Not recognizing me as a registered Pro user.
The latest pro version no longer recognizes me as a registered pro user. I have tried to restore purchases several times to no avail. What should I try next? Thanks for any help.
I'd recommend go to the App Store in your phone's Settings, signing out of the app store and then sign back in. Then relaunch 1Password and try to Restore the purchase. Make sure you are signing in with the same AppleID you used to purchase the Pro features.
Note that if you are just upgrading from version 3, released several years ago, you will need to purchase the Pro Features in-app purchase.


text:
Q: Обратиться к функции другого класса Простите, как я могу обратиться к методу getName из активности NavigationActivity?
public class UserProfile {

private String name, email;
private int sex, avatar;

public UserProfile(String name, String email, int sex, int avatar){
    this.name = name;
    this.email = email;
    this.sex = sex;
    this.avatar = avatar;
}

public void setName(String name) { // изменяет имя пользователя (логин)
    this.name = name;
}

public String getName() {
    return name;
}
}

В авторизации (LoginActivity) идет создание этого профиля (то есть использую UserProfile(и здесь данные)). А в другом классе мне нужно эти данные как-то получить. А как это сделать?

A: В классе UserProfile (для примера) добавил еще методы "сеттер" и "геттер"
для работы с полем email
public class UserProfile {

private String name, email;
private int sex, avatar;

public UserProfile(String name, String email, int sex, int avatar){
    this.name = name;
    this.email = email;
    this.sex = sex;
    this.avatar = avatar;
}

public void setName(String name) { // изменяет имя пользователя (логин)
    this.name = name;
}

public void setEmail(String email) { // изменяет почту пользователя
}

public String getName() {
    return name;
}

public String getEmail() {
    return email;
}

}
"Другой" класс, в котором для использования данных из класса типа UserProfile
создаем объект этого класса и сразу заполняем данными, как того требует его конструктор. Затем через методы "геттеры" класса UserProfile
получаем данные полей name и email
public class OtherClass{
//создаем объект класса UserProfile
UserProfile up = new UserProfile("vasya", "vasya@email", 1, 888);

// через методы "геттеры" получаем данные полей name и male
private String nameUser = up.getName();
private String mailUser = up.getEmail();

// создаем методы для использования данных из UserProfile
public void printName(){
    System.out.println(nameUser);
}

public void printEmail(){
    System.out.println(mailUser);
}

}
Основной класс MainClass, где объект типа OtherClass через свои
методы получает данные из UserProfile (в д.сл. выводит их на консоль)
public class MainClass{

public static void main(String[] args){

    //в основном классе создаем объект типа OtherClass
    OtherClass oc = new OtherClass();
    //через его методы используем данные полей
    //класса UserProfile
    oc.printName();
    oc.printEmail();
}

}
Вывод программы:
vasya
vasya@email

A: String name = x.getName();

где х - название объекта класса UserProfile

redpajama_set_name: RedPajamaStackExchange


text:
RF Test Equipment Market 2020
Long Term Evolution- RF Planning and RF Testing.
Published By: IndustryARC Published On : 23-Mar-2016
Telecommunications is one of the growing industries in the world. Trends such as mobile broadband, Long-Term Evolution (LTE), Internet of Things (IoT), Cloud computing, and Big Data management are currently propelling telecom to grow. Long-term evolution is one of the major areas of focus; it is considered as the fourth generation (4G) of mobile communication systems. LTE is an internet protocol providing a broader bandwidth along with a seamless network. It refers to mobile multimedia, with global mobility support that is integrated with wireless solution.
Evolution of 4G/LTE networks is expanding the customer base by adding tablets, modems and smart phones. In long-term it was estimated that the amount of mobile data downloading might double every year for next 10 years and it is due to the increase in connected devices and the increased availability of mobile devices such as tablets and smartphones. It is estimated that the LTE network will grow faster than 3G and the number of LTE subscribers will reach 400 million by 2016.
RF planning in mobile radio communication systems like LTE refers to the process of assigning frequencies, transmitter location and other parameters of the system to enable enough coverage and volume of the required service. The main parameter in RF planning includes network performance and coverage. RF planning comprises of four phases, namely, Initial Radio Link Budgeting, Detailed RF Propagation Modeling, Fine Tuning and Optimization and Continuous Optimization.
RF planning in LTE network is a complex process as LTE network involves a complex physical layer which involves multiple antennas (MIMO) and operates with bandwidths up to 20 MHz. These factors raise the test standards and demand high level of testing. The RF testing aspects in LTE network comprises of testing the transmitter and receiver characteristics that includes transmit power, output power dynamics, and output RF spectrum emissions among various others. The growing LTE network and volume of RF planning associated with it is driving the RF test equipment market.
Browse Related Reports:
Infrared Sensors Market Analysis: By Range (SWIR, MWIR, LWIR, FWIR); Types (PIR, Thermopile, Pyroelectric, Photo Reflector); Application (Automotive, Healthcare, Semiconductors, Telecommunications, Manufacturing) - Forecast (2015-2020).
https://www.industryarc.com/Report/119/infrared-sensors-market-report.html
Sound Sensors Market: By Application (Telecom Sector, Medical Sector, Automotive Industry); By Type (Hydrophone, Microphone) and By Geography - Forecast (2015-2020).
https://www.industryarc.com/Report/2330/Sound-Sensors-Market-Analysis-Report.html
About IndustryARC:
IndustryARC is a research and consulting firm that publishes more than 500 reports annually in various industries, such as Agriculture, Automotive, Automation & Instrumentation, Chemicals and Materials, Energy and Power, Electronics, Food & Beverages, Information Technology, Life sciences & Healthcare.
IndustryARC primarily focuses on Cutting Edge Technologies and Newer Applications of the Market. Our Custom Research Services are designed to provide insights on the constant flux in the global demand-supply gap of markets. Our strong analyst team enables us to meet the client research needs at a very quick speed with a variety of options for your business.
We look forward to support the client to be able to better address customer needs; stay ahead in the market; become the top competitor and get real-time recommendations on business strategies and deals. Contact us to find out how we can help you today.
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redpajama_set_name: RedPajamaCommonCrawl


text:
public class A {
    public static class P {
      public static class T { public void f() { } }
    }
    public static class T { public void g() { } }
    public static class Inner extends P {
      public class Deeper {
        public void foo(T t) { t.f(); }
      }
    }
  }

redpajama_set_name: RedPajamaGithub


FiRst-aiD » to RegisteR » The courses are free and include a free workbook. Participants will receive a card for successful course completion.
Gov. John Hickenlooper delivered his fifth State of the State address today to Colorado lawmakers.
Read the prepared text of Colorado Governor John Hickenlooper's State of the State address, delivered on Thursday, January 15, 2015.


Brian Wilson, the Chairman of Harris Tweed Hebrides and a former trade and energy minister, has been appointed as a Business Ambassador for the UK Government, which will see him take on a flexible role to promote Scottish business at home and abroad.
Scottish business is set to benefit from the expertise of a new UK Business Ambassador, the Secretary of State for Scotland announced today.
The news came as Mr Wilson accompanied the Secretary of State for Scotland Michael Moore on a tour of the new Diageo bottling plant in Leven, which has recently seen an £86 million investment by the company, creating hundreds of jobs in Fife.
Eighty-five per cent of Diageo's output from Scotland is exported to over 180 markets worldwide. Scotch Whisky remains a strong export commodity for Scotland and the UK and exports continue to grow, with a record shipment value of £4.2 billion last year, up 23% on 2010.
Mr Wilson's role will see him promoting the Scottish economy and business environment in addition to encouraging more firms to engage in international business activities with the view to developing growth in Scottish exports.
He will continue to contribute to the Scottish Business Board by leading a review of support for Scottish Business Exporting.
His business skills and expertise, across a range of sectors from energy to manufacturing and retail, will be invaluable in promoting the UK's excellence internationally. Last year, Mr Wilson was named UK Global Director of the Year by the Institute of Directors for his work with Harris Tweed.
Brian Wilson said: "Trade is politically neutral and translates directly into jobs and prosperity at home. I am very willing to make whatever contribution I can to supporting Scottish and other UK companies overseas and by encouraging more of our businesses to become exporters".
The Secretary of State for Scotland, Michael Moore, commented: "I am delighted to see Brian Wilson being appointed as a UK Business Ambassador. He has an enormous amount of knowledge of the Scottish economy and will be a huge asset I look forward to working together to help boost Scotland's export performance which is a vital part of driving forward the Scottish economy.
The Business Ambassador Network has already provided essential support to the UK's trade and investment activities, helping to raise UK plc's profile globally in response to the recent economic challenges.
Mr Wilson will take on a flexible role with a particular interest in promoting Scottish businesses.
* Underlining the mutual business benefits, in terms of global reach and impact, that Scotland and the rest of the UK enjoy together as UK plc, and the importance of that united approach.


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Currently about 6000 languages are spoken on the world. Most of them will disappear soon – and together with them a meldodic richness of human expressivness. However, the fact, that dialects and disappearing languages are only spoken by a few people has one advantage: only if one does not understand the contents it is possible to really listen tot he sound, saying far away from their homeland these languages unfold their musical enchantment (charme?). What you find are melodies that nobody invented (conceived of?). They arise in the process of impulsive speaking, on the grounds of oral tradition. Landscapes seem to continue there with melodic heights and valleys. Often single sentences remain in our heads as catchy tunes.
In Terra Prosodia people tell a short spontanuous story based on a personal experience. Stories about storms, excursions, accidents and so on. Particularly speakers who have spent their lifes in remote valleys or islands often speak with much more distinct modulation. This expressiveness gets lost quickly one cou live in a big city.
In the compositions the contents of these stories do not matter any longer. The pieces focus on the melodies in the dialects and add second instrumental or humed melodic voice. By this also the melody of the speaking voice is underlined. In the beginning the second voice will imitate the speaking voice, later becomes indpendent and follows own directions. As soon as the focus of perception is on the melody, you can listen to both lines as independent voices.
During my work I found out, that an even more exact decoding and mapping oft he intervalls (which would be possible technically) on no account lead to better results. Quite the contraray the effect of a catchy tune that occurs when you remember the melodies is based on the fact the our brain is already during hearing looking for characteristic figures and intervalls. Our ear behaves like the eye in a stalagtite cave. In a vast array of stalagtites and stalagmites we always remember nothing then typical single shapes. "Look, that looks like….". Only this mechanism allows us to remember something of huge amount of shapes.
Many things disappear and only then gets attention. Images, texts, sounds appear in archives in audio-visual documentations in the net.
But archiving the no more living existence is partial maybe even sometimes absurd or naiv. Language only can remain vivid and interesting, if it is spoken everyday. When it is staying in a process of change, articulated by different persons, when it is depicting facts, information, thoughts, emotions and so on.
Antje Vowinckel's Terra Prosodia makes happy and sad at the same time. The musicality of the spoken word sinks in even more by the melodical adaption as in case of pure listening of an unknown lanugage. You admire the beautiness and complexity. You instantly wish to speak one of these languages yourself for not leaving them to archivars and linguists but forward them to people who would use them in future.
In Terra Prosodia Antje Vowinckel succeeds in a wonderful mixture of a political important theme, a formally convincing process and a subtle and profound humour, that is hard to find. Once you have listened to the voices you will listen differently to spoken language in every day life.
Ein Telefoninterview mit Antje Vowinckel.
Die Berliner Audiokünstlerin Antje Vowinckel hat kürzlich auf dem SoundArt-Label "Gruenrekorder" die CD "Terra Prosodia" veröffentlicht. Im Mittelpunkt dieser Arbeit. die bereits im Rahmen der Prix Ars Electronica 2012 eine lobende Erwähnung erhalten hat, steht die menschliche Sprache. Allerdings versteht man kaum ein Wort. Es sei denn, man ist des Gaskonischen und des Schottisch-Gälischen mächtig und spricht obendrein Gutnisch, Provenzalisch, Wallis-Deutsch und Rumantsch. Antje Vowinckel hat Menschen in Schweden, Frankreich, Schottland und in der Schweiz besucht und sie gebeten, eine persönliche Geschichte zu erzählen. Entstanden ist ein Dokument von Minderheitensprachen und vom Aussterben bedrohten Dialekten. Doch "Terra Prosodia" ist viel mehr als nur das. Gerade durch die weitgehende Unzugänglichkeit des Inhalts, wird man auf Intonation, Rhythmik und Melodieführung – die Prosodien eben – zurückgeworfen. So wird Stimme zu dem Instrument, dass es immer schon gewesen ist. Und um dieses noch eindrücklicher zum Klingen zu bringen, hat Antje Vowinckel die Vocals nicht bloß portioniert, umgestellt und dezent effektiert, sondern sie auch mit Sounds unterlegt – Synthesizer, Summen, Kontrabass. Sie doppeln das Sprachmaterial perkussiv und melodisch, ahmen es nach, tragen es weiter, konterkarieren es. Leben ist Improvisation. Sprache ist Free Jazz. "Terra Prosodia" ist aus einer herzerfrischenden Idee erwachsen, überzeugt ästhetisch auf ganzer Linie und öffnet zudem Raum für konzeptuelle und letztlich politische Fragen.
Niektórzy nie mają możliwości odbywania dalekich podróży, a tym bardziej posłuchania nieznanych im języków, a lubią muzykę eksperymentalną. Jest na to prosty sposób – "Terra Prosodia".
Antje Vowinckel jest artystką pochodzącą z Berlina. Studiowała literaturę i muzykę (flet/ fortepian). Od samego początku jej działalność związana jest z radiem. Na swoim koncie ma mnóstwo produkcji radiowych przygotowanych dla takich stacji jak WDR, SWR i BR. Swoje prace prezentowała już na wielu europejskich festiwalach. W kręgu zainteresować Vowinckel jest też muzyka elektroakustyczna i sound art, ze szczególnym uwzględnieniem muzykalności słowa mówionego, gdzie podstawowa melodia płynie z dialektu. Niemiecka artystka zajmuje się również tworzeniem instalacji dźwiękowych i kompozycji audiowizualnych.
Obecnie na świecie używa się ok. 6-7 tysięcy języków i prawdopodobnie większość z nich po prostu kiedyś zniknie, przez co odejdzie też całe bogactwo ludzkiej ekspresji. Jednak wykorzystanie dźwięczności słowa mówionego w sztuce (jak robi to Antje Vowinckel ) ma swoją ważną cechę, a mianowicie: musi być totalną abstrakcją dźwiękową dla naszego ucha. Dopiero wtedy możemy tak naprawdę skupić swoją uwagę na jego melodii, brzmieniu i poszczególnych interwałach. Niedawno wydany album Vowinckel – "Terra Prosodia" został wypełniony dialektami pochodzącymi z różnych języków europejskich. Artystka odwiedzała kilka państw, gdzie zarejestrowała rozmowy, aby je później już w warunkach studyjnych obłożyć warstwą elektroakustycznych eksperymentów.
W poszczególnych kompozycjach na "Terra Prosodia" rozmówcy Vowinckel opowiadają raczej o przyziemnych sprawach, takich jak burze, wycieczki, wypadki i tym podobne. Na płycie możemy usłyszeć kilka dialektów: Rumansch – język retoromański, który występuje w południowo-wschodniej Szwajcarii, Gutamal – Gotlandia, Provençal – południowo-wschodnia Francja, Wallis-Deutsch – Szwajcaria kanton Valais, Gascon – Francja i Hiszpania, Scottish-Gaelic – Szkocja.
Każdy z powyższych dialektów wyróżnia się charakterystyczną melodią o niezwykłym ubarwieniu. W momencie, kiedy spotykamy się z kompletnie nieznanym językiem nasz mózg rejestruje tylko pewne figury. Cały ten proces przypomina po części wejście do jaskini wypełnionej stalagmitami i stalaktytami. Nasze oko zapamiętuje typowy kształt i ogólne wrażenie, a nie skupia się na szczegółach.
"Terra Prosodia" to płyta wyważona i starannie równoważąca sound art, nagrania terenowe z dźwiękową opowieścią (z elementami sound poetry ) zanurzoną w elektroakustycznych eksperymentach. Vowinckel w sposób doskonały połączyła język mówiony z warstwą muzyczną. Artystce udało się pokazać, że jest uzdolnioną kompozytorką, potrafiącą zainteresować swoim konceptualnym myśleniem. Zapewniam, że przy każdym kontakcie z albumem "Terra Prosodia" wasze ucho będzie miało co robić.
The linguist Mario Pei insisted that few words were pure but were part of a messy, ongoing process that borrowed, clipped, recombined and corrupted, but kept moving forward. Pei, who died in 1978, seemed less concerned about the disappearance and marginality of languages. Antje Vowinckel's "Terra Prosodia" is a sound composition derived from dialect recordings from the disappearing languages of Europe, including Gascon, Gutamal (from Gotländ), Provencal and Scottish-Gaelic. Her premise is that removing a language from its geographical context allows us to appreciate it as if musically. The brain homes in on forms with a natural mnemonic shape, which in turn will change relative to the native language(s) of the listener. And contrariwise, the stuff in known languages tends to be semantically anchored and undynamic. It's perhaps more of an installation piece than a home CD recording, and listeners may find the spoken passages more compelling than Vowinckel's musical abstractions from them.
The Tower of Babel. A convenient Biblical story created to explain the existence of the multitude of languages we share. But what if we all spoke the same language? Wouldn't it be much easier? If only we hadn't pissed God off all those years ago with that silly tower.
I love languages. I may not speak some of the European ones very well but I like to have a go when given the opportunity. And when the that fails there's always finger pointing and sign language. Its all part of the fun and you usually get there in the end. Its not like I'm involved in foreign diplomacy here, I'm usually trying to buy a meal or get a bus somewhere. Travels abroad used to be a lesson in how much schoolboy French you could remember but now that everyone speaks English its less of a thrill. When working abroad in the 90's I did have to resort to ordering food in rural Chinese restaurants by pointing at several items on a menu covered in characters I couldn't understand hoping that some of it would be edible, but by adding the Chinese word for beer, I at least got a drink. Some of the food turned out to be pretty good too.
Languages continue to die out as the world shrinks ever smaller. I read recently that the Danes are worried that their children now find Danish harder to learn than English. The single commonplace French language is also a fairly modern concept after the 17th century French government of the day realised that a nation that didn't speak a common tongue was virtually ungovernable and deliberately eradicated numerous local tongues. The list of extinct European languages alone runs into the dozens.
Antje Vowinckel's release Terra Prosodia collects several European languages that are in danger of dying out so that we can hear what they sound like ourselves; Romansch, Gutamal, Wallis-Deutsch and a couple of obscure 'French' examples are reproduced for our edification. Its an educational undertaking and one of which I wholeheartedly approve. If only it stopped there. By adding pointless bits of noodling electronica to these voices [twanging rulers anyone?] Vowinckel [a sound artist] actually detracts from them. I obviously don't understand what the speakers are saying but I'd like to hear what they do have to say without a cat taking a walk along a synth. I'm at a loss as to why anyone would think this would be a good idea at all.
I think my only prior exposure to Vowinckel's work was on a shared disc, on Bowindo, with Alessandro Bosetti and a track on the Echtzeitmusik Berlin collection, so this is my first experience of her music in any depth. Here, the central idea is simple enough: the inherent musicality of certain dialects, in this case, six examples of speech forms in some danger of disappearing: Rumansch (Switzerland), Gutamal (Gotland, in the Baltic Sea), Provençal (France), Wallis-Deutsch (Switzerland?), Gascon (France) and Scottish-Gaelic. She asks native speakers to recount a personal story, records them and, often, edits and reconstructs this core material, including the repetition of phrases. She pairs this with electronic sounds, I think largely via computer program but possibly with some intuitively applied, which accentuate those more purely musical aspects of the language, often beginning in unison, more or less, with the speech but diverging somewhat, taking on an obbligato kind of role.
The spoken words are indeed fascinating to hear and, at least to this English speaker (presumably to a German as well), hold a good deal of content that one thinks of as musical. I found myself wondering how/if this perception might vary depending on one's native tongue. Part of me, admittedly, might rather have heard these words unadorned but Vowinckel's additions are usually quite complementary and well-considered. The sounds, all electronic (save for, per the notes, some "hummed melodic voice" that is heard on the final track) take on, at different times, the character of percussion, low strings, sine-like tones. Once, I was reminded very much of a doussn'gouni but on another, unfortunately, Keith Emerson at the helm of a Moog. As intended, it's not hard to hear both elements as melodic lines and that's where the real interest is. For example, the elderly male speaking Gutamal in the second track can almost be heard as a kind of bass clarinet, mixing beautifully with, in this case, a range of percussive, breath-like and rattling sounds. The youngster (hard to tell if it's a boy or girl) speaking Provençal has a wonderful flute-like quality, winding through light tapping that echoes the voice's rhythm and pitch. Throughout, with an arguable misstep now and then, it's an absorbing listen, part anthropology, part appreciation of the very sensual nature of the voices.
'Terra Prosodia' comes in a shiny digipak, with liner notes from Vowinckel and Christina Kubisch. The album has eight tracks, all to the shorter side of things: the longest, nearly eight minutes; the least, just over two minutes. The pieces have all been constructed from short recordings that Vowinckel has collected, of disappearing European dialects.
Vowinckel's notes inform us that her intentions are to present the spoken words as pure, melodic sound, deliberately stripped of context and connotation. These words are seldom interfered with; sometimes they are looped or stuttered, moved around the sound-field, but ostensibly they are presented bare. Instead, Vowinckel accompanies each 'short spontaneous story' with cryptic sound elements; which she describes as being inspired by and tied to the speech, but independent. At this point, I need to abandon my measured words, and just cut to the quick: this might be the most baffling album I've heard for a long time. The minimal accompaniments to the monologues are frankly brain-halting – and not in a good way. They could be largely, and cruelly, described as 'a toddler with a casio'. I'm aware that that's very harsh, but it hopefully gives a sense of what's going on. They often sound like some kind of atonal, arhythmic 'fake jazz' backing; shadowing the voice or engaging in call-and-response routines. If this wasn't enough, these – almost parodic – backings are conducted using the worst sounds possible: either casio presets or sounds very akin to them. This reaches a zenith of hell on the seventh piece, 'Gutamal', which pairs a female voice with a galloping double bass, and a brass/woodwind keyboard sound (begins shouting) set to portamento. Portamento. It sounds absurd. There are other, more colourful, elements (percussive ruler twangs, humming), but literally nothing which doesn't arouse bafflement or sad laughter. I do believe its one of the worst things I've ever heard.
At the risk of sounding snooty, I'm very sure that Vowinckel is doing something very 'clever' here – most likely analysing the dialects in terms of rhythms and melodic intervals (etc) and then constructing sympathetic accompaniments. (This would account for the distinct amusicality of much of it.) But, regardless of the merits of this approach or idea, the simple fact is that the sounds chosen are just awful – or rather, they carry awkward baggage which can only evoke a response of laughter or confusion. Interestingly, Kubisch's notes refer to a 'subtle and profound humor' in the album, which really just raises even more questions: is 'Terra Prosodia' meant to be funny? Is the actual sound of people speaking funny? Exaggerated personal speech quirks can certainly be amusing, but: really…?
I mentioned the shiny digipak in my first sentence of this review, and that's somewhat important. If this had been given to me on a blank cdr, with the message, 'You have to hear this – its crazy!', I think i would have 'enjoyed' it – then filed it under 'Cool Outsider Stuff – to be listened to about once every two years'. But the album is presented with all the trappings of high art – sombre liner notes, a scientific 'angle', and artwork that evokes old electroacoustic/tape albums; it provokes a slightly different response. The base response for both 'versions' could be boiled down to a bafflement, but with a different tone for each. To my mind, the 'outsider' version would evoke a merry bafflement – whereas the Gruenrekorder version evokes a somewhat sad, slightly angry bafflement. Its presented as something worthy, but falls way short of its own evaluation. Of course, this shows the difference context can make; so, if we take Vowinckel's suggestion of removing that context from the sound, we're left with a recording that is essentially… a bit rubbish.
Vowinckel's Terra Prosodia (which received an honourary mention for the 2012 Prix Ars Electronica) is compelling also, albeit in a different way. The fascination here lies in attending to the vocal sounds as pure sound, as melodies that emerge simply through vocal utterance and the richness of human expression. There are currently approximately 6000 spoken languages, many of them destined to disappear. An arguable upside is that if a dialect or disappearing language is shared by a small number of people, those who don't speak the language can experience the utterance as pure musical expression.
For Terra Prosodia, Vowinckel asked a number of people to present short, spontaneous stories based on personal experiences. But though the stories recounted deal with storms, excursions, accidents, etc., their content doesn't matter: what does is their manner of presentation. The recording doesn't, however, feature a single voice within each of the eight pieces; instead, Vowinckel augments that primary element with a second voice or instrument, the latter at times a soft, synthesizer-like keyboard. It's a smart move in that it makes for a much more stimulating listening experience, especially when call-and-response effects occur between the voices and when instrument sounds slither and scrape through the background. In addition to the phasing treatments applied to the melodic instrument, "Rumansch" includes cello-like sounds plus percussive noise that suggests an object being dragged across a concrete surface; the stop-start movements of the speaker in "Gascon," on the other hand, are mirrored by acoustic bass-like accompaniment.
It all adds up to a thirty-five-minute recording that's admittedly odd but also engrossing. Listening to it through headphones, one finds oneself attending intently to the diction of the speaker in question, the timbral qualities of the voice, and the changes in pitch and tempo that regularly occur within human utterance. While some of the languages spoken sound alien, the one spoken by the young boy in "Provencal," for example, sounds like a French dialect, whereas the one spoken by the older male in "Wallis-Deutsch" strongly suggests German. A headphones listen also enables the listener to better appreciate the work's spatial dimension, as Vowinckel gives careful attention throughout to the placement of elements within the recording's mix.
Excellent stuff all around! Great, moody music, carefully balancing sound art and music, field recordings and soundscapes.
Мы часто слышим о том, что надо спасать вымирающие виды растений и животных, но мало кто говорит о том, что в спасении (или, хотя бы, в пристальном внимании) нуждаются языки. Являясь не только передатчиком информации, но и носителем ценного культурологического и этического кода той или иной человеческой общины, они составляют некий Гипертекст – и с исчезновением того иного языка или его диалекта в этом Тексте теряется что-то важное, невосполнимое. Берлинская артистка и радиоведущая Антье Вовинкель отправилась в путешествие по Европе, чтобы запечатлеть особенности редких диалектов, а потом, в студии, превратила эти записи в sound art проект, придав им неожиданное, но всегда очень верное звуковое оформление.
Приготовьтесь к тому, что различные люди (дети, мужчины, женщины, старики) будут рассказывать вам истории. Неважно о чем: о погоде, о спорте, о значительных и не очень происшествиях в их жизни, одним словом, те истории, которые вы легко можете услышать на лавочке возле дома или в очереди супермаркета. Приготовьтесь к тому, что эти истории будут вам непонятны, а проскакивающие в речи знакомые слова быстро растворятся в необычной музыке слов незнакомых, прошедших через исторический и социальный фильтры той или иной группы людей. Может быть, эти истории даже не закончены или вообще представлены здесь без начала и конца, ведь Антье забирает от них мелодическую, лингафонную суть, выделяя в потоке слов характерные только для данного диалекта особенности и «смакует» их, заставляя повторяться, дробит на фрагменты, которые потом смешиваются в случайном порядке, вновь «выруливая» на знакомую дорожку фраз и предложений. Звуковое, а, точнее, шумовое сопровождение историй минималистично: треск коротковолновых приемников, кусочки музыкальных произведений и спонтанные импровизации на «настоящих» инструментах и подручных предметах. Как ни странно, но этот шум отлично дополняет звучание слов и усиливает вызываемые ими образы самих рассказчиков: например, когда за дело берется солидный мужчина, его сопровождает почти что джазовый бас, а когда о чем-то рассказывает ребенок, на заднем фоне царит управляемый дребезжащий хаос детских игрушек. Это придает незнакомым словам больше образности и правдивости, ведь поток шумов можно сделать ироничным, а можно придать ему драматические оттенки – в полном соответствии с сюжетом повествования. Повествования, которое, в случае смерти диалекта станет совсем другим и, может быть, потеряет или приобретет новые смыслы, станет частью следующей истории, которая погребет под собой эти простые и обыденные фрагменты чьей-то жизни. И пусть это обычный процесс и никуда от этого не деться, но мы сейчас имеем уникальную возможность сохранить это для настоящего и будущего, что альбом «Terra Prosodia» и помогает осуществить.


text:
Candacia ishimarui is een eenoogkreeftjessoort uit de familie van de Candaciidae. De wetenschappelijke naam van de soort is voor het eerst geldig gepubliceerd in 1997 door Mulyadi.

Candaciidae

redpajama_set_name: RedPajamaWikipedia


text:
Q: Группировка ключей объекта Задан объект:
var  A= {
  "data.photo.ok": "user",
  "data.users.mama": "maman",
  "data.users.son": "bob",
  "hous": "moscow",
  "count": 2
};

Зада следующая: преобразовать заданный объект в новый объект, в котором ключи надо разбить на секции символом . с группировкой схожих ключей. Например:
{
"data": {
    "photo": {
      "ok": "user"
    },
    "users": {
     "mama": "maman",
      "son": "bob"
    }
  },
  "hous": "moscow",
  "count": 2
}

Что сделал я:
Взял каждый ключ объекта "А" и сделал из него массив,
потом из каждого элемента массива получаю отдельный объект.
Код:
"data": {
    "photo": {
      "ok": "user"
    },
"data":{
    "users": {
      "mama": "maman",
               }
    }
"data":{
    "users": {
      "son": "bob",
               }
    }

......
Так вот вопросы:
1. Как все эти объекты объединить в один? То есть сделать все отдельные объекты как ключи одного объекта? Я закинул их в массив, но нужен объект, а не массив. Как массив преобразовать в объект? Не пойму.
2. Как группировать ключи объекта?
Буду благодарен за любые подсказки. Код не прошу, прошу подсказать правильный алгоритм решения. Я понимаю, что я делаю это через одно место.
Прошу подсказать в деталях, как сие можно реализовать? Хотя бы куда копать?
Заранее благодарю.

A: Сперва думал продемонстрировать мощь библиотеки Underscore.js на примере данной задачи, но оказалось, что задача решается без применения всяких _.groupBy и _.indexBy.

Код не прошу, прошу подсказать правильный алгоритм решения.

Внимание, дальше будет решение. Если хотите решить самостоятельно то подсказка такая: Рекурсия по кускам пути "data", "users", ....
Вот Вам решение на чистом JS:
// конвертирует в целевой формат
function convert( original ) {
    var result = {};
    for( key in obj ) {
        if( !original .hasOwnProperty( key ) ) {
            // пропускаем всякие унаследованные ключи
            continue;
        }
        // разбили путь на отдельные куски
        var path = key.split( "." ); // ["data", "photo", "ok"]

        // рекрсивно вставили отдельные куски пути в объект result
        // вместе с последним куском пути будет вставлено
        // его значение original [key] из оригинального объекта
        recursiveInsert( result, path, original [key] );
    }
    return result;
}

// если в path несколько строк, вставляет в obj пустой объект с ключом path[0]
// если в path только одна строка, то вставляется пара path[0]:final
// final это значение полей в исходном объекте ("maman", "bob", 2 и т.д.)
function recursiveInsert( obj, path, final ) {
    // первый кусок пути
    var current = path[0];

    if( path.length == 1 ) {
        // выход из рекурсии
        obj[current] = final;
        return;
    }
    if( !obj[current] ) {
        // объект мог существовать и быть непустым
        obj[current] = {};
    }
    // отрезаем использованный кусок пути. Он больше нигде не понадобится
    path.splice(0, 1);
    // тут path уже содержит только хвост пути

    // рекрсивно вызываем вставку для только что созданного объекта и хвоста пути
    recursiveInsert( obj[current], path, final );
}

Единственное ограничение задаёт сама постановка задачи. Что, если у Вас могут быть такие пути:
var problemExample = {
    "data.photo.ok": "ok",
    "data.photo": "photo"
};

тогда значение из data.photo перетрёт объект {"ok": "ok"}:
result = { "data": { "photo": "photo" } }


text:
PPN Home > Programs that Work > Family Support and Parenting Education in the Home
PPN Home
Programs that Work
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Submitting a Program
The PPN project concluded in 2014. We are not currently accepting new program submissions.
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All of the programs on our site have been carefully screened for quality and to ensure that they have evidence of positive effects.
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See our glossary
Family Support and Parenting Education in the Home
Evaluation Methods
Key Evaluation Findings
Probable Implementers
Implementation Detail
Issues to Consider
Outcome Areas
Healthy and Safe Children
Children not experiencing physical, psychological or emotional abuse
Children experiencing good physical health
Early Childhood (0-8)
Type of Setting
Community-Based Service Provider
Type of Outcome Addressed
Evidence Level (What does this mean?)
Proven / Promising
The Family Support and Parenting Education in the Home Program was developed in 1964 to serve poor children in the city of Baltimore. A woman from the participants' community served as a home visitor for new parents, with the goal of encouraging parental compliance with well-child visits, referring parents to support services when necessary, and discussing child development and parenting skills. The first home visit was made within seven to ten days of the child's birth, and nine subsequent visits were made before the child's second birthday. The program was an augmentation of the Children and Youth (C&Y) program, which operated health clinics for families with children ages 0-18 in inner city Baltimore.
Healthy black neonates weighing more than 2,000 grams and their mothers ages 18 or older were involved in the study.
The Children and Youth (C&Y) health clinics provided well-child care for parents in inner-city Baltimore, and they served as the location of the family support and parenting education program study. Parents of healthy infants enrolled in C&Y clinics for health services were randomized to treatment (N=143) and control (N=147) groups. Treatment and control groups were comparable on measures of demographic characteristics, risk status as determined by C&Y staff members at intake, and Medicaid eligibility.
The treatment group received 10 total home visiting services focused on parenting, child development, and encouraging timely well-child visits at the C&Y clinics. The control group had access to the same well-child visits, but did not receive any support through home visitation. To encourage attendance, home visits were scheduled to occur immediately prior to scheduled well-child clinic visits. Six mothers refused participation in the study, and 27 of the 290 participants (12 treatment and 15 control subjects) were lost to follow-up (Hardy and Streett, 1989).
Health care service utilization
There was no significant difference between treatment and control groups in visits to the C&Y clinic for health care.
Significantly more children in the treatment group had completed the appropriate amount of preventative care for their age (88 percent versus 69 percent).
Fewer children in the treatment group had delayed preventive care, defined as immunizations given one or more months beyond the proper age (6 versus 14 percent).
Child illness, injury, abuse, and neglect
There was no significant difference between treatment and control groups in the number of incidents of closed head trauma.
In the treatment group, the incidence of chronic otitis media, an ear infection commonly associated with upper respiratory tract infections and associated with a lack of compliance with medications and/or follow-up appointments, was less than half that of the control group (21 versus 55 percent).
Treatment group participants also had significantly lower rates of severe diaper rash than control group participants (21 versus 34 percent).
Suspected abuse and neglect (as determined by C&Y staff) was significantly lower in the treatment group (1.5 percent in the treatment group versus 9.8 percent in the control group).
Illness or accident requiring hospitalization was also significantly lower in the treatment group (6.1 versus 15.2 percent).
Health clinics or other child and family service organizations
The family support and parenting education program was designed as a way to lend informal support on issues such as child development and parenting strategies, rather than to intervene in psychosocial issues per se. The home visitors linked mothers to additional support services when necessary. The home visits were conducted prior to scheduled well-child visits, with the goal of encouraging attendance.
The program employed home visitors who resided in the target community. They worked in collaboration with a social worker and were provided brief trainings on the content of the home visits.
The home visitors used a parenting education curriculum designed to deliver age-appropriate information to parents on parenting, child safety, health care, and immunizations. Mothers were also given calendars with developmental milestones, dates and times of clinic visits, and important telephone numbers included. Pamphlets on child care were also distributed.
While the evaluation of this program used a randomized control design, the program improved an intermediate outcome that has an unknown relationship to the benchmark of interest. Specifically, this program received a "promising" rating for the indicator Children not experiencing physical, psychological, or emotional abuse. Suspected abuse was impacted by participation in the treatment group, but the criteria for suspected abuse were not described, nor were the number of cases of actual abuse.
A notable aspect of this program is that it appears to have improved outcomes with a very small number of visits (10) and a relatively low-skill workforce, relative to many current models of home visiting. The results are at least suggestive that a low-cost, low-intensity home visiting program might have some impact on important indicators of early childhood well-being.
There is limited information about program implementation and the types of training that were offered to the home visitors, and about the content of their home visits.
The program was implemented in Baltimore, Maryland, in the 1960s and is not currently operating.
There are no replication materials available for this program.
Hardy, J. B., and R. Streett (1989). "Family support and parenting education in the home: An effective extension of clinic-based preventive health care services for poor children." Journal of Pediatrics, 115(6): 927-931.
PPN Home | Programs that Work | Issue Briefs | Expert Perspectives | Resources by Topic
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The PPN project concluded in June 2014. The website has not been updated since then.
Copyright © 2014 Promising Practices Network


For more information call 518-851-3553.
Learn more about the band and how to get in touch with us, or more about the players.
... and still playing bluegrass and traditional American music.
No cover! Great food and craft beers! Local and organic ingredients whenever available.
Sample our music at the Hudson Valley Bluegrass Association website.


Rotomail has invested in a second Tecnau Libra 800 soft-cover book binding system to expand its production capacity for short runs and book on demand.
Rotomail was established in 1996 as a Print on Demand service provider. In 2000 the company became one of the first adopters of inkjet technology, introducing color and developing trans-promotional applications. In 2003 Rotomail started diversifying into direct mail, commercial print and books market segments, and contributed to the development of the first Libra 800. In 2016 Rotomail installed the new HP T490 inkjet HDNA press, becoming the first user worldwide of High Definition Nozzle Architecture.
In the Milan-based factory, rolls will be printed on the HP PageWide presses and finished nearline on Libra 800 in a roll-to-finished-book integrated process. The modular system has been configured by Rotomail with one input channel from roll, along with slit merge and dual web cutter to produce variable book-blocks in height, width and thickness.
Variable book blocks are automatically delivered to Libra VB Variable Binder connected online to Libra VT Variable Three-Knife Trimmer. The system feeds covers from roll and cuts them down in length and width with spine scoring according to the book block being processed, for complete variability book by book in the same run, minimized waste and without manual handling.
The finishing process is integrated with Rotomail proprietary software "Bronte" providing a complete process control including order entry, production optimization and output tracking.
The Tecnau Libra 800 integrates a networked management system for process control, remote diagnostics, statistical evaluations and integration to other solutions, bringing the IoT (Internet of Things) within the realm of industrial applications for smart manufacturing.
"Tecnau is honored by the continuing Rotomail partnership as we strive to be ahead of the technology curve in book finishing. Rotomail provided a brilliant contribution to the original Libra 800 design back in 2008, and we are proud that after eight years they judge that the continuous development of Libra 800 makes it still the leading book-binding technology in the market for short runs and book-of-one production.".
Tecnau Libra 800 advantages go beyond efficient and flexible printing. Tecnau aims for the Libra 800 to completely transform book production for short runs and book on demand production.
Libra 800 makes it possible to reorganize book production workflow by printing only the books actually sold, producing books by contract rather than by format, significantly reducing inventory and optimizing logistics. Market insights indicate that book printers are increasingly averaging run lengths between 250 and 500 copies, up from averages around 700-1000 copies per run only two years ago, and 1500-3000 copies five years ago.
If that trend continues, a solution especially developed for short-run or book of one production will be the best investment to meet current needs and anticipate future market developments. There are also other segments where book of one or short-run productions are an opportunity, for example, certain catalogs, limited editions, custom books, self-publishing and more in general, publications collected by web-to-print portals.
The Libra 800 solution is the only system on the market together offering such levels of variability while maintaining production speed up to 800 books/hour.


VOGUE Magazine has profiled me and my new work.
Being: New Photography at MoMA opens Sunday, March 18! It has been reviewed in the WSJ, NYT, and Artsy.
I will be co-charing a panel at the MoMA along with Lucy Gallun titled Expanded Portraiture on April 16 along with Durga Chew-Bose, Amy Sherald, and Louise Stewart.
I will be chairing a panel at CAA titled How We Practice at 8:30am on 2/24. The panelists are Avi Alpert, Danny Snelson, and Tim Ridlen.
A release for my book, My Birth, will take place on March 12 at Printed Matter in NYC. The book is published by SPBH Editions and ITI Press, and designed by Brian Paul Lamotte. The event will feature several invited readings.
Being: New Photography 2018 will open at the Museum of Modern Art (NYC) March 13.
An online exhibition of my work made for WIPNYC (Women in Photography) is up now.
I participated in a panel at the Fotofocus symposium in Cincinnati, OH titled Second Century: Photography, Feminism, Politics along with Claire Lehmann, Mekeda Best and Prudence Peiffer on Oct. 7. Video here. Brendan Wattenberg wrote about the event, and our panel, for Aperture Magazine.
"something", a group show at Minerva (Sydney) is open 19 August — 30 September, 2017. Features work by Anthea Behm, Andy Boot, Sarah Ryan, Marilyn Schneider, Marian Tubbs, Carmen Winant.


Get ready for all the Parabatai feels. Check out new titles as Matthew Daddario talks Jace & Alec.
In the world of "Shadowhunters," nothing can bind two people with such adamantine strength as a Parabatai bond. To lose one would be unthinkable. And yet, that is the very problem Jace and Alec will face as season 2 begins. The first five episode titles are here, and there is one in particular that has fans biting their nails.
Jace (Dominic Sherwood) and Alec (Mattew Daddario) are New York City's premiere Parabatai. A fighting powerhouse, the Nephilim are connected in more ways than one.
Sworn to follow each other to the grave, the warriors will feel the weight of each other's absence as Jace trades the Institute for his Valentine's boat. Known for his grave-faced stoicism, Alec will be at a loss without his brother in arms. Titled "Parabatai Lost," episode 3 will tackle their issues head on.
"He doesn't like it. That's a primary issue," Daddario told With An Accent TV. "He's not handling it well. He's not himself at all. [Part of himself ] is missing. He has no way to handle this.
It's going to be a tough winter for the Clave.
Picking up in the wake of the season 1 finale, "The Guilty Blood" will explore Clary (Katherine McNamara) and co.'s battle to find a missing Jace.
Find out more when "Shadowhunters" returns to Freeform on Jan.
2. Click the video below to see a preview for season 2.


In what ways can schools, nonprofits, and businesses come together for the common good? What new community forms when students lead an art and environment project?
Creative Community with Crayon Collection: In this unit, three lessons stand alone to involve students of different grade levels in a Crayon Collection that reuses crayons to promote art, recycling, and community collaboration. This may be done in a single classroom or involve classroom collaboration across buildings.
Students learn about the environmental impact of recycling and reusing crayons. Students learn about an impact they can make when they host crayon collections, sort crayons, and distribute crayons to kids that need them. The project connects students with the local community.
Students learn about the environmental effect of crayons and their own power to make an impact. Students collect gently used crayons from restaurants and other places in the community. They sort them by color, repackage them sustainably for re-use, and add a kind note. They learn about the difference between nonprofit and for-profit businesses, and they identify where there is need for the repackaged crayons. Optional: they may plan an art project to do with a group outside school to build a relationship with younger or older generations (preschool or retirement home). This lesson is enhanced when it involves collaboration between classrooms from elementary to high school.


The study is aimed at investigating the correlation between the pro-social intention and the job satisfaction of Gadjah Mada University Librarians. The subjects of the study are 70 librarians of Gadjah Mada University. The data is collected using Pro-social Intention Scale, Job Satisfaction Scale and questionnaire. An interview is also conducted with some of the subjects and users to gain a deeper understanding of quantitative analysis results.
the control factors of age and position are included. Given the contribution of the pro-social intention of 23,2% to the job satisfaction, it means that 76,8% results from other factors that are not included in the study.


text:
Carmarthen - 01267 221 977 -- Cardiff - 02920 231 999 enquiries@hearingaidsolutions.co.uk
Frequently Asked Questions – FAQS
The Hearing Test
Carefree Club
Tinnitus Support & Advice
Protecting Your Hearing
Ear Moulds
Occupation Health Service Provision
Wales Deaf Rugby Union sponsored by Hearing Aid Solutions
by Hearing Aid Solutions | Dec 11, 2018 | News |
Wales Deaf Rugby Union (WDRU) are proud to announce Hearing Aid Solutions as their main sponsor for the upcoming season.
Alongside their sponsorship of the team kit, Hearing Aid Solutions will provide audiology services, and look to support the WRDU's Community Programme. They will work with schools and deaf units across Wales to introduce children to rugby skills and encouraging them to take up the sport. The programme is additionally supported by the WRU regional development coaches.
The WDRU management team is run by a group of dedicated volunteers. Sponsorships of this kind are crucial in supporting the team on and off the pitch. Double World Champions, following the success of the recent tour to Australia, the team are hoping to continue their winning streak with an international tour to Norway in the Spring of 2019. They will be aiming for an eight consecutive win in January 2019 when playing against England Deaf for the Broadstreet Cup.
Hearing Aid Solutions are a multi-award-winning, independent, family run practice. We started up in Carmarthen 13 years ago but have since expanded and now cover the whole of South and West Wales.
Speaking of the sponsorship, Hearing Aid Solutions owner, Martyn Scott said "We are delighted to have the opportunity to support our National team in Deaf Rugby. We are passionate about helping the hard of hearing and passionate about rugby! For us, it was a natural fit".
Dave Cobner, WDRU Chairman, said "We are thrilled that Hearing Aid Solutions are now our headline sponsor. Not only can we offer our players first class audiology testing, but we also have the support of a business that shares many of our values. It's a really positive step for us as we look forward to raising the profile of Deaf rugby not just here in Wales but internationally."
Ear Wax Removal Llanelli – Now available!
June 6, 2019 Hearing Aid Solutions
We are excited to announce that we now do Ear Wax Removal in Llanelli! Where? We have opened a permanent premises in 33 Thomas Street, Llanelli, SA15 3JE. How? The […]
Welsh Deaf Rugby Union
February 13, 2019 Hearing Aid Solutions
Hearing Aid Solutions are proud sponsors for the Welsh Deaf Rugby Union Team. Wales Deaf Rugby Union sponsored by Hearing Aid Solutions. The history of the WDRU is very interesting. History […]
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Wales Deaf Rugby Union (WDRU) are proud to announce Hearing Aid Solutions as their main sponsor for the upcoming season. Alongside their sponsorship of the team kit, Hearing Aid Solutions […]
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Last Flag Flying
Released: 2-2-18
This is a classic creation of Houston-born Richard Linklater who co-wrote and directed �Last Flag Flying� set in December 2003. Quick: how many Oscars has Linklater won? Answer: None. But, he has been nominated five times; three noms for �Boyhood� (2014) alone which was filmed primarily in the San Marcos area.
You will like this film if you are patriotic and like great acting. Ok, I know that covers everyone, but Linklater picked a cast of �characters� that fit his script perfectly which means there was a good script and the actors performed marvelously.
The movie opens with Larry �Doc� Shepard (Steve Carell) going into a bar to reunite with one of his old buddies (Bryan Cranston) who served with him in the Vietnam War. Those two then locate the third member (Laurence Fishburne) of the group in the pulpit of a small church.
The Reverend Richard Mueller (Fishburne) walks with a cane as a result of his war injury, but he no longer drinks and swears; unlike his raunchy reputation duly earned in Vietnam. Sal the barkeep (Cranston) and drinker of many drinks that begins before lunch and the preacher unite their efforts to support their old friend, Doc, of 30 years in his quest to bury his son who was killed in action.
The US military, through the actions of a hard-nose Colonel, wants to dictate to Doc on how and when he can bury his son and initially will not surrender custody of the casket. These three old war buddies do not like to be told what to do and they are willing to push back to help a grieving father who happens to be their brother in arms from a war in a vastly different era than today�s by-the-book military establishment of Iraq and Afghanistan.
Steve Carell as Doc is the sad, quiet parent who is only trying to do the right thing by loving and honoring his son. But, he�s not 100% sure how to do that. Sal, the one who thinks most clearly when he�s about half drunk, is the person least changed from their days in Vietnam and is the magic piece of the trio to help them think out-of-the-box. Reverend Mueller is the opposite of Sal and is the perfect balancing act to Cranston�s big mouth and beer breath.
And it is very clear that they love and respect each other. The portrayal of these characters by Carell, Cranston, and Fishburne is a thing of beauty. Stunning performances. I almost let this flick slip by me, but I�m so glad I had the privilege to watch Linklater do his thing again. Someday he will win the gold. Rock �n Roll.
0 Comments Be the first to comment on Last Flag Flying


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News from Council, 26 July 2016
Public perceptions research
Council was presented with findings from the GOC's second public perceptions survey, which showed that people in the devolved nations of the UK were more likely to visit an optician if they had an acute eye problem than those in England.
31 per cent of Scots would first visit an optician if they woke up with an eye problem compared to 26 per cent in Wales, 25 per cent in Northern Ireland and just 18 per cent in England.
Across the UK just 22 per cent of respondents said they would go first to their optician, with 40 per cent saying their GP would be their first port of call.
The independent survey asked 3,252 members of the public from across the UK their views on opticians and showed continued public satisfaction with opticians.
89 per cent of respondents said they were confident they would receive a high standard of care from an optician, with 97 per cent of patients, defined as someone who had visited an optician in the past two years, reporting high satisfaction levels with the optician they had seen.
The survey also found that the main association with opticians is providing sight tests rather than detecting and treating eye health problems. 40 per cent of those surveyed saw themselves primarily as a customer when visiting their optician, closely followed by 37 per cent who saw themselves as a combination of both a customer and patient. Only one in five (21 per cent) saw themselves as just a patient.
GOC Chief Executive and Registrar Samantha Peters said "The findings from this report are very insightful and, when combined with last year's public survey, only serve to reinforce the need to highlight the important role optometrists and dispensing opticians can play in detecting and treating eye conditions. Optical professionals are specialists in this area, and it is vital that the whole sector raises awareness of the work they can do in this area, particularly in England where awareness is lowest.
"It is pleasing to see such a high level of public confidence in opticians, and this is reinforced by the fact that 92 per cent of respondents said they have not complained or considered complaining about their experience with an optician – the same figure as found in last year's survey."
The survey findings can be found in the Council paper at https://www.optical.org/en/get-involved/Council_meetings_and_papers/july-2016.cfm
Courses accredited
Council gave full accreditation to a course at Anglia Ruskin University as well as provisionally approving new courses at Cardiff University and University of Portsmouth:
The course accredited at Anglia Ruskin University is a Foundation of Science (FdSc) in Ophthalmic Dispensing, which had first been provisionally approved in 2010.
Provisional approval was given to a Masters course in Optometry (MOptom) at Portsmouth University. The MOptom is a four year course with the initial cohort of students limited to 16.
Provisional approval was given to a Post-Graduate Certificate in Therapeutic Prescribing for Optometrists at Cardiff University. It is to be offered to a maximum of 24 students initially.
Nockolds contract extended
Council extended the current contract for Nockolds Solicitors to provide the Opticial Consumer Complaints Service (OCCS) for a further period of two years from 1 April 2017.
Nockolds have provided the service since April 2014 and the new contract will run until March 2019.
Council noted that there had been a proactive and successful first two years for the OCCS under Nockolds' tenure, with the core aim of the service to mediate consumer complaints being achieved.
Council approved of a framework for the accreditation and quality assurance of education providers which makes clearer the GOC's role and expectations of education providers.
Council approved an Internal Speaking Up (whistleblowing) policy and an internal Investigations Policy.
The Internal Speaking Up policy supports the raising of concerns that disclose allegations of wrongdoing/malpractice at the GOC, while the Internal Investigations Policy provides the framework under which complaints will be investigated.
Council also noted the timeline for the recruitment of two new registrant and two new lay Council members, due to commence their terms of office from 1 April 2017.
GOC Chair Gareth Hadley paid tribute to outgoing Council member Brian Coulter and outgoing Director of Resources Josie Lloyd. Brian finishes his second term of office on 30 September 2016 and the GOC will name his replacement in the coming weeks. Josie Lloyd left the GOC on 26 July to take up a new role. Her interim replacement Mark Webster is already in place (for more details see https://www.optical.org/en/news_publications/news_item.cfm/goc-appoints-new-interim-director-of-resources).
For media enquiries please contact:
Simon Grier
e: sgrier@optical.org
1. Council papers are available at: https://www.optical.org/en/get-involved/Council_meetings_and_papers/index.cfm
The GOC is the regulator for the optical professions in the UK. Its purpose is to protect the public by promoting high standards of education, performance and conduct amongst opticians. The Council currently registers around 29,000 optometrists, dispensing opticians, student opticians and optical businesses.


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Home Latest News Ian Lavery 'Seriously Considering' Bid To Be Labour Leader
Ian Lavery 'Seriously Considering' Bid To Be Labour Leader
Paul Knaggs
#Lavery4Leader
Labour party chairman Ian Lavery is "seriously considering" running to become the party's new leader.
The Mirror reported a spokesperson confirming the MP for Wansbeck's interest in a bid for the party's top job after Jeremy Corbyn quit following last month's election disaster.
Lavery, a former general secretary of the National Union of Miners and seen as on the left of the party, will likely be seen as a 'continuity Corbyn' candidate if he does decide to run.
Lavery is seen by the majority throughout the Labour Heartlands as the only candidate that could win back the lost regions.
The incredible online support along with grassroots social media campaigns to encourage Ian Lavery MP has galvanised many who feel only a truly working-class LeFT wing candidate can take the Labour Party forward.
Mr Lavery, who has represented Wansbeck since 2010, fought a hard battle to keep his seat in December's general election. After the Party's disastrous second referendum policy. Ian Lavery had argued with Keir Starmer against such a policy.
A former miner, he was elected president of the National Union of Mineworkers in 2002, and comes from the left of the party. After last month's defeat, he warned against a return to "bland centrism" and urged colleagues to "stop reinforcing press attacks on our own party."
In 2015, he was one of 16 signatories of an open letter to the then Labour leader Ed Miliband, calling on the party to oppose further government cuts and renationalise parts of the railway.
Mr Lavery was Labour's general election campaign co-ordinator. Writing in the aftermath of the party's worst election defeat in 80 years, he said:
Labour lost because of our Brexit position, infighting, a collapse of industry in our communities and a lack of trust in our ability to deliver. Talk of a second referendum was seen by many as a way to foist Remain upon them. Communities represented by Labour for generations felt abandoned. It is time to outline a positive vision of the future outside of the EU. – IAN LAVERY MP
Labour's Brexit stance left people hurt, abandoned and betrayed. We have to rebuild a hope that things can change
Ian Lavery says Labour needs more socialism, not more liberalism, if it is to win back the confidence of people outside Westminster
Ian Lavery wrote an article describing his experience of the run up to the general election in the Morning Star where he explained:
Two weeks before polling day I went on a tour of seats across north and Midlands, from Middlesbrough to Carlisle via Blyth and finally down to Crewe and Cheshire.
They are all very different places, with different traditions, landscapes and political cultures. But they share an experience of having been abandoned by politics. Forty years after Margaret Thatcher went to war on British industry and made our economy dependent on the City of London, governments of both parties have done little about the rise of boarded-up shops, poverty wages and hopelessness. I am proud of my former mining town and I cannot imagine living anywhere else in the world – but there is a lot that needs improving.
This is why our anti-Brexit stance hit us so hard. When people who had been ignored made a political choice for change, many for the first time, they expected it to be honoured. Labour telling them that we had to re-run the referendum because they had got the wrong answer left people feeling hurt, angry and betrayed.
Brexit is not the only issue we need to look at when analysing what went wrong, but it is the single biggest reason we could not build on our huge advances in 2017. Of the 54 English seats we lost, 51 voted Leave – often in places that are Labour to the core and have been loyal to the party under leaders from Blair to Corbyn.
Our radical manifesto failed to get enough of a hearing because in many places we looked like the Establishment. It also made it difficult to expose how the Tories are using Brexit to put the NHS up for sale and attack workers' rights, because we were not trusted to be serious about delivering a better Brexit.
Those who argued for Labour to take a second referendum or Remain position in defiance of the largest democratic exercise in modern British history must accept that they made a serious mistake, and must listen to voices outside Westminster.
I say Westminster specifically, because while working-class communities in London did largely vote Remain, the obsessive hard-Remain lobby are not representative of the working classes of either Hackney or Hartlepool. Too many of those in the political bubble rarely get out in London, let alone get out of London.
So Labour must ensure it values and encourages working-class leadership from across the length and breadth of this country. And we need to ensure that the North and Midlands are adequately represented in our leadership and in our party at large, rebuilding our relationships in the places we need to win.
This does not mean compromising on an agenda for radical change. Because only radical change – only the will to redistribute wealth and power on a significant scale – will be able to end the long term managed decline of Northern and Midlands towns and restore hope and pride.
We cannot allow the conversation about why we lost to degenerate into a culture war. We cannot be divided by region, by race, by the way we voted in the referendum, or in any of the other ways the Tories have tried to drive wedges into our movement.
The solution is not more conservatism or more liberalism; it is more socialism, a socialism that revives the spirit of solidarity and community in northern towns which gave birth to the Labour Party in the first place.
The Conservatives are looking to use their majority early on to attack working-class communities and finish the job they began in the 1980s. They are going after railway workers' right to strike. They are going after our rights at work in their dodgy Brexit deal. They are making noises about investment while in reality keeping austerity for another five years. We should ensure the coming leadership election shows our party at its best not its worst, and puts the focus onto everything this rotten government is trying to get away with, having hijacked the votes of working-class people.
But above all, we need to organise in our workplaces and communities and bring people together around a vision of hope. We have lived in a bleak post-recession world of bad jobs and crumbling services for so long that too many people did not believe another future was possible.
Hope is the argument we have to win.
-Ian Lavery
Google doc going viral: Calling on Ian Lavery MP to stand for Labour Party leader
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More from Paul


This ring is edgy with its monochromatic black rutilated quartz color scheme. A subtle clear background highlights the black veins in this stone with a few inner crystals that catch the light and sparkle. The stone is 24mm x 13mm with a height 5mm.
Size 9 but can be sized up to an 9.5.


text:
using System;
using System.Net.Http;
using System.Net.Http.Headers;
using System.Text;

namespace VaraniumSharp.Extensions
{
    /// <summary>
    /// Extension methods for <see cref="HttpClient"/>
    /// </summary>
    public static class HttpClientExtensions
    {
        #region Public Methods

        /// <summary>
        /// Set Basic Authentication header
        /// </summary>
        /// <param name="client">HttpClient for which the header should be set</param>
        /// <param name="username">Username for authentication</param>
        /// <param name="password">Password for authentication</param>
        /// <returns>HttpClient</returns>
        public static HttpClient SetBasicAuthHeader(this HttpClient client, string username, string password)
        {
            var credentials = Convert.ToBase64String(Encoding.Default.GetBytes($"{username}:{password}"));
            client.DefaultRequestHeaders.Authorization = new AuthenticationHeaderValue("Basic", credentials);
            return client;
        }

        #endregion
    }
}


Form 463s for funding commitments ending during the 2014 funding year (7/1/14 through 6/30/14) must be submitted by December 31st, 2015. USAC considers a Form 463 submitted only after the service provider and USAC have reviewed and approved the form. USAC anticipates a high volume of Form 463s will be entered into the RHC portal in November and December. To ensure you do not miss out on any funding, enter your Form 463s as early as possible.


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Ciderspace News Page : 2019-20 Football League Key Dates
17 April 2019 : 2019-20 Football League Key Dates
The Football League have published key dates for the 2019-20 season. Covering everything from the Fixture Release Day through to the start and finals for key competitions, the outline dates are usually expanded on throughout the summer as the season takes shape.
Clearly, Yeovil Town's interest in the list below will depend heavily upon the next four fixtures. But taking the optimist's viewpoint, the 2019-20 fixtures will be released on Thursday 20th June 2019, at 9.00p.m. outlining all 46 League matches, along with the gaps left for key competitions, such as the FA Cup. The actual season has a very early start, with Saturday 3rd August the main date for most clubs, although the expectation is that Sky Sports will probably take a game for live transmission on the evening before, from the Championship division.
The key dates known so far, are as follows:
EFL Fixture Release Date – Thursday 20th June 2019, 9.00a.m.
EFL Season Starts – Saturday 3rd August 2019
League Cup First Round – w/c August 12th 2019
League Cup Final – Sunday March 1st 2020
EFL Trophy First Round/Group – w/c September 2nd 2019
EFL Trophy Final – Sunday 5th April 2020
League Two Play-Off Final – Saturday 16th May 2020
League One Play-Off Final – Sunday 24th May 2020
Championship Play-Off Final – Monday 25th May 2020
The League haven't disclosed the date for the final weekend of fixtures. However, given that the League Two Play-Off Final takes place a week earlier than the other two Play-Off Finals, this would tend to point to a staggered finish. The reason for the blank Saturday on 23rd May isn't made clear, but is likely to be the FA Cup Final date, given that the Premier League season concludes on the previous weekend, whilst the Champions League Final is set for 30th May.
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Other News Items For 17/04/2019
17/04/2019 : 2018-19 Somerset Premier Cup Final Given Lengthy Postponement
17/04/2019 : 2019-20 Football League Key Dates
17/04/2019 : Taff's Gloversblog : It Ain't Over Until It's Over
17/04/2019 : Zoko In Contention Again For Crewe Alexandra Trip
To go to the Ciderspace News Archives, click here.
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TOP srl announces a collaboration with Charles River Laboratories International Inc. for the marketing and sales in North America (USA and Canada) of its products.
Lodi, Italy, November 14, 2012. TOP (Transgenic Operative Products) srl announced that it has signed an important agreement to promote and market 3 of its products in North America (U.S. and Canada) with Charles River Laboratories International, Inc. (NYSE: CRL), a world leader provider of models for biological research and pharmaceutical industry.
Under this agreement, Charles River has become the exclusive supplier for North America of three TOP srl products, licensed products will maintain their original brand (repTOP™) and TOPsrl. This agreement will allow the TOPsrl access to the North American biotechnology market through an extensive sales network.
- repTOP™mitoIRE for researching proliferative effects in oncology, regenerative medicine and toxicology.
TOP (Transgenic Operative Products) srl, is a research biotech company originated from the University of Milan, Italy, backed by an important Italian Venture Capital Firm (NEXT fund managed by Finlombarda Gestioni SGR) and collaborating with major pharmaceutical and biotechnology organizations. TOP is located at the Parco Tecnologico Padano in Lodi, near Milan (Italy).
Using superior technology developed at the University of Milan in the laboratories of Dr. Adriana Maggi, luciferase genes (the reporter) have been engineered to be under the control of three different promoters which allow the in vivo imaging of physiological and pathological processes using a non-invasive technique. Coupled with a low signal to noise ratio, good reproducibility and high specificity, these models offer a versatile way to quantitatively assess both endogenous processes, such as estrogen receptor activity during the estrous cycle (repTOP™ERE-Luc), toxicological/pathological end points such as tumor development over time (repTOP™mitoIRE) or studying the role of Peroxisome Proliferator Activated Receptors (PPARs) in Amytrophic Lateral Sclerosis by crossing with hSOD1G93A mice (repTOP™PPRE-Luc).
More than 40 publications in main scientific journals (e.g. Nature Reviews Drug Discovery, Nature Medicine, PNAS, TIPS) testimony the quality of the repTOP™ reporter mice technology.
The non-invasive nature of the bioluminescent read-out allows for multiple read-outs for both short term and long term studies in the same animal thus minimizing inter-animal variation and potentially using fewer animals per study. In some case, such as in the induction of skin cancer, the animal can act as their own control with vehicle being administered on one side and the tumorigenic agent on the other.


Institutionen för språk och kommunikationsvetenskap, Jyväskylä universitet.
The aim of the study is to explore situational, cultural and pragmatic factors that might trigger code-switching during informal conversations outside of the classroom at school among bilingual adolescents in Haparanda, Helsinki and Stockholm. An attempt is made to clarify different functions of code-switching, i.e. why bilingual adolescents code-switch from Swedish to Finnish and vice versa.
The conversational data, consisting of video-recorded group and pair conversations, was collected in 2014–2015 at six junior high schools in Haparanda, Helsinki and Stockholm. The analysis of the data is qualitative. The theoretical framework is found in the field of translanguaging, which aims to describe bilingual language use and interactional practices (including code-switching).
Similar patterns and functions of switching could be found in Haparanda and Helsinki, e.g. referential function (i.e. reference to culture-specific phenomena), but the relationship between the languages in the switches is reverse. In the conversational data from Stockholm the interlocutors switch more between languages if they use Finnish as a base language. The pupils in Stockholm seem to switch between languages when they introduce a new activity. In that case, the switch has a situational function. Quotation means that the messages are quoted in the language in which it was heard or read. Switching to slang words has a metaphorical and expressive function.
It can be assumed that the sociolinguistic factors, such as the language environment of the schools and as a whole in the society, show in the results e.g. in which language the adolescents use in their interaction with each other and in the functions of the code-switching.


text:
Hamas, Fateh agree to release abducted members
February 6, 2007 10:21 AM IMEMC & Agencies News Report, Palestine, Palestinian Politics 0
In a step which is observed as another chance to enforce the truce, the rival Fateh a Hamas factions agreed to conduct a mutual release of hostages that gunmen of both factions have captured.Palestinian sources in the Gaza Strip reported that Hamas and Fateh already started the release process which is expected to be concluded within the coming hours.
Hamas and Fateh also agreed to carry joint efforts to prevent similar abductions in the future.
The agreement came as a result of the cooperation and talks conducted through the Joint Cooperation Committee formed by leaders of Fateh and Hamas through extensive efforts carried by several Palestinian factions to end the violence and internal clashes.
Abdul-Hakim Awad, Fateh media spokesperson in Gaza, said that this agreement will put an end to the hostages' crisis between the two movements.
Awad added that both factions are closely following the release process to ensure the safe released of all abductees.
On Monday at night, six members of the Presidential Guards (Force 17) were released after gunmen attacked a Presidential Security headquarters in Beit Hanoun, in the northern part of the Gaza Strip, and abducted them.
« On the Eve of Makkah Meeting, Rivalry Factions Optimistic Optimism over the upcoming Abbas-Mashal meeting »
IMEMC & Agencies


There were no interactions found in our database between cefixime and Lactated Ringers Injection - however, this does not necessarily mean no interactions exist. Always consult with your doctor or pharmacist.
A total of 0 drugs are known to interact with Lactated Ringers Injection.
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