"The bride Tammy's father is a retired fireman and not the type you'd think would be overly emotional," says photographer Jody Sie of Better Together Photography, who captured this special moment. "He was trying so hard not to cry during the father-daughter dance. I caught him just as the first tear was about to fall." Tammy and her father danced to the song "I Loved Her First" by Heartland. "The bartender and I cried so much that we went through a whole stack of cocktail napkins during their first dance," says Sie. "I'm actually shocked I could see well enough through my tears to get this shot."
Both the bride and groom in this Australian wedding have been traveling to popular and picturesque Lake Tinaroo since they were children—so it was a natural choice for their wedding location. The father-of-the-bride, who now lives on the lake, admitted he was going to be emotional during the ceremony from the get-go, says photographer Matthew Evans, and lifting his daughter's veil after walking her down the aisle was no exception.
Bride Ashley is the youngest of five children and was the last daughter to get married. "When we talked about walking down the aisle, I knew I couldn't just link my arm through his; this moment called for us to hold hands," says Ashley, whose wedding was photographed by Chenin Boutwell. "And I'll never forget the strength of his hand that day. As you can see in the picture I am looking down because I couldn't help but be overwhelmed by all the emotion—but he didn't loosen his grip for even one second."
The bride adds, "When my dad saw this picture he was so surprised. 'I thought I was smiling!' he said. I cracked up because I make the same face when I'm trying to smile sometimes—yet another thing we have in common!"
"This situation just kind of spontaneously happened and I'm not sure the guys in the photo had any idea how funny it looked," says photographer Anna Harriman of John + Louise Weddings, who decided to start snapping shots when the bride's father, brother, and a friend created an impromptu tie tying train. "They were just doing what all men do before a wedding—struggling to put their ties on! Seriously, it's like a male bonding experience to help each other with ties."
"My dad, like many fathers, doesn't always show his emotions," says bride Christina, whose wedding was photographed by Katie Stoops. "But as he was walking me down the aisle, he whispered that he was nervous because he couldn't get through his father-of-the-bride speech without getting emotional. It was so sweet to see him emotionally invested in the wedding! During the father-daughter dance he was so happy. We danced to 'Landslide' by Fleetwood Mac, one of his favorite songs."
This bride's ceremony location didn't do much to quell her nerves walking down the aisle. The old New England meeting house had two off-center aisles, and with guests standing and her groom positioned front and center, she wasn't able to see him until she turned the corner. "It was super emotional walking down the aisle," says photographer Kara Pearson. "[The groom] was crying and it was just a special moment for all involved."
"This photo was taken directly after my dad gave his speech to all the guests at my wedding," says bride Sarah, of one of her favorite wedding moments captured by photographer Tom Tomkinson. "He wrote an incredibly heartfelt, moving speech that I will never forget. My dad has always inspired me to follow my passions. Through various stories about my competitive sports moments and career moves, he told our guests that he always believed in me and knew I would find success in life. His confidence in me has done so much for me throughout the years, and I was so happy to see that this moment of love and appreciation for my dad was captured."
"I have an incredible relationship with my family, but especially my dad," says bride Holly, whose April 2012 wedding was held on Lake Travis in Lago Vista, TX. The only daughter of three children, Holly and her father knew the wedding was going to be an emotional day and photographer Ryan Price was there to capture it.
"My dad kept saying that if could get through the three major points of the day without crying, than he would be proud: the walk down the aisle, his toast, and the father-daughter dance," says the bride. "He successfully got through the walk down the aisle and the toast, which were both amazing moments, and then it was finally time for the dance. As we were dancing there were no tears, but just reflection on the day so far. The picture was taken as the dance was about to end, and it just felt like what you would always dream of. My dad, who has been such a significant part of my life—and even though I will always be his little girl—proudly gave his blessing to this new chapter in my life."
Bride Thy was orphaned at a young age and then raised by her uncle, who walked her down the aisle. "Vietnamese have a ceremony where they pay respects to their parents, so she had been very emotional and crying," says photographer Jennifer Tai. "When it was it was time for the Westerm ceremony, Thy's uncle told her that it was time to smile, like this," and the photo gives a perfect idea of what he wanted.
"I've been to enough weddings now that I know to turn around and peek at the parents during the vows," says photographer Jesse Holland. "It was an all-around emotional day for the father of the bride as he was witnessing his youngest daughter get married. Even though they had a traditional church wedding, we all hopped in pedi-cabs after the ceremony to do the rest of the photos around town."
Erica and Tyler were married at Muir Murray Winery in Wolfville, Nova Scotia, Canada. "Shortly after their ceremony, and in between portraits, Erica's parents decided to show the newlyweds how it's done!" says photographer Jeff Cooke. "It also happened to be the parents' wedding anniversary so it was perfect."
Bride Kate married in the church she grew up attending. Her father, a minister, officiated the ceremony and this photo captured the moment just before they walked down the aisle, says photographer Katie Stoops.
"The mood was very sweet and peaceful," says photographer Julie Whitlock. "There were many emotional moments between the bride and her father but this was certainly the best, taken right after the ceremony ended."
"This photo was taken just before we got out of the car before the ceremony. I was so nervous but my dad made me laugh the whole way to the church," says Brides own digital content director Lisa Harman Gooder. "Our wedding was the night before Father's Day and my brother and I had the caterer bring out a whale-shaped ice cream cake from Carvel that said, 'You're a whale of a dad'—just like when we were kids."
"I can remember my father walking through the door," says bride Melody, of this moment captured by Dani Leigh Photography. "I was trying so hard not to tear up but it was really no use. It was the only time I cried the whole day! My father was there when I picked out my wedding dress but it was a whole different feeling for him to see me in it the day of. He whispered in my ear that he remembered when I was once his only littlest daughter and now I'm all grown up."
Bride Jessica was the third generation to walk down the aisle this gorgeous wedding dress, the same gown her mother wore to marry her father. "On my wedding day, the one thing I was actually nervous about was the moment my dad would see me in the dress my mom also wore on their wedding day," says Jessica. "I'm a daddy's girl for sure, and my dad's only daughter, so our moment together was a big deal. Now, my dad is a strong guy, not shaken by much, and still my hero. (It doesn't matter that I'm 27 years old.) But the moment that he walked in the door to see me all ready to go—well, his pure emotion and love floored me."
Photographer Tara Kneiser of Dixie Pixel Photography was just as stunned. "Jessica and her father are family friends of mine, and I was so shocked when he choked up—I never expected him to do that. They really are a sweet family. I was crying when I took the photo!"
"My dad has truly been the rock in our family and has raised my sisters and I with strong morals and values," says bride Emily, reflecting on this moment captured by Kallima Photography. "This moment during the wedding truly captured a lifetime of gratitude and honor felt for him. It was an overwhelming yet joyous moment. I can honestly say I do not know where I would be without having had him by my side growing up."
"After putting on her dress, her dad came into the room for his 'first look,' which resulted in a big bear hug while the bride's mom looked on, hardly holding back her tears," says photographer Jeff Cooke.
Making a father-of-the-bride speech is a daunting task—and this one needed to sit down to recover! "The bride's father had written an incredible speech, but he wasn't sure he would be able to make it through due to his emotions," says photographer Katie Stoops. "So each of the bride's uncles took a section of the speech and read it their own way. It was amazing."
"My father mentioned to our wedding planner that he would need about 20 minutes or so blocked off during the reception for this father of the bride speech. She panicked, but I told her let him take as much time as he needed," says bride Anne-Marie, whose October 2008 wedding was held in Westchester County, New York. "During his speech, time flew. Literally. He talked about my childhood and how he used to sit in the parking lot during my high school dances—something I never knew! He talked about how proud of our family he was, and what a good job my mom had done raising us. He talked about his faith, which is one of the things I admire about him most, and he recited a poem he had written just for the occasion. He had the whole room captivated. Not a single person moved for 20 minutes."


The Constitution, however, appears to allow limitations to be placed on this right in circumstances other than national emergencies. It provides that limitations on the right to privacy may be imposed as long as they are "prescribed by law … [and] are reasonable, recognized by international human rights standards and necessary in an open and democratic society," and as long as the laws prescribing them do not "negate the essential content of the right or freedom in question [and are] of general application." (Id. § 44, items 2 & 3.) It is not yet clear whether the new law passes this Constitutional test.


When it comes to real estate, selecting the right team to share your message is essential; you're going to want all the right tools and expertise to get the best returns on your investment.
Goldeneye Media come from a place where our message separates us from the rest, where our technology is cutting edge and our films speak for themselves. We are at the cutting edge of cinema real estate videography in Sydney and Melbourne. We use only use cinematographers who are the best in the industry and we strive to produce unique content which is tailored made so our work for you is truly like no other.
When it comes to marketing these days print media doesn't get high engagement because everyone wants to hit a play button – and that's what we do best. At Goldeneye Media, we offer professional real estate videography services in Melbourne and Sydney that will beautifully capture the property and will get you the engagement and coverage you need!
Goldeneye Media is a video production company that delivers results. When we capture a property, we really take time to find the beautiful we take our time to hone our craft, to tell your story and to capture the magic moments. Filming at dawn or at dusk, from the air or on the ground, we work tirelessly to bring your vision to life. – from filming dawn to dusks and in between. When it comes to video marketing, we like to think we produce a film that really stands out from the crowd. We craft modern, fresh and inspiring videos for your project, and we really listen and work with you to achieve your vision.
We remain at the cutting edge of cinema real estate video technology, and use only the best equipment in what we do. Our aerial cinematographers are some of the best in the business and strive to produce content that is awe-inspiring. Our team are involved in the entire process from pre-production to post so that the creative message flows right through to the film. Our real estate video pricing is reasonable and we are always happy to discuss ways we can fit your visions within your budget.
We like to take our time with the process, spending time on the property and really getting a feel for it so we can do it justice. We get all the footage we need, so we can tell the perfect story about your real estate.
At Goldeneye Media, we believe we are at the forefront of our industry. Our attention to our videos, photography, cinematic filming, both ground and aerial and our relationships with our clients are second to none and are reflected in each piece of our work.
Gem provide you with masterful real estate video production services for superior real estate.
We are at the forefront of real estate videography and production, both ground and aerial, in Melbourne and Sydney. If you have any further queries about our services and what we can do for you, don't hesitate to give us a call and one of our friendly team will answer your questions. If you've been searching for a real estate video production company that really cares with pricing to suit any budget, get in touch with Goldeneye Media today!


Bed bug bites can often appear red and itchy and in a line or cluster. Some people may experience a bad reaction to the bites which can raise the level of itchiness and cause painful swelling. But spotting bed bugs to identify if they're the cause can be very difficult. Not only are they minuscule – around 5mm long – they tend to only bite exposed skin during nighttime. So what other ways can you spot a bed bug infestation?
Another way to identify if it's bed bugs biting you, particularly if you have a heavy infestation, is by three scents in your home.
There are three smells many people have associated with bed bugs, all of which are described as being very distinctive.
Other ways to identify a bed bug infestation, according to the NHS, are spots of blood on your bedding 0 from the bites or from squashing a bed bug – and small brown spots on bedding or furniture (bed bug poo).
If you're bitten by bed bugs, the first step is to wash the affected areas with soap and warm water, according to Rentokil.
They can also be relieved by applying an ice pack to reduce the swelling.
How can you get rid of an infestation?
You'll likely need professional help to eliminate an infestation completely, but there are a number of methods you can carry out yourself in the meantime to help the problem.


Dave Law is a local Tree Surgeon and is looking for woodland in the local area to run woodcutting and chainsaw training courses.
They will trim trees for free and can arrange for the wood to be taken away if the farmer wishes. The site must be on fairly level ground and at the first thinning stage of growth.
For more information please contact Dave on 086 8206811 or by email at davelaw78@gmail.com.


Business package materials are a crucial part of marketing your brand identity effectively and, at Spectrum, we make it easy for you. Our graphic design team will help you create a consistent logo design across your business forms, presentation materials, report covers and training materials that will help you communicate the right tone and message to your clients and employees. The visual identity in your business package materials should be carried through to your brochures, pocket folders, direct mail materials, postcards, forms, stationery boxes and any other printed materials. Tell us what you need from your business package materials, and we'll make it happen.


We are pleased to announce the results of the first Council of Gods elections! For the several coming weeks, Ianna, Asterius, Metarchus, Herida, Flavius, Xintara, Thais, Judas, Nestor, Stellania, Spyro, and Thialia will be the ones to sit in the council. Let their rule be wise and just and bring prosperity and safety to Aelion!
Exclusively for The Aelion Herald, several of the candidates agreed to talk about their nominations.
I thank you for your vote! We will leverage modern technologies and scientific achievements for the benefit of every Aelionian. These dire times put a colossal burden on our shoulders, but you can rest assured that I will not let you down!
Erm, where did that drone go?
My dear immortals! I knew that your hearts are open to the happiest and warmest feelings! I promise to stay close to you—stay in your hearts—even in the darkest of times! Don't forget that only love can save this world!
The Council of Gods will quite soon begin its work determining the contents of directives that you can obtain in the Divine Observatory. Remember to leave your feedback on the desired contents of directives in the comments!
Who knows, perhaps the gods will listen?


text:
Die Burg Odenbach, später auch Weiherturm genannt, ist die Ruine einer Wasserburg in der Ortsgemeinde Odenbach im Landkreis Kusel in Rheinland-Pfalz.

Geschichte
Die in der Zeit von 1150 bis 1180 von den Grafen von Veldenz an der Einmündung des Odenbachs in die Glan erbaute Wasserburg (später auch als Wasserschloss bezeichnet) wurde 1202 erwähnt. Weiterer Besitzer der Burg war das Herzogtum Pfalz-Zweibrücken. Ab 1620 bis 1623 wurde die Burg unbewohnbar und 1683 der Turm bei einer Sprengung durch die Franzosen zerstört. Im Winter 1850/51 stürzte der Rest der Burg zusammen. Von der ehemaligen Burganlage ist noch der sanierte Rest des spätromanischen Bergfrieds, der heutige Weiherturm, als Wahrzeichen der Gemeinde erhalten sowie die sanierte und begehbare Ringmauer.

Varia
Herzog Friedrich Ludwig von Pfalz-Zweibrücken-Landsberg (1619–1681), Regent des Herzogtums Pfalz-Zweibrücken, heiratete nach dem Tode seiner ersten Gattin Juliane Magdalena von Pfalz-Zweibrücken (1621–1672) die bürgerliche Gemahlin Maria Elisabeth Hepp (1635–1722). Da es sich hierbei um eine standesmäßig nicht ebenbürtige Ehefrau handelte, sollten die Kinder aus dieser Verbindung nicht dynastisch erbberechtigt sein und erhielten Rang und Namen als Freiherrn von Fürstenwärther, Burgsassen zu Odenbach. Der auf die Burg Odenbach hinweisende Namenszusatz blieb jedoch nur ein wohlklingender Titel, da die Anlage damals bereits unbewohnbar war. Als Wappen trägt die Familie einen Turm, der vermutlich ebenfalls jenen der Burg Odenbach symbolisiert. Der bekannteste dieser Namensträger war der österreichische Feldmarschallleutnant Freiherr Friedrich Karl von Fürstenwärther (1769–1856), auf dessen offiziellen Porträts der Odenbacher Namenszusatz meist verzeichnet ist.

Literatur
 Wolfgang Medding: Burgen und Schlösser in der Pfalz und an der Saar. 4. Auflage. Weidlich, Frankfurt am Main 1981.

Weblinks

Einzelnachweise

Odenbach, Burg
Odenbach
Odenbach
Kulturdenkmal im Landkreis Kusel
Denkmalzone (Rheinland-Pfalz)
Odenbach
Odenbach

redpajama_set_name: RedPajamaWikipedia


Irvin felt tired after working all day.
Jisheng tore up the letter.
Micky wants to begin the process of making amends.
Deirdre has been seeing a psychiatrist since October.
Sarah apologized to Jitendra for being so hard on her.
Lynnette said he didn't know why Claudio was absent.
That seems crazy to me.
I don't know what Rajesh did, but it worked.
Michael helped me wash my car.
Reid can't forget the day he met Mats.
Vadim is shaking hands with the manager.
Did Axel ever regain consciousness?
Eugene became flustered and a bit nervous.
Everyone was looking at Shatter curiously.
Why not do the same thing Harv is doing?
Syun wants Wilson to help him with his homework.
Alison was at Ronald's baptism.
Nici was surprised to find Lum sitting all alone in the chapel.
Saiid is a part-time guard.
Jaime and Arthur are playing 500 Rum.
Hunter came into my room.
Gerald didn't get a chance to thank Gregory for all her help.
I'm not going to wait for Ahmet any longer.
I think Avery might be dead.
I would like to see Hiroyuki once more.
Darin loves Laurianne and she loves him.
Sekar is busy with his work.
You're not just working for Liber.
I wonder why Stagger won't talk to me anymore.


text:
package server

import (
	"net/http"
	"net/url"
	"strings"
	"testing"

	"github.com/infobloxopen/themis/pdp"
)

type mockResponseWriter struct {
	statusCode int
	msg        string
}

func (w *mockResponseWriter) Header() http.Header {
	return make(http.Header)
}

func (w *mockResponseWriter) Write(b []byte) (int, error) {
	w.msg += string(b)
	return len(b), nil
}

func (w *mockResponseWriter) WriteHeader(statusCode int) {
	w.statusCode = statusCode
}

func (w *mockResponseWriter) clear() {
	w.statusCode = 0
	w.msg = ""
}

func TestHandleQuery(t *testing.T) {
	var w mockResponseWriter

	handleQuery(&w, nil, []string{}, url.Values{})
	assertEqualWriter(t, mockResponseWriter{
		statusCode: http.StatusNotFound,
		msg:        missingStorageMsg,
	}, w, "On nil storage:")
	w.clear()

	rule := pdp.NewRule("permit", false, pdp.Target{}, nil, pdp.EffectPermit, nil)

	policy := pdp.NewPolicy("first", false, pdp.Target{}, []*pdp.Rule{rule},
		pdp.RuleCombiningAlgs["firstapplicableeffect"], nil, nil)

	root := pdp.NewPolicySet("test", false, pdp.Target{}, []pdp.Evaluable{policy},
		pdp.PolicyCombiningAlgs["firstapplicableeffect"], nil, nil)

	s := pdp.NewPolicyStorage(root, pdp.Symbols{}, nil)

	handleQuery(&w, s, []string{}, url.Values{"depth": []string{"nine"}})
	assertEqualWriter(t, mockResponseWriter{
		statusCode: http.StatusBadRequest,
		msg:        "\"strconv.ParseUint: parsing \\\"nine\\\": invalid syntax\"",
	}, w, "On bad depth:")
	w.clear()

	handleQuery(&w, s, []string{"test", "second"}, url.Values{"depth": []string{"3"}})
	assertEqualWriter(t, mockResponseWriter{
		statusCode: http.StatusNotFound,
		msg:        "\"#73: Path [test second] not found\"",
	}, w, "On not found path:")
	w.clear()

	handleQuery(&w, s, []string{"test", "first"}, url.Values{"depth": []string{"3"}})
	assertEqualWriter(t, mockResponseWriter{
		statusCode: http.StatusOK,
		msg:        "{\"ord\":0,\"id\":\"first\",\"target\":{},\"obligations\":null,\"algorithm\":{\"type\":\"firstApplicableEffectRCA\"},\"rules\":[{\"ord\":0,\"id\":\"permit\",\"target\":{},\"obligations\":null,\"effect\":\"Permit\"}]}",
	}, w, "On found:")
	w.clear()
}

func assertEqualWriter(t *testing.T, expect, got mockResponseWriter, failPrefix string) {
	t.Helper()
	if expect.statusCode != got.statusCode {
		t.Errorf(failPrefix+"expected status %d, got %d", expect.statusCode, got.statusCode)
	}
	expectMsg, gotMsg := strings.TrimSpace(expect.msg), strings.TrimSpace(got.msg)
	if strings.Compare(expectMsg, gotMsg) != 0 {
		t.Errorf(failPrefix+"expected message \"%s\", got \"%s\"", expectMsg, gotMsg)
	}
}

redpajama_set_name: RedPajamaGithub


I know, you take them daily how can you forget? Things happen, you mean to pack certain things but somehow those precious medications are left sitting at home on the kitchen table. What to do, what to do? The first thing you need to do prior to the trip – plan! With a little time and a good mental (or paper) checklist your vacation will run smoother hopefully!
** I have one of those pill containers that hold 7 days of medications. I fill it as normal and then I add three more of each pill into the last slot. That way, if something happens and we should stay an extra day or two I have enough of what I need. You can see in the photo that I used it for a long time and have worn off the SMTWTFS. Maybe it is time for a new one!
My 'very well used' 7 day pill container!
** My husband's medications I treat differently – Since he only takes two pills a day I bring the two bottles and pack them in the suitcase. He is used to taking his meds that way at home, so why change, it might confuse him.
** I make sure that in my wallet is a list of the medications I take and a list of my husband's meds also. He also carries my list as well as his.
** Take your meds the same time of day that you take them at home. That way you are less likely to forget a dose.
** I make sure to have memorized our doctor's phone number. Thank goodness, he has a very easy number to remember! If I run out I can call them to fax a script to a drug store local to where we are staying.
** I have severe gum issues and I never know when I might get an infection. When that happens, I need to get on antibiotics as soon as possible. I usually tell my dentist's assistant that if I call her while we are on vacation that means I need meds. She then would get the dentist to write a script and fax it to a pharmacy where I am staying.
** Our kitchen island is the spot I use as the landing zone for the meds we need along with other last minute items. If they get put on the island then they will get packed and all will be well!
** Many of us travel with our pets. Make sure to have your vet's phone number with you. If your pet is on meds, pack them when you pack the food, toys, treats.
With a little thought and preparation you can have a happy and healthy vacation!


text:
Home > Opinions > Arellano v. City of Burbank
Arellano v. City of Burbank
Arellano v. City of Burbank , 13 Cal.2d 248
[L. A. No. 16923. In Bank. April 6, 1939.]
MIKE ARELLANO et al., Respondents, v. CITY OF BURBANK (a Municipal Corporation), Appellant.
Ralph W. Swagler, City Attorney, for Appellant.
Ray L. Chesebro, City Attorney (Los Angeles), Frederick Von Schrader and Leon T. David, Assistants City Attorney, Bourke Jones, Deputy City Attorney, Ernest A. Wilson, City Attorney (San Mateo), Clyde Woodworth, City Attorney (Inglewood, South Gate, Manhattan Beach and Redondo), George W. Trammell, Jr., City Attorney (Long Beach), Albert Mansfield, City Attorney (Redwood City), Paul F. Garber, City Attorney (Monrovia), and Aubrey N. Irwin, City Attorney (Glendale), as Amici Curiae, on Behalf of Appellant. [13 Cal.2d 250]
Mills, Hunter & Dunn, Paul J. Quigley, Edward C. Mills and Harold J. Hunter for Respondents.
CURTIS, J.
This cause was transferred to this court after decision by the District Court of Appeal to give further consideration to the contention of the appellant that the decision of the District Court of Appeal was in conflict with certain prior decisions of that court and particularly the decisions in the cases of Waldorf v. City of Alhambra, 6 Cal.App.2d 522 [45 PaCal.2d 207], and Robertson v. City of Long Beach, 19 Cal.App.2d 676 [66 PaCal.2d 167]. After a careful study of those decisions, we find no conflict between them and the decision of the District Court of Appeal in the present action. While the collision in each of these cases occurred upon a street in which there was a "jog" or "offset" at the intersection of said street, in the Waldorf and Robertson cases, the driver of the automobile after crossing over the intersection collided with the curb and sidewalk in front of the abutting property which extended beyond the property line on the opposite side of the cross street. In other words, he ran over and upon the curb and sidewalk along the property which formed the "jog" in the street. It was held that the curb, sidewalk, and the parkway with the trees growing in the parkway, in front of that portion of the property included within the jog or offset "constitute a barrier or warning sufficient to avert disaster and as readily visible to the alert driver as a sign informing him of the condition" in the street. In the present action the driver did not collide with the jog in the road, but drove across the intersection onto the unpaved right of way of the railway company, and there was no curb, sidewalk, or parkway, or other barrier to warn him of the changed condition in the highway. The curb referred to in the present action was not across the course which the automobile was traveling as it was in each of the two cases cited by appellant, but was parallel to said course and only a surface of some eight inches square was visible to the driver. Due to the fact that the street west of the crossing was only 40 feet wide, it was necessary for the driver to operate the automobile along or near the car track. This course when continued beyond the crossing brought him onto the unpaved portion of the railway right of way, and as we have just stated, there was no barrier of any kind whatever to inform him of the changed condition in the street. [13 Cal.2d 251] As stated in the opinion of the District Court of Appeal, "when dealing with cases falling within the provisions of Public Liability Act of 1923, each of such cases must depend upon its own state of facts". As the factual situations in the Waldorf and Robertson cases were fundamentally different from that in the instant case, the decision in those cases should not control the present decision. We, therefore, adopt the opinion of the District Court of Appeal, written by Presiding Justice York, as the opinion of this court. It is as follows:
"This is an appeal by the City of Burbank from a judgment in favor of respondents, Mike Arellano and Frances Arellano, father and mother of Valentina Alma Arellano, for her death, and in favor of respondent Tomasa Dorothy Arellano for personal injuries resulting from an automobile accident which occurred at the intersection of Glenoaks boulevard and Providencia avenue in the City of Burbank at 8:20 o'clock on the evening of October 5, 1935.
"At the intersection where the accident occurred, Glenoaks boulevard and Providencia avenue cross at right angles, Providencia running northerly and southerly and Glenoaks easterly and westerly. Abutting the easterly side of the intersection is the westerly end of the Pacific Electric Railway Corporation's forty-foot right of way extending easterly. For some distance west of the intersection, Glenoaks is fifty feet wide; at the east side of the intersection, Glenoaks divides and abuts the Pacific Electric right of way on the north and south thereof, being forty feet wide on the north side and forty feet wide on the south side of the said right of way. Pacific Electric Railway Corporation maintains an electric car track along Glenoaks west of and across said intersection, continuing on the said forty-foot right of way easterly of said intersection. The streets within the intersection, as well as Glenoaks to the west thereof, are paved with a surfacing of the same substance, color and appearance, and the top of the rails of the car track is flush with the surface of the pavement. The forty-foot right of way east of the intersection is not paved, and for about six feet immediately east of the intersection, the top of the ground is about level with the top of the rails and then drops off to about the top of the ties, or six inches below the rails. Westerly along Glenoaks from the intersection, the southerly rail of the car track is seventeen feet and three inches north of and parallel with the south curb of Glenoaks, and continues [13 Cal.2d 252] in a straight line across the intersection and upon the right of way.
"East of the intersection and dividing the right of way from the southerly portion of Glenoaks there is a concrete curb which abruptly ends at the east side of the intersection, presenting to the west a face eight inches wide at the bottom, eight inches high and reducing to six inches at the top. This curb does not extend across Glenoaks at the easterly side of the intersection, and the end of the said curb is about three feet and nine inches to the north of the projected line of the southerly curb line of Glenoaks west of the intersection. About three feet and nine inches to the north of this dead end curb is a pole sixteen inches in diameter painted dark for about eighteen inches from the ground and for ten or fifteen feet above that point has been painted with aluminum paint which has lost its lustre so that the pole appears drab or dull gray. To the east of this pole other poles and posts are located extending easterly in the direction of the car tracks. To the north of this pole, at the east side of the intersection, the car track extends into an open space free from posts or poles and across which there is no curb, thereby presenting to one approaching from the west an apparent unobstructed continuation of the boulevard and car track to the east of the intersection. In other words, the situation is such that a person driving easterly on Glenoaks with his left wheels 'straddling' the car track would collide with the unpaved right of way and drop down upon the railway ties, unless he turned either right or left around the end of the unpaved right of way and thereby reached the north or south lane of Glenoaks boulevard.
"At the intersection in question boulevard stop signs were maintained regulating traffic on Providencia avenue, but no such signs were maintained on Glenoaks and there were no speed signs on Glenoaks west of said intersection at the time the accident occurred.
"On the evening of October 5, 1935, the employees of a dehydrating plant located in Burbank had planned a surprise party at the home of Joe Suppon, one of their foremen. Urban Goebel, an employee of the plant, called for Howard Wills, another employee, and after driving around in Goebel's car for about three-quarters of an hour, they proceeded to the Suppon home, where they met the two Arellano girls who were also attending the party. Since it was early, i. e., around 8 o'clock, and the other guests had not arrived, the [13 Cal.2d 253] two boys asked the girls to take a ride with them around the block and return later to the party. Urban Goebel was driving the car, next to him sat Valentina Alma Arellano, and to her right sat Howard Wills with Tomasa Dorothy Arellano sitting on his lap. Some fifteen or twenty minutes later, as they traveled easterly on Glenoaks, the car 'straddling' the southerly rail of the Pacific Electric Railway car track, they approached Providencia avenue, passed through the intersection and, as Goebel turned abruptly to the right to avoid the tall pole on the railway right of way, his left front wheel struck the projecting end of the curb at the south side of the said right of way, causing him to lose control of his car. The car continued at an accelerated speed for a distance of two hundred thirty feet easterly on Glenoaks boulevard, where it struck a pole in the parkway resulting in the death of Valentina Alma Arellano and Urban Goebel, and the serious injury of respondent Tomasa Dorothy Arellano.
"The instant action was instituted under the so-called Public Liability Act of 1923 (Stats. 1923, chap. 328, p. 675), section 2 of which provides that municipalities 'shall be liable for injuries to persons and property resulting from dangerous or defective condition of public streets'. A directed verdict was rendered in favor of the Pacific Electric Railway Corporation, and from the judgment against the City of Burbank for $5,000 for the death of Valentina Alma Arellano, and $10,000 for the injuries sustained by Tomasa Dorothy Arellano, this appeal is prosecuted.
"Appellant urges (1) that bottleneck conditions of streets are not embraced within the term 'dangerous and defective condition of public streets', as used in said Public Liability Act; (2) that the driver of the car was guilty of negligence as a matter of law and such negligence was the sole proximate cause of the accident; (3) that the Public Liability Act does not authorize recovery for wrongful death, and that the damages awarded therefor were excessive; (4) that it was prejudicial error to charge the jury on general negligence and without regard to the limitation of duty imposed upon the City of Burbank under the Public Liability Act; (5) that the third amended complaint failed to state a cause of action and it was error to deny appellant's motions for nonsuit and for directed verdict; (6) that the verdict is not supported by the law or the evidence. [13 Cal.2d 254]
"As is usual in cases of this character, the evidence respecting the circumstances surrounding the accident is conflicting. The jury having determined that the accident occurred through the negligence of appellant, the rule of law is well settled that all reasonable inferences are to be indulged in support of the conclusion reached by the jury; that when two or more inferences can be reasonably deduced from a certain set of facts or circumstances, a reviewing court is not permitted to substitute its deductions for those of the jury. (Gorman v. City of Sacramento, 92 Cal.App. 656, 660 [268 P. 1083].)
[1] "To warrant a recovery under the Public Liability Act (Stats. 1923, p. 675), the following conditions must exist: '(1) The injury to the plaintiff must have resulted from a dangerous or defective condition of a public highway, street, ...; (2) the city council or other governing board or some officer or person having authority to remedy the condition must have had notice or knowledge thereof; (3) it, or he, must have failed or neglected to remedy the dangerous or defective condition within a reasonable time after acquiring knowledge or receiving notice; or (4) must have failed to take such action as might be reasonably necessary to protect the public against the dangerous or defective condition within a reasonable time after knowledge or notice.' (9 Cal.Jur. Supp. 627, citing Bosqui v. City of San Bernardino, 2 Cal.2d 747, 759 [43 PaCal.2d 547]; Nicholson v. City of Los Angeles, 5 Cal.2d 361 [54 PaCal.2d 725].) The theory of the act seems to be that liability is imposed not alone for the dangerous condition, but for the failure to remedy it, upon knowledge or notice thereof. (Watson v. City of Alameda, 219 Cal. 331 [26 PaCal.2d 286].) Whether or not the requisite conditions are present should usually be determined from the facts of the particular case; the factors which contribute to produce a result are so varying that no hard and fast rule may find practical application to the great majority of cases. (Waldorf v. City of Alhambra, 6 Cal.App.2d 522 [45 PaCal.2d 207].)
[2] "In connection with its first point, appellant urges that 'the case at bar is analogous in principle to the physical conditions that prevail as described by the court in the cases of Waldorf v. City of Alhambra, 6 Cal.App.2d 522 [45 PaCal.2d 207]; Robertson v. City of Long Beach, 19 Cal.App.2d 676 [66 PaCal.2d 167]. These two cases are analyzed [13 Cal.2d 255] by the Supreme Court in the recent decision in the case of George v. City of Los Angeles, 11 Cal.2d 303 [79 PaCal.2d 723, 726], where it was said: 'In each of these cases the injury was caused by a collision of an automobile with a "jog" or "offset" in the street along which the automobile was being operated. It was held in the Waldorf case, and followed in the other cited case, that there is no law of this state which requires a municipality to maintain barriers or warning devices at "jogs" or "offsets" in the streets of a municipality; that in almost every city of size in the state some streets are laid out and improved without uniformity as to width or direction, resulting in "jogs" or "offsets" and that where there is nothing in the construction of such a street to conceal its real condition, no liability attaches to the municipality for injuries arising out of such construction.
" 'The factual situation in each of these two cases differs materially from that existing in the present action. [3] It is well settled in this state that when dealing with cases falling under the provisions of the Public Liability Act of 1923, each of such cases must depend upon its own state of facts and that no hard and fast rule can be applied in the great majority of cases. (Rafferty v. City of Marysville, 207 Cal. 657, at page 660 [280 P. 118, 119]; Waldorf v. City of Alhambra, 6 Cal.App.2d 522, at page 526 [45 PaCal.2d 207]; Hook v. City of Sacramento, 118 Cal.App. 547 [5 PaCal.2d 643].) In each of the Waldorf and Robertson cases, as we have seen, the claimed dangerous condition was a "jog" or "offset" in the street at its intersection with a cross-street, where the abutting property extended beyond the property line on the opposite side of the cross-street. The abutting property was surrounded by a curb some six inches in height, and there was also a sidewalk and parkway within the curb line. These, the court held, constituted barriers or warnings sufficient to avert disaster and readily visible to the driver of an approaching automobile. ... By reason of the marked difference in the factual situation in the present case from those shown to have existed in the case of Waldorf v. City of Alhambra, and Robertson v. City of Long Beach, supra, we are unable to agree with the respondent city that the decisions in those cases are determinative of the issues involved in the instant case. As the complaint in this case set forth facts showing the existence of a dangerous and defective condition in Allesandro [13 Cal.2d 256] street, together with notice of such condition by the officers of the city and their failure to remedy such condition, it met all requirements of the statute, and was not vulnerable to a general demurrer. The court, therefore, erred in sustaining said demurrer.'
"The intersection of Glenoaks boulevard and Providencia avenue reveals a much more complicated situation than a mere 'jog' or 'offset' in the street. Admittedly, there is a jog in Glenoaks boulevard, but added to that is the unpaved railway right of way commencing at the easterly side of the intersection, as well as the fact that the northerly curb of the paved portion of Glenoaks lying southerly of and adjoining the unpaved right of way came to an abrupt stop presenting at a point within the intersection a face eight by eight inches which any driver, even though using ordinary care, might easily overlook because of its inconspicuous aspect to one approaching the intersection from the west. There is evidence in the record that the driver turned abruptly to the right to avoid hitting the tall pole on the railway right of way and in so doing he struck the unprotected and inconspicuous end of the curb and thereby lost control of his car. There is no 'jog' or 'offset' in the car track at this point; continuing from the west, it traverses the intersection and then passes in a straight line over the unpaved right of way to the east of the intersection. There is also evidence in the record that at the time of the accident there was no visible warning to the driver of a machine traveling easterly into the intersection, 'straddling' the car track, that he could not continue to drive his automobile along the car track and upon the right of way, but that he must turn either to right or left to avoid disaster. Because of the lack of visibility at the time of day when the accident occurred, the small projecting end of the curb would appear to one approaching from the west to be a part of the unpaved right of way.
"Minutes of the city council of Burbank introduced in evidence disclose that on February 20, 1934, Howard I. Stites, city manager and city engineer in charge of repair and maintenance of streets and highways, knew and recognized the hazard to traffic which existed at this intersection and had then reported 'that deeds for right of way are being secured to widen the roadway there and lessen the traffic hazard at that corner'. Called as a witness Mr. Stites was asked if 'on February 20, 1934, when you appeared before [13 Cal.2d 257] the council as the city manager and as the city engineer and discussed the obtaining of an easement over the right of way of the Pacific Electric Railway Corporation, it was for the purpose of widening or setting back those curb lines, was it not?' He replied: 'It was.' In September, 1934, appellant acquired an easement over two triangular strips of land embraced within the railway right of way and lying along the northerly and southerly sides of said right of way at its junction with the easterly line of the intersection. Mr. Stites testified that this deed was secured from the railway company for the purpose of widening the street, doing away with the bottleneck condition and setting back the curbs. The minutes of October 23, 1934, reveal that the traffic hazard which then existed at this intersection would be removed upon completion of the contemplated improvement. However, the matter was allowed to rest and nothing was ever done to warn the motoring public that a dangerous condition existed at this corner. It was a year after the deed had been secured that the accident which is the basis of this action occurred. Having been fully cognizant of the hazard there existing, it was the legal duty of the appellant to take proper steps to eliminate such hazardous condition. Its failure 'to take such action as may be reasonably necessary to protect the public against such dangerous and defective condition' (Stats. 1923, p. 675), constituted negligence as contemplated by said Public Liability Act.
[4] "The contributory negligence of the driver of the car involved herein was pleaded as a defense by appellant. The jury having found to the contrary, it is beyond the power of this court to interfere, taking into consideration all of the facts and circumstances disclosed by the record. 'It is only where the inference of negligence is irresistible that it becomes the duty of the court to decide upon it as a matter of law, and, where the facts or the inferences to be drawn from them are in any degree doubtful, the only proper rule is to submit the whole matter to the jury under proper instructions.' (Van Praag v. Gale, 107 Cal. 438 [40 P. 555].)
[5] "With respect to appellant's third point: In both Bennett v. Kings County, 124 Cal.App. 147 [12 PaCal.2d 47], and Edwards v. San Diego, 126 Cal.App. 1 [14 PaCal.2d 119], which were actions brought under the provisions [13 Cal.2d 258] of the Public Liability Act, damages for wrongful death were allowed. In the Bennett case, referring to said act, the court at page 150 said: 'The first point raised is that the demurrer to the complaint should have been sustained. It is contended that the statute upon which this action is based (Stats. 1923, p. 675, sec. 2) is in derogation of the common law and must be strictly construed, and that since it does not specifically give a right of action to the heirs of a deceased person, such an action cannot be maintained. It is argued that those cases where such an action has been permitted or which have been treated as if such right existed, are not in point, since this particular question was not therein raised (see Gorman v. County of Sacramento, 92 Cal.App. 656 [268 P. 1083]; Brooks v. City of Monterey, 106 Cal.App. 649 [290 P. 540].) A part of the act in question reads: "Counties ... shall be liable for injuries to persons and property, resulting from the dangerous or defective condition of public streets, highways ..."
" 'Aside from the consideration of any other statutes, we are unable to see why the "injuries to persons", referred to in this statute, do not include such injuries as may be caused to persons by reason of the death of others as well as injuries to persons directly involved not resulting in death. We think the injury suffered by these plaintiffs is covered by the statute and that the demurrer was properly overruled.'
[6] "As to appellant's complaint that the damages awarded for the wrongful death are excessive, the amount of damages in this kind of an action is committed first to the sound discretion of the jury, and next to the discretion of the judge of the trial court, who, in ruling upon the motion for a new trial, may consider the evidence anew, determine anew the facts and set aside the verdict if it is not just. 'Upon appeal, the decision of the trial court and the jury on the subject cannot be set aside unless the verdict is so plainly and outrageously excessive as to suggest at first blush passion, prejudice or corruption on the part of the jury.' " (Gorman v. County of Sacramento, 92 Cal.App. 656, 667 [268 P. 1083], and cases there cited.) There is nothing in the record presented here which even suggests passion, prejudice or corruption on the part of the jury.
[7] "Appellant in its supplemental opening brief claims error by the trial court in giving three certain instructions [13 Cal.2d 259] to the jury on the question of general negligence. In its closing brief, appellant admits that some of these individual instructions were proposed by it, and then calls attention to a fourth instruction which it also proposed but which it now claims was erroneously modified by the trial court. Taken as a whole, the instructions which were given fully and fairly presented the issues to the jury, and if any such error existed, it was so slight as to be entirely harmless and resulted in no prejudice to appellant's cause.
"From what has heretofore been said, it is apparent that there is not merit in appellant's fifth point. The third amended complaint was sufficient as against a general demurrer, and there was no error on the part of the trial court in denying appellant's motion for nonsuit and for directed verdict.
"The verdict is amply supported by both the law and the evidence."
The judgment is affirmed; the appeal from the order denying motion for a new trial is dismissed.
Seawell, J., Waste, C.J., and Langdon, J., concurred.
EDMONDS, J.,
Dissenting.
In my opinion the facts of the present case are not essentially different from those which were shown in the cases of Waldorf v. City of Alhambra, 6 Cal.App.2d 522 [45 PaCal.2d 207], and Robertson v. City of Long Beach, 19 Cal.App.2d 676 [66 PaCal.2d 167]. In each of those cases the appeal challenged a determination of the trial court that the plaintiff's complaint failed to state a cause of action. The facts alleged in each complaint were substantially the same. An accident had occurred at night when an automobile collided with and overran a curb on the far side of an intersection at which point there was a "jog" or "offset" in the course of the street. It was held in each case that the facts alleged were not sufficient to state a cause of action against the defendant city under the Public Liability Act. (Stats. 1923, chap. 328, p. 675; Deering's Gen. Laws, Act 5619, p. 3052.) The reasoning of the court in the Waldorf case, which was quoted and relied upon in the Robertson case, is as follows: "Nor do we think that the city is chargeable with liability in failing to maintain barriers, lights or warning signs or notices at the point of 'offset' or 'jog' in the street. In almost [13 Cal.2d 260] every city of size in this state some streets are laid out and improved without uniformity as to width or direction, resulting in so-called 'jogs', 'offsets' or 'goose-necks', some ending at cross-streets and some even forming cul-de-sacs. We are convinced that the law does not require a municipality to maintain either barriers or warning devices at 'jogs' or 'offsets' of the construction, nature and appearance of that described in the complaint herein. To the prudent operator of a motor vehicle, acting within the scope of the law governing his own conduct in traversing a public street in the night-time, the pavement, curb, sidewalk and the parkway with the trees or poles therein constitute a barrier or warning sufficient to avert disaster and as readily visible to the alert driver as a sign informing him of the condition, there being nothing to conceal the real condition nor to deceive the operator of an approaching automobile while driving at a lawful rate of speed and with due caution." (6 Cal.App.2d, pp. 526, 527 [45 PaCal.2d 207, 209].)
The physical facts in the present case come within this description of an ordinary street in any city. At the time the accident occurred, the course of Glenoaks Boulevard jogged to the right (instead of to the left as in the Waldorf and Robertson cases) at its intersection with Providencia Avenue, and beyond the intersection it is divided by the Pacific Electric's unpaved right of way. The commencement of the right of way on the far side of Providencia Avenue was made plainly apparent by numerous poles and posts and by the dark surface which continued beyond the white concrete pavement. One large pole (16"x16") which stood on the right of way beyond the end of the pavement and almost directly in the path of the automobile which Urban Goebel was driving, had been painted with aluminum paint and appeared "drab or dull gray." On this pole was suspended a railway crossing wig-wag signal facing Providencia Avenue. Directly opposite, three posts marked the line between the pavement and right of way on the north side of the railroad track. One of these posts was painted white. Approximately in the center of the intersection and 25 feet above the street, a 600 candlepower street light was suspended. On the northwest corner of the intersection was [13 Cal.2d 261] a service station illuminated by lights totaling 1100 candlepower.
The four occupants of the car were riding in the front seat. The night was clear and the street was dry. Each of the two survivors of the accident lived two and one-half blocks from the scene and were well aware of the jog in the street. The driver of the automobile, who was killed, lived approximately a mile from the scene of the accident. In crossing the intersection the automobile swerved to the right, striking the end of a curb which formed the southern boundary of the right of way, and then, out of control, continued 232 feet, where it collided with a pole on the sidewalk.
The opinion of my associates distinguishes the two previous decisions upon the ground that "the curb referred to in the present action was not across the course which the automobile was traveling as it was in each of the two cases cited by appellant, but was parallel to said course and only a surface of some eight inches square was visible to the driver." It is also said that "there was no curb, sidewalk, or parkway, or other barrier to warn him [the driver] of the changed condition in the highway". This distinction overlooks the existence of physical conditions which constituted just as visible a warning to the oncoming motorist as did the "curb, sidewalk, and parkway" in the Waldorf case or the curb, sidewalk and empty lot in the Robertson case. Certainly a group of posts and poles, some of which were painted a light color, at an intersection illuminated by a powerful street light, are as plainly visible as a concrete curb and sidewalk of approximately the same color as the street pavement.
The opinion of the District Court of Appeal which is now adopted by this court, suggests that the west end of the curb which marked the southern boundary of the right of way might be easily overlooked by a motorist approaching from the west. But this curb, although small in itself, was a part of the physical conditions which were made apparent by other objects plainly indicating that the street did not continue beyond them. There was, therefore, no dangerous or defective condition of streets within the meaning of the statute upon which the plaintiffs rely and, as I read the record, the defendant's motion for a directed verdict should have been granted by the trial judge. [13 Cal.2d 262]
For these reasons, according to my view of the case, the judgment should be reversed with directions to the trial court to enter judgment for the defendant.
Houser, J., and Shenk, J., concurred.
Thu, 04/06/1939 13 Cal.2d 248 Review - Civil Appeal Opinion issued
1 MIKE ARELLANO et al. (Respondent)
2 s, v. CITY OF BURBANK (a Municipal Corporation), Appellant. (s, v. CITY OF BURBANK (a Municipal Corporation))
Apr 6 1939 Opinion: Affirmed
SCOCAL, Arellano v. City of Burbank , 13 Cal.2d 248 available at: (https://scocal.stanford.edu/opinion/arellano-v-city-burbank-25332) (last visited Sunday January 16, 2022).

redpajama_set_name: RedPajamaCommonCrawl


text:
Janet Jackson to Begin Park MGM Residency May 17
by Chuck Dobrosielski
Mar 6, 2019 12:24pm
Photo credit Solaiman Fazel
Grammy-winner Janet Jackson will begin a multi-month residency at Park MGM's Park Theater May 17. The show, titled Metamorphosis, will run for 15 nights, with performances in mid to late May, late July and early August.
According to a press release from Park MGM, Metamorphosis "peels back the layers of the immensely private life of Janet Jackson, sharing her transformation from a young girl with issues of self-esteem to global icon." The performances, coming 30 years after the release of her fourth album Janet Jackson's Rhythm Nation 1814, will include a celebration of the momentous anniversary.
Dates for Jackson's residency are:
May 17, 18, 21, 22, 25 and 26
July 24, 26, 27 and 31
August 2, 3, 7, 9 and 10
Tickets for Metamorphosis, starting at $79, went on sale this past Saturday, March 2. All performances will begin at 8 p.m. Park Theater's 2019 lineup features a range of world-class talent. Starting with Cher this month, the venue will also host lengthy residencies headlined by Aerosmith, Bruno Mars and Lady Gaga.
Over the course of her career, Jackson has won five Grammys and been nominated for one Academy Award and one Golden Globe. Since entering the music business in 1982, she has released a total of 11 studio albums and has sold over 100 million records around the world.
Aerosmith Unveils 17 More Dates for Their Las Vegas Residency
Christina Aguilera to Launch Residency at Planet Hollywood Las Vegas
Mark Ronson to Begin DJ Residency at Park MGM's On The Record
Lady Gaga Announces Residency at Park MGM
Live Shows Local Events Park Theater Park MGM Las Vegas Janet Jackson
Chuck Dobrosielski


David Haydn-Jones – perhaps best known for his role as Arthur Ketch on Supernatural – is appearing in NBC's Taken this coming Friday, March 30th.
David shared a Tweet earlier today asking for his fans to tune in.
So make sure to check it out and show your support for DHJ! The episode airs at 9PM EST on NBC!


text:
В списъка са описани всички реки над 100 км във водосборния басейн на Атлантическия океан, попадащ на територията на Русия. Към водосборния басейн на Атлантическия океан, попадат водосборните басейни на три морета: Черно, Азовско и Балтийско.

Списъкът е съставен на следния принцип: океан — море — река – приток от първи порядък – приток от втори порядък и т.н. Пред всеки от притоците, от втори порядък нататък, е поставен километърът, на които се влива в главната река, като километрите са отчетени от устието към извора на реката с по-висок порядък в съответствие с "Държавния воден регистър на Русия". Притоците са подредени от извора към устието на реката от по-голям порядък. Изключения правят тези реки, които не се вливат директно в реката от по-горен порядък, а в някой неин проток, ръкав или близко езеро. Със съответната стрелка са показани кой приток от коя страна на реката се влива: → ляв приток, ← десен приток, считано по посоката на течението на реката с по-голям порядък. След името на съответната река са показани нейната дължина (в км) и площта на водосборния ѝ басейн (в км2). Ако част от реката или част от водосборния ѝ басейн се намира извън пределите на Русия има * или число показващо километрите само на територията на Русия.

Разпределение по басейн

Черно море

 Днепър 2201* (485) / 504 000*
 → Вязма 147 / 1350
 → Осма 104 / 1530
 ← Воп 158 / 3300
 ← Хмост 111 / 636
 → Сож 648* (155) / 42 100*
 ← Вихра 158* / 2230*
 → Остьор 274* / 3490*
 → Бесед 261* / 5600*
 → Ипут 437* / 10 900*

 → Десна 1130* (555) / 88 900*
 → Болва 213 / 4340
 → Навля 126 / 2242
 → Неруса 161 / 5630
 ← Судост 208* / 5850*
 → Сейм 696* (474) / 27 500*
 ← Тускар 108 / 2475
 ← Свапа 197 / 4990
 ← Клевен 113* / 2660
 ← Снов 253* / 8705
 → Псьол 717* / 22 800*
 → Ворскла 464* / 14 700*

Азовско море

 Кубан 870 / 57 900
 → Голям Зеленчук 158 / 2730
 → Уруп 231 / 3220
 → Лаба 214 / 12 500
 91 ← Чамлик 133 / 2830
 25 ← Синюха 137 / —
 72 → Фарс 197 / 1450
 48 → Улка 100 / 402
 15 → Псенафа 101 / 460
 277 → Белая 273 / 5990
 114 → Курджипс 100 / 768
 74 → Пшеха 139 / 2090
 265 → Пшиш 258 / 1850
 → Апчас 120 / 550
 245 → Псекупс 146 / 1430
 Протока 140 / —
 Кирпили 202 / 2650
 Бейсуг 243 / 5190
 → Бейсужек Ляв 161 / 1890
 Ея 311 / 8650
 ← Куго-Ея 108 / 1260
 → Сосика 159 / 2030
 Кагалник 162 / 5040

 Дон 1870 / 422 000*
 1645 ← Красивая Меча 244 / 6000
 1608 ← Сосна (Бистрая Сосна) 296 / 17 400
 177 ← Тим 120 / 2460
 123 ← Кшен 130 / 2320
 91 ← Олим 151 / 3090
 1403 → Воронеж 342 / 21 600
 342 → Полной Воронеж 178 / 2170
 342 ← Лесной Воронеж 164 / 2140
 216 → Матира 180 / 5180
 64 → Усман 151 / 2840
 1317 ← Потудан 100 / 2180
 1299 ← Тихая Сосна 161 / 4350
 1197 → Битюг 379 / 8840
 1105 ← Чьорная Калитва 162 / 5750
 1022 ← Богучар 101 / 3240
 983 → Толучеевка 142 / 5050
 823 → Хопьор 979 / 61 100
 540 ← Карай (Мокрий Карай) 139 / 2680
 403 ← Ворона 454 / 13 200
 315 ← Савала 285 / 7720
 50 ← Елан 165 / 3630
 67 ← Токай 131 / 957
 142 → Бузулук 314 / 9510

 792 → Медведица 745 / 34 700
 447 ← Баланда 164 / 1900
 421 → Карамиш 147 / 3380
 308 ← Терса 239 / 8600
 108 ← Елан 218 / 2120
 69 → Арчеда 162 / 2050
 604 → Иловля 358 / 9250
 456 ← Чир 317 / 9580
 160 → Куртлак 150 / 2760
 → Есауловский Аксай (Аксай Есауловский) 179 / 2590

 218 ← Северский Донец 1053* (335) / 98 900*
 580 → Оскол 472* / 14 800*
 343 → Айдар 264* / 7420*
 273 → Делкул 165* / 5180*
 117 → Калитва 308 / 10 600
 93 → Болшая 152 / 2160
 84 → Бистрая 218 / 4180
 18 ← Кундруча 244* / 2320*
 165 → Сал 798 / 21 300
 400 → Болшой Гашун 161 / 3090
 328 → Малая Кубурле (Куберле) 152 / 1460
 99 → Западен Манич 219 / 35 400
 → Калаус 436 / 9700
 → Егорлик 448 / 15 000
 ← Тузлов (Аксай) 182* / 4680*
 Миус 258* / 6680*
 84 ← Кринка 180* / 2634*

Балтийско море

 Преголя 123 / 15 500*
 123 → Анграпа 172* / 3639*
 123 ← Инструч 101 / 1250
 72 → Лава 298* / 7130*
 Неман 937* / 98 200*
 85 → Шешупе 298* / 6150*

 Западна Двина 1020* (325) / 87 900*
 → Велеса 114 / 1420
 ← Торопа 174 / 1950
 → Межа 259 / 9080
 → Обша 153 / 2080
 ← Усвяча 100* / 2340*
 → Каспля 136* / 5410*
 ← Дриса 183* / 6420*

 Нарва 77 / 56 200*
 ← Плюса 281 / 6550

Чудско-Псковско езеро
 Великая 430 / 25 200*
 323 ← Алоля 105 / 860
 178 → Иса 174 / 1580
 129 → Синяя 195 / 2040*
 87 → Утроя 176* / 3000*
 36 ← Лжа 156* / 1570*
 85 → Кухва 106* / 828*
 24 ← Черьоха 145 / 3230
 17 ← Пскова 102 / 1000
 Луга 353 / 13 200
 191 ← Оредеж 192 / 3220

 Нева 74 / 281 000*
 44 → Тосна 121 / 1640

Езеро Илмен
 Шелон 248 / 9710 (влива се в езерото Илмен)
 64 → Ситня 117 / 1020
 19 → Мшага 106 / 1540

 Ловат 530 / 21 900 (влива се в езерото Илмен)
 269 → Локня 119 / 2190
 192 ← Куня 236 / 5143
 33 ← Серьожа 101 / 849
 18 → Редя 146 / 671
 15 → Полист 176 / 3630
 22 ← Поруся 142 / 1030
 Пола 267 / 7420 (влива се в езерото Илмен)
 111 ← Поломет 150 / 2770
 Мста 445 / 23 300 (влива се в езерото Илмен)
 → Цна 160 / 4420
 → Шлина 102 / 2300
 389 → Березайка 150 / 3230
 370 ← Увер 90 / 3930
 14 → Съежа 104 / 1240
 179 ← Мда 101 / 673
 92 → Холова 126 / 1900

Ладожко езеро

 Волхов 224 / 80 200 (влива се в Ладожко езеро)
 125 → Керест 100 / 933
 108 ← Оскуя 114 / 1470
 102 ← Пчьовжа 157 / 1970
 100 → Тигода 143 / 2290
 Вуокса 156* / 68 501* (влива се в Ладожко езеро)

 Свир 224 / 84 400 (влива се в Ладожко езеро)
 112 ← Важинка 123 / —
 15 → Оят 266 / 5220
 8 → Паша 242 / 6650
 148 ← Капша 115 / 1700
 Сяс 260 / 7330 (влива се в Ладожко езеро)
 96 ← Тихвинка 144 / 2140
 Уксунйоки 121 / 1080 (влива се в Ладожко езеро)

Онежко езеро
 Андома 156 / 2570 (влива се в Онежко езеро)
 Шуя 194 / 10 100 (влива се в Онежко езеро)
 Суна 280 / 7670 (влива се в Онежко езеро)
 Водла 149 / 13 700 (влива се в Онежко езеро)
 Илекса 155 / 3950
 147 → Нетома 107 / 776
 103 → Колода 112 / 1330
 5 ← Шалица 104 / 992

Вижте също
Списък на реките в Русия по дължина

Източници

 Государственный водный реестр России.
 Большие реки России .

<noinclude>


Published 04/20/2019 06:32:55 am at 04/20/2019 06:32:55 am in Install A Metal Roof.
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Hub Stacey's Downtown will celebrate its 20th anniversary with its traditional anniversary crawfish boil and party on March 24.
Hub Stacey's is a neighborhood bar and eatery. But really, what a neighborhood.
Tucked at the corner of Government and Alcaniz streets, Hub Stacey's borders the oak-filled beauty that is Seville Square in the heart of the Historic District. At Seville Square's northwest edge, it's become part of the neighborhood's charm and history in its own right. It's also a popular stop for Seville residents, downtown workers, touring visitors and downtown festival-goers.
After all, Seville Square has historically been where festivals have been held in the city, from jazz and seafood festivals to sprawling art shows and outdoor concert series.
Namesake and owner Hubbard "Hub" Stacey lowers his voice a bit to tell a secret.
"I don't know if I should say this,'' he said, sitting outside the eatery/pub as a half dozen squirrels scurried and played in the square across the street. "But I like this corner more than I would being on Palafox."
"I love this area, I really do,'' Stacey said of the Seville Historic District, which includes Old Christ Church and numerous historic homes and structures.
The couple both talked about their fondness for their neighbors in hospitality, Dharma Blue to the east and Lucy's in the Square to the west, as well as Pensacola Bay Brewery, catty-corner (or kitty corner if you prefer) to Hub Stacey's. Hub Stacey's even pours Pensacola Bay Brewery beers on tap.
"I want more Dharma Blues, more Lucy's and more breweries,'' he said. "There is more action around here than there used to be, and I like that. I'd like this area to be a draw so people can come to the Square and go to these different shops and cafes and restaurants."
Hub Stacey's Downtown is known for its wide selection of beers, and its chicken wings and specialty sandwiches, many of which pay tribute to Pensacola's history and culture such as the Alcaniz (chicken salad, pita bread, tomatoes, sprouts, lettuce); The Baylen (no meat!); and the Palafox (pastrami on rye). At Hub Stacey's at the Point, similar sandwiches just switch to more geographically appropriate names — the Alcaniz becomes the Ono, the Baylen becomes the Bauer and the Palafox becomes the Point. Another favorite, the Cuban, keeps its name at both places.
But regular Bill Baker — "not the lawyer" he noted — goes most often for the chicken wings.
"Bill even named his own chicken wings,'' Hub Stacey said.
"Bill's style,'' said Baker, a former technical publisher who lives in the Historic District, before going into a recipe that includes half barbecue sauce, half hot sauce and about "this much" honey mustard.
"I've probably eaten 5,000 chicken wings here in three years,'' Baker said. "We did the math. It's kind of sad. I've got feathers under my arms."
Both Hub and Donna Stacey say a key to their longevity was making the establishment family (and festival) friendly right from the start. While there had been a series of bars at the location over the years, most of those weren't child friendly — besides, that's when everyone smoked inside.
The Staceys built an outdoor patio for sidewalk dining, drinking and gathering and they began broadening menu items.
"It's really a place that people can come with their kids and their dogs (outside, of course) and sit in a beautiful setting and just enjoy themselves,'' Donna Stacey said. "And now, we're seeing some our early customers kids come in (as adults). Wow."
There are a handful of paintings and framed pictures of Hub Stacey's by patrons that hang on the wall. But the couple's favorite piece of art hangs on the northern wall of the downtown establishment. Bright red, it shows bodies upon bodies crammed into a trolley. It's the trolley that the couple's daughter, McClellan — it's Hub's middle name — was fascinated as she watched it ride around and around Seville Square in the early years of Hub Stacey's.
She was probably a kindergarten student, Hub Stacey said, when she made the colorful, thoroughly childlike drawing, complete with an inscription that reads "We love Hub Stacey's" and in smaller, darling letters, "I love mi Mom and Dad to."
McMillan Stacey Grimm, now 26, recently gave birth to the couple's first grandchild — a girl named Grace.
"It's my favorite painting in the place,'' Hub Stacey said as he stared nostalgically at the child-crafted images. "Man, she loved that trolley."
Location: 312 E. Government St.
Both establishments open at 11 a.m. seven days a week.


text:
VIRTUAL EVENT: Ada Calhoun, Why We Can't Sleep
Tuesday, February 9, 2021 - 7:00pm
Join us for a virtual event with Ada Calhoun who will discuss We Can't Sleep: Women's New Midlife Crisis (available in paperback on January 19th), an in-depth exploration of the "new" midlife crisis hitting Generation X women—a topic she began writing about in a viral essay on Oprah.com. Calhoun will be in conversation with local writer Liza Monroy.
Register for this free Crowdcast event here.
This is a free event. The book may be ordered below.
You can make a donation to help support Bookshop Santa Cruz here. Thank you!
When Ada Calhoun found herself in the throes of a midlife crisis, she thought that she had no right to complain. She was married with children and a good career. So why did she feel miserable? And why did it seem that other Generation X women were miserable, too?
Calhoun decided to find some answers. She looked into housing costs, HR trends, credit card debt averages, and divorce data. At every turn, she saw a pattern: sandwiched between the Boomers and the Millennials, Gen X women were facing new problems as they entered middle age, problems that were being largely overlooked.
Speaking with women across America about their experiences as the generation raised to "have it all," Calhoun found that most were exhausted, terrified about money, under-employed, and overwhelmed. Instead of being heard, they were told instead to lean in, take "me-time," or make a chore chart to get their lives and homes in order.
In Why We Can't Sleep, Calhoun opens up the cultural and political contexts of Gen X's predicament and offers solutions for how to pull oneself out of the abyss—and keep the next generation of women from falling in. The result is reassuring, empowering, and essential reading for all middle-aged women, and anyone who hopes to understand them.
"A superb mix of personal stories and deep research about a generation of women who are facing unprecedented pressure as they enter middle age. It's at once realistic, but positive, asking women to face up to reality, let go of expectations, find a support system and accept this stage isn't forever." — Huffington Post
ADA CALHOUN is the author of the memoir Wedding Toasts I'll Never Give, named one of the top ten memoirs of 2017 by W magazine; and the history St. Marks Is Dead, one of the best books of 2015, according to Kirkus and the Boston Globe. She has collaborated on several New York Times bestsellers, and written for the New York Times, New York, and The New Republic.
LIZA MONROY is a Santa Cruz-based author and freelance journalist whose books include the essay collection Seeing As Your Shoes Are Soon To Be On Fire and the novel Mexican High. She has written for The New York Times, The Washington Post, Longreads, O, Marie Claire, Catamaran, and many other publications. Visit her online at www.lizamonroy.com.
Why We Can't Sleep: Women's New Midlife Crisis (Paperback)
By Ada Calhoun
Availability: On Our Shelves Now
Published: Grove Press - January 19th, 2021
Seeing As Your Shoes Are Soon to be on Fire: Essays (Paperback)
By Liza Monroy
Availability: Hard to Find - Contact Store for Availability
Published: Soft Skull - October 11th, 2016


text:
New York Poised for Legal Medical Marijuana
By Hannah Goldberg
New York was on the cusp of becoming the latest state to legalize marijuana for medical purposes Friday.
The state Senate passed a bill that would limit consumption to edibles, pills, and oils—prohibiting the smoking or sale of actual marijuana plants. Gov. Andrew Cuomo is expected to sign the bill, which passed the Senate 49 to 10 after state leaders announced a legislative compromise Thursday.
"This legislation strikes the right balance," Cuomo said in statement Thursday when the compromise was first reached. "Medical marijuana has the capacity to do a lot of good for a lot of people who are in pain and suffering, and are in desperate need of a treatment that will provide some relief. At the same time, medical marijuana is a difficult issue because there are risks to public health and safety that have to be averted. I believe this bill is the right balance, and I commend the members of the Legislature who worked so hard on this measure."
New York will be the 23rd state to legalize medical marijuana, according to the New York Daily News.
The state Department of Health will be charged with the regulation and licensing of medical marijuana manufacturers and distributors. The bill will place a seven-cent tax on marijuana sales.
MORE: Inside a Christian Pot Shop
$52,000 Worth of Cocaine Cookies Confiscated at Newark Airport
How Black Filmmakers Are Reclaiming Their History Onscreen


Do you fall into a group of people who enthusiastically decide to serve a diet, improve their looks by taking up a physical activity (be it in a gym, in an aerobics class or training individually), or acquire a new language and then give up long before their activity produces any result whatsoever? Have you ever wondered why you act like this? Here is the answer: short-lived motivation, if any at all. Motivation has turned out to be a cool word recently. People even capitalize on it: should you need it, you can hire an instructor who will assist you in improving your motivation, or arrange a person to deliver a motivational speech for you. Every now and then you even come across writings concerned with the issue of motivation. But what is it in fact and why is it so essential to our endeavours? Motivation is the mainspring of everything we do. Without it no accomplishments would come about. You might argue that wishing for a result will substitute motivation. You are wrong. A mere wish is not strong enough to push you onwards the attainment of set objectives. Should you find your motivation you need to be well-aware of what exactly you want to achieve, you need to crave for it, and last but not least, you have to be prepared to work on it to the best of your ability. You should only set your heart on accomplishing big goals after you have broadened your experience in how to preserve motivation by fulfilling small dreams. 'Why?', you ask? The reason is simple: staying motivated when accomplishing big goals is much harder than when achieving small ones. If you long for a particular thing, or the accomplishment of a particular goal, but you don't feel the urge to act, then you either have problem with motivation or the goal you have set is not sufficiently important for you. ou need to feel the irresistible urge to work towards you goal in order to stay motivated and accomplish it. There is a close connection between motivation and sentiments and/or imaginativeness. What it means is that you cannot improve your motivation without concentrating on the other two.


It's well known that the taste of Argentina's meat is unique in the world. Why not give it a try in good company, discovering some of the local parrillas? An English speaking guide takes you and a small group to 3 o 4 local places to taste a diversity of traditional meals as well as a fine Argentine wine. The tour lasts around 3 hours and it ends in a artisanal ice cream shop for dessert. You can choose between the tour in Palermo or San Telmo.


Inspiring and emotional acoustic guitar music collection.
Happy clappy uplifting instrumental uke songs with a catchy inspiring chord progression and various melody instruments. S uitable for acoustic corporate , commercia..
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text:
Q: bindPopup() to markers only when they are clicked on The following html code creates several markers and popups for them. ... is just a replacement for long things which I've ommitted as they don't have significance in solving my problem. As there are 100s of these markers, creating all the popups in one go results in a very long web load time.
Is there a way to somehow add the popups to the markers only when the marker is clicked on? The code below has already been generated, so I can't rebuild it from scratch using a new logic.
var m1 = L.marker(...).addTo(map);
var p1 = L.popup(...);
var v1 = $('

')[0];
p1.setContent(v1);
m1.bindPopup(p1);
vegaEmbed(v1, ...)

var m2 = L.marker(...).addTo(map);
var p2 = L.popup(...);
var v2 = $('

')[0];
p2.setContent(v2);
m2.bindPopup(p2);
vegaEmbed(v2, ...)

var m3 = L.marker(...).addTo(map);
var p3 = L.popup(...);
var v3 = $('

')[0];
p3.setContent(v3);
m3.bindPopup(p3);
vegaEmbed(v3, ...)

.
.
.
and so on

Attempt at Falke Design's Proposed Solution:
So far I have the following Python code:
m = folium.Map(...)

fg = folium.FeatureGroup()

for i in range(0,400):
    p = folium.Popup().add_child(folium.VegaLite(...))
    folium.Marker(...popup = p).add_to(fg)

fg.add_to(m)

m.save('templates/index.html')

Which generates the below html:
var fg = L.featureGroup({}).addTo(m);

var m1 = L.marker(...).addTo(fg);
var p1 = L.popup(...);
var v1 = $('

')[0];
p1.setContent(v1);
m1.bindPopup(p1);
vegaEmbed(v1, ...)
.
.
.
and so on up to 400

A: Yes there is a way. You can add to each marker a click event and then add the popup.

var fg = L.featureGroup().addTo(map);

var m1 = L.marker([51.505, -0.09]).addTo(fg);
var v1 = '
v1
';
m1.popcontent = v1; //custom property to safe the html to the marker
var m2 = L.marker([51.505, -0.094]).addTo(fg);
var v2 = '
v2
';
m2.popcontent = v2;
var m3 = L.marker([51.505, -0.096]).addTo(fg);
var v3 = '
v3
';
m3.popcontent = v3;

fg.on('click',function(e){
    var layer = e.layer;
  layer.bindPopup(layer.popcontent).openPopup();
});

If your html is updated in vegaEmbed you have to save the html id to the marker and then read it out.
var m1 = L.marker([51.505, -0.09]).addTo(fg);
var v1 = 'v1';
m1.popcontent = v1; //custom property to safe the id to the marker

fg.on('click',function(e){
    var layer = e.layer;
    layer.bindPopup($("#"+layer.popcontent).html()).openPopup(); // or document.getElementById(layer.popcontent).innerHTML;
});

Example: https://jsfiddle.net/falkedesign/56dLkq9h/

A: If I understand correctly (and I may not), you would like to generate "light" html code from folium code somehow dynamically. If this is the question, the answer is no. You cannot.
From Folium's doc :

folium builds on the data wrangling strengths of the Python ecosystem and the mapping strengths of the leaflet.js library. Manipulate your data in Python, then visualize it in on a Leaflet map via folium.

In fact, your point is somewhat a well known point.

redpajama_set_name: RedPajamaStackExchange


text:
Mangelia elusiva är en snäckart som först beskrevs av Dall 1881.  Mangelia elusiva ingår i släktet Mangelia och familjen kägelsnäckor. Inga underarter finns listade i Catalogue of Life.

Källor

Kägelsnäckor
elusiva


text:
require 'spec_helper'

describe TextTractor::Phrase do
  let(:project) { TextTractor::Project.new(default_locale: "en", name: "Test Project", api_key: "test") }
  subject do
    TextTractor::Phrase.new(project, {
      en: { "text" => "An example", "translated_at" => Time.new(2011, 01, 03, 00, 32, 00).to_s },
      cy: { "text" => "An example in Welsh", "translated_at" => Time.new(2011, 01, 03, 00, 12, 00).to_s }
    })
  end

  it "should set the phrase's project" do
    subject.project.should == project
  end

  describe "converting to a hash for saving" do
    specify do
      subject.to_hash.should == {
        "en" =>  { "text" => "An example", "translated_at" => Time.new(2011, 01, 03, 00, 32, 00).to_s },
        "cy" =>  { "text" => "An example in Welsh", "translated_at" => Time.new(2011, 01, 03, 00, 12, 00).to_s }
      }
    end
  end

  it { should respond_to(:[]) }
  it { should respond_to(:[]=) }

  describe "accessing the individual translations" do
    it "allows direct access to the translated string" do
      subject["en"].to_s.should == "An example"
      subject["cy"].to_s.should == "An example in Welsh"
    end

    it "allows the translation of a phrase to be set" do
      subject["cy"] = "A new translation"
      subject["cy"].to_s.should == "A new translation"
    end

    it "returns an empty string when the translation has not been made" do
      subject["de"].to_s.should == ""
      subject["de"].translated_at.should be_nil
    end
  end

  describe "setting a translation" do
    before(:each) do
      Time.stub(:now).and_return(Time.new(2011, 04, 11))
    end

    it "sets the translation time" do
      subject["de"] = "Hello!"
      subject["de"].translated_at.should == Time.new(2011, 04, 11)
    end
  end

  describe "translaion states" do
    it "is considered translated if the default locale was translated before this translation" do
      subject["cy"].translated_at = subject["en"].translated_at + 40
      subject["cy"].state.should == :translated
    end

    it "is considered untranslated if no translation time is set" do
      subject["de"].state.should == :untranslated
    end

    it "is considered stale if the translation time is earlier then that on the default locale" do
      subject["cy"].translated_at = subject["en"].translated_at - 40
      subject["cy"].state.should == :stale
    end
  end
end


"The Passion Planner is the perfect tool to combine weekly scheduling with your long-term planning. The planner has a weekly layout that runs for a full year." The planner has a weekly …... For example, in your glutes and hamstrings workout, you'll do three supersets of lying leg curls and step-ups, just like you did in Week 2. On the fourth superset, however, you'll do a dropset of lying leg curls followed immediately by a dropset of step-ups. Rest 45-60 seconds between supersets.
18 printable, Weekly Planner Template Pdf. Available for the purpose of 5 various, six & several moment several weeks. Meant for do the job, university, college, course and many even more uses.... Download and print your own food journal. All you have to do is print, fold and staple. Download Food Journal Book (pdf format) Print off your own free daily food journal today.
There are various types of plans available today and they are used in many industries, businesses or for one's personal needs. Featured in this article is a meal plan, which is a one of the many types of plans that are available to use today. chava marathi book pdf free download I do a lot of weight lifting as well (4 times a week, and 2 times crossfit) and I bought the Kayla-BBG 2 months ago, but I'm constantly postponing to start with it because I'm afraid to lose muscle strenght. Good to read that that did not happen to you.
For example, in your glutes and hamstrings workout, you'll do three supersets of lying leg curls and step-ups, just like you did in Week 2. On the fourth superset, however, you'll do a dropset of lying leg curls followed immediately by a dropset of step-ups. Rest 45-60 seconds between supersets.
In this planner I have included a cover sheet, a monthly calendar template, Contacts, Special dates, Weekly planner, On-going to do list, cleaning list, babysitter checklist and a chore chart. If there's anything else you'd like to see in the planner let me know in the comments.
Download My Fitness Pal app on your smart phone, change the macros to KETO ratio. Then log everything you eat. It will tell you if you're in your macros or not, if you're not, bump up the others to make it so or reduce what you're over on.


At the NOA Symposium 2016 this month, npower will lead a breakout session covering the new outsourcing capability they've put to use in the last 18 months – the challenges they faced managing domestic call demand at peak, and how they've used outsourcing to access the additional resources required, while actually enhancing the quality and competency of the service provided.
Arise Virtual Solutions will join npower to explain how their innovative UK home-working pilot has provided vital support for npower's Customer Enquiries function, bringing flexibility, customer satisfaction and cost-effectiveness. npower will join Arise to highlight key points in the evaluation and partnering process, along with the lessons learned over the past year and a half of partnership.
The NOA Symposium takes place on Wednesday 22nd June in London. Speakers also include Vested Outsourcing author Kate Vitasek, and consultant and Power of Soft author Hilary Gallo. 2016's Symposium focuses on the recent collision of the digital outsourcing worlds, and the technologies, skills and standards required in order to stay on top.
Tickets are still available for purchase, while buyers of outsourcing and public sector employees attend for free!


Powerful, portable and affordable, HumanTrak is the world's first 3D camera and IMU-combined motion capture and analysis system.
ForceDecks is the world's fastest, easiest and most powerful dual force plate system for analysing neuromuscular performance.
Read news about Vald Performance products and world leading research published on them.


Which Laptop is Right For You?
Simply answer three questions about your laptop needs and we'll give you the best recommendation based on your answers.
How do you plan to primarily use your laptop?
From office work and home budgets to checking email and surfing the Web, you want your PC to do a little bit of everything.
If you want to play demanding games, you'll need a powerful CPU, discrete graphics and a high-res screen.
If you create large graphical files, photo and video editing or 3D animation, choose this option.
You plan to give this laptop to the kids or use it for simple web surfing and email when you're away from your primary PC.
How portable do you need your laptop to be?
Your laptop will rarely move from your desk or workspace.
You may carry your laptop from room to room or occasionally travel with it.
From coffee shops to airports, you and your laptop are constantly on-the-go!
Laptops loaded with Windows 8.1 preinstalled come in the widest variety of specifications, with prices ranging from $500 to $2,999. Brands include Dell, HP, Toshiba, Asus, and Acer.
Available on Macs only, Apple's OS X provides an attractive, powerful UI with an iPad-like Launchpad for your apps as well as interactive Notifications and Finder Tabs for strong multitasking. MacBooks tend to be more expensive, with pricing over $1,500.
The Chromebook could be a solid and affordable choice for light use, like surfing the Web, social networking and email. Google's Chrome OS provides a version of the company's Chrome browser in an online-centric environment filled with powerful Web apps, but limited offline capability. This type of laptop is not available with Office. Brands include Acer, Asus, Dell, Samsung, Toshiba, and HP.
©2009-@@CurrentYear Purchasing Power, LLC - All rights reserved.


text:
Exploring the Philosophy of Artificial Intelligence
The philosophy of artificial intelligence is a fascinating field of study that asks some very complex questions about the nature of intelligence. Is artificial intelligence (AI) the same thing as human intelligence? Can machines be…
August 23, 2022 • Shannon Flynn
What is AI and How Do We Use It?
What is AI? You probably hear about it a lot, but what does AI actually do and where did it come from? This short guide explains.
June 15, 2022 • Shannon Flynn
AI, Featured
Artificial Intelligence Programming for Beginners
Humans have been dreaming of artificial human-like intelligence, what we know now as AI, for centuries. The first mentions of AI date back to philosophers in the 1700s, though we didn't have any technology that…
May 9, 2022 • Devin Partida
Does Artificial Intelligence (AI) Require Coding?
Does Artificial Intelligence (AI) require coding? The short answer is yes. AI involves tweaking code for computers to handle abilities normally carried out by humans. AI is a popular field due to the advancement of…
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va ser un compositor de cinema espanyol.

Nascut el 27 de juny 1899, Va ser l'autor de 31 obres i participà en 40 obres, va ser compositor de la pel·lícula ¿Dónde vas, triste de ti? (On vas, trist de tu?) sobre el Rei Alfons XII.Hi participa en una peça en el disc recopilatori L'escola pianística catalana i valenciana : enregistraments històrics, editat el 2004. Va seguir amb la seva carrera fins a la seva mort, el 8 de juny de 1961 als 61 anys, pocs dies abans de complir 62 anys.

Referències

Directors de cinema de València
Morts a Madrid


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We can produce from 50 pieces up to 10,000+, there are conditions and minimum quantities, but you may be surprised how flexible we can be.
We can create artwork in house, if you have layered artwork, defined colours and scaling so much the better, it makes it easier to sample.
The most economical method for custom labelling is to stitch you label and attach your tickets to our production, this depends on timing and requires a firm commitment.


One of the top 2020 recruits out of Pennsylvania is Noah Collier 6′ 7″ High Flying forward from the Westtown School. He's a work horse in the paint, is very athletic, and stays active on both ends of the floor. He will continue to get better and better and his college recruitment list will continue to grow. He's currently being recruited by Syracuse, George Washington, Seton Hall, Penn State, and Saint Joseph's. Keep it locked with Raw Sports as we follow him over the next 2 years.


The Belgian team felt themselves confidently, they had an initiative and after first time they went for a break with the score (2:0). The only single goal on the 19th minute was by the captain of Portuguese. On the other hand Gilles JACOB was distinguished by hat-trick scored in succession PS, PC и FG.
The club from Belorussia lost again. They had two drawn games with the representatives of Scotland. The Belorussian opened the score with a penalty (Ivan LUTSEVICH), but then there were three balls in their gate, two of which are competently realized small penalty corner kick. One minute before the break Ivan LUTSEVICH won back one ball, and after it on the 22nd minute he led his team to victory.
The home team made a reservation among four of the strongest teams and Yaroslav LOGINOV opened the score on the 18th minute with a beautiful goal. "Amsterdam" won back only on the 28th minute when the captain Robert TIGGES scored exactly minor penalty corner kick. And then he brought forward the team with the exact penalty."Dynamo" leveled the situation with a small penalty corner kick by Dmitrii AZAROV. But the same TIGGES scored the tenth goal from a penalty and let the team mates to celebrate a victory.
The last match of morning session was stressful. Teams went for a break without opening the score. Only on the 25th minute Maxence DAUCHEZ gave a hope to his team . It held only 10 minutes until Andrii KOSHELENKO didn't level the situation by a small penalty corner kick.
The first match in group D was fundamental, as all four teams have 2 points. In the first half, the players were playing catch-up and went to the break with the score 2-2. Rebuilding tactics Ukrainians 4 minutes scored three goals. But the Portuguese replied with the same trick: four minutes – three goals. Again, adraw – 5-5.
Finally, Minsk first victory, at what is very decent. Remaining four two and a half minutes before the end of the first half, Minskers played penalty corner "on the flag" and Ivan LUTSEVICH opened the scoring. After a break of 31' and 36' twice noted in the opponent's goal Belarusian player Aliaksandr HANCHAROU.
HC Namur, entered in group C without points, was ready to show the speed and professional game. And in fact, the whole game has developed in allegro tempo. At 2', the captain Elektrostal Evgenii MOKROUSOV opens score, on the 9' Jacob GILLES holds the ball back. With 11' Ilya LARIKOV brings forward the team, and after a few seconds Dmitrii AZAROV makes the gap even more – 3:1. Viktor POKORNY 13' into the game implements a penalty corner.
The second half started again with a goal Viktor POKORNY. The balance was held a short time: 29' the captain again led the team forward, and then added to the third goal. But Viktor Pokorny did not want to lag behind and also scored a hat-trick.
Amsterdam, tournament leader, in the first minute proved that he has the right to claim the title of champion of the tournament: Robert TIGGES implemented a penalty corner. Scots recouped, but then lost the initiative, conceding three goals. But the first half ended peacefully, Amsterdam had the advantage of two goals. Inverleith HC showed a decent game, it was the most productive match in which 14 goals were scored!


ALMOST 1,000 postal workers across Coventry and Warwickshire are to be asked to hand back some of their Christmas bonus after bosses accidentally paid them too much.
The 2,000 postal workers in Coventry and Warwickshire were paid a #100 bonus on Friday, by their employer Consignia.
But almost immediately accountants realised they had meant to pay #100 only to staff who work at the sorting office in Bishop Street in Coventry city centre.
Those in other parts of Coventry and in Warwickshire were meant to get a #60 bonus.
The 953 workers who were given the extra #40 are being told they will be expected to pay it back at #5 a week, starting early in January.
The workers say they ought to be able to keep the cash.
Communication Workers Union branch chairman Mick Kavanagh said: "It's a Consignia problem and they need to sort it out.
"In my view they should leave it alone and not ask for it back. Postal workers have worked hard enough this past couple of weeks."
A spokesman for Royal Mail said: "We apologise to all staff for the inconvenience. The payments were made on December 21 and the letters followed pretty quickly. It's an error and it's very irritating for our staff.
"The sum of #40 doesn't sound a lot but when you multiply it by 953 it's a considerable amount of money.
"It's got nothing to do with local managers. The mistake was made by Consignia's central pay unit."
About 1,000 people in other parts of Britain were also affected.