Pork chops are one of my favorite dinners. The recipe that I've typically had in my family is some variation of coating with flour or bread crumbs, and then frying. Not very appropriate for a slow carb diet. However, we modified the recipe a little and combined several other ideas, and the result was this slow carb mushroom-smothered pork chops recipe that is bound to please! What they lack in the crispy crunch department is more than made up with the delicious flavors!
Preheat a large pan on the stove to medium-high heat.
Add a bit of olive oil to a frying pan, and add the diced onions.
Cook the onions, mixing frequently to prevent burning, until they have softened.
Add the sliced mushrooms. Mix things around, and as the mushrooms shrink with the heating, they will free up more space to add more if you don't have the room to add them all in one go.
Continue cooking until it is the consistency that you like. Then add 1/2 cup of wine, mix, and allow that to cook off for a few minutes longer. While that's finishing, season the pork chops with the salt, pepper, rosemary, and thyme.
Remove the mushrooms from the pan and set aside momentarily.
Add the pork chops to the pan and cook on medium high for about 3 minutes on each side, or until they are nicely cooked. I sometimes throw in a dash of the wine at this point. (An alternate method that I like to do is to sear the pork on high heat briefly on each side to give it a bit of crispiness, and then immediately reduce the heat or remove the pan from the heat, and finish up the cooking under medium heat).
Remove the pork, and if desired you can cover it to keep it warm and allow it to continue cooking itself a bit longer.
Transfer the pork chop to a plate, and then smother it in the sauteed mushrooms.
I enjoy this pork chop recipe with a nice salad, and maybe a side of some sort of beans. A typical slow carb presentation! I also think that a glass of wine goes well with this meal. Enjoy!
I'm keen to try another variation of this by coating the pork in almond or walnut flour before frying, similarly to how is done in my slow carb chicken fingers recipe.
This looks great! I have some portabellos that need to be made, and this might be just the thing.


text:
Heilbronn University of Applied Sciences: Tuition, Admissions, Rankings
Germany » Heilbronn » Heilbronn University of Applied Sciences
Heilbronn University of Applied Sciences, or Hochschule Heilbronn (HHN) in German, is a public institution in Baden-Württemberg, Germany. It specializes in technology, business, and informatics or information technology. Thousands of students are welcomed yearly to its four locations: Heilbronn – Sontheim, Heilbronn – Bildungscampus, Künzelsau and Schwäbisch Hall. HHN is ranked 145th in Germany by EduRank.
Heilbronn University of Applied Sciences Overview
Location: Heilbronn, Germany
Total Enrollment: 8,200 students
Heilbronn University of Applied Sciences Website
Heilbronn University of Applied Sciences Admissions
In this section, we will go over the admissions at Heilbronn University of Applied Sciences. To apply to Heilbronn University of Applied Sciences, it is essential that you follow the application procedure found in these pages:
International Bachelor's Admissions Page
International Master's Admissions Page
Students studying at Heilbronn University of Applied Sciences in English medium should meet one of these English language requirements:
Minimum TOEFL Score for Bachelors: 79
Minimum IELTS Score for Bachelors: 6.0
Minimum TOEFL Score for Masters: 79
Minimum IELTS Score for Masters: 6.0
Minimum CEFR Score for Masters: C1
German Language Requirements
If you wish to study at Heilbronn University of Applied Sciences in German, you should meet at least one of the following requirements:
Minimum DSH Score for Bachelors: 1
Minimum DSH Score for Masters: 1
Language Requirements Pages
If you are interested, take a look at these language requirements pages for more information on language requirements at Heilbronn University of Applied Sciences:
Bachelor's English Language Requirements Page
Bachelor's German Language Requirements Page
Master's English Language Requirements Page
Master's German Language Requirements Page
Bachelor's Tuition Fees
The bachelor's tuition fee at Heilbronn University of Applied Sciences is 0 Euros per year for domestic students and 3,000 Euros per year for international students.
Master's Tuition Fees
The master's tuition fee at Heilbronn University of Applied Sciences is 0 Euros per year for domestic students and 3,000 Euros per year for international students.
Tuition Fee Pages
Here are the official tuition fee pages where we got the information from. Check out these pages for more information on tuition fee of Heilbronn University of Applied Sciences:
Domestic and International Bachelor's Tuition Fee Page
Domestic and International Master's Tuition Fee Page
Here are the world rankings of Heilbronn University of Applied Sciences from reputable ranking sources:
UniRank: #1561 in the World
Bachelor's Courses
Here are some of the bachelor's courses at Heilbronn University of Applied Sciences that are being offered:
Automotive Systems Engineering
Business Administration and Human Resources Management
Business Administration and Sales
Business Engineering Logistics
Electrical Systems Engineering
Financial Management, Accounting and Taxation
You can take a look at complete list of bachelor's courses at Heilbronn University of Applied Sciences in the Bachelor's Courses Page
Master's Courses
Here are some of the Master's courses at Heilbronn University of Applied Sciences that are being offered:
Business Analytics, Controlling and Consulting
Digital Business Psychology
International Business and Intercultural Management
International Tourism Management
You can take a look at complete list of master's courses at Heilbronn University of Applied Sciences in the Master's Courses Page

redpajama_set_name: RedPajamaCommonCrawl


text:
Top » Catalog » Industrial » My Account | Cart Contents | Checkout
KIFOTH - Violence corporation / CD
NWvic - Endless Meaningless Unhelpful... / CD 12.00EUR
As you can imagine, it's been a hard couple of years for it-clings. Having propelled himself to the very pinnacle of success the self-named "biggest fucking thing in the whole fucking world" has spiraled into a self-deprecating pit of despair. Nothing much has been going on since his last release in 2012. Back in those days he experienced all the glamour and exuberance of a fantasy world of his own creation, a made up post-modern existence where he filled his emptiness with excess and inflated his ego with lies and bravado. And when that failed him, he could always fall back on just getting angry about everything. That was his way of coping with shit. But jump ahead a few years and everything has caught up with him. His anger and hostility towards the world was perhaps just as empty and meaningless as the dull pitiful lives of those mindless sheep he used to rail against. Maybe there was no space in this new world for it-clings. But at some point he met Nerve War, and by met I mean he encountered him on the internet. This guy still had hope, still had dreams, and still wanted to watch the world burn. With Nerve War's help there was still a place for it-clings. Are you looking for answers? Well, "Endless Meaningless Unhelpful and Uncalled for Drivel" isn't the album for you. What is it? It's a hodgepodge of disjointed thoughts and songs, the pounding bass and scathing synthesis adds to the atrocities spoken by it-clings. The assholes behind this filth are connected only through their complacency in the pointless banality of modern existence. This isn't exactly something new and it-clings isn't the first to admit it. "Endless Meaningless Unhelpful and Uncalled for Drivel" isn't the answer, it's part of the problem. Unbelievably, this will be it-clings' third full length release. He has appeared on countless releases by other artists (actually a very countable 18) and has written several books. Originally from Toronto, he lived in Halifax, Nova Scotia for far too long. That was a mistake. Halifax is terrible. He now lives in Toronto again. Nerve War has written/released countless albums (again, a very countable 14) under various project names encompassing many different styles such as metal, industrial, electronic, noise and experimental. Nerve War is from many places but for some reason he currently lives in the bowels of Kansas City, Misery. /In stock: 7.10.2019/
Notify me of updates to NWvic - Endless Meaningless Unhelpful... / CD


text:
Juan Luis Sukunza Suárez (Pasaia, 3 de maig de 1967) és un exfutbolista basc, que ocupava la posició de migcampista.

Trajectòria
Comença a destacar a les files del Sestao Sport, amb qui juga a Segona Divisió entre 1989 i 1992, sent titular. Fitxa per la UD Salamanca, amb qui assoleix els ascensos a la categoria d'argent, primer, i a la màxima categoria, a l'estiu de 1995.

A la temporada 95/96, amb els castellans a primera divisió, el basc hi disputa 21 partits. Posteriorment hi milita a l'Elx CF i al CE Castelló.

Enllaços externs
 Fitxa del jugador

Futbolistes de Pasaia
Futbolistes del Sestao SC
Futbolistes de la UD Salamanca
Futbolistes de l'Elx CF
Futbolistes del Club Esportiu Castelló

redpajama_set_name: RedPajamaWikipedia


text:
Home / Products tagged "Get Ephedrine 25mg Canada"
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Animal and human studies have suggested a thermogenic synergism between ephedrine, a beta-agonist, and caffeine, an adenosine antagonist, which may be suitable for the treatment of obesity. Get Ephedrine 25mg Canada
Diastolic blood pressure was not increased by Ephedrine 20mg + Caffeine 200mg, whereas the other combinations increased it by approximately 4 mm Hg more than placebo.
You can also add 1 pill of aspirin (200mg) in this blend to make full ECA stack, but the value of adding aspirin is questionable. The vast majority of studies were in fact done on the Ephedrine+Caffeine blend and there has never been a head-to-head study done that showed the ECA combination was superior to the EC without aspirin. Get Ephedrine 25mg Canada
Take 1 tablet of 25mg as needed for energy. Do not exceed more than 3 tablets daily. Do not use without consulting with your doctor. The maximum recommended serving of ephedrine for a healthy adult is 100 mg in a 24-hour period for not more than 12 weeks. Get Ephedrine 25mg Canada


text:
British Columbia Library Association
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Issue 1: The Collaboration Issue
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The Technology Survey
Issue 3: The Outreach Issue
Brian Campbell Tribute
Issue 2: The Library Values Issue
Issue 3: The Education Issue
Perspectives Education Survey
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Click here to access older issues (formerly called the BCLA Browser).
Have a story idea? Read the guidelines for submissions.
Have something to submit? Use the submissions form.
Broadband internet as a basic service for Canadians: Implications of the recent CRTC ruling
By Scott Leslie
Do you have fast internet at home? In your public library? Able to watch Netflix, YouTube, or use Skype with the video turned on? Listen to a music streaming service? Game online? If so, consider yourself lucky–and likely a resident of one of British Columbia's metropolitan areas. Because even though it's 2017, the Digital Divide is still a real thing in many parts of BC (and throughout the country). But a recent ruling by the Canadian Radio-television and Telecommunications Commission (CRTC)—which declared broadband internet access a basic service in Canada—may be a sign that this will change. Eventually. Maybe.
As recently as 2011, the CRTC had as a national target for "high speed internet" 5 Mbps (megabits per second) downloads and 1 Mbps uploads.[1] The BC government followed suit, choosing 5 down/1 up as the basis for its definition of "high speed internet" goals too. Even at the time, it was definitely arguable that this was setting the bar pretty low. In theory, one might be able to stream video over this connection; in practice, results varied widely.
And as the base speed for an entire library instead of a single household? The BC Libraries Cooperative has been following the very conservative Library Edge benchmark speeds as a target for libraries.[2] These stipulate that each library internet user be allocated minimum bandwidth at the rate of 0.5 Mbps for uploading and 1 Mbps for downloading. Based on this, even the smallest of libraries would find the minimum 5/1 internet connections challenging. The Co-op has surveyed public library members repeatedly about their library's internet connection and identified 35 branches across the province whose connections still do not meet even the older 5 Mbps down/1 Mbps up. The Co-op uses this information and other analysis to tell the story of public library connectivity challenges, and to help identify solutions.
CRTC Decision a Target, not a Mandate
But on Dec. 21, 2016, the CRTC released a decision[3] regarding its review of basic telecommunications services,[4] which signals things may finally change. This ruling determined that broadband internet service must be a "universal service objective," accessible to all Canadians, regardless of location—giving it the same status basic phone service had in the past. The ruling also set targets for minimum effective speeds of 50 Mbps download and 10 Mbps upload for fixed broadband internet services, with a goal of having such connections available to 90 percent of Canadians by 2021, and the remaining 10 percent by 2031 at the latest. Just over 80 percent of Canadians can currently get internet connections at these speeds.
All of which seems worth celebrating![5] In addition to being fast enough for real-life use cases, the thresholds are also high enough that they likely can't be met by expensive satellite connections, the only thing making the existing claims of broadband availability sound better than they actually are. Also, the CRTC shifted the existing $100 million local voice service subsidy to a fund to further develop broadband capacity, in addition to mandating a portion of future telco profits be directed to this fund, creating a not insignificant resource to assist in meeting these targets.
But the devil is in the details. As a number of commentators have pointed out,[6][7] the CRTC's decision represents a target, not a mandate. Further, a target for which any new resources look to heavily favour existing major telcos (those with "prior experience"), a disappointment to any who champion civic networking initiatives[8] or the old-fashioned belief that democratically elected governments have an important role in the provision of major infrastructure. Finally, the CRTC in this decision largely remains silent on the issue of cost to the consumer; while there is undoubtedly room down the road for further rulings, this one did not specify the cost to rural users these broadband targets had to meet. So while the decision may represent a signpost to the future, it doesn't necessarily represent a map, and existing denizens of the Digital Divide might be excused for thinking they've heard promises of better internet before.
There is still much to unfold from this decision. The committees to determine quality of service thresholds and the process for vetting applicants to the newly created development fund are still in the works. It's entirely possible that it will take a couple of years before we start to see tangible results from this process.
So where does this leave BC's public libraries? What can you do? Well, if your library is currently below the new 50/10 threshold, and such connectivity is not available in your region, let people who want to help know: Let your trustees know about the new basic standard as prescribed by the CRTC; participate in the next BC Libraries Cooperative connectivity survey; talk with your municipality and other civic entities in your community (schools, colleges, museums, etc.) about their own plans for higher speed internet. There may be solutions for your library through community collaboration. And keep making the case for the library as a critical access point in communities!
Scott Leslie is Systems Manager at the BC Libraries Cooperative.
© 2015 British Columbia Library Association	·	ISSN 2369-694X	·


This is the Official Multi-Chamber Glass Bong by Mad Scientist. When you first see the bong the first thing that you will say is what the hell? yeah, I was the same when I saw it for the first time. The base of the tube is a rubber base which can be removed for cleaning purpose. The bowl of the bong fits into the bong, you can also your own personal favourite bowl. The bong works like any other bong its just this one looks different.
Since the bong is made out of Borosilicate Glass you will have to use Isopropyl Alcohol and some Fresh Water. Mix the two together and pour into the bong, give it a good swirl until the colouring is gone. Rinse it out with fresh water from the tap. Dry it off with some paper towel. For the bowl, I would recommend reusing the solution that you have created for the bong and leave the bowl in the mixture to clean leave it there for an hour or so then take it out and rinse it off. Dry it off with Paper towel.


text:
Somalia Literature
By cheeroutdoor | September 17, 2021
Poetry occupies an important place in Somali life. The nomads of the North have a richer oral literature than the peasants of the South, with poems with strict rules, characterized by alliteration, metaphors and allegories, intended for recitation, sometimes with the accompaniment of drum and hand clapping. The reciters memorize them and thus pass them on to future generations. The classification of these poems is based on the tone on which they are sung or the rhythm of the words. The noblest genres are three: Gabahi, which generally deals with serious or philosophical themes, with satirical elements, in long verse and calm tone, and is used in meetings or assemblies, today also for propaganda purposes; Jüfto, faster and without musical accompaniment, which deals with serious or sad subjects and contains admonitions or reproaches; Gearaar, celebratory and erotic lyrics, which were once sung in the saddle and have short and excited verses. In Southern Somalia there are the Manso, love songs without fixed rules, and the Širib, sentimental or nostalgic poems. Another genre still in vogue are the Buraambur, short poems with accompaniment, composed by women and for women. In the sec. XIX hagiographic works appearon characters of Islam. The best known poets are Raage Ugaas, ML Jadeer, AA Dubbe, S. Axmed. The period of civil strife and external wars (1899-1944) preferably deals with war themes in poetic works, often of propaganda; we remember SMC Xasan (1856-1921), I. Mire (1862-1951), C. Aadan, F. Naddiff, G. Shinni, S. Qamaan, Q. Bulxan, C. Xirsi, C. Dhuux.
However, there is also a more intimate and personal poem, such as the great poem of love by C. Bowndheri (d. 1941) and the verses of S. Carrabey (d. 1950). In the postwar period (1944-69, year of the revolution) new genres appear, such as Heello, short lyric compositions, with accompaniment, which sing love in a hedonistic or ecstatic form and were created, in 1945, by Abdi Deeqsi; they Hees, popular poetry of urban communities, influenced by Europeanized Arabic music, which deals with political issues in a simple and direct way. Both of these genres are widely broadcast on the radio. A new national awareness appears in the lyrics of XA Faarax (b. 1928), C. Qarshe (b. 1924) and I. Xirsi (b. 1942). Theater is also affirmed which, born in the 1930s in an unwritten form and as pure popular entertainment, is charged with social cues and adapts to Western scenic schemes, while maintaining the alliterative lines of the poetic tradition. The main representative is HS Moumin (b. 1930). Among the poets of this period, the most famous is CX Xirsi (1913-1976), author of vibrant lyrics against social injustices. The seventies present themselves as a ' era of transition from an oral literature to a written production, with new genres, derived from Western models, such as the novel, in which FMJ Cawl (b.1937) and SJ Axmed are distinguished, or the novella (Y. Axmed, MD Afrax, AF Cali, CS Xuseen), which express new conceptions of life, and the historical-political theater of AF Cali (b.1947) and C. Xirsi (1913-1976) and others, and the African cultural heritage to which you intend to renounce. Literature in European languages is underdeveloped. Noteworthy are the works of the poet W. Syaad (b. 1930), whose lyrics are written in French and English, and of MS Samantar (b. 1928) who writes in Italian and French.
According to allunitconverters, the major novelist is however 1937 and SJ Axmed, or the novella (Y. Axmed, MD Afrax, AF Cali, CS Xuseen), which express new conceptions of life, and the historical-political theater of AF Cali (b.1947) and C. Xirsi ( 1913-1976) and others, and the African cultural heritage which is not intended to renounce. Literature in European languages is underdeveloped. Noteworthy are the works of the poet W. Syaad (b. 1930), whose lyrics are written in French and English, and of MS Samantar (b. 1928) who writes in Italian and French. The major novelist is however 1937) and SJ Axmed, or the novella (Y. Axmed, MD Afrax, AF Cali, CS Xuseen), which express new conceptions of life, and the historical-political theater of AF Cali (b.1947) and C. Xirsi ( 1913-1976) and others, and the African cultural heritage which is not intended to renounce. Literature in European languages is underdeveloped. Noteworthy are the works of the poet W. Syaad (b. 1930), whose lyrics are written in French and English, and of MS Samantar (b. 1928) who writes in Italian and French. The major novelist is however Literature in European languages is underdeveloped. Noteworthy are the works of the poet W. Syaad (b. 1930), whose lyrics are written in French and English, and of MS Samantar (b. 1928) who writes in Italian and French. The major novelist is however Literature in European languages is underdeveloped. Noteworthy are the works of the poet W. Syaad (b. 1930), whose lyrics are written in French and English, and of MS Samantar (b. 1928) who writes in Italian and French. The major novelist is however Nuruddin Farah (b.1945), an internationally renowned English-language writer who offers a powerful and incisive vision of his country's life and problems.
Category: Africa Tags: Somalia
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text:
Michigan woman, 27 arrested for posting child porn online after sheriff receives anonymous tip
Allie May Teed, of Plainwell, was arraigned April 29 in Allegan County District Court
A Plainwell, Michigan woman has been arrested and charged after authorities say she posted child porn online.
According to the Grand Rapids Press, Allie Teed, 27, was arraigned last week on multiple charges linked to officers alleging she posted child porn online.
She faces 12 felony counts connected to her alleged sexual abuse.
She was first taken into custody by the Allegan County Sheriff's Office on April 15, after an investigation by the sheriff's Computer Crimes Unit and Michigan State Police Fifth District's Internet Crimes Against Children Task Force.
Allie May Teed, 27, of Plainwell, was arraigned April 29 in Allegan County District Court, on three felony counts of aggravated child sexually abusive activity, three felony counts of criminal sexual conduct aggravated distribution or promotion and six felony counts of using a computer to commit a crime.
Woman charged in child porn case, Allegan County Sheriff's Office says
Teed was arrested after the National Center for Missing and Exploited Children investigators gave police a tip about alleged child porn being posted online.
According to NBC affiliate WOOD, police raided Teed's home and seized her electronic devices as part of the investigation.
She was taken into custody shortly after authorities searched her home.
Police have not specified how the tip from the National Center for Missing and Exploited Children led them to Teed.
That led them to Allie May Teed, 27. After they raided her home and took her electronic devices, she was arrested April 15.
Plainwell woman arrested on child porn charges
Attorney information for the woman accused of having posted child porn online was not immediately available.
Teed is due back in court on May 13 for a probable cause hearing following her late April arraignment.
Further information wasn't immediately available.
Teed's arrest comes on the heels of the similar case against Boston nanny Stephanie Lak, who also faces numerous child pornography charges.
The National Center for Missing and Exploited Children provides a comprehensive list of resources on their website at http://www.missingkids.org.
Plainwell Woman Charged With Child Pornography
Like Teed, Lak's arrest came as the result of a tip from the National Center for Missing and Exploited Children about child porn being posted online.
Authorities claim the nanny, who was active on an online babysitter marketplace, admitted to sending and receiving over 100 files linked to sexual abuse and admitted to discussing abuse online with others.
"It's clear she has access to children," Suffolk County Assistant District Attorney Nicole Poirier said previously.
"She has a long history of being a nanny … and she has a sexual interest in children."
Poirier alleged they also have records of Lak discussing abuse online with another babysitter in Minneapolis.
Twisted nanny 'with a sexual interest in children' is arrested for trading child porn and 'urging her fellow babysitters to molest kids'
Knewz.com
Mark Zuckerberg pays $53M for swath of land on Hawaiian island of Kauai


Isuzu has unveiled a monster truck that towers over the latest 'super utes' from Ford and HSV. Picture: Supplied.
ISUZU has unveiled a monster truck that towers over other super utes such as the Ford Ranger Raptor and HSV Colorado SportsCat, but there is just one catch: it's not coming to showrooms anytime soon.
The D-Max Concept X is a flight of fancy to show what the brand's ute is capable of once it is modified wildly and fitted with massive 38-inch mud terrain tyres and the suspension is given a seven-inch lift.
Unfortunately such a beast wouldn't be legal on Australian roads because it's too wide to fit into a lane.
Swamp monsters … Isuzu MU-X (left) and D-Max Concept X Ute (right). Picture: Supplied.
The monster ute - paired with a high riding version of the Isuzu M-UX family seven-seater four-wheel-drive - was unveiled at the National 4x4 Outdoors Show in Melbourne today.
"We saw a set of gigantic tyres on the Toyo stand one day and our boss joked about putting them on his company car," said lead driver Jack Monkhouse.
Wayne Boatwright, Team D-MAX director said the project then "got a bit out of control".
"We didn't set out to build a racer or pre-runner or rock crawler," said Boatwright.
"It would have been easy to bolt on many accessories but we wanted to go our own way. Most of the build (including) the guards, bull bars, bonnet, brakes, suspension and chassis modifications are all in-house custom work."
Although the Isuzu 3.0-litre turbo diesel engine didn't get a power bump, the result is a ute that could "almost look at home in the next 'Transformer' movie … the kind of car that every child dreams about".
The Isuzu D-Max Concept X Ute looks wild but some of the ideas may be a pointer to future off-road accessories. Picture: Supplied.
Supplied Cars Isuzu D-Max Concept Ute (August 2018). Picture: Supplied.


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text:
extern "Java"
{
  namespace gnu
  {
    namespace xml
    {
      namespace stream
      {
          class EndElementImpl;
      }
    }
  }
  namespace javax
  {
    namespace xml
    {
      namespace namespace$
      {
          class QName;
      }
      namespace stream
      {
          class Location;
      }
    }
  }
}

class gnu::xml::stream::EndElementImpl : public ::gnu::xml::stream::XMLEventImpl
{

public: // actually protected
  EndElementImpl(::javax::xml::stream::Location *, ::javax::xml::namespace$::QName *, ::java::util::List *);
public:
  virtual jint getEventType();
  virtual ::javax::xml::namespace$::QName * getName();
  virtual ::java::util::Iterator * getNamespaces();
  virtual void writeAsEncodedUnicode(::java::io::Writer *);
public: // actually protected
  ::javax::xml::namespace$::QName * __attribute__((aligned(__alignof__( ::gnu::xml::stream::XMLEventImpl)))) name;
  ::java::util::List * namespaces;
public:
  static ::java::lang::Class class$;
};

#endif // __gnu_xml_stream_EndElementImpl__

redpajama_set_name: RedPajamaGithub


text:
/*! HTML5 Boilerplate v4.3.0 | MIT License | http://h5bp.com/ */

/*
 * What follows is the result of much research on cross-browser styling.
 * Credit left inline and big thanks to Nicolas Gallagher, Jonathan Neal,
 * Kroc Camen, and the H5BP dev community and team.
 */

/* ==========================================================================
   Base styles: opinionated defaults
   ========================================================================== */

html,
button,
input,
select,
textarea {
    color: #222;
}

html {
    font-size: 1em;
    line-height: 1.4;
}

/*
 * Remove text-shadow in selection highlight: h5bp.com/i
 * These selection rule sets have to be separate.
 * Customize the background color to match your design.
 */

::-moz-selection {
    background: #b3d4fc;
    text-shadow: none;
}

::selection {
    background: #b3d4fc;
    text-shadow: none;
}

/*
 * A better looking default horizontal rule
 */

hr {
    display: block;
    height: 1px;
    border: 0;
    border-top: 1px solid #ccc;
    margin: 1em 0;
    padding: 0;
}

/*
 * Remove the gap between images, videos, audio and canvas and the bottom of
 * their containers: h5bp.com/i/440
 */

audio,
canvas,
img,
video {
    vertical-align: middle;
}

/*
 * Remove default fieldset styles.
 */

fieldset {
    border: 0;
    margin: 0;
    padding: 0;
}

/*
 * Allow only vertical resizing of textareas.
 */

textarea {
    resize: vertical;
}

/* ==========================================================================
   Browse Happy prompt
   ========================================================================== */

.browsehappy {
    margin: 0.2em 0;
    background: #ccc;
    color: #000;
    padding: 0.2em 0;
}

/* ==========================================================================
   Author's custom styles
   ========================================================================== */

.topmenu
{
    background-color : #f68428;
    text-align: center;
    padding: 12px;
    width: 100%;
    position: fixed;
    cursor: pointer;
    z-index: 1000;

}

.ab {

    display: inline;
    font-size: 18px;
    color: white;
    width: auto;
    text-align: center;
    padding-right: 26px;

}

.background{

    background-color: #90cbc1;
    height: 560px;
    margin: auto;
}

.rax{

    background-image: url("../img/fbknd.jpg");
    margin: auto;
    position: center;
    height: 560px;
    width: 960px;

}

.titlu{
    font-size: 20px;
    text-align: center;
    text-transform: uppercase;
    position: relative;
    color: #f36f21;
    padding-top: 230px;
    padding-left: 450px;
    width: 510px;
}

.subtitlu{
    position:relative;
    font-size: 20px;
    color: white;
    padding-left: 530px;
    padding-top: 25px;

}

.white-container{
    height: 380px;
    width: 960px;
    margin: auto;
    background-color: white;
    position: relative;
    padding-bottom:50px;
}

.titlu-doi {
    margin:auto;
    position: relative;
    font-size:28px;
    color:orange;
    padding-top:30px;
    padding-left: 170px;
    width: 500px;
    top:40px;
}

.arrow {
    left: 850px;
    top: 0px;
    position: absolute;
}

.video-holder{
    background-image: url("../img/thumbnail.jpg");
    position : relative;
    height:160px;
    width:241px;
    margin-bottom: 30px;
    float:left;
    background-color: red;
    margin: 15px;
    top:60px;
}

.text-visuri{
    font-size: 20px;
    position:relative;
    padding-top: 80px;
    display:inline;
    top: 70px;
}

.orangecontainer{

    height:970px;
    background-color: #f68428;
    margin: auto;
    text-align: center;

}

.biocontainer{
    width:960px;
    margin: auto;
}

.titlu-trei{
    text-transform: uppercase;
    font-weight: bold;
    color :white;
    text-align: center;
    position: relative;
    padding-top: 50px;
    font-size: 40px;
}

.inaltatori{
    font-size: 30px;
    color: #fff;
    position: relative;
    padding-top: 60px;
    margin: auto;
    width: 960px;
    padding-bottom: 80px;
}

.speakercontainer{

    float:left;
    margin-left: 15px;
    width : 300px;
}

.kiterunner{
    height: 260px;
    width: 260px;
    border-radius: 50%;
    border : 12px solid white;
    box-shadow: 0px 0px 30px 15px #000 inset;
    display: inline-block;
    position: relative;
    margin: auto;
}

.name{
    font-family: Oswald;
    color: white;
    text-transform: uppercase;
    font-size: 26px;
    display: inline;
    clear: both;
}

.textprofil{

    font-family: Oswald;
    color :white;
    font-size: 20px;
}

.clear{

    clear:both;
}

.andreiplesu{
    background-image: url("../img/andreiplesu.jpg");
}
.mirceatoma{
    background-image: url("../img/mirceatoma.jpg");
}
.adriansarbu{
    background-image: url("../img/adriansarbu.jpg");
}

.workshops{
    margin-top: 40px;
    padding:5px;
    height: 45px;
    font-size: 36px;
    color: white;
    text-transform: uppercase;
    background-color: #8fcbc1;
    clear:both;
    width: auto
}

.downarrow {
    position: relative;

}

.white-container2{

height: auto;
background-color:white;
display: block;
}

.indemn {
    background-color:;
    margin:auto;
    text-align: left;
    font-size: 18px;
    color: black;
    width: 950px;
}

.elemente{
    padding-top:40px;
    width:960px;
    margin:auto;
    background-color:white;
}

.bec{
    position: relative;
    float:left;
}

.industrii{
    float:left;
    margin-top: 20px;
    margin-left: 10px;
    font-size: 28px;
    text-transform: uppercase;
}

.liniuta{
    margin-left: 20px;
    display:inline;
    margin-top:37px;
    float: left;
    position:relative;
    background-color: black;
    height: 1px;
}

.liniuta1{
    width: 580px;
}

.liniuta2{
    width: 800px;
}

.liniuta3{
    width: 718px;
}

.linie{
    margin-bottom:30px;
    margin-top: 50px;
    width:auto;
    height:1px;
    background-color: black;
}

.madalinaa{
    background-image: url("../img/madalinaa.png");
}
.adriano{
    background-image: url("../img/adriano.png");
}
.tudorg{
    background-image: url("../img/tudorg.png");
}

.industriiprofile{
    background-color:;
    margin: auto;
    width : 960px;
    height: auto;
}

.recipient{
    margin-top:10px;
    background-color:;
    display: inline-block;
    position:relative;
    width: 297px;
    height: auto;
    padding: 10px;
}

.name2{
    padding-bottom: 10px;
    position:relative;
    font-family: Oswald;
    color: black;
    text-transform: uppercase;
    font-size: 26px;
}

.creativespeak{
    margin: auto;
    height: 225px;
    width: 225px;
    display: block;
    position: relative;
    border-radius: 50%;
}

.profiltext {
    margin: auto;
    position:relative;
    background-color:;
    padding-bottom: 10px;
    height: auto;
    width: 220px;
    text-align:left;
}

.workclass{
    background-color:;
    color: #f37022;
    width: 250px;
    font-weight: bold;
    text-transform: uppercase;
    padding-bottom:10px;
    padding-left:40px;
    text-align: left;
}

.inscriere{
    cursor:pointer;
    margin-top: 45px;
    font-size: 18px;
    color:white;
    margin:auto;
    width: 250px;
    background-color:#f37022;
    display:inline;
    padding:10px;
}

.inscriere2{
    cursor:pointer;
    font-size: 25px;
    color:white;
    margin:auto;
    width: 280px;
    background-color:#f37022;
    padding-left:10px;
    padding-right:10px;
    padding-top:4px;
    padding-bottom:4px;
}

.rarrow{
    margin-left:10px;
    }

    .eco{
        position:relative;
        float:left;
        margin-top: 20px;
        margin-bottom:20px;
    }
.soc{
   position:relative;
        float:left;
        margin-top: 14px;
}

.ptitle{
    padding-top: 40px;
    font-size: 38px;
    text-transform: uppercase;
    font-weight: bold
    color: black;
}

.text-container{
    height:300px;
    width:960px;
    background-color:#efefef;
}
.program-title{
    padding: 28px;
    font-size: 20px;
    font-weight: bold;
    position:relative;
    width:auto;
    color: black;
}
.program{
    font-size: 16px;
    margin-right: 50px;
    margin-left:50px;
    padding: 10px;
    margin-bottom: 20px;
}
.programline{
    height:370px;
    padding-bottom: 10px;
}
.workshop{
    margin-top:20px;
    display:inline;
    position:relative;
    padding-left: 0px;
    text-align: left;
    width: 480px;
    background-color:;
    float:left;
}
.ore{
    font-size: 20px;
    color: #6b6b6b;
}

.wtype{
    font-weight: bold;
}

.fullname{
    font-weight: bold;
    color:orange;
}

.cupa{
    padding-left: 12px;
    width: 20px;
    height: 25px;
}
.tagline{
    width: 100%;
    margin: auto;
    background-color:#f7f7f7;
}
.fbicon{
    border-radius:50%;
    cursor: pointer;
    margin-right: 30px;
    display: inline;
}
.playicon{
    border-radius:50%;
    cursor: pointer;
}

.orangediv{

    height: 50px;
    background-color: white;
    width: auto!important;
    display: block;
}
.orangediv2{

    height: 172px;
    background-color: #F37022;
    width: auto!important;
    display: block;
}

.footer{

    background-color:white;
    height: 83px;
}

.elemente2{
    padding-top: 400px;
    }

.abc{

}

/* ==========================================================================
   Helper classes
   ========================================================================== */

/*
 * Image replacement
 */

.ir {
    background-color: transparent;
    border: 0;
    overflow: hidden;
    /* IE 6/7 fallback */
    *text-indent: -9999px;
}

.ir:before {
    content: "";
    display: block;
    width: 0;
    height: 150%;
}

/*
 * Hide from both screenreaders and browsers: h5bp.com/u
 */

.hidden {
    display: none !important;
    visibility: hidden;
}

/*
 * Hide only visually, but have it available for screenreaders: h5bp.com/v
 */

.visuallyhidden {
    border: 0;
    clip: rect(0 0 0 0);
    height: 1px;
    margin: -1px;
    overflow: hidden;
    padding: 0;
    position: absolute;
    width: 1px;
}

/*
 * Extends the .visuallyhidden class to allow the element to be focusable
 * when navigated to via the keyboard: h5bp.com/p
 */

.visuallyhidden.focusable:active,
.visuallyhidden.focusable:focus {
    clip: auto;
    height: auto;
    margin: 0;
    overflow: visible;
    position: static;
    width: auto;
}

/*
 * Hide visually and from screenreaders, but maintain layout
 */

.invisible {
    visibility: hidden;
}

/*
 * Clearfix: contain floats
 *
 * For modern browsers
 * 1. The space content is one way to avoid an Opera bug when the
 *    `contenteditable` attribute is included anywhere else in the document.
 *    Otherwise it causes space to appear at the top and bottom of elements
 *    that receive the `clearfix` class.
 * 2. The use of `table` rather than `block` is only necessary if using
 *    `:before` to contain the top-margins of child elements.
 */

.clearfix:before,
.clearfix:after {
    content: " "; /* 1 */
    display: table; /* 2 */
}

.clearfix:after {
    clear: both;
}

/*
 * For IE 6/7 only
 * Include this rule to trigger hasLayout and contain floats.
 */

.clearfix {
    *zoom: 1;
}

/* ==========================================================================
   EXAMPLE Media Queries for Responsive Design.
   These examples override the primary ('mobile first') styles.
   Modify as content requires.
   ========================================================================== */

@media only screen and (min-width: 35em) {
    /* Style adjustments for viewports that meet the condition */
}

@media print,
       (-o-min-device-pixel-ratio: 5/4),
       (-webkit-min-device-pixel-ratio: 1.25),
       (min-resolution: 120dpi) {
    /* Style adjustments for high resolution devices */
}

/* ==========================================================================
   Print styles.
   Inlined to avoid required HTTP connection: h5bp.com/r
   ========================================================================== */

@media print {
    * {
        background: transparent !important;
        color: #000 !important; /* Black prints faster: h5bp.com/s */
        box-shadow: none !important;
        text-shadow: none !important;
    }

    a,
    a:visited {
        text-decoration: underline;
    }

    a[href]:after {
        content: " (" attr(href) ")";
    }

    abbr[title]:after {
        content: " (" attr(title) ")";
    }

    /*
     * Don't show links for images, or javascript/internal links
     */

    .ir a:after,
    a[href^="javascript:"]:after,
    a[href^="#"]:after {
        content: "";
    }

    pre,
    blockquote {
        border: 1px solid #999;
        page-break-inside: avoid;
    }

    thead {
        display: table-header-group; /* h5bp.com/t */
    }

    tr,
    img {
        page-break-inside: avoid;
    }

    img {
        max-width: 100% !important;
    }

    @page {
        margin: 0.5cm;
    }

    p,
    h2,
    h3 {
        orphans: 3;
        widows: 3;
    }

    h2,
    h3 {
        page-break-after: avoid;
    }
}


text:
package org.apache.geode.internal.tcp;

import java.io.IOException;
import java.util.Collections;
import java.util.List;

import org.apache.logging.log4j.Logger;

import org.apache.geode.distributed.internal.membership.InternalDistributedMember;
import org.apache.geode.logging.internal.log4j.api.LogService;

/**
 * Encapsulates a set of {@link MsgStreamer}s and {@link VersionedMsgStreamer}s requiring possibly
 * different serializations for different versions of product.
 *
 * @since GemFire 7.1
 */
public class MsgStreamerList implements BaseMsgStreamer {
  private static final Logger logger = LogService.getLogger();

  /**
   * List of {@link MsgStreamer}s encapsulated by this MsgStreamerList.
   */
  private final List<MsgStreamer> streamers;

  MsgStreamerList(List<MsgStreamer> streamers) {
    this.streamers = streamers;
  }

  /**
   * {@inheritDoc}
   */
  @Override
  public void reserveConnections(long startTime, long ackTimeout, long ackSDTimeout) {
    for (MsgStreamer streamer : this.streamers) {
      streamer.reserveConnections(startTime, ackTimeout, ackSDTimeout);
    }
  }

  /**
   * {@inheritDoc}
   */
  @Override
  public int writeMessage() throws IOException {
    int result = 0;
    RuntimeException ex = null;
    IOException ioex = null;
    for (MsgStreamer streamer : this.streamers) {
      if (ex != null) {
        streamer.release();
      } else {
        try {
          result += streamer.writeMessage();
          // if there is an exception we need to finish the
          // loop and release the other streamer's buffers
        } catch (RuntimeException e) {
          ex = e;
        } catch (IOException e) {
          ioex = e;
        }
      }
    }
    if (ex != null) {
      throw ex;
    }
    if (ioex != null) {
      throw ioex;
    }
    return result;
  }

  /**
   * {@inheritDoc}
   */
  @SuppressWarnings("unchecked")
  @Override
  public List<?> getSentConnections() {
    List<Object> sentCons = Collections.emptyList();
    for (MsgStreamer streamer : this.streamers) {
      if (sentCons.size() == 0) {
        sentCons = (List<Object>) streamer.getSentConnections();
      } else {
        sentCons.addAll(streamer.getSentConnections());
      }
    }
    return sentCons;
  }

  /**
   * {@inheritDoc}
   */
  @Override
  public ConnectExceptions getConnectExceptions() {
    ConnectExceptions ce = null;
    for (MsgStreamer streamer : this.streamers) {
      if (ce == null) {
        ce = streamer.getConnectExceptions();
      } else {
        // loop through all failures and add to base ConnectionException
        ConnectExceptions e = streamer.getConnectExceptions();
        if (e != null) {
          List<?> members = e.getMembers();
          List<?> exs = e.getCauses();
          for (int i = 0; i < exs.size(); i++) {
            ce.addFailure((InternalDistributedMember) members.get(i), (Throwable) exs.get(i));
          }
        }
      }
    }
    return ce;
  }

  /**
   * {@inheritDoc}
   */
  @Override
  public void close() throws IOException {
    // only throw the first exception and try to close all
    IOException ex = null;
    for (MsgStreamer m : this.streamers) {
      try {
        m.close();
      } catch (IOException e) {
        if (ex == null) {
          ex = e;
        } else {
          // log the exception and move on to close others
          logger.fatal("Unknown error closing streamer: {}", e.getMessage(), e);
        }
      }
    }
    if (ex != null) {
      throw ex;
    }
  }
}


The Department of Interior Architecture offers a robust and comprehensive interior design curriculum. Students can earn accredited professional degrees at the undergraduate or graduate level.
Interior architecture integrates critical analysis with creative thinking to revitalize, reuse, and adapt buildings to resonate with users and provide uplifting, healthy, and sustainable interior environments. Our students learn in a unique interdisciplinary environment that allows each person to fine tune their interests while gaining exposure to a broad range of issues that affect the interior environment. Graduates of the program are prepared to act as innovative problem solvers and influential space makers.
Interior Architecture faculty members work closely with our students to offer a broad range of design experiences while guiding each student to explore and develop individual interests. We emphasize collaboration in a noncompetitive but rigorous learning environment by encouraging a supportive studio culture that includes teamwork and peer critiques. The department doesn't dictate a specific design aesthetic or ideology for you to follow. Instead, we encourage intellectual inquiry as the basis from which you shape your own design path.
Our graduates are broadly educated designers who attain leadership positions in the US and abroad. We are dedicated to recognizing designers' accountability for their impact on environmental, social, and cultural systems. We nurture future professionals by involving students in faculty research, internships, and mentoring relationships throughout the program. Our student organizations assume leadership roles in developing extracurricular programs and providing community service.
Our curriculum centers on the design studio, where you'll learn through hands-on experience. Students enrolled in studios are assigned their own workstation within a space dedicated to their studio group and available for use at flexible hours. Students often work together in courses and as collaborators with faculty members in research investigations through independent study courses. Our studios also take you outside the classroom, giving you applied research experience and opportunities to get involved in the community.
Faculty and reviewers, who are professionals in the field, review studio work using individualized discussions and written assessment rather than a traditional letter-grading system, so students can receive specific and constructive feedback about their work.
Our degree programs offer students the flexibility to explore other programs in the College of Design, including but not limited to Architecture, Product Design, and the History of Art and Architecture. We encourage undergraduates to minor in another subject, and graduate students have the option to earn a concurrent degree (in architecture) or specialization.
Students can participate in focused Interior Architecture/Architecture study abroad opportunities in Italy, Denmark, Japan, and Finland.
Our Bachelor of Interior Architecture (BIArch) and Master of Interior Architecture (MIArch) programs are accredited by the Council for Interior Design Accreditation (CIDA) and the National Association of Schools of Art and Design (NASAD).


text:
Gaillard de La Motte (ou de La Mothe), né à Bordeaux et mort le  à Avignon, neveu du pape Clément V, est un prélat catholique français, qui fut évêque et cardinal.

C'est lui qui construit le château de Roquetaillade en sud Gironde et le Palais Cardinal à Saint-Emilion.

Repères biographiques
Gaillard de La Motte est chanoine à Narbonne, protonotaire apostolique, maître de chapelle du diocèse de Chichester en 1312-1356, prébendier de Milton Ecclesia (Great Milton, dans l'Oxfordshire) et archidiacre d'Oxford en 1313-1356.

La Motte est créé cardinal par Jean XXII lors du consistoire du . Le même pontife le nomme au siège de Riez en 1318. Gaillard refuse et se retire alors à Avignon.

Le cardinal de La Motte est prébendier de Stokes, d'Aylesbury, archidiacre d'Ely et trésorier du diocèse de Salisbury. En 1346 il est prieur d'Ispagnac. Il participe au conclave de 1334, lors duquel Benoît XII est élu, au conclave de 1342 (élection de Clément VI) et à celui de 1352 (élection d'Innocent VI).

Il ne doit pas être confondu avec le cousin germain de sa mère Elips de Got, Gaillard de Préchac (de Preyssac), un neveu de Clément V par sa mère Vidal/Vitale/Gailharde de Got — sœur du pape et d'Arnaud-Garcie de Gout, femme d'Arnaud-Bernard Ier de Préchac (Préchac et Preyssac à Daignac ; soudan de la Trau) — qui est fait évêque de Toulouse par son oncle le pape en 1305. Mais en 1317, année où le pape Jean XXII érige l'évêché de Toulouse en archevêché, Gaillard en est dépossédé, pour avoir dépensé ses revenus fort considérables et s'être compromis dans l'affaire Hugues Géraud.

Notes et références

Voir aussi

Bibliographie
 Étienne-Léon de La Mothe-Langon (baron), Jean Théodore Laurent-Gousse, ''Biographie toulousaine, ou Dictionnaire historique des personnages qui par des vertus, des talens, de grandes actions, des fondations utiles, des opinions singulières, des erreurs, etc.,se sont rendus célèbres dans la ville de Toulouse, ou qui ont contribué à son illustration, Tome premier, 367, Paris, 1823

Articles connexes
 Liste des cardinaux d'Avignon
 Liste des évêques et archevêques de Toulouse

Noble français
Cardinal français créé au XIVe siècle
Cardinal créé par Jean XXII
Papauté d'Avignon
Naissance à Bordeaux
Décès en 1356
Décès à Avignon
Archevêque de Toulouse
Évêque catholique du XIVe siècle


text:
About the UIAA
Mountain Hut Exchange
Mountain Protection
Mountain Protection Award
Respect the Mountains
Mountain Medicine
Anti-Doping / Clean Climbing
Rock Climbers' Award
UIAA / Climate Change / The role of mountains at UNFCCC COP23
In Climate Change, Featured, Members Area, Mountain Protection, Mountain Sustainability
The role of mountains at UNFCCC COP23
Following its involvement at both the 21st and 22nd United Nations Framework Convention on Climate Change (UNFCCC), the UIAA will again be presence at the annual conference to ensure the subject of mountains is at the forefront of discussions. The 23rd meeting will be held in Bonn, Germany from 6-17 November.
The mountain environment is home to some 800 million people representing around 12% of the world's population. Mountains provide freshwater for billions of people across the planet in every continent. They are powerful and imperious. Yet at the same time incredibly and increasingly fragile. Global warming and climate change has made the weather unpredictable and is changing our landscape. It has a critical impact on the biodiversity of mountain regions, on the lives of mountain communities and ultimately on the future of the planet. Through its presence at major international conventions like COP23 and its projects in sustainability comprising the Mountain Protection Award and Respect the Mountains, the UIAA aims to encourage all mountain stakeholders to engage in concrete measures to mitigate and adapt to climate change effects.
In collaboration with Mountain Partnership , the UIAA will take part in a side event discussion during COP23, titled "Implementing the 2030 Agenda & Paris Agreement in mountains: building a Framework for Action".
It will be held on Tuesday, 14 November 2017 – 18.20-20.00 – Meeting Room 2, World Conference Center Bonn (WCCB)
Organized by the Mountain Partnership, the Government of Kyrgyzstan and the UIAA, the panel will explore common challenges and solutions for addressing climate change impacts in mountains during the event, supporting concrete actions, putting in place long-lasting processes and establishing policies that strengthen the resilience of mountain peoples and environments. The UIAA will be represented by Mountain Protection Commission delegate Joop Spijker (NKBC, Netherlands).
Mountain Partnership
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❶Primary Homework Help The Romans. Aeneas traveled to Mount Ida where the Trojans regrouped and constructed ships.
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text:
Herwarth Walden (eigentlich Georg Lewin; * 16. September 1878 in Berlin; † 31. Oktober 1941 bei Saratow) war ein deutscher Schriftsteller, Verleger, Galerist, Musiker und Komponist. Walden war einer der wichtigsten Förderer der deutschen Avantgarde des frühen 20. Jahrhunderts (Expressionismus, Futurismus, Dadaismus, Neue Sachlichkeit). Er gründete 1910 die Zeitschrift Der Sturm, die bis 1932 bestand. Ab 1912 betrieb er die Sturm-Galerie; unter seiner Leitung fand 1913 die Ausstellung des Ersten Deutschen Herbstsalons in Berlin statt. Die Dichterin Else Lasker-Schüler war seine erste Ehefrau.

Leben

Georg Lewin wurde am 16. September 1878 in Berlin als Sohn von Facharzt und Geheimen Sanitätsrat Viktor Lewin und seiner Ehefrau Emma geb. Rosenthal in eine jüdische Familie geboren. Seine Geschwister waren Schwester Gertrud Maria und Bruder Hans. Georg studierte in seinen Jugendjahren Komposition und Klavier in Berlin und Florenz.  Sein musisches Talent und die von ihm gewählte künstlerische Ausbildung distanzierten ihn früh von der großbürgerlichen Welt seines Elternhauses. Er schrieb Lyrik und Prosa und war Kritiker für Literatur, Musik und Kunst. 1903 gründete er den "Verein für Kunst", dem in den Folgejahren eine große Zahl bedeutender Schriftsteller wie Heinrich und Thomas Mann, Frank Wedekind, Rainer Maria Rilke, Richard Dehmel, Alfred Döblin und Else Lasker-Schüler angehörte.

Am 30. November 1903 heirateten Lewin und Else Lasker-Schüler. Die Ehe wurde 1912 geschieden. Auf Anregung Lasker-Schülers wählte Lewin "Herwarth Walden" als Pseudonym, in Anlehnung an Henry Thoreaus Roman Walden; or, Life in the Woods (1854).

Begegnung mit Franz Pfemfert
In den Jahren nach der Jahrhundertwende waren sich Walden und Franz Pfemfert, der 1911 die Zeitschrift Die Aktion herausgab, in der offenen Künstlerszene in Berlin bekannt geworden und arbeiteten eine geraume Zeit gemeinsam für die Zeitschrift Kampf von Senna Hoy. Als sich ihre Wege wieder kreuzten, hatte Walden gerade den Deutschlandvertrieb der Zeitung Die Fackel von Karl Kraus übernommen, doch beide fanden sich nicht mehr zu einer gemeinsamen Arbeit zusammen, schufen aber unabhängig voneinander eine Plattform für führende Autoren und Künstler des Expressionismus.

Die Zeitschrift Der Sturm

Von 1910 bis 1932 gab Walden die Zeitschrift Der Sturm heraus, die er zusammen mit Alfred Döblin begründete und die eine der wichtigsten Publikationen des Expressionismus war. Mit dem Herausgeber der Zeitschrift Die Fackel, Karl Kraus, verband Walden beiderseitige Sympathie. Über 644 Briefkontakte fanden zwischen 1909 und 1912 statt. Kraus unterstützte Walden finanziell und gab Tipps für Verlag und Druck, außerdem tauschten sich die beiden zu möglichen Themen und Artikeln aus. Autoren der Fackel, wie Otto Soyka und Berthold Viertel, aber auch Kraus selbst publizierten in Der Sturm.
Zu den literarischen Mitarbeitern von Der Sturm zählten unter anderem Peter Altenberg, Max Brod, Richard Dehmel, Anatole France, Knut Hamsun, Arno Holz, Karl Kraus, Selma Lagerlöf, Adolf Loos, Heinrich Mann, Otto Nebel, Paul Scheerbart, René Schickele, August Stramm. Im Jahr 1910 kam auf Waldens Anregung Oskar Kokoschka nach Berlin und arbeitete an der Zeitschrift mit. Ein großformatiges Porträt Waldens, das Kokoschka im selben Jahr malte, befindet sich heute in der Staatsgalerie Stuttgart.

Die Sturm-Galerie und weitere Aktivitäten

1912 heirateten Walden und die Schwedin Nell Roslund. Er betätigte sich in der Folgezeit verstärkt als Galerist. So betrieb er die Sturm-Galerie, in der ab 1912 unter anderem Bilder des Blauen Reiters und des italienischen Futurismus zu sehen waren. Er entdeckte und förderte neue Talente wie Georg Schrimpf und Maria Uhden.

Als Kontrastveranstaltung zur Sonderbundausstellung, die 1912 in Köln ausgerichtet worden war, fand vom 2. April 1913 bis zum 1. Dezember 1913 die von Walden ausgerichtete Ausstellung moderner Kunst des Ersten Deutschen Herbstsalons in der Potsdamer Straße 75 statt, unweit seiner Galerie "Der Sturm" in der Potsdamer Straße 134 a.

Nach Kriegsausbruch 1914 arbeitete Nell Walden dank ihrer skandinavischen Sprachkenntnisse für das "Nachrichtenbüro Der Sturm", das für verschiedene deutsche Nachrichtendienste in den nordischen Ländern und in den Niederlanden tätig war und die finanzielle Grundlage für das Sturm-Unternehmen in der Kriegszeit bildete. Für den späteren Konstruktivisten Thilo Maatsch war 1916 der Besuch einer Sturm-Ausstellung das Schlüsselereignis, sich der Malerei zuzuwenden; seine Werke wurden 1927 dort gezeigt.

1916 gründete Walden im avantgardistischen Geist der Zeitschrift Der Sturm die Sturm-Kunstschule und veranstaltete Sturm-Abende, an denen Sturm-Künstler ihre Dichtungen vortrugen. Im folgenden Jahr eröffnete er eine Sturm-Buchhandlung, der 1918 die Sturm-Bühne und die gleichnamige Zeitschrift folgten. Sie waren zur Förderung der expressionistischen Bühnenkunst vorgesehen.

1918 wurde Walden Mitglied der KPD. Ein Jahr später übereignete er seiner Frau die Kunstsammlung Walden. 1924 ließen sich Herwarth Walden und Nell Roslund scheiden, da sie mit seiner Hinwendung zum Kommunismus nicht einverstanden war. Zwei Jahre später heiratete er eine Russin, die 1930 an Tuberkulose starb.

Exil in Moskau

Angesichts des aufziehenden Nationalsozialismus verließ er mit der Übersetzerin Ellen Bork im Jahr 1932 Deutschland und ging nach Moskau, wo sie heirateten. Er arbeitete dort als Lehrer und Publizist. Seine Sympathien für die Avantgarde weckten allerdings im Stalinismus schnell das Misstrauen der sowjetischen Regierung. 1933 kam die Tochter Sina Walden zur Welt.

1941 wurde Walden inhaftiert. Seine Frau und Tochter suchten Zuflucht bei der deutschen Botschaft und kehrten anschließend nach Berlin zurück. Walden starb am 31. Oktober des Jahres 1941 in einem sowjetischen Gefängnis bei Saratow. Die Feststellung seines Todeszeitpunktes erhielt Sina Walden erst 1966 nach einem Besuch in Moskau.

Werke
 Der Sturm (Zeitschrift, 1910–1932)
 Dafnislieder für Gesang und Klavier (1910)
 Das Buch der Menschenliebe (Roman, 1916)
 Die Härte der Weltenliebe (Roman, 1917)
 Einblick in Kunst. Expressionismus, Futurismus, Kubismus. (Essays, 1917)
 Das Begriffliche in der Dichtung (Essay, 1918)
 Kind (Drama, 1918)
 Menschen (Drama, 1918) (Digitalisat)
 Unter den Sinnen (Roman, 1919)
 Die neue Malerei (Essays, 1920)
 Glaube (Drama, 1920)
 Sünde (Drama, 1920)
 Die Beiden (Drama, 1920)
 Erste Liebe (Drama, 1920)
 Letzte Liebe (Drama, 1920)
 Im Geschweig der Liebe (Gedichte, 1925)
 Vulgär-Expressionismus (Essay, 1938)

Literatur
 Nell Walden: Herwarth Walden. Ein Lebensbild. Kupferberg, Berlin-Mainz 1963.
 Ursula Peters: Moderne Zeiten. Die Sammlung zum 20. Jahrhundert. In Zusammenarbeit mit Andrea Legde. Verlag des Germanischen Nationalmuseums, Nürnberg 2000, ISBN 3-926982-61-6, (Kulturgeschichtliche Spaziergänge im Germanischen Nationalmuseum Bd. 3), insb. S. 11–120 passim, bes. 61ff.
 Barbara Alms, Wiebke Steinmetz (Hrsg.): Der Sturm. Chagall, Feininger, Jawlensky, Kandinsky, Klee, Kokoschka, Macke, Marc, Schwitters und viele andere im Berlin der zehner Jahre. Hauschild, Bremen 2000, ISBN 3-89757-052-1, (Ausstellungskatalog: Städtische Galerie Delmenhorst Haus Coburg, Sammlung Stuckenberg 18. Juni bis 6. September 2000), insbes. S. 15–43 (Barbara Alms), 35–45 (Anita Beloubek-Hammer), 82–90 (Anna-Carola Krauße).
 Leo Ikelaar (Hg): Scheerbarts Briefe der Jahre 1913/14 an Gottfried Heinersdorff, Bruno Taut und Herwarth Walden. Igel, Paderborn 1999. ISBN 3-89621-037-8.
 Karl Kraus, Herwarth Walden: Feinde in Scharen. Ein wahres Vergnügen dazusein. Briefwechsel 1909-1912. Hrsg. George C. Avery. Wallstein, Göttingen 2002. ISBN 3-89244-613-X.
 Robert Hodonyi: Paul Scheerbart (1863–1915) und Herwarth Waldens Zeitschrift Der Sturm – Zum Dialog der Künste in der Berliner Moderne um 1900. In: Else-Lasker-Schüler-Jahrbuch der Klassischen Moderne 4. Hrsg. Lothar Bluhm und Andreas Meier. WVT, Trier 2010, S. 65–90.
 Robert Hodonyi: Rudolf Olden – Herwarth Walden. Briefwechsel 1937–1939. In: Rudolf Olden. Journalist gegen Hitler – Anwalt der Republik. Eine Ausstellung über den Juristen und Publizisten Rudolf Olden (1885–1940) in der Deutschen Nationalbibliothek Frankfurt a. M. (25. März 2010 bis 28. Juli 2010). Katalogbuch. Hrsg. Sylvia Asmus und Brita Eckert. Frankfurt am Main 2010, S. 69–82.
 Petra Jenny Vock: "Der Sturm muß brausen in dieser toten Welt" – Herwarth Waldens 'Sturm' und die Lyriker des 'Sturm'-Kreises in der Zeit des Ersten Weltkriegs. Kunstprogrammatik und Kriegslyrik einer expressionistischen Zeitschrift im Kontext. WVT, Trier 2006 ISBN 978-3-88476-825-9
 Walden, Herwarth. In: Hermann Weber, Andreas Herbst: Deutsche Kommunisten. Biographisches Handbuch 1918 bis 1945. 2., überarbeitete und stark erweiterte Auflage. Karl Dietz Verlag Berlin, Berlin 2008, ISBN 978-3-320-02130-6.
 Reinhard Müller: Herwarth Von der Berliner Bohème ins Moskauer Exil, in: Silke Flegel / Christoph Garstka (Hrsg.): "Stalinkomplex"!? Deutsche Kulturkader im Moskauer Exil und in der DDR. Peter Lang, Berlin 2021 (Schriften zur Europa- und Deutschlandforschung; 18), ISBN 978-3-631-84997-2, S. 19–43.

Weblinks

 Herwarth Walden (1878-1941) - Liebesgedichte deutsche-liebeslyrik.de/walden_herwarth.htm
 Gesammelte Werke der Zeitschrift Der Sturm und Ausstellungskataloge der Galerie Der Sturm Zentralinstitut für Kunstgeschichte (Digitale Sammlung)
  Ausstellungskataloge der Galerie Der Sturm von 1912– 1929 Zentralinstitut für Kunstgeschichte – Bibliothek Herzog Franz von Bayern (Digitale Sammlung)
 Biografie Herwarth Waldens (PDF; 4,6 MB) im Kunstmuseum Olten
 Porträt Herwarth Waldens von Oskar Kokoschka, 1910, Staatsgalerie Stuttgart
 DER STURM – Förderverein Kunst und Kultur e. V.
 Themenportal "Herwarth Walden und DER STURM" auf arthistoricum.net: Bibliographie, Literatur und Informationen
 DER STURM. Digitale Quellenedition zur Geschichte der internationalen Avantgarde
 Herwarth Walden bei arthistoricum.net – Digitalisierte Werke im Themenportal Geschichte der Kunstgeschichte
 Herwarth-Walden-Der Sturm: Netzwerk für Sturm-Forschende

Einzelnachweise

Autor
Galerist
Literatur des Expressionismus
Literatur des Futurismus
Literatur (20. Jahrhundert)
Literatur (Deutsch)

KPD-Mitglied
Pseudonym
Emigrant aus dem Deutschen Reich zur Zeit des Nationalsozialismus
Opfer des Stalinismus (Sowjetunion)
Person (Berlin)
Deutscher
Geboren 1878
Gestorben 1941
Mann


text:
news and comment on Scarborough RUFC and comment on sport in general
From the touchline by Dave Campbell
GREAT FRIDAY FOOD AT THE J.M. GUTHRIE
Al and H Wheldon
As is my wont, I'll be off shortly to Silver Royd for my regular Friday repast at the Rugby Club. Every Friday Bars Manager Big Al Wheldon and his staff provide superb fare for an increasing number of diners. It's plain and plentiful pub grub at very competitive prices. I often attend with a family party of six and two courses (including steak) with drinks come in at about £9 a head. A variety of 'specials' and staples cost around £5 so you won't go hungry. So why not get along and support your club. Orders are taken from six and it's a great atmosphere. Mine Hosts tonight: Al and partner and volunteer 'H' . I can't wait.
ANOTHER UNSUCCESSFUL DAY DOWN UNDER EXCEPT FOR SCOTS!!
ROBERT HARTLEY SCORES A LATE TRY FOR A 16-15 VICTORY IN SAMOA
Well it was a long day yesterday following the fortunes of the home nations in their southern hemisphere games. I woke at 6am to the good news that Scotland had completed their clean sweep down under with the 16-15 last-gasp defeat of Samoa having beaten Australia and Fiji in their previous two games. A quick slice of porridge and it was eyes down for Ireland versus the All Blacks; the whole thing was a nightmare for skipper Brian O'Driscoll and his men who were blown away by a New Zealand side smarting from the criticism they received following last week's last gasp 22-19 win in Christchurch. O'Driscoll said that he was embarrassed by the score as the men in green went down 0-60 and when you think of it, no matter how good the All Blacks are, a major test-playing nation should not go down by such a margin, ever. Time for a quick cup of tea and it was Grand Slam winners Wales turn to save face having narrowly been defeated by the Aussies twice in the preceding weeks. Once more indiscipline was the visitors' undoing and as last week they were sunk by a last minute penalty this time for a 20-19 Australian win. Finally it was up to Silver Royd for the final game of the day between South Africa and England; a dead rubber. Although they lost fly-half Toby Flood early in the game, England stuck to their task against a slightly off-colour 'Boks' outfit and fully deserved their 14-14 draw which prevented the home side recording a 3-0 series victory. Coach Stuart Lancaster was reportedly disappointed not to have got the win but the team's progress under the plain speaking Yorkshireman is there for all to see and I'm looking forward to the autumn internationals already. But finally, even if it was Australia, Fiji and Samoa the only team to win a game was Six Nations Wooden Spooners Scotland and as one of the tiny band of Scotland rugby fans at Silver Royd, yesterday's kind words from club-mates made a change from some of the admittedly good natured ribbing at the club following the previous seven defeats! And to prove there are no hard feelings; as usual I'll be rooting for England tonight!!
A GOOD WEEK FOR SCARBOROUGH RUFC
Minis in action in a tournament at Silver Royd
It's been a good week for Scarborough Rugby Club with permission now granted for the use of a loudspeaker system at Silver Royd and the withdrawal of the Borough Council's prosecution under the terms of the Licensing Act 2003. The Club had pleaded not guilty and was preparing a vigorous and comprehensive defence of all charges but is now looking to move forward with open dialogue to improve relationships with close residents and the Licensing Authority. Sounds very sensible to me; maybe now Scarborough RUFC can get on with its legitimate mission without some of the outrageous and implausible Nimbyist complaints from its near and not so near neighbours. Following the first two rounds of the East Yorkshire sevens circuit held at Bridlington and Malton respectively no information has come my way, reportedly because Scarborough put out such weakened teams that they didn't really want to publish the results. Come on guys this thing works both ways; plenty of publicity when you do well and take the hit when the news is not so great. The next round of the competition is at Hullensians tomorrow; YDO Tom Harrison has promised me the results from that one. The final round is at Silver Royd at the 7th of July.
Avid Harrogate Minis fans at Silver Roys!
ENGLAND SAXONS' STAR MATT GARVEY AT SILVER ROYD
MATT GARVEY
England Saxons and London Irish forward Matt Garvey visited Silver Royd this afternoon to take in the South Africa versus England game in the J.M. Guthrie. The big lock forward was very impressed with the Silver Royd set-up and was very surprised to learn that Scarborough only played at level 7. "The facilities are those of a very ambitious club and I'm surprised you're not at least a National League club" commented Garvey.
GARVEY AT SILVER ROYD
ANOTHER UNSUCCESSFUL DAY IN THE SOUTHERN HEMISPHERE BUT SCOTS WIN IN FIJI
TIM VISSER
Wing Tim Visser scored a couple of tries in Scotland's 37-25 defeat of Fiji in a punishing game played in 32 degree heat this morning. This was the Scots second win on the tour which started with the defeat of Australia last week. Elsewhere both Ireland and Wales were sunk in the final minute of their games against the All Blacks and Australia respectively; a Dan Carter drop-goal snatching a 22-19 win for New Zealand following a totally committed performance from Brian O'Driscoll and his men and a late penalty clinching a hardly-deserved victory for the Aussies following a good performance from the Grand Slam winners. England were blown away in the early stages of their game at Joburg trailing 3-22 in the opening quarter. A creditable second half fightback saw Stuart Lancaster's men close the deficit to four points but the Boks clinched the series with a late JP Peitersen try for a 36-24 win. A good turnout at the J.M. Guthrie were well fed and watered but ultimately very disappointed once more.
DISCONSOLATE ENGLAND
NEW RUGBY STRUCTURE AT SILVER ROYD
JASON LOWDE
PHIL WATSON
Following a board meeting on Wednesday evening Scarborough announced the new rugby structure for the coming season. With the resignation of Dave Beck due to a family illness, club stalwart Jason Lowde has taken over his responsibilities as Head Coach. Jason joined the club ten years ago and has been a permanent fixture in the front row ever since. A prop with superb hands the big man from Hemel Hempstead had spells with clubs in the southern hemisphere, at Saracens and has been a Hertfordshire county player for many years. A family man who is very passionate about his rugby, he is a popular figure at Silver Royd. Former first team fullback Phil Barker who played in the Newby 'dream team' with Marcus Edwards, PB Woolley, Rob Bell, Carl Holdsworth, Ian Warwick and others early in the 'noughties' has been named as assistant coach. Craig Farrell is prevented from continuing with his coaching role at the club due to work commitments but hopes to contribute on an ad hoc basis. Big Phil Watson, who arrived at the club from Castleford last summer and made a big impact, succeeds Nick Ingham as club captain. Nick has taken up a new role as Recruitment and Retention Officer. Dave Smith who has returned this summer from his two year sojurn in New Zealand becomes first team manager with the redoubtable Andy Downes taking charge of the Vikings. A Danesmen coach has yet to be named but Richard Dean will continue in charge of the Norsemen. A very positive players meeting with the new coaching/management team was held last night at the club ahead of training starting next month.
RUGBY CAMPS A GREAT SUCCESS
HAVING A GREAT TIME!
Scarborough Rugby Club held another of their highly successful Rugby Camps last week on the 6th, 7th and 8th of June with over thirty children aged between 8 and 15 years old attending. The kids took part in various rugby activities including Rugby Golf, Rugby Tennis and touch and contact rugby work. The camps were split into two age ranges 8 to 11 and 12 to 15 years. They had a great time and gained valuable exposure to one-on-one coaching. I spoke to eight-year-old Hugo Clough, a pupil at Gladstone Road School who attended on all three days. Rugby took a bit of getting used to but he had great fun; his favourite activity was the Rugby Volleyball where his side reached the final! There will be further camps between the 23-26th of July and August 21-23rd. Further details from the club Youth Development Officer Tom Harrison on 01723 357740 or e-mail tom.harrison@scarboroughrugby.co.uk
HUGO CLOUGH
DRIFFIELD ARE FIRST UP AT SILVER ROYD ON SEPTEMBER 1ST
Scarborough kick-off season 2012-13 with a home fixture on the 1st of September against Driffield who just missed out on promotion to North One east at the end of last season. The Woldsmen did the double over Scarborough last season and the new office holders in the rugby management structure to be announced after the club's board meeting on Wednesday (13th) will look to gain revenge for that. The seasiders will travel to newly promoted Barnsley on the 8th and to Dukes Park for a local derby with Bridlington on the 22nd of the month. Heath and Ilkley will be the opposition on the 15th and 29th of September respectively. Yorkshire One fixtures for the season are on http://www.rfunorth.com/fixtures/Yorkshire%20Division%20One.pdf
SIX NATIONS' SIDES IN FOR A TOUGH JUNE!
This weekend's tests predictably ended up with Ireland, England and Wales being muscled out of it by their southern hemisphere opponents. Ireland as I mentioned in my previous blog were blown away by the All Blacks at Eden Park, Wales came nearest with a second half fight back before going down 27-19 to the Aussies and after a mostly forgettable first half in Durban, the Springboks upped the ante to turn in a brutal, one-dimensional go forward display that had England on the back foot for almost all of the second half to grind out a 22-17 win. Young Owen Farrell at fly-half looked exposed by the pressure and had his worse game in an England shirt. However on the positive side Mike Brown had a good game in defence at fullback. In the back row Exeter's Tom Johnson and skipper Chris Robshaw had effective first halves but faded after the break particularly Johnson. It looks as if it's going to be a tough few weeks for the tourists in all three countries and I fear for Ireland in particular if they don't pick their game up against a hungry looking transitional All Black side. England's next two tests are at altitude and after their tour blooding on the east coast they will have no doubts about the physical challenge ahead. I watched the England game at a packed members bar at the J.M. Guthrie clubhouse and the atmosphere was great. Lots of players up for the game not including Craig Farrell, Tom Ratcliffe and Nick Burgess who were doing their stuff for the Scarborough Pirates RL at Rotherham. Just one complaint; I thought it was going to be a Safie Braai or something like it. Turned out disappointingly to be Hamburgers only.
ALL BLACKS BLAST IRELAND AWAY
Struggled up this morning after a good evening at the rugby club eating the excellent food on the club's Steak Nite and having a couple of glasses of big Al's vino. The Irish went off like a train but once the New Zealanders got into their stride the just had too much power and pace for the tourists. Ulster's Rory Best had a great game for Ireland but it was All Blacks débutante winger Julian Savea who took the honours with a hat-trick of tries in a full deserved 42-10 win.
Scarborough Rugby Club
Oot!
I'm banged up again gov!
The big Scarborough rugby quiz.
Simon Smith steps down as Scarborough RUFC head coach
Scarborough RUFC remain in North One East for next season.


text:
Old Scores
Film, 1991 (Excerpts)
A death-bed confession from a touch judge leads to a repeat of a test match between the All Blacks and Wales played 25 years earlier — with the same players. Before the footy, a former Welsh star is forced to face up to a past romance. Mateships and rivalries are rekindled in this genial "what if" yarn, that celebrates and satirises two nations' rugby obsessions. It won best screenplay and supporting actor (John Bach) at 1992's NZ Film Awards. The cast saw former All Blacks and Welsh rugby reps playing alongside acting greats from both countries.
France vs New Zealand (first test, 1961)
Short Film, 1961 (Full Length)
Peppered by colourful commentary this newsreel shows highlights of the first rugby test in the 1961 series between the French tourists and the All Blacks. Fans queue outside Eden Park, playing cards or reading Lady Chatterley's Lover. Don "the mighty boot" Clarke kicks off and the ABs score right away, but Pierre "Monsieur Drop" Albaladejo pots two field goals for a French lead. The All Blacks fight back for a 13 - 6 win to delight 60,000 locals. An intercept try escapes the camera: before live broadcast developed, action was sometimes missed while changing film.
The Kick
Television, 2014 (Excerpts)
When the All Blacks beat France to win the 2011 Rugby World Cup final, it eased New Zealand's angst of more than 20 years without a title. It also created an unlikely hero in Stephen 'Beaver' Donald. A run of injuries led to a call-up for the fourth choice first five (he was whitebaiting when contacted). When Aaron Cruden was injured, Beaver came off the reserves bench and kicked a decisive penalty. Danny Mulheron's Moa award-nominated TV movie relives the reject-to-redemption fairytale. David de Lautour (Westside) plays Donald. This excerpt includes the kick itself.
The theatre of sport is given full-blown operatic treatment in this National Film Unit classic. Footage from the French 1979 rugby tour of New Zealand is rendered in slow-motion and cut to a Tchaikovsky score. The result is an often glorious, sometimes tongue-in-cheek, paean to rugby. Balletic lineouts, driving tackles, and the dark mysteries of the ruck, make for a ballsy Swan Lake in the mud. It includes the Bastille Day French victory over the All Blacks. Directed by NFU stalwart Arthur Everard, it won a jury prize at the Montreal World Film Festival.
Curated by NZ On Screen team
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
Ultimate NZ Party Playlist
It's the holidays: time to let your hair down, have a swim, give in to your appetite...and have a boogie. From Kings to The Clean, from 'Ten Guitars' to 'Trippin', let NZ On Screen supply the music, with this epic playlist of classic Kiwi party songs. In the backgrounder, music fan and publicity maestro Nicky Harrop takes us through the tracks, before bidding adieu to NZ On Screen.
All Blacks Invincibles Tour
This silent 16mm gem shows two legendary All Black teams in action. The film opens with a roll-call of the returning 'Invincibles', who — starring fullback George Nepia — were unbeaten on their international tour of 1924/5; and then features match highlights. The second clip opens with rare footage of the 1905 'Originals'; before returning to packed 1925 Twickenham for a test match, where the Invincibles perform "the famous Māori War Cry", show off the Kiwi mascot (intended as a gift for the first team to beat them), meet the Prince of Wales, and defeat England.
Blood, Sweat and Touring
The follow up to 1989 tour doco The Good, the Bad and the Rugby sees winger John Kirwan narrate an insider's guide to the All Blacks' 1990 tour to France: from Michael Jones negotiating a haircut ("how do you say 'square top' in French?") to 19-year-old Simon Mannix leading a 'Ten Guitars' singalong. Footy relics of the era include afternoon test matches, four point tries, placed kick-offs, sneaky ciggies and Steinlager. Producer Ric Salizzo later repeated the Pasta Productions' recipe — sports fandom mixed with schoolboy pratfalls — in the successful Sports Cafe series.
Television, 1977
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
The Governor - He Iwi Ko Tahi Tatou (Episode Four)
Television, 1977 (Full Length Episode)
The Governor examined the life of George Grey, providing a whole new angle on traditional portraits of him as the "Good Governor". The six-part historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. This episode — 'He Iwi Kotahi Tatou' (Now We Are One People)' — won a Feltex award for best script. War looms in the Waikato as Māori tribes band together; peacemaker and kingmaker Wiremu Tāmihana (the late Don Selwyn) agonises over the right course of action.


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Our campus hosts the headquarters of the Baltimore Ecosystem Study (BES), one of only two NSF-sponsored Urban Long-Term Ecological Research sites in the United States.
"The Baltimore Ecosystem Study (BES) conducts research on metropolitan Baltimore as an ecological system. The program integrates biological, physical, and social sciences.
As a part of the National Science Foundation's Long-Term Ecological Research Network, BES seeks to understand how Baltimore's ecosystems change over time.The ecological knowledge created by BES supports educational and community-based activities, and interactions with the Baltimore community."
JCET
The Joint Center for Earth Systems Technology (JCET) operates under cooperative agreement between the University of Maryland Baltimore County and the NASA Goddard Space Flight Center (GSFC).
"JCET meets the common interest of UMBC and GSFC to develop new technology for environmental remote sensing. Formed in 1995, JCET has grown to 18 Research Professors including four tenured faculty. JCET has an additional 11 Research Scientists and 4 Research Associates. JCET's research focuses on themes which align with NASA's Earth Science Interests: engineering, mesoscale atmospheric processes, climate and radiation, atmospheric chemistry and dynamics, hydrospheric and biospheric sciences, and solar system science including geodesy and geophysics."
CUERE
The Center for Urban Environmental Research and Education (CUERE) at UMBC was created with initial support from the U.S. Environmental Protection Agency and the U.S. Department of Housing and Urban Development.
"CUERE's mission is to advance the understanding of the environmental, social and economic consequences of the transformation of the urban landscape through research, conferences and symposia, support of university teaching programs and assistance to K-12 education. CUERE fosters interdisciplinary approaches to environmental science, engineering and public policy.
The CUERE research team includes environmental engineers, scientists, and policy analysts. The center's research agenda focuses on relationships among natural and socioeconomic processes that occur in urban environments and their impact on public policy. The center is equipped with meeting facilities; integrated analytical, educational and research laboratories; and state-of-the-art computer and geographic information systems."


Some website structures make it hard to focus on product cards. This is where traversing up and down html tree comes into play. Look in to the following video for tips!
Select any starting element within the product card. Usually product name or price is a good place to start.
Create the Sniffie table normally by clicking the selected element with the left mouse button.
There's not enough data. You need to traverse HTML tree up and down.
Start advanced mode from the top right.
Traverse up to reveal more data. Traverse down to limit the amount of data. You can always undo if you feel like you made a mistake.
Sometimes the data may appear to the right or to the bottom (illustrated by the video). The data is still there, however.
Trim columns and rows to see the final extraction result.