text:
Project Development Wind
EPC services wind energy
EPC services solar energy
Solutions with Storage Technology
JUWI Hybrid IQ Controller
Operation & Maintenance Hybrid
Power Purchase Agreements (PPA)
Press releases, blog posts, events and downloads - there's a lot to discover here.
JUWI as an Employer
Active worldwide
JUWI plans solar and wind energy projects worldwide. Our locations are grouped into three regions: EMEA, Americas and APAC.
Asia and West Pacific (APAC)
USA (AMERICAS)
JUWI Global Australia Germany Greece India Italy Japan Philippines Singapore South Africa Thailand USA
We look forward to having a personal conversation with you.
Here you will find the right contact person for your request.
What would you like to contact us about?
Managing Director Greece Headquarters Americas region APAC region EMEA region Jobs Press
Milestones in the history of JUWI
We work for a climate-friendly, secure, independent and economical energy supply. Every day. For more than 25 years.
With passion and confidence
It was a time for energy pioneers when JUWI in Rhineland-Palatinate and Windwärts in Lower Saxony were founded in the mid-1990s. They recognized the potential of renewable energies early on. Much earlier than others. And prevailed against much opposition.
We are now continuing this success story. Under the umbrella of MVV Energie, which has set itself the goal to become #climatepositive by 2040.
For even more good energy
In 2018, the previous majority owner, Mannheim-based MVV Energie AG, takes over 100 percent of the shares in JUWI. A further important impulse for the expansion of renewable energies. In 2019, JUWI reaches another significant milestone and constructs its 1,000th wind turbine with the wind farm in Mohlis (Thuringia). With the construction of two solar parks in Brandenburg, JUWI also completes its re-entry into the German solar business. In 2022, JUWI and the MVV subsidiary Windwärts join forces. With this double load of expertise and a new brand identity, JUWI will be an even more successful enabler of the energy transition than before.
In 2016 JUWI realizes its largest solar plant to date in the company history: the 86 MW Sonnedix Prieska solar plant in South Africa. In 2018, a 135-megawatt solar project in India breaks this company record. JUWI also sets new standards in Australia where the largest solar off-grid project in the world is built in the Australian outback. The 10.6 MW solar plant, which is built to supply power for a mine, also holds a 6 MW battery storage. Many more utility-scale solar plants are realized in the US, South-East-Asia, Japan and in Turkey.
JUWI realizes solar and wind energy projects in new dimensions
In April 2022, JUWI puts Europe's largest bifacial solar power plant into operation in Greece and, furthermore, takes over the operation management and maintenance. The solar park has a capacity of 204 megawatts and is located approximately 500 kilometres north of Athens.
The company is also setting standards in Australia: JUWI is building the world's largest solar hybrid power plant in the Australian outback. The plant to supply a mine includes a 10.6 megawatt solar park as well as a six megawatt battery storage system. JUWI is realizing many other large-scale projects in the USA, South-East-Asia, Japan and Turkey.
In 2016, the Sonnedix Prieska project in South Africa was constructed. It was the largest solar farm in the company's history to date with 86-megawatt. The internal record was broken in 2018 with a 135 megawatt solar project in India.
In Germany, JUWI initially focuses on the development of wind farms. Shortly after the turn of the year 2016/2017, JUWI crosses the threshold of 2,000 megawatts of wind energy capacity that the company has connected to the grid. In 2019 JUWI reaches another significant milestone and erects its 1,000th wind turbine with the wind farm in Mohlis (Thuringia).
In addition, the operational management business plays a very important role: with its modern control room and 24/7 service as well as a globally managed plant portfolio with around 5,000 megawatts of wind and solar energy capacity, JUWI is one of the major providers in the field of technical and commercial operation management.
A focus on core business
The political framework in the home market Germany and in many other European countries deteriorates distinctly. After the reform of the German Renewable Energies Act in 2012, the German solar market collapses. JUWI reacts by restructuring the company and distances itself from marginal businesses in the years to follow. The company ends its B2C, biogas and wood pellet business as well as the development of components. Instead, JUWI concentrates on the development and construction of wind and solar farms and their operation and maintenance. By the end of 2014, Mannheim energy supplier MVV Energie AG invests in the JUWI Group. This partnership stabilizes JUWI sustainably and offers new perspectives for the future.
A reorientation, furthermore, took place internationally. Subsidiaries were closed in Europe and Latin America, while business in the Asia-Pacific region was further expanded with activities in Japan, Thailand, the Philippines and Australia as well as the APAC headquarters in Singapore. JUWI realized a whole range of different solar projects in 2015, including in Japan and southeast Asia, India and the USA.
Rapid Expansion
An era of enormous expansion begins for JUWI. By the end of 2010, the number of employees increases to more than 1,000. In 2008, the company moves to its new headquarters in Wörrstadt, which has to be extended by a second building soon after. The expansion trend is also persistent internationally: activities are launched in Poland, the Czech Republic, Greece, South Africa and India. In 2009, JUWI builds a 50-megawatt wind farm in Costa Rica, the largest wind farm in Central America to date. In the US, a 60-megawatt park is erected in Nebraska.
In Germany, JUWI increasingly builds large parks at complex sites, often in woodlands. In the solar business, the company also enters new dimensions. On a former military training area, JUWI builds the third largest solar farm worldwide to date in the year 2006 with 53 megawatts. Additionally, the company begins to enter new business areas: several biogas and wood pellet plants are built and JUWI begins to work on electromobility. Moreover, JUWI starts to carry out repowering in the wind sector.
A second area of business: Project development in the solar sector
JUWI develops its solar activities to become a second and important area of business. In 2005, several free-field solar plants with a total capacity of approximately 3.5 megawatts are installed. Furthermore, a series of rooftop solar plants are installed. Among them the solar plants installed on the state theatre of Mainz in 2001 and the rooftop plant installed on the stadium of the former German national football league player Mainz at the Bruchweg in 2005.
At the same time, JUWI develops its position as one of the leading specialists for wind energy onshore. In 2002, the company installs its 100th wind turbine. In the same year, the pilot project "energy landscape Morbach" in the Hunsrück region is launched with 14 wind turbines and solar cells with a total capacity of 500 kilowatts. JUWI also commences its activities abroad. In the Breton village of Plouguin, in the north-west of the French seaport Brest, JUWI installs its first wind farm abroad in 2004. Further business follows in the US, Spain and Costa Rica.
Independently from one another, physicist Matthias Willenbacher and agricultural economist Fred Jung began to measure wind conditions at their parents' farms in the Palatinate. After their first meeting, the two men decide to work together and, on December 4th, 1996 they found the company Jung & Willenbacher Windenergie GmbH, later re-branded juwi GmbH.
In 1997, the first wind turbines are installed at Schneebergerhof (Donnersberg region) and three further plants in Spiesheim (Alzey-Worms) follow. Only two years later, JUWI builds the largest wind farm to date in south Germany. Near Alzey in Flomborn, Steten and Ilbesheim the young enterprise installs 19 wind turbines with a total capacity of 19.1 megawatts. In 1999, JUWI enters the solar business and realizes its first large solar plant in the following year, in Kirchheimbolanden.
All business starts with a conversation. Please contact us!
Christian Hinsch
P +49 6732 9657-1201
Silvia Augustin
P +49 511 123573-298
© JUWI 2023


Dead or Alive Xtreme 3's release has been delayed by a month – meaning the title will now release in Japan on March 24th instead of February 25th.
Koei Tecmo have stated that the reason behind the delay is to allow them to further improve the quality of the game.
Although the game is not getting a release in the West, an Asian version with English subtitles is available to pre-order from Play-Asia.
Highly doubt it, at least for the asian english subbed version. Though I will say it's not impossible.
Through third party sellers, most likely. But they may take a while to pop up.


For emerging artists and companies. If you have an unfunded project that you want to take off the ground, instead of money you can trade in goods (we have an 'Annex Shopping List'), exchange skills or volunteer at The Annex. Trade Days are allocated throughout the year.
To get involved with Trade Days subscribe to our mailing list for future dates and add us on Twitter and Facebook for Trade Day updates.


Today be prepared for some over the top inspiration! Maven Janine has pulled out the bold and striking color combo of black, red, and white. Just look at how powerful this layout is. and all that red just pulls your eye straight to the photo. Wow!!!


There are sometimes bottlenecks which reduce the incoming emails, but it shouldn't last days.
When you log into the billing area at myvirgin media - do you see the email address listed on the my profile (scroll down to My services) or manage accounts tabs? I'm trying to ascertain if your email address is properly linked to your virgin billing account.
Hi Miss Pasko, thanks for responding so quickly. That email address appears everywhere in my profile - it's the only service I now use with Virgin. I set this account up years ago when I had Virgin cable, but moved house outside the virgin cable area 14 years ago.
So you DON'T have Virgin broadband service now? Broadband is a requirement for email addresses to be provided. After 90 days, the email service should cease and the email address and storage will be deleted from Virgin's system.
You should take this time to save everything you need from your emails and contact list and start setting up with another (preferably non-ISP linked) email address. There is no time to waste.
edited to add : not sure how you have logged into the billing area?, but maybe a SuperUser or Forum Team member can figure that out!
Here is a link to get you started, but feel free to come back if you have any questions.
I have not had Virgin broadband, TV or telephone for well over a decade, and this has not happened before. Is it odd that I can still log in & send emails ?
Is there a chance of getting it reactivated for a short period, so I can unravel all my connections - I booked flights to the US for me & my family over the weekend, still using that email account, so confirmations never arrived.
I am no expert, but have been reading this forum for a few months. I've gleaned that these orphan accounts (https://community.virginmedia.com/t5/Email/Orphan-Email-accounts/td-p/3492073) are being found and deleted. The access to webmail stops first, then the mailbox is permanently deleted. It is not odd, just read here for a while and you'll see a steady stream of people who are hacked long after leaving, or crying that they need access to the mailbox and it is gone.
But it doesn't matter how long you have been using it - you don't have any rights to do so, as it is reserved for paying customers. The Forum staff will only be able to speed up the deletion in case of hacking.
Thank you for your post. I'm sorry to hear about this.
What you have been advised is correct after 90 days of deactivation of an account any emails address attached to the account should be deleted.


text:
Le Festival des 3 Continents 2021,  du festival, se déroule du 19 au .

Déroulement et faits marquants
Outre la compétition, la  du festival propose des séances spéciales avec entre-autres les films récompensés en 2020 (Moving On et Professeur Yamamoto part à la retraite) et une rétrospective consacrée au studio japonais de la Shōchiku.

Le , le palmarès est dévoilé : le film japonais Contes du hasard et autres fantaisies de Ryusuke Hamaguchi remporte la Montgolfière d'or et le prix du public. La Montgolfière d'argent récompense deux films : Pedro de Natesh Hegde et Shankar's Fairies de Irfana Majumdar.

Jury
 Saïd Ben Saïd, producteur
 Agathe Bonitzer, actrice
 Gaya Jiji, réalisatrice
 Stefano Savona, réalisateur
 Anne Villacèque, réalisatrice

Sélection

En compétition

Séances spéciales

100 ans de la Shōchiku

20 ans de Produire au Sud

Une place sur Terre

70 ans des Cahiers du Cinéma

Premiers Pas vers les 3 Continents

Palmarès
 Montgolfière d'or : Contes du hasard et autres fantaisies de Ryusuke Hamaguchi
 Montgolfière d'argent (ex-æquo) : Pedro de Natesh Hegde et Shankar's Fairies de Irfana Majumdar
 Prix du Jury Jeune : A New Old Play de Qiu Jiongjiong
 Prix du public : Contes du hasard et autres fantaisies de Ryusuke Hamaguchi

Notes et références

Voir aussi

Articles connexes
 Festival des 3 Continents

Liens externes

Nantes
2021

redpajama_set_name: RedPajamaWikipedia


text:
Mutex::Mutex() {

}

Mutex::~Mutex() {
	Mutex::Destroy();
}

ESErrorCode Mutex::Lock(uint32_t timeout) {
	Log::Write(Log::Debug4, "Mutex(%p) | Locking", this);
	return OsMutex::Lock(&mMutex, timeout);
}

ESErrorCode Mutex::Unlock() {
	Log::Write(Log::Debug4, "Mutex(%p) | Unlocking", this);
	return OsMutex::Unlock(&mMutex);
}

ESErrorCode Mutex::ShareWith(Process* process) {
	Log::Write(Log::Info, "Mutex(%p) | Sharing with Process(%p)", this, process);
	return OsMutex::ShareWith(&mMutex, process->GetHandle());
}

void Mutex::Destroy() {
	Log::Write(Log::Info, "Mutex(%p) | Destroying mutex", this);
	OsMutex::Destroy(&mMutex);
}

Mutex* Mutex::Create(const string& name) {
	auto const result = new Mutex();
	const auto error = OsMutex::Create(name, &result->mMutex);
	if (isError(error)) {
		delete result;
		Log::Write(Log::Error, "Mutex | Failed to create a mutex. %s (%d)", parseErrorCode(error), error);
		return nullptr;
	}

	return result;
}

Mutex* Mutex::LoadFromProcess(Process* process) {
	auto const mutex = new Mutex();
	Log::Write(Log::Info, "Mutex(%p) | Loading from Process(%p)", mutex, process);
	const auto error = OsMutex::LoadFromProcess(&mutex->mMutex, process->GetHandle());
	if (isError(error)) {
		Log::Write(Log::Error, "Mutex(%p) | %s (%d)", mutex, parseErrorCode(error), error);
		delete mutex;
		return nullptr;
	}
	return mutex;
}

redpajama_set_name: RedPajamaGithub


Locals in historic Siberian city complain of 'chemical smell' and lack of oxygen.
These startling pictures show the city in what residents call 'Black Sky Mode', prompting an online petition to mayor Edkham Akbulatov and regional governor Viktor Tolokonsky demanding an improvement in the ecology.
Blue skies and bright sunshine are entirely blotted out by the 'veil of pollution' hanging over the city. Pictures posted by local people show a 'dangerous' environmental situation, they claim.
Svetlana Nazarova captioned a picture in her Instagram: 'Soul cry. This is black smog over the city. Those who do not go to the suburbs cannot imagine the contrast.
Officials have failed to explain the sources of pollution, according to some locals. The petition has been signed by more than 12,000 people in the industrial city. Residents constantly feel a 'chemical smell' and the fears is expressed that officials do not disclose the sources of the pollution.
They expressed the concerns that the main sources are local factories, but that no one wants to impose limits on the fumes they pump into the atmosphere, or force the use of new filters. One suspected source of the problem is a landfill where sawdust has been burning for five months at Yenisei Pulp and Paper Mill.
Lately, Krasnoyarsk - a historic city founded in 1628 with a population of 1.04 million - has had typical winter temperatures of below minus 20C.
The only reason California, or any other city in developed countries perhaps has less pollution than before, is because the dirty industry has been exported to places like Krasnoyarsk. Does the industry there manufacture products for local markets?
The tactic of trying to shift blame onto citizens is cheap. If stopping the pollution cuts into profits then so what? Industry doesn't pay for the additional healthcare burden or the suffering of the people, it should pay to clean up it's pollution though.
Dang people. Come to Calif already. We will be glad to shoe you how it's done. Compare pictures from 1958 Los Angeles to pictures from today.
3x the population...yet 1.5% the polution. It was hard. We paid our taxes and aol cooperatef...and did the right thing. Now... (Seriously)... No more polluted days. (!). Join the club...it can be done.
It would be nice if these factories could be brought in to line with worlds best practice regarding pollution.
Its beautiful place and potentially a big tourist destination.
The air looks like Southern California in the 1950's...60 years later, we still struggle with air quality.


It's not Rudolph, but I think the Grand Haven South Pierhead will be enough light for anyone navigating the Michigan skies tonight.
Jerry took this from the North Pier with an Olympus OMD EM5 Mark II with a 40-150 f 2.8 pro lens. View it bigger and see more in his slideshow.


text:
Covid: More than 70,000 NHS staff remain unvaccinated as mandatory jabs announced
Tuesday 9 November 2021, 7:02pm
From April next year all NHS staff will need to have had a Covid-19 vaccine, Emily Morgan reports
More than 70,000 unvaccinated NHS staff will need to get the jab or risk losing their job after the government announced Covid-19 jabs would be compulsory for NHS England workers.
The figure is a government estimate of how many staff in the health service will remain unvaccinated after the grace period ends on April 1 2022.
Exemptions will be given to those who do not have face to face contact with patients and those who are medically exempt.
Health Secretary Sajid Javid told MPs the decision to make Covid-19 vaccines compulsory for NHS staff in England does not mean the government is not sensitive to concerns about "workforce pressures" this winter.
Listen to our coronavirus podcast for the latest analysis
But the government has conceded that the policy could have a "significant impact" on the health and care workforce.
An impact report by the government warns that any reduction in the workforce "may lead to reduced or delayed services", with the NHS already facing a record backlog of care and grappling with high vacancy rates.
Estimates included in the document suggest that around 54,000 unvaccinated staff will take up the offer of a jab as a result of the policy.
Sajid Javid is adamant this plan will work but how right is he? Emily Morgan breaks down the government's thinking
Mr Javid told MPs the take-up throughout the NHS in England is 93% for the first dose and 90% of have had both doses. He also said it would cost £270m to replace any lost staff.
Mr Javid said due to the impact on the workforce the new rule would not come "until 12 weeks after parliamentary approval, allowing time for remaining colleagues to make the positive choice to protect themselves of those around them, and time for workforce planning."
"Allow me to be clear that no one in the NHS or care that is currently unvaccinated should be scapegoated, singled out or shamed. That would be totally unacceptable," the health secretary added.
Sajid Javid was making a Covid-19 update statement in the Commons.
There will not be any vaccine requirements for flu jabs "at this stage", but this will be kept under review, Mr Javid said.
He added that healthcare workers have "twin responsibilities", one to avoid preventable harm for those they care for, as well as to protect colleagues in the NHS.
The rule change only applies to England, the other three nations of the UK are in control of the decision and only Northern Ireland has so far indicated they may follow suit.
Unions have expressed some resistance to the proposals.
Health minister brands PM a 'hypocrite' over mandatory NHS staff vaccines
No jab, no job policy will see 'exodus' of care home workers, say unions
Unison head of health Sara Gorton warned it is wrong to "leap to the law" by bringing in mandatory vaccination instead of trying to persuade NHS workers to get jabbed.
"Mandatory jabs in social care have prompted an unprecedented staffing crisis," she said. "The government should be careful not to make the same mistake twice. It should also consider practical alternatives like daily testing."
The Royal Pharmaceutical Society (RPS) said it is "concerned" about the policy, and said the ethical implications regarding individuals' right to consent to treatment "will need consideration".
It also puts those delivering jabs "in a difficult position", as consent is a "fundamental principle of good healthcare", it said.
Andrew Goddard, president of the Royal College of Physicians, said it is essential that getting vaccinated "remains a free choice for all health and care staff".
The government has made it mandatory for staff in registered care homes in England to have both jabs as a condition of deployment, unless they are exempt for valid medical reasons.
From Thursday, it will be a legal requirement for staff who are not exempt to be double vaccinated if they are to continue in their roles.
Latest figures from NHS England show that almost a quarter (23.3%) of staff working in younger adult care homes and domiciliary care providers have not been reported as having had both jabs as of October 31. This is a total of 116,871 staff.
'Carers feel like they're being punished' ahead of mandatory vaccine deadline
Tens of thousands of care home staff were not recorded as having been double jabbed as of October 31, meaning they are set to lose their jobs this week, according to the NHS figures. Some 60,964 staff had not had a second jab reported as of the end of October, with several thousand of these understood to have self-certified as exempt or applied for official proof.
A consultation on making vaccination a condition of deployment in the health and wider social care sector ended on October 22.
Scotland, Wales and Northern Ireland have not yet made any proposals to make Covid jabs compulsory for NHS workers or care home staff.
Do mandatory Covid vaccines mean I can be fired if I don't take the jab?
Care sector facing its worst ever staffing crisis, survey for ITV News finds

redpajama_set_name: RedPajamaCommonCrawl


An IACET Accredited Provider delivers value every step of the way—from the self-study process to the ongoing credibility communicated in the marketplace.
Any organization can host a learning event. But it takes true commitment to become an accredited provider of IACET Continuing Education Units (CEU).
In the world of continuing education and training (CE/T), IACET stands for "best in class"—and IACET accreditation puts you ahead of the game.Your reputation benefits from affiliation with the ANSI/IACET Standard. By going through the rigorous application process for your IACET accreditation, you have demonstrated your organization's commitment to continuing education and training excellence. Meanwhile your employees, students, customers and other participants of your training events get the best return on investment.
Permission to use the IACET AP logo and approved IACET statement in your marketing materials.
With IACET, the journey to accreditation is as valuable as the destination. Our thorough accreditation application process is guided by the ANSI/IACET Standard for continuing education and training and the latest best practices in adult learning.
You benefit from a comprehensive audit of your organization's training program by a Commission of professionals from across the United States. At the end, you'll have a framework for continuous improvement, from managing your professional training events efficiently to developing the best possible learning programs.
After achieving AP status, you join a select community of organizations that share your commitment to educational rigor, excellence and integrity. IACET accreditation connects you with a network of CE/T peers through exclusive webinars and IACET's bi-monthly eNewsletter.


Change was very much the order of the day in that time in our country's history.
Wasteful government spending seems to be the order of the day.
What made you want to look up order of the day? Include any comments and questions you have about this word.


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text:
Playtonic Forums
Keep your hands and feet inside the vehicle at all times.
Board index Playtonic Past Glories
In-Depth Banjo-Kazooie Review & Analysis
Reminisce over some of the past wares you remember fondly.
Veegie
Contact Veegie
Postby Veegie » Thu May 21, 2015 6:42 pm
Hi all! Like most people here, I grew up with the Rareware collectathon games. While I'm definitely looking forward to Yooka-Laylee, I felt it would be a good idea to step back and re-examine the "big three" (so to speak), those being Banjo-Kazooie, Tooie and Donkey Kong 64, from a more critical and analytical perspective. I finished the first of these a few days ago and felt I should share it, so here it is:
Yavga
Re: In-Depth Banjo-Kazooie Review & Analysis
Postby Yavga » Thu May 21, 2015 7:44 pm
I'll watch it tomorrow and let you know what I think of it
Stop picking your nose
Postby Yavga » Fri May 22, 2015 8:08 pm
Very nice intro, Your voice is easy to listen to and goes in total sync with the gameplay you are showing.
From that point it is clear that this is a well done review.
The intro is indeed very well performed, as you say. being able to skip things or learn them it's all up to the player. This also continues in the first world Mumbo's mountain. The pace is steady and the rocky path in this level is really convenient as it leads to the first move you'll learn. Climbing steep slopes, which can be used to progress further in the main area.
At 8:00 you mention that the animation of obtaining a jiggy is rewarding in the beginning. But after 70~80 jiggies is becomes 'dull' and according to your calculations it takes (from this point on) ~5 minutes of gametime for all those animations together. I never really experienced this as dull, I think because Jiggy's are the main collecting pieces it stays rewarding to the very end. deserving of the small animation. Which implies you've just 'accomplished' something good. Especially because around ~80 jiggies you're probably seeking out the last jiggies / the more challenging ones that were missed. It adds character to the game.
Putting the bull at the very beginning of the level annoyed me, but then again it kinds intrigued me, I think I stood around for half an hour trying to kill that thing, it was a nice target practise and also an easy way to learn how to avoid being attacked. Giving the player a chance to practise evasive movement at their own pace.
I agree on the mumbo token part, needing all tokens in the first level before being able to get introduced to the transformation magic was not the best way to introduce this mechanic. (seeing that in other levels you needed less tokens as you say)
On to the notes, only when leaving the level you are being told you can not collect them further but rather... You'll have to collect all of them again. An oversight yes, but to new players in this game... they couldn't care less when they just started the game. They weren't planning to get them all in the first go anyway. That's a challenge you'll tackle later.
Many people will disagree with me but I think this all adds to the challenge and difficulty of the game.
You'll have to get them all in one go, failing to find several can be frustrating but then again gives a chance to pick up a piece of paper and start jotting down hints for yourself where to find them the next time. Making it that more rewarding to get the 100 note streak. Alsom it gave players a reason to come back to a level.
Treasure trove cove was a step up from Mumbo's mountain, with the path splitting in 3 ways, giving the player a choice to explore. This was done right. Also you mention that in the beta you basicaly could fly from any point on, but later the flight paths were introduced. I agree that it is better this way.
Camera control was done right, like SM64. With a few additions, which made it even better. It felt less 'digital' then SM64
I totally agree on the part where you talk about how this game satisfies as 'platformer' without using many traditional platforming elements. Only in a few instances these are met (Clanker, Rusty Bucket Bay engine room) Still I remember this is also something I wished to be more in the game, the thing that I liked about SM64 more. Challenging gameplay that is. Yet in the end Banjo-Kazooie was very VERY enjoyable experience.
and you're right on the part where you say that this this kind of gameplay that BK utilizes invites the player to keep on the move, without coming to a complete halt to plan things ahead. This was the case in SM 64, where by making mistakes in control you were punished more. BK manages to feel much smoother on this part.
Hazardous terrain... A minor issue you have with it is that while coming into hazardous terrain for the first time the player does not know this for the first time. As there is no indication of this. Well... I couldn't care less It's fun to be surprised once in a while and by making this mistake once you'll definally don't make this mistake a second time. I think Rareware did this on purpose, as they added a small speechbubble for every hazardous type of terrain. Basically inviting the player to make this mistake only once, I mean... a swamp's a swamp, if I were to find a swamp in real life I'd watch out. Not everything has to be straightforward from the beginning.
I agree with the transformations, they fell a bit short. They could have been deepened a little. I remember thinking this after I've completed the game.
Colour utilizing was a strength of this game, agreed.
So far, part 1
I see you've really taken your time making this review, congratulations You did very well and seem very devoted. I like your review! While I do not agree on every point, you noticed things that I never thought about in the first place. Only now do I know how much time and effort is placed in everything.
About your last statement about Banjo and kazooies colors: You say that because there were 3 primary colors in the character design(Brown), red, blue, yellow) In every level one part stood out. I think you're right there.
But seeing Yooka-Laylee now (Purple, red, green) how do you think this will work out?
I will watch part 2 tomorrow and let you know how I think of it
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Past Glories
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in the ways she should go.
this one. You are my angel.
to any slave who would travel.
to the tree blooming with blood and pulp.
on roots and a few berries.
In the end, even his color left him.
never cleaned from his cell.
They said the smell was unbearable.
to free their barbaric flesh.
miles to cradle what was left.
Alone, Sarah rests in a Quaker boarding house in Philadelphia before sailing home. Aboard ship is a middle-aged businessman named Israel Morris who comforts the grief-stricken young woman with conversation. At parting he presses into her hand the journals of American Quaker, John Woolman. Back in Charleston, Sarah struggles to find a way to re-enter her world. A visit to the Morris family in Philadelphia in 1821 stretches out for years. In 1829, her sister Angelina joins what has become Sarah's exile in the North and her spiritual quest. . . .
to sail beyond your ken.
to right this wrecked Eden.
of God in the breast of men.
and how it walks so close by sin.


Opened in 1932, this museum was created at the urging Joaquín Sorolla's widow, and it occupies the former residence of the painter and his family.
The Sorolla Museum is located in the Madrid district of Chamberí. Opened in 1932, this museum was created at the urging Joaquín Sorolla's widow, and it occupies the former residence of the painter and his family. The Sorolla Museum boasts the largest collection of the artist's works (paintings and drawings) of any museum, most of which came from donations by his widow and children, while the rest of the collection was provided by acquisitions made by the Spanish Government since 1982.
Joaquin Sorolla was a painter who spanned all genres, but he is best known for his paintings depicting scenes of everyday life (especially beach scenes). In addition, in the Sorolla Museum, you can find some of the original furnishings of the building, and other collections that Joaquín Sorolla amassed himself during his lifetime. For example, he collected a number of sculptures, ceramics and Spanish jewelry.


text:
Home Technology Taking Sex and Love to the Next Level: Artificial Intelligence
Taking Sex and Love to the Next Level: Artificial Intelligence
What will the technological revolution bring to our relationships? Fake love, of course, and without the repercussions of getting hurt.
anonwatcher
From the earliest human tribes, reproduction was the natural and desired outcome of status and success. Put simply, if you were accepted in the tribe, stayed alive and were fertile, you mated and had offspring. This was perceived, obviously, as success in both a literal and symbolic sense. If you and others like you mated, your tribe survived and your lineage carried on.
Now the West in particular is in the grip of a self-defeating mindset and record-low birthrates. It's a culture in which a childless 31-year-old man who owns a BDSM sex shop celebrates getting a vasectomy with a photoshoot. Europe and North America are now places in which birthrate growth comes mainly from Mormons, Hispanics, Muslims and Orthodox Jews.
Fecundophobia reigns supreme in the media and academe. Traditional families are ostracized. Alternative gender and other identities are championed at the expense of what was formerly considered healthy and normal only decades ago. Religion is screeched at as a vehicle of oppression, with no alternative other than depressing, libertine individualism offered in its place.
In the litany of reasons listed from the left and the right for the increasingly sense of malaise in Western countries, one undeniable linking factor is the demise of group unity and purpose, and its former corresponding drive to reproduce and have large families.
Social engineers and elites in the West continue to push to make it more financially difficult to have a traditional family and legislate the family as being whatever the state says it is. The powers-that-be give a pass to the loathsome popular media that poisons the people with sexually immoral, drug-promoting degeneracy. Video games increasingly feature bizarre, mind-bending content about humanoids, cyborgs, thought control and demonic possession. Popular films are rife with insane content that wouldn't have been imaginable a century ago, even in an erstwhile much more violent and prejudiced time. Leading social and governmental figures pass through the revolving door of an academic and media world full of adherents of bizarre gender and racial theories that confuse and victimize, setting women against men, and husbands against wives.
Where does it all lead?
To men screwing female sex robots with realistic, lifelike vaginas and taking them out on dates with their mates. Lonely men can just forget the whole shebang, and everyone else can try to forget how sad it is that we live in a world where people in rich countries are having sex with plastic. Marriage to their robot could even be in the cards. "Robot marriage equality!" the robot-addicted crowd shall one day scream on at the old-fashioned among us.
Maybe next these men of the future will raise a family together through some kind of test tube babies with their Silicon sweetheart, after having a go at her "Silicon valley," which could be implanted with an egg from a human female donor. Once robots are advanced and a man gets tired of his, or wants a divorce, maybe custody will be decided by a robot judge designed by Mark Zuckerberg's grown-up child. Maybe the anti-depressants will just be on some kind of auto-feed system to make sure nobody gets too depressed about the whole thing. Hey, who needs to give or receive love? Let's just lock ourselves in for the weekend and pretend we're both real.
Why form relationships or give love and risk being hurt? Why try to negotiate the difficulties between the sexes and the growth that can come from trying to work through things? Just order a sex robot and fall in love with it, right? What is reality, anyway?
It's nihilism that would make Nikolai Gogol blush.
The social engineers and idea makers have a Luciferian vision, and if more people don't wake up, it looks like it's going to take place.
They envision a world where they are in charge of the buttons and bumpkins, a Westworld writ large, but borderless and meaningless except as a slave farm for their furtherance. A crashing mediocrity of genderless or mixed-gender automatons, deracinated from place or history, consuming a sickening global monoculture that's all about satisfying any immanent desire or emotion. They envision worker bees shuffling about their tasks, and then plopping at home to consume television and listen to whatever the government news tells them. The elites envision passive consuming cows who are mentally dazed and temperamentally cowed sitting bowed over their touchscreens in a stupor, typing love messages to robot prostitutes and subhuman colleagues, clicking content hypnotically as they blink periodically. They envision designer babies produced in labs to be single-minded, fully-compliant soldiers, lawyers, cyborgs, teachers. They envision a world that would make George Orwell and Aldous Huxley look naïve.
In the future it might not be surprising to hear someone say they are "40 percent Microsoft, 60 percent human."
The future of civilization and humanity itself may, to quote T.S. Eliot, end "not with a bang but a whimper."
Well, it apparently may involve "banging" of sorts, too, depending upon the plasticity of your definition.
Robot love is bad, o'kay. Leave the machines and rediscover your humanity. We should all try to love and help each other before it's too late.
This article (Taking Sex and Love to the Next Level: Artificial Intelligence) is a free and open source. You have permission to republish this article under a Creative Commons license with attribution to the author and AnonHQ.com.
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Davy December 26, 2016 at 9:54 pm
What a load of crap.
Tom December 28, 2016 at 3:54 pm
You randomly call out mormons for the cause of rising birthrate? Dude, Mormon's use birth control… Obviously this is just a hack clickbate article to line your pocket with some extra cash; or perhaps you need to save up for a $12000 doll lol!
george January 1, 2017 at 9:42 pm
Certainly a strange article. Most neophobia. Raging against what cannot be stopped: sex with robots. Deal with it. Most people function on a barely human level anyway. A robot sex partner could be as good as a dog or cat: they don't talk back.


disclaimer: I was a guest at the dinner.
I feel like I start an awful lot of blog posts off with "XYZ has been on my to-do list for ages". It makes me sound like I never get out and that I'm always a mile behind all the latest places to go.
The fact is that I should be confessing that I am pretty lazy and inclined to put off visiting places that require a bit of logistical forethought. And anywhere in North Adelaide almost always falls into this category because the parking can be horrendous. I do have a couple of secret squirrel parking spots, but I'm not divulging them here.
So while it's true that the Curious Squire has been outstanding on 'the list' for quite a while I don't have a good reason for not having been there. And when I was invited along to the new menu launch I was very keen to go.
The Curious Squire sits on the corner of O'Connell Street and Brougham Place, in the large space that was once occupied by the original Cibo (and then Sparrow). It's a generous space, with an outdoor area and, in its current format, is unrecognisable from the Cibo days (the last time I was there!).
While the Curious Squire opened in late 2012 and has always had an American themed menu, it was only a few months ago that it welcomed a new head chef, bona fide American Drew Akin. Drew comes from Birmingham, Alabama and has overhauled the menu into an intensely personal and faithful representation of the food of the deep south. So faithful that the Curious Squire's courtyard is now home to Gertrude, a one tonne Yoder smoker that was specially imported.
Our meal started off with chit chat and beers, iced tea or lemonade (nothing fizzy – house Omade from lemon juice and a simple syrup). The lemonade was amazing and while I'm not sure if it's a regular on the menu, I recommend trying it if you spot it. For the record, the beer focus is James Squire (surely the clue there is in the name) and the wine list is short but solid, with all wines available by the glass.
Then the food started coming out. We knew the kitchen was showcasing its wares but my, we had no idea exactly how much food would be coming out.
The trio of dips, served with corn chips, was first cab off the rank. Of the three (spinach and artichoke, queso and tomato salsa) the queso was, for me, the definite winner. Topped with some candied chilli, it was a soft, warm oozy cheese, sitting somewhere between fondue and cheese toastie.
My focus on the dips was very quickly stolen by the chicken 'buffalo' wings, doused in a hot sauce and served with ranch dressing on the side. Oh my goodness – these were delicious. I ate a truckload of them, completely unmindful of the fact that even more food was yet to come. I love spicy food and while I have no doubt that some people may find these too hot or too messy, they were the perfect thing to eat on a cold night.
While I was packing away chicken wings, the cheesy chips were brought to the table. I wasn't really that bothered by these (there were still chicken wings to eat, ok?!) but around me it seemed that most people had just discovered the best thing since sliced bread.
After this we moved on to a succession of sliders – pulled pork, smoked chicken and Texas style brisket. These were all distinctly different and are available as individual meats, burgers/sandwiches or as a trio of sliders.
By this point, the staff could see that the pace of eating was slowing considerably and so gave us the option of trying some of all of the meats or just the pork ribs. Thankfully, sanity prevailed and just the pork ribs came out with a platter of all the sides that the Curious Squire offers, as well as some still warm cheddar and garlic biscuits (that's scones). The sides seemed to really split the people around me. My favourite was easily the collard greens while the baked beans I found too sweet. Yet opposite me, the feeling was that the baked beans were the best thing on the plate with the candied sweet potato a very strong contender.
Drew explained to us that the ideal rib in the American south is NOT a soft, fall off the bone event (you'd be disqualified if you served that up at a bbq competition) but is rather something with some texture and chew to it – think baked ham. Because the rib is more highly prized than the belly the butchery of the pig is also somewhat different and so Drew has worked with his supplier to ensure that his ribs are delivered with that bit of belly meat attached.
The meat was amazing – easy to handle and delicious. And while it was not falling off the bone, it was tender. The Curious Squire will dress you up with an enormous bib but, to be honest, I didn't find them messy to eat at all.
The meal wrapped up with some peanut butter pie which somehow I managed to eat about half of, despite not being a fan of peanuts and being full to bursting. Even the non sweet tooths at the table were impressed by this.
We finished the evening with a quick visit to Gertrude before heading off, not really needing to eat for another week.
I left incredibly full and impressed. Drew's enthusiasm for his food really shines through. Every dish on the menu has a a story – from the jerk chicken he learnt on a beach while on holiday through to the peanut butter pie which is his grandma's recipe.
As far as I'm concerned, I'd head back in a heart beat and would need nothing else to eat than the wings and ribs (which, happily, are available on the menu in concert in a Yoder platter, ideal for sharing). While this might not be every day food, it is fun food well done.
If you're looking for a casual meal I would definitely recommend The Curious Squire. While the team did a brilliant job of catering for a vegan at the dinner, the menu is very meat focussed so head along with a group of protein seeking friends who perhaps don't mind getting a little messy.
And … try the wings. If you head in before a football game you can buy them for just 50c a pop!


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The Black Mirror: Bandersnatch and Choose Your Own Adventure Lawsuit Is Finally Over
Beth Elderkin
Fionn Whitehead in a scene from 2018's Black Mirror: Bandersnatch.
Image: Netflix
"If you'd like to end the lawsuit, turn to page 93." Netflix has reached a settlement with children's book publisher Chooseco LLC over trademark issues with its 2018 interactive special, Black Mirror: Bandersnatch, bringing the saga to a logical if unsurprising conclusion. I mean, come on, there wasn't even a surprise snake pit.
According to the Hollywood Reporter, both Netflix and Chooseco LLC revealed during a status conference with U.S. District Court Judge William Sessions III that they had reached a settlement over Black Mirror: Bandersnatch. No further details about the nature or amount of the settlement have been revealed.
We May Never See All of Black Mirror: Bandersnatch
Black Mirror: Bandersnatch is a 90-minute interactive film that boasts many twists, alternate…
The Emmy Award-winning feature, about a video game developer who becomes obsessed with his creation, blurred the line between a cinematic and video game experience by letting players choose where they wanted the story to go. However, Chooseco LLC was quick to file a trademark lawsuit, pointing out the movie's similarity to the long-running Choose Your Own Adventure book series. There's even a reference to the books in a scene between the main character and his father.
Netflix tried to get a federal judge to dismiss the case on First Amendment grounds earlier this year and also sought to get Chooseco LLC's Choose Your Own Adventure trademark cancelled, saying that the phrase had become too generic and widespread. Both of those efforts failed and Chooseco LLC still owns the trademark. However, Netflix continues to release interactive specials in a similar vein to Bandersnatch—including Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend, Carmen Sandiego: To Steal or Not to Steal, and Telltale Games' Minecraft: Story Mode.
Black Mirror: Bandersnatch is available to watch and play on Netflix.
Charlie Brooker Basically Just Told Us We're All Too Depressed for Black Mirror
In a recent interview, Black Mirror creator Charlie Brooker expressed an undeniable fact: Now is…
io9Sci-Fi


"Gwen and Blake are longtime friends who have very recently started dating," Stefani's rep said in a statement. There are reviews for this business.Be the first to leave a review! This business has no complaints filed Share your experience Miranda Lambert: Things you didn't know Miranda Lambert has come a long way from tiny Lindale, Texas. The Customer Review Rating percentages are based on the total number of positive, neutral, and negative reviews posted.
. "The only reason their divorce hasn't been finalized yet is because Staci is fighting with him over money." In short, the friend said, Shelton needs to cut Lambert some slack. After learning about the "affair," she said she "had no other choice but to file for divorce," an insider told Us Weekly. "Evan told her his marriage was over from the get-go," Lambert's friend confirmed to Life & Style this week. Shelton never clarified whether the post was specifically targeting Lambert, though fans certainly believe that was the intent - with dozens weighing in on the pair's rocky breakup. That can't make Gwen feel good." Fox News' Sasha Savitsky contributed to this report. "Blake's tweet shows he still has very strong feelings about Miranda," the friend added. Dating for hippies. G dating site. "For Blake to throw shade at Miranda is bulls--t," a close friend of Lambert told Life & Style on Wednesday. Been taking the high road for a long time. At the time, "The Voice" costars claimed they weren't dating, though they appeared at several red carpet events together. "It's like he's been fixating on her ever since they split. Miranda Lambert is reportedly furious at her ex-husband Blake Shelton for "calling her out" for carrying on a relationship with a married man, when he dated Gwen Stefani before her divorce was finalized.
. Someone should write a country song about this. "For Blake to throw shade at Miranda is bulls--t." - Miranda Lambert's friend tells US And while Lambert has yet to respond to the online jab, her friends are calling Shelton a hypocrite.
10 Fascinating Facts About the Evolution of Dating and.


It bothers me that Greg diPiazza isn't famous. It could be that I'm a hopeless optimist, or perhaps I'm living just this side of naivety. Maybe I've been duped.
I'm talking about the good, old American dream. You know, those romantic nuggets of wisdom that suggest that if you work hard enough you can achieve anything? Do what you love and the money will follow? You can be anything you want to be?
DiPiazza has been living his dream for a long time. His bio reads like a who's who of the music industry: h's worked with the Red Hot Chili Peppers, opened for the Grateful Dead and Willy Nelson, recorded and performed with Steve Ferrone from Tom Petty and the Heartbreakers. He was hand-picked to record songs and tour with Cassandra Denver, wife of the legendary John Denver. It isn't lack of talent or drive that has left him less than famous.
Nor is it lack of effort. In his Orange County days, diPiazza formed several bands that played high-profile gigs around LA and wrote multiple songs that got airplay on the local rock radio stations. He's been up to pretty much the same thing for about 20 years on Maui, too. Over the years he's formed local bands Volcano Jones and Twisted Fisherman with some of Maui's elite musical talent, and written and recorded multiple CDs.
For his new project, Maui Underground, diPiazza has written music for two albums, which he performs with jazz saxophonist Paul Bunuan and flamenco percussionist Indio. The music on Maui Underground 2008 varies a lot; some of the songs are funky Latin dance tunes and others have a smooth, bluesy jazz sound and disarmingly emotional lyrics. On every track, diPiazza's experience and attention to detail, along with his skilled composition and mastery of his instruments—the guitar, keyboard and vocals—shine with the brilliance of a man who has followed his passion with unwavering resolve.
I met up with him to debunk some of my idealistic assumptions about fame, success and the pursuit of a music career, and to talk about his latest album.
You've been writing and recording music for a while. Do you ever get tired of it?
I've been addicted to music for a long time. It's something that builds up in me—it builds up in your system and it eventually has to be released. In some sense, it's frustrating. It's not an easy road to support yourself as a musician on Maui and I donrecommend it.
Isn't it even more frustrating to never really "make it big" in the industry? Didn't you want to be famous?
Sure, I wanted to be famous. It's funny—I've played with world class musicians and everybody that plays with me seems to get signed to a record deal. But that's not the only reason I make music anymore. I've been tested a lot in my life, but I think my day will come eventually.
It seems like it would be really hard to build a serious music career on Maui. What made you relocate out here?
That's not necessarily so. There are a lot of amazing musicians on Maui; take Vince Esquire for example. The guys I work with now are so incredibly professional. They're the only one's I play with now. I've personally been "discovered" three times on Maui. I'm happy on Maui and I don't want to be on the road anymore. I tried to leave and live in a mansion in Malibu; it didn't work for me. There's a healing energy here.
OK, so you've never gotten that "big break," but you're still happy as a clam. As a working musician, how do you measure success?
Success is measured by how you feel every day. If you wake up and you're happy then, yes, you're successful. I'm happier than I've ever been.
Right, so it's just me over here being all worried about trivial things like fame and fortune. I get it. Back to the music. What can people expect from you?
If you listen to my music you'll see it's pretty mainstream. You could hear it on the radio right now. My sound adapts a lot and I write from a rhythm.
What were your inspirations for the latest album?


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Colin Potter started making unusual music in the early 1980s. He was part of the 'DIY or tape underground' which flourished at the time as an alternative to mainstream music. In 1981 he set up the ICR label and IC Studio which are both still thriving after over thirty-five years. He developed a reputation for innovative mixing, sound processing and production and has worked with artists such as Current 93, Fovea Hex, Ora, Organum, Andrew Chalk, Jonathan Coleclough, Sol Invictus, Monos and many more, most notably with Steven Stapleton on numerous albums by Nurse With Wound.
In 1999 he started to perform live and since then he has been playing solo shows all overEurope and the US. He was also instrumental in persuading Nurse With Wound to return to playing live shows in 2005 and since then he has played with them at many venues and festivals all over the world. His performances feature live remixing of a multitrack recording along with sampling, electronic and acoustic devices with intense sound processing and propagation. A recent series of reissues of his early work (on Deep Distance and Sacred Summits) has led to an upsurge of interest in his music by a largely new audience. New material and several more early works are being released on vinyl and CD over the coming months.


One of rugby's finest assets is how respect for officials gets engrained in players from the moment they first take up the sport. Addressing a referee as "sir" is not a juvenile trait – it's a proud habit that stays throughout a career. Sadly though, the television review process has put this culture in danger.
Friday night at Franklin's Garden's should have been a firecracker. The meeting between Northampton Saints and Harlequins – two sides with Test quality – had all the makings of a compelling tie.
Everything started to plan. Both teams sparred skilfully during a fast-paced opening. That the first half descended into an avalanche of scrum re-sets was not the fault of referee Greg Garner. His primary job is to ensure player safety. The muddy surface made that tough. A stunning finish from George North sparked proceedings after the break, Quins fanning out to chase the game in typically attractive style. With less than 20 minutes to go, Ben Botica clawed the visitors back to 13-9 behind.
Then came the incident that encapsulated everything wrong about television match officials.
North returned an iffy clearance and was smashed by a seismic Joe Marler tackle, sparking a turnover and two separate bouts of handbags in plain view of the touch judge Paul Burton. Courtney Lawes swung an elbow at George Robson, while Salesi Ma'afu aimed an open palm onto Will Collier's chin.
Meanwhile, exciting Northampton full-back Tom Collins launched a counter by chipping over Tim Molenaar, getting body-checked on the chase. From five metres away, Garner saw nothing untoward. A fractured passage of Quins attack continued, ending only when Calum Clark won a penalty for holding on. Spectators, stoic early on, were stirred into frenzy.
Garner halted play and asked TMO David Grashoff for a look at Molenaar's challenge. Moments went by. Vociferous cries of "off, off" from the 13,475 crowd morphed into a slow hand-clap.
Numerous replays later, Garner decided to overrule himself (which must feel rather strange) and award a penalty for Molenaar's challenge. But we weren't done. Rather than seek the opinion of his assistant Burton – stood spitting distance away from the melee – Garner required a viewing of the scuffle between Lawes and Robson. To complete the farce, Grashoff reviewed Ma'afu's slap, just for kicks. Keeping up?
Neither exchange was deemed illegal enough to warrant a penalty, so after around ten minutes, freezing cold Saints supporters watched Stephen Myler extend the hosts' lead from the site of Molenaar's obstruction. But the encounter had gone flat.
At the Premiership launch, Mark McCafferty announced that each of the competition's 135 matches would have a TMO – not only to review questionable instances up to two phases before a try, but also to look at potential foul play as part of an IRB trial.
Wonderful news, we thought. Not any more.
Over-reliance has crept in. Not universally, granted – Luke Pearce's performance during Gloucester's defeat to Saracens on Saturday was excellent. But it seems on the whole that on-field officials would rather take chunks of time to 'go upstairs' than trust their initial (usually accurate) judgment. Touch judges are almost obsolete. They may as well be tracksuit-clad replacements from either team – it's good enough for the grassroots game.
The problem is not restricted to England's domestic scene. Ulster's Pro 12 win over Munster on Friday saw Alain Rolland, renowned for rapid decisiveness, spend an age asking his TMO to observe alternative angles. Then he made a pivotal call without help, controversially adjudging Munster to have been held up over the line in the dying moments.
Nobody is disputing how hard the job of a professional referee is – quite the opposite. Spurious review sessions encompassing each decision and non-decision in every game are supplemented by an arduous physical training schedule. With rocketing financial rewards, there is more pressure to get things right. The growing influence of a TMO is not always making that easier, though. Time is money, and lulls in action to deliberate over flat passes and rabbit punches are damaging a valuable product.
Head back to Franklin's Gardens for the final exchanges. George Pisi fired in on a one-man blitz and almost took Matt Hopper's head off. Garner – on the spot again – calmed the situation down admirably and contacted his TMO. Approximately 20 rewinds later, a savage swinging-arm to the face had inexplicably drawn a yellow card on Grashoff's recommendation.
Occasional human error in the heat of the moment is excusable. It can even enhance the drama of a match. Blunders are far less tolerable when television replays have caused a thumb-twiddling spell beforehand.
A post-match tweet by Nick Easter that suggested Saints coach Dorian West had influenced Garner was rather naughty, but it was also symptomatic of disillusionment with the TMO system and growing animosity towards referees as a consequence.
Give decision-making sovereignty back to officials and their touch-judges so everyone can start respecting them again.