Between 4th and the 12th of October 2015, 22 European students will learn the basics of innovation business and development, find out how to create fresh ideas with real market potential and discover new career opportunities. These participants will also get to know the charming beauty of Finland and share experiences with their future colleagues.
The academic part of the course will be conducted in collaboration with FIMECC, Demola and Tampere University of Technology. The students will take part in a three-day innovation contest to search novel and innovative solutions for company challenges with the help of expert coaching.
With 150 students from 3 universities, several involving companies and expert teaching the Innovation Camp will provide our participants valuable knowledge and experiences that will increase their academic skillset and motivate them for the future!
4 – 12 October 2015.


text:
Q: Split and view the long sentence in multiple lines in html table In my view I have to split the long sentences into multiple lines in an HTML table.
I used a code but it didn't work as I don't want to clip the sentence. I want to show the whole sentence in multiple lines.
This is the code line I used:
 @Html.DisplayFor(ModelItem => item.Note, new { @class = "note" })

A: I think table cell default break your sentence in multiple line like word-wrap:break-word , if you wants to break-all then only you can use style as suggested by @Super User.
Check my code snippet for default break line:

            1
            Doe
            John
            Accounting Personnel testing long line and going to split in two lines if succedd will go ahead.

Div
                    Click

            errrrr
            Doe
            Luke
            HR Personnel

Div
                    Click

            3
            Doe
            Mark
            CRM Personnel

Div
                    Click

A: If you want your sentence to be distributed into multiple lines and don't want the words to be broken(which I assume you are looking for), use:
 word-break: keep-all;

But if you want to break the words into multiple lines when it overflows the container, use:
word-break: break-all;

Note: word-break is a CSS3 property. So, it is not supported by all of the browsers. It's totally not supported in Opera mini and IE versions before 11. But mostly supported by the modern browsers. You can see the supported browsers here.

A: You can use word-wrap:break-word for this
@Html.DisplayFor(ModelItem => item.Note, new { @class = "note" })

if you want to wrap big word then you can use word-break: break-all

@Html.DisplayFor(ModelItem => item.Note, new { @class = "note" })

A: @Html.DisplayFor(ModelItem => item.Note, new { @class = "note" })

This worked for me correctly.
@Html.DisplayFor(ModelItem => item.Note, new { @class = "note" })

This also useful. But it splits word also.

redpajama_set_name: RedPajamaStackExchange


Atlas Enterprises, Inc., now named Pyro Shows of Texas, Inc. was founded in 1942 by Walton Wilforg in Fort Worth, Texas. The company quickly grew to become one of the largest fireworks importers in the United States. The Black Cat brand fireworks was the fastest selling firecracker and Atlas Enterprises, Inc. was the largest distributor of that brand. In 1950, Atlas Enterprises, Inc. developed its now famous display fireworks product line for exhibitions across the southern United States and pioneered the addition of electronic firing in 1970 with its portable firing trailer first used at Six Flags Over Texas. Now, many things have changed as Atlas routinely performs electronically fired pyro-choreographed presentations across the United States. To achieve the best in musical accompaniment, Atlas has a complete sound studio to produce custom soundtracks precisely edited with the latest in computer electronics. The fireworks programs are launched by the most modern electronic equipment made and custom designed for Atlas Enterprises, Inc. The fireworks product is hand selected from fireworks factories around the world as well as from Pyro-Tech, Inc. of Fort Worth, Texas, a custom fireworks manufacturer exclusively for Atlas Enterprises, Inc.


Lenalidomide is a medication used as maintenance therapy after initial therapy for multiple myeloma, to reduce the risk of regrowth of myeloma cells. However, this drug can cause diarrhea. In this study, researchers are evaluating the use of colesevelam to treat diarrhea in patients on lenalidomide maintenance therapy.
Colesevelam is approved by the U.S. Food and Drug Administration for the treatment of high cholesterol; its use in this study is considered investigational. It binds to substances called bile acids and prevents them from being taken up by the intestine. Problems with bile acid absorption are believed to be a major cause of diarrhea related to lenalidomide use. Colesevelam is taken orally (by mouth).
Patients must be receiving lenalidomide as maintenance therapy for multiple myeloma and be experiencing moderate to severe lenalidomide-related diarrhea.
For more information and to inquire about eligibility for this study, please contact Dr. Malin Hultcrantz at 212-639-7986.


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1013 Music Reviews
Music reviews from around Minnesota
DEE SNIDER Reveals Music Video for Live Version of "For The Love Of Metal"
6 months ago Kyle Hansen
[Photo Credit: John Raptis]
Heavy Metal Legend DEE SNIDER Reveals Music Video for Live Version of "For The Love Of Metal"
Rock Out to the "For The Love Of Metal" Live Music Video HERE
Live Album & DVD/Blu-Ray, For The Love of Metal Live, out This Friday, July 31 via Napalm Records | Pre-Order HERE
Experience electrifying DEE SNIDER concert moments and more from your home!
Legendary heavy metal frontman, actor and radio personality DEE SNIDER is about to drop For The Love Of Metal Live, a larger than life live album and DVD/Blu-Ray set, this Friday, July 31 via Napalm Records.
Music lovers around the world are craving the return of live concert experiences, and For The Love Of Metal Live is just the thing to keep live music where it belongs – with the fans! Combined behind-the-scenes footage, various detailed interview clips, insightful personal commentary and electrifying live performances make this release an entertaining experience that every heavy metal fan needs in their collection.
Today, in celebration of release week and as a follow up to the premieres of dominating studio track "Prove Me Wrong" and the energetic live video for "I Am The Hurricane", DEE SNIDER has revealed yet another video – this time for the live album version of "For The Love Of Metal". A sinister groove leads the listener down a darkened path, careening into a heavy thrashing verse accented by guitar harmonics. DEE SNIDER chants his ode to heavy metal music with a confident, riotous passion, and with his band by his side, delivers a vehement in-the-flesh performance.
DEE SNIDER says about "For The Love Of Metal" Live:
"When Jamey Jasta told me his idea for this song, I thought it sounded crazy. But after we were done putting it together and recording For The Love Of Metal, I knew we made a statement that not only needed to be made, but will speak for the heavy metal community for years to come. Because at the end of the day, we are all fucking metal! This is my new favorite song to perform live!"
Hear/watch the new live version of "For The Love Of Metal" HERE
The For The Love Of Metal Live DVD/Blu-Ray and accompanying live album (available in various formats, see below) features audio captured from several DEE SNIDER festival performances worldwide – from the United States to Europe, Australia and beyond. In addition to tracks from Snider's solo catalog like "I Am The Hurricane" and "For The Love Of Metal", Twisted Sister favorites such as "I Wanna Rock" and "We're Not Gonna Take It", and even a cover of AC/DC's "Highway to Hell", the audio portion of For The Love Of Metal Live also features a brand new original studio track, "Prove Me Wrong" – a thrashing, confident metal hit.
Check out the recently released lyric video for "Prove Me Wrong" HERE.
Watch the live video of "I Am the Hurricane," HERE.
Select audio editions and the DVD/Blu-Ray also feature additional bonus live material and personal footage, with the DVD/Blu-Ray including even more special bonus interview content. The interviews feature Snider himself discussing his famed PMRC hearing, opening for Motörhead and more. DEE SNIDER fanatics won't want to miss For The Love Of Metal Live!
Pre-Order For The Love Of Metal Live HERE
For The Love Of Metal Live Track Listings:
1. Lies Are a Business
2. Tomorrow's No Concern
3. You Can't Stop Rock 'N' Roll
4. The Beast
5. American Made
6. Under the Blade
7. The Kids Are Back
8. Become the Storm
9. We're Not Gonna Take It
10. I Am the Hurricane
11. Burn In Hell
12. I Wanna Rock
13. For the Love of Metal
14. Highway To Hell
15. Ready to Fall
16. The Fire Still Burns
17. Roll Over You
18. Prove Me Wrong
3. You Can't Stop Rock 'N' Roll
4. The Beast Live
12. I Wanna Rock Live
2. Pain of Traveling (Interview)
5. New Record (Interview)
9. Song Writing (Interview)
10. The Kids Are Back Live
11. Become The Storm
12. We're Not Gonna Take It
13. WNGTI (Interview)
15. Burn In Hell Live
16. Rock of Ages (Interview)
19. AC/DC (Interview)
21. Credits
22. Ready To Fall (Bonus Track)
23. The Fire Still Burns (Bonus Track)
24. Roll Over You (Bonus Track)
25. Suzette (Interview)
26. Hearing (Interview)
27. Strangeland (Interview)
28. Lemmy (Interview)
For The Love Of Metal Live will be available in the following formats:
-Deluxe Earbook Edition: CD, Bonus CD, DVD, Blu-Ray & 7″ Single with Lyric etching – Limited to 500 copies worldwide
-Shirt & Deluxe Earbook Edition Bundle – USA Napalm Webstore Only
-8 Page Digipack with Sleeve (CD, DVD, Blu Ray)
-8 Page Digipack with Sleeve (CD, DVD, Blu Ray) & Shirt Bundle
-2LP Black Gatefold & DVD
-2LP Black Gatefold & DVD & Shirt Bundle – USA Napalm Webstore Only
-2LP Silver Gatefold & DVD – Limited to 200 copies worldwide (Napalm Webstores Only)
-2LP Silver Gatefold & DVD & Shirt Bundle – USA Napalm Webstore Only
-Digital Full Length Album
Shirt & Deluxe Earbook Edition Bundle – USA Napalm Webstore Only
Tags: dee snider
Previous SLADE Cum On Feel The Hitz To Be Released September 25th
Next EPICA – Launch 8th Studio Video Vlog Episode
Did AC/DC leak photos from a video shoot?
Deftones "Genesis" OUT NOW / Pre-Order Ohms
Accept Announce New Single 'The Undertaker' To Be Released On October 2nd + Video
Welcome to 1013 Music Reviews, your new home for concert and event reviews.
Based out of Minneapolis Minnesota, 1013 Music Reviews will be giving you the best reviews from shows throughout the world. 1013 Music Reviews is a partnership of Kyle and Tracy Hansen, both who harbor a great passion for music. We have been reviewing and shooting shows for years. We review numerous types of concerts, from rock to country, heavy metal, alternative, pop, and much more. Although we are based out of Minneapolis, MN, we have been known to shoot throughout the Midwest and Northeastern United States.
All photos are property of RKH Images, a site you should visit if you enjoy the photography on our site.
Classic Rock Concert Reviews Country Heavy Metal Hip-Hop Interviews News Pop Previews Rock & Roll Theater Review The Blues
All photos are property of the photographer.
Adam Mandel
Brian Curski
Danny Sigelman
Greg Garbow
Jim Zons
John Pesavent
Kaila Turck
Kate Klaus
Kyle Hansen
Luke Payne
Patrick Dunn
Richard Fisher
Sophiea Owen
Tommy Sommers
Tracy Hansen

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Unable to insert into datetime2 sql column I am trying to INSERT into a datetime2 SQL column with the following code, but it does not seem to be working:
INSERT INTO TCLIENT (timestamp)
VALUES (2018-08-31T10:30:25);

Why is this not working? Is my format incorrect?

A: You need single quotes :
INSERT INTO TCLIENT (timestamp)
       VALUES ('2018-08-31T10:30:25');

A: single quote is missing in your query:
INSERT INTO TCLIENT (timestamp)
       VALUES ('2018-08-31T10:30:25');


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Why choose clear aligners over traditional braces?
October 20, 2021 Lisa Baker, Editor, Wellbeing News Dental Care, Dental Health 0
Did you know braces have been around for about 100 years?
Wondersmile decided to explore an alternative to teeth straightening with the help of technology and a team of orthodontists headed by Dr Richard Schechtman.
If you're looking to straighten the front 6 teeth of your upper or lower arch, clear aligners are a more affordable and accessible treatment option compared with braces.
Compared to traditional braces, clear aligners are:
-Comfortable: Clear aligners apply gentle pressure to teeth in a more comfortable way than braces.
-Discreet: People won't know you're wearing them. You can also easily remove aligners for meals and snacks.
–Fast-acting: With clear aligners, you'll see results in an average of 6 months.
–Affordable: Technology has created convenience and affordability. Clear aligners cost up to 60% less than traditional braces.
Traditionally braces are more expensive and require monthly visits to the clinic, which can be time consuming and costly. Technology evolves. And with it comes better ways, more convenient ways of approaching things.
Technology in dentistry has made incredible advances. WonderSmile has utilised it, and been able to deliver teeth straightening direct to people's doors that's affordable and remotely monitored by experts.
Dr Richard Schechtman, Head Orthodontist at Wondersmile, explains how patients are able to skip the monthly clinic visits: "Braces require periodic wire changes to move treatment along.Clear aligners have the wire changes already programmed into the sequence of aligners you are given. This creates convenience for patients without sacrificing control of the treatment."
He adds, "Clear aligners compared with braces, are more comfortable to wear, easy to clean, and allow wearers to eat anything they please. While braces have been the gold standard of orthodontics, over the last 20 years clear aligner technology has made tremendous strides and now rivals the power of braces for many orthodontic problems."
With clear aligners, you'll save thousands of pounds. Treatment plans with Wondersmile start from £1,450 with results in an average of 6 months. Throughout your treatment with Wondersmile, you'll receive expert care remotely with access to the team 7 days a week. They also have an excellent rating of 4.8/5 on Trustpilot.
How to get started with WonderSmile clear aligners:
The at-home Impression Kit is now 50% off and available for purchase through https://wondersmile.co.uk/teeth-impression-kit
In-clinic scans are available for FREE with clinics across the UK. Find a clinic nearest you here https://wondersmile.co.uk/bookings/make-a-booking
Almost one in four UK independent schools considering leaving teachers' pension scheme, says Punter Southall Aspire
A bill of health – What kind of Defined Benefit pension schemes will we pass to the next generation?


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The Black Tones and Payge Turner Play Seattle's First Large Concert in a Year
April 5, 2021 Editor	Leave a comment
by Dan Ray
(This article was originally published on Dan's Tunes and has been reprinted under an agreement.)
Sunday night, March 28, was cold. The wind was whipping at 40–50 mph, and the rainstorm from earlier in the day had given the air that true kind of PNW-Seattle cold that nips right down to your bones. By 8 p.m., even though I was wrapped in a wool coat and a wool blanket, my toes had gone completely numb. But it didn't matter because — for the first time in just over a year — I was at a real-life concert.
Cleared for Takeoff, the project of Safe & Sound Seattle — a new, music-oriented organization created specifically to host COVID-safe shows — was the first large-scale in-person concert since Cytrus's July attempt to make drive-in concerts feasible (this dream was squashed a mere five days later when new state restrictions came down) and the first concert since March where audience members were, well, actually a part of the same audience. Held on the pavilion at the Museum of Flight, the sold-out show brought together 200 starved music fans to see Payge Turner and The Black Tones perform.
I walked into the museum at 5:30 p.m., an hour before doors and two hours before showtime, armed with my coat and blanket (each of the four emails I had been sent prior to the show stressed that it would be cold: "Bring your respect, bring your mask, bring your jacket, bring your blanket, bring your hearts for music"). After I filled out a health screening and had my temperature taken, I was ushered through the museum (they have a new VR exhibit, if you haven't seen it) and out onto the pavilion. The stage was set up in front of a massive 747 — an enticing but accidental backdrop (the original layout had to be flipped due to the high winds bringing in sideways rain). There were eight rows of socially distanced seating pods lined up, with two to four chairs in each pod. An indication of "the new normal," if I've ever seen one.
Held on the Museum of Flight pavilion, Cleared for Takeoff features eight rows of socially-distanced seating pods of two to four chairs each. (Photo: Danny Ngan)
As I waited for the show to start, I milled about, talking with my photographer, Danny, members of the Safe & Sound crew, and Turner and her band, who I had met only two weeks earlier when they played the DT podcast. At this point — still daylight, empty seats, bands soundchecking — it didn't feel much different than the shows I had been (blessedly) privy to all quarantine through hosting both the Work From Home Seattle Livestream and my podcast. One of the pre-show emails I received specified no outside food or drink was allowed, which had made me think there would be refreshments. Each pod was equipped with a bottle of hand sanitizer (courtesy of R90 Lighting) and a bottle of water for each seat, but I was keeping my eye out for some kind of bar. What's a return to live music without a glass to clink with a friend? Alas, there was no bar to be found (although, later, I was offered a swig of whiskey from a pint an undisclosed source produced from their jacket).
While I pondered what kind of bottle to bring to tailgate with next time, the first inkling of a crowd started to trickle in (in true live music fashion — even a year later — a solid 30 minutes after doors). The sun was waning, the fog machine had come on, and the stage lights were starting to twinkle against the white aluminum of the surrounding planes. It was starting to feel, dare I say, like a real show.
The crowd — bundled in various states of winter gear, socially distant, and, presumably, in a public setting for the first time in a year — was calm and quiet, no doubt taking cues from the Safe & Sound crew. The event staff, wearing matching sweatshirts for easy identification and led by Safe & Sound President and COVID-19 Compliance Officer Jonathan Evergreen and COVID-19 Compliance Officer Dr. Laurel Berge, had a peacefully confident and welcoming demeanor that made the whole event seem — as much as I hate to use this word — normal. Or at least, highly in line with the new normal. It felt safe, respectful, natural. People tittered about within their pods, waiting patiently for the show to start.
When Payge Turner walked down the staircase from the 747 behind the stage, the crowd let out a tentative cheer, excited to get the show going but unsure of how to behave after a year of avoiding public human interaction. With Turner and crew behind her on stage, Berge gave an opening speech about the guidelines for the show (stay masked, stay distant, no reentry) and the sanctity of the entire project. It served, she said, as a reminder of the formerly mundane things we once took for granted, like standing shoulder to shoulder in a crowd or hugging a stranger. Then, after six months of planning, seven days of set up, and, for me, two-and-a-quarter hours at the venue, she welcomed us to the show.
Wearing a Safe & Sound sweatshirt designed specifically for the crew, COVID-19 Compliance Officer Dr. Laurel Berge welcomes the crowd to the show. (Photo: Danny Ngan)
Formerly a contestant on Season 19 of NBC's The Voice, Turner has been performing fairly regularly throughout quarantine, but nothing like this. She and her band — guitarist Jerett Samples, bassist Ben Jahn, and drummer Jordan Weigert — immediately ripped into their set with "Garden," a slow-burn unreleased track from her upcoming album. A tentative exuberance emanated from the stage as Turner and crew settled into their opening slot, gently reaching a (socially distanced) hand out to the audience, inviting us to do the same.
Turner is a soulful but driving songwriter, and her set ran the gamut of emotions. Before a wistfully heartfelt performance of breakup track "Aftermath," she asked us to close our eyes and get into our feels (I chose, instead, to zone out on the trippy orange lights circling on the rear wing of the plane next to me). But before the final track (and my personal favorite) "Matter," she had the audience stand up, then absolutely slayed some guitar work alongside Samples. Samples's fingers danced across his bright blue Reverend Airsonic, its sparkles gleaming under the stage lights, a palpable energy flowing from one set of steel strings to the other.
As the crowd (and the musicians) got more comfortable, Turner's set grew from a preliminary dip into a forgotten world to a fully-fledged opening act, the last glimmers of the daylight sun disappearing behind the 747. She peppered her set with reminders of the Before Times, but also with encouragement that we can learn how to be together again: She taught us how to clap on beat ("I know you're out of practice," she said), joked that she needed two minutes to get some air because she doesn't have her show stamina back yet, and, each time the crowd cheered, she asked us to get louder. It was like being guided out of a fugue state into a seemingly new yet intimately well known universe, a place you'd been before but couldn't quite remember — a place with live music, booming speakers, and your friends yelling at you even though they're standing right next to you.
Payge Turner (left) and guitarist Jerett Samples. (Photo: Danny Ngan)
By the time intermission rolled around, the temperature had dropped three degrees, and both mine and Danny's toes had gone completely numb. After a representative from Mary's Place, a Washington State nonprofit that provides shelter for women and children experiencing homelessness and a partner of the show, came on stage to ask for donations to their upcoming Dream Big Luncheon (Amazon is matching all donations, up to $1 million, until the event on May 5; donate here), Evergreen pointed us to the bathrooms and released us for a 20–30 minute intermission. Almost no one got up, and the 20–30 minutes ended up being more like 15 as concertgoers huddled within their pods to stay warm as we awaited the main act, The Black Tones.
Like Turner, The Black Tones (TBT) have been busy in quarantine. Frontwoman Eva Walker DJs Audioasis on KEXP, Eva and her twin brother (and drummer of TBT), Cedric Walker, have hosted several Keep Music Live WA livestreams, and the band most recently partnered with the Seattle Sounders to help launch the team's new Jimi Hendrix-inspired jerseys. The Black Tones are seemingly everywhere in Seattle — and that's why a crowd of 200 chose to sit through the bitter cold to see them play for the first time in a year.
This time, when Eva, Cedric, bassist Ezekiel Lords, and the Walkers' mom (who played tambourine) walked down the staircase from the Boeing 747, there was no hesitation. The crowd erupted (at least, as loudly as a Seattle crowd can erupt with their hands too cold to clap and their mouths covered by face masks). There was something inherently disarming about Eva as she walked on stage talking about how she had a history-making outfit ready for this history-making event, but she couldn't wear it in the cold, so we got her in her sound check outfit. It was real, tangible — a reminder of the honest kind of performance only live music can bring.
Twins siblings Eva (right) and Cedric Walker make up the core duo of The Black Tones. (Photo: Danny Ngan)
As TBT launched into their first song, "Ghetto Spaceship," the crowd started to get up and dance — partly because of the groove, partly out of necessity to stay warm, but completely in the moment. Eva Walker is an impeccable frontwoman; she has this innate ability to tap into both her humanity and the humanity of her audience. After about three songs, mid intro to the fourth, she stopped and told us there were five more songs after this one. She said she knew we were cold, and this way we could count down to the end of the show. Her set was filled with these kinds of little reminders of our collective humanity, and it made me feel like I was just as much a part of the process as she was, a fact I had forgotten after a year without live audiences.
The entire TBT set felt like a slice of life from the Before Times, but the last song turned the show into a joyful celebration of the Now Times. When it rolled around, as I told Payge Turner guitarist Jerett Samples, who was standing next to me, my heart was sad but my toes were glad. By this time, the entire crowd was up and dancing, energized by the knowledge that they'd soon be warm in their cars, I'm sure.
The band closed with "Plaid Pants," a song about the Walkers' grandparents, that they invited Payge Turner to join them on. Eva opened the tune with the story of how her family ended up in Seattle. Her grandfather, an aerospace engineer trying to find work in Mississippi, was explicitly told "n*****s can't be engineers." Well, at least not at that time in the south. Shortly after, her grandfather was recruited by Boeing and became the first Black engineer for the lunar rover at the company's Kent plant. Standing under a Boeing 747, she dedicated the song to the Museum of Flight and the recruiter who saw her grandfather for his skills rather than his skin color.
Everyone has been talking about going back to normal, and I've been afraid that once things open up, we'll all forget everything we learned this year. But it was then — watching Turner walk up on stage to sing a song about Eva's grandparents with her, my toes frozen, huddled in a wool blanket, trying my best to dance on beat despite my popsicle legs — that it hit me: This is normal. I'm never happier than when I'm watching live music, and it didn't matter that I had to take a shower immediately when I got home to warm up, or that I was legitimately concerned I got frostbite (but not COVID!) when I had stood in steaming hot water for seven minutes and my third and fourth toes were still purple, or that the show didn't have a bar, or even that I couldn't accept that pint of whiskey because I'm not vaccinated yet.
What mattered was that I had just seen a historic show that, upon hearing Eva's story, tied up more loose ends from this past year than I could have even imagined. As we all danced to "Plaid Pants," I felt a newness brewing, a forward motion that can only be captured by performance, song, and dance (sorry for the cheese, but it's true). A capstone to a story, but also a path to "normalcy" not inhibited by preconceptions of what we've been before but born from our collective experiences this past year.
After The Black Tone left the stage, the crowd immediately cleared out (row by row for COVID safety), ready to get warm, but the joy still hung in the air. Danny and I hung around for a bit, waiting for the audience to leave and hoping for our toes to come back to life. Sometimes, walking out of shows, I feel emptier than when I came in — not because the show wasn't great, but precisely because it was, and the lack of that energy leaves me wiped. Sunday night, the walk back to my car was, truly, somewhat painful on my frozen feet, but every step felt like an assurance: The world is different now than it was, and it's going to be different again as it starts to open. We can bridge our old normal with our new. But, most of all, we're going to be okay because, as Safe & Sound said, we'll always bring our hearts for music — and, hopefully, they'll bring heat lamps.
Dan Ray is a freelance journalist and the founder and CEO of Dan's Tunes. Ray got her BA in English and music at the University of Michigan. She moved to Seattle in 2017. Ray is passionate about food and education around the American food system. She loves cats, especially her own, who is named Macaulay Culkin.
Featured Image: From left to right — The Walkers's mom on tambourine, bassist Ezekiel Lords, drummer Cedric Walker, frontwoman Eva Walker, and keyboardist Jake Uitti. (Photo: Danny Ngan)
Arts and CultureCleared for TakeoffConcertsFeaturedLive Concert in the PandemicMuseum of FlightPayge TurnerSafe & Sound SeattleThe Black Tones
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Methodological Mtissage: An Interpretive Indigenous ... Journal of Environmental Education, 17, 2012...
Methodological Mtissage: An Interpretive Indigenous ... Journal of Environmental Education, 17, 2012 113 Methodological Mtissage: An Interpretive Indigenous Approach to Environmental
Text of Methodological Mtissage: An Interpretive Indigenous ... Journal of Environmental Education, 17, 2012...
113Canadian Journal of Environmental Education, 17, 2012
Methodological Mtissage: An Interpretive Indigenous Approach to Environmental Education Research
Greg Lowan-Trudeau, University of Northern British Columbia, Canada
AbstractThis article discusses the development of a methodological mtissage that combined Indigenous and interpretive traditions. This mtissage was developed during a doctoral study conducted with Canadian environmental educators who incorporate Western and Indigenous knowledge and philosophy into their ecologi-cal identities and pedagogical praxis. It is presented as an invitation to environ-mental education researchers from all cultural backgrounds to acknowledge and engage with Indigenous knowledge, philosophies, and methodologies.
RsumLe prsent article examine llaboration dun mtissage mthodologique combinant les traditions autochtone et interprtative. Ce croisement a eu lieu dans une tude doctorale mene avec des ducateurs environnementaux canadiens et incorporant les philosophies et savoirs occidentaux et autochtones dans leur identit cologique et leur pratique pdagogique. Cet article invite les chercheurs en ducation environnementale aux antcdents culturels de toute nature reconnatre et utiliser les connaissances, les philosophies et les mthodes autochtones.
Keywords: Indigenous, interpretive, methodology, bricolage, mtissage
After a long history of misuse and abuse of Indigenous peoples and knowledge by Western researchers, conducting research in Indigenous contexts can be a challenging prospect for both Indigenous and non-Indigenous researchers alike (Adams, 1999; Battiste, 2005; Kincheloe & Steinberg, 2008; Kovach, 2010; Lassiter, 2000; Smith, 1999; Wilson, 2008). Non-Indigenous researchers often feel especially cautious, given the legacy of colonialism and subsequent reticence of Indigenous peoples to participate in contemporary research initiatives (Kincheloe & Steinberg, 2008; Lassiter, 2000).
A growing number of Indigenous and non-Indigenous researchers and educators are attempting to address these concerns by recognizing, engaging with, and embodying Indigenous territories, knowledge, and perspectives in their research and pedagogical practices. For example, Denzin and Lincoln (2008) suggest that:
114 Greg Lowan-Trudeau
It is time to dismantle, deconstruct, and decolonize Western epistemologies from within, to learn that research does not have to be a dirty word, to learn that research is always already moral and political. It is time to chart a new decade, the Decade of Critical, Indigenous Inquiry. (p. ix)
Working independently and in partnership with allies like Denzin and Lincoln, Indigenous researchers (e.g., Kovach, 2010; Smith, 1999; Wilson, 2008) are guid-ing the development of research approaches by, with, and for Indigenous peoples.
This article is presented as an invitation to environmental education re-searchers, Indigenous and non-Indigenous alike, to enter into this complex but undeniably important territory. As Blackfoot scholar Little Bear (2000) reminds us, all people in Canada, Indigenous and non-Indigenous alike, continue to be af-fected by the colonial legacy of this country. Inherent in this recognition of colo-nization is the fact that Canada is a nation settled and built upon the traditional territory of Indigenous peoples. Euro-Canadian philosopher Saul (2008) states that Canadas historical legacy defines us as a mtis1 nation, built on intercul-tural cooperation and mutual influence between European and Indigenous cul-tures. For example, the voyageurs were not only purveyors of European cultures, values, and trade goods, they were also deeply influenced by the Indigenous peoples they encountered, often absorbing and adopting Indigenous epistemolo-gies, practices, and materials into their own lives (Podruchny, 2006). If Canadian environmental educators and researchers are authentic in their desires to enact concepts such as place-based education (Curthoys, 2007; Gruenewald, 2003), we must acknowledge and consider this ongoing relationship of Indigenous and non-Indigenous cultures in all of our environmental education endeavours. As a Mtis environmental scholar and educator, these issues are close to my heart and my identity.
Personal Background: On Being Mtis
I am a Canadian of Mtis (mixed European and Indigenous) ancestry on both sides of my family and I currently reside in the unceded territory of the Lheidli Tenneh in north-central British Columbia. Being Mtis in Canada is not always easy. As people of mixed Indigenous and European ancestry, we are not either/or, we are both at the same time, simultaneously colonizer and colonized. This is the perpetual relativism that Mtis people live with on a daily basis, sometimes creating confusion for ourselves and others, but also offering great cultural richness and complexity (Fujiwara, 2001-2003; Gibbs, 2000; Kienetz, 1983; Richardson, 2004).
The ambiguity of Mtis identity has deep roots in the Greek origins of the term which bore connotations to the oblique intelligence of trickster-like animals, such as the fox and the Goddess Metis (Dtienne & Vernant, 1974/1991; Dolmage, 2009). In Ancient Greece, metis (pronounced meh-tiss) literally
115Methodological Mtissage
meant no one or no man (Dolmage, 2009); it described someone who did not fit perfectly into any one category, but was skilled at blending in everywhere. This ambiguity extends to the present day, often resulting in a diasporic or in-between feeling among people of Mtis ancestry (Richardson, 2004; Roth, 2008).
The diasporic nature of being Mtis in modern day Canada, however, also grants Metis people the special quality of cultural bridge-maker. In this article, I discuss my doctoral methodology as a Mtis Canadian, as I strived to articulate and embody a methodology representative of my own worldview while exploring and clarifying the complex relationships between Western-derived interpretive (Berry, 2006; Denzin, 1989; Steinberg, 2006) and Indigenous (Kovach, 2010; Smith, 1999; Wilson, 2008) methodologies. My goal is to provide an example of how Indigenous perspectives can be embodied and enacted in contemporary environmental education research, and to argue how Indigenous methodologies are a natural fit with environmental education research sensibilities because Indigenous worldviews already include an inherent recognition of the Land and the connectedness of all beings (Barnhardt & Kawagley, 2005; Bastien, 2003; Cajete, 1994).
During the course of my doctoral studies, I had the privilege to interview 10 Indigenous and non-Indigenous intercultural environmental educators from a variety of backgrounds (St:l, Mtis, Pakistani, Japanese, various European cultures) from across Canada, who draw upon both Western and Indigenous traditions to inform their ecological identities, philosophies, and practices.
This research grew out of my masters work (see Lowan, 2009), which explored outdoor and environmental education programs for Indigenous youth in Canada through a lens of decolonization and cultural revitalization. A strong theme that emerged from my masters study was the potential for rich intercultural experiences between Indigenous and non-Indigenous instructors and participants. This theme was further supported by growing discussion in contemporary environmental education literature from both Indigenous perspectives (Cajete, 2001; Swayze, 2009) and non-Indigenous perspectives (Hatcher & Bartlett, 2009; Snively, 2009), advocating for the integration of Western and Indigenous knowledges and philosophies of Nature. These experiences and influences led to the focus of my doctoral researchintercultural environmental education in Canadaand the overarching question, Is it possible to blend Western and Indigenous knowledge and philosophies of Nature?
The background and findings of my doctoral study have been presented in detail elsewhere (see Lowan, 2011a, 2011b, 2012). Therefore, in the following, I explore the methodology that I developed through the study from an initial bricolage (Berry, 2006; Steinberg, 2006) or integration of Indigenous and
interpretive methodologies to form a new methodological mtissage (mix) representative of my own identity as a Mtis scholar and educator. This discussion is significant because it expands the limited body of literature exploring bricolage and mtissage as methodologies (Chambers, Donald, & Hasebe-Ludt, 2002; Donald, 2009, 2010; Hasebe-Ludt, Chambers, & Leggo, 2009) and adds to the limited diversity and engagement with non-Western, especially Indigenous, voices in environmental education research (Agyeman, 2003; Corsiglia, 2005; Dillon, Kelsey, & Duque-Aristizabal, 1999). I also attempted to embody the link between cultural and ecological awareness in Indigenous cultures (Bastien, 2003; Cajete, 1994) and to address the often under-explored connection between thought and action in (non-Indigenous) environmental education research (Hart & Nolan, 1999).
From Bricolage to Mtissage: A Process
Berry (2006) introduces the concept of bricolage as methodology by sharing an anecdote about an Acadian friend who is constantly at work using scraps of leftover wood to create the most unique and charming birdhouses ... no two ever look the same (p. 87). Berry notes that, like her friends carpentry projects, engaging with bricolage as a research approach involves working with bits and pieces of theoretical, methodological and interpretive paradigms. It works with the scattered parts, overlaps and conflicts between paradigms (p. 102). Similarly, Steinberg (2006) comments that:
Bricolage involves taking research strategies from a variety
Interpretive Gardens
Methodological Approaches for Integrating Indigenous ...· Global goals, local actions: A framework
INTERPRETIVE SCHEMES AND OTTOMAN HISTORIOGRAPHY etd.lib.metu.edu.tr/upload/12606216/index.pdf · INTERPRETIVE
Chapter 18 Animal Language: Methodological and Interpretive Issues
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Methodological approach to indigenous fruit trees breeding: case Omonhinmin, 2012).The value of the
Massachusetts Student Growth Percentiles: Interpretive .MCAS Student Growth Percentiles: Interpretive
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UNIT OUTLINE - University of OUTLINE Read this document ... Goulding, 1999, 'onsumer research, interpretive paradigms and methodological ambiguities', European Journal of Marketing,
Interpretive Grounded
Apac interpretive


Anyone else get Stan 3 vibes from Castle/Arose?
Only this time he is the over obsessed fan to Hailie instead of someone being his fan?
Are we getting the last part of the Stan trilogy ?
What's your favorite set of non rap lyrics?


I have continued to use my new technique of combining sketchbook drawings with digital imagery (described in my previous post) for an entirely new series, Women of the Old West. I again began by hand-drawing the images of three women—this time using historical photos as references— using pencil and paper. The sketches of these women, who were actual cowgirls in bygone times, were been coupled with stylized, manipulated photos of real places I snapped in and around Santa Fe and Cerrillos, NM. Only the women's clothing (and horse) are opaque, allowing the backgrounds to be blended with the rest of the drawings.
I plan to add two more trios of women—Native Americans and Early Settlers— to complete the entire "Women of the Old West" series. I will post each as it is completed. Watch for them!.


text:
package com.marverenic.music.data.inject;

import androidx.room.Room;
import android.content.Context;

import com.marverenic.music.data.store.PreferenceStore;
import com.marverenic.music.player.PlayerController;
import com.marverenic.music.player.ServicePlayerController;
import com.marverenic.music.player.persistence.PlaybackPersistenceManager;
import com.marverenic.music.player.persistence.PlaybackStateDatabase;

import javax.inject.Singleton;

import dagger.Module;
import dagger.Provides;

@Module
public class PlayerModule {

    @Provides
    @Singleton
    public PlayerController providePlayerController(Context context, PreferenceStore prefs,
                                                    PlaybackPersistenceManager persistenceManager) {
        return new ServicePlayerController(context, prefs, persistenceManager);
    }

    @Provides
    @Singleton
    public PlaybackStateDatabase providePlaybackStateDatabase(Context context) {
        return Room.databaseBuilder(context, PlaybackStateDatabase.class, "playerState")
                .allowMainThreadQueries()
                .build();
    }

    @Provides
    @Singleton
    public PlaybackPersistenceManager providePlaybackPersistenceManager(
            PlaybackStateDatabase playbackStateDatabase) {
        return new PlaybackPersistenceManager(playbackStateDatabase);
    }

}

redpajama_set_name: RedPajamaGithub


indications It is prescribed for caudal, epidural, peripheral, or sympathetic anesthetic block.
contraindications Known hypersensitivity to this drug or to any of the amide class of local anesthetics prohibits its use.
adverse effects Among the more serious adverse reactions are central nervous system disturbances, cardiovascular depression, respiratory arrest, cardiac arrest, and hypersensitivity reactions.
A local anaesthetic of the amide type used in eye surgery. It is used in 0.25-0.75% solution. It is often mixed with lidocaine hydrochloride. Its action starts after about 5 minutes and lasts for about 10 hours.
a local anesthetic used for peripheral nerve block, infiltration, and sympathetic, caudal or epidural block.
46 After successfully locating the dura and injecting Marcain Heavy 0.
With the patient in the sitting position, due consideration needs to be given to the specific gravity of the heavy marcain solution.
With the addition of glucose to the heavy marcain solution, this gives it a specific gravity of 1.
Astra Zeneca UK Limited 2005 Marcain Polyamp Steripack SPC Available from: www.


text:
CONGEALED - VOL 1 - ART BOOK
We are very excited to release the first volume of CONGEALED, an art book featuring new work from MAT BRINKMAN, C.F., CHRIS POTTINGER,NATE YOUNG and BILL NACE. Produced as a visual accompaniment to a festival in Detroit under the same name. This book has been assembled to celebrate solo experimental musicians who express themselves through drawing and painting.
Professionally printed using 4-color process, silver reflective ink on the cover, 36 pages measuring 6" x 9". This book is sure to please anyone interested in the visual output of these five multidisciplinary artists, as it is rare to collect them together within the pages of one book.
CONGEALED - BOOK RELEASE & PERFORMANCE VIDEO
Curated by 2012 Kresge Fellow Chris Pottinger, Congealed: A Festival of Solo Experimental Sound and Art features live performances by Cotton Museum, Nate Young, Bill Nace, and Christopher Forgues (C.F.), and a video w/ live soundtrack by Mat Brinkman. Pottinger's curated concert celebrates solo experimental musicians, local and national, who express themselves through drawing, painting and video.
"We recently received a gorgeous zine (and sticker) in the mail from Chris Pottinger, head of Detroit-based Tasty Soil Records and Art. Featuring the work of C.F., Nate Young, Chris (Pottinger) himself, Mat Brinkman, and Bill Nace (plus a contribution from Elaine Barry Kahn), it's an awesome collection of illustrations that are visceral and intriguing. I was immediately absorbed by the zine, thanks in part to its green cardstock cover with meticulous silver ink drawings and the beautiful layout that pulls them together.
One of the highlights for me was Chris's illustrations — they're filled with intricately detailed creatures that drip and ooze with various bodily fluids, while multitudes of hanging, somewhat-human-looking body organs decorating their exteriors. They are not unlike an accident that you can't look away from. I also found Mat's work particularly interesting — it also deals with vague human forms, but represents them with multiple layers of colored patterns that look like nervous systems and fingerprints at the same time. The transparent layers slide together to create a striking and vibrant palette against their black background."
— Decoder Magazine


Bronx residents are giving back to the community this holiday season.
An event called Cranksgiving has cyclists compete to see who can accumulate the most points by purchasing food donations and bringing them to the Betances Community Center in two and a half hours or less using a map and a list of supermarkets in three zones.
The event was created by Edmundo Martinez three years ago.
This year BronxWorks, which runs the Betances Community Center, will be hosting a food drive open to the community.
Last year, the organization hosted a food workshop to teach community members how to make healthy food. After the workshop, they gave attendees those food items. In years prior, the organization gave donated food items, which included baby food to a homeless shelter.


The Snake can be used on stationary and height-adjustable desks to completely hide and protect all wires within the unit. This highly flexible vertical wire manager comes complete with a top mounting plate and foot.ECA now has a series of attractive, practical solutions for managing wires from under the worksurface to the floor. With no installation hardware required, Cable Clips simply snap on to the table leg and can house both electrical and data cables and be easily adjusted and re-adjusted by the user. The Slinky's flexible coil design adds a stylish element to wire management. The Snake can be used on stationary and height-adjustable desks to completely hide and protect all wires within the unit.


text:
Andrew Whaley, zimbabvejski dramatik in igralec, * 1958, Zimbabve.

Glej tudi
 seznam zimbabvejskih dramatikov
 seznam zimbabvejskih igralcev

Zunanje povezave
 Africa Database (v angleščini)

Rojeni leta 1958
Živeči ljudje
Zimbabvejski dramatiki
Zimbabvejski igralci

redpajama_set_name: RedPajamaWikipedia


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We also accept support requests by phone, text and email (there is an additional charge for this unless you have a Platinum contract)... and if your PC is totally dead, there's an asset ID label on it with a QR code you can scan with your smartphone to go directly to the support ticket system using your phone's web browser.
$100/server/month plus $75/workstation/month (All servers must be running Windows Server 2012R2 or later, and all workstations must be running Windows 10).
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JPCI can help you get your business connected to the Internet, whether it's a stand-alone system dialing in to America Online, a small network using one modem as a gateway for all the systems, or a permanent high-speed connection such as a cable modem, wireless spread-spectrum radio link, satellite, DSL or T1 line. We can even set up your own in-house web servers for electronic commerce (on-line sales).
Businesses all over the world are rushing to establish a presence on the Internet, whether to advertise their existence, to provide their clients with information, or to sell their products and services directly to web surfers around the world. JPCI can take care of every phase of this process, from obtaining your own domain name (yourbusiness.com) through creating your website and providing a server to host your site on. Once your website is up and running, we can keep it running, change the look periodically, and provide you with logs detailing what kind of traffic your site has been getting. A "Standard" website of ten to twenty web pages for which you provide the text and graphics in electronic form so we can just copy-and-paste and don't have to hand-enter everything) costs $1000.. An "Enhanced" website with lots of graphics, animations and page transition effects (or where we do all the work: taking digital photos or scanning your standard photos, typing in your text from hand-written or printed notes, etc.) costs $1500.. An "eCommerce" website with high-tech options such as streaming audio and video, online commerce, pager gateways and other online forms, eCommerce shopping carts, and online newsletters costs $2500. All website development fees include your web-server setup fees (required to place your site on the Internet), rating with ICRA (they rate the content of your site so it can be accessed by browsers with "objectionable content" filtering turned on) and submission of your new site to the top search engines. They do not include the monthly website hosting listed below.. you will be charged for one-half of the development fee in advance, and billed for the balance plus your hosting fees as soon as your site goes "live".
* There are over 300 systems running Red Hat Linux and Apache (the most popular combination on the Internet, and one of the most reliable.. 99.9% uptime is guaranteed), connected via high-speed switched Cisco managed routers. All servers are upgraded every 3-4 months to ensure that they are running the current state of the art in hardware.
Getting good hardware and software is only half the battle.. You have to know how to use it effectively if you want to be productive. Part of our commitment to our clients is providing on-site instruction in how to make the most of what you've got: learning to use the network productively.. being sure your vital data is getting backed up properly.. using electronic information systems to make getting the information you need easier and faster. We also offer both on-site and telephone tech support whenever you need it.. we can even troubleshoot your system remotely if you'd like us to! We can also host a "virtual classroom" with training streaming to multiple remote viewers simultaneously.


text:
Category: Press » Religion & Faith
Statement From the American Islamic Congress Regarding the Assassination of Benazir Bhutto
American Islamic Congress
The American Islamic Congress today condemned the assassination of former Pakistani Prime Minister Benazir Bhutto. Executive Director Zainab Al-Suwaij issued the following statement:
"Benazir Bhutto was one of the most prominent Muslim women in the world. Her murder is a wake-up call to Muslims and all people of conscience.
"Ms. Bhutto was a model of independence and courage for Muslim women around the world. After she was nearly killed upon her recent return to Pakistan, she could have taken a safe exit. Instead she chose to stand up and speak out despite the risks.
"Young Muslim women around the world should not let this murder dissuade them from speaking out and claiming their rightful place as equals in society.
"Coming just after Muslims around the world celebrated Eid Al-Adha, Bhutto's murder is a reminder of the struggle to assert the sanctity of human life. A light has been snuffed out.
"We extend our condolences to Bhutto's family and to the families of all the people murdered and maimed in the wave of recent suicide bombings around the world."
The American Islamic Congress is a civil-rights organization promoting tolerance and the exchange of ideas among Muslims and between other peoples. With the motto "passionate about moderation," the organization leads initiatives around the world and has offices in Washington, Boston, Egypt, and Iraq.
Specialized in: American Islamic Congress
URL: http://www.aicongress.org
New Sci-Fi Novel Intertwines Cyber Technology and Religion (Popularity: ): Olympia, Wash. - April 03, 2017 -- Long-time cyberpunk fan, Len Gizinski recently wrote his first novel, "The Metal Within." The book was inspired more than 20 years ago, beginning as an idea for a futuristic role-playing game."The Metal Within" is the debut novel in an intended science fiction series set in a dystopian 2048, carrying age-old messages of morality and good versus evil. Cyber technology plays a key role ...
WorldReligionNews.com Holiday Infographic: 'What Do Religions Do During the Holiday Season?' (Popularity: ): San Francisco, CA - December 15, 2016 -- WorldReligionNews.com, an award-winning religion news site picked as the "2016 #1 Religious Blog" by FeedSpot, has updated their exclusive and annual holiday season-inspired infographic that informs how 24 major world religions observe the holiday season.The embeddable infographic provides a quick snapshot on the holidays as observed by 24 world religions including Hindus; Sikhs; Shintoists, Bahá'Ís; Wiccans; Buddhists; Jews; Atheists, Agnostics and religiously ...
Jesus.net Japan Launches Outreach to Bring Hope to Nation Still Hurting from March 2011 Disaster (Popularity: ): YOKOHAMA, Japan, March 7, 2012 -- Jesus.net Japan, an Internet evangelism effort to reach millions shaken and still hurting from the March 2011 earthquake, tsunami and nuclear accident, has launched a series of seeker-friendly "stepping stone" websites in Japan in an effort to lead people to Christ and connect them with a local church. The U.S. entity and English information source for the ministry is Jesus Net Japan.Jesus.net Japan is ...
U.S. Sponsors Bangladesh Conference for Religious and Community Leaders on Advancing Development in Asia (Popularity: ): The U.S. Agency for International Development (USAID) is sponsoring a regional conference in Dhaka on "the role of religious and community leaders in advancing development in Asia," March 21-24, and 70 religious and community leaders from fourteen countries across Asia are expected to participate."USAID values the work that community and religious leaders are doing on the ground every day to create tangible improvements in people's lives," says USAID's Acting Senior ...
First Baptist Church Dallas Launches $130 Million Capital Building Campaign: (Popularity: ): The congregation of First Baptist Church Dallas today overwhelmingly affirmed recommended plans to proceed with a $130 million capital campaign to build an expansive new 1.5 million square foot, state-of-the-art campus, making it the largest church building program in modern history, according to church fundraising experts."First Baptist's building program is not an end in itself, it is a means to an end to better minister to and meet the needs ...
Bowl.com (Popularity: ): Central site for the American Bowling Congress (ABC), Women's International Bowling Congress (WIBC), USA Bowling, Young American Bowling Alliance (YABA), Bowling Proprietors Association of America (BPAA), and College Bowling USA (CBUSA). Also includes link to the American Bowling Congress annual tournament site.
CORA - Congress Of Romanian Americans (Popularity: ): The official website of the Congress Of Romanian Americans. The Congress represents the interest of the Romanian-American community, from all walks of life, in the Nation's Capital.
National Black Catholic Congress (Popularity: ): Umbrella organization representing African American Catholics. Mission statement, structure, history, FAQ, online monthly newsletter, master calendar.
Assassination Science (Popularity: ): A site that bills itself as sticking to the "hard facts" in the assassination of President John F. Kennedy.
Living Muslim - Islamic Wills (Popularity: ): Living Muslim provides Shari'ah Compliant Legal Documents to American Muslims, including: Islamic Wills, Islamic Trusts, and Islamic Marriage Contracts. Living Shari'ah Compliant in America.
American Congress on Surveying and Mapping, New England Section (Popularity: ): Chartered as a local section of the American Congress on Surveying and Mapping , with jurisdiction over the New England states of Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, and Vermont.
Was FDR Assassinated? (Popularity: ): Brief description of author Bill Hanson's Closely Guarded Secrets: The Assassination of FDR. Suggests FDR died at the hands of a Nazi assassination team.
Islamic American University (Popularity: ): A project of the Muslim Association of America, offering campus-based and distance learning courses in Islamic studies; specializes in preparing imams and teachers.
Islamic Books Exporters (Popularity: ): Darussalam India is a best islamic books exporters company in Tamil Nadu, our organization offer a wide collection of the islamic books includes books like history of islam books, islamic education books, islamic hindi books. the company offers the islamic books affordable prices in global market.
German American National Congress (Popularity: ): This society strives to improve public appreciation of German-American contributions to American life, and to contribute towards better understanding between the German and American peoples.


text:
7 Wonders of Mehedinti and Borski
Database "7 Wonders of Mehedinti and Borski"
Caves route
Gastronomic route
Tradional Gastronomy
The cultural heritage route
Cultural objectives
Historical objectives
Unique landscapes
The nature heritage route
Outside sports
Off-Road routes
The hiking route
The Blue Path
The beautiful nature route
RoSe Ramblers Association
RoSe Off-road and Enduro Association
RoSe Nautical Club
RoSe Hunters and Anglers Club
RoSe Speleological Association
Accommodation in Bor
Accommodation Golf Porec
Accomodation Donji Milanovac
Accommodation in Negotin
Accommodation in Negotin-Bukovo
Accommodation in Negotin – Cubra
Accommodation in Negotin -Rajac
Accommodation in Negotin – Roglejvo
Accommodation in Kladovo
Accommodation in Kladovo – Brza Palanka
Accommodation in Kladovo – Velica Vrbica
Accommodation in Novi Sip
Accommodation in Rudna Glava
Accommodation in Tekija
Accomodation in Crnajka
Accommodation in Mehedinti
Accommodation in Bala
Accommodation in Dubova
Accommodation in Drobeta Turnu Severin
Accommodation in Eselnita
Natural Beautys
Caves in Geoparcul Platoul Mehedinţi
Caves in Iron Gates Natural Park
Religious Objectifes
Touristic Routes
Touristic Routes in Geoparc
Touristic Routesc in Iron Gates Natural Parc
Isverna Cave
Home > 7 Wonders of Mehedinti and Borski > Caves route > Isverna Cave
Thematic Route: Caves Route
Name of Touristic Attraction: Isverna Cave
Location: in Isverna Commune, Mehedinți county. The road to the cave starts from the road that comes from Baia de Aramă and goes to Drobeta Turnu Severin. Near the village of Turtaba (famous for the "Nedeie" Feast, in May, which is known as the "Turtaba Fair"), the road turns to the village of Isverna. From here, there are only 5 km to the cave. It is about 100 m away from the last house in the commune.
Description: Isverna Cave is located in the western extreme of Isverna, at the foot of Mehedinti Mountains, on the Cave Hill, at an altitude of 600 m. An active cave, which has subfossil and fossil parts, Isverna has a main gallery, oriented in NV-SE direction, with some branches. The entrance in the cave has a dimension of 4×3 m. In order to get to the main gallery, it is necessary to climb a 3 m jumper and cross a short aisle. This gallery has been developed on the basis of a diacle system that has been processed through water erosion. Passing through the gallery involves crossing a long corridor sprinkled with a few small lakes containing 75m depth of infiltration water. At the end of a short aisle, there is a cascade. In this area of the cave there is a clear water basin with a depth of about 1.5 m. The basin is called the Green Lake due to the colour and clarity of the water. To navigate this pool, a pneumatic boat is required. Because the water temperature is low, swimming is not allowed. There is also the escalation variant: on the left side, there is a diaclase, a chimney that climbs about 5 m, which exceeds a threshold from which descends a fairly tilted and smooth surface of the limestone, shaped by the slopes. So we meet the underground stream that appears under the mirror of a siphon, known as the Green Siphon, which can only be exploited by an independent diver. The Green Siphon is 50 m long and 12 m deep. In parallel with it, the Fossil Gallery is being developed. The next section is about 80 m, relatively easy to cross. Here the gallery develops on a high diaclase of up to 4 m, with stalagmites from place to place. At the exit of the gallery there is a hall of 12×8 m length and a height of 6 m high, called the Diver s Room. It communicates with the underground stream through two openings. One of the apertures is on the right side, where a limestone slide descends to a siphon lake and the other one is opposite and represents the entry into a 5 m well at the end of which lies the same lake siphon, called Short Siphon. With a length of 20 m and a depth of 5 m it is the end of the route accessible to tourists. Following the Short Siphon, there is a new gallery with a length of 100 m and a new siphon. Exploited in 1982, this siphon is actually a drowned well with a depth of about 48 m. In the cave galleries we meet erosion, elliptical profiles, pillars, erosion waves and marmites. All of this builds the morphology of an active cave.
Legend / Story / Impressions / Recommendations
The cave was first explored by the biologist C. N. Ionescu. He only explored 200 meters. In 1914 he published a description of this exploited portion. In 1951 P.A. Chappuis and A. Winkler made a more detailed description of the cave, and later, between 1964 and 1967, V. Decou did some biospeology research inside the cave. In 1973, C. Goran realizes for the first time the cave's plan which only appeared in 1976. In 1979, the cave is re-started, with new galleries included. Thus the current cave length reaches 1500 m.
The Isverna Cave is one of Europe's most famous speleological reserves, which became famous after the great oceanologist Jacques Yves Cousteau arrived here with a team of cavers and independent divers in 1991 to make a documentary film. At national level, the cave became known after 1989 when some maps of hidden treasures in its depths, appeared. One of the legends concerns Empress Maria Theresa, who allegedly sinks into a cave lake a silver deposit belonging to the Austro-Hungarian Empire. Another legend speaks of Serbia's national treasure, which would have been buried here in the second half of the nineteenth century, when the two hereditary princes, Milan Obrenovici and Mihail, claimed their throne. The cave is still an unknown land today, because despite its state-of-the-art technology it could not be fully exploited.
The cave is not accessible to tourists, it can only be explored by divers only with special equipment.
Information and Contact:
The cave is managed by Mehedinti Geoparc Plateau:
phone/ fax: +4 0372 521 116,
website: http://www.geoparcmehedinti.ro,
e-mail: geoparcmehedinti@gmail.com
Route closed to other thematic routes:
In the commune you can also visit:
The Wooden Church of the Holy Voivodes from Isverna
The church in Seliștea Village
In the area you can also visit:
The God's Bridge in Ponoarele Commune
Zaton Lake from Ponoarele Commune
The springs of Cosustea from Balta Commune
Other useful information:
Accomodation:
Vila Lila: DC 50, Isverna, Mehedinți
Pietrele Albe: Seliștea village, Isverna, Mehedinți, tel: +40722 335 322
Steaua Munților: Seliștea village, Isverna, Mehedinți, tel: +40756 322 095, +40743 150209
GPS coordinates: Lat/Lng (44.980152715869316, 22.619647999999984), DC50, Isverna 227285, România
June 13, 2018 at 9:26 am slate74 Caves route Share via:
The Press Conference of the project "7 Wonders of Mehedinti and Borski", 29th December 2018, Negotin
The last press conference of the project "7 Wonders of Mehedinti and Borski" took place in Negotin, on the 29th of December 2018. During the event, attended by more than 50 people from...
The Gastronomy of two Empires
The Final Conference of the Project "7 Wonders of Mehedinţi and Borski", 20th December 2018, Drobeta Turnu Severin
Pro Mehedinţi Association, as Project Leader, organized on 20 December 2018 the Final Conference of the Project "7 Wonders of Mehedinţi and Borski". The conference took place at the "Teodor Costescu" Cultural Palace...
Press conference of the project "7 Wonders of Mehedinti and Borski" – 13.12.2018
The third press conference of the project "7 Wonders of Mehedinti and Borski" took place in Donji Milanovac, on the 13th of December 2018. During the event, attended by more than 50 people...
Autumn in Mehedinti and Borski
7 Wonders of Mehedinti and Borski (7)
RoSe Ramblers Association (1)
RoSe Off-road and Enduro Association (1)
RoSe Nautical Club (1)
RoSe Hunters and Anglers Club (1)
Natural Beautys (41)
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The cultural heritage route (2)
Unique landscapes (25)
Caves route (17)
Caves in Geoparcul Platoul Mehedinţi (10)
Caves in Iron Gates Natural Park (2)
RoSe Speleological Association (2)
The hiking route (29)
Outside sports (6)
Nautical sports (3)
Touristic routes in Geoparcul Natural Mehedinți (13)
Touristic routes in Iron Gates Natural Park (10)
Off-Road routes (2)
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The beautiful nature route (8)


text:
PublishTab 3 of 3.
The Society's primary mechanism for influencing the policymaking process is STS-PAC. STS-PAC contributions help to ensure that cardiothoracic surgery has a strong voice in Washington and across the country. STS-PAC is the only political action committee that exclusively represents cardiothoracic surgery.
Please login, using your last name and STS member ID, for more information about STS-PAC.
STS Member ID:
Your 6-digit STS Member ID number is required for online contributions or to access the STS-PAC website. If you need assistance locating your STS Member ID, contact membership@sts.org.
Contact advocacy@sts.org or the STS Government Relations office at 202-787-1230 for assistance. Due to federal law, you must be a dues paying STS member or non-dues paying STS member with voting rights, and who is a U.S. citizen or lawfully admitted permanent U.S. resident, in order to login here.
What is STS-PAC?
STS-PAC stands for The Society of Thoracic Surgeons Political Action Committee. PACs are formed by groups in order to advance the outcome of a political issue or election. STS-PAC was formed in 1997. Since then, it has raised millions of dollars from politically active cardiothoracic surgeons who want their voices heard in Congress.
Public policy is driven by who gets elected, who is most effective in Washington, and who has the most political visibility. The Society's primary mechanism for influencing the policymaking process is STS-PAC. STS-PAC contributions help to ensure that cardiothoracic surgery has a strong voice in Washington and across the country.
Why does STS have a PAC?
The Federal Election Campaign Act prohibits campaign donations directly from corporations, labor organizations, and other groups, including STS. Instead, organizations may establish separate bank accounts to collect voluntary donations and distribute that money to campaign coffers. When people contribute to PACs, their political voices are heard in full force with like-minded citizens.
Thousands of PACs have been organized, but STS-PAC is the only one that represents cardiothoracic surgery. STS-PAC disburses money in a nonpartisan manner to candidates in federal elections. Because of ethics laws that limit access to members of Congress, STS-PAC is one of the best ways to forge relationships with elected officials and convey the Society's priorities in a fair and open manner. All contributions are public record.
What has STS-PAC done for me?
The impact of advocacy manifests itself in a variety of ways: an invitation to a forum with elected officials, legislation or regulations passed, altered or prevented, a meeting between an STS member and an elected official or staff, and much more. Despite that, here are a few victories STS-PAC has supported in the past twenty years: Repeal of the Sustainable Growth Rate formula
Passage of the Medicare Access and CHIP Reauthorization Act (MACRA)
Preservation of global surgical payments
TAVR coverage determination
Lung cancer screening coverage
Prevention of onerous globals data collection
Registry definition in the 21st Century Cures Act
Who governs STS-PAC?
STS-PAC is governed by the STS-PAC Board of Advisors. The Chair of the Council on Health Policy and Relationships serves as Chair of the STS-PAC Board of Advisors. Other members include the STS First Vice President, the STS Treasurer, the STS Resident Director, and the STS Immediate Past President. In addition, other individuals appointed by the STS Executive Committee serve on the Board.
How is my contribution used?
Contributions to STS-PAC are used to support the political campaigns of Members of Congress and candidates for Congress who support the Society's legislative priorities and the cardiothoracic surgery specialty. STS-PAC is nonpartisan and supports candidates from both major parties. STS-PAC is one of the best ways to forge relationships with elected officials and convey the Society's priorities in a fair and open manner.
Contributions to STS-PAC are voluntary and not tax deductible for federal income tax purposes. You have the right to decline to contribute without any reprisal against your STS membership. Your contribution must be made using a credit card, check or money order, and must be drawn on a personal account to be used to support federal candidates. You must be a U.S. citizen or lawfully admitted permanent U.S. resident to contribute. Federal law requires us to use our best efforts to collect and report the name, mailing address, occupation and name of employer of each individual whose contributions exceed $200 in a calendar year. Federal law prohibits STS and STS-PAC from soliciting contributions from persons outside STS's restricted class. STS's restricted class includes individuals who are dues paying members or non-dues paying members with voting rights, and who are U.S. citizens or lawfully admitted permanent U.S. residents.
HVV-WEBSPGR1/Anon/360SQLCluster|P6_SocietyThoracicSurgeons_20161010


text:
<?php
require_once('IPPNameBase.php');

/**
 * @xmlNamespace http://schema.intuit.com/finance/v3
 * @xmlType NameBase
 * @xmlName IPPVendor
 * @var IPPVendor
 * @xmlDefinition  Describes the Party as a Vendor Role view
 */
class IPPVendor
	extends IPPNameBase	{

		/**
		* Initializes this object, optionally with pre-defined property values
		*
		* Initializes this object and it's property members, using the dictionary
		* of key/value pairs passed as an optional argument.
		*
		* @param dictionary $keyValInitializers key/value pairs to be populated into object's properties
		* @param boolean $verbose specifies whether object should echo warnings
		*/
		public function __construct($keyValInitializers=array(), $verbose=FALSE)
		{
			foreach($keyValInitializers as $initPropName => $initPropVal)
			{
				if (property_exists('IPPVendor',$initPropName))
				{
					$this->{$initPropName} = $initPropVal;
				}
				else
				{
					if ($verbose)
						echo "Property does not exist ($initPropName) in class (".get_class($this).")";
				}
			}
		}

	/**
	 * @Definition  Name of the contact within the vendor. Used by QBD only

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName ContactName
	 * @var string
	 */
	public $ContactName;
	/**
	 * @Definition  Name of the Alternate contact within the vendor. Used by QBD only

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName AltContactName
	 * @var string
	 */
	public $AltContactName;
	/**
	 * @Definition
								Product: ALL
								Description: Free form text describing the Vendor.[br /]Max. length: 1024 characters.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlMaxOccurs 1
	 * @xmlName Notes
	 * @var string
	 */
	public $Notes;
	/**
	 * @Definition
								Product: ALL
								Description: Default billing address.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlMaxOccurs 1
	 * @xmlName BillAddr
	 * @var com\intuit\schema\finance\v3\IPPPhysicalAddress
	 */
	public $BillAddr;
	/**
	 * @Definition
								Product: ALL
								Description: Default shipping address.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlMaxOccurs 1
	 * @xmlName ShipAddr
	 * @var com\intuit\schema\finance\v3\IPPPhysicalAddress
	 */
	public $ShipAddr;
	/**
	 * @Definition
								Product: QBW only.
								Description: An address other than default billing  or shipping.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlMaxOccurs unbounded
	 * @xmlName OtherAddr
	 * @var com\intuit\schema\finance\v3\IPPPhysicalAddress
	 */
	public $OtherAddr;
	/**
	 * @Definition
								Product: QBW.
								Description: Country of Vendor.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName TaxCountry
	 * @var string
	 */
	public $TaxCountry;
	/**
	 * @Definition Specifies the Tax ID of the Person or Organization
	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName TaxIdentifier
	 * @var string
	 */
	public $TaxIdentifier;
	/**
	 * @Definition
								Product: QBW.
								Description: Business Number of the Vendor. Applicable for CA/UK versions of QuickBooks.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName BusinessNumber
	 * @var string
	 */
	public $BusinessNumber;
	/**
	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName ParentRef
	 * @var com\intuit\schema\finance\v3\IPPReferenceType
	 */
	public $ParentRef;
	/**
	 * @Definition
								Product: QBW.
								Description: Reference to the VendorType.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName VendorTypeRef
	 * @var com\intuit\schema\finance\v3\IPPReferenceType
	 */
	public $VendorTypeRef;
	/**
	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName TermRef
	 * @var com\intuit\schema\finance\v3\IPPReferenceType
	 */
	public $TermRef;
	/**
	 * @Definition
								Product: QBW.
								Description: Reference to the PrefillAccount.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName PrefillAccountRef
	 * @var com\intuit\schema\finance\v3\IPPReferenceType
	 */
	public $PrefillAccountRef;
	/**
	 * @Definition
								Product: ALL
								Description: Specifies the open balance amount or the amount unpaid by the vendor. For the create operation, this represents the opening balance for the vendor. When returned in response to the query request it represents the current open balance (unpaid amount) for that vendor.
								Filterable: QBW
								Sortable: QBW

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName Balance
	 * @var float
	 */
	public $Balance;
	/**
	 * @Definition Specifies the date of the Open Balance.
								Non QB-writable.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName OpenBalanceDate
	 * @var string
	 */
	public $OpenBalanceDate;
	/**
	 * @Definition Specifies the maximum amount of an unpaid vendor balance.
	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName CreditLimit
	 * @var float
	 */
	public $CreditLimit;
	/**
	 * @Definition Name or number of the account associated with this vendor.
								Length Restriction:
								QBO: 15
								QBD: 1024

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName AcctNum
	 * @var string
	 */
	public $AcctNum;
	/**
	 * @Definition The Vendor is an independent contractor, someone who is given a 1099-MISC form at the end of the year. The "1099 Vendor" is paid with regular checks, and taxes are not withhold on their behalf.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName Vendor1099
	 * @var boolean
	 */
	public $Vendor1099;
	/**
	 * @Definition
								Product: QBW
								Description: True if vendor is T4A eligible. Applicable for CA/UK versions of quickbooks.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName T4AEligible
	 * @var boolean
	 */
	public $T4AEligible;
	/**
	 * @Definition
								Product: QBW
								Description: True if vendor is T5018 eligible. Applicable for CA/UK versions of quickbooks.

	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName T5018Eligible
	 * @var boolean
	 */
	public $T5018Eligible;
	/**
	 * @Definition Reference to the currency all the business transactions created for or received from that vendor are created in.
	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName CurrencyRef
	 * @var com\intuit\schema\finance\v3\IPPReferenceType
	 */
	public $CurrencyRef;
	/**
	 * @Definition Internal use only: extension place holder for Vendor.
	 * @xmlType element
	 * @xmlNamespace http://schema.intuit.com/finance/v3
	 * @xmlMinOccurs 0
	 * @xmlName VendorEx
	 * @var com\intuit\schema\finance\v3\IPPIntuitAnyType
	 */
	public $VendorEx;

} // end class IPPVendor


Travellers to Rab Town are booking July dates now. Secure your holiday rental today, and have the perfect trip.
it is very fine and good situated in the old town of rab. it is very clean. there is a terrace which invited to seat here in the morning or evening.
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Cozy appartment in Rab centre!
Nice and cozy apartment on a great location. Everything is in a few mins walking distance. Sir Ante (our host) was great. More than expected.
Centrally located in beautiful Rab!


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Unlawful monetization and money laundering is legalization of criminal money funds through international financial institutions, which include broker companies and currency exchange markets.
Using non-bank financial institutions allows to hide illegal sources of funds and involve them into money turnover under the guise of legal capital.
To prevent cooperation with persons interested in dealing with illegal property, LH-CRYPTO Project, managed by Larson and Holz IT LTD professionals, due to the legislation, does not take part in intentionally illegal money and credit operations deliberately.
Our anti-money laundering policy includes obligatory identification of our clients by providing identity verification documents, which are passport or other national identifying documents that contain person's full name, date and place of birth, number and validity period. Passport or its high quality copy submission is obligatory for both entering into contract relationships with Project and for funds withdrawal. Until the required documents are submitted the trade account cannot be activated and funds depositing is not available.
For funds deposit or funds withdrawal via credit/debit card a client needs to submit scanned copy or photo of his or her credit/debit card (both front and back sides).
The card front side should show its holder's full name, expiry period and first six and the last 4 digits of the card number (the rest of the digits may be covered). The copy or scanned image of the back side of credit/debit card should show visible signature of the card holder while CVC2/CVV2 code should be covered.
In case the client refuses to submit the information described above or deliberately submits misleading information, the Project retains the right to refuse to provide services to this client and close the client's existing account.
The deposit and withdrawal procedures are processed due to established standards and require availability of the account owner's passport or its digital copy and full compliance of passport data to the information in the Project's data base. In case of personal data changes client should inform the Project on his or her new passport data for adding them to the data base. In case of data inconsistences, the Project may refuse to process funds deposit or funds withdrawal until updated information is provided in established manner.
Trading accounts can be used solely for operations with financial instruments. The Project accounts cannot be used as transitive. In case the Project suspects illegitimate exploitation of its services it has the right to demand additional information from the client. The Project may refuse to provide its services to this client and compulsorily close his or her account. In this case funds withdrawal can be processed only to a bank account with the client's personal details. Electronic funds transfer can be limited or cancelled.
You are welcome to contact the LH-CRYPTO Project's support team if any questions emerge.


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My friend Mike taught me the power of Mustache Maintenance.
Whenever we running late on a Friday night back in college Mike would race up the stairs and shave off his mustache fuzz in ten quick seconds. It took away his dirty upper lip look without taking all the time of a full shave and we'd be on our way to meeting friends at the bar without spending much time getting ready.
1. The Old Spice Shower. Sure, the full shower's great if you can get it, but there's only five minutes to spruce up it's time for a few swipes of deodorant, a spray of perfume, and the ol' sniff test. Feel free to wet your hair a little bit too.
2. The Underwear Refresh. Sometimes you're a little sweaty down there but there's no time to pick out a new wardrobe. That's when you strip it all off, swap the dampness for dryness, and get back to business. Sweaty socks, wet undershirts, everything must go!
4. The Smooth Strip. If you're wearing a business suit but don't have time to iron your entire shirt then just take care of the little front patch that people will see. Make sure to leave your jacket on all day otherwise everyone will call you Ol' Wrinkly Arms.
Now, there's nothing wrong with some serious primping and preening before the party. All we're saying is that when you don't have time to get clean and groom then it's fine landing somewhere in between. Just relax knowing you put on a good face even though you didn't have time to wash it.
Friday's contest winners are Ellen, Mariah, Sarah, Kirsten, and mocktheweak. Thank you, everyone!
Wait, #3 isn't socially acceptable for adults? I've found that that's been my greatest time-saving tactic!
I used to be the worst at this, because I'd foolishly think, "Ummm, I probably have time for a shower!" Three minutes to shower and get ready? … No. Showing up once with wet hair and no makeup was all it took to learn my lesson.
I actually had to do this last Monday, in fact. I had some weird dream that I was late for work…and I opened my eyes to find that I slept through my alarm and saw that I had to be at work in 40 minutes. Got there at 10am exactly! AWESOME!
I know all women know the 3-spot wipedown (pits & nether region), deodorant and underwear change. Wholla!
By people, you're talking about teacher-people…no doubt!
#1+ 2 have done on multiple occasions in the past two years when I was on call in the hospital……15 minutes of extra sleep just cannot be exchanged for a shower!!
Hmm…. its hard for me to pull off a no shower cuz my hair turns into a mess so quick..but when I'm pressed for time I wash my hair in the sink, refreshed my makeup (usually just wear eyeliner), and a few sprits of perfume. Good to go! Doesn't take more than 1 1/2 minutes to wash my hair in the sink. I've become a pro.
One of my friends swore that putting a little baby powder in her hair to disguise grease was how she survived a year's worth of early classes.
Yes…I've bent over the bathtub too. I prefer the sink though! I've never heard of the baby powder thing…..interesting. Kinda makes sense.
Yes! Lavender baby powder because it makes you smell nice too. Works best when you brush it in with a boar's hair bristle brush because it removes any telltale little white clumps of powder.
HAHAHAHA #3…only applies to babies!
For under 15s, foundation is also known as "how to look as if you've actually spent time doing your make-up". Hey no one's saying it makes you look better, but it definitely makes you look dressed up.
Which Sarah? Me Sarah? How do the winners know if they won?
I've had people call me ol' wrinkly arms, but that's just when I fell asleep with my arms dipped in a hot tub and they got all pruny. It was the worst.
This, of course, it totally real.
This is too true, especially since telling my self it will only be a 5 minute shower never ever ever works.
Oh dear – is this only acceptable for men?
Sadly I read this while in bed this morning so got up unacceptably late and have horribly greasy hair when I didnt have time to wash my it… Bleurgh.
Staying in bed too long before work always means I go to the gym though to have a shower which is a good thing!
I tend to feel guilty leaving the house after a simple "freshening up", but it does always astound me when I somehow get ready at the speed of light! Sometimes with spare time to waste!
How about getting ready for a wedding in 15 minutes? And pulling off everything you need to do too! That included a bath because I didn't have a shower. It does mean wearing your hair up guarenteed, but it is possible!
Why would you wear socks without shoes rather than just wear flip-flops?
If only you had the perfect outfit to wear every time and could just grab something from the wardrobe to wear and rush out the door. Instead of staring into the wardrobe for ages just hoping to find an outfit that you know doesn't exist but just might appear if you keep looking!
Well I take just over an hour each morning to get fully ready for school… yes yes i know, i am very slow. Also, I am not a morning person. Thus I never get time for a shower in the morning, or else I would have to get up at like 6 every morning. That is the reason I shower before I go to bed. Anyone else in this position?
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Two words – spray-in shampoo. Spray it on, wait 3 mins (which u can use to fix the rest of you) brush out. Gets u 15mins extra in bed & 1 more day before having to wash your hair.
Men need a flat of somekind, for them, it's all oxfords and Nikes, us ladies, however, have heels pumps wedges flats Nikes, ECT, BOOST THE MEN FOOTWEAR!!!!!


Theanswermyfriend made it 3 in a row when he took out the Penny Edition Stakes at Morphettville on Saturday over 1400m. The talented 5yo gelding is by High Chaparral out of our mare, Blowin In The Wind. Congratulations again to all connections.


text:
using System;
using System.Collections.Generic;
using System.Globalization;

namespace YamlDotNet.Serialization.ObjectGraphVisitors
{
    public sealed class AnchorAssigner : PreProcessingPhaseObjectGraphVisitorSkeleton, IAliasProvider
    {
        private class AnchorAssignment
        {
            public string Anchor;
        }

        private readonly IDictionary<object, AnchorAssignment> assignments = new Dictionary<object, AnchorAssignment>();
        private uint nextId;

        public AnchorAssigner(IEnumerable<IYamlTypeConverter> typeConverters)
            : base(typeConverters)
        {
        }

        protected override bool Enter(IObjectDescriptor value)
        {
            AnchorAssignment assignment;
            if (value.Value != null && assignments.TryGetValue(value.Value, out assignment))
            {
                if (assignment.Anchor == null)
                {
                    assignment.Anchor = "o" + nextId.ToString(CultureInfo.InvariantCulture);
                    ++nextId;
                }
                return false;
            }

            return true;
        }

        protected override bool EnterMapping(IObjectDescriptor key, IObjectDescriptor value)
        {
            return true;
        }

        protected override bool EnterMapping(IPropertyDescriptor key, IObjectDescriptor value)
        {
            return true;
        }

        protected override void VisitScalar(IObjectDescriptor scalar)
        {
            // Do not assign anchors to scalars
        }

        protected override void VisitMappingStart(IObjectDescriptor mapping, Type keyType, Type valueType)
        {
            VisitObject(mapping);
        }

        protected override void VisitMappingEnd(IObjectDescriptor mapping) { }

        protected override void VisitSequenceStart(IObjectDescriptor sequence, Type elementType)
        {
            VisitObject(sequence);
        }

        protected override void VisitSequenceEnd(IObjectDescriptor sequence) { }

        private void VisitObject(IObjectDescriptor value)
        {
            if(value.Value != null)
            {
                assignments.Add(value.Value, new AnchorAssignment());
            }
        }

        string IAliasProvider.GetAlias(object target)
        {
            AnchorAssignment assignment;
            if (target != null && assignments.TryGetValue(target, out assignment))
            {
                return assignment.Anchor;
            }
            return null;
        }
    }
}