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Xavier Files: Hellion
March 24, 2017 by krisis
Back in February, fellow X-Men-obsessed blogger Xavier Files threw down a challenging gauntlet of an X-Men quiz on Twitter:
First person to DM me with all 10 without Google gets to cut the request line pic.twitter.com/XydU6Jb6RE
— Xavier Files (@XavierFiles) February 22, 2017
Let me tell you: these questions are some stumpers. I'm a tremendously large X-Men buff with a ridiculous mastery of mutant trivia, but my knowledge pales in comparison to folks like Xavier Files blogger Matt or Jay & Miles (which is fair, seeing as it's their job to explain the X-Men).
Still, I'm always up for a challenge, so I spent a few minutes thinking, jotted down my answers, and threw my hat into the ring. And, lo and behold, I was the person with the most correct answers! I got a staggering six right, although I contest that the phrasing of one of them probably should have earned me a seventh point ;)
Nonetheless, to the victor goes the spoils – in this case, my choice of an X-character for Xavier Files to profile! I wracked my brain for my favorite B- and C-list X-Men who had histories worthy of a lengthy write-up highlighting their best stories.
Despite very nearly picking erstwhile Nightcrawler lover Cerise and hijab-wearing Muslim mutant Dust, I picked a young mutant who has been through a surprising amount of plot twists in the past decade – from young upstart to romantic lead to walking wounded to ne'er-do-well student.
That mutant is Hellion, and now you can learn all about him at Xavier Files! Once you've caught up, head to the Guide to New Mutants & Young X-Men to start reading.
Oh, did you want the answers to those trivia questions?
Click to expand the answers.
Any two of Graydon Creed, Abyss, Kiwi Black, and Stefan Szardos. (I didn't get this one – I could only think of the first brother).
Five (I also missed this one; most of these cartoons are after my time!)
Avengers Annual #10
Sarah Grey (This one was tricky; Sarah was a short-lived Claremont suggestion for the title and was soon replaced in the pitch by Dazzler, which was my answer.)
Lee Forester
Angel (This was the question with tricky wording – I took it to mean the first X-Men who was a legacy character of another X-Man. However, Marvel previously had a Golden Age character named Angel, so X-Men's Angel was actually the group's first legacy character).
Age of Apocalypse (I almost got this one wrong, but quickly amended my answer after my initial submission when the answer suddenly popped into my head.)
Filed Under: comic books Tagged With: Hellion, trivia, X-Men

redpajama_set_name: RedPajamaCommonCrawl


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Tourist attractions constitute the metaphorical 'heart' of tourism. This book aims to both deconstruct and construct what tourist attractions are, how we perceive them and how we can enhance our understanding of what attracts us as tourists. The volume reaches beyond current ideas about the ways tourist attractions are created, shaped and packaged. It focuses on the importance and subjective nature of identity, memory, narrative and performance in the tourist experience to find new ways of analysing and managing tourist attractions. The book will appeal to researchers and students in tourism and destination management and heritage and indigenous tourism.
This clearly detailed book makes an immensely valuable contribution by providing two distinct but complementary perspectives that are rarely encountered together: comprehensive knowledge of the ways in which attractions are defined, managed and studied, followed by critical analysis that helps to identify the socially symbolic meanings and political agenda that surround them. Both are jointly essential for responsible development and management of tourism attractions.
A fascinating and, at times, provocative combination of personal and theoretical insights into tourist attractions and their place within broader cultural contexts. An examination of tourist attractions from an alternative perspective, thus making this a relevant read for those studying, managing and experiencing tourist attractions in all their variety of form.
This book is a milestone for tourism research. It makes post-modern thought accessible for both mature students and managers and meticulously applies theory to practice through worked examples. Both Husserl's phenomenology and Rojek's constructivism come alive and challenge the practitioner to identify how destination and tourist co-create the attraction.
This innovative text provides a fresh perspective on attractions and provides the reader with a unique toolkit to explore tourist attractions through the use of narrative analysis.
This book is an invaluable resource for anyone involved in Tourism Studies, including tourist attractions, destinations, marketing, interpretation, text writing and research methods. Practitioners, academics and students will benefit from this book immensely as it offers a rich resource at a methodological as well as at a practical ad applied level. It is a delight to read, and causes many pauses for reflection.
The book was an enjoyable read, which provided very deep insights into how tourists and managers use, perceive and understand attractions.
Johan R. Edelheim is Director of the Multidimensional Tourism Institute (MTI), Finland. His research interests within tourism and hospitality include education, linguistics and cultural issues. He is an executive member of the Tourism Education Futures Initiative (TEFI).


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Singles champions at the upcoming U.S. Open tennis tournament will leave New York in September, with a fatter wallet than last year's victors.
Winners of the men's and women's brackets will each earn 3.8 million dollars, an increase of 100,000 dollars from 2017, according to the United States Tennis Association. Total prize money across all the divisions will total a record 53 million dollars.
The runners-up in the singles divisions will each receive 1.85 million dollars. The winning teams in both men's and women's doubles will share 700,000 dollars, according to the USTA.
In 1973, this tournament became the first to offer equal prize money to male and female competitors, the organisation said.
The total 53 million dollar purse for the 2018 US Open is more than a 5 per cent increase on the 50.4 million dollars offered in 2017.
Prize money at the U.S. Open has increased by 57 per cent since 2013, the USTA said.
The tournament is scheduled to run from Aug. 27 to Sept. 9 at the Billie Jean King National Tennis Center in Flushing, N.Y.


Suzanne has recently relocated to Naples, Florida where she will be working on her original projects, so stay tuned!
As you know, Suzanne is hot. An alumnus of the Second City and Annoyance Theatre Conservatories in Los Angeles and Chicago, and with a Bachelor of Music in Jazz Vocal Performance from Temple University in Philadelphia, Suzanne has appeared on comedy and music stages around the country performing stand-up, sketch, improv, musical comedy, blues and jazz. In stand-up comedy, she was one of the top ten finalists in The Rebels of Comedy Stand-up Contest, held at the famous Friars Club in Beverly Hills, and performed regularly at comedy clubs like The Hollywood Improv and The Ice House, among many others in Los Angeles.
She has starred in a number of independent films and web series that have gone to several film and comedy festivals including LA Cinefest, Miami Independent Film Festival, World of Comedy International Film Festival in Toronto, The Guerilla Film Festival in Tribeca, and The Los Angeles Film Festival.
In television, Sole appeared as Shirley Partridge in VH1's pilot, The New Partridge Family, written and produced by Bill Oakley and Josh Weinstein for Sony Television, and has co-starred in NBC's Chicago PD, Joey, TBS pilot What News?; It's So Over on the E! Network; and Lifetime's Strong Medicine.
Theatre credits include: Muriel Eubanks in the National Tour of Dirty Rotten Scoundrels, directed by Phil McKinley and choreographed by Vince Pesce; as Woman 2 in Jason Robert Brown's Songs for a New World at American Theatre of Actors; as EB Janet in the North American tour of SPANK! The Fifty Shades Parody, directed by Jim Milan; and as Dolly Tate in a staged production of Annie Get Your Gun starring Patti LuPone – directed by Lonny Price, Musical Director Paul Gemignani with the Chicago Symphony Orchestra at Ravinia. Most recently, Sole portrayed the Eastern European, beehive donning, young Italian stud loving, stage mother extraordinaire, Ivana Trump in the irreverent, hilarious satire The First Annual Trump Family Special this fall, starring Gina Gershon, written and directed by Danny Salles, Music and Additional lyrics by Tor & Lisa which appeared at The Triad Theatre in NYC to sold out audiences.
Sole has relocated to beautiful Naples, Florida where she is working on her original creative projects, so stay tuned!
Clips from the web series Backstage Drama, written and produced by good friends Patrick Ziegler and Teresa Thome.
Suzanne wrote and directed her own one woman show entitled, The View from the Dumpster using well known and beloved songs from different Broadway musicals to inspire original characters in which Suzanne enjoyed sold out audiences. This is the full show.
Suzanne appeared opposite Patti LuPone in Annie Get Your Gun at Ravinia Festival in Chicago directed by Lonny Price, and Musical Director Paul Gemignani.
Suzanne played the role of Muriel Eubanks in the National Tour of Dirty Rotten Scoundrels, directed by Phil McKinley, choreographed by Vince Pesce.
Copyright © 2018 Suzanne Sole - All Rights Reserved.


text:
David Dye, Contributor
Leadership & Employee Engagement Author, Keynote Speaker
One Leader in Ferguson: What Does Success Look Like?
Anthony Grimes kneels on a rain-soaked street as he blocks traffic with other protesters Sunday, Nov. 23, 2014, in St. Louis. Ferguson and the St. Louis region are on edge in anticipation of the announcement by a grand jury whether to criminally charge officer Darren Wilson in the killing of 18-year-old Michael Brown. (AP Photo/David Goldman)
Protests and riots erupted in the days following the announcement of the grand jury's decision not to indict Officer Wilson in the shooting death of Michael Brown. Once the riots diminished, however, nonviolent protesters have continued calling for change.
I had the opportunity to talk with community pastor and social activist Anthony Grimes while he was in Ferguson. Anthony lives in Colorado and has made several trips to Ferguson.
Anthony, why are you in Ferguson?
We're here to offer support -- moral, physical, and emotional support to those struggling on the ground. We're here to engage in nonviolent demonstrations. The people of faith on our trip are here to stand with people who need healing. We're also here to bring what we experience and learn back to Denver to help our own community.
Why is Ferguson important?
What Ferguson is America is. The issues faced by citizens in every community can be found here in Ferguson. It's a battleground for what can be won or lost in regard to urban policing, education, and the mass incarceration system.
We know that there was blatant disregard for a young man's life as he lay in the street for over four hours. The lack of a trial to get at the truth of what happened is a slap in the face for people. If we let this instance go, we're saying it's okay to treat black people as if they're not important.
What do you want to achieve? What does success look like?
First, we want to create a society where people's lives are valued and policies at every level of society reflect the value of all people. We still live in a very racialized society that benefits from racism itself. We need to call out these things and deal with them.
While we do want to see justice (not just an indictment for murder) -- when a person's life is taken in this country, if there's any speculation about what happened, there should be a trial -- the bigger issue that we want to change and overhaul is an entire system that has become rotten.
We would like to see a new society built where the voices of every person in communities are heard, where lives are valued, where people's worth and gifts are valued and shared within the community, and where justice lives inside the community.
Next, one of the major problems is that our policing systems are siloed group of people separate from the community, who aren't from the community, don't know the community, and yet are responsible for policing the community. This isn't about any one officer; our current administrators of justice don't know the people, their stories, or their families.
We would like to see communities become their own stewards of justice. If a community has systems inside it that allow it to thrive and hold people accountable, it won't need outside policing.
Finally, we need to transform education. Too many of our educational institutions are broken and effectively put people on a path to poverty, incarceration, and failure. That's something we've got to address. What kind of education are we giving our babies, and what chance does that give them to succeed?
How do you respond to folks who look at Ferguson and say, "It's not hard to avoid being shot by the police: Don't rob a store, and don't hit an officer"?
For those who immediately jump to blame, I would invite them to start with compassion. There is a big boy by the name of Mike Brown who was shot. There was a seat at the table that was empty at Thanksgiving. When you begin with compassion, you ask questions about how to prevent this from happening again.
Next, I would suggest that all of the truth of the situation has not been established, and that's why a trial is important.
Then, assuming that he did steal, people have to ask themselves if stealing is reason for an execution on the streets.
Finally, there is a pattern in America of black people being killed and then having their life put on public trial afterward. The person pulling the trigger ought to be the one on trial.
How do you respond to people who say, "This isn't about race; we should move on and focus on personal responsibility and stop blaming systems, history, or other people"?
There are people who look just like them who are on the ground fighting on behalf of justice. This isn't a black-or-white, left-or-right issue. I was in Palestine two weeks ago, and there are people there and around the globe standing in solidarity with this movement.
Also, in reforming the system we are not avoiding personal responsibility. There are people doing all they can do to make it. But all they can do isn't enough. You can't have some people begin a marathon with a five-pound weight on their ankles and then wonder why those with the weights don't keep up.
We want individual responsibility, and we want the system to take responsibility as well for what they are doing to exclude or include entire groups of people from society, from opportunity.
The St. Louis Police Officer's Association responded to the St. Louis Rams football team members' raised hands by saying they are "profoundly disappointed with the ... display that police officers around the nation found tasteless, offensive, and inflammatory." How would you respond to this statement?
First, I applaud the athletes for taking a stand, for risking their own celebrity for the sake of the vulnerable. Kudos to them.
My question for the police association is: Are you just as critical of all the racist literature and tasteless, offensive, and inflammatory comments made against the community you serve?
The statement is an example of the gulf between our police departments and the communities they serve. We need institutions of justice that are integrated with and truly serve community, not just protect their own interests.
You have tall goals. How do you believe they'll be achieved?
It begins when you recognize Coretta Scott King's words that "[f]reedom is never really won. You earn it and win it in every generation." We can't assume that we're in a free country and that it will always be that way. We must earn it in every generation.
They'll be achieved when you do your part as a human being. Where injustice happens, slow down, observe it, ask what you just saw, and walk compassionately. Let that compassion work within you. If every one of us would respond to one another with "My life matters, and the life of my brother and sister matters," then that would go a long way.
It will happen when we make friendships with people who do not look like and act like us. Build friendships. Alexis de Tocqueville talked about how associations -- relationships across social boundaries -- are one of the most powerful forces we have in our democracy.
It will happen when we hold our police accountable. Get to know your local police department and officers. Ask them what they are doing with the resources we give them. How are you ensuring safety and the protection of all people?
For people who want to get more involved, I invite them to join local groups working across the country to dismantle a racialized society, to improve education resources, and to raise consciousness.
I would invite everyone to read The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander, and Dumbing Us Down by New York Teacher of the Year John Gatto.
Finally, as Desmond Tutu observed during the horrific ethnic cleansings in South Africa during the '90s, we must repair the soul of a nation even as we repair it socially and economically. And, for that, we need God's help.
Politics News Civil Rights Ferguson Leadership Social Justice


Want to Lauph I need a good laugh tonight, anyone want to just hang out, watch a movie, talk about whatever, Maybe a glboobies of red. All i ask is that you are CLEAN AND WHITE LIKE ME.
If I had it is still up I'm still seeking I just exited a tumultuous marriage and am seeking for something torrid.
I write with people everyday and keep it professional. Wish I asked your name m4w Not typical for me to post on CL but we both were enjoying the snow on Sanitas this afternoon.


text:
Carl Wilhelm Freund Walther (ur. 22 listopada 1858, zm. 9 lipca 1915) – niemiecki przedsiębiorca, rusznikarz.

Życiorys
Rodzice: ojciec – August Theodor Albert Walther trudnił się odlewnictwem wyrobów miedzianych i żelaznych, matka – Rosalie Wilhelmine Amalie Pistor pochodziła z rodziny zajmującej się rusznikarstwem. Walther pobierał naukę u dwóch rusznikarzy: Willibald Barthelmes i Albin Schneider. 1886 Walther założył własną rusznikarnię w Zella-Mehlis w Turyngii, która przekształciła się później w dzisiejszą niemiecką firmę Carl Walther GmbH. 1888 ożenił się – Minna Georgine Pickert, z którą miał pięciu synów.

Najstarszy syn Fritz Walther (1889–1966) przejął po śmierci ojca jego wytwórnię.

Syn Lothar Walther (1899–1983) należał w latach 1930 do kadry Niemiec w strzelaniu z pistoletu. Podczas mistrzostw świata w 1939 zdobył brązowy medal. W 1925 założył firmę wyrobów precyzyjnych, która do dzisiaj zajmuje się wytwarzaniem specjalną techniką luf do broni palnej.

Przypisy

Bibliografia
 Dennis Adler: The Guns of Walther. Handguns 21 (1) 2007, S. 50–57.
 Jeff Kinard: Pistols: An Illustrated History of Their Impact. Santa Barbara, California: ABC-CLIO 2003. S. 189. .
 Matt Rice: Walther celebrates 125th anniversary. Shooting Industry 2011. 56 (8), S. 36–37.

Niemieccy konstruktorzy broni
Urodzeni w 1858
Zmarli w 1915

redpajama_set_name: RedPajamaWikipedia


Book memorable day out with one of our fantastic driving experience days. Get to know some of the most famous racing cars in the world by getting behind the wheel of a Ferrari, Lamborghini, Aston Martin or Porsche around an outstanding track, such as Brands Hatch or Thruxton.
3-Lap Lotus Driving Experience – 6 Locations!
We have a diverse range of other fun driving experiences around the UK including drifting, Segway, quad biking, motocross racing, monster truck driving, and tank driving, for those who like to operate outside the box. There are even driving days available for kids of all ages, from karting to F1 Grand Prix simulator experiences, guaranteed to keep the whole family happy.
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For some slightly crazier driving fun, have a go on the extreme dodgems (a far cry from your local fairground), or test out anything from dumper trucks, go-karts, and even a rapid bed!Get behind the wheel of some of the most incredible machines on the planet and learn that these are the crème-de-la-crème of racing cars.
Experience the sheer acceleration of the classic Ferrari F360 going from 0 – 60 mph in 4.5 seconds, before testing out the incredible 500 bhp in the Lamborghini Gallardo.
Whichever machine you chose to drive, visitors will discover that these are not just 'any old cars'; they are the finest in the world.Alternatively, why not enjoy some unique driving fun by riding an earth-moving dumper truck? Weighing in at over a tonne, this is one of the monsters of the road, so roll up your sleeves and prepare to tackle the challenging course.
If this is all still a bit too mainstream though, a ride in some of the world's wackiest racers is guaranteed to satisfy the need for all things weird and wonderful – from the world's fastest office to an 87 mph leopard skin sofa.
It's not every day a person gets to drive like James Bond or tell a friend they've ridden a bed down a country road.
Let Pure Offers give you – and the ones you love – those genuinely unforgettable moments.


This gorgeous villa has a lovely private pool, an outdoor jacuzzi and sauna – everything you could wish for a relaxing holiday! Relax on the sun loungers next to the pool or enjoy al-fresco dining right next to the pool. Villa Vespera will delight you with its tastefully decorated interior.


With a focus on entertaining and engaging their audiences big or small, The New Entrants have over the last DECADE carved out a reputation for delivering a professional, energy-fueled performance every time they hit the stage, whether it be to a crowd of 50 at a corporate function or in front of thousands at an outdoor festival.
Boasting a repertoire that offers something for everybody, the band plays the best of rock n roll through the decades, right up to the Top 40 hits of today. Their point of difference has always been to deliberately avoid churning out the 'same ole same ole' material that so many other cover bands perform and this has seen them give stand out performances at nearly every major festival in the South Island of New Zealand.
SWITCH an electrifying six-piece band that provides a live performance experience like no other!
Having been the headline act for many corporate client events throughout the state and one of the main acts at Crown Resort Groove Bar, Switch brings a TOTAL SHOW element to the stage with a diverse repertoire of hits from the 60's – 90's, Rock, Motown, Dance, Pop, and Top 40.
"The Jarrah Celts is a collection of Australian Celtic musicians from the Perth Hill's Jarrah Forests. Get swept away with lively dancing jigs and reels, or sing along to rowdy pub ballads. Tunes from the Dubliners, Wolftones, Flogging Molley, Pogues, Mumford & Sons – as well as a few their own original tunes.
Renegade has worked hard over the last decade establishing a loyal base of supporters both locally and nationally. Their appeal spans all ages and demographics and their live show consistently delivers a fun-filled night of great entertainment.
Their touring schedule has seen them perform at venues from Broome to Albany and all stops in between. They are regular headliners on the WA Rodeo circuit including Pannawonica, Newman, and Meekatharra and have performed at a number of community concert events alongside some major Australian artists including The Black Sorrows, The Baby Animals, James Blundell and Jon Stevens.


Elves, Orcs, Barbarians, we all drink together and laugh at our differences!
We are the small force fighting for a society where only the merit separates one from the other!
We are composed of elves who abandon their unwise commanders and Orcs who left their weak generals, we are the meritocratic warriors of chaos!
Com'on, are you joining or not?


Apple's flagship Digital Audio Workstation (DAW), Logic 9 (in 'Pro/Studio' and 'Express' versions), comes with a comprehensive manual. It's well indexed; it's available to read, consult and work from electronically— as a PDF. At almost 1,300 pages, it ought to be good. That it's much more substantial than many Apple manuals is a blessing given the complexity of Logic 9, an Apple Pro Applications product which underwent three minor revisions this fall.
Nevertheless, resources to enhance, supplement, complement and extend the Logic 9 manual are beginning to appear. There are half a dozen websites with training videos, easily as many books, and now DVDs. These were all evaluated for this survey, which presents a review of the best.
are reasonably priced; which offer the best value for money.
The advantage of (on-line and DVD) video tutorials, such as the series ("Logic Pro 9 Essential Training") at lynda.com (membership required) and Logic 9 Explained (see below) is that you can see what's supposed to happen as you follow along — in real time if you like, with Logic running. The advantage of a book is that you have hard copy with an index for safe-keeping indefinitely. Each has its merits.
At this point two comparable books, not surveyed this time, must be mentioned as also offering excellent value for money and outstanding coverage of Logic 9. First Logic Pro 9 Power!: The Comprehensive Guide by Kevin Anker and Orren Merton (ISBN-10: 1435456122 ISBN-13: 978-1435456129) gives a great, clear and readable overview of most aspects of Logic 9 in its 650+ pages. And the even more formidable Logic Pro 9: Audio and Music Production by Mark Cousins and Russ Hepworth-Sawyer (ISBN-10: 0240521935 ISBN-13: 978-0240521930); this book's superb color illustrations, pace and comprehensiveness make it a real winner as well; it's shorter at 400 or so pages, but manages to be both comprehensive and highly usable.
Most of the material in the five other products considered here can be used just as well with Logic Pro/Studio 9 as with Logic 9 Express. In cases where there is a difference, the resources reviewed here clearly mention and/or account for it.
One of the challenges of Logic is its complexity, its steep learning curve. The fact that you can easily and quickly do a few things with it badly; that you may run a real risk of getting stuck with that level of comfort and competence and perhaps never get anywhere near realizing even a tenth of the software's enormous power unless you work hard! This is where a really good teacher comes in, someone who knows the suite inside out and can anticipate what you will want to do next and how best to do it. All those responsible for the resources here examined fall fairly and squarely into that category.
Not least David Dvorin with Robert Brock, co-authors of the excellent Peachpit title in the Apple Pro Training Series, Logic Pro 9 Advanced Music Production. They pick up where Logic Pro 9 and Logic Express 9 by David Nahmani (ISBN-10: 0-321-63680-5 ISBN-13: 978-0-321-63680-5) leave off. The later title covers five main areas in 575 easy to follow, attractively-produced and expertly-illustrated pages. These are: Workflow setup and time and pitch (about 16% of the book's substantive pages); Software instruments (16%); Editing (23%); Mixing (14%); and such advanced topics as Surround sound, MIDI processing, Notation and synching with movies as well as import/export from/to Pro Tools (31%).
The merits of Dvorin and Brock's carefully-constructed and meticulously-executed 17 chapters are that they make the process of walking you through sometimes complex processes in Logic as easy and understandable as any material otherwise available now.
There is plenty of white space in the nicely-laid out pages of Logic Pro 9 Advanced Music Production with simple-to-follow conventions: it's easy to read the book as you work along at your keyboard and screen. There's a DVD containing all the lesson material, including (where appropriate) finished worked examples. The book is well-indexed and can lead, of course, to Apple Certification.
In good pedagogical fashion, they explain what you are about to do, crucially, why, and how you will do it. The steps are numbered and never confuse: if step "5" is preparatory, such as… "5 – Zoom in on the cello region" there will never be a "Step 6" whose substance is "CTRL+Option-Drag" for that is one way to zoom in Logic. Nothing is left to chance.
Otherwise the authors assume that you have memorized that technique. This is a high standard to which not all tutorials aspire. The producers of the Apple Pro Training do… and it pays off. Every step has obviously been checked and double-checked and very carefully proofed. Given the breadth of what has to be covered, this is exemplary.
Nor are there seemingly endless lists of actions which are all perfectly sensible and can easily be completed, yet the purpose of which is never made clear. It would be an exaggeration to say that the words, "You will now…" are the most common in Logic Pro 9 Advanced Music Production; but not much of one! As you complete one lesson, you're left enthusiastically waiting to begin the next, so unambiguous, well selected, sensibly sequenced and expertly illustrated (both metaphorically and with good, clear, color screenshots) was the current one. The fact that there are specially-prepared and cleanly-presented Logic files on the accompanying DVD for each lesson is also a great help, making things immediate in a way analogous to the video tutorial.
Incidental techniques and procedures (such as working with locked screensets [pp. 21-23], backing up settings to MobileMe [41-42] and using Mixer Groups [351-354]) are introduced at just the right moment; they never hold up the flow of the substance and genuinely add to your confidence and sense of being in control. They're dealt with in far greater depth than the term "Tips" would suggest they might be; yet they have the same usefulness. The tone of Dvorin and Brock's writing avoids the patronizing, chatty, semi-amateur style which bedevils so much supporting writing these days. It's punchy, to the point, elucidating and highly informative from start to finish.
Another big advantage of this title is the wise choice of topics. In addition to useful sections and chapters on ways to streamline your workflow (always an issue with Logic because of its many at times interchangeable contextual, local and global menus and keystroke equivalents etc), Dvorin and Brock have chosen areas — like, particularly, the Environment [chapter 14] and the Score Editor [chapter 15] — that are not dealt with in depth by other resources. The authors' aim really seems to be to take users from the useful starting point at which Logic Pro 9 and Logic Express 9 inevitably left off to being really very competent with the software. What's more, they base their teaching on the principles of Logic, the underlying patterns in which it works — rather (thankfully) than adopting a purely algorithmic or "recipe" approach. They also give enough of an overview of how such parts of the software as the synthesizers and movie synching work to equip you well in seeking further guidance.
Logic Pro 9 Tips and Tricks by Stephen Bennett is firmly in the "Missing Manual" mould. It's built on three foundations: those which distinguish Logic 9 from earlier versions (such as the Flex tool); those aspects and features of the software which contribute to its immense power and huge range of capabilities, yet which might not immediately be obvious (such as the wealth of plug-ins, for a small effort in which there is a disproportionately rich payoff, and almost endless customizability); and those things which are achievable in more than one, several and even — at times — in many, different ways (such as using Logic's interface and a variety of studio and postproduction techniques).
Bennett is a seasoned Logic user with many years using and teaching the software to his credit — not to mention a clutch of books on Logic and related subjects. The material covered in the 189 substantive pages is divided into 10 major areas, none of them long: Setting up and optimization (5% of the book's substance); Templates, Projects and back-ups (2%); Getting around (13%); Recording (20%); Plug-ins (10%); Workflow (19%); The Arrange "page" and editing (10%); Loops and fluid audio (2%); Mixing (15%); Mastering (4%) with two appendices and a useful index. There are over 100 individual themes, most of them packed with sub-sections on relevant or related topics.
Given that Logic Pro 9 Tips and Tricks is neither a tutorial nor an in-depth reference book, these are well chosen. As you begin to work your way into any one segment, or indeed work through the various chapters at will, Bennett's wisdom in deciding which ground is most worth covering is revealed in no uncertain way. Time after time a useful procedure, sequence, ruse, wrinkle, alternative or dodge is described in clear, unambiguous fashion almost invariably with annotated screen shots… how to select a window without giving it the input focus; the various ways to zoom and maximize mouse efficiency; the process buffers, judicious use of which can decrease latency; effective association of objects with colors; the advanced quantization controls; monitoring; and the parameter boxes. Nothing revolutionary or unavailable elsewhere — but all nuggets of technique which may be easy to overlook, forget or misunderstand.
If you trust — and in large part you should — that Bennett has selected amongst the most useful, helpful, potentially confusing and/or effective aspects of Logic 9 to bring to your attention, then the remaining criterion on which the purchase of this very reasonably-priced book should be judged is how well and cogently he situates, exposes and illustrates each "Tip", each "Trick". The answer is by and large very well, Although a little small in places, the graphics all make a clear point each time; their captioning, commentary and referencing in the text is done well.
Near the front of Logic Pro 9 Tips and Tricks are sections on system maintenance (repairing permissions etc). This should indicate that the book is aimed more at beginners than advanced users. It might be more accurate to say that it's aimed at those new to either Logic and/or the Mac and its environment. To have jammed coverage of those two rich worlds into a single book and kept it readable would have been nigh impossible. Bennett has provided a good, handy, reliable and accessible introduction that will give the novice user who is thirsty to make the most of this world and who is prepared to work a real head's start.
Groove 3 provides tutorials and supporting material for a wealth of software; these include 15 series with 2 compendium bundles devoted to Logic. For the purposes of this survey "Logic 9 Explained" and "EXS24 In Action" were examined most closely. For under $50 and $30 respectively you get a suite of simple, well-constructed and easy-to-follow on-screen videos demonstrating a single aspect (or group of closely-related aspects) of Logic 9. They're clearly narrated and presented in both cases by Logic 9 expert Eli Krantzberg. Each lesson lasts between five and twelve or so minutes and follows on logically from the previous one; where appropriate, more complex or detail-intensive topics are sensibly broken across multiple videos.
Logic 9 is complicated, huge, vast! For videos like these to work, an expert has to know the software well enough to put the right things into the right relief; and transparently to tread more lightly over those aspects of controlling it which s/he knows will — in time — become second nature or self-explanatory. Krantzberg can, and does, do just that… time after time after time. No fumbling. Use of "retakes" only when they illustrate a point. Each time he does have to "skip" a control or workflow step, he explains why. And he's invariably right!
In other words this easy-to-understand narrator has the gift of knowing just which corners of the software might trip you up and which parts of it are to be "avoided"; that is, for instance, that there's a quicker way to do something… Use the Zoom tool rather than the Zoom arrows in the Arrange window, for example. Don't bother to learn the Erase tool: it's there for compatibility with other GUI erase procedures, but there are so many other key shortcuts and contextualized menus to do the same thing just as quickly. He neither makes a meal of the relative proportions which he calmly assigns to all areas of the software which are addressed. Nor tries to "pull rank" by concealing anything which we could benefit from knowing.
Groove 3 videos (which can either be downloaded, or viewed online) play in their own gPlayer, which is also available for PC. They present the material without screen clutter and with an inbuilt menu whose chapters correspond to the package you've bought. The sound is clear and the presentation tools (highlighting, zoom and foregrounding etc) are unobtrusive and really help you to follow what Krantzberg is saying.
The majority of the other videos to help you with the basics of Logic were also sampled for the present survey. Those from Lynda.com were up to their usual standard; they tend to take a demonstration — rather than purely tutorial, or "follow along" — approach and suffer from a rather buggy bookmarking system (using the legacy asp web technology) which can make picking up where you last left off more time-consuming than it needs to be.
The macProVideos were good. The shorter, snappier, videos produced by Logic Studio Training are also worth looking at; they are accessed on an annual fee basis and make a virtue out of the publishers' premise that you don't need to learn Logic in a linear fashion — hence no index or table of contents as such. There is also a set at Logic Café, a site with some impressive resources and a host of free downloads, offers and useful links, as well as an iPhone app to allow you to view their tutorials on the go.
But those from Groove 3 stood out for the thought that has gone into structuring the series (the cross-referencing of menu items which were, for example, flagged in one video, picked up in a second, and referred to in a third); for the clarity and confidence of Eli Krantzberg's delivery in particular; and for the selection and sequencing of topics appropriate to your experience of the software.
All too often with screencasts those describing the software allow the casual immediacy of the medium to sanction sloppy, amateurish presentation… "Let me see, Why isn't that coming up? Ah Yes, when you do this, you'll need to have Type-ahead enabled; that's what you'd see here if I would have [sic] done that…" etc. Not so in Groove 3's videos. They are professional and polished without being either slick or rigid. Usually, for example, Krantzberg reminds us of the relevant points from the previous video, outlines what we'll learn in the current one and appositely summarizes it at the end.
Each video lasts between five and ten minutes according to subject matter. There are 40 videos in "Logic 9 Explained". Definitely the place to start if you're new to Logic and want really to get to grips with its essential building blocks. "EXS24 In Action" has 20; it's a more complex subject — not one for beginners. But the material in this course is also covered extremely well. Although based on Logic 8, all the material in "EXS24 In Action" is relevant and appropriate for users of Logic 9.
For comparison, and a different teaching approach, Groove 3's "Logic 9 Tips & Tricks" (Volume 1) with Scott Griggs was sampled. His is a very different delivery style from that of Krantzberg… much more "down home" familiar (a register you'll either warm to immediately for its colloquial extroversion; or find annoying). Yet he too clearly knows Logic very well indeed.
Griggs, too, understands the common threads which make Logic 9 such a powerful musical resource; and in a way he exploits his "folksy" patter to push the points home both of the tip(s) that he's concentrating on in any one lesson and its (their) commonality with corresponding, connected or otherwise relevant "tricks". He positively delights in showing you several different, but functionally equivalent, methods to achieve the same result: very useful for beginners and for those who've grown used to their own ways of working in Logic 9 alike. Griggs is also good on the new features of this version; his tutorials would make a good guide to transitioning from Logic 8. Well worth a look — despite the rather self-conscious "presence" of his voice.
If it is short, sensibly-selected, self-contained snippets and workflow tips that appeal, then the 30+ short videos in each of the two volumes of Groove 3's "Logic Operator" (with Doug Zangar) at $39.99 each are likely to be helpful: they're based on those features which originated in Logic 8 but are compatible with Logic 9.
These, then, are the pick of the crop where online/downloadable video tutorials are concerned. You'll gradually come to feel totally at home and in really good hands as you work your way through any of Groove 3's painstakingly-conceived and constructed packages.
This is the least ambitious book of the selection – despite focusing on Logic Pro. It's a series of 32 short (half a dozen pages or so) tutorials grouped into four larger chapters of roughly equal length. They deal with: customizing Logic Pro 9; techniques for composing and editing; techniques for recording and mixing; integration of third-party hard- and software with Logic Pro 9. More restricted Going Pro with Logic Pro 9 may be; but it lacks neither focus nor direction. Even those already familiar with the software will surely find something new, different or unexpected. Or — our old friend — will find… another way to do something.
For example, the very first tutorial covers templates… an area that's easy to overlook but potentially as huge a time-saver and streamliner of workflow as templates are in, say, text editing. Similarly, tutorial 14 shows you how to create a tempo map from an audio file which lacks strong transients and adapt it to MIDI regions. Tutorial 31 shows you how to use the Vienna Instruments files (both locally and on their server) to create orchestral tracks. Once you've walked enough with Logic Pro 9 to be able to run, these are useful skills to acquire.
They are also specialized and advanced routines. Extremely apposite if you already have a need but aren't sure what to do. Perhaps even more helpful if you didn't know that they could be done and are inspired to try them — or something similar — if you did not. On the other hand, it has to be said that Asher's choice of these "Pro" tips, good though it is, remains his own and inevitably arbitrary; though far from random. And although working with those third party tools and add-ons which he's chosen will often illustrate a more generally applicable principle or methodology, if you have no plans to use Pro Tools or an Akai MPC3000, for instance, those tutorials are of limited value.
Significantly, Going Pro with Logic Pro 9 does an extremely good job of guiding you closely through complex procedures. The necessary "moves" to achieve each result are small, well-described and carefully illustrated (although some of the screenshots could be clearer). Where there are multiple possible results (or indeed parallel ways to do something), they are discussed, evaluated and described in such a way that you will not feel lost if you do not see what Asher sees. Many of the tutorials also have a "Considerations" section that looks at problems, variations and likely errors etc. Equally commendable is the author's practice of describing what can actually happen if likely omissions or "variations" creep in — and how to get back to where you need to be. And, a rare gift, he tells you when to stop!
You may safely assume that those topics which Asher highlights are very well covered, carefully introduced, appropriately illustrated and exhaustively dealt with. What will guide your buying decision is the relevance of which "pro tips" are included to your circumstances and Logic environment. At a minimum, there is likely to be $29.99 worth for all but the most advanced and experienced Logic Pro 9 users. Ideally, you should consult the table of contents (perhaps online at Amazon, for example) and see just how much the topics all appeal to you. If more than half, then this book is also for you.
Cons: some of the illustrations a little fuzzy and crowded.
The three products from Hal Leonard fill distinct and different needs, though what these are is not really clear from their titles. The DVDs alone cater for beginners (the instruction-based DVD, Logic Pro 9, 9781423475644), and for more advanced users (the DVD, Logic Pro 9, 9781423475651). All three represent good value for money at under $40 each.
These resources from Hal Leonard are professionally produced and instill a sense of confidence in the learner that instructor/presenters know what they're doing. In the case of the DVD-only products, Andrew Eisele, is clearly an expert — although he doesn't usually retake the rare "fluffs" and mistakes in his delivery. For some, the informality as he works his way around a personal demonstration (it's as if he's gently demonstrating what Logic can do, rather than instructing as such) will be just as convincing as a heavily-scripted session. Others might wonder whether what he includes at any one juncture is planned, or arbitrary, ad hoc. A parallel concern is that for a beginner tutorial in 9781423475644, attention after just ten minutes to channel strip settings, auxes, buses and latency, might seem an odd priority when a beginner perhaps isn't aware of tracks and regions.
The advanced Level DVD, 9781423475651, covers the fundamentals of the synthesizers, Ultrabeat, ES1 and ES2, more advanced use of instruments, editors and plug-ins and advanced arrangement and mixing techniques. Additionally, Eisele throws in tips and tricks when they're relevant as he's found them useful during teaching. This DVD is three hours long.
To balance any concern you may develop about the order in which some of the material is presented, you're frequently advised that something alluded to will be "dealt with a bit later on." And it always is. For anyone who learns slowly and/or has the need for a gentle, well-stepped warm bath into which to dip toe, foot and leg, these DVDs are a good place to start. They do lack the intensity and focus of Groove 3's much more structured approach, though.
The Logic 9 software package is complex. There can be no one way to become familiar with its features and functionality. Not one of all the resources covered in this survey chooses to take a single project and guide us rigorously through it from beginning to end, adding increased elaboration as the need arises.
These tutorials from Hal Leonard, though, are less focused than the rest. On the other hand, to immerse yourself in the material covered in the DVDs, work with some of it in the application for a while, then return and re-run the tutorials will give you a sound sense of how the software can work. You'll certainly have covered all the ground you need to by the end; but perhaps not in the most logical of sequences.
The beginners' DVD, Logic Pro 9, is particularly good at addressing those aspects of the software which have changed since version 8. It covers setting Logic 9 up; recording both audio and MIDI; techniques for arranging and mixing; export and bouncing. The whole video lasts nearly four hours and covers a lot of ground.
The Advanced DVD is great for synthesizers and plug-ins. But since, again, you may well use a technique like automation a day or two into your work with the software — or conversely manage to avoid, say, something as simple as track renaming until you've been at it for a year — the best approach is to accept that you'll probably want to work your way through either, both or all three of these resources from Hal Leonard in order to feel you've got the most out of them. This is not really true for any other of the products examined. In their cases, there's either an index, named chapters, tables of contents or a more granular break down of topics covered which make picking and choosing easier.
The pace of these DVDs is good. Summarizing tips and reinforcement data such as keystroke equivalents and procedure reminders etc appear in an easy-to-read strap in the window. Although the sound of the commentary is a little "hissy", the resolution and general quality of the video and way the Logic screen is zoomed, highlighted and inset with the presenter's face (although most of the time he's looking at his own screen) generally make for a clean yet flexible experience.
As in the other online video tutorials looked at here, you're told ahead of time in these from Hal Leonard what you're going to learn, and reminded of it in a summary at the end. They're divided into chapters corresponding to the segments of instruction. Or you can play the entire sequence in one go.
Power Tools for Logic Pro 9 (9781423443452) is a dual medium pack… book with DVD. It's ostensibly aimed at advanced users; in fact there's much material with which even a relatively new user will be familiar. At nearly 300 pages, the book is divided into seven main chapters dealing with the basics of sound and signals (about 7% of the book's substance); the way Logic's windows interact (14%); ways to streamline your workflow (7%); a sample project from beginning to end (10%); production and mixing (18%); some advanced techniques such as Flex, adjusting tempo and Quick-Swipe comping (26%); and mixing (18%).
Each chapter sets the scene, contains some "power tips", keyboard shortcuts and a summary. Although the aim seems to be to present useful shortcuts, walk the reader through oft-used routines and correct common mistakes, and although well indexed, it's a useful reference source for Logic's features, it falls between two stools: tutorial and "Tools and Tips".
The DVD for Power Tools for Logic Pro 9 has 14 QuickTime movies lasting a few minutes each. These don't really correspond to the material covered in the book. Its presenters, Roy Burns and David Hewitt (supported by the book's author, Rick Silva), are confident and for the most part clear in their explanations and expositions. But they seem more intent on advising the user of Logic's selling points than leading us through a reasoned path to making the most of the software.
There are five sets of products reviewed here. Which is most appropriate for you?
If you're a relative beginner with unlimited resources, start with the Groove 3 videos and perhaps the immersion of the Hal Leonard DVD, Logic Pro 9, (9781423475644). Be prepared to return to either/both of these as you become competent and familiar enough with Logic 9 to make the most of the Apple Pro Training series: ideally read Logic Pro 9 and Logic Express 9 (David Nahmani, 978-0-321-63680-5) before Logic Pro 9 Advanced Music Production (9780321647450). Keep Logic Pro 9 Tips and Tricks (9781906005153) on hand as you go. And don't forget Logic 9 use: Logic Pro 9 Power! and Logic Pro 9: Audio and Music Production.
Use those more precisely-targeted and advanced Groove 3 videos and Going Pro with Logic Pro 9 (9781435455634) when you need advice on any of the specific topics that they cover.
Please bookmark this review: as other resources are released, we plan to cover them in the months to come.


In 2018–2019, the Documentary Heritage Communities Program will provide $1.5 million in funding to 39 projects in local archival and library communities all across Canada.
See a photo of the announcement.
The funding amounts indicated on this page have been approved. The project list is organized alphabetically by province and city.
On May 10, 2018, the recipients for 2018–2019 were announced at the McCord Stewart Museum in Montréal. Past and present DHCP recipients attended the event.
From left to right: Denis Pépin, Corporation du centre d'archives de Lanaudière; Céline Widmer, Suzanne Sauvage and Eugénie Marcil, McCord Stewart Museum; Guy Berthiaume, Librarian and Archivist of Canada; Richard Santo, Abbey Lacroix and Adèle Hébert, Brome County Historical Society; Réjean Savard, ASTED; Élaine Tolmatch, Montreal Museum of Fine Arts; Caitlin Bailey, Canadian Centre for the Great War; Adria Seccareccia, Brynn Myers and Martien de Vletter, Canadian Centre for Architecture.


Is this a platform wide issue affecting all T540P models? This is frusterating.
Haven't heard about this issue before.
If it stops working after resume, does putting it back into sleep then resuming again make it work?
Just checked, that doesn't appear to make a difference. I will continue checking it every time the issue appears, but upon a cursory evaluation, no, putting it back into sleep doesn't make a difference.
Thanks for the swift response Colonel!
We have heard of this issue previously from a couple other users but have never been able to reproduce this. We have tested this literally on dozens of ThinkPads thousands of times. We've asked Validity for their help also to see if they have any idea what could cause this. We have never seen this issue ourselves.
I believe from your info that you are running Win8.1 but please correct me if I'm wrong about that. Can you try an experiement? Run "Lenovo Settings", go into the Power section and then disable 30-day standby. Then reboot so this change takes effect. Does the problem happen with 30-day standby disabled?
Too bad you couldn't be here! This issue happens more often than not.
I am running Windows 8.1 x64 Professional with all updates (both drivers and windows).
I disabled 30-day standby and will check in to see if that helps. Again, it is unpredictable when it will happen.
In addition, I find that sometimes the touchpad and wifi/bluetooth randomly disable. The WiFi issue happens much less often after updating intel AC7260 driver directly from Intel (Lenovo version is out of date) but my bluetooth mouse still experiences random periods of being disabled. Turning mouse on and off does not help, must enable/disable bluetooth on computer (sometimes works) or reboot (always works).
The random trackpad issue still occurs, however. During this time the little rubber nub in the keyboard is still functional.
Reporting back here. Disabling 30 day standby does not appear to make a signifigant difference. The issue still occurs. I will see if the frequency of this issue goes down.
Meanwhile, it appears that this issue is not an isolated event. My computer is a brand new replacement. Do I need to be concerned about returning the unit? Do the other T or W series models experience similar issues, if I were to swap this model out for another?
Your report is the first we have ever heard of this issue on T/W. It does not happen on my T/W systems here (with or without 30 Day Standby enabled). The other reports I heard of this problem came from X240.
I just want to confirm with you - the problem happens after coming out of Sleep (and not Hibernate), right?
Can you tell me exactly what you are doing? e.g.
3. Open the lid 2 hours later (or how long)?
4. are you using a dock?
The more info you can provide, the better. Thanks for your help.
Also please let me know what BIOS version you have.
I believe the issue primarily happens after letting computer rest for some time period (1-3 hours) but I have witnessed it occuring right after putting computer in sleep mode.
I will see if I can disable Intel Rapid Start Tech (Intel's name for "30 day standby") in the BIOS and report if this makes any difference.
Do I need to be concerned with replacing this unit? It appears to be somewhat random as others have experienced the same issue on various forums. This is also my 2nd T540P to experience the same issue, as stated above.
I have tried the following since I last posted.
1. New driver was released through windows update, my device now comes up as "Synaptics FP Sensor" in device manager, not Validity. This driver makes an insignifigant improvement. I cannot really tell a difference.
2. I uninstalled Lenovo Fingerprint Manager Softare, Password Manager, the Synaptics FP Sensor driver, Validity Driver, reset fingerprint data in BIOS, deleted Fingerprint data in windows control panel. I then installed just the synaptics FP Sensor driver. I then used the windows 8.1 biometrics settings in control panel to add a fingerprint. I had the most success with this option, but still the reader will occasionally not work at boot from standyby.
I too am experiencing this issue. The FPR will often not come online when resuming from sleep mode, and I will have to re-enter sleeo mode another time or two for it to work.
This is a brand new T440s, and it's really irritating.


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Jeanie Buss
LA Lakers President, Jeanie Buss ON: Empowering Women in Leadership On & Off the Court
Jeanie Buss sits down with Jay Shetty to talk about believing in your own strength in an industry with more male leaders, how you can learn from your own mistakes and take the lead, and that gender doesn't matter, it's the people and the talent they have.
Jeanie Buss is the controlling owner and president of the Los Angeles Lakers. She is the daughter of Jerry Buss, a real estate investor who later owned the Lakers and other sports businesses. At age 19, she started in the family business as general manager of the Los Angeles Strings professional tennis team, and later became the owner of the Los Angeles Blades professional roller hockey team.
What We Discuss with Jeanie:
03:46 A memory that you have from being a young girl
06:22 Respect people no matter what their circumstance is
09:05 What are some of those leader's parallels that you're seeing in your journey?
12:59 Don't let critics and outside detractors feed the outcome
15:33 You can't sit by the sidelines when you see something is wrong
20:26 If there are people in our community that is suffering, what can we do?
23:44 When a big decision is to be made, everybody looks for a scapegoat
28:54 Overcoming your biggest personal challenge
33:07 Internal rituals for yourself to help stay calm in the chaos
36:22 Gender doesn't matter, it's the talent that matters
42:28 What can you learn from LeBron James?
44:44 The best memories shared with Kobe Bryant
50:50 Jeanie on Fast Five
Jeanie Buss | LinkedIn
Jeanie Buss | Instagram
Jeanie Buss | Twitter
5 Intentions for a Purpose-Filled Year
Watch my free class to bring purpose and meaning back into your life.


HUNTSVILLE, AL – LogiCore Corporation is pleased to announce that we have been awarded a SeaPort – Next Generation (SeaPort-NxG) BPA award! The work encompasses engineering and program management support services.
We look forward to working with our team and winning task orders in support of our US NAVY!


By definition, a Promissory Note is an "unconditional promise to pay money." Since the promise is unconditional there are very few legal defenses to non-payment of a promissory note. However, a promissory note is also a contract, therefore any defense to a contract, the most common of these being fraud or duress, could stand as a defense to a promissory note.
The first question you must ask is whether or not the document you signed is technically a promissory note in the eyes of the law. The "promissory note," at first glance, may not appear to be a note at all, but rather a hefty document containing a multitude of provisions. It is likely that the document may not meet the parameters for the legal definition of a promissory note at all; further, it may, in fact, fit the legal definition for a routine contract, containing provisions unrelated to a promise to pay money, such as restrictive covenants and trademark policies. This is an important distinction to note because the creditor, or owner, of a Promissory Note has the advantage of issuing expedited court action against the debtor, a defense which does not apply to regular contracts.
A specific loan amount that was listed in the promissory note as a lower amount than that which was promised at your time of hire.
A higher payout or a larger backend bonus, the amount of which appeared to be reduced when you signed your promissory note.
In any of these scenarios, a strong case can be made that you were fraudulently induced to sign the promissory note. In these conditions, you may argue that you were under duress at the time of signing. What does duress look like for the employed debtor of a promissory note?
Generally, after the employed broker resigns from his or her previous firm, he or she would first file their ACATS with the new firm. Once the broker has traded their accounts to the new firm, he or she will likely be asked to sign a stack of standard documents. The newly employed may notice that the amount of the signing bonus is less than that which he or she was promised; additionally, the the offer summary may exclude other previously promised provisionary implications, such as a paid registered sales assistant or Bloomberg terminal. At that point, the newly employed broker just resigned. Nearly cornered into doing so, the broker signs the promissory note, fearful of facing unemployment.
It is this fear of unemployment and the imminent threat of what may happen if you don't sign the document that summarizes duress on the part of your new firm. Since the crash of 2008, FINRA arbitration panels have been more receptive to promissory note defenses. These arbitration panels do no longer maintain power in eliminating or reducing your promissory note debt if effective legal defense is presented, The skilled arbitration attorneys at Lubiner, Schmidt & Palumbo are ready to assist in defending you against fraudulent inducement or duress.


Bison Transport has been named North America's Safest Fleet by the Truckload Carriers Association (TCA) and the American Trucking Associations (ATA), and is one of the largest carriers in Canada. We provide our customers with reliable and value-creating supply-chain solutions. Explore our expansive portfolio of services within our Over-the-Road, Intermodal and Logistics divisions.
Over 1,700 tractors and 4,300 trailers are ready to move your load throughout Canada and the U.S. Our dedicated customer service teams and industry-leading technology provide support and full visibility of your freight 24-7. We deliver sustainable, energy-efficient transportation solutions, including operating the largest turnpike LCV (long combination vehicle) fleet in North America.
Whether you need a 53-ft. truck loaded to capacity or have less than a truckload of freight, Bison has a variety of services to suit your shipping needs.


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The Spanish Remix: A Brief History In 10 Urban Songs
By David Bugueño | 01 June, 2018
Crossing a border has always been a hard business. Migration is full of stories concerned with providing a better future for one's family or having to leave for your own safety or even finding a way out of a country that is politically struggling. Imperialism has set up a cultural agenda where the history being told is that of the conquerors. And in western culture, there is no bigger empire than the United States, something that we cannot hide from when talking about the consumption of art, film and music by the country's southern neighbours.
"Anglo" music accounts for a huge section of the radio airplay and music store crates in Latin America, while in English-speaking countries, Spanish-spoken records are restricted almost only to the most curious and the immigrants. Of course, this hasn't meant that all of the big names have missed the "lingo", with Gloria Gaynor, Grace Jones and Madonna all recording in Spanish, though these are special cases, mainly ballads and select Latin vibe tracks.
Recently, this picture has begun to change, with urban music being the surprise home for the Spanish language to finally find a place in the global pop charts. This began in 2004, a crazy year for Latin American mainstream music, when Daddy Yankee's "Gasolina" exploded and opened the door for the first Latin urban artists – such as Tego Calderon, Julio Voltio, and Daddy Yankee himself – to be featured on tracks by mainstream US artists, both on remixes and original tracks. The flag was raised, and although the initial reggaeton fever chilled, producers and artists became aware that Latin rhythms could help them sell more records. This was the first step.
Fast forward to 2015 and dembow moved into the mainstream with the help of North American electronic music producers. We also saw the first "Spanish Versions" where Latin artists were invited to re-sing an entire song or add an extra part to a song in Spanish. This trend has picked up pace in recent years and is now breaking barriers, flipping the original format, as now you have iconic Anglo artists jumping on Spanish-language hits. The favour is being returned. Nicky Minaj and Will Smith are just two examples of artists who recently added English verses to songs originally sung in Spanish. Another notable example is J Balvin's "Mi Gente", which hit the charts worldwide with Beyonce adding verses in Spanish. Considering it was a favourite of the former president of the United States, its popularity shouldn't be too surprising, and hence the fact why Beyonce would want to get involved.
Here is a trip through 10 of the best Spanish Remixes out there, showing how the 'genre' has changed, and become a major concern, over the past 20+ years.
Delinquent Habits – Tres Delinquentes (Cubano Remix Spanish) / 1996
This song is an instant classic at Latino hip-hop parties, but it's Spanish version also had heavy radio play in South America. The "Cubano Remix" of the Spanish version also gives the song a new party flavour, leaving behind the mariachi samples from the original.
Cypress Hill – Yo Quiero Fumar (I Wanna Get High) / 1999
Continuing chicano rap traditions, Cypress Hill released most of their singles with Spanish versions for the Latin market. This also led to a compilation from 1999 called Los Grandes Éxitos En Español, which also included a new song called "Siempre Peligroso" with Fermín IV from Control Machete.
The Roots – You Got Me (Me Tienes Remix ft. Mercedes Martinez) / 1999
A hidden gem on the b-side for one of the most notable hits by mainly-instrumental hip-hop group The Roots. This rework includes a new beat and English verses by Black Thought, but it also features a new chorus in Spanish by Mercedes Martinez, part of the soul duo Jazzyfatnasteees.
Sean Paul – Punkie (Español) / 2002
With his smash album Dutty Rock, Sean Paul was at the forefront of dancehall's return to the global charts in 2002. He can even be made accountable for leading the way for reggaeton to hit the mainstream shortly after. "Punkie (Español)" was included as a bonus track on Dutty Rock and even functioned as a single in South America.
Rupee – Tempted To Touch (Reggaeton Remix ft. Daddy Yankee) / 2004
Originally sung by Rupee, the "Reggaeton Remix" was a big hit in Latin America because it included man of the moment, Daddy Yankee, who was everywhere at the time with his song "Gasolina". It's quite probably that most Latin audiences think this is a Daddy Yankee track and have forgotten about dancehall singer Rupee's top billing.
Christina Milian – Dip It Low (Reggaeton Remix ft. Julio Voltio) / 2004
When the first reggaeton wave started, everyone wanted a remix or a collaboration with Puerto Rican artists. The market was full of bootlegs and hard to find "promo only" remixes. One of the most notable R&B-goes-reggaeton remixers was DJ Kazzanova, and for this Christina Milian take, he brought none other than Julio Voltio.
Fuego – Cuando Suena El Bling (Hotline Bling Spanish Remix) / 2015
Dominican singer Fuego provided many classic examples of the trend of taking mainstream English songs and giving them the Spanish treatment. He's even behind the mambo version of Gyptian's "Hold Yuh", "Una Vaina Loca", which is the version that most Latinos know. This flip to Drake's "Hotline Bling" has hit close to 2 million views in Fuego's channel on YouTube.
Kali Uchis ft. Fuego – Tirano / 2017
Talking about the rise to underground stardom of Kali Uchis is like a fairy tale, in just a couple of years she went from dropping an internet mixtape to working with Major Lazer, Gorillaz and Tyler, The Creator. The original "Tyrant" song is as good as the Spanish one with Fuego, and includes the vocal support of Jorja Smith.
Cardi B – Bodak Yellow (Latin Trap Remix ft. Messiah) / 2017
Cardi B's Bodak Yellow dropped and suddenly it was ubiquitous, making Dominican descendant's career go from nothing to something in a blink of an eye. She built on this success to become the first female artist to have 5 simultaneous hits on Billboard's Hot R&B/Hip-Hop.
Lil Pump – Gucci Gang (Latin Remix ft. Bad Bunny, J Balvin & Ozuna) / 2018
This Lil Pump track has become an anthem of trap ostentation, and of course a Latin remix wouldn't be complete without the infamous Bad Bunny, but it's made even better with J Balvin and Ozuna. The rumour about why this remix hasn't been officially released yet is because it's said there will be even more artists included. Stay tuned for the latest on that one.
Mexico / Sounds of Mexico #3
Tags: Bad Bunny, Cardi B, Christina Milian, Cypress Hill, Daddy Yankee, Delinquent Habits, DJ Kazzanova, Fuego, J Balvin, Julio Voltio, Kali Uchis, Latin Remix, Latin Remixes, Lil Pump, Mercedes Martinez, Messiah, Ozuna, Rupee, Sean Paul, Spanish Remix, Spanish Remixes, The Roots


This original drain heater is suitable for various models of Beko.
This heater is suitable for Beko fridge models.
This fridge heating element is suitable for Beko models.
This fridge heater element is suitable for Beko models.
This heater is suitable for various models of Beko's refrigerators.
This nofrost refrigerator glass resistance is suitable for various brands and models. Please check the dimensions before to order.


Dublin born chef, restaurateur and My Kitchen Rules judge Colin Fassnidge returns home to discover the changing face of food in Ireland where it's not just bread and potatoes anymore. He takes a tour of his childhood haunts where we meet his family then takes a culinary tour of some of Ireland's most beautiful food producing areas on his motorbike.
Colin is in the heartland of traditional Ireland, where old meets new in the most exciting ways.
Dublin-born chef, restaurateur and MKR judge Colin Fassnidge returns home to discover the changing face of food in Ireland, taking a tour of his childhood haunts.