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Q: How to dowload safari certificate for windows? I am trying to automate a Safari browser using Watir. I have created an apple account and have validated my account. I am following instructions on this link: http://watirwebdriver.com/safari/
But I was not able to create a safari extension. Kindly help me. I am able to log into Developer Certificate Utility page but not beyond that.

A: If you could provide a bit more information, please.  I just went to the URL you gave and was able to get Safari working with Watir-WebDriver.  I did have to do the following, but not sure what step actually got it to work properly.

*

*Shut down Safari.

*Reloaded Safari and re-downloaded my certificate.

*Shut down Safari.

*Reloaded Safari and attempted to re-add the extension.

*Extension was already pre-loaded and had the proper certificate.


Master's degree 1. Dedicated computer architectures.
1. "Artificial neural nets", 2001, Tunisia.
2. "Data acquisition from laser velocity-metric system", 1999-2000, Tunisia.
3. "Ambulatory portables systems for monitoring of physiological signals (ECG, EEG)", 1999-2002, Tunisia.
4. "Scintigraphic images acquisition and processing system", 1999-2002, Tunisia.
5. "Design of PC to gamma-camera interface", 1998-2000, Tunisia.
6. "Comparison of classic and reconfugurable computer architectures", 2005-2006, Fund for Scientific Research, Bulgaria.
8. "Design of softare- and hardware-programmable computer architectures", 2009-2011, Fund for Scientific Research, Bulgaria.
Teaching tools 1. Raychev R., "Computer architectures. Lab manual", ISBN 954-683-221, University Press Vasil Aprilov - Gabrovo, 2004.
2. Karailiev H., V. Rankovska, R. Raychev, and D. Vlahliev, "Assembler language and software technologies for microcontroller families PIC16/PIC17", University Press Vasil Aprilov - Gabrovo, 2000.
3. Karailiev H., V. Rankovska, and R. Raychev, "Theory and design of microprocessor systems. Lab manual", University Press Vasil Aprilov - Gabrovo, 1998.
4. Raychev R., and T. Spassova-Kvaytal, "Microprocessor chips and systems. Lab manual", University Press Vasil Aprilov - Gabrovo, 1989.
1. R. Raychev, A. Mtibaa, M. Abid, "VHDL Modelling of a Fuzzy Co-processor Architecture" , International Conference CompSysTech'05.
2. B. Mahmoud, M. H. Bedoui, R. Raychev, H. Essabbah, "Conception d'un systeme PC-compatible d'acquisition et de traitement des images en medecine nucleaire" , ITBM-RBM, Elseiver Press, Vol. 24 - No 5/6, pp. 264-272, Decembre 2003.


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LITTLE ROCK CHARTER BUS
Planning a Charter Bus Rental in Little Rock, Arkansas?
Enjoy the Sights of Little Rock
Little Rock is one place that everyone who visits can find something of interest to them. Whether you're interested in history, the military, or educational places to visit, you're sure to find it on you charter bus excursion in Little Rock.
You can start your day out at one of Little Rock's National Historic Landmarks, the Old State House Museum. Opened in 1836 and served as the first state capitol building of Arkansas until 1911. Now, the museum displays the gowns of 30 Arkansas First Ladies, reviews the history of the Old State House, including the House of Representatives chambers from the mid to late 1800's, a Wilderness gallery, and offers Children's exhibits with hands-on opportunities. Guided tours of the Old State House Museum are available.
You can learn about Arkansas cultural and material heritage by visiting the Historic Arkansas Museum. This Little Rock museum offers six different galleries that explore the art of Arkansas and artifacts and includes an orientation theater and children's interactive gallery as well. This museum is located in one of the oldest neighborhoods that had a newspaper printed on a hand-operated press. Learn about life on the frontier of Arkansas through guided tours and watch history come to life through Living History actors that dress the part of early Arkansans.
If you're looking for something for every, the Little Rock Zoo will provide an eye-opening experience from the youngest to the oldest visitor. Now home to over 725 exotic animals of the world, the zoo started in 1926 with a circus bear and a timber wolf. Children will enjoy the visit to the chimpanzees and orangutans, and they will be in awe at the size of elephants and giraffes. If snakes and alligators are among the favorites, they too can be seen at the zoo. Enjoy a lunch at the Safari Terrace Cafe, before venturing to the Children's Farm for an up close and personal visit with goats, sheep and other animals. The zoo is located just minutes from downtown Little Rock.
The MacArthur Museum of Arkansas Military History describes the heritage as well as honors the contributions of the military men and women. Another National Historic Landmark, the Arsenal Building is one of the oldest surviving structures in Little Rock. Originally built in 1840, it served as protection for citizens from Indian attacks. The museum serves as a reminder of all the soldiers who have served their country and state in past and present conflicts.
If you're interested in Maritime, you'll enjoy a visit to the Arkansas Inland Maritime Museum. The longest-serving submarine, the USS Razorback is the top attraction of the museum. The submarine was launched in 1944 and participated in the formal surrender of Japan in 1945. The USS Razorback has been around the world over its lifetime. After being part of World War II and the Vietnam War, the submarine was sold in 1970 to the Turkish Navy where it participated in missions along the Marmara Sea and the Black Sea until 2001. The City of North Little Rock bought the submarine in 2004 and brought it to the museum.
A vacation to Little Rock can be as educational or as fun-filled as you would like. Little Rock offers many places for individuals and families to enjoy.
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Inhibitory Function in Auditory Processing
Authors: R. Michael Burger --- Conny Kopp-Scheinpflug --- Ian D. Forsythe
Subject: Science (General) --- Neurology
There seems little doubt that from the earliest evolutionary beginnings, inhibition has been a fundamental feature of neuronal circuits - even the simplest life forms sense and interact with their environment, orienting or approaching positive stimuli while avoiding aversive stimuli. This requires internal signals that both drive and suppress behavior. Traditional descriptions of inhibition sometimes limit its role to the suppression of action potential generation. This view fails to capture the vast breadth of inhibitory function now known to exist in neural circuits. A modern perspective on inhibitory signaling comprises a multitude of mechanisms. For example, inhibition can act via a shunting mechanism to speed the membrane time constant and reduce synaptic integration time. It can act via G-protein coupled receptors to initiate second messenger cascades that influence synaptic strength. Inhibition contributes to rhythm generation and can even activate ion channels that mediate inward currents to drive action potential generation. Inhibition also appears to play a role in shaping the properties of neural circuitry over longer time scales. Experience-dependent synaptic plasticity in developing and mature neural circuits underlies behavioral memory and has been intensively studied over the past decade. At excitatory synapses, adjustments of synaptic efficacy are regulated predominantly by changes in the number and function of postsynaptic glutamate receptors. There is, however, increasing evidence for inhibitory modulation of target neuron excitability playing key roles in experience-dependent plasticity. One reason for our limited knowledge about plasticity at inhibitory synapses is that in most circuits, neurons receive convergent inputs from disparate sources. This problem can be overcome by investigating inhibitory circuits in a system with well-defined inhibitory nuclei and projections, each with a known computational function. Compared to other sensory systems, the auditory system has evolved a large number of subthalamic nuclei each devoted to processing distinct features of sound stimuli. This information once extracted is then re-assembled to form the percept the acoustic world around us. The well-understood function of many of these auditory nuclei has enhanced our understanding of inhibition's role in shaping their responses from easily distinguished inhibitory inputs. In particular, neurons devoted to processing the location of sound sources receive a complement of discrete inputs for which in vivo activity and function are well understood. Investigation of these areas has led to significant advances in understanding the development, physiology, and mechanistic underpinnings of inhibition that apply broadly to neuroscience. In this series of papers, we provide an authoritative resource for those interested in exploring the variety of inhibitory circuits and their function in auditory processing. We present original research and focused reviews touching on development, plasticity, anatomy, and evolution of inhibitory circuitry. We hope our readers will find these papers valuable and inspirational to their own research endeavors.
inhibition --- GABA --- Glycine --- Nitric Oxide --- plasticity --- Gap Junctions --- Sound Localization --- MNTB --- co-release


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Marisa Tschopp
Marisa Tschopp is a researcher at SCIP AG, Chief Research Officer at Women in AI Switzerland and Co-Chair of the IEEE Agency and Trust in AI Systems Committee. She explores AI from a psychological perspective with a specific interest in ethical implications.
Women in AI Switzerland: Looking Back, Moving Forward
The Women in AI community in Switzerland, like most, have experienced a challenging year. The pandemic took its toll on the team, and on the health of their families and friends. Marisa Tschopp takes a look back on a difficult year and looks forward to a brighter future in 2022.
Marisa Tschopp | Jan 05, 2022
The Dark Side of Trust in AI Machines
Human trust has been examined in psychology for a long time, but within the context of artificial intelligence many more questions remain to be asked. Marisa Tschopp explores trust and distrust in AI and puts forward her theory that the science needs safeguards more intangible than technology and privacy laws.
Marisa Tschopp | Nov 18, 2021


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Israel must rely on it's Jewish population and World Jewry
Submitted by Joe Hamilton (United States), Oct 25, 2008 at 23:49
It appears that American white guilt knows no bounds. A white candidate with Obama's resume who sought the US Presidency would be laughed at. But Obama who is totally unqualified will, unless a miracle occurs, be the President of the United States. This can only be very bad for Israel. Bush, was the best friend Israel has had in the White House. But American "Jews" worship the democrat party more than they care for their co-religionists.
Bush allowed Israel a green light to wipe out Hezbollah. But the imbecile Olmutt prove to be such an incompetent fool, Bush lost patience with Israel. Israel doesn't need the US as they did in the past. Even a pro-Arab Obama presidency, and a cut off of aid would not really hurt Israel in the long run. Israel is third in the world in exports of military weaponry. Even some Islamic (not Arab) nations are customers of Israel. Israel lost more when the US forced it to end sales to China than it receives in yearly aid from the US.
The only weapons system which Israel doesn't produce for it's own military are Jet fighters. It did sell the a version of the cancelled Lavi to China. The muslim trojan horse Obama will radically cut the US military budget so he can give our tax money to his African bretheren. Israel should not expect an Obama administration to sell it F-35s or F-22s. Israel will have to develop it's own advanced fighter and has the capability IMHO. Israel and it's Jewish supporters have something no other people have : the highest mean IQ in the world. Non Jews have expressed what Jews have been afraid to: Ashkenazi Jews have a mean IQ of approximately 112.
Israel's Jewish population with assistance of Jews in the diaspora can take care of itself. Anthony Cordesman (not Jewish) published a paper on what would occur in an all out war between Iran and Israel. Iran would lose at least half it's population and cease to function in any manner. Israel would lose , at most 12% of it's population and will continue functioning. Even if Iran has a nuclear bomb, they will use it against Israel because they would be signing their own death certificate.
Mark my comment as a response to Israel must rely on it's Jewish population and World Jewry by Joe Hamilton


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"Code Like a Girl": An Interview With Author and Student Miriam Peskowitz
By Charles Poladian•September 09, 2019
While anyone can code, many have felt excluded from pursuing their interests. We hear about the "bro culture" of tech and the initiatives for women in STEM. Miriam Peskowitz, bestselling co-author of "The Daring Book for Girls," knows what it feels like to be an outsider. Whether it was being among just a handful of women in graduate school or how her own daughters lost interest in tech, Miriam drew on that inspiration for her latest book, "Code Like a Girl."
Miriam enrolled in Flatiron School to learn how to code for herself. In the interview below, Miriam shares her inspiration for "Code Like a Girl" and how you can too.
Your previous books focused on, in your words, "Women's work. Equity and fairness. Disciplines of knowledge." How did that previous focus lead you to tech and code?
You get to a certain point and realize that every creative thing you've done has been chasing the same idea. I really want to make space for everyone who hasn't been in tech. Going to Flatiron School has been amazing because our school has thought through so much about how to do this.
What are the barriers preventing girls and women from participating in STEM?
The history of how so many recent tech leaders and coders have been men
The sometimes macho tech culture
The way coding has become a "guy thing" and that means that some girls and women won't even look at it
Overt sexist messages that push girls away
Overt harassment
The good news is that this isn't all that different from other professions and fields, including many that used to be predominantly white and male and over the years have become more integrated.
What was it like to learn to code as a beginner? What languages did you learn? How did you go about learning new languages?
To write the book I had to learn a little about a lot of things, and then figure out the magic of putting them together.
Step 1 was to take lots of Girl Develop It workshops. Philadelphia had a very active chapter. I learned everything from How the Internet Works, to Intro to HTML and CSS, to JavaScript, to Algorithms.
Step 2 was to learn about breadboarding, and I did that at a maker space called the Hacktory. I learned a bit of Python on my own, and my friend Meredith helped me. I fell in love with code. The book's first deadline was a very quick nine months after I started. While I was mad-dashing all this, I decided that as soon as the first draft of the book was done I'd start learning to be a full-stack developer, for real. That's where Flatiron School came in.
What was your experience like at Flatiron School?
It's been so great. I've been in for a while, because I balanced it with working on all the edits and design for the book, and rewrites, oh, and I have a family too. For me, I love how the Tech Coaches are encouraging and non-judgmental. I finished my CLI project, it was about choosing a morning meditation, I signed up for the evaluation and then I freaked. All of a sudden, I realized I was actually in school, and there was a test coming up. Then I re-read the description and relaxed. Flatiron School's model is about learning, without the trauma of traditional school.
What was your breakthrough, or "Eureka!," moment while learning to code?
In "Code Like a Girl," I write about how code is the perfect antidote to perfectionism, because we have to assume that we'll pop some code into an editor and then figure out why it doesn't work. I think my big moment was really listening when the Tech Coaches said to keep at it. That it is practice and muscle memory and it all starts to make sense over time. Also, so many times I'd tell a coach that clearly I have no idea what I'm doing, and then the problem would turn out to be a typo somewhere. The Eureka moment was realizing we really truly don't get it right on the first try and that's normal.
What would be your advice for anyone experiencing Impostor Syndrome?
When I started graduate school there were 200 male students and under 10 women. I was terrified and one day I just decided to put on a game face and pretend. It's not easy for me but that's what I've done, over and over. Be your theatrical self and perform being confident until that feels normal. And remember that everyone feels this way, only some people are better at covering it up than others.
What advice do you have for anyone who wants to learn to code?
Start anywhere
Don't freak yourself out
Just keep going no matter what. I wasted lots of time telling myself that I should already be done, that I should have finished much more quickly
Really, just keep going till it clicks and feels like you've been at it forever
Why did you write this book? What was your biggest inspiration for this book?
After I wrote "The Daring Book for Girls" I worked for LEGO for a bit and then I was invited to some meetings at the Obama White House, about girls and tech, toys, and media. That's where I decided to write this book. But my inspiration was my own daughters, and seeing how they were gender minorities in the tech classes they took and how that made them like it less.
What kinds of opportunities do you think we need to create to ensure that girls can code?
I think all the clubs and special programs are great, but the real game changer would be making code a required class in 8th grade. And in 10th grade, and university, for those who attend. That way everyone jumps in, and you get past the "but wait, code is for boys" thing.
What are some organizations you'd recommend to help girls learn to code/participate in STEM?
TechGirlz and Girls Who Code. But, I'd also recommend finding a way to learn on your own, at home, because often you can't get to a workshop, or you want to follow up after a workshop and make code your thing. That's why I wrote "Code Like A Girl," so we can learn code by ourselves, at home.
For women already in tech, how can they help mentor girls and women interested in a career in tech?
You can reach out to local schools and teach an elective or after school class, or do a workshop at a nearby library. And anyone of any gender can do this, just make sure that everyone feels welcomed and supported. Kind of like what we do at Flatiron School.
Charles Poladian
Read More Learn To Code Articles


"Eek!" is the sound I made when I saw Jake and Kim's DIY wedding. They are a couple after my own heart - they are fabulously crafty and made their own invitations along with the decor!
We are super duper in love with Hannah and Trey's wedding. We love all the vintage lace, mismatched china, antique furniture, and of course the peonies! What a beautiful garden DIY wedding at Knoxville Botanical Gardens.


welding It has past flaw testing, internal and external double welding makes the welding beautiful in shape. It confirms with the international welding standard of CWB.
Galvanizing Hot dip galvanization with thickness of 80-100µm average in accordance with Chinese standardGB/T 13912-2002 or American standard ASTM A123, IS: 2626-1985.
Finishing 2: Hot dip Galvanizing antirust.
Base plate mounted Base plate is square, octagonal or round in shape with slotted holes for anchor bolt and dimension as per customer's requirement.
Ground mounted The length buried underground as per customer's requirement.
Quality Control We are well equipped with superior production equipments, solid technical strength, excellent managing mode and quality control system, perfect after service. We have passed the ISO9001:2008 Quality Systems Authentication.
Other Less land occupation & easy maintenance.


Total Composite Solutions (TCS) Ltd (Havant, U.K.) introduces its epoxy prepreg solution to the aerospace interiors sector.
SWM International (Alpharetta, Ga., U.S.) announces the introduction of Naltex flow media for resin infusion processes.
LAP Laser (Lüneberg, Germany, 5/F5) is featuring flexible applications of the DTEC-PRO camera system, showing how laser-based composites fabrication in the aerospace, automotive and other industries can be faster, safer and more flexible.
Teijin Ltd. (Tokyo, Japan, 6/G28) is introducing a new prepreg composed of unidirectional carbon fiber tape with a bismaleimide (BMI) matrix resin.
Web Industries Inc.'s Aerospace division (Marlborough, Mass., U.S., 5/L6) is featuring its capabilities in the formatting of flexible thermoplastic composite materials for next-generation aerospace applications.
Solvay Composite Materials (Alpharetta, Ga., U.S., 5/L42) is featuring technologies and product forms designed to reduce cycle times, increase structural integration and enable use of automated fabrication processes.


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Spaghetti Western, More..
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Click on "current sales" above to find our gift certificate listings. If you want a custom amount for your gift certificate, call us with your Visa or Mastercard during regular business hours at 541-773-6860
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THE $98 SPECIAL IS BACK FOR THE HOLIDAYS AND BEYOND! Through January 29th of 2023, snatch up ANY TWELVE (12) TITLES FOR ONLY 98 DOLLARS POSTPAID. Simply add this to your cart and take advantage of this great special—our most popular sale ever...
BANDIDOS
(1967) Terry Jenkins, Enrico Maria Salerno, Cris Huerta, Victor Israel. A famed gunslinger falls victim to one of his own protegees who shoots him in the hands, ruining them for life. Years later, t
BETWEEN GOD, THE DEVIL, AND WINCHESTER
(1968 aka GOD WAS IN THE WEST, TOO, AT ONE TIME) Gilbert Roland, Richard Harrison, Ennio Girolami, Folco Lulli. A priest disguised as a gunslinger races to find the stolen treasure of a Texas church. He is...
BULLETS DON'T ARGUE*
(1964) Rod Cameron, Horst Frank, Angel Aranda, Luis Duran. One of the first Euro-westerns. Cameron is a tough lawman who battles the Clantons after they interrupt his wedding with a bank heist. The chase leads...
DRAGON STRIKES BACK, THE*
(1972) Chen Lee, Klaus Kinski, Carla Romanelli, Gordon Mitchell. Chin, a Chinese martial arts expert, lands in the old west. Chin gains fame for his unbeatable fighting skills. He is able to punch
DUEL IN THE ECLIPSE*
(1968) Lang Jeffries, Fernando Sancho, Femi Benussi, Carlos Gaddi. A unique Euro-western with the hero as an astrologist who wears a leopard suit. Sure, there's a revenge theme, but overall this is a
FASTHAND IS STILL MY NAME
(1972) Alan Steel, William Berger, Frank Brana, Gill Roland, Celine Bessy. A gang of former confederates lay siege to a Cavalry fort, killing everyone except for Steel, whom they torture mercilessly.
FEW DOLLARS FOR DJANGO, A*
(1966) Anthony Steffen, Gloria Osuna, Frank Wolf, Jose Lluch. Django wants to settle down and start a new life, perhaps even become sheriff. It's hard for a good gun to stay quiet, though, and he f
GOD FORGIVES, HIS LIFE IS MINE*
(1967) Dean Reed, Pietro Martellanza, Piero Lulli, Agnès Spaak. In this lively western, Reed plays a tough-as-nails bounty hunter, hired by a small town to stop a string of daring gold robberies. He
GRAND CANYON MASSACRE*
(1965) James Mitchum George Ardisson, Giacomo Rossi-Stuart, Jill Powers, Eduardo Ciannelli. After a search for his father's killers, Mitchum returns home only to find himself involved in a bloody lan
GUNFIGHT AT RED SANDS—Anamorphic Widescreen Edition
(1963, Upgraded 7/10/22) Richard Harrison, Giacomo Rossi-Stuart, Daniel Martin, Mikaela, Sara Lezana. This was our first Spaghetti western release many, many years ago. It's now available in a very nice anamorphic widescreen edition. Considered by some to be the first true spaghetti western. Harrison is excellent as a mysterious...
GUNMAN OF AVE MARIA*
(1969) Leonard Mann, Luciana Paluzzi, Alberto De Mendoza. Mann is a tough gunman who is told by a childhood friend that his father was murdered years earlier by his mother and her lover. The two gunm
IT CAN BE DONE AMIGO*
(1971) Bud Spencer, Jack Palance, Renato Cestie, Dany Saval. A western Casanova seduces the sister of a tough gunfighter. The gunfighter gets wind of it and comes after him. Look out! There's a nice touc
JACKALS, THE*
(1967)Vincent Price, Dana Iverson, Robert Gunnar, Bob Courtnet, Johnny Whitney. Here's something you don't see too often, a Euro-style western shot in Africa. The plot concerns the 1883 gold rush in South
LAST GUN, THE*
(1964) Cameron Mitchell, Carl Mohner, Celina Cely, Kitty Carver. Mitchell is a tough gunfighter who hangs up his pistols for good. He settles down in a small, peaceful town, but when a vicious outlaw torme
LIGHT THE FUSE…SARTANA IS COMING*
(1971) Gianni Garko, Susan Scott, Jose Jaspe, Piero Lulli. Sartana searches for a cache of hidden gold. Unfortunately so is half the western underworld. No classic, but still an enjoyable Euro-western with...
MAGNIFICENT TEXAN, THE
(1967) Glenn Saxon, Barbara Loy, Massimo Serato, Gloria Osuna. Saxon is a tough, gun-wielding saloon owner who helps Mexican peasants oppose a notorious land baron who has cruelly oppressed them. He


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Art-curatorial project Is It Just a Myth? moves across physical and virtual landscapes. The visitor experiences an encounter with the work and untouched nature through the flat screen of their device. Via these means, curator Bára Čápová is looking for new ways of creating and presenting art at the border between online and physical interfaces.
myth uvodka
IS IT JUST A MYTH?
You know this landscape, you have seen it before. But something is different here. You pass through the remnants of stories, the traces they have left. You slowly move closer, inspecting each detail. You ponder, remeasure. Flitting between the things that happened and those that might. Although there is complete silence, you hear the wind in the treetops. You want to walk further but the frame won't allow you to. You only see the finished picture, the interpretation of someone who explored the landscape ages ahead of you.
Regarding the speed of transformations today, the empirical approach can deceive us easily. There is no more boundary between reality and virtuality, truth and fiction. All pictures that exist are truthful. Regardless of their origin, bit by bit, they unveil the world in which we live. The world where the living becomes lifeless and the lifeless becomes living. There is no need to yield to the hierarchy between the already existing and artificially created. Precision requires randomness, the density of the scene requires the absence of physical participation. The picture can be entered through the screen to become its component and extension – or just the frame can be observed from afar.
A WALK THROUGH A CONFINED LANDSCAPE
We are standing at the boundary between physical and virtual interfaces, looking for a new authenticity of the artwork. We long to reconnect with nature and experience its power, yet most of the time we remain virtual. Through the flat screens of our smartphones and laptops, we fascinatedly observe scenes from untouched corners of nature or, conversely, places where the Anthropocene has irreversibly made its mark (mining areas, industrial zones, abandoned cities, etc.). We are looking for stories strong enough to convey at least a piece of their epic without having to physically enter them.
Lenka Bakeš
The need for direct contact with nature is the basis of the project Is It Just a Myth?. Six artists, together with a photographer and a curator, travel to the quiet landscape of the Ore Mountains where they create and install their works for several days. Some of the works become an integral part of the scenery, others transform and deform it.
The installations are created in the absence of the viewer, to be subsequently conveyed as a complex series of narrative images through the flat screen display. The viewer, i.e. the visitor, walks through the virtual and physical landscape simultaneously. He or she observes a scene framed within the edges of a photograph. They cannot walk around the work, step away from it or feel it. However, they are not looking at its documentation but at the work itself.
Štěpán Brož
A NON-EXISTENT REALITY
An important moment is the choice of the landscape itself, which the visitor passes through on the screen. They know it, they know where to place it and it evokes personal emotions. At the same time, it is abstract enough to function as a landscape type. The absence of significant elements that would clearly determine its location confuses the visitor. He or she may know the landscape well – but they only know fragments of it. They know stumps, mushrooms and ferns, they know that a pool can flow through the forest or that moss can cover tree trunks and piles of stones. But they do not know whether this landscape is real or whether they are looking only at a construct, a representation of a well-known reality. This uncertainty is symptomatic of online space and post-digital photography. The narrative scenes of Is It Just a Myth? duplicate this uncertainty, giving the viewer the choice of trying to decipher them or to simply be enchanted by the magical atmosphere brought about by doubt.
Nela Britaňáková
SCROLL INSTEAD OF WALKING, ZOOM AS CURIOSITY
The visitor inspects and examines the work in the landscape. He or she moves closer and further away to discover what has happened in the image. Is it an ongoing action or just the traces left behind? They move through the virtual landscape by scrolling as naturally as if they were walking. A simple movement but one that gives them no choice. The photograph zooms in and out as much as the work itself in the landscape.
Dominik Adamec
www.isitjustamyth.com
Opening night December 8, 2021 / Berlínskej model Gallery / closing night November 30, 2022
Katarina Hladeková
CURATOR´S BIO / Barbora Čápová is currently finishing her doctoral studies where she pursues transformation of contemporary visual culture within the scope of digital technologies. The project Is It Just a Myth? demonstrates the crucial theses of her PhD research. Regarding her writing focus, Čápová looks for interdisciplinary intersections between art and journalism. The VICE magazine hosted her own social documentary section and she further contributed to magazines such as Material Times, Czech Design or Artalk.
Jiří Kovanda
DUNA group (Lenka Bakeš, Ladislav Kyllar, František Svatoš)
Katarína Hládeková
CURATOR / Barbora Čápová
PHOTOGRAPHY / Jan Hromádko
WEB DESIGN / Ilya Bazhanov & Yana Korzhova
POST-INTERNET DESIRE
In overcoming the adverse effects of the male gaze on women's self-perception, Stacie Ant uses her art to spin the pornification of female bodies into a grotesque commentary on human interactions in the digital era. In today's interview, the artist discusses topics spanning representations of nudity, humor and hyperbole, and designing for the metaverse.
WITCHCULT TODAY
By employing themes of witchcraft and female ritualism, the Polish artist Agata Słowak opens the discussion on the historical treatment of women delivered through her unique creative sensibility and a teasing of the viewers' affect. Today's interview takes you into how she conveys emotion through visual art and what inspires the scenes she depicts.


Paulo Coelho (born August 24, 1947) is a Brazilian lyricist and novelist. Coelho was born in Rio de Janeiro, Brazil, where he attended law school, but in 1970 abandoned his studies to travel throughout Mexico, Peru, Bolivia, and Chile, as well as Europe and North Africa. Coelho published The Alchemist, which is based on Jorge Luis Borges' Tale of Two Dreamers, which in turn was based on a tale from The Book of One Thousand and One Nights. Slow initial sales convinced his first publisher to drop the novel, but it went on to become one of the best-selling Brazilian books of all time. It has sold more than 41 million copies worldwide and has been translated into some 57 languages. It is also a movie-in-progress produced by Laurence Fishburne, who is a fan of Coelho.
The dangers is that every religion, including the Catholic one, says "I have the ultimate truth." Then you start to rely on the priest, the mullah, the rabbi, or whoever, to be responsible for your acts. In fact, you are the only one who is responsible.
We have to try to get rid of the notion of time. And when you have an intense contact of love with nature or another human being, like a spark, then you understand that there is no time and that everything is eternal.