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When considering the beneficial reasons to purchase a trampoline for kids, first on that list, you will learn that they encourage healthy exercise and play for our children.
With our world moving more and more toward technology oriented pass times, we tend to neglect the physical amount of energy that our bodies should be burning off in order to remain healthy.
Trampolines can provide hours of good exercise and great fun when the proper supervision and safety measures are implemented.
Getting to know the best trampolines for kids can put you in the know with what to consider when making your selection. It is important to know what other customers are saying that they have found to be important tips about the various models.
All of the models discussed here come highly rated for safety and fun but vary in assembly, space saving features and accessories.
There is a wealth of knowledge available on the market today about trampolines and why everyone should own them. Seriously, like swimming, playing baseball, riding a bike or playing on the playground, there are serious dangers if these activities are not well planned out with rules and considerations.
So, in looking at the big picture, after you have schooled yourself on the pros, cons and safety procedures, then it is time to look at the right equipment choices for your family.
Here, we plan to introduce you to some of the best and safest trampolines for your kids to use. It is important when doing research as well, to take make a purchase of a device that the manufacturer is going to stand behind.
The brand names listed here are well known for their products and high quality.
Review ratings tend to run pretty high over all on sites for this little bouncer. Customers have reported a reasonable assembly expectation around anywhere from an hour plus. Ratings show the jump mat included with this tramp to be one of quality and considered a candidate for the best trampolines for kids.
The bounce, according to parents is at a safe altitude for small children. Child safety was definitely a key consideration with this product and this can be easily validated by the reviews you will find when researching the best kids trampolines on the market today.
In looking over reviews of this product I have learned that the design is simple standard trampoline type with not really any attractive dress up but absolute safety seems to be the selling feature here with the totally padded security even close to the extremities. Recommendations for age have varied between two to ten years.
Of all trampolines designed with kids in mind, this bouncer has provided fun for little ones as young as a couple of years and up to seven. One thing I have noticed while reading reviews on this trampoline is that I am seeing a fluctuation in the load limit from some reports of 80 pounds, 100, 130 pounds and then 150.
Important safety features include 30 rust resistant steel springs covered by padding for protection, an adjustable padded handle bar to accommodate children as they grow and six legs to assist in stabilizing this unit that is typically structured for indoor use.
I would recommend checking the load limit for the particular model you select from the site where you make the purchase. The Bazoongi is definitely on the list of best trampolines for kids.
Upper Bounce provides the perfect indoor/outdoor entertainment recommended for kids ages 3-10. This model not only looks attractive but has all the bells and whistles for your child's safe and secure playtime activities.
The frame offers the sturdy support of a skeletal steel structure clothed with quality, durable molded plastic for the best possible strength and protection features.
The frame and legs are designed with stability in mind and the jumping surface is made of very high quality material as is the enclosure. Padded protection and safety was definitely given maximum consideration in the construction.
Size is a key feature with this system for year round use inside or out, the unit is designed to save space but provide adequate fun. Comparison shopping on price may be a good idea with this great little bouncer. It may not be as economical as some of the trampolines here but the quality speaks volumes.
Little Tikes once again delivers quality products for our children with this strong and sturdy design in the bounce world. Assembled weight comes in at about 75 pounds and can be put together by one person in a total estimated 45 minutes time easily. The sturdy frame made of durable heavy duty plastic.
A strong zippered safety enclosure insures us the best possible safety measures have been considered for our small jumpers. Bouncers are welcomed here between the ages of 2 to 10 weight permitting.
Customers have very impressive things to say about the key safety features that make up the Little Tykes trampoline. Lists of replacement parts are available from the Little Tikes web site and are easily purchased there.
This Airzone trampoline for kids is made with both indoor and outdoor use in mind. Not only is safety a key benefit for your children but the price is affordable for the parents as well. This design is made specifically for the smaller children with a total weight capacity of around 60 pounds.
Quality mesh material that makes up the enclosed safety bounce housing has a small zipped archway passage that allows your child easy access and safely secures them inside.
Customers acclaim that the bounce is good but not overly intense but just right for the little jumpers to enjoy.
It has also been documented that the padded security design is very reassuring. This manufacturer's warranty offers a lengthy two years for the covered parts. In addition to passing testing that each unit receives for safety, this little bouncer is cosmetically appealing with an array of colors offered for your selection.
Recommended for: Toddlers and up to age 5.
This attractive little trampoline designed for the younger kids and toddlers is adorned with delightful graphics and marine life. Strong elastic stretch bungees are placed securely around the frame and hold the mat in place.
These chords offer a very secure and seemingly safer substitute for the springs used in adult type trampolines and help to provide a good bounce for the little ones. As with any trampoline parts, they should be checked on a very regular basis for necessity of replacement from wear.
The enclosure attaches securely to the trampoline and is included with the purchase price.
This jumper has the added security of a built in padded handrail to help your child to maintain balance and assist with motor skill development.
Although this adorable mini trampoline gains a lot of its popularity from the cute detachable pillow face, the bouncer still rates very high on the quality standards list.
The actual jump surface is about 32" and most customers say that assembly of the frame and mat apparatus is very easy but are slightly challenged when it comes to dressing the bug so to speak.
Complete assembly is possible in less than one hour. The lady bug jumper is definitely a children's trampoline. Although this is great indoor playtime fun it could be used outside as well in nice weather and of course with supervision.
Protective padding adorns the grab bar handle and the spring's as well better help to both protect and provide stability for children as they are jumping. Parent reviews claim that they have no trouble getting their children up to jump on this cute little bouncer.
Your kids are jumping on into the learning process with this smart little jumper. This unit features a number one rating as an early learning system. Here again the recommended age is 3 plus but parent reviews are for children of an earlier age.
We suggest that you always follow the manufacturer's recommendation on the product for safety assurance.
While jumping, your child will be able to participate in some gaming activities, music, memory matches and more. Bouncing fun is accomplished with a colorful and safe environment for your Childs safety and education.
Assembly is said to be a little more difficult and two persons are advised for the task. The price is slightly higher than some other competitors in this age group however you have the added learning advantage.
This small jumper quick set and play comes to us from The Original Toy Company and their sole specialty is with children's entertainment. The six short screw on legs sit low to the ground surface to insure child safety and set up videos are available on line that show set up in about 10 minutes.
A grab handle is provided with this unit for added balance and stability with small jumpers. Surprisingly, the load limit is impressive at 150 pounds. This jumper is considered safer for children because it is manufactured with spring bands instead of springs.
The grab bar may optionally be removed for older children under the load limit.
This colorful kids unit is not necessarily recommended for aggressive jumps but more often the type used for physical therapy. The grab bar position and structure of the legs tends to lift the back portion from the floor surface with high jumps although it has not been known to tip.
Some customers have suggested adding weight to the legs opposite the bar. The design is very compact and substantial and consumers remark that the assembly is easy. Bungee cords attached to the bounce surface act as springs and prove to be ultimately safer for young jumpers.
These cords should be checked often as should any trampoline parts. Most customers estimate their need for replacement every 8 to 10 months and say that the manufacturer is very responsive in regard to assisting them.
The trampolines we have provided here for you to review represent a various range of prices, sizes and benefits. More information is abundant throughout the internet about the different manufacturers and features involved with the units. It is always a great idea to do as much research as possible and consider what is going to work best from all aspects.
The amount of money you want to spend and the amount of space available are of course, two very big considerations. Remember as well, that for indoor units, the amount of space overhead must be adequate for the safety of your little jumper.
There have been a lot of accidents as a result of kids jumping off of beds, bunks, retaining walls and many other various surfaces. Kids love to jump and this is a well known fact. The trampoline can provide a stationery and safe arena for this type of exercise to take place when rules are put into place and the very best equipment options are taken into consideration.
Kids just don't get the feeling that they are exercising out of necessity when they are jumping. Therapeutic advantages have been documented in children with sensory perception problems and all forms of autism. The bouncing motion tends to be very beneficial with the thought process and also with children who suffer from hyperactivity.
Whatever the reason you have decided that a trampoline will be a wise investment for your family, the next step is to choose which device will best accommodate their needs. Any one of the trampolines we have mentioned here should prove to be a safe addition to your Childs entertainment and exercise program.
The choices can be difficult because there are so many quality brands out there today. It may be a good idea to do your homework first by reading the reviews, investigating benefits, pricing and make a few selections that you feel are both affordable and appropriate for the space available.
After you have narrowed the search to a few models that you have approved of you might want to have a look through with your children and just see what may spark their interest.
It this is a gift, you would not necessarily need to mention that it is intended for them.
Children who have been able to help with a selection are generally more interested in the product. The end result would be that you and your children have made an educated decision on the best trampoline for kids in your opinions.


Ready to Join the Morrice Family?
Want to speak to a Recruiter NOW? Call at 1-800-567-3260 x 150.
Morrice Transportation's success is directly related to the quality of the services we provide to our Customers. We are proud of our employees' focus on the ever-changing needs of our Customers and their ability to provide them with a flexible, dependable service in a timely and reliable manner.
As a customer driven company, we are committed to meeting both the present and future transportation needs of various industries. We realize that while it is important to look to the future, it is imperative to ensure that current operations run smoothly. This commitment includes optimizing the use of all of our resources within our high safety standards.
We are dedicated to implementing the most modern technology in our industry. Our information system is fully computerized and integrated, including dispatch functions and satellite tracking.
Truck Week is Sept 10 – 14 – Week long activities!


Precision Floor Care is a professional company that performs a variety of floor care services, including carpet cleaning, quality tile and grout cleaning as well as natural stone restoration services for bathrooms, showers, floors and countertops in Montgomery, Auburn, Opelika and Birmingham, AL. We offer cleaning, polishing, sealing and restoration for marble, terrazzo, granite, travertine, limestone, ceramic tile and other natural stone. We serve several areas throughout Alabama, including Montgomery, Wetumpka, Prattville, Lake Jordan, Lake Martin, Auburn, Opelika, Pike Road and Birmingham, AL. Precision Floor Care uses a safe, efficient cleaning and restoration process that restores your tile to its original beauty and preserves it with a protective sealant to prevent permanent staining.
Tile and grout is quickly becoming the most popular choice when installing new kitchen or bathroom floors. Many people choose to install tile and grout in the hallways because it looks better than typical linoleum floor. There are many choices of ceramic and porcelain allowing you to accomplish any look you're trying to achieve.
To correctly clean your carpets, you must use solutions to emulsify the soil, heat through steam rinse and agitation to lift the soil and stains. Regular carpet cleaning wands are unable to produce the results of the Rotovac.
Protect your investment and save money with our premium sealer and color sealer. By having Precision Floor Care seal your grout or stone surface, you'll ensure that your investment is protected from oil- and water-based stains. We are the only local company that provides a 15-year written warranty with our sealants. Color sealing can dramatically change the appearance of your floor, giving it a newly installed appearance at a fraction of the cost.
We seal natural stone as well as tile and grout surfaces to protect the beauty of the surface. Most installation companies don't seal your surfaces unless they are asked to do so. We offer a 15-year written warranty for protection against oil- and water-based stains.
With proper care, natural stone can last forever. But many hard surfaces can experience problems because of wear, etching, improper cleaning agents, scratches or loss of shine. In most cases this damage can be restored, bringing your tile to like new condition.
You deserve to have your floors, countertops and other natural stone and tile surfaces beautiful and elegant again. If you're having problems with tile and grout, natural stone or carpet in Montgomery, Auburn, Opelika or Birmingham, AL, we'll have it looking clean and new again. That's a promise! Give us a call today at 334-514-5757 to get clean floors or fill out the form above to receive your free, no-hassle quote.
We offer quotes for services on any problems you may have. Make sure you take a look at some of the great information on our website.
Thank you for considering Precision Floor Care for all of your flooring care and restoration needs.
It is indeed a privilege to recommend Precision Floor Care to you for all of your tile and stone restoration, cleaning and sealing needs. We have enjoyed our working relationship with their courteous and knowledgeable staff. Be assured that Brent, Prentiss, and Alex will provide you with exceptional service. At Clay Metal Stone we offer the most unique collection of tile and stone in the southeast and trust Precision Floor Care as our sole recommendation for after-care in the area. You will not regret choosing any of Precision Floor Care's exceptional services. We know you will enjoy the benefits of PFC's work well into the future. Please do not hesitate to contact us with any questions.


text:
// -----------------------------------------------------------------------
// <copyright file="YouthTeam.cs" company="Hyperar">
//     Copyright (c) Hyperar. All rights reserved.
// </copyright>
// <author>Matías Ezequiel Sánchez</author>
// -----------------------------------------------------------------------
namespace Hyperar.HattrickUltimate.BusinessObjects.Hattrick.ManagerCompendium
{
    /// <summary>
    /// YouthTeam node within ManagerCompendium XML file.
    /// </summary>
    public class YouthTeam
    {
        #region Public Properties

        /// <summary>
        /// Gets or sets the league.
        /// </summary>
        public YouthLeague YouthLeague { get; set; }

        /// <summary>
        /// Gets or sets the ID.
        /// </summary>
        public long YouthTeamId { get; set; }

        /// <summary>
        /// Gets or sets the name.
        /// </summary>
        public string YouthTeamName { get; set; }

        #endregion Public Properties
    }
}

redpajama_set_name: RedPajamaGithub


Introducing the wonderful Surya Aros AROS-2 rug. Introducing the Aros AROS-2 Cream area rug from Surya. Our luxurious shag rugs from the Aros Collection offer trendy design and comfortability for your home! These pieces are meticulously Hand Woven which will help add a more textured and natural class in your decor space. Made with 100% Wool - Felted in India, and has High Pile. Spot Clean Only, One Year Limited Warranty.
All rug sizes are approximate. Due to the difference of monitor colors, some rug colors may vary slightly. We try to represent all rug colors accurately. Please refer to the text above for a description of the colors shown in the photo. The style of this rug is Shag and the material is 100% Wool - Felted.
Ivory - Pantone Colors: 11-0701.
AROS2-23, AROS2-3656, AROS2-268, AROS2-58, AROS2-410, AROS2-8SQ, AROS2-8RD, AROS2-8106, AROS2-10RD, AROS2-913 and 764262916584, 764262916607, 764262916591, 764262916621, 764262916614, 764262916652, 764262916645, 764262916638, 764262996425, 764262306644.
Have a Question about the Surya Aros AROS2 area rug?


An unobtrusive watercolor comes to mind with a glance at the finely structured and delicate sycamore burl in orangey light brown and reddish light brown tones. The softly flowing figure adds a warm and inviting accent to interior wood trim and furniture. Unfortunately, disruptive bark inclusions make it difficult to find lovely surfaces for high-quality figured veneer.


text:
This Is How Much Men's NYE Style Has Changed Over 100 Years (Video)
by Kendall Wood
You either have a sense of fashion, or you don't. But when it comes to changing with the times, most people eventually conform to current trends in an effort to stay styling.
Some people care more about their style than others, but when it comes to dressing for a special occasion, it's hard to shy away from turning it up a notch. There's no occasion more widely-celebrated that calls for such fashion than New Year's Eve.
Although the ladies have options galore for varying NYE celebrations, men's fashion tends to be more restricting in the suit department.
The team over at Mode took it upon themselves to dish out the inspiration for this year's NYE and put together a compilation of men's fashion over the last century.
If you're looking to switch up your steeze in 2016, why not kick it off with one of these sexy looks?
The undone look was super sexy in 1985...and still is.
Confidence is one accessory needed to pull off the hottest look of 1975.
You could swing the classic 2005 look if you don't care much for updating your wardrobe.
Check out the full video above for more throwback looks to ring in 2016!
Citations: Watch 100 Years of Men's New Year's Eve Fashion, Long for the Good Ol' Days (Cosmopolitan)
Petco's Valentine's Day 2023 Toys, Treats, & Sweaters Are Too Cute
By Olivia Cigliano
PetSmart's Valentine's Day Collection Has Treats For Your Fur Baby

redpajama_set_name: RedPajamaCommonCrawl


just an idea. Let's say we remove the text and property panel completely as separate panels from layout and put them in a fixed place. I analyzed a bit more Indesign and Quark XPress. Both have object and context related main properties on a fix place on top. All panels on right side in Indesign or XPress are used for other categories, like pages, alignment, layers etc.
Let's say we would follow a similar concept to have all properties object and context related on a fixed place to organize other categories on the left or right side of Scribus workspace.
I made some thoughts about these concept. See attachment.
There will be an icon section which is visibile if an object is selected. In example a text frame.
Now the section show only icons for properties which can be made for these object (our text frame).
The area where you can make settings for the properties will float over the document, but can't move. Just show and hide by clicking on linked icon.
In my proposal I show only two icons instead of X possible icons.
Further more there can be a section in these bar to add custom features as a shortcut to scripts or other stuff. A user can add such shortcuts by click on "add shortcut".
I'd like to hear other responses. I am going to think more and hope to hear arguments and opinions before I say I'm fully against or in favor of this latest idea of text properties living separately at the top, but my initial reaction is that I am wary of any new space consuming items at top or bottom constraining the workspace vertically.
I tend to be unhappy with any image or document program limiting usable vertical workspace. With the shorter and wider screens available nowdays, any spare space seems to be to the left and the right. Vertical space is in very limited supply. This is most true when working with documents that are vertical or portrait mode. I seem to always want to clean out the top and bottom as much as I can. Could I get rid of all stuff at top and bottom, I would, and I'd put it at the sides.
Were it up to me, and for my use only, I'd go so far as to be rid of all of the menus, program ID, and close/minimize/etc buttons and all the wasted space at bottom. I'd put all that stuff to the sides. Were screens less extremely horizontal, I would feel absolutely differently. I should say clearly that I am not suggesting we now engage in extreme redesign of the ordinary workspace. I would like to just register that adding things at top, and especially things that drop over and obscure the working document feel like a regression to me away from user friendly design.
I hope not to discourage out of the box thinking since while I don't like the idea of crowding the vertical space by putting a text properties floating rectangle over the workspace, I do like the idea of having near instant access to text properties. I may use them more than all others combined. But a set of properties palettes at the sides would do the same.
I did not mean, yesterday, to imply that opening one secondary panel would prevent others from opening - nor the opposite.
It is an open question, if my notions yesterday have any merit at all, of how exactly the buttons and panels might behave.
One way could be quite restricted in which only one primary panel and one of its secondary panels could be open at a time. Very clean, but maybe a bit restrictive?
The vague notion I had in my mind but not as a suggestion yesterday is that one could open as many or as few panels as one wants, and soon the total length would exceed the length of the vertical space for panels - and a scroll bar would magically appear. That would allow a user to scroll up and down through the panels if that user wanted. That same user could use buttons to close panels and restore order. I tend to opt for non-destructive freedoms if those freedoms don't mess up my interface. So, today I am suggesting that.
Another mode could be allowing one primary panel and as many of its secondary panels as the user wants, but no other primary or secondary panels.
I see no benefit to all such restrictions, but the geometry of my general scheme allows many ways of doing things.
I'm voting for unlimited open panels. User freedom!
GarryP's questions about naming are important.
One idea - "Parent Panels" and "Child Panels" - that makes the relationship between upper and lower level very clear.
My original terminology does not have the same clarity - "Primary Panel" and "Secondary Panel" - which Primary goes with which Secondary? Well, the geometry of the buttons would help, but the naming does not point one's intuitions quite as neatly.
To make my notions a bit more concrete I have made an image that might help everyone visualize my thoughts.
I haven't used any other DTP software for a long time so I have no argument about what other applications call things. If "brush" (for how lines look) and "fill" (for how areas look) are the "industry standard" then I would be behind a decision to make that the way Scribus works. The less people have to re-learn when coming from other software the quicker they can get into it.
The icons in the Colours tab of the PP seem to already be that way but the rest of the UI doesn't really match up, e.g. the "brush" options are under the "Line" tab and they're also controlled by "Line Styles". It's confusing for beginners if there's both a line (tab) and a brush (icon) but they relate to the same thing. My point in trying to get a consensus on what they were called was to get consistency across the UI (and documentation). In other words, "brush" means the same thing everywhere and everyone knows what it means.
If everyone is happy with "brush" and "fill" then I'm happy too.
I'm not sure if I'm 100% sure about splitting some functionality between the PP and a toolbar. It might be better to keep it all in the same place (for consistency) but, then again, it might not. Having to go to one place to do some stuff but then another place to do other stuff related to the same thing might be a bit confusing. I've thought about this sort of thing myself in the past but have never come up with anything that I was really happy with. Maybe an expansion of your idea would lead to something really great, I just don't know.
This is one of the big problem areas with UI design: everyone's different and wants things differently. While one person might love using toolbars (or something similar), someone else will hate them (for whatever reason).
If I was being forced to make a decision about this, right now, I would probably come down of the side of just making the PP more usable. It's less of a controversial option and it's what existing users are used to. That's not to say that the toolbar option is "wrong" or anything, but it's probably just a bit of a step too far at this point. I think its one of those things that you've got to actually use in practice to see what you prefer and that's probably not practical (there could be a whole lot of work that may have to be scrapped if people don't like it).
Having said all of that, I can see the benefit of having some of the most used options readily available via a toolbar (font, size, fill colour, etc.). The only problem with that is: "Who says what the most used options are?" What I use most might not be what other people use most. This is a very tricky area that has no perfect solution. All you can do is try and come up with something that the majority of people are okay with.
I have the same issues as you when it comes to vertical space being used by the UI. Most displays now are wide screen, as you say, and I find that - especially when working on single-sided documents - I have a lot of unused space to the left and right. I normally fill these up with the Align and Layers palettes (because I use them a lot).
On the other hand, (there's always another hand) what about people who use their screen in a vertical orientation? A lot of DTP professionals - and others - use a vertically-oriented screen because that's the orientation of the pages they're working on. For these people, the horizontal space is more precious than vertical space. A big PP off to the side will fill up quite a bit of their display. I realise that most people are working on horizontal screens but it's worth keeping this in mind if Scribus is presenting itself as a product for professionals.
Basically what I'm saying is that what's right for some won't be right for others. If the UI can offer a solution that can be changed according to the user's individual requirements then that probably the best solution, but it's probably a lot more work.
As for primary and secondary panels, I agree that the user should be able to say which panels they want to be open. If they want everything open then that should be allowed. Conversely, if they only want "the basics" open then that should be allowed too. Let the user decide.
As for naming, I'm trying to get away from using "primary and secondary" and, probably, "parent and child" and, if possible, the words "panels" "sections" and others. It's difficult to describe but an analogy would be with cars. The driver has a "dashboard" which has most of the controls on it. Within the dashboard there is the "centre console" and the "instrument panel" and the "heater controls" and the "media centre", etc. These things all have different names and it would be nice to be able to give each of the things in the PP a specific name so we don't have to use sentences like "open the PP Text tab, then expand the Columns & Text Distances sub-panel and press the Tabulators button". We could just say "go to the <thingy>", whatever the <thingy> was called, and it would be obvious where that was.
This might be a very difficult thing to do, and it could be completely pointless in the end, but I think it's worth thinking about as it might give some insight as to a better configuration for the PP. Then again, it might not, but it's worth a try.
Maybe there is no perfect naming for the contents of controls for properties? While I'm uncomfortable with brushes and pens - if those have wide industry support in this context then that is worth considering. If only for the purposes of explanations, the wiki, and tutorials, we do I believe need to name the more central properties and those more subsidiary. Martin's original project and his analysis of what "contains" what, and the question of naming all have me thinking again of the "tree" of essential, central properties, and those that are subsidiary. Another way to look at that is to look at what properties are shared by many or few objects.
I have been thinking about what properties "belong" to what objects and which way one might imagine the parent vs child sorts of relations might be described or defined. I have put together and attached a rough notion to illustrate my initial conception. Working with databases has taught me the importance of identifying what belongs to what very clearly. I found that first my impressions can be less than accurate. So - what have I missed here and what needs a re-think?
I think this is important. Understanding what belongs to what might help naming and structuring properties palettes (and buttons if they be helpful), structuring what really belongs in what menu eventually - pretty much everything.
I was wondering if the assumption was that everyone is using really large screens horizontally. The thought of screens in portrait mode hadn't occurred to me. I wonder if it might be a good idea to consider folks with smaller than optimal horizontal screens. I'm not sure it can be assumed everyone has a big screen. For instance I use a laptop since I am on the road a lot, and the laptop has become my primary tool despite minimal screen.
Would it be possible to envision as a Version 2.0 of an enhanced interface, the ability to drag the properties palettes to any of the four sides or detach them and float into second monitors etc? That would give the user a high level of freedom to make the workspace their own. I assume this is a few steps too far for the current project - too much new code.
I suspect the post I made the other day left people scratching their heads.
I am trying to sort out what controls - panels, dialogs, menus, or buttons - should control what. The question appears obvious and trivial, but logical structure tends to be economical and useful in the long run. Bad structure drags one down.
I want to get a clear idea of hierarchy - what are the most primary objects and properties, and what would be secondary objects and properties. What object or property subsumes what? I think that is clarified by asking what is the irreducibly minimal set of properties intrinsic to a given object? What is not irreducible? That all sounds academic, but it feels important.
I think the UI should support both small and large screen sizes. Because you can have only large screen on a desktop, if you would travel by train you can't have a really big screen (if so it is unusual). If we want to give freedom to the designer to be work at his favorite place we should make the UI flexible.
I think such feature/tool hierarchy will help to clean the UI and to show only important things on small screens and more advanced stuff on large screens (if wanted).
In my visuals I was trying to apply a new kind of hierchary in UI. This layout based on my personal often used features / tools and on that what InDesign/XPress show in the property panel. I believe these guys made already such list of important features. Why not benefit from them?
For the hierachry of features I prepared a document. If you want you can add your thought there (or anybody else).
I apologize for my digressions on the hierarchy of objects and properties. My goal was to understand the nested Russian dolls of nature of program objects and object properties. But after all that, I don't think it revealed anything to me that everyone else didn't already know. My understanding just felt fuzzy and unclear. And I didn't feel like I could stand behind any hierarchical scheme of controls until the big picture fell into place. I think Martin and GarryP probably everyone understood the big picture better than me.For what it's worth I post my scheme below. There will be no great revelations.
The objects one uses to build documents starts at the page level, and then below that are frames (and framelike objects - lines), and then below that live the contents.
2) Second level - Frames - which can contain their kinds of contents - but there are frames properties even if there are no contents. All Frames have XYZ - Size - Location - Orientation - Layer - Level properties and while a frame with no contents is silly, it is possible and has frame properties.
3) Third level - Contents of frames - in the case of text contents the immediate contents are text and paragraphs. Frame contents are particular to the type of frame.
Image Frames - Image Frame contents are image files and have particular image file rendering properties, i.e. scaling.
Text Frames - Text Frame contents are constructed from text and paragraphs and have particular types of text and paragraph properties. Text frames seem to be the most complex objects in Scribus. here is where breaking up elementary and advanced properties make most sense.
Table Frames - Tables have their particular table types of contents properties.
Render Frames - Render Frames have their particular types of contents properties.
Lines are frame like - Color/Fill/Stroke and have their particular Line properties.
Martin says: "I think the UI should support both small and large screen sizes."
this will be my first ever post. It took me so long to read through the thread that it actually logged me out.
I am neither a programmer nor a designer, but simply an end user. To be blunt, the current interface, particularly the properties tab is to put it politlely, dire. To make sure I was not deluding myself, I showed my twelve year old the current properties tab (1.5.2) with the video mock ups Martin has produced. I will let you guess what he preferred. His comments were that the 1.5.2 properties tab was simply to big, with too many words and way to much wasted space. He also had the opportunity of seeing the InDesign CS6 version that is on my windows machine and simply said, why can't it be like that... that is much easier to understand.
So on behalf of my son who has no axe to grind, I would like to ask, why can we not simply have two options to download, both the current (1.5.2) and the proposed Indigo style and let people decide for themselves which they prefer.
thanks for your feedback. It is great to hear that you have tested the UI mockup with someone which is really fresh in this topic.
About the Indesign UI, I'm sure that we are not allowed to clone the UI. It is like Microsoft's Ribbon UI which is used in their Office suite. It is copyrighted / patented. Furthermore Scribus has some different settings as Indesign which can not easily fit into the same UI. A good example here are gradient options for fills and lines. Indesign doesn't support so much possibilities. That is the reason why we will have much more settings.
I think to have two different UI's makes no sense. The developer have to maintain both and from UX perspective it will solve only symptoms. A solution would be to fix the problem and to find one UI which fits to most users.
I can imagine to have a beginner and an advanced mode.
Beginner mode could be like MS Word to create basic layouts without any specialized settings like, micro typography etc. Could be work for professionals too to create a rough basic layout, and after switching in advanced mode the user can make all the specialized things.
Just a thought: with large displays you can make newspaper using two pages at once, so possibility to swap top-side would be nice.
As I remember, quark displays only part of settings on quick bar. To adjust more advanced settings you have to dig into options anyway. It will take lots of time and testing to select which options go there which don't. I like scribus approach where all controls are available so I see all my tools. Currently I only miss option to dock two columns of panels next to each other on the left or right side, so I have both text properties and properties open.
What I mean, that I like to see all settings that are connected to element then only part of.


Ballard's Bruins could easily be called Ballard's Bombinos the way they unconsciously fire up three-pointers.
Coach Chris Renner gives his players free rein to freely rain from deep on the court. Ballard has launched 727 long-range missiles this season (248 have hit the target).
But Ballard can hit "frees" as well as "threes" as it showed in out-gunning Shelby County 90-80 in a fast-paced first-round game in the PNC/KHSAA Sweet Sixteen on Wednesday afternoon in Rupp Arena.
The Bruins made nine of 26 threes, but they wound up winning the game at the free-throw line.
It was a typical performance by Ballard. Its athletic ability can take your breath away one minute, then cause you to scratch your head the next.
"I thought at times we showed our brilliance, how good we can be," Renner said. "And at times it was the other end of the spectrum, when we were really inconsistent."
Shelby County was brilliant at times, too. It played right with Ballard until the closing minutes.
Rockets freshman Darryl Hicks, a smooth 6-3 guard, lit up the Bruins for 30 points, including 6-for-11 on threes. He also had six rebounds.
Renner called it a "coming out party for the freshman."
Shelby County Coach Mike Clark said Hicks "had a tremendous day shooting the ball. But he's played like a veteran for us all year."
Shelby County's true veterans, its seniors, shone, too.
Cache Tomlinson was 5-for-11 on threes and had 20 points. Norris "Boomer" Beckley, whose dad played on the Rockets' 1978 title team, had 14 points, and Donovan Johnson had 11 points and 10 rebounds.
Clark said it was his team's strategy to take it right at Ballard's pressure defense and get as many open shots as possible.
Renner said he was surprised by how many "tough shots" the Rockets made.
Clark said he thought his team "played Ballard about as well as possible.
"They're probably the quickest team in the tournament, and they're an outstanding team."
The difference was in the closing minutes when Ballard was getting to the foul line while Shelby County was making turnovers and missing shots.
They also took a big hit when Johnson and Beckley fouled out.
"That was crucial," Clark said.
Jones had 16 points in the fourth quarter, half of those coming on free throws.
He called his first Sweet Sixteen experience "very exciting.
"When I first walked out on the floor, I was amazed at how it looked. After a few minutes I started to calm down and just played."
And Ballard, a three-time state champion, played its way into a Friday quarterfinal date with Warren Central.


text:
#ifndef _ofxOscSENDER_H
#define _ofxOscSENDER_H

/**

ofxOscSender

an ofxOscSender sends messages to a single host/port

*/

class UdpTransmitSocket;
#include <string>
#include "OscTypes.h"
#include "OscOutboundPacketStream.h"

#include "ofxOscBundle.h"
#include "ofxOscMessage.h"

class ofxOscSender
{
public:
	ofxOscSender();
	~ofxOscSender();

	/// send messages to hostname and port
	void setup( std::string hostname, int port );

	/// send the given message
	void sendMessage( ofxOscMessage& message );
	/// send the given bundle
	void sendBundle( ofxOscBundle& bundle );

private:
	void shutdown();

	// helper methods for constructing messages
	void appendBundle( ofxOscBundle& bundle, osc::OutboundPacketStream& p );
	void appendMessage( ofxOscMessage& message, osc::OutboundPacketStream& p );

	UdpTransmitSocket* socket;
};

#endif


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text:
Egyptian military carry out air strikes on IS
Video from the Egyptian army purports to show planes taking off to bomb Islamic State targets in Libya after the group released a video appearing to show the beheading of 21 Egyptian Christians there. Rough Cut (no reporter narration). Subscribe: http://smarturl.it/reuterssubscribe More updates and breaking news: http://smarturl.it/BreakingNews Reuters tells the world's stories like no one else. As the largest international multimedia news provider, Reuters provides coverage around the globe a
Stock options: just asking for disaster?
Roger Martin, Dean of the Rotman School of Business at the University of Toronto, rails against stock-based compensation, pointing to it as a slippery slope responsible for much of the financial malaise we've experienced. Clay Lowery, former assistant secretary for the U.S. treasury answers: But shareholders demand results, so what is there to do?
1.1.4: Infants with SIRDS
The data in Table 3 are the recorded birth weights of 50 infants who displayed severe idiopathic respiratory distress syndrome (SIRDS). This is a serious condition which can result in death.
7.3 Review the whole process
Before you file away your assignment and return to your current study, spend a little time reviewing the whole process of preparing, exploring, implementing and reviewing your assignment. Review what you did and how you did it in each of the four phases. Trying to identify just one thing that went well and one thing that you could have done differently can help you in your future study. Remember that your review should focus on the process of the preparation
UT News - National Walking Day
UT Health employees participated in National Walking Day on Wednesday, April 1, 2015.
12.510 Introduction to Seismology (MIT)
This graduate level course presents a basic study in seismology and the utilization of seismic waves for the study of Earth's interior. It introduces techniques necessary for understanding of elastic wave propagation in layered media.
Author(s): Van Der Hilst, Robert,Burdick, Scott
Arabic Alphabet App for iOS
'It's never too late to expand your horizons, challenge yourself, and bridge the gap to another culture with Arabic Alphabet!Arabic Alphabet teaches you the foundations of Arabic in a fun and unique way allowing you to:• See each letter.• Hear the proper pronunciation for each letter phonetic.• Hear the proper pronunciation for the name of each letter.• For each letter, see and hear a common Arabic word which begins with that letter.Arabic Alphabet is not only fun, but it's a
CESU 2011: Discours d'ouverture de J.Sibilia
XXIV Colloque national des CESU au palais des congrès de Strasbourg du 30 novembre au 2 décembre 2011.
CESU: Centre d'Enseignement des Soins d'Urgence.
Intervenant: M.le professeur Jean Sibilia, Doyen de la faculté de médecine de Strasbourg
L'auteur n'a pas transmis de conflit d'intérêt concernant les données diffusées dans cette vidéo ou publiées dans la référence citée.
Harvard computer system fuels our understanding of the brain
Faculty and researchers are using big data to answer society's most challenging questions, and doing it with the help of FAS Research Computing (FASRC). Founded in 2007, FASRC had one goal: to provide Harvard faculty, students, and staff with leading-edge computational resources. By building a centralized, high-performance computing environment called Odyssey, FASRC gave researchers the keys to unlock the information inside big data. Users have access to more than 60,000 CPUs and 15 petabytes
2.7 Further exercises
Let p = 2i − 3j + k and q = −i −2j −4k be two vectors in Author(s): The Open University
Debates on the development of Europe (continued)
Alongside the evident diversity in contemporary Europe itself there are clearly different views expressed on how Europe is developing and the kind of Europe we can expect to see emerging in coming years. The
Design Tool Integration: Model Flexibility for the Building Profession
The development of ICAtect, as discussed in the Building Systems Automation and Integration Symposium of 1991, provides a way of integrating simulation tools through a common building model. However, ICAtect is only a small step towards the ultimate goal of total integration and automation of the building design process. In this paper we investigate the next steps on the path toward integration. We examine how models structured to capture the physical attributes of the building, as required by s
Author(s): Amor, R., Hosking, J., Groves, L. and Donn, M.
David Strong
The premise of this resource is to create a page that is about trees. A view point of Majesty.
Digitizing Heritage or reconstructing Imagination [Digitalizando la herencia o reconstruyendo la ima
To advance the theme of digital conservation of heritage and tie it to museums, we report on two case studies of digitising archaeological sites; the first is the remains of a typical Scottish Crannog typical of the sixth-century BC., and the second is a UNESCO protected site in the Middle East (the desert castle of Qusayr Amra, Jordan), which dates back to early 8th century. Then we relate both to our investigation into embodiment, interaction and metaphor in virtual environments.
Author(s): Al-Attili, Aghlab; Rosa Mar?a Mendoza Robles
This Fractured Fairy Tale, narrated by Edward Everett Horton, is from the Rocky and Bullwinkle Show, Saturday morning cartoons in the 1960s. Rumpelstiltskin is a PR man who does not succeed in his scheme to take the firstborn child of the queen and king. (05:35)
Army War College unveils Class of 2012 plaque
Members of the Class of '12 joined Army War College leadership, current students and staff and faculty for the offical unveiling of their class plaque Oct. 24.
Weight-Loss Interventions for Hispanic Populations: The Role of Culture
The importance of culture when implementing treatment interventions for overweight Hispanic populations.
Leveraging Communities to Create Social Media Momentum
As social networks become increasingly ingrained into brands' communication strategies, organisations need to take a more global and creative approach to understanding the dynamics and cultural fabric of their target communities
Author(s): David Dubois, INSEAD Assistant Professor of Market
2.2 Developing writing styles
If any of the statements on the previous page rings true, let us reassure you: many other students are feeling the same as you. Writing skills can be learned. We want to emphasise straightaway that this is a process that can be continually developed.
There is no single 'correct' way of writing: different academic disciplines demand different styles. This can be confusing if you feel that you've mastered what is required for one course, only to find that something different is
Clooneys celebrate wedding for third time with UK bash
George Clooney and wife Amal Alamuddin hold a lavish party outside London so friends and family who couldn't attend their Venice wedding can celebrate their marriage. Mana Rabiee reports. Subscribe: http://smarturl.it/reuterssubscribe More updates and breaking news: http://smarturl.it/BreakingNews Reuters tells the world's stories like no one else. As the largest international multimedia news provider, Reuters provides coverage around the globe and across topics including business, financial,


Chapan, coat of long panels of silk warp ikat, from Bukhara.
Arrive May 3, depart for home May 19.
THIS TRIP IS FULL. Sorry. We will offer another trip in 2020, so check back here in a week or two.
Our 16-night all-new textile tour of Uzbekistan checks another fabulous adventure off your bucket list!
Uzbekistan was an important trade center on the Silk Route, the ancient trade route linking China to the Mediterranean. And the textiles of Uzbekistan are stunning. It's home to exquisite, handwoven silk ikats (right) as well as four UNESCO World Cultural Heritage Sites. An Uzbek native textile expert will accompany our small group during the trip to be sure we meet the most talented artisans, and see the best textiles and most stunning architecture.
The trip begins and ends in the exciting city of Tashkent. Along the whole route, we will visit exquisite blue-tiled madrasas and museums, as well as bustling handicraft bazaars. And true to our name, everywhere we'll go 'Behind the Scenes' to meet silk ikat dyers and weavers, wood block printers, embroidery and ceramic masters, and more.
Next we'll head for the Ferghana Valley, home of the most renowned ikat weavers. Over the course of four days there, we'll visit many artisans, the textile bazaar and a silk factory. We'll also learn to make some authentic dishes in our cooking class. Later we're off to Samarkand by fast train. This interesting city lies right on the Silk Road. Seasoned travelers consider Samarkand as one of the most beautiful cities in the world and we shall see why.
Inside dome detail of intricate glazed ceramic tile work.
Next we'll visit Bukhara, a UNESCO World Heritage site. We will travel there either by car or via the sleek, new train, if it is up and running. Blue mosques and textile bazaars also abound in this fabulous historical city. Next we drive to Khiva, skirting the Kyzylkum or Red Sand Desert, to see its wondrous architecture and carpet knotters before heading back to Tashkent for our last day.
Next morning on May 19th we'll head to the airport for our homeward bound departure flights. Some convenient flights will be suggested.
Depending on what time you arrive, we'll eat lunch and/or dinner as a group this first day. In Tashkent, we'll also admire the turquoise-tiled domes of the historical buildings such as the 16th Barak-Khan Madrasa complex. While in the old city, we'll also visit a famous woodblock print studio and an embroidery workshop. The State Museum of Applied Arts showcases some of the best historical artistic examples of the textiles of Uzbekistan.
Long ago, the Imperial Russian diplomat Alexander Polovtsev built a mansion to display his extensive collections of unique national handicrafts. After the Soviet revolution, the government nationalized his cherished home opened it to the public as a museum. Polovtsev's rare examples of folk art such as rugs and wood carvings are on display here. Collections also include traditional ikat weave garments. The museum often holds exhibitions and sales of works by contemporary Uzbek artists.
Serving the national dish of rice and lamb, called plov.
Our route to Ferghana Valley leads us via the low Kamchik pass at around 7400 feet. After 4 hours drive, we'll stop in Kokand, to visit the incredible Khudayarkhan Palace and the Juma mosque, and to eat lunch. Taste the delicious homemade honey halva sold in the mosque courtyard.
In Margilan, an ancient Fergana Valley city, we'll meet ikat dyers and weavers who are the most skilled in Central Asia. Margilan was already well known in antiquity for the superb quality of silk was created here. A highlight will be the Kumtepa Bazaar, one of the best places to buy ikat fabrics (with resist-dyed warp) which are the most renowned textiles of Uzbekistan. It's a great local market with an extensive area devoted to local textile crafts. Here you can buy ikat yardage to make robes, quilts or pillows, and other textile treasures.
There is also a workshop where you can buy the ikat fabrics directly from the weavers. Later we'll visit the training center of the most renowned ikat weaver, whose workshop did custom work for Oscar de la Renta. We'll visit the Yodgorlik Margilan silk factory, established in 1972. Today about 450 people, mostly women, work there, and the visit is fascinating. Every month the factory produces about 6500 yards of fabric including natural silk and silk blend fabric. Over the course of our four days in the Ferghana Valley, we'll visit many other artisans, the textile bazaar and a silk factory where we'll witness the entire process from silkworm's cocoon to the finished ikat. We'll also learn to make some authentic dishes in our cooking class.
From Margilan we go back through Tashkent, then we'll board the fast train to Samarkand, today the third largest city in Uzbekistan. Once the capital, and an important trade stop along the Silk Road, Samarkand sits at the center of the country. UNESCO included Samarkand in the list of the World Heritage of Humanity almost twenty years ago. Samarkand was at the forefront of Islamic architecture, witnessed in the old town built in typical medieval fashion. There, numerous mosques, madrasas and homes line the narrow streets. We can visit a silk carpet factory, the famous Afrosiab museum and the Observatory of Ulughbek.
Prominent landmarks include the Registan, a plaza bordered by 3 ornate, majolica-covered madrasas dating to the 15th and 17th centuries, and the towering tomb of Timur (Tamerlane), founder of the Timurid Empire. Modern Samarkand is a unique city: it combines the spirit of modernity and old historical grace. The western part of the city is more modern, with architecture reflecting 19th and 20th c. European design and style, influenced by the Russian aesthetic. The city is often referred as a crossroad of cultures.
The ancient city of Bukhara remains an exciting place to explore the architecture and textiles of Uzbekistan. This city has amazing mosques, galleries and museums. The age-old caravansarai and madrasas have often been converted into artists' studios and workshops. And several ancient, domed bazaars here offer carpets, suzanis (embroidered panels) and jewelry. We'll explore these as well as an artisan center where we can learn how some typical crafts are made.
While in Bukhara, we must see the Emir's summer palace, Sitorai Mohi Hosa. It's an 'over-the-top Russian/Central Asian confection built in 1911.' The palace also houses the excellent Bukhara Museum of Decorative Arts where the suzani collection will enthrall the embroidery lovers among us. The main building houses royal furniture of the 19th – 20th centuries, Japanese and Chinese porcelain, palace artifacts from Russia, and jewelry by well-known Bukharan masters.
At the center of the garden there is the octagonal pavilion, with an exhibition called the 'Clothes of Urban Dweller of Bukhara in the late 19th and early 20th Centuries.' The exhibition includes an interesting collection of wealthy citizen's clothes, belts, scarves, and shoes decorated with gold embroidery. We'll visit other architectural wonders such as the 9th century Ismael Samani Mausoleum, a perfect cube made of baked bricks in basket weave pattern.
Onward from Bukhara to Khiva! This is a long drive, but the desert landscape is compelling: vast steppes, shepherds and their flocks, odd villages, military outposts and unusual vegetation. We'll cross the Amu Darya river, known as the Oxus in ancient times. Ichan Kala, the walled, ancient, inner city of Khiva made an important stop on the Silk Road. Traditionally known as Khorezm, Ichan Kala was declared a UNESCO World Heritage site and also the largest surviving walled city in the central part of Asia.
Once famous for its ruthless emirs, Khiva is now touted as the most intact and remote of Central Asia's silk road cities. Today it's considered the most homogeneous example of Islamic architecture in the world. The city's rulers, the Khans of Khiva, originally built the wall to keep out colonial threats. However, Itchan Kala was later preserved by Russian colonial rulers. Nearly sixty largely Islamic historic monuments are preserved in the old city, as the State Historical Archaeological Museum. These tiled and mosaic-encrusted treasures include palaces, mosques, minarets and pillars.
Textiles abound in Khiva. We'll visit another spectacular museum of handicrafts, and several grand architectural wonders. There is a particularly wonderful carpet shop in Khiva also. Hand-knotted examples here show patterns that were inspired by the designs of the tiles and doors of the city. One exciting visit in Khiva will be to the Khiva Suzani Center to see stunning embroidered examples from all over Uzbekistan, below.
Bread sellers showing off decorative stamped designs.
We'll eat delicious food everywhere and learn about the local cuisine in at least one cooking class. The diet includes grilled meats and stews such as pilaf or plov, with lamb/mutton. Usually cooks serve Uzbek meat dishes with vegetable kebabs and fresh salads.
Traditionally, lamb is the most popular meat among Uzbek people; They don't eat a lot of beef but people of coastal regions naturally catch and consume varieties of fish.
Bread is considered sacred by Uzbek people. The traditional round and flat bread, called non or lepeshka, and is baked in a tandyr/tandoor (clay oven), after which it comes out toasted and crispy. Bread of each region has own particular method of leavening, its own baking techniques and its own inimitable taste. For instance, delicious flaky bread – katlama non, each layer smeared with oil or sour cream – typifies the Fergana Valley version. Some lepeshkas are prepared with onion or meat, baked inside the dough.
Traditionally Uzbek dinner guests never cut bread with a knife. At the start of the meal, they break the bread into pieces by hand and place it on the table near each place setting. And they take care not to act disrespectful by setting the bread upside down on the table (with its flat side up). We will learn about the cusine as well as as the polite Uzbek way of dining. Two evening meals will be on your own, to lounge at the hotel with a picnic of bread, cheese and fruit, or to find an interesting place to try.
On May 18th, at the end of our adventure, after seeing a million suzanis and ikats, we'll drive to nearby Urgench for early flights back to Tashkent. Today is a free day to explore this city on your own — to see something you missed the first time, visit more museums, hit a 6pm performance at the Theater of Opera and Ballet, or visit the local Chorsu bazar for some final gift treasures. Or just relax at the hotel and organize your luggage. Lunch on your own. Pack up bags tonight, before our Farewell Dinner. May 18th is the last included night of hotel accommodation.
On May 19th we'll fly home. We will suggest some convenient flights.
Accommodation in double room with private facilities.
All breakfasts in the hotels.
Entrance fee to all sites and monuments.
and Bukhara (and Bukhara-Khiva if launched by 2019).
Transfers Samarkand railway station to downtown.
1 liter of bottled water per person per day.
Tips for guides and driver.
Photos # 2, 3, 7, 8, 9, 14 by Kathleen Walsh.


Forsyth Barr is proud to support the Cranford Hospice as a Platinum Partner of the Hawke's Bay Wine Auction.
The auction is an annual event, with Cranford Hospice as its sole beneficiary. This year, the auction raised a record $265,500. This is an amazing result and means that since 2014, a total of $622,000 has been raised to support the work of the hospice.
With offices in both Napier and Hastings, Forsyth Barr is proud to be part of a Hawke's Bay community that comes together to support events, and organisations, like this.


AN Ennis man will walk the length of Iceland and trek along the French Pyrenees by himself to raise funds for Irish Dogs for the Disabled.
Dermot Cosgrove from Ennis, embarks on his latest adventure 'Walk for the Dogs 2', following on from the success of his Greenland trek last year which raised €11,000 for the chosen charity.
With preparations underway, Dermot will first travel to France in June which involves 10 days trekking along the GR10 hiking route in the French Pyrenees.
The famous mountain route will help Mr Cosgrove with preparations and conditioning for the second part of his charity challenge, a 400km crossing of Iceland which he will undertake in July 2019.
The second challenge will see the adventurer walk from the town of Husavik on the North coast of Iceland to Vik on the South coast.
The entire trek should take 18 days, 16 walks and two days of rest, crossing the arid highlands and then skirting the Vatnajokull and Myrdalsjokull glaciers.
Hoping to cover at least 25 kilometres per day, Dermot said the major challenges of the trek will be the lack of water during the crossing of the highlands as well as several river crossings.
With raised funds going directly to the assistance dog charity, the Ennis native has decided to leave a longer time in between the two parts of the challenge, allowing for further time to raise vital funds, in the hope of exceeding the amount raised last year.
Dermot has recently acquired sponsorship for the food requirements for the expeditions with Outdoorfood who make specialised ration packs for adventure sports and Remote Adventure Support Trust who have donated medical kits for the trips.
The average cost of training an assistance dog is in the region of €15,000, which includes training space for the charity and the cost of looking after the highly trained dogs.
Dogs for the Disabled is the only charity of its kind in Europe and trains dogs to assist the physically disabled, with the majority of its clients children under the age of 12.


text:
9/11-An Artistic Response, the next step
After spending a few days looking at pastel squares hanging all around my Senior Studio, I noticed that I had a few empty bottles in a box in a corner. I decided to just paint those. It wouldn't take much effort or thinking and I would be painting again. As I did these paintings in a box, I realized that I was forming a landscape for them to sit in and that the bottles themselves had taken on a figurative look. It even struck me later that I was giving viewers a glimpse of a scene and that there was more in there than we were seeing. Each painting was taking me up to 3 hours to complete even though there wasn't really much to the image itself. Making decisions was almost impossible. Colors? Which bottles? Where to place them? Why did this need to be so difficult? In the end, just doing these paintings helped me get my energy to create things back again. There is a feeling of isolation there. I called the series "Beyond the Edge".
9/11-An Artistic Response, continued
A few days after 9/11, I returned to classes and my senior studio at Herron School of Art. I spent most of the day sitting around or walking around looking at what others were working on. I felt empty and unable to paint as it all seemed irrelevant. Finally, I got started and painted 20 squares of 20x20 inch papers--one each day for 20 days. I tacked them up all over the walls of my studio and called them the "Hotel Paintings". (???) I am not sure whether I had nothing to say or too much to say.
9/11-An artistic response
On the morning of September 11, 2001, I was just getting to my studio space in the senior painting room at Herron School of Art in Indianapolis, Indiana, when I received a phone call from my husband. He said he had just had a call from our daughter, Katie, who lived and worked in Manhattan. She said that a plane had just hit one of the Twin Towers of the World Trade Center and that she was ok. Katie's office was 14 blocks from the WTC. At that point, we had heard nothing about this incident. I called her immediately and her words to me were, "Mom, Mom, go home. Turn on the TV. Mom, this is big. Mom, people are running through the streets." There was a TV in someone's studio so we all gathered around and were unable to leave the spot. The teacher came by and told us to turn off the TV and get back to work. (I always wondered if she realized what she did that morning--but who could have known....) Students started leaving and I headed to the bookstore downs…


text:
Edith Martin: Of a clique that clicked
Alumna encapsulates chunks of Chico State history
By Caitlin Wallace
WELL-CONNECTED
Edith Martin and her late husband, Mac, socialized with Chico Staters who later got buildings named after them.
Photo by Meredith J. Cooper
As I sit in my afternoon ethics class in Tehama Hall on the Chico State campus, the floor often rumbles beneath my feet, and the ceiling shakes like the 1989 San Francisco quake. The 30 or so students roll their eyes and glance at one another, as they acknowledge the construction right outside our door.
Some days, the noise and distraction is unbearable. Last year, it was our brand new student center and now the new dorm complex.
I wonder what the students of Chico State's past thought while they sat in their classrooms listening to the sounds of Ayres, Butte and even Tehama Hall being constructed.
Edith Martin remembers.
In 1938, when the bell chimes in the tall tower of the administration building were purchased, she was in her second year as a math major at Chico State. The then-19-year-old was one woman among 80 men in the department.
"They used to let me go on field trips with them," she reminisced. One field trip was to Shasta Dam. She had been anticipating this trip, and even opted to skip her important Salvation Army youth group meeting so she could attend.
When a professor walked up to the table where she was sitting, surrounded by young men, and told her she was no longer allowed to attend, she was disappointed, especially because she had no transportation to Oroville for her meeting.
"He'll drive you," she remembers a young man saying, pointing to her physics lab partner, with whom she was reluctantly paired. His name was Mac Martin.
Mac drove Edith to her meeting, and on the way back, pulled over at Hooker Oak to kiss her.
"I slapped his face," she said. "My mother told me never to kiss a man I wasn't going to marry."
On their third date, Mac and Edith found themselves again driving by Hooker Oak.
Edith demanded Mac pull the car over immediately.
She took the proverbial reins, leaned in, and kissed him.
Roughly two weeks before their wedding, Mac and Edith shared a dramatic moment in the lobby of a hotel downtown on Main Street. They were a ring toss away from a broken engagement.
Martin was visiting her then fiancé, and asked him to come to her hotel. She told him they should get married, right then and there. He refused, telling her he could never marry someone so bossy. She tearfully threw her engagement ring across the lobby and fled back to Grass Valley, where she had grown up and was currently teaching.
They reconciled, and did elope, despite her apparent bossy nature. They barreled over the snow-capped mountains of Donner Pass to Reno.
Mac Martin and Edith Berriman married on Dec. 20, 1941. Pearl Harbor had been attacked two weeks earlier, and Mac was off to the Navy. After the war, she and her husband moved around the country but ended up back in Chico, where their love story began, and, where it seemed, they were the happiest.
By 1945, the Martins were the proud new owners of a house on West Sixth Street. After four years, the small yard and cranky neighbors were enough to make Martin and her husband flee that neighborhood and, after settling into a few houses around town, they finally found the house where they would spent more than 40 years.
In 1960, the Martins moved into their house on Vallombrosa. Edith Martin fondly recalls that she could look out the kitchen window and into the almond orchard across the way.
"I could just see the scenery outside the window," she said. "I looked out and saw the tree house the kids had built."
Those were the days before Sycamore Pool at One Mile officially was established. Martin notes that her kids would swim in the "water hole" that had been created there during those hot summer days the Sacramento Valley knows so well.
Mac Martin worked for Chico State for many years. He was responsible for starting and being the first adviser of the Associated Students, and along with that starting the dining services.
He also was assistant coach for the men's basketball team in the years that Art Acker was head coach. While Acker Gym commemorates the commitment of Coach Acker, the Wildcats have not forgotten Mac Martin. There is a basketball tournament held every December in that bears his name.
Did she know anyone else famous on the campus I walk every day?
"Oh yeah," she said. "Ayres, Acker, Ted Meriam—I knew all of them. Mac used to have coffee with Ted. We ran with a cliquish group."
Hugh Bell, the former professor and dean for whom the Bell Memorial Union was named, personally recruited Edith Martin to Chico State. Bell helped her with her math and physics classes, and she assisted him in the work that gained him a psychology doctorate from Stanford.
"I felt really special getting to help write all this information about it," Martin said, "It was a treat for me; I was so lucky."
On my second visit to Sycamore Glen, where Martin resides now, I nearly trip over a huge framed document sitting on the carpet of the front room of her one-bedroom apartment. It is Mac's diploma from Chico State and looks to be nearly the same format as my diploma will be next year.
My years at Chico State feel far less dramatic than Martin's. I haven't thrown a wedding ring across a hotel lobby, or sent a man I love off to the islands of the South Pacific.
But, I have my own Hooker Oak kiss stories, my own favorite professors, and my heart will always beat for the tree-lined Esplanade, with its pastel-colored mansions.
Those things, along with the campus on which I have spent the past few years, have a special place in my heart.
Many years ago, Martin wandered the same campus at the same time in her life. She was thinking about school, homework, boys and extracurricular activities.
The trees that grow on the grounds probably shaded each of us as we walked to our classes on those crisp mornings and sunny afternoons—68 years apart.
Chico elders share their compelling life stories with chroniclers from Chico State.
Len Whitegon: He's got spirit
Tang Lor's account of a Sycamore Glen life story.
Perry Nethington: Everyman with distinction
Jose Rojas' account of a Sycamore Glen life story.
Audrey Hoshaw: Ms. Independent
Kaylee Volpert's account of a Sycamore Glen life story.
Shaping our shared future
Paul Zingg offers his vision of how Chico and the university can work together to build "a very bright future."


The 3rd Edition Nanotech Dubai 2016 brings together leading scientists, researchers, engineers, practitioners, technology developers and policy makers in nanotechnology to exchange information on their latest research progress, innovation and business opportunities. It's among the most important events in terms of international regulatory policies and it's opened to the participation of private companies. It's unique venue for companies to promote equipment and technology.
The 3rd Edition Nanotech Dubai 2016 conference organizing committee is looking forward to welcoming you in Dubai.


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Ignarro has made exceptional contributions to science. His efforts were recognized as a Nobel* Laureate in Physiology or Medicine in 1998 for his discovery of nitric oxide's range of benefits to the human body. His work has since led to additional research by scientists around the globe. He worked with Herbalife to develop Niteworks®, a dietary supplement designed to support the body's own production of nitric oxide
Ignarro has published numerous articles on his research. He received the Basic Research Prize of the American Heart Association in 1998 for his outstanding contributions to the advancement of cardiovascular science. That same year, he was inducted into the National Academy of Sciences and the following year, into the American Academy of Arts and Sciences.
Ignarro is the founder of the Nitric Oxide Society, and founder and editor-in-chief of "Nitric Oxide Biology and Chemistry." He holds a B.S. in pharmacology, Columbia University, 1962, and a Ph.D. in pharmacology, University of Minnesota, 1966. He also received a postdoctoral fellowship in chemical pharmacology from the National Institutes of Health in 1968.
* The Nobel Foundation has no affiliation with Herbalife and does not review, approve or endorse Herbalife® products.
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Dentro de la actual teoría de la evolución biológica, el neodarwinismo o síntesis evolutiva moderma, hay dos posturas con respecto a la relación entre microevolución y macroevolución.
Los ultradarwinistas etienden la evolución sólo como microevolución. Es decir, aquellos procesos que afectan a la frecuencia alélica de la población, como la selección natural, el flujo génico y la deriva genética. Para los partidarios de esta propuesta, la macroevolución no es más que mucha microevolución o microevolución durante un largo período.
La opción de los naturalistas es consideran que la microevolución y la macroevolución son dos conjuntos de procesos, que actúan al mismo tiempo. De hecho fueron los que definieron el concepto de macroevolución como otra serie de procesos que actúan en un nivel superior al de la población de individuos, como la especie e incluso en categorías superiores. Incluye procesos como la selección de especies.

Naturalismo y evolucion

redpajama_set_name: RedPajamaWikipedia


Librarians: Embrace the career revolution!
This is the first in a series of blog posts which will come out of the recent BIALL conference in Birmingham. The theme of 'Designing our Future' has never felt so full of possibility and excitement as we head into the third decade of this century. The session on 'the career revolution' spoke to us all in a particular way; a show of hands demonstrated that none of us had been unaffected by changes in the sector. No more is there such a thing as a job for life.
Information Professionals and Librarians are tasked with finding and curating information to support the development of knowledge within and for their organisations. This means that a considerable amount of time is spent feeding others information in order to further their professional advancement. As such, it can be all too easy for Info Pros to neglect their own career development.
"Librarian": a job title that seems to need further explaining to anybody who does not have it. It is a subject we have mentioned before on this blog - see below for several examples - and now Claire Sewell, blogging at Librarian in Training, points out how the same is true for associated job titles.


I am a certified Japanese teacher with experience teaching general Japanese, conversational Japanese, business Japanese, and exam preparation. If you are looking to improve your Japanese speaking skills for personal reasons or to pass a proficiency exam, I can help you!
I can also teach Japanese business manners who will work for or do business with a Japanese company or a Japanese-affiliated enterprise. I can teach how to bow, exchange your business card, communicate with your superiors, take a seat at a meeting room and how to receive a drink from another person. It is helpful for those who do not have confidence in whether to put business manners into practice in daily life.


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Abstract impressionists Vance Kirkland and Clyfford Still face off tonight at a free lecture
| Visual Arts |
Jef Otte | October 5, 2010 | 11:53am
The parallels are uncanny: two abstract impressionist painters who lived more or less during the same time, whose work developed along similar lines, both with strong ties to Colorado. One was Vance Kirkland, who lived and worked here most of his life, the other, Clyfford Still, who ended up with a museum here after Denver accepted the terms of his estate in 2004. Tonight, the heads of those two artists' respective museums face off in Face to Face: Vance Kirkland and Clyfford Still, a mano-a-mano slideshow and lecture where the two directors will examine those parallels, and possibly battle. Or maybe not - but either way, it's free.
In the red trunks: Dean Sobel, director of the Clyfford Still Museum. In the black trunks: Hugh Grant, founding director and curator of the Kirkland Museum. The format: a series of roughly 10-minute slideshows covering 10-year periods of the artists' lives and work.
"What they found when they started to examine these two artists' work next to each other is that changes tended to take place in kind of 10-year increments," says Kirkland Museum Deputy Director Gerald Horner. "So we're going to have dual projectors for the two directors, and they're going to trade off talking about these 10-year periods, and they're kind of ad-libbing as they go along."
Or are they floating like a butterfly, stinging like a bee? The two directors touch gloves tonight at the Chambers Grant Salon in the Ellie Caulkins Opera House at 14th and Curtis Streets downtown. Doors open at 6 p.m. with the lecture at 6:30, then a cash bar and drinks afterward. It's free and open to the public, but guests need to RSVP to the Kirkland Museum to reserve a seat by following the link or calling 303-832-8576.
Benchmark Theatre Co-Founder Rachel Rogers Takes a Final Bow


A new podcast for women about work, life and family. Journalist Josella Waldron talks to strong, smart, intelligent working women about having a fulfilling career and dealing with the challenges of modern family life. Can we do it all?
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This two-seated sofa and large-version armchair have been designed with an easystyle and comfortable forms. A close eye has been given to detailed workmanship, like the comb stitching used for the cusion upholstery that is typical of Nordic traditions.
Available either entirely upholstered in Pelle Frau® leather from the Colour System or Heritage, or in a variety of leather and fabric combinations.


Cayte was taught to knit and crochet by her Aunt at the tender age of 9 on a rainy day in Halamanning, Goldsithney. However it wasn't until a bereavement she returned to the hooks and pins in earnest and re-established her love for fibre. She believes that it was keeping her hands busy that saved her sanity at this time and soon after she learnt to spin and hasn't sat still since! After a chance meeting with a lampwork artist at a local fayre she has also now discovered a love of glass making and has learnt to make her own beads. One aim still to be realised is to make her own 'art' yarn utilising her lampworked beads…watch this space!


With an elegant body design with superior aesthetics like a transparent top cover, this juicer mixer grinder system will be a perfect addition to your kitchen. This incredible juicer is a godsend with world class features like a sturdy motor with 18000 RPM speed at just 500 Watt power consumption. It also has a 1.5L transparent liquidizing jar to store your juice in a clean and efficient manner and a 1L stainless steel dry/wet grinding jar. Its super fine mesh is perfect for complete juice extraction until the very last drop. It possesses 3-speed functionality with incher for momentary operation. Also incredible is its overload protector for motor safety. There are a detachable Pulp collector and spatula for easy removal of mix and change of blades. The entire juicer is enclosed in a shockproof engineered plastic body. The removable liquidizing jar base for convenient cleaning will make your life much easier in the kitchen.
Want to efficiently manage all your kitchen chores? Looking for a versatile appliance to help you with that? Bring home the Bajaj JX 7 500-Watt Juicer Mixer Grinder online from Amazon India. This user-friendly ABS plastic and stainless steel juicer mixer grinder has been designed for multi-use with great performance. It will enable you to effortlessly blend, grind and juice depending on your specific needs.
Enjoy the process of cooking for your loved ones with the Bajaj JX 7 500-Watt Juicer Mixer Grinder. This one-of-a-kind juicer mixer grinder has a sturdy 500 Watt motor which is powerful and reasonable. It has two jars for liquidising and grinding. The blades of the grinder are made of stainless steel and are very sharp to grind all types of food items. All the lids of the jars are made of polycarbonate which makes them unbreakable and gives them a long life.
The Bajaj JX 7 500-Watt Juicer Mixer Grinder has a stylish design with a strong body. While the mixer grinder will reduce your cooking time and assist you in making nutritious and delicious food, the juicer will help you make healthy juices from fresh fruits. The appliance comes with three-speed controls and pulse function, allowing you to adjust speeds specific to your requirements. Loaded with additional features, it will raise both your kitchen comfort and efficiency to another level.