Re: Valley 2 Official 1.500 "Linux Support" Released!
Is anyone else getting "Could not preload global game manager #0" error message? I filed the problem I'm having as #15579.
Hey there, sorry about the really slow reply, I've been out of the office and this got missed. I completely botched the 1.500 patch for windows in terms of actually forgetting to include the, um, updated executable. So the old version of that executable from unity 3.whatever was not compatible with the new 4.2.1 unity asset files, hence the error you were getting.
1. For anyone reading this and have installed the update after now, then there's nothing for you to worry about.
2. For anyone using a non-windows version of the game, there's nothing for you to do, either.
3. If you are on windows and are having this issue, then you can manually download this file: http://valley2.s3.amazonaws.com/Valley2_1500.zip Then unzip that into your base install folder for the game, and that will update you properly to 1.500. It will then want you to update to 1.501 after that, but your install is not corrupt or in any way harmed by this. Note: If you want to shortcut this, you can actually even just pull Valley2.exe out of that zip file linked above and replace the version in your install folder with it. That's all that needs to change; everything else is fine.
Sorry about this, and thanks for your patience!
Hey there, where did you get this version of Valley 2 from? Our website, or somewhere else? I wasn't aware of us having an uninstaller in there, but I might be misremembering. And sometimes other vendors like GOG add in uninstallers of their own.
The updater searches for an executable to run, and is expecting only one. So if you just remove the uninstaller, then it should work fine. This may be what is going on with Skyward, too. If you delete the old autoupdater executable files, then that should handle it. All the new autoupdater stuff is in the UDA subfolder, so you won't accidentally delete that.
For Valley 2, if you just want a clean install package, you can also get that off our site. Thanks!
Removing uninstaller from the game folder worked. As for the version of the game it's the one from royal bundle which I believe is identical to the one on your page.
Okay, cool -- that does answer that, it is the same one from our page. I guess Bitrock installs an uninstaller there, I hadn't counted on that. Grr. Simply removing that uninstaller on any game where the updater gives you a problem would handle it fine, I think.


Golden Sands Golf Community is a Public 18 holes golf course located in Cecil, Wisconsin.
Golden Sands Golf Community first opened for play in 1970.
Par for the course is 71. From the back tees the course plays to 6122 yards. From the forward tees the course measures 4888 yards. The longest hole on the course is # 15, a par-5 that plays to 536 Yards. The shortest hole on the course is # 8, a par-3 that plays to 119 yards from the back tees.
Watch out for # 6, a 517 yard par-5 challenge and the #1 handicap hole on the course. The easiest hole is # 11, a 178 yard par-3.
Golden Sands is owned and managed by PGA Professional James Acker.
This hilly and wooded course has tree-lined fairways. The greens are medium-sized and have moderate speed. Water hazards (ponds) come into play on five holes.
The signature hole is #2, a 183-yard, par 3, requiring a straight tee shot to the green.


Natasha Dillon, a founder of the LGBT-rights advocacy group Queer Rising, was tapped to join Community Board 3 last week.
EAST VILLAGE — A public-housing leader, gay-rights rights activist and multimedia artist are among the new crop of appointees to Community Board 3.
Borough President Scott Stringer announced the selections last week, after sifting through 508 applications for 310 seats across Manhattan's dozen community boards.
Included in the selections for Board 3 — which covers the East Village, Lower East Side and parts of Chinatown and Little Italy — were an Alphabet City public housing complex leader, the founder of an LGBT advocacy group, a representative from Chinatown's influential neighborhood organizations, and a choreographer/artist with roots in the Lower East Side's art scene.
Jack Waters, a choreographer/artist who formerly worked as a director of the Lower East Side art space ABS No Rio, joined Community Board 3.
Charlotte Miles — president of both the Lillian Wald Houses tenant association and the community council for Police Area Service 4, which covers 25 NYCHA complexes — was tapped by the borough president to join the 50-member body for a two-year term.
Joining her is 26-year-old East Village resident Natasha Dillon, a founder of the gay-rights activist group Queer Rising, who previously served on the board as a public member.
Gary Tai, assistant to the president of the Chinese Consolidated Benevolent Association and a board member of the century-old Lin Sing Association, was also picked by Stringer for a two-year term.
Jack Waters, a multimedia artist who co-founded the nonprofit arts organization Allied Productions Inc. and formerly worked as co-director of the poineering Lower East Side art space ABC No Rio, was selected by Councilwoman Rosie Mendez to serve through 2013.
The borough president selects all community board members, with half the appointees based on recommendations from local city councilmembers.
Three of the appointees — Dillon, David Conn and Karen Blatt — have all previously served on the board as public members.
Blatt was a member of the board's Seward Park Urban Renewal Area (SPURA) task force, which helped shape an unprecedented community-driven development plan for the sprawling Lower East Side lots.
Waters and Lower East Side resident Carlina Rivera represent the board's brand-new members.
"Today, our community boards are platforms for robust discussion of neighborhood issues and vehicles for bringing about change in communities throughout Manhattan," Stringer said in a statement. "They are the front line for democracy in New York and the means by which we are energizing community activism throughout the city."
Of the 310 new appointments, 233 represented returning board members while 77 were new applicants.


text:
Q: Use single post action method for multiple views I have an sms sms application, which has different templates that users can use to send their SMSs, I used different view to represent different templates, however I want to use one action method to send an SMS, i might be different templates but at the end of the day user will send an sms which has two parameters, message itself and cell number to which this sms is to be send to,
Here is my 3 templates for now
   [HttpGet]
    public ActionResult BookingServiceReminder()
    {
        return View();
    }

    [HttpGet]
    public ActionResult ServiceReminder()
    {
        return View();
    }

    [HttpGet]
    public ActionResult DetailedReminder()
    {
        return View();
    }

    [HttpPost]
    public ActionResult SendSMS(string message, string cellNumber)
    {
        if (_dbManager.SendSMS(cellNumber, message, User.Identity.Name))
        {
            TempData["Success"] = "Message was successfully sent";
        }
        else
        {
            TempData["Error"] = "An error occured while sending the message";
        }
        return RedirectToAction("BookingServiceReminder");
    }

My question is, is there a way of using one method for all this views, I dont want to have multiple post methods which will almost have same code except the redirectToAction on which I want to return then current view(current template).

A: Yes, you can.
You would need to keep track someway that at which action user should be redirected after sending the sms.
One way for it is you can pass the flag back to view and post it as hidden field to determine that which action should be redirected to :
[HttpGet]
public ActionResult BookingServiceReminder()
{
    ViewBag.RedirectTo = "BookingServiceReminder";
    return View();
}

[HttpGet]
public ActionResult ServiceReminder()
{
    ViewBag.RedirectTo = "ServiceReminder";
    return View();
}

[HttpGet]
public ActionResult DetailedReminder()
{
    ViewBag.RedirectTo = "DetailedReminder";
    return View();
}

and in View you can have a hidden field which would post to action :
<input type="hidden" value="@ViewBag.RedirectTo" name="RedirectTo">

and in action add a new paramter:
[HttpPost]
public ActionResult SendSMS(string message, string cellNumber,string RedirectTo)
{
    if (_dbManager.SendSMS(cellNumber, message, User.Identity.Name))
    {
        TempData["Success"] = "Message was successfully sent";
    }
    else
    {
        TempData["Error"] = "An error occured while sending the message";
    }
    return RedirectToAction(RedirectTo);
}

redpajama_set_name: RedPajamaStackExchange


SANTA FE – Human remains found along the Rio Grande north of Cochiti Lake on July 18 have been confirmed as those of Randy Bilyeu, a Colorado man who went missing while looking for the treasure that Santa Fe collector and author Forrest Fenn says he's hidden in the Rocky Mountain region.
Bilyeu, 54, was reported missing Jan. 14 after he hadn't been heard from for about 10 days. Bilyeu's Nissan Murano was located west of Santa Fe, at the end of Buckman Road near the river, and searchers later found his dog, Leo, and an inflatable raft nine miles downstream.
Bilyeu, who lived Broomfield, Colo., came to Santa Fe to look for Fenn's antique treasure chest, said to hold more than $1 million worth of gold coins, jewels and artifacts.
In 2010, Fenn published his "The Thrill of the Chase" memoir that includes a poem said to contain clues to the loot's whereabouts. Interest in Fenn and his treasure has ballooned around the country amid national news coverage and with theories and tidbits about the search thrashed out daily on websites dedicated exclusively to the treasure hunt.
Bilyeu's ex-wife, Linda Bilyeu, said via telephone Tuesday that she was thankful for search-and-rescue efforts and the scores of volunteers who helped look for any sign of Randy over the last six months. But she said the father of her two daughters died looking for something that she doesn't believe even exists.
Fenn said from his Santa Fe home via telephone Tuesday that he was sorry to hear the news confirming Bilyeu's death. Fenn chartered a helicopter for three days to help volunteers look for Bilyeu in January.
"The treasure is real, the story is real," Fenn said Tuesday.
Sacha Johnston, an Albuquerque Fenn enthusiast, organized volunteer searches after New Mexico Search and Rescue suspended its efforts for a lack of fresh clues and set up a GoFundMe page to help Bilyeu's family. She and others combed the area around the Rio Grande south of Santa Fe on the ground and in the air with drones. The search was updated daily on dalneitzel.com, a site dedicated to the treasure hunt, but the posts dropped off in late January.
Interest in Fenn and the hunt blew up after a "Today Show" feature in 2013. It's believed that thousands have come to the Santa Fe area to look for the treasure. A Texas woman had to be rescued at Bandelier National Monument three years ago after she got lost looking for the chest.


text:
Living in the Absolute
Studies in the Visishtadwaita Philosophy
N. C. Ramanujachary
Front cover of the 1985 edition
Foreword to the 2014 Online Edition:
Visishtadwaita is a definite branch of the Indian system of Philosophical Thought, where the marked distinction is that the "Individual soul" though absorbed in the "Universal Soul", ultimately maintains its own Identity and thus Lives in the Absolute as a NITYA SURI (Eternal Solar-being).
The Divinity is the Source of all manifestation and the Supreme Power is anthropomorphized for purposes of easier comprehension and idealization of the devotees. One is supposed to travel from the "Idol" to the "Idea" and the "Ideal".
Devotion is the direct Path to obtain Immortality. "The Grace of Divinity" is causeless and freely flows over the Universes for the enjoyment of the living-beings (sentient and non-sentient) and a devotee needs to draw that grace by his own merit and endeavor.
The Philosophy was popularized by Sri Ramanujacharya (1017-1137 AD), who wrote commentaries to the Brahma-Sutras, Upanishads and Bhagavad-Gita. His Commentary is renowned as SRIBHASHYA. He was in favor of a Social Order devoid of caste, color and race; only unfettered devotion to the Supreme Lord to be the "talisman" for Life and Living.
The text is intended for those who need to be familiarized with the basic concepts of this philosophy and so is divided into three sections: "The Essential Teachings", "Five Bases for Wisdom", and "A Code of Human Conduct".
The place given to the Teacher (Preceptor) in this system is identical to what is said as the steps in the Golden Stairs "A Loyal Sense of Duty to the Teacher" and "Once we have placed our confidence in and believe the Teacher in possession of it". The place given to the co-disciple is a significant factor in Universal Brotherhood of Humanity. The Parallels and Dis-similarities with Theosophical philosophy are dealt with in my other book "The Human and The Divine". [1]
I am rejoiced that "The Aquarian Theosophist" and its associated websites are publishing this slim book online for the benefit of those who have an interest in Comparative Religion and Culture.
Dr. N. C. Ramanujachary
Chennai, India, 24 February 2014.
Click Here to Read the Complete
Book "Living in the Absolute" in PDF
[1] The volume "The Human and the Divine", by N. C. Ramanujachary, is also available on the websites associated to "The Aquarian Theosophist".

redpajama_set_name: RedPajamaCommonCrawl


Want to be secretly creative in a public space?
Volunteers required to unleash their passion on the new footpath.
for details on when/where/how. OR leave a reply below.
This could be just the start of something big.


text:
using System.Threading.Tasks;

namespace Drey.Configuration.ServiceModel
{
    /// <summary>
    /// Allows the remote server the capability to recycle a client's runtime and registered releases.
    /// </summary>
    class RecycleClientService : RemoteInvocationService<DomainModel.Request<DomainModel.Empty>, DomainModel.Empty, DomainModel.Response<DomainModel.Empty>, DomainModel.Empty>
    {
        readonly IEventBus _eventBus;

        /// <summary>
        /// Initializes a new instance of the <see cref="RecycleClientService"/> class.
        /// </summary>
        /// <param name="eventBus">The event bus.</param>
        public RecycleClientService(IEventBus eventBus) : base("BeginRecycleClient", "EndRecycleClient")
        {
            _eventBus = eventBus;
        }

        protected override Task<DomainModel.Response<DomainModel.Empty>> ProcessAsync(DomainModel.Request<DomainModel.Empty> request)
        {
            _eventBus.Publish(new Infrastructure.Events.RecycleApp());
            return Task.FromResult(DomainModel.Response<DomainModel.Empty>.Success(request.Token, new DomainModel.Empty()));
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
Eligible Resources for FSA/HSA
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Started in 2010, FSA Store established itself as the first direct-to-consumer ecommerce site dedicated to helping millions of Americans navigate their flexible spending accounts with zero guesswork. Find the largest selection of guaranteed eligible health and wellness products, educational content, and the web's most comprehensive Eligibility List.
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GoodCell
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Visit GoodCell


text:
Q: Custom loss function (focal loss) input size error in Keras I am using a neutral network to do multi-class classification. There're 3 imbalanced classes so I'd like to use the focal loss to handle the in-balance. So I use custom loss function to fit in Keras sequential model. I tried multiple versions of code for focal loss function I found online, but they return the same error message, basically saying the input size is the bath size while expected 1. Could anyone have a look at the issue and let me know if you can fix it? I really appreciate it!!!
model = build_keras_model(x_train, name='training1')

class FocalLoss(keras.losses.Loss):
    def __init__(self, gamma=2., alpha=4.,
             reduction = tf.keras.losses.Reduction.AUTO, name='focal_loss'):

    super(FocalLoss, self).__init__(reduction=reduction,
                                    name=name)
    self.gamma = float(gamma)
    self.alpha = float(alpha)

def call(self, y_true, y_pred):

        epsilon = 1.e-9
        y_true = tf.convert_to_tensor(y_true, tf.float32)
        y_pred = tf.convert_to_tensor(y_pred, tf.float32)
        model_out = tf.add(y_pred, epsilon)
        ce = tf.multiply(y_true, -tf.math.log(model_out))
        weight = tf.multiply(y_true, tf.pow(
            tf.subtract(1., model_out), self.gamma))
        fl = tf.multiply(self.alpha, tf.multiply(weight, ce))
        reduced_fl = tf.reduce_max(fl, axis=1)
        return tf.reduce_mean(reduced_fl)

model.compile(optimizer = tf.keras.optimizers.Adam(0.001),
          loss = FocalLoss(alpha=1),
          metrics=['accuracy'])

class_weight = {0: 1.,
            1: 6.,
            2: 6.}

    # fit the model (train for 5 epochs)
    history = model.fit(x=x_train, y=y_train, batch_size=64, epochs=5,
    class_weight = class_weight)
ValueError: Can not squeeze dim[0], expected a dimension of 1, got 64 for 'loss/output_1_loss/weighted_loss/Squeeze' (op: 'Squeeze') with input shapes: [64].

A: You are facing the issue that you are leveraging some helper class that is designed for doing some logic for you, but unfortunately, its documentation is not very clear about what exactly it does for you and, hence, what exactly you need to do on your own.
In this case you use tf.keras.losses.Loss. All you need to do is implement call() (and optionally __init__). Unfortunately, the documentation doesn't state at all what it expects call() to return. But as you need to specify a reduction in __init__(), we can assume that call() is expected to not only return a single number. Otherwise reduction would be useless. In other words: the error is telling you that call() returns a single number while it is expected to return 64 numbers (your batch size).
So, instead of reducing the batch into a single number yourself (by calling tf.reduce_mean(reduced_fl)), let the helper class do this for you and just return reduced_f1 directly. Currently you use reduction=tf.keras.losses.Reduction.AUTO which is likely what you want.

A: Keras loss functions take a batch of predictions and training data, and use them to produce a tensor of loss. One way this can be implemented is simply by defining a function with two tensor inputs which returns a number, like so
def mse(y_true, y_pred):
    return K.mean(K.square(y_pred - y_true), axis=-1)

Then pass this to the model at compilation like so
model.compile(optimizer = tf.keras.optimizers.Adam(0.001), loss = mse)


text:
Judy, or The London Serio-Comic Journal est un magazine hebdomadaire humoristique et satirique britannique fondé en 1867 par M. Bourne et Charles H. Ross avant d'être racheté en 1872 par les frères Dalziel. Il disparaît en 1907.

S'inspirant du magazine satirique à succès Punch, tout en étant plus conservateur, beaucoup moins incisif et meilleur marché, Judy proposait textes, caricatures, illustrations et bandes dessinées destinés aux classes moyennes. Ce fut selon David Kunzle « l'un des plus populaires des magazines humoristiques familiaux de l'Angleterre de la fin du  ». C'est dans ses pages qu'est né Ally Sloper, qualifié par Roger Sabin de « première superstar de la bande dessinée ».

Histoire

La collaboration Ross-Dalziel
Judy est fondé en 1867 par M. Bourne et Charles H. Ross sur le modèle du magazine satirique à succès Punch, créé en 1841, et de son rival bon marché Fun, lancé en 1861 et racheté en 1870 par les frères Dalziel. Le succès de Judy conduit les Dalziel à le racheter en 1872. Gilbert Dalziel, fils d'Edward, est nommé directeur de la publication, tandis que la direction éditoriale reste entre les mains de Ross. Grâce à ces nouveaux moyens financiers, la revue peu engager de nombreux illustrateurs, comme le célèbre Phiz, qui trouvait là un moyen de gagner facilement de l'argent.

À partir de 1872, Dalziel et Ross publient toute une série de livres de divertissement (recueils de dessins, almanachs, petits romans et guides humoristiques) publiés par « les bureaux de Judy » (« "Judy" Office »). Écrits principalement par Charles H. Ross ou Ernest Warren, ces « Shilling Books » (« Livres à un shilling »), qui coûtaient en fait moins d'un shilling (12 pence), étaient tous richement illustrés par les auteurs de la revue (Phiz, Fred Barnard, Adelaide Claxton, Archibald Chasemore, Marie Duval, William Reynolds, etc.).

En 1883, Ross revend à Dalziel ses droits sur Ally Sloper. Afin d'exploiter au mieux le personnage, Dalziel lance alors le  Ally Sloper's Half Holiday, un hebdomadaire centré sur le personnage. Cela fait disparaître Ally de Judy. Cependant, ce n'est pas une mauvaise période pour la revue, à laquelle continuent à contribuer nombre d'illustrateurs qui savent séduire le lectorat comme W. G. Baxter, Bernard Partridge, Maurice Greiffenhagen, Alfred Bryan, Fred Pegram, Raven Hill, F. H. Townsend ou toujours Fred Barnard. Cependant, Judy ne parvient pas à garder un illustrateur sortant du lot et sa qualité décline progressivement, bien que les ventes restent correctes

À la suite de désaccords avec Dalziel, Ross quitte définitivement Judy en 1887, ce qui entraîna la fin de la publication des « Shilling Books ». Ross lance un magazine concurrent, C. H. Ross's Variety Paper, qui cesse cependant après une trentaine de numéro. En 1888, Gilbert rachète pour 8000 livres la revue à son père et ses oncles.

Judy après Ross

Le plus conservateur des journaux populaires
Journal conservateur (il soutient toujours Benjamin Disraeli contre William Gladstone), Judy défendait cependant ardemment la protection des femmes et l'éducation obligatoire. En effet, femmes comme enfants formaient un lectorat potentiel non négligeable.

Notes et références

Documentation
  John Adcock, « Judy's "Jolly Books"  », sur Yesterday's papers, .
  George et Edward Dalziel, The Brothers Dalziel. A record of fifty years' work in conjunction with many of the most distinguished artists of the period, 1840-1890, Londres : Methuen, 1901.
  David Kunzle, « Marie Duval: A Caricaturist Rediscovered », dans Woman's Art Journal, vol. 7, n°1, printemps-été 1986, p. 26-31.
  David Kunzle, « Busch Abroad: How a German Caricaturist Willy Nilly Helped Launch the New Cheap Comic Magazines in Britain and the United States », dans Victorian Periodicals Review, vol. 25, n°3, 1992, p. 92-99.
  Brian Maidment, avec Kery Chez et Matthew Taunton, « Judy », dans Laurel Brake et Marysa Demoor (dir.), Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland, Gand : Academia Press, 2009, p. 327-328.
  Roger Sabin, « Ally Sloper: The First Comics Superstar? », dans Image & Narrative vol. IV, n°1, .

Presse écrite disparue au Royaume-Uni
Presse satirique au Royaume-Uni
Titre de presse créé en 1867
Titre de presse disparu en 1907

redpajama_set_name: RedPajamaWikipedia


I have a lot of heavy metals in my body and have suspected that these may exacerbate the effects of EHS. The more I think about it, the more likely it seems.
Has anyone had much experience with this? For example, how long does it take to reduce your heavy metal count and what's the best way to do it? Have any of you succeeded in reducing the heavy metals and, if so, did you notice a reduction in EHS?
Yes, I treated my EHS as heavy metal poisoning, and improved from doing that.
Unfortunately, for many people, detoxing heavy metals is much easier said than done. As the various detox organs and pathways that are supposed to help out with this are so compromised, that it's difficult to make any progress. And in many cases, people make their own problems worse.
First thing to do is limit future exposure. If you've got heavy metal dental work, then find a holistic / biological dentist and get them safely removed. If you are eating foods known to contain lots of heavy metals (e.g. tuna fish), stop eating that. Don't get any tattoos. Etc.
For some people, there will need to be a step to get your body working more efficiently at detox. Usually this would be via supplements. If you are not healthy enough to have dental work done, then this may be the first step.
Then when your current exposures are reduced, you can start detoxing the stuff that has accumulated in your body. This is done via a combination of "mobilizers" (things that move the metals into your bloodstream) and "binders" (things that remove the metals from your body). There are all sorts of things that claim to do this, and some people may not be able to tolerate them all (and in extreme case, some people may not be able to tolerate any of them). But there are supplements like DMPS, DMSA, EDTA, NDF, IMD, MetalSweep, OSR/NBMI, chlorella, cilantro, glutathione, zeolite, etc. Or non-supplement solutions like saunas and ionic footbaths. I personally think the "state of the art" in this is from a company called Quicksilver Scientific, but they are expensive and I doubt many local doctors know anything about there products & protocols. A lot of people online follow the protocols from Andy Cutler, but I personally don't think Andy Cutler got much of this right, and was never really able to even detox himself before he died.
of the extra sensitivity some of us have - in my case - to microwaves in particular?.
are rather different, and have such different political and social consequences.
adversely affected by these radiations.
Yes, I do think that heavy metals are a big component for SOME people's sensitivities, but we also do see people improve by doing other things than heavy metal detox, so there are other solutions that work for some people. Which means to me that maybe they would not have improved if all they did was a heavy metal detox, because they have some different issue going on.
Stevie yes I believe ES is because of a build up of metals (and inorganic material) in the body and brain/nervous system from tap water and some processed foods and the body's gradual deterioration in efficiency and effectiveness of flushing out this foreign material.
I also believe that in combination with this it is because of a lack of salts in the body that help to dissipate electrical charge with in the nervous system to the rest of the body, thus restoring an electrical balance and reducing inflammation in the brain/nervous system.
could still fail to show the real metal content in my body?
> could still fail to show the real metal content in my body?
Yes, because the accumulations of toxins end up in your body's cells/organs, and don't hang out in the blood forever.
Many if not most of us have too much heavy metals in our bodies. I have measured mine some years ago with vegatest and the levels of mercury steadily went up if I not "detoxed" or lived very healthy.
And what reacts to emf, rf etc? What can react? Yes its mostly metals just like the antenna you have on the roof. And what metals can be problematic? Yes its the bad heavy metals you have too much of. What happens is the heavy metals turn into activated oxidant mode beeing 500x - 2000x as toxic as when they are in sleeping mode in the tissue.


Normal maintenance for Nintendo joysticks is to apply a drop of 3-in-1 oil on the bearing if the joystick feels sticky or doesn't always return to center when released.
If you are restoring or cleaning an old gummed up assembly, you may want to disassemble it, clean the bearing thoroughly with solvent, or WD-40 to get most of the gunk out, then clean it again with warm soapy water. Dry the base with compressed air to remove any moisture, then re-lubricate the bearing as normal. While you have the stick apart, if you find you have worn pieces, we carry a complete line of replacements parts for these joysticks in the online store.
Nintendo Joystick ball and shaft assemblies are measured from the top of the ball, to the top of the E-Clip slot.
4-way joystick TKG-23-50, with a 25mm Ball Top. The total length of the ball and shaft assembly is 82 mm.
Also used in Donkey Kong Jr, Donkey Kong 3 and Popeye tables.
4-Way joystick TKG-23-50, with a 30mm ball top. The total length of the ball and shaft assembly is 86 mm.
2-way, TKG-23-50 based, shaft is shorter by 5 mm below the ball top, plastic base plate added for metal control panel installation. 28mm Ball Top is molded on the joystick shaft. Ball and stick assembly measures 80.5 mm long.
8-Way. Same Joystick as the Mario Bros Joystick, with the 2-way guide plate replaced with an 8-way guide plate. Ball and stick assembly measures 80.5 mm long.


text:
I feel very fortunate to have been able to visit York Road Depot and I must thank Ian Campbell and Richard Noble both of Transrail for taking time out and making it possible for me to visit
After looking at 112 we walked round the corner where I caught my first sight of the Thumper parked next to a modern Unit, Im not going to add many photos of it here as I am planning an article about it so I would just be doubling up on the photos
The last part of the depot to see was the maintenance shed under overhauls was ballast hopper C523 and one of the tampers both of which were jacked up off their bogies, also was one of the MPV's which is currently used on water jetting trains to clean the railhead before the Sandite Thumper comes along.
As I walked through the shed I caught a glimpse of the big American locomotives, NIR purchased 3 of these in the 70's from GM and are virtually identical to the 071 Class used in the South. The class of 3 are numbered from 111-113 and the one I saw was 112 photos of which are below
Just as we walked the corner the other 2 GM's 111 & 113 were sat there so I too the opportunity to take many shots of these.
The concreted are is the site of the former traverser. There was a turntable to get the vehicle onto the traverser and apparently was awkward and time consuming so it has been replaced by modern technology.
The area was concreted over and a vehicle built by a company who builds those self propelled trailers for moving heavy abnormal loads on the highway.
It can be seen In many of the shots but once loaded can be moved easily to any of the workshop roads which is at 90 degrees to the main depot
York Road Depot
The former Belfast home to the Northern Ireland Thumpers
The next loco to see was 231 from the 201 class, These were built in the 1990's by CIE and a couple by NIR.
231 was in the depot as a standby for the Enterprise service, which runs from Belfast to Dublin
The first units I saw in the depot (Above Left) is 3022 and (Above Right is 3018)
Also in the depot was 4012 (Below Left) these were basically the second batch ordered, I don't know about any mechanical differences but can be distinguished by the black cab roof and different headlights.
The other shot (Below Left) is of 3022 which is on the main line as it runs along side the depot on a service heading North
In October 2017 I finally managed to visit Belfast to see the remaining Thumpers along with other interesting pieces of railway.
One of the things arranged was a trip to York Road Depot. this is the main depot and works for Translink who are the northern Ireland Railways.
Upon arrival I was taken into the main split level shed where there were a couple of the modern DMU's which replaced the Thumpers. Even though these replaced the Thumpers and therefore we have heard a lot of negativity about them they are proving to be pretty reliable machines.


Where better to practice your pranayama and sun salutations than a serene spa?
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A magnificent Health, Spa and Golf resort with its own 18-hole golf course, thermal hot springs, and beautiful gardens.
Located on Hammamet Beach, this hotel is of modern construction; yet incorporating elements from traditional Islamic architecture.
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A new lifestyle luxury hotel, the first healing hotel in China, located in central Hongqiao and close to the city's most prominent commercial business zones.
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Llao Llao combines beauty, functionality, the highest level of elegance and grandeur of Patagonia Argentina.
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The spirit of the Caribbean calls. Escape, enjoy and relax like never before at the all new Casa de Campo in Dominican Republic.
Iconic building of Saint Germain des Prés, the Hotel Lutetia Rive Gauche Paris was built in 1910 in a true Art Nouveau Style.
Centrally located historic hotel built in 1886, reopens following a restoration project that places it in the luxury category.
The discreet charm of the venue and the comfort of feeling at home, this is the philosophy behind the creation of the J.K. Place.
At the foot of the Margalla Hills on fourteen acres of landscaped gardens and near the Rawal Lake. Adjacent to the Diplomatic Enclave.
On the banks of Suzhou River, next to the historical Waibaidu Bridge, the scenic Bund and panoramic views of Lujiazui skyline.
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Vacation for the soul 12 total beds (1 apartment) for 5 years, we have the "turrets" lovingly umgestaltetund equipped to a large holiday home with many antique furnishings, paintings and sculptures. A rustic chicken house invites you to cozy gathering of 12 people. The seminar room (50 m²) for creative work / discussions / Meditation, as standard features for a music system, TV flat screen, chairs, tables and a fireplace. The garden (2800 m²) with mature trees, terraces, seating and fireplace in the garden, and the directly adjacent fields and meadows (Picture Gallery), hills and woods and a starry, verschonter from artificial light starry sky, provide space for a direct contact with the elements. More power is possible on wonderful Edersee, this give peace and allow yourself to get closer again.
FUCHSHAUSferienstein in a sunny south facing - pets Welcome!


Fresh statistics indicate that the total volume for factoring increased in 2006 by almost 12%. The world total stands now at €1,134,288 million.
Although the above figures indicate that the factoring industry continues to enjoy a double-digit yearly growth, even more impressive are the growth figures for international factoring, nearly 20% last year, a consistent pattern for the past years. It illustrates that exporters and importers, around the world, are becoming more and more familiar with the advantages to be derived from a factoring arrangement: working capital, credit risk protection and collection service for the exporter, while the importer benefits from buying on open account terms without the need to open letters of credit or to accept other payment conditions with a similar restrictive character.
FCI itself grew to a membership of 216 members, located in 62 countries. The members jointly experienced a better than average growth of nearly 14% for domestic factoring and a phenomenal growth of more than 34% for international factoring. As a result of these dynamic developments, FCI members now have a world market share of 59%, and even 72% when looking specifically at cross-border factoring. In the traditional area of two-factor cross-border factoring business, FCI members have increased their market share to more than 80% and are now the undisputed leaders in this field of trade finance. It also explains why FCI is nowadays the only organisation which has the reach and depth to produce these world factoring statistics on a yearly basis.
The foregoing figures would have been even more impressive if the statistics were read in US dollars (see the attached pages) but with Europe being the largest regional market for factoring, the euro is probably the most relevant choice.
In individual markets, Germany, France, Spain, U.K., China, Italy and Russia saw the biggest increases in absolute figures.
For regional growth, the Asian market has now surpassed the market of the America's with Taiwan, China, Hong Kong and India the most important "growers", more than offsetting a slight drop in the Japanese factoring volume. If Turkey would be listed under Asia as well (rather than under Europe), the impact of Asia would be even greater.
It is satisfactory to see that also the relatively smaller African market has grown substantially in 2006 (+36%) with South Africa as the major force.
a) a general improvement in world economic conditions, despite high energy prices and high prices for other raw materials.
b) greater familiarisation in individual markets with the flexible and service oriented character of factoring, leading to a healthy increase in demand.
c) introduction of factoring in more and more countries, whether it is Peru, Colombia, Egypt, the former Yugoslav republics, Ukraine, the United Arab Emirates or an especially promising market like Vietnam.
On the FCI website you will also find the new FCI video illustrating the process of cross-border factoring. There are English and Spanish versions, the Chinese version will be available in three weeks from now.
The FCI website will be updated shortly to reflect the new 2006 factoring statistics.


KRUM is a 3D, single-player, third-person/first-person, computer role-playing game in early stage of development. KRUM has a medieval settings, with some fantasy elements. KRUM will be notable for its high-speed realistic 1 to 1 combats, easy to use interface and remarkable gameplay.


Rising prices and fewer consumers?
Producing thousands of gallons or kilowatts alone does not demarcate the well-being of an energy company. Identifying the most optimistic markets is more important than stepping up your production capacity at regular intervals. Although keeping energy products in reserve can be viable, loss of revenue can produce unimpressive charts quite quickly.
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Lu Ting, head of Greater China economics at Bank of America in Hong Kong, said the transcript was "important information," with Li indicating that the "floor" for growth this year was 7.5 percent, while 7 percent was the lower limit for the period through 2020. Lu said that the government may roll out a "small scale fiscal expansion" including spending on railways, social housing and environmental and information-technology infrastructure.
Shen Jianguang, chief Asia economist at Mizuho in Hong Kong, said 7.5 percent is the lower limit this year and percent is the boundary starting next year. The government is already trying to support expansion with spending on railways, city infrastructure and environmental protection, Shen said.
Finance Minister Lou Jiwei said in a press briefing in Washington on July 11 that growth as low as 6.5 percent may be tolerable in the future. While the government in March set a 2013 growth goal of 7.5 percent, Lou said he's confident 7 percent can be achieved this year.
Eoin Treacy's view As a country moves up the GDP per capita scale, outsized growth rates become progressively more difficult to sustain. In simple terms, less is needed in terms of productivity gains to move GDP per capita from $1 to $2 than from $1000 to $2000. China has succeeded in lifting its per capita GDP impressively over the last 30 years. As the absolute wealth of the country increases, the pace of the expansion can logically be expected to moderate even in the most bullish scenario.
Tolerance for a lower growth rate has coincided with the realisation that per capita productivity gains from infrastructure development and the low cost export model are now outweighed by those that come from enhancing the country's human capital. Fostering a consumer culture, services industry, higher valued added manufacturing and private sector entrepreneurship are major policy goals that are likely to dominate for the next decades. In the meantime, the administration is walking a fine line between continuing to support major employers, attempting to motivate consumer spending while also rationalising uncompetitive industries.
With valuations much improved we can probably conclude that much of this news is already priced into the stock market. The CSI300 Index continues to range, with a mild upward bias, above the December lows near 2100. A sustained move below this week's low near 2160 would be required to question medium-term potential for continued higher to lateral ranging.
Last September the bank, industrial and materials sectors represented 65% of the CSI300. Today that weighting has fallen to just over 60%, not least because of the underperformance of these sector relative to information technology, healthcare and consumer staples this year. While these sectors are not yet large enough to exert a strong influence on the wider market they are by far the fastest growing.


What time KARNAVATI EXP depart from AHMEDABAD JN Railway Station?
KARNAVATI EXP (12934) departs from AHMEDABAD JN Railway Station at 04:55.
How much time KARNAVATI EXP take to reach MUMBAI CENTRAL Railway Station?
KARNAVATI EXP reach on day 2 to MUMBAI CENTRAL Railway Station. The arrival time of KARNAVATI EXP at MUMBAI CENTRAL Railway Station is 12:35.
KARNAVATI EXP covers 491 km to reach MUMBAI CENTRAL Railway Station at average speed of 65 km/hr. KARNAVATI EXP passes through 10 stations.


text:
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Home | Films | Explore Film Lists | Loss
Film can open up new worlds or it can project our own onto the silver screen. It can explore difficult themes, whether introducing us to the issues for the first time as a child, or by developing our understanding in later teenage years. From classic animations and folktales through to kitchen sink dramas and fantastical creatures, this is loss in its many forms.
Age group5–11
Bambi(1942)
One of the greatest Disney animations, Bambi is a young deer learning love, friendship and tragedy. A timeless classic for all ages.
A rite of passage for dealing with subjects such as loss and tragedy, Bambi is a Disney classic. Though mother and son are cruelly torn apart, it is tactfully done with the death occurring off-screen, and so can be used as an introduction to these themes. The film also shows how Bambi gets through a tough time in his life with a little help from his friends.
Age groupAll ages
Up(2009)
Pixar animation in which an elderly widower attaches thousands of balloons to his house and sets off on his dream adventure to South America.
Pixar took tearjerking animation to another level with Up, a superb feat of storytelling which incredibly manages to get the overwhelm the viewer within the first ten minutes through a wonderful montage. The rest of the film is about dealing with grief and moving on from it, reminding us that you're never too old to follow your dreams.
Toy Story 3(2010)
The third outing for Buzz and Woody in a tale every bit as funny, touching and exciting as it's predecessors.
From experiencing loss in the first few moments to a film which reverberates with it throughout its entire running time, Toy Story 3 has much to say on this and the nature of friendship. The whole story revolves around growing up, letting go and moving on – with characters like Bo Peep gone but not forgotten – culminating in a powerful, heart-wrenching climax.
Into The Woods(2014)
The Grimm Fairytales are brought to life in this musical about a couple who venture into the woods to break a spell that has been cast on them.
An even more sombre tone is struck at times in this adaptation of Stephen Sondheim's much-loved musical, suitable for upper-primary students. The film explores the darker side of fairy tales and the characters who inhabit them, asking what happens after the traditional "happily ever after" moment, showcasing complex individuals which hold a mirror up to our own lives.
Song of the Sea(2014)
A beautiful and touching animation based on an Irish folktale about a little girl who turns into a selkie.
A different sort of folklore is explored in the enchanting Song of the Sea, an Irish tale from the creators of The Secret of Kells. Full of spellbinding animation, this is a sensitive foray into family bonds and the trials of growing up. This is superb storytelling, reminiscent of charming titles such as Studio Ghibli's Ponyo.
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Age group14+
Lilting(2014)
After a young man's untimely death, his lover and mother attempt to grieve together despite having no common language between them.
A tale of same-sex love and loss is brilliantly observed in this British film, starring Ben Whishaw. After his lover's death, he and his lover's mother – who knew nothing of their relationship, or of her son's sexuality – must learn to grieve together, with the aid of a translator. Lilting is a beautifully nuanced film exploring the significance of communication.
Ratcatcher(1999)
Dark, unique portrait of Glasgow in the 1970s, about a boy who blames himself after his friend drowns in a canal.
Another British story – this time set in 1970s Scotland and created by filmmaker Lynne Ramsay – is about a younger boy who struggles to cope with the death of his best friend. Protagonist James must learn to live with the guilt he feels and move on with the rest of his life in this visually-arresting, highly evocative film.
Age group11–16
A Monster Calls(2016)
A boy struggling to cope with his mother's illness finds himself visited by a fantastical monster.
Like Ratcatcher, A Monster Calls also features a young male at its centre, but the story is a mix of fantasy and reality. Adapted from the superb novel of the same name, it sees Conor rallying against his mother's severe illness. Suddenly a huge creature strides into his life, and attempts to use storytelling to ease him through the unforgiving grieving process.
Don't Look Now(1973)
Unforgettable psychological horror about a couple who decamp to Venice in order to forget the tragic death of their daughter.
As well as fantasy, the horror genre often tackles serious issues in its themes, with The Babadook being a prime modern example. Don't Look Now is a classic version of this, in which two parents try to escape the memories of their daughter's tragic and untimely death by taking a trip. Yet neither are able to forget, seeing her image at every turn to unsettling effect.
Another Earth(2011)
Mysterious and powerful low-budget film, proving it doesn't take sci-fi wizardry to make you think about life on other planets.
Science fiction has also delved into such subjects. Here, Rhoda must decide how far she's willing to go in order to make amends for her sins of the past. Another Earth is a fascinating drama which combines sci-fi elements – in this instance the discovery of a strange new planet which appears to very closely resemble Earth – with human connections.
The Virgin Suicides(1999)
A bizarre outbreak of suicides among the girls of one family is the focus of this intelligent, haunting Sofia Coppola film.
From one girl who has made a mistake in her youth to a group of impressionable, closely connected sisters. The Virgin Suicides is an unsettling drama in which a strict upbringing results in a tragic end for the siblings. Adapted from Jeffrey Eugenides' cult novel, this film is a representation of the odd, unpredictable nature of loss.
All About My Mother(1999)
Uplifting tale of Manuela, a mother who decides to relocate to Barcelona after her son's sudden death.
From girls to women, Pedro Almodóvar's outstanding drama manages to find a more celebratory tone at times, despite the difficult subject matter at hand. After her son is killed on his 17th birthday, Manuela returns to old friends for comfort and together they help each other through the grieving process in this typically flamboyant film from the Spanish director.
Grandma(2015)
Elle Reid hits the road with granddaughter Sage, visiting friends and old flames, in order to raise $600 for the teenager's planned abortion.
A similar journey takes place in Grandma, which sees several generations of women portrayed on screen in a witty and affectionate manner. This film also features LGBT characters prominently, and in this case the trauma at the centre of the story is the death of Elle's long-time partner who lingers firmly beneath the surface of this consistently funny and touching film.
Jackie(2016)
A poignant drama about Jackie Kennedy in the aftermath of the assassination of her husband President John F Kennedy in 1963.
This biopic about Jackie Kennedy is very much about a woman of a particular era, trapped within a key moment in history. The film, from Chilean director Pablo Larraín, focuses on loss as experienced in the limelight of public scrutiny and opinion. As with Larraín's other films, it combines political archive footage with personal experience in an intriguing manner.
Fruitvale Station(2013)
Based on real events, this film charts a day in the life of a Black man named Oscar Grant on NYE 2008 and how he was unlawfully killed by the police.
Fruitvale Station is another fictionalised account of a true story, and one which is far more recent in the mind. This is the hard-hitting account of the last days in the life of Oscar Grant, a 22-year-old African-American who was fatally shot by police in a highly controversial incident which provoked outrage across the country.
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Out-Of-Date Family Trust Varied to Recognise Same-Sex Spouses
Family trusts often date back many years, and those who drafted them could not have been expected to foresee all the dramatic social changes that have happened since pen was put to paper. In one case, the High Court's intervention was required to vary a trust so that same-sex partners could be recognised as potential beneficiaries.
The trust had been set up in the 1960s to preserve assets which included a stately home that had been owned by the same family for over 300 years. It made provision for spouses of members of the family. The draftsman, however, had not predicted the advent of civil partnerships and same-sex marriages.
The trust enjoyed certain irreplaceable tax management advantages and the option of creating a fresh settlement was therefore unattractive. In upholding the trustees' application to vary the trust, the Court accepted that it required a much-needed overhaul. There were financial, ethical and moral reasons why the trust's definition of 'spouse' should be extended to embrace formal same-sex relationships. The Court also approved variations which extended the trust's lifespan by a further 125 years and conferred additional investment powers on the trustees.
For many purposes, the word 'spouse' is taken to include civil partners and same-sex spouses. However, in this case, the wording of the trust document was such that a change to modernise it was necessary.


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text:
require_dependency "semi_static/application_controller"

module SemiStatic
  class ReferencesController < ApplicationController
    before_action :authenticate_for_semi_static!, :only => [ :create, :update, :destroy ]

    caches_page :show

    layout 'semi_static_dashboards'

    # GET /references
    # GET /references.json
    def index
      @references = Reference.all
      @reference = @references.first
      @selection = 'References'
      @tag, @seo = Seo.references(params[:tag_id], I18n.locale)

      layout = (semi_static_admin? ? 'semi_static_dashboards' : 'semi_static_application')
      template = (semi_static_admin? ? 'semi_static/references/admin_index' : 'semi_static/references/index')

      respond_to do |format|
        format.html { render :template => template, :layout => layout }
        format.json { render json: @references }
      end
    end

    # GET /references/1
    # GET /references/1.json
    def show
      @reference = Reference.find(params[:id])
      @selection = 'References'
      @title = @reference.title

      respond_to do |format|
        format.html { render :layout => 'semi_static_application' }
        format.json { render json: @reference }
      end
    end

    # GET /references/new
    # GET /references/new.json
    def new
      if params[:master].present?
        master = Reference.find(params[:master])
        @reference = master.dup
      else
        @reference = Reference.new
      end

      respond_to do |format|
        format.html # new.html.erb
        format.json { render json: @reference }
      end
    end

    # GET /references/1/edit
    def edit
      @reference = Reference.find(params[:id])
    end

    # POST /references
    # POST /references.json
    def create
      @reference = Reference.new(reference_params)

      respond_to do |format|
        if @reference.save
          format.html { redirect_to references_path }
          format.json { render json: @reference, status: :created, location: @reference }
        else
          format.html { render action: "new" }
          format.json { render json: @reference.errors, status: :unprocessable_entity }
        end
      end
    end
    # PUT /references/1
    # PUT /references/1.json
    def update
      @reference = Reference.find(params[:id])

      respond_to do |format|
        if @reference.update_attributes(reference_params)
          format.html { redirect_to references_path }
          format.json { head :no_content }
        else
          format.html { render action: "edit" }
          format.json { render json: @reference.errors, status: :unprocessable_entity }
        end
      end
    end

    # DELETE /references/1
    # DELETE /references/1.json
    def destroy
      @reference = Reference.find(params[:id])
      @reference.destroy

      respond_to do |format|
        format.html { redirect_to references_url }
        format.json { head :no_content }
      end
    end

    private

    def reference_params
      params.fetch(:reference, {}).permit(:title, :body, :quote, :show_in_side_bar, :position, :logo, :locale)
    end
  end
end


text:
Full ITV statement as Emmerdale star Asan N'Jie sacked from soap after Jamie Lomas brawl
The actor is reported to have attacked Hollyoaks star Jamie Lomas at the glitzy awards ceremony.
Emmerdale star Asan N'Jie has been sacked from the soap and apologised for his "unacceptable behaviour" at the TV Choice Awards.
ITV announced in a statement: "Emmerdale suspended Asan N'Jie yesterday
pending further investigation into an incident at a central London hotel on Monday night.
"ITV executives have met with him this morning and as a consequence Asan's contract has been terminated with immediate effect."
N'Jie said in a statement that he wanted "to learn" from his actions.
Asan N'jie as Ellis Chapman (Image: ITV)
"My behaviour at the TV Choice Awards was completely unacceptable and very much out of character," he said.
"I sincerely apologise to everybody who has been affected especially Jamie Lomas, the whole Emmerdale team, our audience, ITV, my family, and the organisers of the TV Choice Awards.
"I am devastated, accept full responsibility for my actions and I am determined to learn from this."
Emmerdale actor Asan N'Jie sacked by soap after brawl with Hollyoaks' Jamie Lomas at TV Choice Awards
Coronation Street's Bethany Platt exit date revealed by Lucy Fallon in goodbye Lorraine interview
Earlier, ITV announced it had launched an investigation.
N'jie is reported to have sworn and thrown punches at Lomas, 44, following the ceremony on Monday at the Hilton Park Lane in Mayfair, London.
N'jie, who had been nominated for the best newcomer gong, was ejected from the event by security staff following the incident.
N'jie was nominated for a storyline in which his character Ellis Chapman was stabbed, but lost out to EastEnders' Kara-Leah Fernandes.
Hollyoaks star Lomas played village villain Warren Fox on and off for more than a decade in the Channel 4 soap.
He also played Jake Stone on rival soap EastEnders from 2013 to 2014, and in 2017 he was the runner-up in I'm A Celebrity... Get Me Out Of Here! on ITV.
Danny Dyer won the TV Choice Award for best soap actor for the second year running while fellow EastEnder Fernandes picked up the best soap actress award.
I'm A Celebrity... Get Me Out Of Here
UK NewsMum who gave takeaway two star review sent letter by manager branding her 'pathetic'Aimee Casey, 27, posted a scathing write-up on a food ordering app after spending £14 on chicken and chips from Sam's Fried Chicken
NHSBride-to-be's GoFundMe to remove huge tumour before wedding dayNikita Berryman, 29, said she has been left feeling "down" about the large lipoma after the NHS said they would not treat it as it is harmless and ''too large''
UK NewsHilarious dog pesters giant statue to play fetch after mistaking it for ownerThe cute clip shows rescue dog Ozzy wagging its tail and jumping around in anticipation of 'Big Fella' joining in with his game
NHSThe unknown sign in your shoulder which could mean type 2 diabetesInflammation caused by chronic condition can make normal healing hard and result in shoulder being so stiff that everyday activities can be troublesome


text:
De Whitechapel Gallery  is een museum voor moderne en hedendaagse kunst aan de Whitechapel High Street 80-82 in de wijk Whitechapel in Londen.

Geschiedenis
De Whitechapel Art Gallery (The Whitechapel) werd in 1901 gesticht om grote kunst dicht bij het publiek in het Londense East End te brengen. Het gebouw, waarin het museum is gehuisvest, is ontworpen door architect C. Harrison Townsend. Het museum heeft zich een goede reputatie verworven met het pionierswerk op het terrein van de moderne en hedendaagse kunst. Belangrijke tentoonstellingen werden in het verleden georganiseerd (vaak premières voor Engeland) van Engelse en internationale avant-garde-kunstenaars, zoals:
Pablo Picasso (1939) Guernica, Jackson Pollock (1958), Mark Rothko (1961), David Hockney (1970), Gilbert & George (1970), Richard Long (1971), Frida Kahlo (1982), Lucian Freud (1993), Liliam Gillick (2001) en Nan Goldin (2002).

Groepstentoonstellingen
In 1956 vond een eerste groepstentoonstelling This is Tomorrow plaats van de voorlopers van de popartbeweging; in 1965 New Generation, de nieuwe generatie Engelse beeldhouwers; in 1981 (deel 1: Image and Form 1901-1950) en in 1982 (deel 2: Symbol and Imagination 1951-1980) de grote expositie British Sculpture in the Twentieth Century en in 2004 Faces in the Crowd (het modernisme herzien).

Nieuwbouw
De Whitechapel startte een uitbreidingsplan, waardoor de omvang van de expositieruimte werd verdubbeld. De naastgelegen bibliotheek werd met het oorspronkelijke museum samengevoegd. De plannen vergden een investering van £ 13 miljoen. Het nieuwe museum werd in voorjaar 2009 heropend.

Externe link
 Website Whitechapel Gallery

Kunstmuseum in Londen
Museum voor moderne kunst
London Borough of Tower Hamlets


With the Eclipse MicroPen® Elite, Dr. Greene and our providers are helping patients reduce the appearance of fine lines. With this treatment we can also be proactive by treating healthy skin to prevent early signs of age from forming as quickly.
The goal with this treatment is to achieve renewed, healthier-looking skin. As new skin replaces old, the appearance of fine lines can be reduced. Repeating this process several times per year and combining it with a healthy skincare regimen can dramatically improve your skin health. Our providers will help you create an individual treatment plan to maximize your results.


Gerakas Beach Milos: Gerakas is an impressive spot with rocky geological formation. It is located on the southern side of Milos and can be reached only by boat. In fact, many excursion boats that make the tour of the island stop at Gerakas. The water is crystal and people can jump from the boat for a swim. The surrounding landscape is rocky and abrupt.


On arrival in Dar es Salaam, I was met at the airport by the Work the World programme manager and a member of his team. My first impressions were fantastic—I had to pinch myself a few times to wake up to the fact that I was now in Africa.
I am not wholly sure how I came to choose Tanzania. I think it might have chosen me. I've been to India on holiday, so wanted to go somewhere that would take me out of my personal comfort zone in a similar way.
My first thought when we got to the Work the World house was about how big it was! As for the area, I felt totally safe. The house was only a short walk from the beach, the local shops and the all-important cash machine. After the city orientation—a guided tour of the are led by the Work the World team—I could confidently navigate my way around and explore the locality.
While on placement, I spent time in the paediatric mental health clinic. I met a mother and child who had been shunned by her husband, relatives and neighbours because of the behaviour of the child who had ADHD. They had been told they had to move away. Whilst I was shocked by this, I metered this with the fact that, in some cases, Tanzania has a different view towards mental health than we do in the UK.
In the methadone clinic, patients who had HIV or TB were requied to take their HIV/TB medication before they were allowed to take the methadone for their addiction rehabiliation. However one may view this practise, I was told, is that it worked well for local staff. I was also able to discuss with staff some of the theory that underpins nursing in both the UK and Tanzania. I was able to share knowledge with them, even showing them using the internet on my phone.
Whilst in Tanzania, I had the perfect balance of clinical experience and free time. I would regularly call home to my family, letting them know how I was getting on and what I was up to. I also spent plenty of time in the pool at the house and time at the beach! There was a local restaurant that my housemates and I regularly ate at, especially after a busy day. I spent weekends doing things like going on safari, travelling to local markets and exploring surrounding area.
The safari, which I planned and booked through Work the World, was awesome. I found it to be great value for money. Booking through Work the World meant that everything was taken care of and did not cause me any stress. The safari guides were so knowledgeable. The chef, Henry, was of Maasai background and able to facilitate our meeting with a local Maasai family. The safari experience will stay with me always.
I spent time with other students in the house. We played cards and chatted for hours about what we had seen or experienced on a particular day. We all ate together and on Thursday, enjoyed the weekly BBQ where there was lots of food, drink and socialising!
In terms of cultural exchange, I was lucky in that the staff I met and the student nurses at that hospital were all keen to share knowledge of their practice. I was able to learn more Swahili, too. Staff enjoyed helping me learn as much as I could. This helped break down some of the barriers I was expecting to face between me and the patients. The patients took great delight in teaching me Swahili!
We had many conversations, comparing our healthcare systems to what we saw in Tanzania. I was heartened to hear that they like to treat patients in a holistic, person-centred way. I saw that whilst many things appeared different in Tanzania, such as the use of restraints and medications, the underpinning ethos was very similar to the thinking in the UK. Granted, local staff estimate that they are about 30 years behind the UK in certain areas, but they are moving forward.
Since returning to the UK, I've been better able to appreciate what have access to in the NHS. It is nowhere near as easy in Tanzania. There is, however, a system whereby if someone is unable to pay for care upfront, then they can make smaller repayments over time. Only when a patient has absolutely nothing are they able to receive care for free.
I came back from Tanzania having had many UNIQUE experiences of healthcare in another country.
Life in the Work the World house was great. It gave a real sense of being part of a team. Initially, it was daunting as I was the new kid on the block, but, I was soon replaced by another new arrival who looked as nervous as I did on my first day. My advice would be to go with the flow. Join in and accept all the different personalities. It makes you realise that not everyone thinks the same way. I feel that is why the dynamic worked so well. Work the World were great at matching people up. My roommates and I got on great and had many laughs together.
Before I went to Tanzania, Work the World had set up my personalised online placment planning dashboard. Here, I could see details about my placement and accommodation, and brush up on the local language. Calling it 'helpful' would massively undersell it. The UK team and the placement planning dashboard take the stress out of trying to arrange an elective on your own. It's so worth it; you're supported all the way, so you know you'll be prepared when the time comes.
My husband and I raised the funds for my elective placement together. We contacted various companies and asked for their help. Initially, I made a list of all the things that I felt I would need and then we went from there. I was incredibly lucky and had assistance in the form of donations from friends and family, and from the goods I was given by companies such as such as my airline, a high streets sports retailer, and many others.
I think for others going on a clinical experience overseas, I would say don't go with preconceived ideas. Experience it head on; immerse yourself in the experience and embrace it as it happens.
I'm not sure I could pick one thing that sticks out and will stay with me for always—the whole process from start to finish was unforgettable. I met some really lovely people, both at the house and staff at the hospital. I would advise anyone to undertake an overseas placement like mine—you won't regret it.


text:
Helmut Hermann Schulz (* 26. April 1931 in Berlin; † 11. Dezember 2022 ebenda) war ein deutscher Schriftsteller.

Leben
Helmut H. Schulz arbeitete nach dem Besuch der Oberschule im graphischen Gewerbe. Ab Mitte der 1950er Jahre publizierte er zahlreiche Aufsätze und Kurzprosa in Zeitschriften und Zeitungen der literarischen Szene in der DDR. Seit 1962 war er redaktioneller Mitarbeiter verschiedener Zeitschriften und Zeitungen, darunter die Junge Kunst, Das Magazin und das Forum. Von 1968 bis 1970 wirkte Schulz als Feature-Dramaturg im Rundfunk der DDR, von 1970 bis 1974 arbeitete er als Redaktionssekretär bei der Zeitung Forum.

Seit 1974 führte er eine Existenz als freier Schriftsteller. Erst 1978 trat er in den Schriftstellerverband der DDR ein und wechselte 1990 in den westdeutschen Verband deutscher Schriftsteller (VS), aus dem er später wieder austrat. Er lebte in Berlin, wo er am 11. Dezember 2022 starb.

Werk
Schulz schrieb zahlreiche Romane, Erzählungen, Hörspiele und Features. Seine Erzählung Meschkas Enkel wurde für den Rundfunk als Hörspiel bearbeitet (Rundfunk der DDR 1979; Bearbeitung: Renate Apitz; Regie: Fritz Göhler) und für das Fernsehen verfilmt (DFF 1981; Regie: Klaus Gendries); Schulz' Erzählung Der Sündenfall kam unter dem Titel Verbotene Liebe (DEFA 1990; Regie: Helmut Dziuba) in die Kinos. In Fremdsprachen übersetzt wurden seine Romane Jahre mit Camilla (1979 ins Tschechische) und Das Erbe (1984 ins Slowakische). Für den Roman Das Erbe erhielt Schulz am 23. März 1983 den Heinrich-Mann-Preis der Akademie der Künste der DDR. Nach der deutschen Wiedervereinigung konnte Schulz seine Literatur anfänglich weiter bei Hinstorff in Rostock, dann aber allmählich nur noch in weniger bekannten Verlagen unterbringen.

Seine Veröffentlichungen zeichnen sich vor allem durch eine ungemeine Dichte des Erzählten aus. Seine wiederkehrende Thematik ist der Alltag im geteilten Deutschland Mitte des 20. Jahrhunderts. So beschreibt der in der DDR in drei Auflagen erschienene Roman Dame in Weiß (1982), den Schulz auch als Filmskript bearbeitete, die Zeitgeschichte aus der Perspektive eines Heranwachsenden mit all seinen Erlebnissen etwa im alliierten Bombenkrieg, während die 1988 erschienene Sammlung von Erzählungen Zeit ohne Ende unter anderem die Geschichte widerspenstiger Jugendlicher im nationalsozialistischen Deutschland erzählt.

Nach der Wende und friedlichen Revolution in der DDR schrieb Schulz mit Die blaue Barriere (1995) einen Seefahrtsroman, der jedoch keinen kommerziellen Erfolg hatte. Darüber hinaus erschienen Biografien der Kaiserin Augusta sowie Hofberichte aus dem Hause Hohenzollern im Verlag Neues Leben, Berlin. Ab 2001 publizierte er im Berliner Nora Verlag, ab 2007 im Berliner Trafo Literaturverlag, ab 2013 im Göttinger HeRaS Verlag und 2022 auch im neurechten Verlag Antaios mit Sitz in Schnellroda.

Ehrungen
 1983: Heinrich-Mann-Preis der Akademie der Schönen Künste (Berlin)
 1992: Ehrengabe der Deutschen Schillerstiftung (Weimar)

Werke
 Der Fremde und das Dorf. Erzählung. Union Verlag, Berlin 1964, 85 S.
 Jahre mit Camilla. Roman. Verlag der Nation, Berlin 1969, 193 S., 2. Aufl. 1973, 3. Aufl. 1974, Taschenbuch 1986.
 Abschied vom Kietz. Verlag der Nation, Berlin 1972, 200 S., 2. Aufl. 1975, 3. Aufl. 1977, 4. Aufl. 1983.
 Der Springer. Verlag der Nation, Berlin 1976, 352 S.
 Roky s Kamilou [d. i. Jahre mit Camilla. Übersetzt von Jana Pecharová.] Melantrich, Prag 1976, 140 S.
 Alltag im Paradies. Erzählungen. Hinstorff Verlag, Rostock 1977, 233 S., 2. Aufl. 1979.
 Spätsommer. Zwei Erzählungen. Hinstorff Verlag, Rostock 1979, 175 S.
 Das Erbe. Roman einer Familie. Verlag der Nation, Berlin 1981, 532 S., 2. Aufl. 1982.
 Dame in Weiß. Roman. Hinstorff Verlag, Rostock 1982, 567 S., 2. Aufl. 1983, 3. Aufl. 1986.
 Meschkas Enkel. Drei Erzählungen. Mit Illustrationen von Hartwig Hamer. Hinstorff Verlag, Rostock 1982, 253 S., 2. Aufl. 1985.
 Dedičstvo. Rodinný román. (d. i. Das Erbe, übersetzt von Milan Žitný) Smena, Bratislava/Preßburg 1984 (Edícia Máj), 481 S.
 Stunde nach Zwölf. Erzählungen. Mit Pinselzeichnungen von Joachim John. Hinstorff Verlag, Rostock 1985, 115 S.
 Der Sündenfall. Zwei Erzählungen. Verlag der Nation, Berlin 1988, 149 S., 2. Aufl. 1990.
 Zeit ohne Ende. Drei Berichte über eine Jugend. Hinstorff Verlag, Rostock 1988, 143 S.
 Götterdämmerung. Erzählung. Verlag Neues Leben, Berlin 1990, 159 S.
 Das Ende der "Clara". Seglergeschichten. Hinstorff Verlag, Rostock 1995, 152 S.
 Briefe aus dem Grand Hotel vom 4. November zum 18. März. Eine Evidenz aus Zeitung und Fernsehen. Verlagshaus Gotthardt, Berlin 1995, 187 S.
 Die blaue Barriere. Roman aus dem Fischland Hinstorff, Rostock 1995, 222 S.
 Glanz und Elend der Friedrich Wilhelms. Hofberichte. Verlag Neues Leben, Berlin 1996, 299 S.
 Die Kaiserin Augusta. Ihre Ehe mit Wilhelm I. Verlag Neues Leben, Berlin 1996, 317 S.
 Die Vergessenen. Verlag Neues Leben, Berlin 1999.
 Der Hades der Erwählten. Eine deutsche Biographie. Nora, Berlin 2001, 299 S.
 Erzählungen aus drei Jahrzehnten. Band 1. trafo Literaturverlag 2007, ISBN 978-3-89626-747-4.
 Erzählungen aus drei Jahrzehnten. Band 2. trafo Literaturverlag 2008, ISBN 978-3-89626-788-7.
 Friedrich Nicolai, Biografische Notizen. eBook, HeRaS Verlag, Göttingen 2013.
 Täter und Opfer, Funktionärsschicksale aus den Kindertagen der DDR. eBook, HeRaS Verlag, Göttingen 2013.
 Perfekte Verbrechen ohne Verfolgung. Kriminalerzählungen, eBook, HeRaS Verlag, Göttingen 2013.
 Berichte von der Reichstagstribüne. eBook, HeRaS Verlag, Göttingen 2013.
 Stunde nach Zwölf. Zeit ohne Ende. Erzählungen. Reihe Mäander, Band VI, Verlag Antaios, Schnellroda 2022.
 Stadelhoffs Erben. Ein deutsches Dilemma. Band I. trafo Literaturverlag, Berlin 2022, ISBN 978-3-86465-171-7.
 Stadelhoffs Erben. Ein deutsches Dilemma. Band II. trafo Literaturverlag, Berlin 2022, ISBN 978-3-86465-172-4.
 Das deutsche Haus. Jagdszenen aus Deutschland. trafo Literaturverlag, Berlin 2022, ISBN 978-3-86465-177-9.

Hörspiele
 1970: Autorenkollektiv (Koautor): Gespräche an einem langen Tag – Regie: Detlef Kurzweg (Hörspiel – Rundfunk der DDR)
 1984: Poet und Pedant – Regie: Uwe Haacke (Kinderhörspiel, 5 Teile – Rundfunk der DDR)

Literatur
 Armin Mohler: Schulz, Helmut H(ermann). In: Walther Killy: Literaturlexikon, Bd. 10, S. 426

Weblinks

Einzelnachweise

Autor
Hörspielautor
Literatur (Deutsch)
Literatur (20. Jahrhundert)
Literatur (21. Jahrhundert)
DDR-Literatur
Erzählung
Roman, Epik
Biografie
Person (Rundfunk der DDR)
Schriftsteller (Berlin)
DDR-Bürger
Deutscher
Geboren 1931
Gestorben 2022
Mann


The private residential property market seems to be bouncing back however slight as developers released more homes last month.
Developers released 20% more new private homes last month. The 596 units released in February was almost 200% more than the same month last year and 455 units were sold in the same month, up 4.4% from January.
In a year-on-year comparison, only 384 units were sold in February 2018. The 18.5% increase this February was despite the usual lull that accompanies Chinese New year period.
More than half of the sales from last month's launched units came from 2 properties – Riverfront Residences and Affinity at Serangoon. Both projects are situated near proposed MRT stations along the first phase of the upcoming Cross Island MRT line.
250 units were launched at Affinity at Serangoon while Riverfront Residences, The Tapestry, Artra and The Tre Ver released 70, 100, 81 and 50 units each respectively.
As buyers become more price-sensitive following last July's property cooling measures, will developers be pressed to lower prices as competition heats up with analysts expecting 40 to 50 new launches this year?
Will developers eventually lower prices as buyers become more price-sensitive?
Before the competition heats up as more units enter the market, analysts are expecting developers to lower prices. However, time has yet to come.
In addition, they have also increased commissions to encourage agents to sell. Currently, there are 36,000 of completed and uncompleted unsold units in the market.
Although market sentiments could weaken further as economic growth slows and uncertainty in the external environment continues, projects which are well-located and competitively-priced will still attract buyers who could be willing to spend, but just more prudently.


A Fixed Income Mutual Fund, focused on security and stable returns, Invests in good quality fixed income Instruments, such as Certificate Deposits (CD), Commercial Paper (CP), and bond certificates issued by private corporate, state-own corporation (BUMN), government entities etc. These instruments give higher returns than bank saving but are still conservative. Fixed Income Funds are suitable for those who prefer short-term investment or who don't want to take the risk of losing some of their investment. But big returns cannot be expected If you take into consideration the annual rate of inflation.
An Equity fund is a Mutual fund that invests in stocks listed on the Stock Market, which represent ownership in a company. Equity Funds are suitable for those who prefer a long-term Investment, over several years or decades.
The idea behind Equity Funds is that even though stock prices tend to increase or decrease in the short term, history has proven that Equity Funds provide bigger returns over the long-term than Fixed Income Funds.
3. Balanced Fund: Combination of fixed income stability and long term equity growth.
A Balanced fund Is a Mutual Fund that is invested both in fixed income instruments as well as company's stocks listed on the Stock Market.
This type of Mutual Fund optimizes returns through stock performance on the Stock Market whilst being supported by Fixed Income instruments.


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text:
Programs, Courses and University Regulations
Search scope Entire SiteAgricultural & Environmental SciencesArtsB.A. & Sc.Continuing StudiesDentistryEducationEngineeringEnvironmentInterfaculty StudiesLawManagementMedicineMusicNursingPhys. & Occ. Ther.ScienceStudy Abroad & Field StudiesSummer Studies
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McGill.ca / Overview / Agricultural & Environmental Sciences / Graduate / Browse Academic Units & Programs
Graduate Studies at a Glance
Graduate Admissions and Application Procedures
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Graduate Studies Guidelines and Policies
Graduate Student Services and Information
Information on Research Policies and Guidelines, Patents, Postdocs, Associates, Trainees
Browse Academic Units & Programs
Bioresource Engineering
Food Science and Agricultural Chemistry
Natural Resource Sciences
Agricultural Economics Admission Requirements and Application Procedures
Agricultural Economics Faculty
Department of Natural Resource Sciences
Macdonald Campus
Sainte-Anne-de-Bellevue QC H9X 3V9
Email: gradstudies.macdonald [at] mcgill.ca
Website: www.mcgill.ca/nrs/graduate-students/graduate/agricultural-economics
About Agricultural Economics
The goal of graduate training in Agricultural Economics is to provide students with the applied concepts and tools to identify, define, and analyze economic problems affecting the performance of the agri-food sector and the environment. Attention is given to:
the development of analytical skills in Applied Economics related to agriculture, environment, and ecological economics;
Environmental and Resource Economics;
International Agricultural Development;
Farm Management, Production, and Finance.
The program prepares graduates for rewarding careers in research, analysis, and decision-making in academia; private and NGO sectors; and government. For more information on the M.Sc. in Agricultural Economics, please refer to Natural Resource Sciences. Further details can also be found at www.mcgill.ca/nrs/academic/graduate/agricultural-economics.
Programs, Courses and University Regulations—2019-2020 (last updated Mar. 8, 2019) (disclaimer)
To be considered eligible for direct admission to the M.Sc. program, the applicant must have an undergraduate degree with a Cumulative Grade Point Average (CGPA) of at least 3.0 out of a possible 4.0 (second class–upper division or equivalent) or a CGPA of 3.2/4.0 for the last two full-time academic years.
The ideal preparation is an undergraduate degree in Agricultural Economics or Economics, including undergraduate courses in intermediate economic theory (micro and macro), calculus, algebra, statistics, and econometrics. Candidates considered to have insufficient preparation in economics will be asked to take up to two additional undergraduate courses as part of their M.Sc. program.
When an applicant does not have sufficient background in economics for admission to the M.Sc., they may be admitted to a Qualifying program of one year of undergraduate courses. The CGPA requirement is the same as for the M.Sc.
Details on the M.Sc. are available from Natural Resource Sciences > Master of Science (M.Sc.) Agricultural Economics (Thesis) (45 credits). Further details can also be found at www.mcgill.ca/nrs/academic/graduate/agricultural-economics.
McGill's online application form for graduate program candidates is available at www.mcgill.ca/gradapplicants/apply.
See University Regulations & Resources > Graduate > Graduate Admissions and Application Procedures > Application Procedures for detailed application procedures.
The items and clarifications below are additional requirements set by this department:
The GRE – not required, but highly recommended
Application Dates and Deadlines
Application opening dates are set by Enrolment Services in consultation with Graduate and Postdoctoral Studies (GPS), while application deadlines are set by the Department of Agricultural Economics and may be revised at any time. Applicants must verify all deadlines and documentation requirements well in advance on the appropriate McGill departmental website; please consult the list at www.mcgill.ca/gps/contact/graduate-program.
Application Opening Dates
All Applicants Non-Canadian citizens (incl. Special, Visiting & Exchange) Canadian citizens/Perm. residents of Canada (incl. Special, Visiting & Exchange) Current McGill Students (any citizenship)
Fall Term: Sept. 15 March 15 May 31 May 31
Winter Term: N/A N/A N/A N/A
Summer Term: N/A N/A N/A N/A
Admission to graduate studies is competitive; accordingly, late and/or incomplete applications are considered only as time and space permit.
International applicants are advised to apply well in advance of these dates because immigration procedures may be lengthy.
P.J. Thomassin
N. Kosoy; B.Sc.(Univ. Simon Bolivar), M.Sc.(Kent), M.Sc., Ph.D.(Autonoma de Barcelona)
P.J. Thomassin; B.Sc.(Agr.)(McG.), M.S., Ph.D.(Hawaii Pac.)
A.P. Harou; B.S.(Sus.), M.S.(Calif., Davis), Ph.D.(Cornell)
C. Barrington-Leigh; S.M.(MIT), Ph.D.(Stan.), Ph.D.(Br. Col.)
Faculty of Agricultural & Environmental Sciences—2019-2020 (last updated Mar. 8, 2019) (disclaimer)
Macdonald Stewart Building, Room MS2-032
21,111 Lakeshore Road [Map]
Ste. Anne de Bellevue QC H9X 3V9
FAES website


There has been a sad change in this Forum over the last few months. The helpful, appreciative, seldom argumentative and generous attitude of this particular Forum has been polluted of late.
Peano was clearly annoyed as myself. Perhaps that was his reason for departure. Probably the problem itself will vanish in due course and hopefully he will then return.
This is pure surmise, I have no insider knowledge, so let's hope.
I am in complete agreement wit your first paragraph. Unfortunately it is not limited to this forum.
There seems to be an overall influx of inflammatory posters in all forums and many excellent contributors have taken their talents elsewhere.


Redmine and other ruby on rails apps can have issues with large file uploads or file uploads with a slow internet connection.
In redmine you may get the dreaded 502 Bad Gateway error showing up in the user interface.
Here are the pieces: Apache, unicorn, rails, and redmine.
Short version is you need to set the timeout config variable to something higher... like perhaps 120 seconds. It's not the best solution, but it will let you upload files.
Here is a blog post which describes unicorn.rb configuration.
There's a setting in the redmine administration section of the tool to increase the maximum file size if you need to do that.


Lately my face has been acting up and my skin started becoming very dry. I have tried a few scrubs and detox masks on my face but nothing worked, my skin was still very dry and it felt as if I had drier patches on certain areas of my face but visually you couldn't really tell.
This morning, I remembered by mums' favorite natural scrubs and so next thing I did was run to the kitchen and get the cornflour and sugar out. Place one spoon of each ingredient on a plate and that should be more than enough for your face scrubs.
Cornflour helps get rid of dead skin and other impurities while the sugar helps hydrate the skin.
After you wash your face, take an appropriate amount of corn flour and scrub it on your face, I like to massage it using my hands. Then by the use of a few wet cotton pads, I clean my face and wash away the remaining cornflour. After I do this, I let my face damp and massage my face with sugar. Sometimes I like to let the sugar stay on for a few minutes before I wash it off. The last step is to wash your face and put on your favorite moisturizer.
These simple, inexpensive and all natural ingredients used on the skin make your face look GLOWING and feel amazing. You should try it!
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