text:
"An" Ecclesiastical History of Great Britain, Chiefly of England ..., Volume 8
By Jeremy Collier
gentlemen, which might make this construction pass. But CHARLES these allegations were found evasive; for Kilvart produced a letter written by Williams, to his secretary Walker, at the time when the misunderstandings happened between Laud and Weston. The letter is this :
"Here is a strange thing. Mr. Osbaldston importunes me to contribute to my lord-treasurer's use some charges upon the little great man, and assures me they are mortally out. I have utterly refused to meddle in this business; and I pray you learn from Mr. S. and Mr. H. if any such falling out be, or whether somebody hath not gulled the schoolmaster in these three last letters, and keep it unto yourself what I write unto you. If my lord-treasurer would be served by me, he must use a more near, solid, and trusty messenger, and free me from the bonds of the Star-chamber, else let them fight it out for me."
The mystery thus discovered, they both fell under the statute of "Scandalum Magnatum," which drew another fine of 8,0001. upon the bishop. Osbaldston's sentence was a fine of 5,0001., the loss of all his Church preferments, to have his ears fastened to the pillory in the Palace-yard ; and both of them were adjudged to pay costs to archbishop Laud. These were looked on as harsh proceedings; but the archbishop, as it is affirmed, had a favour in reserve for Osbaldston, and resolved to throw himself at the king's feet, that the corporal punishment might not be executed. That this was his intention, Rushworth. seems probable, by Osbaldston's not being immediately con- Anglic.
Cyprian. fined, but suffered to make his escape.
These rigours, as they were construed, of the Star-chamber, prosecuting the clergy for not reading the declaration for sports, and falling short of compliance in ceremonies, gave an umbrage to the Scots, filled them with jealousies, made them more implicit to Presbyterian suggestions, and an easier property to the politicians of that kingdom. This gave the malcontents a handle for practice, and a stronger aversion to the Common Prayer. Their disaffection to the hierarchy was pushed farther by the faction in England, who were not without a correspondence with the Scots. These men being highly disgusted with the publishing the book for sports, removing
LAUD, the communion-table to an altar situation, suppressing lectures Abp. Cant, and afternoon sermons, and forbidding preaching or printing . .
in defence of Calvinism, carried their complaints to the remotest parts of the island, and alarmed the Scots with apprehensions of being reduced to the same condition. They believed their own prelates acted by concert with Laud and his party, raising their jurisdiction upon the ruins of presbytery, and bringing the Church to the English model. This, beside their particular exceptions to the new service, made them strongly prepossessed against this affair.
The bishops, pursuant to his majesty's commands, ordered intimation to be given in the pulpits at Edinburgh, that the next Sunday, July the 23rd, the Service-book would be read in all the churches. The ministers dilated upon the benefits of the Common Prayer, and exhorted the people to compli
ance.
A.D. 1637.
insulted.
Accordingly, on the 23rd of July, the dean of Edinburgh
began to read the book at the cathedral of St. Giles's ; but the Prayer read devotion was quickly disturbed by a mob of women, who outburgh, and raged the dean with clamour, and other instances of rudeness.
Upon this the bishop of Edinburgh, stepping into the pulpit, put them in mind of the place, and the business, and endeavoured to recover them to decency and temper; but admonition serving only to enrage the more, they threw stools at the dean and bishop, and attempted to pull them out of the pulpit and desk. The ministers who read the Common Prayer in the other churches met with the same treatment, and made their escape with great difficulty. The lord chancellor and the secret council, to prevent the repetition of this insolence,
appearing well attended in the afternoon, the book was read L'Estrange, without disturbance. However, the bishop going to his house History of King was in danger of being murdered in the streets ; but by good
; providence, the earl of Roxburgh coming by, took him into his coach and outdrove the rabble. This bold sally, though it carried the face of a rash unpremeditated riot, was, in reality, the result of a consultation held at Edinburgh in April last. Here the lord Balmaranoch, sir Thomas Hope, advocate, and Mr. Alexander Henderson, with some others of conduct and figure, being in the concert, engaged the women to begin the attack
upon the book, giving them an assurance the men would support them, and go on with the quarrel.
Charles 1.
Guthrie's
Memoirs.
Guthrie.
Notwithstanding this inauspicious beginning, the archbishop CHARLES of St. Andrew's charged this Henderson, and Mr. James
. Bruce, beneficed in Fife, to read the book under the penalty of August 23. "horning." These two ministers addressing the lords of the Horning' is
outlawry for council for a suspension of this order, were so far considered, treason. as to have a month's respite; during which time these lords
778. wrote to the king for further instructions.
The bishops expected the council would have discountenanced these ministers in their petition, and punished the rioters at Edinburgh in an exemplary manner; but when they found themselves disappointed in both, they began to distrust their lord-treasurer, when it was too late.
The countenance Henderson and Bruce met with at the council encouraged the rest, and several of the nobility, with no small number of the ministers and burgesses, declared openly for the cause, and addressed the board in form against the Common Prayer.
If we inquire into the reasons of this unhappy miscarriage, Some reuthe earl of Traquair's being too much confided in by the sons of the
miscarriage English and Scotch prelates, and their resting the whole affair of this
affair. the conduct of this nobleman, had no small weight upon upon the disappointment. I have already observed, that this earl being apprehensive of a rivalship in interest from the bishop of Ross, grew disaffected to the rest of his order. That he was no friend to the bishops, appears further by his letter to the marquis of Hamilton, upon the subject before us. desires the marquis "to suggest to his majesty, that if he is
Traquair pleased to send for any of the Scotch clergy to report the con- the Scottish
bishops to dition of affairs, or employ them in the present juncture, he disadwould choose some of the best qualified with temper and dis- vantage. cretion ; for, as for some leading men amongst them, they were defective in judgment, and extravagantly violent and forward ; that their want of understanding to manage things of this niceness and weight embarrassed the council with a great many difficulties; and that their rashness and folly, both in discourse and business, were the occasion of fears and jealousies among the people, and made the government misconstrued. That the bishops complained their revenues and jurisdiction were seized by the Reformation ; and that the worship of God
Memoirs of was not in all circumstances exactly settled." From hence it Duke of
Hamilton, appears the earl was not pleased the bishop should remember p. 41.
He The earl of
represents
LAUD, encroachments upon religion, move for redress, and endeavour Abp. Cant.
restoring the Church to a primitive condition.
To return : the postponing the reading the Liturgy from Easter to July was another wrong step: by this delay the Presbyterians had time to form counter-schemes, and make parties against it: they had leisure to alarm the people with jealousies, stating that the purity of religion must suffer, and that superstition and popery would be forced upon them. And thus, when they had surprised their understandings, misreported the Church and State, and worked themselves to a confidence with their party, it was then in their power to govern almost at pleasure. It was thought the Scotch bishops made some other mistakes : for, not to repeat their declining getting the book passed in a general assembly, they fell into another error, by making their first trial in a town where they might reasonably expect most opposition : instead therefore of executing the Liturgy at Edinburgh, they should have made their essay in remoter dioceses, where the people were less indisposed.
Some of the Scotch bishops are likewise blamed for not preacquainting the lords of the council, and others of the nobility, with the design: had these great men been at first applied to for their concurrence, and courted into the interest, it is believed no small numbers of them might have been gained: this was the archbishop of Canterbury's advice, when the Common Prayer-book was under the first digestion. Some of the Scotch bishops likewise complained of their not being taken into the consultation; this was censured as an excess of secrecy : for which way could these prelates, who knew little or nothing, exert themselves, and work their clergy to compliance ? Besides, there was no care taken to make the ministers; nothing promised to take off the leading men, and bribe them to their duty: and lastly, the public intimation of reading the book a week before might probably disserve the undertaking: for what was this notice, but a kind of summons to the malcontents, to rendezvous the mob, and prepare them for mutiny and insult? And thus much for the mistakes prior to the experiment. To proceed to some other following instances. First, when the Scotch bishops found the book ill received, and the rabble rise upon it, they consulted apart, sent the king word of what had passed, without pre-acquainting the temporal lords, or reinforcing the cause with that interest. Next, their
leaving Edinburgh, and retiring all to their dioceses, excepting CHARLES the bishops of Galloway and Dumblain, was remarked as another error: for, as Canterbury, in one of his letters to Traquair, expostulates, they must needs imagine the adverse party would make an advantage of their absence, and clog the undertaking with new difficulties.
But to this it may be answered, the bishops might reasonably conclude themselves unsafe in this town: for neither the lords of the council, or the magistracy, had given any orders to seize the chief incendiaries, and bring them to justice: this impunity looked either like fear or favour, and encouraged to further insolence: had the sword of justice been seasonably drawn on some few, it is probable it might have prevented a great effusion of blood, and secured the repose of that kingdom : but those who managed the administration seemed to have other views, or at least different thoughts, of the issue ; for instead of punishing the rioters, they suspended the Liturgy.
It is true, the Edinburghers being apprehensive the English fleet might distress them, by blocking up their haven, endeavoured to bring his majesty to a better opinion of their conduct. To this purpose, in their letter to the archbishop of August 19. Canterbury, they declared their abhorrence of the late tumult, protested their innocency, and appealed to the lords of the council for their vindication : to this they subjoined their readiness to assist the bishops and ministers for settling the service book; and that they would do their utmost to promote this affair, and protect those that engaged it. And to give their application a stronger appearance of reality, they seized some of the mutineers, and made inquiry after others : and whereas the city ministers desired to be excused reading the book till security.was given them against the rabble ; the magistrates and common-council of Edinburgh signed them a safeguard in form, and over and above settled a maintenance.
And now harvest coming on, the frenzy of the populace seemed to cool, and business was some intermission to sedition; but after this season was over, the Presbyterian faction drew together again, and appeared at Edinburgh in formidable 779. numbers. And now the burghers began to lay aside the mask, and discover their inclination. Instead of exerting their former zeal for the Common Prayer, they presented an address to the


text:
Ghoonghat kali ka na khol
Chingaari koi bhhadke
Sapt suran teen graam
Posted by: Atul on: August 5, 2011
In: Actor-Singer song | Artist century song in blog | Century songs for the blog | Guest posts | K L Saigal Film songs | Post by Sudhir | Semi Classical song | Songs of 1940s (1941 to 1950) | Songs of 1943 | Yearwise breakup of songs
This article is written by Sudhir,a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
A hundred songs ! Given that the film industry generates many thousands of songs every decade, a hundred songs is a small number. But these hundred are special. These hundred belong to a very exclusive set of a total of 185 songs. And this exclusive set is the musical fortune, each song a jewel studded with priceless gems. Available for the pleasure of all, yet this treasure is a mine of gold and diamonds. Priceless, for this is all that is. There cannot be any more additions to these jewels. Yes, I refer to the recorded legacy of Saigal Saab – a list of 185 recordings in all. Of these, 110 belong to Hindi films, 37 are non filmi songs, in Hindi / Urdu. Of the remaining, a set of 30 recordings are part of Bengali cinema, and the remainder are in other languages (Punjabi, Tamil, Persian). So yes, this blog now hosts 100 of the total of 147 renditions (in Hindi/Urdu) by Saigal saab. An important accomplishment and an occasion to celebrate. Congratulations all.
It is said that they die young, whom even the Gods adore. An age of 43 years, a career of just 15 years, a set of 39 movies, and a supreme legacy of 185 renditions. That is the short summary of the life of Saigal Saab. A much written about and a much celebrated life, now told on this blog in a hundred songs.
Saigal Saab used to sell typewriters in Calcutta. In his memoirs, the famous poet and story writer, Kidar Sharma, tells about a Diwali evening that he had once spent with Saigal Saab, and a touching episode of his life that Saigal Saab shared with him. The income from selling typewriters was not much, so in his spare time, he also used to sell cheap cotton saris in poor localities of the city. In one such locality, he met a young girl, Najma. She never had enough money to buy anything from him, but would see his wares, and always request to save a specific green sari for her; she would buy it when her brother could earn enough to afford it. The sari was worth ten rupees. One day she promised her brother will have the money by subsequent Friday. On the promised day, when Saigal Saab returned to the same locality; alas the fate had something else in store. Najma had succumbed to some short illness just the day before. Sadly enough, the sari she preferred so much became the shroud of her final journey. Saigal Saab stopped selling saris after this.
The episode is reminiscent of the character of young Sakeena in the film Parwaanaa (1947). A gentle and a loving person in real life, he would meet and greet all with courtesy and respect. Contemporaries spoke about his gentleness, and his love for everyone that he met. His proficiency in singing was such that the classical singers and ustads were awe struck in his presence, and yet his humility, and a complete lack of arrogance was a hallmark of is character.
The famous Saarangi player of his time, Imtiaz Ahmed recounts his first meeting with KL Saigal. Sometimes in the month of March, 1924, at the railway station in Muradabad, he encountered a young man, sitting on a heap of postal bags and was singing a classical thumri. All by himself on the deserted platform (the next train was not due for some hours), this young man was effortlessly engrossed in his own world, and singing only to himself. When the young man realized he was not alone, he stopped singing and started to walk away. Imtiaz Ahmed followed him and tried to find out more about him. The young man said he was not a trained musician or a singer, but was just trying to imitate someone he had seen.
Kundan Lal Saigal was born in Nawashehar (Jammu state) in April 1904. His first music teacher was his own mother, Kesar Kaur, from whom he learnt bhajans and shabad. Neither his mother, nor he himself had any formal training in music. As a child, his parents worried at his lack of interest in studies, and his habit to sing and hum. In 1915, at the age of 11, his worried mother took him to a sufi saint Sheikh Suleiman Yusuf. This would be his second visit to this saint, the first one being at his birth, when his parents had taken the infant Kundan for blessings. On this second visit, the saint assured Kesar Kaur not to worry, as the young Kundan would be a very famous personality one day. The saint himself was a master in music; he took young Kundan under his tutelage, and formally rendered to him the practice of 'zikr' and 'riyaaz'. The happy child Kundan felt freedom and flow in his veins and continued to practice on his own. In 1916-17, when he was 13, and episode came to pass, when he felt he was not able to sing. Miserable with this realization, he implored his mother to take him back to the saint. In this third visit now, the young man related his state of sorrow to the saint, and his sudden loss of ability to sing. He fell at the feet of the saint and cried inconsolably. The saint knelt down and helped Kundan to get up and made him sit beside him. He then instructed the young child solemnly. He revealed to the child that whatever singing happiness he had experienced thus far, was in a voice not his own. Now a new phase would start and he would be able to sing in his own voice. The strict instruction was not to practice or to present his skills in front of anybody.
From then till the years 1921-22, the young Kundan did not visibly sing anything, but kept on a strict regime of the practice of 'zikr' and 'riyaaz' very privately. In the later years, all the fame and popularity that came the way of Saigal Saab, never touched his ego, for his belief in the instructions of his primeval Guru, Sheikh Suleiman Yusuf, was such that he attributed all his success and accomplishments to him.
In 1923-24, Kundan Lal left home, in search of what, even he did not know at that time. Very little account is available of the next 7 to 8 years of his life. Except for some sightings and chance meetings, like the one at Muradabad railway station, not much is known about these lost wandering years of his life. It appears that he was training and practicing by himself, in places where not one would know him. At the end of this period, around 1930-31 Kundan Lal reached Calcutta. Family friends in that city helped him settle down. He started working as a salesman with the Remington typewriter company. His practice of music continued, as instructed by his master; all by himself. During this time, he learnt chaste Bengali. He could perfectly converse in this language. His comfort and expertise was such that Rabindranath Tagore himself gave permission to Kundan Lal, to sing the songs that he (Tagore) had created. At the age of 26, he got associated with New Theatres. At the start of his film career, he used a pseudonym, 'Saigal Kashmiri' as his acting persona for the first three movies.
The famous RC Boral recounts his first meeting with Saigal. RC Boral would often stop at a cigarette shop across from Metro Cinema on Chowringhee. One day he heard a humming that attracted him, but as he tried to look for the source, the sound stopped and the contact was lost. Next day, he had a visitor; a friend from Jullundur, Pt. Harish Chandra Bali came to his house with a tall young man and introduced him as "some raw material from Jullundur". As it got revealed that the young man has no training in classical music, RC Boral firmly declined to offer any help. Pt. Bali requested him to hear his voice. The young man started with a humming and then just as he was getting ready to sing, RC Boral stopped him, saying he has heard him before. On enquiry, it was revealed that yes, the young man was also at the same shop the previous evening. Thus started an association that would lead Kundal Lal to New Theatres, and to a career that was to enchant an entire nation.
The music directors and associates who worked with Saigal Saab, always marveled at his ability to sing a particular mood on demand. It is said that once he recorded two songs in the same recording session, with just a gap of maybe a minute between ending the first and starting the second. The songs – "Bina pankh pachhi hoon, mein kaise udd jaaun" from the film Tansen, and "Kyaa hum ne bigaada hai, kyun hum ko sataa'te ho" from the film Crorepati. The former is a song laden with helplessness, sorrow and longing of love, where as the second is a fast paced song of humour. Those present at the session have talked about an invisible divine presence; they cannot account for the psychologically near impossible feat of singing these two songs in tandem, to perfection.
This song from Tansen, is one of more difficult endeavors of Saigal Saab. Composed in Raag Dhrupad, this deliberated and slow composition is a very difficult piece to sing, even for trained classical singers. It is not without reason that there are actually very few classical singers of Dhrupad in the country. And yet, it is so effortlessly rendered by Saigal Saab, as is visible from the video clip. Sitting unmoved through the song, the rendering is enchanting, and spellbinding. The scenario created by the director is supposed to be such, the entire court of the Emperor Akbar is spellbound. But discounting the director's instructions, as one views this clip, the binding spell of the voice is just tremendous.
The video clip contains a lead in for about 4 minutes. This extra portion just before the song, is the first introduction of Tansen at Akbar's court. The regular music maestro, Khan Saheb, is preparing to sing for the royal audience. He sings for some time, and then is interrupted by an unknown courtier, who points out the flaw in the music as well as in the singing. The flaw in the music is exposed, as the main saarangi player capitulates and reveals that he has been playing the instrument with a false left thumb, and hence the music is not perfect. Akbar comments that if one flaw is established, then the second may also be. Khan Saheb complains this to be an insult at the hands of this unknown courtier, and demands him to sing and prove the fault. Tansen agrees, and settles down to sing. As he is starting, Khan Saheb enquires which instruments he would prefer for accompaniment. Tansen's response is that if the singing is good enough, the instruments will play themselves. And that is what happens. As soon as Tansen starts to sing, the entire court is amazed as they begin to hear the music from the instruments that no one is touching.
The music of this deeply classical piece is composed by Khem Chand Prakash. The words of this song are an original creation by the real Tansen himself. Although not acknowledged in the credits for the movie, but it is true that this creation is by Tansen. In the absence of this acknowledgement, the lyrics for this song are attributed to DN Madhok, which is not correct.
What more to say of this divine voice, that consistently continues to weave the magic, even today, more than sixty years since Saigal Saab stopped singing forever. The quality of the rendition is such that the enchantment of the voice continues to capture the heart of millions. In his tribute to this great legend, master musician Naushad Saab said it thus
Sadaayen mit gayeen saari sadaaye saaz baaki hai
Abhi duniyaa-e-mausiqi ka kuchh aizaaz baaki hai
Jo ne'mat de gayaa hai tu, wo ne'mat kam nahin saigal
Jahaan mein tu nahin lekin teri awaaz baaki hai
The sound has long departed, yet the instruments are still strumming
The world of music still has some honor left
The gift that you bestowed on us, is not a small gift (o Saigal)
You may not be in this world, but your voice continues to remain with us
(NOTE: Material relating to family history and other events, sourced from the publication 'Jab Dil Hi Toot Gayaa' by Harish Raguvanshi and Harmandir Singh 'Hamraaz')
Song-Sapt suran teen graam (Tansen)(1943) Singer-K L Saigal,Lyrics-Tansen,MD-Khemchand Prakash
gaavo sab gunee jan
ikkees moorchhanaa
baan taan ko milaavo
sapt suran
aurdav sankeeran sur sampooran raag bhed
alankaar bhushan ban
alankaar bhushan ban raag ko sajaavo
saat sur saadho mann re apne rabb ko jaan
gandhaar tajo gumaan
madhyam moksh paavo
pancham parmeshwar dhaivat dharo dhyaan
nee nis din prabhu charan chit laavo
ikkees moorchhanaa baan taan ko milaavo
Tags: 1943, K L Saigal, Khemchand Prakash, Tansen
4 Responses to "Sapt suran teen graam"
1 | Boodhemiyan-Saudi Arabia
Sudhir sir,
Wah,Wah ! Kya khoob !! Jawab Nahi aapka !!!
Lagta hai you have filled emotions in your kalam,and not ink.
It is an excellent write up.
However,there is a slightly deviated detail(though not much),in the incident about R.C.Boral's first meeting.
It seems, one day Harischandra Bali,who was a Music Director of many films himself,came to R C Boral-who was working for Pooran Bhagat that time,and told him about a young typewriter salesman earning 80/- per month,wishing to act and sing in films.R C Boral fixed a date to 'test' that man.Meanwhile,he heard a young man singing near a Paan Thela.By the time he went,the man had left.
Next day Bali brought that man for Boral's 'test' and Boral knew that HE was the same person who sang near the thela.
Saigal did not get to act in Pooran Bhagat,but he came on the stage and sang 4 songs which were filmed. (these details are given by Shri.Surjit Singh ji).
Not that this makes any difference in the story greatly,but for the sake of information ,I added it.
-Boodhemiyan-Saudi Arabia
Sudhir Kapur
Boodhemiyan ji
Thanks for your appreciation and words of encouragement. 🙂
Your description of the first meeing between Saigal Saab and RC Boral is indeed more detailed. Thanks for the more complete version.
2 | IDL Man
Boodhemiyan Bhai and Sudhir bhai,
The same details were given earlier in this blog.When I searched,I found that Arunkumar Deshmukh bhai has already written the same thing in his comments on 3-6-11,on the song 'Jao jao aye mere sadho…..' of Pooran Bhagat,about Boral's discovery of Saigal saab.
Except this minor thing,the article on Saigal saab is simply fascinating.
Sudhirbhai,you are really great.Your passions and involvement in the writtings are such that the reader is swept off his feet and flows with your narration.
Thanks and…….lagey raho.
IDLMan
IDL Man ji,
Thanks for your note, and kind words of encouragement. 🙂

redpajama_set_name: RedPajamaCommonCrawl


Brand Building takes both strategy and imagination. When you put the two together, you get big ideas and even bigger outcomes. That's why we build brands that leverage commercial, creative and analytical thinking — to build truly relevant, durable and compelling brands. This means inspiring your organization and customers, and impacting your bottom line.
Linking inspiration to bottom-line impact is what truly sets us apart. We make the connection critical to brand success — tying customer-led brand positioning to a clear activation program that drives market results. We marry: insights, strategy, imagination and a pragmatic grasp of operational reality. So your team is not only excited about where they're headed, they know how to execute in order to get there.
Your Website Design may be the first interaction a customer has with your brand. We design websites that parallel your brand and tell your story in a thoughtful way. From campaign landing pages to multi-functional corporate web sites to e-commerce websites, our creative engineering efforts will enliven your brand.
Web design has an aesthetic component that sparks desire. We want to represent you and your message in the best light possible. Pretty pictures aren't everything, but first impressions matter, especially on the web. No matter the extent of your features or the quality of your content, without good design your message and your functionality can be lost. Our team designs clean aesthetic websites to invoke a meaningful reaction from your audience and help you stand above the noise.
Social Media is a big deal and its influence is here to stay. It has changed irrevocably the way people communicate with each other AND with businesses, brands and products. Consumers are actively searching on sites like Facebook, Twitter, LinkedIn, YouTube and Pinterest for businesses and brands that will enhance their life.
So, does your business have a vibrant and engaging social media presence? Or does your social presence look more like an abandoned house…it's there but there is no one present?
First impressions count and social media is no exception. Social media marketing is more than just having a Facebook, LinkedIn or Twitter account. It requires a strategic approach that is integrated with your existing marketing, creates real value and engages your community.
There is no doubt that Email Marketing is effective, but you have to do it correctly. There are specified formulations in place that all successful email marketers must follow. If you are not seeing the success you want with your particular campaign, it's probably time for you to seek out a professional email marketing consultant.
This is all about mapping out what you send such as welcome emails, newsletters, abandoned orders, promotions, and reactivation emails and help determine what you're missing in your email communication chain.
You will learn whether or not you should use information based on your recipient's actions to send emails such as white paper downloads or cart abandonment. Also, date-driven emails such as holiday-only purchasers or anniversaries.
Quality Print Design creates appeal and demand. We produce quality and cutting edge brand and marketing materials to evoke emotion and inspire trust. A professionally crafted design is a key factor in how your marketing will be perceived. Not just any graphic designer will do, you need a professional. To obtain your goals you need a designer with experience who really knows the trade and how to achieve the results you desire.
Today, there is too much data, so visualization is more important than ever. Our experience includes a variety of marketing and advertising assets.


, we selects the very best series with best resolution simply for you all, and now this photographs is actually among photographs libraries inside our finest graphics gallery with regards to What Should Go On A Resume. I hope you will like it.
submitted by means of fiforlife with 2018-07-30 22:12:44. To find out almost all photographs inside What Should Go On A Resume photographs gallery remember to follow this particular web page link.
Do not forget to browse the next image gallery, which also contains the What Should Go On A Resume In Free Resume Cover Letter Beautiful Best Pr Resume Template Elegant picture showed above. If you have any thoughts, questions or just want to say hello to other people, please do not hestitate to submit your opinion/ideas via the following comment form.


text:
5 Reasons Why You Should Attend Black Butter Records' Official Movement Afterparty On Monday
May 22, 2015 By Wade Davis
Over the past few years, Black Butter Records has become synonymous with outstanding dance music. Whether its their events or consistent, top-quality releases, they know how to do it proper, and it's undeniable that people have been taking notice. As an imprint under Sony, it seems like Black Butter has been able to remain relatively independent, but this independence is backed with the power of a major label, which has resulted in a crossover presence that few label's have the honor of boasting. If you're a bit skeptical about that statement, just take one quick look at their roster and you'll see what I mean. Rudimental, Clean Bandit, and Gorgon City are just a few of Black Butter's flag-bearers, and the label is continuing to harbor rising talent that deserves attention.
This coming Monday, Black Butter will be taking over Populux in Detroit for a massive, official Movement afterparty featuring a couple of their own, Gorgon City and Kidnap Kid, as well as special guests MK B2B Lee Foss, Dantiez Saunderson, and more. In celebration of the epic night that's steadily approaching, we've put together 5 reasons why you should attend the show.
Gorgon City will be making their Detroit debut
One of the fastest rising house acts in recent times will be descending upon Motor City for the very first time, and this is particularly significant, knowing Detroit's history of techno. Gorgon City is sure to pull all the stops to blow away well-educated underground fan base, especially after a run in the U.S. that included an appearance at Coachella.
Black Butter Records is known for epic parties
Not only is Black Butter known for its outstanding releases and artist roster, but it's also known for it's epic parties. It's already established a strong presence with events in the UK, and it's only a matter of time until they fully infiltrate the US, so this is an excellent opportunity to be one of the early adopters and experience the growing Black Butter movement first-hand.
The rare B2B set from MK & Lee Foss
It's not too often where the legendary hit-machine, MK, goes B2B with one of Chicago's finest, Lee Foss. They're both known to throw down for their solo sets, but with the combination of these two underground luminaries, Populux is expected to become a bit of a frenzy come their set time.
Top to bottom world-class talent
From top to bottom, the lineup is stacked with world-class talent. Gorgon City, Kidnap Kid, and MK B2B Lee Foss need no introduction, but Dantiez Saunderson, son of techno figurehead Kevin Saunderson, burgeoning house specialist, Loud Luxury, and Detroit's own ADMN are sure to get the night warmed up with on-point sets for a full night of world-class dance music.
It's the best place to keep the party going after a wild weekend at Movement
If the three-day Movement festival affair wasn't enough, there is no doubt that this Black Butter afterparty will be the place to be if you want to keep the good times rollin'. Even Movement itself has given a co-sign to this event, so you know it's one you should not miss.
Tickets for Black Butter's Movement afterparty are available here.
Afterpartyblack butter recordsgorgon citykidnap kidLee FossmkMovement
Deep House EDM Tracks Event Preview
Vibe With AUGUSTII's Remix of Olivver The Kid - 'I Want It'
Alabama-Based Hangout Music Festival Does It Again [Event Review]
Your Paradise Fiji Unveils Lineup for 2019 Voyage Featuring A-Trak, Gorgon City, and The Blaze
June 6, 2019 By Willy Song
Your Movement Detroit 2019 Pre-Party & After-Party Guide
April 18, 2019 By Brie French-Sorgini
Most of you're wondering who this AUGUSTII came from? As an Italian trio, they've been drawing powers from the first Roman...


Ok so i have a tribal arm band and a tribal sun on my right shoulder but i think its kinda plain and well im bored.. So for all you people that like to roam the internet for pictures etc.. I wanted to see what i could get for results.
I am not looking for a sleeve just something cool for the shoulder, like one that would end a little ways above the elbow and dont really want it to cover my chest and back as of right now..
Not really into like murals but i guess more towards the tribal aspect being i will be covering up tribal..
"If you love something, let it go... If it comes back to you, you've just high sided!"
...or just hang out with Salva Truchas!!


2018-06-04 I love the idea of the trap style antenna. But as I've tried to implement the portable 40/20 meter one, I've had considerable frustration. I'm guessing the main source of my problems is getting the resonant frequency of the traps "just right". My main issue is very high SWR. I get good SWR results on 40 meters, but on 20 it is not acceptable. So I decided to go back to basics and start with a simple 40 meter inverted Vee!
The apex supported by my Shakespeare TSP20 Six-Piece Wonderpole with the top section removed was 16'6". Each leg, made with #24 RCA Speaker Wire, was 31'3" long. The ends were about four feet above ground. The weight of the antenna itself was 1.8 oz, about as light as a 40 meter antenna could be!
The apex was 16'6". Each leg, made with #24 RCA Speaker Wire was 31'3" long. The ends were about four feet above ground.
The only test I made with it was measuring the SWR. I didn't attempt any contacts. However, prior to "tossing in the towel" with the trap style, I did make one QRP SSB contact with the Midcars net control, N9AER located about 145 miles away in Peoria, IL on 40 meters. So I'm fairly confident it will work OK.
My thought is to now add a 20 meter element using the same #24 speaker wire resulting in a light weight fan style inverted vee. Having already built one I know it will work. It's main difference from the previous one will be weight, since I'll be using this very small wire.


Patrick Smith discusses how timing is an essential ingredient to good heeling.
Editor's note: This is Part Three of a four-part series with Smith on learning to heel.
Timing is the essential ingredient to good heeling. Without it, you can never be consistent. Timing is also the hardest thing to teach. The reason for that is that it takes so much repetition and practice to learn to time a steer's jump. It's the most crucial part of heeling, and it's something people don't spend enough effort practicing. Developing jump-for-jump timing is critical, and you've got to be able to adjust and react when that steer moves unexpectedly. You can work on your loop, your position, your delivery—but throwing the timing factor in there is just as important or else you'll never get there.
The best analogy I've ever heard is that it's the same as jump rope. Picture yourself jumping rope. If you get out of timing with the rope, it doesn't work—your feet are on the ground when your rope hits the ground, and you have a problem. It's exactly the same as heeling. Sometimes you see somebody get lucky, but you'll never see somebody rope three steers in a row out of time.
I developed my timing by roping a goat. I staked the goat out, I chased it around for hours and hours until I learned how to place my loop on the ground when the goat's feet were off the ground. That is why I've never been a really big believer on spending too much time on a sawhorse or something that doesn't move. I like to practice on a Time Machine, but other than that, you've got to rope something alive. A goat, a donkey or a lead steer do not reward you when you're out of time. You've got to place your loop when the feet are off the ground.
I cannot tell you how many guys I've seen at roping schools can throw the prettiest loops on a sawhorse as anybody in the world, but they cannot catch a steer. You can get perfect position and perfect timing because the legs are already off the ground. Roping a sawhorse is effective for working on your loop—don't get me wrong—but it doesn't help you with your timing. With timing comes consistency.
I focus on making sure my tip is over my target when its feet are off the ground. When the goat's feet were off the ground, I'd say NOW out loud and my tip would be over her back so I could deliver. When the goat's legs were on the ground, the tip of my rope was behind me. Jump for jump, my tip is pointed at my target when the legs are off the ground. Being able to start on something smaller and slower makes it easier to learn the repetition and timing it takes to be jump for jump with an animal. If you apply this, I assure you it will improve your roping way beyond anything else you can do.


text:
/*
 * Move down content because we have a fixed navbar that is 50px tall.
 */
body {
  padding-top: 50px;
}

.navbar-inverse .navbar-brand {
    color: white;
}

redpajama_set_name: RedPajamaGithub


Based in Beaverton, this branch of Oregon Food Bank distributes food to agencies throughout Washington County.
Our facility also supports a multitude of food-related programs and services that promote food security. We connect agencies to resources for food, funds and volunteer support.
Oregon Food Bank does not provide direct-access to food for individuals at any of its facilities. We provide food access through our partner agencies and community food programs. For direct assistance, please visit our FOOD FINDER to find a program near you.


text:
Tag: Rosatom
Saturday, July 31st 2021 - 06:56 UTC
Russia plans to dominate Arctic sea routes with the largest fleet of icebreakers
Hoping to develop the Northern Sea Route across the Arctic into an international shipping lane, Russia is building a group of icebreakers to be powered with liquefied natural gas.
Tuesday, July 27th 2021 - 08:56 UTC
Rosatom resumes construction of nuclear reactor in Bolivia
Russia's atomic agency Rosatom Monday resumed construction of a nuclear reactor for the Center for Research and Development of Nuclear Technology (CIDTN) of Bolivia, a project which had been paralyzed in 2019, it was reported.
Wednesday, October 16th 2019 - 18:35 UTC
Russia eyeing a controlling stake in lithium project in Chile's Atacama desert
Uranium One Group, a subsidiary of Russia's state nuclear company Rosatom, may buy a controlling stake in a lithium project in Chile's Atacama salt flat from Wealth Minerals Ltd, the Canada-listed company said on Tuesday.
Thursday, January 25th 2018 - 06:39 UTC
Macri and Putin in Moscow reaffirm Argentina/Russia strategic relationship
Argentine President Mauricio Macri and his Russian counterpart, Vladimir Putin, signed on Tuesday a declaration aimed at strengthening bilateral cooperation during a press conference at the Kremlin. Macri told Putin that he hoped this marked the first of many visits to the Russian capital and highlighted their countries' mutual interests.
Friday, April 24th 2015 - 07:51 UTC
Russia and Argentina agree on an "all-encompassing strategic partnership"
Russia and Argentina signed agreements which amounted to an "all-encompassing strategic partnership" during Argentine President Cristina Fernandez visit to Moscow, which ended on Thursday with the meeting at the Kremlin with her counterpart Vladimir Putin.
Monday, July 14th 2014 - 05:24 UTC
Russia offers to build (and finance) two new nuclear power plants in Argentina
Russian President Vladimir Putin signed on Saturday a nuclear energy cooperation deal with Argentina on the third stop (Cuba, Nicaragua) of a tour to bolster trade ties and strengthen Russia's influence in Latin America.


text:
ASC Turnarounds: Ideas to Improve Performance
Why 150+ physicians exited hospital contracts this year
Laura Dyrda - Monday, June 21st, 2021
Primary care and specialty physicians across the U.S. are cutting ties with hospitals and health systems after a turbulent year during the pandemic.
In some cases, long-standing disagreements have driven an irreparable wedge between physicians and health systems, while in other situations financial stress has required hospitals to reevaluate their plans. Health systems are also boosting their efforts to keep patients within their networks and developing their own outpatient center strategy.
Here is why more than 150 physicians exited hospital contracts in the past six months:
1. St. Louis-based SSM Health split with St. Louis Heart and Vascular after nearly 30 years of collaboration to pursue an exclusive contract with another cardiology provider for adult services. St. Louis Heart and Vascular sued SSM Health March 31 for $50 million over the lost privileges, although it can still see patients at other hospitals and its ASC. SSM Health said the exclusive contract with the other unnamed cardiology group would boost care and business practices.
2. Three orthopedic surgeons, Brian Cohen, MD, Aaron Roberts, MD, and James Thompson, DO, were among 18 physicians who tendered their resignation from Chillicothe, Ohio-based Adena Health System in the past several months. The health system sued the three orthopedic surgeons in April for allegedly encouraging the others to leave Adena. The surgeons filed a countersuit in May, claiming the health system breached their employment contracts and spread misinformation about them to their patients. In their lawsuit, the surgeons cited tensions dating back to 2017 that escalated in the past year.
3. Eighteen gastroenterologists made plans to leave Cincinnati-based TriHealth earlier this year, with most citing safety concerns related to supplies, lack of support staff and reduced access to hospital facilities as the reason. If 75 percent of the GI department exited together, the noncompete clauses in their contracts would become unenforceable. The health system sued the physicians in March to keep the noncompete clause in place, arguing that one of the gastroenterologist's planned retirements shouldn't be counted within the total number of departures.
4. Tower Health in West Reading, Pa., is closing or consolidating some of the 134 practices within its medical group as part of a restructuring plan. The restructure, which was announced in May, affects 95 of the group's 876 physicians, some of whom are entering private practice. Tower Health CEO P. Sue Perrotty said the move will improve the health system's finances by $70 million by the end of the second quarter.
5. Sixteen physicians exited Asheville, N.C.-based Mission Health's Transylvania Regional Hospital earlier this year, the latest in a larger exodus from the health system, beginning in 2019 when it joined Nashville, Tenn.-based HCA Healthcare. The most recent group of physicians leaving Mission Health plan to continue practicing medicine in Transylvania County, with some planning to join competing clinics. The hospital is offering new contracts to physicians for 10 percent to 25 percent less than the exiting physicians made. Brevard, N.C., leaders urged the state's attorney general to investigate why physicians are leaving the hospital in May.
6. Advanced Orthopaedic Specialists' four physician partners disbanded in March after Laconia, N.H.-based Lakes Regional General Hospital decided not to renew it's 17-year contract with the practice. The health system said the existing service agreement was no longer financially viable. In June, the surgeons joined Appledore Medical Group and Frisbie Memorial Hospital in Rochester, N.H.


text:
Selector Radio
Our global work in arts
Educational programme for the exhibition Why Is It Hard to Love? Curated by Saskia Boddeke & Peter Greenaway
Open documentary theatre performance "Marine Lights"
Applied Theatre project "Home"
#FiveFilms4Freedom 2017
Documentary theatre performance "Unknown Land. Šalčia."
IMPLEMENTING LOCAL ORGANIZATION – KLAIPĖDOS JAUNIMO TEATRAS
PROGRAMME START YEAR – 2019
Marine Lights is a project that investigates stories of the residents of Klaipėda through verbatim theatre methodology. Klaipėda is a port city that was largely destroyed after the Second World War. Its population is ethnically diverse with about 15% of residents belonging to ethnic communities. For a whole year, Klaipėda Youth Theatre actors, together with the director Jonas Tertelis, investigated Klaipėda and how people in this city go about their daily lives. By telling stories of Klaipėda residents, the director and actors created an open documentary verbatim play about the influence of the sea and historic events on the inhabitants, their families and the whole city.
The image of the sea in Lithuanian mythology is often portrayed as a powerful and difficult-to-explain space. Today in Lithuania it is naively associated with summer, sun and relaxation. The only sea port in Lithuania that encompasses these ambiguities is the town of Klaipėda. The sea is an integral part of Klaipeda's identity; the port has become the basis for the development of industries and the sea accommodates various activities from industrial fisheries to sailing.
At the same time, historic and urban processes are taking place among the townspeople. Professional communities have been broken down into smaller closed groups, due to differing values, the attention given to them by the city or the resources allocated to them.
The aim of this project is to draw attention to the personal side of Klaipėda and to reduce the distance between the distinct ethnic communities within the city. The creative process and the play did not aim to encourage judgement, but rather to look more openly to one's neighbour, to the city, to the country and to love and respect the sea completely and unconditionally.
In promoting a documentary and a reflective approach to the city the director Jonas Tertelis organised creative workshops for Klaipėda Youth Theatre actors. During this project they gathered material and documented interviews with Klaipėda residents, their family members and relatives. Based on this material, the team conducted public interviews with members of different communities, including ethnic minorities, professionals, mentors and experts from different fields. The final product, in the form of a play entitled Marine Lights, was introduced to the public of Klaipėda in February 2020.
https://kjt.lt/jurines-sviesos/


Lindy Central is dedicated to providing a safe, inclusive, welcoming space and experience for all attendees. We welcome all dancers and jazz enthusiasts redardless of age, gender / gender identiy, race, ethnicity, sexual orientation, ability, physical appearance, religion, socioeconomic status, or beliefs. We will not tolerate bullying or harassment of any form. If we feel your are being disruptive or making anyone feel uncomfortable, we my ask you to leave, If your behavior warrants it, we may ban you from all future events or involve the police.
Our aim is to spread the joys of dancing. We specialize in vernacular jazz era dances from the 1920s through the late 1940s such as Lindy Hop, Charleston, Balboa, Blues, Shag, and Solo Jazz movements.
In 2016, Lindy Central relocated to the Central Pennsylvania area from the San Francisco Bay area. We currently host regular weekly classes in and around the Harrisburg area. We specialize in teaching swing dancing to all levels of dancer from newcomer to masters. Your instructors are experienced dance teachers, some are champion level international instructors, who want to welcome you to the dance community and whom want to encourage you to learn at a pace that is good for you. Due to the nature of dance, at times, you might feel challenged in our classes. This is often when you do the most growing as a dancer. Allow for some challenge, but if you ever have concerns about your level or flow, please do come and chat with us. We want you to have a great experience.
We at Lindy Central offer a safe, welcoming space for people to learn to dance and share dance.
You are always allowed to decline any dance partner. It is okay to say "No!"
If you receive a "no" response, please politely move on to the next partner with something simple like, "okay, maybe another time!" We do not need to read into why someone replies with a "no."
That being said, we do encourage people to remember that this is a social dance and we do gain a lot by asking new people to dance and by asking dancers of all levels to dance. It is good for us personally and great for the dance scene as well. Everyone started as a beginner. Let's try to be friendly, courteous, welcoming, and still respectful of all boundaries. An enthusiastic, genuine, "Yes" is always a great thing to hear as well.
If you bump into someone on the dance floor, a quick apology is much appreciated.
If you are sick, please spend your time at home and get your dancing fix watching youtube!
If you sweat a lot, and a lot of us do, please just bring an extra shirt or two and maybe a towel. No big deal.
Not everyone appreciates long dips, low dips, and or fast dips. Be mindful. Don't be afraid to apologize if something goes a awry or if someone's body language tells you, "hey, that was not a dip for me tonight!"
Not everyone wants to be in a long, close embrace. Please respect your partners. If you are just dancing with someone for the first time, we ask that you spend time getting to know them in a more "open position." If someone wants to dance in a position such as a close embrace and you are uncomfortable, we urge you to speak up. Saying something like, "I am not totally comfortable in close position" this should be enough and that person should stop immediately. We hope that if you are receiving this advice, please do not take it personally. We all have different comfort levels.
**Please stay STOP or NO if you are ever uncomfortable.
If you are uncomfortable, walking away is also okay. Please come find us if someone did not stop when you asked them to stop.
The social dance floor is not the time for aerials, tricks, or lifts. Please save those for jams and contests that allow them.
Please do not offer unsolicited advice - even if you think it would be ever so helpful. Classes are for instruction and corrections.
Moves like "the pretzel" are often not fun for follows. It can be a lot of twisting and bending and an action done to the follower and often not a "shared" movement. Please be mindful of your partner and try to read some body language and facial expressions. Also, please know that any move where you need to "call" it on the social dance floor is probably not rooted much in "lead and follow" technique.
Let's keep it friendly, welcoming, and encouraging for all. Let foster a sense of respect and fun so we can all thrive.
And please, please do help us bring in new dancers by sharing our website, facebook links, flyers, and more. Word of mouth is often best! Thank you so much. Your support is so appreciated. Thank you, sincerely.


text:
package de.ubuntix.android.birthdayreminder.database.dao;

import java.util.Calendar;

import android.content.ContentResolver;
import android.content.ContentValues;
import android.net.Uri;
import android.provider.ContactsContract.CommonDataKinds.Event;
import android.provider.ContactsContract.Data;
import de.ubuntix.android.birthdayreminder.model.DateOfBirth;
import de.ubuntix.android.birthdayreminder.model.RawContact;
import de.ubuntix.android.birthdayreminder.util.CalendarUtils;

public class DateOfBirthDataAccess {

	private ContentResolver contentResolver;

	public DateOfBirthDataAccess(ContentResolver contentResolver) {
		this.contentResolver = contentResolver;
	}

	public void create(RawContact rawContact, Calendar date) {
		RawContactImpl rawContactImpl = (RawContactImpl) rawContact;

		// TODO: check for existing Contact and rawContact
		ContentValues values = new ContentValues();
		values.put(Data.RAW_CONTACT_ID, rawContactImpl.getId());
		values.put(Data.MIMETYPE, Event.CONTENT_ITEM_TYPE);
		values.put(Data.DATA2, Event.TYPE_BIRTHDAY);
		values.put(Data.DATA1, CalendarUtils.formatCalendar(date));

		Uri uri = this.contentResolver.insert(Data.CONTENT_URI, values);

		// sync data structure
		if (uri != null) {
			int id = Integer.parseInt(uri.getLastPathSegment());
			DateOfBirth dateOfBirthData = new DateOfBirthImpl(id, rawContactImpl, date);
			rawContactImpl.datesOfBirth.add(dateOfBirthData);
		}
	}

	public void update(DateOfBirth dateOfBirth, Calendar newDate) {
		// TODO: check for existing Contact and rawContact
		String where = Data._ID + "=?";
		String[] selectionArgs = new String[] { String.valueOf(((DateOfBirthImpl) dateOfBirth).id) };

		ContentValues values = new ContentValues();
		values.put(Data.DATA1, CalendarUtils.formatCalendar(newDate));

		int linesUpdated = this.contentResolver.update(Data.CONTENT_URI, values, where, selectionArgs);

		// sync data structure
		if (linesUpdated == 1) {
			dateOfBirth.getDate().setTime(newDate.getTime());
		}
	}

	public void delete(DateOfBirth dateOfBirth) {
		// TODO: check for existing Contact and rawContact
		String where = Data._ID + "=?";
		String[] selectionArgs = new String[] { String.valueOf(((DateOfBirthImpl) dateOfBirth).id) };

		int linesDeleted = this.contentResolver.delete(Data.CONTENT_URI, where, selectionArgs);

		// sync data structure
		if (linesDeleted == 1) {
			RawContactImpl rawContactImpl = (RawContactImpl) dateOfBirth.getRawContact();
			rawContactImpl.datesOfBirth.remove(dateOfBirth);
		}
	}
}


Singapore-headquartered Gaylin, a specialist supplier of lifting, rigging and marine equipment, has initiated a plan to expand and improve its operations.
The company has opened a new facility in Busan, South Korea and is repositioning its Vietnam facility "to address changing trends in the local oil and gas, refining and chemical plant sectors".
In South Korea, Gaylin will co-locate at a purpose-built, 3,967 square metre site with Phoenix Offshore Co, a Gaylin-owned ship chandler supply business. The new facility will stock a full range of equipment, including lifting equipment, marine mooring systems, winch packages and associated services.
Gaylin will manufacture wire rope slings up to 128mm diameter in Busan, where overhead cranes offer complete material handling coverage across the site, which also boasts a 2,000 tonne horizontal test machine and a smaller 600 tonne unit. Eventually, Gaylin will use the location to supply more specialist offerings, such as crane examination, light engineering and spooling services.
Gaylin has five other global hubs in the region – Singapore, Malaysia, Indonesia and China and Vietnam – across which a dedicated training and competency programme has been rolled out to ensure personnel are trained on the latest legislation applicable to their respective geographies and marketplaces.
Meanwhile, ongoing development of the Vietnam operation in the Dong Xuyen Industrial Park is focused on implementating a more robust quality management system coupled with a long-term training plan.
Gaylin will also introduce a much wider range of rental assets locally, including specialist equipment such as load cells, spreader beams, testing equipment, winch systems and spooling capabilities.
Gaylin Vietnam was established in 2001 with only a two-man marketing team before it evolved in 2007 and set up in a facility located at the commercial port of Vũng Tàu in the heart of the Bà Rịa province. Today, it has an 11-men strong team that specialises in the manufacture of wire rope slings and spooling services, principally to the oil and gas industry.
The workshop is equipped with a 2,000 tonne Wirop hydraulic press that can manufacture slings from 40mm to 76mm; a 1,000 tonne press from the same manufacturer that can make slings from 3mm to 52mm diameter (both with ferrule secured eyes); and a 300 tonne horizontal tensile testing machine, again from Wirop, that complies with verification and testing requirements of the region.


text:
My paper of the month - ROCK2 Inhibition With Belumosudil (KD025) for the Treatment of Chronic Graft-Versus-Host Disease
Daniel Wolff, Chair of the German-Austrian-Swiss GVHD Consortium, comments on the publication entitled "ROCK2 Inhibition With Belumosudil (KD025) for the Treatment of Chronic Graft-Versus-Host Disease.", published in JCO.
ROCK2 Inhibition With Belumosudil (KD025) for the Treatment of Chronic Graft-Versus-Host Disease.
Jagasia M et al
J Clin Oncol. 2021 Jun 10;39(17):1888-1898. doi: 10.1200/JCO.20.02754.PMID: 33877856
Steroid-refractory chronic Graft-versus-Host disease (cGvHD) remains to be associated with significant morbidity and mortality and requires protracted treatment frequently associated with significant side effects and low response rates ranging from 30-60%. The rho-associated coiled-coil-containing protein kinase-2 (ROCK2) signaling pathway regulates the Th17/regulatory T cells balance and controls profibrotic pathways involved in cGvHD. Therefore, selective ROCK2 inhibition with belumosudil (KD025) may offer a novel targeted approach to the management of cGvHD. Belumosudil was evaluated within a phase IIa, open-label, dose-finding study enrolling 54 patients with steroid-refractory cGVHD with a median time from cGVHD diagnosis to enrollment of 20 months. The majority of patients (78%) had severe cGvHD and half of the patient had more than 3 organs involved and failed more than 2 lines of prior treatment. With a median follow-up of 29 months, the overall response rate on belumosudil ranged between 62% and 69% across the 3 dose groups with clinically meaningful improvement and corticosteroid (CS) dose reductions and CS were even discontinued in 19% of patients. In consequence half of the patients did not require an additional treatment within the first year of treatment with an overall survival of 82% at 2 years. Even more relevant, belumosudil was well-tolerated, with low rates of cytopenia, no unexpected adverse events and no apparent increased risk of infection. In summary, the trial demonstrated a high response rate and overall survival, improvement of quality-of-life with limited toxicity and represents a valuable option in treatment of cGvHD.
While the progress in treatment of cGvHD had been rather slow in the past, the NIH consensus on cGvHD in 2005 (updated in 2014) fostered progress and resulted a growing number of treatment options during the past 15 years. Yet basically all treatment used were primarily developed and approved for conditions other than cGvHD and subsequently evaluated in cGvHD. In addition, the majority of these agents come along with significant side effects including risks for infectious complications and fail in a significant proportion of patients. Belumosidol represents for the first time an agent, which has been primarily developed for targeted treatment of cGvHD based on analyses of the molecular and cellular pathways involved in cGvHD and performed successful within 2 phase II trials setting the ground for evaluations within larger trials and hopefully subsequent approval. Most importantly, Belumosudil was well tolerated with a low site effect profile and high response rate despite being evaluated in patients with advanced cGvHD including sclerotic lesions. Together with other recently introduced agents like ruxolitinib, which has already successfully passed a large phase III trial, and other already existing options like ibrutinib and extracorporeal photopheresis, and the recently evaluated CSF 1 receptor antibody axatilimab the challenge remains, to compare these agents within clinical trials and to set the ground for personalized treatment of cGvHD taking into account the clinical and biological heterogeneity of cGvHD.
1. Cutler CS, Lee AJ, Arai S, et al. Belumosudil for Chronic Graft-versus-Host Disease (cGVHD) After 2 or More Prior Lines of Therapy: The ROCKstar Study. Blood 2021; 10.1182/blood.2021012021
2. Wolff D, Radojcic V, Lafyatis R, et al. National Institutes of Health Consensus Development Project on Criteria for Clinical Trials in Chronic Graft-versus-Host Disease: IV. The 2020 Highly morbid forms report. Transplant Cell Ther 2021; 10.1016/j.jtct.2021.06.001
3. Zeiser R, Blazar BR. Pathophysiology of Chronic Graft-versus-Host Disease and Therapeutic Targets. N Engl J Med 2017; 377: 2565-2579
4. Zeiser R, Polverelli N, Ram R, et al. Ruxolitinib for Glucocorticoid-Refractory Chronic Graft-versus-Host Disease. N Engl J Med 2021; 385: 228-238
5. DeFilipp Z, Couriel DR, Lazaryan A, et al. National Institutes of Health Consensus Development Project on Criteria for Clinical Trials in Chronic Graft-versus-Host Disease: III. The 2020 Treatment of Chronic GVHD Report. Transplant Cell Ther 2021; 10.1016/j.jtct.2021.05.004
6. Wolff D, Fatobene G, Rocha V, et al. Steroid-refractory chronic graft-versus-host disease: treatment options and patient management. Bone Marrow Transplant 2021; 10.1038/s41409-021-01389-5
Full text link View the EBMT Publications List


An exceptional compact form of the Honey Bush from South Africa, with sensational steely blue foliage with purple highlights, held along tidy stems to two and two and one-half feet tall. Erect burgundy red, nectar-rich bird- attracting flowers appear in late winter to early spring in mild regions. A wonderful container plant in colder regions. Prefers full sun and well-drained soil. Drought tolerant once established.
Reaches two to three ft. tall and wide.
Average landscape size:Reaches two to three ft. tall and wide.
Follow a regular watering schedule during the first growing season to establish a deep, extensive root system. Prefers well-draining soil rich in organic matter. Remove old stems and feed with a general purpose fertilizer before new growth in spring.


How To Get Away With Murder considered as one of the greates Tv Shows of all times. That Tv Show won Golden Globe Best Performance by an Actress in a Television Series - Drama in 2015, Screen Actors Guild Awards Outstanding Performance by a Female Actor in a Drama Series in 2015, Emmy (Primetime) Outstanding Lead Actress in a Drama Series in 2015, Golden Globe Best Performance by an Actress in a Television Series - Drama in 2016, and Screen Actors Guild Awards Outstanding Performance by a Female Actor in a Drama Series in 2016. This was Abc's 35th Tv Show. How To Get Away With Murder was one of this most popular pieces. If you liked that Tv Show, you should also try Law & Order: Special Victims Unit, Grey's Anatomy, and Scandal.


text:
Q: Javascript form validation - multiple form fields larger than 0 function negativeValues(){
    var myTextField = document.getElementById('digit');

    if(myTextField.value < 0)
{
  alert("Unable to submit as one field has a negative value");
  return false;
  }
}

Above is a Javascript piece of code where every time a field id 'digit' has a value that's less than 0, than an alert box appears either onsubmit or onclick in the submit button.
There are about 50 fields in the form that should be considered 'digit' fields where they shouldn't be anything less than 0. What should I change with this Javascript to ensure that all 'digit' like fields have this alert box pop up?
I cannot use jquery/mootools for validation - it has to be flat Javascript.
Thanks.

A: var form = document.forms[0]; // first form in the document
form.onsubmit = function () {
  for (var i=0; i<this.elements.length; i++)
    if (Number(this.elements[i].value) < 0) {
      alert("Unable to submit as one field has a negative value"); // complain
      return false;  // and prevent submission
    }
}

A: Do not give ID="digit", ids need to be unique. Instead give a class="digit" or name="digit[]" which in PHP will give you an array on the server.
Here is a typical validation using forms access
function validate(theForm) {
  var el = theForm.elements;
  for (var i=0,n=el.length;i<n;i++) {
    if (el[i].className=="digit" && parseInt(el[i].value,10)<0) {
      alert('This field must contain a value > 0');
      el[i].focus();
      return false;
    }
  }
  return true; // allow submission
}

assuming
<form onsubmit="return validate(this)">

Alternatives for the className== would be
if (el[i].className.indexOf('digit')!=-1

if the className could be manipulated from elsewhere.
You can use ID="digit1" ID="digit2" and
if (el[i].id.indexOf('digit')==0

redpajama_set_name: RedPajamaStackExchange


text:
Locations > Instructors > Robert Calva
About Robert Calva
Robert Calva
Location: Katy, TX
Instructs: Guitar
Education: Music degree from the University of North Texas.
Performance Experience: Performed with recording artist such as Bo Dudley, Tim Bogert, Deacon Jones and many others.
Teaching Experience: Private Lessons and Musicians Institute
Teaching Philosophy: Help each student be the best that they can be by establishing a solid musical foundation on which the student can use to play the music they hear in any style/ genre they choose.
Get to know Robert Calva
Robert Calva began playing guitar in Houston, Texas at the age of 12. Robert has studied music at the University of North Texas and at Musicians Institute. While a student at the Musicians Institute, Robert was given the Outstanding Student of the Year Award for 1991-92. He began teaching at the Musicians Institute in 1993 and taught private guitar and other core classes until 2003. He has performed with Bo Diddley, Tim Bogert, Deacon Jones, Joe Houston, Chevy Chase and countless others. He is the author of two (2) guitar instructional books. Texas Blues Guitar and Blues-Rock soloing for Guitar. Both books are published by Hal Leonard as part of the MI Press series. Robert has been an established teacher and performer in the Texas Gulf Coast area since 2009.
Robert Calva teaches at:
23501 Cinco Ranch Blvd Suite H100
With over 150 locations nationwide, Music & Arts is the nation's leading provider of private music lessons, band and orchestra instrument sales, rentals and repairs. Our remarkable story of growth has everything to do with the countless unshakable relationships we've formed with students, parents, music educators and musicians of every stripe in the local communities we serve across the country. Since opening our first store back in 1952, we've been owned and operated by the same family, and there's nothing we do as a company without our values in mind. For whatever you're doing in music, we're here to help. We hope you visit our Katy location soon! Our friendly staff can't wait to meet you.


Audubon recently released its Birds and Climate Report, a comprehensive, first-of-its kind study that predicts how climate change could affect the ranges of 588 North American birds. Audubon scientists used three decades of citizen-scientist observations from the Audubon Christmas Bird Count and the North American Breeding Bird Survey to define the "climatic suitability" for each bird species—the range of temperatures, precipitation, and seasonal changes each species needs to survive. Then, using internationally recognized greenhouse gas emissions scenarios, they mapped where each bird's ideal climatic range may be found in the future as the climate changes. These maps serve as a guide to how each bird's current range could expand, contract, or shift across three future time periods (2020, 2050, and 2080). Of the 588 North American bird species Audubon studied, more than half are likely to be in trouble. Our models indicate that 314 species will lose more than 50 percent of their current climatic range by 2080. Of the 314 species at risk from global warming, 126 of them are classified as climate endangered. These birds are projected to lose more than 50 percent of their current range by 2050. The other 188 species are classified as climate threatened and expected to lose more than 50 percent of their current range by 2080 if global warming continues at its current pace.
Learn more about climate threatened and endangered birds in Colorado.
Create a Bird-Friendly Yard: Healthy birds will be better equipped to face the challenges of a warming world. Commit to creating safe spaces for birds in your home and community by using fewer pesticides, letting dead trees stand, installing bird baths, and converting lawns and gardens to native plants. School grounds, parks, vacant lots, and common areas can all be "bird-scaped," too. Schedule a Classroom-Based Interactive Program with Denver Audubon on Building Backyard Habitat (including backyard bird ID) or Wildscaping 101: Native Plants for Birds. Call 303-973-9530 or email communityoutreach@denveraudubon.org for details on program pricing, as well as scheduling options. Learn more online at Audubon at Home. Get Involved With Your Local Important Bird Area: Protect the places birds need most today and in the future by pitching in with Audubon's IBA program, which identifies and conserves areas that are vital to birds and biodiversity. You can help with IBA restoration, cleanup, citizen science, and field trips. Chatfield State Park and the surrounding area is an IBA, and the Audubon Center is located in the IBA. We offer a variety of programs, events, and volunteer activities to help you get involved with your local IBA. Check out our list of Field Trips. Put Birds on Your Community's Agenda: Begin a conversation with your neighbors, colleagues, and local leaders about why it's important to you to protect your community's birds, and share what you're doing on behalf of birds. Reach more people by writing a letter to your newspaper, speaking at a community event, or visiting a local school. Meet With Local Decision Makers: Share this science with state wildlife agencies, city parks departments, extension services, and other groups that manage our natural resources to illustrate how global warming imperils birds, and ask decision makers how they are planning to address global warming. For more information on how to help decision makers use and integrate Audubon's science, email climatescience@audubon.org. Support Policies That Lower Emissions: Urge leaders at the local, state, and national levels to enact policies that lower greenhouse gas emissions and support clean energy. Renewable portfolio standards, energy efficiency targets, and other proactive measures reduce emissions and will limit the effects of global warming on birds. Put these policies on your leaders' agendas, and publicly support efforts to make them stick.
For more information, visit The Audubon Climate Report.


text:
Stalling Brexit talks 'very dangerous' for EU, says former minister
Michel Barnier, the EU's chief negotiator, said to be prepared to stall talks over U.K.'s exit bill.
David Jones, who served as Brexit Secretary David Davis' deputy in the Department for Exiting the European Union until last month | Olivier Hoslet/EPA | Olivier Hoslet/EPA
July 19, 2017 10:09 am CET
LONDON — It would be "very dangerous" for the EU to stall Brexit talks over the U.K.'s divorce bill because time is tight and a no-deal scenario would mean Britain leaving without paying anything, blowing a huge hole in the bloc's budget, according to a former U.K. Brexit minister.
David Jones, who served as Brexit Secretary David Davis' deputy in the Department for Exiting the European Union until last month, told POLITICO that the time pressure on securing a deal was "more on them than it is upon us."
The European Commission's chief negotiator Michel Barnier is considering "stalling" the talks until the U.K. produces a counter-proposal of financial obligations owed to the bloc upon Brexit, according to EU diplomats.
However Jones, who as Brexit minister was privy to the U.K. government's private preparations for the talks, said that the two-year deadline on the Article 50 process was set in stone, and that if no deal was reached, the U.K. could leave without being subject to EU treaties, "which of course include us making payments."
Rishi Sunak orders investigation into minister Nadhim Zahawi's tax affairs
Boris Johnson hogs spotlight with Ukraine visit
By Carlo Martuscelli
Rishi Sunak fined for not wearing car seatbelt while filming Instagram post
By Paul Dallison
"Bear in mind they are at the moment getting over £10 billion per annum net from the U.K., which they are going to be concerned about … It's a significant sum and I know that particularly some of the smaller EU nations are concerned about this," he said.
"I don't think Barnier can stall the talks" — David Jones
A no-deal scenario, which would see the U.K. leave the EU on World Trade Organization terms, would also, Jones said, have "much worse consequences" for the EU in terms of manufactured goods trade than it would for the U.K.
Speaking to POLITICO in Westminster as his former colleagues were engaged in the first full round of Brexit talks, Jones, who supported Leave in the 2016 referendum, backed Davis's approach to the divorce bill. The U.K. has indicated it will not present a counter-proposal this week, instead using the talks to interrogate the EU's position.
"I don't think Barnier can stall the talks. I think it's very dangerous if he does because we've got a very, very short timescale for all this and I think people tend to overlook that it's as much in the EU's interest as it is in the British interest to get this matter resolved," he said.
"I wasn't party to those negotiations so I can't say what our stage of readiness is, but it does seem to me that if the EU is demanding a sum of money from Britain, it has to set out its methodology in great detail and support that methodology," he said.
However, in comments that will boost hopes of a final deal on financial obligations, Jones indicated that he and other Brexit-supporting MPs were open to the idea that the U.K. should at least pay something on exit.
He said a House of Lords committee report from March that concluded the U.K. could legally walk away without paying anything, which he had previously called "extremely helpful," had caused "a significant frisson" in European capitals.
But he did not rule out payment altogether. "In terms of strict legality it may well be that the House of Lords report conclusion is correct," Jones said. "But I think that there are a wider range of considerations you have to bring into the equation, such as what kind of relationship do you want to have [with the EU] after we've completed our withdrawal."
Concerns that Brexit-supporting MPs could block Theresa May's Brexit deal if she accepts demands for a multibillion-pound exit bill have hung over Brexit talks.
Jones said he did not believe there were "many of my colleagues that are so dogmatic that they would say that nothing must be paid at all. I think everybody recognizes that there will have to be a continuing relationship."
He also suggested that EU programs that the government should seek to remain a part of and contribute to, could include Horizon 2020 research funding and Erasmus.
Jones, a former secretary of state for Wales, was sacked from his role at DExEU after the June 8 general election, in a move that was initially seen as a signal the U.K. was softening its Brexit stance. However, another staunchly pro-Brexit MP, Steve Baker, has since been appointed.
An ally of Davis who backed the Brexit secretary's unsuccessful leadership bid in 2005, Jones said that his former boss was doing a "very impressive" job.
"Working at close quarters with him I see an individual who is highly intelligent, extremely hard-working, contrary to what was said in the press," he said, in a reference to comments by the former Vote Leave campaign director, Dominic Cummings, who branded Davis "thick as mince, lazy as a toad."
"He is supported by an absolutely excellent team of officials, the best I've seen anywhere," Jones added.
Also On POLITICO
EU ambassador to US: UK doesn't understand Brexit
By Katy O'Donnell
More from ... Charlie Cooper
Tories' former Euroskeptic-in-chief wants Brexiteers and DUP to warm up to the Irish
UK's post-Brexit bonfire plan passes in House of Commons
Boris Johnson to write book 'like no other' on stormy time as UK prime minister
No breakthrough yet — but EU and UK to keep talking on Northern Ireland Brexit rules
UK's foreign secretary James Cleverly 'sanctioned by Russia'
Apprentissage/Stage - Assistant(e) Business Development (DII - Paris)
Location: Paris | Department: DII
Sales Executive UK, POLITICO Pro
Location: London | Department: Sales & Biz Dev
UK's economic growth plan 'made possible' by Brexit, says Jeremy Hunt
January 27, 2023 1:29 pm CET
By Stefan Boscia
Rishi Sunak walks Brexit tightrope as protocol deal nears
January 26, 2023 11:25 pm CET
UK Labour Party raids Trump and Brexit playbooks as power beckons in 2024
January 25, 2023 4:00 am CET
By Annabelle Dickson and Esther Webber
Brexit British politics
David Davis MP Michel Barnier


Sunshine Heart looks to cut the driveline on its C-Pulse system Sunshine Heart will test device that runs on power transmitted through the skin.
Mechanical devices implanted in the body can pump the blood for a failing heart, but they have a critical limitation: They require a permanent driveline that exits the skin to connect to components outside the body.
A line as big as a pinkie finger permanently sticking out of the skin creates infection risk and can serve as an unwanted conversation-starter for patients with advanced heart failure — serious drawbacks even for devices that can extend a person's life.
"Committing a patient to a driveline for life has kept this field from blossoming," said Dr. William Cohn, a renowned surgeon and researcher at the Texas Heart Institute.
Now Eden Prairie's Sunshine Heart is teaming with a St. Paul company to make a heart pump that runs on power transmitted through the skin. The idea has excited some investors, though many hurdles remain, including getting positive clinical results from researchers and marketing approval from regulators.
The idea of powering a medical device with transcutaneous energy, or power sent wirelessly through the skin, is already used in low-energy devices like neurostimulators and hearing implants. But none of the heart-pump makers around the country have figured out how to make it work for their higher-powered machines with moving parts.
Sunshine Heart officials are hopeful. They announced last week that the company will begin human testing of their device, known as the C-Pulse II, sometime next year. Cohn is leading the international study. Like most new medical devices, the first implants are expected to take place in countries outside the U.S.
Lori Lucke, a systems engineer fellow with Minnetronix, explains the TETS (Transcutaneous Energy Transmission System), a wireless power transfer system used to run an LVAT (Left Ventricular Assist Device), or heart pump, on display at Minnetronix in St. Paul on Wednesday.
To eliminate the driveline from its original C-Pulse system, Sunshine Heart is licensing transcutaneous energy transmission technology (TETS) from St. Paul-based Minnetronix, which designs and supplies components for many companies' medical devices.
The C-Pulse does not touch blood. Rather, it features a balloon similar to a blood-pressure cuff, which is placed around the heart's main artery under the skin. By precisely inflating and deflating the balloon, the machine removes some of the workload from the heart while improving circulation.
A key reason TETS could work for the C-Pulse II is it can be turned off without harm to the patient. More complex devices embedded in the blood stream can create immediate health problems if they stop pumping, which is a risk when power flows to a coil that sits invisibly under the skin.
Heart failure is one of the most common heart conditions. It happens when the heart becomes weakened and can't pump enough blood to adequately feed the body's functions, causing shortness of breath and fatigue during normal exercise.
Circulatory-assist devices are intended for patients with Class III or Class IV cases, which are advanced stages where a patient has symptoms of heart failure after little or no physical activity.
The C-Pulse is intended for both classes of patients, while devices made by Thoratec and its competitor HeartWare are only intended for the most severe Class IV cases. An analyst with financial-media outlet Benzinga noted in March that Sunshine seemed considerably undervalued, given that its devices would serve a much bigger patient population than HeartWare, of Massachusetts. Sunshine Heart shares closed at $2.99 Wednesday; the price has ranged from $2.41 to $6.90 over the past year.
Major hurdles remain. For one, Sunshine Heart still has not gotten FDA approval for its first C-Pulse system, which includes a driveline.
The company told investors on Monday it has restarted its clinical trial of the device, following an investigation that found four patient deaths were not device-related. All 27 of its study hospitals are expected to resume that work later this month, if they haven't already.
Then it will be up to the company to do clinical testing of the C-Pulse II, which is slated to start in the fall of 2016. Researchers will look to see if the design is feasible, safe and durable over short periods of time. Although initial trial work is expected to happen overseas, Rosa said Sunshine Heart has hired a consultant who could help in getting permission to do early trial work domestically.
"We are considering the potential to do this in the U.S. We'll see," Rosa said.
We are a company that provides VAD dressing supplies. However, I do not think there is a wireless LVAD on the market yet.
I am on the watch list for Heartmate II. Being over 70 puts at destination therapy. Would like to know how long before available.
If I see anything else on this device, I will post it here. I know there are several companies attempting to design an internal VAD with no driveline. Thanks for your input.
Thanks for your comments. I'm glad you're doing so well!


Before you text or email a patient, brush up on your HIPAA compliance know-how—or face serious consequences.
Many healthcare facilities have not done the work necessary to conduct an accurate and thorough assessment of their PHI security risks.
You already know that HIPAA applies to all healthcare professionals, but do you know how to practice proper compliance in an increasingly digital age? AudioEducator, a division of audio conference and corporate education leader ProEdTech, will host the virtual boot camp "2018 HIPAA Compliance" with HIPAA compliance consultant Jim Sheldon-Dean on Tuesday, March 13, 2018, at 11:30 am ET. This session will discuss new ways to communicate with your patients in 2018 (and how to "de-identify" the information shared)—as well as examine the requirements of a HIPAA security risk analysis.
More and more patients want their healthcare providers to communicate via text and email. But along with the convenience of these communication methods comes HIPAA-compliance challenges. Whenever you share personal health information (PHI), you must protect the identity of the individual(s) whose information is involved. But de-identification of PHI is not an easy process (especially since HIPAA doesn't allow simple fixes such as the use of patient initials). Sheldon-Dean will review guidance from the U.S. Department of Health and Human Services and the National Institute of Standards and Technology on how to properly de-identify health information. Plus, he'll walk you through the risks of using text/email communication—and point out the compliance pitfalls to avoid.
In this comprehensive presentation, you'll learn to conduct an accurate and thorough assessment of all the PHI-security risks your organization faces—and develop security policies to reduce your exposure. Even if you think you have the best practices in place, now is the time to evaluate your supporting policies and procedures to be sure you've outlined consistent service and compliance for today's risk landscape. Sheldon-Dean will teach you to conduct the HIPPA-required information security risk analysis—and offer several useful tools for that task.
The session will benefit all personnel involved in, interested in, or responsible for: patient communications, information management, and PHI privacy/security.
For more information and to register, visit: https://www.audioeducator.com/virtualbootcamp/hipaa-compliance-training.
Get $40 off on our conferences and webinars. Use Code PRWEB40 on checkout (applicable for all purchases).