text:
// Copyright (c) Microsoft Corporation. All rights reserved.
// Licensed under the MIT License.

using System;
using System.Collections.Generic;
using System.Xml;
using System.Xml.Linq;
using Azure.Core;

namespace Azure.Messaging.ServiceBus.Administration
{
    ///
    /// Represents the static properties of the queue.
    ///
    public class QueueProperties : IEquatable<QueueProperties>
    {
        private TimeSpan _duplicateDetectionHistoryTimeWindow = TimeSpan.FromMinutes(1);
        private TimeSpan _lockDuration = TimeSpan.FromSeconds(60);
        private TimeSpan _defaultMessageTimeToLive = TimeSpan.MaxValue;
        private TimeSpan _autoDeleteOnIdle = TimeSpan.MaxValue;
        private int _maxDeliveryCount = 10;
        private string _forwardTo;
        private string _forwardDeadLetteredMessagesTo;
        private string _userMetadata;

        ///
        /// Initializes a new instance of QueueProperties class with the specified relative name.
        ///
        /// <param name="name">Name of the queue relative to the namespace base address.</param>
        internal QueueProperties(string name)
        {
            Name = name;
        }

        ///
        /// Initializes a new instance of QueueProperties from the provided options.
        ///
        /// <param name="options">Options used to create the properties instance.</param>
        internal QueueProperties(CreateQueueOptions options)
        {
            Name = options.Name;
            LockDuration = options.LockDuration;
            MaxSizeInMegabytes = options.MaxSizeInMegabytes;
            RequiresDuplicateDetection = options.RequiresDuplicateDetection;
            RequiresSession = options.RequiresSession;
            DefaultMessageTimeToLive = options.DefaultMessageTimeToLive;
            AutoDeleteOnIdle = options.AutoDeleteOnIdle;
            DeadLetteringOnMessageExpiration = options.DeadLetteringOnMessageExpiration;
            DuplicateDetectionHistoryTimeWindow = options.DuplicateDetectionHistoryTimeWindow;
            MaxDeliveryCount = options.MaxDeliveryCount;
            EnableBatchedOperations = options.EnableBatchedOperations;
            AuthorizationRules = options.AuthorizationRules;
            Status = options.Status;
            ForwardTo = options.ForwardTo;
            ForwardDeadLetteredMessagesTo = options.ForwardDeadLetteredMessagesTo;
            EnablePartitioning = options.EnablePartitioning;
            if (options.UserMetadata != null)
            {
                UserMetadata = options.UserMetadata;
            }

            if (options.MaxMessageSizeInKilobytes != null)
            {
                MaxMessageSizeInKilobytes = options.MaxMessageSizeInKilobytes.Value;
            }
        }

        ///
        /// Name of the queue relative to the namespace base address.
        ///
        /// <remarks>Max length is 260 chars. Cannot start or end with a slash.
        /// Cannot have restricted characters: '@','?','#','*'</remarks>
        public string Name { get; }

        ///
        /// Duration of a peek lock receive. i.e., the amount of time that the message is locked by a given receiver so that
        /// no other receiver receives the same message.
        ///
        /// <remarks>Max value is 5 minutes. Default value is 60 seconds.</remarks>
        public TimeSpan LockDuration
        {
            get => _lockDuration;
            set
            {
                Argument.AssertPositive(value, nameof(LockDuration));
                _lockDuration = value;
            }
        }

        ///
        /// The maximum size of the queue in megabytes, which is the size of memory allocated for the queue.
        ///
        /// <remarks>Default value is 1024.</remarks>
        public long MaxSizeInMegabytes { get; set; } = 1024;

        ///
        /// This value indicates if the queue requires guard against duplicate messages. If true, duplicate messages having the same
        /// <see cref="ServiceBusMessage.MessageId"/> and sent to the queue within duration of <see cref="DuplicateDetectionHistoryTimeWindow"/>
        /// will be discarded.
        ///
        /// <remarks>Defaults to false.</remarks>
        public bool RequiresDuplicateDetection { get; internal set; }

        ///
        /// This indicates whether the queue supports the concept of session. Sessionful-messages follow FIFO ordering.
        ///
        /// <remarks>
        /// If true, the receiver can only receive messages using <see cref="ServiceBusSessionReceiver"/>.
        /// Defaults to false.
        /// </remarks>
        public bool RequiresSession { get; internal set; }

        ///
        /// The default time to live value for the messages. This is the duration after which the message expires, starting from when
        /// the message is sent to Service Bus.
        /// <remarks>
        /// This is the default value used when <see cref="ServiceBusMessage.TimeToLive"/> is not set on a
        ///  message itself. Messages older than their TimeToLive value will expire and no longer be retained in the message store.
        ///  Subscribers will be unable to receive expired messages.
        ///  Default value is <see cref="TimeSpan.MaxValue"/>.
        ///  </remarks>
        public TimeSpan DefaultMessageTimeToLive
        {
            get => _defaultMessageTimeToLive;
            set
            {
                Argument.AssertInRange(
                    value,
                    AdministrationClientConstants.MinimumAllowedTimeToLive,
                    AdministrationClientConstants.MaximumAllowedTimeToLive,
                    nameof(DefaultMessageTimeToLive));

                _defaultMessageTimeToLive = value;
            }
        }

        ///
        /// The <see cref="TimeSpan"/> idle interval after which the queue is automatically deleted.
        ///
        /// <remarks>The minimum duration is 5 minutes. Default value is <see cref="TimeSpan.MaxValue"/>.</remarks>
        public TimeSpan AutoDeleteOnIdle
        {
            get => _autoDeleteOnIdle;
            set
            {
                Argument.AssertAtLeast(
                    value,
                    AdministrationClientConstants.MinimumAllowedAutoDeleteOnIdle,
                    nameof(AutoDeleteOnIdle));

                _autoDeleteOnIdle = value;
            }
        }

        ///
        /// Indicates whether this queue has dead letter support when a message expires.
        ///
        /// <remarks>If true, the expired messages are moved to dead-letter subqueue. Default value is false.</remarks>
        public bool DeadLetteringOnMessageExpiration { get; set; }

        ///
        /// The <see cref="TimeSpan"/> duration of duplicate detection history that is maintained by the service.
        ///
        /// <remarks>
        /// The default value is 1 minute. Max value is 7 days and minimum is 20 seconds.
        /// </remarks>
        public TimeSpan DuplicateDetectionHistoryTimeWindow
        {
            get => _duplicateDetectionHistoryTimeWindow;
            set
            {
                Argument.AssertInRange(
                    value,
                    AdministrationClientConstants.MinimumDuplicateDetectionHistoryTimeWindow,
                    AdministrationClientConstants.MaximumDuplicateDetectionHistoryTimeWindow,
                    nameof(DuplicateDetectionHistoryTimeWindow));

                _duplicateDetectionHistoryTimeWindow = value;
            }
        }

        ///
        /// The maximum delivery count of a message before it is dead-lettered.
        ///
        /// <remarks>The delivery count is increased when a message is received in <see cref="ServiceBusReceiveMode.PeekLock"/> mode
        /// and didn't complete the message before the message lock expired.
        /// Default value is 10. Minimum value is 1.</remarks>
        public int MaxDeliveryCount
        {
            get => _maxDeliveryCount;
            set
            {
                Argument.AssertAtLeast(
                    value,
                    AdministrationClientConstants.MinAllowedMaxDeliveryCount,
                    nameof(MaxDeliveryCount));

                _maxDeliveryCount = value;
            }
        }

        ///
        /// Indicates whether server-side batched operations are enabled.
        ///
        /// <remarks>Defaults to true.</remarks>
        public bool EnableBatchedOperations { get; set; } = true;

        ///
        /// The <see cref="AuthorizationRules"/> on the queue to control user access at entity level.
        ///
        public AuthorizationRules AuthorizationRules { get; internal set; } = new AuthorizationRules();

        ///
        /// The current status of the queue (Enabled / Disabled).
        ///
        /// <remarks>When an entity is disabled, that entity cannot send or receive messages.</remarks>
        public EntityStatus Status { get; set; } = EntityStatus.Active;

        ///
        /// The name of the recipient entity to which all the messages sent to the queue are forwarded to.
        ///
        /// <remarks>If set, user cannot manually receive messages from this queue. The destination entity
        /// must be an already existing entity.</remarks>
        public string ForwardTo
        {
            get => _forwardTo;
            set
            {
                if (string.IsNullOrWhiteSpace(value))
                {
                    _forwardTo = value;
                    return;
                }

                EntityNameFormatter.CheckValidQueueName(value, nameof(ForwardTo));
                if (Name.Equals(value, StringComparison.CurrentCultureIgnoreCase))
                {
                    throw new InvalidOperationException("Entity cannot have auto-forwarding policy to itself");
                }

                _forwardTo = value;
            }
        }

        ///
        /// The name of the recipient entity to which all the dead-lettered messages of this queue are forwarded to.
        ///
        /// <remarks>If set, user cannot manually receive dead-lettered messages from this queue. The destination
        /// entity must already exist.</remarks>
        public string ForwardDeadLetteredMessagesTo
        {
            get => _forwardDeadLetteredMessagesTo;
            set
            {
                if (string.IsNullOrWhiteSpace(value))
                {
                    _forwardDeadLetteredMessagesTo = value;
                    return;
                }

                EntityNameFormatter.CheckValidQueueName(value, nameof(ForwardDeadLetteredMessagesTo));
                if (Name.Equals(value, StringComparison.CurrentCultureIgnoreCase))
                {
                    throw new InvalidOperationException("Entity cannot have auto-forwarding policy to itself");
                }

                _forwardDeadLetteredMessagesTo = value;
            }
        }

        ///
        /// Indicates whether the queue is to be partitioned across multiple message brokers.
        ///
        /// <remarks>Defaults to false.</remarks>
        public bool EnablePartitioning { get; internal set; }

        ///
        /// Custom metadata that user can associate with the description.
        ///
        /// <remarks>Cannot be null. Max length is 1024 chars.</remarks>
        public string UserMetadata
        {
            get => _userMetadata;
            set
            {
                Argument.AssertNotNull(value, nameof(UserMetadata));
                Argument.AssertNotTooLong(
                    value,
                    AdministrationClientConstants.MaxUserMetadataLength,
                    nameof(UserMetadata));

                _userMetadata = value;
            }
        }

        internal bool IsAnonymousAccessible { get; set; }

        internal bool SupportOrdering
        {
            get
            {
                return _internalSupportOrdering ?? !EnablePartitioning;
            }
            set
            {
                _internalSupportOrdering = value;
            }
        }

        internal bool? _internalSupportOrdering;

        internal bool EnableExpress { get; set; }

        ///
        /// Gets or sets the maximum message size, in kilobytes, for messages sent to this queue.
        /// This feature is only available when using a Premium namespace and service version "2021-05" or higher.
        /// <seealso href="https://docs.microsoft.com/azure/service-bus-messaging/service-bus-premium-messaging"/>
        ///
        public long MaxMessageSizeInKilobytes { get; set; }

        ///
        /// List of properties that were retrieved using GetQueue but are not understood by this version of client is stored here.
        /// The list will be sent back when an already retrieved QueueDescription will be used in UpdateQueue call.
        ///
        internal List<XElement> UnknownProperties { get; set; }

        ///
        ///   Returns a hash code for this instance.
        ///
        public override int GetHashCode()
        {
            return Name?.GetHashCode() ?? base.GetHashCode();
        }

        /// Determines whether the specified object is equal to the current object.
        public override bool Equals(object obj)
        {
            var other = obj as QueueProperties;
            return Equals(other);
        }

        /// Determines whether the specified object is equal to the current object.
        public bool Equals(QueueProperties other)
        {
            if (other is QueueProperties otherDescription
                && Name.Equals(otherDescription.Name, StringComparison.OrdinalIgnoreCase)
                && AutoDeleteOnIdle.Equals(otherDescription.AutoDeleteOnIdle)
                && DefaultMessageTimeToLive.Equals(otherDescription.DefaultMessageTimeToLive)
                && (!RequiresDuplicateDetection || DuplicateDetectionHistoryTimeWindow.Equals(otherDescription.DuplicateDetectionHistoryTimeWindow))
                && EnableBatchedOperations == otherDescription.EnableBatchedOperations
                && DeadLetteringOnMessageExpiration == otherDescription.DeadLetteringOnMessageExpiration
                && EnablePartitioning == otherDescription.EnablePartitioning
                && string.Equals(ForwardDeadLetteredMessagesTo, otherDescription.ForwardDeadLetteredMessagesTo, StringComparison.OrdinalIgnoreCase)
                && string.Equals(ForwardTo, otherDescription.ForwardTo, StringComparison.OrdinalIgnoreCase)
                && LockDuration.Equals(otherDescription.LockDuration)
                && MaxDeliveryCount == otherDescription.MaxDeliveryCount
                && MaxSizeInMegabytes == otherDescription.MaxSizeInMegabytes
                && RequiresDuplicateDetection.Equals(otherDescription.RequiresDuplicateDetection)
                && RequiresSession.Equals(otherDescription.RequiresSession)
                && Status.Equals(otherDescription.Status)
                && SupportOrdering.Equals(other.SupportOrdering)
                && EnableExpress == other.EnableExpress
                && IsAnonymousAccessible == other.IsAnonymousAccessible
                && string.Equals(_userMetadata, otherDescription._userMetadata, StringComparison.OrdinalIgnoreCase)
                && (AuthorizationRules != null && otherDescription.AuthorizationRules != null
                    || AuthorizationRules == null && otherDescription.AuthorizationRules == null)
                && (AuthorizationRules == null || AuthorizationRules.Equals(otherDescription.AuthorizationRules))
                && MaxMessageSizeInKilobytes.Equals(other.MaxMessageSizeInKilobytes))
            {
                return true;
            }

            return false;
        }

        ///
        public static bool operator ==(QueueProperties left, QueueProperties right)
        {
            if (ReferenceEquals(left, right))
            {
                return true;
            }

            if (left is null || right is null)
            {
                return false;
            }

            return left.Equals(right);
        }

        ///
        public static bool operator !=(QueueProperties left, QueueProperties right)
        {
            return !(left == right);
        }
    }
}


The taste of this truffle is like nature: full of history, mystique and secrets.
Boil together 170 g of cream and glucose.
Pour over chocolate, add butter and homogenise.
When mixture starts thickening, add 25 g of cream and mix until smooth.
Pipe into hemispherical moulds and leave to cool.


I received a letter stating that my application to transfer my dog cannot be processed because there are issues with the current owner/breeder. What does this mean?
The previous registered owner of a dog becomes ineligible to sign Pedigree transfers when the member has been suspended or under investigation. This sometimes happens when a member is in breach of the Code, Constitution, Rules and/or Regulations.
When this happens, transfers need to be referred to the Compliance Committee for consideration on a case by case basis should the applicant wish to proceed with transfer.
Does this mean that I will lose my dog?
No. It is important to note that this is simply about the Pedigree paperwork and not about the ownership of your dog.
Should I choose to apply to Compliance Committee - What next?
As soon as Compliance Committee have reached a decision, you will be notified in writing of the outcome.
Transfer may not be approved.
What if I am dissastisfied with the Decision?
You will have the right to Appeal. This would need to be submitted in writing, outlining the reason/s the Pedigree papers need to be transferred into your name.


text:
Quebec Is Investing An Additional $110 Million To Revive Music Festivals & Help Artists
The province is making big steps to help the cultural sector.
Teddy Elliot
francoislegault.pm via Emilie Nadeau | Instagram
The Quebec Government just announced yet another huge investment to support and revive the province's cultural activities. The province will inject an additional $110 million to the almost $400 million investment for its cultural activity recovery plan. The plan aims to promote artistic creation, Quebec-grown content, and find new ways of community engagement within the current health context.
"Your government is today taking an unprecedented step in support of the cultural community, as well as its artists, craftspeople and writers, who have been hit hard by the crisis," said Nathalie Roy, Quebec's Minister of Culture and Communications.
"We will also be there to promote the local talent and works that distinguish us and which will be more than ever a source of pride for Quebecers."
The government will inject $289 million to "ensure a rapid and sustainable resumption of cultural activities" from 2020 to 2021, including today's $110 million investment.
"Creators will be able to innovate and develop original ways to get in touch with their audience, and the latter will once again be able to appreciate the Quebec talent of which they are proud," said the Ministry.
The province's plan will support various cultural milieus like theatre, film, television, books, circus, dance, music, performing arts, festivals and events, artisan crafts, and more.
Notre plan de relance de près de 400M$ pour la culture permettra aux artistes et aux artisans de se remettre au tra… https://t.co/OHjAUGmxRN
— Nathalie Roy (@Nathalie Roy) 1591037442.0
The plan will divide the funds among the following organizations:
- Film and television ($91.5 million)
- Businesses and cultural organizations ($71.9 million)
- Theatre, dance, circus, and other performing arts ($50.9 million)
- Music ($33.5 million)
- "Giving the cultural community the means to achieve its digital ambitions" ($14 million)
- Promoting Quebec culture ($13 million)
- Artists and writers ($6.5 million)
- Financial assistance to relaunch artistic and cultural festivals ($5.9 million)
- "Documenting the effects of the pandemic on the cultural environment" ($2.2 million)
READ ALSO: Quebec Has Seen The Lowest Increase In Cases Since March 28
The Minister also announced that film and television production studios can resume activities as of June 8, according to the recommended health measures.
Pre- and post-production studios will be able to resume operations, regardless of the type of production.
Only film, documentary, drama, theatre, and other similar productions are allowed to proceed with this reopening plan.
Voici les activités culturelles permises Dès le 29 mai : - Les musées - Les bibliothèques - Les cinéparcs Dès l… https://t.co/pRJfls35om
Concert halls, music venues, theatres, and cinemas will also be allowed to reopen on or before June 24, pending evaluation and discussions with the worker's unions of those industries.

redpajama_set_name: RedPajamaCommonCrawl


text:
Newsletters
SEED Quarterly Fall 2020
While the COVID-19 pandemic has changed many aspects of SMUD's business, one thing that hasn't changed is our commitment to powering our customers and community through these challenging times.
At SMUD, we're here to support our community, businesses and neighborhoods with:
Business resources. We've compiled a list of resources for our local business community. Learn more here.
Contracting opportunities. Our Procurement department continues to release solicitations for essential business contracts. Don't miss an opportunity to submit a bid to do business with SMUD. Learn more here.
Safely paying your bill. There are several safe and easy ways to pay your bill. Online options include My Account, our guest pay option and through the SMUD App. Or, you can visit one of our authorized pay stations. Learn more here.
Help with your bill. We know how challenging things are right now and we're here to help. Extended through January 4, 2021, we will not disconnect your power due to non-payment. And we won't add late fees to your bill. We want all our customers to have power at this time. Customers who are behind on payment will still owe SMUD for service, they will just not lose power at this time.
Don't hesitate to contact our team for assistance at any time at SEED.Mgr@smud.org
Commercial Rate Increase
Effective October 1, 2020, SMUD's rates will increase by 3% for all commercial customers. The increase in rates is mostly driven by external factors, including:
Increased cost of wildfire mitigation and insurance.
Additional generational capacity to provide electricity during times of peak demand.
New and enhanced technology solutions to support cyber security, customer experience, improved reliability and distributed energy resources.
Investments in renewable energy and programs to support carbon reduction goals. For more about this and other rate changes approved by SMUD's Board, please visit smud.org/Rates.
Microloan applications can be submitted July 17 - October 15, 2020.
In early March, our community began to feel the impacts of the COVID-19 virus. The growing pandemic brought the world to a halt and was especially devastating to our underserved, under-resourced neighborhoods and the nonprofit organizations that support them.
To help counter the economic fallout of COVID-19, SMUD's Sustainable Communities initiative has partnered with California Capital to create a simple, low-interest microloan program to help nonprofits in our service area keep their operations running and growing, so they can continue to help those most in in need.
Local nonprofits incorporated and operating in SMUD's service area are eligible
Nonprofit 501(c)(3) and 501(c)(4) status
100 employees or less
Directly impacted by COVID-19
$1,000 - $10,000 (SMUD may allow exceptions up to $25,000)
$100 application fee to be paid by borrower (addition processing fee if approved)
Payment terms vary on a per loan basis, but shall not exceed 5 years
HOW WILL LOANS BE AWARDED?
Loans are limited and will be disbursed based on evaluating factors including but not limited to:
Proven impact due to COVID-19
Focus on areas and communities in most need based in part on SMUD's Sustainable Communities Resource Priorities map
Organizations addressing on of SMUD's four priority areas:
Social well-being services
Economic prosperity
Learn more or apply at smud.org/MicroLoan.
If you have questions, email us at microloans@smud.org.
SMUD announces new CEO
Paul Lau, a 38-year SMUD veteran, has been named by the SMUD Board to succeed Arlen Orchard as the utility's chief executive officer and general manager.
Paul Lau currently serves as Chief Grid Strategy and Operations Officer and has been a member of the SMUD executive team for more than 12 years. Following the SMUD Board of Directors' September meeting and approval, Lau will assume his new position October 3.
Lau says SMUD's focus on its customers and community, and pursuit of aggressive carbon reduction goals, will continue to power SMUD forward. "Living SMUD's community values – providing the best possible service and reliability at the lowest possible rates, while pursuing aggressive carbon reduction goals, will continue to make SMUD a key community and industry leader," said Lau.
While we are extremely sad to say goodbye to Arlen Orchard, who has been an incredible leader for SMUD and has done amazing work throughout the community, the SEED team is excited to welcome Paul Lau as our new CEO.
Virtual Meet the Buyers & Business Resource Expo
On Sept. 22 – 24, the SEED team hosted the first virtual Meet the Buyers & Business Resource Expo. This year, we partnered with SMUD's Strategic Account Advisors to incorporate the Business Resource Expo, expanding the event to offer attendees more opportunity to learn about SMUD programs and resources for commercial customers. In support of this expansion, as well as the virtual nature of the event, nine breakout sessions were hosted by SMUD staff over a three-day period.
Over 475 attendees, one of our largest groups to date, registered to participate in this unique virtual event, which offered a variety of educational sessions, procurement panels, a virtual exhibit hall, and online networking with individual buyers. Attendees learned about our SEED program and upcoming contracting opportunities with our local business owners.
Last year alone, approximately 34 percent or over $130 million of SMUD's contracts were awarded to SEED vendors.
If you registered for the event but couldn't attend, you can still access session recordings and presentation documents by signing into the Whova virtual platform using your email address and event code: MTB2020.
DID YOU KNOW… the SEED program not only generates revenue for businesses in our community, it indirectly and exponentially impacts the local economy by supporting jobs and increasing labor income.
Supplier highlight – Sierra National Construction
Sierra National Construction is no stranger to SMUD projects; they've been contracting with SMUD for almost 10 years, providing civil construction services, building maintenance, substation services and more. Most recently, they were awarded $1.2 million for the Franklin-Lambert Distribution Substation project, pictured below.
The SEED program has played a large role in Sierra National's success in winning SMUD contracts. Having previously outgrown SEED status, Sierra National was able to requalify under the new, broader DGS Small Business – Public Works (SB-PW) certification. Although the SB-PW certification qualifies Sierra National for the SEED incentives on its own, Sierra National often subcontracts with fellow SEED vendors as well – small business helping small businesses grow!
What makes Sierra National so successful in working with SMUD? Procurement Specialist Doug Moore says, "They show commitment to our work, their work reflects the quality of service we need and they work hard to stick to the budget when responding to a proposal."
"SMUD's SEED program gives local contractors more opportunity for success and growth in today's competitive market." – Matt Follett, Project Manager with Sierra National Construction says.
Sierra National exemplifies success for the SEED program, supporting local small business growth in our region while maintaining high standards for SMUD projects.
HR Talent Management Solution $1,000,000+
Roofing contract $1,000,000+
Signage contract $125,000
Union Valley Bike Trail $25,000,000
Flooring contract $3,000,000
Campground & boat launch improvements $10,000,000
Visit bids.smud.org
Recently awarded SEED contracts
Ablegov, Inc.
Mader Supply, LLC.
Sun Mountain, LLC.
Capitol Barricade, Inc.
WBE Traffic Control, Inc.
Connect with us on Facebook or LinkedIn!
Find us on Facebook or LinkedIn to learn about upcoming events and solicitations.


Inspire and equip others to lead like Jesus by applying the Biblical DISC Assessment to your coaching, consulting or training efforts. As a certified practitioner of the Biblical DISC Assessment, you will lead others to discover their unique behavioral style and to learn about men and women in the Bible who displayed similar behavioral characteristics.
Inspire and equip others to lead like Jesus by applying the DISC Biblical Behavioral Assessment (BBA) to your coaching, consulting or training efforts. As a certified practitioner of the DISC BBA, you will lead others to discover their unique behavioral style and to learn about men and women in the Bible who displayed similar behavioral characteristics.


Even though we are not approved by any of the accrediting institutions such as WASC, nevertheless, voluntarily, we follow closely their accrediting and credit granting policies.
As posted by: WASC Senior College and University Commission (WASC Senior College and University Commission, 2017).
Under federal regulations effective July 1, 2011, both institutions and accrediting agencies are required to come into compliance with regulations regarding the definition and assignment of credit hours under 34 CFR 600.2 and 34 CFR 60 2.24.
All candidate and accredited institutions are required to comply with the definition of the credit hour.
As required by 34 CFR602.24, the Commission will evaluate as part of all seeking accreditation and comprehensive reviews the extent to which institutions meet the federal definition of a credit hour, by reviewing: 1.
The adoption of a policy on credit hour for all courses and programs at the institution.
2.The processes the institution employs to review periodically the application of its policy on credit hour across the institution to assure that credit hour assignments are accurate and reliable.
3.Any variations in the assignment of credit hours to assure that they conform to commonly accepted practices in higher education.
courses and programs, and through sampling, a variety of course credit assignments based on degree level, academic discipline, delivery modes, and types of academic activities.
Evaluation team findings will be included in reports to the Commission and where deficiencies are found, they shall be so noted, and the Commission will act to assure that these deficiencies are addressed through follow up reporting and additional monitoring.
If the Commission finds significant noncompliance with this policy regarding one or more programs at the institution, the Commission will promptly notify the Secretary of Education in addition to any follow up mandated by the Commission.
In addition, credit hour assignments shall be included as part of the review process conducted by the substantive change committee. Additional protocols for implementation of this policy may be developed to assist institutions and teams in conducting reviews under this policy (WASC Senior College and Univesity Commission, 2017).


Australia is home to some of the most unique nature, sights and travel opportunities in the world, all of which offer fantastic educational opportunities.
Now, two families are set to embark on a once-in-a-lifetime journey combining adventure and education.
Caravan Industry Association of Australia has come together with Tourism Central Australia to create a "Real-Life Classroom" competition, supported by Apollo Motorhome Holidays and Ted's Cameras.
The competition is open to families with children between the ages of 5-13. If you are enthusiastic, up for adventure and ready to capture some amazing experiences on video or by photos, this could be the perfect opportunity.
The lucky winners will be awarded the ultimate real-life classroom prize - an incredible trip to see some of our country's most iconic sights in the great Northern Territory.
The children will become ultimate junior explorers as they set off (with their parents) on a 28-day trip in an Apollo Motorhome with return economy flights to Alice Springs, $100 per day to spend, entry to show-stopping Outback tourism experiences and an incredible Ted's Camera's prize pack worth $2,000 to help them document their trip.
The winner will document their four-week outback adventure using their new Ted's Cameras 'digital tools of the trade' to create blog posts, photos and videos.
To enter the competition, you just need to submit an up to a 60-second video to www.reallifeclassroom.com.au explaining what your family would like to learn and discover about Australia's Red Centre and how your junior explorers would benefit from bringing the lessons from the classroom to life!


text:
The Republic XF-12 Rainbow was an American four-engine, all-metal prototype reconnaissance aircraft designed by the Republic Aviation Company in the late 1940s. Like most large aircraft of the era, it used radial engines, specifically the Pratt & Whitney R-4360 Wasp Major. The XF-12 was referred to as "flying on all fours" meaning: four engines,  cruise,  range, at . The aircraft was designed to maximize aerodynamic efficiency. Although innovative, the jet engine and the end of World War 2 made it obsolete, and it did not enter production. A proposed airliner variant, the RC-2, was deemed uneconomical and cancelled before being built.

Development
The original proposal from the United States Army Air Corps Air Technical Service Command in late 1943 was for a  reconnaissance aircraft with a range of  and a ceiling of . Its primary objective was high-speed overflights of the Japanese homeland and key enemy installations. During World War II, due to the range requirements of operating in the Pacific, existing fighters and bombers were being used but were poorly suited. The need existed for dedicated photo-reconnaissance aircraft with speed, range, and altitude capabilities beyond what was available.

In August 1943, U.S. President Franklin D. Roosevelt's son, Colonel Elliot Roosevelt, commander of a Lockheed F-5 (a modified P-38 Lightning) "recon" unit, recommended the acquisition of a dedicated high-performance photo reconnaissance aircraft to provide pre- and post-strike target analysis intelligence as well as photo interpretation to better allow commanders to make decisions for bombing raids. Republic Aviation submitted the XF-12 and it was competing against the Hughes XF-11. Both were powered by the new P&W R-4360. The XF-12's first flight was made on 4 February 1946 and during flight testing, it reached an altitude of  at , and demonstrated a range of , exceeding design criteria. The XF-12 could photograph in both daylight and night and under conditions of reduced visibility at high altitudes over long ranges and with great speed. This "flying photo lab" was capable of mapping broad stretches of the globe.

Only two prototypes were built each of the XF-11 and the XF-12 were ordered into service by the U.S. Army Air Forces, as the requirement evaporated after World War II ended, while the cheaper off-the-shelf Boeing B-29 Superfortress and Boeing B-50 Superfortress could temporarily fill the role until the jet-powered Boeing RB-47 Stratojet entered service. The XF-12 was the fastest aircraft of its day to use four reciprocating engines, and the only one to exceed  in level flight

Design

Minimizing drag was a primary consideration throughout the design of the XF-12. Many features came from Republic's experience with fighter aircraft. Unusually, no compromises to the aerodynamics were made in the shape of its fuselage. Aviation Week was quoted as saying "the sharp nose and cylindrical cigar shape of the XF-12 fulfills a designer's dream of a no compromise design with aerodynamic considerations."

For its reconnaissance role, the XF-12 had three photographic compartments aft of the wing. One vertical, one split vertical, and one trimetrogon each using a  Fairchild K-17 camera. For night reconnaissance, the XF-12 had a belly hold which accommodated 18 high-intensity photo-flash bombs to be ejected over the target. All bays were equipped with electrically operated, inward retracting doors designed for minimum drag and camera lenses were electrically heated to prevent frost build-up. The XF-12 also carried complete darkroom facilities to permit developing and printing the film while still airborne augmented by adjustable storage racks to handle any size of film container and additional photo equipment. This allowed immediate access to the intelligence after landing without the usual processing delay.

Its wing had a straight taper with a high aspect ratio for maximum efficiency and squared tips. The engines used a sliding cowl to facilitate engine cooling instead of cowling flaps, which caused too much drag. There was also a two-stage impeller fan directly behind the propeller hub. These refinements allowed the engines to be tightly cowled for aerodynamic efficiency, while still keeping the engines adequately cooled. When the sliding cowl ring was closed during flight, the cooling air was ducted through the nacelle to the rear exhaust orifice increasing thrust, rather than adding drag as is usually the case.

Air for engine intakes, oil coolers and intercoolers was drawn through the leading edge of each wing between the inboard and outboard engines. This reduced drag compared to using individual intakes for each component. In addition, because the air was taken from a high-pressure area at the front of the wing, this provided a ram air boost for increased power at high speeds, and more effective cooling of the oil and intercoolers. The intakes made up 25% of the total wingspan and were extensively wind tunnel tested. After being used, the air was ducted toward the rear of the nacelle, to provide thrust. The entire engine nacelle was nearly as long as a Republic P-47 Thunderbolt. Research showed that a force roughly equivalent to  was generated by each engine exhaust during high speed cruise while at altitude. Each engine featured twin General Electric turbochargers at the rear of the nacelle and for brief bursts of additional power, water-methanol injection.

The XF-12 was originally intended to use contra-rotating propellers similar to those used on the XF-11, However, due to delivery delays and reliability issues, they were never installed. They would have been twinned three-bladed propellers (rotating in opposite directions). As it was, the aircraft used standard four-bladed Curtiss Electric propellers.

The only visible external difference between the first and second prototypes was the addition of cooling gills on the upper engine cowlings. The second prototype was fitted with the full reconnaissance equipment suite.

Operational history
The first prototype was damaged on 10 July 1947 while undergoing maximum landing weight tests when the right main gear was severed at the engine nacelle. After bouncing hard and staggering back into the air the test pilot climbed to a safe altitude where excess fuel was burnt off, to lighten the aircraft and reduce the risk of fire. The pilot landed on the left main gear and the nose wheel and despite losing as much speed as possible before the other wing dropped, the aircraft suffered significant damage. The wing spar was cracked, and engines and props needed to be replaced but it was repaired by Republic, and returned to service. When the U.S. Army Air Forces became the U.S. Air Force the XF-12 was later re-designated XR-12.

Operation Birds Eye was conceived to demonstrate the XF-12's capabilities. On 1 September 1948, the second prototype departed the U.S. Air Force Flight Test Center at Muroc, California, and climbed west to its  cruising altitude over the Pacific before heading east. It then photographed its entire flight path across the United States on 390 individual  photos each covering , which were jointed to form a continuous  print.

They landed at Mitchel Field on Long Island, New York after six hours and 55 minutes at an average speed of . A photo was taken approximately every 66 seconds. The flight was featured in the 29 November 1948 issue of Life magazine and the filmstrip exhibited at the 1948 U.S. Air Force Association Convention in New York. The XF-12 program had already been canceled when this flight was made.

On 7 November 1948, the second prototype crashed while returning to Eglin Air Force Base from a photographic suitability test flight after the number 2 (port inner) engine exploded, causing violent buffeting. Five of the seven crew escaped safely while two crew members were killed.
The first prototype continued flight testing after being returned to service in 1948 but with no orders forthcoming and with the second prototype lost, flight testing was wound down and the remaining prototype was retired in June 1952, having flown just 117 hours from 1949–1952. It was later expended as a target at the Aberdeen Proving Ground, Maryland.

RC-2
Republic intended to build an airliner version as the RC-2. This was to be lengthened to  with a fuselage plug ahead of the wing and the Plexiglas nose replaced with a conventional nose. Pratt & Whitney R-4360-59s with only one General Electric turbosupercharger each would have replaced the R-4360-31s to provide more power at lower altitudes and fuel capacity would have been increased. The seven crew and 46 passengers would have enjoyed a lavishly appointed cabin that was pressurized to sea level with air conditioning, and served hot meals from an electric galley, and drinks from an inflight lounge. It would have cruised above the weather at  at .

Without military orders subsidizing development and tooling costs, the RC-2's purchase price would have been high, and American Airlines and Pan-Am cancelled their tentative orders. The RC-2 also would have had higher operating costs per passenger than more capacious airliners with similar fuel consumption such as the Lockheed Constellation and the Douglas DC-6. Additionally, the end of the war created a glut of surplus military transports such as the Douglas C-54 Skymaster which could be readily converted for airline service for a fraction of the cost of new aircraft. Republic cancelled its plans, and none were built.

Specifications (XF-12)

See also

References

Citations

Bibliography

F-012
Republic F-12
Four-engined tractor aircraft
Cancelled military aircraft projects of the United States
Low-wing aircraft
Aircraft first flown in 1946
Four-engined piston aircraft
Mid-wing aircraft

redpajama_set_name: RedPajamaWikipedia


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Home

Strength

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Strength is a measure of raw physical power. It affects how much you can carry, and the damage of all melee attacks

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Iron Fist

Increased damage with fists and unarmed weapons.

20% increase of Unarmed Damage

Do 40% more unarmed damage, with a chance to cripple limbs

Do 60% more unarmed damage, with a chance to stagger your opponent following a blow to the torso

Do 80% more unarmed damage, with a chance to knock down your opponent following a blow to the head

Do 100% more unarmed damage, with a chance to paralyze your opponent in V.A.T.S. (level 46 required)

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 Big Leagues

 Increased damage with melee weapons.

Swing for the fences! Do 20% more melee weapon damage

Do 40% more melee weapon damage, with a chance to cripple limbs

Do 60% more melee weapon damage, with a chance to stagger your opponent following a blow to the torso

Do 80% more melee weapon damage, with a chance to knock down your opponent following a blow to the head

Do 100% more melee weapon damage, with a chance to instant kill your opponent following a blow to the head

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 Armorer

 Create, Modify and repair armor

You gain access to base level and Rank 1 armor mods

You gain access to Rank 2 armor mods

You gain access to Rank 3 armor mods

You gain access to Rank 4 armor mods

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 Weaponsmith

 Modify and repair melee weapons

You gain access to base level and Rank 1 melee weapon mods

You gain access to Rank 2 melee weapon mods

You gain access to Rank 3 melee weapon mods

You gain access to Rank 4 melee weapon mods

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 Big Guns

 Increased damage with heavy weapons.

Attacks with heavy weapons do 20% more damage

Attacks with heavy weapons do 40% more damage

Attacks with heavy weapons do 60% more damage

Attacks with heavy weapons do 80% more damage

Attacks with heavy weapons do 100% more damage

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 Strong Back

 Carry more items and improve your mobility when over-encumbered

You are now able to carry an additional 50 lbs of equipment

You are now able to carry an additional 100 lbs of equipment, and can run whilst over-encumbered

You are now able to carry an additional 200 lbs of equipment, and can fast travel whilst over-encumbered

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 Size Matters

 Reduced recoil from all ranged weapons

Recoil from ranged weapons reduced by 20%

Recoil from ranged weapons reduced by 40%

Recoil from ranged weapons reduced by 60%

Recoil from ranged weapons reduced by 80%

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 Defender

 Increased damage when using the melee attack of your pistol or rifle

Pistol and rifle melee attacks do 20% more damage

Pistol and rifle melee attacks do 40% more damage

Pistol and rifle melee attacks do 60% more damage

Pistol and rifle melee attacks do 80% more damage

Pistol and rifle melee attacks do 100% more damage

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 Slayer

 Bonus damage and less chance of being staggered or knocked down when wielding two-handed melee weapons.

Wielding a two-handed melee weapon grants you 50% bonus damage, and halves your chance of being staggered or knocked down

Wielding a two-handed melee weapon grants you 75% bonus damage, and prevents you from being staggered

Wielding a two-handed melee weapon grants you 100% bonus damage, and prevents you from being knocked down

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 Juggernaut

 Charge into your enemies when sprinting in order to knock them down.

Enemies in your path will be knocked down when you charge into them

Enemies in your path will be knocked down when you charge into them, and will receive damage

Enemies in your path will be knocked down when you charge into them, and will receive critical damage with a chance of being killed by the blow

Copyright Davin Mamissa 2015

redpajama_set_name: RedPajamaGithub


text:
Statement from Attorney-General Yvette D'Ath
Published Saturday, 03 November, 2018 at 11:50 AM
After receiving a briefing from my Department, I have decided to direct the State Coroner to reopen the inquest into the death of Jeffrey Lawrence Brooks on 13 March 1996, under the Coroners Act 1958.
In 1998, a Coroner handed down an "open finding", meaning that doubts remained about the exact circumstances of Mr Brooks' death.
My decision to reopen the coronial inquiry is based on new credible and independent evidence that was not available during the 1998 inquest into Mr Brooks' death.
This new evidence would not have come to light without the determination of Mr Brooks' parents and solid investigative journalism.
Emma McBryde 0447 155 332


text:
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Action Alert!! CPCA: Support The Safety-Net!
by admin | Jun 12, 2013 | Action Alerts | 0 comments
Starting in 2014, the Affordable Care Act (ACA) has the potential to reduce the number of uninsured by one-half to two-thirds. But not everyone will be covered. In fact, California might still have 3-4 million remaining uninsured for various reasons, such as income level or immigration status, or even those who forget to sign up and fall through the cracks.
This is why California needs a safety-net that survives and thrives.
Yet Governor Jerry Brown is insisting on cutting existing dollars that currently support the county health care safety net, crucial funds that support public hospitals, clinics, and county low-income health programs. Governor Brown's plan is concerning— out of the $1.4 billion in existing state funds that go towards counties, he seeks to take away $300 million in the first six months, and up to $1.3 billion by the third year.
Gov. Brown's formula will prevent many counties from covering *all* the remaining uninsured.
We firmly believe all Californians should have access to basic primary and preventative care up front, which is more efficient and effective than relying on emergency rooms. It's in our best interest to help maintain healthy and thriving communities when everybody has basic health access.
But we're racing against the clock— the fate of the remaining uninsured and California's safety net will be decided in the next few days, as the Legislature approaches their budget deadline on June 15th.
We need your voice. Help us prevent Governor Brown from taking away dollars from counties, and let him know how important it is to maintain basic safety-net care for the remaining uninsured.
Please contact your local legislator and let them know you care about the safety net and you'd like the Governor to protect it! Find your legislator and their phone number here!
Community Clinic Consortium
3720 Barrett Ave
Copyright © 2018 Community Clinic Consortium. All rights reserved.


Warning: This article contains images that readers might find disturbing.
Rosa María Apodaca has spent the past six years looking for her eldest daughter.
Patricia Jazmín Ibarra was 18 when she left on the morning of 7 June 2011 to go to work at a mobile phone shop in the centre of Ciudad Juárez.
"They stole her," says her mother, who has given up her job to look for Patricia Jazmín.
Ms Apodaca knows that many of the young girls who disappeared from Ciudad Juárez were eventually found dead.
The city on the Mexican-US border is located on a key route for drug smuggling and human trafficking.
In the 1990s, Ciudad Juárez became infamous for the staggering numbers of young women who disappeared from it, and between 2008 and 2011 the city held the dubious title of murder capital of the world.
"They never find them alive. They find only bones, this is how they give them back to their families," Ms Apodaca says of the many women who have gone missing.
"You never have the certainty that it is your own daughter."
It is people like Ms Apodaca that Dr Alejandro Hernández Cárdenas is trying to help.
He works as a forensic doctor at the prosecutor's office and has developed a special technique to rehydrate corpses in order to help identify them.
The technique is so innovative that last year the Mexican Institute for Industrial Property gave him a patent for his secret formula.
Forensic experts have used glycerine injections to reconstitute fingers to get prints for over a century. But that technique does not work for entire bodies.
DNA testing can help, but in order to identify bodies, samples from two direct family members are needed for comparison.
With the rehydration process, the body can regain most of its original condition so families can identify it.
"I think I am doing this work because I was affected by the idea of these bodies going to mass graves or their families not being able to mourn properly," Dr Hernández says.
The rehydration technique has also helped provide key leads in criminal investigations.
When Dr Hernández rehydrated a corpse in the state of Queretaro, in central Mexico, he discovered unusual lesions on its skin, which later led to an arrest being made.
The doctor was told that his help was key in bringing the murderer to justice.
Dr Hernández, 59, says that he first thought of becoming a forensic expert when he was 18 and studying to be a dentist while also driving an ambulance to help provide for his young family.
One night in 1977, he was called out to a train accident that had killed 35 people and had left most of the victims unrecognisable.
"When the forensic doctor arrived, he told us to check their teeth," Dr Hernández recalls.
He helped out at the morgue for four or five days, while the victims' families were waiting for news outside.
While the task may seem gruesome to some, it inspired in Dr Hernández a desire to help identify victims of crime.
After becoming a dentist and eventually joining the forensic lab, he started experimenting with his rehydration technique.
He used pig skin and human fingers he kept in glass jars and checked on them daily.
One day in 2004 he was inspecting seven jars. When he took out the finger from the fourth jar, it looked perfect.
"It was like a new finger. I couldn't believe it," he says.
At first he thought it was too good to be true and suspected his colleagues of playing a trick on him. But when he confronted them, one told him: "We don't mess with them, they smell too bad."
He had found the magic formula and four years later managed to rehydrate a full corpse.
In recent years, Dr Hernández has been applying his technique more and more to migrants found dead in the border area.
Ciudad Juárez is one of the main crossing points to the US. More than 6,000 bodies have been recovered from along the border since the 1990s.
The bodies are often found in mass graves and are often hard to identify because they have been mutilated or are mummified because of the harsh weather conditions.
Because there is no investigation unit at the forensic lab where he works, Dr Hernández has been financing his research himself, paying for the chemicals and working on it in his spare time.
He hopes that someone will take an interest in his research but ultimately wishes for less, rather than more, work. "It's not that I am lazy, it's just that when I have a lot of work it means that a lot of people have died," he explains.
"I would prefer not to have found this formula - if it meant that those people had never died."
Irene Caselli was in Ciudad Juárez as an Adelante Latin America Reporting Fellow with the International Women's Media Foundation.


text:
All Search Results "Grand Canyon"
62 search results were found for the search term "Grand Canyon".
JAMES CARSON THE SADDLE BOYS IN THE GRAND CANYON
OR THE HERMIT OF THE CAVE
A weird and wonderful story of the Grand Canyon of the Colorado, told in a most absorbing manner. This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. [more][Less]
Julie W. Buscher Homer the Helicopter Grand Canyon Adventures
A one of a kind tale of high-flying, rollicking misadventures!HOMER is an educational, aviation-oriented tale, even teaching how to pilot a helicopter. A hand-up book to teach children English language & vocabulary. This 72 page chapter book, w. 20 color illustrations,8 1/2"x11", delights ages 5-10, adults young at heart, and the flying community. Homer, an emerald-eyed,little 'copter is "born" in the factory, and given to the wise Elsa to raise. But the mischievous Homer disobeys his mother by zigging and zagging in every direction. Elsa enrolls him in flight school, where instructor Hank teaches Homer the correct way to fly. Homer earns his wings, and becomes a touring helicopter at the Grand Canyon, taking children on rollicking, cliff-hanging rides! Homer's nemesis, Baldazar, the eagle, viciously attacks the 'copter. Homer is jealous of Baldazar's skills, and takes his controls away from Hank, following the eagle into the canyon's bottom. Homer and Hank suffer a horrifying crash in the raging river! Instructor Jennie ultimately meets the wrecked 'copter and has him repaired. Under Jennie's tutelage Homer matures, graduating into An Air Ambulance Chopper. - Danger, pitfalls, excitement and heartfelt love abound throughout this delightful, entertaining and educational chapter book. [more][Less]
Keywords: helicopter, aviation, flying, flight, adventure
Captain James Carson was a pseudonym used by the Stratemeyer Syndicate for the five volume "Saddle Boys" series. and Author Of "The Saddle Boys Of The Rockies," "The Saddle Boys On The Plains," "The Saddle Boys At Circle Ranch," Etc. [more][Less]
James Carson The Saddle Boys In The Grand Canyon (Fiscle Part-9)
"Well, There Seems To Be Something Over Yonder To The West; But The Sage Crops Up, And Interferes A Little With My View." "Here, Take The Field Glasses And Look; While I Cinch My Saddle Girth, Which Has Loosened Again." Frank Haywood Adjusted The Glasses To His Eye. Then, Rising In His Saddle, He Gazed Long And Earnestly In The Direction He Had Indicated. Meanwhile His Companion, Also A Lad, A Native Of Kentucky, And Answering To The Name Of Bob Archer, Busied Himself About The Band Of His Saddle, Having Leaped To The Ground. Frank Was The Only Son Of A Rancher And Mine Owner, Colonel Leonidas Haywood, Who Was A Man Of Some Wealth. Frank Had Blue Eyes, And Tawny-Colored Hair; And, Since Much Of His Life Had Been Spent On The Plains Among The Cattle Men, He Knew Considerable About The Ways Of Cowboys And Hunters, Though Always Ready To Pick Up Information From Veterans Of The Trail. [more][Less]
George Wharton James The Grand Canyon of Arizona How to See It
George Wharton James (27 September 1858[1] – 1923) was a prolific popular lecturer, photographer and journalist, writing more than 40 books and many articles and pamphlets on California and the American Southwest. [more][Less]


text:
Home Music Archives Alice Gerrard's Follow the Music among 2015 Grammy nominees
Alice Gerrard's Follow the Music among 2015 Grammy nominees
While you might roll your eyes at the general relevance of the Grammys (did you see those Song of the Year nominations?), it's hard not to get excited when a hometown hero gets a nomination. Among the dozens of other nominees announced today, Durham's Alice Gerrard earned a nod for her album Follow the Music, which came out on Tompkins Square on Sep. 30, in the Best Folk Album category. She's up against Old Crow Medicine Show, Jesse Winchester, Eliza Gilkyson and the Dobro trio of Mike Auldridge, Jerry Douglas & Rob Ickes. If Gerrard wins, it will be her first Grammy, despite decades of renown among traditional music circles.
Hiss Golden Messenger's Mike Taylor produced the record, adding another feather to a cap that already includes a beautiful new LP, a stellar Letterman performance and increased national success this year. Fellow North Carolinians on the record include the brothers Cook, Brad and Phil.
Gerrard wasn't the only Triangle nod in the nominees—Yep Roc's Dave and Phil Alvin are up for Growing Up: Dave Alvin & Phil Alvin Play And Sing The Songs Of Big Bill Broonzy. The Arcade Fire's Reflektor is also in the running for Best Alternative Record, but Capitol Records—not Merge—is listed as its label. Huh.
You can check out a review of Follow the Music, watch videos from her release show in October and view a performance of her and Taylor playing "Strange Land" at Duke Gardens below.
Alice Gerrard & Mike Taylor, "Strange Land"
Alice Gerrard Mike Taylor Brad Cook Phil Cook Hiss Golden Messenger Issue: 2014-12-03 Blogs Music


Dress up as a classic Disney movie character with this Tween Alice costume. The body of the dress is periwinkle and made from polyester and the lace lining is nylon. At the bottom corner of the apron there is the blue Cheshire cat. There is a black ribbon and lining of the apron. This costume also includes black and white striped leggings and glovlettes that are made from both polyester and nylon. Add a blonde Alice wig to look the part!


text:
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      t.string :race
      t.string :gender
      t.string :name
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      t.string :school
      t.string :year

      t.timestamps null: false
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If Bill Nye approves, it must be good.
Electronic Arts have been running their EA Access program on Xbox One since 2014. This subscription service allows Xbox One owners to access a large catalog of EA games for a monthly fee, along with other perks. Now, they're expanding this service to PC gaming with Origin Access.
Origin Access launched today, with its official website giving more details on the service. It works similarly to EA Access, and launched at the same price point of $4.99 a month. The option to sign up for a full year is not available yet. Signing up to EA Access lets users play games in The Vault as long as they are subscribed. There are currently 15 EA Games in The Vault, and more will be added over time.
Origin Access will also have early game previews and exclusive demos, including the puzzle platformer Unravel. Finally, members get a 10 percent discount on select games and downloadable content.
Electronic Arts even got multiple copies of Bill Nye for a commercial promoting the service.
Will you sign up for Origin Access this year, possibly to try out Unravel before its emotional twists are spoiled? Let us know in the comments.


DEWITT TOWNSHIP, Mich. (AP) — Snowy owls are out in force in Michigan this winter, thanks to a population boom in their Arctic breeding lands.
Lansing-area birdwatchers have been sighting the 2-foot-tall raptors more frequently than usual, according to the Lansing State Journal (http://on.lsj.com/KYqcIk ).
Snowy owl sightings have taken place at Capital Region International Airport in Clinton County's DeWitt Township, Ingham County's Alaiedon Township north of Mason and at Gerald R. Ford International Airport in suburban Grand Rapids.
Capital Regional airport Operations Director Lisa Adams said that people have spotted the owls with some regularity at the airport over the past two months, including nine times in December.
"We don't usually see them very much," Adams said. "I've had people call asking about the birds. They'd heard there was increase (of snowy owls) and that they like to hang around airports."
Why airports? Because they are similar to the tundra habitat where the birds breed, experts say.
Snowy owls breed in the Arctic and typically move south in the winter. Experts say the owl's population boom may be because of an abundance of one of their favorite foods, lemmings.
"It's not unusual to see snowy owls in Michigan," said Jonathan Lutz, executive director of Michigan Audubon. "But the number of birds we're seeing this year is unusual," he said.


text:
Mesanthemum pilosum är en gräsväxtart som beskrevs av Kimp. Mesanthemum pilosum ingår i släktet Mesanthemum och familjen Eriocaulaceae. Inga underarter finns listade i Catalogue of Life.

Källor

Gräsordningen
pilosum


Many of my friends and acquaintances who did not grow up in Southeast Louisiana believe the terms "creole" and "cajun" are interchangeable. Upon discovering I grew up in New Orleans, they are quick to mention how much they like Cajun food. Most people outside the Gulf Coast of Louisiana have no concept of the historical and social roots of the two distinct cultures.
The word "creole" is rooted in the Spanish word criollo, which means someone who was born in a colony run by the French or Spanish. The usage of this word carried no distinction between someone who was black or white. To date, this is how the term is used in Louisiana. People outside of Louisiana often believe that a Creole person is someone who is either black or multi-racial. Historically, it carries no racial overtones and this is not how the word has been used in New Orleans. It does; however, carry ethnic overtones and simply implies that one's family is French or Spanish.
According to the book, Creole New Orleans: Race and Americanization, by Arnold J. Hirsch and Joseph Logsdon, the racial implications came from two periods. The first was when the United States purchased Louisiana and American migrants began pouring into New Orleans bringing the Anglo concept of the color line with them. The second was after Reconstruction and during the Jim Crow era when the color line was further reinforced when white Creoles began to accept white Anglo culture as their own. The book further explains that this acceptance was neither definite nor was it complete. What occurred was an eroding of the Creole culture among whites through the enforcement of English-only in public schools, intermarriage with Anglo families and an increasing identification with "whiteness." Be that as it may, not every white Creole bought into the changing identity, and to this day, there are white Creole families that speak French at home.
There are allegories regarding black cooks and housekeepers carrying the creole culture to black households. There was a large population of free people of color who gained their freedom as a result of the French manumission laws regarding slavery. It is also interesting to note, that much of America's familiarity with Creoles came from the black migrations during the 1920s. During this time, fewer white Creole families left the New Orleans area than did black Creole families due to economic changes occurring in the nation. Oakland, California was one major focus for this migration along with Los Angeles and Chicago.
Cajuns also have French roots, but trace their roots not from the Gulf Coast region. Instead, they trace them from the Acadian region of French Canada today known as the Maritime region of Canada. The word "cajun" is a corruption of the word "acadian." By now, most people know the history of the Cajun people and how they migrated to Louisiana. Interestingly, there was little interchange of creole and cajun culture despite their proximity to one another. The evidence is in the food of both cultures—gumbo and jambalaya are two such examples. This cultural interchange came in the form of trade and the sale of produce from the agricultural regions of Acadiana. Yet, the two cultures remained distinct and evolved separately.
The historical roots of the Gulf Coast region are complex and diverse. The area was an important center for trade and commerce; therefore, people from across the globe were attracted to the region and settled there - Germans, Spaniards, Canary Islanders and the Irish are a few examples, explaining the unique cultural traditions of the region. Most families in the area can trace their roots back to several points of origin and very few, if any, have one distinct line.
As far as how this distinction relates to cooking: simply put, creole cooking is highly influenced by French culinary traditions of sauces, tends to use butter, and is generally viewed as more refined. Cajun cooking, on the other hand, tends to be a cuisine of necessity. As farmers and fisherman, there was a need to live off the land and essentially eat what the harvest "brung ya'." Many people view it as sophisticated vs. peasant food.
As a final note, blackened stuff of any kind is NOT cajun. That was an invention of Paul Prud'homme who happens to be of Cajun descent. Prud'homme was actually trained as a creole chef at Commander's Palace.


Sam Twiston-Davies has been handed his biggest shot at Grand National glory this year, landing the mount aboard favourite, Blaklion, in a week that saw trainer and father, Nigel, compare the leading runner to the late Red Rum.
Blaklion, who will race in the Betfred Grand National Trial at Haydock on Saturday has shown exemplary form this season and is currently a 10/1 shot for Aintree.
Despite being touted to ride for trainer Paul Nicholls, with several potential runners available, Twiston-Davies has been freed to take the reigns of the impressive 9-year-old Gelding as he guns for Grand National glory for the first time in his career.
It is likely viewed as most unusual for a high-profile yard to release its number one jockey to ride against its own horses in the most lucrative race of the year. Nicholls, however, has dispelled any rumour that himself and Twiston-Davies' alliance is wavering, stating that he had advised the 25-year-old jockey to choose a route that gave him the best chance of success.
It now transpires that Twiston-Davies may well ride Blaklion at Haydock this weekend, but only if he can also commit to riding the horse at Aintree in April.
There will certainly be stern competition from fellow rival Total Recall in the Grand National this year, however. The Mullins-trained runner has been allotted 11st 1lb and sits as Blaklion's closest competitor at 16/1. Only time will on who reigns victorious at the world's most famed steeplechase.
Book your Grand National 2019 experience now with Eventmasters. Our exclusive VIP hospitality packages and tickets will ensure you and your guests have an unforgettable day at the races.


AstraZeneca is proud to be a part of a new coalition, Prescriptions for a Healthy America: A Partnership for Advancing Medication Adherence, aimed at developing, promoting, and helping enact policy solutions to improve medicine adherence nationwide.
Prescriptions for a Healthy America is a partnership of patient, health care providers, pharmacy organizations, consumers, and health care industry leaders whose goal is to develop near-term policy solutions to improve medication adherence.
According to a new national survey commissioned by the Partnership for a Healthy America, two-thirds of Americans are not adhering to their prescribed medication regimen.
Medication adherence means that patients are taking their medications at the times, dosages, frequencies, and direction prescribed. Failure to do so results in negative health effects for patients and reduced effectiveness of treatment regimens.
A study published in the New England Journal of Medicine estimates that hospital admissions resulting strictly from poor medication adherence costs the United States $100 billion per year.
For more information on the partnership and to help ensure your voice is heard, please visit http://www.adhereforhealth.org.


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Olympic Channel and FIFA Kick Off Cooperation Agreement
MADRID – The Olympic Channel today announced that it has reached an agreement with FIFA (Fédération Internationale de Football Association) covering news access and content licences to promote football within the Olympic Movement.
FIFA joins a roster of 36 International Sports Federations and IOC Recognised Sports Federations who have signed similar agreements with the Olympic Channel.
"Football is one the most popular sports on the planet, and we are excited to work together with FIFA to amplify the excitement of football at the Olympic Games as well as emphasise the deeply-rooted cultural aspects of 'the beautiful game' through the Olympic Channel," said Mark Parkman, General Manager of the Olympic Channel.
Football has had a presence on the Olympic Channel since its launch in August with its own dedicated sports page where fans can relive the Olympic Games Rio 2016 through coverage of Neymar's stunning penalty against Germany to take home Brazil's first-ever gold medal in Olympic football. The page also features memorable Olympic moments, historical footage, athlete interviews and behind the scenes programming including USWNT star Mia Hamm in the original series Gold Medal Entourage.
The Olympic Channel team has been working with its IF partners to create innovative partnerships which encompass event coverage, social media, highlights, magazine shows, news coverage and original programming as well as technical business solutions.
In addition to on-going discussions with other IFs, the Olympic Channel team is working to build and strengthen collaborations, including with athletes, National Olympic Committees, Rights-Holding Broadcasters (RHBs), Worldwide TOP Partners, Organising Committees for the Olympic Games, candidate cities and recognised sports organisations.
The Olympic Channel is a new, ground-breaking digital platform where fans can experience the power of sport and the excitement of the Olympic Games all year round, and is available worldwide via mobile apps for Android and iOS devices and at olympicchannel.com.
IOS Certificates
© 2016 Olympic Channel Services, S.L.


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devo uncontrollable urge
Uncontrollable urge (Impulso incontrollabile) è la traccia che apre il primo album dei Devo, Question: Are We Not Men?Answer: We Are Devo!, pubblicato il 28 agosto del 1978. A: We Are Devo! The song "Uncontrollable Urge" has been covered by numerous bands, among them SNFU … su Rockol.it. / Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah! The band currently consists of Gerald Casale (vocals, bass), Mark Mothersbaugh (vocals, synthesizer), Bob … Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah!Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah! Check out Uncontrollable Urge by Devo on Amazon Music. So strong I can't let it pass Cause I'm losing control Got an urge, got a surge and it's out of controlGot an urge, I wanna purge 'cause I'm losing controlUncontrollable urge, I wanna tell you all about itGot an uncontrollable urge … Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah! He's got an uncontrollable urge [Pre-Chorus] Devo (/ ˈ d iː v oʊ /, originally / d iː ˈ v oʊ /) is an American rock band from Akron, Ohio, formed in 1973.Their classic lineup consisted of two sets of brothers, the Mothersbaughs (Mark and Bob) and the Casales (Gerald and Bob), along with Alan Myers.The band had a No. Got an urge I wanna purge Uncontrollable urge I want to tell you all about it Got an uncontrollable urge let me, scream and shout it! Appears On: Q: Are We Not Men? The opening riff is similar to The Beatles's "I Wanna Hold Your Hand", the first track from their US debut LP, "Meet The Beatles". Listen to Uncontrollable Urge by Devo, 60,140 Shazams, featuring on Behind the Boards: Brian Eno, and Devo Essentials Apple Music playlists. The duration of song is 03:08. 1. It is hosted by Rob Dyrdek and co-hosted by Sterling "Steelo" Brim and Chanel West Coast. He's got an uncontrollable urge Devo is an American rock group formed in Akron, Ohio, United States in 1972. He's got an uncontrollable urge A: We Are DEVO!, (I Can't Get No) Satisfaction b/w Uncontrollable Urge (edit), DEV-O Live (Re-release only), Now It Can Be Told, Greatest Hits, DEVO Live: The Mongoloid Years I wanna tell you all about it In the summer of 2014, DEVO did ten shows performing these seminal pre-fame songs, created between 1974 and 1977 and rarely played since then. It's got style, it's got class (Nine nine nine nine nine nine nine) 1, Live In Central Park, DEVO Live 1980, Hot Potatoes, Pioneers Who Got Scalped, The Essentials, Whip It And Other Hits, URGH! Devo – Uncontrollable Urge Lyrics. 1978 Preview SONG TIME Uncontrollable Urge. Whip It 3. And it's out of control now Uncontrollable Urge song from the album Q: Are We Not Men? Uncontrollable Urge [Urgh! Encuentra las mejores canciones y álbumes de Devo, como Whip It, Whip It y más. I gotta scream and shout it It makes me scream and shout it Uncontrollable Urge, performed live, usually involves very tight choreography with band members pivoting in place, jumping on the synthesizer swoop, and moving into a formation and marching in place during the song's conclusion. Uncontrollable urge - remastered Lyrics: Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah! I've got an uncontrollable urge I've got an uncontrollable urge We Are Not Devo Various Artists. Got an uncontrollable urge 3:09 ... ℗ 2009 WARNER RECORDS INC.; 2009 DEVO, INC. AND WARNER RECORDS INC. Also available in the iTunes Store More by Devo. And I said yeah (he said yeah) Uncontrollable urge Ecco il testo di Uncontrollable Urge di Devo tratto da Q: Are We Not Men? Got an urge, got a surge and it's out of control. Got an urge I wanna purge [Verse] 2005 Fun with Dick and Jane (performer: "Uncontrollable Urge") 2005 I Love the 80's 3-D (TV Series documentary) (performer: "Whip It") 2005 Lords of Dogtown (performer: "Mongoloid") Live Video: "Uncontrollable Urge" appears on: Take your favorite fandoms with you and never miss a beat. A Music War] Lyrics: Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah! Dev-O Live EP Recorded: August 1980 live at the Fox Warfield San Francisco, CA. Devo – "Uncontrollable Urge" The Alley Cats – "Nothing Means Nothing Anymore" John Otway – "Cheryl's Going Home" Gang of Four – "He'd Send in the Army" 999 – "Homicide" The Fleshtones – "Shadowline" X – "Beyond and Back" Skafish – "Sign of the Cross" Splodgenessabounds – "Two Little Boys" UB40 – "Madame Medusa" The Police – "Roxanne" And I said yeah yeah (yeah yeah) Play "Uncontrollable Ur…". Q: Are We Not Men? He's got an uncontrollable urge The odd chime during the outro on the album version comes from a German guitar amp found by Bob 1. Related Tags - Uncontrollable Urge, Uncontrollable Urge Song, Uncontrollable Urge MP3 Song, Uncontrollable Urge MP3, Download Uncontrollable Urge Song, Devo Uncontrollable Urge Song, Q: Are We Not Men? Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah! A: We Are Devo! I wanna tell you all about it And it's out of control And I said yeah (yeah) [Chorus] (x2) [Chorus] Uncontrollable Urge 2. Devo Lyrics. Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah! I've got an uncontrollable urge , Best Of DEVO Vol. Uncontrollable Urge tab by Devo. Got an urge got a surge Ridiculousness strictly showcases various viral videos from the Internet, usually involving failed do-it-yourself attempts at stunts, to which Rob and his panelists add mockery and reaction. Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah! It's got style, it's got class Uncontrollable urge I've got an uncontrollable urge I gotta tell you all about it 1. [Pre-Chorus] 1. Devo tabs, chords, guitar, bass, ukulele chords, power tabs and guitar pro tabs including whip it, gut feeling slap your mammy, girl u want, mongoloid, uncontrollable urge I wanna tell you all about it It makes me scream and shout it A: We Are Devo! Author HowardMoon [a] 311. Formazione Devo (1978) Gerald V. Casale – voce, basso, tastiere; Mark Mothersbaugh – voce, tastiere That's right! is released on May 1988 . Live at Max's Kansas City - November 15, 1977, https://devo.fandom.com/wiki/Uncontrollable_Urge?oldid=6852. In 2004, Jerry Casale slipped on a suit fragment, injuring his back. That's pep! Last edit on Feb 13, 2014. [Bridge] The band split in 1991 and returned in 1996. I gotta scream and shout it I gotta tell you all about it 14 Billboard chart hit in 1980 with the single "Whip It", the song that gave the band mainstream popularity. Got an urge got A surge And it's out of control Got an urge I wanna purge 'cause I'm losing control Uncontrollable urge I wanna tell you all about it Uncontrollable urge Makes me scream and shout it It's got style it's got class So strong I can't let it pass Uncontrollable Urge, performed live, usually involves very tight choreography with band members pivoting in place, jumping on the synthesizer swoop, and moving into a formation and marching in place during the song's conclusion. When someone touched the end of a guitar cable plugged into the amp, it would make the sound. Uncontrollable Urge by Devo. (Nine nine nine nine nine nine nine) [Pre-Chorus] Lyrics to 'Uncontrollable Urge' by Devo. Yeah yeah yeah yeah yeah yeahyeahyeahyeahyeahyeah! This song is sung by Devo. Got an uncontrollable urge A: We Are Devo! Yeah yeah yeah yeah yeah yeahyeahyeahyeahyeahyeah! Download Pdf Starting on the 1996 Lollapalooza tour, Mark would rip parts of other members yellow suits off during the song. Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah! Listen to Uncontrollable Urge from Devo 2.0's Devo 2.0 for free, and see the artwork, lyrics and similar artists. on Amazon Music Unlimited (ad) "Uncontrollable Urge". Su Rockol trovi tutto sui tuoi artisti preferiti: Lyrics, testi, video, foto e molto altro. Got an urge, got a surge and it's outta control Got an urge I wanna purge Difficulty: novice. A Music War - The Album, Live 1981 Seattle, Live at Max's Kansas City - November 15, 1977, Butch Devo And The Sundance Gig, Sung By: Mark Mothersbaugh (lead), Bob Mothersbaugh and Jerry Casale (backing), Shorter Version: Uncontrollable Urge (edit) (2:15), Alternate Versions: Uncontrollable Urge (TechnoDEVO), Devo 2.0 version, Demo Versions: Uncontrollable Urge (demo 1), Uncontrollable Urge (demo 2). Uncontrollable Urge. [Bridge] It makes me scream and shout it I've Uncontrollable urge [Verse] Cause I'm losing control The song is reminiscent of The Beatles's "She Loves You" with the incessant "Yeah Yeah Yeah" chant. Got an urge got a surge View interactive tab. So strong I can't let it pass (He's got an uncontrollable urge) I've got an uncontrollable urge (He's got an uncontrollable urge) I've got an uncontrollable. The band split in 1991 and returned in 1996. 36,170 views, added to favorites 616 times. 2. Got an urge, I wanna purge 'cause I'm losing control. 3:11 PREVIEW (I Can't Get No) Satisfaction. Love Without Anger 4. Ridiculousness is an American comedy clip show that began airing on August 29, 2011. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Got an uncontrollable urge Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah! And I said yeah yeah (he said yeah yeah) Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah (x2). 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'S out of control artisti preferiti: Lyrics, testi, video, foto molto... Would make the sound stream ad-free or purchase CD 's and MP3s now on Amazon.com purge 'cause I 'm control. Hit in 1980 with the single `` Whip it y más someone the! ( I Ca n't Get No ) Satisfaction di Uncontrollable Urge from Devo 2.0 's Devo 2.0 's Devo 's! - November 15, 1977, https: //devo.fandom.com/wiki/Uncontrollable_Urge? oldid=6852, his... Single `` Whip it, Whip it '', the song touched end., it would make the sound or purchase CD 's and MP3s now on Amazon.com and Chanel West Coast guitar! Are We Not Men the amp, it would make the sound of the 's... Il testo di Uncontrollable Urge - remastered Lyrics: yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah. An American rock group formed in Akron, Ohio, United States in 1972 a German amp., and see the artwork, Lyrics and similar artists into the,... Lyrics, testi, video, foto e molto altro ( ad ) `` Uncontrollable Urge from Devo 's... 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devo uncontrollable urge 2021


CalCars The California Car Initiative - Including the PriusPlus project.
Plug-In Hybrid Vehicle Powered by Valence Battery Unveiled at EVS 21.
Plug-In Hybrid-Electric Prius Unvieled at Monte Carlo Exhibition.
Pneumatic-Hybrid Electric Vehicle (PHEV) Car that runs on compressed air.


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Q: Can maven deduce and/or build an appropriate directory structure To better understand the Builder design pattern, I have downloaded a code demonstration which I am now trying to compile using maven. The demonstration code is made available in a single directory but the various java files have import statements reading
import aaa.bbb.ccc.ddd.A;
import aaa.bbb.ccc.ddd.B;
import aaa.bbb.ccc.ddd.C;
import aaa.bbb.ccc.eee.D;
import aaa.bbb.ccc.eee.E;
import aaa.bbb.ccc.eee.F;
import aaa.bbb.ccc.fff.G;
import aaa.bbb.ccc.fff.H;
import aaa.bbb.ccc.fff.I;
import aaa.bbb.ccc.fff.J;
import aaa.bbb.ccc.ggg.K;

with Main.java expected to be in directory ccc.
I'm relatively new to maven having generally built packages directly in eclipse so I've got a couple of questions relating to maven which, whilst relevant to this particular demonstration, are also relevant to some other projects I have:

*

*Is it possible for maven to use the import statements in the various
java files to infer and build an appropriate directory structure, including the target structure?

*Is it possible for maven to move the files, currently in a single
directory, into their appropriate directories?

*If I were to put build the directory structure manually and move the java files to their correct positions, is it possible to have maven build the appropriate pom.xml file?

A: I think you have a wrong comprehension about maven. Maven will not organize your Java code for you.
Maven helps you to compile and test your Java code and create a jar File containing your Java code.
Therefore you have to create a pom.xml for your Eclipse Project with your configuration. Which could be supported by maven as described at https://maven.apache.org/guides/getting-started/maven-in-five-minutes.html or Eclipse creating new Maven Project. Maven is assuming some default configuration like sourceDirectory in Eclipse Project is src/main/java and more.
And the answers are: No. No. No.
You could create maven plugins which are doing your desired Things but maven itself will not do those  things.

redpajama_set_name: RedPajamaStackExchange


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Incite Arts enriches the lives of all Central Australians through community-engaged arts practice that is accessible, inclusive and responsive.
Incite Arts delivers high-quality, accessible arts programs in collaboration with the communities of Central Australia, focusing on both those who are under-served and those who face barriers to arts engagement.
– Responds to community needs and aspirations
– Expresses and celebrates cultural identity
– Designs and delivers targeted arts programs
– Develops and shares Central Australian stories
– Collaborates and builds strong community partnerships
Groups involved
– Young people
– People with disability
– Aboriginal communities
– Other diverse communities
Established in 1998, Incite Arts is the key facilitator of community-engaged arts practice in Central Australia. Incite has a strong track record using innovative frameworks to achieve unique and impactful arts engagement outcomes.
As a small company interested in big ideas, Incite works in partnership with the region's diverse communities to develop and celebrate community arts and culture and build local capacity through engagement with the arts.
We bring people from different backgrounds together to share stories, develop skills and build awareness – supporting communities to be more resilient, inclusive, cohesive and creative.
Through engaging communities in performing arts activities, we create extraordinary opportunities that transform the lives of those involved through collaborative, innovative and creative experiences.
Incite runs programs across a range of art-forms. Our programs increase the reach of arts activities through finding new ways to engage people and share stories.
Our commitment to equality and inclusion creates opportunities for communities to participate in arts activities they may not otherwise have access to (from local workshops to national exchanges).
We successfully design and deliver projects through investing in a shared vision of success with partners and participants, adapting to changing community needs and by supporting the value and importance of cultural traditions and knowledge.
We facilitate safe, culturally appropriate environments that support both first time and ongoing arts engagement. Participants and audiences grow through our ability to respond to and celebrate the sharing of community, cultural and self-identity.
We work to build community strengths, connect people to each other, enliven the arts and cultural life, promote healthy living and connect people to place.
Incite began its life as the Alice Springs Youth Arts Group (ASYAG) in 1998. ASYAG was formed as a response to a locally identified need for a vehicle to express young people's stories in a valid contemporary cultural context. After several years of delivering youth arts activities on a project basis, the organisation became an incorporated not-for-profit association under the name InCite Youth Arts Inc in 2004.
In 2005, Incite began to host and auspice Arts Access Central Australia (AACA), an arts and disability committee that evolved out of the Mapping New Territory Project 2003. The scope of our work expanded further with the introduction of projects in remote Aboriginal communities in 2006.
Following on from the success of these partnerships, work with new communities and extensive consultation, the organisation saw a need to formalise its relationships and re-articulate the scope of its work. In 2013, InCite Youth Arts revised its constitution to become Incite Arts.
Go to 'Our Community' page and find out more about the Board, staff, artists, funders and partners.
For more on our programs, check out our Annual Reports:
Accessible formats are available upon request.
Please contact us on (08) 8952 6338 or email admin@inciteya.org.au to arrange.