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text:
package net.fortuna.ical4j.vcard.property;

import java.util.ArrayList;
import java.util.Collection;
import java.util.List;

import org.junit.runners.Parameterized.Parameters;

import net.fortuna.ical4j.model.UtcOffset;
import net.fortuna.ical4j.vcard.Parameter;
import net.fortuna.ical4j.vcard.Property;
import net.fortuna.ical4j.vcard.PropertyTest;
import net.fortuna.ical4j.vcard.Property.Id;
import net.fortuna.ical4j.vcard.parameter.Value;

public class TzTest extends PropertyTest {

	public TzTest(Property property, String expectedName, String expectedValue,
			Parameter[] expectedParams) {
		super(property, expectedName, expectedValue, expectedParams);
	}

    @Parameters
    public static Collection<Object[]> parameters() {
        final List<Object[]> params = new ArrayList<Object[]>();
        params.add(new Object[] {new Tz(""), Id.TZ.toString(), "", new Parameter[] {Value.TEXT}});
        params.add(new Object[] {new Tz(new UtcOffset("+1000")), Id.TZ.toString(), "+1000", new Parameter[] {}});
        return params;
    }

}

redpajama_set_name: RedPajamaGithub


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I landed in Geneva and easily took the free train from the airport station to the regular Geneva station. I didn't buy my ticket for Lyon in advance, in case I was late for whatever reason. The conductor standing outside the train told me I could buy a ticket once I was on board. What he didn't tell me was that neither of my credit cards would work in his handheld machine and he would not take Swiss Francs. I mistakenly hadn't obtained any Euros for the trip, thinking I would only be in France for a day and if we needed to use cash, that Kater would be able to foot the bill. So for about twenty minutes, I thought I was going to get kicked off the train in some small town in Southern France and have to work on a farm for a few days to earn enough Euros to take the train back to meet up with Kater. Luckily, the conductor found someone in first class who had enough Euros and had some interest in exchanging them for my Swiss Francs.
When I arrived in Lyon, Kater and I met up immediately at the train station and I breathed a sigh of relief after my stressful train ride. We walked to our Airbnb and settled in a little bit before heading out for the day, knowing that we'd be staying out until we came back to sleep. Soon enough, we walked toward the center of town, along the beautiful river with the coolest trees ever lining the banks. Looking around me, it was exactly what I thought France should look like – renaissance buildings, hundreds of bridges, dramatic statues, cafés, and a random carousel here and there. Oh, and puppets. Lots of creepy puppets.
The first thing we had to do was eat because we were le hungry. Our timing was a little off as it was after lunch, before dinner. We stopped in many places only to find out that they were not serving food. Right when we thought we couldn't walk any further without sustenance, we finally found a spot along the river that would serve us drinks and a nearby market that was just closing up. We ran over to the market and basically asked them to give us whatever they had left that they hadn't already packed away and ended up with a soft cheese, some salami, and a baguette. Not a bad haul. We didn't have a knife so we had to ask some biker dude if we could borrow his since the waiter told us they didn't have any (no doubt, chuckling to himself about 'dumb American girls' at the same time). A restaurant without knives? Come on, garçon.
Lyon felt more like a relaxing city than a "we need to see everything!" city, but there still were sights to be seen. Kater had been there a few days but hadn't yet been on top of Fourvière Hill, so we took the funicular up. The Basilica of Notre Dame de Fourvière was beautiful but under repair and covered slightly. It had been visited by my mom's favorite pope back in the day. The view of the city from atop the hill was even more beautiful than the church. Seeing cities from their high points is one of my favorite things to do when I'm traveling, and this trip up high was made easy with the funicular (unlike my climbs in Florence and Belgium).
Cathédrale Saint-John-Baptiste was also on our list, which was a fascinating site mostly because of the ruins of another church from the 6th century that stand on the grounds of the current church, completed in 1476. Children were playing soccer and people were picnicking under the arches that still stand.
From there we went back to relaxing at a nearby cafe where we ordered Leffes the size of our heads and had this incredible interaction from a table nearby: Them – "You speak French?" Us – "No." Them – "Goodbye." This trip was months before I started my Fluent City French lessons. Who knows what could have happened that night had we spoken the right language.
For dinner I had the best pasta carbonara I've ever had (including in Italy), but I have tried about 300 times to find the name of the restaurant and it's 100% impossible. All I know is that we ate outdoors, and it's somewhere within a few blocks of the Smoking Dog, where we spent the rest of the evening. Both the restaurant and the Smoking Dog are in the Vieux Lyon section of town, which is the historic, traffic-free, renaissance district with tiny passageways called traboules connecting the slightly larger but still tiny streets.
At the Smoking Dog, we found good beer, great tunes, and some fun Brits. Kater and I were in charge of the music for a little bit (and played John Denver, obvs). We spent the night laughing with the Brits as we imitated each other's accents, watched them throw each other's shoes on the roof, and made eyeglasses out of drinking straws for them as a sign of friendship.
I'd be Lyon if I said that I'd had enough of France in my short day there. Paris, how's about you + me get together within the next 365?
Yes Lyon looks really nice but you must visit Paris!
I come from Lyon, but currently live in Paris. Even though Paris is bigger, has the Eiffel Tower, Notre-Dame… I still prefer Lyon : it's far cheaper, more relaxing, the food is better, and well, you don't have to spend your whole life underground 😉 I'm really sorry for your interactions with locals : normally, people tend to be friendlier with English-speaking people. I guess there are stupid mean people everywhere. Anyway, I hope you'll keep a good memory of Lyon, and enjoy Paris to its fullest ! Cheers !


All things medieval will be coming to the town of York for the September long weekend. Think jousting, suits of armour and horses as the community steps back in time for the fifth annual York Medieval Fayre. The weekend hosted by the York Friendship Club Incorporated will be kicked off with a medieval banquet a the Old York Mill on Saturday, 22 September. The night's events will be followed by Avon Park will be taken over with stalls, music, knights, swordsmen, displays and horse archery on Sunday. Part proceeds from the event will go towards homelessness in Perth. Tickets are $5 for adults and kids are free. Gates open at 9am. For bookings contact theoldyorkmill@gmail.com.
All things medieval will be coming to the town of York for the September long weekend.
Think jousting, suits of armour and horses as the community steps back in time for the fifth annual York Medieval Fayre.
The weekend hosted by the York Friendship Club Incorporated will be kicked off with a medieval banquet a the Old York Mill on Saturday, 22 September.
The night's events will be followed by Avon Park will be taken over with stalls, music, knights, swordsmen, displays and horse archery on Sunday.
Part proceeds from the event will go towards homelessness in Perth.
Tickets are $5 for adults and kids are free. Gates open at 9am.


Today, New Rochelle took a giant step toward achieving our ambitious downtown development plans, as we broke ground for a new 28-story building at 587 Main Street, the site of a former Loew's theater.
Renovated theater facade leading to cultural center.
This is the first major project from our master developers. When completed, it will feature almost 300 apartments, 17,000 square feet for commercial uses, and – in an especially exciting touch – a 10,000 square foot performance space. The positive and transformative impact on both Main and Huguenot Streets should be dramatic.
A nighttime perspective from Huguenot Street.
You can read more in this press release or in this article from the Wall Street Journal. And here's the text of my own remarks at the groundbreaking.
Bottom line: our downtown development plan is working, successfully attracting both large-scale and small-scale investment. As a result, during the next few years, New Rochelle will become a healthier city, where residents and visitors of every kind can find a place to shop, a place to work, a place to meet, or a place to live.


I'm not a fan of this book – imo it's not meant for women – the author likely would have thought his ideas would just confuse women. I'm not saying it's overtly sexist – it's just thoughtlessly so – but it is written by, for and about men in male roles – and there is a tone of superiority aboutt those men because of their roles.
Critics have attempted to define "mankind" as "humankind," but that doesn't work here without a LOT of very determined thinking. This is the same kind of male-bonding adventure story as male-bonding war stories – it's just got some philosophy attached at the end.
Yes, of course this "sexism" is a part of the times in which it was written – and to include a woman in any significant role would be phony – it would change the story.
This is not to say I don't appreciate the special quality of male bonding in times of danger. It's just that I don't identify at all and I don't think the message has anything to do with me. This is the opposite of chic-lit, it's a thinking man's form of macho-lit.
I suppose one problem is that I'd just finished "River Thieves" by Michael Crummey and that has chapter after chapter of male-dominated river adventures and it got old. I may be hypersensitive at the moment.
And this is not just a universal man we have here – in the next pages Exupéry carefully separates girls and women.
A girl's reverie isolates her from me, and how shall I enter into it? What can one know of a girl who passes, walking with slow steps homeward, eyes lowered, smiling to herself, filled with adorable inventions and with fables? Out of the thoughts, the voice, the silences of a lover, she can form an empire, and thereafter she sees in all the world but him a people of barbarians. More surely than if she were on another planet, I feel her to be locked up in her language, in her secret, in her habits, in the singing echoes of her memory. Born yesterday of the volcanoes, of greenswards, of brine of the sea, she walks here already half divine.
And Exubery goes on to tell how Mademoiselle, home with her sewing, has no comprehension of what he tries to tell her. And the little girls he meets later seem like aliens, so strange are they – I'm sure little boys would have elicited an entirely different response. (Mother is obviously not mentioned – only "they" and "father.") He wonders if they will find husbands (primo).
He's about dead when he tells us he has a wife – WIFE?!? – heh But she just crosses his mind – nothing to dwell on out there in the desert with no water.
Their words were not the same, but their truths were identical. Why has this high communion never yet prevented men from dying in battle against each other.
But in the end the only glory given to women is as the mothers who rock the cradles (my words). I guess this is woman's only worthy occupation. I wish I could apply the beautiful sentiments of the final chapter to the book as a whole, but I can't. This book has been about males to this point (pilots and warriors and adventurers) and I don't think it suddenly changes when it comes to the final words.


text:
Q: How to have Plus sign (+) in
* list-style? I wonder if we can use the Plus sign in the list style.
Instead of Disc, Circle... in <li> List-style, can we have a plus sign?
li {list-style: disc...}

A: you can use a image instead of it.
li{list-style-image:url('...');}

A: There is no list-style for a plus sign like there is for the disc, circle, etc., but you can achieve similar results using the :before selector together with the content property.
Here is the CSS code to get it to work:
ul {
    list-style: none;
}

li:before {
    content: "+";
    margin-right: 4px;
}

A: With CSS 3 it is better to use the "list-style-type" property.
This CSS code would be the easiest and efficient way:
ul {list-style-type: "+";}

A: The above response worked for me, but I got some weird bullet spacing so adding a couple of spaces made it appear the same.
ul {list-style-type: "+  ";}

redpajama_set_name: RedPajamaStackExchange


text:
A little history of Bell Helmets!
Do you know that the company that makes Bell helmets did not start out making helmets? It was a company that sold auto parts -- Bell Auto Parts -- started by George Wight in Bell, California, in 1923. In 1933, Rogy Richter went to work for Wight....
A Review of Popular Baseball Bats
Choosing the right baseball bat is as important as batting technique or selecting the right pitch to blast over the center field fence. There are many different kinds of bats designed for Little Leagues, Senior Leagues, college, and pros. Each...
Carlos Zambrano: Over-Shadowed by Greatness
With Kerry Wood, Mark Prior, Greg Maddux and Matt Clement on his staff, Carlos Zambrano has been over-shadowed by other household name pitchers. After todays (May 13th) start, in which Zambrano pitched 8 innings giving up 0 ER and striking...
Pedro, Beltran, and the Mets as seen by one true Yankee Fan:
Pedro, Beltran, and the Mets as seen by one true Yankee Fan: It�s the middle of the NFL playoffs, and what has grabbed the interest of many sports fans has been the off-season maneuvering and acquisitions of the Mets and Yankees. In the past, the...
The Art Of Playing Softball
In today's sports, softball is considered to be the most common sport that is able to accumulate approximately 56 million Americans who will vie for anything just to be able to play this well-loved game in a year. Before, softball was...
The Anabolic Evolution of Modern Bodybuilding
Today, drugs in some professional sports have become mainstream. The hypocrisy of Major League Baseball serves as a wake up call for an American culture that indulges in careless living by risking its health through poor nutrition, alcoholic beverages, cigarettes, etc. Before we can hope to see bodybuilding return to its roots in physical culture, we will first have to witness a 'new way of life' throughout our society.
In 1979, while participating as a judge for the W.B.B.G. World Championships held at New York City's Madison Square Garden, I had the good fortune to be sitting alongside the honorary guest of the evening, Mr. Steve Reeves. During the shows intermission I introduced myself and broke into a conversation with the legendary Hercules. One of the topics I recall Steve Reeves being passionate about, was the use of anabolic steroids in the sport of bodybuilding. Long before the evolution of natural competitive bodybuilding took hold, Reeves predicted that the sport would break into two different philosophies. He told me that bodybuilders who continued to abuse the use of chemical agents to enhance their physiques risked not only impairing their health but death as well. Decades later the Herculean legends predictions sadly came true as many amateur and pro bodybuilders alike died long before their time.
Since the early days of physical culture, modern man has been searching for the elusive ''Fountain of Youth''. The promise of radiant health, enduring strength and a Herculean physique has drawn millions on this quest for physical perfection.
Through the early decades of bodybuilding, the forefathers of physical culture established basic guidelines for the muscle enthusiast to follow. Natural foods, resistance training, plenty of rest, and a positive outlook in life were the primary ingredients for achieving ones goals. The demand for knowledge on 'how to' reach the stars would result in millions of booklets being sold by mail order, while magazine stands and bookshelves were continually restocked with the latest 'muscle building secrets'. Tons of steel and exercise equipment would find its way into the homes of thousands of Americans all across our nation. Health clubs and iron gyms would sprout up in local neighborhoods and towns, while physique competitions were held to determine who the best in the land was. The strong roots of physical culture were taking grip in our society, and the mighty oak of bodybuilding would soon branch out through every city in America.
A new 'way of life' became a reality for many as the 'body beautiful' movement swung into high gear. For decades the much traveled road to
muscledom kept its promise, then by the mid-60's what seemed pure and natural took a wrong turn setting the course of modern bodybuilding down a dead end. The introduction of anabolic steroids into the sport of bodybuilding would usher in a new era of super sized and equally strong muscular physiques that would attract millions of young men with a desire to achieve the same naturally unattainable goals.
Along with the growth of the sport, the physiques continued to become bigger and more vascular as bodybuilders experimented with 'stacking' the latest in designer muscle enhancing pharmaceuticals. Magazine and ticket sales were at a peak and bodybuilding competitions were seen regularly on network TV. The popularity of the sport was soaring high. Then, what could have been mostly prevented by not promoting and rewarding individuals whose physiques were chemically altered became a reality as the widespread use of drugs in the sport became relevant.
Words such as steroids, cycling, and growth hormones became common place in our gyms, and juicing no longer meant enjoying your favorite health drink. Reports of bodybuilders on dialysis and with heart ailments became a frequent occurrence while the eventual death of several competitive pros hit home hard. What had been a dark cloud in a sport with such great potential turned into a storm that spread its vast shadow on a culture that once shined.
Organizations dedicated to natural bodybuilding and a healthy lifestyle would soon respond to the call for a return to the ideals set forth by the forefathers of physical culture. Physique promoters throughout the land created natural bodybuilding competitions so athletes could compete on a level playing field without running the risk of ruining their health. Publications featuring natural bodybuilders began to spread the gospel of healthy living through proper nutrition and exercise. The televised media developed new bodybuilding and fitness programs to inspire future generations of natural iron pumpers. And as the age of cyber space came upon us, the Internet became a resource of concepts and opinions for bodybuilders to learn and express their views with other physique artist throughout the World. The new millennium is here and those dedicated to physical culture have begun to prevail as the radiant beacon of light from the torch of natural living begins to shine through the storm.
Mario Strong is a published author with over 40 years as a proponent for natural bodybuilding. To learn more about bodybuilding's golden era please go to http://www.mariostrong.com.

redpajama_set_name: RedPajamaCommonCrawl


text:
Fire on the Mountain: Inside East Tennessee's Wildfires
Fire on the Mountain: Inside East Tennessee's Wildfires - The Knoxville Mercury
In Cover Stories by Team Effort November 30, 2016 leave a COMMENT
Months of East Tennessee wildfires spread choking smoke and pushed firefighters to their limits, but they turned out to be a mere prelude to what happened in Sevier County on Monday. Fed by strong wind gusts, fire engulfed Gatlinburg and hemmed in Pigeon Forge. Great Smoky Mountains National Park indicated on social media that the fire had spread from the Chimney Tops fire that had started last week inside the park. Gatlinburg and parts of Pigeon Forge were evacuated, and about 1,300 people were in shelters by Tuesday morning. Media reports indicated about 150 homes had been destroyed as well as major hotels and tourist attractions. Emergency responders were still battling at least 30 structure fires at press time. By Tuesday afternoon, four significant injuries but no fatalities had been reported to the Tennessee Emergency Management Agency. Great Smoky Mountains National Park closed all facilities after rescuing 29 backcountry campers.
• Élan Young, who experienced the wildfires in Walland firsthand, tries to convey what's it's like.
• S. Heather Duncan reports on the longterm efforts to avoid wildfire destruction.
• Bruce McCamish's frighteningly beautiful photos of the Walland wildfires.
We banded together to make a united effort in the name of fine journalism.
The Buskers of Knoxville
Let's Party: Top Knox 2015
Voters' Guide: Candidates for Knoxville City Council, 2015
Top Knox 2015: Arts & Entertainment


There are lots of fun DIY projects that homeowners can take on around their house, but repairing the furnace should not be one of them. DIY home repairs typically aren't as easy as they appear, and while Pinterest-fails might be hilarious, there is nothing funny when you have a furnace failure. Attempting to repair your own furnace can be expensive and dangerous – but you are in luck, our experts at Carefree Heating and Cooling, LLC in Hamilton are trained to tackle all of your furnace questions and challenges and are always a better first choice than to tackle a problem on your own.
DIY furnace repair is particularly detrimental to your personal safety. Not only could you harm yourself in the process of repairs, but you could likely cause leaks or further damage to your system that could modify the comfort or safety of your home. Professionals are qualified to repair furnaces safely and accurately.
While some people think that DIY repair saves additional costs, in many cases it can end up costing homeowners extra money when attempted repairs go amiss. There are often times particular tools that are necessary to make specific furnace repairs, and when homeowners do not have the proper materials, they could be causing more work for the professional when they are ultimately called. Considering your time and effort is wise before deciding to DIY a furnace repair.
Don't put you or your family in danger, especially as the timeline of use for your furnace is nearing an end this time of the year. We aren't trying to doubt your handiness, but we just want to guarantee that you are safe and that your furnace runs effectively for as long as possible in the fluctuating weather of Hamilton. Before you select a DIY repair project that could turn into a larger problem, give a call to our friendly, knowledgeable professionals at Carefree Heating and Cooling, LLC at 513-268-5164. We are always here to provide support – don't give yourself added costs of having to repair an incorrect repair job!


Mooi nieuws dus voor die groep van patienten die in aanmerking komen voor dit middel.
At the time of the second interim analysis, the median duration of follow-up was 26.4 months. Median PFS was 25.3 months (95% confidence interval , 23.0–30.3) for ribociclib plus letrozole and 16.0 months (95% CI, 13.4–18.2) for placebo plus letrozole (hazard ratio 0.568; 95% CI, 0.457–0.704; log-rank P=9.63 × 10−8). Ribociclib treatment benefit was maintained irrespective of PIK3CA or TP53 mutation status, total Rb, Ki67, or p16 protein expression, and CDKN2A, CCND1, or ESR1 mRNA levels. Ribociclib benefit was more pronounced in patients with wild-type versus altered receptor tyrosine kinase genes. OS data remain immature, with 116 deaths observed; 50 in the ribociclib arm and 66 in the placebo arm (hazard ratio: 0.746; 95% CI, 0.517–1.078). The ORR was 42.5% versus 28.7% for all patients treated with ribociclib plus letrozole versus placebo plus letrozole, respectively, and 54.5% versus 38.8%, respectively, for patients with measurable disease. Safety results, after a further 11.1 months of follow-up, were comparable with those reported at the first analysis, with no new or unexpected toxicities observed, and no evidence of cumulative toxicity.
Heel goed nieuws voor borstkankerpatienten met hormoongevoelige gevorderde borstkanker.(ER pos. en PR pos. en Her2 negatieve receptorenexpressie).
Zowel Palbocibib (zie eerdere publicaties hierover) en Ribociclib , twee gelijkwaardige zogeheten CDK4/6 inhibitors / remmers geven veel langere progressievrije tijd in vergelijking met alleen femara. Het statistisch significante verschil in ziektevrije tijd op 18 maanden bedraagt al 44%. Totaal doen aan de studie 668 patienten mee met hormoongevoelige maar Her2 negatieve gevorderde borstkanker. De onderzoekers noemen de resultaten van de twee grote fase III studies: MONALEESA-2 trial en de PALOMA-2 baanbrekend en zullen op korte termijn zorgen voor een verandering in de behandeling van hormoongevoelige borstkanker.
Uit een vooraf geplande interim analyse hadden 234 vrouwen een doorbreking van de progressievrije ziekte (progressie van de ziekte of overlijden; 70% van de verwachte gebeurtenissen). Na een mediane follow-up van 15,3 maanden werd statische significantie bereikt door het verschil tussen combinatiegroep van letrole plus ribociclib en alleen letrozole - femara in het voordeel van de combinatiegroep.
Na 18 maanden was de progressievrije tijd 63% voor de combinatiegroep versus 42.2% voor letrozole - femara alleen, feitelijk een verbetering van de progressievrije tijd met nu al 44% welke statistisch hoog significant is (P = .00000329). Mediane progressievrije overleving is in de combinatiegroep nog niet bereikt terwijl die voor de letrozole - femara groep alleen 14,7 maanden bedraagt.
Nieuwe standaard behandeling voor gevorderde borstkanker?
The inhibition of cyclin-dependent kinases 4 and 6 (CDK4/6) could potentially overcome or delay resistance to endocrine therapy in advanced breast cancer that is positive for hormone receptor (HR) and negative for human epidermal growth factor receptor 2 (HER2).
In this randomized, placebo-controlled, phase 3 trial, we evaluated the efficacy and safety of the selective CDK4/6 inhibitor ribociclib combined with letrozole for first-line treatment in 668 postmenopausal women with HR-positive, HER2-negative recurrent or metastatic breast cancer who had not received previous systemic therapy for advanced disease. We randomly assigned the patients to receive either ribociclib (600 mg per day on a 3-weeks-on, 1-week-off schedule) plus letrozole (2.5 mg per day) or placebo plus letrozole. The primary end point was investigator-assessed progression-free survival. Secondary end points included overall survival, overall response rate, and safety. A preplanned interim analysis was performed on January 29, 2016, after 243 patients had disease progression or died. Prespecified criteria for superiority required a hazard ratio of 0.56 or less with P<1.29×10−5.
The duration of progression-free survival was significantly longer in the ribociclib group than in the placebo group (hazard ratio, 0.56; 95% CI, 0.43 to 0.72; P=3.29×10−6 for superiority). The median duration of follow-up was 15.3 months. After 18 months, the progression-free survival rate was 63.0% (95% confidence interval , 54.6 to 70.3) in the ribociclib group and 42.2% (95% CI, 34.8 to 49.5) in the placebo group. In patients with measurable disease at baseline, the overall response rate was 52.7% and 37.1%, respectively (P<0.001). Common grade 3 or 4 adverse events that were reported in more than 10% of the patients in either group were neutropenia (59.3% in the ribociclib group vs. 0.9% in the placebo group) and leukopenia (21.0% vs. 0.6%); the rates of discontinuation because of adverse events were 7.5% and 2.1%, respectively.
Reageer op "Ribociclib naast femara - Letrozole verbetert ziektevrije tijd op 18 maanden al met 44 procent versus femara letrozole alleen bij gevorderde ER positieve doch Her2 negatieve borstkanker."


An energy research facility brings nature into its discreet, low-rise precinct.
A site and design have yet to be revealed.
The Ice Rink Cometh: At the heart of Brooklyn's Prospect Park, a new public recreation area updates and restores a section of the borough's revered green space.
At the heart of Brooklyn's Prospect Park, a new public recreation area updates and restores a section of the borough's revered green space.
Cultural Bridge: On a thickly overgrown slope of Hong Kong, Tod Williams and Billie Tsien create a journey through time and space for the Asia Society.
Over several decades of designing together, Tod Williams and Billie Tsien have steadfastly emphasized the serene and assured manipulation of spaces, planes, and materials, and exhibited an impeccable sense of craft.
After a tempest over its relocation, an acclaimed art collection settles into its spacious new home.
There is a good deal to admire about the architecture of the new Barnes Foundation, which opened May 19 on Philadelphia's Benjamin Franklin Parkway, just down the road from the Philadelphia Museum of Art. The sober, handsome, and exquisitely detailed museum, designed by the increasingly busy New York City architects Tod Williams and Billie Tsien, offers a rare combination of material richness and spatial ingenuity.
Three new buildings on the Bennington College campus incubate public action by fostering both discussion and quiet contemplation.
Of the three new buildings that compose Tod Williams and Billie Tsien's Center for the Advancement of Public Action (CAPA) at Bennington College in Vermont, it is the program-less "Lens" that best represents the iconoclastic institution where students have been designing their own curricula since 1932.
Tod Williams and Billie Tsien unveil a quiet box full of surprises with the C.V. Starr East Asian Library.
For decades, the University of California, Berkeley had a well-deserved reputation as a place for radical ideas and progressive culture.


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2020 Trend Predictions
Charlie Butterfield, January 14, 2020
Welcome to our industry predictions for 2020! What a rollercoaster year of change it has been.
As we enter a new year and a new year decade we wanted to share our predictions on consumer behaviour and emerging trends. We hope you find it insightful
Protecting Digital Identities
Data privacy has become a global issue. Consumers are increasingly conscious and protective of their digital fingerprints due to the volume of information transferred in the digital landscape.
As we move into 2020 brands will need to reposition themselves as the cure instead of the poison. New tech companies such as Snips have been set up solely to protect user data. Snips utilises AI voice assistant that runs locally and on-device to safeguard digital data. Unlike Amazon Alexa and Google Home, Snips AI ensures that end-user data is not transferred or analysed in the cloud.
Other products such as Helm, the Personal Server, allows you to take control of your online fingerprint and communicate with confidence, knowing your information is free from surveillance, corporate oversight or being caught up in the next online data breach. It positions data privacy and online security as the latest modern luxury.
Safeguarding digital data is not new, apps like Vero which launched in 2015 promised no adverts, enhanced privacy, free of timeline interference and no subscription fees for the first million users. The Vero manifesto: "A false sense of connection left us lonelier than ever," and challenged the very core of social platforms in the wake of data privacy and positioned "algorithm" as a dirty word – very noble claims but it had a mountain to climb and giants in its way. The difference in 2020 is that the giants are on board.
Earlier this year, Facebook announced plans to open pop-up Privacy Cafes across the UK where visitors can get a privacy check-up along with their morning cup of coffee. The check-ups include advice on how to personalise and improve online privacy settings to help users better protect and control information shared online.
I predict the big players will also try to launch initiatives in the coming year to better protect end-user data and position themselves as the solution to the problem.
Sound identity, audio branding, sonic logos and even the mogo – whatever you want to call it, brands are increasingly spotlighting unique and bespoke sounds in their campaigns and activations.
Increasingly, we are seeing more brands embark on the quest for yet another medium through which to define a product. Distinctive sound is becoming an important part of brands' repertoires more than ever.
In September 2019, Coach published a series of Instagram posts to mark the opening of its Coach Originals pop-up shop in New York. The videos—all tagged #ASMR—highlighted the noises associated with Coach, from the "always satisfying sound" of its turnlock bag fastenings to the clink of its metal buttons and the whirr of a sewing machine stitching one of the brand's pieces.
Sound identity is big business and will continue to gain momentum in 2020. Bao Bao Voice by Bao Bao Issey Miyake transformed designs into musical instruments creating an interactive and multisensory event that demonstrates the playful nature of the brand.
The likes of BMW collaborated with composer Hans Zimmer to create the sound for one of its electric cars in an attempt to address the "gap in the emotionality of the driving experience" when driving a silent electric car.
Other brands using audio branding include HBSC which earlier in 2019 HSBC worked with composer Jean-Michel Jarre to create a new sound identity. Mastercard also unveiled a new sonic brand identity, describing it as a "comprehensive sound architecture" and explained that it was produced to bridge experiences, as brand touchpoints diversify across physical, digital and voice environments. The Mastercard sonic brand identity is an example of brands utilising sound by working with a composer or sound designer to get under the skin of the brand, learn its history and identity to compose a piece of music that will reflect the personality of the business and serve its purpose as a commercial asset.
When you consider that human language started to develop around 100,000 years ago, but the first Gutenberg printing press only arrived a few hundred years ago, you have a fine argument for the power of audio versus visual. As we enter a new decade I foresee even more brands realising the potential of sound and embracing their audio identities.
Humanising Tech
With technology and Big Tech being an intrinsic part of the everyday lives of consumers all over the world, the biggest challenge facing tech brands is how to humanise technology. The new year will see many brands trying to find a solution.
Big Tech is changing its design language to resonate with consumers and leaning on design to blend in and disappear in our home and surroundings. Start-ups are leading with design to empathise with consumers.
Whilst we have already seen the advent of technology that looks and sounds more human, now, researchers are looking to the epidermis to make technology actually feel more human. I predict the next year will see companies moving towards creating technologies that feel more human-like.
Preparing For The Future Customer
Today, many organisations are struggling to initiate strategies that make them relevant for Gen Alphas (aged 6-16-years-old) – the future generation of customers. All the while, retail innovators like Amazon are setting the benchmark for the Gen Alphas' expectations. From 2020, I predict brands will shift their focus from Millennials to this new generation of consumers.
The rising generation of digital natives, born between 2010 and 2025, are primed to overhaul the consumer landscape. Raised on technology and eagerly principled, this generation's expectations already present a powerful force and also a challenge for brands.
This age group has definite views on how things should work – 51% want a job where they can use technology to make a difference and 67% of 6-9-year-olds say that saving the planet will be the focus of their career.
Brands like Mattel are already espousing these tenets to appeal to Generation Alpha. The Barbie manufacturer announced in September 2019 that it will be releasing the first gender-neutral doll to accommodate shifting gender norms.
To prepare for future consumers it is imperative that brands and marketers know what is happening with this new generation and what makes them tick.
Generation Alpha will be the most formally educated, technology-supplied and globally the wealthiest generation ever. Whatever brands start doing now needs to be built around what Gen Alpha customers expect.
Office Decentralisation
The traditional idea of an office HQ is redundant. Employees' lifestyles are increasingly transient so the need for working environments that fit into this is essential.
The demand for co-working spaces also spawns interesting opportunities such as The Wing, founded in 2016. The Wing not only provides a workspace but a community for women across the country and globe to gather to work, connect, and thrive.
A report from the United Nations projects that two out of three people will be living in urban hubs by 2050, bringing about 2.5 billion more people into already crowded cities. This means regional businesses will be forced to have an urban presence if not only to attract but to retain talent.
Places like 3den offer a third space and claim to be "an aggregate of the best parts of the coffee shop, the hotel lobby, elements of a gym and various other resources." UNStudio also challenges what we expect from a workspace. It positions itself as an "area between home and work."
I predict more and more businesses will embrace shared office spaces or satellites and I suspect some businesses will do away with an office altogether.
With the rise of inclusive wellness, new brands and platforms are positioning self-sex as the latest form of self care. I predict we will see many more brands embracing sexual wellness as we enter 2020.
The global sexual wellness market is expected to reach $39 billion by 2024, growing at a CAGR of more than 7% over the next five years. Women especially are taking a heightened interest in sexual wellbeing, with the feminine hygiene market set to reach $42.7 billion by 2022.
So how has design been used to de-stigmatize sex, especially for the female-born consumer who has been brought up not to talk openly about it?
Brands like Dame and Maude offer a very design-led approach to sex essentials. In an attempt to break down the stigma the products look far removed from the predefined stereotypes. Products are displayed on white shelving and tables like precious art objects on pedestals. Swedish sex company LELO and others have dominated the mainstream sex toy market with minimal, gender-neutral packaging that would not feel out of place in an Apple store.
De-stigmatisation is perhaps the most important effect the branding of a sex product can have. That is why there is something intriguing about the black-and-white Sans-serif designer sex toy boxes that—for a certain class of consumer—look as everyday as any other home electronic item. But what if a sex product did not look like an expensive electronic, but as normal as something you might find in your local pharmacy?
Unbound, which earned $4 million in revenue in 2018, is trailblazing the future of self-sex with Saucy, a spaceship-shaped device. The brand claims it wanted to create something that you can leave out on your bedside table and not feel ashamed of.
How can technology improve your brand?
In an increasingly digital world, technology makes it possible for businesses to do more with their brands. Emerging technologies are…
Noise to cut through the noise
Is 'audio branding' a necessity in today's Alexa-powered world? Sound identity, audio branding, sonic logos and even the 'mogo' (don't.)….
The car of the future
What will cars be like in the future? Will we be flying through the air, navigating skyscrapers and cutting through…


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GGR Book Club: The Black Man Drought by Lorraine Jonelle Stephens
By Guyanese Girl August 20, 2015
An insightful, bold exploration into the disappearance of African American men, The Black Man Drought is upfront about the issues plaguing them. From drugs to jail to interracial dating and homosexuality, this sometimes funny, sometimes serious, sometimes sassy in your face narrative forces an internal look into the choices of Black men and how they affect the whole community.
The Black Man Drought: An answer to where all the brothers have gone and how to get them back
Lorraine Jonelle Stephens is a Guyanese-American author, writer and blogger. She can be found writing about love, relationships, community, Christianity/spirituality and social issues for women of color at www.LorraineJS.com
guyana guyanese Guyanese Author Guyanese Girls Rock Lorraine Jonell Stephens The Black Man Drought
Guyanese Girl / About Author
Cloyette Harris-Stoute is the founder of the Guyanese Girls Rock Movement, President/CEO of Guyanese Girls Rock Foundation, Inc. a 501(3)c non-profit organization and the Owner of Guyanese Girls Rock Apparels Brand.
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An easy-to-use travel watch with a dose of minimalist style.
When you hear "Porsche Design" your mind might immediately jump to chronographs. And with the automotive connection, you'd easily be forgiven. However, don't sell the brand short and pigeon hole them into only making one kind of timepiece. You'd be missing out if you did. The new 1919 Globetimer UTC is a travel-focused watch that uses the familiar ergonomics of a chrono to make changing time zones extremely easy. The Globetimer starts with a very Porsche Design style case with broad, open lugs and sleek tonal dials available in titanium or gold. You get a simple time display augmented by a central date hand and a central 24-hour hand for the GMT function (complete with day/night indicator). The best part though is that by using the two chronograph-style pushers on either side of the crown you can simply jump the local hour hand in whole-hour increments as you move across time zones.
There are four versions of the 1919 Globetimer UTC available at launch. Two have titanium cases paired with leathers straps, one has a titanium case with a matching titanium bracelet, and one has a solid 18k gold case paired with a strap. The latter is obviously the top of the line when it comes to price, but the blue, black, and brown dials on the titanium models are all extremely handsome and offer enough interest to keep the otherwise clean-looking watches from appearing boring.
Travel watches are having something of a moment right now, with the re-release of the Rolex Pepsi GMT-Master and the introduction of the Tudor Black Bay GMT sparking something of a renaissance last year. Porsche Design clearly wants to get in on the action and instead of offering something that's a slight variation on a common theme they've gone and developed something thoughtful that feels very them through and through. Without an external rotating bezel, GMT watches can sometimes be fussy and fiddly, but the simple pusher system looks like it fixes that problem. I could see the GMT and date hands getting a bit confusing, as they look similar at a glance, but I want to see the watches up close and in-the-metal before making any final judgements there.


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Malaysia should drop charges for film screening - HRW
Human Rights Watch (HRW), a US-based rights organization said in a press release that the Malaysian authorities should immediately drop charges against Malaysia's Lena Hendry of the Pusat KOMAS human rights group accused of showing Channel-4's No Fire Zone depicting Sri Lanka's massacre of Tamils. The charges alleged that the the film was screened without the approval of Malaysia's censorship board. "Malaysian authorities are flipping the switch off on basic freedoms by threatening to jail someone for showing a documentary," said Phil Robertson, deputy Asia director at Human Rights Watch, adding, "[t]hey should immediately drop the charges against Lena Hendry and find a way to undo the damage to Malaysia's cultural reputation."
Full text of the release follows:
(Bangkok, October 21, 2013) – The Malaysian authorities should immediately drop charges against a rights activist accused of showing a film about Sri Lanka's civil war without Censorship Board approval, Human Rights Watch said today.
Lena Hendry, of the human rights group Pusat KOMAS, was charged under the Film Censorship Act for organizing a screening of "No Fire Zone: The Killing Fields of Sri Lanka" on July 3, 2013, in Kuala Lumpur. Hendry, whose trial starts on October 21, faces up to three years in prison and a fine of RM30,000 (US$9,500).
"Malaysian authorities are flipping the switch off on basic freedoms by threatening to jail someone for showing a documentary," said Phil Robertson, deputy Asia director at Human Rights Watch. "They should immediately drop the charges against Lena Hendry and find a way to undo the damage to Malaysia's cultural reputation."
On July 3, Pusat KOMAS held screening of "No Fire Zone" at the Kuala Lumpur and Selangor Chinese Assembly Hall. Before the screening, an official from the Sri Lankan embassy in Kuala Lumpur met with the assembly hall management and tried to persuade them to stop the screening. The Sri Lanka embassy also communicated with the Malaysian Ministry of Foreign Affairs and the Censorship Board to urge the film not be shown. At the showing, about 30 Malaysian Home Ministry officials, police, and Immigration Department personnel came. After negotiations between Pusat KOMAS and the officials, they agreed to allow the showing to take place, but also arrested Hendry. They also arrested the Pusat KOMAS president and a board member but released both without charge.
Malaysia's Film Censorship Act imposes criminal penalties for any showing of a film without Censorship Board approval, in violation of the right to freedom of expression. Hendry was charged under section 6 of the act, which makes it an offense to produce, manufacture, have in one's possession, circulate, distribute, or display such film or film-publicity material that has not been approved by the board.
The charges against Hendry appear politically motivated, Human Rights Watch said. Shortly before the screening at the assembly hall, "No Fire Zone" was shown for members of parliament without incident. And it was screened soon after by other nongovernmental organizations without any arrests. Pusat KOMAS regularly organizes screenings of films on sensitive subjects, with admission by pre-registration only.
"No Fire Zone: The Killing Fields of Sri Lanka" is an award-winning documentary about alleged war crimes by the Sri Lankan government during the final months of the Sri Lankan civil war in 2009. The documentary shows government artillery attacks that killed children, women, and the elderly and extrajudicial executions of captured fighters and civilians by government forces.
Sri Lanka has been the subject of two resolutions at the United Nations (UN) Human Rights Council in which the government is criticized for failing to investigate alleged violations of the laws of war by both sides during the conflict. In August, following her visit to the country, Navi Pillay, the UN high commissioner for human rights, was sharply critical of the government's failure prosecute those responsible for serious abuses. The Sri Lankan government has rejected the war crimes findings of Pillay, the film, and research by a UN panel of experts and human rights organizations.
On October 24, Malaysia's human rights record will be under scrutiny during its Universal Periodic Review at the Human Rights Council.
"Malaysia's willingness to block the showing of 'No Fire Zone' and prosecute Hendry makes it a disturbing partner for Sri Lanka in whitewashing wartime atrocities," Robertson said. "Malaysia should turn these missteps into an opportunity to join the many governments that are seeking a measure of justice for the Sri Lankan war's many victims."
Malaysia will be among the governments attending the Commonwealth Heads of Government Meeting in Sri Lanka on November 15-17. Support for human rights is enshrined in the Commonwealth Harare Declaration of 1991. The Commonwealth is empowered to investigate serious or persistent violations of the Harare Declaration and to recommend measures for action.
"Malaysia's carrying Sri Lanka's torch just weeks before the Commonwealth meeting suggests political expediency trumping respect for free speech," Robertson said.
21.10.13 Malaysia should drop charges for film screening - ..
18.09.13 Malaysia charges HR worker for screening Channel-4..
HRW: Malaysia: Drop Charges for Film Screening


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Home > Belgian Beers by Style > New Arrivals
Geuze Boon 6° -37.5 cl - 12.7fl.oz
Delivery time:14 Days
Pours a cloudy bright orange with a long lasting white head. Aroma is barnyard-like, vanilla and floral, with an acidity in the background. Body is med-light. The flavor shows only med. acidity with a great deal of funk.
Geuze, a mixture of old and young Lambic. The young Lambic is added to cause a refermentation in the bottle making for a delightfully sparkling and dry beer that has been likened, in all seriousness, to Champagne.
The Boon Brewery (Brouwerij F. Boon) is a Belgian brewery situated in Lembeek, near Brussels, that mainly produces Geuze and Kriek beer of a fairly traditional variety, but using distinctly modern brewing techniques and equipment. Other products of the brewery include Faro beer and Duivelsbier, the traditional beer of Halle .
The head of the brewery, Frank Boon, is considered by many to be one of the main driving forces behind the fairly recent revival of the traditional geuze and kriek beers.
Ciney Blond 7°-1/4L - 8.4fl.oz
Sweet & citrusy. Yeasty & hay. Sour cherry hops. Sugar. Golden amber clear with light lacing white head. Medium body & light carb. Feathery. Papery & bit of metal. Light sweetness, sugar & citrus. Hops gives bitter end. Kind of watery but pleasant.
23 June 1978: a milestone in the history of special beers. That day a Cuvée de Ciney Brune was drawn for the first time in café "Rubens", underneath the church t ower of the pleasant Walloon village of Ciney. It was Roger Demarche who designed this beer and toured the region to sell the first barrels. The beer was successful and soon developed from a local beer into a national asset. Its success meant that in 1980 a crisp blonde beer joined the powerful brunette. Halfway the 1980s this top-class beer was perfected and was known from then on as Ciney. Now that Ciney is part of Alken-Maes it will get every opportunity to satisfy consumers throughout the country.
High-fermentation beer staying clear at low temperatures unlike other special blonde beers. Alc. 7 % vol.
Flavour: A mild and pure blonde beer, with a fruity flavour set off by a well-balanced pleasant bitterness.
Serving hints:
Store the bottles at 6°C
Pour into a degreased, dry glass, making sure the bottle does not touch the foam.
Pour slowly and carefully to create a nice large head.
Put the glass and bottle on the appropriate coasters.
Ciney is characterised by the traditions of a village where people enjoy life. This tradition is reflected in the beer's personality. Ciney is still brewed according to the original recipe.
Brewers Website: click here
BeerAdvocate Review :
Floreffe Triple 7.5°-1/3L - 11.6fl.oz
Certified Belgian Abbey Beer means that it is associated with an existing or former Abbey. It has been brewed with the consent of the Abbey monks. It pays royalties to help finance the Abbey's charitable activities. It only uses marketing activity approved by the monks.
Nice clear orange color, off white head and decent lace. Nose is sweet, banana like, malts, ripe fruit. Front is malt sweet, the top light, the finish is dry, acidic, moderate carbonation and a touch of hops. Much better than the 'Blonde', more sting to this beer, more flavors to please the palate.
It is in 1121 that Norbert de Gennep, founder of the order of Prémontrés, founded the Abbey of Floreffe (which is named after flora : Latin for flower), at the request of the Counts of Namur.
Out of all the Abbeys in the area, Floreffe quickly asserts itself as the most important. During the following centuries they found numerous abbeys. Let us quote for example the Abbey of Leffe (1152), founded on grounds which had been received as a private domain. Other abbeys were created in France, Germany and even one in the Holy Land.
Around the year 1250, a Mill-Brewery is built within the Abbey. The first beers of the Abbey of Floreffe were brewed.
Up to the 18th. century, the Abbey of Floreffe and that of Mielmont formed a shield that protected Namur. It is after this long period of war that taxed the Abbey of Floreffe until the 18th century that the buildings which still make up the Abbey of today were built.
The abbey thrived until 1794, date on which the French revolution arrives in our region. The Abbey of Floreffe is deserted by the monks and put up for sale. It is repurchased by associated monks but there will never be an important enough community reunited in this locality to restore the Norbertins. The production of beer is obviously abandoned.
In 1842, three survivors of the monks of Floreffe remain, the last of these dies in 1850.
Faced with these disappearances, measures were taken for the conservation of the Abbey on the site of Floreffe. With this in mind, it is initially a seminar then a school which occupied the walls of the Abbey.
In 1960, the Headmaster of the College of the Abbey of Floreffe decides, in order to collect money for the maintenance of the buildings, to restore the Mill-Brewery and to start the production of beer once more. The Mill-Brewery is one of the bases of the tourist centre of attraction of the Abbey. As for the beer, it is initially entrusted to the Het Anker brewery in Malines. In 1983 the range of beers of the Abbey of Floreffe is entrusted to the Lefebvre Brewery. It is initially composed of 3 beers: Double, Triple Floreffe and Prima Melior and will be extended further with a lager and white variety.
Buy Also The Appropriate Glass
The best way to enjoy your Floreffe
Floreffe Prima Melior 8°-1/3L - 11.6fl.oz
A brown beer of high strength, it is reinforced with a powerful seasoning of anis and coriander. When the fermentation and clarification are complete, doses of yeast and brewing sugar are added for fermentation in the bottle.
Prima Melior was the Special Reserve Ale exclusively for the use of the Abbot and his guests.
This ale is based upon the brewing tradition of Floreffe abbey. Prima Melior is ideal with a mature hard cheese, possibly selected in the range of cheeses of Floreffe, or perfect when used in the preparation of rabbit. ike all the beers in the Floreffe range, it is Recognized Belgian Abbey Beer approved. Serve chilled but not frooze, between 4°C and 7°C. ts alcoholic content is 8%.
Floreffe Blonde 6.5°-1/3L - 11.6fl.oz
Clear golden colored, fantastic big white lasting rocky head. Hoppy and yeasty aroma, not very strong but nice. Pleasant soft hoppy flavor, balanced, not too complex though. Very nice finish, makes you want to drink more and more. One of the few relatively low alcohol blonde beers i really like.
Corsendonk Pater 7.5°-1/3L- 11.6fl.oz
The Corsendonck Pater beer is a brown beer surprisingly sweet related to its alcohol degree (7.5%). It's a top fermented, unfiltered and non pasteurized beer made according the old recipes of the Corsendonk abbay. Its smart bottle has no label but a religious silk screen drawing.
History : the Corsendonk brewery was founded in the XV th century by the Augustinians on an estate inherited from Maria de Corsendonk, daughter of the Duke of Brabant. The closure of the abbay was ordered in 1784 by the Emperor Joseph II. The brewery tradition was kept alive during the XXth century by Antonius and then Joseph Keersmaekers. This beer is now brewed by the Van Steenberge brewery.
Chapeau Banane De Troch 3.5°-1/4L - 8.4fl.oz
Pours a pale golden yellow with a very bubbly, foamy short head. Good carbonation. Nose is immediately bananas, real bananas, not some crappy sugary fake smell. Smells sweet. Taste is sweet. However, not syrupy like most lambics. Very banana-y, very nice, very REAL.
Chapeau Abricot De Troch 3°-1/4L - 8.4fl.oz
Poured out a pale, cloudy light orange color, topped by a bubbly champagne like head that dissapears quickly. Lace? What lace? The nose is unmistakable apricot, but slightly tropical as well. There is some dry musty yeast notes as well. The taste offers a blend of sweet and sour, with the apricot fruityness leading the way.
Boucanier Golden Ale 11°-1/3L -11.6fl.oz
High fermentation, non-pasteurised, fully natural product, refermentation in the bottle and keg. Kind of malt is "Scarlet pilsener malt " Purified water from the brewery's source Yeast developed and cultured in our laboratory Types of Hop: Hallertau, Saaz, Spalt Not used: spices, aromatic herbs.
Grisette Fruits Des Bois 3.5° -1/4L- 8.4fl.oz
Scintillating, fresh and delicately flavored, Grisette Fruits des Bois is a light, refreshing beer that is brewed with the best malt and wheat. This blend creates a riot of sweet yet slightly bitter tastes redolent of wild berries and other exquisite fruits of the forest.
At the start of the century, in Hainaut, every small brewery produced a top-fermenting beer which was drawn from wooden barrels. This traditional beer was the pride of the local breweries and quenched the thirst of the most demanding customers !
At the St-Feuillien Brewery, this beer, of which the formula is a carefully kept secret, was called the Grisette. For some years now, the St-Feuillien Brewery has revived the tradition and now offers four new types of Grisette beer.
The Friart Brewery was founded in 1873. At that time, different types of light beers were produced there, including the Grisette, a heavier beer, which was consumed in cafes in and around Le Roeulx.
In 1920, production was transfered to more modern buildings where most of the current installations can still be found. This brewery dates from 1893. From 1950, a wide range of beers began to be brewed here (Pils, Belgian, pale ale, stout, etc.) and, of course, St-Feuillien.
For reasons relating to the sector, the production of most of these beers was stopped in 1970 and attention was then focused on the production and commercialization of St-Feuillien.
Since then, the equipment has been constantly upgraded, but no changes have been made to the traditional production principle of the beer that is brewed here.


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Linda Colletta Solo Art Show at Southport Galleries, Opens Feb. 13: Southport, Conn. -- Southport Galleries is honored to present The Sound of Color, a solo exhibition featuring the latest body of work by abstract artist, Linda Colletta. Presented in partnership with Sissy Biggers and Dr. Philip Eliasoph of Southport Galleries, The
Fairfield Legislators to Discuss Priorities for 2020 Legislative Session: Fairfield, CT - Fairfield's Representatives and Senator in Hartford will discuss priorities facing the upcoming state legislative session at the League of Women Voters Legislative Forum, Saturday, January 25, beginning at 10:00 AM. This year's Forum will be at a
Westport Woman's Club Thrift Shop Valentine's Sale, Feb. 10-15: Westport, CT - The Curio Cottage Thrift Shop, operated by The Westport Woman's Club, will be offering a 50% off storewide sale from February 10-15, 2020. Do you need a fresh idea for your favorite Valentine? Why not buy a pitcher
Take Your Mermaid to the Library Day: Feb. 1: Fairfield, Conn. - Fairfield Public Library's Take Your Mermaid to the Library Day features a visit by author/illustrator Jessica Love who will share her award-winning book, Julián is a Mermaid, on Saturday, February 1 at 11:00 am. Love will read
STEM After School Programs for K-8 in Westport Schools: Westport, CT - STEM education is growing throughout the nation and Westport Continuing Education's (WCE) STEM programs are meeting this need. Why STEM? According to the U.S. Department of Education, "In an ever-changing, increasingly complex world, it's more important than
Make Westport Farmers' Market Part of Your New Year: Westport, Ct — It is estimated that over half of all New Year's Resolutions will be broken by the end of January. Not so for Westport Farmers' Market shoppers. The winter market, held every Saturday at Gilbertie's Herbs & Garden Center boasts
SHU Grad Creates App for Autistic to Make Friends: Fairfield, CT - A recent graduate of Sacred Heart University, Juliana Fetherman, 23, has developed an interactive web application called Making Authentic Friendships. The app's acronym, MAF, is also her 21-year-old brother Michael's initials. Michael has autism and ADHD. Because
Fairfield Mag's Taste of Fairfield WinterFest: Jan. 26: Fairfield, CT -Fairfield is filled with foodies, and is a hot destination for terrific restaurants, talented chefs, and great food and drink. Fairfield Magazine is counting down the days until the return of Taste of Fairfield WinterFest — an event
SHU Graduates First Cohort in SAS Joint Certificate Program in Digital Media : FAIRFIELD, Conn.—Sacred Heart University has announced the first cohort of students to complete the SAS® joint certificate program in digital marketing. To earn their certificates, students took on additional specialized courses and a capstone project as an extension of the
Meet Author Lauren Acampora at Pequot Library, Jan. 21: Southport, CT - Pequot Library invites the public to meet Author Lauren Acampora on Tuesday, January 21, 2020, 7:00-9:00 p.m. Her debut novel, "The Paper Wasp", is a riveting knife-edge story of two women's dark friendship of twisted ambition set against the
Cartoon Art Exhibit to Open at Bruce Museum Jan. 26
Published on Friday, 07 December 2018 12:12
Written by Bruce Museum
Greenwich, CT - Opening on January 26, 2019 at the Bruce Museum in Greenwich, Masterpieces from the Museum of Cartoon Art will showcase more than 100 original works celebrating the history of this unique art form in America. Among the many items on display will be an early editorial cartoon by Thomas Nast, a spectacular Prince Valiant Sunday page by Hal Foster, and a witty New Yorker gag by Peter Arno, as well as classic Peanuts, Doonesbury, and Calvin and Hobbes comic strips.
Treasures from this rich and varied repository represent all of the cartoon genres, including comic strips, newspaper panels, comic books, editorial cartoons, magazine cartoons, caricature, illustration and animation. The artwork is on loan from The Ohio State University Billy Ireland Cartoon Library & Museum.
The centerpiece of the exhibition will be a recreation of the Museum of Cartoon Art's Hall of Fame. Thirty-two artists were elected to this prestigious group between 1975 and 1997 including Walt Disney, Milton Caniff, Chuck Jones, Rube Goldberg, Al Capp, and Herblock. Each honoree is represented by a superlative example of their work and a handsome brass plaque.
The first institution dedicated to the collection, preservation, and exhibition of cartoon art, the Museum of Cartoon Art was opened in Greenwich in August 1974. Founded by cartoonist and longtime Greenwich resident Mort Walker, it moved to Port Chester/Rye Brook, NY, in 1977, reopened in Boca Raton, FL, in 1996, and donated its collection to the Billy Ireland Cartoon Library & Museum in 2008.
Brian Walker, a former director of the Museum of Cartoon Art, who has been responsible for more than 70 cartoon exhibitions, is serving as guest curator. "I am very excited to display this collection in my hometown of Greenwich," says Brian. "I'm sure many residents fondly remember the days when the museum was a local attraction. The exhibit is a tribute to my father's dedicated efforts to establish an institution where the public could view cartoon art on a regular basis. His dream is now being continued by the Billy Ireland Cartoon Library & Museum."
Masterpieces from the Museum of Cartoon Art promises to provide an entertaining and educational experience for visitors of all ages and, for those who remember the institution during its time in the area, a nostalgic rediscovery of what the museum had to offer. The exhibition will also feature displays documenting the formative years of the Museum of Cartoon Art, the European roots of cartoons and comics, and a video presentation of classic animation.
Special programming will include a lecture at the Bruce on February 18, Breaking Into the Boys Club: A Whirlwind History of Women and Cartooning, by Jenny Robb, Curator and Associate Professor at the Billy Ireland, and a panel tribute to the Golden Age of Cartooning in Connecticut with Cullen Murphy, Chance Browne, Brian, Greg, and Neal Walker on March 7. For more information about the exhibition and related programs, please visit brucemuseum.org or call 203-869-0376.
The Bruce Museum is grateful for support of this exhibition from The Charles M. and Deborah G. Royce Exhibition Fund, the Connecticut Office of the Arts, and a Committee of Honor co-chaired by Millicent S. Armstrong, York Baker, and Anne Hall Elser. The Honorary Chair is Roz Chast, staff cartoonist for The New Yorker magazine, whose work was the subject of a 2014 exhibition at the Bruce.
The attached press release provides additional details about the exhibition. Also attached are high-res images of three cartoons featured in the exhibition, as well as an illustration of Ward's Castle, the Museum of Cartoon Art's former home on the New York/Connecticut border. The caption/credit information for the images is as follows:
Hi and Lois by Brian and Greg Walker and Chance Browne.
August 27, 1989 © King Features Syndicate, Inc.
Collection of Brian Walker.
Polly and Her Pals by Cliff Sterrett.
May 3, 1936 © King Features Syndicate, Inc.
International Museum of Cartoon Art Collection,
The Ohio State University Billy Ireland Cartoon Library & Museum.
Prince Valiant by Hal Foster.
January 21, 1951 © King Features Syndicate, Inc.
Ward's Castle, Rye Brook, New York, by John Cullen Murphy, 1977.
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BARCELONA has rolled out a programme to cut the number of pigeons in the city, which currently sits at around 85,000.
Birdfeed containing traces of a contraceptive for pigeons will be strategically distributed using 40 dispensers.
Usually when the population gets too high, the council would start to cull the birds, much to the annoyance of animal rights groups.
The programme is expected to cost around €250,000 a year experts predict it will reduce pigeon numbers by 80 per cent in four to five years.


Read the full story, which first appeared in Green Lodging News.
The results of the New York City Mayor's Zero Waste Challenge were recently revealed, with The Peninsula New York emerging tops in the hotel category. The Peninsula was able to double its diversion rate in just a few months during the Challenge, in the process, emerging as a role model just in time for New York City's new commercial organics rule.
Beginning July 19, 2016, certain New York City businesses are required by law to separate their organic waste for beneficial use (composting, anaerobic digestion or other). Among those affected are food service establishments in hotels with 150 or more rooms, like the Peninsula New York.
"Food waste is a big contributor to overall waste," said Maya Shenkman, Director of Hotel Services at Great Forest, Inc., which participated in the Mayor's Zero Waste Challenge as a consultant, helping The Peninsula and other companies reach their goals.
Lessons from The Peninsula New York's win offer useful insights into how hotels and other businesses in the hospitality industry can deal with the food waste issue. For establishments in New York City, the following guide can be used as a simple roadmap for staying in compliance with the new rules.
Read the guide to see how the Peninsula did it in Green Lodging News.
This entry was posted in All, Awards, Great Forest Insights and tagged hotels, Zero Waste Challenge. Bookmark the permalink.


One of the advantages brokers and investors get from a real estate membership is added knowledge about trends in the industry. One such trend is secondary mortgage notes. There is a growing niche of buyers who see these secondary notes as alternatives to traditional mortgage notes.
These buyers are those who aren't qualified fortraditional financing. Examples of their issues are low credit rating or downpayment deficiency. As the bank won't grant them authority to get traditionalmortgages, this is a niche you should look into.
Believe it or not, the secondary note space began with a good stroke of luck.
The entry of mortgage loans in the secondary mortgage market stimulated competition. Mortgage rates and fees go up as a result. Consequently, the high rates and fees are used to lure private investors.
Unfortunately, the subprime mortgage crisis and crash in the 2006 made investors hold back on mortgage-backed securities with low rates. Hence, the United States federal government, via Freddie Mac and Fannie Mae, entered the secondary mortgage market to keep it alive. The government, still reeling from crisis' effects, has not completely left the mortgage market. Private investors are also following the developments in the market before filling in the void again.
Prior to the 2006 crash, mortgage lenders freely lent huge amounts to borrowers who had low credit scores and no proof of income. As the Great Recession began, lenders changed their tone toward these borrowers. Some have began issuing secondary notes as a way around their dilemma.
The borrowers' ingenuity in home investing is on full display here. They view using secondary mortgage notes as a way to pay for and own a home, even if they are not traditionally qualified for a loan. They will temporarily consider secondary notes while trying to fix their credit standing. Once they get out of the rut, they will transition to more traditional payment means.
In hindsight, secondary mortgage notes are worthwhile investments. You can find a niche of mortgage borrowers that will honor the terms of the loans. They can even pay higher amounts and interests for the properties compared to traditional borrowers.
Secondary mortgage notes are indeed a brilliant investment in the real estate market. As a concept, it is still gaining further acceptance. Networking will get you the support you need to break into this promising business.
You can start by joining a formidable and established real estate association who can help you meet experts on secondary notes. As a result, you will be able to maximize profits from an evolving housing market.


We actually use tazti a lot around the office to control iTunes. It makes managing our vastly bloated music library so much easier to control. Believe it or not, we also use tazti to help us program tazti!
Edited 1 time(s). Last edit at 11/05/2009 10:23PM by admin.


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