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The Smiley Smile Message Board | Smiley Smile Stuff | General On Topic Discussions | Royal Philharmonic Orchestra Album Discussion Thread
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Author Topic: Royal Philharmonic Orchestra Album Discussion Thread (Read 30583 times)
Matt Bielewicz
Re: Royal Philharmonic Orchestra Album Discussion Thread
Jeeeeez... put me in the 'Why oh why...?' camp with this. The superb, meticulously worked out arrangements of the originals are all still present and correct... and a completely unnecessary load of orchestral goop has been superfluously ladled over the top for the new album versions. It's not even isolated vocals with vaguely interesting new string backing... it's the whole original vocal and instrumental arrangement with extra sludge on top. This REALLY bugs me.
I finally listened to Fun Fun Fun and Good Vibrations. FFF had me going 'dull, and unnecessary, but not actually offensive... file under 'pointless and irrelevant' and 'do not buy' but someone might like it'. But Good Vibrations really is messing with the Mona Lisa. The cellos sawing away on the triplets in the chorus was new, bold and incisive in 1966. Adding a load of OTHER orchestral instruments is complete overkill... and also what everyone else always does. Less is more, guys. Sparing is powerful. 'More' is... what every greenhorn orchestral arranger does. This is just aural soup on top.
The bit that REALLY kills it for me, though, is the bit at the end of Good Vibrations' harmonica bridge. What's so great about that bit is that the quiet section is coming to an end... the harmonica's just faded away... and then, here come the Beach Boys, back again with that harmony crescendo to take you back into the closing sections of the track. There's the sound of them breathing in in preparation, and then...
"...aaaaaaAAAAAAAAAAAAAAHHHHHHHHHHHHHHH!!!!!!!!!!!"
You know what I mean. It's a powerful moment, one of the best musical moments in the group's entire career. Just the original Beach Boys, all singing their lungs out in an amazing harmony.
And now... it's got a load of pointless extra strings dumped over it. Sorry guys, but you blew it. File under 'Never Darken My Doors Again'.
I'm not buying this. In case you hadn't guessed.
Pretty Funky
https://youtu.be/TvvIKS2oHsc
"Too dumb for New York City, too ugly for L.A."
Quote from: Pretty Funky on May 25, 2018, 02:18:07 AM
Just what I expected...
I think the trailer used a live performance/rehearsal of Good Vibrations. Is there a single and an album version?
a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.
- Lester Bangs on The Beach Boys
PRO SHOT BEACH BOYS CONCERTS - LIST
To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.
- Jack Rieley
TV Forces
an awful lot of hate here over a product you don't have to buy
branaa09
Notice on the end of Good Vibrations, it sounds as if they isolated the Theremin Overdub from the original Multi Track and let the tape run until the end. There is a cut off. I love being a music geek!
HeyJude
Quote from: TV Forces on May 25, 2018, 05:30:17 AM
This isn't a "should I buy the album or not?" thread (at least, not exclusively). So criticism/commentary on the need for the album's existence, and actual criticism of the end product is absolutely warranted and in fact the whole point of such discussions and the board.
THE BEACH BOYS OPINION PAGE IS ON FACEBOOK!!! http://www.facebook.com/beachboysopinion - Check out the original "BEACH BOYS OPINION PAGE" Blog - http://beachboysopinion.blogspot.com/
GoodVibrations33
This is great so far. Just a different take on the songs. Great for those who love it, and for those who don't they can choose not to listen. I agree, the negativity gets the best of us, most of the time, when it's the majority of what we see but you can rise above all that, enjoy the music, and still let the negative Nancy's get out what they need to.
That chello part in the chorus of GV sounds sick and pretty cool interpretation and arranging of the orchestral parts throughout the song - they must've had a fun time doing this. Can feel the energy.
Let's pickup on those good vibrations. Seriously wonder what Brian and others in the band would think if they read this board as faithful as we do. Let's not take this gift of music for granted.
Pitter Patter
Smiley Smile Newbie
Quote from: Pitter Patter on May 24, 2018, 09:45:26 AM
I've said this elsewhere, but I'm quite curious to hear what they've done to Sloop John B and Don't Worry Baby. Other than that, I'm not too fussed about this release, and like the most of us, are more eager for something Friends related. It's the usual stuff you'd expect from your average BB comp with a bit of glitter sprinkled on top. I imagine by 2030, the Royal Philharmonic Orchestra will have made an album for everyone in the Rock and Roll Hall of Fame. One question does remain though:
WHY THE [insert profanity here] DOES KOKOMO NEED AN ORCHESTRAL BACKING!?
Update: Just listened to Good Vibrations. This one is quite good - it's better than Fun, Fun, Fun but I'm still waiting for their versions of SJB and DWB and still not too keen about the other tracks chosen.
My luck was so bad, I thought I used up all the luck I had. I sail an unsettled ocean on the Sloop John B, I've been taken for lost and gone and unknown for a long, long time, and I've got tears in the morning, but I know I'd like to get a crack at your love.
Zesterz
Okay, okay, so it is a big and well respected orchestra ; but it is ultimately no more than a " tribute band" .
Quote from: GoodVibrations33 on May 25, 2018, 07:37:25 AM
I don't think the criticism of this release has been excessive. And most of the criticisms are warranted. This release isn't some huge blight on the band's legacy or anything. But it's not what needs to be released (and hopefully they're also working on other actual substantive releases).
And, with all due respect, while I appreciate a ten-thumbs-up positive attitude, and I realize we should all take a look at ourselves now and then and make sure we're not being too cynical or negative, just saying "Yay!!!!" to any product that is churned out doesn't really make for a very interesting conversation. And worrying what a band member might think about what we say here is always a bad idea, because then it truly would be sycophantic, all-positive-all-the-time musings. Then what's the point. The perfect place for "I agree 100% Everything's awesome!" posts is on the official Facebook and Instagram pages and whatnot.
On the grand scale of BB releases, this release is somewhere well below new studio albums or new archival releases, and somewhere a bit above the latest new compilation found for sale at Rite Aid.
GhostyTMRS
Now having listened to the RPO version of "Good Vibrations"...well...it sounds just like their version of "Fun, Fun, Fun"...like someone playing the record while the orchestra just playis along to it.
If anything, this makes me appreciate the Hollyridge Strings. At least there was some kind of merit to that.
Nobody's a bigger "rah rah" objective supporter of all of the guys than me, but there's a reason I'm skipping this.
First 'webisode' in a series apparently.
https://www.facebook.com/thebeachboys/videos/10156397501869140/
Cabinessenceking
My biggest qualm is that these orchestral overdubs don't add anything to the music. Because a song like GV already is (and is famous for) being a grand production, adding yet more causes the song to be bloated and over-the-top in arrangment and production.
This product is pointless and yet another poorly done cash grab. Maybe I wouldn't be so harsh if it was just the vocals with the orchestra, but by just making it the released song with overdubs it just falls flat in terms of moderation and taste.
PongHit
AVOID MISSING BALL FOR HIGH SCORE • JeffWinner.com
The worst part about this album is: this is what Capital and BRI are focusing their resources on instead of more archival things from Boyd/Mark in the vein of Sunshine Tomorrow.
''Only more damage can arise from this temporary, fleeting image of success known as The Beach Boys.''
—MURRY WILSON
''People are thinking Mike Love is crazy.''
—MIKE LOVE
''Mike Love? He's Crazy.''
Rob Dean
Quote from: PongHit on May 26, 2018, 12:11:03 PM
Sorry, BUT how do you actually know that ? just maybe there is a separate work in progress !
All Summer Long
Quote from: HeyJude on May 14, 2018, 07:53:06 AM
Quote from: feelintheflows on May 13, 2018, 10:15:36 AM
It's one of two things. Either the people who put this crap out have no clue what their doing... or.. they don't give a sh*t. Well it's probably both. There's no way in hell anybody in The Beach Boys camp or at Capital/EMI think there's a market for this sort of release. Last years Sunshine Tomorrow reached #145 on the charts with very good reviews. So instead of following that up with the next proper archival release which would be FRIENDS, they lose that momentum and release whatever the F*** this is.
We all know there have been concerts that have been recorded. Made in California hello! How bout releasing them in the entire show, and not just 1 song!
There clearly IS someone at Capitol/UMe who think there's a market for this CD; they're putting it out!
I'm sure it's due to the success (much more so in the UK than the US) of the Orbison CD, which hit #2 on the UK charts, as well as the success of other assembly line Patrick/Reedman projects that has made Capitol and BRI interested enough to sign off on this.
And remember, they're just signing off on this stuff. It's an easy extra paycheck. I would imagine, considering it's mostly EMI-owned masters (a couple of post-1969 tracks on there), BRI probably didn't even have to pony up any money to do the project. It was all Capitol/EMI/UMe.
Someone probably showed the BBs the other recent albums of this ilk, and they thought "sure, let's jump on the bandwagon", and had to do *zero* work on this other than listen to it (maybe) and sign off on it. To them, it's probably akin to another "Sounds of Summer" style repackaging.
Which gets us to why comparing such a set to "Sunshine Tomorrow" probably isn't a worthy comparison. This new 2018 orchestral CD will no doubt be marketed much more like another "Greatest Hits" set, and will probably (unfortunately) outpace "Sunshine Tomorrow" in sales and chart position (at least in the UK anyway).
I'm not saying this set is what *I* wanted, but the reason it's happening is not surprising at all. I don't think this CD will crack the Top 10 or 20 (or maybe even 50) in the US. It will probably chart in the US if given enough promotion, and will chart higher (though probably not #2) in the UK.
My only hope is that BRI is still also looking deeply into archival releases. Starting with 1968 copyright extension material, but also stuff *well beyond* that. An FTD/Dick's Picks sort of thing for the archives would be easy to do and would enhance their legacy among rock journalists that matter even more than orchestra overdubs onto "Fun Fun Fun."
Just want to add/correct that not only did the Roy Orbison album hit #2, two of the Elvis albums hit #1 in the UK (and the third hit #6).
EDIT: I'd love a Beach Boys series similar to FTD. As the Elvis fan I am, FTD is awesome and eye-opening.
Also, I'm worried this may not be forgotten after 2 years because supposedly the Elvis RPO songs are among the first songs chosen (supposedly) when asking devices such as the Amazon Alexa for an Elvis playlist.
« Last Edit: May 26, 2018, 05:36:24 PM by All Summer Long » Logged
Quote from: Rob Dean on May 26, 2018, 04:31:40 PM
I'm not authorized to answer this question.
Quote from: All Summer Long on May 26, 2018, 05:34:21 PM
Indeed, the Elvis orchestral remakes albums are the most commercially successful. With the Christmas album, that makes a whopping three of these RPO concoctions so far and with no end in sight.
The same problems remain IMO. The cuts where Elvis was already using an orchestra anyway are tolerable. The 50's era rock and roll cuts with the orchestra overdubbed on top are an abomination.
...and yet someone must be buying them. If these same "someones" fork out a small fortune for this Beach Boys edition I would think a second volume would be announced soon after (shudder).
nach0king
My opinion on the Good Vibrations mix: if you don't like negativity, you can skip it.
A VERY slight improvement on the FFF production, but I mean to damn it with faint praise. It's still worse than the original, so why bother?
As with FFF I find myself subconsciously trying to mute the orchestra, but for a different reason this time. The overwrought intro robs the song of its abrupt vocal tag opening - a Brian trademark - and the cello hits on the chorus mean the orchestral director probably watched Love & Mercy the day before recording.
The best I can say for it is that the orchestra only intrudes in places, rather than the whole thing, and the ascending notes leading up to the chorus are actually quite stirring.
The mis-timed cymbal at 2:20 sums up this whole project for me. If it existed in the original album mix, it's successfully buried. Here it's front and center.
« Last Edit: May 27, 2018, 05:12:47 PM by nach0king » Logged
First review in.....A positive.
The Beach Boys With The Royal Philharmonic Orchestra:
The Beach Boys With The Royal Philharmonic Orchestra
(UMC/Virgin 6765746)
There are few catalogues more beloved than that of The Beach Boys, and subjecting their iconic songs to symphonic makeovers adding new arrangements from The Royal Philharmonic Orchestra – conducted by Steve Sidwell & Sally Herbert under the production of Don Reedman & Nick Patrick – is a bold move, even though it has paid off handsomely for similar projects revitalising the catalogues of Elvis Presley and Roy Orbison. 17 tracks are included, spanning the years 1964 to 1988, and they have won the unanimous approval of The Beach Boys themselves, with Brian Wilson 'proud and humbled', Mike Love judging the project 'a phenomenal thing' and Bruce Johnston complementing 'the beautiful fairy dust of the orchestra'. As one who came to the project with mixed feelings, I am pleased to report that overall, it seems to have worked well. I particularly enjoyed the treatment given to the collection's earliest song Fun Fun Fun, whose original surf guitar intro now follows a lush orchestral intro, which then melts into it. 1968 hit Darlin' is also given extra depth and resonance by an intelligent and sweeping arrangement that envelops the band's classic harmonies and adds extra sparkle. The already symphonic elegance of God Only Knows and Good Vibrations is probably less well served, especially the latter, whose instant familiarity is held at bay by a superfluous 25 second intro, and whose textured soundscape is a little compromised. I would personally rather hear the tracks as originally recorded but as an alternative it's fine – and anything that brings new converts to the music of The Beach Boys has to be good
http://www.musicweek.com/talent/read/reissues-may-29-the-beach-boys-barclay-james-harvest-bob-stanley-pete-wiggs-present-paris-in-the-spring/072617
I mean, I'm not gonna particularly denigrate the idea of a BB product getting a good review I suppose. But this review is pretty much the opposite of how I feel. The album is far from a "bold move"; it's in fact a pretty cookie-cutter approach from Patrick and Reedman, and it's also Capitol/UMe mining a resource they (mostly) already own for the millionth time.
Something relatively "bold" would be something like Giles Martin's work on the Beatles' "Love", where all sorts of tracks have been mashed together rather inventively, with keen attention paid to matching (via ear or digital manipulation) speed and pitch of multiple songs. Adding an orchestra to "Fun Fun Fun" isn't nearly as bold as having the vocal track to "What You're Doing" playing over the "Drive My Car" backing track, with the "Taxman" solo flown in, and having it *all* actually sound like it goes together.
I suppose I get why someone might feel that songs that already have some orchestration and/or lush arrangements benefit less from the orchestra, but all that then leaves is uptempo "rock" tracks, and those sound goofy with orchestration.
I'm also a bit wary of an "album review" that mainly only highlights to the two full tracks that have already been publicly released. I'm not saying that the reviewer hasn't listened to the full album front-to-back, but I'd love to hear more about the songs we haven't heard much from.
Heroes and Villains and Help Me, Rhonda sound awesome! https://www.facebook.com/thebeachboys/videos/10156410623054140/
rab2591
"My God. It's full of stars."
Quote from: branaa09 on May 30, 2018, 01:42:40 PM
Thanks for posting that! I love his last line from Al:
"It's an enlightening project, and we need enlightening because things are getting so dark. This is a nice balance for people, I think."
I think that's an important point. These tracks are meant to build us up, not bring us down. Overall when all the opinions (good or bad) are said and done the people who love this album will find joy in listening to it again and again and that's what matters. I'm glad that Al seems to like it a lot.
Good Vibrations has such a great moment during the "Gotta keep those, a lovin good, vibrations a happenin with ya" middle eight - those strings sound so sad and beautiful! The snippet of Heroes and Villains sounds like a trip, and Help Me Rhonda sounded beautiful. Thanks to the review above I'm really looking forward to hearing Darlin.
Bill Tobelman's SMiLE site
The Beach Boys legacy is still being mortared to this day...it has a solid and unbreakable foundation of incredible songs that tower above most bands, yet some bricks are more brittle and ugly than others (even some bricks put down more recently)...thus is the nature of any entity that continues to exist. You are not defined solely by your good achievements in life, you're also defined by those unpleasant moments too. This law of life, thankfully, helps keep us all in check.
Quote from: rab2591 on May 30, 2018, 02:26:55 PM
This quote by Al also caught my ears. I agree with what he said although I won't connect it to this project as nothing I've heard of it yet has any substance to my ears and even the content of the interviews are the same stuff that gets said during the promotion of other such projects. That said, we as a society definitely need to focus more on the accomplishments of the Enlightenment. Much of the difficulties we have seem to come because many people just spit out idiotic nonsense without first building themselves an opinion. And an opinion of course isn't the same as a gut feeling, but something that you build yourself by looking at the facts and reflect with reason. So, thanks to Al for mentioning that.
SMiLE Brian
Agreed Rab, great quote from Al!
And production aside, I'd so much rather hear a 14 year old David Marks shred some guitar on Chug-a-lug than hear a 51 year old Mike Love sing about bangin some chick in a swimming pool.-rab2591


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About our Ministry
Hope Against Hope – A Prophetic Vision – 2 June, 2021
I had a very disturbing vision.
It felt like I was still a student on campus.
In this dream, I was sharing a hostel room with a young man named Elisha. According to this dream, he was my disciple. The young man went out and stayed out late. It was later reported that he had been killed and his body found. I was very sad at this news but I was also afraid because I didn't want the trouble of Nigerian police accusing me of anything.
I finished what I was doing (perhaps exams) and went to investigate his murder. It was then I discovered from those who had seen him last, that he went to a library to read very late at night (like around 3am) but the librarians didn't let him in. Instead of returning to somewhere safe, I was told he went to a place so far away that it was unthinkable that someone would be found going about so late at night (3am). Although the librarian later asked him to come spend the night in the library for his safety sake, and since it was already too late at night to return to the hostel, he refused their offer and left, perhaps because he was offended.
I went on with my investigation and found another lady who said she met with two guardians who were also investigating the murder. As she narrated her story to me, I could see it play out in front of me. The two guardians were gods and they were about twice the height of men. The lead guardian beseeched her to have no fear and to tell him who or what killed the young man (Elisha). This guardian said she had nothing to worry about and no one to be afraid of because when he was sent to be the guardian over this territory, it was to defeat the leading Prince of darkness stationed here. And being of the appropriate rank and of superior might to defeat this dark prince, he personally volunteered to come and he prevailed over him when he arrived. He said all that to reassure her that there was no force greater that could withstand him. So she should be secure in telling him who was responsible for the killing(s). Apparently, there were more killings going on in the land, Elisha was just another victim.
The guardians suspected it was the chief of the dark princes, but he needed a name to be sure for justice to be served.
The girl who the guardians were interrogating was so afraid that she still did not disclose what she had seen to the guardians.
The young lady then said to me the most shocking thing I had heard so far – she said, the two guardians that were interrogating me were now dead too. That they too had been killed by the dark princes who were responsible for the killings in the land. I was taken aback by this. I didn't think that was even possible. I couldn't conceive the thought that these guardians could be killed. Especially this great one since he was the greatest of the guardians sent to our territory.
Now, I too became careful and fearful about investigating the issue.
I later came across a man of God. He said to me, there is a festival often conducted for students by a police officer in a controversial area and it always ends in bloodshed. The cause of the deaths from this carnival always looked coincidental or accidental but it was in fact planned as a sacrifice to evil spirits.
The man of God said we need to stop it by confronting the policeman. We both told the policeman that he could not organise such events anymore. The policeman insisted and said it is what God told him to do. We rebuked him and said it is not his place to tell the people what the Lord has said, it is the place of the apostles to tell the people what needs to be done. We were insistent that the community shouldn't follow the policeman's instruction but ours.
It was on this note that the vision ended.
The Interpretation
Before I go into the scripture that holds the key to this dream, let us first take a deeper look at the dream.
The Significance of the scene in which the vision happened.
The scene of this vision was a campus setting because the people who will tilt the scale of balance for the salvation of the nation are the youths (See 1 Kings 20:14). Also, this is now my third vision about campus youths. It is now very clear to me what the Lord is saying to us at the Pagemaster Apostolic Centre.
The Student who was killed
The student who was killed was a disciple of mine in the dream. And his name – Elisha – is very symbolic.
The Lord used an Elisha in my dream to pass a symbolic message to us. Elisha in scripture was a disciple of Elijah. This young man therefore represents the next generation of prophets that God is raising. And the enemy wants to put out their candle even before they arise.
Visiting The Library at 3am
The library is the great temple of the academic community and symbolic of the place of prayer and meditation.
Elisha from my dream was at the library by 3am – which represents the watches of the night, the hours of prayer. 3am was the end of the 3rd watch and the beginning of the last watch of the night. That means we are in our last watch for the salvation of our nation.
It was Elisha's abandonment of the Library at the hour of prayer that led to his death. (And we shall soon see what else this negligence of his led to according to the prophetic vision).
Just as Elisha in my dream left the library and went roaming about at 3am. This generation is nowhere to be found in the hour of the night watch, that is, at the hour of prayer. We have a duty to bring them back to their priestly duty.
The Guardians and Princes
I want to believe that the identity of the guardians and princes in the vision are clear to all. These are angels both holy angels and fallen ones. We know that spirits don't die, but in this vision they were depicted as dying to indicate to us that, our angelic guardians are being defeated by the dark princes. Our spiritual defenses are being decimated. We must do something about it. According to the vision, our chief guardian declares that he is of superior might that the chief Prince of darkness over our land. Yet he suffered defeat. Why?
Here is why: If the strongest Prince of darkness was not as strong as the guardian of light, and yet they were still able to defeat ALL the guardians of light, then it can only mean one of two things. Either another Prince of Darkness stronger than the weak one has come to aid that weak one (just as Michael came to the aid of the angel sent to answer Daniel's prayers) or the sacrifice that fuels the campaign of the princes of darkness was now much greater than the sacrifice that fuels the campaign of our guardian angels.
Fueling Spiritual Warfare
Just as the price of fuel goes up during natural warfares on earth, likewise in the spirit. The fuel of spiritual Warfare is spiritual sacrifices. For the angelic hosts, it is prayer, thanksgiving etc. For Satan and his hosts, it is ritual killings.
Just like in the book of Daniel, it was the prayers of Daniel that released the angels from heaven to fight on behalf of Israel against the Prince of Persian.
And likewise in the book of Second Kings, it was ritual killing that fueled the victory for the ungodly king of Moab against the people of Israel.
²⁶ And when the king of Moab saw that the battle was too fierce for him, he took with him seven hundred men who drew swords, to break through to the king of Edom, but they could not. ²⁷Then he took his eldest son who would have reigned in his place, and offered him as a burnt offering upon the wall; and there was great indignation against Israel. So they departed from him and returned to their own land.
The meaning and message of this dream is hinged on that scripture.
It is instructive that the prophet of the land of Israel during the event of this infamous sacrifice described in the above verses of scripture is also named Elisha. This infamous event happened just after the Prophet Elisha had given a prophetic word to the three Kings who had gone up to war against Moab. The three Kings are – King Jotham of Israel, King Jehoshaphat of Judah and the King of Edom (descendants of Lot).
The prophecy was that the three Kings will win the war against Moab (to make Moab a vassal state again so that she can continue paying tributes to Israel). And this prophecy was preceded by a miracle and a deliverance in which God miraculously provided water for the army of Israel and her allies which were all about to die of thirst. Yet no one, not even Elisha, remembered to offer a sacrifice to the Lord. It was for this same lack of sacrifices that Israel lost 3 battles to Benjamin in the book of Judges (cf. Judges 20:1-28).
This great miracle happened in the morning, during the time of the grain offering also known as the "morning oblation" (just as Daniel's angel was dispatched during the time of the "evening oblation"), yet no one deemed it fit to offer to God an offering in keeping with the ordinances of the grain offering or at the very least as a token of gratitude for their miraculous deliverance. This was the evil that led to their defeat.
Remember, Daniel did not just notice that it was the evening oblation, he was also found praying.
Israel lost to Moab, not because of what Moab did, but because of what Israel did not do. It wasn't because the ritual sacrifice of Moab was more potent than the sacrifices of God amongst His people, but because His people did not even bother to bring God a sacrifice.
This is the omen of my prophetic vision and the bane of the times we live in.
It is not because of the conspiracy of evil men that the nation is in turmoil but because of the complacency of the church in her priestly duties.
This brings me to the last portion of the vision.
The carnival organised by the police.
This speaks volumes.
At the end of the vision, I was with an apostle, and together we saw a yearly carnival organised by so called security agencies that always ended in bloodshed which was actually ritual sacrifice in disguise.
This was the evil that fueled the dark princes in the vision to release great indignation against the guardians of the land. And sadly, the guardians found no reinforcement from the Elishas in the land.
This act of the policemen in my vision is also indicative of the fact that there are moles and conspirators in our hallowed institutions and agencies. Authority figures who should be trusted are greatly compromised by those who have sold their souls to the devil.
The final word or rebuke that I and the man of God beside me gave to the police chief is also instructive and prophetic. We said it is not their place to mobilize the community of students but the place of the apostles. Hallelujah! We are taking back our place.
This points us to a vacuum in apostolic leadership. We must quickly step in and fill it. The youths are currently as sheep without shepherds. And now, as a result, the nation is as a house without guardians.
We must arise and pray.
Yours in fear and trembling,
Adams Allison
©Pagemaster Apostolic Centre
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Tech —
Macworld.ars: Google officially releases Picasa for Mac
At long last, iPhoto finally has a formidable competitor. Google has brought …
David Chartier - Jan 5, 2009 10:31 pm UTC
After years of desperate pleas, rumors, and a basic uploader plug-in, iPhoto finally has a formidable competitor. Right on schedule, today Google announced Picasa 3 for Mac, the first version of the company's rich photo and video organizing software that runs on Mac OS X. Ars Technica spoke with Jason Cook, Product Marketing Manager for Picasa, about the release and just how closely it resembles its Windows counterpart, and took the new software for a spin.
Available for free from Google's Picasa product page, Picasa 3 for Mac is a beta (naturally) that brings Google's unique approach to both photo organization and photo application UI to the Mac (as long as you're on an Intel machine running at least Mac OS X 10.4—sorry PowerPC users). For those familiar with the latest Windows version that we took for a test drive in September, Cook assured Ars that the Mac version "works very much like Picasa 3 on the PC." Picasa features many of the basics of photo and video organization, including albums, tags, the ability to create collages and slideshows, editing and touchup tools, and selective importing from many devices, even including an iPhone.
Picasa brings a lot of interestingness to the table, however, and includes the "same core features" that made its Windows counterpart so popular. Near the top of Mac users' wishlists (especially those fed up with iPhoto and even its $200 cousin, Aperture) is Picasa's ability to watch specified folders for new images. A basic movie editor allows for compatible files to be chopped and spliced together, complete with simple transitions and still photos for interstitial slides.
An appreciated coat of polish for Mac users is that Picasa 3 displays a separate "iPhoto Library" section in its sidebar, and the default iPhoto Library file (in your user's Home/pictures/folder) is already added to Picasa's watch list. Any changes made in iPhoto will be quickly picked up by Picasa, but iPhoto switchers beware: it doesn't work the other way around. If you aren't sure about making the leap, be sure not to make any changes in Picasa, because iPhoto won't pick them up.
One of Picasa's most interesting features is its strong integration with Google services. Items can be e-mailed using a Gmail account from within Picasa (as well as the system default mail app, like Apple's Mail or Entourage), videos can be uploaded to YouTube, and both photos and videos can be uploaded to Picasa Web Albums, Google's free, feature-full sharing service. An appreciated sharing feature is the ability to automatically sync an album with Picasa Web Albums. Any photos added, deleted, and metadata changes in an album with this feature turned on are automatically synchronized with its web alter ego, much like MobileMe's Gallery feature and integration with iPhoto.
Another unique feature, which we also spent time with in the previously linked test drive, is Picasa's semi-integration with Picasa Web Album's "Name Tags" feature. The web service offers facial recognition, which naturally integrates with the names stored in one's Gmail account. Picasa for Mac can at least figure out which photos contain people's faces pretty reliably, and a "Select photos with faces" button makes it easy to send those photos up to the service for proper name tagging.
A video demo of Picasa from Google
We asked Jason Cook about Picasa's journey to the Mac, and he professed that nearly every feature made it over from Windows. A few stragglers, however, didn't make it into this initial beta, including webcam capture, geotagging, and ordering prints. Cook assured us that those features will eventually appear, and while Google won't promise to keep Picasa for Mac in perfect parity with its Windows and Linux brethren, Mac users can look forward to strong support and steady releases in the future.
Another key feature for Windows users didn't make it to the Mac due to Leopard already being on the ball: a system-wide image viewer. Windows users can opt to install a Picasa plug-in for viewing images from anywhere in the file system, but Cook said that Leopard's Quick Look feature negated the need for this on the Mac.
We spent some time with Picasa 3 on the Mac and are so far impressed. The application is stable and never crashed, responsiveness is right up there with (or better than) iPhoto, and the familiar UI from Windows has been faithfully recreated. That said, Google's feared legendary approach to UI may be a bit jarring for Mac OS X usability purists, but it isn't difficult to get used to. Besides missing some of the handy integration with Mac OS X (such as iPhoto's sidebar integration in File Open dialogs and the system-wide Media Browser), Picasa 3 for Mac is a great new option for photo and video organization on the Mac that is truly an alternative to Apple's approach.
Of course, if you're attending Macworld Expo 2009, you can swing by Google's booth, #802, in the South Hall for live demos and more information on Picasa 3 for Mac.


...because Mother's Day means celebrating all mums, even expectant ones!
Many pregnant women pay special attention to the foods they eat while expecting, but the skin absorbs chemicals from the products we put on our bodies too, so skin care, lotions etc also need to be chosen with some care.
1) Yorkshire Rose – Any products in our Yorkshire Rose range are ideal for pregnant women, and the comforting floral fragrance is a definite added bonus!
2) Ylang Ylang Botanical Soap Bar – Made with pure, pregnancy-safe essential oils, this soap is very soothing and perfect for sensitive skin.
3) Bath Truffles – with the key ingredient of skin-nourishing cocoa butter, our bath truffles can help expectant mums reduce the likelihood of stretch marks.
4) Vitamin E – anything with vitamin E is suitable for pregnant women – try our hand wash and lotion set.
5) Yorkshire Lass Body Lotion – the addition of amazing almond oil in our Yorkshire Lass body lotion will help to soften the skin while helping to avoid stretch marks too.
If you're looking for a Mother's Day treat for a pregnant friend or family member, or if you're a pregnant woman tempted to enjoy a little pampering while you still have some spare time (!), we're happy to declare that almost every one of our handmade soaps and bath products are completely safe to use when expecting – with the exception of the 4 natural ingredients listed above.
However, while we're always happy to help our lovely customers by sharing our passion and knowledge for our products, but we can't speak for other brands and obviously we're not qualified health professionals. You may want to conduct further research online so you feel fully informed, and please do play it safe and seek proper medical advice if you're in any doubt at all.
In addition to the products recommended above, we have a huge range of pregnancy safe soaps and other indulgences available online and in-store – but when chatting to soon-to-be mums, we always suggest opting for products specially developed for sensitive skin.
Made with love and packaged to perfection, our sensitive skin range has been formulated to be extra gentle and kind – just like our mums!
From our fresh and fruity Lemongrass, Grapefruit, Rosemary & Calendula botanical soap bar, to our soothing and relaxing Aloe Vera, Chamomile & Lavender fresh deli soap – there's a veritable sensitive-skin soap smorgasbord to explore and enjoy!
So this year, remember that Mother's Day isn't just about being a mother, it's about becoming one too – so why not treat someone special to a safe and suitable soapy treat?!
If you have any further questions regarding our products and their ingredients, please contact us and we'll be delighted to help.


SOUTH YARMOUTH – The Cape Cod Foundation has promoted Dara Gannon to the position of Director of Programs and Donor Services. Gannon has served as the organization's Program Officer since 2013; she assumed her new role earlier this year.
Gannon is currently responsible for managing the Foundation's grant program and serving as a resource and liaison for fund holders and donors. She oversees the scholarship program for the Foundation and its supporting organization, Cape Cod Association, and is actively involved with the Foundation's civic leadership work. The Foundation's Cape-wide Youth Action Plan and CONNECT Cape Cod initiatives fall under her leadership.
Gannon's community involvement is extensive. She is currently the Vice President of the Board of Directors for Cape Cod Young Professionals and serves on the Board of the Cape Cod Technology Council. She is a member of the Workforce Investment Board Youth Council and will serve her second term as Co-Chair of Philanthropy Day on Cape Cod this year. Gannon is a past graduate of the Community Leadership Institute of Cape Cod & the Islands, and was named one of "40 Under 40" leaders by Cape & Plymouth Business Magazine in 2014.
Gannon, originally from Chicago, received a B.A. in Sociology from the University of Colorado. In 2011, she came to the Cape with plans to spend the summer on the beach. By the end of the season, she realized she didn't want to leave. Dara lives in Dennis with her husband and their three dogs.


Want to take your health and overall wellness to a new level?
Renee Simon is a Licensed and Board Certified Dietician-Nutritionist, registered yoga teacher, and Reiki Master Teacher who integrates total wellness programs to help you achieve your highest level of health, vitality and fitness.
Patient-centered care is listening to the patient and customizing the approaches used to meet their needs and goals. Renee is caring and compassionate but will also help you get your desired results. She couples personalized lifestyle-based nutrition and medicine with intuition and energy healing to treat the whole person and not the symptoms.
Renee went into the health and wellness profession after having chronic fatigue herself over 20 years ago. She was a marathon runner and vegetarian at the time with a highly stressful corporate career. After treating herself with a detox and elimination diet to fix her food sensitivities and leaky gut, starting on the right foods and supplements to nourish her body and build new healthy cells, and reduce her exercise, adding yoga and meditation to manage stress she got better within a year.
After getting well herself, Renee vowed to leave her job and get the training needed to help others heal or to prevent sickness all together. Renee has been in practice helping patients for over 16 years now, continually learning new ways to bring the body/mind/spirit into the best balance possible. Her book "Take Back Your Health," discusses her journey and the journeys of many of her patients to heal using the 4 simple steps – eat right for your body, take the best nutrients to support your genetics and life style, move daily to stay fit, and reduce your stress through yoga, meditation, prayer, connecting with nature, etc.
Renee Simon received her M.S. in Clinical Nutrition from Bridgeport University and her degree in Holistic Nutrition at the American Academy of Nutrition. She is a licensed Dietitian-Nutritionist and a member of the American College of Nutrition. She also is a certified DAN (Defeat Autism Now) practitioner and holds a post-graduate degree at the Designs for Health Institute in nutritional pharmacology.
Ms. Simon has served as an Adjunct Lecturer at Westchester & Norwalk Community Colleges and has lectured and published articles regionally and nationally on a variety of health related topics. She has been interviewed by Businessweek magazine, the New York Times, and by nutrition guru Gary Null, for a documentary on autism. Her Book Take Back Your Health has received much praise from patients and professionals.
Ms. Simon is available to individuals seeking nutritional support for maximum health and vitality, as well as to those seeking therapeutic nutritional counseling for specific health concerns. In her consultations, she helps each client integrate a full wellness program that may include dietary modifications, an exercise program, clinical testing, food supplements, herbal remedies and stress management techniques. She specializes in all aspects of women and children's health including infertility, weight loss, hormonal imbalances, and the perimenopause through menopause transition, digestive disorders, ADHD, autistic spectrum disorders and learning disabilities.
Degree in Holistic Nutrition, American Academy of Nutrition.
Post-graduate degree in nutritional pharmacology, Designs for Health Institute.
MBA and 15 years of corporate experience.


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InterviewLatest NewsMusicMusicTours & Events
Josh Cashman on touring America and his latest track 'Beauty In Grey'
Marli Grosskopf — July 20, 2017
Fresh off the plane from touring America and sitting at the tip of the metaphorical iceberg that is his ever expanding career, Josh Cashman is conquering Australia one gig at a time. A country boy at heart, his fresh and honest approach to writing is beautifully raw and feels like an insight into his deepest thoughts and experiences. Drawing influence from the likes of Australian natives Matt Corby and John Butler Trio, his music gives us the sense that he is coming into his own and sharing his creative journey with you. Cashman's latest track 'Beauty In Grey' is a heartbreaking commentary on his experience with love, trust, and growing up, it's one to listen to if you're falling in love, falling apart, or need a new tune to scream in the shower. Josh took a moment off from making the world fall in love with him to chat about his time on the Tash Sultana tour, his upcoming releases, and what the future has to offer.
Favorite album?
When I was growing up, the first album I ever bought which has definitely stuck with me until now is John Butler Trio – Sunrise Over Sea. I remember dad asked me to ride my bike down to Sanity when I was like 10, to go buy him the album haha. So that one has definitely stuck with me. One that's a bit more current, probably Tame Impala – Currents, the whole album is unbelievable, also Bon Iver's latest album 22, A Million as well. I couldn't pick (one) favourite.
Growing up in Gippsland Victoria, what kind of live music were you exposed to there? Any major influences?
We didn't really have a heap of live music back at home, music kind of ended up like an accidental career. Playing music was always a hobby for me growing up, the only time I ever really performed when I was living back in Gippsland was just in front of my school at the assembly. There were a couple open mic nights here and there which eventually led me to do cover gigs and stuff like that. It wasn't really until I moved to Melbourne that I gained a whole heap of inspiration. There are so many artists and so many creative people around the city. So moving to Melbourne definitely opened the horizon to that aspect of music.
Do you feel more comfortable performing live, or would you rather lock yourself in a room and spend your days just writing away new material?
I feel like they are both such different experiences in themselves. I love being in the studio I think it's my creative place where I can write and discover new sounds and new directions for my music, but sharing the energy of performing live on stage is definitely the biggest thrill that I could get as an artist, I love them both.
You've just spent 3 months being crazy busy in America, was it everything you expected?
It was amazing! I was there for a couple of months, did the Tash (Sultana) tour for a little bit, also did SXSW. The crowds over there and the shows that we played, especially while touring with Tash were phenomenal, the support we got was insane. The rooms where we were playing were always full like more than half an hour before I got on as an opener. The response I got overall was fantastic, and a lot of my biggest fans and listeners are now over in New York and LA, and then I think Melbourne is third on the list, which is crazy. I felt a bit like a small fish in a big pond at some points but ultimately it was such a huge learning experience and I loved every second.
What are your top 3 touring essentials?
Heaps of water, lots of music to listen to on the road, and I'm obsessed with salami, so I always like to have a roll of salami with me or some slices stored somewhere if I feel like a snack.
Your newest song 'Beauty In Grey' seems to be about finding light in the darkest of places and learning from mistakes. It holds such a strong meaning and sentimentality to it. Was it a hard track to release to the world, or was it more of a therapeutic way of expressing yourself?
It was definitely hard to release because the song comes from a pretty dark place, so releasing it was quite nerve wracking, but I got everything I needed to say out through this piece of music. I'm not particularly proud of what I wrote the song about, but in saying that I am proud of being able to express myself through the song. Songwriting is a much easier way for me to express myself so I am really proud of this track.
Dream gig?
Coachella is definitely near the top of the list, but it would also be amazing to do a home town show at The Forum Theatre in Melbourne, I have always wanted to play there. I've seen some of my all time favourite artists play there, I think it's such a beautiful venue so I would love to do a gig there one day.
What does the end of the year hold for you?
Releasing my EP, and I just want to get out as much music as possible. I have a lot of music ready to go, so the next 12 months will definitely be focused on releasing my music and playing as many shows as possible. It will be a pretty intense touring schedule when the EP drops, I am doing a few house/backyard shows, and hopefully, a few festival shows over the summer.
You can see Josh Cashman play at the Northcote Social Club on Friday the 4th of August, grab tickets here.
Tags: beauty in greyInterviewjosh ashmanTash Sultana
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For more than 25 years, Barbara Bellamy has spent her weekends coaching and running swim meets in Howard County. At the Columbia Neighborhood Swim League All-City Championship on Saturday at the Phelps Luck pool, the 53-year-old Columbia resident coached for the last time. Now, Saturdays belong to her.
"It was a little hard at the end of the meet [when] all the kids lined up to give me a hug with tears in their eyes," Bellamy said. "I feel emotional but OK. I'm ready to move on."
Several current CNSL coaches, all of them coached by Bellamy at some point, honored her with a plaque at the championship.
"She's definitely a legend in the swim community," said Donna Elshafei, 43. "She was coaching when I was swimming."
Bellamy first coached for the Columbia Aquatics Association in 1978. In 1981, she began coaching for the CNSL with the Owen Brown team, becoming league coordinator five years later.
While she served as CNSL coordinator, the Columbia Aquatics Association's year-round team ceased to exist, so Bellamy founded the Clippers, a competitive winter team. For the next 11 years, she oversaw the expansion of the Clippers to more than 400 athletes.
This season, Bellamy coached Elshafei's children, Adam, 7, and Sabrina, 10, in her seventh and final summer with the Clemens Crossing Cyclones.
"She's an outstanding coach," said Sabrina. "She's only strict because she wants us to work and do our best."
While challenging her swimmers, Bellamy never loses her sense of humor. At the conclusion of Saturday's meet, she swam the annual coaches' relay feet first. The goofy swimming style, in which swimmers propel themselves with their arms, brought back memories for former Phelps Luck coach Brittany Whiteford, 19, and her mother, Zulma Whiteford, CNSL supervisor.
Brittany "went 'Oh my God, she's doing feet first! We used to do that with her all the time,'" said Zulma.
"The coaches who swum for her were in the relay with her and they were all bragging that they were better at feet first, but [it was] not even close," Zulma said. "She whipped them."
Pointer's Run coach Mark Mazzarella, 21, said of Bellamy, "She was my first coach when I joined Clippers when I was 7. I saw what she did with everybody, and it really made me want to get involved with what I'm doing now. I wanted to do something similar - help out the kids and be someone they look up to."
As a fellow coach, Mazzarella asks her advice on drills and incorporates techniques she emphasized.
"I'm more of a teacher than a coach," Bellamy said. "I like teaching the younger kids the mechanics of swimming."
Bellamy's knowledge and experience set her apart from most CNSL coaches.
"She knows very specific things to make your stroke better," said Elshafei.
Bellamy would write a card with suggestions and praise for every swimmer. "Barbara could have a heat full of Clippers and write something constructive about each one," said Brittany Whiteford.
Bellamy also helped her swimmers succeed by teaching necessary skills years in advance. "She will start working on [flip turns] when they're 8 or 9, so by the time they're [required to do them at 11], they can do them," Elshafei said.
The All-City Championship, which began Friday afternoon, awarded only individual prizes among the approximately 1,000 participants. Normally, Bellamy picks a lineup, often placing swimmers in events where they would likely score points for the team instead of in their favorite strokes. Her achievements, however, have little to do with winning or losing.
Said Clemens Crossing Cyclone Christopher Gloth, 18: "The most important thing I've learned from her is to push yourself no matter what you're doing."
Many swimmers grew up with Bellamy's guidance.
"She got me started. She was really my foundation of the love of the sport," said Harper's Choice coach Dan Russell, 22.
Said Gloth: "The best memories that I have are the morning practices. She'd joke around between hard sets of swimming."
Brittany Whiteford said she will never forget how excited she was to receive the Supersonic Swimmer award as a child.
"You would get a little T-shirt, and Barb would give a little blurb about you," she said. "It was never about who was fastest. It was if you came to practice, did well in school - the whole package."
Bellamy was clearly moved by the surprise presentation Saturday morning. She said that she has gained "patience, compassion, appreciation for a lot of different personalities that the kids come with."
She said she plans to visit the coaches and athletes whom she has influenced so strongly.
"She'll be greatly missed," said Elshafei.


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03 Jun Living Your Soul Signature
Posted at 15:51h in Blog	by	Panache Desai
To live your soul signature means having the courage and clarity to live a life that is uniquely yours and reflects your greatest potential. This series of posts focuses on people who inspire me in the way they live their lives and have found their most authentic expression.
Stephen Wiltshire is living his soul signature.
"Do the best you can and never stop." – Stephen Wiltshire
Architectural artist Stephen Wiltshire did not speak until he was five years old. His teachers took away his art supplies in an attempt to force him to ask for them. Only then did he utter his first word: "Paper." Desperate to express himself through his art, this autistic child shattered his world of silence and unleashed his soul signature.
Stephen, now 40, is best known for his extraordinary ability to create detailed drawings of cities from memory. He completed a 13 ft. long pen, ink, and pencil panorama of a seven-mile stretch of the London skyline after just one brief helicopter ride along the Thames. The drawing took him only five days to finish.
As a little boy born to West Indian parents, Stephen found human contact nearly impossible. He could not make eye contact with his mother Geneva. He would sit in a corner, rocking back and forth, with an occasional outburst of frustration. The only things that pacified him was a pencil and drawing paper. He was bullied for being different, kicked and tormented by other boys, but what gave him solace and peace was his art.
Stephen is not only autistic, but also a "savant," one of only 100 diagnosed throughout the world. And while he simply could be a man confined to the world inside his own mind, his gift as an artist has allowed him to communicate fully with other people. Despite his challenges, Stephen travels extensively throughout the world – Dubai, Jerusalem, New York, Beijing, Montreal, Las Vegas — every year taking in new structures and buildings, drawing each one in meticulous detail.
While he's been dubbed the "human camera," Wiltshire's creative process is a great deal more sophisticated than simply drawing what he sees. As neurologist and psychologist Dr. Oliver Sacks explains of Wiltshire, "His pictures in no sense resemble copies or photographs, something mechanical and impersonal. There are always additions, subtractions, revisions, and, of course, Stephen's unmistakable style. He is an artist with his own distinctive and creative vision of the world." In January 2006, Queen Elizabeth II made Wiltshire a Member of the Order of the British Empire.
Imagine having your life's purpose drawing you to it like a powerful magnet and being unable to embrace it. Imagine the frustration of not being able to communicate the need for something so vital to your existence. Are there things in your life, necessary to your soul signature, that you've stopped asking for? What are the reasons that keep you from expressing your authenticity and heart's desire?
Stephen Wiltshire has overcome great odds to accomplish his dreams. He could have remained trapped inside his head and missed the beauty and magnificence of the greater world. We all have the ability to shrink our reality, isolate ourselves, and silence our amazing gifts and expression. But if we take the time to accept who we are as we are and love ourselves unconditionally, we'll find it harder and harder to escape our true calling.
Stephen's gentle presence and gifted artistry quite literally gave him a voice on this earth. Each cityscape or building he captures is the vessel through which his soul signature is brought to life and shared for all to embrace. When asked how long he could keep the memorized images in his mind, his reply was, "Forever."
His magnificent drawings, the masterworks of his souls true expression, will no doubt resonate just as long.
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Home Faculty Bios Staff Directory
gwalker@faculty.ocadu.ca
Faculty of Art, Graduate Studies
http://www.george-walker.com
https://en.wikipedia.org/wiki/George_Walker_(printmaker)
Area(s) of Expertise
Printmaking, Publishing, Artists' Books
George Walker is a wood engraver, book artist, author and educator who has taught courses at the university since 1985. For over twenty years he has exhibited his wood engravings and limited edition books internationally. Among many book projects, George has illustrated two hand-printed editions written by Neil Gaiman. George is the author of: Written in Wood an Anthology of his wordless narratives (Firefly Books 2014) The Woodcut Artist's Handbook (Firefly Books 2005), Graphic Witness (Firefly Books 2007), Trudeau: La Vie En Rose, (Porcupine's Quill, 2015), The Wordless Leonard Cohen Songbook: A Biography in 80 Wood Engravings, First edition (Porcupine's Quill, 2014), The Life and Times of Conrad Black: A Wordless Biography (Porcupine's Quill, 2013), The Mysterious Death of Tom Thomson, (Porcupine's Quill, 2012), Images from the Neocerebellum (Porcupine's Quill 2007), The Inverted Line (2000 Porcupine's Quill), George A. Walker was elected to the Royal Canadian Academy of Art in 2002 and belongs to The Loving Society of Letterpress Printers and The Binders of Infinite Love, The Arts & Letters Club, Alcuin Society and the Canadian Bookbinders and Book Artists Guild (CBBAG).
MA, Ryerson University Communication and Culture, AOCA, BEd Brock University, RCA .
2001: Simon Fraser University, B.C. - Book Publishing Immersion Program 2001: B.Ed, Brock University 1998-99: Apple Seminars and Training 2011: AOCA, Ontario College of Art graduate 1978: Dundas Valley School of Art 1977
Creative Director - Firefly Books Limited 2000 - present
Graphics Editior - The Porcupine's Quill 2007 - present
George Walker has been a Toronto-based printmaker, engraver, author, editor, and college/university instructor for 30 years. His artworks are held in collections ranging from the Fisher Rare Book Library, University of Toronto to The Museum of Modern Art (MoMa), New York City and he has had over 15 solo exhibitions as well as been included in more than 100 group shows. He has 11 commercially published books to his name.
Awards \ Grants
eLit Awards 2016 – I won a Silver Medal at the eLit Awards for my book Trudeau: La Vie en Rose. The annual eLit Awards are a global awards program committed to illuminating and honoring the very best of English language digital publishing entertainment. The Gala award ceremony is in NYC.
Alcuin Society Awards 2015 – First place prize for limited edition book design in Canada. My Book, The Wordless Leonard Cohen Songbook took first prize in the limited editions category. The Alcuin Society holds the only national competition for book design in the country. Winning books are submitted as Canada's official entries to Best Book Design from all over the world at the international book design competition in Leipzig, Germany.
GOLD - 2015 eLit Awards for digital publishing - The Wordless Leonard Cohen Songbook took first prize in the graphic novel category. The sixth annual eLit Awards are a global awards program committed to illuminating and honoring the very best of English language digital publishing.
IPPY GOLD MEDAL – for Outstanding Book of the Year
My book, The Wordless Leonard Cohen Songbook won the most outstanding design award for North America. My book was chosen from 6,000 entries. The Independent Publisher Book Awards (the "IPPYs") are intended to bring increased recognition to the thousands of exemplary independent, titles published each year. The Independent Publisher Book Award is considered one of the highest honors for books published by independent publishers. The IPPY headquarters is located in Traverse City, Michigan.
Shortlisted in the Stiftung Buchkunst, Leipzig Book Fair best-designed books of 2012.
George Walker was nominated as one of the 14 finalists from 32 countries for his book The Mysterious Death of Tom Thomson.
Nominated for a 2013 Doug Wright Spotlight Award (a.k.a. "The Nipper") for the book
The Mysterious Death of Tom Thomson. In cooperation with the Toronto Comics Awards Festival.
The Association of Registered Graphic Designers of Ontario, Design Work Juried Exhibition,
Design at Work – Best of Western Ontario, The Mysterious Death of Tom Thomson.
December 2012 published by the Porcupine's Quill
The Book of Hours (PQL 2011) was shortlisted for a 2011
A is for Alice (PQL 2009) is a finalist for Foreword Reviews - 2009 Book of the Year at the
Alcuin Society - Honourable Mention for limited edition Book of Hours 2008
Neil Gaiman - author of the Sandman illustrated novels - illustrated poem for private distribution by Gaiman Biting Dog Press - illustrated Murder Mysteries by Neil Gaiman Key Porter Books - illustrated the Clueless Vegetarian and Clueless in the Kitchen Key Porter Books - illustrated Guide to Canadian Universities The Bibliographical Society of Canada Ontario College of Art & Design Spectrum United ICI Explosives Also, numerous private commissions for book collectors in Canada, USA and Europe.
2007: Graphic Witness, published by Firefly Books. Art history book about the work of wordless novelists and artists Frans Masereel, Lynd Ward, Giacomo Patri and Laurence Hyde. 2007: Images from the Neocerebellum, published by the Porcupine?s Quill. A collection of dream images from my dream diary with an afterword by Jungian scholar Daryl Sharpe M.A. publisher and general editor of Inner City Books. A Glimpse Down the Rabbit Hole by Richard Coxford, Spring, Issue Number 7, Bibliographica. Coxford writes about my work on the Cheshire Cat Press, Lewis Carroll books. The Alcuin Society ? Amphora, Journal of fine press printing No. 145 February 2007, article written by Dr. Marnie Parsons about my lectures and workshop as a guest artist for the St. John?s Newfoundland Wayzgoose. 2007: Lecture at the Toronto Reference Library in conjunction with Keep Toronto Reading. 2007: Altered Books: Artists Reinvent the Book, a talk with Professor Peter Sramek, moderated by Toronto Star book critic Philip Marchand. 2007: University College, University of Toronto, The William Morris Society of Canada, Symposium: In the Steps of William Morris. DA - Journal of the Printing Arts ? Number 60, Spring / Summer 2007; article: ?A Rogue?s Gallery of the Canadian Book and Printing Arts? including an original wood engraving. Spring 2007 Journal: authored book review: Alexander Anderson 1775-1870 Wood engraver and Illustrator: An Annotated Bibliography, published by the Papers of the Bibliographical Society of Canada, edited by Jennifer J. Conner, Ph.D. Memorial University of Newfoundland. 3 vols. By Jane R. Pomeroy. 2000: Gutenberg Mysteries, by George Walker, Bartholomew-tide Press 2000: The Clueless Vegetarian, by Evelyn Raab, Key Porter Books in Canada and Firefly Books in the U.S. 2000: The Inverted Line, by George Walker illustrated with wood engravings by the author, Porcupine's Quill 1997: Clueless in the Kitchen, A Cookbook for Teens, by Evelyn Raab. Key Porter Books in Canada and Firefly Books in the U.S. 1997: The Best of Printmaking, An International Collection - Selected by Lynne Allen and Phyllis McGibbon with an introduction by Ruth Weisberg 1997: Rockport Publishers, Quarry Books (Collective Ideas is featured on page 50), Publications Private Press HAND PRINTED BOOKS: 2007: The Book of Hours? A wordless novel in woodengravings. 2005: The Raven ? A new edition of Poe?s classic tale illustrated with original wood engravings and printed in an edition of 65 numbered copies. The introduction is by Michelle Walker. 2003: The Transformed Mouse ? written by Jack Ketchum who based this story on a retelling of a 2nd century A.D. parable from the Panchatantra. Printed and illustrated with original wood engravings impressed on Japanese paper in a limited edition of 250 copies. 2002: Snow Glass-Apples - written by Neil Gaiman and printed in a limited edition of 250 signed and numbered copies. 12 original wood engravings by George Walker printed on handmade gampi paper, illustrate this play for voices. 1981 - 2000: Wayzgoose Anthology - Annually published through the Grimsby Public Art Gallery. George Walker has contributed a hand-printed signature to this limited edition annual book since it was founded in 1981. 2000: Millennium In a Box - Published by the Canadian Book Binders and Book Artists' Guild. 1998: Through the Looking Glass, and What Alice Found There by Lewis Carroll with 94 wood engravings by George Walker. Limited ed. printed by William Poole for the Cheshire Cat Press in Grimsby, Ontario. 1984 - 1998 Ontario College of Art Printmaking Anthology (OCAP). George Walker has coordinated the annual anthology from 1986 to the present and contributed to this anthology since 1984.
Professional Affiliations / Boards / Juries
Memberships in Learned and Professional Societies
Arts and Letters Club - Professional Member 2016 –
The Royal Canadian Academy of Arts (RCA). Elected a member 2002
Center for Book Arts, New York City, 1995 –
Open Studio, Toronto, 1990 –
Wood-Engravers Network, Ann Arbor, Michigan, 1999 –
Papers/Papiers of the Bibliographical Society of Canada, Memorial University Newfoundland and Labrador, Member of the Editorial Board of the Journal of the Bibliographical Society of Canada, 2008 –2011
Alcuin Society 1990 – The only non-profit organization in Canada dedicated to the entire range of interests related to books and reading.
The Loving Society of Letterpress Printers, Toronto 1995-
The Mackenzie Heritage Printery, Queenston, Ont.,
1999 - 2004 ,member of the board of directors.
Canadian Bookbinders & Book Artists Guild CBBAG
(Education Committee, 1990 –1998, Board Member, 1996-1999)
CARFAC, 1999 – Ontario is the association of professional visual and media artists.


Additional services – extra things that may add to your lifestyle or convenience (eg Foxtel, newspapers, meal selection, happy hours, transport services, bus trips.
More and more aged care providers are offering residents additional services for an extra daily fee. The range of services and the prices charged vary widely.
These fees are not published on the MyAgedCare website, so when deciding where you want to live, ask the provider for a schedule of available services and the prices for each one.
When you are offered a place in residential care will be asked to sign a Resident Agreement. This should detail (amongst other things) the cost you have agreed for your room, the type of room and what additional service fees you have agreed to pay.
Whether you can opt-out and stop paying the fees if you no longer want to receive the services.
If the provider wants to charge you a fee for a service that you won't receive the benefit of, this may not be allowed.
A recent court case found that aged care providers are not allowed to charge fees for asset replacement or the capital refurbishment of your room after you leave. These fees may apply in retirement villages, but not government-subsidised aged care services.
The judge ruled that these fees are not for the benefit of the paying resident but are for the benefit of the next resident. This means they are not allowed under the Aged Care Act.
Providers who have been charging these fees have stopped and may need to refund any fees previously paid for these purposes.
Always read your Resident Agreement carefully before signing.
If you are unsure about the fees specified, ask the service provider to explain the fees and help you understand what you are being asked to pay for.
Query fees for services you don't think you need or want to see if they are optional and allowed under the Aged Care Act.
If you need advice, see your lawyer or ask us for help. We may be able to refer you to a lawyer who works with aged care contracts.
Complaints about fees can be referred to the Aged Care Complaints Commissioner.


text:
Q: How can I replace the last comma in a string with 'and'? Suppose I have a string which is separated by commas
'apple,ball,cat'

I want to replace the last comma with "and" so that it becomes
'apple,ball and cat'

A: rpartition will be your friend here:
def replace_last(string, delimiter, replacement):
    start, _, end = string.rpartition(delimiter)
    return start + replacement + end

print(replace_last('apple,ball,cat', ',', ' and '))

>>> print(replace_last('apple,ball,cat', ',', ' and '))
apple,ball and cat

A: You can split a string by char with .split()
String = 'apple,ball,cat'
s = String.split(",")

Output --> ['apple','ball','cat']
Now you can select all elements without the last
s = String.split(",")[:-1]

Output --> ['apple','ball']
Now use the join function and connect these elements with ',' between
string2 = ",".join(String.split(",")[:-1])

Output --> apple,ball
Now add the last element with an "and"
string2 = ",".join(String.split(",")[:-1]) + " and " + String.split(",")[-1]

Output --> apple,ball and cat
I don't know if it's the best method, but it is one method ;)
Also you can add more elements to your string and this method will still work.
Full Code:
String = 'apple,ball,cat'
string2 = ",".join(String.split(",")[:-1]) + " and " + String.split(",")[-1]

The answer from @AKX is better ;)

A: An alternative by using regex
re.sub(r',', '.', String[::-1], 1)[::-1]

*

*Reverses the string

*replaces 1 ',' with '.'

*Reverses the result

Compared the performance with AKX's solution, this version is terrible.
In [39]: def f1(s):
    ...:     start, _, end = s.rpartition(',')
    ...:     return start + '.' + end

In [40]: def f2(s):
    ...:     return re.sub(r',', '.', s[::-1], 1)[::-1]
    ...:

In [44]: %timeit f1(s)
364 ns ± 8.91 ns per loop (mean ± std. dev. of 7 runs, 1000000 loops each)

In [45]: %timeit f2(s)
1.51 µs ± 5.54 ns per loop (mean ± std. dev. of 7 runs, 1000000 loops each)

redpajama_set_name: RedPajamaStackExchange


Okay, I did that. But I'm not very keen on these new names :-) I generally say Bombay and not Mumbai.
TRAI publishes a quarterly report called Quality of Service and Performance Indicators. In addition to releasing data on subscribers and ARPU, it also contains Quality of Service metrics including congestion and drop rates.
I am not sure of the accuracy of these data, but TRAI definitely has the framework for QoS monitoring in place.
Thanks! I will go to the TRAI website and modify my blog entry accordingly.
Another viable option that comes to mind is something like this: The QoS parameters (voltage fluctuations etc.) are not too difficult to measure and log. An enterprising company could easily make an inexpensive PC-interfaced device that does that.
After that all we need is a central site + a oogle maps hashup where people upload data. Presto, the QoS is there for all to see. In the US weather reporting networks, cell coverage maps and even DSL internet QoS sites operating on this principle are thriving.
What Prayas has done is surely not rocket science. It's exactly as you are suggesting: setup some data logging device which feeds up to a computer which feeds up to the net. The question is: Who's going to do this on a large scale? Large scale is required on this problem because of the geographical nature of the data. Distribution conditions can fluctuate every few kilometres.
Why is it rational for an individual to buy such a device and serve the larger community? Ad revenues?
I see your point. The trick for the success of a large scale "free" operation would lie in setting up a good incentive structure for individuals to buy equipment and post data. Ad revenues could be one option. Perhaps some venture capital might initially need to be injected to get to a critical mass of reports to make it attractive for people to visit such a site. In the long run one would hopefully be self-sustaining.
Rather than individuals, I can forsee larger stakeholders jumping in. One only needs to provide a forum. Let's say X is a retailer in "Pune". For him the cumulative lost sales due to a power-outage are definately large enough to justify the 1000 Rs(say) investment for such a device if he could widely document this and hopefully precipitate a change. One could make similar arguments for small-industrial units, housing-societies etc.
Finally, web-users typically could be expected to contribute for an incentive far less than what one would rationally expect for the time spent. Wikipedia, wikimapea and other apps have shown that users seem to get some sort of satisfaction in "authoring" content that compensates for the time/resorces spent. Most such examples do not get the user any direct benefits.
Yes, the `open source' approach can work. But the checks and balances are harder than meets the eye. Example: Suppose individuals are to buy a data logger, upload information, and earn some small money from advertising. What's to prevent a person from not buying the data logger and uploading fake information?
Here's a concrete challenge. We know that MTNL or other broadband vendors are at a pricepoint like Rs.0.5 per meg. Can a distributed QOS system be made to work, where users volunteer to install a small piece of software, which consumes no more than 1 megabit of traffic a day (i.e. just a cost of Rs.0.5 per day) and produce QOS data about broadband connections? This is an easier challenge because it doesn't require buying a data logger. But it does require that the volunteer burns Rs.0.5 a day, and that the volunteer installs some software.
Well said! That's a perfect test case. We just have to wait and watch if someone shapes the idea into a service!
Perhaps there are more; the point is :Is there something inherently different in the cost/incentive structure of the US vs India or DSL vs Power sectors that makes such ideas thrive in one and not others?
I am studying the case of various IPPs in some states of India. Are you in anyway dealing with the Indian Power Sector? Can I talk to you in this regards?
I surfed through your blog and website and hence wanted to contact you. Very thought provoking blog.
Did PRAYAS or any other agency set up Electrical Supply Monitoring System after their pune Success?


Richard Roberts is one of my all time favorite digital artists. You may have seen his work in the Depthcore art collective, or perhaps featured in Advanced Photoshop Magazine.
Richard has a huge skillset, and often gives his work a mixed medium approach as a result. His skills involved photo manipulation, digital painting, 3D graphics, typography and illustration. In his portfolio you see a wonderful mix of all of these, as he produces richly varied works.
Often Richard will create stunning lighting effects which he wraps around distressed or emotive subjects. He'll frequently fragment his subjects using an incredible attention to detail. His portfolio also shows a passion for the surreal, as everything from the human form to gravity is toyed with and converted into stunning, memorable compositions.
I recommend that you go and check out Richards's full portfolio as he has plenty more great work to offer.
Thank you so much for this post. I want to let you know that I posted a link to your blog in CBB Digital Scrapbooking Freebies, under the Page 4 post on Oct. 17, 2012. Thanks again.
Liked his arts! He seemed to like smoky effects and abstract things.
i would love to see his work in brighter color.


Our Craftsman Library, beautiful and unassuming in size, commands its space. We designed the library as a complete package. It includes two LED lights that are dimmable, a finished back, three adjustable glass shelves, and flat glass panel doors.
Please note: Our pricing does not reflect the upcharge for Art Glass door panels. Version 1 is an additional $1,100; Version 2 is an additional $850.
- Wooden peg pulls are standard.


Our main focus of 2015 was to stabilise the CCS business with the new management team and owners running the business. The objective was to grow organically and increase the service lines to our client base. I can confirm that we have done this and more.
In the last quarter of 2015, CCS were looking for another acquisition that would act as core bolt-on to our cleaning service. We came across the business Polished 2 Perfection.
P2P's business model and client base fitted perfectly into CCS market place. When the discussions were near completion – we were introduced to both staff and clients, and after being suitably impressed, we were left with the feeling that we were making the right move.
We are now into the second month of taking over the helm of P2P and all I can say is what a smooth transition and mobilization of the changeover it's been.
Special well done to Sheena and Kirsty for the smooth on-boarding of the cleaning operatives and to Susan for the operational delivery.
Welcome on board to our new colleagues and clients, what a positive start to the new year!!
We are looking to make a lot of positive changes in the business model for CCS this year – please follow our page to see the updates, as and when they occur during 2016. I'm not going to give it away – follow the CCS journey and see for yourself.


text:
GUSP Directors
Defusing World Crises
Brain-Based Approach to Peace
Brain Governs Behavior
Stress Impairs Brain Functioning
Societal Stress Fuels Violence
Lowering Stress Improves Behavior
Lowering Societal Stress Reduces Crime and Social Violence
Theoretical Foundation
Neurological Mechanisms
Global Peace Summit
Documentary: "Creators of Peace"
Summit Resolutions
Follow-up projects
GUSP Brochure
Response to French Terror Attacks:
Open Letter to World Leaders
Huffington Post GUSP Interview
HuffPost Live TV
Response to Ongoing Terrorism and Violence
Climate and Conflict
Climate Change and Global Conflict
How Climate Change Drives Violent Conflict
Rising Sea Levels
Dreams of "Winning" Nuclear War on Russia
Eliminating the Nuclear Threat
Can Group Meditation Prevent Violent Crime?
Nuclear Armageddon in the Making
Invitation to Scientists
Frederick Travis, Ph.D.
Dr. Fred Travis is Distinguished Professor of Neuroscience and Director of the Center for Brain, Consciousness and Cognition at Maharishi University of Management, USA. He received his MA and PhD in Psychology from Maharishi University of Management (MUM) in 1988. Following two years of post-doctoral research focused on brain changes during sleep, he returned to Maharishi University of Management to direct its world-renowned Center for Brain, Consciousness and Cognition.
Prof. Travis teaches graduate-level courses on the brain and consciousness. He has authored 78 research articles and book chapters investigating the effects of Transcendental Meditation practice on: 1) child development; 2) ADHD in children; 3) posttraumatic stress in veterans and refugees; 4) the brain patterns of higher states of consciousness; and 5) the brain patterns of world class executives, athletes and performers. Dr. Travis has become the world's most highly cited researcher in the fast-emerging field of meditation, brain development, and higher states of consciousness.
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When I do a mass mailing even in BCC. it sends the mail out in 3-4 pages. I get complaints from the reciever. Any clue as to why this happens? I've called my server, phone company, computer maker. No one seems to know the answer to this one. HELP any one?
Email I read with OE has no "pages". Pagination may occur on printer output.
Best of luck and tell more.


Jan. 6, 2019 1:01 PM PT2:01 PM MT3:01 PM CT4:01 PM ET21:01 GMT5:01 2:01 PM MST3:01 PM CST4:01 PM EST3:01 PM CT1:01 UAE (+1)16:01 ETNaN:� - Justin Tucker converted one of two field-goal attempts Sunday as the Baltimore Ravens lost to the Los Angeles Chargers 23-17. He made a kick of 33 yards, and missed a 50-yarder. Tucker tacked on two PATs.
Dec. 30, 2018 4:25 PM PT5:25 PM MT6:25 PM CT7:25 PM ET0:25 GMT8:25 5:25 PM MST6:25 PM CST7:25 PM EST6:25 PM CT4:25 UAE (+1)19:25 ETNaN:� - Justin Tucker converted four of four field-goal attempts Sunday as the Baltimore Ravens defeated the Cleveland Browns 26-24. He made kicks of 45, 35, 44 and 23 yards. Tucker tacked on two PATs.
Dec. 22, 2018 7:43 PM PT8:43 PM MT9:43 PM CT10:43 PM ET3:43 GMT11:43 8:43 PM MST9:43 PM CST10:43 PM EST9:43 PM CT7:43 UAE (+1)22:43 ETNaN:� - Justin Tucker converted three of five field-goal attempts Saturday as the Baltimore Ravens defeated the Los Angeles Chargers 22-10. He made kicks of 24, 35 and 56 yards, but missed kicks from 53 and 65 yards. Tucker tacked on one PAT.
Dec. 16, 2018 12:11 PM PT1:11 PM MT2:11 PM CT3:11 PM ET20:11 GMT4:11 1:11 PM MST2:11 PM CST3:11 PM EST2:11 PM CT0:11 UAE (+1)15:11 ETNaN:� - Justin Tucker converted two of two field-goal attempts Sunday as the Baltimore Ravens defeated the Tampa Bay Buccaneers 20-12. He made kicks of 24 and 35 yards. Tucker tacked on two PATs.
Dec. 9, 2018 1:38 PM PT2:38 PM MT3:38 PM CT4:38 PM ET21:38 GMT5:38 2:38 PM MST3:38 PM CST4:38 PM EST3:38 PM CT1:38 UAE (+1)16:38 ETNaN:� - Justin Tucker converted his lone field-goal attempt Sunday - a 28-yarder - as the Baltimore Ravens lost to the Kansas City Chiefs 27-24. Tucker tacked on three PATs.
Dec. 2, 2018 1:00 PM PT2:00 PM MT3:00 PM CT4:00 PM ET21:00 GMT5:00 2:00 PM MST3:00 PM CST4:00 PM EST3:00 PM CT1:00 UAE (+1)16:00 ETNaN:� - Justin Tucker converted four of four field-goal attempts Sunday as the Baltimore Ravens defeated the Atlanta Falcons 26-16. He made kicks of 45, 21, 45 and 47 yards. Tucker tacked on two PATs.
Nov. 25, 2018 12:59 PM PT1:59 PM MT2:59 PM CT3:59 PM ET20:59 GMT4:59 1:59 PM MST2:59 PM CST3:59 PM EST2:59 PM CT0:59 UAE (+1)15:59 ETNaN:� - Justin Tucker converted two of two field-goal attempts Sunday as the Baltimore Ravens defeated the Oakland Raiders 34-17. He made kicks of 47 and 28 yards. Tucker tacked on four PATs.
Nov. 18, 2018 12:46 PM PT1:46 PM MT2:46 PM CT3:46 PM ET20:46 GMT4:46 1:46 PM MST2:46 PM CST3:46 PM EST2:46 PM CT0:46 UAE (+1)15:46 ETNaN:� - Justin Tucker converted three of three field-goal attempts Sunday as the Baltimore Ravens defeated the Cincinnati Bengals 24-21. He made kicks of 28, 56 and 24 yards. Tucker tacked on one PAT.
Nov. 4, 2018 2:16 PM PT3:16 PM MT4:16 PM CT5:16 PM ET22:16 GMT6:16 3:16 PM MST4:16 PM CST5:16 PM EST4:16 PM CT2:16 UAE (+1)17:16 ETNaN:� - Justin Tucker converted three of three field-goal attempts Sunday as the Baltimore Ravens lost to the Pittsburgh Steelers 23-16. He made kicks of 23, 23 and 37 yards. Tucker tacked on one PAT.
Oct. 28, 2018 1:11 PM PT2:11 PM MT3:11 PM CT4:11 PM ET20:11 GMT4:11 1:11 PM MST2:11 PM CST3:11 PM EST2:11 PM CT0:11 UAE (+1)16:11 ETNaN:� - Tucker tacked on three PATs.
Oct. 21, 2018 3:37 PM PT4:37 PM MT5:37 PM CT6:37 PM ET22:37 GMT6:37 3:37 PM MST4:37 PM CST5:37 PM EST5:37 PM CT2:37 UAE (+1)18:37 ETNaN:� - Justin Tucker converted his lone field-goal attempt Sunday - a 31-yarder - as the Baltimore Ravens lost to the New Orleans Saints 24-23. Tucker tacked on two PATs, but also missed one.
Oct. 14, 2018 3:51 PM PT4:51 PM MT5:51 PM CT6:51 PM ET22:51 GMT6:51 3:51 PM MST4:51 PM CST5:51 PM EST5:51 PM CT2:51 UAE (+1)18:51 ETNaN:� - Tucker tacked on three PATs.
Oct. 7, 2018 1:48 PM PT2:48 PM MT3:48 PM CT4:48 PM ET20:48 GMT4:48 1:48 PM MST2:48 PM CST3:48 PM EST3:48 PM CT0:48 UAE (+1)16:48 ETNaN:� - Justin Tucker converted three of four field-goal attempts Sunday as the Baltimore Ravens lost to the Cleveland Browns 12-9. He made kicks of 44, 25 and 32 yards, and missed a 48-yarder.
Sep. 30, 2018 7:51 PM PT8:51 PM MT9:51 PM CT10:51 PM ET2:51 GMT10:51 7:51 PM MST8:51 PM CST9:51 PM EST9:51 PM CT6:51 UAE (+1)22:51 ETNaN:� - Justin Tucker converted four of four field-goal attempts Sunday as the Baltimore Ravens defeated the Pittsburgh Steelers 26-14. He made kicks of 45, 49, 28 and 31 yards. Tucker tacked on two PATs.
Sep. 23, 2018 1:17 PM PT2:17 PM MT3:17 PM CT4:17 PM ET20:17 GMT4:17 1:17 PM MST2:17 PM CST3:17 PM EST3:17 PM CT0:17 UAE (+1)16:17 ETNaN:� - Justin Tucker converted two of three field-goal attempts Sunday as the Baltimore Ravens defeated the Denver Broncos 27-14. He made kicks of 52 and 52 yards, and missed a 43-yarder. Tucker tacked on three PATs.
Sep. 13, 2018 8:38 PM PT9:38 PM MT10:38 PM CT11:38 PM ET3:38 GMT11:38 8:38 PM MST9:38 PM CST10:38 PM EST10:38 PM CT7:38 UAE (+1)23:38 ETNaN:� - Justin Tucker converted his lone field-goal attempt Thursday - a 55-yarder - as the Baltimore Ravens lost to the Cincinnati Bengals 34-23. Tucker tacked on two PATs.
Sep. 9, 2018 1:15 PM PT2:15 PM MT3:15 PM CT4:15 PM ET20:15 GMT4:15 1:15 PM MST2:15 PM CST3:15 PM EST3:15 PM CT0:15 UAE (+1)16:15 ETNaN:� - Justin Tucker converted two of two field-goal attempts Sunday as the Baltimore Ravens defeated the Buffalo Bills 47-3. He made kicks of 41 and 39 yards. Tucker tacked on five PATs.


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