Heat Rash or Miliaria is characterized by tiny red or white raised dots or lumps on the skin which can be very itching and irritable. Although it is commonly seen in babies, it can affect children and adults too. It is also called "Prickly heat", as the name suggests the patient gets a warm and prickly feeling over the rash.
It is common in warm and humid weather conditions, such as during summer months. Heat rash is commonly seen in people in tropical countries. Heat rash when left alone will go off with time, especially once the weather conditions are reversed.
What causes the heat rash?
There are sweat glands in the skin which sweat is produced. Perspiration comes out to the skin surface through pores or sweat ducts. These pores can get blocked sometimes, leading sweat to be settled inside or trapped under the skin.
What are the Symptoms of the Heat rash?
The symptoms of Heat rash can vary from tiny raised red or white dots which are superficial to tiny blisters or red lumps which can go deep.
Itching can vary from person to person. Although commonly mild, few people can get severe itching in the area of the rash.
Heat rash is mainly seen over the chest, neck, and shoulders in babies. In children and adults mainly neck, chest, and back get involved. It can commonly involve places where you sweat more or in skin folds where clothing leads to friction such as elbow creases, armpits, and even groin.
How do you classify Heat rash?
There are several types of Heat rash divided according to severity and how the rash looks.
This form of heat rash is very mild. Sweat ducts are blocked from above, closer to the skin surface. There are tiny fluid-filled blisters and bumps. The fluid inside is clear. Itching can occur but not so intense. The rash is mild and when scratched these blisters can break.
"Rubra" as the name suggests, the rash is red. The reaction occurs deeper in the ducts. Itching and the prickly feeling is more when compared to the previous form.
The small blisters get infected and become pustular or filled with pus. The area becomes inflamed and red. The rash looks more severe.
This form of heat rash is severe. The involvement of the rash is deep within the skin. It is not a common type. As the perspiration which was blocked inside leaks out to the skin, flesh-colored firm bumps are formed in the skin and looks worse and more severe than all the 3 types mentioned above.
Usually, a mild form of sweat rash does not need any treatment. Once the reason for the rash has eliminated the rash will settle on its own.
Avoid heat exposure – There are certain occupations like firefighters, factory workers, lab workers, out-door workers who spend a lot of time in hot humid conditions. These people will have to cool off their bodies as much as possible during non-working hours.
If heat rash is spread throughout, use soft cotton, loose clothes to avoid friction with skin.
If the rash is associated with inflammation and redness can try 1% Hydrocortisone cream, which is a mild steroid and is available over the counter.
If itching is difficult to bear can try an oral antihistamine like chlorpheniramine 4mg, Loritidine 10mg, Fexofenidine 180mg or cetirizine 10mg. Be cautious about the dose and frequency of administration.
When buying an OTC product always check for expiry date and instruction leaflet.
How do you know whether your Heat rash is infected?
If the Heat rash is severe and infected you may need a prescription for a course of antibiotics from a qualified medical practitioner. When the heat rash is severe usually steroid creams are prescribed to be used once or twice a day for some time depending on response.
Although Heat rash can be completely cured it can always recur due to warm humid weather conditions and increased sweating.
How do you prevent getting Heat Rash?


The project would span 11.7 miles, connecting Union Depot to the airport.
More than 60 years after streetcar service was discontinued in the Twin Cities, a key advisory committee has recommended bringing the streetcar back — but in a much different form.
After three years of study and close to 100 public hearings, the Riverview Corridor Policy Advisory Committee voted Wednesday in favor of reviving "modern" streetcar service in the south and east metro.
A "modern" streetcar is much like light rail, except that it involves only one car and operates in traffic. Streetcar service is not now part of the Twin Cities transit network, although it is available in cities such as Detroit, Portland, Ore., and Kansas City.
The Riverview Corridor route would run largely along W. 7th Street, connecting Union Depot in downtown St. Paul to the Minneapolis-St. Paul International Airport and the Mall of America. After crossing the Mississippi River on a new bridge, the Riverview route shares Blue Line tracks beginning at the Fort Snelling LRT stop, where it would continue to the airport and Bloomington megamall.
"I really think the community will support this," said Ramsey County Commissioner Rafael Ortega, who chairs the Riverview Corridor advisory committee. "There are a lot of concerns. Those concerns are real and something we will have to continue to address."
The committee's vote was 11-2, with the group's citizen and business representatives opposing the line. Pat Mancini, who owns the iconic St. Paul steakhouse on W. 7th Street, said he was concerned about the effect of prolonged construction for the streetcar on small businesses.
"Can we still have the historic nature and charm of W. 7th [with the streetcar]?" Mancini asked. "Or does it become big-box stores and fast-food restaurants?"
The project, estimated to cost $1.4 billion to $2 billion, will be complicated to build. Beyond erecting a new bridge next to the existing Hwy. 5 span, a tunnel would burrow under Historic Fort Snelling property.
The Twin Cities was once home to a streetcar system that stretched from Stillwater to Minnetonka. Its popularity peaked in the 1920s, but the growth of cars helped ensure its demise by 1954.
Planners say new transit options are needed as congestions grows, millennials eschew cars, and aging baby boomers look for transportation alternatives. As proposed, the Riverview line would span 11.7 miles, feature 20 stations and take 44 minutes from one end to the other. Passenger service isn't expected to begin until 2027 or 2028.
More than 4,600 people attended public meetings or offered comments.
The National Park Service, Friends of the Mississippi and Minnesota Historical Society also expressed concern about the environmental impact on the Mississippi River and Fort Snelling.
In a resolution that was adopted by the group, Rebecca Noecker, the St. Paul City Council member representing the W. 7th Street area who sits on the committee, spelled out her concerns about safety, bike and pedestrian infrastructure, landscaping, ownership of the corridor and the project's budget. The corridor "has a unique character, it's not a highway," she said.
Ramsey and Hennepin counties, Bloomington, St. Paul and the Metropolitan Airports Commission will consider the project in coming weeks. If all approve, it will be forwarded to the Metropolitan Council for consideration in the Twin Cities' long-term transportation plan. Should that occur, an environmental study would begin, likely lasting three years.
The committee also recommended that a study be done on connections between the streetcar route and the Ford development site in Highland Park, as well as to the Blue Line LRT and A-line rapid-transit bus, which runs along Snelling Avenue.


Nothing brings us more joy than to report on instances of partnerships where the east and west come together to create global entertainment experiences that can be cherished by people all over the world (read other similar articles here and here). No one can doubt the fact that media and popular culture influences perceptions to a great extent and that instances of celebrities from different parts of the world working together promotes global harmony and appreciation for one another.
An excellent embodiment of this thought is Madame Tussauds and in particular its home location in London. Madame Tussauds (MT) is one of the very few places in the world where dozens of the greatest, wealthiest and most influential people of our times stand together under one roof, although in wax form. Some of the famous wax sculptures here include Lady Gaga, Mel Gibson, Salman Khan, Nicole Kidman, Sachin Tendulkar, Boris Becker, The Beatles, Indira Gandhi, Nelson Mandela and many more.
Located at the Sherlock Holmes district at Baker Street, Madame Tussauds London is frequently visited by celebrities from around the world whenever their wax statutes are inaugurated. It is normally very crowded specially on weekends and during the holiday season when it is visited by tourists from around the world.


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The end results on the natural environment are many though the reason is a, pollution. Your disasters on this planet are taking a worst confront making the sooner ones normal news. In case you are living in other parts that are easily affected by problems such as earth quake zone, living nearby beach and home close by a woodland, it is better to prepare yourself than becoming sorry.
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Gas tanks are really dangerous and are not allowed to end up being thrown away. Check your state laws and regulations for the right way to dispose of propane gas tanks.
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Compare the typical price of dumpster companies and find out is there a average selling price in the market. It's advisable that you choose dumpsters about rent that entirely provide dumpsters. Using the services of such companies from online liaisons or maybe retailers can cost you more because they intermediaries charge you a finding charge. Therefore, should you directly tactic Rent a 10 Yard Dumpster in Harrisonville, PAs, you happen to be most likely to reduce hiring all of them.
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Taking care of that purchaser has to end up being extra thorough before hiring a dumpster is about site of the dumpster from the job internet site. The dumpster needs a place twice its measurement. The surrounding of this area really should be kept to ensure that rodents and also rats usually do not crawl in to the container. You've got to check with the particular Rent a 10 Yard Dumpster in Harrisonville, PA provider upfront about the type of trash approved by all of them. Disposing unaccepted waste into the dumpster may invite punishment. You will a further charge for trash got rid of into the dumpster higher than the limits.


Are we living our own life or just living to copy different people whom we considered our ideals at various stages of life?
Is this the life we were born for?
Is this the only way of life that we could live?
Have we explored ourselves and fulfilled the purpose of our existence?
Just wonder, Who we are? We are, what we are or what others see in us?


Isn't "femme" singular? You guys are 7.
Sounds weird to me. But I don't know French. If it were Spanish, I'd add an "s" to "femme" and "fatale".
She's naked. You'd get in BIG trouble.
Message edited by author 2006-09-30 23:36:27.
"Femmes Fitales" I believe would be the plural here but that sounds a bit goofy.
It might just be me but do you think the 'T' in team looks like and F?
I'd think that if "femme" is made plural, then the adjective would need to be plural also. But I don't know how you make plurals in French.
Added: OK, deadly women, I'm not going to bug you guys anymore :). But I checked a dictionary, and the plural in French is "femmes fatales".
Message edited by author 2006-09-30 23:55:53.
Hmmm... yeah, I see what you mean. Will use a different font for that word then.
Changed it back singular and different font for 'team' :) Refresh your browser to see.
Hold up, I've reloaded a size comparison to see if smaller would be better for everyone. Check it out first.
Message edited by author 2006-10-01 00:45:59.
Outside opinion: Looks really good! You guys are a killer team :) And Karma makes a great model.
Okay, then with the Captain's approval, shall I upload the smaller version as THE one for everyone to use?
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In the opening scene at the palace of Theseus in Athens, Egeus chooses a Demetrius as her daughter's suitor and instructs her to marry Demetrius. Hermia refuses to follow her father's will because she is in love with another man - Lysander. Following the denial, Egeus quotes the Athenian law which states that daughters should marry the suitors chosen by their fathers or otherwise they will face death.
Theseus, duke of Athens, offers him another suggestion. He recommends for Hermia to take a chastity agreement, to join the nunnery, forever remain pure and to worship the goddess Diana. This suggestion seems to be somehow hilarious for Theseus. Looking at it from the viewpoint of the following quote, a young virgin would have to choose between marriages to a man chosen by her father or forever face a punishment, namely, never to indulge in sex.
…Either to die the death or to abjure
For ever the society of men.
Therefore, fair Hermia, question your desires;
Know of your youth, examine well your blood,
Whether, if you yield not to your father's choice,
You can endure the livery of a nun,
For aye to be in shady cloister mew'd,
To live a barren sister all your life,
Chanting faint hymns to the cold fruitless moon.
Thrice-blessed they that master so their blood,
To undergo such maiden pilgrimage;
But earthlier happy is the rose distill'd,
Than that which withering on the virgin thorn
Grows, lives and dies in single blessedness. (Shakespeare p.5)
Helena, who is in love with Demitrius, arrives and starts lamenting because Demetrius is with Hermia. Lysander convinces her to be happy since they would sneak that night to their marriage ceremony at the aunt's place. Their aunt lives outside Athens and agrees to that plan. In the final soliloquy, Helena indicates that she will inform Demetrius about Hermia's plans with the hope that he might change his mind and start loving her again. This is hilarious as no one can force to love anyone.
In the second scene of the first act which happens at Quince's house in Athens, Quince and his team of actors come together to act "the most lamentable comedy and most cruel death of Pyramus and Thisbe", which means to entertain the Duke and the Duchess. The reading of the charactes' names and the allocation of roles are done by Peter Quince. Nick Bottom who is the main character of the play Pyramus, is extremely happy about this role. His aim is to dominate over the other actors; therefore, he suggests playing roles of the three characters at the same time. They are Thisbe, The Lion and Pyramus. This is also hilarious since the three roles cannot be played by the one person at the same time.
Nick Bottom fears that if the Lion character of the play was made too real, it would frighten the ladies part of the audience. This is funny because all the ladies that will attend the act know that the roles being acted will be played by human beings. Quince ends the meeting with the meeting at the Duke's oak which is where they are going to rehearse their act.
The first scene of this act happens in the woods near Athens. Fairies have come from India to grace the wedding of Theseus. They take on hunting in the same woods which is planned for the craftsmen and lovers to meet. Puck makes it known to the fairy that it was important if Titania and his master, Oberon, were not let to meet since they quarrel every time. This proves to be hilarious, when they arrive and start arguing.
Oberon, the king of the fairies, Titania and his queen are arguing. Titania makes it known to Oberon about her plans to remain there until the end of Theseus and Hippolyta wedding. Oberon and Titania are at odds because of her refusal to lend the Indian changeling to Oberon so that he could use it as his "knight" or "henchman". This is not taken lightly because the child's mother was one of the Titania's worshippers. This is hilarious since they are both married and Titania should not deny such rights to her husband. Oberon stats:
…Do you amend it then; it lies in you:
Why should Titania cross her Oberon?
I do but beg a little changeling boy,
To be my henchman…. (Shakespeare p.22)
Oberon wants to punish Titania because of her disobedience. In his efforts, he calls upon his mischievous court jester Puck or "Robin Goodfellow" to assist him in administering charm, a magical juice that is derived from a flower called "love-in-idleness". When the juice is applied on the eyelids of a sleeping individual, he/she falls in love with the first thing seen upon waking up. He gives instructions to Puck that Tatiana should fall in love with the first thing she will see, which for sure can only be an animal of the forest. The intention of Oberon is to shame Tatiana so that she can give up the Indian boy. This is a little boy that she had stolen, takes care of and spends most of her time with. This is very hilarious for one to be given such punishment. There is a possibility that she might even fall in love with a stone. Oberon says:
…And ere I take this charm from off her sight,
As I can take it with another herb,
I'll make her render up her page to me… (Shakespeare p.24)
Demetrius and Helena get into the woods up to the place where Oberon is hidden. Demetrius tells Helena that he cannot love her because of the fact that she has revealed to him about Hermia and Lysander's plot. Helena threats him not even try to abandon her in the woods. Because of his cruelty, Oberon orders a punishment like that of Titania to be administered to Demetrius.
Oberon orders Puck to apply some magical juice on the eyelids of the youthful Athenian man. On the process of administering the charm, Puck mistakes Lysander for Demetrius. This is because he had not seen any of them before. On coming across him, Helena tries waking him up in an attempt to establish whether he was dead or asleep. Upon seeing Helena as the first thing on after waking up, Lysander falls in love with Helena there and then. It is for that reason that Lysander states:
…And run through fire I will for thy sweet sake.
Transparent Helena! Nature shows art,
That through thy bosom makes me see thy heart.
Where is Demetrius? O, how fit a word
Is that vile name to perish on my sword! (Shakespeare p.33)
Oberon gets so furious and realizes that Demetrius still follows Hermia. When Demetrius retires to bed, Oberon sends Puck to go and get Helena while he puts charm on Demetrius' eyes. After waking up and seeing Helena as the first thing, he falls in love with her. The two men now remain in love with Helena. When he wakes up Demetrius states:
…Help me, Lysander, help me! do thy best
To pluck this crawling serpent from my breast!
Ay me, for pity! what a dream was here!
Lysander, look how I do quake with fear:
Methought a serpent eat my heart away,
And you sat smiling at his cruel pray.
Lysander! what, removed? Lysander! lord!... (Shakespeare p.35)
However, Helena is convinced that the whole thing is mockery by her two lovers since at the first place, none of them loved her. Hermia considers that she lost her lover and blames Helena for stealing Lysander. The four characters quarrel and this makes Lysander and Demetrius extremely furious. The two look for a place where they can fight with one another in order to prove their love for Helena. The inner would be considered to have the greatest love for her. On realizing the turn of events, Oberon orders Puck to ensure that Lysander and Demetrius don't catch up with one another. Puck is also orders to the charm on the eyes of Lysander, so that he gets back to loving Hermia. The acts in this scene are hilarious especially when the four argue about expressing their love to Helena even though they all rejected her.
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redpajama_set_name: RedPajamaCommonCrawl


Star Trek TNG Mirror Universe Magnetic Badge – AWESOMAGE!
Star Trek fans sure are getting a lot of mirror universe action recently. And even if Discovery's portrayal of the Terran Empire isn't your thing, it's hard not to be a fan of IDW's Mirror Broken comic series, boldly going where TNG has not gone before.
Straight from the version of the Terran Empire created by writers Scott and David Tipton and artist JK Woodward, this Star Trek TNG Mirror Universe Magnetic Badge has everything. It's metal. It's got magnets on the back, so you don't have to stick holes in your uniform. The only thing it doesn't have is actual combadge functions. Which is good. Look, you don't want to call the Terran Empire; this is non-functioning for your own protection.


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redpajama_set_name: RedPajamaGithub


text:
Top Classic Car Auctions
$1 million plus cars
The Most-Expensive Cars of All Time
$10 Million Plus
Record for Year & Marques
US Auctions
Amelia Island, Florida
Amelia Island (Florida) Auctions and Concours d'Elegance
Amelia Island Results
Monterey Week
Monterey Classic Car Week
Quail Lodge
Scottsdale / Arizona
Scottsdale (Arizona) – The First Classic Car Auctions of the Year
European Auctions
Paris Rétromobile – First European Classic Car Auctions of the Year
Villa Erba / Este
Record Prices for the Most-Expensive Car Marques at Public Auctions
Ferrari and Mercedes Benz cars are the most-expensive automobiles sold at top classic car auctions but many marques achieve prices over a million dollars.
1962 Ferrari 250 GTO – Most-Expensive Car Ever – Patrick Ernzen © 2018 Courtesy of RM Sotheby's
Classic and rare exotic cars trade at multi-million-dollar prices. Privately, Ferraris are rumored to have sold for over $70 million, but public auctions remain the best indicator of what these rare cars are worth. A 1962 Ferrari 250 GTO is the most-expensive car ever sold at public auction followed by another 1962-3 Ferrari 250 GTO – the only two 250 GTOs offered a public auction for about a decade. Ferraris are over-represented on lists of the most expensive cars in the world but even marques that usually see cars trading for much lower figures may see the best-of-marque samples sell for well over a million.
Top-Ten Lists for: 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011 & all time.
The Most-Expensive Cars Ever
Patrick Ernzen © 2018 Courtesy of RM Sotheby's
1962-3 Ferrari 250 GTO © Bonhams
The highest price ever paid at public auction for a car is $48,405,000 for a 1962 Ferrari 250 GTO at the RM Sotheby's Monterey 2018 sale. This increased the world record auction price for a car from the $38,115,000 paid for a 1962-63 Ferrari 250 GTO at the Bonhams Quail Lodge Sale during the 2014 Monterey classic car week.
© Artcurial / Christian Martin
The third most-expensive car ever in dollar terms was the 1957 Ferrari 335 Sport sold for $35,711,359 at the Artcurial Paris Rétromobile 2016 sale. It is the highest price paid for a car at a public auction held outside the USA.
1967 Ferrari 275 GTB/4*S N.A.R.T Spider Photo: Darin Schnabel ©2013 Courtesy of RM Auctions
The highest price ever paid at public auction for a purely road-going car is $ 27,500,000 for a 1967 Ferrari 275 GTB/4*S N.A.R.T. Spider by Scaglietti. This result was achieved at the RM Auctions sale in Monterey in 2013.
The record prices for a new car sold at public auction are $10,000,000 for the 210th 2017 Ferrari LaFerrari Aperta and $7,000,000 for the 500th Ferrari LaFerrari. Both cars were sold in RM Sotheby's auctions after being donated by Ferrari for charity.
See also: $10 Million Plus – the Most-Expensive Cars Ever
Most-Expensive Classic Cars by Auction Year
1954 Mercedes-Benz W196R Formula-1 Racing Car © Bonhams.
The highest prices achieved at classic car auctions in recent years were:
2020: $12,681,550 for a 1934 Bugatti Type 59 Sports – See Top 10 for 2020
2019: $19,805,000 for a 1994 McLaren F1 'LM-Specification' – See Top 10 for 2019
2018: $48,405,000 for a 1962 Ferrari 250 GTO – See Top 10 for 2018.
2017: $22,550,000 for a 1956 Aston Martin DBR1 – see Top 10 for 2017.
2016: $35,711,359 for a 1957 Ferrari 335 Sport – see Top 10 for 2016.
2015: $28,050,000 for a 1956 Ferrari 290 MM – see Top 10 for 2015.
2014: $38,115,000 for a 1962-63 Ferrari 250 GTO – see Top 10 for 2014.
2013: $29,650,095 for a 1954 Mercedes Benz W196R Formula 1 – see Top 10 for 2013.
2012: $11,770,000 for a 1936 Mercedes Benz 540 K Spezial Roadster – see Top 10 for 2012.
2011: £16,390,000 for a 1957 Ferrari 250 Testa Rossa – see Top 10 for 2011.
See Wikipedia for a detailed list (not always up to date) with adjusted prices.
Top Prices for Classic Cars by Marque
The following are the top prices ever paid at public auction for classic cars of various marques. For Ferrari and Mercedes, the top prices for both the most-expensive road and racing cars are given, as well as the GTO homologation special for Ferrari. All prices are nominal – i.e. prices paid at time of auction and including premiums. Non-US dollar transactions converted to $ at time of sale.
Year Car $ Price Auction House Year Auction
1939 Alfa Romeo 8C 2900B Lungo Spider by Touring 19,800,000 RM Sotheby's 2016 Monterey
1956 Aston Martin DBR1 22,550,000 RM Sotheby's 2017 Monterey
1929 Bentley "Birkin Blower" 7'867'000 Bonhams 2012 Goodwood Festival of Speed
1908 Benz 1,870,000 Bonhams 2017 Bothwell Collection
1957 BMW 507 Roadster 5,031,683 Bonhams 2018 Goodwood Festival of Speed
1934 Bugatti Type 59 Sports 12,681,550 Gooding 2020 London
1967 Chevrolet Corvette L88 3'850'000 Barrett-Jackson 2014 Scottsdale
1937 Delahaye 135 Competition Court Torpedo Roadster 6'600'000 RM 2014 Amelia Island
1935 Duesenberg SSJ 22,000,000 Gooding 2018 Pebble Beach
1962 Ferrari 250 GTO 48,405,000 RM Sotheby's 2018 Monterey
1957 Ferrari 335 Sport 35,711,359 Artcurial 2016 Paris
1967 Ferrari 275 GTB/4*S N.A.R.T. Spider by Scaglietti 27'500'000 RM 2013 Monterey
1968 Ford GT40 Lightweight 11'000'000 RM 2012 Monterey
1939 Horch 853A Special Roadster 5'170'000 RM 2012 Monterey
1931 Invicta 4 ½ Litre S-Type Low Chassis Sports 1,771,583 Bonhams 2020 Paris
1955 Jaguar D-Type 21,780,000 RM Sotheby's 2016 Monterey
2015 Koenigsegg One:1 4,631,767 Bonhams 2019 Bonmont Geneva
2014 Lamborghini Veneno Roadster $8,337,182 Bonhams 2019 Bonmont Geneva
1955 Maserati 300S Sports Racing Spider 6'646'787 Bonhams 2013 Chichester – Goodwood Festival of Speed
1994 McLaren F1 'LM Spec' 19,805,000 RM Sotheby's 2019 Monterey
1954 Mercedes Benz W196R Formula 1 Racing Single-Seater 29'650'095 Bonhams 2013 Chichester – Goodwood Festival of Speed
1936 Mercedes-Benz 540K Spezial Roadster 11'770'000 Gooding 2012 Pebble Beach
1934 Peugeot L45 Grand Prix Racers 7,260,000 Bonhams 2017 Bothwell Collection
1913 Packard Twelve Individual Custom Stationary Coupe by Dietrich 4,180,000 RM Sotheby's 2015 Andrews Collection
1971 Porsche 917K 14,080,000 Gooding 2017 Pebble Beach
1912 Rolls Royce Silver Ghost "The Corgi" 7'343'000 Bonhams 2012 Goodwood
1962 Shelby 260 Cobra "CSX2000" 13,750,000 RM Sotheby's 2016 Monterey
1938 Talbot Lago T150-C SS 7'150'000 RM 2013 New York
1924 Vauxhall 30-98 OE-Type Wensum 1,658,510 Gooding 2020 London
For a More Detailed Description of Cars Sold for $10 Million Plus
Cars Sold for Over $20 Million – The Most-Expensive Cars Ever
Cars Sold for $15 to $20 Million – all Italian but not only Ferraris
Cars Sold for $12 to $15 Million – including the most-expensive American car ever
Cars Sold for $10 to $12 Million – a mixed bunch of great marques
Home » Record Prices for the Most-Expensive Car Marques at Public Auctions
2021 Bonhams Paris Sale (Online-Only Sale Announced)
2021 Bonhams London Legends of the Road Sale (DB4GT and 275GTS Announced)
2021 RM Sotheby's Arizona Scottsdale Sale (Auction Preview)
2021 Bonhams Scottsdale Sale (Auction Preview)
2020 Gooding Auction Year Top Results Overview
Although great care is taken in writing this website, no responsibility is taken for errors or inaccuracies. This website should be considered for entertainment purposes only. Copyright on all photos are with the relevant auction houses - contact them directly for reuse.
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This tag was made with the littlest guy in mind, the mexican with all the attitude!! You and your little Chihauhau will love what we've cooked up in the studio this time!
We've teamed up with Belgian artist Olivia Delsart to create a unique ID tag that will sure turn heads at the dog park.
As with all our products we only use the highest quality materials - Brass & Stainless Steel with a Black Nickel Coating.


To update any document within the APM please follow the process outlined in and at the .
Updates, additions and deletions to the Administrative Procedures Manual must follow the guidelines outlined in the UI Policy Development Statement () and the University Policies website . Policies in the change process will be documented on the University Policies website and can be tracked through each approval stage .


Aries Softweb LLP is an expert in delivering high performance and scalable enterprise mobile apps in Android and iOS.
Android operating system is one of the leading platforms that emerge constantly among all the Smartphone devices. The day by day growing mobile users state that, it is the supreme user-friendly platform for customers.
Aries Softweb LLP is an expertise android app development company , which provides the specialized android applications and games Development services by studying in-depth requirements and respecting clients' hope.
In recent time, an online market is drowning with an excess of mobile devices. iPhone is a leading trendy Smartphone device among the consumers across the globe.
The iPhone has revolutionary changed worldwide mobile market through its increasing demands. Aries Softweb LLP is superior iPhone App Development Company , which has offered a maximum number of applications for the clients that supported them to generate optimum ROI.
The iPhone application market is extremely cost effective. However, to get the triumph – one should have precise working app with any time support.


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Apple's developers conference | Live | philstar.com
Apple's developers conference
Apple Inc. is expected to announce its latest Mac OS V and iOS updates and unveil its latest projects, particularly on music and music-related services.
Apple's annual developers conference kicks off with a keynote June 8. The company will unveil the latest updates to its iOS and Mac OS X software, as well as talk up its music service plans and other projects. Check out our full coverage at www.cnet.com/wwdc/.
Ok. She got it this time
by Shara Tibken via CNET 6/8/2015 7:15:34 PM
by James Martin via CNET 6/8/2015 7:15:30 PM
That's usually what happens when I use Siri, too
by Shara Tibken edited by Michelle Meyers 6/8/2015 7:15:28 PM
Siri didn't really work
"Have you ever gone to a movie and loved a music in there but you don't remember the name. Can say - 'play the song from selma'"
historical search w Siri...that's cool. It's Amazon Echo-esque
by Scott Stein via CNET 6/8/2015 7:15:06 PM
And Joan Jett's I Love Rock N Roll starts playing
"Play the top song from May 1982."
"If I tap on the next queue, I can see all the top 10 songs and what's next
"Let's get a little more specific. 'Play the top 10 songs in alternative.'" And music starts playing
this is approaching Google I/O Keynote length.
He says "play 'born to run'" And the song starts playing
"I like to do stuff with Siri because Siri's leanring more about music."
"Loren Kramar. Remember that name. We think he's going to be really, really huge."
"Loren Kramar, he's an unsigned artist. He just posted a new song on Connect, and I'd like to play it. It's the first time anyone's heard it. You're a new artist and look at all the people able to hear this song through Connect."
"Again be able to see things you've not been able to hear or see."
Love the extra music/artist stuff. Reminds me of the iTunes Extras with films.
"It's great to get behind the scenes and see the process an artist uses"
The band recorded a video clip with them playing a new song that's not on an album yet
"Here's Bastille. They're working on their next album. Let's see what they have to say."
Radio station sounds like...a radio station
"Let's look at Connect to see what some of my favorite artists are up to."
"To give you a taste of what Beats One will sound like."
"Sometimes you just want to sit back and let someone else be your DJ. Let's go to Radio."
"I said, why do artists always have the greatest ideas that are practically impossible to execute. I said wait a minute, we're at Apple. We're at Apple to help artists dreams be realized."
so much machine learning, but this is something focused on human taste and curation.
"Trent Reznor called me up and said, world's first worldwide radio station. Plays from three cities. not based on research, drum beats. Only music that is great and feels great. A station that has only one master, music itself."
"The first ever live, 24 hour worldwide radio station." (this is piece No. 2)
"need a human touch."
"It happened because probably programmed by an algorithm alone. Algorithms alone can't do that. Need a human touch."
"Your heart's pumping and the next song comes on. EHHHH. Buzz kill"
"Picture this, you're in a special moment. You're exercising or some other special moment."
"These people are going to help you with the most difficult question in music. When listening to playlist, what comes next."
"One single app on your iPhone. Apple Music is three things. A revolutionary music service curated by the leading music experts we help handpick."


A Business Model Canvas (BMC) can be modeled with ArchiMate as shown below. BMC canvases can be created with any of those EA modeling tools that support ArchiMate, such as Archi or Sparx EA.
Business Model Canvas (BMC) View – modeled with Archi-tool.
This is the basic form of the Business Model Canvas (BMC) by A. Osterwalder, but it can be variated according to what is appropriate. There are also versioned approaches such as "Service Model Canvas" or "Lean Canvas". A BMC can be used e.g. for business model design and innovation.
Holistic development includes built-in architecture-support for strategy and business model analysis. This enables business analysts and developers observe e.g. how well business model supports the strategy and how business model fit into the organization, and vice versa.
If the BMC is modeled within a modeling tool, an advantage of this approach is that all the elements of the BMC can be used in other views of the same model repository. And when pivoting the business model, all the changes are immediately visible. Business modelers can create new elements such as services, or utilize all the existing elements in the repository such as organization units or resources.
Business Model Canvas (BMC) – Example.


To become a RACE provider or renew your RACE provider status, please complete the following steps.
An expired Provider status requires the Provider to complete the new Provider application again and incur the New Provider Application fee.
The Program Administrator will be the contact on file with RACE regarding the submitted programs.
The Program Administrator also ensures the program submitted meets CURRENT RACE Standards.
If the Program Administrator changes notify RACE of those changes.
Submit evidence the organization has planned, and conducted, at least three (3) veterinary education programs at the time of application. Evidence of these three (3) programs may include; program agendas or program advertisements.
Submit documents to demonstrate the organization is a verifiable organization. This evidence may include items such as; a certificate of good standing from the secretary of state (or an equivalent document); OR certified tax documentation, OR Articles of Incorporation establishing the incorporated status of the organization, OR similar information verifying an organization's good standing.
Download and sign a RACE Provider Agreement. You will upload this when you upload your other documents.
Complete the new provider application and pay the $350 USD new provider fee.
Wait for email from RACE Program staff at AAVSB for program application instruction. This typically takes one week.
If you do not fulfill these requirements, but would still like to apply to become a RACE Provider, continue through this application and select NO when asked if your organization has co‐sponsored Continuing Education.
A program submitted with a Provisional Provider application can be no more than 5 hours of CE. Based on information provided in the application, it may be determined that a regular application is more suited to your organization.
Complete the provider renewal application and pay the $250 USD renewing provider fee.
Wait one week for the renewal acceptance letter from the AAVSB.
If you have any questions on the details of becoming a RACE Provider, see the RACE-approved Provider section in the current RACE Standards.


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Carolina has worked as a principal, guest star, day player, or very featured extra in feature films and shorts in LA and NYC including Friends With Kids, Excess Flesh, Beautiful Girls, Girls Night, The Reflection, Pan Am, Boardwalk Empire, Tattoo Nightmares, World's Most Astonishing News, and Gossip Girl. Carolina also choreographed for the film Beautiful Girls in addition to playing the role of Denise. Please see the videos section for more!
(The Film "The Reflection" by Lucilla Masucci was an NYU Grad Film incorporating dance. Carolina played a dancer in the company the lead actress was a part of. Choreography by Clara Belenus.)
Screen shot from Investigation Discovery's "My Dirty Little Secret" episode "Naughty Neighbors"


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Could 'demonising plastic' do more harm than good?
Organic farmer, Guy Singh-Watson of Riverford Organic Farmers.
The anti-plastic message sweeping across the UK is weakening the fight against climate change, according to the founder of an organic food company.
The BBC has reported that Guy Singh-Watson, founder of Riverford Organic Farmers, has said more focus should instead be put on cutting carbon.
Prime Minister Theresa May has pledged to ban all avoidable plastic waste by 2042 following growing public awareness of the damage caused by single-use plastics.
However, Singh-Watson, whose business supplies around 47,000 boxes of vegetables to homes in the UK each week, has said "demonising plastic" could do more harm than good.
The BBC report quotes him as saying: "The fervour – the almost religious fervour – of some of our customers in being anti-plastic can actually create problems.
"Plastic is not in itself an evil material, it is the fact that we use so much of it.
"The biggest environmental challenge facing our planet is climate change – and anything that distracts attention from that is potentially dangerous."
Singh-Watson, whose company is aiming to use only fully compostable plastic by 2020, says switching materials is not always the best option, as some, like paper, can have a higher carbon footprint than plastic.
He claims it would be "a step in the wrong direction" if companies focused too much on their plastic usage, rather than addressing energy efficiency or reducing their carbon footprint in other ways.
There are currently 39 different recycling schemes in England, but that number is being reviewed by the Government.


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Features, Musical Notes, Uncategorized
Orchestra Performance Brings Academy Award-Winning 1984 Film to Life at the Music Center at Strathmore
Chris Slattery/
Conducting "Amadeus:" Nicholas Hersh, associate conductor of the Baltimore Symphony Orchestra, will lead the BSO and the BSO Symphonic Chorale as they accompany the beloved 1984 movie with live music.
Photo credit: Geoffrey Robertson
Salieri didn't do it.
Nicholas Hersh, the Baltimore Symphony Orchestra's associate conductor, will conduct the orchestra's Movie With Orchestra presentation of "Amadeus," the 1984 Milos Forman film that depicts the life of the Viennese composer Wolfgang Amadeus Mozart as seen through the eyes of his contemporary, the Italian composer Antonio Salieri.
Hersh wants his audiences to know that while Salieri's extraordinary end-of-life confession — that he goaded Mozart to the grave and tried to steal his greatest work — may form the movie's backbone, it's undoubtedly just a bit of fictional creative license.
"The story itself is apocryphal," said the conductor, who will lead the BSO in a live performance of the movie's magically stripped-away musical score as the film plays out on the stage of the Music Center at Strathmore. "But that doesn't make it any less a good story."
"Amadeus," starring Tom Hulce as Wolfgang Amadeus Mozart, has evolved from an Academy Award-winning movie to a treasured classic since its release more than 35 years ago. Courtesy of Baltimore Symphony Orchestra
Indeed, the story of Mozart reflected through the eyes of a jealous rival is such a good one that it remains a classic 35 years after its release: an epic film adapted from Peter Shaffer's stage play that became a critical and box-office success and swept the 1985 Academy Awards. While Hersh, 31, wasn't born when "Amadeus" introduced the world to its brilliant, boyish, giggly goofball of a protagonist, played by Tom Hulce, he's happy to share Mozart's music, and the movie, in a whole new way.
"My dad always had classical music going in the house, especially opera," said Hersh, who grew up in Evanston, Illinois, and remembers going to the Lyric Opera of Chicago with his family. "I think that must have instilled something in me."
With an uncle who's a musicologist and a cousin who's a professional cellist, Hersh played cello as a youngster, but knew at an early age that he wanted to conduct. He earned a bachelor's degree in music from Stanford University and a master's degree in conducting from the Indiana University Jacobs School of Music, studying with David Effron and Arthur Fagen.
And while Hersh, 31, admitted he's "on the young side" for a conductor, he noted that, "There are young conductors out there, certainly. But conducting is one of those things that you really get better at as you get older, primarily by experience. The older you are, the wiser you become.
"The progress I've made is pretty standard," he added, then laughed. "From here, it's a twisting and unknown path."
Like Hersh, pianist Lura Johnson has a good sense of humor — which comes in handy when performing the score to a good-humored biographical drama like "Amadeus." She also has a sense of physical grace, which makes her a particularly interesting pianist to watch.
Lura Johnson, the BSO's guest pianist, remembers seeing "Amadeus" with her family in London as a child; she will perform its musical score at Strathmore while the film is shown. Photo credit: Katya Chilingiri
"I have always had a really physical response to music," said Johnson. "I think my dancing and my musicianship are related." The dedicated West Coast swing dancer noted that people watching her at the piano often remark that it looks like she's dancing as she plays.
"I am very animated," she admitted. "As a kid, I took gymnastics and I loved the events where you could dance." She set her gymnastics routines to pieces she was learning, but nothing came before piano.
Even within her musical family — her mom is a violinist and her dad, a professor of East Asian Studies at Oberlin College, was her first piano teacher — Johnson was a standout, destined for a professional performance career. She grew up in Oberlin, Ohio, where even now, the family continues its tradition of playing music together at the local nursing home, and earned bachelor and master of music degrees at Rice University's Shepherd School of Music before landing in Baltimore, where she's a Steinway Artist, principal keyboardist with the Delaware Symphony Orchestra and an adjunct faculty member at the Peabody Institute, as well as the BSO's regular guest pianist.
Johnson, 46, believes she first saw "Amadeus" as a child on an extended visit to London. But she said that her fascination with the film's ability to enchant even casual music lovers dates back to an early teaching job at Baltimore's Loyola University, where she taught a basic music class called Music Fundamentals.
"There were two movie scenes that I made my students watch," the pianist recalled, noting that the first was from "Philadelphia," in which Tom Hanks' character narrated an opera scene that moved him to tears. "And the scene from 'Amadeus,'" she added, "where Salieri comes into a room where Mozart is conducting, walks up to the music stand, looks at the notes and hears the music in his head — as musicians can, in a way that's often quite mysterious to non-musicians."
The elegant Music Center at Strathmore transforms into a cinema for the BSO's Movie with Orchestra presentation of "Amadeus." Courtesy of Baltimore Symphony Orchestra
What follows, she said, is Salieri's description of "Serenade for Winds" — and Mozart's genius — which starts, "On the page it looked simple, almost comic!" and goes on to describe the single note of the oboe as it floats, unwavering, until a clarinet takes it over.
"And it's playing while he's describing it," said Johnson. "It's one of those unbelievable scenes that helps people who don't understand classical music, helps them 'get it.'
"It's really powerful," she added. "It's almost like a sportscaster giving a play-by-play: It provides an access point for those that love the music already, and those who don't know they love it yet."
For Hersh, it not just a great access point for the audience, it's the perfect setup for an orchestra to flex its musical muscles.
"Of any movie to show with a live orchestra, 'Amadeus' seems like the logical choice," he observed. "The pieces by Mozart are very much within the orchestral repertoire: something orchestras do very well, and the BSO will do extraordinarily.
"The way the music is incorporated into the narrative is ideal," he added. "It really is such a great film."
And while he and the members of the orchestra are focused completely on the music, they do get to enjoy the drama, comedy and fun of the movie itself in between musical interludes. As conductor, Hersh points out, "I have one of the best seats in the house."
The Baltimore Symphony Orchestra presents "Movie with Orchestra: Amadeus" at 8 p.m. Saturday, Jan. 4 at the Music Center at Strathmore,5301 Tuckerman Lane, North Bethesda. Tickets start at $35. Call 877-276-1444 or visit www.bsomusic.org/calendar/events/2019-2020-events/movie-with-orchestra-amadeus/


Join us on April 30 for the opening of an exhibition of recent works of art by 2015 Artist-in-Residence, Poo Wright-Pulliam. The artist will be present from 10 a.m. until 4 p.m. in the Visitor Center art gallery/theater to answer questions about her experiences at Craters of the Moon.
During 2015, she spent 21 days on "the Moon" drawing and painting the plants and animals that not only live but thrive in this extreme environment. Altogether she sighted, sketched and painted over 100 birds, wildflowers, plants, mammals and insects in the park. Sixteen pieces will be on display including the original "Night on the Moon", a print of which was recently chosen to be included at a special exhibit at the US Botanic Garden in in Washington DC.
Wright-Pulliam served as the park's fifth Artist-in-Residence. Craters of the Moon's Artist-in-Residence program began in 2010 with artist Cindy Tower. This spring we will be hosting a new artist, Rebecca Lowry, and we are also pleased to be working with the Sun Valley Center for the Arts as they develop a major art show focusing on Craters of the Moon to be featured at the park and in their museum gallery in Ketchum beginning in late May.
Please join us for light snacks and conversation with the artist starting at 10 am on April 30 in the Visitor Center. Find your park and help kick off the National Park Services' Centennial celebration by staying to explore the park. Wright-Pulliam's art will be on display throughout the month of May.


The Nikolaus-Eureka Mine was part of a minor copper boom in 1906. The ore started out rich at the surface but quickly dwindled farther down. Very little remains here -- mainly a fallen headframe, collapsing mine shaft, an adit, and an old hoist. In the 1970s a smelter was built a short distance away, and was used to process low-grade ore from the mine dumps.
There was a small town named Loretto in the vicinity of the mine. The ruins of several small stone cabins that were part of the town are supposed to be somewhere nearby, but I was unable to find them on this trip. Maybe next year.


So hard, so cold, so unnecessary.
Maybe not a rejection of you? Maybe a mind so egoic that it cannot accept that someone could love him? Maybe a psyche so full of self doubt that it runs from real love finding fault, in fear? I have known people like this. 2 men. You loved. Love never dies but transforms. Love this. Xo.


I'm not sure what you are asking. Could you elaborate on this a bit more?
All the autoblog plugin does is import posts from an RSS feed and create them as actual posts on your site.
How they are displayed on your site is entirely dependant on your theme templates.
There are a few things you could do though, in the addons, you can enable the post formats addon.
Then you can set the post format for the imported posts, It still depends on your theme templates though.


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Ignoring Evidence Begot Medicare's Dangerous Hospital Re-admissions Penalty
Posted by MLToday | May 22, 2019 | Social and Economic Conditions | 0
By Stephen Soumerai and Kip Sullivan
Federal programs designed to cut costs and improve health by penalizing doctors and hospitals are failing at an alarming rate. Some of them actually harm patients, and many don't cut costs. One in particular, the Hospital Readmissions Reduction Program (HRRP), may have caused thousands of deaths instead of preventing them, and probably hasn't saved money during its seven years in operation.
The Centers for Medicare and Medicaid Services began reviewing the safety of this program on Jan. 19. It shouldn't take CMS nearly four months to err on the side of caution and pull the plug on it.
The HRRP was imposed upon Medicare by the Affordable Care Act. Its goal makes sense: reduce the number of patients readmitted to hospitals soon after being discharged. But its approach — penalizing hospitals millions of dollars if their rate of readmissions within 30 days exceeds an arbitrary threshold — makes no sense at all.
The HRRP and other federal "pay for performance programs" were under fire before they began. Evidence suggested that some hospitals would try to avoid penalties by not readmitting patients within the 30-day window, or if they showed up in the emergency department during that time would treat them there and send them home or place them in so-called observation units rather than admitting them to the hospital. There were also indications that these kinds of programs would disproportionately harm socially disadvantaged individuals.
Influential health policy experts either ignored this evidence or downplayed it.
The behavior of the Medicare Payment Advisory Commission (MedPAC), an independent federal body that advises Congress on Medicare, illustrates the problem. In its June 2008 report published two years before the HRRP readmission penalties were enacted, 16 commissioners voted unanimously that "Congress should direct the Secretary to reduce payments to hospitals with relatively high readmission rates for select conditions." The commission's untested theory was that punishing hospitals for excess readmissions would nudge them to offer better discharge instructions and more services, such as nurses calling patients at home after discharge, which would somehow improve health so much that readmissions would drop.
The commissioners voted for this approach even though it had never been pilot tested and they could cite no evidence for it. They were, however, aware of its risks. In a section of the same 2008 MedPAC report, entitled "Undesirable responses," the commissioners presaged the harm that the readmissions program could cause by listing possible negative side effects of the readmissions policy, including denial of care for "certain patients," such as those who are frail or senile or who have trouble sticking with their management plans.
Long before MedPAC recommended the HRRP to Congress, research had already shown that readmission rates are heavily influenced by factors beyond hospitals' control. The long list of factors that influence readmissions include, among other things, low income, limited education, race, poor diet, and not taking medications as prescribed. Medicare does not collect data on these key factors and, even if it did, it is impossible to predict how they affect hospital readmission rates. Hospitals that care for larger numbers of poor and very sick patients have paid millions more in HRRP penalties than hospitals that treat a smaller number of such patients, offering proof of this point.
A year before the HRRP began, hundreds of economists and health policy experts signed a letter to Congress defending Affordable Care Act programs that penalized doctors and hospitals for undesirable outcomes — such as readmissions — that are influenced by factors outside of physician and hospital control. These experts asserted without evidence that the ACA "contains essentially every cost-containment provision analysts have considered effective in reducing the rate of medical spending."
The evidence hasn't supported their optimism.
Large and rigorous studies have shown that death rates among hospitalized individuals rose after the HRRP began, likely because some critically ill patients were not re-hospitalized and given the inpatient care they needed. Equally worrisome, the discriminatory penalties were disproportionately levied on so-called safety-net hospitals that care for a high number of poor, uninsured, and very sick people. These hospitals are often underfunded to begin with, and the HRRP imposed a kind of reverse Robin Hood effect. This stealing from the poor is a problem with other pay-for-performance nostrums.
The most troubling data come from two recent studies of the HRRP that were published in the Journal of the American Medical Association. The largest of theseexamined its effects on death rates among patients with heart failure, heart attack, and pneumonia within the arbitrary 30-day post-discharge period. The authors reached three disturbing conclusions:
After readmission penalties were imposed, there was a significant increase in death rates among people with heart failure.
This increase occurred largely in patients who were never readmitted to the hospital but who died within the first 30 days after discharge.
There was almost no change in death rates among patients who had been readmitted to the hospital.
The study observed almost the same increase in pneumonia deaths. A smaller separate study also observed an increase in heart failure deaths.
And just two months ago, another time trend study published in JAMA also observed visible increases in heart failure deaths after the start of HRRP.
The likely reason for the increased death rates was that readmission penalties led to some people being denied lifesaving hospital admissions.
To make matters worse, the HRRP doesn't even seem to save money. Studies show that it may have caused some hospitals to increase their use of emergency rooms and workarounds called observation stays in which patients are placed under observation in the hospital but are not admitted as inpatients, and so don't count as readmissions.
The HRRP isn't the only evidence-free federal penalty program that has failed to cut costs and that may be harming patients. Studies of other pay-for-performance programs demonstrated that, instead of improving care, they induced some doctors to "fire" their sickest and poorest patients to raise their quality scores and payments. A large Medicare physician pay-for-performance program known as the Merit-Based Incentive Payment System (MIPS) has been roundly criticized by several studies, including one published on Monday. Their work persuaded the Medicare Payment Advisory Commission to recommend to Congress that MIPS be repealed. MedPAC voted to repeal MIPS in January 2018. Although that decision attracted substantial attention in the health policy world, we haven't heard a peep about it out of Congress, suggesting that MIPS could stay in existence for years.
The "wellness penalty" is another example of a risky program authorized by the Affordable Care Act. It lets employers increase health insurance premiums for people with high cholesterol or high blood pressure or weighing too much (any of which can be caused in part by genes) who don't participate in wellness programs or improve their cholesterol, blood pressure, or weight. Some people have refused to participate in this kind of "preventive" testing and quit their jobs because they are worried that their records may not be private, raising fears of reduced employment opportunities in the future. A large controlled trial recently showed that such legislated wellness programs yield no health benefits, despite the efforts of a bloated $4 trillion "wellness" industry that has received business and government subsidies for decades.
Lazy thinking by legislators and advisers must stop. Policymakers must adopt a code of ethics analogous to the oath doctors swear to first do no harm. Just as we require controlled trials showing that new drugs are safe and effective before they can go on the market, we need to insist on the same standards for health policies. Objective methods already exist to measure the effects of national health policies. But doing this will require less hype, more honest interpretation of research, better awareness of the influence of special interests (including a vast consulting industry), and more circumspection from academic leaders when advising Congress.
If we agree that health policies should be shown to be safe and effective before implementation, then it follows that risky programs like the HRRP should be terminated.
Statnews
Stephen Soumerai, Sc.D., is professor of population medicine, founding and former director of the Division of Health Policy and Insurance Research, and teaches research methods at Harvard Medical School. Kip Sullivan, J.D., is a member of the policy advisory board for Health Care for All Minnesota and the Minnesota chapter of Physicians for a National Health Program.
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Home » News » Appeals court blocks New England push for renewables
Appeals court blocks New England push for renewables
Source: Rod Kuckro, E&E News reporter • Posted: Friday, November 4, 2016
The Sudbury solar project in Vermont was built by Allco Renewable Energy, which has complained that the process Connecticut and two other states used to solicit renewables was contrary to federal law. Photo courtesy of Allco Renewable Energy Ltd.
A federal appeals court in New York on Wednesday temporarily halted an effort by Connecticut to sign contracts for renewable electricity after a solar power developer complained that the process the state used to solicit renewables breached federal law.
The lawsuit is the latest in a string of challenges to state efforts supporting certain types of electricity generation.
Two weeks ago, NRG Energy Inc. and a group representing competitive power generators filed suit in federal court to block a key part of New York's Clean Energy Standard, which subsidizes nuclear power plants (EnergyWire, Oct. 20).
In April, the Supreme Court unanimously struck down an effort by Maryland to promote new gas-fired generation, saying in the Hughes v. Talen Energy Marketingruling that the state strayed into federal regulators' exclusive jurisdiction over wholesale electricity markets (EnergyWire, April 20).
"This is the first case post-Hughes that a federal circuit court is going to have to deal with," said Ari Peskoe, a senior fellow in electricity law at the Harvard Law School Environmental Policy Initiative. "It'll be interesting to see how a federal appeals court understands" the Supreme Court ruling, he said.
Massachusetts, Connecticut and Rhode Island on Oct. 25 selected seven solar and wind projects totaling 460 megawatts in response to the three states' New England Clean Energy Request for Proposals announced last year. The next step is to negotiate contracts by mid-January for the power from each project (EnergyWire, Oct. 27).
New York-based Allco Renewable Energy Ltd., which has developed 18 small solar projects around the United States, in March sued the Connecticut Department of Energy & Environmental Protection in U.S. District Court. Allco argued that a request for new renewable energy generation jointly issued by regulators in Connecticut, Massachusetts and Rhode Island in conjunction with utilities in those states violates the Public Utility Regulatory Policies Act (PURPA) and is pre-empted by the Federal Power Act because it "compels" utilities to enter into wholesale power purchases, the sole jurisdiction of federal regulators.
The district court, however, concluded that Allco lacked standing and dismissed its complaint.
On Tuesday, the 2nd U.S. Circuit Court of Appeals granted Allco's request for an injunction pending appeal and scheduled oral argument for the week of Dec. 5.
The court's order does not discuss the panel's rationale. "We don't know whether or not the court was motivated by Allco's interpretation of Hughes or whether there was something else going on," Peskoe said.
Peskoe pointed out that the 2nd Circuit's ultimate decision in this case could inform the suit against New York's Clean Energy Standard recently filed in the U.S. District Court for the Southern District of New York.
The small solar projects Allco operates are known as "qualifying facilities" under PURPA, a law Congress passed in response to the 1970s energy crisis, with the aim of encouraging conservation, more reliance on domestic energy sources and, in particular, developing renewable energy technologies.
Among its controversial provisions is a requirement that utilities sign contracts for power with small generators — usually renewables — of up to 20 years even if they do not need the power to meet demand for electricity from customers.
The Federal Energy Regulatory Commission held a technical conference on the law this summer, and Rep. John Shimkus (R-Ill.), a contender to lead the House Energy and Commerce Committee in the next session of Congress, anticipates that PURPA will be the subject of hearings and possible revisions.
Allco President Thomas Melone, in a statement, presented his case as part of a larger struggle companies like his experience with state regulators and electric utilities, accusing them of "undermining the federal rights of small renewable energy" developers.
PURPA "is our best weapon against climate change," he said, citing a 1978 statement by Congress when the law was passed saying its purpose was to "accelerate the development of renewable and inexhaustible energy sources and convert the national economy to alternative fuel resources in order to protect this country from the problems that would otherwise occur."
The purpose of Allco's suit is to "open up markets broadly to qualifying facilities by overcoming both the reluctance of utilities to purchase from qualifying facilities, and the reluctance of state commissions to enforce the rights" of such projects under the Federal Power Act and PURPA, Melone said.
Joe Rosenthal, principal attorney in the Connecticut Office of Consumer Counsel, said "just about anything else that you do in Allco's mind will run afoul of the Federal Power Act and will be impermissible state intervention. We disagree. We think there's room to do these competitive [request for proposals]."
Connecticut and other states are under "significant pressure from other parts of the federal government to make sure that our power is cleaner," he said.
"This kind of litigation puts states in quite a bind. What are we supposed to do? We're trying to get cleaner, we're trying to hold competitive processes, and then we're getting bogged down with these PURPA claims. It certainly needs to be sorted out," Rosenthal said.


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The Country Music World Better Get Ready for Mitchell Tenpenny (Interview)
Aaron Otto
Photo: Dallas Wilson
Recently, I was able to talk with Nashville native, singer-songwriter Mitchell Tenpenny. We discussed his latest single "Drunk Me", why he is a big fan of John Mayer and why music has always been apart of his life.
Aaron Otto: Talk to me about your newest single "Drunk Me" and the inspiration behind that song?
Mitchell Tenpenny: I wanted to write a heartbreak song with a different take on it. I wanted to write about why someone would quit drinking, not because they have a problem, but because it is the only chance they stand at getting over a breakup. I've been there before and I felt like people could relate.
AO: What other music are you working on right now?
MT: We are finishing up the full -length record right now and I'm so excited about it. It's just hard trying to pick songs especially when we have so many to choose from because I've been writing full time for the last 6 years.
AO: You cite John Mayer as an inspiration to your music. What is it about his songs that get to you?
Do you have a favorite song or album of his?
MT: His lyrics are one of a kind. They paint a picture in a way no one else paints. He tells stories better than anyone out there in my opinion. Also, his guitar tones are my favorite in the world. I learned how to play listening to his records over and over again.
AO: Growing up in such a vibrant, artistic community that Nashville is, did you always feel "attracted" to the music business?
MT: I've always felt attracted to music in some way, shape or form. Whether it be a producer, engineer, songwriter or artist. I've always been in bands and they were not always country. Some were rock and somewhere hardcore metal bands. I played drums in those but someone found my way back home to a guitar and country music.
AO: What song do you wish you had written?
MT: Man in the Mirror
AO: What kind of music would people be surprised that you listen to?
MT: I love screaming hardcore music with melodic guitars and breakdowns. Something about the energy gets me every time.
WORD ASSOCIATION (answer with the first word or answer that comes to mind)
AO: Loveless Cafe
MT: Biscuits
AO: Ford
MT: My truck
AO: Venison
MT: Rifle
AO: Whiskey
MT: Party
AO: Kacey Musgraves
MT: Weed
AO: Last Call
MT: Tequila
LAST QUESTION
AO: How do you define success?
MT: I define success as something that make you proud every time you look back at what you've done. It's not about money or fame but it's about a feeling. A "peace of mind" if you will.


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Title: A Report on the Communal farm of Catigbian
Subtitle: A visit to the Palaymanan Farmer-Partners Association
Author: Dark Sapphire
Topics: Bandilang Itim, Philippines, worker cooperatives
Source: Retrieved on 2020-04-12 from libcom.org
A Report on the Communal farm of Catigbian
A visit to the Palaymanan Farmer-Partners Association
I have gotten back from a six-hour excursion last March 17th. I wanted to check if the reports from a Facebook post about the existence of a communal farm was true—this was in fact true. But in order to get to where we are right now and to summarize the longest road trip I had so far, we need to get back to where it all began. Let us start with the basics and work from there.
First, let's talk a bit about Catigbian. It is a 4th class municipality in the province of Bohol, Philippines. It is an interior town north of Balilihan, south of Sagbayan and Tubigon, east of San Isidro and west of Batuan.
Formerly known as San Jacinto, it changed its name to a certain group of seed-bearing plants named "Katigbi" (Coix lacrymajobi), which grow abundantly. The town was founded in 1829 as one of the villages where rebels resettled after the Dagohoy Rebellion had been suppressed. This is where we could assume the legacy of that Rebellion could be quite felt and seen.
When I went there, the communal farm of the Palaymanan Farmer-Partners Association was quite successful in terms of agricultural resources. The land was abundant. As summer came along, the sacks were almost overflowing in one of the farmers' fields. Even without any official sort of communal farming, the Katigbawanon practice a form of Collectivist Georgeism wherein individual plots—even though connected—are their own. The difference being their split in profits, which is the collectivist aspect. Due to this even system of sharing, the town shares as well in the abundance. Their transparency and good governance rates has helped the farmers in projects with the local Department of Agriculture (DA).
The main problems addressing the town today are the recent El Niño and the Rice Liberalization law. While I was there the rivers that had usually overflowed now were only flowing in select creeks, or if you were a haciendero in the nearby town of Balilihan, literally flowing through a dike in front of their house. Another problem is the Rice Liberalization law as a response to poor harvests in 2018. The law's effects can be seen in the mounds of rice that riddled throughout the area as well as some patches where vegetables were rotting in the street. These patches were smaller in comparison to 2018 however.
These two combined were the conditions that set the stage for the interview. I would give a full transcript eventually in a blog post, but here is the gist for now:
The organization today called the Palaymanan Farmer-Partners Association was organized on November 8, 2018. This was during the rice shortage due to some unforeseen NFA consequences that left the Marcoses nervous. For those who do not know, the entire KBL (Marcos' Party) platform was how they improved agriculture through the methods Marcos implemented and new agencies like the NFA that his father is said to have created. If this is one of their bets, they are playing on a weak chance. In the wake of this, Palaymanan was born. Today, they host around 44 farmers who collectivized mostly on vegetables however are now expanding into the rice market. They help each other on a collectivized patch of land containing the vegetables but the rice is on individual plots. The man I have talked to, a certain Ramil, has a half-hectare or 5000 square meters. He could produce 50 sacks a cropping with 36kg in each bag. His is not the biggest one however. In terms of their vegetable farm, they can produce 280kg of fruit per croppings. The fruits produced on the communal plot are eggplant, string beans, squash, lady fingers (okra) and oyster mushrooms.
They are frequently aided by the DA for several reasons. This included screwing the farmers over with the government's Rice Liberalization Law, which was a response to inflation brought about predominantly by TRAIN, which was also their fault. The Tax Reform for Acceleration and Inclusion (TRAIN) Act, officially called as Republic Act No. 10963, is the initial package of the Comprehensive Tax Reform Program (CTRP) signed into law by Duterte on December 19, three years ago. The inflation rate in June the next year—which exceeded both government and market expectations—was the fastest pace in at least five years due to this. Year-to-date, inflation averaged 4.3 percent, above the BSP's 2–4 percent target range, said by an Article by Ian Nicolas Cigaral. Government data says further, "It peaked at 5.2 percent for the same month. For the previous months, inflation was pegged at 4.6 percent and in the same period in 2017, 2.5 percent."
Socioeconomic Planning Secretary Ernesto Pernia claims that the inflation will most likely peak on the third quarter of the year and start tapering off by October. They are being aided heavily especially in these trying times. They registered for government aid in a program known as the Agricultural Competitive Enhancement Fund (ACEF). They signed a form and a letter of intent with the proposal discussed in the 2021 budget. The point of the fund is to advance the technological capacity of the agriculture of both the agricultural capabilities of the country in general and the Association in particular, as compensation for the Rice Liberalization Law and the effects of TRAIN. The program is said to provide a floating tiller, a rice transplanter, a combined harvester, a mechanical dryer, and a mobile rice mill, but I doubt if it will be provided.
Analyzing from what they asked for from the government, they are bound to get some aid to actually industrialize this communal project, however small as of the moment. The machines are going to be useful once they can actually gain enough rice fields for the usage of such works. Depending on if the government can actually give these, especially that most of the money is going to be allocated for the COVID-19 response, I don't see it likely. The budget allocation probably would not happen by the planned 2021, since recently the country had asked for an IMF loan which would cripple our nation once more as it did before.
In an Anarchist lens, the thing that would strike one the most is the lack of any hierarchy in how they organized. There is a form of horizontal hierarchy as the members slowly grow in number. However as for now, it's a workable form. They do not have a haciendero nor are they indentured rather, they pulled their own weights. Their decisions are made in monthly meetings where policy and action are decided. This method of organization is leaning towards a more independent form of Syndicalism. Although many people could say that such methods of organization is reformist and heavily reliant on state powers. I would agree at some point, but however you put it. In order to sustain the communal farms within the province as well as other provinces would require that the state handing over increased powers to bureaucrats and eventually the working class in general through a gradual revolution. On the other hand, disappointing a good few can muster up support for the creation of cells and groups that are sympathetic to local causes that in turn lead to the inevitable socialist revolution. I want to know what you would think of this however.
In conclusion, it is ironic to see government helping out in potentially Anarchist projects although it is one theme that I can trust be found everywhere I go. Before I left, I gave them the pamphlet To Change Everything in Bisaya as a token of peace. It is also worth noting that these farms are growing as a way of life throughout Bohol. When on the trip, most of the businesses were actually cooperatives or subsidiaries to them for raw materials. It felt like, just for a time being, that the world had to adjust to a small island for it to progress. Where the world fails, the next generation steps in.


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José Torres est un boxeur portoricain né le  et mort le  à Ponce (Porto Rico).

Carrière
Médaillé d'argent aux Jeux olympiques de Melbourne en 1956 en super-welters, il devient champion du monde des poids mi-lourds WBA & WBC le  après avoir battu Willie Pastrano par arrêt de l'arbitre à la .

Torres défend 3 fois sa ceinture contre Wayne Thornton, Eddie Cotton et Chic Calderwood puis est détrôné le  par Dick Tiger. Battu à nouveau aux points lors du combat revanche organisé le  au Madison Square Garden de New York, il met un terme à sa carrière en 1969. Il était entrainé par Cus D'Amato, entraineur de Floyd Patterson et Mike Tyson.

Distinction
 José Torres est membre de l'International Boxing Hall of Fame depuis 1997.

Documentaires
José Torres. Deux documentaires, 1959 (25 min) et 1965 (58 min) d'Hiroshi Teshigahara. Coffret Hiroshi Teshigahara, Carlotta Films

Références

Liens externes

Boxeur portoricain
Champion du monde de boxe WBA
Champion du monde de boxe WBC
Boxeur aux Jeux olympiques d'été de 1956
Naissance en mai 1936
Naissance à Ponce (Porto Rico)
Décès en janvier 2009
Décès à Ponce (Porto Rico)
Décès à 72 ans
Médaillé d'argent olympique américain

redpajama_set_name: RedPajamaWikipedia


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