text:
Muzeum Śląskie w Katowicach – muzeum powstałe 23 stycznia 1929 na mocy uchwały Sejmu Śląskiego, które działało do wybuchu II wojny światowej w 1939, w latach 1945–1950 przejściowo odtworzone w Bytomiu, restytuowane w Katowicach w 1984, w 2006 wpisane do Państwowego Rejestru Muzeów, od 2015 w nowej, docelowej siedzibie w nowoczesnym kompleksie gmachów w Katowicach przy ul. Tadeusza Dobrowolskiego 1.

Do najcenniejszych zbiorów Muzeum Śląskiego należą kolekcje: malarstwa polskiego sprzed i po 1945 (w której znajdują się prace m.in. Józefa Chełmońskiego, Artura Grottgera, Tadeusza Makowskiego, Jacka Malczewskiego, Jana Matejki, Józefa Mehoffera i Stanisława Wyspiańskiego), sztuki nieprofesjonalnej, fotografii artystycznej i dokumentalnej, plakatu polskiego oraz bogate zbiory etnograficzne i z zakresu polskiej plastyki scenicznej.

W 2012 Muzeum Śląskie udostępniło pierwszą stałą trasę zwiedzania dla osób niewidomych i niedowidzących. Realizuje również projekty edukacyjne i artystyczne. Instytucja aktywnie uczestniczy w takich projektach, jak Noc Muzeów oraz Metropolitalna Noc Teatrów. Współpracuje z Muzeum Ziemi Górnośląskiej w Ratingen, Muzeum Ziemi Śląskiej w Opawie, Muzeum Śląskim w Görlitz, Słowacką Galerią Narodową oraz instytucjami muzealnymi w Finlandii i Włoszech.

Zobowiązane dziedzictwem regionu, dynamiką jego dziejów, wielokulturowością i wiodącą rolą przemysłu, przy jednoczesnym uznaniu jego dorobku intelektualnego i artystycznego, Muzeum Śląskie podejmuje się misji kreowania przestrzeni dla dialogu z przeszłością i dokonaniami współczesności w celu głębszego poznawania Śląska, Polski i Europy.

Muzeum Śląskie prowadzi badania:
 archeologiczne
 historyczne
 etnograficzne
 z plastyki nieprofesjonalnej oraz dokumentacji regionu

Powstanie

Utworzenie Muzeum Śląskiego ściśle wiązało się z powołaniem w 1924 Towarzystwa Muzeum Ziemi Śląskiej, którego zadaniem było gromadzenie pamiątek kultury materialnej i duchowej wytworzonych na Śląsku. Oficjalnie Muzeum Śląskie rozpoczęło swoją działalność dnia 23 stycznia 1929, a już w maju tego samego roku udostępniono pierwsze wystawy, które były eksponowane na piątym piętrze gmachu Urzędu Wojewódzkiego i Sejmu Śląskiego.

Pierwszym dyrektorem muzeum był Tadeusz Dobrowolski, który jako organizator i autor koncepcji programowej instytucji rozpoczął gromadzenie pierwszych eksponatów, w tym: strojów ludowych, wyrobów rzemiosła artystycznego, obrazów, oraz kolekcji sztuki sakralnej.

Rok 1936 to początek budowy jednego z najnowocześniejszych w ówczesnej Europie gmachu Muzeum Śląskiego, którego autorem był Karol Schayer. Niestety mimo zakończenia prac budowlanych w 1939, budynek nie doczekał się oficjalnego otwarcia. Zakończenie prac zbiegło się z wybuchem II wojny światowej i zamiast otwarcia była grabież symbolu polskości dokonana przez hitlerowców. Większość zbiorów Niemcy umieścili w Górnośląskim Muzeum Krajowym (niem. Oberschlesisches Landesmuseum) w Bytomiu (dzisiejszym Muzeum Górnośląskim). Gmach początkowo został przekształcony w składnicę mebli zrabowanych obywatelom polskim, a w latach 1941–1944 rozebrany do fundamentów.

Restytucja
Restytucja Muzeum Śląskiego nastąpiła w grudniu 1984. Tymczasową siedzibą muzeum został budynek dawnego hotelu z przełomu XIX i XX wieku, położony przy al. W. Korfantego 3, a dyrektorem został dr Lech Szaraniec. Adaptacja czteropiętrowego gmachu trwała do 1992, kiedy to udostępniono ostatnie sale ekspozycyjne.

Po restytucji w 1984 do Muzeum Śląskiego powróciła przechowywana część przedwojennych zbiorów placówki, w tym najcenniejsza kolekcja obrazów polskiego malarstwa dawnego, która dziś eksponowana jest na wystawie stałej Galerii sztuki polskiej 1800–1945.

Muzeum Śląskie posiada zbiór ponad 118 tys. eksponatów z różnych dziedzin sztuki, a także archeologii, etnografii, historii, fotografii, plastyki nieprofesjonalnej.

Muzeum Śląskie dzisiaj

Nowy kompleks budynków Muzeum Śląskiego, znajdujący się na terenie dawnej Kopalni Węgla Kamiennego "Katowice", wraz z innymi powstającymi tutaj instytucjami tworzy Strefę Kultury nowe centrum życia kulturalnego miasta. Nowoczesna konstrukcja zaprojektowana przez austriacką pracownię Riegler Riewe Architekten z Grazu, zakłada maksymalne wykorzystanie przestrzeni znajdującej się pod powierzchnią ziemi, a tym samym niewielką ingerencję w poprzemysłowy krajobraz.

Cześć podziemna

Główną częścią kompleksu architektonicznego Muzeum Śląskiego stanowi siedmiokondygnacyjny  budynek, w którym aż 3 poziomy znajdują się pod ziemią.

Na kondygnacji P-2 znajduje się galeria sztuki polskiej 1800–1945 i tą po 1945, galerię plastyki nieprofesjonalnej, natomiast na kondygnacji P-4: Światło historii. Górny Śląsk na przestrzeni dziejów, galerię śląskiej sztuki sakralnej, Laboratorium przestrzeni teatralnych – przeszłość w teraźniejszości oraz ekspozycje czasowe.

Zrewitalizowane pokopalniane obiekty
 Dawny budynek maszynowni, zaadaptowany na kawiarnię/restaurację.
 Magazyn odzieży – obecnie siedziba Centrum Scenografii Polskiej.
 Stolarnia – obecnie przestrzeń edukacyjna Na tropie Tomka.
 Łaźnia główna – obecnie przestrzeń wystawiennicza oraz siedziba działów Archeologii, Historii i Etnografii.

Muzeum Śląskie w liczbach:
 Powierzchnia użytkowa wynosi ponad 25 tys. m², a wystawiennicza 6 tys. m².
 Podziemny, trzykondygnacyjny garaż  posiada aż 232 stanowisk parkingowych.
 Powierzchnie poszczególnych wystaw wynoszą: Galeria sztuki polskiej 1800–1945 (poziom pierwszy P-2), 474 m², Galeria sztuki polskiej po 1945 roku (poziom pierwszy P-2), 1264 m², Galeria plastyki nieprofesjonalnej (poziom pierwszy P-2), 504 m², Światło historii. Górny Śląsk na przestrzeni dziejów (poziom drugi P-4), 1364 m², Galeria śląskiej sztuki sakralnej (poziom drugi P-4), 212 m², Laboratorium przestrzeni teatralnych – przeszłość w teraźniejszości (poziom drugi P-4), 751 m² .

Kalendarium wydarzeń:

 6 sierpnia 2004 – podpisano wstępne porozumienie pomiędzy województwem śląskim, miastem Katowice, Katowickim Holdingiem Węglowym S.A., Spółką Restrukturyzacji Kopalń S.A. oraz Muzeum Śląskim w Katowicach. Porozumienie dotyczyło podjęcia wspólnych działań zmierzających do powstania nowego gmachu Muzeum w rejonie KWK "Katowice". W szczególności za priorytetowe uznano przygotowanie odpowiedniej nieruchomości na nowe muzeum, przez co rozumie się m.in. przeniesienie praw własności terenu w rejonie KWK "Katowice" z Katowickiego Holdingu Węglowego S.A na rzecz Województwa Śląskiego, w zamian za działkę położoną w rejonie ulicy Ceglanej, wcześniej przeznaczoną na budowę nowego gmachu. Miasto Katowice zapewniło z kolei, iż przygotuje niezbędne warunki prawne i planistyczne wymagane przy tym przedsięwzięciu. Te postanowienia znalazły swoje odzwierciedlenie w porozumieniu podpisanym 26 października. KHW S.A. oraz Muzeum Śląskie orzekły w nim, iż dokonują zamiany wyżej wspomnianych działek. Z kolei Spółka Restrukturyzacji Kopalń S.A. zobowiązała się w terminie do 30 czerwca 2005, wyburzyć 3 obiekty na terenie byłej KWK "Katowice" – Kotłowni IV, Kotłowni V i Łaźni 1000. Do końca 2005 wykona zaś badania geologiczne i geofizyczne terenu oraz zlikwiduje skutki płytkiej eksploatacji. Akt notarialny dotyczący zamiany działek podpisano 30 grudnia 2004.
 5 listopada 2004 – w siedzibie Muzeum Śląskiego, prof. Andrzej Rottermund – dyrektor Zamku Królewskiego w Warszawie, poprowadził wykład poświęcony wizji budowy nowego gmachu muzeum. Profesor przedstawił najnowsze światowe tendencje w projektowaniu muzeów oraz w muzealnictwie,
 16 listopada 2004 – w Bibliotece Śląskiej w Katowicach przedstawiono wizję programowo-użytkową Muzeum Śląskiego na terenie nowej lokalizacji,
 8 grudnia 2004 – w Urzędzie Marszałkowskim, dyrektor Muzeum Śląskiego dr Lech Szaraniec szczegółowo przedstawił tzw. "Program użytkowy do wykorzystania przy adaptacji obiektów poprzemysłowych byłej kopalni "Katowice" i projektowaniu zespołu pawilonów nowego gmachu Muzeum Śląskiego w Katowicach". Koreferaty przygotowali prof. dr hab. Zdzisław Żygulski jun., dr hab. Ryszard Skowron, dr Maria Popczyk, Leszek Jodliński, prof. dr hab. M. Fabiański oraz dr inż. arch. Tomasz Taczewski,
 31 marca 2005 – w gmachu Sejmu Śląskiego ze studentami Politechniki Śląskiej w Gliwicach i Akademii Sztuk Pięknych w Katowicach spotkał się Michał Czarski – marszałek województwa śląskiego. Podczas spotkana studenci przedstawili cztery bardzo ciekawe wizje architektonicznego i przestrzennego zagospodarowania terenu byłej KWK "Katowice". Zaprezentowane projekty wkrótce zostaną wydane w formie publikacji książkowej,
 16 czerwca 2005 – w sali Miejskiego Domu Kultury w Katowicach – Bogucicach odbyło się symboliczne przekazanie terenów byłej KWK "Katowice" Muzeum Śląskiemu. Podczas "Ostatniej szychty" bogucickiej braci górniczej, jak nazwano uroczystość, weterani kopalni wraz z pracownikami Muzeum Śląskiego opowiedzieli o skomplikowanych losach obu instytucji. Przedstawicielom muzeum wręczono górnicze szpady, a na zakończenie wieczoru swój program zaprezentowały miejscowe grupy folklorystyczne. Uroczystość zorganizowano w ramach XV Festynu Bogucickiego, który odbył się w dniach od 16 do 19 czerwca w Parku Miejskim w Katowicach Bogucicach. Dla upamiętnienia uroczystości Poczta Polska w Katowicach wydała stempel i pocztówkę okolicznościową,
 30 czerwca 2005 – Zarząd Województwa Śląskiego ogłosił "Konkurs na wykonanie koncepcji funkcjonalnej i przestrzennej Nowego Muzeum Śląskiego". Na potrzeby nowej siedziby Muzeum Śląskiego zostaną zaadaptowane niektóre zabudowania byłej KWK "Katowice" pochodzące z przełomu XIX i XX wieku, w tym szyb "Bartosz". Będzie można w nich zobaczyć m.in. kopalniane maszyny i urządzenia. Natomiast nowe pawilony muzealne mają umożliwić eksponowanie i magazynowanie bardzo licznych zbiorów placówki gromadzonych przez poszczególne działy muzeum od momentu restytucji (jest to ponad 75 tys. eksponatów),
 16 maja 2009 – w kopalni odbyła się 5 edycja Nocy w Muzeum,
 marzec 2011 – początek pierwszych prac przy budowie siedziby,
 luty 2010 – otrzymanie decyzji Ministra Kultury i Dziedzictwa Narodowego o przyznaniu dofinansowania dla projektu  w wysokości 2,3 mln zł,
 kwiecień 2010 – ogłoszenie przetargu ograniczonego na wybór generalnego wykonawcy robót,
 grudzień 2010 – ogłoszenie wyboru najkorzystniejszej oferty na wybór generalnego wykonawcy, którym zostało polsko-hiszpańskie konsorcjum firm Budimex S.A. z Warszawy i Ferrovial Agroman S.A. z Madrytu,
 grudzień 2010  – ogłoszenie przetargu nieograniczonego na I etap robót przygotowawczych pod budowę nowego Muzeum Śląskiego,
 25 marca 2011 – zapadła decyzja o przyznaniu na inwestycję środków unijnych,
 przełom czerwca i lipca 2011 – początek prac nad wznoszeniem nowego muzeum,
 5 lipca 2012 – przekazanie Wykonawcy Placu Budowy oraz uroczyste "wbicie łopaty"  na terenie budowy nowej siedziby Muzeum Śląskiego,
 październik 2012 – wyłonienie w ramach postępowania konkursowego autora scenariusza wystawy stałej poświęconej historii Górnego Śląska,
 2014 – zakończenie robót, procedury odbiorcze wydanie Świadectwa Przejęcia robót,
 2014–2015 – urządzanie wystaw stałych w nowym gmachu,
 27 czerwca 2015 – otwarcie nowego gmachu,
 20 maja 2017 – otwarcie zrewitalizowanego budynku stolarni,
 9 września 2017 – otwarcie zrewitalizowanego budynku łaźni głównej.

Odznaczenia
 31 stycznia 2019 placówkę odznaczono Złotym Medalem "Zasłużony Kulturze Gloria Artis", podczas uroczystości z okazji 90-lecia istnienia muzeum

Dyrektorzy

 Tadeusz Dobrowolski (1924–1939)
 Lech Szaraniec (1984–2008)
 Leszek Jodliński (2008–2013)
 Dominik Abłamowicz (p.o., 2013–2014)
 Alicja Knast (2014–2020)
 Marcin Gwoździewicz (p.o., 2020–2021)
Karol Makles (p.o., 2021)
 Maria Czarnecka (od 2021)

Działalność komercyjna
Muzeum Śląskie w Katowicach poza swoją działalnością statutową, mającą na celu ochronę i propagowanie dziedzictwa kulturowego, prowadzi działania o charakterze komercyjnym. środki uzyskane z tej działalności pomagają wesprzeć budżet instytucji, a tym samym pozwalają utrzymać na odpowiednim poziomie jej działalność wystawienniczą, wydawniczą, naukową i edukacyjną (zgodnie z artykułem 9 Ustawy o muzeach z dnia 21 listopada 1996 r. – ). W ofercie muzeum znajdują się usługi heraldyczne (rekonstrukcja herbów miast i herbów rodowych na podst. danych historycznych), konserwatorskie, konsultacje historyczne i szeroka gama wydawnictw i upominków związanych z regionem i działalnością muzeum po możliwość wynajmu sal na szkolenia.

Części muzeum

Dział Sztuki
Dział sprawuje pieczę nad kolekcją dzieł malarstwa polskiego, która jest jedną z bardziej, pod względem specyfiki zbiorów, rozbudowanych kolekcji muzeum. Oprócz obejmującego ponad 2 tys. obiektów zbioru grafiki polskiej i europejskiej, do którego należą pojedyncze ryciny grafików takiej miary, jak Albrecht Dürer, Rembrandt Haermensz van Rijn czy Giovanni Battista Piranesi. Dział zajmuje się także poszerzaniem licznego zbioru plakatów filmowych, teatralnych i okolicznościowych, autorstwa czołowych polskich reprezentantów tej dziedziny sztuki, takich jak Franciszek Starowieyski, Waldemar Świerzy, Henryk Tomaszewski, Eryk Lipiński, Jan Młodożeniec.

Dział Plastyki Nieprofesjonalnej
Dział zajmuje się badaniem niezawodowych środowisk twórczych, których celem jest animacja amatorskiego ruchu plastycznego oraz przybliżenie ciekawych i oryginalnych współcześnie tworzących artystów. Ma to szczególne znaczenie w przypadku zjawiska tak charakterystycznego i wyjątkowego na skalę światową, jak amatorski ruch plastyczny na Górnym Śląsku. Kolekcja muzealna ilustruje oryginalność i specyfikę sztuki nieprofesjonalnej na Śląsku, przede wszystkim w szerokim kontekście kulturowym i tożsamościowym, ale także z punktu widzenia estetycznego i artystycznego. Zbiory nie ograniczają się jednak wyłącznie do twórców śląskich – zawierają również prace ciekawych artystów z innych regionów Polski, na przykład Stanisława Zagajewskiego, Eugeniusza Brożka, Franciszka Adamika czy Włodzimierza Czerwy. Prace twórców prezentowane są w "Galerii plastyki nieprofesjonalnej".

Dział Fotografii
W zbiorach Działu znajduje się kolekcja licząca ponad 35 000 zdjęć (datowanych począwszy od połowy XIX wieku, w tym najstarsze dagerotypy, do czasów współczesnych), z czego blisko 12 500 to fotografie archiwalne: zdjęcia pozytywowe (8500) oraz negatywy szklane i celuloidowe (4000). Obecnie całość tworzy fototekę związaną nie tylko ze Śląskiem, jednak przede wszystkim skupia się na skomplikowanych losach rodzin śląskich, ich wielokulturowości wynikłej zarówno z historycznych przemian, jak i związanych z nimi migracji. Ukazuje rozwój i historyczne znaczenie Śląska w skali dziejów Europy, jego wartość gospodarczą, a także degradację środowiska naturalnego. Zasób dzieli się na kilka kolekcji tematycznych. Są wśród nich zdjęcia dokumentujące wydarzenia obyczajowe, społeczne i historyczne, począwszy od I wojny światowej, poprzez powstania i plebiscyt na Górnym Śląsku, do przemian ustrojowych w Polsce w latach 80. XX wieku, ukazuje przemiany cywilizacyjne i kulturowe ludności zamieszkującej ten region, fotografie etnograficzne oraz architektoniczno-urbanistyczne. Ciekawy zespół tworzą fotografie portretowe, najstarsze datowane na ok. 1850 przedstawiające ludzi z różnych terenów dawnej Polski, fotografowanych w najstarszych zakładach fotograficznych działających na naszych ziemiach.

Dział Etnologii
Dział zajmuje się dokumentacją kultury ludowej, plebejskiej i mieszczańskiej Górnego Śląska oraz terenów sąsiednich. Jego zbiory liczą ponad 7 tysięcy obiektów. Zdecydowana większość zabytków pochodzi z okresu od połowy XIX do II połowy XX wieku. Najstarsze eksponaty to XVII. wieczny obraz olejny na płótnie Matka Boska Różańcowa, srebrne spinki oraz guzy jabłonkowskie datowane na przełom XVII i XVIII wieku, haftowana chusta opolska, formy piernikarskie oraz malowane szafy śląskie pochodzące z XVIII wieku. W zbiorach Działu Etnologii znajdują się m.in.: stroje ludowe, jubilerskie wyroby cieszyńskie (ponad 400 obiektów), kostiumy, maski i rekwizyty obrzędowe, wyroby rękodzieła huculskiego, meble, sprzęty i narzędzia gospodarstwa domowego, przedmioty zdobnictwa wnętrz oraz różnego rodzaju pamiątki, przedmioty ilustrujące kulturę miejską, dewocjonalia, zabawki. Poza wymienionymi kolekcjami w zbiorach Działu Etnologii znajduje się wiele innych przedmiotów ilustrujących życie społeczne, duchowe i materialne mieszkańców Górnego Śląska oraz terenów sąsiednich.

Dział Historii
Dział zgromadził zróżnicowaną tematycznie kolekcję ponad 6 tysięcy obiektów. Najstarsze eksponaty pochodzą z XVII wieku. Są to dokumenty pergaminowe, spisane w języku niemieckim i łacińskim, z przywieszonymi doń pieczęciami woskowymi.

Zbiory działu można podzielić na kolekcje:
 Silesiana – są to dokumenty, plakaty, broszurki, pocztówki propagandowe, a także bogaty zbiór górnośląskich notgeldów (banknotów zastępczych) z lat 1917–1922;
 Pocztówki z ikonografią śląskich miast i miejscowości oraz górnośląskich zakładów przemysłowych;
 Lwowiana – liczący kilkaset egzemplarzy zbiór plakatów teatralnych z lat 1919–1939 Rzemieślniczego Stowarzyszenia "Gwiazda" z Łyczakowa, metryki z XVIII, XIX i XX wieku opatrzone pieczęciami opłatkowymi parafii różnych wyznań Galicji Wschodniej, świadectwa szkolne, świadectwa czeladnicze;
 Zbiór falerystyczny zawierający odznaczenia państwowe z czasów II RP i późniejszych;
 Militaria – kolekcję tworzy broń z XIX–XX wieku – biała, w tym szable pamiątkowe z 75 Pułku Piechoty i 23 Pułku Artylerii Lekkiej oraz palna. Z egzemplarzy dziewiętnastowiecznych na uwagę zasługuje rewolwer z wrocławskiej rusznikarni S. Goldbergera i karabin Dreyse model 1841;
 Kolekcja kartograficzna – mapy Śląska z XVI–XVIII wieku, mapy sztabowe, mapy nadań pól górniczych, plany miast oraz w pełni sprawne wyposażenie katowickiej drukarni należącej ongiś do Jana Eichhorna.
W ramach Działu funkcjonują dwie pracownie: Pracownia Powstań Śląskich oraz Pracownia Przemysłu Śląskiego.

Pracownia Powstań Śląskich zajmuje się badaniem materiałów dotyczących powstań śląskich. Na podstawie zbiorów powstańczych przekazanych przez Archiwum Józefa Piłsudskiego w Nowym Jorku, zasobów Centralnego Archiwum Wojskowego w Warszawie-Rembertowie i zespołów akt znajdujących się w Archiwach Państwowych ustala liczbę zweryfikowanych uczestników powstań śląskich, skład poszczególnych jednostek. Opracowuje też skomplikowane struktury organizacyjne Naczelnej Komendy Wojsk Powstańczych i rozmaitych zgrupowań i oddziałów. Efektem są referaty konferencyjne, artykuły i książki, np. Organizacja i ewidencja personalna 1. Pułku Strzelców Bytomskich oraz Baonu Szturmowego Bytomskiego (styczeń–kwiecień 1921). Finałem prac będzie wielotomowa edycja materiałów źródłowych.

Pracownia Przemysłu Śląskiego gromadzi zabytki przemysłowe i bada rozmaite aspekty dziejów górnośląskiego przemysłu, od zagadnień technicznych i wdrażania nowych rozwiązań po rodzaje produkcji, rynki zbytu czy organizację. Efektem prac ma być stała wystawa poświęcona historii przemysłu śląskiego w zrewitalizowanych zabudowaniach dawnej kopalni "Katowice" i towarzyszące jej wydawnictwa.

Dział Archeologii
Dział Archeologii restytuowanego Muzeum Śląskiego w Katowicach historycznie i programowo nawiązuje do Działu Prahistorii w przedwojennym Muzeum Śląskim, którego zadaniem było zbieranie zabytków obrazujących pradzieje Śląska w granicach ówczesnego województwa śląskiego i pokazanie ich na tle pozostałych ziem polskich. Oprócz licznych prac wykopaliskowych pracownicy działu prowadzą nadzory archeologiczne przy inwestycjach, koordynują badania archeologiczne wyprzedzające budowę autostrad w województwie śląskim oraz przyjmują materiały przekazywane decyzją administracyjną przez Wojewódzkiego Konserwatora Zabytków w Katowicach. W ramach działu funkcjonuje Pracownia Bioarcheologii.

W Dziale Archeologii zgromadzono ponad 40 000 muzealiów z ponad 60 stanowisk, w większości z terenów województwa śląskiego i dawnego województwa katowickiego. Wśród nich znajdują się materiały z badań wykopaliskowych prowadzonych przez pracowników działu na osadzie kultury lendzielskiej i kultury pucharów lejkowatych.

Dział Edukacji
Od momentu restytucji w 1984 Muzeum Śląskie w Katowicach prowadzi bardzo różnorodną działalność edukacyjną. W jej zakres wchodzą liczne zajęcia ukierunkowane na edukację przez sztukę, realizowane w formie lekcji i warsztatów dla dzieci i młodzieży oraz wykładów dla odbiorców dorosłych. Dział Edukacji prowadzi też edukację regionalną, obejmującą wszystkie grupy wiekowe. Punktem wyjścia działań edukacyjnych są nie tylko wystawy stałe i czasowe organizowane w muzeum, ale też misja propagowania szeroko rozumianego dziedzictwa kulturowego i historycznego. Prace związane z organizacją działań edukacyjnych obejmują współpracę ze szkołami, bibliotekami, stowarzyszeniami, komórkami obsługującymi placówki oświatowe oraz indywidualne konsultacje z nauczycielami.

Dział Edukacji prowadzi też działania, których celem jest uczynienie z muzeum miejsca przyjaznego dla osób niepełnosprawnych, ze szczególnym uwzględnieniem niewidomych i niedowidzących. W muzeum odbywają się zajęcia dla dzieci z dysfunkcjami intelektualnymi, autyzmem, wykluczonych społecznie. Ważna jest stała współpraca ze szkołami specjalnymi, świetlicami środowiskowymi oraz bieżące konsultacje z organizacjami działającymi na rzecz środowisk wykluczonych.

Praca Działu Edukacji zyskała uznanie jury Konkursu Marszałka Województwa Śląskiego za Wydarzenie Muzealne Roku 2010 zdobywając nagrody w kategorii dokonań z zakresu inicjatyw edukacyjnych i popularyzacji dziedzictwa kulturowego:
 nagrodę główną za projekty "Czym jest obraz?" i "Sztuka przez dotyk" przybliżające galerie malarstwa polskiego osobom niewidomym i niedowidzącym.
 wyróżnienie za projekt edukacyjny "O Śląsku po ślonsku. Lekcje śląskiej mowy".

Dział Komunikacji Wizualnej i Wydawnictw
Oferta wydawnicza Muzeum Śląskiego obejmuje różne publikacje, nie tylko związane z podstawową działalnością muzealną. Oprócz katalogów wystaw Muzeum wydaje książki naukowe i popularnonaukowe z dziedziny historii i teorii sztuki, kulturoznawstwa, archeologii, etnografii, historii i kultury Śląska, sztuki nieprofesjonalnej, architektury, literatury i inne. Jednym z ważniejszych zadań jest także publikowanie katalogów prezentujących własne kolekcje. Wydawnictwa Muzeum Śląskiego można nabyć w sklepie internetowym oraz w Magazynie Kulturalnym, księgarni Muzeum Śląskiego.

Centrum Scenografii Polskiej, Oddział Muzeum Śląskiego
Centrum zajmuje się przestrzenią teatru w jej niezliczonych kontekstach społecznych, kulturowych i formalnych – działa na pograniczu teatru, filmu, architektury, szeroko pojętych sztuk plastycznych i widowiskowych.  Głównym jego celem jest zachowanie oraz popularyzacja dorobku scenograficznego w formie projektów, zdjęć, makiet, kostiumów, materiałów audio i wideo. Instytucja nie zapomina też o realizacjach współczesnych w kontekście upływającego czasu, uczestniczy również w krajowych i międzynarodowych projektach edukacyjnych, artystycznych i badawczych, wykraczających poza działalność wystawienniczą.

Wystawy stałe prezentowane w Muzeum Śląskim przy ul. T. Dobrowolskiego 1

Galeria sztuki polskiej 1800–1945
Galeria obejmuje wszystkie znaczące kierunki w sztuce polskiej lat 1800–1945: dziewiętnastowieczne malarstwo portretowe oraz pejzażowe, malarstwo romantyczne i realistyczne, nurt akademicki, malarstwo historyczne, symboliczne i secesyjne obrazy okresu Młodej Polski, dzieła polskich impresjonistów, wreszcie sztukę okresu międzywojennego. Większość obrazów eksponowanych w galerii zalicza się do największych osiągnięć sztuki polskiej. Są to m.in. dzieła Piotra Michałowskiego, Henryka Rodakowskiego, Jana Matejki, Józefa Chełmońskiego, Aleksandra Gierymskiego, Stanisława Wyspiańskiego, Józefa Mehoffera, Jacka Malczewskiego, Leona Wyczółkowskiego, Józefa Pankiewicza, Władysława Podkowińskiego, Jana Stanisławskiego i Olgi Boznańskiej. Galerię uzupełniają rzeźby prezentujące wybrane nurty w sztuce przełomu XIX i XX wieku.

Galeria sztuki polskiej po 1945
Galeria sygnalizuje istotne zjawiska w dziejach sztuki polskiej po 1945. Zawiera przykłady podejmowania przez artystów prób samookreślenia się w kontekstach: historycznym, estetycznym, światopoglądowym lub socjologicznym. Są to dzieła twórców dobrze znanych, ale też tych mniej rozpoznawalnych, zasługujących na uwagę i zainteresowanie. Nie mogło zabraknąć artystów najwybitniejszych, mających znaczący wpływ na kształt i rozwój powojennej sztuki polskiej. Są to m.in. Andrzej Wróblewski, Tadeusz Kantor, Jerzy Nowosielski, Władysław Hasior, Zdzisław Beksiński, Grupa Łódź Kaliska, Lech Majewski, Zbigniew Libera, Natalia Lach Lachowicz i wielu innych.

Galeria plastyki nieprofesjonalnej
Galeria ukazuje całe bogactwo zagadnień kryjących się pod tym pojęciem. Główną jej część poświęcono ruchowi amatorskiemu na Śląsku. Do konstrukcji wystawy użyto metafory kopalni, która łączy trzy istotne dla tradycji śląskiej obszary – strefę podziemną, powierzchnię i niebo, kojarzące się ze śląską triadą: Bóg, praca, rodzina. Uzupełnieniem są prace członków grupy Gwarek 58 związanej z KWK "Katowice" oraz wybitnych przedstawicieli jednego z najciekawszych zjawisk plastyki nieprofesjonalnej – sztuki outsiderów.

Światło historii. Górny Śląsk na przestrzeni dziejów
Ekspozycja w syntetyczny sposób pokazuje historię Górnego Śląska od czasów najdawniejszych do przełomu 1989. Szczególną uwagę poświęcono okresowi industrializacji, bowiem to właśnie jej ziemia ta zawdzięcza swe dzisiejsze oblicze i charakter. Przy pomocy scenografii i eksponatów ukazano węzłowe zagadnienia i problemy, pokazując dylematy, przed którymi stawiano Górnoślązaków i wybory, których dokonywali. Zobrazowano kształtowanie się tożsamości i problemy stąd wynikające, nasycając wystawę emocjami i stawiając pytania, na które często nie ma łatwych odpowiedzi.

Galeria Sztuki Sakralnej
Wystawa ta łączy zbiory Muzeum Śląskiego oraz eksponaty Muzeum Archidiecezjalnego w Katowicach, które w 2013 zostały przekazane placówce w charakterze  długoterminowego depozytu. Kolekcja prezentuje skarby śląskiej kultury w zakresie rzeźby, malarstwa i rzemiosła artystycznego z okresu gotyku i czasów nowożytnych. Galeria śląskiej sztuki sakralnej obejmuje cztery wydzielone strefy, w których wyeksponowano ponad 120 obiektów z zakresu rzeźby, malarstwa i rzemiosła artystycznego, tworzących dwa zespoły stylistyczne: późnogotycki i renesansowo‑barokowy, a także zabytki pochodzące z okresu od końca XIV do końca XVIII wieku. Ekspozycję uzupełniają multimedialne prezentacje wybranych zagadnień tematycznych niemożliwych do bezpośredniego zademonstrowania w warunkach muzealnych.

Laboratorium przestrzeni teatralnych. Przeszłość w teraźniejszości
Wystawa to prezentacja najważniejszych dokonań teatru europejskiego od czasów antyku po współczesność bogata w przykłady dzisiejszych interpretacji i przetworzeń historycznych konwencji, jak i odwołań do scenicznej rewolucji XX wieku. To fascynacja artystów ruchem, przestrzenią, dynamiką stała się inspiracją do znalezienia formuły pozwalającej na zachowanie języka scenicznej wypowiedzi: operującego strojem, dekoracją, audiowizualnym zapisem, a w swej podstawowej formie makietą lub szkicem. Projekty, szkice, obrazy, kukły i kostiumy obrazują kierunki rozwoju polskiej plastyki scenicznej od lat międzywojennych do dnia dzisiejszego.

Na tropie Tomka
"Na tropie Tomka" to nowoczesna przestrzeń edukacyjna dla rodzin z dziećmi, w której odnajdą swoje miejsce zarówno dziadkowie, rodzice jak i najmłodsi członkowie rodziny. Inspirując się postacią Tomka Wilmowskiego, młodego bohatera powieści Alfreda Szklarskiego, zaprojektowano miejsce, którego celem jest łączenie pokoleń i wspólne odkrywanie świata za pomocą zmysłów i twórczych wyzwań. Wystawa jest interaktywną podróżą przez pięć kontynentów i pięć kultur. W jej trakcie uczestnicy mają za zadanie rozwiązać zagadkę zniknięcia Tomka.

Wystawa przemysłu śląskiego
W dawnym budynku warsztatu mechanicznego i kuźni można oglądać zabytkowe maszyny oraz urządzenia, np. młoty, prasy i obrabiarki z zakładów przemysłowych Śląska. W budynku warsztatu mechanicznego z zachowaną suwnicą z roku 1905 możemy podziwiać m.in. silnik parowy z początku XX wieku, który w okresie swojej świetności napędzał dwie linie walcarek walcowni średnio drobnej w nieistniejącej obecnie hucie Baildon, a dziś jest jedynym tego typu eksponatem zachowanym w Polsce. W obu budynkach zgromadzono wiele maszyn i obrabiarek oraz obiekty militarne ilustrujące produkcję i historię śląskiego przemysłu.

Przemysł Śląski w produkcji zbrojeniowej XIX i XX wieku
Ekspozycja zlokalizowana przy alei Korfantego, mająca charakter studium magazynowego ukazuje znaczenie śląskiego przemysłu militarnego w XIX i XX wieku oraz jego rolę w wytwarzaniu surowców, materiałów oraz gotowych egzemplarzy broni, uzbrojenia oraz oporządzenia wojskowego. Na jej potrzeby przywrócony został w piwnicach oryginalny schron przeciwlotniczy z roku 1939. Można tu zobaczyć m.in. legendarną polską armatę przeciwpancerną Borfos wzór 36 kaliber 37 mm. Czy eksponaty upamiętniające obrońców obszaru uprzemysłowionego Śląska na początku II wojny światowej tj. żołnierzy 73. Pułku Piechoty odznaczonego Orderem Virtuti Militari.

Biblioteka i Czytelnia
Czytelnia Biblioteki Muzeum Śląskiego udostępniona w siedzibie przy ul. T. Dobrowolskiego 1 w Katowicach, posiada bogaty księgozbiór obejmujący m.in. pozycje z etnografii, archeologii, historii i sztuki, ze szczególnym uwzględnieniem prac tematycznie związanych z kulturą i historią regionu śląsko-dąbrowskiego (Silesiana). Poza tym posiada również szeroki wybór publikacji muzeów krajowych i zagranicznych (katalogi wystaw, informatory, wydawnictwa naukowe) oraz tytułów prasy regionalnej i samorządowej.

Bibliografia

Linki zewnętrzne
 Strona Muzeum Śląskiego
 Strona Nowego Muzeum Śląskiego
 Fotograficzna relacja z wystaw Muzeum Śląskiego
 Muzeum Śląskie. Architektura tożsamości

Przypisy

Polskie muzea rejestrowane
Katowice
Katowice
Instytucje Kultury Samorządu Województwa Śląskiego

Bogucice
Szlak Zabytków Techniki Województwa Śląskiego

redpajama_set_name: RedPajamaWikipedia


text:
Woman stabs woman with glass during fight, warrant says
Sydney Ann Sanders charged with attempted murder
Stephanie Moore
Pickens County Sheriff's Office
Sydney Ann Sanders
SOURCE: Pickens County Sheriff's Office
A 21-year old woman is accused of stabbing another woman with a piece of glass during a fight, according to an arrest warrant. Pickens County deputies were called about 4:45 a.m. Tuesday to a home on Anthony Road in Pickens. Deputies said they found a woman with a stab wound in her side, along with another woman and a man at the home. The victim told authorities Sydney Ann Sanders, 21, stabbed her during a fight. The victim was taken to a hospital when she had surgery for her injuries, according to deputies. Sanders is charged with attempted murder.
PICKENS COUNTY, S.C. —
A 21-year old woman is accused of stabbing another woman with a piece of glass during a fight, according to an arrest warrant.
Pickens County deputies were called about 4:45 a.m. Tuesday to a home on Anthony Road in Pickens.
Deputies said they found a woman with a stab wound in her side, along with another woman and a man at the home.
The victim told authorities Sydney Ann Sanders, 21, stabbed her during a fight.
The victim was taken to a hospital when she had surgery for her injuries, according to deputies.
Sanders is charged with attempted murder.

redpajama_set_name: RedPajamaCommonCrawl


This robe hook comes in handy with wet towels and robes in a universal polished chrome finish.
Inspired by the sleek lines of the Delta Tolva Faucet, the Tolva multipurpose single hook adds contemporary styling to bathroom decor. The wall mount design allows for the modern feel to make a statement, while still providing multiple hanging points. The Tolva collection provides coordinating pieces to help complete the modern look (sold separately).


text:
Investigator: Garner couple's home 'littered with bullet holes' after murders
Raleigh, N.C. — In the third day of testimony in the trial of a man charged with the mistaken-identity murder of a Garner couple, an investigator with the Wake County Sheriff's Office described what he saw when he arrived at the grisly murder scene.
According to court documents, Samuel and Maria Mendoza were at home with their 3-year-old son, at 708 Colonial Drive, when the teens – wearing hair nets, masks and gloves – kicked in their door and shot them.
Jose Mendoza, 34, was shot 16 times in the head, chest and torso, and Maria Mendoza, 34, was shot seven times in the back, lower abdomen and legs. The boy was not injured in the attack.
In testimony at the trial of Jonathan Santillan, one of two men charged with first-degree murder and first-degree burglary on Jan. 5, 2013, Investigator Ed Blomgren described the murder scene as one of the most horrific crime scenes he had seen in his career.
Blomgren said he was one of the first people to enter the home after the murders and noted that every wall was littered with bullet holes.
"As you walked through the door it appeared that someone had been firing with an automatic weapon. There were bullet holes pretty much sprayed everywhere," he said.
Blomgren told the court Friday he was also part of a team that served a search warrant at the home on Montiseno Drive where Santillan was found with his uncle, Israel Vasquez, the other person charged in the case.
He testified that they found weapons hidden in the attic, including handguns and assault rifles and magazines with dozens of rounds of live ammunition.
Mario Urbina Gomez, the owner of the home where the weapons were found, also took the stand Friday morning.
Through an interpreter, he testified that he rented a portion of his property and that he did not know guns were kept at his home.
To wrap up the morning of testimony, the state called Agent Shayne Smithey of The Raleigh/Wake City-County Bureau of Identification to the stand.
Smithey walked the jury through a 25-minute video and a 360-degree image of the crime scene.
Investigators believe the shooting at the Mendoza home was a continuation of an earlier gang fight but that the suspects had the wrong address for the man they were looking for and mistakenly killed the Mendozas.
The intended target of the gang had once lived in the home on Colonial Drive, but had moved out and the Mendozas moved in which led to the tragedy, according to investigators.
Due to scheduling conflicts, court was adjourned at about 1 p.m. Testimony is scheduled to continue Monday at 10 a.m.
IMAGES: Investigator: Garner couple's home 'littered with bullet holes' after murders
Santillan trial day 3 part 1
Jonathan Santillan trial video
Investigators: Guns, ammo found in Garner murder suspect's house
Neighbor: Found son lying on dead father
Wake County grand jury indicts two teens in double murder case
Renee Chou
Tom Normanly


text:
WATCH: Ogie Alcasid, Moira Dela Torre drop music video for duet 'Beautiful' | Inquirer Entertainment
WATCH: Ogie Alcasid, Moira Dela Torre drop music video for duet 'Beautiful'
By: Ryan Arcadio
INQUIRER.net / 01:27 PM August 18, 2020
Ogie Alcasid and Moira Dela Torre have released the music video for their new worship song together, called "Beautiful."
The video shows the two artists singing their respective parts from the safety of their homes, as seen on ABS-CBN Star Music's YouTube page yesterday, Aug. 17.
Alcasid wrote and composed the worship song, which speaks about their love for God. He also revealed that he had started creating the piece "a while back" but was not able to finish it, as per a previous Instagram post.
However, when lockdown measures were imposed due to the COVID-19 pandemic, he finally decided to complete the track. Alcasid asked a certain Jem Florendo to arrange the piece for him while he contacted Dela Torre, who was on her US tour at the time, to record her vocals and video.
Songwriter Jonathan Manalo then joined the team and helped produce the final version of the worship song.
"This is for you dear Jesus because everything you've done for us is simply Beautiful," Alcasid said. "Praise you Jesus." /ra
WATCH: Regine Velasquez, Ogie Alcasid sing 'The Lord Is Our Savior' amid community quarantine
WATCH: Moira Dela Torre sings 'Take Her to the Moon' as tribute to Kobe Bryant, daughter Gianna
Billie Eilish, John Legend make it to Obama's summer music playlist
Follow @RArcadioINQ on Twitter
TAGS: Duets, Moira dela Torre, music video, Ogie Alcasid, Religion


text:
Comments log
On the wiki
Active petitions
Article requests
LMW in the media
Notice board archive
Rules, guidelines and tips
Lost advertising and interstitial material
Lost animation
Lost audio
Lost comics
Lost internet media
Lost literature
Lost music
Lost puppetry
Lost recordings of real incidents
Lost TV
Miscellaneous lost media
Found media
Partially found media
Partially lost media
Existence unconfirmed
Non-existence confirmed
Pre-LMW
NSFL
Needing work
Contact/media
From The Lost Media Wiki
Midnight Rider (partially found unfinished biographical film based on band; 2013-2014)
« Sarah Jones, the camerawoman killed in the train accident.
In May 2013, Open Road Films announced that a biographic film based on the Allman Brothers Band was in production, and would be directed by Randall Miller. It would be based on Gregg Allman's biographic book My Cross To Bear.
Curiosity Shop (partially found children's educational television series; 1971-1973)
« A promotional image for the series.
Curiosity Shop was an educational television show produced for children that was created by famous Warner Bros. animator and director, Chuck Jones. It was aired on ABC.
OK K.O.! Let's Be Heroes "Crossover Nexus" (partially found original 22-minute version of animated series episode; 2010s)
« Title card.
On October 8th, 2018, an episode titled "Crossover Nexus" premiered, and it was a crossover between 4 different Cartoon Network series. It was 11 minutes in length, but originally, the crew was making a 22-minute version of the episode.
Cutie the Kitten (cancelled standalone third-person game from YouTuber; 2017)
« A screenshot from the alpha version.
Quiet Tomato is an animation YouTuber with a total of 159,000 subscribers total as of 2019. He is known for his Macromedia Flash and MS Paint animations, the best-known series on his channel being S.A.M. (Springtrap and Mangle), which is about two characters from the popular horror game Five Nights at Freddy's.
Byron's Memoirs (lost manuscript for unpublished book; 1824)
« A portrait of Lord Byron.
Byron's Memoirs were a series of memoirs by British poet and politician Lord George Gordon Byron that was written between 1818 and 1821. Though it is not truly known what was written in the memories, it is speculated that it contained exerts about his life, loves, travels, and opinions. The memoirs were never published as they were destroyed after Lord Byron's death.
Stage Debut (cancelled Nintendo GameCube game; 2002-2004)
« Title screen for the game.
Stage Debut is a cancelled Nintendo GameCube exclusive game that was going to be developed and published by Nintendo from 2002 to 2004. The game was designed with the use of the Game Boy Advance's never officially released camera peripheral the GameEye (a spiritual successor to the Game Boy's Camera), which allowed players to take photos of their faces and import them into the game.
Making the Game (cancelled Game Boy Color game; 2000-2001)
« Mock up box art of the game.
Making The Game was the codename of a cancelled Game Boy Color title developed by a group referring to themselves as Savage Pixel between 2000 and 2001. The game was produced by IGN editor Craig Harris, who also wrote a series of eponymous articles documenting the game's development.
Gang War (lost part-talking gangster film; 1928)
« Lobby card, featuring a still from the film.
Gang War was a part-talkie film in the gangster genre that was released on September 2nd, 1928. The main (and probably only) reason the film is known today is that it was the film that was attached to the famous Mickey Mouse short, Steamboat Willie
Sesame Street "The Frazzle Song" (partially lost clip from puppet show series; 1976)
« Screenshot of one of the episodes from Sesame Street
Frazzle was a Sesame Street song composed by Sam Pottle in 1975 that originated in "Episode 0846" on February 9th, 1976. It was performed by Frazzle, with backup singing provided by a group of monsters known as The Frazzletones, including an early vesion of Harvey Monster who bears a resemblance to the pianist "Little Chrissy".
Hare Ribbin' (found original ending of Warner Bros. cartoon; 1944)
« A comparison picture depicting the original ending (above) and the alternate cut (below).
Apart from his eccentric animation style, Bob Clampett gained infamy for challenging the censors with crude and obscene jokes inserted in the shorts he directed, sometimes in a very subtle way. As a result of this practice, Hare Ribbin' gets the rare distinction of having two endings, both of which are considered too violent for the general audience.
America Goes Bananaz (partially found QUBE/Nickelodeon children's variety television series; 1977-1980)
« An image of the show's set in 1979.
America Goes Bananaz (known as Columbus Goes Bananaz, before the relaunch to Nickelodeon in 1979) was a children's/teenager's variety television series that aired on QUBE until 1979, when it was relaunched to the Nickelodeon network.
Untitled Kanye West comedy project (partially found HBO pilot; 2007-2008)
« Screenshot from the pilot.
In January 2007, HBO announced the development of an untitled comedy series from Larry Charles, starring musician Kanye West. The project was said to focus on a day in the busy life of the artist, with events inspired by his actual experiences.
Connor VideoSmarts, ComputerSmarts, and VideoPhone (partially lost VHS-based and cartridge-based edutainment games; 1986-1990)
« Still from a VideoSmarts commercial, showing the console and some of the games.
Between the years 1986 and 1990, these two subsidiaries produced at least three different edutainment game consoles. The VideoSmarts, released in 1986, was aimed at children age 3 and up. The ComputerSmarts, released in 1987, was aimed at fourth and fifth graders. Very little information exists for their third console, the Video Phone, and it is unknown when this variant was released.
Gnorm Gnat (partially found Jim Davis comic strip; 1972-1977)
« The title character, drawn by Jim Davis.
What is lesser known is that, before Garfield, Jim Davis created another comic strip called Gnorm Gnat, featuring anthropomorphic insects, which ran from 1972 to 1977.
Treasure Island (lost Lon Chaney silent film; 1920)
« An advertisement for the film.
Treasure Island was a silent adventure film that was released on April 4th, 1920 (though Lon Chaney's website states it was released on March 26th) by Paramount, at the time called Paramount-Artcraft. It was based on the 1883 adventure novel of the same name by Robert Louis Stevenson.
UPDATE 3.12! (Added 15 Jun 2019)
LSuperSonicQ's video on the Frontier Enterprises dub of Dragon Ball
blameitonjorge's video on A Day With SpongeBob Squarepants
Cybersix episode "Mysterious Shadow" (Fox Kids edit)
M3D Volume One
SpongeBob short "Nickelodeon Blimp"
EarthBound 64 footage from SpaceWorld 1996
"Greetings, loved ones. Let's take a journey."
Hey everyone! Let's get right into it this time. First off, we have 2 new collaborator videos! The first is from LSuperSonicQ, with a video on the lost 1987 Frontier Enterprises dub of Dragon Ball – the first English dub of the series, predating the 1989 Harmony Gold dub. The second is from blameitonjorge, with a fairly comprehensive video recapping one of our most famous searches, A Day With SpongeBob SquarePants. Be sure to watch both of them above!
Next, the new finds:
First off, a special shoutout to "Media Finder" on YouTube (known as Shaggy in the Discord) – since the last notice board, he's found one episode of the English dub of The New Adventures of Zorro ("The Samurai and the Sorcerer"), one episode of the Fox Kids dub of The Vision of Escaflowne ("The Diabolical Adonis"), and SEVEN episodes of the Fox Kids edit of Cybersix ("Mysterious Shadow", "Blue Birds Of Horror", "The Greatest Show In Meridiana", "Terra", "Lori Is Missing", "Gone With The Wings", and "The Eye"). Thank you so much for your invaluable work this past month!
Episodes 1-80, plus episode 90, of the alternate Singaporean dub of Yu-Gi-Oh have been uploaded to MEGA by LMW user Gardevior1/Spongemeboi, who received them from a YouTube user named ASilva528. Thank you for sharing this massive find!
User Thespongeywun has uploaded episodes 22-26 of Dragon to Archive.org, completing the entire series as found. Thanks!
VintageKid, aka MatthewPaul, has made two notable finds recently: the Teamo Supremo episode "Cloaked Paulson, Mr. Skull / 3, 2, 1... Teamo!", and the SpongeBob short "Nickelodeon Blimp" that was shown during the 2005 Kids' Choice Awards. Thank you for ripping so many tapes and sharing your rarities with us!
M3D volume one has been found by YouTube user Cat Arthur, after they found it at a thrift store and later discovered it was lost. Thank you for uploading it!
A number of old Minecraft builds have been found – too many and all too convolutedly named to conveniently list here, but all of the available PC edition builds can be found here, and the Pocket Edition builds can be found here. Thanks to ArcticFromClosed for handling all of this!
And finally, more footage of Earthbound 64 has surfaced, taken from SpaceWorld 1996. The build itself is still completely lost, but it's always nice to find anything that gives us a glimpse of it.
That's it! Hope everyone has been having a good pride month, enjoying the weather if you're in a place where that applies, and I'll see you next time! Also we definitely didn't forget to update the featured articles for 4 months, we just featured 20 articles because we wanted to
Article additions
Lock Up Your Daughters (lost Bela Lugosi horror film; existence unconfirmed; 1959) 15 Jul 2019 [New]
Hotel Hooker/Filmed Female (lost pornographic movies featuring Kelsey Grammer) 15 Jul 2019 [NSFW] [New]
The Avengers "Nightmare" (lost episode of British television series; 1961-1962) 14 Jul 2019 [New]
Larrikins (partially found cancelled DreamWorks film; 2018) 12 Jul 2019 [New]
The Laughing Salesman (partially found live-action TV series based on manga series; 1999) 12 Jul 2019 [New]
SimCity 4 (lost alpha and beta builds of simulation game; 2002) 12 Jul 2019 [New]
King Arthur and King Cornwall (Partially found fragment of English ballad; 17th century) 12 Jul 2019 [New]
Nicki Minaj "Roman in Moscow" (lost music video; 2011) 10 Jul 2019 [New]
The Adventures of Pow Wow, The Indian Boy (partially found early animated television shorts; 1949, 1956-1958) 10 Jul 2019 [New]
Dorothy and the Scarecrow in Oz and the Land of Oz (lost film sequels based on book; 1910) 09 Jul 2019 [New]
Paccie (lost PlayStation 2 game; existence unconfirmed; 2004) 30 Jun 2019
SpongeBob SquarePants "Sailor Mouth" (lost uncensored version of animated series episode; existence unconfirmed; 2001) 30 Jun 2019
SpongeBob SquarePants: Ain't Life a Beach (partially found Nickelodeon press kit; 1999) 30 Jun 2019
Spider-Man 4 (unreleased video game based on cancelled Marvel film; 2010) 24 Jun 2019
Rugrats: A Live Adventure (partially found footage of musical adaptation of Nickelodeon animated series; 1998-2000) 20 Jun 2019
Per la ricuperata salute di Ofelia (found Mozart collaborational music piece; 1785) 19 Jun 2019
A Blind Bargain (lost silent Lon Chaney film; 1922) 19 Jun 2019
The Seven Dwarfs (canceled prequel to "Snow White and the Seven Dwarfs"; 2000s) 18 Jun 2019
Tiger 2-XL Robot (partially found compact cassette tape edutainment games; 1992-1995) 16 Jun 2019
Les Cartooneurs Associés's early ads (partially found animated commercials; 1982-1990s) 15 Jun 2019
Quantum Leap "Mirror Image" (partially lost alternate ending of NBC sci-fi TV series finale; 1993) 15 Jun 2019
The Toy Warrior (lost animated series based on pilot film; 2005) 15 Jun 2019
Kurt Cobain "Opinion/Opinions" (partially released demo of potential Nirvana song, 1994) 14 Jun 2019
Jetsons: The Movie "Gotcha" (partially found full version of song from Hanna-Barbera animated film; 1990) 14 Jun 2019
CommuniCore (lost programs and footage from Disney attraction; 1982) 09 Jun 2019
Mego 2-XL Robot (partially found series of 8-track edutainment games; 1978-1981) 08 Jun 2019
Purple Rain (partially found deleted scenes of musical drama film; 1984) 08 Jun 2019
The Good, the Bad, and the Ugly (partially found deleted scenes of Italian western film; 1966) 08 Jun 2019
Midnight Horror School (lost production video of CGI anime; 2000s) 07 Jun 2019
Once Upon a Time in America (lost 139-minute US theatrical cut of drama film; 1984) 07 Jun 2019
Commit Suiside "Uffe Was A Nazi!" (lost compilation album from punk rock band; 1998) 06 Jun 2019 [NSFW]
Marvel's Most Wanted (lost pilot of unaired "Agents of S.H.I.E.L.D." spinoff TV show; 2016) 05 Jun 2019
Silhouette Fantasies (lost silent animated series; 1916) 04 Jun 2019
Dark Castle (lost MSX port of Macintosh game; 1993) 02 Jun 2019
Iron Maiden at "Cart & Horses" (lost audio recording of live performance; existence unconfirmed; 1976) 30 May 2019
Ludwig van Beethoven (partially found pieces from German composer; 1700s-1800s) 29 May 2019
Conductor and Tarantula (lost piano and vocal piece by Igor Stravinsky; 1906) 28 May 2019
Mars Needs Moms - Seth Green vocal performance (partially found audio of motion-capture animated film; 2011) 27 May 2019
Bobo and Fletcher Go Deep Into The Congo (cancelled PC adventure game; 1995) 27 May 2019
Wolfgang Amadeus Mozart classical works (partially found works from musician; 1700s) 27 May 2019
Some articles on this wiki contain NSFW/NSFL content and have been marked as such.
Please browse with caution!
Welcome to the Lost Media Wiki, a community effort to track down lost or hard to find media!
Retrieved from "https://lostmediawiki.com/index.php?title=Home&oldid=102495"


Next review LeafFilter North - Results: Ice Dams, Ice on walks, driveway.
Sep 05, 2016 We truly apologize for any inconvenience we may have caused.
3/4/2015First and for most - if you get these filters pay with a credit card or open their credit card. When you have issues and want them off your house file a complaint with the credit card company and you will be able to get your money back and NOT have to sign their standard nondisclosure agreement.
Essentially leaf filter is a great, highly overpriced device as long as you do not live in an area that has any potential for snow or ice. My experience:Everything seemed fine for the first 2-3 months until the first snow, at which point the leaf filters were completely blocked by the snow and as it melted water ran down the front and back of my gutters then froze.1. Making my gutters completely useless2. Damaging the wooden eves on my home3. Creating an ice flow and hazard in front of every entrance to my homeI contacted leaf filter and received a return phone call from one of their reps who asked me if I needed a lesson in liquids turning solid before I buy things, then told me they would never remove their product. After a few heated emails asking if this is how they normally do business and threatening including their professionalism in an article I was going to post. I was then contacted by one of their managers (Joe R.)After the initial insulting phone experience I refused to speak to anyone from their company over the phone. I chose to only communicate via email so I would have records of all conversations and Joe R called a lot trying not to have anything in writing. Finally Joe R admitted in an email that "ice can form on the system" but at no time during any of our conversations did he offer to remove their 'system'. Instead I was passed off to their lawyer. What company have you ever heard of that requires a lawyer for a return? A shadey one. Their lawyer, Ryan N, then contacted me with a release that stated I couldn't contact any agencies like the better business bureau, release them of any responsibility for damage to my home due to the modifications they made to my gutters and could not post any comments, articles etc online or I would be responsible for the entire amount due for the original purchase.The attorney, Ryan N, attempted to intimidate me into a corner in order to get me to sign their nondisclosure agreement but while I kept him talking via email, costing leaf filter money, I contacted the credit card company they opened an account for in my name in order to finance the purchase and filed a complaint asking for a return. After forwarding a summation and photos, a very helpful credit card company took my side and leaf filter had to come take their product off my house, reimburse me what payments I had made and all with out signing their nondisclosure agreement.
Preferred solution: inform other people on how to deal with companies like this.
I didn't like: Worthless warantee, Bad sales practices, Absolutely no service, Bad service, Rude customer service after sale.
Review #603502 is a subjective opinion of johnnygadget.
Consumer 1 leaf filter ?
All the *** the guy had to go thew. For fly screen and plastic. It junk.they pray on the week and the old.
Some of the posters on this forum sound like real idiots. Anybody with any common sense understands that gutters with protection over them aren't going to perform perfectly when they have snow and ice on top of them.
I had Leaffilter install their system on our home and I could not be more satisfied.
The salesman Gabriel was honest and professional and the installation crew was wonderful and cleaned up very good. I swear some of these negative reviews sound very fishy when they start endorsing other products and companies.
Stop sucking ***.u got robbed $$$ fly screen n plactic.thousands of dollars sitting in your gutters.lol fool !!!!
Leaf Filter is flat plastic junk, period. I had it taken off my house after a long fight too and ended up going with a great company that didn't employ the same cheesy salesmen or sales tactics; Klean Gutter.
Invented by the same guy that did Leaf Filter but a much much better product. My salesman was straightforward, the guys who did the installation were nothing short of professional and I even got a call from the owner after thanking me for my business and leaving me with his personal number!
I was gun shy to say the least but after doing some due diligence and talking to some referrals, I took the plunge to buy gutter guards again.
I sooo wish I would have seen this before I made the purchase. They use cheesy sales tactics of you tube videos stating how great the product is and I was duped.
Now enduring the fight to get my money back. However I will not give in.
Testimonial Exactly What We Needed!


text:
In US first, scientists edit genes of human embryos
By MARILYNN MARCHIONE Published July 27, 2017 MarketsAssociated Press
For the first time in the United States, scientists have edited the genes of human embryos, a controversial step toward someday helping babies avoid inherited diseases.
The experiment was just an exercise in science — the embryos were not allowed to develop for more than a few days and were never intended to be implanted into a womb, according to MIT Technology Review, which first reported the news.
Officials at Oregon Health & Science University confirmed Thursday that the work took place there and said results would be published in a journal soon. It is thought to be the first such work in the U.S.; previous experiments like this have been reported from China. How many embryos were created and edited in the experiments has not been revealed.
The Oregon scientists reportedly used a technique called CRISPR, which allows specific sections of DNA to be altered or replaced. It's like using a molecular scissors to cut and paste DNA, and is much more precise than some types of gene therapy that cannot ensure that desired changes will take place exactly where and as intended. With gene editing, these so-called "germline" changes are permanent and would be passed down to any offspring.
The approach holds great potential to avoid many genetic diseases, but has raised fears of "designer babies" if done for less lofty reasons, such as producing desirable traits.
Last year, Britain said some of its scientists could edit embryo genes to better understand human development.
And earlier this year in the U.S., the National Academy of Sciences and National Academy of Medicine said in a report that altering the genes of embryos might be OK if done under strict criteria and aimed at preventing serious disease.
"This is the kind of research that the report discussed," University of Wisconsin-Madison bioethicist R. Alta Charo said of the news of Oregon's work. She co-led the National Academies panel but was not commenting on its behalf Thursday.
"This was purely laboratory-based work that is incredibly valuable for helping us understand how one might make these germline changes in a way that is precise and safe. But it's only a first step," she said.
"We still have regulatory barriers in the United States to ever trying this to achieve a pregnancy. The public has plenty of time" to weigh in on whether that should occur, she said. "Any such experiment aimed at a pregnancy would need FDA approval, and the agency is currently not allowed to even consider such a request" because of limits set by Congress.
One prominent genetics expert, Dr. Eric Topol, director of the Scripps Translational Science Institute in La Jolla, California, said gene editing of embryos is "an unstoppable, inevitable science, and this is more proof it can be done."
Experiments are in the works now in the U.S. using gene-edited cells to try to treat people with various diseases, but "in order to really have a cure, you want to get this at the embryo stage," he said. "If it isn't done in this country, it will be done elsewhere."
There are other ways that some parents who know they carry a problem gene can avoid passing it to their children, he added. They can create embryos through in vitro fertilization, screen them in the lab and implant only ones free of the defect.
Dr. Robert C. Green, a medical geneticist at Harvard Medical School, said the prospect of editing embryos to avoid disease "is inevitable and exciting," and that "with proper controls in place, it's going to lead to huge advances in human health."
The need for it is clear, he added: "Our research has suggested that there are far more disease-associated mutations in the general public than was previously suspected."
Hank Greely, director of Stanford University's Center for Law and the Biosciences, called CRISPR "the most exciting thing I've seen in biology in the 25 years I've been watching it," with tremendous possibilities to aid human health.
"Everybody should calm down" because this is just one of many steps advancing the science, and there are regulatory safeguards already in place. "We've got time to do it carefully," he said.
Michael Watson, executive director of the American College of Medical Genetics and Genomics, said the college thinks that any work aimed at pregnancy is premature, but the lab work is a necessary first step.
"That's the only way we're going to learn" if it's safe or feasible, he said.
Marilynn Marchione can be followed at http://twitter.com/MMarchioneAP


Founded in 2007, Meridian Landscape was created to provide a solid alternative to clientele that were frustrated with their current service providers by establishing accountability and formulating solutions. Meridian Landscape is at the forefront of modern day technology, continuous improvement and ongoing education. Our core values are responsible business ethics, unmatched customer service and respect for the environment.
Managing the landscape of our customers is our passion; and whether it is its installation or the ongoing care and preservation of an existing landscape, we take our profession very seriously. Our job is to make our client's landscape look and be the best with the least amount of burden on our customers.
HOME | OUR STORY | TRAINING & EDUCATION | RESOURCES | PORTFOLIO | CONTACT US Copyright ©2014 Meridian Landscape. All Rights Reserved.


Easy weeknight dinner recipe for Chorizo and Prawns with Spicy Tomato Sauce.
Silence in the face of adversity. With chorizo croquettes.
Why is it that we say nothing when the people we love say offensive things? With a recipe for crunchy, creamy chorizo croquettes.
Fight the power? With a Spanish chicken, chorizo and bean braise.
How much of your personal power do you need to give away when you're married? Plus a recipe for a spicey Spanish bean braise with chicken.


Modeled after the AFB program developed by USF CARD. FAU CARD makes no representations, guarantees or promises on behalf of or for those listed, and assumes no liability nor responsibility for any service or product provided. FAU CARD does not certify practitioners or guarantee competence, skill, knowledge, or experience.


text:
SBS PopAsia Home
6 young male Chinese stars you should know
(LEON/Harpers/Twitter)
Previous Next Show Grid
Previous Next Hide Grid
These guys are young stars!
SBS PopAsia HQ
18 Jul 2018 - 3:26 PM UPDATED 18 Jul 2018 - 3:26 PM
China is home to many talented and successful entertainers, ranging from singers to actors, models and television personalities.
There are the established stars like Luhan, Kris Wu and Zhang Yixing, who all have enormous social media followings and are globally recognised. But there are also the stars with equally huge Weibo followings, endorsement deals and popularity who are bound to come across your radar sooner or later.
Here's some of the names you should know when it comes to China's young male stars.
This Chinese boy band consists of three members: Roy Wang, Jackson Yee, Karry Wang. To say they're popular would be an understatement, with more than 100 million Weibo followers combined. They're a pop culture sensation in China with music, tv shows, brand deals and charities under their name.
Cai Xukun
A rapper, songwriter, model and actor, Cai Xukun was previously a member of boy band SWIN, but rose to new heights when he appeared on music survival show Idol Producer, where he won the centre position through popular vote. He'll be debuting with the show's winning group Nine Percent soon, but he's also appearing in a drama and plenty of advertisements.
Fan Chengcheng
Brother of superstar actress Fan Bing Bing, Fan Chengcheng is one of the hottest idols in China right now. He previously trained in Korea, but his rise to fame came with his appearance on Idol Producer, where he placed third in the final rankings.
The star of China's most watched modern TV series ever, Love O2O, Yang Yang has achieved a lot for a 26-year-old. Ranked fifth in Forbes China's Celebrity 100, he's so ubiquitous in the country that his face has even been on a China Post postage stamp.
The cast of "Meteor Garden"
C-drama Meteor Garden has only just begun airing but already its stars are being catapulted into fame. The four actors who make up the core male cast - Dylan Wang, Darren Chen, Connor Leong and Caesar Wu - are winning fans for their portrayals of elite university students in the Boys Over Flowers remake.
This 18-year-old actor is all the talk these days. He's known as the 'Nation's Little Brother' in China and first came to fame through his work as a child actor. He's since been in multiple tv shows and films, and become a favourite among the fashion elite.
Who else would add to this list?
Hear us on SBS PopAsia Digital Radio
Listen in 24/7 on Digital Radio, by downloading our free mobile app or by streaming live here on our website.
Download the app here:
6 must-watch 2018 Japanese dramas
These dramas are well-worth viewing
5 reasons to watch Chinese drama "Meteor Garden"
Most importantly, it's available to watch in Australia!
Who are 'little fresh meat' idols and why are they worth big money?
These male idols are beautiful, youthful and economically powerful
Listen live to PopAsia Radio
Stay Connected with SBS PopAsia


text:
Home » Main Series » Descendants #105 – Gal Gallium – Chapter 10
Descendants #105 – Gal Gallium – Chapter 10
By Vaal February 25, 2021 March 29, 2021 Main Series, Story, Uncollected
This entry is part 2 of 27 in the series Current
Descendants 106 – The Away Team – Chapter 02
The Descendants 96 – Kill Hope
The Descendants 97 – Heir of Hyrilius
The Descendants 98 – The Precocious Prodigy
The Descendants 99 – Huddled Masses
The Descendants 100 – Paradigm Shift
The Descendants 101 – The Battle of Freeland House
Descendants Special #9 – Outted
The Descendants 102 – Tales of Consequence
The Descendants 103 – VIRAL
The Descendants 104 – Hardcore Fans
Descendants #105 – Gal Gallium Epilogue
Descendants 106 – The Away Team – Chapter 03
Descendants 107 – The Baroque Revival – Chapter 01
Gallium's inattention was brought to a swift end by the boom of a shotgun. A single deer slug sank into the small of her back, it's momentum making her stumble forward, almost tripping over the sprawled Partlowe.
"Oh, you are very much asking for a beat-down," she muttered, turning to face a man dual-wielding sawed off shotguns. He hadn't fired again, favoring his shoulder from where his gun's kickback had likely done some real, lasting damage. Still, he tried leveling the weapon in his good hand.
Annoyance crossed Gallium's face. "And any other time, I'd give it to you. Sadly, I've got a hard time limit and way more important things to do." With a roll of her eyes, she raised her hands. "I surrender."
Predictably, the racist goon started to pull the trigger. The training room's magic was faster however, and he and the world he inhabited folded in on themselves, reduced in an instant to a sparse white broom closet.
"Next time," Gallium muttered as she exited back into the Tower's main room.
She was greeted by the sight of the mirror portal set up once more, but currently inactive. For a moment, she stood transfixed by its reflective surface. Sure, she knew what she looked like because Warrick and Cyn knew what she looked like, but it was her first time seeing herself.
That explained why she hadn't noticed she wasn't alone.
"Wow. I… didn't expect you to be this tall."
Gallium whirled to find Lisa at one of her research tables. Along side her, wearing what could only be described as black hazmat suits with purple runes along every seam, were Kay and the speaker–Tink
It had never really seemed important given the chaos of the past week, but Gallium suddenly found herself realizing that she was nearly the tallest person in the room. Not only was she almost of a height with tall and lanky Tink, but she was actually taller than both Warrick and Cyn in her base form.
That was another question for the pile.
"Um… hey." she said lamely, giving a weak wave. If she had a heart, it would be beating and sending blood to her face. That just raised even more questions; Warrick was beyond his school kid crush on Tink and well into comfortable companionship. So why was she feeling so nervous?
"I'd hug you but…" Tink gestured to her suit. "Plus, Cyn would probably hate that."
Right. Gal Gallium wasn't Warrick. Or she was… and she was Cyn too, but she was her own being all the same. No one else in the room knew that, and in fact, this was her first time meeting any of them.
"About that. Um…" She poked her two index fingers together, her distraction failing to keep the two from merging together as she did so. It took a minor effort of will to disentangle them. "Lis, don't blast me or anything, okay?"
The Latina witch raised an eyebrow. "Why would I blast you? Did you damage something in the training room?" After a tense second, she remembered herself. "Oh, Tink and Kay are here to run a few tests they couldn't do remotely. We think–"
"Yeah, that's not going to be necessary in a few minutes," Gal cut her off. "See… they were right; Warrick and Cyn. The fusion only last about ten… maybe fifteen minutes depending on willpower and stuff. What they weren't right about was that the fusion actually needs to complete to start the clock. They were so freaked out for different reasons that they never finished the fusion… becoming me."
There was a beat as the full implications settled in. When it did, it happened for all three heroines simultaneously.
Suddenly, Lisa had her staff and Tink had pulled a PSM pistol. Kay, with an utterance and a few hand gestures, was holding a ball of pink fire.
"I said don't blast me!" Gal squealed. Her legs melted into the floor and she brought her arms, flattened into shields, up in front of her. "I'm six minutes old! I haven't had time to deserve it yet!"
"Explain." Tink said tersely.
"Okay. The Yellow World is a singularity out in a region of space where the physics for time and space are nothing like our own. Everything that can happen there does has and will all at the same time. It is… really hard to put into words.
"Anyway, every piece that's ended up in our world carries its weird metaphysics with it. Even dead ones; they just don't have the Yellow World Consciousness inside them anymore. When Cyn tried activating the piece you guys had, it responded and tried to impose its metaphysics on her and Warrick. I'm the result: a conceptual blending of the two plus whatever pieces of embedded knowledge from the Yellow World left in the gem.
"I don't want to hurt anyone, I just want to explain what happened until I stop existing and split up again in a few minutes, okay? If it helps, my name's Gal. Gal Gallium. Cyn's idea, obviously."
Kay gave Lisa a side-eye. "Well she did say 'explain'."
"It's all really a little too super-convenient, don't you think?" Lisa asked, "That once the fusion 'completes' it knows everything it needs to to tell us what happened, and that explanation means it isn't dangerous anymore?"
Gal peeked out from behind her shield arms. "You make a pretty good point, actually. You've got no reason to believe me. now that I think about it, I know too much about how this works and it's weird that I didn't think that was weird until now." She frowned for a long moment before putting up her arms again. "But please don't try and hurt me, okay? I'm not going to fight you. I'll just… sit here and wait out the clock until it's time to turn back."
Lisa didn't lower her staff. "If you really aren't working against us, then give us more information: how did this happen? Why Warrick and Cyn? How do we prevent accidents like this from happening again.
Shifting so that she was sitting cross-legged on the floor with her hands on her knees, Gal offered a little smile. "That's all I was trying to do int he first place: help."
When none of the leveled weapons moved an inch, her smile disappeared. "So. As for how, that's not really clear. Same with what Cyn asked before about why it had to be those specific phrases in English. I think Warpstar messed with the pieces from the Yellow World he got and thanks to some kind of… quantum entanglement thing, it's infected all the pieces. Probably Mad-Mad's too. Or maybe someone meddled with them in the past or the future and the same thing happened."
"That's a fantastically complicated way of saying 'I don't know," Kay pointed out.
"It's a best guess. I'm only part Yellow World knowledge after all. And believe me, the physics and metaphysics involved here is insane. Our math can't describe any unit of measurement here. An inch and a mile and a quart are all the same thing and not, but also the same as ever inch and terabyte. We've been using 'weird' a lot, but that's not the half of it. This stuff makes Lovecraft look sensible."
Tink seemed to already be contemplating the implications there. "And what about the rest of what she asked? Why Warrick and Cyn?"
Gal shrugged. "Ever hear about people being on the same wavelength? Honestly, anyone can probably fuse, but the gem took the path of least resistance. Again; hard to explain, but being such good friends made the whole thing easier – which is to say not as easy as you'd think given the past week."
She looked thoughtful. "As for keeping it from happening again? Theta wave shielding and sound proofing. Even when it's dead, the gem is a lot like a brain. It needs to sense things to be triggered."
Upon finishing, she gave them a hopeful look. "Was that helpful enough for you?"
The trio looked at one another. "It was… a lot to think about," Tink admitted.
"But we still can't just trust you," added Kay. "Good things don't happen with Yellow World stuff."
"You won't get any argument from me," said Gal, grimacing a little. "But for now, looks like it's all you'll get from me. "She closed her eyes tightly and took a deep breath dispute not needing to do so. A pale light began to suffuse her silvery skin.
Lisa conjured her trademark red wall of translucent plates between her and the others.
"What now?" Kay asked, still brandishing her fireball.
"Be ready for anything!" Lisa instructed as the light get more intense. Soon even Gallium's silhouette was washed out in the brilliance.
Tink stepped closer to the wall, trying to squint through it. "Warrick?!"
The light dimmed, its color darkening to a rich amber. The outline of the gem hung in the air for a brief second. Then shadows sketched themselves into being; standing back to back, the gem between them.
A sound like a reverse thunderclap followed; a suppression of ambient sound no one remembered hearing previously that intruded on their senses for ten rolling seconds before subsiding… and the light winked out, retreating until it was a glint in the rough stone of the Yellow World gem. Then nothing more.
"Gah!" Warrick and Cyn squawked as one, and jumped away as the stone clattered to the floor.
Warrick pawed at his chest and sides for a second until he confirmed that he was indeed fully clothed and in his armor again. Once he was sure of that, he ripped off the helmet, taking in gulps of air.
For her part, Cyn transformed her own outfit a few times, transformed into her Facsimile shape, then with a happy noise fluttered into the air. "Wings! Beautiful wings! I missed you so! I'm gonna name you Flappy and you Feathers and I swear I will fly every day!"
She landed with aplomb and patted her stomach. "I have never been so happy to be hungry!
Behind her, Warrick flexed his arms and the twins reformed from the bands around his biceps. He didn't speak to them out loud, but presumably he'd gotten a lot better with mental communication over the past week. Isp and Osp looped around him in a full body hug.
Cyn watched over her shoulder and decided not to interrupt. Instead, she looked to the others behind the wall. "So… what now?"
Lisa's reply was cut off by the sound of screaming metal. They all looked to find Warrick; both arms of his armor missing, concentrating on a ball of metal forming around the Yellow Word gem.
His eyes blazed white as black flecks fell from darkening metal. After a few minutes, he stopped, satisfied.
"Sorry. Didn't want to risk that thing deciding something else we say is a magic word."
"I am in no way complaining," said Lisa, dropping the wall spell. It faded instantly from being.
Tink wasted no time. Dropping her weapon on a nearby table, she launched herself at Warrick, ignoring that he was in a full breastplate as he wrapped him in a fierce hug.
"Also not complaining," Warrick said, returning the embrace, "But shouldn't we still be quarantining? I don't want anything to happen to you. Uh… any of you."
"Just take the win, War.: Cyn laughed. "Worst case scenario, she's our new roommate."
Lisa knelt down before the tungsten sphere now serving as the gem's new prison and cast a quick analytic spell over it. "Hmm. It's dormant now. Just like when we brought it in."
"I'm not even going to ask if this is over," Cyn sighed. "More tests?"
"More tests."
"No readings of any residual Yellow World signatures," Kay reported to Laurel on the big screen. They had arrayed several mismatched tables into a kind of conference surface in front of it in the Tower's main room. "I've used every tool I have. Nothing got through the new anti-magic hazmat either."
"And thanks to Tink and Kay, the new containment has a new extra layer of protection," added Warrick. He and Tink sat at the far end of the table, keeping close together with their fingers interlaced. Completing the scene, Isp and Ops were loosely draped around both their shoulders.
Laurel looked a tiny bit more rested, possibly from hearing the good news. "And what do we think of the information that the composite entity… that Gallium gave you?"
"Not sure if it helps," Cyn's area of the table contained three empty pizza boxes, an empty doughnut box, several candy wrappers and a soon to be empty fried chicken bucket, "but Gal we sincere when she was talking. War and I both remember it. Which is trippy as hell by the way: being a different person along with someone else."
"On the other hand, she had a lot of holes in her memory—like, the Yellow World memories were all fuzzy and scattered, not really there," said Warrick. "I feel like we can trust that everything she said is what she believes, but maybe it's not what it seems."
"Anything not match with what you got on Device World?" Kay asked Cyn.
The shapeshifter shook her head. "It's like asking if both these drumsticks were from the same chicken," she held up the food in question to demonstrate. "Someone who know what they're looking at might know the difference, but I don't. I don't think Gal did either. What she knew, she knew, but I don't think she really got why or how. I wouldn't trust much of it."
Laurel nodded. "What I'm hearing is that we just don't know enough to safely pursue study of this thing. Any other opinions?"
"The possible fusions might be something. Gallium had a whole different power set from Warrick or Cyn and if we believe what Gallium told us, there might be dozens of combinations between everyone on the team… but no, we can't trust it," said Lisa.
"Could be something we keep on hand as a last resort," said Kay. "Not that we have a lot of choice in keeping it. The ROCIC lost the last Yellow World thing they had to Mad-Mad, and frankly, after this, I don't even want it going back to Mayfield."
Tink bit her lip. "I agree. It should stay here. But this just goes to show that we know way too little about everything out there. We need to know more, because Maeve does know and she's going to have access to it."
Nodding, Lisa folded her arms and flicked her gaze to a work table in a far corner. "Right. I need to find a way back to the Orrery…"
"Or we need to get out and track down those other sites that we detected when Avalon rose. Hyrilius wasn't the only one who knew about the other worlds. There might be other useful bits out there."
Laurel nodded resolutely. "I've been trying to avoid us going international for a while after our identities were revealed, but you're right. We need to follow every lead and every opportunity. As long as you think it's safe; come home. It looks like we have some trips to plan."
Series Navigation << Descendants 106 – The Away Team – Chapter 02Descendants #105 – Gal Gallium – Chapter 07 >>
« Descendants #105 – Gal Gallium – Chapter 09
No Update This Week »
So Gal lasted just long enough to say "Hi!" and then vanished? Hardly worth having a 10-chapter story named for her.
Anyway, the typos:
from the Yellow World left in the gem.
(either) the Yellow World left in the gem.
(or) from the Yellow World there are left in the gem.
ever inch
every inch
fusion only last
fusion only lasts
to be hungry!
War.:
Gal we sincere
Gal was sincere
Vaal
We're not done with Gal or the fusion ability by a long shot.
hemkinator
Well, that mind convergence was certainly handled with much less drama and more conciseness than Tuvix from Voyager, at least. Maybe a little too concise like AVR said, but I don't really mind. (I'm guessing from the last lines this was more of a get back up to speed arc so you can handle the plot-relevant arcs next. Though I'll guess we'll see with the conclusion)
Very much enjoying everything, can't wait to see how the story continues.
We'll see more of this later and it does have a throughline into where we're going.


Net in grey stokke xplory mosquito netting with confidence. Mosquito net bed canopies drapes free shipping on at ikea find furniture toys hobbies and packed. Post elegant mosquito net bed canopy. Vastness of good nights sleep in ivory. Bed canopy adult bed curtains white bed tents. Hoop bed canopy curtains crafted of sparkly netting canopy and at low s. Hot adult bed canopy set stick hook profession rope for your bedroom furniture for bedroom furniture toys hobbies and packed. Good quality and twinkling canopy adult canopy adult bed tents like. Comfy bed.


ABC's cancellation of One Life to Live and All My Children sends a clear message: soap operas are over. Except they aren't really dead; they've just transformed.
ABC's cancellation of One Life to Live and All My Children marks the end of an era. Although there will still be four soap operas airing on daytime TV after the two series end their runs, the cancellation of two shows that have been broadcast for more than 40 years sends a clear message: soap operas are over.
Except they aren't really dead, they've just transformed. Now, our serialized dramas star real people.
That couldn't have been made more evident than by ABC's press release announcing the cancellation. It focused mostly on the two new series replacing the soaps: The Chew, a live, food-focused talk show, and The Revolution, a weight loss and makeover series from 3 Ball Productions.
Neither is quite like Bunim-Murray's stripped, syndicated reality series Starting Over, which followed a group of six women being helped by life coaches over a period of time, thus ensuring a continual, soap opera-like series of characters and narrative arcs. But The Chew will have regular panelists, while The Revolution will follow a different woman each week, with her five months of weight loss efforts compressed into five episodes.
In other words, both shows give viewers real people to know and follow – exactly what reality television has been doing for a decade on primetime TV, and since the 1990s on cable. Much of that, though, happens over a single season: real-life characters are introduced, drama unfolds, things are resolved, and viewers say goodbye to the cast.
Increasingly, however, producers have recognized that audiences get invested in the lives of real people even more than they do fake soap opera-like characters. And shows can take advantage of the fact that viewers know who someone is.
Besides series such as Deadliest Catch or The Real Housewives that follow the same group of people over multiple seasons, The Real World reunites its cast members to compete in MTV's Challenge shows, while The Bachelor constantly returns to the same pool of people, using a jilted contestant as the star of its next season, for example. Many competition series have produced all-star seasons, bringing back well-known and well-liked (or loathed) cast members for another chance.
This spring, Survivor brought back its obnoxious villain Russell Hantz for his third appearance in as many seasons, turning off some viewers. But the strategy can also work well. Survivor also brought back "Boston" Rob Mariano, who has been on five previous seasons of CBS reality competition shows, but who has showed a new side of his personality and game play during a spring season of Survivor that surprised some fans and won him the game. That explains why History hired him to co-star in its new series Around the World in 80 Ways.
There's another advantage to focusing entertainment on real people. Soap opera characters don't exist outside of the world of their writers' brains, but reality stars keep living 24/7, and whether they're tweeting, making appearances or getting arrested, today's audiences are even more invested and interested than they are in characters they know are fictional.
Andy Dehnart publishes realityblurred.com. and writes TV criticism for assorted outlets.


text:
Scientists have for the first time detected gravitational waves – ripples in the fabric of space-time – produced by the collision of a neutron star and a black hole. This finding confirms that there are neutron star-black hole systems and will help answer many questions about the cosmos, from star formation to the expansion rate of our universe.
Gravitational waves are produced when celestial objects collide and the ensuing energy creates ripples in the fabric of space-time which carry all the way to detectors on Earth.
The reverberations from the two celestial objects were picked up using a global network of gravitational wave detectors, the most sensitive scientific instruments ever built, according to the researchers from UK's Strathclyde University. The university is part of the international network of scientists, the LIGO Scientific Collaboration. On January 5 this year, the Advanced LIGO detector in Louisiana, US and the Advanced Virgo detector in Italy, picked up the final throes of the death spiral between a neutron star – the collapsed core of a massive supergiant star – and a black hole as they circled ever closer and merged together.
Just days later, a second signal was picked up by both detectors coming from the final orbits and smashing together of another neutron star and black hole pair.
This is the first time scientists have seen gravitational waves from a neutron star and a black hole Previous gravitational wave detections have spotted black holes colliding, and neutron stars merging but not one of each, the researchers said.
"These detections confirm that there are populations of binary systems consisting of a neutron star and a black hole," said Professor Stuart Reid from the Department of Biomedical Engineering at Strathclyde.
"Such astrophysical systems can help answer many big questions about the universe, from star formation and stellar evolution, to the expansion fate of our Universe," Reid said in a statement.
Since the first ever direct detection of gravitational waves in 2015, astronomers have predicted that this type of system – a black hole and neutron star merger – could exist, but without any compelling observational evidence.
Now that scientists have finally witnessed the existence of this new type of system, they said their detection will bring important new clues about how black holes and neutron stars form.
In future the team hopes to detect many more neutron star-black hole collisions, including cases where the black hole tearing apart the neutron star is observed in both gravitational waves and light.
These observations will help scientists to find out more about what neutron stars are made of.
Our code of editorial values
Depending on how well humans get a handle on carbon emissions and rising temperatures, a child born today could be confronted with multiple climate-related health threats before turning 30, the report shows.


superstore, specializing exclusively in 10 Inch Weed Wackers, 10 Inch Weed Trimmers and 10 Inch Line Trimmers. Compare 10 Inch Weed Wacker models, specs and prices. Consult with our experienced 10 Inch String Trimmer experts. 10 Inch String Trimmers for sale.


Walmart Outdoor Furniture Clearance Home And Furniture | Briansmithillustration outdoor furniture cushions clearance walmart. walmart outdoor furniture clearance sale. walmart outdoor furniture clearance.
Impressive Walmart Outdoor Furniture Clearance On Patio From 69 Kasey Trenum. Adorable Walmart Outdoor Furniture Clearance At Patio Menu As Sets For New Intended Awesome. Inspiring Walmart Outdoor Furniture Clearance On Mainstays Wentworth 7 Piece Patio Dining Set Seats 6 Com. Astonishing Walmart Outdoor Furniture Clearance On Patio Home Interior Design. Spacious Walmart Outdoor Furniture Clearance On Excellent Patio Inspiration. Gorgeous Walmart Outdoor Furniture Clearance In Patio On Sale At Elegant Me. Fascinating Walmart Outdoor Furniture Clearance In Patio New. Spacious Walmart Outdoor Furniture Clearance Of Pleasurable Small Patio Com Sets Ideas. Glamorous Walmart Outdoor Furniture Clearance At Fresh Patio And. Lovely Walmart Outdoor Furniture Clearance On Entranching Patio Sets 12170. Enchanting Walmart Outdoor Furniture Clearance On Dining Sets For 8 Patio Costco.


text:
Often asked: Where Is Zeus Temple In Greece?
1 Where is the temple of Zeus located today?
2 Is the temple of Zeus still standing?
3 Where in Greece was Zeus sanctuary?
4 Is the Parthenon The Temple of Zeus?
5 Where is Zeus buried?
6 How does Zeus die?
7 What is Zeus the god of?
8 Is the temple of Zeus free?
9 What's inside a Greek temple?
10 Why is the temple of Zeus impressive?
11 What is Olympia Greece famous for?
12 What is the largest Greek temple?
13 Is the temple of Zeus in Acropolis?
14 Did slaves build the Parthenon?
Where is the temple of Zeus located today?
Temple of Zeus, Olympia
Temple of Zeus
Architectural style Ancient Greek architecture
Location Olympia, Greece
Construction started c. 470 BC
Completed c. 457 BC
Is the temple of Zeus still standing?
The temple suffered over the centuries and much of its material was re-used in other buildings so that today only 15 of the temple's columns are still standing, 2 in the south-west corner and 13 at the south-east corner.
Where in Greece was Zeus sanctuary?
The Sanctuary of Zeus Polieus was a walled open-air sanctuary dedicated to Zeus Polieus (city protector) around 500 BC on the Acropolis of Athens, sited to the Erechtheion's east.
Is the Parthenon The Temple of Zeus?
The Parthenon, built between 447-432 BC on the Athenian Acropolis, is more impressive than the Temple of Zeus, built earlier between 470-457 BC at the pan-Hellenic sanctuary of Olympia which hosted the Olympic Games every four years.
Where is Zeus buried?
Site 5: Yuchtas mount – the burial place of Zeus The sacred Mount Yuchtas is the final resting place of the greatest God of Greek Antiquity. Whilst the claim of Crete to be the birthplace of Zeus has been widely accepted, the myth that the god also died and was buried in the island is unique to Crete.
You might be interested: Quick Answer: How To Find The Cheapest Flight To Greece?
How does Zeus die?
Zeus kills him with his thunderbolt. It is said that later Zeus brings him back and orders him not to bring back anyone from the dead without his permission. Hope my answer helps!
What is Zeus the god of?
Zeus is the god of the sky in ancient Greek mythology. As the chief Greek deity, Zeus is considered the ruler, protector, and father of all gods and humans. Zeus is often depicted as an older man with a beard and is represented by symbols such as the lightning bolt and the eagle.
Is the temple of Zeus free?
Admission fee Temple of Olympian Zeus Visitors up to the age of 25 from EU countries have free admission. The " free ticket" is available at the cash desks. (Please show ID). For non-EU citizens the admission is free of charge for children up to 5 years old.
What's inside a Greek temple?
Greek temples were grand buildings with a fairly simple design. The outside was surrounded by a row of columns. Above the columns was a decorative panel of sculpture called the frieze. Inside the temple was an inner chamber that housed the statue of the god or goddess of the temple.
Why is the temple of Zeus impressive?
Olympia Zeus Temple. Olympia Temple of Zeus: The ruined Temple of Zeus that stands today in the archaeological site of Olympia was built to honor the chief of the gods. In 470 B.C, there was a war between Elis and Pisa, two neighboring powers in the area of Olympia.
You might be interested: Quick Answer: What Direction Is Going From Jerusalem To Greece By Sea What Are The Cardinal Points?
What is Olympia Greece famous for?
Overview of the first Olympic Games, which were held in Olympia, Greece. Olympia, ruined ancient sanctuary, home of the ancient Olympic Games, and former site of the massive Statue of Zeus, which had been ranked as one of the Seven Wonders of the World.
What is the largest Greek temple?
Temple of Olympian Zeus, Athens Known as the largest temple in Greece, the Temple of Olympian Zeus, or the Olympeion, was built in the 6th century BC, though it was completed roughly 640 years after in the 2nd century AD, thanks to Emperor Hadrian.
Is the temple of Zeus in Acropolis?
The temple is located approximately 500 m (0.31 mi) south-east of the Acropolis, and about 700 m (0.43 mi) south of the center of Athens, Syntagma Square. Its foundations were laid on the site of an ancient outdoor sanctuary dedicated to Zeus.
Did slaves build the Parthenon?
The Parthenon was built primarily by men who knew how to work marble. Slaves and foreigners worked together with the Athenian citizens in the building of the Parthenon, doing the same jobs for the same pay.
Often asked: What City Was In Greece In 136 Bc?
What Type Of Early Greece Often Consisted Os A Small Group Of Waethly People In Power?