text:
package org.assertj.core.condition;

import static org.assertj.core.api.BDDAssertions.then;
import static org.assertj.core.condition.NestableConditionFixtures.address;
import static org.assertj.core.condition.NestableConditionFixtures.customer;
import static org.assertj.core.condition.NestableConditionFixtures.first;
import static org.assertj.core.condition.NestableConditionFixtures.firstLine;
import static org.assertj.core.condition.NestableConditionFixtures.name;
import static org.assertj.core.condition.NestableConditionFixtures.postcode;

import org.assertj.core.api.Condition;
import org.junit.jupiter.api.Test;

/**
 * Tests for <code>{@link NestableCondition#matches(Object)}</code>.
 *
 * @author Alessandro Ciccimarra
 */
class NestableCondition_matches_Test {
  private final Customer boris = new Customer(new Name("Boris", "Johnson"),
                                              new Address("10, Downing Street",
                                                          "SW1A 2AA",
                                                          new Country("United Kingdom")));

  @Test
  void should_match_if_all_conditions_match() {
    // GIVEN
    Condition<Customer> condition = customer(
                                             name(
                                                  first("Boris")),
                                             address(
                                                     firstLine("10, Downing Street"),
                                                     postcode("SW1A 2AA")
                                             ));
    // THEN
    then(condition.matches(boris)).isTrue();
  }

  @Test
  void should_not_match_if_any_condition_at_top_level_does_not_match() {
    // GIVEN
    Condition<Customer> condition = customer(
                                             name(
                                                  first("Matt")),
                                             address(
                                                     firstLine("10, Downing Street"),
                                                     postcode("SW1A 2AA")));

    // THEN
    then(condition.matches(boris)).isFalse();
  }

  @Test
  void should_not_match_if_any_condition_in_nested_level_does_not_match() {
    // GIVEN
    Condition<Customer> condition = customer(
                                             name(
                                                  first("Boris")),
                                             address(
                                                     firstLine("11, Downing Street"),
                                                     postcode("SW1A 2AA")));

    // THEN
    then(condition.matches(boris)).isFalse();
  }
}


text:
jQuery(document).ready(function(){
  // if(jQuery.browser.msie){
  //  // IE has trouble with the change event for form radio/checkbox elements - bind click instead
  //  jQuery("form#survey_form input[type=radio], form#survey_form [type=checkbox]").bind("click", function(){
  //    jQuery(this).parents("form").ajaxSubmit({dataType: 'json', success: successfulSave});
  //  });
  //  // IE fires the change event for all other (not radio/checkbox) elements of the form
  //  jQuery("form#survey_form *").not("input[type=radio], input[type=checkbox]").bind("change", function(){
  //    jQuery(this).parents("form").ajaxSubmit({dataType: 'json', success: successfulSave});
  //  });
  // }else{
  //  // Other browsers just use the change event on the form

  //
  // Uncomment the following to use the jQuery Tools Datepicker (http://jquerytools.org/demos/dateinput/index.html)
  // instead of the default jQuery UI Datepicker (http://jqueryui.com/demos/datepicker/)
  //
  // For a date input, i.e. using dateinput from jQuery tools, the value is not updated
  // before the onChange or change event is fired, so we hang this in before the update is
  // sent to the server and set the correct value from the dateinput object.
  // jQuery('li.date input').change(function(){
  //     if ( $(this).data('dateinput') ) {
  //         var date_obj = $(this).data('dateinput').getValue();
  //         this.value = date_obj.getFullYear() + "-" + (date_obj.getMonth()+1) + "-" +
  //             date_obj.getDate() + " 00:00:00 UTC";
  //     }
  // });
  //
  // $('li input.date').dateinput({
  //     format: 'dd mmm yyyy'
  // });

  var SurveyorAjax,
      __bind = function(fn, me){ return function(){ return fn.apply(me, arguments); }; };

  SurveyorAjax = function() {
    this.bindAll(["beforeSend", "success", "done"]);
    this.init();
  }

  $.extend(SurveyorAjax, {

    prototype: {

      bindAll: function( fns ){
        var fn, _i, _len;
        for (_i = 0, _len = fns.length; _i < _len; _i++) {
          fn = fns[_i];
          this[fn] = __bind(this[fn], this);
        }
      },

      init: function(){
        this.options = {};
        this.setOptions();
        this.buildSurveyorCallbacks();
        this.binds();
      },

      setOptions: function() {
        this.options.type       = "PUT";
        this.options.dataType   = "json";
        this.options.url        = $('form#survey_form').attr("action");
        this.options.success    = this.success;
      },

      setOption: function( key, value ){
        this.options[key] = value;
      },

      fieldsetData: function( element ){
        return element.parents('fieldset[id^="q_"],tr[id^="q_"]').
          find("input, select, textarea").
          add($("form#survey_form input[name='authenticity_token']")).
          serialize();
      },

      sendData: function( element ) {
        var $this = this;
        var changeTimeOut = element.data('changeTimeOut');

        if (changeTimeOut) clearTimeout(changeTimeOut);

        element.data('changeTimeOut', setTimeout(function(){
          $this.setOption("beforeSend", function(xhr){ $this.beforeSend(xhr, element); });
          $this.setOption("data", $this.fieldsetData(element));
          $.ajax($this.options).done(function(data){ $this.done(data, element); });
        }, this.getTimeOut(element)));
      },

      // Prevents too many Ajax calls with sliders
      getTimeOut: function( element ) {
        var isDatepicker = element.hasClass('hasDatepicker');
        var isSlider = element.closest('fieldset').hasClass('q_slider');

        return (isDatepicker || isSlider) ? 400 : 0;
      },

      showOrHideQuestions: function( responseText ) {
        var $this = this;

        jQuery.each(responseText.show, function(){ $this.showElement(this) });
        jQuery.each(responseText.hide, function(){
          var response_element = $("#"+this);
          if ( response_element.length > 0 ) {
            var element             = response_element.find(":input:not([type=hidden])");
            var collapsable_buttons = response_element.find(".btn.surveydetail");
            var detail_info         = response_element.find(".in.collapse");

            if ( element.length ) {
              if (element.is(":checkbox") || element.is(":radio")) {
                element.attr("checked", false);
              }else{
                element.val('');
              }
            }

            if ( collapsable_buttons.length ){
              collapsable_buttons.addClass('collapsed');
            }

            if ( detail_info.length ){
              detail_info.collapse('hide');
            }
            $this.hideElement(this)
          }
        });
        return false;
      },

      showElement: function( id ) {
        var parentGroup = this.getParentGroup(id);
        this.show(id, this.hiddenClassName(id));
        if (parentGroup.length && parentGroup.hasClass('g_hidden')) {
          this.showGroup(parentGroup);
        }
      },

      hideElement: function( id ) {
        var parentGroup = this.getParentGroup(id);
        this.hide(id, this.hiddenClassName(id));
        if (parentGroup.length && $('#' + id).siblings('.q_grid').filter(':not(.q_hidden)').length == 0) {
          this.hideGroup(parentGroup);
        }
        this.removeUselessResponse(id);
      },

      getParentGroup: function ( id ) {
        return $('#' + id).closest('fieldset[id^="g_"]');
      },

      hideGroup: function( groupElement ) {
        groupElement.addClass('g_hidden');
      },

      showGroup: function( groupElement ) {
        groupElement.removeClass('g_hidden');
      },

      hiddenClassName: function( id ) { return this.isGroup(id) ? "g_hidden" : "q_hidden" },
      isGroup : function( id ) { return id.match('^g_') ? true : false },
      show    : function( id, className ) { $("#" + id).removeClass(className); },
      hide    : function( id, className ) { $("#" + id).addClass(className); },

      removeUselessResponse: function( id ) {
        if ( !this.isGroup(id) ) {
          $this = this;
          var id = id.match(/\d+/);
          $.ajax({
            type: "DELETE",
            dataType: 'json',
            url: this.options.url + "/" + id,
            success: function(response) {
              $this.showOrHideQuestions(response);
            }
          });
        }
      },

      showLoading: function( element ){
        $(document).trigger("surveyor.showLoading", [ element ]);
      },

      hideLoading: function( element ){
        $(document).trigger("surveyor.hideLoading", [ element ]);
      },

      beforeSend: function( xhr, element ) {
        this.showLoading(element);
      },

      success: function( response ) {
        this.showOrHideQuestions( response );
      },

      done: function( data, element ) {
        this.hideLoading(element);
      },

      buildSurveyorCallbacks: function(){
        $(document).on("surveyor.binds", this.binds);
      },

      binds: function() {
        // Default Datepicker uses jQuery UI Datepicker
        jQuery("input[type='text'].datetime").datetimepicker({
          showSecond: true,
          showMillisec: false,
          timeFormat: 'HH:mm:ss',
          dateFormat: 'mm/dd/yy',
          changeMonth: true,
          changeYear: true
        });

        jQuery("li.date input").datepicker({
          dateFormat: 'mm/dd/yy',
          changeMonth: true,
          changeYear: true
        });

        jQuery("input[type='text'].date").datepicker({
          dateFormat: 'mm/dd/yy',
          changeMonth: true,
          changeYear: true
        });

        jQuery("input[type='text'].datepicker").datepicker({
          dateFormat: 'mm/dd/yy',
          changeMonth: true,
          changeYear: true
        });

        jQuery("input[type='text'].time").timepicker({});

        // http://www.filamentgroup.com/lab/update_jquery_ui_slider_from_a_select_element_now_with_aria_support/
        $('fieldset.q_slider select').each(function(i,e) {
          $(e).selectToUISlider({"labelSrc": "text"}).hide()
        });

        // If javascript works, we don't need to show dependents from
        // previous sections at the top of the page.
        jQuery("#dependents").remove();

        // is_exclusive checkboxes should disble sibling checkboxes
        $('input.exclusive:checked').parents('fieldset[id^="q_"]').
          find(':checkbox').
          not(".exclusive").
          attr('checked', false).
          attr('disabled', true);

        $('input.exclusive:checkbox').click(function(){
          var e = $(this);
          var others = e.parents('fieldset[id^="q_"]').find(':checkbox').not(e);
          if(e.is(':checked')){
            others.attr('checked', false).attr('disabled', 'disabled');
          }else{
            others.attr('disabled', false);
          }
        });

        jQuery("input[data-input-mask]").each(function(i,e){
          var inputMask = $(e).attr('data-input-mask');
          var placeholder = $(e).attr('data-input-mask-placeholder');
          var options = { placeholder: placeholder };
          $(e).mask(inputMask, options);
        });
      }
    }
  });

  var $surveyorAjax = new SurveyorAjax();

  jQuery(document).on("change", ".surveyor_check_boxes input[type=text]", function(){
    var textValue = $(this).val()
    if (textValue.length > 0) {
      $(this).parent().children().has('input[type="checkbox"]')[0].children[0].checked = true;
    }
  });

  jQuery(document).on("change", ".surveyor_radio input[type=text]", function(){
    var textValue = $(this).val()
    if (textValue.length > 0) {
      $(this).parent().children().has('input[type="radio"]')[0].children[0].checked = true;
    }
  });

  jQuery(document).on("change", "form#survey_form input, form#survey_form select, form#survey_form textarea", function(){
    $surveyorAjax.sendData($(this));
  });

  // translations selection
  $(".surveyor_language_selection").show();
  $(".surveyor_language_selection select#locale").change(function(){ this.form.submit(); });

});

redpajama_set_name: RedPajamaGithub


Cassidy, Frances (2009) A socio-demographic profile of visitors to the South Pacific outer islands of Vanuatu. In: International Convention and Expo Summit 2009, 18-20 May 2009, Hong Kong.
Tkaczynski, Aaron and Rundle-Thiele, Sharyn R. and Beaumont, Narelle (2008) Insights into how regional tourism operators view their markets. International Journal of Organisational Behaviour, 13 (1). pp. 16-27.
Tkaczynski, Aaron and Rundle-Thiele, Sharyn R. and Beaumont, Narelle (2008) Tourism community views on destination positioning: a case study. In: CAUTHE 2008: Where the Bloody Hell Are We?, 11-14 Feb 2008, Gold Coast, Australia.
Tkaczynski, Aaron and Hastings, Kathy and Beaumont, Narelle (2006) Factors influencing repositioning of a tourism destination. In: ANZMAC 2006: Advancing Theory, Maintaining Relevance, 4-6 Dec 2006, Brisbane, Australia.
Prideaux, Bruce and McClymont, Hoda and Cassidy, Frances (2005) Promoting to the drive tourists: an exploratory Queensland study. In: Australian and New Zealand Marketing Academy Conference (ANZMAC 2005): Broadening the Boundaries, 5-7 Dec 2005, Fremantle, Western Australia.
Cassidy, Frances (2004) Satisfaction of Australian families travel experience to the Great Barrier Reef Islands of Queensland. In: 10th Annual Conference: Globalization and Tourism Research: East Meets West, 4-7 Jul 2004, Nagasaki, Japan.
This list was generated on Tue Apr 23 01:42:09 2019 AEST.


text:
По окончании каждого чемпионата Европы по футболу футболистам и командам вручаются индивидуальные награды, оценивающие определённые аспекты их игры.

Список наград
В настоящее время УЕФА вручает шесть наград, отмечающих заслуги игроков и команд на данном турнире:
 «Лучший игрок турнира» — вручается лучшему футболисту турнира, первое награждение прошло на турнире в 1996 году;
 «Золотая бутса» (официальное название в настоящее время — «Золотая бутса adidas») — вручается самому результативному игроку на турнире;
 «Серебряная бутса» (официальное название в настоящее время — «Серебряная бутса adidas») — вручается второму самому результативному игроку на турнире;
 «Бронзовая бутса» (официальное название в настоящее время — «Бронзовая бутса adidas») — вручается третьему самому результативному игроку на турнире;
 «Лучший молодой игрок турнира» (официальное название в настоящее время — «Лучший молодой игрок турнира SOCAR») — вручается лучшему футболисту турнира до 22 лет, первое награждение прошло на турнире в 2016 году;
 «Лучший игрок матча» — вручается лучшему футболисту определённого матча после каждой игры на турнире, первое награждение прошло на Евро-1996;
 «Команда турнира» — символическая сборная, составляемая из лучших игроков чемпионата Европы.

Лучший игрок турнира
Официальная награда лучшему игроку турнира вручается на каждом чемпионате Европы, начиная с 1996 года.

Золотая бутса
«Золотая бутса» вручалась лучшему бомбардиру каждого из проведённых турниров. Если по окончании турнира одинаковое количество голов сумели забить сразу несколько человек, то победителями они признавались совместно. Однако с 2008 года приз в такой ситуации стали вручать игроку, отдавшему большее количество голевых передач. Если же даже по передачам возникает равенство, то приз вручается тому футболисту, который провёл на поле меньшее количество времени.

Лучший молодой игрок турнира
Впервые награда лучшему молодому игроку турнира (до 22 лет) была вручена на Евро-2016.

Лучший игрок матча
Награда лучшему игроку матча вручается после каждой игры на чемпионатах Европы, начиная с Евро-1996

Общее количество по игрокуПо состоянию на 28 июня 2021 года

Команда турнира
Символическая сборная из лучших игроков прошедшего чемпионата Европы составлялась с самого первого розыгрыша турнира. С 1960 по 1992 годы в неё включались только 11 футболистов. С 1996 в эту сборную стали включать 18 игроков, а в 2000 году их количество увеличилось до 22. С 2004 по 2012 годы в сборную включались 23 игрока, однако с 2016 в символическую сборную турнира вновь включают лишь 11 футболистов.

За всё время

В июне 2016 года, в преддверии турнира во Франции, УЕФА опубликовала символическую сборную из лучших игроков за всю историю чемпионатов Европы, которая была определена путём голосования среди болельщиков. На попадание в эту сборную претендовали 50 футболистов, которые были отобраны по обозначенным УЕФА критериям

Примечания

Чемпионаты Европы по футболу
Награды УЕФА

redpajama_set_name: RedPajamaWikipedia


It's been a long time coming and, it ain't over yet but.... We just received word that our building permit for the storefront improvement project has been approved!!!!
There have been times when I began to wonder if it was ever going to happen but FINALLY!
Now, it's just a matter of scheduling the contractor and getting things going.
Thanks so much for everyone's support in this endeavor. I'm very excited about what lies ahead!


text:
The `fail` method is synonymous with `raise` in Ruby. Consider the following
code snippet:

```ruby
def is_odd?(num)
  num.odd?
rescue
  fail StandardError, 'you cannot use odd on this'
end

> is_odd?(1)
#=> true
> is_odd?('hello')
#=> StandardError: you cannot use odd on this
```

Nevertheless, I believe the `raise` method is preferred to the `fail`
method.

[source](http://ruby-doc.org/core-2.3.0/Kernel.html#method-i-fail)

h/t Dorian Karter


text:
Campus Circle > Film > Movie Reviews
Film: Movie Reviews
Harlan: In the Shadow of Jew Süss
(Zeitgeist)
By Stephanie Forshee
Sisters Lotte, Nele and Lena Harlan share their views on filmmaker Veit Harlan.
(Credit: Courtesy of Zeitgeist Films)
Harlan: In the Shadow of Jew Süss maintains Nazi Germany will never be forgotten, and neither should one of its most controversial filmmakers, Veit Harlan. Harlan was a German director and actor who created films with substance, but more noteworthy were their taboo consequences.
With over 30 films, Harlan's controversial Jew Süss undoubtedly shocked audiences in 1940 more than ever. It was based on the 1925 international best-selling novel by Lion Feuchtwanger. Although it didn't initially cause devastating hostility, the anti-Semitic film did cause a stir.
This documentary follows Harlan's family and their views on his alleged propaganda. Most of his family cannot comprehend how Jew Süss became such the notorious film it was and still is. Whether it is their attachment to their relative, Veit Harlan, or their progressive ideals today, they disagree that his works were that taboo.
After World War II, Harlan became the only artist from the Nazi era to be charged with war crimes against humanity. He stood trial twice, but was acquitted both times.
While Harlan: In the Shadow of Jew Süss aims to give a fresh outlook on Harlan, it reiterates the same point for an hour and forty minutes.
The film does shed light on a filmmaker who played an important role in history. For that, it is enlightening and educational. You learn about Harlan while viewing appealing never-before-seen archival footage, film excerpts and home movies.
However, the story shares little you couldn't learn from watching his 1940 film, Jew Süss. If the film is half as outrageous as the documentary claims, it would probably be more interesting to view it.
Despite Harlan's negative reputation, his films were extremely successful. His epic 1945 film, Kolberg, inspired the film-within-a-film Stolz Der Nation in Quentin Tarantino's Inglourious Basterds.
Harlan was never repentant up to his death in 1964. Although there were many other propaganda filmmakers, Harlan indisputably became the most visible target of condemnation.
Harlan: In the Shadow of Jew Süss releases in select theaters June 11.
Article posted on 6/8/2010
This article has been viewed 996 times.
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Maiden documentary navigates more than the ocean
Movie review: In this troubling reboot, plot gets 'Shaft'
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Jim Jarmusch's 'Dead Don't Die' sinks its fun, meta teeth into the zombie genre
'The Spy Behind Home Plate' presents a ballplayer who was one of a kind
With brilliant performances, script, 'Booksmart' is one of the best high school movies of all time
'The Sun Is Also A Star' believes that love is the answer
'Non-Fiction' is a smart and sassy French romantic comedy
'General Magic' profiles the people who created a smartphone, and then lost everything

redpajama_set_name: RedPajamaCommonCrawl


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text:
Watch the live broadcast
Opinion: "Why Don't Mexicans Just Immigrate Legally?"
by Ben Pierce, Staff Writer October 5, 2011 8:00 am 1,649 views1
They do. More than any other country in fact.
According to the U.S. State Department, in 2007 the U.S. issued 53,442 immigrant visas to Mexican citizens.
Compare that to the entire European continent – over 30 countries – whose citizens were issued a combined total of 44,749 visas.
The United States accepts more legal immigrants as permanent residents than all other countries in the world combined and more people are legally immigrating into the U.S. now than at any period in history.
The Pew Research Center estimates that approximately 300,000 to 500,000 people immigrate illegally into the U.S. each year bringing the total number of new immigrants annually to nearly 1 million.
Even more remarkable is that, while there have never been more people immigrating into the U.S., it has also never been harder to get in.
It's hard to believe there was a time when all that was required for citizenship was a name and a pulse.
U.S. Immigration policy has had a long and murky history ranging from the genuinely compassionate to the arbitrary and absurd.
The notorious Immigration Act of 1917 banned – among many other undesirables – "idiots" and "epileptics" from admittance.
Current U.S. Immigration policy originated with The Immigration and Nationality Act of 1965, which introduced a preference system emphasizing the skills of prospective immigrants along with any family relationships they may have with current U.S. citizens.
The easiest way now for someone to become an American is for him or her to be the spouse, parent or minor child of a current U.S. citizen. U.S. Immigration law does not place an annual cap for those who qualify and in general those who apply usually will receive a green card.
After 5 years (3 if you're a spouse) a green card holder is eligible to become a citizen and would then need to file naturalization papers (a process which can take years). Finally, when everything has been stamped and approved, they must take and pass a language and civics test at which point they become a naturalized U.S. citizen.
Best-case scenario, the absolute fastest a green-card-holder can become an American is 4 to 6 years.
Realistically, the only other option for an adult seeking to immigrate into the U.S. is to have both earned a college degree in a specialty occupation and to have received a job offer from a U.S. employer.
In order to process the labor certification the employer is required to file the proper paperwork, pay upwards of $10,000 in legal fees and wait six to 10 years for the green card to be issued.
Assuming neither the employer or the prospective immigrant would be willing to wait six to 10 years to start work, it is possible to apply for a temporary work visa – an H-1B – but even then, their chances are at best fifty-fifty.
The U.S. issues only 85,000 H-1B visas per year – far below the demand – and they consistently run out on the same day they become available.
For most people pursuing naturalization the wait can be up to 10 to 20 years or more.
While America still represents itself as a nation of immigrants, it must seem now to many that the welcome mat has been replaced with catch-22s and maddening bureaucracy.
So how can someone with no skills, no education, no family and no understanding of the English language immigrate legally into the United States?
Easy. They just need to go back in time 150 years to when my German ancestors with no skills, no education, no family and no understanding of the English language immigrated and were welcomed with open arms.
In those times, the privilege of citizenship was awarded by the simple fact that they had made it here – alive – and the American dream was for everyone and not just for those lucky enough to be born into it.
Ben Pierce
One-handed Illiterate Hunchback
Ben Pierce, Staff Writer
Digital Painting with MyPaint
Steve Jobs Dead at 56
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The (un)Friendly Ghost: an examination into the recent phenomenon of "ghosting"
by Praditya Fulumirani - July 17, 2019 8:00 am
Transfer students scared after college admissions scandal
by Cougar News Contributor - July 3, 2019 12:00 pm
Possible Pride center for LGBTQIA+ community in the works at COC
by Cougar News Contributor - June 26, 2019 12:00 pm
Kcgotsaved October 6, 2011 at 11:27 am
Of course German, Irish, Polish etc. immigrants who became citizens were exploited and used after their immigration but at least they made it here.
Cougar News Online © 2017. All Rights Reserved


SophosLabs has published a report on how hackers are distributing a new mining malware across the web. The Mal/Miner-C malware hijacks a computer and allows malicious individuals to mine Monero with the victim's processing power.
A new paper, authored by Attila Marosi, details how the Mal/Miner-C malware infects a computer and borrows its CPU power. Monero is the chosen vehicle for this mining malware, due to its ability to be mined by standard CPUs. The most valuable cryptocurrency, bitcoin, is not a viable candidate for these kinds of malware, since its hashing difficulty has become so high in recent years.
With Monero and other cryptocurrencies still capable of being mined with CPUs, they have become an efficient source of revenue for hackers, in addition to other tools, like ransomware.
The idea was perfect from the criminal's point of view, but as time went on the average PC was no longer powerful enough to mine even a single coin. It was time to give up on this type of attack and turn the attention to other ways to make money, like ransomware. Recently a new malware family has found a way to use PCs efficiently to mine new types of cryptocurrency.
Marosi details that with Monero's rise in popularity, criminals have started to spread the new malware payload. The researcher explains that, based on tests, the modern CPU can calculate 50-1500 hashes per second. If multiple CPUs are pooled, such mining can be quite lucrative. Marosi says that attackers wielding the malware often use Moneropool — a mining community based on a mining framework called "node-cryptonote-pool" — to combine their stolen resources.
The SophosLabs associate says the problem is more profound than people realize. Marosi explains that individuals and corporate entities should take their security settings more seriously with these types of attacks on the rise. Cybercriminals are interested in profiting off of everyone, and these forms of malware will only proliferate from here on out.
More than 70% of the servers where write access was enabled had already been found, visited and "borrowed" by crooks looking for innocent-sounding repositories for their malware.? If you've ever assumed that you're too small and insignificant to be of interest to cybercriminals, and thus that getting security settings right is only really for bigger organizations, this should convince you otherwise.
Since Monero has grown extremely popular due to its privacy techniques and black market acceptance, this new mining malware may become more prevalent as time goes on. Marosi says the attacks will continue, and suggests that users take the necessary precautions while browsing the web, making sure computers are up to date with strong security features.
What do you think about the Monero mining malware? Let us know in the comments below.
Images via Shutterstock, SophosLabs, Monero.


Optimus Eco is a range of water treatment and sanitation products that offer industry, effluent treatment plants and rural households access to eco-friendly biological alternatives.
Application: A highly concentrated biological product that uses cleaning enzymes which keep your toilet mildew and odour free.
Suitable for use in all toilets.


Batter: In small bowl, combine cocoa and food coloring - making a runny paste, set aside. Using hand-held mixer, combine shortening and sugar, cream until combined; then add eggs 1 at a time - beat until combined and fluffy, about 3 minutes. Add red paste, beat until completely incorporated. Add vanilla and salt, beat until incorporated. Add 1 cup flour, beatjust until combined; add all of the buttermilk, beat until combined; add remaining cup of flour, beat just until combined. Do NOT overmix. Sprinkle the baking soda over the top of the batter; pour the vinegar over the top of the batter. Gently fold these last 2 ingredients in by hand - do NOT beat. Pour batter into pans or cupcake tins. Bake for 25-30 minutes, or until tester that is inserted into middle of cakes comes out clean; cupcakes should bake for 18-20 minutes or until tester comes out clean. Place cakes on cooling rack to cool, then remove from pans. Frost once completely cooled.
Frosting: Prepare a cooling bath. Fill a sink or large, wide container/pan with ice water; have a medium bowl ready to cool the flour mixture. In medium saucepan, over medium heat (4-5) - add milk and flour, stirring occasionally at first and then almost constantly as the mixture begins to warm and thicken. Attentive stirring later in the cooking process will preventunbreakable "lumps" from forming while the flour and milk begin to combine. Mixture will continue to thicken, bring the consistency just past pudding stage, where it begins to get a bit gummy. Take the mixture off the heat and pour into the waiting medium bowl. Stir vigorously and place bottom of bowl into cooling bath to speed cooling, stirring every few minutes to avoid big lumps, until mixture cools.
0 Response to "Red Velvet Cake (aka Utterly Ridiculous Cake)"


Primanti Bros squish the fish.
Primanti Bros., a famous restaurant in Pittsburgh known for their delectable signature sandwiches, has removed all fish items from their menu in support of the Steelers who will take on the Miami Dolphins in the NFL playoffs this Sunday.
The shop announced the move today and says they'll keep fish off their menu until the weekend is over.
Additionally, Primanti Bros will be giving out prizes like hats, t-shirts and gift cards to Steelers fans who share photos of their non-fish Primanti sandwiches on social media using the tag @PrimantiBros.
The two teams will kick off on Sunday at 1pm, the Steelers are currently 10-point favorites.


Auslogics Disk Defrag Pro is the pro edition of Auslogics' popular defragmentation tool. This P C optimization and maintenance utility have been designed for maximizing your hard drives' efficiency. Auslogics Disk Defrag Pro is equipped with 4 different disk optimization algorithms for intelligently rearranging of files on disks.
Has extensive scheduling options (including an ability to create multiple tasks).


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Aimee Mann, Taylor Swift & Nick Cave Among Winners at A2IM 2018 Libera Awards
It was all about the Indies on Thursday, June 21st at the 2018 A2IM Libera Awards, presented by SoundExchange with a special celebration of Merlin's 10 Year Anniversary, held at The PlayStation Theater in NYC.
Jimmy Barnes To Headline Red Hot Summer 2019 With Joan Jett Also On The Show
Jimmy Barnes will headline the first series of Red Hot Summer 2019 with Joan Jett and the Blackhearts making their Australian return for the first time since 2011.
The Beatles Let It Be Returns To iTunes Chart After Paul McCartney Carpool Karaoke
Paul McCartney's Beatles classic 'Let It Be' is sitting at no 30 today on the Australian iTunes chart following Sir Paul's appearance on James Corden's Carpool Karaoke segment last week.
Ben Harper and Charlie Musselwhite Add Intimate Brisbane Show
Brisbane Ben Harper and Charlie Musselwhite fans will have the chance to get up close and personal with a new show added at the Tivoli.
Robbie Williams Joins Taylor Swift In London
British pop star Robbie Williams has developed a "proper crush" on Taylor Swift after surprising fans by joining Taylor Swift onstage in London.
Dan Reynolds Of Imagine Dragons Proud To Be A Mormon
Imagine Dragons frontman Dan Reynolds finally feels comfortable speaking publicly about Mormonism after years of shame.
Niall Horan Joins Taylor Swift For Duet
Taylor Swift shocked fans at London's Wembley Stadium on Friday night by bringing out Niall Horan for a surprise duet.
Australian Charts: 5 Seconds of Summer Have A No 1 Album
The third studio album for local rock-pop act 5 Seconds of Summer and "Youngblood" becomes their third successive No.1 studio album to debut at the top of the ARIA Albums Chart.
Australian Charts: 5 Seconds of Summer 'Youngblood' Spends 5th Week at No 1
5 Seconds of Summer log a fifth straight week at the top of the ARIA Singles Chart with "Youngblood", while the song holds for a third week in New Zealand and their same-titled album debuts at the top of the LP charts too.
Pantera Drummer Vinnie Paul Dead At 54
Tributes from rockers such as Paul Stanley and Gene Simmons (KISS), Duff McKagan (Guns'n'Roses), Geezer Butler (Black Sabbath) and Dave Mustaine (Megadeth/Metallica) have been posted on Twitter after news broke that co-founder of thrash metal band Pantera, Vinnie Paul, has died.
Paul McCartney and James Corden Deliver The Most Amazing Piece of TV You Will Ever See
Paul McCartney's appearance for James Corden's Carpool Karaoke segment was simply the best piece of television ever made.
New Music Releases 22 June 2018
Major new titles coming this week from: Panic! at the Disco, Bebe Rexha, Street Dogs, The Sea Within, Dan + Shay, Marshmello, Nine Inch Nails, Ne-Yo, Indigo Girls (live) and Soulwax.
Bruce Springsteen Slams Trump's "Inhumane" Immigration Policy
Bruce Springsteen broke away from the script of his Broadway show on Tuesday night (19Jun18) to denounce U.S. President Donald Trump's "inhumane" illegal immigration policy.
Bigsound Reveals First Artist Line-up for 2018
The Bigsound music conference and festival has announced the first 75 acts to play the the event for 2018.
Amy Shark Shares New Song Psycho With Mark Hoppus of Blink-182
Amy Shark has shared her song 'Psycho', recorded in Los Angeles with Mark Hoppus of Blink-182.
Darren Middleton To Release Third Solo Album 'Tides'
Former Powderfinger guitarist Darren Middleton will release his third solo album 'Tides' in September.
Suzanne Vega Speaks Paul McCartney Has Two New Songs Noise11 iHeartRadio Playlist 21 June 2018
This week at iHeartRadio Music News powered by Noise11.com Suzanne Vega recalls stories of her Solitude Standing and 99.9 Degrees Fahrenheit albums ahead of her Australian tour in July and August for Lennard Promotions.
Mary J. Blige Finalises Her Divorce
Singer Mary J. Blige is a single woman again after a judge signed off on her divorce from Kendu Issacs.
Patti Smith Is Performing Midnight Oil's Beds Are Burning On Her Current Tour
Patti Smith has added the Midnight Oil classic 'Beds Are Burning' to her current European tour.
Paul McCartney Releases Two New Songs
Paul McCartney has previewed his upcoming album 'Egypt Station' with two new songs 'I Don't Know' and 'Come On To Me'.
Harts Follows Mentor Prince With Two Albums On The Way
Harts will release two albums this year, a reminder of how prolific his mentor Prince also was.
Digital Distribution Service GYROstream Launches In Australia
New music distribution service GYROstream has launched in Australia.
PiL The Doco Is Coming
In celebration of Public Image Ltd.'s (PiL) 40th Anniversary, Abramorama and Verisimilitude have released the first official trailer and poster of the new music documentary The Public Image Is Rotten.
Meek Mill Awaits New Trial
Rapper Meek Mill has been made to wait a little longer to find out if he will be granted a new trial over his decade-old drug and gun conviction.
Dr Dre Is Developing A Marvin Gaye Movie
Rapper Dr. Dre is reportedly working on a movie about late singer Marvin Gaye.
Lenny Kravitz Misses Out On Big Little Lies Role
Lenny Kravitz is convinced he lost out on a role in hit TV show Big Little Lies because producers felt uneasy about casting a black actor as the villain.
Brandon Lee Wants To Pay For Dad Tommy Lee's Therapy
Tommy Lee's son is offering to pay for his father to undergo "treatment" of his own after the rocker revealed he took care of Brandon Lee's rehab bill.
The Screaming Jets Cover Australian Rock Classics For Gotcha Covered
The Screaming Jets have curated a tasty list of Australian rock classics for the album 'Gotcha Covered'.
Rose Tattoo Set Rock N Roll Outlaw 40th Anniversary Tour Dates
Rose Tattoo will tour for the 40th anniversary of the classic 'Rock N Roll Outlaw' around Australia from September when they return from the European tour.
Gang Of Youths Tapped To Resurrect MTV Unplugged In Australia
MTV Australia will resurrect the Unplugged template in Melbourne in July with Gang of Youths.


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Carriera

Club

Ha giocato nell'Iris Club Lille per due anni prima di trasferirsi all'ormai ex club calcistico Olympique Lillois, che successivamente nel 1944 fondò insieme al club SC Fives (dove il francese militò per 6 anni giocando 132 incontri e segnando 40 reti), il Lilla, club in cui il centrocampista giocò la sua ultima stagione prima di ritirarsi.

Nazionale

Con la maglia della sua nazionale ha collezionato 7 partite debuttando a Parigi il 9 maggio 1929 contro l'Inghilterra nella sconfitta casalinga per 1-4; nelle sue 7 presenze ha inoltre segnato due reti, contro Svizzera e Yugoslavia.

Allenatore

Dopo il ritiro ha allenato il Lilla per 12 anni conquistando 4 Coupe de France. La prima vinta nel 1946-1947 per 2-0 contro lo Strasburgo, la seconda vinta la stagione successiva per 3-2 contro il Lens, la terza vinta nella stagione 1952-1953 per 2-1 contro il Nancy mentre la quarta ed ultima vinta nel 1954-1955 per 5-2 contro il Bordeaux, oltre a queste ha sfiorato lo scudetto in tre occasioni arrivando ad un punto dall' Olympique Marseille e dallo Stade de Reims e a pari merito con l', ha anche perso una finale di Coupe de France per 5-2 contro il Racing Club. Successivamente allenò Boulogne, Olympique Saint-Quentin e Tourcoing.

Palmarès

Allenatore

Lilla: 1953-1954

Lilla: 1946-1947, 1947-1948, 1952-1953, 1954-1955

Statistiche

Cronologia presenze e reti in nazionale

Record

È stato l'unico allenatore assieme a Guy Roux ad aver conquistato 4 Coupe de France.

Note

Collegamenti esterni

Calciatori francesi
Allenatori dell'U.S. Boulogne Côte d'Opale
Calciatori della Nazionale francese


We are a full service roof, siding and gutter company. Our job is to protect your house! We are a full service roof, siding and gutter company. Our job is to protect your house!
My mother in law was having roof issues and I needed someone that would quote me a fair price and do a quality job. These guys were fantastic! Thank you!
We hired Citadel Roofing and Restoration to refinish the hardwood floors in our home. What a disappointment! The crew sent to sand the floors did not finish the first day and were told to go elsewhere the next day. They apologized as they left at the end of the day. This was the beginning of what was to become absolutely terrible prep. The person responsible to finish the sanding did an acceptable job on the main floor, but the floor in the master bath was terrible. We weren't aware of the poor sanding job in the bath until the guys sent to polyurethane the floor asked me to take a look after they had put on the first coat. Areas of 1/8"-3/4" around the edges that were dark from the old finish. There were bristles, dog hairs, etc. in the new finish, indicating lack of adequately cleaning the area before applying the poly. This lack of cleaning continued on the main floor, as evidenced by more hairs, bristles, and dust in the finish. There were several places on the steps and at the base of the steps that had "holidays" that looked like there was very little, if any, poly. The original poly that they had applied was a semi-gloss product especially made for floors. The guy they sent to take care of the "holidays" went over the areas with a regular poly instead of the same poly for floors. There were planks that were only partially recoated. When this poly dried, it had a high gloss finish (a wet look), and there was a striking difference from the rest of the floor. After numerous attempts to contact Citadel to correct things, their best response was that they would pay for a gallon of flooring poly for me to apply. I have not received any response to my last two emails sent to Citadel. Two days after they had finished, I decided to put a coat of poly on the baseboard trim and used 3M's "Delicate Finish" painter's tape on the edges of the newly finished floor to protect it. Upon completion, as I pulled up the tape, areas of the poly pulled off the floor with the tape. This seems to be a further indication that the floor was not cleaned adequately, and the poly did not adhere well. I am now in the process of trying to find another company that can correct the terrible finish on my floors.
The two Jeffs and their crew replaced my gutters and the rotten boards behind them. Also installed gutter guards and rerouted a downspout. Everything I asked for done on time and for a much better price than others I checked.


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Carnaval é um filme brasileiro de comédia dirigido por Leandro Neri, lançado no dia 2 de junho de 2021 na plataforma Netflix. É estrelado por Giovana Cordeiro, Bruna Inocencio, Gessica Kayane e Samya Pascotto, que interpretam quatro amigas que vão para Salvador em pleno feriado de Carnaval.

Sinopse
A influenciadora digital Nina descobre um vídeo de traição do namorado viralizando nas redes sociais e, para superar o término, ela usa seus contatos para viajar para Salvador em plena semana de Carnaval, junto das três melhores amigas, com tudo pago.

Elenco

 Giovana Cordeiro como Nina
 Bruna Inocencio como Mayra
 Gessica Kayane como Michelle
 Samya Pascotto como Vivi
 Flavia Pavanelli como Luana
 Micael Borges como Freddy Nunes
 Nikolas Antunes como Jorge
 Stella Miranda como Selene
 Jean Pedro como Salvador
 Rafael Medrado como Samir
 Antonio Rafaski como Ronaldo
 Manoel Rafaski como Reinaldo
Thati Lopes como Duda

Produção
A produção é uma parceria entre a Netflix e a produtora Camisa Listrada. O filme é ambientado em Salvador, Bahia, mas as gravações ocorreram boa parte em um resort na Praia do Forte, localizada a cerca de 30km de distância de Salvador. As cenas de eventos carnavalescos foram gravadas durante o Carnaval de 2020.

No elenco do filme, há nomes conhecidos. O ator e cantor carioca Micael Borges, interpreta o cantor baiano Freddy Nunes. A digital influencer Flávia Pavanelli, também interpreta uma digital influencer no filme.

Lançamento
Em 3 de maio de 2021, o primeiro trailer foi divulgado. Em 2 de junho de 2021, o filme foi lançado simultaneamente em 190 países pela plataforma de streaming, Netflix. Carnaval teve grande repercussão nacional e internacional. No Brasil, esteve em primeiro lugar no Top 10 de produções assistidas. Em Portugal, alcançou a segunda posição, e na Espanha, esteve em quarto lugar na semana de seu lançamento.

Recepção

Resposta da crítica
No site do agregador de resenhas Rotten Tomatoes, 17% de 6 resenhas são positivas, com uma classificação média de 4,70/10.

Controvérsias
O filme recebeu inúmeras críticas pelos erros na produção e locações de filmagens. Em uma cena da atriz Giovanna Cordeiro, a personagem se perde durante o Carnaval no bairro da Barra e vai parar no bairro Pelourinho, que são relativamente distantes para que a personagem se perca de um para o outro com facilidade.

A escolha do elenco também recebeu diversas críticas em razão da baixa representatividade e reforço de estereótipos. Poucos atores negros integram o elenco principal do filme que se passa na cidade com maior população negra do Brasil. A escolha de Micael Borges, um cantor carioca, para interpretar um cantor baiano, gerou controvérsias devido ao exagero de sotaque em cena do ator.

Ligações externas

 Carnaval no site Camisa Listrada

Filmes do Brasil de 2021
Filmes de comédia do Brasil
Filmes em língua portuguesa da década de 2020
Filmes ambientados em Salvador
Filmes originais da Netflix Brasil


The Cabin Club originally met in the Log Cabin at St Budock Church. The group was formed by Sylvia and Sue to bring together the housebound and lonely who found it difficult to meet other people. Anyone who would like to join the Cabin Club would be made most welcome and transport can be arranged to pick you up and take you home again. The club meets monthly and have speakers and other events.
Now that the Cabin Club has grown to many more members we are unable to all get into the Log Cabin comfortably so we now meet at the Penmorvah Manor Hotel, Budock Water, Falmouth.


Office Interior Design Surfboard – The surfboard is a fairly bulky item that most of the time it costs to "hide" in some closet since it occupies a whole module and leaves no room for more. Some keep it in the garage, others under the bed, and some above the closet. And yet it is a great decorative complement to leave to the sight and integrate it with the rest of the decoration, as much by its form as by its colors or by its possibilities of personalization, giving to space where it goes a very particular touch, of the person who inhabits it. The shape of the table, narrow and elongated, makes it suitable to place it resting vertically on the floor.
Another option is to hang it on the wall, either uniquely or in combination with other color tables or different designs. In this way, the office interior design surfboard becomes the decorative focus of the stay without needing to mingle with nothing else. A single table hanging horizontally is thus perfect as the original headboard, but you can also opt for a larger number: if you choose to hang 3 are better in vertical and if you hang two horizontally, one over the other. Among the ideas to decorate with surfboards, another very accepted is to hang it from the ceiling, in parallel and seized by two strings, one at each end. This gives a blue marine touch to the decor without taking up space area.
Similarly, you can also hang it in the upper part of the wall with a pair of hooks or squares and the effect will be similar. Be that as it may, office interior design surfboard are perfect for decorating sailor style rooms, although depending on the design they may be more suited to contemporary environments or urban decor or to more rustic spaces. Your desk can be white with simple lines for a more casual feel, a surfboard or reused surfboard, wicker with a glass top, natural pine or beech. Use wicker chairs or wooden chairs with colorful cushions for guests and guests.


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We design materials with theories, computations and data.
New NSF collaborative project on artificial intelligence for multiscale materials design
We are excited to be part of a team awarded a 2 million NSF grant on developing interpretable augmented intelligence for multiscale materials discovery. The multi-disciplinary project will be in collaboration with research groups at University of Colorado Boulder (Hendrik Heinz), Ohio State University (Yusu Wang), Johns Hopkins University (Yanxun Xu), and Columbia University (Steve Sun).
High school summer research program - YR 2
Grace Fan and Chris Yang from Adlai E. Stevenson High School joined our group this summer as part of the SPARK research program.
Grace and Chris learned the fundamentals of materials science and machine learning methods. They also helped design the pages on mechanical properties and machine learning for our learning app CORAL.
WISER grant on lithium-air batteries
We are glad to receive another grant from Wanger Institute for Sustainable Energy Research (WISER) to develop bi-functional heteroatom catalysts for high efficiency and long cycle life lithium-air batteries. The work will be in collaboration with Prof. Mohammad Asadi and Prof. Reza Shahbazian-Yassar (UIC).
NbTaTiV: A new refractory high entropy alloy developed with an integrated computational and experimental design
In collaboration with Prof. Peter Liaw's group at University of Tennessee, we recently designed a new single-phase BCC refractory high-entropy alloy (HEA) NbTaTiV. The novel HEA exhibits high yield strength and ductility at both room and high temperatures. First-principles approaches based on density functional theory (DFT) provided critical information on the thermodynamic stability and lattice distortions in the alloy design. Integrated with the CALPHAD method and in situ structural characterizations, a heat-treatment process was developed that eliminates structural and chemical inhomogeneity.
"Lattice distortion in a strong and ductile refractory high-entropy alloy", Acta Materialia, 160, 158-172 (2018) [PDF]
New evidence on the phase transformation of HfNbTaTiZr high-entropy alloy at intermediate temperatures
Refractory high-entropy alloys (RHEA) are promising structural materials for high-temperature thermal-harsh environment. The HfNbTaTiZr RHEA is a good example that shows a rare combination of high strength and good ductility. In real-world applications, high-temperature alloys have to maintain a high phase stability not only at high temperatures, but also for a wide range of temperatures for a prolonged service time. While the HfNbTaTiZr RHEA is generally regarded as a single-phase BCC solid solution, recent studies by Senkov et al suggest phase decomposition after cold-rolling at 800 °C. Controversy still exists for the phase stability of the HfNbTaTiZr RHEA at intermediate temperatures. In the present work, we investigated the phase decomposition of the RHEA at different temperatures (500–1000 °C). The formation of BCC Ta-Nb-rich and HCP HfZr-rich precipitates, as well as their preferred orientation to the BCC matrix, are elucidated from experiments. Thermodynamic modeling shows good agreement with experiments.
"Phase transformations of HfNbTaTiZr high-entropy alloy at intermediate temperatures", Scripta Materialia, 158, 50-56 (2019) [PDF]
WISER grant on catalysts for CO2 reduction
We are glad to receive a grant from Wanger Institute for Sustainable Energy Research (WISER) to develop advanced catalysts for photo-electrocatalytic conversion of CO2 to energy rich fuels. The work will be in collaboration with Prof. Mohammad Asadi, Prof. Carlo Segre, and Prof. Reza Shahbazian-Yassar (UIC).
Carbide morphologies in high refractory content powder-processed Ni-based superalloys
Carbide precipitates in Ni-based superalloys are often desirable phases that can improve high-temperature properties as well as aid in microstructural refinement of the material; however, they can also serve as crack initiation sites during fatigue. To date, the knowledge on carbide formation has mostly originated from assessments of cast and wrought Ni-based superalloys. As powder-processed Ni-based superalloys are becoming increasingly widespread, understanding the different mechanisms by which they form becomes increasingly important. In the present work, we performed detailed characterization of MC carbides present in two experimental high Nb-content powder-processed Ni-based superalloys and revealed that Hf additions affect the resultant carbide morphologies. This morphology difference was attributed to a higher magnitude of elastic strain energy along the interface associated with Hf being soluble in the MC carbide lattice. The characterization results of the segregation behavior of Hf in the MC carbides and the subsequent influence on their morphology were compared to density functional theory calculations and found to be in good agreement, suggesting that computational modeling can successfully be used to predict carbide features.
"MC carbide characterization in high refractory content powder-processed Ni-based superalloys", Metallurgical and Materials Transactions A, 49, 2340-2351 (2018) [PDF]
An open database of experimental formation enthalpy data for > 1200 metallic phases released
The standard enthalpy of formation is a fundamental thermodynamic property that determines the phase stability of a compound, which can be coupled with other thermodynamic data to calculate phase diagrams. Calorimetry provides the only direct method by which the standard enthalpy of formation is experimentally measured. However, the measurement is often a time and energy intensive process. We present a dataset of enthalpies of formation measured by high-temperature calorimetry. The phases measured in this dataset include intermetallic compounds with transition metal and rare-earth elements, metal borides, metal carbides, and metallic silicides. The dataset contains 1,276 entries on experimental enthalpy of formation values and structural information. Most of the entries are for binary compounds but ternary and quaternary compounds are being added as they become available.
The dataset also contains predictions of enthalpy of formation from first-principles calculations for comparison. We compared DFT formation enthalpy values from the Materials Project and OQMD, and identified problematic systems that show substantial discrepancies between experiments and PBE-DFT.
The most recent database can be queried from our website:
http://tptc.iit.edu/
The data file can be accessed from Figshare:
https://doi.org/10.6084/m9.figshare.c.3822835
Experimental formation enthalpies for intermetallic phases and other inorganic compounds", Scientific Data, 4, 170162 (2017) [PDF]
NERSC achievement award
Glad to be a member of a team that received the 2017 National Energy Research Scientific Computing Center (NERSC) Award for High-Impact Scientific Achievement:
A team of researchers from Lawrence Berkeley National Laboratory, University of California Berkeley and Caltech was honored in this category for using NERSC resources to speed up the discovery of commercially viable materials that can be used to produce solar fuels. The group gathered a list of potentially useful compounds and then were able to rapidly screen and test the best materials with NERSC. This process would normally take an immense amount of time to conduct all the tests and experiments by hand. The researchers were able to go through 174 compounds containing vanadium and oxygen, called vanadates, and were able to identify 12 useful materials. These materials will be very useful for developing solar fuels, which are a clean and renewable alternative to fossil fuels. The work was led by Berkeley Lab's Jeff Neaton, John Gregoire and Qimin Yan. Other members of the team were Jie Yu, Santosh Suram, Lan Zhou, Aniketa Shinde, Paul Newhouse, Wei Chen, Guo Li and Kristin A. Persson.
NSF grant on sodium batteries
We are glad to receive a 3-year award from the Solid State & Materials Chemistry Program of National Science Foundation (DMR-1709959) to study mechanical activation enhanced solid-state reaction and electrochemical properties of the NaCrO2 cathode. The work will be in collaboration with Prof. Leon Shaw.
High Entropy Alloy
High-throughput Calculations
Superalloy


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News > Medscape Medical News > Features
COVID-19's Psychological Impact Gets a Name
Editor's note: Find the latest COVID-19 news and guidance in Medscape's Coronavirus Resource Center.
During normal times, the UK-based charity No Panic offers itself as an easily accessible service to those with anxiety disorders and phobias. Visitors to the website who can receive immediate, remote support from trained volunteers. But this spring was anything but normal, as the reality of COVID-19's worldwide spread became terrifyingly clear.
COVID-19 cases peaked in the United Kingdom in early April. Nationwide lockdown efforts contributed to a gradual but ultimately substantial decline in cases, yet, despite the favorable trend lines, No Panic has remained busier than ever.
Beyond the physical symptoms associated with COVID-19, the psychological outcomes are vast and, it seems, prolonged. Researchers have now formalized a definition of the long-term mental maladies associated with the pandemic, collectively deeming them "coronaphobia."
The term is a catch-all phrase for the fear and the emotional and social strain experienced by the general public in response to COVID-19. Obsessive behaviors, distress, avoidance reaction, panic, anxiety, hoarding, paranoia, and depression are some of the responses associated with coronaphobia. On the surface, these appear to be normal, somewhat fitting reactions to this surreal and frightening moment in time. However, for those experiencing coronaphobia, they are distinctly maladaptive and harmful.
"We had a serious rise in the use of our services, notably the helpline and email enquiries," explained Sarah Floyd, No Panic's volunteer advisor and social media coordinator. "It has been up and down all along, but more of an up since lockdown is easing."
The group's experience offers yet more evidence that the anxieties and fears caused by this global pandemic don't flatten alongside the curve but instead linger as chronic problems requiring ongoing care.
"Every week in my clinic, I'm seeing people who are experiencing more anxiety and hopelessness and having an emotional response that is perhaps out of proportion to what one would expect, which is directly related to what is going on in the world right now with coronavirus," said Gregory Scott Brown, MD, founder and director of the Center for Green Psychiatry in West Lake Hills, Texas. "Simply put, I think what we are looking at is adjustment disorder. That is probably how the DSM would define it."
Adjustment disorder is one of the most frequently diagnosed mental health conditions, although it is also relatively understudied. It is really a set of disorders that follow in the wake of a significant stressor, which can vary from serious illness or the death of a loved one to relocating or experiencing work problems. The resulting dysfunction and distress that the person experiences are considered out of proportion in duration or scale with what would normally be expected. Diagnosing an adjustment disorder is made difficult by the lack of a valid and reliable screening measure.
Recent literature suggests that coronaphobia may be likely to occur in those who feel vulnerable to disease, are predisposed to anxiety, or are intolerant of uncertainty. Preexisting mental health conditions can also be exacerbated by periods of quarantine, self-isolation, and lockdown, which can lead to panic attacks, chronophobia (fear of passing time), and suicidality.
Although imperfect comparisons, findings from earlier 21st century disease outbreaks, such as severe acute respiratory syndrome and the Ebola virus, signal that containment efforts themselves play a role in deteriorating mental health. A recent rapid review found that in studies comparing persons who had previously undergone quarantines and those who had not, the former were significantly more likely to experience acute stress disorder, posttraumatic stress symptoms, and depression. Quarantine was found to result in long-term behavioral changes, such as avoiding crowds, among the general public and healthcare practitioners.
That tremendous psychological morbidity should accompany a global pandemic of this scale is not surprising, according to Amit Anand, MD, vice-chair for research for the Center for Behavioral Health and director of the Mood and Emotional Disorders Across the Life Span program at the Cleveland Clinic.
"The technical definition of anxiety is an impending sense of doom, and I think all of us are living with that," Anand said. "The basic question then becomes, what is normal and when does it become abnormal?"
He added that most classifications of psychiatric disorders are set during periods of relative stability, which the current moment is most certainly not.
This is such an unusual situation, so I think it will depend on case-by-case basis…
"This is such an unusual situation, so I think it will depend on case-by-case basis, keeping the whole context in mind as whether the patient is thinking or behaving with an abnormal amount of anxiety," Anand said.
Investigators are currently trying to give clinicians the tools to better make that determination. In the first scientific study of this clinical condition, Sherman Lee, MD, reported that five symptoms — dizziness, sleep disturbances, tonic immobility, appetite loss, and nausea/abdominal distress — were strong factors for distinguishing coronaphobia from otherwise normal concerns about COVID-19 that did not result in functional impairment. Lee and colleagues have since published further evidence that coronaphobia "is a unique predictor of psychological distress during the COVID-19 crisis." They are working on validating a self-reported mental health screener for this condition.
Having the tools to identify patients struggling with coronaphobia may go some ways toward addressing another area of declining health. At the outset of the COVID-19 pandemic, there was a question as to whether doctors would be beset by a surge of the "worried well" ― persons mistakenly believing themselves to be infected. Now months into the pandemic, the converse phenomenon — a fear of contracting COVID-19 that is driving patients away from practitioners — appears to be the more valid concern.
In early spring, the pandemic's first surge was accompanied by reports of approximately 40% and 60% drops in visits to emergency departments and ambulatory centers, respectively. Stories of acute stroke patients avoiding treatment began to appear in the press. Major US cities saw noteworthy declines in 911 calls, indicating a hesitancy to be taken to a hospital. That COVID-19 has been accompanied by mass unemployment and subsequent loss of insurance complicates the notion that fear alone is keeping people from treatment. In other countries, it has been explicitly linked. Investigators in Singapore noted that coronaphobia played a role in reducing willingness to attend in-person visits among adolescents with eating disorders. Similarly, case reports in Israel suggest that coronaphobia has contributed to delays in diagnoses of common pediatric diseases.
Even after this challenging moment in history draws to a close, many people may face substantial stress in returning to the normal activities of life.
There is also a concern, colloquially termed "reentry anxiety," that mental health problems caused by the pandemic, the accompanying lockdown, self-isolation, and quarantine practices will prove alarmingly durable. Even after this challenging moment in history draws to a close, many people may face substantial stress in returning to the normal activities of life — social, professional, familial — once taken for granted.
"We are in the beginning phase of that now," said Anand. "Lots of people are decompensating, getting depressed, and needing treatment. I think the longer it goes on for, the more difficult it will be."
In the United States, that day may seem far away. Nonetheless, it is important to begin laying the therapeutic groundwork now, according to Brown.
"I am recommending unconventional therapies like meet-up groups, online forums," he said. "Everything has shifted online, and so there are a lot of support groups that patients can participate to learn coping skills and really hear what other people are going through."
Before reaching that stage, Brown recommends that clinicians first simply discuss such anxieties with their patients in order to normalize them.
"Realize that everyone essentially is going through some degree of this right now. The coronavirus pandemic is literally impacting every person on the face of the planet. Sometimes just pointing that out to people can really help," he said.
John Watson is a freelance writer in Philadelphia, Pennsylvania.
For more news, follow Medscape on Facebook, Twitter, Instagram, and YouTube.
Cite this: COVID-19's Psychological Impact Gets a Name - Medscape - Sep 29, 2020.
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text:
Q: Closed subsets in $mSpec C(X, \mathbb{R})$ I'm looking at the following problem:

Let $X$ be a topological Hausdorff space and $$\mu:X\rightarrow mSpec \ C(X,\mathbb{R})$$
  $$ \qquad \qquad \qquad x\mapsto \{f\in C(X,\mathbb{R})\ |\ f(x)=0\}.$$
Show that $Y\subset X$ is closed if and only if there is an ideal $a\subset C(X,\mathbb{R})$ such that $\mu(Y)=V(a)\cap mSpec \ C(X,\mathbb{R})$ with $$V(a):=\{p\in mSpec \ C(X,\mathbb{R})\ |\ a\subset p\}.$$

I believe to have proven one direction, but I'm not sure about it:
Let $Y \subset X$ and let $a\subset C(X,\mathbb{R})$ be an ideal such that $\mu(Y)=V(a)\cap \ mSpecC(X,\mathbb{R})$. Let $V(a) \cap mSpec \ C(X,\mathbb{R})=\{(m_i)_{i\in I}\}$ for some $m_i\in mSpec \ C(X,\mathbb{R})$.
For every $m_i \in mSpec \ C(X,\mathbb{R})$ there is exactly one $x_i\in X$ ( I know this from the lecture). Therefore $\mu^{-1}(\{(m_i)_{i\in I}\})=\{(x_i)_{i\in I}\}=Y$, which is closed since a union of dots is closed in a hausdorff space. Is that correct?
For the other direction I got this: Let $Y\subset X$ be closed. Let $A\subset C(X,\mathbb{R})$. Since the sets $\{x\in X \ |\ f(x)\neq 0\}$ for $f\in C(X,\mathbb{R})$ give us a basis of the topology on $X$ (again, lecture), we can write $$Y=X\backslash \bigcup_{f\in A}\{x\in X\ | \ f(x)\neq 0\}=\bigcup_{f\in A}\{x\in X\ |\ f(x)=0 \}=:\{(x_i)_{i\in I}\}.$$
So $\mu(Y)=\{(m_i)_{i\in I}\}$ for some $m_i \in mSpec \ C(X,\mathbb{R})$. How can I now construct an ideal $a$ such that $V(a)=\{(m_i)_{i\in I}\}?$ Taking the intersection of the $(m_i)_{i\in I}$ is obviously not correct.
Can someone help me? Thanks in advance.

redpajama_set_name: RedPajamaStackExchange


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Funomenal Melodies / Interviews
The name Mocky is known to anyone familiar with the 'Canadian Crew', a loose collective of artists that emerged from Toronto's Underground music scene, including individuals such as Peaches, Chilly Gonzales, and Feist (see Shut Up and Play the Piano, a documentary released last year). Frequently working with Jamie Lidell, with his collaboration with Kelela also making the airwaves last year, Mocky is an immensely talented musician whose experimental proclivities and humour easily complement each other. And I was able to confirm that exquisite sense of balance for myself during his Japan concerts in back in March. Just how was it that he came to be the composer for Shinichiro Watanabe's new anime?
Carole & Tuesday, an original TV anime premiering tonight on Fuji TV's +Ultra channel and accessible elsewhere on broadcast and streaming. To celebrate our embarkation on this new journey, we bring you this invaluable roundtable between Supervising Director Shinichiro Watanabe and the man in charge of the music, Mocky.
'We live in an age where everyone ought to be interested in AI. Even in music. That's where my battle is right now, a battle to find some kind of balance. And that's why the core theme of Carole & Tuesday is something very close to my heart' – Mocky
Director Watanabe, why did you decide to engage Mocky to compose the background music for Carole & Tuesday?
Watanabe: I've long been a fan of Mocky and often listened to his music, but the time I saw him perform here in Japan was probably what got the ball rolling. The concert he gave the last time he was in Japan – with every single one of his songs, it was like images would just float up into my mind. I thought that his music would work incredibly well as a soundtrack. On top of that, every single person in the band seemed to be really enjoying the music they were performing, and that carried over to me in the audience. It was right around the time that I was coming up with Carole & Tuesday, so the notion of "what does it mean to be happy to just be doing music?" was something on my mind. We live in a world where there are artists that give off these really unhappy vibes even after releasing a platinum hit, so just what is this sense of euphoria…? That concert also got me thinking about this.
[To Mocky] And what were your first thoughts when you received this offer from the director?
Mocky: Receiving an offer from someone that's such a big name, and who has so much talent – it sure is something to write home about.
Watanabe: hahahaha (laughs).
Mocky: I feel that the director's shows are deeply entwined with music. The visuals that he comes up with are really quite musically evocative. So when I received the offer, I just happily jumped at the chance to work with him. I was really serious about accepting the offer and working to create music that would be suitable for one of Director Watanabe's shows.
What would you say your experiences with the director's work had been like until that point?
Mocky: Well, I wouldn't say that I've had a lot of contact with his work, but I've seen enough of his shows to know some of his distinctive traits. I'm no anime expert, but I felt that his shows were incredible.
And how was it when you actually met him?
Mocky: He came across to me as an artist that I could connect with immediately. We obviously speak different languages, but it felt like we were connected by and conversing in the same language, if that makes sense. We were connecting through something other than words.
Watanabe: It was a very short meeting, wasn't it?
Mocky: Because there was trust between us. Whether you trust each other or not is incredibly important – it's the same with a concert. Basically, you have a feeling that no matter what happens, you'll be able to cooperate with this person to get over the problem somehow. That's how I felt at our very first meeting, and so I was able to go into it with no worries whatsoever.
Watanabe: We talked about the project very briefly – after that, it was pretty much just idle chit-chat (laughs). All the other staff around us were like "shouldn't you explain it in a little more detail?" (laughs). But in my experience, if you get through to each other, you just get through – it don't matter that you're from different countries and whatnot. So I figured we'd be fine.
And what were your thoughts the first time you met Mocky?
Watanabe: Hm…well, he's so friendly and jovial that I found myself wondering "Just how in the world does he write such lonely, heart-rending songs?" (laughs)
Mocky: That's something of a puzzle to me as well. I think that applies to Watanabe-san's work too, but there's always some kind of balance in all creative works – like, something happy might be a part of the background that has given rise to a really sad song. You can also find songs that sound sad but which have happy lyrics, and vice versa. This time, Watanabe-san is handling the theme of AI, artificial intelligence. But it's not as if that's all Carole & Tuesday deals with – it's precisely because there are many other motifs that this particular idea was born. And another hugely important factor in the director's case is his sense of humour. I would say that's probably the reason we felt a connection between us [right from that first meeting].
Watanabe: That reminds me, you also told me back then that you were interested in AI, right? You mentioned that you'd worked on a PV about a world ruled by AI – you even showed it to me right there and then.
Mocky: We live in an age where everyone ought to be interested in AI. Even in music. We've got computers and robots/automatons and stuff. Unlike the 80s and 90s, we live in an age where you don't need a drummer, where you can even get Auto-Tune to sing for you – music is increasingly coming under the control of machines. That's where my battle is right now, a battle to find some kind of balance. And that's why the core theme of Carole & Tuesday is something very close to my heart.
Watanabe: That really caught me off guard – I was surprised that you were interested in this kind of thing.
"You know what the trick is for getting a good soundtrack? Entrust it to someone who's never done a soundtrack before. Call it beginner's luck or what have you, but there's a kind of magic that first-timers have that is crucial." – Watanabe
In the world of Carole & Tuesday, 99% of all music is created by AI. [To Mocky] If we lived in such a world, what would your stance be as you went about creating music?
Mocky: I think we already live in such a world. Humans aren't perfect – for example, we make mistakes when we perform live. But that's precisely what it means to create art. It's the same with film-making. It's no fun if you know from the start what's going to happen, or that you are going to create something that's perfect. To me, even the best techno music is created because someone makes a mistake – I want to capture the fun things that are born in precisely that kind of moment.
Based on the fact that 99% of all music in the world of Carole & Tuesday is created by AI, we can surmise that the majority of people are satisfied with such music. But what do you think is the difference between something that is created by AI and something that is created by a living, breathing human? Is it something that listeners would be able to pick up on?
Mocky: I don't think younger people would be able to. Because they haven't had enough life experiences yet. (Upon saying that, Mocky suddenly smacks the table hard. Everyone in the room freezes.) – sorry for surprising you all like that. But smacking the table like this made everyone jump, right? I think that's because you can all feel something through the vibration, the vibration created when someone hits a table like that. But you can't get that kind of vibration from the sounds that come out of the speaker on a mobile phone. Only people are able to create sounds like that. I'm not saying that music created using computers and other similar technologies isn't any good. With technological advancement, music has steadily evolved and gotten better, and I'm making electronic music myself. But I think it's important that we keep some kind of balance so that our music maintains something of the human element.
Actually, there's a reason behind that last question. You've actually performed in front of non-human listeners, haven't you? Monkeys, to be precise.
Mocky: When I was younger, yeah. I was going around to a fair number of cities on tour, and before a concert one day, I headed to the zoo and set myself up in the monkey area and played a few songs. And the monkeys all started jumping around really energetically. I thought that they were happy with the performance, but one of the zookeepers told me that it was quite the opposite – that far from being happy, they hated it (laughs). And so I played a sad song, something quiet instead. I'd needed to become more sensitive. That's how I built up my style, performing for the monkeys, and then performing for people once night came along. That's how I found my own sound.
(The interview continues in the next page. You can find the page numbers below the 'related articles' section.)
Anime, Art, Artificial Intelligence, Carole & Tuesday, Life, Mocky, Music, Sci-Fi, Shinichiro Watanabe
Capsule Review & Commentary: That Time I Got Reincarnated as a Slime
One thought on "Carole & Tuesday: A Musical Dialogue | Shinichiro Watanabe x Mocky"
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package org.osgi.service.cm;

import org.osgi.annotation.versioning.ConsumerType;

/**
 * Listener for Configuration Events. When a {@code ConfigurationEvent} is
 * fired, it is asynchronously delivered to all {@code ConfigurationListener}s.
 *
 *

 * {@code ConfigurationListener} objects are registered with the Framework
 * service registry and are notified with a {@code ConfigurationEvent} object
 * when an event is fired.
 *

 * {@code ConfigurationListener} objects can inspect the received
 * {@code ConfigurationEvent} object to determine its type, the pid of the
 * {@code Configuration} object with which it is associated, and the
 * Configuration Admin service that fired the event.
 *
 *

 * Security Considerations. Bundles wishing to monitor configuration events will
 * require {@code ServicePermission[ConfigurationListener,REGISTER]} to register
 * a {@code ConfigurationListener} service.
 *
 * @author $Id: ee8427b3dbab7f15dddfd9a2506f779c028117f9 $
 * @since 1.2
 * @ThreadSafe
 */
@ConsumerType
public interface ConfigurationListener {
	/**
	 * Receives notification of a Configuration that has changed.
	 *
	 * @param event The {@code ConfigurationEvent}.
	 */
	public void configurationEvent(ConfigurationEvent event);
}


text:
Tödliches Comeback steht für:

 Tödliches Comeback (2019), Fernsehfilm von Hermine Huntgeburth
 Columbo: Tödliches Comeback, Episode aus der Filmreihe Columbo (1975)


text:
CDC tells travelers to avoid China in expanded travel warning as coronavirus spreads
Published Tue, Jan 28 202010:12 AM EST Updated Tue, Jan 28 202012:36 PM EST
Yelena Dzhanova@YelenaDzhanova
Will Feuer@WillFOIA
The CDC expanded an earlier travel warning on Tuesday, advising Americans to avoid travel to all of mainland China.
Last week, the CDC advised against all nonessential travel to Wuhan, China, the epicenter of the disease's outbreak.
Chinese health authorities said Tuesday that the virus, which was first diagnosed less than a month ago, has killed 106 people and infected 4,515.
Coronavirus outbreak spreads as health experts say US risk is low
The Centers for Disease Control and Prevention is telling Americans to avoid all nonessential travel to China, expanding its travel warning from the city of Wuhan to the entire country as the coronavirus outbreak worsens, the agency said Tuesday.
Last week, the CDC advised against all nonessential travel to Wuhan, the epicenter of the disease's outbreak and where the majority of cases have been reported.
The U.S. Department of State on Monday also raised its travel advisory for China from Level 2 to Level 3, asking Americans to "reconsider travel to China due to the novel coronavirus." They added that some areas have "added risk."
Chinese health authorities said Tuesday that the virus, which was first diagnosed less than a month ago, has now killed 106 people and infected 4,515.
Scott Gottlieb, a former Food and Drug Administration Commissioner and a CNBC contributor, said he's worried that coronavirus cases in China are actually much higher than the official numbers show.
"I think we are dramatically underestimating" cases in China by "tens of thousands," Gottlieb told CNBC's "Squawk Box."
Gottlieb: Coronavirus is likely more widespread in China than statistics suggest
Chinese authorities have quarantined several major cities in China and canceled Lunar New Year's festivities in Beijing and other areas.
Multiple cases of the virus have been confirmed in Hong Kong, Macao, Taipei, Thailand, Vietnam, South Korea, Singapore, Malaysia, Japan, Australia, France and the United States. There have been no confirmed deaths caused by the illness outside of China.
The CDC confirmed five cases of coronavirus in the U.S. and said Monday that U.S. health officials are currently monitoring 110 people across 26 states for the coronavirus.


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text:
Common Knee Injuries Golf and How To Fix Them
Knee injuries in golf are not the most common, but they can occur for a number of reasons.
They represent around 10% of golfing injuries.
There are three main types of knee injuries that are common when playing golf.
These include aggravating existing knee conditions, soft tissue injuries, and overuse injuries.
Here we will be looking at the following topics;
Knee injuries that occur during golf
The impact of golfing on the knees
Playing golf with a torn meniscus
Common golf injuries
What can be torn in your knee?
One of the main prevention tools used by tennis players is a knee brace. Learn the best knee braces for tennis here.
Knee Injuries from Golf
We have already outlined the three main sources of golf knee pain. But what is the best way to avoid them?
Aggravating existing knee conditions, such as arthritis, is one of the ways in which golf can affect the knee joint.
Bending and squatting to retrieve balls and excessive amounts of walking can work against you with these issues.
Injuries to soft tissue are a result of the extreme force placed on the knee joint, resulting in ligament damage, torn cartilage, and other soft tissue damage.
Poor swing mechanics and overuse will result in overuse injuries of the knees.
Good body mechanics and training in this area can avoid such issues from arising.
1. Cruciate Ligament Tears
These are two short, strong ligaments located at the center of the knee joint.
They cross each other to form an 'x' shape, connecting to the femur and tibia.
The ACL, anterior cruciate ligament, and PCL, posterior cruciate ligament, stabilize the knee.
The ACL is the most likely to tear, while the PCL is much stronger and harder to damage.
2. Collateral Ligament Tears
The collateral ligaments are long, ropy cords of soft tissue on each side of the knee.
The medial collateral ligament is on the inner side of the knee, while the lateral collateral ligament is on the outer side.
These ligaments form an internal brace that keeps the tibia in position and prevents it from moving sideways.
Tears to these ligaments usually occur in contact sports, such as soccer and football.
A sideways fall while skiing can also injure these ligaments.
This injury occurs much less often than any other type of ligament tear in the knee.
3. Meniscal Tears
The smooth layer of cartilage within the knee joint are the menisci. These are the lateral and medial meniscus.
Each horseshoe-shaped piece of cartilage rests between the femur and tibia.
The cartilage may become damaged as a result of sports, but it can also deteriorate over time.
When it wears thin this can cause a tear.
Damage to the meniscus cartilage increases the risk of other cartilage damage in the knee joint, such as the articular cartilage.
Articular cartilage damage may lead to more serious conditions, for example, osteoarthritis.
Is golf hard on knees?
The knee is the most commonly injured joint in golf, second only to the lower back.
These knee injuries can alter swing mechanics and result in poor ball placement and higher scores.
Can you play golf with torn meniscus?
A golfer with a torn meniscus must fully recover from the injury, whether or not he or she has had surgery, before returning to golf.
This will likely include physical therapy and strengthening exercises to make sure the knee is strong enough to play.
What is the most common injury in golf?
The rotational stress of the golf swing can more likely cause back pain than many other sports.
This is why it is the most common golf injury. It puts pressure on the spine and muscles.
This combined with the bent-over stance of golfers makes it a very common injury in the sport.
To avoid this you should add exercises to stretch and strengthen your back.
2. Tendinitis in the Elbows
Tendinitis is the most common condition affecting the elbow.
It is frequently referred to as "tennis elbow" when there is an injury to the outer tendon, and "golfer's elbow" when there is an injury to the inner tendon.
Most golfers are more likely to develop tennis elbow than golfers elbow coincidently.
The risk of tendinitis increases with age and is also higher in people who perform activities requiring repetitive movements.
3. Knee Pain
The strain placed on a weak knee, stabilizing the rotation of the hip axis, can lead to knee pain and injury.
This movement often occurs at the beginning of a swing.
It can cause torn ligaments, and arthritis sufferers may be more susceptible to knee problems because of degeneration in the joint.
4. Rotator Cuff
Pain in the shoulder and upper arm at various phases of the golf swing, or after play, during the night, and when extending your arm could be a result of the injury to the rotator cuff.
Golfers can develop tendinitis, bursitis, and tears in the rotator cuff due to the repetitive motion of the golf swing.
These injuries are often treated with anti-inflammatory drugs or in rare cases surgery.
5. Wrist Injuries
Golf is full of repetitive movements, and these are the most common ways that golfers can injure their wrists.
Pain and tenderness on the top of the wrist, experienced at the top of the backswing and at impact, are common.
The most common golf-related wrist injury is tendinitis or swelling of the tendons responsible for wrist movement.
6. Hand and Finger Injuries
Repetitive blunt trauma or single severe trauma to the fingers can lead to numerous conditions such as tendinitis, broken or deformed bones, and a condition called hypothenar hammer syndrome, or HHS.
Learning the proper grip and avoiding long periods of ball bashing will help to avoid hand and finger injuries.
7. Neck Injuries
Neck injuries are most common in new golfers. This is because they are not used to twisting their bodies so much.
8. Foot and Ankle Injuries
The body during a golf swing acts like a whip. It starts at the feet, pushing into the ground.
Each foot moves in a different way during a golf swing.
Injuries will most likely occur when the golfer loses their footing or balance during a swing. It can also happen when performing improper swing mechanics or hitting a ball from an uneven surface.
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