text:
4 Reasons Why USRPT May Work for Your Swimming Career – Video Feature
Michael Andrew is a USRPT Athlete. He owns 75 National Age Group Records. Current photo via Mike Lewis/Ola Vista Photography
by SwimSwam Staff Off
September 01st, 2014 Industry, International, Masters, Opinion, Training, Video
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Swim Training / Swimming News courtesy of USRPT.info & the Get Started Swimmming Faster USRPT DVD Series, a SwimSwam partner.
1. Why "Specificity" matters in swimming
2. Does USRPT work for any age swimmer?
3. Why a positive mind-set matters when training USRPT
4. USRPT makes swim training fun.
More on USRPT.info
Michael Andrew during warm up (photo: Mike Lewis, Ola Vista Photography)
Ever wonder why young swimmers are taught to swim long distances at slow speeds when they are preparing for a 50/100/200/400 meter race? Or why so many great athletes get injured during practice and never reach their full potential? Or why so many gifted swimmers simply quit because they have burned out at practice? If so, you might want to learn more about the scientific research behind the new swimming training method that is impacting racers worldwide.
Get Started Swimming Faster with the USRPT DVD Series. Buy it here.
About Dr. Brent S. Rushall
Dr. Brent S. Rushall is Professor Emeritus at San Diego State University. He has published 57 books, more than 450 articles, book chapters, and psychology tests, and over 13,500 Internet articles, research summaries, and biomechanical analyses. His academic recognitions have included the designation of being the founding scholar in Behavioral Sport Psychology and a world authority in Coaching Science. (http://coachsci.sdsu.edu/swim/)
He has been the keynote speaker at many world congresses for both sport and academia. In recent years, Professor Rushall has received prestigious awards that recognize his accumulated contributions to the field of sports science. In the latter stages of his active career, Professor Rushall was San Diego State University's representative on the State Academic Senate as well as San Diego State's own Academic Senate. Professor Rushall has arbitrated faculty-administration disputes in Commonwealth and United States universities.
He is a consistent external-reviewer of PhD dissertations from international institutions. Professor Rushall is a four-time Olympic Team psychologist for Canada, and has represented Canada at Commonwealth Games, World Championships, and World Cup events in a number of sports. He is a member of the Olympic Club of Canada.
He has consulted with many international sport teams and organizations primarily in the field of performance enhancement. His texts, manuals, and assessment tools have been translated into several languages and are used in elite athlete programs in many countries. As a participant, Professor Rushall was a member of the first All-American rugby team. He has received national coaching/staff appointments in the sports of swimming, rugby football, rowing, ski-jumping, cross-country skiing, and freestyle wrestling. He has been psychologist to some of the world's best athletes and teams.
About Indie Swimming
Team Andrew Indie Swimming (left to right):
Michael,Tina, Peter & Michaela Andrew.
Team Andrew Indie Swimming provides opportunities through private coaching and year round swim camps for excellence-oriented competitive swimmers to achieve their full potential in the sport. Swimmers are exposed to individualized programs that innovatively employ appropriate scientific principles from the bio-mechanics, psychology, and physiology of human performance. The relevant nature of this orientation leads to performance improvements.
The principles that guide Team Andrew Indie Swimming training and competitive activities focus on relevant procedures that prepare swimmers to improve and race in a satisfying manner. A consistent factor that underlies program content is the evaluation of training performances and the analysis of their relevance to intended swimming races.We are a coach owned club.
Our coaching philosophy is based on the verifiable science of the kindest, most brilliant sports scientist, and friend, Dr. Brent Rushall.
« Brent Hayden Announces Candidacy For Vancouver Parks Board Commissioner Position
3rd Annual 'Fastest Man in Texas' Shootout slated for Nov. 1 in San Antonio, inaugural women's event added »
Michael Andrew
More from SwimSwam Staff
Magic in the Lane: Documentary on Chuck Katis
SwimSwam's Top 20 Swimmers of the 2010s
Happy Olympic Year
International Swimming League 2019: A Season of Innovations
VIP Packages for the ISL Championships in Las Vegas


When Juliette leaves him, Nick finds unexpected comfort in his Captain.
Nick's latest series of cases has unexpected consequences, not just for himself but for Monroe and Juliette as well. A local Wesen has been breeding flowers that have strange effects on Grimm and Wesen and a kidnapper is on the loose and after the child he missed.
An invitation to dinner turns into something more.


Molino Vigevano 1936 carefully selects the best grains to transform them, extract their properties and, where possible, improve their quality via the careful blending of different grains, which only experience, research and high technology can balance to perfection. All this translates into one word: know-how. Over the years, at Molino Vigevano, we have acquired extensive knowledge of every type of wheat, and the areas and countries that produce them. Because we believe good things have no borders, and that its our duty to offer you the best , wherever it may be. That's why we select Italian, European and North American grains, chosen for their characteristics and properties.
There's nothing we don't know about our grain. We know exactly where our grain comes from and what its characteristics and properties are, and in addition to monitoring the supply chain, we carry out quality checks on it every day. That's why ours is simply wheat, without borders.
Are you a professional? We give you the opportunity to track the flour you use.
We give you the opportunity to learn what the country of origin of the grain is for each individual batch we manufacture. Click on the "Check yourself" button, fill out the form by entering the lot number of your sack of flour.


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You are here: Home » Player breakdown: Vander Blue
April 3, 2013 | Mark Strotman | 5 Comments
Player breakdown: Vander Blue
Player breakdown: Juan Anderson (4/2)
What he did well: Where to begin? Vander Blue was spectacular in 2012-'13, improving on his jump shot, continuing to provide lock-down defense and taking on a leadership role for a Marquette team that desperately needed one following the losses of seniors Jae Crowder and Darius Johnson-Odom.
Improvement from just anyone would have been impressive by itself, but consider that Blue did it with countless critics breathing down his neck, waiting for his top-30 expectations as a high school prospect to come to fruition. Simply put, Blue's play this season was nothing short of remarkable.
His scoring totals show 14.5 points per game, but he scored 19 or more points nine different times and totaled 30 points, something neither Crowder nor Johnson-Odom did, in a home win against South Florida. He shot better than 45 percent from the field, increased his 3-point total from eight to 40 and made nearly 76 percent of his 127 free throw attempts. For a team that lacked scoring at times, Blue was a pleasant surprise for Buzz Williams' offense.
Aside from Blue's transition offense, which ranked nationally in the country, his biggest improvement was on his jump shot. His 3-point numbers (30.3 percent) were improved from the past two years (21.4 percent) but, better than that, he shot nearly 46.8 percent on 2-point jump shots, one of the best marks in the country. His pump fake won't make anyone forget about Johnson-Odom's magic, but he was stellar off the dribble on jumpers.
What he could have done better: It's getting picky when trying to break down what Blue could have done better this past year (though not as tough as finding things wrong with Crowder a year ago), but we found a few things.
Blue's scoring went up more than six points from his sophomore year, but at the same time his rebounds and assists dropped while playing more than eight minutes per game (4.5 to 3.2 rebounds; 2.6 to 1.8 assists). Buzz Williams is the first to challenge Blue to improve his rebounding numbers and it didn't happen, even with Crowder out of the picture.
It didn't hurt Marquette, but Blue could have done more in these two areas to become a complete all-around star. His rebounds and assists weren't bad by any stretch, but they weren't solid, either.
Best performance: Look no further than two weeks ago for Blue's best performance of the year. With Marquette's back against the wall in the third round of the NCAA Tournament, facing an eight-point deficit to sixth-seeded Butler, Blue took over the game in dominating fashion.
After a respectable 10-point effort in the first half–one that was overshadowed by Rotnei Clarke's 18–Blue injected life into the Golden Eagles with five points in the first two minutes post-halftime. He added another layup two minutes later to get Marquette within three, and a minute after that his 3-pointer moved Marquette within two, 46-44. Yet another minute after that, his steal led to two free throws to move Marquette within one, 49-48.
As consistent as Blue was up until that point to keep Marquette close, he made his serious run with a pair of back-to-back fast-break buckets at the 7-minute mark to give Marquette its first lead since early in the first half. If that weren't enough, his 3-pointer at the 1:29 mark tied the game at 69 to stop a 7-2 Bulldogs run. From there Marquette went on a 5-3 run to end the game, pushing the Golden Eagles to their third straight Sweet 16.
Blue's final tallies included 29 points, four steals, three 3-pointers and a perfect 8-for-8 from the free throw line. To do that in a Tournament game is one thing; to do it against a Brad Stevens-led team was another. Not only was it Blue's best performance, it was the Golden Eagles' top outing all year.
Worst performance: It's hard to fault anyone for Marquette's embarrassing loss to Green Bay in December, but part of Blue's increased expectations to that point included helping the Golden Eagles get over the hump on the road.
Blue was coming off three straight performances where he shot better than 50 percent from the field, but he made just 2-of-10 shots in Marquette's 49-47 loss. That included a season-low six points, two turnover and three personal fouls in 33 minutes.
Worse, Blue was shut out the final 19 minutes of the game (0-for-4), picked up a technical foul midway through and missed a free throw with 35 seconds left and Marquette down a point, 48-47. The whole game was a mess, and unfortunately Blue led the way.
2013-14 outlook: There's still a chance Blue tests NBA waters (better than most believe), but if he makes the decision to return for his senior season he will be a preseason All-Big East player and the go-to guy for Williams.
Incredibly he's the only player who essentially is guaranteed a starting spot in next year's lineup. He has improved all three seasons since he arrived on campus and his senior season would include more of the same. There's still room for him to increase his scoring with a better free throw rate and more 3-point attempts at the same or higher clip, and he should get that opportunity.
As was mentioned in the areas Blue could have done better as a junior, his rebounding and assist totals have a chance to go up as he continues to improve his handle, bulks up in the weight room and generally progresses.
The sky really is the limit for a shooting guard in Buzz Williams' offense, and numbers that mirror Johnson-Odom's senior year–with fewer 3-pointers and a better field goal percentage–wouldn't be out of the question.
Tags: Buzz Williams, Marquette, NCAA Tournament, Todd Mayo, Trent Lockett, Vander Blue
Categories: 2012-13 Review, Analysis, Home, Player Review
← Player Breakdown: Juan Anderson
Player Breakdown: Junior Cadougan →
5 Comments on "Player breakdown: Vander Blue"
PatrickCars
April 3, 2013 at 11:56 am #
Third straight Sweet 16, but other than that, you guys do a great job. Keep it up!
Chris Columbo
April 4, 2013 at 12:33 pm #
Vander took his game to a higher level as the season progressed. The NBA would be a huge mistake at this juncture though. He is not ready yet. He still needs to work on his shot and his consistency. The great college very rarely have as many poor games as Vander did. I think he will eliminate those as a senior and have a monster year.
Rita Adair
April 10, 2013 at 8:22 pm #
I have been following Vander since high schol and he has shown consistant improvement in his game. This year he stood-out, stood-up and stood-up for himself and his team, doing his best ever, as a team member and player. While I do understand him considering the NBA, and he most likely would do well… I can't help but think about the position he will be in at Marquette in the next season. Without a doubt, he would lead the team, gain addtional skills and stock…. I would look forward to watching it. But then I look forward to watching Vander where and whoever he plays for. He is going to do wonderful things in his future and I'm a fan.
Daybreak Doppler: Badgers In The NFL Draft | PocketDoppler.com - April 4, 2013
[…] Paint Touches with their Player breakdown of Vander Blue. […]
Player Breakdown: Junior Cadougan | Paint Touches - April 4, 2013
[…] ← Player breakdown: Vander Blue […]

redpajama_set_name: RedPajamaCommonCrawl


text:
from __future__ import division
from phenix.command_line import superpose_pdbs
from iotbx import pdb
from iotbx.pdb import fetch
from libtbx.utils import Sorry
from libtbx.utils import null_out
import shutil
import tempfile
import os,sys

def run(fn):
  ''' '''
  pdb_hierarchy = pdb.hierarchy.input(file_name=fn).hierarchy
  ss = 'pepnames and (name ca or name n or name c) and altloc " "'
  select_str = 'chain L and resseq 104:end and %s' % ss
  select_str = 'chain H and resseq 114:end and pepnames and (name ca or name n or name c) and altloc " "'
  pdb_selection_bool = pdb_hierarchy.atom_selection_cache().selection(select_str)
  const_L  = pdb_hierarchy.select(pdb_selection_bool)

  ss = 'pepnames and (name ca or name n or name c) and altloc " "'
  select_str = 'chain H and resseq 114:end and %s' % ss
  pdb_selection_bool = pdb_hierarchy.atom_selection_cache().selection(select_str)
  const_H  = pdb_hierarchy.select(pdb_selection_bool)

  params = superpose_pdbs.master_params.extract()

  x = superpose_pdbs.manager(
    params,
    log=null_out(),
    write_output=False,
    save_lsq_fit_obj=True,
    pdb_hierarchy_fixed=const_H,
    pdb_hierarchy_moving=const_L)

  print 'ok'

def get_file(fn):
  if len(fn)==4: fn = fn + '.pdb'
  if not os.path.isfile(fn):
    fn = fetch.get_pdb (fn,data_type='pdb',mirror='rcsb',log=sys.stdout)
  return fn

def set_work_folder():
  if sys.platform.startswith('win'):
    wrokpath = r'C:\Phenix\Dev\Work\work\FAB'
  else:
    workpath = '~youval/Work/work/FAB'
  os.chdir(wrokpath)

def check_pdb_file_name(file_name):
  tmp = os.path.basename(file_name)
  tmp = tmp.split('.')
  assert len(tmp[0])==4
  if len(tmp)==2 and tmp[1]=='pdb':
    fn = file_name
  else:
    fn = tmp[0] + '.pdb'
  return fn

if __name__=='__main__':
  fn = '1bbd'
  set_work_folder()
  fn = get_file(fn)
  run(fn)
  print 'Done'

redpajama_set_name: RedPajamaGithub


After the unseasonable mini-heatwave of last week, autumn is back. The season of mists and mellow fruitfulness is upon us, bringing with it the promise of winter – and so perhaps now is a good time to remind ourselves of some basic vehicle checks that can save time, money and possibly pain.
Kevin Clinton, RoSPA's head of road safety, has made a short film outlining the vehicle checks we should all be making on a regular basis – as well as reminding us how often they should be carried out.
Good general advice but no mention was made about the benefits of winter tyres or the age of your tyres. The age is shown on every tyre but you must know where to look for it and how to interpret the code. Most manufacturers recommend that tyres should be changed before they are 8 years old even if they have plenty of tread left. This is because tyres decay with age.
Your really can't tell when something happens out from safety. It takes a great conscious effort to do some vehicle or car check before you hit the road.


text:
Brazilian club punished for racially abusing referee
SAO PAULO (AP) A sports tribunal has ordered a club in southern Brazil to play five matches away from its stadium because its fans racially abused a referee during a match.
The tribunal also fined Esportivo about $13,000 after some of its supporters allegedly called the referee a ''monkey'' and told him to ''return to the jungle'' in a match in the Rio Grande do Sul state championship on March 5. The fans also vandalized the referee's car and left bananas on top of it.
Esportivo was almost banned from this year's regional tournament. But the tribunal decided late Thursday only to keep the team from playing at its stadium in the city of Bento Goncalves in its next five home matches.
The club can appeal.
During the tribunal hearing, referee Marcio Chagas da Silva met with Brazilian President Dilma Rousseff in Brasilia. She invited him and two Brazilian players recently targeted by racist taunts.
Cruzeiro midfielder Tinga heard ''monkey'' chants every time he touched the ball during a Copa Libertadores match last month in Peru.
Santos midfielder Arouca also was taunted with ''monkey'' chants during an interview by reporters after a match in the Sao Paulo state championship last week. Arouca couldn't meet with the president because he said he had previous commitments with his club.
Mogi Mirim, whose fans were allegedly responsible for the taunts against Arouca, is expected to be punished by a sports tribunal.
The recent racism cases made front-page headlines in the country that will host the World Cup in three months. Rousseff publicly condemned the racist incidents, saying ''sports can never serve as a stage for prejudice.''
Players and fans carried banners with anti-racism messages in several matches last weekend and more are planned in upcoming matches. In its next game, Santos will wear a uniform with the words ''black with pride'' on it.
FIFA has sponsored anti-racism campaigns in Europe that have had modest levels of success, and it has promised to raise more awareness during this year's World Cup.
Rousseff recently said on her Twitter account that she has already talked to the U.N. and to FIFA to make the World Cup in Brazil the ''World Cup for Peace'' and the ''World Cup Against Racism.''


text:
ET Live Is Now Streaming on Pluto TV: Here's How to Watch
By Desiree Murphy 7:29 AM PST, November 13, 2019
ET Live is officially on Pluto TV!
If you can't get enough news from Entertainment Tonight, you can now catch our 24/7, live streaming network by downloading the free Pluto TV app and tuning in to channel 120.
From the latest in movies and TV to hot new celebrity couples, our hosts -- Denny Directo, Cassie DiLaura, Jason Carter, Melicia Johnson and Tanner Thomason -- have it covered, any time of the day or night. ET Live also features behind-the-scenes exclusives, awards show coverage and interviews from the red carpet, along with celebrity fashion, beauty and lifestyle trends.
And Pluto TV isn't the only place to watch. Here's where else you can stream, no matter where your day takes you:
1. Your TV: You can watch ET Live on channel 1253 on Samsung TV+ and channel 120 on Pluto TV, or find us on your Roku, Apple TV or Amazon Fire TV device. ET Live is also available as a live streaming channel within your CBS All Access subscription service available on all devices and platforms, as well as within CBSN, CBS News' 24/7 streaming service. The best part -- all of this is free!
2. Your phone or tablet: Watch on either your Android or iOS devices through the ET Live app, which you can download from the Google Play store or Apple App Store.
3. Right here: We'll always be live over on ETLive.com.
You can keep up with all the latest updates from ET Live on Twitter, Instagram and Facebook.
'Entertainment Tonight' Wins Its 4th Daytime Emmy Award!
'Entertainment Tonight's' Kevin Frazier Reflects on His Successful TV Career (Exclusive)
Entertainment Tonight Establishes Bonnie Tiegel Memorial Scholarship Program
Must-See Star Sightings: October 2018


Building on the huge success of the Junior Pro 4, and addressing the demand for a larger kite, this year we decided to add the Junior Pro 8 meter to satisfy a wider spectrum of ages and abilities. The 8 meter is slightly more powerful and built for lighter winds. Don't fool yourself - the Junior Pro is a kite that riders can quickly develop on and progress their riding. It's capable of some good height and hang time when they are ready to pull the trigger. Adults can tap into the ease of use on either the Junior Pro 4 or 8 by swapping out the Junior Pro bar with the Xtend bar.
What makes the Junior Pro 4 and 8 special for kids is the Junior Pro Control Bar (Kids Bar) which is the first of its kind. It features a reduced diameter handle and smaller chickenloop for young hands, a shorter throw, no stopper ball and break line 2 meters above the swivel for the ultimate is safety.
If you've got a youngster keen on kiting, then why not have equipment that exceeds their needs? Our new 4G KIDS BAR is built with shorter arms and small hands in mind, while retaining a keen focus on safety. Built to handle the demands of the sport, the 4G KIDS BAR features 15-meter lines, reduced diameter bar, kids stopper, 35 to 45 cm bar set up, and longer depower/power straps. This control system includes a much shorter throw so that everything is within an easy reach. Taking advantage of the EPIC 4G Chicken Loop and quick release make it one of the easiest and efficient systems available today. The 4G KIDS BAR is compatible with all EPIC kites so that a variety of models and sizes can be used as these new riders progress.


text:
Iowa State nears sellout of Camping World Bowl ticket allotment
Iowa State fans are living up to their reputation as reliable travelers ahead of the Camping World Bowl.
Iowa State nears sellout of Camping World Bowl ticket allotment Iowa State fans are living up to their reputation as reliable travelers ahead of the Camping World Bowl. Check out this story on desmoinesregister.com: https://www.desmoinesregister.com/story/sports/college/iowa-state/randy-peterson/2019/12/12/iowa-state-football-cyclones-close-selling-out-camping-world-bowl-ticket-allotment/4397818002/
Randy Peterson, Des Moines Register Published 4:08 p.m. CT Dec. 12, 2019 | Updated 4:40 p.m. CT Dec. 12, 2019
AMES, Ia. — Iowa State fans are living up to their reputation as reliable travelers.
The school's initial 8,000-ticket allotment for the Dec. 28 Camping World Bowl against No. 15 Notre Dame in Orlando, Florida, is just a few shy of being a sellout, athletics director Jamie Pollard said in a press release Thursday afternoon.
"We told the Camping World Bowl folks that if they took us, that we were absolutely convinced our fans would step up and we would do our part to make it an incredible environment," Pollard told reporters Sunday. "I'm thankful that they believed in us."
Iowa State swarmed the Alamo Bowl last year with an estimated 30,000 fans in the Alamodome for a loss against Washington State. It looks like there will be plenty of Cyclones in Orlando, too.
ISU fans gather for the Cyclone Spirit Rally on Thursday, Dec. 27, 2018, in San Antonio. Iowa State takes on Washington State in the Valero Alamo Bowl on Friday. (Photo: Brian Powers/The Register)
"For the third consecutive year, Iowa State has sold out its bowl ticket allotment," Pollard said in a statement released by the university. "Post-season play is becoming an annual tradition under coach (Matt) Campbell, as is Cyclone fans buying lots of tickets."
Iowa State is holding 400 tickets for students until Friday morning. Any that remain after will be available to the public for $40.
"Once we finish off the remaining inventory, we're prepared to try and acquire more tickets from the bowl," Pollard said. "There will be an awesome turnout of cardinal and gold in Orlando. That certainly isn't surprising; it's just another indicator of the passion and excitement about the Iowa State football program."
That was one of Iowa State's selling points — if chosen for the 11 a.m. game on ABC, thousands of fans will attend the school's first-ever bowl game in Florida.
"They're clearly taking a chance on Iowa State," Pollard said after Sunday's bowl announcement. "We need to step up and deliver like we always have, but more so now, because they picked us over two teams that beat us and won eight games."
Iowa State columnist Randy Peterson has been writing for the Des Moines Register for parts of five decades. Reach him at rpeterson@dmreg.com, 515-284-8132, and on Twitter at @RandyPete. No one covers the Cyclones like the Register.


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text:
New Fruits
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All products for ladies
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About Erasmus Law Review
Search result: 3 articles
You searched for x Full text Title Author
Correcting Wrongful Convictions in France: Has the Act of 2014 Opened the Door to Revision?
Journal Erasmus Law Review, Issue 4 2020
Keywords Final criminal conviction, revision procedure, grounds for revision, preparatory investigative measures, Cour de révision et de réexamen
Authors Katrien Verhesschen and Cyrille Fijnaut
AbstractAuthor's information
The French 'Code de procédure pénale' provides the possibility to revise final criminal convictions. The Act of 2014 reformed the procedure for revision and introduced some important novelties. The first is that it reduced the different possible grounds for revision to one ground, which it intended to broaden. The remaining ground for revision is the existence of a new fact or an element unknown to the court at the time of the initial proceedings, of such a nature as to establish the convicted person's innocence or to give rise to doubt about his guilt. The legislature intended judges to no longer require 'serious doubt'. However, experts question whether judges will comply with this intention of the legislature. The second is the introduction of the possibility for the applicant to ask the public prosecutor to carry out the investigative measures that seem necessary to bring to light a new fact or an unknown element before filing a request for revision. The third is that the Act of 2014 created the 'Cour de révision et de réexamen', which is composed of eighteen judges of the different chambers of the 'Cour de cassation'. This 'Cour de révision et de réexamen' is divided into a 'commission d'instruction', which acts as a filter and examines the admissibility of the requests for revision, and a 'formation de jugement', which decides on the substance of the requests. Practice will have to show whether these novelties indeed improved the accessibility of the revision procedure.
Katrien Verhesschen
Katrien Verhesschen is PhD researcher and teaching assistant at the Institute of Criminal Law KU Leuven.
Cyrille Fijnaut
Cyrille Fijnaut is Emeritus Professor of Criminal Law & Criminology at Erasmus University Rotterdam, KU Leuven and Tilburg University.
The Brussels International Business Court: Initial Overview and Analysis
Keywords international jurisdiction, English, court language, Belgium, business court
Authors Erik Peetermans and Philippe Lambrecht
In establishing the Brussels International Business Court (BIBC), Belgium is following an international trend to attract international business disputes to English-speaking state courts. The BIBC will be an autonomous business court with the competence to settle, in English, disputes between companies throughout Belgium. This article focuses on the BIBC's constitutionality, composition, competence, proceedings and funding, providing a brief analysis and critical assessment of each of these points. At the time of writing, the Belgian Federal Parliament has not yet definitively passed the Bill establishing the BIBC, meaning that amendments are still possible.
Erik Peetermans
Erik Peetermans is a legal adviser at the Federation of Enterprises in Belgium (FEB).
Philippe Lambrecht
Philippe Lambrecht is the Director-Secretary General at the Federation of Enterprises in Belgium (FEB).
Austerity's Effect on English Civil Justice
Keywords Austerity, court fees and legal aid, adversarial and inquisitorial process, McKenzie Friends, simplified process
Authors John Sorabji
This article considers the effect of austerity-induced public spending cuts on the English civil justice system. In doing so it initially examines two fundamental changes engendered by the effect austerity has had on civil court fees and legal aid: first, a challenge to the traditional commitment in English procedure to adversarial process, and a concomitant increase in inquisitorial or investigative processes; and secondly, the growth in use of unqualified individuals to act as advocates in court for individual litigants who are unable to afford legal representation. It then turns to consider what, if any, effect austerity has had on simplified processes available in English civil procedure.
John Sorabji
DPhil, Senior Fellow, UCL Judicial Institute, University College, London, email: j.sorabji@ucl.ac.uk.
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HomeCan I Improve My Memory?
Can I Improve My Memory?
Can I Improve My Memory? is a TV show on British national television from Channel 4 with an average rating of 4.0 stars by TelevisionCatchUp.co.uk's visitors. We have 1 episodes of Can I Improve My Memory? in our archive. The first episode of Can I Improve My Memory? was broadcast in March, 2019. Did you miss an episode of Can I Improve My Memory? but don't you wan't that to happen in the future? Please set an alarm and add Can I Improve My Memory? to your favourites, so we can remind you by email when there's a new episode available to watch. For free!
Gok Wan learns the periodic table. Valerie Singleton studies UK grime artists. And Joey Essex swats up on William the Conqueror. Whose memory comes out on top?
Four in a BedCatch Up on Four in a Bed and watch online. Missed an episode of Four in a Bed, broadcast by Channel 4? We give you an overview of all the latest episodes, so you can pick and watch your favourite episode.
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Come Dine with MeCatch Up on Come Dine with Me and watch online. Missed an episode of Come Dine with Me, broadcast by Channel 4? We give you an overview of all the latest episodes, so you can pick and watch your favourite episode.
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Zenius -I- vanisher.com -5th style- II > Arcades > Boomers!
Location: Directly to the left in a corner after entering and going past the initial hallway.
Pump It Up Fiesta EX (International) updated.
• Location changed to "Directly to the left in a corner after entering and going past the initial hallway.".
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text:
Meet Alumni
Audition for the Saxophone Program
Representative Repertoire
Saxophone Links
Joseph Connor, LU16
Saxophonist Joseph Connor is active as a soloist, chamber musician, orchestral player, improviser, and educator. Keenly interested in expanding the solo and chamber repertoire for the saxophone, Joseph has worked closely with composers Joanne Metcalf, David Werfelmann, John Mayrose, Zachary Green, JP Merz, Ilan Blanck, and others to create new works for saxophone in various settings. Joseph was recently named the third place prizewinner in the 2018 North American Saxophone Alliance Solo Competition. As a soloist and orchestral player, Joseph has appeared with the Northwestern University, Lawrence University, La Crosse, Fox Valley, Manitowoc, Green Bay Civic, and Oshkosh Symphony Orchestras. In March 2018, Joseph traveled to China and Hong Kong to perform Leonard Bernstein's Symphonic Dances from West Side Story with the Northwestern University Symphony Orchestra. Joseph traveled to Strasbourg, France to perform Silent Sounds: improvised soundtracks for silent films with the Lawrence University Saxophone Quartet and Sumner Truax at the 17th World Saxophone Congress in 2015.
Joseph is currently completing graduate studies in saxophone performance with Taimur Sullivan at Northwestern University, where he serves as a graduate assistant to the saxophone studio. In 2016, Joseph graduated from Lawrence University with a Bachelor of Music Degree in saxophone performance and instrumental music education. His primary teachers were Steven Jordheim, Sara Kind, and José Encarnación.
Watch Joseph Connor perform Jacob Ter Velduis's Tallahatchie Concerto with the Lawrence Symphony Orchestra: https://www.youtube.com/watch?v=nRZj_qtQNa4
Jesse Dochnahl, LU'05
An active chamber musician, clinician, and conductor, Jesse Dochnahl has worked with young musicians across Montana, Wisconsin, and Illinois. In the 2012-13 academic year, he served as Instructor of Saxophone and Freshman Studies at Lawrence University. He was awarded First Prize in the MTNA Woodwind Young Artist (2005) and Chamber Music (2012) National Competitions, and was the winner of the Lawrence Symphony Orchestra Concerto Competition. He has performed as concert soloist with the Manitowoc Symphony Orchestra and the Lawrence Symphony Orchestra and in recitals at the NASA 2012 National Conference, SEAMUS 2012 National Conference, 13th World Saxophone Congress, the 2005 & 2012 MTNA National Conferences, and the U.S. Navy International Saxophone Symposium. Jesse has performed with Sinfonia da Camera Chamber Orchestra, Eugene Symphony, Green Bay Civic Orchestra, Sheboygan Symphony, and Helena Symphony. A staunch advocate of new music, Jesse has presented world premieres of music by Joanne Metcalf, Asha Srinivasan, Scott Unrein, and Ming-Ching Chiu, among others. Jesse earned his Master of Music at the University of Illinois at Urbana-Champaign where he studied with Debra Richtmeyer and holds degrees in music education and saxophone performance from Lawrence University where he studied saxophone with Steven Jordheim.
To hear and watch Jesse Dochnahl's performances and to learn about his teaching and performance activities, visit his website at: jessedochnahl.com
Javier Arau, LU'98
Four-time Downbeat Award winner Javier Arau currently resides in New York City where he is a saxophonist, composer, arranger, teacher, and entrepreneur. A double-degree student at Lawrence majoring in Theory/Composition and Economics, Javier later went on to earn his Master of Music degree in Jazz Composition from the New England Conservatory. Javier has performed throughout the world and has appeared with artists such as Dizzy Gillespie, Clark Terry, Charlie Haden, and Maria Schneider. Also an accomplished classical musician, he played tenor saxophone in the Lawrence University Saxophone Quartet that won first prize in the Music Teachers National Association's national collegiate chamber music competition. His compositions and arrangements, which span a great variety of genres, have earned him three Downbeat awards, an ASCAP Young Jazz Composer award, and an MENC Young Composers award and have been performed throughout the United States. Javier is founder and director of the New York Jazz Academy, a school with locations in Manhattan, Brooklyn, and Long Island that employs about forty teachers and serves students of all ages. To listen to Javier's performances and to read more about his activities and his advice to students, visit his website at www.javierarau.com.
Watch: Javier Arau, New York Jazz Academy: Lady Bird
Jacob Teichroew, LU '06
Jacob Teichroew is a saxophonist, woodwind player, composer, arranger, bandleader, and music educator based in Brooklyn, New York. He was raised in Silver Spring, Maryland, where he took up the saxophone at age ten, and was trained as a classical saxophonist.
Before pursuing a degree in classical saxophone under the tutelage of Steven Jordheim at Lawrence University in Appleton, Wisconsin, Jacob fell in love with the music of Cannonball Adderley and Kenny Garrett, which inspired him to play jazz. He briefly got involved in the Washington, D.C. jazz scene, where he performed weekly as the lead alto player in the Thad Wilson Jazz Orchestra at H.R. 57.
While at Lawrence University, Jacob focused on classical saxophone and also earned a degree in philosophy. Unable to shake an obsession with improvisation, he moved to New York in 2007 to attend Queens College, where he earned an M.A. in jazz studies, and studied with Antonio Hart, David Berkman, and Michael Philip Mossman.
Upon first moving to New York, Jacob worked as a freelance music writer, contributed to jazz.com, and edited jazz.about.com. His experiences as a classical saxophonist, critic, sideman, and music teacher informed his approach to composing and performing music. His tone is clear and round, his solos include not a single extraneous note, and his compositions are intended to give the sense of movement and development.
"To me, things like style, technique, scene, and tradition are secondary. What's important is the music itself: whether it goes somewhere, creates drama, establishes a mood, and does so in a way that can be clear to anyone."
Aside from playing regularly with HasHaveHad, the Russ Flynn Ensemble, Le Zhang, Grupo Arcano, Tamela D'Amico, James Hall, Trevor Long, Loren Benjamin, and others, Jacob can be heard as a sideman in an array of projects varying in style and genre.
Jacob leads his own group, the Jacob Teichroew Quintet, and his debut album Tableaux is due for release in the Spring of 2013.
Aside from performing saxophones, clarinet, bass clarinet, and flute, jacob teaches privately, and in New York City Public Schools through various non-profit education programs.
To listen to performances and learn more about Jacob Teichroew, visit jacobteichroew.com.
Yiannis Miralis, LU'93
Yiannis Miralis is Associate Professor of Music Education and Saxophone and Coordinator of the Music Program at the Department of Arts at European University Cyprus. He holds degrees from Michigan State University (PhD), Bowling Green State University (MM), and Lawrence University (BM), where he was a Fulbright scholar. His primary saxophone teachers were Joe Lulloff, John Sampen, and Steven Jordheim, respectively.
As the first Cypriot classical saxophonist, Miralis has given numerous solo and chamber performances in Cyprus, Greece, Italy, Switzerland, Spain, Canada, Sweden, and the USA. He was the first saxophone soloist with the Cyprus State Chamber Orchestra under the direction of Ayis Ioannides. He later performed with the Cyprus Symphony Orchestra under the direction of Spiros Pisinos, Miltos Logiades, and Sasha Mäkilä. He also appeared as soloist with the Macedonian Saxophone Quartet and the Ensemble Philharmonia. He was a member of the Macedonian Saxophone Quartet which performed at the Cultural Olympiad of Athens 2004 and on a five-concert tour of Switzerland with the Orchestre de Chambre de Neuchâtel. As a member of the acclaimed Transcontinental Saxophone Quartet (TSQ) he won a number of chamber music competitions in the USA. The Transcontinental Saxophone Quartet has given hundreds of performances in the USA and Europe. They have also performed at the renowned Ravenna Music Festival in Italy and appeared as soloists with the Royal Belgian Air Force Band in Minneapolis. Their first CD, "Mountain Roads," (Albany Records) received outstanding reviews.
Miralis has a genuine interest in expanding the saxophone repertoire and has commissioned numerous saxophone works by such composers as J. Harbison, B. Rands, D. Maslanka, L. Bell, R. Borel, Ph. Dymiotis, G. Karvellos, C. Stylianou, H. Sofocleous, D. Constantinides, and C. Papageorgiou. He has given world premieres of a number of these works in the United States and Cyprus.
Yiannis has taught at the University of Cyprus, ARTE Music Academy, University of Windsor in Canada, Flint Institute of Music, and Michigan State University Community Music School. From 2001-2004 he served as Assistant Professor of Saxophone and Music Education at the Lionel Hampton School of Music at the University of Idaho. He is a founding member of the Hellenic Saxophone Association (HSA) and president of the Cypriot Saxophone Association Saxophonia.
Kim Reece, LU'06
Kim Reece is a woodwind performer with the United States Navy Band. Formerly the instructor of saxophone at Portland State University in Portland, Oregon, she has performed as saxophonist with the Oregon Symphony and presented numerous solo and chamber music performances. An avid performer of new works, Kim recently premiered "Alborado" for soprano saxophone and electronics by Bei Zhang, which won the second prize at the Prix d'Ete at the Peabody Institute. Kim holds degrees from the Peabody Institute of the Johns Hopkins University, the University of Arizona (UA) and Lawrence University, Conservatory of Music (LU). Primary teachers include Steven Jordheim, Gary Louie, Timothy McAllister, and Joe Wimmer.
At Peabody, Kim was selected to perform Libby Larsen's "Holy Roller" at the commencement ceremony. She also performed with the Black Box Quartet and was the soprano chair of the Catalina Saxophone Quartet while at the University of Arizona. Catalina Saxophone Quartet had an extensive performance schedule throughout the United States, Mexico and Canada, performing at numerous festivals, competitions, and outreach programs. Concluding their tenure together, they released their recording of Gavin Bryars' "Alaric I or II" on Arizona University Recordings' CD release, America's Millennium Tribute to Adolphe Sax: Volume XIV.
Watch: Kim Reece and Douglas Schneider (LU'95) perform Ned Rorem's A Bend in the River
Watch: Kim Reece and Douglas Schneider (LU'95) perform Ned Rorem's Bal Musette
Matthew Arau, LU'97
Dr. Matthew Ramón Arau is an Assistant Professor of Music, Chair of the Music Education Department and Associate Director of Bands at the Lawrence University Conservatory of Music. He conducts the Lawrence Symphonic Band and student and faculty chamber groups, guest conducts the Lawrence Wind Ensemble, supervises instrumental student teachers, and teaches Instrumental Methods and Rehearsal Techniques I & II.
Arau has presented clinics on student leadership at the International Midwest Band and Orchestra Clinic in Chicago, the Western International Band Clinic in Seattle, the Conn-Selmer Institute in Indiana, the Colorado Music Educators Association, Midwest Music Seminars, and universities and high schools around the country. He teaches student leadership at the Metro-Capitol Leadership Academy in Sherwood, Oregon and the CSU Band Leadership Academy in Ft. Collins, Colorado. He guest conducts honor bands and honor jazz bands of all levels, is an active concert band, jazz band and marching band adjudicator, and has continued to be an active jazz and classical saxophonist throughout his teaching and academic career.
His clinic presentation schedule for this academic year includes the following: Fishers Marching Invitational, Fishers, IN; Wisconsin Music Educators Association, Madison, WI; Western International Band Clinic, Seattle, WA; Oregon Music Educators Association Convention, Portland, OR; Greek Band Educators Convention, Cyprus, Greece; American Band College of Sam Houston State University, Ashland, OR.
In 2012, Arau began his doctoral studies at the University of Colorado Boulder, and he graduated with a DMA in Instrumental Conducting and Literature in May 2015. His primary conducting teachers have included Allan McMurray and Don McKinney. As a graduate teaching assistant, Arau directed the University of Colorado Wind Symphony, Symphonic Band, Campus Band and Marching Band. His dissertation work was on the wind works of the Paul Taffanel Chamber Wind Society of Paris (1879-1893) and Leadership, Empowerment, and Engagement in the Instrumental Ensemble Rehearsal.
Prior to pursuing his doctoral degree, Arau was the Director of Bands at Loveland High School in Loveland, Colorado from 2005-2012 where he established the Leadership Symposium for the development of student leaders. The Loveland H.S. Wind Symphony was featured at the Western International Band Clinic (WIBC) in Seattle and two times at the Colorado Music Educators Association Convention. The Loveland Marching Band won the Colorado 4A State Marching Band Championship and the Class AA Championship at the Bands of America Super Regional in San Antonio, Texas. Arau began his teaching career in 1997 as the Director of Bands at Walt Clark Middle School. The Walt Clark Honor Band was featured at the Colorado Music Educators Association Convention in 2003.
Arau has served on the staff of WIBC since 2004 and was on the staff of the American Band College in Ashland, Oregon from 2004-2011. Arau received his Masters of Science in Music from the American Band College at Southern Oregon University in 2003. He graduated magna cum laude from Lawrence University in 1997 with a Bachelor of Music in K-12 Instrumental Music Education, Music Performance (Classical) and Music Performance with an emphasis in Jazz Studies and a Bachelor of Arts in Government with teaching certification in political science.
Mr. Arau's professional affiliations include the College Band Directors National Association, the National Association for Music Education and the World Association of Symphonic Bands and Ensembles. He is a past Western Region Representative of the American School Band Directors Association and Instrumental Representative of the Colorado Music Educators Association. His writings on music and music education are published in Conn-Selmer Keynotes and Touchpoint, Bandworld Magazine, and The Saxophone Journal.
Contact by e-mail: matthew.r.arau@lawrence.edu
Paul Snyder, LU'99
Paul Snyder completed majors in German and Music (Saxophone) at Lawrence University before attending Marquette Law School on a full tuition scholarship. He was a member of the Lawrence University jazz bands, Lawrence University Wind Ensemble, and Lawrence University Common Council Saxophone Quartet, which advanced to the final round of the international Colman Chamber Music Competition and performed at multiple North American Saxophone Alliance national and regional conferences. Additionally, he interviewed composers David Maslanka and Rodney Rogers for articles published in the North American Saxophone Alliance's Saxophone Journal and on the Lawrence University Saxophone Studio's website.
He also was instrumental in the commission of works by Rodney Rogers, Javier Arau, and other composers for the saxophone, has made multiple recordings, and has toured across the United States and Italy, including as a featured performer with Professor Steve Jordheim at the Festival Internazionale del Sassofono in Faenza, Italy.
As a practicing attorney in Milwaukee, Wisconsin, Paul was recognized six times, from 2007-2012, as a Rising Star SuperLawyers, a recognition of the top 2% of attorneys under the age of 40 in the State of Wisconsin. After practicing law for nearly a decade, Paul joined an international investment banking firm as its President. In 2014, he joined Capital Group, a $1.3 trillion investment company that has been recognized as the top asset management company in the country and the most powerful controlling shareholder in the global stock market, as Senior Vice President.
Paul also serves on the Lawrence University President's Advisory Council and the Lawrence University Alumni Association Board of Directors. He has been instrumental in the formation and development of the Lawrence Chicago Network and Lawrence Milwaukee Network, and has participated in the Lawrence Scholars in Law and Lawrence Scholars in Business programs. He has served as President of the Lighthouse Academies of Wisconsin Board of Directors, Co-chair and Founder of the United Performing Arts Fund's Next Gen Council, Co-chair of the UPAF Ride for the Arts, Vice President of Development for Present Music's Board of Directors. Paul also serves on multiple for-profit companies' board of directors and advisory boards. He has served as judge for both the Wisconsin State Music Association music competition and multiple law school and high school mock trial competitions.


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tech zine
AI Ethics Lab Fellowship
In a digital era like the 21st century, it's inevitable that our lives are getting surrounded by algorithms, software, and countless technologies. However, few people have explored how these technologies could bring injustice and inequality to our societies. In partnership with Diversify Our Narrative, we were excited to launch AI Ethics Lab.
The goal of CreAItivity AI Ethics Lab is to educate the public more on the interdisciplinary field between technology and social justice. Students will be provided with the resources to learn about topics such as algorithmic bias, data privacy, etc, and deliver a final solution to solve the issues they identified.
Previous Fellowships
AI Ethics Lab presentation
Fellows will work in 4-6 member cohorts to learn, discuss, and attend workshops. At the end of the 2 months period, each cohort will present a final deliverable, during which members of the first-place team will win prizes.
The time commitment is 2-3 hours for cohort members and 3-4 hours for cohort leaders.
Who We're Looking For
Self-starters, demonstrate initiative without a lot of guidance
Passionate about AI and ethics, and willing to learn and try out new things
Good communicators and team players
Cohort leaders should preferably have some level of experience in technology, social justice, and related fields, though not required
Everyone between the ages of 13-21 can participate in the AI Ethics Lab, for those who are under 18, parental consent is required.
How is our cohort determined?
Each cohort of the AI Ethics Lab will be between 4-6 people. Teams will be created by CreAItivity staff. Participants don't need to already have a team, although they could specify who they want to work with.
What prior knowledge do I need?
Fellows do NOT need any prior knowledge in CS/AI; eagerness to learn and to make an impact is a must.
What do cohort leaders do?
Each cohort will have a cohort leader, who will be predetermined by CreAItivity. Cohort leaders are in charge of overseeing and guiding their groups and will check in with CreAItivity staff monthly. Although not required, cohort leaders should preferably have some experience in technology and/or social justice.
What do I have to do in cohorts?
Cohorts have to meet at least twice every month to discuss and work on their final deliverable. If the cohorts want to, they could meet more than twice (but no less). There will also be weekly workshops that every cohort member has to attend.
What will happen in the end?
By the end of the AI Ethics Lab, each cohort will have a final deliverable (could be a prototype, a document, a website, etc) which they will present to CreAItivity. Fellows in the first place cohort will get prizes (including but not limited to gift cards, polaroids, Amazon Echos, Beats headphones, etc.)
© 2021 CREAITIVITY


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 * Fill this stub out by replacing all the `any` types.
 *
 * Once filled out, we encourage you to share your work with the
 * community by sending a pull request to:
 * https://github.com/flowtype/flow-typed
 */

declare module 'react-cropper' {
  declare module.exports: any;
}

/**
 * We include stubs for each file inside this npm package in case you need to
 * require those files directly. Feel free to delete any files that aren't
 * needed.
 */
declare module 'react-cropper/dist/react-cropper' {
  declare module.exports: any;
}

declare module 'react-cropper/server' {
  declare module.exports: any;
}

declare module 'react-cropper/webpack.config.dev' {
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declare module 'react-cropper/webpack.config' {
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// Filename aliases
declare module 'react-cropper/dist/react-cropper.js' {
  declare module.exports: $Exports<'react-cropper/dist/react-cropper'>;
}
declare module 'react-cropper/server.js' {
  declare module.exports: $Exports<'react-cropper/server'>;
}
declare module 'react-cropper/webpack.config.dev.js' {
  declare module.exports: $Exports<'react-cropper/webpack.config.dev'>;
}
declare module 'react-cropper/webpack.config.js' {
  declare module.exports: $Exports<'react-cropper/webpack.config'>;
}


All music is a kind of blues. It's a significant part our music. Blues music has a specific feeling and the guitar is a superb instrument for playing within this style. It is mainly originated in the southern areas of the United States. It will certainly take listening to the ideal songs. In regards to other men and women, you can observe the method by which they react, and even feel the things that they feel when they are in the groove of blues music. It's about the blues. The BLUES will cause you to feel good. Be acquainted with distinctive blues acts. It's the actual BLUES by the actual folks. At this time, you're talking to a true bluesman.
Going to a blues festival is quite the fun adventure! Blues festival promoters utilize the word blues simply to draw the attention of a specific age demographic. You have to ensure that it is actually blues music that will be played there, not just the blues name being used to draw in people. If it isn't a true blues festival, people would become all upset. In any event, everyone goes. There's a pride I feel, in addition to a responsibility, in cultivating and encouraging the increase of global dance scenes. It ended up being a joy to reassess these shows. Everybody should give it a try at least one time in their lives, but don't be shocked if you would like to come back each year. Because you might be excused an awareness of euphoria about the entire thing. It is a rather pleasant notion. The idea of full or complete immersion is extremely intriguing and inspiring. There are quite numerous acts that you will able to receive listened to. For each of their differences those two have plenty of similarities. It's difficult to get an image of where we're going. Blues fans, you aren't alone.


The full deity (eternal, omnipotent, holy) and the full nature of man (body, soul, spirit, mind, emotions) belong to Jesus. These two natures where always existing unmixed, and unchanged in Jesus. He never stopped being God, and since the first Christmas he still remains forever a man.
"Yet as regards His manhood . . .
one Person . . ."


Albemarle County, Virginia Deed Book Abstracts, 1793-1794 – Heritage Books, Inc.
Albemarle County, Virginia Deed Book Abstracts, 1793-1794. Ruth and Sam Sparacio.
Deed books typically contain records of land transactions plus leases, mortgages, bills of sale, slave manumissions, and powers of attorney. Deed books are a main staple in genealogy research to determine family relationships. This volume contains entries from Albemarle County Deed Book No. 11, beginning on page 1 and ending on page 258 for Courts held April 1793 through June 1794.


Why I choose nursing is a question I get asked quite often and here I explain why. It took me longer than some to figure out my career choice and I finally found my calling. No matter what, I will always choose nursing.
I am sure every nurse and nursing student can assume the question I am about to answer. "Why nursing?" is a question we get asked quite often, and for a while, it was a question I really had to think about how to answer. There are so many ways you can answer this question, and whenever I am asked it, I try to think about the reason that makes me so passionate about this healthcare profession.
The nursing profession is all-around incredible. From the science and research aspect of the field to holding someone's hand at their bedside, there is nothing about this career that does not leave me fascinated. You never know what is going to come through the door every day because there is always something new. There are tons of specialties you can explore, too. Nursing is always in high demand and you are pretty much guaranteed job security. You can find a job anywhere you go, and the salary is pretty decent; however, nursing is much more than wearing cool scrubs, using a stethoscope, and receiving great pay. Here is the answer to the question I am dying to answer.
I was not following the footsteps of someone, but rather came to the realization that nursing would be the perfect profession for me. I did not choose nursing because of the salary or because "it is easy." I did not choose nursing because pre-med is too hard, because in reality, I could be a doctor if I really wanted to be. Nursing is a difficult program and profession, too. There will be days that leave nurses drained, exhausted and broken, but there are also days that leave nurses joyful, excited and proud of their patients and work. So, what exactly drew me into this career?
Nursing is about having the innate desire to want to help other people in a time of need. I choose nursing because I want to dedicate my life to helping people. I love working hard to make a difference, and what better way to do it than to help people who truly need it? When your hard work is paying off in such a rewarding way, it is the most amazing, selfless experience you will ever get. It is a privilege and honor to know that I will have the power to heal someone and be by their side helping them through their vulnerable moments. Nurses have such an intimate relationship with their patients and this interaction is absolutely beautiful and inspiring at times. There is much joy to be derived from making a patient smile after helping them get through difficult times and experiences in their life. You are not only helping the patients, but you are also helping their family and friends. It is important to help the people that care about your patient because they are confused and worried too. Sometimes it is even harder for them. Nurses have such a huge impact on the lives of other people. Our patients and their families rely on us way more than we think. I am ready to make a difference. By being compassionate and helping others in need, we can learn to pay it forward.
I want to help light up someone's life when everything might seem dark. Nursing is not just a job; it is a career that allows you to meet people who need you. I am in love with this profession, and when I realized that, I knew I had found my calling. I could not imagine my life any other way, and no matter what, I will always choose nursing.


Located in what is considered to be the absolute hot-spot of not only the western corridor of Brisbane but also one of the fastest growing regions of south-east Queensland, Premierre Group is excited to welcome all buyers and savvy investors to 6 Orana Street, Redbank Plains.
With the convenience of being located within minutes to multiple million-dollar major shopping centres, an up and coming $500+ million dollar resort, major transport, brand new hospital, university plus a handful of schools both private and public and practically all amenities one could ever ask for, and to top that off your still only less than 25kms to the centre of Brisbane CBD, this is one opportunity you simply cannot afford to lose.
Recently renovated from head to toe to a high standard, with new kitchen fresh paint timber floors throughout and an open plan living area it offers a cozy feel with plenty of space and light filled living. Three generous sized bedrooms including an updated bathroom and a kitchen with plenty of storage space and surface area, this home works well with the family in mind.
Downstairs, although not quite legal height offers another world of possibilities, with multiple utility/storage rooms a secondary bathroom and potential kitchenette facilities you will without a doubt have the teenager of the family jumping to have their own space.
The block in total is 761m2 with great side access around the home and can easily accommodate the potential for a secondary granny flat STCA*. All this coupled with multiple storage options, a huge fully fenced yard which is guaranteed to keep the kids busy for hours at a time, this property just makes sense.


Everyone wants peace of mind, especially when it comes to their safety and protection. Where does your security lie—in the government, your job, yourself or in God?
In the name of Jesus, I declare that I am the righteousness of God and that I am safe in His arms. I dwell in the secret place of His protection. God has charged His angels with my protection. My trust is in the Lord and not in man. I refuse to live a life of fear or to give Satan access to my life.
I settle my mind and heart, knowing that my life is redeemed from destruction and that no weapon formed against me will prosper. I rejoice in the God of my salvation. Death cannot touch me, because Jesus conquered death for me. God is my refuge and my strength, my very present help in times of trouble. I believe and receive what I have just confessed, in Jesus' name. Amen!


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You'd never let Typhoid Tommy serve food, so why allow him to sit near your guests?
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Nino Catuogno glides through his dining room with the confidence of a chorus line dancer on a familiar stage, fielding phone reservations, greeting guests and correcting errant plate presentations and server miscues...
Having Words with Stewart O'Nan Author, "Last Night At The Red Lobster"
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Contemporary restaurants benefit from the preservation of their historic housing
Marc Malnati, chief executive of Lou Malnati's, a 28-unit Chicago-based pizza icon founded by his late father more than 30 years ago, enjoys opening restaurants in historic buildings. Several of the company's full...
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Tired of the day-to-day grind of running a restaurant and barely breaking even, chef-owner Sharon Deitz of Bees Knees in Morrisville, Vt., was about to call it quits on her five-year-old restaurant when loyal fans of...
First-time franchisors undaunted by recession fears
Foodservice franchising is losing some of its sizzle, according to recent research that shows fewer new franchisors are entering the restaurant industry.After nearly half a century of being a favored business model...


CLIMATE AND wEATHER are not synonymous. Weather is the condition that prevails at a given moment and may change within days or even hours. At moments of meteorological fluidity, weather can change in minutes. Weather is variable, whereas climate is constant under ordinary circumstances. This is so because climate is the average of weather over long durations. Climate may change rapidly, as it did at the end of the Cretaceous era, but the circumstances that change climate rapidly are unusual. When climate changes rapidly Earth is in crisis. At the end of the Cretaceous, for example, a gigantic meteor impacted Earth, ejecting a huge cloud of debris and dust and touching off widespread forest fires. The debris, dust, and ash from this catastrophe blocked out sunlight, cooling Earth. These are not ordinary circumstances and most of the time, climate holds steady.
Climate arises from the interaction of several factors: latitude, proximity to oceans or mountains, altitude, radiation from the Sun, ocean currents, wind, continental drift, the greenhouse effect, volcanic activity, radioactivity of Earth's core, photosynthesis, transpiration, eccentricity of Earth's orbit around the sun, the tilt of Earth's axis, rainfall, and the reflection of sunlight from clouds, snow, and ice. Earth has many climates, ranging from desert to lush rainforest. Temperature and rainfall vary widely by locale. Near the equator, the range of temperatures is small and rainfall abundant. Away from the equator, temperatures and rainfall vary considerably. Humans have adapted to many climates. In contrast, many other animals are adapted to a single climate, and change threatens them.
The factors that shape climate begin with the Sun, for without it, Earth would be a dark, frozen, lifeless rock. The Sun's radiation, which Earth absorbs as heat, is 2.5 times greater at the equator than at the poles. Equatorial waters play a crucial role as a vast reservoir of heat. Near the equator, the ocean absorbs as much as 98 percent of the sun's rays, reflecting only 2 percent back into space. Warm equatorial waters flow toward the poles. The Gulf Stream, for example, carries equatorial water and warm air into the North Atlantic Ocean before cooling near the North Pole. In the past, equatorial currents have been warm enough to melt the ice caps, heating the climate.
Earth's tilt on its axis magnifies the effect of the sun's radiation. An Earth that did not tilt on its axis would not have seasons, because each latitude would receive a constant amount of sunlight and therefore a constant amount of heat year round. Earth is, however, tilted 23.5 degrees on its axis, causing it to receive varying amounts of sunlight and imparting seasons to the planet. When the Northern Hemisphere is tilted toward the Sun, this portion of Earth experiences summer, and the Southern Hemisphere, receiving less Sun that the north, experiences winter. When the Southern Hemisphere is tilted toward the Sun, the reverse is true.
The greenhouse effect likewise amplifies the effect of the Sun's radiation. Greenhouse gases—carbon dioxide (CO2), methane, and water vapor are examples—trap sunlight in the atmosphere. Without any greenhouse gases, sunlight would pass through the atmosphere and strike Earth, which would absorb a portion of the sunlight. (Land absorbs less sunlight than water.) The rest would rebound from Earth as infrared radiation, passing out of the atmosphere and into space. Greenhouse gases do not, however, permit infrared radiation to pass into space, but rather absorb it as heat, in turn heating the atmosphere. Of the greenhouse gases, methane breaks down in the atmosphere after a few decades. CO2, however, may linger centuries in the atmosphere.
Earth produces CO2 through volcanic eruptions, spewing large quantities of it into the atmosphere. Since the Industrial Revolution, humans have increased the concentration of CO2 by burning fossil fuels. Humans are adding CO2 to the atmosphere faster than natural processes can reduce its concentration. As the concentration of CO2 in the atmosphere increases, so does temperature.
Counterbalancing the effect of volcanoes in increasing CO2 in the atmosphere, three factors reduce CO2 and so cool Earth. First, CO2 dissolves in rainwater to form carbonic acid, taking a portion of the gas out of the atmosphere. Second, the ocean absorbs CO2. Microorganisms in the ocean convert CO2 into carbonates, taking the gas out of circulation. Third, photosynthetic algae and plants consume CO2 during photosynthesis, converting it into sugars. Plants also affect the climate through transpiration, a process that adds water vapor to the atmosphere.
Water vapor traps more heat than either methane or CO2. Like methane, water vapor does not persist in the atmosphere, but rather falls to the ground as rain. The clouds that carry water vapor reflect sunlight back into space without letting it penetrate to Earth. Water vapor, therefore, has a complex effect on the climate. Water vapor is a greenhouse gas that warms Earth, but the clouds that carry water vapor cool the planet by blocking out sunlight. Clouds cover half the planet, reflecting 30 percent of sunlight, thereby cooling Earth.
Rain affects climate in several ways. It is abundant at the equator and at 30 degrees latitude, where it drenches Earth in monsoons. Rain is also plentiful at the windward side of mountains. As they rise to cross a mountain, clouds cool and release water vapor as rain. On the leeward side of mountains, clouds have little water vapor left to discharge as rain, and so the climate is arid. The climate is likewise arid between 15 and 30 degrees latitude, where air at low pressure prevents clouds from rising, cooling, and releasing their water vapor as rain. Rain sustains the growth of plants. Rapidly growing rainforests consume large amounts of CO2, though humans are chopping them down at an unsustainable rate.
A cold climate reinforces itself with the accumulation of snow and ice, which reflect sunlight back into space.
as the sun and nuclear reactors do. This energy is in the form of heat and pressure. Pressure forces heat, in the form of molten rock, toward Earth's surface. Volcanic eruptions, in addition to spewing huge amounts of CO2 into the atmosphere, transfer molten rock from inside Earth to the surface, where molten rock liberates its heat.
Despite the fact that volcanoes liberate heat and release CO2, their effect on the climate is not always in the direction of higher temperatures. Volcanoes also spew debris, dust, and ash into the atmosphere. These particles block out the Sun and so may cool Earth. The eruption of Mount Tambora, in 1815, ejected huge clouds of debris into the atmosphere. Feeling the full effects of the eruption, 1816 was so cold that it is remembered as the year that had no summer.
Wind affects climate by carrying warm or cool air across the land. Warm air originates at the equator and follows ocean currents to higher latitudes. Cool air, originating at the poles, blows to lower latitudes. When warm and cool air meet, warm air rises and cool air sinks. As warm air rises, it cools, and sheds its water vapor as rain. The areas along contrasting weather fronts are, therefore, places of abundant rainfall.
In their restlessness, the continents affect climate. Earth is not a static entity as was once believed. Rather, the continents wander across Earth, changing their position and their orientation toward one another. When continents have moved toward the poles, their climates have cooled. Only when Antarctica, for example, moved to the South Pole did it acquire glaciers. In contrast, when continents gather near the equator, as Pangea did, the climate becomes balmy. Plants grew in abundance and herbivores became large, setting the conditions for the evolution of the dinosaurs.
Nor is Earth's orbit constant. In the 17th century, German astronomer Johannes Kepler demonstrated that Earth's orbit, as is true of the orbits of all the planets, is an ellipse. At one extreme, the ellipse is pronounced, and Earth is nearest the Sun at the closest approach of the ellipse and furthest from the sun at the greatest distance of the ellipse. The climate in these instances alternates between warmth when Earth is near the sun, and cold when Earth is far from the Sun. At the other extreme, Earth's orbit, though still an ellipse, is nearly circular. Earth, being roughly the same distance from the Sun at every point in its orbit, receives roughly the same amount of sunlight year round, and so has a uniformly warm climate.
A cold climate reinforces itself through the accumulation of snow and ice, both of which reflect sunlight back into space. By this mechanism, Earth, covered with snow and ice, cools because it reflects, rather than absorbs, heat in the form of sunlight. At the culmination of this feedback loop is an ice age, with Earth covered in glaciers. However, a warm climate can also reinforce itself through the accumulation of CO2 in the atmosphere. At the culmination of this feedback loop CO2 accumulates until all snow and ice have melted. The succession of climates, with varying temperatures, makes clear that climate is not static, but changes over time. The current climate is a warm interlude at the end of the Pleistocene ice age. Whether the climate will stay warm or descend into another ice age remains open to question.


JUBA (HAN) January 27, 2016 – Public Diplomacy and Regional Stability Initiatives News. Food prices have skyrocketed in Juba after the government devalued the South Sudanese pound by 84 percent last December. The South Sudanese pound is currently trading at the rate of 18 pounds per dollar. Many small traders have been pushed out of business by high inflation and residents complain of high food prices. Much of South Sudan's food supplies are imported from neighbouring countries such as Uganda, Kenya and Ethiopia.


M husband and I watched this movie together and we thought it was fantastic. We are very glad to have received a review copy of this film, it is very different from the mainstream movies we have been watching in the theaters lately. If you enjoy British humor, then you will love this movie too. There were many laugh out loud scenes with great one liners. We recommend checking it out.
To buy it, please go to Amazon.com.


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Lost Laurel
Revisiting the Vanishing Retailers of Laurel, Maryland
By Richard Friend	Architecture, Artifacts, Photos, Stores
IHOP's Big Boy?
The end of Laurel's original IHOP, 1995. (Photo courtesy of Eric Ziegler)
As a kid, I walked from Steward Manor to the mall at least once a week. Under the railroad overpass on Bowie Road, up past the Fair Lanes bowling alley on Marshall Avenue, and on beyond the Ponderosa/Sizzler Steakhouse before crossing Route 1—cutting through the Bob's Big Boy parking lot along the way.
Then, upon entering the Laurel Shopping Center grounds, I'd find myself beside the tall, imposing A-frame structure with the blue roof—the International House of Pancakes.
A 1970s postcard featuring an out of state, but remarkably similar setting.
Laurel's IHOP was originally located in the iconic building for which it was designed, and situated just beside what was originally the Hecht Co. building (then Woolco, and then Jamesway…and soon to be L.A. Fitness). It occupied the space now being used by the extended strip mall parallel to Washington Blvd. In fact, when you go to that Starbucks and await your beverage, you'll be standing approximately where you once would've been eating pancakes. The entire left side of this shopping center (including Starbucks and Petco) sits on what was originally the IHOP grounds; as throughout the 1980s, only Radio Shack, Long & Foster Real Estate, and the Grecian Spa were housed there. Amazingly, Radio Shack is still in that same location on the corner beside Marshall Ave.
(historicaerials.com)
In the summer of 1993, an unusual move took place. IHOP decided to leave its building, and move into a slightly larger one just across Washington Blvd.—in the building that had recently been vacated by Bob's Big Boy—where it continues to operate today.
But while highly successful, today's modern IHOP doesn't have nearly the same nostalgic aura that it had in the old building. Case in point, here are a few vintage pieces that represent that era quite well—including an actual menu from 1974 that will totally have you craving pancakes.
Before the building was demolished in 1995, it briefly saw new life as a Christmas decoration shop called "Santa's Cottage". The most notable change was the roof, which went from IHOP blue to Santa red. Still, passersby continued to mistake the building for what it originally was. According to a November 21, 1993 Washington Post article written by popular Laurel Leader columnist, Tony Glaros, "the old place still attracts creatures of habit in search of oatmeal, not ornaments." Santa's Cottage manager Carter Hoyle added, "It took about a month and a half to get the pancake smell out of here."
For many Laurelites, myself included, there will always remain a connection between IHOP and Bob's Big Boy. I can't think of one without remembering the other. I'm sure there are other former Bob's Big Boy locations that were eventually taken over by IHOP, but I don't believe it was a universal change. So it was rather ironic—yet quite fitting—to come across an eBay listing for these vintage glasses, being sold as a pair. I doubt the auction will last until Christmas, but if it does, perhaps I'll ask Santa for them—thus completing the trifecta.
Tagged Bob's Big Boy, hecht co, IHOP, International House of Pancakes, Laurel, Laurel Leader, Laurel Shopping Center, Route 1, Santa's Cottage, sizzler steakhouse, steward manor, Washington Post
The content on LostLaurel.com was obtained in the public domain, created by Richard Friend, and/or permission has been granted for use on this site by the original owners—and is credited as such.
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An active and fun family day for children 0-8 years and their families.
Welcome to Teatret Gruppe 38's biggest contribution to Aarhus 2017 - European Capital of Culture.
A harbor is a bridge to the rest of the world, for the city, for the region and for the entire country.
An expressive performance about love, willpower and fear.
Performance by Pauline Lumholt under "The Ritual Tree" in the Botanical Garden.


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