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Behind The Green Mask
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If you've been wanting an interesting, clearly written, how-to-manual for identifying and fighting UN Agenda 21, here it is. Agenda 21--All the information you need to understand what is happening in your town, why it's happening, who is behind it, and what you can do to stop it. BEHIND THE GREEN MASK: U.N. Agenda 21 is 172 pages of truth. Part history, part current events, part hand-to-hand combat, and part blueprint for keeping your freedom, this is one book that you'll put to work immediately. Boots on the ground and all hands on deck is the order of the day. Awareness is the first step in the Resistance.
Genre : Agenda 21
Author : Rosa Koire
Genre : Short stories, American
Author : Edith Hall
ISBN : OSU:32435017775008
Author : Ralph Trevor
ISBN : OCLC:314823033
Living With Agenda 21
The United States has surrendered to a foreign power! Impossible! But true! Agenda 21 is a United Nations program, inaugurated in 1992 and signed by our delegates. It became our law through executive order 12858 issued by Bill Clinton. The Obama administration is working feverishly to carry out this program through more than 900 executive orders designed by the fifty plus czars. Most people have never heard of Agenda 21. This administration is quietly at work turning us into a socialist state. To save our freedoms we must know what is being foisted on us even as you read this.
Author : Dr. H. Lawrence Zillmer
Publisher : Xlibris Corporation
Behind The Mask Of Facebook
Ryan Hartwig may be one of the most important figures in American history. Hired by Cognizant as a content moderator for Facebook, Ryan Hartwig began by keeping gruesome images of cartel violence in Mexico off the platform. This seemed like a righteous mission and yet, as time went by, it became clear the Facebook bosses saw an even bigger threat, Americans of a different political viewpoint. Ryan watched in horror as Facebook made a monumental shift after the 2016 elections, hiring thousands of US-based content moderators with one mission, to favor leftist viewpoints while suppressing the speech of conservatives. Ryan describes more than forty examples of such behavior, and it will radically rewrite your understanding of the past four years as you learn how the news regarding prominent individuals like Greta Thunberg, Alyssa Milano, and Don Lemon was censored to remove legitimate criticism of them. Viral videos of Trump supporters being attacked were removed from the platform, and moderators were told to look for signs of hate speech in Trumps' State of the Union addresses, while at the same time allowing vicious attacks against police, pro-lifers, and straight white males. As America's de-facto town square, Facebook was systematically suppressing free speech, which has traditionally been our country's greatest weapon to combat extremism from either side. Ryan knew he had to take action, and contacted Project Veritas, eventually filming many of these actions with a hidden camera for the world to see. We need to stand up against tech tyranny and corporations that attempt to control our conversations, our news, and our political narratives. Reading Behind the Mask of Facebook: A Whistleblower's Shocking Story of Big Tech Bias and Censorship is the first step to learning how to confront and defeat this tyranny.
Author : Ryan Hartwig
The Mask Of Mirrors
"For those who like their revenge plots served with the intrigue of The Goblin Emperor, the colonial conflict of The City of Brass, the panache of Swordspoint, and the richly detailed settings of Guy Gavriel Kay." —Booklist (starred review) The Mask of Mirrors is the unmissable start to the Rook & Rose trilogy, a darkly magical fantasy adventure in which a con artist returns to the city that betrayed her, determined to have her revenge—only to find that her fate might be to save it. This is your past, the good and the ill of it, and that which is neither . . . Arenza Lenskaya is a liar and a thief, a pattern-reader and a daughter of no clan. Raised in the slums of Nadezra, she fled that world to save her sister. This is your present, the good and the ill of it, and that which is neither . . . Renata Viraudax is a con artist recently arrived in Nadezra. She has one goal: to trick her way into a noble house and secure her fortune. This is your future, the good and the ill of it, and that which is neither . . . As corrupt nightmare magic begins to weave its way through the city of dreams, the poisonous feuds of its aristocrats and the shadowy dangers of its impoverished underbelly become tangled—with Ren at their heart. And if she cannot sort the truth from the lies, it will mean the destruction of all her worlds. Praise for The Mask of Mirrors: "Utterly captivating." —S. A. Chakraborty, author of The City of Brass "This novel will catch hold of your dreams and keep you from sleeping." —Mary Robinette Kowal, author of The Calculating Stars "Ushers you into the fascinating city of Nadezra, replete with complex politics, intricate magic, and mysteries that readers will be racing to unravel." —Andrea Stewart, author of The Bone Shard Daughter "A fantastically twisty read." —Fran Wilde, author of the Bone Universe trilogy "Lush, engrossing, and full of mystery and dark magic, The Mask of Mirrors is sure to please fantasy readers looking to dial up the intrigue." —BookPage "A tightly laced plot dripping with political intrigue. Carrick has built a strong foundation for things to come." —Publishers Weekly
Author : M. A. Carrick
Publisher : Orbit
This is the story of a boy from a small Irish village who became an adventurer, a humanitarian and a doctor to the stars. Part travelogue, part thriller, part celebrity tell-all, you've never read anything quite like it. Patrick Treacy grew up in rural Northern Ireland during the Troubles. Determined to become a doctor, he raised the money for medical school by smuggling cars from Germany to Turkey. Working in a hospital in Dublin in 1987, a needle he had used to draw blood from a patient with HIV jabbed him in the leg. He took blood test after blood test, wondering whether he was going to die. Overwhelmed, he moved to New Zealand, away from everyone who knew what he was going through: his girlfriend, his friends and his colleagues. Thus he began a peripatetic existence, working as a doctor around the world. In Saddam Hussein's Baghdad, Treacy was arrested and imprisoned, spending days wondering whether he was going to be hanged as a spy. In Australia, he worked for the Royal Flying Doctor Service. On returning to Dublin, Treacy set up the Ailesbury Clinic, where he worked on the cutting-edge of the new field of cosmetic dermatology, championing treatments including the use of Botox. This brought stars to his doorstep, including the King of Pop himself, Michael Jackson. Central to this memoir is Treacy's personal journey: his efforts to escape the Troubles, cope with the fear that he might have contracted HIV (until he found out that he had not), get over his lost love and defend Michael Jackson's legacy.
Genre : Biography & Autobiography
Author : Patrick Treacy
Publisher : Liberties Press
Michael Jackson The Man Behind The Mask
A former public relations consultant for Michael Jackson describes the singer's life and music career.
Author : Bob Jones
Publisher : Select Books Inc.
Author : Ralph TREVOR (pseud.)
Behind His Mask
Getting to know Evander Chaney seemed impossible for Sarah until his Aunt Emi gives her a book he wrote. As she reads it, she's drawn into the world of his imagination, where he casts himself as a cursed prince on the frontlines of a raging battle and later as a disgraced jester whose pranks end in blood. Is he the demon haunting the mansion or the hunter sent to destroy it? Sarah must read the whole book to find out who he is behind his carefully placed mask.
Author : Stephanie Van Orman
Publisher : Independently Published


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Posted On Wednesday, May 28 2014 19: 03
MIRCO PETRILLI: FEMALE SOCCER? I LIKE IT
Even the cool winner of Big Brother 2014 has expressed his consent for the growth of women's football and posed in the company of Franca Oman, vice president of Tradate women's football, for the usual photo. The very nice Roman, has thus raised his thumb to the movement of women of football.
Our editorial team thanks Mirco for his testimony and Franca for his availability and ease with which he manages to involve Mediaset's VIPs. Just as I was writing this short presentation, Franca sent me photos of two fantastic characters from the world of entertainment and TV that I will present in the next article.
ALBERTO BRANDI: FEMALE SOCCER? I LIKE IT
A new exceptional Testimonial is added to the list of VIPs who have lent themselves to promote the world of women football: Alberto Brandi, sports journalist and known face of spoken football (Guide to the championship, Controcampo etc), has released his "like" "in favor of women's football. So grow the personalities of the world of sports and entertainment that come together to support our movement, even if only through this small initiative connected to the photo competition, chosen to talk about football in pink. Waiting for other shares and many photos, we thank Alberto Brandi for his availability and we invite anyone to be spokesperson for our spot in favor of women's football and proceed with the participation that, let's recap, is very simple: just send your photo with a sheet with the words "Women's Football - I Like it" at the address This email address is being protected from spambots. You need JavaScript enabled to view it..
What are you waiting for? ... follow the example of VIPs and become a TU testimonial for women's football!
https://www.facebook.com/CalcioMisterJi
https://www.facebook.com/calciodonne
To see all the photos: click here
FEDERICO NOVELLA: FEMALE SOCCER? I LIKE IT
They continue to come "like" famous sharing to the initiative "female football ... I like it" created by www.calciodonne.it from an idea of LUIGI MAGURNO, mister of the young team of the Tradate, to promote women's football. This morning we present the support received from Federico Novella, journalist and television host. Novella, 33 years the 24 August, begins its rampant career with "Il Giornale" and then enter Mediaset and work at "Studio Aperto", "Lucignolo" and participate in the foundation of the new channel of Mediaset "TgCom24". From 2013 he is the conductor of "Mattino Cinque" next to Federica Panicucci.
This is his official Facebook page: https://www.facebook.com/FedericoNovellaOfficial
A quality and content like for women's football, to which are added the first testimonies of sportsmen and fans who have started to send their photos to participate in the initiative that is finding the first spaces in the national media. And we're only at the beginning!
Our editorial team thanked Federico Novella for the availability shown towards our initiative and support for the growth of women's football.
Read more: FEDERICO NOVELLA: FEMALE SOCCER? I LIKE IT
Posted On Tuesday, May 27 2014 16: 19
BRUNO LONGHI: "FEMALE SOCCER? I LIKE IT"
The famous journalist and soccer commentator Bruno Longhi shares the initiative "female soccer ... I like It", www.calciodonne.it and designed by Mr. Magurno to support and popularize women's football. The voice of many unforgettable games follows the example of Ilaria D'Amico and promotes the photographic competition born to eradicate the idea that football is purely a male prerogative and turn many reflectors on the world of women's football.
The photos of the VIPs and of all the people who want to take part in the initiative will be published on www.calciodonne.it for the photo contest and on the main social networks as well as on the profile of the designer Mr. Magurno: https://www.facebook.com/CalcioMisterJi
Our editorial thanks the legendary Bruno Longhi for the availability shown towards our initiative and support for the growth of women's football.
We invite anyone who wants to be spokesperson for the spot for women's football to proceed with the participation that, let's recap it, is very simple: just send your picture with a sheet that says "Women's Football - I Like it" at This email address is being protected from spambots. You need JavaScript enabled to view it..
Characters from the sports and entertainment world take part in the initiative, what are you waiting for?
Facebook page of calciodonne.it: https://www.facebook.com/calciodonne
Posted On Sunday, May 25 2014 17: 11
A "LIKE" FOR THE WORLD OF FEMALE SOCCER
Ilaria D'Amico promoter of the photographic initiative to support the world of the ball in pink.
"Women's Football - I like it": this is the slogan of the new initiative, targata calciodonne.it, born from an idea of Mr. Luigi Magurno (coach of the very young of the Tradate), in order to support and popularize women's football.
The initiative, which provides, as we will discuss, a photo contest, boasts how
exceptional testimonial no less than the Roman Ilaria D'Amico, one of the most famous faces in the football world, host of Sky Soccer Show and held the column "Rosea anch'io" on the Gazzetta dello Sport. She will hopefully join other personalities from the world of sport and entertainment, ready to raise their "like" to the world of football in pink.
A spot, the one designed by Mr. Magurno, simple and straightforward, aimed at eradicating the idea that football is purely a male prerogative, with the aim of leveling the numerical imbalance between the inscriptions of children and girls in the football schools and increase the interest and the attention towards the quality and the sporting talent of our players, shown to the eyes of the world during the bronze conquered at the World under 17 held in Costa Rica last March.
Read more: A "LIKE" FOR THE WORLD OF FEMALE FOOTBALL
RESULTS A
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Radio RWS

redpajama_set_name: RedPajamaCommonCrawl


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Case Study: Dr. Folefac Aminkeng Saves Time and Increases Productivity with SVS to Study the Pharmacogenomics of Adverse Drug Reactions in Cancer Therapy
Dr. Folefac Aminkeng is a Postdoctoral Fellow at The Centre for Molecular Medicine and Therapeutics (CMMT) at the University of British Columbia in Vancouver, BC, Canada. He utilizes GWAS studies to identify single-nucleotide polymorphisms (SNPs) that might be associated with serious adverse drug reactions (ADRs) in cancer therapeutics.
The field of pharmacogenomics and how one's genetic makeup affects drug response has grown exponentially over the past decade. With this exponential growth, there has been a corresponding increase in dataset size. Working with a huge number of variants is now commonplace in the pharmacogenomics field, and open-source programs are often unable to handle such large datasets. Thus for Aminkeng, the use of SNP & Variation Suite (SVS) is vital for efficient and meaningful analyses of such large datasets. "For me, SVS has become a daily tool," says Aminkeng. With SVS, he has seen a tremendous improvement in terms of the speed with which projects are completed. Likewise, SVS has saved costs. "Time is money," says Aminkeng.
While following the progress of the Human Genome Project (completed in 2003), Aminkeng became fascinated with the idea that genetics and genomics were going to change the world. After completing his undergraduate studies in Cameroon, Aminkeng earned his PhD in human and molecular genetics at the Free University in Brussels, Belgium. Part of his dream was to be in a cutting-edge lab where he could develop tools that use genetic factors to optimize the treatment of disease for each individual. Since early 2011, Aminkeng has been at CMMT where he has been working on the pharmacogenomics of ADRs in cancer therapeutics.
With any drug, some individuals will respond normally, others will not respond at all, and some people will develop very serious, often fatal, adverse reactions. Dr. Aminkeng is most interested in this last group. "We are particularly interested in being able to predict which patients will develop adverse events," says Aminkeng. "The goal is to develop tests based on genetic markers so that cancer drugs are safe for everyone." The hope is that physicians will know up front if a patient will have an adverse response to a drug, and thus take appropriate measures within the current guidelines and standards of care.
At CMMT, Aminkeng is specifically affiliated with The Canadian Pharmacogenomics Network for Drug Safety (CPNDS), a nation-wide active drug surveillance and pharmacogenomics consortium aimed at identifying novel predictive genetic markers for ADRs in children and adults. The surveillance arm of the CPNDS identifies patients with relevant ADRs and match controls and collects biological samples. Aminkeng's group then processes the samples and performs the genomic analyses.
Dr. Aminkeng's project has a sample size of 500-600 individuals and involves a 700,000 SNP GWAS panel. With a large sample size and an even larger number of variants, SVS is indispensable for getting meaningful results from the data. "SVS is a much more powerful tool compared to open-source software for large datasets," says Aminkeng.
Within Aminkeng's team, there are currently 4-6 people using SVS. As more projects are added in the coming months, he expects many more people will be using the software. As a result, having good quality-control measures along with an ability to combine datasets seamlessly are of the utmost importance. The quality-control and data management features of SVS are routinely used by Aminkeng. According to him, the ability of SVS to combine datasets accurately, particularly from different formats, surpasses that of other software packages.
For Aminkeng, one of the most valuable assets of SVS is its time-saving ability. With SVS, users can get meaningful results fast, and according to him, most of the required analysis tools are already included. If a specialized tool is needed, the Golden Helix support team develops one quickly. "The support team is always fast, efficient, and accessible," says Aminkeng. "When you have a question or a problem, someone is always immediately there and ready to help."
Aminkeng hopes to get several high impact publications within the next two to three years using SVS on this project. He hopes his findings will have a major impact on clinical practice within the field of pharmacogenomics of ADRs. Such productivity would be unthinkable without SVS. In terms of efficiency, productivity, meeting critical deadlines, and staying ahead of others in the field, "There is definitely a big difference between having SVS and not having it!" says Aminkeng.
Dr. Folefac Aminkeng
Studying:
Pharmacogenomics of adverse drug reactions in cancer therapy
Illumina 700K
Number of Samples:
Number of SNPs:
700,000 per sample
SNP and GWAS
Download this case study as a PDF »


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Cystic adenomatoid malformation volume ratio predicts outcome in prenatally diagnosed cystic adenomatoid malformation of the lung.
Timothy M Crombleholme, Beverly Coleman, Holly Hedrick, Kenneth Liechty, Lori Howell, Alan W Flake, Mark Johnson, N Scott Adzick
Journal of Pediatric Surgery 2002 March
BACKGROUND/PURPOSE: Cystic adenomatoid malformation of the lung (CAM) diagnosed in utero has a variable natural history that may result in hydrops in up to 40% or regress in up to 15%. No criteria have been available to determine which lesions would grow and develop hydrops versus those whose growth would stabilize or regress. To better understand the natural history of CAM the authors developed a measure of tumor volume normalized for gestation age, the CAM volume ratio, or CVR. The results of an initial retrospective review of CVR at presentation suggested its usefulness as a predictor of outcome in CAM. The authors now report the results of prospective use of the CVR both to track tumor growth and regression during gestation and confirm its predictive value in fetuses with CAM.
METHODS: In the retrospective review performed between November 1998 and August 1999, 32 fetuses with CAM were reviewed and divided into those with hydrops and those in whom hydrops never developed. The CVR was determined by measuring 3 dimensions of the CAM using the formula for the volume of an ellipse and dividing by the head circumference to correct for differences in gestational age. Of the 32 fetuses in the retrospective study, the 8 that had hydrops had a significantly higher CVR (3.1 plus minus 1.1) compared with hydropic fetuses (0.74 plus minus 0.48; P <.001). The mean of the nonhydropic fetus's CVR plus 2 standard deviations (0.74 + 0.96 = 1.7) was used as a cutoff in the subsequent prospective study. From September 1, 1999 through March 1, 2001, the authors evaluated prospectively 58 patients with CAM by CVR measurement. These patients were followed up with serial ultrasound scans, and CVR at presentation correlated with the development of hydrops, survival, need for fetal intervention, and the need for ventilatory support or extracorporeal membrane oxygenation (ECMO), and length of hospital stay postnatally. The indication for fetal intervention was the development of hydops.
RESULTS: The fetuses with CVR less-than-or-equal1.6 (n = 42) were considered to be at low risk for the development of hydrops, and those with CVR greater than 1.6 (n = 16) were considered at increased risk for developing hydrops. Of the 42 fetuses in the low-risk group, 7 (16.7%) developed hydrops, and all but 1 had a dominant cyst. If CAMs with a dominant cyst are excluded, only 1 of 36 (2.8%) of CAMs with CVR less-than-or-equal 1.6 developed hydrops (P <.001). In fetuses with CVR at presentation more than 1.6, 12 of 16 (75%; P <.005) developed hydrops. Seventeen fetuses underwent fetal treatment (8 CVR less-than-or-equal 1.6; 9 CVR > 1.6): 7 patients required open fetal surgery (survival rate, 2 of 7), 6 patients thoracoamniotic shunting (survival rate, 6 of 6); and 4 patients cyst aspiration (survival rate, 4 of 4). All survivors of fetal intervention required at a least brief period of ventilatory support; none required ECMO.
CONCLUSIONS: A CVR of greater than 1.6 at presentation accurately predicts increased risk of hydrops developing in CAM. A CVR of less-than-or-equal1.6 at presentation suggests that the risk of hydrops developing in the absence of a dominant cyst is less than 3%. The CVR is a useful sonographic indicator of fetuses at risk for hydrops who require close ultrasound observation and possible fetal intervention.


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Faculty members enthusiastic about BYU School of Music building plans
Alicia Matsuura
See also New building announced for BYU School of Music
Faculty members from the College of Fine Arts and Communications expressed their excitement for a new building dedicated to students and faculty in the music program.
Ed Adams, Dean of the College of Fine Arts and Communications, discussed plans for the new BYU School of Music building Thursday morning during a college meeting in the Madsen Recital Hall.
The Harris Fine Arts Center (HFAC) houses the School of Music, the Department of Theatre and Media Arts, the Department of Visual Arts, and the Division of Design and Production. It hasn't undergone remodeling since its construction in 1964. Discussions for a new School of Music building have been ongoing for five years, but it wasn't until the meeting that plans were confirmed and a rendering of the building was introduced.
Kory Katseanes is a former Director of the School of Music and came to BYU in 1999 as Director of Orchestras. He's thrilled with the announcement and said they've been waiting for a new building for many years.
"It's been evident for some time now that we've been bursting at the seams," Katseanes said. "Acoustic design and classroom space that was adequate in the early '60s no longer meets our needs."
Katseanes expressed sadness in being separated from his colleagues in the other arts, but he knows having a new music building is a step forward for the School of Music and BYU.
"I'm excited for the students that get to be in that new building for the next half a century," Katseanes said. "These spaces, if properly designed, help you become better as a musician. We look forward to a partnership with a new building that assists us in our efforts in a greater capacity."
Stephen Jones is a Professor of Composition in the School of Music and former Dean of the College of Fine Arts and Communications. He said the unique process of creating music requires the support of a special facility.
"Each one of the arts takes specific spaces in order to communicate the truths, ideas and content of their messages," Jones said. "I anticipate a tremendous surge forward in the quality of performances and quality of education we can offer our students because of these new facilities."
Faculty members from other departments in college also reacted to the announcement. Chair of the Department of Art, Gary Barton, said he's happy for the School of Music and hopes something will happen for the other academic units housed in the HFAC further down the road.
"Once the music building is underway, they'll start opening up conversations about what will happen to the HFAC in the future," Barton said.
Future discussions will focus on how spaces previously used for the music department will be utilized and how they'll be converted to accommodate the needs of other departments in the college.
"We haven't resolved those questions about how to use that space down the road," Barton said. "But it is exciting there is that potential for art, for design, for theater and media arts."
BYU School of Music
College of Fine Arts and Communications
Gary Barton
HFAC
Kory Katseanes
stephen jones
Previous articleMedia focuses on LGBT reaction to BYU's Honor Code update
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Alicia is a student at Brigham Young University majoring in communications with an emphasis in news media. She works as a senior reporter for The Daily Universe and does digital marketing on the side. When she's not reading the news or writing articles, she's often found chasing down prime photo ops, getting competitive on the tennis courts or making up tunes on the piano.
Highlights from BYU Colleges: 'Fiddler on the Roof' teaches about tradition and modernity, Disney and Adobe award BYU students
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Velour Battle of the Bands winners express excitement, hope for future


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Q: Splitting and transposing table data using SQL Server I have data in the following structure
 ID   Sub_ID
 123  '1;2;3'

I would like to create a table with the following structure
ID Sub_ID
123 1
123 2
123 3

Is there any way to process this task on a Microsoft SQL-Server?
THX
Lazloo

A: If you are using SQL Server 2016 or later, then STRING_SPLIT is one option here:
WITH cte AS (
    SELECT ID, value
    FROM yourTable
        CROSS APPLY STRING_SPLIT(Sub_ID, ';')
)

SELECT *
FROM cte
ORDER BY value;

Demo
If you are using an earlier version of SQL Server, then here is a link to a canonical SO question which can help.  If you have this need long term, maybe consider upgrading.

A: If you older version then SQL Server 2016 you need to create your own split function:
CREATE  FUNCTION [dbo].[Tbl_Fn_Split](
    @InputText VARCHAR(8000)
  , @Delimiter VARCHAR(8000) = ' ' -- delimiter that separates items
) RETURNS @List TABLE (Result VARCHAR(8000))

BEGIN
DECLARE @aResult VARCHAR(8000)
WHILE CHARINDEX(@Delimiter,@InputText,0) <> 0
BEGIN
    SELECT
        @aResult=RTRIM(LTRIM(SUBSTRING(@InputText,1,CHARINDEX(@Delimiter,@InputText,0)-1))),
        @InputText=RTRIM(LTRIM(SUBSTRING(@InputText,CHARINDEX(@Delimiter,@InputText,0)+LEN(@Delimiter),LEN(@InputText))))

    IF LEN(@aResult) > 0
        INSERT INTO @List SELECT @aResult
    END

    IF LEN(@InputText) > 0
        INSERT INTO @List SELECT @InputText

    RETURN

END

Then you can use it with your query using CROSS APPLY :
SELECT * FROM tTable  T
CROSS APPLY (SELECT * FROM [dbo].[Tbl_Fn_Split](T.Sub_Id,';')) S

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text:
Dodgers: Andrew Friedman Candid on Kenta Maeda's Role in 2020
He's gonna start until he doesn't.
by Clint Pasillas 10/16/2019, 6:00 AM
The best reliever for the Dodgers from this past postseason is a starting pitcher by trade — no I am not talking about Clayton Kershaw here. Kenta Maeda tossed 4.2 scoreless innings in LA's NLDS loss. He added 7 strikeouts and walked none… and will be back in the rotation in 2020, per Andrew Friedman.
The President of Baseball Operations was asked about Kenta's role for next season and confirmed that he expects the right hander to take the ball in a starting capacity.
My full expectation is that he will be back and pitching every fifth day and be a big part of what we do next year.
There was something of a read between the lines pause before his assertion that Maeda will return to the club for his fifth season, perhaps hinting at the right hander being a trade chip, but that's likely just this writer's mind running a little wild.
Nevertheless, Maeda is expect to join Walker Buehler and Clayton Kershaw in the rotation, along with some mix of Dustin May, Julio Urias, Tony Gonsolin, and Ross Stripling among others. Of course Hyun-Jin Ryu — who's agent is Scott Boras — and Rich Hill will officially be free agents upon the completion of the World Series.
Moreover, there is expectation that Los Angeles could make a run at free agent-to-be Gerrit Cole from the Houston Astros.
Now, when asked how Maeda could finally stick in the rotation for the entire season, Andrew Friedman was to the point in his response.
Talking to Kenta this September — from our viewpoint, everything we do is a meritocracy. There will definitely be the possibility for Kenta to earn a starting role for longer, and potentially into October, and I think a lot of that gets to just commanding the baseball a little bit better against left handed hitters, and we had that conversation about what that could mean.
We'd love for him to continue to take his game to another level, which we think he's capable of… and take the ball for us every fifth day and pitch for us in October.
No doubt one of Maeda's greater weaknesses since joining the Dodgers in 2016 has been his work against lefty batters. He holds a career batting average split of .199 vs RHBs against .257 vs LHBs. More importantly, left handed batters have slugged nearly .100 points higher against the 31 year old.
With so many starting arms on the club, chances are that Friedman could eat his words early on Kenta the starter. As it stands, if the club doesn't dive into the free agent market, the argument could be made that Maeda is the sixth or seventh best starter on the depth chart.
More likely, with the emergence of rookie arms capable of starting, Maeda could be suiting up for another club in 2020.
Written by Clint Pasillas
Clint is the lead editor of Dodgers Nation, and a host and analyst on Dodgers Nation's own Blue Heaven podcast live stream.
He's been writing, blogging, and podcasting Dodgers since about 2008. He was there for Nomar, Greg Maddux, and Blake DeWitt, and he'll be there for Walker Buehler, Alex Verdugo, Dustin May, and any Dodgers of the future.
He's also a sandwich enthusiast, a consummate athlete, and a friend.
Fan Comments9
I don't get it! Maeda is so much better as a reliever. I know his contract is structured for him to be a starter but why not just restructure it? Anyone remember Eric Gagne? He was a mediocre starter but as a closer he was incredible! " Put players in the best position to be successful " they always say,….. well??
C. Bates says:
Ego aside, Maeda should realize he has more impact coming out of the bullpen and therefore want to do what's best for the team. From the FO side, his contract shouldn't matter, I'm sure Urias and Stripling would rather be starters but they keep getting bounced back and forth. Keeping him in the pen would be the first step to rebuilding the biggest weakness the Dodgers have.
PaulDodgerFan1965 says:
Concur but we also know that is not how Dodgers do things at times.
Vince Tellez says:
New GM and New Manager needed. No doubt about it. Bring back Colletti and Mike Scioscia. Better decisions better baseball.
Blue Vinman says:
Maeda is not going anywhere. His versatility is a plus and his kick butt-take names attitude in September and the playoffs is all I need to know. Let him pitch in the rotation as much as he can within the Dodger system, but he needs to know that unless he becomes one of the top 4, his minutes as a starter will not exist but he will get plenty of high leverage situations out of the bull pen… as long as Roberts gets some help making those decisions because he has clearly shown he can't make them himself.
And Gerritt Cole! That is almost too much to even expect that Friedman would put a crow bar in the teams strongbox, bust off the locks and give a still young guy 5-7 years of decent money to help lead the Dodgers to an actual WS Crown. Cole and Buehler would be like the days of Kershaw and Grienke, Starter #1 and 1A. But please don't be offended if I say, "I'll believe it when I see it!" That would be asking Friedman to really change his stripes. And you know the old saying about a leopard and his spots!!!
Robin Mosqueda says:
This switching back-and-forth, starter to reliever and vice-versa is what is messing-up with the Dodgers pitchers. Make a pitcher one or the other and stay with it. Otherwise trade the pitcher. Oh by the way Washington swept the Cardinals.
Correct, Robin, but you also know now that Roberts will be back, he and the FO will continue to do this no matter what.
Huge Fan says:
Yup, he was on fire & threw all those scoreless innings yet Roberts still pulled him when he couldve went much deeper into the game to roll the dice with other pitchers…. now we get to watch the World Series on tv instead of at Dodgers Stadium.
#coachoftheyear #andwekepthim #smh
jim schaeffer says:
IF DODGERS RELIE ON ,MAY, GOSLANE TO START, STUPID HE IS NOT A WALKER B. [needs to cut the bush,look like a pro] . get Ned and Mike back w/ good players and win.J.T.is fading, GET RENDON ,BEFORE J.T. GOES DOWN,


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The previous session was not blogged about here. Why? Because I failed a roll during an impromptu seduction scene on the head of human resources of Emartech in Cardiff, Wales. And Misha had to bail Zlatan out of the hotel causing both IDs to be burnt. It was an embarrassment. Sami and Misha was calling for Zlatan to have a "Walk with Zlatan" all the way driving back to London.
The team, upon arriving in London, received an online dead drop communiqué from Hagar Thurson, their Swedish ally, telling them to expect Nikolai at the airport.
When informed of the Heimdall, the agents realised that this was the ship that was en route to Cardiff port that the NGO there – an Emartech dupe – was supposed to protest against when it docked. Zlatan thought they should intercept and try to find out what's on the ship before they entered UK waters. If it was meant for Emartech, then there might be a clue to the haemocanis virus-infected blood that had been going around Europe.
Misha discovered where her British Intelligence handler Emilia Sanderson kept a rigid inflatable boat away from prying eyes and clandestinely "borrowed" it as well as other nautical gear from its dock for the group's seagoing caper.
In the meantime, Zlatan shopped around for weapons and tactical gear. He found some Balkan gunrunners running MP-7s outside London. They might have been Balkans but Zlatan wasn't sure. They might have been from Peoria for all he knew. On the way back to base, a police car attempted to intercept him. But Zlatan employed his Afghanistan War driving skills to weave through the night traffic and lose the cops.
Everyone wore Arabic keffiyeh, night vision goggles and a kerchief over their mouth – even Abe the dog. Zlatan thought the keffiyeh made everyone look like hipsters.
So some time after midnight, when the Heimdall was 10 miles from the UK shores, the hipster pirates of the Celtic Sea fouled up the container ship's propellers by dumping a steel cable mesh netting onto the path of the ship. They infiltrated over the side and onto the Heimdall, leaving Nikolai and Abe to guard the boat which was tethered to the larger ship by cables.
Sami with an MP7 and Misha with a sword stormed the bridge while Zlatan covered them with his starlight scoped-sniper rifle. Sami's fluency in Arabic convinced them that they were some sort of unlikely modern day Barbary Pirates – even if Misha looked very obviously an Asian woman. The captain told them that the cargo they obviously wanted was below deck and was guard by two Welshmen. Zlatan smashed their radio before proceeding.
They raided the cargo bay and discovered a structure made for medical experiments, constructed from two cargo containers. Powerful UV floodlights shone upon it. The first Welshman, Jones, immediately saw that they had been boarded and yelled to his partner the second Welshman also named Jones. The second Jones quickly slammed the med bay's door shut from within. Zlatan shot the first Jones in the chest before melting off the med bay's door lock with liberal application of thermite.
The team swept into the container, weapons aimed and in full intimidation mode. The compartment had biological lab equipment and a computer terminal. Another locked, heavier class of security door led into a much more secure clean room. The second Jones surrendered and told them that they had absolutely no idea what they're dealing with.
Within were a series of cages. Within each cage was a dog. Wild dogs.Their eyes were red and bloodshot. As soon as the team activated the monitor, every dog – all of them unmoving and maintaining the same waiting stance – turned to look at the camera as if they knew they were being watched. It was unsettling. Why were these being delivered to Emartech Pharmaceuticals in Cardiff?
Stay tuned for the next exciting session of Night's Black Agents.


text:
Origin of the term "Penit"
Over time the term has come to be used for any illegal graffiti oriented building (or buildings) that has become frequented by a variety of writers, or become an epicenter for graffiti in an area. The original "Penit" was the graffiti warehouse located in the Fountainbleau area in South Doral. It was theorized that the building was intended to be a Penitentiary, but was never completed, so it was referred to as "The Penit". Over time the term has become sometimes used/spelled as "Penant", "Pennet", or "Penet". Due to the lack of agreed upon spelling or pronunciation, we have gone with a simple spelling for uniformity and usefulness on the site. Some of the below locations have their names slightly adjusted from their original names to fit within a common naming scheme.
The Penit (Sometimes called: Fountainbleau Penit or Doral Penit) : Fontainebleau Blvd. & 96th Ave.
Activity : 1983 - 1994? (Demolished)
Theorized at the time that the building was intended to be a Penitentiary, but was never completed. It was a 3 or 4 story building that had all the cement work complete, including dark stairways and an accessible rooftop, but no finished walls or anything beyond cement and cinder blocks. It was located in the middle of a sawgrass filled field in what was a relatively undeveloped part of Miami-Dade. It was sometimes referred to as the Fountainbleau Penit or the Doral Penit, because it is in the South Doral area, sometimes called the Fountainbleau area. There were 10 foot tall words "Christ Jesus" painted on the frontside of the building. In between the words was a 15 foot tall cross with the words "Lord King Over Miami" written around it. It was the first major graffiti warehouse in the Miami area, and many crews and gangs used to meetup and hang around there. The land it was on is now a housing development/apartments south of the Dolphin Expressway (836). There are discrepancies about how to spell the name, as it is located in the "Fountainbleau" area, but on 'Fontainebleau" Blvd.
Airport Penit (Sometimes called: Little Penit, Baby Penit, or 7th St. Penit) : NW 7th St. & NW 47th Ave.
An uncompleted office building, along Blue Lagoon Lake south of the Miami Airport. It had all the cement work complete, including stairways and an open elevator shaft, but no walls or anything beyond cement. It was in the middle of a large open lot and had a great view of 836. It was 4 floors high, with roughly room for 6-10 pieces on each floor, it also had an outside terrace/balcony area along most sides/floors of it that made it very easy to do pieces visible from 836. There was a vacant elevator shaft in the middle of the building with a couple thousand spray cans piled along the bottom. The bottom floor did not have any windows and was dark and mostly unused until (supposedly) 'Nine HA' took a sledgehammer to several portions of the wall and allowed some light in. Early on this penit was referred to as the 'Baby Penit' or 'Little Penit' due to the fact it was a very similar, but smaller, version of the first penit, Doral. By the time they demolished it there was probably well over 1000 layers of paint on some of the walls because the penit was around so long.
Ives Cement Factory (Penit) : NE 205th St. & 16th Ave.
Activity : 198? - Late 1985 (Demolished)
The cement factory was on Ives Dairy Rd., close to the 7-11, right near I-95. The walls were laid out similar to the unfinished houses of the Malibu Penit. It had a big iron conveyor belt that went all the way up to the top of the silo. It had been abandoned for a long time and was mostly covered in trees and vegetation. It was a party spot for the local teenagers, so there were broken bottles all over the place and typical white-boy rocker type graffiti on what walls could be seen. The last piece to run on the main wall was "Merry Christmas Miami" by Frosty and friends.
The Chamber (Penit) : 66 SW 6th St.
Activity : 1988 - 1994? (Renovated)
Located in the Brickell area, near the Miami River. Its rooftop was visible from the Metrorail. It is now the nightclub named Bricks.
Hialeah Penit (Sometimes called The Warehouse) : NW 79th St. & NW 35th Ave.
Activity : 1989 - 2003 (Demolished)
Originally it was simply called "The Warehouse". After several years the term Penit became more broad in use, and it earned its common name of the "Hialeah Penit". It was definitely the largest (in terms of wallspace), and most active graffiti penit in Miami's history. It was originally occupied by Bodin Apparel Inc., a clothing manufacturer, in the 1970's. In 1981 it was acquired by Ace Parker Inc. and used as a printing facility where they printed Hustler Magazine among other things. It eventually became abandoned in 1986 due to bankruptcy and complaints about the noise and fumes from chemicals by residents of the neigboring trailer parks. After it became abandoned, Poem of 7UP crew found it and started spreading the word. It covered a very large lot on the south side of 79th street that backed up along the heavily used Hialeah FEC train tracks. The back loading dock was a heavily pieced area, sometimes called 'the stage'. As well as all the trackside walls leading up to the Penit from both directions. It had a dank/dark two story office area located in the middle of the complex that still contained doors and carpeting. It was possible to get on the roof and several people did blockbusters visible from the nearby Metrorail. In June of 1992, the large pile of tires that was being illegally dumped there and had been building up in the largest trackside room of the warehouse, caught fire and destroyed portions of the roof and wall. Miami-Dade was well aware of the Penit and did show up from time to time, but this was also because the site was chemically contaminated and placed on the Superfund List. It was cleaned up in the early 1990's until 1996 when it was deemed "safe". There were probably over 1000 layers of paint on some of the walls by the time they demolished it. There was also what was called the "Baby Hialeah Penit" located down the tracks to the east, near the Metro-Rail Station. It was demolished in 2003 around the same time as the original Penit structure.
Modernage Penit : US1 & Marlin Rd.
Located in the Cutler Ridge area, it was originally a furniture store/outlet for the Modernage company. After Hurricane Andrew in 1992 the building was damaged and never repaired and soon became a penit. It had smooth walls and was 2 floors tall, often frequented by Ener (RIP), of WOW crew. In roughly 1994-95, channel 10 news had a feature on the demolishing of the "last eyesore of Hurricane Andrew", and it was subsequently knocked down. There is now a BJ's wholesale where it used to be.
Malibu Penit (Sometimes called Malibu Houses) : NW 7th St. & NW 79th Ave.
A half-finished housing development located near what was previously the Malibu Grand Prix (now a parking garage), southwest of the intersection of 826 & 836 (Just North of the Mall of the Americas). It was composed of a series of about 15 unfinished houses, with only a foundation/floor and a few cement block walls standing, it made an ideal outdoor penit. It is now an apartment complex.
Agripost Penit : NW 207th Dr. & NW 47th Ave.
Activity : 1995 - Early 2001 (Renovated)
Located on 20 acres of land owned by the Department of Children and Family Services, right along the north edge of Dade county. In 1987 Agripost Inc. got rights to build a recycling facility on the premises, that was intended to create 'agri-soil' through an industrial composting process. Newco Structues Inc., constructed a 320,094-square foot metal warehouse for them, and they began operating in the fall of 1989. In 1990 complaints began coming in from a nearby school and other facilities about the smell and other environmental concerns. In 1991 the county revoked their license saying they had violated the agreement of their zoning, and it was closed. This forced the company into bankruptcy and they vacated the premises. In 1995 the land reverted back to Department of Children and Family Services, and soon after it became heavily used as a penit. The penit was mostly used by MSG and other Carol City crews, and sometimes referred to as the "Carol City Penit". They eventually found a new leasee and the property was renovated in 2001.
Griffin Penit (Sometimes called The Waterhole) : Griffin Rd & I-95
Activity : 1990? - 1997 (Demolished)
Located southwest of the intersection of I-95 & Griffin Road, the land is now occupied by Bass Pro Shops & the Fishing Hall of Fame. It was a large swath of land with several abandoned warehouses on it, right along I-95. It was most famous for a Crome roller blockbuster along the south side of the building that had very high visibility from the highway. There were two main structures on the property: A cinder block warehouse with loading dock, and a metal storage type warehouse that was rusting away. Also nearby on the northeast side of the intersection of Griffin & I95 (along I95), there was a small cement building that people painted in the woods. It was popularly called the Crack Kilz Wall after a production that was done there by KSN crew. It was demolished around the same time as the main penit in 1997.
The Factory Penit : Near US1 & Carribean
Activity : ? - 1996/97 (Demolished)
Located in the Cutler Ridge area off US1, it was across from where the mall with Target is now.
Rinker Penit : Roughly NW 12th St. & 122nd Ave.
Activity : ? - 1998 (Demolished)
An old abandoned train station/warehouse for the Rinker Cement company. Demolished in 1998 when they started preparations for Dolphin Mall. It was very active in 1995-1996.
Coconut Grove Penit : 2951 South Bayshore Drive
Activity : 1993 - 1999 (Renovated)
It was originally a 12-story tall hotel called "The Mutiny" that had a club of the same name in it's basement. It was a notorious coke dealer hangout in the 70-80's, and the epicenter of Miami's Boom during the Cocaine era. In 1989, a Brazilian guy bought it and gutted the entire thing to create luxury apartments. Several years later, before it had been renovated, Hurricane Andrew struck and derailed all plans to rehab the facilities. Soon after it became a crackhead/squatter infested building, as well as writers starting to turn it into a penit. The same guy who bought it did eventually convert it back to a hotel/condos called The Mutiny, which ironically helped start the second Miami Boom. As far as penits go, it was rather pathetic, it had only two usable walls on each floor, and there were large holes in the floor (like the airport penit) where you could fall through. Being that it was a 12-story tower, a slip through one of the holes could mean certain death.
Bobby Maduro Stadium Penit : NW 23rd St. & NW 10th Ave
Built in 1949 for baseball spring training, it was used by the Baltimore Orioles until they left the ballpark in 1990. After that it remained unused and the infield started filling up with abandoned appliances and foliage. Graffiti started popping up inside in the mid 90's, and continued to flourish until the structure was knocked down in 2001 to make way for apartments. The entire outfield wall was covered in pieces and productions, many by well know foreign writers.
Marina Penit (Marine Stadium Penit) : [undisclosed]
Activity : 1997 - Present
Formerly the Sea Stadium for the Miami Seaquarium, it was used for boat racing, water skiing shows, and concerts. It was deemed structurally unsound after Hurricane Andrew when they found cracks in the concrete structure. Though the structure is still standing fine 15 years later, they were probably mostly concerned because the concrete roof over the seating area is supposedly one of the largest directly unsupported expanses of hanging concrete in the world. Some of the earliest pieceing began there in 1997, but it became much more popular after the demolition of the Airport, Malibu, and Hialeah Penits. It has a 2 story concession area where most piecing takes place, and then a large stadium seating area that overlooks an inlet from Biscayne Bay frequently used by boaters & skiers. It is also possible to access the roof through a very rickety announcer booth precariously suspended above the seats in the middle of the stadium. To get to the ladder that leads to the roof you have to jump a gap. Their is no floor under the ladder, so if you fall, you are going about 30 feet down into broken glass and busted metal seats unless you can grab onto the rusting metal structure around you before you fall. The location has a 24 hour security guard, and is frequented by the Miami-Dade Police department for training exercises. There has been talk in 2008 of refurbishing the structure for use by the city, but plans have yet to be carried out.
Army Penit : NW 202nd St. & 61st Ave.
Activity : 1999? - 2005
Constructed by the Army in early 1965 in response to the Cuban Missile Crisis. It was an above ground missile launching facility for the Nike Missile site titled HM-03 C/2/52. These Nike sites were split into two locations. One was the radar communications and control facility(IFC), where they did targeting and fire control, and the other was the Launcher area, with the actual missile silos (or hangars in this case). The now demolished IFC area was located on the NW side of the intersection of NW 183rd St. and 57th Ave. This was the launching facility which consisted of 3 hangars on the western side of the area, where missiles were stored, and then rolled out along rails when needed to be fired. All the Nike Missile sites in South Florida were shut down and decommissioned in mid-1979, this site in particular was shut down in May of that year, but a majority of the buildings remained standing until about 2005. There were 5 larger buildings on the property and a few smaller ones scattered around, 3 of which were missile storage hangars, the other ones included the security post, barracks and mess hall, there were also concrete bunkers dug out in a few of the hills around the property, complete with ladders, etc. The facility was navigable by a winding loop paved road inside the compound that was accessible off NW 202nd St. The penit being located only a few miles from the Agripost Penit, it was frequented mostly by MSG crew and other Carol City writers. The Army also frequented it for training purposes, often kicking writers out. The structures on the site were removed sometime around 2005 and now only the road and concrete slabs remain.
Krome Penit : [undisclosed]
Activity : 1999? - Present
Constructed by the Army in early 1965 in response to the Cuban Missile Crisis. It was the Integrated Fire Control(IFC) Facility for the Nike Missile site titled HM-95 D/2/52. No, it was not an Insane Asylum. These Nike sites were split into two locations. One was the radar communications and control facility (IFC), where they did targeting and fire control, and the other was the Launcher area (L), with the actual missile sheds/silos. The Launcher area was located where what is now the Krome INS Facility. All the Nike Missile sites in South Florida were shut down and decommissioned in mid-1979 and the site was most likely abandoned and partially dismantled at that point. In 1980 the site was revived and was used in some capacity during the Mariel Boatlift to house immigrants, but eventually became unused again after the focus shifted to the current INS Krome facility. After that it became used by the CIA as a High Frequency Radio site as well as storage for an emergency command vehicle. Like many of South Florida's Penits, it probably became unused after damage during Hurriance Andrew and was eventually abandoned. It subsequently became a penit that got popular in the early 2000's after the demolition of the Hialeah, Malibu, and Airport Penits. It was probably discovered by Petro of TE crew, who threw the first tag in it, and soon brought the rest of his crew to paint there. A majority of the building is in a barracks style, with many small rooms off a main hallyway, with several large rooms on the northwest side of the structures. The open fields to the north and west of the building originally held large radio towers for scanning for incoming planes/missiles. It is frequently visited by paintballers, the police, and paranormal nuts who falsely beleive it is an insane asylum.
**Popular Graf Walls (Not Considered Penits):
Westchester/Coral Way Wall of Fame : Coral Way & 97th Ave.
Activity : 1986 - 1993 (buffed)
Illegal wall located in the Westchester area and started by Hec of MOB crew.
Wall of Fame North (Sometimes called: Mile of Fame, or Hallandale Wall) : I-95 & County Line Road
Activity : 1989 - November 2006 (Demolished) - Replaced with Sound Wall in 2007
It was a two section wall that surrounded a trailer park right along the Dade-Broward line. The I-95 highway east facing side was heavily bombed, and the south facing side was used for many pieces/productions in the 90's. It went legal in 1991 thanks to Siner, and became a central hub for writers in the Dade, Broward, and Palm Beach areas until it got heated up and outlawed around 1994. There was a brief period when the east wall was buffed and covered with foliage and mostly unused. But eventually the foliage was removed and the east wall was hit nonstop until its demolition in November 2006, and then in early 2007 a standard I-95 type sound wall barrier was built in its place.
Wall of Fame South : 156th St. & US1
Activity : 1989 - ? (Demolished)
Another Wall of Fame located in South Dade behind a Miami Subs, both the wall and store have since been knocked down.
The Bakehouse Art Complex : NW 32nd St. & 6th Ave.
Activity : 1986? - ?
To the southeast of the intersection of I-95 and 112 lies the infamous Bakehouse. It was one of the first legal spots to emerge in Miami-Dade county, other than a handful of local bodegas, arcades, and schools. Originally built in the early 1920's for a bread baking organization called American Bakers Company, their operation shut down in the 1970's and the structure was scheduled to be demolished. The Grove House Art Collective moved in and bought the property during the early 1980's and named it The Bakehouse. With the intention for it to serve as a non-profit artist center for emerging and mid-career artists. It still operates to this day in that capacity. In the 1980's the surrounding areas were crime and poverty stricken, so when The Bakehouse opened they started various community outreach programs. One of those was allowing inner-city kids to paint on the building itself and give it some color. It was a great vantage point for fame as it is right along side, and visible from, I-95. Especially the wall on the roof facing I-95 that was painted heavily by "Seme" and "Sneek" of VO5. The Bakehouse remains one of the pivotal spots to paint in the early years of Miami Graffiti.
Seel's Bridge & Dam Wall (Dam Tracks) : Along the tracks South of SW 24th St. & parallel to SW 69th Ave.
It started as two small cement walls bordering a train bridge over a canal, originally frequented by Seel and AIM/VIP crew in the 1980's. Eventually DAM crew started to illegaly paint on the warehouses located along train tracks to the north of the bridge, and south of Coral Way. Soon the whole strip of warehouses along the tracks had frequent activity from the mid to late 1990's, especially after the Malibu Penit was knocked down. A majority of the illegal activity eventually died out from increased pressure from building owners and neighborhood residents.
Love House : SW 71st Ave. & 29th Road
A small abandoned house (still with furniture inside) in a field in South Miami, frequented by AIM crew. Named as such because of a piece done on the side of the building by AIM crew that said "Love".
FA Wall / Winn Dixie Wall : SW 147th Ave. & Bird Road
Located on a wall behind a strip mall with a Winn Dixie in it. During the construction of Braddock Senior High, FA began doing pieces and then AIM and BOM followed. It stayed that way until they built a townhouse community nearby and then it was buffed for good.
Beach High Wall : Prairie Ave. & W. 23rd St.
The courts located in the sports field behind Miami Beach Senior High have had graffiti activity going on for decades.
South Beach : 15th-17th St. & Ocean Drive
Activity : 1988 - 1994? (Renovated back into hotels)
A series of abandoned buildings & hotels from 15th street to 17th street along Ocean Drive. Used during the late 80's before the revitalization of South Beach.
Falls Wall : Behind Publix across from The Falls - 136st and 107th ave
Activity : 2001 - 2004 (closed as legal wall)
Legal wall sparked off by a generous property owner who allowed several writers to do productions. It soon turned into weekly piecing and productions going on from a much wider group of writers. It eventually died out due to community/city complaints about the activity in the area.
Miami Dade College Wall : SW 104th St. & 110th Ave.
Miami Dade College had a small wall inside some woods/forest on the grounds of the Kendall Campus. It had enough room for about a half dozen pieces and was demolished in 03-04.
Wynwood Tracks & Warehouses : Roughly NE 10th-29th St. near NE 2nd Ave.
An area of high activity during the late 1990's. It was focused around the abandoned FEC railroad tracks (along the west of NE 2nd Ave.) north of downtown from roughly 10th Street up to 29th Street. There was a mix of legal and illegal productions done on the warehouses along the tracks, and over time it died out by increased pressure from the Miami Police and building owners. It has since seen a resurgance with the development of Wynwood as an Art area, and the arrival of Art Basel and Primary Flight.
The Little Haiti Wall : NE 73rd St. & 3rd Ct.
Legal wall along the FEC tracks in a Little Haiti warehouse area. It was started by a generous property owner who allowed graffiti artists to paint legally on the walls surrounding a warehouse complex that they rented out to fine artists for studio space. It was painted heavily for several years. Eventually the Miami Gang Unit started harassing writers at the wall, also pressure from surrounding property owners about excessive graffiti showing up on their buildings, forced the property owner to close the wall as a legal spot to paint.
Opa-Locka Warehouse : NW 38th ave. & 132nd St.
Abanonded warehouse in the Opa-Locka area, near the flea market.
Braddock Little Spot : ?
Abandoned vacant lot composed mainly of four 100 ft walls and one 50 foot wall. Frequently visited by Hoax, Desem, and Ceme. It was busy from 1995 to 2000 when a single family home was constructed on the site.
Carol City Utility Complex : NW 37th ave. & 179th St.
Water treatment facility or some kind of public utility building located in Carol City. With 9 foot walls surrounding the complex.
- Some Penits, Spots, Walls, and Addresses have been left off this page to protect ongoing artwork -
---All text is Copyright Miamigraffiti.com---


text:
Atlantis – The Song of the Sirens
by Alan Rapp on December 31, 2013
in Television Reviews
Title: Atlantis – The Song of the Sirens
wiki: link
Although initially it gives Hercules (Mark Addy) everything he could have wished, the warrior's deal with the witch Circe (Lucy Cohu) for a love spell to win over Medusa (Jemima Rooper) doesn't take long to take a turn for the worse as Medusa becomes ill from a curse which threatens her life. The introduction of Circe, a new character also tied to the throne of Atlantis and to Jason's (Jack Donnelly) destiny, allows the show to have fun with the witch's known use of transforming those who offended her into animals and force Jason and Pythagoras (Robert Emms) to deal with a version of Hercules who is even more of a pig than usual.
Hercules' failure to get the witch to release the spell forces Jason and Pythagoras to accept the quest as their own, but it seems that is what the witch has intended all along. After taking Pythagoras out of action with an attack, the witch meets with Jason alone, who despite the warning from the Oracle (Juliet Stevenson), is forced to make a deal with the devil to save the lives of his friends and agree to murder Circe's sister – Pasiphae (Sarah Parish), the Queen of Atlantis.
Given that the spell makes more of a difference on Hercules' behavior than Medusa's, by having the warrior finally have the courage to show his true feelings, the show raises an interesting point about whether or not Medusa could love him. As for Circe, the blood bargain she strikes with Jason seals the fate of the Queen as well as perhaps our hero whose heroic journey takes its first big misstep when Jason chooses the fate of his friends over the warnings of the Oracle. Allowing Jason to wait for the "proper moment" gives the character time to brood on his fate, the Oracle a chance to try to undo his actions, and the show time to build-up to a fight between the witch queen and our hero.
Tagged as: Atlantis
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The HP 830 Unified Wired-WLAN Switch Series integrates both wireless and Gigabit Ethernet switch functions. The switch series provides 1,000 Mb/s Ethernet ports, each supporting a maximum power of 30 W PoE+ and IEEE 802.11a/b/g/n access points, while delivering unified wired and wireless access control functions. The HP 830 24-Port PoE+ Unified Wired-WLAN Switch provides two 10GbE slots on the rear panel to relieve transmission bottlenecks at the core of WLAN networks.
The HP 830 Unified Wired-WLAN Switch Series is ideally suited for unified access at the small- and medium-sized branches of large enterprise networks. When deployed in conjunction with the new HP 10500/7500 20G Unified Wired-WLAN Module in a main campus, the solution provides core-to-edge unified access; branch office client survivability; and consistent user security, policy, and QoS.
The unified switch series reduces hardware and operating costs, and delivers investment protection with a lifetime hardware warranty that includes next-business-day advance replacement and firmware upgrades for as long as you own the product.
Granular user-based access control allows you to define settings such as Committed Access Rate (CAS), QoS profiles, and access control policies based on the service set identifier (SSID) or access point location for different users and applications.
The HP unified wired and wireless enterprise solution implements IPv6 QoS, as well as the DiffServ QoS standard, which includes traffic classification and traffic policing, and completely implements six groups of services—EF, AF1 through AF4, and BE. These advanced QoS features help ensure that users have an optimal experience, even when using time-sensitive voice, video, and other rich-media applications.
The solution delivers six times the wireless access capacity when used with IEEE 802.11n-based access points compared to traditional IEEE 802.11 a/b/g networks, resulting in expanded coverage and more efficient support for wireless multimedia applications.The solution supports HP MSM430, MSM460, MSM466, MSM466-R, and WA2620 access points, and automatically discovers access points and applies updates if necessary.
IEEE 802.1X and RADIUS network logins control port-based authentication and authorization. A Choice of IEEE 802.11i, WPA2, or WPA locks out unauthorized wireless access by authenticating users prior to granting network access. Robust Advanced Encryption Standard (AES) or Temporal Key Integrity Protocol (TKIP) encryption secures the data integrity of wireless traffic. Web-based authentication provides a browser-based environment to authenticate clients that do not support the IEEE 802.1X supplicant.
Integrated wired and wireless Endpoint Admission Defense (EAD) helps ensure that only wireless clients who comply with mandated enterprise security policies can access the network, reducing threat levels from infected wireless clients and improving the overall security of the wireless network.
Wi-Fi Clear Connect use Advanced Radio Resource Management (RRM) to improve WLAN performance and reliability, detect wireless threats, and simplify management.
RRM automatically assigns and tunes transmit power levels and RF channels on access points to improve the system-wide performance and reliability of your WLAN and adjust coverage to mitigate against dead spots and access point failures.
Intelligent client load balancing analyzes the locations of wireless clients in real time, and automatically balances the client load to help ensure high-quality client throughput.
Integrated IDS allows access points to use time slicing to simultaneously provide client services and act as a security sensor to detect and locate flood, spoofing, and weak IV attacks and unknown and rogue devices. Flexible configuration options allow access points to be deployed in either hybrid or dedicated sensor mode.
Pay-as-you-grow license upgrades allow you to increase support for additional access points without the need to buy additional costly hardware and use additional valuable space in a chassis.


The Medicine Circle is our new initiative to cultivate more community among those of us who are on a journey of healing - in one way or another.
Designed to inspire the spirit + raise the vibration of us all through genuine connection, and to create a safe place for us to share our experience of healing with one another.
Our intention is to host regular events, open to our community and free of charge.
To put it simply - we desire to gather with you, get to know you and let you get to know us.
Join us for our first ever event Sunday, July 9 - make new friends and connect with us on a nature walk @ Beaman Park.
Bring your friends, lovers, family and dog!


text:
Горан Цвіянович (;  9 вересня 1986) — словенський футболіст, півзахисник національної збірної Словенії та клубу «Гориця».

Володар кубка Словенії.

Клубна кар'єра
Вихованець футбольної школи клубу «Гориця». Дорослу футбольну кар'єру розпочав 2005 року в основній команді того ж клубу, в якій провів п'ять сезонів, взявши участь у 102 матчах чемпіонату. Більшість часу, проведеного у складі «Гориці», був основним гравцем команди.

Своєю грою за цю команду привернув увагу представників тренерського штабу клубу «Марибор», до складу якого приєднався 2010 року. Відіграв за команду з Марибора наступні чотири сезони своєї ігрової кар'єри. Граючи у складі «Марибора», також здебільшого виходив на поле в основному складі команди.

Протягом 2014—2015 років захищав кольори хорватського клубу «Рієка».

До складу клубу «Гориця» повернувся 2015 року. Відтоді встиг відіграти за команду з міста Нова-Гориця 1 матч в національному чемпіонаті.

Виступи за збірні
Протягом 2006—2007 років залучався до складу молодіжної збірної Словенії. На молодіжному рівні зіграв у 5 офіційних матчах.

2012 року дебютував в офіційних матчах у складі національної збірної Словенії. Наразі провів у формі головної команди країни 4 матчі.

Досягнення
 Чемпіон Словенії (4):
 «Марибор»: 2010-11, 2011-12, 2012-13, 2013-14
 Володар Кубка Словенії (2):
 «Марибор»: 2011-12, 2012-13
 Володар Суперкубка Словенії (2):
 «Марибор»: 2012, 2013
 Володар Суперкубка Польщі (1):
 «Арка»: 2018

Примітки

Посилання
 Профіль гравця на TransferMarkt , ,

Словенські футболісти
Гравці молодіжної збірної Словенії з футболу
Гравці збірної Словенії з футболу
Футболісти «Гориці»
Футболісти «Марибора»
Футболісти «Рієки»
Словенські футбольні легіонери
Футбольні легіонери в Хорватії

redpajama_set_name: RedPajamaWikipedia


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A unidade Dobson (DU) é uma unidade de medida da densidade atmosférica de ozônio (O3), molécula que, na atmosfera terrestre, concentra-se na camada de ozônio estratosférico. A unidade DU possui o valor de 2,69 × 1016 moléculas de ozônio por centímetro quadrado, ou 2,69 × 1020 por metro quadrado, ou 0,4462 milimoles de ozônio por metro quadrado.

O nome da unidade Dobson é uma homenagem a Gordon Dobson, pesquisador da Universidade de Oxford que, na década de 1920, construiu o primeiro instrumento para medição da quantidade total de ozônio a partir da superfície terrestre, instrumento atualmente chamado de espectrofotômetro Dobson.

Unidades de medida


DBArtisan incorporates a number of powerful utilities that let you create, edit and manage your development environment. Primarily schema and data-oriented, there also server configuration, session-specific, and process-specific utilities. The following table lists available utilities and their availability by DBMS platform.
This page was last edited on 23 December 2015, at 04:18.