|What We Do| .:: Inglobe Technologies ::.
Information and Communication Technologies (ICT) allow both people and companies to share information in an ever more integrated, simple and fast way. The employment of such a bundle of technologies has proved to be profitable with respect to many domains of activity.
Specifically, Emerging Technologies enable companies to reach their business goals in a simpler, cost effective and efficacious way. Besides money saving, ICT and Emerging Technologies increase the value of former products and give us the opportunity to build completely novel products and services endowed with a much higher value.
Inglobe's activity therefore spans with competence, creativity and originality in every area of the Network Economy, of ICT, of the Software Development and IT Consulting, of Media and Communication. Our solutions include Software Development, design and implemantation of both Virtual Reality and Augmented Reality Systems, Web Design and development, content creation (2D/3D, video...) and communication.


Do you know about Adjustable mannequins? If, no here is the guide for you. If yes you can increase you knowledge about mannequins here. So let's start with defining mannequins. This article is a complete guide to mannequins. It includes features of mannequins.
Do you know about Adjustable mannequins?
If, no here is the guide for you. If yes you can increase you knowledge about mannequins here. So let's start with defining mannequins.
asily. They are made with materials that give them clarity and make them just like human model. The use of mannequins is not just in retail stores or shops. They are used for variety of reasons. But the most common use of them is in display windows. They are used in medical science, military, fashion industry and many more.
What makes Poseable mannequins so crucial for display windows?
Everyone is in hurry and wants to save his time; time is money as they say. In this scenario a buyer who wants to buy something has not much time or even if he has he certainly doesn't like to waste it asking salesmen about what they are selling. Buyers want to know everything your store by just viewing it once from outside. If you are a store owner, how will you tell the buyer what you are selling in just a view? Obviously your answer will be display window. But what makes these display windows more crucial are articulated mannequins. Articulated mannequins are adjustable, pose able and flexible. They allow every kind of pose to be made with them from simple mannequin standing to difficult sporty poses as mannequin riding a bike.
Buyers when they look at the display window get the idea, what the store has to offer, what is the quality of their products. On the other hand buyers also want to know how particular look will do to their personality. Whether it will add to their personality or they will look just fine. Pose able mannequins can do this heavy lifting for the seller. As you know mannequins are human replicas and with their jointed body parts they can be fit into many poses. Buyers can get to know about particular look by giving mannequin that look.
Quality, whatever you buy the first ever thing to consider is quality.
Able to pose in eye catching poses.


text:
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New Visions of the Vindolanda Stylus Tablets
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Deadline - Call for Papers, UWCSA Colloquium
Fri. Jan. 7, 2022 5:00 PM - Fri. Jan. 7, 2022 5:00 PM
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UWCSA Clothing Drive
Mon. Nov. 29, 2021 9:00 AM - Fri. Dec. 3, 2021 4:00 PM
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Heracles, Plato, and Philosophical Immortality
Fri. Nov. 12, 2021 3:30 PM - Fri. Nov. 12, 2021 4:30 PM
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Building a Narrative: Use and Misuse of Antiquity at the Manitoba Legislature
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Crafting an Image of Sincerity: Autobiography by Letter
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A conversation with Dr. Conor Whately (University of Winnipeg) November 20, 3:00-4:30pm on Zoom Dr. Whately's talk included a virtual book... Read More
de ebrietate sua: Alcohol in the Roman world, new data, and future directions
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redpajama_set_name: RedPajamaCommonCrawl


text:
Q: SAXParser и BASE64 Столкнулся с такой непонятной ситуацией: парсирую xml используя SAXParser. Содержимое одного из тэгов - некий рисунок в BASE64 размером 90-100 кб. Парсер из этого объема данных дергает кусок произвольной длины (но из каждого конкретного рисунка всегда один и тот же кусок). Что может быть?
A: Стандарт SAX'а допускает чтение длинного текста (каковым по сути является бинарник закодированный Base64) несколькими кусками. Вам внутри парсера надо распознавать начало и конец тега с тем чтобы все текстовые куски внутри тега сшивать в один большой текст. Например так:
    DefaultHandler defaultHandler = new DefaultHandler() {
    StringWriter charsWriter = new StringWriter();

    public void characters(char[] ch, int start, int length) {
        charsWriter.write(ch, start, length);
    }

    public void endElement(String uri, String localName, String qName) {
        String allTheChars = charsWriter.toString();
    }
};

redpajama_set_name: RedPajamaStackExchange


Mineral & Ore Crushing Machines. ... Aluminum Oxide; Bauxite; Bentonite; Copper Oxide; Feldspar; Ferrochrome; ... Name Email Phone Company Attach a file.
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... grinding mill, mobile crusher, ... Aluminium slag crusher manufacturer company name ? ... Machinery,aluminium dross ... Jaw Crusher Plant, Jaw Crusher Manufacturers.
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Aaron O'Rourke pinch hits for Stephen Seifert for our first show of 2016. We're all busy as one-armed hammered dulcimer players these days so we'll get the show back on its weekly track by varying the hosts in dulcimer geekery. There are plenty to chose from.


text:
{-# OPTIONS_GHC -Wall #-}

{-| The Abstract Syntax Tree (AST) for expressions comes in a couple formats.
The first is the fully general version and is labeled with a prime (Expr').
The others are specialized versions of the AST that represent specific phases
of the compilation process. I expect there to be more phases as we begin to
enrich the AST with more information.
-}
module AST.Expression.General where

import AST.PrettyPrint
import Text.PrettyPrint as P
import AST.Type (Type)

import qualified AST.Annotation as Annotation
import qualified AST.Helpers as Help
import qualified AST.Literal as Literal
import qualified AST.Pattern as Pattern
import qualified AST.Variable as Var

---- GENERAL AST ----

{-| This is a fully general Abstract Syntax Tree (AST) for expressions. It has
"type holes" that allow us to enrich the AST with additional information as we
move through the compilation process. The type holes are used to represent:

  ann: Annotations for arbitrary expressions. Allows you to add information
       to the AST like position in source code or inferred types.

  def: Definition style. The source syntax separates type annotations and
       definitions, but after parsing we check that they are well formed and
       collapse them.

  var: Representation of variables. Starts as strings, but is later enriched
       with information about what module a variable came from.

-}
type Expr annotation definition variable =
    Annotation.Annotated annotation (Expr' annotation definition variable)

data Expr' ann def var
    = Literal Literal.Literal
    | Var var
    | Range (Expr ann def var) (Expr ann def var)
    | ExplicitList [Expr ann def var]
    | Binop var (Expr ann def var) (Expr ann def var)
    | Lambda (Pattern.Pattern var) (Expr ann def var)
    | App (Expr ann def var) (Expr ann def var)
    | MultiIf [(Expr ann def var,Expr ann def var)]
    | Let [def] (Expr ann def var)
    | Case (Expr ann def var) [(Pattern.Pattern var, Expr ann def var)]
    | Data String [Expr ann def var]
    | Access (Expr ann def var) String
    | Remove (Expr ann def var) String
    | Insert (Expr ann def var) String (Expr ann def var)
    | Modify (Expr ann def var) [(String, Expr ann def var)]
    | Record [(String, Expr ann def var)]
    -- for type checking and code gen only
    | PortIn String (Type var)
    | PortOut String (Type var) (Expr ann def var)
    | GLShader String String Literal.GLShaderTipe
    deriving (Show)

---- UTILITIES ----

rawVar :: String -> Expr' ann def Var.Raw
rawVar x = Var (Var.Raw x)

localVar :: String -> Expr' ann def Var.Canonical
localVar x = Var (Var.Canonical Var.Local x)

tuple :: [Expr ann def var] -> Expr' ann def var
tuple es = Data ("_Tuple" ++ show (length es)) es

delist :: Expr ann def var -> [Expr ann def var]
delist (Annotation.A _ (Data "::" [h,t])) = h : delist t
delist _ = []

saveEnvName :: String
saveEnvName = "_save_the_environment!!!"

dummyLet :: (Pretty def) => [def] -> Expr Annotation.Region def Var.Canonical
dummyLet defs =
     Annotation.none $ Let defs (Annotation.none $ Var (Var.builtin saveEnvName))

instance (Pretty def, Pretty var, Var.ToString var) => Pretty (Expr' ann def var) where
  pretty expr =
    case expr of
      Literal lit ->
          pretty lit

      Var x ->
          pretty x

      Range e1 e2 ->
          P.brackets (pretty e1 <> P.text ".." <> pretty e2)

      ExplicitList es ->
          P.brackets (commaCat (map pretty es))

      Binop op (Annotation.A _ (Literal (Literal.IntNum 0))) e
          | Var.toString op == "-" ->
              P.text "-" <> prettyParens e

      Binop op e1 e2 ->
          P.hang (prettyParens e1) 2 (P.text op'' <+> prettyParens e2)
        where
          op' = Var.toString op
          op'' = if Help.isOp op' then op' else "`" ++ op' ++ "`"

      Lambda p e ->
          P.text "\\" <> args <+> P.text "->" <+> pretty body
        where
          (ps,body) = collectLambdas (Annotation.A undefined $ Lambda p e)
          args = P.sep (map Pattern.prettyParens ps)

      App _ _ ->
          P.hang func 2 (P.sep args)
        where
          func:args =
              map prettyParens (collectApps (Annotation.A undefined expr))

      MultiIf branches ->
          P.text "if" $$ nest 3 (vcat $ map iff branches)
        where
          iff (b,e) = P.text "|" <+> P.hang (pretty b <+> P.text "->") 2 (pretty e)

      Let defs e ->
          P.sep
            [ P.hang (P.text "let") 4 (P.vcat (map pretty defs))
            , P.text "in" <+> pretty e
            ]

      Case e pats ->
          P.hang pexpr 2 (P.vcat (map pretty' pats))
        where
          pexpr = P.sep [ P.text "case" <+> pretty e, P.text "of" ]
          pretty' (p,b) = pretty p <+> P.text "->" <+> pretty b

      Data "::" [hd,tl] -> pretty hd <+> P.text "::" <+> pretty tl
      Data "[]" [] -> P.text "[]"
      Data name es
          | Help.isTuple name -> P.parens (commaCat (map pretty es))
          | otherwise -> P.hang (P.text name) 2 (P.sep (map prettyParens es))

      Access e x ->
          prettyParens e <> P.text "." <> variable x

      Remove e x ->
          P.braces (pretty e <+> P.text "-" <+> variable x)

      Insert (Annotation.A _ (Remove e y)) x v ->
          P.braces $
              P.hsep
                [ pretty e, P.text "-", variable y, P.text "|"
                , variable x, P.equals, pretty v
                ]

      Insert e x v ->
          P.braces (pretty e <+> P.text "|" <+> variable x <+> P.equals <+> pretty v)

      Modify e fs ->
          P.braces $
              P.hang
                  (pretty e <+> P.text "|")
                  4
                  (commaSep $ map field fs)
        where
          field (k,v) = variable k <+> P.text "<-" <+> pretty v

      Record fs ->
          P.sep
            [ P.cat (zipWith (<+>) (P.lbrace : repeat P.comma) (map field fs))
            , P.rbrace
            ]
        where
          field (field, value) =
             variable field <+> P.equals <+> pretty value

      GLShader _ _ _ -> P.text "[glsl| ... |]"

      PortIn name _ -> P.text $ "<port:" ++ name ++ ">"

      PortOut _ _ signal -> pretty signal

collectApps :: Expr ann def var -> [Expr ann def var]
collectApps annExpr@(Annotation.A _ expr) =
  case expr of
    App a b -> collectApps a ++ [b]
    _ -> [annExpr]

collectLambdas :: Expr ann def var -> ([Pattern.Pattern var], Expr ann def var)
collectLambdas lexpr@(Annotation.A _ expr) =
  case expr of
    Lambda pattern body ->
        let (ps, body') = collectLambdas body
        in  (pattern : ps, body')

    _ -> ([], lexpr)

prettyParens :: (Pretty def, Pretty var, Var.ToString var) => Expr ann def var -> Doc
prettyParens (Annotation.A _ expr) =
    parensIf needed (pretty expr)
  where
    needed =
      case expr of
        Binop name _ _ -> not ((Var.toString name) == "::")
        Lambda _ _  -> True
        App _ _     -> True
        MultiIf _   -> True
        Let _ _     -> True
        Case _ _    -> True
        Data name (_:_) -> not (name == "::" || Help.isTuple name)
        _ -> False

redpajama_set_name: RedPajamaGithub


We all love our pets. This is inarguable. But some people really, really love their pets, to the point that their furry-friends take over their life. But the important question is this: have you become obsessed with your pet? Thankfully, we've identified some key characteristics to help you discover if you truly have become a pet addict.
1. Every dog or cat must be petted.
To paraphrase Celine Dion: near, far, wherever you are, if you are a dog or cat, you will be petted by an animal lover. To all dog pooch fans, there's nothing they love more than running to the nearest furbaby and giving them all the love and attention they can possibly give. So be warned; if you're in the vicinity of a cute pet, it won't be long until a canine or feline-obsessed hooman makes their way over.
2. Your pet basically owns you.
Your pet can get you to do anything they want, and they know it too. As much as you try to deny them another treat, or tell them they're not allowed on the bed for the 100th time, they will always pull out the big sad eyes and get their own way. Yes, there's only one master in your household, and it's definitely not you.
3. You spend more on your pet than on yourself.
You want to give your pet the finest things that money can buy so you can show how much you love them. Whether it's the finest toys or that cute outfit you saw online and couldn't resist, shopping for your pet truly does become an addiction. Even to the point that buying things for yourself becomes less of a priority. Why treat yourself when you can treat your perfect furbaby again?
4. Your social media has more pictures of your pet than you.
Your pet is the cutest thing in the world, and you want everyone else to know that too. That's why your Facebook and Instagram is filled with pics of your adorable furry friend, and maybe a couple of images of you too. Even for those people who have set up accounts for their pets to show themselves off, their own accounts are still filled with pet pics. The world should see how cute your pet is, so every pic you post online has to feature your little cutie.
5. You've accepted that you constantly have hair on you.
Before you had your pet, you always looked presentable when out in public. Now, you have so much hair on you all the time, some people mistake you for a wookie. But it's ok because it's your pet's hair. They've shed themselves all over your best clothes so much that your clothes have basically become hair, but as long as your pet is happy, that's all that matters.


text:
Atlona Introduces New Omega Series HDBaseT Receiver
AT-OME-RX11 combines 4K/UHD support with integrated audio de-embedding and PoE
Dimension PR ⋅ Dec 10, 2019
SAN JOSE, California, December 10, 2019 – Atlona, a Panduit company, today unveiled the AT-OME-RX11 4K/UHD HDBaseT receiver with audio de-embedding capabilities. Available immediately, the new model is the latest addition to Atlona's extensive Omega™ Series of switching, extension, and video processing solutions for modern AV communications and collaboration.
Atlona will demonstrate the OME-RX11 alongside other Omega Series innovations in stand 5-T50 at the upcoming ISE 2020 exhibition, taking place from February 11 to 14 in Amsterdam.
Paired with an Atlona HDBaseT transmitter or HDBaseT-output switcher, the OME-RX11 enables the transport of HDMI video and embedded audio alongside Ethernet, power and control over distances up to 330 feet (100 meters). The new receiver is HDCP 2.2 compliant and supports video up to 4K/UHD at 60 Hz with 4:2:0 chroma subsampling at HDMI data rates up to 10 Gbps.
Ideal for meetings, collaboration, and many other AV presentation applications, the OME-RX11 combines outstanding technical performance and business value with a wide range of integration convenience features. Stereo audio de-embedding extracts two-channel PCM audio to balanced, analog outputs for feeding an amplifier and speakers, while support for multi-channel audio enables the pass-through of formats including PCM, Dolby® and DTS®.
The locally powered OME-RX11 can deliver industry-standard Power over Ethernet (PoE) via HDBaseT to an Atlona Omega Series, HDVS-200 Series or AT-UHD-EX-100CE-TX-PD transmitter, enabling convenient transmitter installation at any remote location without the need for its own local AC power. The receiver's low-profile, 1.02 inch (26 mm) high form factor enables discreet installation in furniture, behind displays, or above projectors, while front-panel LED indicators provide power and HDBaseT link status information to ease setup and troubleshooting.
"The OME-RX11 can be combined with an Omega Series switcher to provide a complete integration solution for meeting and presentation environments, but it also offers a new option for use with earlier HDBaseT-output transmitters and switchers in applications needing audio de-embedding," said David Shamir, Director of Product Management, Atlona. "Adding the OME-RX11 to our product roster gives integrators and end-users a broader choice of Omega receiver options to meet their exact needs."
The OME-RX11 is available through Atlona's extensive network of authorized channel partners, and is backed by the company's award-winning 10-year limited product warranty and support services. For an overview of the entire Omega series, please visit http://atlona.com/omega.
About Atlona
Atlona, a Panduit company, is a leading global manufacturer of AV over IP distribution, connectivity, and control solutions. The company designs and engineers innovative, award-winning products for a diverse range of residential and commercial AV and IT markets. Backed by an award-winning 10-year warranty, Atlona's products are developed to enable our customers' ability to connect and collaborate with simplicity. More information about Atlona is available at atlona.com.
About Panduit
Global connectivity leader Panduit Corp. creates innovative electrical and network infrastructure solutions for applications across the enterprise. Headquartered in Tinley Park, Ill. and operating in 112 worldwide locations, Panduit's technology leadership and robust ecosystem help support, sustain, and empower business growth in a connected world. panduit.com


Since it's inception in 1851, the Cooperstown Fire Department has been made up of community members who volunteer their time to protect their neighbors. Volunteering takes many forms, and the same is true of our staff. Some members train as firefighters, other acquire skills and certifications to staff the ambulance, and some provide security, traffic control and crew support at emergency scenes.
Our members all have personal lives too, and come from all walks of life. We have carpenters, lawyers, teachers, moms, physicians, electricians, realtors, students, judges and healthcare workers, to name a few. Through regular training and strong leadership, crew members from all walks of life work together as a team to complete the task at hand.
We provide varied services, depending on the needs of the community.
Our fire department is busy, offering great potential for on the job learning. Averaging over 200 fire calls per year and 700 ambulance calls, Cooperstown is the busiest volunteer fire department in Otsego County. Many of our younger members have gone on to college programs in firefighting and emergency medical services, taking with them a strong knowledge base that can only be learned on real emergency calls.
Depending on interests, each member must obtain training in at least one of the specialty areas the department provides: Firefighting, Emergency Medical Services, or Fire Police. Additional levels of training in the specialties are available, as well as special skills and courses in Hazardous Materials Response, Vehicle Operations, Search and Rescue as well as others. Members can also choose to train in additional specialties.
Most training opportunities are offered locally, the exception being travel to the New York State Academy of Fire Science at Montour Falls, NY. Most training programs and associated expenses, once approved by the department, are free of charge.
Appropriate firefighting clothing and equipment is provided based on chosen specialty, and is maintained regularly at the department's expense.
Active members of the department are eligible to participate in the Length of Service Awards Program, or LOSAP. This program, underwritten by the Village of Cooperstown, rewards years of active service with monthly benefits after retirement. Members earn credit for many different activities, and each earned year increases retirement benefits.
Department members are required to complete regular physical exams and respirator testing. There is no cost for these exams, and they are provided locally several times each year.
Annual events include parades, a Mid-Winter Banquet, golf and bowling groups, a summer clambake and Children's Christmas Party. Most events are free to members. Parade and formal uniforms are provided free of charge to active members.
Our membership committee is made up of several senior members of the department, and reviews each application received. They interview each applicant, review references, and complete a state required criminal history. They then report to the membership of the department, who elect applicants to membership.


text:
Sphaerotholus goodwini es una especie y tipo del género extinto  Sphaerotholus  (gr. "cúpula esférica") de dinosaurio marginocéfalo, paquicefalosaurino que vivió a finales del período Cretácico, hace aproximadamente 73 Ma, en el Campaniense, en lo que hoy es Norteamérica. Fue hallado en el miembro Den-na-zin de la Formación Kirtland, en el condado de San Juan del estado de Nueva México. La especie fue diagnosticada por Carr & Williamson en 2002, a partir de un cráneo incompleto al que le faltan la región rostral y palatal, del que resalta visto de caudal una reducido proceso de la barra parieto-escamosal menos profunda lateralmente que en S. buchholtzae y un parietal que es reducido a una estrecha porción entre los escamosos. Un segundo fósil, NMMNH P-30068, de esta especie fue hallado en el miembro más joven Farmington de la misma formación, consta de un escamoso completo, dentario y partes sin identificar. La especie se nombra en honor al paleontólogo Mark Goodwin que trabajara con paquicefalosáuridos.

Véase también
 Sphaerotholus

Referencias

Pachycephalosauria
Dinosaurios del Cretácico
Dinosaurios de Asia

redpajama_set_name: RedPajamaWikipedia


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I reached my wit's end last weekend. Our well pump was on the fritz, every DIY project that I had attempted all week was a failure and it was hot outside. The well being out was the worst. No well means no water. There's just something about no water that makes your house feel broken. And really dirty. So I did what any sane person would do and started a new DIY project! I couldn't stand looking at our bathroom sink one more day, so we started working on DIY wood countertops for a mini bathroom makeover.
We had bought the supplies over a year ago, but we never got around to starting the project. There's always something else that needs to be done more or sounds like more fun. When we bought the house, I gave each room a quick paint job after removing all of the wallpaper. In this bathroom, I painted the dark wood vanity white and then the countertop stood out as being too yellow. So I primed it and painted it white. It has held up pretty nicely, but it wasn't the problem. The sink was the problem. It's one of those fiberglass sinks and time has not been kind to it. We have really hard water that has slowly eroded the finish on it, so there are nooks and crannies where mold starts growing and cannot be cleaned. It was too gross to take a picture of. You're welcome.
The sink had to go. We had originally meant to just replace the sink, but I accidentally bought the wrong size. Instead of taking it back for the correct size (so heavy), we decided to make wood countertops to accommodate the larger sink. I had just planned on making them from 1×6 wood and staining them, but we had a ton of walnut planks left over from our farmhouse table. We used them instead.
We bought our walnut from a local wood shop, Exotic Lumber, but some hardware stores sell wood other than the standard pine. Look in the larger stores. Walnut is so pretty and has such gorgeous graining. It is super easy to finish and take care of. Plus, it's a hardwood, so it holds up better than pine. Our table has a few scratches, but they're hard to notice. We leave cold drinks on it and wash it constantly and it's still going strong. About every 6 months, we wax it. This takes about 15 minutes and makes the table look brand new.
This is my long way of saying that I feel pretty confident that my bathroom gets less use and the wood will work out great in there. If it was a kid's bathroom, I would probably seal it with a much stronger finish, such as waterlox.
We used 2 different types of sanders to get the smoothest finish possible. It's not necessary to have a belt sander, but your work will go much faster, even with changing the sandpaper 4 times. It's worth it to make your wood as smooth as silk.
Lay your boards out and figure out your placement. Some of the boards had funky ends, so we moved the boards around until we found the prettiest parts. You also want to figure out which side is the pretty side.
Flip the boards face down. We measured out a rough 36″ know which area we were working with.
Mark out your kreg jig marks. We measured about 3″ from the end and then every 6″ after that. These will be our pocket hole locations. The last board needs no holes.
When all of the holes are drilled, reposition the boards to attach them together with the correct length of screws. We used scrap wood and clamps to hold the wood in place.
Now the wood is one large slab. Measure out the length that you need and cut the wood now. We like to wait to cut the wood until it's one piece because it results in a much straighter cut.
Cut the sink hole out. We measured our old sink to get the proper space from the walls to line up correctly with the existing plumbing. Then we lined up the sink template on the wood.
Cut the hole out. Drill a pilot hole big enough to stick a jigsaw blade into and cut around the circle.
We left a little more of a lip than the template instructed because our new sink sits much closer to the wall than our old one and we wanted our countertop to be nice and strong. We made sure to leave enough space for the faucet plumbing to connect correctly. It's not pretty, but it feels much more sturdy than the 3/4″ piece would have.
Flip the wood over and begin the sanding process. It's long but it's worth it. We started out with 80 grit sand paper on a belt sander. This smooths out any ridges between connecting boards. Then we moved to 120 grit on the belt sander. I then moved to my palm sander and used 120 grit, which is a lot more gentle than the belt sander despite the same sandpaper grit. Finally, I moved to 220 grit on the palm sander. These steps may seem tedious, but in the end, your wood feels like silk.
Now it's time to make your wood beautiful. If you used walnut, like we did, it's really easy to make it beautiful! (If you used pine, now is the time to stain it.) Rub a thin layer of teak oil into the wood with a cotton rag. I let it sit for about 15 minutes before rubbing it again to take off the excess oil. You can do this step twice if your wood is really dry. The color of the walnut is already pretty!
Now is the time to add the Howard Feed and Wax. Rub a generous coat onto the wood. Let it sit for about 15 minutes before buffing away the excess.
Attach the wood countertop to the cabinet with silicone and install your sink and faucet.
Complete all of the other work that this small upgrade required and you have a beautiful new DIY wood countertop!
I'm finishing up the shiplap on the walls, but this bathroom already looks a million times better!
If you like this post, you might also like these cut files for canister labels. These make the perfect addition to your farmhouse style kitchen!
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An email will be sent to you with the link and the password.
Walnut is so beautiful! Looks so wonderful and I bet it will hold up for a very long time!
that turned out so beautifully!
Walnut is my favorite! Looks amazing, and what a great way to use up some leftover lumber.
Thanks Lidia! I love working with walnut. It's so easy to make beautiful.


The car may spit and sputter when started, or perhaps it won't start at all. Old cars are costly to maintain and finding a buyer can be nearly impossible. After all, not many people want to buy cars that are at or near the end of their lives. With Cash For Cars QLD the car may be old, but your removal for the car will be quick. We are Cash for Old Car Buyers in Brisbane, Gold Coast, Sunshine Coast and Toowoomba that create a hassle-free process to buy old cars. We also create a hassle-free process to have old cars removed. When you decide that you would like to have your old car removed, we are there with the cash to buy & remove your car. With us, you aren't left empty handed for your old car removal.
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The Images The images offered in The Canadian Gallery represent my vision of this great country called Canada. As I explore the width and breath of this strikingly picturesque land, I take extreme care in framing and composing the scenes I see in my viewfinder. Each of the images selected represents but a single view of one person's vision at a particular moment in time, just as you would see if you walked a mile in my shoes, at the same time, under the same light, in the same season. This is a work in progress which will evolve throughout my lifetime.
It is my hope that this portfolio will inspire you to discover for yourself this most sublime of countries, Canada! Should you not find exactly what you are looking for, please contact us so that we may assist you in finding the ideal image from our vast collection of fine Canadian images for your private or public space.


Lisa & Michelle Cast (NASM-CPT), founders of FourC Fitness, have lost a combined 240lbs and now aim to promote a healthy lifestyle while helping others.
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text:
Los dibujos de los niños son la base del diseño posterior
Creative Designs Devised by Children
José Luis Estévez
The idea arose in the head of a mother who began to think how one could take advantage of the talent that her children showed when making drawings on paper. In just a few years that lucky turn of events has eventually become a business idea, which is on its way to becoming a successful business. Mr. Broc currently has six employees and aims to multiply his turnover as of 2018 with the new computer tool he has already begun to use.
Sonia López (izda), fundadora de Mr. Broc
Sonia Lopez Mera, founder of the company, explains that the project began three years ago with tests carried out with the help of family and friends, but the turning point occurred in 2016 when it was decided to move from a craft business model to a company that, in a short time, aspires to take a giant leap towards internationalization.
What has not been changed is that the children's drawings are still the starting point of the project. These sketches can now be made automatically on the company's website (www.mrbroc.com) which has a tool called Broc Studio that allows anyone to make the sketches and see how they could be in the various objects that could be purchased with this design The tool is free and of free access and only pays for the products with the designs already inserted.
The founder of Mr. Broc is excited about the possibilities offered by this new tool that began operating last November and with which they hope to take a big step forward in the growth of the company. "Our computer developers have managed to create an application, that in a way, thinks and offers those who draw the best alternatives to turn their sketch into a design for a real product," says Sonia Lopez.
creative designs
mr broc
Sonia López Mera
Vía Galicia
ARTIGOS RELACIONADOSMÁIS DO AUTOR
i+e (english)
The great biotechnology laboratory for food
BFAero: the trampoline to fly high from Galicia
Conservas Sotavento: canned craft with proximity fish
POLÍTICA DE COMENTARIOS:
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text:
Library of Congress/External Links
< Library of Congress
A hand-picked, annotated list of Web resources about Library of Congress.
Homepage of the Library of Congress
How Tweet It Is!: Library Acquires Entire Twitter Archive — Quote:
Every public tweet, ever, since Twitter's inception in March 2006, will be archived digitally at the Library of Congress.
Retrieved from "https://citizendium.org/wiki/index.php?title=Library_of_Congress/External_Links&oldid=733329"
Computers External Link Subpages
Computers External Links
This page was last modified 11:35, 1 May 2010.


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One in an occasional series on Companion Planting.
Did you know that plants can have friends in the garden?
Planting certain plants together can benefit the growth and development of the plants, deter pests, and even improve the flavor of the edible parts of the plants.
Today's planting companion is the happy sunflower (Helianthus). There are actually 70 different species of sunflowers, and all except 3 grow in North America. From the fuzzy 'teddy bear' sunflower to the 'Russian mammoth', there is a sunflower to suit every garden.
Sunflowers are easy to grow too. Plant seeds 10-30″ apart depending on the variety in rich soil to a depth of 3/4″. Planting should take place in the spring after the last frost. Plant in full sun and water well. Soil should be kept moist.
Sunflowers get along great with cucumbers and corn. Corn and cucumber yield can be increased with sunflowers as companions. Sunflowers repel cucumber beetles and aphids, and they attract beneficial insects like bees and praying mantises.
Let me know what your experience has been with sunflowers in the comments below.


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text:
Archive for One Million BC
Fact-Checking Hollywood Babylon II
Posted in FILM, literature, Politics with tags Bernard Girard, Bobby Driscoll, Carole Landis, Claude Hulbert, Claudette Colbert, Dorothy Dandridge, Frances Farmer, Hollywood Babylon II, James Dean, Kenneth Anger, Kevin Brownlow, Lionel Atwill, One Million BC, Rebel without a Cause, Rex Harrison, The Party Crashers on May 28, 2019 by dcairns
I picked up a second-hand copy of Kenneth Anger's Hollywood Babylon II for 50p. Now I have the set.
Kevin Brownlow quoted to me Anger's answer to the question, "How do you do your research?" "Mainly by mental telepathy." And so it has become sadly fashionable to debunk Anger's investigations speculations lies, as in the commendable You Must Remember This podcast. Well, I never saw a bandwagon I didn't want to jump on, even at the risk of upsetting the applecart, so I thought I'd have a go at fact-checking Anger using his own methods. Tuning my mental aerial to UHF, I leafed through the sordid pages of the discounted scandal sheet, and attempted to pick up Corrections from Beyond. This is what I come up with:
Page 96: "Meanwhile, back on d'Este Drive, left with a lonely libido in his spacious hacienda, along with his python-mistress, Elsie, a half dozen bed-trained dobermans, a talking macaw named Copulate, zoo-keeper Lionel [Atwill] maintained a rigidly disciplined schedule as a cog in the factory-studio wheel during the week."
THE TRUTH: Yeah, none of that happened.
Page 127: "During production of Rebel without a Cause, James Dean was host to a thriving colony of crabs."
THE TRUTH: There is no such film as REBEL WITHOUT A CAUSE. The sentence should probably read, "During production of A THRIVING COLONY OF CRABS, Dean Jones was host to a raven without a caw." Or maybe "During production of THE HOST, crabby Jim Dale was cause of a rebel colony, or craved a threnody." Or maybe it shouldn't be there at all.
Page 185: "After a three-year absence, [Bobby Driscoll] returned to the screen in 1958, in a B-programmer–Bernard Girard's The Party Crashers. By a curious coincidence, his co-star was the lobotomized Frances Farmer, making her benumbed comeback after sixteen years away from the movies.
THE TRUTH: it's hardly a "curious coincidence" that two actors happen to appear in the same film. Is it a curious coincidence that WHITE HOUSE DOWN co-stars Channing Tatum and Jamie Foxx? In fact, my telepathy tells me that's probably the film Anger was thinking of. Anyway, Frances Farmer never had a lobotomy, and by a curious coincidence, THE PARTY CRASHERS also stars Doris Dowling, Denver Pile and Onslow Stevens. Uncanny, isn't it?
Page 235: "Shapely blond Carole Landis rose to stardom in Hal Roach's One Million B.C. in which she played a primitive cavewoman. her 1948 Fourth-of-July suicide, provoked by unrequited love for Rex Harrison, caused a hullaballoo and a half for Mr. and Mrs. Moviegoer."
THE TRUTH: Carole was a blonde, not a blond, and the cavewoman she portrayed for Roach, far from being primitive, was really a quite sophisticated troglodyte by the standards of the time (1940). Rex Harrison did not appear in the picture. Nor do George Moviegoer and his wife Ethel (nee Theatregoer). Landis' tragic suicide cannot properly be called a "Fourth-of-July" affair since I doubt any festive tie-in was intended and anyway it occurred the following day.
Anger tastefully has a whole chapter on suicides. On the page opposite Landis, we get the following:
"A large quantity of sleeping pills had cured [Dorothy Dandridge] of her amnesia."
THE TRUTH: Dorothy Dandridge did not suffer from amnesia, which cannot be treated with sleeping pills anyhow. I think the word Anger is groping for is "insomnia." I think possibly it's Anger who's suffering from amnesia, or maybe aphasia.
Page 312: "[…] Claudette Colbert who was said to be among the first to advise the President to invade Grenada–she was far from delighted at the prospect of an island full of Reds so near to her palatial Barbados estate.
THE TRUTH: No such person as Claudette Cobert ever existed. Anger is evidently thinking of British actor Claude Hulbert (pictured). Though Hulbert never actually invaded Grenada, he was famous for his fussiness about being filmed from the correct side. Whole sets had to be rebuilt to avoid catching him from an unflattering angle. The most famous instance of this was on HEAVEN'S GATE (1980), where an entire western town had to be razed to the ground because it was facing the wrong way. This was all the more remarkable because Hulbert was not cast in the film, but perfectionist director Michael Cimino was taking no chance of offending the powerful star, who died in 1964.
One Million B.C. (Budgetary Constraints)
Posted in FILM with tags Carole Landis, Hal Roach, Hammer Films, Harold Ramis, King Kong, Multiplicity, One Million BC, One Million Years BC, Roy Seawright on December 29, 2008 by dcairns
For some reason this credit kind of tickled me. I wish they'd gone all the way and said "Directed by Hal Roach and Hal Roach". Has anyone ever done that? Harold Ramis should've with MULTIPLICITY, it might have added the single laugh needed to allow the film to qualify as a '90s American comedy.
Things I enjoyed — the random animal noises during dinosaur fights — elephants trumpeting, leopards growling, and a dog barking. Victor Mature makes a convincing Tarzan-type cave-dude, better than John Richardson in the remake. Carole Landis has a nice strappy top. The idea of the present-day foreword, in which a bearded expert starts to tell Carole, Big Victor, et al about prehistoric life, and then we go into flashback and the same actors are playing cavefolks. It's like the previous year's THE WIZARD OF OZ — "And you were there, and you, and you!"
Roy Seawright's process work is excellent — humans interact with lizards, crocodiles and even an armadillo with a sproingy rubber horn glued to his snout, and the animals really do seem to be gigantic. They don't seem remotely like dinosaurs, mind you.
I was struck by how the plot was near-identical, incident for incident, with that of the Hammer remake, which added YEARS to the title and entertained me hugely as a kid. It still does. Rubber dinosaurs, cavegirls with false eyelashes, a dubbed Raquel Welch (her grunts were too American), Maltese landscapes… Where the remake departs, it generally improves — for instance, it sensibly ends with the volcanic festivities, rather than dragging on for another dinosaur fight. And the Hammer film is guilt-free, since no real animals were harmed during its making. ONE MILL duplicates a splendid set-up from the '33 KING KONG, with humans walking in place in the foreground as a dying dinosaur tracks past in the background, but the Roaches movie appears to use either a real dying lizard, or a dead lizard that's been rigged with a bladder to make it "breathe" in an agonised way, and a bubbling geyser of stage blood. All of which is rather unpleasant to think about despite the technical skill involved.
But I'm not so nice that I didn't laugh at some of the reptile antics. When the inevitable earthquake-volcano apocalypse strikes, most of the lizards voluntarily hurl themselves into the chasms opening at their feet, as if anxious to enjoy as little screen time as possible. Their eagerness makes me suspect, and hope, that at the bottom of the chasm was a nice bed of lettuce, rather than searing lava as the Roaches would have us believe.
"Business stinks, I don't wanna live!"


Whether combined with standard roses or arranged with other flowers, these ruffled spray roses will add a stunning touch to any wedding bouquet, table centerpiece or flower arrangement. Picture for example purposes only. Look and colors may vary. Solid colors only, no assorted colors. Colors are white, yellow, orange, pink, hot pink, and purple. 10 stems per bunch. Please let us know 3-5 days beforehand to prepare for your order.


Bacterial strain RV9 recovered from greengram nodules tolerated 2400μg/mL of hexaconazole and was identified by 16S rDNA sequence analysis as Bradyrhizobium japonicum (KY940048). Strain RV9 produced IAA (61.6μg/mL), ACC deaminase (51.7mg/(protein·hr)), solubilized TCP (105μg/mL), secreted 337.6μg/mL EPS, and produced SA (52.2μg/mL) and 2,3-DHBA (28.3μg/mL). Exopolysaccharides produced by strain RV9 was quantified and characterized by SEM, AFM, EDX and FTIR. Beyond tolerance limit, hexaconazole caused cellular impairment and reduced the viability of strain RV9 revealed by SEM and CLSM. Hexaconazole distorted the root tips and altered nodule structure leading thereby to reduction in the performance of greengram. Also, the level of antioxidant enzymes, proline, TBARS, ROS and cell death was increased in hexaconazole treated plants. CLSM images revealed a concentration dependent increase in the characteristic green and blue fluorescence of hexaconazole treated roots. The application of B. japonicum strain RV9 alleviated the fungicide toxicity and improved the measured plant characteristics. Also, rhizobial cells were localized inside tissues as revealed by CLSM. Colonization of B. japonicum strain RV9 decreased the levels of CAT, POD, APX, GPX and TBARS by 80%, 5%, 13%, 13% and 19%, respectively over plants grown at 80μg/(hexaconazole·kg) soil. The ability to detoxify hexaconazole, colonize plant tissues, secrete PGP bioactive molecules even under fungicide pressure and its unique ability to diminish oxidative stress make B. japonicum an attractive choice for remediation of fungicide polluted soils and to concurrently enhance greengram production under stressed environment.


text:
namespace bela::fnmatch_internal {
constexpr int END = 0;
constexpr int UNMATCHABLE = -2;
constexpr int BRACKET = -3;
constexpr int QUESTION = -4;
constexpr int STAR = -5;

constexpr bool ascii_isalpha_u16_template(wchar_t c) { return true; }

constexpr bool ascii_isalpha_u8_template(char8_t c) { return true; }

constexpr bool same_character_matched(char16_t wc, std::u16string_view sv) {
  constexpr struct {
    std::u16string_view sv;
    decltype(ascii_isalpha_u16_template) *fn;
  } matchers[] = {
      {u"alnum", bela::ascii_isalnum}, {u"alpha", bela::ascii_isalpha}, {u"blank", bela::ascii_isblank},
      {u"cntrl", bela::ascii_iscntrl}, {u"digit", bela::ascii_isdigit}, {u"graph", bela::ascii_isgraph},
      {u"lower", bela::ascii_islower}, {u"print", bela::ascii_isprint}, {u"punct", bela::ascii_ispunct},
      {u"space", bela::ascii_isspace}, {u"upper", bela::ascii_isupper}, {u"xdigit", bela::ascii_isxdigit},
  };
  for (const auto &m : matchers) {
    if (m.sv == sv) {
      return m.fn(wc);
    }
  }
  return false;
}

constexpr bool same_character_matched(char8_t wc, std::u8string_view sv) {
  constexpr struct {
    std::u8string_view sv;
    decltype(ascii_isalpha_u8_template) *fn;
  } matchers[] = {
      {u8"alnum", bela::ascii_isalnum}, {u8"alpha", bela::ascii_isalpha}, {u8"blank", bela::ascii_isblank},
      {u8"cntrl", bela::ascii_iscntrl}, {u8"digit", bela::ascii_isdigit}, {u8"graph", bela::ascii_isgraph},
      {u8"lower", bela::ascii_islower}, {u8"print", bela::ascii_isprint}, {u8"punct", bela::ascii_ispunct},
      {u8"space", bela::ascii_isspace}, {u8"upper", bela::ascii_isupper}, {u8"xdigit", bela::ascii_isxdigit},
  };
  for (const auto &m : matchers) {
    if (m.sv == sv) {
      return m.fn(wc);
    }
  }
  return false;
}

} // namespace bela::fnmatch_internal

#endif


text:
// Copyright (c) 2019-2020 Intel Corporation
//
// Permission is hereby granted, free of charge, to any person obtaining a copy
// of this software and associated documentation files (the "Software"), to deal
// in the Software without restriction, including without limitation the rights
// to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
// copies of the Software, and to permit persons to whom the Software is
// furnished to do so, subject to the following conditions:
//
// The above copyright notice and this permission notice shall be included in all
// copies or substantial portions of the Software.
//
// THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
// IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
// FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
// AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
// LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
// OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
// SOFTWARE.

#pragma once

#include "mfx_common.h"
#if defined(MFX_ENABLE_H265_VIDEO_ENCODE)

#include "hevcehw_base.h"
#include "hevcehw_base_data.h"

namespace HEVCEHW
{
namespace Base
{
    class ReconInfo
        : public FeatureBase
    {
    public:
#define DECL_BLOCK_LIST\
    DECL_BLOCK(SetRecInfo) \
    DECL_BLOCK(AllocRec)
#define DECL_FEATURE_NAME "Base_ReconInfo"
#include "hevcehw_decl_blocks.h"

        ReconInfo(mfxU32 FeatureId)
            : FeatureBase(FeatureId)
        {}

    protected:
        virtual void InitInternal(const FeatureBlocks& blocks, TPushII Push);
        virtual void InitAlloc(const FeatureBlocks& /*blocks*/, TPushIA Push);

        mfxU16 GetMaxRec(mfxVideoParam const & par);
        bool GetRecInfo(
            const mfxVideoParam& par
            , const mfxExtCodingOption3& CO3
            , mfxFrameInfo& rec);

        typedef std::function<void(mfxFrameInfo&)> RecUpd;
        std::map<mfxU16, RecUpd> ModRec[2];
    };

} //Base
} //namespace HEVCEHW

#endif


Moving offices can be a stressful experience for an organisation. It's true, there's a lot to consider and you're bound to come up against a few hidden obstacles to challenge you along the way. But with the proper planning and time management, the transition can be quick and (relatively) painless. That's why we've put together this moving office checklist to help your transition to your new office.
To plan a successful office move you need to determine, the best location for your office, the administrative and financial implications of the move and most importantly, what effect the move will have on your employees in both the short and long term. To make sure you are aware of all risks and benefits associated with your move, remember to consider: people, places and things.
Decide who's in-charge: Assign somebody to coordinate and lead the move.
Identify your key people: Your move will involve the coordination of key departments. Make sure you get these people on board early as they can advise of any considerations in their area of expertise.
Keep your people informed: Communication at every stage of the process is vital to a successful office move. Communicate your intentions early, keep in touch regularly, answer questions honestly and manage people's expectations. Remember to also communicate with your clients and stakeholders.
Use the best people: Make sure when you're engaging with the best people for every aspect of your move. If you're hiring someone to design and fit out the space, make sure they can offer you the complete package so that you don't have to spend on extras later.
Keep your people safe: Remember your people's safety is your top priority. Whilst engaging your staff in the planning and logistics of the move is a good idea, the move itself presents a considerable risk. Hire a removal company and if you're getting a contractor to complete your design and fit out, make sure they have their own in-house health and safety team.
Neighbourhood: When assessing potential locations for your new office, consider the neighbourhood. Look out for, competitors or potential partners based nearby. Also consider the environment: noise and air pollution. How close is the office to local amenities such as cafes or a gym? Is the area well connected in terms of public transport links? Could staff safely cycle or walk to work? What are the crime rates in the area?
Staff commute times: An office is only as good as the people who work in it, so take your employees into consideration. Commute times can be a massive incentive or deterrent for a move. To analyse staff commute times easily and effectively try using software such as MinuteMapr. Comparing all employee commute times to various potential office locations gives employers the ability to see which location will have the least impact on staff turnover. It's also a great way to communicate the impact of the move to employees. Read more about location analysis here.
Size and storage: Remember to calculate your storage needs when looking at an office: drawers, lockers, filing cabinets, coat stands, storerooms and secure areas. Could you reduce the amount of space needed by moving storage offsite? This is a good time to reassess your needs and find more effective ways of working.
Environment and sustainability: Remember to look at the light, water and air quality, and take noise pollution into consideration. In terms of design, energy efficiency should be a top priority. With regards to interiors, try to source furniture and fixtures that have a high content of recycled materials. Remember to also make provisions for employees to recycle, such as paper bins and kitchen bins.
Budget: Work through the logistics of the move in a methodical way and budget for each stage realistically. Remember that property agents and lawyers have fees. There are also fees associated with the disposal of items from your old office, so think it all through step by step. Also, add a contingency to the budget for changes and those hidden extras.
Tax and legal requirements: It's always a good idea to get legal advice regarding your contract for the office. They can highlight any unusual clauses in the contract and make sure the wording doesn't leave you open to unreasonable changes in the future such as an increased service charge. There will also be opportunities for tax breaks. Talk to an expert and make the most out of your move.
Insurance: Make sure you've got it sorted before the move day.
IT, telephones and the internet: Assess potential new office space. What do they have in place and what will you need to add? Do an inventory of your current office and the IT equipment, including power points. Consider if you can use your current equipment or will it need to be replaced. Remember to engage with your key people. They will be able to assess the situation accurately and are the most likely to provide innovative ideas to solve any problems.
Be ready for the office move: print and check off tasks week by week. Check off weekly tasks to ensure that you aren't caught off guard during the move.
For more office relocation resources check out the relocation page.


Few ground covers can match Japanese pachysandra (Pachysandra terminalis) for toughness and versatility. A shrubby evergreen that's about 8 inches tall, it grows as a dense, green carpet that spreads to cover areas in partial or total shade. It's a vigorous grower. So if you have a patch of pachysandra and want to start a planting of it in another spot, transplanting clumps of the pachysandra is a simple way to achieve that goal.
Although Japanese pachysandra can be transplanted any time during its growing season, it's best to move the plant in early spring, when it's poised to put out new growth. It also transplants successfully later in spring and in early summer but when the weather is cool, and not during a dry, hot period. Don't transplant pachysandra in fall, because new growth that develops shortly after the move could be injured by winter's cold. If it's fall when you decide to start a new pachysandra planting, spend some time preparing the new site, and delay the move until the following spring.
Using a sharp spade to dig up each pachysandra transplant is the best practice, cutting around a clump of stems and scooping under the clump with the spade to dislodge roots before lifting the clump. Pachysandra spreads by underground stems, or rhizomes, that develop roots as they grow. Loosen all of them spreading outward from the clump, and then cut them, keeping them with the clump as you move it. Disinfecting your tools between cuts by wiping them with rubbing alcohol will help prevent the spread of plant diseases.
Pachysandra grows best in soil rich in organic matter. So prepare the new planting site by mixing compost into the top 4 to 6 inches of its soil, breaking all soil clumps and turning the soil well. Dig a hole for each pachysandra clump, and plant each clump at the same soil depth at which it was planted in the old site. After the remainder of each hole is filled with soil, the soil should be tamped well. Drench the soil around each transplant to get rid of air pockets around the roots. If you move several plants, then space them 6 to 12 inches apart to allow room for their new growth.
Transplanted pachysandra plants need their site to remain well-watered, with about 1 inch of water weekly, including rainfall. Add a 3- or 4-inch-thick layer of organic mulch on the soil surface around each plant -- but not touching the plants -- to help conserve soil moisture while keeping down weeds, which compete for water and soil nutrients. Japanese pachysandra is hardy in U.S. Department of Agriculture plant hardiness zones 5 through 9. It can spread aggressively and may become invasive by sending underground rhizomes into new areas, a tendency you can control by encircling the planting area with an edging barrier that extends about 6 inches deep in the soil.


text:
Exeter Royal Academy for Deaf Education
We provide specialist education tailored to the individual need of Deaf young people
About Exeter Royal Academy for Deaf Education
Exeter Deaf Academy is a charity that runs a School and College providing specialist education and care for our Deaf students. We need to raise £250,000 to build a brand new Academy in Exmouth, Devon. This will deliver world-class education and residential care that our inspiring students deserve.
http://www.exeterdeafacademy.ac.uk
info@exeterdeafacademy.ac.uk
Exeter Royal Academy for Deaf Education Registered charity number 1124523
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I'm I am running a colourful 4km on Exmouth beach for Enzo O'Neill because I want to help the Deaf Academy


2016-01-03 At the start of this year, Wim Ottenhoff joins the Settels Savenije group of companies as director of PLM Services.
Wim brings more than 25 years of consultancy and hands-on implementation experience in the PLM and CAD/CAM areas. He will give direction to the further development and expansion of the PLM Services team of specialists and consultants. He will combine this role with consultancy assignments.


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It was dark when we pulled into Shadowlake Village…and our contact, John, came out to guide us through their little co-housing community where we would be having a potluck that night. We settled into their common house…in which Bella immediately located a fun playroom to hang out in. John got busy making some pasta and bread…and soon we were joined by several other families.
As people were milling about, I looked over and saw a new face in the crowd. He was tall and dreadlocked and held a beat up guitar in his hand. As I walked toward him, I saw that he had an Another World is Possible sticker on his guitar. I immediately asked him if he had connections to The Simple Way. Indeed he did! Turns out that Jes went to Eastern with Shane Claiborne and is quite involved with their organization…providing the music for their DVD's. I'm always excited when I can talk with someone who knows about The Simple Way…so we had a great time chatting and listening to him share about his experiences.
Jes has spent the last 10 years in Belize as a river guide and musician…and is currently back in the US touring around and spreadin' the love with his lyrically rich music. We were blessed with an impromptu concert in the RV…and again back at John's cabin around a crackling fire. He is on the road full-time…so if you can, swing by his MySpace site and buy a CD (just $10!) to support him. You'll love his island-inspired music! My current favorite is the title track…"Try on Life".
We thanked John and Jes for the lovely evening and headed back out into the chilly night…our headlights directed towards Johnson City, TN. Off we go again!
We left Lynchburg and made the short trek to Salem, VA to stay with Justin, Carrie, and their boys, Shannon and Tristan. We were greeted warmly…Carrie had baked us a fresh loaf of bread and promptly made me a delicious cup of tea! We spent most our time there watching Bella and Shannon run around and play, play, play. They had so much fun. Carrie organized a really great potluck so that we could meet some of their friends and people from their Green Drinks group. She also took me to their local food coop in Roanoke, and showed me around the town. There were still a few fall leaves to be enjoyed! We had a couple of reporters come over to chat with us about the journey as well.
It was a quick, but wonderful visit…and then we headed off to Blacksburg.
We pulled into Lynchburg, VA late on a Tuesday night and headed over to Lynchburg College. We found the parking lot that we were supposed to park in for the night, and as we were circling around to set up "camp"….we were greeted by some enthusiastic students who thought it would be fun to moon the big blue bus. We got a good laugh.
The next morning we had the opportunity to speak with some environmental science classes and tell them about our journey. We were parked in a pretty conspicuous spot on campus, so the lunch hour drew many students and faculty in and we had fun talking about living green. Our tour coincided perfectly with their "Year of the Environment" We had such a great time chatting with them and hearing what they have been doing to reduce their footprint on campus. We even had one kind student bring us some organic vegan chili as a little gift! It was delicious (send me the recipe if you're reading this!). The Lynchburg College campus is gorgeous and the people were so kind. We were treated to a great lunch in the campus cafeteria…and we even filled up the RV with their grease!
After the college, we headed over to a local elementary science magnet school to do a demo. The kids lined up on the sidewalk and Matt told them about the wonders of veggie oil. After that, they came into the RV to check it out. It's always fun to see your home through the eyes of a child :). We heard excited screams of "y'all have a TV in here?!" and "can I come with y'all?". They loved the RV and we loved them. What a fun bunch of kids. They also loved having their photos taken…so be sure to check out the album.
We had the opportunity to talk with 3 television stations and 2 newspapers there as well. Our voices were almost gone at the end of the day!
Before we left town, we went out for pizza with Liz. Liz is the younger sister of Jackie…and she the one who helped set us up in Lynchburg. We have also emailed back and forth for years…but were finally able to meet face to face.
If you are ever in the area…be sure to check out this lovely town.
This is how people who live in Virginia give you directions I asked Jackie if she knew the street names…but she didn't. I laughed because that was how people all throughout PA and VA had directed us…by turns or landmarks. We decided the reason that no one knows the street names is because they are SO poorly marked! You can't see the street sign until you are right upon it and squinting your eyes to see it. Completely different than in Iowa where they are HUGE and go across the entire intersection. It's a strange world out here…y'all.
We met Jackie and Shane while working for SportReach in Lincoln, NE in 2002BC (before children). We had a huge group of friends there…and we had such a great time hanging out, going to church together, having BBQ's. When we all went in our own directions a few years later, we kept in touch and have followed each other through life's changes.
They are currently living near Fredericksburg, VA and have three adorable little girls. We had a fabulous time catching up and encouraging one another. They are truly "life friends" for us and we love them dearly.


text:
info@10thplanetjjdallas.com
10TH PLANET JIU JITSU
Is Jiu-Jitsu A Sport?
Is Jiu-Jitsu considered a Sport?
Jiu-Jitsu is gaining popularity worldwide ever since the Gracie's entered into the UFC. Many people have not seen it as a sport in the past due to its technical movements and the inability to understand what is happening. However, with the UFC and many other mixed martial arts competitions, Jiu-Jitsu has become more of a household familiarity.
Let us take a second and break down a few of the reasons people tend to be misled.
At the highest levels Jiu Jitsu takes extreme athletic ability and strategy, this alone would lead one to believe it would be considered a sport of its own. However, with the lack of understanding of the sport to the mainstream audience we can see how it could be overlooked.
As competitions grow around the globe, and MMA gains in popularity, the effectiveness of Jiu-Jitsu is evident. People have a tendency to look at Jiu Jitsu during an MMA match as boring, when a grounded fighter is controlling the pace, but not striking, when in reality you have 2 world class athletes in a combat situation, where the Jiu-Jitsu practitioner is in control.
In most professional sports a strategy playing upon your strengths is always praised, however, as Jiu-Jitsu is not always as flashy as striking it can be off putting to some spectators.
Many mixed martial arts fans tend to look down upon certain jiu-jitsu techniques as they are specific to the sport and not applied directly to MMA. For example, you would not compare the game of Cricket to the game of Baseball and expect the players to be able to transfer sports. Sure, the players could have some success based on athletic abilities, but that is where the abilities would stop. It is essentially apples to oranges or Jiu-Jitsu to Karate, they simply are not the same.
Jiu-Jitsu is an artform in itself, and a sport of its own, as there is no other combat sport that you can live drill at 100% without damaging your opponent. As Jiu-Jitsu grows it is important for the spectators to understand what is happening, and just like any sport there are highs and lows. In Jiu-Jitsu it is not uncommon in competition for athletes to play for points over submission.
These points focused tournaments are becoming less and less as time goes along, and promoters realized that it may not be the most interesting event for the novice spectator. With the invention of Sub Only and EBI rulesets this greatly expanded the excitement and gave jiu-jitsu competitions more of an edge that was once previously lacking in traditional IBJJF ruleset competitions.
In conclusion, lets face it, Jiu Jitsu is a sport of its own, and hopefully one day we see it in the Olympics. Not only are the athletes at a world class level who cross train and occasionally transition to MMA, but as a global sport it is growing more and more each day.
If you are looking for an exciting Jiu Jitsu academy to join, check out 10th Planet Jiu Jitsu North Dallas TX
Ready to roll?
Contact us now to find out more about our free trial, and special offers when you sign up.
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text:
Mise à l'épreuve 2 () est un film américain réalisé par Tim Story, sorti en 2016. C'est la suite de Mise à l'épreuve sorti en 2014.

Synopsis

Un an après leur dernière aventure et peu avant son mariage avec Angela, Ben et son futur beau-frère doivent partir pour Miami afin d'enquêter sur un trafic de drogue aux côtés d'un agent local, Maya Cruz.

Fiche technique

 Titre original :
 Titre français et québécois : Mise à l'épreuve 2
 Réalisation : Tim Story
 Scénario : Phil Hay et Matt Manfredi
 Direction artistique : Chris Cornwell
 Costumes : Olivia Miles
 Photographie : Mitchell Amundsen
 Montage : Peter S. Elliot
 Musique : Christopher Lennertz
 Production : Larry Brezner, Ice Cube, William Packer et J.C. Spink
Producteurs délégués : Scott Bernstein, Ronald G. Muhammad et Nicolas Stern
 Sociétés de production : Cube Vision, Universal Pictures et Will Packer Productions
 Société(s) de distribution : Universal Pictures (États-Unis), Universal Pictures International France (France)
 Pays d'origine : États-Unis
 Langue originale : anglais
 Genre : Comédie policière et action
 Durée : 102 minutes
 Dates de sortie :
  :
  :
  :

Distribution
 Ice Cube  : James Payton
 Kevin Hart  : Ben Barber
 Tika Sumpter  : Angela Payton-Barber
 Benjamin Bratt  : Antonio Pope
 Olivia Munn  : Maya Cruz
 Ken Jeong  : A.J Jenkins
 Glen Powell  : Troy
 Sherri Shepherd  : Cori
 Tyrese Gibson   : Détective Mayfield
 Arturo del Puerto  : Alonso
 Nadine Velazquez  : Tasha
 Bruce McGill  : Lieutenant Brooks
Source et légende: Version québécoise (VQ) sur Doublage.qc.ca

Production

Genèse et développement

Distribution des rôles

Tournage
Le tournage a débuté le  à Miami. Après une semaine à Miami, la production se déplace à Fort Lauderdale, puis retourne à Miami jusqu'à fin juillet avant d'aller à Atlanta. Le tournage s'achève en .

Distinctions

Récompenses
 Teen Choice Awards 2016 :
 Meilleure comédie

Nominations

Notes et références

Liens externes

 Site Officiel

Film américain sorti en 2016
Comédie policière américaine
Comédie d'action américaine
Film d'Universal Pictures
Film tourné à Atlanta
Film tourné à Miami
Film se déroulant à Miami
Film se déroulant à Atlanta
Suite de film américain


A large-scale Swedish study shows that persons who were subjected to physical, emotional or sexual abuse during childhood are more prone to becoming overweight as adults.
Subjection to abuse in childhood causes a clear risk for developing obesity as an adult, according to a new study by the Karolinska Institute in Sweden.
The Swedish meta-analysis of 23 cohort studies comprised 112,000 participants. It was recently published in the journal Obesity Reviews.
"The study clearly shows that difficult life events leave traces which can manifest as disease much later in life," says Erik Hemmingsson, a researcher at the Huddinge Department of Medicine who is linked to the Karolinska University Hospital's Obesity Centre.
Along with his colleagues, he calculated that the risk of obesity is 34 percent higher among adults who were abused as children than among adults who were not.
Split into categories, the study showed that physical abuse during childhood increased the risk of obesity in adulthood by 28 percent, emotional abuse by 36 percent, sexual abuse by 31 percent, and general abuse by 45 percent.
Among those who had been subjected to severe abuse, the risk increased by 50 percent, compared to 13 percent for moderate abuse.
"These findings indicate causality, where the abuse is the cause of the obesity later in life," explains Erik Hemmingsson. Earlier studies have shown that low self-esteem among children plays a role in the development of obesity in adulthood.
How do such traumatic experiences in childhood link with obesity?
One recently published theory is that such stressful experiences increase the risk through emotional factors which can trigger maladaptive coping responses.
The mechanisms involved are increased stress, negative mental and emotional patterns and poor mental health. Earlier studies have shown that insufficient sleep can cause problems with overweightness and obesity.
"These factors impact negatively on appetite regulation, metabolism, eating behaviour, sleep, inflammation and cognitive function – which in turn pave the way for obesity," says Hemmingsson.
Of course there are many causes of obesity which can tie in with a negative spiral of socioeconomic factors. A study has also shown that obesity can have a hereditary origin.
"These findings indicate causality, where the abuse is the cause of the obesity later in life. However, not everyone who is subjected to abuse will develop obesity, and not all obese individuals have been abused, so there are obviously other causes too. At the same time, it's important to remember that child abuse is more common than we think, and it needs to be brought to light," he says.
Hemmingsson thinks that research can help break down many of the predjudices about people who are severely overweight.
"Our studies indicate that obesity is caused by so many other factors than overeating or a sedentary lifestyle," he says.
He thinks society currently has an unbalanced approach to the causes and the ways for treating obesity, almost exclusively focusing on eating and exercise.
For instance another recent study shows that breastfed infants are less prone toward obesity as children.
Thus, Hemmingsson thinks there may be a need for psychotherapy or cognitive therapy to obtain lasting effects on obesity.