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Cavalier's Hamilton sets big goals
Cavalier player Nicholas Hamilton
Cavalier's midfielder Nicholas Hamilton says Sunday's come-from-behind 2-1 victory over Arnett Gardens in the Red Stripe Premier League will serve as a big moral booster for the club in their quest to win this season's title.
The 22-year-old proved the hero for Cavalier, as he netted both goals to help the club to their first victory over Arnett Gardens in two seasons.
Hamilton, a former Holy Trinity High school Manning Cup standout, scored his goals in the 90th and 93rd minutes to give Cavalier their second straight win of the season.
"I think it is a big victory for the team because last year we didn't beat Arnett Gardens in the league and beating them this year, is a good feeling for us," said Hamilton.
"I think this year we are going to win the title and so we just have to continue working hard, play as a team and believe in each other and continue to listen to the coaches' instructions," he continued.
Hamilton, who plays left midfield for Cavalier, netted four goals last season and he added that he is aiming to add a few more this campaign.
"It is good feeling scoring two goals against one of the top teams in the country because we were down 1-0 and my two goals helped us to the get the victory and so that is a good feeling for me," Hamilton said.
"My aim is to score 20 goals this season because I am feeling good about myself, as I am getting fitter and I am playing some good football and so I just have to continue working hard."
Hamilton pointed out that his aim is to stay focus, continue to improve his game and hopefully, he will be able to receive a national call-up.
"I am working by myself also and I am doing some extra gym work and preparing better for this year's competition," said Hamilton. "I am looking for a national call-up this season so I can take it from there to see if I can even get a contract overseas."
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Northampton Borough Council
Common FOI requests and Public Registers
You are here:Government Legal Department (Bona Vacantia)
Structure charts
Welfare reform & under occupancy
Northampton Town Football Club
Queen Eleanor Cross
Contaminated Land Register under Part 2a Environmental Protection Act 1990
Government Legal Department (Bona Vacantia)
Public funerals
We, along with many other local authorities, receive a huge number of Freedom of Information (FOI) requests from companies offering to trace the next of kin of persons being buried under the Public Health Act 1948. In the early days of FOI (2005) requests came in about twice a year from approximately 3 companies.
More recently about 6 companies and almost a dozen freelance researchers have been making requests every few weeks for information much earlier in the process (indeed before the council had even had a chance to recover the funeral expenses themselves).
In response to this large volume of FOI requests for public funeral information we created this internet area to make public a quarterly a list of public funerals and our progress with costs recovery and all cases we refer to the Government Legal Department (previously the Treasury Solicitor).
In this way we have fulfilled our obligation under section 19 (publication scheme), section 21 (publish information) and section 22 (future planned publication) of the FOI Act. Therefore from this point forward we will refuse all such requests and refer applicants to this web page.
This will ensure all organisations working to trace next of kin will have access to the same information at the same time and significantly reduce the burden to local tax payers of responding to large numbers of FOI requests to private organisations.
The Public Health Act 1984
Under the Public Health (Control of Diseases) Act 1984 where no suitable funeral arrangements have been made, or are being made, for a deceased person who has died in the borough of Northampton, public bodies including Northampton Borough Council, Northamptonshire County Council and Northampton General Hospital have a duty to arrange the funeral. This will be a basic funeral to minimise the cost to the local tax payer. The council will then attempt to recover the cost from the deceased persons estate or trace the next of kin to recover the costs. In some cases this is a very quick process, in other cases it can takes months or even years. We are normally successful in recovering the costs. The sums recovered and still outstanding in respect of every public funeral are published in the annually updated spreadsheet tab within the list public funeral speadsheet linked below.
We will not part fund a funeral. If funeral arrangements have already been made, such as instructions to a funeral director, we will not be responsible for any costs incurred.
We have published details of public funerals on a quarterly basis since January 2012. Data is usually available for 3 years.
List of public funerals
In addition we receive a handful of requests each year on the cost of public funerals. Although the cost to us is minimal at the end of each year there is a cost; however, we continue to recover costs in the following years making the provision of exact costs for a specific year very difficult and an ever moving target. The following web page includes copies of the most recent FOI requests relating to public funeral costs:
FOI requests on the cost of public funerals
Reclaiming the costs
Under the Act the funeral costs are the first expenses claimed on any estate. We are entitled to collect any and all sums of money due to or belonging to the deceased and to sell any belongings of the deceased in order to help offset the costs of the funeral and expenses.
If, after we have deducted the funeral and associated costs
the remaining estate is over £500
there are no other bills outstanding
no known next of kin
then we refer the remaining estate to the Government Legal Department in accordance with their guidelines for referring 'Bona Vacantia' estates. It is at this point we will make information public on this web page.
Although Bona Vacantia referrals are not a frequent occurrence, they do happen from time to time.
Bona Vacantia referrals* (unresolved).
Please refer to the Government Legal Department for any updates on these cases as we do not hold any information once the case has been referred other than details of any funeral expenses recovered as a result of the tracing work done by the Bona Vacantia
Name** Date of death Referred to Treasury Solicitor
M Patel 10.03.2011 6th October 2011
J Mett 4.07.2009 August 2009
P Fottrell 15.12.2008
T Richardson 17.01.2008
L Bourne 05.08.2005
I Davies 18.04.2005
O Mathurin 18.07.2004
E Babb 26.05.2004
*we are not the only public body that refers estates to the Government Legal Department for the borough of Northampton. Please also contact Nothamptonshire Councty Council (for example, for persons dying in care) and Northampton General Hospital (for persons dying under medical supervision).
**Others individuals have been referred; however, next of kin were traced and the estates are progressing in the normal way.
In accordance with the Freedom of Information Act 2000 first names and addresses have been redacted or withheld under the following two exemptions:
Section 21 - information accessible to applicant by other means.
Although the council can confirm that it holds some of the information requested, it does not accept that it holds the information in its own right, but on behalf of the Government Legal Department. Some details of the estate of those persons who have died can be accessed via the Bona Vacantia website.
Section 31(1)(a) - law enforcement (prevention and detection of crime).
The council will not disclose address details into the public domain where they relate to deceased's empty properties as the property is likely to be unoccupied and might still contain the deceased's personal papers and effects.
We do not believe it to be in the public interest to disclose information relating to empty properties prior to a full and thorough securing of the assets of the estate as undertaken by us, the next of kin or the Government Legal Department.
Additionally, giving out the names of the deceased taken with other information easily available, e.g. the electoral roll, telephone directory entry, 192.com etc. would make identifying properties possible and therefore expose the estate to possbile loss or damage.
Northamptonshire Registry Office
All deaths have to be registered with the local registrar.
Northamptonshire Registry Office's webpages
Bona Vacantia
The Bona Vacantia department of the Government Legal Department administer the estates of persons who die intestate without known kin and collect the assets of dissolved companies and failed trusts.
Bona Vacantia website
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Indonesian Christian governor insists 'no insult intended' as 'blasphemy' trial begins
December 13, 2016 By Imogen Faux Indonesia Ahok, Blasphemy, Islamic extremism, Jakarta, Kalimantan, Sumatra
UPDATE (13 Dec.)
Indonesian Christian governor, Basuki Tjahaja Purnama (better known as "Ahok"), fought back tears during the first day of his blasphemy trial today (13 Dec.).
Ahok – only the second Christian and the second governor of Chinese descent to lead the Indonesian capital city, Jakarta – is alleged to have "misused" a Qur'anic verse (which, some say, suggests Muslims should not be ruled by non-Muslims) during a speech in early October.
Some Muslim leaders accused him of insulting Islam by quoting from the Qur'an. He apologised, but said his comments were directed at politicians "incorrectly" using the verse against him and not a criticism of the verse itself.
The trial is widely seen as a test of the world's most populous Muslim-majority nation's stance on religious freedom, since the country has a large Christian minority.
It was broadcast live on TV and Ahok continued to protest his innocence, telling the court: "I had no intention of insulting Muslims or insulting the clergy. On that basis, I plead with the judges to consider my exception plea."
Basuki Tjahaja Purnama (better known by his nickname, 'Ahok'), during a re-election speech in Jakarta on 16 November.
Original article (29 Nov.)
A Christian governor in Indonesia is being investigated by police as a suspect in a blasphemy case, amid on-going calls from Muslim groups for his imprisonment.
Investigators questioned the Governor of Jakarta, Barsuki Tjahaja Purnama, known as "Ahok", for eight hours at the National Police headquarters in South Jakarta last week.
The outcry against Ahok began after he quoted a verse in the Qur'an that forbids using the Islamic scripture for political gains in a speech he made in early October. Some Muslim leaders accused him of insulting Islam by quoting from the Qur'an, and he apologised.
An edited version of his speech was posted online and went viral, sparking outrage. At a mass rally in the Indonesian capital on 4 Nov., demonstrators called for Ahok's removal from power. On 16 Nov., police declared that he was being investigated.
The incident coincides with a rise in terror attacks targeting Christians, and Christians, rights activists and moderate politicians fear Indonesia's increasingly fragile secular constitution is under strain.
Muslim leaders have called for the public to respect the legal process while the investigation continues. But the outrage caused by the speech, spearheaded by radical Muslim groups, has increased concerns that the majority-Muslim republic is swaying towards extremism.
Last week, Indonesian police gave permission for a large-scale rally against Ahok to take place on Friday (2 Dec). Earlier this month, the National Movement to Save Indonesia Ulema Council's Fatwa (GNPF-MUI) mobilised tens of thousands of demonstrators to take to the streets of the capital in protest on 4 Nov. Estimates of the number of participants varied between 50,000 and 150,000.
In response, rallies were held on 19 Nov. in support of the ethnic-Chinese Christian leader, UCAN reported. Christians, activist groups and moderate Muslim politicians have expressed solidarity with minority religious and ethnic groups against the tide of growing intolerance. Ahok said he has no intention to give up his place as the republic's first Christian governor for decades, and has remained positive about his re-election bid.
The Ahok case is one of a series of incidents that have seen radicals challenge secular political and civil affairs. In August, a teenage man attacked a priest with an axe during a Mass in Medan, North Sumatra, and failed to detonate a bomb in his backpack. Earlier this month, a two-year-old child died and three other young children were injured when a man threw petrol bombs at a Protestant church in East Kalimantan Province. Some Indonesian Christians said they fear the attack was connected to Ahok's case.
Two terrorism experts said last week that a five-year national de-radicalisation programme had not succeeded in reducing extremism. Analysts have been especially concerned by moderate Muslims' hostility towards Ahok. Earlier this month, tens of thousands of moderate Muslims rallied alongside hardliners. The Muslim Times ran an opinion piece arguing that Ahok losing his blasphemy case could be the tipping point for a republic once upheld as a model of pluralism and stable democracy in a shift towards a more conservative form of Islam.
From 2004 to 2014, blasphemy cases in Indonesia had a 100 per cent conviction rate. Human rights campaigner Andreas Harsono voiced concerns that the accusation may be being used as a "political tool" to derail Ahok's re-election campaign.
For Christians, much hangs in the balance. Some see their on-going security and freedom tied to the fate of the accused governor of Jakarta. With a lengthy legal process ahead for Ahok, the coming months could hold much uncertainty for them as well.
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Home » Arts
Broadway On the Road
AT&T's 2018-19 Dallas season is stocked with sizable Broadway hits
New Season, New Work
Dallas' Theatre Three doubles down on new work and local artists
Dallas Theater Center gives a great history lesson with LBJ play
Mar 14, 2018, 1:30 pm
The Great Society is a sequel to All the Way, which Dallas Theater Center and the Alley Theatre co-produced in 2016. Photo by Karen Almond
Brandon Potter and Shawn Hamilton return as LBJ and MLK. Photo by Karen Almond
Brandon Potter, Chris Hutchison, and cast of Dallas Theater Center's The Great Society. Photo by Karen Almond
Completing the cycle that began with the 2016 Dallas Theater Center/Alley Theatre co-production of All the Way, The Great Society depicts the tumultuous final four years of Lyndon B. Johnson's presidency. And "tumultuous" is putting it lightly, as there is seemingly no moment of peace for LBJ throughout the play as he wrestles with how to handle civil rights struggles, the escalating Vietnam War, and more.
Brandon Potter reprises his role as Johnson, going head-to-head with a series of political figures. They include Martin Luther King, Jr. (the returning Shawn Hamilton), who pushes Johnson to keep his word on supporting voting rights; Sen. Bobby Kennedy (Jay Sullivan), a fellow Democrat with whom he has a testy relationship; Gov. George Wallace (Chris Hury), who seems unable or unwilling to help with racial unrest in Alabama; and many more.
As with All the Way, the audience is thrust into the middle of an ongoing story, as playwright Robert Schenkkan assumes we have a certain familiarity with 1960s U.S. history. Instead of leading us by the nose through the events of the era, he provides a certain number of cultural touchstones while also diving deep into the debates LBJ had with a variety of people. It takes a few scenes to catch up, but once the play gets going under Kevin Moriarty's direction, it moves like a freight train.
What becomes abundantly clear throughout the two-and-a-half-hour running time is that being president is a thankless job. The play alternately depicts Johnson as a hard ass and a manipulator, but also as someone who could be weak-kneed at critical moments. It's in the intensification of the Vietnam War that Johnson comes off the worst, as he accedes to the wishes of Secretary of Defense William McNamara (Chris Hutchison) at nearly every turn.
Utilizing the same spare but intimidating set that Beowulf Boritt designed for All the Way, full of Corinthian columns and a basic Oval Office setup, The Great Society keeps the focus on the script and the actors. Nearly everyone except for Potter plays more than one character, and the efficiency and speed with which the actors — a blend of talent from Dallas and Houston — switch costumes, hairstyles, and personas never fails to impress.
As he's at the center of nearly every scene, it's imperative that Potter command attention. His nasally impression of LBJ may or may not be fully accurate, but in the context of the play, it works wonders. He exudes the charm, gravitas, and anger of Johnson, putting forth a fully-realized character in the process.
The events in The Great Society are not pretty and can be frustrating to see transpire, but it's the emotions that the play stirs up that make it so compelling. With outstanding performances and a crackerjack script, it's one of the best history lessons you'll ever experience.
The Great Society, a Dallas Theater Center/Alley Theatre co-production, runs at the Wyly Theatre through April 1.
AT&T Performing Arts Center presents An Evening With C.S. Lewis
Jake Nice presents Slide By
Related City Guide Listings
Dee and Charles Wyly Theatre


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Home > Support & Information > Church Buildings > Technical Advice
Working on Churches
Advice for parishes and clergy on the permission needed for different types of works on church buildings and churchyards.
The Diocese of Chester is custodian of a rich and varied heritage of over 300 church buildings. Most of these buildings are grade-listed. 100 of them are listed at Grade I or II* as being of exception national or even international interest. Many of these churches are truly inspirational works of faith which deserve the utmost care in their preservation and sensitive development. In managing these buildings, PCCs have a responsibility towards past, present and future generations of worshippers, and to the community at large.
The "faculty system" (under the "Ecclesiastical Exemption") is the legal control for work to churches. It replaces, in law, Listed Building Consent and Conservation Area Consent. The faculty system allows the Church a valuable degree of freedom to develop its buildings in line with worship requirements. It must remain at least as stringent as the parallel secular systems of control, otherwise the Church risks losing the exemption in favour of secular control. The faculty system is operated by the Diocesan Chancellor, assisted by the Diocesan Registrar and taking advice from the Diocesan Advisory Committee.
PCCS must by law:
Obtain the necessary authorisation for work to churches - see do you need a faculty?
Undertake the necessary consultation
Comply with appropriate Building Regulations, health & safety and all other statutory requirements
Guidance is available on all aspects of work to churches. A helpful overview of the Ecclesiastical Exemption is also available.
You can easily check the grade listing listing of your church, why it is listed, plus whether any other structures (such as walls or sundials) in your churchyard are listed. You can do this by consulting the Historic England listing database.
Page last updated: 24th April 2020 6:58 AM


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#F1Chat
#F1Chat Preview – the Japanese GP
By laura_marieee
Just a week after the Korean Grand Prix, we have the Japanese Grand Prix to discuss on #F1Chat, so here's what's coming up tomorrow…
First of all, what did you think of the race? Lap one was eventful, with Romain Grosjean making the biggest impression off the start, moving from fourth to first into turn one. It's a stark contrast to 12 months ago, what did you make of Grosjean's race? He felt that he could have won the race, after making progress in the first two stints on medium tyres, but said the hard compound in the final stint hurt his chances – thoughts?
Talking of strategies, Red Bull split their strategies for Mark Webber and Sebastian Vettel. Webber was initially ahead of Vettel, but he three-stopped, which meant Vettel was able to pass his teammate in the middle stint to eventually take the race win. Webber expressed his surprise at the switch to a three-stop strategy and the move sparked suggestions that the team had deliberately hampered him to allow Vettel to take the eventual race win. Christian Horner said the strategy was the team's only option after they pitted him on lap 11 after he put pressure on Grosjean in the opening stint to the point his tyres were finished by the lap he pitted. What are your thoughts on this?
Mercedes didn't have the best day at Suzuka. Lewis Hamilton's race ended early after making contact with Vettel at the start, which ended in a puncture and subsequent floor damage as he made his way back to the pits. Firstly, any thoughts on this? And what about his teammate Nico Rosberg? Mercedes released him into the path of Sergio Perez at the first round of stops and he received a drive-through penalty after narrowly avoiding hitting the McLaren and some of the Lotus mechanics – thoughts?
Daniel Ricciardo also received a drive-through penalty for running off the track after passing Adrian Sutil around the outside of 130R. What were your thoughts on the penalty? He'd already made the move stick and argued he lost time, rather than gained time by running wide – was it a fair penalty?
Fernando Alonso said after the race that he had no problems with teammate Felipe Massa ignoring the "multi-function strategy A, now please" team order. Massa suggested after the race he was not happy being told to move over for his teammate, but Alonso said he wasn't upset that he didn't as they finished in "more or less the same positions anyway". Thoughts on this?
Finally, there have been rumours this week about the possibility that Nico Hulkenberg could be replacing Kimi Raikkonen at Lotus next season – what are your thoughts on this and what did you think of his race?
Join us tomorrow at the usual time of 4pm Eastern US, 9pm UK. Follow @F1Chat and use the #F1Chat hashtag to answer the questions. As always, we look forward to chatting soon.
Was Webber 3-stop really a surprise?
How not to ignore team orders


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I usually let the writing brew in my mind for a few days before grabbing pen and paper and then make myself comfy in my living room couch, with a cup of tea. This is likely to be in the morning when it is all quiet and bright. I am lucky to live in an old fashioned top floor flat in Edinburgh's Old Town, with gorgeous views of the rooftops and Arthur's Seat: perfect for writing. Lapin came to me one day when I decided to introduce children to my French language and culture. At the time, I was working in a nursery and caring for lots of three and four year old little ones. Lapin quickly became the French embodiment of those children. I find him a great companion. He's playful, funny and although stubborn and at times selfish, he's also caring and generous. He has helped many children understand the idea that not everyone speaks English. When I first started writing Lapin stories for my puppet theatre shows, he simply scampered onto the page, as only rabbits can. It became a real pleasure, so I kept on making up new stories for him.
I often work alone, so it's lovely to creatively collaborate with my brother, who co-created Lapin with me and is a very talented illustrator. We chat on Skype for hours at times, to make sure our common vision ends up in the pictures we're working on. Like all siblings, sometimes we have to negotiate our differences. But mostly we have a great time and usually end up agreeing with each other.
I have lived in Scotland since 1991. After a really adventurous holiday throughout Scotland, I fell in love with the Scots (and one Highlander in particular!) so I came back and studied librarianship. It feels like a long time ago, and I have worked in many places since then. Lapin is important to me because he has anchored me back to my native language. He is also my 'bubble' of innocence and silliness, which I always make a point of nurturing.
Of course sometimes it is hard to write, to capture the moment of creativity, especially when using two languages. But mostly it feels like a game. A game of words and sounds… Through the pages of his book, Lapin is forming before our eyes, scampering towards us, bright eyed and bushy tailed, just as a rabbit should be.
Tania Czajka recently ran a successful crowdfunding campaign to publish "LAPIN IS HUNGRY – the Bilingual Picture Book for ALL" about the adventures of Lapin.


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The Tenants is a film about a Jewish writer named Harry Lesser who befriends a black militant writer named Willie Spearmint (Snoop Dogg) that is squatting in the same apartment building he lives in. Despite being sub-literate, Willie believes that his writing is revolutionary with its messages of killing white people. I guess he knows the audience he is targeting. The stoic (does one exist?) Jew Harry Lesser does everything he can to kiss Willie's ass for no apparent reason. Willie has a "white" Jewish bitch for a girlfriend that Harry starts falling in love. One can only expect violence with a disgustingly bizarre love triangle between writers as diverse as these.
Apparently, The Tenants has offended the racially sensitive citizens of the United States and only played at one theater in the entire country. I am not surprised as The Tenants lacks any type of happy and sentimentalist civil rights message that you can expect from films of this "progressive" generation. The "struggle" in the film is only between egos and "racially diverse" characters. As can be expected, the Jewish Harry Lesser is a "victim" of irrational black gentile anti-Semitism. Willie is a criminal who has served time and lives off the fruits of his Jewish "bitch" girlfriend. Despite hating whites and promoting black power idealism, he believe its okay to have a relationship with a white girl. In fact, if it wasn't for the white girl, this black power revolutionary would be begging for pennies on a curb in some shithole ghetto.
The Tenants lets the viewer know in a symbolic manner that if it wasn't for the Jewish community, the black civil rights movement would have never gone anywhere. It doesn't take much historical background research to find out that the NAACP was far from a black organization. For example, Jacob Schiff, the Wall street banker who also funded the Bolshevik revolution, funded the NAACP. Schiff also worked with his buddies Jacob Billikopf and the infamous Zionist Rabbi Stephen Wise to get the NAACP moving. To put it simply, the NAACP was never really an organization interested in true black interests. After stealing Willie Spearmint's girl in The Tenants, it is clear that the arrogant Harry Lesser wasn't really looking to help Spearmint's black power writing to get off the ground. Despite having an extremely low IQ, Willie Spearmint can see through the weak front that is Harry Lesser.
Throughout The Tenants Harry Lesser seems to get off on a masochistic ride of being verbally abused and threatened by Willie Spearmint. These scenes of a black man dominating a "white" man are so typical of Hollywood nowadays that it's a surprise that some "redneck" hasn't assassinated any Hollywood producers like the Silent Brotherhood assassinated the belligerent Jewish radio talk show host Alan Berg (who Oliver Stone later made a movie about Talk Radio). Despite being a criminal and wearing a jungle gear wardrobe, Willie is more respectable than little bitch Lesser. When Willie eventually destroys Lesser's probably less than interesting book, I couldn't help but giggle.
The Tenants is a very flawed and somewhat small budget film that is at the very least watchable. Upon first viewing the film, I expected another race friendly Jew-lifts-black-man-off-ground-and-gives-him-power film that so typical of Hollywood. In the end, The Tenants has a nihilistic message that obviously must be upsetting to many white liberals. The dreams of a multicultural utopian society takes an ax to the stomach in The Tenants. Steven Spielberg directed The Color Purple and Amistad to give "power" to the black people but he is just another Harry Lesser.
-Ty E
Posted by Soiled Sinema at 10:43 PM


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King John I ( 1199 1216)Richard's sudden death threw John into his much desired role as King. Having failed to regain the European territories John spent the majority of his reign in England. The country was torn apart by inflation and High taxes. Parenting has become much more of a partnership. And I think we going to see it filter down to the boys, too. At least I hope so.. As she became more famous throughout the archipelago, she found herself increasingly sought after by men seeking romance; in a 2010 interview with The Jakarta Globe, Sari recalled that at times they fought over her. In 1955 she appeared in her first film. Three years later, she was banned from performing in Bekasi and Karawang (both in West Java) when committees of women feared she would steal their husbands.[1]In 1960, Sari married a Dutchman named Boertje (Indonesian: Murdadi Iskandar), who was five years her junior.

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Every Friday night is movie + pizza night at chez TLFB. It started when our girl was about 4, she's 11 now so it is well and truly engrained in our weekly routine. I started it as a way of doing something together as a family to celebrate the end of the school and working week. And I'm so glad I did, we all look forward to it every week and it really is a great way to switch off from the stresses of the week. So movie night also involves pizza, and I usually make our own but some weeks are busier than others and I don't always have time to make our own pizzas. On days like that I make this artichoke and spinach flatbread pizza.
These flatbread pizzas are a little bit of a cheat, you buy the flatbread and then assemble the pizza. No kneading dough, no waiting for a rise. These pizzas are easy peasy, lemon squeezy. And you know what? I think it's ok to cheat a little bit in the kitchen, sometimes. I mean life gets busy right, and sometimes it's hard to feel motivated to do the whole home made thing. Little cheats or short cuts in the kitchen now and then can make your life easier just when you need it. And I firmly believe that we should not feel guilty for using little short cuts. Once everyone gets a decent meal then mission accomplished. Sometimes spending more time with your family than in the kitchen is more important.
So this is a really quick recipe, you just need to buy yourself some flatbread and go crazy with the toppings. We love artichoke pizza so for this one I've upped the ante and added spinach, courgette and lemon to lift all those flavours. I added crumbled feta and chilli flakes at the end to really up the flavour and then top the whole thing off with toasted pine nuts and basil. The toasted pine nuts add a little earthiness to the pizza. As always you may want to hold the chilli flakes for the kids. You could swap the flatbread for store bought pizza bases or you could of course make your own bases.
These artichoke flatbreads are not just great for when you are mega bust but they are really tasty, proper comfort food for Friday nights. They are also great if you have surprise visitors or an unexpected play date. Kids love these and 2 of these bad boys will feed about 6 kids or 4 adults, serve them up with a green salad and happy days.
An easy artichoke and spinach flatbread pizza stacked with veggies and a hint of lemon. Perfect for busy evenings when you really don't want to cook.
Pre heat the oven to 200 degrees C / 392 F, I use an electric, fan assisted oven please adjust according to your own oven.
Place the flatbreads on two baking trays, then place the mozzarella on the flatbreads. Top with garlic, spinach, red onion, courgette and artichoke. Add the lemon zest, salt and black pepper then drizzle over the oil.
Bake in the oven for 20 to 25 minutes, until the cheese is bubbling and golden brown. Remove from the oven then top with the crumbled feta, pine nuts, basil leaves and chilli flakes. Add a squeeze of lemon and more cracked black pepper to serve.
This is a beautiful looking pizza. I love adding artichoke on a pizza, as it gives it such a meaty texture.
I'm all for tradition to make evenings in fun and something to look forward to. This pizza a a great cheat for when the week is just too busy to contemplate pizza from scratch – far better than take out.
This is a great way to use more artichokes in our meals. It looks beautiful!
This looks delicious. When I was growing up Saturday night was pizza night. I wish I could say our creations were as exciting as this but it was always store bought bases, tomato puree, cheddar cheese and some pepperoni! How things change!
There is no way I could ever resist this! Call it flatbread, call it pizza, just call it delicious!! We are having pizza tonight but it won't look like this.
This sounds and looks amazing. Loving the added pine nuts!
What an elegant flatbread Michelle. It's the perfect little pizza for spring. And you gotta love how quick and easy it is to get something so beautiful on the table.


text:
Resourceful Naval Base Kitsap Civilian Defense Attorney
Naval Base Kitsap is a U.S. Navy facility created in 2004. Located on the Kitsap Peninsula in Washington state, Naval Base Kitsap was formed through the combination of Naval Station Bremerton and Naval Submarine Base Bangor. If you are facing military discipline while stationed at Naval Base Kitsap, contact attorney Patrick J. McLain.
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The two forms of military justice most frequently used at Naval Base Kitsap are known as nonjudicial punishment and trial by court-martial.
A common administrative form of discipline in the U.S. Navy is nonjudicial punishment (NJP). In the Navy, an NJP is unofficially known as a Captain's Mast or Admiral's Mast. An NJP is not a formal criminal proceeding, but its consequences are still potentially severe.
An NJP lacks the formality of a court-martial. Instead of a military judge, the proceeding is overseen by your commanding officer. The rules regarding evidence and witness testimony are also less restrictive. If convicted, you have the right to appeal the decision up the chain of command.
You have the right to refuse nonjudicial punishment in favor of a formal trial by court-martial. Choosing a court-martial might open you up to stiffer penalties, but it also has advantages in certain situations. The choice to reject an NJP can have major ramifications on your life and career and should never be made without first consulting experienced legal counsel.
Unlike an NJP, a trial by court-martial is a formal criminal proceeding. In other words, a conviction could be reflected on your criminal record. A trial by court-martial is similar to a civilian criminal trial in that the rules of evidence are restrictive compared to an NJP. Additionally, the proceedings are overseen by a military judge.
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Any alleged breach of the UCMJ could lead to an NJP or court-martial. Some common offenses are provided below.
The penalties for a court-martial or Captain's Mast can be costly. Common penalties upon conviction include:
Loss of rank
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In more serious cases, you could face confinement or separation from the Navy.
Contact Naval Base Kitsap Defense Counsel
If you are on notice of a pending nonjudicial punishment or trial by court-martial at Naval Base Kitsap, you have the right to face those charges with civilian defense counsel at your side. Attorney Patrick J. McLain is a retired military judge that has dedicated his legal practice to defending the legal rights of service members. To discuss your legal options, call today for your free phone consultation.


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A high salary, large bonuses and frequent raises isn't the silver bullet to employee happiness. Just look at the number of stories where people quit their lofty high-paying jobs for ones that might offer them more freedom, adventure or purpose.
For example, Gravity Payments recently raised the minimum salary of their employees to $70,000 a year to be implemented over the next three years. Although the majority of employees were ecstatic upon hearing the announcement, not all employees were elated.
This is reflected by two of their staff quitting shortly after the policy kicked into play which just goes to show that employee happiness reaches far beyond monetary gains. Here are seven other ways to make employees happy.
Few employees want to do one specific task over and over again as things will get boring very quickly. Don't be afraid to grant your employees new responsibilities from time to time as it will allow them to grow and become more confident in their ability to learn new things. Furthermore, this will broaden their skill-set, making them more valuable to your firm whilst bolstering up their CV.
While this might present a productivity risk or temporarily place your employees out of their comfort zones, it eliminates the risk of them growing bored of their role and finding something new somewhere else. The best way to do this is to play to your employee's personal strengths and interests and match the type of tasks that they might be interested in doing. That way, you are demonstrating an interest in their personal growth and offering a place for them to grow within the firm.
Another tactic is to let various members of the team take ownership of certain tasks. This way, they would each develop micro leadership skills. If each member of the team familiarises themselves with the roles of the other team members, they will be able to bring ideas for improvement and input into the process on a holistic level.
If the roles are not too specialised, you may even consider a rotation of roles for a certain time period supplemented with team trainings to widen the team's skillsets. Also, encouraging your employees to engage in external training or short courses might be a good idea if you don't have formal internal training.
Business leaders hold a monopoly over their employees when it comes to the bigger picture. But that's not necessarily a good thing. Neglecting to keep employees abreast of what is going on might not have much of an impact on their day to day tasks. However, sharing this information makes everyone feel that they are an important part of the organization.
It is especially important to break particularly big news, whether it be good or bad, to your employees first before making major announcements in the media. Not doing this would make them feel like they are not a valued part of the firm. When the news is good, granting your employees the chance to celebrate it would renew their sense of pride in working for your firm. This would also give them a chance to bond which is conducive to a good working atmosphere.
When the news is bad, you should address your employees in a straightforward and respectable manner. As adults, they will usually be able to handle the bad news. However, when you choose to keep your employees in the dark, you risk losing the trust of your employees, and the corporate culture stops being an open and honest one. Furthermore, rumours may start to fly around, as in the absence of real information, people may tend to hypothesize and make things up. This could be detrimental as rumours are typically worse than the real situation.
A company might have a great culture, vision and respected leadership team with roles offering room for variety and development. However, the everyday interactions and events which take place in each team or work group is also a major source of an employee's happiness within the workplace. It is therefore essential for all team leaders to have good management skills enabling them to make the employee's day-to-day experience a pleasant one.
Progress and satisfaction levels of each employee should be monitored on a regular basis, not just when something has gone terribly wrong, or during annual review period. Therefore, it is recommended for managers to have informal weekly or monthly check-ins to get the work related lowdown on what's really happening to each member of the team. Having a good manager who can dissipate sources of dissatisfaction can really make a positive impact on an employee's work life.
Even if a raise is not in order, you can increase the happiness levels of your employees by letting them know that they are being compensated and renumerated fairly. Explaining the raise and bonus process, as well as what is expected of them to attain it, would keep the lines of communication open and keep employees' expectations in line with reality.
They would also appreciate the transparency. When your employees don't expect a raise and there isn't one, they won't be unhappy. However, when they expect a raise and there isn't one, then they will be disappointed. You may also sweeten the deal for them by giving non-financial related benefits such as flexi time and work from home days.
Employees are different to other types of resources in that they can never be neatly arranged or treated in the same way. Whilst it is important to make sure your employees do their job correctly, it is also crucial to build a relationship with them and make them feel valued.
People have certain physical, emotional and psychological needs that need to be catered for and having certain perks such as fun events, drinks or dinners can make them feel appreciated. Little gestures such as sending cards for special occasions or flowers when someone is ill can also go a long way.
Employees feel appreciated and important when they are given the chance to voice their opinion and be heard. After all, they are hired to do a certain role and may be best placed to comment on decisions or changes in process. Although every input cannot be implemented, it is better to ask your employees what they think as they might carry a good solution or bring out a point that was previously overlooked. This exercise will also help them think outside the box and come up with small improvements in processes which will improve quality of work over time.
It's easy for employees of big firms to develop silos and only interact with people in their own team or department. However, breaking down these silos will make your employees feel more connected to the company and give them better chances of getting on well with each other. Employees will enjoy the workplace environment better if it is filled with people that they get on with. Something as simple as implementing an internal chat system like Skype or Hipchat can go a long way as it can make the whole firm seem more accessible.


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text:
Printed from https://ideas.repec.org/a/eee/jmacro/v29y2007i4p790-805.html
Do liquidity constraints generate excess sensitivity in consumption? New evidence from a sample of post-bankruptcy households
Filer, Larry
Fisher, Jonathan D.
Larry H. Filer II
Jonathan D. Fisher
Filer, Larry & Fisher, Jonathan D., 2007. "Do liquidity constraints generate excess sensitivity in consumption? New evidence from a sample of post-bankruptcy households," Journal of Macroeconomics, Elsevier, vol. 29(4), pages 790-805, December.
Handle: RePEc:eee:jmacro:v:29:y:2007:i:4:p:790-805
File URL: http://www.sciencedirect.com/science/article/pii/S0164-0704(07)00010-9
Download Restriction: Full text for ScienceDirect subscribers only
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Garcia, R. & Lusardi, A. & Ng, S., 1995. "Excess Sensitivity and Asymmetries in Consumption: an Empirical Investigation," Cahiers de recherche 9511, Universite de Montreal, Departement de sciences economiques.
Shea, John, 1995. "Union Contracts and the Life-Cycle/Permanent-Income Hypothesis," American Economic Review, American Economic Association, vol. 85(1), pages 186-200, March.
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Shea, John, 1995. "Myopia, Liquidity Constraints, and Aggregate Consumption: A Simple Test," Journal of Money, Credit and Banking, Blackwell Publishing, vol. 27(3), pages 798-805, August.
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repec:fth:pennfi:69 is not listed on IDEAS
Hall, Robert E & Mishkin, Frederic S, 1982. "The Sensitivity of Consumption to Transitory Income: Estimates from Panel Data on Households," Econometrica, Econometric Society, vol. 50(2), pages 461-481, March.
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A few years ago, the majority of leading balanced armature earphones were using almost identical internals; Knowles TWFK dual driver. In fact, that speaker unit is still widely employed today in earphones such as the Fiio F9 Pro. Sonion is another driver manufacturer to achieve acclaim with essentially every earphone on the market using one or a combination of drivers from each manufacturer. Though the driver only tells a part of the story when it comes to the final sound, there is a definite character to each and those who have experienced many IEMs can even point them out by ear. Hailing from Korea, Earnine are one of the few to use completely proprietary balanced armature drivers made in-house by TSST. The EN210 is one of their latest IEMs featuring a dual woofer + full-range setup that, due to its in-house components, substantially different to almost every dual driver I've heard. You can read more about Earnine and purchase the EN210 here.
I would like to thank Earnine very much for their quick communication and for providing me with the EN210 for the purpose of review. All words are my own and there is no monetary incentive for a positive review. Despite receiving the earphones free of cost, I will attempt to be as objective as possible in my evaluation.
The EN210 has a pleasing unboxing experience. Sliding off the decorative top cover reveals the earphones and zippered hard case within foam. Inside the case are 2 pairs of silicone ear tips (in addition to the pair pre-installed on the earphones themselves.
Earnine also provides a pair of memory foam tips that offer a more personalised fit and greater noise isolation. The included case is a little large, but its internal pocket enables the user to carry accessories and perhaps a small DAP alongside the earphones themselves.
The EN210 employs sleek, low-profile housings to enable an ergonomic fit. They have a plastic construction that feels fairly dense and well-joined with no visible glue or uneven seam as is apparent on some budget Chinese in-ears. Subjectively, this is a step down from the metal EN120 and EN1/2J earphones, but the EN210's smoked housings do provide some additional visual intrigue, showcasing the custom driver setup inside.
As they barely protrude from the ear, wind noise is minimised when listening outdoors and the earphones are comfortable when sleeping. My only gripe with comfort are the coloured orientation markers that lie at the rear of each housing. The way they've been attached to the body leaves a sharp protruding edge that wears on the ear after a few hours.
The earphone has a solid metal sound tube with metal grill. They accept medium bore tips and, due to their flatter inner face, produce a fairly shallow fit depth. Still, as they're fully sealed and tuned in a warm, full fashion, they well-suit portable use, delivering easily adequate isolation on public transport and general commute.
Up top is a fixed cable which is frankly disappointing to see considering that most competitors offer a removable unit. That said, all terminations are nicely relieved with well-reinforced strain relief. The cable itself is also very easy to live with, slightly thinner than average but supple and compliant with minimal microphonic noise. Its right angle plug is perfect for pocket use and slim enough to fit into a smartphone case.
The EN210 has a sound rooted in a foundation of body that contrasts to the more atmospheric, treble focussed tuning most dual BA earphones pursue. Instead, the EN210 is reasonably dark and full though it remains nicely balanced overall; its darkness mainly derived from attenuated middle treble and upper midrange. Still, those looking for a clear, revealing and airy sound will want to look more towards the TFZ, iBasso and Fiio earphones.
Sub-bass is lightly elevated and extends nicely, providing greater solidity and impact than competing armature models such as the Rose Mini 2. Dynamic driver rivals still offer greater physicality, however, the EN210 is impressively substantial for a BA earphone in this regard, especially for the pirce. This is followed up with a modestly lifted mid-bass that grants the earphone with a full bass presentation and a warmer tone. It's not over-cooked but can sound a little thick at times, and the EN210 is generally characterised by its weighted yet surprisingly dynamic bass notes. Some may have qualm with its emphasized upper-bass that fills its sound with warm air, creating an organic sound but also one that isn't especially transparent.
The EN210 decays quite naturally, contributing to its dynamic and textured low-end, yet it maintains the sense of pace more typical to BA drivers. Still, they aren't on the fastest transducers and some bloat does seep in-between notes on more complex tracks, producing some congestion. Control is impressive, however, especially given its fuller tuning. So though the EN210 isn't a surgical IEM, it does uphold a pleasing level of bass detail, finding a nice middle ground between the better entry-level dynamic and BA offerings around this price. Resultantly, the EN210 provides a meaty low-end with impressive dynamics and texture at the cost of transparency and micro-detail retrieval.
Distinctly dark and smooth in nature, the EN210's midrange is dense over warm. In particular, lower-mids are well-considered given the EN210's bigger bass, with slight attenuation accentuating bass/midrange separation and reducing colouration. In turn, the EN210's midrange isn't especially thick though it is lightly warm and though it is full-bodied, the EN210 lacks the chestiness of IEMs such as the Magaosi K3 HD. Centre mids are slightly forward, bolstering vocal presence and imbuing them with a more natural body. On the flipside, as its upper-midrange is slightly attenuated, the EN210 provides a smooth, dense vocal reconstruction.
It isn't an especially clear or revealing earphone as a result, though its interesting tuning results in a very clean, composed presentation that lacks any fatigue. Of course, this isn't an in-ear for those looking for huge micro-detail retrieval or crisp instrumentation. Rather, it's natural with gradual emphasis and pleasing balance and timbre. Clarity remains very palatable, not exceptional but easily avoiding veil, and the EN210 is accurately articulated on behalf of its treble tuning. It's nicely detailed and remains resolving despite its more laid-back presentation of finer nuances but can take adjustment coming from other budget earphones that tend to be more vivid.
The EN210 has a rather interesting high-frequency reproduction that is both smooth and resolving. It has a smooth lower-treble that retains hints of crispness set to a very laid-back middle and upper treble. It has been said that the EN210 has poor extension, however, to my ears, this is not the case. Rather, the EN210 is clearly attenuated but also pleasantly linear into the higher octaves. Its laid-back presentation results in a lack of any brightness and sparkle, so it isn't revealing and can lack atmosphere. However, though the EN210 has a very dark background, it retains nice, but not exaggerated air, above average resolution and surprising separation despite its thicker tuning; all indicative of a well-extended high-end, if not one that is revealing in signature.
As a result, the EN210 isn't the most layered earphone nor is its micro-detail retrieval standout, however, it does have nice foreground detail complimented by great control. Moreover, its treble instrument portrayal is clean and fairly well-bodied, with just some unevenness creeping in at times. Still, cymbals naturally shimmer and decay and strings are very well textured. Guitars have enough edge and attack to promote an engaging listen at the cost of sounding a little insubstantial due to a slightly jarring upper-midrange/lower-treble transition. It remains that the EN210 is just as technically proficient as a lot of competitors out there, it's just less boisterous in its presentation and that can make it difficult to appreciate if don't know what to expect. Given its receival, Earnine has clearly subverted the expectations of many.
The EN210 has an intimate soundstage prioritising organisation over expansion. Its dark high-end produces a presentation that lies within the head. It's nicely rounded between width and depth with a laid-back background that lacks some detail. Layers aren't clearly delineated due to its treble tuning though instruments are easy to locate and directional cues are fairly precise. Separation is below average, the EN210 never sounds congested but doesn't awe with air or neutrality and its full-notes quickly occupy its limited space. At the very least, it's impressive how uncongested the EN210 is considering the nature of its tuning and it is partially redeemed by its pleasing treble extension.
The EN210 has a low 21ohm impedance combined with a higher 100dB sensitivity. As such, it's easily driven by portable sources while avoiding becoming overly hiss prone. Due to its multi-driver configuration, the EN210 is notably affected by output impedance, however, the changes may actually be positive. To illustrate, I enlisted the DX200 w/AMP5 with a sub 1-ohm output impedance and the 10ohm Hiby R6. The difference was pronounced, with the DX200 providing a full, dark sound and the R6 interestingly offering a more neutral signature. Chiefly, the R6 provided a more transparent midrange with increased upper-midrange presence and brighter, crisper treble. I can actually see a lot of users preferring the EN210's sound from a source of higher output impedance, impedance adapters can also be used to emulate these effects.
Rose Mini 2 ($100): The Mini 2 is a lot more balanced with greater high-end presence and less mid-bass. Sub-bass extends a lot further on the EN210 and it is significantly fuller throughout. However, the Mini 2 is much tighter and more defined. The Mini 2 has a slightly full-bodied midrange that's a little more natural than the EN210 as it isn't as dark and dense. The Mini 2 has more vocal presence and clarity, it's a little more open sounding due to its more present upper-midrange and treble. The Mini 2 has more lower-treble crispness, it's also very slightly more detailed. Both have a clean background with more muted air, the EN210 more so. Both are also fairly intimate earphones, the Mini 2 has slightly more width and layers and separates better due to its more neturally toned sound. Still, the Rose may lack some bass for some and that's where the EN210 finds its audience.
iBasso IT01 ($100): The IT01 is a more V-shaped earphone with a brighter high-end. It has greater sub-bass extension and a lot more emphasis, with emphasized slam. On the contrary, the IT01 is less mid-bass focussed, more neutrally toned and slightly more defined. The IT01 is recessed through its upper-bass and lower-midrange, creating a fairly transparent midrange with a tinge of coolness as opposed to the warmer, fuller EN210. The IT01 has a modest upper-midrange emphasis combined with a lifted lower-treble that enhances clarity and crispness. The EN210 sounds a lot denser and darker, it lacks the same detail presence. That said, the IT01 is only slightly more detailed as it is a little uneven up top. The IT01 has more air and sparkle, it extends similarly delivering similar resolution, if not slightly more. The IT01 has a significantly larger soundstage, it's also a lot more separated but doesn't image quite as well due to its sculpting.
TFZ King ($100): The King has a brighter midrange and is more V-shaped overall. Its bass extends further, delivering enhanced sub-bass impact. On the contrary, its mid-bass is less emphasized, making it more tonally neutral and more clearly defined. The EN210 is fuller and warmer, it's also more bloated producing lower definition. The King Pro has a fairly cool, bright midrange with great clarity. This contrasts to the darker, fuller EN210 which is more natural but also less revealing. The King has a notable lower-treble peak that enhances detail presence. The EN210 lacks any emphasis and can sound quite dull by comparison, though it is not in isolation. The King extends further and has more air and sparkle. It delivers greater resolution and detail retrieval in addition to being brighter but may fatigue some. The King has a significantly larger soundstage, especially with regards to width. It is also more separated and layered.
Simgot EN700 Pro ($150): The EN700 Pro warrants comparison due to its similarly warm sound. That said, the EN700 is more V-shaped than the EN210 with its more emphasized treble and more even midrange. The EN700 Pro extends slightly further at the very bottom and its bass has greater slam. Both have emphasized mid-bass but the EN700 has less upper-bass sounding less boomy as a result. The EN00 Pro has a slightly warm midrange, but as its upper-midrange is emphasized, it doesn't sound nearly as full and dense as the EN210. The Simgot also has a lower-treble emphasis that brings details to the fore while the EN210 is smoother. The Simgot retrieves slightly more detail as its more linear into its middle treble. The EN210 actually extends slightly further, delivering higher resolution. When it comes to soundstage, the Simgot's semi-open form factor greatly aids expansion compared to the intimate Earnine. It separates slightly better but doesn't image quite as well.
Some may find the EN210 hard to appreciate, but it does fill a blank in its price range, offering a warm, full sound without the treble fatigue. It has a pitch black background and a dense midrange with immense focus. As such, the EN210 can lack vibrancy and energy with little high-end to redeem its full low-end. However, due to its well-considered bass/midrange transition, bass doesn't bog down the rest of its sound, even if it is a little congested in and of itself.
It goes without saying that those looking for a revealing, airy or spacious earphone shouldn't consider the EN210. However, I can commend the engineering that went into its proprietary parts not to mention the courage to tune an earphone so out of the box. The $100 price point has never been so competitive, and though the EN210 doesn't awe with its clarity or technical ability, it does do a lot to differentiate itself; its sensitivity to output impedance also enables a more neutral signature via impedance adapters. Ultimately, Earnine's EN210 suites those preferring a super clean background, voluminous bass and dense, full-bodied midrange though it does sacrifice clarity and expansion to achieve it.


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text:
Olesen wins Alfred Dunhill Links by 2 shots
Published on Sunday, October 4, 2015
ST. ANDREWS, Scotland — Thorbjorn Olesen overcame a shaky start Sunday to protect his overnight lead and win the Alfred Dunhill Links Championship by two shots.
Olesen had a double bogey on the second hole and a bogey on the third but recovered for a 1-under 71 at St. Andrews to hold off a late charge by Brooks Koepka of the United States.
Koepka shot a 67 to finish tied for second with fellow American Chris Stroud (68). Olesen, who entered the final round with a three-shot lead, finished with an 18-under total of 270.
The Dane earned his third European Tour title after showing his mastery of links courses, having finished runner-up here in 2012. The tournament is spread over St. Andrews, Kingsbarns and Carnoustie over the first three rounds.
"It's been a very tough year and standing here with this trophy is unbelievable," said Olesen, who missed three months of the season after hand surgery. "It was nice this week just to play three great rounds of golf - the first three - and keep it together in this last round."
Koepka looked set to challenge Olesen when he picked up three straight birdies from the ninth, but lost his momentum with a bogey on the 13th. After another birdie on 14, he finished with four straight pars.
"I am pretty pleased," Koepka said. "Overall I played pretty well but just came up a little bit short."
Stroud needed a birdie on the 18th to tie for second.
"I can't imagine anything better than this," Stroud said. "I would take that score on any tournament, so at the original place of golf, right here in the Home of Golf, this is pretty special."
Chris Wood of England was among five players tied for fourth, another shot back, after a 65.
This article was from The Associated Press and was legally licensed through the NewsCred publisher network.


French artist Shaz (@shazart) creates mosaic art that's reminiscent of a multifaceted diamond; how ironic is it then that he did a Drake piece using the same aesthetic more than a year ago? Clairvoyant, much?
If you have an affinity for complexity, you'll love his illustrations of Kanye, Pharrell, Action Bronson and Kendrick Lamar featured below.


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redpajama_set_name: RedPajamaGithub