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Calder Quartet
The Calder Quartet performs a broad range of repertoire at an exceptional level, always striving to channel and fulfill the composer's vision. Already the choice of many leading composers to perform their works, the group's distinctive approach is exemplified by a musical curiosity brought to everything they perform.
Winners of the prestigious 2014 Avery Fisher Career Grant, they are widely known for the discovery, commissioning, recording, and mentoring of some of today's best emerging composers. The group continues to work and collaborate with artists across musical genres, spanning the ranges of the classical and contemporary music world, as well as rock and film/tv soundtracks, and in venues ranging from museums to Carnegie Hall and the Hollywood Bowl. Inspired by innovative American artist Alexander Calder, the Calder Quartet's desire to bring immediacy and context to the works they perform creates an artfully crafted musical experience.
Recent highlights include performances at Lincoln Center, Metropolitan Museum of Art, multiple performances at Wigmore Hall, Barbican, Salzburg Festival, Donaueschingen Festival, Frankfurt Alte Oper, Tonhalle Zurich, IRCAM Paris, Hamburg's Elbphilharmonie, Centro Nacional de Difusión Musical Madrid, a residency at the Perth International Arts Festival, residency and Beethoven cycle at Santa Monica's Broad Stage, and a return to Los Angeles's Walt Disney Concert Hall. Their long list of collaborators includes the Cleveland Orchestra, Los Angeles Philharmonic, Thomas Adès, Peter Eötvös, Anders Hillborg, Daniel Bjarnason, Andrew Norman, Audrey Luna, Johannes Moser, Joshua Bell, and Edgar Meyer. In 2017 the Calder Quartet signed an exclusive, multi-disc record deal with Pentatone with their debut recording featuring Beethoven scheduled for release in fall 2018.
The quartet has been featured in extremely popular TV shows such as the Late Show with David Letterman, the Tonight Show with Jay Leno, KCRW's Morning Becomes Eclectic, the Tonight Show with Conan O'Brien, Late Night with Jimmy Kimmel, and the Late Late Show with Craig Ferguson.
In 2011 the Calder Quartet launched a nonprofit dedicated to furthering its efforts in commissioning, presenting, recording, and education – collaborating with the Getty Museum, Segerstrom Center for the Arts, and the Barbican Centre in London. The Calder Quartet formed at the University of Southern California's Thornton School of Music and continued studies at the Colburn Conservatory of Music with Ronald Leonard, and at the Juilliard School, receiving the Artist Diploma in Chamber Music Studies as the Juilliard Graduate Resident String Quartet. The quartet regularly conducts master classes and has taught at the Colburn School, the Oberlin School, the Juilliard School, Cleveland Institute of Music, University of Cincinnati College Conservatory, and USC Thornton School of Music.
Calder Quartet Roster
Benjamin Jacobson, violin
Andrew Bulbrook, violin
Jonathan Moerschel, viola
Eric Byers, cello
Colburn Celebrity Recitals

redpajama_set_name: RedPajamaCommonCrawl


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Past Events & Exhibitions
Events & Exhibitions Archive
PST:LA/LA
Collectors Circle
Supporters & Sponsors
Volunteers & Internships
Culture Map 90404
Yujun Ye
Exhibition & Residency:
October 1 – December 31, 2014
Yujun Ye works mainly in performance, video installation, and sound, focusing on private and public spaces and public relations. Ye studied in France receiving a Diplôme National Suprieur Expression Plastique from Ecole Nationale Supérieur d'Arts de Paris-Cergy and a Master's degree in Art et Media Numérique from Paris 1 Sorbonne. During her time studying in France, she joined an international art group, Réseau Artskool, and learned dance from French choreographer Daniel Dobbels. Ye has often been involved in cross-disciplinary collaboration with artists. Her works have been presented on various occasions in Paris and Berlin. After returning to Taiwan in 2009, Ye placed her focus on performance art in public spaces with the goal of "expanding the domain of art", hoping to bring new possibilities to contemporary art through breaking the limitations of concepts and forms in the territory of art. Ye has recently exhibited at City Action Series (2009), Treasure Palace Youth Hostel (2010), Artistic Action & Record Exchange Movement (2010, 2011), Nippon International Performance Art Festival (2011), One Night Band (2011-2012) Guerrilla Juice Bar (2013), Month of Berlin Performance: (Con)temporary Space-Time (2013), Louder Than the City Performance Art Festival (Hong Kong & Taipei, 2013), iN-PAF Performance Festival (2013-2014).
Yujun Ye has been a part of the international art group Réseau Artskool, resided at Main d'oeuvre Art Center in France (2007), and also resided at the Treasure Hill Artist Village (2010). Currently Ye has created a new art space called "instant 42" in Luzhou, New Taipei City, Taiwan; she considers constructing and managing the space as a form in creation. This space is a complex art space with 3 major functions: art exhibition, studio, and artist-in-residence.
www.instant42.net
blog.roodo.com/yujunye
This residency at 18th Street Arts Center has been generously funded by:
NICOLE RADEMACHER
Director of Communications & Outreach
previous post: Javier Tapia, 2014
next post: Sille Storihle, 2014
Directly support artists and high-quality arts programming.
18th Street Campus
90404 (map)
Airport Campus
3026 Airport Avenue
Gallery hours: 11am - 5pm, M-F
Office hours: 10am-6pm M-F
Gallery hours: 11am - 5pm, Tu-F
Office hours: 12:30pm - 5pm, M; 10am-5pm, Tu-F
Except For Public Events
(see upcoming)
18th Street Arts Center is a US 501(c)3 non-profit organization
© Copyright 2018 - 18th Street Arts Center - All Rights Reserved


Tatjana loves the thrill of a new challenge – that's why she's responsible for expanding our reach across German-speaking territories and helping new clients to open up these incredible opportunities. Her responsibilities include reaching out to publications, localising content and performing in-depth keyword research.
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GeometryElementary Geometry for College StudentsIn Review Exercise 7 to 13, sketch and describe the locus in a plane. Find the locus of the centers of all circles passing through two given points.
In Review Exercise 7 to 13, sketch and describe the locus in a plane. Find the locus of the centers of all circles passing through two given points.
7.1 Locus Of Points7.2 Concurrence Of Lines7.3 More About Regular Polygons7.CR Review Exercises7.CT Test
Problem 1CR
Problem 10CR
Chapter 7.CR, Problem 12CR
In Review Exercise 7 to 13, sketch and describe the locus in a plane.
Find the locus of the centers of all circles passing through two given points.
Chapter 7.CR,
Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - In Exercises 3 to 8, use the drawing provided....Ch. 7.1 - In Exercises 3 to 8, use the drawing provided....Ch. 7.1 - In Exercises 3 to 8, use the drawing provided....Ch. 7.1 - In Exercises 3 to 8, use the drawing provided....Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...
Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - For Exercises 21 to 26, use the grid and your...Ch. 7.1 - For Exercises 21 to 26, use the grid and your...Ch. 7.1 - For Exercises 21 to 26, use the grid and your...Ch. 7.1 - For Exercises 21 to 26, use the grid and your...Ch. 7.1 - For Exercises 21 to 26, use the grid and your...Ch. 7.1 - For Exercises 21 to 26, use the grid and your...Ch. 7.1 - In Exercises 27 to 34, Sketch and describe the...Ch. 7.1 - In Exercises 27 to 34, Sketch and describe the...Ch. 7.1 - In Exercises 27 to 34, Sketch and describe the...Ch. 7.1 - In Exercises 27 to 34, Sketch and describe the...Ch. 7.1 - In Exercises 27 to 34, Sketch and describe the...Ch. 7.1 - In Exercises 27 to 34, Sketch and describe the...Ch. 7.1 - In Exercises 27 to 34, Sketch and describe the...Ch. 7.1 - In Exercises 27 to 34, Sketch and describe the...Ch. 7.1 - In Exercises 35 and 36, use the method of proof of...Ch. 7.1 - In Exercises 35 and 36, use the method of proof of...Ch. 7.1 - In Exercises 37 to 40, refer to the line segments...Ch. 7.1 - In Exercises 37 to 40, refer to the line segments...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - In Exercises 39 and 42, refer to the line segments...Ch. 7.1 - Construct the three angle bisectors and then the...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - In Exercises 39 and 42, refer to the line segments...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.1 - In Exercises 39 and 42, refer to the line segments...Ch. 7.1 - Note: Exercises preceded by an asterisk are of a...Ch. 7.2 - In the figure, are lines m, n, and p concurrent?Ch. 7.2 - If one exists, name the point of concurrence for...Ch. 7.2 - What is the general name of the point of...Ch. 7.2 - What is the general name of the point of...Ch. 7.2 - What is the general name of the point of...Ch. 7.2 - What is the general name of the point of...Ch. 7.2 - Which lines or line segments or rays must be drawn...Ch. 7.2 - Is it really necessary to construct all three...Ch. 7.2 - Is it really necessary to construct all three...Ch. 7.2 - a To locate the orthocenter, is it necessary to...Ch. 7.2 - To locate the centroid of a triangle, is it...Ch. 7.2 - For what type of triangle are the angle bisectors,...Ch. 7.2 - What point on a right triangle is the circumcenter...Ch. 7.2 - Must the centroid of an isosceles triangle lie on...Ch. 7.2 - Draw a triangle and, by construction, find its...Ch. 7.2 - Draw an acute triangle and, by construction, find...Ch. 7.2 - Draw an obtuse triangle and, by construction, find...Ch. 7.2 - Draw an acute triangle and, by construction, find...Ch. 7.2 - Draw an obtuse triangle and, by construction, find...Ch. 7.2 - Draw an acute triangle and, by construction, find...Ch. 7.2 - Draw an obtuse triangle and, by construction, find...Ch. 7.2 - Is the incenter always located in the interior of...Ch. 7.2 - Is the circumcenter always located in the interior...Ch. 7.2 - Find the length of the radius of the inscribed...Ch. 7.2 - Find the distance from the circumcenter to each...Ch. 7.2 - A triangle has angles measuring 30, 30, and 120....Ch. 7.2 - Given: Isosceles RST RS=RT=17andST=16. Medians RZ,...Ch. 7.2 - Given: Isosceles RST RS=RT=10andST=16. Medians RZ,...Ch. 7.2 - In MNP, medians MB, NA and PC intersect at...Ch. 7.2 - In MNP for Exercise 29, medians MB, NA and PC...Ch. 7.2 - Draw a triangle. Construct its inscribed circle.Ch. 7.2 - Draw a triangle. Construct its circumscribed...Ch. 7.2 - For what type of triangle will be the incenter and...Ch. 7.2 - Does a rectangle have a an incenter? b a...Ch. 7.2 - Does a square have a an incenter? b a...Ch. 7.2 - Does a regular pentagon have a an incenter?.b a...Ch. 7.2 - Does a rhombus have a an incenter? b a...Ch. 7.2 - Does a isosceles trapezoid have a an incenter?.b a...Ch. 7.2 - A distributing company plans an Illinois location...Ch. 7.2 - There are plans to locate a disaster response...Ch. 7.2 - A circle is inscribed in an isosceles triangle...Ch. 7.2 - For exercises 42 to 44, O is the inscribed circle...Ch. 7.2 - For exercises 42 to 44, O is the inscribed circle...Ch. 7.2 - For exercises 42 to 44, O is the inscribed circle...Ch. 7.3 - Describe, if possible, how you would inscribe a...Ch. 7.3 - What condition must be satisfied for it to be...Ch. 7.3 - Describe, if possible, how you would inscribe a...Ch. 7.3 - What condition must be satisfied for it to be...Ch. 7.3 - In Exercises 5 to 8, perform constructions....Ch. 7.3 - In Exercises 5 to 8, perform constructions....Ch. 7.3 - In Exercises 5 to 8, perform constructions....Ch. 7.3 - In Exercises 5 to 8, perform constructions....Ch. 7.3 - Find the perimeter of a regular octagon if the...Ch. 7.3 - In a regular polygon with each side of length 6.5...Ch. 7.3 - If the perimeter of a regular dodecagon 12 sides...Ch. 7.3 - If the apothem of a square measures 5 cm, find the...Ch. 7.3 - Find the lengths of the apothem and the radius of...Ch. 7.3 - Find the lengths of the apothem and the radius of...Ch. 7.3 - Find the lengths of the side and the radius of an...Ch. 7.3 - Find the lengths of the side and the radius of a...Ch. 7.3 - Find the measure of a central angle of a regular...Ch. 7.3 - Find the measure of a central angle of a regular...Ch. 7.3 - Find the number of sides of a regular polygon that...Ch. 7.3 - Find the number of sides of a regular polygon that...Ch. 7.3 - Find the measure of each interior angle of a...Ch. 7.3 - Find the measure of each interior angle of a...Ch. 7.3 - Find the measure of each exterior angle of a...Ch. 7.3 - Find the measure of each exterior angle of a...Ch. 7.3 - Find the number of sides for a regular polygon in...Ch. 7.3 - Find the number of sides for a regular polygon in...Ch. 7.3 - Is there a regular polygon for which each central...Ch. 7.3 - Given regular hexagon ABCDEF with each side of...Ch. 7.3 - Given regular octagon RSTUVWXY with each side of...Ch. 7.3 - Given that RSTVQ is a regular pentagon and PQR is...Ch. 7.3 - Given: Regular pentagon RSTVQ with equilateral ...Ch. 7.3 - Given: Regular pentagon JKLMN not shown with...Ch. 7.3 - Is there a regular polygon with 8 diagonals? If...Ch. 7.3 - Is there a regular polygon with 12 diagonals? If...Ch. 7.3 - Find the measure of a central angle of a regular...Ch. 7.3 - Find the measure of a central angle of a regular...Ch. 7.CR - In Review Exercises 1 to 6, use the figure shown....Ch. 7.CR - In Review Exercises 1 to 6, use the figure shown....Ch. 7.CR - In Review Exercises 1 to 6, use the figure shown....Ch. 7.CR - In Review Exercises 1 to 6, use the figure shown....Ch. 7.CR - In Review Exercises 1 to 6, use the figure shown....Ch. 7.CR - In Review Exercises 1 to 6, use the figure shown....Ch. 7.CR - In Review Exercises 7 to 13, sketch and describe...Ch. 7.CR - In Review Exercises 7 to 13, sketch and describe...Ch. 7.CR - In Review Exercises 7 to 13, sketch and describe...Ch. 7.CR - In Review Exercises 7 to 13, sketch and describe...Ch. 7.CR - In Review Exercises 7 to 13, sketch and describe...Ch. 7.CR - In Review Exercise 7 to 13, sketch and describe...Ch. 7.CR - In Review Exercises 7 to 13, sketch and describe...Ch. 7.CR - In Review Exercises 14 to 17, sketch and describe...Ch. 7.CR - In Review Exercises 14 to 17, sketch and describe...Ch. 7.CR - In Review Exercises 14 to 17, sketch and describe...Ch. 7.CR - In Review Exercises 14 to 17, sketch and describe...Ch. 7.CR - In Review Exercises 18 to 23, use construction...Ch. 7.CR - In Review Exercises 18 to 23, use construction...Ch. 7.CR - For Exercises 20 to 23, see the figure for...Ch. 7.CR - For Exercises 20 to 23, see the figure for...Ch. 7.CR - For Exercises 20 to 23, see the figure for...Ch. 7.CR - For Exercises 20 to 23, see the figure for...Ch. 7.CR - Given: ABC with medians AE,CD,BF Find: a BG if...Ch. 7.CR - Given: ABC in Exercise 24 with medians AE,DC,BF...Ch. 7.CR - For a regular pentagon, find the measure of each a...Ch. 7.CR - For a regular decagon 10 sides, find the measure...Ch. 7.CR - In a regular polygon, each central angle measures...Ch. 7.CR - In a regular polygon, the apothem measures 3 in....Ch. 7.CR - Can a circle be circumscribed about each of the...Ch. 7.CR - Can a circle be inscribed in each of the following...Ch. 7.CR - The length of the radius of a circle inscribed in...Ch. 7.CR - The length of the radius of a circle inscribed in...Ch. 7.CR - Sketch the parabola that has directrix d and focus...Ch. 7.CT - Draw and describe the locus of points in the plane...Ch. 7.CT - Draw and describe the locus of points in the plane...Ch. 7.CT - Draw and describe the locus of points in the plane...Ch. 7.CT - Describe the locus of points in a plane that are...Ch. 7.CT - Describe the locus of points in space that are at...Ch. 7.CT - For a given triangle such as ABC, what word...Ch. 7.CT - For a given triangle such as ABC, what word...Ch. 7.CT - In what type of triangle are the angle bisectors,...Ch. 7.CT - Which of the following must be concurrent at an...Ch. 7.CT - Classify as true/false: aA circle can be inscribed...Ch. 7.CT - An equilateral triangle has a radius of length 3...Ch. 7.CT - For a regular pentagon, find the measure of each...Ch. 7.CT - The measure of each central angle of a regular...Ch. 7.CT - For a regular octagon, the length of the apothem...Ch. 7.CT - For a regular hexagon ABCDEF, the length of side...Ch. 7.CT - For rectangle MNPQ, points A, B, C and D are the...Ch. 7.CT - Sketch the parabola that has directrix d and focus...
Use the given graph of f to sketch the graph of f1. 29.
If f(x) = 3x2 x + 2, find f(2), f(2), f(a), f(a), f(a + 1), 2f(a), f(2a), f(a2), [f(a)]2, and f(a + h).
Determine a region whose area is equal to the given limit. Do not evaluate the limit. limni=1n4ntani4n
In Problems 1-20, evaluate the improper integrals that converge.
Classify each number as prime or not prime: 121
For a population with a mean of =100and a standard deviation of =20 , Find the a-score for each of the followin...
In Exercises 75-98, perform the indicated operations and/or simplify each expression. 83. 83+82y+12x34y
Speed of a Car A car has an odometer reading of 15,951 miles, which is a palindromic number. (See Exercise 23.)...
Match the vector fields F with the plots labeled I-IV. Give reasons for your choices. 12. F(x, y) = y, x y
Expand each expression in Exercises 122. (4y2)y
Differentiate the function. H(z)=a2z2a2+z2
Critical Thinking In general, if sample data are such that the null hypothesis is rejected at the =1 level of s...
a. Let X1,.., Xn be a random sample from a uniform distribution on [0, ]. Then the mle of is = Y = max(Xi). U...
SOC The following table lists the approximate number of cars per 1000 population for 15 nations. Compute the me...
A population of N = 7 scores has a mean of = 13. What is the value of X for this population?
In Exercises 1316, find the distance between the given pairs of points. (1,0)and(6,1)
Finding Unit Vectors In Exercises 79-82, find a unit vector (a) in the direction of t and (b) in the direction ...
Linear Inequalities Solve the linear inequality. Express the solution using interval notation and graph the sol...
For Problems 64-78, translate each English phrase into an algebraic expression and use n to represent the unkno...
Finding Slopes of Lines In Exercises 53-56, find the slope of the line passing through the pair of points. (5,2...
Evaluate each expression without using a calculator, and write your answers in radians. sin1(0)
Building Design Concrete sections for a new building have the dimensions (in meters) and shape shown in the fig...
2. Suppose - bit words are mapped onto - bit code words under a repetition scheme. Detect any errors in the fo...
Write the formula for the total obligations ratio. (14-7)
Find the most general antiderivative of the function. f(t) = 2 sin t 3et
In Exercises 2124, find the distance between the points. (2,5) and (5,9)
The moment about the xz-plane of solid E whose density is ρ(x, y, z) = x is:
(y)2 + 6xy 2y + 7x = 0 is a differential equation of order ______. a) 1 b) 2 c) 3 d) 4
Continuity of a Composite Function In Exercises 6972, discuss the continuity of the composite function h(x) = f...
Using Parametric Equations In Exercises 23-34, use a graphing utility to graph the curve represented by the par...
Solve by graphing: {3x2+y2=52x2y2=12.
The paper Answer Changing in Multiple Choice Assessment: Change that Answer When in Doubtand Spread the Word (B...
For each of the following operational definitions, decide whether you consider it to be a valid measure. Explai...
Finding a Derivative of a Trigonometric Function In Exercises 41-56. find the derivative of the trigonometric f...
The following table shows the total return and the number of funds for four categories of mutual funds. Type of...
Solve the following exercises based on Principles 18 through 21, although an exercise may require the applicati...
Identify the appropriate hypothesis test for each of the following research situations. a. A researcher conduct...
EXPLORING CONCEPTS Think About ItIn Exercises 95100, find inequalities that describe the solid and state the co...
A company that manufactures toothpaste is studying five different package designs. Assuming that one design is ...
Reminder Round all answers to two decimal places unless otherwise indicated. Travel Time The time T, in hours, ...
Use symbols to write the logical form of each argument in 22 and 23, and then use a truth table to test the arg...
The following data are from a simple random sample. a. What is the point estimate of the population mean? b. Wh...
In Exercises 33-54, solve the given equation. The solution of every other odd-numbered exercise is given in the...
Residential Property Values. The chamber of commerce of a Florida Gulf Coast community advertises that area res...
A report by the Gallup Poll found that a woman visits her doctor, on average, at most 5.8 tImes each year. A ra...
For the following exercises, use the vertical line test to determine whether each of the given graphs represent...
Long Division of Polynomials In Exercises 11-24, use long division to divide. 9x43x+2
In Problems 3748 find either F(s) or f(t), as indicated. 42. {sintU(t2)}
In the following exercises, use a calculator to estimate the area under the curve by computing T10, the average...


The Iguanodon (ig-WAN-oh-don) is one of the Creatures in ARK: Survival Evolved.
Of the many creatures I've yet encountered on the Island, the Iguanodon vicissitudinis has the distinctly versatile capability of switching its primary method of locomotion according to its momentary needs.
Primarily a rather lethargic bipedal herbivore native to the Island's many grasslands and forests, in situations where increased speed or maneuverability is called for, it will quickly shift its posture into quadrupedal stance and behave like a very different creature!
While bipedal, it can employ rapid, stabbing attacks with its distinctive thumb spikes. In quadrupedal stance, conversely, it seems to have an endless supply of stamina, even while sprinting!
Interestingly, the Iguanodon's thumb spikes also provide it with the capability to pick seeds out of fruits, allowing a farmer to easily convert stacks of fruits into stacks of seed for planting.
Combined with its highly effective fruit harvesting and substantial carry weight, the Iguanodon's excellent mobility in bipedal stance makes it an ideal field-hand that can also pull off a quick get-away or an agile defense when needed.
Iguanodons, like many other herbivores on the ARK, are gentle creatures that will not harm humans or other animals on sight. However once attacked, they will fight back using their thumb spikes in bipedal mode. When sufficiently injured or if their torpor rises high enough, they will turn and flee on all four legs. Like other herbivores, it is a herding animal and will help defend others from attack.
The Iguanodon is a medium herbivorous dinosaur that bears a strong resemblance to the Parasaurolophus but without the distinct head crest. Instead the animal has two spike-like thumbs for prying fruits open to reach at delicious seeds and stabbing would-be predators. They are as capable of walking on all fours as they are on just their hind legs.
This section displays the Iguanodon's natural colors and regions. For demonstration, the regions below are colored red over an albino Iguanodon. The colored squares shown underneath each region's description are the colors that the Iguanodon will randomly spawn with to provide an overall range of its natural color scheme. Hover your cursor over a color to display its name and ID.
For example, "cheat SetTargetDinoColor 0 6" would color the Iguanodon's "body" magenta.
The Iguanodon has a rather fast movement speed for early players and will begin to run when Health or Torpor gets low, making the Bola a valuable tool when attempting to knock one out.
This section describes how to fight against the Iguanodon.
Despite being an otherwise passive creature, the iguanodon will retaliate against any violence directed toward it. It is surprisingly competent in combat.
A sword will be more than sufficient, due to its rather low Base Health.
Avoid attacking from the front by using bolas or disatracting it with a mount due to its decent reach when using melee. Its attacks can easily kill a unprepared survivor.
Susceptible to Bolas and has rather low health pool.
Low Level Mount: Moderately easy to tame (just remember to bring a bola or a bear trap!).
Toxin Farmer: Gathers mass quantities of Bio Toxin from Spore-Inducing Mushrooms (level up melee damage) in Aberration.
Farming Aid: Allows for berries to be turned into seeds, making once hard to get berries much easier, e.g., Narcoberries. Also great for making organic oil from bulk seeding of berries if you play on primitive plus.
Charge Light Feeder: In Aberration, the Iguanodon can take on a unique role of providing mass quantities of food for your charge light tames, as they prefer a steady diet of seeds compared to other food types. Simply gather berries, have the iguanodon seed them, then place the seeds in food troughs, and your charge light tames will be well fed for quite some time.
Dino Dossier released on October 12, 2015 on Steam.
The dossier mistakenly lists Iguanodon as living during the Late Jurassic, when it instead lived during the Early Cretaceous.
rmb, , allows to switch between bipedal and quadrupedal.
Has increased speed and unlimited Stamina while running quadrupedal.
Its full name means "alternating iguana-tooth", referring to its ability to switch between bipedalism and quadrupedalism.
↑ Introducing the Iguanodon & 'The Last Stand' Tournament Update!


MechDesigner has been released at last. It has taken a while to get to where we are but now it is available for download. Try it now. It has all the software features that are needed for packaging machine design engineer.


Information Security is a prime concern for every organization. Getting people to learn and follow the standards set forth by an IT department is always a big challenge. This UN organization sought to bring the most important information security aspects to life via a series of illustrated posters. We provided the concepts and these gorgeous little funny monsters to help make the point.


text:
K'inich Janaab 'Pakal  (născut în martie 603 și decedat în august 683; pronunția mayașă a numelui: [k'ihniʧ xanaːɓ pakal]; cunoscut și ca Pakal cel Mare sau pur și simplu ca Pakal) a fost conducator al organizării politice Maya din Palenque, în perioada clasică târzie. In timpul o domnie lungi de 68 ani,  Pakal a fost responsabil pentru construirea sau extinderea  inscripții celor mai notabile care au supraviețuit și arhitectură monumentală mayasa.

Biografie
Pakal a urcat pe tron la vârsta de 12 ani, la 29 iulie 615 și a trăit până la vârsta de 80. El a văzut extinderea puterii Palenque în partea de vest a Statelor Maya, și a inițiat un program de clădire  a capitalului său care a produs unele dintre cele mai bogate elemente ale  artei civilizatiei Maya si arhitectura. El a fost precedat ca domnitor al Palenque de către mama sa, Doamna Sak K'uk ". Dinastia Palenque pare să fi avut regine numai atunci când nu a existat nici un moștenitor de sex masculin eligibil, conducerea fiind  transferata  de la Sak K'uk  catre fiul ei.
După moartea sa, Pakal a fost succedat de fiul său K'inich Kan B'alam al II-lea. Un fiu mai mic, K'inich K'an Joy Chitam al II-lea, l-a succedat pe  fratele său K'inich Kan B'alam al II-lea. După moartea sa, a fost zeificat ca Pakal și s-a spus ca  putea comunica cu urmașii săi. Pakal a fost îngropat în Templul  Inscripțiilor.

Mormantul
Deși Palenque a fost examinat de către arheologi înainte, secretul de a deschide mormântul său, închis cu o lespede de piatră, a fost descoperit de arheologul mexican Alberto Ruz  în 1948. A fost nevoie de patru ani pentru a șterge molozul de la scara care duce în jos la mormântul lui Pakal, dar a fost în cele din urmă descoperit în anul 1952 . Rămășițele sale  scheletice încă zac  în sicriu, purtând o mască de jad și  coliere cu  șiraguri de mărgele, înconjurat de sculpturi și reliefuri  care descriu trecerea domnitorului la divinitate  si cifrele din mitologia Maya. Urme de pigment arată că aceste culoare au fost odată   pictate. Faptul ca oasele din cadrul mormântului sunt într-adevăr cele ale Pakal însuși este în curs de dezbatere, datorită faptului că analiza de uzură a dințiilor  scheletul plasează vârsta mortii proprietarului la  40 de ani,  mai tânăr decât Pakal . Epigrafistii insist ca inscriptiile de pe mormânt indică faptul că acesta este într-adevăr Pakal K'inich Janaab "înmormântat în cadrul, și că el a murit la vârsta de 80 ani. Unii cred că simbolurile se referă la două persoane cu același nume sau că o metodă neobișnuită pentru înregistrarea timpului a fost folosit. Explicația cea mai frecvent acceptată pentru neregulă este că Pakal, fiind o elită, a avut acces la un trai bun, mai putina mancare decat  persoanele din clasa  medie, astfel încât dinții au dobândit in mod natural uzura mai mica . În ciuda controverselor, mormantul sau  rămâne una dintre cele mai spectaculoase descoperiri ale arheologiei Maya. O replica de mormântul său se găsește la Muzeul Național de Antropologie și Istorie din Mexico City.

Legături externe

Civilizația Maya

redpajama_set_name: RedPajamaWikipedia


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A Personal Trainer Answers Your Fitness Questions
Let's switch it up a bit today and talk about fitness! As many of you know, I work at a local gym, Bodysmith, on Saturdays, and through this job, I've gotten to know a lot of the personal trainers, who have answered all sorts of my health and fitness questions. Last week, I decided to sit down with Will, a longtime trainer, who was kind enough to share tons of knowledge with me and my readers (LOL-ing at the weights dropping in the background as I transcribe our recording!).
I asked Will how long he's been working full-time as a trainer, and he could tell me the exact day–May 19, 1987! He said that at this point in his career, most of his clients "have a disfunction of some sort, like a hurt knee or a sore back." But, as you would guess, many people also contact trainers because of a desire to lose body fat. "The misunderstanding I commonly see there is people saying that they want to lose weight," Will says. "They need to change that language and say, 'I want to lose fat. Because losing muscle is losing metabolism, and metabolism is your skeletal muscle. If you lose muscle, you have to eat less. People think deprivation is the key to losing weight, when it's a matter of distribution."
Will's overall nutrition advice is simple: "If Mother Nature did not make something firsthand, do not eat it." (Of course my reaction was, "Uh…ever?!"). "That's tricky," he noted, "because we're in such an industrialized society. Paleo is a great idea, but eliminating carbohydrates is dangerous." He mentioned in our conversation that eating five or six small meals throughout the day, rather than the traditional three, can help one lose weight. "It's a matter of nourishment," he explains. "If you're only eating three meals a day, your body has to store all of those calories to distribute them over 24 hours. If you're eating every three hours, you're telling your body, 'We are not starving; we are not in danger of starving,' and it will get rid of the excess." So what does this mean when it comes to trends like intermittent fasting? "Do it for a little while, see how it changes your body, but don't eliminate a macronutrient like carbohydrates or fat or anything else, for an extended period of time," Will stresses.
Generally, Will's clients see the most success when it comes to strength. But, he emphasizes, in addition to doing movements properly, one shouldn't look in the mirror when training. "You know where everything is on your body; you don't need to look at yourself in the mirror–every time you look at yourself in the mirror, you're out of position. Your head follows your eyes. Places like this gym used to be tiny, and they put mirrors on the wall to make them look larger."
If you want to get stronger but you're afraid of bulging muscles…what do you do? "Don't be afraid of heavy weights," Will says. "If you think that lifting weights is going to make you bulky and that's not something you want, go up to the biggest person in the gym and ask them how long it took them to get that big. More than likely, it's more than 10 years."
And if someone isn't able to work out with a trainer but wants to workout from home, what is their best bet? Luckily, it's simple. "Move your body physically every day," Will says.
Will also left me with what he considers to be the definition of fitness: "The definition of fitness is the ability–key word, ability–to meet the needs of everyday life with ease, maintaining a reserve for emergency situations. Fitness is an ability, not an appearance. Body fat management is a component of fitness, but it's one of 15. Too many people focus on the appearance of their body before the functionality of it, and that causes a lot of problems."
What's on my April Mood Board


We are using artix 5.5 in our application .
before 2 month we got "certificate expired" in our log , so we renewed it .
The previous kind of certificate was VeriSign and now we are moving to Digicert.
Sun, 08 Jul 2018 06:17:53.0000000 [rstz0953:11574] (IT_GenericSecurityToolkit:50) E - External Toolkit Error: Error building balt cert from X509 cert BER_DECODE_ERROR.
Sun, 08 Jul 2018 06:17:53.0000000 [rstz0953:11574] (IT_GenericSecurityToolkit:50) E - External Toolkit Error: Could not load trusted cas.
could you please explain what is the issue ?
What format does your new certificates have?


Regular flood light is basically a pure flood lighting fixture without any other additions, features or parts. This means that lighting fixture consists of casing, a light bulb and electric wires for powering the lamp. Usage of regular flood lights does not have any restrictions and they can be used in practically any place. Other types of flood lights are built upon regular floodlights, which means, that they are basically just upgraded and adjusted versions of them. These lights use LED, CFL, or halogen light bulbs. They usually come with aluminum or plastic casing, and need be wired to a junction box.
Recently, solar flood lights have become more popular. Solar means that lighting fixture has got a built in battery that is being charged by solar energy. Solar energy gets collected with solar panel that is attached to the lighting fixture. Solar flood light allows saving a lot of money on electricity bills, because, as we all know, sun energy is free for everyone. Of course, the illumination time of solar flood light is not unlimited. Few factors that dictate how long solar lamp will be able to illuminate are the size and capacity of solar panel and floodlight battery. In other words, how fast can solar panel charge lamps battery and how much charge this battery can hold. Usually solar flood lights are capable of providing lighting from under an hour to all night on larger and more expensive models. Solar lights that can illuminate all night are called dusk-till-dawn flood lights.
Solar panel has become a very popular addition to many flood lights, and is also compatible with each of the flood light types mentioned in this article (security, landscape, all in one fixture, work and post lights).
Security flood light is one of the most popular type of flood light. As the name says, security flood lights are mainly used for security reasons. Security flood lights have got a motion sensor that is used to detect a motion in front of the lighting fixture. What this means is, when someone walks by the light, motion sensor detects motion and immediately triggers light. This is useful in two situations. First, it will protect your property from unwanted trespassers. This includes both humans and animals. Many people install security flood lights in their backyard to scare away wild animals seeking food in the dark. This can protect your pets from getting in trouble by accidentally running into a wild animal in the backyard. This also applies to unwanted people in your property. Burglars use darkness as a cover, when they are breaking into a property. Motion activated flood light immediately breaks this cover by illuminating the trespasser so everyone can see him. There is a high chance that burglar will get frightened and run away from your backyard. The second way to use security flood lights is together with surveillance cameras. Night vision surveillance cameras are more expensive than regular cameras. Security flood lights are a good way to illuminate dark areas, so camera can capture any unwanted activities in your property. Some people use regular flood lights for illuminating area that needs to be observed, but it consumes a lot of electricity and costs a lot of money. In this case, the best type of flood light to use with surveillance cameras is security flood light with a motion sensor.
Besides security purposes, security flood lights are also used for home needs. Probably the most popular use of flood light is as a front door light. Security flood lights are often used to illuminate doors at night. Motion sensor detects when you come close to the house and illuminates that area, so you can safely walk to your house or up the stairs and can locate the keyhole and unlock the door. It is common to use security flood lights around the house and backyard, as they can illuminate any desired indoor or outdoor area and save a lot of energy, because they are turned on only, when motion is detected in front of the light and continues to illuminate for certain period of time, which usually is less than a minute and can be manually set for most of the lights.
As solar lights cannot provide unlimited illumination time, motion sensor helps to prolong the time that solar security light can illuminate. Smaller solar flood light is capable to illuminate approximelty half an hour with one charge. Same type motion activated solar flood light is able to provide illumination for a lot longer time, depending on the usage (how many times light needs to be turned on when motion is detected and for how long light is set to illuminate when turned on each time).
Landscape flood lights are mostly used to illuminate some sort of object or area from the ground level. Other types of flood lights are usually set high above the ground, but landscape flood lights are set directly into or on the ground. Landscape flood light has got a support leg or ground mount legs that can be inserted into the ground. The purpose of landscape flood lights is mostly to make something stand out from the rest in a certain area. For example, landscape flood lights are often used to illuminate wall of the house or some sort of landscape objects in the backyard like decorative trees. Landscape flood lights are also often used around the garden. A popular object to accentuate with landscape flood light is fountain. For better effect, many landscape designers use multiple types of flood lights like landscape and pole lights to better illuminate decorations and make them more attractive in the dark. Landscape flood lights are effective with color changing light bulbs. Colored LED light bulbs are a very popular option in these types of lamps and can bring a much creative look to your backyard, house or garden. Same as with other types of flood lights, landscape lamps are often used with solar panel as more energy efficient decoration lighting solution.
All in one fixture lights are specific type of flood lights by their looks and features. All in one fixture flood lights have all components combined together into a single fixture. This means that bulb, motion sensor, solar panel and rechargeable battery are all combined into one lamp. Usually flood lights have separate solar panel or motion sensor and sometimes even separate battery. So why should you need an all in one fixture flood light?
First of all, these flood lights are a lot more compact than other type of lights. They can take extremely low amount of space and can be used in areas, where other flood lights would simply be too large. Second, the look of the fixture is more ascetic, so these lights can be used as a decoration element in porch, patio, garden, boat and other places. All in one fixture flood lights usually need to be installed to a vertical wall, because they have lighting bulbs in front or under the fixture. If lamps are equipped with a solar panel, it usually is placed on top of the fixture. This limits number or places the light can be installed. Solar panel needs to be set in an area, where direct sunlight can reach the panel. With other type of flood lights this is not a problem, because solar panel is detachable and can be set separately from the lamp. Solar landscape flood lights can be only set in an open place, where roof does not shield solar panel from sunlight. Another disadvantage of all in one fixture lights is that they provide less brightness and produces less powerful light than regular flood lights, because of the compact size. Other than that, all in one fixtures are really nice type of lights for indoor and outdoor decoration purposes and can provide illumination in areas, where other type of flood lights would be too large or simply too inefficient to use.
Work lights are another popular type of flood lights. Work lights differ from other type of flood lights with their durability and reliability. Work lights are made with heavy duty casings and mounts so they can withstand harder working conditions. Under the strong casing there is the same regular flood light as we can see in practically any other flood light sub-type. Work lights comes with a durable metal (usually aluminum) casing, grip handle for transporting the fixture, safety grill for protecting front glass and lighting bulb and a stand. Work flood lights have extra sealed casing so they are weather proof and can be used in more extreme weather conditions.
Work light comes with low stand or adjustable (usually tripod style) stand. Position light fixture can be adjusted to receive better light angle. Some work lights come in pack of two or more fixtures for extra brightness. Usually work lights are made with single or double heads, which suits most lighting requirements. Work lights use LED diodes or halogen bulbs for illumination. Usually work flood lights produces from 1000 lumens to 20 000 and more lumens by high powered flood lights. There are also battery powered work lights that are equipped with a rechargeable battery and can work without other power source. However, these types of lights are not very popular, because due to high power and brightness, they can drain smaller sized batteries in couple of minutes. So mostly you will find work lights with a cable that needs to be plugged into an electrical socket.
Flag pole lights or post flood lights have specific mount that can be installed to a post. These type of lights are mostly used to illuminate flags at night, but can also be used as decoration or other type of lighting. There are two types of pole lights, ones that can be attached to the pole and others that can be attached to the top of the pole. First ones are a lot more popular. Flag pole lights are something between a spot light and a flood light. Spot light has narrower lighting bean and can illuminate a small area directly in front of the light, while flood light is constructed to illuminate wider area. Flagpole lights are mostly used together with a solar panel. Solar panels make these lights portable and a lot more convenient to install. Also there is no need to run a wire up the pole, as it charges using sun energy. As flag pole usually is set into an open place, direct sun beams can easily reach solar panel and charge flood lights batteries relatively fast. Flagpole flood lights mostly come with a single head, but there are also some flagpole lights with multiple heads that better illuminates the flag at night and gives a more pleasant look.
Regular, security, landscape, all in one fixture, work and flagpole lights are the most commonly used types of flood lights. Besides these flood lights, there are a lot other flood lights types. As mentioned before, there are practically no restrictions to flood light usage. Each of these types is made for certain purposes, but they all share common flood light features: large illumination angle, powerful and bright lights and durability. Also, solar panel has become a common addition to flood lights. With solar powered flood lights you not only help to save environment and use alternative energy source, but also save significant amount of money on electricity. Solar lighting is our future!
I hope this article helped you to better understand the extensive use of flood lights. If you have any questions, comments or additions about flood light subject, feel free to leave your opinion in the comment box below the article.
Next story CFL, Halogen and LED light bulb comparison, operation and usage in outdoor flood light fixtures.
Previous story Wired and Portable Flood Lights. Types, Advantages and Disadvantages of both.


Layer is an open communications layer for the Internet, a platform that enables app creators everywhere to easily add native communications to their products.
Whether an app is centered around compelling content in sports, entertainment or news — or the focus is finding and buying a concert ticket or a t-shirt, booking a flight or hotel, or hailing a town car or taxi — enabling users to engage with one another in-app and in context is the key to a delightful user experience.
Layer is one of the easiest ways to integrate chat and messsaging features in your apps. With the recent launch of Atlas, it is even easier to integrate Layer in your app using its fully featured, high performance, 100% customizable UI kit.
This tutorial explains how to quickly get started with Layer and Atlas to create a simple app to chat between a device and a simulator.
// For the purposes of this Quick Start project, let's authenticate as a user named 'Device/Simulator'.
// Once connected, authenticate user.
Once connected, it is time to authenticate the LYRClient object. Layer authentication requires that a backend server generate an Identity Token on behalf of the client. For testing purposes, Layer provides a sample backend that takes care of this.
// Check to see if the layerClient is already authenticated.
// If the layerClient is authenticated with the requested userID, complete the authentication process.
//If the authenticated userID is different, then deauthenticate the current client and re-authenticate with the new userID.
// If the layerClient isn't already authenticated, then authenticate.
The following code snippet connects to the sample Layer Identity Service, generates an Identity Token on behalf your application, and authenticates the LYRClient. Note that in production apps, you would need to update it to communicate with your backend and generate a token for Layer. Please check out the Layer Authentication Guide for setting up your backend for this.
NSLocalizedRecoverySuggestionErrorKey: @"There may be a problem with your APPID."
A participant is a user that participates in a conversation. It contains information for Atlas to render the details about the user when displaying conversations. Create a class PGUser that implements the ATLParticipant and ATLAvatarItem protocols. For the simple example, it uses the participant identifier as all properties of the users, but you will need to modify it to fetch these properties from your API based on the participant identifier.
The user is now authenticated to Layer. Let's grab and show all conversations the user is currently involved in. Create a subclass PGConversationListViewController of ATLConversationListViewController.
Now that we have all the conversations the user is involved in, let's see how we can show all messages inside a single conversation. Create a subclass PGConversationViewController of ATLConversationViewController.
That's all you need to integrate a chat in your application. Need help setting this up or just want to chat? Shoot me an email at [email protected].


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Q: Dragging and Dropping QGraphicItems - position not displaying correctly I'm making a drop and drag interface in PyQT, and when I drag and drop and object into my main QGraphicsView, I'm trying to draw that object at that point where it is dropped.
    def dropEvent(self, e):
        e.accept()
        newobject = Object()
        newobject.setPos(e.pos())
        self.scene.addItem(newobject)

the Object() class is a QGraphicsItem which has its own paint and boundingRect methods.  I'm representing my QStandardItems in a QStandardItemModel.
Now, when I drag an drop an Object onto my QGraphicsView, I've found that the location at which it is drawn is not necessarily consistent with where the mouse was positioned when I dropped the item.  I am confused because I thought that the:
 newobject.setPos(e.pos())

command would set the position of the object to exactly where it was dropped, so it would be drawn in that location as well. Can anyone suggest to me why It might not be showing up in the correct location?

redpajama_set_name: RedPajamaStackExchange


NHLPA.com Player of the Week Erik Karlsson paced all defencemen in assists and points, as the Ottawa Senators' captain helped guide his club to a sweep of their three-game road trip.
The Swedish defenceman started his week by earning second star of the game honours with two assists in a 4-2 win over the Boston Bruins at Canadian Tire Centre Monday. Tuesday's action was the first of three on the road. Senators teammate Craig Anderson made 35 saves, while Karlsson played over 24 minutes, to defeat the Dallas Stars 5-2.
Karlsson picked up a pair of goals in Thursday's 3-2 victory in Arizona, first sending the game into overtime before netting the game-winner just forty seconds into the extra frame for a 3-2 win against the Coyotes. His two goals were also moved him into a tie for first in overall scoring for the week among league blue liners.
While leading the Senators in ice time by averaging more than 25 minutes over the week's four games, Karlsson also tallied four assists to bring his season total to 49, leading all NHL defencemen in the category.
The 2012 and 2015 Norris Trophy winner's six points over the week brought his season total to 62 - just eight points behind Brent Burns as the league's top point-getter at the position.
He also registered 11 blocked shots - a testament to Karlsson's defensive prowess as he continues to lead the league in blocked shots with 181.
While Karlsson appears to be completely fearless on the ice, he does have one, totally understandable, fear - which was discovered recently by friends Jesper Parnevik and Daniel Alfredsson during a round of golf at the Medalist Golf Club in Hobe Sound.
All jokes aside, Karlsson may just have a little extra pep in his step from having a great season off the ice as well. Back in November, he proposed to his girlfriend Melinda Currey in a way that would win over any pizza lover.


Yahoo! News topics, screen without scrolling, you want to display in 1 a page for those who are lazy. Yahoo on every 10 minutes! by visiting the news and get a list of topics.
This is a list of specified by ISO3166-1, the two-letter country code (top level domain) and your country. Is updated weekly with current information.
This is a list of IP addresses that are assigned to the Japan domestic. Will update at a monthly pace. It is used to limit access from abroad.
The thumbnail of the URL of the image written on 5Channel (Old 2Channel) is displayed. Effective for checking grotesque images before opening images.
"data:mime-type; base64, * * * * * *", such as the output in the format.
Displays the remote host name from IP address belongs to country code to country name, DNS reverse lookup.
Dell notebook (CPU:Core i5 / Memory:4GB / HDD:250GB) operates 24 hours a day, 365 days a year.
OS uses free as the server uses CentOS (CUI). CGI-related works in PHP, anti-spam processing, such as almost all the scripts are homemade.
au Hikari connected at home (1 Gbps), free DDNS service. Will not be scanned, but seems out of hundreds of Mbps transfer rate.
Rental boards free to work as a picture Bulletin Board with no ads! Also enabled smart phone or mobiles, focuses on the spam posts.
Free with no ads! Links from (Referer) and rental counters to record access logs, such as the remote host. Because the counter image is often a simple design matches to any site.
In the retention period expires 30 MB can be uploaded! There is a download limit by password and delete keys can be set as a file exchange, etc.


In a lot of music videos, the shaking camera really gives a feel of an earthquake at high intensity. When it shakes violently, there seems to be a high shutter speed as well as blurs that go to the motion of the shaking. I'm not sure if this is the correct description of this technique. The red hot chili peppers music video "by the way" uses this pretty well. I was wondering how you would do this technique whether it be in production or post. I would appreciate any advice that i can get on acheiving this effect on dv. Thanks.
A lot of cinematographers actually do shake the camera during filming to craeate the Earthquake effect. You can actually see them doing it in behind the scenes videos. These effects created for say, the Chili Peppers video is done in post. Mainly because they can control how much and when these effects take place. You can do it without special post production software. Just shake the camera--but be careful you don't shake something loose.
The most practical way to shake the image as an in-camera effect is with a device made and rented by Clairmount Camera in Hollywood. It essentially does the exact opposite that the Steadyshot does in camcorders, optically destabilizes a stable image! Much more controllable and safer than attempting to violently shake the camera (can be a bit dicey with the film load).
About the clairmont camera shaker. Can it destabalize a DV image instead of a film image?
Sure, any camera can be put behind it. It would be an expensive way to go though. Clairmount doesn't seem to have their rental catalog online and out of town this week, but when I get back I'll try to get the rental rates on that item for you.


text:
IT Kerala 2006: In detail
Since I spent two of the days I was on break at IT Kerala, blogging about it wouldn't hurt. From the outset though, I'll say that there's not much to talk about. Like I said earlier, the tone set is more in the vein of a village fair than anything business-oriented or techy.
That being said, all the big names in India had a presence there: Intel had two stalls, though none were manned by the company themselves, and I had an interesting time confusing people by asking about the Core Duo processor. The guys were helpful as much as they were able to, but the information was contradictory. I asked about the Apple switch to Intel, and when the new Apple notebooks would be available and received scant information. In the Microsoft stall too, I could not find a single company representative. There were people manning the stall, but none of them had their hands up when I asked for somebody from Microsoft. They were promoting localization in a big way, showcasing Malayalam inside Office: nothing revolutionary. I was also interested in Project Shiksha, a scheme similar to the one that I earlier hinted at, but as was the rule, there was nobody to dole out more information. I dutifuly left my card in a big glass bowl and went gawking at other sights.
Toonz Animation, a company I've admired from afar had a nice stall there and I spent quite a good while watching their in-house productions. Not Pixar, but they've certainly come a long way since I first saw their videos. Toonz offers courses in 3D Animation and whatnot, but like many computer coaching classes out to make big bucks, they don't train module by module. The complete package costs something like 70K. I was interested for my bro, but then thought better of the whole thing.
NeST also had a stall, but they were marketing something exceedingly interesting: spices. Yeah, that's right, you heard me. Spices. NeST condiments had the best smelling stall out there, with an assortment of their wares on display. I thought my days of sleep deprivation had gotten to me when I saw that stall first, but nope. Spices alright. For a company with 20-ish tech subsidiaries, they certainly picked an amazing one to showcase at an IT fest.
The job fair was a huge affair. 99 in 100 people at IT Kerala seemed to be there just for the job, and there are rumours more than 60K candidates attended. I pity those people at Bigleap who organized the event; I've worked with them before when they had a small event at Pankaj around a half-year back, but the scale of this recruitment drive was unbelievable. Debated whether to talk to somebody out there and see familiar faces, but the sheer scale of the event was daunting. Waving my delegate card, I was able to cooly walk into all the restricted zones, and I saw a lot of behind-the-scenes talk. The HR people there became a bit crazy after a while methinks, because some interviews were fun to watch :-). Another small observation: if you don't get placed in-campus, it's almost 100x as difficult to walk into an interview like this and get a job.
Again, calling this a business event is a joke. I walked through US Soft, Infy, TCS, IBS, and Wipro with some ideas that we had and couldn't find a single person who I could talk to directly. Maybe those companies are too big, but if good ideas don't come from the ground up, how will they grow?
Anyways, enough of that, I've updated my photo set at Flickr with way more photos. Enjoy.
business, review
At IT Kerala


Sin entered the world through one man, and death through sin, and in this way death came to all people, because all sinned.
Death is the end of sin (Rom. 6:23; James 1:15). Sin has entangled into humanity to such an extent that death is required to rip it out. Sin is a part of humanity's DNA. You cannot be human and not not sin. In other words, if you are human (and if you are reading this, I assume you are human!), you sin because you are a sinner. You cannot never sin. This is why we must all die; because we are sinners by nature, by our corrupted humanity, by our DNA.
"The body is not only doomed to death by reason of original sin, as death entered upon all on that account; but the body must be brought to death, that sin may be rooted out of it. Sin has taken such a close, inseparable habitation in the body, that nothing but the death of the body can make a separation. The body must be dead because of sin. … Here lies the great mystery of the grave under the covenant of grace, and by virtue of the death of Christ. … A secret virtue shall issue out from the death of Christ unto the body of a believer laid in the grave, that shall eternally purify it, at its resurrection, from every thing of sin.
And this is why Jesus came, was born of a virgin, lived a perfect life, fulfilled the whole law God required of humanity, paid the penalty of sin by dying on the cross, was raised from the dead on the third day according to the Scriptures, and ascended to the right hand of the Father, and is seated now representing us in Heaven with glorified body.


Number of items at this level: 181.
Clark, ER, Porter, KE and Bryant, MG orcid.org/0000-0003-4442-5169 (2016) P33 In-stent restenosis: the potential role of tribocorrosion. In: Heart. BSCR Autumn Meeting 2016, 05-06 Sep 2016, Leeds, UK. BMJ Publishing Group , A12-A12.
Haywood, NJ, Cordell, PA, Tang, KY et al. (4 more authors) (2016) Insulin-like growth factor binding protein (IGFBP)-1: a promising therapeutic agent in the field of insulin resistance and cardiovascular disease. In: Heart. BSCR Autumn Meeting 2016 - Cardiovascular Disease and Diabetes, 05-06 Sep 2016, Leeds, UK. BMJ Publishing Group , A14-A14.
Jamil, H, Gierula, J, Byrom, R et al. (14 more authors) (2015) Using Natriuretic Peptide Levels to Diagnose Heart Failure in Primary Care: An Evaluation of the 2010 United Kingdom National Institute of Clinical Excellence Guidelines on the Diagnosis of Chronic Heart Failure. In: Heart. BCS annual conference, 'Hearts and Genes', 08-10 Jun 2015, Manchester. BMJ Publishing Group , A27-A27.
Kakkar, T orcid.org/0000-0002-2422-6739, Richards, B orcid.org/0000-0002-1552-9244, Ajjan, R et al. (3 more authors) (2016) Blood glucose sensing through skin by non-invasive finger touch meter. In: Diabetes Technology and Therapeutics. 9th International Conference on Advanced Technologies & Treatments for Diabetes, 03-06 Feb 2016, Milan, Italy. Mary Ann Liebert , A40-A40.
Khan, S, Yuldasheva, N orcid.org/0000-0001-6213-6358 and Saha, S (2016) Changes in vesicular glutamate transporters in a murine model of global cerebral ischemia. In: Heart. BSCR Autumn 2016 - Cardiovascular Disease and Diabetes, 05-06 Sep 2016, Leeds, UK. BMJ Publishing Group , A12-A13.
Maqbool, A, Spary, EJ, Manfield, IW et al. (7 more authors) (2016) Tenascin C upregulates interleukin-6 expression in human cardiac myofibroblasts via toll-like receptor 4. World Journal of Cardiology, 8 (5). pp. 340-350.
Mercer, BN, Walker, AMN, Warmke, N orcid.org/0000-0001-8037-2186 et al. (10 more authors) (2016) Systemic insulin resistance without dysglycaemia impairs angiogenesis. In: Heart. BSCR Autumn 2016 - Cardiovascular Disease and Diabetes, 05-06 Sep 2016, Leeds, UK. BMJ Publishing Group , A1-A1.
Miranda Azpiazu, P, Panagiotou, S, Jose, G et al. (1 more author) (2016) A three dimensional (3D) human in vitro blood-brain barrier (BBB). In: Heart. BSCR conference, 05-06 Sep 2016, University of Leeds. BMJ Publishing Group , A9-A9.
Miranda-Azpiazu, P, Jose, G, Panagiotou, S et al. (1 more author) (2016) A novel method to create an In vitro dynamic blood brain barrier model. In: 368.12 / NNN28. Society for Neuroscience 2016, 12-16 Nov 2016, San Diego, CA. .
Nampi, PP, Varma, H, Biju, PR et al. (4 more authors) (2015) Sodium yttrium fluoride based upconversion nano phosphors for biosensing. In: Journal of Physics, conference series: 6th International Conference on Optical, Optoelectronic and Photonic Materials and Applications (ICOOPMA) 2014. 6th International Conference on Optical, Optoelectronic and Photonic Materials and Applications (ICOOPMA) 2014, 27 Jul - 01 Aug 2014, Leeds, UK. IOP .
Tumova, S, Kerimi, A orcid.org/0000-0001-9725-3511, Porter, KE et al. (1 more author) (2016) Transendothelial glucose transport is not restricted by extracellular hyperglycaemia. In: Heart. British Society for Cardiovascular Research Autumn Meeting 2016, 05-06 Sep 2016, Leeds, UK. BMJ Publishing Group , A7-A7.
Turner, NA and Porter, KE (2013) Function and fate of myofibroblasts after myocardial infarction. Fibrogenesis Tissue Repair, 6 (1). 5 - ? .
Walker, AMN, Yuldasheva, N orcid.org/0000-0001-6213-6358, Sengupta, A et al. (14 more authors) (2016) Vascular repair and regeneration are improved with reduced expression of the insulin-like growth factor-1 receptor in whole body insulin resistance. In: Heart. BSCR Autumn 2016, 05-06 Sep 2016, Leeds, UK. BMJ Publishing Group , A7-A7.
Warmke, N orcid.org/0000-0001-8037-2186, Griffin, KJ, Slater, CI et al. (3 more authors) (2017) Reduced pericyte insulin signalling causes abnormal developmental angiogenesis. In: Heart. BCS Annual Conference - Cardiology at the Extremes, 05-07 Jun 2017, Manchester, UK. BMJ Publishing Group , A127-A128.
Younger, J.F., Plein, S., Crean, A. et al. (2 more authors) (2009) Visualization of coronary venous anatomy by cardiovascular magnetic resonance. Journal of Cardiovascular Magnetic Resonance , 11.
Zhong, J, Bridge, K, Ariens, R et al. (1 more author) (2016) ALPHA-2-Antiplasmin activity is increased in patients with AAA. In: British Journal of Surgery. Society of Academic and Research Surgery Annual Meeting (SARS 2016), 06-07 Jan 2016, London, UK. Wiley , p. 9.
This list was generated on Fri Apr 19 04:08:40 2019 BST.


We have undertaken a structural assessment of Streptococcus pneumoniae 11A polysaccharide as well as two clinical isolates related to 11A. The clinical isolates were labeled 11Aα and 11Aβ. The result of our experiments is a revision to the old structure for S. pneumoniae 11A polysaccharide. The new structure differs from the old structure in both the primary connectivities and acetylation pattern. We also show that 11A contains an acetylglycerol-PO4 moiety, a substitution that is heretofore unknown in the bacterial polysaccharide literature. The two clinical isolates were also structurally characterized. 11Aα was determined to be identical to 11A. 11Aβ is a new serotype, which differs from 11A in the absence of the acetylation of the glycerol-PO4 moiety and a different acetylation pattern of the saccharides. Thus, we propose that the acetylglycerol is the structural basis for 11Aα and 11Aβ subtypes. © 2009 by The American Society for Biochemistry and Molecular Biology, Inc.


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Category: Home & Garden - Date: 2015-06-09 - The captains guide to building a model ship in a bottle free trial The complete how to guide to mastering the ancient mariners art of building ship in a bottle models.this 64 page book is heavily illustrated in full color.instant downloadable pdf ebook.
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text:
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Refund PolicyOzo_Farhan2021-11-22T21:06:56+00:00
For the purposes of this Return and Refund Policy:
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You are entitled to cancel Your Order within 14 days without giving any reason for doing so.
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In order to exercise Your right of cancellation, You must inform Us of your decision by means of a clear statement. You can inform us of your decision by:
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PARIS—Jazz has always had more respect as an art form in Europe than in its home country, where appreciation too often gets tangled in the politics of race. We Want Miles: Jazz Face to Face With Its Legend is an extensive exhibition on the life and work of legendary Miles Davis at the Cité de la Musique in Paris. It offers the kind of loving attention that few jazz musicians, dead or alive, ever get in America. The exhibit, which opened on Oct. 16, closes on Jan. 17.
Spread over nearly 9,000 square feet on two floors of the music museum, the show covers the full span of Davis' artistic life, from rare photographs of him in childhood with his family and at age 16 in a St. Louis dance band, to soundtracks of his final recordings in the 1980s and several of the instruments he played.
Davis' role as a seminal player, creator and innovator in jazz are well-covered in this multimedia exhibit, which includes displays of instruments he played, scores from some of his most famous recordings, video and audio recordings, news clippings and reviews from both sides of the Atlantic. The Davis estate collaborated with the Cité de la Musique by making many of these items available.
The display of musical scores is a refreshing break from the tendency among jazz chroniclers like Ken Burns to disregard the intellectual process involved in jazz and instead focus on personalities and pathology, like drug addiction. The scores, some by arranger Gil Evans, who collaborated on some of Miles' most famous recordings (Birth of the Blues, Sketches of Spain) and others by Wayne Shorter, who played in the 1960s quintet with Tony Williams, Herbie Hancock and Ron Carter, are not particularly revealing. They are often sketchy, but serve as a reminder of the discipline and vast pool of formal knowledge that informs jazz.
The show does a good job of tracking the evolution of Miles Davis, a musician who never compromised even as he sought to expand and escape the boundaries of jazz. There are photos and soundtracks from his role as a sideman with Billy Eckstine and Dizzy Gillespie; of his own early quintets with John Coltrane; and his score for Louis Malle's 1958 film, L'ascenseur pour l'échaffaud (Elevator to the Gallows). The exhibit text explains the shifts in his music, from straight-ahead standards, to the big orchestral works, to his modal era, to jazz rock with Joe Zawinul and John McLaughlin and to his Afro-funk period with synthesizers and electric guitars.
The exhibit uses an innovative approach. Some sections are decorated with newspaper and magazine front pages or antique radios that signal the era under scrutiny. The size of spaces vary widely, music from a relevant period often playing in the smaller, more enclosed spaces without interfering with different music playing in another section of the exhibit. You are also encouraged to plug in your own headset at different points to hear some of the music being discussed.
The show doesn't skirt the racial issues. It addresses the segregation of East St. Louis, where Miles grew up and the racial inequality he faced as a musician. There are striking front pages from the New York tabloids in 1959, showing a bloodied Miles, after he was struck by a policeman and arrested for ignoring an order to move along during a break while performing at a 52nd Street club. That photo was seen around the world, but few saw it inside the United States.
Miles' fierce commitment to racial equality was not always so confrontational. After his record sales gave him considerable clout, he insisted that record companies put photos of pretty black women on his album covers instead of the generic white models that had long been the practice. Of course, many of the women were Miles' wives or girlfriends, including singer Betty Mabry and actress Cicely Tyson.
Considering his powerful racial pride, black visitors have found one item in the show jarring. It is a wish book by Baroness Pannonica de Konigswaerter, a Rothschild family member who was a patron to many jazz musicians, including Thelonious Monk and Charlie Parker. She had a habit of asking musicians to name their greatest wish. She would type out and paste the answer in the book. Her entry for Miles is: "to be white." For those who knew Miles, the irony of his answer was probably lost. Fortunately, the details of his life and his fabulous music are not.


text:
system. The campus was established in 1945 as the Cebu North Provincial High School. After 16 years of operation, the campus was converted into a national vocational high school and was renamed to Tuburan National School. It was also known as the CSCST-Polytechnic College when it was integrated into the CTU system, which was formerly Cebu State College of Science and Technology (CSCST). The Tuburan Campus currently has five college units offering undergraduate degree courses—Engineering, Agriculture, Education, Arts and Sciences, and Technology. Additionally, it has a Graduate School unit having graduate and post-graduate programs in the areas of Education and Public Administration. CTU Taburan also has a Senior High School (SHS) department with the STEM and TVL strands. Through advanced professional and technical instruction, the Cebu Technological University is committed to being a multidisciplinary educational institution that produces professionals who will contribute to the growth of the industry and the community. Like the other campuses in the system, CTU Tuburan is recognized for the quality education it provides. Many of its programs, both undergraduate and graduate, are accredited by the Accrediting Agency of Chartered Colleges and Universities in the Philippines, Inc. (AACCUP). Source: www.ctu.edu.ph", 'telephone': "(032) 463-9313" } ]]>
Cebu Technological University – Tuburan Campus
Barangay 8, Tuburan, Cebu
School Organization
(Updated as of Sep 07, 2018)
Computer Laboratory
Audio-Visual Rooms
What does Cebu Technological University – Tuburan Campus stand for?
Cebu Technological University – Tuburan Campus is one of the nine campuses under the Cebu Technological University (CTU) system. The campus was established in 1945 as the Cebu North Provincial High School. After 16 years of operation, the campus was converted into a national vocational high school and was renamed to Tuburan National School. It was also known as the CSCST-Polytechnic College when it was integrated into the CTU system, which was formerly Cebu State College of Science and Technology (CSCST).
The Tuburan Campus currently has five college units offering undergraduate degree courses—Engineering, Agriculture, Education, Arts and Sciences, and Technology. Additionally, it has a Graduate School unit having graduate and post-graduate programs in the areas of Education and Public Administration. CTU Taburan also has a Senior High School (SHS) department with the STEM and TVL strands.
Through advanced professional and technical instruction, the Cebu Technological University is committed to being a multidisciplinary educational institution that produces professionals who will contribute to the growth of the industry and the community. Like the other campuses in the system, CTU Tuburan is recognized for the quality education it provides. Many of its programs, both undergraduate and graduate, are accredited by the Accrediting Agency of Chartered Colleges and Universities in the Philippines, Inc. (AACCUP).
Source: www.ctu.edu.ph
What programs & courses does Cebu Technological University – Tuburan Campus offer?
Choosing the right program can help you set your future goals and visualize where you want to be. Whether you want to be an engineer, a teacher, an accountant, or you want to level up in your profession, making yourself informed with the right choices will surely back you up in the future. Are you ready to map your career with Cebu Technological University – Tuburan Campus? Make the best decision in choosing the right path for you, click through the list of programs offered by Cebu Technological University – Tuburan Campus below:
College (Undergraduate) Programs
Graduate Studies Programs
Short Courses & Certifications
Where is Cebu Technological University – Tuburan Campus located?
(Updated as of Jul 02, 2019)
Website http://www.ctu.edu.ph/
Over 350 schools waiting for you. Apply now — it's free


text:
var CHART_LINE    =  1;
var CHART_AREA    =  2;
var CHART_BAR     =  3;
var CHART_STACKED =  4;

/*----------------------------------------------------------------------------\
|                                    Chart                                    |
|- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -|
| Chart class, control class that's used to represent a chart. Uses a painter |
| class for the actual drawing.  This is the only  class that should be  used |
| directly, the other ones are internal.                                      |
\----------------------------------------------------------------------------*/

function Chart(el) {
	this._cont             = el;
	this._yMin             = null;
	this._yMax             = null;
	this._xGridDensity     = 0;
	this._yGridDensity     = 0;
	this._flags            = 0;
	this._series           = new Array();
	this._labelPrecision   = 0;
	this._horizontalLabels = new Array();
	this._barWidth         = 10;
	this._barDistance      = 2;
	this._bars             = 0;
	this._showLegend       = true;

	/*
	 * Determine painter implementation to use based on what's available and
	 * supported. CanvasChartPainter is the prefered one, JsGraphicsChartPainter
	 * the fallback one as it works in pretty much any browser. The
	 * SVGChartPainter implementation one will only be used if set explicitly as
	 * it's not up to pair with the other ones.
	 */
	if ((typeof CanvasChartPainterFactory != 'undefined') && (window.CanvasRenderingContext2D)) {
		this._painterFactory = CanvasChartPainterFactory;
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		this._painterFactory = JsGraphicsChartPainterFactory;
	}
	else { this._painterFactory = null; }
}

Chart.prototype.setPainterFactory = function(f) {
	this._painterFactory = f;
};

Chart.prototype.setVerticalRange = function(min, max) {
	this._yMin = min;
	this._yMax = max;
};

Chart.prototype.setLabelPrecision = function(precision) {
	this._labelPrecision = precision;
};

Chart.prototype.setShowLegend = function(b) {
	this._showLegend = b;
};

Chart.prototype.setGridDensity = function(horizontal, vertical) {
	this._xGridDensity = horizontal;
	this._yGridDensity = vertical;
};

Chart.prototype.setHorizontalLabels = function(labels) {
	this._horizontalLabels = labels;
};

Chart.prototype.setDefaultType = function(flags) {
	this._flags = flags;
};

Chart.prototype.setBarWidth = function(width) {
	this._barWidth = width;
};

Chart.prototype.setBarDistance = function(distance) {
	this._barDistance = distance;
};

Chart.prototype.add = function(label, color, values, flags) {
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	if (!flags) { flags = this._flags; }
	if ((flags & CHART_BAR) == CHART_BAR) { offset = this._barDistance + this._bars * (this._barWidth + this._barDistance); this._bars++; }
	else { offset = 0; }
	o = new ChartSeries(label, color, values, flags, offset);

	this._series.push(o);
};

Chart.prototype.draw = function() {
	var painter, i, o, o2, len, xlen, ymin, ymax, series, type, self, bLabels;

	if (!this._painterFactory) { return; }

	/* Initialize */
	series = new Array();
	stackedSeries = new Array();
	xlen = 0;
	ymin = this._yMin;
	ymax = this._yMax;

	/* Separate stacked series (as they need processing). */
	for (i = 0; i < this._series.length; i++) {
		o = this._series[i]
		if ((o.flags & CHART_STACKED) == CHART_STACKED) { series.push(o); }
	}

	/* Calculate values for stacked series */
	for (i = series.length - 2; i >= 0; i--) {
		o  = series[i].values;
		o2 = series[i+1].values;
		len = (o2.length > o.length)?o2.length:o.length;
		for (j = 0; j < len; j++) {
			if ((o[j]) && (!o2[j])) { continue; }
			if ((!o[j]) && (o2[j])) { o[j] = o2[j]; }
			else { o[j] = parseInt(o[j]) + parseFloat(o2[j]); }
	}	}

	/* Append non-stacked series to list */
	for (i = 0; i < this._series.length; i++) {
		o = this._series[i]
		if ((o.flags & CHART_STACKED) != CHART_STACKED) { series.push(o); }
	}

	/* Determine maximum number of values, ymin and ymax */
	for (i = 0; i < series.length; i++) {
		o = series[i]
		if (o.values.length > xlen) { xlen = o.values.length; }
		for (j = 0; j < o.values.length; j++) {
			if ((o.values[j] < ymin) || (ymin == null))  { ymin = o.values[j]; }
			if (o.values[j] > ymax) { ymax = o.values[j]; }
	}	}

	/*
	 * For bar only charts the number of charts is the same as the length of the
	 * longest series, for others combinations it's one less. Compensate for that
	 * for bar only charts.
	 */
	if (this._series.length == this._bars) {
		xlen++;
		this._xGridDensity++;
	}

	/*
	 * Determine whatever or not to show the legend and axis labels
	 * Requires density and labels to be set.
	 */
	bLabels = ((this._xGridDensity) && (this._yGridDensity) && (this._horizontalLabels.length >= this._xGridDensity));

	/* Create painter object */
	painter = this._painterFactory();
	painter.create(this._cont);

	/* Initialize painter object */
	painter.init(xlen, ymin, ymax, this._xGridDensity, this._yGridDensity, bLabels);

	/* Draw chart */
	painter.drawBackground();

	/*
	 * If labels and grid density where specified, draw legend and labels.
	 * It's drawn prior to the chart as the size of the legend and labels
	 * affects the size of the chart area.
	 */
	if (this._showLegend) { painter.drawLegend(series); }
	if (bLabels) {
		painter.drawVerticalAxis(this._yGridDensity, this._labelPrecision);
		painter.drawHorizontalAxis(xlen, this._horizontalLabels, this._xGridDensity, this._labelPrecision);
	}

	/* Draw chart */
	painter.drawChart();

	/* Draw series */
	for (i = 0; i < series.length; i++) {
		type = series[i].flags & ~CHART_STACKED;
		switch (type) {
			case CHART_LINE: painter.drawLine(series[i].color, series[i].values); break;
			case CHART_AREA: painter.drawArea(series[i].color, series[i].values); break;
			case CHART_BAR:  painter.drawBars(series[i].color, series[i].values, xlen-1, series[i].offset, this._barWidth); break;
			default: ;
		};
	}

	/*
	 * Draw axis (after the series since the anti aliasing of the lines may
	 * otherwise be drawn on top of the axis)
	 */
	painter.drawAxis();

};

/*----------------------------------------------------------------------------\
|                                 ChartSeries                                 |
|- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -|
| Internal class for representing a series.                                   |
\----------------------------------------------------------------------------*/

function ChartSeries(label, color, values, flags, offset) {
	this.label  = label;
	this.color  = color;
	this.values = values;
	this.flags  = flags;
	this.offset = offset;
}

/*----------------------------------------------------------------------------\
|                            AbstractChartPainter                             |
|- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -|
| Abstract base class defining the painter API. Can not be used directly.     |
\----------------------------------------------------------------------------*/

function AbstractChartPainter() {

};

AbstractChartPainter.prototype.calc = function(w, h, xlen, ymin, ymax, xgd, ygd) {
	this.range = ymax - ymin;
	this.xstep = w / (xlen - 1);
	this.xgrid = (xgd)?w / (xgd - 1):0;
	this.ygrid = (ygd)?h / (ygd - 1):0;
	this.ymin  = ymin;
	this.ymax  = ymax;
};

AbstractChartPainter.prototype.create = function(el) {};
AbstractChartPainter.prototype.init = function(xlen, ymin, ymax, xgd, ygd, bLabels) {};
AbstractChartPainter.prototype.drawLegend = function(series) {};
AbstractChartPainter.prototype.drawVerticalAxis = function(ygd, precision) {};
AbstractChartPainter.prototype.drawHorizontalAxis = function(xlen, labels, xgd, precision) {};
AbstractChartPainter.prototype.drawAxis = function() {};
AbstractChartPainter.prototype.drawBackground = function() {};
AbstractChartPainter.prototype.drawChart = function() {};
AbstractChartPainter.prototype.drawArea = function(color, values) {};
AbstractChartPainter.prototype.drawLine = function(color, values) {};
AbstractChartPainter.prototype.drawBars = function(color, values, xlen, xoffset, width) {};

redpajama_set_name: RedPajamaGithub


text:
B.C. recorded more overdose calls in 2021 than ever before
Every health region in B.C. saw an increase in overdose calls during 2021
Darren Handschuh / Castanet
2021 was a record-breaking year for overdose callsBirkus-Victor / iStock / Getty Images
There were more 911 overdose calls last year in B.C. than ever before.
B.C. Emergency Health Services (BCEHS) received to close to 100 calls a day requiring paramedics to respond and, often, to bring patients back to life.
BCEHS says that during the pandemic, the number of overdose calls have steadily increased, and 2021 was another record-breaking year.
Last year, paramedics responded to 35,525 overdoses – an increase of 31 per cent over the previous year.
Surrey saw the most dramatic jump in calls, with an almost 50 per cent increase. Paramedics responded to 3,674 overdose calls in Surrey in 2021.
"Overdoses are a regular part of every paramedic shift in Surrey," said unit chief Mike Topping.
Every health region saw an increase in overdose calls during 2021.
Fraser Health saw a 45 per cent increase, while the Interior Health (IH) region saw a 29 per cent jump.
In IH, Kelowna led the way with 1,588 calls, Kamloops had 1,068, Penticton had 748, while Vernon recorded 457 calls.
Northern Health, which saw a dramatic increase in overdose calls in 2020, had the smallest increase in 2021. Also, Northern Health showed a 16 per cent increase, about half the provincial average.
Vancouver Coastal: 11,204 (+24%)
Fraser Health: 10,573 (+45%)
Island Health: 5,917 (+32%)
Interior Health: 5,417 (+29%)
Northern Health: 2,414 (+16%)
The Vancouver Coastal and Fraser Valley regions continue to have the highest number of overdose calls as they include about 50 per cent of the province's population. Vancouver, Surrey and Victoria remain the top communities for overdose calls.
Vancouver: 9,993 (+23%)
Surrey: 3,674 (+49%)
Victoria: 1,952 (+24%)
Almost every community in B.C. had more overdose patients in 2021 than the previous year – but some bucked the trend.
Courtenay: 127% increase; total overdoses 2021: 467
Cranbrook: 84% increase; total overdoses 2021: 191
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Home > Products > The Dark Tower: The Gunslinger - Fine Art Print - Michael Whelan
The Dark Tower: The Gunslinger - Fine Art Print - Michael Whelan
SMALL - $150.00 LARGE - $225.00 LARGE WITH REMARQUE - $340.00
Remember to select your preferred print size option.
If you are an active subscriber, you do not need to purchase this print. It will be billed and shipped automatically. If you would like to purchase an extra copy, be sure to use coupon code "PRINTSUBSCRIBER" at checkout to receive your 20% discount. This will only work for active subscribers, and you will need to be logged into your account.
THE COVERS COLLECTION - THE DARK TOWER: THE GUNSLINGER
We are very proud to introduce our latest addition to The Covers Collection, the first of two spectacular cover art prints signed by artist Michael Whelan, The Dark Tower: The Gunslinger.
This magnificent cover art graced the first US edition cover of The Dark Tower: The Gunslinger by Stephen King, published by Donald M. Grant in 1982. This is the second piece of artwork Whelan was commissioned to create for King. According to the author's web site, King was so impressed with Whelan's work the first time around that he suggested him for The Dark Tower: The Gunslinger, the first book in The Dark Tower series.
Whelan's cover art depicting Roland and Jake in their escape from the Slow Mutants only appeared on 20,000 copies of the trade hardback -- its first and second printings. By the third printing, the cover art was changed. The Dark Tower: The Gunslinger is widely considered to be one of the most sought after books by Stephen King collectors.
This officially licensed print went through several rounds of color corrections with the artist to make sure that it is as close to the original as possible. Now, you can enjoy Michael Whelan's dazzling artwork presented here without cover text.
These prints are hand-signed by Michael Whelan, who has also created a Remarque on the first 20 large prints -- five of which are available for purchase at the time of the release, so act fast on those.
Exclusively available through Suntup Editions for your private collection, and limited to just 50 copies per size, worldwide.
Available for Pre-Order: December 15, 2019
Large Size: 16.25" x 24"
Illustration © 1982-2019 by Michael Whelan
Favorite drawing of the Dark Tower Series
Beautiful work and perfectly presented.
Every bit as great as I thought it would be, and shipped very quickly.
This is the most stunning Suntup fine art print to date !!
Original Gunslinger
Love the cover that started a long journey. Gorgeous Print!
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