The pull-up is the original badass move. Sure, there are plenty of ways to show off just how strong you are, but the pull-up is unmatched. It demands back, shoulder, arm strength, not to mention a strong core, too. But if you finally want to learn how to nail one (or 10), you might be intimidated by the challenge. And we're not going to lie to you: It takes work.
Rather than training pull-ups solo, we tapped Ribeiro to show us how to successfully advance to the real deal by working all the necessary upper-body muscles. Don't get frustrated if you can't do one clean (meaning your don't use your knees to swing up) unassisted pull-up right away, Ribeiro says. It can take a few months, especially for someone who doesn't do bodyweight exercises.
But the payoff is bragging rights. To help you get there, here are 10 best exercises from Ribeiro that'll boost your workouts from the ground up.
You can perform all 10 of the following exercises in a single strength training session. Or, mix and match the moves, like the hollow and hanging hold on one day, and the bent-over row and hinged row the next day. Ribeiro recommends men and women devote at least two days a week, eventually progressing to three days. For each exercise, perform two to three sets AMRAP style, until your form starts to break.
This is where you practice the proper pull-up position, so you engage both your core and back and don't make the mistake of pushing your hips forward when hanging.
How to: Lie your back on the floor with your arms extended by your ears (a). Lift your legs off the ground and your arms overhead simultaneously to hold a hollow position (b).
This pose helps you practice the bottom of the movement, as well as build grip strength. This eccentric phase of the pull-up is all about lowering down with control.
How to: Dead hang (relax shoulders and lats) from a bar (a). Pull your shoulders down and squeeze your lats into a reverse shrug (b).
Here, you'll engage your lats and biceps to give you a full range of motion on the pull.
How to: Lunge your left foot forward, and your right foot behind you (a). Hold a dumbbell in your right hand with your left elbow resting on your knee (b). Pull the weight up to your chest, bending your elbow to 90 degrees (b). Maintain a tight core throughout the movement to stay stable (c).
Similar to a bent-over row, this move requires you to use two hands simultaneously, which is more accurate to a pull-up.
How to: Hold a dumbbell in each hand. Bend over slightly with your knees slightly bent and your back straight (a). Pull dumbbells into your chest and slowly release them back down (b).
With this move, your bodyweight provides the resistance. You'll learn how to engage your back while pulling. This will also improve grip strength to hold onto the bar throughout the exercise. Ribeiro uses TRX straps here, but if you can't get a hold of a pair for your strength workouts, use a bar on a squat rack.
How to: Hold two TRX handles with your palms facing in (or holding a bar with both hands). Lean back and walk feet forward so that your body is at a 45-degree angle with the floor (a). Engage your core to stabilize your spine, and pull your chest into your hands (b).
Engaging your biceps and lats, this is the next step up to getting accustomed to using your full bodyweight. Again, if needed, use a squat rack bar. Be sure to keep your back straight as you pull your body towards your hands for best results.
How to: Position a block or step in front of the TRX straps. Sit down under the handles and grab them. Walk your feet onto the block — you should be hovering horizontally over the floor (a). With arms in front of your chest, pull your body up to your hands (b).
Similar to the motion of a pull-up, this move engages your back. Keep your core tight as you pull the bands down to ensure you aren't arching your back.
How to: Loop a resistance band around a bar overhead. Grip each side with one hand and sit on the floor. (a). Pull your hands down toward your chest and release the band slowly to extend your hands up overhead (b). Do a high number of reps (more than 15) to work your full range of motion (c).
You're almost there! Loop a band around an overhead bar like in the lat pull down or use a pull-up machine.
How to: Holding onto the bar in that hollow position you practiced earlier, pull yourself up to bring your chin to the bar (a). Keep your legs together and engage your core to prevent arching your back (b). Think quality over quantity here — performing sets of 10 reps.
This move focuses on the bottom portion of a pull-up and engages your back using your full bodyweight. If you can't hold it at the top yet, that's OK! (Upper-body strength can take some time to build.) It simply means you need more practice with the other exercises in this routine.
How to: Use a box to help you get up to an overhead bar. Start at the top with your chin to the bar (a). Hold for second and then lower down with control (b). Yes, these are meant to be tough — so aim for sets of three to five reps.
This move will help strengthen your back without having to do a pull motion.
How to: Grab a dumbbell in each hand and bring them up to your shoulders (a). Bend your knees and lift the weights over your head (b). Slowly lower yourself towards the ground (c). Perform sets of three to five reps. Again, remember quality over quantity is best here (as with all your workout routines!).
Originally published August 2017. Updated February 2018.


text:
Ex Libris: Alma, Aleph, and Primo
Smart Libraries Newsletter [March 2012]
Breeding, Marshall .
Abstract: Ex Libris has made progress across multiple products. There have been developments with Alma, its new unified resource management platform, Aleph, one of its integrated library systems, and with its Primo discovery product.
Ex Libris has made progress across multiple products. There have been developments with Alma, its new unified resource management platform, Aleph, one of its integrated library systems, and with its Primo discovery product.
As Alma nears general release, the company has about 60 institutions participating as early adopters in addition to the original four development partners. Some of the libraries recently announced as joining the early adopter program include RMIT University in Australia and the University of Otago in New Zealand. North American institutions recently signed as early adopters include Boston University, Fort Hays State University, Midwestern State University, North Dakota State University Libraries, Northeastern University, Texas Woman's University, University of Massachusetts Dartmouth, University of Minnesota Libraries, University of Texas at Dallas, and Virginia Commonwealth University.
In other recent Alma news, a meeting of a group of Expert Advisors--assembled by Ex Libris and charged with the task of making recommendations regarding how metadata in the shared Community Catalog should be managed�has taken place.
While the group's detailed recommendations were not published, a general statement reflected its principles that metadata in the Alma Community Catalog should be open and that �members should be able to share, copy, edit, and redistribute records that are linked to the library's inventory.� Alma will be available for production use in 2012. Despite the efforts focused on Alma, Ex Libris also continues full support of its existing products, including Aleph and Voyager. Aleph is widely used by academic and research libraries and has been deployed in around 2,300 sites spanning many regions of the world. January 2012 saw the release of Aleph Version 21. The previous major release, Aleph Version 20, was issued in March 2009; Version 19 came out in January 2008. So while the pace of new releases has slowed, this new release demonstrates that Ex Libris has kept true to its commitment to continue enhancing its existing ILS products as it develops Alma.
In the largest and most complex implementation of Aleph to date, the National Diet Library, Japan's national library, moved to production use, consolidating a variety of resources and projects that had previously been managed sepately. Aleph now manages a collection of 20 million bibliographic records representing 40 million items; it includes the Asian Language Materials catalog and the Japanese Periodicals Index in addition to the library's holdings. The implementation of Aleph began in 2010 following an extensive selection process and an 8-month trial period (See http://www.ndl.go.jp/en/).
Ex Libris continues enhancing its Primo Central discovery service. In January 2012, the company reported that it would provide full-text search for the HathiTrust collection of 5.3 million books and 263,000 serial titles. HathiTrust was founded in 2008 as a platform to collaboratively manage the materials digitized through library partnerships, such as the Google Books project by Microsoft, the Internet Archive and other initiatives. Sixty-seven institutions currently belong to the HathiTrust partnership (See http://www.hathitrust.org/).
Just prior to the ALA Midwinter conference, Ex Libris announced a number of new sales of Primo in North America, including Fort Hays State University, Idaho State University, Nelson-Atkins Museum of Art, Pacific Northwest National Laboratory, University of Hawaii, University of Illinois at UrbanaChampaign, University of Massachusetts Dartmouth, Virginia Community College System, and the 11 academic libraries of the WISPALS Library Consortium. The University of Illinois at Urbana-Champaign, a member of the Association of Research Libraries, also announced its selection of Primo in January 2012. Ex Libris reports that Primo is in use in over 900 sites worldwide.
Smart Libraries Newsletter
ALA TechSource

redpajama_set_name: RedPajamaCommonCrawl


Based on the short story "The Barnum Museum" by Pulitzer Prize winning author Steven Millhauser, Barry Schrader has created a visionary aural journey into the surreal.
The music of "The Barnum Museum" is based not on the actual historical museums, but rather on the short story "The Barnum Museum" by Pulitzer Prize winning author Steven Millhauser. Millhauser's story is a description of a Barnum Museum of the imagination, much more elaborate and fantastic than the museums of historical reality. Schrader has taken several of Millhauser's ideas and used them as the bases for creating musical works. While these pieces are, in a general sense, programmatic, they fall more correctly into the traditional genre of tone poems. Millhauser presents many ideas, with or without elaboration, and Schrader has let his imagination take off from what Millhauser has or has not said about things that never existed. The sound material is all-electronic, created in the computer, and no acoustic sound files are used. In this and other ways, the music follows Millhauser's paths leading to the plausible impossible.


Justin Leonard qualified for the United States Ryder Cup team in 1997, 1999, and 2008. In the 1999 event, Leonard made a 45-foot putt for birdie on the 17th hole to complete a remarkable comeback by the U.S. team on the final day. Justin Leonard has hand autographed this 11x14 Photo. Certificate of Authenticity from Athlon Sports Collectibles. Custom White Mat and Premium Black Frame as shown.


Within our nation there is growing awareness of the challenges being faced by older people. Not only are there more and more older people in the UK, but there are also increasing pressures on state social care and healthcare infrastructure. It's estimated that there will be an additional 1.1 million over 65s in Britain by 2020 compared with 2015. The UK's Local Government Association says that loneliness among older people is now 'a major public health concern'. As well as this, according to an Age UK survey in December 2014, 2.9 million older people (65+) in Great Britain feel they have no one to turn to for help and support. Many churches in Britain are reaching out to older people, particularly those who are isolated or lonely, by running visiting and befriending schemes, various social gatherings, exercise classes and other activities. Some also offer nursing and even residential care. At Jubilee+ we recently conducted research into the impact of church projects that support older people.


Ethics aims to answer one big question.
Ethical beliefs shape the way we live – what we do, what we make and the world we create through our choices. Ethical questions explore what Aristotle called 'a life well-lived'.
Ethics isn't just an exercise for philosophers or intellectuals. It is at the core of everyday life.
We ask ethical questions whenever we think about how we should act. Being ethical is a part of what defines us as human beings. We are rational, thinking, choosing creatures. We all have the capacity to make conscious choices – although we often act out of habit or in line with the views of the crowd. We could all make conscious and conscientious ethical choices if we wanted to.
We ask ethical questions whenever we think about how we should act. Being ethical is a part of what defines us as human beings.
NEW YORK (MainStreet) — In decades past, bad business ethics might have been defined as stealing a stapler from the office, taking a nap at your desk after lunch or, for executives, skimming off the top.
And though business ethics today involve the same examination of moral and social responsibility, what has changed is the introduction of the many ethical breaches connected with new technology and how ethics are recognized and handled in the workplace.
For the complete article see below.
If you have trouble finding the articles through the link, just copy and paste the title in the search engine like Google, and it will be there.
Huntington Memorial Hospital in Pasadena, Calif., has been in the news twice in the past two weeks. But the stories weren't about one of its doctors discovering a cure or inventing a new life-saving procedure. They were about 11 tragic deaths that occurred at the hospital and about the hospital's costly and illegal union-busting campaign that forced Huntington into signing a settlement agreement with the California Nurses Association.
This is what happens when a hospital puts profits over people — its patients as well as its employees. It is emblematic of a larger problem — the corporatization of health care.
Casual dating has millennials confused: "Hanging out" and "hooking up" make it difficult for millennials to know if they're dating.
February 14, 2015 — 9:05am Katie Bolin started seeing her boyfriend in December of 2013. But when February rolled around, he didn't want to make plans for the 14th. "I've never been that big on Valentine's Day, so I had plans with friends," Bolin said. "But then on Valentine's Day, he was texting me saying he felt bad" they wouldn't be together. The two had met through mutual friends and began keeping in touch on Twitter, but they weren't dating. For months, they were just "hanging out." "Hanging out is like the pre 'we're dating,' " Bolin said. "Putting the word 'date' on it is stressful — a hang-out is so much less pressure." For many millennials, traditional dating (drinks, dinner and a movie) is nonexistent. In its place, young people hang out or say they are "just talking." So when store windows fill with hearts and chocolates and red roses, young couples feel pressure to define their ambiguous relationships. That's not easy, in part because traditional dating has changed dramatically — and so has the way young people talk about relationships. Twenty-year-old Kassidy McMann said she's gone out with a few guys, but it wasn't as serious as dating. "We just called it hanging out," she said. According to McMann, the widespread fear of rejection among millennials has drawn them to the more casual hang-outs because "they don't want to have to go through breakups or get hurt." Kathleen Hull has a more scientific explanation. Hull, a University of Minnesota associate professor of sociology, said that an extended adolescence has altered the dating scene.
The "traditional markers of adulthood" — marriage, children and home ownership — now occur later in life than, say, in the 1950s, when going steady in high school often led to marriage. Now, "there's this long period between going through puberty and getting married that would be a long time to be dating," she said. "It's a longer period of transition to adulthood." Focus on school Twenty-somethings who don't go to college tend to enter into the adult world more quickly, said Hull. But most college-educated millennials say they have no plans to settle down in the near future. "The actual meaning of dating, at least for college students, has changed," said Hull. "The practice of dating in the traditional sense has nearly vanished from college campuses." Karl Trittin agrees. "Most students don't have time to get into real relationships," said the freshman, who's studying economics at the University of Minnesota. "It's like taking another class." When young people do get together, "it's like dating back in the '90s, like you see on TV shows," said Cory Ecks, a University of Minnesota marketing senior. "It isn't necessarily exclusive. It's casual." College students often choose to be single while pursuing degrees, as do recent grads who are trying to launch careers. Instead of seriously dating, they dabble in various kinds of casual ….
Below is an article on Germany's Identitarian movement, some consider dangerous.


text:
About The English Department
Greene Street Review
Faculty Bookshelf
MA Student Directory
Personnel and Committees
Advising and Office Hours
Creative Writing Track
Program in Dramatic Literature
English Major of the Month
Applications, Forms, and Resources
English Honors Program
Past Course Offerings
Information for M.A. Students
Information for Ph.D. Students
Information for Prospective MA Students
Information for Prospective PhD Students
PhD Job Placement
Current Graduate Courses
The Graduate English Organization
Resources for Undergraduate Students
Erich Maria Remarque Professor Of Creative Writing
Sharon Olds is a previous director of the Creative Writing Program at NYU. Her first book of poetry, Satan Says, received the San Francisco Poetry Center Award. Her second book, The Dead and the Living, was both the Lamont Poetry Selection for 1983 and the winner of the National Book Critics Circle Award. She is also the author of The Gold Cell; The Father; The Wellspring; Blood, Tin, Straw; The Unswept Room; Strike Sparks: Selected Poems, 1980- 2002; One Secret Thing; and most recently, Odes. In 2012 her collection Stag's Leap was awarded the T.S. Eliot Prize and the Pulitzer Prize. She received a Lila Wallace-Readers' Digest Grant in 1993, part of which was designated for the NYU workshop program at Goldwater Hospital on Roosevelt Island. In 1997, she received the Harriet Monroe Poetry Award. From 1998-2000 she was the New York State Poet Laureate. Professor Olds holds the Erich Maria Remarque Professorship at NYU.
Ph.D. 1972 (English), Columbia; B.A. 1964, Stanford.
poetry; community outreach; writing workshops
PEN, Poetry Society of America, Authors' Guild.
T. S. Eliot Prize short list for The Father, England, 1994; Lila Wallace-Reader's Digest Writer's Award, 1993-1996; National Book Critics' Circle Award for The Dead and the Living, 1984.
Blood, Tin, Straw. New York: Knopf. 1999.
The Wellspring. New York: Knopf. 1996.
The Father. New York: Knopf. 1992.
The Gold Cell. New York: Knopf. 1987.
The Dead and the Living. New York: Knopf. 1984.
Satan Says. Pittsburgh: University of Pittsburgh Press. 1980.
Erich Maria Remarque Professor Of Creative Writing so1@nyu.edu Phone: (212) 998-8830


State Medical Faculty of West Bengal has invited application for the admission of paramedical courses. All the candidates who have passed Higher Secondary examination can I apply for this various courses. Candidates are requested to learn all the Information carefully before attempting for online application. Any application not in compliance with the conditions specified in the Information Bulletin given on the website of the authority is liable to be rejected. Apply for the admission of paramedical courses.
This year application for the paramedical courses has to be done online only. There is no printed application form so you cannot apply offline. Before the application ensure that you are filling the genuine application form. The online link is given by state Medical Faculty of West Bengal.
Before application candidates should ensure that he or she has a valid mobile number and a regular unique email ID. It is important for future communication. You will receive all the future communications through the registered mobile number and email ID. At the time of further communication from candidates-side will not be allowed to contact the authority from any others mobile number or Email ID. So if you have not any email ID, at first you create an email ID then go for the process. Before application candidates are requested to study the guidelines of online application from the information bulletin given by the authority thoroughly.
All the information given by the candidate must be matched with the School admit card mark sheet, certificate, photo identity card, category certificate which you have to produce to enter the examination hall, during the counselling, during the admission, during the registration with the faculty. Do not try to make any duplicate application it may reject your application. All the candidates are advised to not share the information of application like application number password security question and answer we anyone. If you receive any SMS or email from the authority for any discrepancy in the photograph or signature uploaded by you take corrective action immediately within one day.
a) Amount of application fees to be paid for appearing in the SMFWBEE-2018 is Rs. 500 (Rupees five hundred only). The Application Fees can be paid in cashless mode by 'Net Banking'/ 'Debit Card'/ 'Credit Card' or in cash using State Bank of India e-challan.
b) 100/- as Registration Fees for participating in Online Counselling and for Choice filling, indicating choice of institute seat and locking choice, to be paid by Net Banking'/ 'Debit Card'/ 'Credit Card' ONLY ( NO Challan Payment shall be accepted at this stage). Document Verification Venue to be specified during the same process.
b) If the payment was made by net banking/debit card/credit card, and the transaction failed at EPG, the candidate has to make payment once again. Do not wait until the last day to make fee payment in order to avoid payment failure by Bank or EPG.
a) That he/she has passed the Higher Secondary (10+2) or equivalent Examination recognized by any Indian University or a duly constituted Board with pass marks in Physics, Chemistry and Biology individually.
b) That he/she will attain the age of 17 years as on 1st September 2018.
Note: All schedules are subject to change under unavoidable circumstances.


For this position, we are looking for someone who is studying for a PhD degree within the STEM community, or a recent post-doctorate. As the position is voluntary, we welcome suggestions from applicants as to the level of support they can offer.
Monitoring the 4open Twitter account.
Monitoring Twitter accounts in the same fields and retweeting and following others accordingly.
Keeping up to date with current events in the open access publishing sector and working with EDP Sciences to post interesting tweets to the account based on either journal content or on science/open science more generally.
Providing ideas and initiatives on how to best make use of the @4openjournal account.
In return, you will gain invaluable experience working with an academic journal and an experienced team of editors who are successful scientists in their own right. You will gain excellent experience of supporting a multidisciplinary open access journal that has open science at its core. In addition, this experience will give you valuable material to develop your skills and add to your CV.
Along with this we are offering a one-year subscription to any EDP Sciences journal of your choice.


text:
<?php

namespace Gettext\Extractors;

use Gettext\Translations;
use Gettext\Utils\MultidimensionalArrayTrait;
use Symfony\Component\Yaml\Yaml as YamlParser;

/**
 * Class to get gettext strings from yaml.
 */
class Yaml extends Extractor implements ExtractorInterface
{
    use MultidimensionalArrayTrait;

    /**
     * {@inheritdoc}
     */
    public static function fromString($string, Translations $translations, array $options = [])
    {
        $messages = YamlParser::parse($string);

        if (is_array($messages)) {
            self::fromArray($messages, $translations);
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
Q: jacoco 0 percentage code coverage all 2 branches missed Hi I am trying to run jacoco code coverage and getting all 2 branches missed error and my code coverage is 0.0% all the times how much i tried to write test case for below code..
public void someSchedulerJob(){
    if (true) {
        log.info("Run Job");

        try {
            //few method calls which needs to be run every day
        } catch (Exceptionexp) {
            log.error("Exception doing scheduler job "+ exp);
        }
    }else{
        log.info("Disabled Scheduler Job");
    }
}

how to make code coverage report for this method using junit 100%
Regards

redpajama_set_name: RedPajamaStackExchange


Find Drag Queen Costumes Ebay Halloween shopping results from Amazon & compare prices with other Halloween online stores: Ebay, Walmart, Target, Sears, Asos, Spitit Halloween, Costume Express, Costume Craze, Party City, Oriental Trading, Yandy, Halloween Express, Smiffys, Costume Discounters, BuyCostumes, Costume Kingdom, and other stores.
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The Ardennes Ottoman is a practical addition to your home. Simply lift up the frame using the convenient slot handles to reveal a handy storage space, perfect for keeping bed linen and other lightweight items owestd away. Choose from a range of textured plain materials which co-ordinate with a wide range of decor schemes. Headboards are optional extras but fixings for standard UK struts are included. The Ardennes is also available as a standard divan base or as an adjustable massage bed. Our ottoman bases are made to order.


We believe everyone should be able to participate and thrive in the economy. So we're building tools that make commerce easier and more accessible to all. We started with a little white credit card reader but haven't stopped there. Our new reader helps our sellers accept chip cards and NFC payments, and our Cash app lets people pay each other back instantly. We're empowering the independent electrician to send invoices, setting up the favorite food truck with a delivery option, helping the ice cream shop pay its employees, and giving the burgeoning coffee chain capital for a second, third, and fourth location. Let's shorten the distance between having an idea and making a living from it. We're here to help sellers of all sizes start, run, and grow their business—and helping them grow their business is good business for everyone.
The Payment Acceptance team owns the core of Square's online payments stack and operates it at a massive scale.
We provide APIs for first and third parties to access our platform.
We move money between customers, credit card processors, and banks quickly, reliably, and securely – and our ambition is to make this easy.
We tackle several technical challenges: Security and privacy, monitoring, re-architecting for the future, scalability, supporting payment methods such as cryptocurrency, 3DS, ACH, and support Square's expansion to support new payment types in international markets.
We are a backend service team, and use Java on Square's Linux servers and cloud platforms along with technologies like Guice, Guava, Protocol Buffers, jOOQ, MySQL, Kafka, AWS and GCP.
The Catalog team builds the platform and product features that allow Square merchants to manage the items and inventory they sell. We support all types of merchants from food trucks with just a few menu items to retail chains with hundreds of thousands of SKUs for sale across many locations.
The team is involved in the technical details of building highly available and reliable services, while also working with product teams to enable Square to rapidly build new capabilities for our merchants and buyers all over the world.
We partner with external developers to build public APIs that allow Square to expand it's ecosystem.
We use Go, Java, MySQL, and Elasticsearch. We use ML to improve the product experience.
The Prices team is responsible for tools that help Square merchants set prices, manage taxes, and provide discounts to their customers.
We are a full stack team, delivering features via Mobile, Web, and API across nearly all of Square's products.
We are reinventing Square's models for pricing and taxes, building flexible primitives to manage complex needs.
We also own Square's subscription platform, managing internal and external subscriptions, usage, and billing.
The Identities team maintains the account system for Square sellers.
We curate the merchant data model for that account system and provide highly available services for both of those that answer thousands of queries per second.
The Auth team provides authentication services including login, two factor verification, access control and session management for access to all Square services.
We protect customer accounts through smart, targeted rate limiting and machine-learning signals detection.
We are a team that ties together many software components across Square, including Payments, Prices and Catalog, allowing developers to quickly combine new and existing components to innovate new features on top of Square's platform.
Our Order Platform APIs are designed for use by first (internal) and third party (external) developers.
We design and implement high-volume, low-latency, distributed transaction processing systems, making thoughtful tradeoffs between consistency and availability when both are not possible.
BS in Computer Science or equivalent. Minimum 4 years of industry experience.
Innate curiosity and a desire to explore solutions in a small, highly focused team.
Understanding and interest in creating highly available, scalable, low-latency, global systems.
Track record of pursuing self directed side projects, research, or open source projects.
Interest in state of the art security systems.


Minimum quantity for "Stardust Organza, 60" wide, FR, 7 colors" is 20.
We are in love with the beautiful Stardust Organza fabric - a wonderfully sheer polyester fabric which is an elegant choice for events, decor, apparel, and so much more. Stardust has a subtle grainy shine and feel, and will not lose its shape when put in a custom design. Machine washable.
100% Polyester. 7 colors. Sold per yard, 20 yd minimum.


text:
Nicole Scherzinger lends voice to 'Moana's' mother, Sina
Posted byCinema Bravo November 28, 2016 November 28, 2016 Posted inCastTags:Moana, Movie, Nicole Scherzinger
Best known as the lead singer of one of the best-selling girl groups of all-time Pussycat Dolls, Nicole Scherzinger now breathes life to Moana's playful and strong-willed mother, Sina, in Walt Disney Animation Studios' 56th animated feature "Moana."
Also featuring the voices of Dwayne Johnson and Auli'i Cravalho, "Moana" is a sweeping, CG-animated feature film about an adventurous teenager who sails out on a daring mission to save her people.
Moana's mother always has her back. Playful, sharp and strong-willed, Sina appreciates Moana's longing to be on the water. But much like Tui, her hard-headed husband, Sina wants to protect her daughter from the fabled dangers beyond the reef. Above all, Sina trusts Moana to make the right decisions.
"Sina reminds me of all the women in my family—my ohana," says Scherzinger. "She's fun, she's playful, but she's also very strong. I feel like she's the backbone of a family, as women often are."
"She is very loving and caring," adds head of animation Amy Smeed, "but also has a little spunk to her which comes through in Village Song in the way she bounces as she sings."
Scherzinger is a Grammy®-nominated triple threat. She has accrued No. 1 singles on both sides of the Atlantic, selling 37 million singles worldwide, 16 million records as a solo artist and a staggering 54 million albums as the lead singer of the Pussycat Dolls. The incredibly accomplished singer, dancer and television personality stars as Penny in the highly anticipated "Dirty Dancing" remake for ABC. Scherzinger teamed up with Neil Patrick Harris to co-host his new NBC primetime variety series "Best Time Ever with Neil Patrick Harris." Harris previously directed Scherzinger in a special engagement of the Tony® Award-winning musical "Rent" at the Hollywood Bowl in Los Angeles, for which she received rave reviews for her performance as Maureen.
The "X Factor" judge (both the U.S. & UK versions of the show) has also made a name for herself on the West End stage. By far one of her greatest recent achievements was a nomination for a Laurence Olivier Award for her debut performance as Grizabella in a revival of Andrew Lloyd Webber's "Cats." In a BBC radio interview, Webber called Scherzinger's recording of the famed hit single "Memory" the "best recording of anything of my music ever done."
Outside of her work in the entertainment industry, Scherzinger is an ambassador for UNICEF and a global ambassador for the Special Olympics.
Opening across the Philippines on November 30, 2016, "Moana" is distributed in the Philippines by Walt Disney Studios Motion Pictures through Columbia Pictures.
WATCH: 'Smurfs: The Lost Village' expands world in new trailer
Vic Sotto returns to the big screen in 'Enteng Kabisote 10 and the Abangers'


Planning a trip to Montgomery? We are not surprised that you want to visit United States!
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So get the best deal for your flight with Beoo.com to Montgomery. United States awaits you!


If you would like to receive information about our wines, please JOIN OUR MAILING LIST.
Opening Soon! Our Tasting Lounge is nestled in southern Sonoma Valley, overlooking the Home Ranch Vineyard. Visitors will be welcomed by appointment for an intimate introduction to our vineyards, farming practices and our inaugural release of wines. We anticipate offering reservations beginning in Summer 2019.


text:
Cotton Jersey (4)
Cotton Twill (2)
Pima Cotton (1)
Short-Sleeve H50 Island Waves White Pima T-Shirt
We're font fanatics and these cool characters capture the retro vibe of the original Hawaii Five-0 TV show to the letter. Playing off the type are the multi-line stroke waves that transform the old times into good times. Already made with a luxurious fiber with brilliant luster, our Pima cotton Ts are finished with a special wash for ultimate softness and durability. We only use environmentally friendly water-based inks that penetrate the material's fiber resulting in more vibrant colors, softer feel and artwork that doesn't crack or peel. Plus, it is proudly printed in the United States for quality you can see and designs that stand the test of time.
Short-Sleeve H50 Tribal Badge Crater Classic Crewneck T-Shirt
The sea turtle has been revered as a guardian spirit by islanders for thousands of years. For the last half century, Hawaii 5-0 has been protecting the citizens of Hawaii. Bring 'em together and you've got a shirt that's gonna take good care of you. Made using our exclusive specialty dying process that uses real volcanic ash and featuring 100% combed ring-spun cotton, this t-shirt has 50+ SPF protection to keep you feeling cool, calm and protected all year long. We only use environmentally friendly water-based inks that penetrate the material's fiber resulting in more vibrant colors, softer feel and artwork that doesn't crack or peel. Plus, it is proudly printed in the United States for quality you can see and designs that stand the test of time.
Short-Sleeve H50 Theme Song Blue Hawaii Classic Crewneck T-Shirt
The opening notes of the Hawaii Five-0 theme song changed TV as we know it so why not use them to change up your look. Let the music and a wave of cool wash over you thanks to this rhythmic design and Blue Hawaii specialty dyed coloring. Made using our exclusive specialty dying process that uses Blue Curaçao and featuring 100% combed ring-spun cotton, this t-shirt has 50+ SPF protection to keep you feeling cool, calm and protected all year long. We only use environmentally friendly water-based inks that penetrate the material's fiber resulting in more vibrant colors, softer feel and artwork that doesn't crack or peel. Plus, it is proudly printed in the United States for quality you can see and designs that stand the test of time.
Short-Sleeve H50 Island Investigators Crater Classic Crewneck T-Shirt
It doesn't take a detective to figure out this is one cool shirt. Turning the Hawaii Five-0 wave and establishing shot of Diamond Head into an original painting is a classy way to celebrate the fiftieth anniversary of this classic show. Made using our exclusive specialty dying process that uses real volcanic ash and featuring 100% combed ring-spun cotton, this t-shirt has 50+ SPF protection to keep you feeling cool, calm and protected all year long. We only use environmentally friendly water-based inks that penetrate the material's fiber resulting in more vibrant colors, softer feel and artwork that doesn't crack or peel. Plus, it is proudly printed in the United States for quality you can see and designs that stand the test of time.
Short-Sleeve H50 Old School Black Classic Crewneck T-Shirt
This throwback T is a real catch. With the old school font and Steve's bad-to-the-bone black Mercury, this design proves the classics only get better with age. Made from 100% cotton that is ring spun then combed to remove impurities, this fabric is luxuriously soft and lightweight yet incredibly strong. We only use environmentally friendly water-based inks that penetrate the material's fiber resulting in more vibrant colors, softer feel and artwork that doesn't crack or peel. Plus, it is proudly printed in the United States for quality you can see and designs that stand the test of time.
H50 Island Investigators Navy Twill Hat
It doesn't take a detective to figure out this is one cool hat. Turning the Hawaii Five-0 wave and establishing shot of Diamond Head into an original painting is a classy way to celebrate the 50th anniversary of this classic show. Featuring a printed patch, this hat is made with 100% cotton twill fabric and has an interior sweatband to wick away moisture. It's enzyme washed to be soft and has a pre-formed plastic bill to look broken-in from the first day you put it on. The adjustable Flip-N-Grip Soft buckle system allows for a great fit. One size fits most.
H50 Theme Song Charcoal Twill Hat
The opening notes of the Hawaii Five-0 theme song changed TV as we know it so why not use them to change up your look. Let the music and a wave of cool wash over you thanks to this rhythmic design. Featuring a printed patch, this hat is made with 100% cotton twill fabric and has an interior sweatband to wick away moisture. It's enzyme washed to be soft and has a pre-formed plastic bill to look broken-in from the first day you put it on. The adjustable Flip-N-Grip Soft buckle system allows for a great fit. One size fits most.


text:
Q: JSP Processing instruction not closed I tried to include an HTML file to my JSP but I eclipse show'd this error
The included file
<%@include file="includes/head.html" %>

And the error
Processing instruction not closed

And this is just the simple JSP
<%@include file = "includes/head.html" %>

    <form action = "#" method = "POST">
        Username: <input type = "text" name = "username">

        Password: <input type = "password" name = "password">

    </form>

A: Select All, Backspace,Then ctrl+z to revert. works for me. But someone who knows eclipse well might shed some light as to why this happens

A: Also, closing the document and opening it again appears to work (please remember to save the document first).

A: This seems crazy but press ctrl + A,ctrl + x,paste and save the code,Bug is cleared

A: i try Anurag Priyadarshi answer but it didnt work. But i get rid of that error by restart the eclipse, u might wanna try it it works for me. :)

A: Save same code in new file by deleting the error file does worked for me.

A: Try giving a space after @.
<%@ include file="includes/head.html" %>.

Also if head.html is in other directory then absolute path should start with / or ..
Try
<%@ include file="/includes/head.html" %> or
<%@ include file="../includes/head.html" %>.

A: Restarting eclipse worked for me.


text:
geico car insurance free quote about	 August 24, 2018
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Previous: Temporary Car Insurance Non Resident
Next: Car Insurance Newsletter


An analyst specializing in actionable insights, Ben keeps tabs on key trends in talent acquisition, learning, and workforce technologies. Through primary research and deep analysis, he keeps today's business leaders in touch with important conversations and emerging trends in the rapidly changing world of talent. Additionally, Ben is the author of Artificial Intelligence for HR (Kogan Page, December 2018), a book focused on the impact of AI technologies on the HR profession.
Ben has spent the last few years profiling some of the world's best and brightest companies and the innovations in both technology and strategy that have made them successful. Ben started his career as an in-the-trenches HR leader. The blend of analyst and practitioner experience is used to inform his positions and advice on how technology providers can reach their target audience best. Ben has spoken to audiences around the globe and his work has been featured in a number of high profile publications.


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text:
Game ratings board CERO to shut down as Japan declares state of emergency
As the Japan game ratings board CERO temporarily closes its doors due to COVID-19, Japanese games could see further delays during the shutdown.
TJ Denzer
It was just recently that Japan's Prime Minister Shinzo Abe declared a state of emergency in the country and the government of Japan asked citizens to refrain from going outside until May 6, 2020. As such, much of Japan is about to see a halt in business as they adhere to the warning. One such group is Japan's official games rating board, the Computer Entertainment Ratings Organization (CERO), which is shutting its doors until May 6 and may result in delay of various games during the shutdown.
CERO announced its intention to close its doors in adherence to the declared state of emergency and shelter-in-place request via the CERO website on April 7, 2020. According to the official statement from CERO, work from home will not be possible during this shutdown.
"Since reviewers visit our office to conduct review," CERO wrote. "It is not possible for our staff and reviewer to work from home. For this reason, all operations, including review (including those under review), will be suspended from today until May 6. All staff will be on standby at home, and the office will be closed during this time. We will announce the resumption of business on our website."
According to the official statement from CERO, it won't be until May 6 that any further games within Japan receive required certifications from the ratings board.
Games like the Resident Evil 3 and Final Fantasy 7 remakes were able to make it in just ahead of CERO's temporary shutdown, which is good, but further games in Japan and coming from the country could see delays as a direct result of being unable to be rated and distributed within the country, which could impact worldwide release dates. Even DLC and demo may be affected by the matter.
The effects of COVID-19 on various events and business continues to be rampant, even as many companies put donations and support into relief initiatives and efforts worldwide. Even so, it would appear we still have quite a bit of time to go before things will get anywhere near normal again.
Stay tuned to Shacknews as we watch for further news and announcements in relation to this recent announcement from CERO.
Senior News Editor
TJ Denzer is a player and writer with a passion for games that has dominated a lifetime. He found his way to the Shacknews roster in late 2019 and has worked his way to Senior News Editor since. Between news coverage, he also aides notably in livestream projects like the indie game-focused Indie-licious, the Shacknews Stimulus Games, and the Shacknews Dump. You can reach him at tj.denzer@shacknews.com and also find him on Twitter @JohnnyChugs.
Tomb Raider series in the works from Phoebe Waller-Bridge at Amazon
Microsoft and ArcelorMittal invest in green Boston Steel startup spun out of MIT
Skybound invests millions in WrestleQuest dev Mega Cat Studios
The Last of Us renewed for Season 2 at HBO Max
TJ Denzer posted a new article, Game ratings board CERO to shut down as Japan declares state of emergency


Discover the truffle that Bloomberg Pursuits declared "The Best Chocolate Truffle in the World!" and raved "The tender coating gave way to a luxurious whipped filling with layers of flavors. The box itself was gorgeous – you know when you look at it that you're getting something special." 16 silky-smooth classic chocolate truffles.
Ttl Nt Wt 6.88 oz.
Contains 12 pieces of Neuhaus Classic Truffles in a Prestige box with a ribbon.
Gift Measures 6" x 6" x 1.5"


text:
<?php defined('C5_EXECUTE') or die('Access Denied.');
/** @var \Concrete\Core\Block\View\BlockView $view */
/** @var \Concrete\Core\Form\Service\Form $form */
use Concrete\Core\Application\Service\UserInterface;
use Concrete\Core\Support\Facade\Application;
use Concrete\Core\Editor\CkeditorEditor;
$app = Application::getFacadeApplication();

/** @var Concrete\Core\Application\Service\UserInterface $userInterface */
$userInterface = $app->make(UserInterface::class);

echo $userInterface->tabs([
    ['accordion-content', t('Content'), true],
    ['accordion-settings', t('Settings')],
]);

$editor = $app->make(CkeditorEditor::class);
// Note - unless you explicitly call this when using the ckeditor component, it will be loaded from cdn.ckeditor.com
// and it won't have access to any plugins.
$editor->requireEditorAssets();
// This has to be run in order to use the file manager, snippets, etc... all the Concrete-specific stuff.
$config = $editor->getOptions();
?>

      <input type="hidden" name="accordionBlockData" :value="JSON.stringify(entries)" />

          <button type="button" class="btn-sm btn btn-secondary" @click="addEntry"> <?=t('Add Entry')?></button>

      <draggable class="image-container" v-model="entries" :options="{handle:'.accordion-entry-move'}">

                      <?=t('Title')?>
                      <input type="text" autocomplete="off" class="form-control" v-model="entry.title" />

                      <?=t('Body')?>
                      <ckeditor :config='<?=json_encode($config)?>' v-model="entry.description"></ckeditor>

                  {{entry.title}}

      </draggable>

    <fieldset>

  			<?php echo $form->label('initialState', t('Initial State'))?>
  		  <?php echo $form->select('initialState', ['openfirst' => t('First Item Open'), 'closed' => t('All Items Closed'), 'open' => t('All Items Open')], $initialState ?? 'openfirst'); ?>

  			<?php echo $form->label('itemHeadingFormat', t('Item Heading Format'))?>
  		  <?php echo $form->select('itemHeadingFormat', \Concrete\Core\Block\BlockController::$btTitleFormats, $itemHeadingFormat ?? 'h2'); ?>

        <?php echo $form->label('options', t('Options'))?>

            <?php echo $form->checkbox('alwaysOpen', '1', $alwaysOpen ?? false); ?>
            <?php echo $form->label('alwaysOpen', t('Always Open (make accordion items stay open when another item is opened)'), ['class' => 'form-check-label']); ?>

            <?php echo $form->checkbox('flush', '1', $flush ?? false); ?>
            <?php echo $form->label('flush', t('Flush (render accordion edge-to-edge)'), ['class' => 'form-check-label']); ?>

    </fieldset>


Our press room is a convenient location for AUTHORIZED DURA SUPREME DEALERS to access copyrighted images, logo files and press releases. This information is copyrighted and is only to be used by an Authorized Dura Supreme dealer to promote and advertise Dura Supreme cabinetry. Photography must be credited to Dura Supreme Cabinetry.
Our Press Releases/Announcements can be supplied to newspapers or media providers seeking newsworthy content. This information can also be utilized for blog or website content.
Please note, do not upload any Dura Supreme stock photography to your Houzz Profile and Houzz Projects. Houzz Project galleries should showcase your personal portfolio. If you'd like to add our images to your professional Houzz profile, the best practice is to visit Dura Supreme on Houzz and add the already uploaded images to your Houzz Ideabooks. For questions, contact marketing@durasupreme.com.
If you have questions, please contact us at marketing@durasupreme.com or (888) 711-3872 Ext. 4542.


User performed F110, Document is posted and cleared the invoices. However, when a print program is executed and in spool records doesn't exist.Moreover, I have checked in Payment log and found the error "Program RFFOD_T: No record selected.".
As this is quite urgent. Could any one help on this issue?


text:
Weather | Search | Radar | Satellite | Lightning | Webcams | Tropical Storms
Premium Satellite [P]
Free Satellite
Satellite Image Visible: Central
Fri 21 Jan, 15:30 IST (10:00 UTC)
By kind permission of: EUMETSAT
METEOSAT 10
Thermal infrared image of METEOSAT 10 taken from a geostationary orbit about 36,000 km above the equator. The images are taken on a half-hourly basis. The temperature is interpreted by grayscale values. Cold objects are white and hot surfaces appear black. High clouds as thin cirrus or deep convection, for example towering thunderstorm cells, appear bright white. Mid- or low level clouds, as well as fog and mist are 'grayish'. So are cold land surfaces and most ocean areas. As the sun is heating the ground, the surface will appear increasingly dark.
12 UTC = 17:30 IST
Courtesy of: Eumetsat
23:45 22:45 21:45 20:45 19:45 18:45 17:45 16:45 15:45 14:45 13:45 12:45 11:45 10:45 09:45 08:45 07:45 06:45 05:45 04:45 03:45 02:45 01:45 00:45
15:30 14:30 13:30 12:30 11:30 10:30 09:30 08:30 07:30 06:30 05:30 04:30 03:30 02:30 01:30 00:30


615 different textures containing every map (albedo, glossiness, reflection, ambient occlusion, displacement and normal) for all of them in sizes up to 8K.
Thank you very much. Can you please upload models too from 'Poliigon'?


Welcome to this unit in which we're going to talk about string processing.
And in the Jack Operating System, strings are handled using a class called string.
So as you see, we are inching away through the operating system, one class at a time.
And you have to admit that this module has a lot of class.
So, let's start with this string class, and take a look at its API.
designed to create new strings of a given length.
wants to create and manipulate strings.
as we should have in every class that create objects.
recycle their memory resources, which happens all the time with strings.
Then we have an accessor that returns the length of the current string.
which returns the character in the given index in the current string.
SetCharAt, which sets this character to some desired character.
which takes the character and appends it to the end of the current string.
And then we have a set of additional methods like erase the last character.
that the characters in the current string are digits.
integer, value, and turns it into a string.
characters that represents the digits 1, 2, and 3.
first of all, programmers routinely forget what these values are.
And there's no reason in the world to remember them.
your code will be far more readable.
So, these are the methods of the API of the String class.
structures and signatures came from.
to use this particular API based on our experience and taste, and what not.
of the String class in other object-based languages.
Although, there are some syntactical differences, of course.
But in essence, it's pretty much the same thing.
I'd like to illustrate how strings are actually being used.
So let's take the perspective of a client.
a string called s, and an integer variable called x.
which has the maximum length of 6 and the actual length of 0.
Because it contains no characters yet.
And now the client appends the character of 97 to s.
now the string contains the code, the string a.
If we now append 98, the string becomes ab.
abc, abcd, and just follow what the client code says.
I get the number 4, which is the actual length.
the actual length which changes all the time when you do string manipulations.
4, which internally are stored as three ASCII values.
the ASCII code of 1 is 49, so it's 49, 50, it's 51.
So we see the number 51, which is the ASCII code of 3.
which is the ASCII code of 1.
And then 53, I think, which is the ASCII code of 4.
The details are not important, right?
three characters that represent the string equivalence of this particular example.
intValue does exactly the reverse.
as many characters as they are, I'm going to treat them as an integer.
So we have to take these three ASCII values and convert them into an integer.
an integer value of a bunch of characters that happen to be digits.
All right, so that's the client view.
are the setInt method, which turns integers into strings.
And the intValue method, which turns strings into ints.
when we set out to implement this class.
converting integers to strings and strings to integers, beginning with Int2String.
and we want to convert it into a string.
let's say that the value is 1, 2, 3, which the number, 123.
That's the value, we want to convert it to a string.
with the right most digit, which happens to be a 3, right?
Now how do we extract this digit from a 16-bit value?
Well, we can apply some modulo ten operation on this value.
And modulo ten always gives you the last digit of any given number, right?
you will get the right most digit.
So, using modulo ten, we're going to extract the right most digit.
if it's less than ten, we're done.
that's all we have to do.
So let's see, is this what the algorithm says?
then I take the character that represents the last digit.
And if the value is less than 10, I'm done.
I return this digit as a string or as a character and I'm home free.
But what happens if it's not less than 10?
Well, if it's not less than 10, I have more work to do, right?
In this example, I started with the value 123.
So I extracted 3, and 123 is greater than 10.
So I have more work to do.
focus on what remains, right?
What remains are the digits 1 and 2.
How can I chop off the right most digit?
I can take 123 and divide it by 10.
Okay, this is integer division, so 123 divided by 10 is 12.
So that's great, because I got rid of the right most digit, I have 12.
And now I can apply exactly the same algorithm on this 12, right?
then it will focus on the rightmost digit, which is 2.
And then I will focus on the 10, and so on and so forth.
I think you got the picture.
And here is how I do it.
I shorten the input by dividing it by 10.
And then I apply the same algorithm to it.
to whatever this algorithm is going to return.
So, this is a classical recursive operation.
As we drill down the recursion, I'm making this thing shorter and shorter.
I compute the c of the current recursion level.
all these cs remain in various levels of the recursion.
I'm going to do append, append, append, append, append, append.
the ASCII codes of all the digits that made up 123.
So that's how I convert integers to strings.
Well, the reverse is I think somewhat easier.
We have to convert the string to integers.
So what will be the string?
Let's say the string is double quote, 123, okay?
So 123 within the double quotes.
So, internally, we are not going to have 123, it's a string, right?
followed by the ASCII of three.
then going to 50 and 51, 49, 50, 51.
This is going to be the value of STR, okay?
How do I turn it into an integer?
Well, it's not terribly difficult.
so to speak, to the least significant character.
I can take the left one which is 50, now the ASCII code 50.
And I can convert it into an int.
That's the very easy conversion.
I will get the number one.
the next character is going to be 50.
add to it the integer value of the ASCII code 50.
So I'm going to get 10 + 2, which is 12, great.
Okay, because remember, the input was 1,2,3.
which is the ASCII code of 3, which is 51.
And I take the int value of 51, which is 3.
which is 12, multiply ittimes 10.
Add to it 3, so I get 123.
And then I'm out of characters, so I'm done.
So this logic, by and large, is shown here on the screen.
I recommend that you stop the tape and play with some other example.
Convince yourself that you understand what's going on.
these algorithmic discussions, because this is not a course about algorithms.
It's a course about building computers.
And we are not building an operating system.
The point is to build an operating system.
algorithms, so that's what we are doing here.
But it's up to you to decide how deep you want to dive into this examples.
advice on how to implement this string abstraction.
Well, we have to create objects that represent strings.
that contains character values, integers that stand for ASCII codes.
And so this will be one field.
the string object is going to be the array that contains all the data of this string.
And the other field which make sense to implement is the length.
one point to another throughout the string's life cycle.
we have to constructor called new, as usual.
The users says, build me a string which is at most 100.
So we create an array which is 100 entries long.
We set the length to 0 because, presently, the string contains nothing.
And we return the base address of this string to the caller.
And so that's the constructor.
I think that everything else should be self-explanatory.
on, can be easily implemented using manipulation of the STR array.
the two algorithms that we showed previously in this unit.
and 34, which happen to be the ASCII values of these three characters.
So, we are done with the String class.
we're going to talk about implementing array processing.


text:
Cults. Mystical Sites. Divine Rituals. An Artist Duo Traces the Occult in California
Cults. Mystical Sites. Divine Rituals. An Artist Duo Traces the Occult in California | KCET
Multi-disciplinary
Wendy Gilmartin
Wendy Gilmartin is an architect and journalist living and working in Los Angeles.
She has written for LAWeekly, The Houston Press, Coagula art Journal, Glasstire Visual Art & Review, The Dallas Observer and in the forthcoming book "LAtitudes: An Angeleno's Atlas" by Heyday Books, Berkeley, California.
"Semi-Tropic Spiritualists Test Site No. 3: The Search For Open Ground" was first staged as part of "Shangrila 2013: Burrito Deluxe" in Joshua Tree.
It's a breezy fall afternoon in Monterey Park at the Vincent Price Art Museum on the campus of East Los Angeles College, where Astri Swendsrud and Quinn Gomez-Heitzeberg stand shoulder to shoulder in black blazers and pants — she's fair, her hair drawn up in a grey kerchief; he's bearded, burly, and bespectacled. On the lapels of both their blazers hang the same insignia — a rectangular strip of red ribbon. Both clutch a pamphlet. This is the text that will lead their performance, a spiritual séance of sorts. The symbols are all in place: the divination tool — a skeletal, rectangular box set on its end, open to the wind with a swaying pendulum inside; a pyramid; and a fire.
Swendsrud and Gomez-Heitzeberg lead the crowd in a call-and-response chant of high-moral recitations: "Let us then be up and doing, with a heart for any fate. Still achieving, still pursuing, learn to labor and to wait." The words are from a text by Andrew Jackson Davis, one of the primary founders of the Spiritualist movement that emerged in the middle of the 19th century. Swendsrud and Gomez-Heitzeberg are more than five years immersed in the study of the Spiritualists' work and writings. They are in an ongoing personal artistic project that is about uncovering and resituating a local past activated by communities like the Spiritualists, where faith and its failed utopias are intertwined. Their performance-based experiments offer a place of opportunity to think about the mechanics of spiritual life anew — in terms of community, metaphysical truths, devotional and moral practice.
Just west of Elysian Park, at the corner of Riverside Drive and Allesandro Street, up a grassy incline and back amongst the sycamores are the ruins of the original Semi-Tropic Spiritualist encampment of Los Angeles. Long ago, at the bucolic "edge" of L.A. where the red line stopped (which is now the neighborhood of Silver Lake), residents would take weekend excursions for recreation, camping and — for a time in the early 20th century — participate in a wildly popular type of spiritual retreat replete with seances, workshops, and lectures by mystics and moral guides (other spiritual groups and their pilgrims gathered at the Riverside Drive site as well during that time). The Spiritualist movement started in 1849 in New York and made its way west through the 1880s. But as it moved towards California, it was dying back east, weighted down by charlatanism and controversies. Business was good for the Spiritualists in Los Angeles from about 1903 to 1915, but the movement left behind very little trace or legacy locally, leaving an obscured understanding of cultural consequences or after effects from the Southern Californian arm of the movement. Preachers the likes of Jackson Davis, however, wrote quite extensively about Spiritualism as a whole, and remnants of the Semi-Tropic Spiritualists do exist today. For the most part, though, the movement was over by 1930.
Swendsrud discovered the Spiritualist movement while researching female mediums of the early 1900s, from a feminist perspective. "These women could go into places of privilege and speak with authority because they were transmitting someone else's voice," she says. Gomez-Heitzeberg, Swendsrud's co-collaborator and husband, was also fascinated by the concepts of the movement. They were both astonished at the dearth of evidence left by L.A.'s Spiritualists despite finding a significant amount of detail about the larger national movement. And when they found that they lived near the original Spiritualist settlement in Silver Lake, says Gomez-Heitzeberg, "We were both so excited about a project based on it. We said, 'We're going to fight about this if we don't do it together.'"
Swendsrud and Gomez-Heitzeberg met at the California Institute of the Arts where they received their master's degrees in fine art. They had collaborated together briefly before 2013 — but since then, their Semi-Tropic Spiritualists project has consumed them both. They continue to research the local metaphysical and spiritual past as they travel to visit the vestiges of other somewhat related mystical groups and sites (Harmony Grove, a Spiritualist community in Escondido, and Lomaland, a Theosophist center in San Diego, are a few) whose combined mission towards spiritual enlightenment and attempts at self-sufficiency are at the core of Swendsrud and Gomez-Heitzeberg's interests.
"We were both exploring ideas of mysticism and our own faith and belief and we needed a structure, the STS story and its history, in a very specific place, gave us a historical background but one that we couldn't really find that much out about, so we borrowed their name, and established ourselves continuing their investigations." But he and Swendsrud aren't just re-activating the old group's ideas, he adds, "We're making our own symbolism and making our own connections to history, spirituality, and place."
"Semi-Tropic Spiritualists Test Site No. 2" was first staged at the Vincent Price Art Museum.
"One of our favorite moments so far was at the Vincent Price Museum," Swendsrud says. That particular performance, "Semi-Tropic Spiritualist Test Site No.2," featured the pair reading Spiritualist texts and asking the audience to participate by chanting a response after each. "It was about building our own fire and our own camp — a space for a shared search for knowledge," Swendsrud says. As the texts were read, they pieced together a nested set of wooden pyramids. With each new level, candles were lit and placed into holders within the structure. As the pyramid grew, so did the rows of candles, upwards with each successive chant. But the day was windy, and the performance was outside. "We were trying to light the candles," says Swendsrud, "and everyone gathered in closer and huddled around so the wind wouldn't blow them out." It was an unplanned but symbolic act of interaction and group participation that Swendsrud says is indicative of the types of communal spiritual cultures that fascinate them.
Swendsrud and Gomez-Heitzeberg are operating within a long history of site-related spirituality in Southern California. Their work fits comfortably into a spiritual regional riff with a varied and storied past: amidst L.A.'s many cults of the deserts and canyons and new religions are spiritual leaders turned criminals, vagabond preachers, exotic faith-healers, and psychics who historically appealed to a diaspora class, those lonely and lost newcomers made vulnerable by the endless sunshine, languor, and vice of Southern California. The two approach the project with a deadpan seriousness that Swendsrud says is passionate and genuine, but admits that the formality of their demeanor — the spiritual chants and matching outfits — puzzle some performance attendees. "At first, people were like, 'Are you guys for real?,'" says Swendsrud. Gomez-Heitzeberg adds, "We really have fun with it, but we believe all the things we say and do." He explains, "When we have our ribbons on and our matching clothes on, it's easy to be earnest with it, and it's also really who we are."
Their first performance acting as the Semi-Tropic Spiritualists, "Test Site No. 1," was part of the 2012 Los Angeles Road Concerts group show, "Mulholland Dérive," which had artists exhibiting interactive pieces at various overlooks on Mullholland Drive. Their divination structure, built like an old-fashioned school room chalk board, offered participants a "view-finder" window into the sprawling landscape below. Through the view-finder, participants could draw out (as if guided mystically with a planchet across a Ouija board) a conscious or unconscious memory of place along the ridges and building outlines of Downtown L.A.
Like the divination board, the objects Swendsrud and Gomez-Heitzeberg design to assist them in their performances are impeccably well-crafted, unsettling, and beautifully simple, utilizing a language of visceral symbology: tarot and ESP cards, obelisks, ringing bells, pyramids, and fires. The motifs take art-going audiences out of their presupposed experience and into a place of arcane meanings that hints at the occult.
"His strengths are in structure and mine are in embellishment," says Swendsrud looking over felt banners with silhouetted palm trees, a hammer, and a burning candle. These will be draped as backdrops in a forthcoming exhibit and performance. "They are modeled after the DIY seasonal felt banners in the Minnesota churches of my youth" she says with a smile. "They are obviously super handmade." Swendsrud provides the graphic design and tactile qualities of the symbol/objects as well as the manuscripts and pamphlets used in performances. Gomez-Heitzeberg, who works as a finish carpenter in addition to his art practice, delivers the architecture of the objects. Together their work expresses a handmade communalism with an un-corporatized authenticity. "We're looking at how objects can function as more than props, but as guides," she adds.
In an exhibit earlier this year, Swendsrud and Gomez-Heitzeberg placed their most-often used symbols — the palm, the pyramid, a piece of fabric from a tent — under glass, treating them more like an archive of the objects intentionally separated from their spiritual uses. They also set up an information kiosk with pamphlets about the movement and a mail-in comment card for those wanting more information. The two say they're planning a more interactive installation for their next foray, one that offers audiences a more participatory role in reading and interpreting their own spiritual state. "We're seeing what happens when we don't heed the warnings of other utopian groups who came before," Gomez-Heitzeberg ruminates, "These are honest questions getting back to the values that we have, and we think a lot of other people have them too."
Top image: "Semi-Tropic Spiritualists Test Site No. 3: The Search For Open Ground" was first staged as part of "Shangrila 2013: Burrito Deluxe" in Joshua Tree.
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