text:
Q: trust vs 'trust to'
As, by convention, the government is drawn from the party controlling a majority
  in the House of Commons, it can effectively decide what policies it wishes to implement
  and trust to its majority to ensure that its proposals become law.

Source: p 80, The English Legal System 2012-2013, Gary Slapper

1.5:
  trust to = [no object]  Place reliance on (luck, fate, or chance):

I still can't differentiate this definition from just trust; what are the similarities and differences?
 Must trust to must be used here? Why or why not?

A: For clarity, lets boil the sentence down to the question at hand.

Choice A: The House can decide which policies to trust to its majority to ensure...
Choice B: The House can decide which policies to trust its majority to ensure...

For choice A, "trust to" would be better and more clearly stated as "entrust to."

entrust: Assign the responsibility for doing something to (someone):
source

In this case, the majority is assigned the responsibility of policy implementation.
For choice B, the given definition of trust applies. In this case, the House isn't "entrusting" the majority with a specific task (here being policy implementation). The House is instead declaring general reliance on the majority to do their job (which includes policy implementation but also other things).


text:
"Take Control" is a 2006 song by Amerie.

Take Control or Taking Control may also refer to:
 Take Control (horse), a racehorse born in 2007 and deceased in 2013
 Take Control, a series of electronic books by Tidbits
 "Take Control", the slogan for the Vote Leave campaign during the 2016 United Kingdom European Union membership referendum

Music

Albums
 Take Control (Slaves album), 2016
 Take Control, a 2006 album by State of Mind

Songs
 "Take Control", a song by Old Gods of Asgard (Poets of the Fall), written for Control (video game)
 "Take Control" (DJ BoBo song), 1993
 "Take Control" (Roll Deep song), 2010
 "Taking Control", a song by Aphex Twin from his 2001 album Drukqs
 "Take Control", a song by BKS
 "Take Control", a song by Culture Club from their 1982 album Kissing to Be Clever
 "Take Control", a song by Jaimeson
 "Take Control", a song by Lords of Acid from their 1991 album Lust
 "Take Control", a song by Raven from their 1983 album All for One
 "Take Control", a song by Sick of It All from their 2003 album Life on the Ropes
 "Take Control", a song by Weezer from their 2000 album Maladroit
 "Take Control", a B-side to Will Young's 2004 single "Your Game"
 "Take Control", a song by Killswitch Engage from the album Atonement, 2019

See also
 Take Care & Control, a 1998 album by Death in June

redpajama_set_name: RedPajamaWikipedia


Will your staff take care of the fountain throughout the event?
Absolutely yes. That's all part of our service and included with every fountain rental. They will set-up in advance, have your fountain flowing when your guests arrive, stay with the fountain helping your guests and maintaining the fountain until the contract operating time is over. They will be professionally dressed as you would expect for your elegant event.


text:
Q: Python: Best way to use a list comprehension? I'm trying to use a list comprehension in python 2.7 to better achieve what I have now:
params['item1'] = request.GET.get('item1', '')
params['item2'] = request.GET.get('item2', '')
params['item3'] = request.GET.get('item3', '')
params['item4'] = request.GET.get('item4', '')
params['item5'] = request.GET.get('item5', '')

params['items'] = [
    params['item1'].encode('utf-8'),
    params['item2'].encode('utf-8'),
    params['item3'].encode('utf-8'),
    params['item4'].encode('utf-8'),
    params['item5'].encode('utf-8')
]

I'm wondering if a loop and list comprehension would work best (like below) But I'm also wondering if there are better ways to do this.
params['items'] = []

for x in range(5):
    item = 'item' + str(x+1)
    params[item] = request.GET.get(item, '')
    params['items'].extend(params[item].encode('utf-8'))

A: Yes, a list comprehension would handle this neatly:
params["items" = [request.GET.get('item'+str(i), '').encode('utf-8')
                      for i in range(1,6) ]

"better" is a value judgment, which is out of scope for Stack Overflow.
Is the list comprehension easier to read and maintain than your original loop?
That's up to you and your programming/usage team.

A: Assuming params starts empty, I would split this into a dictionary comprehension and a list comprehension. I would also change the range rather than adding one to each index:
 params={'item' + str(x):request.GET.get('item' + str(x), '') for i in range(1,6)}`
 params['items']=[item.encode('utf-8') for item in params.keys()]

Something else to consider is if request.GET is creating an external call every time you access it. If so, you should create one local copy and access that, e.g.
local_copy = request.GET.copy()
params={'item' + str(x):local_copy.get('item' + str(x), '') for i in range(1,6)}`

redpajama_set_name: RedPajamaStackExchange


In recent years, there have been a number of severe fires in road and rail tunnels throughout the world. In all of these fires, significant damage was caused to the concrete tunnel linings resulting in long tunnel closures, costly repairs and major disruption to the local transport infrastructure.
Public confidence in the safety of tunnels declined and the impact on economic growth within the European Community led to the introduction of a European Directive 2004/54/EC and the National Fire Protection Association (NFPA) Standard 502 for Road Tunnels in 2004.
Article 13 of the European Directive calls for a Quantified Risk Assessment to be carried out for every tunnel on the Trans European Road Network (TERN) and this must be undertaken by an entity that is fully independent from the Tunnel Owner or Stakeholder. In the same way NFPA 502 requires an Engineering Analysis to be carried out in order to identify the specific operational risks for any particular tunnel. Isolatek International is able to assist in the development of appropriate structural fire protection solutions for any tunnel whether it is road, rail or metro.
CAFCO FENDOLITE M-II is the most commonly specified and widely used spray applied fire protection system for tunnel application throughout the world due to its long track record and ease of application. Internationally tested for all types of tunnel construction means that Isolatek is able to develop solutions and systems for any particular tunnel requirement (fire type, duration, failure criteria). With an independently developed Finite Element Model, CAFCO FENDOLITE M-II thicknesses can be optimised to provide the most cost-effective solution for any given fire scenario.
The system is proven to prevent concrete spalling damage and structural collapse of tunnel structures occurring as a result of their exposure to fire.
Isolatek International manufactures and supplies the most effective passive fire protection systems for all types of tunnel constructions including Bored Tubes, Cut and Cover and Immersed Tube constructions. The system components include keycoats, retention meshes and anchors, CAFCO FENDOLITE M-II, an optional finish coat, and optional Light Reflective, durable and washable topcoats. The thickness of the CAFCO FENDOLITE M-II can be optimised to prevent concrete spalling and damage from occurring under any fire exposure conditions irrespective of its composition (strength, aggregate, mix ratio, etc.). The systems are internationally tested and assessed for many types of tunnel fires.
Following a chain of major tunnel fires across Europe, the Ministry of Transport in the Netherlands developed the Rijkswaterstaat (RWS) curve, which is now the global standard for testing materials for use in tunnel fire protection. Materials that pass this test provide a means of effective fire protection for the concrete lining within tunnels to prevent concrete spalling under impact and thermal shock. The material is designed to inhibit the surface of the concrete lining from exceeding a temperature of 716°F (380°C) when subjected to fire exposure after a duration of two hours. This fire test represents the ignited contents of a 45,000 litre gasoline tanker spread over a surface area of 150 m².
Based on a series of full scale comprehensive fire tests, studies and analysis, the CAFCO FENDOLITE M-ll system meets and exceeds the requirements and carries numerous Efectis Group Certificates.
This curve was developed to meet the French Ministry of Transport Regulations (CIRCULAIRE INTERMINISTERIELLE No. 2000-63 introduced in August 2000) and represents the temperatures generated in tunnel fires. The maximum temperature of the HCinc curve is 2372°F (1300°C) which is more severe than the standard BS 476 Part 21, UL 1709 and other hydrocarbon Time/Temperature curves.
This fire test is provided to evaluate materials for use in petrochemical facilities and other similar structures that may be subjected to higher levels of heat generated by hydrocarbon-based fires. Unlike cellulosic-based fires, which are evaluated in accordance with test method ANSI/UL 263, ASTM E 119, which reaches a temperature of 2000°F (1093°C) over a period of 4 hours, the ANSI/UL1709 test method reaches 2000°F after five minutes and maintains that temperature over the duration of the test. Only materials tested and classified in accordance with UL 1709 can be used where the risk of a hydrocarbon fire exists.
2nd ANSI/UL 1709, Rapid Rise Fire Test of Protection Materials for Structural Steel (following initial ANSI/UL 1709 Rapid Rise Fire Test) as above however subjecting CAFCO FENDOLITE M-II to Two Full Scale UL 1709 Fire Tests within a 24-hour period (tested, allowed to cool to ambient and re-tested).
Acid Spray – Exposure of the material (with and without topcoat) to a hydrochloric acid /water fog spray.
Solvent Spray – Exposure of the material (with and without topcoat) to a spray applied solvent for 5 cycles. Each cycle consists of the application of the solvent, 6 hour dry time, re-application of the solvent, and dry time of 18 hours.
BS 476 Part 21:1987 is the British Standards method for determination of the fire resistance of load bearing elements of construction including Beams, Columns, Floors, and Flat roofs. CAFCO FENDOLITE M-ll has undergone testing and meets the criteria for five limiting temperatures ranging from 662°F (350°C) to 1022°F (550°C). Thicknesses of CAFCO FENDOLITE M-ll have been determined based on the required hourly rating and steel sections' W/D (Hp/A) ratios.
The above test serves to demonstrate the thermal performance of a fire resistive material relative to a blast, either by fueled or explosive sources. Steel members protected with CAFCO FENDOLITE M-ll was subjected to a blast (having a nominal overpressure of 3 bars) in accordance with Spadeadam Site Test Procedure No. 108. The results following this extensive blast revealed little to no damage to the fire resistive material.
CAFCO FENDOLITE M-ll has been issued a Lloyd's Register Certificate after successfully completing this test.
The above test serves to demonstrate the durability of a fire protection material's ability to withstand a blast or explosion as well as the resulting pool fires. An ANSI/UL 1709 Rapid Rise Fire Test was conducted after the CAFCO FENDOLITE M-ll protected steel members were subjected to a gas explosion test (maximum overpressure of 3.11 bars).
CAFCO FENDOLITE M-ll meets the criteria of this combined test and carries a Lloyd's Register Certificate.
Testing a material's fire resistance under jet fire has arisen from the industry's recognition that there are fire scenarios more destructive than standard hydrocarbon pooled fires. The jet fire described in ISO 22899-1:2007 involves the sonic release of propane vapor which produces an intense fire ball. The test sample is exposed to a combined radiative and convective heat flux as well as significant erosive forces due to the velocity of the jet.
CAFCO FENDOLITE M-ll meets the criteria for a J-120 rating in accordance with the ISO 22899-1 Jet Fire Test and is covered in a Lloyd's Register Certificate.
This test subjects fire resistive material to high velocity fire and gas explosion replicating what often occurs in practice when a vapor cloud explosion results in a jet fire that produces intense heat and erosive forces from a pressurized fuel source.
Fire protection materials installed in tunnels must be capable of performing under extreme fire exposure conditions. They must withstand rapid thermal shock when exposed to fire and be able to withstand exposure to high temperatures up to 1400°C (2552°F) for long periods of time. They cannot be affected by the corrosive atmospheres present in tunnels where long term exposure to carbon monoxide, Carbon dioxide and nitrogen dioxide which are constantly present. They should be resistant to cyclic loading and mechanical impact and be easily repaired if damaged by vehicle impact.
Through continued research and development, Isolatek International is able to provide materials and systems that exceed the extreme conditions present in tunnels throughout the life of the structure.
Isolatek International utilizes the services of acknowledged independent third party testing laboratories to evaluate all of our materials. This ensures that tunnel owners and designers can be confident that once installed, our systems will provide durable and reliable fire protection for the design life of the tunnel. All of our current independent test reports are available upon request.


text:
Robert Desjarlais
Photos in my lost hours
Seared with Reality
The Gambit
Sensory Biographies
Shelter Blues
Body and Emotion
Sensory Biographies. Lives and Deaths among Nepal's Yolmo Buddhists. (University of California Press, 2003)
Robert Desjarlais's graceful ethnography explores the life histories of two Yolmo elders, focusing on how particular sensory orientations and modalities have contributed to the making and the telling of their lives. These two are a woman in her late eighties known as Kisang Omu and a Buddhist priest in his mid-eighties known as Ghang Lama, members of an ethnically Tibetan Buddhist people whose ancestors have lived for three centuries or so along the upper ridges of the Yolmo Valley in north central Nepal.
It was clear through their many conversations that both individuals perceived themselves as nearing death, and both were quite willing to share their thoughts about death and dying. The difference between the two was remarkable, however, in that Ghang Lama's life had been dominated by motifs of vision, whereas Kisang Omu's accounts of her life largely involved a "theatre of voices." Desjarlais offers a fresh and readable inquiry into how people's ways of sensing the world contribute to how they live and how they recollect their lives.
Visit page for book at University of California Press
Read the introductory chapter
All rights reserved © Robert R. Desjarlais

redpajama_set_name: RedPajamaCommonCrawl


"Of course, severe memory loss can be devastating, but forgetting isn't always a bad thing. Some memories are painful or distracting to remember, and an ability to suppress these memories can be useful. Katie Haylor met forgetting expert Michael Anderson from Cambridge University."
Dr Michael Anderson on 'Science in Action' show 'Our Geological Junk' discussing the similarities between the way rats and human forget, and how understanding the active forgetting mechanisms could help in treating traumatic conditions.
Subbu Sankarasubramanian and Dr Michael Anderson talking about Subbu's PhD project on the benefits of motivated forgetting and the potential of non-invasive brain stimulation to 'dial down' traumatic memories.
Can Your Brain Really Be "Full"?


In May of 2016, twenty-six guests attended a sold-out Louis XIII dinner experience hosted by the Patronis family and Rémy Martin in a private waterfront dining room at Capt. Anderson's restaurant in Panama City Beach, Florida. The dinner, a celebration of the restaurant's fifty-year legacy in the area, began with champagne and fresh seafood and culminated with the decadent—and delicious—presentation of a Louis XIII Grande Champagne Cognac decanter (retail price around $3,000 per bottle) for dessert.
Johnny and Jimmy Patronis purchased Capt. Anderson's in October of 1967, and every year the restaurant has grown without loss of quality. It now boasts 725 seats and is open six nights a week, serving over 250,000 guests annually during its eight-and-a-half-month season. The year 2017 marks Capt. Anderson's fiftieth anniversary. Over these fifty years, Capt. Anderson's has innovated many of the Gulf Coast's classic dishes and has won the loyalty of millions of customers and friends. It is a local tradition to dine early at Capt. Anderson's and watch the fishing fleets unload their catches of the day.
In this day and age, so much of what we eat comes in packages that say nothing about the quality of their contents. There's a refreshing kind of magic in watching a load of fish tumbling from nets or lobsters being carried from a boat's hold to the dock. It's a sight that brings new meaning to most people's idea of fresh seafood. When people sit at the water's edge, smell the salty air, and watch the real hands-on process of a harvest, they are left with a lasting impression that touches much more than their appetites. Capt. Anderson's millions of fans aren't just repeat customers; they've become part of an ongoing tradition that takes place every night at this special Northwest Florida landmark.
As Capt. Anderson's has grown slowly and carefully over the past five decades, it has maintained its original flavor. Many of the restaurant's offerings have become classics and never budged from the menu. In fact, they're proudly marked with asterisks: Johnny's Special Greek Salad with Crabmeat and Gulf Shrimp, Shrimp Scampi, Oven-Broiled Whole Stuffed Gulf Flounder, and the World's Finest Seafood Platter, just to name a few. Capt. Anderson's is also the perfect place to take in a colorful sunset while enjoying a shrimp cocktail, a cup of New Orleans–style gumbo, fish grilled in a Greek-style open-hearth charcoal broiler, or one of the kitchen's churrasco steaks.
Capt. Anderson's restaurant is one of those rare "family" restaurants that not only survives but also strengthens and improves through the years. The Patronis family works with fishermen, oystermen, and others who make their living harvesting the Gulf and Bay waters year-round. Some of their goals are to preserve the natural oyster beds of Apalachicola Bay, to build artificial reefs, and to protect the fragile coastal ecology. Preserving and replenishing the rich natural bounty of the Gulf Coast is part of the Capt. Anderson legacy. This is one of the reasons this landmark restaurant is known for serving more fresh local seafood than any other in the area; it's also one of the reasons Capt. Anderson's has been consistently named among America's top restaurants by publications including Florida Trend, Wine Spectator, Restaurants & Institutions, and Panama City Living. Capt. Anderson's was also voted the top seafood restaurant in the country by Southern Living readers for ten consecutive years.
Seafood restaurants seem to abound on any given coast, but only a precious few blend into a wider community where working and playing by the sea describe a unique way of life. These restaurants do more than serve fresh seafood; they participate in nurturing relationships between those who live by the water and those who visit coastline communities for pleasure and escape.


text:
Q: How to find the polarity of words using nltk? I am doing sentiment analysis on mobile product reviews, I need to find the polarity of each extracted opinion word to positive or negative. So, i need to know if is that possible with nltk? or if any better tools are available for finding polarity of the word? please let me know?

A: You can have a look at textblob
You can do various things like:

*

*Noun phrase extraction

*Part-of-speech tagging

*Sentiment analysis

*Classification (Naive Bayes, Decision Tree)

*find polarity of sentences
etc
Download link


Timber based support can broadly be categorised at Pack and Elongate support products. Both categories of products are applied as permanent support of stopes and gulleys with various designs available depending on rock characteristic and support requirements set by our customers.
Where standard products do not meet our clients specific requirements, Timrite in collaboration with our customers rock engineering personal design unique support solutions. This is accompanied by on-site training, product installation, monitoring and full underground technical support.
Generaly Elongates are permanent support which is used to support the hangingwall behind the working face and is used to stabilize the immediate hangingwall beam which in turn stabilizes the newly exposed ground after blasting. The vertical grain of the timber elongate gives a high initial stiffness and can be designed to yield at loads typically of 200 to 300kN depending upon the end user requirement. Various designs are available to cater for different yield requirements.
Packs are permanent support which is used to support the hangingwall behind the working face and is used to stabilize the immediate hangingwall beam which in turn stabilizes the newly exposed ground after blasting. Packs are generally used in deeper areas where higher loads are required to resist falls of ground. Timber packs can be engineered to give a range of performance characteristics and they tend to be used more in seismically active areas where closures are significant.
All the accessories that are require for the installation of the timber product range.
Timrite Africa caters for all timber, steel and polyester underground support solutions in Southern Africa. We have a wide range of manufacturing and sourcing abilities and pride ourselves with the best technical support in the market. We have more than 20 years of underground support experience which ranges from shallow to deep level mining in Africa.


text:
Ross Atkins seeks to 'fortify' Toronto Blue Jays' starting rotation as new GM
Robert MacLeod
Toronto Blue Jays new general manager Ross Atkins answers questions during an introductory media conference at Rogers Centre.Dan Hamilton
Pitcher David Price was allowed to leave for the greener pastures of the Boston Red Sox with little more than a "Nice knowing you" salutation from the Blue Jays, his former employer in Toronto.
Jose Bautista and Edwin Encarnacion are not getting any younger, and both are eligible to declare for free agency at the end of the 2016 season.
There is a logjam of candidates to play left field, including Michael Saunders, who has yet to prove that his surgically repaired left knee, which kept him sidelined for 2015, is ready to roll.
The likes of Jesse Chavez and J.A. Happ, who can charitably be described as serviceable pitchers over the tenure of their major-league careers, have been added to the fold to offset the loss of Price and Mark Buehrle, the rubber-armed innings eater whose contract expired.
Into all this uncertainty steps Ross Atkins, who was formally introduced on Friday as the new general manager of the Blue Jays.
A first-time GM, whose 15-year apprenticeship in the player-development system of the Cleveland Indians deemed him worthy of the Toronto promotion, said he sees no reason why the Blue Jays can't again be a force in the American League East in 2016.
"I think, first and foremost, I see this team as a very, very good one that people will fear," the 42-year-old North Carolina native said of the AL East defending champions. "And they're going to be competitive."
The state of the starting pitching, he admitted, will be something he will look "to fortify."
The team suffered a big loss when Price, who helped lead the Jays into the playoffs, became a free agent. On Friday, he officially became a member of the Red Sox after agreeing to a mammoth seven-year, $217-million (U.S.) contract.
Mark Shapiro, Toronto's new president and chief executive officer, who made the call to hire Atkins, said the Blue Jays realized the kind of money Price would command on the open market.
As a result, he said the club never "aggressively" tried to sign the lefty to a new deal to keep him in Toronto.
"For me, with David Price, it was never a question, 'Do you want David Price?'" Shapiro said. "That's silly. Of course, yeah, we want David Price.
"It's a question of how you build a championship team within the parameters you're given. It's as simple as that."
Even without Price anchoring the rotation, Atkins said the mighty Blue Jays offence, which averaged 5.5 runs a game in the regular season, remains something to behold.
"I know, first-hand, pitching coaches that absolutely feared playing this team and lost sleep over thinking about the lineup," Atkins said. "Because how in the world are we going to attack the Toronto Blue Jays? And that team's intact."
The hiring of Atkins to replace Alex Anthopoulos, who walked away from a lucrative contract offer at the end of the season, marks the first major hiring for Shapiro, who has been on the clock for about five weeks.
And Shapiro didn't go far beyond his comfort level to find the new GM, plucking Atkins from Cleveland, the organization for which he had worked since 1991 before agreeing to the new job in Toronto.
"I met Ross about 20 years ago," Shapiro said. "He was a 38th-round draft pick with the Indians and I was the farm director for the Indians. It was clear through our one-on-ones … that Ross's questions were a little different than the other players."
Rather than inquire about the normal things young players will inquire about, such as the size of the meal per diem or whom they have to sit beside in the clubhouse, Shapiro said Atkins's thoughts ran deeper, more toward the side of process and player development.
Likely, Atkins knew the writing was on the wall with a playing career that never took him above the Double-A level in five years while he was with the Indians organization.
"I remember very well the day that I was standing in left field, and [Cleveland coach] Bud Black came out to me as a minor-league player and asked me what my life was going to be after baseball – while I was still in uniform!" Atkins said. "So, I knew all too soon that I needed to think about that."
Shapiro said the Toronto GM job boiled down to a competition between Atkins and Tony LaCava, a loyal Blue Jays front-office employee under the regimes of both Anthopoulos and J.P. Ricciardi.
After Anthopoulos left, LaCava was handed the GM's job on an interim basis until Shapiro sorted out who he wanted.
"In the end, I split hairs and thought carefully about it, and felt that Ross was the right person to take this organization and build upon its success," Shapiro said.
Shapiro said LaCava was equally qualified for the job, which is why he will remain in the organization as the club's new senior vice-president of baseball operations and assistant GM.
Atkins said he will allow LaCava to continue to act as the de facto GM until he can get the lay of the land in Toronto.
"I think it is important to state that Tony LaCava, for now, will hold that charge," Atkins said. "He'll hold that lead there, he will work us through the winter meetings and through this off-season as the leader of our decision-making. And I will look to support and complement him any way that I can."
Follow us on Twitter: @globeandmailOpens in a new window
Toronto Blue Jays hire former Indians executive Ross Atkins as new GM
Jays seek stability by promoting Tony LaCava, retaining John Gibbons
With Marco Estrada signed, Blue Jays look to fill out starting rotation


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text:
a Bible passage
Young's Literal
Hebrew Old Testament
SBL Greek New Testament
French Darby
John Calvin Commentary
Matthew Henry (Concise)
Jamieson, Fausset, Brown
Sermons and Meditations
Other Scripture Versions
Click a verse to see commentary
Select a resource above
Now I would remind you, brothers and sisters, of the good news that I proclaimed to you, which you in turn received, in which also you stand, 2through which also you are being saved, if you hold firmly to the message that I proclaimed to you—unless you have come to believe in vain.
3 For I handed on to you as of first importance what I in turn had received: that Christ died for our sins in accordance with the scriptures, 4and that he was buried, and that he was raised on the third day in accordance with the scriptures, 5and that he appeared to Cephas, then to the twelve. 6Then he appeared to more than five hundred brothers and sisters at one time, most of whom are still alive, though some have died. 7Then he appeared to James, then to all the apostles. 8Last of all, as to one untimely born, he appeared also to me. 9For I am the least of the apostles, unfit to be called an apostle, because I persecuted the church of God. 10But by the grace of God I am what I am, and his grace toward me has not been in vain. On the contrary, I worked harder than any of them—though it was not I, but the grace of God that is with me. 11Whether then it was I or they, so we proclaim and so you have come to believe.
The Resurrection of the Dead
12 Now if Christ is proclaimed as raised from the dead, how can some of you say there is no resurrection of the dead? 13If there is no resurrection of the dead, then Christ has not been raised; 14and if Christ has not been raised, then our proclamation has been in vain and your faith has been in vain. 15We are even found to be misrepresenting God, because we testified of God that he raised Christ—whom he did not raise if it is true that the dead are not raised. 16For if the dead are not raised, then Christ has not been raised. 17If Christ has not been raised, your faith is futile and you are still in your sins. 18Then those also who have died in Christ have perished. 19If for this life only we have hoped in Christ, we are of all people most to be pitied.
20 But in fact Christ has been raised from the dead, the first fruits of those who have died. 21For since death came through a human being, the resurrection of the dead has also come through a human being; 22for as all die in Adam, so all will be made alive in Christ. 23But each in his own order: Christ the first fruits, then at his coming those who belong to Christ. 24Then comes the end, when he hands over the kingdom to God the Father, after he has destroyed every ruler and every authority and power. 25For he must reign until he has put all his enemies under his feet. 26The last enemy to be destroyed is death. 27For "God has put all things in subjection under his feet." But when it says, "All things are put in subjection," it is plain that this does not include the one who put all things in subjection under him. 28When all things are subjected to him, then the Son himself will also be subjected to the one who put all things in subjection under him, so that God may be all in all.
29 Otherwise, what will those people do who receive baptism on behalf of the dead? If the dead are not raised at all, why are people baptized on their behalf?
30 And why are we putting ourselves in danger every hour? 31I die every day! That is as certain, brothers and sisters, as my boasting of you—a boast that I make in Christ Jesus our Lord. 32If with merely human hopes I fought with wild animals at Ephesus, what would I have gained by it? If the dead are not raised,
"Let us eat and drink,
for tomorrow we die."
33 Do not be deceived:
"Bad company ruins good morals."
34 Come to a sober and right mind, and sin no more; for some people have no knowledge of God. I say this to your shame.
The Resurrection Body
35 But someone will ask, "How are the dead raised? With what kind of body do they come?" 36Fool! What you sow does not come to life unless it dies. 37And as for what you sow, you do not sow the body that is to be, but a bare seed, perhaps of wheat or of some other grain. 38But God gives it a body as he has chosen, and to each kind of seed its own body. 39Not all flesh is alike, but there is one flesh for human beings, another for animals, another for birds, and another for fish. 40There are both heavenly bodies and earthly bodies, but the glory of the heavenly is one thing, and that of the earthly is another. 41There is one glory of the sun, and another glory of the moon, and another glory of the stars; indeed, star differs from star in glory.
42 So it is with the resurrection of the dead. What is sown is perishable, what is raised is imperishable. 43It is sown in dishonor, it is raised in glory. It is sown in weakness, it is raised in power. 44It is sown a physical body, it is raised a spiritual body. If there is a physical body, there is also a spiritual body. 45Thus it is written, "The first man, Adam, became a living being"; the last Adam became a life-giving spirit. 46But it is not the spiritual that is first, but the physical, and then the spiritual. 47The first man was from the earth, a man of dust; the second man is from heaven. 48As was the man of dust, so are those who are of the dust; and as is the man of heaven, so are those who are of heaven. 49Just as we have borne the image of the man of dust, we will also bear the image of the man of heaven.
50 What I am saying, brothers and sisters, is this: flesh and blood cannot inherit the kingdom of God, nor does the perishable inherit the imperishable. 51Listen, I will tell you a mystery! We will not all die, but we will all be changed, 52in a moment, in the twinkling of an eye, at the last trumpet. For the trumpet will sound, and the dead will be raised imperishable, and we will be changed. 53For this perishable body must put on imperishability, and this mortal body must put on immortality. 54When this perishable body puts on imperishability, and this mortal body puts on immortality, then the saying that is written will be fulfilled:
"Death has been swallowed up in victory."
"Where, O death, is your victory?
Where, O death, is your sting?"
56 The sting of death is sin, and the power of sin is the law. 57But thanks be to God, who gives us the victory through our Lord Jesus Christ.
58 Therefore, my beloved, be steadfast, immovable, always excelling in the work of the Lord, because you know that in the Lord your labor is not in vain.
New Revised Standard Version Bible, copyright 1989, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.
41. There is one glory of the sun, and another glory of the moon Not only is there a difference between heavenly bodies and earthly, but even the heavenly bodies have not all the same glory; for the sun surpasses the moon, and the other stars differ from each other. This dissimilarity, accordingly, appears 103103 "Ceste dinersite de qualite se monstre;" — "This difference of quality shows itself." in the resurrection of the dead. A mistake, however, is commonly fallen into in the application; 104104 "En l'application de ceste similitude;" — "In the application of this similitude." for it is supposed that Paul meant to say, that, after the resurrection, the saints will have different degrees of honor and glory. This, indeed, is perfectly true, and is proved by other declarations of Scripture; but it has nothing to do with Paul's object. For he is not arguing as to what difference of condition there will be among the saints after the resurrection, but in what respect our bodies at present differ from those that we will one day receive. 105105 "Comment different nos corps que nons auons maintenant de ceux que nons aurons apres;" — "In what respect our bodies, which we have now, will differ from those that we shall have afterwards."
He removes, then, every idea of absurdity, by instituting this comparison: The substance of the sun and moon is the same, but there is a great difference between them in point of dignity and excellence. Is it to be wondered, then, if our body puts on a more excellent quality? 106106 "Qu'il n'ha maintenant;" — "Than it has now." "I do not teach that anything will take place at the resurrection but what is already presented before the eyes of all." That such is the meaning of the words is clear from the context. For whence and for what purpose would Paul make such a transition, were he now comparing them with one another in respect of the difference of their condition, while up to this point he has been comparing the present condition of all with their future condition, and immediately proceeds with that comparison?
103 "Ceste dinersite de qualite se monstre;" — "This difference of quality shows itself."
104 "En l'application de ceste similitude;" — "In the application of this similitude."
105 "Comment different nos corps que nons auons maintenant de ceux que nons aurons apres;" — "In what respect our bodies, which we have now, will differ from those that we shall have afterwards."
106 "Qu'il n'ha maintenant;" — "Than it has now."
Preferred Old Testament version:
Preferred Apocrypha version:
Preferred New Testament version:
Footnote style
VIEWNAME is study


text:
Calum Marsh
Calum Marsh is a purveyor of essays and criticism and a generally lovable dilettante. He lives in Toronto and was born in Great Britain, though regrettably he lost the accent.
Review: 'Swim Little Fish Swim'
Calum Marsh 02/05/2014
Rotterdam Review: 'Shattering Shadow'
Rotterdam Review: 'Happily Ever After'
Rotterdam Review: 'How To Disappear Completely'
Rotterdam Review: 'The Pinkie'
Rotterdam Review: 'To Kill A Man'
Rotterdam Review: 'The Reunion'
Rotterdam Review: 'Ping Pong Summer'
The 5 Best New Streaming Films of the Week (January 21st, 2014)
Director's Cut: Godfrey Reggio & Steven Soderbergh ('Visitors')
The 5 Best New DVDs & Blu-rays of the Week (January 21, 2014)
Composer Philip Glass on Godfrey Reggio's 'Visitors' and Why Audiences Won't Walk Out
Director's Cut: Abel Ferrara ('Ms. 45')
The 5 Best Discs & Streaming Films of the Week (1/7/2014)
Errol Morris' New Documentary Uses Donald Rumsfeld to Redefine Ignorance
Calum Marsh's Top 15 Films of 2013
The Art of the Sell: Why 'The Wolf of Wall Street' Lets Jordan Belfort Off the Hook
The 5 Best New DVD / Blu-ray and Streaming Titles of the Week (December 10th, 2013)
Revival Goes West: Is 'The Assassination of Jesse James' About to Become a Confirmed Classic?
Review: 'White Reindeer'
Director's Cut: Zach Clark ('White Reindeer')
The Best DVD / Blu-ray and Streaming Movies of the Week (11/27/2013)
It Turns Out that John Carpenter's 'Assault on Precinct 13' Is Actually a Zombie Film
'The Act of Seeing With One's Own Eyes' Is The Scariest Movie Ever Made


stasialikesbooks: Book review: Love, Nina: Despatches from Family Life by Nina Stibbe.
Book review: Love, Nina: Despatches from Family Life by Nina Stibbe.
In 1982 Nina Stibbe, a twenty-year-old from Leicester, moved to London to work as a nanny for a very particular family. It was a perfect match: Nina had no idea how to cook, look after children, or who the weirdos who called round were. And the family, busy discussing how to swear in German or the merits (or otherwise) of turkey mince, were delighted by her lack of skills.
Love, Nina is the collection of letters she wrote home gloriously describing her 'domestic' life, the unpredictable houseguests and the cat everyone loved to hate.
I want to read more non-fiction this year and after everything I'd read about Love, Nina I knew it would be the perfect book to start with. And I was right.
Nina Stibbe's letters from her time as a nanny are full of amusing stories about her life as part of the literary-minded household where she cared for two wildly funny young boys. The boys are responsible for most of my favourite stories and conversations, closely followed by the playwright Alan Bennet, who features rather frequently as he lived in the same street and used to pop round for tea most nights.
I've read online that Bennet is not too pleased with the way he's remembered in Stibbe's book but honestly, I think there are far worse ways to be remembered. There is a layer of fondness over every memory mentioned in the book and the people even more so. Stibbe's letters are so funny and endearing it almost makes me want to become a nanny myself. But only if the family were as funny and as lenient with the cleaning as the one Stibbe worked for. It's clear from these letters that Stibbe loved her job and the people she worked for, and that they loved her too.
I honestly don't think there's anything I can say about this book that hasn't already been said dozens of times, but it's an extremely enjoyable read and even if it doesn't make you laugh out loud it's sure to make you smile.


text:
Macaulay Culkin's Band, the Pizza Underground, Releases Its First Video, Is Apparently Very Much for Real
The Pizza Underground
by Tess Lynch
You can't do something big, like create a pizza-themed Velvet Underground cover band, without taking a few pies to the face. There was the misunderstanding that percussionist/kazoo soloist Macaulay Culkin, with whom you were recently reunited during the holiday Home Alone marathons, and his bandmates (Matt Colbourn, Phoebe Kreutz, Deenah Vollmer, and Austin Kilham) had started their musical project as a weird mourning response after Lou Reed's death — in fact, the Pizza Underground has been rocking out for almost two years, though they just gained a boost in press momentum last month. And because the pizza music market is a competitive one, the Pizza Underground caught some flak from the venerable Personal & the Pizzas, another NYC-based pizza band who responded to the newcomers with some choice words: "First we're gonna kill em. Then! we're gonna sue 'em. Don't mess with the fuckin' Pizzas, prick. I can reed motherfucker. I can reed!" The stylings of this rivalry are very pie style, Jack.
On Monday, the Pizza Underground released its first music video, a compilation of "All the Pizza Parties" (a take on the Velvet Underground's "All Tomorrow's Parties"), "Pizza Gal" ("Femme Fatale"), and "Take a Bite of the Wild Slice" ("Walk on the Wild Side"). You'll have to wait for "I'm Beginning to Eat the Slice" and "Papa John Says." It is probably just what you expect it to be — pizza wallpaper, dangling slices, Velvet Underground–style black sunglasses and outfits, and a single traditional cheese masking Culkin's face:
The video was preceded by a YouTube of Culkin eating a piece of pizza for five minutes that went viral in mid-December, as well as the band's Warhol-worshiping Tumblr. In Noisey's behind-the-scenes coverage piece (which also includes the unappetizing line "inside [the studio] it does actually smell like ass"), the video's director, Adrian Arredondo, remarked that Culkin "was a little maybe louder than the others on set, but also maybe he has the most to lose from all of this, because of his history. He said this himself, he's already a joke within a joke of himself. He's very self-aware, he knows what he's doing. He wasn't as weird as I thought he was going to be, but he was unusual." If a former child star is going to take a career risk, it's probably a better idea to wear a pizza mask than to hire a skywriter (despite pizza being less "complex" than Shia LaBeouf's plagiarism and cloud art).
The Pizza Underground tour kicks off on January 24 in Brooklyn (check here to see if you're within their delivery area). Suggested pairings for your listening party: legal marijuana, reenacting the lost pages of Home Alone's fictional gangster movie Angels With Filthy Souls, multitasking your slices, and, of course, a Warhol brew. Enjoy it while it's hot; in keeping with the spirit of the project, it'll probably all be over in 15 minutes.
Lifetime's New Reality Slate: Fix Your Hair, Fix Your Teeth, Fix Your Cryptically Race-Related 'Inner Glow' June 5, 2014
Attempted Murder and Memes: The Slender Man Hoax Turns Horribly Real June 4, 2014
Shark Week vs. Sharknado Week: Who Will Win the Coming Shark Wars? May 29, 2014
Can 'Houdini' Help Johnny Depp Escape Hollywood Jail? May 28, 2014
The U.K. Just Doesn't Get Macaulay Culkin's Pizza Band May 27, 2014
The FBI vs. the ICP: Revenge of the Juggalos
Ray Allen's Talking Up the Possibility of He Got Game 2


we're going to start coding and doing calculation.
So the things that we type into the R prompt are called expressions.
followed by a hyphen this is what's called the assignment operator.
The assignment operator is what assigns a value to a symbol.
called x, and the value that I'm assigning it is call, is 1.
And thi, so, and I used the assignment operator to create that.
So x is 1, is a, is an R expression.
And the next expression I'm going to print that value so print is a function.
that when I print out x I get its value which, in this case is 1.
is an R object that is a numeric object that has one element.
So it's really a numeric vector where the first element is the number one.
and when you hit enter what happens is it prints out the value of X.
print out an object without explicitly calling the print function.
in this expression over here, I'm creating a new symbol called message, MS, MSG.
And I'm assigning it a value of the string hello.
All right? So now, this is a character vector.
And the first element of this character vector is the string hello.
but they would all have to be character.
the expression to be completed.
The other thing I've got here is this hash symbol here.
the R engine will ignore anything that happens to the right of that symbol.
notes to yourself in code and R will just ignore those comments.
that the expression is evaluated by the R engine.
And the result of that evaluation expression is then returned.
nothing happens because there's nothing to really show.
in the first expression here when I say x is assigned to be five.
So I'm creating an object called x.
It's a numeric vector and the first element's going to be five.
Now when I hit enter nothing happens because there's really nothing to show.
I hit enter it prints out the value five, so it prints out the value of x.
so when you just type an object's name and hit enter.
R will by default autoprint the value of that object.
just print out the value of that object.
So you can explicitly print an object or you can auto print an object.
it's really just the natural thing to do and it is what most people would expect.
there's a little one in brackets here.
And you might be wondering what that is.
it's telling you what element of the vector is being shown.
And this will make more sense when we have longer vectors to look at.
is the first element of the vector.
the colon operator here that I've used is what's used to create a sequence.
three, all the way up to 20.
In this case, it's an integer vector.
because that's the first element.
the first element of that line is the 16th element of this vector.


text:
<?xml version="1.0" encoding="ISO-8859-1"?>
<?xml-stylesheet href="latest_ob.xsl" type="text/xsl"?>
<current_observation version="1.0"
	 xmlns:xsd="http://www.w3.org/2001/XMLSchema"
	 xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	 xsi:noNamespaceSchemaLocation="http://www.weather.gov/view/current_observation.xsd">
	<credit>NOAA's National Weather Service</credit>
	<credit_URL>http://weather.gov/</credit_URL>
	<image>
		<url>http://weather.gov/images/xml_logo.gif</url>
		<title>NOAA's National Weather Service</title>
		<link>http://weather.gov</link>
	</image>
	<suggested_pickup>15 minutes after the hour</suggested_pickup>
	<suggested_pickup_period>60</suggested_pickup_period>
	<location>Morrisville-Stowe State Airport, VT</location>
	<station_id>KMVL</station_id>
	<latitude>44.53589</latitude>
	<longitude>-72.61625</longitude>
	<observation_time>Last Updated on Jan 4 2016, 9:54 pm EST</observation_time>
        <observation_time_rfc822>Mon, 04 Jan 2016 21:54:00 -0500</observation_time_rfc822>
	<weather>Partly Cloudy</weather>
	<temperature_string>-4.0 F (-20.0 C)</temperature_string>
	<temp_f>-4.0</temp_f>
	<temp_c>-20.0</temp_c>
	<relative_humidity>75</relative_humidity>
	<wind_string>Calm</wind_string>
	<wind_dir>North</wind_dir>
	<wind_degrees>0</wind_degrees>
	<wind_mph>0.0</wind_mph>
	<wind_kt>0</wind_kt>
	<pressure_string>1033.2 mb</pressure_string>
	<pressure_mb>1033.2</pressure_mb>
	<pressure_in>30.45</pressure_in>
	<dewpoint_string>-9.9 F (-23.3 C)</dewpoint_string>
	<dewpoint_f>-9.9</dewpoint_f>
	<dewpoint_c>-23.3</dewpoint_c>
	<visibility_mi>9.00</visibility_mi>
 	<icon_url_base>http://forecast.weather.gov/images/wtf/small/</icon_url_base>
	<two_day_history_url>http://www.weather.gov/data/obhistory/KMVL.html</two_day_history_url>
	<icon_url_name>nsct.png</icon_url_name>
	<ob_url>http://www.weather.gov/data/METAR/KMVL.1.txt</ob_url>
	<disclaimer_url>http://weather.gov/disclaimer.html</disclaimer_url>
	<copyright_url>http://weather.gov/disclaimer.html</copyright_url>
	<privacy_policy_url>http://weather.gov/notice.html</privacy_policy_url>
</current_observation>

redpajama_set_name: RedPajamaGithub


The model boys. Or: It all depends on the right reference.
Why does a James Marsden come along so stylishly on the red carpet? Because Ilaria Urbinati dresses him. Just like Bradley Cooper or Chris Evans. The stylist herself is something of a star. And has her very own view of the Porsche sports cars. For her, the inner values count. The right seat covers, for example.
It's not easy for a model boy like that. So he does everything, but really everything right, enchants teachers, superiors - and gets a "nerd" as a synonym from the highest German language authority, the Duden.
He didn't deserve that, the model boy. Really not. Good thing there's still something like Wikipedia. The net community does, after all, certify that the guy knows how to behave, that he is educated, distinguished and polite. That's better. And at the latest since Volkswagen introduced its Crafter with two very special model boys in 2006, it has been known that this boy can also take blinking eyes.
And what does all this have to do with Porsche now? To tell you the truth: Not quite as much. On the one hand. On the other hand: Such a real Zuffenhausener is exemplary through and through when it comes to sportiness and elegance, although he also likes to go over the top sometimes. And of the inner (design) values, many Porsche models have been model boys for decades in the best sense of the word: with their seat design.
The 901 with the chassis number 57 from the year 1964, which (fortunately) was found and restored in a barn near Berlin, impresses with a contrasting dog-tooth pattern matching the place where it was found. And is therefore still modern today. Oh, yeah!
Classic Scottish and yet like a little punk rock is the former model of Louise Piëch, a 911 Turbo from 1974. The car of the painter, which loved radiant colours, rocks in a striking blue-red tartan pattern.
The 911 Targa SC from 1981 is more psychedelic. Black meets Navy blue. And those who look longer can be hypnotized by the »Pascha« design: the Checkered Flag from racing.
A Gentlemans club on wheels however is the 928, likewise from the 80s. Leather meets a classic stripe pattern. Ferry Porsche was so enthusiastic that he refined the headrest with lettering.
The most solemn finally is the G-model, the last built 3.2 litre 911: Produced in the year of German reunification, he throws himself into pinstripes, white on chestnut brown.


text:
Xbox companion app
Your away game
use the arrow keys to navigate through the pivots and tab to focus on focusable content inside a pivot section
Xbox parties
Chat made easy
With the Xbox app setup or join an Xbox party. Get together and chat with friends as you move from game to game, right from your phone or tablet. Chat with friends on Xbox Series X|S, Xbox One, and Windows PC.
Your gaming friends are just a tap away with the Xbox app while at home or on-the-go. Use the onscreen keyboard from your phone or tablet to send a quick message, search for a game, or enter a code. And built-in voice chat couldn't be easier when using the headset you've already paired with your phone.
The easiest way to share game clips and screenshots from your console is with the Xbox app. See your game captures all in one place, and send it to Xbox chat and activity feed, or gaming and social networks like Instagram, Snapchat, Whatsapp, and more – you choose where.
Celebrate your progress with achievements. Access leaderboards to see how you rank against friends, sort and filter your most important achievements all while you're on the go.
Sours: https://www.xbox.com/en-US/apps/xbox-app-for-mobile
Verify that you have the latest version of the Xbox Console Companion app on Windows 10
The Xbox Console Companion app will automatically update itself through the Microsoft Store app on Windows 10, but there are occasions when a game or an app may fail to update. In such cases, you'll have to manually update your games and apps to get to the latest version.

Current version of the app
The current version is 48.55.30001.00000.
To locate what version of the Xbox Console Companion app you have installed, open the Xbox Console Companion app and select Settings. On the General tab, scroll to the bottom of the screen to the About section to see your current version number.
Did this resolve the issue?
Request a call, chat online, and more.
Contact times

Monday to Friday: 6:00am-5:00pm PTSaturday to Sunday: 6:00am-5:00pm PT
Monday to Sunday: 24 hours a day
Sours: https://support.xbox.com/en-US/help/games-apps/apps-help/verify-version-xbox-app-on-windows-10
Close range ar warzone
Amalie name pronunciation
Ss109 bulk bullets
Evap canister toyota camry
Simplicity deep orange paint
How to use game streaming in the Xbox Console Companion app on Windows 10
Game streaming is the ability to play Xbox console games remotely from your console on any Windows 10 PC on your home network.
For Xbox One generation consoles, use the Xbox Console Companion app for game streaming to a Windows device. For Xbox Series X|S consoles, use the Xbox app for PC. For more info, see:
How to set up remote play
This feature allows you to leave your living room and play your favorite Xbox One games anywhere with access to your home network.
Game streaming uses the power of the Xbox console to manage the game. Your Windows 10 PC becomes a remote second screen so you can roam freely around your home while continuing to enjoy your Xbox console and games.
To take advantage of game streaming, you need:
Xbox One console: Game streaming must be enabled in Settings.
Windows 10 PC: You must be signed in to the Xbox Console Companion app with the same gamertag as on the Xbox One console.
Network connectivity: The Windows 10 PC and the Xbox One console must be on the same home network. Options:
Wired - Ethernet connection (recommended for both PC and Xbox One console)
Wireless - 802.11 N/AC wireless connection
For best performance, we recommend that your Windows 10 PC have:
At least 2 gigabytes of RAM
1.5 GHz CPU or faster
Network connection to your home network:
Best performance: Wired Ethernet connection
Good performance: Wireless – 5 GHz 802.11 N or 802.11 AC wireless access point
Limited performance: Wireless – 2.4 GHz 802.11 N or 802.11 AC wireless access point
Note If a wired connection is not practical in your home due to the distance between your console and your home networking device, you can invest in either of two additional options that take advantage of the existing wiring in your home:
Powerline network adapters – These adapters allow you to use the existing electrical wiring of your home as a high-speed wired network.
MoCA (Multimedia over Coax) – These adapters allow you to use the existing coaxial cable wiring of your home as a high-speed wired network.
How to start game streaming from your Xbox One to your Windows 10 PC
Enable settings on your Xbox One
To use Xbox game streaming, you must first enable game streaming from your Xbox One. To do this, press the Xbox button  on your controller to open the guide, select Profile & system > Settings > Devices & connections > Remote features > Xbox app preferences. Do these two things:
Under This Xbox, select Allow game streaming to other devices.
Under Xbox app, select Allow connections from any device or Only from profiles signed in on this Xbox.
Connect your Windows 10 PC to your Xbox One
After ensuring that your console settings are correct, you need to establish a connection from your Windows 10 PC to your Xbox One console from within the Xbox Console Companion app on your PC:
On your PC, launch the Xbox Console Companion app.
Select Connection from the panel on the left side.
The Xbox Console Companion app will scan your home network for available Xbox One consoles. Select the name of the console you want to connect to.
Note All Xbox One consoles are pre-named "MyXboxOne." If you have multiple consoles, you should rename each one so that you can correctly identify the console you're trying to connect to. You can rename your console by pressing the Xbox button  on your controller to open the guide, selecting Profile & system > Settings > System > Console info, and then selecting the name of your console in the Name box.
Once you have connected, you'll see the icons change to indicate you are connected, and you'll see new options for streaming, power, and media remotes. You'll also now have control of the console remotely.
How to launch game streaming from the Connection panel
To begin streaming, click Stream once the console is connected.
How to launch a game from the Xbox Console Companion app
Connect your console to your PC, as described previously. After you click on any Xbox One game in the Xbox Console Companion app, you can initiate streaming from within that game's Official Club.
The game will be immediately launched on the Xbox One console, and streaming will start.
How to change streaming quality
After your PC is connected to your Xbox One console, you can select a quality level for the video. You can change the quality of your stream before you start streaming or while you are streaming. You should set the quality to the highest level that still gives you a good gameplay experience.
In the Xbox Console Companion app, select Settings, and then Xbox One.
Under Streaming quality, select a video encoding level. We recommend:
Very high – For home networks with enough bandwidth to stream at 1080p and 60fps.
High – If both your Xbox One and your Windows 10 PC are connected with a wired Ethernet connection, or if your console and the PC are in the same room as the wireless router with minimal wireless interference.
Medium – For 5 GHz wireless networked PCs and consoles that are in different rooms within your home.
Low – For low-end PCs and tablets, as well as 2.4 GHz wireless networks.
Note You can always start with a higher setting and reduce your quality level until you reach the best performance your home network will support based on your current configuration. To try to improve your game streaming experience, see:
Playing Xbox games using Oculus Rift
Note As mentioned in the System requirements section above, your Xbox and PC need to be on the same wireless network.
Make sure your Xbox One is on and you're signed in.
On your PC, sign in to the Xbox Console Companion app with the same profile you're using on Xbox One.
Open the Oculus app and sign in with your Oculus account.
Search for "Xbox" and install Xbox One Streaming.
Open Xbox One Streaming and, if necessary, choose your Xbox.
If there's only one Xbox on your network and it's turned on, the app will choose it automatically.
If the app doesn't see an Xbox, make sure your Xbox is on and you're signed in.
If you need to connect to your Xbox using its IP address, you'll find the IP address by opening the guide and going to Profile & system > Settings > General > Network settings > Advanced settings.
Put on your Rift headset and start using your Xbox.
While streaming to Oculus, the Xbox button  on your controller opens the Oculus universal menu instead of taking you to Xbox Home. To use the functionality of the Xbox button , move your head to aim the cursor at the virtual Xbox button  and either press the A button  on your controller or long-press A to act on notifications or open the power menu.
To adjust streaming quality—for instance, if you're adjusting for a slow network—move your head to aim the cursor at the Network icon below the screen and select a lower quality level (the default level is Very High).
Protected video and HDCP-protected content can't be streamed with game streaming. This includes protected HDMI television content as well as the content from many media applications.
Using in-game chat and party chat
Before you begin game streaming, connect your Xbox Wireless Headset to your Windows 10 PC via Bluetooth, or plug your USB headset or microphone into your PC, or plug your chat headset into your controller. Your headset must be selected as the default playback and recording device on your PC. To access this setting, open Control Panel, select Hardware and Sound > Sound > Manage audio devices.
Sours: https://support.xbox.com/en-US/help/games-apps/apps-help/how-to-use-game-streaming-in-xbox-console-companion-app
Using Xbox One Console Companion Application for Windows 10
Xbox (app)
The Xbox app is an app for Windows 8, Windows 10, Windows 11, Android, and iOS. It acts as a companion app for Xbox video game consoles, providing access to Xbox Live community features, remote control, as well as second screen functionality (formerly branded as SmartGlass) with selected games, applications, and content.
On Windows 10, the app additionally serves as a launcher for PC games installed on a device (including games obtained from Microsoft Store, Bethesda.net, Steam, GOG.com, Epic Games Store, Humble Bundle, Battle.net, Origin and Ubisoft Connect), and provides access to the system's screen recording functions. During E3 2019, the existing version of the Xbox app for Windows 10 was renamed Xbox Console Companion, and a new Xbox app was introduced in beta—which is geared more specifically towards PC gaming, and serves as the client for the subscription service Xbox Game Pass Ultimate.
Through the app, users can access their activity feed, Xbox Live friends and messages, manage their party, watch saved Game DVR clips, browse OneGuide, and view their achievements. Some games and apps can provide second screen integration via the app, displaying supplemental content. The app can also be used as a remote control for the console.[3][4]
The Windows 10 version of the app allows users to stream games from an Xbox One console over a local network, and has the ability to view and edit Game DVR recordings from an Xbox One console. It also serves as a front-end for a PC version of Game DVR on supported hardware (Game DVR settings were moved to the Settings app on Windows 10 version 1703),[5] and has a library display for games installed on the device, such as those obtained via Microsoft Store, Bethesda.net, Steam, GOG.com, Epic Games Store, Humble Bundle, Battle.net, Origin and Ubisoft Connect.[6][7][8]
Support for Xbox Cloud Gaming as well as Remote Play from Xbox consoles was added to the app on September 14, 2021.[9]
The original logo of the Xbox One SmartGlass app
Xbox 360 SmartGlass was originally announced at E3 2012, for Windows 8, Android and iOS. Microsoft demonstrated use cases for the new app within both games and entertainment, including a minimap for Ascend: New Gods, a second screen experience for School of Rock with supplemental content, and Game of Thrones (with interactive maps and family tree diagrams).[10] With the release of Xbox One in November 2013, Microsoft released an accompanying Xbox One SmartGlass app for Android, iOS, Windows 8.1, and Windows Phone, which contained more extensive functionality for controlling the console.[11][12]
Windows 10 introduced a revamped version of SmartGlass referred to simply as Xbox, which notably added a library display for PC games, and the ability to stream games from an Xbox One console on a local network.[13] On June 12, 2016, the mobile versions of the Xbox One Smartglass apps were updated for parity with the desktop version, and renamed "Xbox" as well.[14] Xbox 360 SmartGlass was not updated and was discontinued in May 2018.
The mobile apps were updated alongside the Xbox One's May 2019 software update, adding cross-platform status indicators to friends.[15]
On June 9, 2019, coinciding with Microsoft's E3 2019 press conference, Microsoft released a new Xbox app in beta exclusively for Windows 10 May 2019 Update (version 1903), which has a redesigned interface, and serves as the client for Xbox Game Pass on PC.[16] In advance of the conference, Microsoft rebranded the existing Xbox app on Windows 10 as Xbox Console Companion.[17]
^ "Xbox". App Store. Retrieved 8 September 2019.
^ "Xbox - Apps on Google Play". Google Play. Retrieved 8 September 2019.
^ "Xbox One's SmartGlass App Does Essential Stuff Your Xbox One Won't". Time. November 21, 2013.
^ Warren, Tom (2013-11-19). "Xbox One SmartGlass lets you snap apps from your phone or tablet". The Verge. Retrieved 2019-06-09.
^ "Review: Windows 10 Creators Update is quite a small major update". Ars Technica. Retrieved April 7, 2017.
^ "Xbox on Windows 10: social features, game DVR and more". Engadget. AOL. Retrieved January 21, 2015.
^ "Xbox app coming to Windows 10, Microsoft confirms". Polygon. Vox Media. Retrieved January 21, 2015.
^ "Windows 10 will let you stream Xbox One games to any Windows 10 PC or tablet". Polygon. Vox Media. Retrieved January 21, 2015.
^ Clark, Mitchell (September 14, 2021). "xCloud and Xbox Remote Play are officially available on Windows". The Verge. Retrieved September 14, 2021.
^ Stein, Scott. "E3 2012: A closer look at Xbox SmartGlass". CNET. Retrieved 2019-06-10.
^ "Microsoft releases SmartGlass Xbox One app for Android, iOS, Windows". PCWorld. 2013-11-19. Retrieved 2019-06-10.
^ Phillips, Tom (2013-11-19). "Microsoft releases Xbox One SmartGlass app". Eurogamer. Retrieved 2019-06-10.
^ Machkovech, Sam (2015-08-13). "Xbox on Windows 10: What it is, what it isn't, and what's missing [Updated]". Ars Technica. Retrieved 2019-06-10.
^ "New Xbox apps for iOS and Android look just like Windows 10". The Verge. Vox Media. Retrieved 13 June 2016.
^ Bright, Peter (2019-05-17). "Xbox, PC get a little bit closer with the latest Xbox updates". Ars Technica. Retrieved 2019-06-09.
^ Gaming, Darren Allan 2019-06-10T10:12:06Z. "This is our first look at the new Xbox app on Windows 10". TechRadar. Retrieved 2019-06-10.
^ "Microsoft readies a renamed Xbox Console Companion app for Xbox management on Windows". PCWorld. 2019-06-04. Retrieved 2019-06-09.
Sours: https://en.wikipedia.org/wiki/Xbox_(app)
App xbox companion
How to sign in to the Xbox Console Companion app on Windows 10
Signing in to the Xbox Console Companion app is quick and easy, but if you're brand new to Xbox, or if you have multiple Microsoft accounts, we've designed a helpful and easy experience for you.
The Xbox Console Companion app comes pre-pinned to the Start menu in Windows 10. To start the sign-in process, select the Xbox Console Companion app for the first time. The app will begin to open and you'll see a smaller box open over the app with several avatars on it. If you've signed in to Windows 10 using a Microsoft account, your experience will slightly vary.
Note If you're having trouble signing in to the app because the sign-in prompt disappears before you can fill it in, try restarting your Windows 10 device.
You signed in to Windows 10 using a Microsoft account
If you signed in to Windows 10 using your Microsoft account, that account will be linked to the user account signed in on the PC. This makes it much easier to sign in to all Microsoft apps (Skype, OneDrive, Office 365, Xbox, Groove Music, Movies & TV, and much more).
Select the Xbox Console Companion app for the first time to start the sign-in process. The app will begin to open and you'll see a smaller box open over the app with several avatars on it.
The Xbox Console Companion app will take the Microsoft account credentials you used to sign in to Windows 10 and check to see if there's a gamertag associated to this account.
Scenario 1: You have an existing Xbox Live account associated with your Microsoft account
If there's an Xbox Live account associated with your Microsoft account, you'll see a Welcome back screen with your name and gamerpic on it. The Xbox Console Companion app will then show you a Here's how you look on Xbox Live screen.
If this is you and the account you use for gaming on Xbox, select Let's play. This will sign you in and the app will continue to open to your personalized Xbox experience.
Scenario 2: You don't see your current Xbox Live profile
If the account shown is an old account, is not yours, or is not the account you currently game with, select Sign in with a different account. This will bring up the account picker screen. The account picker is a new feature that allows you to easily jump between Microsoft accounts without having to enter passwords or verify your credentials again.
To add a new Microsoft account to the account picker, follow these steps:
Select Microsoft account.
You'll see the Microsoft account sign-in boxes, where you'll enter:
The email address associated with your Microsoft account.
The password associated with your Microsoft account. If you've forgotten the password, there's a button to retrieve it right below the text box.
Note If you forgot the email address that you use to sign in, use the Lost Account Solution.
Complete the rest of the sign-in process as you validate your account. Once you're done, you'll return to the Welcome back screen with your name and gamerpic on it. The Xbox Console Companion app will then show you the Here's how you look on Xbox Live screen, where you can select Let's play to enter the app.
Once this sign-in is complete, you won't have to sign in to the Xbox Console Companion app, any Xbox games, or the avatar app again, unless you sign yourself out of the Xbox Console Companion app in the Settings menu from within the Xbox Console Companion app.
Scenario 3: You don't have an Xbox Live account associated with your Microsoft account
If you don't have an Xbox Live account associated with the Microsoft account you used to sign in to Windows 10, the system will auto-generate a new gamertag for you. Upon acceptance, an Xbox profile, including gamertag, will be automatically assigned to your email. You can change your gamertag for free within the first 30 days. After that, there will be a small fee. For information on how to change your gamertag, see How to change your Xbox Live gamertag.
Note If you get to the Let's get you an alter-ego for Xbox Live (We call it a gamertag) screen and you realize you've signed in with a Microsoft account that doesn't have an Xbox Live account, you can select Sign in with a different account. This will bring up the account picker screen, and you can add the Microsoft account you use to sign in to Xbox Live.
You signed in to Windows 10 using a local account
A local account is a set of credentials other than a Microsoft account. Using a local account is common with users upgrading from Windows 7.
Upon launching any Microsoft app, including the Store, you'll see a prompt to sign in or create a Microsoft account. The first Microsoft account you use to sign in will become the default account your device will use to sign you in across all Microsoft services.
Note For the best experience, use only one Microsoft account for all Microsoft products and services. You can sign in and out of all Microsoft services, and you can change the default account, but you can't merge two accounts, so be careful when creating new accounts.
Because there is no Microsoft account entered yet, you'll be asked to Add your Microsoft account.
Scenario 1: You have a Microsoft account that you use for other Microsoft services, but you don't have an Xbox Live account
On the Choose an account screen, click the Microsoft account button.
On the Add your Microsoft account screen, you'll see the Microsoft account sign-in boxes, where you'll enter:
The password associated with your Microsoft account. If you've forgotten the password, there's a button to retrieve it right below the text box.
On the Make it yours screen, you'll have the option to make this Microsoft account your primary account. Since you use this account for other Microsoft services, you should use this option so that sign-in, settings, and syncing will happen automatically for all other Microsoft services. Complete this step by entering your password again and selecting Next.
Because no Xbox Live account was associated with this Microsoft account, the system will auto-generate a new gamertag for you. If you don't like the gamertag we've created, don't worry—you get one free gamertag change. See How to change your Xbox Live gamertag for help.
Select Let's play. This will sign you in, and the app will continue to open to your personalized Xbox experience.
Once this sign-in is complete, you won't have to sign in to the Xbox Console Companion app, any Xbox games, or the avatar app again, unless you sign yourself out of the Xbox Console Companion app from the Settings menu in the Xbox Console Companion app.
Scenario 2: You have a Microsoft account that you use for your Xbox Live account, but you don't use any of the other Microsoft services yet
On the Choose an account screen, select Microsoft account.
The email address associated with your Microsoft account that you used to create your Xbox Live account.
On the Make it yours screen, you'll have the option to make this Microsoft account your primary account. If you choose this option, sign-in, settings, and syncing will happen automatically for all other Microsoft services. Complete this step by entering your password again and selecting Next.
Scenario 3: You have a Microsoft account that you use for your Xbox Live account, but you also have a different Microsoft account that you use for other Microsoft services
On the Make it yours screen, you'll have the option to make this Microsoft account your primary account. Select I'll connect my Microsoft account later so that this Microsoft account doesn't become your primary account.
Select Let's play. This will sign you in, and the app will open to your personalized Xbox experience.
Scenario 4: You don't have a Microsoft account yet, but you want to start taking advantage of Microsoft services offered through Windows 10
On the Add your Microsoft account screen, skip over the Microsoft account sign-in boxes and instead select Create one. Fill in the fields to create your new Microsoft account.
On the Make it yours screen, you'll have the option to make this Microsoft account your primary account. Use this option so that sign-in, settings, and syncing will happen automatically for all other Microsoft services. Complete this step by entering your password again and selecting Next.
The system will auto-generate a new gamertag for you. An Xbox profile, including a gamertag, will be automatically associated with your email address. You can change your gamertag for free within the first 30 days. After that, there will be a small fee. For information on how to change your gamertag, see How to change your Xbox Live gamertag.
Frequently asked questions about signing in to the Xbox Console Companion app
How do I sign in with a different gamertag? What if I want to sign in to the Xbox Console Companion app or a game with a different Xbox account than the one I originally used to sign in?
You can sign out of a game or the Xbox Console Companion app at any time and sign back in with a different gamertag.
Each time you sign in with a different Xbox account, the new account will be stored in the account picker, so that on future sign-ins, you'll only have to select the account from the account picker to quickly sign back in.
Your sign-in will carry across all Xbox-enabled apps, so if you sign in to a game or the Xbox Console Companion app with a new account, that account will subsequently be signed in to all other Xbox Console Companion apps until you sign out and sign back in with a different account.
To sign out, go to the Settings screen in the the Xbox Console Companion app. At the top of the General tab, select Sign out.
To sign back in, select Sign in when you open the app, and on the Here's how you look on Xbox Live screen, select Sign in with a different Microsoft account.
On the account picker screen, select a previously entered account, or select Microsoft account to sign in as a new user. The new user account will be added to the account picker for later use.
Why do I get an error when I sign in?
If you get an error or are unable to sign in, there are a few common issues that could be causing this:
Make sure you're connected to a network and that you can access the Internet. To test your connection, go to Bing.com in your PC's browser.
See if there's an Xbox Live service outage at Xbox status.
Sign in at Xbox.com and ensure that your account is in good standing.
Check your PC's clock. The clock must match the Xbox Live servers for sign-in to be completed. Your date and time settings for Set time automatically must be set to On.
As a final step, try removing the Microsoft account by going to Settings, selecting Accounts, and then selecting remove next to the account. Then re-add the account from the account picker when you sign in to the Xbox Console Companion app.
United States only: Why am I being asked to pay 50 cents for creating a child account?
This is a Microsoft account policy for the creation of all child accounts in the United States. The policy requires an adult account to be set as their parent and for the parent to make a 50-cent charge on a verified credit card to prove the account is an adult account. This policy is in compliance with Children's Online Privacy Protection Act (COPPA). For more information, see Microsoft fee for creating a child account FAQ.
I purchased the game as "Account X" but want to play as "Account Y." Can I do that?
Yes. From inside the game, choose Switch account (on the home screen or wherever the profile is located). If the game doesn't have a Switch account button, in the Xbox Console Companion app, select Settings, and then select Sign out. Then sign back in as the account you want to use and re-launch the game.
You can sign in with any Xbox profile, just remember that account will be used for all Xbox games until you switch it back.
I get an error message saying "You are already signed in to this game on another device." What does that mean?
Some games only let you play them as the same Xbox account on one device at a time.
On the error screen, you'll have the option to sign out of that account on the other device and play on the device you want to use, or you can switch to a different Xbox account.
Note You can be signed in to the Xbox Console Companion app on as many devices as you like, but you can only sign in on an Xbox Live-enabled game in one place at a time to avoid collisions with your saved games and achievements.
Sours: https://support.xbox.com/en-US/help/games-apps/apps-help/how-to-sign-in-xbox-console-companion-app
Use the Xbox Companion App to Livestream!
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These four titles form a mini series entitled 'Romans', and tell stories of what it was like for a family of Romans to live in Britain. Although the stories themselves are fictional, they give interesting and therefore easily remembered details of what the Ancient Romans did in their everyday lives. The texts are easy to read, and the humour of the illustrations lends well to the stories.
In Clottus and the Ghostly Gladiator, we discover how slaves worked for the Romans, and also a gladiator match. Bacillus and the Beastly Bath explains to us what it was like to go to the Baths with all the accompanying rituals. In Twitta and the Ferocious Fever, Twitta goes shopping with Perpendicula in the market, but catches cold afterwards - how will she be cured of the fever that she catches? Tertius and the Horrible Hunt tells us how Romans had their houses decorated, and what they did to entertain their guests both young and old.
The humour with which Jungman accompanies much of her storytelling is cettainly present in this series, and will mean that children should enjoy reading or listening to the books. An added bonus is that each story features the children displaying such qualities as loyalty, mercy and consideration as part of their everyday lives and behaviour - in addition, of course, to the pranks and misbehaviour that are natural to children anywhere. The size of the books is also just right for children.


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How Jurors' Attitudes About Gender and Age Discrimination in the Workplace Affect Your Case
What matters more – jurors' discrimination experiences or their attitudes? Or are both critical? Imagine you are in jury selection and have a juror who directly experienced workplace discrimination. You have another juror who has witnessed others' experience with workplace discrimination. And yet another who harbors the belief that gender discrimination is ingrained in today's workplace. Clearly, it helps to know your case's risk factors going into settlement or trial. To that end, Litigation Insights' national survey of mock jurors' experiences in the workplace surrounding discrimination addresses jurors' familiarity with gender and age bias.
Women's Discrimination Experience Matters
Our poll suggests that jurors may be more sympathetic to female plaintiffs. Almost half of jurors (49%) agree or strongly agree that women often reach a "glass ceiling" at work that makes it almost impossible for them to advance into upper management, as shown in the graph below.
A recent Pew Research Center survey of women's and men's experiences with discrimination and attitudes about gender disparity at work was quite telling about the effect prior experiences with discrimination had on gender attitudes. Women who had experienced discrimination at work more strongly believed that the gender pay gap is due to differential treatment of women than of men, it is easier for men to get the top jobs, men earn more for the same job than women, and society favors men over women as compared to men's beliefs or their female counterparts who had not experienced discrimination. Direct experience with discrimination can give female jurors an insider's look at corporate hierarchy, human resources, and a changed view on the subtle ways that discrimination can affect a woman's career trajectory.
Age Breeds Wisdom, But Also Breeds Bias at Work
When it comes to age discrimination, juror opinions are mixed. Again, direct experience with age discrimination may come into play with juror attitudes. Specifically, older workers are more likely than younger workers to agree that employers discriminate against people because of their age. For older workers, the most common reported source of bias is in the hiring and firing process, as they feel overlooked in the hiring decisions, but targeted in firing decisions.
When it comes down to it, jurors' overall experiences with unemployment were extensive. Our findings indicate that nearly half (43%) of jurors have experienced unemployment at some point in their lives, with 36% of those respondents having been out of work for one year or more. In fact, 26% had been laid off from their job once, and 19% experienced a layoff more than once. Likely related to the recent recession, which was troubling for both businesses and employees alike, 29% of the layoffs were due to companies going out of business. The high volume of people who have experienced unemployment may be more sympathetic to a plaintiff who is out of work, whether or not they agree with the discrimination claim.
However, a majority of jurors (56%) across all age categories agree that one of the biggest hurdles for unemployed workers is their age, because they believe companies are biased against older workers. Indeed, jurors over age 50 were more inclined to agree than those under age 50. In fact, overall 44% of all respondents disagreed with the statement, "Companies place greater value on older employees' tenure and experience than on younger hires." But when mock jurors were divided into an over-50 and under-50 age group, that number increased to 51% disagreement among jurors over age 50, as shown in the chart below.
Instead of age creating value for older workers, 43% of jurors across all age groups believed that older, experienced workers are the first targets of layoffs. Again, that number increased to 50% among jurors over 50, who agreed that they would be among the first targeted for layoffs.
Using Graphics to Clarify Your Case and Combat Bias
When it comes to jurors with predispositions that can threaten your case, juror deselection is a crucial strategic opportunity; however, to limit additional risk and present your best case, your trial visuals need to be as strong and as clear as possible. After all, gaps in clarity are often paved over with assumption and personal experience.
Unfortunately, clarity tends to be at odds with the very nature of an employment case. To establish a convincing path to rightful termination, there is no shortage of minute events to convey. For instance, we traditionally try to limit timeline graphics to between 12 and 15 data points (events) so as not to overwhelm our audience; but an employment case can include significantly more grievances than that, dispersed over a long period of time. So, the key is to adapt your graphics accordingly to present all that data in the best way possible.
Take this example: In the graphic above, 64 total grievances needed to be rep¬resented. But we also wanted to display them in a way that called out how dramatically the grievances intensified after the plaintiffs had filed a charge with the U.S. Equal Employment Opportunity Commission (EEOC).
As you can see, we modified a standard timeline to accomplish our goals. Large-font numbers and rising red bars indicated the sharp increase in grievances, and made equally conspicuous the sparseness of such grievances before the EEOC filing. The bar graph format allowed us to present the large amount of data in a way that concisely and visually demonstrated our points. And, distinct arrows and a contrasting color (gold) highlighted the exact date of the EEOC charge, so jurors could see for themselves the suspicious turning point.
Another useful way to handle large data sets while telling a compelling story is to build up a timeline step-by-step for jurors, cutting or animating from each new time¬line event to its corresponding piece of evidence. If you are trying to argue that a worker's poor performance led to his or her termination, you can match each notable fault, mistake, detrimental effect, warning or company response one-by-one to an email or document callout. With these methods, what feels like an overwhelming amount of data can be transformed into a linear story that jurors can appreciate.
Although jurors' experiences with discrimination in the workplace are ever-changing because of evolving social and employment policies, our recent survey confirms the continued patterns of risk factors over the years in employment discrimination litigation. Jurors with direct experience with discrimination may view a plaintiff's claims very differently than those who have never experienced bias. For gender and age, our results support the similarity leniency effect, that those jurors with substantial similarity to the plaintiff are more likely to be predisposed toward the plaintiff's case. These attitudes are often firmly held and come into the courtroom with jurors, coloring the way they will view the case through those beliefs. This reality highlights the importance of identifying jurors in voir dire for deselection who whole such strong convictions, before those jurors create a risk for your case in the jury room. It also demonstrates the need for trial graphics that are clear as possible, and tailored in a way that promotes understanding and mitigates any potential remaining bias.
See our second part in employment and workplace attitudes here.
This article originally appeared in the Fall/Winter 2016 US Law Magazine on USLAW Network.
By: Jill Leibold, Ph.D. – Director – Jury Research,
and Adam Bloomberg – Managing Director – Visual Communications
Pew Research Center survey, December 10, 2013. Gender Discrimination and Attitudes on Key Gender Issues. http://www.pewsocialtrends.org/2013/12/11/on-pay-gap-millennial-women-near-parity-for-now/sdt-gender-and-work-12-2013-4-05/
Categories: Jurors, Psychology, Published Articles, and Research and Surveys | Tags: age bias, bias, discrimination, employment, employment attitudes, gender bias, graphics, juror attitudes, jury attitudes, jury deselection, jury profile, plaintiffs, psychology, Published Articles, strategies, sympathetic plaintiffs, uslaw network, and workplace


text:
Lady Gaga – Cake Song Lyrics
Language - English
Related Tags - Lady Gaga
About Lady Gaga: Stefani Joanne Angelina Germanotta (born March 28, 1986), known professionally as Lady Gaga, is an American singer, songwriter, and actress. She is known for reinventing herself throughout her career and for her versatility in numerous areas of the entertainment industry. Gaga began performing as a teenager, singing at open mic nights and acting in school plays. She studied at Collaborative Arts Project 21, through New York University's Tisch School of the Arts, before dropping out to pursue a music career. When Def Jam Recordings canceled her contract, she worked as a songwriter for Sony/ATV Music Publishing, where Akon helped her sign a joint deal with Interscope Records and his own label KonLive Distribution in 2007. She rose to prominence the following year with her debut album, the electropop record The Fame, and its chart-topping singles "Just Dance" and "Poker Face". The follow-up EP The Fame Monster (2009), along with the singles "Bad Romance", "Telephone" and "Alejandro", were also successful.
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HomeMLSPortland Timbers 2021 Home Kit
Portland Timbers 2021 Home Kit
Yolokow 2/26/2021
King of Clubs: Portland Timbers unveils their 2021 MLS jersey. With TikTok as a new partner. Along with introducing TikTok as their new business partner, the Portland Timbers showed the world their starting jersey for the 2021 MLS season. The new adidas design stands out for paying tribute to the kit that the club wore during its inaugural campaign, exactly a decade ago.
The central element of the new Portland Timbers kit is the use of a halved design, in two shades of green, that connects us to 2011.
It is not a tracing, obviously: the brand new shirt incorporates its own details. For example, the division between the halves is not just a straight line. There is also a series of chevrons that gives it a laced effect, while the sleeves are not white like the 2011 model, but green. The right, by the way, will have the TikTok logo printed on it.
Other features of the sweater are a buttoned collar and the always welcome doses of customization. In this case we find two: a jocktag at the waist with the legend "Soccer City USA" and a tape inside the neck with a nod to the famous "King of Clubs" typhus from the Timbers Army, with three clover crowns.
Almost all of these elements are in gold, as are the sponsors, the trim on the cuffs and the triple adidas stripe on the shoulders.
Green pants and socks complete the look.
In the end we tell you that the shirt will be available from next March 2. How about the Portland Timbers home kit for 2021?
Adidas Americas MLS
Diego Maradona's Kits
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