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The Academy deeply regrets the passing of James McIntyre RUA
Jan 29, 2016 | 2016
James MacIntyre (1926 – 2015) was born in Coleraine but educated in Belfast. Although he had almost completed his apprenticeship as a motor mechanic, he threw it up to begin painting and worked as a professional painter from 1946. In 1951, the Belfast artist, Gerard Dillon invited him to join him on the island of Inishlacken, off Roundstone in Connemara, for a month or so, to paint. Dillon had a cottage, rent free, for a year and the Ulster Museum has one of his most important paintings from that period 'The Yellow Bungalow.' The younger painter by ten years, MacIntyre, travelled from Belfast to Dublin where he stayed with another Belfast painter, George Campbell and his wife Madge, before they both proceeded to Roundstone where they were met by Dillon. Then they travelled by curragh to Inishlacken.
MacIntyre's book 'Three Men on an Island', published in 1996, gives a very vivid account of this experience and the rapport between the three artists. The illustrations, mainly by MacIntyre, portray life on an island in the 50's which is now uninhabited but these works convey the essence of MacIntyre's art, his use of bold watercolours, his ease of drawing as he captured in pen and ink the islanders as they carried out their daily chores, of bringing seaweed from the shore to the potato beds, using a scythe to cut the hay, repairing the thatch on their cottage roofs, shearing sheep, bringing in creels of turf from the bog with their donkeys, their use of curraghs to travel between the island and Roundstone. The book also captures the artists' depiction of the cottages, the surrounding beautiful landscape and seascapes and the three artists themselves at work capturing it.
James MacIntrye's artistic output from these six weeks on Inishlacken became his one–person exhibition at the CEMA Art Gallery, 55a, Donegall Place, Belfast in 1952. In 1960, CEMA became the Arts Council of Northern Ireland. Life was difficult for the younger artist, as it was too, for even the more established artists, Dillon and Campbell to make a career out of painting pictures in the 1950's. They could barely afford artists' materials and welcomed the introduction of hardboard as a new support, Dillon even using a blow torch to melt off the old paint of an unsuccessful work so that he could reuse the board.
James MacIntyre was awarded a CEMA travelling scholarship in 1955, which allowed the artist to travel to Paris to study painting. He had a one–person exhibition in the Arts Council Gallery in 1960 and the Bell Gallery, Belfast, held a one–person exhibition of his work in 1967 and again in 1976 and launched his book 'Three Men on an Island' with an exhibition in 1996.
After spending some years in London working as a book illustrator, he returned to Northern Ireland and worked in the Belfast College of Art and continued to paint, making Greenisland, Co. Antrim his home. He exhibited with the Royal Ulster Academy from 1948, becoming an associate in 1965 and an Academician in 1985. His diploma painting, a watercolour 'William James Stewart's Farm, Knockagh Hill' depicts a rural scene with the farmer clearing the barn, his iconic black and white cow approaching the hay trough, white walls of barns against a cloudy sky. The flashes of colour in the red barn doors, the colour and movement of the sheets and pillowcases on the line, the simplicity and freshness of paint application, capture the essence of a typical well managed Ulster farm. The artistic inspiration of his visit to Inishlacken, at age 25 years, grounded the young artist and developed his painterly expression for the next sixty years of his long creative life.


We are hosting an Open House for ALL youth in grades K-4th and their parents. There will be games and activities for the kids to do as well as a light snack. So come out and see what Cub Scouts has to offer.


I love a cheese toastie, so I do! I knew that Salt Deli had recently closed down and was excited to see it's already re-opened as Dean's - a cafe mostly focussing on toasties but they also do cakes, sandwiches, salad, soup and breakfast rolls, too.
I popped in to get a sandwich takeaway as I was on my way to an appointment. Their toastie selection is pretty mouthwatering: there's a haggis option, pulled pork, tuna, pastrami and halloumi - as well as your standard cheese only option. I got the NYC - pastrami, gherkin, cheddar and mustard. It was freshly made and nicely presented in a tray and then placed in a bag which meant the greasy cheese didn't soak through.
While the cafe is small, it's got a nicely friendly vibe and Dean was really chatty and friendly. I'll definitely be back soon as I want to try the dessert toastie menu (mischievous melts) which sound amazing!


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Archive for Thin Lizzy
KISS Enter Rock 'N' Roll Hall of Shame
Posted in General Tickets There Blog, Music, News, Ranting with tags 2014, Abba, Deep Purple, KISS< Hall of Fame, Madonna, Motorhead, Public Enemy, Randy Newman, Rock N roll hall of fame, run DMC, The Sex Pistols, Thin Lizzy on April 14, 2014 by Tickets There
For many years, members of the KISS army have cried out at the unjustified dismissing of KISS when the Rock 'N' Roll Hall of Fame (self-titled) selects entrants for its 'illustrious' records. Yes, this group of nobodies who have contributed nothing to the world of rock 'n' roll (Actually, I should be a member) get to choose bands it deems worthy of taking a chunk of metal (or plastic or something) home and playing a song for their wage paying attendees.
Previous inductees have included Madonna, RUN-DMC, Randy Newman, Public Enemy, ABBA and many more prominent names in the world of rock. Unfortunately for KISS, they just didn't have what it takes to beat out the aforementioned names to get inducted any sooner than 2014 – a full fifteen years after they first became eligible. Then again, why would they be any different than the less popular acts from rock history, such as Thin Lizzy, Deep Purple and Motorhead?
What's most unfortunate for KISS is that while they've spent many years calling the HOF a joke, they actually agreed to the nomination when it came up and managed to destroy almost everything they stand for (stood for – Ed.) in the months leading up to their induction. The band that once spread a message of love and fun for four full decades have been reduced to bitter, nasty name callers and shameless behaviour. What should have been one united KISS telling the R'N'R HOF to go f*** themselves, as The Sex Pistols did in 2007 – respect; devolved into ridicule, pathetic controversy and petty sniping remarks – mostly from Paul Stanley, the beloved star child.
Paul, Gene – I love you guys. But f*** you and your bad mouthing of Ace and Peter. We all know they were there for the best of the best albums. Yes they are not the be-all and end-all of lead guitarists and drummers in your history and you have your differences, but they are the most prominent in your discography and nothing can change that. You can show them respect and resist resorting to childish, undignified name calling and bitching to the press. You are in your sixties, at least try to act mature.
To Tommy and Eric (and Vinnie, Mark and Bruce) you are all worth much more than this bullsh*t and not having your names on some stupid statue does not make the music you have written, recorded and performed any better, any worse or any less important to the people that love it. You are all part of KISS and it's important not to let some bunch of over the hill nobodies try to dictate that. But tell Gene and Paul to cop on, they seem to have forgotten the whole point of the band.
The Hall of Fame does not get print on Tickets There anymore and I'm sorry I had to break the rule for this article. It will not happen again – not even when Def Leppard eventually come up for nomination….er, oh yeah – they've not been waiting for ten years now. Well thank God Randy fucking Newman is in there or we'd all be in shit. Oops, swears broke out.
Vivian Campbell | Talks 2Tickets
Posted in Interview, Music with tags 2014 tour, Def Leppard, def leppard tour, Interview, Jimmy Bain, joe elliott, KISS, Last In Line, New album, Poison, rick allen, Slang, Slang re-issue, Thin Lizzy, ticketst there, tour, Vivian Campbell on March 7, 2014 by Tickets There
Copyright Defleppard.com
For more than thirty years, Vivian Campbell has been a well-established figure in the world of heavy metal and hard rock. Since cutting his teeth with the influential Sweet Savage in the late seventies, Vivian has continuously worked with some of the genre's finest artists. Firstly with the iconic DIO, where he wrote and contributed to the band's first three solo albums, before a falling out with Ronnie led to his departure from the group. However, Vivian quickly landed on his feet when he joined Whitesnake to play on their 1987/88 'Whitesnake' tour. But it wasn't until 1992 that he finally found his home with eighties goliaths, Def Leppard and for the past twenty two years he has enjoyed every, high, low, success and challenge that the music world and life can possibly dish out – and he still goes back asking for more. Aside from Def Leppard, Vivian has also found time to release a solo album, play in various side projects, reunite with the original DIO line-up and spend a year with his all-time heroes, Thin Lizzy.
Last year, Vivian was diagnosed with Hodgkin's lymphoma but still continued to play with Last In Line and tour with Leppard around the US and Europe without ever missing a show, despite having to travel back and forth between tour dates to Los Angeles for treatment.
With Def Leppard currently camped in Dublin to work on new material, Vivian was good enough to take time out of the studio to talk with Tickets There about their new material, the recent re-issue of their Slang album, ballads, touring, Last In Line and enjoying the experience of short hair for the first time in his life.
Tickets There: Vivian, let's start with the most recent Leppard release. What made you decide to release Slang ahead of some of the band's better received albums?
VC: We released Slang firstly because we were able to and more importantly perhaps, because we really didn't feel it got a fair shake when it came out in 1996. In the middle of the grunge era, it was a really difficult time for bands that represented the eighties, like Def Leppard. So even though we made a record in Slang that sounded of the times, it still really fell on deaf ears (no pun intended). So we decided to re-master and repackage it with all the material from around those times, all the bonus tracks and demo versions..etc. and put it out there in the hope that people will give it a more objective hearing in 2014 than it got in 1996.
Tickets There: At the time Slang was extremely well received by critics, but that still didn't help it repeat the success of it's immediate predecessors with the general public. Why do you think that was?
VC: Well, a good example of that was the first single in America, a song called 'Work It Out' which was actually my first writing contribution with the band I remember I was very excited about that prospect that my first song with the band would be the leadoff single then. That enthusiasm was very quickly dampened a few weeks after, when someone from our management called me to say the radio stations, like rock stations in America had loved the track and said it would totally fit their format but they just can't play it because they can't go on air and announce that was Def Leppard. You know they were playing The Stone Temple Pilots and Soundgarden, Nirvana, Pearl Jam and stuff like that – you know and they just couldn't fit Def Leppard into that format – regardless of how good or how bad the music sounded.
So we were between a rock and a hard place you know, it was really a lose-lose situation for us so we really don't feel that people outside of the really hard-core Leppard fans got a chance to hear this record the first time around.
Tickets There: The re-issue has been out now for a few weeks, have you seen much feedback from fans who've turned around on their original opinion?
VC: A little bit. It did tend to polarize our traditional fan base and we kind of knew that going into it and that was the chance we took at the time. You know we knew there were people that just hated the sound of the nineties and just wanted Def Leppard to be Def Leppard, but we felt that the onus was on us more to respond to the musical movements of the time and to be influenced more by that than our traditional sound. The most traditional sounding Leppard we've made since then was the one that immediately followed Slang, Euphoria – the title of the record has an 'IA' like Pyromania and Hysteria. Even the cover and the art-work – everything about it yells a traditional Leppard record. That came out in 1999 when we felt it was ok to be ourselves again. We really were a band in crisis in 1996.
Tickets There: When you started making Slang, what was the goal of the band?
VC: We didn't really know what we were doing but we knew what we couldn't do. So we collectively decided that it was best for us not to make a record that sounded too much like Def Leppard and we had to deal with the lyrical content of rock music at the time was very dark and that's obviously a 180 from songs like 'Let's Get Rocked' and 'Pour Some Sugar On Me' and stuff like that. So we knew we had to adapt to that and write darker lyrical themes and stylistically make a record that sonically sounded of the times. We knew we'd step on somebody's toes by doing it, but it just felt right at the time.
Tickets There: And when you listen back on it now 18 years later, how do you think it's held up over these two decades?
VC: To be honest I haven't listened to it yet – well not the repackaged version. I have a tendency not to listen to Def Leppard music..
Tickets There: (Laughs) I don't think I'll print that
VC: Well you know whatever anyone does for a living, I doubt they go home and do it again. For me it's the same with Leppard. I actually don't listen to a lot of music in general.
What I remember about the original recording of Slang was that it always had a vibrancy about it. I do think it's one of Leppard's better sounding records, to use a word not commonly associated with Leppard, but it's a more organic sounding record. Just in the way we recorded the drums, Rick (Allen) played acoustic drums and for the guitars we went old school – putting mics in front of cabinets instead of taking directs, which is mostly the way Leppard records. It does have a bit more air in the sonics which gives it a bit more depth as a result. I always remember it being my favourite record sonically from the band.
Tickets There: Looking back to those times, what was it like coming from bands like Whitesnake and DIO and coming into Leppard, one of the biggest bands of the nineteen eighties just at the beginning of this big change. Was it what you expected when you joined the band or were things very different than you'd imagined?
VC: Certainly by the time we got to Slang it was all off kilter. At the time, when I joined my biggest concern wasn't the changing musical trends, because I don't think any of us had registered that by early 92. My bigger concern was whether I really wanted to join another band and it didn't matter who it was. I'd been in and out of so many bands at that stage and I didn't have a good track record. So I'd basically given up on bands at that time and I was under contract to Sony records and I was writing with co-writers and cutting demos with an eye to make a solo record. So I was searching for a music direction of my own at the time and basically given up on trying to make a band, but obviously when the opportunity came to join Def Leppard it was different. I mean, there's bands and then there's bands and Leppard are a massive, massive band and a group that I'd always been a fan off. Furthermore I knew Joe (Elliott) socially and I knew the kind of guy he was and even if I didn't know the other guys in the band, I kind of figured if they're anything like Joe its probably a different kind of proposition to DIO or Whitesnake.
So both parties had to think long and hard whether it was the right arrangement. Joe felt I was perfect for the band but the guys in Leppard, who didn't know me [personally] only knew me by reputation and that I could play guitar. The things they didn't know was A, I could actually sing a bit too and B, that I'm actually not the guy who can't keep a job (laughs). It's possible they probably thought that, given my reputation of being hired and fired x2 in DIO and Whitesnake. So we basically went through a courtship that lasted a couple of months over this. It was nothing really to do with the music, it was all about the personalities and whether or not we can make it work. It's been twenty two years so its definitely working out.
Tickets There: Yes, I don't think you're in much danger of losing this gig.
VC: No (laughs), you know people think 'He must be an asshole to work with because he keeps getting fired', but there's a lot more to it than that. DIO and Whitesnake were never real bands and that's the big difference between them and Leppard. I mean Leppard really is a democratic band. It's five guys and creatively it is very open. And it's not sunshine and roses all the time, but we respect each other and we do get along. Whereas DIO, no matter how Ronnie tried to portray it and despite the fact that Jimmy Bain wrote most of the music it was never a real band, it was always Ronnie's call at the end of the day. Whitesnake as well, history has spoken on behalf of that. There's been dozens of, and I'm not kidding, that's not an exaggeration; different musicians through the doors of Whitesnake over the years and the only constant has been Coverdale, so it's obviously his band you know.
Tickets There: So you're currently in Dublin with the rest of the band working on new material. How have things been going?
VC: It's actually going very well. We've got about nine things on the go currently, although most of them aren't finished as, there's a load of top melodies and lyrics to be written yet. The way the band works is very bizarre and I won't even begin to try and explain that to you now, but for us this is great progress. especially considering we only started three weeks ago.
Tickets There: These sessions took everyone a little by surprise. Did you intend on coming out with a new album?
VC: When we came here we weren't sure if we were going to make a full album or try and get a few songs to put out this year, but as things progressed, and they progressed rapidly and very well so we decided to do a full length album. Our goal is to have it done by this time next year and get it released by spring 2015 and to tour extensively on that next year. This year we will be doing a summer tour but it'll only be the states most likely. We'll also be coming back to Dublin in May, I wouldn't say to finish up the record but to do a second instalment. There will need to be a third, possibly fourth instalment to get it finished, but it is progressing very well.
Tickets There: And has the re-issue of Slang changed the way the band is setting up this time at all?
VC: We did set up for the first time since the Slang record to record together, the five of us in real time because we don't normally do that. We generally build a track up bit by bit and it's always one guy working and its thoroughly, thoroughly tedious. So it was exciting to actually get in there and play and try to capture some of the dynamics we have as a live band. In the first week we actually got four rock tracks together and that was also a concern of ours coming into this. We wanted to make sure, even though we want to make a very comprehensive, modern Leppard sounding record, we did want to make sure we had the rock element covered and we actually for that out of the way like it was no-one's business in the first week. This is what happens when you play together as a band, you tend to write rock songs as opposed to when you do it individually and you tend to get drawn into doing mid-tempo, little dirgy ballady type stuff. So it's good that we got to play together and somewhat collaborate with each other on the stuff. Still a lot of it has to be determined, but so far we've got the rock element covered and we're getting into some more studio crafted songs here at the moment and we'll be wrapping up here in the next couple of days and pick it up again in May.
Tickets There: You've made references in the past to your lack of enthusiasm towards ballads. Would you prefer to make an all rock Leppard album?
VC:I'm not against the ballad side of it, but I've seen how we get drawn into that a little bit too much at the expense of our rock tracks. If you think that first and foremost the band was a rock band we all come from that rock element and it's something we needed to address. I don't think it would be right for the band to go out and make a High 'N' Dry style album where every song is pretty much hard rock. I don't think that's where we are and I don't think that's representative of us as fifty year old men. Having said that, we're a great, great live band and we can certainly still rock so it was important that a considerable percentage of any album we're doing is leaning towards rock.
Tickets There: Def Leppard is sometimes seen by fans as a band that's split on the issue of social media. How do you feel about the changes in the music over the past few years and the move towards releasing music online and moving away from traditional formats?
VC:I personally have done that 100% and have felt that way for several years, but that's just my personal opinion, that's not the opinion of the band necessarily. Again it depends who you ask in the band. I think a couple of the guys would be with me on that and a couple of others might be vehemently against it. It is what it is. I'm not saying I embrace it because I think it's the better thing, but you can't ignore the facts when they're staring you in the face. We live in a very rapidly changing world. I'm not personally a fan of social media, I don't use it for my personal life, but I do enjoy the ability it's given me to connect to Def Leppard fans and I found it a useful tool to gauge what people are thinking and what [Def Leppard] fans are thinking with regard to us. Like I say I don't have a personal Facebook page where I go back and forth with my family, I still believe in more traditional means of communication, but the record business and the whole music business has changed dramatically and anyone who denies it is beyond a luddite (laughs). Its Darwin's theory, you evolve or you die.
Copyright – Sexy Tickets There
Tickets There: You mentioned Leppard are going to tour this year and there's a tasty rumour going around that it may involve KISS and Poison. Can you shed any light on what's going to be announced?
VC: I'd say you'd be half right there, but only half right and half wrong (laughs). There will be an announcement of our tour imminently, we're talking a matter of days. It has to be announced because we're almost at summertime.
Tickets There: Do you think fans outside America will see you in 2014?
VC: Not at this point, but never say never. Something might come up at the last moment where we get a great offer to do a European show and upon that we could add a few others, but I would be very surprised. Most likely if we get this record finished for next spring that would see us doing a world tour of sorts, whatever that means nowadays. Certainty Europe, Australia and Japan would be our hope.
Tickets There: Last year, Def Leppard played a massive successful residency in Las Vegas that focused on the Hysteria Album. Does it look likely we'll see a Viva Pyromania residency soon?
VC: We have a standing invitation to do that again whenever it suits us. It's just a question of how long we end up touring this summer versus our desire to get this record finished. Personally I'd be surprised if that happened in 2014, but I wouldn't be shocked it happened in early 2015.
Tickets There: That sounds better, I think I could afford it by then.
VC: (Laughs)
Tickets There: I just want to talk a little bit, if you have time about your work with Last In Line
VC: Absolutely, I've always got time to talk about that (laughs). I'm really passionate about (L.I.L.). I really enjoy playing with Vinny Appice and Jimmy Bain again.
Tickets There: Can you tell us how you started playing with the guys after so many years apart?
VC: I blame Thin Lizzy for it. That's where it happened again that I got a few months touring Europe and the States with Lizzy in 2011 as a stunt guitar player and that really reignited my passion for the instrument. Thin Lizzy were such an influential band to me growing up and playing those songs, playing 'Black Rose', 'Jailbreak' and 'Emerald' and 'Don't Believe a Word', playing all those great songs that I knew inside out onstage with Brian Downey and Scott Gorham, it brought me back to being fifteen again and reminded me of why it is I love playing Guitar.
As soon as I came of that tour I called Vinny and I called Jimmy and we just got together, into a rehearsal room and that's all it was. I just wanted to play with them again, play some rock and it just sounded so great. We hadn't played together in twenty seven years and it literally sounded like it had only been twenty seven minutes. The chemistry was just there, it had never gone away and it's so tight just to play with those guys.
Then one thing led to another. Vinny said he knew this singer called Andrew Freeman so he invited Andy down that day. Andy came down and knew the songs so started singing. Then we talked, jokingly that we should do a gig or two. One thing led to another and we ended up doing a handful of shows last year despite a lot of setbacks and we managed to get the ball rolling on it. We started with a few local shows in Southern California, Las Vegas and what not. Now we're actually going in to record some new music, even though that was never our intention. It just seemed the next logical step after we'd done some shows, it just seemed right to take it a stage further and try to create a sound that's ours, not just trying to recreate the DIO sound.
Tickets There: You mentioned earlier that the DIO was such a major factor of the original band, how is the new music sounding and how can you avoid DIO's legacy hanging over it?
VC: It's obviously always going to sound a bit like DIO, We're playing those songs that we wrote and recorded. The difference is that Andy doesn't sound anything like Ronnie and that's actually what motivated me to go out and do some gigs. If he'd come in there being a Ronnie clone I'd have been very disinclined to go any further with it because I don't want it to just be a tribute to Ronnie's voice. Furthermore I think that Ronnie is a really, really tough act to try and duplicate. He had such a unique sounding voice. So the fact that Andy didn't sound anything like him really appealed to me. The reason for that was that it put the focus on the songs and the original band. The focus goes to the guitar, the bass and the drums and therefore the guys that made the records. Not only did we make those records, but what a lot of people don't even realize is that we wrote the songs […] obviously including Ronnie's input which was monumental but there was a real sound that we had, the fact that Andy didn't sound like Ronnie somehow resonated with me that it was ok to go out and play those songs and have the focus somewhere else.
People then started asking me, 'are you going to start making new music'. At first I said no because it was never on my field of thought, but then it became more apparent that for Last In Line to move forward and to be taken to that next level, that's what we needed to do. Furthermore we got into the studio just a few weeks ago, in early January and started writing. Just Jimmy, Vinnie and myself and it was so effortless that way we came across new music it just fell out of us like it did on the first record, on Holy Diver. It was so easy for us to come up with musical ideas. We act as great springboards for each other. Like when I play something for the guys, they instinctively know where to go and vice versa. We came up with a half a dozen song ideas in a matter of days. Then Andy came in and we exchanged vocal and melody ideas and we're kind of kicking around in the middle stage between now and April 20th when we're going into the studio to start recording. Hopefully it'll finally gel and that final 5/10% will come into place. It really is an exciting thing for me, but it's a very different way to the way Def Leppard writes and records which is also equally invigorating.
Tickets There: And will you be letting any ballads through on the Last In Line album?
VC: Fuck no (laughs)
Tickets There: As if Def Leppard and Last In Line wasn't enough, there's also reports that you're planning a second solo album. Have you found time to work on that at all?
VC: That's kind of open ended for me. There's no actual agenda for it. Obviously the Leppard thing is what it is and I've told you the schedule or the proposed schedule for that. With Last In Line I would hope to have a record done at some point this year. As regards my record I've already gone in and started on six tracks. I've six backing tracks completed and I've got the songs written, I've got the lyrics and melodies or them. I will at some point this summer get those six finished. My only real concerns with regards to that is if I can physically sing all of them. There might be one or two of them that are out of my range and out of my comfort zone as a singer.
I won't really know till I try how it happens, but I may have to bring in a guest singer. At this stage it's my intention to do it all on my own and it's going to be very much be rock record. That's not to say there might not be a ballad on that (laughs), but my focus is on making a rock record. There'll be a lot of guitar, riff oriented songs. On the tracks I've cut so far I used some of the guys from a bar band I play with back in Los Angeles occasionally, all stellar musicians.
Tickets There: Moving back to last year, you went through a very traumatizing experience and I believe you were forced to cut your hair for the first time since you were eleven?
VC: (Laughs) That was actually one of the benefits. Long hair, I let that identify me. It becomes so much part of your identity when you have your hair long your whole adult life. Then there's this fear of letting go of it. I would never, or at least very, very reluctantly ever have had my hair cut. Of course then when you have chemo you don't have a choice, it just falls out. I was kind of forced into the issue and I'm actually very thankful for it because I'm enjoying life with short hair and the convenience of it. A lot of people have actually said it makes me look younger so I'm fine with it (laughs).
Tickets There: And how has recovery been going?
VC: I completed around six months of chemo and so far so good. Although truth be told I have to go in and do another biopsy when I get back to LA in two weeks as my last scan wasn't very clean. It might be nothing or it might be that it hasn't all gone away yet, in which case I'm really not that concerned about it. It's a process that you just have to go through and it's one of the most curable forms of cancer and I'm very fortunate that mine was caught very, very early in its progression. I'm not very worried about it, but it's an inconvenience to go through the process.
Tickets There: Rather than back down or let it affect you, you went out last year and did a massive amount of work and touring with Leppard and Last In Line. How were you able to put yourself though all that and still deliver every day?
VC: Well actually I was very thankful that I could. I think it would have been physically and mentally more difficult to go through for me if I didn't have my work to do. I actually wished that Leppard had some more shows last summer. I'm not tooting my own horn here, but I was physically very strong going into it all. Even before I was diagnosed I was relatively fit, being vegetarian for thirty years or so. I work out a lot, play football a lot and run a lot and I've been working with a trainer regularly for years. Then when I was diagnosed I ramped up my training and built up a lot of muscle mass as I knew I was going to lose a lot through chemo. With cancer there's all sorts of different levels and of course people personal pain management threshold and tolerance levels so either my chemo wasn't as severe as I have just enough stubborn Irish tolerance that I was able to keep going (laughs).
Tickets There would like to wish Vivian many, many thanks for participating in this interview and we wish you well with your treatment, the Last In Line album and of course the next sessions with Leppard.
Black Star Riders Announce Dublin Date
Posted in Gig Listing, Music with tags 2013, Academy, Black Star Riders, Dublin show, Thin Lizzy, tickets on April 22, 2013 by Tickets There
Black Star Riders, the new band from members of the current Thin Lizzy line-up, have announced a Dublin date. The group will perform their first show in Dublin on December 14th at the Academy. Tickets go on sale this Friday, April 26th priced €25.
BSR have recently finished recording their debut album together, All Hell Breaks Loose and have a release date pencilled in for June. They formed after decided to distance their new material from the Lizzy name for fear of upsetting hardcore TL heads. In the ranks are Ricky Warwick (vocals), Scott Gorham (guitar), Damon Johnson (guitar), Marco Mendoza (bass) with new addition Jimmy DeGrasso (ALICE COOPER, MEGADETH, DAVID LEE ROTH, SUICIDAL TENDENCIES).
Black Star Riders Unveil 'All Hell Breaks Loose' Artwork
Posted in Music, News with tags All hell Breaks Loose, Black Star Riders, Bound for Glory, Ricky Warwick, Thin Lizzy on March 28, 2013 by Tickets There
Yes, another Black Star Riders story; and why not?
The new-Lizzy line-up has unveiled the impressive new art-work for their forthcoming debut album, All Hell Breaks Loose. Below is a blurb about the art-work and its origins that the band themselves posted earlier this morning. All hell breaks loose hits shelves in May, not June as previously reported by stupid Tickets There minions (me…the editor, owners and guru extraordinaire).
'The artwork features a painting by Gil Elvgren (March 15, 1914 – February 29, 1980), the legendary US painter best known for his work on pin-up girls, advertising and illustration.
The artworks ties directly to the origins of the album title. Ricky Warwick explains "I was watching a documentary about World War II bombers and saw the name painted on the side of one of the aircraft. The name just resonated with me and it seemed to encapsulate the turmoil that we, as a society, are currently experiencing. The past few years have been such a wild ride and now with the release of the album, it sounded like a bad-ass album title that summed up what BLACK STAR RIDERS is all about."
Last week, Black Star Riders released the first song from the new album, 'Bound For Glory', which you can listen to below.
Black Star Riders – 'Bound For Glory'
Posted in Music, Music Video, New Music with tags All hell Breaks Loose, Black Star Riders, Bound for Glory, Bound for glory video, Damon Johnson, Marco Mendoza, Phil Lynott, Ricky Warwick, Scott Gorham, Thin Lizzy on March 27, 2013 by Tickets There
Mixing hardened rock 'n' roll spirits, working man dreams and an indestructible spirit; Black Star Riders have emerged from the most recent Thin Lizzy touring line-up to end a thirty year hiatus from releasing music and break free from the spectre of Phil Lynott (in the most respectful way possible). While Philo will always be regarded as the king of Irish rock, the rest of the world must carry on and this is exactly what Ricky Warwick, Scott Gorham, Damon Johnson and Marco Mendoza planned when they toyed with the idea of new Thin Lizzy album.
After some thought, the lads decided not to tempt the lash of Philo's holy faithful by smacking on the LIZZY logo and formed a new band to nurture and cultivate the new material. Finally, they've arrived. The album (All Hell Breaks Loose) is due to hit shelves in June and the band have released the first taste of their 'new sound'. Personally, I don't know if Lizzy fans would have minded this carrying the iconic name. Sure it's not up there with the classics, but as rock goes you could do a hell of a lot worse. What do you think of 'Bound for Glory'?
Black Star Riders Announce Album Details
Posted in Music, News with tags album, All hell Breaks Loose, Black Star Riders, Damon Johnson, Jimmy DeGrasso, Marco Mendoza, Phil Lynott, Ricky Warwick, Scott Gorham, Thin Lizzy, track list on March 8, 2013 by Tickets There
Black Star Riders, the band featuring members of the 2012 Thin Lizzy line-up, have announced the title, track listing and release dates for their debut album. All Hell Breaks Loose is coming to a download site/record store near you in May via Nuclear Blast Entertainment.
Thin Lizzy decided to drop the famous name last year while recording All hell breaks Loose. The decision was announced as a way of respecting Phil Lynott's legacy. The band includes Ricky Warwick (vocals), Scott Gorham (guitar), Damon Johnson (guitar), Marco Mendoza (bass) with new addition Jimmy DeGrasso (ALICE COOPER, MEGADETH, DAVID LEE ROTH, SUICIDAL TENDENCIES) on drums.
Release dates per country can be found below. Oddly enough they have neglected to mention Ireland, something Phil Lynott would never have allowed (ahem). Black Star Riders will kick off once Thin Lizzy wrap up their current and final shows.
* May 21 – Japan
* May 22 – Sweden
* May 24 – Germany, Austria, Switzerland, Finland, Norway
* May 27 – U.K., France, BeNeLux, Poland, Czech Republic, Denmark, Spain, Portugal, Hungary, Greece
* May 28 – U.S., Canada, Italy, South America
The tracklist is as follows,
01. All Hell Breaks Loose
02. Bound For Glory
03. Kingdom Of The Lost
04. Bloodshot
05. Kissin' The Ground
06. Hey Judas
07. Hoodoo Voodoo
08. Valley Of The Stones
09. Someday Salvation
10. Before The War
11. Blues Ain't So Bad
Thin Lizzy Line-up Announce Hiatus and Name Change for New Album
Posted in Gig Listing, Music, News with tags 2012 tour, Belfast, Dublin, name change, New album, Phil Lynott, Ricky Warwick, The Limelight, The Olympia, Thin Lizzy, Trucker Diablo on October 31, 2012 by Tickets There
We were slow for this news, but it must be said. The current line-up of Thin Lizzy have announced they will cease touring under the Lizzy name at the end of this year. Once the band complete their European tour in December, they will officially drop the Thin Lizzy name and announce a new one next year. The band have recently been discussing a new Lizzy album but have now decided to release it with a fresh start.
Despite the name drop, frontman Ricky Warwick did state that this does not necessarily mean the end of Thin Lizzy outright and the line-up may tour as Lizzy again in the future. For now the band want to focus on their new record that they feel is strong enough to win over Lizzy fans and make former singer and all round Irish legend – Phil Lynott, proud.
Details will follow on Tickets There when the band announce further plans. In the meantime, catch Thin Lizzy when they play the last two Irish dates for a while,
Wed/Dec-12 Belfast, N.I. The Limelight (with Trucker Diablo supporting in Belfast)
Thu/Dec-13 Dublin, Ireland Olympia Theatre
Tickets on sale now from ticketmaster.ie priced £29.50 (BEL) | €27.50 -39.50 (DUB)

redpajama_set_name: RedPajamaCommonCrawl


Copyright 2013. Bailey Bird Creations. All rights reserved.
Bailey Bird Creations is Lisa's other baby. What began as her search for nursery inspiration, quickly blossomed into her own DIY adventure. Her love of crafting and determination to continue contributing to the family's piggy bank became a fun and rewarding whole other inspiration. With the ideas flowing (and when the nap times allow), she's working on new image design efforts. We can't wait to see what imaginative yarn she weaves next!
-Excerpt from the Dr. Seuss book Oh, the Places You'll Go!.
Cool Ruler Growth Charts, Personalized Subway Art, and Various Image Designs like Family Tree Art, ABC Prints, Birth Announcements, Silhouette Art and more!


text:
Biografia

I primi anni
peregrine era figlio secondogenito di Thomas Osborne, I duca di Leeds, e di sua moglie, Bridget Bertie, una delle figlie del II conte di Lindsey.

La carriera tra politica e marina militare
Nel 1677 fu deputato per Berwick-upon-Tweed e poi brevemente per Corfe Castle. Nel 1689, brevemente ha seduto in Parlamento, questa volta per York.

Non tenne ad ogni modo mai un ruolo attivo alla Camera dei lord, scegliendo invece di intraprendere una carriera nella Royal Navy. Nominato capitano il 2 gennaio 1691, venne promosso contrammiraglio il 7 luglio 1693. Venne coinvolto nell'attacco a Brest del 18 giugno 1694. Si dedicò anche al disegno di navi da guerra, e servì anche come ufficiale di collegamento tra l'ammiragliato e lo zar Pietro il Grande durante la sua visita a Londra nel 1698. Egli negoziò inoltre la proposta di una serie di mercanti di tabacco inglesi di aprire una rotta commerciale con la Russia. Nel 1699 disegnò la Peregrine Galley, che venne poi varata nel porto di Sheerness nel 1700. Nel 1702 venne promosso al rango di Viceammiraglio of the red ed infine ammiraglio nel 1708.

Peregrine ereditò i titoli alla morte di suo padre nel 1712. Alla sua morte nel 1729, venne succeduto dal suo secondogenito, Peregrine. Venne sepolto nella cappella della famiglia Osborne nella All Hallows Church di Harthill nello Yorkshire meridionale.

Matrimonio
Il 25 aprile 1682, sposò Bridget Hyde, l'unica figlia ed erede di Sir Thomas Hyde, II Baronetto. Ebbero tre figli:

 William Henry, viscount Latimer e conte poi di Danby (1690-1711);
 Peregrine Hyde, conte di Danby, marchese di Carmarthen e III duca di Leeds (1691-1731);
 Mary (14 agosto 1688- 1721), sposò in prime nozze, il II duca di Beaufort; sposò in seconde nozze il IV Conte di Dundonald
 Bridget, sposò il reverendo William Williams, prebendario della cattedrale di Chichester.

Altri progetti

Collegamenti esterni

Duchi di Leeds
Ammiragli britannici

redpajama_set_name: RedPajamaWikipedia


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text:
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Carter Elementary School (District 299)
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Dulles Elementary School (District 299)
6311 S Calumet Avenue, Chicago
Sherwood Elementary School (District 299)
245 W 57th Street, Chicago
Sexton Elementary School (District 299)
6020 S Langley Avenue, Chicago
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We've helped 43 families buy and sell in Chicago.
The HomesByMarco team are experts in the area. If you're looking to buy a home in Chicago, give us a call today at 888-32-MARCO.
Ross Elementary School home sales for the month of June stayed the same in volume when compared to last year, while the median sale price stayed the same.
Park No. 527
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Port forwarding changing by itself!
I own this nice IP DCS-Cam 2630L. I love it. I have the latest FW in it (1.04). I use IP Cam Viewer Pro (iOS) on my iPhone to access it remotely as this app supports many different brands of cams. (I own some Amcrest too) and this way, I can see them all at once using one app only.
I manually forwarded port 80 to another port in my router in order to use it remotely and it worked very well until I found out I could not access it anymore. Then, I discovered looking at my router configuration that my forwarded port was not there anymore but that another port was added and forwarded for port 80! It did that by itself! Why?
I also had the same problem with another cam, the DCS-5030L.
Re: Port forwarding changing by itself!
I cannot answer to all questions right now since my cams are at 1600 km away from me!
FW is 1.04 as I said in my post.
You might try disabling PF on the router and just use uPnP instead on the router with the cameras. What I use for my 3 cameras. Works well.
If your doing any port forwarding ON the router then uPnP should be disabled on the router.
Maybe the router is dong the change. Cameras don't change router configurations.
The actual port I use for the cam on the router port forwarding page is from port 80 to port 14478.
What if I enable uPnP Port forwarding on the web config page of the cam 2630L and disable uPnP on my router, must I put the port 14478 in the External HTTP Port box instead of the default 80 in order to achieve the same results?
Possible. Is this port number needed for this app to work?
Have you tried not using any PF rules on the router and just enable uPnP ON the router and uPnP and uPnP FF on the camera and tested?
When uPnP and uPnP port forwarding are enabled in the cam web config page, if I don't open the port on the router, it doesn't work... The port has to be forwarded on the router as well. This is my experience from the tests I made.
I also own a DCS-2230 and it's a good thing that they include a test we can make when we enable the uPnP port forwarding on the cam web config page. I wonder why all web config pages are so different from one cam to another.
Also, I own a DCS-5030L and the web config page of the cam, when I enable uPnP port forwarding, it does not give me an option to write down any port! Is this normal? I want to assign the port but it looks like there is no option like it does for the other cams I own.
Is the R7000 in AP mode and using LAN to LAN cable connections and the ActionTec is just the main modem and router?
Ya, been differences between models. I don't know why. uPnP alone should work however seen various issues so I guess disable uPnP on the modem/router and enable it on all cameras.
Yep, I only use the R7000 as my Wifi access point. It's connected Lan to Lan to the Actiontec. I disabled Wifi on the Actiontec and there is no Lan Internet on the R7000. I do that because the Wifi range is a lot better with the R7000 than with the Actiontec router.
However, for outside my house, I have an ingroud pool on a large backyard, so I also use a Netgear EX6200 as a repeater and it works very well.
Finally, you did not comment on this: Also, I own a DCS-5030L and the web config page of the cam, when I enable uPnP port forwarding, it does not give me an option to write down any port! Is this normal? I want to assign the port but it looks like there is no option like it does for the other cams I own. How do I know which port to use if there is no option to write it down?
Not sure, you might turn off ALL cameras accept for the 5030L and then let the camera connect to the router and review the router for any ports that are being opened up if your router supports viewing of routing information. I don't know if it does or not. They might show what ports are being used by the camera. I know D-Link routers show this.
I presume the FW is up to date on the 5030L?
Sorry fot he long delay for my reply.
I tried that (turning off all other cams). Then, I let the CAM connect by itself and assign a port. After, I went in the router configuration to see which port was openened and redirected from port 80 for external access. I left it like that for two days when I was not able to connect again from outside (external access). Then, I went to check in my router configuration and saw that the redirected port had changed again!
It does that by itself. This is very annoying and the fact that we cannot write down which port we want to redirect in the uPnP port forwarding in the cam web config page (Agent) is the reason (from my point of view) that the port keeps changing.
Which port are you accessing the router on externally? 80?
I don't know exactly how you have things set up, but it looks like you are trying to use 80 as external pretty for everything?
It's the other way around if you are. Assign say 8090 externally to port 80 of 2630l internal. Assign 8091 extendable to 5030l port 80 internal.
My apologies if this is what you did do.
If you set up any PF rules, be sure to disable uPnP ON the router.
BTW with respect the the DLINK cam, you don't need to enable UPNP on your router nor your cam. Also you do not need to enable port fowarding on your cam. The MDL app will run fine except your viewing time is limited to 1 min. But you can reconnect for additional time.
when you say you cannot connect, do you mean the cam is connected via the MDL app (no red X) but you cannot view the cam remotely? Does the cam still send out motion detection emails?
I use a third party app: IP Cam Viewer Pro, not the DLink app as I have different type of cameras and they are not all DLink cams... So I don't have choice to go forwarding ports.


text:
Another day, another good deed for the Vikings' Chad Greenway.
MINNEAPOLIS -- Vikings linebacker Chad Greenway launched "Chad's Locker" today at the University of Minnesota Amplatz Children's Hospital. The locker is packed with iPads, notebook computers, DVD players and other electronic games and goodies.
The locker will help patients -- and their families -- pass the time during recovery and treatment.
Greenway's locker is just another chapter in his long history of giving. He's already established his 'Lead The Way Foundation' which is dedicated to individuals and families in need of financial or medical help.
Minnesota VikingsSportschad greenway
Vikings' linebacker Chad Greenway named Community Man of the Year
Chad Greenway has been selected as the Vikings' Community Man of the Year. This year, Greenway and his wife Jenni started the Lead the Way Foundation to help individuals and families in need of medical and financial aid. The linebacker also remains active in many other local charities, foundations and hospitals.
Greenway expected to be at mini-camp
The Vikings three-day, mandatory mini-camp runs Tuesday-Thursday this week and linebacker Chad Greenway is expected to be in attendance on day one. He missed most of the organized team activities to spend time with his father, who is in hospice care battling cancer.
Greenway to the Pro Bowl
Vikings tackle leader Chad Greenway is going to his first Pro Bowl. The nod comes as the linebacker is enjoying a personal best 174 tackles in 2011.
Vikings GM: 'We'd love to have Chad Greenway finish as a Viking
Vikings linebacker Greenway talks training camp, his dad
The Minnesota Vikings will report to Mankato this week for training camp. Linebacker Chad Greenway told WCCO's Mike Max, "This is going to be the most important training camp we've ever had." Greenway also talked about nearly losing his seriously-ill father this summer. "My dad is such a special guy. He just embodies what being a great dad and a great husband…mean," Greenway said.
Chad Greenway named 2015 Byron 'Whizzer' White Award winner
Greenway happy to be staying with the Vikings
'Sullivan Playground' opens at U's Amplatz Children's Hospital


text:
<?php

namespace OrderIT\Bundle\OrderBundle\Form;

use Symfony\Component\Form\AbstractType;
use Symfony\Component\Form\FormBuilderInterface;
use Symfony\Component\OptionsResolver\OptionsResolverInterface;

class CommentType extends AbstractType
{
    /**
     * @param FormBuilderInterface $builder
     * @param array $options
     */
    public function buildForm(FormBuilderInterface $builder, array $options)
    {
        $builder
            ->add('idUser')
            ->add('comment')
            ->add('creaComment')
            ->add('listingListing')
            ->add('commenter', 'submit')
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    }

    /**
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    /**
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     */
    public function getName()
    {
        return 'orderit_bundle_orderbundle_comment';
    }
}

redpajama_set_name: RedPajamaGithub


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text:
Natalja Gouilj, född den 19 augusti 1974, är en rysk kanotist.

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text:
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$50,000 for bodily injury or death to all persons in any one accident; and
$15,000 for property damage in any one accident.
Once the driver is active on the app but before accepting a ride or after the driver drops off a passenger and is still active on the app, contingent coverage applies. Under Colorado's Transportation Network Companies (TNC) laws, Uber must provide coverage over the minimum individual liability of:
$50,000 for bodily injury or death to any one person in an accident; and
$100,000 for bodily injury or death to all persons in any one accident
If the Uber driver accepts a ride request, is on the way to pick up the passenger, or has the passenger in the vehicle, Uber's policy provides coverage for up to $1 million.
If your damages are more than the policy limit, Uber or the driver may be liable for any additional losses, even beyond the insurance coverage limits.
Damages for Broken Bones in a Personal Injury Lawsuit
Damages from a car accident depend on the seriousness of the injuries, time to heal, and other factors. When filing an accident claim with Uber or filing a personal injury lawsuit, the injury victim can seek damages, which include the economic and non-economic losses caused by the accident.
The primary damages in a broken bone accident may include medical bills and loss of income. A simple broken bone injury may only cost a few thousand dollars. However, multi-bone fractures or more serious broken bones (like fractured femur or broken back) can require multiple surgeries, rehabilitation, hospitalization, and may leave permanent damage.
Loss of income can also range from a couple of days off work to permanent disability. Serious broken bone injuries can make it impossible for someone to return to their job,
Questions After an Uber Accident in Colorado
The attorneys at accidentdenver.com have successfully represented victims of Uber accidents and their families in Denver, Boulder, Aurora, and throughout Colorado. Do not rely on Uber or the insurance company to look out for your rights. Our experienced attorneys will fight to get the maximum compensation available for your injuries. Contact us today for a free consultation.


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Hyderabad »
Customised skincare products for women
Hyderabad-based company SkinKraft uses user data to customise needs
By Sruti Venugopal | Published: 16th Dec 2019 12:32 am
Hyderabad-based company SkinKraft uses user data to customise needs. Starting at Rs 999, the regime kit provides formulations for acne, dark spots, dark patches, and tanning.
Hyderabad: Cosmetics and artificial intelligence is not a popular combination. However, going against popular notion has what led to the conceptualisation of a technology-driven customised skincare solution called SkinKraft.
Started around two years ago, the Hyderabad-based company provides customised skincare regime for Indian women. It uses machine learning and artificial intelligence-driven technology platform to get customers answer a set of questions to determine their skin type. And then the company provides the right product for the customer, prepared by the in-house team of dermatologists and researchers.
The customers are provided with three products – cleanser, moisturiser, and, a skin-specific product to address their primary concern. "We started a women-oriented media company Stylecraze and MomJunction, which used to get 50 million visitors per month and one of the pressing problems for women in terms of skin care was that mass-produced products did not suit almost 35 per cent of them. That is when we thought about producing a customised skincare product. And that is how SkinKraft came into being in 2017, wherein we took all the questions that a dermatologist would usually ask patients and came up with customised solutions," said Chaitanya Nallan, co-founder and CEO.
Started by Nallan, Veerendra Shivhare (CTO), and Sangram Simha (CMO), SkinKraft has so far got 1.5 million users, who have answered the Skin Profile Questions (SPQ), and in the last one-and-half year it has assisted 2.50 lakh users with 40,000 kits sold in the last one month alone.
Starting at Rs 999, the regime kit provides formulations for skin considerations such as acne, dark spots, dark patches, and tanning, and, asks questions about not only the skin type but even about the customer's lifestyle and eating habits so as to get a complete picture. The company claims that 95 per cent of the ingredients used in the products are naturally derived.
SkinKraft also owns a brand called Vedix, which provides customised haircare solutions through the use of Ayurvedic products. It has a contract manufacturing unit in Jeedimetla and is planning to set up its own plant in the next couple of months in Hyderabad. It is also looking at doubling its user base to 6 to 7 million by next year and is already profitable as a company. In terms of investments, the company had raised Rs 50 lakh from VentureEast in 2013 and in 2018, that stake got acquired by Japanese conglomerate brand Istyle for Rs 28 crore.
Nallan said the company was looking at raising $7-8 million in funding in the next two to three months, which would be used for increasing the efficiency of its technology. Going ahead, it plans to launch haircare solutions from SkinKraft brand while also unveiling skincare regime from Vedix brand.
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1 carry bag - Fitted- to silence the steps and keep them in place, no movement, no noise. Carry strap- to put over your shoulder during set up. Open top- for easy access Cordura construction- built tough. Leather reinforcement- where the step standoffs hit the bag. Internal catch strap- to prevent the steps from wearing through the bottom.
5 set: 5 lbs. 0.0 oz. - 8 set: 7 lbs. 14.2 oz. - 10 set: 9 lbs. 12.6 oz.
12 set: 11 lbs. 10.8 oz. - 16 set: 15 lbs. 8.4 oz.


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MD Anderson Newsroom
MD Anderson, Oncora Medical team up to fight cancer with precision medicine alliance
Collaborative team will combine tools for collection and prediction of oncology outcomes to enable precision radiation oncology
MD Anderson News Release April 04, 2017
Oncora Medical, a precision radiation oncology software company, and The University of Texas MD Anderson Cancer Center, today announced a strategic alliance focusing on building the next generation of precision medicine software for radiation oncology.
During Phase I, MD Anderson oncologists and information technology professionals will work with Oncora's team of data scientists and engineers to install Oncora's Precision Radiation Oncology Platform, a software system built to assist radiation oncologists in the development of personalized treatment plans based on outcome predictions. Oncora's platform will be fueled by data from MD Anderson's electronic medical record system, tumor registry, radiation therapy planning system, and Brocade, an innovative software product developed by MD Anderson in 2014. Brocade was developed by Benjamin Smith, M.D., associate professor of Radiation Oncology, and author of a study published in the April 2016 issue of the Journal of the American College of Radiology that demonstrated a 70 percent reduction in the time physicians spend documenting clinical data using Brocade.
Brocade, a web-based clinical documentation tool used by MD Anderson radiation oncologists, enables intuitive collection of structured data about patient diagnosis, treatment and radiation side effects, and generates narrative-style clinical documentation for medical records.
Oncora will engineer complete interoperability between their Precision Radiation Oncology Platform and Brocade to explore the potential value of a combined product.
"This partnership provides an opportunity for precision medicine to truly improve the way cancer treatments are designed and delivered," said Oncora Medical co-founder and CEO, David Lindsay. "We're excited to work with MD Anderson in an effort to improve care for patients."
Precision medicine – delivering the best treatment to the right patient at the optimal time – could improve cancer survival rates while minimizing unintended side effects. Tools for collecting quality clinical data and predicting specific radiation treatment outcomes are necessary to make precision medicine a reality.
"We believe this partnership could be a significant step forward for the field of radiation oncology and our patients," said Smith. "Through this alliance, we hope to improve workflows and processes for radiation oncologists and simultaneously give radiation oncologists access to better information to support real-time, precision medical decision making."
Media Specialist Contact
Ron Gilmore
rlgilmore1@mdanderson.org
MD Anderson Public Relations Office
publicrelations@mdanderson.org
@MDAndersonNews
Benjamin Smith, M.D.


Last minute Easter weekend break 19-22 April - relaxing in the large hot tub, playing croquet and pool and taking in local farms, lambing, country walks and local pubs. Bliss!
Enjoy an early Easter Holiday with 40% off. Arriving Friday 5th April - 7 nights now £2340 3 or 4 nights now £1989. Short breaks also available arriving Monday 8th and Tuesday 9th.


This fantastic name can be taken as meaning 'Hero Co.' - the Hero Company, or 'Company of Heroes'. Take your pick! In a business context, the 'hero' in the name could refer to putting customers first and foremost, or to seeking out the best possible people, or to simply providing heroically awesome products and services. The distinctive use of the letter 'Q' adds a distinctive edge to this hugely engaging name.
Complete ownership of the Heroqo.com domain name. This means you can use the domain as your website address, and for email addresses (for example: hello@Heroqo.com). Instructions for transferring the domain will be provided.


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In an ever-changing world it's important for your recycling program to be able to keep up with the moving times. One way this can be achieved is through a modular designed recycling program. Modular design recycling systems are a future-ready solution for waste management.
Many Glasdon recycling bins can be adapted to create a modular recycling system. With a wide choice of container styles, waste streams and color options, you can have confidence knowing that you can create a multi-stream recycling program to stand the test of time.
The contemporary, modular design of our indoor recycling containers means they will complement any environment and can be sited side-by-side to create a centralized recycling station or used as stand-alone units. These indoor recycling bins are the ideal recycling solution for commercial, industrial or educational organizations.
Creating a recycling system is an opportunity to enhance your business. Indoor recycling bins, like the Nexus® 26G, provide a flexible solution to recycling. These stylish, large-capacity recycling containers feature a choice of aperture and color options allowing you to design a recycling program to suit your organization.
Thanks to their adaptable design, you can customize the Nexus 26G recycling bins to feature the waste streams most needed for your environment. This will enable you to focus on the streams that matter most and in turn, will help to improve recycling collection rates at your organization.
Our recycling bins can be used to create a centralized recycling station. Using multiple recycling containers, as opposed to using one single unit for all recyclable waste, allows your recycling program to withstand changes to recycling regulations. This will ensures your recycling program is a future-ready solution.
Change is constant and so you need a recycling scheme that can keep up. Glasdon recycling bins offer flexibility when it comes to choosing your waste streams. We provide various stream-specific openings for your recycling bins including: standard open apertures; slim paper apertures; round bottle apertures and apertures with lids.
If your recycling needs ever change, you can also alter your recycling apertures to meet your new requirements. The apertures on Glasdon recycling containers can easily be swapped, meaning you can refresh your recycling program as and when you may need to. Thanks to the innovative feature of interchangeable openings, you may never have to buy a normal recycling container again!
If you do decide to change the recycling container apertures, you can also order new decals to reflect the new waste stream of the container. We want to help you get the most out of your recycling program.
The importance of placement is sometimes overlooked when choosing a recycling bin. Where you site your recycling bins is key to creating an effective recycling program. Consider placing recycling bins next to trash cans to discourage the improper disposal of recyclable waste.
It's also important to make sure recycling containers are located in easy-access areas. A centralized recycling station is an ideal way to encourage recycling and can be placed in high foot-traffic environments such as reception areas, shared office spaces, dormitories or dining halls.
The Nexus 26G recycling containers offer the luxury of flexibility when it comes to placement. These recycling containers can be sited side-by-side or back-to-back to create the ultimate recycling solution in prime locations at your organization.
Research conducted at the University of Berkeley* found that recycling bin design and placement can influence recycling rates on campus. Students stated that informational graphics and different color recycling bins increases the appeal of recycling.
Recycling containers should be aesthetically pleasing, conveniently placed and easy to use. Many products in the Glasdon recycling range are available in a wide range of colors. Having a harmonized color-scheme for your facilities recycling program will help frequent users to associate colors with certain recyclable waste streams.
Brightly colored apertures and graphics will also make sure your recycling station stands out from the crowd, allowing users to easily identify where the nearest recycling point is from a distance. Sign kits are also available for many of our indoor recycling containers. Sign kits can be fixed to the rear of the unit to provide additional signage to help promote your recycling message to passersby.
Using recycling containers with clearly visible decals is another key way to reinforce your organization's recycling message. Glasdon recycling containers are supplied with concise recycling decals consisting of minimal text and graphics to clearly explain the intended waste stream of the unit. These color-coded decals can be co-ordinated with the recycling apertures of the bin to create a harmonized recycling program.
Strengthen your organizations recycling program by keeping things consistent. Using co-ordinated containers, colors and graphics throughout your premises to reinforce your sustainability initiative.
Having a strong recycling program in place will also help protect your recycling program from regulation changes and will provide a cost-effective solution to waste management. Although there are many benefits to single-stream recycling, using modular design recycling bins will help to increase the longevity of your chosen receptacles.
If you would like to find out more about our recycling solutions – please contact us today or speak to one of our friendly sales advisors on LiveChat now!


What is the process when setting up a day centre in Scotland?
Hi Sheila, I am a nurse with over 17 years Adult Nursing Experience. My friend and I are planning to start a day centre in Scotland. Can you give some advice on registering the service, licences and other things that a legal business should have.
I asked Senga Currie, QCS's Head of Care Development (Scotland) for advice and she pointed me towards the place where you will find all the information about the registration of care services in Scotland on the Care Inspectorate website.
I quickly found a really helpful document on the website on registration and on page 7 of the document day care centres are referred to. The document can be found here.
Senga went on to say that the Scottish Social Services Council (SSSC) will furnish you with all the information you may need to understand the qualifications you would be expected to have or obtain and what is expected of the staff you would employ.


Pirbright is a small village west of Woking, perhaps best known for the nearby army training establishment. At the centre of the village is a green, a duck pond and a handful of shops.
Brookwood mainline railway station is to the north-west for services to London Waterloo. The M3 can be accessed at junction 3 (Lightwater).
Pirbright is first recorded as 'Perifrith', meaning 'a clearing with a pear tree', in 1166. In the 13th century it was held by Peter de Pirbright but Hugh le Dispenser was the overlord by 1324. As a follower of the unfortunate King Edward II, he was declared a traitor in 1326 and executed. Edward himself was deposed and then murdered in horrible circumstances in 1327. The manor of Pirbright was then granted to Edmund, Earl of Kent, but shortly afterwards he was also found guilty of treason and suffered the same fate as his predecessor. However, Edmund's son, also Edmund, was restored to his father's estates but he died very young and it became the property of his brother, John.
By 1425 Pirbright had passed by marriage to Edmund, Earl of March, who died in that year leaving it to three co-heirs. One of these was the Duke of York, who later acquired full ownership, and via him the manor came to his son, Edward IV (1461-1483). Edward enclosed much of the land creating a hunting park. In 1784 Pirbright was purchased by Henry Halsey and his family continued as lords of the manor into the 20th century.
The parish church of St Michael was rebuilt in 1784 and was described as 'very pretty Georgian' by the architectural historians, Nairn and Pevsner. Georgian churches are very rare in the modern county of Surrey. Sir Henry Morton Stanley, the explorer, lived at Pirbright and he is buried in the churchyard beneath an impressive stone which marks his grave.
The Basingstoke Canal was constructed through the area north of Pirbright village in 1794 and the section to Deepcut has no less than fourteen locks. Deepcut was so named from canal cutting through the hill here which was a 1000 yards long and up to 70 feet deep.
The main railway line from Waterloo via Woking towards both Southampton and also branching here to Aldershot and Farnham passes close to the canal through Pirbright, but the nearest station is Brookwood.
The village of Pirbright was established in a small area of fertile ground next to a stream which feeds into the Stanford Brook and eventually into the River Wey. However, much of the parish of lies on infertile Bagshot Sand of little use to agriculture. In about 1875 over 3000 acres this land, representing nearly three quarters of the parish, were acquired by the Army. Extensive rifle ranges were constructed and a training depot for the Brigade of Guards was also built.
This development brought new residents to Pirbright but, with its attractive green and pond and clusters of houses, it still has a village atmosphere.


More than a flight school, Minnesota State University, Mankato offers an AABI accredited bachelor's degree specializing in professional flight that provides you with a larger perspective of the aviation industry. Your classes range from how an airplane is built to decision-making in the airline industry. You will learn by flying in our state-of-art fleet and matching simulators, and from aviation professionals with significant industry experience.
Graduates of our program can obtain positions as Flight Instructors (FI) in flight training programs while they work to obtain the hours they need to apply to the regional carriers.
Think you have what it takes? Our new partneship with Delta Airlines provides the best of the best with a streamlined path to flying for one of the world's largest carriers.
Students accepted into the Delta Propel program at MNSU will recieve a Qualified Job Offer (QJO) from Delta contingent on program completion and can begin flying for the world-class carrier in 42 months or less.
Learn more about the Delta Propel Program.
Students pursuing a Bachelor's Degree in Professional Flight will take a variety of courses in aviation theory, law, and instrumentation. The following courses are an example of some of the courses students will complete during their time with us. A full list of courses including required general education courses are also available below.
The Professional Flight program requires additional fees beyond tutition.
For a list of flight training costs, click here.


The first place we've visited in italy was the amazing city of Florence. This wonderful place is considered as the birthplace of the Reinassance (home of artists like: Michelangelo Buonarroti, Leonardo Da Vinci, Dante Alighieri, Leon Battista Alberti...and the list is longer...) Florence is one of the most artistic places in the world and also an important city in Italian fashion, being ranked on the top fashion capitals in the world.
Duomo di Firenze. Basilica di Santa Maria del Fiore. Begun in 1296 in a Gothic style.
Florence is this kind of places that you never will forget. It's incredible how much art there is around. It really looks like the whole city is done to be an outdoor museum where you don't need to pay for the entrance...you just need to get there!
In Florence everyone is painting, sketching, playing music, doing pictures, eating pasta or just drinking wine under the beautiful blue Italian sky while you sit in front of thousands of incomparable sculptures.
Piazza della Signoria. What we love about this place, Is the fact that it's full of art pieces and you can sit to drink a cup of coffee outside while you enjoy all these masterpieces.
That's Italian style! Spontaneus and cool, that's a real Italian man!
That's another Italian style... Love it! This classic but really nasty art drives me crazy!
Everybody paints in Florence! This is a tipical image of the city.
David by Michelangelo, the masterpiece of the Renaissance. ( ...I cried when I saw it, and it is just a replica :p ) the original sculpture was moved to the Accademia Gallery to conserve it.
In Florence we found very interesting and nice things, one of those were the Restaurants of course...it's Italy!
You don't know how Italy is a country of food until you get there. It's amazing how good is the meal and how the Italians enjoy this pleasure. La Trattoria Mario is one of this marvelous places that really inspired us. It is a place where you don't reserve before, you just go and you wait a bit until there is a place for you, but the place absolutelly deserves your time. It's possible that you can share the table with someone else that you don't know (I cannot deny it was a bit freak for me...) but that's what makes the place so original and spontaneous. You will not spend a bunch of money there and the food has no comparison!


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Помона-Парк () — місто () в США, в окрузі Патнем штату Флорида. Населення — 912 осіб (2010).

Географія
Помона-Парк розташована за координатами  (29.499606, -81.593959).  За даними Бюро перепису населення США в 2010 році місто мало площу 8,88 км², з яких 7,84 км² — суходіл та 1,04 км² — водойми.

Демографія

Згідно з переписом 2010 року, у місті мешкало 912 осіб у 358 домогосподарствах у складі 222 родин. Густота населення становила 103 особи/км².  Було 500 помешкань (56/км²).

Расовий склад населення:

До двох чи більше рас належало 1,9 %. Частка іспаномовних становила 15,4 % від усіх жителів.

За віковим діапазоном населення розподілялося таким чином: 24,3 % — особи молодші 18 років, 55,6 % — особи у віці 18—64 років, 20,1 % — особи у віці 65 років та старші. Медіана віку мешканця становила 40,3 року. На 100 осіб жіночої статі у місті припадало 98,7 чоловіків;  на 100 жінок у віці від 18 років та старших — 98,3 чоловіків також старших 18 років.

Середній дохід на одне домашнє господарство  становив  доларів США (медіана — ), а середній дохід на одну сім'ю —  доларів (медіана — ). За межею бідності перебувало 24,1 % осіб, у тому числі 32,2 % дітей у віці до 18 років та 14,8 % осіб у віці 65 років та старших.

Цивільне працевлаштоване населення становило 269 осіб. Основні галузі зайнятості: роздрібна торгівля — 22,3 %, освіта, охорона здоров'я та соціальна допомога — 20,1 %, будівництво — 15,6 %.

Джерела

Містечка Флориди
Населені пункти округу Патнем (Флорида)


The apple of love is first a confectionery made of a freshly picked apple, coated with a red caramelized sugar and fixed at the end of a stick. But the apple is also the fruit symbolizing love and it is not only due to its color: red love and passion! Because we lovingly take care of our apples at Vergers Petit et Fils, here is a special Valentine's Day, for the feast of lovers. We present the evolution of the apple, from yesterday to today, as a symbol of love.
The apple is the forbidden fruit in the story of Adam and Eve ... Small reminder! This is the biblical book of Genesis. Adam and Eve are the first human beings created by God and they lived in the paradise of Eden. There is in Eden a tree of life, where a forbidden fruit grows. This forbidden fruit symbolizes "forbidden knowledge" (pretty words disguised to designate sexuality). A serpent, who would be controlled by the devil or even the devil himself, would first convince Eve to crunch the forbidden fruit. She would then have the fruit tasted by Adam. Yeah ... it's the woman's fault that tempts man!
God, in full fury, then chases Adam and Eve from paradise, which then they become mortals. So, as punishment, we are no longer immortal, but we can have a sexuality! Maybe it's not worse than that finally ... God finally decides to post cherubs on the path to the tree of life, to keep access to the forbidden fruits. For those who do not know, the cherubim are small naked children with wings (in other words, little angels). Does not it remind you of the emblem of Valentine's Day?
This story is call the original of sin. The apple therefore represents the sin of the flesh, namely sexuality itself, but also sexual desire. Did you know that originally the forbidden fruit was not explicitly an apple? The variety of the fruit was not specified in the original text. It is an association that has taken place over time, through the interpretation of the Latin language. Indeed, "pomum" means "fruit" in Latin, while "malum" means "apple". An apple tree is therefore a "malus", but "malus" also means a "bad tree". Thus, the correlation was made between apple, evil and sexuality.
Funny, we see how this biblical narrative has influenced several areas of human activity! Adam's apple is also a part of the body that only men possess. Its medical name is thyroid cartilage. It is this characteristic of the larynx that characterizes the serious voice of men (often associated with seduction). But if this part of the anatomy of man is so named in reference to Genesis, it is because history wants that a piece of apple eaten by Adam would have stuck in his throat!
The apple also had its place in art to symbolize love. Several Italian works of the Renaissance represent Venus, the Roman goddess of love, with an apple in her hand and surrounded by Cupid. Did you know that Cupid is the son of Venus? Mythology means that this little naked angel, carrying a bow and arrows, has the power to kindle desire, touching a person, right to the heart with an arrow (or a flower, according to a different version). The person affected by the arrow of Cupid would then fall instantly in love with the first individual encountered subsequently. Phew ... that means it could be anyone!
The Romans have borrowed much from the Greeks, who preceded them in mythology. Thus, the Cupid of the Greeks was named Eros, from which is derived the word "eroticism". His mother was named Aphrodite. Again, there is a link to the adjective "aphrodisiac". As for Cupid, the term "cupido" means "desire" in Latin. Today, this little cliché figure has become the very symbol of the feast of love. It is not uncommon to see stereotypical images of an apple pierced by an arrow of Cupid. So there was a short cut between the apple of Genesis and a God of Greco-Roman mythology.
Closer to our childhood, the universe of Disney also shows us a story where the apple is linked to the notion of love. It is through the tale of Snow White and the Seven Dwarfs that the apple symbolizes once again the temptation. The princess, attracted to the sight of an apple, will crunch in the fruit poisoned by the evil queen and fall into an eternal sleep. Only a true love kiss will break the spell. However, Disney did not invent this story from anywhere, since it borrowed this story from the Grimm brothers, written in 1812. This tale, once again putting a "beautiful savior prince charming" featured, was published for the First time at the cinema in 1937, thanks to the imagination of Disney.


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Cuesta de Santo Domingo, 11 A
This magnificent apartment can accommodate 8 people. It measures 112 m2, has 3 rooms, one of them with a double bed and a private bathroom and the rest have single beds. It has a large living room with exterior windows, a sofa bed and a fully equipped kitchen.
The location is excellent, the Cuesta Santo Domingo is very well connected by public transport with the rest of the city. The nearest metro station (Santo Domingo) is about 90 m away by foot. It is also located 7 minutes away from the most famous Puerta del Sol and the Sol metro station which is one of the largest metro station in the city, has 3 metro lines and Cercanías train stations.
Utilities are included only up to a limit of 100€ (water and electricity)
Partially included
Cuesta de Santo Domingo, 11 B
Cuesta de Santo Domingo, 11 C
Cuesta de Santo Domingo, 11 E
Cuesta de Santo Domingo, 11 F
Costanilla de los Ángeles, 12 - Room #1
Calle de los Caños del Peral, 6 - Room #1
Available Oct, 1 2023
Calle Ciudad Real, 20
Calle del General Pardiñas, 26
Goya, Salamanca, Madrid
Calle José Miguel Gordoa, 5
Chopera, Arganzuela, Madrid
Calle del Doctor Esquerdo, 21
Fuente del Berro, Salamanca, Madrid
Available Apr, 1 2022
Calle de Gonzalo de Córdoba, 15, Open
Available Feb, 15 2022
Calle de Francos Rodríguez, 72
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