text:
Produced by Punch, or the London Charivari, Neville Allen,
Malcolm Farmer and the Online Distributed Proofreading
Team at http://www.pgdp.net

  PUNCH,

  OR THE LONDON CHARIVARI.

  VOL. 147.

  NOVEMBER 4, 1914.

CHARIVARIA.

The _Fremdenblatt_ of Hamburg congratulates itself that "the British
campaign of pin-pricks is fast coming to a miserable end." If the
reference is to bayonets, our contemporary is in error.

       * * *

A Berlin news agency states that General LEMAN, of Liege, is actually a
German. It is characteristic of the Germans to bring an accusation like
that against a brave and innocent man in adversity.

       * * *

The _Koelnische Volkszeitung_ records the foundation of a "German Truth
Society." We are glad that it is realised over there at last that there
is a difference between Truth and German Truth.

       * * *

It is semi-officially announced that the KAISER'S headquarters are now
in France. His hindquarters were recently seen in Russia.

       * * *

A detachment of British cavalry, while playing water polo in the Oise,
suddenly spotted a patrol of German Uhlans, jumped on their horses
naked, and in that state charged the enemy. We understand that a protest
has been lodged at the War Office by the British Propriety League.

       * * *

A motor wireless section in Scotland is searching for a mascot and
regimental pet, and a Glasgow newspaper invites its readers to supply a
suitable animal. What would be wrong with a wireless terrier?

       * * *

Shortly before the outbreak of the war, it is said, the KAISER ordered a
Gloucester spotted pig in this country. Later on the shipment of the pig
was countermanded. Presumably sufficient pigs had already been spotted
in the German army.

       * * *

A pretty tribute to our ability to keep our hair on in a crisis was paid
last week at the Bow County Court by an itinerant vendor of a hair
restorer. He informed the Court that since the war there had been no
demand for his goods.

       * * *

A correspondent writes to _The Times_ to object to the nickname
"Tommies" applied to our soldiers. "Thomases" would undoubtedly be more
respectful and dignified.

       * * *

An original production of _Everyman_ is to be given at the Cathedral
Hall, Westminster, on the 12th, 13th and 14th instant, in aid of the
Actors' Benevolent Fund. We trust that Everyman will do his duty and
bring in a large sum for this admirable object.

       * * *

The French authorities have seized ten race-horses stabled at St.
Symphorien, near Tours, which belonged to M. MUMM, of the famous
champagne firm, who is a German subject. Motto for those Germans who
were captured speechless in the neighbourhood of Rheims:--"Mumm's the
word!"

       * * *

We note that there is a strong cast in _The Glad Eye_ which has made its
appearance again.

       * * *

Which reminds us that they are calling a certain cheery correspondent on
our Generalissimo's Staff "The Glad Eye Witness."

       * * *

The latest news from South Africa would seem to show that Beyers are
sometimes sold.

       *       *       *       *       *

Illustration: "NOT BIG ENOUGH! D'YER KNOW 'OO I AM? D'YER KNOW FOIVE
YEAR AGO I WAS CHAMPION LIGHT-WEIGHT OF WAPPING?"

"I'VE NO DOUBT YOU'RE A GOOD MAN; BUT, YOU SEE, YOU DON'T COME UP TO THE
REQUIRED MEASUREMENTS, SO I'M AFRAID THAT'S THE END OF IT."

"OH, ALL RIGHT, THEN. ONLY, MIND YER, IF YER GO AN' LOSE THIS 'ERE
WAR--WELL, DON'T BLAME _ME_--THAT'S ALL!"

       *       *       *       *       *

THE FLASH-LIGHT THAT FAILED.

(_Lines suggested by a recent incident on the Firth of Forth._)

  There was a young alien in Fife
  Who on spying was keen as a knife,
    Till a sentry--good egg!--
    Plugged him bang through the leg
  And ruined his prospects for life.

       *       *       *       *       *

    "Along the coast the French Fleet are now aiding the British
    monitors, smashing the heavy buns rolled up to the coast by the
    Germans."

In the heavy bun department we fear no rivals, and the Germans will soon
find that in more than one railway-station refreshment department they
will meet their Waterloo.

       *       *       *       *       *

TO A FALSE PATRIOT.

  He came obedient to the Call;
    He might have shirked like half his mates
  Who, while their comrades fight and fall,
    Still go to swell the football gates.

  And you, a patriot in your prime,
    You waved a flag above his head,
  And hoped he'd have a high old time,
    And slapped him on the back and said:

  "You'll show 'em what we British are!
    Give us your hand, old pal, to shake;"
  And took him round from bar to bar
    And made him drunk--for England's sake.

  That's how you helped him. Yesterday,
    Clear-eyed and earnest, keen and hard,
  He held himself the soldier's way--
    And now they've got him under guard.

  That doesn't hurt you; you're all right;
    Your easy conscience takes no blame;
  But he, poor boy, with morning's light,
    He eats his heart out, sick with shame.

  What's that to you? You understand
    Nothing of all his bitter pain;
  You have no regiment to brand;
    You have no uniform to stain;

  No vow of service to abuse,
    No pledge to KING and country due;
  But he had something dear to lose,
    And he has lost it--thanks to you.

       *       *       *       *       *

UNWRITTEN LETTERS TO THE KAISER.

No. VI.

(_From Professor HERMANN MUeLLER, Ph.D., Private in the ----th Regiment
of Prussian Infantry._)

_Belgium._

YOUR MAJESTY,--I am one of your Majesty's most loyal and most faithfully
devoted subjects, and, if I now write to you, it is not because I doubt
for one moment that you are inspired in all your actions by a clearer
wisdom and a firmer grasp of facts than any that I can pretend to, but
because there are certain questions which obstinately press upon me to
such an extent that I must relieve my mind of them.

At the beginning I was a firm believer in the necessity of this war, and
in the perfect and not-to-be-shattered justice of our cause. I had read
all that there was to read: TREITSCHKE, NIETZSCHE, BERNHARDI, FROBENIUS
and a hundred others, from whose writings it can be most easily shown
that Germany alone among nations has the power and the will to expand
and to rule; that expansion and rule must be accomplished by war, which,
far from being a misfortune, is a noble object to be aimed at and not
avoided by statesmen; that all other nations are degenerate and must for
their own good be crushed by Germany; and that any nation which resists
Germany is through that very act an enemy of the human race. I also
believed that German culture is something different from and superior to
such culture (if it be worthy of the name) as is possessed by other
countries. All these beliefs I set out in my booklet entitled, "Der
Lorbeerkranz," which I humbly and with the most profound heart's
devotion dedicated to your august and glorious Majesty. Did you, I
wonder, deign to cast your Imperial eyes on this effort of my pen? How
well I remember obtaining my first copy of the book on the happy day
that saw its publication. It seemed printed in letters of gold, and,
filled with high yearnings and expectations, I took it home to my
beloved Anna. We read it aloud together, turn and turn about, with
laughter and applause and tears, for we saw therein the foundation of
fame.

So, at the war's beginning, I shouted with the rest for my KAISER and my
country, knowing that the war was just and that we should end by
annexing England's colonies, after destroying her armies and her ships,
and those of France and Russia into the bargain.

Well, that is already, as it seems to me, a thousand years ago, and I
must admit that at that time I did not consider it possible that I
myself with all my weight of learning as well as my regulation knapsack
should be marching about, or lying in a trench on the plains of
Flanders, divided by a few hundred yards from English soldiers, who have
in their hands rifles and bayonets, and know how to use them. In the
intervals of firing, as we lie there, a man has time to think, and it is
wonderful how clear his ideas become in such conditions. Some of us do
not think or think only what they are told. Poor simple fellows, they
still believe they are even now at the gates of Paris, and that
to-morrow is the day appointed for the entrance; whereas I know that,
having been close to Paris in a mad rush, our armies have since
retreated day after day.

But all this happened before I myself had to join the fight with the
older men. Now I know that the English and the French have much to say
for themselves, and, in any case, that it is plain nonsense--I beg Your
Majesty's pardon for using this word, but it is there and I will not
strike it out--it is plain nonsense to believe that the good God who has
made us all has had any interest in making our Germans out of better
clay than that which He has used for other men. I cannot even make an
exception in the case of your Imperial Majesty's own self. Thus do my
thoughts run in the trenches during this dreadful battle. What things
have I heard, what awful sights have I seen since I received my marching
orders! I think of Anna and of little Karl, and hope only that some day
I shall be far away from these scenes in a place where peace shall reign
and I can see them both again. But when will this be?

  With most humble respect,

  HERMANN MUeLLER.

       *       *       *       *       *

"THE GREATER GAME."

This Cartoon, which deals with professional football and the War, and
appeared in the issue of _Punch_ for October 21, has now been reprinted
in the form of Posters and Handbills. These will be gladly sent free of
charge, for the purpose of distribution or exhibition, to anyone
interested in recruiting among football players and the enormous crowds
that attend League Matches. Applications, stating the number required,
should be addressed to The Secretary, _Punch_ Offices, 10, Bouverie
Street, E.C., who will gratefully acknowledge any contributions towards
the expense involved.

"The Greater Game" is also being reproduced in the form of a Lantern
Slide for exhibition at Cinemas, etc.

       *       *       *       *       *

    "Plaintiff, Mr. W. E. Brown, trading as Bre-...oEwenforOD.tonthr.s)-
    cflandshrdlucmfwyptherton and Watt, auctioneers, of Winton,
    claimed a sum of L4 13s. 6d."--_Bournemouth Echo._

In our "List of firms which must have a telegraphic address" Mr. BROWN
takes a high place.

       *       *       *       *       *

Illustration: FOREWARNED.

ZEPPELIN (_as "The Fat Boy"_). "'I WANTS TO MAKE YOUR FLESH CREEP.'"

JOHN BULL. "RIGHT-O!"

       *       *       *       *       *

Illustration: _Jim_ (_just leaving for Egypt_). "WELL, GOOD-BYE,
MOTHER; TAKE CARE OF YOURSELF. I'LL BRING YOU A PYRAMID WHEN I COME BACK
HOME."

_Mother._ "THA MUN DO NOWT O' T' SOORT, LAD. THA MUNNA GET THYSEN I' ANY
TROUBLE FOR ME."

       *       *       *       *       *

ANOTHER INNOCENT VICTIM OF THE WAR.

SIR,--Will you grant me the hospitality of your columns for the exposure
of a grievance? The rest of the Press, which until recent mouths have
welcomed my communications, seem to have become indifferent to matters
affecting the health and comfort of the intellectual classes.

I am a professional man. For the past five-and-twenty years, with only
one exception (the year following the Diamond Jubilee of the late QUEEN
VICTORIA), I have fallen a victim during the first days of November to
an attack of bronchial catarrh. In this distressing complaint, as you
may be aware, an early symptom is a fit of sneezing, with other manifest
discomfort which I need not here particularise.

For the past twenty-five years (with the one exception to which I have
alluded) my first sneeze has been the signal for alarm among the
women-folk of my household. My elder sister goes quietly upstairs for
the bottle of ammoniated quinine; my younger sister explores the
recesses of a cupboard for the piece of red flannel to which I have been
accustomed; and Emily, the maid, without being instructed, puts the
kettle on the gas-stove. Any lady visitor there may be in the house is
ready with suggestions of alternative remedies, recalling numerous
interesting and instructive examples. Light and nourishing dishes are
prepared for my dinner; a hot-water bottle is placed in my bed; and in
the bedroom a fire is lit. I retire to rest at 9.30, and, having
disrobed and covered myself with an augmented supply of blankets, I am
brought a glass of hot milk by one of my sisters, who gently places my
dressing-gown round my shoulders while I drink it. Afterwards I lie down
to sleep, with the bell-push within reach. A tap at the door wakes me
next morning. "May I bring in a cup of tea, dear Septimus?" asks my
other sister. I am implored to remain in bed for the day, and swift
arrangements are made with the butcher, when he calls, to telephone a
message to the office. Emily refrains from singing while washing up, and
wears felt slippers during her duties about the house.

Such, Sir, has been the routine attending this practically annual event
for the past five-and-twenty years. But I regret to inform you that a
secret and sinister change has been at work in our domestic relations.
The first sneeze of this year's attack took place last evening. My once
attentive sisters, immersed in wool and flannel of all shades, took no
notice; Miss Annistay, an old family friend, alone remarked upon my
condition, stating that colds were very prevalent, and adding somewhat
irrelevantly that it must be terrible in the trenches this weather. For
dinner I had nothing more sustaining than our customary fare, and when I
asked for hot milk at bedtime my sisters inquired, "Whatever for,
Septimus?" I sought my chamber, only to find, on enquiry, that my
dressing-gown, my extra blankets and my hot-water bottle had
disappeared--gone, I understand, to a local hospital. And, far from
remaining in bed to-day, I am writing this from my office, an
exceedingly draughty apartment.

  Yours cordially,
  SEPTIMUS CODDELL.

P.S.--Of course I thoroughly approve of the idea that we must all make
sacrifices in time of war; but, as I tell my household, these sacrifices
should be personal and not vicarious.

       *       *       *       *       *

OUR GUY.

We feel just a little hurt that the police have not prohibited our
village bonfire. Why shouldn't Zeppelins come to Little Pilswick? Why
should an arrogant metropolis monopolise everything? Still we hid our
mortification and the Guy Committee met as usual in the saloon bar of
the "Bull".

In the first instance Prodgers moved that the celebration be dropped,
and that all material already collected be given to the Belgian
refugees. It was pointed out to him that a gift of two empty tar-barrels
and half-a-dozen furze bushes, though meant in all kindness, might prove
embarrassing to any relief committee. Besides, we are happy in the
entertainment of two Belgian families, and the feeling was that the
sight of an uncultured fire would cheer them. So Prodgers was
temporarily crushed. Then came the all-important question of the guy.

Mr. Flodden, the landlord, began the discussion. "Last year we'd LLOYD
GEORGE, but we can't have no politics now, though he's--well, I wish I
could tell him what he is. Year before we'd the Squire for stopping up
that footpath, but he's in the Yeomanry now, so he's barred."

"The KAISER!" cried Jenkins. "Have him with mailed fists holding up a
torn scrap of paper."

"No, the CROWN PRINCE," suggested Webb. "Everyone would know him if we
put a silver spoon in each hand and hung a silver coffee-pot round his
neck."

"DE WET," proposed Cobb.

"Had him twelve year or more ago," said the landlord. "DE WET'S off."

A fierce controversy now ensued between partisans of the KAISER and the
CROWN PRINCE. Prodgers argued ably that it was much worse to destroy a
cathedral than to steal plate; whilst Unwin, the jobbing builder,
declared that the damaging of a cathedral gave work to a very deserving
class of men, and said he would very much rather see the parish
church-tower knocked down than the Vicar's spoons stolen. At last
feeling ran so high it was decided to put the matter to the vote. Five
voted for the light-headed KAISER, five for his light-fingered heir. All
eyes turned on the landlord to see which way his casting vote would go.

"Friends all," said. Mr. Flodden, "we've kep' ourselves respectable in
this village. Even our guys have been respectable, though, mind you,
that LLOYD GEORGE--well, if it wasn't wartime, I'd say he come precious
near the line. Now what's the good of us letting ourselves down to burn
these 'Uns? What about old GUY FAWKES? I grant you he wanted to blow up
the 'Ouses of Parliament; but, if there was licensing bills in those
days, I don't blame him. I say stick to old GUY and be respectable."

It was carried unanimously.

Somewhere in his rush from theatre to theatre of the war a message will
reach the KAISER. The hatred of a world may flatter him, but the cold,
chilling contempt of Little Pilswick will pierce to his very heart.

       *       *       *       *       *

Illustration: OBVIOUS EMBARRASSMENT OF LITTLE BINKS, WHO HAS INJURED
HIS HAND IN THE PEACEFUL OCCUPATION OF PICTURE-HANGING, AT BEING
MISTAKEN FOR A WOUNDED HERO.

       *       *       *       *       *

THE REPORT FALLACIOUS.

I have a son, William. But there are compensations; he is at school.

It was at the crisis of parting at the station that it seemed to me
necessary to give William a word of parental advice. I hate seeing small
boys at such moments stuffing themselves in refreshment-rooms.

"William," I said, "life is not all cricket and football."

"No, father" replied William, looking hard at the refreshment-room,
"there's golf."

"That, William, is scarcely a game. I should describe it in my own case
as an exercise taken under medical advice, to obtain relief from
business strain."

"Father," burst out William, "there's Cheffins minor in the
refreshment-room."

"William," I proceeded, "at the end of each term I receive an
unsatisfactory report about you from your house-master. It is only then
that I know you have wasted three months of golden time." ("Golden time"
was a happy inspiration.)

"Old Starks is a rotter," said William briefly.

"Now I put you on your honour, William, to send me a truthful report of
your progress at the half-term. Then if you are not doing well I can
write and ask that you should have special attention. On your honour,
mind."

"Yes, father. Shall we go across to the refreshment-room now?"

"Ah, yes, certainly," I said, noticing a signal drop. "Oh, no; here's
your train coming in."

Then having done my duty I forgot all about the promised report. It
arrived unexpectedly this morning. He had framed it precisely on the
model of his house-master's reports:--

_Position in Form._ First.

_Progress._ Very marked; decidedly more attentive and industrious.

_Latin._ A distinct improvement in versification. Translates easily and
intelligently.

_Greek._ Displays remarkable promise.

("Of course it won't be much use to him in my leather business," I said
to my wife; "still it shows grit.")

_Mathematics._ Again marked progress is to be recorded.

_Conduct._ Courteous, orderly, obedient. A good influence in the house.

_General Remarks._ Will achieve a high position in the school, but must
take care that too close absorption in study does not interfere with his
athletic development.

"Most gratifying," I said to my wife. "I just put the boy on his honour.
I don't believe in lecturing boys. Ah, what's this at the bottom?"

I read with horror the foot-note, "_Per_ Wireless from Berlin."

I am a parent, so I instructed my wife to write a letter saying how much
I was pained by William's frivolity. I am a patriot, so, without her
knowledge, I slipped a postal order for ten shillings into the envelope.

       *       *       *       *       *

We hear there is no truth in the report that Mr. JAMES WELCH intends
renaming his successful farce (now moved to the New Theatre) "When
Nights Were Dark."

       *       *       *       *       *

Illustration:

_Visitor_ (_leaving inn after sleepless night_). "I SUPPOSE YOU DON'T
HAPPEN TO BE A GERMAN?"

_Landlord._ "DO I LOOK LIKE IT?"

_Visitor._ "NO; BUT I THOUGHT I'D JUST ASK BECAUSE MY ROOM LAST NIGHT
HAD A CONCRETE BED IN IT."

       *       *       *       *       *

THE GREAT PETARD.

(_Being some further reliable information about the enormous siege gun
which is to shell us from Calais._)

  This is the tale of the Master Hun
    And how, on thinking it over,
  He bade his henchmen build him a gun
  With a belly as huge as the Heidelberg Tun
    To batter the cliffs of Dover.

  See how the Uhlans' lances toss!
    As a mother her child they love it;
  Guarding it well from scathe and loss
  They have stamped its side with a big Red Cross,
    And the white flag waves above it.

  First it was cast in Essen town;
    Junkers in gay apparel
  Flocked to sample its high renown,
  And a dozen or more, they say, sat down
    To dinner inside its barrel.

  Fair and free did the Rhine wine flow
    Till the face of every glutton
  Shone with a patriot's after-glow,
  And then they retired a mile or so
    And the WAR LORD pressed the button.

  _Hoch!_ The howitzer stood the test,
    Belching like fifty craters,
  And (this is perhaps the cream of the jest)
  There was more than metal inside its chest,
    For they hadn't removed the waiters.

  Now it has come on armoured trains
    To the further side of the Channel;
  Prayers are said in a hundred fanes
  For its godlike soul, and whenever it rains
    They muffle its throat with flannel.

  Strange indeed is the cry of its shells,
    Like a pack of hounds in full wail,
  Like the roar of a mountain stream that swells
  Or like anything else from a peal of bells
    To the bark of a wounded bull-whale.

  But the worst of it is that when--and if--
    It begins its work of slaughter
  It will possibly harm the Kentish cliff,
  But it's perfectly certain to go and biff
    The French one into the water.

  So when you shall hear a noise on high
    Like the medium brush of a barber,
  And a monstrous bullet falls from the sky
  And blows off the head of a Prussian spy
    As he dallies in Dover Harbour,

  You shall know that at last the WAR LORD'S host,
    By dint of a stout endeavour,
  Have chipped off a bit of the Calais coast
  And caused the isle that they pant for most
    To be further away than ever.

  EVOE.

       *       *       *       *       *

THE PEACE CIGAR.

"By the way, Lorna was there this morning," said Celia. "Her brother's
in the War Office."

"And what did KITCHENER tell him when they last had lunch together?" I
asked.

"Well," smiled Celia, "he does say that----"

I get all my best news from Celia nowadays. When I meet you in the City
and mention that I know for a fact that the KAISER is in hiding at
Liverpool, you may be sure that Celia saw Vera yesterday morning, and
that Vera's uncle is somebody important on the Liverpool Defence
Committee.

Twice a week Celia ties up parcels for the Fleet. Ordinary people
provide the blankets, sea-boots, chocolate, periscopes and so forth;
Celia looks after the brown paper and string, which always seems to me
the most tricky part. There are a dozen of them, all working together;
and you can imagine (or, anyhow, _I_ can) Vera or Kitty or Isobel, her
mouth full of knot, gossiping away about her highly-placed relations,
while Beryl or Evelyn or Lorna looks up from the parcel she is kneeling
on and interrupts, "Well, my _brother_ heard----I say, where did you
put my scissors?"

"Well," smiled Celia, "Lorna's brother in the War Office says the war
will be over by Christmas."

"Hooray," I said; and I went out and looked at my cigar.

This cigar arrived at my house in a case of samples last July. The
samples went up from right to left in order of importance, each in his
own little bed--until you got to Torpedo Jimmy at the end, who had a
double bed to himself. Starting with _Cabajo fino_ in the right-hand
corner, the prices ranged from about nine a penny to five pounds apiece,
the latter being the approximate charge for T. James or any of his
brethren.

Celia was looking over my shoulder when I opened the case, and she
surveyed my brown friends with interest.

"When are you going to smoke _that_ one?" she asked, touching Torpedo
Jimmy's cummerbund with the tip of her finger.

"On your birthday," I said.

"Bother, then I shan't see much of you. Couldn't you smoke it on two
ordinary days instead?"

"You can only smoke a cigar that size after a very good dinner," I
explained.

"What was the matter with the tapioca pudding last night?" said Celia
sternly.

"I mean you must have champagne and bands and lots of lights, and
managers bowing all round you, and pretty people in the distance,
and--all that sort of thing. You can't do that at home. Besides, I shall
want a waiter or two to hold the far end of it while I'm smoking. It'll
be all right going there; we can put it on the top of a cab."

"Of course it will be lovely going out with you," said Celia, "but Jane
will be very disappointed. She'd have liked to hear it buzzing."

"I hope it won't buzz," I said.

"Couldn't you smoke it now, and then we'd go out next week and celebrate
your recovery." She sighed. "My birthday's a long way off," she said
wistfully, thinking of the band and the lights and the pretty people in
the distance--and not necessarily in the distance either.

"Well, p'raps we'll think of another excuse. Anyhow it will be a very
great day, and if I survive we shall often look back upon it."

Celia stroked it again.

"It's just like a torpedo, isn't it?" she said. And so we called it
Torpedo Jimmy. A torpedo is actually a little bit bigger. Not much,
however.

That was July. When August came we knew that there would be no excuse
before the birthday and that the birthday would be no excuse. The great
dinner was postponed. It didn't matter, because we forgot about the
great dinner.

But towards the end of September Celia came across the sample case
again. All the beds were empty now but one. Torpedo James still lay in
his four-poster, brown and inscrutable.

"Better put him away," she said, "and on the day that peace is signed
you can take us both out."

And so Torpedo Jimmy became a symbol. The more I long for peace, the
more I long for that historic smoke. When Louisa's brother or Nora's
uncle has a long pessimistic talk with KITCHENER, then I look sadly at
my cigar; but when FRENCH and JOFFRE unbend to Vera's stepfather or
Beryl's cousin and give him words of cheer, then I take it out and pinch
it fondly, and already I see the waiter coming round with a torch to
light it.

I have been looking at it to-day, and I see that it is giving a little
at one end. I fancy that the moth has been getting at it. Well, if it
does not last till peace is signed, it will be a peace that I shall not
believe in. For a stable peace, as all our eminent novelists keep
pointing out in all the papers, many things are necessary, and one of
them is that I should smoke my cigar happily on the first night of it.
Torpedo Jimmy must do himself justice. No premature explosions; no moths
flying out from the middle of it; no unauthorised ventilation. The exact
moment must be chosen by the Allies. My cigar must be ripe ... and yet
not too ripe.

Celia says she is sure it will be just lovely. So sure is she that she
suggests hanging the cigar in the hall and tapping it to see how the war
is going. "When it taps exactly right, then we shall know the war is
just over."

But I think we shall know that anyhow. EDWARD GREY will break it to
Beryl's nephew all right; Celia will climb down off her parcel and rush
home to me with the news; I shall ring up the restaurant and order
dinner ... and at eight o'clock, in great spirits, we shall get into our
taxi and drive off together--Celia and I and Torpedo Jimmy.

  A. A. M.

       *       *       *       *       *

SOME FACTS ABOUT THE WAR

(_An essay in the prevailing mode_).

The actual cost of hostilities has been estimated by reliable
authorities at the enormous sum of L143,468 0_s._ 0-1/2_d._ _per diem_
for this country alone. The odd halfpenny presumably represents the cost
of an evening edition bought by the official contradictor in the
exercise of his duties.

       * * *

Amongst the (more or less) skilled industries that have been gravely
affected by the outbreak of hostilities must now be placed the making of
prophetic fiction. It is calculated that the number of novels dealing
with _The Next Great War_ that have had to be scrapped must run well
into four figures.

       * * *

On the other hand, the number of novelists who will in the future begin
their Historical Romances, "It was in the late summer of 1914," is
beyond human calculation.

       * * *

In view of the reported insurance of Westminster Abbey against damage by
air-craft, a correspondent asks what steps are being taken towards the
illumination of the Albert Memorial.

       * * *

It is at least odd that Olympia should have been selected as the Ideal
Home for our Undesirable Aliens. The last German production in the same
building was _The Miracle_. Many of the interned are said to be
expecting another.

       *       *       *       *       *

    "Mrs. Mallaby Deeley is doing good work in securing withers for
    horses."

    _Harrow Observer._

And now every horse which goes to the Front can be certain of having its
own withers.

       *       *       *       *       *

Illustration: _First Lady_ (_horrified at bright scarlet muffler for
Navy, the creation of second lady_). "MY DEAR--THE COLOUR! IT'LL MAKE A
TARGET FOR THE GERMANS!"

_Second Lady._ "OH! THEN IT'LL HAVE TO DO FOR THE STOKER."

       *       *       *       *       *

THE LADY'S WALK.

  I know a Manor by the Thames;
  I've seen it oft through beechen stems
    In leafy Summer weather;
  We've moored the punt its lawns beside
  Where peacocks strut in flaunting pride,
    The Muse and I together.

  There I have seen the shadows grow
  Gigantic, as the sun sinks low,
    Leaving forlorn the dial;
  When zephyrs in the borders stir,
  Distilling stock and lavender
    To fill some fairy's phial.

  There, when the dusk joins hands with night,
  (I like to think the story's right--
    I had it from the Rector--
  Still, don't believe unless you choose!)
  Doth walk, between the shapen yews,
    A little pretty spectre,

  The Lady Rose, a well-born maid
  Whose true-love in this garden glade--
    A bold, if faithless, fellow--
  Had loved, but left her for the sake
  Of venturing with FRANKIE DRAKE,
    And died at Puerto Bello;

  While she--poor foolish loving Rose--
  Of heart-break, so the story goes,
    Died very shortly after,
  One day--as Art requires--when Spring
  Had set the hawthorns blossoming
    And waked the lanes to laughter.

  And so adown these alleys dim,
  Where oft she'd kept a tryst with him,
    She nightly comes a-roaming;
  And, sorrowing still, yet finds content,
  I fancy, where "Sweet Themmes" is blent
    With flower-beds and the gloaming.

  Ah me, the leaf is down to-day;
  Does still the little phantom stray,
    Poor pretty ghost, a-shiver,
  When sad flowers droop their weary heads
  Along the chill Autumnal beds
    Beside the misty river?

  Or does it, at the year's decline--
  As sensible as Proserpine--
    When Autumn skies do harden,
  Go down and coax the seeds to grow
  Till daffodillies stand a-row
    And April's in the garden?

  I cannot tell; what's more, I doubt
  We've other things to think about
    This sorrowful November;
  I only know for such sad hours
  That dainty ghosts and Summer flowers
    Are pleasant to remember.

       *       *       *       *       *

The Absolute Limit.

    "The directors of the Bradford Club have reviewed the position in
    regard to the free admission of soldiers to the ground, the number
    of men thus admitted having been far greater than was anticipated.
    It has now been decided that men in uniform or bearing other
    credentials of service shall be admitted to section E on payment of
    the nominal sum of 3d. This will prevent the jostling of the
    ordinary patrons."--_Bradford Daily Telegraph._

A cruiser here and there may be sunk, a regiment here and there may be
cut up, but thank God our Bradford football patrons will never again be
jostled by any of these vulgar soldiers in uniform.

       *       *       *       *       *

Notice in a Battersea window:--

   "BRIDE CAKES
      ANY SIZE
TO SUIT ALL POCKETS."

In these days of narrow skirts most women will find the guinea size
sufficient.

       *       *       *       *       *

Illustration: FACTS FROM THE FRONT.

TACTICAL USE, BY THE ENEMY, OF THE MORE RESILIENT UNITS OF THE LANDSTURM
FOR NEGOTIATING BELGIAN <DW18>s.

       *       *       *       *       *

OUR LITERARY WAR LORDS.

    ["The other day the enemy's artillery fire on my battery was so
    great that we were forced to take cover. I sat crouched in my
    'funk-hole' for seventeen solid hours. Luckily I had Jacobs's 'Sea
    Urchins' with me, which I read to the accompaniment of screaming and
    bursting shells."

    _Officer in the Royal Field Artillery._]

_Mr. Punch_, while remarking that he is not surprised that the shells
screamed in the circumstances, begs to assure his readers that, if the
following information corresponds with the facts, Mr. Jacobs is not the
only author who has been solacing our troops in the trenches.

Miss Carrie Morelli writes: "There has so far been no public mention of
any books of mine being read in the trenches and affording solace to our
gallant troops. This, however, is because all the reports from the Front
come from men, and men are notoriously jealous of feminine activity in
literature as elsewhere. I have no doubt in my own mind that many a
soldier in action has been cheered by hurried glances at my novels, a
list of which can be forwarded on application."

An unsigned letter from the Isle of Man states that the writer, who
rightly wishes to remain anonymous, possesses a copy of a novel of
astonishing genius, in which a German bullet is embedded. This book, it
seems, was the inseparable companion of a soldier in the 3rd Manx
Highlanders, who carried it always next his heart, and in its position
in that intimate and honoured spot it saved his life. The writer, who
confesses to being the author of the novel in question, states that he
would divulge both his own name and that of the title of the book but
that his objection to publicity amounts to a mania.

The publishers of _The Orangery_, by Mrs. Markley, write to inform us of
an astounding incident which throws a new and sensational light on the
campaign in the Western Theatre of War. It appears that at a critical
moment during the great effort of the Germans to break through the left
flank of the Allies, General VON KLUCK absolutely refused to see or
consult with his Staff for the space of three hours. It subsequently
transpired that a copy of _The Orangery_, which had been found in the
knapsack of a British prisoner, had come into the General's possession
and so absolutely enthralled him that he abandoned all thought of
strategy or tactics until he had finished its perusal. Owing to the
extraordinary power of Mrs. Markley's genius the German advance was
paralysed, and the Allies, resuming the offensive, drove the enemy back
in confusion, with results which have vitally affected the progress of
the campaign.

Mr. ARNOLD BENNETT has just received a remarkable letter from a British
marine who was recently landed on the coast of Flanders. The writer
describes how, as he was reading one of Mr. BENNETT'S recent articles on
the war in a carefully excavated trench, a "Jack Johnson" shell
descended directly over him, but was suddenly diverted by the article,
and soared away at right angles, bursting with a terrific chuckle at a
safe distance.

       *       *       *       *       *

Latest War News.

Turkey has now joined the "Sossidges"--a trifle earlier in the year than
usual.

       *       *       *       *       *

We understand that Pietermaritzburg will shortly change its name to
Petrobothagrad.

       *       *       *       *       *

Illustration: THE EXCURSIONIST.

_Scene_: TICKET OFFICE AT ---- (_censored_).

TRIPPER WILHELM. "FIRST CLASS TO PARIS."        CLERK. "LINE BLOCKED."

WILHELM. "THEN MAKE IT WARSAW."                 CLERK. "LINE BLOCKED."

WILHELM. "WELL, WHAT ABOUT CALAIS?"             CLERK. "LINE BLOCKED."

WILHELM. "HANG IT! I _MUST_ GO _SOMEWHERE_! I PROMISED MY PEOPLE I WOULD."

       *       *       *       *       *

BRITAIN TO BELGIUM.

  Sister, for the tears that thou hast shed,
  Sister, for thy dear undying dead,
  For the sons thou hast not grudged to give,
  Loyally, that Liberty might live;
  Sister, for the little child
  Dead beside a hearth defiled--
  Do I dream my love alone
          Can atone?

  Can I bring again the brave that fell
  When thy heaven crumbled into hell?
  Can I banish from before thine eyes
  Haunting visions under haggard skies?
  Blazing home and blackened plain,
  Can I make them fair again?
  Can I ever heal thy smart,
          Broken Heart?

  Sister, we be women, thou and I;
  Sorrow's craving who can satisfy?
  None may pay thee back so dear a loss,
  Only let me help to bear thy cross.
  Sick and hungry in their need
  Let me succour, let me feed;
  Little Sister, freely take
          For their sake.

       *       *       *       *       *

Illustration: "'HE'S AS WILLING AS A CHRISTIAN; STRIKE ME BLIND IF HE
ISN'T', SAID SIKES."

_Oliver Twist_, Chap. xvi.

(_With apologies to the late Fred Barnard._)

       *       *       *       *       *

AS OTHERS WISH TO SEE US.

The ingenious German device of writing private letters to English
friends filled with German justifications of the War and news of the
gaiety and normal prosperity of Berlin is now being carried farther, and
extracts from private letters purporting to be addressed by English
people to German friends have begun to be printed in the Berlin papers.
Here follows an illustration of this type of composition:--

My dear friend,--I am sure you will like to hear from me, especially as
I am in a position to enlighten you as to the deplorable condition of
things in England under the fear of the Mailed Fist and forebodings of
the worst. For it is only too true that all the best and most
knowledgable people here have thrown up the sponge and are prepared for
the inevitable.

A private letter is probably the only means of communicating the real
situation to you, for the English papers of course do not tell the
truth. In fact you must believe nothing they say, for there is a great
conspiracy here to maintain the fiction that we are high-spirited, eager
and confident. Everything is done to foster that illusion.

BERNHARDI'S great book has been translated and is being largely sold,
and it is awful to watch the faces of the people reading it--how they
blanch and quiver. It is curious, you might think, that they read it at
all; but you know the dread fascination of the snake for the
humming-bird. The bird sees its doom, but cannot escape, and in fact
draws nearer.

Would you believe it of this nation, so famous for its phlegm, that at
the outset of the war there was such a panic among our intellectuals
that they could not write prose at all, but all the papers were full of
rhyme? As you know, there is no sign of hysteria more trustworthy than
this.

You may have heard that recruiting has been brisk and keen, but do not
believe this. Only by huge bribes have men been induced to join at all.
The finances of the country are being taxed to the utmost to find the
extra "palm-oil" which these mercenaries demand.

The Birmingham factories are feverishly busy making dum-dum and
explosive bullets.

You may have gathered from the papers that football goes on as usual.
This is so, outwardly, but as a matter of fact the games are played with
no spirit and are kept going wholly by force applied by the Government,
whose aim is thus to suggest a feeling of security in the country. A few
misguided people, who completely misunderstand the situation, hold that
footballers should go to the Front and fight; but the Government take a
more prudent view and will not allow this, holding that their agility
on the field in League Matches and so forth is of high service as an
anodyne and distraction. I have heard of more than one case of a
well-known herculean player, accustomed not only to big money but
applause and hero-worship, seriously wondering if fighting were not his
real duty and if he ought not to make a bolt for the Front, but being
compelled to acquiesce in the Government's plans and go on drawing his
salary for the public pursuit of an air-bladder. This shows you to what
a pass things have come.

There are also hundreds of young actors in London alone who are being
forcibly kept in the country to go on entertaining and playing the fool
for the same sedative purpose. These youths are all healthy and fit, but
it is held that their true function is to work in the theatres and halls
to beguile the audiences and divert their thoughts from the terrible
reality of German invasion. With each step that the Germans draw nearer
the mummers redouble their efforts to excite laughter. Thus did NERO
fiddle.

The terror produced by your nerve-racking Zeppelins is constant. Hardly
a soul is now to be seen in the streets of London. Everyone is below the
earth, in the Tubes and subways, which are packed by white and trembling
crowds. Every cellar is congested, the top floors having been wholly
abandoned. As a sign of the times I may tell you that a Company, called
the Aerated Dread Co., has been formed to provide iron suits for those
who can afford them, and on the Board of Directors are both the PRIME
MINISTER and Sir EDWARD GREY. So awful is the agitation from which
everyone here is suffering under the Zeppelin menace that the noise of a
tyre bursting in the street often prostrates as many as forty
passers-by.

No more to-day, my friend. I will write again soon and add to the
melancholy picture of a once powerful nation shuddering with craven
fears.

Give my love to your dear children.

Your devoted K---- L----.

       *       *       *       *       *

    "On the sea <DW18> the Germans have posted heavy artillery.... They
    have also posted gunes in the dunes."--_South Wales Echo._

This settles us. We shall now begin our War Poem.

       *       *       *       *       *

Illustration: FROM THE RECRUIT'S POINT OF VIEW.

_Sergeant._ "FORM FOURS!" "AS YOU WERE! FORM FOURS!!" "_As you were!!_
FORM FOURS!!!" "***!!! *****!!!!"

       *       *       *       *       *

ARCHIBONG.

    [Encouraged by the example of some eminent followers of TYRTAEUS,
    _Mr. Punch_ has great pleasure in printing the following topical
    soldiers' song, composed by one of his young men after reading about
    a British force that seized Archibong in the Cameroons.]

  O we're marching on to good old Archibong;
  And we're going most particularly strong;
        For our beef is really "bully,"
        And they feed us very fully--
  Yes, the feeding's fit for any restaurong,
            _Tres bong_,
  Fit for any fust-class London restaurong.

  What's the matter with the road to Archibong?
  We didn't come out here to play ping-pong
        Or to get up a gymkhana--
        But we'll all have a banana
  When we've driven back the Proosians to Hong Kong,
            Ding-dong,
  When we've driven back the Proosians to Hong Kong.

  What's the matter with the town of Archibong?
  It isn't quite as lively as Boulong;
        But the name is very tuneful--
        Yes, I'll have another spoonful,
  For I never liked my soda-water strong;
            It's wrong
  For a man to drink his soda-water strong.

  Then here's a parting cheer to Archibong,
  Where the natives play divinely on the gong;
        It's not so cool and airy
        As the town of Tipperary,
  But it's just as good for tittuping along
            In a song,
  It's just as good for tittuping along.

       *       *       *       *       *

SCALPED.

From Battalion Orders of a certain regiment:--

    "The Brigadier-General regrets that the 5th are noticeable
    throughout the brigade for the long, slovenly and unkempt condition
    of men's hair. The Commanding Officer considers that this reflects
    on the credit of the battalion and directs Company Commanders to
    take immediate steps to have this slight removed for good and all."

       *       *       *       *       *

WHAT'S IN A HYPHEN?

From a cinema advertisement:--

"THE TWO-STEP CHILDREN (DRAMA)."

It sounds rather more like Musical Comedy.

       *       *       *       *       *

    "Between them the vessels of the Allies succeeded in destroying a
    German battery of field artillery, dispersed a German bridging train
    collected to force the passage of the Yser, blew up an ammunition
    column, killed General von Tripp, expressed pleasure at the Russians
    winning in Galicia, and even regarded it as compensation for his
    wound."--_Aberdeen Free Press._

Is there anything the Fleet _can't_ do?

       *       *       *       *       *

LITTLE AND GOOD.

  Young Thompson was a bit too short,
    But hard as nails and level-headed,
  And in his soul the proper sort
    Of dogged pluck was deeply bedded;
  To join the ranks he almost ran,
    But saw the weedy supersede him;
  Though he was every inch a man,
    His country didn't need him.

  He read each passionate appeal
    On wall and window, cab and cart;
  How impotent they made him feel!
    He tried once more, though sick at heart.
  In vain! He saw the sergeants smirk;
    He argued, but they wouldn't heed him;
  So sullenly trudged back to work--
    His country didn't need him.

  But, now the standard height's curtailed,
    Again he goes to join the ranks;
  Though yesterday he tried and failed
    To-day they welcome him with thanks.
  Apparently he's just as small,
    But, since his size no more impedes him,
  In spirit he is six foot tall--
    Because his country needs him.

       *       *       *       *       *

Illustration: T. B. D.

_Officer's Steward._ "WILL YOU TAKE YOUR BATH, SIR, BEFORE OR AFTER
HACTION?"

       *       *       *       *       *

THE MYSTERY OF PRINCE ----.

We seek information of the present whereabouts of Prince ---- of ----.

Some few weeks ago the news came that he was carried wounded into a
Brussels hospital, with a velvet mask over his face, so that none might
recognise him. The PRINCE was visited in hospital by a tall man, also
heavily masked, but not so heavily as to conceal a pair of soaring
moustaches, freshly waxed. None dared speculate as to Who this Visitor
might be. The hush was tremendous. The Visitor silently pinned on the
patient a specimen of the Iron Cross and as silently left.

It was the 37000th Iron Cross bestowed since the outbreak of war.

At the autopsy it was proved conclusively that the bullet inside the
PRINCE was of German origin.

After the post-mortem the PRINCE was luckily captured by the Belgians,
and held at Antwerp as hostage for the good behaviour of the German
troops occupying Brussels.

When the fall of Antwerp became imminent the PRINCE was secretly removed
to England. A fortnight ago he was seen in a motor-car driving round
Battersea Park, accompanied and guarded by an English officer.

The PRINCE wore his saxe-blue full-dress tunic, his corn-gold moustache
and his rather stout face, and was looking considerably depressed.

Since that date no word has come of him. The Censor seems to have
rigidly suppressed all evidence of his movements.

Is the PRINCE kept prisoner on a trawler sweeping the North Sea for
mines? Has he escaped in the German submarine which ventured up the
Thames as far as the lower end of Fleet Street? Or is he interned in the
searchlight apparatus at Charing Cross to insure it against attack by
Zeppelins?

We seek exact information.

       *       *       *       *       *

    "As regards the quality of this beverage, he said he was at a loss
    to know on what grounds they called it coffee."--_Daily Mail._

Coffee grounds, no doubt.

       *       *       *       *       *

JOURNALISTIC CANDOUR.

    "There comes a time when no responsible organ of public opinion can
    keep silence without sacrificing the tacit obligation under which it
    lies to its readers."--_The Globe._

We are glad to note that in the same article there is a subsequent and
reassuring reference to our contemporary's "well-deserved reputation for
straightforwardness and accuracy."

       *       *       *       *       *

The author of _Secrets of the German War Office_ writes of the German
FOREIGN MINISTER'S "atrocious taste in waistcoats":--

    "The one he had on still sticks in my memory. It was a lurid
    peach-blossom creation, spotted with greed."

It is to guard against this that so many of his compatriots tuck their
napkins in at their necks.

       *       *       *       *       *

AN ESCAPED PRISONER.

It was summertime, years ago, in the early days of the war.

Having distributed myself quite satisfactorily within a hammock, I had
just decided that nothing short of invasion or the luncheon bell should
disturb me, when my flapper niece shot forth in my direction from the
French windows of the morning-room.

In one hand she flourished an empty birdcage and in the other what
proved to be a tin of enormous hemp seeds.

"Wake up!" she cried as she approached rapidly through the near
distance. "The precious Balaam has escaped! The brute must have got out
while I was fetching his clean water, and the windows were _wide_ open!"

The prospect of a canary hunt across country with a temperature at 80
degrees in the shade positively made me shiver.

"Your father is the man to catch it for you, Eileen," I suggested. "He's
most awfully good at catching things. I--er think he's somewhere on the
tennis-court."

"He's not, because he was splashing about in the bathroom just now when
I wanted to fill Balaam's water-bottle."

"All right," I said resignedly, "I'll come. Was Balaam the man or the
ass? I forget. And while we're at it why should you call the bird Balaam
at all?"

Eileen was in no mood for foolish questionings.

"Get up!" she ordered. "I call him Balaam because he's not a proper
canary--he's a mule."

"Then I am not at all sure," I began hopefully, "that I can countenance
the keeping of mules in birdcages! Should the Society for the Prevention
of Cruelty to Animals get to hear of it, they would certainly----"

"There he is!" interrupted Eileen shrilly as something yellowish flew
jerkily across a neighbouring cabbage bed. "That's Balaam! Take the
cage. I'll wait here in case he comes back!"

By the time I had reached the further end of the cabbage bed I was just
in time to see a tawny bird vanish over a hedge, flop tantalisingly
across the road and disappear among the branches of an apple-tree on the
other side.

What I now see to have been a mistaken idea of my duty towards Eileen
led me painfully through two hedges to the foot of the tree in whose
branches Balaam the Mule was possibly enjoying the first-fruits of his
liberty.

In vain I produced vocal effects calculated to charm away the love of
travel from the breast of any canary; then, as Balaam persistently
refused to come to me, I proceeded slowly but surely, and accompanied by
the cage, to make my way to him.

Whether tree-climbing shares the same age limit as that assigned to
recruits, or whether the cage was too severe a handicap, I don't know,
but halfway up I somehow found myself marooned on an obviously
inadequate branch.

For several minutes I balanced uncertainly. Then someone began to pass
along the road beyond the hedge. As it seemed probable that their owner
might prove of use to me, I hailed the footsteps with a shout.

The footsteps stopped and I shouted again.

This time there was a faint scream in answer and a mauve-and-white
bonnet bobbed agitatedly up the road.

After a few more minutes of delicate and masterly balancing I was
relieved to hear the approach of quite a number of people from the other
side of the orchard.

Evidently the mauve-and-white bonnet had thoroughly realized my perilous
position, for my rescuers seemed to include almost the entire village.
Even the Vicar was there, armed with an assegai--no doubt a missionary
trophy. It was thoughtful of them to have turned out in such numbers to
rescue a mere visitor, but still one ploughman with a ladder would have
been ample.

Soon words floated up to me from the mouth of the leading rescuer. "I'll
learn him!" he was saying with fervour. "I'll learn him to come
German-spying round my orchard!"

Balaam or no Balaam, I drew the line at being assegaied to death as a
Teuton spy, so I dropped the cage with a bang and, clinging to the end
of my branch, I at last succeeded in gaining the ground in moderate
safety.

When I had finished explaining about Balaam, they were convinced, though
evidently disappointed.

"You see," explained the Vicar, prodding the apple-tree regretfully with
his assegai, "poor Miss Tittlepatter said that she had been attacked by
German spies from this very orchard."

At the third <DW8> of the Vicar's assegai, a brown-and-yellow bird flew
self-consciously from the top of the apple-tree and perched in full view
on a five-barred gate.

"There he is!" I hissed, moving stealthily forward with the remains of
the birdcage. "There's Balaam the canary!"

"Kenary!" contemptuously remarked the rescuer who had been so anxious to
undertake the education of Teutonic spies. "That ain't no kenary; that's
a bloomin' yellow'ammer!"

       * * *

When, a dishevelled wreck, I reached my own gateway, I was met in the
drive by Eileen.

"It's all right after all," she remarked cheerfully. "The stupid bird
was on the curtain pole all the time. So lucky, because, if he _had_ got
out, it would have meant an awful bother. And, I say, is it true that
they've caught a German spy down in the village?"

       *       *       *       *       *

Illustration: _Salesman._ "NO, SIR, NEITHER OF THESE MASKS WAS MADE IN
GERMANY."

       *       *       *       *       *

In aid of the Arts Fund for the relief of the many members of the
artistic professions who are in distress owing to the War, a _Matinee_
under the patronage of QUEEN ALEXANDRA will be given at the Royal Opera
House, Covent Garden, on Thursday, Nov. 5, at 3 o'clock. Mr. THOMAS
BEECHAM will produce Bach's _Phoebus and Pan_, and Mr. GRANVILLE
BARKER will produce _Philip the King_, a new play by Mr. JOHN MASEFIELD.
_Mr. Punch_ very heartily commends the cause to his readers.

       *       *       *       *       *

Illustration:

_Huntsman._ "BLANKETY-BLANK THAT BLOOMIN' KAISER! I WISH MY 'OUNDS 'AD
'IM!"

_Farmer._ "WHAT'S 'E BIN DOIN' TO YOU NOW, JACK?"

_Huntsman._ "DOIN'? JUST LOOK AT THE 'OSSES 'E'S LEFT US TO RIDE!"

       *       *       *       *       *

NOTES BY A WAR-DOG.

Now I don't want to snarl at the Cause--whatever it may be--but it isn't
all beef-bones and country walks by any means. I first became aware of
it about the same time the Dachshund at the corner house began to
declare he was an Aberdeen Terrier. From that time on I scented
something wrong, though could never quite dig it out. For one thing, the
parrot began to practise a new phrase about "Down with the KAI...!" and
also "_Veeve_" the something or other. Then Mabel--who does absurd
things but has to be tolerated because she waits upon me--started tying
 ribbons in my hair, and later sticking little flags in my
collar; but I put a stop to that. A week ago things came to a head, and
don't look like improving.

For the last five years my daily life has been brightened in manner
following. We live next door to a railway station and a pastry-cook's.
Every morning Mabel gives me a round hard thing she calls a penny, and
very slippery to hold in one's mouth. I carry the penny to the
pastry-cook's. The girl takes it and gives me a currant biscuit in
exchange. Sometimes there are people in the shop, and then I gaze upon
them meltingly. If they are the right sort, they melt--according to
their means; usually it's pastry. The rest of the day I spend loafing
about the station _and_ the pastry-cook's. Now all that is changed.

Last Thursday Mabel took me to a Committee, a place full of typewriters
and ladies; and I was registered--so they said; Mabel being given a
sheet of paper all over scribble, and a wooden box with "War Relief
Fund" on it. "On Monday, dear," said Mabel, "you begin."

I have begun. Would you believe it? I had to wear that beastly box tied
to my collar! Retrievers, I know, are used to that sort of thing; but
I'm a Collie. All that day I hung about on my old beat, and every now
and then somebody gushed and called me silly names, and dropped a penny
into my box. Conceive the hideous mockery of my position! By four
o'clock there was I sitting outside that confectioner's, wearing enough
pennies to buy the shop out, and yet not a Bath bun to the good!

But that wasn't the worst. About five an urchin came along, looked at
mo, grinned, and tried to put something in my box. Clumsy little beast,
he trod on my foot. I sprang forward with a growl, and his offering,
whatever it was, rolled on the pavement. Round turned an old lady, and,
"Oh you wicked boy," she cried, "trying to put buttons in the hospital
box! No wonder the dog growled, sensible creature." She began fumbling
with her purse, and I was certain I saw a macaroon in her eye. "There,"
she said, "there's half-a-crown for you, Doggie, dear," and, before I
could stop her, put it in the box. I could have bitten her.

Yesterday an old gentleman stopped to stare at me, and, absent-mindedly
putting his hand in his pocket, brought out something rather like a
penny, but smaller and bright yellow, and dropped it into the box. The
very next moment he gave a violent start, looked wildly about him,
turned the colour of cold veal, and muttering, "Lord bless my soul ...
what have I done?... thought it was only" ... made a clumsy grab at my
collar. Of course I knew what he was after; he wanted my pennies; so I
just ambled off, and very soon outdistanced him. An Airedale, I suppose,
would have held him till the police arrived, but I'm a Collie.

That very same afternoon, wandering about the station, I chanced to
saunter into the ticket-office. The clerk's a man with a very
well-regulated mind. He gives me chocolate. Just then, however, he was
out, but his three-year-old boy-puppy was there sitting on a table all
covered with bits of cardboard and little piles of pennies, ordinary
brown ones, big white ones and a few little yellow ones. Well, in less
time than it takes to cock your ears, that baby was shovelling pennies
through the slit in my box and chuckling with joy. I stood it as long as
I could, and then, in the nick of time, snatched a big white penny out
of his paw and bolted off to the confectioner's. Imagine my astonishment
when the girl actually refused to serve me! "Oh, Scottie," she cried,
"there must be some mistake; I _know_ your mistress wouldn't give you a
two-shilling piece."

       * * *

I thought Mabel was going to be ill when she felt the weight of my box.
She dragged me off that very afternoon to the Committee, and when they
discovered I'd collected seven pounds ten in three days the idiotic
things they said about me beat anything in my experience since the time
I killed the mouse in the conservatory. But I will say Mabel did the
right thing by me at the pastry-cook's.

She's going to take me to a Church Bazaar to-morrow. But I doubt if a
bazaar can beat that ticket-office.

       *       *       *       *       *

HERBERT.

"I haven't introduced Herbert to you yet, have I?"

Stella-my-niece spoke with her eyes on the matinee hat before her, and
concluded, _a propos_ of the hat, though at first I feared of
Herbert--"I do hope and pray that it will come off. Hip! Hip! She's
pulling out pins."

"I had no idea there was--a Herbert."

"Oh, Nunckle! and you're responsible for the fact that he's mine at
all!"

"I responsible?"

"Well, but for you I never might have seen him even; and I'm sure there
isn't another like Herbert in the whole round world. Everyone wants
him."

Presently I enquired when she proposed to introduce this paragon to the
person responsible for him.

"I've got him here to-day."

I looked at her in pained silence, for Stella-my-niece, calmly fishing
for "hard ones" in a chocolate box, was, as it were, sheltered under the
lee of a long-haired gentleman who occupied rather more than double
half-a-crown's worth of red velvet seat.

"There?" I whispered, pointing to the long-haired gentleman who
neighboured her, and wondering what her mother would have to say about
it all.

Stella-my-niece smiled.

"Do you imagine that I should bring Herbert into the pit?"

"Point him out to me."

"I can't. Now they're going to begin!" She snuggled down into her place
and invited me to do likewise in my own as the curtain rose and revealed
the legs of one of our leading actor-managers, and the audience clapped,
hoping for more. "Now we're going to enjoy ourselves! Don't forget to
hold my hand if anything pops."

Stella-my-niece has made it a stern rule that we are not to talk during
the Acts, contriving to telegraph her appreciation of most things by
fervent clutches at my arm; but to-day the effects of this salutary
regulation were spoilt for me by Herbert. My attention wandered.

"Is he an actor?" I asked sternly, as the lights leaped up again.

"Which do you mean? I think they were all perfect darlings in that
scene."

"Why, Herbert, of course."

"HERBERT--Sir HERBERT? He isn't in this, is he? I didn't see anyone
looking as bored as he does. Hunt him up in the programme--it's down
there under your boots."

"I didn't mean TREE. I meant Herbert--your Herbert."

"My Herbert?" Stella-my-niece opened her mouth showing astonishment and
very pretty teeth.

"Yes, your Herbert. He's an actor fellow, isn't he?"

"No, he's an umbrella--my new umbrella. I bought him with the sovereign
you sent me for my birthday, and he is such a darling! I felt he ought
to have a name of his own, so I called him Herbert. He looks like that."

"A girl's name--Maud, for instance, only one doesn't use them in the
garden much----"

"A girl's name, like Pauline, may suit your fountain pen, and Dad may
call the motor 'Mary Jane' when he's pleased with how he's mended her;
but I decided I would have a man's. It sounds better to say, 'Herbert is
seeing me home, thank you.' The sad thing is that I'm sure I shan't keep
him long; he's so pretty. When he's waiting for me in umbrella-stands I
feel nervous, and in trains. He's so unique--so utterly unlike anyone
else's umbrella. I know you'll love him."

I did as soon as ever I saw him coming out of the cloak-room hanging on
her arm. There was a gentle coyness in the turn of Herbert's handle, a
nutty daintiness about his little gold tie which made me look
involuntarily for his socks.

"Now, you wait and see if someone doesn't try to run off with him before
we get home," said Stella-my-niece. "I'll hold him on a long lead so
that people will think he's out by himself, and we'll await
developments."

We settled ourselves by tact and firmness in a crowded _apres matinee_
'bus, and Stella-my-niece, having set down all her belongings the better
to persuade the programme to ride inside her pocket, took Herbert by his
long tassels, leaving him leaning against the seat between herself and
her neighbour, a lady with many trimmings and a book.

"I hope she'll go before we do," said Stella-my-niece in my ear. "I sort
of feel that she'll try to take Herbert."

She did; as she read, her hand reached out and took a grip upon
Herbert's immaculate head! Stella-my-niece stifled a squeak of pure
excitement.

"Oxford Street," announced the conductor dispassionately, and the
trimmed lady shut her book and rose to get out. Stella-my-niece, holding
Herbert by his tassels, smiled indulgently.

"You have my umbrella, I'm afraid," she said sweetly. "It is such a very
uncommon one that I simply couldn't be mistaken."

The trimmed lady looked round; so did everyone in the 'bus. Then she
pointed to a slim object propped against the seat between
Stella-my-niece's blue skirt and my own striped garments.

"That's yours by the gentleman; they're just the same pattern."

So they were!

       * * *

As Stella-my-niece said afterwards at tea, the worst of it was that it
proved that Herbert wasn't quite unique; at the best he was a twin. I
think that privately we thought him something worse than a triplet, but
we neither knew quite how to say it. Anyhow, all the Herberts are
fascinating.

       *       *       *       *       *

THE UNIVERSAL WAR.

    "Into this gap the Germans placed a number of gnus--six or
    eight."--_People._

The "Gorilla Warfare" (mentioned last week) having failed, the enemy
tries a new dodge. But the Allies remain unalarmed.

       *       *       *       *       *

Illustration: LATEST DEVICE OF THE ENEMY.

LEARNING TO SING "IT'S A LONG, LONG WAY TO TIPPERARY" FOR THE PURPOSE OF
DECEIVING THE ALLIES.

       *       *       *       *       *

OUR BOOKING-OFFICE.

(_By Mr. Punch's Staff of Learned Clerks._)

If, as is just conceivable, the Teuton braggart fails to convert the
universe into a German empire, his downfall will be partly due to his
lack of humour. Among the things that go to make this saving grace are
an agile imagination and a nice sense of proportion, and it is when a
man starts lying about himself that he shows most clearly whether or not
he has it. Some weeks ago an "Honorary Committee of thirty-four
distinguished" (or, if you will, notorious) "Germans and a Board of
Editors," eleven strong, gathered together to concoct an epoch-making
fib, which, upon completion, was labelled "The Truth about Germany:
Facts about the War", and was circulated, secretly but thoroughly,
throughout the United States. The Forty-five Liars content themselves
with a methodical misstatement of every fact, disregarding all the
evidence, and, indeed, their own diplomatists' admissions, to the
contrary. There is no ingenious perversion of the truth, no subtle
invention of argument and no appeal whatever to the intelligence of the
reader; it is from beginning to end heavy and quite incredible bosh.
Though it was never intended to be read in this country, Mr. DOUGLAS
SLADEN has been lucky or clever enough to secure a copy of it, which he
reproduces cheaply under the title _Germany's Great Lie_ (HUTCHINSON). I
congratulate him upon having obtained such excellent copy, but I think
he has somewhat spoilt the effect of it by the manner of his annotations
interposed in italics. His facts and quotations are apt and useful, but
his indignant denials and sarcastic epithets run to excess; every time
one reads the emphatic assertion that black is white one does not want
to have also to read that this is an amazing lie. I recommend the public
to consume every word of the text, but to omit the larger part of the
notes.

       * * *

In the nature of things it is possible that the 1914 crop of gift-books
for boys may not be a bumper one as far as quantity is concerned, but
Mr. HENRY NEWBOLT has already removed any danger of a famine. Indeed, he
has done more than that, for, if quality can (as it should) be
considered a satisfactory substitute for bulk, there is no reason why
1914 should not be remembered as a year in which the palates of
discerning boys were most delightfully tickled. I find a difficulty in
preventing my congratulations upon _The Book of the Blue Sea_ (LONGMANS)
from being fulsome. To begin with, the title itself is simply
irresistible. Then, before you even get to the preface, there are some
verses, "The Song of the Larboard Berth," which cry "halt" so
arrestingly that after I had got by them and was fairly revelling in the
entrancing pages that follow I kept on going back to have another look
at

  "When moonlight flecks the cruiser's decks
    And engines rumble slow ..."

To a nicety Mr. NEWBOLT knows how to reproduce the spirit of the sea and
of adventure thereon, and whether he is writing of EDWARD PELLEW, JOHN
FRANKLIN, DAVID FARRAGUT, or of Trafalgar, it is only possible to escape
from his grip when he endeavours to be a little edifying. Boys may
conceivably resent this tendency to point out what they can see
extraordinarily well for themselves, but all the same they will admit
their heavy debt to him. _The Book of the Blue Sea_ (I must write that
again), excellently illustrated by Mr. NORMAN WILKINSON, had better be
confiscated forthwith by parents who do not wish their sons to become
sailors. And in the end I am left wondering whether the Admiralty,
overburdened by clamorous applicants, would not be wise to intern Mr.
NEWBOLT in one of those camps where no ink or paper is provided,
because, if he repeats this performance, we shall want a dozen new naval
colleges and hundreds and hundreds more ships.

       * * *

_Shifting Sands_ (LANE) reads like a book with a purpose from which the
purpose has been by some oversight omitted. When a young person fails to
"find herself" (as the phrase used to go) there should surely be
provided some foil to her instability, either implicit in the behaviour
of other characters or expressed in the meditations of the author. Even
if the author only means to tell us that human life is all like this,
she ought at least to let us know that she means it. _Gabrielle Brenda_
is presented to us by ALICE BIRKHEAD as a girl brought up in the remoter
parts of Cornwall by a father who was a semi-retired doctor and
something of a dreamer. She develops dramatic talent, and having become
engaged to her instructor gives him up to her younger sister for no
better reason apparently than that she has always been accustomed to
give that sister everything she wants. Afterwards _Gabrielle_ becomes
the secretary of a domineering little manufacturer in the Black Country
with expensive sons and daughters. She resists his proposals of marriage
and also the temptation to purloin his eldest daughter's _fiance_, and
then reverts to her original vocation, without finding on the stage
either satisfaction or any remarkable success. For I see no indication
that the offer of a fairly lucrative engagement in America, with which
the book ends, is regarded by the author as the golden moment of her
heroine's career. Altogether I am at a loss whether to learn from
_Shifting Sands_ the disadvantages of a haphazard education, the unfair
position of woman in the labour-market, or merely the irony of fate. And
this is a pity because, though the manner of the story is very episodic,
there are scenes and conversations of considerable vivacity and truth.

       * * *

BARONESS ORCZY is to be congratulated on a distinctly ingenious idea.
Searching about her, no doubt, for a successor to the famous
_Pimpernel_, her attention was caught by a certain picture in the
WALLACE Collection, a picture everyone knows and admires for its
rollicking and adventurous high spirits. "Capital!" said she (as I
imagine it); "why not trace back the line of _Blakeney_, and make the
subject of this picture the ancestor from whom he inherited his
endearing qualities?" _The Laughing Cavalier_ (HODDER AND STOUGHTON) is
the result. Having thus divined the origin of the hero, I feel that any
further indication of his character would be almost superfluous. You
will certainly not find this new _Blakeney_ unworthy of his house. It is
perhaps something of a surprise to find him a mercenary in
seventeenth-century Holland; but the old touch is there. Thus, having
been hired by a gang of conspirators to abduct the sister of one of
them, who has overheard their plans for the slaying of the Stadtholder,
and keep her prisoner till the deed be done, what more _Blakeneyish_
than that he should recognise in his captive the particular object of
his affections? or that, having abducted the girl according to
instructions received, he should presently be offered untold gold by her
distracted parent for her discovery and return. A faintly embarrassing
situation this, even for an ancestor of the elusive _Pimpernel_. How he
manages to turn it all to favour and romance you must allow Baroness
ORCZY to tell you herself. Incidentally, the appearance of the book at
this particular moment, and in spite (so the publishers inform me on a
slip) of the author's first resolve to postpone it, proves her to
possess something of the sporting spirit of her creation. Hero's luck to
them both!

       * * *

A novelist creating a novelist-hero is on dangerous ground. If he be a
little less than perfectly sincere he runs risk of being pretentious,
fatuous even. But sincerity is just Mr. CHARLES MARRIOTT'S conspicuous
quality, and here in _The Unpetitioned Heavens_ (HUTCHINSON) it commands
a dexterous and fastidious workmanship. You'll find, if you read a scene
over again, that there's more, not less, in it than you thought. Mr.
MARRIOTT makes his characters alive by realisation of their subtleties
rather than of their obviousnesses, and that's a feat to which I doff my
beaver. The main theme, sensitively felt and developed, is a delicate
one--the love of a middle-aged woman for a man who is rapt in worship at
a distance of a younger woman, the other's friend. The manoeuvring of
the elder, which might easily have been vulgarised on the one hand or
devitalised on the other, just remains refreshingly and believably
human. Mr. MARRIOTT'S story is not a yarn, but a brocade of intricate
design and exquisite colouring. Let justice be done and _The
Unpetitioned Heavens_ fall to a wide circle of perceptive readers.

       *       *       *       *       *

Illustration: _Amateur Constable_ (_Policeman's son_). "I ARREST YER ON
SUSPICION O' STEALIN' A RESERVOIR. ANY 'OLLERIN' 'LL BE TOOK DAHN AGIN
YER."

       *       *       *       *       *

THE PATRIOT.

    "At Monday's meeting, Mr. H. H. Gibbs, J. P., the Chairman,
    expressed the opinion that the town should not be so conspicuous at
    night, as in the event of a Zeppelin raid Bognor might be mistaken
    for Portsmouth."--_Southern Weekly News._

It would be small consolation to England, if Bognor Cinema Palace fell,
that Portsmouth Dockyard had been saved.

       *       *       *       *       *

End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
147, November 4, 1914, by Various

***

redpajama_set_name: RedPajamaBook


text:
Q: Digester rules for a string list I have an xml doc that looks something like this:
<response>
  <total>1000</total>
  <warning>warning1</warning>
  <warning>warning2</warning>
</response>

My object looks like this:
public class Response {
    private BigDecimal total;

    private List<String> warnings=new ArrayList<String>();

    public List<String> getWarnings() {
        return warnings;
    }

    public void setWarnings(List<String> warnings) {
        this.warnings = warnings;
    }

    public BigDecimal getTotal() {
        return total;
    }

    public void setTotal(BigDecimal total) {
        this.total = total;
    }

    public void addWarning(String warning) {
        warnings.add(warning);
    }
}

I'm trying to map it like this:
Digester digester = new Digester();
digester.setValidating( false );
digester.addObjectCreate( "response", Response.class );
digester.addBeanPropertySetter( "response/total", "total" );
digester.addObjectCreate("response/warning","warnings", ArrayList.class);
digester.addCallMethod("response/warning", "add", 1);
digester.addCallParam("response/warning", 0);
ret = (Rate)digester.parse(new ByteArrayInputStream(xml.getBytes()));

However, I can't get it to populate the list.  The total does get set correctly.  For what it's worth, I have no control over the XML, but can change my Response object.  Any ideas? Thanks in advance.

A: You have already had addWarning method in your Response class and warnings is initialized too.
Just rewrite your rules:
    Digester digester = new Digester();
    digester.setValidating( false );
    digester.addObjectCreate("response", Response.class );
    digester.addBeanPropertySetter("response/total", "total" );
    digester.addCallMethod("response/warning", "addWarning", 1);
    digester.addCallParam("response/warning", 0);

And that's all.

redpajama_set_name: RedPajamaStackExchange


text:
Journal of Critical Library and Information Studies
Vol. 2 No. 1 (2019): Evidences, Implications, and Critical Interrogations of Neoliberalism in Information Studies /
Post-Custodial Archiving for the Collective Good
Examining Neoliberalism in US-Latin American Archival Partnerships
Hannah Alpert-Abrams Brown University https://orcid.org/0000-0002-1019-9223
David A Bliss University of Texas at Austin https://orcid.org/0000-0001-6211-0967
Itza Carbajal University of Texas at Austin https://orcid.org/0000-0001-5316-658X
https://doi.org/10.24242/jclis.v2i1.87
LLILAS Benson Latin American Studies and Collections at the University of Texas at Austin applies post-custodial archival methods in pursuit of a new vision of digital archival practice and the transnational construction of historical memory. This work seeks to develop a practice for digital archiving that enables the redistribution of resources while centering communities as contributors and owners of their own documentary heritage. Although LLILAS Benson has successfully built partnerships and continues to manage widely recognized collections using a post-custodial model, the anti-colonial framework through which this work has been understood does not fully account for the power imbalances at play. Using Cifor and Lee's survey of neoliberalism in the archives as a launching point, this article considers how neoliberalism has shaped post-custodial practices at LLILAS Benson, focusing on ideas and practices of labor, digitization, and the common good. Through this analysis, the authors describe not a static set of methodologies, but rather an ongoing process of learning, unlearning, and restructuring in pursuit of a collective good.
Pre-print first published online 03/03/2018
Hannah Alpert-Abrams, Brown University
Hannah Alpert-Abrams is a postdoctoral fellow at Brown University. From 2017-2018, she was a CLIR Postdoctoral Fellow in Data Curation and Latin American Studies at the University of Texas at Austin. She earned her PhD at UT Austin in 2017.
David A Bliss, University of Texas at Austin
David Bliss is a digital processing archivist at LLILAS Benson Latin American Studies and Collections. David earned an MSIS from the University of Texas at Austin in 2017, and an MA in Latin American and Early Modern European History from the University of New Mexico in 2013.
Itza Carbajal, University of Texas at Austin
Itza Carbajal is a metadata librarian at LLILAS Benson Latin American Studies and Collections. Itza earned an MSIS at the University of Texas at Austin in 2017.
Vol. 2 No. 1 (2019): Evidences, Implications, and Critical Interrogations of Neoliberalism in Information Studies
Copyright (c) 2019 Hannah Alpert-Abrams, David Bliss, Itza Carbajal
JCLIS is open access in publication, politics, and philosophy. In a world where paywalls are the norm for access to scholarly research, the Journal recognizes that removal of barriers to accessing information is key to the production and sharing of knowledge.
Authors retain intellectual property and copyright of manuscripts published in JCLIS, and JCLIS applies a Creative Commons (Attribution-NonCommercial) license to published articles. If an article is republished after initial publication in JCLIS, the republished article should indicate that it was first published by JCLIS.
The Journal of Critical Library and Information Studies is published by Litwin Books (https://litwinbooks.com/).

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: How can I use node/npm-modules in angular project? I want to use node and npm modules in my angular project (angular-electron-app).
For example I want to use the module 'dns' (node module) in angular to make a dns lookup after button click event.
This is the code how to use it with node.
const dns = require('dns');
dns.lookup('google.com', options, (err, addresses) =>{

    if(err != null)
        {
            console('DNS Error');
            console.log(err);
        }
    else
        {
            console.log('IP-Adresse: ');
            console.log(addresses);
        }
});

Now I want to use this functionality directly in my component.ts file in angular and my browser/electron app. That means after button click event the dns lookup should fired.
My problem now is how to import node modules or generally modules from extern sources (npm modules) in my project.
I tried it with this code in my component.ts:
import * as lookDNS from 'dns-lookup';

dnsCheck(): void {
console.log('dns check');

lookDNS.lookup('www.google.de', function (err, address, family) {
 console.dir(err);
 });

}
but the problem is that the browser cannot run javascript with 'require'.
Thanks for help!


Below is a list of countries where ActionAid Australia operates. Visit each country and explore the associated programs we run to gain insights on the women we work with, the training we provide and the real impact of our work.
We're supporting women to farm using sustainable, climate-resilient methods, and come together in collectives to access their rights, and empower themselves and each other.
We're supporting women to lead the ongoing recovery from the 2015 Nepal earthquakes, ensuring the protection of women's rights and psycho-social support for those continuing to experience trauma.
We're supporting women to lead initiatives that increase the resilience of vulnerable communities to the risk of future disasters.
We're supporting community leaders to implement positive social change in their communities, and are connecting women clothing producers to global markets through an innovative social enterprise.
We're supporting women to create and campaign for safe urban environments. We're also supporting communities to become more resilient to future disasters and campaign for their land rights.
We're supporting women to build the resilience of their communities to climate change and increasing emergencies, and to mobilise around protection of women's rights.
We supported the ongoing local and women-led recovery from Cyclone Winston, and through the Shifting the Power Coalition are supporting women from across the Pacific to engage with local, regional, national and international humanitarian actors to promote women's leadership.
We're supporting forums for women and girls to advocate for their rights, as well as provide leadership in emergencies and preparing for disasters.
We're building a movement of Australians who campaign, organise, and fundraise in solidarity with women around the world fighting for their rights in the face of poverty and injustice.
We're working to protect the rights of women mine workers, and are supporting women farmers to campaign for their rights and access protection centres.
We're supporting women farmers in Pakistan to build sustainable livelihoods and access safe spaces where they can meet, learn and take action to claim their rights.
We're supporting women to campaign for their economic rights and opportunities, ensuring they have access to sustainable livelihoods.
We're supporting women to lead the response and recovery efforts following Hurricane Mathew.
ActionAid's women-led humanitarian response to Hurricane Matthew supported women and the most vulnerable members of Grand Anse to secure their safety and train in women's rights and protection.
We're supporting women in communities to build their influence and leadership in response to climate crisis, and to demand their land rights.
We are supporting women and their communities in Eastern and Southern Africa to have greater decision-making power and control over natural resources, and to develop people-centred mining charters.
We're supporting women and their communities to increase their capacity to claim and protect their human rights by articulating their aspirations and developing people-centred mining charters.
If you're looking for more information about any of the countries we work in, or would like to be put in touch with a team member from that country, please get in touch today!


text:
What to Do in San Antonio Today: Sept. 27
Garba and Raise Your Glass to Girls Inc. of San Antonio
Photo By Africa Studio/Shutterstock.com
Raise Your Glass for Girls
Help support the nonprofit Girls Inc. of San Antonio while also celebrating Judge Charles Montemayor for his support of youth. Admission includes light bites and drinks. Wednesday, 6:30 p.m. Sunset Station, 1174 E. Commerce St., girlsincsa.com
Garba: Come and Dance the Indian Way
Watch traditional Indian dance techniques, including Garba, which is a dance that originated in Gujarat. Along with dance and Bollywood performances, the evening will include live music, food trucks and other family fun. Wednesday, 6:45-11:45 p.m. Shrine Auditorium, 901 N. Loop 1604 W., deecreations.com
Waffle Around at Bubble Waffle Bar
Fiesta's Final WEBB Party
Memorial Day Weekend in San Antonio
Things to do in San Antonio This Weekend: Oct. 6-9