Blog Join the Public Hearing for the Manchaug Pond Waterlevel!
Join the Public Hearing for the Manchaug Pond Waterlevel!
Sutton Town Hall, 4 Uxbridge Road, Sutton.
Come stand with the Manchaug Pond Association in support of the lake by attending this important meeting. Of concern is the dam owner's new plan to further lower the water level. We have already experienced negative impacts to our lake with the drying of coves, wetland and channel areas; major fish kills involving all species; decline or loss of spring peepers/amphibian populations; excessive weed growth; public safety hazards from exposed rocks; loss of revenue to town and area businesses with drop in visitors to the State Public Access Boat Ramp and campgrounds.
I have'nt been around and would like to hear what the 'new plans to lower the waterlevel' are and what if anything came out of the meeting held earlier this week.
WENT BY THE DAM TODAY AND THAY ARE LETTING THE WATER OUT. ANY NEWS?


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Westminster parking reprieve for evening and weekend workers
Ben Bloom
Published: 12:01 AM December 13, 2011 Updated: 1:31 PM October 14, 2020
Westminster's evening and Sunday workers will be able to park all night for �5 after a new car park deal was launched.
All 50 London car parks – including 15 in the West End – run by National Car Parks NCP will allow employees from registered businesses and groups to park from 6pm to 6am every night of the week and from 6am Sunday to 6am Monday.
The reduced rate will be a welcome relief to workers ahead of Westminster Council's introduction of weekend and evening parking charges for on-street parking in Marylebone and the West End on January 9.
Westminster parking boss Cllr Lee Rowley said: "We are listening to concerns from the public and as promised we will continue to plot a positive way forward in addressing those concerns.
"This new deal will benefit those that work late into the night as much as those travelling to church on a Sunday afternoon."
He added: "In contrast to the congestion on our streets we have also found that off-street car parks contain hundreds of empty spaces outside of working hours."
The council says more than 2,500 spaces will be made available for �5 at the 15 car parks located within the new on-street charging area.
Businesses and organisations who want to sign up for the deal can contact NCP London on 0207 406 6916.

redpajama_set_name: RedPajamaCommonCrawl


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The More Illegal Immigrants That Go On Food Stamps The More Money JP Morgan Makes
Recently uncovered documents prove that the Obama administration has been working with the Mexican government to increase the number of illegal immigrants on food stamps, and when more illegal immigrants go on food stamps JP Morgan makes more money. As you will read about below, JP Morgan has made at least 560 million dollars processing Electronic Benefits Transfer cards. Each month, JP Morgan makes between $.31 and $2.30 for every single person on food stamps (and that does not even include things like ATM fees, etc). So JP Morgan has a vested interest in seeing poverty grow and the number of people on food stamps increase. Meanwhile, the Obama administration has been aggressively seeking to expand participation in the food stamp program. Under Obama, the number of people on food stamps has grown from 32 million to more than 47 million. And even though poverty in America is absolutely exploding, that apparently is not good enough for the Obama administration. It has now come out that the U.S. Department of Agriculture has provided the Mexican government with literature that actively encourages illegal immigrants to enroll in food stamps. One flyer contains the following statement in Spanish: "You need not divulge information regarding your immigration status in seeking this benefit for your children." The bold and the underlining are in the original document in case you were wondering. Overall, federal spending on food stamps increased from 18 billion dollars in 2000 to 85 billion dollars in 2012, and at this point one out of every five U.S. households in now enrolled in the food stamp program. When people illegally or fraudulently enroll in the food stamp program, it makes it harder for those that desperately need the help to be able to get it.
It is certainly a good thing to help fellow Americans that are suffering. It is a crying shame that more than a million public school students in America are homeless. That should not be happening in the "wealthiest nation on earth".
But today we have a system that has turned poverty into big business. According to an article posted on Breitbart.com, JP Morgan has made at least 560 million dollars (and probably much more) processing EBT cards...
A new report by the Government Accountability Institute finds that JP Morgan has made at least $560,492,596 since 2004 processing the Electronic Benefits Transfer (EBT) cards of 18 of the 24 states it has under contract for the food stamp program.
A Daily Beast article provided some more specifics about the monster profits that JP Morgan is making...
Just how lucrative JP Morgan's EBT state contracts are is hard to say, because total national data on EBT contracts are not reported. But thanks to a combination of public-records requests and contracts that are available online, here's what we do know: 18 of the 24 states JP Morgan handles have been contracted to pay the bank up to $560,492,596.02 since 2004. Since 2007, Florida has been contracted to pay JP Morgan $90,351,202.22. Pennsylvania's seven-year contract totaled $112,541,823.27. New York's seven-year contract totaled $126,394,917.
These contracts are transactional contracts, meaning they are amendable based on changes in program participation. Each month, the three companies that administer EBT receive a small fee that can range from $.31 to $2.30 (or higher depending upon the number of welfare services on an EBT card and state contractual requirements) for each SNAP recipient.
So the more people that are out of work and that need to turn to the government for food, the bigger profits that JP Morgan makes.
What makes all of this even more insulting is that many of the jobs that JP Morgan could be providing to Americans to help alleviate this poverty are being shipped overseas instead. As I noted in a previous article, many EBT card customer service calls are being routed to call centers in India by JP Morgan.
So why doesn't anyone do anything about this?
Well, it turns out that JP Morgan has the politicians that oversee the food stamp program in their back pocket. The following is from a recent Money Morning article...
And the bank has taken steps to make sure the SNAP program remains a growing source of revenue. JPMorgan's political donations to the members of House and Senate agricultural committees, the ones with legislative responsibility for the program, soared from just over $82,000 in 2002 to nearly $333,000 as of 2010.
What a wonderful system we have, eh?
And surely JP Morgan just loves the fact that the Obama administration is actively encouraging illegal immigrants to apply for food stamps.
What you are about to read should absolutely shock you. At a time when the U.S. government is absolutely drowning in debt, the Obama administration is making it abundantly clear to illegal immigrants that their immigration status will not be checked when they apply for food stamps. The following is from a recent Judicial Watch press release...
Judicial Watch today released documents detailing how the U.S. Department of Agriculture (USDA) is working with the Mexican government to promote participation by illegal aliens in the U.S. food stamp program.
The promotion of the food stamp program, now known as "SNAP" (Supplemental Nutrition Assistance Program), includes a Spanish-language flyer provided to the Mexican Embassy by the USDA with a statement advising Mexicans in the U.S. that they do not need to declare their immigration status in order to receive financial assistance. Emphasized in bold and underlined, the statement reads, "You need not divulge information regarding your immigration status in seeking this benefit for your children."
The documents came in response to a Freedom of Information Act (FOIA) request made to USDA on July 20, 2012. The FOIA request sought: "Any and all records of communication relating to the Supplemental Nutrition Assistance Program (SNAP) to Mexican Americans, Mexican nationals, and migrant communities, including but not limited to, communications with the Mexican government."
The documents obtained by Judicial Watch show that USDA officials are working closely with their counterparts at the Mexican Embassy to widely broaden the SNAP program in the Mexican immigrant community, with no effort to restrict aid to, identify, or apprehend illegal immigrants who may be on the food stamp rolls.
You can see a copy of the flyer right here.
So who pays for all of this?
You do of course.
The Obama administration is doing all that it can to promote illegal immigration, and big banks such as JP Morgan just make bigger profits the more illegal immigration that we see, but it is you and I that end up with the bill. This was put beautifully in a recent article by Mike Adams of NaturalNews.com...
Nearly $75 billion of taxpayer money is spent each year on federal food stamps, and it turns out some of that is alarmingly being handed out to illegal immigrants -- people who contribute nothing to the federal tax base in America but who seem to be experts on collecting social welfare benefits of all kinds. If you are working for a living, you are buying food for illegals who are being actively recruited by Obama and the democratic party so that they will vote more democrats into office.
When we reward illegal immigration, what happens?
That's right - we are just going to get even more illegal immigration.
According to WND, we have already started seeing a huge increase in illegal immigrants coming across the border since Congress began debating the amnesty bill...
Illegal border crossings have doubled, and possibly even tripled, since the latest congressional push began toward comprehensive immigration reform.
In reporting first published by Townhall.com's Katie Pavlich, border patrol agents in the Tucson/Nogales sector claim illegals are coming here in much higher numbers in just the past few months.
"We've seen the number of illegal aliens double, maybe even triple since amnesty talk started happening," an unnamed border agent said to Townhall. The data from Customs and Border Protection cited in the report shows 504 illegals were detected crossing in that sector between Feb. 5 and March 1. Only 189 were caught on camera, and just 174 of the 504 were apprehended. Of those spotted on camera, 32 were carrying huge packs believed to contain drugs and several were heavily armed.
If that bill is passed, it is being projected that it will bring 33 million more people into this country...
The pending Senate immigration bill would bring a minimum of 33 million people into the country during its first decade of operation, according to an analysis by NumbersUSA, a group that wants to slow the current immigration rate.
By 2024, the inflow would include an estimated 9.2 million illegal immigrants, plus 2.5 million illegals who arrived as children — dubbed 'Dreamers' — plus roughly 3.4 million company-sponsored employees with university degrees, said the unreleased analysis.
The majority of the inflow, or roughly 17 million people, would consist of family members of illegals, recent immigrants and of company-sponsored workers, according to the NumbersUSA analysis provided to The Daily Caller.
We have made legal immigration a complete and total nightmare while leaving the back door completely wide open at the same time.
We greatly punish those who are trying to do things legally while at the same time we are greatly rewarding those that are cheating the system.
What kind of sense does that make?
Shouldn't we insist that everyone come in through the front door?
Those that are coming over our borders illegally know what the score is...
Linda Vickers, who owns a ranch in Brooks County, which is Ground Zero for the immigration debate, pins the blame directly on talk of 'amnesty' and a 'path to citizenship' for people who entered the U.S. illegally.
She recalls one man being arrested on her ranch not long ago.
"The Border Patrol agent was loading one man up, and he told the officer in Spanish, 'Obama's gonna let me go'."
Border Patrol agents report that immigrants are crossing the border, and in some cases surrendering while asking, "Where do I go for my amnesty?"
We are already becoming a poverty-stricken nation. We simply can't afford to feed millions upon millions of illegal immigrants as well.
As I write this, the U.S. national debt is $16,758,107,082,298.63.
We now have a debt to GDP ratio of about 105 percent.
In the United States today, the amount of money that is deposited in our banks is about 9.3 trillion dollars. If we took every penny of that and used it to pay off the national debt, we would still owe more than 7 trillion dollars.
We are stealing more than 100 million dollars from future generations of Americans every single hour of every single day to pay our bills, and yet everyone seems to think that this is "normal" somehow.
The truth is that what we are doing is absolutely criminal, and we should all be ashamed.
For much more on our exploding national debt, please see the following article: "55 Facts About The Debt And U.S. Government Finances That Every American Voter Should Know".
In the end, it should be apparent to everyone that our system is failing. Our government is corrupt, our big banks are consumed with greed and most average Americans are so addicted to entertainment that they have absolutely no idea what is going on.
What would those that bled and died for this country think about what we have become today?
http://theeconomiccolla...
is absolutely exploding
one out of every five U...
more than a million pub...
Daily Beast article
Money Morning article
Judicial Watch press re...
Spanish-language flyer ...
all that it can to prom...
by Mike Adams of Natura...
know what the score is
poverty-stricken nation
$16,758,107,082,298.63
9.3 trillion dollars
55 Facts About The Debt...
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Matt also completed a Master's degree in Sports Science, and has worked extensively in the fitness industry as a personal trainer and fitness manager. Matt's key achievement to date was providing physiotherapy and assistant coaching support to the Men's Goalball team at the Paralympics in London 2012.
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At the 2013 Coney Island Mermaid Parade.
A contribution to Ailsa's travel-themed photo challenge, Noise. Another contribution is here.
This entry was posted in New York City, Photography and tagged Coney Island, Mermaid Parade, Music, New York City, Noise, Photography, postaweek, postaweek2014, Travel, Weekly Photo Challenge. Bookmark the permalink.
Nice shot. Shows his enjoyment of the day.


Send a personal note of encouragement, comfort and support.
Give them a meaningful gift that evokes special memories of their loved one.
When you make your favorite July 4th meal, invite them over to eat or deliver them a meal.
Offer to take them to a summer blockbuster movie or a concert.
Invite them to Independence Day parades, celebrations and fireworks displays.
Assure them that they are free to share whatever emotion they experience. You won't judge what they say or feel. You will just listen and share the moment.


text:
A mystery $10,000 donation has boosted the Li-Ve Tasmania's Movember campaign, however it came with a condition - the recipient must hang up their budgie smugglers forever. On Friday an anonymous donor gave $10,000 to the organisation's business development general manager Stuart Nettlefold and the team's Movember campaign. "Very important - you must hang up your budgie smugglers for ever as a condition of this donation," the donor said in their accompanying message. "As men's health and everybody's health is very important. Some things should stay anonymous." Mr Nettlefold thanked the donor for their generous support of the cause, but said he had no clue who the donor was. "The contribution came out of the blue - I was shocked by the huge dollar amount," he said. "At first, I thought I must have read the number incorrectly. "Movember is a fantastic initiative to support men's health. Clearly someone in the Li-Ve Tasmania community thinks so, too - to the tune of ten grand! I just can't believe it." In other news: The anonymous donation took the organisation's Movember fundraising tally to more than $13,500. Mr Nettlefold said there was still time to support their fundraiser. "I got involved because growing a mo is a great conversation starter and a way to spark important conversations about men's health. "We don't need or expect another $10k gift - every donation, big or small, makes a difference for men's health," he said. "The $10,000 donation will go a long way to supporting life-changing mental health projects, history-making scientific breakthroughs and lifesaving cancer tests and treatments." In addition to Mr Nettlefold, the organisation's team includes team captain Paul Dolzan, Darren Mathewson, Chris Oddie, Jaime Foskett, Sean Collicutt, Reuben Pearce, Anthony Ozols, Tim Booker, James Taubman and Anthony Osborn. You can donate to the team at au.movember.com/team/2282734. What do you think? Send us a letter to the editor:
/images/transform/v1/crop/frm/5E9aiwEpmxaHU7wKAB7bK/d1c0c5f1-dc56-48f8-bb1a-27e9b93c86ae.png/r74_0_1173_621_w1200_h678_fmax.jpg
November 30 2020 - 4:00AM
Anonymous donor donates $10,000 to Li-Ve Tasmania's Movember campaign
Isobel Cootes
A mystery $10,000 donation has boosted the Li-Ve Tasmania's Movember campaign, however it came with a condition - the recipient must hang up their budgie smugglers forever.
On Friday an anonymous donor gave $10,000 to the organisation's business development general manager Stuart Nettlefold and the team's Movember campaign.
"Very important - you must hang up your budgie smugglers for ever as a condition of this donation," the donor said in their accompanying message.
"As men's health and everybody's health is very important. Some things should stay anonymous."
Mr Nettlefold thanked the donor for their generous support of the cause, but said he had no clue who the donor was.
"The contribution came out of the blue - I was shocked by the huge dollar amount," he said.
"At first, I thought I must have read the number incorrectly.
"Movember is a fantastic initiative to support men's health. Clearly someone in the Li-Ve Tasmania community thinks so, too - to the tune of ten grand! I just can't believe it."
Tasmania to cop snow and wild winds to start summer
Man dead after motorcycle crash at Lenah Valley
ABC journalist Sabra Lane will soon call Tasmania home
Why the Tamar Action Group want more done to fix the Tamar River
The anonymous donation took the organisation's Movember fundraising tally to more than $13,500.
Mr Nettlefold said there was still time to support their fundraiser.
"I got involved because growing a mo is a great conversation starter and a way to spark important conversations about men's health.
"We don't need or expect another $10k gift - every donation, big or small, makes a difference for men's health," he said.
"The $10,000 donation will go a long way to supporting life-changing mental health projects, history-making scientific breakthroughs and lifesaving cancer tests and treatments."
In addition to Mr Nettlefold, the organisation's team includes team captain Paul Dolzan, Darren Mathewson, Chris Oddie, Jaime Foskett, Sean Collicutt, Reuben Pearce, Anthony Ozols, Tim Booker, James Taubman and Anthony Osborn.
You can donate to the team at au.movember.com/team/2282734.
What do you think? Send us a letter to the editor:


Jett Builders has a long list of clients that are more than willing to attest to the quality, cleanliness, and integrity they exhibit when it comes to helping them achieve their goal of building a dream home. He is a dedicated family man that gives back to the community that has embraced him all these years. For six years, he has sat on the Board of Directors of Teen Challenge of Tallahassee and currently is a deacon at Northwoods Baptist Church. From volunteering at TBA Builders Care Foundation to working as a volunteer serving breakfast alongside many Tallahassee churches, Jett has also gone to on missions throughout third world countries in order to build homes and churches for those in need.


text:
Kansas Soccer Tickets On Sale Now
LAWRENCE, Kan. –
Single-match and season tickets for the 2006 University of Kansas soccer season are on sale now. KU will play nine home matches at the Jayhawk Soccer Complex including five against Big 12 foes.
Season tickets are $40 for adults, $32 for faculty and staff, and $20 for youth (17 and under) and senior citizens (55 and over). Single-match tickets are $6 for adults, $3 for youth and $2 for groups of 20 or more. KU students get in free with their KUID.
The 2006 slate begins on Aug. 25 with a match against Furman and on Aug. 27 with a match up against Loyola-Marymount. KU will then face two tough non-conference opponents – Pepperdine and Central Florida – on Sept. 15 and 17, respectively.
The Jayhawks open their home Big 12 schedule by hosting Texas on Oct. 6 and defending conference champion Texas A&M on Oct. 8. Kansas will play its final three regular season matches at home against Baylor (Oct. 20), Texas Tech (Oct. 22 and Colorado (Oct. 27).
To purchase your 2005 Kansas soccer tickets call 1-800-34-HAWKS or visit www.kuathletics.com.
2006 KU Soccer Home ScheduleAug. 25	Furman		5 p.m.Aug. 27	Loyola-Marymount	1 p.m.Sept. 15	Pepperdine	5 p.m.Sept. 17	Central Florida	1 p.m.Oct. 6	Texas*		4 p.m.Oct. 8	Texas A&M*	1 p.mOct. 20	Baylor*		3 p.m.Oct. 22	Texas Tech*	1 p.m.Oct. 27	Colorado*		3 p.m.
*Big 12 Match


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Wiktionary module code licensing
I'm currently in the process of porting some Lua code used in a Wiktionary module to JavaScript for an npm package. I can't find anything on whether Lua Modules on Wiktionary (or Wikipedia, which also has them) are released under a license differing from the rest of the content, so I have to assume that CC BY-SA also applies to them.
Does that mean that I have to release my package under CC BY-SA as well, which is generally not recommended for software, or did I just miss the information about the modules' license from Wikimedia?
licensing license-compatibility wikipedia
Constantin GroßConstantin Groß
This is the module in question: en.wiktionary.org/wiki/Module:ca-IPA (which itself requires some other modules with even more sub-modules) – Constantin Groß Jul 3 '19 at 18:30
All content on Wiktionary is under CC-BY-SA 3.0 Unported, according to a link in the footer of each page. According to Creative Commons:
So, if you make an "adaptation" of the module, you can publish it under BY-SA 4.0. If you then proceed to make another "adaptation" of the original "adaptation":
A license designated as a "BY-SA Compatible License" as defined in BY-SA 4.0.
Free Art License: The Free Art license 1.3 was declared a "BY-SA–Compatible License" for version 4.0 on 21 October 2014. See the full analysis and comparison for more information.
GPLv3: The GNU General Public License version 3 was declared a "BY-SA–Compatible License" for version 4.0 on 8 October 2015. Note that compatibility with the GPLv3 is one-way only, which means you may license your contributions to adaptations of BY-SA 4.0 materials under GPLv3, but you may not license your contributions to adaptations of GPLv3 projects under BY-SA 4.0. Other special considerations apply. See the full analysis and comparison for more information.
What matters here is the definition of "adapatation." CC-BY-SA 3 gives this definition:
"Adaptation" means a work based upon the Work, or upon the Work and other pre-existing works, such as a translation, adaptation, derivative work, arrangement of music or other alterations of a literary or artistic work, or phonogram or performance and includes cinematographic adaptations or any other form in which the Work may be recast, transformed, or adapted including in any form recognizably derived from the original, except that a work that constitutes a Collection will not be considered an Adaptation for the purpose of this License. For the avoidance of doubt, where the Work is a musical work, performance or phonogram, the synchronization of the Work in timed-relation with a moving image ("synching") will be considered an Adaptation for the purpose of this License.
CC-BY-SA 4 gives this definition
Adapted Material means material subject to Copyright and Similar Rights that is derived from or based upon the Licensed Material and in which the Licensed Material is translated, altered, arranged, transformed, or otherwise modified in a manner requiring permission under the Copyright and Similar Rights held by the Licensor. For purposes of this Public License, where the Licensed Material is a musical work, performance, or sound recording, Adapted Material is always produced where the Licensed Material is synched in timed relation with a moving image.
Either way, the original work is not an adaptation of the original work, so you cannot directly relicense from CC-BY-SA 3.0 to GPLv3 without creating an intermediate work and releasing it under CC-BY-SA 4.0, and which involves genuine creative differences from the original. You would then have to make a second adaptation, which differs from both of the first two, in order to relicense under GPLv3 or the Free Art License.
KevinKevin
Nothing indicates that the Lua code would have a special license, you therefore have to assume that Wikitionary's default CC-BY-SA 3.0 applies.
As your port is most likely an adaptation of that Lua code, you are bound by the share-alike clause. If you publish your port you can only do so under the same CC license, or a compatible license. This effectively gives you a choice between:
Creative Commons licenses are generally unsuitable for software because they fail to consider issues around running the software or access to the source code. But since the GPLv3 has been declared a compatible license to CC-BY-SA 4.0, you do have a choice of a license that is suitable for software.
Not the answer you're looking for? Browse other questions tagged licensing license-compatibility wikipedia or ask your own question.
Should the source code of the Linux drivers ported to the VMKernel be released?
Licensing for a pre-alpha software which is intended to be eventually released open source
Does the license of a released product / artifact change with the content of a webpage?
GNU GPL Licensing
Licensing for research collaboration between EPL and GPL
License similar to GPL, but allowing to incorporate into the commercial version
Are there legal issues with bundling one's own LGPL-licensed code with proprietary code?
How can a GPLv2 dependency affect licensing of adjacent components that form an aggregate project?
Publishing my Node.js library/framework under the GPL


M.O. Protection & Transport is a full-service Security and Transportation agency based in Beverly Hills with operations spanning throughout the whole state of California and Las Vegas, NV. Services include (but not limited to): Executive Protection & Personal Bodyguard Services, Event Security, VIP Transportation Services, MMJ Dispensary Asset Protection, Consulting, and Private Investigations to at-risk individuals who only require QUALITY. It is a fully licensed & insured, protection and investigative agency offering professional, reliable, and cost-effective services to private individuals, as well as legal, commercial, and corporate clients.


What should we expect in Season 3 and 4, and Should there be a spinoff series?
anyone still watch Match Game On GSN?
If you are a kid, what did you like last year?
who do you think savitar is.
Do you watch any types of horror tv shows?
What are your favorite show finales?
Do you still enjoy watching Nickelodeon, Cartoon Network, and Disney?


So does the winner of Stipe/JDS fight the winner of Cain/Werdum?
Discussion in 'UFC Discussion' started by flakxd, Jun 1, 2014.
Does Junior get the next title shot even if Cain wins? If not, then who......??
If Stipe beats JDS, he should get a title shot.
LOOOOOOOOOOOOOOL. NO. Of course NO. Do you want to see JDS killed or something. He took a terrible beating two times in raw from Cain. He will die next time.
Yes, because even Rocky had 5 sequels.
JDS knows this, that's why it's his entrance song cos he thinks he'll get a quadrilogy!
Cain has been quoted as not being interested in fighting jds again.. I mean he's absolutely smashed him twice, with the first being a fluke win for junior. Whilst Cain is still champion I don't see dos santos getting a title shot soon. Totally understandable from cains point of view. It seems the UFC have fucked up promoting rubber matches way way too soon.
Jds will have to wait til cains dethroned or wait another few years.
I mean, I agree with everything you are saying.....but who gets the next title shot if Cain & Junior both win decisively? Winner of Hunt/Nelson fight Cain?
You're thinking too far ahead, it's the HW division and Cain is injury prone and Werdum matches up well with him, not saying he'll win but he's got a better chance than most everyone else at HW.
Whaaat? What is this JDS vs Stipe bout you're talking about?
Soa Palelei/Overeem/Miocic or Hunt/Nelson winner for the title shot! But to win against Cain in a 5 round fight is only by TKO/KO or submission.
If Miocic beats dos Santos, then he deserves the winner of Cain/Werdum. If JDS defeats Stipe, he should take on a couple of more (maybe Browne and Barnett) fights before getting another shot at Cain. If Werdum upsets Cain, then I'd say give Cigano another shot if he comes out as the victor over Miocic.
Overeem/Miocic or Hunt/Nelson winner for the title shot!
Fixed that for you. Soa needs to get a top 10 win. beating nobodys is great and all, but let him try bigfoot or someone like that first.
The werdum v Cain fight isn't til like nov. If hunt or nelson win a couple fights in a row, it could be the winner. Overeem is always 2 fights away from a title shot and he has one win already. The next title fight wont be til probably next April or may. Long time.
If Stipe beats JDS then he deserves the title shot, if JDS wins and Werdum is champion then he should get the shot. If Cain is champ then JDS would need at least one more big win to get another shot IMO.
Why in the hell would the winner of Hunt/Nelson get a title shot? All you have to do is look at the UFC's rankings. Miocic, Overeem, Barnett, Bigfoot, and Browne are all ahead of them, but someone like Bigfoot obviously wouldn't get a title shot anytime soon. If they did a Browne/JDS fight, then I could see them giving it to Browne if he were to win. They could try Barnett/Overeem and possibly give the winner a shot if they win in dominating fashion or give it to Stipe with another win.
Whilst Cain is still champion I don't see dos santos getting a title shot soon. Totally understandable from cains point of view. It seems the UFC have fucked up promoting rubber matches way way too soon.
Browne, Overeem, or Barnett next, depending on their next match(es).


text:
Band-in-a-Box
Band-in-a-Box Upgrades
Band-in-a-Box SGU/MGUfiles
Band-in-a-Box eBooks
Band-in-a-Box Video Course
Guitar Karaoke
One-on-One Zoom consulting
In Memory of Phil Emmanuel
Joanne Cooper Music: Band-in-a-Box, Guitar Karaoke, Backing Tracks, Chords and Lyric Charts
How to make and edit a music video
Songs that made us Episode 4: The Boxer by Simon & Garfunkel
Songs that made us Episode 3: Everything I Own by David Gates - Written by Richard Papps
Songs that made us Episode 2: Hallelujah by Leonard Cohen - Written by Holly Cooper
Songs that made us Episode 1: Everything I own by David Gates - Written by Joanne Cooper
Transcribe a Monophonic audio melody to midi in BIAB and RB by Noel Adams
Differences between the regular and audiophile version of Band in a Box by Matt Finley
Enhance Your Songs with Band-in-a-Box by Nigel SThomas
The differences between songwriting in NYC and Nashville by Clifford Goldmacher
Performing with Band-in-a-Box - Guest blog post by Roy Woolliams
How to add lyrics to your band-in-box backing track
The Best Hobbies For Your Kids And How To Get Them Started
Tired of Playing the Same Songs Again and Again? by Austin Brentley
The Benefits Of Learning A New Skill by Julie Morris
Recording and processing vocals using RealBand, Melodyne and Izotope Nectar
How to use the Band-in-a-Box "Song Titles" database for cover songs
The Lazy way to Make Harmonies with Band-in-a-Box and Melodyne
How to use the new Band-in-a-Box video tracks feature
How to record a cover song using Band-in-a-Box and Realband
How to create a Band-in-a-Box backing track with melody from a lead sheet
How I am using Band-in-a-Box to learn to play by ear
Create interest in your Band-in-a-Box song using holds
Eight reasons why I as a Band-in-a-Box user use RealBand as my DAW of choice
How I use Band-in-a-Box in my songwriting
Recording and mixing a single acoustic guitar track using RealBand
Options for mastering your Band-in-a-Box album or song
How to create a scrolling Lyric and chords video
How to create an instrumental melody line that follows the vocal using Band-in-a-Box and Melodyne
The easy way to create a backing track from a midi file using RealTracks and Band-in-a-Box
Using Band in a Box cover song backing tracks with scrolling karaoke guitar chords and lyrics
5 steps to recording harmonies using Band-in-a-Box and RealBand
Six Simple Steps to make cool backing tracks using Band-in-a-Box
My musician's digital tool box for music making and marketing – Part 1
How I am using Facebook to build my brand as a musician
What I learned about performing at the National Arts Festival
Pros and Cons of 6 live streaming sites for musicians
6 Things I learned from Blowin' in the Wind
Interview with Singer-songwriter Floyd Jane
6 steps to record great harmonies
Indie Music Radio Interview 21st Jan 2016
Recording my Adele Hello Cover video
Broadcasting from Streetjelly
How to make and edit a music video (Guest post from InVideo video creation platform)
If you've ever dreamed of being a famous music video director or are just looking for some video editing tips to make your home videos more fun, this article is for you! We're going to cover all that you need to know about making footage of yourself and others, and how to edit it all together seamlessly into a music video with transitions and effects. It has never been as easy as you'll discover today.
No matter how old or young, yes, two-year-olds are becoming…
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This mesmerising design is called a 'koru' ('spiral' in English) and slowly draws your eye inward. It's a very large impactful piece which makes a statement in any room with its beautiful colouring and water worn base. Some believe spirals represent growth or new beginnings. The jade is a truly magnificent piece. It's cut from the edge of the larger boulder which is why its riddled with mottled patterns and coloured spots. Boulders weather over time as they sit in the ground and oxidize much like metal does, giving the green stone patterning and different colours.


text:
coverLetterManager
==================

Cover letter Manager

TODO
----

- Add input comment
- Integrate [Sentimental](https://www.npmjs.com/package/Sentimental)

redpajama_set_name: RedPajamaGithub


text:
Johannes Wald
Go to artist page
Courtesy Galerie Greta Meert
Greta Meert Gallery presents its first solo exhibition by Johannes Wald (Sindelfingen, 1980).
Johannes Wald's sculptures do not follow the conventional notion of the art of sculpture. His work embodies the concept of sculpture; it evokes questions concerning the viewing, the contemplation and the genesis of a piece of sculpture. How can abstract notions, such as feelings, artistic qualities and ambitions, be materialised? Is form, as mimesis or expression at all possible?
The mural text in lead letters may be read as an introduction to the exhibition and may further be related to the video installation in the middle of the space. Cold veins, warm light zooms in on a male chest and registers its breathing. It makes the skin of the model and the texture of the marble coincide, and 'breathes' life into the stone material.
Similarly, the gallery space is filled with sculptures that have not necessarily been sculpted as such. Innocence, beauty and grace cast in bronze and Language and inconsistence to be cast in bronze contain a reference to the technique of bronze casting. The cones and channels which are normally used to lead the hot material into a casting form are a moment of transition between the meaningless material and a concrete result. Now the casting process is reduced to this moment, which precedes each form and evokes a multitude of qualities. Each cone stands for an elusive quality that is kept in a possible becoming of the sculpture.
This work is in line with a previous series of sculptures in which the artist analyses the sculptural process by elevating its artefacts, waste material and intermediary stages to the artistic status of sculpture. Studying the Greeks Grace starts from an intermediary stage, however, the projection of the plaster copies of ancient sculptures from the Abguss-Sammlung Antiker Plastik, Berlin, onto a massive marble plate brings the sculptural process to completion. Not a sculpted form in the conventional sense, we can hardly even speak of a third dimension, but like many works in the show, it is an alternative reading of a sculpture as an 'image in stone'.
Johannes Wald's work continues the conceptual tradition in which all materialisation loses its relevance, but he does not regard this moment in art history as a final point. Sculpture is possible, but its formal possibilities are being completely rethought. The result is a totally open practice in which the artist questions his medium, and by extension his artistic calling: Johannes Wald – Belgian artist (Jan Bos – Jean Forêt) is not a static given, and neither are his sculptures.


Katie: Okay, so I am not usually a crier when I read books. Even the saddest ones never bring tears to my eyes. But let me tell you about "The Renfield Syndrome" by J.A. Saare. Ugh!!!!! It is killing me!
Marcia: I couldn't find who shared about the Rhiannon's Law series by JA Saare in old posts but I just want to say THANK YOU! I am in love with it. Book 2 was the best and can't wait for 3 which is due out soon!
She's left behind the flash and sass of Miami for the no-nonsense groove of New York City, eager for a clean slate and a fresh start. A bartender by trade, a loud mouth by choice, and a necromancer by chance, she's managed to keep her nifty talent hidden from those around her–until now.
I just heard how good this series is. It was recommended to me after I read Downside Ghosts. This will be next series read!
Sounds like a good read. Is it YA?
Finished these two books and I thought they were Really Good. Can't wait until July 31st for book #3.
Fan*freeaking*tastic! I just finished the first two, and they are a blast. I can't wait for number three. Maryse, you're going to love it.


text:
from __future__ import unicode_literals

from urllib.error import URLError
from urllib.request import urlopen

import lxml.html as html
from bs4 import BeautifulSoup
from bs4.element import Tag
from django.core.management.base import BaseCommand
from lxml import etree
from typing import Sequence, Dict, Union

from digest.management.commands import (
    apply_parsing_rules,
    apply_video_rules,
    save_item
)
from digest.models import ParsingRules, Section, ITEM_STATUS_CHOICES, Resource

Parseble = Union[BeautifulSoup, html.HtmlElement]

def _get_content(url: str) -> str:
    """Gets text from URL's response"""
    try:
        result = urlopen(url, timeout=10).read()
    except URLError:
        return ''
    else:
        return result

def _get_blocks(url: str) -> Sequence[BeautifulSoup]:
    """
        Grab all blocks containing news titles and links
        from URL
    """
    result = []
    content = _get_content(url)
    if content:
        try:
            page = html.fromstring(content)
            result = page.find_class('bodyTable')[0]
            result = result.xpath('//span[@style="font-size:14px"]')
        except OSError:
            page = BeautifulSoup(content, 'lxml')
            result = page.findAll('table', {'class': 'bodyTable'})[0]
            result = result.findAll('span', {'style': "font-size:14px"})
    return result

def _get_block_item(block: Parseble) -> Dict[str, Union[str, int, Resource]]:
    """Extract all data (link, title, description) from block"""
    resource, created = Resource.objects.get_or_create(
        title='PythonWeekly',
        link='http://www.pythonweekly.com/'
    )

    # Handle BeautifulSoup element
    if isinstance(block, Tag):
        link = block.findAll('a')[0]
        url = link['href']
        title = link.string
        try:
            text = str(block.nextSibling.nextSibling)
            text = text.replace('
', '').strip()
        except AttributeError:
            return {}

    # Handle BeautifulSoup element
    else:
        link = block.cssselect('a')[0]
        url = link.attrib['href']
        title = link.text
        _text = block.getnext()
        if _text is None:
            return {}
        text = etree.tostring(block.getnext()).decode('utf-8')
        text = text.replace('
', '').strip()

    return {
        'title': title,
        'link': url,
        'raw_content': text,
        'http_code': 200,
        'content': text,
        'description': text,
        'resource': resource,
        'language': 'en',
    }

def _apply_rules_wrap(**kwargs):
    rules = kwargs

    def _apply_rules(item: dict) -> dict:
        item.update(
            apply_parsing_rules(item, **rules)
            if kwargs.get('query_rules') else {})
        item.update(apply_video_rules(item))
        return item

    return _apply_rules

def main(url):
    data = {
        'query_rules': ParsingRules.objects.filter(is_activated=True).all(),
        'query_sections': Section.objects.all(),
        'query_statuses': [x[0] for x in ITEM_STATUS_CHOICES],
    }
    _apply_rules = _apply_rules_wrap(**data)

    block_items = map(_get_block_item, _get_blocks(url))
    list(map(save_item, map(_apply_rules, block_items)))

# Написать тест с использованием ссылки
# http://us2.campaign-archive.com/?u=e2e180baf855ac797ef407fc7&id=d4b2a101de
# http://us2.campaign-archive.com/?u=e2e180baf855ac797ef407fc7&id=0a5d4ce3e5
# http://us2.campaign-archive.com/?u=e2e180baf855ac797ef407fc7&id=a68acae6d6

class Command(BaseCommand):
    args = 'no arguments!'
    help = ''

    def add_arguments(self, parser):
        parser.add_argument('url', type=str)

    def handle(self, *args, **options):
        if 'url' in options:
            main(options['url'])
        else:
            print('Not found folder path')


When Chopin gave his Opus 23 the title "Ballade" in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg. The idea of transforming a fictional, dramatic and mystical event into music particularly suggested itself to the Romantic Schumann. He was enthusiastic about this work: "I have a new Ballade by Chopin. It seems to me to be one of his most brilliant (not most inspired) works." This single edition has been taken from the revised edition of the "Ballades" (HN 862). Detailed information on the genesis of this work and an evaluation of the sources can be downloaded free-of-charge.


I have the Wii fit and I love it, I don't suffer any extra pain from it, less pain actually from the fit then when I go to the gym.
Sometimes it is easy to push yourself to hard on some of the games if your competative and trying to get good scores. The main game that gives me problems is the Hula Hoop challange.
I also read an article on CNN a week or so back that said that there are more injuries being reported in ERs from the Wii.
I just bought WII fit today. Am going to try to take it on in the morning. I have to try and do it as mornings are worst for me. Swelling, pain, and anxiety. After taking meds and waking up I can usually start doing things. Hopeing it will help me.
I have been doing WII fit for 4 days now. It is great when I am doing it but as night time comes on I have alot of muscle pain. More then from the fibro. Also in 4 days I have gained weight but my sister tells me its water. I don't know, but I love the exercises.
kras618I tried yoga (DVD) I think I streched too much because I was in such pain in the neck and arms at the end of the night. Im not sure Ill try it again. If I do, Im not going to strech as much, maybe you over streched with the wii.
You might be getting neck spasms from incorrect posture during your exercises. It might also be from doing too much exercise all at once. If you haven't exercised in a while you might want to start with 5 min at a time. It also a good idea to do general body stretches to warm up your muscles before starting any exercise. Good Luck!
I think my bad neck pain after buying the wii fit was from laughing. At my reflection in the tv screen.
I have a kind of competitive nature, so I had to BACK OFF from the Wii Fit. I found myself on it 2 hours at a time (learned how to make it think it was another day so it wouldn't tell me I had done enough for one day), trying to top everyone in my family's scores.
The easiest exercise for me and my Fibro on it is the step aerobics.


text:
Plovdiv (, ) Bulgária második legnagyobb városa, az ország középső részén helyezkedik el, a Marica folyó két partján. Régi magyar neve Filippopoly vagy Filipápoly volt. Plovdiv Észak-Trákia kulturális, kereskedelmi és közlekedési központja.

Földrajz
Plovdiv a Felső-Trák-alföld legnagyobb városa.

Története
Plovdiv ősi város, az újkőkor óta lakott hely. A trákok Emolpias néven emeltek itt erősséget, amit i. e. 342-ben Makedóniai Fülöp, Nagy Sándor apja foglalt el, s nevezett el Philippopolisznak, amely névalakból ered a régies magyar elnevezése is. A rómaiak Trimontiumnak, azaz a Három hegy városának nevezték. 46-ban Claudius császár újjáépíti, Marcus Aurélius idején pedig erős falakkal veszik körül. Közel öt évszázadon át római város, a trákiai provincia ragyogó városaként említik, majd Bizánc rész lesz.

447-ben a hunok elfoglalják, feldúlják. A szlávok már a hatodik században megjelentek a térségben, de az első dunai bolgár birodalom része csupán 815-ben lett.

A Bizánci Birodalom 970-ben kebelezte be, az Oszmán Birodalom pedig 1362-ben foglalta el, de mindvégig a bolgár kultúra fellegvára. Az oszmán korban egyébként Filibe volt a neve. 1878-ban a plovdivi csata után Kelet-Rumélia fővárosa lett. 1885-ben az egyesült Bulgária részévé vált.

Kereskedelmi és hadi utak központja, egykor az Adriai-tengertől a Fekete- és Márvány tengerhez vezető római út része volt, később a keresztes hadjáratok klasszikus útvonala, majd a Belgrád-Isztambul út része.

Legrégebbi épen maradt műemlékei a római korból valóak.

A dombokra épült óváros a bolgár reneszánsz elnevezésű stílus remek épületei bejárható távolságban fekszenek, szépen felújított sétálóutcákkal összekötve. Az elegáns házak a bolgár öntudatot vannak hivatva szimbolizálni. A színek és a kiugró erkélyek is kellően figyelemfelkeltőek, a belső terek gazdagsága, a dekorációk, értékes bútorok, szőnyegek, freskók engednek leginkább arra következtetni, hogy a házak tulajdonosai a XIX. század tehetős kereskedői voltak.

Gazdasága
Trákia elsősorban mezőgazdasági vidék. Fontos szőlő-, gyümölcs- és rózsatermő terület. Mindezek miatt a gazdaság motorja az élelmiszerfeldolgozás. Ám gépipara, textilipara és vegyipara is jelentős. Több mint 200 műemléke miatt fontos turisztikai célpont is.

Látnivalói

Legrégebbi épen maradt műemlékei a római korból, a második századból valóak. Ilyen a római színház és a stadion.

Az óváros a bolgár reneszánsz elnevezésű stílus remek épületeivel tele. Ezek a fából is épült házak a bolgár öntudatot vannak hivatva szimbolizálni. Jellegzetesek 19. századi vallási épületei: ortodox templomai, két török dzsámija és zsinagógája is.

A vasútállomás épületét a híres török építész, Mimar Kemaleddin Bey tervezte.

Jellegzetesek vallási épületei:

Ortodox templomai mélyfaragással készített ikonosztázokkal: Szent Cirill és Metód, Szv Dimitar-Szent Demeter, Szv Nedelja-Szent Feltámadás, Szv Marina-metropolita templom, Szv. Bogorodica- Szent Szűz templom

Két török dzsámija: Dzsumaja és Imaret

A török időket idézi a Csifte banja török fürdő az Imaret dzsámi közelében.

Az óváros a Dzsumaja-dzsáminál kezdődik és onnan sorjáznak az építészeti, történelmi emlékek:

* Szent Szűzanya templom

* Ikonmúzeum,

* Cirill és Metód Iskola timpanonos -oszlopos homlokzatú klasszicista stílusú épület

* Csomakov ház - Bulgária elős koronás uralkodójának I. Ferdinádnak a plovidivi "palotája" biedermeier, rodopei népi és keleti stíluselemek vegyülnek

* Konsztantin Elena templom szőlővel befuttatott lugasszerű előtere a templom külső falát színes bolgár díszítő motívumok teszik egyedivé

* Plovdivi építészek háza

* Képcsarnok idézi érdekes kapuzatával az óváros hangulatát

* Néprajzi múzeum a bolgár újjászületés építészeti remeke karcsú oszlopokon álló, előreugró emeltű ház, aminek teljes homlokzatát fekete háttérből kiemelkedő színpompás 'vazrazsdane' virágdíszek borítják

*Georgiadi-ház a díszes termek, fafaragványos mennyezetek az óváros egyik leglátogatottabb épülete

A művésznegyedben kiállítótermek, hangulatos vendéglők csábítják a látogatót.

Plovdiv emblematikus emléke az amfiteátrum és antik színház, a mai Bulgária területén a leghatalmasabb szabadtéri római létesítmény. A II. században Traianus császár idejében kezdték el építését. A római építőművészet mesterműve. A nézőtér majdnem teljes kör alakban nyúlik a színpadig, 14 sor lépcsőzetes márvány padjaival, közöttük lelfelé vezető lépcsősorokkal. A színpad mögöt előkerült a kétszintes színházi épület nagy része is, dór és ión oszlopokkal. Két nagymértű szobor, frízek és feliratok is emelték az építmény pompáját.

A római emlékeket idézik a városban fel-felbukkanó erődítményfalak, mozaikpadlók, vízvezetékrendszerek, középületek romjai. Tártak fel római fórumot idéző részleteket kőlapokkal burkolt eredeti római utcák menén oszlopsorokkal oszlopfőkkel és az épületek homlokzatán frízekkel.

Képek

Jegyzetek

Kapcsolódó szócikkek
Plovdivi repülőtér

Plovdiv megye települései

redpajama_set_name: RedPajamaWikipedia


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Acquired Book By: One thing I love about being active in the bookish side of the twitterverse is being able to interact with authors. This is how my path crossed with Ms Fuller – where in a random encounter led to chattering about her debut Contemporary Romance being a duet, the first installment of a duology; of which I was most excited to learn more about as the format of dulogies interest me greatly since I first started discovering them as a book blogger. Ironically or not, I did not read as many as a reader prior to having my bookish blog! I credit this to the wider net of awareness I have gained as a book blogger and the more routes of interaction I've become blessed within the book world to actively be more 'aware' of the uniqueness of releases which are not traditional series, limited series, mini-series and/or non-sequential series – or even, series rooted by theme, setting or supporting cast but rather, a duology – one half of a whole spilt into two individual volumes which once read together compliment and complete each other.
Thus, I agreed to accept a complimentary copy of "Indecision" fully aware of the fact it was the first of a duology release by the author Brittany Fuller in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
It truly began about a discussion with Ms Fuller about readers and duologies – about the misconceptions about duologies and how sometimes readers feel short-changed by them. For me personally, I wouldn't feel upset if a novel I was reading turnt out to be a duology – as I've read stories I felt were stand-alone novels which ended on ambiguous final chapters without a hint of a whiff of a sequel or anchouring novel to accompany them.
Now, on the opposite end of the spectrum, where you are unsure of a connective sequel wherein either writer anchours the first story to a limited series, a mini-saga or series, or a non-sequential series where your reading stories linked by setting, theme or characters – you have the option of soaking inside a duology. I, personally would never feel disappointed if I read a story and it turnt out to be a duology – even if I wasn't previously attuned to this being the case, as I have had the unlucky habit of finding myself in the midst of full-on serials wherein I have to back-track to find the originating stories and/or find which stories are still available in print (for purchase or borrowing) in order to re-adjust the continuity, gather the thoughts of how the author set the tone for the series overall and generally feel in confluence with the stability of the evolving story (or saga).
Speaking on behalf of the previous duologies I've read, I have a high level of respect for how writers write them. Mostly as you are being given half of the evolving arc of narrative, half the journey of the characters both major and minor and have to have felt you've resolved or have come to a conclusionary ending by the time you put down the second half of the duology. For those writers who have continued to inspire me and give me a ready story for which I love reading anchoured in this unique fashion, I am forever humbled and blessed to have had their stories cross my bookshelf.
Thereby, when it came time to decide if I wanted to dive into the world in which Indecision lies in the midst of a 'duet' – I daresay, dear hearts, I dove right in!
Notation about the Cover Design: There are a few moments where I stumble across cover art and design which speaks directly to the heart of the story – most cover art designs today strike to find a balance between what is marketable and what is relevant even if sometimes I think they (ie. publishing & PR) err on one side of the ledger vs the other – in this particular case, what was so very striking about the cover is how it truly represents both characters: Evelyn and Noah. Specifically as to why the pier would be of 'importance' and what that important 'revelation' on behalf of a character would mean in regards to being 'clued in' to understanding 'them'. In essence, I love when a cover of a novel is a glimpse of a portrait of the story the author has written – I much prefer these kinds of covers than a marketable gamble on aesthetics!
Subtitle: He gave up everything to be with her but is she willing to do the same.
Noah knew one thing in life, he would never let a woman rearrange his world ever again. After giving up his future once for what he thought was true love, only to end up alone with what little pride he had left, he headed out towards the West Coast and sunny California in hopes of putting his past behind him. After one year trying to fit into the fast-paced lifestyle, he's ready to pack up and head back to the south, and his old Kentucky home, even if it means crossing paths again with the demons he left behind. That is, until he meets her. The one girl he can't help but be drawn to no matter how hard he tries. As he finds himself ready to surrender everything once again for a future with the one woman he knows he will never be able to live without, he's suddenly forced to realize she just might not be willing to do the same.
Evelyn has had the same dream since she can remember. After her parents moved her to northern California as a pre-teen, she is determined she won't rest until she can move back home to Orange County and somehow land a job at the LA Times. Vowing to never let anything stop her, and so far succeeding in making her goals come almost within reach, she will not compromise and will let nothing stand in her way. Although, the night a tall handsome stranger comes to her rescue in a dark corner of a downtown bar, her life is suddenly changed and forever rearranged. Noah soon has her questioning everything she thought she wanted in life. Suddenly, she finds herself torn between the life she always wanted, and the one man she's afraid to live without. Although, when she's offered her dream and the chance of a lifetime, does she take it, or does she choose him?
Brittany Fuller has known one thing since as far back as she can remember, she wanted to be a writer!
Born in Orange County, California, she grew up scribbling notes and drawing stick figures on blank pages, stapling them together and calling them her latest book.
Her family moved to northern California when she was five, and throughout the years her writing has evolved to poems, songs and short stories.
Returning to college at the age of 28, after getting married and starting a family, she received a degree in journalism and recently took a leap of faith uprooting her life and moving to Kentucky where she works as an editor of a community newspaper.
Although, before leaving the West Coast, she took a chance and started to write her first novel in the hopes of fulfilling a dream she's had since she was a little girl. To become an author.
With no plans to stop writing anytime soon, she is excited to embark on what she hopes will be a long career.
Busy planning, drafting, writing and reading any chance she gets, she loves to hear feedback and connect with not only readers, but potential clients as well.
Rage and emotional anguish is hard to pin down in narrative – to have the clarity of thought in the height of a deeply emotional response is hard to eclipse within mere paragraphs but even a bit of a harder sell when it is threading through your opening paragraph and chapter – yet, this is where Ms Fuller excels in placing you cut quick to centre into this woman's tailspin of a day! It goes from #epicfail to a plummeting spiral into near self-destruction because her emotions are clouding her judgement, her ability to drive and even to think straight. Full-stop, she needs to take the keys out of the engine and just hit the pause button on reality.
Evelyn. This character has a way of intuiting how to articulate her innermost thoughts and her dearest of emotions by both her observations and her frank earnestness in dialogue. She literally emotes through her experiences – giving you a prism of understanding her at her inner core. This countering of intuition threading through the under-threads of the narrative – where a voice of wisdom is ebbing its presence into the foreground is one you can recognise and denote as resonating with your own life as your reading.
This Contemporary is lifted straight out of ordinary life set in a place you can feel alongside Evelyn due to how Fuller has introduced you to the setting – as places which mean the most of us are not necessarily encased in visuals but rather emotional thoughts of personal space and personal attachments. We live so dearly close to our emotions, they can effectively alter how we perceive where we live or where we ought to be living – depending if your currently where you feel soulfully free and the natural environment agrees with your spirit. Counter to that, you could be living in an environment which never lifts your soul and where you never quite feel free to simply be yourself.
In a bar scene you can almost imagine yourself as your worst nightmare, Fuller explores the tenuous line between being a best friend and needing to act on your own self-preservation instincts! It was one of those sequences where you understand why Evelyn is on the fence about what she ought to do about it but in the end, what is most important is never losing sight of your own personal safety even if your friend is making choices which make it more difficult for you to preserve your own interests. Sometimes, as this sequence reflects – you have to come before your friend. Fuller does a great job at showing all the different angles in the scene itself – from the rats who linger in bars seeking easy targets to the women who are not there for the men but for their friends to the wait staff who'd rather be anywhere else but need to earn a weekly wage.
Interestingly, I wasn't expecting to be taken away from the bar to meet Noah nor did I expect to be brought back in-scene with Evelyn going up against that bar rat but this just proves that sometimes a story has different lens in which to draw your eye. Sometimes you only see the closeness of the scene unfolding rather than the wider angle of whom is around outside the immediate action of what is taking place and this befits how to describe the bar. We first were only clued into what Evelyn was experiencing in her close quarters with the bloke who couldn't take a hint if you handed him a direct order. Then, as the lens pulls back a few feet more – we start to see things as they really were from a different pair of eyes we never knew were in attendance.
Noah and Evelyn have an epic encounter in the bar – uniquely told from both their perspectives, Fuller focuses on Noah first, then Evelyn. The unique bit there is how two strangers find themselves positively entranced by each other and have barely enough words to even articulate their reactions! Fuller also writes Noah's reactions as you might expect a guy to express himself rather than to hear from a bloke's POV from how a woman would think a guy would respond; making this encounter a rather unique one in Contemporary Romance. It was in this scene's after effects where my mind remembered how the story began – how emotionally destroyed Evelyn had felt and I wondered, what caused the fracture of this relationship? Could it be repaired?
As I started to see more into Evelyn's interior world – the ways in which her thoughts curl around her ideas for the future and how she was given a foundation of perfection by her mother, you better understand how Evelyn is rooted on a path of intense focus for her career. Her obsession for success is valid for the most part but her unwillingness to accept life doesn't quite stick to one's forecasted plans for the long-term is where I felt she might be more than slightly misguided. Her mother's intensity for everything to be neat and tidy is as overwhelming as a natural disaster! I couldn't imagine anyone finding a way to function in a home environment that bent towards a perfected existence! And, in some ways, I wondered if this is why a part of Evelyn was intrigued by Gwen? Her friendship with Gwen should have expired long before now – as the two girls are polar opposites of each other, but one thing Gwen has that Evelyn doesn't have is a chaotic centre of self and an upturnt view of how to live her life. Not that Evelyn should throw caution and reason out the window but one thing she could take from Gwen's lead is a bit of spontaneity and the acceptance for serendipity.
With the kind of kinetic attraction bubbling between Noah and Evelyn, part of me was surprised they were both taking their budding relationship a bit slower than they voiced they'd prefer. I did understand why though – they both had things they had to resolve for themselves, especially the differences in time zones and home bases. Noah was from the Mid-West and Evelyn was on a one woman course of determination to get herself situated in a different part of California and inside the job of her dreams. Both of them were focused on their careers and were dearly attached to where they presumed they wanted to call 'home'. Presumed here referring to the fact neither of them were at the time of their meeting were living the life they desired in the place they preferred.
As you start to see them step away from themselves and interact with their friends and family (at least Evelyn's family at first) – you see the ripples of how they are different from their immediate circles of influence. They stand out because their striving to make their lives count for something outside of what others they know had wanted for their own lives. In many ways, their both career driven workaholics who dreamt of a relationship but when one walks in through the door they weren't expecting to open neither of them knows how they want to react to the randomness of the moment. They both have fierce feelings for each other – but to react on them? It is almost as if they want to approach this intellectually and with sound reason – stacking on the reasons why they are wrong for each other or rather, why the timing is wrong for them to pursue a relationship rather than giving into their attraction.
From Noah's perspective, you see a man whose gone through the wringer for a girl previously and doesn't want to go through something even remotely close to that again. He is one of the last true gentlemen around who believes in the relationships he begins and wants to see the good in people even though in the past his sense of honour was not respected by a girl who was too immature to have an adult relationship based on mutual trust. As you see things from Noah's perspective you almost fear he might find his heart broken once again – as although Evelyn has more going for her than the last girlfriend Noah had there is one fatal flaw inside which might undo Noah.
The characters I was less inclined to warm towards were Rex, Michael and Gwen – the supporting cast of friends and family. Their a bit too intense and blunt round the edges for me – whilst their lifestyle choices are clearly over the top and on a reckless course of self-destruction they also aren't the best for being the kind of friends who Noah and Evelyn need as their always trying to needle into their relationship to find faults or to find reasons to give either of them self-doubt about choosing to be with each other. In many ways, I had trouble sorting out how they were 'supportive' and felt like their connections should have been limited if not severed. Except to say, there is is one crucial conversation with Gwen which served as forbearance of insight into how this installment of the duology would anchour and fuse into the sequel as it set the ground for Evelyn to re-evaluate her life.
Indecision is a story about how spending too much time focused on what could be and what might never be could be the choosing factors regarding your own future. Told from the dual perspectives of two characters who have reached the apex of their relationships where each of them is contemplating choices they never felt they could desire for themselves, we knit close to their thoughts, seeking to find which of them is willing to bend and which of them is unwilling to yield.
It would be re-missive of me not to emotion there are strong words in this novel – however, unlike most authors who rankle my ire and irk my last nerve about how include such language in scenes and dialogues where I never truly felt they were warranted, Ms Fuller took the opposite approach. She gave an honest dialogue of cohesive thought in the height of an emotional deluge of angst – wherein, who would be using softer words to express the fire bursting of their skin? This woman was on fire (cue Alicia Keys) – she needed to vent, she needed to gain distance from her duress and most of all – she needed the space to just be.
In this instance, I took no offence of their inclusions because it was singularly one of the best uses I've seen for strong language – there are a few exceptions dear hearts, as I'm sure you've observed if you've been visiting with me for awhile now – Indecision is merely the latest entry in that category.
The only time where my patience drew a bit thin was when my least favourite word popped out in a sentence I wasn't expecting anything strong to be said and found it really hadn't helped anchour me to any particular train of thought it might have been attached. In essence, I did find a few examples of where some words were not needed even though they were used. Towards the latter half of the novel they became more frequent and I wished they had been infrequent as they really didn't offer anything to me other than annoyance.
There was a moment early-on in the narrative where I almost felt the story took an about-turn of direction, as I was slightly confused in the shift as I was thinking the plot was heading off in one direction vs another. It is hard to put into words, as the story still moved forward and was continuing on course but the tone and voice of the delivery of the flow of story was altering from how the novel began and that is where the confusion started. Then, blessedly things evened out and I was unsure what had happened.
I'll say one thing for Ms Fuller – if the Prologue didn't grab your heart and leave you on the very edge of your chair contemplating the final paragraph, I daresay there isn't a Thriller round which would instead! The way she ends the Prologue – you're dearly wrapped up in the 'heat of the moment', in the emotional reckless roller-coaster of her character – diving into that spiral of emotional response and trying to put aside the very realistic dangers ebbing at you just out of your periphery senses – their there, all along their there but your with the character,… you've stepped so full into her shoes – it is hard to know whose more gobsmacked – her OR you?
The choices Ms Fuller is making to tell this story is what makes it an incredibly compelling read for me – as I found myself aching to read more, to see where Evelyn was going to take me next and I honestly was loving the instinctive way in which Fuller wrote this novel. It has an edge to it but it is the kind of edge which keeps you lingering over the context of the story, of searching to understand what your being told and in keeping suspended a bit to see how it will track forward.
As you get closer to the middle of the story, you start to see how Fuller is setting this up for the duology as even in the opening bridge, you had a feeling there is 'more' to the story than what is being disclosed but she doesn't rush the chapters. In effect, she takes her time to introduce you to Noah and Evelyn shifting from one character to the other in alternating chapters of focus – thus, giving you a dual perspective throughout the novel of how these two characters perceived each other and how in effect they both desired each other but were stalling the attraction as neither of them wanted to alter their own pre-conceived ideas for their futures.
Fuller also shows what happens when the friends you keep close to you don't always have your best interests at heart. Proving that sometimes, the friends you think are good for you might actually be a bit too toxic to keep. As the story evolves forward, where insta-attraction and lust lead into a relationship which needs to be begun properly – you start to see how this story could be anchoured to a sequel. This is the opening arc of a larger story – of where two people have to recognise their indecision could affect their future and how not realising the truth of your heart could drastically alter the course of your life.
There is dramatic conflict at the jump start of their relationship as each of them is already on course for securing a future they want more than marriage. Except is that the whole story? Your meeting two individuals at a turning of fate where their lives can go in two different directions or find unity in walking together.
This first half of the duology explores what led into their relationship – including the good, bad and ugly bits of sorting out your emotions – of knowing what you truly want vs what you dreamt of having for so long. It isn't a clear path towards the future, but rather a muddled one with hard choices and consequences neither of the characters saw coming for either of them.
The reason I felt this worked as a duology is because this installment offers the back-story and I am hoping the sequel Devotion will offer the resolution and healing as this one ended on an emotional cliffhanger.
feat. guest for @SatBookChat#duology part one – two people recognise their indecision could affect their future & how not realising the truth of your heart could drastically alter your life.
Blog Book Tour | "Riding" by Cassia Cassitas with a featured Guest Post to accompany my review!


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American History with Memoria Press
The following is a review of The Story Of The Thirteen Colonies & The Great Republic Set and 200 Questions About American History Set from Memoria Press and the TOS Homeschool Review Crew.
The two sets we reviewed compliment each other and blended easily into one lesson. Designed for grades 5-8, they were a good fit for my 7th grader. The Story Of The Thirteen Colonies & The Great Republic by H.A. Guerber has been edited by Memoria Press combining the two original texts published in 1899 into one book. "Designations of ethnicities and descriptions of peoples that are considered offensive today" have been changed, but the text is otherwise the same. This set also includes a complimentary student workbook and teacher's guide. The second set we received: 200 Questions About American History includes a workbook, teacher guide, and flash card set of each of the 200 questions. A lesson plan is also available to purchase.
The Guerber book includes a two page "hints for teachers" in the front of the book which gives a few ideas for incorporating the information in your lessons. My twelve year old son used both sets together for his middle school survey of American History lessons. He completed the reading selections independently, then we went through both workbooks together. Read aloud recommendations were also included in the teacher hints, but I'm a confirmed read-aloud failure. The two teacher guides were both basically the student workbooks with the answers provided. I think I would appreciate the additional lesson plans but I did not purchase those. We used the flash cards as a reinforcement to practice the facts. The questions in the 200 questions workbook are the same as those on the flash cards, so he kept the stack of flash cards he was learning with his schoolbooks. He brought them to me to quiz him after studying them, which was more enjoyable to him than re-reading the book.
Sometimes our lessons just have to happen wherever we are. Pictured here, my son is reading The Story Of The Thirteen Colonies & The Great Republic at our library during his sisters' knitting class. Most of the chapters are only two pages long, and many include pictures. Our weeks with these sets typically followed the same plan. My son read several chapters at a time on one day (usually Monday) then reviewed with me using the workbooks, completed map work, filled in his timeline, then at the end of the week we reviewed the flash cards as well as any vocabulary words he had previously missed.
In addition to the questions in both workbooks, there are facts which can be memorized or discussed and a list of related enrichment activities at the end of each lesson. These included timeline, map, essay writing, and more. I did not assign all of these but let my son choose from the selection each day. He completed all of the map/geography assignments and most of the timeline ones, adding drawings and facts to our existing timeline book. Instead of writing the essays, we discussed the readings. An extensive section of primary source documents is included in the Thirteen Colonies workbook appendix. The appendix also includes related poems and then tests. When given a choice from several of the included selections, my son chose to memorize Old Ironsides. He is learning, and we still have 2/3 of the 200 questions to cover, so we plan to continue these lessons even though our review time has ended. I may also have him memorize the poem at the back of the book which covers the American presidents through 1898.
Posted by Jennifer
Labels: 2017 Homeschool Review Crew, History, Memoria Press
Lynn @ TDHGP 4/04/2017
A poem that covers the Presidents? I would LOVE that. I do love history! This set looks like fun.
Jennifer Miller 4/04/2017
I'll show it to you. We watched a movie about a teacher in Harlem recently, and I think he turned that same poem into a rap song.
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There are so many things heard about the beard just like many popular things in our society.
These myths can often discourage a man from allowing his facial hair to reach its full potential. The time is finally here to reveal the truth behind some beard myths that we might have heard.
The myth that shaving speeds up hair growth has been around for as long as shaving. In fact, beards take a bit of time to grow. At the speed of a half-inch a month, it can seem like an eternity to grow a beard; so patience is the key here. Simply trimming the beard will only prolong the time it takes for your beard to reach its full potential.
This beard myth actually is part true, but the majority of guys simply believe the longer their facial hair grows, the itchier it is going to get. This is probably one of the biggest beard myths around. While it is true that the skin will become itchy during the first three weeks, once you get over the hump, those itch days are behind you. To remedy this, the Moroccan argan oil contained in The Gentleman's Beard Oil to relieve the itch.
A barber has more experience at trimming facial hair. That is a fact, it's part of his job. Since there is no good reason why you cannot become the master of your own facial hair right in your bathroom, we don't see why only he should touch your beard for a trimming. While this might be a new routine for you in the bathroom, with some patience and practice you can master the art of trimming your own beard perfectly. All you need is a good quality beard trimmer, a comb and a pair of new scissors to maintain your beard.


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Anne Rice's Lestat Gets Teeth into Downey Jr?
Post by: Dave Elliott
Robert Downey Jr to play Lestat de Lioncourt?
With Twilight on the big screen and the brilliant True Blood on the small, vampires are big business again. So much so, that Bloody Disgusting is reporting that Universal Pictures are planning to take another bite of Anne Rice's Vampire Chronicles.
The Vampire Chronicles have made it onto the screen twice before. Firstly with Tom Cruise defying expetation and being superb as Lestat, against Brad Pitt's equally brilliant (and extremely whiney) Louis, in Interview with the Vampire (1994). Then Stuart Townsend took over from Cruise in 2002's rather less successful Queen of the Damned.
For Lestat's 3rd big screen outing, if the rumours are true, Universal has set their sights on Robert Downey Jr to fill the blond wig and vamp fangs. However, they've yet to decide on which book they'd like to adapt.
Personally i'm not sure i can see Robert Downey Jr as Lestat… But then no one (including Anne Rice, for which she later apologised) could imagine Tom Cruise as Lestat, and he turned in the best performance in the whole movie. I'm a huge fan of Downey Jr's so it'll be interesting to see if this develops into something, or gets staked through the heart…
Dave Elliott
Dave has over 20 years experience in the digital industry, and is founder and editor of Geektown. Obviously a huge geek himself, he can often be found in front of the latest tv show or movie, on various video games, or with his head in a comic book.
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"Red Band" Trailer & Key Art Arrive For Kevin Smith's 'Jay and Silent Bob – Reboot'!
First Trailer Arrives For Tom Hooper's Big Screen Version Of Andrew Lloyd Webber's 'CATS'
'Agents of SHIELD' To End With Season 7
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ITV Picks Up Marc Warren Fronted 'Van Der Valk' Series
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"Red Band" Trailer & Key Art Arrive For Kevin Smith's 'Jay and Silent Bob – Reboot'! geektown.co.uk/2019/07/18/red… pic.twitter.com/57kvTM7XP1
11:46 pm · July 18, 2019
First Trailer Arrives For Tom Hooper's Big Screen Version Of Andrew Lloyd Webber's 'CATS' geektown.co.uk/2019/07/18/fir… pic.twitter.com/vhpIwH9bs2
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text:
«Сонячний коровай» — анімаційний фільм 1981 року Творчого об'єднання художньої мультиплікації студії Київнаукфільм.

Сюжет
Казкова історія про те, як рано-вранці від бабусі втекло... тісто. І перетворилось, підсмажившись на сонечку, на солодкий Сонячний Коровай, якого вистачило поласувати і звірятам, і пташкам...

Над мультфільмом працювали
 Автор сценарію: Григорій Усач
 Режисер: Алла Грачова
 Художник-постановник: Микола Чурилов
 Оператор: Олександр Мухін
 Композитор: Богдан-Юрій Янівський
 Звукорежисер: Ізраїль Мойжес
 Художники-мультиплікатори: Костянтин Чикін, М. Бондар, В. Арсентьєв, Я. Селезньова, В. Врублевський
 Ролі озвучили: В. Коршун, Людмила Ігнатенко, Л. Томашевська
 Редактор: Світлана Куценко
 Директор картини: Іван Мазепа

Див. також
 Фільмографія ТО художньої мультиплікації студії «Київнаукфільм»

Примітки

Джерела
  (на каналі Укранімафільму)
 Про мультфільм «Сонячний коровай» на сайті kinopoisk.ru
 Про мультфільм «Сонячний коровай» на сайті animator.ru

Мультфільми за алфавітом
Мультфільми СРСР 1981
Українські мультфільми 1981
Фільми кіностудії «Київнаукфільм»
Мультфільми СРСР
Мультфільми УРСР
Мальовані мультфільми
Мультфільми Алли Грачової