text:
<?php

namespace model\media;

use \DataObject as DataObject;
use \Model as Model;
use \Logger as Logger;
use \Localized as Localized;
use \SQL as SQL;
use \db\Qualifier as Qualifier;

use \exceptions\DeleteObjectException as DeleteObjectException;

use \model\media\Story_ArcDBO as Story_ArcDBO;

/* import related objects */
use \model\media\Publisher as Publisher;
use \model\media\PublisherDBO as PublisherDBO;
use \model\media\Story_Arc_Character as Story_Arc_Character;
use \model\media\Story_Arc_CharacterDBO as Story_Arc_CharacterDBO;
use \model\media\Story_Arc_Publication as Story_Arc_Publication;
use \model\media\Story_Arc_PublicationDBO as Story_Arc_PublicationDBO;
use \model\media\Story_Arc_Series as Story_Arc_Series;
use \model\media\Story_Arc_SeriesDBO as Story_Arc_SeriesDBO;
use \model\reading\Reading_Queue as Reading_Queue;
use \model\reading\Reading_QueueDBO as Reading_QueueDBO;

/** Generated class, do not edit.
 */
abstract class _Story_Arc extends Model
{
	const TABLE = 'story_arc';

	// attribute keys
	const id = 'id';
	const publisher_id = 'publisher_id';
	const created = 'created';
	const name = 'name';
	const desc = 'desc';
	const pub_active = 'pub_active';
	const pub_wanted = 'pub_wanted';
	const pub_cycle = 'pub_cycle';
	const pub_available = 'pub_available';
	const pub_count = 'pub_count';
	const xurl = 'xurl';
	const xsource = 'xsource';
	const xid = 'xid';
	const xupdated = 'xupdated';

	// relationship keys
	const publisher = 'publisher';
	const story_arc_characters = 'story_arc_characters';
	const story_arc_publication = 'story_arc_publication';
	const story_arc_series = 'story_arc_series';
	const reading_queues = 'reading_queues';

	public function modelName()
	{
		return "Story_Arc";
	}

	public function dboName()
	{
		return '\model\media\Story_ArcDBO';
	}

	public function tableName() { return Story_Arc::TABLE; }
	public function tablePK() { return Story_Arc::id; }

	public function sortOrder()
	{
		return array(
			array( 'asc' => Story_Arc::name)
		);
	}

	public function allColumnNames()
	{
		return array(
			Story_Arc::id,
			Story_Arc::publisher_id,
			Story_Arc::created,
			Story_Arc::name,
			Story_Arc::desc,
			Story_Arc::pub_active,
			Story_Arc::pub_wanted,
			Story_Arc::pub_cycle,
			Story_Arc::pub_available,
			Story_Arc::pub_count,
			Story_Arc::xurl,
			Story_Arc::xsource,
			Story_Arc::xid,
			Story_Arc::xupdated
		);
	}

	public function allAttributes()
	{
		return array(
			Story_Arc::created,
			Story_Arc::name,
			Story_Arc::desc,
			Story_Arc::pub_active,
			Story_Arc::pub_wanted,
			Story_Arc::pub_cycle,
			Story_Arc::pub_available,
			Story_Arc::pub_count,
			Story_Arc::xurl,
			Story_Arc::xsource,
			Story_Arc::xid,
			Story_Arc::xupdated
		);
	}

	public function allForeignKeys()
	{
		return array(Story_Arc::publisher_id);
	}

	public function allRelationshipNames()
	{
		return array(
			Story_Arc::publisher,
			Story_Arc::story_arc_characters,
			Story_Arc::story_arc_publication,
			Story_Arc::story_arc_series,
			Story_Arc::reading_queues
		);
	}

	public function attributes()
	{
		return array(
			Story_Arc::created => array('type' => 'DATE'),
			Story_Arc::name => array('length' => 256,'type' => 'TEXT'),
			Story_Arc::desc => array('length' => 4096,'type' => 'TEXT'),
			Story_Arc::pub_active => array('type' => 'BOOLEAN'),
			Story_Arc::pub_wanted => array('type' => 'BOOLEAN'),
			Story_Arc::pub_cycle => array('type' => 'INTEGER'),
			Story_Arc::pub_available => array('type' => 'INTEGER'),
			Story_Arc::pub_count => array('type' => 'INTEGER'),
			Story_Arc::xurl => array('length' => 1024,'type' => 'TEXT'),
			Story_Arc::xsource => array('length' => 256,'type' => 'TEXT'),
			Story_Arc::xid => array('length' => 256,'type' => 'TEXT'),
			Story_Arc::xupdated => array('type' => 'DATE')
		);
	}

	public function relationships()
	{
		return array(
			Story_Arc::publisher => array(
				'destination' => 'Publisher',
				'ownsDestination' => false,
				'isMandatory' => true,
				'isToMany' => false,
				'joins' => array( 'publisher_id' => 'id')
			),
			Story_Arc::story_arc_characters => array(
				'destination' => 'Story_Arc_Character',
				'ownsDestination' => true,
				'isMandatory' => false,
				'isToMany' => true,
				'joins' => array( 'id' => 'story_arc_id')
			),
			Story_Arc::story_arc_publication => array(
				'destination' => 'Story_Arc_Publication',
				'ownsDestination' => true,
				'isMandatory' => false,
				'isToMany' => true,
				'joins' => array( 'id' => 'story_arc_id')
			),
			Story_Arc::story_arc_series => array(
				'destination' => 'Story_Arc_Series',
				'ownsDestination' => true,
				'isMandatory' => false,
				'isToMany' => true,
				'joins' => array( 'id' => 'story_arc_id')
			),
			Story_Arc::reading_queues => array(
				'destination' => 'Reading_Queue',
				'ownsDestination' => true,
				'isMandatory' => false,
				'isToMany' => true,
				'joins' => array( 'id' => 'story_arc_id')
			)
		);
	}

	public function searchQualifiers( array $query )
	{
		$qualifiers = array();
		if ( is_array($query) ) {
			foreach( $query as $attr => $value ) {
				switch ($attr) {
			// Story_Arc::id == INTEGER

			// Story_Arc::publisher_id == INTEGER
				case Story_Arc::publisher_id:
					if ( intval($value) > 0 ) {
						$qualifiers[Story_Arc::publisher_id] = Qualifier::Equals( Story_Arc::publisher_id, intval($value) );
					}
					break;

			// Story_Arc::created == DATE

			// Story_Arc::name == TEXT
				case Story_Arc::name:
					if (strlen($value) > 0) {
						$qualifiers[Story_Arc::name] = Qualifier::Equals( Story_Arc::name, $value );
					}
					break;

			// Story_Arc::desc == TEXT
				case Story_Arc::desc:
					if (strlen($value) > 0) {
						$qualifiers[Story_Arc::desc] = Qualifier::Equals( Story_Arc::desc, $value );
					}
					break;

			// Story_Arc::pub_active == BOOLEAN
				case Story_Arc::pub_active:
					$v = filter_var($value, FILTER_VALIDATE_BOOLEAN, FILTER_NULL_ON_FAILURE);
					if (is_null($v) == false) {
						$qualifiers[Story_Arc::pub_active] = Qualifier::Equals( Story_Arc::pub_active, $v );
					}
					break;

			// Story_Arc::pub_wanted == BOOLEAN
				case Story_Arc::pub_wanted:
					$v = filter_var($value, FILTER_VALIDATE_BOOLEAN, FILTER_NULL_ON_FAILURE);
					if (is_null($v) == false) {
						$qualifiers[Story_Arc::pub_wanted] = Qualifier::Equals( Story_Arc::pub_wanted, $v );
					}
					break;

			// Story_Arc::pub_cycle == INTEGER
				case Story_Arc::pub_cycle:
					if ( intval($value) > 0 ) {
						$qualifiers[Story_Arc::pub_cycle] = Qualifier::Equals( Story_Arc::pub_cycle, intval($value) );
					}
					break;

			// Story_Arc::pub_available == INTEGER
				case Story_Arc::pub_available:
					if ( intval($value) > 0 ) {
						$qualifiers[Story_Arc::pub_available] = Qualifier::Equals( Story_Arc::pub_available, intval($value) );
					}
					break;

			// Story_Arc::pub_count == INTEGER
				case Story_Arc::pub_count:
					if ( intval($value) > 0 ) {
						$qualifiers[Story_Arc::pub_count] = Qualifier::Equals( Story_Arc::pub_count, intval($value) );
					}
					break;

			// Story_Arc::xurl == TEXT
				case Story_Arc::xurl:
					if (strlen($value) > 0) {
						$qualifiers[Story_Arc::xurl] = Qualifier::Equals( Story_Arc::xurl, $value );
					}
					break;

			// Story_Arc::xsource == TEXT
				case Story_Arc::xsource:
					if (strlen($value) > 0) {
						$qualifiers[Story_Arc::xsource] = Qualifier::Equals( Story_Arc::xsource, $value );
					}
					break;

			// Story_Arc::xid == TEXT
				case Story_Arc::xid:
					if (strlen($value) > 0) {
						$qualifiers[Story_Arc::xid] = Qualifier::Equals( Story_Arc::xid, $value );
					}
					break;

			// Story_Arc::xupdated == DATE

				default:
					/* no type specified for Story_Arc::xupdated */
					break;
				}
			}
		}
		return $qualifiers;
	}

	/**
	 *	Simple fetches
	 */

	public function allForName($value, $limit = SQL::SQL_DEFAULT_LIMIT)
	{
		return $this->allObjectsForKeyValue(Story_Arc::name, $value, null, $limit);
	}

	public function allForDesc($value, $limit = SQL::SQL_DEFAULT_LIMIT)
	{
		return $this->allObjectsForKeyValue(Story_Arc::desc, $value, null, $limit);
	}

	public function allForPub_cycle($value, $limit = SQL::SQL_DEFAULT_LIMIT)
	{
		return $this->allObjectsForKeyValue(Story_Arc::pub_cycle, $value, null, $limit);
	}

	public function allForPub_available($value, $limit = SQL::SQL_DEFAULT_LIMIT)
	{
		return $this->allObjectsForKeyValue(Story_Arc::pub_available, $value, null, $limit);
	}

	public function allForPub_count($value, $limit = SQL::SQL_DEFAULT_LIMIT)
	{
		return $this->allObjectsForKeyValue(Story_Arc::pub_count, $value, null, $limit);
	}

	public function allForXurl($value, $limit = SQL::SQL_DEFAULT_LIMIT)
	{
		return $this->allObjectsForKeyValue(Story_Arc::xurl, $value, null, $limit);
	}

	public function allForXsource($value, $limit = SQL::SQL_DEFAULT_LIMIT)
	{
		return $this->allObjectsForKeyValue(Story_Arc::xsource, $value, null, $limit);
	}

	public function allForXid($value, $limit = SQL::SQL_DEFAULT_LIMIT)
	{
		return $this->allObjectsForKeyValue(Story_Arc::xid, $value, null, $limit);
	}

	/**
	 * Simple relationship fetches
	 */
	public function allForPublisher($obj, $limit = SQL::SQL_DEFAULT_LIMIT)
	{
		return $this->allObjectsForFK(Story_Arc::publisher_id, $obj, $this->sortOrder(), $limit);
	}

	public function countForPublisher($obj)
	{
		if ( is_null($obj) == false ) {
			return $this->countForFK( Story_Arc::publisher_id, $obj );
		}
		return false;
	}

	public function joinAttributes( Model $joinModel = null )
	{
		if ( is_null($joinModel) == false ) {
			switch ( $joinModel->tableName() ) {
				case "publisher":
					return array( Story_Arc::publisher_id, "id"  );
					break;
				case "story_arc_character":
					return array( Story_Arc::id, "story_arc_id"  );
					break;
				case "story_arc_publication":
					return array( Story_Arc::id, "story_arc_id"  );
					break;
				case "story_arc_series":
					return array( Story_Arc::id, "story_arc_id"  );
					break;
				case "reading_queue":
					return array( Story_Arc::id, "story_arc_id"  );
					break;
				default:
					break;
			}
		}
		return parent::joinAttributes( $joinModel );
	}

	/**
	 *	Create/Update functions
	 */
	public function createObject( array $values = array() )
	{
		if ( isset($values) ) {

			// default values for attributes
			if ( isset($values['created']) == false ) {
				$default_created = $this->attributeDefaultValue( null, null, Story_Arc::created);
				if ( is_null( $default_created ) == false ) {
					$values['created'] = $default_created;
				}
			}
			if ( isset($values['name']) == false ) {
				$default_name = $this->attributeDefaultValue( null, null, Story_Arc::name);
				if ( is_null( $default_name ) == false ) {
					$values['name'] = $default_name;
				}
			}
			if ( isset($values['desc']) == false ) {
				$default_desc = $this->attributeDefaultValue( null, null, Story_Arc::desc);
				if ( is_null( $default_desc ) == false ) {
					$values['desc'] = $default_desc;
				}
			}
			if ( isset($values['pub_active']) == false ) {
				$default_pub_active = $this->attributeDefaultValue( null, null, Story_Arc::pub_active);
				if ( is_null( $default_pub_active ) == false ) {
					$values['pub_active'] = $default_pub_active;
				}
			}
			if ( isset($values['pub_wanted']) == false ) {
				$default_pub_wanted = $this->attributeDefaultValue( null, null, Story_Arc::pub_wanted);
				if ( is_null( $default_pub_wanted ) == false ) {
					$values['pub_wanted'] = $default_pub_wanted;
				}
			}
			if ( isset($values['pub_cycle']) == false ) {
				$default_pub_cycle = $this->attributeDefaultValue( null, null, Story_Arc::pub_cycle);
				if ( is_null( $default_pub_cycle ) == false ) {
					$values['pub_cycle'] = $default_pub_cycle;
				}
			}
			if ( isset($values['pub_available']) == false ) {
				$default_pub_available = $this->attributeDefaultValue( null, null, Story_Arc::pub_available);
				if ( is_null( $default_pub_available ) == false ) {
					$values['pub_available'] = $default_pub_available;
				}
			}
			if ( isset($values['pub_count']) == false ) {
				$default_pub_count = $this->attributeDefaultValue( null, null, Story_Arc::pub_count);
				if ( is_null( $default_pub_count ) == false ) {
					$values['pub_count'] = $default_pub_count;
				}
			}
			if ( isset($values['xurl']) == false ) {
				$default_xurl = $this->attributeDefaultValue( null, null, Story_Arc::xurl);
				if ( is_null( $default_xurl ) == false ) {
					$values['xurl'] = $default_xurl;
				}
			}
			if ( isset($values['xsource']) == false ) {
				$default_xsource = $this->attributeDefaultValue( null, null, Story_Arc::xsource);
				if ( is_null( $default_xsource ) == false ) {
					$values['xsource'] = $default_xsource;
				}
			}
			if ( isset($values['xid']) == false ) {
				$default_xid = $this->attributeDefaultValue( null, null, Story_Arc::xid);
				if ( is_null( $default_xid ) == false ) {
					$values['xid'] = $default_xid;
				}
			}
			if ( isset($values['xupdated']) == false ) {
				$default_xupdated = $this->attributeDefaultValue( null, null, Story_Arc::xupdated);
				if ( is_null( $default_xupdated ) == false ) {
					$values['xupdated'] = $default_xupdated;
				}
			}

			// default conversion for relationships
			if ( isset($values['publisher']) ) {
				$local_publisher = $values['publisher'];
				if ( $local_publisher instanceof PublisherDBO) {
					$values[Story_Arc::publisher_id] = $local_publisher->id;
				}
				else if ( is_integer( $local_publisher) ) {
					$params[Story_Arc::publisher_id] = $local_publisher;
				}
			}
		}
		return parent::createObject($values);
	}

	public function updateObject(DataObject $object = null, array $values = array()) {
		if (isset($object) && $object instanceof Story_Arc ) {
			if ( isset($values['publisher']) ) {
				$local_publisher = $values['publisher'];
				if ( $local_publisher instanceof PublisherDBO) {
					$values[Story_Arc::publisher_id] = $local_publisher->id;
				}
				else if ( is_integer( $local_publisher) ) {
					$params[Story_Arc::publisher_id] = $values['publisher'];
				}
			}
		}

		return parent::updateObject($object, $values);
	}

	/**
	 *	Delete functions
	 */
	public function deleteObject( DataObject $object = null)
	{
		if ( $object instanceof Story_ArcDBO )
		{
			// does not own publisher Publisher
			$story_arc_character_model = Model::Named('Story_Arc_Character');
			if ( $story_arc_character_model->deleteAllForKeyValue(Story_Arc_Character::story_arc_id, $object->id) == false ) {
				return false;
			}
			$story_arc_publication_model = Model::Named('Story_Arc_Publication');
			if ( $story_arc_publication_model->deleteAllForKeyValue(Story_Arc_Publication::story_arc_id, $object->id) == false ) {
				return false;
			}
			$story_arc_series_model = Model::Named('Story_Arc_Series');
			if ( $story_arc_series_model->deleteAllForKeyValue(Story_Arc_Series::story_arc_id, $object->id) == false ) {
				return false;
			}
			$reading_queue_model = Model::Named('Reading_Queue');
			if ( $reading_queue_model->deleteAllForKeyValue(Reading_Queue::story_arc_id, $object->id) == false ) {
				return false;
			}
			return parent::deleteObject($object);
		}

		return false;
	}

	public function deleteAllForPublisher(PublisherDBO $obj)
	{
		$success = true;
		if ( $obj != false ) {
			$array = $this->allForPublisher($obj);
			while ( is_array($array) && count($array) > 0) {
				foreach ($array as $key => $value) {
					if ($this->deleteObject($value) == false) {
						$success = false;
						throw new DeleteObjectException("Failed to delete " . $value, $value->id );
					}
				}
				$array = $this->allForPublisher($obj);
			}
		}
		return $success;
	}

	/**
	 * Named fetches
	 */
	public function storyArcLike( $name )
	{
		$select = SQL::Select( $this );
		$select->orderBy( $this->sortOrder() );
		$qualifiers = array();
		$qualifiers[] = Qualifier::Like( 'name', $name, SQL::SQL_LIKE_BOTH);

		if ( count($qualifiers) > 0 ) {
			$select->where( Qualifier::Combine( 'OR', $qualifiers ));
		}

		$result = $select->fetchAll();
		return $result;
	}

	public function objectForExternal( $xid, $xsrc )
	{
		$select = SQL::Select( $this );
		$select->orderBy( $this->sortOrder() );
		$qualifiers = array();
		$qualifiers[] = Qualifier::Equals( 'xid', $xid);
		$qualifiers[] = Qualifier::Equals( 'xsource', $xsrc);

		if ( count($qualifiers) > 0 ) {
			$select->where( Qualifier::Combine( 'AND', $qualifiers ));
		}

		$result = $select->fetchAll();
		if ( is_array($result) ) {
			$result_size = count($result);
			if ( $result_size == 1 ) {
				return $result[0];
			}
			else if ($result_size > 1 ) {
				throw new \Exception( "objectForExternal expected 1 result, but fetched " . count($result) );
			}
		}

		return false;
	}

	/**
	 * Attribute editing
	 */
	public function attributesMandatory($object = null)
	{
		if ( is_null($object) ) {
			return array(
				Story_Arc::name
			);
		}
		return parent::attributesMandatory($object);
	}

	public function attributesMap() {
		return array(
			Story_Arc::publisher_id => Model::TO_ONE_TYPE,
			Story_Arc::created => Model::DATE_TYPE,
			Story_Arc::name => Model::TEXT_TYPE,
			Story_Arc::desc => Model::TEXTAREA_TYPE,
			Story_Arc::pub_active => Model::FLAG_TYPE,
			Story_Arc::pub_wanted => Model::FLAG_TYPE,
			Story_Arc::pub_cycle => Model::INT_TYPE,
			Story_Arc::pub_available => Model::INT_TYPE,
			Story_Arc::pub_count => Model::INT_TYPE,
			Story_Arc::xurl => Model::TEXTAREA_TYPE,
			Story_Arc::xsource => Model::TEXT_TYPE,
			Story_Arc::xid => Model::TEXT_TYPE,
			Story_Arc::xupdated => Model::DATE_TYPE
		);
	}

	public function attributeDefaultValue($object = null, $type = null, $attr)
	{
		if ( isset($object) === false || is_null($object) == true) {
			switch ($attr) {
				case Story_Arc::pub_active:
					return Model::TERTIARY_TRUE;
				case Story_Arc::pub_wanted:
					return Model::TERTIARY_FALSE;
				case Story_Arc::pub_cycle:
					return 0;
				case Story_Arc::pub_available:
					return 0;
				case Story_Arc::pub_count:
					return 0;
			}
		}
		return parent::attributeDefaultValue($object, $type, $attr);
	}

	/*
	 * return the foreign key object
	 */
	public function attributeObject($object = null, $type = null, $attr, $value)
	{
		$fkObject = false;
		if ( isset( $attr ) ) {
			switch ( $attr ) {
				case Story_Arc::publisher_id:
					$publisher_model = Model::Named('Publisher');
					$fkObject = $publisher_model->objectForId( $value );
					break;
				default:
					break;
			}
		}
		return $fkObject;
	}

	/**
	 * Validation
	 */
	function validate_publisher_id($object = null, $value)
	{
		// check for mandatory field
		if (isset($value) == false || empty($value)  ) {
			return Localized::ModelValidation(
				$this->tableName(),
				Story_Arc::publisher_id,
				"FIELD_EMPTY"
			);
		}

		return null;
	}
	function validate_created($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false || empty($value)  ) {
			return null;
		}

		// created date is not changeable
		if ( isset($object, $object->created) ) {
			return Localized::ModelValidation(
				$this->tableName(),
				Story_Arc::created,
				"IMMUTABLE"
			);
		}
		return null;
	}
	function validate_name($object = null, $value)
	{
		// check for mandatory field
		if (isset($value) == false || empty($value)  ) {
			return Localized::ModelValidation(
				$this->tableName(),
				Story_Arc::name,
				"FIELD_EMPTY"
			);
		}

		return null;
	}
	function validate_desc($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false || empty($value)  ) {
			return null;
		}

		return null;
	}
	function validate_pub_active($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false  ) {
			return null;
		}

		// boolean

		// Returns TRUE for "1", "true", "on" and "yes"
		// Returns FALSE for "0", "false", "off" and "no"
		// Returns NULL otherwise.
		$v = filter_var($value, FILTER_VALIDATE_BOOLEAN, FILTER_NULL_ON_FAILURE);
		if (is_null($v)) {
			return Localized::ModelValidation(
				$this->tableName(),
				Story_Arc::pub_active,
				"FILTER_VALIDATE_BOOLEAN"
			);
		}
		return null;
	}
	function validate_pub_wanted($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false  ) {
			return null;
		}

		// boolean

		// Returns TRUE for "1", "true", "on" and "yes"
		// Returns FALSE for "0", "false", "off" and "no"
		// Returns NULL otherwise.
		$v = filter_var($value, FILTER_VALIDATE_BOOLEAN, FILTER_NULL_ON_FAILURE);
		if (is_null($v)) {
			return Localized::ModelValidation(
				$this->tableName(),
				Story_Arc::pub_wanted,
				"FILTER_VALIDATE_BOOLEAN"
			);
		}
		return null;
	}
	function validate_pub_cycle($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false || empty($value)  ) {
			return null;
		}

		// integers
		if (filter_var($value, FILTER_VALIDATE_INT) === false) {
			return Localized::ModelValidation(
				$this->tableName(),
				Story_Arc::pub_cycle,
				"FILTER_VALIDATE_INT"
			);
		}
		return null;
	}
	function validate_pub_available($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false || empty($value)  ) {
			return null;
		}

		// integers
		if (filter_var($value, FILTER_VALIDATE_INT) === false) {
			return Localized::ModelValidation(
				$this->tableName(),
				Story_Arc::pub_available,
				"FILTER_VALIDATE_INT"
			);
		}
		return null;
	}
	function validate_pub_count($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false || empty($value)  ) {
			return null;
		}

		// integers
		if (filter_var($value, FILTER_VALIDATE_INT) === false) {
			return Localized::ModelValidation(
				$this->tableName(),
				Story_Arc::pub_count,
				"FILTER_VALIDATE_INT"
			);
		}
		return null;
	}
	function validate_xurl($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false || empty($value)  ) {
			return null;
		}

		return null;
	}
	function validate_xsource($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false || empty($value)  ) {
			return null;
		}

		return null;
	}
	function validate_xid($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false || empty($value)  ) {
			return null;
		}

		return null;
	}
	function validate_xupdated($object = null, $value)
	{
		// not mandatory field
		if (isset($value) == false || empty($value)  ) {
			return null;
		}

		return null;
	}
}

?>

redpajama_set_name: RedPajamaGithub


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Kitchen Kitchen Island Design Inspirations for Any Kitchen Space Grey. Crate. Pot.
Even though a rectangular kitchen island is so common, it doesn't mean this is the only option in terms of shape. Bear in mind that whatever you add to your's kitchen designs should suit the space and needs, so go for a rounded, T-shape, or L-shape island if it's a more suitable option which can also serve as a focal point in your kitchen. For a small space, consider a freestanding island to prevent the room from looking cramped. It also has a furniture-like look that can boost the appearance too.
Tags: layout. legs. cap. small. frame. dresser. top.


text:
#ifndef INTERFACE_MODULES_RENDER_ES_COMP_RENDER_LIST_H
#define INTERFACE_MODULES_RENDER_ES_COMP_RENDER_LIST_H

#include <es-cereal/ComponentSerialize.hpp>
#include <Graphics/Datatypes/GeometryImpl.h>

namespace SCIRun {
namespace Render {

struct RenderList
{
  // -- Data --
  std::shared_ptr<spire::VarBuffer> data;
  std::vector<Graphics::Datatypes::SpireVBO::AttributeData> attributes;
  Graphics::Datatypes::RenderType renderType;
  int64_t numElements;

  // -- Functions --
  RenderList() : renderType(Graphics::Datatypes::RenderType::RENDER_VBO_IBO), numElements(0) {}

  static const char* getName() {return "RenderList";}

  bool serialize(spire::ComponentSerialize& /* s */, uint64_t /* entityID */)
  {
    // Shouldn't need to serialize these values. They are context specific.
    // Maybe? Will need to figure out as I go along.
    return true;
  }
};

} // namespace Render
} // namespace SCIRun

#endif


Are You Wasting Your Customer's Time?
Recently I bought a new car, and I will admit that buying a car is not something I relish.
The last thing I want to do is to spend more than 10 minutes buying it — OK, maybe 20 — but that's it.
I'm not a car nut, and truth be told, I couldn't care less what I drive (as demonstrated by the 18-year-old car to which I recently said good-bye).
The only thing on my old car that didn't make noise was the horn.
Reason I hate buying a car is the person I'm going to buy it from is going to know far more knowledge than me. I feel I have to be at least able to speak the language enough to keep from getting taken on a deal.
What I hate is any salesperson — whether on the phone, via email or in person — who attempts to engage me in a conversation in which I don't want to engage. To me the questions are a waste of my time (I value my time more than I the question the salesperson is asking me).
To the salesperson looking to sell me the car, I'm not an engaged customer. Want to take it for a test drive? No. Want to take a look at the engine? No. Want to sit in the car and see how it feels? No.
All of these actions to me are a waste of my time.
Challenge is for the salesperson to determine the most valuable asset I have is my time, and thus time is a key outcome of what I'm looking for.
The salesperson who completed the sale with me seized on it quickly by asking me how much time I had right up front. Bingo! We connected and the deal was done in 10 minutes.
Did the salesperson have more time? Yes! Did the salesperson have a bunch of additional information he would like to have shared with me? Yes! Did the salesperson want to make a sale? Yes! And that is the only thing that mattered.
Do you know the value of the customer's "buying time?" Sooner you find out, the sooner you'll be in position to close more sales and, best of all, not waste your own time.
Curious as to what I bought? A 2014 Acura TLX.
Always listen to what the buyer is telling. Very tough to listen when your mouth is open. Bought a 2014 Ford SHO . Went in with the price I was going to pay, drove out with a car. Auto Industry has employee's who have access to specials the dealers will never tell you. These plans take the dealer out of their BS plan. NEVER sell your trade in to the dealer !!!!


A technique used at a school for the arts can foster independent learning in other subjects as well.
A student who is able to accurately and effectively self-assess, then revise accordingly, has attained independence as a learner. This is the goal of New Mexico School for the Arts (NMSA), a dual arts and academic curriculum: to create independent, self-sufficient, and lifelong learners.
NMSA teaches structured critique in each of their arts departments (dance, theater, music, and visual arts), developing their students' ability to assess and revise their work within arts, academics, and beyond.
"My goal as a teacher, in regards to self-assessment," says Karina Hean, the chair of NMSA's visual arts department, "is to get students to a place by 11th grade where they can visualize what needs to adjust and be their own editor. Until they can do that, they're always going to rely on outside voices, which isn't bad in and of itself, but you often need to be your own problem solver."
If you want to develop your students' ability to self-assess, you can adapt NMSA's three-step process in your classroom, as well as their practices -- from Post-it note critiques to Visual Thinking Strategies.
In order to create great work, students need to know what great work looks like. "Then the teacher has an obligation to speak to what makes that work great in a very specific way," says Cristina Gonzalez, the former chair of NMSA's visual arts department.
In English, you can show your students an example of an exemplary essay.
If you're having a Socratic discussion, you can review the guidelines for a great discussion.
School 21, a London-based public school, performs live demonstrations and shows prerecorded videos of teachers having conversations to demonstrate exemplary discussion techniques.
Whether talking about syntax, tone, grammar or wiping, burrs, and mezzotinting, your students need to know the vocabulary specific to their craft to assess their and other's work. "To give feedback, it can't just be the way you feel about something," says Cindy Montoya, NMSA's principal. "That feedback is based on some technical knowledge about their specific art."
The NMSA dance department lists vocabulary (like canon, plié, and tendu) on a board, and students are tested on that vocabulary. The drama department displays phrases on the wall that help guide their peer critique. Pointing students to "The angel didn't fly" or "You broke the moment" reflects that a scene ended before the students effectively communicated what they had intended.
Within a department, whether English, science, or drama, ensure that all teachers use common critique language. "We have a common language," says Joey Chavez, the chair of NMSA's theater department, "and that's purposeful. We -- all four instructors -- want to give them feedback with the same language." By doing this, your students build on the same vocabulary as they move through a department from year to year.
Peer critique gives your students an opportunity to use and share their voice, and it helps them to become more receptive to hearing and using feedback. "They're more prone to listen to the voices of their peers," says Hean. "It's also beneficial for them to verbalize and write their ideas out, to make them succinct, get them clear, and realize when they're not clear."
It's important to remind your students of the purpose of a critique: to learn and improve their work. When they agree that the purpose of a critique is to improve their work, they become more receptive to feedback because they know it will help them.
A verbal agreement will also help your students become more comfortable with giving constructive criticism. "Compliments are nice, but they don't push you forward," says Hean. She describes how, by having them create that verbal contract, "you're giving them a chance, from their own motivation, to make sure that they'll respect that agreement and help each other."
When your students are critiquing, they may use a word like "boring" to describe a piece of work. Words like that are vague and can be taken personally. "If you have a student say, 'Your print is really boring,' or 'Your drawing is really boring,' that could mean so many things," explains Hean. "What are they seeing? Help your students dig deeper into what's going on with the design, and help them to go beyond that surface terminology."
"Critiquing and speaking out loud about your own work or someone else's work is very intimidating," adds Hean. "And to say it in front of your peer group that you see every day is maybe even more so because there is an accountability there."
To help build your students' comfort and confidence around sharing their opinions, have them write their critique first, and then read it aloud. This practice can remove the discomfort of not knowing what to say, and it can help students discover what attracts them to a piece of work if they don't yet know how they feel about it.
"The key for each student is to realize that they have a valid, strong opinion, and that they can articulate that opinion to one another," says Hean. "That's part of this job -- coaching that confidence into being. You help them sentence by sentence to get to a place where they have trust in their own thoughts."
Before they come to NMSA, the majority of incoming ninth-grade students know that they do or don't like something, but they don't always know why. "We try to help them uncover what that is -- why something in a composition or design is working, and why something else is not," says Hean.
By focusing critiques around specific topics -- like technique, concept, or craftsmanship -- and guiding them with specific questions, you can help direct your students' critique, develop their language, and deepen their understanding of why something does or doesn't work.
Facilitate a discussion around the feedback. "Let that feedback generate more questions, more responses, and remind your students that this is a conversation, and that conversations evolve," suggests Hean. "They're not right or wrong. That tends to give your students an opportunity to not take any one response too seriously. There's so much more absorption that goes on when the ideas are shared through conversation."
After a critique, summarize what your students said. When restating the critique, use different words so that the student receiving the feedback can hear it in an alternate way, giving him or her an opportunity to absorb it more deeply.
"Students will start by describing what's in the painting, like, 'There's a man standing by a horse, and it looks like there's somebody falling on the ground.' Then they'll start saying, 'It seems very dark to me, almost threatening.' There's an interpretive element," says Gonzalez. Once they start analyzing what they see, they can then judge whether specific elements add or take away from the painting -- or print, sculpture, or even essay.
Post-it note critiques -- a one- to three-word written critique on a Post-it note -- allows your students to move around and give brief feedback on multiple works without having to verbalize their opinion. Post-it note critiques can be a great way for timid students to build confidence around sharing their opinion.
These critiques also help students practice their interpretation and analysis skills. "Each person gets to respond with a word or phrase concisely on each print to get their engines going about how imagery, value, mark, and composition communicate concepts and ideas," explains Hean. "It guides them to go deeper."
1. Arrange your students' work around the room so that each student can walk around and have the space to critique each piece.
2. You'll need a lot of Post-it notes. Each student needs a stack of Post-it notes to match the number of peer works that that they'll be critiquing.
3. Keep the critiques brief -- one to three words.
4. Share a clear critique goal with your students. "I tend to use Post-it note critiques when I have a specific interpretation or specific question about technique to ask so that they get to answer quickly, and they don't beat around the bush with it," says Hean.
5. Have each student gather their Post-it notes and read through them so they can then apply the feedback to their work. "The students get brief, concise, very direct communication. It's not contaminated by a student delivering it in a less clear way," says Hean.
The fishbowl is a form of Socratic discussion that allows your students to reflect on, critique, and then build upon their peers' discussion. Before you jump into a fishbowl discussion, discuss its purpose and share the protocols and guidelines with your students. Not interrupting, respecting your peers (even if you disagree), and "knowing that the goal is to ask questions, not to develop answers" are some of those guidelines, says Geron Spray, an English and world history teacher.
Split your students into two groups. One group begins the discussion, while the other group sits around them, listens, and critiques them.
The students who are listening critique those who are discussing based on the content of what they discuss, along with how well they follow the protocols. "Are they making eye contact?" asks Spray. "Are they referring to the text as evidence? Are they asking questions? Are they including other people in the discussion?"
Have your groups switch. The students who were talking take on the role of listening, and those listening can now build on the discussion of the students before them.
"The goal is that the second round of discussion will be more in-depth," says Spray. "The group now discussing has had five, 10, 20 minutes -- however much time -- to really give a lot of thought to what is being said and how it's being said. It's an immediate assessment of the students' work, and the second group of students can build on the success or lack thereof of the first group."
Whether you're dancing, acting, painting, writing, or composing music, you're constantly assessing and revising your craft. It's part of the artistic process.
"There is a looseness to creating something," says Hean. "It doesn't quite hit the mark, you revise, you reassess, you go at it again. That's our constant working method. No matter what they're doing in any walk of life -- whatever job, whatever engagement, whatever relationship they're having -- that ability to self-assess is there."
Demographic data is from the 2016-2017 academic year. Financial data is from the 2013-2014 academic year.


First established in 1990 as a Plumbing services company, we have built a reputation throughout Melbourne based on quality and service with our products and installations in the solar industry.
As Solahart Melbourne, we pride ourselves on being a part of our local communities. Although we are part of a major company like Solahart, we live where you live, shop where you shop and we care about the service we provide within our community.
Another successful install here in Melbourne of a Solahart 302CS13C solar hot water system for a Mont Albert family.
A new Solahart 10.08KW solar power system installation for a home business here in Melbourne using a 10KW SMA 3-phase inverter and the new REC 280KW Twin Peak Solar Panels. Now waiting for the Tesla Powerwall 2 to be added later this year.
Solahart Melbourne recently completed another Solahart solar power system install complete with the Tesla Powerwall to maximise self consumption for a family here in Melbourne.
Great job by the install team.
Solahart Melbourne recently installed a new Solahart 302SC solar hot water system for a family in Mt Waverley here in Melbourne. Well done to the install team, another great job!


Channelproof is LAI's own loyalty program for students. This is our way to say thank you for the confidence you have in us! We keep it simple: no membership cards, sign up procedures or questionnaires. The point is just points, awarded to you after each training course.
© 2019 Learning Associates International (LAI) B.V.


In a marketing campaign, that I assume was meant to be based on Valentine's Day (maybe?), Delta Airlines and Coca-Cola distributed napkins to passengers encouraging them to write their name and number on the back of the napkin and give it to their "plane crush". On the opposite side, the napkin read "because you're on a plane full of interesting people and hey...you never know".
Some passengers looked at the napkins and thought nothing of it. Others were offended with one even saying that it "encourages affairs".
Others found the napkins to be creepy and said that no one appreciates unsolicited phone numbers.
"We rotate Coke products regularly as part of our brand partnership, but missed the mark with this one. We are sorry for that and began removing the napkins from our aircraft in January."
Coca-Cola has also apologized to anyone that was offended by the napkins and has begun replacing them with other designs.


text:
Home biography Chance The Rapper
Chance The Rapper Biography
Facts of Chance The Rapper
Chancellor Johanathan Bennet
Ken Williams Bennet
Lisa Bennet
3 Grammy awards
10 days , Acid Rap, Coloring Book
Quick Timeline of Chance The Rapper
2012 Made his professional debut in Music Industry
2013 Second Album and His First Award
2013 Debut in Acting Industry
2013 Began Dating Kristen Corley
2018 Current Net Worth
Detail Timeline of Chance The Rapper
April 16 , 1993
Chancelor Jonathan Bennett was born on 16th of April 1993 in Chicago, By nationality, he is an American and he belongs to African-American ethnicity.
Made his professional debut in Music Industry
Bennett's debut mixtape, 10 Day has been downloaded more than 500k times via mixtape-sharing site DatPiff, since its release. The mixtape helped him to make connections with producers such as Blended Babies, Chuck Inglish, and Kenny Jame$.
Second Album and His First Award
His second mixtape, Acid Rap, helped him to earn his first ever award, "Bet Hip Hop Awards". Additionally, the mixtape was listed #63 on Billboard Top R&B/Hip-Hop Albums, 26th spot on Rolling Stones, 4th by Complex, 12th on Pickfork's, as well as also made it to the list of 50 Best Albums and as one of the NPR Music's 50 Favorite Albums.
Debut in Acting Industry
Bennett made his Hollywood debut, portraying the character, Marcus, in short movie "Clapping for the Wrong Reasons". The same year, he made his appearance on the TV show, "The Eric Andre Show".
Began Dating Kristen Corley
In this year, he not only release his second album but found his love as well. Two years later, together with his girlfriend, Kristen Corley, welcome their first child, Kensli Bennett.
Current Net Worth
As of 2018, Bennett's net worth is estimated to be $33 million. The significant source of Bennett's income is music industry, however, some parts of his wealth are from acting industry as he has done some of the acting projects.
Award-winning rapper Chancellor Jonathan Bennett is popular as Chance the Rapper and comes from the West Chatham neighborhood of Chicago, Illinois. He is most notable for his second mixtape Acid Rap as well as his third mixtape Coloring Book which earned him 3 Grammy Awards, including Best Rap Album. Besides his solo career, Bennett is a member of the Chicago collective "Save Money".
Childhood, Education, & Early Career
Chancelor Jonathan Bennett was born on 16th of April 1993, in Chicago, Illinois, the U.S. His father, Ken Williams-Bennett was an aide to former Chicago mayor Harold Washington and then-Senator Barack Obama, whereas, his mother, Lisa Bennett, is a secretary for the office of Illinois Attorney General.
Later, he relocated to Washington D.C. where he enrolled at Jones College Prep High School. At the time, he was a member of the Jewish Student Union.
His interest in music was an inspiration from Michael Jackson. Growing up, he began listening to hip-hop after getting first hip-hop taste through Kanye West's "Through the Wire" on the radio. Adding, he stated, he was inspired to begin rapping by West.
During his freshman year at Jones College Prep High School, he formed the duo instrumentally with a friend. He spent most of his third year and last year of his college, writing a draft for his debut projects, 10 Day.
Musical Career: Mixtapes and Albums
His debut mixtape 10 Day has been downloaded more than 500k times via mixtape-sharing site DatPiff, since its release. The mixtape helped him to make connections with producers such as Blended Babies, Chuck Inglish, and Kenny Jame$.
The following year, he again banged the music industry with his second mixtape Acid Rap, which also helped him to earn his first ever award, "Best Hip Hop Awards". Additionally, the mixtape was listed at #63 on Billboard Top R&B/Hip-Hop Albums, 26th spot on Rolling Stones, 4th by Complex, 12th on Pickfork's.
His another hit mixtapes include Coloring Book, which also amassed various awards such as Grammy Awards, BET Hip-Hop Award, and BET Awards.
Likewise in the music industry, Bennett made his Hollywood debut, portraying the character, Marcus, in short movie Clapping for the Wrong Reasons. The same year, he made his appearance on the TV show, The Eric Andre Show. After some time, he appeared in the "The Arsenio Hall Show". His other TV role includes Bob Marley in "Black Dynamite", "Wild 'N Out", "Saturday Night Live", and "The Tonight Show Starring Jimmy Fallon".
Marriage & Relationship
The rapper is American by nationality and belongs to African-American ethnicity. He is involved in a romantic love affair with his girlfriend Kirsten Corley. Together with her partner, he is blessed with a baby girl named Kensli Bennett.
Chance the Rapper Married to Girlfriend Kirsten Corley
Chance the Rapper is currently married to his long term girlfriend Kirsten Corley. The duo got married in March 2019 at the Resort at Pelican Hill in Newport Beach, California.
The wedding ceremony included much celebrity from the Hollywood town including Kim Kardashian West, Kanye West, Dave Chappelle, and many others.
While their nuptial happened in March 2019, the couple had been officially married since December 27, 2018.
Net Worth & Income Source
The significant source of Bennett's income is the music industry, however, some parts of his wealth are from the acting industry as he has done some of the acting projects. Apart from the entertainment industry, he adds tremendous sum through endorsement deals with various renowned brands such as Apple and Kit Kat.
As of now, his net worth is estimated to be $33 million. He owns a few luxury cars including Range Rover.
For more contents, follow us on Frostsnow.
# American singer
# Kirsten Corley
# Chance the Rapper
# American Rapper
# Grammy Winner
# Chancellor Jonathan Bennett
Related Posts on Chance The Rapper

redpajama_set_name: RedPajamaCommonCrawl


text:
Assorted Links Thursday
Thousands of empty call centers, and "if getting back to normal means no more pictures of dogs watching Zoom meetings, then I don't want to go back."
20 May 2021 . 2 min read
Almost 1,000 empty call centers are available as the industry shifts to hybrid work-from-home & brick-and-mortar site selection strategy. What are you supposed to do with a former call center?
I remember a couple years ago when econ dev consultants were advising that we prepare for the day when the big box store might go away, and we'd all be stuck with large derelict structures. They're advice then: maybe you can make them into call centers. Oops.
We're going to see more and more of this kind of radical transition across a host of industries. Reuse is going to be one of the catchphrases.
Largest economic incentive deals of first quarter 2021. It's not difficult to predict that it's going to grow from here.
Moving Talent to Middle America: Can an innovative new program attract a diverse group of remote workers to rural America?
Interesting read: How tax incentives can power more equitable, inclusive growth.
Putting American Recovery Act funds to the best use.
Tucked away in the document is a key directive: "state, local, and tribal governments may use payments from the Fiscal Recovery Funds for data analysis to improve the efficacy of programs addressing negative economic impacts."
This graph shows how states' population rankings have changed in the last 100 years.
One of my favorite quotes:
A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects. - Robert A. Heinlein
On that note: The future belongs to generalists.
What's the difference between rezoning, conditional use, and zoning variances. Also, from the same source, what is "Build to Suit"?
If getting back to normal means no more pictures of dogs watching Zoom meetings, then I don't want to go back.
Congrats to Ithaca's Planning and Economic Development Committee my dog is a huge fan and had a front row seat all night pic.twitter.com/bY4ibnfhSb
— Tanner Harding (@tanner_harding) May 20, 2021


text:
Coronavirus: Will I be paid when I'm at home with my children?
April 13, 2020 April 10, 2020 - by mindfullmess
Everyone should work from home if they can, according to stringent new measures in the UK to combat the spread of coronavirus.
Meanwhile, schools are shutting, leaving parents trying to work out how to juggle childcare and work.
For many people, homeworking will not be possible, but they still face the possibility of 14 days of self-isolation, under the guidelines announced by Prime Minister Boris Johnson.
Some changes have been made to the sick pay system given the current circumstances, which workers may need to fall back on.
Coronavirus: A visual guide to the economic impact
Will I get paid if I need to look after my children?
When your children's school is closed, or if you have a relative who is ill, your employer must give you time off to look after them.
But your employer is not forced to pay you unless your contract requires it.
However, many employers are allowing parents to work flexibly, to try to manage both work and childcare.
Who needs to work from home?
Everyone who can work from home should do so. That creates practical issues for employers and employees, but workers should be given clear guidance as to what that means for them.
In normal circumstances, anyone working from home should receive an assessment of their domestic workplace. Clearly, this will not be possible at present, but some rights can be made clear. For example, working hours can still be clearly defined, and staff should receive their normal pay.
Who provides the equipment?
An employer is responsible for equipment they supply, and must say what it should be used for.
The question of who covers the running costs should ideally be outlined as soon as possible, and would normally be part of any working from home agreement.
Given the current situation, extra costs, such as phone bills, may need to be claimed. Employers will need evidence, but can explain how the expenses system works, and whether these costs are taxable.
What about security?
Employees should only take home documents that are proportionate to their job, and should take particular care over safekeeping.
If personal laptops or mobile devices are used to connect to workplace servers, employers are advised to ensure these are through secure links. If it is particularly sensitive, work equipment should be supplied.
"The data commissioner will treat cyber and data breaches that happen whilst staff work from home in exactly the same way as if happened in the workplace, attracting the same penalties," warns James Medhurst, a senior associate in the employment law team at legal firm Royds Withy King.
Are workers insured?
If a business regularly has staff working from home, it is likely that Employers Liability Insurance will already cover staff irrespective of where they work. If home working is entirely new to a company, business owners should check the wording of their policy and amend it accordingly, Mr Medhurst says.
Who is responsible for workers while they work?
An employer has a duty of care for staff, even if they are working at home.
The requirements of the health and safety legislation apply to homeworkers too, according to the employment conciliation service Acas.
What if I cannot work from home?
Owing to the financial pressures, some businesses have asked staff to take unpaid leave.
Employers have the right to tell workers to take holiday if they decide to shut for a period of time. However, they usually must give the employee twice as much notice as the period of leave being taken. So for one week of annual leave, they would have to give two weeks of notice.
It is impossible for many people to work from home. However, under the new guidelines, if one person in any household has a persistent cough or fever, everyone living there must stay at home for 14 days.
Will I get paid if I self-isolate in this way?
Provisions for sick leave vary from company to company.
Many employees will have contracts that allow them their normal pay while they are unable to work because they are sick.
Even where people do not get their fully paid sick leave, or if they work in jobs where they do not have contractual sick leave, there may be minimum payments they can rely on, known as statutory sick pay.
What is statutory sick pay?
Statutory sick pay (SSP) is money paid by employers, so self-employed workers are not eligible, but casual or agency workers are.
Chancellor Rishi Sunak said that SSP would be paid to people who had been told to isolate themselves, even if they did not have any symptoms. He said people would soon be able to obtain a sick note from the NHS 111 service rather than getting one from a GP.
The rules were also changed so that those people would be eligible for SSP on their first day away from work, instead of having to wait until the fourth day as used to be the case.
He also announced that businesses with fewer than 250 employees would be able to claim back from the government two weeks of SSP paid to staff affected by coronavirus.
How much is statutory sick pay?
It is set at £94.25 a week, although of course employers could pay more if they want to.
To put that into context, average weekly earnings in the UK in December last year stood at £544 a week.
To get SSP people need to be earning at least £118 a week. Many people such as those on zero-hours contracts – who work variable hours every week – may earn less than this. The Trades Union Congress (TUC) has calculated that there are two million workers who are not eligible for SSP and Labour has asked the government whether they will now be covered.
We asked the Office for National Statistics to check this figure and they estimated that there were 1,766,000 jobs done by adults in the UK that paid less than £118 a week.
The number of people involved is likely to be somewhat lower than this because one person could have more than one of these jobs. And indeed, if somebody has more than one of these jobs it could take them above the £118 a week needed to qualify.
About 70% of these jobs are done by women.
The GMB union has called on the government to force companies to give full pay to workers who are isolating themselves to prevent the spread of coronavirus.
It says that the government could use legislation that allows for staff to be suspended on full pay for up to six months for specific medical reasons involving risks of radiation or lead poisoning. The government could use a statutory instrument in Parliament to extend that to include people isolating themselves because of coronavirus.
Will self-employed people get sick pay?
Broadly speaking, employees are entitled to sick pay and self-employed people are not.
In the latest UK figures for the last three months of 2019, there were about 28 million employed people and about five million self-employed.
The government has said it will make it "quicker and easier" for self-employed people affected by coronavirus to access benefits.
The chancellor said that those on contributory employment and support Allowance (ESA) will be able to claim from day one, instead of day eight.
He is also temporarily removing the minimum income floor from universal credit. The minimum income floor would have taken into account how much you would normally expect to earn in a month when calculating your entitlement to universal credit.
Not having the floor means they will be able to claim for time they spend off work due to sickness.
What is universal credit?
He said they would not need to attend a job centre and could apply on the phone or online instead.
The government has also announced a new £500m fund to support economically vulnerable people, which will be allocated by local authorities.
Update: This piece was first published on 6 March and has been updated to reflect changes announced since.
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>ANSA-FOCUS/ Traces of virus found in Paris's non-drinking water
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Sophisticated grey ToyWatch from the exclusive Fluo Winter ToyWatch range. Oversize ToyWatch has grey plasteramic link strap which fastens by secure butterfly clasp. Rotating silver bezel. Luminous hands contrast against black face. Magnifying date function.


1) where do you train and under which Professor, Teacher?
I train at Mash Gym and Warrior Way just outside Detroit. I train under 4 professors, Big Don Richard, Brandon Fracassi, Angelo Popofski and Harvy Berman. They are all black belts under Caique.
2) what's your favorite submission?
3)What's you favorite Sweep or Guard pass?
3) who's your favorite Grappler / Bjj fighter? Why?
My favorite grappler has to be Marcelo Garcia because he is a smaller guy who is always looking to finish the fight. He is a middle weight who finishes heavy men in the absolute divisions. He was part of my inspiration to evolve my game around arm drags and guillotines. Hes the man and i will train to be like him one day.
4) what do you like best about Jiu Jitsu fighting?
I love the atmosphere of the academy. Everyone is trying to learn things they have never seen before and people are laughing and joking. Its all fun and games but when its time to get serious it does and the real training will begin. I love how you get the laid back attitude and training sometimes.
5) what is your ultimate goal?
My ultimate goal is the be a black belt World champion. Every tournament i win now is just another step to get to that point and i will not be satisfied until my hand is raised on the big mat at the Mundials.
Thank you so much for supporting us David and looking forward to seeing you win the whole thing down.


Coordinate Löle Meetup events and Yellow Yoga Tours Design weekly newsletters and invitations for events.
Give advice and guidance on product selection.
Answer emails through the Marketing@moosejaw.com account to maintain a good customer relationship.
Where can I find a YELP Account Manager resume example in Phoenix, Arizona ?


Specifies the how the security level of retry requests after a REPORT PDU is set.
Never use noAuthNoPriv security level for reports.
This is the SNMP4J < 2.2.0 default strategy.
The standard report strategy is conforming to RFC 3412 and 3414.
This is the SNMP4J < 2.2.0 default strategy. If the report receiver would not be able to process the REPORT, a lesser security level is used.
The standard report strategy is conforming to RFC 3412 and 3414. Security level noAuthNoPriv is allowed for engine ID discovery and wrong username reports.
Copyright © 2019 SNMP4J.org. All rights reserved.


text:
WebAssembly.compile(readbuffer('basic.wasm'))
.then(function(val)
{
    var a = new WebAssembly.Instance(val, {test: {foo: function(a){print(a); return 2;}}});
    print(a.exports.a);
    print(a.exports.a(11));
    print(a.exports.a(11));
    let instance2 = new WebAssembly.Instance(val, {test: {foo: function(a){print(a-1); return 3;}}});
    print(instance2.exports.a(11));
    print(instance2.exports.a(11));
    var b = 0;
    var c = new Int32Array(a.exports.memory.buffer);
    for(var i=0; i<10000; i++)
    {
        b+= c[i];
    }
    print(b);

})
.catch(function(reason){print(reason)});


I was looking for a ring for my 18th birthday, and the ring was really pretty! What really tipped me over the edge choosing it was how helpful and friendly the customer service was.
A slimline 2mm wide band, but nestling within it is a channel-set line of diamonds shaped to fit well around other rings, or beautifully shaped to wear singly.


text:
East Riding, Parishes
Rillington
East Riding, Yorkshire
Memorial Inscriptions
Names, Geographical
The Ancient Parish of RILLINGTON
[Transcribed information mainly from the early 1820s]
"RILLINGTON, a parish in the wapentake of Buckrose; 5 miles NE. of Malton. Situated on the banks of the Derwent, which is navigable from hence to the Humber for small vessels. The church is dedicated to St. Andrew (see Churches for photograph); and the living which is in the gift of the king, is enjoyed by the Rev. James Carter Green. In addition to the parish church, there is here a chapel for the Independents, and another for the Methodists. A courtbaron is held here annually for the recovery of debts under forty shillings. Pop 683."
"RILLINGTON MOORS, a few farm houses in the township and parish of Rillington; 2 miles NW. of Rillington, 7 miles from Malton."
"SCAMPSTON, in the parish of Rillington, and wapentake of Buckrose; ¾ mile NE. of Rillington, 6 miles NE. of Malton. Pop. 200. (see also Churches)
The ancient family of St. Quintin has a seat here; the mansion has a handsome appearance, and the grounds are adorned with numerous plantations; an elegant stone bridge crosses a fine stream of water which runs through the park, where numerous herds of deer give animation to the prospect.
This seat of the ancient family of the St. Quintins, is at present occupied by Charles Thorald Wood, Esq. The family of St. Quintin is said to have derived its name from St. Quintin, the Capital of Lower Picardy, in France, and entered England on the Norman invasion. The name is recorded in the roll of Battle Abbey. The fifth and last Baronet of the lineage died A.D. 1795. --Scarborough Guide."
[Description(s) edited mainly from various 19th century sources by Colin Hinson. ©2010]
Hudleston, N. A.(1955), Rillington, the story of "an everyday village";, Scarborough, G. A. Pindar and Son.,
Stratford, Rev W. T. (1911), Historical notes of Rillington and Scampston, London, Thomas Baker.
Whiting, C. E. ed. (1946), The Parish Registers of Rillington 1638-1812, Leeds, Yorkshire Archaeological Society.
Photographs of over 90 gravestones in Rillington Churchyard with a surname index.
Photographs of over 500 gravestones in Rillington Cemetery with a surname index.
Photographs of 12 stones in Scampston Churchyard with a surname index.
Here are photographs of Churches in the parish:
St. Andrew's Church, Rillington.
Internal view looking down the nave
The East Window
St. Martin's Church, Scampston.
An old painting showing the Church with a thatched roof.
Railway Street Methodist Church, Rillington.
Westgate Methodist Church, Rillington.
Transcript of the entry for Rillington in the "Collections relative to Churches and Chapels".
Transcript of the entry for Scampston in the "Collections relative to Churches and Chapels".
A transcript of Rillington Congregational Church History
The whereabouts and dates of the Registers etc. for the Parish of Rillington.
The whereabouts and dates of the Registers etc. for the Chapelry of Scampston.
The List of the Incumbents at St. Andrew's church, Rillington.
Tim Owston has written a short description and history of the village of Rillington.
Transcript of the entry of "professions and trades" in the Baines's Directory of 1823, of the East Riding.
Transcript of the entry of "professions and trades" in the Bulmers Directory of 1892. of the East Riding.
There is further information about this parish from the National Gazetteer 1868, Yorkshire extracts.
There is further information about this parish from the Lewis's Topographical Dictionary of England 1835, Yorkshire extracts.
There is further information about this parish from the Bulmer's 1892 History and Directory of the East Riding.
Ask for a calculation of the distance from Rillington to another place.
In the 1880s, the chapelry of Scampston (in this parish) became a parish in its own right. See Scampston Parish.
For a detailed map of this parish see this parish boundaries map.
For a more detailed map of the parishes in the riding please see the Yorkshire parish maps page.
For a more detailed map of the county please see the Yorkshire map page.
Here is a map showing the wapentakes for the county.
You can see maps centred on OS grid reference SE853744 (Lat/Lon: 54.158336, -0.695232), Rillington which are provided by:
The 1914-18 Memorial Plaque in the Church at Rillington.
The WWII Memorial plaque in Rillington church.
The WWI Roll of Honour in Scampston church.
The 1914-18 and 1939-45 Memorial Plaques in the Church at Scampston.
The following places are within the boundaries of this (ancient) parish, but I have no further information on them other than the Ordnance Survey Landranger Grid reference shown:
(SE865756) Scampston Hall
A transcription of the School Timetables, around 1902-3 in Adobe pdf format.
This parish is covered (or partly covered) by the following Societies:
East Yorkshire FHS
The City of York and District FHS
The Ryedale Family History Group
The 1834 Electoral Roll for this parish
This page is copyright. Do not copy any part of this page or website other than for personal use or as given in the conditions of use.
If you have any suggestions for links to other sites that may be useful to other researchers, please use this User Links page
Web-page generated by "DB2html" data-base extraction software ©Colin Hinson 2017
[Last updated at 14.59 on Thursday, 18 February 2021, by Colin Hinson. ©2021]
Last updated Thu, 18/02/2021 - 15:02 - maintained by Colin Hinson


text:
COVID-19: State Football Spectators Limited
Nov 11, 2020 | Football, Release
UNI, IHSAA, Black Hawk County Health collaborate to ensure safe high school football playoffs
Following discussions with the University of Northern Iowa, Black Hawk County Health Department, State of Iowa officials, and the Iowa High School Athletic Association, spectator capacity will be limited for this week's football semifinals and next week's finals at the UNI-Dome in Cedar Falls.
Wednesday's adjustment will see ticket sales capped at 2,400 spectators per game or around 15 percent of the UNI-Dome capacity.
These event adjustments are in response to rising coronavirus case numbers in Black Hawk County, as well as Governor Kim Reynolds' proclamation on Tuesday about large venues. UNI and the IHSAA are taking these additional safety measures to mitigate the spread of COVID-19 during the upcoming 18 scheduled playoff games.
UNI has been a proud host of the finals since 1976, and semifinals since 1998. The university has put into place comprehensive safety protocols for the competitions including mandatory mask wearing, reserved seating that places spectators in group pods of up to six people, running the ventilation system at 100 percent capacity to ensure air is refreshed, and extensive cleaning procedures between games.
Tickets already purchased are still good for their assigned games. Ticket links sent exclusively to participating schools will be open until the capacity limit is reached. Walk-up tickets will no longer be available for any of the semifinals (Nov. 12-14) or finals (Nov. 19-20).
"We're taking these additional steps today to further protect our campus and community," said President Mark A. Nook. "As the longstanding host site for the state football championships, we also recognize our responsibility for the health and safety of our campus and the general public."
In addition to the multiple mitigation measures in place, athletes and spectators traveling for the playoffs should be advised that both Cedar Falls and Waterloo have mask mandates in effect. These mask mandates, which are supported by the university, have helped reduce coronavirus spread in the Cedar Valley. Community health officials also encourage visiting athletes and spectators to observe other health safety precautions while visiting the Cedar Falls area over the next two weeks.
Around 3,000 individuals total are expected to attend the four playoff games at the UNI-Dome tomorrow. Over 5,000 individuals are anticipated on Friday and over 6,000 on Saturday. In addition to ensuring social distancing between pods, the new capacity limitations will allow any parties wishing to distance even further to move to other available seating.
"The UNI-Dome is a great venue that has been the setting for many memorable playoff games over the years and we're pleased this tradition will safely continue," said IHSAA executive director Tom Keating. "While we would love to welcome as many spectators as want to attend, these steps announced today will help keep everyone safe."
"We're happy to partner with UNI and appreciate the steps they're taking in response to rising coronavirus case numbers here and across the state," said Black Hawk County Health Department Director Nafissa Cisse Egbuonye. "We urge everyone traveling here for the playoffs to wear masks and remain socially distanced."
Update: This information replaces a release from Tuesday, Nov. 10 following the proclamation and announcement from Gov. Kim Reynolds. For the most up to date information on the State Football Playoffs, please visit the News page and State Playoff Central.
Fans outside the UNI-Dome can watch the semifinals and finals through the Iowa High School Sports Network. Each game is available through a free livestream, the free IHSSN app, and various cable and broadcast television networks.
STATE PLAYOFFS CENTRAL
ABOUT THE IHSAA
The Iowa High School Athletic Association works to coordinate, develop, direct, oversee, and promote boys' high school and junior high sports and activities across the state of Iowa. The IHSAA is a 501(c)(3) nonprofit organization that offers free membership to all high schools in Iowa that are recognized by the Department of Education.


text:
package com.lastminute.commons;

import java.io.IOException;
import java.io.UncheckedIOException;
import java.nio.file.Files;
import java.nio.file.Paths;
import java.util.Arrays;
import java.util.List;
import java.util.stream.Stream;

import static java.util.stream.Collectors.toList;

public final class CsvFiles
{
  private CsvFiles()
  {
  }

  public static List<List<String>> readAllRecords(String fileName)
  {
    try (Stream<List<String>> records = records(fileName))
    {
      return records.collect(toList());
    }
  }

  public static Stream<List<String>> records(String fileName)
  {
    return splitByCommaIgnoringHeader(linesOf(fileName));
  }

  private static Stream<List<String>> splitByCommaIgnoringHeader(Stream<String> lines)
  {
    return lines.skip(1)
                .map(line -> line.split(","))
                .map(Arrays::asList);
  }

  private static Stream<String> linesOf(String fileName)
  {
    try
    {
      return Files.lines(Paths.get(fileName));
    }
    catch (IOException e)
    {
      throw new UncheckedIOException("IO error accessing the CSV file " + fileName, e);
    }
  }
}


Perimeter Intrusion Detection covers a very vast area and a variety of solutions. Several OEM's offer solutions and it is important to understand the requirement, location, area of operation and select the technology best suited for the condition.
As a specialist in Perimeter Intrusion Detection Solutions, Athena brings to bear its significant understanding of the types of technologies, their individual capability, their effectiveness for given criteria as well as the ability to INTEGRATE these and other systems into a seamless whole. In this endeavour, we have identified and selected certain technologies and solutions which are most effective and appropriate for the types of intrusion being addressed.
By looking at the problem from a Holistic perspective and having in-depth knowledge we can share and discuss various solutions, creating a multi-layered, multi-technological approach.


This was my first booking with Ophelia. She was very kind and I was very happy with the cleaning job.
As always, thanks for a job well done. Very deserving of a little something extra to help with your Thanksgiving trimmings. Happy Thanksgiving!
Ophelia was clean and efficient. She went above and beyond to make this place look great.
I did not schedule Ophelia for service, so we agreed that she would not come, and she didn't. I'm not sure why you are assuming she did and not permitting me to continue booking another professional without me pretending that she came and worked. ????!!
This was my second booking. Ophelia was punctual, knew exactly what to do without input from me. She did a great job! I'll definitely use her again.
Ophelia was my second Handy cleaner and she was so much more intuitive in terms of where things go and not running cast iron skillets through the dishwasher. Everything was impeccably cleaned and I hope to work with her again.


text:
SQ Attorneys
Seattle Man Falsely Reports Car Stolen
City of Federal Way has Issues with Seattle Nightl...
WA DUI Laws Get Tougher!
A man ends up getting himself and his friend arrested after falsely reporting to police his car was stolen. Just after midnight on Sunday 911 dispatchers received a call from a "victim" claiming his 2009 Audi was taken and last seen heading north on Swift Avenue South.
When officers responded to the call they found the Audi, with two men inside, at Beacon Avenue South and South Graham Street. They pulled the Audi over and removed the driver and the passenger from the car. After asking several questions, it didn't take long for the officers to realize that one of the men was actually the registered owner of the car and the same one who called 911, said Detective Jeff Kappel, spokesman for Seattle Police. According to Kappel, the "victim" reported his car stolen because he didn't want his buddy, who he thought was drunk, to drive his car. After calling 911 to make the report, police say the "victim" got into the car anyways and his buddy started driving them home.
Both men ended up getting arrested. The driver was booked for suspicion of DUI and the "victim", the owner of the car, was arrested for making a false claim to police. "In the life of a police officer, sometimes reality is stranger than fiction," said Detective Kappel.
If you or a loved one is faced with a criminal charge in Western Washington, you deserve the assistance of a reputable and qualified Seattle criminal attorney who will relentlessly defend your case. You deserve a Seattle criminal defense lawyer who has an intimate understanding of Washington's criminal laws and the legal issues that could win your case. You deserve a Seattle criminal lawyer who is not afraid to stand up against the prosecution and aggressively fight for your rights and interests. SQ Attorneys is the right Western Washington law firm for the job. Call for a free initial consultation – (206) 441.0900 (Seattle); (425) 998-8384 (Eastside) – it will be the best decision you make all day.
Posted by Sq Attorneys at 11:00 PM No comments:
City of Federal Way has Issues with Seattle Nightlife Proposal
The city of Federal Way sees Seattle - and a specific city proposal there - as a problem citing that a new proposal which may extend the operating hours for Seattle area bars is a public safety issue. A Deputy Chief at Federal Way Police stated, "When you extend the hours (of bars), clearly you're looking at higher levels of potential intoxication."
The proposal before the Washington State Liquor Control Board which, if approved, would give Seattle the option to stagger the closing time of city bars. Right now, state law mandates that bars close by 2 a.m.
This week, the mayor of Federal Way along with the City Council sent a letter to the state, saying that the proposal, if passed, would likely lead to "more drunk drivers on the road during peak early morning commute times," "increases in alcohol related injury and death," and "greater service related demands on the Federal Way Police Department and surrounding jurisdictions."
At Clever Rebel Tattoo on the north end of Federal Way, owner and tattoo artist Joe Meyer was skeptical that the proposal would impact the quality of life in his hometown.
"Just 'cause a bar is open later doesn't mean it's going to get worse," Meyer said, as he applied fresh ink on a customer's arm. "I think I'd be tired. If the bar closed at 3, I'd be tired. I want to go home and sleep."
The state Liquor Control Board hopes to have a decision on the proposal by early May. If enacted, it would allow other cities to extend their hours as well.
If you or a loved one is faced with an alcohol or drug related offense in Western Washington, you deserve nothing less than the very best representation from a reputable and qualified Seattle criminal attorney who will relentlessly defend your case. You deserve a Seattle criminal lawyer who has an intimate understanding of not only Washington's criminal laws, but also the legal issues that could win your case. You deserve a Seattle criminal lawyer who is not afraid to stand up against the prosecution and aggressively fight for your rights and interests. SQ Attorneys is the right Western Washington criminal law firm for the job. Call for a free initial consultation – (206) 441-0900 (Seattle); (425) 998-8384 (Eastside) – it will be the best decision you make all day.
Posted by Sq Attorneys at 10:32 PM 1 comment:
More people are killed by drunken drivers in Washington state than by all other criminals combined. That's what state Rep. Roger Goodman, D-Kirkland, told his legislative colleagues while arguing for wide-ranging changes to the state's drinking-and-driving laws.
Drunken drivers kill a surprising number of people in Washington state — 2,042 over the past decade, according to statistics collected from the FBI's Uniform Crime Report. That's more than the 2,028 people who were the victims of an intentional killing during that same 10-year period from 2000 to 2010.
But year-to-year totals for that period show that statement is true half the time. In the remaining years, slayings outpace deaths from drunken drivers. But each year, deaths from both causes are in the triple digits.
Goodman, who is running for Congress in the First Congressional District, proposed changes to the state's laws for drunken driving after the July death of a Kirkland man who was running an errand when an SUV crashed into his car.
The SUV driver, Patrick Rexroat, had a blood-alcohol level three times the legal limit when he killed Stephen Lacey, a 43-year-old father of two and a Google engineer.
Rexroat pleaded guilty March 9 to vehicular homicide and was sentenced to four years in prison. At the time of his sentencing, that was the maximum allowable for vehicular-homicide DUI.
A bill that Gov. Chris Gregoire is expected to sign would make the penalty for DUI vehicular homicide the same as manslaughter: 6 ½ to 8 ½ years.
In a rare show of bipartisanship, the Legislature on March 8 approved a host of changes to state laws against driving under the influence of alcohol or drugs. The proposed laws awaiting the governor's signature also would:
• Keep felony DUI-related convictions on record permanently.
• Require drunken drivers who get their licenses reinstated to install in their car an ignition-locking device equipped with a camera. That way, authorities can better determine whether the person breathing into the device to start the car is, in fact, the person behind the wheel.
• Allow prosecutors to bring DUI charges against people who drive impaired after inhaling or huffing chemicals.
Another bill, now in the House rules committee, would allow courts to order drunken drivers to pay child support to the minor children of the people they kill or harm.
If you or a loved one is faced with a DUI charge in Western Washington, you deserve the assistance of a reputable and qualified Seattle DUI attorney who will relentlessly defend your case. You deserve a Seattle DUI lawyer who has an intimate understanding of Washington DUI laws and the legal issues that could win your case. You deserve a Seattle DUI attorney who is not afraid to stand up against the prosecution and aggressively fight for your rights and interests. SQ Attorneys is the right Western Washington DUI law firm for the job. Call for a free initial consultation – (206) 441.0900 (Seattle); (425) 998-8384 (Eastside) – it will be the best decision you make all day.


text:
Q: Typescript doesn't narrow types in case of explicit object keys and string type I have next setup:

export const PRISMA_TYPES_TO_TS = {
  'Int': 'number',
  'BigInt': 'number',
  'Decimal': 'number',
  'Float': 'number',
  'String': 'string',
  'Bytes': 'string',
  'Boolean': 'boolean',
  'DateTime': 'Date',
};

const randomKey: string = "randomKey"; // value can be different

if (PRISMA_TYPES_TO_TS.hasOwnProperty(randomKey)) {
  // here is TS error "No index signature with a parameter of type 'string' was found on type"
  console.log('type is good', PRISMA_TYPES_TO_TS[randomKey]);
} else {
  console.log('value is not good');
}

The problem is that typescript doesn't narrow types after check with
PRISMA_TYPES_TO_TS.hasOwnProperty(randomKey)
What can be other ways of narrowing types for such case?

A: That's due to the signature of hasOwnProperty:
hasOwnProperty(v: PropertyKey): boolean;

It has no predicate, it's not a type guard so the compiler won't narrow anything.
As it is not possible to write a generic type guard, you will need to use a type assertion :
if (PRISMA_TYPES_TO_TS.hasOwnProperty(randomKey)) {
  // here is TS error "No index signature with a parameter of type 'string' was found on type"
  console.log('type is good', PRISMA_TYPES_TO_TS[randomKey as keyof typeof PRISMA_TYPES_TO_TS]);
} else {
  console.log('value is not good');
}

Playground

redpajama_set_name: RedPajamaStackExchange


And pictures...don't forget pictures lol. Merry Christmas to you and enjoy your time off :).
Good for you, Kim. I feel the same way. It seems like a lot of pressure to me to keep the masses updated on my little life. Rest up and have a wonderful Holiday season!
You deserve a break Kim, Happy Holidays to you too, and a happy and healthy 2010 !


It is important to ensure that your gift will actually go to the charity that you have chosen. For starters, be sure that you have the name of the charity absolutely correct. There are a lot of different charities, and you cannot simply use a general term, or assume that you have the name right. While you might have given to the charity some time ago, it might not exist any more. If the charity does not exist any more, you can choose to have the executor of your will give the gift to a similar organisation. This is a good option for people who want their bequest to go to a deserving charity, no matter what.
If you leave your money to a body that is not actually a valid charity, the bequest might fail. Without leaving stipulations in your will to cover this type of occurrence, you will never know where your money will end up.
Instead of giving a gift to an existing charity, a person can create one in their own name. This can be done in the form of a foundation, or a charitable fund. Something like this might carry on indefinitely, which is a welcoming thought to many people following similar trends. If you decide to take this path, you need to follow the requirements that are specified by the law. It is not just a matter of including the request in your will.
Going through the effort to leave something to a charity is a beautiful idea. You certainly do not want to risk messing this up. If you plan to bequest a gift to a charity, you should have an appropriate legal representative help you to make sure the bequest is in fact valid. Setting up fail-safes is also a good idea, to ensure that your money will somehow go where it is needed the most.


text:
← THE NEARLY FORGOTTEN ORIGINAL SONGS
A SALUTE TO BILL BLACK — The Unsung Legend →
Posted on January 1, 2005 by Phil Arnold | Leave a comment
From: 50th Anniversary Of Rock & Roll Issue, August 2004
by Phil Arnold
Scotty Moore, DJ Fontana, and the Jordanaires are the headliners at Darwin Lamm's "The Legends" Salute the 50th Anniversary of Rock & Roll in Memphis this year. But you will see many other musicians and singers on stage, rounding out the band and belting out the lead vocals. All of them have a history with Elvis, a musical connection we draw on for this spectacular show.
Just about every artist on the stage at the Legends Salute has recorded with Scotty, DJ and the Jordanaires numerous times. This show will be like a reunion of sorts for a group of veteran musicians who have known each other for 30-40 years. When all these musical buddies assemble in Memphis in August, it won't take a great deal of rehearsal time for them to get back into the old groove. Scotty and DJ will have a very tight band that night.
BOB MOORE (Standup Bass): No relation to Scotty, Bob Moore followed Bill Black as the bass player in the band behind Elvis for 28 recording sessions from 1958 to 1966. He played bass on such hits as: "A Big Hunk of Love," "I Got Stung," "A Fool Such As I." "Stuck On You," "A Mess Of The Blues," "It's Now Or Never," "Are You Lonesome tonight?" and many, many more. Bob Moore is the quintessential Nashville session man, and has played bass in over 17,000 recording sessions. The list of singers he backed would go on for several pages, but some notables include Patsy Cline, Brenda Lee, Bobby Darin, Connie Francis, Roger Miller, Jim Reeves, Tammy Wynette, Dolly Parton, Willie Nelson, Reba McEntire, Don McLean, and Debbie Boone. It has been noted that his dependability, his rock solid beat, his impeccable timing, and his ability to work well with other musicians were the keys to his success in a recording studio. Bob Moore's web-site claims he may well have played on more recordings than any other musician in the world, and that he could be the greatest all around bassist that has ever lived.
BUDDY HARMAN (Drums): You will notice the Legends Salute has two drummers. Second drummer duties will be performed admirably by Buddy Harmon, another famed studio musician, with almost as many recording sessions to his credit as Bob Moore. Buddy Harman played on most Elvis recording sessions from 1958 to 1968. Nine soundtrack albums from Elvis' movies feature Buddy Harmon's drumming. His career also includes drum work with the Everly Brothers, Johnny Burnette, Patti Page, Loretta Lynn, Roy Orbison, Marty Robbins, Johnny Cash, Kenny Rogers, Barbara Mandrell, Simon and Garfunkel, Ann Margaret, Ringo Starr, and dozens more. Buddy Harman has had two terms as house drummer for the Grand Ole Opry, and he was awarded "Drummer of the Year" in 1981 by the Academy of Country Music. He had the privilege of performing for four American presidents: John F. Kennedy, Gerald Ford, Jimmy Carter, and Ronald Regan. Buddy Harman can be especially proud of being named by the Country Music Hall of Fame as one of a handful of top musicians recognized for creating the "Nashville Sound."
BOOTS RANDOLPH (Sax): Another member of the band was among the pioneering creators of the 'Nashville Sound,' and he has reached "legend" status on his own. Boots Randolph has been a star ever since he recorded "Yakety Sax" in the early 60's. Several other hits followed, as did more than 40 albums. In addition to recording and performing, Boots has been a much-sought-after session musician. He was the first sax player to play on Elvis recordings, and the only one to have a sax solo in an Elvis song, in the superb blues number, "Reconsider Baby." Boots Randolph contributed to the soundtrack music for eight Elvis movies. He has played with Chet Atkins, Buddy Holly, Alabama, Al Hirt, Johnny Cash, Pete Fountain, and Doc Severinsen. He has appeared on numerous network TV shows, like those of Ed Sullivan, Mike Douglas, Johnny Carson and Jimmy Dean. More recently, Boots has been a frequent guest on TNN's "Music City Tonight" and "Prime Time Country."
MILLIE KIRKHAM (Vocalist): The Jordanaires and Millie Kirkham have recorded and performed together so much that, to many fans, Millie seems like the female member of the vocal group. Millie was with the Jordanaires during her first Elvis recording session in September, 1957. She last backed Elvis at a session in June of 1971. In between her strong, clear soprano voice was recorded on dozens of Elvis' songs including: "Don't," "Blue Christmas," "How Great Thou Art," "Guitar Man," "Surrender," and "Bridge Over Troubled Water." Millie Kirkham also appeared on stage with Elvis in Las Vegas. As a fixture in the Nashville recording scene for decades, she has appeared on record with a galaxy of stars including: Jerry Lee Lewis, Bob Dylan, Carl Perkins, Brook Benton, George Jones, Loretta Lynn, and Eddy Arnold.
BILLY SWAN (Vocalist): You will see a number of men playing guitar during the Legends Salute, and one of them, Billy Swan, will step to the mike to take over lead vocal duty for a part of the night. He's had lots of practice singing Elvis songs, having released a CD of them titled "Like Elvis Used To Do." Billy Swan had a two-million seller hit in 1974 called "Let Me Help," which Elvis later recorded. Billy Swan has been through just about every area of the music business. In addition to his own singing, he has written songs covered by Waylon Jennings, Loretta Lynn, Conway Twitty, and many more. Indeed, Swan wrote the Clyde McPhatter hit "Lover Please" when he was just 16 years old. He produced three albums including Tony Joe White's "Polk Salad Annie." He was tour manager for Mel Tillis, Chet Atkins, Boots Randolph, and Floyd Cramer. Billy Swan even appeared in two movies and served as Assistant Musical Director on "Great balls Of Fire." Over the past decade, he has released a dozen CD's, including "The Sun Studio Story."
EDDIE MILES (Vocalist): Only one Elvis tribute artist will be presented at the Legends Salute. Eddie Miles is without a doubt among the very best, and he has a huge national following. All tribute artists have the costumes and the hair, and they sound like Elvis, but no one looks more like the King than Eddie Miles. On top of that, he has a smile that connects with the audience. You just want to like the guy. Scotty Moore once said, "Eddie Miles, a fine entertainer, respectfully re-creating the image. But, most of all, keeping the music alive." As he did at the Legends Concert two years ago, Miles will specialize in songs from the jump suit era. He will dig deep into the Elvis musical library and perform some lesser-known songs. Fans who dig Eddie Miles will be able to see him headline his own show later in Elvis Week.
STAN PERKINS (Vocalist and Guitar): If DJ Fontana or Buddy Harman need to take a break during the Legends Salute, Stan Perkins can fill in admirably. He is the first born son of Carl Perkins, and he played drums in is father's band for 22 years. He also recorded with Paul McCartney, Tom Petty, Paul Simon and John Fogerty. After Carl Perkins passed away, Stan emerged to pursue his own career. He is an accomplished guitar player, an excellent singer, and a grand showman who carries on the family tradition in rockabilly and rock 'n roll music. You will be thoroughly entertained when Stan Perkins talks the stage to sing the songs of both Elvis and his dad.
LEE ROCKER (Vocalist and Standup Bass): A big surprise at the "25th Anniversary, The Legends Concert," was Lee Rocker, who has currently rejoined the Stray Cats on a European tour and returns just in time for The Legends Concert August 13th.
© 2004 Philip R Arnold
Contributing Editor Phil Arnold wouldn't miss the Legends Salute for anything. He can be reached at philarnold@charter.net.


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Tony Saggers is a Threat, Risk and Harm consultant, with 30 years of experience in law enforcement, intelligence, investigations and covert operations. His final role was Head of Drugs Threat and Intelligence with the National Crime Agency. Prior to this he was Head of Expert Evidence for Organised Crime for SOCA. As an expert witness, he contributed to some of the UK's most complex drug trafficking investigations/court cases and designed capabilities for drugs, firearms, border security, endangered species and mining crimes.
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