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Chapter: 7 International Considerations
« Previous: 6 Mitigation
Suggested Citation:"7 International Considerations." Institute of Medicine, National Academy of Sciences, and National Academy of Engineering. 1992. Policy Implications of Greenhouse Warming: Mitigation, Adaptation, and the Science Base. Washington, DC: The National Academies Press. doi: 10.17226/1605.
International Considerations
Effective action to slow greenhouse warming will require international effort regardless of policies in the United States. Many of the cost-effective options appropriate for the United States are also applicable in other countries, including developing nations. The coal resources in China and the former USSR alone ensure that without their cooperation, policies aimed at stabilizing greenhouse emissions elsewhere would probably be doomed to failure. Yet the position of the United States as the current largest emitter of greenhouse gases means that action in the rest of the world will be effective only if the United States does its share.
Developing countries may participate in the reduction of greenhouse gas emissions if the first steps are taken by the industrialized countries and if some sort of international agreement is made providing them with additional financial and technical resources to make the necessary changes.
Global population growth, which will largely take place in developing countries, is a fundamental contributor to increasing emissions of greenhouse gases. Developing countries accounted for about 17 percent of world commercial energy consumption 20 years ago, and about 23 percent today. They are expected to account for about 40 percent by 2030. Although it is the industrialized world that contributes most of the current greenhouse gas emissions, this will likely change in the future. Emissions from developing countries will become even more important as they improve their economies and consume more fossil fuels. Either increasing population or growing economic activity can increase emissions of greenhouse gases. Even with rapid technological progress, slowing global population growth is a necessary component for the long-term control of greenhouse gas emissions. Although it may not be financially costly, it is beset with other political, social, and ideological obstacles.
The long-term control of greenhouse gas emissions will require the diffusion and implementation of technology in developing countries. A real challenge will be to ensure that technologies reach those who need them, overcoming such obstacles as lack of information or inability to pay for them. The technological capabilities of developing countries need to be improved. The creation and enhancement of the infrastructure for research and absorption of technology form a precondition for this improvement. Programs in agriculture, forestry, pollution control, and housing might be used both as vehicles for the transfer of relevant technologies and for the enhancement of the research and technology infrastructure.
Similarly, reversing deforestation, to lower atmospheric concentrations of greenhouse gases in the short term, raises a host of issues other than costs. It will be important for international programs to use a broad perspective.
Much work has already been accomplished on the international level, and more is currently under way. Internationally, research on a variety of global change issues (including greenhouse warming) is being undertaken principally under the auspices of two complementary scientific programs: the World Climate Research Program (WCRP) and the International Geosphere-Biosphere Program (IGBP). The WCRP was established by the World Meteorological Organization in 1979 under its overall program, the World Climate Program (WCP). Its major objectives are to determine the extent to which climate can be predicted and the extent of human influence on climate. The IGBP was adopted by the International Council of Scientific Unions (ICSU) in 1986. The objective of the program is to describe the interactive physical, chemical, and biological processes that regulate the total earth system.
In 1988 the World Meteorological Organization and the United Nations Environment Programme sponsored the Intergovernmental Panel on Climate Change (IPCC). At the first IPCC meeting, in November 1988, three working groups were set up: Working Group I, to provide a scientific assessment of climate change; Working Group II, to provide an assessment of the potential impacts of climate change; and Working Group III, to consider response strategies. Hundreds of scientists from different countries contributed to the IPCC report produced in 1990.
The Second World Climate Conference was convened in late 1990 under the sponsorship of several U.N. organizations. The conference was separated into a scientific and technical session and a ministerial session. The conference discussed the results of the first decade of work under the WCP, the First Assessment Report of the IPCC, and the development of the IGBP. The scientific and technical session produced conclusions and recommendations
in three areas: (1) greenhouse gases and climate change; (2) use of climate information in assisting sustainable social and economic development; and (3) priorities for enhanced research and observational systems. The ministerial declaration essentially recognized greenhouse warming to be an international problem and urged further elaboration and assessment of response strategies.
A large number of deliberations are under way concerning international negotiations on greenhouse issues. Recent experiences with the Montreal Protocol on Substances That Deplete the Ozone Layer and its subsequent elaboration in the London Protocol and with the earlier Law of the Sea provide guidance about what approaches are useful and what to avoid. It is expected, however, that negotiations about limiting greenhouse warming will be more difficult than their predecessors in the environmental area.
Future International Agreements
There is a growing momentum in the international community for completion of an international agreement on climate change in time for signing at the 1992 U.N. World Conference on Environment and Development. The first meeting of the Ad Hoc Working Group of Government Representatives to Prepare for Negotiations on a Framework Convention on Climate Change was held in February 1991. The panel believes that the United States should fully participate in this process.
Identification of priority actions should take full account of their potential to reduce or offset greenhouse gas emissions and their costs of implementation. Further, the panel believes that international arrangements should allow nations to receive credit for actions taken to reduce or offset emissions in other countries. In other words, under such an arrangement countries like the United States could negotiate interventions in other countries if these proved more cost-effective than domestic actions.
The importance of multilateral international agreements should not obscure the value of unilateral or bilateral action. The United States should not only adjust its own policies, but also pursue bilateral agreements and technical assistance programs that promote reforestation, protection of biodiversity, and greater energy efficiency.
In framing actions to respond to greenhouse warming, the United States should consider cooperative programs in other countries that might be more cost-effective than domestic options.
Next: 8 Findings and Conclusions »


Kelleher, N. L., Levitsky, J. & Thomas, P. M.
Jucaud, V., Shaked, A., DesMarais, M., Sayre, P., Feng, S., Levitsky, J. & Everly, M. J., Mar 1 2019, In : Hepatology. 69, 3, p. 1273-1286 14 p.
Nilles, K. M. & Levitsky, J., Mar 1 2019, In : Liver Transplantation. 25, 3, p. 365-366 2 p.


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The Pennine Coal Measures Group is a lithostratigraphical term referring to the coal-bearing succession of rock strata which occur in the United Kingdom within the Westphalian Stage of the Carboniferous Period. In formal use, the term replaces the Coal Measures Group as applied to the succession of coal-bearing strata within the Pennine Basin which includes all of the coalfields of northern England and the English Midlands. It includes the largely concealed Canonbie Coalfield of southern Scotland and the coalfields of northeast Wales and the minor Anglesey coalfield. The sequence consists in the main of mudstones and siltstones together with numerous sandstones, the more significant ones of which are individually named. Some are laterally extensive, others are more restricted in their range. There are numerous coal seams, again with some being more laterally continuous than others. Those which were economically valuable were named though any individual seam may have attracted different names in different pits and different districts. Marine bands preserving distinctive and dateable marine fossils such as goniatites and brachiopods are widespread within the sequence and enable correlation to be made between sequences in one part of the basin and another and with other basins

Descriptions of the coal seams are found within (or linked from) articles on the individual coalfields. Many of the sandstones give rise to distinct features in the landscape as they are more resistant to weathering and erosion than the intervening shales. Some have been quarried for building material, including flagstones for paving. East of the Pennines, the following main sandstone beds are recorded (note that not all will be present in any one district; multiple entries on one line are of broadly the same age):

 Badsworth Rock
 Houghton Common Rock / Ravenfield Rock
 Brierley Rock / Wickersley Rock
 Newstead (Pontefract) Rock
 'Extra' Rock
 Ackworth Rock
 Mexborough Rock
 Glass Houghton Rock
 Ackton Rock
 Oaks Rock
 Woolley Edge Rock
 Horbury Rock
 Thornhill Rock
 Birstall Rock
 Deep Hard Rock
 Parkgate Rock
 Silkstone Rock
 Penistone Flags
 Grenoside Sandstone
 Wingfield Flags
 Greenmoor Rock
 Elland Flags
 80 Yard Rock / Wharncliffe Rock
 Stanningley Rock / Loxley Edge Rock
 Crawshaw Sandstone / Soft Bed Flags

To the west of the Pennines, the following are recorded:

 Worsley Delf Rock
 Newton Heath Sandstone / Prestwich Rock
 Nob End Rock
 Peel Hall Rock / Bardsley Rock
 Pemberton Rock / Huncliffe Rock
 Ravenhead Rock
 Chamber Rock
 Blenfire Rock
 Trencherbone Rock
 Cannel Rock
 Tim Bobbin Rock
 China Mine Rock
 Dandy Rock
 Old Lawrence Rock
 Dyneley Knoll Flags
 Crutchman Sandstone / Milnrow Sandstone / 80 Yard Rock
 Darwen Flags
 Helpet Edge Rock
 Inch Rock
 Great Arc Sandstone (Bullion Rock)
 Harrock Hill Grit
 Woodhead Hill Rock / Soft Bed Flags

The term Productive Coal Measures was formerly used for this succession. The Group comprises the:
 Pennine Upper Coal Measures Formation
 Pennine Middle Coal Measures Formation
 Pennine Lower Coal Measures Formation

The Pennine Coal Measures Group is preceded (underlain) by the Millstone Grit Group which is of Namurian age. It is succeeded (overlain) by the Warwickshire Group which comprises a largely non-productive sequence of red beds.

References

Coal in England
Geology of England
Carboniferous England
Carboniferous System of Europe
Geologic formations of England
Geological groups of the United Kingdom
Geology of the Pennines

redpajama_set_name: RedPajamaWikipedia


Flying out from Australia to United Kingdom? You might think you have already planned for everything, and this may include using roaming services even for only a short period. Regardless of how short that amount of time is, however, you can expect high bills from your carrier once you go back home, points out UK Prepaid Sim Card.
This is why it makes complete sense for you to purchase a United Kingdom SIM card from a shop specialising in such products before flying. Here are just a few of the reasons that spending money for such a SIM card is worth it.
Usable as soon as you get to your destination.
When you have someone to pick you up at the airport, say a hostel or hotel driver, you want to make sure you find them immediately. Because these SIM cards are specifically for UK, you can text or call the person who will pick you up.
No need to look for a spot with free WiFi.
Having a local UK SIM card allows you to use data not using your home carrier, but one of the carriers in the country you are visiting. In other words, you do not have to spend money on a café or a restaurant just to have access to WiFi or look for free WiFi.
Access to the Internet that will help manage your itinerary.
Since you now have access to Internet through your UK SIM card, you can manage your itinerary more easily. You can quickly find out the locations of the places you need or want to go to, prepare, and use the Internet to check out the top attractions, sights, restaurants, and shopping areas, among many others.
There are plenty of other great reasons to come to UK prepared with a SIM card, and one of them is that you will pay the same amount for credits (when you run out of them) as the locals do.


MuteClip™ is a sound isolation clip that significantly reduces airborne and impact transmission through structures when used in our MuteClip™ and Channel systems.
MuteClip™ (Patent Pending) is unique in its design with it's dual density rubber polymers that have been carefully designed and assembled to improve noise reduction over a broad range of frequencies whilst remaining stable and consistent with each and every MuteClip™. With only a single fixing required, the system looks to minimize the points of contact with the partition and create an easy to install system with little to no error due to the accomplished design. With these properties working in tandem, you will achieve optimum soundproofing against impact and airborne noise in a whole host of applications, all completed with swiftness and efficiency at an affordable price.
To where space is at a premium, MuteClip™ can be applied directly to brick/block walls and concrete/joist ceilings - still giving you the best acoustic performance possible with a slimline solution. You will find our entire range of systems on the Systems tab at the top of this section with an abundance of practical and technical information on each.
MuteClip™ is part of iKoustic's MuteRange core - these are products that have been subjected to stringent testing in both laboratory and real world environments providing the best possible solution for the purpose with a result you can trust.
You can find out more about our all encompassing MuteRange by clicking on the icon below, or get in contact with iKoustic today.
When considering Wall and Ceiling Soundproofing there are a few basic principles you need to be aware of when looking to achieve the best possible result. Initially you will need to increase the mass of the partition to begin noticing a reduction in airborne noise, but to yield the best reduction for high levels of airborne noise, as well as impact noise, you will want to consider creating seperatation from the structure to by implementing our MuteClip™ and Channel System direct to stud or brick and block walls. You can improve this further by applying it to a completely separate stud frame.
If you are uncertain of what to look for when soundproofing a wall or ceiling, you can read our informal guides - A Guide to Soundproofing a Wall or A Guide to Soundproofing a Ceiling by clicking on the icons below.
Dramatically reduces airborne and impact noise as a high performing, slimline acoustic system.
Only one fixing per MuteClip™ allows for easy installation.
Can be used on metal, wooden, brick and concrete structures.
Reduced points of contact to help de-couple ceiling and wall systems.
Compliant with both Part E Building Regulations (England, Wales, Northern Ireland and Republic of Ireland) and Building Standards Technical Handbook 2017 for Scotland for impact transmission.
Where can the MuteClip™ be installed as a soundproofing solution?
Our MuteClip™ is designed to be installed in almost any internal application to soundproof walls and ceilings, used to soundproof existing stud partitions or in brick and block constructions against noisy neighbours, against disruptive noise in the workplace and can also be installed as a highly effective sound proofing solution for home cinemas, recording studios and other audio focused environments where levels of noise can be found in excess of ordinary household disturbances. It is an affordable option for large residential or commercial projects that opt for or require a robust acoustic solution in where developers wish to exceed standard building regulations that lead to an increased comfort of living or workspace environment. You can find all systems MuteClip™ is featured in by clicking on the systems tab next to the FAQs here.
Can MuteClip™ be used to soundproof an existing stud wall partition?
Yes it can, with existing stud partitions you will likely find a lightweight material, often a pink-fluffy heat insulation material, between the stud framing with perhaps only a standard plasterboard applied to each side, which is why you may be hearing excessive noise - these can also be found not only in internal dwellings of your own home or property, but also in neighbouring dwellings that were constructed before the introduction of Building Regulations in 2003, this can be intrusive and disruptive to living spaces. Without a brick or block wall creating the initial high mass, which is important for soundproofing against airborne noise issues, conversation and television for example, our MuteClip™ offers a high acoustic performance in these cases. You can find all systems MuteClip™ is featured in by clicking on the systems tab next to the FAQs here.
What are the weight restrictions for each MuteClip™?
16kg per MuteClip™ is the maximum load that can be applied to each clip, our team can help to advise you on the weights on a square meter basis which takes in to account all elements of each system. We aim to be no more than 75% capacity of the clip as hitting the maximum reduces the suspension of the MuteClip, this is true for all other acoustic clips too, reducing it's soundproofing effectiveness.
What is the soundproofing performance of MuteClip™?
It all depends on which of our systems MuteClip™ is incorporated in to and what is currently in place, for example a concrete or brick wall will offer a solid support for soundproofing whereas breezeblock is often very porous, meaning that it allows an increased degree of airflow through, allowing the property to breathe. Stud framing offers the least sound proofing but creates an air gap which works in favour of each soundproof system and would require an acoustic mineral wool to be put in place to offer this improvement. We provide estimations of performance in our acoustic results, but it is important to note that every property will behave differently - we are always updating our acoustic results where possible. You can find all systems MuteClip™ is featured in by clicking on the systems tab next to the FAQs here.
Why are there two different colours featured on the MuteClip™, how do these intend to help with soundproofing?
Each colour represents a different density, these react each in their own way to vibration and different intensities of sound, helping to cover a broader range of frequencies to further it's sound proof qualities.
Is the MuteClip™ easy to install?
MuteClip™ is designed so that only one fixing is required per clip, this improves the rate of installation, limits the amount of contact with the surface it is attached to (which is important in sound proofing) and makes it easy to install when it comes to applying the MuteClip Channel, which is simply snapped in and very easy to level. We do recommend you have a little DIY experience, previous use with drills and a little knowledge of installing in to brick and block walls (so that no servicing or plumbing is fixed in to), when it comes to the acoustic plasterboard stage in systems, again, some experience in dry-lining will go a long way to ensure large gaps and incorrect cutting are minimised as these can affect the result of the sound proofing.
Two or more people are required due to the high mass of materials.
Are fixings provided with Mute Clip™?
Fixings are not included as there are a range of substrates in various conditions that are often fixed in to, we would recommend seeking advice from a fixings merchant and advice from a structural engineer on walls that have been subjected to damp, mould or have aged, we do have guidance in our installation sheets which can be found in the Related PDF tab.
Do you provide a trade discount on MuteClip™?
We offer a range of trade discounts that is dependent on frequency and or value of orders alongside our service and guidance for each and every project. We ask that a few orders are placed prior, if you have placed orders with us or have a few projects looking to specify MuteClip™, do get in contact with us to see how we can help you best.


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Home » Blog » READ This Fractal AX8 Review Before You Buy!
READ This Fractal AX8 Review Before You Buy!
Fractal Audio has grown in popularity in the guitar tech industry over the past few years. The company has been producing effect units and amplifiers for guitarists that have redefined the high end sector of the market and become the equipment of choice for many of the biggest names in the guitar world. Among its long list of high-end products is the Fractal Audio AX8. This effects only amp is the first floor based unit the company has manufactured. So sit back, relax, and enjoy this Fractal AX8 review.
The Fractal Audio AX8 is a powerful floor-based multi-effects unit that is packaged in a powerful, rock-solid, floor pedalboard order controller. This unit has been designed with enough amp and effects capabilities that can last you a lifetime. Though it is cheaper than the Axe-FX II, which is Fractal Audio's flagship product, we can see why a huge number of guitar players are ditching conventional pedalboard rigs, effects racks, and amplifiers for the Fractal AX8 tones.
There are so many reasons why players love the AX8. But the main reason, which also happens to be its biggest selling point is it compact yet incredibly versatile design. Other than that, they frequently provide a steady stream of firmware upgrade to this product. This improves the performance and capabilities of the AX8, making a worthy investment for any player.
The most recent upgrade to the AX8 is Quantum version 8.02. It made a major leap in quality in this upgrade that makes the AX8 a must-have unit for all players.
So, let's get started on the AX8 features review. The AX8's come in a variety of amp modeling and speaker cabinet modeling (check out my article on this – 10 Best Modeling Amp For Guitars & Top 2022 Options). Its amps are available in numerous boutique, recent workhorses, and a wide variety of vintage classics from the 50s onward. The speakers, on the other hand, are available from a wide variety of brands and models and in every conceivable speaker configurations.
The most impressive features of this unit is its effects that offer instant access to the rack processor and pedal effects. In many similar devices, it takes a lot of time and effort to accumulate them, but they made it easy for you to do so with the AX8. All of these incredible textures and tone are housed in tough, high-quality pedal controller that features rock solid knobs and silent relay footswitches which were built to last forever. It sounds great connected to a standard guitar amplifier with the speaker emulation disabled. But for the best sound, we recommend that you connect it to a recording console and monitors, or to a sound system via a mixer.
The AX8 has a very powerful processor that allows you to program highly sophisticated rigs. You can store up to 512 presets in its internal memory, and in case you have additional ones, you can save them to a computer through the USB interface of this unit. With the AX8, you can control all parameters of the effects and models using a free software editor/librarian package called the AX8-Edit. This makes it very easy for you to program your own custom presets. Saving or downloading presets and upgrading the device's firmware via sys-ex is also easy thanks to an application called Fractal-Bot that is also provided free of charge.
So, which new features will you get to enjoy from the new Quantum 8.02 firmware upgrade? The new firmware upgrade significantly improves the amp models overall sound quality, dynamic response, and feel by providing more clarity and openness. For instance, the gain of the amp's Brit Brown has been given a boost of an additional 12dB.
For anyone who has used the Axe-FX processor, it wouldn't be a surprise to learn that the sound quality of the AX8 guitar tones is incredible.
There are many companies that manufacturer amps, but none of their products beats them when it comes to authentic amp modelling technology. They design and manufacture more than 200 different amp and cab models, covering everything from roaring 6505 style metal sounds to Fender tweed style clean sounds, making their product line very versatile.
Not only is the sound authentic, but it is also clear and responds as you would expect a real amp model to, proving that the company nailed that "amp in the room" feel with this.
When it comes to live performance, the sound quality does not disappoint. Many guitar players worry that most modelling equipment, even the high-end ones do not perform as expected in live settings. Being a digital equipment, the AX8 outshines other big names in live sound quality. This amp produces the same consistent sound through the PA, unlike the poorly mic's cab that other similar equipment.
The AX8 amp modelling technology allows it to make full use of modern PAs' full range frequency response speaker systems. This means that your guitar tones will sound clearer and absolutely monstrous when the AX8 is hooked up to a big speaker system in a large venue.
The AX8 is a durable amp that weighs about 15 pounds. It has a hardware is heavy duty comprising of aluminum end-caps and a steel chassis. This means that it can handles all that years of heavy usage and rough handling associated with outdoor gigs will throw its way. Above the main footswitches, you'll find a metal bar, which serves as a handles and also protects the analog knobs from being accidentally kicked by or stepped on.
Though there is not much to say about AX8's firmware concerning how reliable it is and whether or not it will fail you, we recommend that you just keep it, together with the AX8-edit and Fractal-Bot updated.
In terms of the amp's reliability, we can say that the AX8 is very reliable. You can use it without a back-up and it will still continue performing its best. But if you need stage volume outside of speaker wedges, we recommend that you back it up with a tube amp modeling.
The AX8 is a highly durable piece of equipment. Therefore, if you keep your software updated and you do not mishandle or bang it around, it will always give you top level performance for the price and still look aesthetically appealing.
What Types Of Music Is this Best For?
The Fractal AX8 amp model can perform well with any type of music. However, there are some genres that this amp does superbly and will always impress when applied. Among them is progressive metal and rock. This tool is also perfectly functional when applied by the guitarist in neo-soul, R&B, blues, and worship music. The AX8 can be used in basically any music genre performance, and is perfect for bands that perform live and are always on the road. It is also perfect for pit orchestra performances for theater productions. If you play gigs that you almost always have to plug in DI, then the Fractal AX8 is the best equipment for you.
The lay out of the Fractal AX8 is similar to any other multi-FX or MIDI controller unit, which makes it pretty easy to use.
Located on the top side, are eight footswitches. Each one of these footswitches has three LEDs representing the three separate functions each switch can be assigned.
On the edges of the amp, there are six controls, one for master volume and the others for resonance, presence, bass, mids, treble, and drive.
The AX8 also has an LED screen and several soft-push buttons that allow you to make more detail adjustments to your settings.
Another pro of the AX8 is it has a wide range of effects. These effects versatile and include delays to extreme modulation, natural sounding spring reverbs, and all the others that you can find in a high-end dirt pedal.
Apart from that, you can also tweak all these effects separately. Some of the tweaks you can make include sequencing your effects, changing their ADDR curves and frequency parameters among others. This means that with the AX8, there is limitless capability to what you can create.
The AX8 also gets points on it build quality. Because it has been designed with an emphasis on live use, which means it will also be on the road a lot, the AX8 is highly durable.
The AX8 features aircraft aluminum panels and a solid steel chassis, allowing it to not only be light in weight, but also strong enough to survive a bit of rough treatment.
There is also no mechanical contact between the footswitches and other components, which prevents them from wearing out.
Other than that, the AX8 is water proof, therefore, you don't have to worry about damage caused by accidental spillage of fluids on the unit.
There isn't much to complain about the Fractal AX8. However, it has a few limitations that we have to mention.
The first one is when compared to the Axe-Fx II, the AX8 doesn't have the same complement of effects. Other than that, you can't run dual amp signal chains on the AX8.
Also, because the AX8 has hundreds of different cabinets and amp models, it takes longer to set it up with the pre-sets that you desire. However, you can connect it to a computer and achieve this more easily and much faster.
In the past, it would have cost guitarists more to enjoy the amp modeling experience that they are known for. However, this changed when they introduced the AX8. This unit offers the effects and amp sims you would get on their more expensive units for you to use when you connect straight to a Full Range Flat Response (FRFR) cabinet or a PA system.
What makes this unit one to die for is it uses the Axe-Fx II core modeling engine, which makes it possible for the AX8 to produce the same quality of sound as the former unit.
With 512 onboard presets, the AX8 is a potent multi-FX pedal. Other than that, the fact that you'll get the amplifier and cabinet blocks, including those for effects makes this unit a must have.
With a build that is rock-solid, this amp lays out its eleven footswitches in a manner that is very easy to access. The best thing is that all the switches can be assigned, making your experience on the stage as pleasing as possible. Therefore, we highly recommend it.
Posted in Multi Effects Pedals
COMPARED: Boss ME-80 Vs Boss GT-100
Are you a dedicated guitarist? Then, you know that having a guitar pedals with multi-effects is essential. It is wise to broaden your collection of […]

redpajama_set_name: RedPajamaCommonCrawl


so there's only 13 work days left. well, 12.25 really.. tomorrow's a quarter-day because we're having a release party for most of the day. w00t. so little time left! i still haven't talked to my boss about whether or not i should come back next term. i should probably decide if i want to come back first. hm..
on the bright side, less than a month before i'm back in waterloo and get to see everybody again! w00t++.


You are here: Home / Blog / General / How to find the Best Builder in Brisbane?
When you are ready to build your new home or extension, you need to find the best builder in Brisbane for the job. You want someone who is professional, experienced and easy to get along with on a daily basis. One of the easiest ways to find Brisbane builders is to ask for referrals and the second best way is to search online.
Referrals from someone you trust is always the best way to find Brisbane builders. So ask around your network of friends, relatives and work colleagues, because someone is sure to have hired a builder in the past few years. When someone gives you a referral, make sure to ask them about the type of building work they had performed and also about their daily interactions with the builder and his or her tradies.
When you have a few names or even if you came up empty from your network, it is time to perform an online search. This is a great way to find the best builder in Brisbane, because their website will reflect their experience and professionalism. They will also have customer testimonials, because they will be proud of the work they have completed for their clients. Make sure that the builder is experienced in the type of work you need and if you are happy at this point, contact them and arrange to meet face to face to discuss your job.
Once you have met a few builders, the biggest mistake you can make is to select the one that gives you the cheapest quote. Cheap doesn't necessarily equate with high quality, so first of all, base your selection on the Brisbane builders you like the most and would have no problems working with on a daily basis. You can even ask to visit some of their previous clients who are willing to let you inspect their work. The last item on your list should be the costs, because you can negotiate these to some degree, but you can't turn a poor builder into the best builder in Brisbane, just because they give you the cheapest quote.
For the best builder in Brisbane, contact us at JEB BUILT and get a quote online today.


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Julia Sarantis
All the way from Sydney Australia, Julia Sarantis offers an outsider's look on U.S culture. Invested in writing on all things in film, television, and music that look to challenge the status quo, Julia enjoys engaging with work that uses art to work through social issues.
How Samuel Bazawule overcame fear while making The Burial of Kojo
By Julia Sarantis April 8, 2019
The Burial of Kojo is a stunning visual enunciation of African cinema that foregrounds the importance of maintaining and preserving cultural memory.
Would you go completely vegan for 30 years of Jay-Z or Beyonce tix?
By Julia Sarantis February 1, 2019
Want tickets to see Beyonce and Jay Z in concert for life? All you have to do is go more vegan than the rest of the BeeHive.
Tessa Thompson blazes the trail for TIMES UP #4PercentChallenge
Women directors continue to be overlooked for their achievements and bringing the issue of Hollywood's gender gap to the fore is the #4PercentChallenge
Cinephiles will love the Criterion Collection's new streaming service
By Julia Sarantis January 31, 2019
Cinephiles can rejoice because the Criterion Collection has officially found a new home, The Criterion Channel.
Meet Dustin Lane: the DP exploring America's heartland
While Lane now resides on the West Coast, most of his projects take place in the middle of America.
Bring the kids and pull up to the New York Int'l Children's Film Festival
The New York Int'l Children's Film Festival continues to bring the best talent in the field of animation from around the world to the screens of NYC.
Peep the wave of women that will flood the 2020 Presidential Race
The results of the mid-term elections were a firm indicator that more and more women are ready to go head to head with the polarizing, President 45.
Ava DuVernay and ARRAY host National Day of Racial Healing
During her succession in the industry, DuVernay has been a vocal and staunch advocate for women and people of color in Hollywood.
Meet The Future Project, the NPO inspiring young people across the US
The Future Project is a national non-profit organization and its mission is fueled by the desire to inspire young people across the nation.
Where's the peace? MAGA students have standoff with Native American Elder
While Trump's wall is a severely misguided attempt to ensure 'border security' we must not forget whose land this really belongs to. Who's really MAGA?


text:
The Eagles
Ticketmaster, Prestige Entertainment Settle "Bot" case in California
July 10, 2019 | Ticket Charge
https://www.ticketcharge.com/blog/wp-content/uploads/2019/07/ticketmaster-950×350.jpg
IndustryLegalTop Story
Olivia Perreault 1
Ticketmaster and Prestige Entertainment have settled a lawsuit regarding the latter's alleged use of automated programs to purchase numerous tickets by evading the Live Nation-owned giant's limits. While the ticketing operator achieved one goal of its litigation – a promise by Prestige that it would not use such programs – it did not win any damages or legal fees in the settlement.
According to Bloomberg Law, the broker Prestige Entertainment West Inc. will stop using automated software, often known as bots, from ticketing giant Ticketmaster after a ruling from the U.S. District Court for the Central District of California by U.S. District Judge Otis D. Wright. The broker will no longer be able to bypass Ticketmaster's security measures or violate the website's terms of use.
In 2017, Ticketmaster sued the company, claiming that Prestige's bots made duplicates of their website data and accessed the information through "circumvented security measures." Prestige reportedly scooped up 30,000 Hamilton tickets – which adds up to 30 to 40 percent of the available tickets from Ticketmaster – and resold them on their site. Additionally, the Connecticut-based company was under fire for purchasing tickets to a boxing match between Floyd Mayweather and Manny Pacquiao in 2015.
Early last year, Ticketmaster faced a blow in the case when a court dismissed its claim that Prestige violated the Computer Fraud and Abuse Act by violating terms of their website, however, in May, a court rejected Prestige's bid to dismiss the lawsuit, noting that Ticketmaster had showed that its webpages contained copyright-protected content.
In the final judgement, agreed to by the parties, Prestige Entertainment West, Inc., Renaissance Ventures LLC, Nicholas Lombardi and Steven K. Lichtman agreed to a permanent injunction against the use of such programs – already illegal under federal law following the passage of the BOTS act several years ago. Specifically, they are prohibited from "creating or using ticket bot technology to search for, reserve, or purchase tickets through any Ticketmaster website or any Ticketmaster mobile application," the filing reads, going into granular detail as to what specifically they are not allowed to do.
In its initial lawsuit, filed in 2017, Ticketmaster had asked the court for damages that could have stretched into tens of millions of dollars, plus coverage of its legal costs of pursuing the case. But Monday's judgement stipulated no damages, and both parties had to pay their own legal fees.
Ticketmaster Settles Suit Against Prestige For Illegal 'Bot' Use


text:
Acasta Gneiss je označení pro skalní výchoz, tvořený rulou, který se nachází v Severozápadních teritoriích v Kanadě. Jedná se o jedny z nejstarších hornin na Zemi, staré až 4031 milionů let. Výchoz byl pojmenován podle nedaleké řeky Acasta.

Hadaikum
Geografie Severozápadních teritorií


text:
Biografia

Gli inizi
Antonio Pagliuca è nato a Pescara il 1º ottobre 1946. Non aveva ancora due anni quando con la madre Silvia D'Isidoro raggiunse il papà Aldo che aveva trovato lavoro come autista ai Monopoli di Stato a Marghera. Nei primi anni sessanta impara da autodidatta a suonare la fisarmonica e l'organo elettronico, formando un gruppo chiamato "Ciao Amici".
Tra il 1966 e il 1967 suona, insieme a Michi Dei Rossi, nel complesso beat Gli Hopopi e successivamente con I Delfini che hanno già all'attivo diverse uscite discografiche.

Componente del gruppo Le Orme
Nel 1968 entra stabilmente come tastierista nel gruppo de Le Orme, giusto in tempo per l'affermazione al disco per l'estate 1968 con il gettonatissimo brano Senti l'estate che torna. Nello stesso anno incide Ad gloriam, considerato il manifesto della psichedelia italiana, in bilico tra sonorità beat e atmosfere rockeggianti d'oltre oceano. Nel 1969 Dave Baker sostituisce Michi alla batteria e incoraggia Tony a insistere sulla nuova formazione a trio ed è proprio Dave a far conoscere il gruppo inglese The Nice. Tony è più che convinto che la musica beat sia ormai al tramonto e che il nuovo pop sinfonico proveniente dall'Inghilterra sarà a breve un successo anche in Italia.

Parte per Londra e incontra Armando Gallo, giornalista e fotografo della rivista specializzata Ciao 2001, che lo introduce nell'ambiente della Londra post Beatles. Tornato a Venezia invita i compagni de Le Orme (Aldo Tagliapietra e Michi Dei Rossi) a sperimentare e sviluppare nuovi linguaggi musicali fino alla nascita di Collage con la produzione artistica di Gianpiero Reverberi, il disco che fa da apripista a tutto il rock progressivo italiano. Il successo di pubblico e di critica è unanime e nel giro di pochi mesi Le Orme, sotto contratto della multinazionale Philips, incidono il loro terzo album, Uomo di pezza, il cui singolo, Gioco di bimba, balza in cima alle classifiche della hit parade.

L'anno successivo è la volta di Felona e Sorona, una rock opera in cui si scontrano idealmente due pianeti opposti simboli del bene e del male, considerato da tutti gli esperti del settore come uno dei migliori dischi di musica progressiva. Questo concept-album viene stampato anche in inglese con la traduzione di Peter Hammill (VDGG) ed è seguito da una trionfale tournée in Inghilterra.

Nel 1974 Le Orme incidono Contrappunti, secondo alcuni la vetta compositiva del trio Pagliuca-Tagliapietra-Reverberi, e contemporaneamente immettono sul mercato il primo microsolco live della musica italiana: Le Orme in Concerto.
Tra il 1975 e il 1978 Le Orme si orientano verso sonorità rock di facile presa, conquistando più volte i vertici della classifica dei dischi più venduti (Amico di ieri, Canzone d'amore, Verità nascoste, Storia o leggenda, tutti registrati all'estero).
Gli anni settanta si concludono con un radicale cambio di rotta e nel pieno dell'esplosione disco-music, Pagliuca e compagni cambiano musica e registrano Florian in veste acustica e con strumenti classici anticipando così di un ventennio la moda unplugged di molti gruppi rock contemporanei.
Nel decennio successivo Le Orme tornano agli strumenti elettronici e alla forma canzone varcando i confini italiani della popolarità grazie alle partecipazioni ai Festival di Sanremo del 1982 e del 1987.

Carriera solista
Negli anni novanta Pagliuca lascia Le Orme per intraprendere la carriera solista.

Incide dischi di natura avanguardistica prevalentemente strumentali, come Io Chiedo (che contiene la canzone profetica sul disastro ecologico) del 1990, con alla voce in due brani Danilo Amerio, realizzato totalmente al computer. Nel 1993 la Freeland pubblica il Cd Immagin-arie. Nel 1998 la San Paolo Audiovisivi commissiona a Tony la sua prima opera di musica Sacra : La Messa di Natale del Giubileo 2000, che diventa anche il CD La notte della stella nel 1999.

Dal 2002 Tony Pagliuca torna all'attività concertistica alternando le esibizioni soliste a collaborazioni con importanti artisti del mondo della musica progressive oltre del jazz e della sperimentazione musicale.
Il 2 settembre 2003 a Venezia in Campo Pisani, Tony è all'organo Hammond in una rielaborazione jazz di " Pictures at an exhibition " di Modest Mussorsgky, insieme al Massimo Donà Quintet (Massimo Donà, tromba; Francesco Bearzatti, sax; Lele Rodighiero, tastiera Kurzweil; Nicola Sorato, basso elettrico; Davide Ragazzoni, batteria). Sei i brani eseguiti e la registrazione del concerto viene resa disponibile, per alcuni giorni, per il download via internet.

Nella primavera 2004 Pagliuca riprende e trasforma il primo LP de Le Orme Collage in chiave jazz. Dal tour viene ricavato Re-Collage, Cd autoprodotto dal club "I Passi di Tony Pagliuca" e registrato il 16, 18 e 20 marzo 2004 a Rovigo, Bassano del Grappa e Udine. A Pagliuca alle tastiere (Hammond, Korg, generatore di frequenza Virmoog) si affianca il gruppo jazz Massimo Donà Quintet. Particolarmente importante è il contributo di David Jackson (sax tenore, sax soprano, flauto traverso, tin whistle) ex Van Der Graaf Generator.

Nel 2004 si esibisce in alcuni concerti con Marco Trentin al violoncello e il cantante poeta Elio Pecora e nell'estate di quell'anno compie una tournée nazionale con il gruppo new progressive Malaavia.

Il 28 dicembre suona con Lello Gnesutta al basso, Marco Campigotto, Patrizio Fariselli (ex Area) e Francesco Di Giacomo (Banco del Mutuo Soccorso) al Parco della Musica di Roma alla rassegna "50 anni di Rock in Italia".

Il 24 agosto 2005 a Pescara con Tolo Marton alla chitarra, Eddy de Fanti batteria, vibrafono, Nicholas Myall, violino, chitarra, Marco Trentin, violoncello, basso elettrico, Massimo Bellio, canto.

Il 22 settembre al Prog. Lab. di Lecco l'esordio in duo, Tony al pianoforte e David Jackson ai sassofoni.
Il 22 ottobre 2005 tiene un Work-Shop suonando con Chris Cutler (batteria, Henry Cow) e Hugh Hopper, (basso elettrico, Soft Machine) al convegno nella Facoltà di Musicologia dell'Università di Cremona: Le procedure compositive nei gruppi di progressive rock.

Nel 2006, per festeggiare i 40 anni di attività, Pagliuca si esibisce, il 25 maggio, al Prog. Fest di Lugagnano (Vr) assieme a David Jackson, Nic Potter (ambedue ex Van Der Graaf Generator) e Tolo Marton.

Nel 2010 Pagliuca autoproduce il suo primo lavoro eseguito esclusivamente al pianoforte, Apres midi, composto da 12 brani de Le Orme reinterpretati in chiave solistica al pianoforte. La registrazione dei brani è compiuta tra l'aprile 2007 e il febbraio 2010. Sempre nel 2010, il 5 novembre, a Roma, presso il Teatro Tendastrisce, Pagliuca partecipa a Prog Exhibition: 40 anni di musica immaginifica suonando con Aldo Tagliapietra, Tolo Marton e David Cross già membro dei King Crimson. Il gruppo era contrassegnato dal nome Once were Le Orme.

Nell'agosto del 2014 si esibisce con il Pagliuca Trio composto da Tony (organo Hammond e sintetizzatori) e dai figli Alberto (chitarre, basso e voce) e Emanuele (batteria).

Nel 2015 partecipa alla realizzazione del CD di Papa Francesco  "Wake Up Go Forward "  scrivendo e registrando con Dino Doni sei brani.

Scrive e rappresenta l'opera teatrale "Te la racconto io la storia",  e  "In Nome Della Madre" di Erri De Luca

Ha orchestrato DECINE, il Santo Rosario in musica scritto in collaborazione con il maestro Vittore Ussardi.

Nel 2021 inizia a lavorare sulla versione sinfonica di Felona & Sorona e registra a Padova il PRELUDIO all'opera.

Nel 2021 la M.P. & Records, pubblica il Cd Rosa Mystica .Prodotto da Tony Pagliuca, realizzato da Vannuccio Zanella.

Nel marzo 2022 Readaction Roma Editrice pubblica il libro autobiografico, Le orme di Tony.

Discografia

Con le Orme
 1969 - Ad gloriam (CAR Juke Box)
 1970 - L'aurora delle Orme (CAR Juke Box)
 1971 - Collage (Philips)
 1972 - Uomo di pezza (Philips)
 1973 - Felona e Sorona (Philips) - Pubblicato anche in inglese
 1974 - In concerto (live)
 1974 - Contrappunti (Philips)
 1975 - Smogmagica (Philips)
 1976 - Verità nascoste (Philips)
 1977 - Storia o leggenda (Philips)
 1979 - Florian (Philips)
 1980 - Piccola rapsodia dell'ape (Philips)
 1982 - Venerdì (Philips)
 1990 - Orme (Philips)

Come solista
 1990 - Io chiedo (Philips)
 1993 - Immagin-arie (Freeland)
 1999 - La notte della stella (Edizioni San Paolo)
 2003 - Demos a Marghera (Autoprodotto)
 2004 - Re-Collage (Live - Autoprodotto)
 2010 - Apres Midi (Autoprodotto)
 2018 - Canzone d'amore (Azzurra Music)
 2021 - Rosa Mystica (M.P. & Records)
Come Produttore Artistico

 1997 Benedetto Dio nei suoi Santi  Carlo Recalcati  (Edizioni San Paolo)
 1999 Vivere d'amore   Nora Macabasag  ( Edizioni San Paolo)

Come Ospite

 2006 - Un Gioco Ardito  Film di Francesco Leprino ( Al Gransole)
 2008 - Live in Italy     Nic Potter and Friends   ( Zomart Record)
 2015 - Pope Francis "Wake Up"    (Believe Digital)
 2016 - ArX AtLantis  Castello di Atlante  ( Aenima Recordings)
 2018 - Discoteca Rock  I Camillas  ( Trovarobato)
 2020 - Ars Metal Mentis The Black  ( Black Widow)
 2020 -  Wyrd  Ellesmere   (AMS)
 2021 - Hourglass  Cary Heuchert  ( BUY)

Note

Voci correlate
 Rock progressivo
 Rock progressivo italiano
 Pope Francis "Wake Up!," Music Album whit His Word and Prayers
 Musica Sacra

Collegamenti esterni

Tastieristi rock progressivo
Gruppi e musicisti dell'Abruzzo
Le Orme
Autori partecipanti al Festival di Sanremo
Musicisti rock progressivo italiani
Cantanti rock progressivo italiani


PITTSBURGH — March 19, 2019 — Black Box Corporation, an industry-leading provider of pro AV connectivity and signal distribution systems, today introduced its Active Optical Cable product range, which enables flawless transmission of ultra-high-bandwidth video and audio. With just one easy-to-install cable, users can extend HDMI signals with resolutions up to 4K at 60 Hz 4:4:4 and DisplayPort signals with resolutions up to 8K @ 60 Hz 4:4:4 for more than 200 meters.
Designed to ensure ultra-high video quality without compromise, the new cables are an ideal solution for digital signage, control room, surveillance system, medical optical imaging, and video wall applications, as well as for video extension for meeting rooms, home cinemas, and VR systems. Black Box Active Optical Cables support HDMI: full 4K UHD resolutions up to 4096 x 2160 at 60 Hz, chroma 4:4:4 with up to 18 Gbps bandwidth; and DisplayPort: full 8K UHD resolutions up to 7680 x 4320 at 60 Hz or 32.4 Gbps.
In addition, supporting the full feature set of the HDMI 2.0 and DisplayPort 1.4 specifications, the cables provide immersive audio, including PCM 8-channel, DTS-HD, and Dolby Digital True HD surround sound along with the video signals. The cables' hybrid fiber/copper design allows power to be pulled from the source and transmitted over copper to the display side, with no external power required.
Easy to install and engineered for reliability, the new Active Optical Cables from Black Box are an optimal choice for installers working in the transportation, retail, government, broadcast, healthcare, corporate, and education sectors. The cables' lightweight, ultra-thin (0.48-millimeter) fiber optic design is easy to pull through tight spaces, and their impressive bend radius allows for easy navigation around corners. The fiber optic design and triple shielding of the fiber together ensure flawless transmission with ultra-high immunity to EMI and RFI.
Available in standard lengths of 10, 15, and 30 meters (box) and 50 or 100 meters (spool), the hot-swappable Active Optical Cables from Black Box require no software and are compatible with third-party equipment, including displays and video switches, as well as with Black Box video wall controllers, media players, and high-performance KVM (keyboard, video, mouse) systems, AV switches, and AV splitters.
More information about Black Box Active Optical Cables is available at www.blackbox.com/AOC. More information on Black Box and its products is available at www.blackbox.com.


"Since the devastating earthquake in Haiti in January, thousands of internally displaced persons are living in camps, where it is often not easy to report incidences of violence. An ongoing project from Survivors Connect uses mobile phones to support camp managers and community leaders to protect women and encourage people to report incidences. The project, called Ayiti SMS SOS — Ayiti comes from the Creole word for Haiti — allows individuals to submit reports via SMS.


text:
Q: Change Text field of Material UI from black to white Hi so this looks simple but i haven't been able to find anything regarding this what i only want is for the following fields to look white:

To be specific the default labels and the border color. To further clarify i did manage to make the input text white itself by passing the class through InputProps. but am stuck with this. Please help me out here.

A: Ciao, to make the border color white you have to:
Define a Theme object in which you have to define a primary color and override the MuiOutlinedInput like this:
   const Theme = {
    palette: {
     primary: {
      contrastText: "#FFFFFF",
      dark: "#FFFFFF",
      main: "#FFFFFF",
      light: "#FFFFFF"
     }
   },
   overrides: {
    MuiOutlinedInput: {
      root: {
        position: "relative",
        "& $notchedOutline": {
          borderColor: "#FFFFFF"
        },
        "&:hover:not($disabled):not($focused):not($error) $notchedOutline": {
          borderColor: "#FFFFFF",
          "@media (hover: none)": {
            borderColor: "#FFFFFF"
          }
        },
        "&$focused $notchedOutline": {
          borderColor: "#FFFFFF",
          borderWidth: 1
        }
      }
     }
    }
   };

(I know, this will override all the MuiOutlinedInputs you will use in your project but I found only this way).
To pass this Theme to the TextField, you have to wrap it into a ThemeProvider and create a mui theme:
import { ThemeProvider, createMuiTheme } from "@material-ui/core/styles";
...
const theme = createMuiTheme(Theme);
...

return (
    <ThemeProvider theme={theme}>
      <div class={classes.root}>
        <TextField />
        ....
     </ThemeProvider>
);

For the text color and the default label, you have to use InputProps and InputLabelProps with a className like:
<TextField
   variant="outlined"
   id="fullName"
   label="Username"
   InputProps={{
     className: classes.input
   }}
   InputLabelProps={{
     className: classes.input
   }}
 />

The css will be:
const useStyles = makeStyles(() => ({
  input: {
    color: "white"
  }
}));

Here a codesandbox example.

A: I think @evayly is right and you should use a theme provider (see his comment above). If you just need a quick hack for a one-off then the follow CSS seems to suffice. However I really don't recommend it for anything that is meant to last.
.MuiOutlinedInput-notchedOutline {
    border-color: white;
}
.MuiFormLabel-root {
    color: white;
}
.MuiInputBase-input {
    color: white;
}

redpajama_set_name: RedPajamaStackExchange


text:
<?php
namespace Chamilo\Libraries\Architecture\Exceptions;

use Chamilo\Libraries\Translation\Translation;
use Chamilo\Libraries\Platform\Security;

/**
 * This class represents an object not exists exception.
 * Throw this if you retrieved an object from the request
 * parameter that is not valid
 *
 * @package Chamilo\Libraries\Architecture\Exceptions
 */
class ObjectNotExistException extends UserException
{

    /**
     *
     * @param string $object_translation
     * @param integer $id
     */
    public function __construct($objectTranslation, $id = null)
    {
        // Make sure that the ID is safe for printing
        $security = new Security();
        $id = $security->remove_XSS($id, false);

        parent::__construct(
            Translation::get('ObjectNotExist', array('OBJECT' => $objectTranslation, 'OBJECT_ID' => htmlentities($id))));
    }
}

redpajama_set_name: RedPajamaGithub


text:
Skip To Content Skip To Primary Navigation Skip To Secondary Features
Warwick Arts Centre
Mead Gallery
Dance & Circus
Words & Ideas
Box Office Top Picks for Summe…
Box Office Top Picks for Summer
For those of you who haven't seen our Summer programme or for those of you who have and simply feel spoilt for choose, don't worry, our charming and erudite Box Office team have got you covered. They have each compiled their top picks of the season to give you a fighting chance at deciding which shows to go to first.
This Summer is host to one of our most varied and imaginative season of events, so don't take our word for it, these guys know what they're talking about when it comes to a great evening out at the Arts Centre.
Rob Auton: The Water Show
Fri 6 May 8pm
Rob Auton has a rare talent to be both funny and moving as he contemplates a topic with child-like wonderment. Praised by both Daniel Kitson and Scroobius Pip, you definitely don't want to miss this rare opportunity to see a gem of the alternative arts scene.
YolanDa Brown and Mica Paris
Sat 7 May 8pm
When I've seen her shows YolanDa is always bursting with enthusiasm and her performances are uproarious good fun. She's going to be accompanied by soul-legend Mica Paris and her set promises to be a showcase of jazz with a taste of the Caribbean, inspired by the rhythms of reggae. What's there not to love?
Emma:
Thu 19 & Fri 20 May 7.30pm
32 Rue Vandenbranden is an excellent opportunity to see a critically acclaimed dance show from an international dance company that are rarely showcased in the Midlands. I'm looking forward to being part of a dance festival that seeks to share ideas, skills and styles from a variety of cultures and individuals.
Dinosaur Zoo
Sat 28 May 11,30am, 2pm & 4.30pm
Sun 29 May 11am & 2pm
I saw Dinosaur Zoo last time it was at the Arts Centre with my eldest grandchild and I am now going to see it again with my youngest. The whole experience is made really special for children when they are allowed to play with the baby dinosaurs on the stage and in the foyer. The puppets are wonderful, and there is plenty of humour and spectacle that makes it just as much fun for the parents, and grandparents(!), as it is for the kids.
Rebecca:
Graeme of Thrones
Fri Jun 3 8pm
This summer, winter is coming, but maybe not in the way I've come to expect. Arriving at the Arts Centre on the 3rd of June is an irreverent, but clearly heart-felt take on Game of Thrones. The TV show is perfect for parody, but even if you know nothing Jon Snow, Graeme provides a hilarious introduction to the series that may even get you to start watching.
RSC Live: Hamlet
Wed 8 Jun 7pm
The new production from the RSC has received excellent reviews and I can't wait to see it streamed on the big screen in the theatre. I love the live recordings of the RSC as the screen offers dazzling close ups of the performers, providing a new dimension to the way we can enjoy live theatre.
Amanda:
Sing-along Calamity Jane
Fri 17 Jun 8.30pm
On 17th June you are definitely going to see the Box Office team in our spurs and cowboy hats, belting our hearts out to Black Hills of Dakota along with Doris. This looks to be a successful follow up to our hugely enjoyable Grease sing-along, but with the added bonus of being compered by the fabulous "housewife extraordinaire", Barbara Nice.
Fri 17th Jun 7.30pm
Broken truly is the cutting-edge of contemporary dance, blending creative choreography with an innovative use of digital projection, the movements of the dancers are enhanced beautifully. It is stylish, innovative and visually stunning. I can't wait to see it again.
Anna:
Sat 18 Jun 9.30pm
7 Promises looks set to be an ironically sobering but enjoyable and necessary evening about some of the greatest challenges our world faces in the near future. It combines urgent political theatre, highlights troubling ecological truths – and adds humour and vodka to the mix. That'll do me!
George:
Johnny and The Baptists
Sat 18 Jun 7pm
Last time I saw Johnny and the Baptists they made me wear a swim cap, told me I was a representation of Matthew Hancock the MP and then sang a rude song at me. Safe to say it was brilliant. Johnny Donahoe and his Baptists (Paddy Gervase) have great chemistry and are eminently likeable, but most importantly they sing really, really funny songs. Enjoy!
See All News More news: Extra Blue Badge Parking for Summer
For all media enquiries please visit our Press Office
University of Warwick, Coventry, CV4 7AL
arts.centre@warwick.ac.uk


Nothing brings you joy like spending quality time with your family. For most people, though, taking family members to and from dental appointments is a chore rather than a moment to cherish. It's even more of a hassle when different family members need to see different dentists. At Contemporary Dentistry and Implantology, our Peabody, MA dentists offer services for all ages so your entire crew can get their family dentistry needs met in one place.
To book dental appointments for your whole family, call 978-705-6051.
It often seems like you never have enough hours in your day to get your necessary tasks done. Given that, getting dental appointments on your family calendar can be tough. With a team of four dentists and office hours as early as 7:30 a.m. and as late as 8 p.m., we make it as easy as possible! Unlike many dentists, you can even visit us on Friday and Saturday.
Our Peabody, MA dentist office is easy to find, too. It's easily accessible from Rt. 128, near Northshore Mall and Emerson Park. Since we're only a short drive from J. Henry Higgins Middle School, Center School, and Peabody Veterans Memorial High School, it's easy to schedule appointments before or after school.
Looking for family dentistry in Peabody, MA? You've found it at Contemporary Dentistry and Implantology! Call 978-705-6051 or use our convenient online form to make appointments for you and your family.


text:
Agogo is a rarities album by KMFDM. Agogo comprises numerous tracks either previously unreleased, released on other compilations, or otherwise not widely available.

Track listing

References

KMFDM compilation albums
1998 compilation albums
TVT Records compilation albums


This was so wonderful to read and to look at! I've wanted to visit the Fat Duck, but you've made me almost desperate to do so now. My life is incomplete without the Botrytis Cinerea!
Thank you! I will say this about "Botrytis Cinerea": Request it by special request if you have to. Hopefully they will still have it on the regular menu through the next months, and during and through their Melbourne residency, but it was just ridiculously sublime.


On the occasion of the great holiday of the Resurrection of Christ, the Museum of Folk Architecture and Life in Lviv named after Clementy Sheptytskyi (Shevchenkivskyi Gay) invites Lvivites and guests of the city to the traditional festivals "Easter in the grove", which will take place on April 28, April 29, 2019.
At Festivals there will be a number of holiday lawns where hayivka, freckles, fun and entertainment will lead.
During the celebration there will also be performances of folk groups, greetings from Christian communities, pop artists.


Making Friends with Como: Como is Mr. Personality. He was surrendered because his owners wanted to travel and didn`t want the responsibility of a dog any longer. Como loves to snuggle and will make you the center of his world. He has so much love to give you and will become your shadow and follow you everywhere. Como is allowed on the furniture and loves to sleep with his human.


I recently found a family photograph album with pages illustrating holidays spent under sail in the 1930's.
and reflect what fun was had out on the water.
We were rather shocked by the cigarettes held in the mouths of the young men but Joan is ninety-nine now and still agile.
Having sailed on the Broads with friends, my father hired a Hullabaloo boat to take us out when we were little.
We went out of season, when boat hire was cheaper. As there was no one on the water my father let me take the helm mile after mile, despite the fact that I was only about seven years old.
We loved living aboard and were often surrounded by wild geese.
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We are less than two hours to opening kickoff for the Buffalo Bills 2012 season. The Bills travel to Metlife Stadium to take on the Jets in the season opener. Here's a look on the matchup.
On offense, Ryan Fitzpatrick looks to show why he deserved the contract extension he received last season. There is no question that after the extension, the Harvard grad took a step back. There could of been a number of reasons that you can chalk up the second half struggles but the Bills have a clean slate and must take advantage of it.
The Jets have had trouble setting the edge and stopping the outside runs so look for the Bills to try to take advantage of this early on with some runs from a healthy Fred Jackson. If Stevie Johnson, who is nursing a groin injury, can't go, then Jackson and fellow back C.J. Spiller will also have to step up in the passing game. It will be a difficult task for the Bills offense today because the Jets defense is still a top five D. While all the hype is on Tim Tebow and the Jets Wildcat, don't be shock to see Brad Smith run it for the Bills. After all, the Jets went and got Tebow in the off season because they felt they were missing the Wildcat element after the departure of Smith signed with the Bills last season.
Outlook: Some can say after a week 9 27-11 loss to the Jets, the Bills season spiraled out of control. After a fast 5-2 start the Bills finished the season 1-8 for a 2011 record of 6-10. David Nelson has said that Fitzpatrick cracked a rib a week before the week 9 loss in a week 8 win against Washington. You have to think that the Bills will want revenge on their division rival.
Outcome: While both teams went 0-4 in the preseason, it was the Jets offense that looked far worse. Until I see more of the Jets offense, I see the Bills winning this game 17-10.


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Visitors can hike, lounge in a pool cabana or even take a zip line through the treetops on the 135 acres of forest and farmland located near the foot of Pic du Paradis. The farm has made a nice recovery since Hurricane Irma, though recent visitors say that the vegetation is not as lush as it used to be. That said, visitors were impressed with the amenities, service and food and pleased with how fast the farm has resumed operations.
Adventurous types can still enjoy Loterie's zip line that soars through Loterie's forest, but the obstacle course for children, Ti-Tarzan, was destroyed during the hurricane. The popular Hidden Forest Café was also damaged during the hurricane, but lunch and snacks are served by the pool in the meantime.
Loterie Farm is open Tuesday through Sunday. Prices for activities vary; be sure to browse the farm's website for more information on fees and an update on the recovery efforts. The farm is open from 9 a.m. to 3:30 p.m. Tuesday through Sunday; the pool opens at 10 a.m. and closes at 5 p.m. Most cruise ship groups arrive earlier in the day, so the farm recommends non-cruise ship travelers plan their visit after noon. You'll find Loterie Farm about 30 minutes from the cruise ship terminal. Prices vary by activity, but access to the hiking trails costs 5 euros (around $6) while the zip line costs 42 euros (about $50) per person.


text:
Эйконоге́н (натриевая соль 1-амино-2-нафтол-6-сульфокислоты) — органическое соединение, относящееся к аминонафтолам и имеющее химическую формулу C10H8NNaO4S. Бесцветный порошок, растворимый в воде. Ранее применялся как чёрно-белое проявляющее вещество в фотографии.

Синоним: натрий 5-амино-6-гидроксинафталин-2-сульфонат.

История
Соединение было впервые получено британским химиком  в 1881 году. Проявляющая способность была заявлена доктором  в немецком патенте DE  вместе с другими сульфокислотами аминонафтола. Андресен также присвоил описываемому соединению тривиальное название «эйконоген». В дальнейшем фабрика Гауффа начала промышленное производство эйконогена, предложив его как замену пирогаллоловым проявителям.

Уже в первой половине XX века был вытеснен из использования метол-гидрохиноновыми проявителями, дающими похожий характер изображения.

Физические и химические свойства
Имеет вид бесцветного порошка. Молярная масса составляет 261,22 г/моль. Растворим в воде, несколько лучше растворяется в тёплой, очень мало растворим в спирте и эфире. В растворах кислот выпадает в виде осадка свободной кислоты.

Образует кристаллогидрат состава (C10H8NNaO4S)2·5H2O, кристаллы которого имеют форму ромбических пластинок. Обезвоживается при нагреве до 110 °C.

На воздухе быстро окисляется. Имеет проявляющую способность, однако она снижена из-за наличия в соединении сульфогруппы.

Применение
Вместе с диогеном применялся в фотографии как проявляющее вещество аминонафтольного ряда. Из-за лучшей растворимости обычно используется в виде сульфоната.

При проявлении даёт очень мягкое изображение, проявляет быстро, но медленнее чем метол. Использование эйконогена совместно с гидрохиноном позволяет поднять максимальные значения плотности изображения. Проявляющие растворы хранятся хуже, чем аналогичные метоловые, что стало одной из причин падения популярности составов на его основе.

Примечания

Литература

Ссылки

Нафтолы
Фотографические реактивы


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text:
Huang Qiuyan (), née le  à Baise dans la région autonome du Guangxi est une athlète chinoise, spécialiste du triple saut. Ancienne recordwoman d'Asie du Triple Saut, elle a remporté les Jeux Asiatiques en 2002 et les Championnats d'Asie en 2003.

Biographie
En 1997, elle bat le record du monde du triple saut dans la catégorie cadette avec 14 m 57 lors des Jeux nationaux chinois.

En 2001, elle remporte ses deuxièmes Jeux Nationaux à Canton. Après un premier essai à 14 m 47 trop venté, elle réalise 14 m 72 avec +1,8 m/s à son troisième essai, ce qui constitue le record d'Asie de l'époque. Ce record sera battu en 2007 par sa compatriote Xie Limei.

En , elle remporte la médaille d'or aux Jeux Asiatiques de Busan avec 14 m 28 et bat par la même occasion le record des Jeux Asiatiques.

En 2003, elle termine treizième des Championnats du monde de Paris avec 13 m 98. En septembre, elle gagne les Championnats d'Asie avec 14 m 39 à Manille puis en octobre, elle remporte les Jeux afro-asiatiques à Hyderabad en Inde avec 13 m 50.

Lors des Jeux Olympiques de 2004, elle termine douzième avec 14 m 33 dans un concours très relevé où les quatre premières réalisent plus de 15 mètres.

En 2005, elle se classe neuvième des championnats du monde d'Helsinki avec 14 m 21 puis prend la troisième place des Championnats d'Asie d'Incheon avec 13 m 75. Enfin en novembre, elle remporte les Jeux de l'Asie de l'Est à Macao avec 14 m 08.

Palmarès

International

National
Jeux nationaux chinois:  en 1997, 2001 et 2005.

Championnats de Chine en plein air:  en 2002, 2003, 2004 et 2005.

Championnats de Chine en salle:  en 1998

Records

Références

Lien externe

Triple-sauteuse chinoise
Naissance en janvier 1980
Athlète (femme) aux Jeux olympiques d'été de 2004
Championne d'Asie d'athlétisme
Athlète médaillée d'or aux Jeux asiatiques


text:
Q: covert json file to .tde file using tableau extract api in java I am new to tableau and java. I have a json file which I am fetching from the hive and have to convert it into tableau extract as tableau server's input.I have checked the web for options available for the same and came across an option tableau extract API which converts the different formats to tde format. But how it works, didn't find anything else like how it came be used in java.
Can anyone suggest something?

A: Depending on your data structure it should possible to convert you JASON to a flat structure. You can try using ObjectMapper class from Jackson library.
After that you can use Tableau SDK for Java to create your '.tde' file.
You can download the Tableau SDK for Java from here.
The downloaded ZIP has Java sample code 'TableauSDKSample.java' to get you started.


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The project is very calm and serene with more of antique architectural designs in the complex. Well organized lanes and lights in the society. The complex is fully secured by the 24 X 7 organised securities. Thus the project is completely safe and with all amenities, you shall tempt to live in your house in holidays also.
LODHA CONCEPT X Thane is the extravagant project from Lodha Group of company. The project is strategically located on the Kolshet Road and Akbar Camp Road. The location of Kolshet is roaring competing Ghodbunder road of Thane. The project connects Pokhran Road at one end and Hiranandani Estate at the other. The Kolshet road connects Western Express Highway to the Eastern Express Highway and acts as the bypass road. The project has great commutation through TMT buses and auto rickshaw frequently connecting to railway station and Borivali. Lake City Mall, Big Bazaar, Wonder Mall, Sony Showroom, Cinemaster Theatre is some of the attractions. Kolshet road has many hospitals, schools and grocery shops to cater our emergencies and day to day utility needs. Kolshet Road has "Reti Bunder" that is sand mine, which caters all states of Maharashtra. The project is crowded with old big time industries like Syntel, Geeta Engineering Works, Clariant India, Wool Reseaarch centre and Navnit Motors. Thus making the opportunity to live life securely. The demand of residential buildings are so much that within 3 years of span the rates have grown by 250%. Our government has many infrastructure projects in Thane for the development of Mumbai City. A bridge is going to develop in near future which connects Bhayander pada and Owle to make more smooth and less time consuming commutation. Thus you can now connect Nashik and Pune City in less time. The project takes care of amenities for children, senior citizens and youth with their health care. The Lodha group has given a thought before purchasing the plot, to make all customers get good returns and a resale value for their investment. You can invest in this project to get your income started.
The Lodha Group was commenced in the year 1980 and toiled themselves to become the No.1 real estate construction company of India They also achieved their target to be an international branded developer by starting their construction in United Kingdom by disciplining themselves with the quality. The developer is constructing more than 43 million square feet of real estate development in India including London. There are in total 28 projects running in full swing all around Pune, Mumbai, Hyderabad and London. Mumbai City will soon get a well architecturally designed project in upper Worli, World One, the world's tallest residential tower. And they are the No.1 company to develop an enormously well planned development with the name The Palava City, of more than 4000 acres of land construction in Shilphata near Dombivali with good affordability to the middle class family to live in luxury. The builder has a team of highly skilled and educated international architects like Phillip Starck, Greg Norman, Jade Jagger, Pei Cobb Freed, Armani and Trump. They also have offices in Worli, Andheri Saki Vihar road and Thane with different sizes to cater all the clients. The boutique shops on Ghodbunder road shall definitely provide the Mumbai traveling customers to rest and shop.
The largest deal in 2010 was done by the Lodha Group of the INR 4,053 Cr. purchased from Mumbai Metropolitan Region Development Authority and now given a name of New Cuffe Parade to the construction. It is situated in Wadala, very close to Mono rail of Mumbai and very diligently designed for all income group people. The Group is having a land bank of 5,800 acres for the construction in their hand. Recently the company have acquired a land parcel of 88 acres in Thane near Kolshet from Clariant India Ltd.
They have their international head offices in Dubai, London and Shanghai to show their global presence. The company has 3,800 direct associates and has well skilled engineers and architects in Mumbai and abroad. They have more than 25,000 skilled laborers to implement to strategies given by their seniors. The company has received international financial investments from many investors like JP Morgan. HDFC Ventures, Deutsche Bank and ICICI Ventures.


text:
Fashion industry braced for prospect of Brexit
14 June 2016 By Hywel Roberts
The British fashion industry is braced for the trading implications of a possible vote to leave the European Union on June 23, as public opinion appeared to swing in favour of Brexit this week.
There are concerns about the impact of a Brexit on trade shows like Moda
The "leave" campaign had an average two-point lead in the polls earlier this week. The fashion industry, however, is at odds with the wider public.
A survey published this week by the British Fashion Council of 290 UK-based designer businesses found 90% wanted to remain, 4.3% wanted to leave, 2.4% were undecided and 2.8% would not vote.
Retailers have also expressed fears over a possible Brexit. A recent survey of 50 retail chairmen by advisory firm Korn Ferry found 80% believed leaving the EU would have a negative impact on the UK economy.
Asos chairman Brian McBride said he would be particularly concerned about the potential impacts on the supply chain: "With any form of border tariff friction, parcels get stopped and searched more often, so there is greater potential for impact or delay in the product journey."
Derry Curry, managing director at footwear supplier Park Lane Shoes, went further: "It would be a total bloody disaster. Everyone relies on imports because we make fuck-all in this country. We'd face tariffs, sterling would go down and the euro would go up."
Achilleas Constantinou, chief executive of women's eveningwear brand and supplier Ariella, told Drapers he sympathised with people's frustrations over the EU, but he added: "As David Cameron said, 'The way you fix that is from within – not by leaving.'
"It makes absolutely no economic sense to close the door on such a huge economic market. We've got kids now who can go over and sell in Milan as if it were Manchester, and we're on the verge of throwing it all away. Leaving would destroy their careers."
He said trade shows in particular would suffer, recalling the "bad old days" of travelling to Europe before the EU was formed: "The preparation we had to put in to take our goods across the borders could take weeks."
Nick Cook, industry director for fashion at Birmingham-based trade show Moda, concurred: "If we leave, psychologically brands will see the UK as being harder to do business with, and the uncertainty surrounding investment in the market will be greater. All the UK brand owners I've spoken to will be voting to remain, and I'll be doing the same."
There were anecdotal suggestions that relationships between brands and distributors may be harmed – and in some cases already have been – as uncertainty hits confidence.
Anton Del, owner of Anton Del fashion consultancy, said: "A couple of Spanish brands I work with are not moving forward with a contract because of the referendum. They were looking for agents in the UK but they are now holding off until after the vote to see if we leave, as trade terms may change."
But not everyone predicted apocalyptic trading conditions outside of the EU. Andrew Maloney, owner of Sheffield independent Eton, said he would vote "leave" but admitted his decision was "not really business related".
"Two of my biggest suppliers are from Italy and France, and I see no reason why that relationship won't carry on as normal if we do leave," he said.
A report by the Economic Intelligence Unit has predicted retail sales in the UK would contract by 3% in 2017 in the event of a leave vote.
UK manufacturers call for action on migration
UK manufacturers have warned the fashion industry could face a "severe" shortage of skilled workers if a recommendation to restrict the migration of workers comes into force after Brexit.
MPs fail to find majority on Brexit alternatives
2 April 2019Grace Whelan
MPs have failed to support any alternative to Theresa May's rejected Brexit deal in a series of indicative votes last night.


text:
package io.atomix.core.set.impl;

import io.atomix.core.cache.CacheConfig;
import io.atomix.core.collection.impl.CachingAsyncDistributedCollection;
import io.atomix.core.set.AsyncDistributedSet;
import io.atomix.core.set.DistributedSet;
import io.atomix.core.transaction.TransactionId;
import io.atomix.core.transaction.TransactionLog;

import java.time.Duration;
import java.util.concurrent.CompletableFuture;

/**
 * Caching asynchronous distributed queue.
 */
public class CachingAsyncDistributedSet<E> extends CachingAsyncDistributedCollection<E> implements AsyncDistributedSet<E> {
  private final AsyncDistributedSet<E> backingSet;

  public CachingAsyncDistributedSet(AsyncDistributedSet<E> backingCollection, CacheConfig cacheConfig) {
    super(backingCollection, cacheConfig);
    this.backingSet = backingCollection;
  }

  @Override
  public CompletableFuture<Boolean> prepare(TransactionLog<SetUpdate<E>> transactionLog) {
    return backingSet.prepare(transactionLog);
  }

  @Override
  public CompletableFuture<Void> commit(TransactionId transactionId) {
    return backingSet.commit(transactionId);
  }

  @Override
  public CompletableFuture<Void> rollback(TransactionId transactionId) {
    return backingSet.rollback(transactionId);
  }

  @Override
  public DistributedSet<E> sync(Duration operationTimeout) {
    return new BlockingDistributedSet<>(this, operationTimeout.toMillis());
  }
}


text:
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