No matter who you are or where you're from, the topic of financing can be confusing. That's especially true when it comes to financing specialized products that aren't well understood by the general public - like wheelchair accessible vehicles!
BraunAbility is the only mobility manufacturer with a dedicated financing team, and collectively those team members share over 100 years of experience guiding consumers through the financing process. We asked Jill Jeroski, head of our BraunAbility Finance team, to answer some of the most common questions about wheelchair van financing.
"I just want to add a ramp on my van - not all the bells and whistles." That's a statement heard often by the BraunAbility Finance team. Many first-time buyers don't understand the time and work that goes into making a best-in-class mobility vehicle. At BraunAbility, the conversion process isn't just adding a ramp - it's a rebuilding of the original vehicle, top to bottom and bumper to bumper (see the entire process here). Once completed, a BraunAbility vehicle reflects the premiere in safe, reliable and enjoyable mobility independence.
Keep in mind, BraunAbility vehicles come in many shapes, sizes and price points: from rear-entry or side-entry, manual ramps or fully-automatic, brand new or certified pre-owned or even used. All of these options are available through BraunAbility.
"It's essential to work with your local mobility dealer to find one that fits you and your lifestyle best. Then we'll find a way to make sure it fits your budget too," says Jill.
2. Can't Medicaid or Medicare pay for the vehicle? What about insurance?
3. Why don't you offer free financing?
Because BraunAbility purchases chassis directly from the automotive manufacturer and not a dealership, the same consumer financing incentives you see offered by a Chrysler or Ford dealership, for example, do not carry over to the mobility dealership. Purchasing directly from the manufacturer lowers the MSRP, and BraunAbility Finance then works with major lenders to ensure we can offer competitive terms and low rates.
"And remember - the $0 due at signing and 0% interest claims you hear from automotive dealerships usually come with major strings attached," says Jill, like requiring you to make your first payment on site instead or becoming ineligible for bonus cash offers.
The general rule of thumb in the automotive industry is 20% down. Because a converted vehicle typically costs more, Jill recommends paying at least 10% down. "It's possible to get a vehicle financed with zero down, but putting some money down initially puts the consumer in a better long-term financial position and results in lower monthly payments."
And if an individual is unable to physically sign loan documents, there are alternatives. Jill explains, "We offer a letter in our funding packet that allows the individual to either sign with a stamp or an X."
6. How is BraunAbility Finance different from other financing sources?
Before BraunAbility Finance was formed, there was a general lack of awareness about conversion vehicles in the financing community. And when banks or lenders don't understand the value or cost of a conversion, customers are often denied a loan.
That's why BraunAbility Finance was created: to act as a financial advocate for the consumer and help navigate financial pitfalls to ensure they have access to life-changing mobility products.
"Most financing sources are mobility brokers or banks," says Jill. "BraunAbility is the only mobility manufacturer with a financing department. We know mobility inside and out, and we help navigate the consumer through the process to find the best product to fit their budget."
7. Does BraunAbility Finance do giveaways?
BraunAbility Finance does not participate in any sweepstakes or donations; however,Chive Charities and NOVA are two organizations that offer grants or giveaways of mobility equipment.
As the Preferred Mobility Partner of Chive Charities, BraunAbility supplies the organization with mobility vans at a lower cost, allowing Chive Charities to grant more vehicles to recipients and get closer to reaching their goal of making the world 10% happier.
The National Organization for Vehicle Accessibility (NOVA) offers quarterly grants of up to $5000 for mobility products, including BraunAbility wheelchair vans, that are purchased through certified mobility dealers (including the entire BraunAbility dealer network).
8. What kind of credit score do I need to get financing for a wheelchair accessible vehicle?
There is no magic credit score required to obtain financing. As Jill explains, "BraunAbility Finance strives to widen opportunities for those with challenged credit. It's important to note that your credit score is a small part of the overall credit decision." Considerations like employment and employment history, total debt owed, income, and dozens of other factors all go into the final decision, she adds.
9. What is GAP insurance? Do I really need it?
"Anyone who is financing a mobility vehicle should consider purchasing GAP insurance," recommends Jill. For just an additional $5 onto your monthly payment, GAP could be a decision that saves you tens of thousands of dollars.
10. What is a Vehicle Service Contract?
A vehicle service contract (VSC) is extended coverage of the warranty of your mobility vehicle's chassis and conversion. Buying at the time of sale reduces the VSC's cost and allows it to be included in your total vehicle financing. The length of the contract is up to the consumer, but Jill advises purchasing at the time of sale to avoid any lapse in coverage and matching it to the length of the loan agreement. As far as cost, an 84-month VSC typically costs $22 a month.
A VSC also boosts the trade-in value of your vehicle. "When a consumer has a vehicle service contract, they tend to have maintenance and repairs taken care of in a timely fashion. The overall condition and value of the vehicle increases, allowing for a higher trade-in value," says Jill. "The VSC is also transferable if sold to a private party."
If you still have questions about wheelchair van financing, you can learn more here, where you can also directly contact a member of the BraunAbility Finance team.


text:
Milnthorpe
Market town and port in Heversham with Milnthorpe township, Heversham parish, Kendal ward, Westmorland. Milnthorpe became separate CP 1896.
1,125 acres [455 ha], including c.350 acres [c.140 ha] of commons enclosed under Heversham Enclosure Act 1803
1,099 in 1891 (first census year for which separate figure is available), rising steadily to stand at 2,106 in 2001.
see Heversham.
small sea-port at Sandside, importing wines from France and other goods from Ireland, Isle of Man and west of England by 17th century, was principal port of Westmorland until 19th century. Four or five vessels berthed there by early 19th century. Weekly market established by charter 1334; lapsed 1920s. Noted in later 17th century for 'great' cattle fair in May. Iron forge (recorded 1675) had become paper mill by 1692. Several flax mills, wool carding mill, and two paper mills in 1829. Beela Mill, flax mill producing corn and flour sacks, rope and twine in mid-19th century; converted to Dobson's comb factory, 1868; still in operation. Arrival of railways killed port but fostered industries: London & North Western Railway (station at Ackenthwaite) opened 1846; closed 1963; Furness link (stations at Sandside and Heversham) opened 1876; closed 1963. Libby's dairy products factory opened c.1934; closed c.1995. Two annual fairs for sale of cattle in May and October, established c.1816; cattle fair at Milnthorpe station established 1849. Cattle fairs ceased 1929. Weekly market re-established 1966; by later 20th century Milnthorpe was focal village for surrounding area, with wide range of retailing and services.
St Thomas' church built 1835-7; chancel added 1883. Independent chapel established 1820 in former cottages on Haverflatts Lane; taken over by Methodists late 1860s. New Wesleyan Methodist chapel, Beetham Road, opened 1904; closed 2014. Roman Catholic church of Christ the King, Haverflatts Lane, built 1970.
several dames' schools and girls' boarding schools in 19th and early 20th centuries. National school opened in former cottages on Milnthorpe Square 1819. New school on Mill Lane built 1834. St Thomas' Church School for Girls, Milnthorpe Square, opened 1867. Both closed when new county primary school (now Milnthorpe Primary School) built on Firs Road 1951. Secondary modern school opened on Milnthorpe playing fields 1951; moved to Haverflatts Lane c.1968; incorporated into Dallam Comprehensive School 1984. Gilbert Union workhouse at Ackenthwaite opened 1813; retained after formation of Kendal Poor Law Union 1836 and used for aged and infirm; became mental home and hospital 1918; closed 1960 and converted to housing. Kitching Memorial Hospital opened 1881. Tattersall Almshouses, Church Street, built 1884. Market hall built 1843 with 'agricultural hall' for meetings upstairs; assembly hall added 1880; used as cinema 1920s-60s; premises bought by parish as Memorial Hall 1945. Kitching Memorial Institute, opened 1881, in memory of Dr John Kitching, London surgeon; contained library, magistrate's court, billiard and chess rooms; converted to Working Men's Institute 1921; closed and converted to flats 2007.
The Place-name Milnthorpe
Milnthorpe - place-name elements and their meanings
Milnthorpe- historical place-name forms
Map of Milnthorpe (1899)
How were these summaries compiled for Westmorland?
Milnthorpe on Vision of Britain
Images of Milnthorpe
There are no entries in the National Archives or the Catalogue of the Cumbria Archive Service [CASCAT]. Originally part of the 'parish' of Heversham, the tithe data for this township may well be incorporated in the tithe data for that township.
Grisleymires Lane
Talks about Morecambe Bay (from Morecambe Bay Partnership) by Dr.Bill Shannon
a) The Name 'Morecambe' [YouTube video 57 min]
b) Crossing the Sands [YouTube video 67 min]
The Port of Milnthorpe.
A Bronze Age Cremation Cemetery at Dallam School, Milnthorpe, Cumbria .
The Appointment of Ports in Cumberland and Westmorland and Lancashire-North-of-the-Sands.
James Dowker's Daughters: Benefactors of Kendal .
Furness Travelling and Postal Arrangements in the 18th and 19th Centuries.
An Inventory of the Ancient Monuments of Westmorland and Lancashire North-of-the-Sands.

redpajama_set_name: RedPajamaCommonCrawl


The drive took 90 minutes with traffic. Honestly, don't know how residents endure the long traffic jams and commute on a daily basis. Life is too short to do this twice a day. Drivers are very aggressive and you have to be on the defensive. Anyway, John dropped us off at 1100. He had several fort and historic sights he wanted to visit in LA so opted not to join us.
This was my second visit in 20 years and frankly will probably be my last.
Not a very exciting attraction except for the 1 hour tram tour of the back lots that take you through an earthquake simulation and a scary ride through a 360 3-D experience of a struggle between a 35 ft T Rex and King Kong. Very realistic.
Hope and grandsons did the Shrek 4-D adventure and Jurassic Park Ride.
John and I had done the Jurassic ride with his parents some 20 year ago.
Waterworld was closed to disappointment of Colt and Cade.
Lots of high end shops on the walk from drop off to the park. Again we took a picnic lunch. Food is very expensive in the parks.
When we got back,Hope took the boys to beach while I fixed dinner.


While life's many tests can be far more challenging, taking a Krav Maga belt test is not for the faint of heart. During an average test, you'll spend hours making a host of defenses in a near exhausted state. You'll have to move past your physical peak and draw upon your fighting spirit.
Spend the appropriate amount of time preparing for a test. Don't rush. Don't try to fit testing into a preconceived timeline. Instead, ensure your body can fluidly make "clean" defenses without a huge mental or physical effort. Until then, keep training.
Get in shape. You're going to hit a wall during the test. It's best to have hit physical walls in training prior to your test – you need to know what this feels like and how to cope with the feeling. Generally, take a deep breath, dive right back into the fray, and reach for the end of your motor skills – don't stop short with any movement.
Before the test, visualize each technique. Visualize your response to exhaustion. Visualize success. Do this many times, over many days prior to your test. Take the entire test in your head several times before the actual test day. Learn focus and practice success in your mind.
Stay in the moment. Act in and react in real time. Be present. Stay grounded in the task at hand. Do not look at the clock, allow your mind to wonder, or try to estimate how much longer the test will go on. Just do until he doing is over.
Do these simple things, and I believe you'll have the best test you can muster.


(PS: the Japanese name is " [b]Kanpekigu No Ne[/b] ".
what is the price? I'l do ANYTHING!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
(just letting you know, i followed your page and everything on it.) most preferably in piano.
[user=Elizabeth85]Elizabeth85[/user] i want it in piano.


text:
Gig and Event Listings
About Counterfeit
Franz Ferdinand: O2 Academy, Leeds
Indie Banquet: Wharf Chambers, Leeds
Paul Weller: First Direct Arena, Leeds
Long Division Festival: Wakefield
Come Play: Various Artists
Arcade Fire: Arena, Manchester
Girl Ray: The Leadmill, Sheffield
Stiff Little Fingers: O2 Ritz, Manchester
Written by Gary Sykes, photos by Andrew Benge
Leeds based, not for profit, record label Come Play With Me have been championing local talent via their 'Singles Club', regular showcase events and their conference style events designed to promote the music being made by under-represented demographics.
Their latest project is 'Come Play', a 26-track compilation featuring promising artists from the Leeds area as well as some surprise collaborations and guest appearances from more established acts. We met with the labels founder and chief Tony Ereira so that he could talk us through the album's concept and shed some light on the treats it contains.
CPWM
As Come Play With Me's reputation grows with every single they release, we wanted to know why they have chosen to spoil us with this mountain of brand new tracks and how the idea evolved. "The main reason for the album is that we are doing the singles every quarter and that only means we are putting out eight tracks a year. When we run submissions we are getting loads of brilliant music in and its just a real pity that we are not able to put it all out on singles, so we just wanted to have another platform to release them on. We identified all the artists we wanted to work with and went to all the ones we had already released from and asked if they can give us another track, either a demo or a live track or a remix, of the track you gave us or if not something completely new. Then we reached out to a bunch of the other artists that we wanted to work with but just didn't quite make it to the singles themselves. I approached about thirty artists and probably thought we would get about twelve or fifteen back, enough for a single album. I had only had about seven tracks back, I had given everybody a deadline of the 31st of August to submit the tracks, then there was this mad flurry of activity on the 31st of August and I got loads of WeTransfer links and it ended up being a double album. It's all the same remit as the usual platform, all bands or artists from in or around Leeds, deliberately cross-genre, the same ethos as all the Come Play With Me singles,"
The label have now released enough material to fill a compilation on its own, but as Tony explains, it is clear that this is a progressive label that aren't interested in looking back at their achievements, only ever moving forwards. "The reason we didn't go with a compilation of the singles we had already released is because I just thought who cares? If all you are going to do is just a compilation of the previously released singles, who is really interested? If you want them you have either already got them or they are all available on Spotify or iTunes so that is why we asked for an exclusive track from everybody. In fact, all of the tracks on there, except for the latest singles (Magic Mountain and Jon Jones and the Beatnik Movement), are exclusive to the album."
As well as being a celebration of the artist, the scene, and the area, this album has a thread running through it. This thread is the idea of collaboration, support and development. Tony gave us just a few examples of how these artists have collaborated especially for this album. ""We had a Ceiling Demons single about a year ago, they have just released their album, they have worked quite closely with Seth from FOLD. One of the other things I wanted to do with this album was to show how people collaborate within the region. Seth and Ceiling Demons have worked together before and this just seemed like an opportunity to ask Seth if he had any interest in remixing a track from Ceiling Demons for us. He has done a great version of that, it's a rare remix with a brass band on it, completely different from the original." It isn't just Ceiling Demons and FOLD who are working together Team Picture and Laminate Pet Animal also have a special, Come Play With Me inspired connection. ""Group Photograph is the pseudonym that Team Picture wanted to use for their two tracks. We paired Team Picture and Laminate Pet Animal together on a single and they both said that they wouldn't have known of each other but they played a couple of gigs together and they have become quite good friends. This is Laminate Pet Animal remixing a Team Picture track and the last track on the album is Team Picture covering the Laminate Pet Animal track. I think that demonstrates brilliantly how bands work together and collaborate here in Leeds."
While all the tracks are exclusive to the album one track in particular has been created especially for the release. "James Konapinski is James Smith from Post War Glamour Girls. My original intention, when I put this album together, was the collaboration between Leeds artists but I also thought it would be quite fun to commission something especially for this album. So I had a chat with James and asked him if there was anyone who he really fancied recording with, it doesn't need to be a duet or even somebody from Leeds, just anyone you want to work with. Thomas Truax is an American multi-instrumentalist who currently lives in London, he's famous for making these really crazy instruments. Every time Thomas just happened to be in the area he would stay at James' house and they would just record bits here and there."
This will be a compilation which is laden with unique moments and exciting new music, Tony gave us a glimpse of some of the other highlights on offer. "We released 'International Waters' from ZoZo last year, and they are just brilliant so I have been talking to them for some time about an EP that they recorded with MJ from Hookworms earlier this year. Which we are actually releasing on Hatch Records, my other label, and we just agreed with ZoZo that we would run with the lead track 'NONO' as part of this, we released it as a digital single at the end of September, it's just brilliant, it's the perfect way to open the album." It will also be a hint toward the future of the label with a track from Crake showing what is just around the corner for the label. "Crake are one of the bands that we are releasing as a single at the end of November. It's just stunning it's a beautiful track. They are a fairly new band comprised of bits of Mi Mye, Sarah Statham is in there from Esper Scout."
One touching moment wonderfully ties in the past and the future, both of the label and the music of Leeds. "We had an idea about a year ago to do an album of new Leeds bands covering old Leeds bands. At the time I got Deadwall to support The Wedding Present on some dates they were doing, they came up with the idea of recording a The Wedding Present track, and they decided to record 'Come Play With Me', I didn't push them into it. They have done a beautiful version of it, they have turned it into a really scuzzy ballad which is nothing like the original at all."
'Come Play' was released on the 1st of December, via Come Play With Me, and is available at all the usual places. We have had a few listens and we definitely recommend it.
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Designed and maintained by our design works


1. The variety, quality, color, pattern and line of aluminum-plastic composite panels should meet the design requirements.
2. The quality of the connectors required for various designs and installations fixed with the skeleton must meet the requirements.
Non-tooth saw blade cutting machine, hand drill, impact drill, nail gun, various specifications of drill, wrench, screwdriver, hand hammer, ink line, thread hanging, nylon thread, steel tape measure, electric welder, oxygen cutting equipment, manual Suction cups, electric hanging blue, glue guns, rivet guns, seat belts, etc.
1. Check the quality and specifications of the aluminum-plastic panel.
2. The water and electricity equipment and the reserved embedded parts on the wall have been installed. The concealed works have been completed.
Carry out the straightening, arranging, and finding the rules, pop up the vertical horizontal line, and pop up the position line and the block line of the aluminum-plastic board according to the design drawings and actual needs.
The laying work is carried out according to the actual center line and elevation point of the civil works; the design of the veneer is based on the axis of the building. The aluminum composite panel is composed of horizontal and vertical members. The position line of the vertical rod is first played, and then the vertical position is The anchor point of the rod is determined.
Mounting the fixing connector On the basis of the payout, the connector is fixed by electric welding. The connecting member is welded and fixed to the embedded part on the main structure. When the embedded iron piece is not embedded in the main structure, the expansion bolt can be fixed on the main structure to be fixed with the connecting iron.
The mounting frame is welded by the mounting method. The installation is to check the elevation and centerline position at any time. At the same time, the cross-section connection weld is treated as anti-rust paint. The fixed connection piece is used for concealed inspection records including the weld length, thickness and position embedding height of the joint. , quantity, embedded depth.
(1) The variety, color, specification, shape, flatness, geometric size, finish, color and pattern of the veneer must meet the design requirements and have a product certificate.
(2) The surface layer and the base layer should be installed firmly. The adhesive materials and dry hanging accessories must meet the design requirements and the relevant national standards. The steel parts must be rust-proof.
(1) The surface is clean and flat; the mosaic is correct, the texture is clear, smooth, and the color is uniform; the non-imprinted installation site is suitable.
(2) The seam is even, the seam is smooth, the seam is dense, the width is narrow, and there is no wrong table or misalignment.
(3) The board around the protrusion is cut by the whole board, the size is accurate, the edges are neatly arranged, smooth, the wall skirt, the face and the like are straight.
1. Wipe the dirt left on the veneer in time.
2, conscientiously implement a reasonable construction sequence, a small number of types of work should be done in front, to prevent damage, pollution of the decorative panel.
3. When changing the shelf and loading, it is strictly forbidden to collide with the dry hanging panel.
4. After the outer veneer is finished, the corners of the easily damaged part should be nailed and protected. The other types of work should not scratch the topcoat and damage the plate.
5. The completed aluminum-plastic composite panel should be set up by a special person. In case of harm to the finished product, it should be stopped immediately and dealt with seriously.


text:
La chara de Beechey (Cyanocorax beecheii) es una especie de ave paseriforme de la familia Corvidae autóctona de México.

Estado de conservación

Según BirdLife International, a pesar de que su población disminuye de forma constante, lo hace a un ritmo lo suficientemente lento como para no comprometer el estado de conservación de la especie. Se considera que el umbral crítico es cuando hay menos de 10 000 individuos maduros con una tasa de disminución superior al 10% en 10 años o tres generaciones. Es por ello, que en la Lista Roja de la UICN figura catalogado como de preocupación menor.

Su hábitat supera los 20 000 km² y no presenta una gran fragmentación ni su extensión disminuye de forma significativa. Su población se estima en menos de 50 000 individuos.

Referencias

Enlaces externos
 Internet Bird Collection, videos sobre Cyanocorax beecheii
 Mapa de distribución

beecheii
Aves endémicas de México
Aves de América del Norte
Taxones descritos por Nicholas Aylward Vigors
Animales descritos en 1829

redpajama_set_name: RedPajamaWikipedia


but don't have a time trial bike ?
Like many other sports, cycling is best enjoyed as part of a group with the added dimension of encouragement, advice and personal development. Many members start off as social riders, enjoying the camaraderie of a club ride, but soon progress to club time trial races which take place over the summer months on local courses.
The club is run by members for the benefit of members so get involved, join in and help make others feel welcome too.
We hold a club night at Stone Cross Memorial Hall, Dittons Road, Stone Cross, Pevensey, BN24 5EL, every Monday evening from 8:00pm to 10:00pm excluding bank holidays.
Club night is all about providing a venue for members to meet up, chat about what they've been up to, and discuss events that others might be interested in. There are refreshments available throughout the evening with a friendly atmosphere to welcome new or potential members.
Newcomers to the sport are actively encouraged with a special ½ price introductory offer for beginners. If you would like to know more, why not come along to our Monday club night at Stone Cross Memorial Hall from 8pm to 10pm to meet some of the members and find out more about us.


This post is for every girl who struggles to find joy on Mother's Day.
Little girls play with dolls and dream of someday mothering real babies. But those little girl dreams never quite match reality, and for this reason many grownup girls have a love-hate relationship with Mother's Day. I'm one of them.
This year marks a decade since I've been able to call my Mom and wish her a happy day. She wasn't perfect, but she had countless amazing qualities. She screwed up in big, huge, monumental ways and she never got a grasp on grace. For that very reason she did not want to live a long life and she got her wish. But she was my mother. And today I miss her.
I have two babies that I will never hold this side of heaven and I know far too many Mamas longing to hold their lost babies today. Whether you've lost a child through miscarriage, abortion, adoption, illness, or tragedy…. this is still your day. You are a Mother.
I know far too many Mamas who struggle through this day because their children are hospitalized, living in residential care or group homes, or unable to utter the word "Mom". I know Mamas who are spending this day watching their children self-injure, destroy everything in their paths, or praying that their child's aggression isn't directed at them today.
No matter what it is about this day that makes it hard for you, know that you are valued. Know that your job as a Mama holds worth beyond measure. Know that God is near you.
Whether you are having Muffins with Mom in a mental hospital, longing for a Mom that isn't here, longing for a child you cannot hold, or trying to find a way to feel like a success when your child has lost its mind; I pray that you find some joy today. Eat some chocolate. Drink some wine. Celebrate YOU.
Find a way to have a Happy Frickin' Mother's Day!
You always know the right thing to say!! I hope you have a happy, happy day!


Simple rules on macro assets can create very attractive returns. We present a simple trend system and a simple carry system and show how the combination of the two return streams appears very attractive. Summary Trend following in one form or another has been an investment style for decades.


Local people will soon have access to a new generation of Urgent Treatment Centres (UTC), established by the Government to help reduce the number of people visiting A&E departments unnecessarily.
The NHS is rolling out around 150 UTCs nationally and the team at the current Minor Injuries Unit, run by Care UK at the Royal South Hants Hospital, have been awarded the contract to run the enhanced service that comes into effect later this year.
The Southampton Urgent Treatment Centre will be based at the same location as the current Minor Injuries Unit, in the Fanshawe Wing of the Royal South Hants Hospital. The service will be led by an experienced team of clinicians who can offer treatment for a range of minor injuries and illnesses as well as offering x-ray facilities and a range of diagnostic testing.
Hospital director Penny Daniels said: "NHS estimates suggest up to three million people who visit A&E departments each year could have their needs addressed elsewhere in the urgent care system. Government consultations revealed patients were confused by the varying names and different levels of services available, so A&E has become the choice for many people unsure where to turn when they need urgent care or advice.
"While A&E is always the right choice for life or limb threatening illness or injury, our UTC can offer treatment for a range of conditions such as a throat infection, an insect bite or a fracture.
Dr Mark Kelsey, local GP and Clinical Chair of NHS Southampton City CCG said: "We are really looking forward to the new Urgent Treatment Centre opening later this year. The service will build on the great service the Minor Injuries Unit is already providing, but with even more support available for the whole family.
Patients can just walk in, as no appointment is necessary. However, if they are uncertain that their condition is suitable for treatment at the centre, they can call the NHS 111 helpline. An initial assessment will determine the appropriate service, and if necessary, a UTC appointment can be booked by the 111 team, on behalf of the patient.
The UTC will be situated in the Fanshawe Wing of the hospital, off Graham Road. There will also be a designated children's waiting area which, along with its short waiting times, makes it ideal for families needing care for urgent, non-life-threatening conditions.


Reaching the explosive season finale tonight is the intriguing US drama series revolving around the disappearance of Sara Collins, the wife of Georgia senator Jeffrey Collins. As Lucas interrogates one of the Collins family, and Sara's phone call reveals her latest location, an unexpected development lays bare the truth about Sara and her kidnappers.
Since Sara disappeared from the underground bunker in which she was being held, the FBI agents have been wondering if the kidnappers moved her somewhere else. But when phone records from the Collins house are analysed, they realise that Sara actually called home – but hung up when Jessica answered.
The agents trace the call to a payphone and realise that she is heading north. "If Sara ison the run," says Lucas, "the guys who took her are going to want her back. They have the resources and they have the will – so let's find her first!" Senator Jeffrey Collins is furious when Lucas tells him that Jessica spoke to Sara but failed to inform him of the news, suspecting that his ex-wife deliberately hung up on Sara. Lucas also questions the Senator about his father, Eugene, who was present at the Encompass centre while Sara was being 'treated' there. If he was involved all those years ago, could Sara's father-in-law have had something to do with her disappearance?
Meanwhile, Sara has abandoned the car she stole from her would-be attacker last week and is continuing on foot. Exhausted, she falls asleep on the ground in the quiet town of Warm Springs, where she is later woken by a curious young girl. Noticing Sara's bleeding arm, the child begs Sara to come home with her and get some medical attention from her nurse mother. "Whatever's wrong, my mama won't tell," she promises. "She's good at keeping secrets." Sara reluctantly accompanies the girl home, where the mother fixes her up and adds her own assurances: "Ain't nobody going to find you here unless you want them to." But after everything Sara has been through so far, can she really trust anyone?
While Sara hides out in Warm Springs, the FBI agents are getting closer to locating her after finding the man whose car she stole. He claims that Sara carjacked him, but Lucas knows that he is lying when he realises that Sara took the car to escape a clumsy assault attempt. As they track her movements after she abandoned the car, the agents get another lead – the woman who was sheltering Sara has called the hotline in the hope of landing a reward. Sara is on the move again, but it will not be long before the bad guys begin closing in on her… thanks to a tip-off from somebody inside the FBI. With their investigation being compromised like this, do Lucas and Mei stand a chance of ever finding Sara?
Reaching its penultimate episode tonight is the intriguing US drama series revolving around the disappearance of Sara Collins, the wife of Georgia senator Jeffrey Collins. In this week's episode, Sara is on the run but finds her escape hindered by a tracking device. Meanwhile, Max divulges vital information about his time in rehab, which leads the FBI towards a shocking discovery.
Sara's captors, unfortunately, have other ideas. When a man calling himself 'Agent Lucas' arrives with his men, he wastes no time dispatching the sheriff and every other cop in the building before heading to the back room to retrieve Sara. Having witnessed the carnage, Sara flees – unaware that her progress is being monitored by a hidden tracking device.
Agents Lucas and Mei cannot believe that a triumphant conclusion to the investigation has been snatched from their grasp. As they wearily begin the process of tracking down a helicopter seen leaving the scene, Mei tells Lucas about the tape that was found in Sara's cell, showing Max talking about how much he dislikes his stepmother. The content of the tape is a surprise to both agents, as Max has had nothing but praise for his missing stepmother. "That sound like a loving stepson to you?" asks Mei.
When the agents ask Max about the tape, he tells them that he was only angry with Sara because she told him to get help for his drinking problem, and that the video shows a therapy session from his time at the Encompass Wellness Center – an organisation that owns the helicopter for which the FBI are searching. It also transpires that Max's therapist was none other than Ben's mysterious friend Quinn, who was arrested a week ago in connection with Sara's case. "I told her everything," he confesses, tearfully. Did Quinn use her inside knowledge of the Collins family to get to Sara?
Meanwhile, a desperate Sara has reached a roadside diner where she begs to use the phone. Spotting her relentless pursuers outside, she finally realises that they have implanted a tiny tracking device in her arm and decides to dig it out with a piece of glass. Escaping out of the bathroom window, Sara heads for the road and hitches a ride… but how far will she get before she is tracked down again?
Continuing this week is the intriguing US drama series revolving around the disappearance of Sara Collins, the wife of Georgia senator Jeffrey Collins. In tonight's episode, Lucas, Mei and Tyner prepare for Sara's return after the demands are met; and a tip-off regarding Kelton alters the course of the investigation.
As her stepmother runs for her life, Marcy is having her own crisis. Pregnant with Rainer's child, she decides to make good on her threat to make the pregancy public and calls Judy Nash with the promise of an exclusive interview. However, Marcy never makes it – she wakes up to find herself miscarrying and is taken to hospital. The doctor gently explains that the miscarriage was a natural occurrence, but Marcy is convinced that it was no accident. Did Rainer find a way to ensure that she kept quiet about their affair?
Continuing this week is the intriguing US drama series revolving around the disappearance of Sara Collins, the wife of Georgia senator Jeffrey Collins. In tonight's episode, Agents Lucas and Mei uncover an incredible new lead in the case; the kidnappers play mind games with Sara; and Marcy Collins takes matters into her own hands.
After the suicide of Edward Morrell, the prime suspect in the Sara Collins case (see last week's episode, 'Aftermath'), agents Lucas and Mei are desperate for new leads. Fortunately, Mei has discovered that shortly before slitting his own throat, the mysterious Morrell sent a coded text message from his phone. The FBI's lab tech sets to work deciphering the message, while an autopsy on the dead man throws up another lead: an ID chip is embedded in Morrell's hand, designed to unlock a security system. The chip functions as a key – but where is the door?
The lab provides Lucas with a duplicate of the chip while the coded text message is found to match the numbers on a freight train that is due to arrive in Atlanta. Lucas and Mei head to the train tracks, where they observe the clandestine delivery of a large box, which is loaded into a waiting car. The agents trail the car to a warehouse where the delivery is unloaded. Lucas refuses to wait for back-up and decides to investigate: "Sara might be inside – I'm not waiting!" he says.
Inside the warehouse, Lucas hides as a group of scientists and heavily armed men carry the box to a laboratory and remove its contents. Inside is a set of ancient parchments covered in Hebrew writing. The documents are placed under a scanner and uploaded to a computer. Speaking to Mei through a headpiece, an astonished Lucas describes the scene: "Whatever we thought about this case, it's time to re-think it," he says.
Moving on, Lucas uses the duplicate ID to open the door to a room full of computers. With the help of a palm pilot, he uploads data from one of the machines and sends it back to the lab for analysis – only to be interrupted by a man with a gun.
Realising that Lucas is in trouble, Mei creates a distraction by firing her gun and setting off the alarm. Lucas overpowers his assailant but not before the computer equipment is blown up. With sirens wailing, the mysterious criminals pack up the parchments and escape in their vans under a hail of gunfire. The equipment they left behind is destroyed, but the images extracted by Lucas provide a clue to the group's activities. An FBI specialist confirms that the parchment in the box is one of the Dead Sea Scrolls – a set of ancient texts throwing light on early Christianity. But how is this new revelation connected to Sara's abduction?
Meanwhile, Sara languishes in a windowless cell at the mercy of her kidnappers. After undergoing a medical exam, she meets a new, nameless captor who engages her in mind games. The man claims that Jeffrey is doing little to rescue her: "He refuses to co-operate," he says, before revealing that the senator has moved his ex-wife back into the house: "He's not the person you think he is," the kidnapper says. With seeds of doubt in her mind, will Sara succumb to the man's manipulation?
Continuing this week is the intriguing US drama series revolving around the disappearance of Sara Collins, the wife of Georgia senator Jeffrey Collins. In tonight's episode, the FBI reacts to the shooting of Agent Kelton; Senator Collins meets his wife's kidnappers; and Jessica intervenes to help Marcy and Ben.
In the final moments of last week's episode, Agent Kelton was gunned down at the Senate, while trying to warn Jeffrey Collins to change his vote in favour of Judge Rainer's appointment to the Supreme Court. At the beginning of this week's instalment, the FBI agent is rushed to hospital, only to be pronounced dead on arrival. As Kelton's devastated colleagues mourn, Agent Mei rejects Tyner's offer of reassignment: "I'm going to finish what we started," she vows.
Kelton's old roommate, Agent Daniel Lucas (Eddie Cibrian), arrives at the Atlanta field office to take over the Collins investigation. His first job is to identify Kelton's killer from security camera footage by using special face-recognition software. As the computer scans its database for a match, Tyner arrives with news that a security alert was started at the Senate by the Atlanta office – but who was responsible?
Mei has some explaining to do: she is forced to admit that Kelton asked her to engineer the alert in order to buy himself time; furthermore, she reveals that Senator Collins is being blackmailed to vote for Judge Rainer. "What else aren't you telling me?" Lucas demands, when he sees that Mei is holding something back. She finally confesses that Kelton made contact with their mysterious informant, who had pointed them in the direction of five politicians killed in plane crashes. But how are these pieces of evidence related?
Also this week, Senator Collins is forced to make a detour on his journey home from Washington. He is ushered aboard a replacement jet when his own plane is waylaid – but it is only when a technical fault causes them to land in North Carolina that the senator becomes suspicious. Stepping into a deserted hangar, Jeffrey sees a figure bound and gagged on a chair: it is Sara!
Jeffrey is forced to sit and listen as Sara's captor – Edward Morrell – reveals himself. "The delays in meeting our demands have been unacceptable," he says. With ruthless calm, Morrell puts a gun against Sara's head. Is the senator's search for his wife about to come to an abrupt end?
Meanwhile, Marcy Collins attempts to raise money to bail her boyfriend, Ben, out of jail. When her grandfather refuses to oblige, her mother Jessica steps in, and turns to Jeffrey's chief advisor, JT, for help. "You asked me what it would take to get me out of here," she says. "Is the offer still open?" Jessica secures the money for her daughter but, in return, she must leave the Collins house forever.
Continuing this week is the intriguing US drama series revolving around the disappearance of Sara Collins, the wife of Georgia senator Jeffrey Collins. This week, the FBI makes a shocking discovery about Sara; Senator Collins resolves to vote against Judge Rainer's elevation to the Supreme Court; and Agent Kelton tries to contact the mysterious informant who has been helping him.
The FBI has tracked the source of the live video feed of Sara Collins to a log cabin in the woods, only to find the room filled with blood. DNA tests quickly confirm that the blood matches that of the senator's wife, and a dejected Agent Kelton travels to Jeffrey Collins's home to inform him.
The grief-stricken senator holds Judge Rainer and his cronies responsible for his wife's death, and curses Kelton for not allowing him to yield to their demands: "Why couldn't you let me give them what they wanted?" he says. Collins was being blackmailed to vote for Rainer's elevation to the Supreme Court, but now that Sara is dead, he resolves to defeat him in the vote. For the time being, however, news of Sara's demise must be kept secret until her body is found.
The hunt for Sara's killers gets underway, but Kelton has other ideas: he plans to contact the anonymous informant who has left clues in the form of St Nathan prayer cards for the agents to find. The cards are a reference to Kelton's failure to save a previous kidnap victim – a boy named Nathan. Now he is desperate for his informant's aid: "If he really wants to help, now's the time," he says. To this end, Kelton and Mei make a false appeal to the press asking for information about a white van with the registration, "1N8N" – a code for "One Nathan". When Kelton's boss, Agent Tyner, learns of the appeal, he berates him for releasing false information: "I've done everything I can to protect you – that courtesy is over!" he says. Tyner has further news: Kelton has been ordered to Washington to explain his handling of the case.
Relieved of duty, Kelton attends his daughter's Holy Communion, only to discover an earpiece in the pew next to him. Fitting the device to his ear, he finds himself talking to his "Nathan" informant. The mysterious voice refuses to answer his questions and hints that larger forces are at work: "Forget Sara Collins," he says. "Her death is nothing compared to the damage that will be done if Judge Rainer is confirmed to the Supreme Court." The contact gives Kelton the names of a series of politicians who have recently died in plane crashes – are they connected to the case?
In Washington, TV reporter Judy Nash meets up with her ex-lover Daniel Lucas (Eddie Cibrian, 'Third Watch') for a romantic evening. The next day, Lucas heads to work at FBI headquarters, where he is revealed to be a former roommate and superior of Agent Kelton. Lucas greets his old friend with the news that he must announce Sara Collins's death to the press: "Bad news needs a messenger," he says.
Before Kelton can break the news, however, Mei calls with him with a new revelation about the case. A lab technician has found that Sara's blood was diluted to make it appear that there was a greater quantity than there really was. "They staged her death!" Kelton concludes. There is still a chance to save Sara's life – if Senator Collins changes his vote in favour of Judge Rainer. But with the vote underway at Capitol Hill, can Kelton reach the senator in time? A desperate race to the Senate ensues, with a shocking climax in store.
Continuing this week is the intriguing US drama series revolving around the disappearance of Sara Collins, the wife of Georgia senator Jeffrey Collins. This week, Agents Kelton and Mei chase the source of the video feed showing Sara Collins in captivity; Marcy's secret comes to light; and Judy's story about Sara's past life is disputed by another reporter.
Kelton tries a new approach and suggests to his technician, Agent Cedar, that they broadcast a signal from Quinn's laptop to track the source of the feed. The signal leads them to an empty field with an antenna. Kelton climbs the mast and finds a black box attached to it. The box is a cell phone receiver used to transmit the video of Sara – but it offers no further clues as to her location.
Kelton returns to the video of Sara and watches it again. This time, he catches a flash of lightning outside the room. It transpires that there was a thunderstorm in the vicinity of Sara's hiding place, so the agents check weather patterns in the area within the range of the black box, and come up with a location: Stone Mountain. Could the search for Sara Collins be nearly over?
Meanwhile, the agents pursue another lead in the form of Judge Wallace Rainer. Kelton knows that Jeffrey Collins was being blackmailed to vote in favour of Rainer's elevation to the Supreme Court, which would implicate the judge in Sara's disappearance. Realising it will be difficult to investigate Rainer's background without drawing attention to themselves, Kelton and Mei ask for help from someone outside the FBI: feisty reporter Judy Nash.
Judy supplies them with files on Rainer which contain some surprising information: it would appear from the judge's phone records that he called Marcy Collins 18 times in one month. "If they were having an affair, that would explain why Jeffrey's turned against him," Kelton says. Under questioning, Marcy is forced to confess to her relationship with the judge: "We were seeing each other, okay? It's over," she says. Marcy adds that Sara found out about the affair and told Jeffrey that Rainer was seeing an underage girl – but did not say who.
Also this week, Judy is annoyed when her story about Sara's past life under the assumed name of 'Nicky' is refuted by another journalist. The rival reporter interviews a fisherman who claims he found the body of Nicky in the sea 12 years ago – and shows the TV report of the casket being exhumed to prove it. Determined to expose the claim as false, Judy calls in a favour from Kelton and asks him to have the FBI analyse of the body to find out who it really is. "They exhumed a body," she says. "I think it was planted." But will the answer bring them closer to the truth about Sara Collins?
Continuing this week is the intriguing US drama series revolving around the disappearance of Sara Collins, the wife of Georgia senator Jeffrey Collins. This week, the FBI tracks a suspect wanted in connection with Sara's disappearance; Ben is attacked in his cell; Sara's past life is exposed; and Senator Collins contends with his ex-wife.
The hunt for Sara Collins has led detectives to a reservoir where a metal coffin has been unearthed. Opening the coffin in the morgue, Agents Kelton and Mei are surprised to discover it is empty – except for an earring. They quickly establish the earring belongs to Amanda McNeal, the late mayor's wife who drowned in the reservoir ten years earlier: "Sara wasn't buried there – Amanda was," Mei says.
The agents turn their attention to the mystery of who pointed them in the direction of the reservoir. Kelton is convinced that a third party may be trying to aid their search. "Let's say someone is trying to help us," Agent Mei replies. "Why doesn't he just come and introduce himself?" Kelton believes that fear is keeping the informant hidden – but their musings are cut short by the news that Ben Wilson, a suspect in custody, has been moved to another facility without their permission.
Kelton rushes to the jail and is shocked to discover that his name was forged on Ben's transfer papers. He arrives in the cell to find Ben being attacked by a man with a knife, and shoots the assailant dead in the nick of time. Ben is returned to FBI headquarters for his own safety but swears that he did not know his would-be assassin. Kelton believes the lad is holding something back: "It wasn't random," he suggests, "they're trying to keep you quiet." Ben is stunned to hear that his court-appointed lawyer was an impostor, and decides to offer up the name of the woman who paid him to deliver money: Quinn.
The FBI raid Quinn's house and find that she has disappeared through a hatch into a network of tunnels. The agents pursue their fugitive through an underground labyrinth until she is arrested. Once in custody, the mysterious Quinn refuses to answer questions or reveal her true name. Meanwhile, the FBI intercepts a video signal being sent to Quinn's laptop, and tap into a live feed of Sara Collins, shackled to a bed in a room. As the agents scramble to locate the source of the feed, Kelton is frustrated by the slow progress: "This feed drops out, we lose our only lead," he says.
Meanwhile, feisty reporter Judy Nash is accosted by Peter Manning, the fisherman who told her about Sara Collins's past life under the assumed name of 'Nicky'. Peter says that a video he owned of Nicky has been stolen, and Judy realises that someone is trying to erase all traces of Sara's former life. Judy interviews Peter on TV, where he reveals his relationship with Sara for the first time. Senator Collins is stunned by Peter's revelations about Sara's past, and asks to meet the fisherman to hear his story.
The senator also faces trouble at home, as his ex-wife Jessica continues to ingratiate herself back into the family. Jessica has realised that the senator's recent heart attack was faked in order to delay a crucial vote in the senate. She wastes no time in revealing this to her children, who are angry to learn that their father made them believe he was ill. Jessica convinces Jeffrey to let her stay a while longer: "You can't do this alone," she says. "Our kids need me, Jeffrey." But can she really be trusted?
Continuing this week is the intriguing new US series revolving around the disappearance of SaraCollins, the wife of Georgia senator Jeffrey Collins. In tonight's episode, Agent Kelton receives a clue pointing to a reservoir that may contain Sara's body. Marcy Collins's boyfriend, Ben, languishes in a cell after being arrested for murder, while Marcy herself has shocking news for her father.
FBI Agent Graham Kelton is leading the hunt for Sara Collins – but his efforts are being hampered by an uncooperative witness: Senator Collins himself. Collins refuses to explain what happened at the abortive ransom drop in a high-rise elevator (see last week's episode, 'Drop'). Kelton suspects that Collins spoke to the kidnappers on the lift's emergency phone and received the real ransom demand – but is frustrated by the senator's refusal to tell the truth. "Why are you shutting me out when the only thing I'm trying to do is help you findyour wife?" Kelton asks.
Meanwhile, autopsy results on Amanda McNeal, the late mayor's wife, show that she drowned in a body of water containing red clay. Unfortunately, there is no way to know where she drowned without analysing every lake in the region. A frustrated Kelton takes time out from the case to take his young daughter Inez to church, but while talking to the priest, he is shocked to see that Inez has wandered off. Kelton finds her safe and well nearby – but she has been given a prayer card with an address scrawled on it by a strange man. Kelton quizzes his daughter about the man who gave her the card but she can only recall that he was wearing rubber gloves.
Agent Mei traces the address on the card and discovers that it is now the location of a reservoir. The agents are interested to learn the reservoir contains red clay and was opened in 1996 – shortly after Amanda McNeal disappeared. Could this be the place where she died? Kelton does a sweep of the lake and chances upon a group of sinister individuals in diving gear next to a black van. Suddenly, he is attacked by a man with a gun and almost throttled –only for Mei to appear and shoot his assailant dead. The divers in the van flee, and the FBI cordon off the area.
Also this week, Marcy Collins's boyfriend, Ben, is arrested on suspicion of murdering Mark Valera – the man who took Sara Collins from the hotel. A distraught Marcy faces a quandary: it was she that alerted the police to Ben's whereabouts, believing him to be implicated in Sara's disappearance. But now Marcy is convinced that he is being framed: "You have to help Ben," she tells her father. "Someone is setting him up!" Marcy also has shocking news that makes her even more desperate to see her boyfriend: "I'm pregnant," she announces. Senator Collins arranges for his daughter to see Ben, but, after her betrayal, will he want to see her?


text:
Offensive Lineman Move Ball Snapped? Illegal Motion
Submitted by: Storm Howard
Can offensive lineman move before the ball is snapped?
No player is permitted to be moving toward the line of scrimmage when the ball is snapped. All other players must be stationary in their positions. If an eligible receiver who is on the line moves to another position on the line (not forward), he must reset prior to the snap. If he does not reset, it is Illegal Motion.
Often, we can hear the quarterback pointing to a number and identifying the Mike for the offensive lineman. In the video above, Aaron Rodgers can be heard yelling €œGreen 19 before the ball is snapped, as he's using that as a rhythm cadence. We can also hear him talk to his center to identify who is the Mike.
To counter the advantage of the snap count, the offensive linemen must stay "set" or still prior to the snap. Once they get into a set position, they can't move until the ball is snapped. If they move, they will get a false start penalty which will move the ball back five yards.
Once they get into a set position, they can't move until the ball is snapped. If they move, they will get a false start penalty which will move the ball back five yards.
Offensive Line Move? Football: Offensive Line
Backfield in motion is when a member of the offensive backfield moves parallel to or away from the line of scrimmage. A move toward the line of scrimmage, while the ball is snapped, will be a penalty for illegal motion and a five-yard loss.
The Center. The Center is your most important offensive lineman positions. Every offensive play starts with your Center. Your Center must be smart, good hearing, understands ball protection, good hands, quick, and must be able to snap the football.
Offensive linemanOffensive lineman Teven Jenkins addresses the media on Tuesday after practice at Halas Hall.
Quarterback Communication Before The Ball Is Snapped - Viqtory Sports
Identifying The Mike Linebacker In the video above, Aaron Rodgers can be heard yelling €œGreen 19 before the ball is snapped, as he's using that as a rhythm cadence.
Offensive linemen don't have to run 4.40 in the 40-yard dash, but they do need to be extremely quick in the first five or ten yards. A slow lineman will not be able to get into proper position on a defensive lineman, or linebacker so he can protect the QB, or ball carrier.
Teams will switch around offensive lineman who can play multiple positions. Offenses that run up in pace offenses will feature offensive lineman that play over 70 snaps per game. Otherwise 50-60 snaps is a good average number when figuring out the starters and backups.
Why Does Aaron Rodgers Say 319 Only?
Aaron Rodgers says "Green 18, Green 18" before the ball is snapped. What are other cadences used by NFL quarterbacks? Each offense combination has its own cadences. Most often, it's used to synch the players so that they can listen for the signal to snap the ball.
The offensive line is the strength and backbone of a football team's offense plays, and the offensive lineman serves as one of five players blocking the defense from tackling the receivers and quarterback. An offensive lineman, as the name would indicate, lines up on the line of scrimmage on the offensive side.Sep 2, 2018
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text:
use game::*;
use game::data::*;

#[derive(Clone, Copy, PartialEq, Eq, Debug, Serialize, Deserialize)]
pub enum MessageType {
    Empty,
    Title,
    PressAnyKey,
    YouDied,
    Action(ActionMessageType),
    Name(NameMessageType),
    YouRemember(Option<NameMessageType>),
    Unseen,
    Description(DescriptionMessageType),
    NameDescription(NameMessageType),
    NoDescription,
    Menu(MenuMessageType),
    ChooseDirection,
    EmptyWeaponSlotMessage,
    Front,
    Rear,
    Left,
    Right,
    EmptyWeaponSlot,
    SurvivorCamp,
    ShopTitle(usize),
    ShopTitleInsufficientFunds(usize),
    ShopTitleInventoryFull(usize),
    ShopTitleNoEffect(usize),
    Inventory {
        size: usize,
        capacity: usize,
    },
    NameAndDescription(NameMessageType, DescriptionMessageType),
    Garage,
    GarageInventoryFull,
    WeaponSlotTitle(RelativeDirection, Option<NameMessageType>),
    MustBeStopped,
}

#[derive(Clone, Copy, PartialEq, Eq, Debug, Serialize, Deserialize)]
pub enum VerbMessageType {
    Ram,
    Claw,
}

#[derive(Clone, Copy, PartialEq, Eq, Debug, Serialize, Deserialize)]
pub enum NameMessageType {
    Pistol,
    Shotgun,
    MachineGun,
    Railgun,
    Car,
    Bike,
    Zombie,
    EngineRepair,
    TyresRepair,
    ArmourUpgrade(usize),
    EngineRepairKit,
    SpareTyre,
}

#[derive(Clone, Copy, PartialEq, Eq, Debug, Serialize, Deserialize)]
pub enum ActionMessageType {
    TyreDamage,
    EngineDamage,
    ArmourDamage,
    ArmourDeflect,
    PersonalDamage,
    Shot,
    ShotBy(NameMessageType),
    BumpedBy(NameMessageType, VerbMessageType),
    FailToTurn,
    FailToAccelerate,
    TyreAcidDamage,
    MaxSpeedDecreased,
    EngineRepaired,
    TyreReplaced,
}

#[derive(Clone, Copy, PartialEq, Eq, Debug, Serialize, Deserialize)]
pub enum DescriptionMessageType {
    Pistol,
    Shotgun,
    MachineGun,
    Railgun,
}

#[derive(Clone, Copy, PartialEq, Eq, Debug, Serialize, Deserialize)]
pub enum MenuMessageType {
    NewGame,
    Continue,
    Quit,
    SaveAndQuit,
    Controls,
    Control(InputEvent, Control),
    UnboundControl(Control),
    ControlBinding(Control),
    NextDelivery,
    Shop,
    Garage,
    Inventory,
    Name(NameMessageType),
    ShopItem(NameMessageType, usize),
    Back,
    Remove,
    WeaponSlot(RelativeDirection, Option<NameMessageType>),
    Empty,
}

redpajama_set_name: RedPajamaGithub


November 5, 2009, 12:44 p.m.
As U.N. negotiators from around the world gather in Barcelona this week to continue hammering out a global climate deal, the question of emissions reduction targets has grabbed center stage in the press.
But even if all countries stopped emitting greenhouse gas pollution today, the impact of climate change will be felt for years to come.
We must reduce emissions to minimize any future impacts. But negotiators must also develop policies and financial mechanisms that will help communities — and the natural resources they rely upon for survival — adapt to and overcome the climate impacts we are already seeing today.
The Nature Conservancy hosted an event here in Barcelona (webcast) last night highlighting adaptation actions we and others are launching around the world. The actions presented are the types that U.N. negotiators should include in a global agreement to ensure it provides the support needed to protect people and nature from the ravages of climate change.
Mike Beck, senior scientist with the Conservancy's Global Marine Team, spoke of how sea levels are rising faster than anyone had previously projected, and how coastal communities are struggling to survive.
Mike unveiled an innovate new web tool called Coastal Resilience that shows in detail how sea level rise is hitting Long Island, N.Y. Users can look up how different sea-level rise scenarios will impact specific areas according to development type (commercial or residential areas); demographics (such as age or economic status); habitat types; and other specific social, economic and environmental classifications.
Residents can even look up their home addresses in Long Island and see how sea-level rise will impact their property.
The tool also allows government agencies to see where hospitals, fire stations and other emergency response organizations are located in connection to the areas that will be worst hit by sea-level rise.
"Most emergency responses to storms and flooding are made at the local level. But most localities don't have access to this kind of information," Mike said during the presentation.
Engaging communities in dealing with climate change impacts is crucial in places like Long Island, and even more so in developing countries where vulnerable communities are likely to face some of the greatest impacts. Several countries are now building upon the Coastal Resilience work to develop similar tools for their regions. The Conservancy is working with partners in the Caribbean to develop a similar tool.
Also joining the event was Rence Sore, the Solomon Islands' permanent secretary of environment, conservation and meteorology, who spoke of how his country is combating rising sea levels. Sore described how many of the islands in his nation are just one meter above sea level and are already dealing with coastal erosion and salt water contamination of crop lands.
He said his government is incorporating the impacts of climate change in their development plans and are focusing on protecting their natural resources, from mangroves and coral reefs and more, to ensure they can continue to provide food and water to local communities.
These examples show how, in developed and developing countries alike, providing information and engaging communities are essential components to dealing with the impacts of climate change.
In Barcelona, our team is advocating that a global climate agreement draw on and strengthen the capacity of indigenous peoples and local communities to monitor, understand, and respond to climate change through effective adaptation measures. Protecting and restoring natural resources are some of the most effective measures for strengthening the resilience of both people and nature.
To learn more and spread the word about a global climate agreement, visit Planet Change.


text:
Fellowship Submission Terms and Conditions
Winner, Frank Moffett Mosier Fellowship for 2021
Special Jury Prize, Frank Moffett Mosier Fellowship for 2021
Finalists' Prize
Longlist Prize
Again, The Spell Auditions: AEA
Again, The Spell Auditions: non-union call
Again, the Spell Stage Manager
Arts Festival Support
Eric Marlin
Nikki Massoud
kanishk pandey
Phanésia Pharel
Eric Marlin for How to Mourn the Dead
Eric Marlin has been produced and developed by the Public Theater, Ars Nova ANT Fest, Edinburgh Festival Fringe, The Tank, Dixon Place, Samuel French, HOT! Festival, Exquisite Corpse Company, PTP/NYC, Tennessee Williams Festival, Play Date @ Pete's, and Wildclaw Theatre. Winner of the Samuel French OOB Short Play Festival and shortlisted for the Berliner Festspiele Stückemarkt. Finalist for SPACE at Ryder Farm, the Jewish Plays Project, and two-time finalist for the O'Neill National Playwrights Conference. Current member of the Civilians' R&D Group. Former Resident Artist at Montclair's New Works Initiative. Co-founder of the Healthy Oyster Collective, with whom he has created three original works. He has worked as a producer and stage manager for the Bushwick Starr, New Georges, Women's Project, Red Bull Theatre, CTown, PTP/NYC, Public Theater, New Ohio Ice Factory Festival, and PRELUDE. MFA: Iowa Playwrights Workshop. BA: Bennington College.
Websites: ericmarlin.com and newplayexchange
Email available upon request, contact support@synecdocheworks.org
Representation: Katie Gamelli, Paladin Artists KatieGamelli@paladinartists.com
About How to Mourn the Dead
Two bros watch the dissident Antigone buried alive on national television. The spectacle inspires a misguided attempt to capture her martyrdom in art, as they glibly repurpose her story in search of some truth about the nature of suffering.
Formerly titled The Antigones: A Tragedy in Flux.
Nikki Massoud for CUT – A Blasphemy
Nikki Massoud (she/her/hers) is a writer and actor based in Brooklyn. She is a first generation Iranian-American immigrant, raised in Montreal, Canada and Washington, DC. She is a 2021/2022 Launch Commission writer for Atlantic Theater Company and was awarded a 2021 City Artist Corps Grant. Her writing has been read and developed at The Lark, The Coop, Brown University, and CUNY. Her television work as a performer includes Love Life (HBO), Emergence (ABC), Mozart in the Jungle (Amazon), and Madam Secretary (CBS). Her stage credits include Sam Gold's production of Othello at New York Theatre Workshop, alongside Daniel Craig and David Oyelowo, and regional work at The Old Globe, Berkeley Rep, The Huntington Theatre Company and Portland Center Stage. Nikki has narrated over 20 audiobooks, currently available on Audible. She is a graduate of the Brown University/Trinity Rep MFA Program, Georgetown University, and BADA (British-American Drama Academy.)
Website: nikkimassoud.com Instagram: @nikkima1776
About CUT – A Blasphemy
A fever-dream retelling of the Old Testament story of Samson and Delilah through the frame of colonialism in the Middle East. It is an exploration of interracial relationships, sex work, colorism, Hollywood, religion, and genetics.
kanishk pandey for The Fate of the Online Cow
kanishk pandey (he/him/his) is a writer originally from Davis, CA. At 16, he won first place in the Princeton Ten Minute Play Contest. At 19, he was a finalist for the 2018 O'Neill National Playwright's Conference for COLONY, his first full-length play. In the fall of 2019, he graduated from NYU's Tisch School of the Arts, with a BFA in Dramatic Writing, and minors in Creative Writing and English Literature. Since then, his play Lanka in the Clouds was a featured part of The Tank's 2020 Trashfest. He was a featured playwright at The Lark and was part of The Workshop Theater's 2021 Spring Intensive, and his script, The Fate of the Online Cow, has received Semi-Finalist position at both the O'Neill's NPC and the Austin Film Festival. He is a founding member of the Submerged Writers Group. You can subscribe to his newsletter at themorningstar.substack.com and check out his podcast "Sadder Days".
Website: kanishkpandey.com Twitter: @kanishk__pandey Instagram @kanishk__pandey
About The Fate of the Online Cow
The Cow spends her life in front of a camera, playing video games for an active chat, earning money for her owners, Mud and Hue. But, when a game of Minecraft leads her to consider her own predicament, she comes to face the oppressive conditions she exists under.
Phanésia Pharel for Black Girl Joy
Phanésia Pharel is a playwright from the great state of Florida and even greater city of Miami. Grounded in poetry and afrofuturism, she writes about the divine metaphysical dilemma of colored girlhood spanning generations, revolutions, and islands. Her plays explore futures built on love by centering women's pleasure, safety and joy. Full lengths: LUCKY (New York Stage and Film). BLACK GIRL JOY (Jane Chambers Finalist, O'Neill Semi-Finalist, Bay Area Playwrights Festival Semi-Finalist). Other Honors include City Theatre National Short Playwriting Finalist and Blank Stage "Future of Playwriting" Semi-Finalist. Member of the Obie award winning EST/ Youngblood group. Commissions include City Theatre Miami, the Latinx Playwrights Circle & Pregones/PRTT Greater Good Commission and Thrown Stone Theatre. Residencies include New York Stage and Film, Echo Theater Company of Los Angeles, the Playwrights Center Core Apprenticeship and the Inaugural 068 Magazine Thrown Stone Theatre Fellowship. Publishing: Concord Theatricals, Smith and Kraus Best Plays of 2020, Reset Coalition 2020 Anthology and the City Theatre Anthology.
BA: Urban Studies, Barnard College of Columbia University.
Management: Brandy Rivers @ Industry Entertainment brandyr@industryentertainment.com
About Black Girl Joy
At the Black Girl Joy Center for Vulnerable Youth in Miami, four girls- Trina, JT, Squeaks and Donna come together to share their story. Black Girl Joy shifts between memory, choreo poems and a juicy plot. It is a ritual play for black girls/women to heal from intimate partner violence, a loss of girlhood, and the death of our friends
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text:
Q: Why my function compareQA return 0 or -1? This screen is for multiplication exercise, multiplication is given and you have to put the answer in the textinput and click OK.
But the problem is that in my function compareQA, qaindex return 0 or -1.
import React, { useState, useEffect } from "react";
import { StyleSheet, Text, View, Pressable, TextInput } from 'react-native';
import { StatusBar } from 'expo-status-bar';
import { NavigationContainer } from '@react-navigation/native';
import styles from '../Components/AppStyle';
import {LittleSpace05,LittleSpace1, LittleSpace4} from '../Components/LittleSpace';
import changeSize from '../Components/ChangeSize';

function RouletteExercice1 ({ route, navigation }){

  const { multiplyArray, multBy} = route.params;

  const [adaptTitleFontSize, setAdaptTitleFontSize] = useState({
    fontSize: 16,
  });
  const [adaptButtonFontSize, setAdaptButtonFontSize] = useState({
    fontSize: 16,
  });

  const getSize = (event, divide, thing) => {
    if (thing == 'title') {
      setAdaptTitleFontSize(changeSize(event.nativeEvent.layout, divide))
    } else {
      setAdaptButtonFontSize(changeSize(event.nativeEvent.layout, divide))
    }

   };

   const [questionsArray,setQuestionsArray] = useState([]);
   const [answersArray,setAnswersArray] = useState([]);
   const [mQuestion,setMQuestion] = useState();
   const [qaIndex,setQAIndex] = useState(0);
   const [textInputAnswer, setTextInputAnswer] = useState();

  useEffect(() => {
    createQuestionsArray();
  },[]);

   function createQuestionsArray() {
       let m = 0;
       while (m < multiplyArray.length) {
         let b = 1;
         while (b < multBy+1) {
           let quest = multiplyArray[m]+'x'+b;
           let rep = multiplyArray[m]*b;
           setQuestionsArray((prev) => [...prev, quest]);
           setAnswersArray((prev) => [...prev, rep]);
           b++
         }
        m++
       }
       askQuestion();
   }

   function askQuestion(){
       setMQuestion(questionsArray[Math.floor(Math.random()*questionsArray.length)]);

   }

   function compareQA(){
     setQAIndex(questionsArray.indexOf(mQuestion));
     if (answersArray[qaIndex]==textInputAnswer) {
       questionsArray.splice(qaIndex,1);
       answersArray.splice(qaIndex,1);
       console.log(qaIndex);
       askQuestion();
     }
   }

  return(
    <View  style={{ flex: 1, flexDirection: 'column'}}>
      <StatusBar style="auto" />
      <View style={{flex: 1}}>
      </View>
      <View style={{flex: 4, alignItems: 'center', justifyContent: 'center'}}>
        <LittleSpace1/>
        <LittleSpace1/>
        <View onLayout={(event) => {getSize(event,2,'title')}} style={[styles.setViewRE1, {alignItems: 'center'}]}>
          <Text style={[styles.textExercice, adaptTitleFontSize,{fontWeight: 'bold'}]}>{mQuestion}</Text>
        </View>
        <LittleSpace05/>
        <View  style={[styles.setViewRE1, {alignItems: 'center'}]}>
          <Text style={[styles.textExercice, adaptTitleFontSize,{fontWeight: 'bold'}]}>=</Text>
        </View>
        <LittleSpace05 />
        <View onLayout={(event) => {getSize(event, 3,'button')}} style={styles.setViewRE1}>
          <LittleSpace4/>
          <TextInput
            onChangeText={text => setTextInputAnswer(text.replace(/[^0-9]/g, ''))}
            value={textInputAnswer}
            placeholder=" perso"
            textAlign={'center'}
            keyboardType="numeric"
            style={[ styles.inputRE1, adaptButtonFontSize]}
            type='number'
          />
          <LittleSpace1/>
          <Pressable style={styles.buttonRE1} onPress={() => {compareQA();}} >
            <Text style={[styles.textExercice, adaptButtonFontSize]}>OK</Text>
          </Pressable>
          <LittleSpace1/>
        </View>
        <LittleSpace1/>
        <LittleSpace1/>
        <LittleSpace4/>
      </View>
      <View style={{flex: 1,}}>
      </View>
    </View>
  )

}

export default RouletteExercice1;

multiplayArray = [35,17]
multby = 5
The function createQuestionsArray create a list of multiplication [35x1,35x2,35x3,35x4,35x5,17x1,17x2,17x3,17x4,17x5].
The function askQuestion is supposed to take a random multiplication from the list questionsArray but when I compare it with the answer it's not working.
Can someone tell me what is wrong in my code? Please.

A: Unless you want createQuestionsArray to run on every render, this:
useEffect(() => {
    createQuestionsArray();
});

should be
useEffect(() => {
    createQuestionsArray();
}, []);

This is likely kicking off many re-renders, given that you're setting state inside this function.

redpajama_set_name: RedPajamaStackExchange


text:
Midfielder Didn't Take Much Convincing
Date: 18th July 2014 at 7:57pm
Alan Goodall didn't take much convincing that Morecambe was the right club for him before officially signing a contract this week.
32-year-old Goodall, most recently with Fleetwood Town but also formerly of Chesterfield, Luton Town and Rochdale, agreed to sign for the Shrimps this year linking up with Jim Bentley, who he already knew, after a short trial this summer.
The experienced midfielder was key to Fleetwood's promotion last season but was still released and with no shortage of takers for him this is a great signing for the club and he should do well this season.
Goodall also feels that Morecambe can do well with him not taking long to decide that coming to the Globe Arena was the right decision for him.
He told the official website: 'Being from Liverpool I know the gaffer well and really respect what he and Ken McKenna have done at the club.
'It didn't take long for me to see the dressing room spirit here was something special and I have really enjoyed myself here in pre season and really think we have a side that can do well this year.'
This site is looking for bloggers, so if a fan can offer us a genuine opinion from someone that supports them we would love to share it with the masses!
To find out more ***CLICK HERE***
To email your own unique article/blog for publishing ***CLICK HERE***


For an upcoming European Commission (EC) funded project we are looking for a senior expert/consultant in local governance and decentralisation in Bhutan. The overall objective of the project is to assist Bhutan in achieving the reforms envisaged in its 11th and 12th Five Year Plans and provide technical assistance and studies in support of sound implementation (including communication aspects) of the EU-bilateral development cooperation strategy in Bhutan, in the sectors of: Renewable Natural Resources including Climate Change Response and Local Governments and Decentralisation, through complementary support to the ongoing European Union (EU) budget support programmes.
Contribute to the preparation of as well as participation to the policy dialogue between the EU and RGoB and in particular but not limited to, preparation/participation to the joint annual review meetings of the two EU Budget Support Programmes in Bhutan.
Proven knowledge of EU project management procedures by the participation in at least 1 EU project.
Professional experience in South Asia or Bhutan would be an advantage.
This is a consultancy assignment for 200 days spread over 30months. Consultancy fee is competitive and commensurate with qualifications and experience.
Please submit your application via SmartRecruiters on or before 20 July 2018 if you wish to be considered for this assignment. All information will be in the strictest confidence. We will revert to you as soon as feasible when we have reviewed your application.
SNV is a not-for-profit international development organization, working in Agriculture, Energy, and Water, Sanitation & Hygiene. Founded in the Netherlands in 1965, we have built a long-term, local presence in more than 30 countries in Asia, Africa and Latin America. Our global team of local and international advisors works with local partners to equip communities, businesses and organizations with the tools, knowledge and connections they need to increase their incomes and gain access to basic services – empowering them to break the cycle of poverty and guide their own development.


text:
McClintock and Strong Biblical Cyclopedia
Nerses
Nerses is the name of three great dignitaries who have become much distinguished in the history of the Armenian Church.
1. NERSES I, THE GREAT, was a great-grandson of Gregory Photistes, the apostle of the Armenians, and was born at Vagharchabad about 310. In the year 364 he was elected bishop, and in 366, at the Council off Walarsckapat, the clergy of the country appointed him as their catholicos, or patriarch. At that time it was also decided that in future the patriarchs of Armenia should no more be consecrated by the archbishop of Caesarea, but that their own bishops should appoint and consecrate them. In his position as patriarch Nerses exhibited his great talents, especially with regard to Church discipline, his care for the poor, and other matters pertaining to his office. Twice Nerses went to Constantinople in behalf of the Armenian king Arsaces, who had revolted against the emperors Valentinian and Valens. He succeeded in appeasing the former, while the latter banished him. Theodosius the Great, Valens's successor, recalled Nerses from his banishment, and retained him a short time at Constantinople, in order to be present at the second oecumenical council in the year 381. He then returned to Armenia, where he died in 384, being poisoned by the young king, Para. His son was Sahak the Great (q.v.). See Lequien, Oriens Christianus, 1:1375.
2. NERSES KLAJETST, i.e., Klajeman (called also Nerses IV, catholicos of Armenia, and Shnorhali, i.e., "the Pleasant," because of his oratorical talents), was born between 1098 and 1100. He was the son of an Armenian prince, who destined him for the clerical order. In connection with his brother Gregory he was at first educated by the catholicos Gregory Wkajaser, i.e.μαρτυροφίλος, and afterwards by Stephanus, the abbot of the "red monastery" (Karmir Wankh), who, when Nerses was ready to enter into holy orders, consecrated him as deacon, and shortly afterwards as priest. By the unanimous desire of the clergy, Nerses accepted in 1166 the high dignity of bishop, in which position he remained until his death in 1173. When, in 1165, he accidentally met with the son-in-law of the emperor Manuel Comnenus (q.v.), he took the opportunity to address a letter to the emperor, in which he showed that there was no real dogmatical difference between the Armenian and Greek churches, and that the Armenian Church, when speaking of one nature of Christ, takes the word in the sense of person; the same also can be said of the liturgical and ritual differences in both churches. This letter gave rise to a correspondence between the two churches, which aimed at the union of both. The emperor sent the philosopher Theorianus, who held a disputation with the Armenian abbot, John Uthman, the result of which was. a mutual acknowledgment of their agreement in dogmatical as well as liturgical and ritual points. This disputation was first published by John Leunclavius (Basle, 1578), in Greek and Latin, and republished more fully by Angelo May in his Scriptorum veterum nova collectio (Romae, 1822), volume 6. Nerses, however, died before he received the consent of all the Armenian bishops to those points which the emperor, in a letter dated December, 1172, had made the basis of the union, viz., 1, to excommunicate all those who accept one nature in Christ Eutyches, Dioscurus, Severus, Timothy the hunchbacked, and the like; 2, they should acknowledge two natures in Christ, as well as two wills and two energies (ἐνέργειαι), but one person; 3, they should omit the words qui crucificus es in the Tersanctus; 4, to celebrate the Greek festivals — the annunciation of Mary, March 25; the birth of Jesus, Dec. 25; his circumcision on the 1st and his baptism on the 6th of January; his presentation in the Temple, Feb. 2; and all the festivals of the Lord, the Blessed Virgin, of John the Baptist, the holy apostles, etc.; 5, the myron should be prepared with olive-oil; 6, to use at the communion leavened bread, and wine mixed with water; 7, to allow the laity as well as the clergy, with the exception of the penitents, during divine service and communion to remain in the church; 8, to acknowledge the fourth, fifth, sixth, and seventh oecumenical councils; and, 9, that the catholicos should only be appointed by the Greek emperor. Nerses was a fruitful writer and a learned theologian. Of great importance for the history of the Church and doctrines are his epistles, which he wrote as bishop and catholicos with reference to theological disputes and ecclesiastical questions, and which were published' at Constantinople (1825) and Venice (1858), where also (in 1833) a Latin translation by Capelletti was published. Nerses excelled, too, as a poet, and he is said to have introduced rhyme into Armenian poetry. The Armenians regard him as their Homer. His greatest poem is Jesus the Son, a poetical epitome of the Old and New Testaments in 3825 verses; and the Word of Faith, an epitome of the four Gospels in 1502 verses. His spiritual songs are found in the hymn-books of the Armenian Church. In 1824 an edition of his poems and works was published at Venice. See Monike, in Ilgen's Zeitschriftfur hist. Theologie, 1:87 sq.; Lequien, Oriens Christianus, 1:1399; Galanus, Conciliatio, volume 1, chapter 19.
⇒Bible concordance for NER.
3. NERSES LAMBRONENSIS (originally Sembat), a relative of Nerses IV, and son of the duke of Lambron, was born in 1133. He was very talented, and when sixteen years old he was appointed abbot of the monastery of Skyrra, near Constantinople. When he heard of this appointment he concluded to retire into the desert. He was prevented from doing this by his mother, who took him to Hromkla, that he might be consecrated by his uncle Nerses, which the latter did, giving him at the same time his name, Nerses. Shortly afterwards he retired into the monastery on the Black Mountain, where the learned Stephanos became his teacher. Nerses's oratorical talents were soon discovered by the monks, and he was obliged to preach in the church at Lambron, which he did with such satisfaction that. although only eighteen years of age, he was offered the abbacy of the monastery of Skyrra and the bishopric of Lambron. All these honors, however, he declined, and in order to give himself entirely to his studies he went with his teacher into the desert. In the year 1176 Nerses was appointed archbishop of Tarsus and Lambron, and also abbot of the monastery of Skyrra. In the year 1179 he was delegated by the catholicos Gregory to open the synod which was to convene at Hromkla for the purpose of bringing about the union between the Armenian and Greek churches, by an acceptance of the Confession of the Council of Chalcedon (q.v.) and the doctrine of two natures. This union which was about to be consummated was, however, frustrated by the death of the emperor in 1180. In the midst of the ensuing revolts, wars, and troubles of the time, the whole matter was entirely forgotten. The hatred of the Greeks against the Armenians was again renewed, especially when the latter connected themselves with the Latin crusaders. In order to justify himself as well as his people against the Greeks, who represented them to the Latins as Eutychians (q.v.), the catholicos Gregory, in 1184, sent a delegation to pope Lucius III, who in return answered the letter by sending the insignia of the patriarchate, together with a Roman liturgy and epistle, which Nerses translated; the latter also consented to some changes which the Roman clergy had proposed, especially that the main ecclesiastical festivals should be celebrated with the other churches at one and the same time, which caused great dissatisfaction among the Oriental-Armenian clergy. Nerses died in 1192, and was buried in the monastery of Skyrra, whose abbot he was, and is commemorated in his Church on July 17. He wrote, Explanation of the Ecclesiastical Orders and Liturgy of the Mass (Venice. 1847): — Address at the Opening of the Council at Hromkla (ibid. 1784; in a Latin transl., ibid. 1812, 1838, and in a German by Neumann, Leips.
1834): — Commentaries on different Books of the Bible: — Biographies of the Fathers, especially the Anchorites, Addresses, and Homilies (Venice, 1838): — Explanation of the Nicene Symbol (Constant. 1736): — A Panegyric on Nerses Klajensis (St. Petersburg, 1782; Madras, 1810; Constant. 1826); besides translations from the Latin, Syriac, and Greek. See Lequien, Oriens Christianus, 1:1345. See also Herzog, Real- Encklopadie, 19:85 sq.; 20:210 sq.; Theologisches Universal-Lexikon, s.v.; Biography of the Saints, volume 5; Neumann, Fersuch einer Geschichte der armenischen Literatur (Leips. 1836), page 148; Tchamtchenang, Hist. of Armenia (Venice, 1783-4, 3 volumes), 3:58 sq.; Gieseler, Church History (Smith's transl.), 2:617; Kurtz, Lehrbuch d. Kirchengeschichte (Mitau, 1874), pages 190, 214; Jicher, Allgemeines Gelehrtean-Lexikon, s.v. Nierses; Cave, Historia literaria scriptorum ecclesiasticorum, page 591, 596; Malan, Life and Times of St. Gregory the Illuminator, with Introd. on the Hist. of the Armenian Church, page 35 sq.
⇒See also the International Standard Bible Encyclopedia.
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I'm happy to share that one of my sculptures is part of the Built/Broken exhibition in the Schiltkamp Gallery at Clark University in Worcester, MA. The exhibition is up through April 17th, 2019. For more info click on the image to visit the Clark University website.
I'll be teaching a 3 day marble carving and patina workshop August 2-4, 2019 at the Carving Studio in West Rutland, Vermont. Join me for a weekend of carving and experimenting with a variety of patinas, all levels of experience welcome! For more info click on the image to visit the Carving Studio & Sculpture Center website.
One month from today my solo exhibition opens in the Holzwasser Gallery at New Art Center in Newton, MA! Click on the image to visit the New Art Center website for more info.
One of my new Suspended Drawings is part of the Secret Gardens exhibition at Nave Gallery in Somerville, MA. This installation has an interactive element that invites visitors to make their own rubbing/drawings and add to the netting form. The exhibition runs from May 4 - June 17. Click on the image to check out the Nave Gallery website for more info.
I'm very excited to share that I was selected to participate in A4A's 2018 Matched Savings Grant Program! Click on the image to visit the A4A website and read about the 8 artists selected for the Massachusetts cycle.


If you like florals but want to keep it simple then this sterling silver spacer is ideal. The crisp flower shape, this coolness of the polished metal and the lilac crystals are simply refreshing.
Date Added: 03/08/2018 by K***a B.
Date Added: 03/06/2018 by P***a B.
Date Added: 03/06/2018 by K***m S.
Date Added: 03/06/2018 by C***a P.


text:
Kennedy Brown Out for Season with Torn ACL
The talented freshman will miss the remainder of the season
By Marcus Russell@Marcus_Russell2 Feb 10, 2020, 6:35pm PST
Share All sharing options for: Kennedy Brown Out for Season with Torn ACL
Brian Spurlock-USA TODAY Sports
A bad day just got worse for Oregon State women's basketball. The Beavers dropped out of the top-10 in today's polls and in far worse news; it was officially announced that Kennedy Brown is lost for the season with a torn ACL.
Brown went down with a non-contact knee injury at Friday's home win against Arizona State. The freshman and former McDonald's All-American has started every game she's played in. Kennedy Brown is the 2nd starter-caliber player to be ruled our for the season (Taya Corosdale - hamstring).
The Beavers will keep battling with an eye on getting a first round bye for the Pac-12 tournament. The top-4 seeds get a first round bye. Oregon State obviously still has big goals for the NCAA Tournament, but this season has been especially turbulent for the team. Steve Gress from the Corvallis Gazette-Times has a great story on the hardships this team has already faced.
Oregon State will now head out on the road to face USC and UCLA for the first and only time of the regular-season.