text:
Tutursel (andere Schreibweisen Tutosel, Tut-Ursel oder Tut-Osel) ist der Name einer Sagenfigur der Deutschen Mythologie. Es ist zudem die metaphorische Bezeichnung der Eule.

Hintergrund
Unter diesem Namen soll die Ursel, ursprünglich eine heidnische Göttin, in Eulengestalt herumfliegen. Alte Flurbezeichnungen wie Orechel oder Uarschel weisen auf diese Ursel oder Ursula hin. der Orechel oder Uarschel war früher ein rund 40 Morgen umfassendes Waldstück. Hier wurde ein örtlicher Zusammenhang mit einem heiligen Hain vermutet, der der Göttin Nerthus oder einer von ihr abgeleiteten Fruchtbarkeitsgöttin geweiht war. Mit der Christianisierung wurde aus dieser die Ursula, die mit der  "Wilde Jagd", einem wütenden Geisterheer in Eulengestalt als verwandelte Nonne Ursel umherzieht und als Tutursel (Tut-Orsel) bezeichnet wird. Der Germanist Oskar Schade schreibt dazu in seiner Abhandlung über die Sage von der heiligen Ursula und den 11000 Jungfrauen, dass die heilige Ursula nichts anderes sei, als eine  Nahe diesem ehemaligen Wald liegt auch der Urschelberg.

Beim lautmalerischen Namen Tutursel ist es – wie bei vielen anderen Sagengestalten – naheliegend, dass zur Erklärung desselben nachträglich eine volkstümliche, aber wenig plausible Namensgebungs-Legende erfunden und tradiert wurde.

Die Sage von der Nonne Ursel
In einem Kloster in Thüringen lebte eine Nonne, die Ursel hieß. Sie war keine gute Sängerin und störte mit ihren heulenden Misstönen den Chor. Das trug ihr den Namen Tut-Ursel ein. Nachdem sie nun gestorben war soll sie ihren Kopf durch ein Loch im Kirchturm gesteckt und von elf Uhr am Abend bis um vier Uhr am Morgen täglich mit scheurigem Heulen in den Gesang der Schwestern eingestimmt haben. Am Morgen des dritten Tages hielten die Nonnen es nicht mehr aus und stürmten angsterfüllt aus der Kirche, weil sie vermuteten, dass dieser Gesang von der toten Ursel stamme. Laut riefen sie "Tut-Ursel, Tut-Ursel!" und trauten sich nicht mehr die Kirche zu betreten. So wurde ein berühmter Teufelsbanner aus einem Kloster der Kapuziner von der Donau gerufen, der die Tut-Ursel mit einem Bann belegte und sie in Gestalt einer Ohreule in das Harzland in die Domburg im Hakel versetzte. Hier soll sie nun dem Hanns von Hackelberg begegnet sein, mit dem sie seither auf die Luftjagd geht.

Literatur
 Wütendes Heer – Hackelbernd. Jacob Grimm: Deutsche Mythologie. 2. Auflage, Band 2, Dietersche Buchhandlung, Göttingen 1844, S. 874 ().
 Elard Hugo Meyer: Mythologie der Germanen. K. J. Trübner, Strassburg 1903, S. 385 ().
 Peter Haining: Das große Gespenster-Lexikon. ECON Taschenbuch Verlag.

Weblinks
 Tutursel zeno.org
 Die Tut-Ursel harzer-sagen.harz-urlaub.de

 12. Hans von Hacklberg. In:

Einzelnachweise

Weibliches Fabelwesen
Deutsche Sagengestalt
Germanische Mythologie

redpajama_set_name: RedPajamaWikipedia


text:
Ikeda Relishing Return to Open Championship's 'Big Stage'
Yuta Ikeda, Chan Kim, Park Sang-hyun and Gunn Charoenkul have secured their places in The 148th Open. Picture by The R&A/Getty Images.
Ibaraki, Japan: Yuta Ikeda, Chan Kim, Park Sang-hyun and Gunn Charoenkul have secured their places in The 148th Open after qualifying at the Mizuno Open in Japan.
The Mizuno Open was played at The Royal Golf Club and was the fifth event in The Open Qualifying Series, which gives golfers around the world opportunities to book their place at Royal Portrush from July 18-21.
Ikeda secured his 21st career win on the Japan Golf Tour after finishing on a seven-under-par total of 281, one shot ahead of Kim.
The 33-year-old from Japan, whose best finish of tied 38th in The Open came at Royal St George's in 2011, carded a closing one-under-par 71, mixing five birdies and four bogeys, to lift the trophy for the first time in front of a home crowd.
"I am very happy to have qualified for The Open thanks to this victory. I was worried I might not be able to play in it this year so it is great to have the opportunity to play on the big stage again. I have played in The Open a number of times and I am happy to be going overseas to compete in the Championship again," he said.
Kim first qualified for The Open two years ago after winning the 2017 Mizuno Open and the 29-year-old American, who was born in South Korea, will hope to build on the tied 11th finish he achieved at Royal Birkdale when he tees it up on the Antrim coast next month.
"My goal this week was to qualify for The Open. I may not have achieved a win here but I achieved my goal. I am very happy and I want to improve on my result from the last time I played in The Open," said Kim.
Park, who qualified for The Open at Carnoustie by finishing runner-up in the KOLON Korea Open last year, will return to play in golf's original championship for the second time after finishing in a tie for third place alongside Thailand's Gunn.
The Korean posted a five-under-par 67 that included seven birdies to finish on a four-under-par total of 284 for the championship overall.
Gunn will make his first appearance in The Open after sealing the final qualifying place available for Royal Portrush.
The Thai, who has two wins on the PGA Tour China Series, carded a four-under-par 68 in the final round and the 27-year-old will now take his place among the world's best golfers at the famous Dunluce links.
Gunn said: "I am excited to have qualified for The Open. It feels like my first ever win. I had a chance to qualify at the SMBC Singapore Open and the Diamond Cup but I just missed out, so I am very happy to have qualified in Japan. This will be my first Major championship and it will be a valuable experience. I look forward to playing at Royal Portrush for the first time."
The next event in The Open Qualifying Series is the RBC Canadian Open which will be played from June 6-9 at Hamilton Golf and Country Club.

redpajama_set_name: RedPajamaCommonCrawl


Our new self titled record is available on April 21, 2015! We had a blast recording it and we hope you dig it. . We also have a video coming out the same day for the single "Talk of the Town". The album is available for PWYC download on bandcamp and physical copies will be available at our shows.


text:
Black and White in PhotoShop CS3 and PhotoShop Lightroom
Create Stunning Monochromatic Images in PhotoShop CS3, PhotoShop Lightroom and Beyond
Leslie Alsheimer with Bryan O'Neil Hughes
2007, Elsevier Ltd
I would like to express my greatest and most heartfelt gratitude to the
people in my life who went out of their way to give me the support and
encouragement to fi nish this project: the entire Alsheimer family, especially
my mom, my co-author Bryan and his fi ancée Alex, and dear friends Cece
Kurtzweg, Randall Gann, Amos Hockmeyer, Michael Clark, Jamie Baldonado,
all the folks at Focal Press, and Desert Elements Design; Molly McDow Duncan
and Cheryl Eisenhard.
Leslie Alsheimer
I'd like to thank everyone who appears in the credits of any Adobe application
discussed in this text, each and every person touches the applications in some
way. More specifi cally, I'd like to dedicate all of my own eff orts in this book
to Alex, my fi ancée – whose support and dependable good nature always
empowers me to fulfi ll my lofty goals and obligations.
Bryan O'Neil Hughes
While the digital landscape has become less complex with the latest
software releases, we also recognize that we are standing on the
shoulders of giants. We salute the Photoshop gurus and divas who navigated
the complexities of the digital world before us, who were not only willing,
but enthusiastic and passionate enough to pass on their wisdom, knowledge
and expertise. Because of their perseverance and dedication, the technology
is where it is today. Hats off to all those folks for laying the foundation and
paving the way for the rest of us!
Special acknowledgement and appreciation must also go out personally
to all of my many mentors who challenged my vision and ignited the
passion for the digital world that carried me into my career as a professional
photographer and educator. To Julieanne Kost, Katrine Eisman, as the
pioneering women of the industry, and my high school photography teacher
Karen Jenks each of whom inspired me with great impetus and will forever be
my industry heroines and role models!
To Jonathan Singer, Norman Mauskoph, Thatcher Cook, Stephen Johnson,
Andrew Rodney, Mac Holbert, Jeff Schewe, George DeWolfe, Maggie Taylor,
John Paul Caponigro, Jack Davis, Jerry Courvosier, Michael "Nick" Nichols,
Dan Burkholder, David Alan Harvey, Sam Abell, Tom Gaukel, Josh Withers,
Genevieve Russell, David Lyman, Reid Callanan, Martha Callanan, the staff and
everyone at the Maine Photographic Workshops, and the Santa Fe Workshops.
Acknowledgements .....................................................................................xiii
How to Use This Text .....................................................................................xv
Salutations ..................................................................................................xvii
Seeing in Black and White ...........................................................................xix
Mistakes Can Be Magic ................................................................................xxi
Photoshop CS3 and Lightroom: An Integrated Color
Managed Workfl ow ...................................................................................xxiii
Chapter 1: Color Management for Black and White ....................................1
Pre-Workfl ow: Color Management Integration ................................ 1
Color Management for Black and White, Really? Sounds
like a serious yawn fest! ........................................................................ 1
What Does Color Management have to do with
Black and White anyway?.................................................................... 2
The Essential Overview ............................................................................. 2
Color Management defi ned ............................................................... 2
Why Do We Need Color Management? ............................................... 3
Why colors change ................................................................................. 3
If matching the print to the monitor is impossible … then
creating a good print seems fairly hopeless ................................. 5
Managing color with profi les ............................................................. 6
Outline: The Color Managed Workfl ow ............................................... 6
The six basic components to managing color
throughout the workfl ow process .................................................... 6
I. Set Up Color Working Spaces .................................................................. 7
Camera Settings: Choose a Color Space ........................................ 7
What is a Color Space? .......................................................................... 8
II. Workspace: Control Ambient Lighting Conditions and Working
Environment ...............................................................................................11
1. Control Ambient Lighting Conditions ....................................11
2. Set Desktop to Solid Gray Medium ..........................................12
3. Set monitor resolution and color preference .......................14
III. Monitor .......................................................................................................14
Calibrate your monitor and change settings ...........................14
How do I calibrate? ............................................................................15
How often should I calibrate? ........................................................16
IV. Software .....................................................................................................16
Set photoshop color management policies and
color working spaces ........................................................................16
Photoshop Color Management Policies and the Editing Color
Working Space .........................................................................................18
Working Gray Policies ............................................................................18
CMYK Working Space ...........................................................................20
Spot Working Space ...............................................................................21
Color Management Policies ................................................................21
Profi le mismatches ............................................................................22
Missing profi le .....................................................................................23
How to set: Photoshop color management policies .............23
Save and Name ........................................................................................24
Comment ...................................................................................................25
V. Print Profi ling and Printer Settings ....................................................25
Set up the print driver with correct profi les for output........25
Output and Media Considerations ...................................................26
Softproof, Evaluate, Tweak and Repeat ...........................................26
Softproof ...............................................................................................26
Evaluate .................................................................................................27
Tweak – Making digital darkroom adjustments based on
output results ......................................................................................28
Chapter 2: Highest Quality Capture: Workfl ow Phase I ............................29
I. Capture in Color .......................................................................................29
II. Digital Capture File Formats ................................................................30
1. JPEG vs. Raw Capture ........................................................................30
2. Digital Negative (or DNG) Format ................................................31
File formats: Quick reference .........................................................33
III. Bit Depth: The Advantage of High Bit Capture .............................35
IV. Scanning Capture: An Overview ........................................................36
1. How to Set Up for Optimal Scanning ..........................................36
2. Resolution/Print Size Reference Chart ........................................37
File sizes refer to high-bit fi le size .................................................37
V. Exposure Evaluation Tools: Utilizing Histograms in the Field
for Optimal Exposures with the Greatest Dynamic Range ....37
So if the LCD stinks for exposure evaluation is there another
way to evaluate exposure in the fi eld? .........................................38
So what is a Histogram? ................................................................38
What is dynamic range? ................................................................39
Exposing for digital capture .........................................................40
Reading and Interpreting Histogram Data..................................41
Clipping ...............................................................................................41
Contrast ...............................................................................................43
Histograms and images .................................................................44
Summary of histograms and exposure evaluation ..................53
VI. Exposure Evaluation: Monitor Highlights Utilizing the
Blinking Highlight Indicator .............................................................54
VII. Histograms in the Digital Darkroom ..............................................55
Monitoring Image Detail with Image Adjustments for
Highest Quality Editing Practice .....................................................55
VIII. Digital Darkroom Editing Dangers .................................................56
Posterization a.k.a. Banding ..............................................................56
Cache Warning ......................................................................................57
IX. Noise and Interference in Digital Capture ...................................58
AKA grain in the fi lm world ...............................................................58
Chapter 3: Black and White in Lightroom: Workfl ow Phase II ..................63
Integrating Workfl ow Practices .......................................................63
Workfl ow is dynamic: Go with the fl ow! ..................................64
Lightroom Unleashed: The Editing Accelerator.........................65
History ......................................................................................................65
A Stepped Approach through Lightroom ...................................65
Module Overview .................................................................................66
Lightroom Library Module: Overview of View Modes........66
I. Import: Includes Download, Backup, Rename,
Keyword, and Copyright ....................................................................69
II. Lightroom Editing .................................................................................75
III. Global Image Adjustments: Lightroom Develop Module ......78
Histogram ............................................................................................. 80
IV. Export: Archive, Contact .....................................................................85
1. Export DNG and Burn another backup ...............................85
2. Print a Contact Sheet .................................................................86
Special Note: Lightroom Color Management ............................87
3. Bridge to Photoshop ..................................................................88
Bridge Overview ...................................................................................89
Chapter 4: Black and White in Photoshop .................................................91
Photoshop ...............................................................................................92
Black and White Conversion Methods ..........................................92
The Methods ...............................................................................................95
Grayscale Mode Change ....................................................................95
Desaturate ...............................................................................................98
Lab Color Mode .................................................................................. 101
Color Filters and Black and White Images ............................ 103
Background: Color Filters for Black and White Film .......... 104
How Color Filters in Black and White Made Color Film ... 106
Channels .......................................................................................... 106
Digital RGB Capture is actually Grayscale First! .................. 109
Channel Mixer ..................................................................................... 110
Color to Black and White with the Channel Mixer ............ 110
Digital Like Film ............................................................................. 113
Hue Saturation Technique .............................................................. 114
Turn Up the Volume! This One Goes to 11! ............................... 118
Black and White Standalone Feature .......................................... 122
The new black and white feature in Photoshop CS3 ....... 122
Tinting ............................................................................................... 126
Black and White in Adobe Camera Raw 4.0 ............................. 127
A very brief background .............................................................127
Why use Adobe Camera Raw? ...................................................128
Why a plug-in? ................................................................................128
Version 4.0, Adobe Camera Raw for everyone! 129
New Controls ...................................................................................129
A stepped approach through ACR ..........................................130
Opening Files in ACR ....................................................................130
Black and White Beyond ..................................................................136
A Selection of Photoshop Plug-ins ..........................................136
Chapter 5: Image Editing in Photoshop ...................................................141
1. Non-Destructive Editing: An Overview of Best Practices
and New Features in CS3 ................................................................. 141
2. Using Adjustment Layers for a Non-Destructive
Workfl ow ............................................................................................... 144
Creating Adjustment Layers............................................................ 144
Benefi ts of Adjustment Layers ....................................................... 144
3. Monitoring Adjustments with the Histogram Palette ........... 146
4. Levels and Curves Overview: Tone and Contrast
Corrections ............................................................................................ 147
4a. Levels .............................................................................................. 147
Input Sliders ......................................................................................... 147
Output Levels ....................................................................................... 148
Preview ................................................................................................... 148
4b. Curves .............................................................................................. 149
5. Setting Black and White Points ...................................................... 151
5a. Changing the Dropper Default Settings ............................ 151
5b. Setting Black and White Points Using Levels ..................... 152
Method 1: This method is easier! ....................................................152
Create a Levels adjustment layer ...................................................152
Option Key Sliding ............................................................................. 152
Method 2: Threshold; a more advanced and more
accurate method ................................................................................. 154
6. Photoshop: Dodging and Burning with "Soft Light" .............. 157
7. Dodging and Burning with Adjustment Layers ....................... 159
8. Creating a Neutral Density Filter ................................................... 161
9. Vignetting .............................................................................................. 163
Burn Edges w/ Geometric Selection Tools ................................. 163
10. Correcting Exposure Issues with Adjustment Layers ..............166
11. Creating Film Grain Eff ects .............................................................. 168
Method 1 ................................................................................................ 168
12. Digital Infrared ..................................................................................... 169
13. Reducing Noise with Photoshop CS3 .......................................... 172
Blurring the Lab "B" Channel ........................................................... 172
The Method .......................................................................................... 172
14. Hand Color Black and White ........................................................... 174
15. Sandwiching Negatives .................................................................... 177
Creative compositing with blend modes .................................. 177
16. Toning Techniques with Photoshop............................................. 180
16a. Sepia Tone 1: Photo Filter ...................................................... 181
16b. Sepia Tone 2: Hue Saturation ............................................... 182
16c. Albumen Print: A Method for Split Toning ...................... 183
16d. Toning with Curves .................................................................. 185
16e. Split Toning with Selections ................................................. 186
16f. Duotone, Tritones and Quadtones ...................................... 190
Chapter 6: Printing ................................................................................... 193
Silver Changing Form ................................................................................ 194
Ink .................................................................................................................... 197
Types of Ink .............................................................................................. 197
Grayscale .................................................................................................. 198
Issues with Ink ........................................................................................ 198
Alternatives to Black and White Inkjet Limitations ....................... 199
Black Only Printing ................................................................................ 199
RIP Software (Raster Image Processing) ........................................ 199
Latest Developments ................................................................................ 200
Papers and Profi les .......................................................................................... 200
Matte vs. Glossy...................................................................................... 200
Profi les ....................................................................................................... 201
Workfl ow Phase 5: Printing Workfl ow ................................................. 202
Monitor Tonal Detail from Monitor to Print: Creating a
Step Wedge .................................................................................................. 202
Printing Workfl ow Overview ........................................................................ 203
A. Printing From Photoshop ................................................................. 203
B. Print From Lightroom ......................................................................... 204
A. Photoshop Printing Workfl ow ............................................................... 204
I. Set Image Size and Resolution ......................................................... 204
Image size in Photoshop .....................................................................204
Image Size Dialog Box ......................................................................... 205
Image Size and Scanning ................................................................... 206
Calculating the File Size with Photoshop ..................................... 207
II. Softproofi ng ............................................................................................ 208
For full screen Softproofi ng in CS3 ................................................. 209
Simulate Paper Color ............................................................................ 209
Simulate Ink Black ................................................................................. 209
III. Sharpen .....................................................................................................209
Sharpening Overview ......................................................................... 209
Unsharp Mask Overview .................................................................... 210
The Basic Method ................................................................................. 210
Unsharp Mask Techniques (High Pass Filter Method) ............. 210
Smart Sharpen ........................................................................................211
IV. Set Your Print Driver for Color Managed Output ...................... 212
Color Management ............................................................................. 213
Adobe Defi nes Rendering Intents as Follows ........................... 214
Method 1 : Photoshop Managed Color ........................................215
Method 2: Printer Managed Color ..................................................218
Method 3: Forget Color Management! .........................................221
V. Tweaking................................................................................................. 223
B. Printing from Lightroom ..........................................................................224
Lightroom Print Module ....................................................................225
Overview of Features ..........................................................................225
Image Settings ..................................................................................... 226
Layout ...................................................................................................... 226
Overlays .................................................................................................. 227
Print Job .................................................................................................. 228
Lightroom: Set Your Print Driver for Color
Managed Output Color Management...................................................... 229
Method 1: Color Managed by Printer: Profi le ................................... 229
Lightroom Method 2: Color Managed by Printer
(Without profi le) ......................................................................................... 230
Afterword ................................................................................................... 231
About the Authors ......................................................................................233
Advertisement ............................................................................................235
Index ........................................................................................................... 237
Leslie Alsheimer is a freelance photographer, creative imaging consultant
and digital photography workshop educator based in Santa Fe, New Mexico.
She has worked extensively with many of the foremost image makers in the
country, and integrates a hybrid of experience, teaching styles and technical
knowledge into her unique educational approach. As the director of the Santa
Fe Digital Darkroom Photography Workshops, Leslie organizes and hosts
volunteer vacation and photography workshops around the globe, designed
to inspire photographers with the creative possibilities of digital processes.
Leslie also travels to work with clients as a creative imaging consultant, private
instructor and trainer. She specializes in helping photographers and artists
transition into digital technology and processes with ease, using collaborative
image processing and printing techniques in a calibrated workfl ow. As a
professional freelance photographer, a member of the Adobe Photoshop Beta
Testing Team and an instructor with Nikon and American Photo Mentor Series,
Leslie's knowledge and expertise of both traditional and digital photographic
darkroom techniques allows her to bring signifi cant passion, experience and
enthusiasm to all she does in this fi eld.
Leslie believes in using photography to help empower others to fi nd their
own creative voice and vision. She was the creative director of the published
book, Reality from the Barrio, a social documentary honored in the PDN
Photography Annual 2003 as The Best Photos of the Year. Inspired by a
traditional wet darkroom teen photography program that Leslie developed,
and directed for a nonprofi t organization's gang diversion program, the book
became a thesis project for Leslie's master's degree in social work.
Combining her love for photography and background in social services,
Leslie developed Community Photography Outreach, a project based
nonprofi t collecting and disseminating donated cameras to organizations and
programs in need. Additionally, she directs Forward Focus: Workshops with
Creative Purpose, a pioneering series of nonprofi t educational journeys for
experienced and emerging photographers who want to cover developmental,
environmental and relief eff orts worldwide. Combining adventure with
philanthropy while learning digital photography techniques in the fi eld, the
Forward Focus Workshops utilize the power of visual imagery and the written
word to support and encourage grassroots nonprofi t and NGO initiatives
dedicated to fostering social and environmental change. The Workshops
provide a collaborative forum that combines education, adventure and
creative purpose to celebrate what people are doing to create a better
world, supporting and encouraging acts of connection, compassion and
contribution, that is creating works that matter.
Note: All images in this text from Uganda, Africa, Nicaragua, and Santa Fe,
New Mexico were created in partnership with grassroots NGO organizations
providing relief work and humanitarian aide in the regions. Organizations
included Soft Power Health, Empowerment International, Uganda Youth
Development Link, Connect Africa Foundation, Reach Out, Rotary Club of
Kampala, Action for Youth Development and the Santa Fe Boys & Girls Club.
All images were donated to these organizations in support of their eff orts.
Leslie's web address is www.santafedigitaldarkroom.com
Bryan O'Neil Hughes fell in love with photography when he was only seven
years old. He began collecting cameras and experimenting with the medium
anywhere he found himself; from his mother's offi ce parties to the sprawling
Carmel Valley ranch he grew up on. Bryan was a teacher's assistant in his
photography courses throughout high school, and could always be found
working in the darkroom.
After school, Bryan began a lifelong passion for world travel, and he would
venture overseas with little more than a camera, fi lm and backpack. Upon
returning to the states, he worked in the high-end photo retail environment:
From custom prints, to framing, to sorting, to sales and even repair, Bryan
has always had an insatiable appetite for anything related to photography.
Hoping to combine a passion for racing cars with his love for photography,
Bryan shot professionally for a brief time. When he began to notice that
both passions were waning, he looked to the future. In 1996, upon seeing
Photoshop 4.0 demonstrated at Seybold, Bryan knew what he wanted to do
with his life.
Bryan O'Neil Hughes has been with Adobe since 1999, helping to test,
develop, drive and demonstrate Adobe's digital imaging applications. Bryan
is Product Manager for the Photoshop Team and Product Evangelist for the
Lightroom Team. Bryan's name, energy and even photos can be found within
Photoshop 6.0 forward, PhotoDeluxe 4.0, Photoshop Elements 1.0, Photoshop
Lightroom 1.0 and beyond.
Beyond Adobe, Bryan is a published photographer, editor and author. He still
loves his time spent driving race-tracks, traveling the world over and taking
photos. Bryan lives in the Santa Cruz Mountains with his fi ancée, Alex, and
their two "boys", Cassius and Irving.
Tags: Adobe Book Focal Press Photo Image Books Photoshop Books


In my practice, I've had kids who've been through several therapists and have yet to cooperate with a single one.
They feel their parents send them to shrinks to find out "stuff I won't tell them". What should parents do?
I recommend that the parents themselves go to therapy. My motto is to "take the field with whomever shows up".
If the kid won't go, Mom and Dad should go to learn ways to reduce conflicts, understand the reasons behind the behavior and improve daily quality of life.
Many parents take their kid's behavior personally. Their child's depression or behavioral problems becomes theirs. They question themselves and feel guilty.
If a therapist can move them away from that position to a position of action and problem-solving, tension will be reduced and parents will feel empowered.
Parents won't feel victimized by this "thing" that has stolen their lives. The family can become healthier if knowledge and proactive problem-solving become the name of the game.


text:
Champions' Circle
An Honorable Profession
Leaders' Ideas
Agendas for Change
2019 Ideas Challenge
Opportunity 2020 Recap
Members of the NewDEAL network featured prominently at Third Way's Opportunity 2020 event in Columbus, OH last week – a gathering of leaders put on in partnership with NewDEAL and Winston Fisher. More than 25 rising state and local leaders, as well as NewDEAL leadership, participated in discussions about the economic message and agenda required from Democrats to expand opportunity across the country.
NewDEAL Honorary Co-Chair U.S. Senator Mark Warner emphasized the need for big ideas to adapt to the changing nature of work in the new economy and called for an agenda that addresses the "crisis of opportunity" that results from three states getting the majority of venture capital funds.
"I think that we need to get out of this false choice of red versus blue, or left versus right," Warner told MSNBC during the event. "I think our politics and the insecurity that Donald Trump has played so well upon is because people are uncertain about the future — globalization, technology, automation. I think the Democrats have got to be willing to lean in to the future."
Fellow Co-Chair former Governor Jack Markell said, "It's important that we have this debate in the party (about an the ideas to take the country forward)." In remarks at the event, Markell credited NewDEAL Leaders for championing ideas that work and that address pressing issues affecting Americans, like State Treasurer Tobias Read's OregonSaves initiative to increase retirement savings.
U.S. Senator Chris Coons, a NewDEAL Honorary Vice Chair, echoed that theme, calling out NewDEAL Leader Nebraska Senator Kate Bolz's Community College Gap Assistance Program that helps Nebraskans attain skill certificates and degrees in high-demand fields, as well as NewDEAL Leader Alabama House Minority Leader Anthony Daniels' effort to start a School of Cyber Technology and Engineering in Huntsville, Alabama.
NewDEAL Leader Columbia, SC Mayor Steve Benjamin showcased the results-oriented focus of NewDEAL Leaders as he told attendees that "it's important to remember that politics is a game of addition, not subtraction; of multiplication, not division." The mayor stressed the need for the federal government to act to support cities on infrastructure, while also focusing on how local leaders can come together to affect national change on some of the biggest issues.. He talked about mayors showing the impact of climate change solutions by focusing on lower electricity costs, protecting kids from asthma, and creating jobs.
One leader who exemplifies NewDEALers' ability to succeed throughout the country is NewDEAL Leader Iowa Senator Jeff Danielson. He warned that Democrats must recognize how to address concerns in areas like the one he represents, which "saw one of the biggest swings from Barack Obama to Trump during the 2016 election." Otherwise, "we will be a permanent minority party in this country."
Treasurer Read told Time Magazine "there's a lot of energy and possibility and positivity that resides in (middle-of-the-road ideas) that can easily get overlooked" and that Democrats miss them at their own peril.
NewDEAL will continue to develop and promote the leaders and ideas to make the Democratic Party and the country successful in the new economy. We hope you will join us at our conference in Washington, D.C. from Nov. 28-30, when we will look forward following the midterms and unveil an agenda for state and local governments to address the future of work.
Learn More Support Us Nominate
Follow @NewDEALLeaders on Twitter
Developing Exceptional American Leaders
© 2020 The NewDEAL
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Liberal Art


Viral diy helium balloons baking soda vinegar is one images from 16 fresh homemade helium balloon of DMA Homes photos gallery. This image has dimension 899x646 Pixel and File Size 89 KB, you can click the image above to see the large or full size photo. Previous photo in the gallery is helium wedding party balloons floating look simply. For next photo in the gallery is pesticides used his homemade helium balloon. You are viewing image #7 of 16, you can see the complete gallery at the bottom below.


text:
package composite;

/**
 * Created by milabobo on 8:42 PM.
 */
public class Task {
    Chain chain;

    Task(Chain chain) {
        this.chain = chain;
    }

    public void makeRequest(RequestType type) {
        chain.makeRequest(type);
    }
}

redpajama_set_name: RedPajamaGithub


Dukla Praha: Rada - Miloševič, Ostojič, Jiránek, Podaný - Hanousek (C), Bezpalec - Douděra (64. Brandner), Néstor (79. Kušnír), Holík (90. Djuranovič) - Schranz.
Substitutes: Doumbia, Brandner, Dancák, Djuranovič, Preisler, Kušnír, Hruška.
Liberec: Hladký - Coufal (C), Karafiát, Mikula, Kerbr - Breite (46. Oscar), Folprecht - Bosančić, Bartl (71. Graiciar) - Ševčík - Pulkrab (71. Da Silva).
Substitutes: Nguyen, Kačaraba, Graiciar, Potočný, Havelka, Oscar, Da Silva.
Goals: 54. Schranz, 82. Holík. Yellow cards: 7. Schranz - 28. Pulkrab, 69. Ševčík. Referees: Hrubeš - Dobrovolný, Pfeifer. Attendance: 2796.
Before the start of the match, players and fans in the stands held a moment of silence in memory of Antonín Koutný, who was a long-time supporter of the home team.
First action came from Dukla´s side, but Ostojevič´s missed the net and Holík was not also successful with his following try. Slovan also tried to get into pressure, but all of the actions needed to be more accurate.
First big action of Slovan came in 20th minute. Bartl lost his guard so he could found Ševčík who unfortunately for visiting team did not aim well. Also the next action looked good for Slovan, but no one hit the ball after Coufal´s pass. Liberec were more active on the field, but Dukla´s goalkeeper did not need to show his high-level skills. Both team had their chances in the end of the first half, but nobody could break the tie.
The start of the second half was the same as the end of the first one. Liberec´s players had a ball on their feet and Dukla was just chasing them. In 53rd minute Breite sent a ball into a fire before Dukla´s net, but nobody from his teammates was quick enough to score a goal. So Dukla came with his response after that. Ivan Schranz took an advantage after the mistake in a Liberec´s defense and Jihlava took a lead.
Liberec tried to tie the score and make some pressure in front of Rada´s net, but Dukla´s goalkeeper was ready as he made a save after Ševčík´s spontaneous shot. After the final whistle Dukla added three points to the league table. Second goal of the match was scored by Lukáš Holík who was quick enough to score after the ball fell out of Hladký´s hands.


A nebulizer turns your COPD medicine into a mist. It is easier to breathe the medicine into your lungs this way. If you use a nebulizer, your COPD medicines will come in liquid form.
Many people with chronic obstructive pulmonary disease (COPD) do not need to use a nebulizer. Another way to get your medicine is with an inhaler, which is usually just as effective.
With a nebulizer, you will sit with your machine and use a mouthpiece. Medicine goes into your lungs as you take slow, deep breaths for 10 to 15 minutes.
Nebulizers can deliver medicine with less effort than inhalers. You and your doctor can decide if a nebulizer is the best way to get the medicine you need. The choice of device may be based on whether you find a nebulizer easier to use and what type of medicine you take.
Most nebulizers use air compressors. Some use sound vibrations. These are called "ultrasonic nebulizers." They are quieter, but they cost more.
Attach the other end of the hose to the mouthpiece and medicine cup.
Turn on the nebulizer machine.
Breathe through your mouth until all the medicine is used. This usually takes 10 to 15 minutes. Some people use a nose clip to help them breathe only through their mouth.
Turn off the machine when you are done.
You will need to clean your nebulizer to prevent bacteria from growing in it, since bacteria can cause a lung infection. It takes some time to clean your nebulizer and keep it working properly. Be sure to unplug the machine before cleaning.
Wash the medicine cup and mouthpiece with warm running water.
Let them air dry on clean paper towels.
Later, hook up the nebulizer and run air through the machine for 20 seconds to make sure all of the parts are dry.
Take apart and store the machine in a covered area until the next use.
Once per day, you may add a mild dish soap to the cleaning routine above.
You may add a soaking step to the cleaning routine above.
Soak the cup and mouthpiece in 1 part distilled white vinegar, 2 parts warm water solution.
You may clean the outside of your machine with a warm, damp cloth as necessary. Never wash the hose or tubing.
You will also need to change the filter. The instructions that come with your nebulizer will tell you when you should change the filter.
Most nebulizers are small, so they are easy to transport. You may carry your nebulizer in your carry-on luggage when traveling by plane.
Keep your nebulizer covered and packed in a safe place.
Pack your medicines in a cool, dry place when traveling.
These may be signs that you are getting too much medicine.


The excellent information is that on-line TV streaming is readily available. All you need are the right devices. It's done by means of cable or satellite TV, and also you can view your preferred TELEVISION programs on the internet at a fraction of the expense it would certainly call for to obtain cable television attached to your house.
On-line TELEVISION streaming is available using a client you download and install to your computer. It is legal to do so, as well as hassle-free. Especially if you relocate a whole lot, or remain in a foreign country not able to obtain the shows you enjoy to watch.
Once you have downloaded the customer, all you require to do is install it. When installation is full, you might need to download and install added codecs for your mediaplayer, actual gamer or quicktime, however these are freely available at no additional cost. They allow you to see and also listen to the program on your computer.
Online TV streaming also enables you to see programs from other countries. There are a large amount of terminals available through your customer. You do not need to pay added for more networks, which is one more reward. Picture being able to enjoy the news from Australia while you are taking a trip in the USA. You can do that by means of on-line streaming, and also this is only one of the several uses such a customer has.
I would suggest staying free from cost-free customers because of the opportunity of getting infections or malware on your computer system. Naturally, not all free customer have actually included extras like this, yet it is playing Perilous with your computer system. The expense of getting an infection would certainly more than validate paying, at the minimum $50 for a reputable program and also never having to pay once again.
Online TELEVISION streaming is the method of the future for cable. Spending for two links, when you need just pay for one, makes great financial sense. All you need are the right tools.
Our meaning of television has actually altered for many years. It used to be that you could just watch TELEVISION on your TV. If you intended to enjoy a movie back in those primitive days you in fact had to drive all the way to the shop to get or rent a DVD. Many thanks to broadband net we can now stream films as well as TELEVISION from the cloud to all type of tools from phones to computers (and indeed, even on your TELEVISION). Since video clip streaming has proven to be remarkably popular, loads of on the internet streaming services have come onto the scene, all completing for your attention as well as your loan. That elevates the question: which one is ideal?Learn more about pandastreaming 2019 here.


Thornley Kelham Ltd is committed to ensuring that your privacy is protected. Should we ask you to provide certain information by which you can be identified when using this website, you can be assured that it will only be used in accordance with this privacy statement.
We will retain your data whilst you are a customer to continue giving you the level of customer service you expect from us, as well as keeping you informed of news which will be of interest to you.
We reserve the right to disclose your information if requested by the police or any regulatory or Government authority in connection with any investigations concerning your activities while visiting our website.
We do not sell, share, trade, license or rent any personal information to any third parties.
Please note that we do not store any customer credit/debit card information.
To update your personal data by either emailing us or calling us directly.
To obtain a free copy of whatever information we may hold on you. This request will be handled within 4 weeks of us receiving it, and it will be in a digital copy.
If you wish to exercise any of these rights, contact us at our main office on 01285 869791, or email your request to marketing@thornleykelham.com.
If you no longer wish to receive e-Newsletters or marketing updates from Thornley Kelham, you are entitled to withdraw consent at any time. You can click 'unsubscribe' on the bottom of our email marketing and follow the steps, or email marketing@thornleykelham.com with your information to have your request handled.
We are very dedicated to ensuring that your personal information is kept safe and secure. Should we discover a data breach we will contact the relevant people within 24 hours. We will instruct a 3rd party to investigate the breach and we will advise the relevant authorities.
If you have any questions about the way in which Thornley Kelham collects, handles and stores data about you or any online activity via this website, please contact us.


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Posted on July 6, 2022 July 6, 2022 By Peter No Comments on Top10 Sites Like Free Youtube Download Alternative!
It's like savefrom.net, but you can also download videos from Facebook, Twitter, and other social media sites. It is a complete solution that comes with some advanced tools and features to make it easy and simple.
The best thing about this downloader is that it comes with a small browser extension that lets you download videos with just one click. It can also convert videos from one format to another, download videos in 4K, and do a lot more.
Alternatives to Free YouTube Download
1. Snappea
Snappea is a very popular and great video downloader app for Android that lets you download YouTube videos to your Android or iOS device. Snappea lets you use YouTube and a lot of other popular platforms without having to switch between different apps. Users can get high-quality videos from YouTube and other sites and save them to their cell phones in formats that work best for them. In picture-in-picture mode, people can watch videos or make playlists at the same time. You can look through YouTube's millions of videos and download…
2. Videoder
Are you looking for the best software to download YouTube videos to your computer or mobile device? If so, don't go anywhere because we have a list of things for you to do. Videoder is only made for PCs and mobile devices, but it lets you download your favourite content from sites like VidMe, SoundCloud, Twitter, TikTok, Instagram, 9Anime, Ozee, and more. You can also download more than one thing with Videoder, which lets you do Batch Downloading. Start making…
3. Youtubemp3org
Downloading your favourite YouTube videos as mp3s and playing them offline is now possible thanks to the efforts of Youtubemp3.org and its fans all over the world. Even though it is against the law to download from YouTube, this tool allows you to do just that. Youtubemp3org is here for you if you want to download and save your favourite YouTube videos into mp3 files without having to register. This app has been removed from Google Play due to issues with…
4. Catchvideo
Adding a video link to a file on Catchvideo will allow you to download it and watch it later. To download videos from YouTube for free is an important platform. You don't have to pay a dime to get your hands on any of your favourite blogs, songs, cartoons, documentaries, or other media. Input your link and click the "Catch!" button to acquire the file using this elegant search bar.
5. DownVids
One of the greatest alternatives to savefrom.net is downvids, which has a variety of features. All browsers are supported, and the service can be accessed from any location in the world. Additionally, the service allows you to download the entire YouTube playlist in a variety of formats, making it one of the greatest options out there. You may also download videos from your social media platforms because it supports nearly all of the most popular video streaming websites and social media platforms. …
6. YouTube Vanced
Download videos from Facebook, YouTube, Instagram, Vimeo, and more with YouTube Vanced, an online video downloader. The entire YouTube playlist can be downloaded with a single click using this high-level tool.
It is as simple as copying and pasting the URL into the search bar. You can download a video in any resolution from the site, including 1080p, 720p, and 480p, for example. The download size…
7. Video Grabber
With Video Grabber, you may download videos from sites like YouTube, Dailymotion, and many more for free. Download videos from social media sites and utilise them anywhere in the world with this service. You can also download videos by pasting the URL into the search box, just like with Savefrom.net. It offers a variety of resolution formats from which to choose. Once selected, it will begin automatically…
8. Youtube-dl
Download YouTube videos in a variety of formats quickly and securely with this easy-to-use video downloader. Accessible from anywhere, it's completely free to use. More than 1,000 websites are supported, including Facebook, Vimeo, YouTube, and many others.
This is the best part of the solution A browser extension, video downloading, and more are all included in this service, which is especially useful for those looking for an alternative to SaveFrom.net.
9. Yout.com
Are you looking for a simple way to download videos from YouTube? You didn't find a programme that would allow you to download videos without having to install any additional software or extensions. What better way to download YouTube videos than with one of our best-in-class YouTube video downloader programmes. It is compatible with a wide range of file types, including MP4, MP3, and others. There are two levels of membership: Free and Pro. With the free account, you can download any video, but…
10. SaveFromNet
For downloading YouTube videos, SaveFromNet is one of the most popular options. Copy and paste the URL into the search box, choose a format, and then click the download button. It couldn't be easier. Other popular streaming services, such as Vimeo and Dailymotion, can also be downloaded from the site. Using SaveFromNet's service is completely safe and secure, regardless of where you are around the globe. It has a few downsides, including…
For the most up-to-date information, visit darktechmedia.com.
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1 Alternatives to Free YouTube Download
1.1 1. Snappea
1.2 2. Videoder
1.3 3. Youtubemp3org
1.4 4. Catchvideo
1.5 5. DownVids
1.6 6. YouTube Vanced
1.7 7. Video Grabber
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1.9 9. Yout.com
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The concordance defines acceding as meaning: agreement, harmony, or fitness.
That analogue can aswell be acclimated to ascertain the ideal business, one area all locations of the business are in agreement, harmony, and / or fitness.
In that ideal business, all facets of the business fit together. Each allotment (department / action / action / etc.) should accompaniment the other, and calm they all plan to body the total. That agency business makes the promises, assembly / accomplishment keeps those promises, and the administering manages it all. For example, if the business administering was designing a promotion, all elements – the message, the paper, logo, the typeface, the look, feel, and arrangement – should be coinciding to aerate the capability of the message. To allegorize my point, one would accept altered fonts to advance a bazaar against a mortuary.
Professionally produced business and commercial are usually congruent, but do-it-yourselfers generally try to amplitude their budget, and the aftereffect is generally incongruity.
A hair salon commercial big-ticket spa treatments and added luxuries by application an ugly, hand-drawn, askance "magic marker" assurance in the window. The assurance promises affluence and beauty, but it is so adverse that I admiration if anyone has bought the service. The Applesauce Police accept issued a violation!
An investment adviser beatific invitations to a academy with amid hand-cut coupons that looked like an eight-year-old had cut them out. The coupons looked so bargain and annoying that one would admiration about the superior of his banking advice. The Applesauce Police accept issued a violation!
A car banker uses absolutely the aforementioned photos in advertisements anniversary afterwards week… for months. Anybody account those ads would catechism why those cars haven't awash or whether those accurate cars were anytime in the dealer's account to activate with. The Applesauce Police accept issued a violation!
A accomplishment aggregation makes a top quality, durable, useful, advantageous product, but their locations administering ships the locations in three canicule while their antagonism will address the aforementioned day the chump places an adjustment (if ordered by 2 pm). The Applesauce Police accept issued a violation!
A home charwoman aggregation has cars with their tagline corrective on them commercial that "We'll Leave Your Home Spotless". Yet, those cars are filthy, and you don't wish to attending at the central with fast aliment wrappers broadcast about. The Applesauce Police accept issued a violation!
Remember the "Incongruity Police" are watching.


mio.tv is a latin lifestyle portal with music videos. The service is an entertainment and internet tv portal with own content. Beside music other videos of various genres like fashion and sports are available.
Similar services are available at latin, standards and internet tv, radio.
Tagged internet tv, latin music, music videos.


The most thorough account ever written of southwestern life in the early seventeenth century, this engaging book was first published in 1630 as an official report to the king of Spain by Fray Alonso de Benavides, a Portuguese Franciscan who was the third head of the mission churches of New Mexico. In 1625, Father Benavides and his party traveled north from Mexico City to New Mexico, a strange land of frozen rivers, Indian citadels, and mines full of silver and garnets. Benavides and his Franciscan brothers built schools, erected churches, engineered peace treaties, and were said to perform miracles. Benavides's riveting exploration narrative provides portraits of the Pueblo Indians, the Apaches, and the Navajos at a time of fundamental change. It also gives us the first full picture of European colonial life in the southern Rockies, the southwestern deserts, and the Great Plains, along with an account of mission architecture and mission life and a unique evocation of faith in the wilderness.
Baker H. Morrow is a professor at the University of New Mexico. He is the author or editor of several books and is also the founding director of the master's program in landscape architecture at the University of New Mexico.


NJSC Naftogaz of Ukraine is ready to resume trilateral talks with Russian PJSC Gazprom to discuss the terms of Russian gas supplies. This is stated on the website of NJSC Naftogaz of Ukraine.
Members of the Special Monitoring Mission (SMM) of the Organization for Security and Co-operation in Europe (OSCE) should be given access to the Ukrainian-Russian border where it is not controlled by Ukraine, Darka Olifer, a spokesperson for Leonid Kuchma, who represents Ukraine in the Trilateral Contact Group, said after the Group held a video conference on Tuesday.


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How To Get Sling TV On Samsung Smart TV?
23/11/2018 · XFINITY TV on Samsung Smart TV is an XFINITY On Demand-only service, available for download from the SMART Hub on Samsung Smart TVs. The XFINITY TV on Samsung Smart TV service provides our XFINITY TV customers the ability to search and watch XFINITY On Demand programming on their Samsung Smart TV without a set-top box.... Hi @Apps. due to a software upgrade The You Tube app is incompatible with some older Tv's (dated prior to 2013), however if you don't fall into this category I'd suggest you report your model and the precise issue encountered so that it can be investigated further.
23/11/2018 · XFINITY TV on Samsung Smart TV is an XFINITY On Demand-only service, available for download from the SMART Hub on Samsung Smart TVs. The XFINITY TV on Samsung Smart TV service provides our XFINITY TV customers the ability to search and watch XFINITY On Demand programming on their Samsung Smart TV without a set-top box.
I have a Samsung Galaxy S6, and also a Samsung Smart TV (IIRC, the model is UE43H6400). Anyway, in the past, I could instantly cast YouTube from my phone to my TV without having to access the hub. However, for the past week, I no longer get the cast icon appear in YouTube.
3/04/2014 · I bought a Samsung Smart TV at home back in December, it was the 3D model and was pretty expensive compared to the other Samsung versions of their Smart TV but I wanted the 3D. Anyway, I was able to download the YouTube app and have been using it ever since with zero problems.


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How Meme Culture is Helping Bring Back Movie Theaters
Universal Pictures/ Paramount Pictures/ Sony Pictures
By: Andrew Pogue
Published Jul 6, 2022 8:00pm
Don't let the pre-pandemic numbers fool you. Despite Avengers: Endgame becoming the highest-grossing film ever made, movie theaters were, and have been, slowly dying off year by year. Even before the pandemic, local theaters were shutting down, just completely unable to stay afloat amidst the streaming wars. The town next to me, for example, went from a hub of cinema with two theaters to a barren wasteland with none. The pandemic certainly didn't help; not only were theaters largely unable to make money, but streaming services had all the time in the world to try to expand and grow a loyal user base.
The titans of the movie theater industry are no stranger to this danger as well. AMC Theaters faced bankruptcy towards the tail end of 2020 but was able to stay alive due to a large cash infusion from investors. They were safe, but not too safe. This is because people are still reluctant to drag themselves out of bed and to the theaters when the alternative of streaming is right in front of them.
What could possibly motivate the average American couch potato to hit the theater?
The Three Ms.
Minions, Mustaches, and Morbin' Time.
Gentleminions
@bill.hirst 🍌#fyp #minions #banana ♬ original sound - billh
Move over Marvel because there's a new top dog in town. Backed by rampant meme culture and the reputation of the Despicable Me franchise(which has already grossed $8.65B), Minions: Rise of Gru has cemented itself as the go-to movie in theaters. Some have dubbed this trend as the "Gentleminions", but it largely didn't need to be named because you certainly know it when you see it. Whether it be a group of 15 heading to the cinemas in full wedding attire, or a group of equally meme-crazed kids sneaking bananas inside, the movie theaters are profiting in a major way.
It's sometimes even accompanied by a pre-game meal at IHOP.
The Baz Luhrmann x Minions Crossover You Didn't Know You Needed
@soviet_yawn Elvis Presley and fhe boys pulled up to the Minion premiere. #minions #kingbob ♬ original sound - Soviet Yawn
The Mustache Messiahs
@curlyfuq His mustache is superior #fyp ♬ Take My Breath Away (Love Theme from "Top Gun") - Berlin
It would be remiss of me to say Top Gun: Maverick has succeeded solely due to meme culture. Grossing $1 Billion at the box office is nothing to scoff at; in fact, it has quickly become one of the highest-earning non-Marvel films. But it would be even more foolish of me to undermine the power of the internet. Men worldwide hit the theaters to see their Mustache-Messiahs on the big screen. The buzz that viral trends like this have created an impact that no one even realizes, similar to how advertising subconsciously influences us. This trend certainly isn't the only reason Top Gun has been so successful, but it certainly didn't hurt.
It's Morbin Time
Morbius gonna be the first movie to sell 1 Morbillion tickets #MorbiusSweep pic.twitter.com/s0qM1KjWzK
— Bad Marvel Memes (@AvengersBad) April 4, 2022
We've arrived at the crème de la crème of the 2022 theater releases.
Morbius makes the Minions and Top Gun memes look like child's play. Never have I seen a meme so rampant that it spurs movie theaters to set up extra screenings. I know what you're thinking, no one attended those screenings, and that was the whole point. You may be right, but all exposure is good exposure. Movie theaters were the talk of the town, not streaming; people were looking at box office numbers, not streaming smash hits, and for that month of Morbius memes, no one could take their mind off the theaters. Morbius became synonymous with movies, "It's Morbin' time" they said, signaling the return of movies (even bad ones) to the forefront of popular culture.
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