implementing request handlers
         RequestHandler,
         alwaysHttp1_1NotFound,
         http1_1Version,
         httpStatus,
         HeaderBlock(..),
         HeaderName(..),
         HeaderValue(..),
         StreamContent,
         moreHeaders,
         moreData,
         forContent,
         -- * Accepting incoming connections
         acceptConnection,
         -- * Standard server loops
         runSocketServer,
         runTLSServer
       ) where

import Control.Concurrent (forkIO)
import Control.Monad (liftM, when)
import qualified Data.ByteString.Char8 as C8
import Network.Socket (PortNumber)
import qualified Network.Socket as Sock
import System.IO (IOMode(ReadWriteMode), hPutStrLn, stderr)

import qualified Crypto.Random as CR
import Data.Certificate.X509 (X509)
import qualified Network.TLS as TLS
import qualified Network.TLS.Extra as TLSX

import Network.SPDY.Endpoint
import Network.SPDY.Frames
import Network.SPDY.NetworkConnection (NetworkConnection, fromHandle, fromTLSCtx)

data ServerOptions =
  ServerOptions { soptConnectionTimeoutSeconds :: Maybe Int,
                  -- ^ The number of seconds without any activity
                  -- before closing a connection. If 'Nothing', there
                  -- is no timeout.
                  soptIncomingRequestHandler :: RequestHandler
                  -- ^ The handler for incoming requests.
                  }

-- | Default options with no connection timeouts and a request handler
-- that always responds with an HTTP 1.1 404 error.
defaultServerOptions :: ServerOptions
defaultServerOptions =
  ServerOptions { soptConnectionTimeoutSeconds = Nothing,
                  soptIncomingRequestHandler = alwaysHttp1_1NotFound }

-- | Responds to all requests with an HTTP 1.1 404 response. This is a
-- reasonable default for implementing HTTP-over-SPDY servers.
alwaysHttp1_1NotFound :: RequestHandler
alwaysHttp1_1NotFound _ _ =
  return (HeaderBlock [ httpStatus 404, http1_1Version ], Nothing)

-- | The @:version@ header with value @HTTP/1.1@.
http1_1Version :: (HeaderName, HeaderValue)
http1_1Version = (HeaderName ":version", HeaderValue "HTTP/1.1")

-- | The @:status@ header with value given by an HTTP status code.
httpStatus :: Int -> (HeaderName, HeaderValue)
httpStatus statusCode = (HeaderName ":status", HeaderValue (C8.pack $ show statusCode))

-- | A SPDY server, and endpoint which accepts incoming network
-- connections and serves content requests.
data Server =
  Server {
    serverEndpoint :: Endpoint
    -- ^ The underlying SPDY endpoint for the server.
    }

-- | Creates a SPDY server with the given options.
server :: ServerOptions -> IO Server
-- TODO respect the connection timeout in the server options
server options = do
  ep <- endpoint $ EndpointOptions {
    epOptsFirstPingID = PingID 0,
    epOptsFirstStreamID = StreamID 2,
    epOptsIncomingRequestHandler = soptIncomingRequestHandler options,
    epOptsInputFrameHandlers = defaultEndpointInputFrameHandlers
    }
  return $ Server { serverEndpoint = ep }

-- | Establishes a new SPDY connection in a server for a given
-- low-level network connection. With this function, you can roll your
-- own server loop.
acceptConnection :: Server -> ConnectionKey -> NetworkConnection -> IO ()
acceptConnection s = addConnection (serverEndpoint s)

-- | Opens a server socket on a given port, and submits incoming
-- connections to the given SPDY server.
runSocketServer :: PortNumber
                   -- ^ The port on which to accept connections.
                   -> Server
                   -- ^ The SPDY server.
                   -> IO ()
runSocketServer pn server = do
  let hints = Sock.defaultHints { Sock.addrFlags = [ Sock.AI_ADDRCONFIG ] }
  addrs <- Sock.getAddrInfo (Just hints) (Just "localhost") Nothing
  when (null addrs) (error "Cannot find a socket address to bind to.")
  let (Sock.SockAddrInet _ hn) = Sock.addrAddress $ head addrs
  s <- Sock.socket Sock.AF_INET Sock.Stream Sock.defaultProtocol
  Sock.bindSocket s (Sock.SockAddrInet pn hn)
  Sock.listen s 2
  loop s
  where loop s = do
          (s', sa) <- Sock.accept s
          -- TODO: proper logging
          hPutStrLn stderr $ "accepted connection from " ++ show sa
          forkIO (Sock.socketToHandle s' ReadWriteMode >>=
                     (acceptConnection server (fromSockAddr sa) . fromHandle))
          loop s

-- | Opens a server socket on a given port, and submits TLS-protected
-- network connections to a SPDY server.
runTLSServer :: PortNumber
                -- ^ The port on which to accept connections.
                -> X509
                -- ^ The server's X509 certificate.
                -> TLS.PrivateKey
                -- ^ The server's private key.
                -> Server
                -- ^ The SPDY server.
                -> IO ()
runTLSServer pn cert key theServer = do
  -- TODO: this can't be the right way to do this. How do we
  -- normally select a good address?
  let hints = Sock.defaultHints { Sock.addrFlags = [ Sock.AI_ADDRCONFIG ] }
  let ip4SockAddresses =
        filter isIP4SockAddress .
        map Sock.addrAddress
      isIP4SockAddress addr = case addr of
        (Sock.SockAddrInet _ _) -> True
        _ -> False
  addrs <- liftM ip4SockAddresses $
           Sock.getAddrInfo (Just hints) (Just "localhost") Nothing
  when (null addrs) (error "Cannot find a socket address to bind to.")
  let (Sock.SockAddrInet _ hn) = head addrs
  s <- Sock.socket Sock.AF_INET Sock.Stream Sock.defaultProtocol
  Sock.bindSocket s (Sock.SockAddrInet pn hn)
  Sock.listen s 2
  rng <- (liftM CR.cprgCreate CR.createEntropyPool :: IO CR.SystemRNG)
  let tlsParams =
        TLS.defaultParamsServer { TLS.pCiphers = TLSX.ciphersuite_all
                                , TLS.pCertificates = [(cert, Just key)]
                                , TLS.onSuggestNextProtocols =
                                  return (Just ["spdy/3"]) }
  loop tlsParams rng s
  where loop tlsParams rng s = do
          (s', sa) <- Sock.accept s
          -- TODO: proper logging
          hPutStrLn stderr $ "accepted connection from " ++ show sa
          forkIO (Sock.socketToHandle s' ReadWriteMode >>= \h -> do
                     tlsCtx <- TLS.contextNewOnHandle h tlsParams rng
                     TLS.handshake tlsCtx
                     maybeProtocol <- TLS.getNegotiatedProtocol tlsCtx
                     maybe (TLS.bye tlsCtx) (acceptSPDY sa tlsCtx) maybeProtocol)
          loop tlsParams rng s
        acceptSPDY sa tlsCtx protocol =
          case C8.unpack protocol of
            "spdy/3" ->
              acceptConnection theServer (fromSockAddr sa) (fromTLSCtx tlsCtx)
            _ ->
              TLS.bye tlsCtx


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text:
Free February Training: Systemic Racism in Maternity Care
Black Birth Joy: Honoring Black Birth Justice Organizations
Support Our BIPOC Scholarship Fund
What I told the California Medical Board about home VBAC
by Jen KamelDec 17, 2014Home birth, Legislative Consulting, VBAC, VBAC Bans3 comments
Back in October, I attended my first Interested Parties Meeting held by the Medical Board of California regarding new midwifery regulations as required by AB1308. (Read more about AB1308 here.)
Up for discussion was which conditions or histories among women seeking a home birth with a Licensed Midwife (LM) should be required to obtain physician approval.
A prior cesarean was on the list of over 60 conditions or histories and home VBAC was the one subject that generated the most comment and discussion that day.
What does AB1308 mean in terms of home VBAC in California?
There has been a lot of confusion regarding what AB1308 means in terms of home VBAC in California. In an effort to clear things up, Constance Rock-Stillman, LM, CPM, President, California Association of Midwives said this on January 23, 2014:
AB 1308 went into effect on 1/1/14, but there is nothing in the new legislation that says LMs cannot do VBACs.
LMs can do VBACs.
We just need to define in our regulations what preexisting conditions will require physician consultation. [Which is what the October 15 and December 15th Interested Party meetings were about.]
Until the new regulations are written LMs should continue to follow their current regulations which only require LMs to provide certain disclosures and informed consent to clients.
Please let the community know that if they want to have a say in whether or not VBACs with California LMs require a physician consultation, they should come to the Interested Parties meeting that the medical board will be holding and tell the board how they feel about it.
The medical board is a consumer protection agency, so they need to hear what consumers want to be protected from.
We will let you know as soon as the meeting is scheduled.
[Ms. Rock-Stillman responds when questioned by those who have not been involved it the creation of this legislation yet insist this legislation removes the option of home VBAC entirely:]I'm in my third year as president of the California Association of Midwives, and I'm a practicing Licensed Midwife.
I have been at every Midwifery Advisory Counsel meeting and at the Capitol 30 times last year.
I've spoken in legislative committee hearings.
I've sat in weekly meetings with CAM's legal counsel who worked side-by-side with us on the legislation.
I've been in Assemblywoman Susan Bonilla's boardroom with ACOG and at every one of the public events where Susan Bonilla promised that the LMs would still be able to do VBACs.
So I think I qualify as a knowledgeable stakeholder in this issue.
Yes, we intentionally left VBAC out of the list of prohibited conditions, so at this point there is no question as to whether or not we can do VBACs. The only part that's in question is whether or not all VBACs will require physician consultation.
Regulations that clarify under what circumstances physician consultation will be required will be written by the California Medical Board. This is a process that takes time. Maybe even a year or more.
The regulations that will be adopted will be based on evidence and input from all the stakeholders.
This is why I think it's so important that midwives and consumers be at the meetings to insure their voices get heard.
At the last Interested Parties meeting that the medical board held, I asked what we were suppose to do until the new regulations are written and we were told that we should follow our current regulations and our community standards until new regulations are adopted.
Why I attended
My intention in attending the October 15, 2014 meeting was to amplify the voice of the consumer. I think sometimes it's difficult for OBs who attend VBACs, or for those who live in communities where they have access to hospitals that attend VBAC, to understand that not everyone lives in that world.
Some live in a world where if they want a VBAC in a hospital with a supportive midwife or doctor who takes their insurance, that means driving over 50 miles each way for prenatal care and delivery while they literally drive by other facilities that offer labor and delivery, but ban VBAC.
Or it means acquiescing to a unnecessary repeat cesarean whose risks compound with every surgery. Or it means planning an unassisted birth which comes with its own set of risks. This is a tremendous burden.
As VBAC and repeat cesarean both carry risks and benefits, and women are the ones who bear and endure those risks, they should be the ones who choose which mode of delivery is acceptable to them.
I celebrate when women have access to supportive hospital-based practitioners. But the reality is, many women do not enjoy that privilege and yet they still wish to avoid the serious complications that come with each cesarean surgery.
Who else was at the meeting?
Other people in the room included the Senior Staff Counsel of the Medical Board, an OB-GYN representing ACOG, an ACOG lobbyist, Constance Rock-Stillman along with many other CAM representatives and midwives, California Families for Access to Midwives, a few other consumers, and me.
Senior Staff Counsel was tasked with writing these regulations and as the meeting progressed, items were reworded or removed from the list.
My statement
Only having five minutes to speak means that as soon as you take your seat, adjust the microphone, and look into the eyes of Medical Board, you have to establish yourself as a credible source.
And then you start to speak. You have to be clear and concise with an unwavering voice. The Medical Board is your captive audience and you need to use every second weaving the facts with the personal experiences of mothers, midwives, and doctors so you can convey the whole story.
Often Medical Boards are not well versed on Licensed Midwives, home birth, and the politics of VBAC, so there is a lot of education that has to quickly happen in a few short minutes. You must maximize your time and, while talking at a normal pace, swiftly move from fact to fact continually highlighting yet another piece of evidence that supports your case.
Those that sit on Medical Boards often have access to whatever medical care they need. So sharing the challenges real families throughout the state face when trying to obtain a VBAC is crucial.
With all those factors in mind, I focused on the importance of VBAC access, the politics of hospital VBAC, and the public health implications if families can't access VBAC.
Throughout my entire presentation, I emphasized how increasing VBAC access was aligned with the mission of the Medical Board: to protect consumers.
It was quite challenging to adequately convey these key points in such a brief format. But as I looked into the eyes of each board member during my presentation, I felt heard. I knew they were receiving the message I intended and that all the hard work that went into preparing for that day made a difference.
Legislative consulting is yet another way that I serve the mission of VBAC Facts®. To schedule a legislative consulting call, please click here.
What do you think? Leave a comment.
Midwife Krysis on December 23, 2014 at 8:26 am
Jen, you are a powerhouse! Thank you for all you do and standing up to ACOG. It is so so lovely to find ACOG reps rendered speechless by "just women." Saw you in action at the MBC Interested Parties Meeting.
Rosie on December 18, 2014 at 3:50 pm
A fascinating read! I knew all these facts but you put it all together so well. God bless you Jen!
Erin on December 17, 2014 at 10:33 am
You GO JEN!!!!!
Jen Kamel
Jen Kamel is the CEO and Founder of VBAC Facts® whose mission is to increase access to vaginal birth after cesarean (VBAC). VBAC Facts® works to achieve this mission through their educational courses for parents, online membership for professionals, continuing education trainings, and consulting services. As an internationally recognized consumer advocate, Jen speaks at conferences across the world, presents Grand Rounds at hospitals, advises on midwifery laws and rules that limit VBAC access, educates legislators and policy makers, and serves as an expert witness and consultant in legal proceedings. VBAC Facts® envisions a time when every pregnant person seeking VBAC has access to unbiased information, respectful providers, and community support so they can plan the birth of their choosing in the setting they desire.
Free Handout Debunks...
There is a bit of myth and mystery surrounding what the American College of OB/GYNs (ACOG) says about VBAC, so let's get to the facts, straight from the mouth of ACOG via their latest VBAC guidelines.
SEND ME THE HANDOUT
VBAC Facts® does not provide any medical advice and the information provided should not be so construed or used. Nothing provided by VBAC Facts® is intended to replace the services of a qualified physician or midwife or to be a substitute for medical advice of a qualified physician or midwife. You should not rely on anything provided by VBAC Facts® and you should consult a qualified health care professional in all matters relating to your health. Amazon Associates Disclosure: Jen Kamel is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Created By: Jen Kamel | The Truth About VBAC™ and VBAC Facts® are trademarks of VBAC Facts® LLC and may not be used without prior written permission. All Rights Reserved. Copyright 2007-2021 VBAC Facts®. All Rights Reserved. | Terms of Use | Privacy Policy

redpajama_set_name: RedPajamaCommonCrawl


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text:
ACCEPTED

#### According to
The Catalogue of Life, 3rd January 2011

#### Published in
Hist. chenes Amer. t. 15, 16. 1801

#### Original name
null

### Remarks
null

redpajama_set_name: RedPajamaGithub


I am interested in what happens when interference colour is overprinted with inkjet colour. I can not directly print over the colour, as it is of course, water resistent, and the liquid ink would pool on the surface, so I embed painted paper shapes under the top layer of Abaca tissue which seems to absorb surplus ink. The underlying shapes can be seen after the surface has been waxed although, of course, the effect is slightly diffused.
It is difficult to see clearly in a photo, but if you look carefully, you can see shapes which lie under the top layer of paper, appear in the second pic, which dont appear in the first.
What interests me is how the colour changes, when the page is lifted. A page, when being turned has light hitting it from all directions; I wonder if it is more effective than on a wall based artwork. Would the effect of seeing a continual change of colour encourage a viewer to turn pages – promote interactivity with the book.
Or maybe a kinetic book is the answer. A book which is hung and continually turns, so the colourchange phenomena is seen at its best.


From Fjuian China, an early spring ?Silver Needle? bud plus leaves from the previous season give this famous white tea a ?rich and apparent?, yet light and delicate sweet tea aroma and flavor. Great value in fine China white tea.


text:
Q: macOS "No iCloud account is configured" I'm writing an app on Xcode with both iPhone and Mac components, and trying to use CloudKit as an easy way to synchronize data between the users' devices.
Everything works great in the iOS version, but on the Mac version for some reason I'm getting an error that says: No iCloud account is configured even though I'm signed into iCloud.
Can anyone help me figure out what the problem is?

redpajama_set_name: RedPajamaStackExchange


The smart railways market size is estimated to be USD 10.50 billion in 2016 and is projected to reach USD 20.58 billion by 2021, at a CAGR of 14.4% from 2016 to 2021, due to the need of smart cities for better infrastructure, services, fast operational activities in public services, and transportation services. Government bodies are striving for the betterment of the transport infrastructure systems as it replicates the development of the economy. The restraints of the smart railways market include operational efficiency & increasing congestion, high initial cost of deployment & capacity, and lack of ICT infrastructure & interoperability.
The rail analytics system is expected to grow at the highest CAGR during the forecast period due to the rise of demographic growth and hyper-urbanization. In addition to that, the cloud-based services, analytics, and mobile internet technologies demand are increasing due to their efficient IT management and reliable security environment.
With regards to the geographic analysis, Europe is likely to benefit from its technological advancements, large number of smart devices, strong government regulations, and followed by high usage of big data analytics, predictive and sensor analytics across all the railways industry.
Asia-Pacific (APAC) is expected to lead the smart railways market by region between 2016 and 2021. The growth can be attributed to the global competition, increasing penetration of smart devices, connected machines, and increasing investment in smart cities.
The global smart railways market has been segmented on the basis of solutions, components, services, and regions. A detailed analysis of the regions has been done to provide insights into the potential future business opportunities in different regions. In addition to this, product portfolio analysis, value chain analysis, and strategic benchmarking are some of the other MarketsandMarkets analysis included in the report.
1. This report segments the smart railways market comprehensively and provides the closest approximations of the revenue numbers for the overall market and the subsegments across different verticals and regions.


I handle all types of Wheelchair Repairs and Accesssories needed for Wheelchairs. This is a part time job for me. I am available 24/7 and have the lowest prices around with no hourly fee and free estimates. I do not bill Insurance. My service is to help the people who own their wheelchair and need it repaired without it costing them a lot of money.


text:
Around Belarus in 7 days: from Chechersk to Mogilev
Вокруг Беларуси за 7 дней: от Чечерска до Могилева
Вокруг Беларуси за 7 дней: от Чечерска до Могилева путешествие по беларуси, достопримечательности могилева, окрестности гомеля, могилев беларусь достопримечательности, могилев что посмотреть за 1 день
Первый день путешествия по Беларуси команды VETLIVA: окрестности Гомеля и достопримечательности Могилева за один день.
Have you thought that in Belarus you can make not just a short trip, but practically the whole "around the world"? This is the goal that the VETLIVA team set itself: to travel all over Belarus along the contour of its borders in seven days. Our epic adventure begins in the vicinity of the Gomel region and ends a week later in the regional center itself. Just imagine its scale: 3300 km of track were covered, 180 liters of diesel fuel were spent and 300 gigabytes of photos and videos were taken. The second, third, fourth, fifth, sixth and seventh days of our trip will be no less interesting — do not switch!
Day One: Chechersk → Grudinovka village → Mogilev
Chechersk
Holy Transfiguration Church
Grudinovka Village
Tolstyh Manor
Mogilev Drama Theater
Chechersk: a small town — cool sights
Our journey around Belarus begins in the small town of Chechersk in the Gomel region. Of all the settlements in the vicinity of Gomel, it is probably the most amazing! Some interesting facts about Chechersk:
is located 60 km from Gomel,
has a population of 8,445 people (2018),
is one of the oldest in Belarus (known since the XII century).
An interesting fact from VETLIVA: in fact, in Belarus there are a lot of ancient beautiful cities and amazing towns that you can learn about from our article.
Chechersk is also interesting for its sights, and each is interesting in its own way. Despite the fact that it was raining and the weather was cool, we immediately went to get to know them. The first was the Chechersk Town Hall, located at the end of the main street. It is perfectly visible from any distance.
Town Hall in Chechersk: built in the second half of the 18th century. Classicism.
The city center is compact, so all its attractions are within walking distance. In the central square, what is typical for most cities, there is already the usual monument to Lenin and administrative buildings. There is also a monument-plane TU-124 (by the way, you can see something similar if you are wondering what to see in Gomel. Not so long ago, a monument SU-24 was erected in the city of Sozh near the P. Sukhoi University — we recall that the famous aircraft designer studied at the time in Gomel and here he found a dream of heaven.
An interesting fact from VETLIVA: by the way, this is not the only unusual monument in our country. We have monuments in honor of cartoon characters, monuments to condensed milk, and even a memorial designating the center of Europe!
Not far from the town hall there is another iconic attraction of Chechersk — Holy Transfiguration Church. The church is not only located inside the road ring, but the construction is absolutely round itself!
Holy Transfiguration Church was built in 1783. It has no corners.
Thinking about what to see in Belarus and travelling by car, be sure to include this temple in your route. The VETLIVA team was even lucky enough to be inside the church. Despite the fact that she is on a busy car ring, you involuntarily forget about it: peace and tranquility reign under her vault ...
An interesting fact from VETLIVA: this is not the only thing that strikes visitors to the sights of Chechersk. In the Holy Transfiguration Church is the icon "Descent into Hell" in 1678, which is older than the church itself!
Grudinovka Village: Tolstyh residence
So, we answer the question of what to see in Belarus, and go to the village of Grudinovka.
Traveling around Belarus by car is always interesting because you notice unusual details. For example, on the way we met a lot of fishermen. This is because in the vicinity of the Tolstyh estate there was once a peat processing plant. One of the quarries left after it was flooded, and now everyone can go fishing here. Nothing supernatural: after talking with the local fisherman Vasily, we learned that the fish are of usual size, but the places are so picturesque that even foreigners come to hunt for local carp and crucian carp! (Fortunately, now this can be done without difficulty, especially thanks to a visa-free regime).
The palace and park ensemble of the 19th century. Now not in operation, abandoned.
There are no signs here, but you will immediately understand where to go. At the entrance to the estate we were greeted by a picturesque lake, beyond which there is a park. He still looks luxurious, especially the mighty oaks. We could not resist and took some cool photos!
Oaks, birches, pines, spruce, thuja, Siberian cedar — once in the park more than 40 species of trees were presented! Opposite the entrance to the estate is a fountain that was once full of water. Now it is dotted with withered leaves...
The manor building itself is mothballed. We went around him and through the open window behind examined red flags and Lenin. This is evidence of a bygone era, when in the last century, the secondary school, the orphanage, and the sanatorium boarding school for children with rheumatism were housed inside the estate. On the ground floor there were showers and toilets, on the first floor — some common rooms, and on the third — living rooms. We noted that it was much brighter here than on the first two floors.
You can still imagine how ladies in magnificent outfits walk along spacious halls and rooms with gallant gentlemen, how couples go to the lake to take a romantic walk on the lake... It's a pity that it will not be possible to return to its former greatness, but its testimony stands here to this day.
Having photographed the historical building from all sides, we set off on. Traveling through the cities of Belarus is wonderful because you never know where else you will meet beauty along the way: a forest stream, a colorful house with interesting architecture, an unusual church with beautiful architecture (we already talked about the top-10 of them in this article). The predominantly flat landscape of Polesie began to gradually replenish with elevations, which was impossible not to capture in photographs.
The manque capital of Belarus: what to see in Mogilev in one day
So, our eventful day and impressions ended with a visit to Mogilev. Even before going on a trip to Belarus, we noted for ourselves several iconic places that are obligatory for visiting. Each of them has its own unique "trick", which we will discuss below.
Lifehack from VETLIVA: we recommend that you travel no more than 300 km per day so that traveling to Belarus does not bother you much. In this connection, if you are planning to repeat our route, a selection of the coolest lodging offers will come in handy.
The main attractions of Mogilev are very compact, so they can easily be viewed in one day. The first person to meet us on the pedestrian street was the Stargazer and 12 constellation chairs around him. The only monument to the astrologer and astronomer in the world was created in 2003. Each person from the VETLIVA team found his chair and sat on it. What to do — it's tradition!
In the evening, a bright ray of a searchlight hits the sky from the stargazer of the Stargazer. They say that it can be seen even from space! Even if those who saw him can be counted on the fingers. Probably, Mogilev residents simply want to believe in such an exclusivity of their sights.
The Mogilev Theater is the only survived theater building of the 19th century in Belarus.
Our attention was riveted to the Mogilev Theater. Still, its bright brick walls are striking no worse than the "Red Church" (it honorably takes a place in the top 50 sights of Minsk). Unlike the Vitebsk and Gomel theaters, which we have to see further, it is older and does not have so many floors.
To the left of the theater, among the five-story buildings, a modest church hid. Frankly, we were surprised at such a neighborhood.
The town hall was rebuilt from scratch in 2008.
After another five minutes, we found ourselves at the snow-white building of the Mogilev Town Hall. It is decorated with watches, which, like the model of the Strana Mini Museum, have their own interactive "trick": three times a day, at dawn, at noon and at sunset, a mechanical figure of a trumpeter appears here and plays a melody. The trumpeter, by the way, has his own name — Magislav. It was chosen collectively by the whole city.
We were lucky to see and listen to Magislav too — a local star appeared at 20:42. We stood on the observation deck, listened to the sounds of the trumpet, looking at the busy city. All this gives an unforgettable experience!
An interesting fact from VETLIVA: did you know that at one time Mogilev almost became the capital of Belarus? This city is fraught with many secrets, mysteries and interesting places. So study our guide to Mogilev, its sights and travel around Belarus with us!
So, for today the impressions were received to the eyeballs, and therefore we went to the side. In the end — a small spoiler of what awaits us tomorrow:
ethnographic surroundings, bears and moose,
healing spring, healing from any ailments,
temples on the banks of the Dvina River and the place where the Slavonic Bazaar is held.
The epic adventure is just beginning — we promise that tomorrow will bring even more lively emotions and amazing discoveries!
Gastro tour in Belarus: where to eat royally?
Top 50 sights of Minsk
Events and festivals of Belarus: what awaits us in 2019?
Around Belarus in 7 days: Mogilev — Vitebsk
Around Belarus in 7 days: through May snow to the Braslav Lakes


Homepoint are pleased to present a very well presented three bedroom property in Kingstanding. The property comprises of off road parking for two cars, one family lounge, kitchen, three very good sized bedrooms, family bathroom downstairs and shower room upstairs Central heating and double glazing throughout. Call to view today!


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HR Audits & Toolkits
Reflect, re-set and start as you mean to go on
During the month of June I seemed to spend most of my time advising clients about restructures and redundancies. Lots of businesses were anxious about how to reduce their overheads safely and in line with employment law and they wanted help with managing the redundancy consultation processes. I know there are other companies that are waiting, hoping they can avoid redundancies and that business will have picked up by the time the furlough scheme ends in October.
At the same time, most organisations are also planning how, when and who they get back into the workplace. Employers are anxious to ensure the return to work is safe and they want to reassure employees who are often worried about coming out of the lockdown bubble. So, how should you approach a return to the workplace?
Well, if the last three months have shown us anything, it's the importance of human connection. The way employers have treated their employees during lockdown will be remembered and it's why the return to work after lockdown is a chance to re-set, to reflect on what's most important to your company and to start as you mean to go on. One way to do this, is to engage with your employees and involve them in the plans for a return to the workplace. Here are some suggestions on how you might do this:
Start to assess your workplace in line with the Covid-19 guidelines and the Health & Safety at Work Act – a risk assessment using a simple RAG (red, amber, green) rating is a good place to start
Let staff know that you are starting this process and ask for their input – they may have particular concerns or useful ideas and suggestions
Send out a RTW (Return to Work) questionnaire to staff. This should include:
Care-giving responsibilities
Travel plans to and from work
A health update
Assessment of their readiness to return to the workplace
Involve staff in planning a RTW orientation – how could people collaborate on this? What sorts of information do they want? What have been the learnings during lockdown and working from home and how can these be carried forward?
Communication has become so important for us all during lockdown but when your mental health is depleted (and show me someone whose mental health isn't depleted at the moment!) there can be a tendency to avoid communication and to retreat into our shells. Personally speaking, I've found that when I'm feeling down and I'm alone in my shell connecting with someone whether that's friends, family or work colleagues is what gets me back on track again. As an employer, the same applies. If in doubt, connect with your employees, communicate, then communicate some more, and even over-communicate! Asking staff for their views on the return to work, discussing their concerns, working with them to mitigate any risks they are worried about is the way to get agreement.
Reflect on what has changed during lock down, re-set how you want to run your business and if that means getting better at communicating with staff – be honest about that. And start as you mean to go on. #communication-is-king #collaboration #we can do this!
Ruth George - HR Consultant
ruth@ruthgeorge.com; 07899 920075
This is not legal advice and is provided for general information only. © Ruth George HR Consulting.
Ruth George HR Consulting is the trading name of Ashtree HR Limited, a company registered in England and Wales with number 07896446. Copyright (c) 2012-20 Ashtree HR Limited. All rights reserved


Joli nez (merlots bien mûrs). Bouche ample et suave, plutôt en rondeur et sur le fruit. Bon rapport Q/P. Accord sur viande rouge grillée (BBQ).
Reviews of M. HENRI M.
Reviews of M. JOSE LUIS F.
Reviews of M. MIKAEL B.
Reviews of M. JEAN N.
Reviews of Mme VICTORIA Y.
Reviews of M. XAVIER D.
Reviews of M. AVELINO V.
Reviews of M. LIGUORI M.
Reviews of M. CLAUDE L.
The Francs Côtes de Bordeaux appellation is located about fifty kilometres northeast of Bordeaux. This is one of the smallest and the most eastern of the département, which was recognised as an AOC by the INAO in 1967.
The Francs Côtes de Bordeaux vineyards cover 525 hectares spread over 3 communes: Francs, Saint Cibard and Tayac. In the south, the soil is asteriated (fossil-rich) limestone covered with limestone molasses referred to as "Agen molasses" and the rest of the appellation is made up of limestone molasses referred to as "Fronsac molasses". Despite its predominantly eastern exposure, it enjoys excellent sunshine with low rainfall. The temperatures are lower in winter and higher in summer (by 2-3°C) than in the surrounding areas.
The grape varieties grown in the Francs Côtes de Bordeaux AOC are varied. For the reds, the Merlot predominates, as it does throughout the Libourne area, and represents about 50-60% of the plantings, after which come the Cabernet Franc and Cabernet Sauvignon representing about 40-50%. As far as the whites are concerned, the Sémillon dominates with 60%, while the Muscadelle and Cabernet make up the rest of the plantings.
The Francs Côtes de Bordeaux appellation's annual production is 26,000 hl on average, i.e. 3.3 million bottles of the Francs Côtes de Bordeaux red AOC, and 144 hl, i.e. 19,000 bottles of the Francs Côtes de Bordeaux dry white AOC, and 50 hl, i.e. 8,000 bottles of the Francs Côtes de Bordeaux sweet white AOC.
Buy the best Francs Côtes de Bordeaux wines at the best prices in private sale, register now !
Issu d'un sol varié où se mélangent marnes et limons, ce 100% Merlot à la robe profonde dégage au nez des arômes délicats de fruits bien mûrs, accompagnés d'accents vanillés, de senteurs de cuir et de truffe. Corps, finesse et équilibre caractérisent ce beau millésime, et sa structure lui assure en prime un excellent potentiel de vieillissement... A déguster dès à présent !


The pack visited the Old Rhinebeck Aerodrome in the historic Hudson River Valley this past week. Here we are posing in front of a replica of Charles Lindbergh's famous plane. Don't you just love dog friendly attractions when you are traveling?! This one is our absolute favorite.
In his plane, The Spirit of St Louis, the pioneering aviator Charles Lindbergh crossed the wide Atlantic Ocean on May 21, 1927. Flight was brand new to humanity back then and no one had made this long of a journey, fraught with danger, across an entire uninterrupted expanse of ocean. During thirty-three long hours alone, navigating solely by compass – note that there is no windshield to see where you are going – he successfully flew from New York to Paris. What an amazing achievement!
The pack loves an adventurer and Charles Lindbergh was a true kindred spirit. His journey was not only ground breaking; his greatest achievement was that of inspiration. With his courage and persistence in his dream of trans Atlantic flight, Lindbergh lit the lamp to clearly show the way. What it revealed was a glorious vision, of the world of routine and easy air plane travel around the globe, that we enjoy so casually today.
In addition to the many vintage planes on display at the Aerodrome, there are air shows each weekend where you can see the history of flight take to the skies, and tours of the Hudson River Valley in an open air biplane. Note to those, like us, traveling with dogs – the folks selling tickets for the bi plane rides kindly offered to mind the dogs for us if we wanted to go for a tour! How very kind of them.


With the increase in awareness regarding the decline of native bee populations, many home gardeners are now creating pollinator safe zones in their yard. These safe zones are areas where you don't use chemicals or pesticide sprays but instead grow a selection of pollinator food source plants. When planning a pollinator garden, think native! Native plants are more likely to attract native bees. Below are some suggestions for low maintenance, hardy perennials for a pollinator garden.
Coneflower – A tough, native wildflower for pollinator gardens. Coneflowers are a low maintenance, easy to grow perennial for a sunny area. Once established they are relatively drought tolerant. The cheerful bloom will attract butterflies and pollinating bees to your yard. Later in the season birds will enjoy the dried seed heads so don't cut them off!
Shasta Daisy – This native wildflower is easy to grow and loves the sun! There are many shasta daisy cultivars out there which are easy to find at your local plant nursery. Some of the newer varieties have masses of petals which cover the yellow center but don't select one of these when creating a pollinator garden. You will want the flat, open center to give pollinators a place to land.
Gaillardia – or blanket flower is a native wildflower to grow in tough, dry areas. The cheerful yellow to orange flowers are highly attractive to butterflies and your garden will always have bees when this plant is in bloom! A sun loving, low maintenance perennial which does not like to be over watered.
Pincushion Flower – Scabiosa caucasic, perennial pincushion flower. An herbaceous perennial with a long blooming season. Great for the sun garden, pincushion flower a favorite of bees, butterflies and other pollinating insects. It is drought tolerant and hardy. Colors are white, purple and blue shades.
Salvia – There are several different types of perennial salvia plants which can be commonly found at nurseries. They are available in a variety of colors to blend with a garden design. Colors may be pink, white, red or purple and the tube shaped flower makes them easy for pollinators to feed from.
Speedwell Veronica – A sun loving perennial with tall flower spikes in purple, blue, pink or white. They are a favorite of pollinators and butterflies. Cut back the spent flowers for a rebloom! Speedwell Veronica will also attract hummingbirds to your yard. Drought tolerant.
Stokes Aster – A cheerful flower that is perfect for a low maintenance garden, Stokes Aster has a long blooming season in early to mid summer. Deadhead spent flowers for a late season rebloom but leave the second set of blooms on the plant. Songbirds will eat the seeds and thank you for our effort.
Black Eyed Susan -One of our native wildflowers and a must have for the pollinator garden. Black Eyed Susan is ideal for tough, dry spots or naturalizing seep banks and sunny erosion areas. This bright flower blooms in mid summer and is sure to bring butterflies and bees to a yard.
New England Aster – Native New England asters are an important food source for pollinators. They flower in late summer and early fall, offing bees a food source at a time of year when it is growing scarce. They are an easy care wildflower which can be planted in natural areas, containers or borders.
Yarrow – Yarrow can be another effective plant for the pollinator garden. The flat flower clusters are idea for bees to feed from and they bloom later in the season which can help to keep a food source in constant supply. Yarrow can be invasive so be sure to plant a clump forming variety and avoid those which spread by runners.
Water – A creek, water garden, pond or bird bath for a water supply.
If you are interested in a custom Art of Stone Gardening butterfly and pollinator garden design for your north Georgia property please Contact Us!


For so long I've been looking for a nice cinnamon tea that isn't sweetened by disgusting liquorice or fennel. I love it, I bought my housemate some and we're both obsessed!
These tea bags are wonderful, with a spoonful of my tangerine and ginger marmalade I am sure that they helped get my nasty cold running away. Also good on their own, can use the bags twice the second not quite sa strong.
The best cup of tea, EVER. I drive to the other side of the city to the only shop I can find that stocks this. Just the smell is enough to to help me relax. Maybe you could make it in bigger boxes.


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PDF2 PDF |Add To My Favorites | Version: 04/23/13 - Amended Assembly 04/17/13 - Amended Assembly 04/02/13 - Amended Assembly 03/11/13 - Amended Assembly 01/28/13 - Introduced
AB-185 Open and public meetings: televised meetings.(2013-2014)
Corrected April 30, 2013
Amended IN Assembly April 23, 2013
Introduced by Assembly Member Roger Hernández
An act to amend Section 54953.5 of the Government Code, relating to local government.
AB 185, as amended, Roger Hernández. Open and public meetings: televised meetings.
The Ralph M. Brown Act requires that an audio or video recording of an open and public meeting made at the direction of a local agency is subject to inspection pursuant to the California Public Records Act and may be erased or destroyed 30 days after the recording. Existing law requires that any inspection of an audio or video recording shall be provided without charge on equipment made available by the local agency.
The Digital Infrastructure and Video Competition Act of 2006 provides that cities, counties, cities and counties, or joint powers authorities receive state franchise fees in exchange for the use of public rights-of-way for the delivery of cable and video services provided within their jurisdictions, based on gross revenues, pursuant to a specified formula, from state franchise holders that provide public, educational, and governmental access (PEG) channels.
The bill would provide that an audio or video recording of an open and public meeting made at the direction of a local agency may be erased or destroyed 2 years after the recording.
The bill would require a local agency that collects a franchise fee from the holder of a state franchise that provides PEG channels to televise the open and public meetings of its legislative body and planning commission, and, if it is financially feasible, to televise the open and public meetings of any of its advisory committees unless the local agency can prove a financial hardship, unless doing so would result in a financial hardship, as defined, in which case the local agency would be required to broadcast the meetings via an audio-visual electronic medium or an audio medium, as specified. The bill would also authorize the use of the franchise fees to televise the open and public meetings of the local agency and to cover the necessary expenses, as defined, for implementing the televising of the local agency's open and public meetings. The bill would authorize, if franchise fee moneys in excess of that necessary to televise these meetings are available, the use of such fees to provide live streaming of these meetings on the Internet.
By imposing new duties on local public officials to televise open and public meetings, the bill would impose a state-mandated local program.
(a) There have been over 50 public access channel closures in California municipalities. Seven of those municipalities are found within the boundaries of the 48th Assembly District.
(b) Unfortunately, many local governments are not utilizing General Fund moneys or franchise fees for support, in addition to public, educational, and governmental access (PEG) channel funds, for the operation of public access television. Not televising open meetings or providing public access television is a threat to accessing public information in a readily available medium.
(c) PEG channels permit schools, governments, individuals, and groups to provide and receive information about local events, emergencies, and issues. PEG channels encourage the creation of local programming not only by local municipalities but by civic groups and nonprofits to promote localism and civic engagement.
(a) A person attending an open and public meeting of a legislative body of a local agency shall have the right to record the proceedings with an audio or video recorder or a still or motion picture camera in the absence of a reasonable finding by the legislative body of the local agency that the recording cannot continue without noise, illumination, or obstruction of view that constitutes, or would constitute, a persistent disruption of the proceedings.
(b) An audio or video recording of an open and public meeting made at the direction of the local agency shall be subject to inspection pursuant to the California Public Records Act (Chapter 3.5 (commencing with Section 6250) of Division 7 of Title 1), but, notwithstanding Section 34090, may be erased or destroyed two years after the recording. An inspection of an audio or video recording shall be provided without charge on equipment made available by the local agency.
(c) (1) A local agency that collects a franchise fee adopted pursuant to paragraph (1) of subdivision (q) of Section 5840 of the Public Utilities Code from the holder of a state franchise that provides public, educational, and governmental access (PEG) channels shall televise the open and public meetings of its legislative body and planning commission unless the local agency can prove a financial hardship. As used in this paragraph, "financial hardship" means that the cost of broadcasting is greater than the amount of franchise fees collected annually. If it is financially feasible to do so, it shall also televise the open and public meetings of its advisory committees that are governed by this chapter.
(A) If a local agency has received bids from private entities and at least one nonprofit organization for televising the open and public meetings of its legislative body and planning commission and accepting the lowest bid would result in financial hardship, the local agency shall use another audio-visual electronic medium, such as online streaming video, to broadcast the open and public meetings of its legislative body and planning commission.
(B) If, due to additional demonstrable hardship, it is not feasible for a local agency to broadcast the open and public meetings of its legislative body and planning commission via an audio-visual electronic medium, the local agency shall broadcast the meetings via an audio medium.
(2) The Legislature strongly encourages local agencies to partner with nonprofit organizations, institutes of higher learning, school districts, and other outside organizations in their efforts to comply with paragraph (1).
(3) A local agency may utilize any portion of franchise fees collected from the holder of a state franchise pursuant to subdivision (q) of Section 5840 of the Public Utilities Code to televise the open and public meetings of the local agency, including, but not limited to, any necessary expenses for implementing the televising of the local agency's open and public meetings.
(4) If there are franchise fee moneys available in excess of the amount necessary to televise open and public meetings as required under paragraph (1), the local agency may use that money to fund live streaming of its open and public meetings on the Internet.
(5) As used in this subdivision, "financial hardship" means that the cost of broadcasting the open and public meetings of the legislative body and planning commission is greater than the amount of franchise fees collected annually.
(6) As used in this subdivision, "necessary expenses" includes, but is not limited to, the hiring of personnel, the purchase and maintenance of equipment, or the rental or leasing of production facilities.
No reimbursement is required by this act pursuant to Section 6 of Article XIII B of the California Constitution because a local agency or school district has the authority to levy service charges, fees, or assessments to pay for the program or level of service mandated by this act, within the meaning of Section 17556 of the Government Code.
However, if the Commission on State Mandates determines that this act contains other costs mandated by the state for which the authority to levy service charges, fees, or assessments is insufficient to pay for the program or level of service mandated by this act, reimbursement to local agencies and school districts for those costs shall be made pursuant to Part 7 (commencing with Section 17500) of Division 4 of Title 2 of the Government Code.
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2399 - 06 July 2019
Moorcroft in miniature – a microcosm of the art pottery world
No good library of British art pottery literature is complete without a copy of Paul Atterbury's 'Moorcroft'. The jacket illustration alone with its myriad tube-lined miniatures in a bewildering range of forms and patterns is particularly memorable. More than one collector has attempted to emulate the beguiling display.
Roland Arkell
Among them was the UK enthusiast who, after a 35-year collecting odyssey, closed his account to a packed room at Worcestershire auction house Kingham & Orme (20% buyer's premium) earlier this month.
The June 15 sale in Evesham dispersed 364 lots of Moorcroft for a total of just under £200,000, with all bar 15 lots sold.
The collection, given a stand-alone catalogue that now becomes a useful reference tool, included what must be the largest selection of Moorcroft miniatures ever offered for sale – 170 of them from the William Moorcroft periods alone plus others from later factory incarnations.
Art pottery guru view
The auction was preceded by a talk by art pottery guru Richard Dennis, who spoke about his long involvement with Moorcroft, initially as the dealer whose catalogue for an exhibition at the Fine Art Society in December 1973 was the first effort at a factory chronology and later as factory saviour with his wife Sally Tuffin in the 1980s.
Miniatures, Dennis recalled, had long commanded a commercial worth far outweighing their diminutive stature. Even in 1973 many of these 2½-3½in high vases, jugs and bottles were £30 each.
Forty-plus years later, the majority of lots were sold in the £150-300 range. However, some of the hard-to-find issues from the James Macintyre and the early Cobridge eras were £500-plus and a handful in a different league altogether.
When filling the gaps in a near-comprehensive display, the collector had paid as much as £5000 for a Yellow Poppy on white chalice form vase c.1904. It found a buyer here at £3400, selling to one of a handful of UK collectors who bid strongly across this section.
A series of Macintyre miniatures with rare salmon pink grounds also took four-figure sums – Orange Poppy c.1903 and Blue Poppy c.1904 sold at £1300 and £900 respectively – while good examples of the green-blue Hazeldene design c.1912 took £1400 and £1300.
Collecting at this level is a near-forensic examination of pattern, ground colour and condition. With some examples offered in multiple (this was occasionally too much of a good thing), condition frequently made the difference.
Specialist George Kingham noted some buyers could turn a piece down on the basis of a frit or a bruise. There were, for example, two versions of a tiny Harebells double gourd vase c.1903, one with small imperfections selling at £800, the other at £2400.
Small is often considered beautiful in Moorcroft collecting circles.
A Macintyre scent bottle is a great rarity. There were two in the sale, both from c.1904. An egg-form flask with a gilt-metal screw top decorated with Blue Poppy, perhaps the smallest piece in the auction at around 1½in (4cm) long, was pitched at £2000-2500 and knocked down at £3000. A flask and stopper decorated with Tudor Roses estimated at £1500-2000 sold at £1600. The latter represented a financial hit for the vendor: it had sold at auction in the regions for close to £5000 a decade ago.
The market has doubtless fallen a little in recent years – an estimated 25-40% according to Kingham – although the softening does depend on exactly what is for sale.
As a general rule the collecting fashion is against the two-tone 'blue-on-blue' wares and the white ground wares such as Persian and Pansy. Buyers are more condition conscious.
"That's what happens when the market gets tighter," noted Kingham. He estimated that roughly 75% of the sale sold to private collectors.
The top lot, the large Pomegranate and Poppy vase pictured on this week's front cover, illustrated a more positive take on the market. It doubled the hammer price it had achieved in Canada in 1997, becoming one of one of the top 10 best-selling Moorcroft lots at auction.
At £16,000 it joins the price level of a lustre Carp vase (Bonhams in 2009) and a 'Moorcroft Ware' Pomegranate pattern advertising plaque c.1913 (Bonhams 2010).
Factory A to Z
The opening lots of the sale provided a more typical range of shapes and patterns that followed the factory history from its roots in the Art Nouveau and Arts & Crafts through the Art Deco period and towards the larger flower patterns of the post-war era.
During his pre-sale talk Dennis referenced the group of blue, pink and yellow Daisy pattern vases – a design from c.1902 that, although always popular with collectors, appears to have had a very limited run. There were five pieces here topped at £4600 (estimate £1500-2000) by a slender inverse baluster form vase decorated with blue blooms – a piece pictured in Atterbury's factory history.
Condition was the difference between two near-identical 6in (14cm) high yellow Daisy vases that sold at £3400 (for an example in perfect condition) and £2400 (for another with a small hairline to the footrim).
The latter was additionally marked to the base Made for Pophams Plymouth, a reference to the upmarket department store that was an early provincial retailer of Moorcroft wares.
An early Florian Ware landscape vase in the blue on white Hazeldene pattern c.1903 was deemed a particularly fine example (the pattern can be subject to 'bleeding' in the kiln but this had been a near-perfect firing).
It sold at £3400, a similar sum to that which snared a good example of one of the next generation of landscape patterns, a large 13in (32cm) shouldered baluster Eventide vase c.1925 sold at £3600.
There were more than a dozen pieces of Persian, a pattern first launched in the shadow of the First World War c.1914. An 8in (20cm) high amphora-form vase (£2800) and one of two versions of a 10in (24cm) double-gourd form vase with lug handles sold at £2800 and £2600 respectively. A miniature took £1400.
A rarity was a shouldered baluster-form vase in the same pattern with a sang de boeuf glaze. This so-called Red Persian vase, probably a trial piece, was estimated at £2000-2500 and pursued to £4000.
Export patterns
Notable too were the nine examples of the Waratah pattern – the scarce design depicting the state flower of New South Wales that was made primarily for the Australian market in the early 1930s.
Eight pieces, representing a range of different ground colours and glaze treatments, were sold including two high-temperature flambé glazed vases. A 4in (10cm) squat baluster form vase took a punchy £5000 while an 8in (21cm) waisted trumpet vase made £5800, a small hike on the £4200 it had fetched at Sotheby's in 2002 as part of the Albert Wade collection.
Another range made for the Australian export market c.1930 was the experimental Gum Tree pattern with its large blue-white eucalyptus blooms against a black ground.
Only three pieces are known including a 11in (23cm) baluster vase sold at the lower end of a £4000-6000 estimate.
Other recent Moorcroft sales
Moorcroft previews
Read ATG's in-depth collecting guide to Moorcroft Pottery
Kingham & Orme
Big bids from collectors for Moorcroft little and large
Glass and ceramics greats star in saleroom
Beastly Beswick rarities in demand
Top Doulton demand evident in Evesham
Unsentimental decision to split Queen Anne silver tazza and tankard after 300 years together


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Talented new producer Lunas debuts sunny new track 'Leave Me Now'
The crafted newcomer celebrates his nomination for a live slot at MELT! Festival with brand new material.
by Chris Hegholtz
This February we introduced you to the dreamy sound of Cologne-based newcomer LUNAS who wrote and produced most of his first EP Dive while he spent a year travelling through Australia and Indonesia. His chillwave and dream pop tunes which include the EP's lead single Mavericks echo the young producer's search for outstanding and catchy melodies that nonetheless form a coherent listening experience. Now, a new journey seems to begin for the talented 20-year old. Only recently, Lunas applied for a live appearance at the legendary MELT! Festival which takes place in Gräfenhainchen from July 15 to 17. The application makes sense as the MELT! is known for a diverse line up that features passionate electronic music as well as sophisticated and catchy indie-pop.
In order to celebrate LUNAS' nomination a brand new track Leave Me Now will exclusively being streamed via NOTHING BUT HOPE AND PASSION. The artist on his new song:
'Leave Me Now was written in Sydney in early January of 2015. I tried to produce a track that combines tropical percussions and elements of deep house with a touch of soul. It didn't fit the mood of Dive but it's all the more perfect for celebrating my nomination to play at Melt!
In the meantime, Mauelshagen has completed his live set and hopes to perform with additional live members soon. Also, new songs are currently in the works. If you want to see LUNAS perform live at this year's Melt! head over to Intro and give him a vote. The voting which leads to a top 3 of all candidates ends May 27th.
LUNAS
NBHAP's Nice Ones: The Songs That Moved Us In May 2019
How to keep an overview about the countless new releases that surface on a daily basis? NBHAP's staff provides guidance and introduces you to the five most essential new tracks that showed up on our radar over the past weeks.
The New Voices Of The City: NBHAP's Guide To Cologne Music Week 2018
10th anniversary: This year's Cologne Music Week features performances of promising newcomers from the vital city. Here are our special recommendations.
Dance The Despair Away With A New Update Of Our "Tasteful Party Times" Playlist
Sometimes a good groove is a fiting way to cope with all the chaos that's going on right now, don't you agree? Just in time for the second pandemic-shaped NYE celebrations we invite you to a wild ride through genres and decades of grooving pop by unleashing a furious mixture of disco, hip hop, post-punk, funk, electroncia and other old and new favourites from us.


Financing is available, so there is an option for everyone. Monthly Fee.
Sudzy POS is the easiest system for dry cleaning and laundry businesses. Manage your orders, billing, deliveries and employees with a simple iPad app. Our industry-leading, all-in-one software grows your revenue with online orders by text, web, and mobile. Sudzy is the only modern system that works both offline and syncs with the cloud, so you continue to run your business when the internet is down.
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Cons: Reports. Not being able to get a break down on the types of payments at the end of the day.


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Questa voce raccoglie le informazioni riguardanti il Piacenza Football Club nelle competizioni ufficiali della stagione 1966-1967.

Stagione
Nella stagione 1966-1967 il Piacenza disputa il girone A del campionato di Serie C, con 31 punti si piazza in dodicesima posizione di classifica, il torneo è stato vinto con 50 punti dalla coppia Monza e Como, i brianzoli vincono lo spareggio e salgono in Serie B, retrocedono la Mestrina con 25 punti e la Cremonese con 17 punti.

La truppa biancorossa del presidente Vincenzo Romagnoli viene affidata per questa stagione al piacentino Sandro Puppo, con un glorioso passato di giocatore di Inter, Venezia, Roma e Piacenza, e di allenatore di Juventus e Barcellona. Il tecnico punta con decisione sui giovani e porta con sé il verbo calcistico della zona con un gioco armonico e corale, ma un simile assetto tattico richiede tempo ed esperimenti, senza poter fare affidamento sui risultati immediati. E sono proprio questi che mancano al Piacenza in questa stagione, che disputa così un torneo anonimo e sofferto pur giocando un buon calcio. Segnano un po' tutti, anche difensori e centrocampisti, il miglior realizzatore piacentino risulta il centravanti Silvano Galli arrivato dal Rapallo, autore di cinque reti in quindici partite giocate.

Rosa

Risultati

Serie C girone A

Girone di andata

Girone di ritorno

Note

Collegamenti esterni
Stagione 1966-67 storiapiacenza1919.it

1966-1967

redpajama_set_name: RedPajamaWikipedia


The top left square will help you determine if the scaling of your patterns are correct, this square should always be 10x10cm.
You'll now have to create a new document. Make sure to set up to the width of the fabric (we've chosen to proceed with matte Lycra which as a printable width of 147cm) x the length of the print, this size legging will not exceed the 1 metre.
Paste the pattern piece and square scale into new artboard. The left and right hand side is where the selvage of your fabric will be, make sure you always keep the grain line (line within Patten) parallel to the selvage.
You can now double check the square scale which should remain 10x10cm and delete or move off the artboard and position the legging where you'd like.
Rotate your leggings so that they are the right way up, make sure that the centre line (grain line) is always parallel to the selvage (left and right sides of your artboard). Select the pattern including all notches details and grain line and rotate while holding down the shift key to ensure it rotated exactly how you need it.
To make a pair, copy this leg pattern by selecting the shape of the pattern and once selected go to Object>transform>reflect and select vertical Axis and click copy.
You now have a pair.
You can now delete the grain line and text, but keep all notches, you will need them for making. For this tutorial we've left the text from one of the legs to print, if you are thinking about printing several sizes it will very helpful to have this information next to each size to avoid confusion. Notches are the little nicks which are around the patterns which will help when constructing the leggings.
Copy all notches and paste into new layer for later use. Make sure you select all notches and if for any reason you are moving the legging pattern make sure you select the notches layer so that they move together.
Open up the design you would like to use, make sure the design has been setup slightly larger than the legging pattern size roughly 110cm long x 65cm wide and copy and paste into the artboard.
Select design >object>arrange>send to back.
With both the artwork/design and legging pattern selected Object>clipping mask>make. Now you can only see your design in a shape of a leg pattern.
Select all notches in other layer and change the colour so they become visible.
Group all layers including leggings and notches and centre, your file is now ready to submit to have printed.
Get your math skills ready for this fabric repeat pattern tutorial in Illustrator. We would recommend to start with repeating simple objects first to understand the concept of repeating pattern in Illustrator, once it is understood nothing will stop you to create!
Either open up an existing illustrator file or begin by developing your vector image that you desire to repeat. We have started with a basic spot, varying the size and colour to add variety and this will form the base of the repeat.
Set up your art board to your desired repeat size. This depends on your end product, but to start off with, work with squares to help with calculations. We have set up my repeat to be 32 x 32 cm. For interested sake, this is a standard rotary repeat set up. Place your initial artwork to the top left corner of the art board, letting it hang over the edge.
Select all objects (sometimes helpful to group them so you don't miss any when duplicating). Double click on the black selection tool in the tools panel and a dialogue box will appear.
This is how you can move objects an exact amount i.e. the repeat size and know that all objects within that repeat will align perfectly.
First duplicate the selected objects the repeat size down or vertically. This repeat is 32 cm, so they are moved 32 cm vertically.
Make sure the horizontal value is 0. Click COPY.
Now repeat horizontally by selecting both groups of objects along the left side. When in the move dialogue box make sure the horizontal value is the repeat size and the vertical value is 0. Click COPY.
Now is the time to fill in the blank space in the middle with additional objects.
Tip: Lock the three extra sides of the repeat or put them on a separate locked layer so they can be easily deleted in a following step. This may require some more advance knowledge of illustrator, but don't let this deter you if you are new, it could be helpful in mastering the program! The level of difficulty here will greatly depend on the style and type of original artwork you are using and will call into play several design elements and principles such as space, balance and unity. Watch out for anything that forms a definite line or track mark through your design. You may need to shift or adjust parts of your original artwork to make the repeat work, in which case is can be a good idea to work in layers (with a copy of the original locked) in case you want to jump back to the beginning.
Work towards filling in the edges, duplicating them down/across to the repeat edges, till all you have is the middle to fill.
Continue until you are happy with the flow and feel of the design.
Now delete the three extra sides that were locked or moved to another layer. Then repeat the duplicating sequence with all the added areas/dots of the design. This will help you check anything that may have doubled up or just doesn't look right in the repeat.
When you are satisfied with your repeat tile, you can set it up for digital fabric printing. Position two repeat tiles (vertically) so they hang over the left side of the art board. Increase the artwork WIDTH to the width of the fabric (in this case 147cm), keep the height of the art board as the repeat size.
Duplicate the selected objects across the width of the art board so it is covered completely. Tip: Once you have used the move tool to move the exact repeat size and clicked copy, ctrl D to duplicate the exact last action.
Save As a PDF. Even though there are objects hanging off the edge of the art board, because they have been moved the exact repeat size, they will all meet up when printed seamlessly. This is now your Full Width Repeat Tile which repeats top and bottom you can use it for digital custom fabric printing.
Mirror repeat technic is one of the easiest way to make a repeat pattern with any digital image, photographs, graphic artwork or painting. Mirror repeat creates an interesting effect, simple and quick, doesn't require great Photoshop skills. To design your own fabric you can either use our Photoshop tutorial or Fabric Uploader with an instant Mirror repeat option.
Open your artwork in Photoshop, make any adjustments to the dimensions (width/height) at this stage.
Double click (press OK) the background layer in your layers panel so it is no longer locked.
Increase your artboard size, go to Menu > Image > Canvas Size > double the width of the canvas size making sure to click the left arrow so the increase only happens to one side.
Now duplicate the original layer by clicking and dragging it to the second from the right icon at the base of the layers panel.
With the duplicated layer selected go to Menu>Edit>Transform>Flip Horizontally>OK. Drag the flipped layer across (holding down SHIFT key) so the layer slots into place in line with the original layer. Make sure to zoom into mirroed join beetwin the images to double check that no pixels are out. Merge layers by sellecting them both, right click and choose Merger Layers option.
Repeat this step again, but mirroring the length/height of the image. When you transform the duplicated layer, make sure to flip VERTICALLY before dragging into place.
seamlessly on all four sides! Now you can use your design for digital custom fabric printing.
Katy Dee from Letter 11 recently printed custom fleece fabric with us to make comfy baby blanket for her little nephew and shared her creative process with us. Get creative, make your own fleece blanket, its super easy!
Custom printed fleece fabric, the beauty of this fabric is that you can make a blanket without using filling or backing fabric. One layer of fabric is enough to get comfy and snuggly. You can order your custom fabric here!
Bias Binding, you will need enough to go around the entire blanket. For this a 1.5m x 1m fleece blanket used just over 5m.
Cut your custom fleece fabric to the size and shape you want, in tutorial the blanket is 1.5m by 1m which is big and snuggly! A square would also be cute.
Find a spot around half way down the longest length of blanket to start pinning the bias. To pin you fold it naturally in half with the flaps on the inside and wrap it around the blanket pinning all 3 layers together like a sandwich. Carry on pinning the binding all the way to the corner.
Now it's time to begin sewing…. Using running stitch and the colour thread of your choice, pop the blanket in under the machine foot and do a few back stitches first to secure the bias. Then continue sewing on the inside edge of the binding and down towards the corner following and removing the pins as you sew….
To wrap the bias binding around that corner nice and neatly, fold the corners down to create a diagonal fold and pin this into place. At this point, also pin the binding along the length towards the next corner. Sew slightly into the diagonal fold, stop to rotate the blanket so you can sew another side of the blanket bias and continue to sew all around the fleece blanket.
When you are nearly at the point where you began sewing, do a few backstitches and remove the blanket. Cut the binding neatly so there is just a 4-5 cm length left. Fold this in on itself and pin down into place creating a neat hidden pocket. Now you can pop the blanket back in and sew that last little bit up! Don't forget to finish with a few backstitches for safety!
And there you go, a super cute baby fleece blanket!
If you're looking to give a bright make over to your home, this DIY project is for you! Curtains are a great way to add color and pattern to your home and they are so easy to make.
Elba from Live Colorful shows us how, with her easy DIY curtains tutorial, which she made using the Lemonade fabric she created with Digital Fabrics!
A couple months ago she moved into her new home, but if you've ever been through it you know how hectic a move can be. She had her eye on the ugly gray-green curtains that she wanted to change and now, thanks to the Lemonade fabric she created with Digital Fabrics, she had the perfect DIY opportunity to give this space a bright and personal touch.
Elba hasn't been able to find prints that she loves, so inspired by that, she created the LIVE COLORFUL collection which features bright and happy prints that are perfect for many DIY home decor projects.
You can also win 2 meters of one of her designs so make sure you go check it out.


Included in the software bundle are: EngInSite Editor for PHP - 1 license. PSGI Plack are inspired by Python' s WSGI Ruby' s Rack.
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Superglue interface between perl web application frameworks web servers just like Perl is the duct tape of the internet. Amavisd- new is a high- performance interface between mailer ( MTA) content checkers: virus scanners SpamAssassin. To fire up the CPAN module just get to your command line run this:. En effet, il permet de collecter des milliers de modules prêts à être utilisés.
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Official website. If you do not have an Internet connection for each of the servers in your IBM® InfoSphere® Master Data Management Collaboration Server installation you can download the Perl modules from CPAN then copy them to your servers for you to install. CPAN has evolved and the easiest way now to install CPAN modules is using the CPAN: App: : cpanminus installer.
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The simplest way to install Perl modules to use the CPAN module itself. Author: Nikos Vaggalis < nikosv ( at) > Abstract: is a procedural module that provides manipulation ( extraction and listing of embedded information) of compressed RAR format archives by interfacing with the unrar. Table of Contents.
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4 including the Standalone LDAP Daemon slapd( 8). That seemed like a bizarre choice to me, but I' ve decided to use it as an excuse to write an article explaining why I think that' s a really bad idea. How to install cpan modules without internet access. NSA320 Server pdf manual download. Js, then enter the following command: npm install.
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Installation is straightforward if your machine has Internet access. A Quick- Start Guide.
Comprehensive Perl Archive Network. You can never have too many Perl modules. Hi Sanjay, I haven' t had been in a situation where I' d to install without root access. But hopefully, the install script should give you an option to specify a different st modified: Thursday, 26- May- 23: 21: 32 UTC For questions regarding web content and site functionality, please write to the net- snmp- users mail list. For questions regarding web content and site functionality, please write to the net- snmp- users mail list.
Perl 4 went through a series of maintenance releases, culminating in Perl 4. At that point, Wall abandoned Perl 4 to begin work on Perl 5. Initial design of Perl 5 continued into 1994.
The perl5- porters mailing list was established in May 1994 to coordinate work on porting Perl 5 to different platforms. It remains the primary forum for development, maintenance, and porting of Perl 5.


MQA undertook this since its inception, visiting the site covered in palm trees and sand on the beach resort of Nui Ne, Vietnam. The sheer excitement of this project was how such an oasis could be created along-side the warm South China Sea, to result in a fusion of European and Oriental interiors as was the vision of these Irish clients.
MQA was involved in the fit-out of this project, working in conjunction our French architectural partners, who were based locally to the site. We redesigned the overall scheme in terms of space-planning, fit-out and finishes, whist our partners oversaw the work on site.
Built only last year, this has become a very popular destination venue, for food and dancing and has been used as a venue for MTV programmes. Next year will see an additional floor added with accommodation, making it the newest and coolest venue in the resort of Mui Ne.


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5 Country Artists Who Became Grand Ole Opry Members in 2022
Since it was established in 1925, the Grand Ole Opry has become a pivotal thread weaved within the country music community. Since it first hit the airwaves as the WSM Barn Dance, the radio program has evolved into one of the most recognizable entities within the genre.
Many country music hopefuls speak of their dreams to one day become an official member of the Opry, but it takes much more than just success on the radio charts to earn a spot within its ranks. Over 200 artists have been inducted over the decades after passing an intensive selection process, which often includes an endorsement from current members.
Becoming a part of the Grand Ole Opry also means agreeing to a long list of rules and regulations that must be followed to maintain their membership. Although those guidelines sometimes shift and change, many artists have been vocal about their intent to respect the responsibilities and traditions that come with being an Opry member.
As we wait to see who will be the first artist to earn an invitation into this prestigious club, take a look at the country stars who were officially inducted into the Grand Ole Opry in 2022:
A new class of Grand Ole Opry members earned their spot in country music history this year. Take a look which acts were inducted in 2023.
Jo Dee Messina Through the Years
From her career takeoff in 1999 to her surprise comeback, sparked by Cole Swindell's hit tribute "She Had Me at Heads Carolina," take a look back at these pivotal moments from Jo Dee Messina's country music career.
This article was originally published by Theboot.com. Read the original article here.
Broadway Box Office Slips As Wintertime Ticket Prices Drop
What to Watch: The Watchful Eye; Pamela, A Love Story; The Ark
The Boot's Weekly Picks: Lauren Morrow, Mae Estes + More


Dr. Pidcock received his bachelor's degree in Biological Sciences from the University of Delaware in 1992. He received his Doctor of Chiropractic degree from Life University in Marietta, Georgia in 1996 where he graduated with honors. He and his wife opened Pidcock Chiropractic, Inc. in Augusta, Georgia in 1997. He is a member of the Georgia Chiropractic Association. He is a member of the Church of the Good Shepherd. In his spare time, he enjoys playing golf and spending time with his wife Kim and their four daughters.
Dr. Deichman received his bachelor's degree in Business Management from Anderson University in Anderson, SC in 2011. He received his Doctor of Chiropractic degree from Palmer College of Chiropractic in Port Orange, FL in 2014. He is a member of the Georgia Chiropractic Association. In his spare time, he enjoys playing and watching sports and spending time with his wife Casey and their daughter.
Kim graduated from Kennesaw State University with a bachelor's degree in Early Childhood Education. She and Dr. Pidcock opened Pidcock Chiropractic, Inc. in 1997. She is a member of the Church of the Good Shepherd. She enjoys exercising and spending time with Dr. Pidcock and their four daughters.