@Awlia - the Prophet did not do it every night, as as for it being an innovation or not, I would leave that decision to hadhrat Umar (ra) himself, who did think it was one.
whether he did it every night or not, theirs nothing wrong with doing it every night is it, muhammad SAW didnt always perform the zuhr nafal, but if a person was to do so theirs nothing wrong with that is it.
you're the one that is arguing elsewhere that going and doing things not exactly like the Prophet did, or doing it more is a bid'ah, not me.
The type of innovation that is haram is innovation in religion, which sufis do, like milad un nabi, the huwa huwa thing and other.
in your huwa thing you quoted that there was no harm in it, thus it obviously cannot be haraam, proven by YOUR OWN POST.
As for mawlid, Shaykh ibn taymiyyah said there is no harm in it, so it also cannot be haraam, if he did not think there was any harm/sin in it.
when did i say their is no harm in doing huwa huwa, i said their is no harm in doing normal dhikr like saying subhanallah 33 times, but huwa huw is haram as its a innovation,a action not done by muhammad SAW or his sahabas or nayone.
as fr miladun nabi, even he ibn tamiyah concluded in hisbook saying its a incorrect ijtihad ad he doesnt agree with it.
read this - it is quoting from your post. You have ignored responding to that post - which I assume is by accident?
ibn taymiyyah may have said it was incorrect ijtihad, but he did not say it was wrong and bad or haraam, did he? He said there was no benefit, and no harm.
incorrect itjihaad, meaning it was wrong, disagreed with milad un nabi, meaning he rejected it, believed it was wrong.
And if ibn tamiyyah didnt say things directly about it, thousands of other shcoalrs of HIS time, before him after him clearly said it was haram, muhammad SAW hadith clearly shows its haram, which is the biggest evidence of them all.
...muhammad SAW hadith clearly shows its haram, which is the biggest evidence of them all.
Please carry this on here, as I am interested in reading these ahadith.
this is awlia, back again, this time im not sure how long i'll be here, but while im here i'll destroy that shia here, time tp expose that fake thing that ali RA personally called dumb blind and deaf.
No need to "destroy" him (or anyone else) - just honest discussion should be enough to prove your point. That way you also use hikmah.
He dances with ecstasy and delight.
No its not - people move on. Sometimes ghosts are just shadows.
You can read other people's bio - if they've chosen to write one. I was gna edit mine the other day when i was bored but then i thought forget it lol.
hows it going my dear sufi brothers and sisters, your beloved and favourtie member awlia here long time no see, what happend here its not as active as it was when i was here.
Anyway not here to start anything just wanna see how my dear brothers and sisters here are doing, brother "you" no contact from you despite all the discussion we went through which i always won (no offence) just kidding, anyway hows things here not much seems to be going on here, but good to see/here from you again.
victory is in the eye of the beholder (I didn't think you had any points that stood up to scrutiny - and I did not even go out of my way to challenge them, just simple things).
This time I hope you are here to take part as a member of the community and not simply here on a crusade - the latter is not conducive to sight seeing or seeing what people really think.
if we get the third party in to judge we know who theyll pick i had both evidence and conclusion but lets forget that, as i said just here to check how things are going on here not for another arguement if i was then i wouldve attacked the shia not that i will i'll get this fact straight.
But as you say, bygones be bygones.
So. Yeah. Intro-ing me. I'm a 22year old student from Wales, currently in my final year of uni doing Religious Studies and Philosophy, due to be done and dusted in less than a month..eek!
I've only ever read one issue of the revival magazine, which I think had a drugs article and related picture shown on the cover, and my sister called it 'stoned magazine' for the longest time (lol). I think I was looking up Muslim youth magazines for research one time, and that's how I came accross the site a while back, I read a thread about eastenders and syed and whatnot, and never came back. Ok,erm, it's not how it sounds. I just didnt bother to come back, but intended to, forgot about it for a while...and finally returned to join :D.
So research, what research?! Basically I'm doing my dissertation on British Asian Muslims, and how dual cultural heritages contribute to one's identity and practice of Islam, and cultural conflicts between generations, generally about being British and Asian and Muslim...etc. So I figured I could roam the forums, find any discussions (if there are already threads on the topic, pointers are more than welcome :)), start some discussions...and stuff.
Yeh, so, uh. sorry for rambling. That's how I roll.
Oh and Pepsi, cola.....neither (*gasp*). H2o man, original classic.
Favorite icecream- Ben and Jerry's Choc Chip Brownie ice-cream. one of the most beautiful substances on the planet.
Nutter/moody/other balanced one that i forgot:....eh...semi normal, bit random?
Im 'MyDeenThenMyLife' From West Yorkshire. Im a student at University. The first time I cam across Revival was when I picked up a copy of Revival Magazine at the Prayer Room at my University. Really liked it!!!
May Allah (swt) bless you all and may we benefit from each other Ameen.
Welcome, Salaams and all that stuff.
Make yourself at home - write blogs, take part in forum topic or comment on articles among other things.
And more importantly, who would win in a fight - a Jaffa cake or a jammy dodger?
oo i never saw this forum when i first started lol !
I'm completed graduation. I've only ever issue of revival magzine.and reserch in how dual cultural heritages contribute to one's identity and practice of Islam.


Creations Magazine has been "Inspiring the Soul" for over 30 years. Our website receives over 40,000 visits per MONTH, bringing our combined print and online readership to 150,000.
We serve the Holistic-Minded, Health-Conscious, Spiritually-Centered and Creative Communities. Creations Magazine is found at health food stores, wellness, learning and cultural arts centers, libraries, universities, supermarkets, coffee shops, music and book stores, and wellness/green expos.
Each issue features seasonal topics including, personal/spiritual growth, alternative healing, nutrition, yoga/meditation and the environment. We accept article submissions up to 850 words, and poetry. Please visit creationsmagazine.com regularly for more Articles, Media Reviews and Updated Listings.
Please visit www.creationsmagazine.com for our most up-to-date information and to view our Archives for back issues.


Apart from the title, then 'My childhood spat back the monster that you see' is also one of the most Doctor-y lines I have ever come across. Features the 9th, 10th and 11th Doctor. Enjoy.
Have you watched DW videos by TheGaroStudios and Magarita Life? They both make stunning videos.


If you are weary of shaving, waxing, tweezing, and the application of messy chemical creams to remove excess hair and are frustrated with uncomfortable electrolysis sessions of unwanted hairs, Dr. Timek has developed a step-wise program to help you obtain smooth attractive facial skin, hairless underarms, bikini lines, backs, and legs.
Our laser specialist can provide you with the most effective way to reduce unsightly hairs with our state-of-the art Spectrum Laser System. Our diode laser system has been FDA approved and can be used for all ethnic groups and skin colors including tanned skin. A laser beam is specifically absorbed by the pigmented hair shafts, destroying their growth centers and resulting in a permanent reduction of a majority of growing hairs. Because hairs have a regular cycle of growth, recession, and resting phases, six to eight treatments may be necessary to eliminate those long and unattractive dark hairs.


(1) The Agreement between the European Community and New Zealand on sanitary measures applicable to trade in live animals and animal products has been approved by Council Decision 97/132/EC(2).
(2) Due to a difference in certification systems between the two Parties, the Parties have not notified each other of the completion of their respective procedures for ratification of the Agreement, as provided for in the second subparagraph of Article 18(1) thereof.
(3) Therefore, the Agreement has not entered into force and until it does the Agreement is provisionally applied as agreed by the Agreement in the form of an Exchange of Letters, attached to Council Decision 97/131/EC of 17 December 1996 on the conclusion of an Agreement in the form of an Exchange of Letters concerning the provisional application of the Agreement between the European Community and New Zealand on sanitary measures applicable to trade in live animals and animal products(3).
(4) Certain amendments to the Annexes to the Agreement concerning certification and recognition of equivalence of certification systems for certain commodities are necessary before the two Parties can complete their respective procedures and notify each other of their completion and before the Agreement can enter into force.
(5) The two Parties have confirmed their agreement in principle to the form of an Exchange of Letters and the determination of the sanitary measures applicable to trade in live animal and animal products.
The Agreement in the form of an Exchange of Letters concerning amendments to the Annexes to the Agreement between the European Community and New Zealand on sanitary measures applicable to trade in live animals and animal products is hereby approved on behalf of the Community.
The text of the Agreement in the form of an Exchange of Letters, including the amendments to the Annexes to the Agreement, is attached to this Decision.
The President of the Council is hereby authorised to designate the person empowered to sign the Agreement in the form of an Exchange of Letters in order to bind the Community.
This Decision shall take effect on the date of publication.
(1) Proposal of 16 September 2002 (not yet published in the Official Journal).
(2) OJ L 57, 26.2.1997, p. 4. Decision as amended by Decision 1999/837/EC (OJ L 332, 23.12.1999, p. 1).
(3) OJ L 57, 26.2.1997, p. 1.


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Austin History
Everything Austin
Online Reference Tools
Preserving Your History
About Collections
Architectural Archives
Austin Files
Books/City Reports
Oral History/Audio
About Photographs
Ordering Photos
Online Photo Collections
Favorite Photographs
About Outreach
Community Archivists Program
African American Community Archivist
Asian American Community Archivist
Latinx Community Archivist
Exhibit Videos
Our Community, Our Voice: Photographs from The Villager Newspaper
On view in the David Earl Holt Gallery, January 30 - April 19, 2020
Tommy Wyatt conducts an interview in The Villager offices. AR-2001-002-W119
Since first publication in 1973, The Villager has served as a free community service weekly with an emphasis on news about Austin's African American community. Publisher Tommy L. Wyatt has made it his mission to report positive news about the black community, countering the negative narrative about African Americans historically reported by mainstream media outlets. Wyatt wanted to create a space for the community to speak for themselves and for every community member to have access to the news. The Villager has been in continuous publication since its founding with a weekly print run of 6,000 issues, a treasure of Austin's black community for 46 years and counting.
Our Community, Our Voice: Photographs from The Villager Newspaper presents a selection of photographs from The Villager Newspaper Photograph Collection (AR.2001.002) that capture local community members in striking images, illustrating the vibrancy of Austin's black population. Marching bands, community leaders, theater groups, protests, musicians, churches, and neighborhood groups portray life in black Austin through the decades.
The collection is comprised of nearly 5,000 photographs taken and received by The Villager for publication and dating from the 1970s to 2010. The photographs document the people, events, businesses, and organizations in the African American community in Austin and Texas during the late twentieth and early twenty-first centuries. Of particular interest are the large number of photographs that feature individuals active in the social, business, religious, and political life of the African American community in Austin, especially East Austin, and Texas. African American business owners, community leaders, and activists are represented as well as many black and Hispanic politicians who sought the coveted Villager endorsement in local races. The full collection is available to view in the Austin History Center Reading Room, along with issues of The Villager dating back to 1973.
Join us for the opening reception of the exhibit on January 30, 2020 from 6:30-8:00 pm. The reception is free and open to the public and light refreshments will be served.
The opening reception will also serve as the kick-off for the Austin History Center's inaugural African American Genealogy Conference, Growing Your Roots. Representatives will be on-site at the opening reception to register attendees for this free, 4-day event.
Our Community, Our Voice: Photographs from The Villager Newspaper will be on display January 30 – April 19, 2020.
Austin History Center on Facebook
Austin History Center on Instagram
Austin Public Library on SoundCloud

redpajama_set_name: RedPajamaCommonCrawl


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This past weekend I threw my little sister a baby shower. I've been planning it since I found out she was having a girl. I just love all things pink and ruffled! When planning baby showers, I like to make the theme the same as the nursery so that the decorations can double as decor for the baby room.
I set up an accessory station so the guests could create an accessory for baby Ava. They chose from onsies, hats, hair clips, and head bands.
Here are a few of the onsies that were made.
I'm so thankful for all the family and friends who helped me with the shower. I could never have done it without them!! And I can't wait to meet little Ava! Stay tuned for tutorials and recipes from the party!
Most of the decorations, food, favors and cake were made by me, family or friends but here are a few things we ordered out.
The shower turned out beautifully! Thank you so much for featuring my Stacked Elephant cards, cupcake toppers, and matching papers -- all of the details you put into the shower are simply adorable!
Thanks so much! And thank you for working with me to get them just right!
Thanks so much! I made the appliqués using the same basic concept as in the post in the link below.
I had the appliqués all cut out and ready on the table but I left the backing on the appliqué so when they were ready to use them they just peeled off the backing and ironed it on the onsie. Hope that helps! Thanks for reading!


17/10/18 Introduction to NLP, held at Bede Tower, Sunderland.
Course starts at 0930 and will finish around 1630.
21/11/18 Introduction to NLP, held at Bede Tower, Sunderland.
18/19/20 MArch and 25/26/27 March NLP Multi practitioner Multi certification, held at Bede Tower, Sunderland.


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UA ENGINEERS BUILD LUNAR VEGETABLE GARDEN
Etiquetas: Engineering
Researchers are demonstrating that plants from Earth could be grown without soil on the moon or Mars, setting the table for astronauts who would find potatoes, peanuts, tomatoes, peppers and other vegetables awaiting their arrival.
The first extraterrestrials to inhabit the moon probably won't be little green men, but they could be little green plants.
Researchers at the University of Arizona Controlled Environment Agriculture Center, known as CEAC, are demonstrating that plants from Earth could be grown hydroponically (without soil) on the moon or Mars, setting the table for astronauts who would find potatoes, peanuts, tomatoes, peppers and other vegetables awaiting their arrival.
The research team has built a prototype lunar greenhouse in the CEAC Extreme Climate Lab at UA's Campus Agricultural Center. It represents the last 18 feet of one of several tubular structures that would be part of a proposed lunar base. The tubes would be buried beneath the moon's surface to protect the plants and astronauts from deadly solar flares, micrometeorites and cosmic rays.
The membrane-covered module can be collapsed to a 4-foot-wide disk for interplanetary travel. It contains water-cooled sodium vapor lamps and long envelopes that would be loaded with seeds, ready to sprout hydroponically.
"We can deploy the module and have the water flowing to the lamps in just ten minutes," said Phil Sadler, president of Sadler Machine Co., which designed and built the lunar greenhouse. "About 30 days later, you have vegetables."
Standing beside the growth chamber, which was overflowing with greenery despite the windowless CEAC lab, principal investigator and CEAC Director Gene Giacomelli said, "You can think of this as a robotic mechanism that is providing food, oxygen and fresh drinking water."
Giacomelli, a professor of agricultural and biosystems engineering and a member of the UA's BIO5 Institute, said that although this robot is built around living green plants – instead of the carbon fiber or steel usually associated with engineering devices – it still requires all the components common to any autonomous robotic system.
These components, which include sensors that gather data, algorithms to analyze that data and a control system to optimize performance, are being designed by assistant professor Roberto Furfaro of systems and industrial engineering, and associate professor Murat Kacira of agricultural and biosystems engineering.
"We want the system to operate itself," Kacira said. "However, we're also trying to devise a remote decision-support system that would allow an operator on Earth to intervene. The system can build its own analysis and predictions, but we want to have access to the data and the control system."
This is similar to the way a CEAC food-production system has been operating at the South Pole for the past six years.
The South Pole Growth Chamber, where many ideas now used in the lunar greenhouse were developed, was also designed and fabricated by Sadler Machine Co. It provides fresh food to the South Pole research station, which is physically cut off from the outside world for six to eight months each year.
In addition to food, the growth chamber provides a valuable psychological boost for scientists who overwinter at the station.
"There's only 5 percent humidity and all you can normally smell is diesel fuel and body odor," Sadler said. But now researchers can go into the growth chamber and smell vegetables and flowers and see living green things, breaking the monotony of thousands of square miles of ice and snow surrounding their completely man-made environment.
Lane Patterson, a master's student in agricultural and biosystems engineering and primary systems operations manager of CEAC's lunar greenhouse lab, also works for Raytheon Polar Services, which provides operations support for the South Pole Growth Chamber.
"If I need to be there in the chamber looking over an operator's shoulder, that's possible with the web camera," Patterson explained. "But if I need to make an adjustment to the chamber without the operator's assistance, I can do that electronically via computer communication."
Recycling and efficient use of resources are just as important to the South Pole operation as they will be on the moon, Sadler noted. A dozen 1,000-watt sodium-vapor lights generate a lot of heat, which is siphoned away by each lamp's cooling system and used to heat the station. "Energy is expensive there," Sadler said. "It's about $35 a gallon for diesel fuel."
In fact, efficient use of resources is just as important for hydroponic greenhouses anywhere on the globe, Giacomelli emphasized. "All that we learn from the life support system in the prototype lunar greenhouse can be applied right here on Earth," he added.
"On another planet, you need to minimize your labor, recycle all you can and operate as efficiently as possible," he said. "If I ask the manager of a hydroponic greenhouse in Willcox [Ariz.] what's most important, he or she will tell me those same things – recycle, minimize labor, minimize resource use."
Carbon dioxide is fed into the prototype greenhouse from pressurized tanks, but astronauts would provide CO2 at the lunar base just by breathing. Similarly, water for the plants would be extracted from astronaut urine, and the water-cooled electric lights might be replaced by fiber optic cable – essentially light pipes – which would channel sunlight from the surface to the plants underground.
The lunar greenhouse contains approximately 220 pounds of wet plant material that can provide 53 quarts of potable water and about three-quarters of a pound of oxygen during a 24-hour period, while consuming about 100 kilowatts of electricity and a pound of carbon dioxide.
"We turned the greenhouse on about eight months ago to see how it would operate and that test run will be completed on Sept. 30," Giacomelli said.
NASA is funding that research under a $70,000 Ralph Steckler Space Grant Colonization Research and Technology Development Opportunity, which CEAC obtained with help from UA's Lunar and Planetary Laboratory. The Steckler grants are designed to support research that could lead to space colonization, a better understanding of the lunar environment and creation of technologies that will support space colonies.
CEAC now is applying for Phase II of this grant, which would provide an additional $225,000 for two years.
Although NASA funds the test run, "everything you see in this room – the greenhouse module, lights, water system – came out of Phil Sadler's pocket," Giacomelli said. "I paid for the student help and pay the bills for the research space. Obviously, we think this is important work."
The UA researchers and Sadler Machine also are collaborating with two Italian firms on this project: Thales Alenia Space, a company that builds hardware for the International Space Station, and Aero Sekur, which builds inflatable structures.
Giacomelli said the research also could lead to plant colonization in another traditionally hostile environment – large urban centers.
"There's great interest in providing locally grown, fresh food in cities, for growing food right where masses of people are living," Giacomelli said. "It's the idea of growing high-quality fresh food that only has to be transported very short distances. There also would be a sense of agriculture returning to the everyday lives of urban dwellers."
"I think that idea is as exciting as establishing plant colonies on the moon."
(Photo: Norma Jean Gargasz / UANews)
ENGINEERS MAKE ARTIFICIAL SKIN OUT OF NANOWIRES
PERCEPTION OF EMOTION IS CULTURE-SPECIFIC
RANDOM NUMBERS GAME WITH QUANTUM DICE
MALE MATURITY SHAPED BY EARLY NUTRITION
INFANTS' PERIPHERAL VISION IS CLUTTERED


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text:
5 Data Privacy Laws That Could Affect Your Business
By Anas Baig
Product Manager at Securiti.ai , securiti.ai | Sep 19, 2022 12:59 am PST
Data Privacy, Data protection, Hacking, Identity and access management (IAM)
Data is a vital economic driver that delivers more advancement and value to a company. It has the potential to take them to new heights if handled and studied accurately. However, that same data can also expose businesses to risks if left unexplored and unsecured.
With so many data protection laws coming into effect or already implemented, companies need to know how these privacy laws affect their business and what they can do to comply with them. Here's a brief breakdown of five data privacy laws that could affect your business.
European Union's (EU) General Data Protection Regulation (GDPR)
The EU's General Data Protection Regulation originated in May 2018 and has had a massive ripple effect on businesses. Often considered one of the world's most stringent data privacy laws, the GDPR's guidelines impact any organization operating inside or outside the EU that offers goods or services or monitors the behavior of consumers within EU territories. The laws enforced by the GDPR refer to rights and freedoms granted to the data subject or individual user by the "data controller" and "data processor."
The EU data protection law encompasses EU citizens' data globally. Companies that fail to comply could receive fines of up to €20 million or 4% of their annual global turnover per violation.
California Consumer Privacy Act of 2020 (CCPA)
Since the US still has no established data privacy laws, most states have put forward their own laws to tackle the issue. The California Consumer Privacy Act empowers Californian end users by granting them more authority over the personal information businesses gather. The CCPA regulations offer stipulated guidelines on how to implement the law correctly.
The law doesn't require companies to have a physical office in California and applies to all profit-generating businesses offering their goods and services to California residents. A California resident refers to a natural person who's a resident of California, even if the person is temporarily outside the state.
The CCPA law aims to fortify the privacy rights of California consumers. For example, it gives clients the right to know about:
All the private information businesses store on them.
How this information is used and distributed.
The option to delete any confidential information gathered.
A possibility to opt out of the sale of their classified information.
The right to non-discrimination for exercising their CCPA rights.
UK Data Protection Act 2018 (DPA 2018)
Due to Brexit, the Data Protection Act 2018 is the UK's implementation of the EU's GDPR. DPA 2018 regulates how corporations, businesses, and even the government use the consumer's private data. Under the DPA 2018, end users have the right to:
Know the use of their confidential data.
Have their data up to date.
Erase their data.
Stop or restrict the processing of specific private data.
Oppose how their data is processed in certain circumstances.
Have more control over their data when it comes to automated decision-making processes to predict behaviors or interests.
When it comes to DPA 2018's laws, all businesses responsible for utilizing private data must abide by stringent rules known as "data protection principles." Businesses must ensure that the information gathered is processed lawfully and fairly, based on the consumer's consent. They also have to ensure that the processing is satisfactory, pertinent, and limited to only what is essential. Additionally, the information needs to be kept up to date and no longer than necessary.
Finally, there are more strict legal protection measures for more delicate data, such as race, ethnic background, religious beliefs, genetics, trade union membership, political opinions, health, and sex life or orientation.
The California Privacy Rights Act of 2020 (CPRA)
The California Privacy Rights Act compensates for the California Consumer Protection Act. The CPRA enacts even more stringent privacy protection obligations on businesses to amplify the rights of California consumers. The CPRA doesn't replace the CCPA but offers an alternative take on privacy protection measures.
The CPRA will give clients more alternatives to opt out of targeted messages from businesses or third-party institutions to which they have given data. Furthermore, comprehensive requirements are outlined in the CPRA law that direct businesses to employ cautious data privacy administration systems and procedures. The objective of the CPRA law is to mainly offer Californians the sturdiest online privacy rights in the world, create an enforcement arm for end users, and make it tougher to dilute data privacy laws in the future.
Virginia's Consumer Data Protection Act (VCDPA)
The Virginia Consumer Data Protection Act came into legislation in March 2021, resulting in Virginia becoming the second state after California to officially endorse inclusive consumer data privacy laws. With the VCDPA outlined in just eight pages, it's notably more abridged than the California Consumer Privacy Act. The VCDPA law grants Virginia consumers more influence over the private information that organizations gather regarding them and offers direction to businesses on how to fulfill heightened privacy protocols. The VCDPA is one of the four US data privacy laws that has received the green light of approval.
The VCDPA delimits how organizations process private data associated with an identifiable natural person residing in Virginia. The VCDPA also classifies certain data as confidential data, which encompasses private data such as racial or ethnic origin, religious beliefs, sexual orientation, citizenship or immigration status, and mental or physical health diagnosis. The VCPDA also involves the processing of genetic and biometric data to identify a person, the personal data of relatives, and detailed geolocation data.
Privacy to Save Your Business
Since most data privacy laws can be difficult to understand, the first line of defense to protect your business is to use proxies. The most important feature of a proxy is anonymity, which is often crucial for businesses. Marsproxies offers the biggest proxy IP selection on the internet. Access to all these different proxies will ensure that all your information gets anonymized online, so it's impossible to track.
This additional security layer significantly reduces the risks of your business unknowingly overstepping data privacy laws and avoiding lawsuits and hefty fines. Proxies can also secure data away from hackers. If you as a company have a responsibility to hold and maintain data safe from your consumers, then considering the use of a proxy would be the smart thing to do.
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The Nastiness of Senator Loretta Weinberg
Every day, thousands of fellow human beings suffer household accidents. Most involve falls -- in the bathtub, shower, on the stairs, or when improperly using a step stool or ladder. Others are injured while using appliances and tools -- electric saws, nail guns, and the like. All of these are personal tragedies for the people involved, which often involve one family member injuring another, like when an 11-year-old daughter accidentally ran over her mother with the family SUV. The two were in the car together, the mother got out to check on something, the car accelerated over her and the mother was pronounced dead at the scene. Her daughter and her other children were deeply traumatized by the tragedy.
Yesterday, a mother was accidentally shot in the back by her 4-year-old. It seems she was driving her car, her son strapped into a child seat, and she made the mistake of leaving a loaded firearm where the child could find it. The firearm was legal and was being transported legally. Nevertheless, it was a careless and stupid mistake and one for which the mother has grievously paid. She survived and is in stable condition.
To avoid such tragedies, young children must be carefully monitored. They must be prevented from touching hot surfaces in the kitchen, electric outlets, power tools, sharp implements, and firearms. Parents must be very careful with children around plastic bags and water -- even an inch or two in a bathtub can cause a child to drown.
This is not how Senator Weinberg reacted to the news of this tragedy. Instead, she "celebrated" it, posted it on her Facebook page as an "I told you so" -- because the accident involved a gun. Senator Weinberg politicized a family's tragedy. She allowed her ideology to get the better of her humanity.
Senator Weinberg says she hates guns. She would limit the ability of people of a lower socio-economic class than her to have firearms for self-protection. But as a member of the Legislature, she enjoys the protection of men with guns. Lots and lots of them.
In America, the only real crime is not to have money. If you are a billionaire pedophile and convicted sex offender, like Jeffrey Epstein, you can expect to be forgiven by the rich and powerful. The good times roll on like before and the likes of Bill Clinton, Katie Couric, George Stephanopoulos, and Charlie Rose party with you as though nothing happened. Men with guns guard your private island, your many yachts, your private jets, and your person. Those guns are apparently okay by the likes of Senator Weinberg. Epstein is rich, a celebrity, and, therefore, worthy of the protection afforded by the gun.
But if you happen to be a plain-living plebian, a working class nobody, you are not worthy. You must rely on the response time of your local police. Yes, those same police who have been demoralized and demonized by the very political class that seeks to take away your right to protect yourself. "Don't worry," they say, "It's the job of the police to protect you -- and if they attempt to do so, we'll have them up on charges quick as a whistle." It's a real Catch-22.
America is the world's largest consumer of private military and security services. It is a $350 billion market. That's a lot of security for some. It's also a lot of guns, but the political class approves of these guns because of who it protects.
Face it, Senator Weinberg, Michael Bloomberg, Mayor Fulop. . . they don't care about you. You have nothing they want. You are not rich enough, powerful enough, influential enough, or cool enough to matter to them. You don't merit protection or the means of self-protection. Can't you hear them? They're telling you to "Drop Dead"!
Senator Loretta Weinberg, Loretta Weinberg, New Jersey, Second Amendment, gun control, gun rights, hypocrites, Michael Bloomberg, Mayor Steven Fulop
Senator Vitale endangers women
Phoebus: Democrats "celebrate" ...


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23 Jul 2019 1:12 PM +00:00 UTC
Fortnite Season 9: Patch V9.41, Storm Scout Sniper Rifle, Birthday Challenges, Fortnite Overtime And More!
This new patch comes just three days before the Fortnite World Cup
By Nick Farrell
Epic Games have released a new patch for their flagship title Fortnite, the patch titled V9.41 brings a new weapon into the weapon pool, the announcement of Fortnite's Overtime and Birthday challenges, which will both give player's a chance to unlock some new cosmetics catered to these events. This is an interesting update consider the Fortnite World Cup begins on Friday, with little time for players to get used to the new patch. It will also likely be one of few remaining updates before Season 10.
So what's new with this patch? We'll break down the most important pieces to this patch but you can find the patch notes here.
Read More: Fortnite World Cup: Date, Prize Money, Tickets, Schedule & Everything You Need To Know
Storm Scout Sniper Rifle
The main addition to patch V9.41 is the addition of a new sniper rifle for Fortnite Battle Royal, the Storm Scout Sniper Rifle is described as "Stay one step ahead of the Storm by scoping in to see it's next location! ". This new weapon is a very interesting decision by Epic Games, let us not forgot there is a $30 million tournament in three days and players will not have a lot of time to adjust to this new weapon and how it will play into the overall meta.
The full details of the Storm Scout Sniper Rifle are listed down below but can also be found here:
The scope on this sniper rifle contains an embedded weather map that displays upcoming storm circles before they are revealed on the minimap.
Available at Epic and Legendary Rarities.
Damage: 81/85 and Headshot Damage: 202/212
So, this new sniper can one-shot any enemy in the head and can also see where the storm will pop to allow player's more time to rotate as they will already know where to go. It is unknown just how powerful this weapon could be in competitive but one thing is for sure, professional players are not going to like this addition just days before the World Cup.
Read More: Fortnite World Cup 2019: Celebrity Pro-Am coming to World Cup Finals!
Happy Birthday Fortnite!
July 21st, 2017 is the day that Epic Games decided to release the battle royale aspect of their newest title Fortnite. Upon this release, no one in the world could have seen what was about to happen, Fortnite took over not only the gaming world but the entire world and to this day is still one of the most popular games in existence. Now, we are approaching Fortnite's second birthday since it's release and much like last year, Epic is implementing some unique challenges for players to unlock and celebrate together; this game has bonded the world and it most certainly deserves the celebration Epic gives us.
The full list of challenges is listed below:
Play Matches: 10
Dance in front of Birthday Cakes: 10
Outlast Opponents: 500
Gain health or shield from Birthday Cakes: 50
Read More: Fortnite Season 10: Release Date & What Will Be In The New Season
As well as the addition of Birthday Cake and challenges, Epic Games has also added the Birthday Present consumables. Similar to the Christmas present consumable Epic Games added around Christmas time, players can drop these items to have a chance at some better loot!
Available in Legendary Rarity.
Presents have six possible packages of loot.
The Fortnite World Cup is without a doubt the biggest esports tournament of the year and throughout the tournament, we will have constant live updates of every match! So make sure to stay tuned to our Twitter for all the winners throughout the event!
Gamescom 2019 is fast approaching and we may hear more about the future of Fortnite. Read more about Gamescom here.
Written ByNick Farrell @NickFarrell91


These young black bear cubs seem to be enjoying an afternoon of fun together while they clutch to the beautifully sculpted polyresin branches supporting this shelf. Display your afternoon fun right alongside them when you hang this glossy wooden shelf in your home or cabin. Measuring 22" wide by 14" high by 7" deep, this perfectly sized shelf will make the ideal gift for any nature enthusiast.


Find out more about what disk space is actually in the web hosting business.
The disk space feature shows the overall capacity of info that you can have on a shared hosting server at a time. With a personal computer, for instance, this is the overall size of one hard disk drive or the overall volume of all the hard disks in the event that the PC has more than 1. The same way that the space on a home machine is divided between installed computer software, documents, your music etc, the server hard disk space is normally divided between internet site files, databases and emails. Every single file, folder and e-mail takes a little space on the server, therefore you should consider a number of factors, not only the size of the files that you upload. To give an example, getting big email attachments or having a script-driven website in which the user-generated data is kept in a database may also affect the space you are using.
All our shared hosting plans were developed with the concept that not enough hard disk space cannot be a thing that will stop the growth of your websites. That's the reason why we have used an approach which is distinct from the one that most website hosting providers apply - rather than making all of the accounts using a singlle server and eventually not having enough hard disk space, we use a cloud hosting platform where the storage is handled by an entire group of servers. In this way, we can install more machines in case they are necessary and more hard disk drives, to be able to provide extra disk space for all of the files of our users. Different clusters manage the e-mails as well as your databases, which means that not only can you enhance your web sites without worrying about hard disk space, but also all of the servers will operate faster and better owing to the fact that every single service features its own space and one server does not handle different kinds of files.
All our semi-dedicated server plans have "disk space" as a feature in order to highlight that it's completely unrestricted. We're able to achieve that with the use of an innovative, tailor-made cloud hosting system, where your databases, emails and files are stored on individual clusters of servers. We will add extra hard disks or whole servers to all of the clusters and whenever necessary, plus our hosting Control Panel is designed to work with such a system. In comparison, the majority of Control Panels on the website hosting market can function only on a single server, and regardless of what various suppliers advertise, they actually generate various accounts on just a single machine. Having a semi-dedicated server package from us, you will never have to worry about hard disk space limits and you can give full attention to developing your websites.
All of our VPS servers include disk space quotas proportionate to the processing power that you receive with each package. By using a greater package, for instance, the chances are greater you'll host many different domains or a single big website, so the disk space will increase as you upgrade the plan. When you pick the Hepsia hosting Control Panel, all of the domains will share the storage, while if you use cPanel or DirectAdmin, you can set up distinct web hosting accounts and allocate a restricted amount of the whole VPS storage for each individual domain. You will even be able to share out hard disk storage from one domain to another if required. If you order a given VPS package and then you need further storage in the future, you are able to upgrade to a better plan with just a few mouse-clicks in your billing area. The added resources will be included in your present plan with no downtime or content migration.
Because of the hard disk storage that we offer with all of our Linux dedicated servers, we warrant that you'll be able to run every site regardless of its overall size. You'll receive no less than 500 GB storage, that you're able to employ as you see fit - even for private file storage. By default, you will get two hard disk drives, which can be used on their own, in order to make use of their full capacity, or they can be used in RAID and one will mirror the second one in real time to ensure that you will not miss valuable info in the event of a hardware fail. You'll also be given the opportunity to include additional disks and increase the total HDD storage for your use even further. This will allow you to make a file or image storage portal without any problems if you would like. Using the cPanel and DirectAdmin hosting Control Panels that we offer, you're able to make a separate account for each and every website that you host on the server and define an allowance for the storage it'll be allowed to use. When you pick the third solution, our in-house built Hepsia Control Panel, all domains will be operated from a single and they'll share the total server HDD storage.


text:
Q: Specifying a custom Fipy boundary condition of an "L" shaped geometry I want to solve a heat diffusion problem with an "L-shape" geometry, defined by the code below:
from fipy import CellVariable, Gmsh2D, TransientTerm, DiffusionTerm
from fipy import Matplotlib2DViewer, Viewer
from fipy.tools import numerix

cellSize_1 = 0.05
mesh = Gmsh2D('''
              cellSize = %(cellSize_1)g;
              Point(1) = {0, 0, 0, cellSize};
              Point(2) = {0, 5, 0, cellSize};
              Point(3) = {1, 5, 0, cellSize};
              Point(4) = {1, 1, 0, cellSize};
              Point(5) = {4, 1, 0, cellSize};
              Point(6) = {4, 0, 0, cellSize};
              Line(7) = {1, 2};
              Line(8) = {2, 3};
              Line(9) = {3, 4};
              Line(10) = {4, 5};
              Line(11) = {5, 6};
              Line(12) = {6, 1};
              Physical Surface("Top") = {8};
              Physical Surface("Inner") = {9, 10};
              Physical Surface("Right") = {11};
              Physical Surface("Inner") = {12, 7};
              Line Loop(13) = {7, 8, 9, 10, 11, 12};
              Plane Surface(14) = {13};
              ''' % locals()) # doctest: +GMSH

# Using this mesh, we can construct a solution variable

phi = CellVariable(name = "solution variable",
                   mesh = mesh,
                   value = 0.) # doctest: +GMSH

# We can now create a Viewer to see the mesh

viewer = None
from builtins import input
if __name__ == '__main__':
    try:
        viewer = Viewer(vars=phi, datamin=-1, datamax=3)
        viewer.plotMesh()

    except:
        print("Unable to create a viewer for an irregular mesh (try "+
              "Matplotlib2DViewer or MayaviViewer)")

Now I want to define the "Top" and "Right" boundaries as Dirichlet boundaries with constant values as 1 and 0. And I want define the "Inner" and "Right" as Neumann boundaries with flux equal to 0. How should I go about setting up the constraints? I used:
phi.constrain(1, where = mesh.Front)
phi.constrain(0, where = mesh.Top)
phi.faceGrad.constrain(0 * mesh.faceNormals, where = mesh.Inner)
phi.faceGrad.constrain(0 * mesh.faceNormals, where = mesh.Outter)

But all I got was "AttributeError: 'Gmsh2D' object has no attribute 'Front'" error. How can I fix this? Thank you very much.

A: The use of Gmsh-defined cells and faces is demonstrated in the docstring for Gmsh2D. Specifically, you want:
mesh.physicalFaces["Front"]

etc., which should be defined in your Gmsh script as a Physical Line, not a Physical Surface.

redpajama_set_name: RedPajamaStackExchange


Ste Industries offering the most advanced modular sensor fusion.
Ste Industries focuses on monitoring the machinery as well as the field by removing the need for cables and power sources.
By partnering with specialist companies, our solutions are targeted on developing applications for insurance, of vehicles, the fields or the farms themselves.
Farm monitoring is centralized and managed in a simple and intuitive way. All the data is collected and sent to a dedicated platform that is accessible at anytime from anywhere.
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The latest products designed for agriculture are used and installed directly in the field and are able to create a network infrastructure that collects valuable data on the state of the fields. The predictive platform can provide guidelines on the best course of action given the time available.
Small sensors allow information on the animals to be gathered, such as position, ID number and temperature. By using receivers inside the facility, data can be collected on the transit of animals at a certain point or gate.
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text:
Q: eigenvalues of a simple RGB image I'm trying to replicate the results of an image treatment algorithm I saw in a paper.
An important step is to calculate the eigenvalues of an squared image
When reading this I thought they may mean the eigenvalues of each channel (i.e R G and B) as they are using colored images.
However, as mentioned in the paper, a squared image actually

defines a square matrix in the three-dimensional RGB color space, from which three eigenvectors, orthogonal to one another in
the three-dimensional RGB color space, can be calculated in
the traditional manner. Within the context presented herein, the eigenvectors point in the direction of color change. The
eigenvector having the largest eigenvalue points in the direc
tion of the most amount of color change, while the other
eigenvectors, by definition, point in orthogonal directions that
are also orthogonal to one another.

Which makes sense. Then I started looking for tools for doing this calculation. I found solutions on OpenCV and Numpy, but I got troubles with both:

*

*OpenCV's eigen():

img = cv2.imread("/home/my_user/Desktop/DSC02654.jpeg")
roi = img[0:10, 0:10, :]
roi = np.float32(roi)

print(roi.dtype) # float32
print(roi.shape) # (10, 10, 3)

res = cv2.eigen(roi)

With this I get error: OpenCV(4.6.0) /io/opencv/modules/core/src/lapack.cpp:1390: error: (-215:Assertion failed) type == CV_32F || type == CV_64F in function 'eigen' any clue? the type seems right.

*

*Numpy's eigvals():

#same roi variable
a = LA.eigvals(roi)

Here I get LinAlgError: Last 2 dimensions of the array must be square. Which means numpy is not calculating the values over a space with 3D elements (I tried using only one channel and I get the values) any clue on a numpy's method that accepts this?
Thanks!


text:
Marek Cpin
Set and costume designer
A graduate of the Janáček Academy of Music and Performing Arts in Brno (2003), Marek Cpin has to date designed over 100 sets or costumes for theatres throughout the Czech Republic. He has regularly worked with the stage director Jan Mikulášek, including on the productions of Three Sisters, Wild at Heart, Four Murders Are Enough, Darling, Eugene Onegin, The Wild Duck, 1984, Wuthering Heights (Petr Bezruč Theatre); The Mousetrap, Blood Wedding (National Theatre in Brno); Elementary Particles, Europeana, Correspondence V+W, The Discreet Charm of the Bourgeoisie, The Golden Sixties (Reduta Theatre); Macbeth, Love and Money, Victor, or Children in Power (Theatre in Dlouhá), The Grey Seventieth, Hedonists, The Stranger, Hamlets (Na Zábradlí Theatre); The Flight Over the Ocean, The Archangels Don't Play Billiards (Polárka Theatre); Caligula, Hercules in the Augean Stables, Gottland, Oedipus (National Moravian-Silesian Theatre). He has also designed sets for Martin Františák's productions, including The Doctor in Spite of Himself (Moravian-Slovak Theatre in Uherské Hradiště); Pictures from the History of the Czech Nation (Municipal Theatre Zlín), The Fixer, The Celebration, Oil Lamps (Petr Bezruč Theatre in Ostrava); Three Sisters, The Wolf Pit (Theatre in Dlouhá); King Oedipus, The Broken Pitcher, Sekal Has to Die (National Theatre in Brno). Furthermore, he has designed sets for numerous student productions at the Marta Studio (The Playboy of the Western World, The Detritus of Antigone, Maladies of Youth, Miss Christina), as well as other projects. He has received three nominations for the prestigious Alfréd Radok Prize for best set design, and a nomination for the Czech Lion award for best costumes. The scenography for the production Hedonists has earned him the Czech Theatre Critics' Award.


text:
University Sites
Renal Arts Group
PAINT Project
Kidney Care UK
Kidney Care UK is the leading kidney patient support charity in the UK, providing practical, financial and emotional support for kidney patients and their families and campaigning to improve care services across the UK.
Visit the Kidney Care UK website
Northern Ireland Kidney Patients Association
Northern Ireland Kidney Patients' Association is a charitable voluntary organisation, dedicated to the support of Northern Ireland's kidney patients.The association has almost 400 members, is self-funding and run by kidney patients, their relatives and friends.
Visit the Northern Ireland Kidney Patients Association Facebook page
Northern Ireland Kidney Research Fund
The Northern Ireland Kidney Research Fund aims to raise funds to:
Support and promote research into the causes, prevention and possible cures for kidney disease.
To increase public awareness of kidney disease and the success of modern treatment including transplantation.
Provide speciailised equipment for research and advances in treatment of kidney diseases unavailable from the National Health Service.
To promote the National Organ Donor Register
The Charity also funds the Dr Jennifer McCaughan Bursary, to support successful candidates in broadening their education and progressing in their careers in kidney or H&I science by presenting their research at conference.
Visit the Northern Ireland Kidney Research Fund website
The Economic and Social Research Council is the UK's largest organisation for funding research on economic and social issues. They support independent, high quality research which has an impact on business, the public sector and civil society. At any one time ESRC supports over 4,000 researchers and postgraduate students in academic institutions and independent research institutes.
Visit the Economic and Social Research Council website
Arts Council of Northern Ireland
The Arts Council of Northern Ireland is the development and funding agency for the Arts in Northern Ireland. They distribute public money and National Lottery funds to develop and deliver a wide variety of arts projects, events and initiatives across Northern Ireland. From theatre and literature to art in the community, they work in partnership with hundreds of artists, arts organisations and venues. Art has the ability to reach across boundaries, inspiring, teaching and bringing people together.
Visit the Arts Council of Northern Ireland's website


text:
Dave Garibaldi
by Mark Griffith
Very few drummers throughout history have a signature timekeeping approach associated with their name. I am not referring to licks or a singular beat they played. I am referring to an instantly identifiable concept to playing a time feel. Elvin Jones's wide and loping swing, Art Blakey's insistent shuffle infused swing, and Bernard Purdie's half-time shuffle are among the very few.
But if you have ever been handed a drum chart that contained a funky sixteenth-note based groove that had all (or most) of the notes played separately, and included backbeats that occasionally turned around and gave the illusion that the pulse was in a completely different place than you expected, you know that the chart could just say "Garibaldi Funk" in the top left-hand corner. That would say it all!
But the recipe for what has since been coined "linear drumming" isn't quite that simple. As you will learn, David Garibaldi's sense of groove came from a plethora of varied musical and drumming influences. In a Percussive Notes interview, funk legend Mike Clarke (very appropriately) calls Garibaldi the "mad scientist" of drumming. And contemporary jazz master Kenny Washington expressed his "great admiration" for Garibaldi in another PN interview. In the 1970s, it was Garibaldi's early teacher Chuck Brown that had him (and all of his students) practicing on a drum pad "the size of a quarter," which inspired future drumming greats like Steve Smith and Vinnie Colaiuta to cut down their own drum pads to work on their control. Garibaldi adds, "Not only did Chuck insist on the small drum pad, but he asked all of his students to build their pads themselves!" More recently, David's study with the legendary Murray Spivack has further refined his sense of control and touch on the instrument. Simply put, David Garibaldi has shaped the evolution of drumming.
The fact that all of this has happened within the context of one of the most popular bands of its era, Tower of Power, makes it even more special. Not to mention that Tower of Power is still touring constantly, recording prominent music, and working hard to bring the Oakland musical stew to the masses. On their initial offering, East Bay Grease, we can hear a less refined Garibaldi finding his way within the music, and over 40 years later we can still hear David inventing, refining, and reinventing his approach to timekeeping and groove on Tower of Power's recent Soul Vaccination Live, The Oakland Zone, and The Great American Soulbook. In the past, Garibaldi has been quick to mention that ToP bandleader Emilio Castillo gave him a free reign to experiment with different timekeeping approaches—and experiment he did. With grooves on Tower songs like "Soul Vaccination," "Oakland Stroke," and "What Is Hip?" Garibaldi set the drumming world on fire! And we have all been the benefactors of his boundless creativity and his resistance to just keep time.
David Garibaldi: I have to say how thrilled that I am to be inducted into the PAS Hall of Fame, especially because I am joining two people that mean so much to me and who have already been inducted: Sandy Feldstein and Murray Spivack. I always have enjoyed really great teachers, and a few of them have had a profound impact on my life. The best teachers I had really cared about me, and I think that's important. When a teacher really takes an interest in a student as a person first, that relationship is worth its weight in gold.
I was 23 years old when I joined Tower of Power, and I decided then that I wanted to create some "scholarship" in playing R&B and funk, and really elevate that aspect of drumming to a level that I felt it deserved. I really wanted to teach about what I played. Eventually, this led me to Sandy Feldstein.
Mark Griffith: I know you two worked pretty closely on your seminal book Future Sounds. You always seemed to balance the performer-educator role very well. Can you tell me about the evolution of that book, and how those two roles have informed each other?
DG: That book was part of a larger book I put together that contained everything I thought about the drums. It had all sorts of ideas and concepts and was really all over the place. I was looking around to get it published, and I knew of Sandy but had not met him. So I called Alfred Publishing to see if I could arrange a meeting so he could look at my book. To my surprise, he graciously agreed to see me and was very kind and respectful. He always made me feel like he was genuinely interested in me, and my work. On a deeper level, he was a drummer at heart and loved creativity. I presented my book to him, and he, being a former college professor, graded it like it was a college paper, complete with red pencil marks! At our next meeting, he told me that he had laid my manuscript out on his dining room table and really gave it a serious look. He said that while it was very good, it didn't have enough focus to be successful. He then said, "Go home and think about what you really want to say in the book, and come back in two weeks. The rest of the material can be saved for other projects." So I eventually distilled everything in the larger book down to a singular subject. He loved it, and he guided me all along the way, but not once did he interfere with my creative process. He helped me to shape my ideas, which gave me the focus I needed. His entire approach made a huge impression upon me.
Truthfully, that book was never designed for anyone to play those examples verbatim in their band. It was just a presentation of ideas that could be used as an open-ended reference for different ideas, like sticking concepts, so that people could get ideas to build upon in their own playing. I just wanted to help people unlock the possibilities of what existed within sixteen sixteenth notes, for example, and help them explore those possibilities in their quest to expand their drumming vocabulary.
MG: I want to ask you about your studies with Murray Spivack and Chuck Brown. What did you learn from each of these master teachers?
DG: When I studied with Chuck, it was really the first serious study I had ever done. Early on I was already making records and touring. A friend of mine named Steve Bowman was studying with Chuck and suggested many times that I should go see him. I was on a little ego trip and didn't think I needed something like that. Over time, Steve was noticeably getting better and better, and I started to feel a bit uncomfortable. Then, one morning I woke up with the thought that I had told everyone that the drums were my life's work, but that I hadn't really demonstrated any commitment. I felt ashamed for a few minutes and then called Steve for Chuck's phone number. It was the best decision I could have made and changed everything for me.
Chuck was a younger guy with really old-school values, and the main thing he taught me was discipline. He taught me about playing jazz, and how proper technique could really enhance your sound on the instrument. Through Chuck, my playing was transformed. At that point I was playing traditional grip all of the time, but when I began to add more drums to my setup, I made the decision to switch to matched grip. Chuck sort of disagreed with my decision to switch grips, and eventually we respectfully parted ways. I learned an incredible amount of things from Chuck, and I am grateful to this day for that.
Murray was elderly when I studied with him. I was living in L.A., and I was having some technical issues. I was looking for a teacher and had taken a few lessons with Richard Wilson, which was quite good, but I wanted a bit more. Eventually, I moved on to Murray and thoroughly enjoyed it. He could tell by the sound of each stick if you were gripping the stick too tightly, and he always explained things perfectly. We went through all the Wilcoxon books, Stick Control, Podemski, Louis Bellson's odd time and 4/4 books, and always had reading assignments. He was a phenomenal teacher, and being a student of his was a wonderful experience—a highlight of my music life. If you were patient and put in the time, you got exactly what he was teaching.
MG: I know Sonny Payne was an important early musical influence of yours. What was it about Sonny that really hit you?
DG: When I heard and saw Sonny Payne with the Basie band, I heard a somewhat simple player who played with a lot of emotion and was really aggressive. For me, drums have always been an aggressive thing. I enjoy the feeling of forward motion and propulsion when playing, and I heard a great deal of that coming from Sonny, even though a lot of the Basie music was somewhat laid back. Sonny was a great showman, but he still provided this great sense of drive to the music. I dug how he set up figures, played behind soloists, and his overall vibe within the music.
MG: I know you were influenced by all of the James Brown drummers, but could you tell me about Meters drummer Zigaboo Modeliste's influence upon your drumming?
DG: He was a huge influence on me. He was the first drummer I ever heard that was completely breaking up the sixteenth notes between different sounds. He played funk like a jazz player. He was like Philly Joe, but he was using sixteenth notes instead of triplets. Zig and Bernard Purdie were the two guys I was listening to the most and drawing the most inspiration from. I eventually gravitated a little more towards Purdie because his thing seemed a little more accurate, precise, and polished.
MG: It seems like between the two, you were getting the best of both worlds.
DG: Yes, from Zig you got the craziness, the wacky beats, independence, and all of his unorthodox approaches to the drums. From Bernard you got the sophistication of his ideas, accuracy, and precision.
MG: So you might say the early "recipe" for your approach was combining the opposites of Zig and Bernard with the vibe and the emotion of Sonny Payne.
DG: To me, vibe is the most important thing. That is what personalizes the way that someone plays, and all the greats have a very personal vibe to the way they play. But the magic is in how a great musician personalizes his musical vocabulary. When you hear Tony Williams playing "Maiden Voyage," he's painting this impressionistic picture. His performance is pretty simple, but the vibe and the texture that he creates is so beautiful and perfect. That's what I was trying to do in my early development, and still today. I want to bring a personalized approach to music and create my own vibe.
MG: You came from a fertile scene in the San Francisco Bay area that spawned a lot of very personalized approaches to music. How did that influence your approach to the drums?
DG: When I got back to the Bay Area in December 1969, I had just gotten out of the military and the scene was like the Wild West. There were so many guys around the Bay Area that were creating their own voices; it was an amazing time! I was hearing drummers like Michael Shrieve, Mike Clarke, Gregg Errico, Harvey Hughes, Sandy McKee, James Levi, Gaylord Birch, Sam Cox, Willie Sparks, and everyone was doing his own thing. Not only was there a great rock scene, but also great Latin music and a killer R&B scene. There has always been a lot of virtuosity in the Bay Area, but what separated us from other places was creative virtuosity.
Gregg Errico, who was the drummer with Sly & the Family Stone, was the innovator. He was the first guy I ever heard who was playing all of these unorthodox beats in a rock context, and he was the guy who first took the R&B thing in the Bay to another level. Sly & the Family Stone was a band full of geniuses.
MG: Was Cold Blood a staple of the scene at this time?
DG: Absolutely! Tower of Power would do gigs with Cold Blood, and when we did, it was full-on war. It was full-contact music. They had some great drummers in that band: Frank Davis, Sandy McKee, Gaylord Birch, Harvey Hughes.
MG: Could you tell me a little about each of them?
DG: One day Harvey Hughes was at my house, and we were playing. We would take turns at the drumset, and while one of us was playing, the other would give instructions to move around the set to different sounds. That's where the end groove for the tune "Man From the Past" came from.
Sandy McKee was like a never-ending series of left turns. He was super creative, and always so surprising in what he would play and the way that he would do it. He was very unpredictable. He played traditional grip, and his hi-hats were about four inches below his snare drum. So he would put his left hand above his right hand when he played his hi-hat.
Gaylord Birch, who went on to play with the Pointer Sisters and Graham Central Station, was an excellent straight-ahead jazz player and funk player. He could do it all. Gaylord was a very powerful drummer with a huge sense of groove.
It was during his time with Cold Blood that we had some very intense "battles" between our bands!
MG: How about James Levi? I have always dug his playing with Herbie Hancock, but I could never find out much about him.
DG: James Levi was already on the scene when I joined ToP. When I first heard him, he was playing with The Whispers. He is one of my good friends. He is still around and playing great. He splits his time between the U.S. and Tokyo. To me, he's one of the elder statesman of great Bay Area drummers—an awesome person.
MG: You and Mike Clarke seemed to have a similar concept happening at about the same time. Were you influencing each other?
DG: When I came back to town after I got out of the Air Force, Mike was already there doing it, and in addition to his funk playing, he had a very strong jazz thing happening. His playing with the Headhunters is timeless and very important touchstone in the drumming tradition.
MG: When you were first starting to play those weirdly wonderful Tower of Power grooves, were you aware that you were almost "inventing" a new way to play?
DG: At the beginning of Tower of Power, I was 23 years old, and I was just trying to find my way as a drummer. I knew I wanted to play original music, and I didn't want to copy anyone. I so desperately wanted to have my own thing, like all of my drumming heroes. When I joined this "renegade" band called Tower of Power, suddenly I had an outlet for however I wanted to play, and an advocate bandleader in Emilio Castillo who never tried to "rein me in."
I remember listening to a Ray Barretto record back then, and noticing—it was more like a light bulb being turned on—that there was no drummer or drumset pounding out 2 and 4, and I asked myself, "Why can't I do that with the drumset?" When we were first rehearsing and putting "Soul Vaccination" together, we started to realize that what we were doing was really our own.
But to answer your question, as a 23-year-old I wasn't thinking, "I am going to create some drum stuff that is going to change the world!" At that point in anyone's life you are just following your creative instinct. And if you follow that, it leads you to yourself.
MG: Have you and your bassist pal Rocco Prestia ever musically gotten in each other's way? You both are "busy" players, but it never seems to ever "jam up."
DG: We've played well together since the beginning. We don't talk much about what we do, and when we have, it really hasn't worked out well. He's completely unique musically and personally and approaches things on a more intuitive, emotional level than I do. I have a more cerebral approach. We're musical soul mates and complement each other perfectly. I wouldn't be me without him.
MG: So many of the Tower tunes involve intricate horn hits that coincide with little drum hits within the groove. In those tunes, which came first? The tune and the hits, or the drum grooves?
DG: We usually create the rhythm section parts first, and the horns are sweetening. Usually, the horn parts are built around the drumbeat. As a rule, I am trying to incorporate aspects of everything I'm hearing into the groove.
MG: So would I be correct in saying that many of the tunes were created from the rhythm section up, and that you were actually coming up with the beats before the tune?
DG: Definitely! Some of the tunes that you are asking about were drumbeats first, and we would create songs around the beats. Others were grooves I created as I was hearing the song ideas that Doc, Mimi, Chester or whoever would bring in. I create grooves and develop beats like a composer might write a song. Tower of Power has always come at its music from many different ways. We have always thought that any idea will work as long as it is in the right context.
MG: And that's why there has never been, and will never be, another band quite like you guys.
DG: I realized a while back that Tower of Power is my spiritual and musical home. I was never the drummer outside of Tower that I was in Tower, so I figure that it's best for me to stay there because the band, the guys, and the music, are my life and heartbeat. It all really means a lot to me. I really enjoy having a musical identity, and feel like we're still growing.
Back To Oakland (entire solo)
Tower of Power - "Soul with a capital S"
"Pocketful of Soul" (instructional)
"Oakland Stroke"
Tower of Power - "Squib Cakes"
photo copyright Rob Shanahan
www.robshanahan.com


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Action 2002 Windows Electronic Arts War Military FPS
Battlefield 1942 may be considered a real classic of the games that recreate perfectly the battles of the World War II. This game is for those that are tired of modern weapons and times, and have the need and lust for going back in other historical eras, getting in contact with hunger, cold weather, scare and misery. You will be attracted and impressed even from the beginning, by watching the introduction movie. The absorbing music, the detailed and harmonious visual effects, will help you enter into the story and action impatiently. Both single player and multiplayer modes will offer a breathtaking and genuine war experience. You will have the possibility to control up to 64 soldiers, to use various and numerous weapons available to the Axis and Allies and you will command terrain vehicles, aircrafts and other warships. The numerous options on the battlefield distinguish this game from other FPS war games like MoH. Battlefield 1942 is the first game of the series, and you will be taken to the reputed and strong locations well-known in the WW2 (Eastern and Western Europe, Pacific and North Africa). The multiplayer maps contain locations like Guadalcanal, Stalingrad, Kharkov, El Alamein, Berlin and Omaha Beach. The expansion pack to this game will add six maps of battles that will take place in Italy. So, play this superb game!
Games related to Battlefield 1942
Medal of Honor: Allied Assault (2002)
Iron Storm (2002)
Medal of Honor: Allied Assault - Spearhead (2002)
Battlefield 2 (2005)
Battlefield 1942: Secret Weapons of WWII (2003)
Vietcong (2003)
Medal of Honor: Allied Assault - Breakthrough (2003)
Elite Forces: WWII Normandy (2001)
Soldier of Fortune II: Double Helix (2002)


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Rules of engagement canada download season 4
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Pringle is an unorganized geographic township in Parry Sound District, Ontario, Canada. It is topographically part of the Almaguin Highlands region, and is part of the census subdivision of Unorganized Centre Parry Sound District. The township includes the communities of Bear Valley, Carr, Farleys Corners and Golden Valley. Although not an incorporated municipality, the township is served by two local services boards: Bear Valley and Golden Valley are served by the LSB of Loring, Port Loring and District, while Carr and Farleys Corners are served by the LSB of Restoule.

The township is served by provincial highways 522, 524 and 534.

The Little Pickerel River flows from east to west through the township, and empties into the Pickerel River, which flows via the French River to Georgian Bay on Lake Huron. The southern part of Commanda Lake is on the northern border of the township; it is the source of the Restoule River, which also flows to the French River.

Etymology
This township in Parry Sound District was named in 1879 for Robert Roderick Pringle, a Toronto lawyer and close friend of Timothy B. Pardee, Ontario commissioner of crown lands, who named the township.

See also
List of townships in Ontario

References

Communities in Parry Sound District
Geographic townships in Ontario

redpajama_set_name: RedPajamaWikipedia


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Camila Mendes and Rudy Mancuso's Relationship From Coworkers to Real-Life Couple, Entertainment News, Entertainment, Media News, Celebrity News, Bangla News, Magazine Daily, Daily Newspaper
Keeping things low-key. Camila Mendes and Rudy Mancuso have been showing off their romance since they first connected on set.
The couple met after Mendes was cast alongside Mancuso in Prime Video's film Música. According to the synopsis, Mancuso will play the lead who is plagued by the music in his head. The movie was written, directed, and composed by the YouTube star who gushed about working alongside the Riverdale actress
"I'm beyond excited to have the wildly gifted mind of Camila join this special journey of Música where we're telling an authentic Brazilian-American story through the eyes of a synesthete," Mancuso said in a statement shortly after the casting news was released in April 2022.
After filming wrapped on the project, Mendes subtly confirmed her romance with Mancuso. "Life update," the Do Revenge star wrote via Instagram in November 2022 alongside a slideshow that included a photo of her new man playing with her dog Truffle
In the final image of the post, Mendes shared a selfie that showed the Internet personality with his arms wrapped around her. The Virginia native's costar Vanessa Morgan replied to the sweet social media upload, writing, "[You're] living your best life, and I'm here for it ♥."
Before sparking romance rumors with Mancuso, Mendes dated photographer Ian Wallace from 2013 to 2017. She moved on with her Riverdale costar Charles Melton, who she was linked to on and off from 2018 to 2021
The Palm Springs star previously explained why she remains tight-lipped about her personal life.
"In my day-to-day life, I am an open book. But I've also developed this sixth sense. I understand how my spoken words can translate into written words and how things can appear out of context," she told L.A. Confidential in March 2019. "It's like, yeah, even though I feel comfortable talking about some things, do I really want to see it written over and over again? Sometimes, it's not really worth it."
According to Mendes, her split from Melton brought her closer together to costars Lili Reinhart and Madelaine Petsch amid their respective breakups. (Reinhart dated Cole Sprouse from 2017 to 2020 while Petsch was together with Travis Mills until 2020.)
"We all got out of relationships at the same time and then went through this pandemic together," the New Romantic star told Paper in April 2021. "And now we've been bonded by how much change has happened. Me, Madelaine, and Lili, specifically, we've never been closer than we are this season. It's really nice to have them, to feel like I do have friendships here — meaningful ones
Mancuso, for his part, was previously in a long-term relationship with actress Maia Mitchell.
In April 2022, Us Weekly exclusively confirmed that the twosome had called it quits after six years together. "It happened a few months ago," a source told Us about the pair's decision to part ways.
Scroll on to relive Mendes and Mancuso's romance
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John runs Red Sun Camels in Broome, a tourist town in the north of Western Australia where visitors can experience a sunset camel ride along the famous Cable Beach. As his business expands, he needs seven more camels to add to the group, to enable his other camels to rest. But camels don't come ready to be ridden by humans. Without extensive training they can be very dangerous, and the risk of them kicking a tourist could mean serious injury or even death. On the other side of Australia, 5000kms away, Peter has been commissioned by John to train and deliver seven wild camels. Known throughout Australia as the camel whisperer, Peter's love of the animal is evident. Each of his seven beloved camels has a unique personality. It's a four-day transport. Due to Australia's strict biosecurity laws, the camels have to pass a quarantine checkpoint at Kununurra, on the border of the Northern Territory and Western Australia. Clair is the government vet who will inspect each of the animals and the truck which has to be washed out to get rid of any faeces and hay. In the 40-degree heat, Donnie hasn't done a good enough job, so he has to start again. After the final check of the paperwork, they are set to get back on the road, for the last leg of the 2000km journey through the picturesque Kimberly region of outback Australia.
1 1 Extreme Animal Transport – Camels
SHOW RUNTIME10 x 24'
Extreme Animal Transport – Camels
Producer / Contingent Production
SERIESEPISODES
RUNTIME: 10 x 24'
Extreme Animal Transport – Circus Tigers
Extreme Animal Transport – Polar Bear
Extreme Animal Transport – Horses & Dogs
Extreme Animal Transport – Elephants
Extreme Animal Transport – Air Horse One
Extreme Animal Transport – White rhino
Extreme Animal Transport – Adult lions
Extreme Animal Transport
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Coachella? Never heard of her. Essence Fest, step aside. The biggest and baddest music festival of the decade will be held in next Friday in Detroit, and you'd have to beg, steal, or slap on a wig and borrow somebody else's identity, if you wanted to attend. Aretha Franklin's homegoing celebration is scheduled for August 31, and the lineup of artists slated to perform includes Stevie Wonder, Chaka Khan, Jennifer Holliday, Jennifer Hudson, Fantasia, and a slew of other superstars from the gospel, classical, R&B worlds.
The line-up for the funeral service is: Stevie Wonder, Faith Hill, Jennifer Hudson, Fantasia, Shirley Caesar, Ronald Isley, Chaka Khan, Yolanda Adams, Jennifer Holliday, Edward Franklin, and gospel stars Tasha Cobbs-Leonard, The Williams Brothers, Marvin Sapp, the Clark Sisters and Vanessa Bell Armstrong. Also on the roster are The Aretha Franklin Orchestra, the Aretha Franklin Celebration Choir and singers Audrey DuBois Harris and Alice McAllister Tillman.
Deadline says that the funeral will be private but that "some public seating might be made available". I wouldn't take that as an invitation to fly to Detroit to see if you can sneak in at the last minute. Those seats are probably meant to hold people like Stevie Wonder's second cousin twice removed who didn't get an invite but is going to play dumb and show up anyway. In other words, they are not for plebs with GoPros tucked under their shirts.
There's also going to be a free concert, open to the public at Chene Park amphitheater on Thursday. Gladys Knight, Johnny Gill, Ronald Isley, The Four Tops, and Karen Clark-Sheard are expected to perform. So there's still a chance to get your wig snatched in the name of The Queen. There's also the public viewing which will be held the Tuesday and Wednesday proceeding the funeral and concert.
And since most of the world won't be able to participate in the services, Clive Davis is planning a tribute concert at Madison Square Gardens on November 14th. That show will be called Clive Davis Presents: A Tribute to Aretha Franklin and will probably be televised at some point. No lineup has been announced for that show, but I'm sure there will be lots of controversy and scoffing when they inevitably add some pop stars in beautiful gowns to the bill for ratings.
I had my first choir practice of the season last night and naturally there was quite a bit of discussion about our Queen. We communed in her name and it was cathartic. We don't need to go to her funeral to honor her. Our thoughts and voices can reach her, and each other, from right where we are.
Here's Fantasia honoring The Queen in person from the UNCF "An Evening Of Stars" concert in her honor from 2006.
Who prayed salt water all over my keyboard?!?!