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by April Young Bennett · Published June 29, 2019
Coping with Contradiction with Melissa Wei-Tsing Inouye
In this episode of the Religious Feminism interview series, Melissa Wei-Tsing Inouye, a senior lecturer in Asian studies at the University of Auckland, discusses her experiences living in a variety of countries where she...
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by EmilyCC · Published May 23, 2019
In Memory of Carrel Sheldon, Exponent II Founding Mother
Last week, one of our Exponent II founding mothers and longtime board member, Carrel Sheldon, died after a heartbreakingly swift cancer diagnosis. Next week, we will be sharing some memories of her from our...
by Melody · Published April 11, 2014 · Last modified April 12, 2014
Coming Up for Air I. My little sister may not win her battle with cancer. She says God asked her, Will you take a bullet for your son? To her it means, Will you...
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by Jana · Published March 27, 2009 · Last modified January 14, 2016
Guest Post: Dad's Biopsy
by Amber Four years ago, my dad was diagnosed with an advanced form of a rare cancer next to his heart. He did four months of chemo to shrink the tumor to make it...
by Jana · Published June 14, 2008
Classic post: Cancer
By Jana This post first ran on March 6, 2006. On my first-ever website, this was my bio: "I have lost my right leg, my left earlobe, and my father to cancer. My favorite...
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by EmilyCC · Published March 5, 2008 · Last modified January 21, 2016
The Brown Journal
Here's a guest post from Kimberly, an Exponent II associate editor. Kimberly and her husband have been dealing with his cancer for three years now; you can read more about their journey at her...
by Jana · Published March 6, 2006 · Last modified November 11, 2010
On my first-ever website, this was my bio: "I have lost my right leg, my left earlobe, and my father to cancer. My favorite color is red." I felt, back then, that detailing these...
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Mary on "I can't be a feminist. I'm raising boys."
Jennifer Ashley on Winners of the Exponent Art Scholarship: Gifty Annan-Mensah
Chiaroscuro on Toward Intersectionality: Censuring White Mormon Feminism
Lonicera on "I can't be a feminist. I'm raising boys."
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In 2017 there was one active armed conflict in the Americas: in Colombia, between the Government of Colombia and various guerrilla groups. There were positive signs that the ongoing peace process, despite its many problems, might also soon bring the longest armed conflict in the Western hemisphere to a close. However, in several countries in Central and South America the levels of political and criminal violence were high enough to place them on a par with 'traditional' armed conflicts, even though they could not necessarily be defined as such. Militarized efforts to combat criminal gangs involved in drug trafficking—often underwritten by military and security assistance from the United States—have resulted in elevated homicide rates. This has made cities in the Americas some of the world's most dangerous. Alongside this, there has been endemic political corruption, weak judicial systems and low confidence in state institutions. Together, these have led to an escalating crisis of forced displacement.
Smith, Dan. "2. Armed conflicts and peace processes." SIPRI Yearbook. SIPRI. Oxford: Oxford University Press. 2016. Web. 22 Apr. 2019. <http://www.sipriyearbook.org/view/9780198821557/sipri-9780198821557-chapter-2-div1-010.xml>.


I bought a set of cork tape, seven dollars from my local neighborhood outdoor shop. A good deal considering the price goes over 10 dollars. With Spring around the corner (this upcoming Saturday), I felt the time was right for a Spring clean up.
Amael Moinard wins the final stage 7, P-N.
Come to think of it I've use black cork tape for over four years. I started off with white cello tape, my favorite by Benoto. I believe it's not made anymore. A pity. I loved that shiny cello tape. It was the classic tape used in the 80s. I stripped off the old tape, peeling it away right down to my smooth and glistening aluminum Cinelli handlebar. More percisely, I have the model 66-40 Campione Del Mondo road bar. The '40' means 40cm center to center. I marveled at it. A beauty to behold. I placed the new tape on and wrapped it with joyful pride. A new season was about to start.
Spring brought out the best at this year's race to the Sun, Paris-Nice. Many riders' finding their form in a difficult week long test. Alberto Contador showed his form along with compatriots; Alejandro Valverde & Luis Leon Sanchez. But, I thought of the final stage winner going, symbolically, to a Frenchman. Amael Moinard took the stage convincingly and scored enough points to win the Polka dots mountain jersey. One thing's for sure, the ever hopeful French cycling fans are feeling that his success can 'spring' a new beginning at this year's Tour de France!
My classic Cinelli 66-40 Campione Del Mondo & stem.
Thank you it's been with me since 1987!
On the race to the Sun, the Spanish are in good form for the European Spring.
Thanks, the white tape is classic. The Spanish armada will do more damage this season!


and hard to say to a friend.
and so hard to comprehend.
but they understood not. They didn't know why.
if, in His midst, we were standing there?
Could we comprehend what the cross would weigh?
Would we understand - the stone rolled away?
then later ascending, above the clouds.
so our prayers all end with a sincere "Amen".
and never again hear the word "good-bye".


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Cal Músic és una obra d'Alella (Maresme) protegida com a Bé Cultural d'Interès Local.

Descripció
Antiga masia de planta rectangular situada a l'interior d'un passatge ubicat entre el conjunt de cases de cos de l'esquerra de la riera i el barri del Rost. Actualment trobem una construcció entre mitgeres, de planta baixa i pis i amb coberta de teula a dues aigües, que ha sofert molts canvis al llarg del temps. La façana principal, oberta a ponent al passatge abans esmentat, té dos eixos verticals on s'agrupen les obertures de les dues plantes. La portada adovellada d'arc de mig punt ha estat transformada.

Referències

Patrimoni monumental d'Alella
Edificis d'Alella

redpajama_set_name: RedPajamaWikipedia


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Entertainment What's On
Online performance on humans and surveillance
By Eleni Philippou March 5, 2021 March 5, 2021 0266
For the most part, technology has brought ease and practicality to our lives but can you escape from the 'system' once you're in it? Can it rise to such power that you become a modern-day slave to the web? An online performance by Suzana Phialas titled ANON considers the murky relationship between humans and technology, data collection, surveillance, complex algorithms and automation which we don't understand and which influence our online experience and behaviour.
Presented across On Friday, Saturday and Sunday, Suzana's ANON work began back in 2018 when researching algorithms and the history of the Internet from its birth to today. "My focus," she says, "was based on researching and understanding the whole spectrum of digital technologies and digital culture and developing experimental works since 2018."
The push to create this performance happened when a Black Mirror episode was happening in real life. "The initial idea for ANON came along when I learned about China's Social Credit System; a governmental initiative announced in 2014 where each citizen's behaviour is monitored via facial recognition camera systems and other surveillance technology all over China. A person's social score can move up and down depending on their everyday behaviour. According to one's score, people can be rewarded, punished, or shamed in public. Low score citizens are considered 'untrustworthy' and penalties can include loss or denial of employment, educational opportunities, and the ability to travel."
Now, sponsored by the ministry of education and Limassol Municipality, ANON will be presented on Suzana Phiala's YouTube channel at 9pm.
Performance by Suzana Phialas. March 5,6,7. Youtube. 9pm. Free. More information on https://anon-performance.carrd.co
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All around the (Golden) globe.
Constantinos Psillides January 20, 2022 January 20, 2022
Performances continue through February at Rialto
Open call for dance artists for annual festival

redpajama_set_name: RedPajamaCommonCrawl


The MDI Boy's Soccer Team traveled to Old Town on Tuesday, September 22nd and defeated the Old Town Coyotes 2-1.
MDI's both goals were scored by Joe Grubb. Avery Lavelle and Griffin Maristany each had an assist for the Trojans. Old Town's lone goal came as a result of a penalty kick, scored by Kaleb Gifford.
MDI is now 4-3 on the season and will play host to the Presque Isle Wildcats on Tuesday, September 29th at 4 PM.
Old Town is 4-4 on the season. The Coyotes don't play again until Friday, October 2nd when they will travel to Ellsworth to play the Eagles.


Mumbai: The National Company Law Appellate Tribunal (NCLAT) on Tuesday will hear Reliance Communication's (RCom) appeal against the National Company Law Tribunal's (NCLT) decision to start insolvency proceedings against Anil Ambani-controlled companies, RCom said in a statement on Monday.
"The appeals filed in the Hon'ble NCLAT against the NCLT orders admitting RCom, RITL (Reliance Infratel Limited) and RTL (Reliance Telecom Ltd) to the debt resolution process and appointment of the interim resolution professional, were mentioned for urgent hearing today," RCom said in a statement.
The NCLT had passed the order to start insolvency proceedings while hearing a petition by Swedish telecom equipment major Ericsson on 29 May.
"The Hon'ble NCLAT has fixed the appeals for hearing tomorrow, Tuesday, May 29, 2018," it said.
All banks and financial institutions of RCom, RITL and RTL have unanimously decided to oppose the NCLT debt resolution process, RCom said in the statement.
"Major lenders, including China Development Bank, State Bank of India and Standard Chartered Bank, have been formally impleaded to the appeal proceedings before the Hon'ble NCLAT," it said.
RCom, along with its subsidiaries, had last week approached the Delhi-based NCLAT after the Mumbai bench of NCLT had on 15 May admitted an insolvency petition filed by Ericsson against Reliance Communications and two of its subsidiaries seeking to recover unpaid dues.
Ericsson had in 2014 signed a seven-year deal to operate and manage RCom's nationwide telecom network. The Swedish company had alleged that it had not been paid the dues.
Ericsson had in September 2017 filed a petition with NCLT's Mumbai bench seeking liquidation of RCom and its subsidiaries to recover Rs1,150 crore that is owed to it.


Arkansas State University-Newport -- Newport (Asu Newport), located in Newport, AR has a ColSafe Safety Grade A. It has a very low rating on crime against women on-campus and off campus. It has 0 hate crime reported in the last few years. The drug and alcohol abuse is also very low and property crime is very low. There were 1 criminal incidents reported near the campus last reported year..
According to the reported data, Arkansas State University-Newport -- Newport, Asu Newport, Newport AR, has a "Very Low" risk of crime against women. Total reported incidents for the last year of report were 1 which included 0 on-campus and recidence hall incidents. There were 1 off-campus incidents.
According to the reported data, Arkansas State University-Newport -- Newport, Asu Newport, Newport AR, has a "Very Low" risk of hate crimes. There have been a total of 0 incident since the reporting began on hate crimes.
According to the reported data, Arkansas State University-Newport -- Newport, Asu Newport, Newport AR, has a "Very Low" risk of drug and alcohol abuse. There have been a total of 0 incident reported for the last year of report on drug and alcohol abuse. However there have been total of 1 incidents reported in 2014 on drug and alcohol abuse.
According to the reported data, Arkansas State University-Newport -- Newport, Asu Newport, Newport AR, has a "Very Low" risk of property crime. There have been a total of 0 incident reported for the last year of report on property crime. However there have been total of 1 incidents reported in 2011 on property crime.
According to the reported data, Arkansas State University-Newport -- Newport, Asu Newport, Newport AR, has a "Very Low" risk of weapons crime. There have been a total of 0 incident since the reporting began on weapon crime.


Whether you are looking to hire a home inspector in the Brandon, Madison or Jackson, Mississippi area you will want to look over a few sample reports. Educating yourself on what to expect from an inspection is the first step in obtaining a thorough and beneficial inspection.
How can a Brandon, Madison or Jackson Home Inspection help you when you are purchasing a home?
The home inspection is designed to help educate you on the condition of the home at the time of the inspection. It should help give you a basis by knowing the age and life expectancy of the various systems in your home. However, it is not a specific prediction of the life of any system.
You may be surprised to know, a home inspection is not created as a negotiating tool before purchasing the home. You may work with your real estate agent to negotiate some items but that is between you and your real estate agent. The report itself is really designed for you and to give you an honest, clear view of the home.
Your Brandon, Madison or Jackson home inspection report is also a tool to give you peace of mind when buying your new home. The report will help ensure there are no ugly surprises waiting for you after you move in. This can save you hundreds and thousands of dollars by being prepared before you need to replace a system or put on a new roof. Home need repairs, that is part of owning a home. You don't have to be taken by surprise and left unprepared for the expense.
When looking at an inspection report you want good, narrative statements that explain what has been found. A check list or a few hand written comments do not give you the information you need. Also be sure there are plenty of clear, color photos.
Now at you know a little bit about what to expect from your Brandon home inspection report, take a look at the report that most closely fits your new home.
Brandon Home Inspection Report for New Homes – under three years old.
*Note: These are sample reports, put together to give you an idea of the type of things found in an inspection report. They may not meet the state standards.
Another service we offer is the RecallChek report. You can read about it on our "Offers for You" page. Here is a sample report for you to see.


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So Random
By Wonderwall.com Editors 10:58am PST, Jan 20, 2009
Paris Hilton Departs for Sundance on ExpressJet's " Los Angeles Premiere, LAX Airport, Los Angeles, CA USA January 16, 2009
Ashton Kutcher and Demi Moore attend Entertainment Industry Foundation and ServiceNation "A New Era of Service" Breakfast at Ballou Senior High School on January 19, 2009 in Washington, DC.
Jay-Z performs during "In Concert on The Eve of Change" at the Warner Theatre on January 19, 2009 in Washington, DC.
Kevin Jonas, Joe Jonas and Nick Jonas of The Jonas Brothers of the television show 'Jonas' attend the Disney/ABC Television Group portion of the 2009 Winter Television Critics Association Press Tour a
Alec Baldwin and actress Tina Fey pictured at The 66th Annual Golden Globe Awards at the Beverly Hilton Hotel in Hollywood, California on January 11, 2009.
Anne Hathaway pictured at The 2008 National Board of Review of Motion Pictures Awards Gala at Cipriani's 42nd Street in New York City on January 14, 2009.
Estelle performs at The Pearl Concert Venue at Palms Resort & Casino in Las Vegas, Nevada January 10, 2009.
Jeremy Piven sets the record straight about his departure from a Broadway play, because he "was fighting mercury toxicity" from eating too much fish. He spoke to Diane Sawyer on GOOD MORNING AMERICA,
Jessica Alba attends My Bloody Valentine 3D Los Angeles Special Screening Mann's Chinese Six, Hollywood, CA, USA January 08, 2009
Kid Rock attends The 35th Annual People's Choice Awards – Press Room The Shrine Auditorium, Los Angeles, CA, USA January 07, 2009
Actress/singer Mariah Carey attends the 'Push: Based On The Novel By Sapphire' premiere during the 2009 Sundance Film Festival on January 16, 2009 in Park City, Utah.
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text:
Additional Information on Yvette Clarke
* Clarke was one of 27 Members of Congress to co-sponsor H. Res. 333, which Rep. Dennis Kucinich introduced on April 24, 2007. This bill set forth articles of impeachment against Vice President Dick Cheney, for having "purposely manipulated the intelligence process" to "deceive" American citizens and Congress alike "about a threat of Iraqi weapons of mass destruction, and about an alleged relationship between Iraq and al Qaeda, to justify the use of the U.S. Armed Forces against Iraq in a manner damaging to U.S. national security interests."
* In December 2007, Clarke was one of nine House Democrats who voted against a resolution to formally recognize the importance of "Christmas and the Christian faith." Earlier that year, by contrast, she had voted in favor of "recogniz[ing] the commencement of [the Islamic holy month] Ramadan" and the Hindu religious holiday Diwali.
* On December 22, 2009, Clarke was one of 33 U.S. Representatives who signed a letter to Hillary Clinton, urging the Secretary of State to pressure the Israeli government to end its ban on Palestinian student travel from Gaza to the West Bank. "We applaud your efforts to support educational opportunities for Palestinian youth, including your initiative to increase U.S. funding for Palestinian universities and educational programs in Gaza and the West Bank," added the letter.
* On January 27, 2010, Clarke was one of 54 Members of Congress who signed a letter urging President Barack Obama to use diplomatic pressure to end Israel's blockade of Gaza—a blockade that had been imposed in order to prevent Hamas terrorists from importing weaponry from Iran and Syria.
* In September 2011, Clarke appeared at the "Reggae Rhythm and Blues Festival" in Queens, New York, where she presented Jamaican performer Beenie Man with a written proclamation stating: "We honor you. You have been an outstanding performer and you have made all Jamaicans proud." But as a Think Progress report noted: "Beenie Man's lyrics prominently endorse hate against LGBT Americans, with some even talking about hanging lesbians 'a long piece of rope' and saying that 'all faggots must be killed.'"


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Job applicant
Corporate, Institutional
Individual, professional
Women Entrepreneurs' Week in France: BNP Paribas announces new commitments
08.03.2018 | Entrepreneurship
The second Women Entrepreneurs' Week in France takes place from 5 to 16 March 2018. For the occasion, BNP Paribas has announced 4 new commitments to support women entrepreneurs in France.
4 commitments to boost women entrepreneurs
Funding women entrepreneurs' projects by allocating EUR 2 billion to their cause.
Initiating the signing of Regional Action Plans with our partners in 13 regions to set up incubators or labs, mobilise funding for projects led by women, create synergies between the different players, both women and men...
Increasing networking opportunities by 25% for women entrepreneurs by means of the #ConnectHers programme launched in 2017.
Starting an annual countrywide observatory on Women Entrepreneurs to analyse trends in France and help BNP Paribas to form a better understanding of women entrepreneurs' needs.
" Since 2014, BNP Paribas has been reinforcing its capacity to support women entrepreneurs everywhere in France. We want them to have the desire and the audacity to go for it and to think big in developing their business. These new commitments will enable us to go further in the support we give them, and especially to send out a strong signal to all those who want to set up and develop their own business. "
Marie-Claire Capobianco
Head of the French networks and member of the BNP Paribas Group Executive Committee
Women entrepreneurs in France:
Geographic distribution of women entrepreneurs:
in the Ile-de-France (Paris) region
social work and human health
digital start-ups


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Temple • Bernville
Affordable Direct Cremation Service
Direct Burial Services
Outer Burial Containers
Dorothy Wessner Of Fleetwood
Dorothy A. Wessner, 88, of Fleetwood, passed away Sunday in Manor Care in Laureldale. She was married to the late Arlan E. Wessner who passed away February 4, 2014. She was the daughter of the late Andrew J. Gontkovsky and Mary (Reenock) Gontkovsky. She graduated from Kutztown High in 1949. She was a member of St. Mary's Church in Kutztown. She was employed by Boscov's North in the Infant Department for seventeen years. In earlier years she was employed by Char let knit...
Dorothy A. Wessner, 88, of Fleetwood, passed away Sunday in Manor Care in Laureldale. She was married to the late Arlan E. Wessner who passed away February 4, 2014. She was the daughter of the...
Jeanette Heffner-Brown Of Temple
Jeanette F. Heffner-Brown, 84, of Temple, passed away Friday, January 17th in the Highlands Healthcare and Rehabilitation Center in Laporte, PA. Jeanette was happily married for thirty six years to Kevin M. Brown. Born in Reading, she was the daughter of the late Elwood C. Pfleger and Myra B. (Weaver) Pfleger. She was employed by Molly Fasteners in Temple for eleven years retiring in 1992. She loved animals which lead to her employment at Peacock Bridge Kennels where she worked for many...
Jeanette F. Heffner-Brown, 84, of Temple, passed away Friday, January 17th in the Highlands Healthcare and Rehabilitation Center in Laporte, PA. Jeanette was happily married for thirty six years...
Helen Marshall Bernville
Helen K. Marshall, 94, formerly of Bernville, died on Wednesday, January 15, 2020 at Phoebe Berks, where she had resided for the past ten years. Born in Bernville, she was the daughter of the late William A. and Sallie A. (Strause) Kline. She was the widow of the late Donald P. Marshall, who passed away in 1990. She was employed as a Civil Service Commission Secretary for 33 years in Washington, DC, retiring in 1977. Three of those years she had worked in the White House under the...
Helen K. Marshall, 94, formerly of Bernville, died on Wednesday, January 15, 2020 at Phoebe Berks, where she had resided for the past ten years. Born in Bernville, she was the daughter of the...
Gladys Johnson formerly of Shoemakersville
Gladys R. Johnson, 91, formerly of Shoemakersville died Friday morning in the Kutztown Manor. She was the widow of Victor Johnson, who died in 2006. Born in Berks County on March 30, 1928, she was the daughter of the late Edward B. and Sara C. Leffard. She was predeceased by a daughter, Mary Ann Shenk, who died in 1995. Surviving is a grandson, Keith A. Shenk of Mohnton; and two great grandchildren, Kayla and Ryan Shenk. Gladys was also predeceased by four brothers and one sister;...
Gladys R. Johnson, 91, formerly of Shoemakersville died Friday morning in the Kutztown Manor. She was the widow of Victor Johnson, who died in 2006. Born in Berks County on March 30, 1928,...
Joel Lash Of Centre Township
Joel R. Lash, 61, of Centre Township, passed away Tuesday in Tower Health, Reading Hospital. He was married to Barbara A. (Koller) Krill. Born in Reading, he was the son of Betty A. (Strunk) Lash of Centre Township and the late John R. Lash. He was a graduate of Schuylkill Valley High School. He was a dairy farmer owning and operating WUA (Where You At) Farms in Centre Township until 2010. He then continued his career in farming as a crop farmer. He was a farmer his entire...
Joel R. Lash, 61, of Centre Township, passed away Tuesday in Tower Health, Reading Hospital. He was married to Barbara A. (Koller) Krill. Born in Reading, he was the son of Betty A....
Christie Stovall Of Muhlenberg Twp.
Christie Lyn Stovall, 41, of Muhlenberg Township, passed away Sunday, January 5th in her residence. Born in Reading, she was the loving daughter of Mark R. Stovall and Jill E. (Trout) Stovall of Muhlenberg Township. She was a 1996 graduate of Muhlenberg High School. She attended Berks Technical Institute studying in the Paralegal curriculum and also attended Empire Beauty School. She loved her pet dog "Ivie". Some of her interests were listening to music and sewing. She...
Christie Lyn Stovall, 41, of Muhlenberg Township, passed away Sunday, January 5th in her residence. Born in Reading, she was the loving daughter of Mark R. Stovall and Jill E. (Trout) Stovall of...
Charles Zimmerman Jr. formerly of Womelsdorf
Charles D. (Chukk) Zimmerman, Jr. 41 of Melbourne, Florida, formerly of Womelsdorf, died Friday evening in Orlando. He was a devoted Christian who had a zest for life and his loved ones; leading a youth bible study group and regularly attended the Westwood Church in Orlando, FL. He was the husband of Jennifer (Souders) Zimmerman. He always carried his children and family in his heart. He will be deeply missed by friends and loved ones. Born in West Reading, he is the son of Anita D. (Daub)...
Charles D. (Chukk) Zimmerman, Jr. 41 of Melbourne, Florida, formerly of Womelsdorf, died Friday evening in Orlando. He was a devoted Christian who had a zest for life and his loved ones; leading a...
Mary Lou Frankhouser Muhlenberg Township
Mary Lou Carrie (Hafer) Frankhouser, 87, of Muhlenberg Twp., passed away Thursday, December 26th in in her residence. Mary Lou was married for sixty seven loving years to the late Harold R. "Butch" Frankhouser who passed away May 26, 2019. She was the daughter of the late Lester Hafer and Emma (Graeff) Hafer. She was a member of Grace Alsace United Church of Christ in Hyde Park. She loved spending time with her family. She was a loving wife, mother, and...
Mary Lou Carrie (Hafer) Frankhouser, 87, of Muhlenberg Twp., passed away Thursday, December 26th in in her residence. Mary Lou was married for sixty seven loving years to the late Harold R....
Lindsay Jackson Reading
Lindsay was born on December 19, 1960 in Richmond, VA to Lloyd Jackson, Sr. and Grace Jackson Rodwell. He saw God's hand and heard His voice saying, "Come with me my dear child." And away he went home at 1:15 AM on December 25, 2019 surrounded by loved ones and a hose of Angels. He was ushered into Heaven with praise and worship. Lindsay grew up in Reading, PA where he was known as "Lizard". Education was important in Lindsay's life. He graduated...
Lindsay was born on December 19, 1960 in Richmond, VA to Lloyd Jackson, Sr. and Grace Jackson Rodwell. He saw God's hand and heard His voice saying, "Come with me my dear...
Dennis Martin Muhlenberg Township
Dennis S. Martin, 65, formerly of Temple, died Monday evening at the Penn State St. Joseph's Medical Center Campus. He was transferred there from Manor Care, Laureldale where he was a guest for the past two years. Born in Reading on December 15, 1954. He was the son of the late Joseph S. and Dolores Ann (Conville) Martin. Surviving is a son, Dennis S. Martin of Laureldale. A granddaughter, Sophia. Two sisters; Joan A. Boncoddo of Wyomissing Hills, and Mary Ann Davidson of Ontelaunee...
Dennis S. Martin, 65, formerly of Temple, died Monday evening at the Penn State St. Joseph's Medical Center Campus. He was transferred there from Manor Care, Laureldale where he was a guest...
Proudly Serving the Communities of Temple, Bernville, Leesport, Muhlenberg Twp., and Laureldale.
Milkins Giles Funeral Home Inc.
| 4914 Kutztown Road
| Temple, PA 19560
Kirkhoff Funeral Home
| 206 North Main Street
| Bernville, PA 19506
© 2020 Milkins Giles Funeral Home Inc.. All Rights Reserved. Funeral Home website by CFS


text:
A tribute to Malcolm Young: 1953-2017
If you were born in Australia after 1975, you were born into a world where AC/DC existed as a monument: like the Harbour Bridge, the Commonwealth Bank or the ABC.
We knew they were Australian, but we also learned they belonged to the world – massive and global in a way most Australian things weren't.
AC/DC songs were always just in the air. The band was part of a schoolyard lexicon where it was "a long way to the shop to get a sausage roll", and where dirty deeds were done dirt cheap.
The logo was striking and evil and sharp, it seemed a vital element of rock and roll. They wore the colour black. They were the colour black.
Of course, you quickly begin to learn that AC/DC are a vital element of rock and roll, in more nuanced ways than you realised – despite a sound that remained the same for decades.
Their unwillingness to change seemed born less of a stubbornness, than of a complete rejection of the suggestion that they should. Why would you want to change what you sound like, when what you sound like is AC/DC?
The band's sales figures are outstanding, too, in case nebulous talk of sound doesn't cut it:
Over 200 million records sold worldwide. This is considered a modest estimate.
Back In Black is the sixth highest-selling album ever in the U.S., selling over 22 million copies.
Worldwide it is the second highest-selling album ever, with over 50 million sales. It is second only to Thriller.
9 top ten albums in the U.S., spanning from 1976's Dirty Deeds, to 2014's Rock or Bust.
AC/DC also managed to pull off what so few others have: they lost their lead singer in tragic circumstances, replaced him, and then released the most successful album of their career: the defiant, undeniable Back In Black.
This is due to one fundamental truth: the appeal of AC/DC was larger than any one member.
Malcolm and his brother Angus built something bigger than themselves; a sound and attitude that is unmistakable. This is why we have recently seen the AC/DC juggernaut soar on even as both Malcolm and Brian Johnston retired from the road.
At this time, our thoughts are most sharply with Angus, who has suffered the loss of two brothers in the past few weeks. Some comfort comes from realising he knows full well what he and Malcolm built over the decades.
"As his brother it is hard to express in words what he has meant to me during my life", he said yesterday. "The bond we had was unique and very special. He leaves behind an enormous legacy that will live on forever.
"Malcolm, job well done."
Or, more appropriately, a solemn salute. \m/


text:
Red Fern Studio was founded in 1998 by artist Carl G. Fougerousse to execute ecclesiastical works steeped in the tradition of Catholic figurative and decorative art.
The studio designs and produces stained glass, mosaics, murals, sculptures, and interiors and has completed projects for churches, healthcare facilities, universities, restaurants, and private residences throughout the United States and Europe.
Mr. Fougerousse earned his BA in Philosophy at Franciscan University of Steubenville in Ohio and his MFA (specializing in figurative painting) at the New York Academy of Art.
In addition to his fine art practice, Fougerousse has taught drawing and painting at Savannah College of Art and Design, the Corcoran College of Art and Design in Washington, D.C., and art history at
Armstrong Atlantic State University in Savannah. He has also lectured at New York University,
Franciscan University of Steubenville, and New York's Sheen Center for the Arts, and at conferences and parishes across the country.
© 2017 Red Fern Fine Art Studio


For two days John McCain and Ted Cruz have been fighting on the Senate floor over the rules for negotiating a budget, but, like so many fights, it's also about so much more. Cruz is being annoying about the budget, but worse, he just doesn't get the Senate.
Republicans criticized Senate Democrats for years for not passing a budget, but now that they have, some Republicans are preventing the senators from negotiating with House Republicans to pass a budget in conference committee. But on Tuesday, Cruz, as well as Rand Paul, wanted to block the conference committee, because it might compromise. "This fight right now is the fight over the debt ceiling, because what it would mean if we go to a conference committee is that as sure as night follows day, we would find ourselves in a month or two with a debt ceiling increase coming back ... with no conditions whatsoever," Cruz said, as The Washington Post's Lori Montgomery reports. McCain said that was ridiculous. "So we don't trust the majority party on the other side of the [Capitol] to come to conference and not hold to the fiscal discipline that we want to see happen? Isn't that a little bit bizarre?" McCain said. Susan Collins agreed.
"The senior senator from Arizona urged this body to trust the Republicans... Let me be clear, I don't trust the Republicans. I don't trust the Democrats and I think a whole lot of Americans likewise don't trust the Republicans or the Democrats because it is leadership in both parties that has got us into this mess."
But this isn't just about budget negotiations. There is bipartisan agreement that Cruz doesn't follow the norms of the Senate. He's rude, he doesn't respect his elders, he's "Jim DeMint without the charm," an anonymous Republican senator told The Washington Post's Ruth Marcus. Earlier this month, Cruz recently had a spat with Harry Reid, in which Reid called him "the very junior senator from Texas." Cruz kept saying he was "Reserving the right to object," and Reid responded, "there is no such thing, OK?" Even in the spat over the conference committee, Cruz's fellow senators were not-so-gently suggesting that he doesn't get how the Senate works. "We have called repeatedly for a return to regular order in this body," fellow Republican Susan Collins said on Tuesday. "Well, regular order is going to conference." Democrat Barbara Boxer tried to break it down further, saying that while she thought the House budget was "apocalyptic," and Cruz probably felt the same about the Senate version, "They're going to get into that conference and they're going to work together. That's called democracy."


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text:
Strikingly Direct: Dickens's Introduction of Mr. Gradgrind's Character
February 18, 2019 by Essay Writer
Early in Hard Times, Dickens develops the portrait of Gradgrind in the classroom delivering a lesson centred on horses at his model school to his model students. Dickens carries Gradgrind's factual theories, utilitarianism and educational system principle into his domestic family life as well as his schoolroom. Throughout the novel's earliest chapters, we begin to learn in more detail Gradgrind's philosophy put into practise and the interactions with the students that he teaches. Mr Gradgrind's name represents a powerful example of Dickens use of caricature. Gradgrind is a harsh, forceful-sounding word and the use of repeated G's and a short 'a,' creates the automatic presumptions that the reader has towards him. The word grind represents something being worn down, for example machinery, and this is a large aspect of Coketown life. Grinding something, is reducing it to what you want it to be. Just like Gradgrind is sculpturing his students into representatives of himself.
Dickens uses descriptive language that reflects the personality of Mr Gradgrind. The repeated use of 'cellarage' conveys that his eyes are like caves, that they have room in them, reflecting a dark, dingy cellar. They reflect a cold, dank personality that lacks an authentic love and feeling for emotion and life. However, Dickens describes him as 'eagerly sparkled,' this shows an image of his eyes, but suggests in more detail that they are only alive when he is dealing with facts and figures. Dickens shows that Gradgrind has a 'square forefinger' portraying his obsession with a straight, ordered and uniformed way of living and learning. This also links to Gradgrind's dismissive action as he 'waved off the objections calling with his hand,' and rejecting the way that Sissy has been brought up; he shows both his arrogance and his control of others.
Grandgrind's language fits his character throughout this text. Dickens uses language that indicates that Gradgrind has a harsh and controlling personality. The short clipped sentences, 'Thomas Gradgrind, sir. A man of realities. A man of facts and calculations,' all underline and suggest a man who doesn't waste words, Mr Gradgrind is able to articulate exactly what he wants to put across to his students quickly and more importantly efficiently. The repetition of his names, 'Thomas Gradgrid, Thomas—Thomas Gradgrind,' conveys his importance and his awareness of his standing and his place in the hierarchy of Coketown. Mr Gradgrid shows this control by telling Sissy how she should introduce herself 'Don't call yourself Sissy,' Gradgrid humiliates her and shows her who has authority. Gradgrind also tells her that the circus and horses have no place in the schoolroom, she isn't entitled to share her own opinion, 'you mustn't talk about that, here' and 'you mustn't tell us about the ring, here.' Sissy is told not to address her father in that way, again illustrating Gradgrind's control over his students. Gradgrind wants Sissy to propose her father as 'a veterinary surgeon, a farrier and horse-breaker,' Gradgrind wants to cabal her father with factual definitions. Sissy seems to accept what he says but we can tell she is truly frightened of him through her body language. The use of Gradgrind's mathematical language conveys his obsessive nature and Dickens portrays this using humour; 'multiplication table always in his pocket,' 'pair of scales' and 'simple arithmetic,' all show that he is not using any 'fancy,' language or allowing any emotion, instincts, affections or feelings to be shown. His actions and thoughts are based on logic facts, period.
Mr Gradgrind, interacts with his students in different ways, treating them differently because of the facts and figures that they possess. Sissy is nervous, polite and embarrassed 'number twenty, blushing…curtseying,' when Gradgrind interacts with her. Dickens shows us her vulnerability and embarrassment when she is unable to define a horse. The children at his school are numbers in a system and not given names, Dickens dehumanises them, 'pitchers to be filled with facts' implies that he won't allow them to do subjects that are creative or involve the imagination, these children aren't allowed to be breathing, living, emotional beings. Dickens uses a metaphor that indicates war and destructive imagery 'seemed a kind of cannon loaded to the muzzle with facts,' gives the reader a sense of the force of his character and passionate belief that Gradgrind will 'blow' the children out of their childhood. Gradgrind tells us the true extent he will go to until facts and figures are all these children live by, 'imaginations to be stormed away,' he won't allow for any imagination or fancy in the classroom and it therefore must be discarded. One of the most significant features of this passage is when Sissy Jupe is asked to define a horse, 'Girl number twenty unable to define a horse!' Sissy is unable to give Gradgrind a factual definition of a horse, as she knows the creatures well as breathing, loving animals. Sissy's father works with them everyday, she has grown up with them in her everyday life, not thinking of them as a statement of the exact meaning of a word. Throughout the novel, Sissy discovers that she can't fully understand facts and figures and her difficulty to understand them becomes harder; this scene is just the beginning of her struggles in the schoolroom
Thomas Gradgrind is a representative character of the utilitarian principle of Victorian political economy, a man who prizes facts above anything else. He is introduced into Hard Times as a harsh, controlling, hard-nosed, shaped-tongued protagonist, who is dismissive of others and his opinions are conveyed forcefully and he uses them to be in control and impetuously obeyed. Gradgrind is controlled over his theory of educational system based on the importance of facts and figures. Subsequently when Gradgrind asks Bitzer for his definition of a horse, after Sissy cannot, he refers to Bitzer as his name and not a number like Sissy previously. Gradgrind attempts to make his mark on Sissy by applying his way of teaching to her but eventually comes to the realisation that there is a fault in the educational system.
Unbridled: The Emotional Repression and Evolution of Women in "The Horse Dealer's Daughter. "
Symbolical Values in E. M. Forster's A Room with a View
The Emblem of Blood and Honor
"A Little Touch of Harry": Intimacy and "Twin-Born" Kings
The Simultaneous Proliferation and Subversion of Patriarchy in the Qur'an
Chinatown: Polanski's Definitive Noir Critique
The Crisis of Reading in Kafka and Eliot
The Function of Humor in Sherman Alexie's Flight
A Deviation of Expectations in Toni Morrison's "The Bluest Eye"
The Virtues of an Outcast: Huckleberry Finn and His Role in The Adventures of Tom Sawyer
Toni Morrison's The Bluest Eye depicts a chilling tale of a young girl's experience with racism following The Great Depression. While the span of the novel is divided into four […]
Humor is a powerful tool: it can break barriers, create friendships, establish cultural unity, or undermine/destroy people or organizations. In 'ethnic' literature, humor is often used to create a shared […]
The modern crisis of authority revolves around the recognition that current versions of traditional authority are no longer credible or reliable. Such a dramatic shift in perception cannot be effectively […]
Film noir frequently explores the extremes of the American character, illuminating its dark and treacherous capabilities but also its capacity for decency and truth. Although many critics agree that the […]
The Qur'an1 is reflective of and conducive to the patriarchal social system in which it evolved. Many verses of the text attempt to structure and reaffirm patriarchal order and to […]
Though in the beginning of Kenneth Branagh's screen adaptation of Henry V Derek Jacobi implores that we try to "think" when the players speak of Agincourt that we "see" the […]
Words possess the mystical ability to convey universal ideas and themes of humankind, a fascinating phenomenon in literature that has intrigued readers for centuries. When the author puts down his […]
High expectations coming from the external world always happened to cause a carefully hidden diversity between what people really felt inside and what they actually showed at the same time […]
D. H. Lawrence's "The Horse Dealer's Daughter," is the story of Mabel Pervin, the daughter of a late horse dealer who has cared for her three brothers since the death […]
Early in Hard Times, Dickens develops the portrait of Gradgrind in the classroom delivering a lesson centred on horses at his model school to his model students. Dickens carries Gradgrind's […]


text:
Home > Passing an interview > Taxi cab driver
Taxi cab driver
Application requirements shared below are only for reference. To help the taxicab and limousine industry, during the budget process, Toronto City Council approved reducing the Accessibility Fund Program fee by 75 per cent for The new fee was applied on March Anyone who paid the fee prior to this date will receive a credit that will be applied against future licensing fees. Applicants must provide an original Criminal Record and Judicial Matters Check issued by a Canadian Police Service within days prior to the application. Drivers need to have a minimum of three years of driving experience.
How to Become a Taxi Cab Driver
Why New York's Taxi Drivers Are Protesting
Qualities and Duties of a Cab Driver
Toronto taxi driver killed after shooting, crash in city's east end
Man says Winnipeg taxi driver asked for pre-payment mid-ride, left him on street
Taxi Cab & Driver Permit
Welcome to the Nevada Taxicab Authority
WATCH RELATED VIDEO: Whose Line US - Greatest Hits (Taxi Cab Driver)
Please see our Commenting Policy for more. Toronto police say a taxi cab driver has died following a shooting in Scarborough late Sunday.
Emergency crews were called to Pharmacy and Eglinton avenues before 9 p. He was taken to hospital in life-threatening condition by paramedics where he later died from his injuries.
Read more: 2 men dead after separate shootings in Toronto, police say. The homicide unit is now investigating the incident. It was one of many shootings in Toronto over the weekend, four of which were fatal.
World Canada Local. Full Menu Search Menu. Close Local your local region National. Search Submit search Quick Search. Comments Close comments menu. Comments closed. Video link. Close X. Click to scroll back to top of the page Back to top. By Gabby Rodrigues Global News. Posted October 25, am. Updated October 25, pm. Smaller font Descrease article font size - A. Share this item on Facebook facebook Share this item via WhatsApp whatsapp Share this item on Twitter twitter Send this page to someone via email email Share this item on Pinterest pinterest Share this item on LinkedIn linkedin Share this item on Reddit reddit Copy article link Copy link.
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A taxi driver who crashed his cab and died in hospital after being shot multiple times Sunday has been identified. Officers found the cab driver unconscious in the vehicle, suffering from multiple gunshot wounds. He was the only occupant of the cab. Beck Taxi previously confirmed to CP24 Jung was one of their employees and had driven a cab for over 40 years. He worked at night. We are working with the police in their investigation and are committed to doing everything we can to assist.
St. Louis County & Yellow Cab are looking for courteous, safe drivers committed to exceptional customer service. Become a taxi driver today!
Add Occupation to Career Plan Cab Drivers - Working Conditions In a typical work setting, taxi drivers and chauffeurs: Interpersonal Relationships Have a high level of social contact. They deal with many passengers throughout the day. Are responsible for the safety of passengers. Sometimes deal with unpleasant, angry, or discourteous passengers. Are responsible for their work outcomes. Work in a group or as part of a team. Physical Work Conditions Work outdoors most of the time. May work indoors for short periods, such a when filling out paper work.
New York City taxi drivers are now in the second week of a hunger strike outside City Hall in Manhattan. They're demanding debt relief for thousands of drivers who are facing financial ruin. New York City taxi medallions once gave cabs the exclusive right to pick up passengers on the street. They were once worth more than a million dollars.
No arrests have been made in the killing earlier this month of a Milwaukee taxi cab driver, who was shot while on duty and his taxi set on fire.
A passenger was killed but the driver escaped with light injuries, after city authorities and newspapers described how he had locked the man inside after growing suspicious about his intentions. But road closures forced the taxi to detour and they ended up at the nearby hospital, where the bomb went off just after the driver had escaped, the Daily Mail reported. The taxi went up in a fireball and thick gray smoke billowed afterwards, as police rushed to cordon off the hospital and non-urgent patients were told to divert to other city clinics. Some 2, people attended the religious service of remembrance, according to the Liverpool Echo newspaper, and the event concluded with a military parade on the closed roads outside the cathedral. Remembrance Day marks the moment at 11 a.
If you live in a mid-to-large-sized city and take taxis, you have probably already tried Uber. What you may not know is that the transportation app has different rates in each city. New York City is arguably the taxi capital of America and home to the classic yellow taxicab. They do have some similarities—both conventional taxis and Uber charge fares based on a combination of time and distance. Both also charge passengers for any bridge or road tolls in addition to the fare. However, there are also significant differences between Uber and taxis in New York City. Which is the quickest and most economical ride in New York City, and what are the differences between Uber and Yellow Cab?
It turns out that to become a Black Cab driver in London applicants need to the hippocampus in the taxi drivers' brains had grown significantly.2,3.
Shankari Halder finally dreamed of steering her life in the right direction when she became a commercial cab driver in Kolkata, early this year. The year-old was one among the 10 women who were trained to operate a first-of-its kind cab service in Kolkata. Christened as Pink Taxis, these 10 cabs were launched primarily with the aim of providing a secure and safe commute environment for women, who often find it risky to travel in cabs driven by male chauffeurs. Chief Minister Mamata Banerjee flagged off the first fleet of 10 taxis painted in pink and white from Nabanna, the state headquarters, on February 21,
The intent and purpose of this chapter, being pursuant to the authority of Government Code Section Unless the context in which used requires otherwise, the following words and variants thereof, when used with initial capitalization shall have the following meanings:. A Taxicab business. Such taxi services are a business that is required to be licensed under this chapter.
Taxi and Limousine Commission agrees to city-backed guarantee to lower monthly payments of taxi medallion owners. After weeks of camping outside City Hall in New York , taxi drivers can finally head home after striking a deal with officials to rescue thousands of workers from crushing loans that had caused misery for their families.
On December 13, police responded to the area of Madison Street where they located a taxi cab driver who was brutally attacked by an unknown male, authorities said. It was determined that the taxi driver transported this unknown male from the area of 55 East Blackwell Street in Dover between p. This person did not call for a ride and he was just a random man on the street. The passenger robbed and left him for dead on the side of the street. Jay Edwards December 17, 1 minute read. Jay Edwards Born and raised in Northwest NJ, Jay has a degree in Communications and has had a life-long interest in local radio and various styles of music.
Drive a motor vehicle to transport passengers on an unplanned basis and charge a fare, usually based on a meter. This title represents an occupation for which data collection is currently underway. Find occupations related to multiple tasks. Hot Technology — a technology requirement frequently included in employer job postings.
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text:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Reflection;
using FG.ServiceFabric.Diagnostics;
using Microsoft.ServiceFabric.Actors.Generator;
using Microsoft.ServiceFabric.Actors.Remoting;
using Microsoft.ServiceFabric.Actors.Runtime;
using Microsoft.ServiceFabric.Services.Client;
using Microsoft.ServiceFabric.Services.Communication.Client;
using Microsoft.ServiceFabric.Services.Remoting;
using Microsoft.ServiceFabric.Services.Remoting.Builder;
using Microsoft.ServiceFabric.Services.Remoting.Client;
using Microsoft.ServiceFabric.Services.Remoting.FabricTransport;
using Microsoft.ServiceFabric.Services.Remoting.FabricTransport.Runtime;
using FabricTransportActorRemotingClientFactory = FG.ServiceFabric.Actors.Remoting.FabricTransport.Client.FabricTransportActorRemotingClientFactory;

namespace FG.ServiceFabric.Actors.Remoting.FabricTransport
{
    public static class FabricTransportActorRemotingHelpers
    {
        internal static ActorRemotingProviderAttribute GetProvider(IEnumerable<Type> types = null)
        {
            if (types != null)
            {
                foreach (var t in types)
                {
                    var attribute = t.GetTypeInfo().Assembly.GetCustomAttribute<ActorRemotingProviderAttribute>();
                    if (attribute != null)
                    {
                        return attribute;
                    }
                }
            }
            var assembly = Assembly.GetEntryAssembly();
            if (assembly != null)
            {
                var attribute = assembly.GetCustomAttribute<ActorRemotingProviderAttribute>();
                if (attribute != null)
                {
                    return attribute;
                }
            }
            return new FabricTransportActorRemotingProviderAttribute();
        }

        public static IEnumerable<IExceptionHandler> GetExceptionHandlers(Type actorInterfaceType, params Type[] additionalTypes)
        {
            var types = new[] {actorInterfaceType}.Union(additionalTypes);
            foreach (var t in types)
            {
                var attribute = t.GetTypeInfo().Assembly.GetCustomAttribute<FabricTransportRemotingExceptionHandlerAttribute>();
                IExceptionHandler instance = null;
                if (attribute != null)
                {
                    var exceptionHandlerType = attribute.ExceptionHandlerType;
                    if (exceptionHandlerType.GetInterface(nameof(IExceptionHandler), false) != null)
                    {
                        try
                        {
                            instance = Activator.CreateInstance(exceptionHandlerType) as IExceptionHandler;

                        }
                        catch (Exception ex)
                        {
                            // TODO: Log this?
                        }
                    }
                }
                if (instance != null)
                {
                    yield return instance;
                }
            }
        }

		/// <summary>
		/// Create a <see cref="FabricTransportActorRemotingClientFactory"/> for either the Actor interface of the service interface
		/// </summary>
		/// <param name="interfaceType"></param>
		/// <param name="callbackClient"></param>
		/// <param name="logger"></param>
		/// <param name="correlationId"></param>
		/// <param name="actorMethodDispatcher"></param>
		/// <param name="serviceMethodDispatcher"></param>
		/// <returns></returns>
		public static IServiceRemotingClientFactory CreateServiceRemotingClientFactory(
			Type interfaceType,
			IServiceRemotingCallbackClient callbackClient,
			IActorClientLogger logger,
			string correlationId,
			MethodDispatcherBase actorMethodDispatcher,
			MethodDispatcherBase serviceMethodDispatcher)
        {
            var fabricTransportSettings = GetDefaultFabricTransportSettings("TransportSettings");
            var exceptionHandlers = GetExceptionHandlers(interfaceType);
            return
                (IServiceRemotingClientFactory) new FabricTransportActorRemotingClientFactory(
                    new Microsoft.ServiceFabric.Actors.Remoting.FabricTransport.FabricTransportActorRemotingClientFactory(
                        fabricTransportSettings,
                        callbackClient,
                        (IServicePartitionResolver) null,
                        exceptionHandlers,
                        traceId: correlationId),
                    logger,
                    actorMethodDispatcher,
                    serviceMethodDispatcher);
        }

        /// <summary>
        ///  FabricTransportSettings returns the default Settings .Loads the configuration file from default Config Package"Config" , if not found then try to load from  default config file "ClientExeName.Settings.xml"  from Client Exe directory.
        /// </summary>
        /// <param name="sectionName">Name of the section within the configuration file. If not found section in configuration file, it will return the default Settings</param>
        /// <returns></returns>
        private static FabricTransportRemotingSettings GetDefaultFabricTransportSettings(string sectionName = "TransportSettings")
        {
            FabricTransportRemotingSettings settings = (FabricTransportRemotingSettings)null;
            if (!FabricTransportRemotingSettings.TryLoadFrom(sectionName, out settings, (string)null, (string)null))
            {
                settings = new FabricTransportRemotingSettings();
            }
            return settings;
        }

        internal static FabricTransportRemotingListenerSettings GetActorListenerSettings(ActorService actorService)
        {
            FabricTransportRemotingListenerSettings listenerSettings;
            if (!FabricTransportRemotingListenerSettings.TryLoadFrom(ActorNameFormat.GetFabricServiceTransportSettingsSectionName(actorService.ActorTypeInformation.ImplementationType), out listenerSettings, (string)null))
                listenerSettings = GetDefaultFabricTransportListenerSettings("TransportSettings");
            return listenerSettings;
        }

        internal static FabricTransportRemotingListenerSettings GetDefaultFabricTransportListenerSettings(string sectionName = "TransportSettings")
        {
            FabricTransportRemotingListenerSettings listenerSettings = (FabricTransportRemotingListenerSettings)null;
            if (!FabricTransportRemotingListenerSettings.TryLoadFrom(sectionName, out listenerSettings, (string)null))
            {
                listenerSettings = new FabricTransportRemotingListenerSettings();
            }
            return listenerSettings;
        }
    }
}

redpajama_set_name: RedPajamaGithub


Registered Clubs – Don't forget!
If you are involved with the management of a registered club, don't forget to keep the details of the Trustees up to date and let your solicitor know if there have been any changes. This helps to save time and delay when renewing your registration and in any property dealings.


One excellent tip he provided was to think of keeping the gun pointed AT something in a safe direction rather than trying to keep it pointed AWAY from things I didn't want to kill or destroy. Having a more proactive mindset in this respect has helped me since.
From David Yamane, during his range trip with John Johnston.
Words matter. Phrasing matters. The right words, the right phrasing can do wonders for understanding and mindset.
Long ago I observed adults seeing children running when they shouldn't be (e.g. on the wet floor around a swimming pool). A parent would yell "DON'T RUN!" at children, then the kids would start skipping or hopping. The parent would get mad because, in their mind, the child was disobeying as the parent intended for the child to walk. However, the child was following the given directions: they were told not to run and they did stop running. Since the child was given no direction as to what TO do, they made their own (unguided) choice that to them was acceptable but to the parent it was not. Because of the parent's choice of phrasing, relative to the message they intended to send, well… everything broke down and communication was not successful.
It's the same with gun rule-sets. Often rule sets tell you what not to do, like "never let the muzzle cover anything you're not willing to destroy." Certainly there's truth in that statement, but what it doesn't do is then tell you what you SHOULD do? Should you start pointing it at things you ARE willing to destroy? That could be open to some terrible interpretation, because maybe you're willing to destroy your ex-spouse or your boss. That's not good.
This is why I (and the rest of the instructors at KR Training) prefer rule sets like the NRA's. Their phrasing is clear and positively stated so you can know what TO do: "ALWAYS keep the gun pointed in a safe direction." That not only covers the desire to not point the gun at things you don't want destroyed, but it also tells you where to actually point the gun muzzle.
It's important to tell people what you want them to do. This doesn't necessarily mean the phrasing has to be "positive". For example, if a child is about to touch a hot stove, to say "Don't touch the stove!" can be acceptable phrasing, because not touching the stove is precisely what you want them to do. Granted, phrasing in a more "positive" manner may be better (e.g. "Stop!" or "Put your hands behind your back!") – the key is to clearly convey to people what you want them to do.
Proper phrasing goes a long way towards helping people learn, and establishing a stronger mindset for success.


No, not a post about a popular beat combo from the 1980s, nor an attack of Wandering Apostrophe Syndrome (or Pedant Disease as it's also known); this post is about my adventures in documentary making as an unforeseen but enjoyable effect of taking ACRL3001: Archaeometallurgy as one of my Year 2 modules. Who could resist the chance to 'make history', as the course handbook states, by being the first group at UCL to have a video submission option as coursework. I thought this sounded like immense fun, having had my fill of the more typical 2500 word essays this term. At times I seriously wished I'd picked the alternative option to the video, which was a poster submission, but on the whole I have to say this has been a great learning experience and good fun to boot!
As part of the submission we've been asked to submit a short piece on how we found the crash course in video making and give feedback on how we got on with the various aspects of producing an informative and educational video. So, here's my take on this unusual assignment.
I will admit to a brief squee when I saw the choices we had for the second assignment. I've done posters before but I've never done anything with video, despite owning Adobe Aftereffects – I was always more of a Photoshop type when it came to digital media. I instantly knew that I wanted to do a video on lead; despite the fact that it's always trying to kill me, I am very fond of plumbum as the one metal you know you can rely on when giving a metallurgy demonstration. Furnace not hot enough to smelt copper? Zinc escaping while trying to make brass? Have no fear, for lead is here; requires almost no effort to go molten, it is the Christian Bale of the metal world. As long as you can build a small fire and have plenty of lung capacity, you can melt and cast lead.
The assignment guidance notes made it clear, however, that we had to have a point to our videos rather than just being a paean to our favourite metals. I ran a lead shot casting activity at Primtech 2012 (where first years camp in a field for four days at the start of the degree, messing about with experimental archaeology) and thought that might be a good thing to film. Building on that, I wanted to strong-arm my blacksmith friend, Dr David Sim, to appear in the video as an interviewee and for him to show how a plumbata was made – one of the weapons used by the Roman army which relied on lead in its manufacture. Lastly I wanted to ground my video in the landscape, so a trip to the lead mines at Charterhouse-on-Mendip was on the cards; over 2 hours drive away but I wanted to go the extra mile (all 270 of them) to get some good footage for the introductory voiceover.
I approached this in much the same way as I approach the research for an essay; first I looked at general mining and metallurgy books, then searched more specifically for ones that dealt with lead, Roman mining, and preferably both. Charterhouse is an odd place in that there's not been a great deal written about it. Unsurprisingly, Craddock's Early metal mining and production (1995) was my go-to source for general information, with Todd's Roman mining in Somerset: Charterhouse on Mendip: excavations 1993-5 (2007) as a more focussed publication. Although I didn't end up using it directly, I can recommend Gough's The mines of Mendip (1930) as an entertaining read.
Something which became clear very quickly was that I was going to have to be ruthless about what made it into the video. There was a lot of interesting information that I either ditched because it wouldn't translate well to a visual medium, or was just too in depth to treat briefly, which was what I would have to do to fit it in. Examples of information from the readings that didn't make the cut were more modern mining at Charterhouse and a list of the 11 ingots known to have come from the site and where they ended up.
The lead mines at Charterhouse are not what you'd call a tourist destination and as such there isn't a great deal on the internet to give you an idea of what's there. The English Heritage page is focussed more on the context of the mines within the greater Mendip AONB. But, nothing ventured, nothing gained, so with my intrepid camera expert friend Martin we hit the road and figured we'd drive around a bit once we got within shouting distance of Charterhouse in the hope that we would find something visually striking to film. I was expecting to film from the roadside at best, so was thrilled to find that we could not only access the old mine workings, but were welcome to clamber up and down the rakes (as the furrows where lead ore had been extracted are known, thanks Gough!) and get some really good quality video.
Looking out over the rakes, at Charterhouse-on-Mendip.
The interview and experiments I knew wouldn't be a problem location-wise as David has a big garden and neighbours accustomed to open fires and odd experiments. The only thing that worried me slightly was that it would be completely dependent on the weather as David's forge/workshop is somewhat bijou in terms of space. In the end there was nothing to worry about as we managed to film both the Charterhouse and the Reading footage in glorious sunshine.
Martin preparing the next panning shot.
As part of the support system for those of us making videos for the first time, we had a teaching assistant assigned to the course to answer questions/provide advice. I can't give any feedback on this aspect of the assignment as I used the digital expertise of my long-suffering friend Martin instead. As primarily a stills photographer, video was a new experience for him too, but as usual with anything techy it didn't pose much of a challenge to him. The UCL wiki on the assignment was really helpful though, written by the obviously knowledgeable teaching assistant (David Larreina Garcia).
The video was shot on a Canon 5D Mk III using a variety of tripods. The panning shots were all done using a tripod with a Novoflex ClassicBall 5 Platform, a steady hand, and some precarious footwork – smoothly rotating a camera on a tripod through 270 degrees is not easy when you are perched on the edge of a 2 metre high rake bank. Video panoramas require specialist damping heads rather than the still photography equipment we had but the video came out brilliantly regardless. We shot in 1920×1080 25fps using a H.264 codec All-I, which means it was high quality video suitable for editing frame by frame in post production. All the video processing was done in Adobe Premiere, by Martin – I learnt a lot by watching, but as with Photoshop, it's not the kind of program I can pick up straightaway and with the submission deadline approaching, I didn't have the 5 or 6 months it took me to get competent in Photoshop.
Argh, the sound. This was the only part of the video that gave us grief. It was obvious from the on location shooting that the sound pickup from the camera itself was not going to be good enough for what we wanted, so we decided to use my Zoom H1 instead. This little digital recorder is great – but unfortunately for us, picked up far too much in terms of wind noise, despite the foam head we used to combat this. Martin ran the sound through Adobe Audition and managed to rescue most of it, and while the sound is a little off and hollow in places I think he did a top job getting the level more or less the same throughout the film considering what it sounded like straight off the recorder. I'm sure I could have borrowed a microphone from UCL, but it didn't occur to me at the time – a valuable lesson learned.
The simple hearth we built to melt the lead.
As expected the lead casting went off without a hitch. It's always a joy to work with David and indulge my inner arsonist, and the only points we had to bear in mind were making sure that we weren't moving in front of the camera while tending the ladle or pouring. Having to plan out each step of the experiment to make sure it would make sense to the viewers really focussed the mind on what was important; I knew that I wanted a good shot of the molten lead in the ladle as it's not something people see very often, and it's beautiful to boot.
Having shot all the footage and put together a rough running order, I was surprised to find it was approaching quarter of an hour long… for a video that's supposed to be 6 minutes (not including the credits). That was a real eye-opener as trying to decide what to cut was very difficult, either because I felt they were an important part of the story, or because the footage was fun in its own right. For example, while doing the part that follows the introductory landscape panning, where I'm holding a square of lead, I originally had another clip following where I unrolled the roofing lead I was using – seeing a Swiss Roll in metal really brings home how malleable lead is. But, sadly, it had to go.
The major casualty of the video shoot was the section on lead shot, which was really disappointing as I considered it 'my' bit; while I did the casting for the plumbata, I was using a shaft and iron head made by David, while for the shot, it was all me. Ego aside, it wasn't really adding anything to the story, so out it went. We also cut down the interview from 6 questions to 4, purely due to the time constraints. There were a lot of clips that made for a smoother video, but when push came to shove, had to be thrown out; for example, when the film cuts to David for the interview, there was a clip leading up to that of the two of us walking down his garden path, chatting, while the voiceover explained who he was. While it made for a more natural transition, there was just no time left to squeeze it in.
All of the video footage, but especially the landscape shots, were edited to make adjustments to factors like the colour levels; on the original film the rakes were less obviously defined as the grass and moss had become a little amorphous, but playing with the contrast and levels brought them back into defnition.
From the couple of hours we spent at Charterhouse, we only used about 30 seconds of footage; we spent approximately 5 hours in Reading and used 5 minutes of film.
With regards to the post processing, neither I nor Martin had ever used Adobe Premiere or Adobe Audition before. Putting a credit at the end of the video to thank Martin for his work is woefully inadequate. I tried to pick up a few things as to how key frames work, how to layer on the stills over the footage, but my input was dwarfed by his. Including learning how to use the software, post-production took between 60 – 80 hours. I now have a much greater appreciation for video graphics artists, as my video was pretty low tech in terms of graphics/title sequences, and took long enough – even allowing for the fact that we didn't really know what we were doing to begin with.
I enjoyed being given the opportunity to try something new for this assignment, and have certainly picked up new skills and perspectives. Aside from the usual dislike of seeing/hearing oneself on film I think the video has turned out very well and looks so much more professional than I ever thought it would. David is an old hand at being filmed for interviews, and helped me get over my nerves at being on camera and the fades and transitions applied by Martin look great.
I think the video tells an engaging story, although I wish I'd had another minute or so to wrap everything up at the end, and to include more of the interview footage. I can be far more ruthless while writing an essay than I was with the video, but I put that down to the fact that the video feels like far more work than writing, both in terms of actual time spent capturing footage and then the hours to edit and process it.
For a subject like archaeometallurgy I think making a video works well, as there are plenty of visually interesting stories to be told. How it would work with other modules is something to think about, although whether it gets rolled out to other courses will depend on how our work is received. All that's left now is to cross fingers and await marking!
I'm a third year student at the Institute of Archaeology, UCL, with an interest in British archaeology from the Palaeolithic to the Romans. I'm apprenticed to Karl Lee, a professional flintknapper (www.primitive-technology.co.uk).


Mantel, Christopher Dds is located at the address 2481 Executive Dr in East Troy, Wisconsin 53120.
For maps and directions to Mantel, Christopher Dds view the map to the right. For reviews of Mantel, Christopher Dds see below.


ARM'D Paediatric Consult Tassie was a great success, read Diana's excellent review below.
I attended a one-day workshop: Paediatric emergencies for GP's at Cradle Mountain Lodge on the 20th of April. This was run by Dr Michelle Davison, a paediatric emergency specialist from The Prince Charles Hospital in Brisbane. She devised the course with the understanding that many BLS style courses are designed for hospital doctors and are not always that helpful for primary care.
The course is accredited by RACGP and ACCRM for CPD and BLS certification, and is eligible for 1 day emergency grant/ funding for those working in appropriate areas.
The course was an excellent day. We revised BLS quickly for both adults and paediatrics. This allowed completion of the RACGP BLS requirements/ certification. We then moved on to cover 8 different emergency scenarios in a simulation type setting. The focus was on pre hospital management, and what is achievable in a situation that is resource poor. A take home refresher of the things that alter management was helpful, and was reassuring in that simple things done well do alter outcome. Don't forget that glucose in the unwell child!
The venue was lovely and the weather put on a summer style show for mid-April, which added to the enjoyment of the day.
The style of the course was supportive, multidisciplinary and engaging. Dr Davidson was happy to tailor the course the participants needs and clinical experience. I would be happy to recommend this course to GP's and registrars at all stages of their careers who are looking to refresh their management of infrequent and often daunting situations.
This is a full day Paediatric Emergency simulation course (6.5hrs learning excluding breaks) that is designed for General Practitioners, Rural Generalists and Registrars and Trainees who are following the FRACGP, FACCRM or Diploma of Emergency Medicine Pathways as well as nursing staff working with clinicians in these acute care settings.
Prior to the course participants must complete a CPR theory module and undertake pre-reading on CRM and Simulation.
Small Group Practice of Paediatric Simulations.
The CPR training component teaches BLS and CPR skills and assessment touching on both Adult and Paediatric resuscitation.
The larger part of the courses is the Small Group Paediatric Simulation practice. Participants in small groups experience a series of hands on facilitated paediatric and infant resuscitation scenarios covering a range of conditions that may present and deteriorate in a primary care consult. These scenarios have been developed and are fully debriefed by Adult and Paediatric Emergency Physicians who have specialist training in debriefing ensuring participants gain the most out of their simulation experience.
A post course MCQ one month post course must be submitted and assessed. Participants will then receive a Certificate of Completion and the college will be notified of the course completion for allocation of CPD points.
Demonstrate effective CPR and Basic airway manoeuvres including BVM.
Discuss the need for defibrillation and apply an AED as part of a BLS algorithm.
Analyse available clinical information and recognise deterioration of the paediatric consult.
Demonstrate appropriate acute resuscitation of a range of paediatric conditions.
Communicate acute referral of the deteriorating paediatric patient effectively to ongoing care providers and follow up any issues with their team.
Each course has only 12 – 16 spots available for doctors and a further 2-4 spots for clinic nurses.


The event is now in its seventh year and opens for entries at a launch event on January 31.
Guests will hear full details about the new criteria for 2019 from founding sponsor, London Borough of Bexley.
It is inviting interested businesses to the launch to discover how they can benefit from entering.
Bexley's deputy council leader and cabinet member for growth, Cllr Louie French, said: "Last year was a huge success, with many local businesses and organisations crowning off a successful year of trading with a night of celebration and fun.
Entry is via online registration across 12 categories.
The winners of the 2019 awards, including the overall Bexley Business of the Year, will be announced at a summer Gala Awards Dinner at Hall Place.
The organisers confirmed it will be supported by the Bexley Times as its media partner.
Headline sponsor for the fourth year, Ocado, is currently completing work on the world's biggest Customer Fulfilment Centre at Erith employing 3,000 local people.
The free launch event runs from 9.30-11am on Thursday, January 31 at Hall Place, Bourne Road, Bexley.


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Crystal Hills Assembly will be hosting "Fun in the SonFest" on Saturday, July 28, as a Christian event for the entire family.
"We want people to come out and spend a day with their family having fun," said Kami Gleitz, an organizer. "We hope it will be an inexpensive day of family fun," she added.
The church hopes this is the first in a long line of bigger events, said Gleitz.
Fun in the SonFest will be held from 10 a.m. to 6 p.m. at Crystal Hills Assembly. The church is located five miles east of Paynesville on Highway 55.
A festival like this has been a dream of Lonnie Gleitz, a pastor at Crystal Hills Assembly, since he moved to Paynesville.
Lots of games, entertainment, and food will be available. Among the activities starting at 10 a.m. are bouncy boxing, a Pepsi pillow, a dinosaur maze, an inflatable slide, and a petting zoo.
At 11 a.m., a community talent contest will be held. The contest is limited to 15 people. Anyone interested in participating should contact the church at 320-243-3513. Prizes will be available for all the contestants.
At 12:45 p.m., the G.U.M. (God You and Me) Clowns will entertain, followed by Mike Norton and his musican a magicial menagerie at 1:30 p.m.
An all-male singing group, "Audience of One," will perform at 3 p.m. At 5 p.m., Chuck Knapp, a morning DJ from KTIS Christian radio station in the Twin Cities, will give a testimonial.
Admission to Fun in the SonFest will be a donation of a food item to the local food shelf. A nominal fee will be charged for some games and for food to help cover expenses. The food will include potato salad made by the St. Louis Catholic Church women and a hog roast.
People are encouraged to bring lawn chairs or blankets. and enjoy a fun day outdoors at Crystal Hills. Free sunscreen will be available.
Fun in the SonFest on Saturday, July 28, at Crystal Hills Assembly 10 a.m. to 6 p.m.


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The Only 5-Star Resort in Latin America Gets a $35 Million Reno
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It occupies the most prime location in Costa Rica's Guanacaste region and it's already the only luxury resort in Central and South America honored with 5-star designation.
Now the Four Seasons Resort Costa Rica at Peninsula Papagayo has been reinvented through a $35 million renovation that brings modern luxury to Costa Rica's famous 'Pura Vida' way of life.
Peninsula Papagayo is 1400 private acres on the northern Pacific coast of the Central American country with an Arnold Palmer-designed golf course. The Four Seasons Resort Costa Rica at Peninsula Papagayo spans the outcropping of land, with 2 of the best beaches in the region and rooms with private balconies that overlook either body of water – or both.
The re-imagined resort brings the simple purity of Costa Rica's famously rich environment indoors, and encourages guests to feel part of Nature. Handcrafting and locally sourced materials and inspiration take a soothing, natural palette to another level.
The new lobby is a breezy, open-air gathering space features local wood and rustic chic design, like the vibrant tropical forest transformed. The space is elevated by art works by local Costa Rican and other Latin American artists.
New culinary and mixology experiences are part of the re-imagined resort. Rich natural materials, textures and indigenous art enhance the cuisine of all 5 spaces. A steakhouse, sophisticated Latin American cuisine with local ingredients and a wood-fired open kitchen, a seafood restaurant with a chef's table and wine pairings, a go-to place for a quick breakfast, post-workout green juice, or evening cocktail and tapas, a bar with an in-house mixologist and premium rums, are all on the table.
The renovated resort has 182 guest rooms, suites and villas. All are stylish, soothing with local art and design elements and balconies or patios overlooking the water so you always feel connected to Nature just steps away. Hillside suites also now feature plunge pools that feel like part of the eco-system.
It's a haven that blurs the lines between indoor and outdoor life in a destination famous for its rich natural abundance. Perfect to decompress or embark on adventure.
Taste the Stars: A culinary and stargazing experience that includes a 7-course tasting menus developed by the resort's chefs in collaboration with Costa Rican-born astronaut Franklin Chang Diaz. A secret ingredient is South American wine aged in a 4.5 billion year old meteorite. Plus a guided stargazing session using the resort's own equipment.Costa Rica is considered one of the top places in the world to stargaze and one of the few places above the Equator where Magellanic Clouds, two galaxies first identified by explorer Ferdinand Magellan in the 1520s, are visible.
Nocturnal Golf: Your daytime game takes on a whole new dimension and thrill on the course under a starry sky at night with night vision goggles, sharing the course with rare wildlife. It's a privately guided experience limited to just 4 golfers who also gain new insights into the eco-friendly practices that preserve the flora and fauna on this Audobon Cooperative Sanctuary.
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5 Stars and Social Consciousness; A Paris Hotel Creates the Future of Luxury Cuisine
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There's only one holiday season, but the luxury lifestyles of one of many Four Seasons hotels or resorts is just arou... learn more
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