text:
Discovery Announces Debt Offering
SILVER SPRING, Md., May 16, 2019 /PRNewswire/ -- Discovery, Inc. ("Discovery" or the "Company") (Nasdaq: DISCA, DISCB, DISCK) announced today that Discovery Communications, LLC ("DCL") has commenced an underwritten public offering of senior fixed rate notes. The notes will be issued by DCL and guaranteed by the Company and its wholly owned subsidiary Scripps Networks Interactive, Inc. ("Scripps").
The Company intends to use the net proceeds from the offering to redeem all of DCL's outstanding 2.750% Senior Notes due November 2019 and 5.050% Senior Notes due June 2020, as well as Scripps' outstanding 2.750% Senior Notes due November 2019 (collectively, the "Redeemed Notes"), and to pay interest, premiums, fees and expenses in connection with those redemptions. The Company intends to use any remaining proceeds for general corporate purposes, which may include without limitation, the acquisition of other companies or businesses, repayment and refinancing of debt, working capital, capital expenditures and the repurchase by Discovery of its capital stock.
Barclays Capital Inc., J.P. Morgan Securities LLC, BNP Paribas Securities Corp, Mizuho Securities USA LLC and RBC Capital Markets, LLC will act as the active joint book-running managers for the offering.
The Company, DCL and Scripps have filed a registration statement on Form S-3 (including a prospectus) with the Securities and Exchange Commission (the "SEC") for this offering. Prospective investors should read the prospectus forming a part of that registration statement and the prospectus supplement related to the offering and the other documents that Discovery has filed with the SEC for more complete information about Discovery, DCL, Scripps and this offering. These documents are available at no charge by visiting EDGAR on the SEC website at www.sec.gov. Alternatively, these documents will be made available upon request by DCL or by any underwriter or dealer participating in the offering. Interested parties may obtain a prospectus by contacting one of the joint book-running managers at: Barclays Capital Inc. c/o Broadridge Financial Solutions, 1155 Long Island Avenue, Edgewood, New York 11717, telephone: 1-888-603-5847, or by e-mailing Barclaysprospectus@broadridge.com; J.P. Morgan Securities LLC, 383 Madison Avenue, New York, NY 10179, Attention: Investment Grade Syndicate Desk, 3rd floor, telephone collect: 212-834-4533; BNP Paribas Securities Corp, 787 Seventh Avenue New York, NY Attention: Syndicate Desk 10019, 212-841-2871 or toll free 1-800-854-5674, new.york.syndicate@bnpparibas.com; Mizuho Securities USA LLC, 320 Park Avenue, New York, NY 10022, 866-271-7403, FIClearing@mizuhogroup.com; and RBC Capital Markets, LLC, Three World Financial Center, 200 Vesey Street, 8th Floor, New York, NY 10281, Attention: Syndicate Operations, toll-free: (877) 822-4089, email: syndicateops2@rbc.com.
This press release shall not constitute an offer to sell or the solicitation of an offer to buy the notes, nor shall there be any offer, solicitation or sale of the notes, in any jurisdiction in which such offer, solicitation or sale would be unlawful prior to the registration or qualification under the securities laws of any such jurisdiction. The offering may be made only by means of a prospectus supplement and the accompanying prospectus. This press release shall not constitute a notice of redemption with respect to the Redeemed Notes.
Discovery is a global leader in real life entertainment, serving a passionate audience of superfans around the world with content that inspires, informs and entertains. Discovery delivers over 8,000 hours of original programming each year and has category leadership across deeply loved content genres around the world. Available in 220 countries and territories and in nearly 50 languages, Discovery is a platform innovator, reaching viewers on all screens, including TV Everywhere products such as the GO portfolio of apps; direct-to-consumer streaming services such as Eurosport Player and MotorTrend OnDemand; digital-first and social content from Group Nine Media; a landmark natural history and factual content partnership with the BBC; and a strategic alliance with PGA TOUR to create the international home of golf. Discovery's portfolio of premium brands includes Discovery Channel, HGTV, Food Network, TLC, Investigation Discovery, Travel Channel, MotorTrend, Animal Planet, and Science Channel, as well as OWN: Oprah Winfrey Network in the U.S., Discovery Kids in Latin America, and Eurosport, the leading provider of locally relevant, premium sports and Home of the Olympic Games across Europe.
Cautionary Statement Concerning Forward-looking Statements
This press release contains certain "forward-looking statements" within the meaning of the Private Securities Litigation Reform Act of 1995 that are based on current expectations, forecasts and assumptions that involve risks and uncertainties. Forward-looking statements include statements regarding the Company's expectations, beliefs, intentions or strategies regarding the future, and can be identified by forward-looking words such as "anticipate," "believe," "could," "continue," "estimate," "expect," "intend," "may," "should," "will" and "would" or similar words. Forward-looking statements in this press release include, without limitation, statements regarding the completion of, and use of proceeds from, the offering. These statements are based on information available to the Company as of the date hereof, and actual results could differ materially from those stated or implied, due to market conditions, as well as risks and uncertainties associated with the Company's business, which include the risk factors disclosed in the Company's Annual Report on Form 10-K filed with the SEC on March 1, 2019. The Company expressly disclaims any obligation or undertaking to update or revise any forward-looking statement contained herein to reflect any change in the Company's expectations with regard thereto or any change in events, conditions or circumstances on which any such statement is based.
View original content:http://www.prnewswire.com/news-releases/discovery-announces-debt-offering-300851676.html
SOURCE Discovery, Inc.
Investor Contacts: Andrew Slabin, Andrew_Slabin@discovery.com, 212-548-5544; Jackie Burka, Jackie_Burka@discovery.com, 212-548-5642; Media Contact: Nathaniel Brown, Nathaniel_Brown@discovery.com, 212-548-5959


Ladies Who Launch is a unique networking opportunity for women in arts and business. Whether you're an artist, business woman, nonprofit leader with a heart for the arts, a lover and consumer of the arts, or interested in all of the above, you're welcome to attend! Ladies Who Launch is designed to support both entrepreneurs and wantrepreneurs, inspire others, and build meaningful relationships. We all have something to learn from each other, so join us for our next luncheon! Find Frisco Association for the Arts on Facebook or subscribe to our weekly newsletter at info@friscoarts.org to stay updated and learn more about our featured guests!
Interested in becoming an event sponsor? Contact Executive Director Tammy Meinershagen at tammy@friscoarts.org.


text:
On 23rd March 2015, the Chattri Group were awarded a grant of £500.00 by the High Sheriff of East Sussex, Mr. Chris Gebbie, as a token of his thanks for the work they do as volunteers within the local community, "in recognition of the great and valuable services to the community." The High Sheriff's Fund at the Sussex Community Foundation tends to be awarded to volunteers and voluntary groups whose work is often unnoticed but is hugely valued.
The event was hosted by the Mayor and Lady Mayor of Brighton and Hove, Cllr Brian Fitch and his wife Nora in the Mayor's Parlour. The High Sheriff was particularly impressed by the Chattri Group for their work in ensuring that the contribution and sacrifice of Indian soldiers in fighting alongside British troops is not forgotten. The images show the Chattri Group Volunteers present at the ceremony.
Back Row L to R: A Marchant; W Dhillon; N Patel; R Patel; D Dhillon; C Mehta; S Chandra; B K Gholer; B S Gholer; Front Row L to R: Mayor of Brighton & Hove - B Fitch; High Sheriff of East Sussex – C. Gebbie and Mayor of Hastings –B Dowling

redpajama_set_name: RedPajamaCommonCrawl


The Super Eagles team for the 2018 FIFA World Cup have been allocated jersey numbers.
According to Completesportsnigeria.com number allocation was announced in a video clip published on the Super Eagles' verified Twitter handle on Monday.
Skipper of the team Mikel Obi retains his number 10, Odion Ighalo kept his number nine jersey, Victor Moses was handed number 11 and Ahmed Musa number seven. Leon Balogun and William Troost-Ekong got number six and five respectively.


text:
Q: Swift: UIImageView - Unexpectedly found nil while unwrapping an Optional value class DisplayImageVC: BasePageView { //BasePageView inherits from UIViewController

    @IBOutlet weak var displayImage: UIImageView!
        override func viewDidLoad() {
        self.displayImage.backgroundColor = UIColor.yellowColor()
    }

....
in another class I try this and get a fatal error:
    var displayImageView = self._pageContent[1] as DisplayImageVC
    displayImageView.displayImage.image = UIImage(named: ("displayChecklane"))

Log:
fatal error: unexpectedly found nil while unwrapping an Optional value

Images.xcassets

A: var displayImageView = self._pageContent[1] as DisplayImageVC
displayImageView.displayImage.image = UIImage(named: ("displayChecklane"))

You are crashing on the second line. You know this is because something is nil, but you do not know what is nil here. You are assuming it is the image. That is a false assumption; if it were correct, there would be no crash, as you are not force-unwrapping it, and it is legal to assign nil to an image view's image.
Instead, consider this: maybe displayImageView.displayImage is nil. That is, what is nil is the UIImageView you are trying to assign to. This would make sense since this is an outlet. If the DisplayImageVC's view has not loaded, its outlets have not been filled - they are still nil.
How you solve this depends on what you want to do. Personally I think your approach is bogus from the start; you have no business setting another view controller's outlet or a property of its outlet, or any aspect of its interface. You should have an image property in DisplayImageVC, and here, you should be setting that property; that way, when the view controller shows its view, it can configure its own interface.

redpajama_set_name: RedPajamaStackExchange


This license shall automatically terminate if you violate any of these restrictions and may be terminated by Ora Coaching at any time. Upon terminating your viewing of these materials or upon the termination of this license, you must destroy any downloaded materials in your possession whether in electronic or printed format.
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In no event shall Ora Coaching or its suppliers be liable for any damages (including, without limitation, damages for loss of data or profit, or due to business interruption,) arising out of the use or inability to use the materials on Ora Coaching's website, even if Ora Coaching or a Ora Coaching authorized representative has been notified orally or in writing of the possibility of such damage. Because some jurisdictions do not allow limitations on implied warranties, or limitations of liability for consequential or incidental damages, these limitations may not apply to you.
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text:
Q: Is there an event fired right after a command finishes executing? In Bash, after you type in a command (e.g., ls), it will execute the command, which will write its standard output (if not redirected) to the terminal (in our example, the content of the current directory). After it's done, the control is returned to the user with a shell prompt in a new line.
I'm wondering if there is some sort of event fired right after the command finishes running and before the command prompt starts in a new line, which can be captured programmatically (i.e., with shell script).

A: If you set the shell variable PROMPT_COMMAND to a command,
then that command will be executed every time the shell is about to issue a (primary) prompt.
For example,
% ls
file1
file2
% PROMPT_COMMAND=date
Thu, Nov 20, 2014  1:23:42 PM
% ls
file1
file2
Thu, Nov 20, 2014  1:23:45 PM
%

This can be a program, a script, or whatever.


text:
Police: Hate crimes soared after UK attacks
Published at 04:02 am August 12th, 2017
Hate crimes in Britain spiked in the aftermath of three attacks blamed on Islamist militants earlier this year but the number quickly dropped in the following days, police said on Thursday. Figures released by the National Police Chiefs' Council (NPCC) showed there had been significant rises in recorded hate crime incidents after the attacks in London and Manchester which claimed the lives of 35 people. But these returned to average levels after shows of "support and unity" by communities across the country, the NPCC said. "We know that terrorist attacks and other national and global events have the potential to trigger short-term spikes in hate crime and so we have been carefully monitoring community tensions following recent horrific events," said Mark Hamilton, the NPCC spokesman on hate crime. "Reporting from police forces show that levels of hate crime peaked in the wake of the attacks but quickly subsided within a few days. This is in line with trends we have seen before, though obviously still a real concern for the police service and wider society." In March, a man drove a car into pedestrians on Westminster Bridge in London killing four, before he stabbed a policeman to death outside parliament. That was followed by a suicide bombing at a pop concert in Manchester which killed 22, and the following month eight people died after three Islamist militants drove into pedestrians on London Bridge and stabbed people at nearby restaurants and bars. British police recorded 62,518 hate incidents in 2015/16, about 171 per day. The NPCC figures showed there were 234 hate crimes recorded two days after the Westminster incident, 273 following the Manchester bombing and 319 after the London Bridge attacks. The numbers had all fallen seven days afterwards although to a level significantly higher than during the same period the previous year. Police said this reflected a general rise in reporting of incidents and improved recording of such crimes. However, the NPCC said there was no similar spike after the fourth incident which they were treating as terrorism when a van was driven into worshippers near a mosque in London's Finsbury Park area which left one man dead. The number of hate crimes fell by 7% in the week of the Finsbury Park attack compared with the same period in 2016.
Amazon opens general store in UK, first outside the US
OP-ED: All is right with the world


2018 September Job Cut Report: U.S. Employers Plan 55,285 Cuts | Challenger, Gray & Christmas, Inc.
Last month's total is 43.7 percent higher than the 38,472 cuts announced in August and 70.9 percent higher than the 32,346 cuts announced in the same month last year. September job cut plans are the second highest monthly total behind March, when 60,357 cuts were recorded.
Nearly half (47.9 percent) of September job cuts come from Wells Fargo's announcement that it will cut between 5 and 10 percent of its workforce over the next three years. With roughly 265,000 workers, the company plans to cut up to 26,500 (Challenger counted the higher figure in its tracking).
"As the job market remains near full employment and companies struggle to find workers, large-scale job cut announcements like the one from Wells Fargo will actually provide the workers necessary for companies to gain momentum and sustain growth," said John Challenger, Chief Executive Officer of Challenger, Gray & Christmas, Inc.
"With the exception of Wells Fargo, low job cut announcements indicate employers are holding on to their staff in a period of expansion," he added.
Despite low announcements, job cuts are up year over year. Employers have announced 366,058 cuts so far this year, 13.9 percent more than the 321,478 cuts announced in the first nine months of 2017. Employers announced plans to cut 120,879 jobs in the third quarter, 15.3 percent higher than the 104,800 announced in the second quarter and 27.9 percent higher than the 94,479 announced in the same quarter last year.
While the Financial sector announced the most cuts in September with 27,343, most of which are due to increased demand for online banking options, Retailers similarly continue to announce cuts as consumers pivot to online shopping, with Retail leading all sectors in job cuts. So far this year, Retail companies have announced 85,385 cuts, 12,319 of which occurred in the third quarter.
Industrial Goods manufacturers announced the third highest number of job cuts in September with 2,235, bringing the year-to-date total to 20,699, 32.9 percent higher than the 15,565 cuts announced through September last year.
Meanwhile, companies in Retail, Transportation, and Warehousing announced large-scale seasonal hiring plans last month. So far this season, Challenger has tracked plans to hire 589,118 seasonal workers this year. This is in addition to the 6,879 hiring plans employers announced in September.


text:
2021 Coast to Coast
Provisional Program
Visit Cairns
Communicating the Coast: Thoughts from Communication, Media and Journalism
Dr Kerrie Foxwell-Norton, Professor Libby Lester, Dr Claire Konkes
1Griffith Centre For Social And Cultural Research, Griffith University, Australia, Bogangar, Australia
The coast is many things, an eco-system, a holiday destination, an economic resource, a memory, a history, a policy, a plan and so on. Common to all these, and every idea and articulation of the coast, is communication. From newspapers, radio and television to Facebook feeds and Instagram posts; via policy documents and gatherings in community halls; on a beach somewhere and at your local Nippers carnival; and throughout these Coast to Coast conferences, the coast is being communicated in ways that signal much more than a simple 'message'.
This panel challenges conference attendees to think deeply about the diverse and complex ways in which the coast is communicated in our private lives and in public domains. Panellists will begin to chart the ways in which communication performs a critical role in expert and everyday understandings of the Australian coast and coasts everywhere.
Drawing on recent empirical data, the panellists will speak to their work on the Australian coast and other environments. The discussion will canvass both theoretical and practical possibilities, drawing on a range of recent coastal conflicts to highlight challenges to, and opportunities for the communication of Australian coasts. As environmental communication scholars, the panellists will open a new dialogue, centred on the role of journalism, media and communication, with those in active and authoritative positions at the fore of coastal sciences, planning and policy, advocacy and care.
Dr Kerrie Foxwell-Norton – Griffith Centre for Social and Cultural Research, Griffith University
Dr Kerrie Foxwell-Norton's research focus is the communication of coastal and marine environments. Her work on Coastcare and broadly communication in coastal and marine management has centred on the development of the best methods to meaningfully engage communities in their local environmental futures. In 2017, her book Environmental Communication and Critical Coastal Policy: Communities, Culture and Nature reported on her forays into Australian communities and contemporary environmental issues and disputes. The role of media in climate change communication and in environmental issues more broadly is a core research theme. Her recently co-authored book Journalism and Climate Crisis: Public Engagement, Media Alternatives (2017 with Hackett, Forde and Gunster) explores possibilities for journalism and the news media to better communicate escalating environmental threats. Recent work is exploring various aspects of the communication the Great Barrier Reef, including its communication by Australian news media.
For over a decade, Foxwell-Norton investigated Australia's community media sector as a senior researcher on two national Australian Research Council – Linkage Projects traversing urban, regional, remote, Indigenous and ethnic communities – and their experience of local media. She has also worked as a consultant, primarily in Queensland's Gulf Communities on community and social development programs. Alongside these roles, she is a lead investigator on an Australian Research Council – Linkage project that is collecting the stories of the Queensland land rights movement and broader political struggle.
Professor Libby Lester – Journalism, Media and Communications, University of Tasmania
Libby Lester is Professor of Journalism, Media and Communications, and Academic Director, Research for the College of Arts, Law and Education at the University of Tasmania. She has authored, co-authored and co-edited six books, including Leadership and the Construction of Environmental Concerns (forthcoming, Palgrave Macmillan), Environmental Pollution and the Media: Political Discourses of Risk and Responsibility in Australia, China and Japan (Routledge 2017), Media and Environment: Conflict, Politics and the News (Polity 2010; Arabic ed 2013) and Transnational Protests and the Media (co-edited with Simon Cottle). She has been awarded three Australian Research Council discovery grants ('Transnational Environmental Campaigns in the Australia-Asian Region', 'Leadership and the Construction of Environmental Concern in Australia' and 'Changing Landscapes: Online Media and Politics in an Age of Environmental Conflict'), and is Australian leader of the EU-Australia funded exchange and research program, 'Europe and Australia in the World: Reporting Political, Social and Environmental Change.'
Her research has appeared in leading international journals, including Media, Culture & Society, International Communication Gazette, Journalism, Forestry, International Journal of Communication, Environmental Policy and Governance, and International Journal of Press/Politics. She has been a Visiting Fellow at Oxford University's Reuters Institute for the Study of Journalism and at the National Graduate Institute for Policy Studies in Tokyo. Her current research program is focussed on trade, resource extraction and supply, and environmental communications.
Dr Claire Konkes – Journalism, Media and Communications, University of Tasmania
Dr Claire Konkes lectures in Journalism, Media and Communications at the University of Tasmania and is the program's News and Journalism stream coordinator. Her research interests include news media's contribution to public debate and governance, especially in environmental matters, and the relationship between contemporary journalistic practice and representations of crime, controversy and conspiracy. She is an affiliated researcher with the Institute for the Study of Social Change (ISC) at the University of Tasmania and her recent projects have looked at Australian media representations of environmental public interest litigation and media representations of Australian environmental policy in relation to the Great Barrier Reef.
Before coming to UTAS, Claire worked as a newspaper reporter for The Australian and The Mercury and others, and she continues to work with the media industry at local and national level and is a contributor to The Monthly.
Communications & Reporting
Have local waste management strategies adapted to the growing pressures of plastic waste on Australia's coastlines?
The science vs action investment gap in coastal climate adaptation – how can coastal climate action get the dollars and expertise needed?
More personal than professional? Uncensored Reflections on Twenty Five Years of Victorian Marine and Coastal Policy Reform
Winners and losers in coastal policy reform – Victoria as a case study
Developing Victoria's first marine spatial planning framework
Addressing the big issues in coastal communities
Caring for the coast
Catchment to coast
Coastal NRM
Coastal resilience and preparedness
Coastal Science & Monitoring
Connecting with the Coast
ICZM Profession
Indigenous Management
Managing land and sea country together
Marine waste management
Rainforest to Reef
Reform in coastal policy and institutional frameworks
Salt marshes & Wetlands
The Australian Coastal Society (ACS) was initiated at the Coast to Coast Conference in Tasmania in 2004. The idea was floated as a means for those interested in coastal matters to communicate between conferences and where possible take resolutions of the conference to appropriate levels of government.
The idea was discussed further at the Coast to Coast Conference in Melbourne in 2006 and it was agreed that Bruce Thom develop a constitution of a company limited by guarantee that would operate on a national basis.
This plan was accomplished and in 2008 at the Coast to Coast Conference in Darwin the constitution was ratified and an Executive appointed. The company received charitable status in 2011.
Please contact the team at Conference Design with any questions regarding the conference.
mail@conferencedesign.com.au
www.conferencedesign.com.au


A youth from south Kashmir's Pulwama district died in a police custody in Srinagar on Tuesday.
A senior Police officer confirmed the incident while talking to Rising Kashmir.
"An individual has died (in custody). He was held in a militacy-related case. We will share the details after sometime," he said.


Bowling for Friends – A Big Hit!
Cheers & Beers for Ears – A Big Success!
Cheers & Beers for Ears – Please Join Us!
FHSR Launches Blog to Support Children with Hearing Loss!
Miguel's Story with FHSR and Cheers for Ears!


text:
Q: Why do these two irreps of $E_6$ have the same dimension? $E_6$'s Dynkin diagram is a line of 5 vertices, which we will number 1...5, and a sixth one attached to #3, which we will ignore.
$\dim V_{\omega_2} = 351 = \dim V_{2\ \omega_1}$, where $\omega_i$ denotes the corresponding fundamental weight and $V$ the irrep with that high weight. (So $\dim V_{\omega_1} = 27$, the number of lines on a cubic surface.)
"Why" do these two irreps have the same dimension? I'm not sure what I'm asking, obviously, but here's an attempt: do they become isomorphic when restricted to some large isomorphic subgroups of $E_6$?
Incidentally, $V_{\omega_2} = \wedge^2 V_{\omega_1}$, and $Sym^2 V_{\omega_1} = V_{2\omega_1} \oplus (V_{\omega_1})^*$. So maybe the best answer is "the $Sym^2$, which is always larger than the $\wedge^2$, is in this case only larger by something of the same dimension as the original space ($V_{\omega_1}$)".

A: $\newcommand\Sym{\mathrm{Sym}}$
An extended comment which more or less suggests that your suggested answer might be as good as one can do.
If $G$ has a representation on $V$ which preserves a symmetric trilinear form on $V$, then $\Sym^3(V)$ has a $G$-invariant vector and thus $\Sym^2(V) \otimes V$ has a $G$-invariant vector and thus $V^{\vee}$ is a constituent of $\Sym^2(V)$. So for any such $G$ the virtual representations
$$\wedge^2(V), \quad [\Sym^2(V)] - [V^{\vee}]$$
are both actual representations and both have the same dimension. The Dickson invariant of $E_6$ acting on the $27$-dimensional representation $V$ is the corresponding form in this case.
To give a related example, if you take $V$ and restrict to $F_4$ then it decomposes as $U \oplus \mathbf{C}$. The action of $F_4$ on $U$ also admits an invariant cubic form. Hence you obtain a pair of corresponding representations of $F_4$ of dimensions $325$ which are not isomorphic. Unlike the case of $E_6$, however, neither of these are irreducible. This is clear in one case, because the action of $F_4$ on $U$ preserves a quadratic form. So now we have $[U^{\vee}] = [U]$ and decompositions
$$[\Sym^2(U)]  - [U] =  1 + 324,$$
$$[\wedge^2(U)] = 273 + 52,$$
where the numbers refer to irreducible representations of the corresponding dimension.
You also see from this that the restrictions of your $351$ dimensional representations to $F_4$ are still different. But they are still different even when you restrict to the principal $\mathrm{SL}_2$. The $27$-dimensional representation $V$ restricts to the principal $\mathrm{SL}_2$ as a sum of representations $U_1 \oplus U_7 \oplus U_{19}$ where a representation of $\mathrm{SL}_2$ is determined by its dimension. But now:
$$\wedge^2(V) = \wedge^2(U_1 + U_7 + U_{19}) = \wedge^2(U_7) + \wedge^2(U_{19}) + U_7  + U_{19}+ U_7 \otimes U_{19},$$
from which we see that the $351$-dimensional representation $\wedge^2(V)$ has no $\mathrm{SL}_2$-invariants because odd dimensional irreducible representations don't admit symplectic forms.
On the other hand,
$$\Sym^2(V) - [V^{\vee}] = \Sym^2(U_1 + U_7 + U_{19}) - (U_1 + U_7 + U_{19})
= \Sym^2(U_1)  + \Sym^2(U_7) + \Sym^2(U_{19}) - U_1 + \ldots $$
has at least a $2$-dimensional space of invariants because all representations are self-dual and thus the the odd-dimensional representations are orthogonal (of course one can see they are orthogonal more directly by constrution).
So I think the conclusion is that the existence of an invariant symmetric cubic form guarantees the existence of two representations of the same dimension $\binom{n}{2}$ which have no reason to be related, and in the case of $E_6$ they just both happen to be irreducible.


The photo was tagged: Sunrise, The Sea, Choi, Sky, Cloud. it was created by Pentax K-5 Ii camera with shoot mode: 21.2mm · ƒ/8.0 · 1/30s · ISO 200, gives a picture excellent quality. The maximum resolution is 4857×3217 pixels, you can download it with JPEG format.


Compatible Dell Toner Cartridge, Magenta, 1,000 page yield. Replaces Dell part number: 332-0401, V3W4C, 4J0X7. Color Laser Toner Cartridge compatible with Dell C1660w.
Printer cartridge works well with my Dell printer. High quality ink.
I am so thankful that I found Ink Technologies on-line. They eliminated many of my printer problems - the product works as good as the Dell original.
This is my second purchase of the magenta cartridge. I purchased the whole set of colors because my printer said it was out. To my surprise after I replaced just the one magenta cartridge the rest were still functioning and still going strong!
Easy ordering process, great quality. Will continue to order in the future!!
This replaces the OEM Magenta cartridge at about a third of the OEM price from Dell and it works just as well as the original.
These cartridges work flawlessly in my Dell printer. Items ordered from another vendor gave fault codes. These from Ink Technologies are perfect! The print quality is very good and the life of the cartridge is more than OEM. Glad I found you guys!
The price was excellent and the order was delivered VERY fast!
Compatible Dell Toner Cartridge, Cyan, 1,000 page yield. Replaces Dell part number: 332-0400, DWGCP, 5R6J0. Color Laser Toner Cartridge compatible with Dell C1660w.
Compatible Dell Toner Cartridge, Yellow, 1,000 page yield. Replaces Dell part number: 332-0402, V53F6, XY7N4. Color Laser Toner Cartridge compatible with Dell C1660w.


text:
Q: Create a non rectangular Bulma hero I  would like to use the Bulma CSS framework and be able to create non rectangular hero sections, like this one :

Of course, any solution allowing me to use Bulma color gradients ("is-bold" class) would be even best. But just this slight slope with a plain hero background color would still be very useful.
Any ideas on the CSS needed to achieve this with a Bulma Hero section ?


Partner John F. "Jack" Gillick concentrates his practice on the litigation of employment discrimination, civil rights, and personal injury claims. A current Trustee for the New Jersey State Bar Foundation and Vice President of Legal Counsel for the Boy Scouts of America, Monmouth Council, Mr. Gillick is a former President of the Middlesex County Bar Foundation and has been named a "Super Lawyer" by New Jersey Monthly magazine for the last seven years in the area of employment law.
A former Trustee for the New Jersey Institute for Continuing Legal Education, John Gillick teaches continuing legal education courses on behalf of the Middlesex County Bar Association and is a member of the New Jersey, Middlesex County, New Brunswick and American Bar Associations. John Gillick is also proud to be an Assistant Troop Leader for his daughters' Girl Scout troop. He received his Juris Doctor from Seton Hall University in 2001 and thereafter served as Law Clerk to the Hon. Jack L. Lintner, former Presiding Judge of the Superior Court, Appellate Division. Having successfully handled hundreds of cases on behalf of both plaintiffs and defendants, John Gillick has also won appeals before the New Jersey Supreme Court and the Third Circuit Court of Appeals, in addition to being counsel of record on numerous published opinions.
John Gillick received his Juris Doctor from Seton Hall University in 2001, where he was Articles Editor for the Legislative Journal, President of the Irish American Law Students Association, a Senator of the Student Bar Association, and an intern for the New Jersey State Assembly's Democratic Office. As an undergraduate, he received dual Bachelor of Arts degrees from William Paterson University in English Literature and Secondary Education, where he was named Outstanding Senior and presented with a service award by the Catholic Campus Ministry.


The AWPA is an international trade association representing 80 – 90% of the production of carbon, alloy and stainless steel wire and wire products in the United States.
The 88 member companies of the Association employ more than 22,000 workers in over 215 plants and facilities located in 35 states in 140 Congressional Districts and 4 Canadian provinces and Mexico. Its membership is comprised of Active (voting) and Associate (non-voting) members. Active members are independent wire companies located in the US that purchase wire rod as their raw material. Associate memberships include: wire companies in Canada and Mexico, Rod Suppliers, and Suppliers of machinery, dies, equipment, chemicals, and other products and services.
The member companies are entrepreneurial and maintain their competitive market positions against a constant heavy penetration of foreign-made products. They pride themselves on their high productivity and constant reinvestment in latest technology and equipment, keeping the North American wire industry one of the most competitive segments of the steel industry.
To provide an educational, interactive industry forum and lobby that supports and promotes the global competitiveness, and acts in the best interests, of North American Wire and Wire Products Manufacturers.


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text:
Q: how to unfocus a textfield in flutter im trying to create a textfield in flutter but when  you click or tap on it, i dont want it to gain focus. however, tap should work.
i have the following code

  @override
  Widget build(BuildContext context) {
    return new Container(
      color: Colors.white,
      child: new TextField(
        focusNode: FocusScope.of(context).unfocus(),
         onTap: () {print 'test';}
      ),
    );
  }

FocusScope.of(context).unfocus() is given error
"the expression here has a type of  'void', and therfore can't be used"
i want to disable focus feature when you tap on the textfield but tap functionally should work and of course i dont want the keyboard to come up when tapping the textfield. any feedback ? thanks in advance

A: Have you tried readonly
property, readonly will still gain focus and will block keyboard connection preventing it from popping up.
 TextField(
   readOnly:true
   controller: editingController,
   onTap: () async {
   selectedValue = await showDialog();
   setState(() {
      editingController.text = '$selectedValue';
    });
   },
 );

source :issue:16863


Metropolitan State College of Denver is committed to maintaining the highest professional standards in its administrative operations, promoting ethical practices among its faculty and staff, and ensuring a level of accountability appropriate for a public institution. This policy and related procedures for the reporting, investigation, and resolution of fiscal irregularities are established as an integral part of the College 's efforts to ensure that faculty and staff conduct themselves in accordance with high ethical standards and that College performance with respect to these matters is consistently applied.
This policy applies to administrators, faculty, staff and students who know or suspect that other MSU Denver employees are engaged in theft, embezzlement, fiscal misconduct, or violation of College financial policies. Fiscal irregularities are violations of law and/or Board of Trustee's or College financial policies and procedures.
Fiscal irregularities and related misconduct will not be tolerated. Employees found to have participated in fraudulent fiscal acts and/or gross misconduct will be subject to disciplinary action, up to and including termination, pursuant to personnel policies and rules, or subject to criminal prosecution if in violation of Colorado or federal laws.
Management and staff should not confront the individual under suspicion or initiate in depth investigations on their own, as such actions could compromise any ensuing investigation. However, a preliminary investigation may be performed to evaluate the circumstances and identify any unmerited or frivolous claims. College policy dictates that all employees are to cooperate fully with those performing an investigation pursuant to this policy. Administrators, faculty and staff who know or suspect that other employees are engaged in theft, fraud, embezzlement, fiscal misconduct or violation of College financial policies have a responsibility to first report it to their supervisor and then to the Internal Audit Unit.
When a suspected fiscal irregularity is reported to the Internal Audit Unit, the Board of Trustee's and the College President will be advised. While the investigation is pending, it will be the responsibility of the responsible administrators, after consultation with the appropriate College officials (Human Resources, Office of Legal Affairs, and/or others as deemed necessary), to determine if it is necessary to take immediate personnel and administrative action to protect College faculty, staff, students, and property.
If a legal issue is involved, the Offices of Legal Affairs and Administration and Finance will jointly determine the next action to be taken.
If a legal issue is not involved but internal action is needed, the responsible Vice President, in consultation with the appropriate College officials, will have responsibility for taking appropriate actions deemed necessary to minimize the likelihood of a recurrence. The Office of Administration and Finance will be available to assist and advise.
Fiscal Misconduct Policy approved by Cabinet on March 16, 2006.


An Ordinance For Making Appropriations For Expenses Of The City Of Huber Heights, Ohio For The Period Beginning January 1, 2014 And Ending December 31, 2014, And Declaring An Emergency.
The City is required to have in place a budget for fiscal year 2014 by December 31, 2013. This is the 2014 Appropriations Budget which authorizes expenditures for all City departments/divisions and funds for the fiscal year beginning January 1, 2014.
NOTE: There is an amended version of the 2014 budget ordinance that was considered at the first reading attached. The amendments to this ordinance are highlighted on pages 3, 6 and 14. City Staff have requested that City Council amend the original ordinance at the December 9, 2013 City Council Meeting prior to adoption of the 2014 budget ordinance.
This is the budget that authorizes all expenditures of funds for the City in fiscal year 2014. Once passed, funds included in this budget will be available for expenditure by City departmentsdivisions in accordance with all applicable City policies.


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The park is open March 1st to January 5th for all winterised holiday homes.
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Looking for a luxury central heated cottage in Skegness. The Retreat could be just for you with a double bedroom and equipped for 2, so ideally suited for a couple.
We have our own Caravan Holiday Homes sales company in Skegness and we supply New and Used caravans to Dainville Caravan Park. We have a large selection of over 50 units to choose from, all sizes and price ranges.


text:
Features | Written by David Bagshaw 18/06/2020
8 ESSENTIAL BOTTLE EPISODES
Here at STARBURST, our minds have recently been drawn to episodes of shows where the characters are usually in a single location with very little interaction with the outside world. We can't imagine why. Anyway, read on for our guide to the best bottle episodes on TV…
'Chardee MacDennis: The Game of Games' (Season 7, Episode 7)
Nail the game board to the table, get the wine, beer, and hard liquor at the ready. Chardee MacDennis is about to begin.
On a boring day in the bar, the gang decide to play a brutal board game of their own creation, Chardee MacDennis, to pass the time. Because the game was made by the Paddy's Pub gang, the rules (to get out of jail, you must eat the ingredients of a cake raw) are as disordered and chaotic as the questions (Q: What is the greatest band in the world? A: Chumbawumba), as Charlie, Dee, Dennis, Frank, and Mac try to break each other in mind, body and spirit.
'Marooned' (Series 3, Episode 2)
Rimmer and Lister crashland on an icy moon with only each other for company, dog food and Pot Noodle for sustenance, and the priceless contents of Rimmer's camphor wood chest for heating.
Especially in the early years, the relationship between Lister and Rimmer was at the centre of the comedy in Red Dwarf but they usually had Cat, Holly and later Kryten to mix things up with. Marooned takes away everything else, leaving just the two former roommates to deal with each other while trying to keep Lister alive. Season 3 of Red Dwarf used its sci-fi aspect of sci-fi comedy well with "Backwards" and "Polymorph" but Marooned showed that they can also do more character-based comedy.
'Older and Far Away' (Season 6, Episode 14)
The morning after Buffy's birthday party, the Scoobies find out they are trapped inside the Summers' house by an unknown force. Things get worse when a demon starts hiding in the walls waiting to pick them off.
Plot threads like Buffy and Spike's relationship, Willow's recovery from magic addiction, Anya and Xander's upcoming wedding, and Dawn's shoplifting get pulled together for all that bottle-y interpersonal drama after Dawn accidentally wishes for people to stop leaving her, but the most bottle episode-y part of this Buffy bottle episode is the magic keeping them in the house. Instead of showy magic barriers, the characters all simply just stand in place and are unable to will themselves to open the front door and leave. Clever, cost-effective, and unique.
'Empok Nor' (Season 5, Episode 24)
O'Brien leads an away mission to salvage vital parts on an abandoned space station when they find it's not as abandoned as they first thought.
With them being such an ever-present part of Trek for its 50-odd years, we could have done an entire list featuring only Star Trek bottle episodes but we'll just have one in this list. Because of the amount of extras needed for a typical promenade scene and the costs involved, Deep Space Nine wasn't able to use the traditional Star Trek trick of setting the whole story just on the main ship or a shuttlepod when making a bottle episode. Enter: 'Empok Nor' DS9's exact double except for the fact that nobody's aboard and the lights are off. It's a bottle episode but the bottle has a different label on it than it usually does.
'Fly' (Season 3, Episode 10)
Cooking in the secret lab grinds to a halt when a housefly threatens to contaminate a batch of meth.
Rian Johnson directing an episode in the middle of something that divides a fanbase's opinion? Surely not. Horrendously over budget in Season 3, Vince Gilligan needed a bottle episode set almost entirely in Gus Fring's underground lab to help balance the books a bit and give the audience a break from the season's usual pace. What happened became the series in a microcosm with Walt's obsessiveness affecting Jesse until it ends up consuming both their lives.
'A Knight of the Seven Kingdoms' (Season 8, Episode 2)
While waiting for the Night King and his white walker army to arrive, Winterfell prepares.
It may have cost the GDP of a small country to make and involved most of the humongous cast, but in Game of Thrones terms it's a small character piece with restraint, as characters unite and reunite over a misplaced Starbucks coffee.
'Cooperative Polygraphy' (Season 5, Episode 4)
After Pierce's funeral, the study group are tormented by him for one last time in the form of a lie detector test before they can get any bequeathments.
Season 5 of Community saw the departures of Chevy Chase and Donald Glover as well a return to form with the rehiring of Dan Harmon as the showrunner. Rolling with these upheavals, the episode tied up loose ends from Chase quitting as well as setting up Glover leaving in the next episode with aplomb. As the study group are forced to admit things about themselves they've kept from everyone as Pierce's questions mess with them from beyond the grave.
'Midnight' (Series 4, Episode 10)
"Ah, I'll be fine. Taking a big space truck with a bunch of strangers across a diamond planet called Midnight... What could possibly go wrong?"
A downer ending to the list. The Doctor and a small group of tourists are trapped on a transport that suddenly breaks down on a planet bathed in deadly X-tonic radiation and the ship starts getting attacked by an entity that somehow lives there.
Filmed the same time as the Donna Noble-centric episode 'Turn Left', Donna only appears at the start and the end of the episode as the Doctor is pitted against a monster that has the very bottle episode-friendly powers of possessing humans and repeating what they say.
Got a favourite bottle episode of your own? Hit us up @STARBURST_mag and get recommending!
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text:
Q: Как проверить является ли неориентированный граф двудольным Можете дать алгоритм , который определит можно ли перекрасить неориентированный граф в 2 цвета , или же просто алгоритм , который проверяет является ли неориентированный граф 2-цветым(двудольным)

A: Есть простой алгоритм. Используете любой алгоритм (поиск в ширину или глубину), что бы пройти по всем вершинам. Каждую вершину при посещении разукрашиваете в белый или черный цвет (можно хранить отдельно массив с разукрашенными вершинами.
Правило раскраски - две соседние вершины должны быть разного цвета. То есть, если текущая белая, то соединенные с ней - черные. Если все вершины разукрасились - ура, наш граф двудольный. Если в процессе разукраски натолкнулись на уже покрашенную вершину и цвет совпал, ок, продолжаем. Если не совпал - нашли проблемное место, грав не двудольный.
Более строгое математическое определение - все циклы в таком графе - четные. (теорема Кенига).


Today, T.G. Nickel & Associates announced that it has been awarded a contract by Delancey Street Associates to build a $170 million mixed-use development as part of the new 1.9 million square feet Essex Crossing in the heart of the Lower East Side.
Referred to as Essex Crossing Site 2, Nickel will build a new Essex Street Market, a 14-screen movie theater, a rooftop farm and 195 rental apartments. The market occupies the ground floor and features a glass enclosed mezzanine. The theater's entrance consists of two-tone metal panels to reflect sunlight.
The entire development spans six acres on the Lower East Side and is commonly known as the Seward Park Extension Urban Renewal Area (SPEURA). It has sat vacant since 1967, but once completed will include 1,000 apartments and almost 650,000 square feet of commercial space.


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Tim produces sculptures which not only attract the viewers eye but also the viewers hand. Born in Calgary, Alberta in 1965, Tim grew up in Nelson, a town located among the rugged Canadian Rockies in southeastern British Columbia. This is where he developed a love of wildlife and the outdoors. Escaping into the wilds was then, and still is, a spiritual experience. At sixteen Tim began working summers as a cook and wrangler for a hunting outfit, which took him into the wilderness country of northern British Columbia. By the time Tim was eighteen he was guiding his own clients on two week trips.
The next twelve years saw Tim working with other outfitters who ventured further into the vast expanses of the Yukon and Northwest Territories. Throughout all of these experiences, Tim's keen eye and mind were recording the shapes and movement of the wild animals of this vast wilderness. Tim's love for these creatures led to an interest in taxidermy. Despite the fact that he was unaware of any aspirations for a future in fine art, his interests were going that direction.
At age 19 Tim contacted taxidermist Forest Hart, who welcomed him to his workshop in Hampden, Maine. Hart specialized in sculpting mannequins – the artificial bodies used by taxidermists. As a student, Tim's hand and mind became skilled in modeling animals' musculature. He sculpted models for the production process in taxidermy, while learning animal anatomy from the inside out. Tim also observed Hart as he prepared a sculpture to be transformed into bronze. Accompanying Hart to a New York foundry, Tim experienced the fascinating and magical process of fine art bronze for the first time. This observation led Tim to realize that his own life work was finding direction as this would be the year Tim would complete his first sculpture.
Tim has also been recognized by his peers: at the age of twenty- five he gained membership in the Society of Animal Artists and five years later at only thirty, he was elected to membership in the National Sculpture Society and also the National Sculptors Guild.
Tim produces sculptures which bring pleasure to his clients and grace homes, offices and public places both nationally and internationally. He is also a sought after contributor to major exhibitions throughout the United States. In 2001, Tim received the James Earl Fraser Sculpture Award, presented annually for the sculpture exhibiting exception merit as deemed by the National Cowboy and Heritage Museum in Oklahoma City during the Prix de West Invitational for the sculpture "Snake in the Grass." Tim also received in 2001 the prestigious Bronze Medal from the National Sculpture Society for "Rivers Run." Tim's sculpture can be found in a handful of galleries across the continent in collectors homes internationally and gracing the pages of Southwest Art, Wildlife Art and Art of the West magazines.


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The Evolution International Film Festival has announced their full program. You can see the complete listing here.
I will be present at the Los Angeles screening for a Q&A. Below is a brief interview I did for the festival.
The impetus arose from a visit to South Dakota in the summer of 2007. I took a lot of pictures of the people and landscapes and could see a film out of that. Around this time I was feeling disenchanted by screenwriting and just wanted to "write" something with the camera. South Dakota provided its own stories.
How long was your pre-production for your film?
Pre-production was short because I just needed two other good cameramen and a truck filled with equipment. I started shooting it in the summer of 2008 and was in a constant state of production/post-production (editorial mostly) until I finished the film in the fall of 2010.
How many days did you shoot and over what amount of time?
How did you raise the funds necessary to shoot this film?
I shot the film over the course of the different seasons to lend the film a seasonal structure which also met with financial obligations; since I was shooting it piecemeal and over a great length of time it allowed me to pay incrementally as I went along instead of having to have a budget all at one time. Fortunately, a lot of very generous and talented friends contributed their time and resources to see the film get made.
What other Festivals have screened your film and did you win any awards so far?
The film has screened at Slamdance and the Maryland International Film Fest. It won two awards at Slamdance; Kodak Vision award for best cinematography and the Spirit of Slamdance award. Maryland International Film Fest was non-competition, a great festival. Shunka doesn't fit an easy genre so despite a lot of initial interest from programmers worldwide its hard to find festivals that will pick it up. I'm grateful for a festival like Evolution that endeavors to find such films and put them on the big screen.
What influenced you to find the cinematic language used in the film?
I wanted to "write" with the camera and find/uncover something with the lens. So that included piling on a couple of macro lenses and filming bugs. In the end it yielded a neat tapestry of interconnectedness.
Tell us about your crew and your workflow with your cinematographer?
We were a small crew that rotated members with each outing to South Dakota, never more than three people. Between Corey, Andrew and myself we shot a couple hundred hours of footage and used only a fraction of it in the final film. When we shot the Phantom, high speed photography footage, we probably had about a 2:1 shooting ratio because it was the last thing we shot and we knew exactly what we wanted because the movie had already been cut and nearly finished.
What kind of prep/research work did you do before shooting?
We built all of our own rigs; dollie tracks out of PVC pipes, a zipline to ropeslide a camera down (it hit a tree and fell in the snow, but survived), a camera car mount out of a skate dollie that we repurposed onto the roof of the vehicle. I went to high school in South Dakota for a year and knew all or most of the people in advance.
Yes, steadfastly working on a script. It will be hard to have the autonomy I enjoyed with Shunka.


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text:
Rio fly lines - the Accelerator review
- one of a kind!
Rio Accelerator Spey line
Unique WF design claimed to produce exceptionally tight loops due to its complex taper. In addition to the normal taper profile, this line has another swelling like a mini DT portion on the end of the line. The smaller diameter section between this and the tapered head is intended to hinge and tighten the loop for better casting. At the end of the cast, the heavier portion is designed to flip over and accelerate to straighten the leader, hence the line's name. Head length including all the tapers is 80 feet and the running line is 0.04 inches diameter. Yellow in colour.
First impression of this line was that it felt stiffer than the others. We had no idea what to expect from its unique complex taper design and very much looked forward to trying it out. Rio include a well illustrated booklet and reasonably good instructions on how to cast with each of their lines, The techniques described are more suitable for the softer actioned rods favoured by some Americans than the rods we tested with. According to the book the narrow portion between the front tapers of the Accelerator or "hinge" as they prefer to call it, "accelerates the energy on the final forward delivery and kicks over the tip no matter how windy". I think I know what Jin Vincent is eluding to here but have some difficulty understanding how it can possibly work unless the cast is overpowered in the first place. The other advantage he claims is "because the tip is two line sizes lighter, the fly lands on the water lightly instead of crashing to the surface as is the case in a heavy double taper". The book contradicts itself when it goes on to say "If you do not want the thin forward taper or have to deal with large heavy flies or tube flies and constant wind, you can cut this line exactly 18 feet from the tip". At 45 feet the line behaved very well and shot three yards easily with good presentation and turnover although it did feel light on the stiffer rod. At 75 feet the narrow loop at the front caused by the hinge effect became quite noticeable. It was obvious how it kicked the tip section of the line over like a whip before the whole line straightened and fell nicely onto the water. I felt that a certain amount of additional effort was required to make it work properly. With just a little bit less effort there is a tendency for this line to "tuck" or fail to turn over correctly beyond the hinge. Overall a somewhat quirky line which, despite that, could be made to perform well at long distances but I didn't like it when casting at distance into a wind. It was then difficult to turn over. The ideal casting length seemed to be when the belly was brought into the hand, (just like the book said) then the rods loaded beautifully throughout and allowed long smooth shoots. Whilst I was doubtful of the benefit of the profile regards turnover, I got the impression that it may have helped to anchor the 'D' loop firmly and produce better loading.


text:
Sergeant John P. Donaldson (August 14, 1842 to January 7, 1920) was an American soldier who fought in the American Civil War. Donaldson received the country's highest award for bravery during combat, the Medal of Honor, for his action during the Battle of Appomattox Courthouse in Virginia on 9 April 1865. He was honored with the award on 3 May 1865.

Biography
Donaldson was born in Butler, Pennsylvania on 14 August 1842. He enlisted into the 4th Pennsylvania Cavalry. He died on 7 January 1920 and his remains are interred at the Mars Hill Cemetery in Iowa.

Medal of Honor citation

See also

List of American Civil War Medal of Honor recipients: A–F

References

1842 births
1920 deaths
People of Pennsylvania in the American Civil War
Union Army officers
United States Army Medal of Honor recipients
American Civil War recipients of the Medal of Honor

redpajama_set_name: RedPajamaWikipedia


text:
HomeArticleNobody Sets Out To Become A War Propagandist. It Just Sort Of Happens.
Nobody Sets Out To Become A War Propagandist. It Just Sort Of Happens.
Senior Huffington Post UK editor Chris York has published what is by my count his twelfth smear piece against a small group of academics and independent journalists who've expressed skepticism of establishment Syria narratives.
York's obsessive deluge of hit pieces revolve around British academics Tim Hayward and Piers Robinson, as well as independent journalist Vanessa Beeley. Every word in this sentence hyperlinks to a different article smearing them.
York's twelfth such hit piece is much like the preceding eleven: it omits fundamentally crucial facts, it hides the shady nature of its sourcing, it makes outright false claims, and will only be believed by individuals who either don't research this subject very deeply or whose paychecks depend on their not thinking about it too hard. But, more importantly, it's his twelfth such hit piece.
A dozen smear articles. A dozen. Not against politicians. Not against powerful government leaders or massive celebrities. York's smears focus on two professors with some 22,000 Twitter followers between them both, and Beeley, whom York himself refers to as an "obscure blogger" while authoring smear piece after smear piece after smear piece about her.
The 'useful idiots': How these British academics helped Russia deny war crimes at the UN https://t.co/UGvquum1nm
— Chris York (@ChrisDYork) January 29, 2020
Now Beeley, Hayward and Robinson all do great work asking the important questions that no one else is asking about the many, many glaring plot holes in the narratives we're being fed about what's happening in Syria by the western political/media class. I am a fan. But only a relatively tiny number of people have ever heard of them. I don't want to minimize the importance of what they do, but they are generally unheard of outside of small esoteric internet circles which focus on deep dives into questionable government narratives about Syria.
We can take it as a given, then, that Huffington Post UK's goal with these relentless smear pieces is not to generate clicks or organic virality. No normal person is scrolling through their social media feed and going "Oh I do hope there's some fresh gossip about Piers Robinson today!"
Nor is the goal to educate the public with important pertinent information. Even if York's hit pieces contained lots of accurate information (and they don't), you wouldn't need twelve articles to say "Hey the ideas these people are sharing are harmful in the following ways." You could say it once and move on to reporting on the many, many, many important stories that are unfolding around the world as we speak. The goal is not to inform.
So what is the goal?
The goal is narrative management.
Chris York pestered me for months by DMs, and I even agreed to meet him, as he 'wanted to understand' why people have critical questions about the White Helmets; then he just smears us all, repeatedly.
This thread documents a dozen of his smear pieces:https://t.co/yldwNlcvbZ
— Tim Hayward (@Tim_Hayward_) January 30, 2020
If you look through York's smear jobs, you'll notice many of them aren't even actually addressed to the public. The ones about Robinson and Hayward are really addressed to the academic institutions which employ them, designed to pressure them into ceasing to do so (and proclaiming victory when that campaign is perceived to have succeeded). This smear piece here was clearly designed to help generate pressure for the Leeds Museum to cancel an event where all three of York's targets were scheduled to speak, and this one celebrates the Leeds City Council cancelling the event.
If you look at who's sharing York's latest smear piece on Twitter, you'll notice that a weirdly large percentage of them are blue-checkmarked accounts which pour a lot of time and energy into managing the dominant narrative about Syria. I don't know what chat groups or private message boards this article appeared in, but it generated a lot of social media firepower very quickly.
The purpose of these smear pieces is not to generate clicks, and it is not to inform the public. It's to manipulate public thought. It's to deplatform voices which are skeptical of what we're being told to believe about a nation long targeted by the western empire for regime change, it's to provide a resource that other narrative managers can circulate and cite in their own spin jobs, and it's to inoculate the mainstream herd from any potential outbreak of wrongthink.
Nobody sets out to become a propagandist. No eight year-old kid is sitting around dreaming of one day selling her integrity to help the western empire manufacture consent for the deployment of more highly profitable military equipment to yet another resource-rich geostrategic region.
It just kind of happens. You go to journalism school, you get a job, if you're clever you learn that there's some coverage which gets rewarded and some which gets you marginalized, and before you know it you're sitting at your desk typing up your twelfth smear piece about some small time teachers and bloggers and wondering what the hell happened to your life.
Rising's Krystal Ball and Saagar Enjati did a great segment a few months ago where they laid out all the various kinds of pressure to defend the establishment line that you'll experience when you get a job with a mainstream media outlet, speaking from their own experience in such outlets.
"There are certain pressures to stay in good with the establishment to maintain the access that is the life blood of political journalism," Ball said in the segment. "So what do I mean? Let me give an example from my own career since everything I'm saying here really frankly applies to me too. Back in early 2015 at MSNBC I did a monologue that some of you may have seen pretty much begging Hillary Clinton not to run. I said her elite ties were out of step with the party and the country, that if she ran she would likely be the nominee and would then go on to lose. No one censored me, I was allowed to say it, but afterwards the Clinton people called and complained to the MSNBC top brass and threatened not to provide any access during the upcoming campaign. I was told that I could still say what I wanted, but I would have to get any Clinton-related commentary cleared with the president of the network. Now being a human interested in maintaining my job, I'm certain I did less critical Clinton commentary after that than I maybe otherwise would have."
"This is something that a lot of people don't understand," Enjati said. "It's not necessarily that somebody tells you how to do your coverage, it's that if you were to do your coverage that way, you would not be hired at that institution. So it's like if you do not already fit within this framework, then the system is designed to not give you a voice. And if you necessarily did do that, all of the incentive structures around your pay, around your promotion, around your colleagues that are slapping you on the back, that would all disappear. So it's a system of reinforcement, which makes it so that you wouldn't go down that path in the first place."
"Right, and again, it's not necessarily intentional," Ball added. "It's that those are the people that you're surrounded with, so there becomes a group-think. And look, you are aware of what you're going to be rewarded for and what you're going to be punished for, or not rewarded for, like that definitely plays in the mind, whether you want it to or not, that's a reality."
We are leading on this fascinating and important story from @ChrisDYork today about how a group of British academics have been used by Russia to help them deny war crimes by the Assad regime at the UN. It's quite a tale – please give it a read. https://t.co/HzJf9oUdOq
— Jess Brammar (@jessbrammar) January 29, 2020
York's boss, HuffPo UK's executive editor Jess Brammar, shared York's latest smear piece on Twitter with a gushing thread about what a "fascinating and important story" it is and whining that his is "subject to abuse online" whenever he publishes one of his many hit jobs against people who remember Iraq.
That's one hell of a pat on the back if I ever saw one, and it's coming from an executive editor who happens to currently serve on the UK government's Defence and Security Media Advisory (DSMA) Committee. The DSMA Committee is a British advisory body which functions as an overlap between British journalism and the British government in its responsibility for issuing DSMA Notices (formerly known as "D-notices"), which advise British news outlets not to report on certain matters deemed sensitive to national security. This system has previously been used to ask that editors consult with the UK government before reporting on revelations in a 2010 WikiLeaks publication.
I am sure that Chris York didn't set out to become a war propagandist. He just found himself funneled through the same system of positive and negative reinforcement as so many other young, bright-eyed journalists have before him, and now here he is with a job his family is proud of because journalism is a noble profession, surrounded by people telling him he's doing the right thing. He's got every incentive to stay and keep doing what he's doing, and that little nagging he feels in his heart in those quiet moments alone is nothing a little alcohol or other form of escapism can't numb.
But a propagandist he has indeed become, like everyone else who is successfully making their way up the mainstream media ladder. Keep smearing the dissident voices, keep proving yourself a loyal empire lackey, and the rewards will keep on coming. I'm sure that little nagging voice inside that you can't kill no matter how hard you try is totally worth it.
Chris YorkmediaPiers RobinsonpropagandasmearSyriaTim HaywardVanessa Beeley
Iraq-Raping Neocon Upset That People Keep Bringing Up The Iraq Thing
This Song Was Made To Heal You - New Sustainable Human Video From A Poem By Caitlin Johnstone
Zarayna Pradyer / February 2, 2020
This is almost heartening but, please note the number of MPs who attended and to whom MPs consult for their reliable information
https://wp.me/paao7Q-tF4
USA-ma Bin Laden / February 1, 2020
The fact that the (cough) Free Press and the Huffington Post have devoted so much time and energy attacking people like Tim Hayward, Piers Robinson, or Vanessa Beeley suggests that these anti-war individuals are raising questions that the Anglo American political and media establishment do not want raised.
It was former CIA operations official Frank Wisner who once proclaimed that the Agency's front organizations, which included the news media, were nothing more than a Mighty Wurlitzer, which he could get to play any propaganda tune that the CIA wanted–just like an organ.
Any dissent from the American Empire's "Mighty Wurlitzer" can be attacked like Hayward, Robinson, and Beeley have been subjected to.
The Mighty Wurlitzer: How the CIA Played America
https://www.greanvillepost.com/2015/08/17/the-mighty-wurlitzer-how-the-cia-played-america/
Sharon Royal / January 31, 2020
When Caitlin takes a break from TDS, she can write some excellent articles, as evidenced by her work on Syria.
Dejan / January 31, 2020
When You (Caitlin) say: "…on Twitter, you'll notice that a weirdly large percentage of them are blue-checkmarked accounts which pour a lot of time and energy into managing the dominant narrative…",
– You should go further there and see if those blue checked names belong to "blue" bloded families of Peerage. Some of those names are very familiar (pun). This York character could also be coming from the owner cast families. I suspect: he does. And to help You go further, it would be wise going back first, way back, few millennia back. To see what I mean by that, read this pdf paper, titled "Ancient Spooks Part IV – Spookdom's trail into history (By Gerry, July 2018): http://mileswmathis.com/phoen4.pdf.
And to add some flavor to that paper, I also recommend pdf paper, titled "Jewish Pirates" (By by Long John Silverman, November 2019): http://mileswmathis.com/pirate.pdf.
When You (Caitlin) say: "It just kind of happens. …I am sure that Chris York didn't set out to become a war propagandist. He just found himself funneled through the same system of positive and negative reinforcement…and now here he is with a job his family is proud of …",
– You should reverse that conclusion you borrowed from that Ball character (is she related to Washington from Peerage?) and/or that Enjati character, who you cite saying "So it's like if you do not already fit within this framework, then the system is designed to not give you a voice."
I think that all these people (discourse steering agents) are from "owner" cast families, to begin with. And if they show some talent in certain area, when young, they get heavily promoted and are offered top jobs in that area. I think that York, if that is his real name, is well connected from the start (they all are) and his family (co-owners of the System) did all the needed positive and negative reinforcement required, so he could perform his job faithfully. He was groomed to fit the role that (their) system offers and reserves only for the members of certain "families".
The job demands of him (as part of Fenix-Bureaucracy-International CO, subsidiary of Family-Banker-Intell LLc) being prepared to attack others when needed – remember that they control all sides, including those receiving beatings – or pat other's shoulders. But, also, when social deconstruction program (CHAOS) demands, to be prepared even sacrificing own career (and retire from public view, with benefits).
I hope this comment post OK, since my previous two were missing parts of it. Fingers crossed. Third time charm.
When You (Caitlin) say: >> … on Twitter, you'll notice that a weirdly large percentage of them are blue-checkmarked accounts which pour a lot of time and energy into managing the dominant narrative… <> It just kind of happens. … I am sure that Chris York didn't set out to become a war propagandist. He just found himself funneled through the same system of positive and negative reinforcement … and now here he is with a job his family is proud of … <<,
– You should reverse that conclusion you borrowed from that Ball character (is she related to Washington from Peerage?) and/or that Enjati character, who you cite saying "So it's like if you do not already fit within this framework, then the system is designed to not give you a voice."
I think that all these people (discourse steering agents) are from "owner" cast families, to begin with. And if they show some talent in certain area, when young, they get heavily promoted and are offered top jobs in that area. I think that York, if that is his real name, is well connected from the start (they all are) and his family (co-owners of the System) did all the needed positive and negative reinforcement required, so he could perform his job faithfully. He was groomed to fit the role that (their) system offers and reserves only for the members of certain "families" .
The job demands of him (as part of them) being prepared to attack others when needed – remember that they control all sides, including those receiving beatings – or pat other's shoulders. But, also, when social deconstruction program (CHAOS) demands, to be prepared even sacrificing own career (and retire from public view, with benefits).
I hope this comment post OK, since my previous is missing parts of it. Fingers crossed.
When You (Caitlin) say: >> … on Twitter, you'll notice that a weirdly large percentage of them are blue-checkmarked accounts which pour a lot of time and energy into managing the dominant narrative… <> http://mileswmathis.com/phoen4.pdf <> http://mileswmathis.com/pirate.pdf <> It just kind of happens. … I am sure that Chris York didn't set out to become a war propagandist. He just found himself funneled through the same system of positive and negative reinforcement … and now here he is with a job his family is proud of …<<,
The job demands of him (as part of them) being prepared to attack others when needed – remember that they control all sides, including those receiving beatings – or pat other's shoulders. But, also, when social deconstruction program (CHAOS) demands, to be prepared even to sacrifice career (and retire from public view, with benefits).
cutthecord / February 2, 2020
cutthecord / January 31, 2020
jess brammer… another name to add to the list of war criminals who shall be tried and hung sooner than they think.
brammar, not brammer. ugh
and hanged, i guess, not hung, ..
jrkrideau / January 31, 2020
Well depending on your dietary preferences he could be hanged and hung.
Michel Bélisle / January 31, 2020
My guess is that most people recognize propaganda when they see it. Except that many times, they will endorse propagandists for personal reasons and interests, even against their ethical beliefs.
This example from France:
"The Europeans last May removed all uncertainty on this subject. The electoral map and opinion polls showed that not only did the Catholic vote largely choose Macron, but the more voters said they were practicing Catholics, the more they voted for the majority list. Versailles and Saint Germain en Laye, in particular, offered Macron one of its best scores. CLASS VOTING WON OUT OVER VOTING FOR ETHICAL BELIEFS. The "natural" candidate of traditional France, the very Catholic and Versailles-born François Bellamy, was the main victim of this bourgeois refocusing, with a paltry score of 8.5%!"
https://www.polemia.com/la-manif-pour-tous-mais-ou-est-donc-passe-le-vote-catholique/
As long as the upper Middle Class (even the lower Middle Class) will align themselves with the ruling elites on almost every subject, even against their ethical beliefs, you will find a bright future for propagandists.
It is surely the return of the days of Noah because so much people are of bad faith as it was in those days. The good news is that it means the return of Jesus is near and I pray the Rosary to hasten His Glorious return because I have seen more than enough bullshit.
JWK / January 31, 2020
Any one with any sort of moral compass will not stay in such a situation. They realize their error, and find other work, or as Caitlin has done, start their own business. Those who do stay have no such compass. I read, watch, and listen to corporate media frequently, but not for long, for entertainment purposes, and to get an idea what the Sociopaths In Charge would like me to believe. All the while realizing I'm currently in a minority, although a growing one. It's a race between truth and suicide.
Francis Mickus / January 31, 2020
Of course, what lacks here are links to the academics and journalists under attack.
Adding link after link to Mr. Smearcase's articles ends up reinforcing Mr. Smearcase's position…
Otto Baak / January 31, 2020
I'm not replying to you – just don't see how to post a comment.
The Huff. article it says – The American is the founder of 21st Century Wire, a website that has suggested the Sandy Hook massacre in which 20 children were shot dead, was a "scripted event", there is "no evidence" a plane hit the Pentagon on 9/11 and that photos of the moon landings weren't taken on the moon.
What is this doing in it and why would he be in that discussion? and why Caitlin makes no comment on it? What did the other speakers know or say about it?
minecritter / January 31, 2020
On my screen, there's a box under the heading "leave a comment" under all the comments, so you have to scroll to the bottom of the comments to see it.
Petra Liverani / January 31, 2020
"… about how a group of British academics have been used by Russia to help them deny war crimes by the Assad regime at the UN"
The irony with Syria is that at least a number of the "many, many glaring plot holes" are deliberate. They drown us in propaganda but at the same time rub the truth in our faces. There's the nose cone of the second plane popping out the other side of the South tower, the newscaster saying to the FDNY guy, "Can you confirm it was No. 7 that just went in?" ("went in" being a term used in controlled demolition reflecting how buildings fall in on themselves), the terrorists popping up alive, the magic passport found in the dust, etc.
I think a powerful approach when you argue with the smearers is to point out – where it's obviously the case – that the "plot hole" is deliberate.
I have a page, They Tell Us Clearly with examples of how they push the truth in our faces.
https://occamsrazorterrorevents.weebly.com/they-tell-us-clearly.html
pasha / January 31, 2020
Nobody sets out to become a propagandist . . . It just kind of happens.
Only if you're entirely devoid of principles, ethics, a conscience, and brain cells.
Khatika / January 31, 2020
First, Caitlin I give you kudos for your writing. Making a twelve word sentence was inventive and witty. You are an excellent writer. Though I don't always agree with you, your literary skills are excellent.
Second, what better way to get obscure writing to be better disseminated than calling attention to it. Those professors are probably getting a record amount of traffic.
Receveur / January 31, 2020
It must be said that the example given by "politicians" to the highest level (for example a vice president of the United States) does not encourage journalists to ethics:
https://ukrainegate.info/part-3-a-not-so-noble-president/
Revolution supporter / January 31, 2020
There are probably millions of people who realize the world is indoctrinated and controlled by greedy psychopaths from behind the scenes and their bought and paid minions at the front desk. But few if any talk about actions which will eliminate these criminals in high places and eliminate all other psychopaths waiting to take their places when they are removed from office.
You'd better not talk about actions, unless you want black-helmeted thugs kicking in your door at 4 a.m.
Really quite simple. Stop voting. There are no sane candidates. Voting only lends them credence. With zero votes, they either put their tyranny on display, or find some other sandbox to play in, since whatever imagined mandate they have has evaporated. We can govern ourselves, or be governed by monsters. Pick one.
ron campbell / January 31, 2020
Sometimes reading an article can make you question a lot of things that you never really thought about before. The British Empire subjugated a lot of humanity on this planet; this article helped me to understand their motivation to become the owners and the masters of so many other people.
https://www.strategic-culture.org/news/2020/01/29/consortium-news-strikes-back-londons-five-eyes-freelands-nazi-roots-stand-exposed-once-more/
Christine Smith / January 31, 2020
Thank you Caitlin. Remember Andrew Marr interviewing Noam Chomsky and Marr saying something like "thats how I feel" and Chomsky saying "of course it's how you feel. If you didn't you wouldn't be here". Useful idiots indeed! They must be lacking in any kind of conscience!
I think that might be the same interview in the video clip embedded before the last paragraph of this article (but not referenced in the text).
Arby / February 3, 2020
Indeed. And what is Chomsky doing today? He's shilling for the American empire!
John Knox / January 31, 2020
The profits from our labor go to big corporations that spend it on media types who try to tell us what to think. It isn't exactly a conspiracy, there's just so much money involved that it becomes like a force of nature, and nobody individually can stop it. It reminds me a little of slavery in America- even though most people didn't like it, nobody individually had the power to stop it because it was such a big part of the economy that in the south it was hard to imagine how they were going to live without it.
Maxwell Quest / January 31, 2020
A lecture by Udo Ulfkotte called: Gekaufte Journalisten (Bought Journalists) with English subtitles.
Well worth your time if you want to understand how journalism really operates.
Clashing Colors / January 31, 2020
"But, you grow up and you calm down and
You're working for the clampdown
You start wearing the blue and brown and
So you got someone to boss around
It makes you feel big now
You drift until you brutalize
You made your first kill now"
—the late, great Joel Strummer
John Day / January 31, 2020
http://www.johndayblog.com/2020/01/fatal-mechanisms.html
It's time to be a constructive person, making a better world, but first, there's this Wuhan coronavirus coming, so take 5000 units of vitamin D3 (chap, over the counter) daily until it blows over. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3308600/
John, There are strong indications that the coronavirus is a hoax.
https://occamsrazorterrorevents.weebly.com/blog/coronavirus-hoax-jan-2020
William Bowles / February 2, 2020
Oh come on!!! Get a life!
Petra Liverani / February 3, 2020
William, I don't simply make the claim, of course, I provide the evidence at which you obviously haven't looked. I wonder what it is about what's been reported that makes you so susceptible to believing it, I really do. Please tell me a single thing that makes you believe that there is any kind of pandemic or anything even approaching a coronavirus pandemic – is it masks and other gear, is it statistics, is it people on guerneys – is that enough for you? – but then what about the anomalies – didn't notice any of them? As you didn't go to look at the evidence I present I will summarise it below and can only hope that you read it. Of course, if you go to my page you will find more detail with links, etc. Once read, please return with a reply on why you believe anything at all said in the media that is coronavirus-related.
Summary of anomalies
1. Absence of any convincing evidence of anything reported about the virus.
2. Two contradictory and equally implausible and unsubstantiated stories about a "coronavirus" hospital being set up (one from an empty building in 48 hours and one from the ground up in 6 days). There is no evidence provided of the finished hospital that was meant to be finished in 6 days.
3. Implausibility of animals reported to spread the virus including Chinese cobras, many-banded kraits, hedgehogs and critically-endangered pangolins. We are shown an image with a pangolin mentioned in the caption, however, the image shows a civet cat which has not been mentioned in relation to the coronavirus but was allegedly a carrier of the SARS virus.
4. Implausibility of a prominent Australian scientist making a denigrative comment about a Chinese research team's work in the form of, "It's complete garbage."
5. A paper being published in the Journal of Virology so quickly after alleged outbreak and claimed to be peer-reviewed.
6. The claim of a person lying on the floor in a hospital, lying on the ground outside and a person falling flat on their face representing sufferers of the virus.
7. The remarkable coincidences of the Netflix docuseries on preventing a pandemic and Event 201, a high-level pandemic exercise in October last year.
For links and more detail see: https://occamsrazorterrorevents.weebly.com/blog/coronavirus-hoax-jan-2020
That wouldn't surprise me in the least. What kind of hoax and for what purpose? Just as the biggest movement of people on the planet goes down, where Chinese people celebrate their new year, this happens. Some have speculated that Western leaders are looking at China's incredible shut down of a huge chunk of China in response and thinking about how they might be able to use such tactics – for whatever purpose – in their war against the people in the future. Also, Isn't it interesting how this is happening at a time when the hit to the Chinese economy is bound to be immense? I also read that the virus is race-specific, but that must be wrong or we woud all be hearing more about that.
Gary/Mensch59 / January 31, 2020
Another great article by Caitlin Johnstone. Thanks for being a light in the darkness.
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