Scripture Reading: Jude 1:9 Yet Michael the archangel, when contending with the devil he disputed about the body of Moses, durst not bring against him a railing accusation, but said, The Lord rebuke thee.
The messages that come from this pulpit are broadcast on the internet and it is my intention at this time to deliberately address the wider congregation together with those seated before me. Every sermon I have preached in the past has come from a deep reliance on God's inspiration and a rendition of His written word, yet via an imperfect instrument of earthen clay.
2 Corinthians 4: 5For we preach not ourselves, but Christ Jesus the Lord; and ourselves your servants for Jesus' sake. 6 For God, who commanded the light to shine out of darkness, hath shined in our hearts, to [give] the light of the knowledge of the glory of God in the face of Jesus Christ. 7 But we have this treasure in earthen vessels, that the excellency of the power may be of God, and not of us.
2 Corinthians 2: 16To the one [we are] the savour of death unto death; and to the other the savour of life unto life. And who [is] sufficient for these things? 17 For we are not as many, which corrupt the word of God: but as of sincerity, but as of God, in the sight of God speak we in Christ.
Because of this the inspiration from God within is difficult to express by imperfect human language. Consequently these imperfect expressions have been taken and made capital of. The thing that has really affected my heart as I see what has been put on the internet in regards to the messages that have come from these lips of clay, is that God's holy cause has been marred. I have examined myself very closely to see what I need to do to alleviate where God's cause has been marred. If any of us here and those who are listening to this message have been negatively affected by myself, I pray to God that this hour, this time, our hearts may be alleviated from those questionable expressions.
The calling of a minister is of awful magnitude. A minister who is called of God is not and does not desire to be anything than just a simple instrument. We see the apostle, the preacher, refers to his preaching position.
2 Corinthians 5:20 Now then we are ambassadors for Christ, as though God did beseech [you] by us: we pray [you] in Christ's stead, be ye reconciled to God.
The apostle Paul is writing to the church, the church at Corinth. He is saying we are ambassadors for Christ that we beseech you in Christ's stead. The preacher is according to this Scripture, in Christ's stead.
Those serious applications cause me to tremble.
Isaiah 6: 5 Then said I, Woe [is] me! for I am undone; because I [am] a man of unclean lips, and I dwell in the midst of a people of unclean lips: for mine eyes have seen the King, the LORD of hosts. 6 Then flew one of the seraphims unto me, having a live coal in his hand, [which] he had taken with the tongs from off the altar: 7 And he laid [it] upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged.
He had already been verbal in identifying sins and as it says, for us in the last days, cry aloud, spare not, show my people their iniquities and their transgressions.
We worship God and we don't even know unless we see Him that we are entering into ceremony and into worship procedures which we think we are serving God with,. but it says he had not known. So many of us don't know until the vision of the Lord is revealed to them.
That is how the revelation of God before those who are conscientiously viewing the message for these last days and the revelation of God's amazing work are overwhelmed with their condition as Isaiah was. The Lord sent Isaiah and these people to go and do the work that He commissions them to do. It is this picture that has ever influenced me. It is this kind of counsel that has ever placed a serious awe upon my being. Right now, at the very end where we live, I believe that we are in the direst circumstances in comparison even with the time of Sr White.
We are surrounded by an experience that is testified of in 2 Timothy. I don't want to spend much in enlarging this apart from drawing this to our attention to help us appreciate where we are situated, where I am situated in my early youth onwards.
When I read these statements very early in my experience I never realised what an insubordinate child I actually was. I thought this applied to everybody else just like Isaiah. As time proceeded from the time of my early youth through to the discovery of the reformation message, I slowly woke up to the realisation that every one of us from that time and even before, (and I will read a quote from Sr White, that even in her time), but especially now since my entrance into the arena there is a condition upon us that is totally insubordinate.
I woke up to this very, very slowly. In reference to myself, I saw myself among my peers in youth as somebody who was of this company. As I continued to read the Spirit of Prophecy I discovered that already in her day the children of that generation were already in such a situation. In other words, our great-great grandparents, my great grandparents were already children of insubordination. How has that unfolded down the history to our time?
She is talking about 1882.
This rising generation is my great grandparent's time. What was 'the characteristic among them? A spirit of insubordination and recklessness in the rising generation existed.
What was needed back there? What was needed was the ability to control themselves because what we read in 2 Timothy was already applicable then and how much more is it applicable today? How have we deteriorated from the understandings and activities of mind of our great-great grandparents, of my great grandparents? For those of you who are of age to be my children, your great-great grandparents. There is a need to teach them back there self-control, respect for superiors and reverence for God. These things became very big to me as it slowly dawned upon me where I was actually situated. I had to confess to my God that I had ridiculed my father; I had been insubordinate to the counsel of those who had many more years of experience than me.
I discovered right then that even my parents and their parents had already been marred and brushed by this insubordination as I read from the Spirit of Prophecy. I had to swallow hard. This was at the age of 24 when the reformation message really wended its way into my experience and I went back and realised I had to submit myself to the Spirit of Prophecy which I had to a large degree in regards to instruction and correction, poo-hooed.
I had to humble myself, I had to swallow hard and submit myself. As I gained this appreciation and the Lord had pointed me to what I have often quoted, that we are to take their word, (2 Selected Messages pages 109-111), we are to take the words of our pioneers and preach and absorb the way they had presented the message. I took this very seriously. I realised then that everything of my human insubordination which was entrenched in my system had to be totally eradicated, but it wasn't immediate, it was a process of learning.
I was called into the ministry of the reform movement and there I learned the bitter lessons of giving over to those who were in authority. I took the lessons very seriously because I realised that my own life was marred desperately by that which I had been brought up in. That negativity of insubordination that was surrounding me more than in Sr White's time that I took as normal. I justified myself and I still look back with bitter tears where I had justified my course when I brought tears to my mother and my father. I needed to make restitution. I adopted the values of those who were grandparents to my parents. From there onwards, after I had adopted those values and those views of seeing the world, I continued to present those values and sought to practice them very closely in my own experience.
I marveled that as the Lord had put me in place and brought me through the experiences of the consequences of my own shortcomings. I marvelled that He would even use me, just as Isaiah expressed Paul expressed. Who is sufficient to be able to stand today and uphold the old values that God had established which have been so marred in the minds of the people to this point in time?
As I made it my prayerful determination that seeing the Lord and church had called me, and has called me all the way through to now, I wanted to express everything in the light of what I have shared with you already. But, oh, as I sought to reflect the high standard of those who were Sr White's equals, how my expressions in comparison to theirs were so short off the mark! I used to read and I still do read the beautiful words of those people of that age. Have you ever done that and thought, look at how they express themselves? I don't even know how to express myself like that. They had sacred expressionisms and they expressed things with great care. Even in the world they were sensitive as to how they spoke, much more than any of us do today.
To stand in the pulpit of the Lord in these times was something beyond me. That was the reason why you have been recipients of my presentation of God's word to use quotes and statements instead of my own words and simply to make a few comments in between to draw our attention back to what those quotes were really saying. Yet, my own words that I expressed in between those quotes were still imperfect enough to receive attacks that are rampant on the internet just now that mar the image of my Lord and Master. You have no idea how this has wrenched my heart, that I have made expressions there that can be so seriously used to mar the high calling that we are meant to be supporting today.
In the presence of God together with you, let us seek to identify what these attacks have been on the internet which I know many of us have been subjected to and there are people who have resigned their membership over these expressions. How clumsy of speech I have been for souls to conclude that I postulate myself as the arm of the Lord. Has that come across your attention on the internet, those of you who have looked at it?
In presenting the arm of the flesh and the arm of the Lord it has been concluded from my expressionism that I am postulating as the arm of the Lord, that I am the arm of the Lord; that I am in the place of Moses. This is what has been brought very heavily and it has been put across to me, not only through the internet but some of my own brethren. Let me make it very clear, brethren and sisters, that these sermons that have been identified as me postulating like that, are presented on that subject of the arm of the Lord, they were presented with the design to look for the arm of the Lord active in His servants, not in me only. When we look at how the servants of God who have been teaching and upholding the messages in Sr White's time, the pioneers were being attacked by modern Adventists today.
The purpose of sharing those messages was to alleviate out of the minds that it is not man that is speaking but it is the arm of the Lord manifest through those servants. I laid out the context of those sermons for that purpose. To take my words that I have clumsily expressed and apply them differently to what I had intended and thereby mar God's image and throw them across the internet, that really has hurt me. I am using this opportunity to let you know that those expressions of my own that have been taken differently to what I intended have to be cleaned away. Don't rely upon my expressions, but rely on a thus saith the Lord.
The sermon that I shared at Camp Obadiah, those beautiful subjects that Br Paul and I shared, the pearl of great price; it was a joy to share the beautiful saving grace that is practical, that is an impactful message of hope for the sinner. Those messages have been taken horribly in a wrong slant. When I expressed in the very sermon that you will hear them say that I am a womaniser, I expressed that if that was the case that was all forgiven by this beautiful story of Christ. I did not seek to refute the accusations that are levelled upon me, but instead of using very valuable language it was understood that I was making a confession. I am sorry. It was not a confession; it was simply a useless exercise to try to refute an accusation. You know what it was when Jesus was accused for all sorts of things, He kept His mouth shut. All I did was to show in that message of beautiful hope and comfort, that when we are accused of something we don't have to go and justify ourselves. All we have to do is either be silent or uphold the beautiful love of Jesus so that accusation can be all washed away. That is what the message was. I don't need to say any more on that issue because I have no interest in being a womaniser, none whatsoever and I never have.
The sermon in which I expressed, you will recall these words, "and your future is dependent on the manner of my communication to you". This has been plastered across the internet to make it sound that I was in a spirit of the papacy. That what I am sharing with you is going to be your future and you have to obey me like you have to obey the pope. That statement that I expressed was never to convey that I regarded myself as a people's criteria. Never do I believe that and I want that to be totally understood to all who hear this message. What I was actually representing was a quote from the Spirit of Prophecy which said that in general the people will rise no higher than their ministers if the ministers are not converted, the people will be affected by the minister's lack of conversion.
That is when I said very clearly that the manner in which I communicate God's word if you will listen to me and not to the voice of Jesus speaking, you will be affected by what I say, by my lack of conversion. The Spirit of Prophecy says that the people will rise no higher than their ministers, in general.
"The church will rarely take a higher stand than is taken by her ministers." Testimonies, vol, 5, p 227.
There are many other points which I am not going to recite here because they are numerous and it would be absolutely impossible to clear every little quote that has been cited on the internet to take that clumsy expression away. The principle that I want to share here is that I confess before God the language that has been difficult for me to express to what was actually trying to be conveyed.
There is another one that is very serious in reference to the attack upon God and His position and our position toward Him. Do you remember the sermon about heirs of God? I expressed in that sermon that if God could die, I tried to illustrate what an heir of God is. I did some foolish expression there; if God could die then you would be in His place afterwards. Expressions of this nature are destructive to a person who doesn't really clearly understand what you are trying to communicate. Let us allow God's word to clarify exactly what was meant in my words, that we come away with a clean understanding of the amazing mercy and goodness of God.
Romans 8:16 The Spirit itself beareth witness with our spirit, that we are the children of God: 17 And if children, then heirs; heirs of God, and joint-heirs with Christ; if so be that we suffer with [him], that we may be also glorified together.
What is Jesus saying here? Jesus was sitting in His Father's throne and if we are sitting with Him in His throne, where are we sitting? In the Father's throne, that is the way it is written. When I shared those things, I was conscious of many statements in the Spirit of Prophecy and I will just share two with you that I did not share at that time.
What has been made provision for? By the beautiful gospel of Jesus Christ, God was prepared to share His throne with all who are part of the atonement of Christ. What does that mean? That is for you to conclude. I am not going to use any more of my own words, but the language is pretty simple.
In that particular sermon I have been laid out as speaking blasphemy, that I have communicated an idea that I wanted to be in the place of the Godhead. In that sermon it was represented that I was blaspheming. This was never meant that such words should be interpreted that we will gleefully usurp His throne. No, no. It is an amazing shock to the system that God would be prepared through Jesus Christ to share His throne with us. Doesn't that make you fall down in shameful amazement? This is what the intentions were to communicate – the beauty of God's word, God's grace. As I mentioned, what a shortfall and clumsiness of speech has been my experience in my effort to share those thoughts.
My grief is intensified as I look back at the effort of prayer and labour to reach out for people who were coming into our church, who came out of the world, out of error. When I think of the labour it takes to help people to come out of that error step by step by finding God's Word that is most relevant to help them understand; as this labour, this agonising work was taking place in the lives of the people that have come to us, my clumsy expressions have caused them grief. Some have resigned even now because of these mistaken expressions, this grieves me deeply.
The work today is to bring into submission all of us including me, into the submission of the understanding of God's high calling that is so marred in the eyes of modern Christianity today.
Hebrews 13:7 Remember them which have the rule over you, who have spoken unto you the word of God: whose faith follow, considering the end of [their] conversation.
These words jangle in the ears of modern people today. Originally they caused me concern, but then I saw the beauty of it as I resigned myself to the brethren who were ruling over me.
Hebrews 13:17 Obey them that have the rule over you, and submit yourselves: for they watch for your souls, as they that must give account, that they may do it with joy, and not with grief: for that [is] unprofitable for you.
To apply these words in action today in my labours over the years, is an extremely delicate work.
Is this a direction from God's word to obey them that have the rule over you?
Have you ever met that death struggle? It must be remembered, that because of our minds being constituted differently it is like a death struggle to surrender our wills in submission to those who are placed over us. Is that right? When I have been clumsy with my words I can well understand that the call for submission is like a death struggle. I don't want to convey the thought that anybody is to obey me. Never. I want to convey the thought to obey those that I am obeying, that is what my message is. To obey those that I am obeying because I am so marred in these last days with the spirit of insubordination that I don't want anybody to think that I am going to stand over anybody in this church and say here, here, obey me. This is the truth of my motive and I want it to be recorded as the fact. I don't want to make people rely on John Thiel; I want people to rely on the Lord working through the people whom He has designated as His servants. I simply draw the attention of everybody to the servants who have gone before us. This is the all-important objective.
To us who are working together and are still members of this church, please heed the following counsel that comes from the Testimony of Jesus.
This is a love that thinketh no evil. Jude 1:9 gave us a wonderful understanding in reference to accusations. Jesus our great example did not raise one railing accusation against whom? Against Satan. Let us follow Jesus' example and permit no railing accusation to come from our lips upon any one, even upon the ones that are putting these ugly things onto the internet. I have to confess I could have done it better, that is all for me to say. All there is for us to do is to simply be like Christ; no railing accusation.
To conclude with, let us understand in reference to the words and expressions that we hear from each other, especially words and expressions that come from the pulpit, albeit sometimes that they are clumsy and I make no excuse but for our sake of dealing with each other in love and unity, let us take on board the understanding that human expressionism is human and it makes an impact upon people of different minds differently.
It is difficult sometimes to find words to express what is going on within and by using words that are not always best chosen, somebody of a different mind of a different education of a different temperament, will be inadvertently going to put a different construction upon the meaning of the word that was chosen by the one who speaks. This is impossible to totally eradicate, but indeed if it has been misunderstood the effort needs to be made. I do not make many efforts to try to clarify anything, I have been silent in regards to what has been on the internet to this point in time but this is the one and only time I am levelling it very clearly for all to understand what is actually afoot.
They use the Bible words in a way that the Bible is never meant to be read and that happens with Sr White as well. That is why we have so many varied ideas of what is written. We must be guarded carefully.
It is my prayer that we will heed the understanding that comes from the Spirit of Prophecy by which we will be able to safeguard our unity and communications with each other to not take people and make them offenders for a word.
I am not just talking about me now, I am talking about what I hear communicated from one person to the next in our community. I have heard people reporting things about others that I know they did not mean, but they were taken to mean that way. Don't do this brethren. Let us lay down these kinds of activities. Let us love one another, let us respond to one another in a loving patient spirit realising what a person is saying is often different to the way I understand them. This needs to be understood so that we can safeguard our unity because we are embracing the message today which is very short in the rest of the Adventist circles. They have some of the truth and some error. We are trying to stand on all that has been presented by the pioneers and we are trying to uphold the platform of truth. Let us remember that is our cause, that is what we are seeking to uphold and may God grant us to be faithful in this work according to the way God's word is showing us. This is my prayer, in Jesus' name.
Posted on November 30, 2013, in Divine Service Sermons and tagged "Religious Cults", accusation, blind obedience, Cult, cult leader, dress code, georead, internet ministry, john thiel, john thiel internet, john thiel sda, johnthielexposed, mark of the beast, railing, religion, sda, sda john thiel, seal of God, seventh day adventist, sevytaliban, womaniser. Bookmark the permalink.	1 Comment.


text:
REKNEW
About REKNEW
Diagnosis-based Information
Locked-In Syndrome
Brain-Computer Interface Systems
SmartPredict App for AAC Conversation
Thinking About Thinking for AAC
Communication Bridge
Free Online AAC Assessments for Children
For End-Users and Families
Realizing Expressive Knowledge in Everyone with Communication Impairments
RSVP Keyboard™
Shuffle Speller
Our research seeks to develop an efficient and effective brain-computer interface (BCI) system that will serve as a communication access method for individuals with locked-in syndrome. We strive to improve the accuracy and speed of the technology, as well as user satisfaction, for a system that can be used for functional written and spoken expression.
Please follow the links below to view written information and videos about our brain-computer interface systems for assistive technologies.
Basic design of a BCI system for assistive technology control
In BCIs using visual, auditory, or tactile stimuli, a computer selects stimuli to be presented to the user via a presentation device (e.g. display, headphones, or tactors), and the user's reactions produce brain signals. In self-driven BCIs, the user spontaneously produces brain signals;the left-hand portion of the figure (in gray) does not apply in these systems. In either case, the brain signals are processed and digitized by signal acquisition hardware and sent to the computer for analysis. If the computer has sufficient evidence to infer the user's intent, it sends a control command to the AT software or device. If not, it initiates the presentation of additional stimuli to the user, or, in the case of self-driven BCIs, awaits additional information from the user. In many systems, the user simultaneously receives input from the stimulus presentation device and feedback from the AT.
Dr. Melanie Fried-Oken, Ph.D., Director of OHSU Assistive Technology Program and Betts Peters, MA, CCC-SLP presenting on Brain Computer Interfaces for Communication as part of the 2021 ALS Research Week hosted by the ALS Association of Oregon & SW Washington Chapter.
Click the image below to see a full-size rendering of our research poster.
Innovations in Neuroscience
The Oregon Brain Institute published the 2018 Innovations in Neuroscience, highlighting leading edge research conducted at OHSU. The REKNEW Brain-Computer Interface program was featured in the book. We are proud of our contribution to the OHSU clinical research community which includes a short description of our work with photos and a video featuring Greg Bieker, a man with locked in syndrome and a consultant to our BCI team.
See the publication (pages 16-19)
Introducing CAMBI
We are pleased to announce the new name of our interdisciplinary, multi-institutional research team: the Consortium for Accessible Multimodal Brain-Body Interfaces (CAMBI). This dynamic team brings together scientists and students from REKNEW Projects and the Oken Cognitive Neuroscience Lab at Oregon Health & Science University, and the Cognitive Systems Lab and Khoury College of Computer Sciences at Northeastern University. Together, we explore and create innovative, user-centered assistive technology access methods for individuals with severe speech and physical impairments.

redpajama_set_name: RedPajamaCommonCrawl


By default temporary files Gravity PDF creates are stored in the tmp folder inside the PDF working directory. As we discussed in the PDF security documentation this directory is protected from direct access by a .htaccess file. However, this only works for web servers running Apache or Litespeed. This filter allows you to move this folder to a private directory that isn't accessible from the web, ensuring your PDFs stay private.
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text:
I-T Dept denies making editorial decisions during search at Dainik Bhaskar
By ANI | General News | Last Updated at July 23 2021 06:34 IST
Topics Dainik Bhaskar | I-T raid
Photo: ANI
Amid allegations of manipulating stories and making editorial decisions during the search at Dainik Bhaskar on Thursday morning, the Income Tax Department has clarified that no such act was carried out by its officials during the raid.
The clarification comes hours after the I-T Department raided the offices of media group Dainik Bhaskar in several locations across the country over alleged tax evasion.
"Certain allegations have appeared in some sections of media that I-T Department officials were suggesting changes in stories and taking editorial decisions during their search on offices of a certain publication. These allegations are absolutely false and are categorically denied by I-T Department," said the I-T Department in a tweet on Thursday.
In an interview with a reputed media channel, Dainik Bhaskar Group Editor Om Gaur said that the Income Tax officials went to the Group's digital department and told the employees that whatever stories they will publish on their digital platform shall go only after their approval.
Denying the allegations of questioning Gaur, the I-T Department said that the claims have no basis and they seem to be "highly motivated".
"Om Gaur is based in Lucknow as per his interview to media. It is emphasised that the Lucknow office of the publication was not searched by the Income Tax team. Gaur was not even questioned. The allegations being made have no basis and in fact, seem to be highly motivated," it added.
In keeping with the Department's protocol, the I-T department said that the investigation team only looked into the financial transactions of the group related to tax evasion.
Earlier on Thursday, government sources said that a search is being carried out in the Dainik Bhaskar group offices under the Income Tax Act over allegations of huge tax evasion.
They said 32 premises, consisting of residential and business premises spread over the cities of Mumbai, Delhi, Bhopal, Indore, Jaipur, Korba, Noida, and Ahmedabad have been covered.
"The search is being done under Section 132 of the Income Tax Act. Searches have been carried out after analysis of the departmental database, banking enquiries and other discrete enquiries," they added.
The sources also stated that the group is involved in various sectors, major being media, power, textiles and real estate, with a group turnover of more than Rs 6,000 crore per annum.
They said that the group has more than 100 companies including holding and subsidiary companies. The flagship company is DB Corp Ltd, which publishes the news daily Dainik Bhaskar.
Read our full coverage on Dainik Bhaskar
First Published: Fri,July 23 2021 06:34 IST
I-T RAID
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Joe Besser (August 12, 1907 – March 1, 1988) was an American actor, comedian and musician, known for his impish humor and wimpy characters. He is best known for his brief stint as a member of The Three Stooges in movie short subjects of 1957–59. He is also remembered for his television roles: Stinky, the bratty man-child in The Abbott and Costello Show, and Jillson, the maintenance man in The Joey Bishop Show.

Early life
Besser was born in St. Louis, Missouri, on August 12, 1907. He was the ninth child of Morris and Fanny [Fecht] Besser, Jewish immigrants from Eastern Europe. He had seven older sisters and an older brother, Manny, who was in show business, primarily as an ethnic Jewish comic. From an early age, Joe was fascinated with show business, especially the magic act of Howard Thurston that visited St. Louis annually. When Joe was 12, Thurston allowed him to be an audience plant. Besser was so excited by this that he sneaked into Thurston's train after the St. Louis run of the show was over and was discovered the next day sleeping on top of the lion's cage in Detroit.

Thurston informed Besser's parents of the situation and trained him as an assistant. The first act involved pulling a rabbit out of a hat. The trick involved two rabbits, one hidden in a pocket of Thurston's cape. But young Besser was so nervous that he botched badly, pulling out the rabbit from the cape at the same time as the other rabbit was on display, before the trick had been performed. The audience roared with laughter, and Besser from then on was assigned "comic mishap" roles only. Besser was placed by St. Louis juvenile authorities in a "corrective school" (reform school) at age 12.

Acting career
Besser remained in show business and developed a comic character: an impish but whiny and bratty man who was easily excitable and upset, throwing temper tantrums with little provocation. Besser, with his frequent outbursts of "You crazy, youuuuu!" and "Not so faaaaaast!" or "Not so harrrrd!!" became a vaudeville headliner, and movie and radio appearances soon followed.

The comedy team of Olsen and Johnson, whose Broadway revues were fast-paced collections of songs and blackouts, hired Joe Besser to join their company. Besser's noisy intrusions fit the Olsen & Johnson style perfectly, and Besser's work caught the attention of the Shubert brothers, who signed Besser to a theatrical contract. Columbia Pictures hired Besser away from the Shuberts, and Besser relocated to Hollywood in 1944, where he brought his comic character to feature-length musical comedies like Hey, Rookie and Eadie Was a Lady (1945). On May 9, 1946, Besser appeared on the pioneering NBC television program Hour Glass, performing his "Army Drill" routine with stage partner Jimmy Little. According to an article in the May 27, 1946, issue of Life magazine, the show was seen by about 20,000 people on about 3,500 television sets, mostly in the New York City area. During this period, he appeared on the Jack Benny radio program in the episode entitled "Jack Prepares For Carnegie Hall" in June, 1943. Besser also starred in short-subject comedies for Columbia from 1949 to 1956. By this point, his persona was sufficiently well known that he was frequently caricatured in Looney Tunes animated shorts of the era. He appeared in the action film The Desert Hawk (1950).

Besser had substituted for Lou Costello on radio, opposite Bud Abbott, and by the 1950s he was firmly established as one of the Abbott and Costello regulars. When the duo filmed The Abbott and Costello Show for television, they hired Joe Besser to play Oswald "Stinky" Davis, a bratty, loudmouthed child dressed in an oversized Little Lord Fauntleroy outfit, shorts, and a flat-top hat with an overhanging brim. He appeared during the first season of The Abbott and Costello Show. Besser was cast for the role of Yonkel, a chariot man, in the low-budget biblical film Sins of Jezebel (1953), which starred Paulette Goddard as the titular wicked queen.

The Three Stooges
After Shemp Howard died of a heart attack while on his way home from a boxing night on November 22, 1955, at the age of 60, his surviving partners, Moe Howard and Larry Fine, had been working as a two-man team since Shemp's death (with Shemp seen entirely in older film footage). Moe suggested that he and Larry could continue working as "The Two Stooges." Studio chief Harry Cohn rejected the proposal. Although Moe had legal approval to allow new members into the act, Columbia executives had the final say about any actor who would appear in the studio's films and insisted on a performer already under contract to Columbia. At the time, Joe Besser was one of a few comedians still making comedy shorts at the studio. He successfully renegotiated his contract and was paid his former feature-film salary, which was more than the other Stooges earned.

Besser refrained from imitating Curly or Shemp. He continued to play the same whiny character he had developed over his long career. He had a clause in his contract that prohibited being hit excessively. Besser recalled, "I usually played the kind of character who would hit others back." He claimed that Larry volunteered to take the brunt of Moe's screen abuse. In a 2002 E! channel program that used file footage of Besser, the comic stated that the left side of Larry Fine's face was noticeably coarser than the other side, which he attributed to Moe's slaps.

As a result of his whiny persona and lack of true slapstick punishment against him (the cornerstone of Stooge humor), Joe has been less popular with contemporary Stooge aficionados, so much so that "Stooge-a-Polooza" TV host Rich Koz has even apologized on the air before showing Besser shorts; during the show's tenure, he received more than a few letters from viewers expressing their outrage over his airing them. Besser does have his defenders, however. Columbia historians Edward Watz and Ted Okuda have written appreciatively of Besser for bringing new energy to what was by then a flagging theatrical series.

The Stooges shorts with Besser were filmed from the spring of 1956 to the end of 1957. His Stooge tenure ended when Columbia shut down the two-reel comedy department on December 20, 1957. Producer-director Jules White had shot enough film for 16 comedies, which were released a few months apart until June 1959, with Sappy Bull Fighters being the final release.

After Besser joined in, for the first time in their career, the Stooges did not make any personal appearances during their layoff season, which began in 1956. There was a long-time belief, based on an existing ad, that the Stooges once performed live, with Besser as the third stooge, at the Paramount Theatre, Los Angeles, sometimes around 1957. It was later found that the ad was erroneously used for the act's personal appearances in December 1959, with Joe DeRita, rather than Besser, as part of the line-up. In fact, Besser never made any personal appearances as a member of the Three Stooges.

After their contract with Columbia ended, Moe Howard and Larry Fine discussed plans for a personal appearance tour, but Besser declined. His wife had suffered a heart attack in November 1957, and he was unwilling to leave without her. In later life, Besser praised Moe and Larry in a 1985 radio interview, from which a quote was aired on A&E Network's Biography. Besser said:

After the Stooges
Besser returned to films and television, most notably as the superintendent Jillson for four seasons (1961–1965) of The Joey Bishop Show. He also made occasional appearances on the ABC late-night series, also called The Joey Bishop Show, between 1967 and 1969. Besser also had roles on The Mothers-in-Law, Batman, The Good Guys, That Girl, and Love, American Style. He provided the voice of the dragon on The Alvin Show (1961), and he played Chubby Stone in the episode "Cry Love, Cry Murder" (S3 E25) of the private-eye series Peter Gunn (1961).

Besser also provided voices for several Saturday Morning cartoon series in the 1970s. He voiced the character Putty Puss in The Houndcats (1972), bumbling genie Babu in Jeannie (1973), (inspired by I Dream of Jeannie) and Scooby's All-Star Laff-A-Lympics, and as Scare Bear in Yogi's Space Race (1978). Besser's career slowed somewhat after he suffered a minor stroke in 1979, resulting in considerable weight loss.

Later in life, Besser expressed some dismay that people only recognized him for his brief tenure with the Stooges. However, he eventually softened, realizing that the Stooges continued to bring him his greatest exposure.

In 1984, Besser co-wrote with authors Jeff and Greg Lenburg his autobiography, Not Just a Stooge, for Excelsior Books. The book would be later retitled and republished as Once a Stooge, Always a Stooge following his death in 1988.

Joe Besser recalled his friendship with the Stooges in an emotional speech, referring to "the four boys [Moe, Larry, Curly, and Shemp] ... up in heaven" looking down at the dedication of a star to The Three Stooges on the Hollywood Walk of Fame on August 30, 1983. Stooges co-actor Emil Sitka, the only other Stooge attendee, also spoke; the only other surviving Stooge, Joe DeRita, was ill at the time, though he outlived Besser by five years.

In the spring of 2000, ABC aired a made-for-television movie The Three Stooges, with actor Laurence Coy appearing briefly as Besser. This depiction of Besser has been criticized as being unfairly negative.

Personal life
In 1932, Besser married dancer Erna Kay (born Ernestine Dora Kretschmer), known as "Ernie". The couple had no children.  They were neighbors and friends of Lou Costello, of the Abbott and Costello duo. Besser appeared in the Abbott and Costello movie Africa Screams (1949), which also featured Shemp Howard of the Three Stooges. Joe and Shemp were old friends, having met in 1932.

His cousin's grandson is Upright Citizens Brigade theater co-founder and improviser/comedian Matt Besser.

Death
Joe Besser died of heart failure on March 1, 1988, at the age of 80. His wife Erna died on July 1, 1989, from a heart attack at age 89. Both spouses are buried in the same plot in the Forest Lawn Memorial Park Cemetery in Glendale, California. Joe's marker reads, "Joe Besser / August 12, 1907 – March 1, 1988 / He Brought the World Love and Laughter", while Erna's reads, "Ernestine Besser / March 14, 1900 – July 1, 1989 / In Loving Memory." Besser's Stooge partner Larry Fine is in a crypt at the Freedom Mausoleum, which is a short distance away from the tomb.

Selected filmography

Theatrical

Features
 Hot Steel (1940) – Siggie
 Hey, Rookie (1944) – Pendelton
 Eadie Was a Lady (1945) – Professor Dingle
 Talk About a Lady (1946) – Roly Q. Entwhistle
 Feudin', Fussin' and A-Fightin (1948) – Sharkey Dolan
 Africa Screams (1949) – Harry
 Joe Palooka Meets Humphrey (1950) – Carlton
 Outside the Wall (1950) – cook (uncredited)
 Woman in Hiding (1950) – salesman
 The Desert Hawk (1950) – Prince Sinbad
 I, the Jury (1953) – Elevator Operator
 Sins of Jezebel (1953) – Yonkel
 Abbott and Costello Meet the Keystone Kops (1955) – Hunter (uncredited)
 Headline Hunters (1955) – Coroner
 Two-Gun Lady (1955) – Doc McGinnis
 Three Stooges Fun-O-Rama (1959)
 Say One for Me (1959) – Joe Greb
 Let's Make Love (1960) – Charlie Lamont
 The Silent Call (1961) – Art
 The Errand Boy (1961) – Man watching rushes
 Hand of Death (1962) – Service station attendant
 The Monk (1969) – Herbie (TV movie)
 Savage Intruder (1970) – Bus Driver
 Which Way to the Front? (1970) – Dock Master

Short subjects
 Cuckoorancho (1938) – Wanderer
 A Day in the Country (1953)
 The Three Stooges (1957–1959)
 The Woodcutter's House (1959)

Joe Besser with Hawthorne short subject series
 Waiting in the Lurch (1949) – Eric Loudermilk Potts
 Dizzy Yardbird (1950) – Rodney Marblehead
 'Fraidy Cat (1951) – Det. Joe Besser
 Aim, Fire, Scoot (1952) – Pvt. Joe Besser
 Caught on the Bounce (1952) – Daddy
 Spies and Guys (1953) – Pvt. Joe Besser
 The Fire Chaser  (1954) – Eric Loudermilk Potts
 G.I. Dood It (1955) – Pvt. Joe Marblehead
 Hook a Crook (1955) – Det. Joe Besser
 Army Daze (1956) – Pvt. Joe Besser

Television
 The Ken Murray Show (1950)
 The Colgate Comedy Hour (1951–1953)
 The Alan Young Show (1951)
 The Abbott and Costello Show (1952–1953) – Stinky Davis
 The Spike Jones Show (1954) – jailhouse warden
 My Little Margie (1954) – butterfly catcher
 The Jack Benny Program (1954–1961)
 The Millionaire (1955) – hobo
 Willy (1955), episode "Willy Saves Harvey From Fraud"
 Damon Runyon Theater (1955)
 The Martha Raye Show (1955)
 Club Oasis (1958)
 Kraft Music Hall (1959)
 General Electric Theater (1961) – Fight manager
 The Alvin Show (1961–1962) – Additional voices
 The Joey Bishop Show (1962–1965) – Mr. Jillson
 Batman (1966) – Hizzoner the Penguin
 The Mothers-in-Law (1968) – "How Not to Manage a Rock Group", "The First Anniversary is the Hardest"
 That's Life (1968)
 That Girl (1968) – "Eleven Angry Men and That Girl"
 The Don Rickles Show (1968)
 Where's Huddles? (1970) – Coach (voice)
 The Houndcats (1972) – Putty Puss (voice)
 Jeannie (1973) – Babu (voice)
 The New Scooby-Doo Movies (1973) – Babu (voice)
 The Oddball Couple (1975) – Additional voices
 Scooby's All Star Laff-A-Lympics (1977–1978) – Babu (voice)
 Fred Flintstone and Friends (1977–1978) – Babu (voice)
 Yogi's Space Race (1978) – Scare Bear (voice)
 Galaxy Goof-Ups (1978–1979) – Scare Bear (voice)
 Shirt Tales (1982) – Elmo the Elephant (voice)
 My Smurfy Valentine (1983) – Cupid (voice)

References

Further reading
 Not Just a Stooge (later retitled Once a Stooge, Always a Stooge) by Joe Besser with Jeff Lenburg and Greg Lenburg , (Excelsior Books, 1984).
 The Three Stooges Scrapbook by Jeff Lenburg, Joan Howard Maurer, and Greg Lenburg (Citadel Press, 2000).

External links

 170 high-definition clips, many rare of Joe Besser

1907 births
1988 deaths
American male film actors
American male television actors
American male voice actors
Jewish American male actors
Jewish American comedians
American male comedians
20th-century American comedians
Jewish male comedians
Male actors from St. Louis
The Three Stooges members
Vaudeville performers
Burials at Forest Lawn Memorial Park (Glendale)
20th-century American male actors
American male comedy actors
Columbia Pictures contract players

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In аll fоrmѕ of аrthritiѕ, the protective lауеr оf саrtilаgе which ѕurrоundѕ the jоintѕ breaks dоwn over time, саuѕing thе bоnеѕ to rub against each оthеr. Withоut this protective lауеr оf cartilage, еvеn the most ѕtrаight fоrwаrd movement саn rеѕult in еxtrеmе pain, аnd соnѕtаnt wеаr саn аlѕо lеаd tо inflаmmаtiоn оf thе jоintѕ аnd mаlfоrmаtiоn of thе bоnеѕ. Hеrbаl trеаtmеnt for arthritis can help tо еаѕе ѕwеlling аnd рrоmоtе the dеvеlорmеnt of new саrtilаgе through the uѕе of ѕubѕtаnсеѕ with anti-inflammatory аnd аntiоxidаnt рrореrtiеѕ.
Arthosal Capsule оffеrѕ a соmbinаtiоn of hеrbѕ, minerals аnd оthеr nаturаl ingrеdiеntѕ tо рrоvidе a соmрrеhеnѕivе treatment of аrthritiѕ ѕуmрtоmѕ and thе conditions whiсh саuѕе them. One оf thе most ѕignifiсаnt bеnеfitѕ of thеѕе nаturаl products iѕ the uѕе оf antioxidants ѕuсh аѕ mаngаnеѕе whiсh remove harmful free rаdiсаlѕ from thе bоdу and hеlр tо restore оvеrаll hеаlth.
A ѕаfеr, gentler alternative tо рrеѕсriрtiоnѕ medicines, hеrbаl trеаtmеnt for аrthritiѕ can givе rеnеwеd hоре to thоѕе fоr whom ѕtаndаrd thеrарiеѕ hаvе nоt bееn ѕuffiсiеnt оr thоѕе whо hаvе ѕuffеrеd frоm ѕеvеrе side еffесtѕ whеn tаking prescription medicine. Natural rеmеdiеѕ can also bе muсh mоrе соѕt-еffесtivе, making them attractive tо thоѕе whо are оn a tight budgеt And while thеу аlѕо rеlу оn natural ingrеdiеntѕ, thеу hаvе bееn proven to be mоrе effective thаn fоlk rеmеdiеѕ such аѕ bее stings, mаgnеtѕ, аnd gin-ѕоаkеd raisins.


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Press Releases"In the Mirror, a Fractured Reflection" an op-ed by...All Releases
6 March, 2018Print
"In the Mirror, a Fractured Reflection" an op-ed by Lindi Ortega for Lenny Letter
How being onstage -- and developing my "country gothic noir" persona -- helped me cope with body-dysmorphic disorder.
When you look at Lindi Ortega, you see a physical manifestation of her "country gothic noir" persona: clothed in all-black attire that matches her jet-black hair and brilliant red lipstick that compliments the bold hue of her signature cowboy boots. She's a picturesque representation of the spirited country she is known for... but she hasn't always seen herself that way.
Earlier today (3.6), Lindi shared her lifelong struggle with Body Dysmorphic Disorder (BDD) -- chronicling the early adolescent bully-driven trauma that launched the spiral in Lindi's negative thoughts about herself that eventually led to her describing her appearance as that of "a fragmented Picasso painting on acid."
Feeling grotesque and alienated, Lindi retreated into a depression that threatened to batter her music career, and she documented it all for Lenny Letter.
In the spirit of conquering her demons -- Lindi's forthcoming three-part concept LP 'Liberty,' due March 30, tells a story that mirrors the struggle and victory the country singer faced. From her hazy inception in "Afraid of the Dark" to her fiery triumph in title track "Liberty," Lindi's protagonist sheds the burdens of her past and races toward a prosperous future.
"The beauty I seek now is a different kind," says Lindi. "It's the kind that comes from the heart and spreads like wildfire."
Read Lindi's full story at Lenny.
For more information, contact Jaclyn D. Carter at Shore Fire Media, (615) 280-5330.


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Home » Music Memoir » Tubby's Revenge – How I Got to Carnegie Hall
Tubby's Revenge – How I Got to Carnegie Hall
Posted by Glenn Berger in Music Memoir | 9 comments
The weirdest album I ever worked on, by far, was Tubby's Revenge by The New York Tuba Quartet. It was also the first album I recorded as an engineer.
You've got to feel sorry for the beleaguered tuba virtuoso. This poor cat is often relegated to playing oom-pah-pah in the circus. That is, he plays two notes over and over again. He is always ignored, never the soloist, never the star, never in the spotlight, never to bathe in the accolades of the adoring crowd.
For the little amount of glory that being a tuba player gets you, the instrument is also a big, heavy sucker to carry around. The corny joke was always about how it would be better to be a harmonica player.
But on Tubby's Revenge, the beleaguered tuba player finally got to get a little, well, revenge.
Back in 1976, when I was on the verge of becoming a senior recording engineer at A & R Studios in New York, Tony Price, the top studio tuba cat, approached one of my teachers, Elliot Scheiner, to see if he could cadge a few studio hours to record his quartet of the big brass babies. Knowing my personality, and my position in the hierarchy, Elliot passed the gig on to me.
The idea of recording a tuba quartet sounded totally freaky to me. I was down with it. Their total budget was zero dollars, so we snuck into the studio over several weekends. We recorded eight-track, and I stole several rolls of one-inch tape to get the thing done.
I was a wee-bit intimidated, anticipating working with classical dudes. I had no experience recording that kind of shit, and I imagined the players to be a stuffy lot. Boy, was I wrong. They were funny geeks, and there was a fair amount of smoke floating through the air of the control room during those fun Sunday afternoons.
The quartet was made up of four of the best tuba players in the world: there was Tony, Toby Hanks, Steve Johns, and Sam Pilafian.
The music they chose for the album was pretty damn strange. One piece won the award for the most bizarre musical notation of the year. The record was tres avant garde. The final piece, however, was a delightful departure. The producer, a sweet trombonist named Early Anderson, did a tuba arrangement of a Charlie Parker work called "Au Privave". I was not familiar with this tune at that time, but I learned it fast. I can sing the complex thing note for note to this day, four decades after we recorded it.
One day, in the middle of recording the album, Sam Pilafian said we'd have to take a short break because he had a gig to do. He said it would take no time at all. He was playing a bit part in PDQ Bach. PDQ Bach was the brainchild of Peter Schickele. It was a thoroughly entertaining, very smart, parody send up of classical music. They were doing their annual Christmas concert at Carnegie Hall, and Sam was in the show.
He asked me if I wanted to come along. Most definitely! We scooted over to 57th Street and 7th Avenue to the location of one of the world's greatest concert halls. Sam carried his tuba, and I helped out by carrying a – motorcycle helmet?
We dashed though the backstage door, and I found myself in a magical land that was like the inside of a living toy box. As we rushed our way through the labryinthian passageways of the backstage area of the venerable old hall, in the periphery of my vision I thought I saw ladies in tutus practicing their tromboons, fat guys in make-up singing like sopranos, midgets running through their ballet steps in tandem, and anxious performers warming up their nose flutes and kazoos, as they prepared for such pieces as Missa Hilarious and the Howdy Symphony. Maybe I didn't see all of that – but if not, it was pretty damn close.
Finally, we arrived at stage right. I peered out onto the brightly lit stage and out into the beautiful hall filled with glitterati. Sam ripped off his coat to reveal a tuxedo. He put the motorcycle helmet on his head, pulled his tuba out of its protective carrying bag, and held it in his arms.
He'd made it just in time for Maestro Schickele to announce his act. Sam walked out on stage to great applause. He stood on his head, and played his ax, that now favorite instrument of mine, the tuba.
Upon completing his two-minute sonata, he flipped back straight up, to another round of thunderous approbation. This would be, most probably, the most attention this lonely brass player would ever get.
He ran back to where I stood. He put the tuba back in his bag. He handed the helmet to me. He put his winter coat back on. We zipped through the backstage hallways past the loony performers, and in a minute found ourselves out on the cold holiday streets of the city.
Well, it was a spectacular few minutes. But since I'm writing this for my psychotherapy blog, I've got to add some prescriptive wisdom, don't I? What was the lesson? I hear all too many young folks feeling a tremendous amount of pressure to figure out how to make lots of money as soon as possible after coming out of college. They anxiously tell themselves that if they don't start saving for retirement by twenty-five, they are losers.
Sure, it is great to be responsible, and we do live in a world far different than the one I grew up in during the 1970s. But the only options they seem to be able to consider are conventional, boring ones: consulting, finance, law. Maybe, if they are really bold, they'll hook up with a tech start-up.
But is that what life should be about in your twenties? What about experience? What about making life amazing? What about creating mind-blowing memories so when you are as old as me you can remember standing back stage at Carnegie when you were twenty years old watching some dude stand on his head playing the tuba?
Remember Dead Poets Society? Carpe diem, seize the day! You've got one life to live – make it spectacular. There will be plenty of time to make money, be conventional, wear the suit. There's nothing wrong with that. Just not yet. Do crazy stuff, be adventurous, make mistakes, strive for greatness, meet astounding people, have several careers, bleed for a cause, learn life lessons, open your mind, do the unexpected, get lost, do things that you can be proud of, have stories that you can brag about to your grandchildren.
I didn't make a nickel working on Tubby's Revenge, and it is an album that maybe fifteen people have ever heard. But it is one of my proudest accomplishments. Through doing it I learned my craft – I learned how to listen. And by being willing to work for free on the weekends, something happened that I never could have predicted. I got to Carnegie Hall.
PDQ Bach is having its 50th anniversary concert tonight, December 29th, at Town Hall in New York.
Read more great music biz stories in my top 25 best-selling memoir, NEVER SAY NO TO A ROCK STAR: IN THE STUDIO WITH DYLAN, JAGGER, SINATRA AND MORE, out now on Schaffner Books.
joanne ungar / December 29, 2015
I love this – so inspirational! Plus I love tubas too! I'm sending it off to my 22yr old daughter now!
Glenn Berger / December 29, 2015
How could you have a 22-year-old daughter!!?
Brian Gregory Wilson / December 29, 2015
You have the best stories!
nystan11 / December 30, 2015
As you know, I also had a twisty turn-ish start in life….and found myself playing a fender bass in a folk group-but because I was a live audio mixer (mixing live performances) I had very specific ideas about the actual sound this band needed, to round out what to my ears was a bit of a thin and reedy overall concert sound, and I spent the next four years attempting to get a tuba bass sound out of my instrument-that is, a low, melodic 'oomph'. The only person I ever heard who got a fat tuba sound out of an electric bass….in my mind that is, was Rick Danko of The Band. Point is, I am a life long fan of the tuba that probably started when my folks gave me a copy of Tubby on 78's in the early/mid 50's. I love that both Colbert and Fallon both have tubas in their house bands. Love your story, as usual! Hey Glenn…..how do you get to Carnegie Hall? Happy Holidays!
John / December 30, 2015
Fantastic! I'll bet you anything three of these four were in Howard Johnson's New York Tuba Orchestra. I'd love to find Tubby's revenge. I'd even do digital transfers for them from the master if it exists.
John Garrett, Boston
Dave Peto / December 31, 2015
Met Sam once at a Brass Band of Battle Creek performance. What a nice guy . . . hell of a tubist, too!
Joe / January 11, 2016
steve Hoog / January 9, 2017
A lot more than 15 have heard Tubby's Revenge, don't worry. At least 50. Easy.
Thanks for the story! It is an iconic album, and Sam certainly has gotten his share of attention since then. He pays his audiences well…
Like many other tuba players of an age, this was among my first tuba LP purchases. It's still available on CD, in the last couple years at least.
Nope, not those guys. Not regulars, at least, and not on SNL or HoJo's albums.


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Q: Http failure during parsing in angular 7 I am implementing a kendo drop down and trying to call an api when the user tries to search by entering characters. I can see that the call is being made to the api and the api is returning the filtered values however the data is not getting bound.
I can see that an error occurs and the err block is executed . The error states that
Http failure during parsing for http://localhost:54455/fund/HFRFundSearch?term=as
Could somebody tell me what the issue is . Is it because the api is returning an object
Here is my code
 Third Party Database Feed

{{FundDetails.HFRFundName}}

         <kendo-dropdownlist style="width:350px" [(ngModel)]="HFRFunds" [data]="HFRFunds"  [filterable]="true" [valuePrimitive]="true"   textField="text" valueField="id"  (filterChange)="handleFilter($event)"></kendo-dropdownlist>

component
 handleFilter(value) {
        if (value.length >= 2) {
            this.fundService.getHFRFund(value)
            .subscribe(data => {
                this.HFRFunds = data;
            },
                err => {
                    this.Error = 'An error has occurred. Please contact BSG';
                },
                () => {
                });
        }
    }

service
 constructor(
            private http: HttpClient,
            private config: AppConfig)
    { }

 getHFRFund(value : string) {
                let pars = new HttpParams();
                pars = pars.append('term', value.toString());
                const url = this.config.api.hfrFundSearch;
                return this.http.get(url, { params: pars, withCredentials: true });
        }

api.
[HttpGet]
        [AuthorizationLevel(AuthAccessLevel.Read)]
        public object HFRFundSearch(string term)
        {
            try
            {
                var hfrFunds = new List<object>();
                if (!string.IsNullOrEmpty(term))
                {
                    term = term.ToLower();
                    hfrFunds.AddRange(GetViewService<V_HFR_FUND>()
                        .Where(x => x.HFR_FUND_NAME.ToLower().StartsWith(term))
                        .Take(10)
                        .OrderBy(x => x.HFR_FUND_NAME)
                        .Select(x => new { id = x.HFR_FUND_ID, text = x.HFR_FUND_NAME })
                        .ToList());
                }

                return hfrFunds;
            }
            catch (Exception ex)
            {
                _logger.Error(ex);
                return ex;
            }
        }

A: // API
[HttpGet]
        [AuthorizationLevel(AuthAccessLevel.Read)]
        public object HFRFundSearch(string term)
        {
            try
            {
                var hfrFunds = new List<object>();
                if (!string.IsNullOrEmpty(term))
                {
                    term = term.ToLower();
                    hfrFunds.AddRange(GetViewService<V_HFR_FUND>()
                        .Where(x => x.HFR_FUND_NAME.ToLower().StartsWith(term))
                        .Take(10)
                        .OrderBy(x => x.HFR_FUND_NAME)
                        .Select(x => new { value = x.HFR_FUND_ID, text = x.HFR_FUND_NAME })
                        .ToList());
                }

                return hfrFunds;
            }
            catch (Exception ex)
            {
                _logger.Error(ex);
                return ex;
            }
        }

    // component
     // component
    import { map } from 'rxjs/operators';

    handleFilter(value) {
       if (value.length >= 2) {
          this.fundService.getHFRFund(value).subscribe(
                data => {
                 this.HRFunds = data;
           });
        }
    }

redpajama_set_name: RedPajamaStackExchange


text:
package com.tomkasp.training.application.command;

import com.tomkasp.common.common.command.ResponseAwareDomainCommand;
import com.tomkasp.training.domain.survey.TrainingSurveyId;
import org.springframework.data.geo.Distance;

import java.time.Duration;

/**
 * @author Tomasz Kasprzycki
 */
public class AddTrainingHistoryCommand extends ResponseAwareDomainCommand<Long> {

    private final TrainingSurveyId trainingSurveyId;

    private final Distance distance;

    private final Duration personalRecord;

    private final Duration lastTime;

    public AddTrainingHistoryCommand(
        TrainingSurveyId trainingSurveyId,
        Distance distance,
        Duration personalRecord,
        Duration lastTime) {
        this.trainingSurveyId = trainingSurveyId;
        this.distance = distance;
        this.personalRecord = personalRecord;
        this.lastTime = lastTime;
    }

    public Distance getDistance() {
        return distance;
    }

    public Duration getPersonalRecord() {
        return personalRecord;
    }

    public Duration getLastTime() {
        return lastTime;
    }

    public TrainingSurveyId getTrainingSurveyId() {
        return trainingSurveyId;
    }
}

redpajama_set_name: RedPajamaGithub


This necklace is made to look continuous using a hidden clasp (or any clasp of your choice) and uses size 10 Delicas (or size 11 if preferred) to work up nice and quickly. However, if you want to alter the project then instructions on changing the scale and size are included.
This 7-page pattern has text, diagrams and photos. All of my tutorials contain full instructions and tips as well as check lists for all tools, materials and techniques needed to help you shop and plan. Also included are the codes for the actual colours I used.
This necklace appeared as a project in the June/July 2012 issue of Beadwork Magazine.


'The standard glamorous Hollywood archetype is usually blonde and buxom and the hero's love interest, sidekick or victim. Ripley is five feet, eleven inches tall, lean, brunette and brown-eyed,' explained writer Gladys L. Knight in Female Action Heroes: A Guide to Women in Comics, Video Games, Film, and Television.
The character in question, Ellen Ripley, served as a supporting character in the 1979 science fiction horror Alien, before transforming into the 'final girl' when all of her male colleagues had been killed by a deadly alien creature that had invaded her spaceship. For the movie's sequel, 1986's action-packed Aliens, Ripley had become the masculine character, achieving what her tough marine companions had failed to do by destroying a hive of the creatures. For David Fincher's Alien³, Ripley's head was shaved as she found herself in a prison colony, taking her role as the hero to the logical conclusion by removing the final trace of her femininity.
Prior to her casting in Alien, Sigourney Weaver's most notable role had been in Woody Allen's 1977 comic drama Annie Hall, but following her star-making performance as Ripley she would help to define the female action hero with James Cameron's explosive sequel Aliens. Cameron would create another masculine heroine with his 1991 classic Terminator 2: Judgment Day, in which Linda Hamilton's character Sarah Connor had followed in the footsteps of Ripley by taking on both the role of mother (protecting the child victim) and the strong and fearless hero.
While Ripley would sacrifice herself to destroy the last surviving alien that she had been impregnated with in Alien³, Weaver would return to the role one final time in Jean-Pierre Jeanut's critically-reviled Alien Resurrection, the fourth and final instalment of the long-running franchise that would see a clone of Ripley displaying alien-like characteristics while attempting to save a group of human smugglers from a secret government experiment that had brought the extinct alien race back to life.
It would take another seven years for the xenomorphs to return to the big screen with the crossover feature Alien vs. Predator, but despite one veteran of the Alien franchise, Lance Henriksen, returning for a supporting role, Weaver chose not to participate. The series seemed dormant until Ridley Scott, the director of the original Alien, decided to return to the world he had explored in the first movie with the prequel Prometheus, a highly-anticipated project that was met with mixed opinions from both audiences and critics.


SYDNEY - Macquarie Group Limited (ASX:MQG, ADR: MQBKY) and Macquarie Bank Limited (MBL) today announces that MBL, acting through its London Branch, intends, subject to market conditions, to offer a new USD Tier 1 hybrid security to institutional and sophisticated investors in line with the previously announced group capital management plan. The intended size of the offer is up to US$500m.
The proposed hybrid, if issued, will be unsecured subordinated notes of MBL with noncumulative distributions and will be exchangeable for ordinary shares of MGL in certain circumstances.


Target Details This gene encodes a cytosolic enzyme that catalyzes the activation of acetate for use in lipid synthesis and energy generation. The protein acts as a monomer and produces acetyl-CoA from acetate in a reaction that requires ATP. Expression of this gene is regulated by sterol regulatory element-binding proteins, transcription factors that activate genes required for the synthesis of cholesterol and unsaturated fatty acids. Alternative splicing results in multiple transcript variants.
Function Activates acetate so that it can be used for lipid synthesis or for energy generation.


text:
Q: Android, AsyncTask inside AsyncTask doInBackground I have no idea how to solve problem, which I met while designing API for Android.
API must contain a method which will be able to get JSON Object from specific URL. So, I decide to put into the method AsyncTask to achieve that.
After execution method from this API I need populate a ListView, but I do not know how. As far as I know it is not possible to put AsyncTask( from method in my API) into other AsyncTask.
Any ideas, solutions, suggestions?
EDIT:
In the other words I want to create a method which will call restful services and get JSON.
This method will be executed (from other package) to populate ListView with the result.
My AsyncTask:
protected String doInBackground(HashMap<String,Boolean>... args)
    {
        JSONArray readings=null;
        JSONObject json = getReadingsFromDB(args[0]);

        try
        {
            int i;
            readings = json.getJSONArray(TAG_READINGS);

            for(i =0; i<readings.length();i++)
            {
                JSONObject ob = readings.getJSONObject(i);
                ReadingH newReading = new ReadingH();
                HashMap<String,String> map = new HashMap<String, String>();

                String id;
                String date;
                String humidity;
                String temp;

                if(!ob.isNull(TAG_TEMPERATURE))
                {
                    temp = ob.getString(TAG_TEMPERATURE);
                    newReading.setValue(TAG_TEMPERATURE, temp);
                    map.put(TAG_TEMPERATURE, temp);
                }
                if(!ob.isNull(TAG_ID))
                {
                    id = ob.getString(TAG_ID);
                    newReading.setValue(TAG_ID, id);
                    map.put(TAG_ID, id);
                }
                if(!ob.isNull(TAG_DATE))
                {
                    date = ob.getString(TAG_DATE);
                    map.put(TAG_DATE, date);
                    newReading.setValue(TAG_DATE, date);
                }
                if(!ob.isNull(TAG_HUMIDITY))
                {
                    humidity= ob.getString(TAG_HUMIDITY);
                    map.put(TAG_HUMIDITY, humidity);
                    newReading.setValue(TAG_HUMIDITY, humidity);
                }
                readingsListH.add(newReading);
                readingsList.add(map);
            }
        }
        catch(Exception e)
        {
            e.printStackTrace();
        }
        return null;
    }

    @Override
    protected void onPostExecute(String file_url)
    {
        //  pDialog.dismiss();
        a.runOnUiThread(new Runnable()
        {
            public void run()
            {
                ListAdapter adapter = new SimpleAdapter(
                        a,readingsList,
                        R.layout.reading_item,new String[]{TAG_ID,TAG_DATE,TAG_TEMPERATURE},
                        new int[]{R.id.ReadingID,R.id.ReadingDate,R.id.ReadingTemperature});
                a.setListAdapter(adapter);
            }
        });
    }

doInBackground will be in my new method, but code from onPostExecute will be there where new method will be executed.
Regards


OCREIC is a group of people who invest in real estate, from single-family homes to large complexes and all sorts of other properties in an area of Upstate New York ranging roughly from Rochester to Syracuse to Utica to Cortland. We've also had visitors from Canada and Europe.
Some members are very experienced, some are very new at it, and there are many in between. No matter, you'll be hard pressed to find a more dynamic, positive-thinking and helpful group.
Come for dinner and talk to the people at your table – it's the best money you'll ever invest. Stay for the meeting, which includes an informative presentation given by REICNY member(s) and/or invited guests, or concurrent-session workshops. Stay (and stay!) for the after-meeting chats about real-life real estate investing in Upstate New York.
NATIONAL and LOCAL SPEAKERS – Our monthly meetings feature national and local guest speakers discussing state-of-the-art real estate investment techniques.
THIS WEBSITE – Your connection to OCREIC news, activities, meeting information.
Who are our members? Full and part time investors, real estate brokers and agents, attorneys, accountants, property managers, beginning investors, renovation specialists, appraisers, bankers, and people like you who want to enjoy the many benefits of real estate investing.
Become a member. CLICK HERE to see how.
You are unique. You possess an individual set of talents and personal potential that is like no one else's on Earth. You have the ability to control your financial future. With knowledge and the proper application, success is within your grasp.
Success is a journey, not a destination. You are responsible for where you are today in life. Are you really happy? What else could you be doing with your time to achieve the dreams you dream?
Join us in the commitment to financial independence through Real Estate Investing. Shoot for the stars. Be prepared to make it happen for you!