After spending the past few days dropping clues on Instagram, Ke$ha finally reveals detail about her first album since 2010.
Well, it's not like Ke$ha wasn't trying to spell it out for us.
Two days after she began posting a series of letters on Instagram — along with cryptic messages like "What's it all mean???" — Ke$h answered her own question Wednesday morning (September 19), revealing that she was spelling out the title of her new album: Warrior.
According to a message on her Twitter account — Ke$h has sort of become a social-media master, no? — Warrior will hit stores on December 4. But if that seems like too long of a wait, fear not, because she also let it be known that the first single off the album, "Die Young," will be available next Tuesday, September 25.
Ke$ha had previously announced the title of that single — on the VMA red carpet, nonetheless and had begun promoting it with a series of short YouTube clips, which show her singing the song (and terrifying commuters) in the Tokyo subway system.
When she kicked off her Instagram campaign on Monday with a photo of a Waffle House waitress holding a jagged "R," most fans quickly noticed a similar-looking letter also appeared on a pair of Rihanna's album covers, leading to rampant speculation that a team-up between the two was imminent. But, as the day went on, Ke$ha quickly revealed even more letters — the glittery "O" sort of quashed any possibility of a Rih Rih collabo — and she finally finished the game just after midnight, posting a pic of her in her witchy finest, palm open and painted with the letter "W."
From there, it was simply a matter of piecing things together. Warrior is Ke$ha's first studio album since her pair of breakout 2010 releases, the full-length Animal and the follow-up EP Cannibal.


text:
Q: Can't call PHP contents from another file i'm developing a Joomla module, and i'm testing the basic approach. I have my first file:
FILE1.php
<?php
defined('_JEXEC') or die('Direct Access to this location is not allowed.');
$AdVisualV2jMODPHP_ver='0.3.0070';
$Station_ID = $params->get('Station_ID');

$Start=0;
$Page=10;
echo 'AVVIAMO LA PROCEDURA 0.0.66 - '.$Station_ID.'
';
echo '

';
echo '<INPUT Type="BUTTON" VALUE="Avanti" ONCLICK="avanti()"> ';
echo '<INPUT Type="BUTTON" VALUE="Indietro" ONCLICK="indietro()"> ';
echo '
';
?>

Here there is the file DisplayEvents.php:
<?php
echo 'Da qui siamo nella routine display
';
echo 'Procediamo pure
';
?>

I've used other times this way, with XMLHttpRequest i put all the text output of the file DisplayEvents.php and I put it in the variable Evento, then I can print or do what I want. But simply does not work.
I've used this way other times in an HTML file with a PHP, this time is PHP with PHP, but i can't understand.
Where I'm wrong this time? Thank you for your help.

A: With the information you provided, I am curious to see if it is an issue with your path's.
Change:
xmlhttp.open('GET','DisplayEvents.php',false);

To:
xmlhttp.open('GET','/DisplayEvents.php',false);

Use Chrome's Developer Console or Firefox and FireBug and look at the response on the network tabs. This will show you the status and response codes clearly.
Also, take a look at your access_logs and see if there are entries for the calls to the DisplayEvents.php file.

redpajama_set_name: RedPajamaStackExchange


Can I feed Success® Rice to my dog or cat?
Definitely, in fact Success® Rice is an excellent food choice for both healthy and sick dogs and cats.
Do you make Success® Rice in a bigger bag?
Our 32oz. Size has six family size bags (5.33 oz. each), which are 50% larger than the bags in our other cartons (3.5 oz each). Each family size bag makes about 3 cups cooked rice.
Is Success® Rice Kosher approved?
Success® White and Brown Rice are Kosher approved by Star K.
YES! The Boil-in Bag is made of High Density Polyethylene (HDPE).
Where can I get a coupon for Success® Rice?


How to get more information to display on Movies screen?
Discussion in 'Apple TV and Home Theater' started by GhostMac24, Jun 9, 2014.
ps. I've added a pic to illustrate what I am referring to.
I don't have a real answer but an idea you can check out.
The information that shows has to come from somewhere. As such, you might be able to edit the info and include the year/date.
First place I would check is in the "get info" on the file. Maybe type in the year of the movie in one of the areas that shows up on the screen while using ATV.
If you try this, please post if you are successful or not. My first attempt would be to put the date at the front of the description/summary of the movie. I think that is under "video" in the get info look up of the file.
Just select a movie in your iTunes library and hit command + I. You can add the year it was made and genre. Then on the video tab you can add a description if you so desire.
Whoiare, is correct. You can add all of the info you want using Get Info, but it will not display on the aTV. Beautiful full descriptions with detailed info is reserved for the iTunes Store content.
I'm thinking this is the only way and now hearing some of the other comments, it really might be the only way. I'll experiment and report back. It make zero sense (but not surprising from Apple) that we can't select what we want to view of the information that is in the INFO part of the video!
Thanks for the input. The rationale for my desire to put the movie year is that I have hundreds of movies in my iTunes library and there are so many times when we sit down to watch a movie "what year did this come out"? Not that it is laborious, but I end up having to open my IMDB app and check.
Thanks for the input. However, I already populate all that info from my time converting all my DVDs/Blu-rays to my iTunes library.
To possibly dull the pain you might feel...just a little, remember that the metadata fields you populate were originally designed and used for viewing movies in iTunes not the aTV. The "modern" aTV came along later and just taps into that metadata and obviously decisions were made by Apple on how to use the limited screen space. Hopefully, there will be improvements when/if a new aTV is released...then again, maybe not, as Apple has never been very supportive of using local content.
Interesting. I didn't even think of that but it makes sense. Thanks again for the input.
Correct, Once apple allows all those fields to be present on the ATV, then maybe we will finally have a way to use all the fields to SORT our 100s of movies easier. My plan is as such: keep tagging all movies/tvshows/music/books/photos whatever itunes handles properly when i add them to itunes the first time. Then pray that all my hard work will pay off when apple eventually moves ATV from hobby to product and i will be able to use all those fields properly. As it is now i do what i recommended before. I tag all james bond movies in the Group Metadata as Bond, and all pixar movies in grouping as Pixar and just create smart playlists of each so that everytime i add a new bond or pixar movie they show up in the proper playlist and i can view any of them on my multiple ATvs by accessing the Bond or Pixar Playlist.
I thought the info automatically expanded when you waited on your selection?
Same here. It's just a few seconds more of work but it's in there and if we ever get to display it, then we have those sort fields ready to go!
Nope. The only "expanding" I see is if the title is longer than what fits, it starts to (expand) by scrolling horizontally. Heck the description doesn't even expand when the amount of lines exceeds what they allow. Instead you just get a few dots (......) at the end.
What would be great is if you could SELECT the movie without playing and instead get that movie as a single page with ALL the info tagged much like when you go to PURCHASED list to play the item and select the movie from there. For example, one of the movies that we bought from iTunes shows up both in our movies list AND the purchased list. The movies list is just like the pic I posted in the OP, but the purchased option gives me ALL the info before I play it. That would be nice.
Another oddity is on the iPad with my movie rips. The year will display on the iPad but not on the ATV as noted. Another is the actors. If I sync a movie to my iPad the actors is not shown (using the videos app) but actors are shown if I connect to my iTunes library. Actors will not even display unless I use Subler to add the "cast" metadata field. Also the Plot Summary on the iPad will not display unless I add "long description" with Subler, the normal description in "get info" does not display on the iPad.
You need a better Metadata tagging software in order to access all that stuff.
iTunes does not allow access to the Ratings, HD label, or a couple other fields. You need to use an external metadata program to add those tags. I personally use MetaX on Windows. It was $10 to buy, but I use it a ton, so I am happy with it.
No, it doesnt matter what metadata tagger you use. I use a combination of subler and identity2....All the info shows up great in itunes but the ATV wont use all of it.
well thats not true. you can add most of the same info that the itunes purchased version of a movie contains. However, year isnt one of them.


text:
Azoverbindingen hebben als algemene formule de vorm R-N=N-R'. Hierin zijn R en R' hetzij aromatisch of alifatisch. Azobenzeen is een voorbeeld van een aromatische azoverbinding.

De naam azo is afkomstig van azote, een oude naam voor stikstof. De groep R-N=N-R wordt een azogroep genoemd. Hierin staat N voor het element stikstof. De uiteinden R en R' kunnen allerlei samenstellingen hebben, bijvoorbeeld aromatisch. Deze uiteinden helpen om de N=N groep te stabiliseren.

Vele azoverbindingen zijn gekleurd omdat ze een deel van zichtbaar licht absorberen, en een ander deel, met een kleur, reflecteren. Dit verschijnsel wordt veroorzaakt door de delokalisatie van de elektronen in uiteinden. De azogroepen vormen een geconjugeerd systeem.

Toepassingen
Aromatische azoverbindingen zijn meestal stabiel en hebben levendige kleuren zoals rood, oranje en geel. Maar ook groene, blauwe en violette azokleurstoffen zijn bekend. Ze worden daarom veel gebruikt in pigmenten voor verfstoffen, die dan ook azoverf genoemd worden. In azopigmenten is een azoverbinding vermengd met fijne kleideeltjes.

Alifatische azoverbindingen zijn enigszins instabiel en kunnen zelfs exploderen. Onder invloed van hoge temperatuur komen de radicalen R vrij tegelijk met stikstofgas. Daarom worden deze stoffen gebruikt als leveranciers van radicalen. Azobisisobutyronitril (AIBN) wordt bijvoorbeeld veel gebruikt in industriële processen en laboratoria.

Een belangrijke eigenschap van azokleurstoffen is dat ze dichroïsme vertonen. Dit betekent dat gepolariseerd licht met verschillende invalshoeken door de azokleurstof verschillend wordt geabsorbeerd. Dit betekent dat onder gepolariseerd licht onder verschillende invalshoeken de kleurstof heel sterk of helemaal niet absorbeert. Azokleurstoffen worden daarom ook veel in polarisatoren gebruikt.

Synthese
Aromatische azoverbindingen kunnen gemaakt worden door een "azo-koppeling" van aromatische ringen met diazoniumzouten. Omdat deze zouten uiteenvallen bij temperaturen hoger dan 5 °C vindt deze reactie plaats in een koude omgeving. In een zure oplossing van natriumnitriet ontstaat het nitrosylkation, dat als elektrofiel wordt aangevallen door een vrij elektronenpaar van een aminogroep. Hierbij ontstaat uiteindelijk het corresponderende diazonium-kation. Het diazonium-kation is ook een elektrofiel, dat dan kan worden aangevallen door een geactiveerde aromatische ring. De azoverbinding wordt dus gevormd door elektrofiele aromatische substitutie.

De oxidatie van hydrazines (R-NH-NH-R') levert ook een azoverbinding.

Azobenzeen is een symmetrische azoverbinding en kan op een andere manier gemaakt worden, namelijk door de reductie en koppeling van nitrobenzeen in een basisch milieu in aanwezigheid van zinkpoeder. Het rendement is hoger dan bij traditionele azo-koppeling, omdat de moleculen nitrobenzeen direct worden gereduceerd tot nitrosobenzeen en fenylhydroxylamine. Deze koppelen vervolgens aan elkaar tot azo-oxybenzeen, waarna onder afsplitsing van O2− diazobenzeen gevormd wordt. De reactie verloopt echter traag en levert redelijk lage opbrengsten. Een betere synthese-methode is de koppeling van benzeendiazonium aan benzeen, wat een erg hoge opbrengst zou moeten geven omdat de reactie erg gemakkelijk verloopt.

Azoverbindingen in levensmiddelen en cosmetica
Azoverbindingen die in levensmiddelen worden toegepast staan hieronder vermeld. De E-nummers verwijzen naar de toegestane additieven in de Europese Unie.
 Amarant (E123)
 Allura rood AC (E129)
 Azorubine (E122)
 Bruin FK (E154) - mengsel van 6 azokleurstoffen)
 Bruin HT (E155)
 Briljantzwart BN (E151)
 Cochenillerood A (E124 - synthetische variant van de echte cochenille)
 Geel 2G (E107)
 Geeloranje S (E110)
 Litholrubine BK (E180)
 Rood 2G (E128)
 Tartrazine (E102)

Volgens de INCI (International Nomenclature of Cosmetic Ingredients) zijn de volgende cosmetische kleuren azokleurstoffen:
CI 11680 geel, CI 11710 geel, CI 11725 oranje, CI 11920 oranje, CI 12010 bruin, CI 12085 rood, CI 12120 rood, CI 12150 rood, CI 12370 rood, CI 12420 rood, CI 12480 bruin, CI 12490 rood, CI 12700 geel, CI 13015 geel, CI 14270 geel, CI 14700 geelrood, CI 14720 rood, CI 14815 rood, CI 15510 oranje,CI 15525 rood, CI 15580 rood, CI 15620 rood, CI 15630 rood, CI 15800 rood, CI 15850 rood, CI 15865 rood, CI 15880 rood, CI 15980 geeloranje, CI 15985 geeloranje, CI 16035 rood, CI 16185 rood, CI 16230 oranje, CI 16255 rood, CI 16290 rood, CI 17200 blauwrood, CI 18050 rood, CI 18130 rood, CI 18690 geel, CI 18736 rood, CI 18820 geel, CI 18965 geel, CI 19140 geel, CI 20040 geel, CI 20170 geel, CI 20470 diepblauw, CI 21100 geel, CI 21108 geel, CI 21230 geel, CI 24790 rood, CI 26100 rood, CI 27290 rood, CI 27755 blauwzwart, CI 28440 blauwviolet, CI 40215 oranje

Zie ook
 Diazirine

Stofklasse

redpajama_set_name: RedPajamaWikipedia


The Taft baseball team picked up its fifth straight win with a 10-0 victory in six innings over Santiam Christian to remain undefeated in West Valley League play. The decisive win over a top-10 opponent catapulted the Tigers to the top of the 3A OSAA rankings — who entered the game ranked No. 2 — with 10 games remaining in the season. The Tigers pounced on Santiam Christian's Grant Carley for five runs in the first inning, then added two more runs in the second inning to take control of the game early. "The games go a lot better when you jump out on teams early," said first-year head coach Matt Hilgers. "It makes things a lot easier for us coaching. We come out, score runs, put pressure on the other team, that's been M.O all year — put runs up early and let the chips fall where they will." Taft has put a run on the board in all but one of the games during its current five-game winning streak. The offense has jumped out to early leads, outscoring its five opponents 13-2 in the first inning.


After Dinner Mint Cheesecake — Show your love with a cream cheese-gelatin mixture combined with Cool Whip and creme de menthe liqueur for the filling, with a chocolate mint crust and topper.
Chocolate Mayan Bundt Cake — A unique twist on a favorite. This Bundt cake is infused with chocolate, cinnamon and cayenne flavors and topped with an elegant chocolate or cinnamon glaze.
Chocolate Raspberry Cheesecake — An indulgent cheesecake with a chocolate graham cracker crust, and a delicious filling using raspberry liqueur.
Chocolate Rhapsody — Inspire romance any day of the week with this recipe for indulgence. With its divine raspberry mousse and moist yellow sponge cake separated by a thin layer of decadent chocolate, Chocolate Rhapsody is sure to make love abound.
Dreamy Mini Cheesecakes — You won't need a bow and arrow to catch your crush this Valentine's Day. Woo him or her with these mini pink gems that can be made a day ahead for a no-fuss, relaxing end to a romantic dinner at home.
Fudge Lover's Strawberry Truffle Cake — Indulge in a decadent chocolate cake dessert bursting with fresh strawberries and enrobed in rich ganache.
Heart and Flowers Cake — Gumdrops are the secret to the decorations. Ordinary square and round baking pans create the heart-shaped cake!
Heart Cake — Perfect for a Valentine's or anniversary party, this lovely dessert requires just a half hour of preparation time and serves 12.
Hot Pink Raspberry and Cream Cake — Create layers of luscious cream and cake with a tart punch of fresh raspberries.
Lemon Cake with Raspberry Mousse — Delight in a delicious cake with raspberry filling and raspberry-whipped cream mousse frosting.
Love Struck Chocolate Bundt Cake — Romance that special someone with a slice of this heavenly dessert. Topped with an elegant chocolate glaze, this chocolate cake will leave you in pure bliss.


An example of spam emails that may be trolling for personal information!
Apple-Edu would like to share a special opportunity to you - a sweepstakes offering resources and equipment you can use! Please share anyone with who may wish to consider this - thanks!
Is this message plausible? Is there any reason that you would receive this message?
If the message is delivered to your email - why does their form request your email address?
If this message was sent from a specific organization/company - where is the URL hosted?
Is the person sending it from the company represented?


text:
"Percussionist Colleen Bernstein rendered the sound of crackling ice, rockfalls, the knock of a woodpecker, the swish of grass in tall meadows, and hoof beats of a running deer. Some tones were bright and percussive as water over rocks, while the shimmering of chimes she let the wind play was soft and meditative as the trees' filtered light."
— The Seattle Times
Image by Geoff Sheil.
Colleen Bernstein is an adventurous musician pursuing her passions as an ambitious percussionist and enthusiastic arts educator. She is an active performer of contemporary solo and chamber music, and is also a concert presenter, producer, pianist, and conductor. Colleen strives to embody boldness and empathy through her work, and is dedicated to unifying and effecting positive change in communities of all ages and backgrounds.
Colleen's performances span from conventional to inventive, reflective to energetic, boundary-pushing to uplifting. She has played on three continents, in venues ranging from Kodak Hall and Hill Auditorium to Hurricane Ridge, 5000 feet above sea level at Olympic National Park.
Colleen has been featured in performances with GRAMMY-winners including Béla Fleck and members of the Silkroad Ensemble. She received 2nd place in the Black Swamp Solo Showcase and 3rd place in the MalletLab International Competition in 2018, and won the Ludwig Albert Talent Prize at the 2015 Universal Marimba Competition, held in Sint-Truiden, Belgium. She has also been featured as a performer at the Leigh Howard Stevens Marimba Seminar and on the New York Philharmonic's "Off the Grid" concert series. Currently, Colleen performs and teaches actively with the American Wild Ensemble and Creative Leaps International.
Colleen is the Founder and Artistic Director of Strength & Sensitivity, a touring, multimedia performance project and collaborative platform that blends percussion music, poetry, and audience interaction to catalyze dialogue about gender equality and empathy. The inaugural S&S show, in March 2018, featured over twenty artists performing seven world premieres alongside improvisations and existing pieces by powerhouse composers and writers. It was presented in support of HeForShe Arts Week 2018, a global festival celebrating the solidarity efforts of the United Nations initiative. Strength & Sensitivity is dedicated to presenting innovative performances that are customized to feature the voices and perspectives of local artists within the framework of an evocative, inclusive program.
As a certified K-12 educator (NYS), Colleen has extensive experience working in traditional school settings, as well as designing community development projects that meaningfully engage audiences in music learning. She is the Community Engagement Coordinator/Architect for the Silkroad Ensemble's Global Musician Workshop, where she designs and implements a robust program of outreach concerts and educational sessions as part of the annual festival. In addition, Colleen has served as a Lead Teacher, Site Coordinator, and Faculty Mentor for two El Sistema-inspired organizations in Ann Arbor and Detroit, MI. From 2013-2016, Colleen was an Artistic Collaborator at the Strong National Museum of Play, where she designed, curated, and presented a series of educational programs, connecting contemporary music to the museum's exhibits through performances, discussions, and hands-on learning activities.
Colleen graduated from the Eastman School of Music with degrees in Percussion Performance and Music Education, as well as the Catherine Filene Shouse Arts Leadership Certificate and the prestigious Performer's Certificate. There, she studied primarily with Michael Burritt and performed regularly with the school's contemporary music ensembles, Musica Nova and OSSIA, as well as the Philharmonia and the Wind, New Jazz, and Percussion Ensembles. She received two Master's degrees in Percussion Performance and Chamber Music at the University of Michigan in 2019, where she studied primarily with Joseph Gramley. Colleen was honored to receive the Willis Patterson Diversity Award in recognition of her creative work contributing to building an inclusive and diverse campus community at U of M.

redpajama_set_name: RedPajamaCommonCrawl


Living it up in Minneapolis.
At Granite Peaks and Granite City Apartments, we believe a true community shouldn't be gated or fenced in – it should seamlessly meld into its surroundings. That's why we love this beautiful first ring suburb of Minneapolis. Check out the easy accessibility (approximately 15 minutes) to Minneapolis/St. Paul by I-694/94 and Hwy 100. Our surrounding area offers an abundance of natural beauty including water features such as the Mississippi River, Shingle Creek, Palmer Lake, Twin Lakes, and wetlands.


Some ancient cultures believed that every word spoken was either white magic or black magic. That is for or against yourself or someone else. To go even further that included the written word. Spellings created "spells". To go even further you could say all thoughts, words, and actions create your entire reality. Or just thoughts really since the thoughts bring the words and the actions. So depending on your perspective, beliefs, and ideas your reality could be based in love or fear or a combo of both.
He goes on and on but I think he was addressing the atomic age, saying if you believe the world is a unfriendly place then you will go build walls and crazy weapons. If you believe life is a dice roll, then you are living as a victim of circumstance with no purpose or meaning. But if you believe the world is friendly, then you can have power and safety by using technology, scientific discoveries, and natural resources for better understanding of how the universe works.
I like that. Another way I have heard it is that all thoughts are either inviting love or blocking love. And another way, my favorite way, is that all thoughts are either inviting miracles or blocking miracles.
We all have our up days and our down days but if we purposely try to have more up days, then maybe we can string together an up week to an up month, then an up year to an up decade and eventually an up life. Easier said then done, let's go 1 minute at a time.


text:
module SakurraForm
  class CLI < Thor
    desc "version", "show version"
    def version
      say SakurraForm::VERSION
    end
  end
end

redpajama_set_name: RedPajamaGithub


Summer Breese has come to Paradise Valley to recuperate. Her singing career was going from strength to strength until the day she found herself unable to speak above a whisper. Her doctors have recommended rest—for three months. Will three months be long enough to recover her voice, and will it be too long for her to resist, big, sweet Carter?


The right cup is what makes the Original Sparkleball work.
Steps and images ©Alex Finlayson 2018. Please ask permission to reproduce.
2. Drill 1/2″ hole in 50 cups.
3. Staple 12 cups in a flat ring.
4. Staple 9 cups in a ring, which will curl up.
5. Fit smaller ring on larger. Staple.
6. Staple 4 cups in pairs.
7. Add pairs to top. Staple pairs to 9-cup ring but not to each other.
8. Push plug out between pairs, then flip Side 1 over to put lights in.
9. Put 2 lights in center cup. Add lights in a spiral to finish on outside rim. Set aside.
10. Repeat steps 2-7 to make Side Two. On lights, start inserting from opposite end of cord.
11. Fit sides together and staple.
12. Plug in and enjoy!
1/2″ step drill bit makes drilling plastic easy. or use a soldering iron to melt holes.
don't over staple at first. Keep ball flexible then reinforce.
for hanger ideas check out Pinterest.
Carl has a neat trick for keeping lights from slipping out of cups.
Fantastic! I had a sparkle ball ages ago but it broke when I moved. I think it was made from very brittle cups and hot glue which didn't make it very sturdy, and it was only hanging by fishing line. Your ideas are better and have taken the mystery out of it for me. Glad you mentioned the chasing lights as that's what mine had and it was mesmerizing. Thanks so much!
Glad this is helpful for you, Vicki. We're here 24/7 should you have any questions. And yes, chasing lights are the BEST.
I received my Make-a-Sparkleball kit from you last week and wanted you to know how much I appreciate the expert packing. All the pieces are accounted for–cups, clips and party lights. The instructions are easy to follow. Thanks for that. My Sparkleball came together like magic and is filling our living room with an aura of holiday comfort and joy.
This year, I will send all four of my sisters, and maybe my two brothers, a Make-a-Sparkleball kit to enhance their holiday season. What fun!
I can't seem to find the right size cups. I live in Canada. Any ideas???
As far as I know, the Solo-style cup is not available in Canada. Several options: order them from US Amazon. Make an Any-Cup Sparkleball with the cups you can find, or order a Sparkleball Kit from me and I'll work with you on Canadian shipping. A friend just shipped kits to her family in Canada, and the shipping cost was about $15, I believe. If you do decide to order a kit, email me at kits@sparkleball.com. Whatever you choose, I'll be happy to help.
Do they HAVE to be SOLO brand I am assuming so cause I tried with generic cups and they all broke.
I live in San Diego and would like to buy a dozen kits for Monday. Is there anywhere I can go buy them locally? Thanks.


Action Lock & Safe Ltd. has been providing a complete locksmith service for over 25 years, in the greater Ottawa. We first established in 1984 and for every day since, Action Lock & Safe Ltd. has provided the most secure and reliable services in the city. From the simplest lock installation to the most advanced alarm system, our team is always ready to deliver professional services.
The Action Lock & Safe Ltd. team are Top Security cleared, fully qualified and licensed service professionals.
Please visit us at our operation shop and showroom. We are located in the heart of Ottawa at 214 Dalhousie St. Quality experience for all your locksmith and security needs.


The shallow subsurface controls the partitioning of available energy between sensible and latent heat of the land surface, and the partitioning of available water among evaporation, infiltration, and runoff. It is a key component of both the hydrometeorological system and the terrestrial water cycle. A critical part of any hydrological or hydrometeorological forecast model is therefore the algorithms used to represent the shallow soil processes, which include infiltration, evaporation, runoff, and interflow. For climate models, coupled algorithms called "Land Surface Schemes" (LSSs) are developed to represent the lower boundary conditions that deal with the land-to-atmosphere energy and moisture fluxes. Similar algorithms are implemented in regional watershed models and day-to-day operational water resources forecasting models. It is the primary objective of this thesis to provide improved methods for simulating coupled land surface processes, which can be used as components of LSSs or within existing operational hydrology models. These new methods address a number of specific issues inadequately handled by current models, including the presence of shallow boundary conditions, heterogeneity in infiltration, and infiltration and interflow coupling processes. The main objective of the proposed research is to provide consistent physically-based approach for simulating near surface soil moisture processes, so as to complete the parameterization of the interflow/infiltration algorithm in a Hydrology-Land-Surface scheme MESH. The work mainly focuses on the investigation and development of more physically-based infiltration and interflow algorithms. The hope is to determine appropriate relationships between internal state variables (specifically bulk soil moisture) and system boundary fluxes, while simultaneously reducing the number of nonphysical or unknown model parameters. Fewer parameters lead to reduced calibration requirements for distributed hydrological models and consequently accelerate the transfer of such models to engineering practice. Multiple approaches were taken to provide improved relationships between infiltration and lateral drainage, fluxes and storage. These algorithms were tested by a specialized Richards' equation for sloping soils and Monte Carlo simulations. These tests demonstrated reasonable accuracy and improved representation for the hydrological processes.


Willco is a leading developer, owner, investor and manager of first-class commercial real estate based in the Washington, DC Metropolitan Area.
With a broad network of partners and a deep understanding of the Metropolitan Washington Area – one of the world's most vibrant real estate markets – our active portfolio includes nearly four million square feet.
Since our incorporation in the early 1960s, Willco has completed hundreds of projects – office buildings, hotels, shopping centers and mixed-use facilities—totaling more than 20 million square feet of development. We remain locally owned and uniquely adept at identifying overlooked opportunities in the regional market, with a long track record of valuable investments.
Willco offers a comprehensive line of service offerings — including acquisition and investment management, development, structured finance, construction management, property management, and leasing — to clients ranging from mom and pop retail stores to Fortune 100 companies.


text:
<?xml version="1.0" encoding="UTF-8"?>

<!DOCTYPE document PUBLIC "-//APACHE//DTD Documentation V1.2//EN" "http://forrest.apache.org/dtd/document-v12.dtd" [
<!ENTITY s 'site.xml'>
<!ENTITY linkrewriter '<link href="#linkrewriting_impl">linkrewriter</link>'>
]>
<document>

    <title>Forrest Sitemap Reference</title>

      Technically, Forrest can be thought of as a
      <link href="ext:cocoon">Cocoon</link> distribution that has been stripped
      down and optimized for people with simple site publishing needs. Central
      to Cocoon, and hence Forrest, is the sitemap. The sitemap
      defines the site's URI space (what pages are available), and how each page
      is constructed. Understanding the sitemap is the key to understanding
      Forrest.

    <note>
      We advise you to spend time to understand the Apache Cocoon sitemap. See
      <link href="ext:cocoon/sitemap">Cocoon sitemap</link> and
      <link href="ext:cocoon/concepts">Cocoon concepts</link> and related
      component documentation. It is also necessary to understand the "**" and
      "*" pattern matching and replacements. See the email thread: "Re: explain
      sitemap matches and pass parameters to transformers"
      <link href="http://issues.apache.org/jira/browse/FOR-874">FOR-874</link>.
    </note>

      This document provides an overview of the special sitemap which is used at
      the core of Apache Forrest.

    <warning>
      The example sitemap fragments might be out-of-date because since this
      document was written, the core sitemaps in main/webapp/ have changed and
      some of the specialised processing has moved to plugins. View your source
      sitemaps when reading this document. (See
      <link href="https://issues.apache.org/jira/browse/FOR-922">FOR-922</link>.)
    </warning>

      <title>Getting started</title>

        Forrest's sitemap comprises the multiple
        $FORREST_HOME/main/webapp/*.xmap files. The main one is
        sitemap.xmap which delegates to others, including to
        sitemaps in the various
        <link href="site:plugins/infrastructure">plugins</link>.

        You can add pre-processing sitemaps to your project
        src/documentation directory (or wherever
        ${project.sitemap-dir} points to). Any match that is not
        handled, passes through to be handled by the default Forrest sitemaps -
        obviously extremely powerful. The capability is described in
        "<link href="site:project-sitemap">Using project sitemaps</link>".

        Another way to experiment with the sitemap is to do 'forrest
        run' on a Forrest-using site. Making changes to the core
        *.xmap files will now be immediately effective at
        http://localhost:8888/

      <title>Sitemap Overview</title>

        Forrest's sitemap is divided both physically and logically. The most
        obvious is the physical separation. There are a number of separate
        *.xmap files, each defining pipelines for a functional area. Each *.xmap
        file has its purpose documented in comments at the top. Here is a brief
        overview of the files, in order of importance.

          sitemap.xmap

          Primary sitemap file, which delegates responsibility for serving
            certain URIs to the others (technically called sub-sitemaps).  More
            about the structure of this file later.

          forrest.xmap
          Sitemap defining Source pipelines, which generate the body section
            of Forrest pages. All pipelines here deliver XML in Forrest's
            intermediate "document-v13" format, regardless of originating source
            or format.

          menu.xmap
          Pipelines defining the XML that becomes the menu.

          linkmap.xmap
          Defines a mapping from abstract ("site:index") to physical
            ("index.html") links for the current page.  See
            <link href="site:linking">Menus and Linking</link> for a conceptual
            overview, and the <link href="#linkrewriting_impl">Link
              rewriting</link> section for technical details.

          resources.xmap
          Serves "resource" files (images, CSS, Javascript).

          raw.xmap
          Serves files located in src/documentation/content/xdocs
            that are not to be modified by Forrest.

          aggregate.xmap
          Generates a single page (HTML or PDF) containing all the content
            for the site.

          faq.xmap
          Processes FAQ documents.

          status.xmap
          Generates <link href="site:changes">changes</link> and
          <link href="site:todo">todo</link> pages from a single
            status.xml in the project root.

          issues.xmap
          Generates a page of content from an RSS feed.  Used in Forrest to
            generate a "current issues" list from JIRA.

          revisions.xmap

            Support for HOWTO documents that want "revisions".  Revisions are
            XML snippets containing comments on the main XML file.  The main
            pipeline here automatically appends a page's revisions to the
            bottom.

          dtd.xmap
          A Source pipeline that generates XML from a DTD, using Andy
            Clark's
            <link href="http://www.apache.org/~andyc/neko/doc/dtd/index.html">DTD
              Parser</link>.  Useful for documenting DTD-based XML schemas, such
            as <link href="site:dtd-docs">Forrest's own DTDs</link>.

          profiler.xmap
          Defines the "profiler" pipeline. allowing pipelines to be benchmarked.

      <title>Source pipelines (**.xml)</title>

        Most *.xmap files (forrest, aggregate, faq, status, issues, revisions,
        dtd) define Source pipelines. Source pipelines define the content (body)
        XML for site pages. The input XML format can be any format
        (document-v13, Docbook, RSS, FAQ, Howto) and from any source (local or
        remote). The output format is always Forrest's intermediate
        "document-v13" format.

        Source pipelines always have a ".xml" extension. Thus,
        <link href="index.xml">index.xml</link> gives you the XML source for the
        index page. Likewise, <link href="faq.xml">faq.xml</link> gives you XML
        for the FAQ (transformed from FAQ syntax), and
        <link href="changes.xml">changes.xml</link> returns XML from the
        status.xml file. Take any page, and replace its extension
        (.html or .pdf) with .xml and
        you'll have the Source XML.

        This is quite powerful, because we now have an abstraction layer, or
        "virtual filesystem", on which the rest of Forrest's sitemap can build.
        Subsequent layers don't need to care whether the XML was obtained
        locally or remotely, or from what format. Wikis, RSS, FAQs and Docbook
        files are all processed identically from here on.

      <source>
                   (subsequent Forrest pipelines)
                                 |
--------+------------------------^------------------------------------------
        |          STANDARD FORREST FORMAT (current document-v13)
        +-----^-------^--------^------------^------^-----^-----^------^-----
SOURCE        |       |        |            |      |     |     |      |
FORMATS    doc-v11  doc-v13  doc-v20 ... Docbook  FAQ  Howto  Wiki  RSS  ??
(*.xml)
                        (in forrest.xmap, faq.xmap, etc)
      </source>

        <title>forrest.xmap</title>

          Most of the usual Source pipelines are defined in
          forrest.xmap which is the default (fallback) handler for
          **.xml pages. The forrest.xmap uses the
          <link href="site:cap">SourceTypeAction</link> to determine the type of
          XML it is processing, and converts it to document-v13 if necessary.

          For instance, say we are rendering <link href="site:write-howto">a
          Howto document</link> called "howto-howto.xml". It contains this
          DOCTYPE declaration:

        <source>
<!DOCTYPE howto PUBLIC "-//APACHE//DTD How-to V1.3//EN"
  "http://forrest.apache.org/dtd/howto-v13.dtd"></source>

          The SourceTypeAction sees this, and applies this transform to get it
          to document-v13:

        <source>
<![CDATA[
          <map:when test="howto-v13">
            <map:transform src="{forrest:forrest.stylesheets}/howto-to-document.xsl" />
          </map:when>
          ]]>
        </source>

        <title>Other source pipelines</title>

          As mentioned above, all non-core Source pipelines are distributed in
          independent *.xmap files. There is a block of
          sitemap.xmap which simply delegates certain requests to
          these subsitemaps:

        <source>
<![CDATA[

      <map:match pattern="**.xml">
        <map:match pattern="changes.xml">
          <map:mount uri-prefix="" src="status.xmap" check-reload="yes" />
        </map:match>

        <map:match pattern="todo.xml">
          <map:mount uri-prefix="" src="status.xmap" check-reload="yes" />
        </map:match>

        <map:match pattern="**dtdx.xml">
          <map:mount uri-prefix="" src="dtd.xmap" check-reload="yes" />
        </map:match>

        <map:match pattern="forrest-issues.xml">
          <map:mount uri-prefix="" src="issues.xmap" check-reload="yes" />
        </map:match>

        <map:match pattern="**faq.xml">
          <map:mount uri-prefix="" src="faq.xmap" check-reload="yes" />
        </map:match>

        <map:match pattern="site.xml">
          <map:mount uri-prefix="" src="aggregate.xmap" check-reload="yes" />
        </map:match>
        ....
        ....]]>
        </source>

          <title>Late-binding pipelines</title>

            One point of interest here is that the sub-sitemap is often not
            specific about which URLs it handles, and relies on the caller (the
            section listed above) to only pass relevant requests to it. We term
            this "binding a URL" to a pipeline.

            For instance, the main pipeline in faq.xmap matches
            **.xml, but only **faq.xml requests are
            sent to it.

            This "late binding" is useful, because the whole URL space is
            managed in sitemap.xmap and not spread over lots of
            *.xmap files. For instance, say you wish all *.xml
            inside a "faq/" directory to be processed as FAQs. Just
            override sitemap.xmap and redefine the relevant source
            matcher:

          <source>
<![CDATA[
        <map:match pattern="**faq.xml">
          <map:mount uri-prefix="" src="faq.xmap" check-reload="yes" />
        </map:match>]]>
          </source>

      <title>Output pipelines</title>

        To recap, we now have a *.xml pipeline defined for each
        page in the site, emitting standardized XML. These pipeline definitions
        are located in various *.xmap files, notably forrest.xmap

        We now wish to render the XML from these pipelines to output formats
        like HTML and PDF.

        <title>PDF output</title>
        <note>
          PDF is now generated via the org.apache.forrest.plugin.output.pdf
          plugin.
        </note>

          Easiest case first; PDFs don't require menus or headers, so we can
          simply transform our intermediate format into XSL:FO, and from there
          to PDF. This is done by the following matcher in
          output.xmap from the pdf plugin ...

        <source>
<![CDATA[
1   <map:match type="regexp" pattern="^(.*?)([^/]*).pdf$">
2     <map:generate src="cocoon:/{1}{2}.xml"/>
3     <map:transform type="xinclude"/>
4     <map:transform type="]]>&linkrewriter;<![CDATA[" src="cocoon://{1}linkmap-{2}.pdf"/>
5     <map:transform src="skins/{forrest:forrest.skin}/xslt/fo/document-to-fo.xsl">
6       <map:parameter name="ctxbasedir" value="{realpath:.}/"/>
7       <map:parameter name="xmlbasedir" value="content/xdocs/{1}"/>
8     </map:transform>
9     <map:serialize type="fo2pdf"/>
10  </map:match>
        ]]>
        </source>

The first line uses a matching regexp to break the URL into
            directory (.*?) and filename
            ([^/]*) parts.

We then generate XML from a <link href="#source_pipelines">Source
              pipeline</link>, with the URL cocoon:/{1}{2}.xml

We then expand any XInclude statements..

and <link href="#linkrewriting_impl">rewrite links</link>..

and finally apply the document-to-fo.xsl stylesheet, to generate
            XSL:FO XML.

          Lastly, we generate a PDF using the fo2pdf serializer.

        <title>HTML output</title>

          Generating HTML pages is more complicated, because we have to merge
          the page body with a menu and tabs, and then add a header and footer.
          Here is the *.html matcher in sitemap.xmap
          ...

        <source>
          <map:match pattern="*.html">
            <map:aggregate element="site">
            <map:part src="<link href="#tab_pipeline">cocoon:/tab-{0}</link>"/>
            <map:part src="<link href="#menu_pipeline">cocoon:/menu-{0}</link>"/>
            <map:part src="<link href="#body_pipeline">cocoon:/body-{0}</link>"/>
            </map:aggregate>
            <map:call resource="skinit">
              <map:parameter name="type" value="site2xhtml"/>
              <map:parameter name="path" value="{0}"/>
            </map:call>
          </map:match>
        </source>

          So <link href="index.html">index.html</link> is formed from
          aggregating <link href="body-index.html">body-index.html</link> and
          <link href="menu-index.html">menu-index.html</link> and
          <link href="tab-index.html">tab-index.html</link> and then applying
          the site-to-xhtml.xsl stylesheet to the result.

          There is a nearly identical matcher for HTML files in subdirectories:

        <source>
          <map:match pattern="**/*.html">
            <map:aggregate element="site">
            <map:part src="<link
              href="#tab_pipeline">cocoon:/{1}/tab-{2}.html</link>"/>
            <map:part src="<link
              href="#menu_pipeline">cocoon:/{1}/menu-{2}.html</link>"/>
            <map:part src="<link
              href="#body_pipeline">cocoon:/{1}/body-{2}.html</link>"/>
            </map:aggregate>
            <map:call resource="skinit">
              <map:parameter name="type"
                value="site2xhtml"/>
              <map:parameter name="path"
                value="{0}"/>
            </map:call>
          </map:match>
        </source>

      <title>Intermediate pipelines</title>

        <title>Page body</title>

          Here is the matcher which generates the page body:

        <source>
<![CDATA[
1   <map:match pattern="**body-*.html">
2     <map:generate src="cocoon:/{1}{2}.xml"/>
3     <map:transform type="idgen"/>
4     <map:transform type="xinclude"/>
5     <map:transform type="]]>&linkrewriter;<![CDATA[" src="cocoon:/{1}linkmap-{2}.html"/>
6     <map:call resource="skinit">
7       <map:parameter name="type" value="document2html"/>
8       <map:parameter name="path" value="{1}{2}.html"/>
9       <map:parameter name="notoc" value="false"/>
10    </map:call>
11  </map:match>
          ]]>
        </source>

In our matcher pattern, {1} will be the directory (if any) and {2}
            will be the filename.

First, we obtain XML content from a source pipeline

              We then apply a custom-written
              IdGeneratorTransformer, which ensures that every
              <section> has an "id" attribute if one is not supplied, by
              generating one from the <title> if necessary. For example,
              <idgen> will transform:

            <source>
              <section>
              <title>How to boil eggs</title>
              ...
            </source>

              into:

            <source>
              <section id="How+to+boil+eggs">
              <title>How to boil eggs</title>
              ...
            </source>

              Later, the document-to-html.xsl stylesheet will
              create an <a name> element for every section, allowing this
              section to be referred to as
              index.html#How+to+boil+eggs.

We then expand XInclude elements.

and <link href="#linkrewriting_impl">rewrite links</link>..

and then finally apply the stylesheet that generates a fragment of
            HTML (minus the outer elements like
            <html> and <body>) suitable for merging with the menu and tabs.

        <title>Page menu</title>

          In the sitemap.xmap file, the matcher generating HTML for
          the menu is:

        <source>
<![CDATA[
      <map:match pattern="**menu-*.html">
        <map:generate src="cocoon:/{1}book-{2}.html"/>
        <map:transform type="]]>&linkrewriter;<![CDATA[" src="cocoon:/{1}linkmap-{2}.html"/>
        <map:call resource="skinit">
          <map:parameter name="type" value="book2menu"/>
          <map:parameter name="path" value="{1}{2}.html"/>
        </map:call>
      </map:match>
      ]]>
        </source>

          We get XML from a "book" pipeline,
          <link href="#linkrewriting_impl">rewrite links</link>, and apply the
          book-to-menu.xsl stylesheet to generate HTML.

          How the menu XML is actually generated (the *book-*.html pipeline) is
          sufficiently complex to require a
          <link href="#menu_generation_impl">section of its own</link>.

        <title>Page tabs</title>

          Tab generation is quite tame compared to menus:

        <source>
<![CDATA[
     <map:match pattern="**tab-*.html">
       <map:generate src="content/xdocs/tabs.xml" />
       <map:transform type="]]>&linkrewriter;<![CDATA[" src="cocoon:/{1}linkmap-{2}.html"/>
       <map:call resource="skinit">
         <map:parameter name="type" value="tab2menu"/>
         <map:parameter name="path" value="{1}{2}.html"/>
       </map:call>
     </map:match>
           ]]>
        </source>

          All the smarts are in the tab-to-menu.xsl stylesheet,
          which needs to choose the correct tab based on the current path.
          Currently, a "longest matching path" algorithm is implemented. See the
          tab-to-menu.xsl stylesheet for details.

      <title>Resolving Resources</title>

        Many resources are resolved by the locationmap. This allow us to provide
        many alternative locations for a file without cluttering up the sitemap
        with multiple processing paths. We use a strict naming convention to
        help make the sitemaps more readable. This is described in the
        <link href="site:locationmap/namingConvention">Locationmap</link>
        documentation.

      <title>Menu XML generation</title>

        The "book" pipeline is defined in sitemap.xmapas:

      <source>
<![CDATA[
        <map:match pattern="**book-*.html">
          <map:mount uri-prefix="" src="menu.xmap" check-reload="yes" />
        </map:match>
        ]]>
      </source>

        Meaning that it is defined in the menu.xmap file. In there
        we find the real definition, which is quite complicated, because there
        are three supported menu systems (see <link href="site:linking">menus
        and linking</link>). We will not go through the sitemap itself
        (menu.xmap), but will instead describe the logical steps involved:

Take site.xml and expand hrefs so that they are all
          root-relative.

            Depending on the forrest.menu-scheme property, we now
            apply one of the two algorithms for choosing a set of menu links
            (described in <link href="site:menu_generation">menu
            generation</link>):

                For "@tab" menu generation, we first ensure each site.xml node
                has a tab attribute (inherited from a parent if necessary), and
                then pass through nodes whose tab attribute matches that of the
                "current" node.

                For example, say our current page's path is
                community/howto/index.html. In
                site.xml we look for the node with this
                "href" and discover its "tab"
                attribute value is "howtos". We then prune the
                site.xml-derived content to contain only nodes with
                tab="howtos".

                All this is done with XSLT, so the sitemap snippet does not
                reveal this complexity:

              <source>
<![CDATA[
<map:transform src="resources/stylesheets/site-to-site-normalizetabs.xsl" />
<map:transform src="resources/stylesheets/site-to-site-selectnode.xsl">
  <map:parameter name="path" value="{1}{2}"/>
</map:transform>
                ]]>
              </source>

                For "directory" menu generation, we simply use an
                XPathTransformer to include only pages in the
                current page's directory, or below:

              <source>
<![CDATA[
<map:transform type="xpath">
  <map:parameter name="include" value="//*[@href='{1}']" />
</map:transform>
                ]]>
              </source>

                Here, the "{1}" is the directory part of the
                current page. So if our current page is
                community/howto/index.html then "{1}"
                will be community/howto/ and the transformer will
                include all nodes in that directory.

            We now have a site.xml subset relevant to our current
            page.

The "href" nodes in this are then made relative to the
          current page.

The XML is then transformed into a legacy "book.xml"
          format, for compatibility with existing stylesheets, and this XML
          format is returned (hence the name of the matcher:
          **book-*.html).

      <title>Link rewriting</title>

        In numerous places in sitemap.xmap you will see the
        "linkrewriter" transformer in action. For example:

      <source>
<![CDATA[<map:transform type="linkrewriter" src="cocoon:/{1}linkmap-{2}.html"/>]]>
      </source>

        This statement is Cocoon's linking system in action. A full description
        is provided in <link href="site:linking">Menus and Linking</link>. Here
        we describe the implementation of linking.

        <title>Cocoon foundations: Input Modules</title>

          The implementation of site: linking is heavily based on
          Cocoon <link href="ext:cocoon/input-modules">Input Modules</link>, a
          little-known but quite powerful aspect of Cocoon. Input Modules are
          generic Components which simply allow you to look up a value with a
          key. The value is generally dynamically generated, or obtained by
          querying an underlying data source.

          In particular, Cocoon contains an XMLFileModule, which
          lets one look up the value of an XML node, by interpreting the key as
          an XPath expression. Cocoon also has a
          SimpleMappingMetaModule, which allows the key to be
          rewritten before it is used to look up a value.

          The idea for putting these together to rewrite "site:"
          links was described in <link href="ext:inputmoduletransformer">this
          thread</link>. The idea is to write a Cocoon Transformer that triggers
          on encountering <link href="scheme:address">, and
          interprets the scheme:address internal URI as
          inputmodule:key. The transformer then uses the named
          InputModule to look up the key value. The scheme:address
          URI is then rewritten with the found value. This transformer was
          implemented as
          <link href="ext:linkrewritertransformer">LinkRewriterTransformer</link>,
          currently distributed as a "block" in Cocoon 2.1

        <title>Implementing "site:" rewriting</title>

          Using the above components, "site:" URI rewriting is
          accomplished as follows.

          <title>cocoon.xconf</title>

            First, we declare all the input modules we will be needing:

          <source>
<![CDATA[

<component-instance
  class="org.apache.cocoon.components.modules.input.XMLFileModule"
  logger="core.modules.xml" name="linkmap"/>

<component-instance
  class="org.apache.cocoon.components.modules.input.SimpleMappingMetaModule"
  logger="core.modules.mapper" name="site"/>

<component-instance
  class="org.apache.cocoon.components.modules.input.SimpleMappingMetaModule"
  logger="core.modules.mapper" name="ext"/>
]]>
          </source>

linkmap will provide access to the contents of
              &s;; for example, linkmap:/site/about/index/@href
              would return the value "index.html".

site provides a "mask" over
              linkmap such that site:index expands
              to linkmap:/site//index/@href

ext provides another "mask" over
              linkmap, such that ext:ant would
              expand to linkmap:/site/external-refs//ant/@href

            However at the moment, we have only declared the input modules. They
            will be configured in sitemap.xmap as described in the
            next section.

          <title>sitemap.xmap</title>

            Now in the sitemap, we define the LinkRewriterTransformer, and
            insert it into any pipelines which deal with user-editable XML
            content:

          <source>
<![CDATA[
....

<map:transformer name="linkrewriter"
  logger="sitemap.transformer.linkrewriter"
  src="org.apache.cocoon.transformation.LinkRewriterTransformer">
  <link-attrs>href src</link-attrs>
  <schemes>site ext</schemes>

  <input-module name="site">
    <input-module name="linkmap">
      <file src="{src}" reloadable="false" />
    </input-module>
    <prefix>/site//</prefix>
    <suffix>/@href</suffix>
  </input-module>
  <input-module name="ext">
    <input-module name="linkmap">
      <file src="{src}" reloadable="false" />
    </input-module>
    <prefix>/site/external-refs//</prefix>
    <suffix>/@href</suffix>
  </input-module>
</map:transformer>
....
....
<map:match pattern="**body-*.html">
  <map:generate src="cocoon:/{1}{2}.xml"/>
  <map:transform type="idgen"/>
  <map:transform type="xinclude"/>
  <map:transform type="linkrewriter" src="cocoon:/{1}linkmap-{2}.html"/>
  ...
</map:match>]]>
          </source>

            As you can see, our three input modules are configured as part of
            the LinkRewriterTransformer's configuration.

                Most deeply nested, we have:

              <source>
<![CDATA[
                <input-module name="linkmap">
                  <file src="{src}" reloadable="false" />
              </input-module>]]>
              </source>

                The "{src}" text is expanded to the value of the
                "src" attribute in the "linkrewriter"
                instance, namely "cocoon:/{1}linkmap-{2}.html" Thus
                the linkmap module reads dynamically generated XML
                specific to the current request.

                One level out, we configure the "site" and
                "ext" input modules, to map onto our dynamically
                configured "linkmap" module.

                Then at the outermost level, we configure the
                "linkrewriter" transformer. First we tell it which
                attributes to consider rewriting:

              <source>
<![CDATA[
                <link-attrs>href src</link-attrs>
                <schemes>site ext</schemes>]]>
              </source>

                So, "href" and "src" attributes
                starting with "site:" or "ext:" are
                rewritten.

                By nesting the "site" and "ext" input
                modules in the "linkrewriter" configuration, we
                tell "linkrewriter" to use these two input modules
                when rewriting links.

            The end result is that, for example, the source XML for the
            community/body-index.html page has its links rewritten
            by an XMLFileModule reading XML from
            cocoon:/community/linkmap-index.html

          <title>Dynamically generating a linkmap</title>

            Why do we need this "linkmap" pipeline generating dynamic XML from
            &s;, instead of just using &s; directly? The reasons are described
            in <link href="ext:linkmaps">the linkmap RT</link>: we need to
            concatenate @hrefs and add dot-dots to the paths, depending on which
            directory the linkee is in. This is done with the following
            pipelines in linkmap.xmap ...

          <source>
<![CDATA[

<map:match pattern="abs-linkmap">
  <map:generate src="content/xdocs/site.xml" />
  <map:transform src="resources/stylesheets/absolutize-linkmap.xsl" />
  <map:serialize type="xml" />
</map:match>

<map:match pattern="**linkmap-*">
  <map:generate src="cocoon://abs-linkmap" />
  <map:transform src="resources/stylesheets/relativize-linkmap.xsl">
    <map:parameter name="path" value="{1}{2}" />
    <map:parameter name="site-root" value="{conf:project-url}" />
  </map:transform>
  <map:serialize type="xml" />
</map:match>
            ]]>
          </source>

            You can try these URIs out directly on a live Forrest to see what is
            going on (for example, Forrest's own
            <link href="../abs-linkmap">abs-linkmap</link>).

</document>


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Clearfield County Career and Technology Center (CCCTC) seniors have chosen to maximize their high school opportunities for career training and industry certifications, with an eye on becoming successful and financially secure much earlier in life. The students met with representatives from their future employment or post-secondary training to sign their letter of intent. Career and Technical Education Signing Day is a way of recognizing their hard work and the value of the career-preparation training they have received through the CCCTC. Students in the photo signed a letter of intent and have been accepted into the CCCTC Practical Nursing program. In photo, seated, is Logan Murarik, Moshannon Valley Area High School and Madison Folmar, West Branch Area High School. Back row is CCCTC Principal, Matt Kephart, Cheryl Kreig, CCCTC Practical Nursing Director, and Sue Folmar.


text:
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PHILHARMONICA. International Music Journal
(since №2-2015)
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RAZLOGOV Kirill Emilieivich — Doctor of Art History, Professor, director at Russian Institute for Cultural Research, honored art worker of the Russian Federation, Chairman of the Council of Editors. 119072, Russia, Moscow, Beresenevskaya naberezhnaya, 18-20-22, str 3.
TISHKOV Valery Alexandrovich — Academician of the Russian Academy of Sciences, deputy of the academic secretary at Department of History and Language Studies of the Russian Academy of Sciences, director at Institute of Ethnology and Anthropology of the Russian Academy of Sciences, honored art worker of the Russian Federation, co-chairman of the Council of Editors. 119991. Russia, Moscow, Leninskiy prospekt, 32a.
ЕIMERMACHER Karl — professor, founder of the Institute of Russian Culture named after Yu. M. Lotman of the Ruhr University (Bochum, Germany) and the International Center of Learning 'Higher School of European cultures' of the Russian State University of Humanities, artist. Universitätsstraße, 150. 44801, Bochum, Deutschland.
WASCHIK Klaus — Doctor of Philosophy, professor, director at International Center of Learning 'Higher School of European cultures' of the Russian State University of Humanities (Moscow), executive secretary at Institute of Russian Culture named after Yu. M. Lotman of the Ruhr University (Bochum, Germany). Universitätsstraße 150. 44801 Bochum, Deutschland
GUERRA Rene — Doctor of Philology, professor at University of Nice, honoured member of the Russian Academy of Arts, founder and the head of the Association for Preservation of Russian Cultural Heritage in France (Nice, France). 24, Avenue des Diables Bleus, 06101 Nice, France.
JOST François — Professor at University of the New Sorbonne (Paris III), head of the Scientific Center for Learning Audiovisual Culture, writer, movie director (Paris, France) IRCAV/Sorbonne Nouvelle, 13 rue Santeuil, 75005 Paris, France.
CHIOZZI Paolo — Professor of the Faculty of Ethnology and Anthropology at Florentine University (Florence, Italy). Università degli Studi di Firenze - P.zza S.Marco, 4 - 50121 Firenze – Centralino, Italy.
STROEV Alexander Fedorovich — Doctor of Language Studies, head of the Department of Comparative Literary Studies at University of the New Sorbonne (Paris III) (Paris, France). IRCAV/Sorbonne Nouvelle, 13 rue Santeuil, 75005 Paris, France.
TARKOWSKA Elzbieta — professor of social studies, the head of Group in Institute of Philosophy and Social Studies of the Polish Academy of Sciences, acting director at Institute of Philosophy and Social Studies Academy of Special Teaching Named after M. Grzegorzewsky, ditor-in-chief of the 'Culture and Society' journal (Warsaw, Poland) Instytut Filozofii i Socjologii PAN, ul. Nowy Swiat 72, 00-330 Warszawa, Poland.
FEIGELSON Kristian — Doctor of Social Studies, Professor of the Faculty of Cinematograph at University of the New Sorbonne (Paris III) (Paris, France). IRCAV/Sorbonne Nouvelle, 13 rue Santeuil, 75005 Paris, France.
ALPATOV Vladimir Michailovich — corresponding member of the Russian Academy of Sciences, assistant director at Institute of Oriental Studies of the Russian Academy of Sciences. 125009, Russia, Moscow, B.Kislovskiy per. 1/12.
ANTONOVA Irina Alexandrovna — Academician of the Russian Academy of Education and Russian Academy of Arts, Doctor of Honoris causa at Russian State University of Humanities, director at State Museum of Fine Arts Named after A. S. Pushkin, corresponding member of the Academy of San Fernando (Madrid, Spain), honored art worker of the Russian Federation. 119019, Russia, Moscow, ul. Volokhonka, 10.
ARUTYNOV Sergey Alexandrovich — corresponding member of the Russian Academy of Sciences, foreign member of the National Academy of Sciences of Armenia, head of the Division of Caucasus at Institute of Ethnology and Anthropology of the Russian Academy of Sciences; 119991, Russia, Moscow, Leninskiy prospekt, 32a.
VANSLOV Viktor Vladimirovich — Doctor of Art History, Professor, presidium member of the Russian Academy of Arts, director at Research Studies Institute of Theory and History of Fine Arts of the Russian Academy of Arts, honored art worker of the RSFSR; 119034, Russia, Moscow, ul. Prechistenka, 21.
VZDORNOV Gerold Ivanovich — corresponding member of the Russian Academy of Sciences, chief research assistant at State Research Institute of Restoration. 107114, Russia, Moscow, ul. Gastello, 44.
GOLOVNYEV Andrey Vladimirovich — corresponding member of the Russian Academy of Sciences, head at Ethnographic Bureau, chief researcher at Institute of History and Archeology at Ural Department of the Russian Academy of Sciences, president of the Russian Festival of Anthropological Films. 620026, Russia, Ekaterinburg, ul. R.Lyuksemburg, 56. Institute of History and Archeology at Ural Department of the Russian Academy of Sciences.
ERSHOVA Galina Gavrilovna — Doctor of History, professor, head of the Research Mesoamerican Center Named after Yu.V. Knorozov of the Russian State University of Humanities, science and culture director at Russian-Mexican Cultural Center in Merida (Merida, Mexico). 125993, Russia, ГСП-3, Moscow, ul. Chayanova, 15.
ZHABSKY Mikhail Ivanovich — Doctor of Social Studies, Professor, Head of the Department of Sociology of the screen art at the Gerasimov Russian State University of Cinematography. 125009, Russia, Moscow, Degtyarniy pereulok, 8, stroenie 3.
ZHIDKOV Vladimir Sergeevich — Doctor of Art History, Professor, assistant researcher at State Institute of Art Studies. 125009, Russia, Moscow, Kozitskiy pereulok, 5.
ZHILINSKY Dmitry Dmitrievich — academician of the Russian Academy of Education, academician and presidium member of the Russian Academy of Arts, professor at Moscow State Academic Institute of Arts Named after V. I. Surikov, people's artist of RSFSR, honored artist of RSFSR. 119034, Russia, Moscow, ul. Prechistenka, 21.
IVANOV Vyacheslav Vsevolodovich — academician of the Russian Academy of Sciences, director at Institute of World Culture of the Moscow State University Named after M.V. Lomonosov, principle at Russian Anthropological School of the Russian State University of Humanities; professor of the Department of Slavic Languages and Literature and the Program of Indo-European Researches at University of California (Los Angeles, USA). 119991, Russia, Moscow, GSP-1, Leninskie gori, MGU, 1-y uchebniy korpus, komnata 854.
KUDELIN Alexander Borisovich — academician of the Russian Academy of Sciences, deputy of the academic secretary of the Department of History and Language Studies of the Russian Academy of Sciences, director at Institute of World Literature Named after M. Gorky of the Russian Academy of Sciences, member of European Association of Experts in Arab and Islam Studies. 121069, Russia, Moscow, ul. Povarskaya, 25a.
LENYASHIN Vladimir Alekseevich — academician and presidium member of the Russian Academy of Arts, Doctor of Art History, professor, head of the Department of Fine Art of the Second Half of the 19th – beginning of the 20th Century at State Russian Museum, honored art worker of RSFSR. 191011, Russia, St. Petersburg, Inzhenernata ul., 4/2.
LOBODANOV Alexander Pavlovich — Doctor of Language Studies, Professor, Dean of the Faculty of Arts at Moscow State University Named after M. V. Lomonosov. 125009, Russia, Moscow, ul. B.Nikitskaya, 3 stroenie 1.
MARTYNOVA Marina Yurievna — Doctor of History, Professor, assistant director in science at Institute of Ethnology and Anthropology of the Russian Academy of Sciences, head of the Center of European and American Researches at Institute of Ethnology and Anthropology of the Russian Academy of Sciences, honored scientist of the Russian Federation. 119991, Russia, Moscow, Leninskiy prospekt, 32a.
PODOROGA Valery Alexandrovich — Doctor of Philosophy, Professor, head of the Division of Analytical Anthropology at Institute of Philosophy of the Russian Academy of Sciences. 119991, Russia, Moscow, ul. Volokhonka, 14.
RABINOVICH Vadim Lvovich — Doctor of Philosophy, Professor, head of the Division of Languages of Culture at Russian Institute of Cultural Studies, member of the executive committee at Russian PEN Center, member of International PEN Club, Union of Russian Writers and Union of Journalists, honored art worker of the Russian Federation. 119072, Russia, Moscow, Beresenevskaya naberezhnaya, 18-20-22, stroenie 3.
REPINA Lorina Petrovna — Doctor of History, Professor, assistant director at Institute of World History of the Russian Academy of Sciences, head at Center of Intellectual History of the Institute of World History of the Russian Academy of Sciences. 119991, Russia, Moscow, Leninskiy prospekt, 32a.
STERNIN Grigory Yurievich — corresponding member of the Russian Academy of Sciences, honored member of the Russian Academy of Arts, Doctor of Art History, professor, chief assistant researcher at State Institute of Art Studies. 125009, Russia, Moscow, Kozitskiy pereulok, 5.
TABAKOV Oleg Pavlovich — Professor, Head of the Department of Stagecraft at Studio School of the Moscow Art Theatre, art director at Moscow Theatre Under the Direction of O. Tabakov and Moscow Art Theatre Named after A. P. Chekhov, rewarded member of the Russian Academy of Arts, people's artist of the USSR. 125009, Russia, Moscow, Kamergerskiy pereulok, 3.
TITARENKO Mikhail Leontievich — academician of the Russian Academy of Sciences, director at Institute of Far East of the Russian Academy of Sciences, chairman at Society of Russian-Chinese Friendship, honored art worker of the Russian Federation. 117997, Russia, Moscow, Nakhimovskiy prospekt, 32.
TOPORKOV Andrey Lvovich — corresponding member of the Russian Academy of Sciences, chief research assistant of the Department of Folklore at Institute of World Literature Named after M. Gorky of theГСПussian Academy of Sciences. 121069, Russia, Moscow, ul. Povarskaya, 25a.
TRUBOCHKIN Dmitriy Vladimirovich — Doctor of Art History, professor at Russian Academy of Theatre Arts, director at State Institute of Art Studies. 125009, Russia, Moscow, Kozitskiy pereulok, 5.
TURCHIN Valeriy Stefanovich — academian of the Russian Academy of Arts, Doctor of Art History, professor, head of the Department of History of Homeland Art, Historical Faculty at Moscow State University Named after M. V. Lomonosov. 119034, Russia, Moscow, ul. Prechistenka, 21.
HORUJIY Sergey Sergeevich — Doctor of Physical and Mathematical Sciences, Director of the Institute of Synergetic Anthropology, chief researcher at the Institute of Philosophy of Sciences, an honorary professor of comparative studies of religious traditions to UNESCO and the Russian Christian Humanitarian Institute. 119991, Russia, Moscow, ul. Volokhonka, 14.
KHRENOV Nikolay Andreevich — Doctor of Philosophy, professor, Deputy Director for Research of the State Institute of Art History of the Ministry of Culture of the Russian Federation. 125009, Russia, Moscow, Kozitskiy pereulok, 5.
SHVIDKOVSKY Dmitriy Olegovich — academician and vice-president at Russian Academy of Arts; academician of the Russian Academy of Architecture and Construction Science and Academy of Restoration, Doctor of Art History, Professor, rector at Moscow University of Architecture, chairman of the Society of Architecture Historians, honored art worker of the Russian Federation, honorary member at London Society of Antiquities of the English Academy of History. 107031. Russia, Moscow, ul. Rozhdestvenka, 11.
SHESTAKOV Vyacheslav Pavlovich — Doctor of Philosophy, Professor, Head of the Division of Theory of Art at Russian Institute of Cultural Studies. 119072, Russia Moscow, Beresenevskaya naberezhnaya, 18-20-22, stroenie 3.
STEINER Evgeniy Semenovich — Doctor of Art History, chief research assistant at Russian Institute of Cultural Studies, researching professor at School of Oriental and African Studies of the University of London (Great Britain). 119072, Russia, Moscow, Beresenevskaya naberezhnaya, 18-20-22, stroenie 3.
YAKIMOVICH Alexander Klavdianovich — academian of the Russian Academy of Arts, Doctor of Art History, co-chairman at Association of Art Experts, chief research assistant at Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts. 119034, Russia, Moscow, ul. Prechistenka, 21.
EDITORS OFFICE:
DANILENKO Vasiliy Ivanovich — Editorial Director, PhD in Political Sciences, Professor Emeritus at Peking Institute of International and Comparative Researches of the Ministry of Foreign Affairs of the People's Republic of China, Chairman of board of directors of academic publishing group "NOTA BENE" ("NB-Media" Ltd.). 115114, Moscow, Paveletskaya nab., 6A, office 211.
ROZIN Vadim Markovich - Doctor of Philosophy, leading research assisstant at Institute of Philosophy of the Russian Academy of Sciences, rozinvm@gmail.com, 119991, Russia, Moscow, Volkhonka 14/1, stroenie 5
ASTAFIEVA Olga Nikolaevna — Doctor of Philosophy, Professor, Head of the Division of Strategies of Scio-Cultural Policy at Russian Institute of Cultural Studies, Chairman at Moscow Society of Culture Experts. 119072, Russia, Moscow, Beresenevskaya naberezhnaya, 18-20-22, stroenie 3.
BUDANOVA Vera Pavlovna — Doctor of History, Professor of the Department of World History at Institute of History and Archives of the Russian State University of Humanities. Institute of World History of the Russian Academy of Sciences. 119991, Russia, Moscow, Leninskiy prospekt, 32a. Institute of World History of the Russian Academy of Sciences.
VASILIEV Aleksey Grigorievich — assistant director at Russian Institute of Cultural Studies, PhD in History, Associate Professor. 119072, Russia, Moscow, Beresenevskaya naberezhnaya, 18-20-22, stroenie 3.
KONDAKOV Igor Vadimovich — Doctor of Philosophy, Professor of the Department of History and Theory of Culture, Faculty of Art History at Russian State University of Humanities. 125993, Russia, GSP-3, Moscow, ul. Chayanova, 15.
RYLEVA Anna Nikolaevna — Doctor of Cultural Studies, chief research assistant and the head at Center of Continuous Training in Cultural Studies of the Russian Institute of Cultural Studies. 119072, Russia, Moscow, Beresenevskaya naberezhnaya, 18-20-22, stroenie 3.
SHEMYAKIN Yakov Georgievich — Doctor of History, head of the Division of Encyclopedia at Institute of Latin America of the Russian Academy of Sciences. 115035, Russia, Moscow, ul. Bolshaya Ordynka, 21.
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text:
Teaching Minds, Touching Hearts, Transforming Lives
About OTS
Christian Brothers Center
The Brothers of the Christian Schools
District of Eastern North America
Lasallian Education
Narragansett Campus
Providence Campus
Recreation, Activities, and Campus Ministry
Brother James Martino, FSC
Brother James came to Ocean Tides in 2015 to become President after 17 years of child welfare experience at La Salle School in Albany. He has a Master Degrees in Special Education and Human Services Administration. He is a nationally certified health education specialist and a Licensed Chemical Dependency Profession in Rhode Island.
Mr. Ryan Carreau
Vice President, Director of Residential Services
Mr. Carreau has been at Ocean Tides for 18 years and has been a classroom teacher, residential counselor, and residential senior staff. He is currently Vice President and Director of Residential Services, where he oversees the day-to-day care of young men in the residential program, and assists in managing intake and admission activities.
Mr. Charles Couto
Director of Education, Principal-Providence Campus
Mr. Couto has been at Ocean Tides for 30 years. Charlie became the Director of Education in 2015 and has been the Principal of the Providence Campus since 1990. Charles has a Masters Degree in Educational Administration from Providence College.
Mrs. Elizabeth Iovino
Mrs. Iovino joined the Ocean Tides administrative team in 2016. She has a BA in accounting from Providence College, and had a career with local accounting firms prior to starting her own business.
Mr. Brian Sullivan
A 21-year veteran of Ocean Tides, Brian has been a residential counselor, managed one of Ocean Tides group homes before becoming Director of Administration. Brian also holds a Master's Degree in Lasallian Leadership.
Mrs. Susan Vogl
Director of Social Services
Mrs. Vogel joined Ocean Tides in 2016 after working as a consultant to the school, offering substance abuse treatment services to Ocean Tides students through Phoenix House. Susan is a Licensed Independent Clinical Social Worker, avid soccer player, and continues in her own social work private practice.
Providence Campus School Data and Information
Information about Student and Program Success during 2019-2020 Year
401 Gives by the United Way Begins April 1, 2020
administrator@oceantides.org
635 Ocean Road
Narragansett, RI 02882


text:
Soccer: English bodies launch new joint action plan on players' brain health
8:19 AM MYT
Football 14 Jan 2022
Soccer-McCormick named Premier League interim chair
Soccer-EFL wants Derby's administrators to provide funding plan
Football 1d ago
Soccer-Burnley ask Premier League to postpone game against Watford
FILE PHOTO: Soccer Football - Premier League - Manchester United v Arsenal - Old Trafford, Manchester, Britain - November 1, 2020 General view of flowers and scarves left outside the stadium in memory of Nobby Stiles REUTERS/Paul Ellis
(Reuters) - England's Football Association, the Premier League and other soccer governing bodies have launched a new joint action plan to understand, promote and protect the brain health of players amid the risk of head injuries, they said in a statement on Tuesday.
The issue of dementia in professional soccer was highlighted by the death last year of England's Nobby Stiles who, along with many of his 1966 World Cup-winning team mates, had been diagnosed with the condition.
The British government was urged in July to mandate a minimum standard protocol for concussions across sports in a bid to reduce the risk of brain injuries among athletes.
The joint statement by the FA, Premier League, English Football League (EFL) and Professional Footballers' Association (PFA) said the joint action plan focuses on research, education, awareness and support for players.
"Understanding the risk factors of neurodegenerative disease in football is an incredibly complex area of medical science which requires exploration of many different lines of research," said FA Chief Executive Mark Bullingham.
"Football is working together to try to build a more complete picture by supporting a variety of projects. Until we have a greater level of understanding, we are also reducing the potential risk factors."
In July, the Premier League and other governing bodies announced that English football would limit the number of high-force headers in training to 10 per week from the 2021-22 season to protect players as part of new guidelines.
"This new joint action plan will further help to build our understanding across English football of this complex area," Bullingham added.
The Premier League introduced permanent concussion substitutions trials in February after the game's rule-making body IFAB gave the go-ahead for trials of additional "concussion subs".
(Reporting by Manasi Pathak in Bengaluru; Editing by Ken Ferris)
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text:
Carolina Manga Library
Learn About Our Library
See Our Library
Traveling Collection List
The Carolina Manga Library is a 501(c)3 nonprofit organization based in the Southern United States.
Founded in 2013, the Library was started to promote the use of graphic novels, comics, and Japanese manga as genuine tools for improving literacy. The Library travels to conventions, book festivals, schools, and other libraries to set up free reading rooms of graphic novels. These reading rooms are free to enter and visitors have unrestricted access to over 5000 separate books from all genres and reading levels.
The volunteer staff is comprised of professional librarians, writers, artists, costume designers and other graphic novel enthusiasts. They generously give their time and efforts to be "weekend warriors" for literacy.


Apr. 4, 2018 12:50 p.m.
Coastal FC's top men's soccer team has their eyes on a pretty big prize this weekend – the Soccer City Premier League Cup.
In order to win it, the South Surrey-based team will have to get past Langley in the championship game, set for Saturday, 6 p.m. at Newton Athletic Park.
A win would give the Coastal crew a second notch in their collective belts this spring, having already won the Fraser Valley Soccer League's premier-league regular-season crown. The team had a chance at the prestigious Pakenham Cup title, too, but lost in quarter-finals late last month.
But as the saying goes – two out of three ain't bad. Or three out of four, even.
"It's a chance to win two of three, but even after that, there's provincials coming up (later this month), so if we can win three of four, that's the major goal," said Coastal FC coach Corrado Lenzi, who was a player on three Pakenham Cup title-winning teams with Peace Arch (Coastal FC's predecessor) in the mid 2000s.
The premier's men's team's successful season to date marks a resurgence of sorts for the program on the Semiahmoo Peninsula. As Peace Arch United, the team won a slew of titles – both Pakenham Cups and league championships – until 2011, but has not reached the same heights in recent years.
Since hanging up the cleats as a player, Lenzi had been coaching North Delta's premier side, but prior to this season – after consultation with Coastal FC technical director and former premier-team coach Mark McQueen – decided to make the switch to Coastal, bringing his players with him. Combined together with a handful of Coastal players from the previous premier squad, it's now something of a regional team, Lenzi explained.
Needless to say, the move has worked out well.
"It's been a great year, and we have a lot of depth of this team, which is important when you have seasons that are eight, ninth months long," Lenzi said.
Coastal, meanwhile, will attempt to play to its strengths, which are a quick-strike offence and a team that plays at a high pace, Lenzi said.
"We probably have the fastest front three strikers in the province – our attackers are lightning-quick," he said.


Posted January 25th, 2016 by b&lplumbing & filed under Kansas City Plumber, Tips & Hints.
Most people are aware that when water freezes, it expands. That's why your forgotten can of soda in the freezer exploded. When water freezes in a pipe, it will expand in the same way.
If it expands enough, it will burst, water will escape and serious damage may occur. A 1/8-inch crack in a pipe can spew up to 250 gallons of water in a day. But this is one disaster you can prevent by taking a few simple precautions.
Both plastic and copper (CPVC, PEX, COPPER) pipes are susceptible to freezing. Pipes freeze for a combination of three reasons: a quick drop in temperatures, poor insulation and a thermostat that is set too low.
Water pipes in warmer climates may be more vulnerable to winter cold spells, since the pipes are more likely to be located in unprotected areas outside of the building insulation. Homeowners can be proactive by determining whether they have any plumbing items that need protection, and then ensuring that they provide that protection.
Pipes in attics, crawl spaces and outside walls are all vulnerable to freezing, especially if there are cracks or openings that allow cold outside air to flow across the pipes.
Homeowners should be alert to the danger of freezing pipes. Any time temperatures dip to 32 degrees, pipes may freeze, especially when wind chill is a factor.
Know where the water cut-off valve is located in your home. Make sure that every responsible person in the home is aware of its location.
Remove, drain and carefully store hoses used outdoors.
Keep garage doors shut if any water lines are located inside.
Seal all openings where cold air can get at unprotected water pipes. As stated above, it's especially important to keep cold wind away from pipes.
Pipes in attics and crawl spaces should be protected with insulation or heat. Pipe insulation is available in fiberglass or foam sleeves. Remember, the more insulation you use, the better protected your pipes will be.
Let faucets drip slowly to keep water flowing through pipes that are vulnerable to freezing. If the dripping stops, it may mean that ice is blocking the pipe. Keep the faucet open to assist in pressure relief.
Heating cables and tapes are effective for freeze protection. Follow manufacturer's directions closely when using these products.
Exterior pipes and hose bibbs (outdoor faucets) should be drained or enclosed in 2-inch insulation sleeves.
When weather is very cold, keep thermostats at the same temperature day and night. Lowered temperatures at night may contribute to colder attic temperatures and thus, more vulnerable pipes.
If you turn on your faucets and nothing comes out, the water in your pipes is probably frozen. You may be able to thaw a frozen pipe with the warm air from a hair dryer. Make sure the faucet is open, and never stand in water while operating an electric appliance. Do not use a blowtorch or any open flame to thaw a pipe, to prevent fires.
If your water pipes have already burst, turn off the water at the main shut-off valve in the house. Leave the water faucets turned on. Again, make sure your family members know where the water shut-off valve is and how to operate it. Then contact B&L Plumbing Service, Inc to help.


text:
Max Pécas (25 April 1925 in Lyon – 10 February 2003 in Paris) was a French filmmaker, writer and producer.

Pécas was assistant director to Jacques Daroy and others from 1948 to 1957. After making erotic movies and thrillers through the 1960s and 1970s, he shot several teen comedies, including the popular three-film "Saint-Tropez" series.  Many of his films are considered camp B-movies.

Some of Pécas's softcore films were imported to the U.S. by Radley Metzger.

Filmography

Director

1960 : Le Cercle vicieux with Claude Titre, Louisa Colpeyn
1961 : De quoi tu te mêles Daniela? (Daniella by Night) with Elke Sommer, Ivan Desny
1962 : Douce violence with Elke Sommer, Pierre Brice
1962 : Une femme aux abois with Claude Cerval, Sylvie Coste
1963 : Cinq filles en furie with Colette Régis
1964 : La Baie du désir (Erotic Touch) with Fabienne Dali, Sophie Hardy
1965 : Espions à l'affût with Jean Vinci, Claudine Coster, Robert Lombard
1966 : La peur et l'amour  with Claude Cerval, Véra Valmont
1968 : La Violence et l'amour
1968 : La Nuit la plus chaude (The Night of the Outrages) with Philippe Lemaire
1968 : The Black Hand  with James Harris, Janine Reynaud, Jean Topart
1970 : Claude et Greta (Any Time Anywhere / Her and She and Him) with Nicole Debonne, Astrid Frank
1971 : Je suis une nymphomane (I Am a Nymphomanic / Young Casanova / The Sensuous Teenager) with Sandra Julien
1973 : Je suis frigide... pourquoi ? (I Am Frigid... Why? / Let Me Love You) with Sandra Julien, Marie-Georges Pascal
1974 : Club privé pour couples avertis with Philippe Gasté, Anne Libert
1974 : Sexuellement vôtre (Sexually Yours / Young Casanova) with Valérie Boisgel, Henri Genès
1975 : Rêves pornos (archive footage)
1975 : Les Mille et une perversions de Felicia (1001 Perversions of Felicia) with Rebecca Brooke, Béatrice Harnois
1976 : Luxure (Everybodys / Sweet Taste of Honey) with Karine Gambier
1977 : Marche pas sur mes lacets with Sylvain Chamarande, Vanessa Vaylord
1978 : Embraye bidasse, ça fume with Sylvain Chamarande, Michel Vocoret
1979 : On est venu là pour s'éclater with Sylvain Chamarande, Olivia Dutron
1980 : Mieux vaut être riche et bien portant que fauché et mal foutu with Sylvain Chamarande, Victoria Abril
1981 : Belles, blondes et bronzées with Xavier Deluc, Ticky Holgado
1982 : On n'est pas sorti de l'auberge with Bernadette Lafont, Jean Lefebvre
1983 : Les Branchés à Saint-Tropez with Xavier Deluc, Ticky Holgado, Olivia Dutron
1985 : Brigade des mœurs with Pascale Roberts, Christian Barbier
1986 : Deux enfoirés à Saint-Tropez with Philippe Caroit, Caroline Tresca
1987 : On se calme et on boit frais à Saint-Tropez with Luq Hamet, Brigitte Lahaie

Screenwriter

La peur et l'amour (1966)
Belles, blondes et bronzées (1981)
Les Branchés à Saint-Tropez (1983)
Brigade des mœurs (1985)
Deux enfoirés à Saint-Tropez (1986)
On se calme et on boit frais à Saint-Tropez (1987)

Producer

Brigade des mœurs (1985)
Deux enfoirés à Saint-Tropez (1986)
On se calme et on boit frais à Saint-Tropez (1987)

External links

Mac Pecas Spirit, a fan page

1925 births
2003 deaths
French film directors
20th-century French screenwriters
Deaths from cancer in France


Afghan Origin Non Coking Steam Coal.
Up to 5,000 metric tons per month initially, increasing thereafter to shipload.
All over the world especially India, China, Pakistan, Middle East & Far East etc.
Between USD165 to USD175 Per Metric Ton - FAS Punjab Factory/Power Plant or FAS Wagah or FAS Gilgit Border as the case maybe.
100 % by Telegraphic Transfer or 100% at sight confirmed & irrevocable L/C through a 1st class bank with advising/correspondent in Pakistan.
Anywhere from 500 to 1,000, or up to 5,000 Metric Tons.