Where do you need the flexibility trainer?
Elite Fitness is a private training facility offering clients the ability to increase strength, successfully manage weight loss and help provide a balance of life and fitness. Nutritionist and yoga instructor is always on site.
Achieve lifelong health by taking a body-mind-spirit approach. Holistic weight loss is possible. More than that, transforming your life and body is within reach. The journey to healthy weight loss and lifelong wellness begins with you. Yogalift can help. We see your potential and can guide you toward the lifelong change you seek. Join us and accomplish new goals, realize new dreams and become all you envision.
Your health and fitness journey starts here MSP Fitness has the proven programs, expert coaching, and supportive community – empowering you to move, look and feel better for the long term. Exclusive Coaching This one coach, one client all-inclusive approach to training, recovery, nutrition, and lifestyle is the fastest way to reach your goals and maximize your potential.
YoungQuest Fitness Center's personal training as known throughout the Midwest as one of the best! With over 20 years of valuable experience in the industry helping over a thousand people to reach their goals. Our trainers are college educated and personal trainer certified.
BYG stands out because it's an athletic training facility where we train hundreds of hockey players per year, but also do personal training, so we have a crazy wide variety of fitness equipment and trainers that are knowledgeable in a wide variety of training disciplines.
The prices for private sessions are pending on services provided, drive time, number of attendees, and location. I have two locations, my studio in Anoka and NE Mpls. My practice includes Marma Therapy (similar to acupressure) along with Ayurvedic Medicine, Yoga Therapy, dietary and life style recommendations.
I've been a dancer for 12 years, 10 years competitively. I am 17 years old, and I currently work as a studio dance and choreography teacher in Eagan. Recently, I won 2nd place overall in a competition with my own choreography. With my group, we have won numerous national titles in different styles of dance including jazz, tap, musical theater, modern, lyrical and hip-hop.
Our passion is helping you succeed. Through customized workouts, we'll help you meet your goals, challenge your body, and renew your mind. We'll help you fall in love with you!
Collage Degree in Exercise 2 Certifications 20+ Years Experience: University Of Wisconsin - LaCrosse (student), Institute for Aerobics Research - Dallas Texas, Cooper Clinic - Dallas Texas, Northwest Athletic Club, My own business - Iron and Oxygen Personable! I enjoy people!


text:
Q: Stuck with OpenProcess, always returns 0 Something weird happens when I run my program. When I run it by using "Start Without Debugging" option in VS 2010, OpenProcess returns the process handle as usual, but when I run my program in Windows Explorer, OpenProcess always return 0?!! I called GetLastError and it returns 6 (INVALID_HANDLE_VALUE) in both case. I'm using Windows XP SP3
Could anybody help me please? Here is the code I wrote:
HANDLE GetProcessHandle(TCHAR* szProcessName)
{
    //Get the snapshot of all processes in the system
    HANDLE hSnap = CreateToolhelp32Snapshot(TH32CS_SNAPALL, NULL);
    if (hSnap == INVALID_HANDLE_VALUE)
    {
        return INVALID_HANDLE_VALUE;
    }

    PROCESSENTRY32 pe32;
    pe32.dwSize = sizeof(PROCESSENTRY32);

    //Get the information of the first process
    if (!Process32First(hSnap, &pe32))
    {
        CloseHandle(hSnap);
        return INVALID_HANDLE_VALUE;
    }

    //Loop through all processes
    do
    {
        if (_tcscmp(szProcessName, pe32.szExeFile) == 0)
        {
            //Got the process ID
            CloseHandle(hSnap);
            printf("sz = %s; exe = %s; pid = %d\n", szProcessName, pe32.szExeFile, pe32.th32ProcessID);
                            //Error here, correct PID was found in both case
            return OpenProcess(PROCESS_ALL_ACCESS, FALSE, pe32.th32ProcessID);
        }
    }
    while (Process32Next(hSnap, &pe32));

    CloseHandle(hSnap);
    return INVALID_HANDLE_VALUE;
}

A: To open a handle to another local process and obtain full access rights, you must enable the SeDebugPrivilege privilege.
VS2010 has this privilege, but the explore doesn't. Since your program is a child process, it will inherit privilege from parents.
For details, check this MSDN doc.

redpajama_set_name: RedPajamaStackExchange


I create through improvisational exploration in an attempt to capture the inbetween space of post-sensation and pre-cognition.
I am also influenced and inspired by the relationships we have; the internal activity within ourselves, as well as the intimate, familial, social, cultural, earthly and otherworldly ones we experience; with all of the intricacies and abstractions of feeling and thought.
I consider my paintings internal landscapes. They are, in part, a representation of this narrow link of conscious and unconscious, layered experiences, associations, connections, with knowns and unknowns, changing dynamics at all times.
We are all connected through the immeasurable seas of our selves, by the formidable and great seas that surround our lands and the infinite skies above. I hope my work calls attention to the sublime richness of our involvement within these experiences.


text:
<?php

namespace Oro\Component\DependencyInjection\Compiler;

use Symfony\Component\DependencyInjection\Compiler\CompilerPassInterface;
use Symfony\Component\DependencyInjection\Compiler\ServiceLocatorTagPass;
use Symfony\Component\DependencyInjection\ContainerBuilder;

/**
 * The same as PriorityNamedTaggedServiceCompilerPass,
 * but uses ksort() function instead of krsort() to sort services by priority.
 *
 * @deprecated use {@see PriorityNamedTaggedServiceCompilerPass} for new tags
 */
class InverseNamedTaggedServiceCompilerPass implements CompilerPassInterface
{
    use PriorityTaggedLocatorTrait;

    /** @var string */
    private $serviceId;

    /** @var string */
    private $tagName;

    /** @var string */
    private $nameAttribute;

    /** @var bool */
    private $isServiceOptional;

    /**
     * @param string $serviceId
     * @param string $tagName
     * @param string $nameAttribute
     * @param bool   $isServiceOptional
     */
    public function __construct(
        string $serviceId,
        string $tagName,
        string $nameAttribute,
        bool $isServiceOptional = false
    ) {
        $this->serviceId = $serviceId;
        $this->tagName = $tagName;
        $this->nameAttribute = $nameAttribute;
        $this->isServiceOptional = $isServiceOptional;
    }

    /**
     * {@inheritdoc}
     */
    public function process(ContainerBuilder $container)
    {
        if ($this->isServiceOptional && !$container->hasDefinition($this->serviceId)) {
            return;
        }

        $services = $this->findAndInverseSortTaggedServices($this->tagName, $this->nameAttribute, $container);

        $container->getDefinition($this->serviceId)
            ->setArgument(0, array_keys($services))
            ->setArgument(1, ServiceLocatorTagPass::register($container, $services));
    }
}

redpajama_set_name: RedPajamaGithub


"Customers tell us they want the experience of engaging with a Digital Assistant to be seamless, emotive and engaging – characteristics that are critical for creating trust. Customers want to feel valued and that their needs are taken care of.
"Kiri will help out with routine tasks so that our retail staff can help solve more challenging issues for clients. The technology also has the potential to create whole new job categories where frontline employees monitor conversations to continuously improve them, creating brand new professions in our evolving digital world," van Orton said.


text:
Ask our Rabbis
Not seeing what you're looking for on our website? In need of some guidance? Complete the form below and we will do our best to direct you to or provide you with accessible materials and resources to help answer your Jewish history trivia question, and/or incorporate Reform Jewish practices and principles into your community, or in your life.
The Rise of Reform Judaism
By Rabbi W. Gunther Plaut
Covering the first one hundred years of the movement - from the time of the eighteenth-century Jewish Enlightenment leader Moses Mendelssohn to the conclusion of the Augsburg synod in 1871 - these pages allow the founders who established Liberal Judaism to speak for themselves through their journals and pamphlets, books and sermons, petitions and resolutions, and public arguments and disputations. Important topics within Judaism are addressed including philosophy and theology, religious practice, synagogue services, and personal life, as well as controversies on the permissibility of organ music, the introduction of the sermon, the ritual of circumcision, the observance of the Sabbath, the rights of women, and the authenticity of the Bible.
Sponsored by Philip and Eileen Hoffman on behalf of Roots of Reform Judaism.
The Growth of Reform Judaism
A sourcebook of the original writings that shaped the second century of organized Liberal Judaism, the featured selections help us to understand the emergence and character, problems, and tensions of Reform Judaism as it developed and grew in modern times. In addition to the primary text, it includes a forward by RRJ (formerly SCRJ) founding director Rabbi Howard Berman, and an epilog by former Hebrew Union College President, Dr. David Ellenson.
Sponsored by The Larry and Bonnie Pike Family Charitable Fund on behalf of Roots of Reform Judaism.

redpajama_set_name: RedPajamaCommonCrawl


We have presented the unique advantages of a wavy FinFET (FinFET + UTB/ETB SOI FET) over conventional SOI tri-gate FinFETs for high performance computation needed in future technology nodes. By integrating 2D planar UTBs within the fin-fin spacing of regular tri-gate FinFETs, wavy FinFETs achieve a higher raw performance. In addition to the back bias capability, wavy FinFETs occupy a significantly lower chip-area than the conventional topology enabling high transistor integration density needed for advanced high performance computing applications.
Fahad – continue bulldozing …!


text:
Rappersroom / Rappersroom News
T.I. Upset With Media's Association of Hip-Hop to Boston Bombings
by Elle Breezy April 22, 2013
When TMZ reported that captured and killed Boston Marathon bombing suspect Tamerlan Tsarnaev frequented and had an email account with a hip hop website called "real-hiphop.com," rapper T.I. sounded off on the media's associated with hip-hop music and violence.
Saying he's never even heard of the site, the rapper said. "Hip hop narrates the activity and conditions of our culture," he told TMZ, "It doesn't create them. Hip hop ain't never been about hurting innocent people," T.I. continued. He then gave his condolences for the tragedy, "my prayers go out to the families involved."
Do you agree with T.I.?
TaggedT.I.
Future – Hands On U
Michelle Williams Eying This Summer For New Album
Sold! Jay Z Is the New Owner of Music Streaming Company Aspiro
Gee Watts – Quiet Place
Big Sean – Control Ft. Kendrick Lamar & Jay Electronica
Fabolous Selects Thanksgiving for 'The S.O.U.L. Tape 2' Release
Jay Z Takes A Big Win With Tidal, Announces One Million Subscribers
Eve – She Bad Bad Remix Ft. Pusha T & Juicy J


GD Goenka University offers admission to the Ph.D. program on Full-time and part-time basis for January 2019 session. Minimum duration is four years and maximum six years. Application form is available on the official website of the university. Students with a relevant Master's degree with 55% marks in aggregate are eligible to apply. GD Goenka University grants admission on the basis of score in the Entrance Test followed by the performance in Presentation (Research Proposal) and Interview.
For admission to Ph.D course, the candidate must possess Master's degree in the relevant discipline with at least 55% marks in aggregate along with sound Academic/ Professional record.
Step 1: Visit the official website of GD Goenka University.
Step 2: Download the application form and fill the relevant details.
Ph.D. admission is completely based on candidates' performance in Entrance Test, Presentation on Proposed Research and an Interview round. The entrance test will be conducted at University campus, B-Block, B-007, GDGU.
Why Research on this Topic?
Read in detail about GD Goenka Admission 2019.


text:
Biografia
Nel 2005, dopo i Campionati europei indoor di Madrid, Mark Lewis-Francis è stato trovato positivo alla cannabis, venendo di conseguenza privato della medaglia d'argento conquistata.

Nel 2007, con la staffetta 4×100 metri, ottiene il miglior tempo dell'anno (38"30).

Dal 2015 entrò a far parte della squadra britannica di bob nel ruolo di frenatore. Debuttò in Coppa del Mondo all'avvio della stagione 2016/17 spingendo le slitte pilotate dal connazionale Lamin Deen.

Palmarès

Altre competizioni internazionali
2010
  in Coppa continentale ( Spalato), 100 m piani - 10"16

Note

Altri progetti

Collegamenti esterni

Casi di doping nell'atletica leggera

redpajama_set_name: RedPajamaWikipedia


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The excitement of moving into your first apartment can soon turn to dismay if you realize you've forgotten to bring a towel, cutlery, toothbrush or pillows.
This room-by-room checklist will help ensure you don't suffer that inconvenience.
If you are not used to being in charge of food preparation, it is easy to forget items like can openers, cutting boards, and cookware. Cleaning up afterward is also important so don't leave out dish towels and soap either.
While leaving your toothbrush or shaver at your old house is a minor convenience, not bringing any toilet paper could leave you red-faced.
Toiletries. Bath soap, hand soap, lotion, sanitary products, shampoo, shaving foam, etc.
Washcloths. Include extra for visitors.
It's a good idea to get your bed made first thing because you won't want to do it at the end of a long, hard day of moving.
Basic tools. At least a wrench, screwdrivers (flat and Phillips Head), hammer, nails, screws, pliers, duct tape and a box-cutter.
Cleaning supplies. Disinfectant, rags, all-purpose cleaner, window cleaner, bleach, stain remover, laundry soap, etc.
Smoke alarms. These should be provided by your landlord but make sure you check them.
Storage. Never underestimate the amount of storage you might need. Even household cartons can serve as a temporary solution.
Before moving into a new apartment, you will need to change your address details with the USPS and set up utilities, cable and any other ongoing services you are responsible for.
You might also want to give the fridge a thorough clean and disinfect it to make sure it is as fresh and hygienic as possible.
A few weeks ahead of the move, order in some multi-purpose household cartons or, even better, specialist moving and storage cartons. It is best not to rely on recycled store cartons as they could be weaker than they appear.
To avoid the risk of being charged for pre-existing damage, document the condition of the apartment on arrival, take some photographs and mail the details to your landlord (keeping a copy for yourself).
Then it's finally time to wind down and enjoy your new life of independence.


text:
Q: Ubuntu 18.10 Xorg Server Error Logout I recently built a new PC and installed Ubuntu 18.10. I am having issues with being logged out and returning to the login after opening certain Applications (Settings, Handbrake etc).
Logging in via startx and attempting to open these applications results in a similar logout with the following Xorg Error Stack Trace:
[    12.456] (EE) 0: /usr/lib/xorg/Xorg (OsLookupColor+0x139) [0x55eeaa7b4229]
[    12.456] (EE) 1: /lib/x86_64-linux-gnu/libpthread.so.0 (funlockfile+0x50) [0x7f54784ace1f]
[    12.456] (EE) 2: /lib/x86_64-linux-gnu/libc.so.6 (gsignal+0xc7) [0x7f54782ef077]
[    12.456] (EE) 3: /lib/x86_64-linux-gnu/libc.so.6 (abort+0x121) [0x7f54782d0535]
[    12.456] (EE) unw_get_proc_name failed: no unwind info found [-10]
[    12.456] (EE) 4: /lib/x86_64-linux-gnu/libc.so.6 (?+0x0) [0x7f54782d0400]
[    12.457] (EE) 5: /lib/x86_64-linux-gnu/libc.so.6 (__assert_fail+0x42) [0x7f54782e0142]
[    12.457] (EE) 6: /usr/lib/xorg/Xorg (DRIMoveBuffersHelper+0xc43) [0x55eeaa77f933]
[    12.457] (EE) 7: /usr/lib/xorg/Xorg (DRI2Authenticate+0xa2) [0x55eeaa780f42]
[    12.457] (EE) 8: /usr/lib/xorg/Xorg (DRI2GetParam+0x75b) [0x55eeaa7820cb]
[    12.457] (EE) 9: /usr/lib/xorg/Xorg (SendErrorToClient+0x35e) [0x55eeaa65597e]
[    12.457] (EE) 10: /usr/lib/xorg/Xorg (InitFonts+0x3b6) [0x55eeaa659906]
[    12.457] (EE) 11: /lib/x86_64-linux-gnu/libc.so.6 (__libc_start_main+0xeb) [0x7f54782d209b]
[    12.457] (EE) 12: /usr/lib/xorg/Xorg (_start+0x2a) [0x55eeaa64367a]
[    12.457] (EE)
[    12.457] (EE)
Fatal server error:
[    12.457] (EE) Caught signal 6 (Aborted). Server aborting
[    12.457] (EE)
[    12.457] (EE)

it appears modifying the .Xauthority permissions from -rw------- to -rwxrwxrwx prevents the logouts from occurring temporarily. After being logged out,.Xauthority permissions are reset to -rw-------
Computer specs
Intel 9900k - Using Oboard Graphics
Asus Z390 Mobo
Samsung Pro 970
Corsair Vengeance DDR4

Any advice would be greatly appreciated

A: Just experienced the same problem with the 9900k and ubuntu 18.10.
Using the mesa packages available from the ppa
ppa:oibaf/graphics-drivers
fixed it for me:
sudo add-apt-repository ppa:oibaf/graphics-drivers
sudo apt dist-upgrade

and reboot or restart Xorg.

A: I got the correct drivers for RTX2070 in Ubuntu 18.04 using
sudo ubuntu-drivers autoinstall

Reference: https://linuxconfig.org/how-to-install-the-nvidia-drivers-on-ubuntu-18-04-bionic-beaver-linux


text:
Lipitor Review Article
Lipitor, also known as atorvastatin, makes part of a group of drugs called HMG CoA reductase inhibitors and reduces the levels of "bad" cholesterol – low-density lipoprotein (LDL) - and triglycerides in the blood and increases the levels of "good" cholesterol – high-density lipoprotein (LDL). It is used to treat high-cholesterol and also to lower the risk of heart attack, stroke and other heart complications, especially in people with coronary heart disease, type II diabetes or other risk factors.
Dosage Packing Price Add to basket
20 mg 90 tab USD 29.00
LIPITOR MIRACLE STUDY
LIPITOR, also known by its trade name atorvastatin calcium, is the first prescribed brand from all cholesterol-lowering drugs in the world. LIPITOR is an inhibitor of HMG-CoA reductase and a catalyst of conversion to mevalonate, a precursor of cholesterol.
A study by a group of doctors from eHealth Medicine based on more than 10.000 patients has shown how effective LIPITOR is and that's why 20 million Americans have been prescribed LIPITOR every year.
It has a reliable safety profile—developed in twenty years of research, but it's also one of the widely studied drugs and new information about this drug appears annually. U.S. statistics says that 2 in 10 adults have an increased level of cholesterol. Cardiovascular mortality directly depends with the total cholesterol level. Air Line Pilots Association (ALPA) reports that cardiovascular cases represented twenty five percent of their total case load.
RISKS OF HYPERCHOLESTEROLAEMIA
Hypercholesterolemia is diagnosed from the elevated level of cholesterol in the plasma. A lot of studies made by The American Heart Association have shown that hypercholesterolemia is a metabolic misbalance that can be caused by obesity, increasing age, sedentary lifestyle, high blood pressure, genetic factors explain up to 50 percent of the cholesterol elevation (like familial hypercholesterolemia), and its risk is increased by the presence of other diseases such as diabetes mellitus and/or underactive thyroid. A well-known fact is that the cardiovascular mortality is directly dependable of the level of total cholesterol. It's related to the terms "hyperlipidemia" (high level of lipids) and "hyperlipoproteinemia" (high level of lipoproteins). Almost 500,000 Americans die from heart attacks every year, confirming this as a leading cause of mortality in the US.
LIPITOR ' S THERAPEUTIC EFFECTS
Fresh data from Czech Republic (Charles University, scientist H. Vlckova, 2011) comes with more interesting facts. In a study published in the Journal of Pharmaceutical and Biomedical Analysis, H. Vlckova made a critical evaluation report about LIPITOR. This drug significantly reduces the levels of total cholesterol and plasma triglycerides, therefore it's widely used in the treatment of hypercholesterolemia. The triglyceride reduction with LIPITOR comes from the following major mechanisms:
•	Limiting liver secretion of VLDL and
•	Increasing the clearance of triglyceride.
•	LIPITOR reduces low-density lipoprotein in a population that rarely responds to other lipid-lowering drug (familial hypercholesterolemia).
•	LIPITOR reduces total cholesterol, VLDL-C, TG and apo B in non-familial forms of hypercholesterolaemia and mixed dyslipidaemia.
It is used to treat atherosclerosis, reducing the risk of heart attacks and other cardiovascular complications, especially in people with coronary heart disease, type II diabetes and other high risk factors. The highest risk of atherosclerosis is present in people suffering from diabetes mellitus.
A study made by a group of doctors ( M. Saeed Arayne, Najma Sultana, University of Karachi, Pakistan,1990) compared LIPITOR with biguanides and proved LIPITOR as the most effective lipid-lowering agent, that, along with an antidiabetic activity, it obviously reduces the cardiac attack risk.
NEWS HIGHLIGHTS ABOUT LIPITOR
New Data from New University of Georgia (S. Matragoon, B. A. Pillai, 2011). Scientists report that LIPITOR prevents blindness in patients with diabetes, due to its action on free radicals in the retina.
Another interesting finding about LIPITOR was presented by a group of scientists at the 59th Annual Scientific Session of the American College of Cardiology(Dr. Prakash Deedwania, 2010). Their study shows that LIPITOR 80 mg lead to a significant reduced risk of cardiovascular events compared with LIPITOR 10 mg. As always, the dose of LIPITOR depends on a number of factors, including: age, medical history, other drugs intake, etc. The starting dose of LIPITOR for most people is 10 mg to 20 mg once a day. After a thorough cholesterol level check after 2-3 weeks, the dose may be increased up to 40 mg per day.
Clinical studies (Sever PS, Dahl?f B, Poulter NR.,2003) made by Anglo-Scandinavian Cardiac Outcomes Trial, based on more than 10.000 hypertensive patients showed that LIPITOR significantly reduces the rate of coronary events.
The risk reduction was consistent regardless of age, smoking status and obesity. LIPITOR has a lot of protective effects; scientists reported a significant reduction of myocardial infarct risk in the acute myocardial infarction administration.
The Department of Cardiovascular Medicine (Charalambos Antoniades,2011) from the University of Oxford conducted a randomized, placebo-controlled study and arrived at the conclusion that preoperative LIPITOR treatment rapidly improves vein graft redox state by inhibition NADPH-oxidase activity.
Another groups of scientists, including Oswaldo Valencia, MD (St George's Hospital, London, United Kingdom, 2010) pointed out the preventative effect of LIPITOR on postoperative atrial fibrillation.
DRUG AND FOOD INTERACTIONS:
Healthcare Professional updated the drug and food interaction section for LIPITOR. These are related to drug interactions and the risk of hemorrhagic stroke in patients with history of stroke. Some interactions may occur in reaction with food like herbs- red yeast rice and grapefruit, which contains substances that inhibit the body's ability to break down LIPITOR.
A lot of studies have shown that LIPITOR has negative side effects, including extreme muscle pains, muscle disease and severe liver problems.
OVERDOSAGE:
The patient should be treated symptomatically.
1. LIPITOR. (2009). [Electronic version]. e-CPS. Retrieved June 30, 2009.
2. Joseph Tuazon, PharmD. Medical Information Manager, Pfizer U.S. Medical Information. NDA (New Drug Application) studies. Changes in Memory and Cognition with Tables 1&2. Pfizer Inc. 182 Tabor Road, Morris Plains, NJ 07950, 14 June 2006.
3. Pregenzer JF, McKim JM Jr, Wilga PC. Anti-hypercholesterolemia drugs in the statin class reduce glutathione levels and increase caspase 3 activation in an in vitro cell model.
4. Mootha V et al. New chemical toolkit manipulates mitochondria, reveals insights into drug toxicity. Nat Bio. Epub February 24, 2008.
5. Goldberg AC, Ostlund RE Jr, Bateman JH, et al. Effect of plant stanol tablets on low-density lipoprotein cholesterol lowering in patients on statin drugs. Am J Cardiol 2006;97:376–9.
6. Reszka, A.A., & Rodan, G.A. (2003). Bisphosphonate mechanism of action. Current Rheumatology Reports, 5(1), 65-74. PMID: 12590887
7. Schmidt, E.B., & Larsen, M.L. (2004). HMG-CoA-reductase-inhibitors. In S. Offermanns, & W. Rosenthal (Eds.). Encyclopedic reference of molecular pharmacology (pp. 460-463). Berlin, Germany: Springer.
Antilipemic agents


text:
Bonn Challenge
Regional Action
Regional Roundtables
Report Progress
Commitment navigation
Asia Pulp & Paper
Brazil's Atlantic Forest Restoration Pact
Guatemala Private Natural Reserves
Mexico (Campeche)
Mexico (Chiapas)
Mexico (Quintana Roo)
Mexico (Yucatán)
Pakistan (KPK)
ECOWAS Ministers meet to discuss restoration opportunities and the Bonn Challenge
The major drivers of deforestation and degradation are excessive logging, bushfires, extensive agriculture, itinerant livestock farming as well as political, legal, institutional, technical and economic constraints. Representatives of 10 states under the Environment and the Economic Community of West African States (ECOWAS) met in Dakar, Senegal at an IUCN organised Ministerial Roundtable on the Bonn Challenge on October 24-25, 2019. Supported by the government of Senegal and Germany, the discussions resulted in the Dakar Declaration on Forest Landscape Restoration.
Officials highlighted the need to unlock additional funding for restoration. Countries are leveraging domestic budgets where possible – Niger has allocated an average of 3 billion CFA Franc per year for restoration and Guinea has its National Forestry Fund and Environmental Conservation Fund. In Burkina Faso, a Sustainable Land Management and Forest Landscape Restoration Program as well as the 2009-2018 Partnership Program for Sustainable Land Management support restoration. Similarly, Liberia has a Environmental Protection Agency (EPA) and the Forest Development Authority (FDA) that allocate budgets to restoration and, in Nigeria the government is distributing free seedlings and encouraging states to commit 0.005% of their annual budget to reforestation programmes. In partnership with other funders, Guinea has launched a Mano River Ecosystem Conservation Project as well as mangrove management and resilience programmes and in Burkina Faso, a project is being developed with the Italian government to transform livelihoods through restoration in the Sahel. Despite these ongoing efforts, countries called for additional funding to truly upscale restoration.
Countries also shared updates on the progress of their commitments – for example, Nigeria has brought 5,000 ha. under restoration as part of their 4 million ha. pledge and Guinea estimates that they have achieved approximately 35% of their target. Liberia is focusing on the restoration of 180,000 ha. of savannah, 120,000 ha. of agricultural landscapes where commodities like oil palm and rice are grown and 100,00 ha. of buffer zones.
With these encouraging results, and the signing of the Dakar Declaration, the ECOWAS region is well-positioned to capitalize on the benefits of restoration to livelihoods, climate change mitigation and adaptation and biodiversity conservation.
Photos: Scamperdale / Flickr and IUCN
The Bonn Challenge is a global effort to bring 150 million hectares of the world's degraded and deforested lands into restoration by 2020 and 350 million hectares by 2030. It was launched by the International Union for Conservation of Nature (IUCN), which acts as its Secretariat, and the Government of Germany in 2011.
IUCN DC
1630 Connecticut Avenue NW, Suite 300
bonnchallengesecretariat [at] iucn.org
@IUCN_forests Aussie Firefighters Save World's Only Groves Of Prehistoric Wollemi Pines t.co/4I1b7s0Zni
@IUCN_forests Azerbaijan - WELL DONE! Deputy Minister: More than 650,000 trees planted in one day campaign to mark 650th annivers… t.co/gLBEupDs3Z
1 month 1 week ago.
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Blackberry-Basil Refresher — urban. apron.
Ahhh August. How did you come so fast!?
I could've sworn I just saw spring flowers.
But believe it or not, we are in the heat of summer. And proof is in the basil plant. If you have one, it's likely growing and growing and growing.
So, pluck a few leaves and whip up this drink.
I call it a "refresher" because it's similar to a smoothie, but the coconut water creates a lightness that makes it feel as if your sipping a juice.
Long story short... this is a refreshing boost to your breakfast, lunch, dinner or snack. Drink it any time of the day, most days!
Place all of the ingredients in a blender and blend until very, very smooth. TIP: If your banana is frozen, it's easiest to chop it into chunks before you add it to the blender.
Pour into glasses, top with more bee pollen and chopped basil, if desired.


text:
Pierre-Gabriel Gardel est un danseur et maître de ballet français, né à Nancy le  et mort à Paris le . Il est le frère de Maximilien Gardel.

Biographie
Entré à l'école de l'Opéra de Paris en 1774, il y est élève de son frère. Nommé premier danseur en 1780, il doit renoncer à sa carrière pour raisons de santé et est nommé maître de ballet à la suite du décès de son frère en 1787.

Assisté de Louis Milon, Gardel va gérer le Ballet de l'Opéra de Paris durant quarante ans, le préservant des bouleversements de la Révolution française.

Chorégraphe de talent, il enthousiasme le public dès ses premières créations en 1790 et jusqu'à sa retraite en 1829, année où il paraît une dernière fois sur scène dans un menuet avec Marie Taglioni. À partir de 1820, la création des ballets sera confiée à Jean-Pierre Aumer.

Il avait épousé Anne-Jacqueline Coulon, puis veuf, en 1795, la danseuse Marie-Anne-Elisabeth Houbert, dite Mlle Miller.

Œuvres principales
Toutes ses ballets ont été représentés à l'Opéra de Paris.
 1786 : Les Sauvages
 1790 : Télémaque dans l'île de Calypso
 1790 : Psyché
 1791 : Bacchus et Ariane
 1793 : Le Jugement de Pâris
 1800 : La Dansomanie
 1802 : Le Retour de Zéphire
 1803 : Daphnis et Pandore
 1804 : Une demi-heure de caprice
 1804 : Achille à Scyros
 1806 : Paul et Virginie
 1808 : Vénus et Adonis
 1808 : Alexandre chez Apelles
 1809 : La Fête de Mars
 1810 : Vertumne et Pomone
 1810 : Persée et Andromède
 1812 : L'Enfant prodigue
 1814 : Le Retour des lys
 1815 : L'Heureux Retour
 1817 : Les Fiancés de Caserte
 1818 : Proserpine
 1818 : Zirphile
 1818 : La Servante justifiée

Notes et références

Bibliographie
Jean-Michel Vinciguerra, "Les Mystères d'Isis ou l'Égypte antique d'après les décorateurs de l'Opéra: sur quelques acquisitions récentes du département de la Musique", in L'Antiquité à la BnF, 20/12/2017.

Liens externes

Danseur français du XVIIIe siècle
Danseur français du XIXe siècle
Chorégraphe français
Maître de ballet
Ballet de l'Opéra national de Paris
Naissance en février 1758
Décès en octobre 1840
Naissance à Nancy
Décès à Paris
Décès à 82 ans


text:
using Newtonsoft.Json;
using Newtonsoft.Json.Serialization;

namespace Lockbox.Api.Framework.Serialization
{
    public sealed class CustomJsonSerializer : JsonSerializer
    {
        private const string DateTimeFormat = "yyyy-MM-dd H:mm:ss";

        public CustomJsonSerializer()
        {
            ContractResolver = new CamelCasePropertyNamesContractResolver();
            Formatting = Formatting.Indented;
            DateFormatString = DateTimeFormat;
            Converters.Add(new Newtonsoft.Json.Converters.StringEnumConverter
            {
                AllowIntegerValues = true,
                CamelCaseText = true
            });
        }
    }
}


text:
Tambun Indah mulls Klang Valley project
PROPERTY developer Tambun Indah Land Bhd is looking to expand to the Klang Valley to tap into the growing demand for residential properties.
Tambun Indah, which has some RM60 million in cash reserves, has not decided on any particular land yet but is on the lookout for suitable landbank.
"We are eyeing for landbank in the Klang Valley and have viewed some land in Shah Alam and Kajang, but we have not finalised anything yet," said managing director Teh Kiak Seng in Kuala Lumpur.
The company also plans to invest some RM178 million to purchase two more parcles of land of about 1.62ha each in Penang next year.
Currently, Tambun Indah owns 86ha of land in Penang, with a gross development value (GDV) of about RM1 billion which should keep it busy for the next six years.
Last year, it also had some 10 per cent of the residential property market in Seberang Perai, namely through its Tambun Indah development project.
"Seberang Perai is one of the fastest growing districts in Penang due to the rise of working class population as a result of rapid industrialisation," he said at the company's prospectus launch yesterday.
Tambun Indah is seeking to raise RM22.4 milion from its initial public offering exercise, of which RM12.7 million will be allocated for working capital, RM7.1 million to repay bank borrowings and RM2.6 million for the listing exercise.
Of the 32 million new ordinary shares under the public issue, 11.05 million share will be allocated to the public at 70 sen a share.
Applications for Tambun Indah's shares close on January 6 2011 and subsequently, the company will be listed on the Main Market of Bursa Malaysia on January 18.
Established in 1994, Tambun Indah has completed eight projects, selling more than 2,800 units with a total GDV of more than RM800 million.
Its ongoing projects include Pearl Garden, a gated residential project located in Simpang Ampat which is set to be completed in 2016 and Juru Heights in Seberang Perai, a gated residential project that is expected to be completed early next year.
By Business Times
Posted by Kimberg at 11:48 PM 0 comments
Labels: Malaysia Property Listing / New Development, Property Market, Selangor
Tambun Indah to buy 3.2ha in Penang
KUALA LUMPUR: Tambun Indah Land Bhd, a leading property developer in Penang, is planning to acquire 3.2ha of land next year.
Managing director Ir Teh Kiak Seng said the group had identified 1.6ha on the mainland and another 1.6ha on Penang island with a gross development value (GDV) of approximately RM36mil and RM170mil respectively.
According to an independent market researcher, the residential property market in Penang was valued at RM3.7bil last year, and the mainland accounted for approximately 30% of Penang's residential property market.
"Mainland Penang (Seberang Perai) is one of the fastest growing districts in Penang due largely to a growing working class population as a result of rapid industrialisation," he said during the launch of the group's initial public offering (IPO) here yesteday.
Tambun Indah is scheduled for a main-market listing on Jan 18. "We are still eyeing for landbank in the Klang Valley like in Shah Alam and Kajang but are cautious about the cost; therefore, we have not finalised anything yet.
"As we all know, Klang Valley is a good market to do housing, but we want to build our name by building quality homes at an affordable price. We, however, have no plans to expand overseas at the moment," Teh said.
Last year, the group garnered a 10% share of the Seberang Perai residential property market.
"We expect after the IPO, our market share will increase above 10%," he added. To date, Tambun Indah has sold more than 2,800 residential units, mostly in mainland Penang with a GDV of more than RM800mil." Teh said the group achieved commendable financial performance over the years and had maintained a low-borrowing financial model so as not to burden the balance sheet. As at Dec 31, 2009, the group was in net cash position.
"Tambun Indah has adopted a progressive dividend policy of paying between 40% and 60% of group net profit to shareholders.
"At an IPO price of 70 sen per share, the annualised net dividend yield is (about) 7% in financial year 2010," he said.
By Bernama
Labels: Land, Penang
Mall-in-a-park first of its kind in Malaysia
Two Malaysian actors plan to open a shopping mall within a park in October next year, said to be the first of its kind in Malaysia.
Dubbed an outdoor living mart, the project will occupy a land area of 5.9ha located between Puchong, Seri Kembangan and Putrajaya.
The project, dubbed "Garden Explore", will cover seven major zones of outdoor retailing lots, a plaza and entertainment hall, offices, cafes, restaurants and one petting zoo.
"It's the first of its kind in Malaysia but there have been similar developments in China," said Jack Lim, a director of Green Atmosphere Sdn Bhd, at the launch in Kuala Lumpur yesterday.
Managing director Nick JM Wong, a former actor, controls the firm while Weng Zheng Steel Bhd chairman Tan Ching Kee is the adviser.
Construction work is due to start after the Chinese New Year next year. The company has not set any revenue target for the pioneer project.
"The gross development value of the project is RM20 million and this does not include the land cost which was leased from Tempo Properties Sdn Bhd," Lim said.
He declined to reveal the leasing cost, which runs for 10 years.
A unique feature of the project is that cars will not be allowed into the area. Rather, visitors will have to walk or cycle their way through the mall.
Labels: Shopping Mall
MRCB-IJM Land merger called off
PETALING JAYA: Property firms IJM Land and MRCB have aborted their planned merger by way of a members' scheme of arrangement as both companies have not been able to come to an agreement.
Separate announcements by both companies were made to the stock exchange on Friday concerning the matter.
RHB Investment Bank and Newfields Advisors announced on behalf of MRCB that both companies "have not been able to reach an agreement on the definitive terms and conditions of the proposed merger".
Accordingly, they said the proposed merger was now aborted.
Meanwhile, an IJM Land statement on Bursa Malaysia said after a series of discussions, both were not able to reach an agreement on the definitive terms of the proposed merger.
Ibraco selling 6.5ha land in Kuching
REAL ESTATE and property developer, Ibraco Bhd, is selling a total number of 6.5ha of land in Kuching, Sarawak, to Wansa Realty Sdn Bhd for RM14.2 million.
The demand for office buildings and exhibition buildings in the subject area is expected to be limited.
The company told Bursa Malaysia Bhd that the disposal will avoid potential holding cost should Ibraco build and sell the office and exhibition buildings.
The sale consideration is about 2.7 per cent above the market value of the land.
Labels: Land
Mitrajaya unit wins RM53.5m contract
PROPERTY developer Mitrajaya Holdings Bhd's subsidiary has won a RM53.5 million contract for the construction and completion of five units of hangar, one unit of two-storey multipurpose café building, two units of electrical substation and one unit guardhouse at Subang Airport, Selangor.
The contract awarded to Pembinaan Mitrajaya Sdn Bhd, is for a period of 10 months and work starts on January 1 2011.
Labels: Miscellaneous
Axis-REIT wants to buy building for RM51m
Axis Real Estate Investment Trust(Axis-REIT) is proposing to acquire a four-storey building, together with a freehold land, in Selangor from FSBM Holdings Bhd for RM51.25 million.
The proposed acquisition would be consistent with the investment objective and would be accretive to Axis-REIT's distribution income, the company said in a filing to Bursa Malaysia today.
It said the proposed acquisition would diversify and enlarge Axis-REIT's portfolio of properties and was expected to benefit the fund over the medium to long-term.
Labels: REIT / Property Investment


Choosing healthier foods is not as difficult as you think it is. Just a few eating changes in the eating habits can make a big difference to your diet. Healthy eating means eating fewer foods high in calories, fat, salt and sugars and swapping them for something healthier. Always keep in mind that small changes add up to make a big overall difference to your diet. Eliminating certain foods from your diet could be difficult but making small and sustainable changes would be a better option. And if you are looking to lose weight in the process then smaller changes are the healthiest way to achieve your weight loss goals. Slow and steady wins the race – that is proven in this case.
Here are a few small and simple healthy swaps to your regular foods to help you achieve your health and weight loss goals.
Swap whole milk for semi-skimmed or skimmed milk.
Swap a sugar-coated breakfast cereal for a wholegrain breakfast cereal such as porridge or wholegrain wheat cereal with no added sugar.
Swap a teaspoon of sugar or honey on your breakfast cereal for a topping of fresh or dried fruit.
Swap a fat laden paratha with a poha, upma or idlis.
Swap full-fat Greek yoghurt for lower-fat or fat-free Greek yoghurt or natural low-fat yoghurt.
Swap creamy or cheesy sauces for tomato based sauces on your pasta, meat or fish dishes and in vegetable dishes.
Swap the fried and curried meat for the grilled option when choosing meat.
Swap the salted nuts for unsalted nuts.
Swap fried snacks, munchies for a bowl of kurmura, khakra or makhanas.
Swap fruit juices for fresh, whole fruits.
Swap the creamy salad dressings for vinegar based salad dressings.
Swap the normal pasta and spaghetti for the wholewheat varieties.
Swap the sugary drinks for sparkling plain water.
Swap a large plate for a smaller plate to avoid eating larger portions.
So, start with small changes and go a long way in reaching your weight loss goals. Café Nutrition is a counselling company run by a group of nutritionists and dietitians offering healthy plans for weight loss in Mumbai and around the world. We are one of the best dietitians in Mumbai with a rich experience of 20 years.


Submitted by Tania on Wed, 12/26/2007 - 21:27.
Amritanandamayi was born in the small village of Parayakadavu (now partially known as Amritapuri), near Kollam, Kerala in 1953. She was born to a fishing family of the Arayan caste. Her schooling ended when she was nine, and she began to take care of her younger siblings and the family domestic work full-time. Amma had many mystical experiences as a child.
Since 1981, she has been teaching spiritual aspirants all over the world. She founded a worldwide organization, the Mata Amritanandamayi Mission Trust, which is engaged in many spiritual and charitable activities. From humble beginnings she undertook a journey to attain "universal motherhood".
Amritanandamayi is known to the world media as 'the hugging mother'. She offers a hug to everyone who approaches her and in India she has been known to individually hug over 50,000 people in a day, sitting sometimes for over 20 hours. Worldwide, Amritanandamayi is said to have hugged at least 30 million people in the past 30 years.
Amma's life is her message. In other words, Amma does not teach anything that she herself does not practice. Living from moment to moment in a constant state of supreme happiness, Amma warmly embraces thousands of people day after day, wiping their tears, giving them her divine guidance and offering solace to all who come to her. Amma recommends the path of selfless-service through the example of her own life.
Amma says, "The beauty and charm of selfless love and service should not die away from the face of the earth. The world should know that a life of dedication is possible, that a life inspired by love and service to humanity is possible.
Meditation and studying the scriptures are like two sides of a coin. The engraving on that coin is selfless service, and that is what gives it its real value. Our compassion and acts of selflessness take us to the deeper truths. Through selfless action we can eradicate the ego that conceals the Self. Detached, selfless action leads to liberation. Such action is not just work; it is karma yoga."
Amma always points out that the purpose of one's life is to realize who we really are. She says, "By realizing our own Self we become full, with nothing more to gain in life. Life becomes perfect."
To attain this goal, Amma says that no particular path or spiritual practice can be recommended for all. "Just as a doctor gives different dosages or even different medications to patients with the same ailment according to their constitution, so does a Spiritual Master prescribe different methods to different people to reach the same goal. Spirituality is the practical science of life. Apart from taking us to the ultimate goal of Self-realization it also teaches us the nature of the world, and how to understand life and live fully in the best way possible."
However, Amma says that the path of devotion and selfless-service is the safest and most conducive path for many people.
Amma is traveling around India and the world quite extensively giving hug darshans wherever she goes. In the rest of the time, she is in her Ashram in Amritapuri in the backwaters of Kerala. Check in the "Where is Amma" link in the Links section where is Amma now and where she is going to be in the future to plan your participation in her darshan.
Everyone is welcome to come and stay at the ashram at any time, and take part in the daily activities. If you wish to visit the ashram when Amma is there, check in the "where is Amma" link in the Links section when Amma is planned to be in the Ashram. Kindly confirm your arrival date at least 10 days ahead by sending an email addressed to stay@amritapuri.org for Indian visitors, or international@amritapuri.org for foreign visitors.
By air and taxi: The two closest airports are in Trivandrum (110 km south of Amritapuri) and in Cochin (140 km north). International visitors may order an ashram taxi to pick you up at the airport or from a hotel in Cochin or Trivandrum.
If you have not ordered a taxi in advance, at the airport you may go to the "Airport Taxi Service" counter and ask for a prepaid taxi to "Mata Amritanandamayi Ashram" at Amritapuri in Vallickavu.
The journey from Trivandrum takes about three hours and the cost for a non-A/C car is about Rs. 1,500. From Cochin, the journey takes about four hours and costs about Rs.2,300. You can ask to come by the "Beach Road" from Karunagappally. This road crosses the backwaters by a road bridge and brings you directly into the ashram premises. Otherwise you will be dropped off in Vallickavu, from where you can cross the backwaters over Amrita Setu, the ashram's new pedestrian bridge. If you find yourself on the other side of the backwaters with heavy luggage you may also take a hand-poled boat across the backwaters.
By bus or train: Kayamkulam (12 km north of Amritapuri) and Karunagapally (10 km south) are the closest towns to reach. Small auto-rickshaws can bring you to Amritapuri premises. There are also regular buses from Kayamkulam Railway Station to the foot of the Amrita Setu bridge.
Amma gives darshan on Wednesdays, Thursdays, Saturdays. On some Sundays, Amma gives a special Devi Bhava darshan that usually lasts until past sunrise the next day.
Simple accommodations are provided in flats with private bathrooms. You may be asked to share a flat with other visitors. Most of the basic necessities, e.g. sheets, pillows, mattresses and buckets are provided by the ashram.
Accommodation includes simple yet very tasty, Indian-style ashram meals. Non-spicy, Western-style food is available for an additional cost.
An address made by the author at the Parliament of the World's Religions in September, 1993.
I agree with you, she never fails to amaze me.
a true master really lives the talk transparently - Amma does this. She raises money for charity (for orphanage, relief projects etc), she hugs people in Darshan (for free around the world).
This was one of the best experiences of my life. Words cannot do justice.
I did a work shop with amma a few years ago when she was in Mississauga, and had several hugs from her and yes it is something you will always remember with joy.
I have received Amma's loving hug 3 times, so far. The first 0n my 50th birthday. The best present ever!
I don't want to label this a pro or a con - so I put it in the pro category.
These and other Gurus are said to be Self-Realized.
All your research and effort has no meaning, you do not need to understand, or do anything.


text:
In Madrid, nobody has received still no service or benefit of the Law Dependency, approved in 2006 by the Spanish Parliament. This is the denunciation of the Socialist Party (PSOE), impeller of which that norm was approved. In the capital of Spain, more than 23,000 people they would be in situation of serious dependency and, therefore, they would have to be first in receiving supports through the Law. Nevertheless, according to denunciation the political party, only a 3% of files has begun. In the rest of Spain, already they are more than 130,000 people those that receive aid and suitable services to their situation of dependency. The Law of Dependency appeared like the recognition of a human right: to accede to the cares necessary to have a worthy life.
Thousands of people we applauded this norm that became Fourth Pillar of the State of well-being, next to the education, to the health and the pensions. Nevertheless, the political interests of the parties, the Independent Communities, etc. have prevailed over rights which they need plus it. Once again, the differences between the political class cause that the citizens are the one who pay to the broken plates. This situation causes that the Spanish citizens are not equal and who their rights are not the same according to in the territory in which they are. Thus, an Andalusian or dependent frontier dweller is not equal to another Madrilenian. The difference: first already they receive aid and services by its situation and the Madrilenian, not yet. The benefits that the Law contemplates at home include aid, tele-help, construction of new centers by day, more places in residences and aid to the families who completely dedicate themselves to take care of of their disabled patients, majors or. In Spain, more of a million people they cannot merit by themselves and less than 7% of the families who took care of dependent people received some type of support of the Public Administration before the Law of Dependency entered in force.
Miguel Barcel Expresident
The ex-president of the Valencian Catalan Autonomous Government been has wrapped by the family, politicians and representatives of the civil society. Eduardo Zaplana, destroyed by the death of his son of 22 years, been has wrapped in the funeral by the ex-president of the Government Jos Maria Aznar; his wife, Ana Bottle, and the minister of Health, Leire Pajn. The ex-president of the Valencian Catalan Autonomous Government, accompanied by his wife, the rest of the family, politicians and representatives of the civil society, has given the last goodbye to his sprout in tanatorio of Villajoyosa. Eduardo Zaplana Barcel, who had two brothers, died Tuesday in the local hospital of Baixa Navy, in Villajoyosa, after a little more one week in the Unit of Cuidados Intensivos (UCI). He suffered a pathology from his birth.
Other politicians Besides the autonomic ex-president and exministro Zaplana, in the family there are other political outstanding, like which outside 22 years popular senator Miguel Barcel, grandfathers of the deceased, as well as the present senator by the same party Agustn Almodvar, cousin, and autonomic deputy ngela Barcel, aunt. Several political leaders of the PP of the stage of Aznar have gone, like exministro Acebes Angel or the ex-president of the Balearics Jaume Matas. Also the president of the PP of Alicante and ex-president of the Delegation, Jose Joaquin Ripoll; the Secretary General of the PPCV, Merciful Antonio; the ex-president of the Delegation of Castelln Carlos Fabra and ex-president of Them Corts Julio of Spain, among others. Also, they have been in the church of tanatorio, finessed, journalist Pedro J. Ramirez, the president of the Chamber of Commerce of Alicante, Jose Enrique Garrigs, and the j of the hotelkeepers of Benidorm Greater Antoni. Source of the news: Aznar and Pajn accompany to Zaplana in the funeral of their son.
news-present time


text:
Waters Island är en ö i Kanada.   Den ligger i territoriet Nunavut, i den östra delen av landet,  km norr om huvudstaden Ottawa. Arean är  kvadratkilometer. Den ligger i södra delen av arkipelagen Ottawa Islands i Hudson Bay.

Terrängen på Waters Island är platt. Öns högsta punkt är  meter över havet. Den sträcker sig 2,1 kilometer i nord-sydlig riktning, och 2,4 kilometer i öst-västlig riktning.

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Öar i Nunavut
Öar i Kanada större än 2 kvadratkilometer


The uncle of the great Giovanni Gabrieli, Andrea Gabrieli is often overshadowed by his nephew, yet he was one of the greatest and most approachable composers of the High Renaissance. Late in his life Andrea composed a Mass for four choirs, but most of his music requires only relatively modest forces; yet it has all the colour, imagination and emotional immediacy that we associate with the best Venetian art of the 16th century. In 1562 Andrea formed a lasting friendship with Lassus while visiting Germany, and the music of Lassus can be seen to be an important influence on his own. Andrea seemed reluctant to publish his work, and consequently much of his music cannot be precisely dated (his instrumental music was not printed until after his death). However, the music on the present disc is remarkably consistent in style, quality and personality, even if it was published over a period of 40 years. The programme presented here is not planned as a liturgical reconstruction, though the movements of the Mass have been separated by instrumental items. Overall, the mood moves from sorrow and penitence to reconciliation and joy.
The Missa Pater peccavi is one of three Masses for six voices printed in 1572.
Just as, to most people, the name 'Bach' on its own will normally conjure up Johann Sebastian, so 'Gabrieli' normally refers to the great Giovanni, the composer of sumptuous and expressive church music whose fervour and directness give it a universality far beyond the particular Catholic liturgy that brought it into being. And, like Bach, the strength of Giovanni's musical personality has tended to cast the work of his predecessors into deeper shadow; with our Darwinian attitudes to music history, it is all too easy to see earlier Venetian composers like Willaert, Rore, and Gabrieli's own uncle, Andrea, as merely paving the way for the great man. Particularly in the case of Andrea, his very closeness to Giovanni has, it seems, obscured the fact that he is himself one of the greatest and most approachable composers of the High Renaissance. Late in his life Andrea composed a Mass for four choirs, but most of his music requires only relatively modest forces; yet it has all the colour, imagination and emotional immediacy that we associate with the best Venetian art of the sixteenth century.
At a time when Italian music was dominated by Flemish composers, Andrea Gabrieli was a native Venetian, born around 1510, probably in Cannareggio in a northern part of 'the floating city', where he became organist of the Church of San Geremia. He may have sung at the basilica of St Mark's as early as 1536, but was unsuccessful when he applied for the post of second organist there in 1557; the successful applicant was Claudio Merulo, whom Girolamo Diruta claimed was the finest player in Italy. Andrea eventually succeed Merulo when the latter became first organist in 1566, and finally became first organist in 1584. A year later his nephew Giovanni joined him as second organist.
Neither of the Gabrielis ever became maestro di cappella, but both wrote large amounts of church music for St Mark's and other Venetian musical establishments. Andrea was also a successful composer of madrigals and festive secular music. He seems to have travelled little outside Venice, but an important journey, in the company of his nephew, was to Germany in 1562, when they accompanied the Munich court on a state visit to Frankfurt-am-Main. At this time Andrea formed a lasting friendship with Roland de Lassus, whose music was an important influence on his own.
In his Grove article on the Gabrielis the late Denis Arnold points out that, although the Venetian printing trade was flourishing, Andrea seems to have been reluctant to publish his work, and consequently much of his music cannot be precisely dated. Indeed, his instrumental music was not printed until after his death, mostly in editions overseen by his nephew. However, the music on this disc is remarkably consistent in style, quality and personality, even if it was published over a period of more than forty years. Our programme is not planned as a liturgical reconstruction, though the movements of the Mass have been separated by instrumental items. Overall, the mood moves from sorrow and penitence to reconciliation and joy.
The Gloria and Credo … are composed as continuous movements, without solemnity and with less imitation of the parts, using imitations that are short, clear, familiar, and closely woven, unlike those of the Kyries, the Sanctus, and the Agnus Deis, which (as I have said) should be long, elaborate, less familiar, and less closely woven.
It may be seen that good composers have taken care to make the parts sing all together, using such slow notes as the breve, semibreve, and minim, with devout consonances and with harmonious intervals, upon the words 'Iesu Christe'. This is done because of the reverence and decorum due to their meanings. The same is usually observed upon the words 'Et incarnatus est' to 'Crucifixus'. To use imitations and lively progressions here, with other graces, is a very great error and a sign of great ignorance.
Gabrieli does not in fact reduce the number of parts for the 'Christe' or 'Pleni sunt caeli', but he does use smaller contrasted groupings of three or four voices for certain phrases, sowing the seeds, as it were, for the tonal contrasts and conversational responses that would later lead to the Venetian polychoral style.
Venetian title pages of this period frequently refer to mixed vocal and instrumental scorings, as do contemporary descriptions and depictions of actual performances. But composers rarely specified which parts should be sung and which played (all were customarily texted, even when intended for instruments); this was to some extent a matter of the performers' choice, and only later did Giovanni Gabrieli and others make the conventions explicit in certain works. Our approach to the Mass in this recording is not intended as a reconstruction of any actual performance, and is inevitably conjectural. The full ensemble consists of six solo voices doubled by six instruments, with the organ (as was customary, if it was playing at all) also doubling all the parts. The scoring is reduced to voices and organ for the 'Qui tollis' and the trio settings of the 'Crucifixus' and 'Et resurrexit'; elsewhere—in the 'Christe', the 'Benedictus' and the first 'Agnus Dei'—we mix voices and instruments in various ways. The aim is a variety that does not distract from the music's essential simplicity, and of course the result is only one of many possibilities.
Even the collection of penitential psalms that Andrea printed in 1572 specifies instruments as well as voices. Indeed, a wholly instrumental performance is one possibility. For mixed scorings, care has to be taken in choosing which parts should be sung and that sections of text do not get left out. For the setting of De profundis clamavi we chose to have the third and fifth of the six parts sung, and this creates ritornello-like instrumental sections when the sung parts are silent. This also happens in the beautiful Communion motet O sacrum convivium when performed, as here, as a consort song by a solo soprano and four instruments. Anna Sarah Pickard adds florid ornaments, a particular feature of Venetian singing as well as playing, to Gabrieli's top line.
Ricercari are often serious contrapuntal pieces that explore ('ricercare' means 'to seek') all the possibilities of a single theme, and this is true of the long Ricercar in the first mode which opens our programme. Its sad opening tune (later transformed by Giovanni Gabrieli in his four-part canzona La spiritata) is heard in many plangent harmonizations, in various combinations with two subsidiary themes, and finally at both half and double speed simultaneously. This is a masterpiece worthy to stand beside Bach's essays in similar style in The Art of Fugue.
The other two four-part Ricercars heard here are livelier, canzona-like pieces with a sectionalized 'quilt'-like construction similar to contemporary madrigals. The one in the sixth tone is dark-hued, with a low-lying top part, while that in the triumphant twelfth mode is bright, and has two contrasting triple-time sections. Though only for a single 'choir', once again the music of Giovanni Gabrieli seems but a simple step away.
Only one larger-scale Ricercar by Andrea Gabrieli survives, an eight-part piece that, similarly, appeared in print only after the composer's death. It looks dense on paper, but in performance reveals itself as a gorgeous piece of Venetian colouristic writing in which the contrapuntal skill is almost submerged by the richness of the instrumental sonority. For the recording we arranged ourselves in a quasi-random order that was nevertheless designed to reveal a glorious moment when the instruments, for three bars only, divide into two groups of four—giving birth to the polychoral canzona! This is an unusual piece with few successors, the most notable of which are two of the ten-part pieces in Giovanni's 1597 collection (Hyperion CDA66908 tracks 3 and 7).
Andrea's functional Intonazione del sesto tuono for organ is highly ornate, as was traditional in this kind of liturgical scene-setting. But in general his keyboard music is less florid than that of his colleague Merulo, and what 'divisions' there are are carefully placed to mark climaxes, cadences, and section breaks. This is evident in the Ricercar in the seventh mode, a piece that is really a slow canzona with a succession of overlapping themes, each one explored thoroughly and entertainingly.
Petit Jacquet is one of a number of settings of existing pieces, in this case a work (whether vocal or instrumental) of unknown origin. Ancor che co'l partire, on the other hand, is a decorated setting of one of the most famous madrigals of the century, composed by Cipriano de Rore. I play the version printed by Bernhardt Schmidt the younger in 1607, more elaborate than that included in Giovanni Gabrieli's edition of his uncle's keyboard music; the extra ornamentation seems rather too subtle for Schmidt, and may, I conjecture, be by Andrea himself.
Si le nom de Bach est habituellement associé à Johann Sebastian, celui de Gabrieli l'est au grand Giovanni, compositeur d'une musique d'église somptueuse et expressive, que son caractère fervent et direct rend universelle, dépassant de beaucoup la liturgie catholique pour laquelle elle fut créée. Comme Bach aussi, la puissance de la personnalité musicale de Giovanni tendit à jeter dans l'ombre l'œuvre de ses prédecesseurs; notre approche darwinienne de l'histoire de la musique nous fait trop aisément appréhender les compositeurs vénitiens antérieurs, tels Willaert, Rore et Andrea Gabrieli (l'oncle de Giovanni), comme de simples «paveurs de voie». Pour Andrea, notamment, il semble que ses liens très étroits avec Giovanni aient oblitéré son propre statut de compositeur, parmi les plus grands et les plus abordables de la Haute Renaissance. Vers la fin de sa vie, Andrea composa une messe pour quatre chœurs, mais l'essentiel de sa musique requiert des forces relativement modestes—ce qui ne l'empêche pas de receler toute la couleur, toute l'imagination et toute l'immédiateté émotionnelle que nous associons au meilleur art vénitien du XVIe siècle.
En un temps où la musique italienne était dominée par les compositeurs flamands, Andrea Gabrieli était un Vénitien de souche, né vers 1510, probablement à Cannareggio, dans un quartier septentrional de la «cité flottante», où il devint organiste de l'église de San Geremia. Bien qu'ayant pu chanter à Saint-Marc dès 1536, il se vit refuser le poste de second organiste de cette basilique en 1557—on lui préféra Claudio Merulo, le meilleur instrumentiste d'Italie, à en croire Girolamo Diruta. Andrea succéda finalement à Merulo, lorsque ce dernier devint premier organiste, en 1566, avant de finir lui-même premier organiste, en 1584. En 1585, son neveu Giovanni le rejoignit en qualité de second organiste.
Aucun des Gabrieli ne devint jamais maestro di cappella, mais tous deux écrivirent énormément de musique d'église pour Saint-Marc, mais aussi pour d'autres établissements musicaux vénitiens. Andrea composa également des madrigaux et des pièces profanes festives couronnés de succès. Il semble avoir peu quitté Venise, sauf en 1562, lorsque son neveu et lui entreprirent un important voyage en Allemagne pour accompagner la cour de Munich, en visite officielle, à Frankfurt-am-Main. Andrea se lia alors d'une amitié durable avec Roland de Lassus, qui influença considérablement son œuvre.
Dans son article du Grove consacré aux Gabrieli, le regretté Denis Arnold remarque que, malgré un commerce de l'imprimerie vénitienne florissant, Andrea semble avoir rechigné à publier ses œuvres, nous empêchant de dater une grande part de sa musique avec précision. De fait, sa musique instrumentale ne fut imprimée que posthumément, essentiellement dans des éditions supervisées par son neveu. Toutefois, la musique du présent disque est d'un style, d'une qualité et d'une personnalité remarquablement cohérents, et ce en dépit d'une publication étalée sur plus de quarante ans. Notre programme ne se veut en rien une reconstitution liturgique, même si les mouvements de la messe ont été séparés par des pièces instrumentales. Dans l'ensemble, l'atmosphère va de l'affliction et de la pénitence à la réconciliation et à la joie.
Les Gloria et Credo … sont composés comme des mouvements continus, sans solennité et avec moins d'imitation des parties, en recourant à des imitations brèves, claires, habituelles et étroitement entrelacées, contrairement à celles des Kyrie, du Sanctus et des Agnus Dei qui (comme je l'ai dit) devraient être longues, élaborées, moins habituelles et moins étroitement entrelacées.
L'on peut remarquer que les bons compositeurs ont pris soin de faire chanter les parties toutes ensemble, en utilisant des notes lentes, telles que la brève, la semi-brève et la minime, avec de pieuses consonances et des intervalles harmonieux, aux mots «Iesu Christe». Et ce en raison de la révérence et de la bienséance dues à leur sens. Il en va généralement de même aux mots «Et incarnatus est», jusqu'à «Crucifixus». User ici d'imitations et de progressions animées, ainsi que d'autres agréments, est une très grande erreur et le signe d'une grande ignorance.
En réalité, Gabrieli ne réduit pas le nombre des parties pour le «Christe» ou le «Pleni sunt caeli», mais il recourt à des groupes contrastés moindres, de trois ou quatre voix, pour certaines phrases, jetant pour ainsi dire les bases des contrastes tonals et des réponses «conversationnelles» qui devaient conduire au style polychoral vénitien.
Les pages de titre vénitiennes de cette époque se réfèrent souvent à des écritures vocales et instrumentales mixtes, tout comme les descriptions contemporaines et les peintures de véritables représentations. Mais les compositeurs spécifièrent rarement les parties à chanter ou à jouer (la coutume voulait que toutes fussent dotées d'un texte, même celles dévolues aux instruments); le choix revenait, dans une certaine mesure, à l'interprète, et ce fut plus tard, seulement, que Giovanni Gabrieli et d'autres compositeurs explicitèrent les conventions dans certaines de leurs œuvres. Dans le cas présent, notre approche de la messe, qui ne se veut pas la reconstitution d'une quelconque exécution authentique, est inévitablement conjecturale. L'ensemble complet réunit six voix solistes doublées par six instruments, l'orgue (comme le voulait la coutume, dans la mesure où il jouait) doublant également toutes les parties. L'instrumentation se réduit aux voix et à l'orgue pour le «Qui tollis» et les mises en trio du «Crucifixus» et de l'«Et resurrexit»; ailleurs—dans le «Christe», le «Benedictus» et le premier «Agnus Dei»—, nous avons mélangé les voix et les instruments de diverses manières, et ce pour obtenir une variété qui ne distraie pas de la simplicité fondamentale de la musique—le résultat n'étant, bien sûr, qu'un possible parmi tant d'autres.
Même le recueil de psaumes de pénitence qu'Andrea fit imprimer en 1572 spécifie et les instruments et les voix. En fait, il est possible de réaliser une exécution entièrement instrumentale. Pour les distributions mixtes, il faut déterminer avec soin les parties chantées, afin qu'aucune section de textes ne soit exclue. Pour la mise en musique du De profundis clamavi, nous avons choisi de chanter les troisième et cinquième des six parties, d'où des sections instrumentales de type ritornello lorsque les parties chantées sont silencieuses. Ce qui vaut également pour le magnifique motet de communion O sacrum convivium lorsqu'il est, comme ici, exécuté sous forme de consort song par une soprano solo et quatre instruments. Anna Sarah Pickard ajoute à la ligne supérieure de Gabrieli des ornements fleuris—une spécificité du chant et du jeu vénitiens.
Les ricercari sont des pièces contrapuntiques, souvent sérieuses, qui explorent («ricercare» signifie «chercher») toutes les possibilités d'un seul et unique thème, et cette définition s'applique bien au long Ricercar, sis dans le premier mode, qui ouvre notre programme. Sa triste mélodie initiale (que Giovanni Gabrieli transforma par la suite dans sa canzona à quatre parties, La spiritata) est entendue dans maintes harmonisations plaintives, dans diverses combinaisons avec deux thèmes secondaires, et, enfin, à des vitesses simultanément réduites de moitié et doublées. Ce chef-d'œuvre mérite de figurer aux côtés des essais réalisés par Bach, dans un style similaire, dans L'art de la fugue.
Les deux autres ricercars à quatre parties présentés ici sont des pièces plus animées, de type canzona, avec une construction par section, en «patchwork», identique à celle des madrigaux de l'époque. Le Ricercar sis dans le sixième ton est sombre, avec une partie supérieure basse, tandis que celui sis dans le triomphant douzième mode est éclatant, avec deux sections ternaires contrastantes. Bien qu'adressée à un seul «chœur», cette pièce ne semble, une fois encore, qu'à un pas de la musique de Giovanni Gabrieli.
Seul un ricercar à plus grande échelle d'Andrea Gabrieli nous est parvenu: il s'agit d'une pièce à huit parties qui ne fut, elle aussi, imprimée que posthumément. Sur le papier, elle semble dense, mais l'interprétation révèle un somptueux morceau d'écriture coloriste vénitienne, où la maîtrise contrapuntique est presque recouverte par la richesse de la sonorité instrumentale. Pour le présent enregistrement, nous nous sommes disposés dans un ordre quasi aléatoire, qui fut cependant conçu pour mettre en lumière un moment glorieux, lorsque les instruments, pendant trois mesures seulement, se scindent en deux groupes de quatre—donnant naissance à la canzona polychorale! Cette pièce inhabituelle n'eut guère d'héritiers, les plus remarquables étant deux des pièces à dix parties incluses dans le corpus de 1597 de Giovanni (Hyperion CDA66908, pistes 3 et 7).
Les fonctionnelles Intonazioni del sesto tuono pour orgue d'Andrea sont extrêmement ornées, comme le voulait la tradition dans ce genre de mise en musique d'une scène liturgique. Mais sa musique pour clavier est généralement moins fleurie que celle de son collègue Merulo, et les «divisions», lorsqu'elles existent, sont soigneusement disposées pour marquer des apogées, des cadences et des pauses. Ce qui ressort bien dans le Ricercar sis dans le septième mode—une véritable canzona lente, avec une succession de thèmes se chevauchant, tous explorés de manière approfondie et divertissante.
Petit Jacquet appartient à un corpus de mises en musique de pièces existantes—en l'occurrence, une œuvre (vocale ou instrumentale) d'origine inconnue. A contrario, Ancor che co'l partire est une mise en musique décorée de l'un des plus célèbres madrigaux du siècle, composé par Cipriano de Rore. Je joue la version imprimée par Bernhardt Schmidt fils, en 1607, qui est plus élaborée que celle incluse dans l'édition de la musique pour clavier d'Andrea Gabrieli, réalisée par son neveu Giovanni; l'ornementation supplémentaire semblant par trop subtile pour être de Schmidt, peut-être est-elle d'Andrea lui-même.
Genau wie bei den meisten Leuten der Name "Bach" für sich genommen die Assoziation mit Johann Sebastian auslöst, bezieht sich "Gabrieli" normalerweise auf den großen Giovanni, den Komponisten prächtiger und ausdrucksvoller Kirchenmusik, deren Inbrunst und Direktheit ihre Verbreitung weit über die spezifische katholische Liturgie hinaus gewährleisten, für die sie entstanden ist. Und wie bei Bach hat Giovannis überwältigende musikalische Persönlichkeit das Schaffen seiner Vorgänger oft eher in den Schatten gestellt. Bei unserer darwinistischen Einstellung zur Musikgeschichte ist es allzu leicht, ältere venezianische Komponisten wie Willaert, Rore und Gabrielis Onkel Andrea lediglich als Wegbereiter des großen Mannes anzusehen. Insbesondere bei Andrea hat seine Nähe zu Giovanni anscheinend die Tatsache verschleiert, daß er selbst einer der bedeutendsten, am leichtesten zugänglichen Komponisten der Hochrenaissance ist. Gegen Ende seines Lebens hat Andrea eine Messe für vier Chöre komponiert, doch ist für seine Musik ansonsten meist nur eine relativ kleine Besetzung nötig; und dennoch besitzt sie das Kolorit, den Einfallsreichtum und die emotionale Direktheit, die wir mit den Glanzleistungen venezianischer Kunst des sechzehnten Jahrhunderts verbinden.
Zu einer Zeit, als die italienische Musik von flämischen Komponisten dominiert wurde, wurde Andrea Gabrieli um 1510 wahrscheinlich in Cannareggio im Norden von Venedig geboren, wo er Organist der Kirche San Geremia wurde. Möglicherweise hat er bereits 1536 an der Basilika von San Marco gesungen, doch war ihm, als er sich dort 1557 um das Amt des Zweiten Organisten bewarb, kein Erfolg beschieden. Der erfolgreiche Bewerber war Claudio Merulo, von dem Girolamo Diruta behauptet hat, er sei der beste Interpret Italiens gewesen. Andrea trat die Nachfolge Merulos an, als dieser 1566 Erster Organist wurde, und brachte es schließlich 1584 zum Ersten Organisten. Ein Jahr später kam sein Neffe Giovanni als Zweiter Organist dazu.
Keiner der beiden Gabrielis wurde je maestro di cappella, aber beide schrieben große Mengen Kirchenmusik für San Marco und andere musikalische Einrichtungen Venedigs. Andrea war außerdem als Komponist von Madrigalen und weltlicher Festmusik erfolgreich. Wie es scheint, verließ er Venedig nur selten, unternahm jedoch 1562 in Gesellschaft seines Neffen eine wichtige Reise nach Deutschland. Dort begleiteten sie den Münchner Hof bei einem Staatsbesuch in Frankfurt am Main. Um diese Zeit schloß Andrea eine dauerhafte Freundschaft mit Roland de Lassus, dessen Musik tiefgreifenden Einfluß auf die seine ausübte.
In seinem Artikel über beiden Gabrielis im Musiklexikon Grove weist der verstorbene Denis Arnold darauf hin, daß es Andrea, obwohl das venezianische Druckereiwesen florierte, offenbar widerstrebte, seine Werke zu veröffentlichen, weshalb sich viele davon nicht genau datieren lassen. Seine Instrumentalmusik beispielsweise wurde erst nach seinem Tod gedruckt, meist in Ausgaben, die unter der Aufsicht seines Neffen zustande kamen. Die vorliegende Musik ist jedoch vom Stil, von der Qualität und vom Charakter her bemerkenswert konsistent, auch wenn sie über einen Zeitraum von mehr als vierzig Jahren veröffentlicht wurde. Unser Programm ist nicht als liturgische Rekonstruktion gedacht, auch wenn die Sätze der Messe durch Instrumentalstücke getrennt wurden. Die Stimmung geht insgesamt von Kummer und Reue zu Versöhnung und Freude über.
Das Gloria und Credo … werden als fortlaufende Sätze komponiert, ohne Feierlichkeit und mit weniger Imitation der Stimmen, unter Verwendung von Imitationen, die kurz, klar, vertraut und dicht verflochten sind, im Gegensatz zu denen der Kyries, des Sanctus und der Agnus Dei, die (wie gesagt) lang, kunstvoll, weniger vertraut und weniger dicht verflochten sein sollen.
Ersichtlich ist, daß gute Komponisten darauf geachtet haben, die Stimmen bei den Worten "Iesu Christe" alle zusammen singen zu lassen, indem sie lange Notenwerte wie Brevis, Semibrevis und Minima, fromme Konsonanzen und harmonische Intervalle verwenden. Dies geschieht der Ehrerbietung und Schicklichkeit halber, die ihrer Bedeutung gebührt. In gleicher Weise wird gewöhnlich bei den Worten "Et incarnatus est" und "Crucifixus" verfahren. Hier Imitationen und lebhafte Fortschreitungen sowie andere Verzierungen einzusetzen, ist ein äußerst schwerer Fehler und ein Zeichen großer Ignoranz.
Gabrieli reduziert beim "Christe" und "Pleni sunt caeli" zwar nicht die Zahl der Stimmen, setzt jedoch für bestimmte Textteile kleinere, kontrastierende Gruppen von drei oder vier Stimmen ein und bereitet damit gewissermaßen das Feld für die tonalen Kontraste und den dialogartigen Wechselgesang, die später zur venezianischen Mehrchörigkeit führen sollten.
Venezianische Titelseiten der damaligen Zeit verweisen häufig auf gemischte Vokal- und Instrumentalbesetzungen, was den Beschreibungen und bildlichen Darstellungen damals stattgefundener Aufführungen entspricht. Andererseits gaben Komponisten nur selten genau an, welche Parts gesungen und welche gespielt werden sollten (alle waren gewöhnlich mit Texten versehen, auch wenn sie für Instrumente bestimmt waren), so daß die Wahl in gewissem Maß den Interpreten überlassen blieb; erst später machten Giovanni Gabrieli und andere für bestimmte Werke ausdrückliche Angaben. Unsere Verfahrensweise bei der vorliegenden Messe ist nicht als Rekonstruktion einer tatsächlichen Aufführung gedacht und beruht zwangsläufig auf Vermutungen. Das vollständige Ensemble besteht aus sechs Gesangssolisten, die von sechs Instrumenten verdoppelt werden, und die Orgel verdoppelt (wie seinerzeit üblich, wenn sie überhaupt beteiligt war) ebenfalls sämtliche Stimmen. Die Besetzung verringert sich auf Gesang und Orgel beim "Qui tollis" sowie bei den Triosätzen des "Crucifixus" und "Et resurrexit"; an anderer Stelle—im "Christe", "Benedictus" und ersten "Agnus Dei"—mischen wir auf unterschiedliche Art Gesangsstimmen und Instrumente. Das Ziel ist Abwechslungsreichtum, der nicht von der grundsätzlichen Schlichtheit der Musik ablenkt, und natürlich ist das Ergebnis nur eine von vielen möglichen Lösungen.
Selbst für die Sammlung von Bußpsalmen, die Andrea 1572 drucken ließ, sind neben den Gesangsstimmen auch Instrumente vorgesehen. In der Tat wäre eine rein instrumentale Darbietung durchaus möglich. Im Falle einer gemischten Besetzung ist Sorgfalt geboten bei der Wahl der Parts, die gesungen werden sollen, damit nicht ganze Textabschnitte ausgelassen werden. Was die Vertonung De profundis clamavi angeht, haben wir entschieden, die dritte und fünfte der sechs Stimmen singen zu lassen, wodurch ritornellartige Instrumentalpassagen entstehen, während die Gesangsstimmen schweigen. Ähnliches ergibt sich bei der schönen Kommunionsmotette O sacrum convivium, wenn sie wie hier als Consort-Lied von einem Solosopran und vier Instrumenten dargeboten wird. Anna Sarah Pickard fügt Gabrielis Oberstimme üppige Verzierungen hinzu—eine Besonderheit der venezianischen Gesangs- und Spieltechnik.
Ricercari sind häufig ernste kontrapunktische Stücke, die alle Möglichkeiten eines einzelnen Themas ausloten ("ricercare" bedeutet "suchen"). Dies trifft auch auf das lange Ricercar im ersten Modus zu, mit dem unser Programm beginnt. Seine traurige Eröffnungsmelodie (die Giovanni Gabrieli später in abgewandelter Form für seine vierstimmige Kanzone La spiritata verwendet hat) ist in vielen klangvollen Harmonisierungen zu hören, in unterschiedlicher Kombination mit zwei Seitenthemen und abschließend gleichzeitig in halbem und doppeltem Tempo. Dieses Ricercar ist ein Meisterwerk, das würdig ist, neben Bachs Versuchen in ähnlichem Stil in der Kunst der Fuge zu bestehen.
Die beiden anderen vorliegenden vierstimmigen Ricercari sind lebhaftere Stücke nach Art einer Kanzone mit Abschnitten, die ähnlich wie bei damals entstandenen Madrigalen wie eine Flickendecke zusammengesetzt sind. Das Ricercar im sechsten Tonus ist in dunklen Klangfarben gehalten, mit einer tief angesetzten Oberstimmme, während das im triumphierenden zwölften Tonus hell klingt und zwei kontrastierende Abschnitte im Dreiertakt aufweist. Obwohl sie nur "einchörig" gesetzt sind, hat man den Eindruck, als sei es von diesen Stücken bis zur Musik Giovanni Gabrielis nur ein einfacher Schritt.
Von Andrea Gabrieli ist nur ein umfangreicheres Ricercar erhalten, ein achtstimmiges Stück, das wie viele andere erst nach dem Tod des Komponisten im Druck erschienen ist. Es wirkt auf dem Papier ausgesprochen dicht, erweist sich jedoch, wenn es aufgeführt wird, als herrliches Exemplar typisch venezianischer Klangmalerei, dessen kontrapunktisches Geschick in den üppigen Instrumentalklängen beinahe untergeht. Für die Einspielung haben wir uns in zufällig wirkender Formation aufgestellt, die jedoch dazu gedacht war, einen glorreichen Moment hervorzuheben, in dem sich die Instrumente ganze drei Takte lang in zwei Vierergruppen aufteilen—und damit die mehrchörige Kanzone ins Leben rufen! Dies ist ein ungewöhnliches Stück mit nur wenigen Nachfolgern, darunter insbesondere zwei der zehnstimmigen Stücke aus Giovanni Gabrielis Sammlung von 1597 (Hyperion CDA66908, Nr. 3 und 7).
Andreas zweckgerichtete Intonazioni del sesto tuono für Orgel sind reich ornamentiert, wie es für liturgische Klangkulissen dieser Art Tradition war. Im allgemeinen ist seine Musik für Tasteninstrumente jedoch weniger blumig als die seines Kollegen Merulo, und die wenigen enthaltenen Verzierungen sind sorgfältig plaziert, um Höhepunkte, Kadenzen und Übergänge zwischen den Abschnitten zu kennzeichnen. Das ist klar zu ersehen aus dem Ricercar in der siebten Kirchentonart, einem Stück, das eigentlich eine langsame Kanzone mit einer Folge überlappender Themen ist, deren Potential jeweils gründlich und unterhaltsam erkundet wird.
Petit Jacquet ist eine von mehreren Neuvertonungen existierender Stücke, in diesem Fall eines Werks (für Gesang oder Instrumente) unbekannter Herkunft. Ancor che co'l partire dagegen ist die stark verzierte Bearbeitung eines der bekanntesten Madrigale des Jahrhunderts, komponiert von Cipriano de Rore. Ich spiele die 1607 von Bernhardt Schmidt dem Jüngeren gedruckte Fassung, die komplizierter ist als die in Giovanni Gabrielis Ausgabe der von seinem Onkel verfaßten Musik für Tasteninstrumente; die zusätzlichen Verzierungen sind für Schmidts Verhältnisse eigentlich zu anspruchsvoll und könnten—so meine Vermutung—von Andrea selbst stammen.


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Reliance Industries is going to partner with the Microsoft to provide seed funding to startups at a massive rate, states a report by TOI. According to a source close to the development RIL Chairman Mukesh Ambani is keen that the company refresh its entrepreneurial spirit and engage fully with the country's fast-evolving startup ecosystem.
Reliance would operate through Gennext Ventures, a fund the company set up in 2010 and is expected to follow model as of Y-Combinator. The selected startups will be provided a mentor, an industry veteran to guide the fledgling business apart from funding which will be between INR 50 lakh – 2 Cr. Where as Microsoft India will provide ready access to its business units within India and overseas for piloting the incubatee companies' products and services.
Microsoft has startup accelerators in nine nations including US, UK, Brazil, France, Germany, Israel, China Microsoft has conducted more than 50 startups programmes.
Gennext Ventures, the corporate VC arm has investments in two firms so far — Covascis Technologies Pvt. Ltd and Videonetics Technology Pvt. Ltd.
Recently, Infosys has also launched $100 Mn fund to incubate startups.
Anisha Aditya is a devoted follower of Neil Gaiman and Harvey Specter, a dreamer and a lot more.Terse. Simple. Natural. That is her route. Yet, she doesn't mind an occasional sarcastic slapstick, as much as she appreciates clever humour. Her aim as a writer is to leave her readers with an upbeat. And she doesn't let the typhoons of life outdo her last feet.


Auto Bavaria has launched the first-ever BMW Lifestyle store on Lazada. Customers can now purchase the BMW Lifestyle Collection on the online shopping service as part of the company's efforts to provide customers with a seamless buying experience.
This marks the first time the BMW Lifestyle collection is being offered by Auto Bavaria on an e-commerce platform, enabling customers to enjoy the buying experience from wherever they are – be it on their computer, tablets or smartphones.
The BMW Lifestyle Collection is created to the same high standards that are put into the creation of BMW cars. Every product is made using contemporary designs, quality materials and attention to detail, so you can expect to experience quality in every purchase made. Whether it is polo shirts or watches, the Kids' Collection or the BMW M Collection, BMW Lifestyle has it all.
Exclusively for the launch of Auto Bavaria Flagship Store, customers can enjoy 10% discount on all items storewide from April 3 to 15, along with a complimentary gift with every purchase. For more information, visit the official Auto Bavaria Flagship Store on Lazada or the official Auto Bavaria Facebook page.


Interviewing someone who's recently experienced trauma — the death of a loved one, a serious illness or injury, or a natural disaster — is one of the more difficult things we do as reporters. How do you approach someone in a way that's not intrusive? What questions are OK to ask and how should you ask them? And what about the impact on yourself as a reporter? What should you do to maintain your sanity when covering a difficult topic?
Join the San Diego chapter of the Society of Professional Journalists at the San Diego Central Library at 6:30 p.m. Tuesday, Nov. 27, for a panel discussion on covering trauma. We'll delve into ethical issues, do's and don'ts, and how to minimize your own stress level when reporting on troubling subjects.
WHERE: San Diego Central Library, 330 Park Blvd., San Diego 92101. Shiley Suite on the ninth floor. FREE PARKING IN LIBRARY GARAGE WITH VALIDATION STAMP IN LOBBY.
Bring your questions or send them in advance to spjsandiego@gmail.com.
And let us know that you're coming with an RSVP to Facebook.


Opportunities created by the National Broadband Network (NBN) for senior Australians to stay connected to their communities.
Opportunities for senior Australians to get involved in activities to preserve our environment and help tackle climate change.
Priority areas for consideration by the new Commissioner for Age Discrimination – helping cultivate positive attitudes towards senior Australians across all facets of the community.
Improving workforce participation and investing in the skills and experience of senior Australians – allowing businesses and community groups to tap into an active and engaged talent pool of senior Australians.
Opportunities for businesses and community groups to provide a wider range of recreational and preventative health services that meet senior Australians' interests and support healthy and active lifestyles.
Creating new avenues for senior Australians to volunteer – supporting the networks and systems that can match the skills and abilities of a growing pool of senior Australians with community needs.
Supporting seniors-friendly housing – influencing planning, design and construction decisions to take advantage of the opportunities presented by demographic change.
Helping senior Australians plan for their future – helping senior Australians keep an eye to the future, make well-informed decisions and plan ahead for life's transitions.


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The Definitive Guide to Game Science
Heart muscle damage may also happen from viral and bacterial illness and usage of narcotics, which could also alter the heart rate. To conclude, there are many aspects that contribute to a rise in heart rate. As an example, say you were conducting a study on the capacity of a new drug to reduce cholesterol.
The Good, the Bad and Game Science
If you operate a work of any type, you are able to take action to get rid of poverty. There are several medical terms and kinds of sickness available for selection however, you need to have a great grip of what each does before you employ them. At any particular time, you can have many dozen fighters with distinct abilities pottering around a map, various laborers busily mining minerals and gas, and assorted facilities producing new instruments and resources which should be deployed immediately.
A single set of both of these metals and their electrolytic solution is known as a cell. It took me six years to find out where each number should be found. It is remarkably simple.
grade-miners.org
Pennies aren't 100% copper.
Now it's your choice to unravel the mystery of what occurred. At the center of the movie is a time travel twist, Gleick states. There are, though, a few sci-fi books which were particularly prophetic.
Plot Splashdown employs a character-driven plot. But if you would like to get a printable PDF eBook edition of all of the games (with no ads!) Each episode was made to mimic a radio broadcast.
Up in Arms About Game Science?
The world generation process is geared to create a highly random mixture of worlds. Therefore traveling into years past or future, of another world or universe wouldn't lead to a paradox. For instance, the planet's axis doesn't run straight through Earth.
You are able to buy plastic ones, but they are able to become pretty expensive if you're attempting to outfit your whole classroom. The very best proof that video-gaming improves these abilities comes from experiments in which each of the participants are initially non-gamers, and then some, but not others, are requested to play a specific video game for a particular number of hours daily, for a particular number of days, for the interest of the experiment. This activity is a superb way for children to experiment with friction.
Using Game Science
The true number of boards employed for a specific layout does vary based on the board orientation. This internet site is designed to be a resource where you are able to find information on all elements of the Traveller science-fiction role-playing adventure system. Take the time to explore the UI.
Precision unlike in the instance of accuracy isn't restricted to a single situation, on the flip side, it comes with reproducibility as the definition suggests. In the Satellite Insight game, you will need to think and move fast to stay informed about the gigantic flow of different sorts of data being captured by means of a GOES-R satellite. Players may access quite a few free support apps, either on their smartphone or within an internet browser.
Game Science – Overview
Play Satellite Insight and see whether it's possible to keep up! From their house, Dea can observe the University of Southern California. Competition isn't a fight.
Glossary terms are available in the Glossary list. The aim is to dynamically create a personalized progression for each and every student. None of her family are involved with STEM.
These projects are usually completed in only a couple of months. This is a superb method to upcycle old or scratched CDs. I will try to explain the draw.
You may also work in a number of different areas. It's a retro» black-and-white manufacturing style. Summon Mini-U also cannot be received from adventures.
As an example, how you find the probability of an event happening is different from finding the likelihood of group members choosing the identical thing. It's your job to infect everyone on the planet by means of your disease. Healthy men and women have a broad array of CAG repeats.
Though some of them fully know how to convert within the metric system, a number of them don't understand it well and still require a lot of practice and the people who do fully understand it need practice with word issues. There's also evidence people become less sensitive to violence after a time, Murray states. All the files are now prepared to visit the printer's.
You're very likely to receive fed up with the game business, she states. You will also require a game die. To begin with, select the game you would like to use.
Coming up with the list of the very best video games ever made isn't an easy feat. Ice walls are really an extraordinary idea with respect to defense. Metal dice can bring about injury.
Play in addition to the traditional memory maze, by removing a pattern of tiles around the grid and including a blindfold, players may try the memory maze without the usage of their eyes! It's interestng to remember that video games seem to create these components of intelligence faster and better than every other intervention anyone has devised. If used in the proper way, video and computer games have the capacity to inspire learning.
Capcom vs. SNK isn't a violent game. For instance, video game usage is known to affect attention. Each card is decided by play style and the previous card achieved.


Injury, arthritis, illness or normal wear and tear can cause joint pain. Screenings are designed to help pinpoint the cause of your pain and provide follow-up recommendations.
King's Daughters is offering a free joint pain screening beginning 3 p.m. Thursday, Feb. 22 at 14395 Ohio State Route 93. Appointments are required by calling 1-888-377-KDMC.
The screening allows our team to evaluate the joint problem that has been bothering you and help to select appropriate treatment. In the long run, it will beneficially affect your quality of life.
Screenings will be performed by orthopedic and sports medicine staff. Orthopedic surgeon Gerry Trinidad, M.D., and nurse practitioner Evan Seagraves, APRN, will review results with participants.