Firefighters from Marondera Municipality were on New Year's Day nearly assaulted by residents after failing to operate the newly-acquired fire fighting equipment during a fire outbreak in the heart of the town.
The fire extensively gutted two shops while officers were struggling to connect pipes from the bowser, resulting in onlookers becoming impatient and the subsequent chaos.
Large volumes of water spilled to the ground as the officials failed to operate the machine before calling for a back-up vehicle after water ran out before they doused the flames. The fire reportedly started after lightning struck the building and was later put out by nearby shop owners and passers-by.
When NewsDay arrived at the scene, the shops had been extensively damaged, with goods worth thousands of dollars destroyed.
People at the scene had no kind words for the municipality for allegedly employing poorly trained staff.
"After arriving late at the scene, they failed to connect a simple pipe at the water tank, leaving the building at the mercy of the raging fire. Other onlookers who had knowledge on how to use the machine opted to assist, but the officials refused," one of the residents, who assisted in putting out the fire, said.


Autonomous vehicle navigation is a research area that has recently advanced to the level of self-driving cars. For the last five years, the Union College Robotics Crew has been participating in annual "micromouse" competitions, where robots use autonomous navigation to find their way through a maze. Using sensors, motors, microcontrollers, and mechanical structures, students design and program their robots to navigate through a random maze in a timed race. In the micromouse competition, teams are given 12 minutes for their robot to traverse from the starting point to the center of an approximately 9' x 9' maze. Within this time period the robot will complete one "exploring" run where it learns the paths of the maze, and then one or more "speed" runs, where it travels as quickly as possible from start to center. The minimum run time is used as the official time for that robot, and the robot with the shortest official time wins the competition.


text:
Charles H Joffe
Date of Birth 16-July-1929
Place of Birth Brooklyn
(United States of America, New York City, New York, New York-White Plains-Wayne, NY-NJ Metropolitan Division)
Nationality United States of America
Also know as Charles H. Joffe, Charles Joffe
Profession Film Producer
Charles H. Joffe was an American film producer and comedy talent manager. He is most well known as being, in partnership with Jack Rollins, the producer or executive producer of virtually all of the films directed by Woody Allen. Joffe won the 1977 Academy Award for Best Picture as producer of Allen's Annie Hall. Annie Hall was listed as "A Jack Rollins and Charles H. Joffe Production", though only Joffe took producer credit and received the Academy Award for Best Picture. Both were Allen's veteran managers and had that credit on all his films from 1969 to 1993. Joffe focused more on Allen, with Rollins focusing on others. Their management clients also included Robert Klein and David Letterman. Joffe was married to set decorator Carol Joffe and was the stepfather of director Nicole Holofcener. He died at Cedars-Sinai Medical Center in Los Angeles, after suffering from a long illness.
Awards by Charles H Joffe
Check all the awards nominated and won by Charles H Joffe.
Nominations 1990 »
Award Nominated
Golden Globe Award for Best Motion Picture – Drama Crimes and Misdemeanors
Golden Globe Award for Best Motion Picture – Musical or Comedy
Honored for : Arthur
Golden Globe Award for Best Motion Picture – Drama Manhattan
BAFTA Award for Best Film
Honored for : Annie Hall
BAFTA Award for Best Film Annie Hall
Golden Globe Award for Best Motion Picture – Musical or Comedy Annie Hall
Academy Award for Best Picture
Academy Award for Best Picture Annie Hall

redpajama_set_name: RedPajamaCommonCrawl


Standards, conditions or terms for rules, as referenced to in the rules tables.
Tables which specify requirements (such as design requirements).
Diagrams which delineate specific areas, illustrate how to work out where a rule applies or how to apply it, or illustrate the correct dimensions for something.
Schedules that list areas of particular interest, e.g. significant natural areas (SNAs) or heritage buildings and items.
Criteria which outline the factors that were, or need to be, taken into account in determining an area of special value.


text:
package org.immutables.value.processor;

import org.immutables.generator.Generator;
import com.google.common.base.Function;

@Generator.Template
abstract class Transformers extends ValuesTemplate {

  public final Function<String, String> simplifyName = new Function<String, String>() {
    @Override
    public String apply(String className) {
      int indexOfLastDot = className.lastIndexOf('.');
      return indexOfLastDot < 0 ? className : className.substring(indexOfLastDot + 1);
    }
  };
}

redpajama_set_name: RedPajamaGithub


Coming this November, two days of a unique fine art and fine craft show specializing in artisan-made pieces that capture the eye and imagination, Artisanville will have something for everyone. This unique village of artists will provide a fun and engaging experience that will entrance you, your friends and family, without breaking your budget. We are thrilled to showcase a group of artisans that have been handpicked and personally invited because of their particular talent and their distinctive flair for exceptional craftsmanship and originality.
Starting or adding to an exclusive collection, getting a head start on your Christmas shopping for those who love the unique, or even just treating yourself to that one extraordinary thing that really "speaks to your heart". These are all great reasons to come and visit Artisanville in Greenville, South Carolina! We hope to see you there!


L'Oréal sells 35 brands all around the world. We are the leading unique player in beauty and our brands cover the four areas of pharmacies, consumers, luxury and professional as well as the product categories hair care and colour, skin care, perfume and make-up.
We achieved global revenues of €26 billion in 2017. As the country with the fifth highest sales in the L'Oréal Group, L'Oréal Germany is constantly looking for personalities to help us to achieve our goal of attracting 1 billion new consumers worldwide by 2020.
Recent years have seen greater changes than in many previous years. We have continually reinvented our business and our way of working. For us, everything starts with the consumer being the focus of what we do each day. Thanks to the tools and data that the digital world offers us, we know exactly what the consumer wants – and doesn't want. This is why we are convinced that beauty and digital are the perfect match.
In order to maintain our position in the dynamic, volatile and complex world in future, we must be agile enough to identify these changes earlier than our competitors. We work towards this goal as a motivated team in order to shape the L'Oréal of tomorrow and are constantly looking for highly engaged people to join.


While few concrete recommendations came out of the meeting, federation heads consistently stated that more governmental and private support would improve the competitiveness of athletes from the Virgin Islands.
"Let's make sports rise to the next level in the Virgin Islands," said Sen. Ronald Russell, who is president of the Athletics Federation that governs track and field.
Many federation presidents also remarked that better facilities and organization will help the Virgin Islands attract teams from off-island to train and compete here. Several speakers said that sports tourism can be a profitable venture and the Virgin Islands are uniquely poised to take advantage of a tropical climate for training for events such as swimming, cycling and running.
Brad Nugent, assistant commissioner of the Tourism Department, spoke about sports tourism and encouraged attendees to think about what benefit their programs can bring to the territory. Funding is available for sports tourism if it will bring in revenue, Nugent said.
St. Claire Williams, commissioner of Housing, Parks and Recreation, said that he hopes recent efforts to create a separate department of Sports, Parks and Recreation will be successful. He said that the separation will help focus the job of the department.
DeJongh said that he will invest in sports in the territory.
"We can't say that the children are our future unless we give them opportunities," he said.
Athletics. Ronald Russell: An international quality sports complex should be constructed at both Educational Complex and Ivanna Eudora Kean High School to host international events.
Baseball. Morgan Quigley: The small size and relative isolation of the Virgin Islands limits the ability of athletes to compete consistently with other elite athletes.
– The federation cannot host others or travel without outside funding sources.
– The federation needs sponsorship for uniforms and other equipment.
– There is only one field on St. Thomas and one on St. Croix that can hosting international competition.
Basketball. Usie Richards: The men's and women's teams from the Virgin Islands have had some international success, including many appearances and wins at large events. The Virgin Islands are 70th out of 212 federations in the world.
– Recently competed in the Tournament of the Americas and was the only country with a population of less than 4 million to qualify.
– Four Virgin Islands national teams competed in international competitions in the past year.
– The Virgin Islands needs to get more out of existing facilities.
Bowling. Valencio Jackson: A family sport that is aiming at junior athletes to grow into international hopefuls.


Pharmacy negligence resulting in a prescription being improperly filled can be lethal to the patient.Although not normlly thought of as constituting medical malpractice these claims are akin to medical malpractice actions.
In pursuing a claim of this nature it is important that not only the negligence of the pharmacist be emphasized but also the inherent negligence of the pharmacy be emphasized in terms of creating a time urgent delivery system. This time urgent delivery system is probably not much different than what you find with some pizza delivery firms that operate in a rush rush environment in order to get the pizza in the oven, out the door and delivered within a set amount of time. That same rush rush attitude may apply to the pharmacy and it is a theory of liability that should be fully developed by looking at staffing issues, how people are paid, how many hours they work per day, how many prescriptions they are expected to fill and how many prescriptions they did fill on the day in question.
In terms of joining the necessary defendants it is critical to sue the actual pharmacist even though the pharmacist may not have been the one who physically filled the prescription. It may have been filled by a technician. The pharmacist, however, may become your best witness in terms of dealing with the time urgent delivery system that may be employed in the pharmacy and thereby establishing the potential liability of the employer. If the corporate entity that owns the actual pharmacy is part of a larger entity, then it may be necessary to sue that corporate parent since it is the corporate parent that may have set the policies that govern that individual entity.
In a pharmacy negligence case it is not unheard of that the pharmacy may raise as a defense that the improper medication was taken by the patient because that medication was improperly mixed by the patient himself or by some other family member into the container in question. To refute that you may have to obtain prescription histories from all of the pharmacies that your client's family has used over the last several years in order to show that the medication in issue had never been obtained by the plaintiff or other family members.
When the error is reported to the pharmacy typically the pharmacy will prepare an incident report. It is critical to get that incident report because it may contain admissions that the prescription was improperly filled. Such admissions may be admissible in a pharmacy negligence case.
In terms of locating potential expert witnesses, an excellent place to look is at pharmacy schools where professors are frequently all too aware of the problems associated with chain pharmacies.
The state licensing board may likewise have interesting information about the history of this pharmacy and/or pharmacist.
By federal law pharmacists are required to offer to Medicaid and Medicare patients counseling in regards to the prescription. Many states likewise require the same. Most pharmacies ask the customer to sign a document waiving that counseling. The customers typically do not even know what they are signing.
Suppose your pharmacist has filled a prescription for a medication and knows when doing so that you have already been prescribed another medication and that the two medications cannot be used in conjunction with each other, i.e. they are contraindicated. Do you have a claim against the pharmacist for failing to warn you and/or warn your physician of that potential danger? The answer may be governed by the learned intermediary doctrine.
In some jurisdiction the so-called Learned Intermediary Doctrine may protect a pharmacist from a pharmacy negligence claim in this circumstance. In the case of McKee v. Am. Home Prods., Corp., 782 P.2d 1045 (Wash. 1989) the plaintiff was prescribed an amphetamine as an appetite-suppressant. It was well known within the medical and pharmaceutical community that the drug should be discontinued after a few weeks because it was highly addictive. The Supreme Court of Washington said that it is only the physician who can relate the particular characteristics of the drug to the physical needs or oddities of the patient and held therefore that the pharmacist did not have any duty to question the judgment of the physician as to the correctness of that prescription. That defeated any pharmacy negligence claim.
In Happel v. Wal-Mart Stores, Inc., 766 N.E.2d 1118 (Ill. 2002), the Court took a somewhat different position noting that, in this instance, Wal-Mart was aware not only of Happel's drug allergies but also that the particular medication was contraindicated for persons such as Happel that had an allergy to medicine. The Court noted that imposing a duty to warn on Wal-Mart in this instance would not intrude into the doctor-patient relationship and would not thereby compel the pharmacist to be practicing medicine without a license.
In a decision from the D. C. Superior Court entitled Keffer v. Lorenz, 140 DWLR 1673 (Jul. 19, 2012), the Court noted that CVS Pharmacy was not protected by the Learned Intermediary Doctrine in a pharmacy negligence case where the pleadings alleged that CVS was aware of serious adverse interactions between two different medications that it was providing to a customer and of the substantial threat that this posed to the customer. The Court held that armed with that knowledge CVS had a duty to warn the customer or to notify the physician of the potential inconsistency.
If you have been injured as a result of pharmacy negligence contact us.
See other articles on this site dealing with medical malpractice.
For more information about pharmacies see the pages on Wikipedia.


First, Palestinian fighters were told to take their fingers off the triggers and give the Palestinian Authority's cease-fire a chance. Now, Gaza's graffiti artists are being ordered to put their spray cans back on the shelf.
"There is a decision to stop writing graffiti," says Ahmad Helles, a youth leader in the Fatah movement of Palestinian Authority (PA) president Yasser Arafat.
"Anyone who violates it will be warned, and then face suspension," adds Mr. Helles, himself a prolific contributor to Gaza City's omnipresent - and at times ominous - graffiti. The markings serve as billboards for Gaza's numerous factions and include calls for revenge and for resistance against Israel. They are also a chronicle of popular sentiment. But the harsh sentiment is being whitewashed - for now.
"We are acting in keeping with the new political situation," says Salah Abu Daya, an aide to Gaza City's PA-appointed mayor, Sa'ed Kharma. The PA last week also issued a directive to newspapers reviving a pre-intifada order to refrain from "incitement" against Israel, something journalists say is highly problematic because Israel can argue that any criticism is "incitement"
A senior Israeli security official, David Haham, says the painting over of slogans and what he terms a "degree of reduction in incitement" in the electronic media are part of the "same positive trend."
"These are first steps, but they create a certain atmosphere and they have importance. Words can kill. It shows the Palestinian Authority is more serious and responsible now," he said.
Since the days of the first intifada in 1987, graffiti has been an integral part of Palestinian nationalism. The practice went into decline with the launch of self-rule, when Japan sponsored the whitewashing of Gaza City's walls as part of what turned out to be a false promise of a new era.
During the current uprising, graffiti and wall art made a comeback, emphasizing fallen leaders, fighters, and civilians through larger-than-life portraits.
But that may be changing as a result of the three-month cease-fire announced two weeks ago by the Palestinian Authority.
"We have to respect the authority's efforts and to respect any steps to achieve negotiations, even if we have doubts," explains Maissa Abu Zeidan, a Fatah youth movement leader and the artist of a depiction of Palestinian children drawn next to the Palestinian Legislative Council building.
The Fatah decision backs up an effort launched by the Gaza municipality to clear the walls, thus far centered on three main streets. The municipality terms it "beautification" but in fact the white paint is so thin that often the slogans are still discernible and it is applied so sparingly that parts of the wall are left their previous drab grey.
Intimidating graffiti is by no means a monopoly of the Palestinians. In Jerusalem early this year, a group of Israeli volunteers disturbed by the frequent "Death to the Arabs" and "Expel the Arabs" slogans on walls took it upon themselves to paint them over after the municipality left them intact.
In Gaza, the symbolic effort to herald a new era is evoking, like the cease-fire itself, emotions ranging from guarded hope to unrelenting skepticism.
On the street, the transformation is not to everyone's liking.
"It all looks very strange without the writing," said a student at the entrance to the Islamic University, a Hamas stronghold, where the city wiped out slogans but left some paintings of slain leaders and fighters intact.
"We will continue our uprising," "Sharon should be put on trial for war crimes," and "Jerusalem is the flower in our eyes," were among the messages that used to be there. A few streets away, the Al Aqsa Martyrs Brigade, the armed wing of Fatah, had also lost its defiant vow: "We will never kneel. We die standing up." It had been whitewashed.
Even a huge "The commander Abu Amar [Mr. Arafat] lives" is now only barely visible through the fresh paint on the wall of a nearby police station.
The painting "is what the Americans, Europeans, and Israelis want, not what we want," says the student, who asked not to be identified. "In our situation of resistance we should write. The wall is a wall of resistance, it increases the strength of the people."
A friend disagrees, saying; "This is the right time to remove it. The intifada is about to end, so it should go."
In the Fatah offices, Helles proudly recalls his graffiti-writing career, now coming to a close - perhaps. An environmental science graduate who wore an off-white dress shirt, and a portable phone strapped to his belt, he seems an unlikely street scrawler. But he explains that the practice is not just for young teens.
"When sometimes we feel a need to express ourselves we go out at night and do it as a group," he says. He adds that the Fatah youth movement allocates a small budget for wall writing. "It's not so different from writing for a newspaper," says Helles. "But it has the advantage of getting the message across very cheaply. For a little money you can get a bottle of colors and a sprayer."
Helles says of the cease-fire. "If it does not give us our rights and if the conflict continues, than our drawing will continue." The partly painted walls of Gaza would "be a good place to start writing again. They are white and clean."


Like a zombie, the 'minute past midnight embargo' haunts my press releases like an undead spectre. No longer fit for purpose, and yet still a ubiquitous header on the top of most attempts at proactive media relations, the phrase "Embargoed: 00:01h" is dead but not yet buried.
Every night, live on twitter, we watch newspaper websites smash through our default embargo by uploading digital versions of "tomorrow's fish & chip paper". As if to emphasise their war on our 00:01h embargoes, many journalists love nothing better than to preface their tweets 'BREAKING'. The 'news-cycle' no longer starts at midnight but instead resembles more of a Möbius strip of perpetual motion.
Sometimes I feel like starting a press release with the line "Sunday4Monday" but you just know that when you ring up to complain, the Sunday Express journalist will say: "Yeah, but the press release said 'Sunday' on it, didn't it?" If you want to really show off, you'd put "TAPING TAPING TAPING Embargoed: 22:01h" and treat twitter like the open-source wire service it really is. But I suspect when the No10 press office gives out a story like that, it happens via text message and the SMS starts "Dear Nick [Robinson]".
What's the fuss? Did "Embargoed: 00:01h" every really do exactly what it says on the tin? Just ask the producers of BBC Radio 5 Live's 'Up all night' show. Those guys just love a minute past midnight embargo, and their audience of long distance truckers love them too. But even their show waits longer than a single minute to run your story on their opening bulletins.
Damn you, 00:01h embargo! We are never, ever, ever getting back together. It's not you… It's me. I just think that I'm more of a 07:00h kinda guy. And surely that's the real choice these days, right? Do you settle down with the sensible breakfast broadcasters, or do you play fast and loose with those exotic and slight dangerous evening news shows?
OK, let's forget the daily papers, let's focus on the evening papers. Why not pre-brief the Evening Standard and then issue an 'immediate release' when they tweet their front page? No doubt that was the Treasury's plan for the Budget, but that office junior jumped the twitter gun. Nothing new, explained Charlie Whelan, in perhaps one of the most touching twitter interactions of all time.
As I explained at our recent WonkComms get together, think tank press officers can learn a lot from government, not least about the modern news-cycle. When Alistair Campbell instituted 'the grid' each page covered a single week, had seven columns and started on a Sunday. Even under the reign of Damian McBride and his contrasting modus operandi, that structure was retained. These days, the Government grid starts on a Monday and only has six columns (the weekend is a single one at the end).
In a very small way, that might explain some of the Coalition's news management issues. But recently they have begun to brief 'process stories' that illustrate they are 'getting a grip'. Journalists have been favoured by press offices since the dawn of journalism but now No10 say they use 'twitter exclusives' as a formal reward system. No doubt they also have a No10 naughty step.
So if you think 00:01h has jumped the shark, you just go-ahead and get innovative. But I think that only chaos and confusion lie down that road. In our age of digital destruction, some things need to stay sacred. 00:01h might not literally mean 00:01h but we kinda know what it does mean and, hell, that's good enough for me.
Yes, 00:01h is dead, but it is not yet buried. Until we can be sure what comes next, we need to stick to what we've always known. In the immortal words of news anchor Ron Burgundy, you stay classy San Diego.
Richard Darlington is a frustrated post-structuralist philosopher forced to work as Head of News at the think tank IPPR in order to make ends meet. Twitter has taken over his life, share his addiction by following @RDarlo. He writes here, as he tweets, in a personal capacity.
‹ What even is a blog?


The Fuzzy Pals hanging toy set from Sleepyhead are gorgeous monochrome baby toys for your Sleeping Pod. These cool and quirky dangling creatures bring a modern vibe to your little one's world and the three crinkly black and white toys promote sensory development.
The sweet fairy tale-like designs are a collaboration with Swedish brand Mrs. Mighetto.
NB. Toy Bar and Pod sold seperately.


text:
CREATE YOUR PERSONALITY PROFILE
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" If you can't feed a hundred people, then feed just one."
Who is Mother Teresa? She is a Roman Catholic religious sister and missionary, and Nobel Peace Prize winner, who founded the Missionaries of Charity in 133 countries that provide hospices for people with HIV/AIDS, leprosy and tuberculosis, soup kitchens, and more. She was born on Friday August 26th 1910, in Üsküp, Kosovo Vilayet, Ottoman Empire, Macedonia.
Mother Teresa is the philanthropist and humanitarian who is deeply concerned about the state of the world, for which she has great compassion and idealism. She has a utopian personality, and will spend her life trying to realize some aspect of her utopian dream, sacrificing money, time, and energy for a better world.
Her broad outlook on life allows Mother Teresa to see the big picture, and to often shy away from dealing with the minute details. That is why Mother Teresa attracts people who can fit into her larger plans and take over the areas she considers uninteresting. Consequently, Mother Teresa evaluates people on the basis of what they can do for the larger cause. She is a true egalitarian, rarely prejudiced and would not accept social biases of people.
Interior decorating, landscape art or photography can be the sort of fields in which Mother Teresa's imagination and creativity can harmoniously arrange the beauty already potential in the environment. However, due to her strong social consciousness - she can be an effective politician, lawyer, judge, minister, teacher, healer, environmentalist or in any other vocation that carries a clear social impact.
Mother Teresa has a romantic personality, but her love is more impersonal as she tends to be focused on her dreams instead. When not in harmony with her true nature, Mother Teresa can fall to moodiness, or become aloof, and withdrawn. She can also become timid, uncertain, and ungrateful, putting the blame for her troubles on others or the world. She is often disappointed by the realities of life, her own shortcomings, and those of others, and is relentlessly driven to improve upon it all - striving for greater accomplishments. This is Mother Teresa's life-lesson - to accept the natural limitations of the world and its habitants in order to make it possible for her to enjoy life more fully.
Mother Teresa must learn to let go of material possessions and relationships because holding on too tightly to anything causes her pain. The more she gives, the bigger is her reward, and the most successful and satisfying road for her is sharing and sacrificing for the larger goal, without expecting anything in return. Mother Teresa's greatest chance at success is to tie her personal fortunes to an endeavor that makes the world a better place for others. It may very well turn into a highly successful and lucrative enterprise, providing amply for Mother Teresa and her family. More...
More flavors to Mother Teresa's personality
Mother Teresa tends to be quite adaptable, and she finds it easy to fit into most social set ups and vocational fields.
There are no particular virtues that can cause an imbalance in Mother Teresa's personality and life, but she has to work hard and persistently to develop those special strengths that she desires to attain.
Learning to be wisely assertive is a major lesson to be taken by Mother Teresa throughout her life.
Tour Mother Teresa's menu and gain more insight into her personality traits, relationships, strengths and weaknesses, likes and dislikes, compatibility with you and with others, and much more.
We invite you to create your own free personality profile, in private and for your eyes only!.
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month January Febuary March April May June July August September October November December
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Other female celebrities born on the same day as Mother Teresa
Melissa McCarthy (1970)
An American actress, comedian, writer, fashion designer, and producer, best known for her role as Megan Price in the comedy film Bridesmaids (2011), and for her women's plus size clothing collection, Melissa McCarthy Seven7
Tori Black (1988)
An American adult actress who was named by Loaded magazine as the most facially attractive female performer in the industry, and was placed by Complex magazine at the top of their "The Top 100 Hottest Porn Stars Right Now" list
Keke Palmer (1993)
An American actress, singer, songwriter, presenter, television personality, and philanthropist who works with the Boys' and Girls' Clubs of the American charity Cool To Be Smart program, speaking to children about the importance of learning
Shirley Manson (1966)
A Scottish singer, songwriter, musician and actress who is known for her forthright style, rebellious attitude, distinctive contralto vocal range and its emotive delivery, mostly expressed while the lead singer of alternative rock band Garbage
Cassie Ventura (1986)
An American recording artist, dancer, actress and model, whose album Cassie reached number four on the Billboard 200 chart and features the Billboard Hot 100 top three hit "Me & U", which became a major hit in 2006
Thalía (1971)
A Mexican singer, songwriter, published author, actress, and entrepreneur who sings in Spanish, English, Filipino, French and Portuguese, and is recognized as the most successful and influential female Mexican singer worldwide
Peggy Guggenheim (1898-1979)
Danielle Savre (1988)
An Actress
Riley Steele (1987)
An American adult actress, best known for playing the governor's girl in the video movie Pirates II: Stagnetti's Revenge (2008), and for playing Crystal along with other adult movie stars in the mainstream horror-comedy film Piranha 3D (2010)
An American adult actress, director, producer, and Internet pornography entrepreneur who co-owns with her husband Ryan the production company, 413 Productions, and has also written a column for Juggs magazine
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text:
Q: При несуществующем RequestMapping возвращается 500 вместо 404 При несуществующем RequesMapping (к примеру /fsdghfg/dsfgh/sdfghjk/dsfghjk) возвращается 500 вместо 404, ни один из Методов при этом не обрабатывается

A: Такое бывает, когда путь содержит двойной слэш.
В этом случае шаблон Thymeleaf не будет найден (см. https://github.com/spring-projects/spring-framework/issues/20155). Также Spring Security может бросить RequestRejectedException: The request was rejected because the URL was not normalized.
Для того, чтобы это исправить можно как-то нормализовывать такие пути, но это может быть небезопасно (и именно из-за этого Spring так себя ведет). Другой подход состоит в том, чтобы узнать какие исключения выбрасываются и сделать для них ExceptinHandler-ы. Если вы пойдете по этому пути, имейте ввиду, что не все механизмы для обработки исключений в Spring будут работать, так как вышеназванные исключения могут происходить на ранних этапах обработки запроса. Это особенно касается исключения от Spring Security так как он происходит в Servlet Filter-е еще до того, как выполнение дойдет до Spring MVC.

redpajama_set_name: RedPajamaStackExchange


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3 big ethical issues medical school doesn't prepare you for
Tanya Albert Henry
Contributing News Writer
There is plenty of research and discussion dedicated to what medical students should be taught when it comes to being prepared to handle medical ethics issues.
Conflicts of interest, social media use, concerns about colleagues' competence, and accepting gifts from patients are among the areas named as ethical situations that medical students need to learn how to handle. These were highlighted in "The Essential Role of Medical Ethics Education in Achieving Professionalism: The Romanell Report," published in Academic Medicine in June 2015.
The top 10 ethical issues medical students should be taught
But what about situations that arise that may not get tackled—or covered in a practical way—while earning your MD or DO? Here are three ethical situations that young doctors often don't feel fully prepared to handle.
When to end a code
In medical school, students discuss the level of intervention a patient may want when his or her heart stops beating or if they stop breathing. End-of-life goals also are thoroughly discussed. But talking about the situation and being the one to make the call to end a code knowing the decision will end someone's life are very different, residents say.
"There is a lot of emotional distress during a code when you are deciding when to terminate it, and I believe medical school doesn't prepare us for that aspect of it," said emergency medicine resident Kimberly A. Chernoby, MD, the resident/fellow member to the AMA Council on Ethical and Judicial Affairs. "The most important thing is getting medical students to think critically in real time so they can make quick decisions."
Speaking up when something isn't right
A student followed a supervisor's request to obtain a blood culture from a patient and to tell anyone who asked that he was experienced and had performed many, even though it was his first time.
Another medical student witnessed an elderly surgeon with a tremor accidently nick a patient's uterus while performing surgery and cause some bleeding, but the student did not say anything. And when confronted, the student told his resident that he didn't know anything about the incident.
These are two ethical instances a study highlighted as examples of how students reacted in ethical situations they faced. The study—"Ethical Dilemmas in Clerkship Rotations," published in the November 2013 Academic Medicine—looked at about 500 reports from students over a four-year period and found that the classroom and didactic teaching was not enough, and that fear of reprisal was often the reason for not speaking out. The authors called for a major culture change in medical education.
Schools in the AMA Accelerating Change in Medical Education Consortium are tackling this issue as one element of training in health systems science and patient safety. For example, faculty at Vanderbilt University School of Medicine have studied the moral distress associated with hierarchical situations in the clinical learning environment and have instituted explicit training sessions to help students address the authority gradient. And second-year Vanderbilt students rotating through clinical clerkships meet in small groups with faculty mentors to review common challenging situations and discuss language that could be used to safely speak up in the moment.
Harassment, hateful comments
More than 30 percent of medical students reported personally experiencing sexist, racist or other offensive comments, lower grades or denial of training or awards based on sex, gender identity, sexual orientation, race or ethnicity, according to the 2017 Association of American Medical Colleges graduate questionnaire. Four percent of students reported experiencing unwanted sexual advances.
"Medical schools must equip learners, faculty and staff to prevent or escape abuse, not only to protect themselves but also to intervene if they observe a colleague being targeted," wrote Karen Antman, MD, dean of the Boston University School of Medicine, in a May 1 JAMA Viewpoint essay.
Even physicians with years of experience still struggle to handle sexual harassment, fearing retribution for reporting behavior. A 2016 research letter in JAMA found that among clinician-researchers, 30 percent of women reported having experienced sexual harassment.
The #MeToo movement has brought sexual harassment to the forefront and discussions on how to change the culture are more frequently taking place, including a recent panel discussion in the AMA's Accelerating Change in Medical Education Community.
Table of Contents When to end a code Speaking up when something isn't right Harassment, hateful comments
Active State Undo
UME Research
Ethics of Caring for Patients at the End of Life
Ethics of Interprofessional Relationships
Ethics of Professional Self-Regulation
Workplace Aggression
Referencing JAMA Network™
How medical improv training sparks better communication, teamwork
7 tips for writing a winning med ed research proposal
7 strategies for funding med ed research


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Who Are Some Popular Female CNN Anchors and Reporters?
Cnn anchors reporters - Check this out now - Search info here
www.helpwire.com/Cnn anchors reporters/Look no further
Check out Cnn anchors reporters on HelpWire.com. Find Cnn anchors reporters here
Popular female CNN anchors include Christiane Amanpour, Brooke Baldwin, Fredricka Whitfield and Carol Costello. Well-known female reporters are Dana Bash, Elizabeth Cohen, Jeanne Moos and Gloria Borger.
Christiane Amanpour is the chief international correspondent for the network and anchors "Amanpour"
on CNN International. She joined CNN in 1983 at an entry-level position and has built a reputation as a tough, uncompromising journalist.
Brooke Baldwin anchors the CNN newsroom on weekday afternoons. She works out of the network's New York office. She arrived at CNN in 2008 and has been at the center of many breaking news stories.
Fredricka Whitfield anchors the weekend edition of "CNN Newsroom" out of the network's world headquarters in Atlanta. She joined the network in 2002 and has reported stories from all over the world.
Carol Costello anchors "CNN Newsroom" on weekday mornings. She went to work for CNN in 2001 and operates out of the New York office.
Dana Bash is the network's chief political correspondent. She has held this position at CNN since 2008 and has covered both houses of Congress since 2006.
Elizabeth Cohen is an award-winning senior medical correspondent known for her coverage on a variety of health-related topics. She joined the network in 1991.
Jeanne Moos is a national news correspondent for CNN, where she has worked since 1981. She is known for her reports on unique and off-beat topics.
CNN's chief political analyst Gloria Borger appears regularly on many of the network's shows to deliver insight into the nation's political scene. She joined CNN in 2007.
Where Can You Find a List of CNN Journalists?
Where Can You Find a List of All CNN Anchors?
Where Can You Find Photos of CNN Female Anchors?
Is CNN Liberal and Fox Conservative?


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Go back to the Land of Ooo to join Finn and his best buddy Jake (a wise-cracking dog with magical powers) on a series of surreal adventures.
Ellen's Home Design Challenge
Design aficionado Ellen DeGeneres gives eight forward-thinking designers the chance to push their creativity to the limit.
Based on the novel by Chris Bohjalian, a flight attendant wakes up next to a dead man with no idea what happened. Kaley Cuoco stars and executive produces with Greg Berlanti.
Eight years after the original website went dark, a new generation of New York private school teens are introduced to the social surveillance of Gossip Girl.
Meet the divas behind celebrated voguing teams (aka "houses") who are battling in the ballroom for a chance to achieve "legendary" status.
Let Them All Talk
Meryl Streep plays a celebrated author who goes on a journey to have fun and heal old wounds. With Candice Bergen, Dianne Wiest, Lucas Hedges, and Gemma Chan.
It's a bumpy—but funny—ride from first love to last in this romantic comedy anthology series. Anna Kendrick stars and executive produces with Paul Feig.
Alissa Nutting's tragicomic novel about love, divorce, and revenge comes to life in this 10-episode adaptation. Directed by S.J. Clarkson.
Two androids tasked with raising human children on a mysterious planet learn that controlling the beliefs of humans is a treacherous and difficult task.
Tokyo Vice
An American journalist (Ansel Elgort) embeds himself in the Tokyo Vice police squad to sniff out corruption. Based on the memoir by Jake Adelstein.
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The Best Concerts in St. Louis From February 23 to March 1
By Joseph Hess on Mon, Feb 23, 2015 at 6:00 am
[image-10]
This week brings the calm before March's storm of touring acts coming to and from SXSW -- a great side effect of festival season. Don't let the cold cripple your love for local music -- DJ Crucial's release show at Blank Space on Friday is a good place to start. For fans of blues, punk and hip-hop, there's a great gig every night this week. Read on for just a small sample of our city's vibrant music scene.
The Stone Sugar Shakedown Monday, February 23 Cicero's 8:30 p.m. | $6 From Best Jam Band St. Louis 2012: When the average citizen thinks of jam bands, names like Phish and Widespread Panic come to mind. But Led Zeppelin jammed too, and Stone Sugar Shakedown's blues-steeped explorations tend to resemble the latter. The band sounds and looks transplanted from the 1970s, with hints of the Blues Brothers and Funkadelic, and it doesn't hurt that singer Tracy Gladden can alternately channel Grace Slick and Roberta Flack. It is no surprise that Stone Sugar Shakedown is incredibly active with appearances at clubs and festivals throughout the Midwest. The band is a crowd pleaser; it is sometimes funky, sometimes psychedelic, but it always infuses its tunes with an energy that only true believers in the power of rock can embody.
Kevin Gates Tuesday, February 24 The Ready Room 8 p.m. | $22-$25 By Charles Purnell Baton Rouge's Kevin Gates has never been one to pull punches. Between his endlessly entertaining social media presence and puzzling media interviews, the XXL 2014 Freshman Class alumni has released a string of projects to an ever-growing fan base. With his latest mixtape Luca Brasi 2, Gates continues to separate himself from the latest generation of Southern rappers with his direct lyrics, infectious energy and unique brand of introspection that only he can provide.
Don Williams Wednesday, February 25 River City Casino and Hotel 8 p.m. | $47.50-$77.50 By Roy Kasten Texas native Don Williams first emerged as a songwriter in Nashville in the early '70s, a time when lush countrypolitan music was devolving into soft pop with the likes of Marie Osmond and John Denver blurring the focus past recognition. Williams, however, had a warm, supple baritone and an understated but moving feel for ballads that connected his style to major figures like Lefty Frizzell and Ray Price. Over the years, Williams has been covered by everyone from Eric Clapton to Bonnie "Prince" Billy, and if you're a fan of bands like Lambchop, you owe it to yourself to seek out the source of that deep, rich country-pop sound.
Photo by Moss Kurgansky
Nick Moss Thursday, February 26 Blues City Deli 6 p.m. | free By Christian Schaeffer In the six months since Michael Brown's death and the unrest that has sprang from Ferguson, musicians at home and abroad have registered their thoughts, their rage and their hope within their music. No shortage of hip-hop acts used their songs as social and political platforms, but Nick Moss prefers to use the language and music of the blues, hip-hop's musical grandaddy, to say his piece. He released "Shade Tree" in late November, calling it "a reflection of St. Louis civil unrest." In the gospel-tinged song, Moss sings from the perspective of a man whose neighborhood is changed forever by violence and distrust. The song reads like a sad realization, but something about Moss' tremulous, soulful voice gives a glimmer of hope amid the pain.
Follow through for more concerts happening in and around St. Louis all weekend long.
Out Every Night


CSL editor Dennis Schatz discusses the response to our first issue, the journal's new serialized publication format, and this issue's theme, professional development.
All of us associated with producing Connected Science Learning are delighted with your reception of the journal's first issue. In just the first week, the journal received more than 3,000 views. It currently receives about 50 views each day, with periodic spikes when a new announcement about the journal is sent.
The articles seem to be more related to my work than articles you typically find in teaching journals.
This is exactly the type of resource/information that I am seeking to help me develop my programs and business.
I really enjoyed the first issue, and could not stop until I read it completely.
There are very few places to publish work that goes across formal and informal science education, and this will be helpful for disseminating findings that bridge these areas.
The suggestions for improvement were primarily technical ones, such as the need to make it easier to email the author(s) of articles. The editorial team has worked to make these improvements for this issue.
One suggestion that came from a member of our advisory committee—and was strongly supported by the rest of the members—was to take advantage of the web-based nature of Connected Science Learning to issue it in parts over several months. If you are like me, you read a number of journals. When each one arrives, you peruse the table of contents and may read a couple of articles until other tasks demand your time. You put the journal on your "to read" pile, where the journal slowly gets buried as other journals arrive. You rarely get back to the articles you promised you would read, and ultimately shelve the journal in your archives or recycle it.
Serializing Connected Science Learning means that issues will be published over three months, with about one-third of the current issue being posted to the website in the first month. Another third will be posted a month later, and the last articles in the issue will be posted in the third month. Subscribers will receive an e-mail each month alerting them to the new articles. By delivering the journal in this way, it arrives in "bite-size" chunks that will encourage immediate reading. We will, of course, provide you a few "teasers" of what will be in upcoming segments, so you can look forward to upcoming articles.
Our evaluation of reader responses to Connected Science Learning will continue after the delivery of this issue. We look forward to getting your comments on this new way of delivering the journal.
This issue highlights professional development experiences that enhance collaboration between in-school and out-of-school environments. Contributions in this segment feature a summer program directed toward youth who do not typically pursue STEM careers, plus two museum/school collaborations that improve classroom instruction—one that includes extensive use of tablet technology. Future segments will feature a collaborative among businesses, schools, and a museum to provide research experiences for teachers, plus a program that offers professional development to out-of-school facilitators so they understand effective STEM learning pedagogy and strategies to navigate the formal education structure.
Besides enjoying the content in the current issue, please consider submitting a contribution for future issues. The next deadline is March 31, 2017. More details can be found on the NSTA website.


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Cloud service models and how they're impacting the VFX industry
Cloud-based computing technologies are changing the world, not just in visual effects (VFX) but in finance, architecture, education, design and more. With cloud promising to improve workflows and tackle more mundane tasks, it's no wonder it's becoming one of the latest trends.
When broken down, cloud computing generally comes in the form of three service models: Software as a Service (SaaS), Infrastructure as a Service (IaaS) and Platform as a Service (PaaS), each of these offering its own set of potential benefits for studios.
In simple terms, SaaS is a software distribution model that sees a service provider host applications for customers and makes them available via the internet.
PaaS provides computing power with a basic layer of software and development tools that allow developers to focus on building an application.
And IaaS offers virtualized computing resources over the internet, with a focus on computing power and data storage.
We know what you're thinking—not more acronyms to remember! But these 'X as a service' models have the potential to change the way VFX studios work, influencing artists and day-to-day work life. So, understanding these terms and what it means to you could be a future life-saver.
Stepping onto the cloud
With cloud service models, there is no one-size-fits-all approach, as each model offers its own advantages and disadvantages. Depending on the size of a studio, whether artists work in-house or at home, amongst varying other factors, decides what cloud services fit a studio's needs.
Now more than ever, for studios and businesses alike, it's vital that artists can work efficiently and effectively maintaining a high-level of communication, no matter where they are in the world. This is something cloud service models, SaaS in particular, offers studios. It allows for real time collaboration between artists so they can work on the same shot or tweak parameters, instantly.
This also holds the potential for studios to save time and money spent on the more tedious tasks, like installing and upgrading software, alongside downsizing studio spaces and hardware. Plus, it offers the opportunity to scale up or down as a studio's needs change with the added flexibility of a usage-based service.
With cloud, the inherent risk is always about data security, and while cloud-based platforms promise to greatly reduce concerns over data loss and security, it's still an aspect to consider. Most cloud service models offer strict authorization access, with some even offering the ability to add more layers of security if needed. Plus, IaaS and PaaS offer more control, so studios can manage the server, hard drives, virtualization and storage, offering a more flexible computing model.
With all this being said—and as the list of advantages that adopting cloud service models offers grows longer—they are yet to take off in the world of VFX. There is a degree of hesitancy in adopting cloud service. So, when it brings the potential of positive reform, why haven't these been widely adopted by the VFX industry?
What's the hold-up?
The media and entertainment industries have a long tradition of in-house tech innovation and customization. So, for many, the idea of switching to cloud services goes against a familiar infrastructure that they know and trust. Not to mention that creatives in the VFX industry like to build things and experiment, rather than having to rent something on a monthly basis.
The implementation of cloud services also leads to much bigger questions. For example, how would studios need to adapt in order for the service models to be effective? What would they be letting go of? At the moment, the industry relies on studios and communities of freelancers and is sometimes not as efficient as it could be.
So, while in the short term, having to restructure may feel daunting, in the long term it could have a beneficial impact on how studios work and offer more efficient ways of working within VFX.
Adopting service models doesn't necessarily have to mean that everything needs to be immediately uploaded to the cloud. One of the main ideas behind cloud service models is scalability and allowing a studio to adapt based on its demands at different moments. Cloud service models could be a chance to reform and restructure but only if the VFX industry is willing to adapt to the change and embrace the advantages it could bring.
Finding what works for you
With cloud computing, there is no definitive answer as to what the best service model is, especially in the world of VFX and the amount of different studios. And while it is yet to be fully adopted by the industry, there are some technology companies that are taking the plunge and releasing cloud service applications like AWS Thinkbox.
This is an encouraging step for the VFX industry as it shows that there is a move towards cloud-based computing, albeit a slow one. These cloud service models—whether that be SaaS, PaaS or IaaS—promise a progressive future, one that aims to enhance VFX processes and alleviate the more manual tasks. It's clear that we've not seen the last of X as a service, with further exciting opportunities heading this way.
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Archivo de la etiqueta: IGCSE Literature
2AC2018, ingles, literature
Questions on 'There Will Come Soft Rains' and 'Nosedive'
Veronica gave us the task of answering the questions she posted in her blog, after seeing 'Nosedive' and reading 'there Will Come Soft Rains'. I've worked with Marina Castagnino and Azul Sequeira
Nosedive is set in Port Mary and in the future, and we can realize this because of all the advanced technology that appears in the chapter.
The short story takes place in the year 2026 the 6 of August.
In 'Nosedive' Lacie is a superficial character whose life depends on technology, she actually lives for technology and her life is based on it, because at the end of the episode, she instinctively rises her hand as if she was holding her phone to rate the person in front of her. In 'There Will Come Soft Rains', we can also see how technology had dominated the human race, before their death. In the story, Technology made things for humans and controlled their lives, like in 'Nosedive', where technology established someone's social status, friends and possessions. "Nine-fifteen, sang the clock", here we can see how a clock is personified by saying that it sings. Another personification we can find in the story is how the house is personified all throughout the story, for example in the following quote "the house began to die.". Finally, in this quote "But the fire was clever", in which the fire that was started in the house is described and personified as 'clever'. The fact that technology and the house are personified may be suggesting that technology is becoming more and more similar to humans. Personification is when an object is attributed human actions, so the question that the author may be asking is, to what extent is technology a thing and not a living thing?
Both, the episode and the story, are warning us about how technology is dangerous in many ways. One of these ways may be related to the fact that technology may destroy us, because it may dominate us. And the other way, is that technology may turn our society into a superficial one, a society in which people judge you by how look in your social media and not in real life.
We think that the future that the story presents is more likeable to happen because with the passage of time, we are getting more and more things done by technology, like in factories where employees are being replaced by machines, or phones that are making our life easier day after day. So, at the end, we are going to have houses like the one in the story and we will end up destroying ourselves.
Azul sequeiraIGCSE LiteratureMarina Castagnino
Act 1 A View From The Bridge
Here you can find the answers of the questions on pages 40 & 41 of the booklet. I worked with Olivia and Nina.
A View From The Bridge from Valentina Pernarcic
Secondly, in Literature class, we completed a chart showing 2 quotations each of the 3 characters said, their explanation and effect. I worked with Nina.
A View From The Bridge de Valentina Pernarcic
A view from the bridgeactivitiesarthur millerbookletBooksIGCSE LiteratureNina FischerOlivia Vidal
1AC2017, ingles, literature, poetry
One Art by Elizabeth Bishop
What do you think the poet means by "the art of losing" and how serious is she about this idea?
We think that by «the art of loosing» she means loosing something and be able to move on from it. She starts with silly things to more complex subjects and so as the poem progresses she gets more serious.
How important is the poem's form to your reading of it?
It affects you differently depending on who or what you have lost. It affects you differently the fact that Elizabeth Bishop starts talking about less severe things to loose and then she moves to more important ones, as a continent or even a person, this structure shows that one can get over loosing whatever they loose.
What effect does the refrain have upon your understanding of the poem's tone? How does the meaning of this single line change throughout the piece?
The refrain is «The art of loosing isn't hard to master», it means that it is not difficult to loose
What are we actually meant to believe about the poet's reaction to her losses?
That, no matter what we lose, it's size, shape, significance, we have to get over it, because we need to keep on with life. Because we all lose something, we all remember that one thing that makes us sad every time we remember, and think to ourselves that we should have kept it more safe. So, we have to get over the losses, getting through it and striving through the situation like a champion, in a a way we end up as the bigger person.
How honest is the poet with herself? With her readers?
The writer, Elizabeth Bishop, in our belief, isn't being completely honest with herself, she is telling herself that it is easier to get over over someone, while it sound that she is trying to convince herself more that us, readers. At the end, she can't keep on lying to herself, she decides to admit, and says that, indeed, losing something or someone, is hard.
The poem follows a villanelle structure , here you can see how those structures are!
IGCSE LiteratureNina FischerPoem
The moving finger!
04/08/2017 vpernarcic
After reading The moving finger we had the following task, I have worked with Mora .
Here you can read the story !
a) Chapter 3 summary:
Grancy talks about his wife and how he needs women, which explains why he had more than one wife. He goes on talking about Mrs. Grancy's painting, about how the beauty of his wife was caught by Claydon, and he really appreciated that, but that appreciation had turn into hate with her death. He asks Claydon to make a new painting in which it would age with him.
b) Chapter 4 summary:
In this chapter, Mr. Grancy is really ill and the painting is show as "the only thing keeping him alive". Now the painting is kept at Claydon's studio. He decides to paint the portrait one more time without permission, this time, he does it in an uncanny way were the painting "knows" that Mr. Grancy is going to die.
2- Because after his second wife's death, the painting started looking depressing and lonely for Grancy, so he made Claydon change it to look older during the years and "age" with him. "Don't you see that I am lonely too?' And all at once it came over me how she would have hated to be left behind!''
3- Mr Grancy gets sick again and as the painting had predicted, he dies. After his death, the painting is left to Claydon as he loved it just like Grancy did, and at the end of the story he says '… Now she belongs to me'
4- We think that the title is a whole metaphor that gives an anticipation of the plot of the story. "Moving" refers to the passing of time and that when you fall you have to move on and keep going with your life. The other word that appears in the title is finger, why finger? Because YOU write your own story , you choose your own destiny. Another interpretation could be that 'the moving finger' is Mrs Grancy's finger which is pointing at people telling them what to do.
5. Yes, his first wife was Mrs Grancy , then the young and second Mrs Grancy and his third wife was his second wife's portrait.
''She?' I repeated, perplexed for the moment.
«My wife.»' (Talking about the painting)
6. The painting is uncanny in the story, because a thing that is supposed to be common, like a portrait of a woman, turns into a paranormal painting that ages.
IGCSE LiteratureStories of ourselvesThe moving finger
The Moving Finger by Edith Wharton
Born in 1862 and died in 1937
She was from USA
She used to write novels and short stories
She used to criticise the social and economical differences in society and the conflicts between society and our inner selves , trying to fit in society.
Characteristics of modernism:
-New paradigms
-Avant-garde
-The unconscious
-Stream of consciousness
-The last generation
-Make it new
-Imagism and vorticism
-The city
-Revolution
-The Jazz age
The uncanny
The uncanny is a psychological concept which refers to something that is strangely familiar, rather than simply mysterious. For example a doll, you seen her as a toy and something without life who is familiar, but then society or a text make you see that object like it has something strange ,close to be alive or human.
The Macabre
The macabre is the quality of having a ghastly atmosphere, it emphasizes the details and symbols of death.
AuthorsGroup workIGCSE LiteratureMora PetrellaStory
«Elegy for my Father's Father» by James K. Baxter
In literature we read our second poem on «Songs of Ourselves» . Below the poem you can find the activity we have to do.
He knew in the hour he died
That his heart had never spoken
In eighty years of days.
O for the tall tower broken
Memorial is denied:
And the unchanging cairn
That pipes could set ablaze
An aaronsrod and blossom.
They stood by the graveside
From his bitter veins born
And mourned him in their fashion.
A chain of sods in a day
He could slice and build
High as the head of a man
And a flowering cherry tree
On his walking shoulder held
Under the lion sun.
When he was old and blind
He sat in a curved chair
All day by the kitchen fire.
Many nights he had seen
The stars in their drunken dancing
Through the burning-glass of his mind
And sober knew the green
Boughs of heaven folding
The winter world in their hand.
The pride of his heart was dumb.
In song or bridal bed.
And the naked thought fell back
To a house by the waterside
And the leaves the wind had shaken
Then for a child's sake:
To waves all night awake
With the dark mouths of the dead.
The tongues of water spoke
And his heart was unafraid.
Task: Write an obituary for the dead man- use the details from the poem ( and invent others based on evidence )
-Be formal/ factural/ respectful
-Focus on achievements
IGCSE LiteratureListening ActivitiesPoem
IGCSE part 5 volume 1 authors
Here we have made a Lino talking about the ahoutyor of the 15 poems that appear in part 5 volume 1. Hope you find it useful!
Click here to see it
AuthorsIGCSE LiteratureLinoPair workPoems
Comic on «For Heidi with Blue Hair»
In class Pat gave us the task of creating a comic about how did we imagine the story would continue. I worked with Lucy and Nina, hope you like it!
ComicGroup workIGCSE LiteratureLucia Hernández LeónNina FischerPoem


Wewak Street School is committed to providing quality education for students with an intellectual disability.
Provide a caring and secure environment where students with moderate and high support needs are challenged to achieve their potential.
Support students in the transition from school to post school placements and assists parents in making decisions about the most appropriate educational setting for their child.


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Laura Jackson Wiki, Age, Husband, Baby
Laura Jackson tied wedding knot with husband on...welcomed her first baby on...bio reveals that she was born on 30 April...grew up in England as per her wiki...standing at an average height, her weight is...at the age of...holds British nationality...embraces white ethnicity...draws an average salary of...while talking about her parents, her mother suffered...
Laura Jackson is a television and radio presenter, mostly recognized for her appearance on ITV's Scrambled and This Morning. From her work as a host, she has successfully secured the position as one of the brightest rising stars.
After she started working on Channel 4's music show, Freshly Squeezed alongside television presenter Nick Grimshaw and Journalist Rick Edwards, her presenting career began.
During her first work, Laura gained a considerable amount of knowledge and decided to advance her career. That was when she moved to work with the Celebrity Big Brother's Little Brother as a VT presenter.
Alongside the show, she also co-hosted 24 Hour Panel People, David Walliam's 24-hour Comic Relief gameshow.
Moreover, at the present moment, Laura hosts ITV2's Take Me Out: The Gossip alongside television personality, Mark Wright.
As she works as a presenter, she has a good fashion sense, and with an average height and body weight, she wraps herself fashionably. As a fashion diva herself with knowledge of fashion, she even hosted Clothes Show Live events in Birmingham and London.
Check Out: Alice Plunkett Age, Wedding, Husband, Salary
Through Laura's hard work and dedication towards her work, she has made herself financially stable. And as a presenter, she draws an average salary of £33K per annum.
Laura's Wedding With Husband, Welcomes Baby!
Laura is happily married to her husband Jon Gorrigan, a photographer. She tied her wedding knot with long-time lover in September 2017 in a dazzling beach ceremony in Portscatho, Cornwall.
During her wedding, she wore a sleeveless high-necked gown, featuring plenty of tulle with a beautiful tiered skirt. To compliment her beautiful dress, she wore heavily embellished with pearls hair slides.
While fulfilling the responsibility as a husband and a wife, they stepped into the new phase of parenthood.
Laura and her husband welcomed their first child, a baby daughter named Sidney Frances on 3 May 2019.
Laura Jackson welcomes her baby, Sidney Frances with her husband Jon Gorrigan on 3 May 2019 (Photo: Laura Jackson's Instagram)
With the new starting of their life with a new member, fans hope that the couple will relish their family life with a new adventure.
Laura Jackson Wiki-Like Bio, Age
Laura Jackson was born on 30 April 1986 in England. A British by nationality, Laura embraces white ethnicity. While talking about her parents, Laura has not been open about them.
Continue Reading: Bridget Lancaster Bio, Age, Married, Family
But in 2017, while working on Breast cancer campaign, she opened up about her mother who had breast cancer.
As of now, her mother is cancer free, but she still works to support cancer patients. Other than that, she has never disclosed anything about her father, siblings, as well as her early childhood.


text:
Guide to E-Book Downloads
Hartford Michigan
The History of H.P.L.
Friends of the Library Home
Library & Community Calendar
Library & Community Calendar Home
You are here: Home / News & Events / Library Calendar / Friends of the Hartford Public Library
Friends of the Hartford Public Library
The Friends of the Hartford Public Library will have their meeting one week early on May 18th at 6:30PM.
https://www.hartfordpl.michlibrary.org/news-events/lib-cal/friends-of-the-hartford-public-library.ics
When May 18, 2015 from 06:30 PM to 07:00 PM (US/Eastern / UTC-400)
Where Hartford Public Library
Contact Name Stephanie Daniels
Contact Phone 269-621-3408
Join the Friends of the Hartford Public Library and help your library grow.
"This project was made possible in part by the Institute of Museum and Library Services."
Hartford Public Library
Hartford, MI 49057
hartfordlibrary2000@yahoo.com


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text:
BOJ says super-low rates to last another year, giving first timeframe
Leika Kihara, Stanley White
TOKYO (Reuters) - The Bank of Japan put a time frame on its forward guidance for the first time by telling investors that it would keep interest rates at super-low levels for at least one more year, in a move to dispel any doubt over its commitment to ultra-loose policies.
The BOJ held its monetary policy steady at a rate review on Thursday, but Governor Haruhiko Kuroda said rates could be kept ultra-low even longer, as weaker global demand and Sino-U.S. trade tensions were taking a toll on the export-reliant economy.
"Global economic uncertainties have drawn attention, so we wanted to clarify that we will keep rates low for a very long time," Kuroda told a briefing.
"Current very low rates will be maintained at least until the spring of 2020, he said. "But the timeframe could be much longer than that" if the economy weakens, he added.
The BOJ's dovish message puts it in line with the Federal Reserve and the European Central Bank, which have been forced to pause efforts to scale back crisis-mode policies due to heightening uncertainty over the global economic outlook.
"The fact the BOJ tweaked its forward guidance to include overseas economies signaled its caution over the economic outlook," said Yoshimasa Maruyama, chief market economist at SMBC Nikko Securities.
"As the global economy slows further, the Federal Reserve could cut interest rates later this year or early next year. The BOJ may be forced into further easing around the same time."
As widely expected, the BOJ maintained its short-term rate target at minus 0.1 percent and that of long-term yields around zero percent. It also reiterated it will keep buying assets such as government bonds and exchange-traded equity funds.
In fresh projections released on Thursday, the BOJ slightly cut its economic growth and inflation forecasts for the fiscal year beginning in April 2020.
The BOJ also forecast consumer inflation would hit 1.6 percent the following year, conceding that price growth will fall short of its target for at least three more years. Core inflation in March was 0.8 percent.
DEMERITS RISING
Under the new guidance, the BOJ said it will maintain current extremely low short- and long-term rates "for an extended period of time, at least through around spring 2020."
Previously, the BOJ did not offer specifics on how long it would maintain very low rates, saying only that it would be "for an extended period of time."
The BOJ said it decided to clarify its guidance to show its resolve to maintain powerful easing, as it was likely to take more time for inflation to hit its 2 percent target.
"Given uncertainty over the outlook, we have no intention of raising interest rates at least until the spring of 2020," Kuroda said. "I don't believe we must review our interest rate targets at all cost straight after the spring of 2020."
The BOJ also announced steps to make its easing framework more sustainable, such as expanding the type of collateral it accepts for supplying funds to financial institutions.
Years of heavy money printing have failed to fire up inflation to the BOJ's target and left it with little ammunition to fight the next recession.
Prolonged easing has also added to stresses on regional banks, already facing slumping profits due to an ageing population and an exodus of borrowers to big cities.
Kuroda said regional banks could do more to boost profits, through mergers and consolidation, suggesting the BOJ would not raise rates just to ease banks' pain.
"We will adjust monetary policy swiftly if necessary to sustain the economy's momentum for achieving our price goal," he said, signaling the BOJ's readiness to ease more.
A security guard walks past in front of the Bank of Japan headquarters in Tokyo, Japan January 23, 2019. REUTERS/Issei Kato
But Norio Miyagawa, senior economist at Mizuho Securities, said the fact the BOJ did not ramp up asset purchases showed it was aware of the growing side-effects of prolonged easing.
"The BOJ is worried that consumer prices may not rise even after risks posed by overseas economies recede," he said.
"It's saying it will continue to keep policy easy but there are limits to what more it can do, both in terms of duration and the kinds of tools available."
Additional reporting by Tetsushi Kajimoto and Kaori Kaneko; Editing by Kim Coghill & Simon Cameron-Moore


text:
My favourite Montreal book...
The Luck of Ginger Coffey
By William Weintraub
A review of The Luck Of Ginger Coffey by Brian Moore
The Luck of Ginger Coffey, a harrowing tale about the misfortunes of an Irish immigrant in Montreal, was first published in 1960. Its author, Brian Moore, was himself an Irish immigrant. But in the twelve years that Moore had resided in Montreal, the city had been much kinder to him than it had to his hapless hero Ginger Coffey. It was during that period that Moore published his first two novels, The Lonely Passion of Judith Hearne and The Feast of Lupercal, books that earned international acclaim. Those first novels were set in his native Belfast, but now this third book would be set in Montreal.
Ginger Coffey appeared during that bleak era before the term CanLit was coined. Almost all Canadian novels of the time featured characters that were fashioned out of sturdy plywood. By contrast, Brian Moore's characters were flesh and blood, and could awaken in the reader strong emotion rather than virtuous cogitation. How we suffered with poor Ginger as he endured his endless humiliations; how we winced with the pain that his obtuseness inflicted on his wife and child.
Besides giving us a vivid collection of characters, and a gripping plot, the book presents us with an unforgettable picture of winter in the Montreal of the era. Ginger Coffey had expected the city to remind him of Paris, but sights like a woman walking along a snowy street, "her head tied up in a babushka," made him conclude that Montreal was more like Siberia than France. And his immigrant's eye was intrigued by a taxi, "its tyre chains rattling in the brown sugar slush."
Reading The Luck of Ginger Coffey again after 45 years confirmed its position as my favourite Montreal novel. And suggested to me that it should be recognized as a Canadian classic. mRb
(No author bio posted.)


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CFTC RULE 4.41 – HYPOTHETICAL OR SIMULATED PERFORMANCE RESULTS HAVE CERTAIN LIMITATIONS. UNLIKE AN ACTUAL PERFORMANCE RECORD, SIMULATED RESULTS DO NOT REPRESENT ACTUAL TRADING. ALSO, SINCE THE TRADES HAVE NOT BEEN EXECUTED, THE RESULTS MAY HAVE UNDER-OR-OVER COMPENSATED FOR THE IMPACT, IF ANY, OF CERTAIN MARKET FACTORS, SUCH AS LACK OF LIQUIDITY, SIMULATED TRADING PROGRAMS IN GENERAL ARE ALSO SUBJECT TO THE FACT THAT THEY ARE DESIGNED WITH THE BENEFIT OF HINDSIGHT. NO REPRESENTATION IS BEING MADE THAT ANY ACCOUNT WILL OR IS LIKELY TO ACHIEVE PROFIT OR LOSSES SIMILAR TO THOSE SHOWN.


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text:
Nintendo 'Advanced Wars 1+2: Re-Boot Camp' Remake to be Delayed to Spring 2022 | More Time for 'Fine Tuning'
Urian B., Tech Times 22 October 2021, 01:10 pm
(Photo : Image from Nintendo Website) Nintendo 'Advanced Wars 1+2: Re-Boot Camp' Remake to be Delayed to Spring 2022 | More Time for 'Fine Tuning'
One classic game that has been extremely popular, especially for the GameBoy advanced console, was expected to have its own remake. Nintendo, however, has announced that the "Advanced Wars 1+2: Re-Boot Camp" remake is now being delayed to the Spring of 2022.
Nintendo 'Advanced Wars 1+2: Re-Boot Camp'
According to the story by Engadget, Nintendo has just reportedly delayed the "Advance Wars 1+2: Re-Boot Camp." The company is now expected to release the game's remake in Spring of 2022 instead of the originally expected Dec. 3.
Although the initial plan to release the game in December 2021 could have been quite an interesting addition for a Christmas release, the new release date is something else. Although there might not be that many events in Spring 2021, this might not really be a problem for the classic game.
Delay for 'Advanced Wars' to Spring 2022
The previous announcement was for Dec. 3 but the new release date is said to happen sometime in Spring 2022. The game was described as needing just a little more time in order for it to get "fine tuning." One problem that the new Nintendo Switch OLED is reportedly suffering from is screen burn-in.
Nintendo initially announced the Switch title all the way back during its own E3 Direct back in June. The remake is said to bundle up certain "reimagined" versions of "Advance Wars" as well as "Advance Wars 2: Black Hole Rising." Check out other upcoming Nintendo Switch games October.
Classic Game Boy Advance Games
Both games were reportedly long considered classics of the massive tank turn-based tactical strategy genre, which initially appeared on the Game Boy Advance in 2001 and 2003. Intelligent Systems is reportedly best known for its work on the Fire Emblem franchise, yet another massive success. Intelligent Systems was reportedly known as the lead developer for both titles.
Nintendo of America tweeted out that players will finally be able to battle with Andy & friends sometime soon. The developer also thanked players for their patience. Although it's been a while since there has been any development on the game or the franchise, fans are now pleased with the remake of this classic game.
Read Also: 'Stardew Valley' Developer Introduces Spooky New Game 'Haunted Chocolatier'
Orange Star Army
As per the official Nintendo page, players will command an army in the classic strategic, turn-based combat as a particular tactical adviser for the Orange Star Army. The website notes that players' expertise is needed to move land, air, and even naval units all across the battlefield.
Players will be able to take down enemy squads and even capture towns and bases to secure victory and keep the peace. Players will reportedly be keeping an eye on the whole game-changing terrain and weather as they will lead others to a number of units all across different maps.
Related Article: 'Genshin Impact' Yunjin Banner Release Date and Other Rumors! Will She Really Arrive?
Written by Urian B.
Tags: Nintendo Advanced wars War Remake Delay Spring 2022


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I can't seem to find an answer to why this is Neil Gaiman's last tour but I have a feeling it has to do with how busy the man has been. Yes, Dallas has been one of the lucky city to be listed as a tour stop and I have got my ticket! Follow the links below and you'll have everything you need.
AMERICAN GODS was my first introduction to Neil, which in turn, led me to his joint effort with Terry Pratchett, GOOD OMENS. GOOD OMENS is probably my favorite to date, but we'll have to see after I read this one.
What would be your favorite Neil Gaiman book? Any of his items fall flat? Do tell.
***UPDATE 4/19/13*** Forgot to put in here that he will be at the Majestic Theater 7:00PM on Monday, June 24, 2013. Purchase of ticket(s) includes a copy of the the book THE OCEAN AT THE END OF THE LANE.


text:
Bourg-Saint-Pierre (toponimo francese; in tedesco Sankt Petersburg, desueto) è un comune svizzero di 182 abitanti del Canton Vallese, nel distretto di Entremont.

Geografia fisica

Bourg-Saint-Pierre si trova nella val d'Entremont, ai piedi del colle del Gran San Bernardo.

Storia
.

Il 20 maggio 1800, quando era ancora primo console, Napoleone Bonaparte passò per Bourg-Saint-Pierre, diretto in Italia attraverso il colle. L'avvenimento è ricordato da una targa affissa sul muro della casa dove sostò prima di continuare la sua marcia.

Monumenti e luoghi d'interesse

 Chiesa cattolica di San Pietro, eretta nell'VIII secolo e ricostruita nel 1000 circa e nel 1739;
 Ospizio del Gran San Bernardo, attestato dal 1050;
 Diga di Hospitalet.

Società

Evoluzione demografica
L'evoluzione demografica è riportata nella seguente tabella:

Amministrazione
Ogni famiglia originaria del luogo fa parte del cosiddetto comune patriziale e ha la responsabilità della manutenzione di ogni bene ricadente all'interno dei confini del comune.

Note

Altri progetti

Collegamenti esterni

Itinerario di Sigerico

redpajama_set_name: RedPajamaWikipedia


One of Italy's most famous mafia informants, whose evidence led to the life imprisonment of 16 bosses from the Naples Camorra in 2008, has said he regrets his choice to turn witness.
Carmine Schiavone, former boss from the notorious Casalesi clan, left witness protection in July. In his first interview on Friday he told Sky TG24 news on Friday that he had been abandoned by the Italian state.
"If I could go back in time, I would not be an informant," he said in the TV exclusive.
Schiavone was pessimistic about the prospect of ever defeating the mafia in Italy.
"The mafia will never be destroyed because there are too many interests both at an economic level and a political level, " he said.
Schiavone is the cousin of the former superboss Francesco Schiavone and testified against him and other leaders during the famous Spartacus Maxi trial which smashed the operations of one of the most powerful cells of the Neopolitan mafia.
He collaborated with Italian authorities for 20 years before emerging from witness protection last month.
Schiavone had previously ordered hundreds of murders before providing investigators with crucial information about the internal operations, in particular on toxic waste disposal, conducted by the Casalesi clan based in Casal di Principe, outside Naples.
"My trouble was really being a collaborator because in Italy there is no justice, law, or policy that understands that," he told Sky News.
While admitting he made mistakes he said ministers, police, and magistrates were "more responsible" than him because they allowed it and then "built their careers" from what he had done.
The 10-year Spartacus Trial represented a fierce assault on the Casalesi's territory and 36 members of the syndicate were charged with a string of murders and other crimes. Sixteen bosses were sentenced to life imprisonment.
When it concluded Roberto Saviano, the author famous for his best-selling book on the clan Gomorra, said it was "the most important trial in the last 20 years".


Forrester Research found that enterprises predominantly use Windows and Internet Explorer, but they're currently sticking with the older Microsoft technologies.
A Forrester Research study found that enterprises predominantly use Windows and Internet Explorer, but they're currently sticking with the older Microsoft technologies. The report is based on a sample of nearly 52,000 visitors to the Forrester Web site in the second half of 2008.
More than 96 percent in the study ran some version of Windows. However, enterprises preferred the older Windows XP (87.7 percent) over Microsoft's current flagship Windows Vista (10.5 percent) operating system.
Vista operating system use in the enterprise hit the double-digit mark in November, representing a relatively slow adoption rate. Meanwhile, enterprises have been anticipating the release of Windows 7, currently at beta.
For that reason, Windows 7 could prove to be "the nail in the coffin" for Vista, according to Thomas Mendel, Forrester analyst and the report's coauthor.
Other operating systems lagged in the enterprise. The Macintosh OS grabbed a 3.3 percent market share in December, up from 2.7 percent in July. However, the report's authors advised software vendors to be pragmatic about providing platform support and to "forget about Macs" unless aiming for a specific business vertical.
Enterprise users have also been clinging to Microsoft's legacy Web browser. For instance, while Internet Explorer held 78 percent of the enterprise browser market share in December, the majority (60.2 percent) used the older IE 6 version.
For that reason, Microsoft's lack of support for IE 6.0 "is bordering on insanity" for enterprise users, the report's authors suggested.
The Firefox browser took a small bite into IE's enterprise market share. Firefox use increased from 16.9 percent in July to 18.2 percent in December.
The bite was even smaller with Google's Chrome browser, which was introduced last September. Chrome use increased from 1.6 percent at the time of its introduction to 2 percent at the close of the report period. Chrome finished ahead of Apple's Safari (1.4 percent) and Opera (0.2 percent) browsers, according to the report.
Flash and Java continue to dominate the functionality side of Web browsing, with both winning "universal acceptance" in the enterprise. Flash and Java are making their way into conservative enterprise architectures to complement business applications as developers focus on providing rich user experiences, according to the report.
Forrester's report, "Enterprise Platform Trends, H2: 2008," is designed to aid independent software vendor decision-making. In addition to data on OS and browser market share, it provides data on screen-resolution and color-depth trends in the enterprise.


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