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Into the Dead is a zombie-themed action video game developed by PikPok and released on December 6, 2012, for iOS, Android and Windows Phone 8 platforms. A sequel titled Into the Dead 2: Zombie Survival was released for Android, Apple, and the Nintendo Switch.

Gameplay
Players must run through a landscape teeming with zombies and move left or right to dodge them. The player has no choice but to move forward and get as far as possible before dying. Weapons can be picked up from supply crates as the player runs past.

Reception

The game has a Metacritic rating of 84/100 based on 11 critic reviews.

Digital Spy said "Into the Dead is one of the best uses of the first-person perspective on iOS, and an absolutely fantastic infinite runner for mobile devices." Gamezebo said "With Game Center online scoreboards and achievements that we will no doubt be struggling to top for weeks to come, and more modes promised in the near future, Into the Dead is a bit of a must-have for mobile - especially if zombies hit your spot." TouchArcade said "When it works, it works unbelievably well - and with no asking price for those early, heart-pounding moments, there's absolutely no reason not to get this game." Multiplayer.it said "Into the Dead breathes some fresh air into the endless run genre, delivering an atmospheric, intense and nonetheless free experience for your iOS devices." TouchGen said "One minor annoyance is the functionality of weapons; these cannot be aimed and are predominantly effective against zombies that are right in front of you." AppAdvice said "A refreshing take on the zombie game that while simple, and perhaps without longevity, is full of immersive atmosphere." VideoGamer.com said "Endless runners rarely offer up too much variety, but there is something oddly appealing about Into The Dead. Let's keep it simple: if you like zombies, buy it. Yeah." iFans said: "If you enjoy a zombie game on mobile and want the next level thrills and graphics then Into the Dead 2 is perfect for you."

References

External links

2012 video games
Android (operating system) games
IOS games
Video games developed in New Zealand
Video games about zombies


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Document n°6737
The influence of Congo River discharges in the surface and deep layers of the Gulf of Guinea
Vangriesheim Annick1, Pierre C2, Aminot Alain1, Metzl N2, Baurand F3, Caprais Jean-Claude1
1 : IFREMER, DEEP LEP, F-29280 Plouzane, France.
2 : Univ Paris 06, LOCEAN, F-75252 Paris 05, France.
3 : Ctr IRD Bretagne, F-29280 Plouzane, France.
Deep Sea Research Part II: Topical Studies in Oceanography (0967-0645) (Elsevier), 2009-11 , Vol. 56 , N. 23 , P. 2183-2196
10.1016/j.dsr2.2009.04.002
WOS© Times Cited
DIC, Stable isotopes, Nutrient anomaly, Oxygen anomaly, Congo canyon, Gulf of Guinea
The main feature of the Congo-Angola margin in the Gulf of Guinea is the Congo (ex-Zaire) deep-sea fan composed of a submarine canyon directly connected to the Congo River, a channel and a [sediment] lobe area. During the multi-disciplinary programme called BIOZAIRE conducted by Ifremer from 2000 to 2005, two CTD-O2 sections with discrete water column samples were performed (BIOZAIRE3 cruise: 2003-2004) to study the influence of the Congo River discharges, both in the surface layer and in the deep and near-bottom layers. The surface layer water is greatly diluted with river water that has a heavy particle load. The deep layer is affected by episodic turbidity currents that flow in the deep Congo channel and reach deep areas far from the coast. Previous studies revealed deep anomalies in oxygen (deficit) and nutrient (excess) concentrations at not, vert, similar4000 m depth and assumed that they resulted from mineralisation of the particulate organic matter from the Congo River. The BIOZAIRE3 sections were designed to explore these phenomena in more detail near the Congo channel. Oxygen and nutrients were measured as well as additional parameters, including stable isotopes of oxygen and carbon, dissolved inorganic carbon and pH. For the surface layer, the effect of the Congo River was studied with reference to salinity. Deviations from the theoretical dilution of various inorganic solutes suggested the occurrence of mineralisation and consumption processes. For the deep layer, the network of CTD-O2 stations gave a more detailed description of the deep anomalies than in previous studies. From the east-west section, anomalies appeared on the bottom at 4000 m depth and became slightly shallower when they spread to the west. They were also present north and south on the bottom along the 4000 m isobath. In these deep waters, the decrease in the o13C values of dissolved inorganic carbon confirmed that the mineralisation of organic matter plays a role in generating these anomalies. The location of the origin of this deep anomaly is debated. Here, arguments are given in favour of mineralisation of the particulate organic matter input that overflows from the Congo channel at not, vert, similar4000 m depth during turbidity current events. Other authors suggest that this input comes from downslope particle transport. Anomalies of the same origin, but weaker, also occurred deeper on the Congo lobe, where the Congo channel ends, but with a significant pH decrease on the bottom which was not seen at 4000 m depth.
publication-6737.pdf 10 1 MB Open access
Vangriesheim Annick, Pierre C, Aminot Alain, Metzl N, Baurand F, Caprais Jean-Claude (2009). The influence of Congo River discharges in the surface and deep layers of the Gulf of Guinea. Deep Sea Research Part II: Topical Studies in Oceanography, 56(23), 2183-2196. Publisher's official version : https://doi.org/10.1016/j.dsr2.2009.04.002 , Open Access version : https://archimer.ifremer.fr/doc/00000/6737/
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the PDF
Oceanographic cruises
BIOZAIRE 1, BIOZAIRE 2, BIOZAIRE 3, BIOZRECUP, BIOZRECUP2
Ifremer fleet

redpajama_set_name: RedPajamaCommonCrawl


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Fangyuan Hu
DIMER: Diver + Dreamer
Tokyo Vertical Cemetery
The thesis seeks to redefine the relationship between death and city through designing an urban vertical cemetery located in Shinjuku, Tokyo.
The cemetery is an attempt to envision the interaction between mechanical world and the human world. It functions as a giant machine that process bodies from physical matter to technological artifacts(crystals) and displays them on a giant 130m ellipse wall facing outward toward the sky.
Sitting on a narrow footprint, the cemetery allow users and visitors experience sublime and machinery at the same time as one navigates through the space. On the south elevation, one would experience a giant 130 meter tall machine that comprises of multiple smaller machines that decomposes bodies into diamonds. The Cartesian grid becomes both the structural and organizing elements of the machine. On the other end, the north elevation, one would experience a completely different view as one look up on to the giant ellipse that is embedded with millions of diamond. This new approach of death processing system is more efficient and allows death to have a new identity. The diamonds on the elipse are being observed from both within the structure and from neighboring sites, especially through the passing trains.
The massing strategy derived from Boulee's Cenotaph to Issac where a pure geometry is amplified to create a sublime, in this case, a sphere is stretched into an elipse that spans 20 floors.
The building also has divided circulation paths for visitors and the dead as dead are mostly handle by machines while humans become the observer. Most visitor would take the exterior core to access the observation deck from 4th floor on.
Unlike other heavy industrial space, the new contemporary machine seeks for light and transparency. Thus, many of the laboratory spaces are enclosed with glass. Different shades of black was used for different privacy needs.
After all, this thesis has developed a new typology of a contemporary urban cemetery. It emphasizes on creating a machine monument that exhibits duality of forms and different special experiences.
Berkeley Museum Of Art
UChicago, Department of Ecology
Site.png
Section A 42 x 26.png
elev.png
House H
The studio will use the house type as its vehicle. To be clear, the studio is not concerned with inventing or advancing domestic concerns. The choice of this building type is for its size and formal versatility. It is small enough to demand a high degree of resolution and articulation and versatile enough for a wide range of formal strategies. The project will be located in Los Alamos county, home to the Los Alamos National Laboratory initiated by the Manhattan Project in 1943. In the introduction to Alien Phenomenology, Ian Bogost describes the landscape in this area as a site of a strange mixture of things, some immediately perceptible and others hidden: mountains, fruit, atmospheric effects, nuclear warheads, sandwiches, automobiles, historical events, relics, and... aliens. Understanding a site through the lens of an alien phenomenology is quite different than the genius loci phenomenology of Christian Norberg-Shulz, which is centered solely on the human experience of place. As a contribution to an object-oriented ontology, Bogost is questioning the long established privileging of things at the service of human productivity and consumption. In short he is questioning anthropocentrism:
"We've been living in a tiny prison of our own devising, one in which all that concerns us are the fleshy beings that are our kindred and the stuffs with which we stuff ourselves. Culture, cuisine, experience, expression, politics, polemic: all existence is drawn through the sieve of humanity, the rich world of things discarded like chaff so thoroughly, so immediately, so efficiently that we don't even notice."
The southwestern desert is hostile to human occupation on many fronts: nuclear remnants, military presence, extreme weather, extra-terrestrials, desolation, etc. In addition to undermining the outdated phenomenology of the genius loci, an alien phenomenology of landscape puts into question the very conventions and cliches associated with the concept of "nature". Architecturally speaking a genius loci position classifies sites as places that neatly fit into either romantic, cosmic, or classical categories with the ground being understood as a "stable element". These are meta categories that have two effects to be skeptical of. First, it keeps nature at a distance from man as something to emulate, ponder, behold, control, manipulate, revere, etc, solely for our purposes. Second, it lays a vague contextual premise alluding to the correlation that, for instance, a cosmic landscape should receive a cosmic architecture. Rather than start with some notion of site, an object will be produced independently from it and treated as a foreign entity that engages the site and mediates its relation to a hyper-functional interior.
4A Studio project at Southern California Institute of Architecture(Sci-Arc)
Instructor: Dwayne Oyler
Geometry Transformation
1. Initial geometry formation with 3 curves
2. Replicate geometry either 2d or 3d and rotate within the given container
3. Boolean intersection, boolean difference
Object Elevations
Placement of the object within the rectilinear box through reflection, rotation
Digram: Figure / Ground Relationship
The placement of the original objects through rotation and scaling within a container has produced two main architecture features. One is the alternation of solid and void spaces resulted by the angle of placement of the objects and how it interacted with the container (Diagram 1). The container is divided into 3 sets of solid and void and some are revealed as direct object where others are revealed only through misfit element that produced seams and cracks. The second architecture feature is the continuous circulation created with respect to the normal /direction of the object. This is done through extract surface curves to use as ramps and stairs and careful analysis of the object for the location of floor plates (Diagram 2).
Program - Top --->Down
Master Bedroom - Living Room - Courtyard - Parking Garage
The volume is placed at a 45-degree angle on the site facing North. There are 2 ways of getting to the house. The driveway is sculpted by the extension of the object and slowly transitions to the open courtyard at the lower ground level. From this lower ground level, you could enter the house through the garage and wind your way up through sets of stairs to the main floor. The walkway directly takes the guests to the living room through a straight bridge (Main floor plan).
The project is located in Los Alamos county, home to the Los Alamos National Laboratory initiated by the Manhattan Project in 1943. In the introduction to Alien Phenomenology, Ian Bogost describes the landscape in this area as a site of a strange mixture of things, some immediately perceptible and others hidden: mountains, fruit, atmospheric effects, nuclear warheads, sandwiches, automobiles, historical events, relics, and... aliens.
Main Floor Plan
Public Floor
Living Room (879 sq.ft) - Kitchen (709 sq.ft) - Dining Room (211 sq.ft)
The main floor consists of the living room, a look out area , kitchen and a dining room (main floor plan). From the main floor, homeowner could take ramp to top floor for master bedroom (main floor plan), or take stairs down to second level for a relaxing outdoor area where bbq and Jacuzzi tubs are(see section). Further down the floor is a guest / entertainment center and a garage (Ground floor plan).
Upper Floor Plan
Main Bedroom Floor
Master Bedroom (879 sq.ft) - M. Bathroom (107 sq.ft) - W.I.C (56 sq.ft) - Outdoor Terrace (482 sq,ft)
Unlike other houses, this house is designed to be entered in the middle instead of bottom-up. This is because of the nature of the house that it's very thin and very long. By designing a circulation system that is private-public-private, the users each share their own spaces while unnecessary circulations are eliminated.
(left) Interior close-up showing bedroom view out
(right) Skin detail showing courtyard at Main Floor Level
There were two strategies implemented for surface articulations. To the solid faces, hidden lines of the object viewed from elevations, even plans are projected on top creating seams and bevels. To the glass faces, original curve lines were projected on top to produce nested lines that intersects with one another and were emphasized differently throughout the surfaces.
Model View
3D printed 1:50 model.
Light before
Light After
The entire house is designed with the intent of having at least one major light source into any given space. The additional objects (objects fall out of the original box) are the main light tunnels that allow light penetrates deeply into the space. Glass surfaces are assigned to less prominent walls to allow indirect light gently illuminate the space instead of direct expose to sunlight. This is also to ensure the monolithic reading of the volume as a whole.
Showing Back view
DD: Berkely Museum of Art
CD: HL23
HL23, the first major freestanding building of acclaimed architect and theorist Neil Denari, principal of Neil M. Denari Architects (NMDA). The startlingly sculptural fourteen-story residential tower stands on a singularly challenging site on West 23rd Street half beneath the High Line elevated railway bed, one of the nation's most lyrical urban parks. HL23 's reverse-tapering structure cantilevers gracefully over the park, creating a landmark while producing cinematic views and unrivaled intimacy with the High Line for residents inside. The singular form of HL23 was made possible by modifications to seven different zoning requirements, granted by the City of New York in support of the design's contribution to the cityscape. Housing eleven homes, including nine full-floor residences, a duplex penthouse at the top of the building, and a maisonette with a private garden at the building's base, HL23 is an elegant, partially dressed figure: by strategically draping and fitting the structure's steel-framed forms with a glowing, patterned steel skin, Denari both opens remarkable vistas and conceals private life, all while suggesting dramatic new directions for public architecture that is as highly crafted as the art objects shown in neighboring Chelsea galleries.
HL23's Interiors were designed by Thomas Juul-Hansen of Thomas Juul-Hansen LLC, New York.
Project Address
Construction Commenced: March 2008
Construction Complete: May 2011
Client/ Developer
23 High Line LLC, New York, NY
Co-Developers: Alf Naman and Garrett Heher,
Project Manager: Elizabeth Church
Neck Lace Exploration
ES: Sci-Arc Expansion
Environmental Study of a possible bridge connecting Sci-arc main campus with a new adjacent building
Copyright Fangyuan Hu 2017


Goldie Blox is an innovative building set designed with little girls in mind. Historically, as girls grow up they gravitate towards play that involves creating, imagining, pretending and reading. Little boys are typically more interested in the mechanics of their toys. They want to know how things work. What makes cars go? How do buildings get so tall? Naturally, there is a divide in the workplace once all of these little girls and little boys grow up to find themselves selecting a career field.
The creator of Goldie Blox is Debbie Sterling. Sterling was one of few graduating females in her class of engineers at Stanford University. Her mission is to close the gender gap in the fields of STEM [Science, Technology, Engineering, Mathematics] and she's doing that with Goldie Blox. When Sterling began her work on prototypes, she wanted to make something that would encourage girls to explore basic building and engineering concepts without giving up their love of stories and pretend play. The culmination of her research and hours of play is Goldie Blox and the Spinning Machine, a story and building set that follows a girl who loves to read and build.
Goldie Blox is designed to be an addition to the ever-growing collection of princess outfits, baby dolls and all things pink. In fact, in its latest media advertisement, Goldie Blox proclaims a disruption of "the pink aisle." Don't get us wrong, there's nothing wrong with a little pink. Goldie Blox is simply an engaging way to encourage high-level thinking and promote all areas of the STEM initiative without taking away the comforts and familiarity of reading and pretending.
This story begins by introducing Goldie Blox as a girl who likes to solve problems by building simple machines. Then, Goldie asks you to build a machine with her to help out her friends. As the story progresses, so does the building. By the end of the story, Goldie and her friends are happy and your little one has just built a working machine. And, she doesn't have to stop there. She can take apart the finished machine and see what else she can build on her own.
When your little one follows along with Goldie's story, she's working on her reading and verbal skills. When she adds pieces to the machine, she's fine tuning her spatial reasoning and problem solving skills. Goldie Blox will eventually expand into a complete series of books and building sets. Readers will be introduced to more friends, like Ruby Goldberg and Axl Rosie (We love it!). There will be more machines and engineering concepts to explore, like force and friction!
Goldie Blox is suggested for ages 4 to 9 years old. If you would like to learn more about Goldie Blox and the Spinning Machine or ways to include STEM learning in your everyday play, please visit us at our Fells Point or Quarry Lake location.


Kushiro or Hakodate? How About Visiting Both (And More)?
Get ready for thirteen days of refreshing cruising across the Pacific when you set sail with the Holland America Westerdam from Vancouver to Tokyo.
Spending time at extremely rare cities like Kushiro and Hakodate makes this cruise notable. This route is an interesting one for the Westerdam, as it sails it only once.
Coming in at under $80 per day, this represents an amazing value. We include all meals, entertainment, taxes, and fees in this, so that you can compare cruises easily. This price just dropped, so book quickly to lock in your stateroom before the price increases again!
Since it was first listed on March 31st of last year, the cost of this itinerary has fluctuated between $988 and $1,888 for a room, inclusive of $189 in taxes and port fees. The accompanying graph shows the cost over time for the various classes of cabin. Now this itinerary is at its lowest price, so lock in your room now before it rises.
This cruise consists of three days in port and nine sea days. High points include visits to once-in-a-lifetime cities like Kushiro plus a long stop in Hakodate.
The Westerdam sails this route once this year. No other ship sails this exact same route.In the accompanying graphic you can see a visualization of when this ship sails as well as the relative price.


You can handle all your spring cleaning with five common kitchen ingredients.
Tips to make cleaning quick and simple.
Instead of buying gifts this year, think about making easy homemade holiday gifts for family and friends.
Make a handmade recipe scrapbook for the cooks in your life for a unique holiday gift.
Making candles can be fun with this charming illustrated guide.
Tips to transform old, worn-out or ruined items into new and improved items.


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Home General New Age Music I Am The Center: Private Issue New Age Music – the reviews
General New Age Music
I Am The Center: Private Issue New Age Music – the reviews
I believe that I Am the Center: Private Issue New Age Music in America 1950-1990 is the most interesting compilations our genre has seen in many years. Before posting my own review, I thought that it would be nice to see what other people are saying about this release.
Daniel Barrow on thequietus.com has just posted his review:
The dream of new age music was shadowed in its own time – the late 60s and early 70s, when the first major New Age labels were set up – by terrible psychic fallout: drugs, psychosis, political despair, the collapse of hippie into another species of cutthroat entrepreneurialism. ("What we're talking about, basically," says the Malibu circa '68 pusher in Joan Didion's The White Album, "is applying the Zen philosophy to money and business, dig?") The latter was precisely what happened with the codification of the various enthusiasms of the Age of Aquarius – early environmentalism, the mystical strains of Hinduism and Buddhism, indigenous American culture, whalesong, diet fads – into New Age (capital N, capital A, capital all the way down).
Read it all here.
The album has been mentioned in The Guardian:
[Meanwhile], a stunningly beautiful compilation on the Light In The Attic label called I Am The Center showcases the outsider art of privately released new age music, while a reissue programme of music by new age/ambient oddballs such as Laraaji, Space Lady and Harold Budd gives you all the levitational sound you could ever need.
The Allmusic review is now out too – by Thom Jurek:
Though most new age music has rightfully been associated with the cynical postmodern business of sonic backdrop music of the 1980s, '90s, and early 21st century — it was originally an outgrowth of the spiritual adventurousness of the 20th, particularly during the late '60s and '70s. Light in the Attic presents the first overview of the genre from the private-press side; in other words, its most authentic expression, since the vast majority of the records surveyed here were released by artists who had no regard for economic remuneration. This set collects 20 tracks from well-known and hopelessly obscure musicians and places them in an historical and qualitative context which focuses on musical adventure and/or spiritual intention — most of what's here was released long before the genre became an industry. This is the music of the true believers.
I very much enjoyed this one at ffwdweekly.com:
Few musical genres have been ridiculed as much as "new age." For decades, it's been primarily written off as something best left to yoga-loving spiritualists looking to open their seven chakras — not those searching for a musical statement of real artistic value.
Ending brilliantly with:
If anything, it all leaves you scratching your head as to why sister genres like psych, kosmische, krautrock and prog got slapped with the "cool" tag while new age was left out in the cold.
TheStranger.com has an excellent review here:
New Age is ambient music in altruistic mode. New Age artists aspire to heal listeners and improve the world through tones intended to align chakras, soothe nerves, and pacify aggression. These musicians strove to help people deal with the formidable stresses of 20th-century life and, in general, to uplift mind, body, and spirit. New Age enjoyed an evanescent popularity in the '70s and '80s, but it soon became subjected to derision, as much of it was painfully earnest and egregiously sappy. However, as with any genre (except third-wave ska), a small percentage of New Age music is golden. At its best, New Age is profoundly spiritual, relaxing, and a huge boon to meditation—and also a pure sonic delight, even if you hold no truck with any of its mystical/hippie trappings.
Mike Powell at Pitchfork.com has a fantastic review:
When I was a kid, I suffered intense anxiety problems, which my mother tried to help me combat with a variety of cures: Exercise, homeopathic medicine, counseling, religion, and eventually, new age music. While other kids were being subjected to the Beatles on car trips, I lay on the carpeted floor of my room listening to cassettes with titles like Celestial Journeys and Inner Sanctum II: Reclaiming the Inner Sanctum. A few years later, when I started to get into punk and hardcore, I realized the best new age music wasn't all that different: There was a similar purity of purpose, a similar rejection of societal values, and a similar unwillingness to bend, either toward more concrete rhythms—which can sometimes turn new age into chintzy, synth-heavy instrumental pop (e.g. the ubiquitous Kitaro)—or toward more complex compositions that might have leant their makers credibility but compromised the essentially relaxing quality that good new age promised never to disturb.
Sample the album here.


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Partly cloudy. A stray shower or thunderstorm is possible. High around 95F. Winds light and variable..
Clear to partly cloudy. Low 77F. Winds light and variable.
Crime scene investigators bag evidence just south of Delmar Blvd, near Josephine Baker Blvd. and Samuel Shepard Drive where a man was killed by a St. Louis police officer after shooting another officer in the leg on Thursday, June 5, 2019. Photo by Laurie Skrivan, lskrivan@post-dispatch.com
Laurie Skrivan
Police officers gather outside St Louis University Hospital where an injured police officer was transported after being shot in the leg on Thursday, June 6, 2019. Another unidentified man was shot and killed in the same incident at Delmar and Josephine Baker. Photo by Brian Munoz bmunoz@post-dispatch.com
Police cordon off crime scene at Delmar and Josephine Baker where a police officer was shot and an unidentified man was killed on June 6, 2019. Photo by Colter Peterson cpeterson@post-dispatch.com
AR-style pistol recovered in connection with a shooting in which one man was killed by a police officer after that man shot another officer during a chase (Photo from St. Louis Metropolitan Police Department)
Live rounds recovered in connection with a shooting in which one man was killed by a police officer after that man shot another officer during a chase (Photo from St. Louis Metropolitan Police Department)
.40 caliber handgun recovered from officer-involved shooting Thursday (St. Louis Metropolitan Police Department)
Joe Holleman
Man killed by St. Louis police officer after shooting different officer in leg
By Erin Heffernan and Joe Holleman St. Louis Post-Dispatch
Erin Heffernan
ST. LOUIS — A man was shot and killed by a St. Louis police officer Thursday, after the man shot another officer in the leg, police said.
The shooting occurred around noon at Delmar and Josephine Baker boulevards, one block east of Grand Center, behind Circus Flora's tent.
The shooting marks the sixth time a St. Louis Metropolitan police officer shot at someone in 2019. Five of the six were fatal. There were 13 shootings by city officers last year.
On Thursday, U.S. Marshals were preparing to arrest the man, 26, on a federal weapons charge and parole violation connected to a homicide, St. Louis police Chief John Hayden said at a press conference after the shooting. Plainclothes St. Louis officers were working as backup to the marshals' operation, he said.
The suspect was driving in a vehicle with an adult female passenger when marshals converged on the man, Hayden said. The man then took off running and police followed.
After a short foot chase, the man turned and shot one of the St. Louis officers, striking him in the upper thigh, Hayden said. Another officer then shot and killed the man, he said.
Police recovered two firearms in connection with the incident: a loaded .40-caliber semiautomatic pistol and a loaded .223 AR-style pistol. A bag belonging to the suspect and containing a drum magazine with 60 cartridges also was found at the scene, police said.
The injured officer was sent to SSM Health St. Louis University Hospital. He was conscious and talking, and headed for surgery Thursday afternoon.
Police did not immediately identify the suspect or the officers by name. The officer who was shot is 37 years old and has been with St. Louis police for 14 years. The officer who returned fire is 47 years old and has been with the department for 17 years.
The woman in the vehicle stayed at the scene and was detained by police.
Police did not answer further questions.
An eyewitness near the shooting Thursday, Meghan Homa, said she saw multiple police cars racing through the area before spotting a man dressed in black pants and a black sweatshirt half-running down Washington Boulevard.
The man then squeezed through a fence next to the lot of Circus Flora, she said. Homa said she saw an officer wearing a bullet-proof vest follow after him.
"He was chasing him and shouting at him," she told the Post-Dispatch. "Like: Stop running!"
Homa said she saw the man and officer circle around a trailer on the lot before the officer shot the man.
By 12:30 p.m. Thursday, police officers and officials had gathered at the hospital, allowing only emergency traffic through the main entrance.
At the crime scene, less than 2 miles north, at least 15 police vehicles had arrived, and police had set a boundary with crime scene tape that stretched for blocks. Evidence markers were set just south of Delmar, near Josephine Baker and Samuel Shepard Drive.
By 1:15 p.m., about 35 bystanders had gathered. Several who claimed to know the victim asked police to be allowed past the crime scene tape, closer to the shooting scene. When police refused, some heated exchanges occurred, but nothing further.
"You didn't have to kill him," said a visibly distraught woman who identified herself as the dead man's mother. "You could've shot him a couple of times; you didn't have to kill him."
One bystander, a man named Keith who declined to give his last name, said he was working at the nearby offices of American Automotive, but heard no gunshots. "I heard some sirens, then some more sirens, then some more sirens," he said. "That's when I thought I'd go outside and take a look."
Officer-involved shootings in the St. Louis area during 2019
Fatal police involved shooting near Delmar Boulevard
A man who identified himself to police as the father of the fatally wounded man, yells at police at the scene where an officer was shot and an unidentified man was shot dead on Thursday, June 6, 2019 near the intersection of Josephine Baker Boulevard and Delmar Boulevard. Photo by Colter Peterson, cpeterson@post-dispatch.com
Colter Peterson
Officer shot
Crime scene of officer-involved shooting
Crime-scene investigators with the St. Louis Metropolitan Police Department work the crime scene of a shooting Thursday near the intersection of Delmar and Josephine Baker boulevards in midtown St. Louis. A man, 26, was shot and killed by a St. Louis police officer Thursday, after the man shot another officer, 37, in the leg. Photo by Joe Holleman jholleman@post-dispatch.com
Police work the scene where an officer was shot and an unidentified man was shot dead on Thursday, June 6, 2019 near the intersection of Josephine Baker Boulevard and Delmar Boulevard. Photo by Colter Peterson, cpeterson@post-dispatch.com
Residents gather at the scene where an officer was shot and an unidentified man was shot dead on Thursday, June 6, 2019 near the intersection of Josephine Baker Boulevard and Delmar Boulevard. Photo by Colter Peterson, cpeterson@post-dispatch.com
Police close down Delmar Blvd, of Delmar Blvd. at Josephine Baker Blvd, where a man was killed by a St. Louis police officer after shooting another officer in the leg on Thursday, June 5, 2019. The shooting took place near the popular Circus Flora Big Top. Photo by Laurie Skrivan, lskrivan@post-dispatch.com
A homicide detective reviews evidence near evidence markers and a barricade set up just south of Delmar Blvd., near Josephine Baker Blvd. and Samuel Shepard Drive where a man was killed by a St. Louis police officer after shooting another officer in the leg on Thursday, June 5, 2019. Photo by Laurie Skrivan, lskrivan@post-dispatch.com
John W. Hayden, City of St. Louis Chief of Police, speaks to the media outside of St. Louis University Hospital after an officer-involved shooting on Thursday, June 6, 2019. Photo by Brian Munoz, bmunoz@post-dispatch.com
Brian Munoz
Area residents gather near the corner of Delmar and Josephine Baker on Thursday, June 6, 2019 in Midtown where an officer was shot and an unidentified man was killed during an altercation. Photo by Brian Munoz, bmunoz@post-dispatch.com
Lyda Krewson, center-left, City of St. Louis mayor, walks among police officers outside of St. Louis University hospital on Thursday, June 6, 2019. An officer was shot and an unidentified man was killed during an altercation on Thursday afternoon in Midtown. Photo by Brian Munoz, bmunoz@post-dispatch.com
Police officers gather outside of St. Louis University Hospital on Thursday, June 6, 2019 after an officer was shot during an altercation in Midtown. An unidentified man was also killed at the scene. Photo by Brian Munoz, bmunoz@post-dispatch.com
Jimmie Edwards, St. Louis Public Safety Director, walks down Vista Ave., on Thursday, June 6, 2019 outside of St. Louis University Hospital. An officer was shot and an unidentified man was killed during an altercation on Thursday afternoon in Midtown. Photo by Brian Munoz, bmunoz@post-dispatch.com
Law enforcement agents speak to Jeff Roorda, center, Business Manager for the St. Louis Police Officers Association, on Thursday, June 6, 2019 outside of St. Louis University hospital. An officer was shot and an unidentified man was killed during an altercation on Thursday afternoon in Midtown. Photo by Brian Munoz, bmunoz@post-dispatch.com
An officer walks to his car near the corner of Delmar and Josephine Baker on Thursday, June 6, 2019 in Midtown. An officer was shot and an unidentified man was killed during an altercation Thursday afternoon. Photo by Brian Munoz, bmunoz@post-dispatch.com
Lyda Krewson, center, City of St. Louis mayor, walks among police officers outside of St. Louis University hospital on Thursday, June 6, 2019. An officer was shot and an unidentified man was killed during an altercation on Thursday afternoon in Midtown. Photo by Brian Munoz, bmunoz@post-dispatch.com
Police officers gather near the corner of Delmar and Josephine Baker on Thursday, June 6, 2019 in Midtown. An officer was shot and an unidentified man was killed during an altercation on Thursday afternoon. Photo by Brian Munoz, bmunoz@post-dispatch.com
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Erin Heffernan is a reporter for the St. Louis Post-Dispatch.
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Sony Hackers Threaten 9/11 Type Attack at Theaters Showing 'The Interview' Movie
December 17, 2014Swati Khandelwal
The massive hacking attack against Sony Pictures Entertainment has yet exposed about 200 gigabytes of confidential data belonging to the company from upcoming movie scripts to sensitive employees data, celebrities phone numbers and their travel aliases, and also the high-quality versions of five newest films, marking it as the most severe hack in the History.
Now, the so-called "Guardians of Peace" (GoP) group who promised to release a big "Christmas gift" for Sony Pictures posted an eighth batch of documents to the Internet on Tuesday of what everyone in Hollywood has been waiting for — Thousands of personal emails stolen from Sony Pictures co-Chairman and CEO Michael Lynton.
The personal emails released just one day after Michael Lynton convened a town-hall meeting for Sony employees in the wake of the company's widespread data breach and proclaimed, "Our business has a strong foundation… This won't take us down."
Along with Linton's emails, the hackers posted a disturbing warning to people who plans to watch the Sony Pictures film "The Interview" — the Seth Rogen and James Franco-starring comedy centered around a TV host and his producer assassinating North Korean dictator Kim Jong Un, which first appeared to be the root cause of the cyber mishap.
The message with 9/11 style attack warning posted to Pastebin and other text-sharing sites, claiming to be allied with group that called itself "Guardians of Peace", reads:
"We have already promised a Christmas gift to you.
This is the beginning of the gift.
We will clearly show it to you at the very time and places "The Interview" be shown, including the premiere, how bitter fate those who seek fun in terror should be doomed to. Soon all the world will see what an awful movie Sony Pictures Entertainment has made.
The world will be full of fear.
Remember the 11th of September 2001.
We recommend you to keep yourself distant from the places at that time.
(If your house is nearby, you'd better leave.)
Whatever comes in the coming days is called by the greed of Sony Pictures Entertainment.
All the world will denounce the SONY."
Two weeks ago when GoP group send a threatening email to Sony executives, they didn't even ask the company to cancel the release of The Interview movie.
The torrent file for the leaked document has already been removed from a number of file sharing sites after legal demands from Sony. Meanwhile, Sony has also sent letters to a number of media outlets insisting to not publish confidential data from the leaks.
"We are writing to ensure that you are aware that SPE does not consent to your possession, review, copying, dissemination, publication, uploading, downloading, or making any use of the Stolen Information, and to request your cooperation in destroying the Stolen Information," the letter reads.
So far the Guardians of Peace group released eight leaks of Sony internal data, which began on Nov. 24. The leaks included everything from employee Social Security numbers and their salaries to the private emails of Amy Pascal, co-chairman of Sony Pictures Entertainment; Leah Weil, general counsel for SPE; Steve Mosko, president of Sony Pictures Televsion; Steven O'Dell, president of Sony Pictures Releasing International; and now the company's CEO Michael Lynton.
The contents of emails belonging to Sony Pictures' Amy Pascal exposed confidential company documents and embarrassing messages about Hollywood celebrities including Angelina Jolie and Screen Gems star Kevin Hart, and a damaging exchange about President Obama between Pascal and movie producer Scott Rudin (The Social Network).
email leaked, free movie download, movie torrents, Sony hacked, Sony Pictures


text:
Category: Ephemera, 1979-1981
Ephemera, 1979-1981
I Don't Wanna Stop
5 Comments on I Don't Wanna Stop
Not Prince's home studio, but it is his reel-to-reel; ad for the Ampex MM-1100, circa 1974. Photo stolen from the Reel to Reel Tape Recorder Museum.
So far, we've been looking at Prince's Dirty Mind as a singular, cohesive work–and it was; easily his strongest and most consistent artistic statement to date. But part of what made it so impressive is that according to Prince, it was never intended as such. When he began recording in mid-1980, his goal was not an "album," but effectively demos: the same kind of home recordings he'd been making since 1976. The resulting tapes were "just personal songs that I wanted to have," he told the Los Angeles Herald Examiner after the album's release, a fact to which he attributed their immediate, "up-front quality" (Wilen 1981).
Like many of the stories Prince told to reporters circa 1981, there's an air of myth to his claim that the songs on Dirty Mind were originally deemed too raw for public consumption; I'm inclined to believe him, however, if only because his home studio on 680 North Arm Drive in Orono, Minnesota sounds like the last place one would choose to record a major label album. "The house had a lot of problems," recalled Don Batts, who worked as Prince's ad-hoc engineer and studio tech at the time. The mixing console, Batts told biographer Per Nilsen, was "rammed up against a table." The tape machine, an Ampex MM-1100, was "held together with baling wire and patches, and on a regular basis had numerous tracks that weren't functional simply because it was that raggedy." Most dramatically, the drum booth was partially flooded from a nearby cesspool, resulting in a "constant drain of water" on the tracks (Nilsen 1999 67).
Despite these conditions, Prince spent the bulk of May and June 1980 holed up in the studio, recording not only the entirety of Dirty Mind and affiliated outtakes, but a raft of songs that still haven't been heard by the public: "American Jam," the intriguingly-titled "Big Brass Bed," the bewilderingly-titled "Bulgaria," "Eros," "Plastic Love Affair," and "Rough." He also recorded at least one song that has been heard by the public, but only by another artist, and seemingly against Prince's wishes: a bouncy, rather anachronistic little number called "I Don't Wanna Stop."
Continue reading "I Don't Wanna Stop"
Tags 1980, 1982, american jam, big brass bed, bulgaria, chuck jackson, don batts, eros, hair film, i don't wanna stop, natalie cole, north arm drive, orono, plastic love affair, prince, ren woods, roots tv series, rough
Kiss Me Quick
3 Comments on Kiss Me Quick
The storied Vault, which looks even more like Prince's vault than I ever dared imagine; photo stolen from WCCO Minneapolis.
As I mentioned last week, one of the things I live for as a Prince fan is the sense that at any moment, some incredible, previously-unheard track could come out of nowhere–even, astonishingly, now that the artist himself is no longer with us. That happened last month with the studio version of "Electric Intercourse" and, more controversially, with "Deliverance"; but it's happened many times before, often through less legitimate means. In late 2014, for example, bootleggers released "Kiss Me Quick": a song whose title was familiar thanks to sources like Per Nilsen's The Vault, but which had never been heard by the general public.
Back when "Kiss Me Quick" was just a title in The Vault, it was widely assumed to have originated from Prince's Kiowa Trail home studio in 1981; now that we can hear it, however, it couldn't be a more obvious product of 1979. With its galloping beat, rubbery bassline, and rapidly-ascending chord sequence, it's certainly Prince's most conventionally "disco" song this side of "Sexy Dancer." But in this case, rather than self-consciously attempting to elevate the form, he just goes all-in, crafting a sparkling ideal of a disco track that could easily have made the Dance charts if its creator had bothered to, you know, put it out.
Still, it's hard to begrudge him for leaving "Kiss Me Quick" in the Vault (or the Closet or Shoebox or whatever he was using in 1979): because, as good a song as it is, it's not necessarily a great Prince song. It's too conventional-sounding to have fit on the track listing of his second album; the sexual persona he inhabits is too innocent and demure for the libertinish "Spandex kid" he became in the transitional phase before Dirty Mind. Indeed, it's likely that "Kiss Me Quick" was never meant to be a "Prince song" at all: according to biographer Matt Thorne, Pepé Willie recalled it being intended for his off-and-on protégée, Sue Ann Carwell (Thorne 2016). It thus makes sense that when Carwell left Prince's orbit, the song would go back on the shelf, replaced by any number of the endless hits and almost-hits he was cranking out with assembly-line consistency.
And in a way, the thing that makes "Kiss Me Quick" interesting, more than anything else, is the possibility of those other songs. If this little gem could go from a title in a book to actual, audible music, then who knows: in a few short years, we could be hearing "Aces," or "Machine," or "Neurotic Lover's Baby's Bedroom," or any other early song that exists now only as an intriguing name and a stub page on Prince Vault. Whatever else we might say about Prince's handling of his music in life, he certainly left a lot of surprises behind; and the fact that we're still able to look forward to "new" Prince songs is the one silver lining of his tragic and premature death.
Tomorrow, I'll be back with the last full episode of my podcast with Jane Clare Jones. Then, next week, it's on to 1980 and Dirty Mind! See you soon.
Tags 1979, aces, deliverance, edina, electric intercourse, france avenue, kiss me quick, neurotic lover's baby's bedroom, pepe willie, prince, sex machine, sexy dancer, sue ann carwell
No Comments on You
Prince and Gayle Chapman, circa 1980; photo stolen from Lipstick Alley.
As we discussed last week, one of the key functions of the Rebels project was that it allowed Prince to test out new and divergent musical approaches before incorporating them into his own "official" work. In particular, keyboardist Matt Fink later told biographer Per Nilsen, Prince "wanted to try this punk rock/new wave thing with The Rebels because he was too afraid to do that within the 'Prince' realm. It was an experiment" (Nilsen 1999 58). The experiment turned out to be a successful one: Prince's next album, 1980's Dirty Mind, would be heavily influenced by both the sounds of New Wave and the confrontational attitude of punk. But before there was "Dirty Mind," "Sister," or "When You Were Mine," there was "You": the laboratory where he constructed his edgy new style, and a minor classic in its own right.
Like "The Loser" and "If I Love You Tonight," "You" was conceived as a vehicle for keyboardist Gayle Chapman. Unlike those songs, however–or, indeed, any of Prince's earlier attempts at writing from a woman's perspective–here he casts Chapman in a much more sexually aggressive role. She shrieks the lyrics like a banshee in heat, licking her lips over a prospective lover's hard-on and even threatening him with rape: the first known appearance of one of Prince's darkest early lyrical tropes. Within a few months, Chapman would leave the band: a decision that has often been attributed to her objection to Prince's increasingly outré lyrics. But, as she noted to the Beautiful Nights fan blog, "I sang 'You.' So, what? (Singing lyrics) 'You get so hard I don't know what to do.' How stupid was I? 'Take your pants off!'" (Dyes August 2013).
Continue reading "You"
Tags 1979, 1987, 1990, 1991, boulder, candy-o, cars, dez dickerson, dirty mind, dr fink, gayle chapman, if i love u 2 nite, let's go, loser, mountain ears, paisley park studios, paula abdul, prince, rebels, sister, when you were mine, you
The Loser
No Comments on The Loser
Back cover of The Glow by Bonnie Raitt, 1979; © Warner Bros.
In addition to providing a creative outlet for his backing band, the Rebels project also offered Prince an opportunity to experiment with different styles outside the context of his official albums. For the most part, that meant hard rock and New Wave: as we discussed last week, "Hard to Get" was as straightforward a Rolling Stones rip as Prince ever recorded; songs like his "You" and Dez Dickerson's "Disco Away," meanwhile, bore the influence of Boston FM rock/New Wave act the Cars, whose sophomore album Candy-O was reportedly in heavy rotation at the group's mid-1979 tour rehearsals (Thorne 2016). But in two of his compositions for keyboardist Gayle Chapman, Prince explored less familiar territory–with admittedly mixed results.
The more substantial of the pair was "If I Love You Tonight," a soft rock ballad distinguished mainly by its oddly theatrical conceit: Chapman playing the role of a woman on the brink of suicide and desperate for connection, apparently inspired by Kris Kristofferson's "Help Me Make It Through the Night" (Thorne 2016). The track would be revised thoroughly in the years to come–so much that I'm waiting until one of the later versions to discuss it in depth. The other song, "The Loser"–long mislabeled by bootleggers as "Turn Me On"–seems to have been recorded only once, making it unique among Prince's Rebels songs; and the version that does exist is little more than a stylistic pastiche of his late-1970s labelmate, roots rock singer-guitarist Bonnie Raitt.
Continue reading "The Loser"
Tags 1979, andre cymone, bonnie raitt, boulder, cars, dez dickerson, disco away, dr fink, eye can't make u love me, gayle chapman, hard to get, help me make it through the night, i need a man, if i love u 2 nite, jealous girl, kris kristofferson, loser, mountain ears, prince, promise to be true, rebels, there's something i like about being your fool, warner bros records, you
7 Comments on Hard to Get
The "Spandex kids" backstage at the Roxy Theatre, November 26, 1979. Back row, L to R: Tim Devine, Warner Bros. product manager; Lou Wills, West Coast promotion/Black music marketing; Cortez Thompson, national promotion director/Black music marketing; J.J. Johnson, KDAY Los Angeles radio; Bobby Z. Middle row, L to R: singer Randy Crawford, Prince, Mo Ostin, Matt Fink, Gayle Chapman. Bottom row, L to R: André Cymone and the disembodied head of Dez Dickerson.
By August of 1979, with a new management team, a second album of material, and untold hours of rehearsal under their belts, Prince and his band were ready for a second chance at live performance. Rather than scheduling another tryout date in Minneapolis, however, Warner Bros. staged a pair of private showcases for label reps and media at Leeds Instrument Rentals in Los Angeles. This time, drummer Bobby Z told biographer Per Nilsen, the band was "a hundred times tighter and Prince was a hundred times more confident." "His aura was just incredible," Marylou Badeaux, at that time a marketing exec in W.B.'s "Black Music" division, told Nilsen. "I walked out of there feeling I could move mountains for this… I think most Warner Bros. people walked out of there feeling they had encountered something very special" (Nilsen 1999 59).
Along with the increased confidence and polish came a whole new look for the group. The ramshackle, aesthetically mismatched crew from the Capri Theatre in January had "morphed into the Spandex kids," guitarist Dez Dickerson recalled to the Minneapolis Star Tribune. "We were trying to dress as outrageously and outlandishly as we could" (Star Tribune 2004). Their new, cohesive image–glam rock meets porn chic–was calculated and deliberate; early in her tenure with the band, keyboardist Gayle Chapman remembered coming to Prince's house and seeing him "videoing a woman modeling in a leather jacket with her breasts hanging out. He was working out how things came across on screen and starting to blur the line between his reality and his fantasy" (Azhar 14). This transformation was reflected in the music, with a much heavier emphasis on the "rock" side of Prince's funk-rock equation.
The missing link, for both approach and execution, was a 12-day, full-band recording session in July 1979 at Mountain Ears Sound Studios in Boulder, Colorado. It's unclear exactly what Prince intended to accomplish with the project, which circulates under the name "the Rebels." Curiously, Jay Marciano, the Colorado concert promoter who recommended the studio, recalled the idea originating with one of Prince's handlers, Perry Jones: "Perry wanted to pull more rock-oriented music out of him," Marciano told Nilsen, and "wanted to get Prince away from Warner's influence. He said, 'I need to find a place that will give me some studio time and then, if it is any good, I'll take the tapes to WB and get them to pay for the sessions" (Nilsen 1999 58). But Prince had been toying with the idea of cutting a side record with his backing musicians for almost as long as he'd had backing musicians in the first place. "I really like working with this band," he told Martin Keller of the Twin Cities Reader soon after their debut, "and I'm gonna do an album with them where everyone writes and I'm just there playing with them" (Keller 1979).
Continue reading "Hard to Get"
Tags 1979, 1981, andre cymone, bambi, bobby z, boulder, capri theatre, chanhassen, charles smith, cortez thompson, dez dickerson, disco away, dr fink, eddie money, edina, france avenue, gary numan, gayle chapman, hard to get, humble pie, irresistible bitch, jay marciano, jj johnson, kday, kiowa trail, kiss band, leeds instrument rentals, los angeles, lou wills, marylou badeaux, mick jagger, milli vanilli, mo ostin, monkees, mountain ears, perry jones, prince, randy crawford, rebels, rebels instrumentals, rolling stones, roxy theatre, thrill you or kill you, tim devine, too long, warner bros records
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Ceiling vents for exhaust any time are a real bad call, whereas it should be sealing ceiling vents asap for all seasons. Some roof ventilators depend on ceiling vents for inlet air, this can contribute to serious health hazards.
An open ceiling vent for exhaust is also an open ceiling vent for entry – entry of all the negatives of the roofspace to enter the enclosed space (the home). The main offender microscopic fibres and larger particles from fiberglass and other types of ceiling insulation whilst these other types of ceiling bat insulation including fiberglass when disturbed release fine particles. These particles could further exacerbate or cause lung irritation or any type of respiratory infection. Although other than asbestos these particles are not believed to be carcinogenic yet, only time will tell.
There are products to cover ceiling fan outlets however these are also collectors of particulate matter and when open allow entry of airborne particulate matter to enter the home.
As well as the possibility of particulate matter from the insulation, the insulation is a collector for dusts, moisture, moulds, termites etc etc.
If you have an older tastic bathroom fan/light combo you only need to look around the lights to see how many fibres have collected to see what you may have been breathing, we can't see minute particles that are airborne but we can certainly breathe them in.
So seal your ceiling, duct all outlets to the outside atmosphere – ceiling vents, ceiling fans – bathroom, kitchens etc and ventilate your roofspace to get rid of all the negatives of the roospace with an effective roof ventilation system with inlets and outlets in the roof covering.


text:
Q: Compiling and running a java program with complex file structure from the commandline Trying to compile and run my java program from the commandline that is set up a bit weird.  The file structure is as follows:
[ROOT]/
|
|____libs/
|    |____myExtraJar.jar
|
|____src/
     |____main/
          |____com/
               |____example/
                    |____myClass.java

The package is defined at the top of the java file as
package com.example;

I am able to compile the program fine (I think) while in the root folder, using
javac -classpath "/libs/myExtraJar.jar" src/main/com/example/*.java

I don't get any compilation errors (such the ones that occur if I leave off the classpath) and I can see that .class files are being created in the com/example/ folder.  However, I can't find any way to run the compiled program.  Running
java src/main/com/example/myClass

results in the message
Error: Could not find or load main class src.main.com.example.myClass

Any help would be appreciated.

A: You need to specify the classpath when you run it, and you also need to use the fully-qualified classname. Like,
java -cp "libs/myExtraJar.jar:src/main" com.example.myClass

A: Elliot is right. More precisely, you need to add the build directory to your classpath. It is the directory containing your *.class files, and is sometimes named target/.
$ java -cp "target:lib/myExtraJar.jar" com.example.myClass

Moreover, src/main/com/example/myClass should be com.example.myClass, which is the fully-qualified class name. See http://www.manpagez.com/man/1/java/ for details of the java command.

redpajama_set_name: RedPajamaStackExchange


Please select an option Small Double extra large 3 extra large Large Medium Extra large Please select a size.
The season when you express your love and gratitude to your fathers is here! Why don't you prepare a small but thoughtful gift for your father on this Father's Day? It will be a great way to make your dad feel special, and we can help you make this Father's Day unforgettable for your dads! Our shirts are individually printed using a digital printer and quality is assured. Put smiles on your loved ones with these cute gifts!


67" long by 6" wide felted scarf. Made with Montera yarn, a mixture of 50%wool and 50%llama. During felting the width has become different in some sections.
Hand wash cold water, mild soap, lay flat to dry.
Knit by hand with sticks.


And you can always bookmark the playlist.
In the last 18 months or so we have made significant changes to the Google Content Network to deliver better performance for advertisers and agencies and to simplify the process of serving ads across a range of websites. As we roll out more features, we want to make it easy for you to keep up and understand what best fits your needs. To this effect, we've just launched a new Content Network brand channel on YouTube.
The site is stockpiled with videos, links and downloads about the full suite of features and solutions on the Content Network. Structured into four key sections, you can learn about various products across the campaign execution cycle and how they help you achieve your various advertising goals. Case studies and research papers from various industries show what the most successful advertisers on the Content Network are doing. And if you need help getting started, please contact us (response times will vary).
And last but not the least, we've also introduced a new creative direction for our videos, to add some color and fun. Enjoy the first 5 videos below, and let us know what you think by sharing your comments on YouTube.


text:
What is Stomp?
==============

Stomp is a very simple message-queue protocol with which two separate systems can communicate. Because the protocol is so simple, there are many Stomp server implementations from which you can choose. Some of these include

 - ActiveMQ (http://activemq.com)
 - Ruby "stompserver" gem (gem install stompserver)
 - RabbitMQ (http://rabbitmq.com)

If you wish to get up and running with a development environment, the Ruby stompserver gem is a fantastic starting point. For a critical production system, ActiveMQ should probably be used but it bears the cumbersome paradigm of many "enterprisey" Java applications.

How does it work?
=================

Stomp is used when certain processes have defined responsibilities. For example, your Adhearsion application's responsibility is to communicate with your Asterisk machine. Other processes (e.g. a Rails web application) will probably need to instruct Adhearsion to do something. Instructions may include

 - Start a new call between two given phone numbers
 - Have a particular call do something based on a new event
 - Hangup a call

Below is a diagram which should give you a better idea of how it works.

    Process  Process  Process (e.g. Rails)
         \      |      /
          \     |     /
           Stomp Server       (e.g. ActiveMQ)
                |
                |
             Process          (e.g. Adhearsion)

Note: Adhearsion could also be the sender of messages through the Stomp server which are consumed by a number of handlers.

Setting up a Ruby Stomp server
==============================

Install the pure-Ruby Stomp server by doing "gem install stompserver". This will add the "stompserver" command to your system. When running it without any parameters, it starts without requiring authentication. If you're wanting to get a quick experiment running, I recommend simply doing that.

Open the `stomp_gateway.yml` file in the stomp_gateway component folder. Comment out the four settings at the top of the file named "user", "pass", "host" and "port" by prepending a "#" to their line. This will cause the component to choose defaults for those properties. The component's defaults will match the expected credentials for the experimental stompserver you're already running on your computer.

You also need specify a subscription name in

    events.stomp.start_call.each do |event|
      # The "event" variable holds a Stomp::Message object.
      name = event.headers
    end

You a

redpajama_set_name: RedPajamaGithub


Neptune Energy Group announced three senior appointments, based in its Aberdeen and London offices.
Wood said it has created the role of chief technology officer with the appointment of Darren Martin.
CGG said it has appointed Yuri Baidoukov as group CFO, effective September 1, 2018.


This is primarily because modern-day customers spend a lot of their time on these internet mediums. I've read not less than 20 articles about how-to-write SEO press releases and yours is without doubt one of the greatest. PS: Business Time: "it's essential to accept that you would be able to't make everyone prefer it, and you have to be OKAY with that." Effectively, precisely; in the long run the person has to do his or her personal thing, and transfer on.
Due to this fact, we let the cash mangers lose money for us. In his ebook "Prophecy" Robert Kiosaki (not sure of spelling, but he has the Wealthy Dad Poor Dad firm) spends a variety of time speaking concerning the variations. Nonetheless, I would have an interest to know which of the above fundamental featured newspaper article you found to be the perfect read.
Actual Translation, 'In return for this loan we are taking an equity position in your organization even for those who pay again all the money, we at the moment are half owners.' After all the ramifications of this are that the federal government that may move laws that impact corporations now owns certainly one of these corporations. There are normally about 40 of them sitting on my hubs at any given time and I try to answer one from every hub that has a comment on a regular basis.


Light and satisfying vegetarian dish, that is suitable for any time of the day.
Cauliflower- 1/2 head, cut in florets, and steamed or boiled.
Steam or boil cauliflower florets, until soft.Set aside.
In a bowl mix eggs, milk, salt and black pepper. I recommend using black pepper, as it enhances properties of turmeric dramatically. Basically you should add black pepper, everywhere you add turmeric.
Heat an oil in a frying pan, add onion and cook till slightly browned, stir in turmeric, add egg mixture, cover, lower the heat and cook for 3 minuets or so.
Love the idea of adding cauliflower into an omelette Alina – and great tip on always coupling black pepper with turmeric – I'll be putting that one into practice!
Something to use turmeric in. I've been wondering. Thanks.
← Sweet and Sour Eggplant Stir-fry.


text:
Q: SQL multiple join query I have this SQL query, and directly under it, another query based on the result.
I'd like to merge them, but im getting confused, being a newbie.
It's pulling data from 3 tables- the first query from the USERS and the PLAYERS table. Then if the player is in a 'team', it gets the tag from the TEAMS table.
My code:
$sql_result4=mysql_query("SELECT * FROM users JOIN players ON users.player=players.name WHERE users.id='$id'");
$rs4 = mysql_fetch_array($sql_result4);

if ($rs4[team] !=0) {
$sql_result = mysql_query("SELECT tag FROM teams WHERE id='$rs4[team]'", $db);
    $rs = mysql_fetch_array($sql_result);
    // get data
}

My question is, how could i merge that second query in with the first? Am I even using the right kind of join?
I want to be able to use lots of data from the PLAYERS table, but only one or two columns from the USERS and TEAMS ones.

A: Just use a left join.
SELECT ...
FROM users u
    JOIN players p ON u.player = p.name
    LEFT JOIN teams t ON p.team = t.id
WHERE u.id = ?


The world is changing – fast. Gone are the days of allowing ourselves to be influenced by what politicians, bankers, multinationals, the pharmaceutical industry, religious leaders and the media may wish us to believe. To some extent this also applies to the publishing industry. Consequently I have chosen to publish the results of my 25 years of investigation as a free download from the Internet as my contribution towards 'The 2012 Disclosure' that we have been waiting for, for so long. I hope that you are able to benefit from my research and that in some way it validates and encourages you to advance your own journey of discovery through life.
This is not about making money. It is simply my attempt to bring 'hidden knowledge' to as wide an audience as possible, in the shortest possible time. In this context I ask that, if what I have identified in 'Discovering Truth' rings true with you, I would be grateful if you would please forward this link on to at least 3 people who you feel might also benefit from this work.
I wish you the enjoyment and excitement that I experienced as you join with me on a journey of discovery into this new paradigm which awaits us all.
Next PostNext Hallucinations or Hearing Voices?


DB issue with #Smite #XBOX has been resolved.
We have corrected the indexing problem with our new DB hardware for #Smite #XBOX. It should now be stable.
We are tracking down an unusual database issue that is preventing us from fully opening the game.
#Smite #Xbox will be undergoing an emergency restart shortly. Updates will be posted accordingly.
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We have resumed logins for #Smite #Xbox and are continuing to monitor.
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We are currently investigating a problem with #SMITE XBOX.
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Using natural ingredients, PAR4® 6-2-5 is the perfect answer to controlling moss in turf. Not only does it provide the nutrients that promote lush green turf and improved soil health; it controls moss anytime it is a problem.
Manufactured using feather meal, bone meal and potassium sulfate, PAR4® 9-3-7 is a homogeneous, granulated natural fertilizer. Perfect for any turf, ornamental and agricultural application, PAR4® 9-3-7 includes ingredients which have a proven record of efficacy.
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Captain Hook: Now pay attention, class. We have a lot to go over.
Lesson one: Why Parents HateTheir Children.
Anyone? You, the cute little urchin, in the front row. Won't you share your thoughts, with the whole class?
Maggie: Yes!I said mommy reads to us every night, because she LOVES us very much!
No, child, Your mother wants to read to you every night in order to stupefy to sleep, so that she and daddy could sit down for three measly minutes without you. And your mindless, inexhaustible, unstoppable, repetitive, and nagging demands: He took my toy! She hit my bear! I want a potty! I want a cookie! I want to stay up! I want, I want, I want, me, me, me, me, mine, mine, mine, mine, now, now, now, now!
Can't you understand, child? They tell you stories to shut you up.
Maggie: That's not true, Jack! You're a liar!
Captain Hook: Lie? Me? Never. The TRUTH is far too much fun. Oh my child, before you were born, your parents would stay up all night, together, just to see the sun rise. Don't be frightened. Maggie, before you were born, they were happier. They were free.
First time I've smiled in a week!
The middle child is gonna give me an aneurysm before Christmas. I swear.
Unfortunately, middle child has no saving graces at the moment. From when he wakes up to when he goes to bed he whinges and whines or fights with his siblings.
The kid is just begging for a date with a frypan to the head, lol.


text:
\section*{Funding Information}
Defense Advanced Research Projects Agency (DARPA); Atomic Clocks with Enhanced Stability (ACES).
\section*{Acknowledgments}
The authors would like to thank Jordan Stone and Liron Stern for comments on the manuscript. The views, opinions and/or findings expressed are those of the authors and should not be interpreted as representing the official views or policies of the Department of Defense or the U.S. Government. Any mention of commercial products within NIST web pages is for information only; it does not imply recommendation or endorsement by NIST. Distribution Statement "A" (Approved for Public Release, Distribution Unlimited).

\section*{Supplemental Documents}

See Supplementary Text for supporting materials.

redpajama_set_name: RedPajamaArXiv


With a brand-new perspective of innovation tackling the nursery industry, you are in safe hands. We have deep industry experience along with leading-edge procedures to transform your ideas and products to live. Apexcel has thrived on the processes of analysis, design, production and through these back and forth collaborations, over 30 years of sustainable partnerships have been solidified.


Project partner FHOO attended an international workshop in order to disseminate the DAPhNE project and to get further input for the elaboration of the report on Danube Ports and the Physical Internet.
Share and discuss the concept of the Physical Internet building consensus and providing feedback to ALICE Roadmap Towards Physical Internet.
Discuss and share which topics will play a key role for logistics and link them to the Physical Internet Development.
Define main areas of development for the Physical Internet and connect different ongoing projects and initiatives to them.
Identify specific short-term actions to get to next steps for the Physical Internet realization.


text:
Home > NFL > Teams > AFC > West > Kansas City Chiefs > Media Content
Kansas City Chiefs Videos
Tyrann Mathieu Signs with Chiefs
NFL Network reports that safety Tyrann Mathieu has signed with the Kansas City Chiefs.
Colts vs. Chiefs Divisional Round Highlights
Sat Jan 12, 2019
The Indianapolis Colts take on the Kansas City Chiefs during Divisional Weekend of the 2018 NFL Post Season.
All 50 TD Passes by Patrick Mahomes in 2018!
Sun Dec 30, 2018
Patrick Mahomes tosses 50 touchdowns during the 2018 NFL Season...check 'em all out!
Patrick Mahomes' 50th TD of 2018 is an 89-Yd Bo...
Check out this amazing touchdown pass and catch from Patrick Mahomes to Demarcus Robinson. The Oakland Raiders take...
Kareem Hunt's release a result of 'choices peop...
Louis Riddick addresses the Kansas City Chiefs releasing Kareem Hunt after video emerges showing Hunt shoving and...
Chiefs vs. Rams Week 11 Highlights
The Kansas City Chiefs take on the Los Angeles Rams during Week 11 of the 2018 NFL season.
Chiefs vs. Patriots Week 6 Highlights
Sun Oct 14, 2018
The Kansas City Chiefs take on the New England Patriots during Week 6 of the 2018 NFL season.
Chiefs vs. Jets - NFL Week 13 Game Highlights
The Kansas City Chiefs take on the New York Jets in Week 13 of the 2017 NFL Season.
Chiefs vs. Cowboys - NFL Week 9 Game Highlights
The Kansas City Chiefs take on the Dallas Cowboys in Week 9 of the 2017 NFL Season.
Kansas City Chiefs' Kareem Hunt announces himse...
Rookie RB Kareem Hunt rebounded from a fumble on his first carry to pile up 246 yards from scrimmage and three TDs...
Kansas City Chiefs vs. New England Patriots Rec...
The RotoExperts in the Morning recap TNF between the Chiefs and Patriots. What do they think of Kareem Hunt's...
Kareem Hunt's Record-Setting Breakout Debut!
Kansas City Chiefs rookie running back Kareem Hunt explodes in his first NFL game against the New England Patriots....
Alex Smith's 4-TD Performance vs. New England
Kansas City Chiefs quarterback Alex Smith threw for 368 yards and 4 touchdowns against the New England Patriots...
Chiefs vs. Patriots - NFL Week 1 Game Highlights
The Kansas City Chiefs battle the New England Patriots during Week 1 of the 2017 NFL Season.
Kansas City Chiefs vs. New England Patriots
Marshall Faulk gives you his "Marshall Plan" for the running backs in the Chiefs vs. Patriots Week 1 matchup,...
Chiefs vs. Seahawks - NFL Preseason Week 3 Game...
The Kansas City Chiefs battle the Seattle Seahawks during Week 3 of the 2017 NFL Preseason.
Travis Kelce Catch Sets Up Albert Wilson TD Cat...
Albert Wilson finished off a big Chiefs drive with a touchdown.
Chiefs vs. Texans (Week 2)
The Kansas City Chiefs lost to the Houston Texans, 19-12, in Week 2 of the 2016 NFL season.
Chargers vs. Chiefs (Week 1) Highlights
The Kansas City Chiefs dug deep and pulled off a furious comeback that was capped by an Alex Smith touchdown in...
Cairo Santos Boots a Big 58-yard FG!
Brazilian born Kansas City Chiefs kicker Cairo Santos nails a 58-yard field goal for the Cheifs in their preseason...
Chiefs vs. Cardinals 2015 NFL Preseason Week 1...
Kansas City Chiefs safety Eric Berry was given a warm introduction by the Arizona Cardinals crowd in his return as...


Opportunity for a Mature and reliable House Sitting Provider in Pittsburgh, Pennsylvania.
Want to be hired by Annemarie?
I hope you are having a good day. I am looking for a dependable mature animal lover to care form my house, dog and cat from August 27 - September 9th. Must have your own transportation and the ability to let my day out regularly including mid day.


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Boden, Samuel
1851 25 2467 (77) 7
1865 29 2422 (104) 0
1874 102 2241 (134) 1
Name: Boden, Samuel Standidge
Died: 13 Jan. 1882
Not to be confused with John Thornton Boden of Settle, Yorkshire (see the Chess Player's Chronicle 1847, v.8, p.295), brother of S.S. Boden. Given as 'L.-S. Boden' in Le Palamède (1846, v.6, p.199) and as 'L.S. Boden' in Bell's Life in London (17 May 1846, p.3). I presume this is an error for S.S. Boden. Gaige gives date of birth as 04-04-1826, as does Potter in Land and Water (21 Jan. 1882); Steve Mann gives 04-05-1826, based on genealogical information.
Chess Association, Manchester 1857 Report, page 5
Gaige, Chess Personalia, page 44
Golombek, Golombek's Encyclopedia, page 34
Harding, Eminent Victorian Chess Players, page 67
Harding, Joseph Henry Blackburne, page 22
Hilbert, Writings in Chess History, page 92
Hindle, Mystery of Edward Pindar, page 16
Hooper and Whyld, Oxford Companion (1st ed.), page 41
Löwenthal and Medley, Chess Congress of 1862, page xl
Lange and Falkbeer, Paul Morphy Sketch, page 147
Sergeant, Century of British Chess, page 75, 94, 185
Staunton, The Chess Tournament, page lxx
[BLL], 17 May 1846, page 3
[BLL], 23 Feb. 1862, page 1
[CPC], vol. 8, 22 May 1847, page 159, 163, 164
[CPC], vol. 8, 29 May 1847, page 167
[CPC], vol. 8, 18 Sep. 1847, page 295
[CPC], vol. 12, Mar. 1851, page 68
[CPC], vol. 12, Dec. 1851, page 353
[CPC], vol. 2, Feb. 1854, page 61
[CPC], vol. 3, June 1861, page 165
[CPM], vol. 2, Aug. 1864, page 242
[CPM], vol. 2, Apr. 1866, page 109
[CPM], vol. 3, 1 Aug. 1867, page 252
[CPM], vol. 5, 1 May 1872, page 5
[Era], vol. 26, 31 July 1864, page 5
[ILN], vol. 11, 3 July 1847, page 11
[ILN], vol. 40, 22 Feb. 1862, page 204
[LW], 21 Jan. 1882
Hilbert, John S. [The Reverend Charles Edward Ranken and Mid-Victorian Correspondence Chess]
Mann, Steve. [Yorkshire Chess History - Samuel Standidge Boden]
Sarah. [Paul Morphy's Contenders]
Sarah. [Samuel Boden]
Sericano, C. [Maestri di scacchi dell'800]
Spinrad, Jeremy P. [Early World Rankings], page 7
Winter, Edward. [CN 5007. Samuel Boden]
Boden, S.S. - Szen, J. 1853 (c) 1 - 1
Boden, S.S. - Owen, J. 1858 (1) (f) 8 - 3
Morphy, P.C. - Boden, S.S. 1858 (c) 6.5 - 2.5
Morphy, P.C. - Boden, S.S. 1859 (c) 1 - 0
Kolisch, I. - Boden, S.S. 1861 (c) 0.5 - 0.5
London, England 1851 (2) Provincial Tournament
Boden, S.S. - Angas, S. 2 - 0
Boden, S.S. - Brien, R.B. 2.5 - 1.5
Boden, S.S. - Ranken, C.E. 2 - 1
London, England 1856 (2) Ries' Divan Handicap Tournament
Boden, S.S. - Selfe, H.J.S. 1 - 2 Boden, S.S. gave odds of pawn and two moves
Boden, S.S. - Trelawny, J.S. 2 - 3 Boden, S.S. gave odds of pawn and two moves
Manchester 1857 (1) 1st British Chess Association Congress
Boden, S.S. - Soul, J. 1 - 0
Boden, S.S. - Pindar, E.D. 1 - 0
Boden, S.S. - Lowenthal, J.J. 0.5 - 0.5
Birmingham 1858 (2) 2nd British Chess Association Congress - Minor Tournament
Boden, S.S. - Kipping, J.S. 1 - 0
Bristol 1861 (1) 4th British Chess Association Congress - Grand Tournament
Boden, S.S. - Horwitz, B. 1 - 0
Boden, S.S. - Wayte, W. 1 - 0
Boden, S.S. - Paulsen, L. 0 - 1
London, England 1874 (3) City of London Club - Bermondsey Club Match
Boden, S.S. - Dredge, R. 0 - 1 Boden, S.S. gave odds of a knight
Player information updated: 5 May 2020


The James A. Garfield Historical Society welcomes you to join them for their Christmas Walk 2018. Be sure to reserve your tickets now for the Christmas Walk Candlelight Tour!! The tour is on November 1st, from 6:30-9 pm. and kicks off this festive event. Tickets are $25. per person and can be reserved by calling Debbie Smith at 330-389-1859.
Meet at the Mott building for a special opening night celebration. Don't miss this opportunity to tour the homes in the evening while they are beautifully lit up and shining brightly! St Ambrose will have a live nativity as well.
Reserve your tickets for this special event now.


After a long hiatus, I ventured onto my Synology NAS and discovered there were a few DSM updates pending. The updates themselves add some pretty fantastic functionality, like Airplay support directly from the NAS and your own personal Cloud. However, after the updates my automated rsync backup (Cygwin -> NAS) was failing with "rsync: command not found" indicating the rsync binary could not be found on the remote server.
I could ssh to the NAS and execute "which rsync" to see that it was in "/usr/syno/bin/rsync" which was in my PATH variable. However, when I ran "ssh root@foo 'which rsync'" I got nothing. So I tried "ssh root@foo 'echo $PATH'" and I got a different path from when logged in directly!
To be honest I've no idea why the paths are different. My guess is that the ~/.profile file is not being sourced during rsync connectivity. Anyway, the easy-out was to create a symlink from somewhere on the standard path to the actual rsync binary: "ln -s /usr/syno/bin/rsync /opt/bin/rsync" and all worked well once more.


text:
Q: Why does the conditional care about the execution code despite not returning true? I have this code conditionally displaying the project's title if we're in a view that has the @project instance variable:
<title>My app <%= "- " + @project.title if @project.present? %></title>

But it gives me an error with the following message: "can't convert nil into String", i.e. it tries to execute my string concatenation despite the conditional statement being false.
Why does it even bother?

A: You check if a project is present
@project.present?

but you don't check if the value of its title property is set. When title is nil, the following concatenation
"- " + @project.title

will fail with the can't convert nil into String error because you are effectively trying to concatenate
"- " + nil

that are two different types. You must deal with this case explicitly or use nil-to-string casting by using the interpolation
<%= "- #{@project.title}" if @project.present? %>

Moreover, beware of precedences. Embedding if conditions in that way with a print, may lead to obscure bugs caused by evaluation precedence.


Omix-Ada is the world's largest independent manufacturer and wholesale only company with a full line of Jeep parts and accessories. With over 16,000 Jeep parts in stock, with a retail value over $30 million, we are the company behind almost all Jeep parts retailers and warehouse distributors in USA and over 50 countries worldwide. Moreover, Omix-Ada is the top business partner to many Jeep parts retailers, warehouse distributors, installers and Internet merchandisers in the USA and around the globe.


text:
Marion Mahler
Marion Mahler (1911-1983) Austrian born had trained at the Kuntgewerbeschule in Vienna 1929-32) and at the Royal State Academy, with some of her early designs being produced by the Wiener Werkstatte. She arrived in Britain in 1937 as Marianne Mahler and worked as a free-lance, having supplied leading firms with her designs before the war. During the early 1950's she produced many designs for David Whitehead's Contemporary Prints, Britain's most dynamic printed textile company. Based in Rawtenstall, Lancashire by 1948 the company was directed by architect Dr John Murray, whose ambition was to establish the Company in the forefront of contemporary design and to make good designs available on the mass market. He wrote an article on his philosophy The cheap need not be cheap and nasty which was published in Design , Dec 1950. Twenty of their designs were chosen to be displayed at the Festival of Britain andon the SS Campania, the touring ship of the fesitval.
This has been made into a curtain but could easily be unpicked for a hanging. Great design
each with a repeat of rounded squares filled with a village scene of s cluster of houses and trees, the rounded rectangles with a knarled tree, all in soft grey, yellow, terracotta and black on a soft seagreen ground printed with small leaf sprigs, selvedge to selvedge with turnings, 33 x 64 in; 85 x 1.65 cm drop.
The right hand side has 2 1/2 in or 6 cm slight fading.
Jackson, Lesley 20th Century Pattern Design. Textile & Wallpaper Pioneers. p 101.
Peat, Alan David Whitehead Ltd. Artist Designed Textiles 1952-1969.


End October usually warm (to hot) days, cool mornings and late evenings.
Anyway - weather is UNPREDICTABLE around the world nowadays. Be prepared for a shower now and then. We have visited in April, May, Aug and Sep. I can't recollect any safari on to which rain really had a bad impact.
We did game drives in downpour in May wearing raincoats/hats and rain pants. Of course it wasn't the best thing ever but we followed lions hunting buffs and general sightings were fine.
Usually a shower doesn't have ANY impact onto game drives except for photographers (humidity and light).
Most of the (upmarket) lodges/camps provide rain coats.
Just appreciate being on safari and anything which comes along. Don't be too much focused onto weather or particular sightings. If you push it - it propably won't come along.
Take a big plastic bag (just in case!)so that you can cover your equipment.
Enjoy your safari - happy landings!
Last mid of november we´ve been in Kruger on a selfdrive. We had rain on three consecutive days almost endless with some short breaks.
As we were on self drive I could keep my gear dry unless I wanted to capture something. Then I put a simple plastic bag over my lens and it was fine.
Wildlife was just spectacular during this time. We saw 3 male lion (http://www.flickr.com/photos/tomsfri...46655/)feeding on a buffalo, another 3 feasting another buffalo next day. Big 5 in 2 hours.
Saw a pack of wild dogs in heavy rain (http://www.flickr.com/photos/tomsfri...7613519646655/).
Lots of hyenas with puppies.
As it was not hot due to the rains and clouds, animals were more active during daytime.
Mossies became a problem after the rain stopped.
We will be going again this november, don´t care if it rains or not.
We must have been there the same time as Tomsfries. We were also there last November and had five straight days of more or less continuous rain, three of which were in Kruger (before that we were in Dullstroom--in the rain.) As Tom notes, the rain did keep it cool and animals were active, we had some great sightings, but photography was definitely a challenge due to low light and lots of very wet wildlife (I was shooting a lot of birds, especially challenging in the rain.) But, we also were in a closed vehicle in Kruger, which made it workable. I am not sure I'd be very happy in Sabi Sands, with open vehicles, in heavy rain. We were in Sabi Sands right after Kruger and fortunately the skies cleared and we had great weather, but the drivers did say that in the previous days some drives had to be cut short because it was just raining too hard.
Not wanting to discourage you, just be prepared! I'd definitely get a dedicated rain cover for my camera (not just a plastic bag, but something you can shoot through), and bring rain gear of course. The thing is, at that time of year, a front can stall (as it did for us) and there is no let-up.


Fusion Radio in Saloon (USB) (2 Speakers) and Remote on Fly (2 Speakers) The Galeon 370 HTC is setting new standards with a customisable interior, great floor plan and competitive performance. The 370 HTC shares the hull design and main features of the 360 FLY, offering a more sporty silhouette and a large glass sunroof over the helm station. The cockpit area is fitted with a sofa with a drop down backrest and a table.
Extend the cockpit seating by opening the cockpit doors and flip the saloon seat to face the aft.
The more adventurous passengers might opt for the bow sundecks or the innovative front seat for a thrilling ride.
Inside, a large comfortable seating area faces the well-equipped galley, with the helm station moved forward. The driver is sure to appreciate the starboard sliding doors that allow for easy access to the bow during mooring. The 370 HTC is available in a two or three cabin layout.
All cabins offer standing height and extra storage that comes handy during longer cruises.


Be sure to enjoy recreational amenities, including a water park (surcharge), a 24-hour health club, and an outdoor pool. Additional features at this hotel include complimentary wireless Internet access, concierge services, and a hair salon. Getting to nearby attractions is a breeze with the complimentary area shuttle.


text:
Your Daily Dose of Guitar News & Reviews
Who Is the Most Overlooked Guitar Hero?
Posted by Michael Mueller on June 1, 2011 at 10:10 AM
Yesterday, I was reading through my pal Joe Bosso's excellent new interview with Journey guitarist Neal Schon, and once again thought, "Why isn't this guy named in the same breath as Hendrix, Clapton, Page, and Van Halen?" Which in turn led me to think of other players who have had stellar careers and made a substantial impact on the guitar as we know it. The result is this short list of guitarists who you might call the "Other Guitar Heroes," even if they don't always get the love they deserve.
Which one of our elite eight do you think is the most overlooked guitar hero? Vote in the poll below!
8. David Gilmour
"Comfortably Numb." The Dark Side of the Moon. 'Nuff said!
7. Billy Gibbons
Before Stevie Ray Vaughan came along and made blues guitar cool again, Billy Gibbons was arguably the greatest white blues guitarist of all time—yes, even better (but certainly not whiter) than Johnny Winter.
6. Alex Lifeson
I guess that when you share the stage with arguably the greatest rock bassist and greatest rock drummer of all time, it's easy to see how you might be overlooked.
5. Neal Schon
Yeah, just go on with your "corporate rock" jokes. We'll continue to enjoy Schon's soaring, hypermelodic solos.
4. Steve Lukather
He wrote the main riff to Michael Jackson's "Beat It," has played on more A-list session dates than Yngwie Malmsteen's played arpeggios, and is a really cool dude. But apparently Toto isn't exactly the proper vehicle with which to reach the guitar god pantheon.
3. Steve Hackett
The former Genesis guitarist was tapping on the fretboard and sweep picking long before Eddie Van Halen and Yngwie Malmsteen turned those techniques into modern-day guitar-god prerequisites
2. Brian May
Sure, he created some of the most memorable guitar solos in rock history: "Bohemian Rhapsody," "Brighton Rock," "We Will Rock You," and "Killer Queen," to name just a few. But dude's an astrophysicist and he built his own iconic guitar, the "red special," out of wood from an 18th century fireplace when he was just 16 years old! Really, need we say more?
1. Gary Moore
Gary Moore has been dissed so many times in the guitar media he's earned the lifetime achievement award for being ignored. Check out the video below and tell me he's not one of the all-time greats! Would someone please give this man a cover?!?
Permalink | Comments (5) | Send to Friend | Back to Top
Michael Anthony Joins John 5 on Van Halen Covers at Whiskey-a-Go-Go
See and Hear Eric Clapton's 1964 Gibson ES-335 Played by Emily Wolfe
The 2018 Year in Review - Your Favorite Songs, Lessons, and Tabs
Free Lesson: Classic Rock Double-Stop Lick in A by Matt Schroeder
Free Lesson: Wild Over-Bends in an A Minor Lick by Troy Stetina
The Most Popular Lessons and Tabs of 2017
Ed Sheeran G-Plus Audio Play-Alongs
Free Lesson: Major Pentatonic Sliding Country Lick by John Heussenstamm
Free Lesson: Blues Reharmonization with John Pizzarelli
Free Lesson: Learn a Rumba Blues Guitar Rhythm with Tim Lerch


text:
Q: The generalization of Hartogs' Theorem I know a version of Hartogs' Theorem in the book An introduction to complex analysis(p 30) by Hormander, namely
Hartogs' Theorem when K compact with complement being simply connected
I also have learned another version in Hodge Theory and Complex Algebraic Geometry I (p34) by Voisin. Hartogs' Theorem when $K=\{z_1=z_2=0\}$
My question: are there any generalizations of Hartogs' Theorem, with respect to $K$ (i.e. we only change the condition of $K$, confining the stage in $\mathbb{C}^{n}$ )?
Any clue is welcome. Many Thanks!


text:
Weekly Digests Literature Database About Us Testimonials Events Contact Give to ACIR Subscribe to Newsletter
About Us Testimonials Events Contact Subscribe to Newsletter Give to ACIR
Weekly Digests Literature Database UCIR.org
Adoptively transferred Vgamma9Vdelta2 T cells show potent antitumor effects in a preclinical B cell lymphomagenesis model
(1) Zumwalde NA (2) Sharma A (3) Xu X (4) Ma S (5) Schneider CL (6) Romero-Masters JC (7) Hudson AW (8) Gendron-Fitzpatrick A (9) Kenney SC (10) Gumperz JE
JCI insight - Open Access
Vγ9Vδ2 T cells expanded from human PBMCs and adoptively transferred into a murine xenograft model of human lymphomagenesis have potent antitumor effects, even without coadministration of checkpoint inhibitors, likely due to consistently low PD-1 expression on the γδ T cells. Recruitment of γδ T cells to the tumor was followed by decreased expression of PD-L1 and PD-L2 on lymphoma cells.
A central issue for adoptive cellular immunotherapy is overcoming immunosuppressive signals to achieve tumor clearance. While gammadelta T cells are known to be potent cytolytic effectors that can kill a variety of cancers, it is not clear whether they are inhibited by suppressive ligands expressed in tumor microenvironments. Here, we have used a powerful preclinical model where EBV infection drives the de novo generation of human B cell lymphomas in vivo, and autologous T lymphocytes are held in check by PD-1/CTLA-4-mediated inhibition. We show that a single dose of adoptively transferred Vdelta2+ T cells has potent antitumor effects, even in the absence of checkpoint blockade or activating compounds. Vdelta2+ T cell immunotherapy given within the first 5 days of EBV infection almost completely prevented the outgrowth of tumors. Vdelta2+ T cell immunotherapy given more than 3 weeks after infection (after neoplastic transformation is evident) resulted in a dramatic reduction in tumor burden. The immunotherapeutic Vdelta2+ T cells maintained low cell surface expression of PD-1 in vivo, and their recruitment to tumors was followed by a decrease in B cells expressing PD-L1 and PD-L2 inhibitory ligands. These results suggest that adoptively transferred PD-1lo Vdelta2+ T cells circumvent the tumor checkpoint environment in vivo.
Author Info: (1) Department of Medical Microbiology and Immunology. (2) Department of Medical Microbiology and Immunology. (3) Department of Medical Microbiology and Immunology. (4) Department
Author Info: (1) Department of Medical Microbiology and Immunology. (2) Department of Medical Microbiology and Immunology. (3) Department of Medical Microbiology and Immunology. (4) Department of Oncology, University of Wisconsin School of Medicine and Public Health, Madison, Wisconsin, USA. (5) Department of Microbiology and Molecular Genetics, Medical College of Wisconsin, Milwaukee, Wisconsin, USA. (6) Department of Oncology, University of Wisconsin School of Medicine and Public Health, Madison, Wisconsin, USA. (7) Department of Microbiology and Molecular Genetics, Medical College of Wisconsin, Milwaukee, Wisconsin, USA. (8) Comparative Pathology Laboratory, Research Animal Resources Center, University of Wisconsin School of Medicine and Public Health, Madison, Wisconsin, USA. (9) Department of Oncology, University of Wisconsin School of Medicine and Public Health, Madison, Wisconsin, USA. (10) Department of Medical Microbiology and Immunology.
Citation: JCI Insight 2017 Jul 06 2: Epub07/06/2017
Link to PUBMED: http://www.ncbi.nlm.nih.gov/pubmed/28679955
PD-1 axis
Gammadelta T cell
Hematological malignancy
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Marija Jovic is a member of the Advisory Council for International Journal of Marketing Principles and Practices (IJMPP) and Editorial Director with the Publications Management Committee at the International Institute of Marketing Professionals (IIMP®). She is a teaching assistant at the University of Belgrade, Faculty of Organization Sciences, Department of Marketing Management and Public Relations. She is a PhD candidate at the same University.
Her areas of scientific and consulting interest include online markets and marketing strategies for e-commerce. She presented her research work in a number of international conferences and academic journals. She was also a member of several project founded by the European Commission, as by the Serbian Government. Maria has a corporate experience in the position of PR manager at the University of Belgrade, Faculty of Organizational Sciences, and in the Organization sector of the company Wiener Städtische Beograd.
Ms. Jovic provides support for attainment and maintenance of high level of quality and efficiency in the IIMP®'s publications, maintain archives, and keep an accurate record of all the activities of the office.