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MortgageWiki
The authority for home mortgages.
UPDATED: JAN 2021
Thank you for visiting our site mortgagewiki.org or Mortgagewiki. The Site is an Internet property of Help Advisors Reviews and affiliated companies (collectively, "Company," "we," "our" or "us"). The Mortgagewiki Privacy Policy ("Privacy Policy") covers our treatment of personal information and other information that we collect when an end-user to the Site ("user," "you" or "your"): (a) accesses or uses the Site; (b) accesses, downloads and/or views any of the text, video and/or other information made available on the Site (the "Content"); and/or (c) utilizes the various contact forms made available on the Site as a means to request to be contacted by Company's third-party service providers ("Third Party Service Provider") in order to receive mortgage quotes and other information associated with the loan-related products and/or services ("Third Party Products") as offered by the Third Party Service Providers (collectively, the "Contact Services," and together with the Site and Content, the "Site Offerings").
Capitalized terms not defined herein shall have the meanings set forth on the Mortgagewiki Website Terms and Conditions ("Terms and Conditions").
IF YOU DO NOT AGREE TO TERMS OF THIS PRIVACY POLICY IN THEIR ENTIRETY, YOU MAY NOT ACCESS OR OTHERWISE USE THE SITE OFFERINGS.
When you register on our Site, you hereby agree and acknowledge that your personal information will be placed into the Company database and that such personal information shall be shared with third parties for marketing purposes.
If you are a resident of the State of California and would like to learn how your "personal information" (as defined in the Shine the Light Law, Cal. Civ. Code § 1798.83) is shared with third-parties, what categories of personal information that we have shared with third-parties in the preceding year, as well as the names and addresses of those third-parties, please email us at: [email protected].
Further, if you are a resident of the State of California and would like to opt-out from the disclosure of your personal information to any third-party for marketing purposes, please email: [email protected]. Please be advised that where California State residents opt-out from permitting their personal information to be shared, such individuals may still receive selected offers directly from us, in accordance with applicable law.
Personal Information that We Collect from You
We may collect your personally identifiable information when you request Contact Services associated with the Third Party Products, as offered by our Third Party Service Providers, by and through the Site. We may also collect your personally identifiable information when you otherwise agree to the terms of this Privacy Policy, but do not complete the applicable registration process in full. The types of personally identifiable information that we collect at the Site and/or when you apply for Contact Services include, without limitation: (a) your full name; (b) telephone number; (c) email address; (d) the amount of your outstanding loans; (e) the type of loans that you have outstanding; and/or (f) any other information requested on the applicable application. For purposes of this Privacy Policy, items (d) and (e) in the preceding sentence shall be considered "Sensitive Information."
By submitting your personal information by and through the Site Offerings, you agree that we may share such personal information (including Sensitive Information) with our Third Party Service Providers in order to complete your request for Contact Services. Our Third Party Service Providers may use the personal information that we transfer to them for any lawful purposes, subject to any restrictions contained herein including, without limitation, in connection with contacting you for purposes of completing your application for Third Party Products. The information that you must supply on any Third Party Products application hosted by the Third Party Provider(s) shall be determined by the applicable Third Party Service Provider(s) and any information that you subsequently supply to any Third Party Service Provider(s) shall be governed by such Third Party Service Provider(s)' privacy policy(ies). The Third Party Products will be provided by Third Party Service Providers, and the ultimate terms and conditions of the Third Party Products will be determined by those Third Party Service Providers.
Further, by submitting your personal information by and through the Site Offerings, you agree that we may share, sell, rent, lease or otherwise provide that personal information (other than Sensitive Information) to any third party for any purpose permitted by law, and we may work with other businesses to bring selected retail opportunities to our users. These businesses and third parties may include, but are not limited to: (a) providers of direct marketing services and applications, including lookup and reference, data enhancement, suppression and validation; (b) email marketers; (c) telemarketers (where permitted by applicable law); and (d) direct marketers. We will also use your personal information to send you promotional messages regarding various Company products and/or services, as well as third party products and/or services that we think may be of interest to you.
We may also employ third parties and individuals to perform certain functions on our behalf including helping us operate the Site Offerings and/or to administer related activities on our behalf. Examples include sending direct and electronic mail, removing duplicate information from user lists, analyzing data and providing marketing analysis. The agents performing these limited functions on our behalf shall have access to our users' personal information (including Sensitive Information) as needed to perform their functions for us but we do not permit them to use your personal information for other purposes.
Additionally, we purchase and manage email lists generated by third parties. Users may remove themselves from a specific mailing list by utilizing the unsubscribe options that are present and available at the end of each piece of email that we send.
We will also use your personal information (including Sensitive Information) for customer service, to provide you with information that you may request, to customize your experience on the Site and/or to contact you when necessary in connection with transactions entered into by you through the Site Offerings. We may also use your personal information (including Sensitive Information) for internal business purposes, such as analyzing and managing our business. We may also combine the information we have gathered about you with information from other sources.
By registering at the Site, you agree that such act constitutes an inquiry and/or application for purposes of the Amended Telemarketing Sales Rule (16 CFR §310 et seq.), as amended from time to time (the "Rule") and applicable state do-not-call regulations. As such, notwithstanding that your telephone number may be listed on the Federal Trade Commission's Do-Not-Call List, and/or on applicable state do-not-call lists, we retain the right to contact you via telemarketing in accordance with the Rule and applicable state do-not-call regulations.
Where you provide "prior express written consent" within the meaning of the Telephone Consumer Protection Act (47 USC § 227), and its implementing regulations adopted by the Federal Communications Commission (47 CFR § 64.1200), as amended from time-to-time ("TCPA"), you consent to receive telephone calls from Company and any specified Third Party Service Provider(s), including artificial voice calls, pre-recorded messages and/or calls (including SMS text messages) delivered via automated technology, to the telephone number(s) that you provided. Please note that you are not required to provide this consent in order to obtain access to the Site Offerings, and your consent simply allows Company and any specified Third Party Service Provider(s) to contact you via these means.
Please be advised that by agreeing to this Privacy Policy, you are obligated to immediately inform us if and when the telephone number that you have previously provided to us changes. Without limiting the foregoing, if you: (a) have your telephone number reassigned to another person or entity; (b) give up your telephone number so that it is no longer used by you; (c) port your telephone number to a landline or vice versa; or (d) otherwise stop using that telephone number for any reason (collectively "Phone Number Change"), you agree that you shall promptly notify Company of the Phone Number Change via email at: [email protected]or by using one of the methods set forth in the "Contacting Us about Privacy Questions or Concerns" section below.
We also reserve the right to release current or past user information in the event that we believe that the user is using, or has used, our products, services and/or Site: (i) in violation of the Terms and Conditions, this Privacy Policy or any other of our operating rules, policies, price schedules and other supplemental terms and conditions or documents that may be published by us from time to time; (ii) to commit unlawful acts; (iii) if such information is subpoenaed; provided, however, that, where permitted by applicable law, we shall provide you with email notice, and opportunity to challenge the subpoena, prior to disclosure of any personal information pursuant to a subpoena; (iv) if we are sold, merge with a third party, are acquired or are the subject of bankruptcy proceedings; provided, however, that if we are involved in a bankruptcy proceeding, merger, acquisition or sale of all or a portion of our assets, you will be notified via email and/or a prominent notice on the Site of any change in ownership or uses of your personal information, as well as any choices that you may have regarding your personal information; and/or (v) when we deem it necessary or appropriate including, without limitation, sharing your email address with other third parties for suppression purposes in compliance with the CAN-SPAM Act of 2003, as amended from time to time, and Federal Trade Commission implementing regulations. Without limiting the generality of the foregoing, we reserve the right to share, sell, rent, lease and/or otherwise distribute any and all personal information with/to any third party for any and all uses permitted by this Privacy Policy and applicable law.
How We Use Demographic Information and Aggregate Data
Aggregate and demographic data is data that describes the demographics, usage or characteristics of our participants as a group, without disclosing personally identifiable information. We use demographic information to tailor the Site Offerings to the interests of our users. Demographic information is shared with third party advertisers so that they can tailor their advertisements to the appropriate audience. Demographic information may also be shared with other third parties.
We reserve the right to provide aggregate data about our users for lawful purposes. By agreeing to the terms of this Privacy Policy, you hereby consent to the disclosure of any aggregate data, record or communication to any third party when we, in our sole discretion, determine the disclosure to be appropriate.
Each time that you visit the Site, our web server automatically recognizes your IP address and the web page from which you came. Your IP address is used to help identify you and to gather broad demographic information about you. We also use your IP address to help diagnose problems with our servers, to administer the Site and to better serve you in using the products, services and other features contained within the Site.
Cookies and Action Tags
Cookies: The first time that a user provides an email address in connection with her/his activities at the Site, we assign an identification number to that email address and deploy a cookie to the applicable user's PC. Whenever that user comes back to the Site using the same PC, the cookie allows the Site to identify the user and to recall the user's e-mail address. If, at any time, a user provides other information in connection with her/his activities on the Site (such as name, address, birth date, gender, etc.), we may store that information, along with the user's email address, in our user database. We may use the information stored in our database: (a) to effectuate the purpose or transaction for which the information was originally provided by a user; (b) to pre-populate information fields in the event that user wishes to purchase products and/or services or sign up for and/or subscribe to services, promotions or other offers in the future; (c) to ensure that a user will not be repeatedly exposed to the same advertisements, offers and/or promotions while visiting the Site; and/or (d) to, in connection with regular communication with a user, include offers, promotions or advertisements that were historically, or are likely to be, of interest to that user. To find out more about cookies, please visit www.cookiecentral.com. To disable and reject cookies, adjust the settings via the toolbar options menu of your Internet browser.
Action Tags, Web Beacons and other Data Collection Methods:An action tag or a web-beacon (also known as a clear gif or a pixel tag) is a method used to track responses or actions by visitors who view certain advertisements and/or other information on the Site. Action tags are 1×1 pixel images embedded in a website page that are used to transparently collect information. We may use action tags to count the number of times that visitors click on a particular banner ad or visit the pages of the Site and to provide information about what products/services are viewed or purchased. We reserve the right to retain this cookie and action tag data indefinitely, and to share information generated by these cookies and action tags with our advertisers, affiliates and service providers.
Behavioral Tracking
Company uses cookies and other tracking technology on the Site for purposes of tracking users' activities after they leave the Site. Company uses this tracking technology to target applicable users with advertisements regarding the Site Offerings and other products and/or services that Company thinks may be of interest to applicable users. In addition, third parties, such as Google®, may engage in a similar form of behavioral tracking of users that visit the Site. Users may be able to disable some, but not all, of this tracking activity by utilizing the "Do Not Track" setting or similar options within most major Internet browsers. To the greatest extent permissible under applicable law, we are not responsible for the tracking practices of third parties in connection with the Site.
The Site Offerings may contain links to other third-party owned and/or operated websites including, but not limited to, the websites of our Third Party Service Providers. Company is not responsible for the privacy practices or the content of such websites. In some cases, you may be able to make a purchase through one of their third-party websites. In these instances, you may be required to provide certain information, such as a credit card number, to register or complete a transaction at such website. These third-party websites have separate privacy and data collection practices and Company has no responsibility or liability relating to them.
Third-Party Offers
Company provides its users with the opportunity to receive special offers, products and/or services from third parties including, but not limited to, our Third Party Service Providers. Where you indicate the desire to receive certain offers, products or services from a third party during the applicable information collection process, your personally identifiable information that was provided during that Company information collection process will be shared with the applicable third party so that such third party may provide its product or service to you and so that you do not have to complete another information collection form (or re-supply the same information) to purchase or receive that product or service.
Our Security Precautions
The privacy of your personal information is very important to us. As such, we endeavor to safeguard and protect our users' personal information. When users make personal information available to us, their personal information is protected both online and offline (to the extent that we maintain any personal information offline). Where our registration/application process prompts users to enter Sensitive Information, and when we store and transmit such Sensitive Information, that information is encrypted using industry standard encryption technology.
Access to your personal information is strictly limited, and we take reasonable measures to ensure that your personal information is not accessible to the public. The servers that we store personal information on are kept in a secure physical environment. We also have security measures in place to protect the loss, misuse and alteration of personal information under our control. Please be advised, however, that while we take every reasonable precaution available to protect your data, no storage facility, technology, software, security protocols or data transmission over the Internet can be guaranteed to be 100% secure.
Computer hackers that circumvent our security measures may gain access to certain portions of your personal information, and technological bugs, errors and glitches may cause inadvertent disclosures of your personal information; provided, however, that any attempt to breach the security of the network, our servers, databases or other hardware or software constitutes a crime punishable by law. For the reasons mentioned above, we cannot warrant that your personal information will be absolutely secure. Any transmission of data by or through the Site Offerings is at your own risk.
All of our users' personal information is restricted in our offices. Only employees or third party agents who need personal information to perform a specific job function are granted access to personal information. Our employees are dedicated to ensuring the security and privacy of all user personal information. Employees not adhering to our firm policies are subject to disciplinary action. In compliance with applicable federal and state laws, we shall notify you and any applicable regulatory agencies in the event that we learn of an information security breach with respect to your personal information. You will be notified through email in the event of such a breach. Please be advised that notice may be delayed in order to address the needs of law enforcement, determine the scope of network damage, and to engage in remedial measures.
No information should be submitted to, or posted at, the Site by visitors under eighteen (18) years of age (or the applicable age of majority, if greater than eighteen (18) years of age). Persons eighteen (18) years of age (or the applicable age of majority, if greater than eighteen (18) years of age) are not permitted to access the Site Offerings and we do not knowingly collect personal information from such individuals. We encourage parents and guardians to spend time online with their children and to participate and monitor the interactive activities of their children.
Removal, Amending and/or Updating Your Information
At your request, we will: (a) inform you of what personal information we have on file for you; (b) amend the personal information that we have on file for you; and/or (c) remove personal information that you have provided to us, or that we have collected. You may do so by contacting us via email at [email protected]; provided, however, that we ask individuals to identify themselves and the information requested to be accessed, amended or removed before processing such requests, and, to the extent permitted by applicable law, we may decline to process requests that are unreasonably repetitive or systematic, require disproportionate technical effort, jeopardize the privacy of others or would be extremely impractical (for instance, requests concerning information residing on backup tapes).
Please be advised that deleting your personal information may terminate or limit your ability to apply for Third Party Products via the Contact Services. If you wish to apply for Third Party Products via the Contact Services without any hindrance or limitation, you may not delete the personal information that we have on file for you.
Please be further advised that, after you delete your personal information, residual copies may take a period of time before they are deleted from our active servers and may remain in our backup systems.
We provide users with the ability to opt-out from receiving information sent via electronic mailings on or own behalf and that of our third party advertisers. Users may unsubscribe from receiving email at any time by following the instructions contained at the end of every e-mailing. Unsubscribe requests can only be processed by us if you have registered with us in the first instance. If you have not registered with us and wish to opt out of receiving e-mail from a particular sender, please consult that sender's opt out policies or contact that sender.
Information sent on behalf of third party advertisers is prepared several days in advance, so users may continue to receive mail from us for up to ten (10) days following the unsubscribe procedures detailed above. In addition, after unsubscribing, we cannot guarantee that you will never receive another mailing from us, because we may obtain your email address in the future through a different e-mail marketing program that you have opted in to. If, after that point, a user is still receiving e-mail from us, the user should contact us at: [email protected]
Notwithstanding the foregoing, we may continue to contact you for purposes of communicating information relating to your request for Site Offerings, as well as to respond to any inquiry or request made by you. To opt-out of receiving Site Offerings-related and/or inquiry response-related messages from us, you must cease requesting Site Offering, and cease submitting inquiries to us, as applicable.
No Liability for Unauthorized Changes
IN NO EVENT SHALL WE BE LIABLE FOR ANY DAMAGES OF ANY KIND ARISING IN CONNECTION WITH: (a) YOUR USE OF THE SITE OFFERINGS; (b) THE UNAUTHORIZED MODIFICATION OF YOUR REGISTRATION DATA OR OTHER PERSONAL INFORMATION; OR (c) ADVERTISEMENTS PROVIDED BY US, OUR THIRD PARTY SERVICE PROVIDERS OR ANY OTHER THIRD PARTIES.
Transfer of Personal Information Internationally
If you are visiting the Site from a country other than the country in which our servers are located, your communications with us may result in the transfer of information across international boundaries. By visiting the Site and/or otherwise communicating electronically with us, you consent to such transfers. Even if your jurisdiction does not have the same privacy laws as the jurisdiction where our servers are located, we will treat your information as subject to the protections described in this Privacy Policy.
Your Acceptance of this Privacy Policy/Modifications
By using the Site Offerings including, without limitation, utilizing the Contact Services and/or continuing to receive information from us, you agree to the terms of our Privacy Policy. We reserve the right, at our discretion, to change or modify, add and/or remove portions of this Privacy Policy at any time. If the manner in which we use personally identifiable information changes, we will notify users by: (a) sending the modified policy to our users via email; and/or (b) by any other reasonable means acceptable under applicable state and federal law. You will have a choice as to whether or not we use your information in this different manner, and we will only use your information in this different manner where you opt-in to such use.
Contacting Us about Privacy Questions or Concerns
IIf you have any questions about this Privacy Policy, the practices of Company or your dealings with Company, please e-mail us at [email protected].
Filing a Complaint with the FTC (U.S. Federal Trade Commission)
To file a complaint regarding our privacy practices, please Click Here.
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News > Idaho
Thanksgiving comes a day early in Idaho
Wed., Nov. 23, 2016
The UI Free Thanksgiving dinner will be held 11 a.m.-2 p.m. Wednesday. (PR Newswire)
By Josh Babcock Moscow-Pullman Daily News
Dinner details
The UI Free Thanksgiving dinner will be held 11 a.m.-2 p.m. Wednesday.
Joshua McQueen, executive chef of Vandals Dining, and a few members of his staff spent Tuesday peeling about 300 pounds of potatoes, preparing 150 pounds of green beans, 30 turkeys, 14 hams and an array of sides for those unable to make it home for the Thanksgiving holiday.
McQueen and his 10 or so co-workers put in about 100 total hours of work to make the University of Idaho's third annual Free Thanksgiving celebration at the Bob's Place kitchen inside the Wallace Residence Center possible.
"When I was in college, I had the luxury of going home," McQueen said. "This is our opportunity to be an extension of that. We try to create those memories for kids that don't get to go home."
McQueen said he's expecting about 600 people – including many members of the international community – to fill Bob's Place today for the dinner.
"The cooking is easy," he said. "We just add a couple of zeroes – it's easier to cook for 600 people now than my family."
Initially it was McQueen's plan to create traditional international dishes for the celebration to pay homage to the diverse cultures that make up the UI and Moscow communities, but in the end it was decided to create a more traditional Thanksgiving dinner.
"Even though Moscow is small it still has a really diverse population, and I was going that route," he said. "After they did some thinking they decided let's go with what Thanksgiving traditionally is."
McQueen said he doesn't like turkey much. Being from South Carolina, he said, shrimp, grits and collard greens are what he's accustomed to stuffing himself with on the November holiday. He said he's not familiar with the traditional Northwest Thanksgiving, adding he's going to do his best with the "sweet potato marshmallow thing."
While McQueen, his handful of chefs and UI faculty will cook the food, the entire dinner is funded by the UI Office of the President.
"It's a great thing (President Chuck) Staben and the UI do here," McQueen said. "We're happy to be a part of it."
University officials will also be helping in the kitchen.
"President Staben is doing turkey carving – that's the rumor I heard," McQueen said.
While preparing, cooking and serving Thanksgiving dinner for 600 people would make some want to pull their hair out, it's an easier day at the office than usual for McQueen, who is normally tasked with feeding anywhere from 2,000 to 2,500 students daily.
Since the majority of those students made the trek back to their families for the Holiday, he said, "it's a pretty laid back day."
"We have the opportunity to be an extension of a family that they can't be with," McQueen said. "It's a pretty cool thing. It's a big responsibility and it's something I love doing – everyone on staff loves doing this."
The UI Free Thanksgiving dinner will be held 11 a.m.-2 p.m. today.
Published: Nov. 23, 2016, 7:46 a.m.
Tags: bob's place, holiday, idaho, thanksgiving, university of idaho, vandals dining, wallace residence center
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UPDATED: 10:46 a.m.
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redpajama_set_name: RedPajamaCommonCrawl


Break the ice at your next event with a cool promotion. Add your logo to the ergonomic grip of the Value Ice Scraper and help your customers easily chisel away snow and ice build-up from their vehicles. Hanging hole on the end of the handle makes for convenient storage. Size: 4� x 10 ��.


Photographed by incredible Alistair Taylor-Young and produced by Andy Fiord Production.
Andrey Zaycev from Street Art Museum for Vogue Russia.
Sergey Shnurov and his wife Matilda on the pages of Glamour Russia magazine (March)!
The shooting was produced with participation of Andy Fiord Production!
"The Pilot" – our new editorial shot for Cosmopolitan China (December issue)!
Art collector and philanthropist Dasha Zhukova together with architect Rem Koolhaas are launching an ambitious campaign to connect Moscow to the international art world!
WSJ Magazine asked photographer Nicholas Alan to capture the new building of the Garage Museum of Contemporary Art for the February issue. Andy Fiord Photo & Film Production took part in the organisation of this shooting.


You will find the video at the bottom of the page. It actually includes all of the part of the infomercial with characters reading dialogue, which accounts for only about 10 minutes of the entire 28 minute infomercial!
* When Al's wife delivers her awful line about "Baby's Favorite Food," Al nods his head in disgust at the utterance of each word, as if he's heard her make that "joke" thousands of times before. No wonder the guy looks miserable.
* Seeing "Jenny" give a demo really makes me appreciate the polish and professionalism of Mimi Umidon.
* Seeing the Baby Bullet infomercial really makes me appreciate that I've never had to attend a baby shower!
First off, how do they not notice that their lead character has been given two different names? Wasn't anyone paying attention?
Seriously, they need to bring back Hazel and Berman; they were gold.
HAHA the Grandma's too funny. When the little baby storage containers were passed out, Granny got all upset when she was told that No, they weren't doing gonna do shots!
I never thought that the other Bullet soaps could be eclipsed, but I was wrong! This utterly hilarious piece of theatre has it all – a pointless product that nobody needs, fake pregnancies, fake babies and Mick's 'package' being admired by an old age pensioner. Who ever heard of feeding a kid sweet potato from a blender every day for a week? Bizarre. And what has that woman in blue got under her gown? A duvet??
The icing on the whole sickly cake is surely that the design of the face on the thing is not "cute" but actually creepy – Just like the people at the baby shower! Not being shown here in the UK sadly (like the MB to go, which never appeared here either). Thanks for putting this online!!
Watching this has given me an idea – how about a baby version of that other great, all time stupid infomercial "my baby rotisserie"??
Another triumph from the creative geniuses behind the Magic Bullet. I don't know what I enjoyed more – Al's pained, pathetic expressions while everyone else stared lovingly at the Baby Bullet, or Grandma's drunken antics. When she said "Nice package" and then laughed hysterically, it was funnier than an entire season of Two-and-a-Half Men.
I eagerly await the next installment in this extraordinary series.
Have you actually looked at the "pregnant" sister? Seriously, I don't know what they stuck onto her stomach to make her bulge out like that, but it is THE fakest thing I've ever seen.
Grandma's package comment was pure cheesy entertainment. Golden!
I always end up catching the tail end of this, so I mistakenly thought the Bullet team had abandoned the classic "fake party demo" format. I am so glad to find out I was mistaken! Loves it!!


text:
Channel 5 apologises and pays substantial damages to a further victim of TV programme Can't Pay? We'll Take it Away!
By Callum Galbraith
A joint statement in open court was read on 18 June 2021 before Mr Justice Murray after Adanna Clarke, a private individual, accepted an offer of settlement in relation to the misuse of her private information in a broadcast of an episode of the television programme Can't Pay? We'll Take It Away!. She has also received a substantial damages payment, undertakings from Channel 5 not to further broadcast the episode in which she featured and an agreement to pay her reasonable legal costs.
The case: Adanna Clarke v Channel 5 Broadcasting Ltd
On 7 May 2015, two High Court Enforcement Agents ("HCEAs") attended Ms. Clarke's home to evict her, giving Ms. Clarke one hour to leave the property that she lived at with her one year old daughter. A film crew was in attendance with the HCEAs. Ms. Clarke made it clear to the film crew that she did not want to be filmed. However, the HCEAs who entered the home wore bodycams and radio microphones which were used to gain audio and video footage of Ms. Clarke, as well as her young daughter, their home and their possessions without her knowledge, and which was subsequently shown in the programme.
The episode was first broadcast by Channel 5 on 28 October 2015.The episode in question was broadcast to over 11.3 million people in a form in which Ms. Clarke's face was shown and a further 2.2 million people in a form in which Ms. Clarke's face was blurred. Ms. Clarke issued proceedings against Channel 5 for the misuse of her private information. The programme showed Ms. Clarke in her home and in the street outside and it wrongly revealed information that was private to her. The programme clearly showed Ms. Clarke in a state of considerable distress and the substantial level of damages offered by Channel 5 in settlement of her claim reflects the severity of the misuse of her private information.
Hamlins' outstanding Media Disputes' solicitors who acted on behalf of our clients comprise: Partner Alex Cochrane and Meera Khunti, Paralegal.
For other coverage see:
Daily Mail: Channel 5 pay damages to mother who was filmed being evicted from her home on Can't Pay? We'll Take it Away after privacy row
Evening Standard: Channel 5 apologises and pays damages to woman featured in show
If you think you have a claim against this programme or any other fly on the wall documentary then please contact us on cpwtia@hamlins.com. Find out more about Can't Pay We'll Take it Away Privacy Claims or contact or Chris Hutchings by email.


text:
Vernacular Transformations
Paul Memmott, John Ting
Paul Oliver's 1997 "Encyclopaedia of Vernacular Architecture of the World" (EVAW) was the first comprehensive compilation of Southeast Asia's and Oceania's vernacular houses, and work on the second edition (EVAW 2) has been under way since 2015 under the editorship of Marcel Vellinga at Oxford Brookes University. EVAW 2 will continue the outstanding scholarship on the region's rich and diverse vernacular house architecture highlighting its distinctiveness and relationships with social and cultural structures. However, in the updating of entries,1 clear signs of transformation of traditions have emerged due to rapid social, cultural, economic and technological changes in Southeast Asia and Oceania's vernacular houses. These transformations could not be further explored in the brevity of the Encyclopaedia entries, and so this issue of Fabrications called for higher-level reflections and theorisations of these dynamic transformations and their relationships with modern worlds. It seeks to understand the tensions brought about by regional and sub-regional modernisation and cultural change, and the effect of these tensions on the historical morphologies and building typologies of vernacular house architectures.
Fabrications: the journal of the Society of Architectural Historians, Australia and New Zealand
Fingerprint Dive into the research topics of 'Vernacular Transformations'. Together they form a unique fingerprint.
cultural change Social Sciences
comprehensive compilations Social Sciences
technological change Social Sciences
Southeast Asia Social Sciences
economic change Social Sciences
social structure Social Sciences
edition Social Sciences
modernization Social Sciences
Memmott, P., & Ting, J. (2020). Vernacular Transformations. Fabrications: the journal of the Society of Architectural Historians, Australia and New Zealand, 30(1), 1-10. https://doi.org/10.1080/10331867.2020.1724667
Memmott, Paul ; Ting, John. / Vernacular Transformations. In: Fabrications: the journal of the Society of Architectural Historians, Australia and New Zealand. 2020 ; Vol. 30, No. 1. pp. 1-10.
@article{edf3576fb0ea433a842d02087308022d,
title = "Vernacular Transformations",
abstract = "Paul Oliver{\textquoteright}s 1997 "Encyclopaedia of Vernacular Architecture of the World" (EVAW) was the first comprehensive compilation of Southeast Asia{\textquoteright}s and Oceania{\textquoteright}s vernacular houses, and work on the second edition (EVAW 2) has been under way since 2015 under the editorship of Marcel Vellinga at Oxford Brookes University. EVAW 2 will continue the outstanding scholarship on the region{\textquoteright}s rich and diverse vernacular house architecture highlighting its distinctiveness and relationships with social and cultural structures. However, in the updating of entries,1 clear signs of transformation of traditions have emerged due to rapid social, cultural, economic and technological changes in Southeast Asia and Oceania{\textquoteright}s vernacular houses. These transformations could not be further explored in the brevity of the Encyclopaedia entries, and so this issue of Fabrications called for higher-level reflections and theorisations of these dynamic transformations and their relationships with modern worlds. It seeks to understand the tensions brought about by regional and sub-regional modernisation and cultural change, and the effect of these tensions on the historical morphologies and building typologies of vernacular house architectures.",
keywords = "vernacular architecture",
author = "Paul Memmott and John Ting",
journal = "Fabrications",
Memmott, P & Ting, J 2020, 'Vernacular Transformations', Fabrications: the journal of the Society of Architectural Historians, Australia and New Zealand, vol. 30, no. 1, pp. 1-10. https://doi.org/10.1080/10331867.2020.1724667
Vernacular Transformations. / Memmott, Paul; Ting, John.
In: Fabrications: the journal of the Society of Architectural Historians, Australia and New Zealand, Vol. 30, No. 1, 2020, p. 1-10.
T1 - Vernacular Transformations
AU - Memmott, Paul
AU - Ting, John
N2 - Paul Oliver's 1997 "Encyclopaedia of Vernacular Architecture of the World" (EVAW) was the first comprehensive compilation of Southeast Asia's and Oceania's vernacular houses, and work on the second edition (EVAW 2) has been under way since 2015 under the editorship of Marcel Vellinga at Oxford Brookes University. EVAW 2 will continue the outstanding scholarship on the region's rich and diverse vernacular house architecture highlighting its distinctiveness and relationships with social and cultural structures. However, in the updating of entries,1 clear signs of transformation of traditions have emerged due to rapid social, cultural, economic and technological changes in Southeast Asia and Oceania's vernacular houses. These transformations could not be further explored in the brevity of the Encyclopaedia entries, and so this issue of Fabrications called for higher-level reflections and theorisations of these dynamic transformations and their relationships with modern worlds. It seeks to understand the tensions brought about by regional and sub-regional modernisation and cultural change, and the effect of these tensions on the historical morphologies and building typologies of vernacular house architectures.
AB - Paul Oliver's 1997 "Encyclopaedia of Vernacular Architecture of the World" (EVAW) was the first comprehensive compilation of Southeast Asia's and Oceania's vernacular houses, and work on the second edition (EVAW 2) has been under way since 2015 under the editorship of Marcel Vellinga at Oxford Brookes University. EVAW 2 will continue the outstanding scholarship on the region's rich and diverse vernacular house architecture highlighting its distinctiveness and relationships with social and cultural structures. However, in the updating of entries,1 clear signs of transformation of traditions have emerged due to rapid social, cultural, economic and technological changes in Southeast Asia and Oceania's vernacular houses. These transformations could not be further explored in the brevity of the Encyclopaedia entries, and so this issue of Fabrications called for higher-level reflections and theorisations of these dynamic transformations and their relationships with modern worlds. It seeks to understand the tensions brought about by regional and sub-regional modernisation and cultural change, and the effect of these tensions on the historical morphologies and building typologies of vernacular house architectures.
KW - vernacular architecture
JO - Fabrications
JF - Fabrications
Memmott P, Ting J. Vernacular Transformations. Fabrications: the journal of the Society of Architectural Historians, Australia and New Zealand. 2020;30(1):1-10. https://doi.org/10.1080/10331867.2020.1724667


text:
Scarlett Johansson sings
According to this CNN interview (and probably old news, but I haven't been as au courant with the celeb news as I'd like), Scarlett Johansson has an album of Tom Waits covers coming out: Q: What about this album you're releasing? It's all Tom Waits covers? JOHANSSON: I've always been a huge fan of Tom Waits and I had this kind of golden opportunity to make an album however I wanted and it's kind of a dream chance. ... Originally I thought that I would do an album of standards and I wanted to include a Tom Waits song. And I don't know, I thought maybe everybody does standards, and so, I see Tom Waits as being kind of a composer of modern standards and so it seemed appropriate that I could interpret his songs. Obviously, it's not an album where I'm trying to sound like him. It would be impossible. He writes such beautiful songs and incredible melodies and they're so cinematic and kind of open-ended so I felt like it would be something that I coul
Watched The Departed over the weekend, and my thought was: now this is how you do an adaptation. Scorsese at his finest - no one mixes the sheer brutality and the lyricism of violence like he does. Top notch acting all around, and some beautiful cinematography - I thought the final scene was a marvel of composition, and then I watched parts again and noticed all the "X"s in the scene whenever someone died. And for anyone's who spent any time in Boston, the clear echoes of Whitey Bulger are compelling.
I watched Will Ferrell in Stranger Than Fiction a couple of nights ago, probably the first time I can remember Ferrell in a role other than "overgrown fratboy" - indeed, here he plays an IRS auditor, so he's very much the epitome of the straight man here. It pleasantly surprised me that he held his own acting against Emma Thompson, Dustin Hoffman, and Maggie Gyllenhaal (who, incidentally, I'm convinced has one of the sexiest voices in Hollywood). Stranger Than Fiction asked thought-provoking questions on mortality, and the value of accepting the inexorable progress toward death - in the grand scheme of things, of course, we will all die (and Hoffman points that out), and what we leave behind as our legacy, I suppose, is our art. (A concept that made me think of Shelley's "Ozymandias" .) But what happens when ars longa becomes the direct cause of vita breva ? Thompson, playing the author Karen Eiffel, finally seems to be ending her struggle with writ
A garden of forking paths
J ust noting down for my own memory some good artwork that I saw (largely in Sydney, at the Museum of Contemporary Art's The Hours exhibition ), before I forget it: Matthew Ngui's work, in general Nell, " Unlimited Radiance " - that pic doesn't do justice to the qualities of this work (I'm not sure any pic can), which shimmies and sparkles Mathew Jones, "The New York Daily News on the day before the Stonewall Riot copied by hand from microfilm records", 1996 ( Link ) Vik Muniz , " I Am What I Read ", " Che (Black Bean Soup) " Betsabee Romero, "Requiem for the Unknown Pedestrian II" - tires engraved with musical notes to create a kind of sheet-music print Los Carpinteros , "Downtown (Centro)" - furniture as landscape Nicola Constantino, the Human Furriery series - items covered in silicone nipples and anuses - the NY Times called it " sensationally tasteless ". Santiago Sierra, " 465 personas rem
T his map made me go, woah. I mean, I know the US is an economic juggernaut, and I should expect this, but it still surprised me that New Jersey's GDP is the same as Russia's. (Based on their data, Singapore's economy is the size of South Carolina's, at US$121 billion.)
On Krispy Kremes
I came back from Sydney carting 6 boxes of Krispy Kremes (6 in each box). At the airport, the security guy spotted the boxes and the following exchange ensued: Security guy (in mock-stern fashion): "Hmm... you know you're not supposed to take more than 100ml of liquids or creams into the plane". Me (quick on the uptake): "No cream in these ones - they're glazed!" Security guy: "Attempt to get doughnuts foiled again, damn" Upon returning, I promptly put the doughnuts in the fridge. Then it dawned on me. The only two things in my fridge were doughnuts and beer. I had Homer Simpson's fridge. But boy were they good. I stretched them out - had to make them last. One of my Facebook friends mentioned guilt from doughnut eating. Guilt's too good an emotion to waste on food. Mmm, donuts...
Had we but world enough, and time
As astute followers of this blog (um, if any are out there) will notice, posting frequency has declined lately... fortunately, I don't think I've stopped listening to new music - although I'm not sure that listening to Stile Antico's compline album counts as 'new music' - but it is brutal, finding time both to experience the world and to write on the experiences. With all that said, the Simpsons movie is excellent. Still nowhere near the best of the Simpsons - could probably think of 10 episodes of the show that outdo it - but that's not taking anything away from the movie, it was still damn funny. Was laughing from the moment Ralph Wiggum sang along to the 20th Century Fox tune. The movie format seemed to let them do a lot more drawn-out action sequences, I thought - Bart skateboarding reminded me of the Homer/Marge nude Natural Born Kissers sequence, while the scene with Flanders making hot chocolate was pretty good. I was hoping they'd somehow refer


text:
CHELSEA/esque
A Blue World In Black And White
About CHELSEA/esque
CHELSEA/action
CHELSEA/faces
CHELSEA/heroes
CHELSEA/land
CHELSEA/shapes
Tales From The Working Week : Monday
Posted on May 9, 2017 by Chris Axon
Chelsea vs. Middlesbrough : 8 May 2017.
Our last five league games of this wonderful season were to take place on two Sundays, two Mondays and a Friday. We would be whores to the TV money yet again. But I hoped that this odd pattern would not disrupt us on our stride towards the title, which seemed a lot more attainable after West Ham's surprising win at home to Tottenham on Friday.
It left us requiring two wins from our remaining four league games to ensure our sixth league championship.
The first of these games was against relegation-threatened Middlesbrough on the Monday, followed by a game at West Brom on the Friday. These were two monumental bookends to a potentially fantastic five days.
In my comments about Chelsea, I often use the phrase "let's go to work" to convey a sense of duty to the common good. There is inevitably a back story to this. When I was even more in love with Italy than I am now – if it is possible – I remember seeing a travel programme in 1988 called "Rough Guide" detailing the industrial and commercial stronghold of Milan. There was talk of the "rampanti" – the young and feverish young businessmen, intoxicated by business but also consumed by Italian style. They were the Italian equivalent of "yuppies" (remember them?) I guess.
As one of the presenters said : "The protestant work ethic has gone crazy in Catholic Italy."
Around the same time, I vividly remember reading a guide to the same city that mentioned that instead of wishing each other "good morning" or "good day", the business folk of Milan would often utter the Italian equivalent of "let's go to work" and it immediately struck a chord.
And I am sure that Antonio Conte would approve. And so this would be a working week like no other. From Monday to Friday, Chelsea Football Club would be focused. At the weekend, following the game at The Hawthorns, there might be a chance to relax.
My working week began with Wembley on my mind. My main task on the day of the Middlesbrough game was to purchase Cup Final tickets. I was so absorbed on this objective that I completely forgot to pack my camera for the game later that evening. I would have to make do with my mobile phone. A lack of focus such as this would have been frowned upon by Antonio, no doubt. It is a good job that he is not my boss.
By the way, who thought that in this match report about our game with Middlesbrough – a win and we would consign them to the Championship – that my first comments about 1988 would be concerning Italian yuppies?
Let me explain, if it needs to be explained.
We began 1987/88 in good form but after Christmas we fell drastically down the league. Under manager John Hollins, things went from bad to worse. Chairman Ken Bates replaced Hollins with Bobby Campbell for the last month or so of the season. At the time, the First Division was being trimmed from twenty-two teams to twenty teams over two seasons. Additionally, it was the second year of the Football League play-offs, which featured teams from the top two divisions playing off over two legs. Chelsea finished fourth from bottom of the First Division in 1987/88 and met Blackburn Rovers in the first round of the play-offs. They were easily dispatched. In the final, we met Middlesbrough, who had beaten Bradford City in their first round. At Ayresome Park, we lost 2-0. In the return leg, I fancied our chances to over-turn this. Our team contained some half-decent players such as Steve Clarke, John Bumstead, Pat Nevin, Kerry Dixon, Gordon Durie and Tony Dorigo. On paper we were no mugs.
In late May 1988 – a fortnight after the Cup Final, virtually the last game of the season – over 40,000 assembled at Stamford Bridge on a bright and sunny afternoon to see if Chelsea could claw back the two goals. I watched, alongside Alan – just like in 2017 – as Gordon Durie guided the ball in after only a quarter of an hour. The noise was deafening. We were watching from the back row of the benches, willing the team on, kicking every ball, heading every clearance. I can remember that such was the appetite to see this game that The Shed was packed early on. Shamefully, the club decided to open up a section of The Shed terrace that had been closed under the safety of sports grounds act for years and years. My photograph of The Shed from the day shows the ridiculous density of people in the rear portions of The Shed and also the overflow, standing on a terrace that should not have been used.
The club had decided to do this for the league game with Charlton Athletic a month or so earlier too. My dear parents, as late arrivals, watched that game from that section of The Shed, sitting on a terrace that had not been used since around 1979.
Remember this was a year before Hillsborough. Not only Sheffield Wednesday snubbed ground regulations in those days.
On that day in May 1988, we tried and tried but could not break Middlesbrough down despite having tons of possession. Their side, containing Gary Pallister and Tony Mowbray at the heart of their defence, rode their luck and held on. They were followed by around 7,000 away fans who were packed into the sweeping north terrace to my left.
At the end of the game, and with Chelsea relegated to the Second Division for the third time of my life, we did not take defeat well.
At the final whistle, hundreds of Chelsea fans scaled the fences at The Shed and raced on to the pitch, and ran at the away fans. I remember some stewards opened up some exit gates at The Shed. Of course, only a very small percentage of our fans bothered to trespass on to the pitch. Most were in a state of shock at our demise. Most just looked-on aghast. I remember feeling a mixture of emotions. I was just so sad that we were relegated. There was no desire for me to get on to the pitch. I dare say that a lot of this was bravado and posturing by the Chelsea fans, rather than a desire to go toe-to-toe with 'Boro, who were, of course, unreachable, penned in by themselves.
This was immediately before the UK's 1988 Summer of Love when a fair proportion of old school hooligans throughout the UK found dance music and ecstasy and gradually turned away from knocking lumps out of each other for a while. This was an era of jeans, trainers, Rockport boots, Timberland shoes, England "Invasion of Germany 1988" T-shirts, denim button-down shirts, jade away shirts, and a subtle selection of new casual brands such as Marc O'Polo, Chevignon and Chipie. This was pre rave, pre Smiley-face, pre acid-house, and at times all very grotesque.
"We're a right bunch of bastards when we lose" was about right.
So – relegation. What a bitter pill to swallow. In 2017, we have thoughts of The Double. In 1988, there was only double-denim.
Outside, as I marched dejectedly down the Fulham Road, the venom from the waiting Chelsea fans outside the away end was palpable. There would be running battles for hours after. By which time, I had returned to Paddington for the train home, feeling totally depressed. We had become – and remain – the only team to finish fourth from bottom of the top division and still be relegated.
One wonders how millions of modern day Chelsea fans would cope with all that.
In Germany, a few weeks later, England were humiliated in the European Championships and there was mayhem as the English hooligans fought the locals and opposing fans alike. At the start of the 1988/89 season, Chelsea were forced to play our first six home games with no spectators allowed in The Shed nor North Stand.
They were pretty bleak times.
Oh, and worst of all, we sold Pat Nevin to Everton in the summer too.
I think it is fair to say, from a football perspective, 1988 was the worst summer of my life.
Fast forward to May 2017 and we live in a different universe.
Outside the stadium, I had bumped into my pal Jason from Texas – over for one game only – and we headed over to The Chelsea Pensioner to meet up with Kathryn and Tim from Virginia, themselves over for one game only. We skipped past a twenty-five strong bunch of Chelsea fans, all scarves and replica shirts, from Poland. In The Butcher's Hook, the mood was of quiet confidence, though if I am honest, I was still a little nervous. We heard that N'Golo Kante was not playing, nor even on the bench.
I joked that we would win 1-0.
Scorer : Kante.
What a superhuman season he has had.
Unlike in 1988, 'Boro had only brought 1,500 fans, and one flag. Very poor.
I was hoping for a red hot atmosphere from the very start, or from even before the start. I was a little dismayed, but not at all surprised, that the noise levels were not as tumultuous as I had hoped as the game kicked-off.
There was an early foray into our half by Middlesbrough, but our first real attack was a joy to watch. We moved the ball quickly and purposefully from centre to right to left and Marcos Alonso crashed a volley towards goal, only for us to gasp as the ball was deflected by Brad Guzan on to the bar
In the early stages, 'Boro looked to release their right winger Adama Traore as often as possible. He looked a bit useful. Alan said that he was reminded of Forest's Franz Carr – ugh, a 6-2 loss at home in 1986, Jon Millar still has nightmares.
I noted that Middlesbrough's awful shirt ideally represents their gradual decline this season; that ridiculous white diagonal goes from sixteenth place to nineteenth place.
Slowly, the noise picked up.
Chelsea : "We're top of the league."
'Boro : "We're going down."
Chelsea (missing the joke ) : "You're going down."
Alonso was finding tons of space out on our left. Sadly, a second effort did not trouble Guzan. Pedro was everywhere, picking up the loose ball, passing it on, involved. He may not be our most influential nor best player this season, but he surely embodies the Conte work ethic like no other. Cesc Fabregas, heavily involved, was stroking the ball around majestically. Eden Hazard set Fabregas up, but his low shot was well off target.
The same player then set up Diego Costa, but his teasing and tantalising cross just evaded the lunge from Diego. In The Sleepy Hollow, I turned and demanded answers from my fellow fans :
"How the fuck did that not go in?"
A lovely long ball, across the box, from Fabregas found Diego Costa, who steadied himself and stroked the ball home.
There was the opening goal. Get in you bastard.
Vic Reeves : "They'll have to come at us now."
Bob Mortimer : "Come on my little diamonds."
The crowd was in the game now. A medley of songs rang around the stadium.
"Tottenham Hotspur – we're coming for you."
"Tottenham Hotspur – we're waiting for you."
"Tottenham Hotspur – we're laughing at you."
Another goal quickly followed. Dave looped another long ball over the heads of everyone and picked out Alonso. Stretching at the bye-line, he did well to connect at all. Imagine our joy, and relief of course, when we saw the net ripple.
We were 2-0 to the good. Fackinell.
"Another goal now Alan, and we could score a hat-full."
Efforts from Moses – running into space on the right – went close and that man Alonso curled a free-kick just over. We were well on top.
All of that pre-match worry seemed ill-placed. It had been a lovely half of football.
Soon into the second period, we went close again, with the effervescent Pedro lashing a ball against the top of the bar from twenty yards. Alonso's shot was almost touched in by Diego. The look on our forward's face was of pure agony. Gary Cahill was next to test Guzan, shooting with power from thirty yards. It seemed everyone wanted a touch of the ball. How different to last season. Man of the moment Fabregas touched a shot wide. Amongst all this, Eden Hazard was having a relatively quiet game, save for a mesmerizing spin away from a marker and a strong run, which was typically ended by a clumsy challenge. Hazard, of course, is heavily marked these days, but other players are primed to intelligently exploit the space he leaves elsewhere.
With twenty minutes of the game remaining, another lovely move ended up with Fabregas clipping a delightful ball towards Nemanja Matic. He chested it down and smashed it home.
Three-naught. Get fucking in.
The crowd sang "We're gonna win the league" and I joined in.
Hazard was substituted by Willian (we have a song for him, Tottenham, if you are watching.)
Pedro fired over. Moses went close.
I turned to Alan : "It could have been seven, tonight."
David Luiz raced up field and clearly wanted to score. It was one of those nights. This was a very mature performance from Chelsea. We looked at ease in our own skin, at ease with each other. There had been a couple of silly defensive errors in the first-half from Cahill and Luiz but they soon redeemed themselves. 'Boro's infamously goal-shy attack did not get a sniff.
Some of the away fans could be heard singing a song of never-ending support. A few Chelsea around me clapped, but were soon dwarfed by louder shouts of disdain. We had revenged 1988 but in truth our Wembley victories in 1997 and 1998 had sorted that out years ago.
Nathaniel Chalobah replaced Pedro and, to a hero's welcome, David Luiz was replaced by none other than John Terry (we have a song for him, Tottenham, if you are watching.) Every one of JT's three or four touches were warmly applauded. I was pleased that a gaggle of pals from the US had seen the captain play, albeit for only a few easy moments. Everywhere we purred, none more so than Alonso, Pedro and Cesc.
Alan : "That young lad Kante will struggle to get back in for Friday."
In the end, it was a cake-walk. A walk in the park. A piece of cake.
I commented to Alan that it seemed so strange that our humiliation of Tottenham last season – that goal, that game – has been mirrored, although on a far grander scale, throughout the past few weeks of this season.
"It is almost as if last May was a dummy run for this May. Bloody love it."
There was a gorgeous and joyous atmosphere as we walked down the Fulham Road. There were hugs and handshakes with a few good friends. That horrific walk from 1988 could not have been more different.
One game to go, Chelsea, one game to go.
Is it Friday yet?
This entry was posted in Season 2016-2017 and tagged 1987-1988, 2016-2017, Antonio Conte, Hooliganism, Middlesbrough, Play-Offs, Songs by Chris Axon. Bookmark the permalink.
11 thoughts on "Tales From The Working Week : Monday"
Ngolobeard on May 10, 2017 at 6:02 am said:
Wouldn't have known some few facts without you Chris.Kudos, keep it up. Nice piece of course.
chrisaxon on May 10, 2017 at 7:29 am said:
Cheers mate. Appreciated.
chrisaxon on May 10, 2017 at 11:39 am said:
Always nice to hear that a fellow fan learns a few new things about our club via CHELSEA/esque.
Paul Wright on May 10, 2017 at 12:36 pm said:
A pleasure to read your reminisces. Doesn't Fabregas have to start in FA cup final though?
Not so sure he will make the cut. A shame.
David Bone on May 10, 2017 at 4:26 pm said:
When you mentioned you were glad some folks from the US got to see JT play, I just realized I've never seen him play a competitive match. I've seen him play three times in the US summer matches but in the two times I've been to Stamford Bridge, he wasn't in the lineup. The first match against Coventry City in January 1999 he was unused on the subs bench and the other time in November 2012 against Man City he was out injured. Damn.
chrisaxon on May 10, 2017 at 3:28 pm said:
That Manchester City game was the first under Benitez, right? Sorry for you that was such a torrid game for us all.
jmsloop on May 11, 2017 at 3:39 am said:
Chris, this is by far my favorite of your posts. I learned a lot and, more importantly, felt a lot. Well done.
See you figuratively on Friday.
Thanks mate.
Paul Coaton on June 2, 2018 at 10:49 am said:
Hi Chris, thanks for writing your memories and photos from the Chelsea v Middlesborough Play Off game from 1988.
You have gone into great detail, and brought the 1980's terrace days back to life.
Those great days maybe gone, but thanks to you not forgotten.
Chris Axon on June 2, 2018 at 5:41 pm said:
Cheers Paul.
A bit of a mad day wasn't it?


text:
Aboe Mena (diverse spellingsvarianten komen voor) (Arabisch: الإسكندرية) was een stad uit de Late oudheid in Egypte. Aboe Mena ligt ongeveer 45 km ten zuidwesten van Alexandrië. Aboe Mena werd in 1979 door UNESCO benoemd tot Werelderfgoed.

De stad werd in de 4e eeuw gesticht rondom het bedevaartsoord voor Menas van Alexandrië. Deze heilige uit Alexandrië werd hier begraven, nadat de dromedaris waarop zijn lichaam vervoerd werd, weigerde om verder te gaan. Nadat keizer Constantijn de Grote zijn dochter naar Aboe Mena stuurde om te genezen, beval hij de bouw van een kerk en van de stad.

Later werd hier de Basilica van Aboe Mena gebouwd rondom het graf van Menas van Alexandrië.

De opkomende moslims verwoestten de stad in de 7e eeuw.

Zie ook
 Wadi Natroen

Externe link
  Abu Mena - UNESCO World Heritage Centre, beschrijving bij UNESCO
 Afstudeerscriptie over Aboe Mena

Romeins Egypte
Werelderfgoed in Egypte

redpajama_set_name: RedPajamaWikipedia


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There are numerous individuals who deal with different kinds of hair loss issues that are genetic or caused by a few other variables. By the time you get to 40, there is a high chance that you will encounter this trouble on your own.
Loss of hair or baldness is essentially the loss of hair from part of your head or body. The degree of hair loss can differ from a small area to the entire body. Some loss of hair is typical and many people shed around 50 to 100 hairs a day.
Generally, this doesn't lead to any noticeable hair thinning on the scalp because new hair is growing to replace it an equal pace. Noticeable loss of hair occurs when this balance} of hair loss and hair growth is interfered with, or when the hair roots is destroyed.
Typical sources of loss of hair consist of hormone changes, medical conditions, family history, as well as drugs. The majority of the hair loss is short-term, and also a few of them are an all-natural part of aging and doesn't require treatment.
If your hair loss is caused by another condition or an infection, dealing with the underlying cause may aid solve your issue.
Its formula represents an innovative treatment of hair loss issues many thanks to its distinct combination of vitamins, minerals, as well as special natural herb extracts. The treatment itself includes 2 phases. The initial one includes a solution that treats your scalp to be applied two times a day. The second one requires you to take by mouth the appropriate supplement.
The main ingredient in the topical application is Minoxidil, which is a popular FDA approved formulation whose outcomes are likewise medically approved. It's additionally a common ingredient in a variety of other hair care products.
You do have to accept the truth that there is no magical hair loss therapy remedy. The outcomes can vary a whole lot from one person to another. This remedy can do a whole lot for someone, however at the very same time, it might not provide the outcomes when it concerns baldness troubles for one more individual.
Generally, you have to wait approximately 2 months for Provillus to begin kicking in. It is important to use it properly regularly. It is worth pointing out that some individuals needed to wait up to 6 months or the entire year to witness the excellent results.
You have to accept the simple truth that restoring your natural hair as well as stimulating growth is not a very easy or fast journey.
You also need to continue taking minoxidil as long as you want the hair growth to continue, suggesting you have to continue to take Provillus as long as you want the excellent effects to last.
A month's supply is about $30 so it may be worth it to continue taking it monthly in exchange for a head full of hair. There are also people who take it every 2-3 days as opposed to everyday which can assist to reduce the cost.
Provillus has a Men's Formula and also Women's Formula, since there are differences in the means hair is lost for each gender.
Finally, it shields your hair from the hazardous substances such as DHT and cortisol. These hazardous compounds can be found in hair conditioners, hair shampoos, as well as various other hair therapy items.
Provillus consists of meticulously selected and also intensively researched ingredients meant to restore your hair and also address the underlying concerns. Below is a fast summary of the main ingredients found in Provillus hair loss treatment.
Biotin: Also referred to as Vitamin B7, aids in the metabolism of carbs and fat, which is essential for healthy hair, skin as well as nails. It additionally helps in conditioning the hair as well as scalp.
Horsetail Silica: It increases collagen production, calcium absorption, as well as stimulates the growth of brand-new hair strands.
Para-amino benzoic acid: It's well known for absorbing UV rays as well as reducing skin wrinkles. It corrects the loss of hair coloring and also protects against graying and also retarding hair.
Eleuthero Root: Alleviates digestive system issues, slows down aging, alleviates tension, and improves the wellness of your skin. Consequently, it nourishes the scalp as well as rebuilds hair follicles to promote the growth of new hairs.
Pumpkin Extract: Prevents shrinking of hair follicles as well as encourages the development of new hairs.
Minoxidil: effective in getting rid of the key root cause of loss of hair and also baldness by promoting the production of brand-new hairs and widening of roots.


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Red Envelope/Dokument
"This Filthy World" Review
John Waters.
Do you love him?
If you do, then "This Filthy World" is a must see.
Do you loathe him?
If you do, then "This Filthy World" ain't gonna change your mind. It still may, however, manage to make you laugh, snicker, cringe and maybe even let loose with a few "AWWWWWS."
In "This Filthy World," a performance documentary based upon appearances Waters made before an obviously adoring college crowd.
Waters, quirky writer/director extraordinaire, has made a living exploring topics that no reasonable writer/director would explore. He writes what many of us think, but would never have the balls to say.
In "This Filthy World," Waters waxes not so eloquently on a variety of topics of interest to his college crowd ranging from giving oral pleasure to a professor to relax them all the way to autographing used tampons.
This is John Waters, after all.
The inherent limitations of what is essentially a spoken word concert film are evident throughout "This Filthy World," and your ability to appreciate it rests almost solely on your ability to appreciate the quirky, eccentric and brutally honest Waters in all his glory.
While he treads little new ground here for those familiar with his work, listening to Waters speak is almost an artform unto itself. If you appreciate Waters, then the moment the man walks onstage is entertaining itself. When Waters enters from a mock confessional, one instantly knows this journey is going to be a fun one.
There is a sweetness to John Waters that is hard to deny. Intertwined with his sexual perversions, taboo-driven insights and cross-dressing sweethearts is the heart of a man who isn't nearly as bitter, jaded and twisted as one might believe from watching his films.
As directed by Jeff Garlin, of "Curb Your Enthusiasm," this straightforward documentary does Waters the greatest justice it possibly could...it allows him to be himself.
As you listen to Waters describe officiating at the wedding of former porn-star turned actress Traci Lords, it becomes abundantly clear that Waters sees in Lords what nobody else has taken the time to see...a human being and not just another fuck goddess.
As could be expected, Waters devotes much time to his days with the semi-legendary Divine. The affection as he speaks is obvious and, again, incredibly sweet.
"This Filthy World" is part Broadway and part college lecture...yet, most of all it's John Waters, front and center in all his fantabulous glory.
Fresh off its run at the Toronto International Film Festival, "This Filthy World" is just getting loaded for an arthouse run in the United States.
In "This Filthy World," we get the same John Waters we've known and either loved or hated all these years. Yet, we get something more...we get to look inside what has always seemed like a perverted madness to see the twisted yet gentle genius inside. In "This Filthy World" that we live in, there's a need for more men like John Waters...men who say what they think, how they feel and what they believe...men who look through even the darkest holes of humanity and, somehow, still find a reason to laugh and a reason to love.


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Psychedelic & Rare Groove
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The Rough Guide To Blues Legends: Blind Willie Johnson
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Blind Willie Johnson was a fire-and-brimstone guitar evangelist who played sacred songs so mean that his legacy has gone down in blues history. Revel in the mesmerizing bottleneck guitar playing of the Texas blues preacher on remastered classics as 'Dark Was The Night, Cold Was The Ground', and 'God Moves On The Water'.
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Format 2xCD Digital Vinyl LP
01 God Moves On The Water
02 Dark Was The Night, Cold Was The Ground
03 Keep Your Lamp Trimmed And Burning
04 Jesus Make Up My Dying Bed
05 John The Revelator
06 It's Nobody's Fault But Mine
07 I Know His Blood Can Make Me Whole
08 Let Your Light Shine On Me
09 Mother's Children Have A Hard Time
10 You're Gonna Need Somebody On Your Bond
11 I'm Gonna Run To The City Of Refuge
12 Lord I Can't Just Keep From Crying
13 God Don't Never Change
14 Bye And Bye I'm Goin' To See The King
15 Sweeter As The Years Roll By
16 The Rain Don't Fall On Me
17 When The War Was On
18 The Soul Of A Man
19 Can't Nobody Hide From God
20 Trouble Will Soon Be Over
21 If I Had My Way I'd Tear The Building Down
22 Jesus Is Coming Soon
Blind Willie Johnson
In early 1920s Texas, on the streets of Marlin, Blind Willie Johnson used to sit busking, his low moaning voice and gutsy guitar penetrating the daily humdrum of life. Although this same street-side musician went on to record thirty sides for Columbia, Johnson never thirsted to be a musician and was instead intent on preaching the gospel.
His deep-held dedication to his faith is heard in his compositional style and song choices, many of which were adapted from old hymns. 'Let Your Light Shine On Me' was a popular hymn published by the evangelist Homer Rodeheaver in the early 1920s and 'Dark Was The Night, Cold Was The Ground' is a lyric taken direct from a hymn titled 'Gethsemane', written by English clergyman Thomas Haweis in 1792.
Another gospel inflected number, 'If I Had My Way I'd Tear The Building Down' references the biblical narrative of Samson and Delilah, drawing on themes of deceit and corruption. Legend has it that Johnson was nearly arrested for attempting to incite a riot by singing this song outside a New Orleans Custom House. To elicit such a strong reaction from the authorities, Johnson sure must have been playing up a storm and enticing the crowds.
World Music Network have painstakingly remastered the warped and hissing recordings that exist of Johnson, and on this Rough Guide his slide guitar technique sparkles and fizzes out across the texture like never before. As testament to his earth-shaking and historically significant style, Johnson's recording of 'Dark Was The Night, Cold Was The Ground' was included on the Voyager space probe, a rocket that was sent on a mission to seek out other life forms in the universe.
After you have devoured the main disc, enjoy the bonus disc and raise the roof with more of the best gospel from the likes of Reverend Gary Davis, Bukka White, Edward Clayborn, Jaybird Coleman and more. Like Blind Willie Johnson, these artists straddled the line between the Lord's song and that of the old blues style.
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Rough Guide To Mississippi John Hurt
Rough Guide To Mississippi John Hurt John Hurt
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One of the leading forces on the international music scene for over 25 years, World Music Network/Riverboat Records specialise in world, jazz, blues, folk and a treasure-trove of undiscovered sounds.
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Rhino poachers prosecuted using DNA database
Genetic information about African rhinos is leading to stiffer convictions.
Ewen Callaway
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Rhino DNA is being collected in a database that is helping to catch poachers.Credit: Martin Harvey/Gallo/Getty
A genetic database that holds DNA from thousands of African rhinoceroses has secured the convictions of poachers and led to stiffer criminal sentences since its establishment eight years ago, researchers say. However, not all scientists are convinced the effort is worthwhile.
In an 8 January paper in Current Biology1, researchers highlight the database, which has been used in more than 120 cases. In one example, rhino poacher Simon Ngomane was sentenced to 28 years in prison last year, following a 2011 shootout with rangers in South Africa's Kruger National Park. He was convicted, in part, because of DNA evidence that linked two freshly cut horns to an animal that had just been slaughtered in the park.
"The majority of cases in which we have been able to make these individual links have led to convictions and, in many cases, significant sentences," says Cindy Harper, a veterinary geneticist at the University of Pretoria in South Africa who began developing the database in 2010 to provide evidence that could be used in legal proceedings.
Rhino poaching has risen sharply in South Africa since the mid-2000s, with more than 1,000 individuals killed in each year between 2013 and 2016. Their keratin-rich horns can sell for more than US$60,000 per kilogram. "That's like gold cocaine," says Samuel Wasser, a conservation biologist at the University of Washington in Seattle.
So far, samples from more than 5,800 rhino crimes have been submitted to the database, resulting in more than 120 criminal cases, says Harper. Although it is difficult to make any causal link between the existence of the database and trends in poaching, Rod Potter, a wildlife investigator at conservation agency Ezemvelo KZN Wildlife in Pietermaritzburg, South Africa, says that poachers who have been convicted using DNA evidence are less likely to appeal against their sentences.
Bang for the buck?
Not everyone is sold on the value of a rhino database. Wasser points out that just 2% of crimes have resulted in a criminal case. "It's not giving you the bang for the buck," says Wasser, whose team has identified elephant poaching hotspots using DNA from seized ivory, in the hope of stemming the trade at its source. "You need to go backwards and get as much information from seizures as you can, so you can predict where the next events are going to take place," he says.
But Harper and her team say that the database is leading to information that can help destroy poaching syndicates, many of which are based in Asia. A horn recovered in Singapore, for example, was linked through DNA to a carcass that had been found six weeks earlier. A poacher bound for Hong Kong who was arrested at a checkpoint in Swaziland helped to identify a new trafficking route on the basis of DNA links from three horns that were seized and matched to crime sites.
The biggest challenge to breaking up syndicates, Potter says, is convincing police forces in foreign countries to pursue poachers with the same zeal he now sees in South Africa. "The DNA is showing us all sort of interesting things, but you've got to get the police departments to investigate further."
doi: 10.1038/d41586-018-00273-5
Harper, C. et al. Curr. Biol. 28, R1–R3 (2018).
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Worst year ever for rhino poaching in Africa
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Sydney proyecto creado por Scott Parker
WHAT IS IT? The Monstrosities is a roaming performance created for Art Month, intended to liven up underappreciated, urban spaces in Sydney. Matriark Theatre will design and build a group of giant, colourful, roaming monstrous creatures to hang out in parks, basketball courts, skate-parks and bus stops around the city. Theses monsters are neon-coloured and shaggy. Think of them like a colourful, tripped out manifestation of Where the Wild Things Are and are inspired by prominent graffiti murals from around the South Sydney area.
WHY? Waterloo and Green Square are areas with a deep history and a well-established community. They are also areas that have recently seen ginormous, tower blocks built to accommodate a growing population. With many new residents moving in, a clash of old and new is currently taking place. The old community looks at the new tower blocks as monstrosities and the new community regards the old buildings and community spaces with a similar attitude. The Monstrosities are a bridge between the old and the new. An expression of, and a thank you to the vibrant and quirky past of South Sydney, while also welcoming in a new South Sydney which will pioneer its own positive future.
HOW WILL AUDIENCES FIND THEM? The first season of The Monstrosities will be promoted by the City of Sydney and Sydney Art Month. Art Month hosts walking tours of art projects in Sydney throughout the month of March. Our audiences will encounter these monsters as they walk around the city. Of course, Monstrosities is a public event, so even those not involved in an Art Month walking tour will encounter these monsters!
FUTURE: The Monstrosities will officially be a part of Sydney Art Month and operate initially in the Green Square/Waterloo area, but we hope to bring them to life in other urban centres around Sydney at other times of the year. There will be five monstrosities initially, though we would love to expand the group for future iterations of the project.
Fondos becados por Sydney (February 2018)


This international private client conference will explore the topical issues pertinent to the trust industry with a special focus on wealth structuring. We are delighted that Dakis Hagen QC and Giles Richardson have both been invited along to speak at the conference.
On Thursday 31 January 2019, Giles Richardson will be part of a Mock Court application at 4.00pm alongside Jalil Asif QC (Kobre & Kim), Sarah Bayliss (XXIV Old Buildings), Adam Huckle (Maples and Calder), and Sebastian Said (Appleby).
On Friday 1 February 2019, Dakis Hagen QC will participate in an exciting debate where he will argue the demerits of alternative dispute resolution at 4.00pm in a session titled, This House believes that alternative dispute resolution is a myth – litigation is king. Rachael Reynolds (Ogier) will be supporting Dakis' argument against.
For more information about this conference, or to register online please visit the STEP website.
If you would like to arrange a meeting between 30 January and 1 February then please contact our Business Development Manager, Charlotte Davidson.


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unimale
Kinsey (2004)
Director Bill Condon
Writer Bill Condon
Genre Biography, Drama, Romance
Actors Liam Neeson, Laura Linney, Chris O'Donnell, Peter Sarsgaard
IMDB : 7.1	(43,117 votes)
Description Called Prok as an adult (short for Professor Kinsey), Alfred Kinsey has been interested in biology since he was a child growing up in the early twentieth century, despite the criticisms of such being evil nonsense from his overbearing and devoutly Christian father, professor Alfred Seguine Kinsey. Prok goes on to become a biology professor at Indiana University, initially focusing on the study of gall wasps. But those studies in combination with questions from his students, coming to terms with the needs of sex with his own wife, a former student of his named Clara McMillen (who he calls Mac), and what he sees as the gross misinformation on the subject currently within popular belief makes him change his focus to human sexuality. Many of those gross untruths - as he sees them - are that oral sex and masturbation cause a slew of maladies, which are perpetuated by what is presented in the university's hygiene class taught by Professor Thurman Rice. With the approval of faculty head Herman Wells, Prok starts teaching his own wildly popular marriage course, talking about sex in a straightforwardly academic fashion. When he sees that morals don't necessarily mirror sexual behavior, he decides to conduct a massive sex survey with the assistance of students Wardell Pomeroy, Clyde Martin and Paul Gebhard. He faces the issue of the funding required for the survey and public and political response to this controversial and oft seen as taboo subject. But in conducting the survey, he and Mac also face the issue of their own sexuality in relationship to their marriage and the emotional and cultural aspects behind it, such as the notion of love.
forceshallbe7 85k 2017-01-19 07:54:26
I know right WTF i used ta like liam. discusting .hollywood IS evil.
L.P Moonstone 2016-12-05 08:23:21
Are you fucking kidding me?!!!! Did they portray this man in a good light?!?!! He's a motherfuckifjning MONSTER!! I'm so pissed
Bob Thoreau 2016-11-01 12:12:31
Alfred Kinsey, a great man and researcher far ahead of his time. Who would`ve thought that in 2016 the fear of being completely sexually free, was still alive and well in people.
meropale 2016-05-22 02:04:10
Wow, this movie is over eleven years old.
Joey Hill 2016-03-22 00:31:06
my name is kinsey
John Radlinski 2016-03-11 02:00:14
This man is one of the sickest human beings to have ever lived.
Sebast Del 2016-02-10 00:49:51
its a troll movie or what?seriously,kansey a great men??????
Ken Lower 2015-12-30 20:41:15
Classic American responses to this movie ! Self righteous pompous ass holier than thou -hypocrites.
Nurayani Tarihantu 2015-12-19 07:04:34
It breaks my heart that my favorite actor has to play the role :(
Tugg Speedman 2015-11-25 21:13:21
Careful now! Down with this sort of thing!
grunteater 2015-10-09 22:43:02
Roberto Martínez 2015-01-15 22:08:20
A monster puts on as a hero. Typically american.
sunshineuk1965 2014-12-12 01:55:06
The Kinsey Syndrome ~ Manipulation of the Sexual Revolution & The Moral Destruction of Society. Watch this if you can stomach it.
Bernardo Torres 2014-10-27 06:57:31
This is a movie of a mounster, a rapist, a child abuser. This is way America has became an inmoral country. Sex is now degenerated and the society is so permissive and also rewarder of those who have no moral and that practice open inmorality.
I Want Your Love (2012)
After a decade of living in San Francisco, Jesse is forced to move back to his Midwestern roots because he can no longer afford the city. On his final night in the city, friends and ex-lovers gather for a going away party that promises to heighten Jesse's already bittersweet feelings about leaving.
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This customizable case carries essential oils, plus other business tools and accessories.
This fabulous case can carry essential oils, a diffuser, or both. The large main compartment includes a foam insert that holds thirty-six 5, 10, and 15 ml vials securely in place. It also has a zippered inside pocket for DVDs or printed materials. The second compartment is the perfect size for a Mini-Modern Essentials Usage Guide, with room still left for cards and brochures. The dōTERRA® logo is embroidered in white on the side.
Dimensions: 242 mm tall x 223 mm wide x 108 mm deep.
What does it hold? Holds thirty-six 5, 10, and 15 ml vials.