text:
Quasiviscous mass transfer in the high-temperature creep of polycrystals
E. M. Novoselova, T. F. Elsukova, A. I. Olemskoi, V. E. Panin
Division for Materials Science
For the example of lead-based alloys, the nature of the grain-surface distortion and its contribution to the deformation in the high-temperature creep of polycrystals is investigated. It is shown that quasiviscous flow associated with nondiffusional motion of atoms in conditions of a strongly excited state of the crystal makes a definite contribution to the distortion of the initially plane grain surface. The development of this deformation mechanism is facilitated by a high test temperature, motion of the grain as a whole in the deforming polycrystal, and the presence of boundary-seeking impurities with strongly different atomic volumes in the alloy in comparison with the base metal.
Soviet Physics Journal
polycrystals
high temperature tests
surface distortion
Novoselova, E. M., Elsukova, T. F., Olemskoi, A. I., & Panin, V. E. (1988). Quasiviscous mass transfer in the high-temperature creep of polycrystals. Soviet Physics Journal, 31(12), 992-996. https://doi.org/10.1007/BF01101169
Quasiviscous mass transfer in the high-temperature creep of polycrystals. / Novoselova, E. M.; Elsukova, T. F.; Olemskoi, A. I.; Panin, V. E.
In: Soviet Physics Journal, Vol. 31, No. 12, 12.1988, p. 992-996.
Novoselova, EM, Elsukova, TF, Olemskoi, AI & Panin, VE 1988, 'Quasiviscous mass transfer in the high-temperature creep of polycrystals', Soviet Physics Journal, vol. 31, no. 12, pp. 992-996. https://doi.org/10.1007/BF01101169
Novoselova EM, Elsukova TF, Olemskoi AI, Panin VE. Quasiviscous mass transfer in the high-temperature creep of polycrystals. Soviet Physics Journal. 1988 Dec;31(12):992-996. https://doi.org/10.1007/BF01101169
Novoselova, E. M. ; Elsukova, T. F. ; Olemskoi, A. I. ; Panin, V. E. / Quasiviscous mass transfer in the high-temperature creep of polycrystals. In: Soviet Physics Journal. 1988 ; Vol. 31, No. 12. pp. 992-996.
@article{b34314a781574a598054a48db7574645,
title = "Quasiviscous mass transfer in the high-temperature creep of polycrystals",
abstract = "For the example of lead-based alloys, the nature of the grain-surface distortion and its contribution to the deformation in the high-temperature creep of polycrystals is investigated. It is shown that quasiviscous flow associated with nondiffusional motion of atoms in conditions of a strongly excited state of the crystal makes a definite contribution to the distortion of the initially plane grain surface. The development of this deformation mechanism is facilitated by a high test temperature, motion of the grain as a whole in the deforming polycrystal, and the presence of boundary-seeking impurities with strongly different atomic volumes in the alloy in comparison with the base metal.",
author = "Novoselova, {E. M.} and Elsukova, {T. F.} and Olemskoi, {A. I.} and Panin, {V. E.}",
T1 - Quasiviscous mass transfer in the high-temperature creep of polycrystals
AU - Novoselova, E. M.
AU - Elsukova, T. F.
AU - Olemskoi, A. I.
AU - Panin, V. E.
N2 - For the example of lead-based alloys, the nature of the grain-surface distortion and its contribution to the deformation in the high-temperature creep of polycrystals is investigated. It is shown that quasiviscous flow associated with nondiffusional motion of atoms in conditions of a strongly excited state of the crystal makes a definite contribution to the distortion of the initially plane grain surface. The development of this deformation mechanism is facilitated by a high test temperature, motion of the grain as a whole in the deforming polycrystal, and the presence of boundary-seeking impurities with strongly different atomic volumes in the alloy in comparison with the base metal.
AB - For the example of lead-based alloys, the nature of the grain-surface distortion and its contribution to the deformation in the high-temperature creep of polycrystals is investigated. It is shown that quasiviscous flow associated with nondiffusional motion of atoms in conditions of a strongly excited state of the crystal makes a definite contribution to the distortion of the initially plane grain surface. The development of this deformation mechanism is facilitated by a high test temperature, motion of the grain as a whole in the deforming polycrystal, and the presence of boundary-seeking impurities with strongly different atomic volumes in the alloy in comparison with the base metal.


text:
using System;
using System.Collections.Generic;
using System.Reflection;

using OpenSim.Services.Interfaces;
using GridRegion = OpenSim.Services.Interfaces.GridRegion;
using OpenSim.Server.Base;
using OpenSim.Framework.Servers.HttpServer;

using OpenMetaverse;
using log4net;

namespace OpenSim.Services.Connectors.Friends
{
    public class FriendsSimConnector
    {
        private static readonly ILog m_log = LogManager.GetLogger(MethodBase.GetCurrentMethod().DeclaringType);

        public bool FriendshipOffered(GridRegion region, UUID userID, UUID friendID, string message)
        {
            Dictionary<string, object> sendData = new Dictionary<string, object>();
            //sendData["VERSIONMIN"] = ProtocolVersions.ClientProtocolVersionMin.ToString();
            //sendData["VERSIONMAX"] = ProtocolVersions.ClientProtocolVersionMax.ToString();
            sendData["METHOD"] = "friendship_offered";

            sendData["FromID"] = userID.ToString();
            sendData["ToID"] = friendID.ToString();
            sendData["Message"] = message;

            return Call(region, sendData);

        }

        public bool FriendshipApproved(GridRegion region, UUID userID, string userName, UUID friendID)
        {
            Dictionary<string, object> sendData = new Dictionary<string, object>();
            //sendData["VERSIONMIN"] = ProtocolVersions.ClientProtocolVersionMin.ToString();
            //sendData["VERSIONMAX"] = ProtocolVersions.ClientProtocolVersionMax.ToString();
            sendData["METHOD"] = "friendship_approved";

            sendData["FromID"] = userID.ToString();
            sendData["FromName"] = userName;
            sendData["ToID"] = friendID.ToString();

            return Call(region, sendData);
        }

        public bool FriendshipDenied(GridRegion region, UUID userID, string userName, UUID friendID)
        {
            if (region == null)
                return false;

            Dictionary<string, object> sendData = new Dictionary<string, object>();
            //sendData["VERSIONMIN"] = ProtocolVersions.ClientProtocolVersionMin.ToString();
            //sendData["VERSIONMAX"] = ProtocolVersions.ClientProtocolVersionMax.ToString();
            sendData["METHOD"] = "friendship_denied";

            sendData["FromID"] = userID.ToString();
            sendData["FromName"] = userName;
            sendData["ToID"] = friendID.ToString();

            return Call(region, sendData);
        }

        public bool FriendshipTerminated(GridRegion region, UUID userID, UUID friendID)
        {
            Dictionary<string, object> sendData = new Dictionary<string, object>();
            //sendData["VERSIONMIN"] = ProtocolVersions.ClientProtocolVersionMin.ToString();
            //sendData["VERSIONMAX"] = ProtocolVersions.ClientProtocolVersionMax.ToString();
            sendData["METHOD"] = "friendship_terminated";

            sendData["FromID"] = userID.ToString();
            sendData["ToID"] = friendID.ToString();

            return Call(region, sendData);
        }

        public bool GrantRights(GridRegion region, UUID userID, UUID friendID, int userFlags, int rights)
        {
            Dictionary<string, object> sendData = new Dictionary<string, object>();
            //sendData["VERSIONMIN"] = ProtocolVersions.ClientProtocolVersionMin.ToString();
            //sendData["VERSIONMAX"] = ProtocolVersions.ClientProtocolVersionMax.ToString();
            sendData["METHOD"] = "grant_rights";

            sendData["FromID"] = userID.ToString();
            sendData["ToID"] = friendID.ToString();
            sendData["UserFlags"] = userFlags.ToString();
            sendData["Rights"] = rights.ToString();

            return Call(region, sendData);
        }

        public bool StatusNotify(GridRegion region, UUID userID, UUID friendID, bool online)
        {
            Dictionary<string, object> sendData = new Dictionary<string, object>();
            //sendData["VERSIONMIN"] = ProtocolVersions.ClientProtocolVersionMin.ToString();
            //sendData["VERSIONMAX"] = ProtocolVersions.ClientProtocolVersionMax.ToString();
            sendData["METHOD"] = "status";

            sendData["FromID"] = userID.ToString();
            sendData["ToID"] = friendID.ToString();
            sendData["Online"] = online.ToString();

            return Call(region, sendData);
        }

        private bool Call(GridRegion region, Dictionary<string, object> sendData)
        {
            string reqString = ServerUtils.BuildQueryString(sendData);
            //m_log.DebugFormat("[FRIENDS CONNECTOR]: queryString = {0}", reqString);
            if (region == null)
                return false;

            m_log.DebugFormat("[FRIENDS CONNECTOR]: region: {0}", region.ExternalHostName + ":" + region.HttpPort);
            try
            {
                string url = "http://" + region.ExternalHostName + ":" + region.HttpPort;
                string reply = SynchronousRestFormsRequester.MakeRequest("POST",
                        url + "/friends",
                        reqString);
                if (reply != string.Empty)
                {
                    Dictionary<string, object> replyData = ServerUtils.ParseXmlResponse(reply);

                    if (replyData.ContainsKey("RESULT"))
                    {
                        if (replyData["RESULT"].ToString().ToLower() == "true")
                            return true;
                        else
                            return false;
                    }
                    else
                        m_log.DebugFormat("[FRIENDS CONNECTOR]: reply data does not contain result field");

                }
                else
                    m_log.DebugFormat("[FRIENDS CONNECTOR]: received empty reply");
            }
            catch (Exception e)
            {
                m_log.DebugFormat("[FRIENDS CONNECTOR]: Exception when contacting remote sim: {0}", e.ToString());
            }

            return false;
        }
    }
}

redpajama_set_name: RedPajamaGithub


Anyone who wants to aspire to being a manager or who has been promoted to a managerial position without the relevant training, mentoring and coaching.
You will develop effective interpersonal and communication skills. You will fully understand the importance of motivating your team to achieve exceptional results.
You will learn the skills of coaching - empower individuals to succeed and exceed within their roles and to fulfil their potential.
A complimentary coaching session by skype is offered to all participants of our Management Development training programmes as follow-up to your career development.


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text:
Kostkowice (dawniej Koskowicze) – wieś w Polsce, położona w województwie śląskim, w powiecie zawierciańskim, w gminie Kroczyce.

W latach 1975–1998 wieś należała administracyjnie do województwa częstochowskiego.

Położenie geograficzne
Wokół wsi góruje kompleks Skał Kroczyckich. Od jej północnej strony wznosi się wzgórze Słupsko, z interesującym grodziskiem typu skalnego, a po jej zachodniej stronie Jastrzębnik i Łysak, wraz z licznymi ostańcami.

Po północnej stronie Słupska na rzece Białce znajdują się trzy naturalne zbiorniki wodne oraz jeden sztuczny zbiornik o długości około 1000 m, zwany Zalewem Kostkowickim. Jest to atrakcyjne miejsce dla wędkarzy i osób szukających wypoczynku na łonie natury.

Nazwa
Miejscowość ma metrykę średniowieczną i istniała już w XIV wieku. Wymieniona przed 1346 jako de Boskovicz, 1398 Cosscouicze, 1416 Kosskowicze, 1421 Koscowicze, 1424 Koskouicze, 1445 Coschcowicze, 1435 Coszcouicze, 1465 Coskowycze, 1470 Koszkowycze, 1502 Coskovicze, 1513 Skoszkouicze, 1529 Kozkowicze, Kosshowicze, 1564 Kostrowicze.

Integralne części wsi

Zabytki
 grodzisko wczesnośredniowieczne na Słupsku

Przypisy

Bibliografia

Linki zewnętrzne
 Kostkowice jako Koskowice w Słowniku historyczno-geograficznym województwa krakowskiego w średniowieczu (online)

Kostkowice (powiat zawierciański)

redpajama_set_name: RedPajamaWikipedia


Jazz has many sub-genres or moods. This hour we will explore the cooler side of improvisation; we'll be taking things a tad chill. So grab your favorite beverage and snack and say tuned for an hour of jazz on the easy side of life.


In conjunction with a special live taping of the John Batchelor Show at the Hoover Spring Retreat, John Batchelor and Mary Kissel of the Wall Street Journal host Hoover senior fellows Michael Boskin and Edward Lazear, Hoover research fellow Russell Roberts, and CNBC's Larry Kudlow in a special episode remembering Hoover senior fellow Gary Becker.
When Gary Becker of the University of Chicago died on Saturday at age 83, the world lost one of the great economists of the past century—and one of its most significant social scientists. Becker believed that economics could be used to explain all social behavior.
Hoover senior fellow Edward Lazear discusses taxes and the economy on the John Batchelor Show. Topics include what holds back investment, consumption taxes, and capital gains taxes.
Hoover senior fellow Edward Lazear discusses tax reform on Bloomberg TV. Topics include taxation on consumption, economic growth, and long-term effects.
Hoover senior fellow Edward Lazear discusses the economy on the Santelli Exchange. Topics include the effects of the tax code on consumption and saving, the economic recovery, and the Taylor Rule.
Why welcome young immigrants? Because there's an entrepreneurial payoff.
April always brings complaints about the pain of paying taxes—and the complaints are justified. According to the Bureau of Economic Analysis, over 30% of U.S. gross domestic product is taxed away to fund federal, state and local governments.


text:
Q: frequency of items within list of lists I have a list of lists called bi_grams and I want the frequency of each bigram. The length of bi_grams is 23087 so I might need a loop (?)
bi_grams= [[('ABC', 'Memorial'), ('Memorial', 'Hospital')], [('ABC', 'Memorial'), ('Memorial', 'Clinic')]]

Expected output
dict_items([(('ABC', 'Memorial'), 2),
(('Memorial', 'Hospital'), 1), (('Memorial', 'Clinic'),1])

Ive tried Counter(map(tuple, bi_grams[0])).items()
but it only gives me the bigram frequency of the first list.
I've also tried Counter(map(tuple, bi_grams[0:2])).items() but it is only giving me the count of each list, not the bigrams within the list.
Would really appreciate some help.

A: You have a nested list which you can flatten with itertools.chain.from_iterable.
Apart from that complication the problem boils down to a simple application of collections.Counter because a Counter has no problem with counting tuples.
>>> from collections import Counter
>>> from itertools import chain
>>>
>>> bi_grams= [[('ABC', 'Memorial'), ('Memorial', 'Hospital')], [('ABC', 'Memorial'), ('Memorial', 'Clinic')]]
>>> Counter(chain.from_iterable(bi_grams))
>>>
Counter({('ABC', 'Memorial'): 2,
         ('Memorial', 'Clinic'): 1,
         ('Memorial', 'Hospital'): 1})

There's also a pretty straight forward solution with a for loop:
>>> c = Counter()
>>> for x in bi_grams:
...:    c.update(x)
...:
>>> c
>>>
Counter({('ABC', 'Memorial'): 2,
         ('Memorial', 'Clinic'): 1,
         ('Memorial', 'Hospital'): 1})

A: chain.from_iterable as suggested by @timgeb is probably the way to go, but you could also flatten your list via a list comprehension, and then apply Counter:
from collections import Counter

bi_grams= [[('ABC', 'Memorial'), ('Memorial', 'Hospital')], [('ABC', 'Memorial'), ('Memorial', 'Clinic')]]

>>> Counter(i for x in bi_grams for i in x)
Counter({('ABC', 'Memorial'): 2, ('Memorial', 'Hospital'): 1, ('Memorial', 'Clinic'): 1})

A: You can use the chain(*iterable) idiom too:
>>> from itertools import chain                                                    >>> from collections import Counter
>>> Counter(chain(*bi_grams))
Counter({('ABC', 'Memorial'): 2, ('Memorial', 'Hospital'): 1, ('Memorial', 'Clinic'): 1})

Using chain(*iterable), flattens the list of list of tuples to the inner list, e.g.
>>> x = [[(1,2), (3,4)], [(5,6)], [(7,8)]]

>>> list(chain(*x))
[(1, 2), (3, 4), (5, 6), (7, 8)]

Counter simply counts what's in the flatten list:
>>> x = [[(1,2), (3,4)], [(5,6)], [(7,8)]]

>>> Counter(chain(*x))
Counter({(1, 2): 1, (3, 4): 1, (5, 6): 1, (7, 8): 1})

redpajama_set_name: RedPajamaStackExchange


text:
Exploring the old town of La Vila
Ask any visitor what they remember best about Villajoyosa, and chances are they'll mention the brilliantly colourful houses (casas pintadas) in the old town. Or maybe the chocolate. But even a chocoholic might agree that the casas pintadas are what really makes La Vila different.
Tradition has it that the houses were painted in bright colours so the local fishermen could see them clearly from out at sea. Whatever the origin, that tradition is still maintained today; owners must keep their homes painted and they can't change the colour either.
Start exploring the old town down by the beach on Carrer Arsenal; the name comes from the time when they built warships at a shipyard near the river mouth. There's now a wide, modern esplanade, where locals and tourists alike come for the traditional evening stroll (paseo) once the heat of the day has subsided.
In the Plaza San Pedro (Sant Pere in Valenciano dialect), you'll see the 18th century fountain (below), now restored, which doubled up as a public washplace and source of fresh water for nearby houses. During the fiesta de San Pedro, the water was dyed red and local boys would fish for coins in it.
Then wander up into the old town behind the seafront. The narrow streets here are mostly pedestrian, shady and tranquil, with unexpected little squares dotted here and there where a visitor can sit and watch the world go by. The houses are tightly packed together; tall and narrow with steep internal staircases. Some have been spruced up and converted for tourist use, others are still lived in by local people.
Some casas colgadas (hanging houses) perch precariously on the town walls overlooking the river Amadorio; you can see them best by walking up the river from the beach to the main road bridge. The river valley itself is now a pleasant linear park, with trees, shrubs and places for children to play (shame about the rubbish in the river itself though).
The old town goes back a long way; the Roman settlement of Allon was built here. The current town of La Vila was founded in the 1300s as Christian armies pushed down from the north, forcing out the Moors who had occupied most of Spain for the best part of 500 years. Apparently the crafty Christian admiral, Bernat d'en Sarria, had the place christened La Vila Joiosa (literally "happy town" in Valenciano) to convince his fellow Catalans to move down and settle here. A neat bit of salesmanship; he'd have made a great estate agent.
The impressive town walls, which you can see if you walk down Carrer Costera del Mar from the main street to the sea, were built in the 16th century to protect the town from pirates (see below).
These Barbary corsairs from north Africa had a nasty habit of attacking settlements along the Costa Blanca, stealing everything they could lay their hands on and enslaving any local people they could catch.
Even the town church, built into the city walls, was designed to double up as a fortress in case of attack (Iglesia-fortaleza de Nuestra Señora de la Asunción). There was also once a castle on the other side of the old town, dominating the high ground above the river Amadorio; the area where it stood is now a public open space off Carrer Vallet (see pic below)
Walk up there to take in the beautiful views over the river and down to the sea. You'll also notice random stones scattered about the gardens; these were originally from the Roman baths complex in La Vila and were used to build the castle.
The castle itself is long gone; destroyed in the early 1700s in the War of Succession, but you can see a metal scale model showing how the fortified town of La Vila might have looked.
In its heyday, the castle was the strongpoint in a chain of defences against the pirate menace. A string of watch towers was built by Philip ll (aka husband to the English Queen Mary, and the fellow who sent the Armada to England) to give early warning of their approach. To the south of La Vila, you can still see the watchtowers of El Xarco and Campello, and to the north, Torre del Aguiló near Cala Finestrat.
Those pesky pirates are also the inspiration behind La Vila's biggest party of the year, the fiesta de Santa Marta. It commemorates an attack in 1538, which, according to legend, was driven off thanks to the miraculous intervention of Santa Marta, patron saint of La Vila. The Moros y Cristianos festival re-enacts the landings on the town beach every July.
Just below the site of the old castle, on Carrer Santa Marta, you'll find some pretty cool street art; images of the casas pintadas juxtaposed just below the real thing.
Take a walk along Carrer de Pal (below) just off Carrer Costera del Mar. The name "Pal" translates as a place where ropes are repaired; this street and the parallel Callejon de Pal were long and straight and so ideal for the job. Rope and net making was a major industry here in the 19th century; fishing nets and ships' cables made of hemp in La Vila were used throughout Spain. The work was done by fishermens' wives (see pic below R from Vila Museu)
They were making fishing nets in La Vila even in Roman times; remains of a Roman net factory were excavated in 2005 on the outskirts of town. Back then, nets were made from the esparto grass you can see growing wild in the countryside around La Vila. There's still one net factory in La Vila; they've been in business since 1778, though these days, the raw material is synthetic.
Stroll also up Carrer Major to the archway of the town hall (Ajuntament, see pic below). Just off to your left across the pretty Placa Moreres square is the old Hospital de Pobres (Poor Hospital). A plaque outside tells how it looked after pilgrims who landed here in La Vila port before starting the 1,128 kilometre trek (the Camino de Santiago) across Spain to the shrine of St James at Santiago de Compostela in Galicia. It's now restored as a youth centre.
Head through the town hall arch and turn right at the top of Carrer Major into the Placa Iglesia. The church itself was built for strength rather than elegance; it was an integral part of the fortifications of the old town. It's not always open to visitors though (the pictures below show the Easter procession where the Virgin is paraded around the old town on the shoulders of the faithful)
If you walk by the church, past the Civil War memorial on the church wall and head down Carrer Pou, you'll see this house on the corner with a plaque on the wall, recording that the image of Santa Marta (she of the 1538 miracle) was hidden inside during the Spanish Civil War.
The region around La Vila was held by the Republicans for much of the war, and they didn't have much time for the Catholic church, which fervently supported the rebel Nationalist forces of General Franco.
Apparently the Republican forces used the church of Nuestra Señora to garage their lorries. The church bells were also melted down for more warlike uses.
The final recommendation -- head back down the hill to the seafront on Carrer Arsenal, have an ice cream or a nice cool beer, admire the view and ponder the sometimes violent history of La Vila's old town.
Highlights and suggested tour
1. Carrer Arsenal 2. Plaza San Pedro + fountain 3. River Amadorio + hanging houses 4. Site of old castle (El Castell) 5. Street art on Carrer Santa Marta 6. Ajuntament (town hall) 7. Hospital de Pobres 8. Placa Iglesia + church of Nuestra Señora del Asunción 9. Carrer Costera del Mar and town walls. 10. Carrer de Pal 11. Return to Carrer Arsenal
Back to main blog page
barrio viejo
casas pintadas
painted houses
carrer arsenal
carrer costera del mar

redpajama_set_name: RedPajamaCommonCrawl


text:
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A core function of PHS is to stimulate, facilitate, and conduct research on social determinants of health. Below you will find past and current research projects supported by PHS. Contact us for more information about any of the projects or to be connected with the investigators.
Effects Of Alternative Food Voucher Delivery Strategies On Nutrition Among Low-Income Adults
Nutrition assistance programs are the subject of ongoing policy debates. Two proposals remain uninformed by existing evidence: whether restricting benefits to allow only fruit and vegetable purchases improves overall dietary intake, and whether more frequent distribution of benefits (weekly versus monthly) induces more fruit and vegetable consumption and less purchasing of calorie-dense foods. In a community-based trial, we randomly assigned participants to receive food vouchers that differed in what foods could be purchased (fruit and vegetables only or any foods) and in distribution schedule (in weekly or monthly installments, holding total monthly value constant). The use of vouchers for fruit and vegetables only did not yield significantly greater improvements than the unrestricted voucher did in terms of fruit and vegetable consumption or Healthy Eating Index (HEI) score. Weekly vouchers also failed to yield significantly greater improvements than monthly vouchers did. Proposed policies to make assistance more restricted or more frequent, while holding benefit value constant, might not improve nutrition among low-income Americans. Access the journal article here. For more information contact Linda Walker.
Health Effects of Minimum Wage Ordinances
There is international consensus that income is a determinant of health, shaping access to basic needs and social determinants of health such as housing, education, and job opportunities. Women and people of color—many of whom provide for families—are more likely to earn low wages and therefore disproportionately experience the adverse health effects of poverty. However, the minimum wage varies between and within states, and the current federal minimum does not keep pace with the costs of basic living needs. Furthermore, current metrics for setting minimum wages inadequately capture the basic necessities for living in full health. Therefore, APHA recommends actions at three levels of governance in support of ensuring livable wages. For example, the federal government should raise the federal minimum wage to allow a four-person household with a single wage earner to live above the poverty line, and individual states and municipalities should consider increasing the minimum wage and indexing it to inflation and the cost of living. In addition, all levels of government should ensure that minimum wage policies benefit the historically underserved populations disproportionately represented among minimum-wage earners, predominantly women and people of color.
This study will explore the health effects of local minimum wage ordinances. Some neighboring cities in the Bay Area, such as Mountain View, have agreed to raise their minimum wages, while others have not. The 3-year study will examine before-and-after effects among workers in cities experiencing the minimum wage increase, as compared to control groups in cities not experiencing the increase, prior to longer-term wage policies slated to take effect statewide.
Earn-Health Trial: Exploring the Health Effects of Poverty Relief Programs
The EARN-Health Trial is a randomized trial of the health effects of poverty relief programs. The trial will specifically study participants in the EARN.org program, which creates incentives to generate long-term financial savings and pay down debts among low-wage workers. The EARN program is an individual development account (IDA), one of a series of measures found to successfully reduce poverty and debt in the United States, and is hypothesized to reduce debt-related mental health and substance abuse conditions. The trial will compare participants in the program to a wait-listed control group. Access the journal article here. For more information, please contact Linda Walker.
Early Life Social and Environmental Determinants of DNA Methylation: A Population Based Study
The goal of this proposed study is to examine the social, economic, behavioral and environmental predictors of site-specific DNA methylation in a young population that is not yet experiencing chronic disease. The study rationale is that socioeconomically related exposures that are detrimental to health may already early in life be associated with site-specific differential DNA methylation. The significance of testing this hypothesis for sociodemographic factors and associated behavioral and environmental pathways is that this could give insight into biological pathways of disease pathogenesis that have relevance in human populations, and in to mechanisms of how early life exposures may impact disease later in life. The underlying hypothesis is that healthy, young people living under more adverse social circumstances will have quantitatively and qualitatively different patterns of DNA methylation in specific gene expression related regions as compared to people from higher socioeconomic backgrounds.


Fair Isle FansAll 6 "Fair Isle" charts+1 bonus chart!
An experimental scarf design suggestive of the high seas or possibly a ship's ropes.
The pdf includes one chart, images of colorway variations and suggestions for different uses of the chart.
A fluid design inspired by old textile patterns.
This bonus pattern is available as part of Fair Isle Collection.
These feathers could be used at the ends of a plain scarf to suggest the wings of an exotic bird. If you have lots of scraps of vibrantly colored yarns lying about, this is a good project to use them up.
The pdf includes one chart and simple instructions.
This 2 color pattern reminds me of old fashioned designs telling stories of boats and fishing nets, and life at sea.
The pdf includes one 2-page chart and images of colorway variations.
Fair Isle Folklore is available as part of Fair Isle Collection.
This design reminds me of a seabird's plumage.
Techniques include stranded knitting, increasing and decreasing. The contrasting color stripes can be created with intarsia to use up short lengths of yarn and create a more colorful scarf.
The pdf includes one chart for the wider version, and one chart for the narrow version made with bigger needles.
Fair Isle Plumage is available as part of Fair Isle Collection.
A curvaceous design suggestive of ribbons.
Fair Isle Ribbons is available as part of Fair Isle Collection.


$60 offer should not be considered as free travel. Offer expires February 28, 2019. Valid only for Westgate developer-sold timeshare interest owners. Offer is not valid for non-developer sold timeshare interest owners. Offer is only valid for Exchange fees and does not apply to the Reinstatement fees. Offer is valid for travel dates: May 1, 2019 – May 31, 2019 at Westgate Palace Resort, Westgate Blue Tree Resort, Westgate Leisure Resort, Westgate Lakes Resort & Spa, Westgate Vacation Villas Resort & Spa, Westgate Town Center Resort & Spa, Westgate Towers Resort in Orlando, FL, and Westgate Branson Woods Resort and Westgate Branson Lakes Resort in Branson, MO; July 7, 2019 – July 31, 2019 at the Westgate Painted Mountain Golf Resort in Mesa, AZ; September 1, 2019 – September 30, 2019 at Westgate Myrtle Beach Oceanfront Resort. Offer is only valid for new reservations. Offer not valid for online bookings. One (1) offer per timeshare account.
Blackout dates: May 24, 2019 – May 26, 2019 for Westgate Branson Lakes Resort, Westgate Towers Resort, Westgate Leisure Resort, Westgate Blue Tree Resort.


text:
IMDb Charts
Top 250 as rated by IMDb Users
Sort by: Ranking IMDb Rating Release Date Number of Ratings Your Rating
Showing 250 Titles
Rank & Title
1. Planet Earth II (2016) 9.5
NOT YET RELEASED
2. Planet Earth (2006) 9.4
3. Breaking Bad (2008) 9.4
4. Band of Brothers (2001) 9.4
5. Chernobyl (2019) 9.3
6. The Wire (2002) 9.3
7. Blue Planet II (2017) 9.3
8. Our Planet (2019) 9.2
9. Cosmos: A Spacetime Odyssey (2014) 9.2
10. Avatar: The Last Airbender (2005) 9.2
11. Cosmos (1980) 9.2
12. The Sopranos (1999) 9.2
13. Game of Thrones (2011) 9.2
14. Rick and Morty (2013) 9.1
15. The World at War (1973) 9.1
16. The Last Dance (2020) 9.1
17. Life (2009) 9.1
18. Fullmetal Alchemist: Brotherhood (2009) 9.0
19. Arcane (2021) 9.0
20. Sherlock (2010) 9.0
21. The Vietnam War (2017) 9.0
22. Scam 1992: The Harshad Mehta Story (2020) 9.0
23. The Beatles: Get Back (2021) 9.0
24. The Twilight Zone (1959) 9.0
25. The Blue Planet (2001) 9.0
26. Batman: The Animated Series (1992) 9.0
27. Human Planet (2011) 8.9
28. Firefly (2002) 8.9
29. Frozen Planet (2011) 8.9
30. Persona (2018) 8.9
31. Clarkson's Farm (2021) 8.9
32. Death Note (2006) 8.9
33. Dekalog (1989) 8.9
34. True Detective (2014) 8.9
35. Attack on Titan (2013) 8.9
36. Cowboy Bebop (1998) 8.9
37. The Civil War (1990) 8.9
38. Hunter x Hunter (2011) 8.9
39. Fargo (2014) 8.9
40. The Office (2005) 8.9
41. When They See Us (2019) 8.8
42. Africa (2013) 8.8
43. Apocalypse: The Second World War (2009) 8.8
44. Only Fools and Horses (1981) 8.8
45. TVF Pitchers (2015) 8.8
46. Last Week Tonight with John Oliver (2014) 8.8
47. Gravity Falls (2012) 8.8
48. Seinfeld (1989) 8.8
49. Das Boot (1985) 8.8
50. Nathan for You (2013) 8.8
51. Monty Python's Flying Circus (1969) 8.8
52. Friends (1994) 8.8
53. 1883 (2021) 8.8
54. Pride and Prejudice (1995) 8.8
55. Black Mirror (2011) 8.7
56. Twin Peaks (1990) 8.7
57. Over the Garden Wall (2014) 8.7
58. Kota Factory (2019) 8.7
59. Succession (2018) 8.7
60. Fawlty Towers (1975) 8.7
61. It's Always Sunny in Philadelphia (2004) 8.7
62. Blackadder Goes Forth (1989) 8.7
63. Narcos (2015) 8.7
64. Better Call Saul (2015) 8.7
65. Ted Lasso (2020) 8.7
66. Freaks and Geeks (1999) 8.7
67. Chappelle's Show (2003) 8.7
68. The Mandalorian (2019) 8.7
69. Peaky Blinders (2013) 8.7
70. The West Wing (1999) 8.7
71. Steins;Gate (2011) 8.7
72. Dark (2017) 8.7
73. BoJack Horseman (2014) 8.7
74. One Punch Man (2015) 8.7
75. Curb Your Enthusiasm (2000) 8.7
76. Dragon Ball Z (1989) 8.7
77. Rome (2005) 8.7
78. Vinland Saga (2019) 8.7
80. I, Claudius (1976) 8.7
81. Fleabag (2016) 8.7
82. Oz (1997) 8.7
83. Invincible (2021) 8.7
84. Leyla and Mecnun (2011) 8.7
85. Arrested Development (2003) 8.7
86. Six Feet Under (2001) 8.6
87. South Park (1997) 8.6
88. Stranger Things (2016) 8.6
89. The Adventures of Sherlock Holmes (1984) 8.6
90. The Marvelous Mrs. Maisel (2017) 8.6
91. The Boys (2019) 8.6
92. Battlestar Galactica (2004) 8.6
93. Justice League Unlimited (2004) 8.6
94. The Thick of It (2005) 8.6
95. House of Cards (2013) 8.6
96. One Piece (1999) 8.6
97. House (2004) 8.6
98. Berserk (1997) 8.6
99. The Simpsons (1989) 8.6
100. The Shield (2002) 8.6
101. Aspirants (2021) 8.6
102. The Crown (2016) 8.6
103. The Jinx: The Life and Deaths of Robert Durst (2015) 8.6
104. Mahabharat (1988) 8.6
105. Line of Duty (2012) 8.6
106. Downton Abbey (2010) 8.6
107. The Grand Tour (2016) 8.6
108. The Return of Sherlock Holmes (1986) 8.6
109. Ramayan (1987) 8.6
110. It's a Sin (2021) 8.6
111. Star Trek: The Next Generation (1987) 8.6
112. Deadwood (2004) 8.6
113. Top Gear (2002) 8.6
114. Atlanta (2016) 8.6
115. Dopesick (2021) 8.6
116. Lonesome Dove (1989) 8.6
117. Mad Men (2007) 8.6
118. Code Geass (2006) 8.6
119. Young Justice (2010) 8.6
120. Haikyuu!! (2014) 8.6
121. The Bridge (2011) 8.6
122. Sarabhai V/S Sarabhai (2004) 8.6
123. Formula 1: Drive to Survive (2019) 8.6
124. Blackadder II (1986) 8.6
125. Monster (2004) 8.6
126. Peep Show (2003) 8.6
127. The X-Files (1993) 8.6
128. Parks and Recreation (2009) 8.6
129. Demon Slayer: Kimetsu no Yaiba (2019) 8.6
130. Yellowstone (2018) 8.6
131. Gomorrah (2014) 8.6
132. Friday Night Lights (2006) 8.6
133. Mindhunter (2017) 8.6
134. Battlestar Galactica (2003) 8.6
135. The Bureau (2015) 8.6
136. Anne with an E (2017) 8.6
137. Father Ted (1995) 8.6
138. Jujutsu Kaisen (2020) 8.6
139. Dexter (2006) 8.5
140. The Haunting of Hill House (2018) 8.5
141. Westworld (2016) 8.5
142. The Bugs Bunny Show (1960) 8.5
143. Blackadder the Third (1987) 8.5
144. This Is Us (2016) 8.5
145. Daredevil (2015) 8.5
146. Archer (2009) 8.5
147. Panchayat (2020) 8.5
148. The Queen's Gambit (2020) 8.5
149. Gullak (2019) 8.5
150. The Newsroom (2012) 8.5
151. Crash Landing on You (2019) 8.5
152. Yes Minister (1980) 8.5
153. Rurouni Kenshin: Trust and Betrayal (1999) 8.5
154. Yeh Meri Family (2018) 8.5
155. Poirot (1989) 8.5
156. Behzat Ç.: Bir Ankara Polisiyesi (2010) 8.5
157. QI (2003) 8.5
158. Through the Wormhole (2010) 8.5
159. The Family Man (2019) 8.5
160. Justified (2010) 8.5
161. Mr. Bean (1990) 8.5
162. Making a Murderer (2015) 8.5
163. What We Do in the Shadows (2016) 8.5
164. North & South (2004) 8.5
165. Spaced (1999) 8.5
166. Naruto: Shippûden (2007) 8.5
167. Justice League (2001) 8.5
168. Neon Genesis Evangelion (1995) 8.5
169. Boardwalk Empire (2010) 8.5
170. Samurai Champloo (2004) 8.5
171. From the Earth to the Moon (1998) 8.5
172. Long Way Round (2004) 8.5
173. The Eric Andre Show (2012) 8.5
174. Mob Psycho 100 (2016) 8.5
175. Pose (2018) 8.5
176. Twin Peaks (2017) 8.5
177. Dragon Ball (1986) 8.5
178. Adventure Time (2010) 8.5
179. Flight of the Conchords (2007) 8.5
180. Cobra Kai (2018) 8.5
182. Yes, Prime Minister (1986) 8.5
183. Mr. Robot (2015) 8.5
184. Letterkenny (2016) 8.5
185. The IT Crowd (2006) 8.5
186. Mystery Science Theater 3000 (1988) 8.5
187. Black Sun (2017) 8.5
188. Coupling (2000) 8.5
189. Alfred Hitchcock Presents (1955) 8.5
190. Detectorists (2014) 8.5
191. Brass Eye (1997) 8.5
192. Endeavour (2012) 8.5
193. Fullmetal Alchemist (2003) 8.5
194. Homicide: Life on the Street (1993) 8.5
195. Skam (2015) 8.5
196. Doctor Who (2005) 8.5
197. Silicon Valley (2014) 8.5
198. The Expanse (2015) 8.5
199. Impractical Jokers (2011) 8.5
200. Louie (2010) 8.5
201. Generation Kill (2008) 8.5
202. Mr Inbetween (2018) 8.5
203. Hannibal (2013) 8.5
204. Ezel (2009) 8.5
205. Shameless (2011) 8.5
206. Spartacus: Gods of the Arena (2011) 8.5
207. The Office (2001) 8.4
208. Samurai Jack (2001) 8.4
209. The Night Of (2016) 8.4
210. Chef's Table (2015) 8.4
211. Whose Line Is It Anyway? (1998) 8.4
212. Sons of Anarchy (2008) 8.4
213. I'm Alan Partridge (1997) 8.4
214. Spartacus (2010) 8.4
215. Big Little Lies (2017) 8.4
216. Your Lie in April (2014) 8.4
217. My Brilliant Friend (2018) 8.4
218. Mare of Easttown (2021) 8.4
219. Black Books (2000) 8.4
220. The Defiant Ones (2017) 8.4
221. Erased (2016) 8.4
222. Schitt's Creek (2015) 8.4
223. Ethos (2020) 8.4
224. John Adams (2008) 8.4
225. Harley Quinn (2019) 8.4
226. The Knick (2014) 8.4
227. It's Okay to Not Be Okay (2020) 8.4
228. Dr. Horrible's Sing-Along Blog (2008) 8.4
229. Delhi Crime (2019) 8.4
230. Inside No. 9 (2014) 8.4
231. Love, Death & Robots (2019) 8.4
232. Community (2009) 8.4
233. Generation War (2013) 8.4
234. The New Batman Adventures (1997) 8.4
235. The Punisher (2017) 8.4
236. Horace and Pete (2016) 8.4
237. The Venture Bros. (2003) 8.4
238. The Prisoner (1967) 8.4
239. Futurama (1999) 8.4
240. Regular Show (2009) 8.4
241. Jesus of Nazareth (1977) 8.4
242. Wentworth (2013) 8.4
243. Feud: Bette and Joan (2017) 8.4
244. Clannad: After Story (2008) 8.4
245. Flames (2018) 8.4
246. Scenes from a Marriage (1973) 8.4
247. X-Men: The Animated Series (1992) 8.4
248. After Life (2019) 8.4
249. Luther (2010) 8.4
250. Ghost in the Shell: Stand Alone Complex (2002) 8.4
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Body size at lower bout: 17 3/8" Scale length: 25 1/2" Nut Width: 1 11/16"
Materials: Handcarved, bookmatched solid spruce top and solid handcarved birdseye maple back; 5 piece cherry neck with walnut centerstripe; solid Brazilian rosewood fingerboard with diamond mother of pearl inlay; original compensated adjustable Brazilian rosewood bridge; pearl column peghead inlay in stained holly headstock veneer, triple-bound body, bound fingerboard and headstock.
Hardware: All original hardware includes original nickel plated "E-logo" tuners, original Frequensator tailpiece, original maple/rosewood bridge, original bound tortoise pickguard, adjustable truss rod.
Notes: Epiphone announced the Triumph Regent as early as 1949, though we've never seen one earlier than 1950. The cutaway version of Epis most popular professional archtop, the Triumph Regent was manufactured in New York for only about two years, and is accordingly a much scarcer item than its non-cutaway counterpart, or its competitor, the Gibson L-7C.
With a solid carved soundboard criscrossed with bearclaw figure, this wonderful guitar has been well maintained, with all original finish remarkably free of pick, buckle, thumb or fingerboard wear. Now buffed to a high luster, the deep amber lacquer shows some fairly deep checking, and some finish dings on the treble side of the tailpiece have been spot retouched. This guitar is equipped with its original 16X1 E-logo tuners, adjustable rosewood bridge, Frequensator tailpiece, and bound tortoise pickguard. The action is smooth and low over fresh pro frets, and a classic Epiphone gentle C profile. The voice is clear, open and forward, with the big bark for which Epis are justifiably famous. An outstanding example of a cutaway classic from the great New York factory.
Case: Deluxe arched tweed plush lined hardshell case.


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This New App Could Help You Get Cheaper Movie Tickets
Movie-goers, from left, Michelle Vargas, Rudy Vargas, Brittany Vargas, Janelle Bonilla, and Tiffany McIntosh watch previews at a Harkins movie theater in Denver, Colorado, U.S., on Friday, Oct. 16, 2009.
Bloomberg—Bloomberg via Getty Images
By Victor Luckerson
February 1, 2016 11:05 AM EST
Film studios and theaters are trying to convince more people to spend a night out at the movies with a new app backed by some of Hollywood's biggest players. The app, Atom Tickets, could make it easier to organize a movie trip with friends, while also shaving dollars off ticket prices.
Atom Tickets focuses on improving the movie ticket-purchasing process on mobile phones, reports the Wall Street Journal. Users can poll friends about what movies they want to see, then buy a block of tickets all at once. Friends pay for their portion of the tickets within the app, cutting down on the need to send coordinating texts or pay back a buddy.
Theaters will also have the option of introducing variable pricing so that ticket prices are cheaper if users buy a large number in bulk, or if a theater is trying to encourage more people to see a movie that flopped at the box office.
Theaters have been reticent to try variable pricing in the past, as they fear it may make people less willing to pay normal prices. But ticket sales have been on a general downward slope for years—2015 was buoyed by the blockbuster Star Wars: The Force Awakens, but in 2014 admissions dropped to a two-decade low. Theaters and studios alike have said they're now willing to test out the variable pricing model.
Atom Tickets is backed by Disney, Twentieth Century Fox and Lions Gate Entertainment, who are leading a $50 million funding round for the startup. However, the new company will have its work cut out making inroads in the world of online ticket sales, which is currently dominated by the Comcast-owned Fandango. Atom is planning a nationwide launch this summer.
Why Netflix Investors Are Very Happy Right Now


Home › Credit Card Guide › What Is Max Overlimit Fee?
What Is Max Overlimit Fee?
When you reach the limitations of your credit card, there are a few things that can happen. Your card could be declined for insufficient funds or you could be assessed an overlimit fee. In some cases, this could occur for each time you charge over your limit unless your card has a max overlimit fee.
If your card has a max overlimit fee, you can breathe a little easier because it will prevent excessive charges to your card if you go over your limit. Basically, it will only allow your credit card company to charge a set amount of fees as a penalty as opposed to charging you each time you overdraw. Generally, this is one fee per billing cycle.
Among the fees that your credit card company could charge you, the max overlimit fee is one of the more desirable ones. It prevents the excessive charging of additional fees to your card just in case you go over your limit.
In some cases, overlimit fees can be "tiered"
While credit card companies were at one point able to automatically charge these fees, they must now give the consumer an option to "opt-in" for the charges. Although you might think that no one would ever want to accept the option of being charged overlimit fees, this is one way that credit card companies can continue to charge the fee; otherwise they would have to get rid of the fee altogether. If you do not opt-in for the feature then your card will be denied if you hit your credit limit.
It is important to remember that you could be charged an NSF fee if you try to use your card even though it has reached its limit. At the same time, some people would rather pay the overlimit fee than be embarrassed by a declined charge at the register.
Some credit cards with applicable overlimit fees operate on a tier schedule. Basically, this just says that the issuer of the credit card is only able to charge a set variable amount of money that is dependent on the total amount of credit charged to the card. Therefore the higher your credit limit is, the higher your potential overlimit fee might be.
Because credit card companies can still charge this fee, it is also important that the charges do not get out of hand; after all, these provisions are designed to protect consumers. For this reason, the overlimit fee is used as a deterrent from overextending your credit. By establishing a maximum overlimit fee, consumers know what to expect in the event that they charge over their limit and credit card companies are able to continue to stay in business.
The Max Overlimit Fee is designed by credit card companies to prevent consumers from charging more than their maximum credit limit. They also provide credit card issuers a means for making money if they honor charges that exceed credit limits.
How to Get a Credit Card for Non US Residents?
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How Transferring Credit Card Balances Can Affect Your Credit Score?
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Will this RAM work in my iMac 2012?
Discussion in 'iMac' started by Lambros, Apr 18, 2013.
Yes, those 204-pin DDR3 SO-DIMM RAM modules with 1600 MHz will work.
Also, is there a better RAM module that is known to work in this system? Possibly one that produces better results?
Fair enough, I'll stick to what this website has to offer then. Is this RAM any good?
These are the two I've been tossing up between...yet I've heard Vengeance has had great results.
Very good RAM. And it comes in a pair which is the best way to go.
thanks for the link. i was looking into the ram but most suppliers dont ship to aust.


text:
Tous les éclairages
Collection Melt
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Lampes de salle de bain et de cuisine
Toutes les tables
Toutes les chaises
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Mobilier iconique
Collection TWENTY
Sets exclusifs
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Notre Studio
Tom Dixon TV
#TOMDIXON
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Tom Dixon's Twenty Exhibition
Connexion/S'inscrire
HK SAR CHINA
LIVE AT THE NEW MOHD MILAN SHOWROOM, FEATURING BURST
Tom Chats live with Gianluca Mollura, CEO of MOHD
A conversation between Tom Dixon and Gianluca Mollura, the CEO of iconic Milanese lighting and furniture showroom, MOHD, where the new Tom Dixon BURST chandelier will be on display. They discuss 60 years of Milan Design Week, latest collections - including HYDRO and BURST, life after covid and philosophy...
A post shared by Tom Dixon (@tomdixonstudio)
Gianluca Mollura: Hi, Tom!
Tom Dixon: Can you hear me in Milan?
GM: Can you hear me?
TD: Ciao, Gianluca. Can you hear me?
GM: Ciao, Tom!
TD: Ok, that's more like it.
GM: Ok! Now I can hear you.
TD: This is the problem (gestures to earphones).
GM: Ah, ok! Perfect! So, we have solved this problem. We go to the next now.
TD: Yeah, we go low-tech. So, um, you know there's half a million people all over the world that are wishing they could be in Milan right now enjoying the Salone and the Fuorisalone, and so we're really a bit depressed, but obviously we're doing our best to be present in Milan, um, in a digital format, and, um, you've invited us into your showroom, so tell me a bit more.
GM: Yes, of course, we feel – We miss all those people in Milan, and of course Milan is still missing a very important part, but we are sure that soon everything will become normal. This is our showroom. Can you see something about you?
TD: Oh yeah! Excellent!
GM: This is a special board that we have made for you to celebrate, and this is something more about your products. You can see the nice panorama with your new creation. One moment – I try to turn my cam, but – Ok, do you see now?
TD: No! (laughs) Yeah, I can see – I can see the BURST Chandelier.
GM: Yes, I'm going this way because I am not finding how to turn my cam, so this is a bit more from your collection that we are now in display in our showroom in Milan, and how we work for many years together, no? So, I can just, every year, we are very surprised from the capacity to create something that is a real impressive, so, Tom, thanks for this, and we have put the new BURST in our space, no?
TD: Amazing! It's great to hear! Great to see it for the first time in Milan.
GM: Yes, something more, yes. Yes. Everybody comes from the window. Can you see? Because our showroom is in Via Turati, so it's in the centre of the city, and everybody look in the window ask "What about this?" because it's really – It's really strong.
TD: Yeah, well thank you. I mean the idea behind BURST is really to do something which is a – a monumental lamp, you know? Um, very often people buy many individual lamps from us and hang them in chandelier format. This time we wanted to make something which was, um, already a chandelier. So we have twelve – Twelve Globes on one – On one framework, all exploding from a central point, um, to make BURST, so it's a huge, huge lamp, um, but of course, with LEDs it uses very little electricity and puts out quite a lot of lighting as well.
GM: Yes, yes, but I think that it can be used in different ways, no? So, from contract to domestic. So this is what – Yes, of course, nice domestic, no? No, no, something a bit 'uncommon domestic', but it's really nice, the effect of light that it gives to the ambience, no? So it's a very relaxing, but also very interesting as a – As a light.
TD: Ok, it's the first time I've heard it described as relaxing, but yeah – It's good if you think so.
GM: Yes, it is! Yes, I think so, but what about – Can I ask you something about the last year, Tom?
TD: Yes!
GM: Yes, because before we spoke about this, no? And I told the people that work with us in our showroom that I was – What happened in the last twelve months, no? Due to the pandemic – Because of the pandemic is of course a very bad thing, but how everything in the life that is also in our face is the opportunity to create, to have a new feeling, a new sensation, no? So, to be honest, knowing you I am a bit curious about the process in the last twelve months, so the fact that you stay in your studio to think, to feel, no? How – What about this?
TD: Okay, well you know there was a lot of, um, warning because we saw the pandemic starting in China and slowly coming across, and of course you had it for two months before it hit the UK, so we kind of knew, but we didn't really take any, um, action at all until it was too late, right? So it was still a very big shock to us when we had to close everything down. You know here in London, just like in Milan, we have a restaurant, so the restaurants were the most obvious casualty of the pandemic, and they've been pretty much closed for, um, for a year. We flipped that very quickly to make a greengrocer selling hot food and vegetables which was kind of interesting, but then we had to organise everybody working from home which was a lot of logistic problems, but interestingly, although the restaurant's been, you know, zero, um, zero business, our interior design has continued pretty much as it was the year before which is extraordinary, because last year we were mainly working on restaurants and hotels. So, um, so it's extraordinary that the home sector has stayed a bit more robust than some other businesses. You wouldn't wanna be in airlines at the moment for instance, right? And then we've spent the time, um, you know, innovating a bit and, you know, still thinking of new ideas. I went and stayed in the countryside for a while which was kind of interesting and refreshing. It made me think of a lot of ideas around, um, more local production and things like that. We worked a lot with a Norwegian company to make a new chair as well which is this chair from -
GM: Yes!
TD: - Which is called HYDRO which is, you know, a new innovation of ours so that was a lot of hard work and we're quite proud -
GM: It's really very, very light, no?
TD: It's 'super leggera'!
GM: Super leggera! Yes, 'Super Leggera' is a famous name in the international design, but this is the new 'Super Leggera', yes.
TD: Well, I hope so, so you know, so we've been busy basically and, um, you know, you're busy saving your business, you're busy being creative about how you can find new ways to operate in the new world, and of course, for designers, change is always interesting, um, but of course it's also been a big disaster for a lot of, um, our friends and you know, for, um, for normal life as well, and of course not coming to Milan, for us, is also a bit of a disaster –
TD: Because it's the sixtieth-year anniversary of the Salone and we should be there in the sunshine eating the amazing Milanese food, but we're not. So, I'm very depressed basically.
GM: But now the restaurant in London is open, right?
TD: It opened yesterday, um, and so, but only outside.
GM: So, you have had your first dinner in the restaurant again in London?
TD: Yeah, we're able to eat outside and it's snowing.
GM: How was it – The menu – The menu yesterday?
TD: The menu's been updated.
GM: They change something after the pandemic, or everything's come normal?
TD: Well nothing's normal. I mean we've had a pandemic and we've also had Brexit, you know, so Brexit has actually had quite an impact also on the price of vegetables –
GM: Yes?
TD: But also the availability of some things. I mean even Milan is important to the British luxury restaurant market because it has the amazing market and quite a lot of product comes to us from Milan actually, so we've had two really big problems this year, you know?
GM: Yes, yes. yes! But anyway, um, we are – We have installed the BURST right some hours ago, no? We finished the installation some hours ago, and there was, because with Brexit also some shipments was a bit – A bit slow, you know? But, um -
TD: A bit slow? It was a disaster!
GM: Yeah, it's the second disaster maybe yes, but now, at last, everything's go well, so this is a positive. A positive message I think, no? And, um, what – What about Salone is there? Why – When you plan to come in Milan? In September, or maybe you come before?
TD: I come as soon as I'm allowed to come, you know. I mean, it's been almost two year now and of course, you know, Italy is important for Salone, but Salone is not just the whole of Milan, right? And we know there's so many things going on there: Art and Fashion and Architecture, and, um, of course there's a lot of industry around Milan as well which fuels the whole business, so we've got a lot of, um, work to do in the region, so I'm very anxious to come. I think, obviously, um, with the quarantine business it makes it more difficult, but I should be there before September anyway and we'll definitely, um, we'll definitely come physically, um, with some of these new ideas in September, yeah.
GM: Yes, we are hoping – We are waiting for September, also if Milan anyway is always very dynamic, no, in creativity? So I think that this is something that never stops, so it's the most important, um, the most nice elements in Milan, because when you walk in the streets of Milan you have a lot of inspiration, and so we are all waiting for a turn.
TD: Yeah, well it's not such a problem. I mean, I remember the first time I came to Milan, um, it was in September anyway. I mean, the first time the Salone – My first experience of the Salone – It was a September show anyway, so maybe it's not such a big, um, change after all. Maybe it's just Back to the Future.
GM: Yes, I agree, I agree! Maybe we are – September is coming back, no, because one time it was in September of course. Of course, and the, um, there are a lot of possibilities in September I think, with the new – After all this, when all this will be – Will finish, I think that there is – There will be a very nice period for design especially, no? Do you think? Because everybody else is really – Want really to look new things, to find new way.
TD: Well I think – I think you have amazing positivity. You know in the UK we're probably slightly more depressive, you know, but what's interesting I think is that, um, also the very beginning of Milan's design, um, design journey, um, it was a 'bi annuale' or even a 'tri annuale', I can't remember. It was every two years anyway and I think, you know, for, um, for some people, every year is quite a big commitment, you know, financially, but also coming up with new ideas every year, so I think, by leaving it one year, or every two years, there'll be a natural, um, rejuvenation because people will have had more time to think of more new ideas, so it will be very refreshing – Salone with a lot more, um, unique content that nobody's seen before, right?
GM: Right, yes. Yes, this is true. We are positive, but we are depressive too. There is depressive – Depression here too, no? But depression is a wasted feeling, so we are positive because we want to be, um, to be negative at the test, but positive in mind, no? So continue to think and to believe that tomorrow will be better, so as I told you in our private phone: I think that you want to need the positivity, but depressive too, and the peoples that how you make, create, really always new things that lets – Lets make everything seem interesting beauty, no? So, this is – This is from where our positive come.
TD: Ok, well that's why I love Italy: because of the, um, philosophy of life right. (Laughs)
GM: (Laughs) Yes, we need philosophy too, yes, of course.
TD: Is that – It that where – Are you a philosopher? Is that what you trained as?
GM: What, Tom?
TD: Are you a philosopher?
GM: Yes! We – I am trying to change a bit, no? Because before I make the signed project, now I am going more philosophy. This is after twelve months staying at home, no? But I think you are philosopher too because your creativity is a bit, no? I am – I have here your – Look! On the kitchen! This is my – my view.
TD: Ok. Is that design philosophy?
GM: This is the last -
TD: Ok. That's amazing. Thank you very much for the presentation. Yeah, so you know we're doing 24 Hours in Milan which is a new format we've invented to try and go beyond - Just the usual thing we do in Milan is just to take a space, an unusual space, and then invite everybody in, so it's been kind of nice to come to you and to see your showroom for a change, right?
GM: Yes, we –
TD: How long – How long have you been in business?
GM: How much?
TD: How long? How long has MOHD been –
GM: Our company exists from fifty-two years.
TD: Oh my god!
GM: So we are now in Milan from last September, so we opened our showroom in Milan last September, and we are going now to plan new things always in Milan, but, um, this is – We – Our company is in this market from always – From three generations, and so maybe we was your first partner in Italy. I remember when we first started to work with you, the first experience, so – So now everything's different, but this is something from the first days – The first time I ever meet – I ever met you, I immediately loved your creations and this is, um, why we are always – You are always in our old showroom, we have some Tom Dixon products.
TD: Really?
GM: Yes, really!
TD: Good! Well thank you very much for the support. Um, ok, so thank you again for inviting me to your showroom. I think, um, it's – It'll be so much nicer to meet in person again, so we'll make a date for September, yeah?
GM: Yeah, of course! Of course, we wait to you – For you, Tom!
TD: Ok, A presto!
GM: A presto! Ciao, Tom!
TD: Thank you very much, ciao!
GM: See you soon, bye!
Chaise HYDRO
HYDRO est une chaise en édition limitée créée en collaboration avec HYDRO, le plus grand producteur d'aluminium au monde. La chaise HYDRO est une innovation dans la technologie de l'aluminium. Elle a été formé par soufflage (un processus appelé Superplastic Forming) à des températures élevées, puis découpé au laser par des robots. Ces méthodes ont été développées dans les industries automobiles pour réaliser des formes profondes et complexes impossibles à réaliser il y a quelques années. Le motif en ballon donne force et rigidité et confère une sensibilité pop douce et humoristique à la feuille de métal légère et brillante.
Chaque chaise est marquée d'un numéro d'édition limitée et est accompagnée d'un certificat signé par Tom Dixon.
Lustre Globe Burst
Globe Burst est un grand lustre de taille extraordinaire qui comprend 12 abat-jours avec une partie électrique noire brillante. Les abat-jours sont fabriqués à partir d'une configuration fixe et d'une construction à point unique. Dotés de notre module LED intégré, les orbes sphériques sont hautement réfléchissants et reflètent donc parfaitement tout au long de la journée. Lorsqu'ils sont allumés, ils révèlent une multiplicité de reflets internes.
Tables de repas et de café
Bougies & parfums
Bougeoirs & photophores
Stylos & crayons
Verres & tasses
Vin & cocktails
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Vases & coupes
Baumes mains & corps
Soins lavants
TWENTY Collection
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I put Natto. You don't need to put Natto, maybe for Japanese cooking beginner, you should cook without Natto first.
This video is not Kimchee ingredients but the cooking method is similar.
1 Cook Egg first, Heat wok or frying pan very hot and make almost smoking oil in the pan.
2 Put beaten eggs and make scramble eggs.
3 Do not over cook, and take out from the pan.
4 Put bacon (if you use pork, put oil on the pan again) and cook it.
6 Add rice (if it worm rice, it is easly break out) star fried it and add Natto here.
7 You star fry them all then put egg lastely.
8 Mix all together and salt and pepper and soy sauce on them.


With just weeks until the presidential election, it is rare to find political leaders from both sides of the aisle making joint appearances unless there is an organized debate – especially in a swing state such as North Carolina.
But on Tuesday, September 25, at 6 p.m., Wake Forest University will host "American Debt and Deficit Crisis: Issues and Solutions with Alan Simpson and Erskine Bowles" in Wait Chapel.
Simpson and Bowles were appointed by President Obama in 2010 to co-chair the National Commission on Fiscal Responsibility and Reform, a bipartisan group looking to erase the United States' multitrillion-dollar debt.
Simpson served in the Unites States Senate from 1978 until 1997 and later was a visiting lecturer and director of the Institute of Politics at Harvard University's John F. Kennedy School of Government. Bowles joined the Clinton administration to run the Small Business Administration and eventually became President Clinton's Chief of Staff. From 2005 until 2011, he served as President of the University of North Carolina system.
The event is free and open to the public as part of Wake Forest's Voices of Our Time speaker series. Voices of Our Time brings to campus the world's thought leaders—including scholars, scientists, writers, business and public policy leaders, activists and religious leaders—for discussions on the important national and international issues of our time.


Concord Music Group, a division of Concord Bicycle Music manages the company's recorded music activities with a portfolio of more than 10,000 active album recordings. Recently Concord Music Group expanded to Nashville, Tennessee with a new office space that is located in the Gulch, one of Nashville's trendiest spots. Their new 21,000 sq.ft. office building is located on the 6th floor of a 15-story building on Demonbreun. The new offices were designed with an open office concept that included two stages to facilitate live performances. Additionally, the offices were situated along the inner side of the building so that everyone can enjoy a view of the Nashville skyline. Enterprise Solutions was tasked with the electrical scope of the Concord Music Group's new offices, where we installed LED lights throughout the facility. We completed this unique lighting scope in January 2018.


You can begin to heal your relationship with money by changing your typical thought patterns.
It wasn't until this past Christmas vacation that I realized I had been making a terrible mistake.
Yes, I had surrendered. Yes, I had said the lease and said "yes" to the opportunity. Yes, I had bit off more than I could chew and I was chewing it. I had a big beautiful brick-and-mortar business, I had sold-out trainings and retreats on the calendar. I had a full house every Sunday morning for Yoga Church.
But lurking under all of those 'yeses' was a pretty substantial 'no' because I hadn't fully committed. To be clear, I had committed on paper, I had committed financially and I had committed by showing up. But after making those commitments, I started to fantasize about my other life, my previous life. The life where I didn't sign the lease, the life where I didn't take the plunge, the life where I didn't have overhead or seven-days-a-week commitments.
Every January I take some time to look back over the previous year. I reflect on what went well and the aspects that I liked. I look at the challenges of the previous year, what was difficult and how I can rise above those challenges in the upcoming year. This past year was a demanding work year for me. I worked more hours, in more locations, with more intensity than ever before. Yet, reflecting back on how much energy I've been expending, I still feel like I'm not keeping up. At the end of the day, I'm still collapsing into bed with the nagging feeling that I could have and should have done more.
I've spent the past week journaling, studying and reflecting on my priorities, my desires and on the overall vision that I want to create for 2016. What I found is that I had forgotten the importance of one of the most basic (yet life-changing) life coaching tools available: the power of a beautiful question.


Presented by Mrs Emily Hesslein 1950.
Coll: Acquired from the artist by his sister, Mrs Hesslein, probably soon after it was painted.
Exh: N.E.A.C., April–May 1900 (68); Tate Gallery, May–June 1950 (18).
Painted at Vattetot, where the artist stayed after his marriage, during the summer of 1899. See Men and Memories, I, p.347.


text:
namespace blink {

String CSSQuadValue::CustomCSSText() const {
  String top = top_->CssText();
  String right = right_->CssText();
  String bottom = bottom_->CssText();
  String left = left_->CssText();

  if (serialization_type_ == TypeForSerialization::kSerializeAsRect)
    return "rect(" + top + ", " + right + ", " + bottom + ", " + left + ')';

  StringBuilder result;
  // reserve space for the four strings, plus three space separator characters.
  result.ReserveCapacity(top.length() + right.length() + bottom.length() +
                         left.length() + 3);
  result.Append(top);
  if (right != top || bottom != top || left != top) {
    result.Append(' ');
    result.Append(right);
    if (bottom != top || right != left) {
      result.Append(' ');
      result.Append(bottom);
      if (left != right) {
        result.Append(' ');
        result.Append(left);
      }
    }
  }
  return result.ToString();
}

void CSSQuadValue::TraceAfterDispatch(blink::Visitor* visitor) const {
  visitor->Trace(top_);
  visitor->Trace(right_);
  visitor->Trace(bottom_);
  visitor->Trace(left_);
  CSSValue::TraceAfterDispatch(visitor);
}

}  // namespace blink


text:
package org.batfish.datamodel.routing_policy.communities;

import com.github.benmanes.caffeine.cache.Caffeine;
import com.github.benmanes.caffeine.cache.LoadingCache;
import com.google.common.annotations.VisibleForTesting;
import javax.annotation.Nonnull;
import org.batfish.common.util.PatternProvider;
import org.batfish.datamodel.LineAction;
import org.batfish.datamodel.bgp.community.Community;
import org.batfish.datamodel.bgp.community.ExtendedCommunity;
import org.batfish.datamodel.bgp.community.LargeCommunity;
import org.batfish.datamodel.bgp.community.StandardCommunity;
import org.batfish.datamodel.routing_policy.expr.IntMatchExprEvaluator;
import org.batfish.datamodel.routing_policy.expr.LiteralInt;
import org.batfish.datamodel.routing_policy.expr.LiteralLong;
import org.batfish.datamodel.routing_policy.expr.LongMatchExprEvaluator;

/** A visitor for evaluating a {@link CommunityMatchExpr} under a {@link CommunityContext}. */
public final class CommunityMatchExprEvaluator
    implements CommunityMatchExprVisitor<Boolean, Community> {

  public CommunityMatchExprEvaluator(CommunityContext ctx) {
    _ctx = ctx;
  }

  @Override
  public @Nonnull Boolean visitAllExtendedCommunities(
      AllExtendedCommunities allExtendedCommunities, Community arg) {
    return arg instanceof ExtendedCommunity;
  }

  @Override
  public @Nonnull Boolean visitAllLargeCommunities(
      AllLargeCommunities allLargeCommunities, Community arg) {
    return arg instanceof LargeCommunity;
  }

  @Override
  public @Nonnull Boolean visitAllStandardCommunities(
      AllStandardCommunities allStandardCommunities, Community arg) {
    return arg instanceof StandardCommunity;
  }

  @Override
  public @Nonnull Boolean visitCommunityAcl(CommunityAcl communityAcl, Community arg) {
    for (CommunityAclLine line : communityAcl.getLines()) {
      if (line.getCommunityMatchExpr().accept(this, arg)) {
        return line.getAction() == LineAction.PERMIT;
      }
    }
    return false;
  }

  @Override
  public @Nonnull Boolean visitCommunityIn(CommunityIn communityIn, Community arg) {
    return communityIn
        .getCommunitySetExpr()
        .accept(CommunitySetExprEvaluator.instance(), _ctx)
        .getCommunities()
        .contains(arg);
  }

  @Override
  public @Nonnull Boolean visitCommunityIs(CommunityIs communityIs, Community arg) {
    return arg.equals(communityIs.getCommunity());
  }

  @Override
  public @Nonnull Boolean visitCommunityMatchAll(
      CommunityMatchAll communityMatchAll, Community arg) {
    for (CommunityMatchExpr expr : communityMatchAll.getExprs()) {
      if (!expr.accept(this, arg)) {
        return false;
      }
    }
    return true;
  }

  @Override
  public @Nonnull Boolean visitCommunityMatchAny(
      CommunityMatchAny communityMatchAny, Community arg) {
    for (CommunityMatchExpr expr : communityMatchAny.getExprs()) {
      if (expr.accept(this, arg)) {
        return true;
      }
    }
    return false;
  }

  @Override
  public @Nonnull Boolean visitCommunityMatchExprReference(
      CommunityMatchExprReference communityMatchExprReference, Community arg) {
    CommunityMatchExpr expr =
        _ctx.getCommunityMatchExprs().get(communityMatchExprReference.getName());
    // conversion to VI should guarantee expr is not null
    assert expr != null;
    return expr.accept(this, arg);
  }

  @Override
  public @Nonnull Boolean visitCommunityMatchRegex(
      CommunityMatchRegex communityMatchRegex, Community arg) {
    Boolean matches = REGEX_MATCH_CACHE.get(new RegexCacheKey(communityMatchRegex, arg));
    assert matches != null; // evaluator can't return null
    return matches;
  }

  @Override
  public @Nonnull Boolean visitCommunityNot(CommunityNot communityNot, Community arg) {
    return !communityNot.getExpr().accept(this, arg);
  }

  @Override
  public Boolean visitExtendedCommunityGlobalAdministratorHighMatch(
      ExtendedCommunityGlobalAdministratorHighMatch extendedCommunityGlobalAdministratorHighMatch,
      Community arg) {
    if (!(arg instanceof ExtendedCommunity)) {
      return false;
    }
    return extendedCommunityGlobalAdministratorHighMatch
        .getExpr()
        .accept(
            IntMatchExprEvaluator.instance(),
            new LiteralInt((int) ((((ExtendedCommunity) arg).getGlobalAdministrator()) >> 16)));
  }

  @Override
  public Boolean visitExtendedCommunityGlobalAdministratorLowMatch(
      ExtendedCommunityGlobalAdministratorLowMatch extendedCommunityGlobalAdministratorLowMatch,
      Community arg) {
    if (!(arg instanceof ExtendedCommunity)) {
      return false;
    }
    return extendedCommunityGlobalAdministratorLowMatch
        .getExpr()
        .accept(
            IntMatchExprEvaluator.instance(),
            new LiteralInt((int) ((((ExtendedCommunity) arg).getGlobalAdministrator()) & 0xFFFF)));
  }

  @Override
  public Boolean visitExtendedCommunityGlobalAdministratorMatch(
      ExtendedCommunityGlobalAdministratorMatch extendedCommunityGlobalAdministratorMatch,
      Community arg) {
    if (!(arg instanceof ExtendedCommunity)) {
      return false;
    }
    return extendedCommunityGlobalAdministratorMatch
        .getExpr()
        .accept(
            LongMatchExprEvaluator.instance(),
            new LiteralLong(((ExtendedCommunity) arg).getGlobalAdministrator()));
  }

  @Override
  public Boolean visitExtendedCommunityLocalAdministratorMatch(
      ExtendedCommunityLocalAdministratorMatch extendedCommunityLocalAdministratorMatch,
      Community arg) {
    if (!(arg instanceof ExtendedCommunity)) {
      return false;
    }
    return extendedCommunityLocalAdministratorMatch
        .getExpr()
        .accept(
            IntMatchExprEvaluator.instance(),
            new LiteralInt((int) ((ExtendedCommunity) arg).getLocalAdministrator()));
  }

  @Override
  public @Nonnull Boolean visitRouteTargetExtendedCommunities(
      RouteTargetExtendedCommunities routeTargetExtendedCommunities, Community arg) {
    if (!(arg instanceof ExtendedCommunity)) {
      return false;
    }
    return ((ExtendedCommunity) arg).isRouteTarget();
  }

  @Override
  public @Nonnull Boolean visitSiteOfOriginExtendedCommunities(
      SiteOfOriginExtendedCommunities siteOfOriginExtendedCommunities, Community arg) {
    if (!(arg instanceof ExtendedCommunity)) {
      return false;
    }
    return ((ExtendedCommunity) arg).isRouteOrigin();
  }

  @Override
  public Boolean visitStandardCommunityHighMatch(
      StandardCommunityHighMatch standardCommunityHighMatch, Community arg) {
    if (!(arg instanceof StandardCommunity)) {
      return false;
    }
    return standardCommunityHighMatch
        .getExpr()
        .accept(IntMatchExprEvaluator.instance(), new LiteralInt(((StandardCommunity) arg).high()));
  }

  @Override
  public Boolean visitStandardCommunityLowMatch(
      StandardCommunityLowMatch standardCommunityLowMatch, Community arg) {
    if (!(arg instanceof StandardCommunity)) {
      return false;
    }
    return standardCommunityLowMatch
        .getExpr()
        .accept(IntMatchExprEvaluator.instance(), new LiteralInt(((StandardCommunity) arg).low()));
  }

  @Override
  public @Nonnull Boolean visitVpnDistinguisherExtendedCommunities(
      VpnDistinguisherExtendedCommunities vpnDistinguisherExtendedCommunities, Community arg) {
    if (!(arg instanceof ExtendedCommunity)) {
      return false;
    }
    return ((ExtendedCommunity) arg).isVpnDistinguisher();
  }

  private final @Nonnull CommunityContext _ctx;
  ////////////////////////////////
  private static final LoadingCache<RegexCacheKey, Boolean> REGEX_MATCH_CACHE =
      Caffeine.newBuilder()
          .maximumSize(1 << 20) // 1M instances that are each using maybe 40 bytes
          .build(
              k ->
                  PatternProvider.fromString(k._regex.getRegex())
                      .matcher(
                          k._regex
                              .getCommunityRendering()
                              .accept(CommunityToRegexInputString.instance(), k._community))
                      .find());

  @VisibleForTesting
  static final class RegexCacheKey {
    public RegexCacheKey(CommunityMatchRegex regex, Community community) {
      _regex = regex;
      _community = community;
      _hashCode = 31 * regex.hashCode() + community.hashCode(); // inlined hash
    }

    @Override
    public boolean equals(Object o) {
      if (this == o) {
        return true;
      } else if (!(o instanceof RegexCacheKey)) {
        return false;
      }
      RegexCacheKey that = (RegexCacheKey) o;
      return _hashCode == that._hashCode
          && _regex.equals(that._regex)
          && _community.equals(that._community);
    }

    @Override
    public int hashCode() {
      return _hashCode;
    }

    private final CommunityMatchRegex _regex;
    private final Community _community;
    private final int _hashCode;
  }
}


text:
The future of the radio business business
Stuart Mays, Director of Commercial Strategy for Global, the UK Media and Entertainment Group, outlined the steps which the UK's number one commercial radio group has taken to expand its business.
He described how Global is split into four channels – broadcast, mobile, social and live – and looks to compete with all platforms that take up listeners' time. Mays gave an overview of the Global brands, including Heart (which has grown from 3 million listeners in 2009, to 9.5 million this year) and Capital.
He discussed his focus on events, such as Capital's Jingle Bell Ball, which started out as a risk for the business and now sells 35,000 tickets in 20 minutes.
Mays also gave attention to digital properties. He talked about Popbuzz, a socially-led arm of the business, which accesses an audience that other radio brands might not. He also discussed the 'Global Player' – a new product offering listen back, song-skipping and listening by mood stream alongside traditional radio listening.
Mays said that we need to "embrace the experience economy" – as 75% of millennials say they would spend money on experience over a product. He described how Global has involved festivals, branded live events and an event space in their business model in order to embrace this. And he talked about Global's aim to involve advertisers in these audience experiences in a fully integrated way, at scale.
Mays also talked about Global's investment in future talent, via the Global Academy – a school for 14 to 19 year olds. Students learn all kinds of media skills, from coding to TV and radio production.
Mays closed by giving us evidence that audio has never been more influential in media, technology and business. And he said that all we need to do is give a nod to our listeners and their lifestyles to push ourselves more in this area.
PrevPreviousDigital Strategies For Radio
NextThe future of the radio businessNext


text:
Q: Replicate jQuery code in Angular2 I have such sort of code in jQuery:
$('#btn').click(function(){
 if($('.element').hasClass('active')){
    $('.element').removeClass('active');
 }
 else{
    $('.element').addClass('active');
 }
});

What would be the analogue of such code in Angular2. I suppose I have to put that in to related component. Any thoughts?

A: According to the expression's value, which is true or false active class is removed and added. To learn more go to documentation

</div

A: Read and set the class with @Input() and `@HostBinding()
@Component({
  selector: 'sub-ele',
  template: `

hasActiveClass: {{hasActive}}

  <button (click)="toggle()">toggle</button>
`
})
export class MyComponent {
  // read all classes from the DOM
  @Input('class') classes;

  // reflect the hasActive state to the DOM
  @HostBinding('class.active') hasActive = false;

  toggle() {
    this.hasActive = !this.hasActive;
  }

  // initialize the `hasActive` state
  ngOnInit() {
    this.hasActive = this.classes &&
        this.classes.split(' ').indexOf('active') != -1;
  }

Plunker


By means of meditation, I feel that we have planted dynamite to transcend the world of confusion. So it would be good if you could practice meditation as much as you can, as much as physically and psychologically possible. You could become more clear and sane, and you could also influence the national neurosis in that way.
In the process of burning out these confusions, we discover enlightenment. If the process were otherwise, the awakened state of mind would be a product dependent upon cause and effect and therefore liable to dissolution. Anything which is created must, sooner or later, die. If enlightenment were created in such a way, there would always be a possibility of ego reasserting itself, causing a return to the confused state. Enlightenment is permanent because we have not produced it; we have merely discovered it.
Becoming "awake" involves seeing our confusion more clearly.


text:
Q: Implementing shared library / module - argument struct not in headers I am trying to implement a custom locking library for LVM. Setting locking_type to external (2) in lvm.conf and providing a shared library implementing the required functions seems enough and relatively simple, in theory.
Looking into this I started with the sources for LVM2, specifically the external locking mechanism implementation, which can be found here.
Basically, what I figured out that I need to do is to implement functions with the headers described like this:
static void (*_reset_fn) (void) = NULL;
static void (*_end_fn) (void) = NULL;
static int (*_lock_fn) (struct cmd_context * cmd, const char *resource, uint32_t flags) = NULL;
static int (*_init_fn) (int type, struct dm_config_tree * cft, uint32_t *flags) = NULL;
static int (*_lock_query_fn) (const char *resource, int *mode) = NULL;

Now, everything peachy up to this point. However, looking at the _lock_fn definition, it takes a pointer to struct cmd_context as first argument. That struct can easily be found in the LVM2 sources (and it is a fairly complex one!), but it is not inside the headers exposed by the package as an API (eg. the lvm2-devel package in RHEL7). As I imagine (I am definitely not the best C programmer around), since that struct is supposed to be used by external libraries, it is mandatory that it should be in the headers.
Am I thinking this wrong or is it just a "bug" and I should discuss with LVM2 developers? Are there any workarounds, other than copy/pasting that struct and all other types that it depends on to a header file in my project? Doing this "workaround", does it break the GNU GPL license in any way?

A: The source file you linked, indirectly includes the config.h header which has this line:
struct cmd_context;

This tells the C compiler that there is a struct with that name. That's all the compiler needs to know to generate correct machine code.
If you were to access members of that struct or directly create an object of it, you would get errors thrown your way because the compiler doesn't know size or members of the struct.
But as long you use it as an opaque data type passing a known-size pointer to it in and out of functions, you are ok. This is called forward declaration and is a primary way of achieving encapsulation in C (check stdio's FILE).


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13 Famous Celebrity Mansions That Will Make You Jealous Of Them
GZ Staff
If you know what happens when anyone becomes a famous celebrity? They start to flaunt their wealth by spending money on expensive things like cars, mobile phones and luxury houses. Today, we will be talking about famous celebrity mansions which look so huge and luxurious that you will be jealous of these celebrity mansions for sure. Celebrities love to show off their wealth by buying luxurious villas at exotic locations with swimming pools, gardens and stunning interiors.
We have listed down some of the famous celebrities along with their mansions. Believe us when we say you will be amazed and jealous of these celebrity mansions. Let us have a look on these luxurious mansions.
Famous Celebrity Mansions:
Taylor Swift bought an 11,000-square-foot Rhode Island mansion for $17.75 million in 2013 and according to the reports, she paid for the luxurious mansion in cash.
2. Tiger Woods
Tiger Wood's $60 million mansion on Jupiter Island, Florida boasts a running track and golf course in his backyard. The estate has a four-hole golf course with sand traps with 100 feet long swimming pool.
3. Will Smith
Will Smith and Jada Pinkett-Smith lives in one of the luxurious celebrity mansions which is nothing short of a Palace. Their outstanding Malibu home is a staggering 25,000 sq. ft. boasts tennis courts, a lake and a recording studio. As per the reports, the home is up for sale at a whopping $42 million.
4. Steven Spielberg
The famous Star Wars director lives in his $21 million property located in the Pacific Palisades. The director specified to the architect to make its home 'A little French, a little Italian and a little Spanish'.
The disney princess' new mansion in Hollywood boasts five bedrooms and a swimming pool. Selena Gomez reportedly paid a whopping $3 million for this luxurios mansion.
6. Jennifer Lopez
Jennifer Lopez reportedly splashed out $10 million for this luxurious mansion located in the Water Mill neighbourhood of the Hamptons in New York. According to the reports, the property boasts eight bedrooms and seven and a half bathrooms.
7. Kanye West & Kim Kardashian
The power couple Kanye West and Kim Kardashian long with their baby North West lives in their $21.5 million mansion in Bel Air. The French Country style home is 9,000 sq. ft with five bedrooms, seven bathrooms and an elevator.
8. Matt Damon
Matt Damon's property in Los Angeles is worth $15 million and has a 30-ft-high ceiling, seven bedrooms, ten bathrooms and a five-car garage. It is one of the best homes in Pacific Palisades.
9. Oprah Winfrey
It might be one of the most expensive celebrity mansions on the list. Oprah Winfrey's stunning mansion is located in Montecito, California at over 23,000 sq ft. and its estimated worth is whopping $85 million.
10. Rihanna
The pop singer Rihanna owns several properties from Los Angeles to Aspen, but her latest real estate investment is in her home town Barbados. Her new mansion is located at One Sandy Lane and its estimated cost is $21 million.
11. Brad Pitt & Angelina Jolie
The famous Hollywood couple, Jolie-Pitt lived in an impressive mansion located in the South of France. It is a 35 room mansion and is worth $60 million. Although we don't know after the reports of their divorce who will claim this luxurious house.
12. Gisele Bundchen & Tom Brady
The couple's $20 million mansion in Los Angeles is said to be 22,000 sq. ft. estate with eight bedrooms, a massive pool, gym, elevator, spa and a six-car garage. It is surely one of the most stunning celebrity mansions you will ever see.
Don't miss : List Of Top 10 Most Expensive Houses In The World 2016.
13. Jennifer Aniston
Although Jennifer Aniston is looking to sell this luxurious mansion in Beverly Hills for $42 million but if you look at the stunning mansion which has been renovated several times over the years, you will realise that she's not asking much for it.
Also, let us know if you are already feeling jealous of these famous celebrity mansions. If you liked the post, make sure to share this post with your friends and loved ones.
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With the first flight of the Model 150 during September, 1957, the company re-entered the two-seat lightplane market. Production of the Model 150 began in August 1958, and by the time it ended during 1977 a total of 23,836 airplanes had been built. At that time it was replaced on the production lines by the basically similar Cessna Model 152. Improvements on this airplane included a more powerful engine plus installation and cowling changes to reduce engine noise and vibration, together with a McCauley propeller of a modified blade section. When production of the Model 152 ended in 1986, 7,482 Model 152s and Aerobats had been produced. The Model 152 was powered by one 108-hp Avco Lycoming O-235-N2C flat-four piston engine, giving the airplane a maximum speed at sea level of 125 mph, service ceiling of 14,700 feet, and a maximum range of 719 miles.
Mahogany wood. Scale 1/24. Wingspan 16 3/4 inches, length 12 inches.


Most commonly considered a grain, quinoa is actually a relative of leafy green vegetables like spinach and Swiss chard. Perfect for Pesach, quinoa is protein rich, has a fluffy, creamy, slightly crunchy texture, and a somewhat nutty flavor when cooked. Quinoa is available at your local health food store.
Ask your Rav if you need to check through the quinoa before Pesach, to make sure that no grains have accidentally been mixed in with the quinoa kernels. I was told to check through it once before putting it away for Pesach use.
Rinse quinoa very well in a fine mesh colander or strainer, to remove the bitter coating. Set aside.
Bring 2 cups of water to a boil in a 2 quart saucepan. Add rinsed quinoa. Return to a boil, then lower heat and simmer, covered, for 10-15 minutes, until all water is absorbed. When done, the quinoa appears soft and translucent, and the germ ring will be visible along the outside edge of the quinoa. Remove from heat, fluff, cover and let it stand for 5 minutes. Set aside to cool.
Combine avocado, tomato, red onion, scallions, and garlic. Add cooled quinoa. Drizzle with lemon or lime juice and olive oil. Season very generously with salt and pepper to taste. Toss gently.


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Q: AngularJs - ng-route not work with top position I would like to create an animation when the page changes.
I had in mind an animation from bottom to top, the first loading animation works correctly, but if you go down the page and click on the link to change the page no longer works.
This problem is due to the fact that once shook the angular page no longer considers the top of the window but considers scroll the page.
I tried with date-autoscroll = "false", the page is repositioned well but you lose the animation.
Some idea?
**DEMO** http://plnkr.co/edit/j7r3s33Y3GcTyH2Fop9K?p=preview

A: The solution is to add this in the main controller:
// RESET NG-VIEW TOP POSITION
  $scope.$on("$routeChangeSuccess", function (event, currentRoute, previousRoute) {
      window.scrollTo(0, 0);
  });