text:
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667 documents - page 1 of 34
Rockwell Kent papers
Kent, Rockwell, 1882-1971 Search this
American Artists' Congress Search this
Artists League of America Search this
Artists' Union (New York, N.Y.) Search this
Citizens' Committee for Government Arts Projects Search this
Farmers Union of the New York Milk Shed Search this
Federal Art Project Search this
Federal Writers' Project Search this
International Workers Order Search this
Macbeth Gallery Search this
National Farmers' Union (U.S.) Search this
National Maritime Union of America Search this
United American Artists Search this
United Office and Professional Workers of America Search this
United Scenic Artists Search this
Boyesen, Bayard Search this
Chamberlain, J. E. Search this
Chase, William Merritt, 1846-1916 Search this
Cleland, T. M. (Thomas Maitland), 1880-1964 Search this
Daniel, Charles, 1878-1971 Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928 Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963 Search this
Fitzgerald, James, 1899-1971 Search this
Freuchen, Peter, 1886-1957 Search this
Gellert, Hugo, 1892-1985 Search this
Gottlieb, Harry, 1895- Search this
Hartley, Marsden, 1877-1943 Search this
Hays, Lee, 1914-1981 Search this
Henri, Robert, 1865-1929 Search this
Jones, Dan Burne Search this
Keller, Charles, 1914-2006 Search this
Miller, Kenneth Hayes, 1876-1952 Search this
Nearing, Helen Search this
Nearing, Scott, 1883-1983 Search this
Pach, Walter, 1883-1958 Search this
Phillips, Duncan, 1886-1966 Search this
Rasmussen, Knud, 1879-1933 Search this
Reeves, Ruth, 1892-1966 Search this
Robeson, Paul, 1898-1976 Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945 Search this
Ruggles, Carl, 1876-1971 Search this
Seeger, Pete, 1919-2014 Search this
Stefansson, Vilhjalmur, 1879-1962 Search this
Untermeyer, Louis, 1885-1977 Search this
Wildenstein, Felix, 1883-1952 Search this
Zigrosser, Carl, 1891- Search this
88 Linear feet
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Scope and Content Note:
The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).
Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.
Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.
A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.
Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.
Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.
Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.
Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.
Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.
Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.
Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.
The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.
Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)
Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)
Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)
Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)
Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)
Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)
Biographical Note:
Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.
While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.
Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.
An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."
In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.
As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.
Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.
1882 -- born, Tarrytown, New York
1887 -- death of Rockwell Kent, Sr.
1894-1896 -- attended Cheshire Academy
1895 -- toured Europe with Aunt Jo
1896 -- attended Horace Mann School, New York City
1900-1902 -- studied architecture at Columbia University
1900-1902 -- attended William Merritt Chase's summer school, Shinnecock Hills, Long Island
1903 -- studied with William Merritt Chase, New York City
1904 -- first sale of a painting
1904 -- met Rufus Weeks and attended first Socialist meeting
1905 -- lived and worked with Abbott H. Thayer, Dublin, New Hampshire
1905 -- first painting trip to Monhegan Island, Maine
1907 -- first one-man show, Claussen Galleries, New York City
1908 -- marriage to Kathleen Whiting
1908 -- studied with Robert Henri
1908 -- joined Socialist Party
1909 -- birth of Rockwell, III
1910 -- ran Monhegan Summer School of Art
1910 -- first trip to Newfoundland
1910 -- helped to organize first Independent Exhibition
1911 -- birth of Kathleen
1912 -- moved to Winona, Minnesota
1913 -- birth of Clara
1914 -- settled in Newfoundland
1915 -- deported from Newfoundland
1915 -- birth of Barbara
1917 -- served as full-time organizer and administrator of Independent Exhibition
1918-1919 -- in Alaska with son Rocky
1919 -- purchased Egypt Farm, Arlington, Vermont
1919 -- incorporated self
1920 -- publication of Wilderness
1920 -- birth of Gordon
1922 -- traveled to Tierra del Fuego
1924 -- publication of Voyaging
1925 -- trip to France
1925 -- divorced from Kathleen
1926 -- marriage to Frances Lee
1926 -- traveled to Ireland
1927 -- purchased Asgaard Farm, AuSable, New York
1927 -- editor of Creative Art
1927 -- helped organize National Gallery of Contemporary Art, Washington, D.C.
1929 -- sailed to Greenland on Direction
1930 -- publication of N by E
1932-1933 -- returned to Greenland
1934-1935 -- final trip to Greenland
1935 -- publication of Salamina
1936 -- trip to Puerto Rico
1937 -- trip to Brazil
1937-1938 -- Post Office Department mural commission and controversy over Eskimo-language message interpreted as encouraging Puerto Rican independence
1939 -- divorced from Frances
1939 -- General Electric Co. mural commission for New York World's Fair
1940 -- publication of This Is My Own
1940 -- marriage to Shirley Johnstone (Sally)
1942 -- solo exhibition, Know and Defend America, at Wildenstein Galleries, New York City
1946 -- elected to Executive Committee of American Labor Party
1948 -- congressional candidate, American Labor Party
1948 -- transferred ownership of dairy to remaining employees after boycott resulting from support of Wallace for president
1949 -- attended World Congress for Peace, Paris
1950-1958 -- denied U.S. passport; lawsuit, appeals, and Supreme Court decision reinstating right to travel
1953 -- testified before House Un-American Activities Committee
1955 -- publication of It's Me, O Lord
1958 -- one-man show at Hermitage Museum, Leningrad
1959 -- publication of Of Men and Mountains
1960 -- gift of Kent Collection to Friendship House, Moscow
1960 -- exhibition at Pushkin Museum, Moscow
1963 -- publication of Greenland Journal
1966 -- elected to Academy of Arts of the USSR
1967 -- awarded Lenin Peace Prize, Moscow
1969 -- oral history interview, Archives of American Art
1969 -- home at Asgaard destroyed by fire; papers survived with some water and smoke damage
1969 -- first installment of Rockwell Kent Papers donated to Archives of American Art
1971 -- died, Plattsburgh, New York
1971 -- gift of additional Rockwell Kent Papers to Archives of American Art
1979 -- gift of textile samples to the Archives of American Art
2000 -- death of Sally [Shirley Johnstone] Kent Gorton
2000 -- previously sealed correspondence of wives Frances and Sally (Series 1) opened to researchers
2001 -- gift of additional Rockwell Kent papers to the Archives of American Art from the Estate of Sally Kent [Shirley Johnstone] Gorton
In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
The Rockwell Kent papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Painters -- New York (State) Search this
Designers -- New York (State) Search this
Politics and culture Search this
Authors -- New York Search this
Art, Modern -- 20th century -- United States -- Political aspects Search this
Dairy farms Search this
Federal aid to the arts Search this
Illustrators -- New York (State) Search this
Illustration of books Search this
Works of art Search this
World War, 1939-1945 -- Civilian relief Search this
Labor unions Search this
Art and war Search this
Commercial art Search this
World War, 1939-1945 -- Art and the war Search this
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
AAA.kentrock
ead_collection:sova-aaa-kentrock
Smithsonian Folklife Festival records: 1983 Festival of American Folklife
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Smithsonian Folklife Festival Search this
1 Cubic foot (approximate)
bomba (music) Search this
Bomba (Dance) Search this
Audiocassettes
Slides (photographs)
Plans (drawings)
Caribbean Area
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1983 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 6 series.
Series 1: Program Books, Festival Publications, and Ephemera
Series 2: Aviation Program
Series 3: Festival Sampler
Series 4: French/French-American Program
Series 5: National Heritage Fellowships Program
Series 6: New Jersey
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.
The 1983 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.
For more information, see Smithsonian Folklife Festival records.
Like its predecessor, the 1983 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). A program on the folklife of flight celebrated the 200th anniversary of human flight, with other major programs focusing on French and French American music and dance, the folklife of New Jersey, and the second awarding of National Heritage Fellowships by the National Endowment for the Arts.
The idea that shaped this year's program - and any year's program, for that matter - was the Smithsonian Institution's abiding commitment to cultural conservation. The selected traditions were brought to the National Mall not only for visitors' enjoyment and intellectual edification, but also as a statement to the people who keep the traditions, to their communities, and to the great American public that these cultural traditions were more than the artistic flowering of a healthy community. They were often the very roots of a group's cultural identity, community feeling, and shared sense of style and, as such, were crucial to its well-being and productivity. Visitors were encouraged to find entertainment in the beautiful and significant traditions presented at this year's Festival and to understand their importance in the lives of the performers and their communities. Festival organizers also expressed their hope that visitors would join in making our nation an environment in which myriad cultural traditions can flourish.
The 1983 Program Book provides information on each of the programs.
The 1983 Festival was co-presented by the Smithsonian Institution and National Park Service, with support from Festival New Jersey '83!, the Government of France, Continental Telecom, Inc., Music Performance Trust Funds, and John & Clara Higgins Foundation, and with cooperation of the National Endowment for the Arts. It was organized by the Office of Folklife Programs, in conjunction (for the Aviation Program) with the National Air and Space Museum.
Folklife Advisory Council
Wilcomb E. Washburn, Chairman, Roger Abrahams, Richard Ahlborn, William Fitzhugh, Lloyd Herman, Robert Laughlin, Scott Odell, Ralph Rinzler, Peter Seitel, Thomas Vennum
Office of Folklife Programs
Ralph Rinzler, Festival Director; Peter Seitel, Acting Director; Jeffrey LaRiche, Acting Assistant Director; Diana Parker, Associate Festival Director; Thomas Vennum, Senior Ethnomusicologist; Marjorie Hunt, Folklorist; Kazadi wa Mukuna, Ethnomusicologist; Jack Santino, Folklorist; Richard Derbyshire, Archivist
Russell E. Dickenson, Director; Manus J. Fish, Jr., Regional Director, National Capital Region
Fieldworkers and presenters:
Barry Ancelet, Tina Bucuvalas, Lynda Burack-Novick, Tom Carroll, David Cohen, Angus Gillespie, John Herbst, Pandora Hopkins, Mary Hufford, Michael Licht, Amanda McQuiddy, Rita Moonsammy, Kazadi wa Mukuna, Kathleen Mundell, Catherine Perrier, Charlie Sayles, Daniel Sheehy, Nick Spitzer, Bob Teske, Norma Threadgill, Tom Vennum, John Vlach, Hank Willett, John Wright, Peggy Yocum
Forms Part Of:
Smithsonian Folklife Festival records: 1983 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .
Smithsonian Folklife Festival records
Smithsonian Folklife Festival records: Papers
1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Folk festivals Search this
Food habits Search this
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arts and crafts Search this
World music Search this
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Afro-Caribbeans Search this
Smithsonian Folklife Festival records: 1983 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
CFCH.SFF.1983
Ralph Rinzler Folklife Archives and Collections
ead_collection:sova-cfch-sff-1983
Hector "Tito" Matos Otero on teaching younger generations in his Puerto Rican community
Smithsonian Center for Folklife and Cultural Heritage Search this
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Smithsonian Center for Folklife and Cultural Heritage
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Printmaking Workshop with Jorge Porrata 1
National Museum of the American Indian Search this
Education Search this
Native Americans;American Indians Search this
SmithsonianNMAI
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Smithsonian Folklife Festival records: 2005 Smithsonian Folklife Festival
This collection documents the planning, production, and execution of the 2005 Smithsonian Folklife Festival. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Series 2: Food Culture USA
Series 3: Forest Service, Culture, and Community
Series 4: Nuestra Música: Music in Latino Culture
Series 5: Oman: Desert, Oasis, and Sea
Series 6: Special Events
The 2005 Smithsonian Folklife Festival was produced by the Smithsonian Center for Folklife and Cultural Heritage and cosponsored by the National Park Service.
In its 39th year, the Festival once again presented a sample of the diverse cultural heritage of America and the world to large public audiences in an educational, respectful, and profoundly democratic way on the National Mall of the United States. True to form, the Festival illustrated the living, vital aspect of cultural heritage and provided a forum for discussion on matters of contemporary concern.
For the first time, a full-scale Festival program was devoted to an Arab nation, Oman. Oman is at the edge of the Arabian Peninsula, both geographically and historically situated between East Africa and the Indian Ocean. Trade routes, frankincense, silverwork, Islam, a strategic location, and oil have connected it to the cultures of the Middle East, Africa, Asia, the Mediterranean region, and beyond. Contemporary Omanis live poised between a long and rich past and a future they are in the midst of defining. New roads, hospitals, schools, businesses, high-tech occupations, and opportunities for women are developing alongside traditionally valued religion, family life, artistry, and architecture. Omanis are well aware of the challenges of safeguarding their cultural heritage in an era of globalization. The Festival program provided a vivid illustration of the approaches they have taken and enabled American visitors and Omanis to engage in open, two-way interchange.
During the Festival, the U.S. Department of Agriculture Forest Service celebrated its 100th anniversary. Programs in previous years have illustrated the traditions of White House workers and of Smithsonian workers. This Festival examined the occupational culture of Forest Service rangers, smokejumpers, scientists, tree doctors, and many others devoted to the health and preservation of our nation's forests. They were joined by artists and workers from communities that depend upon the forests for their livelihood or sustenance. The Festival offered the opportunity for an active discussion of the significance of our national forests and rangelands to the American people.
Food Culture USA examined the evolution of our nation's palate over the preceding generation. New produce, new foods, new cooking techniques, and even new culinary communities have developed as a result of immigrant groups taking their place in our society, the rise of organic agriculture, and the growing celebrity of ethnic and regional chefs on a national stage. A diversity of growers, food inspectors, gardeners, educators, home cooks and prominent chefs shared their knowledge and creativity as they demonstrated the continuity and innovation in America's culinary culture.
The program in Latino music continued with a series of evening concerts. The 2004 program drew many Latinos to the National Mall, helping the Smithsonian reach out to a major segment of the American population. Audiences in both 2004 and 2005 were thrilled by the performances, as were the musicians who presented their own cultural expressions and thus helped educate their fellow citizens of the nation and the world. Smithsonian Folkways released recordings of three of the groups that had performed the previous year, and one later went on to be nominated for a Grammy award.
The 2005 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 9th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured four programs and the Rinzler Concert.
The 2005 Program Book included schedules and participant lists for each program; keynote essays provided background on the Festival and on each of the programs (with a Spanish version of the Latino music essay).
The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife and Cultural Heritage.
Center for Folklife and Cultural Heritage
Richard Kurin, Director; Richard Kennedy, Deputy Director; Smithsonian Folklife Festival: Diana Parker, Festival Director; Arlene L. Reiniger, Program Specialist; Charlie Weber, Media Specialist; Smithsonian Folkways Recordings/Smithsonian Global Sound: Daniel Sheehy, Curator and Director; Anthony Seeger, Curator and Director, Emeritus; D.A. Sonneborn, Assistant Director; Ralph Rinzler Archives: Jeffrey Place, Archivist; Stephanie Smith, Assistant Archivist; Cultural Heritage Policy: James Early, Director; Cultural Research and Education: Olivia Cadaval, Chair; Thomas Vennum, Jr., Senior Ethnomusicologist Emeritus; Betty J. Belanus, Olivia Cadaval, Nancy Groce, Marjorie Hunt, Diana Baird N'Diaye, Frank Proschan, Peter Seitel, Cynthia Vidaurri, Nilda Villalta, Curators, Folklorists, Education and Cultural Specialists; Carla Borden, Program/Publications Manager; John W. Franklin, Program Manager; Research Associates: Robert Albro, Geri Benoit, Patrick Delatour, Kip Lornell, Mara Mayor, Joan Nathan, Sam-Ang Sam, Preston Scott, Chucho Valdez, Patrick Vilaire, Nilda Villalta; Rockefeller Humanities Fellows (2004-05): Robert Albro, Jane Anderson, Lesley Fordred-Green, Christina Kreps, Tong Lam, Lillian Manzor, Marya McQuirter, Sita Reddy
Kurt Dewhurst (chair), Judy Mitoma (vice-chair), Michael Doucet, Anthony Gittens, John Herzog (ex-officio), Barbara Kirshenblatt-Gimblett, Debora Kodish, Enrique Lamadrid, Worth Long, Libby O'Connell, J. Scott Raecker, Robert Santelli, Ricardo Trimillos
Folkways Advisory Board
Michael Asch (chair), Phyllis Barney, Hal Cannon, Don De Vito, Ella Jenkins, Anthony Seeger (ex-officio), Fred Silber
Fran P. Mainella, Director; Donald W. Murphy, Deputy Director; Joseph M. Lawler, Regional Director, National Capital Region
The Festival was supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; and food, recording, and craft sales. Support for this year's Festival came from the Music Performance Fund, with in-kind support provided through Motorola, NEXTEL, WAMU 88.5 FM, WashingtonPost.com, Pegasus Radio Corp., and Icom America.
Smithsonian Folklife Festival records: 2005 Smithsonian Folklife Festival forms part of the Smithsonian Folklife Festival records .
Smithsonian Folklife Festival records: 2005 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Jesse Walter Fewkes photograph collection relating to archaeological subjects
Fewkes, Jesse Walter, 1850-1930 Search this
Beam, George L. (George Lytle), 1868-1935 Search this
Gill, De Lancey, 1859-1940 Search this
Higley, Elmer Ellsworth Search this
McKee, Thomas M., 1854-1939 Search this
Poley, H. S. (Horace Swartley) Search this
Rowland, Wesley R. Search this
Wittick, Ben, 1845-1903 Search this
Gill, Mary W. Search this
Mullett, G. M. Search this
9 Prints (cromolithograph)
40 Prints (circa, halftone)
77 Prints (circa, albumen)
84 Drawings (circa 84 drawings (some mechanically produced))
1,655 Prints (circa, silver gelatin)
71 Copy negatives
43 Copy prints
363 Negatives (circa, nitrate)
7 Paintings
1 Print (cyanotype)
1 Print (photogravure)
1 Postcard (collotype)
Diné (Navajo) Search this
A:shiwi (Zuni) Search this
Hopi Pueblo Search this
Indians of North America -- Great Plains Search this
Indians of North America -- Southwest, New Search this
Huastec Search this
Pikuni Blackfeet (Piegan) Search this
Copy negatives
Copy prints
Tennessee -- Antiquities
Stikine River (B.C. and Alaska)
South Carolina -- Antiquities
New Mexico -- Antiquities
Huasteca Region (Mexico)
Maryland -- Antiquities
Louisiana -- Antiquities
Alabama -- Antiquities
Arizona -- Antiquities
Colorado -- Antiquities
Cahokia Mounds State Historic Park (Ill.)
Florida -- Antiquities
Mexico -- Antiquities
Hovenweep National Monument (Utah and Colo.)
Utah -- Antiquities
Mesa Verde National Park (Colo.)
Casa Grande (Ariz.)
Photographs and drawings mostly relating to archeological subjects, collected and arranged by Jesse Walter Fewkes for his reference. Subjects include burial mounds, excavations, drawn maps, as well as urns, implements, idols, pottery, and other artifacts found in excavations, and Hopi, Zuni, and Piegan ceremonies and dances. Many of the photographs and drawings were probably made by Fewkes. Publication information is noted on some. The collection also includes newspaper clippings and correspondence.
Photographs were taken in Alabama, Arizona (including Casa Grande, Elden Pueblo, Navajo National Monument, and Wupatki National Monument), Colorado (including Mesa Verde and Montezuma Valley), Florida (including Weeden Island), Illinois (Cahokia Mound), Louisiana, Maryland, Mexico (including La Huasteca Region), Mississippi Valley, New Mexico (including Chaco Canyon, Hawikuh, and Mimbres Valley), South Carolina, Tennessee, Texas, Utah (including Hill Canyon, McElmo Canyon, and McLean Basin Ruins), Hovenweep National Monument, the West Indies (including Puerto Rico, Santo Domingo, and Cuba), and West Virginia.
Biographical/Historical note:
Jesse Walter Fewkes (1850-1930) was a naturalist, anthropologist, and archeologist, and chief of the Bureau of American Ethnology from 1918 to his death in 1928. Fewkes received a Ph.D. in marine zoology from Harvard in 1877, and acted as curator of lower invertebrates at the Museum of Comparative Zoology until 1887. While on a collecting trip in the western United States, he developed an interest in the culture and history of the Pueblo Indians. In 1891, Fewkes became director of the Hemenway Southwestern Archeological Expedition and editor of the Journal of American Archeology and Ethnology, studying and recording Hopi ceremonials. In 1895, he embarked on various archeological explorations for the Bureau of American Ethnology, excavating ruins in the Southwest, the West Indies, and Florida. He was appointed chief of the Bureau in 1918, and played an important role in the creation of Hovenweep National Monument in Colorado and Wupatki National Monument in Arizona.
Local Call Number(s):
NAA Photo Lot 4321
Location of Other Archival Materials:
The National Anthropological Archives also holds the Jesse Walter Fewkes Papers (MS 4408), his photographs of excavations in Mesa Verde (Photo Lot 30), his negatives (Photo Lot 86), and other manuscript collections by and related to Fewkes' ethnological research and archeology and his work with the Bureau of American Ethnology.
Correspondence from Fewkes held in the National Anthropological Archives in the George L. Beam papers (MS 4517), the Henry Bascom Collins, Jr. papers, the Anthropological Society of Washington records (MS 4821), the Herbert William Krieger papers, the J.C. Pilling papers, the Walter Hough Papers (in the records of the Department of Anthropology), and the records of the Bureau of American Ethnology.
The anthropology collections of the National Museum of Natural History hold artifacts collected by Fewkes, including USNM ACC 048761 (relating to Casa Grande excavations) and USNM ACC 050765 (relating to Mesa Verde excavations).
Original nitrate negatives are in cold storage and require advanced notice for viewing.
Contact the repository for terms of use.
Excavations (Archaeology) Search this
Burial Search this
Photo Lot 4321, Jesse Walter Fewkes photograph collection relating to archaeological subjects, National Anthropological Archives, Smithsonian Institution
NAA.PhotoLot.4321
ead_collection:sova-naa-photolot-4321
MelPat Associates, American, 1965 - 1986 Search this
C. Melvin Patrick, American, died 1985 Search this
Subject of:
National Association for the Advancement of Colored People, American, founded 1909 Search this
National Urban League, American, founded 1910 Search this
Sigma Phi Rho Fraternity, American, founded 1978 Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969 Search this
Association of Black Women Attorneys, American, founded 1976 Search this
National Urban Affairs Council, American, founded 1971 Search this
Raymond A. Jordan Jr., American, born 1943 Search this
National Association of Market Developers, American, founded 1953 Search this
The Links, Incorporated, American, founded 1946 Search this
Northside Center for Child Development, Inc., founded 1946 Search this
National Newspaper Publishers Association, American, founded 1827 Search this
Prince Hall Freemasonry, founded 1784 Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913 Search this
Top Ladies of Distinction, Inc., American, founded 1964 Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937 Search this
Carats, Inc., American, founded 1959 Search this
Chi Eta Phi Sorority, Inc., American, founded 1932 Search this
National United Church Ushers Association of America, Inc., American, founded 1919 Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929 Search this
National Medical Association, American, founded 1895 Search this
Dr. Leslie L. Alexander, Jamaican American, 1917 - 2002 Search this
Smithsonian Institution, American, founded 1846 Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1906 Search this
Morehouse College, American, founded 1867 Search this
Delta Sigma Theta Sorority, American, founded 1913 Search this
Shriners International, American, founded 1870 Search this
Dr. Benjamin Elijah Mays, American, 1894 - 1984 Search this
Count Basie, American, 1904 - 1984 Search this
National Coalition of 100 Black Women, American, founded 1981 Search this
National Bankers Association, American, founded 1927 Search this
369th Veterans Association, American Search this
One Hundred Black Men, Inc., American, founded 1963 Search this
Association for the Study of African American Life and History, American, founded 1915 Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906 Search this
H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.5 cm)
magazines (periodicals)
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
African American Search this
Advertising Search this
Associations and institutions Search this
Business Search this
Caricature and cartoons Search this
Communities Search this
Fraternal organizations Search this
Fraternities Search this
Government Search this
HBCUs (Historically Black Colleges and Universities) Search this
Journalism Search this
Labor Search this
Mass media Search this
Men Search this
Political organizations Search this
Politics (Practical) Search this
Professional organizations Search this
Religious groups Search this
Social life and customs Search this
Sororities Search this
U.S. History, 1969-2001 Search this
Urban life Search this
Women Search this
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Documents and Published Materials-Published Works
http://n2t.net/ark:/65665/fd5ee110782-b949-43b4-bbec-56a00d4f086e
edanmdm:nmaahc_2012.167.19
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
Charles Richard Drew, American, 1904 - 1950 Search this
President Lyndon Baines Johnson, American, 1908 - 1973 Search this
Roy Wilkins, American, 1901 - 1981 Search this
National Pan-Hellenic Council, American, founded 1930 Search this
Hubert Horatio Humphrey Jr., American, 1911 - 1978 Search this
Dr. Martin Luther King Jr., American, 1929 - 1968 Search this
Ebenezer Baptist Church, American, founded 1886 Search this
Southern Christian Leadership Conference, American, founded 1957 Search this
Sen. Edward Brooke, American, born 1919 Search this
Joseph Davies Tydings, American, 1928 - 2018 Search this
Lawrence Warren Pierce, American, born 1924 Search this
Bertram L. Baker, American, 1898 - 1985 Search this
Wayne L. Morse, American, 1900 - 1974 Search this
Harry Belafonte Jr., American, born 1927 Search this
Coretta Scott King, American, 1927 - 2006 Search this
Rev. Ralph David Abernathy, American, 1926 - 1990 Search this
Gordon Parks, American, 1912 - 2006 Search this
Percy Ellis Sutton, American, 1920 - 2009 Search this
Bayard Rustin, American, 1912 - 1987 Search this
Eugene Nickerson, American, 1918 - 2002 Search this
Leonard Farbstein, American, 1902 - 1993 Search this
Senator Robert F. Kennedy, American, 1925 - 1968 Search this
The Girl Friends, Inc., American, founded 1927 Search this
Floyd McKissick, American, 1922 - 1991 Search this
Interracial Council for Business Opportunity, American, founded 1963 Search this
Harold Robert Perry, American, 1916 - 1991 Search this
Zeta Phi Beta Sorority, American, founded 1920 Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911 Search this
International Free and Accepted Modern Masons, Inc. and Order of the Eastern Star, American, founded 1950 Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898 Search this
New York Jets, American, founded 1960 Search this
Ancient and Accepted Scottish Rite of Freemasonry Search this
National Association of Negro Musicians, Inc., founded 1919 Search this
National Dental Association, American, founded 1913 Search this
Joan Murray Search this
Philippa Schuyler, American, 1931 - 1967 Search this
Berry Gordy Jr., American, born 1929 Search this
Sidney Poitier, Bahamian American, born 1927 Search this
Kappa Alpha Psi Fraternity, Inc., American, founded 1911 Search this
Inez Yeargan Kaiser, American, 1918 - 2016 Search this
Pearl Bailey, American, 1918 - 1990 Search this
Alpha Kappa Alpha Sorority, Incorporated, founded 1908 Search this
National Council of Negro Women, founded 1935 Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935 Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924 Search this
Robert J. Mangum, American, 1920 - 2014 Search this
H x W x D: 12 × 8 7/8 × 3/16 in. (30.5 × 22.5 × 0.5 cm)
Football Search this
Funeral customs and rites Search this
http://n2t.net/ark:/65665/fd5f7b7586d-84ee-4f44-b24e-aa264dcdee1f
edanmdm:nmaahc_2012.167.3
Artist María Martínez-Cañas in "Staging the Self" - National Portrait Gallery
National Portrait Gallery Search this
Portraits Search this
NatlPortraitGallery
edanmdm:yt_JxOu9DuXuYM
edanmdm:yt_94HI5mypC3E
Personal Papers
Collection Creator:
WKAQ (Television station : San Juan, Puerto Rico) Search this
WNJU (Television station : New York, NY) Search this
Telemundo Group, Inc. Search this
Univisión (Television network) Search this
Mirós, Gilda Search this
Aguilar, Héctor Search this
bulk 1950 - 2006, undated
This subseries contains a significant amount of letters of recommendation and appreciation for Gilda Mirós labor as a communicator in different Radio, TV Stations and organizations that she endorses. Also contains notes of her theater studies, agendas, awards, family photographs and her curriculum vitae which resumes her education and professional career as a Radio, TV animator and actress. As a radio and television communicator she developed a magazine column called "Amorosamente" (Lovingly) in where she discusses topics related to Latin American history, festivities and artist. This subseries is arranged in chronological order.
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Spanish Language Broadcasting Collection, Archives Center, National Museum of American History
This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
NMAH.AC.1404, Subseries 1.1
Spanish Language Broadcasting Collection
Spanish Language Broadcasting Collection / Series 1: Gilda Mirós
ead_component:sova-nmah-ac-1404-ref17
Carnaval de Puerto Rico, Juan Ponce de Leon [screenprint poster]
Bernal, Isabel Search this
Puerto Rico. Division of Community Education. Department of Education Search this
Collection Donor:
Archivo General de Puerto Rico Search this
Collection Collector:
1 Item (Ink on paper., 88.8 x 58.5 cm.)
Map-folder 32
Puerto Rico -- 20th century
This commemorative poster depicts the Rey Momo, or king of Puerto Rican carnival, a celebration which started on the island in the mid nineteenth century. Connected to Spanish carnival traditions, it takes place the week before the beginning of Lent, which is a traditional period of fasting and general abstinence in the Christian calendar. The carnival in San Juan was for many years a very important and picturesque event. (From exhibition text by Marvette Perez.)
AC0615-0000032.tif (AC Scan)
1997.3100.42 (Museum Cat. No.)
Exhibitions Note:
In the exhibition "Posters from the Division of Community Education (DIVEDCO) of Puerto Rico, 1948-1989," Sept. 17, 2008-Jan. 18, 2009, at the Smithsonian's S. Dillon Ripley Center.
Lent Search this
Carnival -- Puerto Rico Search this
Carnivals Search this
Politics -- Puerto Rico Search this
Posters -- Puerto Rico
Puerto Rico Division of Community Education Poster Collection, 1940-1990, Archives Center, National Museum of American History.
Puerto Rico Division of Community Education [DIVEDCO] Poster Collection
Puerto Rico Division of Community Education [DIVEDCO] Poster Collection / Series 1: Events / Festivals Cultural
ead_component:sova-nmah-ac-0615-ref1091
Unititled painting by unknown artist
Puerto Rico Division of Community Education [DIVEDCO] Poster Collection / Series 1: Events / Art Expositions
La Insurreccion de los Reyes Magos [screen print poster]
Maldonado, Antonio Search this
Map-folder 4
This poster advertises an exhibition of woodcarvings of "The Three Kings," or the Magi, by Jose Torres Santiago. It is dedicated to the King Melchior, who in Puerto Rico is identified as the Black Magi, to commemorate the 100th anniversary of the abolition of slavery. (From exhibition text by Marvette Perez.)
Wood-carvers Search this
Christmas Search this
Wood carvings Search this
Abolition Search this
Slavery Search this
Three Kings Search this
Exhibitions Search this
Watercolors of an unknown artist
Serigrafias de Loiza Aldea-Rafael Tufino [screen print poster]
Tufino, Rafael Search this
1 Item (Ink on paper., 86 x 58.6 cm.)
DIVEDCO posters were also printed to promote exhibitions of Puerto Rican artists. This poster advertises the exhibition of renowned artists Rafael Tufino's portfolio of silkscreens depicting scenes from the famous Afro-Puerto Rican town of Loiza. Tufino was one of several DIVEDCO artists who, like Carlos Osorio, also lived and worked in New York City, where he co-founded the Taller Boricura. (From exhibition text by Marvette Perez.)
Serigraphy Search this
Artists -- Puerto Rico Search this
20 Anos de Servicio al Pueblo (Servicio de Bombero) [screenprint poster]
Osorio, Carlos Search this
1 Item (Ink on paper., 56 x 42 cm.)
This commemorative poster by early DIVEDCO member Carlos Osorio, printed in honor of firemen, has the look and dramatic sensibility of posters designed in New Deal-era government print shops like the New York City Poster Division of the Federal Arts Project. (From exhibition text by Marvette Perez.)
Fire fighters Search this
Puerto Rico Division of Community Education [DIVEDCO] Poster Collection / Series 1: Events / Anniversaries
30 Aniversario DIVEDCO [screen print poster]
Cortes, Eduardo Vera Search this
This thirtieth anniversary poster of DIVEDCO shows its creative team filming, editing, performing, and at work in the print shop. Their target audiences, a farmer planting in the countryside and a child reading a DIVEDCO book, appear on the edges of the action. The building featured in the background is the old DIVEDCO headquarters, currently the Museo de Arte e Historia de San Juan. (From exhibition text by Marvette Perez.)
Farmers -- Puerto Rico Search this
Rodriguez, Luis Search this
This self-referential poster shows iconic DIVEDCO images: a projection and film poster of "Dona Julia" and the democratic circles that were organized with local leaders throughout the island's rural communities to discuss the social messages and solutions offered in DIVEDCO's films and illustrated books. (From exhibition text by Marvette Perez.)
Motion pictures Search this
Film posters -- 20th century
Con Carlos y la Trulla [screenprint poster]
Garcia, Rafael Rivera Search this
Barcelo, Carlos Romero Search this
Red, white, and blue--the colors of the Puerto Rican and U.S. flags--are the backdrop for this scene of a parranda, the Puerto Rican tradition of caroling. The Carlos in the title alludes to Carlos Romero Barcelo, a pro-statehood governor of Puerto Rico during the early 1080s. (From exhibition text by Marvette Perez.)
Flags Search this
Statehood Search this
Carols Search this
Puerto Rico Division of Community Education [DIVEDCO] Poster Collection / Series 1: Events / Concerts
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text:
Pediatric Health Research and Support top priority for the Jessie Rees and Reid Rizzo Foundations
December 23, 2013 December 23, 2013 Roberto Angotti
Although Orange County's Jessie Rees Foundation and Cincinnati's Reid Rizzo Foundation run their organizations some 2200 miles apart, these nonprofits have one common goal of helping pediatric patients and their families when they need it most. Created in loving memory of Jessie Rees–who at 12 encouraged patients to Never Ever Give Up on beating cancer–and Reid Rizzo–who at 20 played baseball Without Fear after being diagnosed with cardiomyopathy as an infant and told by doctors that he would never be able to participate in sports, family and friends of Jessie and Reid decided to start their respective groups after their loved ones were granted wings to heaven in 2012.
Reid Rizzo in 2010
Recently Cincinnati Reds' Skip Schumaker, Oakland Athletics' Nick Punto and Colorado Rockies' Nolan Arenado held a three-day winter baseball camp benefitting the Jesse Rees Foundation at Saddleback College in Mission Viejo. Overseen by Gauchos' head coach Sommer McCartney and Olympic Gold Medalist swimmer Kaitlin Sandeno–who serves as the National Spokesperson for the Jessie Rees Foundation, area youth had the opportunity to learn the basic fundamentals of playing the game from some of MLB's best while supporting one of California's favorite children charities. In addition, two lucky families won the auction for four packs of on-field meet-and-greet VIP ticket packages for upcoming Reds and A's games graciously donated by Schumaker and Punto.
Closing in on 300,000 'likes' on facebook, the Jesse Rees Foundation is asking everyone to give a holiday gift to Jesse with a 'like' and 'share' while visiting https://www.facebook.com/JessieReesFoundation. The mission of the Jessie Rees Foundation is to ensure every child fighting cancer has the resources and support to Never Ever Give Up! Tweet them HERE.
More likes = more awareness = more JOY for kids fighting cancer!! http://t.co/ud5kzDnlTc
— JessieReesFoundation (@TeamNEGU) December 21, 2013
The Reid Rizzo Foundation mission is to raise awareness of pediatric heart disease and support young patients and their families in dealing with the financial hardship of costly medical care. The Reid Rizzo Foundation's goal is to help children live long and healthy lives while reaching their full potential Without Fear. Reid defied the odds of his prognosis and led a very normal childhood playing sports like baseball, football, basketball and ice hockey.
"Reid Rizzo: Without Fear" portrait by Cincinnati sports artist/coach Chris Felix
Nobody outside of Reid's immediate family knew that he was living with cardiomyopathy. It wasn't until after his passing that his condition was made public knowledge. Theologian Harold Kushner believes that although death may take a person physically from us, it cannot remove him from our souls and his presence will continue to educate and serve as a model to follow. Reid was an organ donor and his heart was donated to Cincinnati Children's Hospital Heart Institute to be utilized for medical research. Former coach Steve Fowler said, "Reid was fine young man who fought a handicap– for a guy who had heart problems since he was born. He cheated the odds for 20 years and had a huge heart for the game, loved playing. He refused to let it be a handicap to him. It has really inspired us to play with a lot of heart and dedication."
@RRF_4 Chris Felix and the Reid Rizzo Foundation bring a little bit of heaven to @LittleItalySD. http://t.co/NB1NVrQQZA #ItalianAmericanRLR
— Roberto Angotti (@ABLblogger) December 9, 2013
Setting records at La Salle High School in Cincinnati, shortstop
Reid Rizzo received a scholarship
to play at Lake Erie College in Ohio.
Coach Fowler revealed what Rizzo's college coach had told him about the 5'9″ ballplayer before Reid showed up to play summer league in 2012. "He told me: Reid loves the game and you are going to love him. He was a dirt hog who was always laying out for balls." Often compared to Dodgers' 2013 Heart and Hustle Award winner Nick Punto for his physical physique and hard play, Reid's parents at first cautiously tried to steer their son away from the game, but Reid would have none of it. From the time he was four years old when he was hanging out in the dugout with baseball all-star father Tim, it was too late as Reid had baseball in his blood and was determined to pursue his dream of playing MLB. Embracing Jessie Rees' "Never Ever Give Up" attitude, Reid was a fighter from day one. The Reid Rizzo Foundation lives on with the same approach. Visit https://www.facebook.com/ReidRizzoClassic to learn how you can do your part in helping pediatric heart patients and further cardiomyopathy studies. Please join the Reid Rizzo Foundation on Saturday, January 4th at Convivio, 2157 India Street in San Diego. Visit http://www.ConvivioSociety.org or call 619-573-4140 for more details on this special night.
College Baseball, Italian Heritage, Major League Baseball, Nonprofit organizationscardiomyopathy, Chris Felix, Cincinnati Children's Hospital Heart Institute, Cincinnati Reds, Convivio, Convivio Center, Harold Kushner, Jessie Rees, Jessie Rees Foundation, Kaitlin Sandeno, La Salle High School, Lake Erie College, Major League Baseball, NEGU, Never Ever Give Up, Nick Punto, Nolan Arenado, Oakland A's, Oakland Athletics, pediatric cancer research, Reid Rizzo, Reid Rizzo Foundation, Skip Schumaker, Sommer McCartney, Without Fear
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redpajama_set_name: RedPajamaCommonCrawl


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In the aftermath of Brexit, a man remembers that we have a limitless capacity for amazement even when we should be more fearful. When those times come, remember rain.
Sometimes we lose sight of the the beauty and connectedness of all things. Missing her shot of a Santa Fe rainbow, Sharon Salzberg invites us to find the beauty of paradox and the changing role of presence and impermanence in all things.
As the siren song of productivity in the new year beckons, our weekly columnist Courtney Martin finds presence and peace of mind in the habits of a less productive but more awesome life.


Personally, the world conquered. International glory will have to wait, as European club defenders are left stricken in his wake.
Designed By Franco C. Franco is a freelance Graphic Designer born in Argentina. He's a lover of typography, vector drawing, football and especially the combination of these.


Airline flights from Baltimore will provide you with detailed flight info concerning the schedule of arrival and departure of flights, ticket availability and other data concerning flight particulars to main cities all over the world. Because of low cost flights it has turn out to be potential for the atypical people to take air trips in and out of country. If all goes well with Volaris, expect the Mexican airline industry to undergo a shake up just like what the U.S. airline business has skilled. If departure time is nearing, and a flight still has a number of empty seats, the airline may provide them at a considerable discount.
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text:
Grace Christian Academy opened its doors at the beginning of the 1997-98 school year. As the school has grown and developed, one thing has stayed the same: our mission to lead, build, and equip students to become lifelong disciples of Christ.
Meet our Head of School
GCA Blog
One Grace Initiative
Grace Christian Academy focuses on a biblical worldview, joined with college preparatory curriculum in all school divisions, to include: Lower (K-4), Early Middle (5-6), Middle (6-8), and Upper (9-12) Schools.
Little Rams
Early Middle School
Guidance & College Counseling
The fine arts program at GCA will allow students to explore the fundamental elements of visual and performing arts. We offer a variety of electives such as art, band, choir, dramatic arts, and worship arts.
Lower/Early Middle School
At GCA, you'll find a warm and friendly community. You'll find a group of faculty, staff, and parents, committed to the same purpose: to see students growing into the individual that God created them to be. You'll find a sense of family.
Experience Our Campus
Admissions Inquiry(opens in new window/tab)
Affording Grace
Continuous Enrollment
Become A Ram
The GCA campus is an exciting, thriving community. Students grow from weekly Chapel services, Student Life gatherings, through participation in the Winterim program, and much more!
Meet the GCA Family
Directory of Faculty & Staff
GCA School Board
Parent Teacher Fellowship
Summer Camps(opens in new window/tab)
Students(opens in new window/tab)
FACTS FAMILY ONLINE(opens in new window/tab)
Grace Christian Academy Distinctively Christian. Academically Excellent.
HOPE Resource Center Director Visits GCA Chapels
It was a pleasure to welcome Andrew Wood, Director of HOPE Resource Center, back to GCA Chapels on Thursday, Jan. 13! Mr. Wood spoke to each of the school divisions about the life-changing work taking place through HOPE as they help meet the needs of pregnant mothers and their unborn babies.
The annual Battle of the Bottles competition between GCA and CAK is going on now through January 28, when the winner of the most funds raised to support HOPE will be announced at that evening's basketball game.
Make your gift today and be a part of the powerful work that HOPE Resource Center is doing in the lives of unborn babies and their mothers.
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Grace Christian Academy
A Ministry of Grace Baptist Church
5914 Beaver Ridge Rd., Knoxville, TN 37931
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text:
Q: How do I preserve folds in VIM when cutting and pasting? In vim, you can create a fold with zf, so if  is %, you can neatly fold a delimited block.

*

*is there a way to select some text in visual mode and automatically fold that?

*I've noticed that if I select a closed fold and use dd to delete it, then go somewhere else and use P to paste it, the fold will disappear and the fold will be expanded.  I want to cut the folded stuff and paste it and have it paste with the folds still intact and closed.

A: *

*You can do the first if you use :set foldmethod=manual and then simply highlight the block you want and use zf to fold it.

*I don't think you can do this (at least, not without a script)

A: Vim has several different fold strategies; I assume you are talking about manual folding.
Unfortunately, yanking and pasting does not keep the fold in-tact. You may be able to create a script that will re-fold pasted text, but it seems like it would be more annoying than useful in the end.

redpajama_set_name: RedPajamaStackExchange


If there is one good thing about winter (I am trying to look on the bright side!), it's all the warm and delicious soup recipes. I came across this recipe a couple of months ago and it has quickly become one of our family favorites. No one will ever know that you use basic ingredients to make such a creamy and delectable soup!
Meanwhile, in a large stock pot, combine the soup, broth, milk, cream, tomatoes and seasonings. Heat through, stirring frequently. Drain tortellini and carefully add to soup. Stir in cheese. Sprinkle each serving with additional cheese if desired.
I love this soup! Looks delicious! Greatings from Romania - Europe!
This looks absolutely fantastic, I definitely want to try this. Annddddd bookmarked :) Thanks for sharing!
This sounds amazing! I'm putting this on my meal list for next week.
Looks so comforting, and sounds amazing!
will be making this soon!!
My husband makes one similar. No broth or sun dried tomato.
He adds zucchini, squash, and ground Italian sausage.
Made this for dinner tonight....delicious! Will definitely make again!
I added a pound of mild Italian sausage and oh my! Very filling and delicious! Thank you!
looks delicious! do you think this would work in a crockpot?
I made this over the weekend and everyone loved it! Even my ten year old son who hates tomatoes loved it and got seconds :) Thank you girls!
I just finished my soup and I have to say my family will fall in love, for sure.
This looks so good! Can't wait to try! I love tomato soup in general, but this looks and is better!
Elizabeth, did you do anything different for the crockpot version.
Hi! Can you tell me how many hours and on what temp in a crockpot?
We haven't made this in a crockpot so we are not sure the cooking time and temp. You would just have to experiment with it.
This soup was amazing!!! I added cooked Italian sausage, put it all in the crockpot on low for 4 hrs (including frozen tortellini) and it came out great!
Thanks for sharing the crockpot info!!
Soup was good but a little too soupy for me wish it was a little thicker. I even used half the cream because that's all I had on hand, maybe that's why. I wish I had another tomato soup on hand because probably would have added it. Taste wise very good!
Any thoughts or recomendations on freezing this?? It looks AMAZING, but way too much for just one person to eat!
You could totally cut the recipe in half. It should freeze just fine in a freezer container or freezer bag.
Any thoughts on freezing the leftovers? It's way too much for one person!
Making a version of this today but added a few cups of spinach as well. Cant wait to try it!
How could you adapt this to be made in a crock pot?
We have not made this recipe in the slow cooker. The tortellini stuffed with cheese wouldn't do well cooking for a long time in the crock pot.
Do you drain the tomatoes?
We didn't drain the 1/2 cup of tomatoes.
Are we sure it only needs 9oz of tortellini? Didnt seem like enough when I made the soup. Yummy was even better as left overs.
We added 9 ounces, but feel free to add more!


text:
<?php
defined('BASEPATH') OR exit('No direct script access allowed');
require APPPATH . '/libraries/REST_Controller.php';
require APPPATH . '/helpers/checktoken_helper.php';
class ManageClassModule extends REST_Controller {
    function ManageClassModule()
    {
		parent::__construct();
		$this->load->model('classmodel');
		header("Access-Control-Allow-Origin: *");
		header("Access-Control-Allow-Headers: Content-Type,access_token");
		header("Access-Control-Allow-Methods: GET,POST,DELETE");
		$userIDByToken="";
		checkTokenAccess();
		checkAccess();
		// if (config_item('rest_enable_keys') AND $use_key)
		// {
		// 	// Check to see if they can access the controller
		// 	if (!$this->_check_access())
		// 	{
		// 		$this->response(array('status' => false, 'error' => 'This API key does not have access to the requested controller.'), 401);
		// 	}

		// 	if (config_item('rest_enable_logging') AND $log_method)
		// 	{
		// 		$this->_log_request();
		// 	}
		// 	if($this->_allow === FALSE){
		// 		$this->response(array('status' => false, 'error' => 'Invalid API Key.'), 403);
		// 	}

		// }

    }

    // Acodemics Class Details

    function ClassAndBatchDetail_post()
    {
    	$id = $this->post('ACA_COU_ID');
		$data['ACA_COU_NAME']=$this->post('ACA_COU_NAME');
		$data['ACA_COU_SEC_NAME']=$this->post('ACA_COU_SEC_NAME');
		$data['ACA_COU_CODE']=$this->post('ACA_COU_CODE');
		$data['ACA_COU_GRADE_TYPE']=$this->post('ACA_COU_GRADE_TYPE');
		$data['ACA_COU_ELECTIVE_SEL_YN']=$this->post('ACA_COU_ELECTIVE_SEL_YN');
		$data['ACA_BAT_NAME']=$this->post('ACA_BAT_NAME');
		$data['ACA_COU_CRT_USER_ID']=$this->post('ACA_COU_CRT_USER_ID');
		$data['ACA_BAT_START_DT']=$this->post('ACA_BAT_START_DT');
		$data['ACA_BAT_END_DT']=$this->post('ACA_BAT_END_DT');
		$data['ACA_BAT_CRT_USER_ID']=$this->post('ACA_COU_CRT_USER_ID');
		$data['ACA_COU_UPD_USER_ID']=$this->post('ACA_COU_UPD_USER_ID');
		if($id==NULL){
			$result=$this->classmodel->addClassAndBatchDetails($data);
			if(!empty($result)){
				$this->set_response(['status' =>TRUE,'ACA_COU_ID'=>$result], REST_Controller::HTTP_CREATED);
			}else{
				$this->set_response(['status' =>FALSE,'message'=>"Failure"], REST_Controller::HTTP_CREATED);
			}
		}else{
			$result=$this->classmodel->EditClassDetails($id,$data);
			if($result==true){
				$this->set_response(['status' =>TRUE,'message'=>"Class Updated successfully"], REST_Controller::HTTP_CREATED);
			}else{
				$this->set_response(['status' =>FALSE,'message'=>"Failure"], REST_Controller::HTTP_CREATED);
			}
		}
    }

	function ClassAndBatchDetail_get(){
		$id = $this->get('ACA_COU_ID');
		if($id==NULL){
			$users=$this->classmodel->getClassAndBatchDetailsAll();
			if (!empty($users)){
				$this->set_response(['status' =>TRUE,'message'=>$users], REST_Controller::HTTP_OK); // OK (200) being the HTTP response code
			}
			else
			{
				$this->set_response([
				'status' => FALSE,
				'message' => 'Class And Batch Detail could not be found'
				], REST_Controller::HTTP_NOT_FOUND); // NOT_FOUND (404) being the HTTP response code
			}

		}else{
			$users=$this->classmodel->getClassAndBatchDetails($id);
			if (!empty($users)){
				$this->set_response(['status' =>TRUE,'message'=>$users], REST_Controller::HTTP_OK); // OK (200) being the HTTP response code
			}
			else
			{
				$this->set_response([
				'status' => FALSE,
				'message' => 'Class And Batch Detail could not be found'
				], REST_Controller::HTTP_NOT_FOUND); // NOT_FOUND (404) being the HTTP response code
			}
		}
    }

	function ClassDetail_get(){
		$id = $this->get('ACA_COU_ID');
		if($id==NULL){
			$users=$this->classmodel->getClassDetailsAll();
			if (!empty($users)){
				$this->set_response(['status' =>TRUE,'message'=>$users], REST_Controller::HTTP_OK); // OK (200) being the HTTP response code
			}
			else
			{
				$this->set_response([
				'status' => FALSE,
				'message' => 'Class Detail could not be found'
				], REST_Controller::HTTP_NOT_FOUND); // NOT_FOUND (404) being the HTTP response code
			}
		}else{
			$users=$this->classmodel->getClassDetails($id);
			if (!empty($users)){
				$this->set_response(['status' =>TRUE,'message'=>$users], REST_Controller::HTTP_OK); // OK (200) being the HTTP response code
			}
			else
			{
				$this->set_response([
				'status' => FALSE,
				'message' => 'Class Detail could not be found'
				], REST_Controller::HTTP_NOT_FOUND); // NOT_FOUND (404) being the HTTP response code
			}
		}
    }

	function ClassDetail_delete(){
		$id = $this->delete('ACA_COU_ID');
		if($id==NULL){
			$this->set_response([
			'status' => FALSE,
			'message' => 'Class Details could not be found'
			], REST_Controller::HTTP_NOT_FOUND); // NOT_FOUND (404) being the HTTP response code
		}else{
			$users=$this->classmodel->deleteClassDetail($id);
			if ($users!=0){
				$this->set_response(['status' =>TRUE,'message'=>'Class Detail Deleted successfully'], REST_Controller::HTTP_OK); // OK (200) being the HTTP response code
			}
			else
			{
				$this->set_response([
				'status' => FALSE,
				'message' => 'Class Details could not be found'
				], REST_Controller::HTTP_NOT_FOUND); // NOT_FOUND (404) being the HTTP response code
			}
		}
	}

	//Get course

	function getCourseDetail_get(){
		$users=$this->classmodel->getClassDetailsAll();
		if (!empty($users)){
			$this->set_response(['status' =>TRUE,'message'=>$users], REST_Controller::HTTP_OK); // OK (200) being the HTTP response code
		}
		else
		{
			$this->set_response([
			'status' => FALSE,
			'message' => 'Class Detail could not be found'
			], REST_Controller::HTTP_NOT_FOUND); // NOT_FOUND (404) being the HTTP response code
		}
	}
	function courseViewDetails_get(){
		$result=$this->classmodel->getCourseViewDetails();
		if (!empty($result)){
			$this->set_response(['status' =>TRUE,'message'=>$result], REST_Controller::HTTP_OK); // OK (200) being the HTTP response code
		}
		else
		{
			$this->set_response([
			'status' => FALSE,
			'message' => 'Class Detail could not be found'
			], REST_Controller::HTTP_NOT_FOUND); // NOT_FOUND (404) being the HTTP response code
		}
	}
	function batchview_get(){
		$result=$this->classmodel->getBatchViewDetails();
		if (!empty($result)){
			$this->set_response(['status' =>TRUE,'message'=>$result], REST_Controller::HTTP_OK); // OK (200) being the HTTP response code
		}
		else
		{
			$this->set_response([
			'status' => FALSE,
			'message' => 'Class Detail could not be found'
			], REST_Controller::HTTP_NOT_FOUND); // NOT_FOUND (404) being the HTTP response code
		}
	}
}

redpajama_set_name: RedPajamaGithub


text:
Home History ESC 250: Loreen's Reign at the Top Continues, Songs from Spain and The Netherlands Jump Over 700 Places
History Latest News
ESC 250: Loreen's Reign at the Top Continues, Songs from Spain and The Netherlands Jump Over 700 Places
By William Carter
@songfestival_be
As has become an annual tradition, ESC Radio and Songfestival.be teamed up today to present the online Eurovision fandom's 250 favorite contest entries. And when all was said and done, Loreen's "Euphoria" once again captured the top spot . Right on her heels were 2021 Eurovision champions Måneskin, with their winning entry "Zitti e buoni".
Kateryna Pavlenko of Go_A performs "Shum" in Rotterdam.
The remainder of this year's Top 10 were (in order):
"Shum", Go_A, Ukraine 2021 (5th place)
"Arcade", Duncan Laurence, The Netherlands 2019 (1st place)
"Voilà", Barbara Pravi, France 2021 (2nd place)
"Fuego", Eleni Foureira, Cyprus 2018 (2nd place)
"Spirit in the Sky", Keiino, Norway 2019 (6th place)
"Soldi", Mahmood, Italy 2019 (2nd place)
"Dime", Beth, Spain 2003 (8th place)
"Tout L'Univers", Gjon's Tears, Switzerland 2021 (3rd place)
For the full list, visit ESCXtra's breakdown here.
As expected from the most recent contest, Eurovision 2021 secured the most spots on the list with twenty three songs, including four in the Top 10. 2019 and 2020 were also heavily represented, landing nineteen and fourteen spots on the list, respectively.
With 25 songs, Sweden was the country to snap up the most spots on the list, including #1. The earliest song on the list, and the only entry from the contest's first seven editions, is Italy's legendary 1958 entry "Nel Blu Dipinto Di Blu" by Domenico Modugno.
A number of songs saw dramatic shifts from their placements in the 250 last year, but none more so than The Netherlands' 1977 entry, "De mallemolen" by Heddy Lester. That song, which came 12th at the contest in London, rose 867 spots and ended up at #233 on the countdown.
Also seeing huge increases over their placements last year were Sébastien Tellier's "Divine" (France, 2008), which rose 454 spots to #118, and Brujeria's "Son De Sol" (Spain, 2005), which rose 740 spots to #79.
The ESC Top 250 countdown has been a fixture since 2008. Each year, Eurovision fans submit a ranked list of their ten favorite Eurovision songs, using the modern, 12-point scoring scale, and organizers add up all those scores. The very first ever #1 slot was held by Croatia's Danijela Martinović with her 1998 entry "Neka mi ne svane", and she has made the list every year since. "Euphoria" has placed 1st every year since its victory in 2012.
Did#YOU vote in the Top 250 this year? Did your top pick make the list? Sound off in the comments below, in our forum, or on social media @ESCUnited.
TagsBarbara PravibethbrujeriacroatiacyprusDanijela Martinovićdomenico modugnoduncan laurenceEleni FoureiraESC 250franceGjon's TearsGo_AHistoryItalykeiinoloreenmahmoodMåneskinnorwaysébastien tellierspainswedenswitzerlandthe netherlandsukraine
Previous article Albania: Ronela Hajati wins Festivali i Këngës and ticket to Turin
Next article Albania: Five Things to Know About Ronela Hajati
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Eurovision 2022: Tiziano Ferro to host?
After today's earlier announcement that the allocation draw will take place next wee…
Ukraine: Long-list of Potential Eurovision Acts Revealed, Final List of Eight Will be Released Next Week
After a strong showing in Rotterdam, placing 2nd in the televote and 5th overall, Ukraine …
Estonia: Team ESCUnited Weighs in on Estonia's Eurovision Hopefuls (Part 2)
All opinions expressed in this article are those of the person quoted and do not necessari…
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Montenegro: Five Things to Know About Vladana Vučinić
After a week of teasing, the Montenegrin broadcaster announced that 35-year-old songstress…
1964: Reddit User Unearths Three Minutes of Previously Lost Broadcast, Italy's Crowning Moment is Viewable for the First Time
Lost media fans rejoice! Yesterday, Reddit user DYLCWS posted a nearly three-minute-long c…
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The below editorial features the opinions and views of the authors and does not necessaril…
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If you have a current or recurring problem with mice give us a call for advice and a free quote.
Wasps are a large part of our domestic work throughout the summer months. They invade our home, garden and work place. In order to protect you and the people and animals around you. We always try to treat wasps either first thing in the morning or last thing at night when they are at their most sedate and the risk of people/animals being stung is reduced. We will always deal with your problem within 24 hours.
Ants are a difficult pest to control with infestation ofen reoccuring. Get the professionals to do a professional job.
Rats are a common problem throughout the UK including areas in the North East including Sunderland, Newcastle and Middlesbrough.We probably deal with ore rat infestations then any other pest problem. Rats are very adaptable and can be found in many places which offer food and shelter.
Most of our flea work is for landlords who have problems with fleas in their rental properties. They need a quick and reliable service. Use a firm you can trust.
Wasps provide a large percentage of our domestic summer work. We always try to treat nests either first thing in the morning or last thing at night when wasps are most sedate to reduce the chances of you, others or animals being stung. We realise that the problems are immediate and will always endeavour to deal with your problem within 24 hours.
Mice are one of the pests we are most likely to encounter throughout our lives. They can spread serious diseases and cause damage. They can be a common problem that often requires a great deal of thought and experience to deal with correctly.
There are hundreds of different species of bees in the UK. Many live alone but the Honey Bee and Bumblebees live socially in hives, which is made up of a queen bee, male drones and female workers.
Cockroaches, Carpet Beetles, Cluster flies, Insects come in numerous shapes and sizes, they often inhabit our home and workplace making in look untidy and dirty. They can cause damage to property and even become a fire risk.
Moles are a problem for the home owner, commercial farmer, gardener and green keeper alike. A knowledgable well trained professional is the best option for removing these problem criters.
Bed bugs are often brought into this country when we return from warm foreign holidays, they live in our furniture, only venturing into human contact to feed. Their bites are itchy and irratating leaving red marks where thy have fed off your blood.
Ants are notoriously hard for the amateur to deal with effectively. They often move into our home and garden.
From large hotels in Newcastle, international delivery firms in Middlesbrough, Supermarkets in Sunderland and care homes across the North East we've got it covered.
We pride ourselves in dealing with all commercial/industrial/agricultural problem in a fast effective manner. We offer full year control packages with regular checks to protect you, your business, your staff and your hard won reputation.
Domestic pest problems in the North East cause worry and concern, we will erradicate your wasp nests, rid your house of mice and ants and remove moles from your garden.
Kill Line currently operates across the whole of the North East of England. Located in Middlesbrough and Newcastle means we can cover any area within this radius and provide a quick response to your call out.


text:
"""
This module contains a collection functions for calculating continuous variable
quantities from fock-basis representation of the state of multi-mode fields.
"""

__all__ = ['correlation_matrix', 'covariance_matrix',
           'correlation_matrix_field', 'correlation_matrix_quadrature',
           'wigner_covariance_matrix', 'logarithmic_negativity']

from qutip.expect import expect
import numpy as np

def correlation_matrix(basis, rho=None):
    """
    Given a basis set of operators :math:`\\{a\\}_n`, calculate the correlation
    matrix:

    .. math::

        C_{mn} = \\langle a_m a_n \\rangle

    Parameters
    ----------

    basis : list of :class:`qutip.qobj.Qobj`
        List of operators that defines the basis for the correlation matrix.

    rho : :class:`qutip.qobj.Qobj`
        Density matrix for which to calculate the correlation matrix. If
        `rho` is `None`, then a matrix of correlation matrix operators is
        returned instead of expectation values of those operators.

    Returns
    -------

    corr_mat: *array*
        A 2-dimensional *array* of correlation values or operators.

    """

    if rho is None:
        # return array of operators
        return np.array([[op1 * op2 for op1 in basis]
                         for op2 in basis], dtype=object)
    else:
        # return array of expectation values
        return np.array([[expect(op1 * op2, rho)
                          for op1 in basis] for op2 in basis], dtype=object)

def covariance_matrix(basis, rho, symmetrized=True):
    """
    Given a basis set of operators :math:`\{a\}_n`, calculate the covariance
    matrix:

    .. math::

        V_{mn} = \\frac{1}{2}\\langle a_m a_n + a_n a_m \\rangle -
        \\langle a_m \\rangle \\langle a_n\\rangle

    or, if of the optional argument `symmetrized=False`,

    .. math::

        V_{mn} = \\langle a_m a_n\\rangle -
        \\langle a_m \\rangle \\langle a_n\\rangle

    Parameters
    ----------

    basis : list of :class:`qutip.qobj.Qobj`
        List of operators that defines the basis for the covariance matrix.

    rho : :class:`qutip.qobj.Qobj`
        Density matrix for which to calculate the covariance matrix.

    symmetrized : *bool*
        Flag indicating whether the symmetrized (default) or non-symmetrized
        correlation matrix is to be calculated.

    Returns
    -------

    corr_mat: *array*
        A 2-dimensional *array* of covariance values.

    """
    if symmetrized:
        return np.array([[0.5 * expect(op1 * op2 + op2 * op1, rho) -
                          expect(op1, rho) * expect(op2, rho)
                          for op1 in basis] for op2 in basis], dtype=object)
    else:
        return np.array([[expect(op1 * op2, rho) -
                          expect(op1, rho) * expect(op2, rho)
                          for op1 in basis] for op2 in basis], dtype=object)

def correlation_matrix_field(a1, a2, rho=None):
    """
    Calculate the correlation matrix for given field operators :math:`a_1` and
    :math:`a_2`. If a density matrix is given the expectation values are
    calculated, otherwise a matrix with operators is returned.

    Parameters
    ----------

    a1 : :class:`qutip.qobj.Qobj`
        Field operator for mode 1.

    a2 : :class:`qutip.qobj.Qobj`
        Field operator for mode 2.

    rho : :class:`qutip.qobj.Qobj`
        Density matrix for which to calculate the covariance matrix.

    Returns
    -------

    cov_mat: *array* of complex numbers or :class:`qutip.qobj.Qobj`
        A 2-dimensional *array* of covariance values, or, if rho=0, a matrix
        of operators.
    """

    basis = [a1, a1.dag(), a2, a2.dag()]

    return correlation_matrix(basis, rho)

def correlation_matrix_quadrature(a1, a2, rho=None):
    """
    Calculate the quadrature correlation matrix with given field operators
    :math:`a_1` and :math:`a_2`. If a density matrix is given the expectation
    values are calculated, otherwise a matrix with operators is returned.

    Parameters
    ----------

    a1 : :class:`qutip.qobj.Qobj`
        Field operator for mode 1.

    a2 : :class:`qutip.qobj.Qobj`
        Field operator for mode 2.

    rho : :class:`qutip.qobj.Qobj`
        Density matrix for which to calculate the covariance matrix.

    Returns
    -------

    corr_mat: *array* of complex numbers or :class:`qutip.qobj.Qobj`
        A 2-dimensional *array* of covariance values for the field quadratures,
        or, if rho=0, a matrix of operators.

    """
    x1 = (a1 + a1.dag()) / np.sqrt(2)
    p1 = -1j * (a1 - a1.dag()) / np.sqrt(2)
    x2 = (a2 + a2.dag()) / np.sqrt(2)
    p2 = -1j * (a2 - a2.dag()) / np.sqrt(2)

    basis = [x1, p1, x2, p2]

    return correlation_matrix(basis, rho)

def wigner_covariance_matrix(a1=None, a2=None, R=None, rho=None):
    """
    Calculate the Wigner covariance matrix
    :math:`V_{ij} = \\frac{1}{2}(R_{ij} + R_{ji})`, given
    the quadrature correlation matrix
    :math:`R_{ij} = \\langle R_{i} R_{j}\\rangle -
    \\langle R_{i}\\rangle \\langle R_{j}\\rangle`, where
    :math:`R = (q_1, p_1, q_2, p_2)^T` is the vector with quadrature operators
    for the two modes.

    Alternatively, if `R = None`, and if annihilation operators `a1` and `a2`
    for the two modes are supplied instead, the quadrature correlation matrix
    is constructed from the annihilation operators before then the covariance
    matrix is calculated.

    Parameters
    ----------

    a1 : :class:`qutip.qobj.Qobj`
        Field operator for mode 1.

    a2 : :class:`qutip.qobj.Qobj`
        Field operator for mode 2.

    R : *array*
        The quadrature correlation matrix.

    rho : :class:`qutip.qobj.Qobj`
        Density matrix for which to calculate the covariance matrix.

    Returns
    -------

    cov_mat: *array*
        A 2-dimensional *array* of covariance values.

    """
    if R is not None:

        if rho is None:
            return np.array([[0.5 * np.real(R[i, j] + R[j, i])
                              for i in range(4)]
                             for j in range(4)], dtype=object)
        else:
            return np.array([[0.5 * np.real(expect(R[i, j] + R[j, i], rho))
                              for i in range(4)]
                             for j in range(4)], dtype=object)

    elif a1 is not None and a2 is not None:

        if rho is not None:
            x1 = (a1 + a1.dag()) / np.sqrt(2)
            p1 = -1j * (a1 - a1.dag()) / np.sqrt(2)
            x2 = (a2 + a2.dag()) / np.sqrt(2)
            p2 = -1j * (a2 - a2.dag()) / np.sqrt(2)
            return covariance_matrix([x1, p1, x2, p2], rho)
        else:
            raise ValueError("Must give rho if using field operators " +
                             "(a1 and a2)")

    else:
        raise ValueError("Must give either field operators (a1 and a2) " +
                         "or a precomputed correlation matrix (R)")

def logarithmic_negativity(V):
    """
    Calculate the logarithmic negativity given the symmetrized covariance
    matrix, see :func:`qutip.continous_variables.covariance_matrix`. Note that
    the two-mode field state that is described by `V` must be Gaussian for this
    function to applicable.

    Parameters
    ----------

    V : *2d array*
        The covariance matrix.

    Returns
    -------

    N: *float*, the logarithmic negativity for the two-mode Gaussian state
    that is described by the the Wigner covariance matrix V.

    """

    A = V[0:2, 0:2]
    B = V[2:4, 2:4]
    C = V[0:2, 2:4]

    sigma = np.linalg.det(A) + np.linalg.det(B) - 2 * np.linalg.det(C)
    nu_ = sigma / 2 - np.sqrt(sigma ** 2 - 4 * np.linalg.det(V)) / 2
    if nu_ < 0.0:
        return 0.0
    nu = np.sqrt(nu_)
    lognu = -np.log(2 * nu)
    logneg = max(0, lognu)

    return logneg


text:
Concert with the Club: A Night of Music
Watkins Glen High School Auditorium
This concert is a fundraiser for the Watkins-Montour Rotary Club. The proceeds will be used for local scholarships, grants, and community projects.
The concert features the following bands:
Casey Max and the DixieKats are a concert, show and dance band who play a variety of traditional New Orleans Style Jazz, Dixieland, Bayou Gumbo - Mardi Gras, Good Time, Listening and Dance Music. The Band has been featured headliners at Dixieland, Jazz and Wine Festivals, State and Regional parks and many other special events in New York State and Pennsylvania, including the New York State Fair. For many years the band has been a staple at Cornell University Alumni and Sports functions. Most recently, the band has played at the Lilac Festival in Rochester, New York; The Great New York State Fair and has been featured at the Hershey Sports Arena playing in front of six thousand people for their 2009 Centennial Celebration.
Rebecca Colleen and the Chore Lads is a local Finger Lakes band that whose genres include country, bluegrass, and Americana. Rebecca has performed with Rhonda Vincent, Claire Lynch, The Gibson Brothers, Russell Moore and Nothin' Fancy, among others, and has also been featured on WVBR's Bound for Glory radio show...
"Rebecca Colleen - a beautiful young artist with an angelic voice.
She has been instantly added to my personal listening collection.
I know you're going to love her too!"
~Rhonda Vincent, 7 time IBMA Female Vocalist of the Year
Watkins Glen High School Auditorium (View)
Watkins Glen, NY 14891
Music > Americana
Music > Bluegrass
Music > Jazz