Birthdate : March 24, 1976.
Birth name : Smriti Irani.
Education : Holy Child Auxilium School.
T.V. Shows : Hum Hain Kal Aaj Kal Aur Kal, Kyunki Saas Bhi Kabhi Bahu Thi, Kya Hadsaa Kya Haqeeqat, Koffee with Karan, Thodi Si Zameen Thoda Sa Aasmaan, Teen Bahuraaniyaan, Maniben.com, etc.
Famous Films : All Is Well, Jai Bolo Telangana, Malik Ek, Amrita.
Awards : Indian Television Academy Awards, STAR Parivaar Awards, STAR Parivaar Awards, Indian Telly Awards, more.
Smriti Irani is a very wonderful personality. Through out her film career she played a tremendous role in all fields such as comedian villan heroine drama and also in all types of negative and positive roles. She is very honest to her work. Any of her tremendous films when comes in mind all make us happy sad and proud. All her movies makes her a very huge personality. She always did the full disambiguation with all her roles offered to him. She is also very successfull in both her social and her personal life. Her name will remains in golden words always in bollywood history.
Recent Tag : Smriti Irani Biography, Smriti Irani life history, Smriti Irani films, Smriti Irani life details, Smriti Irani Best movies, Smriti Irani birth detail, Smriti Irani Date of birth, Smriti Irani image.


text:
8th August 1999 10th January 2020
USA. 1993.
Director – Barry Sonnenfeld, Screenplay – Paul Rudnick, Producer – Scott Rudin, Photography – Donald Peterman, Music – Marc Shaiman, Visual Effects Supervisor – Alan Munro, Special Effects Supervisor – Kenneth D. Pepiot, Makeup Effects Supervisor – Tony Gardner, Prosthetics – David B. Miller Studios, Production Design – Ken Adam. Production Company – Paramount.
Raul Julia (Gomez Addams), Anjelica Huston (Morticia Addams), Christopher Lloyd (Uncle Fester), Christina Ricci (Wednesday Addams), Joan Cusack (Debbie Jalinsky), Jimmy Workman (Pugsley Addams), Carol Kane (Granny Addams), Carel Struycken (Lurch), David Krumholtz (Joel Glicker), Peter MacNichol (Terry Granger), Christine Baranski (Becky Martin Granger), Mercedes McNab (Amanda Buckman)
Morticia gives birth to a new baby son Pubert. Wednesday and Pugsley take to heart an old family adage that says that one of them will have to be killed off to make way for the new family member. They decide they must kill Pubert off first and hatch various schemes to do so. Meanwhile, the new nanny Debbie Jalinsky turns out to be a scheming murderess who marries rich bachelors for their money and then kills them. She now sets her sights on Fester. When Wednesday and Pugsley discover her intentions, she schemes to have them sent off to the Chippewa summer camp. There the two of them are in danger of being smothered by feelgood niceness.
The big-screen remake of The Addams Family (1991) was highly successful. This follow-up proves to be the all too rare example of the sequel that surpasses its predecessor and manages to rework the original theme with even more satisfying results. Director Barry Sonnenfeld and all the cast members from the first film have been brought back (with the exception of Judith Malina as Granny who is replaced by Carol Kane) and get the chance to fine-tune their roles. Although surprisingly for the top-billing they get, Raul Julia and Anjelica Huston are sidelined somewhat, the show this time around being dominated mainly by Christopher Lloyd and Christina Ricci.
Christopher Lloyd, Christina Ricci and newcomer Joan Cusack have an absolute ball. Lloyd, given about fifty pounds of extra bulk, blacked out eyes and a big dumb grin, stumbles through a romance, making lightbulbs glow in his mouth (a Fester trick that someone remembered from the 1960s tv series). Joan Cusack allows her facial expressions to run a wonderfully expressive gamut between wholesome innocence and vamping calculation.
Although the greatest delight is Christina Ricci – the dazed way that a smile creeps onto her face for the first time after being forced to watch Bambi (1942) and The Sound of Music (1965) is wonderful. She of course gets a romance of her own, which the film takes perverse delight in turning into an anti-romance of sorts, wittily dashing expectations raised at the end.
Uncle Fester (Christopher Lloyd) and his new bride Debbie Jalinsky (Joan Cusack)
As in the first film, the one-liners fly thick and fast – a child in the waiting room airily talks about visits from the stalk, "Our parents had sex," is Wednesday's response. "You turned Fester against us, manipulated him," Morticia storms regally after bursting into Fester and Debbie's house, "that I can take – but pastels." "He's a real ladykiller," Debbie says of Fester; "Acquitted," replies Gomez.
Just as much as the first film, Addams Family Values walks the double sword-edge of trying to have its characters writhing in perverse ecstasy at being tortured yet also trying to place them in peril. There is also the problem of translating the gags into a dramatic structure. However, the middle of the film does so by fulfilling its title pun and making all the kinkiness into a glorious trashing of the great American sacred cow of Family Values. The baby is thought to be ill when it develops blonde curls and cute cheeks – "He'll become a lawyer, an orthodontist or even a president," wails Gomez. The summer camp scenes throw wonderfully scabrous barbs at group hugs, feelgood sentiment and Kumbaya singalongs.
When it comes to the pantomime Indian uprising with Wednesday as Pocahontas leading the camp rejects and turning on the audience "I'm going to scalp you and burn your homes," the film becomes a joyous celebration of nonconformity. Indeed, one can see that the ultimate message of the film is that the Addams Family's gleeful perversities aren't that different at all – it just makes them another underdog minority group.
Wednesday (Christina Ricci) incites an uprising at summer camp as Pocahontas
Though Addams Family Values was a success, the death of Raul Julia in 1994 put paid to any further Addams Family films. There was however a direct-to-video film with Addams Family Reunion (1998) where the characters were recast, although this was disappointingly poor. The characters were subsequently revived in the animated film The Addams Family (2019).
Barry Sonnenfeld's other genre films as director include Men in Black (1997), Wild Wild West (1999), the nuclear weapon comedy Big Trouble (2002), Men in Black II (2002), Men in Black 3 (2012) and Nine Lives (2016). Sonnenfeld also produced the witty spoof James Bond tv series Secret Agent Man (2000), the live-action superhero spoof The Tick (2001-2), the tv series Pushing Daisies (2007-9) about a man with resurrection powers the Lemony Snicket tv series A Series of Unfortunate Events (2017-9) and the revival of The Tick (2017-9), and on cinema screens the Gothic children's film Lemony Snicket's A Series of Unfortunate Events (2004), the Disney animation spoof Enchanted (2007), the animated Space Chimps (2008) and Men in Black: International (2019).
Trailer here
Director: Barry Sonnenfeld
Actors: Raul Julia, Anjelica Huston, Christina Ricci, Christopher Lloyd, Joan Cusack, Carol Kane, Carel Struycken, David Krumholtz, Peter MacNichol, Christine Baranski
Themes: Comedies, Black Comedy, BDSM, Disembodied Body Parts, Comic-Book Adaptations, Film Series and Sequels, Films of 1993
Addams Family Reunion (1998)
Hotel Transylvania 2 (2015)
Weekend at Bernie's II (1993)
Hotel Transylvania (2012)
A Very Harold & Kumar 3D Christmas (2011)
The Visitors (1993)
Hellboy II: The Golden Army (2008)
Popeye (1980)
Big Trouble (2002)
The Heroic Trio (1993)
Ghostbusters II (1989)
Swordsman III: The East is Red (1993)

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Как отлаживать exec? Запускаю пример
exec("mspaint");

Всё норм работает, открывается Paint, страница грузится, пока я не закрою его, то есть всё разрешено и всё работает как надо.
пишу в "выполнить"
node.exe C:\OpenServer\domains\flparser\wp-content\themes\twentyten\bronode\main.js mastertimz "сообщение"

всё норм работает, делает именно то, что мне нужно, но если я делаю
exec('node.exe C:\OpenServer\domains\flparser\wp-content\themes\twentyten\bronode\main.js mastertimz "сообщение" ');

то он просто возвращает нуль, и вообще нечего не происходит и никак не узнать даже в чем проблема, есть какой то способ отладки этого?

A: Если exec делается в коде на node.js

exec('node.exe C:\OpenServer\domains\flparser\wp-content\themes\twentyten\bronode\main.js mastertimz "сообщение" ');

Ну так путь неверный. \O, \d, \f, \w, \t, \b, \m... Надо так:
exec('node.exe C:\\OpenServer\\domains\\flparser\\wp-content\\themes\\twentyten\\bronode\\main.js mastertimz "сообщение" ');

A: Возможно, поможет второй параметр функции exec док. Если нет, можно попробовать более сложный запуск через proc_open док.

redpajama_set_name: RedPajamaStackExchange


Historical Mosques always have something so enriching and mystical about them, that when one caches a glimpse of it, they are left in awe of the architecture they are witnessing. Their structure speaks, even when no sound is heard about the souls that resided there. So let's take a trip down memory lane and rediscover the mosque that was build on the land down under.
The Marree Mosque was build in Marree, South Australia, around the year 1882. However, some historians have said that they think the exact year was somewhere around 1861. The Mosque was built by the members of the Afghan community that were residing in Australia at the time. When studied in detail, these Afghans weren't just Afghans coming from Afghanistan and Middle East, but were generally Afghani Muslims coming from the then British-India. The Afghan members residing in the South Australian region at the time worked as camel-drivers and breeders.
The man behind the construction of the Mosque was Abdul Kadir, a merchant who was also the owner of a camel breeding and carrying business, which was situated at the Wangamanna station, the place where the Marree Mosque is situated.
The Marree Mosque is considered to be the first ever Mosque that was built in Australia. The Mosque holds its significances not only because it is now a historical landmark but this Mosque is also a symbolic representation of the development that was backed by Muslim immigrants and how the collective effort of Muslim community and the people of the land helped in building the town of Marree in South Australia.
The town of Marree had three active Mosques and were frequently visited by its local Afghan community. Today, only one remains, as the other two were abandoned and lost to the nature of the desert.
The men visited the site to witness the entry point of Islam in Australia and for the first time in a long time, the town of Marree heard the echoes of a familiar call, a call that had lost its voice but came back to echo its harmony. The call that we know as the Islamic call of prayer.
Previous article If You're Crazy About Hummus and Falafel, You're Going to Love These 5 Delicious Libanese Recipes As Well!


View taken from triforium level at west end of bay 22. Trinity Chapel is visible at far end.
Taken from floor level of bay 22. Trinity Chapel is visible in distance.
Taken from bay 19 looking to the east.
View to northeast, showing north arcade and north aisle. Taken from bay 22.
View to southeast, showing south arcade and south aisle. Taken from bay 22.
View taken from floor level, crossing bay 12, towards west end of cathedral. North and south nave aisles are visible at right and left of image.
View down center of nave towards west doors, taken from crossing bay 12.
View taken from bay 12 towards southwest, showing south arcade and south aisle.
View taken from bay 12 towards northwest, showing north arcade and north aisle.
Transept side of bay 13, looking west. View taken from bay 11 through bay 12 (crossing is to the right of image), into the south nave aisle.
Taken from bay 13, looking towards west wall.
View down center of south aisle.
View from bay 13 to southwest, showing south wall of south aisle, and south aisle window in west front.
View to northwest from bay 13. Central aisle of nave is visible through the arcade.
Taken from bay 22. Hertford monument is visible at eastern end of south aisle.
View to east down center of south aisle, taken from bay 21. Hertford monument is visible at far eastern end of aisle.
View taken from bay 22 to the northeast. Central aisle of nave is visible through arcade.
View taken from bay 22 to the southeast. Shows south wall of south aisle.
View from the nave through the south arcade towards south wall. Bay 14 is at left of image; bay 16 at right.
View taken from nave looking directly south. Bay 19 is at left, bay 20 in center, bay 21 at right. Note entry in bay 22 at far right to cloisters.
Transept side of bay 13, looking west from bay 11 through bay 12 (crossing is at left of image) and into north nave aisle.
View down center of north aisle towards west window. Taken from bay 12.
View to southwest looking into nave from north aisle through north arcade. Taken from bay 12.
View to northwest showing north wall of north aisle. Taken from bay 12.
Taken from bay 21. Gorges monument is visible at eastern end of the aisle.
View down center of north aisle towards east window. Taken from bay 21.
View to northeast showing north wall of north aisle. Taken from bay 21.
View to southeast looking into the nave through the north arcade.
Taken from nave through the north arcade to the north wall. Bay 16 is at left of image, bay 15 in center, and bay 14 at right.
View from nave looking through north arcade towards north wall. Bay 22 is at left, and bay 18 at right.
View of all of the nave vaults taken from the crossing to the west wall. Bay 13 is at top of image and bay 22 at bottom of image.
Bay 13 at left of image and bay 17 at right.
Bay 18 at left of image and bay 22 at right.
West wall of nave is at top of image.
Taken from bay 20, looking east down north nave aisle.
View taken from east to west. Bay 13 is at top of image and bay 15 at bottom.
Bay 20 is at top of image, bay 19 at bottom. North nave arcade arches are visible to the right.
Nave arcade arches are visible at bottom of image. Bay 20 is at left of image, bay 21 at right.
View from bay 21 (vault at top of image) towards westernmost bay 22.
South aisle vaults, looking north towards north clerestory of nave (at bottom of image). Bay 16 is at left and bay 15 at right of image.
South arcade, bay 13, is visible in center of image. View is taken from north aisle, bay 14 (tomb in north arcade, bay 14, is in foreground).
View taken from north aisle, bay 14, looking south towards upper levels of bay 13.
East light of south aisle window, bay 13.
Piers and tomb in south arcade, general view to northwest from south aisle. North arcade of bay 15 is visible through south bay 13 arcade.
Purbeck shafts and bases on west side of crossing pier, south arcade, bay 13.
Taken from south aisle. Step up is visible in front of pier at west side of bay 13.
View taken from south aisle, showing south and west sides of tomb. Tomb dates to c.1226. Wooden base, Tournai marble effigy. Originally erected on stylobate in Trinity Chapel; moved to nave in 1789.
View taken from south aisle, showing south and west sides of tomb.
View taken from south aisle by western pier in bay 13, showing south and west sides of tomb.
View taken from nave showing north and west sides of tomb.
Created by Ann Ballantyne and placed next to tomb.
View taken from south aisle through south arcade of bay 14. South side of north arcade, bay 13, is visible in center of image.
View taken from nave, showing southwest view of tomb. Cheney was the standard bearer of Henry of Richmond at the Battle of Bosworth, 1455. Tomb dates to 1509, and was formerly placed within the Beauchamp Chantry chapel. Effigy is of alabaster.
View taken from north aisle, showing north and east sides of tomb.
View is taken from south aisle, looking through the south arcade of bay 14. North arcade of bay 16 is in the center background of image.
View taken from south aisle, showing southwest corner of tomb. Walter de la Wyle was Bishop of Salisbury from 1263 to his death in 1271. He founded St. Edmund's Church and College. Purbeck marble effigy.
View taken from nave, looking towards south aisle wall.
At east end of effigy, taken from north.
At west end of effigy, taken from north.
Located on west end of effigy at Bishop's head.
Located on south wall of south aisle, bay 14. Dated 1622, made of painted stone.
View taken from north aisle, looking through the north arcade of bay 14, with tomb in foreground. In center background is south arcade, bays 16 and 17.
View taken from nave through north arcade towards north wall. Bay 15 is in center, bay 16 at left, and bay 14 at right of image.
Southeast corner of tomb, as seen from nave. Lord Hungerford died in 1449; tomb was reconstructed with fragments in 1779.
View taken from north aisle, showing northwest corner of tomb.
South slab, taken from east. Shows missing brass indent.
North slab, taken from east. Shows missing brass indent.
View taken from south aisle, looking through south arcade of bay 15, with tomb in foreground. The north arcade of bays 18, 17 and 16 are pictured between the piers in the background.
View taken from south aisle; north nave clerestory is visible at bottom of image. Bay 15 is to the right of image and bay 16 at left.
View taken from south aisle, showing southwest corner of base. Osmund was Bishop of Old Sarum from 1078 to 1099, and was canonized in 1457. Since this photo was taken, the base has been relocated on the south sleeper wall of the Trinity Chapel.
Note holes through which pilgrims could reach to get closer to the canonized remains.
View taken from nave looking into south aisle, showing north and west sides of shrine base.
View taken from east end.
The tomb base was relocated c.2000 to the sleeper wall between the Trinity Chapel and chapel at the east end of the south aisle, its previous position before placement in the nave in 1789. For images of the base in its current location, look in the archive under TRINITY CHAPEL.
View taken through south arcade, looking north to north arcade and into north aisle. Bay 16 is at left of image, bay 15 in center, and bay 14 at right.
Seen through south arcade (in foreground). Bay 16 is at left, bay 15 in center, bay 14 at right behind pier.
Bay 16 is at left, bay 15 at right of image. Arch at top of image in foreground is part of the south arcade.
Taken from nave looking towards north aisle wall. Brass is copied from one in the northeast transept.
Taken from north aisle, looking south into nave.
North side of south arcade, bay 16, visible in center of image. View is taken from north aisle, bay 14, through north arcade towards southwest.
Bay 16 is on left. View taken through north arcade from bay 14.
South side of tomb, seen from south aisle. Hungerford died in 1459. Tomb was previously placed in the Hungerford Chantry chapel, but was moved to the nave in 1789. Tomb chest is reconstructed from fragments; effigy is alabaster.
Bay 16 is in center of image. View is taken from south aisle, through south arcade, bay 14.
Bay 17 is in center, bay 16 partially hidden by pier at right of image.
View taken from nave, showing southwest corner of tomb.Montacute (d. 1390) was the second son of the Earl of Salisbury. Tomb chest and effigy are of carved sandstone; effigy was originally painted and gilded.
View taken from north aisle, looking through north arcade of bay 15 towards southwest. North side of south arcade, bay 17, is in center of image.
Bay 17 is to the left of the image.
View taken from south aisle, showing southwest view. Beauchamp was Bishop at Salisbury from 1450 until his death in 1481. A purbeck altar table serves as the top of tomb, and the tomb chest seen here was reconstructed in 1789 when his original tomb in the Beauchamp chantry chapel was destroyed.
View taken from nave. Model of cathedral in background.
South side of north arcade, bay 17, is in center of image. View is taken from south aisle, through arcade at bay 15, towards northwest. North porch entrance is seen on north wall, behind arcade of bay 17.
Triforium level, bays 18, 17 and 16.
Bay 17 is in center, bay 18 at left and bay 16 at right of image.
View taken from nave, showing southwest corner of tomb.
View taken from north aisle, showing northwest corner.
Arcade, triforium, and clerestory of bays 18 and 19 are visible through the north arcade of bay 16. Montacute tomb is in the foreground.
View taken from north aisle looking through north arcade. Bay 18 is at left of image.
The north porch opens into bay 18, so the sleeper wall between the arcade piers is interrupted to facilitate access to the nave. This view is taken towards bays 18, 19 and 20 of the south aisle from the north aisle of bay 18.
Taken from the nave looking directly south into the south aisle of bay 18. Information desk is located here (across from the north porch entrance).
View is taken from the south aisle, looking through the south arcade towards the north arcade. Bay 18 is framed in the center of the image. The Hungerford tomb, bay 16, is in the foreground.
Image taken from the south aisle of bay 18 to the northeast, showing north arcade bays 17 and 16 in the distance. North arcade bay 18 would be at left of image. Note lack of sleeper wall between the arcade piers in this bay, to allow passage for visitors using the north porch entrance in bay 18.
Taken from nave looking into the north aisle. The entry leads to the north porch.
View through north arcade of bay 17 towards south arcade, showing arcade, triforium, and clerestory of bay 19 at left and bay 20 at right.
View taken from north arcade towards south arcade.
View taken from south aisle towards northeast.
Northwest corner of tomb. Image taken from nave. Information desk in bay 18 visible at left.
View taken from south aisle, looking through arcade piers of bay 17, towards bay 19 of the north arcade (centered).
View taken from nave into north aisle. Bay 22 is at left, bay 18 at right.
View taken from nave, showing southwest corner of tomb. Entry to north porch is in background. William Geoffrey was Chancellor from 1554-1558.
View is taken through the north arcade, bay 18, looking towards south arcade. Bay 20 is at left and bay 21 at right.
Taken through north arcade, looking towards south.
View taken from nave. Just beyond the chairs resting on the sleeper walls are two effigies.
View taken from south aisle, looking north. Effigy slabs rest almost directly on sleeper wall. Effigy at left is attributed to Bishop Roger (d. 1139); right is attributed to St. Osmund (Bishop 1078-99). Since this picture was taken, Osmund's effigy has been moved to the center of the Trinity Chapel.
West end of effigy. Head and mitre have been restored.
Left panel contains Tree of Jesse panels; right panel is composed of glass reused from the chapter house.
From Tree of Jesse panels.
View taken from south aisle, with cathedral model in foreground. Bay 20 is centered through the arcade.
View taken from nave, looking northeast. Effigies on sleeper wall are visible.
Located against north wall of bay. Dates possibly to the late 14th century. Formerly located in the separate belfry (destroyed c. 1790).
Effigy at right of image is possibly a small commemorative effigy attributed to Bishop William de la Corner. Effigy to the left is attributed to William Longespee, the younger, d. 1250. Image is taken from the north aisle looking southeast.
Effigy is of purbeck marble.
West end of effigy, taken from south.
Torso of effigy, taken from south.
East end of effigy, seen from south.
Taken from the north aisle of bay 21, looking southwest. Bays 21 and 22 of south arcade are visible beyond the platform (erected for concerts during the Salisbury Festival). The sleeper walls between the arcade piers are interrupted in bay 21 for passage across the nave.
View taken from nave looking into the south aisle between the south arcade piers. Doorway at right is the entrance to the cloister, in bay 22.
Image is taken from the south aisle of bay 21, looking northeast. North porch entry is visible at right.
The north arcade, triforium and clerestory are seen through bay 18 of the south arcade. Bay 22 and the west wall are barely visible at left of image.
View is taken from south aisle looking northwest from bay 19. Bay 22 is at left of image, bay 21 in center, bay 20 at right.
View from nave towards north wall, between piers of bay 21. Curtains are dividing bay 21 and bay 22.
Viewed through north arcade (entry from north porch into bay 18 is at right). Bay 22 is centered in image, with bay 20 at far left.
Viewed from nave, looking southwest. Bay 20 is at left, bay 22 (westernmost bay) at right.
Bay 22 is westernmost bay; bay 20 is at left of image.
Viewed through north arcade, looking southwest. Note passage through buttress at clerestory level.
View from nave, showing west and south walls. Note entry in west wall.
View from nave, bay 21, looking southwest. Entry to west walk of the cloister is behind pillar.
Taken from nave, looking directly south into bay 22. Doorway opens into the west walk of the cloister.
View taken from nave looking directly south into bay 22. Entrance to cloister is directly facing viewer. Entry into south porch of the west front is at right of image. Unidentified Purbeck coffin on sleeper wall in foreground.
View north into westernmost bay of nave taken from south aisle bay 22. South side of unidentified Purbeck coffin is visible on sleeper wall between piers.
View to west wall of south aisle. Exit to south porch of the west front is at bottom of image.
Stairs in wall lead out of singing gallery.
Lancets and quatrefoil located above south portal of west front. Grisaille in the lancets dates c. 1225-58. Angels at tops of lancets were formerly in the chapter house. A 16th century armorial of Bishop Jewel is in the quatrefoil.
16th century armorial of Bishop Jewel. Angels in lancets were moved from the chapter house.
Taken from nave, looking directly west.
Doors open to central porch of the west front.
Located above central doors, bay 22.
Located to the left of the central door.
Located to left of central door. Note traces of paint.
Located to the right of central door.
Located to right of central door. Note traces of paint.
Located above central doors in west wall of nave. Note depth of triforium passage.
Northern section of triforium, above central doors.
Looking through triforium arcade into passage. Note blocked quatrefoils in outer wall.
Molding at top of triforium arcade.
Heraldic shields at bottom of lancets contain medieval glass originally located in the chapter house.
Located at bottom left of left lancet. Arms of Gilbert de Clare, Earl of Gloucester (1262-1295).
Located at bottom right of left lancet. Made up arms.
Located at bottom left of center lancet. Arms of Eleanor of Provence, wife of Henry III (d. 1290).
Located at bottom center of center lancet. Arms of Louis IX of France, brother-in-law of Henry III (1226-1270).
Located at bottom right of center lancet. Arms of Henry III.
Located at bottom left of right lancet. Arms of Richard, Earl of Cornwall, brother of Henry III (1225-1272).
Located at bottom right of right lancet. Arms of Roger Bigod, Earl of Norfolk and Earl Marshall (1225-1270).
West wall is visible at top of image.
Viewed through south arcade, bay 20, looking northwest.
Seen from nave, looking northwest.
View north from nave. Unidentified grave slab on sleeper wall between nave and aisle. North wall hidden behind curtain.
Unidentified grave slab,north aisle, bay 22.
Located on sleeper wall between nave and aisle.
View to west from north aisle, bay 21. Curtains are blocking west wall of north aisle.
West wall lancets visible above curtain. Entry to north portal of the west front is behind curtain. View taken from north aisle, bay 21.
Showing right lancet and stair in wall leading out of singing gallery. Image taken with flash.
Lancets are painted grisaille, c. 1225-1258. Medallions at top of lancets are from chapter house. Arms of Thomas Ap Rice in quatrefoil, dated 1569.


You sign up with your phone number and Quicksy will automatically—based on the phone numbers in your address book—suggest possible contacts to you.¹ Quicksy can be downloaded for free from Google Play Store. The source code is licensed under the GPLv3 and available on Github. Under the hood Quicksy is a full-fledged Jabber client that lets you communicate with any user on any publicly federating server. Likewise users on Quicksy can be contacted from the outside simply by adding +phonenumber@quicksy.im to your contact list.
From a technical standpoint Quicksy is a gradle build flavor that replaces the sign up screens from Conversations. It is maintained in the same source tree and runs through the same release cycles and has the same features as Conversations.
¹ Suggested contacts consists of other Quicksy users and regular Jabber/XMPP users who have entered their Jabber ID into the Quicksy Directory.
Even if you are not a Quicksy user you can enter your Jabber ID into the Quicksy Directory and give Quicksy users the ability to automatically discover you based on your phone number. This lets you enjoy the privacy-friendly, federated nature of Jabber/XMPP while giving your less tech-savvy friends a low barrier entry into that world.
We charge a small fee to enter your Jabber ID and phone number into our directory. This cross financing allows us to make Quicksy completely free for its users. If you are a paying customer of the conversations.im hosting service, you can enter your number for free.
Click here to enter your Jabber ID.
Our general policy regarding your data is to store as much as needed and as little as possible. This section will try to explain what personal data we store and how we handle that.
In regular intervals Quicksy will upload a list of phone numbers from your Android Address Book to the Quicksy Server and get a list of matching Jabber IDs in return. Those Jabber IDs are either other Quicksy users or Jabber users who have entered their phone number into the Quicksy Directory. The matches are kept locally in the app until you sent a message to someone. Sending a message to someone will add that particular contact to your server side contact list (roster); See section »Other data« below. The Quicksy server does not keep a copy of your entire address book.
If you enter your Jabber ID into the Quicksy Directory, Quicksy users will not be able to discover your phone number based on your Jabber ID. Only Quicksy users who already know your phone number can discover your Jabber ID. The Quicksy Directory can only be queried by registered Quicksy users. We employ appropriate measures to prevent Quicksy users from scraping the entire list.
For users of our Quicksy Directory service we store the combination of your Jabber ID and phone number.
Every file you share with a contact or a conference will be uploaded and stored for later retrieval by the recipients.
A list of your Jabber contacts (Roster, Buddylist). This list is maintained by you. This is not the Android address book that gets synchronized with our server. You decide who goes on that list and who gets deleted.
For SMS verification we will hand your phone number to our SMS provider Twilio.
If your Android phone goes into a standby state and loses the connection to our server we will send a wake up signal to your device over Google's FCM. This wake up signal does not contain any personal information. Find a very detailed technical explanation here.
We hand your Jabber ID or Quicksy username out to any Quicksy user who knows your full phone number.
The Quicksy Directory server is inherently a centralized entity and there is no control mechanism to guarantee that we actually run the same code we publish. Nonetheless the source code is available on Github for review.
If you are interested in running the Quicksy Server to build your own XMPP-based instant messaging system with a simple and robust phone number discovery you may contact Daniel Gultsch for commerical support.


Latest Punjabi song by very popular singer Jazzy B from the movie 'Sardar Saab', is titled as 'Gobind Da Sardar'. Music of the song is composed by Millind Gaba a.k.a. Music MG and its lyrics are penned by Ram Kala Sanghian under the music label Music & Sound.


text:
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Sharon Thomas is a Certified Teacher, Level 1 and Level 2, and Practitioner of The Art of Feminine Presence. She carries a Bachelor's of Science degree in Adult and Secondary Education. She has been in private practice for over 20 years in Colorado Springs as a Medical Massage Therapist and Energy Practitioner. She has developed and practices the transformational healing system of Holographic Recalibration, involving resetting the human energetic biofield with spontaneous harmonic sound frequencies that Sharon produces from her voice spontaneously. In addition, Sharon has also enjoyed the deep rest and peacefulness of the practice of traditional meditation for over 30 years.
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This is an Opinion-Faith article written by Marc5Solas.
It seems to happen so often that I wanted to do some digging; To talk to these kids and get some honest answers. I work in a major college town with a large number of 20-somethings. Nearly all of them were raised in very typical evangelical churches. Nearly all of them have left the church with no intention of returning. I spend a lot of time with them and it takes very little to get them to vent, and I'm happy to listen. So, after lots of hours spent in coffee shops and after buying a few lunches, here are the most common thoughts taken from dozens of conversations. I hope some of them make you angry. Not at the message, but at the failure of our pragmatic replacement of the gospel of the cross with an Americanized gospel of glory.
The statistics are jaw-droppingly horrific: 70% of youth stop attending church when they graduate from High School. Nearly a decade later, about half return to church. Half. Let that sink in.
For all the talk of "our greatest resource", "our treasure", and the multi-million dollar Dave and Buster's/Starbucks knockoffs we build and fill with black walls and wailing rock bands… the church has failed them. Miserably.
They picked up on the message we unwittingly taught. If church is simply a place to learn life-application principals to achieve a better life in community… you don't need a crucified Jesus for that. Why would they get up early on a Sunday and watch a cheap knockoff of the entertainment venue they went to the night before? The middle-aged pastor trying desperately to be "relevant" to them would be a comical cliché if the effect weren't so devastating. As we jettisoned the gospel, our students are never hit with the full impact of the law, their sin before God, and their desperate need for the atoning work of Christ. Now THAT is relevant, THAT is authentic, and THAT is something the world cannot offer.


Discussion in 'The Studio Lounge' started by Brian, Oct 17, 2008.
Not sure I get the reference here. Kind of looks like a bald version of my dad though.
I think someone needs to stop smoking the whacky weed.
First it was "lol" then "eloel" and now this...get a hobby!!
The Rays don't play again till tomorrow and they lost last night. I think he's having emotional issues.
I need to have my gallbladder taken out, and it will be Thursday. It kind of looks like me after dinner.
My step mom just had her gallbladder removed last week. Hope all goes well for you.
Thanks, I am looking forward to a life where dinner no longer means horrific pain and vomiting.
It's a pretty straightforward procedure these days. I think you might be having to change your diet a little afterward though. Salads might be a big friend.
Good luck with the surgery! My sister-in-law had her gall bladder taken out two weeks ago. Recovery was not too bad for her, and now she gets to eat all that good cajun cooking again.


text:
A Miscellany of Parliamentary Material From The Past Week
On a good day, there may be a million words spoken in the Palace of Westminster. Here are a very few of them, from the floor of the Commons. They are not always verbatim but are reliable. That is, reliably reported.
Robert Halfon (Con): The Education department has appointed 13 Attendance advisers, but we have 1.7 million absent children and 100,000-plus so-called "ghost children".
Grant Shapps (Con): Professor Jay's Independent Inquiry into Child Sexual Abuse heard from 7,300 victims. It processed 2 million pages of evidence and cost £184 million. £4.5 million is to be allocated to seven organizations to support victims.
James Murray (Con): The out-of-turn estimates will increase overall spending by £71.4 billion [with £60 billion sought by BEIS to implement the energy price cap].
Christopher Chope (Con): The Paul Ehrlich Institute (the German regulator for vaccine safety) tried to raise the alert that one in 5,000 vaccinated people experienced a serious side effect, such as heart muscle inflammation. It said that, statistically, every tenth person must expect a severe consequence from having a course of three or four vaccines.
Scott Benton (Con): More than 70% of successful deportation appeals are now based solely on Article 8 [the right to respect for private and family life'].
Rachael Maskell (Lab): 7.5 million people are on pre-payment meters.
Graham Stuart (Con): In the Scotwind auction, Scottish fields have been sold off cheap, netting £700 million, while New York garnered £4.3 billion for a quarter of what was on offer in Scotland.
Andy Slaughter (Lab): The briefing from the National Residential Landlords Association says that 70% of landlords could envisage operating without section 21. Kevin Hollinrake (Con): That means in effect somewhere between 20% and 30% of supply (of rented accommodation) might go overnight.
Alison Thewliss (SNP): The gas bill of the Toryglen Community Base has gone from £9,700 a year to £62,273.36.
Richard Fuller (Con): In 2019, almost 243,000 net additional homes were delivered.
Anne McLaughlin (SNP): 40% of those entitled to pension credit do not apply for it.
Damien Hinds (Con): The e-petition for verified ID to be required to open a social media account has almost 700,000 signatures.
Taino Owatemi (Lab): In the last four years in this country, £3 billion has been lost to online fraud and 60,000 offences relating to online sexual abuse and grooming have been committed.
Guy Opperman (Con): Google made $14 billion profit last quarter.
Paulette Hamilton (Lab): (Before Putin's invasion) Ukraine grew enough food to feed an estimated 400 million people despite having a population of only 44 million.
Matt Vickers (Con): There is a street in Stockton where if someone travels from one end to another just five miles, they pass through two areas where the difference in life expectancy is 20 years. Those living in Yarm in my constituency can be expected to live until the age of 84, whereas those living in Stockton Town Center, and neighboring Stockton North, can expect to live only to the age of 64 – that is equivalent to the life expectancy of those living in Ethiopia.
Drew Hendry (SNP): Scotch whiskey exported to India attracts a tariff of 150%.
Robert Halfon (Con): New Spanish consumer laws will force big companies and utility firms to answer customer service calls within three minutes or face fines of up to £85,000.
Theresa Villiers (Con): [On revoking the retained EU laws] We do not know with certainty how many laws there are within DEFRA's food, animal welfare and environmental remit because that has not been comprehensively counted on the Government's dashboard. (Greener UK estimates 570 pieces of legislation in DEFRA. Estimates for the total number of laws to be examined by the end of 2023 fall between 2,500 and 2,700 – around five a day.)
Patricia Gibson (SNP): There have been four secretaries of state for education in the last year and nine out of 10 schools in England say they will run out of money this year. The dogs in the street know that the government is so unstable as to be unfit for purpose. Does today's Secretary of State for Education agree with me and the hon. member for Christchurch (Christopher Chope) that the new Prime Minister will face an "ungovernable" and "riven" Tory party and that a general election is the only answer, otherwise things will go from very bad to much worse? Mr. Speaker: What does that have to do with education? I do not think it has anything to do with education, so let us go to Elliot Colburn.
Jim Shannon, DUP: Does the minister agree that human rights provisions must be included in the India trade deal and can he guarantee that no blind eye will be turned to human rights abuses for the sake of economic benefit? Greg Hands (Con): I think this government have a fantastic record of promoting religious tolerance and religious diversity abroad. (In English: No.)
mdi-timer 28 October 2022 @ 22:00 28 Oct 2022 @ 22:00 mdi-twitter mdi-facebook mdi-whatsapp mdi-telegram mdi-linkedin mdi-email mdi-comment View Comments Labour Wins Birmingham Erdington By-Election on Tiny Turnout
Labour's democracy-ambivalent candidate, Paulette Hamilton, won the Birmingham Erdington by-election overnight, albeit with only a slight increase in the Labour vote and on a tiny turnout. Just 27% turned out to voted, 55% of whom backed Labour – an increase of 5.2% on 2019. The Tories fell by 3.8% – a swing to Starmer of 4.5%.
mdi-timer 4 March 2022 @ 07:12 4 Mar 2022 @ 07:12 mdi-twitter mdi-facebook mdi-whatsapp mdi-telegram mdi-linkedin mdi-email mdi-comment View Comments
Tory MPs Call For Starmer to Suspend Labour By-Election Candidate
Following this morning's news that Paulette Hamilton, Labour's candidate in the Birmingham Erdington by-election, publicly weighed up the benefits of a violent revolution, two Tory MPs have now called for Starmer to immediately suspend the whip should she win tomorrow. She's still the clear frontrunner, so that's incredibly likely…
Both Tom Hunt and Gary Sambrook have now issued statements demanding Hamilton's suspension, with Hunt issuing a Point of Order in the Commons this afternoon saying it's "crucial" Starmer suspends her, and Sambrook also pushing for "immediate" action against her. So far, all Labour have said is "she has a point".
Inevitably other Tory MPs, including Nadine Dorries, have also publicly condemned Hamilton in the last few hours – although so far only Sambrook and Hunt have called for Starmer's personal involvement. Immediately removing the whip before she's even given her maiden speech would surely be some kind of record…
Read Sambrook's letter in full below…
mdi-timer 2 March 2022 @ 17:20 2 Mar 2022 @ 17:20 mdi-twitter mdi-facebook mdi-whatsapp mdi-telegram mdi-linkedin mdi-email mdi-comment View Comments Labour By-Election Candidate Weighed Up Pros and Cons of Violent Uprising
Ahead of tomorrow's Birmingham Erdington by-election to replace the late Jack Dromey, GB News has unearthed footage of Labour candidate Paulette Hamilton appearing to question the value of democracy and considering "an uprising" to "get what we want". In a clip from a 2015 panel discussion called "the Ballot or the Bullet?", Hamilton said:
"Although I believe in the vote… I'm not sure that we will get what we really deserve in this country using the vote. But I don't know if we are a strong enough group to get what we want to get if we have an uprising. I think we will be quashed in such a way we could lose a generation of our young people. So I am very torn. I went away and I watched the Malcolm X film and listened to a lot of what he's said to make sure I was ready."
Hamilton even goes on to discuss the benefits of "infiltrating" the leadership of schools to spread specific religiopolitical beliefs to children, claiming "I know that we want something of our own, but sometimes you have to infiltrate other systems if you want to get change". According to GB News, a Labour Party spokesperson this morning said:
"Paulette Hamilton is arguing for better representation for the black community in public life and as she is campaigning to become Birmingham's first black MP she has a point."
"She has a point" about being "torn" on an uprising, apparently.


A key point of center of Aden continent. The territory is home to powerful influences such as the Ivory Tower wizards, Elves, Dark Elves, and others. So a strong military force is suppressing these influences.
This page was last edited on 20 December 2015, at 22:12.


hey guys, anybody tried C&D Luciano? I'm looking for an Amaretto blend. Would go straight for the last 2 SG Limited editions but the reviews say the amaretto topping is absent. What about Sunset Breeze?
I have a tin of Sunset Breeze. The amaretto is definitely there in the tin note. It's an enjoyable blend.
I didn't get amaretto from Sunset Breeze - just tasted like a generic aro to me.
I don't get it in 7 Seas Black, either, which mainly tastes like chemicals.
I'd probably try Sutliff. The C&D sounds good, though.
That's so weird, Bugs. Sunset Breeze is typically thought of as THE Amaretto blend. I think it reeks of almonds. Proof that we all taste things differently.
Sunset breeze is the only aro I smoke regularly ... it is definitely an amaretto blend to me.
I've smoked Sunset Breeze and recommend it, just as Oxman did. Don't think you'll be disappointed, only flavoring added is Amaretto. Let us all know your experience with the blend.
YOU WILL SMELL ALMONDS, it's what Amaretto is made from.


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In my December Lip Monthly subscription bag I received a pink lip gloss that has a gold shimmery undertone. I think I was most excited about the argan oil being added because these Midwest winters don't play. It is always a struggle to make sure my lips and face are properly moisturized.
This moisture enriched gloss from City Color called "Class Flirt" was a great add to my lip collection. Class Flirt is a part of Color City "Argan Oil" collection of 5 colors. Currently on sale for $27.99, originally $29.99 you can have all 5 colors in this bundle. Not a bad deal at all for the bundle, which comes with the following colors: Class Flirt, Trailblazer, Girl Next Door, Prom Queen and Wild Child. You can also purchase these colors individually for $5.99 each. They have a wide variety of lip gloss, lip sticks, lip balms and lip liners. City Color also has different make up products for your face and eyes at affordable prices for any makeup enthusiast. The argan oil gloss is great by itself or as a topper to compliment your lip color. I've worn this gloss in many different ways and I like the versatility of wearing it alone or pairing it with another color.
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text:
1st of September, 2016 (Thursday)
Don't be silly, Charlie. Why, that doesn't even make any sense.
Panel 5 is creepy beyond words. I'm suddenly over shipping Charlie with the Lovecraftian time traveler.
Yea don't be silly Charlie, no one would even believe in such a thing... next you'll start calling them terminators, lol so silly of you
Minno
@Lokitsu I'm just starting.
Zekiah
I don't want this to end but I also really want a solid ending that ties the whole story up.
AI... Does that mean Artificial Intelligence? Or... Artificial Individual? Both are two completely different beings.
The first would possibly follow Charlie's off the cuff guess... i.e. computer brain in a fleshy body; somewhat like the 'Terminator'.
The second might be a genetic clone with a pre-programmed biological brain.
SlugFiller
I guess next page we finally get a better explanation as to how Memnon and Emi are able to manifest bodies. Anyone want to start a betting pool? So far, I'm thinking either replicator-style with nanomachines, or reality warping of some sort.
And just like that, we're back to the sort of banter I treasure in this comic.
Appreciating every page you produce :)
Notice he's more concerned about "created" than "where you died tonight".
I keep loving this comic. Kudos, Tober!
2nd of September, 2016 (Friday)
Shouldn't Charlie be a little more nonplussed? This should be the first of him hearing that he actually died...
Charlie isn't a stranger to the concept of being saved by time travel, thanks to the movies. So the idea of having been killed in a different timeline isn't such a big shock to him. At this point, being twice saved, he's pretty much expecting SOME sort of Deus Ex Machina to pop out of a time portal any time he's in real danger.
I love how Charlie just goes with the flow. He was st to the future, lives with himself, and was nearly killed. By now he just accepts everything coming.
3rd of September, 2016 (Saturday)
Magic Trees
Charlie why are you okay with this
CyberSkull
I love panel 5.
I don't know. I get that Charlie is comfortable with time travel, and yes, his life was in danger earlier..but as far as he knows, he's never died. That should still throw him for a loop. At the very least, a "wait..'I died'?"
The Theorist
Eh, Idk. A moment before she arrived he probably half expected to die. And since he has experienced time travel, another time traveler wouldn't be a shock. An AI is the only new factor in this equation. I believe the order of dialogue is reasonable.
4th of September, 2016 (Sunday)
When Charlie died, Emi's dad was created. But since Charlie didn't die, he wasn't created, which is why he's not there. But if he wasn't created, how could he make Emi, let alone send her back to save Charlie?
And this is why time travel gives me headaches.
@Mujaki: if there still was a doubt, there's no more. She says "THE future WHERE you died tonight". So we're in a parallel worlds story, like some commenters predicted...
I'm sorry for Ash in all the futures where Charlie dies, but no paradoxes to fear, I suppose, so no headaches... Unless Tober is playing with us poor readers... I love this story anyway, love being surprised...


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This way, the PA manager easily optimizes the system's EQ and enables digital steering functions, even to a flown or wall mounted system, adapting INGENIA PAs to the venue and application (speech, playback or live music) in use.
VIO L212 IS THE OFFICIAL PA OF ATLANTICO LIVE!


Stevie from Wonky Sensitive writes a really awesome write-up about "Disguise" the debut track for my band Labrose. Read below.
"Introducing Labrose, a brand new bi-coastal duo comprised of New York City-based singer/songwriter Victor Perry and Birmingham, UK-based producer/musician Alisdair Mason (aka Ficci), who have just unveiled their debut single called "Disguise", which premiered earlier today by our friends over at Sodwee. "Disguise" is a rather remarkable first offering that further showcases Perry's stunning vocal delivery matched by Ficci's equally impressive production prowess. According to their bio, Labrose's music aims to resonate from within your soul; touching on subjects of love, self-reflection, and self-expression."