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Q: Open /wp-json response with "forbidden_access" I installed a customer project on my local machine.
I want to create a new REST API route.
On the live website, i can see the wp-json data.
But when i call the wp-json on localhost, i get this message:

I have a couple of wordpress websites on localhost and everyone work without any problems. Instead of this wordpress installation. I already uninstalled all plugins and the message still appear.
Has anyone an idea to solve this problem?

A: This could be a permalink issue, go to Settings > Permalinks and change the setting to "Post name"  and save settings, then check if you get the same issue or not.


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Lightkeeper: Hudson recognized for helping homeless
Jan 18, 2019 at 8:55 AM Jan 18, 2019 at 8:55 AM
Robert Hudson noticed a person walking at the same time each day in the same direction. He did not know the person but figured transportation to work was needed so he gave him a bicycle.
This is indicative of the hands-on, real world support Hudson provides to people living with serious mental illness and the homeless — those in the community that are most in need of support.
That is Hudson's work at Physicians Alliance for Mental Health as an Employment Support Professional to match community organizations and resources with those in need. But the line between work and volunteerism blurs as Hudson works long after work hours to fulfill needs and provide support when support is needed for all that he makes contact with. For many, he is their only support system.
"The work he does for the community goes far beyond the limits of the workday that most people are accustomed to," said Naomi Thompson, who nominated Hudson as a community Lightkeeper. "He makes himself available to take calls from his clients after work hours, over the weekends, during natural disasters, and holidays without being paid for his services. He is dedicated to helping improve the lives of other people."
Hudson links and connects people to resources such as meals when they are hungry, clothing, safe housing, behavioral health and medical treatment options. It does not stop there. He maintains constant contact and does well visits. This may mean hospital visits, ensuring they make it to the shelter before the doors close, and alerts about community events, Thompson said.
He helps those in need of a job to develop healthy communication skills, provides instruction on the importance of professional appearance, role plays employment interviews all towards helping them be successful. Hudson even provides transportation for a period of time if needed.
"He is the expert in securing employment for people of this community who are considered hard to employ," Thompson said. "He feels strongly about removing barriers to enable them to become self-sufficient taxpaying citizens."
During Hurricane Florence, Hudson called referrals one-by-one to assess their plan for safety and provide information about shelters. He stayed in contact during and after the storm providing information about where to get food and water.
"This comes as a surprise," Hudson said. "I am so honored by the nomination."
A third of referrals are homeless or at risk of homelessness. Because homelessness is unconventional, it takes unconventional methods to help those with this issue thus he often collaborates with formal and informal resources in the community to serve those in need, Hudson said.
"I help those who are homeless because I feel you cannot thrive without feeling safe," he said.
Since 2016, Hudson has served as a board member and community liaison for Old North State Medical Foundation to address homelessness and other issues in the community. He has been a Zing Zumm Children's Museum board member since 2015.
Hudson participated in several over-the-counter medication giveaways and helped to bring the Dance Theater of Harlem to Eastern North Carolina to provide cultural arts for the youth in this community. He also participated in providing toys for children at Christmas.
Hudson was enrolled in the nursing program at Edgecombe Community College when he joined the Navy in 1993. After training in San Diego, California, Hudson became a hospital corpsman and came to Onslow County. While serving in the Navy, Hudson attended classes at Campbell University earning a Bachelor's degree in psychology.
Hudson has a 9-year-old daughter, Amara, who likes to make slime.

redpajama_set_name: RedPajamaCommonCrawl


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TagBreakupsChildrenDeathDivorceFamilyFathersMarriageRelationshipsTelephone
ContributorMiki Meek
597: One Last Thing Before I Go (2016)
Act One: Really Long Distance
Producer Miki Meek tells the story of a phone booth in Japan that attracts thousands of people who lost loved ones in the 2011 tsunami and earthquake. A Japanese TV crew from NHK Sendai filmed people inside the phone booth, whose phone is not connected to anything at all.
Act Two: This Is Just As Hard for Me as It Is for You
Producer Miki Meek tells the story of a man named Will Ream who is trying to figure out what is best for his children, and having some regrets about how things worked out. To tell this story we collaborated with songwriter Stephin Merritt.
526: Is That What I Look Like?
Act Two: One Life To Live
Producer Miki Meek spent a week with a family in the midst of a difficult situation. A woman who got in a car accident and then was in a coma for 52 days, woke up having forgotten the last two years of her life — during which she'd divorced her husband.


When you think about talented people at the Ford Foundation or elsewhere who were able to advance new ideas, scale up innovation or come to the rescue when challenging work got stuck, who have you admired? Were they the ones with terrific technical skills and knowledge?
My hunch is you'd say yes, but that is not what you admired the most. What was it that they were able to do when confronted with the myriad non-technical challenges that come with our work, and what have you done when challenged in this way?
How do you create space for authentic proposals to develop?
How do you help a board do generative work around a divisive topic?
How do you make racial equity real inside a foundation or across a field?
How do you help your board and staff explore the role of financial assets at foundations?
Despite their positions, the size of their foundations, their racial identity or age, everyone I interviewed had one thing in common: In challenging situations, they try to get curious instead of frustrated. They take a step back to observe themselves and others.
They have equipped themselves so that they can safely dive "under the waterline" of difficult transactions to help everyone see the barriers hidden at a deeper level. And they have a "test and learn" mindset that allows them to make adjustments in behavior, both theirs and others', to try new ways to get to better outcomes.
In other words, they use reflective practices at work.
I have always been as interested in "the how" of our work as "the what" of it. Early in my career at the Foundation, I enlisted Don Schon from the Massachusetts Institute of Technology to advise us on how to create a learning environment that would expand thinking about philanthropic financial assets to include Program Related Investments. That led to a series of workshops at MIT that enabled foundations to explore closely held practices that didn't align with their desire for greater impact. His research and application of reflective practices to help people shift their beliefs and approaches inspired me.
Years later I wrote a GrantCraft guide with Bill Ryan called Personal Strategy about what it takes to manage and mobilize oneself to shift approaches in challenging environments. The underlying premise was that, if organizations have strategy, shouldn't individuals have strategy too? That question has led me to my hunch that reflective practices are key to good personal and organizational strategy.
After I left the Foundation in 2011, I joined The Giving Practice, the national consulting arm of Philanthropy Northwest, a nationwide network of some 200 family, private, community and corporate funders. Our focus is on helping practitioners in philanthropy build what they already bring to their work. We believe a lot of hidden knowledge in the experience of people and organizations can be tapped though reflective practices that illuminate strategy, grant-making approaches and the inevitable dilemmas that come with any good work.
Reflective Practices takes a deeper dive into what helps people at work face and navigate problems that don't have technical solutions. I recently released a guide based on interviews with philanthropy practitioners across the country. You can see every interview on our website, and can download the guide.
You'll find four common reflective practices in the guide: discovering roles, practicing presence, putting something other than exposition in the middle of a conversation and enlisting peers to consult on, rather than solve, a dilemma.
Please contact me if you'd like a hard copy and/or want to have a conversation about how to use the guide in your own work. I'm looking for teams in organizations and collaboratives (philanthropic, NGOs or NPOs, or B corporations) that embed reflective practices of any kind into their meetings, feedback loops or strategy work. The next step in this project is to interview them, share their experiences on our website and connect them to each other for learning purposes.
Reflective practices are easy to learn. They immediately change power dynamics. Because there are myriad tools and skills, they invite you on a life-long learning journey. If we believe that philanthropy is not designed to be an ATM for social change, then why not invest in all its non-financial resources, including people and organizational structure, for the greatest return?
And of course, even if you are no longer working in philanthropy, why not develop your reflective practices to get to better outcomes in whatever you are doing now?


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NYU Steinhardt Announces the 8th Annual Double Reed Day to Conclude with a Free Concert at 6:30 p.m., Oct. 16
Steinhardt School of Culture, Education, and Human Development events, Steinhardt
NYU Steinhardt's Department of Music and Performing Arts program will present the 8th annual Double Reed Day on Sunday, October 16, 2011. The afternoon series of events, focusing on the oboe and bassoon, will culminate in a performance by New York University faculty, students, and Double Reed Day (DRD) participants at 6:30 p.m. in the Frederick Loewe Theatre, located at 35 West 4th Street in New York City.
The Glickman Ensemble - Jill Dispenza, Lisa Alexander, Catherine Marchese, Edwin Cabrera, and Pej Reitz
Afternoon-long Series of Events, Focused on the Oboe and Bassoon, to Honor Loren Glickman, World-Renowned Bassoonist, Composer, and Teacher
NYU Steinhardt's Department of Music and Performing Arts program will present the 8th annual Double Reed Day on Sunday, October 16, 2011. The afternoon series of events, focusing on the oboe and bassoon, will culminate in a performance by New York University faculty, students, and Double Reed Day (DRD) participants at 6:30 p.m. in the Frederick Loewe Theatre, located at 35 West 4th Street in New York City. The concert is free and open to the public. This year's DRD honoree is the world- renowned bassoonist, performer, and teacher Loren Glickman.
The DRD concert will feature the premier of selected movements from composer Laura Kaminsky's new multimedia work Horizon Lines. It will be performed by O₃XYGEN–a trio featuring NYU faculty members Matt Sullivan (oboe) and Dan Shelly (bassoon), along with Peggy Kampmeier (piano). Other works to be performed include selected chamber works for bassoons by Loren Glickman, performed by the Glickman Ensemble. Also featured will be Threeds—a trio of two oboes and English horn. The concert will conclude with a performance of GF Handel's Water Music by all the DRD oboists and bassoonists participating in the day.
The 8th annual Double Reed Day (DRD) gets underway at noon and will include workshops, lectures, interviews, and coaching session aimed at talented high-school and college-age musicians along with their teachers. DRD is free and open to the public. For additional information and to register, visit http://steinhardt.nyu.edu/conference/woodwinddday. Interested individuals may also contact Matt Sullivan at 917.856.5716, or matt.sullivan@nyu.edu.
Richard Pierce
How Radio Programming Can Fight Violent Extremism in West Africa
Hidden in Plain Sight: Exposing the 'Underbelly' of Slavery in French Art
NGO-delivered tutoring programs can improve social-emotional and academic outcomes for Syrian refugee children
Your Anxiety Isn't Going Anywhere. Here's How To Put It To Work
The Curtain Rises on a More Inclusive Broadway
Physicists Discover How Particles Self-Assemble
NYU Wagner's NYC 2025 Initiative Plans Nov. 17 Discussion with the Association for a Better New York on Policies to Help the City to Advance


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FEN vs HAT Live Score Dream11 Team Prediction, Today's Match Fantasy Football Tips
Hello, friends here we are sharing a piece of exciting news for those who love to watch a football matches. A very well knwo and amazing Turkish League is returning with its two powerful teams. This match is going to be played on Fenerbahçe vs Hatayspor. It is a highly anticipated football match; all the fans have been waiting for it. All the fans have been searching for the match details on the internet as they are also super excited to see their favourite team. Here we have more information about the FEN vs HAT match and will share it with you in this article.
It is a highly anticipated match and all the football lovers are waiting for this march because they know that it will be more enjoyable and interesting. Both teams are very famous and they will give their best for winning the trophy. The Turkish League match between Fenerbahçe vs Hatayspor will be played on Tuesday at Sukru Saracoglu Stadium, in Istanbul, Turkey. If we talk about the weather then the weather will be clean and there are no chances of rain during the match. currently, all the fans are very curious to knwo about the match details. So let's take a look at the match details like team, lineup, date, venue, time and other details. Scroll down the page for more information.
Team: Fenerbahçe (FEN) vs Hatayspor (HAT)
Day: Tuesday
Date: 27th December 2022
Time: 10:30 PM (IST) – 05:00 PM (GMT)
Venue: Sukru Saracoglu Stadium, Istanbul, Turkey
League: Turkish League
Fenerbahçe Possible Playing 11: 1.Altay Bayindir, 2. Serdar Aziz, 3. Attila Szalai, 4. Bright Samuel, 5. Gustavo Henrique, 6. Ferdi Kadioglu, 7. Irfan Can Kahveci, 8. Miguel Crespo da Silva, 9. Willian Arao, 10. Joshua King, 11. Michy Batshuayi
Hatayspor Possible Playing 11: 1.Erce Kardesler, 2. Sam Adekugbe, 3. Kamil Corekci, 4. Burak Oksuz, 5. Ognjen Vranjes, 6. Ruben Ribeiro, 7. Onur Ergun, 8. Musa Cagiran, 9. Saba Lobzhanidze, 10. Ayoub El Kaabi, 11. Ze Luis
According to the lineup of the match, both teams have amazing and talented players. As we all know that all the players always give their best. So now all the players are also ready to defect each other. This match will take place between Fenerbahçe vs Hatayspor on 27th December 2022 from 10:30 PM (IST) – 05:00 PM (GMT) at Sukru Saracoglu Stadium, Istanbul, Turkey. The FEN team won 3 matches and lost 2 matches and the HAT team won 2 matches, lost 1 match and draw 2 matches. The FEN team has more chances to win the match. Stay tuned to Dekh News for more updates.
KVC vs ATW Live Score Dream11 Team Prediction Today's Match, Fantasy Football Tips
Pavel Antov Death Reason? Russian Lawmaker Pavel Antov Found Dead in a Hotel in Odisha


From the Chicago Reader, November 26, 1999. —J.R.
There's surely no more famous lost film than Erich von Stroheim's Greed, a silent film made in 1923 and '24 and released by MGM in mutilated form in late 1924. If you believe the hype of Turner Classic Movies, what's been lost has now been found —- even though the studio burned the footage it cut almost 75 years ago, in order, according to Stroheim, to extract the few cents' worth of silver contained in the nitrate.
There's surely no more famous lost film than Erich von Stroheim's Greed, a silent film made in 1923 and '24 and released by MGM in mutilated form in late 1924. If you believe the hype of Turner Classic Movies, what's been lost has now been found–even though the studio burned the footage it cut almost 75 years ago, in order, according to Stroheim, to extract the few cents' worth of silver contained in the nitrate.


Matthew McCarten is a research associate in the Sustainable Finance Programme at the Smith School of Enterprise and the Environment. Matthew recently submitted his PhD thesis in finance at the University of Otago, New Zealand in 2017. His thesis examined the determinants and consequences of securities class actions. In particular, investigating the association between securities class actions and various corporate characteristics, including debt financing, political lobbying and innovation. He also holds a MBus (with distinction) and a BCom from the University of Otago. His main areas of research include corporate finance, financial regulation and ESG related issues.


9 Jul - 4 min - Uploaded by bozic4 this is the best techno electro mix guys!!! songs: 1. max farenthide number one 2. keep it up 3. 19 Jul - 79 min - Uploaded by Only Music Hits TV Techno Mix Best of Techno Music Mix, Vol. 01 by Deep Dreamer Only Music. Beatport Top 1. Your Mind Original Mix 2. I Feel the Music Original Mix 8. Portable Paradise Original Mix The Conclave Christian Craken Remix.
Electro House. Beatport Top Title. Artists 9. Dancing Alone BROHUG Extended Remix Love Inside The Lush (Keanu Silva Remix) Extended Mix. Hardwell's 50 Best Electro House Songs Ever. 11/1/ by Hardwell . Kid Cudi (feat. MGMT & Ratatat) - "Pursuit Of Happiness" (Steve Aoki Remix). as with house, techno, disco, or any genre you'd care to name, there are . #21 Tech House Song: Gus Gus - "Crossfade" (Maceo Plex Mix).
Check out 50 Techno Electro Tunes, Vol. 1 - Best of Hands Up Techno, Jumpstyle, Electro House, Trance & Hardstyle by Various artists on Amazon Music. Here are our picks for 's best DJ mixes . Depending on the night, you might get deep house, electro, ambient, or techno that runs the. hits radio Irvine, USA / Electro, House, Techno, Top 40 & Charts Logic and Juanes Ft. mix edm Walnut Creek CA, USA / Techno, Electro, House, Music. It's not such a surprise then that the podcasts feature all kinds of techno. .. house, acid, techno, and occasionally jazz, ambient, latin or hip-hop in the mixes.


In August 2016, the Federal Aviation Administration issued new regulations requiring a Remote Pilot Certificate to anyone operating a drone for commercial purposes, including Real Estate agents, filmmakers and public safety organizations. In April 2016, more than 44,000 commercial drones had been registered, and the FAA expects growth in the commercial drone sector to increase as much as 1,000 percent by 2021.
In Operation and Application of Small Unmanned Aerial Systems, students will learn everything they need to know to take the FAA's sUAS initial Aeronautical Knowledge Test, which is required to obtain a Remote Pilot Certificate and to operate a commercial drone.
Instructor Matt Esker said the course prepares students to be successful taking the Part 107 commercial pilot knowledge test. It covers history, some theory of operations and a basic introduction to the technology.
Students will learn to speak more intelligently about the industry and gain an understanding of how integral unmanned aerial systems have been in the evolution of aircraft. This is an exciting opportunity to gain access to information that was previously omitted from most aviation history courses and books.
Students will leave the class not only prepared to pass the Aeronautical Knowledge Test, but with a clear understanding of safe and professional drone operation.


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I love you I just don't like the shit you post on social media
The Rumpus Interview with Kitzia Esteva
By Julie Morse
Kitzia Esteva is a community organizer based in Los Angeles. She was born in Mexico, and left when she was sixteen to live in the Bay Area. She and her family have devoted their lives to the struggle for immigrant rights.
This past summer, she, her mother, and her aunt were passengers on the UndocuBus, a revolutionary campaign that was organized and comprised of undocumented people around the country. The five-week journey began in Phoenix, Arizona and made its final stop at the Democratic National Convention in Charlotte, North Carolina.
I recently talked to Kitzia about the fear and empowerment she embraced while on the UndocuBus, her work as a community organizer, and what Obama's immigration policies mean to her.
The Rumpus: The story of how you and your family came to live in the U.S. is pretty powerful. Could you tell us about it?
Kitzia Esteva: So, my family actually came to the U.S. before I did. My mom, my two nephews, and my sister came to the U.S. seeking treatment for my older nephew, Chuy, who was diagnosed with leukemia in Mexico. We know now that it was the environmental degradation that was at fault. At the hospital, the doctors didn't know what was wrong. Said it could have happened to anybody. We did some research much later when we learned about environmental racism through community organizing, and realized that it had to do with the factory we lived near by. Every once in a while there were toxic chemicals that were released into the air, and they said it was accidental. This factory actually belonged to a U.S. company—I don't remember the name of it, but it was located in Cosoleacaque, Veracruz, where my nephew lived. And we now we know that it was the cause of his leukemia. It was a big deal, especially for my mom, who was doing social justice work in Mexico, and for her to know that it was the U.S. who was responsible for my nephew being poisoned.
My family came to the U.S., and I came two years later. We all had a really hard time finding treatment for Chuy here, and most of my sister's time was spent in the hospital. It was a really hard battle for five years. Now that we know that his leukemia was really the responsibility of the U.S., it's one of the reasons why we went on the UndocuBus. We wanted to really challenge this idea that "we're criminals" or that "we're crossing boarders because we're adventurers, or just like to break the U.S. law," when in reality we're escaping a lot of bad things like disease and death. We have to escape terrible conditions that the U.S. has contributed to, if not caused.
Most of us are still undocumented in the country. For me, there are a lot of things to say about the idea of the American dream and what that means. When I first got here, we lived in Oakland in a really small apartment. I was used to a bigger home and more of a safe community in Mexico. I came to a community that was ridden by police brutality and poverty. Our apartment had such small living quarters. Four months after I arrived, my mom lost her job and we landed up at a shelter. So we didn't have this ideal situation where immigrants come and they find fortune and get rich, and buy a house and get dogs. That's really a fantasy for most people. For us it was definitely rougher than we had it in Mexico. Yet, the only reason why we had to go through this and move to the U.S. is that we wanted my nephew to get better, and we wouldn't have been able to get that treatment in Mexico.
Rumpus: What was the experience of your nephew getting help? Do you reflect upon it as a positive one, or a struggle?
Esteva: Actually, my family hasn't told me everything that they went through. I think they wanted to spare me a little of the difficulty and the pain. But I do know that it was hard to find an insurance that would cover for my nephew's treatment. We had to get him chemotherapy and radiation, plus all the other medicine and drugs that he had to take because of the side effects. It was really expensive, and we had no money when we got here. We spent all the money we had in getting up here from Mexico. So, it was a bit of a rough time trying to find an insurance. But, we did have luck that he did have doctors that were compassionate and really tried to help. Which speaks to the resources that the U.S. is able to accumulate, and provide something like that—whereas in Mexico, you'd have to have three houses to pay for such serious health care.
Rumpus: The No Papers, No Fear UndocuBus is a super, amazingly brave and revolutionary endeavor. You were a passenger for two weeks—what was that experience like, being there with your mom and aunt? And what were your goals for the mission?
Esteva: My mom was on the UndocuBus for three-and-a-half weeks, and my aunt was on there for five days. So, I didn't overlap with my aunt, Manuela, but I did overlap with my mom for two of those weeks. I'm very grateful that I have a very political family that has a lot of fire for fighting back against injustice and against things that are at the core of our oppression in this country, as well as against things that might not be necessarily at the core, but are solidarity work.
Specifically, my mom has been a huge influence in my life, my worldview, my willingness to fight, and my commitment to the struggle. So, I have to start from there and give her props. She is really one of the people who introduced me to social justice from when I was little. Being on the bus with her was a reunion for us. Since I had been going to school at UC-Santa Barbara for the last four years, and then I moved to in L.A.—I hadn't spent much time with my mom in close quarters in about five years. I had little breaks where I would go visit my family, but they were never together that long—a week tops, and we don't see each other that frequently. The bus was a very hopeful space, and I definitely saw my mom heal in my different ways. She had been dealing with a recent diagnosis of diabetes and a bunch of other health issues. I saw a lot of improvement in her health just by her participation on the bus. When it brings hope—when it's building something—it can also be healing for the builders of that hope and struggle. I can say that I learned from her and the adults on the bus that we're fighting.
One of the intentions of the UndocuBus was to highlight the stories of those people who are not the "chosen ones." President Obama made an announcement about Deferred Action and the youth—how great they are, how much they're fighting for this country, how much they want the American Dream and how hard they're fighting for it. Yet, he didn't mention the reality, which is these youth have parents behind them every step of the way. That's the case with my mom, anyway. He is kind of blaming the parents for their families being here, as opposed to really giving respect to the parents who fought hard to send their kids to college, provide for them, and make the really hard decision to bring them to this country. So, another one of the reasons why I wanted to join the UndocuBus is to highlight that story of my mom. I owe her a lot of my ability to survive. It was good to be there with her, and share our story together. I need to give my respects, gratitude, and, really, credit to my mom's struggle in this country, and try to create change not just for her, but all of the adults that are being viewed as criminals and viewed as not worthy of getting documentation, or getting deferred action. That conversation needs to change to one about dignity, where we are raised to confront the atrocities this country has imposed upon immigrants.
I think that as I was on the ride with my mom this became more and more clear. I think that maybe the roughest moment was when we decided to do the civil disobedience. It was really nerve-wracking to know that my mom was going to get arrested. It felt very powerful to know that I was going to be there with her and that we're going to do it together, and that we have a powerful story to tell and share with other people. Also, that we have a powerful campaign to really support the struggle and show other communities and other groups that we can rise together, and show how powerful we can be. It was challenging at times, because I had my own doubts about doing the civil disobedience and especially the risks it held for my mom.
Rumpus: What were those doubts or fears?
Esteva: The fear of being arrested and not just being deported but detained. People end up in detention centers for months and months, sometimes even years. It's not just about putting yourself in the position to be incarcerated, but there are horror stories of people dying because they're not getting medical treatment. So, there might not be a guarantee that my mom would get her diabetes treatment. There's so many doubts beyond the fear: am I going to be removed from this country? We live with that every day. But what can happen to a person inside the detention center? It's not just a question about deportation, but about criminalization and what it means for our community to be criminalized, which is to be imprisoned for trying to survive. Removal is a huge deal to undocumented folk, because it separates families and creates a lot of hardship. A lot of people are also placed in detention centers for a long time, which is also a hardship. These detention centers reflect a culture and a way of life in this country. We have two million people in prison and they look like us, too. They're black and brown, so getting arrested embodies all of that criminalization and re-enslavement. I think I had a lot of questions and anxiety about what it would look like if we were arrested and detained for a while—for my mom's safety and wellbeing.
Rumpus: And did your mom have similar doubts that reflected yours?
Esteva: I take leadership from my mom. I think she had a position where she was really hopeful. She knew if we did get detained, the community was going to fight back and get us out. That's one of the things we were trying to accomplish there. If people see we're organized and have the numbers on their side, then they definitely can fight back, win, and get out of a detention center and get out of harm's way. Because when an arrest becomes public, the public eye can actually save people from I.C.E. and deportation. So, my mom was on the hopeful side. She knew that she wasn't going to stay inside for a long time.
For me, after hearing all the horror stories, I was a little on the freaked-out side. I was worried: what's going to happen if we're inside for a while? Or: what's going to happen if I was able to stay in the country because of Deferred Action and she doesn't get to stay? We knew all of those risks, and we had a huge, super-brilliant group of lawyers that were fighting the legal battle. We had an amazing community throughout the country that was organizing itself to get us out. I didn't share most of my anxieties with my mom, but she did share her hope and it was contagious. So, in that sense, my mom had a more in-depth understanding of what was going to happen, and understood the legal and organizing tactic would work together to get us out, as it did.
Rumpus: I'm sure that memory of being at the Democratic National Convention this September is still very vivid. Could you illuminate your experience of staging a civil disobedience at the DNC and being arrested?
Esteva: So, there were ten of us who were committed to being arrested on the second day of the Democratic National Convention. It was a very diverse group of people. It actually kind of happened organically how we decided to participate. We had youth, we had elders. I believe my mom was the oldest within the people of the group, and there were domestic workers, day laborers, I think five of us were queer, there were two families. It was a very diverse group and really represented the diversity of the immigrant community in many ways. We were not just representing the UndocuBus as a whole, but the groups of people who are being criminalized and attacked.
We went to the convention with the idea that the action was going to happen pretty quickly. If you know about conventions, they always have a ton of police force. They bring police from out of state—police officers from all over just to have "enough" police presence at the convention to repress the activism. I guess they're always expecting that there's going to be some sort of marches and people protesting, so they're ready for it. When we arrived at the intersection, there were already police there. As soon as we put up our banner, down the police proceeded to block the street right behind us. I don't know if I could count how many police officers there were on bicycles; my focus was on my comrades who were chanting with us, who were also there. I was centered on the struggle we were in together and not necessarily on the police. At some point, I forgot that they [the police] were there, because we were expecting to get arrested right away. It actually took a little over an hour of the demonstration before they proceeded to arrest us. One thing I thought was amazing is that there was a lot of media there. We had a really successful media team. We had a team of artists who were creating the beautiful art that we displayed throughout the campaign, and the media team was basically making sure that we were getting a national level of attention. I don't know how many media outlets were there, but I could count with my eyes that there was about one hundred different media outlets that showed up to the action.
I remember feeling a nervousness walking to the demonstration, but once I got there I felt a little bit more relaxed. I felt [a] huge sense of liberation and empowerment with the people who were there with me, and specifically holding my mom's hand. It was really the power we have as a family, and two women who are committed to the fight for the long term, and with all the other comrades who were being arrested. We were speaking out our stories. We were on point about what we were arguing about and why we were there. I think it was an important step to go to the DNC; to make that space outside ours when we are always excluded from it. We used that space to speak to the President and his administration in the middle of the election, and really talk about what he has done to our communities. You know, he has been the president who has deported the most people in the history of the U.S. We were bringing the demand to stop deportation and stop the criminalization of our communities. We were demanding that the Obama Administration stop the terror and attacks from the police and other racist forces. It felt like a really powerful, strong moment in history. I think I'm always going to look back with very different eyes every time I'm learning from it. And, I feel twenty times more powerful because I was holding my mom's hand and I could feel the connection of generations of people struggling to end injustice.
Rumpus: I am in very much awe of what the UndocuBus did. The videos documenting the efforts of the UndocuBus are extremely powerful and inspiring. You were talking about Obama and how he has deported nearly 1.2 million immigrants, more than Bush or any other president. What do his DREAM Act and Deferred Action mean to you?
Esteva: There are a lot of people fighting for the DREAM Act. I have a lot of respect for people who are fighting for the struggle, and the youth that is staging civil disobediences and engaging in a more militant way. I definitely think that it's an important act to have, but I think that a lot of people have a delusion as to what Deferred Action means. I think that on the one hand, people who are able to apply for it feel that they have a little more of a leeway. They think it's really the right thing for our community, but it really doesn't help a lot of our family members. It doesn't help my mom, nor my sister. It's really not enough. For myself, it gives me the opportunity to work legally in this country if I'm able to get it, and I'm still in the process of getting my paperwork together; I'm not even sure if I will get it. But I feel like it's only a small step for so many of the small things that need to happen.
However, I need to remember that Deferred Action would not even be an option if people hadn't been fighting for it and fighting for something even bigger. So, I think that in a broader scope, our demands have to be bigger and our struggle has to be bigger, too. I think that our power is the responsibility of the community and the people fighting—not the other way around. To say that the Obama Administration has done anything really great by enacting it, I think that the real credit goes to the people fighting. Yet, it's not enough, it's really not enough. We need comprehensive immigration reform; we need to stop the attacks on our communities; we need to stop criminalization and all the really racist attacks on our civil rights coming from a lot of places in the South but also a lot in California. And so that goes beyond Deferred Action or the opportunity that people might get through the DREAM Act if it passes. Perhaps a little more than a few thousand people will benefit from these opportunities. It's a small minority, and the majority of us are not criminal in any way or form—we are just struggling to survive.
Rumpus: So you think the majority of immigrants can't benefit from Deferred Action or the DREAM Act?
Esteva: I think that a good amount of youth will benefit from it, but the discourse of who's deserving of staying in the country is not helpful. To say that I deserve to be here, and then turn around and say that my mom doesn't deserve to be here, is a disservice to me and a disservice to my mom and our struggle as a people. Maybe some people feel like it's some negotiation, or it's something where you have to take the good with the bad. However, I think that this country has already attacked Mexico and the rest of the Third World so much, and the repercussions are the reason why we are here. We are at least owed our dignity and our ability to survive in a way that's legal so that we can actually defend ourselves.
There are just so many abuses that workers receive because they don't have documents. For example, there are the day laborers that don't get paid after working weeks for a few weeks, because their boss has decided that because they don't have documents they can just call I.C.E. on them. It leaves people vulnerable to not have documents, and it's really hypocritical because everybody's really benefitting from the labor and the resources we as immigrants provide. The discourse about who deserves to be here and who is criminal gets really blurry. How do you even figure out who's who? We're all in the same family. To say that the blame is on the parents—I don't blame my mom, and I don't think most people would blame their parents for being here in the country and being undocumented.
Rumpus: I agree—there are a great many reparations that still haven't been delivered on behalf of the U.S. to Mexico. The New York Times ran a debate piece that compared the struggle of immigrant rights to the struggle of the LGBTQ community for civil rights. What are your thoughts and feelings about that comparison?
Esteva: I think that there is some room for comparison, and I don't want to get too much into comparison, but just to say that queer people are also undocumented. On the UndocuBus, a third—if not more—of the riders were queer, and I include myself in that group. So, when we talk about civil rights as immigrants, we talk about the ability to even become a legal resident. Marriage is one of the ways to become documented. If you're in a committed relationship with someone of the same sex, what does that mean? It means you're aren't able to qualify for relief, because we don't have marriage equality in the country. I think that the queer community experiences similar levels of criminalization and the distinctions in the law that says that some people are outside the law. In most states, if you're transgendered, you're not protected by anti-discrimination laws, and that's the case for undocumented people, as well. That's an exclusion from the law.
Exclusion hurts everybody, not just a specific group. That's a similarity I would bring up. Also, when you allow somebody to be discriminated [against], that means that there's other groups that are going to follow. There are a lot of queer people who are undocumented and are fighting for just immigration reform and anti-criminalization for the undocumented, but also for queer people. Our struggles are not seen as being connected, they're seen as two different things we have to fight for. But, in our case as "undocu-queer," they come together. One of my favorite people on the UndocuBus, Angel, used to boast about how when he got arrested and ended up at a detention center, he was in drag. He was just coming out of a show that he did at a bar. He's a drag queen artist and super-involved in the queer community, and to him it was a funny, exciting thing that he was still in drag when they took him to a detention center. Our communities are very diverse, and even though it's funny and an exciting thing that he was able to express his queerness while as an undocumented person, at the same time there's a lot of vulnerability that queer people have in detention centers. We see transwomen that have been killed at the hands of I.C.E. in detention centers, because they were not provided AIDS medication, for example. There are so many vulnerabilities that queer people can have in detention centers and through the immigration process.
Rumpus: Do you feel that being undocumented is a status or an identity?
Esteva: I had a conversation about this on the UndocuBus with a few folks there, and specifically people that came to the U.S. when they were younger. I think it's both a status and an identity. For some of us it's an identity, because it's the only identity we've known for most of our lives. It becomes an identity when you present it and introduce yourself with it at every point during your struggle because of what you're fighting with. It becomes an armor of really representing yourself with a fierceness of what it takes to be who we are. On the UndocuBus we'd introduce ourselves as, "My name is Kitzia Esteva. I'm undocumented, I'm queer, and unafraid." To say "undocumented" and "unafraid" and is a part of our identity. The undocumented part might not be our choice, but we're not afraid of saying it. It's something that we're struggling with, but it's also something that we shouldn't be struggling with.
On the other hand, when we talk about it, it's to bring about pride and to say we're proud to be in this struggle, even though it's a difficult struggle. Even though those labels mean a lot and might mean a lot of pain, they also mean a lot of learning, growth, and the fire to fight. So, I think that it's both. Being undocumented is definitely a status that creates a lot of limitations and difficulties for our communities. While we were on the UndocuBus struggling with that fear to speak out and fight and change the conditions we're facing. It's a status of vulnerability and exclusion for a lot of us who are learning to cope with it, and come out in some ways, and talk about the parallels of being queer and undocumented. To talk about it as a source of strength and really confronting the state who put us in this position without fear—that's the message that we're putting out.
Rumpus: Would you say that vulnerability is a big theme in being political?
Esteva: I think that issue of criminalization is something that I'm really committed to fighting. Not just in the realm of immigration, because it goes beyond that. The U.S. has the biggest prison industrial complex in the world. That means a lot of people are pushed to criminal acts because of poverty. A lot of people are criminalized for things that shouldn't even be considered crimes. One of the organizations that I participate here in L.A. is fighting back against the criminalization of black and brown youth who are getting ticketed and having to go to court for arriving late to school, something that shouldn't even be considered a crime. There's a lot of other ways to solve that, but it's not through the police state and not through the courts. It has a lot to do with the students' economic background, with the resources they have in school, and with the transportation in L.A. (which sucks, but people are also fighting to make better). A lot of youth and communities are fighting to make this better, but the state is not really responding to the problem. It's causing a lot of issues, including students leaving school. It's criminalization, and it's also an issue on how the system is abandoning black and brown communities. It's about fighting for resources that are also needed.
Rumpus: Can you go into detail on the fight against truancy tickets in L.A. public schools?
Esteva: Yeah, sure. There's a coalition of different community organizations that were fighting the truancy tickets and one of them is the Labor and Strategy Center. They were fighting for the Commuter Rights Campaign. It's one of the biggest campaigns fighting truancy tickets here in L.A. Truancy tickets were when high school students were getting ticketed on their way to school a few minutes late. These are $250 tickets and are usually given to very low-income students. It's a fine and a citation to appear in court. It's an economic hardship, but it's also having to miss school, the difficulties of being in court, and the intimidation from the police when they're stopped for "truancy"—which is actually just lateness for any reason that could cause a person to be late. I know that when I was as in school, I was late a bunch of times because either the bus was late or I had to take one of my nephews to school before I went to school. So, I related to these students. Ninety-five percent of those students were black and brown, and certain high schools were getting more targeted than others, where there the population is more black, brown, and low-income. So, the Community Rights Campaign, along with other organizations that are also fighting against criminalization, fought to change the law and were able to amend it. The Truancy Law is a city code that says students should be ticketed. So, now thanks to the campaign, the new law is they get a warning the first two times, and then only the third time can they get a ticket, which can never exceed $200, including court fees.
So from $250 each time that you're late, to $200 total after three strikes is a huge jump. The $250 didn't even include court fees. It could have been up to a thousand dollars. It might be a student that was late because they couldn't pay their monthly pass, and so they had to walk to school instead of the bus—they already have a huge economic hardship. Instead of finding a way to provide that student with resources so that they can succeed in school, and get to school on time, they [the state] are creating more economic hardship. At the end of the day, it's really favoring the police state over the welfare state. We need more counselors and teachers, yet teachers are getting laid off left and right, and we have more cops taking over space in the school and intimidating youth. Our communities don't really have a good relationship with the police, because we are under attack from police brutality every day. So, truancy tickets are not really an answer for the youth.
Rumpus: There's a major lack of political theater in this country. I know that as a community organizer you've been involved in political street theatre. What are your feelings on the impact it had on you and the community you were reaching out to?
Esteva: I think that art and theatre are really great tools to both bring people out, and agitate the community and raise consciousness. But it's also a tool for fighting. My first experience with political theatre was when I was seventeen, back in high school in San Francisco. I participated in a youth program called the Mime Troupe. Everybody thought it was silent theatre, but it was actually acting satire. It was a political space in the way that we learned to create plays was through using satire in combination with the Theatre of the Oppressed. We created our own skits and performed on two different weekends. The first play I was in was about immigration and gangs in San Francisco. It was about connecting immigration and racism, and the question of who gets involved in gangs and why. It was the background story of people who are involved in gangs. The point we were raising is that we could have been gang members because of the conditions we face in the city as immigrant and poor working class youth with little opportunity.
When I was living in San Francisco, I was a part of PODER (People Organized to Demand Environmental and Economical Rights), an organization where I was in charge of building the theatre component in the summer. With the youth, we presented a theatre piece based on difference sites of pollution in San Francisco, and who is being affected by it and side effects, like workers and residents in the Bay View Hunters Point who are being poisoned from the hazardous waste coming out of the PG&E plant. The plant used to be a navy base where they were testing nuclear power. There's still leftover toxic chemicals, and the community is being contaminated with radiation. It's the only black community left in San Francisco, right, and our performance was about the conditions of environmental racism, and focusing on the side effects of how it affects people's health and their psyche.
The last performance I was involved in was with the Bus Riders Union. It was a piece about Measure J, which was just defeated. If it went through, it was going to put a lot of money on the MTA to continue building rail and freeway, thus contributing greatly to the already very polluted area. It was also an issue of environmental racism and pushing away the already-gentrified black and brown communities here [in L.A.] to bring in transit-oriented development. So, we staged also a street theatre performance as a tool for education, and to expose Measure J. I was actually the "J Monster," who accelerated gentrification and pollution—the evil things that our communities are facing, and are yet being asked to pay for. To me, street theatre is a didactic way of presenting information. It's a way of personifying the attacks on our communities and demonstrating the ways of how we can fight back.
Julie Morse lives in San Francisco and is a poetry teacher. She can be found @JulieMorse16. More from this author →
Tags: activism, immigration, Julie Morse, Kitzia Esteva, Politics, UndocuBus, undocumented workers
Filed Under: Politics, Rumpus Original
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Full Name James Murray
Birth Place Staten Island, New York, U.S.
Date of Birth May 01, 1976 (age 43)
Occupation Producer, Director
Education Monsignor Farrell High School
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About James Murray
American producer and television personality, James Murray has an estimated net worth of $400 thousand. Born in Staten Island, New York in May 1976. Murray is best known for starring in the Impractical Jokers, a hidden camera-practical joke reality series filmed in New York City and New Jersey. He is part of the New York comedy troupe The Tenderloins, who appear on Impractical Jokers as well. The group as a live improv comedy was established back in 1999 in Staten Island and won $100,000 as a grand prize in NBC's It's Your Show competition. Later on, he served as producer, director, and editor for the 2002 short Subway. He produced, directed, and wrote the 2005 video short Superdude & Friend and produced, directed, wrote, edited, and hosted the 2005 short Criss-Cross. He produced, directed, appeared in, and edited the 2007 short Standups in Love. As a stunt for Impractical Jokers, Murray tied the knot with Jenna Vulcano last year but sadly had their marriage annulled the following day. In March 2015 Murray stated that he would roll out a write-in campaign to represent the borough of Staten Island in Congress.
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text:
namespace Server {

	std::unordered_map<Network::GUID, Client *> clients;

	Client::Client( Network::Connection &connection )
	: connection( connection )
	{
		clients[connection.guid] = this;
	}

	Client::~Client() {
		clients[connection.guid] = nullptr;
	}

	void Client::Print( const char *msg ) const {
		ByteBuffer msgBuffer;
		if ( msgBuffer.WriteString( msg ) == ByteBuffer::Error::Success ) {
			Network::XSPacket msgPacket( Network::ID_XS_SV2CL_PRINT );
			msgPacket.data = msgBuffer.GetMemory( &msgPacket.dataLen );
			connection.Send( msgPacket );
		}
	}

} // namespace ServerGame

redpajama_set_name: RedPajamaGithub


text:
學院別 > 成功大學 > 醫學院 > 環境醫學研究所
論文名稱(中文) 精油薰燒溢散物及其潛在的氣狀及粒狀二次污染物之定性及定量分析研究
論文名稱(英文) Study on the primary products and potential secondary pollutants by evaporating essential oils
系所名稱(中) 環境醫學研究所
系所名稱(英) Institute of Environmental and Occupational Health
研究生(中文) 龔大瑋
研究生(英文) Da-Wei Kung
學號 s7692101
口試委員 指導教授-蘇慧貞
口試委員-蔡朋枝
口試委員-李俊璋
召集委員-李家偉
中文關鍵字 甲醛 臭氧 揮發性有機物質 精油 奈米微粒 環控艙
英文關鍵字 formaldehyde ultra-fine particle volatile organic compounds Essential oils
中文摘要 精油,一種被廣泛使用的芳香化學物質,而文獻指出使用精油時可能會產生高濃度之單帖烯類,這類物質逐漸被證實會與強氧化物質反應作用產生二次污染物。由於一般環境中之強氧化物處於低濃度範圍,然而以往之相關研究幾乎著重於高濃度之單帖烯類以及高濃度之強氧化物之反應,對於低濃度之研究甚稀。
本研究欲對其在低濃度時可能之初產物與潛在的二次污染物之排放情形加以特徵化。透過一小型環境控制艙室模擬一般室內環境條件(溫度:22-28℃;相對濕度:40-50%)與控制背景總揮發性有機物質濃度(≦100 ppb)狀態下進行實驗,所測試之精油為薰衣草純精油,而所進行試驗之環境臭氧濃度為估算之室內濃度範圍值(18 ppb;36 ppb),至於精油注入量為一般建議薰香使用之上限量(100 μL),且促進揮發之加熱溫度為40℃。本研究中量測指標物質為懸浮微粒與甲醛,懸浮微粒大小與濃度分佈乃透過即時氣動粒徑儀進行連續監測,甲醛則以DNPH採樣管進行採集並以液相層析儀進行分析。實驗中亦透過空氣採樣袋捕集揮發性有機物質之空氣樣本,並以氣相層析質譜儀進行分析,瞭解薰衣草精油之主要組成物質在空氣中的濃度。
研究結果顯示,精油中之組成物質最多者為芳樟醇(Linalool),且精油與臭氧的接觸與反應的確會造成懸浮微粒與甲醛濃度之上升,於臭氧濃度為18 ppb與36 ppb時其最大之懸浮微粒濃度分別上升至6×103與104 particles/cm3,且其粒徑大小集中在19 nm ~ 100 nm之間,屬於奈米等級之極細粒徑微粒(ultra-fine particle)。另而甲醛之濃度在精油注入的60分鐘後會達到最大值(4.59 ppm於18 ppb臭氧環境;10.67 ppm於36 ppb臭氧環境)。所以薰衣草精油即使在一般低臭氧濃度之環境中使用亦可能產生奈米微粒與甲醛相當量之暴露,然而精油使用手冊等書籍中建議人們要盡可能的靠近薰香源,故人們極有可能於暴露於上述二種二次污染物之環境中,且產生之懸浮微粒極易被吸入肺部,甲醛屬於人類致癌物質,故對其可能之暴露以及其後可能之健康危害應予以重視和注意之。
英文摘要 Essential oils, predominantly comprised of a group of aromatic chemicals, have attracted increasing attention as they have been applied into indoor environments through various forms of consuming products by different venues. Some research articles suggested that high levels of terpenes would be emitted into indoor air when evaporating essential oils. Compounds like these are reported to interact easily with environmental oxidants such as ozone, producing a variety of secondary pollutants including secondary organic aerosols (SOAs) and formaldehyde. Our study therefore used a chamber study to characterize primary volatile organic compounds (VOCs) emitted by evaporating essential oils and potential secondary pollutants including SOAs and formaldehyde yielded from interaction with airborne oxidants. A chamber, equipped with heating plate controller, was adopted for this study. Lavender oil was selected in first-phase test for it was the best-sold type in Taiwan. Ozone was injected into the chamber and controlled at two different levels (18 and 36 ppb) at beginning, and essential oils were evaporating. Particles size and concentrations were continuously monitored during mixing process using aerodynamic particle sizer (APS) real time meter. We also sampled VOCs and formaldehyde using Tedler bag and DNPH tube. The VOCs was analyzed by GC-MS, and the formaldehyde by HPLC. Our findings indicated the size distribution of SOAs when mixed with essential oils and ozone was in the range of fine particles with about 99% particles ≦ 2.5 μm and 96~97% ≦ 1 μm(most of them were between 19 nm and 100 nm). Aerosol concentrations could reach 6×103 and 10 4 particles/cm3 even in low ozone levels (18 ppb and 36 ppb) in the chamber, and formaldehyde concentration would reach 4.59 ppm and 10.67 ppm. Our study provided a strong evidence to suggest that high levels of fine particle and formaldehyde might be produced when co-existing with emission of essential oils emissions and low concentration oxidants in the air, and consequently result in adverse health concerns for those using essential oils in general indoor environments.
論文目次 第一章 緒論…………………………………………………………..12
1-1 研究緣起…………………………………………………….....12
1-2 研究目的………………………………………………………….13
第二章 文獻回顧……………………………………………………..13
2-1 精油的介紹……………………………………………………….13
2-1-1 精油的定義…………………………………………………….13
2-1-2 精油的分類………………………………………………….…13
2-1-3 精油的使用方法與功效………………………………………14
2-2 精油的負面效應………………………………………………...14
2-3 精油的成分與特性………………………………………………15
2-3-1 組成化合物之特性- 結構及反應特性……………………..15
2-3-2 可能的反應產物- 氣狀產物與微粒狀產物………………..15
2-4 室內空氣品質與人體健康效應……………………………….16
2-4-1 揮發性有機物質與其健康危害…………………………….16
2-4-2 懸浮微粒之產生與其健康危害……………………………….16
2-4-3 甲醛及其健康危害………………………………………….17
2-4-4 二次產物混合暴露之健康危害……………………………….18
2-5 目前研究之限制………………………………………………….18
第三章 材料與方法…………………………………………………..20
3-1 研究設計………………………………………………………….20
3-2 研究對象選取…………………………………………………….20
3-3 研究方法………………………………………………………….20
3-3-1 環境條件參數選取…………………………………………….20
3-3-2 實驗系統設備……………………………………………….…20
3-3-2.1 小型環控艙室……………………………………………..21
3-3-2.2 空氣濾淨裝置……………………………………………..21
3-3-2.3 臭氧產生與監測設備……………………………………..21
3-3-2.4 各式採樣 / 監測儀器接合裝置………………………….…22
3-4 精油測試量…………………………………………………………22
3-5 樣本分析設備………………………………………………………23
3-6 採樣分析方法………………………………………………………23
3-6-1 採樣策略…………………………………………………………23
3-6-2 揮發性有機物質採樣分析方法…………………………………23
3-6-3 懸浮微粒監測方法………………………………………………24
3-6-4 甲醛採樣分析方法………………………………………………25
3-6-5 暴露艙內各項量測指標空白測試………………………………26
3-6-6 實驗室品質保證與品質管制……………………………………26
3-6-6.1 揮發性有機物質方面……………………………………….26
3-6-6.2 甲醛方面……………………………………………………..27
第四章 研究結果……………………………………………………….28
4-1 實驗系統設備穩定度與品保管……………………………………28
4-1-1 穩定度結果…………………………………………………….28
4-1-2 揮發性有機物質之品保品管結果…………………………….28
4-1-3 甲醛之品保品管結果……………………………………….…28
4-1-4 各項環控艙內空白測試結果……………………………….…28
4-1-5 各項儀器校正結果…………………………………………….28
4-2 揮發性有機物質量測結果…………………………………………29
4-3 懸浮微粒監測結果…………………………………………………29
4-4 甲醛量測結果………………………………………………………29
第五章 討論…………………………………………………………..30
第六章 結論與建議…………………………………………………..32
參考文獻…………………………………………………………………33
參考文獻 吳佩芝,"家戶環境中過敏原及細菌內毒素暴露變化與相關生物指標之研究",國立成功大學環境醫學研究所碩士論文,1999
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On May 6, 1984, 18 month Demetri Bashline, was in the care of an adult when he suffered a traumatic injury that necessitated immediate hospitalization. In spite of the medical intervention, Demetri died the following day. The death of Demetri Bashline was classified as non-accidental head injury. Anyone with information regarding this case, is asked to please contact the Denver Police Department.


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Download Android 4.4 Factory Images For Nexus 4, 5, 7, 10 [Direct Links]
By Aatif | November 15th, 2013
As soon as Android 4.4 KitKat was formally announced, it was certain that the newer Nexus devices will definitely be getting the new version of the operation system. Nexus 4, the one year old Nexus flagship that is still plenty powerful, obviously made the cut, but it didn't get an OTA update for the latest Android version as soon as it surfaced on Nexus 5. All we kept hearing was "a few weeks" without any definitive availability date. Well, we guess it's pretty close now, as Google has posted the factory images for Android 4.4 KitKat for the Nexus 4 on its developer portal.
The availability of a factory image is a good sign that soon, users all over the world will start seeing the OTA update notifications and hence, can taste the latest new dessert from Google. From a technical perspective, there's hardly any difference between a factory image and an OTA update, other than the fact that the formers are much more useful when it comes to restoring a bricked device, or when you want to go back to how things were after having played around with your Nexus device for a while. It's like giving your phone a fresh start, so to speak.
Android 4.4 KitKat factory images for quite a few devices have started showing up, and in case you don't want to wait any longer to get your hands on the OTA update, feel free to grab the factory image from the links which we've embedded below for your Nexus device. There are a couple of caveats, however, that you might end up wiping your device in the process, and that you won't get what is being called the "Google Experience Launcher", or GEL, on the Nexus 4.
It isn't clear whether it's missing a feature on the Nexus 4 altogether or just in the factory image, but along with GEL, you also don't get access to Google Now by swiping in from the left of the display, and no new wallpapers or transparency as we saw on the Nexus 5 with KitKat. Maybe some later builds might carry these, but for now, these things appear to be exclusive to the Nexus 5. Not wise, but hey, that's what it is.
Nexus 7 2012 Wi-Fi (nakasi)
Nexus 7 2012 Mobile (nakasig)
Nexus 7 2013 Wi-Fi
Nexus 7 2013 Mobile
How To Download / Install Android 4.4 KitKat On Nexus 7 / 10 Right Now


While we heard that Slither and Super director James Gunn was the top choice to direct Marvel's next ensemble superhero project, Guardians of the Galaxy (and earlier Joss Whedon basically confirmed his involvement by putting his faith in him as a filmmaker), Disney and Marvel didn't release a statement confirming or denying Gunn's involvement (though that's become standard operating procedure when news like this comes from fairly unofficial channels). However, Gunn, who is normally pretty vocal online, has also remained quiet. But that changed today as Gunn took to Facebook with an official statement. Read on!
As a lifelong lover of Marvel comics, space epics, AND raccoons, this is the movie I've been waiting to make since I was nine years old. Kevin, Joss, and all the folks at Marvel have been amazing collaborators so far, and we're committed to bringing you something majestic, beautiful, and unique. I am incredibly excited. I am also incredibly grateful to the fans and the press for all their words of encouragement and support regarding my involvement with this project since the news first leaked. Thanks – you have, honestly, touched and overwhelmed me.
And that's it for now. Other than the occasional photos of my dog and cat here on Facebook, I'll talk to you again in August 2014 when 'Guardians' is released!"
I'm sure Gunn will talk more about the project before the film's release in 2014, but Marvel and Disney love their secrets, so his words will probably still be vague and few and far between. Either way, it's good to have official confirmation straight from the horse's mouth, and hear that this is exactly what Gunn has been building towards with his film career. I'm sure he never thought this project would specifically be Guardians of the Galaxy, but it's this scope, this style and this comic book blockbuster part of a bigger universe that he's likely always envisioned. We'll keep you posted on Guardians of the Galaxy so stay tuned! Thoughts?
NO! OH GOD WHY MARVEL! -crys- Well this is the end for Marvel Studioa alright, giving more inexperienced directors who has never helmed a superhero level assemble to helm a film ( Joss Whedon,Alan Taylor,jon favreau,Russo Hacks,Leterrier) and now James Gunn joins the slowly sinking boat. You have to admit Avengers had its many mistakes that didn't sit well with comic continuity. But this is going to far Marvel, please bring in experienced directors in this genre so another bomb like Iron Man 2 or The Incredible Hulk wouldn't happen again.
Everything you just described is exactly what sets Marvel apart from the other studios and why I love them so much. The only way we're going to get fresh ideas is to give the younger generation a couple hundred million dollars and let them run wild with something they're very passionate about. I'd rather have a fan of the comic making the film than a Hollywood heavy weight any day.
I wasnt sure if your whole post was sarcasm or not, I couldnt disagree with you more. Giving younger directors the keys is the key, they are the ones with the passion, they are the ones who stayed up until 3 in the morning trying to finish the the next comic in the series at 9 years old. You give those older "more experienced" farts the helm and there going to put a boring formulaic twist on something that has to be new and improved.
Hmmm...what you are describing is the exact opposite of what's happened...but I'll say no more.
I have faith in you James Gunn, make us proud!
Let's face it, the only way any movie with a furry gun toting racoon can have a chance of appealing to anyone older than 11 (or those of similiar mentality) is by giving it to Tarantino and that's only if he makes it his first comedy.
Guys marvel is the most broad thinking and creative film house in the business. It had the guts to link its films and carefully craft the Avengers. I'm a massive comic fan and I'd never heard of the guardians but if Marvel is excited about it I think they deserve the benefit of the doubt. Can't wait for it!
Really though this is not as big of a jump as THE AVENGERS was for Joss Whedon. Giving these tent poles to the small fries is what we need.
Yes and no. Those IP's were never going to be "profitable" in the sense THE AVENGERS was. You know?
Yeah, but it's happened before and the payoff was worth it. Besides, Gunn wrote and directed SLITHER, and for that, he earned my respect (and also for the script for the remake of DAWN OF THE DEAD).