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DISH Network joins HomeGrid Forum to drive G.hn innovation
27 August 2021 | Melanie Mingas
DISH has joined the HomeGrid Forum, an industry alliance that brings together technology innovators, silicon vendors, system manufacturers, and service providers to promote G.hn, a globally recognised gigabit home networking technology based on ITU-T standards.
DISH joined HomeGrid Forum to become an active contributor to the development of G.hn and is highly interested in monitoring G.hn benefits for different network topologies as they evolve.
As a provider of television and technology through DISH TV and SLING TV, in 2020 Dish became a nationwide U.S. wireless carrier through the acquisition of Boost Mobile. With revenues in excess of US$15 billion, it is a Fortune 200 company.
With a track record of innovation, HomeGrid Forum aims to utilize G.hn to extend the coverage and access within the home.
"We're excited to work with HomeGrid Forum and our fellow members to monitor the benefits and unleash the potential that G.hn can bring," said Paul Keator, principal engineer – system architecture, DISH Network and Board Member of HomeGrid Forum.
"We value the opportunity to play an active role in driving innovation through the Forum's world-renowned certification program, sharing of expertise and ideas with other organisations within the G.hn ecosystem that have already deployed Gigabit connectivity on G.hn coax."
Forecasts by ABI Research show that there will be around 3.6 million subscribers to satellite broadband by the end of this year, as satellite promises to improve broadband penetration significantly worldwide. However, HomeGrid Forum said it is crucial operators ensure the best service possible by utilizing G.hn technology as a strong technology backbone, which will guarantee 100 percent coverage within the home, for all devices.
HomeGrid Forum president, Livia Rosu added: "We are delighted to welcome DISH to the HomeGrid Forum Board, as we mark the beginning of G.hn innovation for supporting satellite operators interested in the 5G FWA coexistence with Satellite TV on existing coax wiring delivering multi-Gigabit speeds.
"To enact true change, we require leading operators and manufacturers to actively contribute to shaping the evolution of G.hn, whether that be for satellite or fiber extension deployments. This is an exciting time for G.hn and we look forward to working with DISH, our first member from the satellite sector."


Arriving in Haiti with little more than the French I left school with was not the best plan. I found it difficult to speak to people and only for Sr. Rose and Sr. Nazareth spoke to me in English, I really may have just as well gone back home again. I certainly would have found it impossible to fit in.
Gradually over the course of the past 3 months (almost) I am now beginning to understand some of what people say in Kreyol. It seems to be a bit like French alright although my Kreyol teacher (I simply had to find someone with whom I could practice – all other efforts were proving to be just too slow. I wanted to understand what was going on and be able to speak with people, even if it was simply to bid them the time of day), told me it was a mixture of French, Spanish, Latin and Greek.
The structure is simple enough with very little changes to endings when you conjugate verbs – which is a big help.
I'm also managing to speak to people and although I'm slow in conversation, I somehow manage to make myself understood, for the most part (or someone helps me out).
I'm so jealous of one of the young Spanish girls who joined us last week. She can converse wonderfully in Spanish, French and English and is a joy to chat to.
Rose, my Kreyol teacher has been a great help, setting me straight when I fail to supply the correct word. She would make a good teacher some day, but will she get the chance?
She just passed her exam (Rheto) that allows her to go into a year's programme for the final year of secondary school. In another country, this would signal a bright future of fun, adventure and achievement ahead.
But for Rose and those others I have met here, her potential may never be realised and all because of lack of money.
With a good grade in her final secondary school exam (Philo) Rose would have the potential to study at University but without funding from somewhere her obvious potential, like many others in Haiti might never be realised.
This is the tragedy of Haiti over and over again. There is certainly potential – a huge potential. With 10 million people, human resources are not limited but they need the wherewithal – that is hugely lacking for the average Haitian in order to take their rightful place in our globalized world.
← Refugees, Illegal immigrants, People fleeing their country for a better life.


Has it been your dream to work on an award-winning team that creates beautiful and compelling content for high profile clients? If it is, then you're in luck- our client a leading global marketing agency, who is looking for a top notch Experience Designer to join their team. You will be responsible for conceptualizing and executing digital experience that will captivate the end user. This is an onsite freelance position for 3 months. Your Responsibilities: Client facing opportunity and must have the ability to work with other members of the design team You must be obsessed with all things visual and experience design – including typography Ability to create digital experiences across mobile applications and websites Strong understanding of how to visualize ideas and data, and translate to design Effectively communicate with team members and key stakeholders Inform motion design of interactive experiences Ability to work in a fast-paced environment Your Background: 5 years+ of experience in visual/experience design Exceptional portfolio that highlights your design process and shows off your obsession for typography Ability to prototype Huge plus if you have worked within finance or pharma Please apply with your portfolio today!
Our client, a top lifestyle brand located in San Mateo is looking to hire a passionate, well rounded UX/UI Designer that is comfortable working in an Agile environment. This freelance assignment can go as long as 18 months. They are looking for someone to work with the UX/UI Design team on executing all phases of the design process—from wireframing concepts, and creating prototypes and pixel-perfect visuals to completing the final handoff to engineering. Responsibilities, Skills and Experience: Create responsive designs for multiple contexts and devices (e.g., desktop, mobile, tablet) Prototype innovative solutions that go beyond interfaces and product specs to user goals, storyboards and journey maps Assist with user testing that involves analyzing data, A/B testing, and assimilating user feedback and activity Perform research to thoroughly understand user motivations, market opportunities and competition Experience with Sketch, InVision and the Adobe Suite Ability to distill ideas, clearly communicate them, influence others and build consensus Passion for User Experience and designing interfaces that effectively serve the needs of the user and the business Collaborate with various teams/team members with different skillsets, including Marketing, Consumer Insights, product managers, engineers and stakeholders Experience with testing and usability labs, and rapid prototyping experience in agile environments, Should be a strategic and conceptual thinker as well as a tactical and pragmatic practitioner who gets stuff done 2+ year's experience in UX and UI design at a brand or agency Portfolio/samples required BA/BS in Design, User Experience, Human-Computer Interaction or related field preferred.
Our client, a luxury mobility company, is looking for a UX Researcher with 5+ years of experience. This person will help define the user model and user interface for the companies vehicle infotainment system, website, and mobile app. They will collaborate constructively with designers, engineers, researchers, and external partners, to develop high level and/or detailed user flows, wireframes, and prototypes to effectively communicate interaction and design ideas Responsibilities Develop prototype systems for usability testing as needed Create research activities to understand deep level of customers needs/ wants Establish strong partnership with product and design teams to identify meaningful questions, and then plan out the activities to reach goals Be a strong member who can continue to inform internal partners to make informed decisions. Assess and build the best methodology to come up with matrix to prove and justify our questions. Be a strong ambassador leveraging mix of research questions, timeline, and resourcing both in and out of our facility. Communicate clearly based on the facts to empower research insights to internal partners including all disciplines of designers, product managers, SW/ ME engineers. Use research insights to drive impact on product design and direction Experience BA/BS degree in Anthropology, Human Factors, Psychology, HCI/Computer Science or other related fields or equivalent practical experience 5+ years of experience conducting user research with small to large focus groups. End-to-end experience conducting all aspects of research (ergonomics, recruiting, moderation, analysis, reporting) Experience with a broad set of user research methods (including semi-structured interviews, field research, surveys and questionnaire design, diary studies, and usability studies) Experience working cross-functionally with design, product management, and engineering Knowledge of descriptive statistics, behavioral data analysis, and quantitative analysis methods Graduate degree in Human-computer Interaction (HCI), Human Factors, Cognitive Psychology, or similar Experience conducting research on voice-based experiences Experience conducting research in a variety of settings (e.g., in-lab, in-home, on-the-go, and remotely) Experience with global research Experience in consumer products Demonstrated success influencing product and design decisions with research insights Bonus points Experience with Luxury Brands (Automotive industry a plus, but not must) Experience with Luxury Product Marketing in the US, EU, and China Voice user research a plus Design experience for Consumer Electronics Product a plus Experience creating multi-lingual digital product interfaces for consumers Does this sound like you? Apply today!
Onward Search has an exciting opportunity for a well-rounded UX Researcher working for one of our top eCommerce clients in San Jose, CA. As a User Experience Researcher, you will work collaboratively with our design, product and engineering teams. You will design and execute primary research (both qualitative and quantitative) to understand our sellers' needs and pain points, and to evaluate our key seller-facing experiences across all platforms (desktop, mobile). Apply today to speak with one of our associates to learn more! Job Requirements 5-10 years of experience Knowledge of a variety of quantitative and qualitative user research methods including remote studies, lab and field studies, competitive benchmarking, diary studies, heuristic evaluations, survey research, etc. Deep understanding of the nuances of different methods and how best to combine them to meet research and product objectives. Practical experience with qualitative and quantitative research methods that span the product development life cycle from conceptualization to launch, across markets and devices (desktop, mobile). Training and experience with generative and evaluative research techniques, agile design process, user-centered design principles and design thinking. Ability to develop creative approaches to research complex user experience problems and convey ideas in a tangible form Ability to organize, multi-task, prioritize requests and work independently. Strong oral and written communication skills. Strong presentation delivery skills. Must be proactive, striving to deliver beyond what is asked for. Degree in Design, Human Factors, Human-Computer Interaction, Cognitive or Experimental Psychology, Cognitive Science, Information Architecture or related field Master's preferred). Formal training (course work) in a variety of user experience research methods (such as lab and field research and survey design).
Our client, a transformational digital agency is looking for a Sr. UX Designer to join their team for a very exciting opportunity to work alongside a leading UX team on an ONSITE contract to hire opportunity in Miami, FL. In this role, you will engage in the conception of ideas and conduction of user research, surveys and interviews, and translating them into user flows, sitemaps, customer journey maps, wireframes, mockups and prototypes Responsibilities: Design and deliver wireframes, user stories, user journeys, and mockups optimized for a wide range of devices and interfaces Identify design problems and devise solutions Engage in the client's product vision by researching, conceiving, sketching, prototyping, and user-testing experiences for digital products Make strategic design and UX decisions related to core and new features and functions Qualifications: Expert knowledge of UX Software such as Sketch, XD, InVision, UXPin 5+ years experience in UX design with deep understanding in using best practices to design solutions, and mobile-first and responsive design Solid understanding of user-centered design (UCD), planning and conducting user research, user testing, A/B testing, rapid prototyping, heuristic analysis, usability and accessibility concerns Ability to work with clients in order to understand detailed requirements and design complete user experiences that meet client needs and vision Must be able to clearly and effectively communicate design processes, ideas, and solutions to teams and clients Ability to work in a team setting including synthesizing abstract ideas into concrete design implications Does this sound like you? Apply today!
Our agency client located in Downtown Chicago is looking for a UI Designer who has a strong eye for design coupled with an understanding of functionality, interaction, and user interfaces. In this role you will work closely with strategy, UX and developers to lead teams to create world class user experiences through research, information architecture and interactive design. RESPONSIBILITIES: Collaborate with a cross functional design and development team Lead client calls and presentations Produce comps and prototypes as well as style guides Be client facing to lead presentations and conversations on project status QUALIFICATIONS: 4+ years of experience preferably in an agency environment Top notch communications skills (written and verbal) In-depth knowledge of user interface design processes and methodology Experience using web analytics data to inform design decisions Familiarity with major web analytics packages and SEO strategies A keen eye for detail and visual design Ability to prioritize your time and meet deadlines BA in Marketing, Design, Fine Arts or related field a plus Advanced proficiency in a variety of design and prototyping tools Does this sound like you? Then we would love to chat with you today!


First of all, a big thank you to Nora for introducing this superb DIY blog. I really love it! I would like to share a tutorial of a super cute flower petal frame from The Creative Place.
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Hmm.. another DIY project in the list..
sarah: terjah, jgn x terjah.. hehe!
Sparkle your day with Cherry Blossom!!


Court Order to arrange the division of property and debts and payment of maintenance, if applicable, for the married couple to live separately.
The final, legal ending of a marriage by a court order and is also referred to as dissolution of marriage.
A court procedure that dissolves a marriage and treats it as if it never happened.
Your case should be filed in the county where you or the Co-Petitioner/Respondent resides in.
Either party must reside in Colorado for at least 90 days prior to the filing of the Petition.
§14-10-111, C.R.S Declaration of invalidity Please review the statute to determine what grounds may apply to your circumstances.
What documents do I need to file for divorce?
Select the link below based on whether or not there are children involved. There, you will find the instructions, forms and fees involved.
How long do I have to live in Colorado to get a divorce?
There is a mandatory 90-day waiting period before the Court can enter the divorce decree.
If you and your spouse sign the same Petition and file as "Petitioner and Co-Petitioner", the 90-day period begins on the date the papers are filed with the Court. However, if one of you files a Petition for Dissolution or Legal Separation and then serves the other spouse with a copy, the 90-day period begins on the date the Petition is served. Your divorce will take at least 90 days, and may take longer, depending on the circumstances of your case and court schedules.
How long do I have to live in Colorado before I can file for custody of my kids?
The children must reside in Colorado for a minimum of six months prior to the filing date or since birth if under six months of age.
How long do my children have to live in Colorado?
The children must reside in Colorado for a minimum of six months prior to the filing date or since birth if under six months of age. If this time requirement is not met at the time of filing, issues regarding the children cannot be addressed as part of the dissolution/legal separation case.
What is a stipulated motion?
A stipulated motion needs to be signed by all parties and is an agreement regarding the issues. It must have all signatures for the judge to rule on it.
How do I get a copy of my divorce?
You'll need to contact the court where the decree was entered.
How do I get grandparent rights?
judicial placement of the child(ren) outside their family, or the death of the grandparent's child.
1. If parental rights of the child have been terminated.
2. If the child has been placed for adoption or the adoption has been legally finalized.
What is FSR and how can they help me?
made and in what form of payment.
If we agree on everything and sign the petition together, do we have to fill out all the forms?
Yes, the court makes the determination if the agreement is fair to each party.
What documents do I need for allocation of parental responsibility (custody)?
care of one of the child(ren)'s parents.
This link involves parenting time and decision-making responsibilities regarding the children.
What is personal service and who can serve the other party?
is not involved in the case, and who knows the rules of service to serve the Respondent.
How do I get a name change if it was requested on the JDF 1101 petition?
If #20 was filled out on the Petition for Dissolution of Marriage –it will be addressed when the Order/Decree is final.
If the name change request was not done during the divorce process how do I get my name changed?
The name change process is located in the County Civil section of the Forms.
How do I request to appear by phone?
How do I get a copy of my marriage license?
Contact the clerk and recorder's office in the county where the marriage license was issued.
What do I do if the other party is not paying child support?
How do I modify my child support?
It's a meeting of the judge and the lawyers (or unrepresented parties) to determine how the case is progressing. At the status conference, the judge may ask about whether and how the parties have tried to settle the case. Often, court rules require the parties to file paperwork before the conference answering questions about the issues to be discussed at the conference.
It is a confidential process whereby a trained neutral third party assists disputing parties to reach their own solution.
How do I get a Protection Order (restraining order)?
How long will my protection order last?
Temporary Protection Order (TPO) lasts 10-fourteen days (per state statute) and it must be granted before you can request a Permanent Protection Order.
Is there any information available to help my kids after the divorce?
I have filed the petition to get a divorce but I've changed my mind. How do I stop it?
If after the Petition is filed you change your mind about the dissolution of marriage or legal separation, you must notify the Court immediately and file a Stipulated Motion to Dismiss (JDF 1305). If all of your paperwork is filed and you do not file for a dismissal, you may find yourself divorced or legally separated even though you and your spouse have reconciled.


The major research facilities available in the group includes: Proximate analyzer (TGA, Leco); CHN analyzer (TruSpec, Leco); Sulphur analyzer ( S144 DR, Leco); Gas Chromatograph for Toxic Gases, Hydrocarbons (Aliphatic & PAHs) Analysis; Heating Microscope for Ash Fusion Temperature Range; Calorific Value Determinator (AC350, Leco); Stack Sampler; Particulate sampler (SPM, PM10, PM2.5); Thermal analyzer (TGA-DTA-DSC); Thermal Mechanical Analyser (TMA), UV-VIS-NIR Spectrophotometer, Oxidation Stability, High Temperature Gel Permeation Chromatography (HT-GPC), Carbon residue tester, Flash Point Apparatus, Diamond DSC, MCR302 Rheometer, MCR500 Rheometer, High temperature High Pressure Reactor (Berghof), High temperature High Pressure Reactor (Amar), Cloud Point Apparatus, Syncore Reactor (Buchi) - Polymerization reactions, Flash point apparatus (Seta) – Petroleum testing, Karl Fischer Titrator (Mettler) – petroleum Testing, Automatic Distillation Unit (Autodist) – Petroleum Testing Ion Chromatography; Ion Chromatography; Microwave digester; Flue gas analyser; High temperature furnace systems; Coal quality control laboratory; High pressure reactor; Coal Gasifier; Pilot plant; non-recovery coke oven; crusher; ball mill etc.
Management of Acid Mine Drainage from coal mining.
Biodegradable polymers and bio composites from renewable resources.


Established in May 2004, unlox.co.uk has become one of the internet's most reliable and trusted Alcatel, BlackBerry, Doro, Huawei, Motorola, Nokia, Pantech, Samsung, VeryKool and ZTE mobile phone unlock code and postal unlocking providers in the world. We offer a remote unlocking service whereby you order 'Unlock Codes' which can then be entered into your Alcatel BlackBerry Huawei Motorola Nokia Pantech Samsung or ZTE mobile cellular phone to remove the network restriction "Simlock, Network Restriction", effectively enabling the use of other possibly a less expensive networks Sim Card in your phone.
Since it's inception early in May 2004, unlox.co.uk have provided unlocking codes for over 130,000 mobile phones, and we expect to provide codes for over 20,000 customers in the coming year. We take great pride in both the quality and speed of our service and support , and as you will see if you visit our Testimonials Page, many of our customers have praised our professionalism and commented on the quality of our service and that is why many of our customers are repeat customers!
The specialised unlocking equipment we use is very expensive and is globally renowned as the best supported and up to date unlocking equipment money can buy. We NEVER cut corners with our equipment and it is updated daily in most cases and any paid add-ons are bought immediately with the customers needs in mind.
The unlock codes generated by our equipment ARE the same as Alcatel, BlackBerry, Doro, Huawei, Motorola, Nokia, Pantech, Samsung, VeryKool and ZTE would provide themselves. Indeed some of the codes we provide are directly sourced from the manufacturer.
There are many other websites out there that offer similar services to ours and it never ceases to amaze us the bad comments they receive, indeed most only last a short while before disappearing. They are basically what we call "Sunday Unlockers" that use out-dated software (sometimes free virus ridden) that do a fraction of the models that we offer. Please also be VERY careful about FREE codes been offered, there is usually a catch and your data will be used in bulk advertising.
Our aims are simple. We want to continue providing a quality unlocking service at a price everyone can afford for many years to come! Our current price for unlocking is still from as little as £0.99.
We keep a close eye on our competitors to make sure that we can offer you our customers better value while at the same time not compromising on customer service. We can provide unlock codes for Alcatel, BlackBerry, Doro, Huawei, Motorola, Nokia, Pantech, Samsung, VeryKool and ZTE brands of mobile cellular phones. unlox.co.uk is your inexpensive one-stop shop for all of your mobile phone unlock code solutions!
We never really expected unlox.co.uk to take off in the way it has, and our intention is to continue to offer a quality unlocking service for as long as unlocking is a necessity!
You can certainly be assured that when it comes to Alcatel, BlackBerry, Doro, Huawei, Motorola, Nokia, Pantech, Samsung, VeryKool and ZTE unlock codes we WILL ALWAYS have the latest code calculation ability that money can buy.


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my perspective on shows i've seen.
unsplash-logoPhoto by Kilyan Sockalingum
A KREUTZER SONATA: RELIGION AT ODDS
Photo by Brandon Saloy from Mia Isabella Photography. Featuring Left to Right: Jack Turrel (as Terry Michaels), Timothy Oriani (as David Lindenbaum), Joe Rubino (as Avram Lindenbaum).
Religion, family, and acceptance face off in Larry Rinkel's A KREUTZER SONATA. The play depicts the difficulties of an observant Jewish young musician and that which challenges his religious rigidity. Currently showing at The Unfringed Festival at The Secret Theater, tickets are available for $18 HERE.
The play follows a skilled pianist, David, an orthodox Jew, and his equally skilled duet partner Elena, a staunch atheist. Their religious and cultural differences stand as obstacles to their duet performance of Beethoven's Kreutzer Sonata for their university's showcase. Additional conflicts arise from David's Protestant roommate, David's parents' disintegrating marriage, and his father's loss of faith. The story summarizes the experience of holding onto religion throughout difficult circumstances.
A KREUTZER SONATA portrays what happens when a resilient person faces unyieldingly difficult situations – that at some point they'll need to choose to bend or break. As the play's protagonist pursues his education in music school, his unanswered question about religious and family life result in snowballing of conflicts that amalgamate into a cacophony. Only once David acknowledges and reflects upon his rigidity do his issues begin to resolve.
Photo by Brandon Saloy from Mia Isabella Photography. Featuring Timothy Oriani (as David Lindenbaum)
The conflicts in this story – rigidity in perspective versus open-mindedness and religious fortitude versus loss of faith – are both relatable if not familiar. David's path in a foreign environment stresses his religious views, molding him into a more flexible and open-minded person. This journey is exemplary of modern orthodox Judaism, which blends orthodox religious observance within the professional business or academic sphere, and resolves conflicts which may oppose religious observance with flexibility and open-mindedness.
Audiences with an interest in religion will enjoy the show's discourse of religious observance in difficult circumstances – an especially important topic for those who identify as modern orthodox Jews. Furthermore, the show is successful in raising strong questions about faith and coexistence.
Overall A KREUTZER SONATA is a strong production for its stage in development. It raises important questions about religion, coexistence, and flexibility in perspective.
More of Brandon Saloy's work at: https://brandonsaloy.com/
Off Off Broadway

redpajama_set_name: RedPajamaCommonCrawl


We are living in an era, where schooling has undergone a paradigm shift. Schooling has come a long way off the traditional mode towards a success-oriented society.It is our endeavor to build a conducive environment for the All-round development of children to achieve excellence in whatever they do. At KV INS Hamla, students from diverse backgrounds grow educationally; get involved in various activities, enjoying meaningful and fruitful school experience. The strength of the Vidyalaya is - its staff, students and their parents. With the needs of the students as a pivotal point, the administration, staff and parents will be in liaison to bestow the best to its children.


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Q: ReportViewer Winforms Error after user deleted row from datagridview
Hi, friends:
I have a vb.net datagridview which datasource is a datatable. When the user deletes a row in datagridview, it is removed from datagridview and from datatable, but when I debug the data from datatable I can see a deletion symbol (see image) in every datatable's cell. The problem is that I use this datatable to fill a ReportDataSource, and when I create the report, the rows below the deleted row doesn't show. An example:
Row1: "Some cool name", " some cool data"
Row2: "Some cool name2", "some cool data2"
Row3: "some cool nama3", "some cool data3"
If user deletes Row2, I can see in datagridview is deleted, and in datatable is deleted too, but this makes an error in the ReportDataSource and data doesn't show properly.
Does any one of you, guys, how can I overcome this?
This must be very simple, there must be a method to refresh de datasource after the deletion.
Thank you very much

A: The solution was very simple, but not so simple to find out. Let's say your datagridview it's called dgv1. You just have to add this line in the dgv1.UserDeletedRow event
dgv1.DataSource.acceptchanges
And that's it.
Two days spent just for one line. The beauty of Programming ;)

redpajama_set_name: RedPajamaStackExchange


Plaça Sant Felip Neri is one of the most romantic squares in Barelona, hides a dark history in that it was built over the city's old cemetery. Barcelona's most famous architect, Antonio Gaudi, was on his way to visit the church there when he was run over and killed in 1928. There is a baroque church (Sant Felip Neri), a 14th century palace and a fountain in the middle.


Anastasia Krupnik keeps an ever-changing list of things she likes and hates. Sometimes she hates her grandmother for losing her memory and not knowing who she is. Other times, she loves the opportunity to sit down and get to know her better. Sometimes she loves Washburn Cummings, an older boy in her neighborhood, and other times, he makes her so unhappy she adds him to the hate list. Her teacher, her parents, and even her soon-to-be-born baby brother all jump back and forth between the lists as Anastasia navigates life as a ten-year-old.
I remember the Anastasia books from childhood, but I couldn't swear that I've ever read one. As a kid, I tended to be turned off by older books, and I think this series has always had an unfortunate set of covers that make the stories seem even older than they actually are. Reading it now, as an adult, this book was a surprise. I was surprised by the fresh writing and the main character's strong voice, and I was surprised by how quickly the story moves, and how easy it was to get lost in it. There isn't much of a plot, really, but what makes the book stand out are all the great details Lowry uses to paint the Krupniks as real people. I loved learning about Anastasia's father, Myron, through the dedication pages in each of the poetry books he has written. I loved Anastasia's brief flirtation with the idea of becoming Catholic, and her impression of what that would mean. Anastasia's family life reminds me of many other families from middle grade series, including the Clementine, Ramona Quimby, and Alice McKinley books. Somehow I've never thought of the Anastasia books as being in the same class with these "classics" - but I should have guessed that Lowry would write just as well in the realistic fiction genre as she does in science fiction.
Anastasia Krupnik will appeal to fans of the books I just mentioned, as well as to readers who like Johanna Hurwitz, Ann M. Martin, and Megan McDonald. It's tricky for me to promote books to kids when their covers look so old and strange, but it's worth giving them a great book talk - or even reading one aloud to a group in order to get kids excited about reading them once again. Very little stands between Anastasia and 21st century girls, and I'm not even sure anyone could tell just from the text that this book is older than I am! If you missed these in childhood, as I did, give them a try now - you won't be disappointed.


How can I keep the screen going to semi dark?
when I try to make a screenshot, the screen goes very dark. Sometimes I cannot see the mouse pointer any more, especially since the mouse pointer cross is so very small. It takes me like three minutes or more to find it by slooowly hovering the mouse across the screen back and forth and guessing where it might be.
In the settings I have not found any option to turn this off.
Is it possible to keep the screen just as it is, when taking a screenshot?
Provide an answer of your own, or ask Jeff Compton for more information if necessary.


text:
/*
 * ip_vs_proto.c: transport protocol load balancing support for IPVS
 *
 * Authors:     Wensong Zhang <wensong@linuxvirtualserver.org>
 *              Julian Anastasov <ja@ssi.bg>
 *
 *              This program is free software; you can redistribute it and/or
 *              modify it under the terms of the GNU General Public License
 *              as published by the Free Software Foundation; either version
 *              2 of the License, or (at your option) any later version.
 *
 * Changes:
 *
 */

#define KMSG_COMPONENT "IPVS"
#define pr_fmt(fmt) KMSG_COMPONENT ": " fmt

#include <linux/module.h>
#include <linux/kernel.h>
#include <linux/skbuff.h>
#include <linux/in.h>
#include <linux/ip.h>
#include <net/protocol.h>
#include <net/tcp.h>
#include <net/udp.h>
#include <asm/system.h>
#include <linux/stat.h>
#include <linux/proc_fs.h>

#include <net/ip_vs.h>

/*
 * IPVS protocols can only be registered/unregistered when the ipvs
 * module is loaded/unloaded, so no lock is needed in accessing the
 * ipvs protocol table.
 */

#define IP_VS_PROTO_TAB_SIZE		32	/* must be power of 2 */
#define IP_VS_PROTO_HASH(proto)		((proto) & (IP_VS_PROTO_TAB_SIZE-1))

static struct ip_vs_protocol *ip_vs_proto_table[IP_VS_PROTO_TAB_SIZE];

/*
 *	register an ipvs protocol
 */
static int __used __init register_ip_vs_protocol(struct ip_vs_protocol *pp)
{
	unsigned hash = IP_VS_PROTO_HASH(pp->protocol);

	pp->next = ip_vs_proto_table[hash];
	ip_vs_proto_table[hash] = pp;

	if (pp->init != NULL)
		pp->init(pp);

	return 0;
}

/*
 *	unregister an ipvs protocol
 */
static int unregister_ip_vs_protocol(struct ip_vs_protocol *pp)
{
	struct ip_vs_protocol **pp_p;
	unsigned hash = IP_VS_PROTO_HASH(pp->protocol);

	pp_p = &ip_vs_proto_table[hash];
	for (; *pp_p; pp_p = &(*pp_p)->next) {
		if (*pp_p == pp) {
			*pp_p = pp->next;
			if (pp->exit != NULL)
				pp->exit(pp);
			return 0;
		}
	}

	return -ESRCH;
}

/*
 *	get ip_vs_protocol object by its proto.
 */
struct ip_vs_protocol * ip_vs_proto_get(unsigned short proto)
{
	struct ip_vs_protocol *pp;
	unsigned hash = IP_VS_PROTO_HASH(proto);

	for (pp = ip_vs_proto_table[hash]; pp; pp = pp->next) {
		if (pp->protocol == proto)
			return pp;
	}

	return NULL;
}

/*
 *	Propagate event for state change to all protocols
 */
void ip_vs_protocol_timeout_change(int flags)
{
	struct ip_vs_protocol *pp;
	int i;

	for (i = 0; i < IP_VS_PROTO_TAB_SIZE; i++) {
		for (pp = ip_vs_proto_table[i]; pp; pp = pp->next) {
			if (pp->timeout_change)
				pp->timeout_change(pp, flags);
		}
	}
}

int *
ip_vs_create_timeout_table(int *table, int size)
{
	return kmemdup(table, size, GFP_ATOMIC);
}

/*
 *	Set timeout value for state specified by name
 */
int
ip_vs_set_state_timeout(int *table, int num, const char *const *names,
			const char *name, int to)
{
	int i;

	if (!table || !name || !to)
		return -EINVAL;

	for (i = 0; i < num; i++) {
		if (strcmp(names[i], name))
			continue;
		table[i] = to * HZ;
		return 0;
	}
	return -ENOENT;
}

const char * ip_vs_state_name(__u16 proto, int state)
{
	struct ip_vs_protocol *pp = ip_vs_proto_get(proto);

	if (pp == NULL || pp->state_name == NULL)
		return (IPPROTO_IP == proto) ? "NONE" : "ERR!";
	return pp->state_name(state);
}

static void
ip_vs_tcpudp_debug_packet_v4(struct ip_vs_protocol *pp,
			     const struct sk_buff *skb,
			     int offset,
			     const char *msg)
{
	char buf[128];
	struct iphdr _iph, *ih;

	ih = skb_header_pointer(skb, offset, sizeof(_iph), &_iph);
	if (ih == NULL)
		sprintf(buf, "%s TRUNCATED", pp->name);
	else if (ih->frag_off & htons(IP_OFFSET))
		sprintf(buf, "%s %pI4->%pI4 frag",
			pp->name, &ih->saddr, &ih->daddr);
	else {
		__be16 _ports[2], *pptr
;
		pptr = skb_header_pointer(skb, offset + ih->ihl*4,
					  sizeof(_ports), _ports);
		if (pptr == NULL)
			sprintf(buf, "%s TRUNCATED %pI4->%pI4",
				pp->name, &ih->saddr, &ih->daddr);
		else
			sprintf(buf, "%s %pI4:%u->%pI4:%u",
				pp->name,
				&ih->saddr, ntohs(pptr[0]),
				&ih->daddr, ntohs(pptr[1]));
	}

	pr_debug("%s: %s\n", msg, buf);
}

#ifdef CONFIG_IP_VS_IPV6
static void
ip_vs_tcpudp_debug_packet_v6(struct ip_vs_protocol *pp,
			     const struct sk_buff *skb,
			     int offset,
			     const char *msg)
{
	char buf[192];
	struct ipv6hdr _iph, *ih;

	ih = skb_header_pointer(skb, offset, sizeof(_iph), &_iph);
	if (ih == NULL)
		sprintf(buf, "%s TRUNCATED", pp->name);
	else if (ih->nexthdr == IPPROTO_FRAGMENT)
		sprintf(buf, "%s %pI6->%pI6 frag",
			pp->name, &ih->saddr, &ih->daddr);
	else {
		__be16 _ports[2], *pptr;

		pptr = skb_header_pointer(skb, offset + sizeof(struct ipv6hdr),
					  sizeof(_ports), _ports);
		if (pptr == NULL)
			sprintf(buf, "%s TRUNCATED %pI6->%pI6",
				pp->name, &ih->saddr, &ih->daddr);
		else
			sprintf(buf, "%s %pI6:%u->%pI6:%u",
				pp->name,
				&ih->saddr, ntohs(pptr[0]),
				&ih->daddr, ntohs(pptr[1]));
	}

	pr_debug("%s: %s\n", msg, buf);
}
#endif

void
ip_vs_tcpudp_debug_packet(struct ip_vs_protocol *pp,
			  const struct sk_buff *skb,
			  int offset,
			  const char *msg)
{
#ifdef CONFIG_IP_VS_IPV6
	if (skb->protocol == htons(ETH_P_IPV6))
		ip_vs_tcpudp_debug_packet_v6(pp, skb, offset, msg);
	else
#endif
		ip_vs_tcpudp_debug_packet_v4(pp, skb, offset, msg);
}

int __init ip_vs_protocol_init(void)
{
	char protocols[64];
#define REGISTER_PROTOCOL(p)			\
	do {					\
		register_ip_vs_protocol(p);	\
		strcat(protocols, ", ");	\
		strcat(protocols, (p)->name);	\
	} while (0)

	protocols[0] = '\0';
	protocols[2] = '\0';
#ifdef CONFIG_IP_VS_PROTO_TCP
	REGISTER_PROTOCOL(&ip_vs_protocol_tcp);
#endif
#ifdef CONFIG_IP_VS_PROTO_UDP
	REGISTER_PROTOCOL(&ip_vs_protocol_udp);
#endif
#ifdef CONFIG_IP_VS_PROTO_AH
	REGISTER_PROTOCOL(&ip_vs_protocol_ah);
#endif
#ifdef CONFIG_IP_VS_PROTO_ESP
	REGISTER_PROTOCOL(&ip_vs_protocol_esp);
#endif
	pr_info("Registered protocols (%s)\n", &protocols[2]);

	return 0;
}

void ip_vs_protocol_cleanup(void)
{
	struct ip_vs_protocol *pp;
	int i;

	/* unregister all the ipvs protocols */
	for (i = 0; i < IP_VS_PROTO_TAB_SIZE; i++) {
		while ((pp = ip_vs_proto_table[i]) != NULL)
			unregister_ip_vs_protocol(pp);
	}
}

redpajama_set_name: RedPajamaGithub


Disclosure: The vape juices which we review on this website are evaluated by our trained, paid personnel. As part of the evaluation, BoarsHead.org links straight to the product or brand names so that you might buy directly from the service provider. We get commissions from these service providers, however, this does not impact the cost you pay, and the commissions we make assist us spend for the expenses of running this site. Click here for more information. Thank you.
The company is distinct in lots of methods. Furthermore, they even include a category on their website labeled "Pretentious." It features two items, one entitled "The most expensive E-Juice of all time". (which is $500) Strangely enough, they also have actually something called "Area Pawn" E-Juice which is constantly sold out for some factor.
One of the big things that Vape Wild is known for is its large brochure of tastes. Currently, they range from Foods to Drinks to Menthols and Tobaccos. If you're not sure, you can buy percentages of various tastes you wish to attempt. As an outcome, you will know exactly what they taste like without paying the full cost for them.
At any rate, Vape Wild's packaging is practically the same as each e-juice producer. They primarily provide transparent bottles made of plastic. They have labeled the name of flavor, the logo design, nicotine strength, and PG/VG ratio. Surprisingly, the distinct thing about their packaging is the range in sizes available i.e. 10,30,60,120,240 and a whopping 480ml.
Much like the range of sizes, they provide several mixing choices. For example, you can pick from 6 various levels of nicotine strengths i.e. 0, 1.5, 3, 6, 9, and 12 mg/ml. Additionally, you can select three different PG/VG ratios. These consist of 20/80 aka Max VG, 35/65 aka High VG, and 50/50 aka half and a half.
The variation in nicotine level can be handy if you are attempting to wean off of nicotine. For example, you can begin at a high level and slowly lower it till you can enjoy your vape with 0mg nicotine. Keep in mind, nicotine is one of the most addictive substances under the sun, and can be habit forming.
PG is for a better taste and a stronger throat sensation, while VG is for producing more vapor. Having too much of either can ruin the taste. For that reason, they permit you to choose exactly what ratio you desire.
In the meantime, Vape Wild has a big series of tastes. They go from fruity tastes to candy tastes to beverage tastes to old-fashioned tobacco tastes and so on. However, we might just vape a few of them, and here's our experience.
Don't mistaken the flavor Increase for a taste. It's simply a booster offered in 10ml bottles that can be contributed to other tastes to magnify them. By The Way, Vaping Taste Increase alone not only provides a severe, unrefined taste however also congests the atomizer. We discovered that it enhance some flavors better than others. For instance, when added to Peanut Butter Jelly Time, it absolutely altered the taste, and not in an excellent way. On the flip, it matched most of the fruity flavors.
Sweet Complexity – One of their big sellers "Sweet Complexity" is for those who have a craving for sweets. Nevertheless, it is often hard to encapsulate flavors in vapor. Sweet Complexity manages to make it appear like you're almost consuming sugar. Furthermore, it likewise includes a hint of cinnamon which includes a great deal of complexity to the flavor, pun meant. While the taste is amazing, it can be too sweet for some.
Root Beer Float – I chose to discuss Root Beer Float since I have a personal affinity for root beer. For this reason, it is simpler for me to inform if it is genuinely accurate to real root beer. Safe to state, Vape Wild must have some kind of magic that allows them to catch tastes and put them into liquid vapor form. Amazingly, when you take a hit of Root Beer Float, you 'd swear that somebody swapped out a real root beer without you understanding.
(M+C)2 E-Juice – What was supposed to be a mango taste, ends up being a cake-cream, sweet taste. However, not bad, though, however I was rather dissatisfied due to the fact that I enjoy mangoes. We likewise tried this taste with a higher nicotine strength; possibly a lower strength would have been better. Just maybe.
Fruit Hoops – Fruit Hoops is quickly the most precise taste that I've ever attempted. First, try pouring yourself a bowl of fruit loops then take a hit. You would not have the ability to inform which is which. The taste is so crazily precise I'm surprised legal action hasn't be considered taking Fruit Loop's "secret taste." But hey, what tastes good in eating, does not always have to taste equally good when vaped. The exact same holds true with this taste. Additionally, I think this flavor was their least impressive one out of the ones we tried.
Goblin Energy – Goblin Energy is a replica of the popular Monster Energy beverage. When I attempted it, I deliberately compared them. Although the 2 provided various experience to my taste buds, I enjoyed them equally. All in all, the Goblin Energy has an unique tint to it that makes it pretty pleasing.
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While Vape Wild might not be the best e-liquid maker, however there is a reason their popularity has skyrocketed. They offer a few of the most tasty e-juices at unbelievably low rates. On top of that, there are lots of options to personalize and blend your e-juice. In conclusion, if you haven't purchased from Vape Wild previously, I highly suggest that you do and you won't be dissatisfied.


Take Outward Bound's most famous epic journey through three states, from Australia's highest mountain to the south coast of Victoria. In just under 4 weeks, you will discover new things about yourself and grow in ways you never thought possible.
"After completing summit to sea, I've come back to my life unable to see negative. I've always been a half glass full type of person but like most, I've also had self doubt that has held me back from doing a lot of things. Now, my self doubt is gone and all I hold is excitement for my future both in a personal and work related sense. I know reading this, it sounds too good to be true but let me assure you – if you are strong enough to enter into a 26 day adventure challenge and willing to push yourself in all aspects of your social, physical, emotional, educational and moral being, its hard to doubt your ability to achieve whatever you set your mind to from there after." Liz - Summit to Sea.
Summit to Sea is Outward Bound's most famous epic adventure through three states, from Australia's highest mountain to the south coast of Victoria. In 26 Days, you will discover new things about yourself, boost your self-confidence and grow in ways you never thought possible.
Be immersed in the sheer beauty of the Kosciuszko National Park and the wilderness regions of the Snowy River, unplug from modern technology and allow for personal reflection with far greater depth than possible in a conventional setting.
Learn new skills, and create memories and friendships that will last a lifetime as you navigate your way through planned routes with your group. Have fun, and challenge yourself through a range of outdoor adventures including hiking, mountain biking, white-water rafting and caving.
As you are guided by some of Australia's best outdoor instructors you will be given opportunities to reflect on your life, your achievements, and your ambitions on our famous solo activity (we can't give too much away).
Summit to Sea is a life changing adventure that should be experienced by everyone at some stage in their life. Summit to Sea is a perfect gift idea for students in transition to university from senior school (great 18th or 21st present), for people looking for leadership development, and for people in career and life transitions.
Outward Bound encourages you to take a look at some of our course blogs and testimonials for Summit to Sea – grasp how unique this course really is.
A must read for those who are looking to enroll and build up some fitness.
Ready to reach your potential? Know someone who could benefit from the Summit to Sea experience? Enroll or enquire online and a friendly staff member will be in touch with more information on the course, or call us on 1800 267 999.
Self-confidence: Summit to Sea will help you to discover and then expand your potential. Through overcoming challenges within the program, you will learn the mental tools and strategies to seek out and overcome challenges in your life at home. Our expert instructors take a one on one approach to mentor and empower each individual to strive for their best.
Perspective & focus: By taking you out of your normal environment, Summit to Sea allows you the opportunity to reflect and gain insight on what is truly important to you. The immersive experience and stunning scenery are the perfect back drop for quiet and deep reflection. From this, you can evaluate your priorities and set your direction.
Adventure: The venue for this 26-day journey features the rolling plains of Australia's high country, the rugged beauty of the Kosciuszko National Park and the iconic wilderness of the Snowy River. You will be immersed in breathtaking wilderness for the best part of a month, learning how to travel, survive and thrive in the great Australian bush.
Leadership Development: The Summit to Sea course offers practical leadership experience in a challenging yet supported environment. Underpinning all of our teaching on leadership is the belief that all people have unique capabilities and that through an awareness of our own and others strengths, we can provide effective and empowering leadership.


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text:
Castrol EDGE Clutch Performer of the Week
Published: Jan 14, 2018 at 12:47 PM
Here are the Castrol EDGE Clutch Performers of the Week nominees for the Divisional Round playoffs.
CLUTCH PERFORMER OF THE WEEK NOMINEES
Tom Brady, New England Patriots
Brady completed 35 of 53 passes for 337 yards, three touchdowns and a 102.5 passer rating in the Patriots' 35-14 victory over the Tennessee Titans.
Fletcher Cox, Philadelphia Eagles
Cox finished with five tackles and a sack in the Eagles' 15-10 victory over the Atlanta Falcons.
Blake Bortles, Jacksonville Jaguars
Bortles connected on 14 of 26 passes for 214 yards, a touchdown and a 94.1 passer rating in the Jaguars' 45-42 victory over the Pittsburgh Steelers.
Case Keenum, Minnesota Vikings
Keenum compled 25 of 40 passes for 318 yards, a touchdown and connected with Stefon Diggs for a 61-yard touchdown as time expired to lift the Minnesota Vikings to a 29-24 comeback victory over the New Orleans Saints.
Stefon Diggs, Minnesota Vikings
Diggs caught six passes for 137 yards and scored a 61-yard touchdown as time expired to lift the Vikings over the Saints.
2021 NFL playoffs: What to watch for in Rams-Buccaneers Divisional Round playoff game
NFL.com's Chase Goodbread breaks down what to watch for when the Los Angeles Rams face off against the Tampa Bay Buccaneers during the NFC Divisional Round.


text:
Manuel Kardinal Monteiro de Castro (* 29. März 1938 in Santa Eufémia de Prazins, Guimarães, Portugal) war vatikanischer Diplomat und ist emeritierter Kurienkardinal der römisch-katholischen Kirche. Er war Apostolischer Nuntius in mehreren Staaten und amtierte zwischen 2012 und 2013 kurzzeitig als Kardinalgroßpönitentiar.

Leben
Nach dem Studium der Katholischen Theologie und Philosophie empfing Manuel Monteiro de Castro am 9. Juli 1961 das Sakrament der Priesterweihe durch den Erzbischof von Braga, António Bento Martins Júnior. Monteiro de Castro wurde in das Erzbistum Braga inkardiniert. Er wurde im Fach Kirchenrecht promoviert.

1967 trat Manuel Monteiro de Castro in den diplomatischen Dienst des Heiligen Stuhls ein. Er war in den Apostolischen Nuntiaturen in Panama, Guatemala, Vietnam, Australien, Mexiko und Belgien sowie im Staatssekretariat tätig.

Am 16. Februar 1985 ernannte ihn Papst Johannes Paul II. zum Titularerzbischof von Beneventum und bestellte ihn zum Pro-Nuntius auf den Bahamas, auf Barbados, Dominica, Grenada, Jamaika, St. Lucia, Trinidad und Tobago und in Belize. Die Bischofsweihe spendete ihm am 23. März 1985 Kardinalstaatssekretär Agostino Casaroli; Mitkonsekratoren waren der Erzbischof von Braga, Eurico Dias Nogueira, und der Bischof von Porto, Erzbischof ad personam Júlio Tavares Rebimbas. Am 25. April 1987 wurde Manuel Monteiro de Castro zudem Pro-Nuntius auf Antigua und Barbuda. Papst Johannes Paul II. bestellte ihn am 21. August 1990 zum Apostolischen Nuntius in El Salvador und Honduras. Am 12. April 1991 trat Monteiro de Castro als Apostolischer Nuntius in Honduras zurück. Manuel Monteiro de Castro wurde am 2. Februar 1998 Apostolischer Nuntius in Namibia, Südafrika und Swasiland. Am 7. März 1998 wurde er zudem Apostolischer Nuntius in Lesotho. Papst Johannes Paul II. ernannte ihn am 1. März 2000 zum Apostolischen Nuntius in Andorra und Spanien. Am 7. Dezember 2007 bestellte ihn Papst Benedikt XVI. zudem zum Ständigen Beobachter bei der Welttourismusorganisation in Madrid.

Am 3. Juli 2009 ernannte ihn Papst Benedikt XVI. zum Sekretär der Kongregation für die Bischöfe. Benedikt XVI. bestellte ihn am 21. Oktober 2009 zudem zum Sekretär des Kardinalskollegiums. Am 5. Januar 2012 ernannte ihn Benedikt XVI. zum Großpönitentiar und nahm ihn im Konsistorium vom 18. Februar 2012 als Kardinaldiakon mit der Titeldiakonie San Domenico di Guzmán in das Kardinalskollegium auf. Nach dem Rücktritt Benedikts XVI. nahm Kardinal Monteiro de Castro am Konklave 2013 teil, bei dem Papst Franziskus gewählt wurde.

Am 21. September 2013 nahm Papst Franziskus das von Manuel Monteiro de Castro aus Altersgründen vorgebrachte Rücktrittsgesuch vom Amt des Kardinalgroßpönitentiars an. Am 4. März 2022 wurde er von Papst Franziskus unter Beibehaltung seiner Titeldiakonie als Titelkirche pro hac vice zum Kardinalpriester ernannt.

Mitgliedschaften
Kardinal Monteiro de Castro war Mitglied folgender Einheiten der Römischen Kurie:
 Kongregation für die Selig- und Heiligsprechungsprozesse (2012–2018, bestätigt 2013)
 Kongregation für die Bischöfe (2012–2018)
 Päpstlicher Rat der Seelsorge für die Migranten und Menschen unterwegs, jetzt Dikasterium für die ganzheitliche Entwicklung des Menschen (2012–2018)

Ehrungen
 2003: Großkreuz des Ordens Isabel la Católica

Weblinks

Einzelnachweise

Kardinalgroßpönitentiar
Kardinal (21. Jahrhundert)
Titularerzbischof
Römisch-katholischer Bischof (20. Jahrhundert)
Römisch-katholischer Bischof (21. Jahrhundert)
Römisch-katholischer Theologe (20. Jahrhundert)
Römisch-katholischer Theologe (21. Jahrhundert)
Apostolischer Nuntius in Botswana
Apostolischer Nuntius in El Salvador
Apostolischer Nuntius in Eswatini
Apostolischer Nuntius in Lesotho
Apostolischer Nuntius in Namibia
Apostolischer Nuntius in Spanien
Apostolischer Nuntius in Südafrika
Träger des Ordens des Infanten Dom Henrique (Großkreuz)
Träger des Ordens des heiligen Jakob vom Schwert (Großkreuz)
Träger des Verdienstordens des Großherzogtums Luxemburg (Komtur)
Träger des Leopoldsordens (Kommandeur)
Portugiese
Geboren 1938
Mann

redpajama_set_name: RedPajamaWikipedia


POSTED Fri, 07/10/2015 - 16:00 | POSTED BY Traci C.
The narrator list for the 2015 Candlelight Processional at Epcot has been announced. This year's list includes Whoopi Goldberg, Neil Patrick Harris, Edward James Olmos, and Amy Grant. The nightly performances begin Friday, November 27.
POSTED Wed, 07/16/2014 - 05:00 | POSTED BY Traci C.
Reservations are now open for the 2014 Candlelight Processional Dining Packages.
The 2014 Candlelight Processional is scheduled for November 28 through December 30. The show is performed three times each night (5 p.m., 6:45 p.m., and 8:15 p.m.) and includes the telling of the Christmas story by a celebrity narrator who is accompanied by a 50-piece orchestra, and a choir of Disney cast members and special guests.
Biergarten - anyone eaten here recently?


text:
Pregame report: 3 star players return for 49ers…
Pregame report: 3 star players return for 49ers vs. Saints
Matt Breida, Joe Staley and Dee Ford are back in uniform for the 49ers to take on the host Saints today
GLENDALE, ARIZONA – OCTOBER 31: Running back Matt Breida #22 of the San Francisco 49ers runs against the defense of the Arizona Cardinals in the game at State Farm Stadium on October 31, 2019 in Glendale, Arizona. (Photo by Christian Petersen/Getty Images)
By Cam Inman |
PUBLISHED: December 8, 2019 at 8:34 am | UPDATED: December 8, 2019 at 9:00 am
NEW ORLEANS — Running back Matt Breida, left tackle Joe Staley and defensive end Dee Ford indeed are returning from injuries and suiting up for the 49ers in today's NFC showdown against the Saints.
Breida (ankle) and Staley (finger) have missed the past three games, and Ford (hamstring) the past two.
Wide receivers Dante Pettis and Marquise Goodwin will not play.
For Goodwin, this is the fourth time he's been inactivated in the past seven games. He's not exactly a healthy scratch, having shown up on Friday's injury report with knee and foot issues that coach Kyle Shanahan described as "wear and tear" and "chronic" problems.
Two season after Goodwin produced a career-high 962 yards, he has only 12 catches this year for 186 yards and one touchdown.
Pettis sprained his knee over a week ago and will miss his second straight game.
The 49ers (10-2) are looking to avoid their first two-game losing streak of the season, and they can clinch their first playoff berth since 2013 if they win coupled with a loss by the Seattle Seahawks (10-2) at the Los Angeles Rams (7-5).
Nice, quiet Sunday morning, so far #49ers #Saints #SFvsNO pic.twitter.com/3iMXtgeqyU
— 𝙲𝚊𝚖 𝙸𝚗𝚖𝚊𝚗 (@CamInman) December 8, 2019
Also not suiting up for the 49ers are:
Running back Jeff Wilson Jr.
Strong safety Jaquiski Tartt (ribs)
Defensive tackle Jullian Taylor (elbow)
Tight end Levine Toilolo
Quarterback C.J. Beathard
RUNNING ROTATION?: Breida's return comes in the wake of Raheem Mostert's career-high 146-yard effort in last Sunday's 20-17 loss at Baltimore. How the 49ers rotate those two backs with last game's starter, Tevin Coleman, will be intriguing, to say the least.
The Saints have not allowed a 100-yard rusher in a club-record 38 straight games, including playoffs.
SAINTS INACTIVES: Linebackers A.J. Klein and Kiko Alonso and left guard Andrus Peat headline the Saints' inactives, a group that does not include left tackle Terron Armstead, who returns from an ankle injury.
Also out are cornerback Patrick Robinson, defensive back Saquan Hampton, fullback Zach Line and offensive lineman Will Clapp.
TONY YORK DECAL: The 49ers' helmets will feature a "TY" decal in honor of Tony York, the late son of owners Dr. John York and Denise DeBartolo-York. Tony York died by suicide a year ago Saturday. He was 35.
Just spoke to #49ers CEO Jed York, who said the players will wear this decal on their helmets today in honor of his brother Tony York, who committed suicide a year ago yesterday. pic.twitter.com/NaoohCtez1
— Jim Trotter (@JimTrotter_NFL) December 8, 2019
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CROWDED HOUSE: Mostert caused a bit of a stir in New Orleans this past week with comments on how he expected a bipartisan crowd inside the Superdome, which seats close to 80,000.
"I have not played a game in the Voodoo Dome, and I have heard multiple stories about how crazy the fans are in there, and the atmosphere, and all that," Mostert told 95.7 The Game last week. "How I see it is it's going to be a neutral site because I know our fans are going to show up because every game we've gone to, so far, has really felt like a home game, especially for these away games.
"Even in Baltimore, we had a lot of fans cheering for us. We're going to see how it goes this week when we play the Saints, but, like I said, it's going to be a nice atmosphere, and I heard nothing but great, crazy things about it."
UPDATE: Missing Oroville woman found alive, SUV buried in snow
Cam Inman
More in San Francisco 49ers


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Christopher Kent, Senior Editor
Published 7 October 2008
Angle Closure: the Iris Volume Factor
Changes in iris tissue as it dilates may explain its contribution to this problematic type of glaucoma.
Given the prevalence of angle-closure glaucoma around the world—less than that of open-angle glaucoma, but with a greater potential for causing blindness—increasing our understanding of the mechanisms that cause the disease should be a high priority. One individual who has done significant work in this area is Harry A. Quigley, MD, the A. Edward Maumenee Professor of Ophthalmology and director of the <?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" />Dana Center for Preventive Ophthalmology at the Wilmer Eye Institute in Baltimore. In a landmark 2003 paper1, Dr. Quigley and colleagues described several new possible mechanisms that could contribute to causing angle closure. More recently, working with glaucoma specialists in several countries, he's been testing an additional hypothesis regarding the functioning of the iris and how it may contribute to causing angle closure.
Here, Dr. Quigley discusses the new theory, how it came about, and what his current research is revealing.
A Mystery to Solve
"About 10 years ago we began looking into the mystery of angle-closure glaucoma," he says. "The reason it's a mystery is that for every five individuals who ought to get this disease—because their eyes are small and their angles appear narrow on gonioscopy—only one gets it. Nevertheless, it's an extraordinarily common disease, especially among Asian people, and it causes blindness as frequently as open-angle glaucoma does because it's a more aggressive disease."
Ironically, he notes that the problem is not the lack of a treatment, but knowing which candidates with small eyes and narrow angles are likely to develop the problem. "Iridectomy is a beautiful, quick and easy procedure when it's done properly," he observes. "The problem is that we don't know who to proactively use the procedure on. Gonioscopy can tell us who has a narrow angle, but not who needs to have a hole made in the iris.
"This is an issue," he continues, "because as simple as iridectomy sounds, no treatment is totally benign. It's an intervention, and it may speed the development of cataract. Besides, implementing proactive treatment on a large scale in countries such as China, where this condition is quite common, would involve treating 50 million people. That's a daunting task. If we could reduce that number from 50 million to 10 million, I'm sure our Chinese colleagues and patients would appreciate it."
Dr. Quigley says this situation inspired his search for a more predictive test. "The first step was to look at the characteristics of people who definitely have the disease," he says. "To do that, I worked with colleagues at the Singapore National Eye Center and Moorfields Eye Hospital in London, including Aung Tin in Singapore, Paul Foster and Gus Gazzard from London, and David Friedman here in the U.S. We realized that we had to measure something besides the anatomy of the angle, because measuring that in a static condition wasn't giving us the answer. So, we decided to do something that would cause the pupil to change shape, so we could see how the eyes responded.
"First, we examined patients who walked into the hospital in Singapore with an acute attack of angle closure in one eye," he continues. "While the doctors were treating the eye with the acute attack, we measured the fellow eye, before it received an iridectomy. This allowed us to examine individuals who had this disorder in its most extreme version. We measured the eyes using both gonioscopy and ultrasonic biomicroscopy in light conditions, in dark conditions, and after receiving pilocarpine drops to make the pupil small. Then, we did the same tests on people from the same city who'd been part of a previous study and were known to have narrow angles, but had never developed angle closure—at least so far. They were the same age with the same size eyes, and had the same narrowness of the chamber."
Dr. Quigley says their angle measurements did indeed reveal a difference. "When you contrast the two groups—just plain narrow but don't have the disease yet, and maybe never will, and the fellow eyes of those having an acute attack—there was a physiologic difference in how narrow the angle got in the dark," he says. "The angles in the fellow eyes of angle-closure glaucoma patients narrowed more in the dark than did the angles of people who didn't have angle closure. We realized that since these people started out with the same degree of narrowness, something about their anatomy or physiology of their eyes had to be different to account for the discrepancy between light and dark conditions." (The complete details of this study were recently accepted for publication in the Journal of Glaucoma.)
Explaining the Difference
To come up with a possible explanation for this, Dr. Quigley got together with David Silver, an engineer at the applied physics lab at Johns Hopkins who is an expert in fluid dynamics and volume and pressure inside the eye. "David and I had previously published some work on the dynamics of water moving between the iris and the lens," he explains. "He was an obvious choice to help understand what the iris is doing when the pupil dilates.
"One day we were looking at a geometric drawing of the front of the eye," he continues. "Suddenly, it occurred to us that if the iris maintained the same total volume when the pupil was dilated as when the pupil was small, everybody's iris would clog up their angles. David asked the key question: 'Is it possible that the iris can lose volume?' I noted that the iris is a very porous structure made of loose connective tissue. Unlike the cornea, if you hit the iris with the forceps during surgery, it falls apart. It's floppy. And researchers have known for years that the iris is highly permeable; even very large molecules or particles such as bacteria are found throughout the iris stroma almost instantly after they're injected into the anterior chamber.
"Given these facts, I realized that the iris has to act like a sponge," he says. "It's full of water, and when it dilates it very quickly dumps off that fluid into the anterior chamber. By losing volume, it avoids blocking up the angle. The iris tissue does go into folds, like drapery, but that just redistributes the volume that remains; it's not sufficient to explain why the angle isn't blocked every time the pupil dilates."
Finding the Right Tool
Dr. Quigley's desire to pursue the ramifications of this insight had to be put on hold for a simple practical reason: No current measuring technology provided enough information.
"The problem with gonioscopy is that you can't measure things in a quantitative way," he notes. "And, to be able to do what we wanted to do, we reasoned that we had to know what the pupil size was when the measurement was taken. If we didn't, we couldn't correct for it. That meant that the image or scan had to include at least half of the iris and pupil so we could measure the pupil size. That eliminated ultrasonic biomicroscopy as well, because its field of view is quite small."
It wasn't until three years later that an ideal measuring tool appeared: anterior segment optical coherence tomography. "The AS-OCT instrument that I've worked with, the Visante, is manufactured by Zeiss, for whom I am a consultant," he notes. "However, they just loan me the instruments; I'm not paid to do this work.
"Using the Visante, we were able to proceed with our initial research, measuring eyes in the light and the dark," he says. "What we found was that the iris loses half its volume going from a small pupil to a widely dilated pupil—and it does so in less than a second. In essence, this demonstrated that the normal iris is a sponge. So the next question was: What if individuals with angle-closure glaucoma have irises that are less spongy? If they don't release as much water, they'd be more likely to block up the angle. This is, in fact, what our current research is showing."
Dr. Quigley notes that they also considered the possibility that having an iridectomy might account for the difference. "Everybody we studied who was different in this respect had already had an iridectomy," he points out. "They weren't new cases. So we took about 10 patients and measured the change in volume both before and after iridectomy as a control for the experiment. The change in iris volume from light to dark conditions was the same before and after the surgery."
Asked what he thinks might account for the difference in sponginess they're finding in some eyes, Dr. Quigley says the connective tissue matrix makeup of the iris stroma is probably responsible. "It doesn't seem to correlate with eye color," he notes. "We think of this being a condition that's more prevalent in brown-eyed Chinese people, but African-derived people with brown eyes don't get any more angle-closure glaucoma than blue-eyed, European-derived people.
"The culprit may be the diffusional coefficient of the iris stroma—the density of the collagen fibrils and glycosaminoglycans and other components," he continues. "It's probably not caused by a border layer of cells that blocks fluid from moving in and out, although there may be a denser cellular layer on the surface of the iris which slows the diffusion of fluid.
"Whatever the cause," he notes, "the volume change itself is relatively stable; we imaged patients over a five-minute period, and once the initial change in volume is complete, the iris stops losing fluid. It doesn't continue to seep out as time passes."
Ramifications for UBM
Given that iris characteristics such as how its volume changes may be a key part of the angle-closure equation, simply measuring the angle may be less useful than previously assumed. "The biggest problem with ultrasonic biomicroscopy is that it's hard to get a wide view," observes Dr. Quigley. "Pupil size changes from second to second, and you need to know exactly how large the pupil was at the moment you measured the angle. People are still using UBM to measure just the last 500 microns where the iris is near the angle. We used to do that too, because it's what we were told was important. But in reality, UBM gives us too high a magnification of a process that's better seen if you back off a bit.
"Given this new information, much of the literature on UBM will have to be reevaluated, insofar as what it's doing is simply measuring the narrowness of angles," he continues. "The narrowness of the angle changes with pupil size. If you're not correcting for pupil size, that whole literature is suspect. UBM can also tell you the thickness of the iris in several places, but that's not sufficient to determine the iris's volume.
"Also, another variable that can cause trouble is that the UBM scan has to be taken directly through the center of the pupil," he notes. "If you tilt the instrument so the angle is oblique, your measurement will be altered significantly, and with the narrow field of standard UBM, you won't be able to tell that there's a problem. The anterior segment OCT avoids this problem because the patient's fixation determines exactly where the eye is. That makes it easy to get a shot straight through the center of the pupil."
Dr. Quigley notes that these issues don't eliminate the usefulness of UBM, however. "The disadvantage of the OCT technology is that it doesn't penetrate very far into the eye," he says. "You're using reflected light, so you can't see the ciliary body and you can't see the lens. In contrast, with UBM technology you can see all of those structures. So UBM will continue to play a very important role in the clinic."
Clearly, the realization that iris volume changes, and that the way it does may be a factor in angle-closure glaucoma, is a significant step forward in our understanding. Nevertheless, Dr. Quigley notes that this is not the end of the mystery. "This iris characteristic is almost certainly only one of a number of things that will influence the probability of developing angle-closure glaucoma," he says. "However, it's one that's measurable, and it's measurable noninvasively.
"Next, we hope to pursue this further with a prospective study," he continues. "We'll find a large group of individuals who might be candidates for angle-closure glaucoma because their angles are narrow under gonioscopy—people who aren't in need of immediate treatment, but could be at risk. We'll measure how they change from light to dark. Then we'll treat half of the eyes with iridectomy and follow them carefully for five years; we'll see whether this characteristic successfully predicts which individuals develop signs that they're going to undergo angle closure, and if so, which specific parameters for iris volume change are the predictive ones."
Dr. Quigley says it's still too early to make clinical recommendations relating to this development. "We don't have enough data yet to suggest that clinicians should be measuring these changes," he says. "However, once we've done our prospective study I think we'll be able to offer some guidelines. Also, the software for doing this is not presently part of any anterior segment OCT instrument. For that reason, I suspect that initially, once sufficient supporting data has come in, patients will be referred for evaluation to a center that has anterior-segment OCT with the necessary software, just as we used to do when patients needed a visual field but few clinics had the instruments. Hopefully, if our data continues to support this approach, companies like Zeiss will incorporate software for this purpose into their instruments."
Further down the line, Dr. Quigley says he and his colleagues hope to study the impact of choroidal swelling on angle closure—a factor discussed in his 2003 article. Whatever data all of these investigations turn up, it seems clear that Dr. Quigley and his colleagues are making significant strides towards solving the angle-closure glaucoma mystery.
Quigley H, Friedman DS, Congdon NG. Possible mechanisms of primary angle-closure and malignant glaucoma. J Glaucoma 2003;12:2:167–180.
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Even though we make a golf "swing" and the ball is supposed to just get in the way, in my opinion there is an actual "hit" that happens and we should acknowledge and understand it better so we can execute it better.
If you try to fire your hips first but wait too long to start the torso the arms will get left behind and you can block the ball off to the right (for a righty) very badly.
If the sequence has been performed properly but hands fire for too long, your will scoop or cast through impact adding loft or possibly hooking your shot left.
Do your backswing and do some chopped up downswings very slowly, rehearsing the firing code/swing sequence in pieces until you feel like you can make them happen in the right order with balance and control. Little by little speed it up until you can feel that proper chain reaction of events with your regular rhythm. I also recommend using an impact bag to practice with where you can feel your body and hands fire into the bag and then as if you hit a wall, the work is over, the firing code is complete. If you find that you are pushing the bag right or left or hitting it with broken wrists you will know that your sequence is off.
Practice your "impact position": weight on your lead leg, back foot starting to roll/pivot, lead arm straight, trail arm slightly bent, hips slightly open to the target line and be in balance. Hope this position for 5-10 seconds and then relax to your address position. Repeat this several times until you can feel and memorize this position without any hesitation or adjustment. The better your body knows where it needs to be, the better chance you have of getting there when everything is in motion at a higher speed.
Golf is a nice game and I used to enjoy this game a lot when I played this with my grandfather. But after his death, I just stop playing golf. But still missed those days, love for golf and my grandfather is still alive. Thanks for the reviews on superiorpaper.org website about these are motivational.
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Indeed one the best game in all which maintain health fitness up to date. A lovely moment for those who put the ball into a whole while striking it with the help of club. My old days were the best one when I used to play this game daily. Due to a hectic routine of my work swat tour packages from Karachi , I couldn't have time to play this game.But I hope in future I will start it once again.
Customers will have to answer few questions in the papasurvey and it will require only a few minutes of time.
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Games some time used for enjoyment, but for some people that enjoyment become their professional life dermatologist near me . SkyGolf is a wonderful game which is the profession of many people. Erika Larkin is from them who made a successful profession in this game.
Golf is one of my favorite game and I used to play this game with my friends. In this article shared about these game and restart print spooler the experience of playing this game. Thanks for this article and continue sharing more update.
mominaislam. I am a blogger too.
Despite the fact that we make a golf "swing" and the ball should simply act as a burden, as I would like to think there is a genuine "hit" that occurs and we ought to recognize and comprehend it better so we can execute it better.


Our comprehensive list below shows all clinics in Denbighshire offering treatments for Body Contouring.
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An intense teaser piece for Christopher Chaplin's forthcoming album which will be released via Fabrique Records on October 21st, 2016.
music writer. dj. networking person. social media consultant. copywriter and translation machine. liquid sky berlin member and editor-in-chief of our beloved psychedelic kitchen blog.


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October 21, 2012 7:10PM ET
Faust and Ultraista Offer Panorama of Experimental Rock in L.A.
Pioneers of the genre and new proponents hit the city on the same night
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Faust performs at REDCAT in Los Angeles.
Steven Gunther
For those with a taste for sonic iconoclasm, this past Friday provided an embarrassment of radical riches. On the very same night, it was possible to experience in the same city both the sounds of true pioneers of experimental, deconstructionist rock music – the legendary Seventies-era krautrock group Faust – along with today's most recent proponents of that approach, Ultraísta – a quasi-supergroup featuring vanguard Radiohead producer and collaborator Nigel Godrich, Joey Waronker (best known for his work drumming with Beck, R.E.M., and in Thom Yorke's solo effort Atoms For Peace), and a new talent, 24-year-old Londoner Laura Bettinson, on vocals.
Faust's appearance at Redcat – an intimate arts space within downtown Los Angeles' Disney Hall complex – provided a rare Stateside stop for the four-decade-old band. Ultraísta, on the other hand, just released their debut album (Ultraísta) last week. In fact, the trio's concert at L.A.'s Echoplex nightclub proved its first-ever U.S. show, and only seventh overall after a series of European dates. Despite the disparity in vintage between the two acts, a symbiotic link hovers between them. Not for nothing did Radiohead name a song "Faust Arp," paying homage to the forbears whose refusal to play by the rules clearly inspired genre-sideswiping masterpieces like 2000's Kid A. As a result, Faust and Ultraísta's nearly overlapping concerts provided a unique window to compare two distinct generations' efforts to shatter rock-band convention.
That legacy hung in the air like distended feedback: "Building bridges across rock and roll, classical, and contemporary music is not easy," explained Faust co-founder and multi-instrumentalist Jean-Hervé Péron as the first of Faust's two sold-out shows commenced. "It's even harder find an orchestra willing to play with a cement mixer." This was Péron's introduction to Poème pour bétonnière et ensemble, a six-minute piece that featured the aforementioned industrial construction tool as an instrument alongside an eight-person choir, three brass players, various keyboards, three guitarists, percussion and a stand-up bass. Péron stalked the stage, manipulating the cement mixer's musique concrete while conducting the musicians into cacophony; at times, the spooky harmonies rising above the skronk evoked Dirty Projectors' experimental side, reinforcing Faust's enduring influence on younger musicians today.
Alongside fellow German groups Neu!, Can, and Kraftwerk, Faust embodied krautrock, even ironically naming a song after the genre. With their peers, Faust embraced the atonality, electronics, and repetition of modern classical European composers like Stockhausen, mixing it with the primal oddness and invention of Jimi Hendrix, the rhythmic intensity of James Brown, a pop-art appreciation of kitsch and ethnic music, and the machine grind of industry. Krautrock proved so ahead of its time, it still manages to future shock, influencing everything from the wall-of-sound din of My Bloody Valentine and Sonic Youth's drone guitars to the akimbo grooves of Gang of Four to LCD Soundsystem.
The enduring frisson of Faust's vision was made clear when Péron was joined onstage by band co-founder and percussionist Warner "Zappi" Diermaier alongside newer recruits, keyboardist/vocalist/multimedia artist Geraldine Swayne and guitarist Amaury Cambuzat, for an unhinged six-song set combining vintage material like "I've Got My Car and My TV" (off 1972's classic Faust So Far) as well as compositions from 1995's semi-comeback Rien and outright improvisations. Tribal drums, confrontational spoken word, found sounds, and howling guitars collided, the resulting soundscape sprawl clearly resembling at times Radiohead guitarist Jonny Greenwood's edgily inventive symphonic works and soundtracks for There Will Be Blood and The Master.
The aural dangers, however, proved matched by actual ones. Péron took a chainsaw to a metal drum, sending sparks flying into the audience in clear defiance of fire and safety codes; at times, Diermaier created audible squall by grinding an industrial drill into a metal sheet. At one point, Péron invited a member of the audience onstage to play piano, only to blithely smash the instrument into chunks with a sledgehammer while he played; later, he sawed the words "Art is NIX!" into a backlit Styrofoam panel, filling the air with synthetic snow. It was a thrilling, provocative sideshow, a visceral correlative to the violence Faust continues to foist on musical complacency.
Despite the artiness of Faust's live experience, Péron stated towards the end that "There is nothing serious about music – this is fun, the kind of music people laugh about." The hype preceding Ultraísta's U.S. premiere, however, proved thick enough that Nigel Godrich felt the need to puncture it as the band walked onstage around 11:00 p.m. "We haven't played a note yet, so we could be terrible," he deadpanned to the near-capacity crowd before Ultraísta launched into "Bad Insect," whose mesmeric electronica textures and relentless groove exuded nervy tension.
As opening music for their eight-song set, Ultraísta chose classic jams by krautrock gurus Can – a conscious acknowledgment of that influence. Ultraísta's songs build on similar layers of repetition, sometimes even recycling the same signature sounds song to song; there's also a conspicuously irreverent absence of guitars. (Although Godrich did lay down some wonderful basslines between triggering samples and synths, his stage moves echoing those of his Atoms For Peace bandmate Flea.) Waronker – one of the most expressive drummers playing today, and Ultraísta's bedrock – expertly rendered polyrhythms that seemed to repeat into infinity, yet with subtle variations that ratcheted up their intensity; his propulsive funky-drummer workout on "Our Song" might have been the night's highlight.
Throughout the set, Godrich's forward contributions to visionary Radiohead albums like Kid A and Thom Yorke's solo album The Eraser revealed themselves, and vice versa. On "Gold Dayzz," Godrich stripped away studio trickery to leave just bass and drums, making Bettinson sound even more ethereal and compelling as she floated over the glitchy minimalism; other times, dancier numbers – like the acid-house-retro "Static Light" – throttled the venue's subwoofers for a more physical, clubby vibe. Bettinson herself embraced artifice cleverly, sampling and looping her voice into a choral armada, making an evocative statement about individualism and technology in the process. Like Faust's show earlier that night, Ultraísta's performance wasn't just about music: the artful visuals – lurid neon VHS test patterns, avant-garde videos sliced up like digital prisms, stark lighting à la David Lynch – proved an equally vivid component.
At the center was Bettinson, a reluctant siren evoking a combination of Marilyn Monroe and Eighties arthouse movies like Liquid Sky with her severe blonde bob and graphic-striped dress. Bettinson started the night as the group's lesser-known member; by the end, however, she proved its breakout star. At first, her trademark detached vocals and plastic-fantastic persona suggested David Byrne in all his big-white-suit-era awkwardness; she grew in confidence and charisma, as the evening progressed, though, drawing whoops from the crowd on closer "Easier." Over a groove suggesting the breakbeat from Mtume's Eighties funk classic "Juicy Fruit," Bettinson strayed powerfully from her intentionally monochromatic stylings into an attractive higher register, creating (gasp!) something resembling a catchy hook one might hear on the radio. That climax clarified Ultraísta's success in achieving their mission: exploring just how much dynamism you can strip away, and what additional repetition you can add, while having the end result still resemble a pop song.
In This Article: Faust,	Ultraista


Baiona, in Pontevedra, celebrates this festival to commemorate the arrival of the caravel "La Pinta" in its port, bringing the news of the discovery of America.
In order to remember this important historical event, there are many celebrations in March. A real medieval festival takes place on the streets in the old quarter and in the nearby avenues, selling typical 15th-century crafts. Musicians, minstrels, jugglers and artisans provide entertainment for visitors. One of the most relevant moments is the performance of the story that Martín Alonso Pinzón and his crew told the mayor of Baiona about the discovery, on 1 March 1493. Then the Baiona Gold Medal is given to people or associations who have worked to promote culture regarding emigration, with an official ceremony in which the representatives from the town councils of Palos de la Frontera (Huelva), Santa Fe (Granada) and Pornic (France) - which are twinned with Baiona - take part.


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