text:
package org.synyx.urlaubsverwaltung.person.basedata;

import org.springframework.beans.factory.annotation.Autowired;
import org.springframework.security.access.prepost.PreAuthorize;
import org.springframework.stereotype.Controller;
import org.springframework.ui.Model;
import org.springframework.validation.Errors;
import org.springframework.web.bind.annotation.GetMapping;
import org.springframework.web.bind.annotation.ModelAttribute;
import org.springframework.web.bind.annotation.PathVariable;
import org.springframework.web.bind.annotation.PostMapping;
import org.springframework.web.bind.annotation.RequestMapping;
import org.springframework.web.servlet.mvc.support.RedirectAttributes;
import org.synyx.urlaubsverwaltung.person.Person;
import org.synyx.urlaubsverwaltung.person.PersonId;
import org.synyx.urlaubsverwaltung.person.PersonService;
import org.synyx.urlaubsverwaltung.person.UnknownPersonException;

import javax.validation.Valid;

import static org.synyx.urlaubsverwaltung.person.basedata.PersonBasedataDtoMapper.mapToPersonBasedata;
import static org.synyx.urlaubsverwaltung.person.basedata.PersonBasedataDtoMapper.mapToPersonBasedataDto;
import static org.synyx.urlaubsverwaltung.security.SecurityRules.IS_OFFICE;

@Controller
@RequestMapping("/web")
public class PersonBasedataViewController {

    private final PersonBasedataService personBasedataService;
    private final PersonService personService;

    @Autowired
    public PersonBasedataViewController(PersonBasedataService personBasedataService, PersonService personService) {
        this.personBasedataService = personBasedataService;
        this.personService = personService;
    }

    @PreAuthorize(IS_OFFICE)
    @GetMapping("/person/{personId}/basedata")
    public String showPersonBasedata(@PathVariable("personId") Integer personId, Model model) throws UnknownPersonException {

        final Person person = personService.getPersonByID(personId).orElseThrow(() -> new UnknownPersonException(personId));
        final PersonBasedata personBasedata = personBasedataService.getBasedataByPersonId(personId)
            .orElse(new PersonBasedata(new PersonId(personId), "", ""));

        model.addAttribute("personBasedata", mapToPersonBasedataDto(personBasedata, person));

        return "thymeleaf/person/person-basedata";
    }

    @PreAuthorize(IS_OFFICE)
    @PostMapping("/person/{personId}/basedata")
    public String editPersonBasedata(@PathVariable("personId") Integer personId,
                                     @Valid @ModelAttribute("personBasedata") PersonBasedataDto basedataDto, Errors errors, Model model, RedirectAttributes redirectAttributes) {

        if (errors.hasErrors()) {
            return "thymeleaf/person/person-basedata";
        }

        personBasedataService.update(mapToPersonBasedata(basedataDto));

        redirectAttributes.addFlashAttribute("updateSuccess", true);

        return "redirect:/web/person/" + personId;
    }
}


The Nature's Sleep mattress differs from many mattress brands on the marketplace, as it's made with 4 layers of foam.The 4 layers of foam provides a helping hand for much heavier individuals. These 4 layers also help by decreasing motion transfer significantly.
When you are looking to buy a new mattress, the two biggest things are comfort and support.When you lie down on a mattress, it should correctly support your body, sinking and also adhering around your form in the right locations to ensure your spine stays aligned as you sleep with the night. It is imperative to have proper alignment from top to bottom as you sleep. This is necessary to make sure you get a healthy rest, and to ensure you are reducing your back and neck pain. While being supportive of your body, a suitable mattress must provide stress relief. Your stress points are responsible for you having a rough nights sleep, if you move around at night a lot. The main reason memory foam mattresses have actually become so popular since late results in the fact they're exceptional at being equally supportive as well as comfortable.
This is along the same lines, as when we speak about comfort and support. Just like a mattress should never be too hard, it should also never be too soft.In order to keep your body and spine in the correct alignment, your mattress should be as neutral as it can be.If a mattress is too rigid, it will irritate your stress points, causing pinched nerves and stopping adequate blood flow. If you find that a lot of the times you awake, with the sensation of having pins and needles in your body, this is a sign of a mattress that is too rigid. And if you wake up with frequent back pain, most likely this is because your mattress is too soft. This results in a concaving effect, like a hammock. Which makes your spine be out of alignment.This is why it's crucial to find a mattress that is close to neutral. You want your mattress soft in the right places, without being too soft. But you also want your mattress to be supportive, without being too rigid.
It's not a big surprise, that if you're in the market for a high quality mattress, it usually comes with a nice price tag.It's a big investment to make, so once you purchase one, it's vital to locate a mattress that will certainly last you for years.It is very important that you find a mattress that has been constructed to last a long period of time. If you decide you are going to purchase a mattress, at least invest your money into a mattress that offers at the least, a 10 year warranty.
The 2 biggest aspects when looking to purchase a new mattress, is comfort and also support.There are a few things that should take place when you lie down. You want the sinkage and contour to be right, for proper spine alignment. You also want a mattress to correctly support your body, as you sleep at night. To ensure you are getting a healthy rest at night, it is crucial that your alignment from head to toe is correct. This also greatly reduces any neck and back pain, which you may have. While a mattress is being supportive, it is important that it provides you with stress relief also. The stress points on your body are precisely what's in control of you thrashing during the evening. Memory foam mattresses have earned their way into the spotlight, by not only being comfortable, but as equally supportive.
This goes hand in hand with comfort and support. Just like a mattress should never be too hard, it should also never be too soft.It must be as neutral as possible, to maintain your body and also spinal column in a neutral position.If you have a mattress that is too rigid, this causes stress points to get irritated. Resulting in the loss of blood flow, as well as pinched nerves. If you find that a lot of the times you awake, with the sensation of having pins and needles in your body, this is a sign of a mattress that is too rigid. And if you wake up with frequent back pain, most likely this is because your mattress is too soft. This results in a concaving effect, like a hammock. Which makes your spine be out of alignment.It's important to locate a mattress with a neutral feeling, that will definitely be both rigid and also soft in the perfect places.


text:
Descendants of Jesse DRAKE
1 Jesse DRAKE b: 1755 in Devonshire, England d: February 10, 1825 in Howard Co, Mo
. +Jemima-Wilhelmina Julianna ROSE b: February 27, 1752 in prob England d: Abt. 1817 in prob KY
........ 2 Elizabeth DRAKE b: Abt. 1771 in Jefferson (now Bullitt) Co, KY
............ +Jesse HUGHES m: June 10, 1790 in Jefferson Co, Ky
........ 2 Sarah 'Sally' DRAKE b: Bef. 1773 in Jefferson (now Bullitt) Co, KY
............ +David SEATON m: Bef. 1810
................... 3 Charles D. SEATON
................... 3 Allan R. SEATON
................... 3 Apphia W. SEATON
....................... +MEDDIS
................... 3 Alice SEATON
....................... +Tom MILLS
................... 3 Sallie SEATON
................... 3 John SEATON
........ 2 Nancy DRAKE b: Bef. 1775 in Jefferson (now Bullitt) Co, KY d: Bef. 1822 in KY
............ +Hough STEWART
................... 3 Catherine STEWART
................... 3 David STEWART
................... 3 Eliza STEWART
................... 3 Nancy STEWART
........ 2 Catherine DRAKE b: November 13, 1775 in Jefferson Co, KY d: November 30, 1855 in E Fortuna, Moniteau Co, Mo
............ +Tunis NEWKIRK b: April 30, 1768 in VA/OH d: November 05, 1843 in Moniteau Co, MO
................... 3 Charles NEWKIRK b: February 15, 1795 in Jefferson (now Bullitt) Co, KY d: November 21, 1852 in Morgan Co, MO
....................... +Camilla WELLS
.............................. 4 John Thomas NEWKIRK b: February 26, 1829 in Jefferson Co, Ky d: March 07, 1907 in Fortuna, Moniteau Co, MO
.................................. +Margaret Ellen HAYS b: April 28, 1838 in Benton Co, MO m: February 09, 1854 d: July 08, 1921 in Fortuna, Moniteau Co, MO
................... *2nd Wife of Charles NEWKIRK:
....................... +Dicie BOWEN b: January 01, 1815 in VA or MD m: May 30, 1839 in near High Point, Cole Co (now Moniteau Co), MO d: December 03, 1858 in Morgan Co, MO
.............................. 4 James David 'Big Jim' NEWKIRK b: July 19, 1840 in Morgan Co, MO d: September 09, 1903 in Morgan Co, MO
.............................. 4 Melissa NEWKIRK b: 1842 in Morgan Co, MO
.............................. 4 William H. NEWKIRK b: 1844 in Morgan Co, MO
.............................. 4 Charles S. NEWKIRK b: 1846 in Morgan Co, MO
................... 3 Jemima NEWKIRK b: March 03, 1797 in Bullitt Co, Ky d: January 26, 1846 in Moniteau Co, MO
....................... +Thomas BOWEN d: 1833 in Indiana
.............................. 4 Elisha I. BOWEN
.............................. 4 David N. BOWEN
.............................. 4 Charles D. BOWEN
................... 3 Elizabeth `Betsy' NEWKIRK b: August 03, 1799 in Bullitt Co, Ky d: October 17, 1870 in Howard Co, Mo
....................... +Hugh STEWART d: Aft. 1853 in prob. Howard Co, MO
.............................. 4 Emeline `Emily' STEWART b: November 21, 1822 in Bullitt Co, Ky d: February 02, 1880 in Howard Co, Mo
.............................. 4 Martha STEWART b: April 11, 1825 in Bullitt Co, Ky d: October 29, 1911 in Howard Co, Mo
.............................. 4 Jemima Jane STEWART b: May 24, 1827 in Bullitt Co, Ky d: January 28, 1846 in Howard Co, Mo
.............................. 4 Susan STEWART b: June 29, 1829 in Bullitt Co, Ky d: July 01, 1920 in Howard Co, Mo
.................................. +Chistopher Eliza BURKHARTT b: July 15, 1829 in Howard Co, Mo m: July 27, 1852 d: January 13, 1914 in Howard Co, Mo
.............................. 4 Charlie STEWART b: July 16, 1831 in Bullitt Co, Ky d: April 20, 1904 in Howard Co, Mo
.............................. 4 Sarah STEWART b: 1834 in Howard Co, Mo
.............................. 4 Hugh W. STEWART b: April 01, 1836 in Howard Co, Mo d: January 04, 1905 in Howard Co, Mo
.............................. 4 Caroline `Carrie' STEWART b: 1838 in Howard Co, Mo
.............................. 4 Mary Elizabeth STEWART b: June 30, 1841 in Howard Co, Mo
................... 3 Drake NEWKIRK b: April 04, 1802 in Bullitt Co, Ky d: February 10, 1872 in Moniteau Co, MO
....................... +Sarah SOUSLEY b: July 20, 1801 in KY d: February 03, 1861 in Moniteau Co, MO
................... *2nd Wife of Drake NEWKIRK:
....................... +Delila MADOLE m: September 19, 1865 in Moniteau Co, MO
................... 3 Peter NEWKIRK b: September 28, 1805 in Bullitt Co, Ky d: April 27, 1864 in Moniteau Co, MO
....................... +Mary 'Polly' BROWN b: March 22, 1813 in Shepherdsville, Bullitt Co, KY d: October 02, 1877 in 3 mi east of Fortuna, Moniteau Co, Mo
.............................. 4 Charles Milton NEWKIRK b: July 24, 1837 in E Fortuna, Moniteau Co, Mo d: September 09, 1863 in Moniteau Co, MO
.............................. 4 Hugh Tunis NEWKIRK b: March 19, 1839 in E Fortuna, Moniteau Co, Mo d: August 07, 1864
.............................. 4 Tobias B. NEWKIRK b: March 11, 1841 in E Fortuna, Moniteau Co, Mo d: June 07, 1880 in Moniteau Co, MO
.............................. 4 Louisa Rose NEWKIRK b: April 22, 1844 in E Fortuna, Moniteau Co, Mo d: October 19, 1924 in Latham, Moniteau Co, MO
.............................. 4 Melissa Drake NEWKIRK b: April 26, 1846 in E Fortuna, Moniteau Co, Mo d: June 10, 1922 in Tipton, Moniteau Co, Mo
.............................. 4 Alonzo P. NEWKIRK b: July 07, 1848 in E Fortuna, Moniteau Co, Mo d: May 09, 1919 in California, Moniteau Co, MO
.................................. +Cordelia Ann HUGHES b: March 15, 1850 in Finley, Hancock Co, OH m: February 18, 1869 in Stephenson Co, IL d: February 07, 1936 in Great Bend, Kansas
.............................. *2nd Wife of Alonzo P. NEWKIRK:
.................................. +[1] Nancy Edna Josephine Steven WRIGHT b: February 28, 1858 in Moniteau Co, Mo - East of Latham
.................................. m: August 08, 1915 in E Fortuna, Moniteau Co, Mo d: July 09, 1935 in E Fortuna, Moniteau Co, Mo
.............................. 4 Napoleon Bonaparte NEWKIRK b: June 11, 1851 in Fortuna, Moniteau Co, MO d: June 17, 1914 in Fortuna, Moniteau Co, MO
.................................. +[1] Nancy Edna Josephine Steven WRIGHT b: February 28, 1858 in Moniteau Co, Mo - East of Latham m: September 14, 1876 in Moniteau Co, MO d: July 09, 1935 in E Fortuna, Moniteau Co, Mo
......................................... 5 Imogene NEWKIRK b: July 21, 1877 in Fortuna, Moniteau Co, MO d: September 20, 1970 in California, Moniteau Co, MO
......................................... 5 Alpha Nadine NEWKIRK b: November 06, 1879 in E Fortuna, Moniteau Co, Mo d: February 07, 1969 in Versailles, Morgan Co, Mo
............................................. +Samuel Washington CHARLES b: June 16, 1873 in SE Tipton, Moniteau Co, Mo m: May 09, 1897 in Moniteau Co, MO d: June 16, 1942 in at home S E of Fortuna, Mo
.................................................... 6 Rose Nadine CHARLES b: August 22, 1898 in E Fortuna, Moniteau Co, Mo d: January 26, 1985 in Versailles, Morgan Co, Mo
........................................................ +Luther 'Gregory' WOODS b: November 14, 1895 in NE of Fortuna, Moniteau Co, MO m: December 24, 1916 in E Fortuna, Moniteau Co, Mo d: May 18, 1974 in Fortuna, Moniteau Co, MO
.............................................................. 7 Naomi Louise WOODS b: February 27, 1919 in NE of Fortuna, Moniteau Co, MO
.................................................... 6 Norman CHARLES b: August 22, 1900 in E Fortuna, Moniteau Co, Mo d: August 26, 1900 in E Fortuna, Moniteau Co, Mo
.................................................... 6 Ruth Edna CHARLES b: September 07, 1901 in E Fortuna, Moniteau Co, Mo d: December 11, 1978 in Versailles, Morgan Co, Mo
........................................................ +Elmer Milton WELTY b: January 02, 1890 in E Fortuna, Moniteau Co, Mo m: June 17, 1928 in E Fortuna, Moniteau Co, Mo d: April 25, 1981 in Memorial Hosp, Jefferson City, Missouri
.................................................... 6 Samuel 'Zora' CHARLES b: January 12, 1904 in E Fortuna, Moniteau Co, Mo d: August 12, 1980 in Versailles, Morgan Co, Mo
........................................................ +Lillian 'Faye' WRIGHT b: January 07, 1910 in Stover, Missouri m: August 05, 1925 d: October 29, 1988 in Columbia, MO
.............................................................. 7 Samuel 'Ned' CHARLES b: March 03, 1928 in NE of Fortuna, Moniteau Co, MO
.................................................................. +Lois Delene PETREE b: March 25, 1928 in Latham, Moniteau Co, MO m: June 04, 1948 in Fortuna, Moniteau Co, MO
......................................................................... 8 Randy Ned CHARLES b: August 22, 1949 in Fortuna, Moniteau Co, MO
......................................................................... 8 Samuel 'Ricky' CHARLES b: July 03, 1951 in Independence, MO
............................................................................. +Pamela Ann LAY b: November 29, 1955 in Independence, MO m: May 01, 1977
.................................................................................... 9 Samuel Patrick CHARLES b: April 16, 1980
.................................................................................... 9 Randolph Len CHARLES b: July 25, 1981
.............................................................. 7 Charles 'Ted' CHARLES b: March 03, 1928
.................................................................. +Irene May KUHLMANN b: January 17, 1931 in Olpe, Kansas m: June 20, 1953 in Olpe, Kansas
......................................................................... 8 Michelle Denise CHARLES b: March 20, 1955 in Kansas City, MO
............................................................................. +Robert Theodore PERRY b: September 16, 1951 in Tacoma, Wa. m: May 06, 1989 in Overland Park, Ks.
......................................................................... 8 Charene Ann CHARLES b: April 11, 1957 in Wichita, KS
............................................................................. +Rex Alan JONES b: June 22, 1956 in Wichita, KS m: January 06, 1979 in Wichita, KS
.................................................................................... 9 Jennifer Ann JONES b: January 28, 1985 in Kansas City, MO
.................................................................................... 9 Ryan Andrew JONES b: May 15, 1986 in Kansas City, MO
......................................................................... 8 David Michael CHARLES b: June 16, 1961 in Oklahoma City, OK
......................................................................... 8 Craig Evans CHARLES b: April 18, 1964 in Wichita, KS
............................................................................. +Linda Kay RITSCH b: January 12, 1961 in Springfield, MO m: June 19, 1993 in Von Noy Mansion, Kansas City, Mo.
.............................................................. 7 Dixie June CHARLES b: April 27, 1930 in NE of Fortuna, Moniteau Co, MO
.................................................................. +James Carl LAKE b: March 09, 1929 in near Versailles, Missouri m: November 20, 1949
......................................................................... 8 Carla June LAKE b: July 26, 1958 in Boonville, MO
............................................................................. +Lyle Curtis CUNNINGHAM b: July 01, 1958 in North Kansas City, Mo. m: January 14, 1978 in United Methodist Church, Versailles, Mo.
.................................................................................... 9 Curtis James CUNNINGHAM b: September 24, 1978 in Bothwell Hospital, Warrensburg Mo.
.................................................................................... 9 Melissa Beth CUNNINGHAM b: February 23, 1982 in Cooper County Hospital
......................................................................... *2nd Husband of Carla June LAKE:
............................................................................. +James Emerson HERNDON b: October 20, 1952 in Versailles, Morgan Co, Mo m: October 21, 1989 in Laurie, Mo.
.................................................................................... 9 Jamie Elizabeth HERNDON b: October 03, 1990 in Columbia, MO
......................................................................... 8 Scott David LAKE b: December 08, 1959 in Boonville, MO
............................................................................. +Carolyn Jo BURK b: July 29, 1959 in Versailles, Morgan Co, Mo m: February 25, 1979 in United Methodist Church, Versailles, Mo.
.................................................................................... 9 Carl Leslie LAKE b: September 09, 1979 in Columbia, MO
.................................................................................... 9 Shaun David LAKE b: May 05, 1982 in Columbia, MO
......................................................................... 8 Charles 'Mark' LAKE b: December 02, 1960 in Boonville, MO
............................................................................. +Donita Raye YODER b: October 09, 1958 in Sarasota, Fl. m: March 19, 1988 in Bethel Mennonite Church, near Fortuna, Mo.
.................................................................................... 9 Christopher 'Brice' LAKE b: September 21, 1989 in Jefferson City, Cole Co, MO
.................................................................................... 9 Charles Michael LAKE b: May 27, 1992 in Jefferson City, Cole Co, MO
.............................................................. 7 Don David CHARLES b: June 03, 1939 in NE of Fortuna, Moniteau Co, MO d: April 23, 1988 in Joplin, Mo.
.................................................................. +Roselle Mae HOFSTETTER b: June 19, 1944 in Moniteau Co, MO m: August 03, 1963 in Fortuna, Moniteau Co, MO
......................................................................... 8 Dawn Renee CHARLES b: August 02, 1964 in Mobely, Missouri
............................................................................. +Terry T. WEMER m: October 22, 1994 in Joplin, Mo.
......................................................................... 8 Jeffery Don CHARLES b: July 31, 1969 in Jefferson City, Cole Co, MO
............................................................................. +Karla Ann GIBSON b: August 02, 1972 in St. John's Hospital, Joplin, Mo m: June 29, 1991 in St. Patricks Church, Galena, Ks
.................................................................................... 9 Zachary Don CHARLES b: December 14, 1991 in Freeman Hospital, Joplin, Mo.
.................................................................................... 9 Alexander Scott CHARLES b: October 29, 1993 in Freeman Hospital, Joplin, Mo.
.................................................... 6 Mary 'Omega' CHARLES b: January 22, 1911 in Fortuna, Moniteau Co, MO d: September 07, 1985 in Chas E. Still Hosp, Jefferson City, MO
........................................................ +Preston Newton HUTCHISON b: April 29, 1912 in Fortuna, Moniteau Co, MO m: July 04, 1933 in Buffalo, MO d: March 21, 1976 in Chas E. Still Hosp, Jefferson City, MO
.............................................................. 7 Richard Gale HUTCHISON b: September 30, 1936 in Versailles, Morgan Co, Mo d: November 07, 1936 in St Marys Hosp, Jefferson City, Missouri
.............................................................. 7 Larry Jean HUTCHISON b: January 23, 1938 in Versailles, Morgan Co, Mo
.................................................................. +Martha Lynn Ruth STARKEBAUM b: January 20, 1940 in Higginsville, Lafayette Co, MO m: May 29, 1960 in Mayview, Lafayette Co, Missouri
......................................................................... 8 Cheryl Renee HUTCHISON b: August 20, 1962 in Sweetsprings, MO
............................................................................. +Mark Alan LAZARZ b: November 28, 1962 in St. Louis, MO m: October 26, 1985 in Webster Groves, Missouri
.................................................................................... 9 Peter L Anthony LAZARZ b: April 07, 1994 in Blue Springs, Jackson Co, MO
.................................................................................... 9 Jacquelyn Zofia LAZARZ b: April 01, 1996 in Blue Springs, Jackson Co, MO
......................................................................... 8 Angela Gaye HUTCHISON b: August 25, 1967 in Kansas City, MO
............................................................................. +Douglas Mark BOWN b: September 05, 1967 in Winterset, IA m: August 12, 1989 in Winterset, IA
.............................................................. *2nd Wife of Larry Jean HUTCHISON:
.................................................................. +Sandra Louise HOPKINS b: December 07, 1946 in Cambridge, Conn m: March 27, 1989 in Las Vegas. Nevada
.............................................................. *3rd Wife of Larry Jean HUTCHISON:
.................................................................. +Sandra Louise (Born) HOPKINS b: December 07, 1946 in Cambridge, Mass m: April 15, 1989 in Hollywood, California
......................................... 5 Joseph Wright NEWKIRK b: July 25, 1881 in Fortuna, Moniteau Co, MO d: August 06, 1974 in Warsaw, MO
............................................. +Amy Irene HENRY b: April 11, 1884 in near Clarksburg, Moniteau Co, MO m: November 12, 1902 in Moniteau Co, MO d: October 12, 1964 in Clinton, Henry Co, MO
.................................................... 6 Napoleon Hiram NEWKIRK b: March 21, 1904 in E Fortuna, Moniteau Co, Mo
........................................................ +Evelyn Elizabeth STEINER b: June 29, 1904 in California, Moniteau Co, MO m: May 20, 1925
.............................................................. 7 Evelyn "Maxine" NEWKIRK b: October 07, 1926 in Kansas City, KA
.................................................... 6 Henry Hugh NEWKIRK b: September 25, 1906 in E Fortuna, Moniteau Co, Mo
........................................................ +Margaret Jeanette JENKINS b: August 12, 1912 in near Clinton, Henry Co, MO m: April 11, 1929
.............................................................. 7 Lavone Lee NEWKIRK b: April 17, 1930 in Clinton, Henry Co, MO
.............................................................. 7 Norma Kay NEWKIRK b: July 23, 1932 in Clinton, Henry Co, MO
.................................................... 6 Pete Wright NEWKIRK b: July 25, 1908 in Moniteau Co, Mo - East of Latham d: November 25, 1967 in Kansas City, MO
........................................................ +Inez Louise ALLEN b: September 26, 1907 in Chilhowee, MO m: September 11, 1926 d: January 17, 1977 in Clinton, Henry Co, MO
.............................................................. 7 Harold Dean NEWKIRK b: June 08, 1928 in Clinton, Henry Co, MO
.................................................... 6 Maude NEWKIRK b: October 20, 1910 in Moniteau Co, Mo - East of Latham d: September 03, 1911 in Moniteau Co, MO
.................................................... 6 Neva Sturggis NEWKIRK b: June 06, 1912 in Moniteau Co, Mo - East of Latham
........................................................ +Everett LINDSEY m: September 10, 1933
.................................................... *2nd Husband of Neva Sturggis NEWKIRK:
........................................................ +Aron SMITH b: November 07, 1909 in Olathe, KA m: February 12, 1938 in Republic, MO
......................................... 5 Mary Christian NEWKIRK b: June 23, 1884 in Fortuna, Moniteau Co, MO d: June 04, 1974 in Chas E. Still Hosp, Jefferson City, MO
.............................. 4 Josephine M. NEWKIRK b: November 13, 1853 in E Fortuna, Moniteau Co, Mo d: November 22, 1855 in E Fortuna, Moniteau Co, Mo
.............................. 4 Mary Josephine NEWKIRK b: May 05, 1856 in E Fortuna, Moniteau Co, Mo d: February 20, 1905 in Moniteau Co, MO
................... 3 Sarah NEWKIRK b: November 15, 1807 in Bullitt Co, Ky d: June 14, 1862 in Moniteau Co, MO
....................... +John MCPHERSON m: September 22, 1838 in Morgan Co, MO
................... 3 David Seaton NEWKIRK b: December 20, 1811 in Bullitt Co, Ky d: April 02, 1877 in Moniteau Co, MO
....................... +Mary MCPHERSON b: January 24, 1824 m: June 12, 1841 in Morgan Co, MO d: April 13, 1862 in Moniteau Co, MO
.............................. 4 Dicie Jane NEWKIRK b: September 24, 1851 in Moniteau Co, MO d: March 25, 1905 in Morgan Co, MO
.................................. +George 'Tom' Thomas SHORT b: November 08, 1849 in Harper Co, Virginia m: February 17, 1876 d: February 13, 1924 in Fortuna, Moniteau Co, MO
................... *2nd Wife of David Seaton NEWKIRK:
....................... +Isabella "Ibby" SOUSLEY m: October 27, 1864
................... 3 Harrison R. NEWKIRK b: February 06, 1814 in Bullitt Co, Ky d: January 23, 1884 in Moniteau Co, MO
....................... +Margaret Jane RENSHAW m: December 24, 1840 in Cooper Co., MO d: 1886
.............................. 4 E. Drake NEWKIRK b: 1861 d: 1926
.................................. +Mathilda SMITH b: 1859 m: 1879 in near High Point, Cole Co (now Moniteau Co), MO d: 1897
......................................... 5 Roy Lee NEWKIRK b: 1894 d: 1974
............................................. +Fairly Marie MARTIN b: 1898 m: 1916 in Clarksburg, Moniteau Co, MO d: 1957
.................................................... 6 Lester L. NEWKIRK b: 1920
........................................................ +Loretta L. CORNELUIS b: 1921 m: 1944 in Ann Arbor, Mich.
.............................................................. 7 Stephen L. NEWKIRK b: 1945
.............................................................. 7 Scott D. NEWKIRK b: 1951
.............................................................. 7 David C. NEWKIRK b: 1955
................... 3 Rosean NEWKIRK b: November 04, 1820 in Bullitt Co, Ky d: May 26, 1846 in Moniteau Co, MO
....................... +William G. HOWARD m: November 04, 1841 in Morgan Co, MO
........ 2 Charles DRAKE b: May 27, 1780 in near Old Ft. Monogahle River, Penn d: November 19, 1843 in Howard Co, Mo
............ +Mary `Polly' SWEARINGEN b: in MD
................... 3 David Rose DRAKE b: October 20, 1807 in Bullitt Co, Ky
....................... +Margaret BRASHER b: 1809 in KY m: March 03, 1831 in Bullitt Co, Ky
.............................. 4 I DRAKE Charles b: 1832 in near High Point, Cole Co (now Moniteau Co), MO
.............................. 4 George I. DRAKE b: 1833 in near High Point, Cole Co (now Moniteau Co), MO
.............................. 4 Mary E. DRAKE b: 1835 in near High Point, Cole Co (now Moniteau Co), MO
.............................. 4 Sally R. DRAKE b: 1836 in near High Point, Cole Co (now Moniteau Co), MO
.............................. 4 William I. DRAKE b: 1841 in near High Point, Cole Co (now Moniteau Co), MO
.............................. 4 John R. DRAKE b: 1844 in near High Point, Cole Co (now Moniteau Co), MO
................... 3 Elemelech S. DRAKE b: May 10, 1809 in Bullitt Co, Ky d: September 04, 1873 in Benton Co, MO
....................... +Maria C. OSBURN m: March 14, 1833
.............................. 4 Byron Samuel DRAKE b: January 15, 1834 in Howard Co, Mo
.............................. 4 Joshua Noel DRAKE b: August 09, 1835 in Howard Co, Mo
.............................. 4 Milton Byron DRAKE b: November 11, 1837 in Howard Co, Mo
.................................. +Mary E. Foster
.............................. 4 Elemelech Clay DRAKE b: August 17, 1839
.................................. +Sue Morgan
.............................. 4 Charles Harrison DRAKE b: September 05, 1843 in Warsaw, Benton Co, MO
.................................. +Charlotte Tompkins m: November 18, 1869
.............................. 4 Mary Margaret DRAKE b: May 07, 1847 in Warsaw, Benton Co, MO
.................................. +Robert S. Bibb
.............................. 4 George Hobbs DRAKE b: January 23, 1851 in Warsaw, Benton Co, MO
.................................. +Mary E. Clark
.............................. 4 David Rose DRAKE b: July 19, 1856 in Warsaw, Benton Co, MO
................... *2nd Wife of Elemelech S. DRAKE:
....................... +Charlotte Temple Young m: April 05, 1859
................... 3 Jesse Ward DRAKE b: April 29, 1812 in Bullitt Co, Ky d: July 29, 1881 in Warsaw, Benton Co, MO
....................... +Nancy STEWART m: August 28, 1842
................... *2nd Wife of Jesse Ward DRAKE:
....................... +Mary G. WISLEY b: May 15, 1836 in VA m: August 14, 1866 d: April 01, 1924 in Los Angeles, CA
................... 3 Laurana S. DRAKE b: April 24, 1814 in Bullitt Co, Ky
....................... +Joshua HOBBS m: May 09, 1828 in Bullitt Co, Ky
................... 3 Sally DRAKE b: December 18, 1818 in Bullitt Co, Ky
................... 3 George Washington DRAKE b: October 08, 1823 in Bullitt Co, Ky d: October 24, 1905
....................... +Nancy J. JORDAN b: 1823 m: December 05, 1844 in Howard Co, Mo d: Abt. 1854
.............................. 4 Jesse H. DRAKE d: July 05, 1855
................... *2nd Wife of George Washington DRAKE:
....................... +Susan S. CREWS b: October 17, 1835 m: July 15, 1855 in Howard Co, Mo d: April 19, 1865 in Howard Co, Mo
.............................. 4 Charles E. DRAKE b: April 09, 1856 d: December 14, 1927
.............................. 4 Lamuel S. DRAKE b: March 04, 1858 d: January 26, 1920
.............................. 4 Ebemelech DRAKE b: March 04, 1858
.............................. 4 Joseph T. DRAKE b: November 13, 1860
.............................. 4 Sarah E. DRAKE b: December 09, 1862
.............................. 4 George W. DRAKE b: July 16, 1863 d: April 16, 1865 in Howard Co, Mo
................... *3rd Wife of George Washington DRAKE:
....................... +Martha C. PEARSON b: February 14, 1836 m: February 05, 1867 in Howard Co, Mo
.............................. 4 Louisiana DRAKE b: March 09, 1872
.............................. 4 Laura E. DRAKE b: May 10, 1874
.............................. 4 Edna P. DRAKE b: August 15, 1876
........ 2 David Rose DRAKE b: August 27, 1791 in near Mr. Washington, Bullitt Co, Ky d: January 28, 1854 in Henry Co, Missouri
............ +Catherine BURCKHARTT m: April 04, 1815 in Bullitt Co, Ky
................... 3 Jemimah DRAKE
................... 3 Charles DRAKE
................... 3 Nicholas DRAKE
................... 3 Elizabeth DRAKE
................... 3 Ward DRAKE
................... 3 Harriett Columbus DRAKE
....................... +Charles Hubbard Thomton
................... 3 Margaret DRAKE Larry Hutchison

redpajama_set_name: RedPajamaCommonCrawl


Emily Valentine had a problem at her hotel chain in California. Her overnight guests were tired, and angry. Located too close to the nearby roadways and train tracks, she struggled to find the right price point to make ends meet, but also keep customer's expectations in line. When they awoke in the middle of the night (sometimes more than once), the noise issue could no longer be ignored.
With each of her windows measuring in at about 80" wide and 110" tall, she needed a custom solution that would fit the windows, but not disrupt the room design. With Residential Acoustics, she found a custom manufacturer that could suit her needs.While researching options, she realized that there was not a one-size-fits-all solution on the market. With over 200 rooms in the hotel, replacing each of the sliding glass doors with triple-pane acoustic glass was not feasible – it was quoted in the high-six figures. However, going on without a solution wasn't an option either. That's when she turned her attention to the growing acoustical solution of soundproofing curtains.
While Emily had already requested budget approval for architectural modifications, they were coming along slowly, and she was losing business by the day. That's when she turned to Residential Acoustics for options.
Soundproofing Curtains have become the newest approach to solving the hotel manager's dilemma – how to solve noise problems on a budget. In Emily's case, most of the noise was coming in through exterior windows, especially the large, thin sliding glass door panes.
After speaking with an on-staff acoustical consultant, Emily's curtains were custom-designed to her specifications – to fit the window size and the room décor. Within 2 weeks, Emily began receiving 20 curtains per week from her order of 270. With only a few varying sizes, the fabric and soundproofing liner were cut in ever-increasing volumes.
Each curtain took approximately 15-20 minutes to install, and fit directly on her existing curtain tracks – saving valuable labor and hardware cost. As the maintenance crew became more accustomed to the product installation process, Residential Acoustics expedited delivery of the last several shipments. The entire hotel was completely outfitted within only 6 weeks, and at a cost of approximately $300 per room.
By batching together the custom order, labor and logistical costs were dropped by over 20%, meaning that Emily could achieve h er solution without jeopardizing profitability for the quarter. Most importantly, the curtains blocked an additional 60% of the traffic noise, resulting in happier guests and return customers.
As with many Residential Acoustics' clients, the optimal results occur when the soundproofing curtains are part of the overall solution, not simply a one-stop-shop. Emily took other simple steps, such as offering earplugs to customers that requested them, and locating sensitive guests away from the noisiest areas. By implementing these operational and after-market solutions, Emily solved a long-term problem in weeks and immediately began receiving a return on her investment.
Soundproofing Curtains have been an effective tool for hotel owners and operators to reduce hotel guest noise complaints from roadway noise.
This entry was posted in Soundproofing and tagged hotel soundproofing.


text:
Posts Tagged 'Mountain Maidu'
Plumas County Museum: First Venue for Agriculture West and Midwest
The Plumas County Museum: Exhibiting Talented Artists and Serving Plumas County for 60 Years
David Leland Hyde's First Museum Show, "Agriculture West and Midwest: Visual Stories of a Fading Traditional Way of Life From 17 States," Raised Thousands of Dollars for the Plumas County Museum Association. The Museum Staff Chose Hyde's Large 2017 Fine Art Print, "Horse Barn, Tall Grass, Genesee Valley Ranch" for Their Permanent Collection.
Horse Barn, Tall Grass, Genesee Valley Ranch, Spring, Northern Sierra, California, 2017 by David Leland Hyde. Part of the Agriculture West and Midwest Museum Show and the Plumas County Museum permanent collection. (Click to See Image Large.)
This feature blog post I originally intended for the purpose of promoting my art exhibition at the Plumas County Museum of over 110 archival photographic prints, all of which I printed and over 60 of which I personally matted and framed. However, I am now posting this as a thank you to the museum and it's staff for all of their hard work and support of my project and to promote them going forward independent of my show as it moves on to new venues.
Some people believe museums are unnecessary. Many shun art museums in particular. Our current Oval Office Occupier abolished public support for the arts not realizing that his most successful business towers owe much prestige and high value to the neighborhood, the home of Manhattan's premier museums. The National Endowment for the Arts website materials in 2017 stated that less than 10 percent of Americans have ever set foot in an art gallery or art museum. Why? Is it partly because schools teach the appreciation of art less and less? Are people turned off by perceived snobbery?
Is it because we are not taught in school that art adds to:
Community Culture
Business Profits
Neighborhood Property Values
The art of nature specifically:
Decreases Stress and Anxiety
Improves Productivity
Lowers Risk of Cancer
Museums are important institutions in any location, but a county museum that assists and supports other area museums and preserves and catalogs the artifacts, memoirs, court records, events, history, knowledge and whatever else mattered to the people and way of life in a county is an indispensable storehouse of treasures kept in trust for all of us to enjoy and help perpetuate.
The Plumas County Museum began as an idea instigated by restaurateur Bob Moon and bankers William Skaggs and Ward Ingersoll on behalf of Stella Fay Miller, a descendant from Plumas County pioneers who left a bequest that arranged for the purchase of the land and the construction of a museum. These three community leaders gathered together a Plumas County Museum Committee that later became the Board of Trustees for the museum. Philip Hyde, a Trustee and committee member hired the architect for the museum building, Osborne and Stewart from San Francisco. Both Hyde and Ansel Adams had done architectural photography for the related prestigious firms Spencer and Lee, and Stewart, Osborne and Lee. Bill Barlow submitted the lowest bid and became the contractor for the project in early 1968, completing the building in just over a year for a dedication ceremony on June 7, 1969.
Philip Hyde donated giant 32×40 and 40×50 darkroom black and white silver prints to the museum to hang around the inside of the Mezzanine. These silver prints were part of a series called, "The Four Seasons in Plumas County." Dad wrote about the series that the photographs "Were selected not so much to show specific places in the county, as to represent in a more general way the landscape of the county—the setting of which has changed in details, but has remained overall impression substantially as it was when the first pioneers found their way into the mountains and valleys of the upper Feather River country. These large photographs are still on view today and can be seen from either upstairs or downstairs.
Throughout the 1970s, the museum sold Philip Hyde prints. Dad's well-known photograph "Spanish Creek," of which original Dye Transfer prints today sell for $6,000 to 8,000 and more, in 1970 were priced at $22.50 at the Plumas County Museum. Bob Moon wrote a letter to Dad in July 1970 explaining that sales had been brisker than expected and that the prints needed to be restocked. Incidentally, Bob Moon also helped Dad get on TV for the first time during the early days of the museum. The Sacramento Public Television Station filmed a half-hour special at our home near Taylorsville. Plumas County promoted Dad's work and this in turn brought in sales at the museum that contributed to the operating funds.
In a 1974 fundraising letter Norma J. Carr, then Secretary-Treasurer of the Board of Trustees, reported that in the first five years "the multi-purpose Plumas County Museum and Chamber of Commerce Building hosted over 300 different historical, cultural, educational and informational exhibits and functions viewed by over 80,000 visitors. With a paid staff of two persons and a great deal of volunteer help, the Plumas County Museum has already gained statewide attention and notoriety." Today, the museum has diversified even further.
"We are an all-encompassing facility for the whole county," Lawson said. "This is the Plumas County Museum not the Quincy Museum." He explained that the entire region, the whole Feather River Watershed and its history are important to the museum:
Whether you use anything in the museum on a regular basis or not, the memoirs and papers of the pioneers are here, but we are not here just for people to check out information, we also hold tangible objects passed down through generations from the pioneer families. People gave us the objects and records, for us to take care of and know they will be here for future generations. A lot of these are things we may never see again. Maybe a lot of people had the item years ago, but they have been thrown away, given away, burned up or lost in floods. We have everything from textiles: clothing, shoes, hats, household items, kitchen utensils, furniture, industrial tools, cameras, photography components and darkroom equipment. We have a little bit of everything that represents what life was in Plumas County over the last 170 years for Euro-American culture, plus items that represent the life ways of the Indigenous Maidu.
Lawson said the various museums around the county each serve an important purpose as well.
We can't do it all here. I don't feel we are in competition with the other museums around the county at all. I've worked with a lot of them to help them hone their accessioning and curatorial skills: so we aren't throwing things in a corner or letting them get damaged. I help them pick out computer systems and help them get going. We are lucky to have that brochure that shows we have 11 museums now in the county. It could be promoted more than it is, but the county doesn't spend money on things that bring money in like museums and the chambers of commerce. A lot of people move here because of us, or after seeing our information.
He also filled me in on the history of the Plumas County Museum before it moved into the current building.
The museum has been part of County Courthouse planning since the courthouse opened in 1921. The room where the recorder's office is now, that was called the memorial room. A lot of the cases in the County Museum now, were in that room. We were one of 19 departments. The county-funded everything: the electricity, heat and so on. After we moved to Jackson Street, they formed a non-profit group to accept donations, so they are giving us less of the general fund now. Things are better than they were for a while, but not ideal because I still have the same extended workload, I'm behind from having no help for a couple of years. I used to have three people and I'm still trying to do the work of three people. With part-time people, you don't have as much continuity as with full-time folks. I have to spend more time running around making sure they are getting everything done.
Besides cataloging and developing a database and system for looking up everything, the museum undertakes many other endeavors. Having local people and children enjoy the museum Lawson said was one of the most satifying aspects of his job.
We have other projects like maintaining the historic buildings we care for like the Hall-Lowry House and the Old Taylorsville School. If you saw the faces of fourth-graders when they come here for their living history program where they have hands-on heritage skills: making candles, washing clothes on a washboard, making butter, cooking biscuits on a wood stove, and how excited they are about it. It makes it feel like it is worth it to do this. When I see them again 20 years later, they say that was one thing they remembered about the museum and how much fun they had. They then bring in their kids. When you get a little older you start thinking about your roots and the people before you. A lot of people who live here came from somewhere else and don't have as much of a tie to the history here, but they still want to know, 'Who had the house before me?' or 'Who lived in this valley before.' We have that information to share.
Today, besides the museum's many exhibits, it also offers a wide variety of services and programs including:
Bus tours throughout the county featuring historical and cultural highlights
Historical and cultural presentations
Exhibit design and implementation
Local artist shows and receptions
1878 Variel Home tours and restoration work
Maintenance of the 1860 Goodwin Law Office
Archival Library research and resources
Artifact accessioning and conservation
Civic and community presentations
4th Grade Living History program
Women's History Luncheon program
Spanish Peak Lumber Co. Railroad project
Tourism information and referral services
1888 Peppard Cabin tours
1857 Pioneer School tours
In 2017, museum director Scott Lawson led a group tour of Historic Sierra Valley Ranches. The tour visited the Dotta Ranch, Goss Ranch, Smith Ranch, Folchi Ranch, Beckwourth Masonic Hall and other points of interest. The museum also recently put together a grant application and received funding from the Wahl Foundation to help restore the Historic 1864 Taylorsville School, which Plumas County bought from the Native Sons of the Golden West in 2000. Furniture maker Richard Davis of Quincy rebuilt and restored the windows, among other repairs in 2018. The Plumas County Museum today remains a vital and active part of historic preservation and maintaining archives all over the county.
Plumas County Museum
500 Jackson Street (Behind the County Courthouse)
Quincy, California
Scott Lawson, Director and Curator
Paul Russell, Assistant Director
pcmuseum@psln.com
Ken Bernard 530-283-3965 Graeagle
Charlie Brown 283-3416 Quincy
Don Clark 836-2586 Graeagle/Mohawk Valley
Pat Cook 836-4029 Graeagle (President)
Pete Dryer 283-2130 Twain
Bob Edwards 283-1728 Quincy
Jerry Holland 283-5328 American Valley
Sandra Lee 927-7442 Quincy
Gaye Porter 283-0777 Quincy
Jerry Thomas 283-4231 Quincy/American Valley
Diane Uchytil 283-3305 American Valley
Posted in Collectors' Info
Tags: Agriculture West and Midwest Ansel Adams archival fine art digital prints Black and White Photography Bob Moon California darkroom David Leland Hyde Feather River Region fine art photography gelatin silver prints Genesee Valley Ranch mountain landscapes Mountain Maidu National Endowment for the Arts Nikon D90 Old Taylorsville School Osborne and Stewart Philip Hyde Plumas County Museum Public Television Scott Lawson Sierra Club Sierra Nevada Sierra Valley Spanish Creek Spencer and Lee Stella Fay Miller straight photography sustainable agriculture west coast tradition
Save The Historic Olsen Barn: Campaign by Feather River Land Trust
Olsen Barn and Meadow Campaign
A Number of Photographers and Other Local Artists Including Jan Davies, Betty Bishop, Sally Yost, Sally Posner, David Leland Hyde and Many Others Have Donated Rights to Use Photographs, Originals and Prints to Feather River Land Trust to Help Save A Northern Sierra Legacy
October 23, 2015 Update:
Individual donations were up to $413,467 as of 10-1-15. This more than met the amount necessary to complete the land transaction. On September 23 Feather River Land Trust Executive Director Paul Hardy exercised the option to purchase the 107 acre property and Olsen Barn. Formal Closing took place October 23, 2015. As of October 1, Feather River Land Trust received 541 donations from 439 individuals from as far away as Alaska and New York. The total raised for the land transaction through October 1 was $798,000. Funds already raised for taking care of the land and barn total $15,467. A land and barn stewardship committee, including David Leland Hyde, has formed to establish land use, maintenance and restoration strategy. David Leland Hyde in particular is researching the viability for this property of joining the National Register of Historic Places.
The Imminent Demise of the Olsen Barn, a Plumas County Cultural Treasure
Cloudy Sunset, Olsen Barn, Lake Almanor Near Chester, California, Sierra, copyright 2015 David Leland Hyde. This photograph has been actively used by Feather River Land Trust in the Olsen Barn Campaign. (To see large click on image.)
Barns die in many ways: they are crushed by falling trees, blown down by high winds, dismantled for wood, demolished, set on fire and sometimes pushed over by bulldozers. However, the majority of barns don't burn out, they just rot slowly away.
More barns give up the ghost each year than people build in the US. Around the West and Midwest dismantling barns is big business, but fortunately for historic barns there are also many friends of barns who are in the business of preservation.
One historic structure already falling apart is the Olsen Barn on the East edge of Chester, California on the shores of Lake Almanor where the Northern Sierra meets the Cascade Mountains. This cultural and community icon is one of the largest barns in Plumas County and the surrounding counties. For many years it has been restored in fits and starts, but mainly left to decay and crumble away if significant reconstruction does not occur soon.
Olsen Barn, Chester and Mt. Lassen Near Lake Almanor, California, copyright 2015 David Leland Hyde. (To see large, click on image.)
Besides stunning views of Lake Almanor and Lassen Peak, the 107-acre Olsen Barn property includes lush stands of trees and a riparian creek corridor where the North Fork of the Feather River flows through from Chester into Lake Almanor. Norwegian pioneer settler and carpenter, Peter Olsen, originally built three barns for his dairy farm, of which today's Olsen barn is the last one standing, but it is getting more shaky all the time. One major beam has fallen destabilizing one end of the structure. Also, many windows and doors are open and in other places the wooden walls are wearing thin, disintegrating and in danger of collapse.
Feather River Land Trust Tour Group, Interior Olsen Barn Near Chester, California, copyright 2015 David Leland Hyde. This photograph has also been used in the Olsen Barn Campaign. (To see large click on image.)
Still, several owl species continue to live in the barn. The meadow around the barn provides habitat for many species of wildlife and wildfowl, including a number of endangered species. Collins Pine owns an old railroad grade that runs through the property West of the barn and connects the fields around the barn to other areas of Chester Meadow. Collins Pine plans to restore the old railroad trestle crossing the North Fork Feather River and convert the railroad grade into a walking, hiking and possibly a biking trail. This will improve public access if the property owner is cooperative to such land use. A developer could wipe out the barn and fill the land with houses, as has been done so many times all over the west.
Fundraising Video Shows Historic and Natural Values
In a YouTube video raising funds to acquire the property for preservation, Paul Hardy, Executive Director and Founder of Feather River Land Trust said:
The property and barn are for sale on the open market and the right to public access could be lost forever. The barn has survived fire, floods, heavy snows, but most of all, development. Feather River Land Trust will keep the space open to everyone who wants to enjoy nature right outside their door. We also want to ensure that the Olsen Barn is standing for another 150 years.
Olsen Barn Across North Fork of Feather River and Riparian Area, Chester, California, copyright 2015 David Leland Hyde. (To see large click on image.)
Since before the arrival of White settlers, the Chester Meadow has been a resource for people of the community to fish, picnic, explore and enjoy access to the shore of Lake Almanor. Originally the open grassland around the barn was part of the Maidu settlement now under Lake Almanor called Big Meadows. The area is now the last remaining remnant of Big Meadows, a Maidu trading and cultural center.
"Development of the Olsen Barn property would permanently erase an important village site of the Mountain Maidu people," said Kenneth Holbrook, Maidu Summit Consortium Director, also in the Olsen Barn Campaign fundraising video.
Lenticular Clouds, Mt. Dyer and Chester Meadow Near Olsen Barn, Chester, California, copyright 2015 David Leland Hyde. (To see larger click image.)
The property is for sale for $798,000. The total Save Olsen Barn Campaign with pre-acquisition costs, restoration and management of the property will total about $1.2 million. Partly by meeting an early fundraising deadline, the project received $400,000 from Plumas County through California Proposition 50 on behalf of the Chester River Parkway. The current total fundraising from Feather River Land Trust private donors, as of August 4 is $243,108. This amount added to the $400,000 from the Prop 50 Grant makes a grand total to date of $643,108, leaving $154,892 needed by September 26 to successfully complete the purchase.
Even though the land transaction is now complete, funds are still much needed for ongoing land stewardship and barn restoration.
How You Can Make A Difference
Olsen Barn Through The Willows Across The North Fork Feather River Near Lake Almanor, Chester, California, copyright 2015 David Leland Hyde. The Mountain Maidu used willows to make baskets that were unique in all the world. (To see larger click on image.)
Time is running out on this gem of the Sierra. Here are some ways you can be part of this historical restoration project and support the Feather River Land Trust Olsen Barn Campaign:
Help Out By Check: Please make checks out to FRLT or Feather River Land Trust and Mail to: FRLT, P.O. Box 1826, Quincy, CA 95971 or take to the Chester branch of Plumas Bank.
Online Contribution: Go to Olsen Barn Fundraising page, scroll down, click on the large orange link button and under Donation Type choose Olsen Barn Campaign.
Stock or Mutual Fund Donation: Call Karen Klevin at 530-283-5758. It's easy to make a stock donation and it is particularly beneficial if you have appreciated stock.
FRLT is a 501(c)(3) non-profit organization and all donations are tax-deductible.
To find out more about the Olsen Barn Campaign and the Feather River Land Trust directly from Paul Hardy, Executive Director and Founder, attend The Common Good Community Foundation hosted talk and dinner (optional).
Almanor Legacy, a Talk by Paul Hardy
Lake Almanor Tavern (Next to Dollar General)
384 Main Street, Chester, CA 96020
Hors d'Oeuvres, No Host Bar: 5:00 pm
Talk: 5:30 pm
Dinner: 6:00 pm
(Call to make reservations for dinner by August 11, 2015)
Posted in Activist Photography
Tags: architecture archival fine art digital prints Barns Big Meadows California Chester Chester Meadow Collins Pine Common Good Community Foundation David Leland Hyde endangered species environmental farms Feather River Land Trust fine art photography historic restoration Karen Klevin Lake Almanor landscape photography Mountain Maidu nature photography Nikon D90 North Fork Feather River Olsen Barn Paul Hardy Plumas County ranches riparian areas Sierra Nevada straight photography west coast tradition wilderness wildlife


Jordan is now in his third season with the Lions and is proving to be a great addition to the squad, having played both at euros and Worlds.
He made his debut at the 2017 European Championships in Glasgow.
Fun Fact: I have never actually watched the whole dodgeball movie.
"Having picked up the sport at University, I never thought I would play on and international level. All I can say to those like me, just keep pushing you never know where you will end up"


text:
Q: Show $\frac{(p^d - 1)(p^{d-1} - 1)}{(p-1)(p^2 - 1)} \equiv 1 \pmod{p}$. Let $p$ be prime and $d \ge 2$. I want to show that
$$
 \frac{(p^d - 1)(p^{d-1} - 1)}{(p-1)(p^2 - 1)} \equiv 1 \pmod{p}.
$$
I have a proof, but I think it is complicated, and the statement appears in a book as if it is very easy to see. So is there any easy argument to see it?
My proof uses
$$
 \frac{p^n - 1}{p-1} = 1 + p + \ldots + p^{n-1}.
$$
So
$$
 \frac{(p^d - 1)(p^{d-1} - 1)}{(p-1)(p^2 - 1)} = \frac{(1 + p + \ldots + p^{d-1})(1 + p + \ldots + p^{d-2})}{p+1}
$$
If $d - 2$ is odd, set $u := (1 + p + \ldots + p^{d-1})$ and then proceed
\begin{align*}
 & \frac{u(1 + p + \ldots + p^{d-2})}{p+1} \\
 & = \frac{u(1+p) + u(p^2 + \ldots + p^{d-4})}{p+1} \\
 & = u + p^2\cdot \frac{u(1+p+\ldots + p^{d-4})}{p+1} \\
 & = u + p^2\cdot \left( \frac{u(1+p) + u(p^2 + \ldots p^{d-4})}{p+1} \right) \\
 & = u + p^2\cdot \left( u + p^2\cdot \frac{u(1+p+\ldots p^{d-6})}{p+1} \right) \\
 & \quad \qquad\qquad \vdots \\
 & = u + p^2\cdot \left( u + p^2 \left( u + p^2\left( u + \ldots + p^2 \frac{u(1+p)}{1+p} \right) \right) \right) \\
 & = u + p^2\cdot ( u + p^2 \cdot ( u + p^2 ( u + \ldots + p^2 u ))) \\
 & \equiv u \pmod{p} \\
 & \equiv 1 \pmod{p}
\end{align*}
and similar if $d-1$ is odd then successively multiply $(1+p+\ldots + p^{d-1})$ out with $v := (1+p+\ldots p^{d-2})$. But as said, this seems to complicated for me, so is there another easy way to see this?

A: You need to prove that $p\mid\frac{(p^{d-1}-1)(p^d-1)}{(p-1)(p^2-1)}-1$
It is not difficult to see that $p\mid (p^{d-1}-1)(p^d-1)-(p-1)(p^2-1)$. Furthermore, we have that $(p-1)(p^2-1)\mid (p^{d-1}-1)(p^d-1)$ because either $d$ or $d-1$ is even and so either $p^{d}-1$ or $p^{d-1}-1$ is divisible by $p^2-1$ and the other factor is then divisible by $p-1$.
So to sum up, we have proven that:
$$
p\mid (p^{d-1}-1)(p^d-1)-(p-1)(p^2-1)
$$
and
$$
(p-1)(p^2-1)\mid (p^{d-1}-1)(p^d-1)-(p-1)(p^2-1)
$$
Now, because $\gcd(p,(p-1)(p^2-1))=1$, this implies:
$$
p(p-1)(p^2-1)\mid (p^{d-1}-1)(p^d-1)-(p-1)(p^2-1)\implies\\
p\mid \frac{(p^{d-1}-1)(p^d-1)}{(p-1)(p^2-1)}-1
$$

A: There are even easier proofs than the answers others have supplied. If you look at the numerator, one of the terms is guaranteed to be divisible by $p^2-1$, whichever has an even exponent. This is because $(x^2-1)|(x^{2n}-1)$. The division clearly results in a polynomial with constant term $1$, as does the division of the other term by $p-1$. Then their product does as well, and so taking the expression mod p gives 1.
Alternatively, we observe that
$p^d=0$ (mod p) and then just be done. This means that the fraction trivially simplifies to $$\frac{(-1)^2}{(-1)^2}=1$$

redpajama_set_name: RedPajamaStackExchange


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text:
"You were reborn": Watch the epic new trailer for 'Captain Marvel'
Nick Reilly Dec 4, 2018 7:30 am GMT
Brie Larson as Carol Danvers/Captain Marvel Credit: YouTube
"Your life began the day it nearly ended"
The new trailer for Captain Marvel has been released, and it offers a telling glimpse of Carol Danvers' transformation into the titular hero.
The Marvel epic, which is set for release in March 2019, sees Oscar winner Brie Larson star as fighter pilot Danvers, who adopts superhuman powers when her DNA fuses with that of the powerful Kree alien race.
In the latest trailer, we're given another look at *that* moment of Danvers seemingly attacking an elderly woman. However, the attack makes a bit more sense when it is subsequently revealed that "Skrulls are the bad guys", as the seemingly innocent pensioner fights back.
Elsewhere, we're given a brief peek at Danvers' transformation into Captain Marvel. "Your life began the day it nearly ended,' a voiceover ominously reveals.
"We found you with no memory – we made you one of us. So you could live longer, stronger, superior. You were reborn."
Although it's been largely speculated that Captain Marvel will play a huge role in Avengers 4, the film actually takes place in 1995 – long before the events of Iron Man, The Incredible Hulk, and Thor.
That said, Marvel boss Kevin Feige previously described her as "more powerful than any character we've introduced thus far", so she could come in handy.
An official synopsis teases: "The story follows Carol Danvers as she becomes one of the universe's most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, "Captain Marvel" is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe."
Captain Marvel will be released on March 8, 2019.
Credit: Seohyun and Sooyoung official Instagrams
Girls' Generation share moments from their surprise mini-reunion
Credit: Alamy
Greetings Upper East Siders, a 'Gossip Girl' spinoff is in the works
Paul McCartney Credit: Getty
Paul McCartney has been working on a 'It's a Wonderful Life' musical for the stage


text:
Disney will be making The Art of Racing in the Rain
Chris_K_F drives an FR-Slow
This could be really good or could be a complete let down.
Disney Picks Up Canine Best-Seller 'Art of Racing in the Rain' (Exclusive)
'Fast & Furious' mainstay Neal Moritz is attached to produce.
Ignoring the many (bad) automotive/racing puns, the article points out that Disney has bought the movie rights to the book and also an already written script, which was previously done when Universal was planning to make the movie starring Patrick Dempsey.
The book is fairly dark, so hopefully Disney does keep it more adult and true to the book. It could be a really good film actually. However, the author of this article does not do a great job of inspiring confidence, "The good news for Stein fans is that the material may be better suited at Disney, which has a long history of canine pics, ranging from Old Yeller to Beverly Hills Chihuahua." [Emphasis mine]
Okay, well Old Yeller gives me some hope for a rather somber story of a man and his dog. But to bring up Beverly Hills Chihuahua as evidence to Disney's ability to produce quality dog-centric movies is a terrible idea.
Here's to hoping that Disney does a great job. I've got hope, as long as it ends up getting a PG-13 rating. Anything less will mean that the story was significantly changed.
Recent from Chris_K_F drives an FR-Slow
These FiST deals


This is a recipe your veganand non-vegan friends can get behind. If you don't tell them it's animal-free, they probably would never be able to tell the difference. These spaghetti squash boats have a lot going for them: a vegetable base that eats like pasta, cheesy flavor surrounded by creamy vegan béchamel sauce, and the most satisfying warmth of a casserole.
Then, there's the versatility. You can add spinach, peas, or fresh herbs. It's a winning situation all around. You can feel really good about serving these at a formal dinner or for casual weeknight meals in front of the TV.
Recipe Notes: This recipe makes quite a bit of vegan béchamel cheese sauce base. Use what you need and save the rest to use as a sauce for pasta, broccoli, and/or cauliflower bake, or add stock and more veggies for a yummy soup.
1. Preheat oven to 350°F, and line a sheet tray with parchment paper.
2. Place the squash cut side down on the sheet tray; roast in the oven for about 1 hour (squash is finished when the inner flesh is tender and easily scrapes away from sides with a fork).
3. While the squash roasts, prepare the vegan cheese sauce. In a large saucepan over medium heat, sauté the shallots in the butter/margarine with a pinch of salt for about 5-7 minutes, stirring constantly. Add the flour, stir until incorporated, and continue to stir for about 3 minutes to cook out the raw flavor of the flour.
4. Switch to a whisk; slowly incorporate the cashew milk into the mixture by pouring little by little, whisking simultaneously and vigorously. This ensures a lump-free sauce. Reduce heat to medium-low once milk is incorporated.
5. Whisk in the smoked provolone and the shredded mozzarella. It might be easier to switch back to a wooden spoon or spatula to incorporate the cheese. Add the salt to the sauce and freshly ground pepper, to taste. Remove from heat.
6. Carefully turn the squash halves over. Using a fork, scrape the flesh away from the sides to create the "spaghetti" strands, making sure to leave about 1/8-inch border of squash flesh. Remove strands to a medium stainless steel bowl. Keep the squash shells on the same sheet tray.
7. Start by mixing about half of the cheese sauce mixture into the removed strands of squash. Depending on how large the squash are, the amount needed will vary. Once squash strands are sufficiently sauced, refill the squash shells and dot the tops with the fresh mozzarella, about 1 tablespoon of panko bread crumbs per squash half if using, and a light sprinkling of crushed red pepper flakes, if using.
8. Place squash back into the oven for about 1 hour. Switch oven to a high broil; brown the tops for about 3-5 minutes, keeping a close eye to ensure they don't burn.
9. Remove from oven and then carefully transfer to a plate or serving platter. Serve hot (but be careful!).
Show us how yours turned out by tagging us @BritandCo on Instagram!


text:
Just like old times: Jack Harbaugh reinvested in rivalry
Jack Harbaugh gets to relieve rivalry with OSU now that his son is Michigan's coach
Jon Spencer, Reporter
Published 8:05 a.m. ET Nov. 26, 2015
MANSFIELD - Jack Harbaugh was on the front lines for most of the fabled "Ten-Year War" between his boss, Michigan head coach Bo Schembechler, and fellow icon Woody Hayes of Ohio State.
If Saturday's first showdown in this storied football rivalry between Harbaugh's son Jim and Urban Meyer starts a reenactment of that war, the elder Harbaugh wants to make sure his view this time is as good.
Actually it will be better since his seven years as an assistant for Schembechler (1973-79) was spent on game days in the coaches booth of the press box.
No cushy seat indoors this time. No being catered to in a loge. Jack Harbaugh and his wife, Jackie, will be in the stands, where they might be able to see their breath on an afternoon where the only thing guaranteed to be heated is the action.
"I want to be right there in the elements," Harbaugh said passionately.
Ah, the elements.
Jim Harbaugh, reticent to discuss his personal feelings about a rivalry he was first part of as ballboy and quarterback, waxed poetic on that very subject during the Big Ten teleconference call with reporters on Tuesday.
"If I had to pick one thing, it's my first impressions of the game," Harbaugh said. "First impression of ever seeing the game was just how those two uniforms looked on the field at the same time. The aesthetics. The sight lines, to me, the maize and blue, the scarlet and gray and the two helmets, the two uniforms, the sight lines are unbelievable.
"That was the first thing that I noticed that was amazing. And the games were always so close and competitive at the end of the year. Saw the two teams play to a 10-10 tie (in 1973) and a couple days later the athletic directors voted to send Ohio State to the Rose Bowl and our house and our community was, as (Michigan broadcaster) Bob Ufer put it, it was a dastardly deed, it was a day that would live in infamy. That was my first experience in the Michigan-Ohio State rivalry and one of the greatest football games I still have ever seen."
He has not missed a Michigan-Ohio State game since.
"It was something I'd watch every year and anticipated it every year that it would be the best day of the year, even better than Christmas when I was growing up here in Ann Arbor," Harbaugh said. "Then played in the game, but watched it from the sidelines as a Michigan player my freshman and sophomore years. I was hurt my junior year, and then played in the game my fourth and fifth year.
"I've watched the game ever since, every year since 1973. What time is the Michigan-Ohio State game on? I'm going to watch. That was the greatest thing to me, the sight lines. Perfect sight lines."
On Tuesday night, Jack Harbaugh took part with his son, granddaughter Grace and a few long-time fans in the annual grave walk at Ann Arbor's Forest Hill Cemetery. The group visited the graves of Schembechler, Ufer and former U-M coach Fielding Yost. Jim Harbaugh smashed a buckeye nut on Bo's grave.
Jack Harbaugh was weaned on the rivalry as an Ohio State fan growing up in the Ohio railroad town of Crestline and letting his imagination run as wild as Buckeye hero Hopalong Cassady during radio broadcasts of the game.
But his perspective changed when he joined forces with Schembechler, himself a native Ohioan from Barberton and former player and coach for Woody.
Crestline native Jack Harbaugh as his son, Jim, is introduced as Michigan's new head football coach last December.
(Photo: Rick Osentoski-USA TODAY Sports)
"I think it was the Bo and Woody thing," Jack Harbaugh said of his fondest memories of the rivalry. "The '73 game, Woody sent the team out to attack the (M Club) banner. Ufer would say 'The dastardly act.' They tore it to the ground. Players were dancing on the banner, for crying out loud!
"Then when they came back in '75, a bunch of former Michigan players put letter jackets on and were surrounding the banner and challenged Ohio State to come get it. Woody sent 'em right through the banner this time. Then in '77, Bo said, that's it, Woody's not going to get me this time. You know why? Because he's not going to find me."
Schembecher intentionally avoided his mentor until the two teams filled the tunnel on the way to the field.
"Bo's like, this is crazy, the guy was my coach; I haven't spoken to him," Harbaugh said. "He turns around and touches Woody on the shoulder and Woody turns away. So Bo says, the hell with him; if he doesn't want to talk, I'm going to walk away. Woody realized Bo wasn't going to come back so he chases Bo. 'What's with you? You're a big time coach now, a Big Ten coach, and you can't say hello to the man?'
""Those years of watching the sparring and gamesmanship and then the games, all coming down to two points, three points, or they were tied. It was just seven years for me. I felt the same about Woody as I did Bo. I just admire him so much.""
Jack Harbaugh
"Woody's dad was (a school administrator) in New Philadelphia and was into grammatical correctness. Bo said, 'Hey, Woody, I tried to say hello to you and you didn't know it was me.' Woody said, 'No, no, Bo. You didn't know it was I.'
"Woody had gotten him again!"
Jack Harbaugh laughed so hard as he told that story over the phone you could almost see the tears in his eyes.
"Those years of watching the sparring and gamesmanship and then the games, all coming down to two points, three points, or they were tied. It was just seven years for me. I felt the same about Woody as I did Bo. I just admire him so much," Harbaugh said.
"I don't ever remember seeing it on TV. You had to picture it through radio. Then to come to Michigan and be part of it, the competition ... wow! It was like all at once you came to that (final) game and the screws were tightened. You could see it in meetings and feel it in practice. (Ohio State-Michigan) is a season in itself."
The coaches' obsession with the rivalry induced paranoia. Harbaugh remembers one year where Bo was convinced Woody had someone spying on Michigan's practice from the third floor window of a building across the street.
Michigan coach and alum Jim Harbaugh inherited a 5-7 team and has turned it into a 9-2 squad in his first year at the helm.
"I looked up to see what he was talking about," Harbaugh said. "'Gawddammit Harbaugh, don't look up there, they'll know we see them.' He called the sheriff to surround the building. We heard the sirens and saw the lights (of the patrol cars) flashing, so we went on with practice and forgot about it. After practice here comes the sheriff. 'Bo, I got him. He was there with permission of the owner, so I couldn't confiscate the film. But I did take it out of the camera and it slipped right out of my hands and rolled on the floor. All the film is exposed, so he won't be able to use anything."
Turned out, the spy wasn't working for Woody. He was a wire service photographer trying to see if Michigan quarterback Dennis Franklin was practicing after twisting his ankle.
"It was not a clandestine operation," Harbaugh said. "When I look back, there were just so many of those situations."
Re-invested in rivalry
This is the first time Jack Harbaugh is invested in the rivalry since 1986, Jim's senior year. That was the year he guaranteed and delivered a victory at Ohio State to propel the Wolverines to the Rose Bowl after Michigan's dream of a perfect season and national championship were derailed the week before in a loss to unranked Minnesota.
"The Guarantee" was the only time Jack Harbaugh saw his son play in person in college.
"I think they were down about the game at Minnesota, one of those gut-wrenching losses, so I think what Jim did was take it upon himself to focus the team, focus himself and that's what came about," Harbaugh said. "He put political correctness aside and said, I'm going to say what's on my mind. I think the beautiful thing about it was the way Bo supported him. 'If you said it, you better make it happen.' Both Jackie and I were very proud that he would say what's on his mind and his team supported him to where it came to be."
Jack Harbaugh, who won a national championship as a player (Bowling Green, 1959) and coach (Western Kentucky, 2002), learned the day of the guarantee he was losing his job at Western Michigan.
Michigan head coach Bo Schembechler yells at quarterback Jim Harbaugh as the Wolverines fell victim to Arizona State, 22-15, in the Rose Bowl in Pasadena, Jan. 2, 1987. For Schembechler, it was his seventh loss in Rose Bowl action. (AP Photo/Reed Saxon)
"I didn't have a job and didn't have any responsibilities, so we went to Crestline a couple days early (before the OSU game)," Harbaugh said. "We thought we'd meet with some (extended) family and friends. We were there four or five hours and I said, Jackie, we've got to get out of here. They were Ohio State people. It was like we were coming in to take their churches and bars."
Harbaugh laughed.
"I never felt so unwelcome my entire life," he said, teasingly. "You'd think someone would say 'Wow, it's neat to have somebody from Crestline (who's son) is playing in the game. I think they would have taken a crow bar to his knee if they could have."
It may be even harder to come home if the rivalry starts to turn Michigan's way. Already, Michigan's six Big Ten wins this season under Jim Harbaugh equals its total of the last two years combined. And the 9-2 mark is only the second time in the last seven years the Wolverines have won more than eight games.
"It's just the evolution of football; it's just the way it works," Jack Harbaugh said. "He has very good players here; I mean very good. They're very good people. One of Jim's great mantras is 'Better today than yesterday; better tomorrow than today.' The players have really responded to that mantra. Surprised? No. And now I'm happy this game is relevant again."
jspencer@nncogannett.com
Twitter, Instragram: @jspencermnj
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Just like old times: Jack Harbaugh reinvested in rivalry Jack Harbaugh gets to relieve rivalry with OSU now that his son is Michigan's coach Check out this story on mansfieldnewsjournal.com: https://ohne.ws/1jleS9y


text:
package com.alibaba.json.bvt.parser;

import org.junit.Assert;

import com.alibaba.fastjson.JSON;

import junit.framework.TestCase;

public class JSONLexerTest_4 extends TestCase {

    public void test_scanFieldString() throws Exception {
        VO vo = JSON.parseObject("{\"value\":\"abc\"}", VO.class);
        Assert.assertEquals("abc", vo.getValue());
    }

    public static class VO {

        private String value;

        public String getValue() {
            return value;
        }

        public void setValue(String value) {
            this.value = value;
        }

    }
}

redpajama_set_name: RedPajamaGithub


text:
WWE Royal Rumble 2019
Cageside Community Star Ratings: The Bar vs. Miz & Shane McMahon
By Cain A. Knight Jan 29, 2019, 7:30pm EST
Share All sharing options for: Cageside Community Star Ratings: The Bar vs. Miz & Shane McMahon
WWE.com
Welcome to Cageside Community Star Ratings for Royal Rumble 2019!
For some wrestling fans, star ratings are a way of life. It's one thing to say that a match is good or bad, but can you actually put a number on it?
The star rating system is a scale ranging from 0 to 5 with increments of 0.25. A 5-star match is as close to perfect as it gets while a 0-star match is a complete dud.
Determining the star rating for a given match is a highly subjective process. In general the goal is to wrap up all the important elements of a match into one simple number. Some factors to consider may include the story and booking of the match, the workrate of the performers, ring psychology, length of the match, audience reaction, and so forth.
There is no such thing as a wrong answer, because every wrestling fan consumes this art form in a different way.
The purpose of Cageside Community Star Ratings is for the readers to assign star ratings to every single match on a given WWE pay-per-view event. These results will be tabulated and summarized after every match on the pay-per-view has been voted on by the community.
The next match up for debate from Royal Rumble is The Bar vs. Miz & Shane McMahon.
Please select a star rating in the poll below and discuss your thoughts on this match in the comments section.
What's your star rating for The Bar vs. Miz & Shane McMahon?
181 votes total Vote Now
WWE Royal Rumble 2019 live streaming results, recaps, reactions, videos, more!
Royal Rumble was a ridiculously long pay-per-view
Did the waiting intervals actually last 90 seconds in the men's Royal Rumble?
More From Cageside Seats
Rumor Roundup: Lita & Becky plans, Toxic Attraction spot, Alexa Bliss, more!
Dynamite recap & reactions: Ass champs
Christopher Daniels to be inducted into Indie Wrestling Hall of Fame
Mark Briscoe's second AEW appearance booked for Rampage
The Gunns take out their dad en route to winning the AEW Tag titles
Rumor Roundup: Lita & Becky plans, Toxic Attraction spot, Alexa Bliss, more! The latest rumors, including what may (or may not) be going on with the team-up that closed Raw, a possible explanation for why Jacy Jayne's shots on Gigi Dolin were so stiff, Lexi's response to reports she's taking time off from WWE, and more!
MJF is the worst person in the world, confirmed He confirmed it with a promo about... well, check it out for yourself.


Your query has returned 45 records. HEY! Click on one of the fields in the header! The table now sorts! Click again and it sorts the other way.
Kalos Starter Set (Chespin) 2 Grass 70 Basic Rx2 1 Promo  Collect - Draw a card.  Fury Swipes (10x) Flip 3 coins. This attack does 10 damage times the number of heads.
Kalos Starter Set (Fennekin) 7 Fire 70 Basic Wx2 1 Promo  Collect - Draw a card.  Fury Swipes (10x) Flip 3 coins. This attack does 10 damage times the number of heads.
Kalos Starter Set (Fennekin) 9 Fire 80 Stage 1 Wx2 1 Promo [1R] Firebreathing (20+) Flip a coin. If heads, this attack does 20 more damage.
Kalos Starter Set (Fennekin) 10 Fire 140 Stage 2 Wx2 2 Promo [1R] Will-O-Wisp (30) [3R] Fire Blast (120) Discard an Energy attached to this Pokemon.
Kalos Starter Set (Froakie) 11 Water 70 Basic Gx2 1 Promo  Collect - Draw a card.  Fury Swipes (10x) Flip 3 coins. This attack does 10 damage times the number of heads.
Kalos Starter Set (Froakie) 13 Water 80 Stage 1 Gx2 1 Promo [W] Water Drip (20) [1WW] Aqua Wave (40+) Flip 2 coins. This attack does 20 more damage for each heads.
Kalos Starter Set (Fennekin) 17 Darkness 90 Stage 1 Fx2 P-20 1 Promo [1D] Hard Bite (40+) Flip a coin. If heads, this attack does 20 more damage.
Kalos Starter Set (Chespin) 24 Fairy 60 Basic Mx2 D-20 1 Promo [Y] Draining Kiss (10) Heal 10 damage from this Pokemon.
Kalos Starter Set (Fennekin) 31 Colorless 50 Basic Lx2 F-20 1 Promo  Razor Wind (20) Flip a coin. If tails, this attack does nothing.
Kalos Starter Set (Froakie) 34 Trainer Item Promo You may play as many Item cards as you like during your turn (before your attack). Flip a coin. If heads, discard an Energy attached to 1 of your opponent's Pokemon.
Kalos Starter Set (All) 35 Trainer Item Promo You may play as many Item cards as you like during your turn (before your attack). Flip a coin. If heads, search your deck for a Pokemon, reveal it, and put it into your hand. Shuffle your deck afterward.
Kalos Starter Set (Fennekin) 36 Trainer Item Promo You may play as many Item cards as you like during your turn (before your attack). Flip a coin. If heads, switch 1 of your opponent's Benched Pokemon with his or her Active Pokemon.
Kalos Starter Set (Chespin) 37 Trainer Item Promo You may play as many Item cards as you like during your turn (before your attack). Heal 30 damage from 1 of your Pokemon.
Kalos Starter Set (All) 38 Trainer Item Promo You may play as many Item cards as you like during your turn (before your attack). Switch your Active Pokemon with 1 of your Benched Pokemon.
Kalos Starter Set (All) 39 Trainer Supporter Promo You may play only 1 Supporter card during your turn (before your attack). Draw 3 cards.


text:
English National Ballet chooses DPA
The English National Ballet recently completed a series of 14 sell-out shows at the new 500-seat Theatre at The Concourse Performing Arts Centre in Sydney, Australia, to celebrate the Queen's Diamond Jubilee.
In order to achieve a natural effect whereby the music did not sound over amplified, the venue's sound designer and production engineer, Owen Ironside, selected a range of DPA microphones to capture the Willoughby Symphony Orchestra's performance.
"The Theatre is a very intimate space and my goal was to make the mix as transparent as possible and merely bring the orchestra image out of the pit, sonically speaking, without it sounding like the PA was even on," Ironside explained. "In total there were 29 musicians situated in the open pit, beneath the stage. To achieve the results I wanted I opted to mic each section with DPA microphones, with the addition of a solo DPA mic on 1st violin, as opposed to a traditional Decca Tree approach."
On Ironside's recommendation, the Concourse Arts Centre invested in 12 DPA 2011C Twin Diaphragm directional microphones, which were supplied by DPA's Australian distributor Amber Technologies.
"I used directional microphones because the orchestra was situated directly under the PA," Ironside said. "To mic the venue's Steinway piano I used the directional DPA d:vote 4099P instrument microphone set mounted inside the piano with magnet holders, making it almost invisible. This was a last minute addition chosen for aesthetic reasons when the director decided to move the piano on and off stage during the performance. I also used DPA Reference Standard 4015A wide cardioid microphones for harp and timpani in order to minimise proximity effect. The harp sounded quite boomy before amplification so I certainly didn't want to accentuate this. The wide cardioids' wide pickup pattern also suited the harp and timpani's wide radiation, while for the single double bass I used a d:vote 4099B instrument microphone. This allowed me to close mic and gave me maximum control within the mix."
The combination of Ironside's attention to detail and the performance of the microphones appeared to impress many, from the audience and performers to the musicians and venue staff.
Gavin Sutherland, music director and conductor for English National Ballet, commented: "I was extremely impressed with the sound engineering for the Willoughby Symphony pit orchestra in the Theatre at The Concourse. The sound emanating from this moderately sized pit of 29 players, out front (in the auditorium) has a fulsomeness, richness and clarity worthy of some of the larger pit orchestras in Europe. A great natural sounding result was achieved."
Following the English National Ballet performance, the Concourse Arts Centre has increased its stock of DPA microphones by investing in ten d:fine headset microphones, which it is using for musical theatre productions, and is also considering investing in different capsules for its Reference Series microphones to use during recording in its Concert Hall.


We use two Arduino communicating Bluetooth or RF modules.In this project I will talk about the arduino using NRF24L01 transceiver module.
You can use it easily to your use of this module is very easy and good range of projects.In addition, power consumption and price in .LOW 2.4GHz frequency operation gives us the advantage.
nrf24L01 modul.jpg Pcb module and an external antenna models are available.While the range of PCB model can go up to 250 m to 1000 m in range external antenna model.
Bi-directional communication by both the buyer to make your project can use both the transmitter module.
The module communicates using SPI protocol.Therefore, you should make looking at the arduino pin connector model SPI pins. Let's show the pin connections with Arduino UNO as an example.
One of the other receiver of the wireless communication module when you need to set the transmitter.A module according to status of the project can also be used if desired both the transmitter and receiver. In case the receiver or transmitter module that does not change the cable connection. These connections are the same for all situations.
You can make the necessary connections by looking at the receiver and transmitter circuit in Fig.A receiver module for other modules of the software will also perform data transfer by identifying the wireless transmitter.
First we need to define the CE Software and CSN pins.
nrf24l01p attractive (7.8); >> Here's command 7.p the CSN 8.p is defined as the CE pin. In this function on behalf of the receiver module "receiver" We named.
nrf24l01p transmitter (7,8); >> Here's command 7.p the CSN 8.p is defined as the CE pin. On behalf of transmitter modules in this function "transmitter" We named.
SPI protocol to communicate with the library SP added SPI.begin(); The setup communications function is started by writing into.
alici.channel (90); >> defined communication channel value of 90 yaptık.b receiver module in the setup value should be the same value in both modules. Values between 0 and 125 can be written.
verici.channel (90);>> we do the value defined in the setup, the communication channel 90 transmitter module. This value can be written in the same value range from 125 olmalıdır.0 in both modules.
alici.rxaddress (" control "); >> We set the receiver module with the function name and address to the "control" gave the name.
verici.txaddress (" control "); >> we set this function with the name and address of the transmitter module to the "control" gave the name. The two modules also address the communication channel name and value must be the same.
Important Note: Module communication between both modules also can not be obtained between VCC and GND pins and placing it between 10 uF 3.3 uF capacitor in the value and try again.
What Arduino software to use? SPI only? Can you say how to do this using esp8266-12 nodemcu ?
could you please give a link to the NRF library you are using for this project?
i was also wondering how we control multiple servos with this?
Hello, great work and very well explained.
Have long RC model aircraft, but just starting out with Arduino.
I possess different TX RX ilm but my dream would be to build one customized.
So I was wondering if you can expand your code bringing it to 4 or 6 channels.
I thank you for your response and for the time you want to devote.


Have a question for PCFlyshop Guide Service? We have answers. Write us a message.
Want to book a trip with PCFlyshop Guide Service? Send us a message with your requested trip type and dates, and our dedicated guides will make it happen.
What day would you like your fishing excursion to start on?


this week's wednesday (tomorrow) Roman is heading out to travel to Copenhagen for his #52 of his MV's Jar's Beginners class and his first painting class in Denmark. He is mucho looking forward to it and a full class with 26 students.
As romours said there might be really cool activity by some of the other MV monkeys!
Stay tuned! Roman says goodbye for a while and musica!


1993 House Bill 4162. An Act Relative To Informing Consumers When Phosphates And/Or Alkali Hydroxides Are Added To Public Drinking Water Supplies.
Title 1993 House Bill 4162. An Act Relative To Informing Consumers When Phosphates And/Or Alkali Hydroxides Are Added To Public Drinking Water Supplies.


Smoking isn't just terrible for health.... but for something else.
♠ Wow, which one you chose: Ferrari 488 or Ferrari F12 ?♠.
♠ don't own this pics DM me for credit . .
Perfume de alta qualidade que cabe no seu bolso! .
💰R$ 36,00 à vista no dinheiro, boleto ou transferência bancária. 💳 R$ 37,80 cartões. .
🚛 Entrega Grátis Recife -PE. Demais cidades a consultar via direct. .
3 really nice 458's which color would you want red,black,or white!
Wait what kind of rarri 458.
Blacked out 458 at the Toy Barn in Dublin Ohio.
Some have spent 25+ years to win a Cavallino Classic award.
My first year entering in 2015 I left with 5 awards that night, I dropped the mic and never felt the need to try again!
1987 Ferrari Testarossa, the most front-engined-looking mid-engined car ever.
Tell us what's your fragrance ?
Fragrância inspirara no Ferrari Black em aerossol tecnologia australiana, é perfeita para homens modernos e urbanos. Suas notas cítricas e amadeiradas fazem dele um perfume ideal para o dia-a-dia.
Red ❤ or black 🖤 ???? .
#vientiane #laos #lao #ferrari #communism #propaganda .


text:
Home Politics Elections Tipping Point Circuits: Yaracuy 3 and Sucre 1
Tipping Point Circuits: Yaracuy 3 and Sucre 1
The circuit most likely to bring our 102nd candidate is Zulia 3, but to give you a broader sense of the places where the opposition would need to win for the 3/5ths majority to become a reality, here are two other circuits that could be 3/5th Tipping Points.
Yaracuy 3
a.k.a., Caldera's Final Spinning Place
Where the hell is that? Este de Yaracuy, San Felipe, Nirgua
Yaracuy is another deeply rural state, just the kind of rural area where the state's economic weight is felt the most. This is Rafael Caldera's home base and, amazingly, the distant echoes of his influence are still at work in this race.
The MUD candidate is Alejandro Arzola, representing Convergencia Nacional. Do not adjust your sets; that really is still a thing. Rafael Caldera's post-COPEI personal vehicle party is still getting guys nominated and elected in Yaracuy. It's downright feudal.
Arzola's blog – he has a blog! – leans on local issues a lot. (A lot of MUD candidates really go down that route, don't they?) Access to water seems to be a big theme out there – and not just in this place.
PSUV's candidate Haydee Huérfano. Here I can't say much. Her speeches don't seem exactly innovative – "wooden phrases" is how people in Romania used describe this mode of communicating, where a series of ideological slogans would be strung together and be called a political discourse. Her Twitter feed has some more slogans, but there's nothing so crass as a political idea anywhere near it. Her Facebook page is about the same. Probably the most telling thing about it is her choice of profile pictures:
Será Huérfana pero sabe muy bien quien es el que firma el cheque.
Other than that, we get some pictures of her handing out goodies to old ladies:
Her entire pitch seems to me: Vote for me cuz I'll give you stuff and I pal around with Diosdado. 'Mmmmmkay then.
Sucre 1
A.k.a. Even Beach Paradises Vote
Where The hell is that? Carupano/Araya
Municipios: Cruz Salmerón Acosta, Ribero, Andrés Eloy Blanco, Andrés Mata, Bermúdez
Say "Carúpano" to a Venezuelan and 9 times out of 10 the first thing that will come to mind is "beach" – the place is famous for having some of the nicest in a country full of great beaches.
A few people might say rum – Ron Carúpano is justly famous. The more cynical may say "poverty" – Sucre state has always ranked as one of the poorest in the country. And if they're properly "darks" they'll say "slavish devotion to the governing party, whichever party that might be."
Again, the kinds of places where the opposition has to fight and win the 3/5ths majority are…not exactly the kinds of places you picture when you think of the Venezuelan opposition.
The MUD candidate is incumbent César Rincones, an adeco who – this is becoming a theme, isn't it? – is campaigning hard on local issues. Again, access to water is a big issue, and Rincones seems to talk about it all the time.
Rincones was a deputy from 2000 to 2005 and has been the incumbent since 2010. He was actually the last opposition politician to chair the National Assembly's comptrollership committee – a post that used to be reserved for the opposition even when it didn't have a parliamentary majority, por razones obvias.
Since 2011 PSUV's candidate here, Edwin Rojas, has been Vice-Minister for Internal Security Policy and the Rule of Law (Política Interior y Seguridad Jurídica) – a title whose very existence must be some kind of dark joke.
Ever heard of Gran Misión a Toda Vida? I hadn't either, but it seems to have been his baby.
He's very proud of having destroyed 16,000 guns handed in by gangsters in 2012, and so are we given how it ended the crime problem and everything. Before that he was General Director for Crime Prevention and coordinator for the Commission for the Police System, CONSIPOL.
He's never held elective office.
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