Green Capacity (GC) is a US-based 501(c) (3) not-for-profit corporation formed to ensure a biologically sustainable future. We 1) conduct much-needed research, 2) give national biologists and conservationists the skills they need to preserve biodiversity in their own countries, and 3) ensure information is shared with all relevant parties so that it is translated into action.
Green Capacity received its USA EIN number on 17 March 2010, its domestic non-profit corporation entity number from the state of Pennsylvania on 26 April 2010, and its USA Federal tax exempt status from the Internal Revenue Commission on 25 June 2010.
Green Capacity was formed in large part to support the efforts of the Papua New Guinea (PNG)-based Papua New Guinea Institute of Biological Research (PNGIBR) (www.pngibr.org). Two of our founding board members (Drs. Debra Wright and Andrew Mack) have worked in PNG since 1987, conducting research and training PNG biologists and conservationists. They have led annual month-long training courses for up to 30 university students and conservation/biology professionals since 1996 in field techniques, project design, data analysis, and report write-up (over 360 individuals trained to date), have mentored 24 PNG Honours degree students in collaboration with the University of PNG, and have helped to obtain overseas Masters scholarships for 17 Papua New Guinean biologists. They founded and were co-directors of the PNG Program office for a large international conservation organization from 1999 through 2007. When this international body decided to stop training efforts they joined their former students in creating PNGIBR as an independent PNG-based non-profit. Our third founding board member (Dr. Patrick Osbourne) was Head of the University of Papua New Guinea Biology Department before moving to the US to become a professor at the University of Missouri and Executive Director of the Whitney R. Harris World Ecology Center. He has been a great supporter of higher education in PNG, and five of PNGIBR's staff and students have been mentored by him at the University of Missouri while working on their Masters degrees.
Our Vision is to be a facilitator and driving force behind biological research and education in developing nations, especially PNG, so that people have the knowledge and skills they need to ensure a biologically sustainable and diverse future in their own countries.
Our Mission is to resolve conservation challenges by nurturing biology and conservation professionals in underdeveloped nations through training, mentoring and financial subsidy. Green Capacity also helps to build baseline biological knowledge in underdeveloped nations by conducting and supporting biological research in partnership with national scientists.
Green Capacity works to build human and intellectual capital for a biologically sustainable future by working with the international community. Our target nation is Papua New Guinea, characterized by four criteria: 1) high biodiversity, 2) underdeveloped national scientific community, 3) underdeveloped local educational infrastructure for building scientific capacity, and 4) poorly-known and under-studied biota and ecosystems.
Green Capacity works to correct target nation needs by conducting and supporting scientific research relating to biodiversity, ecosystems and threatened species in partnership with national scientists, and by building indigenous scientific infrastructure through direct educational programs.
Educational programs include holding courses in target nations and sponsoring students to attend classes overseas that they could not attend at their home universities. Courses may be short specific workshops, field courses, semester long classes or degree programs.
We also recognize that mature scientists best develop through a process of mentoring. Young scientists need to work with senior scientists who will guide them in the field or laboratory; they need mentoring to take them through the entire process of conceptualizing and designing research, executing the research, data analysis, and communication of results, both to the scientific community and back to local policymakers. Green Capacity supports young scientists from target nations and partners them with accomplished scientists from their own nation and with scientists from developed nations to obtain intensive mentoring, particularly in the field and laboratory. These mentorships grow a national scientific corps to develop internally-driven high quality science and conservation policy and provide research outcomes to improve conservation and management efforts. Green Capacity also aids promising scientists to attend advanced research and degree programs at top international universities.


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Sports development officers (SDOs) make sure that people of all ages and abilities have the opportunity to take part in sport, develop their skills and lead a healthy lifestyle.
They work with the local community, liaising with clubs and schools, as well as agencies such as the police and sports national governing bodies (NGBs).
Community SDOs are involved in implementing social policy and encouraging greater numbers of people to take part in all aspects of sport. They may work with non-sports partners, developing specialist projects for disengaged groups, such as school truants and young offenders. Along with other bodies, they play an important role in the regeneration of a community.
Sport-specific development officers are linked to particular sports - e.g. rugby or athletics - and help to make sure that there are opportunities for people to participate and compete at the appropriate level. They form a link with county, regional and national teams.
SDOs employed by a local authority usually work a 36-hour week, with flexible working hours and overtime often available. Hours may vary from week to week, and often involve attending meetings and events in the evenings or at weekends.
SDOs split their time between office work and attending venues, community groups, schools, clubs and events.
The work involves regular local travel and may at times involve working outdoors in all weather conditions.
A Sports Development Officer starting as an assistant in a local authority may earn up to £16,700 a year. With a few years' experience they may earn up to £24,000. Managers or heads of sports partnerships may earn up to £40,000.
Many employers provide a car allowance.
Sports Development Officers work for local authorities, the new county sports partnerships and national governing bodies (NGBs). A full list of NGBs is available from UK Sport.
There may also be opportunities in specialist sports colleges and through the school sport co-ordinator network.
Many SDOs are employed on short, fixed-term contracts.
Sports development is one of the fastest growing areas of the sports industry, with jobs available in all areas of the UK.
The decision to award the 2012 Olympics to London means that there is likely to be an increase in opportunities for Sports Development Officers over the coming years. There are currently around 100,000 SDOs working in the UK.
Sources of vacancies include websites run by Sports Coach UK, the Institute for Sport, Parks and Leisure (ISPAL) and Institute of Sport and Recreation Management (ISRM), websites such as www.leisurejobs.com and www.jobswithballs.com and the local government jobs website at www.lgjobs.com.
Specialist magazines and local newspapers may also advertise vacancies.
Although there are no set entry qualifications, the role is increasingly becoming a graduate profession. With a good selection of coaching qualifications, it may be possible to enter at assistant level.
Many jobs specify two years' experience in sports development, and most entrants have experience of voluntary or paid work in coaching, or organising sport at a leisure centre, summer school or holiday camp.
Applicants usually have a first degree in sports development, sports studies, sports science, health and exercise sciences, physical education, or recreation/leisure management.
Entry to degree courses usually requires at least two A levels and five GCSEs (A*-C) or equivalent qualifications.
Some have postgraduate qualifications in subjects such as sports studies, health and exercise sciences or leisure management. Entry would be with a first degree, not necessarily in a sport-related subject.
A BTEC National Award in sport (development and fitness): students need four GCSEs (A*-C), or equivalent qualifications.
Higher National Certificate/Diploma (HNC/D) in sports science, recreation studies, leisure management and leisure studies, or in sports coaching with sports development: applicants usually need one A level and four GCSEs (A*-C) or equivalent qualifications.
NVQs at Level 2 in sport, recreation and allied occupations: coaching, teaching and instructing; or sport, recreation and allied occupations: activity leadership, are useful qualifications.
NVQs at Levels 3 and 4 in operations and development include units specific to sports development.
SkillsActive and the National Association for Sports Development (NASD) are currently developing a new range of qualifications, including a new NVQ Level 3 in sports development.
Coaching qualifications may also be an advantage. They can sometimes be gained as part of a degree or HNC/HND, but most are studied part time.
Experience of working in coaching or local community sports organisations is an advantage. Some entrants have been physical education teachers or lecturers.
Candidates may be able to gain recognition of their skills through Accreditation of Prior Learning (APL).
The ISRM/City & Guilds Higher Professional Diploma covers a wide range of areas, from the sport and recreation environment, to human resources and sport logistics.
The ISRM/City & Guilds Master Professional Diploma is available at Rotherham College of Art and Technology.
ISPAL also runs a series of workshops to support continuing professional development.
Increasingly, SDOs also need knowledge of areas such as finance, marketing and human resources. Training in these areas is often offered on the job.
A positive commitment to sport.
Good interpersonal and listening skills.
A flexible attitude towards working hours.
To be able to control people who are being disruptive.
To be able to make decisions under pressure.
Good ICT and administrative skills.
To reflect the demand for SDOs, many local authorities and NGBs have developed the role of sports development manager, which involves managing a network of SDOs.
Some SDOs may move into leisure management, while others become further involved in community-based work.
Promotion prospects for sport-specific development officers are limited.


text:
"""FeatureColumn serialization, deserialization logic."""

import six

from tensorflow.python.feature_column import feature_column_v2 as fc_lib
from tensorflow.python.feature_column import sequence_feature_column as sfc_lib
from tensorflow.python.ops import init_ops
from tensorflow.python.util import tf_decorator
from tensorflow.python.util import tf_inspect
from tensorflow.python.util.tf_export import tf_export

_FEATURE_COLUMNS = [
    fc_lib.BucketizedColumn, fc_lib.CrossedColumn, fc_lib.EmbeddingColumn,
    fc_lib.HashedCategoricalColumn, fc_lib.IdentityCategoricalColumn,
    fc_lib.IndicatorColumn, fc_lib.NumericColumn,
    fc_lib.SequenceCategoricalColumn, fc_lib.SequenceDenseColumn,
    fc_lib.SharedEmbeddingColumn, fc_lib.VocabularyFileCategoricalColumn,
    fc_lib.VocabularyListCategoricalColumn, fc_lib.WeightedCategoricalColumn,
    init_ops.TruncatedNormal, sfc_lib.SequenceNumericColumn
]

@tf_export('__internal__.feature_column.serialize_feature_column', v1=[])
def serialize_feature_column(fc):
  """Serializes a FeatureColumn or a raw string key.

  This method should only be used to serialize parent FeatureColumns when
  implementing FeatureColumn.get_config(), else serialize_feature_columns()
  is preferable.

  This serialization also keeps information of the FeatureColumn class, so
  deserialization is possible without knowing the class type. For example:

  a = numeric_column('x')
  a.get_config() gives:
  {
      'key': 'price',
      'shape': (1,),
      'default_value': None,
      'dtype': 'float32',
      'normalizer_fn': None
  }
  While serialize_feature_column(a) gives:
  {
      'class_name': 'NumericColumn',
      'config': {
          'key': 'price',
          'shape': (1,),
          'default_value': None,
          'dtype': 'float32',
          'normalizer_fn': None
      }
  }

  Args:
    fc: A FeatureColumn or raw feature key string.

  Returns:
    Keras serialization for FeatureColumns, leaves string keys unaffected.

  Raises:
    ValueError if called with input that is not string or FeatureColumn.
  """
  if isinstance(fc, six.string_types):
    return fc
  elif isinstance(fc, fc_lib.FeatureColumn):
    return {'class_name': fc.__class__.__name__, 'config': fc.get_config()}
  else:
    raise ValueError('Instance: {} is not a FeatureColumn'.format(fc))

@tf_export('__internal__.feature_column.deserialize_feature_column', v1=[])
def deserialize_feature_column(config,
                               custom_objects=None,
                               columns_by_name=None):
  """Deserializes a `config` generated with `serialize_feature_column`.

  This method should only be used to deserialize parent FeatureColumns when
  implementing FeatureColumn.from_config(), else deserialize_feature_columns()
  is preferable. Returns a FeatureColumn for this config.

  Args:
    config: A Dict with the serialization of feature columns acquired by
      `serialize_feature_column`, or a string representing a raw column.
    custom_objects: A Dict from custom_object name to the associated keras
      serializable objects (FeatureColumns, classes or functions).
    columns_by_name: A Dict[String, FeatureColumn] of existing columns in order
      to avoid duplication.

  Raises:
    ValueError if `config` has invalid format (e.g: expected keys missing,
    or refers to unknown classes).

  Returns:
    A FeatureColumn corresponding to the input `config`.
  """
  # TODO(b/118939620): Simplify code if Keras utils support object deduping.
  if isinstance(config, six.string_types):
    return config
  # A dict from class_name to class for all FeatureColumns in this module.
  # FeatureColumns not part of the module can be passed as custom_objects.
  module_feature_column_classes = {
      cls.__name__: cls for cls in _FEATURE_COLUMNS}
  if columns_by_name is None:
    columns_by_name = {}

  (cls,
   cls_config) = _class_and_config_for_serialized_keras_object(
       config,
       module_objects=module_feature_column_classes,
       custom_objects=custom_objects,
       printable_module_name='feature_column_v2')

  if not issubclass(cls, fc_lib.FeatureColumn):
    raise ValueError(
        'Expected FeatureColumn class, instead found: {}'.format(cls))

  # Always deserialize the FeatureColumn, in order to get the name.
  new_instance = cls.from_config(  # pylint: disable=protected-access
      cls_config,
      custom_objects=custom_objects,
      columns_by_name=columns_by_name)

  # If the name already exists, re-use the column from columns_by_name,
  # (new_instance remains unused).
  return columns_by_name.setdefault(
      _column_name_with_class_name(new_instance), new_instance)

def serialize_feature_columns(feature_columns):
  """Serializes a list of FeatureColumns.

  Returns a list of Keras-style config dicts that represent the input
  FeatureColumns and can be used with `deserialize_feature_columns` for
  reconstructing the original columns.

  Args:
    feature_columns: A list of FeatureColumns.

  Returns:
    Keras serialization for the list of FeatureColumns.

  Raises:
    ValueError if called with input that is not a list of FeatureColumns.
  """
  return [serialize_feature_column(fc) for fc in feature_columns]

def deserialize_feature_columns(configs, custom_objects=None):
  """Deserializes a list of FeatureColumns configs.

  Returns a list of FeatureColumns given a list of config dicts acquired by
  `serialize_feature_columns`.

  Args:
    configs: A list of Dicts with the serialization of feature columns acquired
      by `serialize_feature_columns`.
    custom_objects: A Dict from custom_object name to the associated keras
      serializable objects (FeatureColumns, classes or functions).

  Returns:
    FeatureColumn objects corresponding to the input configs.

  Raises:
    ValueError if called with input that is not a list of FeatureColumns.
  """
  columns_by_name = {}
  return [
      deserialize_feature_column(c, custom_objects, columns_by_name)
      for c in configs
  ]

def _column_name_with_class_name(fc):
  """Returns a unique name for the feature column used during deduping.

  Without this two FeatureColumns that have the same name and where
  one wraps the other, such as an IndicatorColumn wrapping a
  SequenceCategoricalColumn, will fail to deserialize because they will have the
  same name in columns_by_name, causing the wrong column to be returned.

  Args:
    fc: A FeatureColumn.

  Returns:
    A unique name as a string.
  """
  return fc.__class__.__name__ + ':' + fc.name

def _serialize_keras_object(instance):
  """Serialize a Keras object into a JSON-compatible representation."""
  _, instance = tf_decorator.unwrap(instance)
  if instance is None:
    return None

  if hasattr(instance, 'get_config'):
    name = instance.__class__.__name__
    config = instance.get_config()
    serialization_config = {}
    for key, item in config.items():
      if isinstance(item, six.string_types):
        serialization_config[key] = item
        continue

      # Any object of a different type needs to be converted to string or dict
      # for serialization (e.g. custom functions, custom classes)
      try:
        serialized_item = _serialize_keras_object(item)
        if isinstance(serialized_item, dict) and not isinstance(item, dict):
          serialized_item['__passive_serialization__'] = True
        serialization_config[key] = serialized_item
      except ValueError:
        serialization_config[key] = item

    return {'class_name': name, 'config': serialization_config}
  if hasattr(instance, '__name__'):
    return instance.__name__
  raise ValueError('Cannot serialize', instance)

def _deserialize_keras_object(identifier,
                              module_objects=None,
                              custom_objects=None,
                              printable_module_name='object'):
  """Turns the serialized form of a Keras object back into an actual object."""
  if identifier is None:
    return None

  if isinstance(identifier, dict):
    # In this case we are dealing with a Keras config dictionary.
    config = identifier
    (cls, cls_config) = _class_and_config_for_serialized_keras_object(
        config, module_objects, custom_objects, printable_module_name)

    if hasattr(cls, 'from_config'):
      arg_spec = tf_inspect.getfullargspec(cls.from_config)
      custom_objects = custom_objects or {}

      if 'custom_objects' in arg_spec.args:
        return cls.from_config(
            cls_config,
            custom_objects=dict(
                list(custom_objects.items())))
      return cls.from_config(cls_config)
    else:
      # Then `cls` may be a function returning a class.
      # in this case by convention `config` holds
      # the kwargs of the function.
      custom_objects = custom_objects or {}
      return cls(**cls_config)
  elif isinstance(identifier, six.string_types):
    object_name = identifier
    if custom_objects and object_name in custom_objects:
      obj = custom_objects.get(object_name)
    else:
      obj = module_objects.get(object_name)
      if obj is None:
        raise ValueError(
            'Unknown ' + printable_module_name + ': ' + object_name)
    # Classes passed by name are instantiated with no args, functions are
    # returned as-is.
    if tf_inspect.isclass(obj):
      return obj()
    return obj
  elif tf_inspect.isfunction(identifier):
    # If a function has already been deserialized, return as is.
    return identifier
  else:
    raise ValueError('Could not interpret serialized %s: %s' %
                     (printable_module_name, identifier))

def _class_and_config_for_serialized_keras_object(
    config,
    module_objects=None,
    custom_objects=None,
    printable_module_name='object'):
  """Returns the class name and config for a serialized keras object."""
  if (not isinstance(config, dict) or 'class_name' not in config or
      'config' not in config):
    raise ValueError('Improper config format: ' + str(config))

  class_name = config['class_name']
  cls = _get_registered_object(class_name, custom_objects=custom_objects,
                               module_objects=module_objects)
  if cls is None:
    raise ValueError('Unknown ' + printable_module_name + ': ' + class_name)

  cls_config = config['config']

  deserialized_objects = {}
  for key, item in cls_config.items():
    if isinstance(item, dict) and '__passive_serialization__' in item:
      deserialized_objects[key] = _deserialize_keras_object(
          item,
          module_objects=module_objects,
          custom_objects=custom_objects,
          printable_module_name='config_item')
    elif (isinstance(item, six.string_types) and
          tf_inspect.isfunction(_get_registered_object(item, custom_objects))):
      # Handle custom functions here. When saving functions, we only save the
      # function's name as a string. If we find a matching string in the custom
      # objects during deserialization, we convert the string back to the
      # original function.
      # Note that a potential issue is that a string field could have a naming
      # conflict with a custom function name, but this should be a rare case.
      # This issue does not occur if a string field has a naming conflict with
      # a custom object, since the config of an object will always be a dict.
      deserialized_objects[key] = _get_registered_object(item, custom_objects)
  for key, item in deserialized_objects.items():
    cls_config[key] = deserialized_objects[key]

  return (cls, cls_config)

def _get_registered_object(name, custom_objects=None, module_objects=None):
  if custom_objects and name in custom_objects:
    return custom_objects[name]
  elif module_objects and name in module_objects:
    return module_objects[name]
  return None

redpajama_set_name: RedPajamaGithub


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Trouble in Paradise (1932) is generally considered producer/director Ernst Lubitsch's greatest film - and his own personal favorite of all his works. The screenplay by Grover Jones and Samson Raphaelson, about a pair of sophisticated thieves (played exquisitely by Herbert Marshall and Miriam Hopkins), was based on the play The Honest Finder, by Aladar Laszlo (incorrectly transposed in the credits). The two swindlers travel together from Venice to Paris, where they competitively target the wealthy, female owner (Francis) of a perfume business for their next heist by both becoming her confidante-secretary and assistant secretary/maid. Romantic entanglements jeopardize their larcenous plans.
This treasured comic film masterpiece, a pinnacle of sophisticated romantic comedy, beautifully epitomizes the "Lubitsch Touch" with its flair for pre-Hays Code sexual comedy, witty innuendo-filled, suggestive dialogue, orchestrated grace and charming style, subtle use of details, and sardonic humor. Lubitsch's Trouble in Paradise was his first non-musical sound comedy.
The "trouble in paradise" - soon to be revealed - is embodied in the form of two masquerading, international jewel thief-swindlers/crooks (and former lovers) who practice their deceptive occupation among the upper-class elite of European society from Venice to Paris - the two foreign locales in which the film is set.
The film has two sections - beginning with a fairly brief prologue in Venice. It opens with a realistic view of a back porch in a dark, back alley with brick walls, a garbage pail by a door, and a dog sniffing at the trash. An ordinary garbage collector enters from the right of the frame and picks up the can. As the camera follows him, he carries the garbage can to the side of a Venetian canal - the first identification that the setting is Venice, and dumps the garbage bin onto the heap already forming on his gondola. [The film deliberately contrasts appearance with reality - the normally-romantic, glamorous setting of canals in Venice is really the setting for the mundane collection of garbage.] As he pushes off, the gondolier's voice breaks out singing in the film's first musical introduction. He sings, a capella, a romantic barcarolle titled "O Sole Mio" (in the voice of famous Italian tenor Enrico Caruso).
Inside a darkened hotel room closeby, the doorbell rings impatiently, the figure of a man flees over a balcony, and casts a suspicious shadow on a lower wall (as the man removes a facial disguise). The camera pans back to glimpse the legs of a body lying on the floor. A crime has been committed. Two Italian women (prostitutes) at the door wonder to themselves why no one is answering and letting them in. The semi-conscious man struggles to pick himself up from the floor.
Waiter: Yes, Baron. What should we start with, Baron? Hmm?
Gaston: Oh yes. That's not so easy. Beginnings are always difficult.
Gaston: If Casanova suddenly turned out to be Romeo having supper with Juliet, who might become Cleopatra, how would you start?
Waiter: I would start with cocktails.
Gaston: "It must be the most marvelous supper. We may not eat it, but it must be marvelous."
Gaston: "You see that moon?"
Gaston: "I want to see that moon in the champagne."
Waiter: (repeating) "Yes baron. Moon in champagne."
The waiter removes a tiny leaf that has adhered to Gaston's clothing - his successful thievery has left a tell-tale sign.
A telephone switchboard operator receives a call from Room 253/9 of the hotel - the word is quickly spread from the manager to hotel employees that there has been a robbery in royal suite 253-5-7-9 (four rooms made into an ultra-luxurious, expensive suite only affordable by the wealthy).
Lily: You know, when I first saw you, I thought you were an American.
Lily: Someone from another world - so entirely different. Oh! One gets so tired of one's own class - princes and counts and dukes and kings! Everybody talking shop. Always trying to sell jewelry. Then I heard your name and found out you were just one of us.
A telephone call for the "countess" unmasks her pretentious, but glorious show of social elitism. Although she appears to be engaged in a high-society conversation with the Dutchess of Chambro, the camera cuts to a view of the caller - an unkempt older woman in pajamas who complains about Lily's dog. Following the call, Lily complains to Gaston about how "the scandal is on" already, and she collapses on the sofa.
In another part of the hotel, police and hotel managers have gathered to interrogate Monsieur Francois Filiba (Edward Everett Horton) and reconstruct the robbery. The absurdist scene, in which the camera pans back and forth between the Italian police and the robbery victim, is half-played in Italian. As Filiba explains how he was knocked out and robbed of 20,000 lira by a fake, mustached/side-burned doctor who appeared at his door, his words are excitably translated and elaborated upon by the hotel manager to a group of equally-astonished and excitable Italian policemen.
Hotel Manager: The representative of police would like to know if there is anything wrong with your tonsils, Monsieur Filiba?
Hotel Manager: What did you talk about, Monsieur Filiba?
Hotel Manager (to Police): Tonsille!
The Chorus of Police: Tonsille!
Filiba: So then I said to myself, all right, if he wants to look at them, let him look at them. There's no harm in that. Then he said, 'Say 'AH!' And so I said, 'Ah!' And that's all I remember. When I woke up, I still had my tonsils, but my pocketbook was gone.
Gaston: That's hotel life. In one room, a man loses his wallet, and in another room, a man loses his head.
Lily: Please! When I came here, it was for a little adventure, a little game which you play tonight and forget tomorrow. Something's changed me; and it isn't the champagne. Oh, the whole thing's so new to me. I have a confession to make to you. Baron, you are a crook. You robbed the gentleman in 253, 5, 7, and 9. May I have the salt.
Gaston: (as he passes the salt) Please.
Gaston: You're very welcome. Countess, believe me, before you left this room I would have told you everything. And let me say this with love in my heart. Countess, you are a thief. The wallet of the gentleman in 253, 5, 7, and 9 is in your possession. I knew it very well when you took it out of my pocket. In fact, you tickled me. But your embrace was so sweet.
Suddenly, Gaston leaves the table to lock the door, pocket the key, and pull the curtains. He then pulls nimble-fingered Lily up to her feet and grabs her by the shoulders, appearing to be overcome with passion. But he does the unexpected - he violently shakes her like a rag doll - until the wallet, in a close-up of her feet, falls to the floor from under her dress. He pockets the wallet and graciously re-seats her at the table. Her theft of his wallet initiates their affair together.
Lily: I like you, Baron.
Lily: (after suddenly noticing she's missing it) Thank you, Baron.
Gaston: Not at all. There's one very good stone in it.
Lily: Darling! (excitedly, she rises and kisses him, flinging herself into his arms) Oh now, darling. Tell me, tell me all about yourself. Who are you?
Gaston: You remember the man who walked into the Bank of Constantinople, and walked out with the Bank of Constantinople?
I love you. I loved you the moment I saw you. I'm mad about you. My little shoplifter. My sweet little pickpocket. My darling.
The couple's images slowly dissolve, and magically vanish and disappear, leaving an empty sofa in the twilight. The room's light is switched off, and a sign is hung on the door: "Do Not Disturb." The camera lingers for a moment or two on the door, a subtle suggestion of what might happen next. A view of the singing gondolier/garbage collector moving through the narrow canal ends the opening sequence in Venice.
The remainder of the film's narrative is set in Paris. In the next scene, a clever transitionary scene from Venice to Paris, a Morse-Code like radio-transmitted signal is beamed from the top of a technology-transformed Eiffel Tower (viewed at night) - the signals shoot out like bolts of lightning (similar to the RKO Pictures opening trademark). The Paris police reporter in the comically-exaggerated radio broadcast (a program sponsored by Colet & Cie, manufacturers of perfume) announces that in Geneva, "the famous international crook Gaston Monescu robbed the Peace Conference yesterday. He took practically everything except the peace." The police arrested him and confiscated the stolen goods, but he managed to escape "in an inexplainable manner." The newscast connects the first section of the film with the second.
Remember, it doesn't matter what you say, it doesn't matter how you look, it's how you smell.
- a wall with a sign advertising "Colet & Cie, Paris, Parfumeries"
Unfortunately Monsieur Giron, business bores me to distraction. Besides, I have a luncheon engagement, so I think we'd better leave the salaries just where they are. Goodbye.


Rubio's first season with the Jazz has been a struggle, resulting in him averaging a career-low 5.0 assists per game. His overall numbers lately have been better though, averaging 13.2 points, 6.0 rebounds, 6.5 assists and 1.2 steals in his last six games. Friday brings an excellent matchup against the Suns who play at the third-fastest pace (102.1 possessions per game) and allow the most points per game (111.8) in the league. You shouldn't expect Rubio to put up a ton of points, but he can contribute enough across the board to provide value.
Fox had possibly his best month of the season in January, averaging 14.1 points, 2.2 rebounds, 5.2 assists, 1.1 steals and 1.2 three-pointers in 14 games. It's no coincidence that he averaged 30 minutes per game during the month, which is at least three minutes more per contest than any of the previous three months. With the Kings declaring they are going to give their young players more minutes, this is a trend that should continue for Fox down the stretch. With added opportunities to produce against a Warriors team that plays at the second-fastest pace (102.4) in the league Friday, Fox is worth consideration for your entry.
Batum has always had the ability to contribute excellent all-around numbers, but he's struggled to adjust to an elbow injury and the addition of Dwight Howard for much of this season. However, he's showing signs of coming out of his funk, even posting a triple-double Wednesday against the Hawks. He also played well against these same Pacers on Monday, scoring 22 points to go along with four rebounds, two assists, and five three-pointers. He's played at least 34 minutes in three straight games, which is great news considering he's more of a stat compiler as opposed to excelling in any one category. His price is climbing, but it's still low enough to make him a viable option Friday.
This could be an ugly game for the Bucks. Eric Bledsoe (ankle) was unable to play Thursday against the Timberwolves and Malcolm Brogdon (quad) also suffered an injury that should keep him out Friday at the very least. To make matters worse, Giannis Antetokounmpo twisted his ankle late in the game. If all three players are ruled out Friday, Snell is going to see a significant increase in playing time. Even if Bledsoe is able to return, Snell should play a lot if both Brogdon and Giannis can't take the floor. Keep an eye on the Bucks' injury updates leading up to this game because even though Snell is not a great offensive player, the added minutes alone can give him value at this dirt cheap price.
The Nets will continue to be thin up front Friday with Ronda Hollis-Jefferson (groin) still out. In the last three games that Hollis-Jefferson has missed, Carroll is averaging 13.3 points, 4.3 rebounds, 3.0 assists and 1.7 three-pointers per contest. He doesn't have a ton of scoring upside, but he does have a favorable matchup against the Lakers who play at the fastest pace (103.2) and are tied for the third-most points allowed per game (110.3) in the league. At this reasonable price, Carroll is worth consideration.
Jackson is starting to see more consistent playing time, logging at least 28 minutes in three of the last four games. He's made the most of his opportunity, averaging 19.7 points, 8.0 rebounds and 1.3 three-pointers in those three contests. The Suns just lost Isaiah Canaan (ankle) for the season, which should also help free up some minutes for Jackson. He has excellent upside, making him someone to strongly consider for your entry.
Young is getting plenty of playing time for the Pacers, logging at least 35 minutes in seven of his last nine games. He doesn't always score a lot, but he has managed to produce at least 16 points in three of his last five games. He's also provided a boost in value with his defensive contributions, recording at least two steals in seven of his last eight games. The Hornets don't have much depth at power forward with Marvin Williams (ankle) out, leaving Young with an opportunity to provide value Friday.
Henson doesn't put up crazy numbers, but the Bucks have very little talent at center, leaving him with extended playing time. He's not only scored at least 10 points in seven straight games, but he is also averaging 6.4 rebounds during that stretch. The Knicks have a lot of size up front, likely leaving Henson with another significant role Friday. His upside isn't that high, but that doesn't mean he's not someone to consider at this cheap price. Of note, Henson is only power forward eligible on FanDuel as he is eligible only at center on DraftKings.
Randle enters Friday averaging 18.4 points, 10.2 rebounds, and 3.0 assists in his last five games. Brook Lopez has logged 15 minutes or less in three of those five contests, leaving Randle with added playing time. Randle has the third-highest usage rate (24.7%) on the team, so the added playing time is significant for his upside. The Nets allow the most points per game on both FanDuel and DraftKings to opposing centers, so don't hesitate to play Randle.
After playing at least 24 minutes in back-to-back games, Okafor took a back seat to Jarrett Allen on Wednesday, playing just 14 minutes. Although Allen played well in that game, he too has been inconsistent this season. Okafor actually has a 20.5% usage rate since being traded to the Nets, so he does have upside when he gets playing time. It's tough to go with a player in an uncertain role like Okafor's, but he might be worth the risk if you are looking for a really cheap center.
The post NBA Daily Fantasy Basketball Sleepers for 2/2/18 appeared first on Lineuplab.


GE Neuro is the latest experiencial VR short from Kite & Lightning. It uses a number of advanced techniques and a strong creative vision to leave an impact.
Senza Peso, The Station and The Cave all remain fan favourites. I was a little disappointed with the last release – a VR promotion for the movie Insurgent – however, their latest demo for the DK2 is a true return-to-form, demonstrating a number of powerful techniques all executed to an incredibly high standard.
Forgettably named, GE Neuro, takes us on a tour of the brain of Ladytron keyboardist, Reuben Wu. Every element of the tour is striking; although, it has to be said that there are better demoes available for actually learning about the insides of the human body, as there's a reasonably sized dollop of nonsense alongside the science on display here. Nonetheless, Neuro, demonstrates some powerful techniques that could be used to create something extremely educational – and perhaps even medically useful. Kite and Lightning clearly want to entertain, first and foremost, though.
The experience opens with you standing in front of an incredibly lifelike, if static, photoscan of Reuben. A Ghostly blue AI face appears to your right to talk you through the journey you're about to undertake. This guide turns to face you and even features some quite reasonable lip-sync; which is always a treat in VR. Most imperfections in the animation of this head are masked by its translucent, other-worldly appearance – a smart design decision to evade the uncanny valley.
Neuro offers more than just photoscans of Reuben, though – you're also able to examine a real MRI scan of the musician. The scan is rendered in such a way that you can peer into it, to see the MRI cross-section of the brain. This may be the least flashy part of the experience but it's fascinating and arguably the bit most loaded with potential.
After a short pre-amble, we get shrunk down to a tiny size, in order to physically enter Reuben's head. It's an exhilarating example of manipulating scale, and does a great job of showcasing the skin detail of the Rueben photoscan.
An on-the-rails tour of Rueben's rather abstracted imagination see's you floating past orbs that become transparent upon gazing at them. They reveal motion-captured dancing mannequins performing a variety of different moves – and inviting you to look all around. It's technically accomplished and makes for a captivating spectacle, in the context of real MRI scans and lessons about Neurons, it is also somewhat hokey.
Less showy, but arguably much more inspiring is the fireworks display of firing neurons that follows. I've seen one or two 'go inside the human brain' experiences, but this segment of Neuro is easily the most beautiful.
Once again, Kite and Lighting have demonstrated an ability to craft a highly memorable 10-minute experience using cutting edge techniques and a strong creative vision; making it look easy. It doesn't have quite the same impact as Senza Peso but that is mostly due to high expectations and the lack of a sweeping operatic score – photoscanned and motion captured models feel like a better bet for the long-term of VR than previous efforts with video captured characters. GE Neuro gestures at the shape of things to come and I'd highly recommend checking it out.
Edmund Ward is a philosophy graduate who has focused on aesthetics and cultural critique in the information age. He grew up with 'the dream of the holodeck' and is prone to get very excited by new innovations in natural user-interfaces. Edmund is currently looking for volunteers to look after the glucose drip that will sustain his "fleshform" (as he insists on calling it) when he migrates permanently to VR.


It's springtime, which probably means you are getting out your sandals and wearing them with skirts, dresses and capri pants. It also means you're probably rocking a great pedicure or some fabulous toe nail art.
If you need some new sandals this year, you are going to love the ones on this list. Each pair will look great with your favorite springtime clothes and will let you show off your toes all season long.
These might be an investment, but you are going to love the way they look on you.
These would look fantastic with a skirt or sundress.
What would you wear these great sandals with?
These are the perfect sandals for showing off your springtime pedicure.
Going casual today? These are the perfect sandals for you.
These sandals will let you show off your toes in are super comfortable at the same time.
These sandals definitely top my list of must haves for this summer.
These are great because they are comfy and neutral enough to wear with anything in your closet.
What could be more perfect than wearing these sandals with a great pair of shorts?
I think I would wear these sandals with hot pink toe nail polish. What about you?
I love these! They'll show off your toes and look springtime perfect with skirts and dresses.
Aren't these fabulous? Turquoise toe nail polish will look wonderful with them.
These are casual and they can go with fancier clothes too. Perfect!
These are simple, but comfortable and make it easy to show off your springtime pedicure.
The pretty white color of these totally enhances your toe nail color and matches any outfit you want to put on.
Do you love these as much as I do?
These are the most wonderful way to add some color to your wardrobe and show off your toes at the same time.
Which pair is your favorite? What color are your toes painted?


text:
8 Americans among 157 people killed in Ethiopian Airlines crash: Officials
Posted on: March 10th, 2019	by ABC News	No Comments
ABC News(ADDIS ABABA, Ethiopia) — An Ethiopian Airlines with 157 people on board, including eight Americans, crashed Sunday just minutes after taking off from Ethiopia's capital, according to the airline and reports.
Everyone on board was presumed dead, Ethiopian Airlines said in a statement. The country's state broadcaster said all of the passengers perished in the crash, according to the Associated Press.
"At this time search and rescue operations are in progress and we have no confirmed information about survivors or any possible casualties," the airline said.
Flight ET302 took off from Bole International Airport in Addis Ababa at 8:38 a.m. local time, the company said. Its destination was Nairobi, Kenya, according to the airline.
It lost contact six minutes later, according to the airline's statement.
There were believed to be 149 passengers and 8 crew members on board, the airline said. However, it said it was "confirming the details of the passenger manifest for the flight."
In addition to the eight victims from the United States, the AP reported that there were 32 Kenyans and nine Ethiopians on board; eight people from China and Italy; seven passengers each from France and Britain; six from Egypt; five from the Netherlands; and four each from India and Slovenia.
The U.S. Embassy said it was aware of the crash, and released a statement before it was announced that there victims from the United States. The embassy is working with the Ethiopian government to identify Americans who were on the flight, it said in a statement.
"We extend our sincerest sympathies to all who are impacted by this tragic event," it said in a statement. "We are in contact with the Government of Ethiopia and Ethiopian Airlines to offer all possible assistance, and to determine the status of any Americans who may have been on board."
The bodies will be delivered to the families of the victims once they are identified, Ethiopian Airlines said in a statement, adding that it has already been in contact with the families of victims.
The plane was a new Boeing 737 Max 8, the same type of plane that crashed in Indonesia in November, killing the 189 people on board. It started service in May 2017.
Boeing said it was "deeply saddened" about the crash.
"We extend our heartfelt sympathies to the families and loved ones of the passengers and crew on board and stand ready to support the Ethiopian Airlines team," the company said in a statement.
The National Transportation Safety Board said it is sending a team of four to assist in the investigation. The Federal Aviation Administration announced that it plans to join the NTSB in its assistance with Ethiopian civil aviation authorities to investigate the crash.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: AGOL WebApp for offline use I'm building an app with the Web AppBuilder of ArcGIS Online.
I heard it would be possible to download the app so that it could be used offline or deployed on another server. In my case, i would just need to be able to use it offline.
I managed to download the app which gave me a zip folder but once it's done i have no idea what to do with all these files to be able to visualize the app. I have very basic notions of HTML/CSS only. I opened the index.html file but i receive this error message: "Unable to load config.json?wab_dv=2.15 status: 0"
Does anyone have any leads to share?

redpajama_set_name: RedPajamaStackExchange


Thanks so much, Dan, for the feature in Premium FAA Artists! I'm honored and delighted!
Thanks so much, John, for the feature in Images That Excite You! I'm delighted!!
Mother and daughter enjoy the surf in late afternoon with a spectacularly beautiful sunset reflected in the ocean.


text:
Year : 2019 | Volume : 8 | Issue : 3 | Page : 161--171
Imaging of infracolic and pelvic compartment by linear EUS
Malay Sharma1, Amol Patil1, Avinash Kumar1, Amit Pathak1, Piyush Somani1, Srijaya S Sreesh2, Chittapuram Srinivasan Rameshbabu3,
1 Department of Gastroenterology, Jaswant Rai Speciality Hospital, Meerut, Uttar Pradesh, India
2 Department of Gastroenterology, Government Medical College, Thiruvananthapuram, Kerala, India
3 Department of Anatomy, Muzaffarnagar Medical College, Muzaffarnagar, Uttar Pradesh, India
Dr. Malay Sharma
Jaswant Rai Speciality Hospital, Meerut - 250 001, Uttar Pradesh
The peritoneal cavity is subdivided into supracolic and infracolic compartments by transverse mesocolon, which attaches the colon to the posterior abdominal wall. Infracolic compartment is subdivided into right and left compartment by small bowel mesentery. Left infracolic space freely communicates with pelvic compartment. The infracolic compartment contains the coils of small bowel which is separated from paracolic gutter on either side by ascending and descending colon. Pelvic compartment mainly contains bladder, rectum and genital organ (prostate, seminal vesicle in male and uterus in female). The evaluation of different compartments of peritoneum is gaining importance in multimodality imaging. It has become essential that clinicians and endosonographers thoroughly understand the peritoneal spaces and the ligaments and mesenteries that form their boundaries in order to localize disease to a particular peritoneal/subperitoneal space and formulate a differential diagnosis on the basis of that location. In this article we describe the applied EUS anatomy of peritoneal ligaments, infracolic and pelvic compartments of peritoneum and there technique of imaging from stomach, duodenum, sigmoid colon and rectum. Imaging from stomach images the infracolic compartment through transverse mesocolon, imaging from duodenum images the infracolic compartment through the mesentery and imaging from rectum and sigmoid images the infracolic and pelvic compartments through the sigmoid mesocolon and pelvic peritoneum.
Sharma M, Patil A, Kumar A, Pathak A, Somani P, Sreesh SS, Rameshbabu CS. Imaging of infracolic and pelvic compartment by linear EUS.Endosc Ultrasound 2019;8:161-171
Sharma M, Patil A, Kumar A, Pathak A, Somani P, Sreesh SS, Rameshbabu CS. Imaging of infracolic and pelvic compartment by linear EUS. Endosc Ultrasound [serial online] 2019 [cited 2019 Jul 15 ];8:161-171
Available from: http://www.eusjournal.com/text.asp?2019/8/3/161/258797
The peritoneal cavity is subdivided into supracolic and infracolic compartments by transverse mesocolon, which attaches the colon to the posterior abdominal wall.[1] The supracolic compartment contains the liver, spleen, stomach, and lesser omentum.[2],[3],[4] The infracolic compartment contains the coils of small bowel surrounded by the ascending, transverse, and descending colon [Figure 1] and [Figure 2].[3],[4] The evaluation of different compartments of the peritoneum is gaining importance in multimodality imaging.[5],[6],[7],[8],[9] The applied EUS anatomy of the peritoneal ligaments has been described.[10] In this review, we describe the applied EUS anatomy of infracolic and pelvic compartments of the peritoneum. Some of the images have been taken in patients of ascites to aid description of different compartments. Few images of radial EUS and computer tomography scan have been included, and the transverse mesocolon, mesentery (of the small bowel), and pelvic peritoneum are discussed.{Figure 1}{Figure 2}
The transverse mesocolon
The base of the transverse mesocolon lies horizontally across the duodenum and pancreas. To the right of the pancreas, this attachment line crosses the vertical segment of the duodenum and terminates at the hepatic flexure, whereas on the left, it terminates at the splenic flexure [Figure 2]. The upper limit of the infracolic compartment is the transverse colon, and the lower limit is in communication with the pelvis [Figure 1].
The spaces related to transverse mesocolon
The ascending, transverse, and descending colon enclose the central compartment. The right and left paracolic gutters are located lateral to the ascending and descending colon [Figure 3]. The right paracolic gutter is larger than left and both communicate with the pelvis. The right paracolic gutter communicates superiorly with the right intrahepatic space and thus connects the hepatorenal recess and rectovesical/rectouterine pouch of Douglas with each other in male and female, respectively [Figure 4]. The left paracolic gutter is separated from the left supracolic space by the phrenicocolic ligament, which is present near the lower pole of the spleen [Figure 3]. A similar kind of supporting ligament is not found near the hepatic flexure on the right side.{Figure 3}{Figure 4}
Imaging from stomach
Imaging of the infracolic compartment below the level of transverse mesocolonis possible through the posterior, inferior, and lateral wall of the stomach [Figure 5]. When imaging is done through the lateral wall of the stomach, the lower pole of the spleen and the inferior margin of the liver can be identified. In the presence of ascites, the paracolic gutters can be identified below the lower pole of the spleen and the inferior margin of the liver [Figure 6]. The hepatic and splenic flexures of the colon may be localized on the undersurface of the liver and spleen, respectively. In this position, limited evaluation of air-filled transverse colon is possible [Figure 7], [Figure 8], [Figure 9]. When the imaging beam is directed posteroinferiorly through the wall of the stomach, visualization of the small bowel loops of infracolic compartment is possible through the transverse mesocolon below the inferior border of the pancreas [Figure 10]a and [Figure 10]b.{Figure 5}{Figure 6}{Figure 7}{Figure 8}{Figure 9}{Figure 10}
Imaging from duodenum
Imaging of the transverse mesocolon and greater omentum is possible from the second and third parts of the duodenum [Figure 11]. The branches arising from the superior mesenteric artery (SMA), and the tributaries joining the superior mesenteric vein (SMV) can be located from this position. Identification of the mesenteric and antimesenteric borders of the vessels helps in further evaluation. The mesenteric border is identified by the presence of fan-shaped jejunal and ileal vessels. The transverse mesocolon is identified after following the middle colic artery, which is the second branch of the SMA arising from the antimesenteric border [Figure 12], [Figure 13], [Figure 14], [Figure 15].{Figure 11}{Figure 12}{Figure 13}{Figure 14}{Figure 15}
The mesentery
The first 2 cm of the first part of the duodenum is intraperitoneal and lies in the supracolic compartment where it is surrounded by the lesser omentum above and the greater omentum below. The duodenum passes horizontally from the right to the left side of the infracolic compartment in front of the third lumbar vertebra and reaches the duodenojejunal flexure on the left side of the third lumbar vertebra [Figure 16]. The second part of duodenum passes behind the transverse mesocolon. The second part of the duodenum above the transverse mesocolon is related to supracolic compartment and the part below the second part of duodenum is related to infracolic compartment [Figure 16]. The mesentery and the mesenteric vessels are the most important home bases of imaging from the infracolic compartment. The mesentery is attached diagonally across the posterior wall of the infracolic compartment from the left side of L2 to the front of the right sacroiliac joint, extending from the duodenojejunal flexure to the ileocecal junction [Figure 16].{Figure 16}
The spaces related to mesentery
The root of the mesentery acts as the divider of the infracolic compartment into right and left infracolic spaces, and generally, the imaging of SMA is possible at the point of origin from the third part of the duodenum [Figure 17]. The apex of the triangular right infracolic space lies between the root of the mesentery, ascending colon, right two-third of the transverse colon, and transverse mesocolon. The base of the left infracolic space is directed downward and lies between root of the mesentery, descending colon, left one-third of the transverse colon, and transverse mesocolon. In the left iliac fossa, the infracolic compartment is limited inferiorly by the sigmoid colon and its mesentery, the sigmoid mesocolon [Figure 2]. The apex of the triangular right infracolic space lies at the ileocecal junction which separates it from the pelvic peritoneal spaces. It communicates with the left infracolic space toward the left side of attachment of root of the mesentery. The left infracolic space widens below and freely communicates with the pelvic peritoneal spaces through the pelvic inlet [Figure 2].{Figure 17}
Imaging of the infracolic compartment is possible from the stomach through the gastrocolic ligament, which is identified on the greater curvature of the stomach. Gastrophrenic, gastrosplenic, and gastrocolic ligaments are attached to the greater curvature. During imaging from the stomach, when the diaphragm is seen, it shows the gastrophrenic ligament; when the spleen is seen, it shows the gastrosplenic ligament; and on continued rotation, when the lower border of the spleen is seen, it starts showing the gastrocolic ligament. The presence of parallel mesenteric vessels (SMA and SMV) which cross the uncinate process together and enter the mesentery is seen as the main home base [Figure 18] and [Figure 19]a. SMV can be followed down from the portal venous confluence [Figure 12]. A clockwise rotation from this position can trace the left infracolic compartment. The structures of the left infracolic compartment visualized during clockwise rotation are aorta and left kidney in front of the psoas major [Figure 19]b, [Figure 19]c, [Figure 19]d. On counterclockwise rotation, the inferior vena cava (IVC) and right kidney can be seen [Figure 20] and [Figure 21].{Figure 18}{Figure 19}{Figure 20}{Figure 21}
The numerous coils of the jejunum fill the upper part of the infracolic compartment, whereas the coils of the ileum fill the lower part of the infracolic compartment and pelvis [Figure 22]. The mesentery contains the blood vessels, lymphatics, and lymph nodes embedded in fat [Figure 23] and [Figure 24]. The root of the mesentery has right and left laminas. A clockwise rotation with the root of the mesentery and mesenteric vessels as a neutral home base will show the right peritoneal lamina and the right infracolic compartment and counterclockwise rotation will show the left peritoneal lamina and left infracolic compartment. The upper part of the right peritoneal lamina covers the pancreas and duodenum, and the lower part of the right peritoneal lamina covers the right ureter, the lower pole of the right kidney, and muscles of the posterior abdominal wall. Since the mesentery lies obliquely, the right lamina also covers the upper part of the IVC and aorta [Figure 2]. The left peritoneal lamina is continuous with the parietal peritoneum of an extensive quadrangular area that leads down into the pelvis. In this area, of the left infracolic compartment, retroperitoneal structures include the lower pole of the left kidney, the left ureter, the lower part of the IVC and the aorta, and both the left and right common iliac vessels [Figure 25]. The division into the right and left infracolic compartments help in factual understanding of the anatomical details.{Figure 22}{Figure 23}{Figure 24}{Figure 25}
The pelvic peritoneum and sigmoid mesocolon
The imaging of peritoneal cavity can be done from the middle and upper parts of the rectum and sigmoid colon. The peritoneal reflections near the rectum are different in males and females due to the presence of organs of reproduction. In males, the peritoneum covers the upper two-third of the anterior and upper one-third of the lateral surfaces of the rectum. The peritoneum sweeps forward from the rectum to the bladder and in this process dips slightly downward to the level of upper end of the seminal vesicles where it lies about 7.5 cm from the anal orifice [Figure 26]. In females, the peritoneum covers the upper two-third of the anterior and upper one-third of the lateral surfaces of the rectum, sweeps forward from the rectum, covers the posterior fornix of the vagina, and then passes onto the back of the cervix and body of the uterus, forming the rectouterine fold. This fold dips downward to form the rectouterine pouch (of Douglas), the bottom of which is about 5.5 cm from the anal orifice. It invests completely the posterior and anterior surfaces of the uterus before reflecting onto the superior surface of the bladder forming the uterovesical pouch [Figure 27]. Anteriorly, the peritoneum ascends from the superior surface of the bladder toward the umbilicus in both sexes where it is folded up into the median, medial, and lateral umbilical folds. Laterally, the peritoneum of the rectum (and the bladder) continues with the parietal peritoneum of the pelvic wall. The sigmoid colon lies in front of the sacrum. The sigmoid mesocolon is an inverted V-shaped mesentery that attaches the sigmoid colon to the posterior pelvic wall along the line of an inverted V [Figure 2]. The left limb of the V is in the left iliac fossa and the right limb descends into the pelvis. The apex of the right limb is located in front of the left ureter and division of the left common iliac artery [Figure 2] and [Figure 28]. Imaging of the iliac vessels is a key point of rectosigmoid imaging, and it is usually possible to see the bifurcation of the aorta and the union of iliac vessels to form the IVC from the sigmoid colon [Figure 29], [Figure 30], [Figure 31], [Figure 32], [Figure 33]. Laterally, the peritoneum of the rectum/sigmoid colon comes within 1 to 2 cm distance of the iliac vessels which run close to the ischial spine and are easily seen with the application of color Doppler against the bony shadow of the ischium. In the presence of ascites, the ischial spine creates an indentation on the rectovesical/rectouterine pouch and gives an hourglass appearance in the presence of ascites.{Figure 26}{Figure 27}{Figure 28}{Figure 29}{Figure 30}{Figure 31}{Figure 32}{Figure 33}
The spaces related to pelvic peritoneum and sigmoid mesocolon
The pelvic spaces are in free communication with the paracolic gutter and infracolic compartments. In women, the space between the rectum and uterus is defined as the rectouterine space (the pouch of Douglas) and the space between the uterus and bladder is called as the uterovesical pouch [Figure 34], [Figure 35], [Figure 36]. In male, the rectovesical space is present between the bladder and rectum [Figure 37].{Figure 34}{Figure 35}{Figure 36}{Figure 37}
Imaging of spaces related to pelvic peritoneum and sigmoid mesocolon
The imaging of the pelvic spaces is possible through the anterior and lateral wall of the rectum and from the sigmoid colon by identifying the home base stations. The presence of the prostate helps in defining the upper boundary of the lower one-third of the anterior wall of the rectum and the upper limit of the seminal vesicle locates the lower limit of the rectovesical space in males [Figure 37]. In females, the anterior wall of the upper rectum shows the uterus and distended bladder [Figure 34], [Figure 35], [Figure 36]. The lateral wall shows the division of the iliac vessels and the ureter. The lower limb of the sigmoid mesentery is identified due to its close proximity with the ileal vessels and the ureter. It is easy to identify the large caliber retroperitoneal vessels through the sigmoid mesentery from the upper rectum and rectosigmoid junction. During imaging from the upper rectum and sigmoid, the left infracolic compartment, the retroperitoneal structures (lower part of the IVC and the aorta and both left and right common iliac vessels), and the bowel loops can be seen [Figure 25].
The imaging of the infracolic compartment and pelvis is possible by EUS from the stomach, duodenum, and rectum. Imaging from stomach images the infracolic compartment through the transverse mesocolon, imaging from the duodenum images the infracolic compartment through the mesentery, and imaging from the rectum and sigmoid images the infracolic and pelvic compartments through the sigmoid mesocolon and pelvic peritoneum. It has become essential that clinicians and endosonographers thoroughly understand the peritoneal spaces and the ligaments and mesenteries that form their boundaries to localize disease to a particular peritoneal/subperitoneal space and formulate a differential diagnosis on the basis of that location. In this article, we have described the normal EUS anatomy of the infracolic compartment of the peritoneum. This information may be useful to understand the spread of disease processes and in sampling of fluids, lymph nodes, or deposits in different compartments of the peritoneum.
1 Healy JC, Reznek RH. The peritoneum, mesenteries and omenta: Normal anatomy and pathological processes. Eur Radiol 1998;8:886-900.
2 Le O. Patterns of peritoneal spread of tumor in the abdomen and pelvis. World J Radiol 2013;5:106-12.
3 Yoo E, Kim JH, Kim MJ, et al. Greater and lesser omenta: Normal anatomy and pathologic processes. Radiographics 2007;27:707-20.
4 Vikram R, Balachandran A, Bhosale PR, et al. Pancreas: Peritoneal reflections, ligamentous connections, and pathways of disease spread. Radiographics 2009;29:e34.
5 Coffin A, Boulay-Coletta I, Sebbag-Sfez D, et al. Radioanatomy of the retroperitoneal space. Diagn Interv Imaging 2015;96:171-86.
6 Mirilas P, Skandalakis JE. Surgical anatomy of the retroperitoneal spaces part II: The architecture of the retroperitoneal space. Am Surg 2010;76:33-42.
7 Lee SL, Ku YM, Rha SE. Comprehensive reviews of the interfascial plane of the retroperitoneum: Normal anatomy and pathologic entities. Emerg Radiol 2010;17:3-11.
8 Tirkes T, Sandrasegaran K, Patel AA, et al. Peritoneal and retroperitoneal anatomy and its relevance for cross-sectional imaging. Radiographics 2012;32:437-51.
9 Jeon YS, Lee JW, Cho SG. Is it from the mesentery or the omentum? MDCT features of various pathologic conditions in intraperitoneal fat planes. Surg Radiol Anat 2009;31:3-11.
10 Sharma M, Rai P, Rameshbabu CS, et al. Imaging of peritoneal ligaments by endoscopic ultrasound (with videos). Endosc Ultrasound 2015;4:15-27.


The two ships ordered so far for 2015 and 2017 deliveries will be equipped with MAN's V48/60CR engines with diesel-electric propulsion systems. Norwegian is a longstanding customer of MAN Diesel & Turbo with almost its entire fleet powered by the 48/60 and 58/64 engine types.
To be built at Meyer Werft, the new ships will be the largest in Norwegian's fleet at 163,000 tons and approximately 4,200 passenger berths, compared to the current 146,000-ton Breakaway ships, but will incorporate many of those vessels' unique design elements and innovations.
The Breakaway Plus vessels will each be powered by five engines – 2 × 14V + 3 × 12V48/60CR Tier II types – capable of delivering 76,800 kW, compared to the four driving the Norwegian Breakaway and Getaway.
The five engines will operate with MAN Diesel & Turbo's common-rail injection system that is suitable for both heavy fuel oil and distillate fuels, according to a company statement. This technology, developed in-house by MAN Diesel & Turbo and fully optimized for its engines, provides superior performance in terms of fuel consumption and smoke emissions, especially at part load.
Sokrates Tolgos, head of sales Cruise & Ferry, MAN Diesel & Turbo, said: "With this new order, we are extremely pleased to continue our long-standing relationship with Norwegian and Meyer Werft, both of whom have always been innovative with high demands for quality standards and professionalism from their suppliers.


Some useful links from davejm: E3 video, DA3 is coming to PC, XBox360, PS3, PS4 and XBox One. Official site Blurb: Whilst it's still not been officially announced yet we know it's coming. They had a panel at PAX where they talked about some ideas which clearly aren't tied to any game they might be working on, wink. It certainly sounds promising and is worth a watch if DA2 hasn't completely killed off any interest you had in the series. A few things from it, looks like they're going for variety, space and big areas and the art they show backs that up. No Kirkwall, instead anywhere urban would be more French, or in other words we're heading to Orlais this time. Decisions that actually matter plus previous game imports. Sounds as if it will be more along the lines of Origins, you get choices that matter instead of just doing what Hawke did. Will be able to customise followers equipment this time, but sounds more like a mixture of Origins and DA2. You'll be able to put new armour on them which will look different but you'll still be able to tell who is who, image below. Maybe colour and material customisation as well. Talk about supposing you have a Grey Warden (above pic) in your party, which to me would suggest we'll be back in control of a Grey Warden, can't drop that then just say it's a simple party member surely. Also a Seeker in the party, who does look like Cassandra from DA2, Seekers also fit in with Orlais as they're from Val Royeaux, so maybe a suggestion at something to do with the story. The thread in question. They certainly seem to be saying the right things at the moment and it would point to DA3 being more of a return to Origins which would be great. Still past shows what BioWare say and do don't always match up, so I'm very cautious over this. I had sworn off it after DA2 but mildly optimistic now, or just blindly hopeful either way I'll be following it with fingers crossed.
Didn't need to read it to know this would be the final line.
Finally, had almost given up on it coming out here.
It's that time of year again; 2011, 2012, 2013 , 2014, 2015, 2016 and 2017. Don't forget things changed last year when they removed the option to add games as gifts to your inventory, meaning you can only send gifts directly. So the only way to keep it secret is for people to send me a list of the games to buy and the money. It all seemed to go smoothly last year. The easiest way is to use the Digital Gift Cards, this sends me Steam wallet funds that I can then use to buy the gifts. One limitation is there's no option to send a specific amount, it's multiples of 4 and 10, you also can't use current wallet funds to buy them. We can also use PayPal gift or bank transfer, as these will require some more organisation would be best to get them done before the final minute.  To take part please PM me a link to your Steam profile by the end of December 18th. Make sure your profile/game details are set to public so your secret Santa can view it. On December 19th I'll send a PM saying who you're buying for. PM me the games you want to gift and if using digital gift cards send it to JPR (main not Santa) before the end of December 23rd. If you want to send money another way let me know in the PM and we will sort it out, please try and let me know as early as possible. I'll then send the games out late on the 24th. My account is a UK one using the UK store, the digital gift cards are converted if sent in a different currency but not sure if you can see the conversion rate. The Winter sale should start December 20th this year so a tight turnaround as usual. Games should be at their best price at the start of the sale, useful for buying gifts, it also means you won't miss out on anything if you choose to wait until the 25th to buy games. A wishlist is really useful, no limits on what you can buy, I'll include a Steam profile link so you can see what they own. Whilst there's no restrictions the spirit is more thoughtful, you can send a comedy gift, but it's not really in the spirit if that's all you send.
Just got the gift, thank you I really appreciate it. It's been great to read people's reaction to their gifts, roll on December so we can start again.
Reading this it seems even more the right decision, an autocrat who treated the team how he treated the press, doesn't sound like the way to get the best out of the Ferrari team. Looks like this was Marchionne's plan anyway, the board had been informed and would have happened in the Summer but his death delayed that. It does sound like there has been infighting recently between Arrivabene and Binotto and a choice had to be made. If they kept Arrivabene then it's likely Binotto would go, a man whose been at the team since 95 and in charge of the technical developments over the last couple of seasons which have been pretty handy. Bring on the racing, just got a bit more excited about the season ahead.
Happy with that, hopefully this will mean an improvement in management next season. Also hope Binotto will end Arrivabene's ridiculous approach towards the media as well.
$59.99 Looks like £44.99 here, so as contingencies go I don't think this one will be getting a silent assassin rating.
When Yoko Taro thought Persona was too sensible, so sent Joker and the gang 5,000 years into the future for the Nier: Automata cross-over. I now want this.


text:
Edo Assembly seeks lawmakers' arrest for alleged forgery, impersonation
The Edo House of Assembly, on Monday, called for the arrest and prosecution of some of the former members-elect who constituted themselves into another assembly for forgery, impersonation and treason.
The call for the arrest and prosecution was sequel to a motion moved under matters of urgent public importance by the leader of the House, Mr. Henry Okhuarobo, representing Ikpoba-Okha Constituency.
The Assemblymen urged Gov. Godwin Obaseki, the Commissioner of Police in Edo, the Department of State Security Services (DSS), and other relevant security agencies to urgently arrest and prosecute the absentee members-elect, NAN reports.
READ Edo election: Two policemen dead as Oshiomhole escapes death in car crash
The motion for the arrest was seconded by the Deputy Speaker, Mr Roland Asoro, member representing Orhionmwon South.
Moving the motion, Okhuarobo said the House was inundated with the constitution of another assembly by members-elect whose seats were declared vacant.
Okhuarobo noted that the only Assembly recognised by law was the one led by the speaker Francis Okiye.
"These members-elect sitting in a private residence and forging Mr. Speaker's letterhead amount to forgery, impersonation and treason.
"So, I am calling on the governor, the commissioner of police and the DSS to urgently arrest and prosecute these members-elect because we cannot have two assemblies in one government," he said.
READ BBNaija 2020: Why housemates nominated Laycon and I for eviction – Kiddwaya [VIDEO]
Mr. Macus Onobun, the chief whip of the House and member representing Esan West, said "Edo is not a banana republic where people can arrogate powers to themselves without recourse to constituted authority.
"This Assembly was duly constituted on June 17, 2019, and their seats have been declared vacant following their refusal to present themselves for the inauguration," he said.
According to him, they need to be arrested and prosecuted to serve as a deterrent to others.
"We cannot have a government inside a government,'' he said.
READ Terry Olujamisi: EDO 2020: Unemployment is more than a campaign issue
Other lawmakers who spoke in favour of the motion called on President Muhammadu Buhari to act in accordance with the law.
The Speaker, Mr. Francis Okiye, in his submission, said the 1999 constitution as amended does not recognise a government inside a government.
"We can order their arrest, but we will get there," the speaker said.
Also at plenary, the House passed a bill to enact the Edo State public procurement law 2020 and a bill for a law for the operation of lotteries, lotto and online sports betting in Edo State.
alleged arrest Assembly Edo forgery impersonation lawmakers seeks
Nigerian govt gives reason aviation sector would continue to record decline in passengers
Killings: Nigerian govt warns parents against sending children to schools in Northern Cyprus


If I close my eyes, I can still almost feel the chest-rumbling launch of the Space Shuttle Atlantis I witnessed in person two-and-a-half years ago. I stood just a few miles away as it rocketed off into space on its penultimate mission (STS-132). That was among the few awe-inspiring Shuttle moments left to us, because we knew the manned program's days were numbered. On Friday, I watched from a far greater distance (online) as Atlantis rolled quietly and slowly to its final destination as a show piece at the Kennedy Space Center.
Throughout the year, the rest of the shuttle fleet has been flown and rolled to various museums around the country. The Enterprise (a test unit that never made it into space), which is already situated at New York City's Intrepid Air and Space Museum, made news again this week when its dome home was blown down by Hurricane Sandy.
Atlantis first flew in 1985 and made its final mission in July 2011. The orbiter is making its final 10-mile journey in Florida, which will take all day, atop the giant, 76-wheel orbiter transfer system vehicle.
It left Kennedy Space Center's Vehicle Assembly Building early Friday morning and will settle in a 90,000 square foot custom museum space. The hall only has three of its four walls built so NASA can roll the shuttle in and then enclose it inside the museum by building the fourth wall. Apparently, they plan on shrink-wrapping Atlantis to protect it from construction debris.
The museum will open to the public in July 2013.
NASA's capturing every moment of Atlantis's final journey (which includes two ceremonial stops) and we grabbed some of the best images for the slideshow above.


ABSOLUTE Education, Australia's leading provider of the owner-builder course and white-card course now gives you the opportunity to complete your courses in a choice of 15 different languages.
Thus far, you can complete the NSW owner-builder course and the QLD White-card course in the following languages. The other courses are still in production.


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Happy birthday Hellboy! 25 years!
Here is my Hellboy fanart. Based on Mike Mignola's awesome character: Comic style version with ZBrush 2019: more renders and interactive view on my ArtStation hope you guys like it.
...he will always look this good. Nice render!
Hey guys, I managed to organise all the render tests and other bits and pieces I did during the BETA testing, so here is another batch of images... Here is the ZBrush scene I made to test and produce the various 'oil painting' filters And here are the result of the different filter sets (one click BPR renders): Impressionism: (you can play around with this one yourself, it's included in the filters folder of ZBrush 2019. it works best with the skin shade 4 and polypaint). 'Goya': 'Manet' alla prima impressionism 'bright filters' 'Monet': 'Van Gogh' (with a different scene): Lithography: Watercolor: All of these filters are a 'one-click' render pass, here are other shots of the same scene as an example: Hope you guys like these! Cheers.
Ahhh - here they are. And how lovely these renders are! Congratulations!! @aurick Don't know what was wrong. Firefox, Win 10 - some strange ways of bit & bytes? Thank you very much for asking.
Hey guys, I hope you have been enjoying the new ZBrush 2019. I've seen a lot of really cool artworks in here! I put together an intro guide to ZBrush 2019 that is now available on the ZBrushGuides website in case you are interested. It was getting a bit too long, so I split it into two guides... here are the links: 1. Creative Boost - Spotlight 2.0, Snapshot 3D, NPR filters, etc. [/URL] 2. Productivity Boost - Universal Camera, Folders, ZRemesher 3.0, etc. [URL="https://www.zbrushguides.com/zbrush-2019-productivity-boost/"] I hope you find these guides useful. Cheers.
The new ZBrush 2019 is an absolute gem. There are so many new workflows to discover and so many things you can do with all the new features... every time that I open it, I feel the need to try at least one new thing... A huge thanks to the Pixologic team for making me part of the testing team. It was really fun and exciting to see the development of these new features and very inspirational to see what the other artists in the Beta were doing! Here are some of the stuff I did while testing ZBrush 2019. This is one of the main images I worked on 'The hunter of the flying stingrays' - It is one of the two illustrations I did as a tribute to Moebius trying to mimic his style and line quality with the filters in ZBrush: Here is a breakdown of some of the variations I did while refining this filter set: 'Reverence' is the second scene I worked on using the 'Moebius filter set' - I also used this one to test the new folders! very useful to organize the scene and duplicate assets (rocks and the characters): Also here is a breakdown of this image (the two renders on the right are just a quick clown pass I did in keyshot to test the accuracy of the camera portability.... and of course it is SPOT ON!) I also had lots of fun with the new Snapshot3D... it just makes it so easy to build complex shapes, here is a little gun using 100% snapshot 3d (except for the pattern in the handle which is surface noise and the little screws which are IMM): Also, the sci-fi explorer car from the first image is a combination of Snapshot 3D, ZModeler and default IMM brushes. Here is a more 'realistic' render from keyshot: I spent lots of time focusing on the NPR filters because they are just fantastic... and quite liberating! I love getting the 2D imperfections and 'happy accidents' using the filters to break up the accuracy of the 3D objects. Here is a quick test I did with a single filter applied over a render with different materials (the shading of different materials/matcaps have a big impact on the render if the filters are set to work with the intensity of values): Another filter I worked on to make the 3D render look like charcoal: a sketchy blue pencil filter and a drone created with Snapshot 3d: and another dude I made with a more 'pixel art' feel to it (the model is awful literally an adaptive skin from ZSpheres, but filters are magic): I've also worked on other filters to emulate oil painting and a few different styles form the 'old masters' and impressionism but I need to organize those renders first. I'll post them here and update you with some more images soon! I hope you like these images! Cheers, Pablo M.
Hey guys Happy new year! To kick-start this 2019 here is a new personal project: Uncle Fester. It is my version of Uncle Fester from Adam's Family but based on Larry Fine from the Three Stooges... I grew up watching these two shows and I always thought that Larry would have been a good cast for Uncle fester haha All done in ZBrush, textures in Substance Painter and rendered with Arnold in Maya. you can see more screenshots and images on my ArtStation page here. This screenshot below is from Toolbag 3, which I used for look dev, testing normal maps and try different lighting scenarios. and here is a quick timelapse working on the expression: Hope you guys like it! Cheers.
A fabulous series of videos Pablo - many thanks for sharing. You're an exceptional fellow - a veritable peach of a person.
Hey guys, I just wanted to share some image from the development of a Zombie character I started on my twitch channel. I used the Subtool Masker plugin to achieve the 'gross factor' in the face and it worked like a charm! really awesome tool. Hope you guys like it: Final Comp: WIP - ZBrush Polypaint for textures: WIP - Sculpting details (ZBrush to Keyshot bridge): A couple more images in my ArtStation HERE.
@boozy floozie - Thanks so much for your feedback mate! I've always appreciated your well written and thoughtful insights. I have finished and published the second part of the beginners series on 'How I learned ZBrush'. This time the second part video 'Filling The Gaps', is less abstract and with some more actionable/practical advice. You can have a look at it here: How I learned ZBrush PART 2: FILLING THE GAPS I hope you guys find it useful! Cheers.
@Cody - Thanks! glad you like it. For the fibers on the cloth/scarf, I actually used fibermesh and played with the coverage and segments to keep a good balance between the look and the poly count. @Rory_L - Thanks you! no, not really I didn't reference anything except the Chimpanzee head and the anatomy that I was originally using to study haha I just wanted to drop you guys a line in here, because I just published a new tutorial on the ZBGs that I think some of you might find useful. Is a bit abstract but I think very relevant for anyone new to ZBrush, here it is: [/URL] (Click image to watch video.) Also, I recently started streaming on twitch some ZBrush sessions, and the very first Livestream is a continuation (PART 2) of my ZBrush Summit Presentation where I show some of the tips and trick I didn't have time to show during the summit. If you want to check it out you can find it on my channel here: [URL="https://www.twitch.tv/pablander/videos/all"]Pablander Twitch - Here is the Zombie we worked on today's livestream: hope you guys find this useful! Cheers.
Hey guys, I finally had some time to finish my 'Humanzee' project I showed during my ZBrush Summit presentation. Here are a few renders and WIPs: There a few more shots and close-ups here PS: I also made a recap of my experience at the ZBrush Summit that you can check out here. And also in response to some of the questions, I got about my Cintiq Pro setup here is a quick review as well... Cheers!
Love the concept and the execution is fantastic. Congrats!
Amazing work you do always man! I´m a huge fan of Zbrushguides too!
@Erik Heyninck - Thanks so much for the feedback mate! I truly appreciate it and I'm glad you've found the information useful. @jaran - Absolutely, I'm not a 'hard surface' modeler myself, but the idea of the Odd Spirits Of Z project is to fill in gaps in different areas so I might bring in an expert, that can show us some good workflows I put a bit of extra work on the final character from the Clothes & Drapery course and place him into a scene. hope you guys like it: Slightly different angle and composition: The ZBrush model (every part is 100% done within ZBrush): Some other shots from Marmoset: That's it for now. If you want to see a particular skill, subject matter or ZBrush feature in the next course from the Odd Spirits Of Z Project, you can cast your vote here. Cheers! PS: I'm going to do a live stream (probably twitch) to show the tips and tricks for grooming I didn't get a chance to show during my ZBrush Summit presentation. I'll post the time here and in social media later on.
This course is just fantastic, really is! Not only the quality of the movies, but also the information, the tips and tricks...everything. I paid much more for courses that weren't half this good! Thanks!
Here is an update on the latest creature I posted. I cleaned it a bit a gave it some textures in Substance Painter. Hope you guys like it!
Hey guys! There is a new tutorial available on the ZBGs. It's a 4-part video tutorial about some modelling tips and workflows to create the asset for this 'Pottery Scene': Here is the link to the tutorial: http://www.zbrushguides.com/curve-elastic-and-radial-symmetry/ Also, if you want to see some closeups and more light variations, check out the ArtStation post here: https://www.artstation.com/artwork/zaZem I hope you find it useful.


The budget of NST and GRIs is composed of government contribution and self-revenue. A total budget of 4 trillion and 600 billion won consists of government investments (43%)and self-revenue (57%).
difficult for the government to execute directly or more effective that the private sector takes care of projects by proxy.