AT&T faces the same problem in Los Angeles, and it's just part of a challenge confronting the whole mobile communications industry: how to reconcile consumer expectations of forever faster, cheaper downloads on mobile Internet devices with limited room in the airwaves.
Networks are not in danger of running out of capacity just yet. Carriers have spent large sums buying up rights to the radio spectrum, and they're being creative about ways to squeeze more out of what they already have. (Exact speeds vary, but an LTE connection is typically 10 times faster than one provided by a 3G network.) The federal government licenses spectrum space, and wireless carriers and other companies have for many years bought up and hoarded licenses, anticipating the need to expand.
But the largely unforeseen explosion in demand for wireless bandwidth, driven by the appearance of tablets and smart phones, has made it more urgent to ensure a supply for future use. AT&T spokesman Mark Siegel says network traffic and the company's spectrum portfolio affect the kind of service that users receive in different areas. "We will continue to invest and innovate to make the best, most efficient use of available spectrum across our network," he says.
Carriers are increasingly looking for creative tactics that will relieve pressure on their networks. "Spectrum is certainly a limiting factor, but carriers are also constrained by a number of other things, too, particularly backhaul," says Bill Moore of RootMetrics, which gathers data on cell-phone network bandwidth and other performance measures that are freely available online. Backhaul refers to the physical connections that link cell-phone towers to the Internet and phone networks. All carriers are working hard to upgrade their backhaul, replacing copper cable with high-capacity optical fiber.
Getting the necessary permissions to replace or install underground fiber is a slow process, says Bryan Darr, CEO of Mosaik Solutions, which collects data on wireless network coverage. That explains Verizon's alliance with a consortium of major cable companies to connect their networks, announced late last year. "The cable operators have an awful lot of cable in the ground that's capable of handling a lot of traffic," says Darr. "They also know themselves that they need to be connected to the wireless industry because that's where the future of content like TV is."
A way to sidestep bottlenecks caused by constraints on spectrum and backhaul is to have smart phones and tablets make use of Wi-Fi as much as possible, says Darr. AT&T is investing heavily in that strategy by installing Wi-Fi hotspots in stadiums and busy city areas in Manhattan and San Francisco. Newer AT&T phones automatically switch to using Wi-Fi when in range, reducing the load on cell towers. "Once that can work more seamlessly for data and calls, it is going to be a huge help," says Darr. This February AT&T reported that it had worked with other carriers, including China Mobile, on a successful trial of special Wi-Fi hotspots that can recognize an authorized device and take over its connection without dropping calls or interrupting downloads in progress.
Experts say that the major carriers are so far keeping pace with the demands of their customers. "Out of the four major national carriers, three are getting faster," says Moore of RootMetrics; the fourth, Sprint, is due to introduce its first LTE networks this year, which should allow it to speed up too. He believes there is enough spectrum to go around but notes that carriers are caught in something of an arms race with their own customers. "All I see for now is that speeds go up," says Moore, "and that will encourage consumer demands to go up as well." Partly as a result, almost all wireless carriers phased out unlimited data plans last year. That means they can cap bandwidth use or charge more for it if they find demand for data outstripping their ability to supply it.


Cozy and spacious, hospitable atmosphere for a perfect relaxation as a couple or family in the comfort and comfort.
The room are superbly furnished, stylishly designed, as well as equipped with modern amenities like air condition, bath & shower, LED with satellite channels and telephone connection.
Our many rooms have a balcony where one can sit to take the fresh air & unspoiled view of Gulab Sagar Lake with Fort in the old city. There are fountains on the lake which start from 7 pm to 10 pm.


Never one to stay with the familiar, I am trying an experiment today. I schedule my Herceptin appointment at 12:30 p.m. which allows me to get a two or three sets of tennis in before my session and the tiredness that comes from a Herceptin infusion. But then I got an invitation to play tennis at 3:30 today after Herceptin. I said "yes!" of course.
I was supposed to take a tennis lesson this morning but then an invitation came last night to play singles this morning. Since it is my New Year's resolution to learn to be a better singles player, I had to accept the invitation. (I lost, but just barely.) And then I zoomed over to the hospital for my appointment and then I have an hour or so at home to get ready for the afternoon doubles session.
I feel that all so familiar haze that comes over me during infusion. Time will tell how it affects my play this afternoon. I am planning to sweat the Herceptin away.
I am the only one in the infusion room today. My nurse tells me that I am one of her healthiest patients. Of course, that is not saying too much because this is where patients seriously battling cancer are getting their treatments. I like to think that that battle is over for me. This is just insurance so the battle will not resume.
I feel like I am going to be fierce this afternoon... I will let you know. My infusion is now done and my pump is beeping its familiar beep.


text:
AlexCab (Alexandra's Eccentric Cabaret) var en scenshow skriven, regisserad och ledd av Lars Jacob hösten 1975 på nattklubben Alexandra's. Kabarén turnerade även (utan Platin) till Göteborg.

Se även
Wild Side Story

Källor

Externa länkar

Krogshow

redpajama_set_name: RedPajamaWikipedia


text:
Q: Flash Builder variables Ok, I'm at my wits' end. I'm a noob and I get that, and it's been awhile since I've done programming with any sincerity. That said, I'm trying to get back into it and running into problems left and right.
My biggest problem has to do with assigning variables. As a side project, I'm trying to create a simple calculator using FlashBuilder. I know it's not done, and it probably has multiple problems. So any help is GREATLY appreciated!
Here's my code thus far. WHAT. AM. I. MISSING???
<?xml version="1.0" encoding="utf-8"?>
<s:Application xmlns:fx="http://ns.adobe.com/mxml/2009"
           xmlns:s="library://ns.adobe.com/flex/spark"
           xmlns:mx="library://ns.adobe.com/flex/mx" minWidth="955" minHeight="600">

<fx:Script>
    <![CDATA[
        import mx.events.FlexEvent;
        import spark.components.FormItem
        import spark.components.TextArea;
        import spark.components.TextInput;

        public var n_1:Number
        public var n_2:Number
        public var ttl:Number = 0

    protected function added():void
    {
    ttl = n1 + n2;
    total.text = String(ttl);

    }
    ]]>
</fx:Script>

<fx:Declarations>

    <!-- Place non-visual elements (e.g., services, value objects) here -->
</fx:Declarations>

<s:Form id="Calc" x="28" y="27">
    <s:FormItem id="n1" label="1st #">
        <s:TextInput prompt="Number"/>
    </s:FormItem>
    <s:FormItem id="n2" label="2nd#">
        <s:TextInput prompt="Number"/>
    </s:FormItem>
    <s:FormItem label="Total=">
        <s:Label id="total"/>
    </s:FormItem>
</s:Form>
<s:Button id="add_bn" x="377" y="83" label="+" click="added()"/>
<s:Button id="minus_bn" x="377" y="123" label="-"/>
</s:Application>

A: You're adding a form item with another form item, thus receiving not a number (NaN).
What you need is the TextInput text values as a Number.
You could also make use of data binding, but to work with your example:
<?xml version="1.0" encoding="utf-8"?>
<s:Application xmlns:fx="http://ns.adobe.com/mxml/2009"
               xmlns:s="library://ns.adobe.com/flex/spark"
               xmlns:mx="library://ns.adobe.com/flex/mx"
               minWidth="955"
               minHeight="600">

    <fx:Script>
        <![CDATA[
            import spark.components.FormItem;
            import spark.components.TextInput;

            public var n_1:Number;
            public var n_2:Number;
            public var ttl:Number = 0;

            protected function add_bn_clickHandler(event:MouseEvent):void
            {
                // get numbers from text field
                n_1 = Number(n1.text);
                n_2 = Number(n2.text);

                // total:
                ttl = n_1 + n_2;

                total.text = ttl.toString();
            }

            protected function minus_bn_clickHandler(event:MouseEvent):void
            {
                // get numbers from text field
                n_1 = Number(n1.text);
                n_2 = Number(n2.text);

                // total:
                ttl = n_1 - n_2;

                total.text = ttl.toString();
            }
        ]]>
    </fx:Script>

    <s:Form id="Calc"
            x="28"
            y="27">
        <s:FormItem label="1st #">
            <s:TextInput id="n1"
                         prompt="Number" />
        </s:FormItem>
        <s:FormItem label="2nd#">
            <s:TextInput id="n2"
                         prompt="Number" />
        </s:FormItem>
        <s:FormItem label="Total=">
            <s:Label id="total" />
        </s:FormItem>
    </s:Form>
    <s:Button id="add_bn"
              x="377"
              y="83"
              label="+"
              click="add_bn_clickHandler(event)" />
    <s:Button id="minus_bn"
              x="377"
              y="123"
              label="-"
              click="minus_bn_clickHandler(event)" />
</s:Application>

redpajama_set_name: RedPajamaStackExchange


text:
Archive - 11th Five Flavours Film Festival
11th Five Flavours Film Festival
Festival winners
People's Jury 2017
Netpac Jury 2017
Festival in pictures
Festival in film
NETPAC Jury
NETPAC is a worldwide non-profit organization set up with the aim to promote a greater understanding and appreciation of Asian films and filmmakers.
Festivals associated in the network present the NETPAC Award for Best Asian Film to acknowledge and promote excellence of Asian cinema. Five Flavours Film Festival is a NETPAC member since 2016.
In 2017 NETPAC jury members were:
Sonali Joshi
Film curator and specialist distributor focusing on independent Asian cinema, as well as a subtitler. She is the Founder and Director of Day for Night, a London based film organisation working across festivals, distribution and subtitling. She holds a PhD in Cinema Studies and regularly gives guest lectures on film festivals, film distribution and audio-visual translation at UK universities. She is the curator of a season of Indian films marking 70 years of independence and Partition entitled "India at 70" currently taking place in cinemas across the UK. Sonali is also Co-Founder and Co-Artistic Director of Aperture: Asia & Pacific Film Festival, the only UK festival covering the whole of the Asian and Pacific regions, set to launch in the UK in 2018. As a distributor, she has sought to create a wider platform for distinctive independent Asian films in the UK, having released acclaimed titles including "Court" (Chaitanya Tamhane), "Tharlo" (Pema Tseden) and "By the Time it Gets Dark" (Anocha Suwichakornpong).
SIDDIQ BARMAK
Siddiq Barmak was born in Afghanistan in 1962. He earned his MA in cinema from the VGIK Institute in Moscow. His debut feature, "Osama" (2003), won awards at the Festival de Cannes, the Pusan Film Festival and was named best foreign-language film at the Golden Globe Awards (2004). His second film, "Opium War" (2008), was named Best Film at the Rome Film Festival. He is also known for his documentaries, "The Disaster of Withering" (1988), "Narration of Victory" (1991) and "Invasion File" (1997). Besides, he produced films such as "An Apple from Paradise" (2009) and "The Neighbor" (2010). He is the founder of Barmak Films.
CÜNEYT CEBENOYAN
Film critic and an actor. His involvement in cinema started at the unviersity film club during his studies at the Boğaziçi (Bosphorus) University when he participated in the making of short films. His first film criticism appeared in 1992 in the monthly Antrakt magazine. Roll, Express, Sinerama, Sinema, Empire, Altyazi and Milliyet Sanat are among the magazines where his pieces are published. Cuneyt Cebenoyan has acted in film such as "Hayatboyu" (Lifelong; 2013), "Gözümün Nuru" (Eye Am; 2013), "Dar Elbise" (Tight Dress, 2016) and in the tv series "Çıplak Gerçek" (Naked Truth, 2014). He also directed and acted in a short film "Korkaklar" (Cowards; 2015) which took part in the Rode Tulp Film Festival in 2016. He is a member of FIPRESCI and NETPAC and has taken part in the juries of numerous festivals. He currently writes film reviews at Birgün, a daily newspaper distributed nationwide. Besides, he is a radio programmer and runs a radio show focused on cinema at Acik Radio.
NETPAC was founded in 1990 by Aruna Vasudev as the result of a conference organized in New Delhi by Cinemaya, The Asian Film Quarterly, at the request of UNESCO.
It was set up with the aim to promote a greater understanding and appreciation of Asian films and filmmakers at a time when Asian cinema was just coming into its own but was relatively unknown regionally and internationally.
Cinemaya, launched independently by Aruna Vasudev in 1988, became the official journal of NETPAC.
NETPAC brought to international attention independent and non-mainstream films by new directors whose works might well have remained unknown because of a lack of publicity and promotion caused by lack of funds and resources.
Among initiatives that NETPAC has taken over the past 25 years are:
Presentation of the NETPAC Award for Best Asian Film at more than 40 film festivals throughout the world.
Publishing and co-publishing books on Asian cinema, among which are: "Modernity & Nationality in Vietnamese Cinema" by Ngo Phuong Lan, the first book on Vietnamese cinema in English by a Vietnamese author; "When Strangers Meet: Visions of Asia & Europe in Film", co-published by NETPAC and the Asia-Europe Foundation, Singapore; translation of the book entitled "Kenji Mizoguchi and the Art of Japanese Cinema" by Tadao Sato; "An Incomplete Sentence – The Cinema of Dharmasena Pathiraja"; "Early Sri Lankan Cinema in Association with South Indian Film Industry"; "Asian Film Journeys: Selections from Cinemaya"; "Malaysian Cinema in a Bottle" by Hassan Abd Muthalib.
Conferences on Asian cinema have been organized since 1991 in Yamagata, Hawaii, Manila, Singapore, Kuala Lumpur, New Delhi and Jogjakarta.
Cinefan, the NETPAC Festival of Asian Cinema, which was launched in New Delhi in 1999 and the Jogja-NETPAC Asian Film Festival (JAFF), launched in Jogjakarta in 2007.
The APSA NETPAC Development Prize launched in collaboration with The Asia Pacific Screen Awards (APSA), worth US$10,000 and awarded to an emerging filmmaker from Asia.
NETPAC also played an instrumental role in the development of Asiapacificfilms.com which is an Asian Pacific digital film library streaming artistic and culturally significant films from Asia and the Pacific. The site was launched in October 2009 and now has a wide network of contacts among film festivals, film organizations, government and non-government agencies, film scholars, critics, programmers and festival directors with whom we work collaboratively in mutually beneficial activities to advance the cause of Asian cinema.
more about netpac

redpajama_set_name: RedPajamaCommonCrawl


In 2006 he founded his own label Outcross Records, which became a home for his music.
Wolf+Lamb, Future Classic and Outcross itself.
international recognition, capturing the imaginations of party people the world over.


text:
El arroyo Tupicuá es un pequeño curso de agua ubicado en la provincia de Misiones, Argentina perteneciente a la cuenca hidrográfica del río Paraná, en el que desemboca.

El mismo nace en la sierra Morena, en el departamento Iguazú y corre con un rumbo oeste, recibiendo algunos afluentes de poca importancia sobre todo desde su margen sur, hasta desaguar en el Paraná entre las ciudades de Wanda y Esperanza.

Tupicuá
Tupicuá
Toponimia guaraní de  Argentina
Departamento Iguazú


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text:
Generex Signs Letter of Intent with Kiromic to Merge with NuGenerex Immuno-Oncology Forming a Multi-Platform Clinical Stage Immunotherapy Company
June 25, 2019 09:00 ET | Source: Generex Biotechnology Corporation
MIRAMAR, Fla., June 25, 2019 (GLOBE NEWSWIRE) -- Generex Biotechnology Corporation ("Generex") (www.generex.com) (OTCQB:GNBT) (http://www.otcmarkets.com/stock/GNBT/quote) today announced that Generex has signed a Letter of Intent ("LOI") with Kiromic, Inc., a clinical stage immunotherapy company ("Kiromic"), to merge into a newly formed Generex entity, called NuGenerex Immuno-Oncology, in an all-stock transaction. With the merger, NuGenerex Immuno-Oncology will house both Kiromic and our subsidiary Antigen Express, Inc., which is developing AE37 in combination with check point inhibitors for the treatment of triple negative breast cancer. Together, the broad technology portfolio and deep pipeline opportunities provided in the merger position NuGenerex Immuno-Oncology on the forefront of cancer immunotherapy.
Kiromic, which is collaborating with MD Anderson Cancer Center, has multiple patented proprietary immuno-oncology platforms, including CAR-T, CAR NK, an oral vaccine delivery system, and DIAMOND AI, an artificial intelligence system with a multifaceted predictive algorithm that combines genomic sequencing, proteomic analysis, and clinical data to identify novel tumor mutations that can be targeted with immunotherapy.
Kiromic has used the DIAMOND AI technology to identify and validate several cancer biomarkers, including SP17, which was granted an orphan indication for ovarian cancer, and is in early-stage clinical trials with the injectable formulation, and has filed an FDA IND for its oral formulation.
In addition to advancing the ovarian cancer program, we plan to advance Kiromic's proprietary CAR-T and CAR NK technologies into proof of concept clinical trials. We also have many exciting opportunities to implement the DIAMOND AI technology in cooperation with academic partners at leading cancer research institutions across the country to not only identify new cancer antigens, but also to build out the multifaceted database with genomic, proteomic, and clinical data to guide personalized treatment regimens based on a patient's tumor profile.
Kiromic is led by its founder, Dr. Maurizio Chiriva-Internati, who was previously a faculty member in the Department of Internal Medicine and Director of Basic/Translational Research Program at Texas Tech University Health Sciences Center, Lubbock, TX, USA, and an Associate Professor, (Adjunct) in the Department of Lymphoma and Multiple Myeloma at the University of Texas MD Anderson Cancer Center (MDACC), and who is currently a senior research scientist in the department of gastroenterology at MDACC.
"We are very fortunate to have Dr. Chiriva-Internati leading our research and clinical development efforts for NuGenerex Immuno-Oncology as we build a world-class immunotherapy company with three new platforms," said Joe Moscato, CEO of Generex. "He is world-renowned in the oncology community through his research at Texas Tech and his clinical work at M.D. Anderson Cancer Center. His discoveries, including the DIAMOND AI artificial intelligence algorithms, CAR-T and CAR NK platforms, and oral vaccine technologies have shown proof-of-concept, and we look forward to great developments in the future."
Dr. Chiriva-Internati added, "I am excited to join NuGenerex Immuno-Oncology as we build a world-class oncology company that integrates genomic, proteomic, and molecular data sets to identify and validate cancer biomarkers. The Ii-Key technology enables rapid product development and a clear regulatory path for immunotherapeutic peptides that have been proven safe and effective for eliciting immune responses for cancer therapy. The future is bright for advancing immunotherapy as the new standard of care for cancer treatment."
About Generex Biotechnology Corporation
Generex Biotechnology Corporation is an integrated healthcare holding company with end‐to‐end solutions for patient centric care from rapid diagnosis through delivery of personalized therapies. Generex is building a new kind of healthcare company that extends beyond traditional models providing support to physicians in an MSO network, and ongoing relationships with patients to improve the patient experience and access to optimal care.
In addition to advancing a legacy portfolio of immuno‐oncology assets, medical devices, and diagnostics, Generex is focused on an acquisition strategy of strategic businesses that complement existing assets and provide immediate sources of revenue and working capital. Recent acquisitions include a management services organization, a network of pharmacies, clinical laboratory, and medical device companies with new and approved products.
Our newly formed, wholly‐owned subsidiary, NuGenerex Distribution Solutions (NDS), integrates our MSO network with a pharmacy network, clinical diagnostic lab, durable medical equipment company (DME‐IQ) and dedicated call center.
Revenue from Generex's subsidiaries will support clinical advancement of its wholly owned therapeutic products with a focus in immunotherapeutics based on stimulating critical members of the immune response, known as T helper cells, and its proprietary buccal administration of insulin.
This release and oral statements made from time to time by Generex representatives in respect of the same subject matter may contain "forward-looking statements" within the meaning of the Private Securities Litigation Reform Act of 1995. These statements can be identified by introductory words such as "expects," "plan," "believes," "will," "achieve," "anticipate," "would," "should," "subject to" or words of similar meaning, and by the fact that they do not relate strictly to historical or current facts. Forward-looking statements frequently are used in discussing potential product applications, potential collaborations, product development activities, clinical studies, regulatory submissions and approvals, and similar operating matters. Many factors may cause actual results to differ from forward-looking statements, including inaccurate assumptions and a broad variety of risks and uncertainties, some of which are known and others of which are not. Known risks and uncertainties include those identified from time to time in the reports filed by Generex with the Securities and Exchange Commission, which should be considered together with any forward-looking statement. No forward-looking statement is a guarantee of future results or events, and one should avoid placing undue reliance on such statements. Generex undertakes no obligation to update publicly any forward-looking statements, whether as a result of new information, future events or otherwise. Generex claims the protection of the safe harbor for forward-looking statements that is contained in the Private Securities Litigation Reform Act.
Generex Contacts:
Joseph Moscato
Todd Falls
1-800-391-6755 Extension 222
investor@generex.com
More articles issued by Generex Biotechnology Corporation
Generex Biotechnology Corporation
Miramar, Florida, UNITED STATES
http://www.generex.com
Logo1 (2).JPG


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Quoted in J.W. Robertson Scott, The Life and Death of a Newspaper (1952) p. 85.
I never spoke to Stead in my life, nor even saw him except once at a public meeting, where he behaved so outrageously that I walked out in disgust. I was a contributor to the Pall Mall under his editorship; but as my department was literature and art, and he was an utter Philistine, no contacts between us were possible. Outside political journalism such as can be picked up in a newspaper office he was a complete ignoramus. I wrote him a few letters about politics which he acknowledged very sensibly as "intended for his instruction"; but he was unteachable except by himself.
We backed him up over The Maiden Tribute only to discover that the Eliza Armstrong case was a put-up job of his. After that, it was clear that he was a man who could not work with anybody; and nobody would work with him. When he was set up years after as editor of a new London daily he had learnt nothing and forgotten nothing, being so hopelessly out of date journalistically that the paper collapsed almost at once. He wanted me to review for it on the old P.M.G. terms though I had become a Big Noise in the interval.


text:
Barrs-Woods ready for workhorse role
Gary Horowitz Statesman Journal
CORVALLIS – Several returning Oregon State players changed their numbers for the 2015 season.
The Beavers' top running back is still No. 24, but he changed his last name.
The player formerly known as Storm Woods became Storm Barrs-Woods this summer, a tribute to his mother, Faith Barrs.
"I love my mom," he said.
Barrs-Woods also loves to play football for OSU, and it's last hurrah time for the 6-foot, 207-pound senior from Pflugerville, Texas. There is reason to believe that Woods is headed for his most productive season in the orange and black.
With a change from the pro-style offense of former coach Mike Riley to the spread-option under first-year coach Gary Andersen, the Beavers will travel by land more than in recent seasons.
In Andersen's previous two seasons as coach at Wisconsin, the Badgers were one of college football's premier running teams. Melvin Gordon led the nation in rushing last year with 2,587 yards and 29 touchdowns, was the Heisman Trophy runner-up, and was selected by the San Diego Chargers in the first round of the 2015 NFL Draft.
While Barrs-Woods isn't likely to approach those numbers, his first 1,000-yard season is within reach. He is also on the preseason watch list for the Maxwell Award (top college player).
"Definitely getting the ball in my hands more I'm looking forward to," said Barrs-Woods, who led the Beavers in rushing last season with 766 yards. "Sharing carries with Terron (Ward), it was sort of tough to get in rhythm sometimes."
Barrs-Woods figures to be in more of a lead-back role, but Andersen said the Beavers need more than one productive running back to be successful. Even at Wisconsin last year, backup tailback Corey Clement ran for nearly 1,000 yards.
OSU ranked 11th in the Pac-12 in rushing last season (118.1 yards per game), but with inexperience at quarterback – no eligible signal callers on the roster have played in a college game – the Beavers will be a run-first operation.
"It's very encouraging," said Barrs-Woods, whose best season came in 2012 with 940 yards. "To run the ball I feel says a lot about a team. It establishes your dominance."
In the Beavers' most impressive game last season – a 35-27 upset of then-No. 7 Arizona State – Barrs-Woods and Ward combined for 273 rushing yards.
In addition to Barrs-Woods, junior Chris Brown (5-10, 202) and sophomore Damien Haskins (5-9, 223) are ready to share the load.
Brown is a multi-dimensional back in the mold of Woods, and Haskins is considered more of a power back.
True freshman Deltron Sands and sophomores Jaylynn Bailey, a South Salem High graduate, and Marcus Greaves provide additional depth. Tim Cook, a transfer from Eastern Arizona Community College, has an undisclosed injury and is out for the season.
"We're all pushing each other," said Brown, who ran for 98 yards and two TDs last season. "We have to if we want to be the best backfield in the nation."
Another plus for the running game is all five starters on the offensive line return, although senior guard Gavin Andrews (broken foot) is out indefinitely. Isaac Seumalo, a second-team all Pac-12 selection in 2013, is back for his junior year after missing the 2014 campaign with a foot injury.
"I wish we'd run the ball as much as possible," Seumalo said.
Barrs-Woods enters the 2015 campaign as the seventh-leading rusher in school history with 2,183 yards. His 111 career receptions is fourth-most among OSU running backs.
Here's something you might not know about Barrs-Woods: He's a country music fan.
"That is true," Barrs-Woods said. "I've got some Willie (Nelson), I got the great George Strait from Texas, Darius Rucker, Blake Shelton. I'm more of a new-school country guy…(But) I listen to everything."
A criticism of Barrs-Woods prior to last season was his inability to break long runs. But a 78-yard touchdown jaunt in the ASU game last season proved that he has another gear.
Barrs-Woods is aware that the Beavers were picked to finish last in the Pac-12 North in the preseason conference media poll, but he said OSU will be "way better than that" and recalled a pearl of wisdom he learned from Riley.
"Coach Riley did tell me one thing that stuck with me forever," Barrs-Woods said, "That predictions and the rankings matter at the end of November. At the end of November I'll see what everyone is saying."
ghorowitz@StatesmanJournal.com, (503) 399-6726 or Twitter.com/ghorowitz
RUNNING BACK BREAKDOWN
STORM BARRS-WOODS: The seventh-leading rusher in school history is a dual threat as a runner and receiver. Pencil him in as the lead back.
CHRIS BROWN: Showed signs last season that he is ready to step into an expanded role.
DAMIEN HASKINS: The power back will likely be used more in short-yardage situations.
DELTRON SANDS: The true freshman could be an asset as a third-down back and on punt and kickoff returns.
JAYLYNN BAILEY: The South Salem product ran for 64 yards in the spring game.
MARCUS GREAVES: Originally attended Western Oregon, but did not play.
TIM COOK: The transfer from Eastern Arizona Community College has an undisclosed injury and is out for the season.
- Gary Horowitz
Coach: Gary Andersen, first season
2015 record: 5-7, 2-7 Pac-12 North, tied for fifth
Starters returning: Nine on offense, two on defense, one kicker
Season opener: 5 p.m. Sept. 4 vs. Weber State at Reser Stadium (Pac-12 Networks)
Tickets: Visit beavertickets.com or call 800-Go-Beavs


text:
Mathematics at NTU is situated within the Department of Mathematics and Physics.
Our portfolio of courses is diverse and popular, covering foundation level through to a suite of BSc degrees, integrated Masters, postgraduate taught and PhD opportunities. Our teaching aims to be exciting, innovative, relevant and highly regarded, with mathematics performing consistently well in the National Student Survey. The link between teaching and research manifests itself in enhanced 'hands-on' research opportunities for our students. Wherever possible, our courses are approved by the Institute of Mathematics and its Applications.
Departmental research is extremely strong in terms of high quality outputs, funding income, and international impact and the mathematics staff contribute in areas that represent the very best of NTU's research activity. Our existing multidisciplinary research strengths are broadly in the field of applied mathematics with applications to biomedical and life sciences, engineering, computing and industry, and include: applied statistics, numerical analysis, mathematical biology including large networks, bioinformatics, quantum information theory and imaging science.
The mathematics team includes many Fellows of the Higher Education Academy and two winners of the coveted NTU Vice Chancellor's Teaching Award. Staff work hard to provide a learning environment that is delivered with the 'personal touch' that gives the Department its distinctive character. Students and graduates from our courses are enriched by the many experiences that the University and Department provide and gain the knowledge and hands-on skills that are valued by employers.
Mathematical science research
Research is applied to a number of areas including applications in biomedical, health and life sciences, engineering and computing.
Our Subject Areas
- - select a subject area - - Mathematics
Christian Beardah
School of Science & Technology
Zuzana Hucki
Golnaz Shahtahmassebi
Science hits the park
New facility to focus on production of medical devices and technologies
Nottingham Trent University rises to highest ever Guardian University Guide position
Academics volunteer to mentor students in the European Creative and SMART Cities Challenge 2019
Highest ever ranking in national league table
NTU named Guardian 'University of the Year'
School of Science and Technology Annual Research Conference 2019
Teaching and Learning building, Nottingham Trent University, Clifton Campus, Clifton Lane, Nottingham, United Kingdom, NG11 8NS
Mathematical Sciences Research Seminar Series
169, New Hall Block, Nottingham Trent University, Clifton Campus, Clifton Lane, Nottingham, NG11 8NS
169, Erasmus Darwin, Nottingham Trent University, Clifton Campus, Clifton Lane, Nottingham, NG11 8NS
Mathematical Sciences Research Centre Seminar Series
New Hall Block 169, New Hall Block, Nottingham Trent University, Clifton Campus, Clifton Lane, Nottingham, NG11 8NS
NHB 169, New Hall Block, Nottingham Trent University, Clifton Campus, Clifton Lane, Nottingham, NG11 8NS
Services to business
The mathematics team provide consultancy services through our Scientific Services to Industry (SS2i), organisations and individuals can access technical expertise through our facilities, knowledge base and equipment.
Institute of Mathematics and it's Applications
Also in Academic Schools
Animal, Rural and Environmental Sciences Architecture, Design and the Built Environment Art & Design Arts and Humanities Nottingham Business School Nottingham Law School Science and Technology
Biosciences Chemistry Computing and Technology Engineering Forensic Science Mathematics Physics Sport Science Leadership Team - Science and Technology
Social Sciences NTU in Mansfield


My January calendar is filled with birthdays — fifteen of them at this count! I need to get started creating some handmade cards to celebrate each one's special day.
This card came together easily — thanks to Stampin' Up!'s color-coordinated products. The Beach House Washi Tape provides the color combination of Pool Party and Crushed Curry. The card features the Birthday Surprise stamp set.
Click the links below to shop for any of the items used to create this birthday card.


Please I need an advice .
I applied for an e-visa to Kyrgyzstan and it got rejected .
Can I still apply for a normal stamped visa in the consulate instead ????
yes, you can still apply for the visa at the consulate. Was there any reason given for the refusal?
It seems that you will not be able to submit normal stamped visa through the consulate.
I had the same situation and when I visited the consulate, they informed me that I can't apply again.
and for the reason of the rejection.
Still no body no the reason.
which consulate was this? Did you have a LOI from a travel agency (I guess so)?
Did they say when you could apply again, or did they just say: your nationality is not allowed into Kyrgyzstan?
It was in Dubai, United Arab Emirates.
I didn't have any LOI and they said i can apply only after 1 year and nothing related to my nationality.
Can I apply if I will get LOI from Travel agency in Kyrgyzstan?!
Hi, I got my visa after 21 days. I waited for aprrox. 2 weeks to contact them on @gmail.com address.
They replied with in one hour that , in the web application , my passport image is missing. I send them (all the neccesarry document photo, passport copy and my European residence) on the email @gmail , after 3 working days I recieved my visa.
I do pretty remember I upload correctly all the documents .
The visa page here says that tourist visas can also be rejected, so it's not just you.
It should not be an issue, as long as you don't repeat your previous mistake!


text:
Q: How can I get a count for each row in separate table? I am trying to produce a table that lists all the area code, office code combinations and the number of subscribers with that area code, office code combination.
CREATE TABLE lines
(
    portid integer NOT NULL primary key,
    areacode varchar(3), --subscriber area code
    officecode varchar(3), --subscriber office code
    stationcode varchar(4), --subscriber station code
    state varchar(4) NOT NULL, --line state BUSY, IDLE

    foreign key (portid) references facilities(portid) on delete cascade
);

CREATE TABLE subscribers
(
    portid integer NOT NULL,
    name varchar(30) NOT NULL,
    address varchar(50),
    primary key (portid, name),
    foreign key (portid)  references facilities(portid) on delete cascade
);

SELECT
    AREACODE, OFFICECODE, COUNT(SUBSCRIBERS.PORTID = LINES.PORTID)
FROM
    LINES
INNER JOIN
    SUBSCRIBERS ON SUBSCRIBERS.PORTID = LINES.PORTID;

But this just outputs 819|227|50. It is outputting the total number of subscribers instead of the number of subscribers for each areacode and officecode combination. What am I doing wrong?

A: You'll want to use something along the lines of:
SELECT LINES.AREACODE, LINES.OFFICECODE, COUNT(*) AS SUBS
FROM LINES INNER JOIN SUBSCRIBERS ON SUBSCRIBERS.PORTID=LINES.PORTID
GROUP BY LINES.AREACODE, LINES.OFFICECODE

Without the GROUP BY clause, the query will output a row for each record in the joined dataset.
To output records for which the count meets some criteria, you would add a HAVING clause, e.g.:
SELECT LINES.AREACODE, LINES.OFFICECODE, COUNT(*) AS SUBS
FROM LINES INNER JOIN SUBSCRIBERS ON SUBSCRIBERS.PORTID=LINES.PORTID
GROUP BY LINES.AREACODE, LINES.OFFICECODE
HAVING COUNT(*) = 3

A: A group by or maybe a nested select could get you to what you want, I came up with
SELECT areacode, officecode, lines.portid, count(*) from lines inner join
subscribers on subscribers.portid=lines.portid group by areacode, officecode;


Topcon Healthcare Solutions has announced that they have attended the Vision Expo West (VEW) 2018, which was held on September 26 to 29, 2018 in Las Vegas, NV, where they officially introduced Topcon Cloud, a software for the backup and archiving of patient exam data in the cloud. VEW was an event for ophthalmic professionals where they were provided with the latest information on developments regarding eye care. VEW also provided educational materials to more than 6,500 optometrists, opticians, ophthalmic technicians, and practice staff.
Topcon Cloud is an add-on module that is suitable for Topcon devices running the IMAGEnet 6 software. This is intended for cloud storage of patient data and the secure backup and archiving of patient data. The company explains that this backup and archiving software is vital for healthcare practices because of the rapidly expanding quantity of patient data that they need to keep securely in their database.
Cloud storage means that the data are transmitted to remote servers that are accessed through the Internet or "cloud". Also, it offers the benefit of being affordable and making it easy to share files. And just like the Internet, it can be accessed by a number of operating systems. Its primary purpose is to provide a way to backup data and archive data that is not used very often. The Topcon Cloud software also provides the kind of security that is needed for healthcare data.
According to John Trefethen, the Topcon Cloud software will allow healthcare practices to optimize their productivity and efficiency. This software can be integrated with Topcon devices, and this offers the benefit of eliminating the need for manual backup. Furthermore, the software is easy to set up, install, and configure. Expanding storage in Topcon Cloud is easy and simple when the practice expands, and the storage's maximum capacity has been reached. Relatively old patient data that are not used that often can be archived in the cloud with Topcon Cloud. And finally, users can access the data wherever the user is located as long as there is Internet access and they have the login-in credentials required for the security of the system.
Topcon also pointed out that with Topcon Cloud, file disaster recovery is possible. It features an activity log and audit trail, and notifications are sent out regarding software updates. The Topcon Cloud module has been designed to comply with the requirements and regulations of all of the privacy laws and the HIPAA (Health Insurance Portability and Accountability Act of 1996). To ensure security, this software utilizes data encryption and user authentication.
John Trefethen also points out that the Topcon Cloud is simpler and less expensive when compared to the alternative of expanding the local data storage in the healthcare practice when their installed hard drive space is no longer capable of holding all of the patient data. By archiving old and rarely used patient exam data, more space can be had in the local storage and then all of the data can be backed up by using Topcon Cloud. This means peace of mind for the administrator of the healthcare practice.
Those in healthcare practice may be interested in visiting the Topcon Healthcare Solutions website regularly to remain updated regarding new developments on this cloud storage software. Changes and improvements to the software may be regular occurrences as the company is continually finding ways to improve on its software solutions. For a recap of the VEW and to learn what Topcon is planning for next year's event visit https://www.topconhealth.com/vision-expo-west.


text:
import {CreatePostController} from './createPost.controller';
import {CreatePostComponent} from './createPost.component';
import template from './createPost.template.html';

let ddo;
let Controller;

describe('Create Post Component', () =>{
  beforeEach(() => {
    ddo = CreatePostComponent();
  });

  describe('Controller', () => {
    it('should be a class', () => {
      expect(CreatePostController).to.be.a('function');
    });

    it('should inject it\'s dependencies', () =>{
      expect(CreatePostController.$inject).to.be.a('array');
    });
  });

  describe('Component', ()=>{
    it('should return a DDO', ()=>{
      expect(ddo).to.be.an('object');

      expect(ddo).to.have.property('controller', CreatePostController);
      expect(ddo).to.have.property('bindToController', true);
      expect(ddo).to.have.property('restrict', 'E');
      expect(ddo).to.have.property('controllerAs', 'vm');
      expect(ddo).to.have.property('template', template);
      expect(ddo).to.have.property('scope');

      expect(ddo.scope).to.be.an('object');
    });

    it('should inject it\'s dependencies', () =>{
      expect(CreatePostComponent.$inject).to.be.a('array');
    });
  });
});

redpajama_set_name: RedPajamaGithub


Hi! I'm Amanda and that handsome fella next to me is Derik.
We met in college, fell in love, and settled out West (Portland, Oregon to be exact), optimistic and ready to take on the world. After both of us landed steady career jobs we spent a solid year learning how to live life as responsible adults. We had a nagging feeling that our lives were meant to be lived differently. After exploring some options and having multiple late nights dreaming, we realized staying put in one place doing the '9-5 thing' wasn't going to work for us.
So, we sold everything and moved abroad.
I started Living in Another Language as a way to keep in touch with our families while we were out traveling the world. Since then it's morphed into quite the hobby and side-business of mine, and couldn't be more thrilled in the direction this blog is heading! Enjoy our stories about the strange things that happen to us while we learn to live in new countries/cultures, the photographs we take on our travels, and the few travel tips I may have along the way!
Welcome! My husband and I are currently living in Germany, after previously residing in New Zealand and South Korea (slowly making our way around the continents). We spend every free moment exploring #allthethings, but enjoy a chill Saturday drinking a good cup of coffee and talking about nothing in particular. My husband and I have been traveling since February of 2012, and started our lives abroad as ESL teachers to a bunch of kiddos in South Korea.
Interested in traveling abroad to teach yourself and making some money? Check out 'So You Wanna Be An ESL Teacher?' It'll help you get started with answering some of your questions!
After some time in Korea, we took off for New Zealand, where we spent a year exploring the most gorgeous country on the planet. Not opinion — it's a pure fact. We were able to live and work in Dunedin, NZ on a work-holiday visa and were extremely sad that we had to leave in 2015 due to our visas expiring. We did however make the most of our year by taking a campervan trip across the country, seeing the southern lights a few times, going on an epic Haka Tour, and of course, visiting Hobbiton!
Once we left New Zealand, we spent 6-months traveling though Asia and Europe, and then settled down back in the United States for a year (Alaska and Texas). In 2017, Derik's job moved us to Germany! We'll be here for a few years and are so excited to explore Europe a bit more extensively!


text:
We Talked To Queer Artist K8 Hardy About Predating Selfie Culture In Her New Film "Outfitumentary"
Over the weekend, artist K8 Hardy made her cinematic debut at MoMA's Doc Fortnight with the North American premiere of Outfitumentary, a film which chronicles her personal style and its marked evolution in post-9/11 New York.
Fifteen years in the making, the film is equal parts fashion vlog meets cultural commentary and simultaneously acts as a testament to the existence of "a young lesbian feminist dressed in her coming of age" in a rebellious act that predates contemporary selfie culture. Similar to the way many underrepresented communities (from POC to queer people) use social media today to create their own narratives, it's a film that reminds us that you can make anything interesting -- with or without the help of the gatekeepers. Peep our Q&A with the one-woman show about everything from the film's beginnings to making the mundane intriguing, plus some prime outfit inspiration courtesy of Hardy herself.
Could you tell me a little bit about where you got the idea for Outfitumentary?
I was shooting a lot of video at the time, and...I knew my style was interesting and time-based, and I wanted to document it. But it also came from wishing I had seen that from a past generation. I wasn't thinking it was going to be this big artwork. At the time, people weren't interested in that, and that would've ruined my career if I had been making this thing. In my mind, I thought, "I could give this to an archive when I die" or "Maybe this will be interesting in 30 years." I just knew that it wouldn't be interesting unless I did it for a long amount of time, and if I was accumulating the video images I would need to have some kind of structural consistency for it to be comparative and for you to see time changing.
I'm kind of curious as to why you would say that it would ruin your career.
I just didn't think that it could be artwork. That's kind of a hyperbole. But I just thought I was making a document in the beginning. And then after four or five years, I thought that it was interesting, although it might not really be interesting until maybe 2040. And then when the selfie phenomenon came up, I thought, "Okay, I think this is interesting now." I sat down a year and a half ago to look at all the footage, and I hadn't looked at it at all over the 10 years. I had just been accumulating it.
What do you think of everyone documenting their personal style now -- and how it's become this huge cultural staple?
It's endlessly fascinating to me. I don't necessarily think it's good or bad, but I also think that we've been so inundated with advertising images -- and something that younger generations maybe don't understand is that you [used to] only see one kind of body type in media and on TV -- so in a way, there's something empowering about representing yourself, you know? It's almost like you need to put your own images out there. Now, the balance is starting to shift in terms of body fascism, or whatever. But selfies are a way of changing the narrative.
Personally, I think it has had a huge effect on the queer and POC communities. It has definitely elevated everyone in that community to another level.
It's self-representation! Before it was just a bunch of assholes and body fascists producing imagery...only they had the access or money to make nice photos, but now everyone has access.
Has anyone compared you to other artistic forerunners to selfie culture like Cindy Sherman? What do you think of that comparison?
It's fine. To me, it's like if you're a painter and you have a similar palette to another painter in your generation, you get compared. If your palette is your own self and photographing yourself in dress, hair, and makeup, then yeah, there is a similarity. It doesn't bother me. I don't need to be unique or think that I'm doing something brand new. I think that's where a lot of people get stuck as artists, you know? Usually when I'm told that, it's usually a critique -- as if I was copying her or something. That's not really what's happening, but people are gonna think what they want.
Going back to the documentary, were there any particular things you did for each documentation? Certain poses or shots?
I was just trying to get myself from head-to-toe. I was not overthinking it. I wasn't trying to get my cutest outfits. Often times, I would miss my cutest outfits because my mind would be somewhere else. I was just trying to get reality and trusting that the mundane would be interesting and comparative. I didn't make any effort to get a good shot or include things.
Maybe this is a byproduct of me growing up in selfie culture, but I feel like if I did a project like this, I would make sure I was in my cutest outfit and that my makeup was perfect. Were you self-conscious knowing other people would see this? Did that feeling play into any of the film?
It was really a different time, and it was shameful, in a way, to be videoing yourself and be posing in front of the camera. There wasn't much self-consciousness because, honestly, I wasn't sure anyone would ever see it. I didn't know what I was doing it for. Even when I sat down to look at it, I thought, "It could be shit -- whatever, we'll see." But [throughout the film] you can see my comfort with the camera grow, and then me getting totally bored. I knew I was recording myself and that it would be seen at one point, most likely. It's a very honest document.
I'm also kind of curious about your editing process. Was anything left on the editing floor?
Nope. I tried to stay true to the integrity of what I wanted to capture at the time. It was hard, too, because a lot of the stuff is embarrassing.
Is there a particular outfit you're embarrassed of?
I'm not going to say. But there is some music and things that I do that I'm like, "Oh my god." But I have to include it! So I just edited it so you could get the spirit and the integrity of that moment, and I really tried to focus on what I was doing then. I could've made an edit that was much more complimentary of myself, but that's not the point.
Could you briefly describe how you think your style has evolved from the beginning of filming to now?
How I [saw my style] evolving was kind of opening up to patterns and skirts and dresses -- more eccentric. I just see it getting more complex as time passed. You live in [New York City], and it's not like people are shaming you all the time for looking like a freak or eccentric, so you can develop your style easier. I kind of see it developing, but there are a lot of consistencies. There are also a lot of cowboy boots. I ruined them because my basement got flooded. I lost all my shoes one Summer.
Wow, that's lame, but I hope that made it into the film. A narrative twist and whatnot.
The narrative is outside the film. It's not fun for people to watch because you just start writing the story in your mind. You're hearing voices and you're seeing the background change, apartment change, my hair change. In the beginning, I call it my "Outfitumentary," and my intentions are really to document what I'm wearing. But in the end, the video quality is so shitty that it's not like you can see it that well. You can see silhouettes, but there is so much you can't see. My iPhone is better than what I recorded that on for 10 years. It's more of a self-portrait, and it's much more about the interior space and the time and music. It all comes together.
What's the #AllInYourThroat Challenge?
Cannes Film Festival Is Already Better Than the Oscars
What Tops Do Bottoms Wear on a Red Carpet?


text:
<title>Dismiss Multiple Guesses Test</title>

This test verifies that pressing ESC key diusmisses multiple guesses panel correctly

After seeing the panel with multiple candidates, pressing ESC key to dismiss the panel.

Note, this test can fail due to user specific spell checking data. To fix this, remove all files in ~/Library/Spelling, then kill AppleSpell.service process.


SKU: AC4113. Categories: Custom Sportswear, Cycling, Wind Jackets, Elevate.
Our Elevate™ Wind Jacket is made from our 80gsm Cool Shield™ shell fabric, making it a wonderfully lightweight windbreaker. This means it will keep you safe from wind-chill on your ride, while still offering limited breathability to keep from getting too stuffy, and it won't weigh you down. Elevate™ cycling wind jackets use our Elite YKK full invisible zipper so your graphics and artwork are seamless and uninterrupted for a great look! It also comes standard with 3 rear pockets for ample storage.


Large and robust, this style is the one that lovers of big wines are looking for. Made famous in Italy's Piedmont region - highly regarded for its finest wines - this Nebbiolo (Barolo) is rich in flavor and deep in color, with a rounded oak aroma that lingers on the finish. Not surprisingly, Nebbiolo (Barolo) is a consistently popular offering year in and year out. - 16 liters/4.22 gallons - Makes up to 23 liters/6 gallons. Approx. 30 - 750ml bottles. Ready to bottle in 6 weeks.


The GIC-600 holds significant programming and interrupt states in RAM, which is protected by SECDED and ECC.
However, the contents of some RAM is expected to be static over long periods of time, and there is a potential for errors to accumulate if a particular address is not accessed after a period. To prevent this a scrub system is used, whereby software can trigger periodically, a low-priority scrub through GITS_FCTLR.SIP, GICR_FCTLR.SIP, and GICD_FCTLR.SIP. This process triggers a check and if necessary, a Write-Back, of all valid RAM entries. Any errors that are found during a scrub are also reported in the relevant RAS error record.


text:
LDNMUSCLE Taster Pack Competition – Ts&Cs.
1. This promotion is open to UK Residents only, excluding employees and their immediate families of LDNMUSCLE LTD or anyone professionally connected with this promotion.
2. Promotion commences at 8pm on Sunday 21st August 2016 and closes at 9pm on Wednesday the 24th August 2016. All entries must be received by 8pm on the closing date.
3. To enter the prize draw, participants must:
a. Have a Twitter account (register at www.Twitter.com for a free account)
b. Register on Twitter to follow the official @ldn_muscle twitter account
c. Retweet the competition tweet posted by the official LDNMuscle Twitter account
4. The Promoter is unable to alter existing entries in the event of an email address or mobile telephone becoming inaccessible during this promotion.
5. No Purchase Necessary
6. Maximum of 1 entry per social media channel per person. Bulk,third party or consumer group entries will not be accepted.
7. The two winners will be drawn at random and the winners will be published on the LDNMUSCLE Twitter account after the competition has closed.
8. The decision of the Promoter in all matters is final and binding and no correspondence will be entered into.
9. No cash or alternative will be offered for the prizes in whole or part. In the event of unforeseen circumstances, the Promoter reserves the right to substitute the prizes with the same or greater value.
10. The winners will be asked to send their postal address in a Direct Message to the official LDNMUSCLE Twitter account.
11. The winners will receive their prize within 30 days of the closing date. If the prize winner is not contactable in this time, the Promoter reserves the right to withdraw the prize from that person and award the prize to an alternative winner.
12. The Promoter accepts no responsibility for entries that are incomplete, delayed, not received or delayed for any reason beyond the Promoter's control. Proof of email, Tweet or other message being sent is not proof of receipt of entry.
13. To the extent permitted by law, the Promoter accepts no liability for personal injury, loss, death or other circumstances affecting the enjoyment of participants as a result of or connected to taking part in this promotion or winning a prize.
14. Prize winners may be required to participate in publicity associated with this competition without payment, and in entering give permission for this use.
15. The Promoter does not commit to responding to @ mentions and/or replies, and is not responsible for content altered via re-tweets by other Twitter users. The promoter is not responsible for the terms and conditions, privacy policy or content of any website accessed through links or references in our tweets. Promoter reserves all rights relating to the promoter's Twitter account, including but not limited to: (i) adding, removing, or modifying any content posted on the account, (ii) blocking other Twitter users; and (iii) discontinuing the account at any time. Medical and health topics may be discussed but should not be construed as medical advice.
16. By entering this Promotion you agree your personal details may be used by the Promoter for the purpose of sending you information about future promotions, events, products and news items as well as for internal administration and analysis. At all times this information will be used in accordance with the Data Protection Act 1998.
Promoter: LDNMUSCLE LIMITED. www.ldnmuscle.com


text:
First Destroyer Flotilla (Royal Navy)
The First Destroyer Flotilla was a formation of destroyers of the Royal Navy.
1.1 June, 1906
1.2 18 March, 1910
1.3 Late 1911
1.4 April, 1912
1.5 February, 1913
1.6 July, 1913
1.7 October, 1913
1.8 November, 1913
1.9 January, 1914
1.10 March, 1914
1.11 July, 1914
1.12 August, 1914
1.13 September, 1914
1.14 October, 1914
1.15 December, 1914
1.16 January, 1915
1.17 Battle of Dogger Bank
1.18 February, 1915
1.20 April, 1915
1.21 Battle of Jutland
1.22 June, 1916
1.25 November, 1916
1.28 May, 1917
2 In Command
The Flotilla had twelve destroyers, and was based in Portsmouth and assigned to the Channel Fleet alongside the similarly equipped Second and Third Destroyer Flotillas.[1]
Attached to the Channel Fleet
Boyne Crane Derwent Doon Fawn Flirt
Garry Kangaroo Myrmidon Peterel Ribble Waveney
In August, 1907, the First and Second Destroyer Flotilla transferred from the Home Fleet to the Channel Fleet.[2]
Between April and October, 1910 until 1911, it included the Beagle class destroyers.[3][4]
Operating as part of the First Division, Home Fleet and comprised of Swift, the Tribals, and several Rivers.[5]
Boadicea
Depot Ship
Afridi Amazon Boyne Cossack Crusader Garry
Ghurka Maori Mohawk Ness Nith Nubian
Ribble Rother Saracen Swale Swift Tartar
Teviot Ure Usk Waveney Wear Welland
Late 1911
On 1 November, 1911, the flotilla was comprised of:[6]
Flotilla Cruiser
Flotilla Leaders
Blanche Patrol Swift
Twelve Beagles Twelve "Tribals"
From 1912 through much of 1916, it was also comprised of twenty Acheron class destroyers armed with 21-in Mark II torpedoes.[7][8][9][10] Apparently, Blonde was flagship and Tyne a depot ship during that time.[11][12]
The Royal Navy's flotillas were re-jiggered, leaving the 1 D.F. with twenty Acherons and a pair of cruisers, all with full crews and based on Rosyth. The depot ship, Venus, was soon to be relieved by Woolwich.[13]
Flotilla based at Rosyth
Venus*
Acheron Ariel Archer Attack Badger
Beaver Defender Druid Ferret Forester
Goshawk Hind Hornet Hydra Jackal
Tigress Lapwing Lizard Phoenix Sandfly
Part of the First Fleet, the Flotilla was now comprised of twenty Acherons under scout cruiser Blonde with depot ship Venus.[14]
Attached to the First Fleet
Acheron class Destroyers
Acheron Archer Ariel Attack Badger
Lapwing Lizard Phoenix Sandfly Tigress
Blonde has been transferred to the Fourth Battle Squadron, to be replaced by Patrol after the end of manoeuvres.[15]
The First, Second and Third Destroyer Flotillas arrived at Longhope on 30 September and departed on 6 October to participate in combined exercises with the First Fleet in the North Sea.[16]
The new destroyers Firedrake and Lurcher are temporarily assigned to this flotilla, Attentive has replaced Patrol, and the Venus is scheduled to be relieved by the depot ship Woolwich.[17]
Beaver Defender Druid Ferret Firedrake
Forester Goshawk Hind Hornet Hydra
Jackal Lapwing Lizard Lurcher Phoenix
Sandfly Tigress
Lurcher has transferred to the Fourth Destroyer Flotilla while Firedrake remains attached to the flotilla. Attentive is now part of Seventh Destroyer Flotilla. Venus has gone to the Eleventh Cruiser Squadron. Fearless is now the flotilla cruiser and Woolwich the depot ship.[18]
Jackal Lapwing Lizard Phoenix Sandfly
Firedrake has transferred to the Fourth Destroyer Flotilla.[19]
Unchanged from March. The Commodore (T) directed First Fleet's four flotillas from the flagship, third class protected cruiser Amethyst.[20]
This was very likely the composition at the outbreak of war, when it was less specifically described in other sources.[21][22]
On 13 August, the First and Third Destroyer Flotillas were made part of Rear-Admiral Arthur Henry Christian's new Southern Force. The two flotillas operated out of Harwich under Commodore Tyrwhitt in operations to protect the Belgian coast.[23]
The First Flotilla is still shown as before. The First Fleet's flotilla flagship is now light cruiser Arethusa.[24]
Serving in Home and Atlantic Waters
During the month, it was decided that Faulknor should join as the half-flotilla leader and be fitted with a Mark II W/T set, longer mast, No. 2 set of flags and two additional signal ratings,[25] a change that would limit this roster to applying for just September.
Faulknor has joined as the second flagship.[26]
Flotilla Cruisers
Fearless Faulknor
On 24 November 1914, while centred in Harwich, the leader and half-flotilla leader were changed to Galatea and Meteor.[27]
The flagships have changed according to the command of 24 November. Also, three newly-completed "M" class destroyers have joined the formerly all-Acheron flotilla, while they await a more permanent posting.[28]
Galatea Meteor
"M" class Destroyers
Manly Mastiff Minos
Minos, Manly and Mastiff have been moved to the Third Destroyer Flotilla, pending a move to the still-forming Tenth Destroyer Flotilla. Galatea has also left for a temporary posting in the Second Destroyer Flotilla, replaced by Fearless who is returning from the same. The First Flotilla has also been placed under the command of Vice-Admiral commanding the Third Battle Squadron.[29]
Fearless Meteor
Battle of Dogger Bank
Fourteen Acheron class destroyers were attached to the Flotilla under light cruiser Aurora in the Battle of Dogger Bank on 24 January. One of these, Attack took Beatty from Lion when the battlecruiser was disabled.[30]
The January roster would last until February or March.
Early in the month, the flotilla with Woolwich transferred from Harwich to South Queensferry to assist the Battle Cruiser Squadron based there.[31]
The flotilla is now under the command of Commander-in-Chief Home Fleets, the roster remaining as in January.[32]
The flotilla is now attached to the Grand Fleet. Botha has replaced Meteor as second-in-command; Meteor has been sent to the Tenth Destroyer Flotilla.[33]
Attached to the Grand Fleet
Flotilla Leader
Flotilla Leader, 2nd in command
This roster would apply until June, 1916.[34]
Main article: First D.F. (Royal Navy) at the Battle of Jutland
Nine destroyers led by scout cruiser Fearless screened the Fifth Battle Squadron on its disengaged side during the Run to the South and then served the same duty for the First Battle Cruiser Squadron. Attack and Defender sustained hits from 11-in shells, but kept in the action.[35]
It was organised as follows:[36][37]
scout cruiser Fearless, flagship, Captain (D) Charles D. Roper
Acheron, Commander Charles G. Ramsey
Ariel, Lieutenant-Commander Arthur G. Tippet
Attack, Lieutenant-Commander Charles H. N. James
Hydra, Lieutenant Francis G. Glossop
Badger, Commander Charles A. Fremantle
Goshawk, Commander Dashwood Fowler Moir
Defender, Lieutenant-Commander Laurence R. Palmer
Lizard, Lieutenant-Commander Edward Brooke
Lapwing, Lieutenant-Commander Alexander H. Gye
At the same time, Phoenix remained in harbour and the flotilla leader Botha and destroyers Jackal, Archer, Tigress and Phoenix were in dockyard hands.[38]
Beaver, Defender, Druid, Ferret, Forester, Hind, Hornet and Sandfly have been detached to screen the Third Battle Squadron, relieving the Third Cruiser Squadron of this duty, as it is presumably now needed to make good cruiser loses of those screening the Battle Fleet at Jutland. Fearless is noted as being a temporary member.[39]
Champion Fearless*
Goshawk Hydra Jackal
Lapwing Lizard Phoenix Tigress
Tigress has been detached to join the Second Destroyer Flotilla in Devonport, answering to Commander-in-Chief of that port. Fearless remains as a temporary member.[40]
Lapwing Lizard Phoenix
This roster would apply until September.[41]
Fearless's temporary assignment as second-in-command has lapsed, and she next appears as flagship of the Twelfth Submarine Flotilla in early 1917.[42][43]
This roster would apply until November.[44]
The Flotilla is no longer screening the Grand Fleet, and Champion has moved to the Thirteenth Destroyer Flotilla, but those destroyers (now numbering seven – Defender is curiously not listed, though she'd been there in October and she'd reappear in December) operating with the Third Battle Squadron now are labelled as the First Destroyer Flotilla, tendered to Dido. Acheron, Archer, Ariel, Attack, Goshawk, Hydra and Lizard have been moved to the Second Destroyer Flotilla, under orders of the Commander-in-Chief of Devonport. Tigress seems to be with an unnamed assortment of ten Acorn class destroyers led by second class protected cruiser H.M.S. Eclipse.[45]
Operating with the Third Battle Squadron
Beaver Ferret Hornet Druid Forester Sandfly Hind
This roster would apply just for November.
Defender has reappeared with the Flotilla, still working with the Third Battle Squadron and tender to Dido.[46]
Acheron class Destroyers, tenders to Dido
Beaver Ferret Hornet Druid
Forester Sandfly Hind Defender
This roster would apply until April, 1917.[47]
No longer working with the Third Battle Squadron, the Flotilla is in Portsmouth.[48]
Under Commander-in-Chief, Portsmouth
Acheron class Destroyers, tenders to Victory
The Flotilla has been augmented by Lark and Linnet, arriving from the Sixth Destroyer Flotilla.[49][50]
Beaver Defender Druid Forester Hind
Hornet Lark Linnet Sandfly
This roster would apply until July.[51]
The Flotilla has received further "L" class destroyers Landrail and Lydiard from the neighboring escort flotilla in Portsmouth and Llewellyn and Lucifer from the Sixth Destroyer Flotilla.[52][53]
Hornet Landrail Lydiard Llewellyn Lark
Linnet Lucifer Sandfly
Beaver, Druid and Forester have been sent off to the Fourth Destroyer Flotilla.[54]
Defender Hind Hornet Landrail Lydiard
Llewellyn Lark Linnet Lucifer Sandfly
Defender, Hind, Hornet and Sandfly have also been sent off to the Fourth Destroyer Flotilla, leaving six destroyers.[55] While the First had long been centered on the Acheron class, it now has just six Laforey class destroyers.
Landrail Lydiard Llewellyn Lark Linnet Lucifer
This roster would last until February, 1918.[56]
The Flotilla's six destroyers have all left, replaced by eight "River" class destroyers.[57]
"River" class Destroyers, tenders to Victory
Arun Cherwell Ettrick Liffey
Rother Swale Teviot Ure
The Flotilla is presumably still tender to Victory though this is not specified. Cossack has joined, but she is paid off.[58]
Arun Cherwell Cossack* Ettrick Liffey
This roster would last until June.[59][60]
The Flotilla is presumably still tender to Victory though this is not specified. Cossack has left.[61]
The Flotilla is in Portsmouth, presumably still tender to Victory though this is not specified. The former submarine (now converted to a surface patrol craft) Swordfish has joined.[62]
Acheron class Destroyers, tenders to Victory[Inference]
This roster would last until sometime between September and November.[63]
The Flotilla is in Portsmouth, presumably still tender to Victory though this is not specified. Swordfish has been dropped and Ettrick and Ure are temporarily detached to Immingham.[64]
Arun Cherwell Ettrick* Liffey
Rother Swale Teviot Ure*
The Flotilla is presumably still tender to Victory though this is not specified. Ettrick and Ure are still temporarily detached to Immingham, and six new "M" class destroyers have joined from the Fourteenth Destroyer Flotilla: Medina, Nonpareil, Observer, Offa, Orestes, and Plucky.[65][66]
Destroyers, tenders to Victory[Inference]
Medina Nonpareil Observer Offa Orestes Plucky
The Flotilla is no more, with most its ships "temporarily" at various home ports: Arun, Medina, Nonpareil, Observer, Offa, Orestes and Plucky at Portsmouth, Cherwell, Liffey, Rother, Swale and Teviot at the Nore, and Ettrick and Ure sent to the Seventh Destroyer Flotilla at the Humber.[67]
The Flotilla is reborn as one of seven flotillas of the post-war Grand Fleet, equipped with sixteen modern destroyers, two leaders and a depot ship.
Wallace has come from Devonport and bears the First's Captain (D). Valorous has come in as second-in-command from the Eleventh Destroyer Flotilla, bringing with her Vancouver, Vanessa, Vanity (which is paid off and would remain so until May), Versatile, Viscount Vivacious, Vortigern, Voyager, Walker, Watchman and Wryneck.
Waterhen has come from the Twelfth Destroyer Flotilla and Velox, Warwick and Whirlwind from the Fourteenth Destroyer Flotilla, bringing with them their depot ship, Greenwich.[68][69]
Part of the Grand Fleet
Wallace Valorous
"V "& "W" Class Destroyers
Vanity* Vanessa Voyager Viscount Vancouver Velox
Versatile Vivacious Vortigern Wryneck Waterhen Walker
Walrus Warwick Watchman Whirlwind
Vanity ceased being paid off in May, but in June, the five destroyers marked with asterisks below were temporarily made tenders to Columbine, though they'd revert in July. [71]
Vanity* Vanessa Voyager Viscount* Vancouver Velox
Versatile Vivacious Vortigern* Wryneck Waterhen Walker
Walrus Warwick* Watchman Whirlwind*
In July, 1919 the same roster applied.
[TO BE CONTINUED - TONE]
In Command
Dates of appointment given:
Commodore Edward F. B. Charlton, 27 July, 1909[72] – after 27 June, 1910[73]
Captain Sir Robert K. Arbuthnot, 29 November, 1910[74] – 1 May, 1912[75] (as Commodore, Second Class)
Captain Arthur R. Hulbert, 10 May, 1912[76][77] – 12 January, 1913 (Hulbert fell from Blonde and drowned at Harwich[78])
Captain Thomas L. Shelford, 20 January, 1913[79]
Captain William F. Blunt, 25 April, 1913[80] – 25 July, 1915[81]
Captain Charles D. Roper, 27 July, 1915[82] – 8 June, 1916[83] (in command at Battle of Jutland)
Captain Brien M. Money, 1 March, 1919[84] – 4 April, 1919[85]
Captain George W. McO. Campbell, 4 April, 1919[86] – 1 December, 1920[87]
Captain Arthur K. Betty, 1 December, 1920[88][89] – 19 December, 1922[90]
Captain Sir Andrew B. Cunningham, 19 December, 1922[91] – 1 July, 1924[92]
Captain Kenneth MacLeod, 1 July, 1924[93] – 1 April, 1925
Captain Edward O. B. S. Osborne, 1 April, 1925 – October, 1925
Captain James V. Creagh, 7 July, 1925[94] – October, 1927[95]
Captain John H. K. Clegg, 11 October, 1927[96] – 7 December, 1929
Captain Alan R. Dewar, 16 November, 1929[97] – 10 December, 1931[98]
Captain Edward B. Cloete, 10 December, 1931[99] – December, 1932[100]
Captain Charles F. Harris, 12 December, 1932[101] – 14 February, 1934
Captain Harold T. Baillie-Grohman, 10 February, 1934[102]
Captain Charles M. Blackman, 18 May, 1936[103]
Captain George H. Creswell, 2 May, 1938[104] – 1 May, 1939[105]
Captain Augustine W. S. Agar, 25 June, 1940[106] – 13 July, 1940[107] (temporary)
↑ The Navy List. (June, 1906). pp. 269, 270a.
↑ "Naval & Military Intelligence." The Times (London, England), Tuesday, 13 August, 1907. Issue 38410, col B, p. 10.
↑ Conway's All the World's Fighting Ships 1906–1921. p. 73.
↑ March. British Destroyers. p. 106.
↑ The Navy List. (April, 1910). p. 269.
↑ Annual Report of the Torpedo School, 1912. p. 36.
↑ "Naval and Military Intelligence" (Official Appointments and Notices). The Times. Monday, 13 January, 1913. Issue 40107, col B, p. 11.
↑ "Naval and Military Intelligence" (Official Appointments and Notices). The Times. Tuesday, 14 January, 1912. Issue 40108, col F, p. 13.
↑ "Torpedo Flotilla Organization" The Times (London, England), Saturday, Apr 06, 1912; pg. 4; Issue 39866.
↑ The Navy List. (March, 1913). p. 269a.
↑ The Navy List. (August, 1913). p. 269a.
↑ "Movements of Ships." The Times (London, England), Wednesday, Oct 01, 1913; pg. 11; Issue 40331.
↑ The Navy List. (December, 1913). p. 269a.
↑ The Navy List. (January, 1914). p. 269a.
↑ The Navy List. (April, 1914). p. 269a.
↑ Admiralty Weekly Order No. 109 of 10 July 1914.
↑ Dittmar; Colledge. British Warships 1914–1919. p. 15.
↑ See Southern Force (Royal Navy)
↑ Supplement to the Monthly Navy List. (September 1914). p. 11.
↑ Grand Fleet Conferences, 1914. p. 104.
↑ Supplement to the Monthly Navy List. (October, 1914). p. 11.
↑ Grand Fleet Conferences, 1914. pp. 218-219.
↑ Supplement to the Monthly Navy List. (December, 1914). p. 11.
↑ Supplement to the Monthly Navy List. (January, 1915). p. 11.
↑ Smith. Hard Lying. p. 121.
↑ Supplement to the Monthly Navy List. (March, 1915). p. 14.
↑ Supplement to the Monthly Navy List. (April, 1915). pp. 11, 13.
↑ Supplement to the Monthly Navy List. (May, 1915). p. 11 and Supplements through June, 1916.
↑ Naval Operations. Volume III. pp. 429-30.
↑ Battle of Jutland Official Despatches. pp. 46-7.
↑ Supplement to the Monthly Navy List. (June, 1916). pp. 12, 13.
↑ Supplement to the Monthly Navy List. (July, 1916). pp. 12, 14.
↑ Supplement to the Monthly Navy List. (August, 1916). p. 12, and September's Supplement.
↑ Supplement to the Monthly Navy List. (September, 1916). p. 12.
↑ Supplement to the Monthly Navy List. (November, 1916). pp. 12, 13, 14.
↑ Supplement to the Monthly Navy List. (January, 1917). p. 13, and Supplements through April, less February.
↑ Supplement to the Monthly Navy List. (May, 1917). p. 14.
↑ Supplement to the Monthly Navy List. (April, 1917). p. 15.
↑ Supplement to the Monthly Navy List. (June, 1917). p. 14.
↑ Supplement to the Monthly Navy List. (July, 1917). p. 14.
↑ Supplement to the Monthly Navy List. (June, 1917). pp. 14,15.
↑ Supplement to the Monthly Navy List. (August, 1917). p. 14.
↑ Supplement to the Monthly Navy List. (October, 1917). p. 14, and Supplements through February.
↑ Supplement to the Monthly Navy List. (February, 1918). p. 14.
↑ Supplement to the Monthly Navy List. (August, 1918). p. 16. No Supplement for September or October was found.
↑ Supplement to the Monthly Navy List. (November, 1918). p. 16.
↑ Supplement to the Monthly Navy List. (January, 1919). pp. 15, 19, 20.
↑ Supplement to the Monthly Navy List. (February, 1919). pp. 12, 20.
↑ Supplement to the Monthly Navy List. (April, 1919). p. 11 and May's Supplement.
↑ Charlton Service Record. The National Archives. ADM 196/42. f. 282.
↑ "The Mobilization of the Fleet" The Times. Monday, 27 June, 1910.
↑ "Naval and Military Intelligence" (Official Appointments and Notices). The Times. Thursday, 13 October, 1910. Issue 39402, col B, p. 9.
↑ Arbuthnot Service Record. The National Archives. ADM 196/42. f. 202.
↑ "Naval and Military Intelligence" (Official Appointments and Notices). The Times. Tuesday, 23 April, 1912. Issue 39880, col G, p. 16.
↑ March. British Destroyers. pp. 160-161.
↑ The Navy List. (March, 1913). p. 286.
↑ The Navy List. (July, 1913). p. 286.
↑ Blunt Service Record. The National Archives. ADM 196/43. f. 109.
↑ Roper Service Record. The National Archives. ADM 196/44/151. f. 169.
↑ Money Service Record. The National Archives. ADM 196/45. f. 215.
↑ Campbell Service Record. The National Archives. ADM 196/44/341. f. 341.
↑ The Navy List. (January, 1921). p. 897.
↑ Betty Service Record. The National Archives. ADM 196/44. f. 397.
↑ Cunningham Service Record. The National Archives. ADM 196/47. f. 286.
↑ Creagh Service Record. The National Archives. ADM 196/49/95. f. 220.
↑ Dewar Service Record. The National Archives. ADM 196/50/241. f. 297.
↑ Cloete Service Record. The National Archives. ADM 196/91. f. 181.
↑ Creswell Service Record. The National Archives. ADM 196/52/79. f. 439.
↑ Agar Service Record. The National Archives. ADM 196/52/301. f. 656.
Dittmar, F.J.; Colledge, J.J. (1972). British Warships 1914–1919. London: Ian Allan.
March, Edgar J. (1966). British Destroyers: A History of Development, 1892-1953. London: Seeley Service & Co. Limited. (on Bookfinder.com).
British Destroyer Flotillas
First | Second | Third | Fourth | Fifth | Sixth | Seventh | Eighth | Ninth | Tenth
Eleventh | Twelfth | Thirteenth | Fourteenth | Fifteenth | Seventeenth | Nineteenth
Twentieth | Twenty-first
Local Defence Flotillas
Clyde | Devonport | Devonport & Falmouth | Falmouth | Firth of Forth | Gibraltar
Liverpool | Mersey | Newhaven | Nore | North Channel | Milford & Pembroke | Pembroke
Portland | Portsmouth | Queenstown
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Royal Navy Destroyer Flotillas
Royal Navy Formations
Destroyer Flotillas
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