If you're like me, you may have read these verses and wondered how one might survive if you are prohibited from buying and selling. What alternatives can we imagine?
One alternative that comes to mind immediately is the formation of a black market (or in this case, it would be a white market that is officially deemed "black" by the powers that be.) However, black markets are demoralizing inasmuch as it forces one to live outside the law. Living in fear of discovery like that is no way to live for faithful people who are commanded not to fear but be of good cheer.
This brings us to the other alternative. An alternative economy must be formed on a legal basis, and that alternative economy must operate on principles other than buying and selling. This is hard to imagine, but what it amounts to is that of volunteering, giving and sharing. Charity becomes the legal basis by which the Zion economy must be run at this time. Workers must give their labor to the Lord, and producers must give their production to the Lord and thereby make Zion the clearinghouse for where the labor is to be bestowed and where the goods to be produced must be sent.
This will take a lot of trust, and will likely not be perfect, but it will be a better alternative than taking the mark to be part of a corrupt network or living in fear as part of a black market.
Consecration will be Zion's protection.
My thought is that we'd all better have multiple skills developed so we can barter both goods and services. Those whose hobby is watching TV are going to be in a world of hurt with nothing to barter.
I would agree with you. In my opinion it's absolutely necessary to be able to have a group of people (family & friends) in which you trust and are almost if not identical in their beliefs according to the Torah. Just as each of us are gifted unique abilities (visionary, speaking in tongues, prophecy etc.) through the Holy Spirit, would it not be somewhat reasonable to think of each person contributing according to their craft and talent?
I've learned the Bible is a pattern. If you consider, the Torah is the first set of patterns and the New Testement is the second set. I could be completely off course with my thinking?


Supremely moist and intensely flavored with rum and bananas, make this for your next get together!
A light and fluffy orange sponge cake filled with sweet strawberries and airy whipped cream , reminiscent of cakes from Chinese bakeries.
Fresh apple cake, making the most of apple picking season!
Toasted marshmallow ice cream, drizzle with hot fudge and graham crackers for a s'mores sundae !
Lemon seven layer cookies with raspberry jam and white chocolate, great for a fancy occasion !
Tiramisu, a fluffy and creamy dessert with espresso and coffee liquor!
Lemon cookies, a bright and chewy treat, great for spring and summer!
Chocolate espresso cookies, a nice pickup in the afternoon!


text:
Q: Error "connect ECONNREFUSED XXX.XX.XX:XX" while trying to "npm install" any module So...  Today I installed VS Code and Node.js on office's computer. My initial idea was to code an quick app to edit some excel sheets. When I tried to install a module, the following error was returned:
npm ERR! code ECONNREFUSED
npm ERR! syscall connect
npm ERR! errno ECONNREFUSED
npm ERR! FetchError: request to http://registry.npmjs.org/express failed, reason: connect ECONNREFUSED 104.16.25.35:80
npm ERR!     at ClientRequest.<anonymous> (C:\Program Files\nodejs\node_modules\npm\node_modules\minipass-fetch\lib\index.js:110:14)
npm ERR!     at ClientRequest.emit (node:events:520:28)
PS C:\Users\fabio.cerqueira\ws-javascript\polo> npm install express
npm ERR! code ECONNREFUSED
npm ERR! syscall connect
npm ERR! errno ECONNREFUSED
npm ERR! FetchError: request to http://registry.npmjs.org/express failed, reason: connect ECONNREFUSED 104.16.25.35:80
npm ERR!     at ClientRequest.<anonymous> (C:\Program Files\nodejs\node_modules\npm\node_modules\minipass-fetch\lib\index.js:110:14)
npm ERR!     at ClientRequest.emit (node:events:520:28)
npm ERR!     at Socket.socketErrorListener (node:_http_client:442:9)
npm ERR!     at Socket.emit (node:events:532:35)
npm ERR!     at emitErrorNT (node:internal/streams/destroy:157:8)
npm ERR!     at emitErrorCloseNT (node:internal/streams/destroy:122:3)
npm ERR!     at processTicksAndRejections (node:internal/process/task_queues:83:21)
npm ERR!  FetchError: request to http://registry.npmjs.org/express failed, reason: connect ECONNREFUSED 104.16.25.35:80
npm ERR!     at ClientRequest.<anonymous> (C:\Program Files\nodejs\node_modules\npm\node_modules\minipass-fetch\lib\index.js:110:14)
npm ERR!     at ClientRequest.emit (node:events:520:28)
npm ERR!     at Socket.socketErrorListener (node:_http_client:442:9)
npm ERR!     at Socket.emit (node:events:532:35)
npm ERR!     at emitErrorNT (node:internal/streams/destroy:157:8)
npm ERR!     at emitErrorCloseNT (node:internal/streams/destroy:122:3)
npm ERR!     at processTicksAndRejections (node:internal/process/task_queues:83:21) {
npm ERR!   code: 'ECONNREFUSED',
npm ERR!   errno: 'ECONNREFUSED',
npm ERR!   syscall: 'connect',
npm ERR!   address: '104.16.25.35',
npm ERR!   port: 80,
npm ERR!   type: 'system',
npm ERR!   requiredBy: '.'
npm ERR! }
npm ERR!
npm ERR! If you are behind a proxy, please make sure that the
npm ERR! 'proxy' config is set properly.  See: 'npm help config'

Any ideas to solve this?

A: I disconnected the PC from the office's network and connected on my cellphone's 4G and the npm install worked.
So maybe... Firewall blocking, I guess?

redpajama_set_name: RedPajamaStackExchange


text:
Il rio Solda (Suldenbach in tedesco) è un fiume dell'Alto Adige nord-occidentale, provincia di Bolzano. Nasce gruppo Ortles-Cevedale, nel parco nazionale dello Stelvio e scorre per circa 20 km verso nord, confluendo da destra nell'Adige presso Spondigna, nel comune di Sluderno. Principali affluenti sono il Rio Trafoi, il Rio della Valle di Zai ed il Rio Tramentana. Le principali località bagnate dal fiume sono Solda, Gomagoi, Stelvio e Prato allo Stelvio. Il corso del fiume è compreso nei comuni di Stelvio e Prato allo Stelvio.

Altri progetti

Collegamenti esterni

Solda
Solda

redpajama_set_name: RedPajamaWikipedia


text:
Bitter row between George Brandis and solicitor-general flares
Published: October 5, 2016 8.22am EDT
Michelle Grattan, University of Canberra
Michelle Grattan
Professorial Fellow, University of Canberra
Michelle Grattan does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
University of Canberra provides funding as a member of The Conversation AU.
A public row has escalated between Attorney-General George Brandis and Solicitor-General Justin Gleeson. Lukas Coch/AAP
Solicitor-General Justin Gleeson has launched a swingeing attack on Attorney-General George Brandis, effectively accusing him of misleading parliament, ramping up an extraordinary conflict between the Commonwealth's first and second law officers.
The row is over a legally binding direction that Brandis tabled in the Senate in May, requiring that all requests for the solicitor-general's advice must go through him.
Gleeson insists he was not consulted before Brandis issued the direction and would have strongly opposed it if he had been. Brandis maintains he was consulted.
When the direction was tabled on May 4, shortly before the parliament was dissolved for the election, Brandis issued an explanatory statement, drafted by his department, that said bluntly "the attorney-general has consulted the solicitor-general".
The Senate legal and constitutional affairs references committee, which met on Wednesday, is inquiring into "the nature and scope of the consultations" before the direction was made. Submissions from Gleeson and Brandis were released on Wednesday.
While the details of the bitter row have been public for some time, the conflicting submissions have elevated it to a new plane, prompting Shadow Attorney-General Mark Dreyfus – who when attorney-general appointed Gleeson – to call for Brandis' resignation.
"Senator Brandis has misled the Australian parliament and lied to the Australian people," Dreyfus said.
He said Brandis had "attempted this power grab and then covered it up by claiming that he had consulted the solicitor-general. Today it was revealed that senator Brandis did not consult the solicitor-general."
In his submission Gleeson says: "I was not given an opportunity to comment on the content of the direction." He argues that the basis of the direction is wrong in law "and represents a radical change in how solicitors-general have acted".
"It is critically important that persons such as the governor-general, prime minister and officers of parliament are able to approach the solicitor-general for advice in an uninhibited fashion, and in respect to questions framed by them and not by others," he says.
Gleeson also released a letter he sent to Brandis in November that suggested Brandis had given a false impression about his advice on the legislation to revoke the citizenship of duel citizens involved with terrorism.
Gleeson said in the letter he had not been asked for advice on the version of the bill introduced into parliament, after advising on earlier iterations. But, he wrote, Brandis had said that the solicitor-general had advised "there is a good prospect that a majority of the High Court would reject a constitutional challenge to the core aspects of the draft bill".
In his submission to the committee, Brandis defends both the content of the direction and the process of producing it.
He says that on November 12 Gleeson wrote to him requesting a meeting, concerned there were "insufficient procedures" in place to ensure "appropriate co-ordination" within agencies, and between agencies and the solicitor-general's office, "in matters of high legal importance".
"In short, the solicitor-general requested a meeting to discuss the very issues addressed by the direction," Brandis says. A November 30 meeting followed.
"The solicitor-general was consulted, at the meeting, about the very issue dealt with by the direction" and a "guidance note". Later Gleeson provided suggestions in writing, which Brandis says he took into account.
"I did not consider that further consultation was necessary or appropriate," Brandis says.
Brandis argues the direction "does nothing to change the substance of the Law Officers Act. It simply establishes a procedure for implementing that act. In particular, the arrangements do not in any way limit the independence of the solicitor-general."
He says he has so far considered 10 requests for a referral of a legal question to the solicitor-general and passed them all on. Another is being processed.
Gleeson agrees the November 30 meeting discussed the guidance note - which guides those who do Commonwealth legal work but is flexible and non-binding. But "neither the making of a direction nor the requirement for pre-approval from the attorney-general before a solicitor-general could provide advice was discussed at the meeting of 30 November 2015, at any subsequent meetings, or in any subsequent correspondence", he states.
"Any consultation that may have occurred in relation to the direction did not occur with me and did not draw on my knowledge or expertise as the solicitor-general.
"I had no advance knowledge that the direction would be made, no notice of what would be in the direction and no opportunity to put a submission to the attorney-general or the attorney-general's department as to my views on the legality or merits of the direction."
Mark Dreyfus
George Brandis
justin gleeson

redpajama_set_name: RedPajamaCommonCrawl


Midnight, Texas, was down a tenth to a decent-but-unspectacular 0.8. Its lead-in was a stead American Ninja Warrior. Fox had the finale of flop Superhuman, and it truly went out with a whimper with a 0.5, but at least it's steady. Also steady is SYTYCD, which expands to two hours next week. The CW had a switcheroo in its schedule, and Hooten & the Lady is now the 9 PM Monday series, replacing Whose Line?, which moves to Thursday. Hooten kept chugging along at 0.2, a tenth below last week's Whose Line? original/repeat combo.
Finals Update: To Tell the Truth (-0.1) adjusted down.


Church growth obstacles: Why does no one delegate?!
Exodus 18:18 "You and the people with you will certainly wear yourselves out, for the thing is too heavy for you. You are not able to do it alone." This passage precedes the advice Jethro gives Moses about delegation. Perhaps many pastors do not take this seriously enough, but it becomes prophetic in many cases as leaders attempt to run the show without competent help. I have seen two well-respected pastors do so. One experienced serious heart problems in his early forties and the other had unbearable back pain requiring numerous surgeries – no doubt from trying to balance the entire weight of his church on only his shoulders for several decades until his back finally gave out and he was forced to retire. Even David Yonggi Cho, the pastor of the largest church in the world in South Korea, wrote in one of his books that he did not achieve any success until after he was bed-ridden with an undiagnosed illness for months. It was not until he delegated that he was able to experience exponential growth and physical health.
Delegation is not simply putting someone in charge of something. Many people do this, but only give the title away while continuing to micromanage everything behind the scenes. Delegation requires humility, acknowledging that you can not do everything by yourself and (here's the real kicker) someone else is capable of doing something better than you. This is hard for many to accept, preferring to be jacks-of-all-trades and get credit for what little success is achieved rather than share the credit as the burden is shared with others. Ministry is the loneliest job in the world and the faint glimpses of glory can be tempting to grasp after, but if true delegation is not implemented, your ministry will be cut short of its potential and length.
I studied church growth in seminary and read every book our library had on everything from African-American churches to megachurches to the biggest church of them all in South Korea. There were many ideas including a Sunday school, Vacation Bible School, home cell groups, strong preaching, door-to-door evangelism, and social justice. Every book cautioned that every church is different in terms of demographics, geography, and culture and what worked for one church might not work for another – even in the same city. There was only one common element throughout: delegation. One book even went so far as to give a ratio for church growth: one staff member (not including secretaries and janitors) per fifty church attendees. As a principle, the potential for growth maxes out at one hundred attendees per staff member.
When I was younger, the staff usually consisted of a senior pastor, the youth pastor, and maybe a children's minister. If a church was lucky, it could get volunteers to do some of the ministry, but you get what you pay for. If all three of those pastors are full-time, then their maximum average attendance would be 300. The plateau in attendance would become more obvious after Easter as attendance naturally dips and it will cycle back to 300 near Christmas, but the church will be stuck in a rut until it hires more staff or the pastor leaves.
So you are saying to yourself, "Thanks for the book report, Jon, but what does the Bible have to say about this?" I'm glad you asked. Aside from the advice Jethro gives to Moses, there is a New Testament precedent that is much less obvious concerning delegation. As I was studying Acts to see how the Early Church experienced incredible growth, the Holy Spirit showed me the numbers mentioned in Acts 1:15, which states that the believers numbered "about one hundred and twenty." I think it is safe to assume that these were all leaders and disciples of Jesus since they were gathering "constantly in prayer" in the upper room. In Acts 2:41 "about 3000 were added to their number that day." Now do the math (3000/120). Jesus had set up the infrastructure of His church so that they could handle 3000 new members on the first day, or 25 for every staff member. This still left room to grow as "the Lord added to their number daily those who were being saved." (Acts 2:47) Rather than be satisfied with a maximum of 12,000, they added another seven leaders in Acts 6. With time freed up to give their attention "to prayer and the ministry of the word" (Acts 6:6), the Apostles helped spread the Word of God. And "the number of disciples in Jerusalem increased rapidly," a direct byproduct of delegation as well as the power of God.
I conclude with this: if Moses could humble himself and take the advice of his father-in-law and the Early Church could actually take a leap of faith and add to their staff in the midst of uncertainty and the threat of death, why can't we? Stop wearing yourselves out and – as Jethro said – wearing out your congregants by making them all completely dependant on you for every little decision they need to make. You are not God. You have gifts that only you can use to serve the church. Let others use their gifts and truly become the body of Christ, unified with you to bring the kingdom of God to a lost world that needs Him desperately.
God moves in mysterious ways: Scripture or modern-day proverb?
Thank you for the entry, I even learned something from it. Extremly quality content on this blog. Always looking forward to new post.


text:
Manoel ist der Familienname folgender Personen:

siehe auch: Fort Manoel, Teatru Manoel, Manoel Island


Violetto has become Padani's trademark. Its design was inspired by the violet and it is composed of four petals, one of which points upwards and symbolizes momentum and appeal to the supremacy of the spirit. The asymmetry of the flower makes it unconventional and creates a unique, new and harmonious perfection which is very appealing.


Pride of Scotland (Hunting) Tartan Ribbon is one of a range of 11 tartans designed by a Scottish highlandwear company, keen to promote new tartans aimed at the kilt hire market. Each tartan in the range is called Pride of Scotland, followed by the variant name - in this case "Hunting", a modern black tartan with a fine ivory/champagne overcheck.
Pride of Scotland (Hunting) Tartan Ribbon is available to buy in 10mm (3/8"), 16mm (5/8") and 25mm (1") widths on 25 metre (approx 27½ yard) reels. The Pride of Scotland (Hunting) Tartan Ribbon sold by tartan-ribbon.com is top quality, authentic Scottish tartan ribbon as certified by the Scottish Tartans Authority.


text:
Centre for Labour Market Studies
Vladimir Gimpelson — Director
Rostislav Kapelyushnikov — Deputy Director
Nina Vishnevskaya — Deputy Director
4/2 Slavyanskaya Ploshchad
Moscow 103074 Russia
Fax: +7 (495) 624 4139
Contact person: Nina Vishnevskaya
Research at CLMS
CLMS studies offer a detailed description of a comprehensive concept of a special Russian labour market model, which in many ways differs from the standard model described in labour economics textbooks. According to this concept, a specific feature of the Russian model is that the labour market adjusts to shocks of various nature not only by means of change in employment and unemployment (quality adjustment), but also by change in wages (price adjustment) and length of labour (time adjustment).
The Centre's researchers have published four monographs based on their research, which are dedicated to the specifics of the Russian labour market development. They include In the Shadow of Regulation: Informality on the Russian Labour Market; HSE Publishing House, 2014; Russian Employee: Education, Profession, Qualification, HSE Publishing House, 2011; Salary in Russia: Evolution and Differentiation, HSE Publishing House, 2007; and Non-standard Employment in the Russian Economy, HSE Publishing House, 2006 (all in Russian). A monograph by Rostislav Kapelyushnikov, Deputy Director of CLMS, Russian Labour Market: Adaptation without Restructuring, HSE Publishing House, 2001 (in Russian), resulted in considerable debate among researchers and professional economists.
Today, CLMS researchers focus on the problems of mobility on the Russian labour market.
The academic achievements of the Centre for Labour Market Studies have been distinguished by three Golden HSE awards, as well as medals and diplomas from various academic associations.
Golden HSE 2001, Achievement in Research category, awarded to R. Kapelyushnikov for his book Russian Labour Market: Adaptation without Restructuring, HSE Publishing House, 2001;
Non-standard Employment in the Russian Economy, HSE Publishing House, 2006, was one of the 2006 winners of the Golden HSE in the Achievement in Research category;
Golden HSE 2011, Contribution to the Development of HSE category, awarded to V. Gimpelson, R. Kapelyushnikov, and N. Vishnevskaya;
R. Kapelyushnikov was awarded a medal from the Independent Economic Analysis Centres Association 'For Achievement in Applied Analysis' in 2012;
V. Gimelson, A. Lukianova, and R. Kapelyushnikov were awarded a diploma from the National Award in Applied Economics, 2012, for a series of studies on the Russian labour market;
V. Gimpelson and R. Kapelyushnikov were winners of the Yegor Gaidar Award 'For Outstanding Contribution to Economics', 2012;
R. Kapelyushnikov was awarded a diploma from the National Award in Applied Economics, 2014, for his paper 'How much does human capital in Russia cost?'
V. Gimpelson was awarded a Golden HSE award 2015, Achievement in Research category
CLMS regularly prepares analytical reviews based on academic research for Russia's government agencies, special committees of the State Duma, and the Federal State Statistics Service.
In recent years, CLMS has been actively involved in applied research commissioned by government agencies. Researchers have carried out large-scale projects such as 'Key trends on the Russian labour market and mid-term prospects for development'; they have also in a project entitled 'Analysis of possible consequences of change in methods to calculate minimal and average wages in the Russian regions'. These projects included analysis and recommendations on the most topical problems of the Russian labour market. CLMS staff also played an active role in developing the 2020 Strategy.
Collaboration with leading international researchers on the problems of the labour market in transitional economies has always been part of CLMS's work.
In 2012, CLMS researchers, together with colleagues from IZA, held a conference entitled 'IZA/Higher School of Economics Workshop: Labor Market Adjustment in the Commonwealth of Independent States, Central Asia and China in the Wake of the Great Recession'.
CLMS has taken part in competitions and won grants for research from international funds and institutions. The following projects have resulted from such cooperation:
'Employment and unemployment in transition economies: measurement and conclusions for policy on the labour market', a joint project by researchers from four countries funded by a grant from University Research Corporation International, USA, 2002;
'Labour market in regions of the Southern Federal District: status and key trends (1992-2004)', World Bank, 2005;
'Economic and social consequences of restructuring the Russian and Ukrainian economies', ESCIRRU, Contract No. 013433, funded by the Commission of the European Communities, 2006-2008;
'Labor Market Informality in Russia: An Economic-Sociological Perspective', funded by a grant from John D. and Catherine T. MacArthur Foundation, 2009-2010.
HSE University → Research Departments → Centre for Labour Market Studies → Research at CLMS


The U13 Sirius Academy West girls Ruby Union Team managed to win all three games in the East Yorkshire Qualifiers at Hull RUFC last night in freezing conditions.
Sirius had grown in confidence and was looking dangerous in attack, whilst also more organised and strong in defence. Tries from Georgia Coggin, Paige Collingwood and Chelsea Anderson made it 3 – 0 before Kelvin got on the scoresheet. Nicole George, Chelsea Anderson, Georgia Coggin and Chantelle Dunn made it 7 – 1, before Kelvin scored two late consolation tries.
As the temperatures dropped even further, the girls deserved great credit for putting out another superb performance. Lucy Sainty showed her class to go over for the first try before Wolfreton equalised. The game was evenly matched with both teams cancelling each other out. Tries from Chelsea Anderson, Kacey Broadhead and Lucy Sainty were all equalled out as Wolfreton made it 4 – 4. Georgia Coggin and Lucy Sainty made it 6 – 4 before Wolfreton went over again, but it was Sirius that had the final say with two more tries from the impressive, strong running Chelsea Anderson.
Georgia Coggin, Lucy Sainty, Chelsea Anderson, Paige Collingwood, Kacey Broadhead, Gracie Ellotsen, Caitlin Reed, Abbie Brennan, Chantelle Dunn, Nicole George, Lucy Stewart.


text:
import random
import urllib
import base64
from pypexels import PyPexels

key = 'NTYzNDkyYWQ2ZjkxNzAwMDAxMDAwMDAxNmEzNTcyNDA4YmVjNGFmNzc0YTYzYTRjNjdjZGNkMGI='

headers = {
    'User-Agent': 'Mozilla/5.0 (X11; Linux x86_64) AppleWebKit/537.11 '
                  '(KHTML, like Gecko) Chrome/23.0.1271.64 Safari/537.11',
    'Accept': 'text/html,application/xhtml+xml,application/xml;q=0.9,*/*;q=0.8',
    'Accept-Charset': 'ISO-8859-1,utf-8;q=0.7,*;q=0.3',
    'Accept-Encoding': 'none',
    'Accept-Language': 'en-US,en;q=0.8',
    'Connection': 'keep-alive'}

pexels = PyPexels(api_key=base64.b64decode(key).decode('ascii'))

def get_random_image(keyword=None):
    if keyword is not None:
        print('Warn: keywords are no longer supported. image is chosen randomly.')

    url = get_random_image_url()
    return read_from_url(url)

def get_random_image_url(keyword=None):
    if keyword is not None:
        print('Warn: keywords are no longer supported. image is chosen randomly.')

    photos = pexels.curated(per_page=1, page=random.randint(1, 1000))
    entry = next(photos.entries)
    return entry.src['original']

def read_from_url(url):
    request = urllib.request.Request(url, None, headers)  # The assembled request
    return urllib.request.urlopen(request)

if __name__ == '__main__':
    imgs = get_random_image_url()
    print(imgs)

redpajama_set_name: RedPajamaGithub


text:
Q: Graphics development on ARM I am planning to make a small OS and run a Tetris clone on it using an ARM Cortex-M3. Unfortunately, I am not able to buy any development boards as of now, so I will have to use simulators.
I have actually looked into QEMU which has LM3S6965EVB support, which contains an ARM Cortex-M3 processor. But apparently newer revisions of the board are not compatible with the model in QEMU as none of the examples I have downloaded from TI seem to work. Even the OLED display is different.
Another problem is to do graphics development as the OLED display for LM3S6965EVB has a really low resolution. I was able to get it up to 640x480 by editing the QEMU source but as I could not get any examples to work, so I don't know if it works either. Using the debug parameters for SSD0323, all I can see is that it accepts some of the data that is sent to initialize the device, then hangs...
I have considered choosing another board in QEMU but that would mean redoing many things from scratch when I get my hands on a real device, as the other ones are too powerful for something as simple as this.
What should I do? Are there any other simulators out there that can help me accomplish what I am trying to do? I want to develop a small OS and some small games.
Thanks in advance. I have been searching for a solution for days and I am really stuck.

A: How much you have to redo, in part, has to do with your software/system engineering, you can abstract where needed and only have to re-write the abstraction layer not the entire package.  Actually you can do much of your software design/testing on your host system and never cross compile, only later cross compile to a simulator or real hardware.
For example, I assume you would construct the next video screen somewhere in ram then depending on the hardware change some bits in a register and page flip or have to do a copy from this frame buffer to the video/lcd in whatever form it wants.  Using thumbulator you could build your screen in ram somewhere (in the simulated memory space) then add to the simulator when the simulation writes to such and such register take these bytes from ram and display them on the host computer (running the simulation) basically simulate some hardware.  use sdl or basic X calls or whatever you prefer.  I normally take snapshots to .bmp files (very easy to write) then look at them later.
Later, on hardware your abstracted update_screen() function would have hardware specific code to display that screen.
thumbulator only runs thumb instructions not ARM and not Thumb2, thumb being the common denominator between the arm processors (ARMv4T and newer except for cortex-m) and those that support thumb2 extensions (cortex-m).  other than startup code the compiling and programming experience is the same across the arm family.  the code (other than startup code and of course hardware specific accesses) will run across the arm family as well as the simulator.  If you go to a cortex-m then adding an architecture specification to the command line will change the build from thumb only to thumb+thumb2 instructions giving you some performance boost.  if you surf around my other projects on github you will find this idea reapeated over and over again, I have many simple cortex-m examples where I use gcc and llvm and build the same .C code with thumb instructions and thumb+thumb2.
Another completely different answer is get a GBA (Nintendo Game Boy Advance).  You can get a GBA SP (has a backlit display, makes the whole experience better) for about $30 or so on ebay.  You can buy flash cartridges that take sd cards for about the same amount.  It has an ARM7TDMI, it runs thumb code much faster than ARM code, giving you that thumb experience in preparation for other/newer cores like the cortex-m.  For another $30 you can get a game link cable, chop it up, attach a rs232 level shifter (I can talk you through all of this), and make a gba serial cable.  My preferred setup is to have a flash cartridge that I have pre-programmed with a serial bootloader, I download the program over serial into ram then run from ram.  This avoids having to yank the flash cartridge and/or sd card every time you re-compile the program.  doable, and a cheaper solution but gets tiring fast.
If you have a Nintendo DS for $12 to $15 you can get an sd based flash cartridge that you can likewise use for development.  I recommend learning the gba first, which you can do on the NDS if you buy a gba side memory cartridge (need a ds lite not an ndsi nor 3d) supported by the software on the cartridge. (the ez flash 3 in 1 gba size for example is a good one, as well as memory you can flash that one with the nds and carry it over to the gba (this is how I put my serial bootloader on it)).  these loaders will let you put your .gba file on the nds cartridge sd card then load it into the gba cartridge and it switches the nds into gba mode and runs as a gba.
there are lots of other solutions, sparkfun.com likely has a number of arm based boards that can drive lcds and/or come with lcds.  You can go to earthlcd and get one of the serial based lcd panels that make for rapid development, later of course a cheaper solution is desired.  Along the same lines you could instead simulate an earthlcd like thing using your host computer have the embedded microcontroller send screen updates over serial to the host and the host displays the graphics.  Later replace that screen update with something else.
This latter solution, for about $20 you can get a stm32f4 discovery board, has a cortex-m4, runs up to 168MHz, has a number of serial ports of which at least two have pins not being used by something else you could easily have one port for debug messages and the other for this virtual serial screen.  In the stm32f4 directory in my stm32vld repo on github I have a number of getting started examples for using that board (as well as the stm32vld which is a few bucks cheaper but not as powerful as this stm32f4).  Likewise your host application can take keystrokes and turn them into user control/game control commands back into the game software on the microcontroller.
There is of course the beagleboard or hawkboard or raspberri pi when it comes out, or open-rd (I dont like the plug computer but do like the open rd) which have video processing and video output direct to a monitor and/or tv using composite or whatever.  About $150 to $200 and it just works run with it.  You definitely dont need to run linux on these platforms, you can make your own os or whatever you like and run that, very simple.
There are more solutions than you probably have time and/or money to pursue you need to find one that fits within your comfort or happyness zone for how you like to do development and try that path.


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text:
2021 Dr. Martin Luther King Jr. Day Parade
The Concerned Citizens of Atmore held its annual Dr. Martin Luther King Jr. Day Parade today. Many participated in the annual event, which celebrates the ... Read more | Add your comment
K.C. Powell delivered movie goods at Strand
Published 12:00 am Wednesday, April 20, 2016
With much emphasis being placed on Bub (Gideons) and his energetic committee reviving our Strand Theatre, I am reminded of a situation that occurred back in the 1940s.
K.C. Powell told me about this many years ago when we were having morning coffee at the Sweet Shoppe Cafe. An employee with Strand's parent organization, The Martin Theatre Group, K.C. delivered movie reels to the Martin chain throughout south Alabama. His job was to get there on time so that the reels could be played at their designated time.
He said his delivery truck broke down on him one Saturday morning and he was unable to get the weekly chapter of the cliffhanger movie to the theatre on time. Now Saturday was a real big day for movies because area and local residents flocked in to see "the cowboy show the continued picture, the double feature show and the cartoon."
Well, back at the theatre following the first showing of the cowboy movie, the theatre manager turned on the stage lights, went onto the stage and told the audience the current chapter of the serial movie (the continued picture) would not be available until later in the afternoon or that night. Of course everyone was disappointed, but the manager offered them free popcorn to offset the inconvenience. He also gave them "rain check" tickets to come back that night.
Meanwhile, K.C. worked diligently to get the truck back in operation and he said he made it to the theatre at about 8 p.m. When he got there, he said a long crowd of people had assembled and were waiting for "the serial" to come on the screen.
Now, you may not realize this, but back then, those Saturday cliffhanger serials were avidly looked forward to. Most fans could name practically every serial that played in those days. I asked K.C. if he remembered the name of the delayed serial and he said, "I sure do. It was 'Batman and Robin.'" I particularly remember that serial and I can easily understand how those patrons felt when that current chapter was not available.
K.C. said the manager was real nice again offering the patrons a second round of popcorn as a means to keep them happy.
As a youngster, I can remember sitting there on a front seat watching those Saturday matinee picture shows. I also remember many of the serials that played during the mid to late 1940s. They included "Captain Marvel," "Captain Midnight," "Valley of Vanishing Men," "Don Winslow of the Navy," "Don Winslow of the Coast Guard," "The Phantom," "Dick Tracey," "Manhunt of Mystery Island," "The Masked Marvel," and I could go on and on.
So we say thanks to Bub's group for keeping those "picture show going days" alive by restoring our "beloved Strand Theatre."
By the way, I have several more stories of incidents related to the Strand. In fact, my stories have never been aired or written. I feel sure you will find them not only interesting but informative as well.
I did not realize Wind Creek employed so many folks from Monroe County. But a long time employee there told me quite a few came down here looking for work following several plant and business shutdowns in our friendly neighboring county. Actually, the tribal operation fits right in geographically, especially since Monroe's inward location is off the beaten path of Internet travel. It is good they have found jobs here.
We are fortunate to be so well located on the interstate, making it ideal for future commercial locations here. And, of course we are especially hopeful Airbus will include us in future offshoot ventures. After all, with exception of the Bay Minette exit, we are the second most accessible exit on I-65.
A few years ago, I wrote that our column was carried nationwide on the Internet and we never know who reads our writings. I have received an email from a man who recalled my writing about the $2 bill. He wrote, "I worked at Goodwill Manufacturing Plant and I was often kidded about being paid in $2 bills."
He said it was sometimes embarrassing having to explain to his friends that he did not get those bills at the Pensacola Dog track. I understand there was a time when the track paid winners in $2 bills.
Another reader, a lady, sent me an email questioning my source in the "haunted house" story in Uriah. I explained to her that particular column was based on a nationwide TV show. I further explained to her that the story particularly caught my attention because the man who originally owned the house, Gene Garrett, was a close friend of mine.
Yes, these old stories continue to pop out of my mind and onto the pages of the Atmore Advance each week. I get such a pleasure extracting these memories from my mind and converting them into column after column. I hope you get as much satisfaction reading them as I do writing them.
More next week.
Traveling basketball team was a highlight
In the past we have looked back in remembrance of friends and acquaintances we have known since the 1940s. Today,... read more


text:
Marbin – The Third Set
Roger Trenwith 22 January 2015 Marbin
Perennial contenders for the title of The World's Hardest Working Band, jazz-rock espousers of the Protestant work ethic Marbin released their literally titled third album last year on the highly respected Moonjune label.
Everything about this band displays frightening levels of commitment and skill, and there is absolutely no messing about to be found in these zeros and ones. Even the album title The Third Set is direct and to the point, and does exactly what it says on the tin. This album was compiled from recordings taken from ten gigs crammed in between March 3rd and April 14th 2013, which gives you an idea as to how busy these lads are. I wish they could make it to the UK, but it seems unlikely. The ten songs compiled form the "set" of the title, and the sheer captivating energy that blasts out of the speakers is reminiscent of another working class rhythm and blues hero, one Rory Gallagher.
Marbin are so named after the band's lynchpins Dani Rabin on guitar and Danny Markovitch on saxophone, here joined by a complimentary and suitably muscular rhythm section of Justyn Lawrence on drums and Jae Gentile on the bass guitar. That basic line up fills every space with sound, and even on comparatively "quiet" moments such as the Eastern-tinged sax intro to Culture the intensity levels remain bouncing in the red.
If this album was a car, it would be an ancient gas-guzzling American V8 as it lumbers out of the starting gate, but once it hits top whack, there ain't no stopping it. The two Dans' foot-to-the-floor furious soloing sets the scene on Special Olympics, and the duo leave dust clouds and the smell of burning rubber in their wake. Sensibly, the speed slows for the following number, but The Depot is a still has you firmly in its grip while getting down with a bluesy workout featuring Danny Markovitch's smokin' sax.
Elsewhere, Dani runs the gamut of funky chopped chording, furious finger-shredding fret runs and slow solos that echo Jeff Beck at his most laid-back, while Danny alternately burns his lips off or seduces with his lazily paced sexy saxophone sinuously winding through the air. The main feeling coming through the speakers at the listener is always intensity (that word again), the music often busting a gut in the manner of a muscular workman in full swing.
For all that, Marbin have a keen ear for a good melody and they are not adverse to a dance number, Redline being an example of the latter, a tune that shimmies with a manic glint in its eye. Arrangement is the key, and with their never-ending roadburn, these guys are, as you might expect, as tight as a nut. This is down in no small part to the ridiculously tight synchopations from the rhythm section, and the whole shebang leaves the listener metaphorically sweat-drenched and breathless.
By the time we have charged through Rabak, where Danny blows a solo that somehow sees his sax mimic a trumpet, followed later by some great blues-rock-fusion soloing from Dani at 150 mph, following it with the ultra hard funk of Splaw driving it home on the one, complete with a slouch of a walking blues in the middle, we arrive breathless at the Northern Lights, where a soothing and keening sax-led tune allows us to reduce our heart rate to manageable levels.
And so to the concluding track Volta. We are all exhausted but delirious and hungry for more, and after what you rightly suspect is a teaser of a laid-back beginning, Dani's rhythmic chording belts out the meter in an odd signature, that shifts throughout the song to show you that this band know a thing or two about making the less obvious sound playful and simple, whereas in actual fact it is anything but. Both D's get to show their impressive chops for a final time, and it is a wonder Dani has any unbroken strings left on his guitar by the end of the set, such is the fury of the plank spanking throughout and on this song in particular. Not to be left out Danny joins in, briefly blowing in unison.
Like a demanding personal trainer, you know this album will do you good in the end if you stick with the relentless regime. You will not hear a more energetic hour's worth of testosterone fuelled jazz-rock in this or any other year, and boy, would I like to see Marbin live this side of The Pond, but could my ticker take the strain?
01. Special Olympics (5:12)
02. The Depot (6:33)
03. Crystal Bells (6:46)
04. Redline (8:28)
05. Culture (7:05)
06. Vanthrax (5:40)
07. Rabak (8:21)
08. Splaw (6:08)
09. Northern Odyssey (3:11)
10. Volta (8:05)
Total Time – 65:34
Dani Rabin – Guitar
Danny Markovitch – Saxophone
Justyn Lawrence – Drums
Jae Gentile – Bass
Record Label: Moonjune Records
Catalogue#: MJR065
Main Website: Marbin
Audio: MoonJune Bandcamp
A Different Aspect #4917th Jan 2021
Various Artists – The Invitation to MoonJune Records, Vol. 0108th Jan 2019
Marbin – Israeli Jazz18th Apr 2018
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text: code of different homework projects at the university


text:
package dominio;

import java.util.HashMap;
import java.util.Map;

/**
*
*

* Clase que define los atributos de un Item que puede ser equipado por los Personajes
*

*
*/
public class Item {
	private int id;
	private String nombre;
	private int idTipoItem;
	private int fuerzaRequerida;
	private int destrezaRequerida;
	private int inteligenciaRequerida;
	private Map<Integer, ModificadorItem> modificadores;
	private String foto;

	/**
	 *
Contructor de Item

	 */
	public Item() {
	}

	/**
	 *
Contructor de Item

	 *
	 * @param id
	 *            del item
	 * @param nombre
	 *            del item
	 * @param idTipoItem
	 *            del item
	 * @param fuerzaRequerida
	 *            del item
	 * @param destrezaRequerida
	 *            del item
	 * @param inteligenciaRequerida
	 *            del item
	 * @param foto
	 *            del item
	 */
	public Item(final int id, final String nombre, final int idTipoItem, final int fuerzaRequerida,
			final int destrezaRequerida, final int inteligenciaRequerida, final String foto) {
		this.id = id;
		this.nombre = nombre;
		this.idTipoItem = idTipoItem;
		this.fuerzaRequerida = fuerzaRequerida;
		this.destrezaRequerida = destrezaRequerida;
		this.inteligenciaRequerida = inteligenciaRequerida;
		this.foto = foto;
		this.modificadores = new HashMap<Integer, ModificadorItem>();
	}

	/**
	 *
Metodo getId

	 *
	 * @return id del Item
	 */
	public int getId() {
		return id;
	}

	/**
	 *
Metodo getNombre

	 *
	 * @return nombre del item
	 */
	public String getNombre() {
		return nombre;
	}

	/**
	 *
Metodo getIdTipoItem

	 *
	 * @return id del tipo de Item
	 */
	public int getIdTipoItem() {
		return idTipoItem;
	}

	/**
	 *
Metodo getFuerzaRequerida

	 *
	 * @return fuerza que requiere el Item
	 */
	public int getFuerzaRequerida() {
		return fuerzaRequerida;
	}

	/**
	 *
Metodo getDestrezaRequerida

	 *
	 * @return destreza que requiere el Item
	 */
	public int getDestrezaRequerida() {
		return destrezaRequerida;
	}

	/**
	 *
Metodo getInteligenciaRequerida

	 *
	 * @return inteligencia que requiere el Item
	 */
	public int getInteligenciaRequerida() {
		return inteligenciaRequerida;
	}

	/**
	 *
Metodo getFoto

	 *
	 * @return foto del Item
	 */
	public String getFoto() {
		return foto;
	}

	/**
	 *
Metodo getDescripcionItem

	 *
	 * @return descripcion del Item
	 */
	public String getDescripcionItem() {
		String descripcion = this.nombre + " (";
		for (ModificadorItem modificador : this.modificadores.values()) {
			descripcion += modificador.toString() + ", ";
		}
		return descripcion.substring(0, descripcion.length() - 2) + ")";
	}

	/**
	 *
Metodo addModificador

	 * agrega un modificador de atributos al Item
	 *
	 * @param modificador
	 * 					del item
	 *
	 */
	public void addModificador(final ModificadorItem modificador) {
		this.modificadores.put(modificador.getAtributoModificable(), modificador);
	}

	/**
	 *
Metodo incrementar

	 *
	 *@param valor
	 *			del Item
	 *@param atributo
	 *			del Personaje
	 *@return valor que va a incrementar el item a cada atributo en particular
	 */
	public int incrementar(final int valor, final int atributo) {
		ModificadorItem aux = this.modificadores.get(atributo);
		if (aux != null) {
			return aux.incrementar(valor);
		}
		return 0;
	}

	@Override
	public int hashCode() {
		final int prime = 31;
		int result = 1;
		result = prime * result + id;
		return result;
	}

	@Override
	public boolean equals(final Object obj) {
		if (this == obj) {
			return true;
		}
		if (obj == null) {
			return false;
		}
		if (getClass() != obj.getClass()) {
			return false;
		}
		Item other = (Item) obj;
		if (id != other.id) {
			return false;
		}
		return true;
	}
}


When surfing the internet, I found Quirky by chance. Mr. Barry Kauler is developing Quirky 8.0.11 by porting his Quirky Linux to ARMv7 architecture in order to run on Raspberry Pi 3 and 2.
For those who are interested in OS supporting ARM architecture, please refer to http://barryk.org/news/?viewDetailed=00405 for details.


text:
Christopher Z. CampbellPartner
Chris has been representing and training school boards, community college trustees and their employees for over 22 years. He co-founded Campbell Shatley with Dean in 2009 and the client base has grown to in excess of 40 public entities across North Carolina with a focus in western North Carolina.
Chris has served as President of the North Carolina Council of School Attorneys and Chairman of the Education Section of the North Carolina Bar Association. He co-founded the North Carolina Council of Community College Attorneys and served as the organization's President.
Chris' commitment to public education is rooted in his own experiences in the public schools and higher education institutions in this State. Chris also serves as pro bono legal counsel for Children First of Buncombe County. When not in the board room or the courtroom, Chris enjoys playing drums, hiking and mountain biking with his family.
28th Judicial District Bar
North Carolina State Bar
North Carolina Bar Association, Education Law Section (Chairman 2005-06)
North Carolina Council of School Attorneys (Chairman 2006-07)
North Carolina and National School Board Association
North Carolina Association of Community College Attorneys (President, 2010 – 2012)
Civic Associations
Pro Bono Legal Counsel – Children First of Buncombe County
For a list of all presentations, click here
B.A., with honors, University of North Carolina Chapel Hill, 1992
J.D., with honors, University of North Carolina Chapel Hill, 1996
Court / Admissions
Western District U.S. Federal Court
Middle District U.S. Federal Court
Fourth Circuit Court of Appeals
All North Carolina Courts


text:
Christchurch Housing Initiative with Nathan Beale
Nathan Beale looks after families for some relatively new initiatives for VisionWest in Christchurch.
He says there are already dozens of stories of gratifying outcomes for those struggling in the region.
"An Afghani Family came to our service from MSD. They had just lost their two-year-old child under tragic circumstances, the mother was overcome with grief and was very depressed.
"VisionWest was able to work around the complexities with the language barrier, and worked to get a Housing NZ property through our contacts with HNZ property Managers.
"We did a lot of work with HNZ to get a property close to the Afghani community, to assist with the trauma the family had faced (and to ensure they had the adequate supports to deal with their grief).
VisionWest social workers were able to assist with getting paperwork completed for the family, who had difficulty with translation.
"For the first time in a long while we saw a smile on the mother's face and the other children in the family had a bright future."
Nathan talks about another family facing huge challenges.
"This was a family with two adults and nine children who came into our Emergency housing. The ninth child had just been born. They had been in the same Housing NZ property for 20 years, and had recently lost the tenancy due to rent arrears.
"The father was working and they were consistently paying the rent, until Mum got pregnant with their ninth child. Major complications with the pregnancy meant that the father had to finish work to help look after the family. They then had issues with paying the rent, and eventually were evicted for rental arrears.
"The child eventually was born with Down syndrome and other heart complications and it was a miracle the baby survived.
"The family had to give their children to other family members all over the country to house them, as they had no way of housing them all together.
"The family was provided with support from a VisionWest social worker whilst at our emergency accommodation. The social worker also engaged the family with other agencies, including support for the teenagers around behavioural issues, outpatient services, and support for their baby's various health complexities.
"VisionWest then addressed the housing need by discussing with Housing NZ, and finding a solution and we eventually located them a six bedroom property in Christchurch.
"The family is now settled, all together again for the first time in three months, and supported by the various engagements with agencies in Christchurch, and can now confidently sustain their tenancy long term."


Hi! Ho! Did you know?
The big sky is blue.
That's how you spell brown.
Teddy bears and squirrels are brown.
Chocolate cake is always brown.
Chocolate milk is always brown.
I like brown, don't you?
I know how to spell green.
That is how it goes!
These are all pink too.
We can spell can you? Yes!
Stop signs are red, too.
Daffodils and baby ducks are yellow.
Lemonade and scrambled eggs are yellow.
I like the smiley face that's yellow.
He is such a happy fellow.


Here are my favorite grocery deals at grocery stores in the river region this week. For the entire ad and locations, please click the links below.
* Prices lower than advertised sales at the big chain grocery stores this week!
Weekend Roundup + Upcoming Events This Week!


The debut solo album of the talented Shamisen player: Chie Hanawa (ちえはなわ).
The shamisen or samisen (三味線), also called sangen (三絃), is a three-stringed, Japanese musical instrument derived from the Chinese instrument sanxian. It is played with a plectrum called a bachi.


text:
Home›Asia›Singapore›
Everything About The National Gallery of Singapore
On February 28, 2020 March 12, 2020 by Panhavath Pech
National Gallery Singapore is the crown jewel of modern art in Southeast Asia, hosting more than eight thousand contemporary artworks. The main focus is to present the world with the artworks of Singapore and Southeast Asia. You will find the National Gallery located at the heart of the Civic District, Singapore.
The National Gallery Singapore is spread across to national monuments. The monuments are the City Hall and the former supreme court. You will witness two different exhibitions here. One exhibition covers the history and architecture of the National Gallery Singapore's outstanding transformation throughout the years. The other show breaks down how Singapore's constitution evolved from 1819 to 1965.
Source: befreetour
Besides history and architecture and breaking down the constitution, you will find many paintings and other artworks here as well. Some of these artworks include Chinese calligraphy and Vietnamese lacquer painting. There are always temporary exhibitions going on in the National Gallery.
Besides the National Gallery, you will also find the City hall and the former supreme court very interesting and beautiful. Therefore, you can witness outstanding collections of art and see the beauty of the two prominent landmarks. With all the attractions, this place can get crowded. It is a gallery, after all. If you want to see the art amongst silence and peace, then you should go there early. Also, you should avoid weekends and public holidays if you wish to fewer crowds. If you want to avoid waiting in lines, then you should buy tickets in advance from online.
The National Gallery is a place for people of all ages. Not only is it beautiful, but it is also educational. You can access the National Gallery in wheelchairs too. Furthermore, if you're with your child, you can take them in a stroller too. To understand the artworks, you can go on a gallery tour. You can enjoy hour-long tours every day, both in English and Mandarin. The tours are free of cost. However, if you don't want to move in a crowd and understand the art at your own pace, you can do that too. Before going to the National Gallery, download the Gallery Explorer app provided by the museum. With the app, you can go on a self-guided tour.
Source: IAMGWENPEW
While you're there, you don't have to worry about food. You will find that the National Gallery has eight bars and restaurants. The Gallery & Co. is a fusion between a retail shop and a café. Gallery & Co. is worth stopping by. You will find art books, books for children, Artist-designed T-shirts, bags, office supplies, and many more. It is an excellent place to pick up a gift for your loved ones. It will take you more than an hour to admire all the artworks in the National Gallery. Most people spend half a day here admiring art. However, if you don't have enough time, you should start with "Siapa Nama Kamu" art in Singapore Since the 19thcentury." After enjoying the inaugural exhibition, you can go to any exhibit that catches your interest. Also, you should check out the open-air gallery at the top level.
You also want to read:
Everything About Singapore Chinatown | Singapore
Everything You Need To Know About Singapore Zoo
Source: NATIONAL HERITAGE BOARD
Under the City Hall entrance, if you look up, you will find a pond. The pond is of the rooftop garden. The pond allows the natural light to pass through and acts as scenic beauty. In the National Gallery, you will find a painting labeled "National Language Class." This is a mysterious artwork. You will find information about Singapore back in 1959. However, you will see a black shadow hovering in the painting. Nobody knows what that is and why it is there. That's what makes it mysterious. Some speculate that the artist intentionally left the art incomplete.
Source: Norman Ng
Inside the National Gallery, you will find a secret library. This library was once a library strictly for lawyers. The library is designed in a way to ensure minimum disturbance and maximum research work. The architecture of the library is very soothing. There are 16 columns inside, which are perfectly aligned, and between the space of each column is a window. This architecture is very pleasing to the eye. The historical value of the City Hall is priceless. The architecture of the City Hall is also fantastic. You will find a marble column with detailed tops. Before WWII, Sir Shenton Thomas laid the founding stone for the Supreme Court. Sir Shenton Thomas buried a time capsule beneath the founding stone. The time capsules contain six Singapore newspapers from 31 March 1937, and some Straits Settlement Coins.
Standard tickets cost SDG 20 for anyone over 6. If you're a student, you can get a student pass if you can present a valid student ID. The National Gallery is free for Singapore residents and permanent residents. Older people can get a senior ticket. A senior ticket is given to people over the age of 60.
You cannot bring food and water inside the National Gallery. This prohibition includes water bottles too. Flash photography and videography are prohibited inside the gallery. If you're carrying a bag, you will get checked for security purposes. The National Gallery is located on 1 St. Andrew's road. The gallery has two entrances, one is the Coleman street entrance, and the other one is Padang Atrium Entrance. The Nation Gallery Remains open from 10 am to 7 pm on Sundays to Thursdays. However, on Fridays, the gallery remains open from 10 am to 9 pm.
In conclusion, if you are someone who loves art, or you're a student of art, then the National Gallery of Singapore is a must-visit for you. From impressionism to scroll painting, you will find everything there. The later and contemporary art pieces, the beauty of the City Hall and the former Supreme Court will cheer you up. Not only will you enjoy artworks, but you will also learn a lot about Singapore here. Whether you love art or just want to have a great time, going to the National Gallery of Singapore is a great choice.
Topics Asia, Attractions, Singapore, Tips & Guidestags Asia, Attractions, National Gallery, Singapore, Tips & Guides
Panhavath Pech


Home/Mode, Trend/Can craft cure the fashion system?
Another row of fashion weeks has ended the season of aw 16/17 with the final stroll of models in Paris. SPOTT visited Paris during the fashion week, and it ends with a lot more on the agenda than the catwalk and street styles. Press (WWD and BoF), organizers and designers have had the fashion system it self up for debate. BoF dedicated an entire paper to the "fixing" of the fashion system. The anti-fashion manifesto of forecaster Li Edelkoort published in spring 2015 seems to have caused afterthought with firstly prominent designers leaving prominent fashion houses, and secondly fashion organizations and press discuss and investigate the fashion system. And it seems that the system is very focused on moving backwards to organize things as they have been before, and designers as well creating collections which salute good old craftsmanship. But can craft cure fashion and is going backwards the solution for the fashion system?
The turn to craft both has the objective to send a message and a somewhat desperate try to do something about the system. A system that is under fire from both inside and outside. Ever since the manifesto of Li Edelkoort came out, it is like it has become a trend to express opinion about the supposedly obsolete fashion system. The list of fashion actors addressing the problems is long. In Scandinavia examples are: fashion magazine DANSK, journalist Heidi Laura in Weekendavisen (February 12th), fashion researcher Else Skjold at the press conference of the latest Copenhagen fashion week, and the Norwegian conference Needlework & Technology also has the system on the agenda with the theme: State of the industry.
They all call for slowing down, turning away from the fast fashion and consider waste and over-consumerism. But the opinions expressed are very little realistic both in terms of the complexity of the system, and in terms of consumer insight and fashion drivers. With that said change is needed, but it just isn't sufficient to turn to old craft and slow fashion or simply to stop the hamster wheel of fashion (to use Heidi Laura's term). There is a need to turn down the speed, because the fact is that a thing will disappear right in front of you, if you move it fast enough. But to hit the brakes completely is obviously not a business possibility.
One thing is sure though. The fashion system cannot be in this interim for long. And chances are that the system actually will increase its complexity due to different ways of structuring. Several French designers have for one turned its back on see-now-buy-now shows according to sources like WWD, while this is the direction the American designers probably are going to follow.
The CDFA has just released results of a survey suggesting a new structure for the New York Fashion week. In short the target is to eliminate newness fatigue, allow product to have a realistic selling period and to give the fashion shows the see-now-buy-now approach. This should give fashion brands a higher ROI on the costly fashion shows.
This means the very first view on the new collections will be presented in an exclusive and intimate setting only for chosen buyers and long-term press giving them time to place orders and plan editorial content. The fashion show will follow six months later and be in season. The shown collection will simply be the one ready for the stores and consumers creating the see-now-buy-now option. The approach by CFDA is bold and time will tell if fashion can go back to a more exclusive approach now that it (as well as many other things) has been democratized through technology. The blogger was born out of the democratization so how will this change affect them?
What does this for the role of the bloggers? If they are invited to the exclusive presentations they will have to sit on their hands for 6 months until they can reveal that they where part of the exclusive club. And does that even make sense for bloggers whose core existence is the instant now? Or will the conclusion be that bloggers will be left behind and be a medium for the consumer oriented exposure only? From an industry perspective that will probably be a good solution.
The system moves backwards as well as the approach to fashion. The return to craftsmanship has been the talk of the town for several seasons. At the trade fair Tranoi in Paris (possibly the fashion city which the highest traditional focus) the designers emphasize on textiles choice, techniques and finish down to the detail of not using over lock and instead sew three times. In other words: good old craftsmanship.
But this talk of craft becomes a bit haul. First of all because it has been in focus for so long, and the problem is that in six months some of the same designers will be presenting a new collection, at the same fair with the same message. Crafted fashion that should last longer should supposedly erode the need to buy new. But buying new is exactly the designer's objective with the next collection, at the next fair.
Another point to this also came to my attention at the exhibition: Fashion Regained -The treasured dresses of Élisabeth, Countess Greffulhe (1860-1952) at Musee de Mode in Paris. The exhibition showed wardrobe samples of the Countess. Of course the robes showed impeccable craftsmanship. Hand embroidered lilies, all over pearl beading and accessories with just as many opulent details suiting the countess who in many ways was avant-garde of her time both fashion and societal wise. The exhibition was a great example of old-fashioned couture and craftsmanship.
For some reason today craftsmanship equals both well done and long usage. But the Fashion Regained exhibition showed that craft not necessary equals long usage. Actually the countess wore several of the dresses on display only once. Even then and despite the durable craftsmanship, she only wore them once. And does craftsmanship then make sense? Does it make sense to make clothes in a more difficult and time consuming way if it in the end doesn't make it last longer? Crafted fashion is more expensive there fore it doesn't reach the very mainstream consumer, who is actually the core of the addressing of the system. And I would also like to question if crafted styles actually have a longer usage. And what is a longer usage? 10 years – one year? Craft doesn't change fashion it is mainly an additive. The core of fashion is change (the opposite is lasting aesthetic norm), and that is why craft is more a detour than cure.
So how can the fashion system handle the paradoxes of the news hungry press, consumers and bloggers, who also feel that they are overexposed to products? And how can the speed be slowed down without loosing business? Slowing down should be done with the core of fashion and consumers in mind. Which is change and newness. Fashion is not fashion without change and consumers have a build-in attraction to newness. Simply because new things are "shiny" they kick of the brains positive reward system. And when the "shine" fades over time (relative how much) the brain look for a new kick. The faster the new kick occurs the faster the shine will fade. And this is what has happened to the fashion system. The shine has faded faster and fashion brands have responded with adding more and more shine. The vicious circle is complete. So a new balance is needed. The proposed changes by the CFDA takes fashion and consumerism mechanisms into consideration (probably not deliberately) But the thought of bringing exclusivity back in fashion, maintaining a pace which delivers the desired kicks without creating fatigue, is the healthy balance.
More research of the brains of the consumer is coming out these years and technologies are being developed, which gives us the chances to work smarter. Smarter in terms of knowing consumer preferences and motivations hence knowing which trends to follow and which products to produce. We can also work smarter buy using technology as a driver for better (meaning less resource using and less damaging) production. A smarter solution in development is taking place at VIA Design Research and Development centre. Here a Ph.d project is looking into creating a better sizing and construction system with the use of a body scanner. The target is to help fashion businesses to produce better fitting clothing and in that proces help decrease returns. The fashion system need to follow these smarter solutions and insights in order to bring the fashion system back on track – or even better – in to the future.


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Home Entertainment James Corden Banned From New York Restaurant After Being Accused of Being...
James Corden Banned From New York Restaurant After Being Accused of Being Incredibly Nasty
The 'Late, Late Show' host James Corden is currently enmeshed in a faceoff with restaurateur Keith McNally, who owns the highly acclaimed Balthazar in NYC.
McNally took to Instagram earlier today to call out the show host who he described as a "cretin of a man" for what he claims was abhorrent behavior at his establishment.
He alleged that James was abusive to his staff on at least two occasions while eating there, so much so, that he felt compelled to out him publicly; something that's almost never done by high-end restaurant owners.
Sharing details two alleged incidents in which he says James lost his cool to the point of absurdity, McNally further revealed that the show host is now banned from Balthazar.
He wrote;
James Corden is a Hugely gifted comedian, but a tiny Cretin of a man. And the most abusive customer to my Balthazar servers since the restaurant opened 25 years ago.
I don't often 86 a customer, to today I 86'd Corden. It did not make me laugh.
Here are two examples of the funny man's treatment of my staff. He behaviored similarly in my former restaurant, Cafe Luxembourg, a few years back.
MANAGER'S REPORT # 1:
'In June, James Corden was here on table 61. (Although this is diabolical, it happens Very occasionally in all restaurants.) After eating his main course, Corden showed the hair to Balthazar manager G. who was very apologetic. Corden was extremely nasty to G, and said:
"Get us another round of drinks this second. And also take care of all of our drinks so far. This way I write any nasty reviews in yelp or anything like that." '
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'James Corden was at Balthazar with his wife on October 9th for brunch. He asked for a table outside. Brunch Maitre D' Allie Wolters took the party to table 301. Mr. Corden's wife ordered an egg yolk omelette with gruyere cheese and salad. A few minutes after they received the food, James called their server, M. K. and told her there was a little bit of egg white mixed with the egg yolk. M. K. informed the floor manager, G. The kitchen remade the dish but unfortunately sent it with home fries instead of salad. That's when James Corden began yelling like crazy to the server: "You can't do your job! You can't do your job! Maybe I should go into the kitchen and cook the omelette myself!" M.K. was very apologetic and brought G. over to the table. He returned the dish, and after that, everything was fine. He gave them promo Champagne glasses to smooth things out. G. said that Corden was pleasant to him but nasty to the server.' M.K. was very shaken, but professional that she is, continued to finish her shift.'
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New York Restaurant
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Oro Bailén Reserva Familiar - Mixed box of 2 glass bottles 500 ml.
> Gifts>Oro Bailén Reserva Familiar - Mixed box of 2 glass bottles 500 ml.
Mixed box of 2 glass bottles 500 ml.
Oro Bailén Reserva Familiar PICUAL 500 ml. and Oro Bailén Reserva Familiar ARBEQUINA 500 ml.
Mixed box of 2 glass bottles 100 ml.
Box of 2 bottles 500 ml.
Box of 2 glass bottles 500 ml.
Box 3 bottles 500 ml.
Box of 1 glass bottle 750 ml.
Box of 2 glass bottles 750 ml.
Box of 5 squared glass bottles 100 ml.
Box of 3 glass bottles of 250 ml.
Box 3 tins of 175 ml.
Coupage + Vinegar 2 bottles 250 ml.
Box of 3 glass bottles of 500 ml.
Aceites Oro Bailén is a family business that started its activity in November 2004, with an experienced career in the world of olive growing.
At present, the family Galvez - González, has a plantation of more than 200 hectares of olive trees, which, with its precious fruits and careful handling, produces extra virgin olive oils enjoying the necessary quality to satisfy the most demanding palates.
Its facilities include the latest technology, ensuring throughout the process, a product without modifications, which keeps intact all its values and organoleptic properties.
Aceites Oro Bailén bet from the first moment on the quality of its products rather than any commercial policy.
The olive groves called "Casa del Agua" whose oil is extracted, have a careful agricultural management and thorough at any time declined in order to respect the environment; always finding a balance between profitability and the optimal conditions of the plantation.


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I Said It Before and I'll Say It Again
In 2011, I wrote a column entitled "Let's Ban Another 'N' Word" because I was sick and tired of people using references to Hitler and his Nazi regime to label and describe people and their actions with whom they disagree. I'm talking about people and their actions here in the United States. Whatever the situation (with the exception of abortion, but that's a whole other topic), there are no atrocities being carried out in this country that could even begin to compare to the horror that the Nazis inflicted on the people in Europe.
Revisiting this subject is the result of my recent attendance at a production of the play, "The Diary of Anne Frank." We were able to hear the words of this remarkable young teenager, who, between 1942 and 1944, lived in a 16' x 20' attic with mother, father and sister and four other people in Amsterdam, in an attempt to hide from the savage brutality of the Nazis, and who believed "in spite of everything, that people are truly good at heart." Hiding and living under those conditions, simply because she was a Jew, you would think she would've become angry, miserable and cynical, the way people on the far Left today view our country.
While I sat in that theatre, I couldn't help but think about Alexandria Ocasio- Cortez's recent comments that there are concentration camps right here in this country:
Some might argue she specifically distinguished "concentration camps" from "extermination camps" but I'm not so sure Ms. Ocasio-Cortez even knows the difference. In either case – it was a living nightmare. Even the über Left Mayor of New York, Bill de Blasio, took exception to her reference: "I respect her greatly and I feel very close to her in terms of philosophy, but of course she was wrong. You cannot compare what the Nazis did in the concentration camps." I'm sure the average person also makes no such distinction. The mention of "concentration camps" raises the spectre of the Holocaust and the slaughter of 6 million people. Whatever Ms. Ocasio-Cortez meant, her comments only insult those people who actually suffered and died during the darkest years of the 20th Century.
We could sit here all day discussing legal vs. illegal immigration or whether this country should adopt an open borders policy or amnesty. We could discuss the reason why Congress is reluctant to act on immigration, the existence of sanctuary cities that refuse to enforce the duly-enacted laws of the United States, what to do with the hundreds of thousands of people seeking "asylum" here and our "catch and release" policy that allows people to disappear into the country without any way to require their appearance at court hearings.
But to invoke Nazism into any of this discussion is, at worst, stupid, or, at best, completely misinformed and totally absurd. More important than any of the name calling is the most significant fact in this whole discussion which I have not heard one talking head on television discuss or confront Ms. Ocasio-Cortez with during interviews.
Hitler specifically and intentionally rounded up Jews, homosexuals, Jehovah Witnesses, Roma, disabled people and others for no reason other than he deemed them to be "undesirable." It was involuntary. It was not their choice. Absolutely nothing like that is going on in this country.
The President hasn't sent troops south of the border to "round" people up, bring them across the border and put them in concentration camps. People, in the thousands, voluntarily come across our border with every intention of staying in this country. Whether they are choosing to immigrate into America legally or illegally or whether they are seeking asylum or not, they are crossing our border and they need to be processed by immigration officials in accordance with our laws. If they intend to come into this country, they have to know that they will be detained, their children may be placed elsewhere, and their applications handled in whatever length of time it takes. It is their choice. How does their voluntary entry into our country compare to what the Nazis did?
When I listen to Ms. Ocasio-Cortez, she reminds me of the tedious home shopping network hosts that have a list of talking points who spew endless, mindless, repetitive thoughts to include those talking points. I'm not even sure Ms. Ocasio-Cortez knows or understands what she's saying. I wonder if she has ever visited any center at the border or any of the concentration camps in Europe or could even identify Josef Mengele, Adolf Eichmann, Reich Marshall Hermann Göring, Hans Frank, Alfred Rosenberg or Julius Streicher. She and others like her, are so blinded by their ideology that she just talks without thinking and hasn't truly examined what she's saying. I'd like to think that the U.S. Representative from New York is not a stupid woman, but when she makes these kinds of statements, what would any ordinary person (Independent voters) think? I can't believe any of them thinks this woman is rational.
Unfortunately, she's no different than the any number of people who claim President Trump is a Nazi. In my previous column, I mentioned numerous references to "Nazis" by all sorts of people including Rep. Steve Cohen (D-Tenn), who claimed the Republican attack on health care reform was akin to the propaganda disseminated by Nazi Germany. George Soros, the left's sugar daddy and multi-million dollar contributor to MoveOn.org and NPR, likened Fox News to Nazi ideology. A Republican caller to the Rush Limbaugh radio show called Rush a "brainwashed Nazi." At a townhall meeting, a woman confronted then Rep. Barney Frank and asked him, "Why do you continue to support [Obama's] Nazi policy?" Union members compared ex-Wisconsin Gov. Scott Walker to Hitler. It goes on and on and on and never ends.
In other words, if you don't agree with me, you're a Nazi.
It's becoming a meaningless cliché and using "Nazi" to make your point only makes you intellectually lazy. Stop already!
I don't get it, but if you do, God bless you.
Are Conservatives Really Obsessed With Alexandria Ocasio-Cortez?
I planned on writing about a different topic this week, but after the fifth or sixth time a Huffington Post headline reading "Conservative Men Are Obsessed With Alexandria Ocasio-Cortez; Science Tells Us Why" appeared on my social-media timelines, I felt compelled to toss out a few thoughts on the new Democratic congresswoman from New York (and conservatives' alleged obsession with her).
Let me start by conceding that the headline isn't completely baseless. A lot of center-right folks do indeed talk about AOC (as she's known) — perhaps even as often as she's talked about by her progressive admirers (that include several in the media) who love her youth, energy, and democratic-socialist ideas. It's not uncommon, after all, to see the 29-year-old's name turn up in right-wing headlines and in conservative circles on social media.
And of course there was that much parodied dance video from her college days:
Toto – Africa pic.twitter.com/5R5qBjo0dr
— AOC Dances To Every Song (@aoc_dances) January 4, 2019
So how does "science" factor into all of this, you may be wondering? Well, according to a neuroscientist cited in the HuffPo column, conservatives tend to be more responsive to fear than liberals are. Thus liberal columnist Laura Bassett has concluded that conservatives, in fact, are afraid of AOC.
Cue the song!
This scientific finding of course begs a couple more questions: Why do they fear her, and why is this obsession coming from conservative men (and not conservative women)? Fortunately, Bassett has the answers to both:
"Ocasio-Cortez's power is a direct threat to conservatives because her very existence in Congress as a young, Latina, working-class woman threatens to upend the social order that has kept white men in the ruling class for centuries. (Eighty-eight percent of House Republicans are white men, most are over the age of 50, and the party's voters are majority white and male.)"
In other words, it's AOC's ethnicity and youth that are making conservative men quake in their boots.
Additionally, Bassett explains that conservative men are horn-dogs, citing a sexualized click-bait piece on the Daily Caller and a tweet from an anonymous Twitter user. She also quotes Caroline Heldman, a gender and politics professor at Occidental College:
"Alexandria presents a challenge, because conservative men or men in general who are encouraged to objectify women are attracted to her, but she's also 'unmanageable' in that she doesn't exist for them. She is a woman who not only has now formal power, but a lot of informal power, in that she doesn't give a damn what they think of her. I think it's a disconcerting place for men who may be used to attractive women seeking their validation."
There's much more cognitive liberal-speak throughout the piece, but you probably get the jist of it.
Now, at the risk of coming across as anti-science (as many on the left tend to portray us conservatives anyway), I'm going to offer a much simpler explanation of why conservatives talk about AOC so often:
She publicly says a lot of dumb, divisive, and shamelessly untrue things.
And before people start accusing me of sexism, racism, ageism, and whatever other isms they might be inclined to whip out, it's important to understand that the reactionary sentiments I've described are demonstrably blind to nearly everything but the rhetoric itself.
The reality is that when a populist politician is routinely saying outrageous things that generate a lot of media coverage, people on both sides of the aisle are naturally inclined to weigh in. In such cases, political and ideological allies spin the uncouth oratory with phrases like "truth to power", "anti-establishment", and "for the people," while foes launch into full-blown mockery and condescending Internet memes.
Sound a bit familiar?
One might say that Alexandria Ocasio-Cortez is the Donald Trump of the Left. And the reactions the two generate aren't all that different from each other; the teams are just reversed.
It's not about demographics. It's about demagoguery.
AOC may sit lower than Trump on the political totem pole, but she and our president actually have a ton of things in common, as The Bulwark's Jonathan Last described quite well in a recent piece. From the refusal to back down from false and offensive statements, to the incessant tribal pandering, to the fervent use of social media, to the internal mudslinging, these two could be considered kindred spirits.
Yet, no one is attributing the Left's "obsession" with Trump to his age, his ethnicity, or (hold your laughter) his attractiveness. And any fear they have of him is tied to either competence or policy… not his "very existence."
So I dare say that when it comes to political compulsion, the science isn't settled after all.


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Bus from Amarillo, TX to Fort Worth
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Fastest Bus 8h 35m
Latest Bus 8:00 AM
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Bus stops in Amarillo, TX and Fort Worth
Fort Worth, TX - Intermodal Transportation Center
Jones St 1001, 76102 Fort Worth (USA)
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South Fwy #2500 4200 , 76115 Fort Worth (USA)
Main St 916, 76102 Fort Worth (USA)
S Tyler St 70, 79101 Amarillo, TX (USA)
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This route is offered by 1 bus company with a range of ticket prices between $67.00 and $85.00. Thus, we recommend booking your ticket as early as possible to make sure you get the cheapest bus ticket to Fort Worth.
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Every day, the Amarillo, TX Fort Worth bus route is served by approximately 1 connection. With our search engine, you can compare bus times to find the perfect trip.
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The fastest bus from Amarillo, TX to Fort Worth is offered by Greyhound US and takes 8h 35m. Bus tickets for this connection cost $76.00. In this context, bear in mind that the journey can take longer due to traffic.
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A meal in Amarillo, TX is 8% more expensive than in Fort Worth.
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San Diego - Former San Diego City Councilman Carl DeMaio is blasting Mayor Kevin Faulconer for failing to adequately address the exploding homeless crisis in San Diego. Mayor Faulconer today announced his plan is simply to erect a few large tents to temporarily house the homeless - a strategy DeMaio says is destined to fail.
"San Diego's homeless crisis will not be solved by erecting a few tents - it can only be solved by full and effective enforcement of laws to force homeless individuals into treatment programs," DeMaio said.
DeMaio says the root of San Diego's homeless crisis can be found in its decision to stop enforcing a mulitude of laws against homeless and the loss of leverage in forcing homeless into shelters, mental health programs, and substance abuse programs.
DeMaio points out that the capacity of the tent Faulconer is proposing is a fraction of what is needed to house an estimated 5,000 to 15,000 unsheltered homeless individuals currently living on the streets and in canyons in the region. Moreover, a recent study showed many existing beds in homeless shelters remain unused because many homeless individuals refuse to go to shelters and city leaders refuse to allow law enforcement to force them into a shelter.
DeMaio is calling on the Mayor to declare a public health emergency with the recent Hepatitis A outbreak - a move that could empower law enforcement to force homeless individuals off the streets and into treatment programs.
"Unless you use the stick of law enforcement along with the carrot of treatment, the homeless will continue to come to San Diego and congregate on our streets," DeMaio notes. "Mayor Faulconer and city councilmembers have said nothing about using law enforcement powers in this crisis because they are afraid of being accused of being mean to the homeless - it's not mean, it's effective tough love," DeMaio notes.


text:
class Test {
	int appleCnt;
	char background;

	public:
		Test() = default;
		Test(int apple) : appleCnt{apple} {} // {} or ()
		Test(int apple, char bg);

	std::ostream &printAll(std::ostream &o) const {
		o << appleCnt << " " << background;

		return o;
	}
};

#endif // HEADER.H


text:
Q: Using Dot Syntax in Julia I have seen some code out in the wild that allows us to use dot syntax like so:
function dotTest!(wallet::Wallet, valueToAdd::Int):

...

end

wallet = Wallet(100)

wallet.dotTest!(5)  # Does not work
dotTest!(wallet, 5)  # Works

However I cannot get it to work, the method is not found because I am not passing wallet as the arg.
So did the language change, or am I doing it wrong?

A: As I know, in Julia dot never works like that.
but if you using Lazy then it is possible to write @> wallet dotTest!(5)
A related open discussion here: https://github.com/JuliaLang/julia/issues/5571


text:
Q: Fix JSSOR Slider Bug with resizing when disabling CSS-Transforms I am using the JSSOR slider within one of my responsive projects. I was unhappy with the way it implemented responsive resizing because it depended on transform: scale()-concept. So I disabled that behavior (only for the containing div)  by setting
#sliderContainer>div {
  transform:none !important;
  -webkit-transform: none !important;
}

and set the sizes of sliderContainer, img as well as the arrow positions manually with CSS. This will lead to a perfect responsive behaviour. However, there is one bug. When loading in size A and switching to size B (e.g. turning a tablet from portrait into landscape-mode) or resizing a browser window, it will totally screw up the positioning of slides:

I am calling the jssor_slider1.$ScaleWidth(e.g. 820) function properly. But I cannot see any change in the absolute positioning. It looks like the slider totally relies on scale-transformations and does not implement a real, responsive concept.
My question: is there any way to dynamically set the slide width and/or cause a complete re-calculation? Maybe Re-Initiating the slider?
My only solution to this is to manually configure the biggest slide-size:
 $SlideWidth: 820, //[Optional] Width of every slide in pixels...

However, this will lead to sliding with large gaps in the smaller resolutions.


Cobra and Bellamy launched in London's Sloane Street in 1980 with an eclectic collection of in-house designed jewellery and a collection of Antique and Vintage pieces. Opening a large and successful concession in Liberty and participating in their Exhibition of Arts and Crafts with jewellery featured in The Financial Time's" How to Spend It " section bY Lucia van der Post.
The exhibition "Jewels of Fantasy" at the Victoria and Albert museum, launching Vivienne Becker's book on 20th Century costume jewellery, featured many pieces from Cobra and Bellamy's collection.
"Forever Amber" an exhibition mounted after a trip to The Dominican Republic sourcing amber with insect inclusions was described by Suzy Menkes in the New York Herald Tribune as "Molten sunshine".
After the closure of the Sloane Street shop Cobra and Bellamy continued with online stores, one with the Cobra and Bellamy watches, the other, Cobra and Bellamy Jewellery site by renowned jewellery designer and owner Tania Hunter.
A fruitful relationship with Priscilla Carluccio's beautiful store "Few and Far" until it's untimely closure.
The Conran Shops commissioned a collection of linear and clean cut designs, using my signature abstract cut gem stones, for their stores in London and Paris.
I source my hand-cut gem stones from Germany and Brazil where the precision cutting is fabulous and works beautifully on the fine gold chains I use. The ever flattering pearls come as simple but modern earrings and on fine chains as pendants, long or short.