text:
Real Estate Note Investing
Self Direct Roth IRA
Is paper money worth collecting?
How to redeem older banknotes. The $ 1, $ 2, $ 25, $ 500 and $ 1,000 bills still retain their face value even though they are no longer legal tender. You can take them to your financial institution or send them to the Bank of Canada to redeem them.
Is there any value in old paper money?
Worn bills could be worth $ 100 or more for $ 20, $ 250 or more for $ 50, $ 1000 or more for $ 100, $ 2500 or more for $ 500 and $ 2000 or more for $ 1000. This may interest you : Can you make money with bank notes?. Confederate Issues are bills issued during the Civil War (1861-1865). They are usually not sought after by collectors.
Is paper money really worth anything? Paper invoices, or "fiat" money, also have no internal value; their value is determined solely by supply and demand, and they are declared a legal tender by government decree. The most important element that separates one national currency from another is its value.
What old currency is worth the most?
The Flowing Hair Silver Dollar of 1794 may be sitting on the rankings of the most expensive coin ever sold, at least for now. On the same subject : What are the risks of structured notes?. Some experts believe it was the first silver dollar struck by the US Mint.
What are the 10 most valuable coins?
The 10 Most Expensive Coins in the World
Liberty Head Nickel (1913) – Hawaii Five-O Star.
Envelope Dollar – Class 1 – Dexter-Poque Sample (1804)
$ 1 million gold Canadian Acerfolio (2007)
Liberty Head Nickel – Morton-Smith-Eliaspberg (1913)
Edward III Florin (1343)
Brasher Doubloon (1787)
Saint-Gaudens Double Eagle (1907)
Which country has the most valuable old coins?
1. Edward III Florin (England), $ 6.8 Million. A 677-year-old coin that circulated in Medieval England for over a year in 1343 is now considered one of the rarest coins in the world.
What can you do with old paper money?
If you have a British bank account, the easiest and fastest way to exchange your notes is to deposit them in your bank. Read also : Are bank notes a good investment?. The Open Mailbox in a new window can also accept withdrawn tickets as payment for goods and services, or as a deposit in any bank account you can access through them.
Do banks still take old money?
The Bank of England is withdrawing the paper notes from circulation, following the release of the new £ 20 and new £ 50 notes in 2020 and 2021. This means you will have to spend them or exchange the notes before the deadline, otherwise. you will not be able to use them as legal tender.
Can you use Old $20 bills?
Note that it is the policy of the U.S. government that all Federal Reserve bill designs remain legally payable, or legally valid for payments, regardless of when they were issued. This policy includes all Federal Reserve denominations, from 1914 to date under 31 U.S.C. § 5103.
Can you pay with old money? Every day, the Federal Reserve puts new money into circulation, and takes out old, damaged money. … According to the Fed, bills that have holes larger than 19 millimeters, or about the size of aspirin, can no longer be used. Invoices that are torn, dirty or worn out are also removed.
Can you use old paper money?
No, you don't have to exchange your old design notes for new ones. All U.S. currency remains a legal tender, regardless of when it was issued.
Can you still cash in old money?
Many banks will still accept old notes as customer deposits. The Post Office can also accept them as a deposit into bank accounts, which you can access at the Post Office.
Can you still use old $100 bills?
US currency is always good, it does not expire. BUT if you show up with old invoices, the bank may not want to change them, because old invoices do not have the counterfeit detections on the invoice. A major bank should be able to change them, but many New York banks will only do that for customers.
Is collecting paper money a good investment?
Yes, it is: if you buy the right paper money. Investing in paper money might seem a little strange to an uninitiated person. … Most collectors agree that you should be able to invest some money for at least 5 years before you make a profit. 5 years is a conservative time frame, and it's better to play it safe than sorry.
Is collecting banknotes a good investment? Investing in banknotes may seem strange, but it can be a very lucrative business. Our banknote expert Hans Seems is here to help. He advises that if you have a rare banknote in mint condition, it will always increase in value every year.
What paper money is worth the most?
The $ 10,000 bill is the most valuable U.S. currency currently in circulation, according to the U.S. Treasury Department. The Treasury stopped printing it, along with the $ 500, $ 1,000 and $ 5,000 denominations, during World War II, and all such bills were declared obsolete on July 14, 1969.
What paper money is worth money?
Categories of U.S. Paper Money Gold Certificates are invoices issued between 1863 and 1933 in denominations ranging from $ 10 to $ 10,000. Worn bills could be worth $ 100 or more for $ 20, $ 250 or more for $ 50, $ 1000 or more for $ 100, $ 2500 or more for $ 500 and $ 2000 or more for $ 1000.
Are $2 bills worth anything?
Most large two-dollar bills issued from 1862 through 1918, are highly collectible and are worth at least $ 100 in well-circulated condition. Uncirculated large notes are worth at least $ 500 and can go up to $ 10,000 or more.
What makes paper money so valuable?
For the most part, inflation is caused when the money supply increases faster than the supply of other goods and services. In short, money has value because people believe that they will be able to exchange this money for goods and services in the future.
While today's paper invoices are worth only the amount printed on them, older, more collectible invoices can certainly be worth much more. For example, Alexander Hamilton's $ 1,000 bill of 1918 may sell for as much as $ 8,000 because there are only about 150 of them in circulation today.
How does money gets its value?
The end of representative money introduced our current form of currency – fiat money. Traditionally, currencies. Fiat money has no internal value or is supported by goods. Rather, its value is determined by supply and demand, supported by the creditworthiness of the issuing government.


Viña Maitia is a small family winery that is owned and operated by husband and wife team David Marcel and Loreto Garau. David Marcel is a French vigneron from the Basque Country. David met Loreto, a Chilean enologist, while visiting Chile and decided to move there in 2007.
Loreto owns the wine store Petit Plaisirs in Santiago while Marcel brokers grapes and wines. Their customers continually encouraged them to make wine; thus, in 2012, the two set out to make simple, easy-drinking wines called pipeños.
Loreto Garau explains, "What excited us about pipeños—and what excites a lot of people—is the return to drinking something simple, without anything artificial or tricked out." Originally meant to be enjoyed by peasant farmers, pipeño is an old style of Chilean wine that is characterized by its simple manner. While pipeño does have a reputation as a quaff some folks drink like water, David and Loreta believe pipeño is a Chilean wine tradition worth preserving. Thanks to Viña Maitia and other wineries, pipeño has begun to gain recognition.
Viña Maitia is located in the Maule Valley, about 300 km south of Santiago. This valley benefits from a sub-humid Mediterranean climate where high temperatures in the summer are cooled by the breeze from the Humboldt Current in the Pacific Ocean. This cool air helps to extend the growing season and allows for wines with bright, fresh acidity.
The estate has ten hectares of very old bush vines of Pais (Mission grape), Carignan and a few other grapes. Some vines are over 120 years in age. These old vines are the remnants of Chilean ancestry. All over Chile, Pais has been replanted with international varieties like Merlot and Chardonnay. However, David and Loreta see the opportunity to make wines of place while helping to preserve Chile's viticulture heritage. The vines are dry farmed, which is possible in the Maule Valley because of the winter rains. The wines are made with low sulfur, native yeast and neutral barrels, so that the terroir really shines through.
Viña Maitia is a member of Chanchos Deslenguados.
The 2016 Itzal from a specific plot of pure País in the zone of Sauzal from a place sheltered by the afternoon sun (itzal means shadow in Basque) on very poor granite soils. It's a different expression of País, more serious and with freshness. The palate is slightly more austere, with fine-grained tannins and granite character.


Parents have voiced concerns over the lack of a crossing guard near their children's primary school following a near miss.
Central Avenue in Grangemouth has not had a lollipop person in place for over a year now, but locals claim the traffic situation on the road certainly warrants one being re-instated to protect the safety of Beancross Primary School pupils.
One parent called the road "an accident waiting to happen" after he recently witnessed a child almost knocked down.
Falkirk Council stated the School Crossing Patrol (SCP) point on Central Avenue was discontinued from December 22, 2015 after the crossing guard at Kersiebank Avenue resigned.


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カボチャと豆のサラダ
MUSIC RECIPE
冷凍カボチャ 5片
サラダに!まめ 1袋
ビアソーセージ 5枚
マヨネーズ 適量
ガラムマサラ 適量
醤油 適量
オリーブオイル 適量
鶏がらスープの素 適量
冷凍カボチャをルクエに入れオリーブオイルと鶏がらスープの素を降り5分チン。
解凍したカボチャを1.5cm角に刻み豆と刻んだビアソーセージといっしょにボールに入れ、マヨネーズと醤油で和えます。
ガラムマサラをやや多めにふりかけて出来上がり。
トムヤムクン味カップヌードルリゾットと相性良し。
ちょっとエスニックな感じで良い出来でした。
本日の獲物。
Brad Mehldau : Introducing
1. It Might As Well Be Spring
Written-By – Hammerstein/Rodgers* 7:46
2. Countdown
Written-By – Coltrane* 4:12
3. My Romance
Written-By – Rodgers/Hart* 6:23
4. Angst
Written-By – Brad Mehldau 6:11
5. Young Werther
6. Prelude To A Kiss
Written-By – Ellington* 10:00
7. London Blues
8. From This Moment On
Written-By – Porter* 6:33
9. Say Goodbye
Art Direction – Greg Ross
Bass – Christian McBride (tracks: 6 to 9), Larry Grenadier (tracks: 1 to 5)
Coordinator [Production] – Dana Watson
Design – Rey Int'l*
Drums – Brian Blade (tracks: 6 to 9), Jorge Rossy (tracks: 1 to 5)
Engineer – James Farber
Mastered By – Greg Calbi
Piano – Brad Mehldau
Producer – Matt Pierson
Recorded at Power Station, March 13 and April 3, 1995.
Mixed at The Hit Factory, NYC.
Mastered at Masterdisk Corp., NYC.
© ℗ 1995 Warner Bros. Records Inc.for the U.S. and WEA International Inc. for the world outside the U.S.
Brad Mehldau : Highway Rider
1-1 John Boy
English Horn [Orchestra] – Earle Dumler* 3:15
1-2 Don't Be Sad
Organ [Pump] – Brad Mehldau
Snare [Snare Brush] – Jeff Ballard 8:41
1-3 At The Tollbooth 1:07
1-4 Highway Rider
Synthesizer [Yamaha Cs-80] – Brad Mehldau 7:45
1-5 The Falcon Will Fly Again
Vocals [La La La Vocals, Special Guests] – The Fleurettes
Vocals [La La La Vocals] – Brad*, Dan*, Jeff*, Josh*, Matt* 8:21
1-6 Now You Must Climb Alone 4:06
1-7 Walking The Peak
Bells [Orchestral Bells] – Brad Mehldau 8:00
2-1 We'll Cross The River Together
Bells [Orchestral Bells] – Brad Mehldau 12:28
2-2 Capriccio
Handclaps – Brad*, Jeff*, Josh*, Larry*, Matt* 5:20
2-3 Sky Turning Grey (For Elliott Smith)
Organ [Pump] – Brad Mehldau 6:24
2-4 Into The City 7:37
2-5 Old West 8:29
2-6 Come With Me 6:20
2-7 Always Departing 6:21
2-8 Always Returning
Bassoon [Orchestra] – Andrew Radford* (tracks: 1-2, 1-6 to 2-1, 2-7, 2-8)
Cello [Orchestra, Principal] – Timothy Landauer* (tracks: 1-2, 1-6 to 2-1, 2-7, 2-8)
Cello [Orchestra] – Armen Ksajikian (tracks: 1-2, 1-6 to 2-1, 2-7, 2-8), Cecilia Tsan (tracks: 1-2, 1-6, 1-7), Martha Lippi (tracks: 2-1, 2-7, 2-8), Rudolph Stein* (tracks: 2-1, 2-7, 2-8), Stefanie Fife (tracks: 1-2, 1-6 to 2-1, 2-7, 2-8), Trevor Handy (tracks: 1-2, 1-6, 1-7)
Composed By, Arranged By, Orchestrated By – Brad Mehldau
Conductor [Orchestra] – Dan Coleman (tracks: 1-1, 1-2, 1-6 to 2-1, 2-7, 2-8)
Contrabassoon [Orchestra] – Allen Savedoff* (tracks: 1-6 to 2-1, 2-7, 2-8)
Contractor [Orchestra] – Suzie Katayama
Coordinator [Production Coordination] – Eli Cane, Tom Korkidis
Copyist [Orchestra] – Caryn Rasmussen, Dwight Mikkelsen, Elizabeth Kinnon, Kirby Furlong, Suzie Katayama, Victor Sagerquist
Design [Graphic Design By] – Lawrence Azerrad
Double Bass [Bass, Orchestra, Principal] – Michael Valerio* (tracks: 1-6, 1-7), Sue Ranney* (tracks: 2-1, 2-7, 2-8)
Double Bass [Bass, Orchestra] – David Stone* (tracks: 1-6, 1-7), Ed Meares* (tracks: 1-6, 1-7), Oscar Hidalgo (tracks: 2-1, 2-7, 2-8), Timothy Eckert* (tracks: 2-1, 2-7, 2-8)
Double Bass [Bass] – Larry Grenadier (tracks: 1-2, 1-4, 1-7, 2-1, 2-3, 2-4, 2-6, 2-8)
Drums – Jeff Ballard (tracks: 1-7, 2-1, 2-4, 2-6, 2-8), Matt Chamberlain (tracks: 1-2, 1-4, 1-7, 2-3, 2-8)
Engineer – Greg Koller
Engineer [Pro Tools Engineer] – Eric Caudieux
Executive-Producer – Robert Hurwitz
Horn [Orchestra, Principal] – Brian O'Connor (2) (tracks: 1-2, 1-6, 1-7), Steven Becknell* (tracks: 1-1, 2-1, 2-7, 2-8)
Horn [Orchestra] – Dan Kelley* (tracks: 1-1, 2-1, 2-7, 2-8), John Reynolds* (tracks: 1-6, 1-7), Mark Adams* (tracks: 1-1, 1-6, 1-7), Phillip Yao* (tracks: 1-1, 2-1, 2-7, 2-8)
Leader [Orchestra] – Dan Coleman
Mastered By – Alan Yoshida
Mixed By – Greg Koller, Jon Brion
Percussion – Jeff Ballard (tracks: 1-1, 1-5, 2-1, 2-2), Matt Chamberlain (tracks: 1-5, 2-1, 2-2)
Photography By [Cover Photograph] – Richard Misrach
Photography By [Session] – Augusta Quirk
Piano – Brad Mehldau (tracks: 1-1 to 1-5, 1-7 to 2-6, 2-8)
Producer – Jon Brion
Soprano Saxophone – Joshua Redman (tracks: 1-1, 1-5, 2-2, 2-5, 2-6, 2-8)
Tenor Saxophone – Joshua Redman (tracks: 1-2, 1-7, 2-1, 2-3)
Viola [Orchestra, Principal] – Bob Becker* (tracks: 2-1, 2-7, 2-8), Roland Kato (tracks: 1-2, 1-6, 1-7)
Viola [Orchestra] – Andrew Duckles (tracks: 1-2, 1-6, 1-7), Andrew Picken (tracks: 2-1, 2-7, 2-8), Carole Kleister-Castillo* (tracks: 2-1, 2-7, 2-8), Denyse Buffum (tracks: 1-2, 1-6, 1-7), Qiang (John) Wang* (tracks: 2-1, 2-7, 2-8), Matt Funes (tracks: 1-2, 1-6 to 2-1, 2-7, 2-8), Victoria Miskolczy* (tracks: 1-2, 1-6, 1-7)
Violin [Orchestra] – Alyssa Park (tracks: 1-2, 1-6, 1-7), Robert Peterson* (tracks: 2-1, 2-7, 2-8), Caroline Campbell (tracks: 1-2, 1-6 to 2-1, 2-7, 2-8), Dorian Cheah (tracks: 1-2, 1-6 to 2-1, 2-7, 2-8), Gerardo Hilera (tracks: 2-1, 2-7, 2-8), Jacqueline Brand* (tracks: 1-2, 1-6, 1-7), Josefina Vergara (tracks: 1-2, 1-6, 1-7), Julian Hallmark (tracks: 1-2, 1-6 to 2-1, 2-7, 2-8), Michele Richards (tracks: 2-1, 2-7, 2-8), Natalie Leggett (tracks: 1-2, 1-6, 1-7), Philip Vaiman (tracks: 2-1, 2-7, 2-8), Sara Parkins (tracks: 1-2, 1-6 to 2-1, 2-7, 2-8), Tereza Stanislav (tracks: 1-2, 1-6, 1-7), Vladimir Polimatidi (tracks: 2-1, 2-7, 2-8)
Violin [Orchestra], Concertmaster – Charlie Bisharat (tracks: 1-2, 1-6 to 2-1, 2-7, 2-8)
Nonesuch Records, a Warner Music Group Company, 1290Avenue of the Americas, New York, NY 10104. ℗ & © 2010 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.
Recorded, mixed, and mastered February 16-28 and May 12-29, 2009 at Ocean Way Studios in Hollywood, CA
Cover Photograph: "Drive-in Theatre, Las Vegas, 1987" © Richard Misrach.
Courtesy Fraenkel Gallery, San Francisco; Pace/MacGill Gallery, New York; and Marc Selwyn Fine Arts, Los Angeles.
« キュウリ 複合機を買い換え »

redpajama_set_name: RedPajamaCommonCrawl


text:
Магомед Магомедович Гаджиев () — российский самбист и дзюдоист, призёр чемпионатов России по самбо, бронзовый призёр открытого чемпионата Белоруссии по дзюдо, чемпион Европы по самбо, мастер спорта России. По самбо выступал в первом (до 68 кг) и втором (до 74 кг) полусредних весах. Представляет клуб «Самбо-70». Тренировался под руководством В. В. Сальникова и Д. Б. Кабанова.

Спортивные результаты
 Открытый чемпионат Белоруссии по дзюдо 2013 года — ;
 Чемпионат России по самбо 2014 года — .
 Чемпионат России по самбо 2020 года — ;
 Чемпионат России по самбо 2021 года — ;

Ссылки

Самбисты России
Дзюдоисты России
Чемпионы Европы по самбо

redpajama_set_name: RedPajamaWikipedia


Shield bug (Picromerus bidens) on fallen leaves. This insect is a carnivorous species of shield bug (family Pentatomidae) that is found from the Palaearctic to North Africa, and from the British Isles to China. Photographed in Wroclaw, Poland.


The International Institute for Analytics (IIA) uses an experience-based research approach to uncover "what's working" and more importantly "what's next" in the area of IT analytics. Participants join the council on a 12-month subscription basis. The benefits of joining include a benchmarking analysis of your organization as an analytical competitor, based on Tom Davenport's DELTA model, and as compared to other organizations and published research by faculty members. The group will be exploring key topics that are at the intersection of IT and analytics throughout the 12-month program in a collaborative format.
I will be participating as one of the faculty with my usual focus on embedding analytics into operational systems to improve high volume, transactional decisions.


1. Open up the Insync app window, hover over the account you wish to check, and click on Account Settings.
2. Check what sort of license you have by clicking License Information. For more info, here's an FAQ on our license and pricing.


Mikhail Nikolayevich, Count Muravyov, (Count), Muravyov also spelled Muraviëv, or Muraviev, (born April 19 [April 7, old style], 1845, Grodno, Russia—died June 21 [June 8, old style], 1900, St. Petersburg), Russian diplomat and statesman who at the end of the 19th century directed Russia's activities in the Far East and played a major role in developments leading to the outbreak of the Russo-Japanese War (1904–05).
Muravyov was the grandson of Mikhail Nikolayevich Muravyov, known as the "hangman of Wilno" for his brutal suppression of the Polish uprising of 1863 in the Lithuanian provinces, and the son of the governor of Grodno. Mikhail Nikolayevich entered the Russian foreign ministry in 1864. After serving in various legations throughout Europe, he was appointed Russian minister to Denmark (1893) and then minister of foreign affairs (1896).
An advocate of Russian expansion into Manchuria, Muravyov recommended that the Russian navy seize Port Arthur (now Lü-shun) and Dalny (now Lü-ta) on the Liaotung Peninsula. He then concluded an agreement with China (March 1898) that gave Russia control of the entire peninsula for 25 years and also allowed Russia to build a railroad from Port Arthur to the Chinese city of Harbin, which was connected with the Russian port of Vladivostok (and with the Trans-Siberian Railroad) by the Russian-operated Chinese Eastern Railroad. Russia's gains in southern Manchuria antagonized both Great Britain and Japan. Muravyov improved relations with Great Britain by concluding an agreement (April 1899) in which the two nations defined and recognized their respective spheres of influence in China. By order of the Russian emperor Nicholas II, Muravyov also called for the convocation of a disarmament conference (Jan. 11, 1899), which assembled at The Hague (May–July 1899), but he was unable to control the increasingly hostile conflict developing between Russia and Japan, which, after his death, erupted into the Russo-Japanese War.


text:
Advances in Dermatology and Allergology/Postępy Dermatologii i Alergologii Advances in Interventional Cardiology/Postępy w Kardiologii Interwencyjnej Archives of Medical Science Biology of Sport Central European Journal of Immunology Folia Neuropathologica Journal of Contemporary Brachytherapy Polish Journal of Pathology Prenatal Cardiology Videosurgery and Other Miniinvasive Techniques
Archives of Medical Science
Current issue Archive Manuscripts accepted About the journal Special issues Editorial board Abstracting and indexing Subscription Contact Instructions for authors
Editorial System - Submit your Manuscript
Copy url:
Long intergenic non-coding RNA, regulator of reprogramming (LINC-ROR) over-expression predicts poor prognosis in renal cell carcinoma
Manal S. Fawzy, Eman A. Toraih, Aya El-Wazir, Marwa M. Hosny, Dahlia I. Badran, Amr El Kelish
Arch Med Sci
DOI: https://doi.org/10.5114/aoms.2019.85201
Online publish date: 2019/05/17
JabRef, Mendeley
Papers, Reference Manager, RefWorks, Zotero
Fawzy M, Toraih E, El-Wazir A, Hosny M, Badran D, Kelish A. Long intergenic non-coding RNA, regulator of reprogramming (LINC-ROR) over-expression predicts poor prognosis in renal cell carcinoma. Archives of Medical Science. 2019. doi:10.5114/aoms.2019.85201.
Fawzy, M., Toraih, E., El-Wazir, A., Hosny, M., Badran, D., & Kelish, A. (2019). Long intergenic non-coding RNA, regulator of reprogramming (LINC-ROR) over-expression predicts poor prognosis in renal cell carcinoma. Archives of Medical Science. https://doi.org/10.5114/aoms.2019.85201
Fawzy, Manal S., Eman A. Toraih, Aya El-Wazir, Marwa M. Hosny, Dahlia I. Badran, and Amr El Kelish. 2019. "Long intergenic non-coding RNA, regulator of reprogramming (LINC-ROR) over-expression predicts poor prognosis in renal cell carcinoma". Archives of Medical Science. doi:10.5114/aoms.2019.85201.
Fawzy, M., Toraih, E., El-Wazir, A., Hosny, M., Badran, D., and Kelish, A. (2019). Long intergenic non-coding RNA, regulator of reprogramming (LINC-ROR) over-expression predicts poor prognosis in renal cell carcinoma. Archives of Medical Science. https://doi.org/10.5114/aoms.2019.85201
Fawzy, Manal S. et al. "Long intergenic non-coding RNA, regulator of reprogramming (LINC-ROR) over-expression predicts poor prognosis in renal cell carcinoma." Archives of Medical Science, 2019. doi:10.5114/aoms.2019.85201.
Long intergenic non-coding RNA, regulator of reprogramming (LINC-ROR) is a newly identified cytoplasmic long non-coding RNA (lncRNA) implicated in cell longevity and apoptosis. We aimed in the current work for the first time to investigate the association of the expression profiles of LINC-ROR and three stem-related transcriptional factors with clinicopathological data and their impact on renal cell carcinoma (RCC) progression in a sample of RCC patients.
Expression levels of LINC-ROR and stemness-related factors: SOX2, NANOG, and POU5F1 were detected in 60 formalin-fixed, paraffin-embedded tissues, and their paired adjacent non-cancer tissues (n = 60) by using real-time qRT-PCR analysis. Additionally, the expression profiles were compared with the available clinicopathological features.
The genes studied were markedly up-regulated in RCC (medians and interquartile ranges were 30.3 (1.84–235.5), 10.2 (1.84–53.9), 5.39 (0.94–23.5), and 12.5 (1.61–43.2) for LINC-ROR, SOX2, NANOG, and POU5F1, respectively) relative to paired non-cancer tissue. High expression levels were associated with poor prognosis in terms of tumour undifferentiation (for LINC-ROR, SOX2, and NANOG), lymph node infiltration (for SOX2), postoperative recurrence (for LINC-ROR and SOX2), and shorter overall survival (OS) and progression-free survival (for all genes studied). The best curve for OS prediction was constructed with LINC-ROR data (area under the receiver operating characteristic curve (AUC) = 0.804 at a cut-off value of 72.7, sensitivity 78.9%, and specificity 80.5%).
Collectively, aberrant LINC-ROR and pluripotent gene expression may be recognised as prognostic markers for RCC. Future functional studies are highly recommended to validate the study findings.
renal cell carcinoma, long intergenic non-coding RNA, regulator of reprogramming, SOX2, NANOG, POU5F1
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text:
Patriots.com News Blitz - 6/24/2010
We've entered the slow period in terms of NFL news, but there's some news about New England's training camp practices with the Atlanta Falcons in August. *The Boston Globe *elaborated on an item from the Falcons' website.
They also discuss the Patriots' interest in a player in this year's supplemental draft, BYU running back Harvey Unga.
Also, a fun/interesting post on ESPNBoston's blog about the best places to watch Patriots games outside New England.
On CBS Sports' website, there's a partial list of the top 50 players in the NFL (the bottom half, to start) and only one Patriot made the cut in the bottom half.
Statement from Robert Kraft on Bill Parcells' election into the Pro Football Hall of Fame
The following is a statement from New England Patriots Chairman and CEO Robert Kraft on Bill Parcells' election into the Pro Football Hall of Fame.
Patriots.com News Blitz - 2/1/2013
The Patriots.com News Blitz gets you up to date with the latest news from local and national media.
Samsonite Make Your Case: Super Bowl Sunday
Even though the Patriots aren't involved, Super Bowl Sunday is the biggest day of the sports year with virtually everyone interested in some way. Let us know who you'll be rooting for with a vote in this week's Samsonite Make Your Case poll.
Inside the Numbers: 2012 Season
Go inside the numbers for a look at the achievements of the 2012 New England Patriots team.
Patriots Sign DL Armond Armstead
Armstead, 22, played last season for the Toronto Argonauts of the Canadian Football League.
NFL Calendar
The following is an updated NFL calendar with important dates throughout the offseason and the 2013 NFL regular season.
Penn State Head Coach Bill O'Brien To Deliver Keynote at 2013 New England Football Coaches Clinic
Clinic scheduled for March 8-9 at Gillette Stadium
Inside the Helmet... Ryan Wendell
Get to know Patriots center Ryan Wendell in this week's edition of Inside the Helmet.
Ask PFW: Early offseason grumblings
Though the Super Bowl isn't even in the books yet, Patriots fans have already turned the page to the many issues New England faces this offseason. A variety of those topics fill out this winter freeze edition of Ask PFW!


So, against my better judgment, we went off on a shopping spree. Now, mind you, I don't have tons of money to throw around, but I did actually end up enjoying myself and buying a few cute things (yes, mom, you would approve).
We started at Rains, which I understand has actually been in the village for more than 100 years. That's pretty cool. I got a cute sundress there and a great beach hat. Then, we jutted into Serendipity Toys because it was just too tempting not to. I picked up a few small toys for my nieces and nephews and had a great time looking around.
Ok…back to shopping. We hit a few more of the hot spots around Ojai and then collapsed for a great cup of coffee and some pastries.
And, of course, no trip to town is complete without popping into Bart's Books. Have I mentioned how much I love Bart's? I happen to love bookstores, no matter what the ambiance is, but this place is amazing. It's a local hotspot (if a bookstore can be a hotspot!) and it's got the most eclectic mix of books, people and activity that you'll ever find.
So, all in all it was a successful day. Now I just have to get my tan going so that I can look cute in the sundress!
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My "brown box" held my receipts and what I perceived was the secrets as to whether I had actually made a profit in the year gone by. Cash flowed to be sure, however it was the question of was I spending it wisely or not, and was I actually creating a profitable business?
Learning by the seat of my pants in those early years I just thought I should innately know how to deal with the numbers. As I moved forward in my journey I discovered that it didn't have to be so painful and systems began to get rooted as I learned it was okay (and actually quite necessary) to get help from financial professionals.
Now it hasn't always been easy, some years have been financially better than others. The juggle for the best use of my time as I approach my 34th year of being an entrepreneur always comes back to the most important element in the business - paying attention to the numbers.
Ironically, I started my first business on April 1, 1985. Yes, April Fool's Day! However, running a business is no joke. Without a doubt surprises and the unexpected have come and gone like the tide over the years. Some long forgotten and some have left financial scars or better said, a permanent reminder.
If you are not a "money person" you need to learn to be one. Some years will be better than others and doing your financials on a monthly basis is key to getting to greater profitability.
Expenses have a way of creeping up on you. Making sense of them can come too late if you are only looking at numbers on a quarterly, bi-annual or annual basis. Look monthly.
Charging the right price for your goods and services isn't just about what others are charging – they have to make economic sense for the value that your business provides.
Do not, I repeat do not, continue to beat yourself up as you waste time in regret for past financial mistakes made. Learn from your mistakes, moving on smarter and money wiser.
Knowing your numbers helps you to make educated decisions in your business. Included in this is financial projections – you can't hit a target when you don't know what it is.
Finally repeat to yourself on a regular basis "Show me the money!" as the Jerry McGuire movie so infamously shouted it out. Say it loud and say it clear. Make April a time to fully enjoy the gifts of spring and watch all the growth around you.
Have a month full of growth ahead.


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Thank you for trying-out this game here escape players, enjoy with us daily! Stickman Escape is a daring point and click indoor rescue escape game developed by 8b Games for more fun rescue adventures.
The stickman is a being of the shadows and actually, he was the one who had been helping the people in times of trouble, nobody knows that he is helping except for one person and right-now, that person just recently knew who he is and is actually living close in the neighborhood. Aaron is actually a close friend of the stickman and his family at least in their disguises, upon making-up his mind, Aaron went to his friend the Stickman's house just to hear it from him the complete truth, but as he got to the place however, he realized then that the stickman had been held hostage in his home and he needs help right-now!
This must be one of his enemies, for every hero always has an anti-hero trying to smother their counterparts. Escape players, care to try the game here with Aaron and see if you can lend a hand in rescuing his friend? Go ahead then everyone, good luck and have fun with us daily.
Escape players, are you having a hard-time accomplishing the challenge? Check the video below then, see more hidden clues and objects which you might have missed.


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Public / Planning & Buying / Digital Subchannels and Diginets / Diginets Directory
The digital transition opened up sub frequencies for broadcasters to utilize on the digital spectrum. Today, stations offer a growing array of specialized content on these subchannels provided by a variety of Diginet programmers.
America ONE is a sports and entertainment television network that reaches an audience greater than 30 million households in over 125 markets in the US, Caribbean, central and South America with a wide range of exclusive, first run, original sports and entertainment content.
AMGTV
Family-oriented TV network featuring dramas, sports, movies, how-to programs, hunting and fishing, and children's shows. The network reaches 150 affiliate OTA stations and is available as a dedicated Roku channel.
Antenna TV is a digital multicast network airing on television stations across the U.S. The network features classic television programs and favorite movies. Antenna TV is free and available over-the-air using rabbit ears (a traditional broadcast television antenna) or a rooftop antenna. In addition, most major cable companies from coast-to-coast carry local affiliate feeds of Antenna TV.
BIZ TV is the new home for America's entrepreneurs and small business owners, the most important segment in our country's economy. Based in Dallas, Texas, BIZ TV is Hispanic operated business with a deep commitment to the Latino community and a goal of maintaining a 50% Latino workforce.
Bounce TV is the first African American broadcast network, featuring a programming mix of theatrical motion pictures, sporting events, documentaries, specials, inspirational faith-based programs, off-network series, original programming and more.
Buzzr
Classic game show multicast TV network from Freemantle N.A. launching in June 2015. Buzzr brand was first used for a YouTube channel, and the new channel extension of the brand will launch with Fox Television Stations as its charter station group. The network's initial lineup spans 154 series produced from the 1950s to the 2000s.
Cozi TV is a digital multicast television network that is owned by the NBC Owned Television Stations division of NBCUniversal.
CBS' new multicast network airing classic television sitcoms and drama series from the 1950s through the 1980s, along with historical news and documentary programming. Launching on May 25th, 2015 and available in about 33% of the U.S. at launch, Decades is a joint venture between the CBS Television Stations and Weigel Broadcasting, and will be a sister network to MeTV.
Escape is a digital multicast television network that is owned by Katz Broadcasting.The network, which is targeted at women between the ages of 25 and 54 years old, primarily focuses on feature films, but also carries true crime documentary series. The network is available in many media markets via the digital subchannels of broadcast television stations. The network's gender-targeted format is similar to that of cable channels such as Lifetime and Oxygen.
GetTV
GetTV is a television network that brings the classic films you love to your living room. Enjoy the glamour of old Hollywood with legendary actors and award-winning films playing all day and night. Get classic. getTV. Get the Channel.
"Television with backbone," Grit is a digital multicast television network primarily focusing on feature films, and is targeted at men between the ages of 25 and 54. The network is available in many media markets via the digital subchannels of broadcast television stations and on the digital tiers of select cable providers through a local affiliate of the network.
Ion Life is a digital television network carried by Ion Television affiliates, airing lifestyle programming during the day, and movies in the evening. The network airs programming pertaining to health and wellness, cooking, home decor, and travel, among other subjects.
Multicast TV network specializing in true crime, investigation and forensic science documentary programming aimed at adults 25-54, skewed toward females. Launched in January 2015 with Gannett Company's TV station group as its charter affiliate, the network is available in about 35% of the U.S. In addition, the network airs 90 seconds of public service announcements per hour tailored to the specific region of the affiliate, which are produced through partnerships with Crime Stoppers USA, the National Center for Missing and Exploited Children and a number of law enforcement agencies.
The country's first ever over the air television network devoted to comedy, launched in April 2015 from Katz Broadcasting. Specializing in comedy programming featuring a mix of feature films and archived sitcoms from the 1980s to the 2000s, it is targeted to the Adult 18-49 audience. Coverage is about 50% of the U.S.
Live Well Network
Live Well Network is a home, health and lifestyle high definition digital subchannel network owned by Disney-ABC Television Group, a subsidiary of The Walt Disney Company and is operated by the ABC Owned Television Stations.
Me-TV (Memorable Entertainment Television) has been entertaining viewers in Chicago since January 2005 and in Milwaukee since 2008. The classic TV format was created to present a wide variety of the iconic series, stars and genres that have defined pop culture and television for decades.
MOVIES! is a digital multicast television network that is owned as a joint venture between Chicago-based Weigel Broadcasting and the Fox Television Stations subsidiary of 21st Century Fox. The network features an emphasis in its programming on feature films; it is available in the United States through the digital subchannels of broadcast television stations, broadcasting 24 hours a day.
NHK WORLD is NHK's international broadcast service. NHK operates international television, radio and Internet services. Together, they are known as NHK WORLD.
PB&J TV
PBJ is a subsidiary of Luken Communications, LLC. We strive to provide the very best in family entertainment. Here you will find classic programs that you will remember your entire life. You may even discover some new favorites.
PegasusTV
PegasusTV is a 24/7 nationwide television network dedicated to equestrian pursuits and country lifestyles currently disributed throughout the U.S. via a virtual distribution system customized for over 200 television markets in cities and regions from coast to coast.
Qubo is a safe haven where kids and their caregivers can come for entertainment that is "Good Fun." Qubo shows, from the leaders in children's entertainment, offer positive role models portraying good values. At Qubo, kids laugh and learn to be their best through diverse quality programming where parents are always welcome.
Rev'n
New channel for motorsports enthusiasts from Luken Communications. The network started airing in December 2014 with 26 affiliates in 24 markets, reaching 29 million households.
The Retro Television Network (RTV) is a television network that airs classic television shows as well as more recently produced programs. Owned by Luken Communications, LLC, the network airs mainly on stations' digital subchannels or low power television stations.
TeleXitos
TeleXitos is available in 16 markets where Comcast/NBC-owned Telemundo has stations, including nine of the country's 10 largest markets (Telemundo doesn't own a station in Atlanta). TeleXitos is expected to reach nearly 20 million total households, including more than 4.5 million Hispanic households across the country, according to Telemundo.
TheCoolTV
THECOOLTV is powered by Cool Music Network, LLC. CMN is a multi-platform entertainment media and technology company specializing in delivering music to fans where and when (and on what devices) they want it!
This TV
This TV is a free premium channel that brings you award winning films, box office hits, cult classics, retro TV series and all your favorite Hollywood stars! Whether it's on satellite, your local cable provider, or your over-the-air digital signal, it doesn't get better than This!
Tuff TV
TUFF TV is the first digital broadcast network to offer original programming targeted at men and the specific pursuits, interests, and hobbies they are passionate about. TUFF TV includes a unique and synergistic combination of programming genres aimed at the male demographic. TUFF TV provides the first-ever mix of these specific genres on one network. Programming content consists of Sports, Lifestyle, Drama, Reality, Talk, Specials, and Movies.
ZUSS Country TV
ZUUS Country is the leading country music destination for fans and providing the platform for them to have exposure to established country artists, today's cross-over artists and artists on the verge of breaking out. Find artists like Blake Shelton, Carrie Underwood, Taylor Swift and more.
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Pinky Selim On Reviving Egyptian Folklore Dance!
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August 21, 2022 by Salma Elemary
Pinky Selim is an AUC graduate who founded the AUC Alumni Folklore Group. Pinky has always been passionate about the folkloric performances of Mahmoud Reda, Farida Fahmy, and the golden era of black and white Egyptian movies. Although banking is her profession, dancing is her passion. She is a proud mother to a lovely 8-year-old "Clara". She is also blessed with "Louly", her twin sister who has shared a deep love for dancing and performing with her. Pinky is an outstanding figure, her performances and choreographies have helped shed light on Egyptian Folklore as a forgotten art among younger generations. Pinky Selim's goal along with AUC Alum Folk is to revive the Egyptian folklore dance in Egypt by encouraging people of all ages to take a step and learn more about Egyptian heritage.
We sat down with Pinky Selim to know more about her amazing journey!
A post shared by Pinky Selim (@pinkyselim)
How did your love for dance start?
Like many young girls, I started dancing classical ballet at the age of four and continued doing so for 10 straight years. At the time, my father had his music group which also featured dancers. So my sister and I made a habit of attending their rehearsals, we would often dance with them. As I grew up, my passion for dancing grew so much that I would try to imitate legendary performers; such as Farida Fahmy, Nelly, and Sherihan from Egypt and other legendary dancers worldwide. Throughout my teenage years and adulthood, I studied and performed other genres of dance such as Hip-hop, jazz, contemporary, Latin, and others.
After graduation, I started learning more genres such as salsa, bachata, and Argentine tango. I've always believed that being a versatile dancer is a powerful key for any dancer. This is what I've been trying to accomplish until this very day.
What drove you to Egyptian Folklore?
I grew up loving Egyptian black and white movies and all the dances featured in these beautiful movies of this golden era of Egyptian cinema. I was particularly fond of the movies made for Reda Troupe. Their captivating melodies, creative moves, and of course, the incomparable legendary duo of Mahmoud Reda and Farida Fahmy.
Eventually, when I enrolled at AUC, I discovered a Folklore Club among the university student activities. And because of my dancing experience, I progressed fast and quickly became one of the main soloists.
Later on, my dance teachers at the time Dr. Zakaria Abdel Shafy, Atef Farag and Magda Ibrahim (all were former soloists in the Reda troupe) could tell that my love for this art was deeper than just a student enjoying herself. They helped me excel even more.
It was Dr. Zakaria who gave me the biggest push when he suddenly appointed me as assistant trainer and choreography became one of my duties. My first debut as a choreographer was at a folklore festival in France in 2010. It was a "melaya" dance on Soad Hosny's song "Bano Bano".
How do you feel when you dance?
The idea of interpreting music and expressing emotions through body movements captivated me from a very young age. Dancing felt like home to me. I am able to express myself through dance more than through words. The stage is where I'm most comfortable. A studio with mirror walls and hardwood floors is my home. It feels the weight of the world flies off my shoulder once I set foot in the studio. The watchful mirrors judge my every move and push me to improve. The feeling of my feet sliding, jumping, pointing, flexing, balancing, and spinning across the wooden floors. It is the moments when I'm so caught up in the music that I find myself smiling despite my physical exhaustion.
To me, dancing is freedom. It is the time when I'm truly myself; what keeps me going. It's my happiness and my peace of mind. Also, it's one of the main things that taught me discipline, humility, respect, and perseverance. It's simply something I cannot live without. Dancing causes some kind of contagious joy that can be transmitted by the performers and easily felt by the audience.
You don't have to be an experienced dancer to feel the joy it brings. look at the faces of people dancing at weddings.. that's dance!
How can someone join your classes if they want to start the journey?
Anyone at any age can start taking classes, as long as you have the heart for it. We offer classes with several partnering studios (Soul Motion studio, Brass Monkeys studios, and Goodspace studios).
When did your love for Mahmoud Reda start?
One of the highlights of my life was meeting Mahmoud Reda in 2009. Then, was meeting Farida Fahmy 10 years later in 2019. Our trainer Dr. Zakaria surprised us by taking us to an old building downtown and suddenly the door opened and there was Mahmoud Reda!
He spent two hours teaching us a full dance and then took us on a tour of his study. He showed us the camera that he used to document his journey across all of Egypt to study all the different dances of our country.
Also, he shared his story and said something that I still hold dear until this very day: "the whole world is a dance. Picture a scene of a lady stepping out of a taxi, a group of kids walking and playing down the street, a couple bickering on a bench and add music it becomes a dance".
This man invented the way Egyptian folklore dance is represented to the rest of the world. Before Mahmoud Reda, we never had this. And after him, millions around the world are still learning his repertoire and performing his dances. Through his dancing, he made tens of millions fall in love with Egypt. This man left such an incredible legacy. I feel like it is too precious to let go. Somehow, I feel like it became my responsibility along with all the members of AUC Alumni Folklore group to try to preserve his priceless heritage.
It was, by far, our latest and biggest show "Reviving the Art" in November 2019. We were a group of amateur dancers from different generations. We were all sharing the stage to show our love for Egyptian folklore and trying to get people to fall in love with it as well. To our surprise, it was a sold-out show, we received a standing ovation and the audience even requested an encore!
We couldn't have dreamed of a bigger success. Unfortunately, Covid hit afterward and we haven't been able to perform a full show in our name since. But it will happen soon.
What are some of the misconceptions people might have about dancing?
The idea that it's OK for kids to learn any genre of dance and excel in it except folklore is baffling to me. Farida Fahmy was able to break this belief. In doing so, she made everyone respect her and the art she was representing because it was simply considered "our country's art". I feel like instead of taking steps forward, we went a thousand miles backward.
Mothers think it's not appropriate for kids to learn this type of dance while it is totally acceptable to learn any other style. This is the main misconception that we, members of the AUC Alumni Folklore Group, are trying to eradicate. Our work aims to invite Egyptians to love, respect, understand, cherish and promote the Egyptian folkloric dances that have been an important ingredient of our country's identity and culture.
Egyptians should be able to do so proudly, not shy away from it while the rest of the world is dancing our dances on our behalf.
What message would you like to send through your dance and through reviving Egyptian Folklore?
The idea of "Reviving the Art" stems from a much more serious problem that has slowly been developing through recent decades; mainly affecting younger generations: losing our sense of identity. If you look closely, younger generations can't wait to "get out of their own skin"!
I'm all for being open to different cultures but never to the extent of losing our own identity, culture, and heritage. I believe one of the core solutions to this issue is to somehow integrate our local culture and heritage in schools from the early stages; especially in international schools.
Kids just need the exposure and they will surely love it. For example, the unforgettable Golden Mummies parade that was impeccably organized last year. It was one event mainly based on dancing but it managed to unite the whole nation and, additionally, broadcast such a lovely artistic message of our culture and our heritage to the entire world. I am also pretty sure that children and teenagers were captivated by it. We need more of such efforts. We need to deploy Egypt's soft powers, namely, its very popular colloquial language, poetry, music, and dance to popularize our heritage, making it accessible to Egyptians, and attractive to tourists around the world.
What were the challenges that you faced throughout your career? And how did you overcome them?
Allocating time for rehearsals, juggling work and family obligations, and seeking funding to cover our production costs are all among such challenges. It must be said that without the continuous support of the AUC Alumni Office, we wouldn't have been able to keep going until today. We do not aim for profit, therefore all proceeds generated from our shows go to the AUC Scholarship Fund.
However, we do need sponsors and the Ministry of Culture's support to grow. And be capable of producing bigger shows and hopefully represent Egypt in international folklore festivals.
What advice would you give to someone who might be too self-conscious to start dancing?
Everyone is a student in dance; even the most seasoned instructors.
True dancers have no ego. They go into their studios to learn and they avoid judgment. Learning to dance does not mean you're obligated to perform; though I can assure you, that once you learn how to dance you would probably want to show the world what you can do. It's simple, just take the first step and with the right teacher, self-consciousness will go out the window.
What are your future goals?
Hopefully, one day we get to open a full-fledged school to teach our folklore dance; as part of a larger national initiative to preserve and celebrate our heritage. The school's objective would be to train its students to represent Egypt worldwide ultimately.
Then hopefully branching out to preserving other forms of art such as certain Egyptian musical instruments, making of garments, Arabic calligraphy, singing, and poetry. Another dream is to one day make the same trip around Egypt that Mahmoud Reda did and to study all forms of Egyptian dance firsthand and integrate them with my dancing background. I want to be remembered for trying or hopefully succeeding in reviving Egyptian folklore.
Any last messages?
I would like to point out that the dances that we perform are our own choreographies. We do perform 3 or 4 dances that are Mahmoud Reda signature pieces, but we perform these dances as a tribute to his great legacy.
Also, the idea of the Alumni Folklore Group could have never come to life without the valuable contributions by each past and present member as well as the continuous generous support by the AUC Alumni Office. No thank you would be enough for their support, dedication, love, and belief in what we are doing.
You can follow Pinky here for more!
Reem Gamil
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Anniversairy Campaign
watch houses a modified Unitas 6497/2 calibre. It is a manually-wound, wears a watch with a remote detonator for bombs and a laser beam to help him escape from an armored train. This Omega Seamaster Professional featured a blue dial and quartz caliber Ref. 2541.80. The watch was launched by the Swatch Group in 1993 as a professional diving watch that was water-resistant up to 300 meters. James Bond 007 and watches always had a strong link. In each 007 movie.


Today is Monday and hopefully you have a plan for the week – with your goal and To Dos all laid out for what you need to accomplish. Now the only thing in the way…is EVERYTHING! Know what I mean? You plan, make lists, have the best of intentions…and then STUFF happens! Suddenly it's Thursday and you need to act quickly and efficiently.
Last week was one of those weeks for me. I had AWESOME plans – all getting ready to finish up a lot of items before I leave for an 11 day vacation. Kayla, my awesome intern, was on fire too – we were crossing off To Do items and happy!
Then….stuff happened! A great new opportunity with a short timeline, my 17 year-old sustained a MAJOR burn at work which led to hours in ER and doctor's offices, Kayla had an awesome offer from her Dad for a long father-daughter weekend…and before you know it Friday morning was here and the thought of leaving for vacation on Wednesday afternoon with no 'work baggage' was not looking good.
Identified alternate ways to get certain things done. Asked for help from a person or two 🙂 , used a different format, picked up the phone instead of writing out a long explanation in an email, etc.
Removed several items that can wait – they aren't revenue producing and another 11 days won't hurt.
And most important of all….I ACTED – I put on my Get It Done mode and cranked through phone calls, follow-up emails, a proposal.
Now I'm pretty much back on track and feeling good about the progress!
How about you? What do you need to DO this week to end Friday with a clear desk and conscience so you can enjoy your weekend? When 'stuff' happens, don't give up – look for the different path to get you there!


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Khandu meets 'wonder boy' who created goggle for blind
ITANAGAR, March 18 - Arunachal Pradesh Chief Minister Pema Khandu on Friday met Anang Tadar, a class XI student of New Galaxy Academy, Nirjuli, who had left everyone stunned with his innovation of a gadget called Goggle for Blind (G4B).
The invention was adjudged the most innovative idea in the recently concluded Regional Level Science Festival at Regional Science Centre at Guwahati and was awarded the Dinanath Pandey Smart Idea Innovation Award.
Impressed by his innovation, the National Ignition Facility (NIF) and UNICEF are willing to launch G4B in the market and had asked Anang for creating few prototypes to test on the blind people. To develop these prototypes, Anang who comes from a poor family, approached the CM for help.
Appreciating the brilliant innovation that is intended to make the life of visually impaired people easy, the Chief Minister offered full financial support to him to develop the gadget. "We will set up proper institutional mechanism to encourage innovation and support innovators in the State for a 'New Arunachal'," said Khandu.
The CM assured that there will be no lack of support and that he could fully devote his time and energy to develop the machine that would bring joy to visually impaired people.
When CM asked what motivated him to develop the gadget, the boy recalled a blind girl whom he saw few years back. Saddened at her plight, Anang decided to use technology to help visually impaired people. The technology he chose was similar to parking sensors used in cars.
After developing the gadget, he has participated in national level science exhibition at Rashtrapati Bhawan, New Delhi on March 6 where Honey Bee Network, which together with NIF, Society for Research and Initiatives for Sustainable Technologies and Institutions (SRISTI), Global Youth Action Network (GYAN) and UNICEF were quite impressed with his innovation.
PHE Minister Bamang Felix who spotted the boy helped in arranging today's meeting with CM so that he could find all possible support and encouragement from the State Govt towards his innovation. Anang was accompanied by his elder brother and Sports Authority of Arunachal chairman, Bamang Tago.
Anang has always been interested in technology and has been building robots and other gadgets for a really long time. He has participated in many technical events organised by renowned technical colleges before also, securing the first place most of the time. In the future, he plans to build an Exoskeleton which will help people lift heavy objects.
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'Myanmar will be a difficult team'


Despite the fact that 1,735,720 students registered for the 2013 Unified Tertiary Matriculation Examination, the Federal Government yesterday said that only 520,000 of them will gain admission.
The Minister of Education, Prof. Ruqayyatu Rufai, said this yesterday (Saturday, 27th April) while addressing journalists at the Federal Government College, Suleja, Niger State, after monitoring the 2013 UTME examination. She blamed this on the low-carrying capacity of tertiary institutions in Nigeria.
The Minister called on private firms and individuals to invest in tertiary education.
On the issue of high tuition fees by private universities, she agreed that private investors had the right to recoup their money, but added that government was considering legal options at its disposal to regulate tuition fees in the sector.
Scrapping of NECO and UTME?
On the issue of scrapping of NECO and UTME, the minister denied any knowledge of such.
She said, "It has become a very controversial issue. I have made a statement before the National Assembly that the Federal Government has a white paper on this.
Ogbonna said the candidates were traveling on a Hiace bus with number plate Rivers XY 249.


text:
Gephyromantis granulatus é uma espécie de anfíbio da família Mantellidae, que pode ser encontrada em Madagáscar e no território francês de Mayotte.

Os seus habitats naturais são: florestas subtropicais ou tropicais húmidas de baixa altitude, plantações e florestas secundárias altamente degradadas.

Gephyromantis
Anfíbios de Madagáscar
Anfíbios descritos em 1881
Fauna de Mayotte


he's going to talk about them.
altocumulus. Or is this another of your juvenile typo bull****?
So, no you weren't aware and need a reference but yes you were aware.
I am never surprised by your statements.
that claiming it affected the weather was at best a dubious long shot.
greater correlation to the claim of "afffecting the weather".
clear weather for space launches.
naturally, then you can hardly "cloud seeding worked".
aircraft in the air. And they use the dirtiest of fuel.
increase" in rain from the project.
little book in the library: _Instant Weather Forecasting_ by Alan Watts.
phenomena generated the clouds and what sort of weather might be expected.
at the weather channel whenever I got the chance.
today) and see "Holy cow, we'd better head for home right now!"
The young whippersnappers have it so easy!
:today) and see "Holy cow, we'd better head for home right now!"
:The young whippersnappers have it so easy!
Truth is in your water heater.
and being expert with my choices of route and shelter.
Alan Watts the Zen philosopher? Huh didn't know that.
I knew men who lived through it.
he wrote _Instant Weather Forecasting_.
is what the weather is."
Firstly there were no "road improvements" that anyone in the US would call an improvement - muddy car tracks over a dozen miles are what they were.
Secondly you can't "increase" the amounts of rain by seeding but only have it occur in other areas than it would have fallen.
Thirdly the North Vietnamese surrendered at the Paris Peace Treaty and then because the Democrats wouldn't continue to support the South Vietnamese military and continue air support the North Vietnamese simply ignored the Treaty and the Democrats used that as an election point.
Wow! North Viet Nam surrendered? Who knew? BTW, to whom did they surrender?


Kids get to be chemists for the day as they make their own sparkly soaps!
Oli's Boxship Party Giveaways are now available!
Nothing makes for a more perfect souvenir than something that is fun, educational and brings parents and children together.
Veer away from the traditional lootbags and give your guests a unique and creative giveaway that promotes an unplugged childhood.
Orders less than 36 sets will not be accepted. If payment has been made through Paypal or credit card for less than 36 sets and refund is requested, Paypal fee will be deducted from client.
* Includes personalized box sleeves with celebrant's name, photo and party theme.
*Price excludes shipping. For pickup only or courier fee on account of client.
Email us at hello@olisboxship.com for more details.


text:
// Done by TheTutor

/*
	Background Scrolling --

	This program is going to do two things:

		1) We are going to "tile" our background image so that it fills the window
		2) We are going to scroll our background -- It will go from top to bottom

	Now with not to much more work, you could put a spacship on the screen that is
	controlled by the mouse -- Add asteroids to avoid and you got yourself an Atari game!

	But I'll leave that as a challenge for you %)

	Within we're just going to cover the concept of scrolling a background image

*/

#include "winobj.h"
#include <time.h>

#define BKGRD_WID 300 // Width of the background image in pixels
#define BKGRD_HGT 150 // Height of the background image in pixels

// Width and height of our window
#define WIN_WID 640
#define WIN_HGT 480

#define FRAME_RATE 30 // 30 sounds good to me %)

// Window Globals ***

HBITMAP gBackground; // Handle to the background image

int gYScroll = 0; // This is how much of the bitmap is currently "scrolled"
			    // When we start out, none (zero) of the background has been scrolled

// *** End of Globals

// Returns true when drawing should occur -- false otherwise
bool LockFrameRate(int desired_frame_rate);

// This is the function that will scroll our background
void ScrollBackground(CWinObj &win_obj);

// WinProc
LRESULT CALLBACK WinProc(HWND hwnd, UINT message, WPARAM wparam, LPARAM lparam);

int WINAPI WinMain(HINSTANCE hinstance, HINSTANCE hprev, PSTR cmdline, int ishow)
{
	HWND hwnd;
    MSG msg;
    WNDCLASSEX wndclassex = {0};
	char class_name[] = "GameTutorials";

	CWinObj win_obj; // Main window object

	// Init the fields we care about
    wndclassex.cbSize = sizeof(WNDCLASSEX);
    wndclassex.style = CS_HREDRAW | CS_VREDRAW;
    wndclassex.lpfnWndProc = WinProc;
    wndclassex.hInstance = hinstance;
	wndclassex.lpszClassName = class_name;
	wndclassex.hCursor = (HCURSOR)LoadImage(NULL, MAKEINTRESOURCE(IDC_ARROW), IMAGE_CURSOR,
											0, 0, LR_SHARED);

    RegisterClassEx(&wndclassex);

	// Create the window
    hwnd = CreateWindowEx(WS_EX_APPWINDOW,
						  class_name,
						  "www.GameTutorials.com -- Background scrolling",
						  WS_OVERLAPPED | WS_SYSMENU, // Window won't be resizable
						  CW_USEDEFAULT,
						  CW_USEDEFAULT,
						  WIN_WID,
						  WIN_HGT,
						  NULL,
						  NULL,
						  hinstance,
						  NULL);

		// Error Check
		if(!hwnd)
			return EXIT_FAILURE;

	// Init our CWinObj
	if(!win_obj.init(hwnd))
		return EXIT_FAILURE;

	// Load our background image -- Notice when loading from a file you DO NOT have to specify
	// a width and height of your image
	gBackground = (HBITMAP)LoadImage(hinstance,"background.bmp",IMAGE_BITMAP,0,0,LR_LOADFROMFILE);

		// Error Check
		if(gBackground == NULL)
			return EXIT_FAILURE;

	// Show and update window
    ShowWindow(hwnd, ishow);
    UpdateWindow(hwnd);

	while(1)
	{
		// Checking for window messages -- If we get one we'll deal with it
		if(PeekMessage(&msg,NULL,0,0,PM_REMOVE))
		{
			if(msg.message == WM_QUIT)
				break;

			TranslateMessage(&msg);
			DispatchMessage(&msg);
		}
		else if(LockFrameRate(FRAME_RATE))	// Otherwise we'll redraw the screen if we have to
		{
			ScrollBackground(win_obj);

			// Blit our back_dc (our buffer we do all drawing to) to our win_dc
			// (basically the screen)
			BitBlt(win_obj.getHDC(),0,0,win_obj.getClientWid(),win_obj.getClientHgt(),
				   win_obj.getBackHDC(),0,0,SRCCOPY);
		}

	} // end of while(1)

	UnregisterClass(class_name,hinstance); // Unregister the WNDCLASSEX
		return msg.wParam;
}

// WinProc (nice and simple eh?)
LRESULT CALLBACK WinProc(HWND hwnd, UINT message, WPARAM wparam, LPARAM lparam)
{
	switch(message)
    {
		case WM_DESTROY:

			PostQuitMessage(0);
				return 0;

	} // end of switch(message)

    return(DefWindowProc(hwnd, message, wparam, lparam));
}

// Locks the frame rate at "frame_rate"
// Returns true when it's okay to draw, false otherwise
bool LockFrameRate(int frame_rate)
{
	static float lastTime = 0.0f;

	// Get current time in seconds (milliseconds * .001 = seconds)
	float currentTime = GetTickCount() * 0.001f;

	// Get the elapsed time by subtracting the current time from the last time
	// If the desired frame rate amount of seconds has passed -- return true (ie Blit())
	if((currentTime - lastTime) > (1.0f / frame_rate))
	{
		// Reset the last time
		lastTime = currentTime;
			return true;
	}

	return false;
}

// Scrolls the background
void ScrollBackground(CWinObj &win_obj)
{
	int x_pos = 0;
	int y_pos = gYScroll;

	HDC temp_dc = CreateCompatibleDC(win_obj.getHDC());

		// Error Check
		if(temp_dc == NULL)
			return;

	// Select the background image into our temp_dc
	HBITMAP save_bmp = (HBITMAP)SelectObject(temp_dc,gBackground);

	// We are going to draw the background tile going left to right, from top to bottom
	// Once our y_pos (for the upper left corner) is greater than the height of the window
	// we're done drawing for this frame
	while(y_pos < win_obj.getClientHgt())
	{
		// First thing we do is draw going left to right --
		// We ALWAYS start at the left side (that means x_pos == 0)
		// Then we add the WIDTH of the background image to the x_pos so we can
		// next time we blit, we'll draw right next to the last one (effectively tiling the
		// image so it will look like continous image)
		//
		// It's a little wordy so a quick look at the "illustration" at the bottom
		// of this tutorial should help :)
		while(x_pos < win_obj.getClientWid())
		{
			// Blit the background tile at the current location
			BitBlt(win_obj.getBackHDC(),x_pos,y_pos,BKGRD_WID,BKGRD_HGT,
				   temp_dc,0,0,SRCCOPY);

			x_pos += BKGRD_WID; // Move the X-pos of the upper left corner (of where to blit to)
								// to the right

		}

		x_pos = 0; // Zero out x_pos (we'll go from left to right again)

		// Move down to the next "row" for blitting the background tile
		y_pos += BKGRD_HGT;
	}

	// Lastly -- We need to fill the top row with whatever percentage of the
	// bitmap has been slid down

		x_pos = 0; // Zero out x_pos

		while(x_pos < win_obj.getClientWid())
		{
			// Blit the background tile at the current location
			BitBlt(win_obj.getBackHDC(),x_pos,0,BKGRD_WID,gYScroll,
				   temp_dc,0,(BKGRD_HGT - gYScroll),SRCCOPY);

			// Does the equation in the BitBlt() make sense???  Well I'll explain it --
			// The first time we draw we'll start drawing at the top of the window (line 0)
			// The next time thru we start drawing at (line 1) of the window meaning that
			// first line of pixels needs to be redrawn -- Not only does it need to be
			// redrawn but in needs to be redrawn with the BOTTOM line of pixels of our
			// background image so that the tiling stays looking correct.  So to reinforce
			// this concept, here's the parameters of BitBlt() broken down:

			/*

			win_obj.back_dc -- Same as always
			x_pos -- Same as always (still are going left to right)
			0  -- This will always be zero cause we know we are filling from the top of the screen
			      Remember we are scrolling down, so the "hole" will always be at the top
			BKGRD_WID -- Same as always
			gYScroll -- We only need to blit the height of the bitmap we've scrolled down
			win_obj.bmp_dc -- Same as always
			0 -- Same as always (starting at left most position in bitmap)
			(BKGRD_HGT - gYScroll) -- Okay this may look tricky but it's not, if we moved down
									 one line of pixels (meaning gYScroll would equal 1) then the
									 line of pixels we want to draw at the top of window is the
									 LAST line of pixels in our bitmap (this way the seamless
									 textures still appear seamless) -- Since our BKGRD_HGT
									 is 150 the last row would be 149 which is (150 - 1) which
									 is what BKGRD_HGT - gYScroll is equivalent to :)
			SRCCOPY -- Same as always (When we blit, do a source copy)

			*/

			x_pos += BKGRD_WID; // Move the X-pos of the upper left corner (of where to blit)
								// to the right

		}

	// Here every time we blit everything we want to increase the amount we've "scrolled"
	// When we've scrolled the entire height of the bitmap, we reset to zero
	if(++gYScroll == BKGRD_HGT)
		gYScroll = 0; // Set gYScroll to zero

	// Free up the memory
	SelectObject(temp_dc,save_bmp);
	DeleteDC(temp_dc);

} // end of ScrollBackground(CWinObj &win_obj)

// Okay the tiling this is what happens lets suppose we have a window which is
// 10x5 and a bitmap that's 4x2

/*
	  Window		Bitmap

	0000000000		 $$$$
	0000000000		 ****
	0000000000
	0000000000
	0000000000

	----------------- Begin Blitting -------------------------------------------------
	----------------- Remember this is only ONE call to ScrollBackground()

	gYScroll = 0

	First Blit		Second Blit		Third Blit	// It's okay that we went over
												// Windows takes care of that for
	$$$$000000		$$$$$$$$00		$$$$$$$$$$  // us -- But since we're did go
	****000000		********00		**********  // over we start back at the left
	0000000000		0000000000		0000000000
	0000000000		0000000000		0000000000
	0000000000		0000000000		0000000000

	Fourth Blit		Fifth Blit		Sixth Blit

	$$$$$$$$$$		$$$$$$$$$$		$$$$$$$$$$
	**********		**********		**********
	$$$$000000		$$$$$$$$00		$$$$$$$$$$
	****000000		********00		**********
	0000000000		0000000000		0000000000

	Seventh Blit	Eighth Blit		Nineth Blit

	$$$$$$$$$$		$$$$$$$$$$		$$$$$$$$$$
	**********		**********		**********
	$$$$$$$$$$		$$$$$$$$$$		$$$$$$$$$$
	**********		**********		**********
	$$$$000000		$$$$$$$$00		$$$$$$$$$$

	// Here it doesn't matter that we went over
	// the bottom -- Again, Windows takes care of that
	// for us, but since we did we increase our yScoll to 1
	// and we would return from the call to ScrollBackground()

	----------------- Begin Blitting -------------------------------------------------
	----------------- Remember this is only ONE call to ScrollBackground()

	// This would be the NEXT call to ScrollBackground(), the next frame

	gYScroll = 1

	First Blit		Second Blit		Third Blit	// Notice how the top line of
												// the window IS NOT initally drawn
	0000000000		0000000000		0000000000  // Because gYScroll == 1, we start
	$$$$000000		$$$$$$$$00		$$$$$$$$$$  // drawing at the 1st line in the window
	****000000		********00		**********  //
	0000000000		0000000000		0000000000
	0000000000		0000000000		0000000000

	Fourth Blit		Fifth Blit		Sixth Blit

	0000000000		0000000000		0000000000
	$$$$$$$$$$		$$$$$$$$$$		$$$$$$$$$$
	**********		**********		**********
	$$$$000000		$$$$$$$$$$		$$$$$$$$$$
	****000000		**********		**********

	Seventh Blit	Eighth Blit		Nineth Blit	// Now here we go back and fill the
												// the hole at the top -- The equation
	****000000		********00		**********	// use is Bitmap Height - gYScroll
	$$$$$$$$$$		$$$$$$$$$$		$$$$$$$$$$  // for how many lines should be drawn
	**********		**********		**********	// Well 2 (Bitmap Height) - 1 (gYScroll)
	$$$$$$$$$$		$$$$$$$$$$		$$$$$$$$$$	// equals 1 which is EXACTLY how many
	**********		**********		**********	// rows of pixels needs to be drawn
												// AND since we always begin blitting from
												// the bottom of our background image and work
												// our way up in our second while loop, the
												// line of pixels we want will always match up :)

	// If you still have quesitons be sure to post 'em at at www.GameTutorials.com
	// We're open 24 hours a day 365 days a year %)
*/

/*----------------------------*\
|  TheTutor                    |
|  thetutor@gametutorials.com  |
|  © 2000-2005 GameTutorials   |
\*----------------------------*/

redpajama_set_name: RedPajamaGithub


Experience the convenience and comforts of living in the town of Clayton in Johnston County, North Carolina. Considered a satellite city of Raleigh, Clayton is close to the Research Triangle. As a result, residents get to experience the perks of living in a big city while enjoying the charm of a smaller town. With so many recreation options, Clayton lives up to its motto as 'The Premier Community for Active Families'. Its thriving economy seals the deal for most aspiring homeowners, encouraging them to pack their bags and relocate to this town. The industrial base in this town is also booming, providing employment opportunities to the locals. At the moment, some of the top employers include Novo Nordisk, Grifols, and Caterpillar.
The town of Clayton attracts outdoorsy residents, history buffs, and nature enthusiasts alike. Locals who love to spend time in nature will love the Clayton Community Park. The Main St. Community Garden and Falcon's Hamlet are other beautiful locations in Clayton. Adults can indulge their oenophile side at the Wine on Main, and afterwards, they can tickle their funny bone at the Comedy Zone. The entire family can have lots of fun at the Clayton Center. They can also savor the different flavors of Snoball cones at the Pelican's snoballs 40/42 and batting cage. Locals, who love taking walks and enjoying beautiful scenery, will fall in love with Clemmons Educational State Forest. Residents who enjoy a game of golf can visit the Riverwood Golf Course or the Pine Hollow Golf Course.
If you wish to relocate to this town but are afraid of the hassle of searching for a new home, relax and try our services at New Home Source. Our site will help you to narrow down your choices based on your specifications and your budget. Available homes in Clayton range in price between the mid $100s and the lower $400s. If the size of the home is a factor, you can select a home that has anywhere between 2 bedrooms and 2 bathrooms, and 6 bedrooms and 4.5 bathrooms.
Finding the perfect home in Clayton, North Carolina, has never been easier! Browse through our listings and choose the perfect home to relocate to in this beautiful town.


The Metropolitan Nashville Airport Authority (MNAA) is seeking an Assistant Vice President, Revenue Development who will be responsible for planning, administering, organizing, and directing airline affairs, air service development, concessions, rental cars, parking, and ground transportation activities with the Business Development Department.
The successful candidate will have a bachelor's degree from an accredited college university. Master's degree is preferred. Also required is 7 – 10 years of experience in revenue development or related field. Certified Member (C.M.) or designation as an Accredited Airport Executive through AAAE is also preferred.
7 – 10 years of experience in revenue development or related field.


JVonD and Citrus Man bring you lots of technology info and great jams for Spring. As seen in Second Life on the Selvaggio SIM Pool Party. JVonD talks about the importance of computer heating and also plays a new jam.


text:
BasisTransformationHAWP
=======================

About the ``BasisTransformationHAWP`` class
-------------------------------------------

.. automodule:: WaveBlocksND

Inheritance diagram
-------------------

.. inheritance-diagram:: BasisTransformationHAWP

Class documentation
-------------------

.. autoclass:: BasisTransformationHAWP
   :members:
   :inherited-members:

   .. automethod:: __init__


Traffic speed is a current issue in France, characterised by a strong policy of control, penalty and communication. It is also an international concern, as demonstrated by the work done by Certu's Head of Transport Jacques Nouvier, which culminated in the CCRT report on traffic speed management published in February 2007.
This report draws on elements presented at the conference organised by CERTU and INRETS (The National Institute for Transport and Safety Research) on February 2nd 2007 in Lille.
Its primary focus consists of current knowledge and its practical application, with particular reference to the cases of Lille and London.


text:
Send2Press › Wire › After Inc. News Room and Media Kit
After Inc. Newsroom - Profile and News Archive
After, Inc. is a global leader in the warranty services industry. Its predictive analytics, data-driven marketing strategies, reporting and program administration are second to none.
After, Inc. partners with some of the world's top brands to help transform their warranty businesses, driving customer satisfaction post-purchase, higher product reliability, deeper brand equity and additional revenue / profit opportunities.
Headquartered in Norwalk, Conn. with offices in New York City, After, Inc. is part of the EPIC Holdings family of companies, which also includes EPIC Insurance Brokers & Consultants and PowerGuard Specialty Insurance Services.
Engage with After Inc.
Learn more online at: http://afterinc.com/
Follow: Twitter | Facebook | LinkedIn
RSS News Feed for After Inc.
Press Releases from After Inc. :
Scott Morrison, one of the founders of After, Inc., returns to company after sale to EPIC Holdings
NORWALK, Conn., Jan. 22, 2020 (SEND2PRESS NEWSWIRE) — After, Inc., the global leader in Warranty Marketing and Analytics Solutions since 2005, has just announced the return of Scott Morrison, an original founder, to lead new business development and strategic innovation for the company.
After, Inc. launches QuickReg 2.0 with additional benefits for Manufacturers and their Customers
Dec 11, 2019 7:00 AM EST
NORWALK, Conn., Dec. 11, 2019 (SEND2PRESS NEWSWIRE) — After, Inc., the global leader in Warranty Marketing and Analytics Solutions since 2005, just announced the launch of QuickReg 2.0, the next iteration of its smart registration solution. QuickReg, launched in March 2019, helps manufacturers drive higher registration rates by making product registration quick, easy and convenient for consumers through their preferred channel of choice
After, Inc. Publishes Latest Research on California Consumer Protection Act (CCPA) – Effective Jan. 1, 2020 – and Its Implications for Manufacturers
Oct 8, 2019 6:00 AM EDT
NORWALK, Conn., Oct. 8, 2019 (SEND2PRESS NEWSWIRE) — After, Inc., a pioneer in the Warranty Services industry, has delivered innovative warranty marketing, analytics and program management services to top-tier manufacturers since 2005. As an industry leader, After, Inc. stays on top of regulations that may affect its manufacturing clients. The California Consumer Protection Act (CCPA) is one of these.
After, Inc. to Sponsor and Speak at 10th Annual Extended Warranty and Service Contract Innovations Conference in Nashville
Sep 12, 2019 6:00 AM EDT
NORWALK, Conn., Sept. 12, 2019 (SEND2PRESS NEWSWIRE) — After, Inc., a leader Warranty Analytics Solutions since 2005, will sponsor the Extended Warranty and Service Contract Innovations Conference in Nashville, TN on September 18-20, 2019. The company also announced today that it will join a panel discussing how to "Tailor Your Message to Different Market Segments," alongside industry giants like General Motors and Electrolux.
After, Inc. Announces Publication of 'First of its Kind' Study of Millennials and Extended Service Plans (ESPs)
May 16, 2019 6:00 AM EDT
NORWALK, Conn., May 16, 2019 (SEND2PRESS NEWSWIRE) — In December 2018, After, Inc. launched its "Millennials and Extended Service Plans" study, to investigate the attitudes and behavior of Millennials regarding manufacturers' product warranties and Extended Service Plans (ESPs).
After, Inc. to launch new QuickReg solution at Warranty Chain Management (WCM) Conference on March 12-14, 2019
Mar 5, 2019 12:11 PM EST
NORWALK, Conn., March 5, 2019 (SEND2PRESS NEWSWIRE) — After, Inc., a global leader in the warranty services industry since 2005, announced today that it will launch QuickReg, its next-generation registration tool, at the Warranty Chain Management Conference next week.
After, Inc. to showcase its latest predictive analytics solutions at the Field Service Medical Conference on Feb. 25-27, 2019
Feb 11, 2019 6:05 AM EST
NORWALK, Conn., Feb. 11, 2019 (SEND2PRESS NEWSWIRE) — After, Inc., the global leader Warranty Analytics Solutions since 2005, will be a major participant in the Field Service Medical Conference on February 25-27, 2019. The company announced today that it plans to introduce a powerful suite of optimization solutions at the conference, designed specifically for Medical Device & Medical Equipment manufacturers, to help reduce the costs and customer satisfaction impacts of unplanned service repairs.
After Inc. Releases Warranty Analytics 2.0 White Paper
Oct 31, 2018 1:14 PM EDT
NORWALK, Conn., Oct. 31, 2018 (SEND2PRESS NEWSWIRE) — After, Inc., the global leader in Warranty 2.0 solutions, announced today that it has just released its latest research on the warranty analytics industry. After, Inc.'s white paper, "Warranty Analytics 2.0 – Addressing the Gaps in Current Software Solutions," provides an analysis of the warranty services market, outlines the differences between warranty management and warranty analytics software.
Tweets by After Inc.


Food columnists examine the spectre of GE/GM foods.
Oct. 10, 2013 8:00 p.m.
Today we pull on our gum boots and wade — with some trepidation — into a story "ripped from the headlines": the controversy surrounding genetic engineering/genetic modification (GE/GM) of plants, seeds and animals.
Last month the Union of British Columbia Municipalities (UBCM), representing towns, cities, villages, regional districts and several First Nations, endorsed a resolution requesting the provincial government declare through legislation that the province of B.C. is a GE-free area with respect to all plant and animal species. No import, no export, no growing of plants and seeds containing genetically engineered DNA, and no raising of GE animals within B.C.
We applaud this decision; it is a step toward achieving food sovereignty. We are opposed to GE seeds, plants, and animals for a number of reasons, in addition to those expressed by the preamble to the UBCM resolution. Nor can we fathom equating, under patent law, a living thing (or part thereof) with a human invention like the tea bag.
1. That GE crops, through pollination, can disperse their pollen and genes indiscriminately and potentially contaminate non-GE crops; 2. A particular concern with the transfer of DNA between species and the potential unintended consequences, especially with animal species; and 3. As Vancouver Island and associated B.C. coastal communities are isolated from other agricultural areas in British Columbia [and the rest of the world], contamination by GE organisms can possibly and practically be avoided, enabling local gardeners and farmers to provide organic production, to help maintain long-term sustainability, and to foster a living seed bank.
Genetic engineering is a term used to describe the process of recombinant DNA. With the technology of recombinant DNA, scientists can change plants or animals at the molecular level by inserting genes or DNA segments from other organisms. Genes are the units made up of DNA molecules inside a cell that control how living organisms inherit features from their ancestors. The process of genetic engineering enables the direct transfer of genes between different species or kingdoms that would not breed in nature; for example, bacteria genes into corn or Atlantic salmon engineered with a growth hormone-regulating gene from a Pacific Chinook salmon and genetic material from ocean pout.
In 2010 Canada was the world's fifth-largest producer of GE crops, primarily corn, soybean, sugar beets and canola/rapeseed. On the Canadian GE horizon: Atlantic salmon, alfalfa, and apples. GE foods imported to Canada include cotton seed oil, papaya, squash, and milk products. We don't want to eat or buy GE organisms, but how can we avoid them?
In 2006, and again in 2009, the UBCM requested the federal government to label GE organisms, but to date they are not labelled, though the shelves are filled with them. Left to our own devices, we grow, buy and eat certified organic when we can, as GE is not allowed in organic production. At the supermarket, we are aware that processed foods may contain, or have been fed, GE ingredients, for example corn flakes, corn chips, cornstarch, corn syrup, corn oil and other corn ingredients; sweeteners like glucose and fructose; eggs, milk and meat from animals fed GE feed; cotton seed vegetable oil in processed foods such as potato chips; sugar from sugar beets; canola oil, soy oil, soy protein, soy lecithin, tofu, soy beverages, soy puddings; imported milk solids and powder, frozen desserts with dairy, and mixed drinks with milk ingredients.


Focusing on business, strategic management with all its subsections are considered relatively new. Research is very much engaged to explore more and more views and parts of this incredibly wide and interesting field. Besides, also intersection points between strategic management and other managerial fields, like marketing or sustainability are very high in trend.
Nevertheless, often enough we hear complaints from academia and industry about the gap between strategy formulation and strategy execution or implementation. Research figured out that one of the reasons behind this challenge is the miscommunication between the C and the operational level. This in turn puts an immense load on the middle management to thoroughly articulate the formulated strategy and act as a two-ways-communication-channel between the C and operational level. So, getting orders from above, and articulating problems or ideas from below. In this context it is important to highlight on the agency problem and power misusage that might be an issue, if the middle management does not comply with the general stakeholder interest. Consequently, a strong governance system shall be integrated in the organization to monitor any deviation from the general company interest, its strategy and resources misusage.
Another challenge for strategy execution, which may even call for a reformulation, is the company's business model. A business model that does not comply with the market's new trends due to absence of flexibility and agility, makes the correspondent corporate strategy worthless. Instead, a strong and flexible business model that can easily adapt to change, can be a key competitive advantage for the company, which can be hardly copied or imitated.
Last but not least, is the scarcity of (some) resources. Companies that do heavily rely on natural resources suffer the most. Here, the formulated strategy will be hindered from execution if the required resources are not available, or underlie monopoly or an immense supplier bargaining power. This area in particular is entangled with political power and lobbying.
To sum up, strategy execution is one of the hardest and most sensitive processes an organization goes through. An adequate implementation calls for a precise market scanning, thorough planning and flexibility, and exact articulation, so to assure a correct implementation, drive new opportunities to the company and make it survive its competition.
To overcome such challenges in strategy execution, you need to have a reliable arm such as a strategy management solution. Such solution should indeed balance out such difficulties, add to the organization's value and overall performance. A perfect match here would be ON TRACK, which aims at enhancing organizations' productivity by providing a backbone for managing, sharing, and monitoring the achievement of strategic plans.


text:
The Shape of [Ground] Water (Law): California's New Act, and Prospects for Sustainability
Journal of the Southwest, 2017, Forthcoming
UC Irvine School of Law Research Paper No. 2016-38
20 Pages Posted: 20 Jun 2016 Last revised: 27 Jan 2017
See all articles by Joseph F. DiMento
Joseph F. DiMento
University of California, Irvine - School of Law, Planning, Policy & Design, and Transportation Studies
In this chapter, I describe attempts to improve groundwater management in California in a context about which serious people have concluded [with language I once considered inappropriate but am now convinced is accurate] the law has been "a mess".
I summarize new legislation that is attempting to employ some of the principles that leading policy scholars have identified to make the management of California's ground water more equitable. I lay out the challenges to developing new governance mechanisms in the context of radically different interests, a wide range of understandings of groundwater rights, and a changing physical environment. I then speculate on the prospects for success of the new governance regime including with reference to alternative regulatory and market strategies that are being used (or considered) to provide for better management. My analysis addresses legal issues that arise and need to be analyzed or confronted in consideration of new law. The challenges may be several. Among coverage: I attempt to respond to the chilling effect of threatened takings challenges to changes in groundwater rights. And I address how notions of equity and sustainability science may affect legal analysis in an era of scarcity.
DiMento, Joseph F., The Shape of [Ground] Water (Law): California's New Act, and Prospects for Sustainability (June 20, 2016). Journal of the Southwest, 2017, Forthcoming; UC Irvine School of Law Research Paper No. 2016-38. Available at SSRN: https://ssrn.com/abstract=2798216
Joseph F. DiMento (Contact Author)
University of California, Irvine - School of Law, Planning, Policy & Design, and Transportation Studies ( email )
(202) 466 1135 (Phone)


text:
Mougás (oficialmente Santa Uxía de Mougás) es una parroquia perteneciente al municipio pontevedrés de Oya. Según el IGE, en 2019 tenía 681 habitantes, 350 varones y 331 mujeres.

Lugares
En la parroquia de Mougás, según el IGE, se encuentran los siguientes núcleos de población::
As Mariñas.
Bragadela.
Granxa (A Granxa)
Iglesia (A Igrexa).
Mougás.
O Porto.
Outeiro (O Outeiro)
Pedra Rubia.
No aparecen en el noménclator:

 A Cova
 A Ermida
 Barcelos
 Laxes
 O Cabezo
 Os Mises
 Riodosos
 Toiberde

Referencias

Parroquias de Oya


Thinking about honeymooning in Italy? Wedding planner, Shannon Bellisle will totally convince you (like we need convincing!) that this idyllic locale is the perfect destination with her honeymooner's guide to Positano, Italy! The rocky, colorful shores of this coastal city are full of charm and romance. Read on, as Shannon and her new hubby walk you through the beautiful streets, virtually showing you where to stay, dine, and play as newlyweds!
Italy has always been a travel dream for both of us, and when it came to planning our honeymoon it was honestly a no brainer. The romance, the history, the wine and food; we wouldn't have wanted to spend our first few weeks of wedded bliss anywhere else in the world. Positano was the final stop on our two and a half week vacation, and talk about surreal! It was October, and the town was getting ready to close for their off season – and even though it was a little bit cooler, we still had some incredibly sunny days. But the best part is that since it wasn't a touristy time of year to go we felt like, at times, we had the entire place to ourselves.
Our photographer actually introduced us to Casa Albertina, and this place is so adorable that we immediately fell in love. Everything is so picturesque, from the front reception, to the cute doors and well dressed hallways. But the cherry on top? The rooftop patio that is available to all guests overlooking the beach front. We spent many nights up there sipping wine at sunset with some charcuterie spreads!!
Positano is not lacking in incredible dining places, but our favourite has to be Da Vincenzo. Built right into the rock, this restaurant has tons of romance and really gives you the full Positano experience. The owners knew we were on our honeymoon and were so incredibly sweet, giving me this hand crafted pottery ornament as a memento. I recommend you order the daily seafood special, I promise it will be worth it!
If you are staying in Positano you absolutely need to visit the stunning Le Sirenuse hotel. Every corner you turn is one hundred percent Instagram worthy. You need to tour around the hotel when you are there – I was like a kid in a candy story! It was here that we enjoyed drinks and an unforgettable lunch at the hotel restaurant La Sponda, with a seriously breathtaking view of Positano. They also have a champagne and oyster bar, and I mean how can you go wrong there!
Positano is small, and if you aren't planning any day trips to the other towns, then you'll want to find some things to do. Because we were on our honeymoon we wanted to share experiences that were extra romantic, the kind that let us just be in the moment, smooching and taking it all in. We highly recommend you take a boat tour with Blue Star. You'll get a private tour of the Amalfi Coat at sunset, taking you inside some of the most picturesque caves – it really doesn't get more romantic than that!
Lastly, we recommend hiring a photographer for an afternoon. It was so fun to wander around the streets stealing kisses and just having fun together. Not to mention when our photographer gave us the images it took us back to that exact moment, which was such a joyous feeling. Being able to share our experience with images like this was so worth it, and no selfie or tilted photo from another tourist could ever compare.
Positano is one of my favorite places ever! So magical!!