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Home › Features
The sound of Strictly
Daniel Gumble visits BBC Studioworks' facilities at Elstree Studios for a look behind the scenes at a TV phenomenon
Published: December 12, 2019 ⋅ Updated: May 13, 2020
Setting foot on to the set of Strictly Come Dancing is like stepping into a rainbow. Dozens of multi-coloured spotlights swirl and fizz in every direction, while LED displays and video screens bathe the room in a bubbling froth of luminescent pinks, purples, greens, blues and oranges. As we arrive to check out the rehearsals we find a beaming Anton Du Beke laughing and mopping his brow as he departs the dance floor following a run-through of his routine, soundtracked by a loud, brassy circus tune that's being prepped for the next couple. It all stands in stark contrast to the oppressive, slate grey drizzle lurching over Borehamwood's Elstree Studios on the day of our visit. It's a Friday, which means we are 24 hours away from the live Saturday night broadcast. BBC Studioworks, the studio and post production provider for Strictly, has kindly invited us into the fray for a look behind the scenes and a chat with some of the key members of the sound department, including Andy Tapley, sound supervisor, BBC Studioworks, who has worked on the show for the best part of a decade.
He takes us on a comprehensive tour of the studio where we see and hear first hand precisely what goes into the making of an episode of Strictly. The collective effort of the production team is phenomenal, as they create an audiovisual spectacular that dazzles and sparkles like the contestants' outfits, working to a schedule almost as tight.
"We divvy up the mixing because it's such a big show," says Tapley, referring to his broadcast mix partner and co-sound supervisor Richard Sillitto, as TVBEurope sits down with the pair in a bustling mixing room. "We have lots of circuits coming from the studio floor… it's a busy show and it takes two of us to mix it. We use a system that has developed over the years as the production requirements have become bigger and bigger with each series. If you were to look back at the early days of the show you'd see it looks very different. It's evolved a lot." It certainly has. Now in its 17th series, Strictly has fought off stiff competition from numerous Saturday night prime time contenders to remain one of the most popular fixtures on the TV calendar. With each series the stakes are raised, and as the visual elements of the show are elevated, so too are the challenges placed on its sound team.
"We work closely with the visuals," says Tapley. "It's become more demanding in terms of the content we're covering. From a music perspective, it's very challenging. The music is incredibly diverse and has got more and more varied over the years."
Sillitto elaborates: "There has been an ambition to incorporate more modern-produced tracks. It's moved away from the band just doing a cover to much more often trying to recreate the track and getting it as close to the original as possible, albeit with a pit band."
"The calibre of the musicians is a huge part of that," Tapley continues. "Headed by Dave Arch, the 18 session musicians seamlessly switch between orchestral scores to produced pop. They are an amazing team, as are the sound team members working in the background; organising the radio mics, band, monitors and PA. It's the professionalism of this team, and all teams on the show that make it possible.''
To help us understand what a weekly cycle of Strictly from one Saturday to the next looks like, Sillitto provides a breakdown of his and Tapley's schedule.
"Principally it starts for us on a Thursday when we have a planning meeting, where we'll discuss what's happening the following week," he explains. "That'll incorporate sound, lighting, props, everyone. Then Friday is spent with Howard Hopkins, deputy sound supervisor playing in commercial tracks, cameras can rehearse and it's a good time for me and Andy to have a listen to the tracks. Later this evening, all the cameras will go home and the rhythm section of the band will arrive, and we'll run through all the tracks, building up snapshots and then we'll come in on Saturday, have 15 minutes with the band to add the front line and start rehearsing with the couples. So then the couples will dance for the cameras with the live band, which gives us another two hits with them. Later on in the day we'll do a dress rehearsal, then it's live to air. Then we forget all about that and start again!"
Presumably, as the show rolls on and couples are eliminated, the process becomes easier. Not so says Tapley. "You'd believe that was the case, but you have to factor in that every week there might be another group dance or some special event, like Halloween," he tells us. "In theory, it should get easier but it never actually does because there are always additional challenges. And in a couple of weeks we're off to Blackpool. We pack up everything and rebuild it in the Blackpool Tower Ballroom. It's a big show to take on the road. Then it's back here, where we rebuild everything again and then it's the Christmas show. It's a juggernaut production that starts at the end of August and goes through to Christmas and it's only then that you take a breath."
"Most of the people who work on the show across all departments have been with it for many years, so it's built quite a nice family feel," Sillitto adds. "Everyone is very supportive of one another and we're always discussing things with other departments to see how we can help each other or get through problems. That's what makes it work."
As for the process of mixing the show, Tapley and Sillitto have become accustomed to the studio's Studer Vista X console, which, they tell us, is vital in bringing the show to life for the audience at home.
"The desk enables you to very dynamically position faders where you want them and to allocate on an ad-hoc basis," says Tapley. "We actually have six stage boxes in the studio, which are feeding back about 180 circuits from the studio, so that's about 80 inputs from the band, 50-60 radio mics, audience mics, then there's all the tracks for visiting bands, etc. All of that comes into the desk and we divide it into sections. At one end I have different layers, so I have the drum kit on one layer, guitars, keyboards, percussion, trumpets, sax, it's set up in a way that I'm very familiar with so I can switch between them. I'm actually using half of the physical surface to mix the band and then, when the music's over, I jump to another layer with couples' mics and Rich will be across the main presenters' mics at his end of the desk."
Sillitto picks up: "At my end of the desk I've got the fader that is the audience, a couple of VT replay lines, the presenters and the four judges, so my hands are already pretty full with that. Then I've got all live vocals, so four vocal mics, various sends to effects units, guest mics. I also have a few standby things – because it's a live show we have to prepare for things that could go wrong, so we have these standbys that we call our 'ultimates'. They are a couple of mics on a bit of copper cable straight into the desk, so if all the RF and stage boxes fall over, we have something to go to!''
"On the layers below, I have all the couples' mics, so if for some reason Andy can't get to them I have them all grouped together. I also manage things like the Timecode. So the Timecode can come in from various sources – from grams, from the band, from the QLab playback system we have for guest acts. Snapshots are a vital feature and Timecode switching is one of the things that gets switched with the Snapshots, so when we pull back a particular track it chooses where the Timecode comes from and sends it off to everyone who needs it all from one point."
Equal to the challenge of mixing for the audience at home is mixing FOH for the live studio audience. For the past nine years, the task has been handled by audio solution provider Plus 4 Audio, and at the helm Nick Cook. During his time on the show he has seen production values grow consistently, often forcing speaker placement further and further to the periphery to accommodate increasingly elaborate staging and use of props.
"Nine years is a long time and things grow and change," Cook says as we join him at the mixing desk overlooking the dancefloor. "The band by and large has pretty much stayed the same, but the amount of inputs and complexity of the performances has grown. We go from dance tracks to skiffle tracks to charleston, to rave… things need to be flexible. For each guitarist we've got an acoustic line, an electric line and a banjo line. This keeps things as separated as possible and gives us optimum control over it – it is similar to many parts of the band and the channel count keeps growing!
"This is our seventh year at Elstree and it's a bigger room here, so the set is slightly higher so our box count went up slightly," he continues, discussing the more challenging aspects of his role. The PA has to go higher than we would usually like but it has to clear all of the camera shots and we also work closely with lighting to clear any follow spot shots. It's a challenge, but at Plus 4 we're all very aware of the environment we're working in and need to be sympathetic to it.
"There's lots of zoning – where the judges are sitting we split the hangs to give us maximum flexibility for those mics. We have to keep it nice and clean but it can be challenging due to time constraints. We don't see the band until Friday night, so before we do it live on TV we might cram in five or six passes of each song. Also, the costumes change every week, so unlike theatre where the mics are always in the same position, they'll change week-on-week or day by day."
So what's the setup? "I use a Digico SD7," he says. "It has in excess of 160 inputs and I do all of the system work on this as well – I send out to multiple matrices to give myself maximum control. This means that when things are thrown at me at the last minute, as they often are, the system has the flexibility to adjust certain elements of the PA and get plenty of level whilst keeping a clean sound for Richard and Andy in broadcast.
"The PA, which is an almost 'in the round' system, features L-Acoustics Kiva II boxes, which are perfect for the environment, and I have APG UL118 subs to give us a nice bit of warmth and energy."
He continues: "Ultimately, my job is to make sure the audience are getting a show experience whilst being very aware of the broadcast requirements. If they can't hear the presenters they can't react; if they can't hear the jokes they can't laugh etc, it's very important that everybody can hear the dialogue so that Andy and Richard can capture that room environment for TV. If everyone's having a good time here, everyone at home will hear and feel it. At the end of the day, sound matters."
Like Tapley and Sillitto, Cook is also keen to address the 'family feel' that has been cultivated throughout Strictly's various production departments. "We're always sharing ideas and working together, from band mic positions to foldback mixes and levels to PA EQ and content. It sounds cheesy but we're a proper family and we work really closely together."
Before departing the warm, candy store glow of the studio for the gloom that awaits outside, we run into one of the show's RF specialists, Adam Waller, an employee of RF provider Terry Tew, which looks after all of Strictly's radio mics and IEMs. It's an incredibly complex and challenging aspect of the show, made all the more difficult by Ofcom's clearing of 700MHz spectrum.
"Obviously there is a lot of stuff going on onsite," Waller says. "From an RF perspective, the challenges come in available spectrum onsite, as well as RF generated by other stuff, like LED walls, lighting kit, anything that emits RF can cause us a problem. It's getting better as kit gets better, but obviously Ofcom has gotten rid of a load of spectrum this year, which has presented huge challenges on this show. The current plan, having invested heavily in new kit, is to shift into DME spectrum (900MHz upwards), which is currently clean spectrum. The plan is that the next series will be fully digital."
Despite the highly technical nature of Waller's job, some of the most taxing tasks he faces stem from a far simpler place.
"The biggest challenge with this show, RF aside, is pack position, size of pack and battery life," he tells us. "The pack gets sewn into costumes in the morning and has to last out the record, so battery life is a huge consideration. And on this show, dancers can't wear packs, where you would usually expect a pack to be worn. Some are worn on the back, but some are worn in other places…
"As for the gear we use, for quite a few years now it's been Sennheiser 1046s," he continues. "They hold on for dear life and are very easy to manage. In a live show when you're on air you can look across the rack and you can see very quickly if there is a problem. And we use the little 5212 packs. They are obviously very small so work for the positioning on a dancer."
Throughout our visit, the team are welcoming, happy to chat about their work and seem thoroughly relaxed despite the vastness of the job in hand. There's still plenty of work to be done ahead of the Saturday night show but, predictably, it goes off without a hitch. For the Strictly team it's business as usual. "It's hard work, but it's such a fun show to work on," Tapley reiterates as we say goodbye. "We wouldn't have it any other way."
Tags ⋅ BBC Studioworks ⋅ strictly come dancing ⋅ audio ⋅ elstree studios
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Ormond Porter: an SU legacy
Posted in SU QLD
"In all your ways acknowledge him, and he will direct your path."
Proverbs 3:6 Our actions today have the potential to cause ripples that will one day become a mighty wave in the future.
When Scripture Union founder, Josiah Spiers, wrote God is Love in the sand of a Welsh beach in the late 1800s, little did he know the ripple he started would create a wave that covers more than 120 nations today, impacting millions of young lives.
When Ormond Porter became the first SU QLD employee in 1944, little did he know he would carry on the legacy of Josiah that now reaches more than 900 local communities throughout Queensland, impacting more than 400,000 children and young people every year.
These humble pioneers are joined by scores of other passionate, dedicated men and women around the world, who have sacrificed much so the next generation could experience God's love and good news.
Ormond's daughter Sue shares her reflections on her father's life and legacy.
"The guiding force of my father's life was his belief in Jesus," says Sue.
"I think Dad would be very humbled to see where Scripture Union Queensland is now."
Ormond was born in Sydney on September 27, 1917 and passed away in Brisbane on March 2, 2010.
Today he is known as one of the "Founding Fathers" of SU QLD. Seventy years ago, he was simply known as a young man with a passion to share the good news of Christ with young people.
Ormond grew up camping and exploring the Australian bush, and it was these adventures that inspired him to run camps and events with groups of young people.
He knew his calling was to work with young people, and could see how important community and shared experiences were. These bush camps changed the lives of many throughout the late 1940s and beyond.
This legacy lives on today in the Adventure Camps and at-risk programs run by school chaplains.
Today, standing on the shoulders of those who have come before, we are grateful to those early trailblazers like Ormond Porter.
Our ministries may look different today to meet today's needs, but the same heartbeat that inspired Ormond remains.
It's this same heartbeat that we carry in this next chapter as we partner with our Scripture Union family across the nation to see each child, young person and family experience God's love and good news.
This next chapter may look like only a ripple today, but let's get excited about the waves we will make for our future generations as we continue to acknowledge God and allow Him to direct our path.
If you wish to leave a lasting legacy through a bequest to Scripture Union, contact Jon Thorne at bequests@su.org.au today.
Sarah Moore
Media and Communications Administrator

redpajama_set_name: RedPajamaCommonCrawl


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text:
David Beckham Teams With H&M For Bodywear Line
By Nikki Leigh	 On Jul 28, 2011
David Beckham has teamed up with H&M for the David Beckham Bodywear line. This is going to be a huge hit in 1,800 stores around the globe. David told Us,
"Over the past year, I've been developing my Bodywear range with my team and I'm extremely positive about what we have designed and produced. The final piece in the jigsaw was a retail partner who has the vision and capability to distribute these products globally. In H&M we have found the perfect partner to collaborate with going forward, and I'm excited and looking forward to showcasing the range to H&M customers."
FIRST PHOTOS: The Beckham's Princess Harper Seven
You know this is going to be a super hot line and the ads are going to be all eye candy. The launch is set for February 2012.
Nikki created Hollywood Hiccups in September 2010 and she is a native Canadian. Originally from Cape Breton, Nova Scotia she now lives in Colorado. Nikki is a former University Professor and part-time writer. In September 2010 she decided to write full-time and bring Soap Opera news to her fellow Canadians and Americans. You can contact Nikki at hollywoodhiccups [at] gmail.com


text:
package test

import (
	"fmt"
	"io/ioutil"
	"log"
	"os"
	"time"

	"github.com/fatih/color"
	"github.com/ghodss/yaml"
	"github.com/servehub/serve/manifest"
	"github.com/servehub/utils"
	"github.com/servehub/utils/mergemap"
)

func init() {
	manifest.PluginRegestry.Add("test.component", TestComponent{})
}

type TestComponent struct{}

func (p TestComponent) Run(data manifest.Manifest) error {
	if data.GetString("env") != data.GetString("current-env") {
		log.Printf("No component test found for `%s`.\n", data.GetString("current-env"))
		return nil
	}

	for i, multiComponent := range data.GetArray("components") {
		component := manifest.ParseJSON(data.GetTree("compose.services.component").String())
		merged, _ := mergemap.Merge(component.Unwrap().(map[string]interface{}), multiComponent.Unwrap().(map[string]interface{}))
		name := fmt.Sprintf("component-%d", i+2)

		data.Set("compose.services."+name, merged)
		data.ArrayAppend("compose.services.tests.depends_on", name)
	}

	bytes, finalErr := yaml.Marshal(data.GetTree("compose").Unwrap())
	if finalErr != nil {
		return fmt.Errorf("error on serialize yaml: %v", finalErr)
	}

	tmpfile, finalErr := ioutil.TempFile("", "serve-component-test")
	if finalErr != nil {
		return fmt.Errorf("error create tmpfile: %v", finalErr)
	}

	defer func() {
		tmpfile.Close()
		os.Remove(tmpfile.Name())
	}()

	if _, err := tmpfile.Write(bytes); err != nil {
		return fmt.Errorf("error write to tmpfile: %v", err)
	}

	checkFile := data.GetStringOr("check-file-exist", "")
	if checkFile != "" {
		os.Remove(checkFile)
	}

	log.Printf("docker-compose file:\n%s\n\n", string(bytes))

	if err := utils.RunCmd("docker-compose -p %s -f %s pull", data.GetString("name"), tmpfile.Name()); err != nil {
		return fmt.Errorf("error on pull new images for docker-compose: %v", err)
	}

	defer func() {
		utils.RunCmd("docker-compose -p %s -f %s down -v --remove-orphans", data.GetString("name"), tmpfile.Name())
	}()

	timeout, finalErr := time.ParseDuration(data.GetString("timeout"))
	if finalErr != nil {
		return fmt.Errorf("error parse timeout: %v", finalErr)
	}

	go func() {
		select {
		case <-time.After(timeout):
			color.Red("Timeout exceeded for tests, exit...")
			utils.RunCmd("docker-compose -p %s -f %s down -v --remove-orphans", data.GetString("name"), tmpfile.Name())
		}
	}()

	if res := utils.RunCmd("DOCKER_CLIENT_TIMEOUT=300 COMPOSE_HTTP_TIMEOUT=300 docker-compose -p %s -f %s up --abort-on-container-exit", data.GetString("name"), tmpfile.Name()); res != nil {
		finalErr = fmt.Errorf("error on running docker-compose with tests: %s", res)
	}

	if checkFile != "" && finalErr == nil {
		log.Printf("Check if %s exist...", checkFile)

		if info, err := os.Stat(checkFile); os.IsNotExist(err) || info.Size() < 16 {
			finalErr = fmt.Errorf("check file not exist! %s. %v", checkFile, err)
		}
	}

	return finalErr
}

redpajama_set_name: RedPajamaGithub


PADI now offer the Touch for; Open Water Diver and Equipment Specialist Courses and are looking to extend this range in the near future.
You don't need an internet connection for knowledge development once you have download the Touch, so you'll have the flexibility to learn anywhere, at any time. You will, however, need to go online to take the quizzes and access your online eLearning record. Download the PADI Library application now for iOS and Android to experience an introduction to the Touch.
The real saving here is time, which can be very precious on holiday.
With PADI's eManuals, you will be sent a unique code in order to access the eManual either online or downloadable. This will enable you to do the necessary reading and to complete the course reviews (Knowledge Reviews) prior to your arrival. This will save you homework time once you arrive, so more time to relax. You will however still need to watch the course DVDs and attend all the theory sessions. This is included in the price of your course.
Click the tab LEARN MORE below for further details of the courses for which eManuals are available.
This is a downloadable App for your tablet, available for both iOS and Android. The Touch is a truly interactive learning experience.
You don't need an internet connection for knowledge development once you download the Touch so you'll have the flexibility to learn anywhere, at any time. You will however, need to go online to take the quizzes/final exam and access your online eLearning record.
Follow this link for further details of the courses for which the PADI Touch is available.
Click the tab LEARN MORE below for further details for courses for which the PADI Touch is available.
PADI offer eLearning for; Open Water, Advanced Open Water, Photography, Nitrox, Rescue and Divemaster Courses. Some online courses offer greater holiday-time saving benefits than others. This is an online version of the course theory, much the same as the Touch but accessible only online on your PC or Mac.
Click the tab LEARN MORE below for further details Courses for which PADI eLearning is available.


Welcome to 2018. I hope this year is going to be wonderful to everyone. I took a quick break from the coffee chats over the holiday period. Hoping to continue these for 2018.
First up for 2018 is Australian author Dawn Meredith. Dawn's first two books were published in 2000. Since then she has been published in almost every genre. She loves the quirky, the dark, the humorous, but also enjoys biographies and true life stories. fantasy and crime novels. Her ninth book was released in 2017. He work includes fiction and non-fiction books, short stories, short non-fiction pieces, and poetry. She has conducted many writing workshops for children and adults in many states of Australia and she's been a panellist and workshop presenter at Conflux and the Sydney speculative Fiction Convention.
Dawn: Milky with 2 sugars. I don't tolerate coffee so well but it smells absolutely divine. But I am a mad tea drinker and being English, you'd better not hand me some weak looking dishwater in a cup!
DL: You've recently moved to writing young adult fiction from children's fiction. Are the story ideas flowing in abundance now that you've put on a new hat? And what has been the influence for the change to YA?
Dawn: I've written 5 YA novels but this is the first one to see the public spotlight. I was pretty happy with it. My first agent loved it but never really did anything with it. My second agent, same firm, said I needed to rewrite the entire thing in first person. I compromised. I rewrote in first person omniscient. It is better, I admit. I had the opportunity to tune it up a little too. I love trying new things and I've always wanted to write for the YA market.
DL: You've been successful in winning literary grants. For anyone wanting to apply, what do you think they could do to stand out from the crowd? And are the judges looking for things to do and not to do?
Dawn: I won the May Gibbs Fellowship. I just followed what they asked for and happened to have the right story at the right stage of development. I wouldn't have even known about it if a literary mentor hadn't suggested I apply. I was time poor and ideas mad and needed the 4 weeks break away. Very glad I won it!
DL: Have you found that publishers would prefer that you to stick to children's books from a branding perspective, or do you think they're supportive in seeing an author grow into other areas?
Dawn: No. I've never stuck with the same publisher. I have been writing in fiction and non fiction and different genres. A lot of it had to do with my work with quirky kids. My most successful book, which brings me monthly income 4 years later (and growing) , was self published through Moshpit. I've been looking for my 'voice' as they say. Funny thing is, when I finally said to myself, "stuff it! I'm just going to write how I damn well want to and stop worrying about 'show-not-tell' and 'no narrator voice!' and all that crap." Well, the very first page of that manuscript won the SCBWI Writers award and a scholarship last year, didn't it? That was Letters From the Dead which I just launched yesterday. It's a sort of YA crossover novel, according to Susanne Gervay, who launched it.
"LETTERS FROM THE DEAD" WON THE 2016 SCBWI ANDREA DAVID PINKLEY WRITER AWARD - A SCHOLOARSHIP WITH THE VICE PRESIDENT OF SCHOLASTIC USA.
DL: "Super Charlotte" is your new book and it's submitted to Inkitt for a publishing deal. What is the motivation behind choosing to launch your book through this avenue as opposed to traditional or self publishing?
Dawn: I do love cake, but you can't beat chocolate wheatens. YUM! You dip them in your tea and slurp the melted chocolate off the crunchy biscuit... OMG. I'm going to the shop as soon as I've finished typing this.
A fictional paranormal crime story of Delia Fox, a 19 year old woman who has a dangerous gift - she can read the memories of the recently dead. Working for the police to solve mysterious deaths she herself becomes a target when her evidence helps to send criminals to jail. Delia speaks for the dead but who will protect her from the living?


text:
Accueil / Les cahiers de l'entreprise / Eco Régions / Kribi Deep Seaport: Over 348, 000 Tons of Goods Handled In 2022 First Semester
Kribi Deep Seaport: Over 348, 000 Tons of Goods Handled In 2022 First Semester
Par Roland MBONTEH
The performance records an improvement of 315 per cent compared to the same period last year.
At the end of the first half of 2022, the Kribi Deep Seaport (PAK) handled 348,118 tons of goods. This is contained in an information note that has just been made public by the port authority. According to the note, some 17,604 tons of fertilizer and bulk, 145,448 tons logs of raw wood and 185,066 tons of clinker constitute the main cargo shipped through the port during the period under review. This constitutes an increase of +315 per cent compared to the same period in 2021. An absolute record according to the port officials. During the above-mentioned period, container traffic stood at 148,218 TEU (Twenty Foot Equivalent). This figure is up by +70.6 per cent compared to the same period in 2021, "and +69 per cent on the second annual operational record objective recorded", explains the Port of Kribi. Goods excluding transshipment (handling of goods between two ships) stand at 5.8 tons, recording an achievement rate of 57 per cent with regard to the annual objective. Ship calls recorded are 208, a progress rate of 16.1 per cent on the assigned objectives.
The sterling performances recorded confirms the upturn of activities at the port during this post-Covid period. Authorities of the Kribi Deep seaport also attributes the performance to the acquisition of several new gantries in 2021; the operational excellence of the teams "the dematerialization of all import and export procedures at the Port of Kribi, the synergy of actions between the actors and the users of the Port. The syner...


Today Mr. Oleh, our patient, has been hospitalized once again. It has been four years of complex treatment, operations and medical procedures, and now it has come to the final straight! Two months ago, the doctors had to remove the Ilizarov apparatus from his leg, still the procedure was postponed due to slow restoration of the crushed femur. Now the doctors made sure that the entire section of the bone needed for restoration has got renewed and strengthened. Accordingly, tomorrow all the metal structures are to be removed with following application of the gypsum plaster. Mr. Oleh will be released home where his task will be to train the leg.
The wounded fighter of the Donbas battalion joined the Bioengineering Rehabilitation for Wounded project almost four years ago. He had got wounded while fierce fighting near Ilovaisk. An enemy sniper bullet hit him on the leg causing heavy destruction to his thigh: the 14cm of the femur got severely injured. Mr. Oleh underwent treatment in the best hospitals including foreign ones. But the biggest thing that had been achieved was transplantation of the fragment of the patient's own bone. Unfortunately, the surgery turned out to be futile and failed to lead to recuperation.
It was the Biotech within which the best doctors took on the man's case. 10cm of the bone defect were recompensed using cell technologies: the surgeons transplanted a special bone matrix filled with Oleh's own cell materials, into the zone of injury; the same materials were used to fill the adjoining area. Thanks to application of these cells the bone fragment grew into the proper place easily and with no problems, with time having turned into the new bone of the monolith solidity. The rest of 4cm was to restore using traditional methods, namely by stretching the bone out by means of the Ilizarov apparatus.
Hopefully, now with his bone totally restored, our fighter will get rehabilitated soon and proceed to walking on his own legs shortly.
We are sincerely grateful to everyone who supported Mr. Oleh's recovery making it possible. It wouldn't have been achievable if not your donations. Still there are other military in the Biotech who also need our assistance. We urge you not to stay aside and remember that even smaller contributions can form a part of the sum that will be enough to save a fighter's life.


A huge number of jobs within the banking, finance and insurance industries are available across the country on Jobstoday. These skilled jobs require statistical minds as you'll be dealing with claims and risk, both as an adjuster and negotiator. Business analysts, finance analysts and traders dealing in the stock market are in high demand.


I reach home after monday's night class and I found the door to my room unlocked. Strange. I always lock my door when I leave home. And I find my keyboard light on. I always switch the computer off when I'm done with it. I try to switch the computer on to read my email before I head to bed and I found this horrifying message.
My heart just skipped a beat. Eek!
Hard disk may be damaged.
I spent practically every bit of my savings for the camera. I cant afford to fix the *&#*&$#* computer right now. Its like every time, I have a little bit of savings, the (#*(#&$*(#& computer spoils and I have to spend money to fix it.
wooo…Samara ghost at work…but wrong target lah, instead of u, it haunted ur pc…hee..
Ahh hah! no ghost there, seems some little fingers put hand on the computer, now to do a dna test to see which of little brothers did it.
I do feel sorry for you, really I do. I have had my share of problems, maybe you can just fix it? Let it sit and think for a few days?
Kucing Kurap : I'd rather have the ghost haunt me instead. So much more economical to pay the ghost buster compared to the cut throat prices that computer parts are being charged …arrr!!
Good adage, got to remember that one. I have a feeling, with the sleuthing you did. There really might be a button pushed wrong. HD's don't go out that fast, or die by someone fooling with the computer.
Trying to cheer you up.
Sorry to hear about your computer, Marina. I'd be pissed, too. I hope you are able to find an inexpensive solution.
Pingback: Marina's Bloggariffic » Blog Archive » Gimme vogue!
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Trev's Lake is a 36 peg oval shaped lake with a large island, specifically designed for anglers who like to use conventional float and feeder tactics as well as the pole.
The stock in this lake is very versatile compared to Snake Lake, with Chub to 5lb, Bream to 5lb, Barbel to 3lb PLUS F1's, Roach, Perch, Gudgeon, Tench, Crucians and not forgetting the big head of carp which go to double figures.
In winter 2017 over 200lb of fresh stock of carps and bream were put in.
Fish Corn, small cubes of luncheon meat and 6mm soft pellet fished in the margins over 1 or 2 small balls of fishmeal based carp groundbait or micro pellet. Feed micro pellet regularly to catch small Tench, Barbel,mirror and crucian carp, and bonus bream to 4lb. Size 16 hook to .14 diameter line for best results. To catch chub and barbel and odd carp fish chop worm and caster on pole line or small maggot feeder/ small groundbait feeder to the island. Once again fish a size 16 hook for maggot hook bait or a size 14 with a worm. Line diameter of .14 should be all that's needed.
Feed 3 or 4mm pellets and fish 6 to 11mm soft pellets down the middle for larger fish. Feed small cubes of luncheon meat or corn in margins, fish single or double corn or 8 to 10mm cubes of luncheon to pick out one or two better sized fish. Remember to feed little and often to keep the fish interested. As weather warms up look to catch mid water towards far edge on pellet, maggot or caster feeding regularly with a catapult.


"You feel touched and honored and alive when you give to someone."Think of the task as a puzzle that needs to be solved and attack the puzzle. Dont derive pleasure out of the task find pleasure in the process..."The best revenge is a life well lived."When we react to criticism, we create pain and suffering within ourselves.When we accept criticism and feel it fully, we allow ourselves to move through the feeling and find greater peace. This is because theres no reaction within us. Merely an acceptance of what the moment is presenting to us."You cannot talk yourself out of a situation youve behaved yourself into."It is not every journey that requires you to walk in order to get there, you just simply need to believe"Obviously the facts are never just coming at you but are incorporated by an imagination that is formed by your previous experience. Memories of the past are not memories of facts but memories of your imaginings of the facts."If you dont have some danmed problem, your ego is out of a job. "Many forms of Government have been tried, and will be tried in this world of sin and woe. No one pretends that democracy is perfect or allwise. Indeed it has been said that democracy is the worst form of Government except for all those other forms that have been tried from time to time."It doesnt interest me what you do for a living. I want to know what you ache for and if you dare to dream of meeting your hearts longing. It doesnt interest me how old you are. I want to know if you will risk looking like a fool for love for your dreams for the adventure of being alive.


There are 302 Airgas locations throughout the United States. You can view Airgas hours of operation, address, phone number, reviews, and more. The average nationwide customer rating of Airgas is 0.0, based on 0 reviews.


Since 2010, Universität Hamburg has been a signatory to the Code of Conduct, which aims "to improve and ensure the quality of supervision for international students. The Code formulates quality standards for international students at German universities and, for the first time, provides common basic standards in the fields of information, acquisition, admisson and supervision upon which international applicants can rely" (see also www.hrk.de). The Code of Conduct was conceived and passed by the German Rectors' Conference and the German Academic Exchange Service (DAAD) within the framework of GATE Germany.
Click here to see the entire text in German and English (pdf).


Last Sunday, with strong northerly gusts giving variable boat speeds, the first two races of the Cool Down Series were raced. An entry of 11 dinghies, split between single and double-handers, crossed the start line, with Dominic Bowns and Jake Stowe coming in first, ahead of Solo sailor Andy Robinson with Laser sailor Dan Alsop third. Cameron Moss and Darroll improved their 4th place to gain a second in the next race, after Dan Alsop looked set to overtake the field battered by a very strong gust only to suffer rudder failure and a dramatic capsize. Dominic and Jake scored another win, Cameron making second place and Andy third among only seven finishers.
By contrast, today's steady light wind and flat seas for race three, saw Jon Turner and Max Helston narrowly beat Jerry Rook and Chet Gillespie by seven seconds, keeping Dominic and Jake in third place. All three young crews are continuing to gain valuable experience with top helms. Two seconds later, Andy Robinson was the leading single-hander in fourth place.
Race four had Cameron and Darrol taking third, narrowly beaten by Jon Turner and Max in second and Jerry and Chet in first.
Dominic discards a fourth place to remain one point behind Jerry Rook overall in another 13 race series.


The first artist added to the line up is Chris Janson!
Here's our Top 5 Chris Janson songs. Commit them to memory (if they aren't already), and be ready to #Throwdown18 with us September 8th at the Enumclaw Expo!


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Palmarès
Giochi olimpici
Tokyo 2020: argento nella spada a squadre.

Mondiali di scherma
Wuxi 2018: bronzo nella spada a squadre.
Budapest 2019: argento nella spada individuale.

Europei di scherma
Strasburgo 2014: bronzo nella spada a squadre.
Tbilisi 2017: oro nella spada a squadre.
Novi Sad 2018: oro nella spada a squadre.
Düsseldorf 2019: oro nella spada a squadre.

Giochi europei
Baku 2015: argento nella spada a squadre

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


Insidious is a Hollywood horror movie and it has 4 chapter or sequel that are truly horrific. But here I will write about the insidious chapter 3 that is more hit and horror as per the other 3 chapters. Basically, insidious chapter 3 is the supernatural horror film that was released in back 2015. This horror movie was written and directed by Leigh Whannell. Chapter 3 us the prequel of first two Insidious movies. This horror movie hit the box office with an estimated $113 million and the budget of this movie was just $11 million. However, here at theworldfree4u.com, you guys can download the insidious chapter 3 full movie in Hindi worldfree4u and also read the reviews of this movie.
This insidious prequel covers the events that occur before with the Lambert family in the first two chapters of the movie. Actor Elice Rainier has used some sort of gift to help the Quinn to reach out to her mother. However, Young Quinn learns to contact the spirit world that has some kind of dangerous consequences.
This insidious prequel is the successful horror series us the best ever movie of the insidious series from the new director Leigh Whannell. In this notice, there is the simple on-off joke that might work for you or not, depends on whether you prefer the horror genre or not.
However, the Curiosity of Quinns regarding the contact of her supernatural deceased mom in the special leads to the home of Elise. Where she especially write the latter that how much she loves and misses her mother.
Therefore Elise agrees on the request of Quinn's and firstly try one session that scares the living lights out of her. After that, she takes the snaps out of it and tries their best to warn the Quinn. But Quinn still takes another to step an try to contact her mother that has already caused a demon who wants the soul od Quinn.
Whannell certainly takes a long time to create such a horror scene and a sense of dread for the insidious viewers. As well as the director Whannell, wonderfully direct the all other scenes of this movie to kick-start his Career. The film was high on the dark atmosphere when actor Elice slips into the fraught place that is actually dangerous.
Therefore, the movie fully balanced movie and you will hardly see the same error in this insidious chapter 3 and the story of this prequel clears that the next insidious series will definitely have some fresh ideas for the insidious viewer.
The insidious movie just come under the Horror genre.
Insidious makes the huge profit at the box office and it receives the many positive and negative reviews from the critics. However, this movie received the 6.1 rating on IMDb out of 10.
Chapter 3 of insidious is much more interested and horror as compared to the first 2 chapters of this movie. However, this movie is the wonderful direction of Whannell that is totally worth to watch.


With an increasing U.S. population and the steady development of drug-resistant pathogens, controlling the spread of germs in our public facilities has become vital. Germicidal UV eliminates disease causing viruses and bacteria before they can be quickly spread throughout a community. Outbreaks of Influenza (Flu), the Common Cold and more serious illnesses such as Tuberculosis and Hepatitis can be contained with the use of Germicidal UV.
Virtually any public facility can benefit from the use of Germicidal UV technology. Controlling the spread of germs in our grocery stores, malls, movie theatres etc. is very important, but for our youth and the elderly the need is crucial.
Bacterial infections are common in nursing homes and day care centers where bacteria can pass easily among people. Personal contact in these settings is very common and difficult to control; outbreaks of a bacterial infection occur easily. The bacterium Streptococcus pneumoniae (often called pneumococcus) causes many common infections like pneumonia and ear infections. Antibiotics are generally used to combat bacterial infections like pneumococcus. But because antibiotic use is so common in both young and elderly populations, their care centers are often ideal settings for drug-resistant strains of pneumococcus to emerge. Between 10% and 40% of pneumococcus infections are drug resistant. Drug-resistant pneumococcal infections have been rising steadily over the past decade, and infection with a drug-resistant strain of pneumococcus can result in serious illness or death if the drug-resistance is not diagnosed soon enough.
In the past, pneumococcus infections could be cured with penicillin. But penicillin-resistant and multi-drug resistant strains of pneumococcus are emerging in the U. S. and are widespread in some groups of people. When bacteria become resistant to antibiotic drugs, treatment options diminish; what once were easily treated diseases can become more serious, even deadly.
The very young and the very old, who are often in day care and nursing homes, are at greatest risk for infections when outbreaks occur. People who work and live in nursing homes and children and workers in day care centers can develop antibiotic-resistant pneumococcus infections. Frequent use of antibiotic medications also puts people at risk for drug-resistant pneumococcus. Estimates are that every year pneumococcus causes 7 million cases of otitis media (ear infection) in children; 100,000 - 135,000 hospitalizations for pneumonia; 50,000 cases of bloodstream infection; and 3,000 cases of meningitis.
1. Two weeks after healthy, 16-month-old Melissa starts at a day care center, she develops a fever and pulls on her ears. Her pediatrician diagnoses otitis media, a common bacterial ear infection, and prescribes an oral antibiotic. But Melissa's condition grows worse and she is hospitalized with fever, vomiting, and lethargy. Spinal tap results show bacterial meningitis caused by pneumococcus, the same organism that caused her ear infection. She is put on IV antibiotics but with no improvement. An abscess develops in her brain, causing a coma. She is then put on vancomycin, the strongest antibiotic available, and starts to get better.
2. Several elderly nursing home residents visit a hospital emergency room; they have high fevers, shortness of breath, and coughing. Doctors suspect pneumonia, prescribe a standard antibiotic, and release the patients. A few days later, the patients return; blood tests reveal pneumococcal bacteria still in their bloodstreams. One resident dies; the hospital calls the state health department to investigate. They find the residents had not been vaccinated as recommended. The investigator is stumped by the antibiotic failures. More residents die and the investigation continues. Investigators learn of similar cases reported to the CDC, indicating a growing public health problem. The remaining patients are treated with an IV antibiotic and all other nursing home residents are vaccinated against pneumococcus, ending the outbreak.
Pneumonia is a leading cause of death in nursing homes in the U.S. each year.
Can Germicidal UV Help With Prevention?
Absolutely. The use of UV technology can help eliminate harmful microorganisms like Pneumococcus, preventing outbreaks and essentially SAVE LIVES. UVtronics strongly encourages all public facilities to utilize UV technology and we are proud to offer it to the community.
Please contact us to find out which products and services are best for your facility.


Welcome to Poolstock Car Sales. We are a small family run business in Wigan Supplying Quality used cars. We have over 23 years of experience supplying cars in Wigan, and have thousands of happy customers. Please browse through our catalogue, we are sure we will have the car for you, if not please let us know what you are looking for and we will try to find it for you.
Are you looking for a car? if so then why not get in touch with us and arrange to come and see us.
Looking to sell your car in the Wigan area? why not get in touch with Poolstock Car Sales and we will buy your car for cash.
Bought a car there 2 weeks ago, straight forward transaction, friendly staff, car parking space is limited but there are plenty of cars to view you will be spoilt for choice. I'm more than happy with my deal.
Recently bought a used Vauxhall Astra from here, after buying car the electric windows controls failed. Spoke to Shreef who ordered a new one for me free of charge and fitted it once it arrived. Would definitely recommend Poolstock Car Sales to anyone looking to buy a quality used car.
Recently purchased Mondeo from here Car then broke down after 2days. I rang Poolstock to inform them and Shreef asked me to bring back right away. Car was fixed in a few days and Poolstock paid a hefty sum to make this right. Because of this would highly recommend.
We are a family run business in Wigan selling quality used cars and are committed to offering our customers the very best deal we can offer.
© Copyright 2018 Poolstock Car Sales. Web design & developed by Sam Heaton.


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Northeastern blueliner Ryan Shea inks pro deal with Dallas Stars
By Jeff Cox August 19, 2020
Ryan Shea amassed 10 goals and 68 assists in 149 games with the Huskies. (Dave Arnold/NEHJ)
Northeastern and BC High alum Ryan Shea signed a two-year entry-level contract with the Dallas Stars, the organization announced Wednesday.
The Milton, Mass., native originally was drafted by the Chicago Blackhawks in the fourth round of the 2015 NHL draft. However, due to a loophole in the NHL collective bargaining agreement, Shea was able to become a free agent on Aug. 15.
Shea had a breakout senior season in 2019-20 for Northeastern. He scored a career-high five goals, 26 assists and 31 points in 34 games. He finished his four-year collegiate career with 10 goals and 68 assists in 149 games.
Tags: Babson, BC High, Dallas Stars, Hockey East, Matt Filipe, NHL, Northeastern, Ryan Shea, Thomas Kramer
Sacred Heart gains Michigan transfer Emil Öhrwall, loses Jordan Kaplan to Vermont
Despite continued uncertainty surrounding the 2020-21 college hockey season, players continue to transfer in hopes of more playing time or for better opportunities. New England…
Northeastern product Matt Filipe signs with Bruins; Max Dorrington commits to Saints
Former Northeastern University and Malden Catholic forward Matt Filipe has signed a two-year entry-level contract with the hometown Boston Bruins. The Lynnfield, Mass., native just…
Reilly Walsh departs Harvard, inks deal with New Jersey Devils
Harvard lost another player this week as defenseman Reilly Walsh left the Crimson to sign an NHL entry-level contract with the New Jersey Devils. The…
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November 30, 2021 @ 8:21pm » Alek Arend
Betting Lines Released For Current CFB Playoff Matchups
ATLANTA, GA - JANUARY 08: A general view of the stadium prior to the game between the Georgia Bulldogs and the Alabama Crimson Tide in the CFP National Championship presented by AT&T at Mercedes-Benz Stadium on January 8, 2018 in Atlanta, Georgia. (Photo by Brett Davis - Pool/Getty Images)
If the College Football Playoff match-ups were played tonight, No. 1 Georgia and No. 3 Alabama would be big favorites over No. 2 Michigan and No. 4 Cincinnati.
The newest CFP rankings were released on Tuesday night, and there was one big change. Following a massive win over Ohio State last Saturday, Michigan jumped from No. 5 to 2.
Georgia, meanwhile, stayed put at No. 1. The Bulldogs are followed by Michigan at No. 2, Alabama at No. 3 and Cincinnati at No. 4. The playoff match-ups, if the rankings stay the same next weekend, would feature Georgia vs. Cincinnati and Michigan vs. Alabama.
In such a scenario, Georgia would be a 17-point favorite over Cincinnati. No. 2 Michigan would be a five-point underdog to the Alabama Crimson Tide.
Projected @CFBPlayoff semifinal lines from @_Collin1:
No. 1 Georgia -17 No. 4 Cincinnati
No. 3 Alabama -5 No. 2 Michigan
— Brett McMurphy (@Brett_McMurphy) December 1, 2021
Georgia being a 17-point favorite over Cincinnati makes sense. But it's also worth remembering what happened when the two programs played each other two years ago.
Back in the 2020 Peach Bowl, Georgia needed 14 fourth-quarter points to squeak past the Bearcats 24-21. Desmond Ridder had 206 yards and two touchdowns through the air.
Sure, Georgia and Cincinnati are different teams now. You could make the argument both are better since then.
Michigan being a five-point underdog to Alabama is a bit of a surprise. The Wolverines dominated the Ohio State Buckeyes in the trenches and shut down their explosive passing attack – a passing attack that's probably better than Alabama's.
Would Georgia and Alabama take care of business against Cincinnati and Michigan if that's how the CFP match-ups shape up?
Filed Under: Alabama Crimson Tide, Cincinnati, College Football, Georgia Bulldogs, Michigan Wolverines, Top Stories


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Ongoing Biomarker Measurements Inform Treatment Decisions in Breast Cancer
Tony Berberabe, MPH
Published Online:9:13 PM, Wed February 1, 2017
<< Back to all news
Adrian Lee, PhD
Measuring molecular biomarkers after metastasis could inform treatment decisions for women with breast cancer that has spread to the brain, according to results of a small study at the University of Pittsburgh Cancer Institute (UPCI) and Magee-Women's Research Institute.1 Investigators found that approximately 20% of patients whose primary tumors did not harbor ERBB2/HER2 mutations acquired those alterations with the development of brain metastases.
The retrospective study offers a rare comparison of primary breast cancer tissue with the matching brain metastasis. Adrian Lee, PhD, professor of Pharmacology and Chemical Biology at the University of Pittsburgh Cancer Institute, and colleagues tested tumors in a total of 20 patients: 10 with breast cancer who were estrogen receptor (ER)-negative and 10 with brain metastases who were ER-positive from 2 academic institutions, the University of Pittsburgh and the Royal College of Surgeons in Ireland. Two validation sequencing cohorts were used: a published data set of 17 patient-matched cases of brain metastases and a cohort of 7884 breast cancer tumors enriched for metastatic samples.
For molecular analysis, investigators used NanoString expression counts for target genes from tumor RNA extracts along with clusters, PAM50/Oncotype DX assignments, and expression values from normalized counts. Standard immunohistochemistry was used for ER testing; whole-exome sequencing for ERBB2/HER2 copy number alterations and site-specific testing with FoundationOne assays also were conducted.
Overall, researchers reported brain metastases expression changes in 127 genes. "The brain is a common and catastrophic site of metastasis for breast cancer patients," said Lee, who also is director of the Women's Cancer Research Center in Pittsburgh, in a statement. "Our study showed that, despite the large degree of similarity between the initial breast tumor and the brain metastatic tumor, there were enough alterations to support comprehensive profiling of metastases to potentially alter the course of treatment."
"We found clinically actionable targets in the samples," Lee said in an interview with Targeted Oncology. "Our findings add to the concept that there is a clear molecular evolution that goes on in metastasis. There's clearly a change in targets—simply looking at the targets in the primary cancer is not enough, it's not sufficient."
The implications of the findings are significant. Researchers have reported that approximately 10% to 15% of patients diagnosed with breast cancer go on to develop central nervous system metastasis, although 1 study of autopsy findings estimated the rate at up to 30%.2 Patients who develop brain metastases face a median overall survival of 8.5 months.1
The study shows that clinically actionable information may be gleaned from repeating molecular testing for patients with brain metastases. "This now means we can screen for the presence of HER2 so that we can change and target the therapy to improve outcomes for our patients," said Lee. The researchers found that patient-matched primary breast cancer and brain metastases have similar intrinsic subtypes; however, when examining on a gene level, clinically actionable alterations were identified in all but 3 pairs. The most recurrent gain in brain metastases was ERBB2/HER2, which showed expression increases in 7 of 20 (35%) of brain metastases and changes from ERBB2/HER2-negative to ERBB2/HER2-positive levels.
Novel recurrent targetable alterations beyond ERBB2/HER2 were also discovered, including expression increases in FGFR4 (30% of pairs), FLT2 (20%), and AURKA (10%), EGFR (10%), and a loss of ESR1 expression (45%). Investigators said each one of these targets is being studied in an clinical trials ongoing and results suggest that trial eligibility requiring expression of these markers should assess metastatic tumors if available, especially given greater than 4-fold microRNA expression gains over primary tumors in patient-matched metastases.
Significant loss of gene expression from the primary to metastatic lesions was also observed. The most recurrent expression losses involved cytokeratins, reported the researchers. "Cytokeratins have shown a complex role in oncogenesis and breast cancer metastasis, with loss of cytokeratin expression being a hallmark of epithelial–mesenchymal transition and metastasis," the authors wrote.
Intermediate steps of metastasis—such as processes taking place within circulating tumor cells—may be masked with the use of paired analyses. The most recurrently lost clinically actionable gene was ESR1. Lee reported that loss of ER expression was an established mediator of therapy resistance.
The findings, presented during the 2016 San Antonio Breast Cancer Symposium, indicate that patients' treatments should be tailored not only for the original breast cancer, but also the brain tumors, said Lee.
Lee anticipates larger studies will focus on the study of metastatic samples, with the greater use of liquid biopsies, which take advantage of the concept that the blood may be a good source of information. "Blood is a good reservoir of the repertoire of mutations that are in metastases," he said. Because biopsy sites in metastases can be difficult to access, liquid biopsies could be the only option to obtain samples. "It's a big research area that's under development," Lee said.
Priedigkeit N, Hartmaier RJ, Chen Y, et al. Intrinsic subtype switching and acquired ERBB2/HER2 amplifications and mutations in breast cancer brain metastases [published online December 7, 2016]. JAMA Oncol. doi:10.1001/jamaoncol.2016.5630.
Dawood S, Broglio K, Esteva FJ, et al. Defining prognosis for women with breast cancer and CNS metastases by HER2 status. Ann Oncol. 2008;19(7):1242-1248.
Dose-Optimization Strategies Continue for Regorafenib in Colorectal Cancer With ReDOS Success


Hi Amanda, I'm interested in more information on 5876 Nw 39th Ave 35, Boca Raton .
5876 Nw 39th Ave 35.
This adorable piece of real estate is situated at 5876 Nw 39th Ave 35, Boca Raton in Palm Beach County. Built in 1989, the home is within the Woodfield Country Club neighborhood. The home offers 3 bedrooms and 3.0 bathrooms. The property is officially listed as a RESIDENTIAL: TOWNHOUSE and has 2,480 square feet. If you have been searching for a townhouse for sale in Woodfield Country Club Boca Raton Florida, this residence is an ideal example. The residence is zoned for the A-rated Calusa Elementary School. The middle school for this home is Omni Middle School, which receieved an A school grade. While the high school for this property is Spanish River Community High School, which has a/an A-rating.
IDX information regarding 5876 Nw 39th Ave 35 and a townhouse for sale in Woodfield Country Club Boca Raton Florida is provided exclusively for consumer's personal, non-commercial use. It may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing, and the data is deemed reliable but is not guaranteed accurate. All listings featuring the BMLS logo are provided by BeachesMLS Inc. This information is not verified for authenticity or accuracy and is not guaranteed. © Copyright 2013 Beaches Multiple Listing Service, Inc.
Unless otherwise noted, all property information regarding homes for sale Boca Raton Florida and a townhouse for sale in Woodfield Country Club Boca Raton Florida is obtained from public records and/or provided by MVRealty.


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Řisuty (též Hradiště) jsou zaniklá tvrz u stejnojmenné obce západně od Slaného v okrese Kladno. Zanikla už ve druhé polovině patnáctého století a dochovalo se po ní tvrziště, které se nachází východně od vesnice na pravém břehu bezejmenného drobného přítoku Červeného potoka. Od roku 1967 je chráněno jako kulturní památka.

Historie
V první polovině čtrnáctého století sídlil v Řisutech vladycký rod z Řisut. První písemná zmínka o vesnici pochází z roku 1316, kdy zde žil Domaslav z Řisut. Z dalších příslušníků jeho rodu byli roku 1321 zmíněni Jindřich a Ješek z Řisut.  Po Ješkově smrti statek připadl pravděpodobně roku 1333 Albertovi z Řisut. Soudil se o něj se strýcem Remuntem z Honic a jejich spor rozhodl až v roce 1343 Jenc z Grunberka. Brzy poté řisutské panství koupil olomoucký biskup Jan Volek a věnoval je pražskému ženskému klášteru u svatého Ducha. Během husitských válek klášter zanikl a Řisuty v letech 1421–1423 spravoval pražský konšel Bohunek.

Po zbytek husitských válek na tvrzi byla husitská posádka. Po bitvě u Lipan se tvrz hájenou Mikulášem Brčálem starším pokusili dobýt Aleš ze Šternberka, Jan ze Švamberka, Vilém z Jaroslavic a další páni z Plzeňského kraje. Jejich obléhání trvalo jeden den a noc, ale nebylo úspěšné. Vojsko odtáhlo, ale vesnici si přivlastnil Aleš ze Šternberka a připojil ji ke Křivoklátu. Tvrz dále ovládal Mikuláš Brčál, který ji musel za vlády krále Ladislava roku 1454 opustit. Nevyužívaná tvrz poté zpustla.

Stavební podoba
Tvrz stála na okraji rybníka, který ji chránil na severní a západní straně, kde obranyschopnost posilovaly také strmé svahy. Na východě celou tvrz chránil sto metrů dlouhý val orientovaný ve směru sever–jih. Za ním se nachází příkop, který se stáčí podél jižní strany předhradí, do něhož se vstupovalo po mostě umístěném ve středu příkopu. Jádro tvrze s přibližně čtvercovým půdorysem o straně asi třicet metrů se nacházelo v severní části areálu. Od předhradí ho na jihu a východě odděluje druhý příkop široký až 25 metrů. Podél východní strany jádra tak vznikl mezi prvním a druhým příkopem úzký výběžek předhradí, ze kterého pravděpodobně vedl vstup do jádra.

Na tvrzišti se nedochovaly žádné pozůstatky staveb, ale terénní relikty naznačují místo, kde snad dříve stávala věž. V minulosti nalezené dubové trámy zaražené svisle do země naznačují, že opevnění jádra tvořila palisáda. Zástavba jádra a předhradí byla nejspíše z velké části dřevěná, ale v jádře podle nalezených architektonických prvků stávala výstavná kamenná budova.

Přístup
Tvrziště je volně přístupné, ale nevede k němu žádná turisticky značená trasa.

Odkazy

Reference

Literatura

Související články
 Seznam tvrzí ve Středočeském kraji

Externí odkazy

Zaniklé tvrze v okrese Kladno
Kulturní památky v okrese Kladno
Řisuty


Looking to further distinguish themselves in Chicago's very competitive market, existing client Kentwood Office Furniture, asked the Imagination Factory to spawn a similar, but different, site for the Chicago market.
It needed to continue the main Kentwood branding, but needed to establish its own unique presence in both that geographic market but in search as well.
And because it was splintering off the main site, it needed to do as little as possible to mess with the existing search positioning garnered over the years. With new great design and judcious use of 301 redirects, we were able to do just that.