text:
Q: Running code if a template type is another template How can I do this in C++? The lack of static_if will make it harder.
template<typename T>
struct foo {
  foo() {
    //construction

    //if (T is an instantiation of some other template, say std::vector)
    //{
    //   stuff 1
    //}
  }

  void some_func() {
    //some code

    //if (T is an instantiation of some other template, say std::vector)
    //{
    //   stuff 2
    //}
  }
};

If it's any help, here's code that tells us whether T is another template:
Doing a static_assert that a template type is another template
The only question is how to translate it into an "if" condition.

A: Use dispatch helper functions:
template<typename T>
struct foo {
public:
  foo() {
    //construction

    stuff1(static_cast<T*>(nullptr));
  }

  void some_func() {
    //some code

    stuff2(static_cast<T*>(nullptr));
  }

private:
  template<typename U> void stuff1(U*) {}
  template<typename E, typename A> void stuff1(std::vector<E,A>*)
  { /* stuff 1 */ }

  template<typename U> void stuff2(U*) {}
  template<typename E, typename A> void stuff2(std::vector<E,A>*)
  { /* stuff 2 */ }
};

A: The link you point to already has an condition code that tells you the right answer. All you have to do is put it inside an "if".
There is no need for a "static_if". If your code can determine, at compile time, whether an if is taken or not, the not-taken path is optimized out, as well as the actual if statement. Since a template function is instantiated (read - compiled) for each type individually, and since for each of those instantiations the if condition can be statically detected, just use the standard if.
Shachar


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text:
TAKE ACTIONCHOOSE VEGDONATE
Every year, millions of cows, pigs, goats, sheep, and other animals are funneled through livestock markets on a stressful and terrorizing journey that often ends at the slaughterhouse. A new Mercy For Animals investigation at auctions across Mississippi reveals brutal violence at the hands of workers. READ MORE
HIDDEN-CAMERA FOOTAGE RECORDED BY
AN MFA INVESTIGATOR AT LIVESTOCK AUCTIONS UNCOVERED:
Workers violently kicking, punching, beating, and shocking animals
Goats, sheep and pigs being callously picked up by their ears and necks
Workers pulling tails and carelessly dragging animals by their hair
Animals routinely denied food, water, and proper veterinary care
CRUELTY CRITICS
"This video shows severe animal abuse."
"This facility demonstrates abominable mistreatment and abuse of its animals, cruel mishandling, unsafe conditions for its animals, and poor oversight of its workers. … Such despicable cruelty to animals is intolerable."
Dr. Armaiti May
"[I]t is essential that the sort of blatant abuse illustrated in this nightmarish video must be stopped in its tracks, and that those perpetrating such abuse and those managers allowing it to take place , should be prosecuted to the fullest extent allowable by law."
Dr. Bernard Rollin
"In summary, this auction facility causes unnecessary stress and pain to the animals by carrying them inappropriately, failing to provide water to animals held over an extended period of time, and by gratuitously beating and whipping them."
Dr. Lee Schrader
"The handling and treatment of the animals depicted in the video at this facility is clearly deplorable and in much need of improvement."
Dr. Sara Shields
"Management appears to be involved in denying the animals' basic necessities, and there is no evidence that they are concerned about the culture of rampant worker cruelty toward the animals that exists in full view in their facility."
Dr. Debra Teachout
HIDDEN WORLD OF FARMED ANIMALS
Cows are friendly and intelligent animals who form long-lasting, deep bonds of friendship with other cows and sometimes even their human caregivers. They mourn the deaths of those they love, shedding tears over the loss of friends who are separated from them. The bond between a cow and her calf is particularly strong, and mother cows have been known to bellow in sadness for days after their calves have been taken away and sold for slaughter.
Many people consider pigs to be among the smartest animals, and for good reason. According to Dr. Donald Broom, pigs are more intelligent and sophisticated than three-year-old children. In nature, pigs are social, playful, protective animals who bond with each other, relax in the sun, and cool off in the mud. If given the chance, many pigs sleep in cozy "pig piles" and love to cuddle with each other just like dogs do. Pigs are even known to dream.
Sheep and goats are both sensitive animals who are emotionally complex and extremely intelligent. Sheep can distinguish between different facial expressions in humans and recognize and remember the faces of at least 50 other sheep for up to two years.
While sheep are shy around strangers and become stressed when separated from their flocks, goats are more independent and free-spirited. Research shows that goats will develop regional "accents," much like people do, depending on where they grew up.
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redpajama_set_name: RedPajamaCommonCrawl


Automation clips are simple to create in FL Studio, and you can automate almost any parameter in FL, be it your effects, instruments or third-party effects and instruments. Let's see how to automate the volume on a track for example. Let's say you wanted to add an automation clip for the volume on your snare channel. You could either right-click on the snare volume on the Channel Rack, or... 25/06/2012 · This feature is not available right now. Please try again later.
I currently use a great synthesizer VST plugin for FL Studio 11 called Sylenth1 (64 Bit). In this tutorial I will show you how to create an Automation clip for it. how to break cell phone addiction I recommend saving it to "FL Studio \Data\Patches\Channel presets\Automation clips" -folder (maybe create a new folder under it and save it there): Now, open the browser and dig into Channel presets -> Automation clips -> your folder.
With the FL Studio 12 manual features, you can perform automation clips on their tracks, which makes FL Studio 12 different from other DAWs. And the notable clips allow you to develop or edit your songs ebb, breathe, and flow in a natural way. Supposedly, you can double an automation clip because they generate a single redact, to simultaneously affect the two automation clips. Since you can how to create windows 10 boot file in cmd prompt Automation Clips (control movements) - Automation Clips move knobs and controls on the FL Studio interface and plugins. To create an Automation Clip Right-Click on an interface control and select ' Create automation clip' .
How To Create Automation Clip In Fl Studio 10, Gudang download lagu mp3 dan video clips gratis terbesar dan terlengkap di dunia, update file lagu mp3 dan video clips dalam hitungan detik 24 jam.
You can create automation clips with any vst. Touch(You have to tweak it, even if you put it back into the same spot it was in after) the thing you want to automate, and then go to the flmenu on top and to tools>last tweaked> create automation clip.


text:
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<!-- BEGIN_INCLUDE(manifest) -->
<manifest xmlns:android="http://schemas.android.com/apk/res/android"
        package="com.embarcadero.RESTAppenderMobileSample"
        android:versionCode="1"
        android:versionName="1.0.0"
        android:installLocation="auto">

    <!-- This is the platform API where NativeActivity was introduced. -->
    <uses-sdk android:minSdkVersion="23" android:targetSdkVersion="30" />
    <uses-permission android:name="android.permission.ACCESS_COARSE_LOCATION" />
    <uses-permission android:name="android.permission.ACCESS_FINE_LOCATION" />
    <uses-permission android:name="android.permission.CALL_PHONE" />
    <uses-permission android:name="android.permission.CAMERA" />
    <uses-permission android:name="android.permission.INTERNET" />
    <uses-permission android:name="android.permission.READ_CALENDAR" />
    <uses-permission android:name="android.permission.READ_EXTERNAL_STORAGE" />
    <uses-permission android:name="android.permission.READ_PHONE_STATE" />
    <uses-permission android:name="android.permission.WRITE_CALENDAR" />
    <uses-permission android:name="android.permission.WRITE_EXTERNAL_STORAGE" />

    <uses-feature android:glEsVersion="0x00020000" android:required="True"/>
    <application android:persistent="False"
		android:usesCleartextTraffic="true"
        android:restoreAnyVersion="False"
        android:label="RESTAppenderMobileSample"
        android:debuggable="true"
        android:largeHeap="False"
        android:icon="@drawable/ic_launcher"
        android:theme="@style/AppTheme"
        android:hardwareAccelerated="true">

        <!-- Our activity is a subclass of the built-in NativeActivity framework class.
             This will take care of integrating with our NDK code. -->
        <activity android:name="com.embarcadero.firemonkey.FMXNativeActivity"
                android:label="RESTAppenderMobileSample"
                android:configChanges="orientation|keyboard|keyboardHidden|screenSize"
                android:launchMode="singleTask">
            <!-- Tell NativeActivity the name of our .so -->
            <meta-data android:name="android.app.lib_name"
                android:value="RESTAppenderMobileSample" />
            <intent-filter>
                <action android:name="android.intent.action.MAIN" />
                <category android:name="android.intent.category.LAUNCHER" />
            </intent-filter>
        </activity>

                <receiver android:name="com.embarcadero.rtl.notifications.NotificationAlarm" />

    </application>
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redpajama_set_name: RedPajamaGithub


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I believe that part of being a great athlete is maintaining the correct attitude about failure. Research shows that Olympic athletes fail in practice more than do normal competitors, because they are always driving themselves to run faster, throw farther or do a more intricate spinning move on the ice. The concept is to push yourself beyond your current performance level (P-level) by using a challenge level that is perfectly titrated to your current position on the performance curve; i.e., not too hard, but not too easy. The Goldilocks' Protocol, as I call it, sits at the center of your training program, designed to drive you to a higher P-level, which then becomes your new standard – you were an 85 shooter, but with some attention to the matter, you are now an 80 shooter. Basically you have recreated yourself through intervention, and that involves a lot of failure.
But not every kind of failure is helpful – a 22 handicap who insists on playing the back tees is courting destructive failure that will teach him/her nothing more than that he/she stinks at golf. This player will grow worse as the destructive failure gobbles up every bit of talent that was waiting in the wings. This is why a wise coach brings a boxer along slowly, stepping him/her up in a challenge against incrementally tougher opponents – as dominant as Mike Tyson was, he didn't fight for the heavyweight championship in his first fight, and neither did undefeated heavyweight champ, Rocky Marciano. My chess program has 10 levels of difficulty – it is much too easy for me set at 4, but too hard to play it at 10. I am currently at 7 and gear all my practice to being competitive at level 8.
Tiger was brought along perfectly, winning every division on the USGA ladder until he had won them all – three junior division age group championships and three adult Amateur titles; so when he turned pro it was just another rung on the ladder. The thing that stands out to me in Tiger's journey is that he survived four [so far] major swing overhauls and still stayed great – four different swing models, four different teacher personalities, four different injury profiles and a fire hydrant collision that started a personal life upheaval that would have sunk even the most talented of humans.
On the other side of the ledger is Michelle Wie, who won one amateur tournament at age 13 and then, because she skipped the gradual ladder concept, found herself constantly overmatched and didn't win again until she was 19. Her failure occurred because she didn't learn to fail correctly. Here you have two young magical athletes; one developed perfectly with just the right balance between failure and success, while the other was a talent ruined by too much failure.
But there is another element in the anatomy of a champion – not only is there a ladder to be climbed on the public side, i.e., tournaments layered with just enough challenge to keep players interested – but there is a private side where their training routine is centered around a key concept: fail in practice to win in competition.
This introduces the concept of exploratory failure, where the golfer pushes the boundaries of performance, a protocol that features managing failure as a key element.
This means that failure is an aid that signals the approach of an optimum challenge point (OCP), a point every player who seeks improvement must find. As a coach, each training protocol I devise varies in that it contains an OCP around which the protocol is centered. However, the OCP is somewhat elusive in that (1) it is unique to the golfer, and (2) it changes as the golfer improves. Think of the OCP in this way: if your challenge is too strong, you will consistently fail both in practice and in competition. If the challenge is too easy, you will succeed in practice, but fail in competition. Either way, it is a sure sign that you have the wrong OCP.
Through my own studies here at Keiser University, I have found that you have nailed your OCP when you fail at a given task in practice ~30 percent of the time. If your goal is to hit straight drives that travel at least 280 yards, keep practicing until you can do it at least seven times out of 10.
Serious neurological sparks fly when you achieve the correct OCP. According to a professor of bio-kinesiology at the University of Southern California, challenging tasks tend to overload your short-term memory, making your long-term memory pick up the overflow. This is good because short-term memory is a temporary holding bin for information that is dumped almost as soon as it's received/reviewed – you don't need to remember last Monday's shopping list.
However, you will not improve in golf if you don't find a way to involve your long-term memory – if you use only your short-term bin, it will automatically self-erase, and the data (i.e., the swing moves you're working on) will be lost. This explains why you kill it on the range, but the next morning hook it O.B. off the first tee. So, to make sure you overwhelm your short-term capacity in the correct fashion, you must toughen up your practice just enough to involve your long-term, permanent memory.
I have found that the magic number is 30, the percent of failure you must create to titrate your max OCP. Of course, it varies given the circumstances and the player, but your coach should be able to design a practice routine that identifies your current personal OCP – a flexible program that adjusts itself as your skill level changes.
If you do not have a coach, try different practice structures to find your OCP (your ideal level of practice difficulty). Once you get comfortable, move to a more difficult structure to cement long-term retention.
If you enjoyed this info, here's how you can get even more. Contact Keiser University College of Golf to learn more about golf careers.


text:
US asks court to allow masks to return on planes, trains, buses
Robert Besser
The Justice Department has requested an appeals court panel reverse a ruling made in April 2021 that declared a government order mandating the wearing of masks as unlawful
The government order mandated the wearing of masks on airplanes, buses, trains, ride-sharing services and at airports and other transportation centers
After Joe Biden became president, the CDC issued the mask mandate in January 2021
WASHINGTON D.C.: The Justice Department has requested an appeals court panel reverse a ruling made in April 2021 that declared a government order mandating the wearing of masks on airplanes, buses, trains, ride-sharing services and at airports and other transportation centers as unlawful.
A three-judge panel of the 11th Circuit Court of Appeals heard arguments on the government's appeal of a ruling by a US district court judge in Florida, which decided that the US Centers for Disease Control and Prevention did not have the legal authority to issue a nationwide travel mask mandate to combat COVID-19.
After Joe Biden became president, the CDC issued the mask mandate in January 2021.
In 2020, the Trump administration blocked the CDC from adopting a federal transportation mask mandate, according to a report from US lawmakers in October.
The CDC argued that it was necessary "to prevent the possible infections and deaths that could result if people did not do the simple thing of just putting on a mask while they were traveling," Justice Department lawyer Brian Springer stressed.
In response, Lawyer Brant C. Hadaway, representing the five people who challenged the mandate in court, noted that in 2022 the CDC had not sought a stay of the district court's ruling.
"This is not about an urgent matter of public health," Hadaway told the court, stressing that if the CDC believed the issue was a "matter of life and death, it would have sought a faster ruling."
Nawaz Sharif's party, PTI playing politics over Hazara province issue: Tehreek-i-Suba Hazara
Islamabad [pakistan], January 31 (ANI): Pakistani political party Tehreek-i-Sooba Hazara convener Mushtaq Khan Advocate demanded that Hazara division be declared ...
The World's Most Beautiful Swindlers (Les plus belles escroqueries du monde)
World's Most Beautiful Swindlers


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BMS Building Corporation Articles of Incorporation and Bylaws: What is the BMS Building Corporation?
Exactly what is the BMS Building Corporation?
The BMS Building Corporation is a Minnesota nonprofit corporation that was chartered on October 1, 1999. The BMS Building Corporation was also designated as a 501(c)(3) tax exempt organization by the Internal Revenue Service on December 23, 1999. The Corporation was chartered as a support organization for Bluffview Montessori School, a Minnesota Charter School.
How did the BMS Building Corporation come about?
Bluffview, as a Minnesota charter school, cannot itself use public funding to build a schoolhouse. It can, however, use state Lease Aid to pay rent to a landlord for such a building. When Bluffview Montessori School decided it needed a building of its own, it became necessary to seek out a landlord who would promise to build and dedicate the services of a new school building solely to Bluffview. That assurance could only be provided by creating a "landlord" that Bluffview Montessori School controlled. That landlord is the BMS Building Corporation.
Who owns the BMS Building Corporation?
The BMS Building Corporation is owned by Bluffview Montessori School. Bluffview Montessori School is the sole member of the BMS Building Corporation.
How are members elected to the BMS Building Corporation Board of Directors?
The board of directors of the BMS Building Corporation consists of three members who are appointed by the Bluffview Montessori School Board of Directors. At least two of the directors must also be members of the Bluffview Montessori School Board. The third member has historically been the Director of Operations of the school, although this need not be the case.
What role does the Building Corporation play in the operations of BMS?
The building corporation seeks financing for, designs, and constructs schoolhouses for Bluffview Montessori School. It then leases these schoolhouses to the school for its legitimate educational use. The building corporation, as a landlord, also has certain responsibilities for maintaining the buildings at all times.
What other types of activities may the BMS Building Corporation engage in?
The corporation may engage in fundraising activities to support new construction, modification, expansion, and building maintenance and repair. As a 501(c)(3) tax-exempt organizations, private donations to the BMS Building Corporation are subject to contribution deduction rules.
Are there any limitations on the activities of the BMS Building Corporation?
Yes. The corporation must restrict its activities to those that involve providing schoolhouse facilities to Bluffview Montessori School. It cannot provide other types of school support to Bluffview and it cannot provide schoolhouse facilities to any other private, public, or charter school.


text:
Home Business Economy Wall Street ends a volatile 2018 plagued by fears of slowdown
Wall Street ends a volatile 2018 plagued by fears of slowdown
Wall Street ends a volatile 2018 plagued by fears of slowdown Merchants work on Wall Street in New York, United States. EFE / Archive
Wall Street is preparing to bid farewell to an erratic 2018 in which it has gone from recording triple records in its indicators to erasing all accumulated profits, among the fear of a slowdown in the global economy, the trade war with China or the monetary adjustment of the Federal Reserve.
"The volatility we have experienced this year brings back memories of the days of the financial crisis of 2008," Jesse Cohen, senior analyst at Investing.com, told Efe, describing the behavior of the markets as "erratic", especially after a December with sessions as they are not remembered since the Great Depression.
After closing a luxury 2017, the Industrial Dow Jones, reference index, began the new year unstoppable and linked nine historical brands until January 24, but then came a long drought of almost eight months that saw no new record until September 20, although the streak would last little.
The ceiling of the indicator this year stood at 26,951.81 points, an extreme that now seems far since now dismisses the year with just over 23,000 whole, with the Government closed for lack of budget agreement, the rates of interest to the rise and still pending of a commercial agreement between Washington and Beijing.
However, at the end of last August Wall Street was pleased to go through the longest cycle in history, which began on March 9, 2009, emerging from the financial crisis.
There followed an October that was a blow to the markets, erasing much of its profits for fear that the Federal Reserve would adopt a hard line in its policy of monetary adjustment, which ultimately meant four increases in interest rates in 2018.
Fed President Jerome Powell considered the price of money in the US it was "far" from a neutral level, which led to that "red October" in which the technology sector suffered a knock-down and its main companies entered into bearish phases.
The exbillonarios Apple and Amazon, altogether with Facebook, Netflix and Alphabet (denominated FAANG), were very harmed during that month of quarterly results, and have erased about 800,000 million dollars of capitalization.
In mid-November they entered a bearish cycle, when they were devalued by 20% with respect to their maximum value of the last 52 weeks. Nasdaq himself says goodbye to the year in the bear market.
"It definitely seems that the best days of the FAANG have been left behind, since most have changed their character in recent weeks and do not push up the market," Cohen said.
This year also worried the mid-term legislative, held on November 6, although the markets reacted with good spirit to see the power divided between Republicans and Democrats.
A few days before the end of 2018, analysts such as veteran investor Art Cashin considered the G20 meeting held in Buenos Aires to be key, waiting for "some kind of agreement" between President Trump and his Chinese counterpart, Xi Jinping.
A 90-day commercial "truce" arose from the dinner between the presidents, but the initial optimism with which the investors received it was quickly deflated by concerns over the possible impact of the detention of Huawei's financial director and the self-proclamation of Trump as a "man of tariffs".
Moody's analyst Atsi Sheth indicated in a note that the US and China have "deep and multifaceted differences, which lead to divergent national and commercial interests," and that their relationship "has entered a new, tense and uncertain phase."
The US protectionist agenda has discouraged markets in recent months, which fear a slowdown in the economy despite recent data reflecting its good health in the US.
To make matters worse, on December 4, Wall Street collapsed with a cut of almost 800 points in the Dow Jones, discouraged by the evolution of the yield curve of public bonds, in which some analysts see a signal of recession.
"It is not a matter of whether the bullish phase is going to end, but when, a decline of 20% has been falling for some time," Cohen said, for which factors such as "escalation" in the US tensions will be decisive in 2019. US-China or the "verbal attacks" of Trump to the Fed, which has put Jerome Powell in the spotlight.
The icing on the cake was December, of the worst months that are remembered because you have to go back to October 2008 to reach such low indicators in the reference indexes.
The last weeks are happening like a roller coaster, since one day the worst Christmas Eve session in history is recorded and another day the Dow climbs in 24 hours over a thousand points breaking records. The rates go up and the government remains closed, but Wall Street still stands. (EFEUSA) .-
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The US lost 140,000 jobs in December due to the second wave of Covid, but unemployment remained at 6.7%
The owner of Bwin and Ladbrokes rejects an offer of more than 9,000 million from the MGM casino group
Tesla opens lower and falls more than 5% on the day of its premiere on the S&P 500
Dominican Republic ratifies installation in the country of office of the Central American Bank for Economic Integration
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Cuba will apply the monetary unification on January 1


text:
Jury begins deliberation in Silverthorne sexual assault trial
Sawyer D'Argonne
sdargonne@summitdaily.com
Justin Erwin
Special to the Daily
EAGLE — The jury heard closing statements and began deliberation on Monday afternoon in the trial of Justin Cayce Erwin, one of four men accused of sexually assaulting a women in a Silverthorne apartment on St. Patrick's Day in 2016.
District Attorney Bruce Brown and prosecutor Lisa Hunt, as well as Ashley Petrey for the defense, stepped in front of the jury one final time Monday afternoon to provide emotionally charged closing statements, providing a broad range of arguments rooted in everything from hard facts, a culture of sexual assault, stigma, popular culture and more.
Hunt gave the initial statement on behalf of the prosecution, telling a brutal narrative of a woman waking up naked, confused and hurt after a night of sexual assault by four different men.
"Erwin, like many perpetrators, preyed on the weakness of [the accuser]," said Hunt. "He saw that she was vulnerable, her boyfriend had left, she was on a high and getting drunker and drunker throughout the night."
Hunt argued to the jury that no woman in her right mind would consent to the "level of disgustingness" that was engaged in during the videos captured of the alleged assault. She also pointed to the considerable level of injuries the woman was left with the following morning as proof the sex wasn't consensual.
"It's not that one person took her home, it's that four men in their 40s did nothing to help her," said Hunt. "Instead they took advantage of her…and then tried to deny it. She went out smiling, but came home broken, bruised and battered."
In Petrey's closing statements for the defense, she called Hunt's assertion that no woman would consent to such acts as "antiquated and sexist," providing the jury with sex-positive examples in pop culture over recent years, such as "50 Shades of Grey," to imply a social shift in hegemony in the way modern Americans view sex.
"Don't let the government convince you this is beyond expectation," said Petrey. "Consensual group sex is not outside the realm of possibilities. It's happening every day."
Petrey pointed to perceived holes in the prosecutions case — why the video of the final interview between Erwin and detective Theresa Barger wasn't shown, why blood and urine samples of the accuser weren't sent to the Colorado Department of Investigation and why the prosecution didn't address the fact that cocaine was found in the accuser's system — as the seeds of reasonable doubt.
She asserted that not only did the prosecution not provide sufficient evidence that the accuser was too inebriated to consent to the group sex acts that took place that night, but also that they didn't do enough to prove that Erwin would have been able to tell she was inebriated.
"It's not about whether you think Erwin is a liar, or if you approve of his behavior," said Petrey. "The government not only has to prove [the accuser] didn't consent, but also that Erwin knew she didn't consent to these acts. There is no way they can prove that to you beyond a reasonable doubt."
Finally, Petrey went on the offensive against the accuser, questioning the credibility of her testimony as it relates to her memory loss on the night in question and her motives for potentially creating a false narrative.
"She knew what she wanted and how she wanted it," said Petrey. "She woke up in the morning and the fantasy wasn't as good as she expected…it's a lot easier to be labeled a victim than a slut."
In the prosecution's final rebuttal, District Attorney Brown urged the jury not to get sucked into speculative ideas such as a possible reputational motive and the perpetuation of what he called myths and stereotypes surrounding sexual assault victims.
Brown also rebuked Petrey's contention that Erwin was being victimized in the case, pointing to many examples of Erwin lying to law enforcement officials and the fact he inserted himself into the situation.
"It's clear, despite the defense's attempts to show [the accuser] as aware, that she wasn't," said Brown. "Everyone said they wouldn't serve her, she was out of it, on something, drunk…a vulnerable person shouldn't be consenting to sex. It's a simple fact, and applied properly means [Erwin] is guilty of all 20 counts."
Erwin is charged with 12 counts of sexual assault, three counts of unlawful sexual contact, four counts of invasion of privacy for sexual gratification and one count of conspiracy to commit invasion of privacy for sexual gratification. The jury went into deliberation for about half an hour at 5:30 p.m. Monday and will continue deliberation at 8:30 on Tuesday morning.
Two of the cases stemming from the alleged assault have already been adjudicated. Paul Garvin was convicted of a Class 2 sexual assault in Summit County District court in October. Michael Gelber pleaded guilty to a reduced felony charge and two misdemeanors in June. Ramon Villa, whose apartment the alleged assault took place in, pleaded not guilty to felony charges in December. Villa is scheduled to go to court in Eagle in September.


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Zhang Qian, Explorer Central Asia
Zhang Qian (d. 113 BC) was a Chinese official and diplomat who served as an imperial envoy to the world outside of China in the 2nd century BC, during the time of the Han dynasty. He was the first official diplomat to bring back reliable in...
Trajan, 13th Roman Emperor
Trajan was Roman emperor (A.D. 98-A.D. 117). Born in Spain, he was the first non-Italian to become head of the empire. Trajan served in the East, in Germany, and in Spain. He was adopted in A.D. 97 by Emperor Nerva, who died shortly afterwa...
Pliny the Younger
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Suetonius, Roman Historian
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Hadrian, Roman Emperor
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Zhang Heng, Chinese Scientist
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Antoninus Pius, 15th Roman Emperor
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Ptolemy, Astronomer / Mathematician
Claudius Ptolemy was a Greco-Egyptian writer of Alexandria, known as a mathematician, astronomer, geographer, astrologer, and poet of a single epigram in the Greek Anthology. He lived in the city of Alexandria in the Roman province of Egypt...
Hegesippus, Christian Chronicler
Hegesippus was a Christian chronicler of the early Church and wrote against heresies. His works are lost, save some passages quoted by Eusebius, who tells us that he wrote Hypomnemata (Memoirs) in five books, in the simplest style concernin...
Saint Eustace, Martyr and Soldier Saint
Saint Eustace, also known as Eustachius or Eustathius in Latin, St. Esthak in India, or Sh. Staka in Albania, is revered as a Christian martyr and soldier saint. Legend places him in the 2nd century AD (died AD 118). A martyr of that name i...
Pausanias, Description of Greece
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Galen of Pergamum, Roman Physician
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Septimius Severus, 21st Roman Emperor
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1980 - PG - 93 Mins.
'Xanadu' has its heart in the right place, I guess. It believes in love powerful enough to span different worlds, and in making dreams come true, and following your heart, and in the magical ability of roller discos to bring us together.
I believe in all of these things. Truly, I do. But if I were going to make a movie about them, I hope that it wouldn't be so colossally dumb, and with such bad coreography. For yes, 'Xanadu' is a musical, and a most off-putting one, where the story has you praying for the next song to start, and the songs have you praying for someone to jump out of their seat and yell "FIRE!"
Olivia Newton-John is Kira, a Muse who is brought to life along with her sisters by the work of Sonny Malone (Michael Beck), a frustrated artist who toils away painting large versions of album covers to display in record stores. He comes to his job apparently so that he can complain about it and leave, whining about how he wants "freelance" work so that he can do whatever he wants. Of course, working freelance means he'd be doing exactly the same work, minus the dependability of an office to feed him assignments, but never mind.
So anyhow, the nine Muses are brought to life by Sonny's artistry, though he looks like he could use the help of one of those schools that advertise on matchbooks. Kira rollerskates into his life and decides, reasonably enough, that she should inspire him to open a roller disco. But...falling in love wasn't part of the plan. There is also Danny McGuire (Gene Kelly--yes, Gene Kelly), a kindly old gent who sits on the beach at sunrise, playing his clarinet and remembering the good old days in 1945, when he owned a club himself. A little of Kira's magic rubs off on him, and after forming a friendship with Sonny he provides all of the money for the roller disco.
That's about it for the plot, which hobbles along for ninety-three minutes like an old dray horse, with dialogue so truly odd that it rivals the most poorly dubbed Godzilla movie. Either this *was* a Godzilla movie when it started, or the screenplay was the winner in an elementary school Make Your Own Movie contest. And then there are the musical numbers, which are so flat as to be almost awe-inspiring. Dancers appear, lights get brighter, colors start flashing across the screen, we begin to perk up...and then the Electric Light Orchestra begins pounding away with mediocre rock music and it all deflates.
The ads have made much of 'Xanadu' having "the most exciting soundtrack since 'Saturday Night Fever,'" but they've forgotten a crucial fact: 'Saturday Night Fever' wasn't a musical. Oh, it had music, almost wall-to-wall, but it was supporting a great dramatic story, and had a reason for being the way it was. The movie was about characters who went to discos, and therefore the music playing in the background was disco music. 'Xanadu,' on the other hand, has a story that could take place at any time and with any type of music (as a matter of fact, it's a remake of 1947's 'Down to Earth'), and so it's depressing that it chooses ELO over something more grand and inspiring. Watching splashy dance numbers on the screen while hearing stuff like "I'm Alive" grinding away on the soundtrack is so jarring that it's impossible to be engaged; I just sat back in puzzlement.
There's more. The casting, for one thing, makes no sense. Michael Beck, who plays Sonny, last starred in 'The Warriors,' the gritty action film about a gang trying to make it across New York City without being murdered by rival gangs. He was fine for that, and understandably looks utterly lost here. His is the kind of role that requires a blandly handsome guy who looks like he could star in Pepsodent commercials, not someone with who looks rough and closed off to the world. He wanders among the expensive production numbers like a stagehand who's accidentally stepped in front of the camera.
And then there's Olivia Newton-John, who's been getting a lot of flak for her performance here, unfairly, I think. It's not that she's any good here (she's not), but that she's given nothing to work with. As Kira, all she gets to do is whiz by on rollerskates every once in a while and flash a dazzling smile. After half an hour or so she even gets a few lines of dialogue, though not nearly enough to explain why she has top billing. If you want to mute any charm Newton-John might have, this is the way to do it: turn her into a mannequin, whose only purpose is to look pretty and sing once in a while. She looked pretty and sang once in a while in 'Grease,' too, but at least there she was a character who interacted with other people and did things.
Which brings me to Gene Kelly, who is truly astonishing here. He's still got it. I was expecting an embarrassment--the man is sixty-eight, after all--but he's so bursting with energy and charisma that I began wondering why the Muse was sticking with Sonny when he was so obviously available. Unfortunately, the movie never lets him go completely loose (his one tap-dancing number is made easy for Newton-John, who does it with him), but there's a moment in an otherwise execrable number when he suddenly bursts into a manic bit of ad-libbing, and it feels like a secret signal to the audience. He even manages to take his dialogue, which is as bad as anyone else's, and make it sound charming.
Unfortunately, the movie leans on Kelly's presence whenever possible, to insert some kind of generation-gap element to the story. Who is better, Glenn Miller or the songwriters who made this musical score? Not realizing that the answer is "Glenn Miller," the filmmakers include such stuff as a musical number in which an old-fashioned big band has a musical battle with The Tubes, which sounds like an unfair fight to me. And there's a truly mortifying sequence where Kelly is taken to a clothing store and dressed in the latest neon-colored fashions; watching Gene Kelly try to look excited about being dressed in a cowboy outfit with tassels popping out of everything is about as entertaining as watching him try to dance with anvils glued to his feet. It's a bad sign for a movie about a sweet and gentle Muse when we want her to stop meddling with everything and let Gene Kelly do what he wants.


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Louis Vuitton boutique signage on building (Source: Christian Wiediger via Unsplash.com)
As China Remains Under Quarantine, Luxury Sales Take a Knock
Feb 11, 2020, 15:36pm 2020/02/11 15:36:44 Greg Grigorian
Rome is as festive as ever with its lush greenery and stately architecture, but one thing seems to be missing. The numerous boutiques of the eternal city are standing idle for lack of customers. The number of Chinese buyers who usually comprise the bulk of luxury consumers in the country have fallen dramatically since the novel coronavirus outbreak struck fear into the global community.
"There are almost no Chinese tourists outside, which feels very odd," says Aureliano, a local fashion stylist. He himself was planning to take up a semester of Mandarin in Beijing to court Chinese clients but was forced to abruptly cancel his plans as most schools in China went on an indefinite hiatus.
Nike, Adidas, and Capri Holdings, owner of luxury brands Versace, Jimmy Choo, and Michael Kors, have all warned investors this week that as the coronavirus grips China, sales could take a hit.
Tapestry, the holding company behind Kate Spade and Coach said on Thursday, February 6 that it was temporarily shutting most of their stores in mainland China. The company expects sales to fall by $200 – $250 million in the second half of the month due to store closures and the coronavirus outbreak. The company said that if the epidemic keeps spreading affecting foreign demand, the financial impact could become more serious.
Italian luxury powerhouse Prada and its British counterpart Burberry decided to temporarily close some stores in China due to the outbreak. Out of 64 Burberry stores in mainland China, 24 were closed.
Burberry CEO Marco Gobbetti said the situation in China is having a significant negative impact on luxury demand. "It is not possible to predict how long this situation will last, but we remain confident in our strategy," he said in a statement.
Burberry also noted that Chinese tourists' consumption in Europe and other tourist destinations has not been affected so far, but as tourism restrictions expand, the situation is expected to worsen in the next few weeks.
"My friends from the industry are flustered. A guy working for LVMH shared with me that their sales fell 60% compared to the same period last year," says Aureliano. "My friend from Rimowa also complained that their sales were down 50%. However, for Hermes nothing seems to have changed."
Ralph Lauren, another major fashion corporation also announced that it was monitoring the situation in China. Meanwhile, the company has closed half of its 110 stores in the country. CEO Patrice Louvet said China accounted for less than 4% of the company's total business.
However, it is important to note that due to high import taxes on luxury goods in the PRC, most mainland Chinese prefer to indulge their expensive tastes overseas, in Korea, Japan and often in Europe. There they can buy their desired items at a price considerably lower than in China while also enjoying tax exemptions as non-EU citizens.
These loopholes have given rise to a whole new business phenomenon known in China as daigou, or people buying items overseas on behalf of other people and smuggling them into China to avoid taxes and other costs. Daigou is by far the most popular way for Chinese to buy luxury goods.
Thus, while for Ralph Lauren China as a market accounts only for 4% of sales, it is the purchases that Chinese buyers make overseas that make a difference. According to Bain & Co, roughly 35% of luxury purchases globally are made by the Chinese, with Americans trailing in second place at 22%.
Apart from the obstacles for fashion brands, the coronavirus outbreak put the kibosh on the latest Art Basel event in Hong Kong, one of the biggest art fairs in the world. Art Basel's parent company, the MCH Group, officially canceled the event slated to run in the middle of March, as a number of high-profile art buyers and galleries frightened by the coronavirus outbreak canceled their participation.
Bernd Stadlwieser, CEO of MCH Group, said, "the decision to cancel Art Basel Hong Kong was an extremely difficult one for us. We explored every other possible option, including postponing the fair, and gathered advice and perspectives from many gallerists, partners, and external experts. However, today, we have no other option but to cancel the fair."
Other major luxury events that were canceled include Swatch Group's Time to Move showcase in Zurich, that was to present 2020 watch collections from its brands Omega, Blancpain, Harry Winston and others, as well as the F1Chinese Grand Prix and two important Asian golf tournaments in Thailand and Singapore, events that depend heavily on sponsorships from high-end brands.
With the luxury industry becoming more exposed to and dependent on Asian customers, the coronavirus outbreak really puts a spoke in its wheel. The effects of the outbreak are expected to last for several months even after it subsides, meaning months of sluggish performance for the sector. Meanwhile, as airlines continue canceling flights to and from China, inevitably driving the number of Chinese tourists down globally, luxury brands are in for a shock.
Tags Chinese consumer | coronavirus | luxury brands | Luxury goods | Sales
While the West Hoards Toilet Paper, China Stocks Up on Facial Masks
The daily demand for masks is in the hundreds of millions, and there is a serious supply shortage.
Opinion Mar 18 March 18, 2020
Greg Grigorian
Baidu CEO: Chinese consumers favor efficiency at the expense of privacy
On March 26, at the annual session of China Development Forum (CDF) 2018 in the Diaoyutai State Guesthouse in Beijing, Robin Li, Baidu's chairman and CEO, spoke in the session called "Navigating future development through innovation: insights from business leaders."
Opinion Mar 27 May 6, 2018
Huxiu
What is Really Behind China's Insatiable Craving for Luxury Goods?
No matter how much money some Chinese young professionals earn each month, their desire for luxury goods and lifestyle remains unsatiated.
Opinion Nov 11 November 15, 2018
Chauncey Jung
What You Need to Know About China's Soaring Household Debt
China's household debt to income ratio rose threefold from 30% in 2008 to 92% in 2019. Here is what it could mean for China's economy.
Opinion Sep 23 September 24, 2019
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Алексе́й Фёдорович Ви́шня (18 сентября 1964, Ленинград, СССР) — советский и российский музыкант, вокалист, поэт, автор песен, звукорежиссёр.

Биография
Алексей Вишня родился в Ленинграде. Его родители с конца 1950-х до начала 1960-х работали в Латинской Америке, откуда привезли обширную коллекцию виниловых пластинок, а позже поощряли увлечение сына музыкой, покупая ему соответствующую аппаратуру.

В 12 лет Вишня заинтересовался кинематографом, вследствие чего записался на курсы киномехаников и фоторепортёров в Доме техники и профориентации, параллельно посещая кружок акустики и звукозаписи, преподавателем которого весной 1980 года стал Андрей Тропилло, тут же начавший планомерно превращать кружок в настоящую студию. Тропилло взял Вишню под своё покровительство и познакомил его с Владимиром Леви («Тамбурин») и Борисом Гребенщиковым, которые преподали молодому музыканту несколько уроков игры на гитаре и позволяли самостоятельно работать в студии.

Дебютировал в качестве самостоятельного звукооператора под присмотром Андрея Тропилло на рубеже 1980-х годов в записи альбома группы «Мираж» 160-й школы (Владимир Шубарев (соло-гитара, вокал), Андрей Лобов (гитара, вокал), Александр Довгалюк (гитара, вокал), Михаил Осипов (бас-гитара), Михаил Табунов (клавишные), Алексей Белоусов (ударные)).

Позже Вишня собрал собственную группу «Сантименталь», с которой в феврале 1982 года вступил в Ленинградский рок-клуб. Однако дальше репетиций на дому дело у них так и не пошло.

Вишня ассистировал Тропилло с Гребенщиковым на записи альбома «45», где познакомился с группой Кино. Когда летом 1983 года оригинальный состав группы распался, он попытался объединиться с Алексеем Рыбиным и первым барабанщиком «Кино» Олегом Валинским, но эта группа осталась только в проектах. В тот же период Вишня в одиночку вступил в Рок-клуб. Осенью того же 1983 года Вишня, используя два бытовых магнитофона, записал свой студийный дебютный альбом, названный им «Последним альбомом». Альбом имел успех в Ленинграде и Москве.

В 1984 году он устроил концерт «Аквариума» в институте им. Бонч-Бруевича, а также начал самостоятельно записывать всех знакомых музыкантов, используя для этого собственную квартиру на Охте, назвав эту студию «Яншива Шела» («Алёша Вишня», наоборот). Осенью 1984 года свет увидела первая работа, спродюсированная непосредственно Вишней — альбом «Балет» группы «Кофе».

В первой половине 1985 года Вишня записал два акустических альбома: «Третью Столицу» Александра Башлачёва (запись организовал Сергей Фирсов) и «Инородное тело» группы «Акустическая комиссия», студийного дуэта, в состав которого входили участники «Аквариума» Вячеслав Егоров и Всеволод Гаккель. Той же осенью Вишней были записаны альбомы «Кино» «Это не любовь» (1985), группы «Кофе» «Баланс» (1986), «Объект насмешек» «Смеётся ОН — кто смеётся последним?» (1986), «АВИА» «Жизнь и творчество композитора Зудова» (1986) и «Тест» «Не прощу» (1987). Кроме того, в 1986 году он начал работу над ещё одним альбомом «Кино», фрагменты которого позднее появились в сборнике «Неизвестные песни Виктора Цоя», а также записал акустический дуэт Константина Кинчева и Юрия Наумова, до сих пор не изданный. В 1986 году вместе с Андреем Тропилло отвечал за продюсирование альбома группы «Ноль» — «Музыка драчёвых напильников». Наездами он бывал в Москве и даже дал там пару концертов, причём один вместе с лидером «Звуков МУ» Петром Мамоновым.

Во второй половине 80-х Вишня регулярно появлялся на сцене в программах «Поп-механики» Сергея Курехина, а также стал звукорежиссёром его альбома «Введение в Поп-механику» (1987). В том же году началось сотрудничество Вишни с группой «Мифы»; он спродюсировал два их альбома, «Мифология» (1987) и «Бей, колокол!» (1989), а также ездил с группой на гастроли. В 1988 году, гастролируя с группой по Сибири, Вишня, заменяя отсутствовавшего по каким-то причинам исполнителя, вышел на сцену стадиона, спев только что сочиненную песню «Я — червяк» и сорвал аплодисменты. Успех подвигнул его продолжить сценическую карьеру, и на протяжении двух следующих лет он регулярно гастролировал по стране с получасовой программой, выступал на кинофестивале в Киеве и даже разогревал публику на концертах «Ласкового мая».

В июле 1987 года Вишня записал свой второй полнометражный студийный альбом «Сердце». В начале 1988 Вишня записал «Непреступную забывчивость», совместный альбом с экс-лидером «ДК» Сергеем Жариковым. Альбом вошёл в книгу «100 магнитоальбомов советского рока» А. Кушнира. В большинстве песен данного альбома звучит именно голос Вишни (контртенор), в результате чего Вишня приобрёл статус неофициального участника группы «ДК». Чуть позже он свёл материал альбома «Кино» «Группа крови» (1988), а также закончил свою последнюю в 80-х продюсерскую работу, альбом «Кто здесь?» группы «Петля Нестерова». На вырученные от концертов деньги он записал на студии Дворца молодёжи свой третий альбом «Танцы на битом стекле», в 1990 изданный ленинградской «Мелодией».

В 1992 году Вишня записал альбом «Иллюзии». Помимо песен самого Вишни, в «Иллюзии» вошла его интерпретация хита «Аквариума» «-30». Альбом был издан на пластинке (1993), но, по стечению обстоятельств, значительная часть тиража пластинки погибла. В то же время Вишня с переменным успехом сочинял музыку для популярных телевизионных артистов (его песня «За пивóм», например, стала известна в исполнении кабаре-дуэта «Академия»). С 1994 по 1996 годы он сотрудничал с театром ЛЭМ. Плодами этого альянса стали для него неизданный саундтрек к спектаклю «Кровавый щелкунчик» (1996). Та же ситуация повторилась с очередным альбомом Вишни «Сон моряка» (1998).

30 июля 1999 года Вишня был сбит автомобилем и в тяжёлом состоянии очутился в больнице, откуда вышел только осенью.

К 52-летию Виктора Цоя российский лейбл Moroz Records выпустил сингл под названием «Вишнёвое Кино». Релиз включает в себя три песни оригинальной группы «Кино» в исполнении Алексея Вишни: «Время есть, а денег нет», «Камчатка» и «Это не любовь». В это же время шла подготовка полнометражного альбома, который планировался издаться к осени 2014 года. Как известно, Виктор Цой родился 21 июня 1962 года.

В апреле 2015 года, когда у отца Виктора Цоя обнаружилось раковое заболевание, его прооперировали израильские врачи. Но возникла проблема с финансированием дальнейшего лечения. Стартовала кампания по сбору необходимых денежных средств. Андрей Тропилло заявил, что он и Алексей Вишня готовы отсудить деньги у фирмы Moroz Records, которая, по их словам, незаконно присвоила авторские права на творчество группы «Кино». В случае успешного разрешения дела в суде истцы намерены отдать свой авторский гонорар на лечение Роберта Максимовича Цоя.

Алексей утверждает, что Александр Цой на самом деле может быть сыном Александра Аксёнова, а не Виктора Цоя.

Дискография

Сольные релизы
 1984 — Последний альбом
 1987 — Сердце
 1989 — Танцы на битом стекле
 1991 — Иллюзии
 1998 — Сон моряка
 2000 — Алексей Вишня feat. Irie
 2003 — Виагра для Путина (проект Полит. Техно)
 2003 — Политтехно
 2004 — Миллион против
 2004 — Перезагрузка
 2014 — Вишневое кино (мини-альбом; песни группы «Кино» исполненные Алексеем Вишней)
 2020 — Лодка (сингл)

В составе «ДК»
 1988 — Непреступная забывчивость

С Сергеем Соколинским
 2013 — Пара нормальных явлений

Как звукорежиссёр
С Андреем Пановым

 1983 — Надристать!

С Александром Башлачёвым

 1985 — Третья Столица

С группой Кино

 1983 — 46
 1985 — Это не любовь
 1986 — Любовь — это не шутка (издан в 2020 году)
 1988 — Группа крови

С группой Кофе

 1984 — Балет
 1986 — Баланс

С группой Акустическая Комиссия

 1985 — Инородное тело

С группой АВИА

 1986 — Жизнь и творчество композитора Зудова

С группой Объект Насмешек

 1986 — Смеется ОН — ОН смеется последним

С группой Мифы

 1987 — Мифология
 1988 — Мэдисон-стрит
 1989 — Бей, Колокол!!!

С группой Петля Нестерова

 1989 — Кто здесь?

С группой Тест

 1988 — Лабиринт
 1989 — Не прощу
 1990 — Я с тобой

Фильмография
 1987 — Взломщик — камео
 1989 — Музыкальные игры — Иванушка
 2014 — В активном поиске — Вадик

См. также
 «46» — альбом группы «Кино»
 «Э́то не любовь…»
 «Группа крови»

Примечания

Ссылки
 Певец Алексей Вишня
 Алексей Вишня на Discogs

Певцы и певицы СССР
Звукорежиссёры СССР
Музыканты группы «ДК»

redpajama_set_name: RedPajamaWikipedia


Why cant I post in other forums?
Hello all. Great site here. Searched google for awhile till I landed here and this site pefect for good knowledge. I just registered (for this site) but upon my first post attempt in another forum It said I do not have permisson to post in that forum but I am allowed to post here. That seems odd. Is that correct that I Am allowed to post only in certain forums?
Hey Jimmy, you landed in a pubic place, it is the premier professional financial advisor forum on the internet. A lot of experienced advisors read and post here.
The forum provides a lot of freedom, always a good thing when you are talking about money, and sometimes folks abuse that freedom, so the admin has been helping sort us sort out these problems by segregating areas to protect the quality of content.
I believe you need 50 posts to have full access. Good luck.
When I took mine.. The average pass rate was 67% and of those that passed the average score was only a 73.. <- that was for the Series 7. Have to ask someone else about the 66.. Don't know that answer.
The 67% is for everyone taking the test, as the recently departed DaToo/DATwo/Putsy pointed out first time pass rates are about half that. You can do a forum search and find out.
The reason that the entire forum is not open to new posters is because the site has been and still is infested with trolls who are not in the business, gave out bogus advice and who continually take every thread off topic.
Everytime they were banned by the administrator who FINALLY showed up, they would return under new screen names like....oh.....say,.....bambee for instance. So, to stop the infestation a new poster needs to be persistant and rack up 50 posts. Usually the trolls are outed before they get 50 posts...bambee.... and have to start all over again. In the meantime, many of us regular posters (I'm posting as a newbie because I retired my main posting name) have migrated to another forum and check back here periodically.
That being said: when I took the 7 the pass rate was about 60%. The 66. don't know. You also need to pass the 63.
Got it about the 50 posts. Thanks.
Was goin to ask in rookies forum but Forum wont let me so I ask here. Already searched and could not find the awnser to first time pass rate.
I thought the 7 was around 30% or 40 % first time. I just passed the 7 and my pass paper said around 67% pass rate but as mentioned earlier that includeds 2nd and 3rd attempties as well.
Reason I ask is I also just passed the 66 and it was very very hard in my opinon. 7 was much easier for me however I did study more for the 7 but even without the extra study for me the 7 was just much more cut and dry approached. You either knew it or didn't. No real subjectivity to it but the 66 sometimes had 3 or 4 correct answers for one single question with real struggling to narrow it down to the best correct one i thought. Many tricky and intensionally written tricky questions to. Many questions were even hard to understand what was being asked to begin with.
Had I put an effort into it, which I wasn't going to, I would have scored higher.
Atta boy, Ferris, bright fellow.
Ferris, I only got an 80 does that make me 'Slow'. I felt pretty good when I pass and found out I scored that high but now I don't feel so smart.. Big different between 92 and 80! Thanks!
16. Yeah, Ms. Jones, like his ego needs the attention. :). Some take a lower score on the seven as a sign of smarts, so you are still in the running.
From what little I know of him, mainly his tracks in this forum and the legend of his accomplishment in greener pastures, I am certain that he might be a very, very bright fellow.
Rumor has it he runs a brilliant but directly competing web site with a partner who is very small but tenacious, if you get my meaning.
I pulled my old score sheet for the Series 7. I scored a 91% National average score was 75% and National percentage passing was 71% .... more than I remembered.
Study the hell out of options, derivities and margin accounts.
Could Miss Jones and Bobby please get a room. Preferably one with no windows.
The 7 isn't all that tough. If you graduated college, then you can pass it.
[quote=thebluegenie] Could Miss Jones and Bobby please get a room.
college, then you can pass it.
Hello DATwo. Your arrogance gives you away as always.
The 7 isn't all that tough. If you graduated college, then you can pass it.
Sorry Reggie. Definitely not DAtwo or any of his past incarnations.
I would agree that the 66 can be more confusing than the 7. I didn't think the 7 was that bad; I just did what I was told and focused heavily on muni's and options. Ended up getting a 93%; I thought I was pretty smart until a few months later another new guy made a 95 and a couple of months after that someone made a 94. But in my training program, we were given 8 weeks to study for the 7. If you can't pass after studying for 8 weeks, you really need to reconsider your career choice. I think many of the failures are going to be people who sign up with say Ameriprise or Waddell where they make you study at home on your own time while keeping your previous job. But if your entire day at work is comprised of studying for the 7, it's hard to fail.
On the 66, I didn't think it was necessarily harder, just not as straightforward. I ended up making a pretty low score of 81 on that one. I did somewhat better on the 31, got an 89 on that.


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Hi, I'm Holly Strand from Stokes Nature Center in beautiful Logan Canyon.
One cold dawn in January I glanced out the kitchen window at the snow-covered yard. Something moved and my eyes focused on a large dog-sized animal half hidden and crouched behind some rabbit brush. Funny I thought. I've never seen a large dog like that in this neighborhood. I continued to watch the backyard visitor but it was very still and hard to see. I raced upstairs to get a better view from the second floor window. As I reached the window I got a brief glimpse of the animal as it melted away into a large ravine. It was definitely not a dog. Dogs don't "melt" as a method of locomotion.
Given the size, the color, the time of day, and the way it moved, I'm pretty sure that I saw a mountain lion. In winter our yard is a mountain lion pantry, plentifully stocked with live mule deer steaks browsing on our trees. Undoubtedly that's what attracted my morning visitor.
The mountain lion, or cougar as it is often called, was once the most widely distributed mammal in the Americas. Nowadays, In the United States, it is now mainly restricted to remote areas in the western part of the country including in Utah. According to the Division of Wildlife Resources, the only place in Utah they're not found is in the salt flats west of the Great Salt Lake.
Although they are found everywhere in the state, the animals are rarely seen. They are extremely secretive and largely nocturnal. They usually know where you are before you know where they are, so they can easily avoid human contact .
Mountain lion attacks are extremely rare and there have been no deaths from them in Utah. Nevertheless, they can kill people and with wildlife-human confrontations on the increase it's good to know what to do if you meet one of these big kitties. First of all, don't run from or turn your back to a mountain lion. Its instinct is to chase running animals. Make yourself look as big as possible by raising your arms up high. Speak loudly and fight back if attacked. If you live near mountains or rocky cliff areas keep a close eye on children and pets especially at dusk and dawn.
Thanks to the Rocky Mountain Power Foundation for supporting the development of this Wild About Utah program.
For Wild About Utah and Stokes Nature Center, I'm Holly Strand.


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text:
Phaethon – planetoida o numerze katalogowym 3200
 Phaethon – rodzaj ptaków z rodziny faetonów
 Phaethon (Faeton) – w mitologii greckiej koń Eos
 Phaethon (Faeton) – w mitologii greckiej syn Heliosa

Zobacz też
 Faeton – strona ujednoznaczniająca


text:
5 areas in capital sealed, NA activities suspended to fight Covid
The Newspaper's Staff Reporter Published March 15, 2021
An elderly resident sits in a waiting area after having her first dose of the coronavirus vaccine at a vaccination center in Karachi on March 10. — Reuters/File
ISLAMABAD: After over 2,600 patients of Covid-19 were reported in a single day, the number of active cases has jumped from 16,000 to 21,000 in just two weeks with the national positivity ratio rising to 6.2 per cent.
Awami National Party (ANP) chief Asfandyar Wali Khan became the latest politician to contract coronavirus.
Meanwhile, in order to avoid further spread of the virus, all activities of the National Assembly have been partially suspended.
Moreover, as the new UK variant strain is prevalent in Islamabad, five residential sectors of the federal capital — F-11/1, G-6/2, G-10/4, I-8/4 and I-10/2 — have been sealed. No objection certificates issued to all functions, festivals and gatherings have been withdrawn. No indoor activity will be allowed. Outdoor functions will be allowed for two hours only with less than 300 people in attendance.
According to a tweet by the deputy commissioner of Islamabad, Hamza Shafqat, 51 cases were reported from sector F-11/1, 53 from I-8/4 and 48 cases were reported from sector I-10/2 in a single day.
"Commercial areas and amusement parks will be completely locked down on Fridays, Saturdays and Sundays. More areas are expected to be locked down. New UK variant strain is prevalent in Islamabad. Offices are not allowed to call more than 50 per cent of their staff," he tweeted. Any violation in any premises of social distancing or mask wearing will lead to sealing of the place forthwith, he said, adding that everyone is requested to please cooperate. "Stay safe everyone," he tweeted.
According to the National Command and Operation Centre (NCOC), 2,664 people got infected and 32 succumbed to the virus whereas 247 ventilators were occupied across the country. Out of the total vents allocated for Covid-19 patients, 38pc were in use in Islamabad, 34pc in Lahore, 28pc in Multan and 25pc in Peshawar.
The data on oxygenated beds showed that 51pc were occupied in Gujrat, Peshawar, 44pc; Islamabad, 37pc and Lahore, 31pc.
The number of active cases, which was around 16,000 last month, has reached 21,121 as of March 14. The national positivity rate has been calculated at 6.2pc.
The data further showed that 605,200 cases have been detected in Pakistan, out of which 570,571 had recovered and 13,508 could not survive. Moreover, 2,301 patients were admitted to hospitals across the country.
According to a statement issued by the National Assembly Secretariat, all activities of the National Assembly had been partially suspended to avoid further spread of Covid-19 virus.
The decision has been taken in the wake of rising number of coronavirus cases.
"Office order in this regard has been issued by the administration wing of the National Assembly Secretariat. According to the decision, the offices of the Secretariat would be closed till March 15 for disinfection. Resultantly, the meetings of the National Assembly standing committees and public accounts and special committees have also been cancelled due to closure of offices," the statement said.
"The Secretariat will resume its functions on 16th with minimum strength required for carrying out official business. Heads of the parliamentary committees and legislation wings have been authorised to call minimum staff. The Secretariat staff has been directed to immediately get themselves tested for Covid-19 in case of any symptoms. They have further been directed to wear face masks, avoid shaking hands and maintain social distance as per the standard operating procedures (SOPs) for Covid-19 while on duty," it stated.
Meanwhile, ANP spokesperson Samar Haroon Bilour, in a tweet, said the party chief, Asfandyar Wali Khan, had tested positive for the virus.
She said Mr Khan had quarantined himself at Wali Bagh in Charsadda and appealed to everyone to pray for his early recovery.
Published in Dawn, March 15th, 2021
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