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All posts by sperling
Biggest Theater Flops
January 21, 2020 Productions
Broadway has a long list of star-studded shows that have lasted years. Some of the longest running Broadway shows include the likes of Phantom of the Opera, Cats, Chicago the Musical, The Lion King, and Les Misérables. Unfortunately, at the other end of the success spectrum are the theater shows that were ultimate flops. What makes a show a flop and what are some of the flops we love to still talk about?
Sometimes even shows that seem destined for accolades end up closing early or becoming infamous for being a Broadway disaster. Why one show soars and others flops depends on quite a few elements. However, as Theater Nerds so aptly puts it, "No matter how awesome the cast or how beautiful the score, there's nothing for some shows to do but join a legendary list of Broadway's worst-selling shows."
Then there are the shows that are completely panned by critics but beloved by audiences. For example, the show You're A Good Man, Charlie Brown about the much loved "Peanuts" gang actually premiered in 1971. While high school and middle school drama productions still adore this musical to this day, it only saw the stage for 32 performances. It goes to show that the venue and target audience can play sharply into the success of any production.
Bonnie and Clyde is yet another Broadway show that was only on Broadway for three months, lasting a measly 36 performances. This number and shortened run would categorize it as a Broadway flop, but there is still a cult following for this show. Most critics did report that while the show was short-lived, the score was amazing and the main performers has vocal aptitude that should have raised this show to success.
So, these two examples of "flops" beg the question, what causes a show that may have a following to flop? For many shows that have a limited run there could be a multitude of reasons for the show's demise. For some the acting, script, financial backing, or score was subpar, while for others the subject matter was not met with open arms by the American public. For a show to be successful, there needs to be emotion, passion, or content that strikes a nerve with the audience.
Take the ultimate Broadway hit Hamilton. Not only does the acting, score, and theme resonate with the audience, but it comes at a time when Americans are looking to their past to find a path into the political decisions of the future. The kismet, therefore was amazing timing for this extremely successful Broadway show.
For more "flops" whether they deserve the title or not, check out this article on the list of musicals and how long they lit the marquee on Broadway.
Creating the Right Mood on the Stage
January 6, 2020 Audience, Etiquette, On Stage, Tips
Part of pulling off a great show is creating the right mood on the stage. Theatergoers expect a story that includes emotion. Giving them that requires the right backdrop, lighting, and acting. Let's take a closer look at how to create the mood you want on stage using these three components for your next play or musical.
When an audience first sees the stage, they expect to be transported into the world being portrayed in the scene on stage. Whether you are trying to paint the image of a Dickens village in England, or a winterscape in New England, a backdrop can make all the difference. Our Backdrops By Charles H. Stewart come in a variety of options from the old Broadway favorites to the abstract. We have hundreds of backdrops to choose from that can help your production set the appropriate mood for the audience. Check out our wide assortment of backdrops organized by category or by show. If you don't see one that creates the setting and mood you are going for, we can custom make a backdrop to meet your specifications.
Obviously, in conjunction with the backdrops, the lighting plays a key role in creating the right mood on stage. The angle, color, and brilliance of the lighting can determine the mood the performers are trying to portray. For example, lighter colors to convey day and darker tones for dusk.
Most stage lighting professionals and designers focus on five main positions to create the desired mood. The main lighting areas include: front, back, side, down, and high side lighting. Each choice casts a different view of what is happening on stage. In some instances the lighting can look dark and foreboding, while other times the lighting can create a light, happy tone.
Acting is clearly a central component to the performance and a key influencing element to how gratifying and atmospheric the drama is. Directors claim that the tone the actors on stage create is in conjunction with the lighting, sound, and backdrops. It all comes together to set a mood in one unified way so that audience members are pulled into the story and the mood is prevalent throughout the theater.
Check out our backdrops online and on our Facebook page for your next production. No matter the mood, we can help you set the tone for your performance.
Benefits of Supporting Community Theater
December 18, 2019 community theater, Musical Theater, Off Broadway, On Stage
In our last blog we discussed the grand opening of the Concord Youth Theater in Concord, Massachusetts. This theater was once the home of the iconic Captain America, Chris Evans. This small community theater was where Evans got his start and began his future career in the Marvel Avengers superhero films. It reminds us of why community theater is so important and why we should follow "The Captain's" lead and support our local community theaters.
Supporting a community theater can take many forms. Maybe you volunteer your time with young thespians, or maybe you take your artistic talent and create works of art in the form of props, lighting, music, or scenery for an upcoming musical or play. If time is short but you still want to show your support, monetary donations are always welcome to a theater in your town or region. Here is why:
Nurturing New Artists and Actors
The ThoughtCo, the world's largest education resource, reports that many successful actors, directors, writers, and choreographers have launched their careers in humble, small town playhouses. Just by attending and applauding, audiences give up-and-coming stars the positive feedback they need to continue their artistic pursuits.
Just like Captain America felt safe to try out his love of acting in a community theater so could the "next big name" in Hollywood or on Broadway, being on stage can help build the confidence and self esteem of some future actor who may want to go on in the field of the entertainment industry.
Learning Valuable Skills
Community theater is not just about learning to act, it can help build communication skills, leadership qualities, and open hearts and minds to understanding people who are different from us. Young and old alike can learn a new skill such as lighting, musicianship, or directing and learning from an older mentor who has been around the stage crew, lighting technology and instruments their whole lives.
Getting involved in your local theater does not always need to be altruistic in nature. Maybe your small business needs to get its name out there. Supporting a theater company is a great way to advertise your services or products. Just think about it. What are people doing while waiting for a show to begin? They are flipping through the program reading the actors bios and seeing the local companies who are supporting the show. Your business name and logo could be seen by hundreds of people in just one weekend! So next time you go to a movie, see a play, or watch a musical, ask yourself where these actors got their "break." Chances are it was a community theater. Support your local community theater today. Check out our Facebook page where we often post about local shows and theater options.
Captain America: Back to His Roots In Concord, MA
December 4, 2019 community theater, Musical Theater, Musicals to Movies
It's no secret that we love theater and acting here at Backdrops By Charles Stewart. But we love this local story more than anything! Chris Evans, the iconic Captain America of the Marvel Avengers superhero team, has returned to Massachusetts to help dedicate the new home of a youth theater company where, as a youngster, he practiced and honed his acting skills.
Evans, a Sudbury, Massachusetts native, returned to his roots a few weeks ago to the Concord Youth Theater (CYT), where he acted as a nine year old thespian. The CYT was once his home and he still considers it the place where he grew up and began mastering the talent that he practices in the widely acclaimed Avengers movies.
The Concord Youth Theater is an Evan's family second home. Chris's mother, Lisa Evans, is the Artistic Director at CYT, his sister Carly is the Director of the current show Godspell, and his other sister Shannon is the Costume Designer. The family came together to celebrate the opening of the new permanent home of the Concord Youth Theater. Evans says that he will play the role of "advisor" in this family adventure.
For several years the theater has moved from one location to another and has now found the funds and location that will allow them to have over 200 audience members for their shows.
Evans took a few moments to dedicate the theater after he cut the ribbon at the Grand Opening in October. He stated that the theater was his home and where he made his start at what would be his future career. He felt that CYT was a safe place for him to take risks in a space where he could make mistakes. He is proud of his sisters and mom for all the work they put into this small community theater just outside of Boston.
The Importance of Introducing Children to Live Theater
November 20, 2019 Backdrops, Musical Theater, Off Broadway, On Stage, Theater, Theatre
Most people who love theater think of it merely as their favorite form of entertainment. I mean, what's not to love about escaping reality and getting pulled into the lives of the characters on the stage? But did you know that, while you are enjoying the show, you are also learning, connecting, and finding ways to relate to others? Theater, especially live theater geared towards children, can have more of an impact that just a fun afternoon out watching people recite lines, act, and playout characters. Read on to find out why theater is important for our younger learners.
Immersion of Culture
Through live theatre, audiences, both young and old, are immersed in stories about characters from every background imaginable. Characters who are a different race, ethnicity, religion, sexual orientation, and gender can teach children about what it is like in cultures around the globe, not just the small world where they live in. Imagine the positive impact that can have on a child who now has his/her eyes opened to what it is like to be someone from outside their cultural background.
As part of the audience asked to imagine Jack's "beanstalk" growing out of the stage floor, or that a Big Bad Wolf can actually talk, takes some stretching of the imagination. This creativity requires that the audience thinks outside the box. This can translate into the nurturing of creativity and imagination that can be a valuable asset later in life. "Theatre is the single most valuable place where kids can explore the endless possibilities of their imaginations and what they can do," according to Danica Taylor, a writer for the Rep Theater online.
School Performance and Community Service
Research from UCLA's Graduate School of Education by Dr. James Catterall shows that students who are exposed to the arts are more likely to be involved in community service, and are less likely to drop out of school. Studies by neuroscientists have shown that both the left and right hemispheres of the brain need to be fully stimulated in order for the brain to utilize its true potential. This means that it is just as important to immerse children in creative activities that exercise the right brain, as it is to immerse them in scientific and analytic activities for the left-brain. (Source: Taylor, Rep Theater)
As students become involved in theater, not merely as a passive theater-goer, they learn the skill of communication both verbally and with body language. Imagine how fun it is to learn how to speak clearly so even the person at the back of the theater can understand your message. This skill is needed in almost every career industry imaginable.
Why does your child learn while he/she is involved in theater? For some, it may be as simple as how to be a good audience member who pays attention and is courteous. Leave us a note on our Facebook page or on our website.
Don't Miss These Late Fall Broadway Shows
November 6, 2019 Backdrops, Musical Theater, New Backdrops, Off Broadway, On Stage
Broadway is a beautiful place all year long. But something magical begins to take place during the late fall weeks that peek into the upcoming winter. The New York City streets begin to show signs of the holidays and the hustle and bustle seem more, shall we say, jolly. That's why it is such a special time of year to head to the Big Apple and take in a show or two.
There are so many great shows to choose from, and choosing one or more can be difficult. Here are a few that Playbill has noted as up-and-coming shows not to miss. So gather up your fall attire, make reservations at your favorite NYC dining spot, and get ready for a few months of theater.
The Crucible, by Arthur Miller, is playing at the Connelly Theatre with the first preview on November 8, 2019, and opening on November 21, 2019. Under the direction of Eric Tucker, The Crucible is a 1953 play by American playwright Arthur Miller. It is the dramatized and partially fictionalized story of the Salem Witch Trials that took place in Massachusetts Bay Colony from 1692–93. Miller wrote the play as an allegory for McCarthyism, when the United States government persecuted people accused of being communists. The cast includes Shirine Babb, Rajesh Bose, Truett Felt, Caroline Grogan, Paul Lazar, Susannah Millonzi, Arash Mokhtar, Ryan Quinn, Randolph Curtis Rand, Zuzanna Szadkowski, Shaun Taylor-Corbett, John Terry, and Eric Tucker.
Evita, by author Tim Rice and music by the acclaimed Andrew Lloyd Webber, begins its first review on November 13, 2019, with opening night on November 14, 2019. The musical examines the rapid and controversial ascent of Eva Perón, the First Lady of Argentina, until her untimely death at age 33. On the one-hundredth anniversary of Eva Perón's birth, this presentation deepens your understanding of one of Argentina's most adored and reviled figures. The director is Sammi Cannold and the cast includes Solea Pfeiffer, Maia Reficco, Enrique Acevedo, and Philip Hernandez.
We Will Rock You opens November 14, 2019, at the Hulu Theatre at Madison Square Garden. The musical tells the tale of a group of Bohemians who struggle to restore the free exchange of thought, fashion, and live music in a distant future where everyone dresses, thinks and acts the same. Musical instruments and composers are forbidden, and rock music is all but unknown. The musical is based upon the songs of British rock band Queen with a book by Ben Elton.
Do you have a show you are dying to see? Comment on our Facebook page or in the comments below. Check out our Backdrops that will help make any show come to life.
The Impact of Lighting Design
Think of the last time you walked into a theater. Do you remember the initial feeling you had when the curtain rose? Were you tense, happy, scared, excited, or relaxed? Believe it or not, the lighting probably set the tone for the remainder of the theater experience you had. In fact, psychological studies have shown us that color and lighting has a huge impact on our mood and overall well-being and that lighting experts have been using this knowledge for years to enhance our theater experience. Let's take a closer look at the impact of lighting design.
At any given moment our senses are collecting hundreds of pieces of information about our environment. The colors, smells, sights, temperature, feel, and so many more components go into how we interact with or feel about the world around us. The same goes for our experiences in the theater.
Imagine you walk into a theater where there are dark shadows that cover the stage, shabby furnishings scattered around, and actors that are dressed in ragged clothing. Your initial impression may be one of concern, fear, or curiosity. Imagine the same theater, this time with bright lighting, colorful backgrounds, and actors who are singing happily. Your sensory input has dramatically changed, right? That is how the theater can use colors and light to change how theatergoers experience the show.
Direction of Light
One aspect that lighting design experts have to consider when setting a mood on a stage is the direction of the light. For example, if the lighting team is trying to create a scene with tension they may want direct light from above to shine on the main action on the stage while darkening the rest of the area. Another example would be creating low or dim lighting to add a sense of mystery, privacy, or intimacy. Lighting the walls, ceiling, and props can give a sense of spaciousness as well as direct your attention to the portion of the stage where the action is the greatest.
The Type of Lighting
Theatergoers know that the lighting team can create all sorts of emotions depending upon the type of light they use. For example, a spotlight can draw your attention right to the main action during a monologue to important action that is occurring on stage. Colored filters can be used with this lamp to change the overall mood as well.
A floodlight gives a wide area where action can occur on the stage. A strobe is a flashing light, that is used for special effects. It's often used to give the effect of old movies. It produces a jerky effect on the movements of actors when used on its own.
Lights can be useful for defining different locations on the stage, creating mood and atmosphere, highlighting key moments of action, and directing the audience's focus. Lighting can denote the time of year or day and can also be used in an abstract or symbolic way, such as using a red light to symbolize danger or passion. How does your theater use lighting? Give us some tips in the comments.
Overcoming The Stress of Tech Week
October 8, 2019 Backdrops, On Stage, Rehearsal, Set Organization, tech week, Techniques, Theater, Theatre
The phrase "Tech Week" can cause even the most solid thespian to shudder in fear. The long hours, the fear of failure, and the stress can be enough to send you over the edge. What can you do to make this inevitable week less stressful? Read on to hear from others who have been there before and their suggestions to overcome the stress of the dreaded tech week!
Determine Your Point People
There is nothing worse when things go south on stage during tech week than having too many people add their thoughts and suggestions. Be sure to have one or two people who are level –headed, patient, and knowledgeable to handle the hundreds of questions that can come up during the week. Save your sanity and let your actors know who the appropriate person is to handle each type of question.
TheaterFolk online suggests, for example, who is the most likely person to know where a missing pair of pants might be? Who should be contacted if one of the stage lights burns out? Whom should students check with if they need help reviewing their entrances and exits? (If you answered the costume head, the lighting designer/operator, and the stage manager –, then you would be right!) These are your point people and they are worth their weight in gold.
Plan Breaks
Tech week can be one really long week. It is tempting to try to power through it and get as much done each day as possible but you will see burnout happens. We suggest planned breaks at intervals that are decided upon before you start this crazy week. Encourage your group to get up, stretch, go outside, have a quick bite to eat, and clear their heads. Being inside all week working on lighting, tech, and props can make you feel detached from the rest of the world. Taking even a few minutes of self-care during this busy week can put you in a better place than the one where you are tired, hungry, and losing patience.
Schedule it Out
Tech week for professionals means lots of hours doing what you love and getting paid for it. For students, tech week means balancing school work and theater prep. Be sure to schedule out time to get your studying done as well as complete that homework. You may also want to plan your meals and sleep time as well. It may seem ridiculous to plan it out but tech week brings new meaning to marathon lighting sessions and rehearsals. The more you can block out time for other important things in your life, the better.
Are you crazy during your tech week? How do you handle the stress and balance your life during this time? Give us some suggestions in the comments section and let us know your tips of the trade.
Movies that Began on Broadway
September 23, 2019 Backdrops, Forms of Theatre, Musical Theater, Musicals to Movies, On Stage
In this age of Marvel movie crossovers and watching characters from one superhero film show up in another one, we have become accustomed to the idea of crossovers. But did you know that Broadway theater shows have been making the leap from the stage to movies for years before it was "in?"
As a child growing up in the '80s, I had lots of musicals that would come spinning out of my mouth as I played with friends or concentrated on my homework. After seeing Annie on stage, I was a "hard knock kid" for months and months. I knew the lines and characters arguably better than the actual actors.
Fast forward a few decades and I brought my sons to Annie at the local movie theater. My kids loved it as much as I did but boy was it a culture shock to see how they adapted it to our modern, tech-savvy lives of today. The songs and the premise were the same, but the cultural and social aspects were completely different… not bad, just different.
Lots of Broadway shows have been adapted for movies in our society today. Two of my favorites are Grease and Mamma Mia! Again, the songs were the same but each was shifted just enough that you could tell that Hollywood had put their stamp on it.
Depending upon your generation you may remember different Broadway shows before they became screen hits. For example, my mom's generation remembers West Side Story, My Fair Lady, and Les Misérables before they were adapted. Who knows, younger generations may someday remember Hamilton on stage if it ever gets sent to Hollywood.
What is your favorite Broadway show that was remade in Hollywood? Tell us in the comments and tell us whether you liked the remake or not.
Theater Traditions
September 3, 2019 Backdrops, Musical Theater, On Stage, Theater, Theatre
Baseball players use the same lucky bat, football players don't change their game day socks, and for years I have not stepped on sidewalk cracks for fear of breaking my mother's back. Superstitions run deep in some people, but none more than theater people who have a long list of unique theater traditions.
Theater folk are a fiercely superstitious breed and they follow certain traditions to ward off bad luck and make each production go smoothly. Some traditions are rooted in historic theater lore, while others actually seem to make pretty good sense. Check out some of our favorite theater traditions.
Break A Leg
One of my favorite theater traditions that has made its way into mainstream American life is the phrase "Break a leg." This means good luck even though it sounds horrible. In Shakespeare's time, 'break' meant 'bend', so to ask someone to 'Bend the Leg' meant to take lots of bows at the end of a performance. Then there are the die-hard thespians who believe that there are theater ghosts or fairies who like to cause mischief by or wreak havoc on your production. So saying the opposite is better luck than wishing someone good luck. Go figure!
Flowers Before a Performance
You should never give a reward before the event has occurred, therefore giving flowers before a performance is another no-no in the lore of theater traditions. To give a bouquet of flowers to the actors, director, or producer before the end of the show would, again, tempt the fates.
Terrible Dress Rehearsal Means a Great Performance
For this superstitious belief, I really think it is a way of chasing away the night before performance anxiety and nerves. Many actors really believe that all the things that go wrong (and there are usually a lot of things that go awry) during the last dress rehearsal are a good omen of the opening night. Most likely, this lore came from tired cast members who are nervous about the upcoming show and need that adrenaline boost of the opening night to shoo the worries away!
The Ghost Light
For decades crew members have been leaving on one light – the ghost light – to ward off bad spirits after each performance. Many believe this superstition came from too many people tripping over props and other items left behind the curtain. Others believe it is the ghost of the first actor, Thespis, who is haunting the stage at night.
Does your theater group have any unique traditions? Share them with us and let us know where the traditions came from. We love to hear all the great superstitions.


What is the Lewis Jewel?
It consists of two bars connected by chains, the upper bar contains the name of the father and date of his initiation The lower bar, the name of the son and date of his initiation.
Who can wear a Lewis Jewel?
What is the history behind the Lewis Jewel?
A Lewis is a simple but ingenious device employed by operative Masons to raise heavy blocks of dressed stone into place. It consists of three metal parts: two wedge-shaped side pieces, and a straight centre piece, that fit together (tenon). A dovetailed recess is cut into the top of the stone block (mortise). the two outer pieces are inserted first and then spread by the insertion of the centrepiece. The three parts are then bolted together, a metal ring or shackle is attached and the block is hoisted by hook, rope and pulley. By this means, the block is gripped securely. Once set in place in the structure, the lewis is removed leaving the upper surface smooth with no clamp or chains on the outside to interfere with the laying of the next course. Our ancient operative brethren used the tool as early as the Roman era. Stones were the mortised cavity for the insertion of a lewis have been found in Hadrian's Wall built c. 121-127CE. The origin of the term "lewis" for this device is uncertain.
JW To the son on whom these honours were bequeathed, the appellation of Lewis was given, that henceforth he might be entitled to all the privileges which that honour conferred.
In the days of operative Masonry, it was a source of pride when a son followed in his father's footsteps and was Entered as an Apprentice, his name 'entered' on the roll, and thereby admitted to the lodge. To study his father's skills and learn to use his father's tools were manifest expressions of the greatest honour and esteem a son could pay. It was common to carry on the tradition through several generations in the same family.
It is a heart-warming day when a young man first shows interest in Freemasonry and asks his father how he might become a Mason, and it is a proud day when that son, in the fullness of time, is admitted a member of his father's lodge by initiation.
How do I obtain a Lewis Jewel?


Oh looky here. What's this? Another layout? Anyone would think I had been scrapping or something?!
I can't express how much I loved the AC Pow Glitter paper. I was a bit unsure at first, but after having a play, I seriously think it's the coolest paper made.
And that's Amy at 6 months of age. I used to worry I would run out of photos to scrap, but I really don't think I'll have a problem with that. For one, I'm a slow scrapper and the process is just as enjoyable as the finished page. And secondly, I am so busy that I don't scrap near as much as I would like to! And thirdly, I take a bazillion photos.
You know, just stuff. It's probably why I like corny things like Geocaching, scrapbooking and running around in circles and possibly getting lost. Stuff.
So when I happened to come across the Family Fun in Sydney blog, I was so very super excited as now I had an easier way of finding out what stuff there was to do.
Anything that keeps the Evil Weevils off the computer and out in the fresh air can only be a good thing. Right?
That's us checking out the new Chinese Gardens at Nurragingy Reserve. And yep, of course we fed the ducks. Best fed ducks in Sydney, I reckon.
Trail Running and lessons learned.
I should start this post by saying I sometimes do stupid things. And by sometimes, I mean more often than the average person. It's a gift I have.
I had a fantastic idea last weekend to get up early and go for a trail run. I had spent quite some time researching which trail I would go on. I eventually decided to run from Springwood to Blaxland. 13.5kms, it shouldn't take me any longer than 2 hours, I'll be home in time to go to the Knitters Guild meeting and have a wonderful day.
So, I parked the car at Blaxland. The train was late. I mean, who timetables these things?! Oh yeah, me, right. I get to Springwood, read over my instructions and start off. The first 5kms of the trail was beautiful, except I have been watching far to many murder mystery shows for my own good and every time I heard a twig snap, I crapped myself. So, I did the first half at a relatively good pace. LOL.
I got to one section of the run where I had to cross a creek bed and the instructions just didn't make sense at this point. I found a cairn which meant I knew I was on the right track. Well, this 'right' track diverges at one point and I took the wrong one. Lucky for me, I ran into some people looking for a biblical carving in some stones and they pointed me in the right direction. Up a damn hill. But it's ok as I am rewarded with this.
So I get to the top of the hill, read the next lot of instructions, ring Steve as surprisingly I have good mobile coverage and let him know it's taking a little bit longer than expected but I should be finished in an hour or so.
So I turn around and take off down the path. However, this side of the gully has had some backburning done. It's ugly, like a moonscape and the branches that overhang the trail are sharp and they scratch my legs a bit. I find the stump I'm meant to go past and I keep looking out for my intersection.
I find one. I read the instructions, yep, there's a cairn there. There's a track. Yep. This is the right track.
So off I go. It's further than the instructions said, but I'm sure that it's all ok. I come to the rocky outcrop and the instructions tell me to go left then right. Yep and yep. I follow this down to the river. Yep. All the instructions are working out, mostly anyway.
Until I get to the other side of the river and then the instructions don't make any sense.
This is where I realise I am lost.
And I finished my water about 3kms ago because I thought I was almost finished.
So I find a trail. It's well defined so I figure it has to lead somewhere, right? Yes. To the railway tracks. I have a good mobile signal so I check out my map app and I see that I am not where I need to be, but at least I know where I am. I continue running. I see a man on the path and he tells me I am very close to the end of the trail.
I almost hug the drink machine when I get a drink out of it.
Looking back, I actually really enjoyed the run. Just next time, I will go on a more used track. One which is much more well defined so I can't get lost.
And not rely solely on instructions that could possibly be out of date.
And see that 9km mark? That was where I was meant to turn off, so I ended up two ridges over.
Sorry, just doing this to 'claim' my blog! Which gets me thinking, what blog reader do you use? Or do you just use your own sidebar link list?
I've got so much more to write about but this whole typing on the iPad thing is driving me crazy!!!
It seems to be my time when I get up early, leisurely eat my breakfast, then after a couple of cups of tea, decide it's time to update the ol' blog.
This time with another layout. One I created at the Storyboard Kits retreat. This was a blind challenge and for those who know me, know I don't read instructions well. I read instructions, but I don't take things in too well. I'm one of those visual people. Show me once and I know it. Explain it to me and I'm lost.
And that's about it. I've got to get ready as I want to take the kids to the Medieval Fayre at Nurragingy Reserve and before that, I really need to fold all this washing. Sunday morning at it's best.


Understanding the boundaries of GDPR compliance needs organizations to take care of a list of private information.
Does your organization have to adjust to GDPR? If positive, making a list of your organization's personal data, personal data collected by your company, supporting systems and processes ought to be the primary tread on your GDPR journey.
Scoping limits the boundaries of the requirement—with lesser coverage leading to inadequate compliance and better coverage resulting in unneeded effort, time and value.
Inventorying company's personal information collected can facilitate outline the scope of applicable GDPR articles. Moreover, Article 30 of GDPR mandates maintaining a record of process activities. As a part of the inventory, personal data must be mapped to the processes, applications and infrastructure concerned within the collecting, processing, distributing and storing of information.
Mapping helps to maintain and monitor GDPR compliance, as well as information subject rights, structure and technical security measures, applicable access controls, breach management procedures and information lifecycle management procedures.
Details of the non-public information collected.
A description of the classes of data subjects.
A description of the class of private information.
Controller and processor details, as well as name, strategic business unit, country, business unit, department, team name.
A description of the class of recipients.
Details of information transferred to other countries.
Where the information is kept.
Which applications/technology will access personal information.
A modification management method is required to stay your organization's scope both current and relevant. as an example, changes in your processor and application/technology, and therefore the introduction of latest service lines/processes, would force an update to your inventory.
Whether you're a small company utilizing spreadsheets to trace your compliance or a world enterprise, investing a compliance management platform, making or verifying a list of your organization's personal information ought to be the primary tread on your GDPR journey.


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Emotional distress in a personal injury lawsuit
When you get an injury after a collision, you suffer emotional damage even more than any physical damage. If you file a successful personal injury lawsuit, emotional distress could be the major component that you usually get compensated for in addition to the compensation you receive as a recovery of your economical or financial losses (lost wages, medical bills, etc.) concerning your personal injuries.
But in order to receive compensation against your emotional distress, you have to work with your personal injury lawyer, so you can prove your losses and hold the at-fault driver liable to sue for emotional distress. But how can you prove emotional distress for a personal injury lawsuit? Can you hold your employer liable for emotional distress? Who can be held responsible for the pain and sufferings you endured after an accident?
What is emotional distress and what defines emotional distress damages?
Emotional distress refers to the sufferings that you go through emotionally after an unforgiving or severe event such as a personal injury accident. It is a class of injury that is included in the compensation claims in your personal injury lawsuit.
Emotional distress damages are considered to be compensated for the psychological impacts you have as a result of your injury(ies) on your routine life. The list that demonstrates the emotional distress and the impacts can be varied and long.
Loss of sound sleep, humiliation, anxiety, fears, and depression are some of the symptoms of emotional distress. There's not a concise definition of emotional distress damages but if you've started experiencing psychological issues after an accident, you must note them as you can claim compensation against it. Your issues may not be distress to someone else and vice versa, so you should keep a check on your mental health and every aspect you find that is impacted.
Documenting emotional distress
If your injuries and sufferings have come to a level where they have spurred you to make a compensation claim, it's probable that you already have started seeking medical treatment. You must tell your doctor about the psychological symptoms that you are experiencing after the accident along with your physical injuries.
It's always a better idea to record changes that you may experience on a daily basis. Plus, note down how the injuries and emotional distress have affected you in the light of the accident. For receiving a higher amount of compensation, you need to provide evidence that will help you to manifest emotional trauma and how you have lost the quality of your life since the accident.
Why does the severity of the emotional distress matter?
Everyone goes through mental trauma and distress to some extent after an injury. So it's safe to state here that the financial recovery will depend upon the severity of your emotional distress. That's why it is important to document your mental and emotional conditions that you are experiencing. If possible do consult a medical practitioner.
It's also essential to prove that the emotional distress you're experiencing due to the injury/accident is ongoing and will continue to affect the quality of your life.
Intentional infliction of emotional distress
Oftentimes, plaintiffs wish to file a separate claim for the intentional infliction of emotional distress. These are the claims that are less commonly filed than usual emotional distress claims. These claims are filed (especially for vehicular accident cases) when someone believes that the defendant was negligent and deliberately wanted to cause physical or emotional harm.
Many claims for emotional distress require you to suffer physical harm along with emotional distress after the incident. Although, recent personal injury laws have allowed victims to file for claims of emotional distress without providing evidence of physical harm.
The emotional and psychological trauma alone can be the ground for the claim for emotional distress damages, such as sexual assault or kidnapping.
How can you sue for emotional distress?
Suing someone concerning your emotional distress trauma may involve the following steps:
Document everything: You should maintain a personal journal, medical records, work records, etc. to create evidence for your case. You can also use an electronic monitor and health tracker that could measure your blood sugar and heart rate and even sleeping habits. The better and concise your evidence, the easier it will be to claim and recover your damages.
Consult an attorney: Discuss the details with your attorney and hand over the documents to him/her to look for required legal formalities.
File a lawsuit: With the help of a personal injury lawsuit attorney, it will be easier for you to get away with the emotional distress damages and receive the potential financial recovery.
Suing someone could be a long and tiring journey for someone who already is going through trauma and emotional distress. Explore ways how you can efficiently draw someone under the personal injury claims and recover the damages.
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redpajama_set_name: RedPajamaCommonCrawl


text:
NOW That's What I Call A History, Vol. 4
Post on: Jun 27, 2015
Logan Barnes
Today, we leave the past behind and jump into a new millennium with "NOW That's What I Call Music! 4."
"NOW 4" hit shelves on July 18, 2000, the first in the series to be released in the new millennium. Its tracks mostly consist of work from '97-'99, making it a showcase for the musical transition into the '00s. While I'm sure we'll be seeing tracks released in the 90s for some time to come, this album is probably the last bastion for all-90s sound. Surprisingly, I'd also heard most of this album before going in. Maybe eight-year-old me got more listening time with the radio?
Opening the album is Backstreet Boys, with "Larger Than Life," marking their fourth appearance in a row on a "NOW" album, the most of any other artist so far. I remember this hit playing a lot, and digging it. I can't really place if it's just nostalgia goggles or what, but the bold nature and easy lyrics of the song are still really appealing to me. I could see this in my music library for a little while, at least.
Another song I was exposed to when I was younger was "I Knew I Loved You" by Savage Garden. This poppy-feeling slow-jam is a pleasant song that reminds me of a boy band. In fact, I legitimately thought this song was done by Backstreet Boys or N*SYNC before I looked up the track listing for "NOW 4." It might just be the shock of being wrong, but I still find the lyrics much too sappy and the music too slow to be a song of any merit. It goes in the bin – like most other boy band songs.
"Steal My Kisses" by Ben Harper was another song I had misconceptions about. I thought this song came much later than the 90s, but I was mistaken. On this album in particular, though, its non-processed sound is refreshing and upbeat. The lack of noticeable computer distortion or interference makes it really stand out among the "NOW 4" crowd and I would gladly keep listening to it. However, despite having a lot of good songs, the album isn't perfect.
One particular stinker is Smash Mouth's "Then the Morning Comes." While I looked kindly upon "All Star" on the previous NOW, this particular track DOES make me want to throw some bread. The grating lead guitar combined with the gravelly vocals lead to a song that sounds like rocks sliding down a washboard. While the overall sound is still definitely beach-party inspired, it doesn't capture the feel quite as well as "All Star" did.
Mandy Moore's track "Candy" would've also been better left on the editing floor. It's got a slower tempo for a pop song, and the lyrics are so shallow and forced I feel embarrassed for having listened to it. With tracks like this, it's no wonder that Britney Spears was leading the charge for female pop stars. At least her songs were catchy.
Finally, I can't get away without mentioning "Blue (Da Ba Dee)" by Eiffel 65. This song was so widespread and known, I was even curious about if it held up in modern times. It does not. The absurd lyrics and techno-beats might've been appealing back in the late 90s, but the song is incredibly dated. The flat delivery of the nonsensical lyrics against the pounding synthetic music is almost unbearable. I mean, it's catchy, but what did people ever see in this song?
As for oddly placed stand outs, Sonique's "It Feels So Good" really occupies this spot all alone. This doesn't mean the song is bad, but its low bass sound and calm lyrics create a feeling that doesn't seem to fit with the other "hit" songs on the album. I had never heard it as a kid, but I don't think I would've liked it then. Now, I still probably wouldn't put it in my library, but listening to it was not a painful experience.
Overall, the album features more of a blend of songs, not really focusing on one particular genre or feel, but it still listens in order well. Some might find the jump between Smash Mouth's grating "Then The Morning Comes" and the softer sound of something like "Meet Virginia" by Train a bit striking, but I believe that many of the tone-shifts like that throughout the album help keep things lively and interesting. I'd hazard to say that this might be the best "NOW" so far, if only because of how balanced and well put together it feels.
As a side note, Hanson has a second song on this album, and it isn't "MMMBop," you guys. It's called "This Time Around." Who knew?
For those who're still listening and want a shot at this rockin' album, here's the full track listing for "NOW That's What I Call Music! 4":
1. "Larger than Life" by Backstreet Boys
2. "(You Drive Me) Crazy" by Britney Spears
3. "I Need to Know" by Marc Anthony
4. "Candy" by Mandy Moore
5. "Blue (Da Ba Dee)" by Eiffel 65
6. "It Feels So Good" by Sonique
7. "I Belong to You" by Lenny Kravitz
8. "I Knew I Loved You" by Savage Garden
9. "I Wanna Know" by Joe
10. "Try Again" by Aaliyah
11. "Waiting for Tonight" by Jennifer Lopez
12. "Get It On Tonite" by Montell Jordan
13. "Steal My Kisses" by Ben Harper
14. "Then the Morning Comes" by Smash Mouth
15. "Meet Virginia" by Train
16. "I Try" by Macy Gray
17. "This Time Around" by Hanson
18. "All the Small Things" by blink-182
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Tags: britney spearsEiffel 65HansonMandy MooremusicNow that's what I call musicsmash mouth
Episode 170: Best Year In Video Game History
A Note From Josh
Logan Barnes has been gaming since he could use a DOS computer. In addition to his numerous PSN trophies, he holds a Bachelor's degree in Journalism. He enjoys a good Piña Colada and Hawaiian shirts.
We've made it to "NOW That's What I Call Music! 5!" That's almost a tenth of the way through, but ...
NOW That's What I Call A History, Vol. 16
If this was a yearly series, "NOW" would be eligible for a driver's license! Related
Dan Marsh 25 August, 2015 at 00:24 Reply
What did you think of Macy Gray's "song"? I always thought I must have been missing something because I couldn't for the life of me figure out how this woman got on the radio.
As to Hanson, before you dismiss them completely, look up "Song to Sing", it's one of my favorites.
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text:
This is a system used to provide an objective measure of a number of cookbook
quality metrics.  The system takes inspiration from [Foodcritic](http://www.foodcritic.io/).

**Umbrella Project**: [Supermarket](https://github.com/chef/chef-oss-practices/blob/master/projects/supermarket.md)

* **[Project State](https://github.com/chef/chef-oss-practices/blob/master/repo-management/repo-states.md):** Maintained
* **Issues [Response Time Maximum](https://github.com/chef/chef-oss-practices/blob/master/repo-management/repo-states.md):** 14 days
* **Pull Request [Response Time Maximum](https://github.com/chef/chef-oss-practices/blob/master/repo-management/repo-states.md):** 14 days

This repository is a place where the community can start collaborating on
metrics.

The lifecycle of a metric will be:

* *Draft* - this is a proposed metric, ready for community discussion and
  approval.
* *Accepted* - this metric has been accepted and merged into the master branch.
* *In Progress* - data for this metric is being gathered and is visible by some
  mechanism but not displayed on the Supermarket by default.
* *Implemented* - this metric has been implemented and is shown on the Supermarket.
* *Closed* - this metric has not been accepted or has been removed from the
  system.

## Proposing New Metrics

* create a new branch in this repository
* copy `quality-metrics/template.md` to `quality-metrics/new/qm-000-SHORT_NAME.md`
* Add new metric to your new file
* Submit a pull request against this repository

## Approving New Metrics

* New metrics will be reviewed by the people listed in `MAINTAINERS.md`
* At least two MAINTAINERS must approve each new metric with a :+1:
  * Any maintainer may :-1: a proposed metric.  This will increase the
    requirement for a metric to be merged to an absolute majority of maintainers.
* An EDITOR (someone listed in `EDITORS.md`) will:
  * Assign a number to the quality metric by updating the name of the file and
    the `SMQM` field
  * Move the file from `quality-metrics/new` to `quality-metrics/`
  * Update the status to `Accepted`
  * Add the metric to `SMQM.md`

The metric's status should be changed to `In Progress` once data is being gathered for that metric.

The metric's status should be changed to `Implemented` when the metric is being measured and is visible on the [public Supermarket](https://supermarket.chef.io).

## Viewing Cookbook Metrics

The [Supermarket](https://supermarket.chef.io) will show the metrics for each cookbook. We are currently concerned with coming up with a good list of cookbook quality metrics outside of the technical implementation. Once this moves into the implementation phase, there may be metrics here which require adjustments to Chef, Supermarket, or other tools.

## Maintenance Policy

This project generally follows [Chef's Maintenance Policy](https://github.com/chef/chef-rfc/blob/master/rfc030-maintenance-policy.md).

* The **Project Lead** for this is project is the current project lead for [Chef](https://github.com/chef/chef) as specified in the [MAINTAINERS file](https://github.com/chef/chef/blob/master/MAINTAINERS.md).

* The **Lieutenant** and **Maintainers** for this project are listed in `MAINTAINERS.md`.

redpajama_set_name: RedPajamaGithub


text:
A Body of Divinity: Wherein the Doctrines of the Christian ..., Volumen3
Por Thomas Ridgley
the influences of the Spirit, which were more common, and immediately subservient to the work of grace in the souls of those who were the subjects thereof, were, at that time, the same with them that we are pleading for, which were designed to continue in the church, in all the ages thereof: thus when persons are said, through the Spirit to mortify the deeds of the body, Rom. viii. 13. this does not respect any extraordinary dispensation, which they were then under, since it is the duty of all men, in all ages, without the extraordinary influences of the Spirit, to mortify the deeds of the body, and therefore we may expect this powerful energy as well as they, or else our condition would be very deplorable.
And besides, we never find that extraordinary gifts were immediately subservient to the subduing corruption, or, at least, that every one that had them, did mortify sin, and so appear to be internally sanctified: whereas, this is a character of those who are so; and not to have these influences, determines a person to be in an unregenerate state, or to live after the flesh, which is opposed to it, and so to be liable to death, ver. 12. No one can suppose, the apostle intends, in the foregoing verse, when he says, If ye live after the fiesh, ye shall die; that if ye are not under inspiration, ye shall die, as living after the flesh: but the method of reasoning is strong and conclusive, if we understand the divine influence as what is distinct from inspiration, and consequently a privilege necessary for the beginning and carrying on the work of grace, and so belongs to believers in all ages.
Again, when the Spirit is said to help our infirmities, ver. 26. in prayer: is not prayer as much a duty now as it was when they had extraordinary gifts ? therefore, ought we not to hope for the assistance of the Spirit, in all ages and consequently the Spirit's help, in this respect is not confined to that age, when there was a miraculous dispensation, or extraordinary inspiration.
And when it is elsewhere said, As many as are led by the Spirit of God, they are the sons of God, ver. 14. can we suppose, that none were the sons of God but such as had extraordinary gifts? Does not this privilege belong to us, as well as unto them? If therefore we are the sons of God, as well as they, we have this evidence hereof, according to this scripture ; namely, our being led by the Spirit of God; though we pretend not to be led by him, as a Spirit of inspiration.
And to this we may add, that the apostle elsewhere speaks of some who were scaled with that Holy Spirit of promise ; which is the earnest of our inheritance : and these are described as trusting in Christ after they had heard the word of salvation, and believing in him, Eph. i. 13, 14. But this belongs
to the church in all ages; therefore sealing is not a privilege confined to those who had the extraordinary gifts of the Holy Ghost; but to believers as such.
Moreover, it is said, The Spirit beareth witness with our spirits, that we are the children of God; Rom. viii. 16. Therefore, some persons may know themselves to be the children of God, in a way of self-examination, by the witness of the Spirit, which is common to all believers ; without pretending to be inspired therein; which would be to know this matter without the concurring testimony of our own spirits. Many things, of the like nature, might be observed, concerning the other scriptures, that are generally brought to prove that believers, in our day, are made partakers of the powerful influences of the Holy Ghost; though they pretend not to the Spirit of inspiration; which is a sufficient answer to this objection.
Object. 2. If it be farther objected, that if the Spirit does work internally in the souls of men, we are not to suppose, that he works a change in their wills, but only presents objects to them, which they by their own power, improve, and make use of, for their good; even as a finite Spirit may suggest good or bad thoughts, without disposing us to comply with them; or, as the devil is said to work in men, who is called, The Spirit that now worketh in the children of disobedience, Eph. ii. 2.
Answ. To this it may be replied, that an objective influence, properly speaking, is no influence at all ; much less is it becoming the dignity of the Holy Ghost, to say, That he hath no more an hand in the work of conversion, than that which a mere creature might have. I will not deny that the Greek word, * which signifies energy, or internal working, is sometimes taken for such a kind of influence as is not properly the effect of power, as in the instance contained in the objection; yet, let it be considered, that the same word is often used, in various other instances, in senses very different, when applied to God and the creature; where the word, in itself, is indeterminate; but the application of it sufficiently determines the matter; so as to leave no doubt, as to the sense of it. Thus to make, form, or produce, when applied to God, and the thing made, formed, or produced, is represented as an instance of his almighty power, which exceeds the limits of finite power, this determines the sense to be very different from making, forming, or producing, when applied to men, acting in their own sphere : so the apostle speaks of building, in a very different sense, as applied to God and the creature, which no one is at a loss to understand, who reads the words; Every house is builded by some man; but he that built all things is God, Heb. iii. 4. Now, to apply this to our present purpose, we do not
Excus. VOL. III.
deny, that a finite spirit has an energy, in an objective way. but when the same word is applied to God's manner of acting; and is represented as has been before observed, as an instance of his almighty power, producing a change in the soul; and not only persuading, but enabling him to perform good works, from a principle of spiritual life, implanted, this may easily be understood as having a very different sense from the same word, when applied to the internal agency of a finite spirit; and therefore this objection does not overthrow the argument we are maintaining
Object. 3. It is farther objected against what has been said concerning this powerful work of the Spirit, as being illustrated by the similitude of a person's being raised from the dead; that this contains in it nothing supernatural, or out of the power of man; since the apostle says, Awake thou that sleepest, and arise from the dead, and Christ shall give the light, Eph. v. 14. If arising from the dead be the effect of almighty power, when applied to the work of grace, it seems preposterous for this to be recommended as our duty: and if it be not a work of almighty power, then those scriptures that illustrate effectual calling by the resurrection of the dead, are nothing to the argument for which they have been brought.
Answ. Some suppose, that its being assigned as a matter of duty for sinners to rise from the dead, does not infer, that it is in their own power; but, that it only signifies, that none can expect eternal life but those who rise from the death of sin ; and accordingly, as the promise, here mentioned, relating to our having light, is said to be Christ's gift, so the power to perform that duty, which is inseparably connected with it, to wit, rising from the dead, is to be sought for at his hand. But if this answer be not reckoned sufficient, I see no absurdity in supposing, that these two expressions, Awake, thou that sleepest, and arise
from the dead, import the same thing. Sleep is, as it were, the image of death ; and therefore, by a metaphorical way of speaking, it may be here called death; and if so, the apostle commands believers to awake oụt of their carnal secu. rity, or shake off their stupid frames, as they expect the light uf eternal life: however, if it be taken in this sense here; yet when we meet with the words quickened, or raised from the dead, elsewhere, they may be understood in a different sense, as denoting the implanting a principle of grace in regeneration, as will appear by the context: thus when God is said to quicken those who were dead in trespasses and sins ; who walked according to the course of this world, fulfilling the desires of the flesh, and of the mind; and were, by nature, the children of wrath; and to do this with a design to shew the exceeding riches of his grace, and kindness towards them; and as the consequence thereof, to work that faith which accompanies salvation, which is not of themselves, but his gift: I say, if these things are mentioned when we are said
to be quickened, or raised from the dead, certainly it argues more than a stupid believer's awaking from that carnal security, which he is under, who is supposed to have a principle of spiritual life, whereby he may be enabled so to do.
Object. 4. It is also objected to what has been said, concerning effectual calling's being a work of divine power, that those scriptures, which speak of it as such, denote nothing else but the power of working miracles; whereby they to whom the gospel was preached, were induced to believe; as when the apostle savs, His preaching was in demonstration of the Spirit, and of power, 1 Cor. ii. 4. that is, the doctrines he preached, were confirmed, and the truth thereof demonstrated by the power of the Holy Ghost, enabling them to work miracles : and the kingdom of God is not in word, but in power, chap. iv. 20. that is, the gospel is not only preached, but confirmed by miracles: Our gospel came to you in power, and in the Holy Ghost, 1 Thes. i. 5. that is, as some understand it, the gospel which we preach, was confirmed by the power and miraculous works of the Holy Ghost; which has no reference to the internal efficacious influences of the Spirit put forth in effectual calling
Answ. Though we often read that the gospel was confirmed by miracles : nevertheless, I cannot see that this is the principle, much less the only sense of these scriptures, and some others that might have been produced to the same purpose.
As to the first of them in which the apostle speaks of his preaching, being in the demonstration of the Spirit, and of power; it may be observed, that in the preceding chapter he had been speaking concerning Christ preached, and his glory set forth among them, as the power of God; that is to say, the power of God rendered the preaching thereof effectual to the conversion of them that believed; which he concludes to contain in it no less a conviction of the truth of the Christian religion, than if he had wrought signs or miracles, which the Jews demanded, and which he had no design to work among them : therefore, why should we suppose, that when he speaks of his preaching being in the demonstration of the Spirit, and of power, that he intends the confirming his doctrine by miracles, and not in the same sense as he had before signified Christ to be the power of God.
And as for the other scripture, in which it is said, The kingdom of God is not in word, but in power ; that is to be understood by comparing it with what immediately goes before, in which he says, that I will come to you shortly, if the Lord will, and know not the speech of them who are puffed up, but the power. If we suppose, that by them who are puffed up, he means some of their teachers, who swelled either with pride or envy, and probably were sowing some seeds of error among them ; it does not seem to be a just
sense of the text, to explain the words when he says, I will know not the speech of them who are puffed up, but the power, q. d. I will not so much regard the doctrines they deliver, as I will enquire and be convinced, that they have confirmed them by miracles. For he would rather regard their doctrine than their pretence to miracles; or have said, I will not enquire whether ever they have wrought any miracles or no, but what efficacy their doctrine has had : and therefore the apos tle, by knowing the power, does not mean that of working mira. cles, but he intimates that he would know, not only what doctrines these persons taught, but what success attended their preaching; and then he adds, that the kingdom of God, that is, the gospel-state is advanced and promoted, not barely by the church's enjoying the means of grace, such as the preaching of the word; but by the power of God, which makes the word preached effectual to salvation, whereby sinners are converted, and many added to the church, such as shall be saved.
As to the last scripture mentioned, in which the apostle says, Our gospel came to you, not in word only, but in power, I cannot think that he has any reference in that place, to the confirming the gospel by miracles; because this is assigned as a mark of their election, knowing, brethren, your election of God, for our gospel came unto you, not only in word, but in power, &c. Now, whether we take election for God's eternal design to save them, or for the execution thereof, in his applying the graces of the Spirit to them; or if we take it in the lowest sense, which they, on the other side of the question, generally give into, for their being a choice, religious unblameable society of Christians, excelling many others. in piety: this could not be evinced by the gospel's being confirmed by miracles ; and therefore this sense seems not agreeable to the apostle's design; and consequently the objection taken from those scriptures, that speak of the power of God in conversion, as implying nothing else but his power, exerted in working miracles, will not, in the least, be sufficient to weaken the force of the argument we are maintaining. Thus concerning effectual calla ing's being a work of power, attributed, in particular, to the Holy Spirit.
There is one thing more observed, in the answer we are explaining, which must be briefly considered ; namely, that it is a work of grace, which was the internal moving cause thereof; or, the reason of God's exerting his divine power therein. Effectual calling must be a work of grace, without any inotive


text:
Home Forums > Media > Blu-ray and UHD >
Crawdaddy's "Random Thoughts" about Home Video, Film & TV
Discussion in 'Blu-ray and UHD' started by Robert Crawford, Feb 23, 2017.
Page 98 of 104 < Prev 1 ← 96 97 98 99 100 → 104 Next >
Message #1941 of 2066 Jun 12, 2019
Cranston37 Screenwriter
"On Dangerous Ground" is great.
"Thieves Highway" is a favorite, but I'm curious to see why Eddie thinks it's a noir.
Love "This Gun for Hire."
Nice to see "Force of Evil" added.
Matt Hough Director
Matt Hough
Thanks for keeping us up to date!
Robert Crawford Moderator
Cranston37 said: ↑
Just about every book I have on noir lists it as such which is true for many similar movies made from that film era. The Arrow UK Blu-ray looks very good and is a big improvement over the Criterion DVD. When I watched my Blu-ray back in late 2017, I didn't explore any of the bonus material so I might do that when it plays on Noir Alley. I have two audio commentaries to choose from, one on the old Criterion DVD with Alain Silver and the Arrow Blu-ray with somebody else in selected scene commentary.
HTF Blu-ray Preorder Listing
Crawdaddy's Random Thoughts
2019 "TCM Noir Alley" Schedule
Robert Crawford said: ↑
Just about every book I have on noir lists it as such which is true for many similar movies made from that film era.
Oh I know it's commonly thought of as noir, I'm just wondering why. It has more in common with a drama like "Grapes of Wrath," in my opinion...
I think of it more as a drama too with some noir elements in it. I'm looking forward to hearing Eddie's comments on this film.
Cranston37 likes this.
This evening I watched "A Yank at Oxford" (1938) on DVD with Robert Taylor, Lionel Barrymore, Maureen O'Sullivan, Vivian Leigh and Edmund Gwenn. I must say I haven't watched this film in its entirety in many, many years. One thing I always remembered was Leigh playing that "tart" role and doing so very well. Taylor playing a cocky American at Oxford was perfect casting. I think this movie was filmed in England which was a first for an MGM film.
Mysto likes this.
The following link lists the films with 4K DCP. Some interesting titles that might have a new Blu-ray or even a 4K release on disc or digitally in its future.
https://www.parkcircus.com/explore_films?query=&format=4K DCP&genre=&decade=&territory=&language=&rights=&studio=
Robin9 Producer
Astonishingly, it includes Raintree County in the list. Can that be correct? Also Red Dust. I'm sure Warners will be interested to hear that!
Mark-P Producer
Mark Probst
Robin9 said: ↑
Robert's link takes you to a list of all Park Circus content. You have to filter the list to 4K DCP content (a dropdown from the format button). Neither of those titles are even DCPs, let alone 4K.
Robin9 and Robert Crawford like this.
Billy Batson Producer
Thanks Robert. I can't remember ever seeing a more disparate list of films (& I didn't even get to the end), some gloriously obscure titles. Blu-rays please.
Edit. Just looked at the Mark-P post above this. I'll filter it & have another look (still a great list).
Oh damn, the filtered list is not as bonkers as the full list (I don't know how long it takes to get to the end of the list, I'm thinking a long time).
Mark-P said: ↑
Mark's correct you have to filter the list to 4K DCP. Even though I direct linked that 4K DCP listing, it wouldn't show that segregated link here.
Thank you. I'll try again.
With Father's day coming up this Sunday, I woke up this morning thinking about my father. He passed away 15 years ago, but I think of him quite often. It was my father that helped instilled in me, my love for movies. Particularly, those classic movies he grew up on and loved as a younger person. One of his favorite films was "Bataan" (1943) starring Robert Taylor, Lloyd Nolan, Robert Walker, Thomas Mitchell, George Murphy, Lee Bowman, Barry Nelson and a young Desi Arnaz. IMO, it's one of the best "WW II" movies made during the war and with some realistic and brutal battle sequences. It was the first movie to show an African-American fighting bravely as a soldier which is probably one of the reasons why my old man liked this film so much as this movie was released during his early teen years as he was too young for WW II. I've read Kenneth Lee Spencer's casting in the film, caused some uproar down in the South as the studio didn't feature him in many poster ads for the film. This movie has become a favorite film of mine too. Over the years, the lasting images of this fine film always stayed with me as a small group of soldiers valiantly fought to prevent the enemy from crossing a bridge as the American and Filipino soldiers retreated. Below is some pictures of the actors including Lucille Ball visiting Desi on the movie set.
DavidJ, Doug Wallen, Scott Merryfield and 2 others like this.
Mysto Screenwriter
marv long
One of the most wonderful things about movies and tv is the link to others we shared them with.
Scott Merryfield likes this.
Last night, I watched "Satan Met a Lady" (1936) which is a comedic film based on the same material as "The Maltese Falcon". This film version features a young Bette Davis and Marie Wilson. The latter's performance in the movie has always been a treat for me. I have this film on DVD including the latest release from Warner Archive back in 2015. However, I watched it this time on the TCM app and the video and audio presentations were outstanding. I have to say, Bette Davis looked lovely in this film. Her scenes with Warren William were quite funny, but not as funny as William's scenes with Wilson.
DavidJ, JohnMor and Robin9 like this.
Mysto said: ↑
Right, I can remember many movies by recalling times I watched them with certain people like my family.
That's a lovely reminiscence about your father, Crawdaddy. I lost mine 19 years ago, and we used to talk "old" movies (his favorites from the 1930s were Magnificent Obsession and Naughty Marietta, kind of funny for a 6'2" bruiser). The last movie he and I ever saw together was, funnily enough, Pillow Talk!
Robert Crawford likes this.
Some more Mike Clark Blu-ray reviews:
This Gun For Hire
The Heiress
The Big Clock
This weekend's Noir Alley showing is "Pickup on South Street"
TCM's Noir Alley Revised 2019 schedule.
03-09-19: D.O.A. (1950)
03-16-19: High Sierra (1941)
03-23-19: Lady in the Lake (1946)
03-30-19: Border Incident (1949)
04-06-19: 99 River Street (1953)
04-13-19: Nobody Lives Forever (1946)
04-20-19: M (1951)
04-27-19: Woman on the Run (1950)
05-04-19: Nightmare Alley (1947)
05-11-19: White Heat (1949)
05-18-19: Key Largo (1948)
05-25-19: Dead Reckoning (1947)
06-01-19: The Asphalt Jungle (1950)
06-08-19: Nora Prentiss (1947)
06-15-19: Pickup on South Street (1953)
06-22-19: Shadow on the Wall (1950)
06-29-19: On Dangerous Ground (1951)
07-06-19: The Tattooed Stranger (1950)
07-13-19: The People Against O'Hara (1951)
07-20-19: While the City Sleeps (1956)
07-27-19: Thieves' Highway (1949)
09-07-19: The Big Clock (1948)
09-14-19: Nocturne (1946)
09-21-19: The Woman on the Beach (1947)
09-28-19: The Harder They Fall (1956)
10-05-19: Trapped (1949) replaces The Bribe (1949)
10-12-19: Clash By Night (1952)
10-19-19: This Gun For Hire (1942)
10-26-19: Force of Evil (1948) replaces A Woman's Secret (1949)
11-02-19: Sweet Smell of Success (1957)
11-09-19: Johnny Eager (1941)
11-16-19: The Hitch-Hiker (1953)
11-23-19: Kansas City Confidential (1952)
11-30-19: The Mask of Dimitrios (1944)
12-07-19: Berlin Express (1948)
12-14-19: Criss Cross (1949)
12-21-19: Cash on Demand (1961) replaces I Died a Thousand Times (1955)
12-28-19: Repeat Performance (1947)
01-04-20: The Big Sleep (1946)
01-11-20: The Captive City (1952)
01-18-20: The Big Night (1951)
Hollywoodaholic Edge of Glory?
Somewhere in Florida
Is there a fast rule why Noir Alley is restricted to only films from the 40s and 50s? What about good Noir films made after that period, such as The Last Seduction, Bound, After Dark, My Sweet, and so on? Just curious. Maybe it should be called Classic Noir Alley.
Hollywoodaholic
cinemiracle replied Jul 18, 2019 at 11:39 PM
Adam Lenhardt replied Jul 18, 2019 at 11:34 PM


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Guillaume and Stéphanie at Auschwitz
Source: AFP / Luxemburger Wort / Wort.lu
Earlier today, Hereditary Grand Duke Guillaume and Hereditary Grand Duchess Stephanie were in Poland with Prime Minister Xavier Bettel to pay their respects to the victims of the Holocaust, with a Luxembourgish plaque that was unveiled at Auschwitz.
The Hereditary Grand Ducal couple's attendance at this event dates from 2013, when the previous administration initiated talks to add a memorial to the former concentration camp. The plaque reads, in translation, as follows: "This place shall forever be a cry of despair and warning to mankind. Here the Nazis murdered one and a half million men, women and children, most of them Jews, from different countries in Europe."
This commemorative ceremony is also part of a larger event that recognizes the 70th anniversary of the Soviet liberation of Auschwitz. A number of other royals and dignitaries from across Europe were in attendance.
Almost 4000 people from Luxembourg were imprisoned by the Nazis during the Holocaust. Of these, 263 Jewish residents of Luxembourg were deported to Auschwitz, and 237 of these individuals died during imprisonment. A further 31 residents of Luxembourg, who were not Jewish, were also deported to the camp. At least one-third of them never made it back home. In total, the Holocaust claimed more than 700 lives from Luxembourg.
More photos at Wort, Tageblatt, L'essential, Bunte, and Getty.
Also, a video from the Auschwitz Museum:
Labels: The Hereditary Grand Duchess Stephanie, The Hereditary Grand Duke Guillaume
Princess Nora at EYOF in Malbun
Grand Duke Commemorates Massacre of Sonnenburg
Princess Nora at EYOF in Steg
Henri and Maria-Teresa at Philharmonie Concert
Grand Duke Not to Travel to Saudi Arabia
Alois and Sophie Watch Skiing Race
Prince Max and Princess Angela in Kitzbühel
Hereditary Prince Alois at the EYOF Opening Ceremony
Prince Philipp and Princess Theodora Attend Showju...
Luxarazzi 101: Princess Sibilla's Diamond and Ruby...
The Grand Duke's Letter to the New King of Saudi A...
No Throne But a Speech
Prince Hans-Adam, His Brother, the Economy and the...
Grand Duke Welcomes New Ambassadors
Guillaume at a Concert for Solistes Européens, Lux...
Prince Hans-Adam in Klosters
Luxarazzi 101: Château de Clervaux
Grand Ducal Family to Honour Nazi Victims
Prince Félix Shares Favourite Magazine Moments
New Year's Audiences in Luxembourg
Nikolaus and Margaretha at the Vatican
Grand Duchess Joins Anti-Terror Rally in Luxembourg
Introducing Archduchess Katarina of Austria
The Annual New Year's Reception at Schloss Vaduz
Letter of Condolence from Grand Duke Henri
Luxarazzi 101: Prince Jean of Luxembourg
Luxarazzi 101: Grand Duchess Maria Ana of Luxembourg
Caviar and Champagne for Prince Hans-Adam
Guillaume and Family Spent New Year's in India


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Nerd Life is Just So Much Better Than Regular Life
Fandom Foodie Friday
TBR Challenges
Boyfriend Book Review
The Awakened Duology
The Awakened
Benched Trilogy
Benched
Struck Out
Allegiant-A Spoiler Filled Discussion
Now that I've written my spoiler free review, website I've decided to jump into the books and discuss the moments that have been discussed all over the internet, doctor and discuss why I loved this book.
This is your last warning! I will be discussing spoilers from this point on, search so if you haven't read it yet, I'd suggest you stop reading this and go over to my spoiler FREE review here.
All right. Moving on.
There has been a TON of hate and extremely negative reviews for Veronica Roth's last installment of her Divergent Trilogy.
And her's the thing: I was insanely surprised at the ending that she presents to us. She kills Tris Prior. Tris Prior who is the MAIN character of her novel. That's almost unheard of. Almost.
This caused tears galore for me. I couldn't stop crying, some of it was shock and some of it was just pure heartbreak at the thought of this character that I've grown to love and admire as dead. It was incredible. I never thought that she would do that but I honestly felt like it was the most logical solution to the situation that was happening in the book.
So I expected people to be surprised, upset, heartbroken. I thought that there would be a little anger but this outpouring of heartbreak and that all the Divergent fans would come swooping together to mourn together.
Yeah, that's not what happened. People are PISSED, they are angry. They are saying its the worst ending to a series ever, they're threatening Veronica on Twitter and Instagram. The reviews all over the interwebs are just awful, AND people are going up to Veronica at her Allegiant events, and telling her straight to her face, how much they disliked the book.
And I think so much of it boils down to the fact that she killed off Tris Prior.
I understand. I do. I almost wanted to throw the book when it happened too. I was in so much shock. There's a small chunk of book left after her death, so there's some processing time. I knew I liked the book immediately, but in the aftermath and recovery process of the book, I discovered more and more why I liked the book and why I agree with the choices that Veronica makes.
She kills off four characters that have been with us since the very first book: Edward, Tori, Uriah and Tris. And each of their deaths were hard to bear, the last two especially for me. But I think that Veronica recognizes what other authors have recognized: that in a war, a rebellion, a battle, a fight…people die. You can't be picky and choosy on who dies in something like that. I think she took a page out of JKR's strategy and definitely George R.R. Martin's strategy, and realized that important people were going to die.
I mean, have read Game of Thrones? The main character dies in the VERY FIRST BOOK. Yeah. All these people insulting this book and Veronica Roth? Don't read the first Game of Thrones book…or any of them really.
Tris's death, to me, makes a lot of sense. The way it plays out is a bit awkward but I don't think her actual death is unexpected. I mean it is because she's the main character and I don't think people expect the main character to die. But Tris, as a character, sacrificing herself for her friends and her family, the people that she loves? That is incredibly expected of her. When everyone accepts that Caleb will be the one to die, to sacrifice himself for the good of everyone else, I was surprised. I wasn't surprised that Christina or Matthew or Peter or Four or anyone else would be okay with that, but I was incredibly surprised that Tris was okay with that. Despite his betrayal, Tris loves her brother, unconditionally, and she's the reason they saved him from his execution at the hands of Evelyn. I couldn't imagine her letting Caleb die, I just couldn't.
So it made sense to me that Tris decided to task the risk and she died, in the hopes that the people she loved would be safe. She offers herself up in Insurgent to die to keep others safe, why would it be such a surprise that she does it in this novel? It was a VERY Tris-like action, and I think that her dying is more plausible than Four, who I think a lot of people believed would die.
Besides, we need to look at Veronica Roth as an author and as a person. She's a Christian and a born-again Christian and she has some strong religious views that we do see peeking out of her story at times. She has not hesitated to thank God in every single one of her novels. I think that she used the sort of allusion as a sacrificing Christ figure in her book, and it honestly makes sense. Sure, Tris doesn't resurrect like Jesus does but I think that Veronica was going with the more realistic approach, and I think its beautiful. Its a beautiful sacrifice. It reminds me of the sacrifice that Harry Potter makes in going into his death. Again, Harry lives but I think Veronica took more of a risk and I personally thought it was absolutely beautiful.
I think also we need to think of Veronica herself. She is my age, only 25, and even though she's incredibly popular and has been reviewed so highly, she is still a person with feelings and emotions. She has expressed her concern over things like this, and has sought out help due to anxiety and stress. Whether or not you agree with the ending, to attack an author, and to say the things that have been said to her…its just ridiculous and absolutely immature. A book is an author's baby, the same way a painting is to an artist or a song is to a musician. Whether you like a book or not, you should never attack it or the author.
Which brings me to this point: who are you to say that you know better than the author, the creator of the world and the characters? My friend Paulina said something, like, people get confused on the differences between a bad book and a book that simply does not end the way you wish it to. I think that happened a lot with this. People expected it to end a certain way…they wanted to be surprised, shocked, they knew it would break their hearts, but I'm sure everyone expected Fourtris (Four and Tris, for those not in the know) to live together happily ever after. Don't they always? But they don't, and I think a lot of anger comes from that.
Look, these are Veronica's characters and she can tell the story, and treat them as she sees fit. And you don't have to agree with that. One of my contributors is not a fan of the ending, but the way in which she handled her disappointment and dislike was done in an incredibly mature way. You may not like what Veronica has done with her characters and that's okay! I'm not saying you're wrong. I disagree with that, but we are allowed to disagree.
What I do disagree with is the disrespect being shown to Veronica Roth and her books, the amount of hate mail she is getting, the threats and the all around immaturity that I'm seeing from readers. I have seen one person on Twitter, tweeting Veronica incessantly, offering payment for a better ending to the book. That's just ridiculous. Handle this like a mature adult, accept that this is the ending of the series whether you enjoy it or not, and move on.
I could go on and on about this. Its not necessarily my job to convince you that I'm right and that the ending is a good one, even though it is in my own opinion. I was heartbroken, I cried, and I definitely will be reading the book again, eventually, after I get through my insane stack of books waiting for me to read.
My job is to convince you that we all need to be respectful when in regards to someone else's work. We may not always like what we see or what we read or what we hear but this is someone's hard work. Someone poured their soul and hard work and their heart into something like this and we cannot sit here and presume to know better than them. Veronica Roth wrote the book that she set out to write, and she obviously took the time to make sure that it was the right book and the right story, because quite a bit of time has passed since the release of Insurgent.
And here's my last thing: if you don't like the ending of Allegiant, write yourself some fan fiction and move on.
Posted in: Uncategorized | Tagged: Abnegation, Allegiant, Allegiant Spoilers, Amity, Book Spoilers, Candor, Dauntless, Divergent, Divergent trilogy, Erudite, insurgent, Spoilers, Tobias Eaton, Tris Prior, Veronica Roth
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16 thoughts on "Allegiant-A Spoiler Filled Discussion"
Kayla Sanchez says:
Thank you so much for saying all of this! I haven't read the book (but spoiled myself, and glad that I did so that way I can be emotionally prepared for everything), but I've seen all the wank flying over twitter and tumblr. It's so disappointing to see the "fans" attacking Veronica because they didn't like something. Like you said, there's a difference between a bad book and a book you don't like.
I don't know, ultimately, how I'm going to feel about everything that happens. I guess I'll find out when I read the book for myself and see it all in context and feel all the emotions truly hitting me.
oh my god, Kayla! Why did you ruin it for yourself silly!
It was a total accident!!! Someone had an unfledged spoiler and I caught the main idea before I could scroll past!!! Not my fault I swear!
AW poor you. But like you said, now you're prepared for it so maybe you'll be more open minded to the end than others have been
I'm hoping so :) And I meant unflagged above… Autocorrect strikes again!
BTW, how are we working out Tuesday with Leigh? I'm so excited!
Yes! I will be there :) I can't wait for it!
What time do I need to be there again? I totally forget xD
It starts at 7, yeah? I'd get there half hour early, I'd say.
Okay, so I'll be there at 6:30! I'll be keeping my eye out for you haha. And I'll be easy to spot: look for the one in a big sweater with eyes like this O_O and a generally lost expression. Also I'll probably be holding my two books like a lifeline ;)
I'll let you know what I'm wearing when I go down there, so it'll be easier. I'm coming from Orange County so I'm not sure how long it'll take to get there. But I'm VERY excited. I'm bringing my friend, Sylvia, from FanGirlFeeels with me, so its going to be GREAT.
Awesome! And if I can convince her, I'll be bringing Veronica from Talking (Blogging) Bookworm. It'll be a party!
Blogger party! I'll go follow Veronica. OH! And I wanted to feature your freakin adorable blog on the Blogger Spotlight so email me when you have a chance!
Seriously?? Awww thank you!!! Okay, I'll shoot you an email :) What should be in it?
Just shoot me an email and I'll send you the stuff I need :)
Okay I sent it! And I used the "contact us" section of your blog… Maybe I'm totally blind but I couldn't find your email anywhere!
You did perfectly :)
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Hello! My name is Sara. I am 34 years old, Mexican-Irish, short, liberal, tattooed, loud, proudly bisexual, and a total cat lady. I love reading, writing, eating cupcakes, watching baseball, listening to music, binging all the good TV stuff and running. I live in Southern California physically but my mind is always in a fictional place. My debut novel, The Awakened, was released in December of 2015, and was my first successful NaNoWriMo novel. The sequel, The Sanctuary was published January 2017. Both books were relaunched in June 2020. My debut new adult romance, Benched, was released in September of 2020.
I am currently working on a young adult fantasy called Legacy and Struck Out, the sequel to Benched.
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Happy Ahsoka Tano Day!
TODAY'S THE DAY!!! Today we begin the celebration of 100 Years of the Disney Company! I am so excited to wear my nametag, to ride Railway over and over again, to experience the new shows and eat all the celebratory foods and to simply share in the celebration all year long.
Today was a weird AF day and I felt off of my game most of the day but I have cute new pink glasses and they're giving me life right now
Today I was able to attend the cast preview of Mickey and Minnie's Runaway Railway and I loved it so much, I rode it four times in a row! I can't wait til it's officially open on Friday and everyone gets to experience it and I can't wait for Toontown to fully open its doors again!
Getting ready for Friday!
GUESS WHO IS FIVE YEARS OLD TODAY?! My perfect, sassy, cuddly, affectionate baby, Kaz! I can't believe I've had this little baby for almost five years now. I can't wait for many, many more years with her.


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United 4 PR continues Puerto Rico hurricane relief effort
By Sarah Valenzuela
Volunteers and organizers of United 4 PR.
Community News Group/Sarah Valenzuela
It started out as a mission of love and faith, but has evolved into a commitment to address dire living conditions.
United 4 PR, a Christian-based group of different backgrounds, formed almost immediately after Puerto Rico's Hurricane Maria crisis.
Many of United 4 PR's members are Puerto Rican and hail from the Bronx.
As the group expanded to include help from those in other congregations, many of whom were not Puerto Rican, nor from New York City, their mission remained the same.
"We just couldn't leave the people in Puerto Rico all alone," said Marcus Soler, one of the members of United 4 PR.
On Friday, February 23, the group held a fundraising event called 'The Boricua Experience' at Lorraine's Bar & Grill in Parkchester.
The medium-sized restaurant was decorated with inspiration from the island: Puerto Rican flags adorning the walls and table center pieces, candles filled with sand, water and blue stones.
The event, which garnered 40 presale tickets and attracted dozens of walk ins, offered tasty food, live music, artwork and a passion for Puerto Rico.
Guests listened to a variety of local musicians perform salsa, tributes to the island and religious songs, while perusing artwork on display for sale from other local creative artists.
While the evening was about sustaining the awareness of the crisis in Puerto Rico, organizers also had their hopes set on raising money for a newer van or truck.
All the churches working in tandem with United 4 PR have continued to collect supplies and monetary donations, but the group realized they needed a more reliable source of transportation once on the island.
One of the biggest facets of their work is collaborating with Connected Life Church in Puerto Rico to help carry out mission work by traveling to the island and personally distributing supplies, as well as helping to physically rebuild homes and remove any remaining debris.
"When devastation happens there's an emotional aspect and sometimes we forget what people are going through," said Jeannie Guzman from United 4 PR. "Just to be there to listen and share in prayer goes a long way sometimes."
Their last mission trip in December of 2017 was met with success, but was plagued by a series of vehicle problems.
The vans they used, which were owned by Connected Life Church, had a series of mechanical issues.
Since their last trip, the group has been sending supply packages to individual households, especially to those with elderly family members.
For their next trip, which is expected to happen in early April, they want to be able to help as many as they can without encountering any delays.
Through the fundraiser and their other efforts, United 4 PR so far has raised over $5,000 towards acquiring an updated vehicle on the island for Connected Life Church.
The group estimated the cost of a van to be about $20,000 and will continue to collect donations until their April trip.
Hurricane Maria hit Puerto Rico on September 20, 2017, leaving behind destruction and despair.
Homes were leveled, others left without roofs, family members were missing for days, and communication to and from the island was almost nonexistent as Puerto Rico was left in the dark.
Thousands fled the island in search of safety and security, but those who remained were left with the looming challenge of rebuilding their homes and their lives, without access to basic necessities like food and clean water.
For more information on the group's mission or to make a donation, contact United 4 PR at united4pr@gmail.com or contact Marcus Soler at 646-630-6899.
Reach Reporter Sarah Valenzuela at (718) 260-4584. E-mail her at svalenzuela@cnglocal.com.
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