In my last post, I talked about Network IO Control. I think it's better for me to discuss another interesting function of new vSphere 4.1, Storage IO Control.
Storage IO Control is really something easy to setup and leave difficult jobs to Vmware operation. However, there are quite bit information on the Internet, I'm trying to put them together and explain it to you in an easy way.
What is Storage IO Control ?
Storage I/O Control (SIOC), a new feature offered in VMware vSphere 4.1, provides a fine-grained storage control mechanism by dynamically allocating portions of hosts' I/O queues to VMs running on the vSphere hosts based on shares assigned to the VMs. Using SIOC, vSphere administrators can mitigate the performance loss of critical workloads during peak load periods by setting higher I/O priority (by means of disk shares) to those VMs running them. Setting I/O priorities for VMs results in better performance during periods of congestion.
There are some misunderstanding here. Some people say SIOC will only kick in when threshold is breached. I believe SIOC will always work for you at all the time to make sure datastore latency close to the congestion threshold if you enable this feature.
Storage I/O Control has several requirements and limitations.
Datastores that are Storage I/O Control-enabled must be managed by a single vCenter Server system.
Storage I/O Control is supported on Fibre Channel-connected and iSCSI-connected storage. NFS datastores and Raw Device Mapping (RDM) are not supported.
Before using Storage I/O Control on datastores that are backed by arrays with automated storage tiering capabilities, check the VMware Storage/SAN Compatibility Guide to verify whether your automated tiered storage array has been certified to be compatible with Storage I/O Control. (I believe the latest EMC F.A.S.T is upported with this function. But you have to wait for latest FLARE 30 to make it work).
All ESX Hosts connecting to the datastore which you want to use SIOC must be ESX 4.1. (You can't enable SIOC while you have ESX 4.0 connecting to that SIOC datastore). Of course, you need to have vCenter 4.1 as well.
How does Storage IO Control work?
There are quite few blogs regarding this topic. Essentially, you can setup share level for each single VM (actually, you setup for each VM disk) and apply limits if you have to. Those values will be used when SIOC is operating. Please be aware that SIOC doesn't just monitor a single point and adjust a single value to make your latency lower than dedicate thershold. It actually change multiple layers of IO flow to make it happen ( I will explain it later).
Let me quote Scott Drummonds article to explain the difference between previous disk share control and SIOC.
The fundamental change provided by SIOC is volume-wide resource management. With vSphere 4 and earlier versions of VMware virtualization, storage resource management is performed at the server level. This means a virtual machine on its own ESX server gets full access to the device queue. The result is unfettered access to the storage bandwidth regardless of resource settings, as the following picture shows.
As the diagrams clearly shows, the current version of shares are on a per Host basis. When a single VM on a host floods your storage all other VMs on the datastore will be effected. Those who are running on the same host could easily, by using shares, carve up the bandwidth. However if that VM which causes the load would move a different host the shares would be useless. With SIOC the fairness mechanism that was introduced goes one level up. That means that on a cluster level Disk shares will be taken into account.
As far as I believe, SIOC starting point is no long only manage a single host IOPS, instead, it monitors data-store wide level, Host HBA queue and VM IOPS together to dynamically monitor and adjust IO. If the flag is up, SIOC will come down and adjust multiple layers IO to make sure high disk share VMs are prioritized.
Each VM access to it's Host's I/O queue. SIOC must make sure it's base on I/O priority of VM (disk shares).
Each Logical device I/O queue of each host. The lower limit is 4 and Upper limit is minimum of (queue depth set by SIOC and queue depth set in the HBA driver ).
SIOC monitors the usage of device queue in each host, aggregate I/O requests per second from each host (be aware this is aggregation of I/O numbers and per I/O package size and divide by seconds)and datastore-wide I/O latency every 4 seconds (for individual datastore). Also throttles the device queue in each host.
How to setup Storage I/O control?
Let what I have mentioned above, it's fairly easy to setup as long as you go through prerequisite list.
All what you need to do is to tick that box.
If you try to customize threshold, you can click Advanced button.
In terms of seeing SIOC is actually working, please go to vCenter->Datastores->select your storage->Performance. You can see none of VM disks have more than 30ms latency. (sorry, there is no work load in the picture).


text:
A Copa Davis de 1953 foi a 42ª edição do mais importante torneio do tênis masculino de seleções. Nesta edição, 29 times participaram, sendo 22 pela Zona Europeia, 6 pela Zona Americana e a Índia, representando a Zona Oriental. A Austrália, como atual campeã, defendeu seu título em Melbourne, no Kooyong Stadium.

Disputas

Zona Americana

Zona Europeia

Interzonal

Desafio Final

Fonte
  Página oficial da Davis Cup

1953
1953 no tênis

redpajama_set_name: RedPajamaWikipedia


Step 3: After it changes your country, click the back button and try to install a random app from the korean app store, then click "Create ID" Step 4: Fill out your information as you normally would, but fill this information in for the billing address portion (make sure to type in your real email address, you'll need to confirm it later)... Previously, if you wanted to get English version of PUBG Mobile on your device when you lived in a non-supported region, such as the United States or the United Kingdom, you needed to go through the process of changing the App Store region on your iPhone or iPad, which we told you how to do so here.
To help users get started with machine tool apps, Okuma America Corporation has released a series of how-to videos showing step-by-step procedures for downloading, configuring, installing and running apps (available from the Okuma App Store) on Okuma THINC®-OSP CNC controls.
PC App Store is published since May 22, 2018 and is a great software part of System Utilities subcategory. It won over 96,338 installations all time and 5,594 last week. It is obtainable for Windows and the interface is in English.
Previously, if you wanted to get English version of PUBG Mobile on your device when you lived in a non-supported region, such as the United States or the United Kingdom, you needed to go through the process of changing the App Store region on your iPhone or iPad, which we told you how to do so here.


Mol's Place is both a contemporary exhibition space and the home of collector and patron of the arts, Mr. Jan Mol; and The Art Party on 23rd March was the first in a planned series of events organised by the gallery to promote the work of a number of emerging artists and encourage fresh creative endeavour.
As well as exhibiting a host of artists working in such diverse disciplines as painting, sculpture and kaleidoscope, the evening also featured performances from awesome band We Are Birds of Paradise, the extremely bizarre Rodnik band and myself in my capacity of official Art Party DJ, which was really rather an honour. Here's a short extract from a set that if memory serves me correctly spanned almost three hours. It would've been a longer extract but the batteries ran out. The batteries on my recorder, that is. My own batteries gave out at about 4 o'clock the following morning when I finally finished tying the speaker cables back together.
Thanks to Katy, Melissa and of course Mr. Mol for a splendid evening. Further events are apparently in the pipeline, visit the Mol's Place website to find out more.
I am the personal website of radio producer, DJ and self-styled frustrated artist Robin The Fog.
I predict many happy years of him sitting in front of me swearing copiously as I dutifully spread reams of complex HTML code all over the space where he was hoping I'd embed a media player or something. He really has no idea what he's doing. Still, wish him luck.


A hearing aid is the best known device to help those who are hard of hearing. However, it is important to realize that hearing aids are not like glasses, which may correct eyesight back to 20/20. Hearing aids can improve hearing, but the degree of improvement will depend upon each person's hearing loss. Some types of hearing loss respond better to amplification.
No two people have exactly the same hearing loss, so it is important to seek professional help to select the appropriate hearing aid for you.
A hearing aid is a battery-powered, electronic device that makes listening easier for people with a hearing loss. It consists of a microphone, receiver, amplifier, battery and an ear mold.
The microphone picks up sound and turns it into an electronic signal which is sent to the amplifier.
The amplifier selectively increases the volume of the sound and sends it to the receiver.
The receiver changes the electronic signals back into sound and delivers the sound to the ear.
The battery provides power to the hearing aid.
Hearing aid technology is continually changing. Today's hearing aids are not the kind you remember your grandma having decades ago. From In-the-Ear hearing aids to Completely-in-the-Canal hearings aids, there is something for everyone. To learn more about the different types of hearing aids available, click here.
It is important to note that very few people can put on hearing aids and hear comfortably right away. Just like adapting to bifocal glasses or contacts, it takes time to get used to anything new. One of the major adjustment issues for first time hearing aid users, is that hearing aids amplify sounds that you want to hear, but they also amplify background noise. Part of learning to live with your new hearing aids will be learning to adjust to hearing sounds that you probably have not heard for a long time. These new sounds can be as a mundane as a clock ticking, the motor of a refrigerator or the sounds of heating and lighting systems. This can be frustrating, but it is important to continue to practice listening to these sounds. Over time you will get used to them. Click here to learn more about "In the Drawer Syndrome" and adjusting to hearing aids.
Millions of people wear hearing aids. While some people get used to wearing hearing aids right from the start, others take a longer time to get us to them. Your hearing aids may have to be adjusted a few times to get things right. It is completely acceptable to continue to seek the advice and counsel of your hearing care professional until you reach that point. It is a good idea when you purchase your hearing aids to clarify with your provider their adjustment policy. Most hearing care professionals recommend a visit about two to four weeks after you get your new hearing aids in order to fine-tune them. Many hearing aid professionals offer free adjustments on a 1, 2 or 3-year basis corresponding to the warranty of the hearing aid. Other providers offer a lifetime of free adjustments. Just make sure you understand where you stand.
While hearing aids can be tremendously beneficial in assisting individuals with a hearing loss, they are not the only option. In some cases, cochlear implants may be a better solution for those with severe to profound hearing loss.
Modern technology also offers a variety of other devices that can be used in addition to or instead of hearing aids, if you so choose.
There is a range of products that alert an individual to a specific sound or that can enrich communications. These include doorbell, smoke alarm and telephone signalers.
Other assisted communication devices can help improve speech understanding in difficult listening conditions. These include amplified telephones, television and radio headphones that send sound directly to a user's ears and FM systems to help the hard of hearing in meeting spaces. These devices can help reduce problems relating to background noise and reverberation.
To look at the many products that are available, please click here to reach our E-Store.


text:
FRANZCO, PGDipOphthBS (Dist), MBChB.
Dr Zelda Pick is an ophthalmologist and sub-specialist oculoplastic surgeon, with particular interest in:
Diseases of the eyelids
Skin cancers of the eyelids: removal and reconstruction
Ptosis (upper lid droop)
Entropion and ectropion (eyelids turned in or out)
Blepharoplasty for excess upper lid skin
Lacrimal system disorders (tear duct surgery for watery eyes)
Diseases of the orbit (eye socket)
Small procedures can be performed in our comfortable rooms at Peninsula Eye Centre, and larger cases at Beleura Private Hospital, Mornington.
Zelda also treats patients with cataracts, glaucoma, macular degeneration, pterygium, general ophthalmic problems and ophthalmic emergencies. She is happy to see children with eyelid and tear duct problems.
Zelda graduated from Otago Medical School in New Zealand in 2004. During her ophthalmology training in Christchurch and Dunedin Hospitals in New Zealand she developed an interest in eyelid surgery, which she has been performing regularly since 2007. She moved to Melbourne in 2013, completing sub-specialty fellowship training in oculoplastic surgery at the Royal Victorian Eye and Ear Hospital. Zelda holds public hospital appointments at both the Royal Melbourne and Royal Victorian Eye and Ear hospitals.
Zelda is a caring, gentle doctor who achieves clinical excellence and evidence-based practice, and she takes pleasure in fostering good relationships with both her patients and referrers.

redpajama_set_name: RedPajamaCommonCrawl


text:
2022 MARCH FS HUMAN NEWS TRANSCRIPT & COMMENTS
General · 11 replies · 214 views
Welcome to the Farsight 2022 March Human News Forecast Transcript with pics.
Please add your thoughts, comments, opinions and insights to this month's Forecast, or any Events you feel might be relevant during the month of March which corelate to the Remote Viewing Sessions.
This transcript contains last months (February) Summary, the March Remote Viewer's Sessions and Round up Conclusions.
Table of Contents (Time in minutes: seconds during video):
⦁ Introduction - 0:00
⦁ Kahmia Dunson Session - 13:03
⦁ Intysam - 21:13
⦁ Aziz Brown Session - 32:49
⦁ PrinCess Jeaneé Session - 44:18
⦁ Shantae - 52:55
⦁ Summary Comments - 1:03:46
By Aziz Brown
Hi everyone. Welcome to the March 2022 edition of Farsight's Human News, the Remote Viewing News Forecast Show that tells you what is going to happen, not what did happen.
NEXT PROJECT ANNOUNCEMENT
I am Aziz brown. Before I go on, let me tell you about our next Major Mysteries Project. This is a project that you are all going to want to see - The Super Soldiers Of Ceres. That is correct.
Recently there has been reports of people who have claimed to have been abducted by Aliens and then thrown into slavery for a long time. The general idea is that they are 'isbe's' who are people in a physical body, and they are removed from their physical body and placed in what seems like clones of their original form. This transfer between bodies seems to be a common capability of the extra-terrestrials, generally, then these abducted people are placed into slavery for a defined period of time, circa 20 years, and eventually returned to their original bodies after the slavery experience.
They claimed that their memories were altered or erased, but that some memories were recoverable. When they are replaced in their original bodies, it is like they never left. But their personalities have been altered due to their experiences as slaves. Some of these abductees were used for all types of purposes including as soldiers during this long time of slavery. This is the general idea of these reports.
Now we at Farsight are not endorsing any of these claims, but what has been so striking is that some of the reports are remarkably parallel to what we have been discovering about the activities of groups of oppressive extraterrestrials currently active on and near earth. Out of curiosity mostly, a project was designed to investigate such claims and in particular to investigate a highly detailed report made by Tony Rodriguez in his newly published book CERES COLONY CAVALIER.
Well, it turns out that there is substance to these claims according to our data, and we learned a lot more than what we bargained for when we did this project. You will really want to know what we found out. In mid-March the project will be released on farsightprime.com. While you wait for the release, we want to suggest that you may want to read the book by Tony Rodriguez Ceres Colony Cavalier. This report is incredibly blunt and highly detailed. He seems to be somewhat of an anomaly in that so many of his memories have come back. His book is available as an inexpensive paperback on amazon.
Again, we are not endorsing anyone, we just do our own work as Remote Viewers and then show you our results - but reading his book would give you a good background for what we show you in mid-March when we release our new Mysteries Project THE SUPER SOLDIERS OF CERES.
K Curious
2022 FEBRUARY SUMMARY ROUND-UP
Now on to Human News. Let's start by summarizing what happened last month with our February Human News Program.
We had a very interesting and highly successful month. The Ukraine invasion clearly dominated the news. The sessions by Shantae and myself clearly pointed to a major military attack on urban areas. Shantae even described how people were leaving the cities and seeking refuge outside of the cities.
Smoke and destruction was everywhere in the sessions. Princess's session also described a major disaster with explosions in an urban area, with smoke and shaking land.
Kahmia also described a situation in a snowy cold environment in which massive explosions occurred subjects are badly affected. Kahmia wonders if this could have been something like a volcano given the explosions downward movement and destruction.
It is true that mount etna did have a major eruption in February and indeed she may have perceived that in part of her session blending in the Ukraine and mount etna events in one session - that sometimes happens - but in general her report finds correspondence with the reports of others regarding Ukraine. With hell raining down from the sky.
Basically, our Remote Viewers described various parts of the Russian invasion of Ukraine quite perfectly. The level of detail in some of these sessions is quite amazing. For those who may still be wondering if remote viewing is real this is a good month to look at the results. When these sessions were done in January, there was no indication that such an invasion would have occurred in late February. All in all, it was a terrible event to happen in Ukraine, but a great set of remote viewing sessions described the event now let's move on to this month's human news forecast for March 2022.
Remember we could always be wrong and all remote viewing sessions must be seen as an experiment not a certainty but look at the data for yourself make your own decisions.
And then let's watch the month roll out to see what actually happens.
KAHMIA DUNSON SESSION
For my first visual I have a lot of surface structures here.
I have a big empty area that kind of looks maybe like a corridor or a community space and then there's one structure that just looks way taller than all the other ones.
(Drawing) so it kind of looks something like this - you got big structures (blue pen) here all looking the same like I said, then there's some sort of corridor here – okay, big, big area.
And then some sort like larger structure right here, and it kind of looks - like there could be a big clock there or something but, like a big hole right here in a building that's just significantly larger than all the surrounding buildings.
These do feel man-made structures and they do feel like they're made out of man-made and natural material.
There are subjects here as well but they seem to be kind of hidden in the back and inside of structures. And then another thing is that there's a lot of energetics here that I'm feeling as well.
And the energetics here are like scattered all around so it's like (drawing) some energetics here, some energetics there, some in the middle over here, and then you can kind of feel them just going throughout the structures - in between, above, all the other structures.
These energetic's are just super - expanding outwards.
I'm smelling a lot of smoke and heat and burning here.
I hear sounds like a ringing noise - like dead silence…
And then I also see that there is some sort of non-surface structure here - kind of just up here.
For my second visual I can see these structures here - they're all kind of like I said, in this open space or area surrounding it.
This feels like a community of some sorts - people live here.
And then again, that larger structure that sits point blank in the middle.
So then there's also this non-surface structure here like I said
And it feels like something drops from this non-surface structure and hits right here
And from there it kind of starts expanding outwards like this (drawing)
There's a lot of energetics here, a lot of smoke here, and it starts to just fill up like the whole area
This whole area is covered in smoke
The subjects here, the ones that are right here in this remote area, they feel honestly - they feel dead and they feel unconscious and injured. It almost feels like this burning sensation in my chest and then it expands and then it just like ceases to exist. And that's kind of what feels like is happening to these subjects here.
This non-surface structure…
It is smooth and man-made.
It is this black, grey colour there are no subjects inside of here.
It feels like it feels like that this non-surface structure is actually remote controlled and someone else is operating it from somewhere remote - but not necessarily saying right here in the surrounding area - and that's what's happening in my second visual.
I hear again, a lot of just like rumbling in silence - it just seems like everything stands still or ceases to exist. And just overall, this feeling of a big hole that's expanding, and destruction - that just happens right here in this area.
For my last visual I see a lot more kind of structures around.
(drawing blue pen angular) so it looks like this - okay something like that okay, you can just imagine that this is the top of some buildings, this is the top of some buildings and then everything kind of in here per se is that common area that's more open.
In this more open area, I see this big mushroom cloud it looks like this (drawing purple pen) - and it comes up into here, and then just like expand out.
This feels like some sort of bomb that definitely hits here, so it feels like something is dropped by this non-surface structure and as soon as it hits the ground it obliterates everything in its path.
I do sense like this feeling of being nervous and scared but honestly, it's it definitely stops as soon as this makes impact.
So that's kind of what is the what's happening here.
Now if I focus on why this is happening, I see a particular subject.
One subject, the subject that I'm seeing is an older male subject.
They have like little to no hair on their head and I can see their side profile - so like when they turn to the side they have a decent sized nose - so imagine a big nose and then like the face, and bald and like this (drawing).
Their eyes are kind of slanted - not big eyes but more just like evil slanted looking beady eyes.
They have like beady eyes, and no hair, like I said pale skin, male, feel like they're older in age definitely, and it almost feels like this subject is far gone. He's on the ledge - he's jumping off - you can't stop him right now, in his own mind he's unstoppable.
This subject feels very angry and hateful and it feels like maybe a dictator of some sort.
Somebody who's just trying to totally destroy things and take over and take from - that's kind of how this subject is feeling right now.
And then another thing that I'm seeing just around this subject is this very tall regal looking building, and it looks like it's big like this, (drawing) and maybe it has big windows, or big openings or corridors or something like that.
Very basic building as you can tell but just think like a bank or something, those big government buildings that you see. It looks like businesses done here.
And it feels like this subject is in this inside of this building - inside a room - they don't feel alone.
They do feel like they have a couple other subjects with them, but they all feel like they match this energy too - they are bad influences on each other - and they're fading into this frenzy that this man is doing.
It doesn't feel like there's really anyone left alive in this area per se.
It does feel like this item that was dropped on the ground completely destroys the whole area.
This was not necessarily controlled by this guy but he's the one who sent it out there, and it's all fuelled by anger, hatred, and greed, and just not being satisfied with what they have right now.
Yeah, that's all I have for this target.
INTYSAM SESSION
Courtney Brown: All right, Intysam it's good to see you today, and we're doing an interview style, and we're having a session for Human News that will be for the month of March 2022. INTYSAM, why don't you just take us through your session what did you get as the news item that you saw for March 2022. Why don't we start with your page four? What do you have going on at this this event?
INTYSAM: Okay, so for page four I was picking up an urban area -
Surrounding the urban area is like sort of empty land and there's a lot of structures, a lot of subjects, both male and female, and the thing that was standing out was energetics - that was going along with like a large number of people - so a focused gathering around the energetics.
CB: I see. I also see you have written down here there was a non-surface structure, one?
INTYSAM: Yeah, I was only picking up one surface structure.
CB: One non-surface structure. Okay, and a sort of dim lighting urban environment cold with snow.
INTYSAM: Yeah, snow or ice.
CB: I'm now looking at your sketch. on your flash sketch - on page five, and yeah so, you're picking up on stuff.
CB: all right, so let's go on to your page six. what are you what are you getting there?
INTYSAM: so, page six is just digging deeper into page five - exploring a little bit more.
It's basically the same thing, so not a very big urban area and a concentration of structures surrounded by empty land, along with the snow and again energetics accompanied with smoke - because i could like smell the smoke in the air.
And also loud voices. When I tuned into the sounds in the area i was picking up like shouting, a lot of loud sounds.
CB: that's interesting i know you had a deduction here of the russian and ukraine thing, so this is possibly related to that but we don't really know. But let's go on to page seven your flash sketch…
INTYSAM: so, page seven it's depicting the urban area.
There are some vehicles around.
And then i was seeing quite a large number of subjects.
It seemed like a crowd or focused gathering and in the middle of the subjects was this energetic event that was emitting heat and smoke.
CB: very interesting. Yeah, and there's cars or vehicles on either side so it looks like this stuff is happening sometimes like in the streets.
INTYSAM: yeah, no it was definitely like in the middle of the urban area.
CB: so, what do you have on page 8?
INTYSAM: it's more or less the same just expounding a little bit because you know the deeper you go into the session, you're trying to get more and more information.
So, but it's pretty much the same thing. It's the non-surface structure, the subjects, the movement from the subject energetics – yeah, cold temperatures, and the loud noises - those were the dominant elements in this session for sure.
CB: Okay and then going on for the page nine, I see that adds a different element…
INTYSAM: yeah, so the elements that was added on page nine was more of the subject's focus.
On the subject that i could see something like a barricade, and i deducted that in future pages, but it's like a wall of subjects.
And when i was like touching around them i could feel they had objects on their arms that were somewhat flat and rectangular.
CB: So, this is clearly cloud crowd control type stuff?
INTYSAM: Yeah, and some just protests of some type.
CB: Okay then you onto the next; page 10. You're starting to go into more of a verbal description of things that you're seeing. What are you getting there?
INTYSAM: yeah exactly. So centre of the target it's an urban area cold environments with snow-covered ground - many subjects moving about and energetics that are producing heat and fire - and I also mentioned that other subjects are being controlled or restrained to a specific area.
CB: Controlled or restrained - so the plot thickens. What do you get on page 11?
INTYSAM: I'm just probing more into this the specific activity that's going on there, and this target has a had a lot of energy and activity that was coming from subjects, and there are subjects moving hastily about moving back and forth near the energetic events - because that was like quite a main focus - like it was drawing a lot of my attention in the session.
Yeah so I could sense that some subjects had similar clothing and others had a flat object, and standing about in line - and this is the page where I deducted like police, and I deducted barriers or barricade.
CB: I see so you also have the idea of heat and fire, so there's that type of burning protest related stuff.
And the police seem to be standing in line - if they're police - it may be military.
What do you have on page 12 - what's the event that's going on in this session?
INTYSAM: so the best way that you know I approach it is with a collective mind probe, and I could sense the subjects were feeding off of the rambunctious energy - like they're feeding off of each other's energy - and there's a lot of activity and energy and it feels like most subjects…
It was like two-part - some subjects had purpose to be there like they knew what they were doing there, other subjects not so much. Maybe like, I don't know, 'troublemakers', but that's a deduction - obviously because it seemed like they didn't have that strong purpose to be there.
CB: Fascinating. The idea of a purpose of a sense of a purpose.
We've covered the temperature and so on, so we don't need to go to the weather page, let's go to your last flash sketch on page 15. What do we have there this seems like a wide-angle view?
INTYSAM: Yeah, so this is a bird's view of what is happening below, and it's just that urban area.
You can clearly see the smoke the energetic that's emitting smoke from within that urban area.
And then yeah there's some foliage that was standing out but for the most part this seemed somewhat arid or baron - maybe it's because of the snow on the ground that's giving it that kind of look.
CB: Wow. Last month's Human News thing was spot on with regard to the Ukraine invasion, and this looks like - if it is the Ukraine thing - it looks like the military. What I mean, what I'm seeing in this session is this is like the aftermath of the invasion where there's still protests and so on but the whole situation continues in the much of in the month of March.
I don't see in this session a lot of military activity like tanks and jets and helicopters and stuff so, this makes me think more of a post-invasion type of situation, more of an occupation process, the beginning of the occupation of Ukraine. If this is if this is what it is but, that's what it sort of looks like.
INTYSAM: I mean I thought of that too, but I thought it honestly it could be anything. Yeah, with everything that's going on I was like I deducted the Russia Ukraine thing but, the more I went on I was like could be anything honestly. But of course, we have to think of in terms of major events that could spill from month to month, and this Ukraine thing does look like it's going to spill into March big time.
INTYSAM: Yeah, it's a big issue.
CB: Yeah so it's hard for us, even if it's of a different event, it's hard for us to not you know make those thoughts. All right INTYSAM, thank you so much - Human News Forecast Event for the month of March 2022. Now we wait and see.
INTYSAM: Now we wait and see thanks.
End of Session.
AZIZ BROWN SESSION
To start off this target I am noticing my first pass has just an extensive urban area - looks kind of like this (drawing)…
And there are some taller structures over in this area - so we've got some tall structures over here… everywhere else seems like it's mainly a more moderate sized structure around.
But it's basically a dense in certain areas but extensive urban area that comprises the first pass of this base target.
I'm also noticing - I'll switch colours - I'm also noticing in one of these structures over here a subject who is sort of behind an object, and this is somewhere inside of one of those structures in the urban area.
So, in my first pass this is just the basic environment over here of what I'm seeing.
All right so moving inside.
I am seeing a subject right here and he sort of seems like he's got a bit of a stern face on at the moment
And he's sort of barking out some sort of command.
And I'm seeing the subject in sort of more formal attire - but I'll draw him out as a stick figure for simplicity right now.
Okay, now here's this object, that the subject is standing in front of and 9drawing) so he's got one arm over here, and another arm that's sort of like being pushed out in a pointing motion, so he's like "ah blah blah blah blah," and you see he's sort of exclaiming something over here.
So, it seems like there is another subject (I'll switch colours again) another subject over here, and this subject is more so just at the entrance or a doorway - an opening in the room of sorts - and that entrance is right over there.
And so, the dimensions of the room sort of are as follows - sort of like this or a boxy area and I'm also seeing what I guess I could imagine maybe our like windows or something like that, but this sort of big sort of visible area here where you can see (I'll switch keep switching colours around) the urban area and the backdrop behind this subject.
So, this is sort of the environment where that subject was that sort of seemed like the centre of the target.
So yeah, it's sort of this room is where I'm looking at where this sort of subject and what we're looking at is going on.
So, subject over here exclaiming something going like 'blah' - then there's another subject over here just sort of at the entrance of a doorway –
And so, this is my other knowledge for my second pass through the target continuing on…
Aziz Brown Sessions - Continue…
All right - so zooming out and looking at another view of the urban area over here –
I'm seeing an extensive array of structures.
I'm seeing one area in the centre of this sort of dense urban area, that looks like a circular space with a spire sticking out. So, I'm just going to just draw it like that, and then sort of give it like two rings - like that.
So that's kind of what I'm seeing at the centre right there.
And moving around we see just structures, and structures, and structures all around this urban area.
I am also noting that there is a body of water over to the side - over there - the urban area really just goes right up to it.
And yeah, and over here I'm seeing a bit of a regular topography like a hill or maybe a small mountain or maybe it's a bigger mountain but it's just a mountainous, hilly looking feature, off in that direction.
And so yeah so this is just another top-down perspective of the environment that we're looking at where the target event is going to take place.
So, moving on to all that…
All right. So, I am seeing a bunch of subjects that have this harder exterior attire on.
So, I'm just going to try to draw them out best as I can.
Right now, they have this stern face.
(drawing) there you go. Not an afro it seems like hard head gear that's on top of the subject's head.
And the subject seems to also just sort of seem quite padded, and like it has an object in its hands, like this (drawing) and they're in motion. And i say they because there's multiple subjects that really do look exactly like this - this one.
Multiple subjects running around in motion that look exactly like this guy.
I'll just draw sort of stick figures as well but, just for time's sake…
So, a rather sizable group of these guys that all have these objects - linear or long objects - in their hands, and they're all looking exactly like this one guy that i drew in more detail in front of us. And they're just running through the urban area.
I'll just draw some structures around the side to set the scene a bit more…
But yeah, it's just the urban areas all around them, and they are just running through it as a group but with some speed to them.
So yeah, this is a hurried group of armoured up, headgear, hard headgear wearing subjects, with certain faces - you know, just like we're looking like that, and just running through this environment.
Okay so let's move a little further towards the target event and see what happens what occurs.
Aziz Brown Session - Continue…
All right. So, the session sort of climaxes with the subject that we had with a stern face inside, (with the formal attire) - he was inside of a taller structure. He's got sort of a different look on his face right now. It's sort of exacerbated, but it's it doesn't really seem like he's got a happy expression on his face, but his eyes are quite bug-eyed at the same time, and he's also yelling something, but he's yelling at a different group of characters right now - so I'll just draw him out here - he's still behind that object …and sort of pointing out like that - like 'ahhhh'
But this time there's another subject - and that and this might be the same subject in the doorway. But it's this subject seems to be cowering, or in a foetal position, on the ground - sort of just like this - and those armoured hard headgear wearing subjects; they are around both sides like this, and they have these long objects that are pointed right at this guy, and they have quite intense faces on right now.
So quite intense faces - and also, I'll just draw a little a little bit of something up here I did see those subjects these subjects right here with the armoured head gear and this sort of subject here (I'll just draw a little bit more of the environment you know because they are in an indoors environment at this point) but these guys were basically (I'll draw it like right up here they were spending a good bit of time) just running upstairs to get to this guy.
So, this guy is in a place of some elevation and it's a stairs-able if you can call that a word, a stair-able place -you can go up some stairs and get there –
And they did not come just a few of them - there were a lot of similar guys - and they were all in a group, they were all going upstairs, moving up this environment to get to this guy's environment.
So I'm going to circle this this is a separate thing - but all these guys with the hard head gear they just ran up these stairs, they ran into a structure, ran up these stairs, got into this room where we see the formal attire subject, and then he gets quite hysterical and he starts yelling like 'ahhhh' - like way more intensely than he was before when he was sort of speaking sternly to another individual.
And I do see another individual sort of just like cowering like this, but he's sort of in the back, he's not really the focus of attention by any means, but these guys are the same guys over there, the same guys we saw in the in the middle of the urban area sort of just running through places.
And they just ran up the stairs, they got over here, they started pointing these objects - these objects these longer objects - at this guy, and he (at the event where that happens) he is incredibly hysterical at that moment.
So, this does conclude all the data that i got from this target - and yeah, this is this is this is what happened at the target event.
PRINCESS JEANEÉ SESSION
I have a lot of man-made land with structures on the surface.
So, there's a lot of movement happening here.
Man-made movement.
Multi-directional movement.
I've got some peaks and there's subjects all around multiple subjects.
There's a very central location it seems to have a lot of man-made smells here and energetics - smoke in the atmosphere.
I'm hearing loud muscle sounds I also hear sounds of a city.
We've got foliage and a large structure here -very kind of wide big structures -got kind of a double door look to it, some windows, or transparent situations a top.
There's a lot of movement back and forth and all around by subjects - high energy, again, very loud voices
A lot of chatter.
There's some confusion - there is there is some confusion - there is pain - it's very complex.
I'm seeing something. I can't tell. It looks kind of the way a shopping centre or a complex looks, or factory, the way that it has that central tall structure and then different pathways out here.
I smell smoking and burning possibly the smell of gas - I can't quite make that one out.
A lot of chaotic movement via subjects.
There are sounds of loud non-surface structures hovering - they're not like zooming, they have a hovering effect.
I hear sounds of engines, and again there's a lot of tall structures here.
If you take my second visual here, you'll see kind of a curved situation.
I can't tell if that's a structure or land.
And then what looks like or feels like a train - I'm going to deduct train - a very fast-moving structure that seems to be central to this location here.
There are foliage in structures, a land water type of thing, and a natural land type of thing here.
But also it looks… oh I cannot tell if this is part of the land or if this is like a structure-esque cave type thing.
There are structures about here different structures atop this as well.
There's movement by structure - very fast, kinetic, one direction - there's movement.
Loud movement by subjects, smoke energetics, multi-directional kinetic energetics, and movement here - this does not seem like a good thing, it appears very bad.
Very cool to moderate to cold temperature here. Feels kind of springy-ish - like it wants to be, but so kind of chilly - definite jacket.
There's whatever this is, is on an elevated surface.
There is some foliage - it's very moist here.
Some of the elements here are not on the base surface - there are some off-base surface things alongside the non-surface structures.
The texture is very… I'm feeling something grassy, foliage-like, but I also feel… let me bring this up so I don't have to bend all the way down…
I also feel metallic, wooden, rocky, metal, man-made and natural.
There are subjects outside and outside on base surface and inside the moving structure.
I also see colours of brown, black, green, yellow, - there's a lot of life here - there are also things happening to the life, if that makes sense.
The life is in disarray within themselves and within the environment around them.
There's chaos all around.
Subjects seem to be being harmed by each other.
There's a trampling effect - feels like there are two different things that I'm feeling within this target.
On one hand it feels like -and this is a huge deduction obviously I cannot say that this is what it is –
It feels like a train that has been moved or that is under attack or maybe exploding (deduction huge deduction)
You know something wrong with a train, and then on the another hand it's like a chaotic situation that have authorities involved and they are not gaining control of the situation, it seems to be making that situation worse, and I'm being pulled in both of these directions simultaneously - both being chaotic.
Like I said, one being a situation with a structure - with the structure something wrong with it - in the other with the people I don't know if they're connected or if they're two separate things. Both deductions.
I am getting the feeling of opposing sides to things.
There's also a survival of the fittest type of thing like there are some people helping others, and then there's other people like 'screw you' - I'm helping myself – 'fend for yourself - there's running. I can't tell if they're fighting. It's like a riot and it's in a split down the centre - it's like riot versus train disaster (deductions) or train disaster or the riot causes the train disaster. Anyway, all deductions. None of that is definite here it's just something that I'm feeling very hard.
There's danger - there is some anger and hatred - there is something, wants this to stop. I feel that from whomever I just came in contact with here.
Tired fed up, this is just the energy I get. This is why I'm getting pulled in two different directions here.
SHANTAE's SESSION
For my first visual I have a base surface with level topography.
I have an extensive body of water with some natural land nearby that feels fairly dry.
And there's some foliage nearby like a moderate amount of foliage here.
For my next visual I also have some man-made structures but, they're there's multiple structures that kind of have this these odd shapes - like they're not completely put together. It's not really completed for construction, or it could be that these structures have been destroyed and they just look incomplete like they're exposed.
For my next visual I have (zooming out a bit) I have multiple of these kind of very incomplete structures, and there's paths going past these structures.
And I have movement of subjects on the base surface.
It seems most of these vehicles with subjects, they have multiple subjects in them, and it's kind of a back-and-forth movement going past these structures. So when I look at this area with all the kind of relative locations I have this body of water here, then there's like land natural land, there's these structures incomplete structures, and then subjects moving [Music] past the structures into this… like a I have a focus gathering of subjects - a crowd of subjects past these incomplete structures, there's a vehicle, there's subjects crowding over here.
So, looking more into this area of crowded subjects I have another type of structure - it's not an enclosed structure, there's separate areas but it's still open at one side so subjects can easily move in and out of this area.
So, I have subjects towards the very back of this structure, which feels kind of makeshift.
It's not very stable - not suitable to have this large of a crowd of subjects here.
But I have a crowd that's specifically gathering towards one section of this structure.
There are other subjects around but there's this particular area that seems to be bringing in the most subjects and I have a lot of energy and activity from these subjects moving, talking, like shouting sounds specifically, from this area of the structure.
For my next visual I'm seeing the subjects that are in this crowded area.
They're all gathering here, and over time more of them are getting into these vehicles and heading past these incomplete structures and getting closer to the body of water.
And I'm seeing there's man-made structures in the water with subjects inside them, and there's a lot of movement of the subjects, kind of back and forth, most of them seem to be going in one direction though. But I also have some subjects on the base surface near the water, and have a good amount like there's multiple boats still on land as more subjects are coming towards the water.
So looking back at this crowd of subjects and like probing into the activity that is going on with them…
What I see in this like makeshift structure is I have three main male subjects that -
There's one main subject, and there's two male subjects that seem pretty similar that are nearby,
So this main subject he's he looks like he's I'd say around his 50s, somewhat nicely dressed, and he's giving the subjects here in the crowd some type of news, and it seems like good news - like the subjects are (a lot of activity from these subjects_ like they're excited, like they're kind of hopeful - looking forward to something - and that is leading them to move towards the water.
So, it feels like this main older male subject has given these crowd of subjects near this makeshift structure - it's like he's giving them some news that's making them excited or hopeful, and that's maybe leading them to leave this area (this structure) and for most of them to start moving towards the water towards these boats - and that is what I have.
CONCLUSION – by Aziz Brown
Okay, so let's draw some conclusions from these data.
March 2022 is going to be an interesting month knowing what we know is going on in the world right now.
All of these sessions seem to be describing things that would be compatible with what we would expect to happen in Ukraine if this war continues through March.
These sessions seem to suggest that the fighting will not end quickly. Moreover, some of these data seem to suggest that an effort will be made to arrest someone using military force, and we wonder if that could be the president of Ukraine - President Zielinski.
We will just have to wait and see how this all turns out for the month of March 2022 so that is it for our March 2022 edition of Farsight's human news the news before it happens thank you for watching.
SUMMARY – 2022 MARCH HUMAN NEWS
Aziz Brown
... from the APRIL HUMAN News Forecast Transcript
https://www.farsightprime.com/forums/general/55391-2022-april-fs-human-news-transcript-and-comments
Now on to Human News. Let's start by summarizing what happened last month with our March Human News Program. We had a very interesting and highly successful month.
The Ukraine invasion obviously dominated the news the sessions by Shantae clearly pointed to evacuations and refugee flows that have been happening in Ukraine.
Princess and Kahmia both reported on war type events that parallel the conflicts that we have seen in these cities in Ukraine with bombings and fighting's in urban areas.
Intysam's session seems to have unambiguously portrayed the protests that have been occurring in Russia. And my own session (Aziz Brown) matches the arrest of the mayor of the Ukrainian city of Melitopol. He was arrested at the city's crisis center on the 11th of march by 10 armed soldiers.
Basically, our Remote Viewers described various parts of the Russian invasion of Ukraine perfectly with many of the reported events containing unique or unusual characteristics.
The level of detail in some of these sessions is amazing for those who may still be wondering if Remote Viewing is real this is a good month to look at the results.
All in all, March was a terrible month in Ukraine but the remote viewing sessions describing the major elements of the war were great.


The ball was over at the glittering Battersea Evolution centre on London's South Bank. The dancers had left the stage to thunderous applause and the STAR Awards ceremony was about to begin.
Channel 4 newscaster Krishnan Guru-Murthy and Olympic champion Dame Kelly Holmes stepped up to the podium to present prizes to "the people who make a difference in learning and skills".
The third "Oscars for lecturers" event was bigger and glitzier than ever before. But it almost ended in Guru-Murthy breaking his neck, as he narrowly missed stumbling on a shoe, left behind by a dancer.
Unfazed, the newscaster held the shoe aloft and declared: "We'll see who this fits later". Yes, it is true. FE really is a Cinderella service. Only this time it was a more politically correct version of the fairytale. The clodhopper held aloft by Krishnan belonged to a bloke - and the organisers are still seeking Prince Charming.
So, if you think the shoe fits, contact Andrew Thomson, chief executive of the Quality Improvement Agency. Who knows what glittering prizes it may bring?


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Sláva Štochl (12. ledna 1913, Praha – 28. prosince 1990, Praha) byl český fotograf.

Život a tvorba
Jeho otec, Antonín Štochl, byl ředitelem v nakladatelství A. Svěceného a starostou Košíř. Zahynul v koncentračním táboře. Slávův starší bratr Mirek byl atlet, vodák a lyžař. Oba bratři byli spolu mistry republiky v párových kanoích (K-2). Také byli amatérskými motocyklisty, volejbalisty a boxery. Mirek zemřel v roce 1943 na jejich chatě v chatové osadě Na Královské, na břehu Vltavy nad Svatojánskými proudy, kde jej ubodal obdivovatel jeho dívky.

Sláva byl úředníkem Dělnické úrazové pojišťovny, ale zajímalo jej hlavně fotografování a to se stalo později i jeho povoláním. Začínal fotografováním sportu. Ve svých sedmnácti letech dosáhl prvního úspěchu, když jeho snímky otiskl sportovní týdeník Star, pro který pak fotografoval sportovní reportáže. Spolupracoval s časopisem Mladý hlasatel a byl jeho stálým fotoreportérem.  V VI. ročníku byla většina fotografií na titulním listě Štochlovým dílem. Také vytvářel reportáže z her a sportovních akcí členů klubů Mladého hlasatele. Rovněž byl autorem cyklu "Kam do učení?" publikovaného v Mladém hlasateli také v VI. ročníku (1940/41).  Později za války publikoval své fotografie v časopise "Správný kluk".

V květnu 1945 dokumentoval Pražské povstání. Po válce se věnoval fotografování přírody, zejména ryb, a myslivecké tematiky.. Fotografoval také pro časopis Vpřed, mimo jiné zde publikoval obrázkové seriály ze života zvířat.

Oženil se těsně před válkou a měl s manželkou Mášou jednu dceru.

Publikace (výběr)

 ŠTOCHL, Sláva, Rybářův den. Praha. Artia 1981

Odkazy

Reference

Literatura
 BAUER, Zdeněk (ed.)  Klub zvídavých dětí, Jaroslav Foglar a Protektorát: čtenářské kluby, zakázaný skauting a Kuratorium pro výchovu mládeže,  Praha: Zdeněk Bauer, 2018. 412 s., ISBN 978-80-906755-6-8, S. 145, 235, 307
 BUREŠ, Karel. V týmu s Foglarem. Praha: Toužimský & Moravec, 2009. 301 s., , S. 142–150, 223–7

Související články
 Fotografie divoké přírody

Externí odkazy

 Sláva Štochl – Lovcem živé krásy
 Fotografie umí chytat pstruhy

Čeští fotografové
Fotografové přírody
Fotografové zvířat
Fotografové sportu
Narození v roce 1913
Úmrtí v roce 1990
Muži
Narození v Praze
Úmrtí v Praze


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Episode: Friday, November 22nd, 2019
Podcast: Up First
Friday, November 22nd, 2019
Two weeks of public impeachment testimony are now over. Where does the inquiry go next? Israeli Prime Minister Benjamin Netanyahu has been charged with bribery, fraud and breach of trust. Could his 10-year grip on power be coming to an end? And the U.S. deports a Honduran asylum-seeker to Guatemala, signalling a big change in asylum rules.
— Up First
Up First > Monday, January 7th, 2019
President Trump's acting chief of staff called weekend meetings aimed at ending the partial government shutdown "disappointing." So what now, as the shutdown enters its 17th day? The White House is also sending mixed signals about when U.S. troops will leave Syria.
Up First > Friday, April 28th, 2017
How does the U.S go about achieving a nuclear-free Korean peninsula? And has President Trump kept the promises he made for his first 100 days?
Up First > Wednesday, January 1, 2020
The Pentagon is deploying military reinforcements following an attack by Iranian-backed militia members and their supporters on the U.S. Embassy in Baghdad. Also, North Korea's Kim Jong Un says he no longer felt bound by a self-imposed moratorium on nuclear and long-range missile testing. And, a look ahead to what will be a busy year in politics in 2020.


This is wonderful, but the USPS needs to get with the program. The USPS needs to think with more vision – these vehicles should be autonomous and deliver the mail without people. Why not? You see, these vehicles go on the same exact route every day, they stop at each mailbox at an exact location, every day. The driver opens the mail-box and puts in the mail – heck even a simple robot can do that task and the driverless autonomous mail jeep can get it there, on-time, every day, rain or shine.
Maybe this will help the United States Postal Service from losing billions of dollars per quarter? And, don't worry about the job losses, we can use attrition and allow early retirement for the postal carriers. We are talking about faster mail delivery, lower costs, no price rises in stamps, and good use of some great robotic autonomous car technology – it's the perfect application for autonomous transportation robotic technology. Think on this.
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There's nothing better than getting kids involved in music. Ideally, you'll be able to find a teacher who has experience with children. But if that's not possible, you can get your kids started with these method books. Kids under 10 may find traditional guitar method books a bit too challenging. These three methods are designed specifically for young beginners.
Alfred's Kid's Guitar Course teaches simplified one or two-note chords so small fingers can get used to pressing down on the guitar. strings. By the time the child works through the first book she will know one three-note chord. By course end, the student will know seven chords and 12 notes on the fretboard.
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This fun, easy rock guitar method was designed specifically for kids learning electric guitar. It features cool riffs and licks in the style of some of today's hottest rock stars. It covers the fundamentals needed to get started – how to hold a pick, how to read standard notation and tablature, how to tune, power chords, simple riffs, palm muting, accents, power chord extensions, 12-bar blues, lead playing and jamming.
If your kid is learning electric guitar and wants to skip "London Bridge" and "Mary Had a Little Lamb" and go straight into playing simple rock riffs like you hear on the radio, this is the method book for you.
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This is a popular method for teaching pick-style guitar playing to young children. The books integrate chord playing with note reading. The student starts with easy, one-finger chord forms and strums accompaniments to a variety of easy kids guitar songs.
Gradually, note reading is introduced methodically and carefully. There are two subsequent volumes to complete the course. The book features colorful cartoon artwork and includes an instructional DVD video.
Mel Bay Children's Guitar Method Volume 1 at Amazon.


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Video Center » Methodist 90 » Watch Our 90th Anniversary Video to Learn More
Watch Our 90th Anniversary Video to Learn More
Since 1927, Methodist Health System has been committed to improving and saving lives. What started as one hospital in Oak Cliff has grown to ten hospital locations, 25 family health centers, and ten ambulatory sites. While technology has improved, and our facilities have grown, our commitment to our patients, our employees, and our communities has remained a constant. As part of this year-long celebration, employees at all four hospital campuses are serving their communities: making Easter baskets and reading books to at-risk youth, cleaning up parks, and repairing homes for those with physical disabilities.
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Texas law prohibits hospitals from practicing medicine. The physicians on the Methodist Health System medical staff are independent practitioners who are not employees or agents of Methodist Health System or any of its affiliated hospitals.


Chronic Disease Management - Technical Expertise - US Health - John Snow, Inc.
JSI views chronic diseases, which are among the most deadly and costly of health problems in the United States, as an increasingly urgent matter. More than half of the people living in the U.S. have at least one chronic health condition, such as heart disease, stroke, diabetes, obesity, and cancer. Chronic health conditions account for seven out of 10 deaths in America and 75 percent of our nation's health care spending. There is, however, much that can be done to prevent chronic diseases by promoting behavioral changes, such as greater physical activity, better nutrition, and less tobacco use.
To improve health outcomes and lower health care costs, JSI takes what might be called a socio-ecological approach to the problem of chronic diseases. JSI recognizes that an individual is influenced by a combination of individual, relationship, community, and societal factors. Interventions and prevention strategies include a continuum of activities that address multiple levels of the model as appropriate, across the lifespan. The socio-ecological approach is particularly important in addressing health equity in chronic disease management; JSI believes that the consideration of the social determinants of health and the environment are integral to understanding the causes of racial and ethnic health disparities.
JSI is active in supporting and steering change associated with health care reform and chronic disease management as part of the overall emphasis on improving the efficiency of health care. JSI is a national leader for offering technical expertise toward improving patient care delivery systems and management, quality improvement, utilization review, payment systems and cost analysis, needs assessment and strategic planning.
Learn more about JSI's work in diabetes prevention, treatment, and management.
This project promotes comprehensive asthma control services in Vermont and reduce the burden of asthma in the state, particularly targeting populations experiencing the greatest burden.
Safety net hospitals, which serve the nation's most vulnerable populations, have high rates of avoidable Medicaid readmissions. To reduce costs and improve care, JSI will adapt and test current best practices for improving care transitions.


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Rev. Denton Hickman serves as Youth and Singles Minister for Inskip Baptist Church. As a Knoxville native, Denton attended schools in Knox and Union Counties. Post high school training prepared him for sales, management and leadership in the public sector where he spent several years prior to being called into ministry. In May 1999, God's call to His service provided specific opportunities for preaching and discipleship. He served as Interim Pastor for Spring Street Baptist Church and Supply Pastor for Emory Valley, Fairview Baptist, Clapps Chapel and Bethel Baptist Churches in Knox and surrounding counties. In September 2002, he answered a call to Inskip Baptist Church as youth and singles Minister, where he continues to serve. He is active in organizing and facilitating programs for youth groups, within as well as outside Knox County, for such groups as MERGE, Disciplequest Summer Youth Camps and has provided training for Youth Ministers/ Workers for Vacation Bible School through Knox County Baptist Association.
He is active in youth sports having served as Assistant Football Coach for Gibbs Youth Recreation Program and Assistant Football Coach at Maynardville Middle School and Union County High School. He and his wife Jamie are the parents of three children; Christopher, Michael and Emilee.
ClaySegers loves school, naps, Kentucky basketball, rap music, Litton's restaurant and naps. Clay thinks Angels can be, but don't have to be, small. Clay has been a youth worker since 2008 and currently teaches High school guys. Clay has been to Guatemala and Brazil on mission trips. He works and will be graduating college this year 2013 and hopes to be a high school teacher.
Kim Damewood has worked with the youth since 2007 and loves every minute of it. She currently teaches high school girls. She also loves God, her baby boy (born Sept 2010) which is Spiderman, her husband (married 2007), dancing, singing, and beating Denton Hickman at everything (although this doesn't happen often). She loves to pronounce big words correctly (being the self appointed expert), especially words with silent letters (like Carmel and Aeropostole).Kim hates being wrong and loves it when other people are….jk… She is working on a language to communicate with ghosts (in big word format). Kim is excited about continuing her work with the youth. She hopes to help youth find the bridge to God through Jesus Christ and be a light for him.


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Kiana Eide
FOLLOW Kiana
Name: Kiana Eide
Sport: Gymnastics
Discipline(s): Rhythmic Gymnastics
Event(s): Group
Birthplace: Fridley, Minn.
Hometown: St. Francis, Minn.
High School: Glenbrook North High School (Northbrook, Ill.) '17
Team/Club: North Shore Rhythmic Gymnasts Center
Olympic Experience
Olympian (2016)
Rio 2016 Olympic Games, 14th
Most recent: 2015 – 11th (5 ribbons); 13th (all-around); 15th (3 clubs, 2 hoops)
Years of participation: 2014-15
Top finish: 11th – 2015 (5 ribbons)
Member of the six-person team that gave the U.S. its first earned Olympic spot in rhythmic group competition with a 13th-place all-around finish at the 2015 world championships.
Other Career Highlights
2015 Pan American Games, gold (6 clubs, 2 hoops); silver (all-around, 5 ribbons)
Personal: Daughter of Troy and Lolita Eide...Has one sister, Celine...Began gymnastics at age 4...Hobbies include cooking, ceramics, drawing and traveling...Enjoys Cirque Du Soleil...Is learning to speak Russian...Parents own a Chinese restaurant in Minnesota.
Team USA's Second-Ever Olympic Rhythmic Gymnastics Group Names Its Squad For Rio
Craig Bohnert June 12, 2016
All but one were not yet born when the U.S. last appeared in Olympic group competition.
Team USA's First 2016 Olympic Gymnasts Will Be Selected This Weekend
Karen Price June 09, 2016
Eight athletes will qualify for Rio in rhythmic gymnastics and trampoline.
Vote On Team USA's Top Athletes From September
See which athletes made Team USA's Best of September nominations and vote on your favorites.
U.S. Rhythmic Gymnastics Group The Last To Know After Qualifying For First Olympic Games
Karen Price Sept. 29, 2015
The six members of the team did not realize they qualified for Rio until returning to their hotel at worlds.
Team USA: Why I Love Gymnastics
Lisa Costantini Sept. 19, 2015
With perks like flying through the air and flying around the world, here is why gymnasts do what they do.
U.S. Rhythmic Gymnastics Group Qualifies For Olympics For Second Time In History
Brandon Penny Sept. 12, 2015
Team USA's 13th-place finish at worlds adds to Laura Zeng's historic individual finish a day earlier.
Zeng And Kerber Use Rhythm Of Their Friendship To Reach Top Spots On Rhythmic Gymnastics Podium
Daniel Kramer July 18, 2015
Friends and training partners, Laura Zeng and Jazzy Kerber earned gold and silver at the Pan Ams.
Powerful Men's Team Leads U.S. Gymnastics Contingent Into Pan Am Games
Clay Latimer July 09, 2015
Paul Ruggeri won three medals, one gold, at the 2011 Pan Am Games.


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Q: C# Web Services Deployment Version Roll Back / Removal OK, Apologies if this has already been asked and/or Answered but I'm struggling to find the right situation to the problem that I'm investigating as the correct terminology is hard to come by!
I have been tasked into looking for a Roll-Back solution for our deployment if for any reason we have an unsuccessful release. Other than heavily structuring our source control and, if an unsuccessful release occurs, getting the previous version from the SVN and re-publishing to the Live Server is there any better quick solution?
Is there any quick and suitable way to Roll-Back to the previously released version?
I am mainly focussing on Web Services currently as these are front facing and any problems with these could obviously cause a problem to customers and will need to be fixed ASAP.
Please don't hesitate to provide any suggestions and comments as I am eager to hear of any and all ideas.
Thanks in advance!

A: why don't you just copy the old directory into a backup directory.
if deployment fails, than just copy it back from the backup directory.
should be easily done with a small batch script or maybe nant for better configuration possibillites

A: I have always created an installer for my WCF services.  I can only assume that this would work for ASMX services.
If you haven't created an installer before, there is a learning curve. I only glanced over this:  http://aspalliance.com/622,  but it looked pretty close to what I have done.  Let me know what you think.

A: Just a thought but have you considered running versions side by side?
IE: You deploy you new versions under a different URL and then have customers switch to this version in a staged process?
This allows you to control the switch in a more granular manner, not an all or nothing step. It also means if your web service interfaces have changed customers with older versions of the client can continue to function against the old versions.
If you are also deploying client software that is dependant upon the services then you may want to keep the older clients working on the older versions until the client is upgraded.

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