text:
Michael Edward Spillane (born 23 March 1989) is a former professional footballer, who played as a defender, currently assistant manager at Chelmsford City. Born in England, he represented the Republic of Ireland at youth international level.

Club career
Spillane signed a full, professional, three-year contract with Norwich City on 30 June 2006. He had already made his first team debut by this time against West Ham United in the 2006 FA Cup third round, making him the youngest ever player for Norwich City to play in the FA Cup.

Spillane was given his first extended run in the Norwich side by manager Peter Grant towards the end of the 2006–07 season. He got his chance in the centre of midfield due to injuries to Youssef Safri, Simon Lappin and Mark Fotheringham. This was after he initially played at right back under Nigel Worthington.

Spillane signed on loan for Luton Town for the 2008–09 season in August 2008. He scored his first Luton goal in the match against Aldershot Town on 13 September. Spillane made a total of 38 league appearances for Luton, scoring three goals. He was also part of the Luton side that won the Football League Trophy, beating Scunthorpe United 3–2 at Wembley.

In April 2009, Spillane signed a two-year contract extension with Norwich City. Spillane went on to play a bigger part in Norwich's 2009–10 League One winning season playing 13 times and scoring once against Leyton Orient, although he missed around half the season with injury. In July 2010, he transferred to Brentford for an undisclosed fee. In September 2010, he scored his penalty as Brentford knocked Everton out of the League Cup on penalties. Spillane scored his first and what turned out to be only Brentford goal in a 3–1 win at Sheffield Wednesday.

He signed on loan for Dagenham & Redbridge, on 17 November 2011, turning this into a permanent deal on 6 January 2012.

On 17 January 2013, Spillane signed for Southend United.

On 23 August 2013, Spillane signed a one-year-deal with Cambridge United. He left the club on 31 January 2014 by mutual consent and joined Sutton United.

On 26 September 2015, Spillane signed for Lowestoft Town, becoming the eighth former Norwich player at the club. In December 2016, Spillane moved a tier higher to join Chelmsford City. On 30 March 2019, Spillane made his 100th appearance in all competitions for Chelmsford, captaining and scoring for the club in a 2–1 home win against Oxford City. On 30 January 2020, Spillane was confirmed as assistant to interim manager Robbie Simpson alongside Chris Whelpdale following the sacking of Rod Stringer. On 28 April 2020, Spillane was named as Chelmsford's Head of Academy.

International career
Spillane has represented Republic of Ireland U17s, for whom he was the captain. Spillane also captained the Republic of Ireland U18s to an international tournament win, scoring twice in the Portugal tournament; netting in a 2–2 draw with Belgium and then striking a late winner against Portugal. The squad also recorded a 3–1 win against Georgia.

He has played six times for Republic of Ireland U21s, scoring the equaliser in a 1–1 draw against Germany in February 2009. Spillane won the Republic of Ireland Under-19 Player of the Year Award in March 2009.

Personal life
Spillane was born in Jersey as a result of his mother being hospitalised on the island for the final eight weeks of her pregnancy. Spillane's uncle, Terry, has previously managed Stansted, Aveley and Maldon & Tiptree.

Career statistics

Honours
Luton Town
Football League Trophy: 2008–09

Norwich City
Football League One: 2009–10

References

External links
 Michael Spillane player profile at canaries.co.uk

 Ireland profile at Soccerscene

1989 births
Living people
Jersey footballers
Republic of Ireland association footballers
Republic of Ireland under-21 international footballers
Norwich City F.C. players
Luton Town F.C. players
Brentford F.C. players
Dagenham & Redbridge F.C. players
Southend United F.C. players
Cambridge United F.C. players
Sutton United F.C. players
Lowestoft Town F.C. players
English Football League players
National League (English football) players
Association football midfielders
Association football defenders
Chelmsford City F.C. players
Republic of Ireland expatriate association footballers
English footballers
English people of Irish descent
Chelmsford City F.C. non-playing staff
Association football coaches


I drink a lot of water as well, though only because it keeps me from consuming everything in the vending machine downstairs.
Ohhhh Debbie you make me laugh and feel better about my growing belly (no growing feet yet) Thanks for the entertainment!!


text:
Film Music 2010
Download Album (MP3)	 12 tracks	 £7.99
Download Album (FLAC)	 12 tracks	 £7.99
Download individual tracks From £0.99
The City of Prague Philharmonic Orchestra - Film Music 2010
Film Music 2010 is the fourth instalment in the eagerly awaited annual "Year Book" concept from Silva Screen. 2010 was a great year for film music and this 12 track collection includes the very best themes from that twelve month period.
Alexandre Desplat made his bow as the new composer for the Harry Potter series whilst Daft Punk delivered a stunningly original soundtrack for Tron: Legacy.
The compilation also includes Hans Zimmer's beautifully crafted score for Inception, film rated by many as the best of 2010.
Classic FM Magazine comments on Silva Screen's work with the Prague Philharmonic Orchestra: "You have to hand it to the folks at Silva Screen - their pursuit of authenticity is tireless… The result is a tour de force of inspired musicianship and technical ingenuity. Bravo!"
Download Album (SILED4539)
The City of Prague Philharmonic Orchestra, James Fitzpatrick - Harry Potter And The Deathly Hallows Part 1 - Obliviate
London Music Works, Steve Mazzaro, Dan Winters - Tron: Legacy - Recognizer
The City of Prague Philharmonic Orchestra, James Fitzpatrick - The Twilight Saga: Eclipse - First Kiss / Wedding Plans
London Music Works, Steve Mazzaro - Kick-Ass - Strobe (Adagio in D minor) / Flying Home
The City of Prague Philharmonic Orchestra, James Fitzpatrick - The Karate Kid - I Want To Go Home
The City of Prague Philharmonic Orchestra, James Fitzpatrick - Clash Of The Titans - Perseus
The City of Prague Philharmonic Orchestra, James Fitzpatrick - Alice In Wonderland - Alice's Theme
London Music Works, Steve Mazzaro - The Expendables - Main Theme
The City of Prague Philharmonic Orchestra, James Fitzpatrick - Let Me In - End Credits
London Music Works, Steve Mazzaro - How To Train Your Dragon - Forbidden Friendship
London Music Works, Steve Mazzaro - Inception - Dream Collapsing
London Music Works, Steve Mazzaro - Inception - Time
1 Harry Potter And The Deathly Hallows Part 1 - Obliviate 2m 57s	 £0.79
2 Tron: Legacy - Recognizer 2m 39s	 £0.79
3 The Twilight Saga: Eclipse - First Kiss / Wedding Plans 4m 46s	 £0.79
4 Kick-Ass - Strobe (Adagio in D minor) / Flying Home 3m 48s	 £0.79
5 The Karate Kid - I Want To Go Home 5m 0s	 £0.79
6 Clash Of The Titans - Perseus 6m 22s	 £0.79
7 Alice In Wonderland - Alice's Theme 5m 6s	 £0.79
8 The Expendables - Main Theme 3m 18s	 £0.79
9 Let Me In - End Credits 6m 20s	 £0.79
10 How To Train Your Dragon - Forbidden Friendship 4m 12s	 £0.79
11 Inception - Dream Collapsing 2m 24s	 £0.79
12 Inception - Time 4m 35s	 £0.79
Entire MP3 Download Album (12 tracks) £7.99
MP3 format technical details
These mp3 tracks have been encoded with LAME providing you with a very rich listening experience. No DRM or copy protection is built in to the mp3s.
Entire FLAC Download Album (12 tracks) £7.99
FLAC format technical details:
These FLAC tracks are superior to MP3 in that they are compressed without any loss in sound quality. For further technical details or player tips, visit the Help section

redpajama_set_name: RedPajamaCommonCrawl


On Sunday, the New York Times, in a house editorial entitled "Filibustering Nominees Must End," embraced President Obama's call, in his State of the Union address last week, for the Senate to change its rules to require votes on judicial (and executive) nominees within 90 days.
To see the filibuster fully, it's obviously a good idea to have to live on both sides of it. We hope acknowledging our own error may remind some wavering Republican senators that someday they, too, will be on the other side and in need of all the protections the Senate rules can provide.
The two examples that the NYT cites of victims of the judicial filibuster are also telling. The NYT claims that Ninth Circuit nominee Goodwin Liu was "entirely in the legal mainstream"—a proposition that Liu's record belies and that Obama himself has implicitly abandoned. By contrast, the only Republican victim it will say that Democrats wrongly "used the filibuster" against is Sixth Circuit judge Jeffrey Sutton. But Sutton's nomination wasn't filibustered: although it faced procedural obstruction and received 41 votes against, it was never subject to a cloture vote.
Misidentifying Sutton as a victim of the filibuster enables the NYT to pose as bipartisan while sparing it the trouble of actually identifying a single filibustered Bush 43 judicial nominee whom it now believes shouldn't have been filibustered. That should make it easier for the NYT to do another about-face the next time a Republican president is making judicial nominations.
As I have made clear repeatedly over the years, I would welcome an end to the filibuster of judicial nominees. But I don't think that goal is advanced by the NYT's transparently partisan posturing.


text:
Home Entertainment Bollywood Hope craze for hockey rises after 'Gold', says Akshay Kumar
Hope craze for hockey rises after 'Gold', says Akshay Kumar
on: July 07, 2018 In: Bollywood, Entertainment, Latest News, MoviesTags:
Mumbai: Akshay Kumar said he hopes hockey catches Indian youth's fancy after the release of his upcoming film "Gold".
Besides, "Gold", Diljit Dosanjh's next "Soorma" is also set against the backdrop of hockey.
"Youngsters want to see different kind of sports. Today other than cricket, football, kabaddi are also coming up. I hope this film gives hockey that status, hope with this film the craze for hockey increases, also people will come to know about the history of hockey, when we got our first gold medal.
"In reality, today things are changing and hockey is getting a lot of support from the government," Akshay told reporters here last evening.
The film, directed by Reema Kagti, is based on true events about India winning its first Olympic gold medal in hockey as a free nation in 1948.
Akshay said "Gold" is "not a hockey film, it is a sports film" and it showed how the whole country united and how the game became big.
The film is clashing with John Abraham's "Satyamev Jayate" on August 15 and Akshay believes two films can release on the same day.
"He (John) is my friend. In the film industry, we all are friends. Anyone can come on any date or even come together on the same date. I hope both the films do well at the box office," he said.
When asked why "Gold" should be the first choice for the audience to watch in the theatres, Akshay said, "I am nobody to tell anyone what their first choice should be. The first choice belongs to the audience, that is going to spend money. My job is to tell them that I am coming up with a fine film."
The actor, who plays team manager Tapas Das, said he worked hard to get his look and Bengali accent right.
"People don't know about the technicians who are equally involved in making a film, there are people who do not become famous. My character is somewhat like that. Long ago, I stayed in Kolkata for two years," he said.
"I had a dialect coach to get the accent. There was a fear that it shouldn't sound caricaturish and so far no one has said that to me," he added.
The film also stars Mouni Roy, Amit Sadh, Kunal Kapoor and Vineet Singh. (PTI)
Gold sheds Rs 40 on global cues, muted demand
NC to meet Guv about alleged discrimination against Srinagar


November | 2015 | Micro Daily & Protein Daily in ACTION!
Posted on November 26, 2015 by Micro Daily & Protein Daily in ACTION!
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Happy Saturday Morning! Join Us For The Saturday Morning 9:00 AM (MST) Update Call!
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text:
Q: How to Give a column name to the Output in MapReduce? How to give a column name to the output in MR?
suppose i have a simple text i want to count by using a simple word count program
but i want to get my output with column names is it possible?

A: You can achieve this by overriding setup method of reducer. You can add the custom headers in to the setup method which will be followed by map reduce output.
Follow MR API Doc: http://hadoop.apache.org/docs/stable/api/org/apache/hadoop/mapreduce/Reducer.html

redpajama_set_name: RedPajamaStackExchange


text:
Karen Rigby: Poet Interview
Please welcome Karen Rigby to the Poetic Asides blog!
Rigby is the author of Chinoiserie (Ahsahta Press, 2012), winner of the 2011 Sawtooth Poetry Prize, and of the chapbooks Savage Machinery and Festival Bone. She has received a literature fellowship from the National Endowment for the Arts, a residency at the Vermont Studio Center, and a grant from the Greater Pittsburgh Arts Council. A graduate of the University of Minnesota's MFA program, she currently resides in Arizona. Her work has appeared in Quarterly West, Meridian, Washington Square, failbetter.com, New England Review, and other journals.
Here's a poem I really enjoyed from Chinoiserie:
Dear Reader, by Karen Rigby
The mink shouldered out of its cage,
paced four meters square.
I admired the indexed spine. The guard hairs
slick. The mouth
suspect.
The black eye trained against the water pump, the white magnolia--
what could I bring to the dooryard?
He wanted nothing of torn bread.
Nothing to drink.
One night the mink climbed my throat
and out of bone and grasping
a demon was born
to haunt the city of steeples.
It blessed the pedestals worn
by thumbprints. Leather Bibles. Rivers bruising
in their beds. Its jaw hung like a petal
darkening by the hour.
Dear reader: What I started to tell you
had something to do with hunger
but the mink was demon
turned bodiless terror.
It led me closer to the firs
where the dead wait for an answer.
All night the mink appeared
and disappeared. The demon wept.
Bodies lined up like blonde guitars
without their necks. Faces I loved thorned
in the trees. A tanager shone
like a pitcher of blood.
Karen Rigby, poet
At the time of this writing, I'm at work on a longer poem as part of the 2013 Flying House project, in collaboration with artist CJ Hungerman. Though I can't elaborate until the work is shown in October, drafting this poem is proving to be a real shift.
Your collection Chinoiserie includes epigraphs for each of its three main sections—all three of them translations. Especially with the title of the collection, could you explain how much non-English language poems have influenced your poetry—if at all?
I was born in Panama City, Panama, in a household with both English and Spanish. I found my way toward the work of several authors—in their original language—through excellent teachers. Ana María Matute, Gabriela Mistral, Juan Ramón Jiménez, Rubén Darío, and Miguel de Unamuno come to mind. Fiction, mostly. Then Lorca's plays. Poetry didn't enter my imagination until later.
The line from reading in adolescence to writing Chinoiserie, however, is a spider thread. I'm not sure which, if any, influences remain. I do think, though, that everything absorbed eventually manifests in other ways.
In this collection, the poems often seem to use space as an asset. What are your thoughts on using white space as a poetic device?
White space is like breathing, always present. Consider a line break—is it a decision arising from meaning or music? A desire for emphasis or pause? Or is the line sculpting, interrogating, articulating the white space surrounding it? Or is it the other way—does the white space define the words? If an image is framed in white, deliberately made to stand apart, why?
Questions happen in the background, but when I write, the decisions are instinctive. Even as the words fill one side, I'm looking at the margin on the other side.
Before Chinoiserie, you authored two chapbooks: Festival Bone and Savage Machinery. Do you have a process for assembling a poetry collection?
All of these gathered poems on various topics —they were not written as part of an intentional series (a thematic project, for instance). Sometimes I went by the images, excluding poems that repeated too many of the same ones. Sometimes I arranged according to the last lines of one poem and the first lines of another.
Regardless of the choices made, in all three cases I printed everything and arranged the pages on the floor. I stood back to take in the different shapes. Lengths of poems, line-lengths, variety in the forms. Then I considered opening and closing poems, second and second-to-the-last poems, and so on, working back to the center. It is sometimes surprising what can stand out just from the visual survey.
Publish your poetry!
Learn how to get your poetry published--either individually in poetry publications or as a collection--with the 2013 Poet's Market, edited by Robert Lee Brewer. In addition to several articles on the craft, business, and promotion of poetry, the book includes hundreds of publishing opportunities, including listings for book publishers, magazines, journals, contests, grants, and more!
I don't know. What I find myself drawn to changes over time—I also hesitate to set parameters. I can say, though, that more and more the poetry I like is poetry I remember, which has nothing to do with whether the work is actually memorable (in a larger canonical or historical sense, or more simply, to other readers, and has nothing to do with the complexity of the work). It takes a lot for certain lines to adhere, let alone haunt me, and not many poems do.
Lowell's "a savage servility / slides by on grease" is one line that has stayed with me. In my own work, Pope's "sound must seem an echo to the sense" is admittedly seductive. I try to avoid the larger clunkers, if I can.
The poem I'm writing now. What is currently on the table is what is best (even if time reveals it as otherwise), because that space is the active one.
Prose poems by Paige Ackerson-Kiely and Andrew Grace.
Words. Wonderment. Waiting.
Thank you so much for participating, Karen!
You can learn more about Karen Rigby, her poetry, and more at her website: http://www.karenrigby.com
If you're a publisher or poet interested in an interview on the blog or would like to propose a guest post related to poetry (the craft, the business, or the lifestyle), all you need to do to get the wheels in motion is to send me an e-mail with the subject line: Poetic Asides Blog to robert.brewer@fwmedia.com. Please be as specific as possible about your ideas, and then we'll see where it goes from there.
Check out previous poetic posts here:
S. Thomas Summers: Poet Interview.
Wednesday Poetry Prompts: 219.
Four Poets Read Poems and Talk Poetry.


In the past 20 years photography has given me the gift of bringing my imagination to a tangible medium, as such I wish to share with you the world as I see it. So stay a while, look at my photos, or you can buy some prints.
Make sure you check out our other services. We offer all types of posters and Fat Heads. To order a poster please send us a email or give us a call. If you like the pictures Rank them, and they'll become part of my Popular gallery.
Thank you for stopping by, you are welcome anytime to have another look, check out my recent work, or just visit a favorite. Above all, enjoy!
College, High School, Junior High, Select Team, and Youth Leagues. Call and schedule your team and individuals photo shoot. Our schedule fills up fast so don't delay in calling and reserving your date and time. During the shoot we will also take photos of the players that can be used in our PANO's and custom posters that are offered during ordering. Athletic Directors, Coach's, Booster Clubs, Board Members, Team moms, and even students can call for scheduling.
Did your team not get the photos that you were expecting from your current photographer? Did your current photographer care about what you wanted? If not, give us a call, we take pride in what we do and strive to give you memories that you will treasure.


text:
/*
 * @file        file-lock.cpp
 * @author      Sebastian Grabowski (s.grabowski@samsung.com)
 * @version     1.0
 * @brief       Implementation of simple file locking for a service
 */
/* vim: set ts=4 et sw=4 tw=78 : */

#include <fstream>
#include <dpl/log/log.h>

#include "file-lock.h"

namespace SecurityManager {

char const * const SERVICE_LOCK_FILE = tzplatform_mkpath3(TZ_SYS_RUN,
                                                         "lock",
                                                         "security-manager.lock");

FileLocker::FileLocker(const std::string &lockFile, bool blocking)
{
    if (lockFile.empty()) {
        LogError("File name can not be empty.");
        ThrowMsg(FileLocker::Exception::LockFailed,
                 "File name can not be empty.");
    }

    m_locked = false;
    m_blocking = blocking;
    m_lockFile = lockFile;
    Lock();
}

FileLocker::~FileLocker()
{
    Unlock();
}

bool FileLocker::Locked()
{
    return m_locked;
}

void FileLocker::Lock()
{
    if (m_locked)
        return;

    try {
        std::ofstream tmpf(m_lockFile);
        tmpf.close();

        m_flock = boost::interprocess::file_lock(m_lockFile.c_str());
        if (m_blocking) {
            m_flock.lock();
            m_locked = true;
        } else
            m_locked = m_flock.try_lock();
    } catch (const std::exception &e) {
        LogError("Error while locking a file: " << e.what());
        ThrowMsg(FileLocker::Exception::LockFailed,
                 "Error while locking a file: " << e.what());
    }

    if (m_locked)
        LogDebug("We have a lock on " << m_lockFile << " file.");
    else
        LogDebug("Impossible to lock a file now.");
}

void FileLocker::Unlock()
{
    if (m_locked) {
        m_flock.unlock();
        m_locked = false;
        LogDebug("Lock released.");
    }
}

} // namespace SecurityManager

redpajama_set_name: RedPajamaGithub


text:
President Bush Friend: "He's a golf-aholic now"
November 03, 2013 / Geoff Shackelford
Peter Baker files a New York Times profile (thanks reader Tim) of President George W. Bush that offers rare insights into the former president's life in Dallas, including his fundraising work for wounded warriors, his concerns about the Tea Party and what appears to now be the same obsession with golf shared by his father.
From Baker's profile that is accompanied by the president in a Presidents Cup hat as Tim Finchem is deep in thought:
But Mr. Bush is most worried about what he sees as a growing isolationism, a retreat from the tough-minded national security policies and assertive American role in the world that he championed. "That's his main concern about the Tea Party," Mr. Glassman said. In that vein, Mr. Bush contributed $5,000 to Senator Lindsey Graham, a hawkish South Carolina Republican who is facing a challenge from the right.
His main passions these days, though, are elsewhere. Mr. Bush, who is 67, spent Halloween with his new granddaughter, who was dressed as an astronaut. He has a regular seat near the dugout at Texas Rangers games and gave the coin toss at a recent Southern Methodist University football game. He hosted a charity golf tournament, and after having a stent inserted to open a clogged artery, he is back on his bicycle.
"I would sum it up as library work, speeches, painting, golfing and mountain-bike riding," said Mark McKinnon, a friend and former political consultant. "The most consistent characteristic about President Bush is that he truly loves and relishes life."
After giving up golf while in office out of deference to troops at war, Mr. Bush has taken it up again. He sometimes plays with the first few people who happen to show up at courses like the Brook Hollow Golf Club or the Las Colinas Country Club, and he built a putting green at home. "He's a golf-aholic now," said his friend Charlie Younger.
November 03, 2013 / Geoff Shackelford/ 1 Comment
Finchem: U.S. Golf Has Seen ...
Els Drops Dubai In Protest Over ...


Kevin is a Registered Therapeutic Counsellor with the Association of Cooperative Counselling Therapists of Canada (ACCT) . He is also an instructor for the Practitioner Counsellor Training Program for Clearmind International which offers courses locally in Vancouver, British Columbia and internationally via online video conferencing. He offers private counselling services for anxiety, depression, relationship problems, addiction, grief and trauma, and men's issues. He also offers services to couples who are experiencing communication problems, or the pain of emotional or sexual affairs.
Kevin brings great compassion and genuine curiosity to each session, with the goal of wholeheartedly accepting you in the middle of painful or chaotic circumstances. He is a graduate of the Clearmind Institute for Transpersonal Counselling, a highly experiential progam that uses feelings to help highlight our core beliefs and correct those beliefs that don't serve us. He will help you take a wider view of your presenting 'problems' in order to see how they function in the context of your unique family system and culture. Kevin brings his whole heart to the process of helping you realize your innate strengths, creative assets, extended support systems and vibrant potential.
Katrina is a Registered Therapeutic Counsellor with the Association for Cooperative Counsellors of BC (ACCT), is graduate of the three year Clearmind Counsellor Practitioner Program and has a diploma in Transpersonal Counselling Psychology. She offers private counseling sessions for individuals and couples struggling with anxiety, depression, grief and intimacy issues.
Katrina creates a safe and nurturing environment in which to explore pain and trauma, and approaches each session with warmth and a soft, open heart…and has great facility with helping clients untangle from old stories and unhealthy patterns so new, values-directed choices become available.
Katrina is a proud mother of three daughters and brings all of her wisdom and humour to create sessions full of hope, encouragement and laughter. She counsels couples with her husband of 26 years Kevin, and has been and Assistant Teacher for level one of the PRAC counselor training program 2014 to 2017.


Robert Leat is a great down to earth guy that actually gave me a realistic and achievable exercise plan. The fact that he spends the time tailoring it all to my needs gave me the confidence that he's the right choice for me. Once an exercise and diet plan was set, Rob kept in touch with me on a regular basis and gave me the motivation I needed to achieve the goals we set. As an online client, Rob keeps in touch with me via social media and video calls like Skype.
It makes life so much easier if I need to ask questions or queries regarding my fitness plan by having Rob just a few clicks away. Rob's happy helpful and optimistic helped me to want to achieve my goals because he genuinely wants the best for me and my body as opposed to an angry grunting army Sargent who's just in it for the money.


Bella Mist Studios is a wedding photography company based in Marysville, Washington that has fun with their photo shoots and puts their couples at ease. Owner and lead photographer Amber loves to capture her clients on location at scenic outdoor areas. Amber ensures that your wedding photography will be a fun experience that is both creative and affordable. Bella Mist Studios also caters to clients with various disabilities, such as children with Autism, and offers discounts to those who served in the military.
Amber has over nine years of experience providing photography for her clients in the Marysville area. She's had a camera in her hands for as long as she can remember. Before launching Bella Mist Studios, Amber worked as a lead photographer for a local newspaper for several years.


text:
Paul Joseph Jamin (ur. 9 lutego 1853 w Paryżu, zm. 10 lipca 1903 tamże) – francuski malarz, przedstawiciel akademizmu.

Życiorys
Urodził się w Paryżu w 1853 roku. Był synem Jules'a Jamina, fizyka i stałego sekretarza Francuskiej Akademii Nauk. W 1882 roku ożenił się z Augustine Marie Caroline Bastien, z którą miał czworo dzieci.

Jego obrazy były wystawiane na Salonie w całym ostatnim kwartale XIX wieku. Jednym z jego najbardziej znanych obrazów jest Brennus i jego łupy (Le Brenn et sa part de butin, 1893), który przedstawia galijskiego wodza Brennusa, oglądającego jeńców i łupy zdobyte po grabieży Rzymu przez jego wojska.

Linki zewnętrzne
 P. Jamin su Artcyclopedia.com

Francuscy akademicy
Urodzeni w 1853
Zmarli w 1903
Ludzie urodzeni w Paryżu

redpajama_set_name: RedPajamaWikipedia


text:
Q: Excel INDEX + MATCH (different worksheet with user defined function) Solved, I made a "MATCH" mistake, thanks all!
I have uncertain number of worksheets every time with uncertain name, but my target worksheet to search is always the 3rd last one
so in VBA I did this UDF:
Function SHEETNAME() As String

    Dim L As Long
    L = ThisWorkbook.Worksheets.Count
    SHEETNAME = Sheets(L - 2).Name

End Function

therefore, calling =SHEETNAME() in my spreadsheet will always return the name of my target worksheet
then unfortunately, the exact value I need is 1 row below what I can reach with VLookup (3rd column)
=VLOOKUP($K$2,INDIRECT("'" & sheetname() & "'!"&"A2:X30"), 3, 0) <--- I need 1 row below this result

so I converted the formula to INDEX + MATCH
=INDEX(INDIRECT("'" & sheetname() & "'!" & "A2:X30"),MATCH($K$2,INDIRECT("'" & sheetname() & "'!" & "A2:A30"),0)+1,3)

somehow, the result of MATCH($K$2,INDIRECT("'" & sheetname() & "'!" & "A2:A30"),0) from F9 is N/A, why....

A: From A:X you want the third column's value in your VLOOKUP so it's INDEX(C:C, ...) or INDEX(A:X, ..., 3). The VLOOKUP always uses the first column for the lookup so it's going o be MATCH(K2, A:A, 0).
=INDEX(INDIRECT("'" & sheetname() & "'!A2:X30"), MATCH($K$2, INDIRECT("'" & sheetname() & "'!A2:A30"), 0)+1, 3)

Don't complicate INDIRECT strings with $. Nothing is going to change the string.


text:
Q: How to convert raw url to hyperlink? I have a custom field with raw urls and I want to convert them to hyperlinks. So I used this code:
<?php $text = get_post_meta( get_the_ID(), 'Links', TRUE );
echo make_clickable( $text ); ?>

The problem with this code is it doesn't work with urls that contains spaces in them. How can I make it work for urls with spaces?

A: URL-encode spaces beforehand:
make_clickable( str_replace( ' ', '%20', $text ) );


Var. shots Sir Walter Monckton leaving an English airfield by Dakota.
Good CU of Russian Foreign Minister Maxim Litvinov framed in doorway of plane prior to leaving English airfield for US.
Var. good informal shots of Sir Walter Monckton - interior study and drawing room of house. He plays with his dog.
Cataloguer's Note: Shots of Monckton are quite dark.


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Q: Merging multiple columns with different column lengths I have the following two dataframes:
values = pd.DataFrame(data={'val1': ['A', 'C', 'B'],
                     'val2': [None, 'A', None],
                     'val3': [None, 'B', 'A']},
                     index=pd.Series([1, 2, 3]))

desc = pd.DataFrame(data={'value': ['A', 'B', 'C', 'D'],
                    'description': ['Description for A', 'Description for B', 'Description for C', 'Description for D']},
                    index=pd.Series([1, 2, 3, 4]))

val1
val2
val3

1
A
None
None

2
C
A
B

3
B
None
A

value
description

1
A
Description for A

2
B
Description for B

3
C
Description for C

4
D
Description for D

How do I merge the two dataframes I keep the left table, and for each column, I am joining the description from the right table?

val1
val2
val3
val1_desc
val2_desc
val3_desc

1
A
None
None
Description for A
None
None

2
C
A
B
Description for C
Description for A
Description for B

3
B
None
A
Description for B
None
Description for A

I've tried
pd.merge(values, desc, how='left', left_on=['val1', 'val2', 'val3'], right_on=['value'])

but I get the following error:
ValueError: len(right_on) must equal len(left_on)

A: One way to approach this would be to flip values into long form, merge with desc, pivot back to wide form, and make adjustments to the columns:
df = (values.melt(ignore_index=False)
            .reset_index()
            .merge(desc, on='value')
            .rename(columns={"description":"desc", "value":""})
            .pivot('index', 'variable')
            .swaplevel(axis='columns')
     )

Flatten the columns:
 df.columns = df.columns.map("_".join)

Some more cleanup, before the final output:
df.rename(columns=lambda df: df.rstrip("_")).rename_axis(index=None)

  val1 val2 val3          val1_desc          val2_desc          val3_desc
1    A  NaN  NaN  Description for A                NaN                NaN
2    C    A    B  Description for C  Description for A  Description for B
3    B  NaN    A  Description for B                NaN  Description for A


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