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Album Tracklist:
String Quartet No. 1 in F, Op. 18, No. 1: I. Allegro con brio
String Quartet No. 1 in F, Op. 18, No. 1: II. Adagio affettuoso ed appassionato
String Quartet No. 1 in F, Op. 18, No. 1: III. Scherzo (Allegro molto)
String Quartet No. 1 in F, Op. 18, No. 1: IV. Allegro
String Quartet No. 7 in F, Op. 59, No. 1 - "Rasumovsky No. 1": I. Allegro
String Quartet No. 7 in F, Op. 59, No. 1 - "Rasumovsky No. 1": II. Allegretto vivace e sempre scherzando
String Quartet No. 7 in F, Op. 59, No. 1 - "Rasumovsky No. 1": III. Adagio molto e mesto
String Quartet No. 7 in F, Op. 59, No. 1 - "Rasumovsky No. 1": IV. Thème russe (Allegro)
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The US private spaceflight company SpaceX, which is of mastodon stature, launched on February 6, 2018, at 3.45pm, E.T., the most powerful rocket "Falcon Heavy" from Kennedy Space Centre, Florida, USA. The most dissimilar feature of the launch was the payload itself which was unconventional as compared to the innumerable predecessors. Unlike the usual man-made satellites flanked by scientific accessories, this time it was an old tesla sports car with a dummy mannequin driver, named "Starman" draped in space suit firmly perched in the driver's seat.
From the instagram posted by Elan Musk, it was evident that there was an inscription "Made on Earth by Humans" on the circuit board of the cherry-red tesla car launched by Falcon Heavy.
A few picnic-seekers at Cocoa beach, Florida cheered in jubilation when they accidentally spotted the mammoth Falcon Heavy lift off with unbridled force to shoot into space leaving a spiraling trail of smoke behind against the backdrop of endless blue sky. The most exciting feature of the launch was the image of crescent-earth (not crescent-moon, as we normally speak of) was observed in a continuously diminishing size in the rear view mirror of the vehicle.
The main objective of the launch was to send the tesla sports car much deeper into space beyond the gravitational pull of Jupiter. Elan Musk, the CEO and Chief Designer said that the vehicle might not face any hardships in its journey when it crosses the orbit of Mars on June 8, 2018 but it might encounter turbulence near the realm of Jupiter. Elan Musk expressed hope that the car would remain in space for millions of years and this could be seen as a primitive step for aspiring humans to set up habitable abodes on the red planet.
Out of the three boost segments, the two flanks got separated after they lent contributory support for the main booster rocket and returned earth safely and got themselves planted in their respective slots on earth. However, the middle main booster rocket after releasing its anterior part further into space, failed to land on an ocean platform as planned, since the tesla payload was found to have overshot its target.
The experiment of sending an automobile used by humans with a mannequin in it might have surged up from an underlying idea in the minds of scientists that there could be a very faint possibility of the tesla payload descrying the attention of aliens that have been elusively nagging the minds of humans. Since the stint of the payload is hoped to be for countless number of years, it may spur up further space ventures in future with more sophisticated scientific payloads and guide the aspiring space travellers in their upcoming endeavours.


The opportunities and challenges of R152a. Part 2.
R152a is an example of a non-ozone depleting (or zero ODP) synthetic refrigerant with good thermodynamic properties. In the previous article we have discussed the R152a from perspective of its thermodynamic properties and its performance in comparison to R134a and other alternatives. It was shown that it is a very energy efficient refrigerant and often outperforms other analogous refrigerants alternatives in similar applications. In this article we will have a second look on the R152a from the perspective of its environmental properties and its flammability.


> Auf Seite 64 steht darin, da_ die CD bootf_hig ist... (El Torito).
Anfrage kostenlos eine neue 1. CD bekommen.
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Reading Simons Blog post The Tester's Headache: Tester Certification – my take… got me simmering again.
This something I have been bending my peers ears with and blogged in passing for over a year now.
For me the value in the foundation cert. Was two fold (btw I'm old school ISEB), it gave testers a commonon taxonomy and the course provided valuable networking.
Today too many of the candidates I interview simply see the certificateas a corgi gas fiiters badge. I have the cert. Therefore I'm a tester.
Worse still many candidates have self studied, and there the only aim is to complete practice exam papers or question banks.
I was chilled to the core when speaking with Dave Evans from SQS as I thought the Agile Tester cert. I had heard about was a joke, or tester lore. It seems istqb are serious.
All that has happened is that the cert. Has been de valued, and so I don't make it a "must have" in the job spec anymore.
Has the calibre of applicant decreased? Nope, not one bit, it's just increased the volume.
I still have the blisters from the ISEB practitioner exam, but I can't think of anything I use from the sylabus now we are all out Agile.
So, we had this issue when we used Selenium 1.0 so it was bound to crop up with Twist (after all it just runs selenium, right?).
We need to make selenium proxy through our corporate proxy.
I want to share with you something that is seemingly innocuous but actually very toxic; namley using velocity as a performance metric!
I mentioned in a previous post how we have used an old Ferrograph SDX 63 LED moving message display / wallboard and Robert Cowards excellent ADF firmware to give us a sign that is to be used for our Extreme Feedback device.
Once i had got my head round the Alpha Protocol, i started to knit a huge perl module together to control the sign. Essentially all it did was create an alpha protocol formatted string and send it to the sign. At first this seemed to be the logical way to approach the problem….
Painting over the rust – Preparation, preparation, preparation.
I thought I would follow on from my post painting over the rust.
It would be too easy for me just to say, hey our business people don't get Agile, boo hoo. So I thought I would try and address the issue by thinking about how I felt when I was first introduced to Agile. Thinking about it this way allowed me to take a step back and understand why they don't get it.
1. All Requirements are not needed up front.
This ones a biggie. I wrestled with it for ages, but then I would, I'm a tester and I need those requirements to do my job; after all the V-Model is nothing without upfront requirements, right?
How did I overcome this? Easy (for me at least), in that in our old way of working, even when the requirements were available early, they often didn't reflect what was actually delivered. This is software delivery after all; we expect the customer to change its mind during the life cycle. So if I'm used to finding that the requirements documentation don't match what's delivered into test, why am I so worked up now? Oh wait, I'm not after all. It just felt uncomfortable because its new to me.
2. Story Points are a guess but the deadline is still firm (if not impossible).
This one is a bit of a paradox. Both are true. During estimation we size the stories with t-shirt sizes or points. The point or size at that stage is no more than an informed/educated guess. Again I had a hard time with this, until I realised that it is just a concept that allows us humans to gauge the relative size of the stories. Wrap your head around the simplicity of that device, and your home free. Sure it's a guesstimate, but we can still meet the deadline, knowing how much work is in there. Once you get the fact that its just about relative sizing and not a unit of currency for determining performance, it becomes second nature. Its all about making sure the team gets the same amount of work passed down the conveyor belt, and that they don't get under or over utilised. Once you know they can knock out two 4 pointers and a 6 per iteration, you know your capacity (well mostly).
3. Tasks do not get assigned at Iteration Kick off.
I didn't struggle with this too much, in that previously a task could sit with someone that didn't have the bandwidth to complete the task for a very long time. One important protocol is leaving things until "the last responsible moment". By not assigning tasks we can leverage the flexibility that the last responsible moment affords. Also, during the iteration planning, the team can agree what tasks make up a story and perhaps identify the required SMEs. The whole team takes Responsibility for promises the team made. We will deliver value.
4. An increase in speed comes from maximising Quality.
It took me a while to fully understand the power of this. If the team gets it right first time, then it spend less time fixing broken code, or miss understood/poorly captured requirements. I'm sure some Kanbaners out there will be nodding sagely. But this is one of the core principals that Toyota follow, they claim to produce one brand new, fully tested, inspected and passed vehicle in the same time other manufacturers spend snag fixing at the end of their lines.
Traditionally in software delivery, code fixes are not time boxed, and a defect can loop through QA and DEV several times before its fixed. One pair can sink a load of time into fixing the defect while QA source the effort around regression. It's a massive waste. Enforce a Zero Defect policy; get the business to sign up to it, get buy in from the operational functions (Helpdesk, System Administrators etc) and say goodbye to the defect backlog. Get it right first time and watch throughput soar. Write your tests, then your code, then apply your design.
It was difficulty for me to adjust to being a tester in an Agile world, and it took me time. I learnt through an apprenticeship with ThoughtWorks. They may have their own flavour of Agile, regardless its not something you can learn in a book or on a course. Much of what i learnt about Agile is more about your mindset, and self discipline.
Several times along the way, I thought, this is rubbish, this is causing pain and this doesn't work. But hey that's Agile right? If it doesn't work for you, you can stop, change, and monitor for improvement. Once you appreciate that, you become empowered. You can leverage the power of one.
But, we had left our business behind. We (the software delivery team) decided we had to be Agile to deliver a project, without considering the impact to the business. Worse than that, we undertook an apprenticeship with ThoughtWorks and expected the business to understand story points, velocity, waste, lean, eXtreme Programming… the list goes on.
If you haven't taken the time to bring your business along for the ride you cant expect them just to get it.
If you use enough filler, you can paint over the rust.


I went to Windrush Farm in Petaluma to one of the "Lamb Days" and it was a glorious treat. The wool felt wonderful.and he was so cute. It was a treat to hold this baby lamb in my arms.
Out in the field there were lots more baby lambs with their moms staying close. So far there ar 30 lambs born this spring with one ewe left to give birth.
These twins were especially cute. The black and white is unusual.
Lambs of different types are bred for different types of fleece. This fleece is from a previous year's shearing. The farm sells fleece and yarns –natural and dyed. They teach spinning too. Here is the link to Windrush Farm in Petaluma California.
Yarns of course from the farm's sheep as well as a booth with unusual yarns from Japan. The ball of yarn in the photo is made from fiddlehead fern fuzz and the brown skein is made from the stems of wild silk cocoons. This is a small sample of the unique things not found in yarn shops.
These fibers are hand dyed ready for spinning or making felt.
Here are a variety of goodies made by this happy woman.
Delicious pizza was made to order and baked in the outdoor oven. I had two!
Fun for the kids, too. These LEGO experts were having a grand and vigorous time on a bench where they found a box full of pieces.
These boys are having a great time on a wood structure.
Here's a curious cow wanting to know what I was doing as I left for home.


The EdHat HND Level 5 in Psychology is designed to provide opportunities for learners to apply their knowledge and practical skills in organisation or workplace with academic prospects. This course is strategically designed to provide progression into employment on achieving the EdHat HND Level 5 in psychology award or following further study to degree level.
Accreditation of Prior Experiential Learning (APEL) which gives recognition to knowledge and skills developed through different types of experience, such as work and voluntary activities. Mature students may present a more varied profile of achievement that is likely to include extensive work experience.


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Catrine Bengtsson (* 21. September 1969 in Göteborg) ist eine ehemalige schwedische Badmintonspielerin.

Karriere
Höhepunkt ihrer langen und erfolgreichen Laufbahn im Badminton war der Gewinn der Weltmeisterschaft im Mixed mit Thomas Lund 1993 und der Sieg bei den Europameisterschaften 1994 mit Michael Søgaard. Bei Olympia war ihre beste Platzierung jedoch nur ein fünfter Platz.

Sportliche Erfolge

Weblinks

Teilnehmer der Olympischen Sommerspiele 1992
Teilnehmer der Olympischen Sommerspiele 1996
Badmintonspieler (Schweden)
Olympiateilnehmer (Schweden)
Weltmeister (Badminton)
Europameister (Badminton)
Schwedischer Meister (Badminton)
Schwede
Geboren 1969
Frau

redpajama_set_name: RedPajamaWikipedia


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Lil Dicky, de son vrai nom David Andrew Burd, né le  à Cheltenham Township en Pennsylvanie, est un rappeur américain, spécialisé dans le rap humoristique.

Biographie
David Andrew Burd grandit dans une famille juive de classe moyenne supérieure à Cheltenham Township dans le comté de Montgomery en Pennsylvanie. Il sort diplômé du lycée Cheltenham, puis de la business school de l'université de Richmond. Après ses études, il déménage à San Francisco, en Californie. Là-bas, il exerce son premier job comme chargé de clientèle pour l'agence de communication Goodby, Silverstein & Partners. Après avoir réalisé un rapport d'avancement mensuel sous la forme d'un clip de rap, la compagnie le promeut dans son département créatif.

Dans une interview accordée à HipHopDX en 2014, Burd confie qu'il a commencé à rapper simplement pour gagner de l'attention en comédie, ainsi, il pourrait écrire ses propres films ou séries télévisées.

Lil Dicky sort, en , son premier projet, une mixtape intitulée So Hard — sur laquelle il a commencé à travailler en 2011. La mixtape contient le titre Ex Boyfriend, dont le clip connait un grand succès viral. La chanson raconte le complexe de Lil Dicky face à certains atouts que présente l'ex de sa petite amie, la taille de son sexe en particulier. En , Burd lance une campagne de récolte de fonds Kickstarter, dont il atteint l'objectif fixé de 70 000$ plus tard dans le mois.

Le  sort son premier album studio Professional Rapper. Avec  exemplaires vendus lors de sa première semaine d'exploitation, l'album se classe à la  place du Billboard 200, à la  place du Top R&B/Hip-Hop Albums et à la  place du Top Rap Albums. Le , Lil Dicky publie le clip de $ave Dat Money dont le concept est de . Ainsi, Lil Dicky tourne dans une villa, sur un bateau et au volant de voitures de luxe sans frais, en demandant par porte-à-porte.

Lil Dicky est ensuite nommé dans la XXL Freshman Class 2016.

Le , il publie le clip de Pillow Talking. Ce clip, d'une durée de dix minutes, a coûté 700 000$ à réaliser, faisant de celui-ci le  clip le plus couteux de l'histoire.

En , il sort un EP nommé I'm Brain.

En  sort le clip du titre Freaky Friday, en collaboration avec Chris Brown, dans lequel Lil Dicky et Chris Brown échangent leurs corps. Le concept du clip reprend celle du film Freaky Friday : Dans la peau de ma mère réalisé par Mark Waters. DJ Khaled, Ed Sheeran et Kendall Jenner font une apparition dans le clip.

Le , il sort un clip nommé "Earth" où il appelle à lutter contre le réchauffement climatique. Dans ce clip 30 stars sont réunis. C'est un titre pour sauver la planète qui fait le tour du monde.

Filmographie

 2020 : Dave : Dave / lui-même (10 épisodes)

Discographie

Album studio
 2015 : Professional Rapper

Mixtape
2013 : So Hard

Notes et références

Liens externes

Rappeur américain
Naissance dans le comté de Montgomery (Pennsylvanie)
Naissance en mars 1988
Nom de scène


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It's okay to have Communists pick and consecrate pro-abortion Communists as Bishops, and it's okay to have heretics, pedophiles and pederast Bishops consecrate heretics, pedophiles and pederasts as Bishops, but if a Catholic Bishop consecrates Catholic priests as Bishops without permission, well, forget the good of souls, that's like, um, you know, schism and stuff.
This is extraordinary; he served 27 years for a murder he didn't commit and it was Golf Digest who helped free him.
When the Kavanaugh hearings began on Sep 4, I told you what the Democrats would do. They hijacked the hearings at the very outset with guerrilla tactics. They played their latest dirty trick this weekend with a four decade old unsubstantiated allegation; she claims that when they were both 17, Kavanaugh got drunk and tried to take her clothes off.
Kavanaugh unequivocally denied it and 65 women who knew him in high school went public in his defense, defending his character and conduct at the time, and since. Dozens of other women who have worked with and for him in the intervening decades have come forward defending him. It might not be enough.
The accuser could have come forward and testified (but that would have involved cross examination), and the Democrats could have shared what they knew in July (but that would have undermined the strategy).
They're not interested in justice, let alone truth. I hope the GOP digs deep to find a backbone and slam this through on a 51-50 vote. If they fail, I hope Trump nominates some firebrand like Amy Coney Barrett who will terrorize the Left with glee for four decades.
So… What should Mom and Dad have done differently? I will weigh in later so my ideas don't poison the well.
It was 1963 and I had just turned twelve.
I'd gotten my period a year before and was developing faster than most girls in my class. Where they were still short, rosy-cheeked, and flat-chested, I was six inches taller, growing into a B-cup, and getting acne. It was an awkward, confusing time for me.
Sadly, my mother was pre-occupied with her newest baby and my other eight siblings. Dad was mostly at work trying to make enough money to keep us all in parochial schools. I often felt alone and—like most kids that age–unable to share my feelings with my parents. Thank God for Celestine, our full-time housekeeper who was a sweet, second mother to me. She'd watched us kids outside playing and heard some of the neighborhood kids making comments. She promptly dragged me down to the five-and-dime to buy me my first bra.
"We don't need those nasty boys looking down your blouse," I remember her saying.
I know she was trying to protect me, but somehow, I got the message that there was something shameful about me in the word nasty and the fact that I had breasts.


text:
Royal Palaces, Castles & Historic Stately Homes
Whether a major restoration project, or an emergency repair, we have extensive experience in preserving some of our most cherished heritage properties.
Thirty years' expertise and experience of restoring ancient timbers has qualified us to work on some of the country's most prestigious and historically important buildings. We are passionate about applying this specialist knowledge and learned skills to the sensitive restoration of all our clients' homes, in the interests of preserving our architectural heritage and enhancing their historical and commercial value. Often a palace or castle will have been in the same family, little changed, for centuries; many have had to withstand the wear and tear of being open to the public. These are some of the oldest and most splendid buildings in the country, subject to stringent planning regulations and restrictions that we have learned to navigate with painstaking attention to detail.
"I believe passionately in the importance of using traditional tools and time-honoured techniques to restore the fabric of an historic property: its floors and panelling, staircases, doors and windows should be treated with the same respect and care as any item of antique furniture. Modern chemicals and machinery can remove forever the evidence of centuries of history; whereas the gentle pressure of a hand plane and natural oils and waxes preserve that precious patina, colour and finish."
Our Expertise for Stately Homes, Palaces & Buildings of Historical Significance
Oak panelling became a fashionable feature of British architecture from the Tudor period onwards. Early panelling comprised thin, hand sawn boards, up to 24 inches square, which were slotted into grooves in solid timber uprights and cross members. Neglect or exposure to extremes in temperature or humidity levels, can cause warping and splitting.
The oldest oak boards will show all the dints and scratches of centuries' wear, as well as the saw marks from being cut using a primitive two man saw in a saw pit; and would lose all their character if subjected to heavy mechanical sanding. Steam powered saws did not come into use until the mid 19thcentury when pine boards become more common.
Doors, staircases, windows and mantelpieces become damaged and warped over the centuries; while the original finish frequently deteriorates or becomes obscured by poor restoration or a change in fashion. Sometimes we need to copy missing features and recreate them by hand, to return these magnificent structures to their former glory.
It is not unusual with a heritage property, to find furniture that has been in situ since it was first designed and constructed. Vincent Reed has all the specialist skills to undertake furniture restoration: since this was where his career began at the age of 16, three decades ago. Naturally he applies the same attention to detail and finish as all his restoration projects.
Palaces & Historic Buildings Projects
Wood Panelling Restoration
See our whole Palaces & Historic Buildings portfolio
Auckland Castle: an 800 year old Hunting Lodge
Breathing new life into badly worn floorboards
Auckland Castle – or Auckland Palace, in County Durham, was designed more in the style of a neo gothic manor house than a fortified castle, and was built by the Church of England for the Prince Bishops. The floor in the Blue Drawing Room revealed a build-up of varnish and lacquer; with some areas having no finish at all where rugs and furniture had been positioned for centuries. The Baltic pine floorboards in the Victoria suite had lost their patina and were rough to the touch, so cleaning needed extra attention. In particular, the Bishop's Bedroom featured a thin pigment stain applied to some of the timbers; areas of carpet adhesive; loose boards and random saw cuts; as well as a 'tidemark' of untreated boards. The complete floor was gently cleaned and rough areas nibbed back by hand; then the boards staggered to tidy up areas where pieces were missing, before a final natural finish added colour and warmth.
Prestigious City restoration chose Vincent Reed to consult on Edwardian panelling in the Dining Room
Described as an 'abandoned architectural masterpiece', the recent transformation of the old Midland Bank building in London's Square Mile into a five star hotel and Members' Club, is a triumph of 1920s design and magnificence. On the idea of installing a swimming pool on the 6th floor, the structural integrity of the building had to be measured and investigated. Grade 1 listed panelling in the 4th floor Edwardian inspired dining room had to be removed to assess the brickwork behind. Vincent Reed was called upon to consult with conservation officers from the City Of London on the project, remove the historic panelling and reinstall it after assessment.
Lutyens Style Dining Room at The Ned
Tried and Trusted – Why Leading Conservation and Heritage Organisations Choose Vincent Reed
As accredited artists and craftsmen dedicated to using only traditional methods and materials for restoring interior and exterior woodwork, Vincent Reed Ltd are regularly consulted by organisations dedicated to saving and preserving our cultural heritage, such as The National Trust, English Heritage and Historic Royal Palaces. Your floors, furniture or panelling will be restored by the same team who worked on the magnificent oak flooring of Auckland Castle; the 18th century staircase at the Royal Botanic Gardens, Kew; or the rare Georgian panelling in Kensington Palace. (link).
We love employing the knowledge and experience gained from these projects to discover your own home's unique history; and develop the correct techniques for restoring a precious building to its rightful condition and finish. Our reputation and experience with listed buildings also ensure that any negotiations with insurance companies, planning departments and building regulations go smoothly. Inexperienced restoration can be costly and clumsy treatments can erase forever the historical evidence of hundreds of years.
Book a consultation with Vincent Reed today
A Fashion for Panelling
Once the royal palaces and grand hunting lodges had established panelling as a desirable design feature, it was passed down to the homes of smaller land owners and country estates; and can be found up and down the country, still gracing our manor houses and historic properties. Few are as rare as the Bolection panelling we worked on for English Heritage at Grade I listed moated manor house, Groombridge Place. Vincent Reed was brought in to make good some bad restoration work and remove the layers of paint covering this valuable 17th century panelling: it took three months to restore the one room using a gentle eco friendly varnish remover and fine copper brushes.
In the King's Drawing Room in Kensington Palace, the original George I panelling had been untouched since its installation and was in a bad state with panels split down the middle and much of the timber cracked. The panels were gently taken apart, repaired and rejointed: some of the pieces were very fragile; others had been backed with hessian to prevent them expanding and shrinking, but the glue had now failed, so the whole procedure needed renewing. The panelling in the Presence Chamber and Privy Chamber were restored with equal patience and care, having been designed and installed by Sir Christopher Wren.
Speak with Vincent Reed today
The Finest Finish for Flooring
Vincent Reed applies the same respect and attention to detail to an antique wooden floor, as he does to a fine piece of period furniture, where he first learnt his trade. Whether it is the rare boards of a King's Drawing Room, a Bishop's Bedroom – or the neglected floors of your own home showing the effects of centuries' wear and neglect, he has the skill and knowledge to bring them back to glowing condition, without obliterating the evidence of their historical past. Irrespective of the size of the room, all work is done carefully by hand, often restoring only a small area at a time using eco friendly stripping solutions and copper brushes. Each project is assessed individually and requires its own cleaning programme sympathetic to its age and condition. Where areas might be damaged or missing, Vincent hand selects replacement antique timbers, cuts them by hand and if necessary, lays them in diminishing widths in the traditional way. Boards are fixed using the appropriate period lap joints and hand cut nails to recreate the floor exactly as it would have been when first fitted; yet retaining all the wear and tear of centuries. Hand finishing using Vincent's own preserving beeswax blend ensures a warm and authentic patina. Vincent also undertakes to supply, fit and finish a traditional floor where one doesn't already exist.
Using Traditional Joinery Techniques
Historic joinery such as doors and windows, staircases and fireplaces are prone to extensive damage from centuries of constant use and the effects of weathering. Vincent Reed always takes a pride in repairing and restoring as much of the original timbers as possible; while any sections or joints that are beyond repair, he carefully makes a bespoke replacement using the same traditional tools and construction processes so that the repair is imperceptible. When called in to restore the original canted bay windows in a Baillie Scott designed Arts & Crafts house, he not only conserved as much of the original timber as possible, he designed and constructed interior doors in the Baillie Scott style; as well as making panelling throughout to match that of the sitting room.
The magnificent front doors of the Canute Chambers in Southampton – home to the offices of the historic White Star Line – were in relatively good condition for their age; but they had warped and the original finish had deteriorated when Vincent was called in to advise on their restoration. They were successfully repaired and refinished in situ, to the condition they must have been in when the crowds gathered outside in April 1912 for news of the Titanic.
Vincent Reed's long standing experience of antique furniture restoration led to him being commissioned to repair and recondition part of the extensive museum collection at the Royal College of Physicians in Regents Park, London. Vincent is not only committed to maintaining the exact period details and retaining the original patina wherever possible, he insists on using new or authentic pit sawn oak timbers for any repairs, some maybe dating back 300 years. He refuses to resort to modern machinery or adhesives for restoring period items, or applying chemical finishes, using only traditional hand tools; employing laborious traditional jointing techniques; and then hand finishing the piece with natural beeswax.
Vincent explains how a truly successful restoration is never to over-restore a piece: the aim must always be to make an effective repair, whilst reinstating or preserving any original charm acquired over years of use, wherever possible. Decades of experience have also taught Vincent many traditional craft skills necessary for the repair and maintenance of antique furniture: he is subsequently an expert in soldering, leatherwork, lock restoration for bureaux, cupboards and coffers, woodturning and glass cutting; as well as hand polishing and wood conservation. He is a member of BAFRA (British Antique Furniture Restorers Association).

redpajama_set_name: RedPajamaCommonCrawl


text:
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Zarina Bhimji, born in Mbarara, Uganda, 1963, is an artist who lives and works in London. Through the diverse mediums of photography, film and installation, Bhimji's practice engages questions of institutional power and vulnerability: universality, and intimacy. Bhimji received a BA in Fine Art from Goldsmiths, University of London and a MA in Fine Art from the Slade, University College London. She was DAAD's Artist-in-Residence 2002, exhibited as part of Documenta's 50-year retrospective Discreet Energies in 2005, and was nominated for the Turner Prize in 2007. Awards include the Paul Hamlyn Foundation Award in 1999 and the Rauschenberg Residency award, 2014; Bhimji has recently been awarded a Smithsonian Artist Research Fellowship, 2020-21.
Bhimji has exhibited extensively in solo and group exhibitions since coming to prominence in the 1980s, when she was active in the Black Art movement. Significant early shows include From Two Worlds, Whitechapel Gallery, London, UK (1986); The Image Employed: The Use of Narrative in Black Art, Cornerhouse Gallery, Manchester, UK (1987); The Essential BLACK ART, Chisenhale Gallery, London, UK (1988). Exhibition highlights from the 90s include Intimate Distance and The Impossible Science of Being, both The Photographers' Gallery, London, UK (1990 and 1995 respectively); In/Sight, Guggenheim Museum, New York, USA (1996) and Strange Day, Gian Ferrari Arte Contemporanea, Milan, Italy (1997). Bhimji's work has featured in numerous biennales and international events including Fault Lines, Venice Biennale, Venice, Italy (2003); Poetic Justice, Istanbul Biennale, Istanbul, Turkey (2003); Zones of Contact, Biennale of Sydney, Sydney, Australia (2006); The Third Guangzhou Triennial, Guangzhou, China (2008); 29th Bienal de Sao Paulo, Sao Paulo, Brazil (2010) and Prospect.3: Notes for Now, New Orleans (2014).
Recent exhibitions include Here We Are Today, Bucerius Kunst Forum, Hamburg, Germany (2019); Lead White, Tate Britain, London, UK (2018)*; The Fabric of Felicity, Garage Museum of Contemporary, Moscow, Russia (2018); The Place Is Here, Nottingham Contemporary, Nottingham, UK (2017) and South London Gallery, London, UK (2017); Poetics of Relation, Perez Art Museum, Miami, USA (2015); Paradise Lost, Centre for Contemporary Art, Singapore (2014); Whitechapel Gallery, London, UK (2012)*; Who Knows Tomorrow, Nationalgalerie im Hamburger Bahnhof, Berlin, Germany (2010); Out of Blue, The Art Institute of Chicago, Chicago, USA (2009); Turner Prize Nominations 2007, Tate Liverpool, Liverpool, UK (2007); How to Improve the World: 60 Years of British Art, Hayward Gallery, London, UK (2006); Experiments With Truth, The Fabric Workshop and Museum, (2004); In Our Time, Works from the Moderna Museet Collection, Moderna Museet, Stockholm, Sweden (2004); Tate Britain,
London, UK (2003)*, Documenta XI, Kassel, Germany (2002), and The Short Century, Museum Villa Stuck, Munich (2001). Upcoming exhibitions include Fruit Market Gallery, Edinburgh, UK (2021)*; Sharjah Art Foundation, Sharjah, UAE (2020)* and Lahore Biennale, Lahore, Pakistan (2020).
Bhimji's work is held in public collections including Tate, UK; Sharjah Art Foundation, UAE; The Museum of Contemporary Art Chicago, USA; Moderna Museet, Sweden; Government Art Collection, UK; Mead Gallery, UK; Kunst Museum, Switzerland; Perez Art Museum, USA; Wadsworth Atheneum Museum of Art. USA; Kadist Art Foundation, France; Arts Council England, UK; Victoria & Albert Museum, UK; Nottingham City Museum and Galleries, UK; New Walk Museum and Art Gallery, UK & many private collections.
Bhimji's work has received international press and media attention, with interviews and reviews featuring in publications from The Guardian to Spare Rib, and from Art Forum to The Times. Recent books featuring Bhimji and her work include How to Improve the World: 60 Years of British Art, Arts Council, 2016; The Art of Return: The Sixties and Contemporary Culture, James Meyer, and Great Women Artists, edited by Rebecca Morrill, both 2019.
* Solo exhibitions
Zarina Bhimji is an whose work focuses on landscape and architecture with the aim of reflecting the human histories in them...
Interview from Tate Shots
Jangbar Trailer
Connect with Zarina | zarinabhimji.com | Instagram
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Copyright © 2001 Alexander B. Levin. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
We introduce a special type of reduction in the ring of differential polynomials and develop the appropriate technique of characteristic sets that allows to generalize the classical Kolchin's theorem on differential dimension polynomial and find new differential birational invariants of a finitely generated differential field extension.


So you've played Chain Chronicle from Gumi and Sega. You've stood strong against the inexorably advancing lines of monsters and demons. You've been victorious over and over. Good for you. Now: How do you think you'd do against a fellow human being?
Chain Chronicle now has PvP by way of a new game mode called "The Sage's Gauntlet." Enemies are AI-controlled lines that are based on parties of online rivals. Using ten of your best fighters, you pick your way to the end of a randomly-plotted path. If you survive your journey, you may win loot and honor tokens that can be used to recruit epic heroes.
The update also includes an additional story chapter, which carries you through the infiltration of the Royal Castle in hopes of stopping the reign of the Black King. According to the press release distributed by gumi, this battle against the Black Army is Chain Chronicle's last story chapter, so make it a good fight!
The Chain Chronicle update is free to download on iOS and Android.


text:
#include <time.h>
#include <errno.h>

#include "native_client/src/shared/platform/nacl_clock.h"

#include "native_client/src/include/nacl_macros.h"
#include "native_client/src/shared/platform/nacl_host_desc.h"
#include "native_client/src/shared/platform/nacl_log.h"
#include "native_client/src/trusted/service_runtime/include/sys/errno.h"

/*
 * Linux is POSIX.1-2001 compliant, so the clock functions are trivial
 * mappings -- essentially we just translate NaCl ABI enums and
 * errnos.
 */
static int g_NaClClock_is_initialized = 0;

int NaClClockInit(void) { g_NaClClock_is_initialized = 1; return 1; }
void NaClClockFini(void) {}

int NaClClockGetRes(nacl_clockid_t            clk_id,
                    struct nacl_abi_timespec  *res) {
  int             rv = -NACL_ABI_EINVAL;
  struct timespec host_res;
  clockid_t       host_clk_id;

  if (!g_NaClClock_is_initialized) {
    NaClLog(LOG_FATAL,
            "NaClClockGetRes invoked without successful NaClClockInit\n");
  }
  switch (clk_id) {
    case NACL_CLOCK_REALTIME:
      host_clk_id = CLOCK_REALTIME;
      rv = 0;
      break;
    case NACL_CLOCK_MONOTONIC:
      host_clk_id = CLOCK_MONOTONIC;
      rv = 0;
      break;
    case NACL_CLOCK_PROCESS_CPUTIME_ID:
      host_clk_id = CLOCK_PROCESS_CPUTIME_ID;
      rv = 0;
      break;
    case NACL_CLOCK_THREAD_CPUTIME_ID:
      host_clk_id = CLOCK_THREAD_CPUTIME_ID;
      rv = 0;
      break;
  }
  if (0 == rv) {
    if (0 != clock_getres(host_clk_id, &host_res)) {
      rv = -NaClXlateErrno(errno);
    }
  }
  if (0 == rv) {
    res->tv_sec = host_res.tv_sec;
    res->tv_nsec = host_res.tv_nsec;
  }
  return rv;
}

int NaClClockGetTime(nacl_clockid_t            clk_id,
                     struct nacl_abi_timespec  *tp) {
  int             rv = -NACL_ABI_EINVAL;
  struct timespec host_time;

  if (!g_NaClClock_is_initialized) {
    NaClLog(LOG_FATAL,
            "NaClClockGetTime invoked without successful NaClClockInit\n");
  }
  switch (clk_id) {
    case NACL_CLOCK_REALTIME:
      if (0 != clock_gettime(CLOCK_REALTIME, &host_time)) {
        rv = -NaClXlateErrno(errno);
      } else {
        rv = 0;
      }
      break;
    case NACL_CLOCK_MONOTONIC:
      if (0 != clock_gettime(CLOCK_MONOTONIC, &host_time)) {
        rv = -NaClXlateErrno(errno);
      } else {
        rv = 0;
      }
      break;
    case NACL_CLOCK_PROCESS_CPUTIME_ID:
      /*
       * This will include the time spent in an TCB-private service thread
       * as well as the actual user threads. This not a major issue given
       * all the trade-offs of implementing the proper semantics, but it is
       * worth noting that the return value might be somewhat different from
       * what this would be in a real POSIX OS.
       */
      if (0 != clock_gettime(CLOCK_PROCESS_CPUTIME_ID, &host_time)) {
        rv = -NaClXlateErrno(errno);
      } else {
        rv = 0;
      }
      break;
    case NACL_CLOCK_THREAD_CPUTIME_ID:
      if (0 != clock_gettime(CLOCK_THREAD_CPUTIME_ID, &host_time)) {
        rv = -NaClXlateErrno(errno);
      } else {
        rv = 0;
      }
      break;
  }
  if (0 == rv) {
    tp->tv_sec = host_time.tv_sec;
    tp->tv_nsec = host_time.tv_nsec;
  }
  return rv;
}

redpajama_set_name: RedPajamaGithub


Company Partners Blog » Once you have a business idea how quickly should you start it?
Like toast – ha, but yes it's true. You have to go at the time.
Yes, getting business ideas is not a tough task but its implementation can be. So if you got a business idea then go through proper market research like product demand, customers, desired goals, and strategies. After this, you can quickly start your business.
« Fed up with working for someone else?


There was a time when the most notable thing about Zoë Kravtiz was her father, Lenny. That seems like worlds ago. Whether it's starring in capital-B Blockbusters (the insane and insanely brilliant Mad Max: Fury Road or the upcoming James Franco picture Kin), touring with her R&B band Lolawolf or simply being a face of Calvin Klein and Balenciaga, the 27-year-old has rapidly become one of the brightest new stars in the sky.
So remember: when your nephew demands a trip to this month's Fantastic Beasts And Where To Find Them, in which Kravitz stars alongside Eddie Redmayne, you're not doing him a favour - he's doing you one.


Are you an up and coming artist or musician interested in showcasing your talent here at Mantra? Want to collaborate with us? Can we give to your cause? Fill out this form to let us know!
Thank you for your submission! If you do not hear back from us in a few days, please follow up. We strive to support all collaboration and donation requests!


text:
Q: Set umask for a sftp account? Could anyone tell me how to set the umaskfor a single sftp user? Worth mentioning is a IBM AIX...
Adding umask 002 to that user's .profile didn't work... (the goal is that this user files are accesible to people from the same group).
I've seen somehowto's around editing the sftpd configs, though I want to set it for one user only, so I expected to find something that didn't need root access.
thanks!
f.

A: I don't know about AIX, but you should be able to do this with OpenSSH, though it will require root permissions. You'll need to write a wrapper script for the server component of sftp. The wrapper will need to selectively change the umask for the user and then exec the sftp server. For selecting a user, I'm partial to:
id --user

If you were to create such a script as /usr/local/sbin/sftp-wrapper, you would then change the configuration for the sftp subsystem in /etc/ssh/sshd_config from:
Subsystem   sftp    /usr/libexec/openssh/sftp-server

to:
Subsystem   sftp    /usr/local/sbin/sftp-wrapper

Beyond writing the wrapper script, every step will require root permissions.
Comment: I believe the sftp server is started by root when you connect via sftp. Thus, the default umask derives from root's umask. I don't believe there is a way of altering this for a particular user from within that user's configuration. If you want to change the sftp umask for all users, you can make a simpler modification to the sftp subsystem configuration:
Subsystem   sftp    /bin/bash -c 'umask 002; /usr/libexec/openssh/sftp-server'

A: The user can set this up themselves without the involvement of root, either from the client (per connection) or on the server (per public key).
From the client, we can override the remote command used to handle the sftp interaction using the -s option:
sftp -s 'umask 0777; env PATH=${PATH}:/usr/libexec/openssh:/usr/lib/ssh:/usr/sbin sftp-server' username@hostname

(If your sftp-server is not installed in one of the locations mentioned above, add that to the path also).
From the server, we can force a particular command to be run whenever a connection is made using a particular public key.  This will get run for all connections, not just those for SFTP, but we can inspect the $SSH_ORIGINAL_COMMAND environment variable to decide what course of action to take.  Adding something like the following to authorized_keys is probably sufficient for your needs:
command="umask 0777; if [[ -n $SSH_ORIGINAL_COMMAND ]]; then eval $SSH_ORIGINAL_COMMAND; else exec bash --login; fi" ssh-rsa AAAAB3NzaC1yc2EA...

(substituting whichever is your favourite shell to handle any interactive logins, and noting that if you use tcsh you'll have to modify this to suit that shell's syntax).

A: Worked great for me. However, needed a bit of research because what you provided is an extract from docs. A specific example in my case would be to put two consecutive lines at the end of /etc/ssh/sshd_config
Match Group www-data
ForceCommand internal-sftp -u 2

In my case what I wanted to do is to set umask to '002' (2 in decimal) if someone in group 'www-data' logs in.
There is also an option to use env. variable SSH_ORIGINAL_COMMAND instead of 'internal-sftp', but I did not have time to pursue that.

A: A umask of 111 in Octal will yield 73 in decimal, which we
will use in this example.
#vi /etc/ssh/sshd_config

Add the following two lines at the end of the file to configure the sftp
umask for a group of users.
Match Group  <group name>
ForceCommand  internal-sftp  -u 73

Or, add the following two lines at the end of the file to configure the sftp umask for a single user.
Match User   <user name>
ForceCommand  internal-sftp -u 73

Restart the sshd daemon.
#stopsrc -s sshd

#startsrc -s sshd

this will help : Aamod chandra

A: I don't know why below lines do not work for me:
*Match Group
ForceCommand  internal-sftp  -u 73

At last add '-u 0002' for Subsystem works fine on SUSE 11.3:
*Subsystem sftp /usr/lib64/ssh/sftp-server **-u 0002***

and now specifiled user can only login with public key:
Match User nappcpr, Group iwcopy

    PasswordAuthentication no

    PubkeyAuthentication yes

    **KbdInteractiveAuthentication no**

redpajama_set_name: RedPajamaStackExchange


text:
import React from 'react'
import PropTypes from 'prop-types'

import Link from '../../utils/Link'

const MessageItem = ({href, imageUrl, title, time, message, onClick}) => {
  return (

      <Link href={href} onClick={onClick}>

          {title}
           {time}

{message}

      </Link>

  )
}

MessageItem.propTypes = {
  imageUrl: PropTypes.string,
  title: PropTypes.string,
  time: PropTypes.string,
  message: PropTypes.string,
  href: PropTypes.string,
  onClick: PropTypes.func
}

export default MessageItem


text:
What to Do If Your Car Engine Overheats
We hunted down car cooling system designers to find out what happens when cars overheat (it's not pretty) and what you can do to help prevent a breakdown.
Steve Schreck and Drew Conkling know why excessive heat can ruin an engine — and a road trip. As product managers at a major international auto parts manufacturer, their job is to oversee the development of cooling system components that go into millions of vehicles worldwide. Here, they provide tips on what to do when your car overheats and suggest basic car maintenance that can help prevent your car from overheating.
Your car is overheating. Now what?
Most cars are equipped with warning lights and a pressure relief valve, so if your engine starts to overheat, you'll probably get advance warning before it damages the engine. But don't keep driving. Important steps to follow when the warning light flashes are:
Pull over.
Turn off your engine.
Call for help.
That's it — stop there. "Don't even think about touching the radiator cap while you're waiting for a tow truck," Schreck says. "The cooling system is highly pressurized. Just loosening the cap a little can set off a geyser of hot coolant."
"Also, there's nothing you can do from the side of the road," says Conkling. "Your car needs to be towed to a professional."
If towing to an auto shop is not an option and you have no choice but to take matters into your own hands, consider following these steps:
Wait until the engine completely cools — at least 30 minutes.
You might be able to speed up the cooling process if you can pop the hood with a latch located inside the car cabin. But, do not touch or attempt to open the hood until the engine is completely cool.
Check the coolant/antifreeze reservoir.
Typically, this reservoir is a translucent plastic tank near the radiator. If it's empty or low on fluid, and you've allowed time for the engine to cool, refill the tank with new antifreeze.
Check hoses for leaks or blockage.
Chances are, if the coolant tank is completely empty or you spot a drip or puddle on the ground, you've got a leak.
This is why you need to know how your engine's cooling system works
Technically, here's what's happening: Heat from your engine is absorbed by coolant (think: antifreeze), which the engine's water pump pushes to the radiator, where it cools and is recirculated back to the engine.
Coolant lowers the freezing
point of water, increases its
boiling point and can help
prevent corrosion.
Transcript[TXT]
The simple answer? "Think of the water pump as a human heart sending blood throughout the body — it keeps pumping coolant through the engine, then back again," says Schreck. Although engines no longer use water for cooling, the term water pump is still used to describe the system that moves coolant through an engine.
The coolant — the fluid that flows through the cooling system — flows from the engine to the radiator, where heat gets released into the atmosphere. "That's why the technical name for the radiator is the heat exchanger. It takes the heat out of the coolant," says Conkling. "The coolant then flows back to the engine to grab more heat. It's a continuous loop."
This is what happens when it doesn't work
When something goes wrong in the cooling system, all components in the engine run at a temperature that's too high, Conkling says. "The engine and coolant heat up, and metal keeps expanding the hotter it gets." Parts of the engine can warp or melt, resulting in costly repairs. Depending on the damage, you may even need a new engine.
Hot weather and blasting the AC aren't causing the car to overheat
Conkling puts it this way: If you were speeding through Death Valley in 1973 with the AC blasting, turning it off and slowing your speed might help cool the engine. But modern cars are typically better designed to handle that kind of load, so when your instruments say the car is overheating, the cooling system may be malfunctioning. "No amount of letting it cool off in the shade is going to solve the problem."
Chances are, you need a mechanic to tell you why the car is overheating
Why? Schreck explains, by way of a breakdown he experienced. "I had a 2005 car that started blowing coolant all over the road," he recalls. "My mechanic ran a diagnostic test and found the issue was a small defect in the radiator cap. You're not going to pinpoint something like that without testing on sophisticated equipment." Three common reasons a car overheats:
Thermostat failure
The cooling system's thermostat works like a heat-sensitive valve. When you start a car, coolant circulates in the engine until it reaches a certain temperature, then the thermostat opens the flow of coolant to the radiator, where heat is released. If the thermostat fails to open, the coolant circulates in the engine and gets hotter, which can lead to overheating.
Blocked airflow
As you drive, air is constantly forced through the radiator. This airflow is what removes heat from the coolant and sends it into the atmosphere. Any buildup of material on the front or back side of the radiator (think: leaves, bugs, road debris, snow) can obstruct the flow of air.
Leaking water pump
Over time, coolant gets dirty and deteriorates, and rust and scale can build up in the fluid. This buildup degrades the seals in the pump and can be a common source of coolant leaks.
Pro tips to help prevent a car from overheating
Schreck and Conkling offer this advice for preventing a costly meltdown.
Coolant picks up dirt and particles that decrease its effectiveness. Coolant that looks cloudy or rusty needs to be replaced. Check the appearance of coolant at every oil change.
Regardless of how coolant looks, it should be replaced as often as recommended by the manufacturer of your car, typically every two to five years. (See your owner's manual.)
Use the type of coolant specified by the manufacturer — as in chemical type, not merely brand. Each type contains a different blend of corrosion inhibitors; using the wrong one can damage your cooling system.
When in doubt, take your car to a professional. Full-service repair shops have access to the latest manufacturer recommendations and have all types of coolant on hand.
A View of Life on the Road from a Guy Who Lives and Works in an RV


text:
Schedules & Fares
Pt. Judith Traditional
Pt. Judith Hi-Speed
Newport Hi-Speed
Fall River Hi-Speed
Promotions & Sales
Vehicle Reservations
Wind Farm Tours
Traveling with a Vehicle
Around the Ports
{ 3.24.2018 } { Island Life }
Of Block Island and Its Painted Rock
Landmarks are often used as a reference point. Something to guide travelers along their way and let them know they're heading in the right direction. They become ingrained in the culture that surrounds them. They are as much a part of a community as the people who keep it going. In the case of Block Island, there's one local landmark that's taken on a unique life all its own.
A Tradition is Born
The origin story of Block Island's Painted Rock takes us all the way back to 1962, on Halloween night. In terms of the perfect opportunity to plan a quality prank or two, it was prime time. This is exactly what teens Wendy and Eddie had in mind when setting out into the cool night sky of a Block Island autumn.
The pair had their plans set. Their target marked. With the excitement of Halloween drawing eyes and ears and attentions towards the town proper, the two teens were able to sneak their way across the island undisturbed. They met at the point where Snake Hole Road, Mohegan Trail, and Lakeside Drive all crossed paths. With paint and brushes in hand, they went to work, unaware of the future they were creating.
Since that night, spread by word of mouth and reaching from shore to shore, locals have made the trip with their own designs in mind. The paint job changes on a near-weekly basis. More, in some cases. From messages and proposals, to simple images meant to be symbols of respect or unity, Painted Rock has seen a lot since its newfound redefinition.
Standing the Test of Time
Vandals have come and gone, with varying attempts at spoiling the site for everyone else. The worst case involved people spraying graffiti all around the crossing and chipping away at the paint itself. All this proved was just how thick a layer of history Painted Rock has. The vandals were not even able to get to its original stone surface, leading to pictures that provide the clearest look at the inches of paint layering the rock.
Painted Rock has stood as a way for locals from all over Block Island to interact with each other for decades. It's served its community by continually bringing it together, either in person at the rock itself, or through stories as people spread word when a new design or image shows up on its surface. What started as a joke some 56 years ago has become a piece of Block Island history. There's something special about that. Something worth seeing for yourself, the next time you board the ferry.
It's fitting that the couple, Wendy and Eddie Northup, ended up getting married, bringing an always welcome element of love to this Block Island tale.
Don't forget to check out the Painted Rock's official Facebook page here: https://bit.ly/2DMXlSb
Grab Your Paintbrush…and Sail Away.
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Cavan Chamber AGM will take place in the Hotel Kilmore this Thursday 17th January at 7pm.
This is a fantastic opportunity for businesses to get involved in all current and future projects of the Chamber. It is also your opportunity to be briefed on the past year and ask any questions that you may have. A new board will be elected on the night in line with our annual procedures. You can express your interest to become a director on the night or in advance by contacting the office.
Cavan Chamber is a progressive, forward-thinking, 'can-do' organisation with the success of Cavan at the heart of its motivation. The Committee is made up of a group of determined business people who operate an open-door policy in relation to the Chamber and who will be communicating on an on-going basis with relevant stakeholders in Cavan including our local authorities, state agencies and community groups.


text:
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import org.wikipedia.feed.model.CardType;

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    @NonNull @Override public CardType type() {
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text:
Information Security Institute awarded multi-million dollar cybersecurity grant
The National Science Foundation CyberCorps grant will aid in the development of a robust cybersecurity workforce.
UNITED STATES – SEPTEMBER 18: The U.S. Capitol building as seen from the Senate side on Wednesday, Sept. 18, 2019. (Photo By Bill Clark/CQ Roll Call)
Cybersecurity efforts and infrastructures are paramount to protect the digital world from ever-growing cybersecurity threats. Working to combat these threats and bolster national cybersecurity, the National Science Foundation (NSF) has awarded the Johns Hopkins University Information Security Institute (ISI) a $3.66 million grant through their CyberCorps Scholarship for Service (SFS) program.
The goal of the SFS grant is to curate a superior national workforce in cybersecurity, aligning with ISI's Master of Science in Security Informatics (MSSI) program goals.
Allocated over five years, this grant will fund tuition, fees, living stipend, and materials for graduate students in the MSSI program. The grant is intended to support three to four students in full every year.
Following the completion of their program, recipients are required to dedicate work to a government entity equal to the time of their funded education. As cyber threats grow at home and abroad, the need for a strong, apt workforce in the field is of national importance.
"We're delighted with this award, which renews the longstanding partnership between NSF and ISI through the SFS program," said Anton Dahbura, executive director of ISI and associate research scientist in computer science. "Thanks to ISI's new affiliation with the Johns Hopkins Institute for Assured Autonomy, we're preparing our students for the additional challenges of protecting AI-driven systems."
The MSSI program is rooted in practical application, preparing the graduates to be immediate contributors to the cybersecurity space. Program highlights include courses in security and privacy, cryptography, computer forensics, software vulnerability analysis, as well as the opportunity to seek a dual-degree in computer science, applied mathematics, health science, and national security.
The cutting-edge program offers multiple other scholarship opportunities for students and boasts the nation's first program focused on healthcare information security, supported by the Johns Hopkins School of Medicine.
"The MSSI program constantly updates a curriculum that combines technology, policy, and management courses, as well as ample research opportunities. We offer our students a rounded educational experience so that they are adequately prepared to play critical roles in the cybersecurity workforce," said Xiangyang Li, a senior lecturer and program director for the MSSI program.
The SFS grant will be available for allocation to students starting on May 15, 2022.
Categories: News Headlines


As it did four years ago, the United Methodist Church's top legislative assembly will once again consider a proposal for reordering the work of the denomination when delegates meet April 27-May 7 in Pittsburgh.
General Conference all but gutted the earlier proposal, brought by a Connectional Process Team, but it salvaged pieces of the plan and passed them on to the church's program-coordinating agency for more work. The resulting "Living Into the Future" plan proposes merging the work of the denomination's program-coordinating and finance agencies into a "Connectional Table," which would oversee ministries budgeted at more than $500 million per quadrennium.
Advocates say the proposal would bring the widespread denomination together. United Methodists have congregations and other ministries on four continents - Africa, Asia, Europe and North America (primarily the United States). All regions would be represented at the table, along with the Council of Bishops and officials from the churchwide general agencies.
Critics say the proposal would weaken the fiscal accountability and auditing function performed since 1972 by the denomination's finance and administration agency. Some opponents also take issue with the size of the table.
Even the document's proponents anticipate that it will be revised, which is standard procedure for United Methodist General Conferences. The assembly meets once every four years.
The document, as presented, would fold the two top-tier coordinating agencies into the Connectional Table as of Jan. 1, 2007. Those agencies are the General Council on Finance and Administration, with a 41-member governing board, and the General Council on Ministries, governed by 78 members. Ten other agencies accountable to the General Council on Ministries would retain their free-standing boards, with about 500 directors, but be accountable to and represented at the Connectional Table.
"Living Into the Future" is the General Council on Ministries' response to a mandate given to it by the General Conference four years ago to create "the most effective design for the work of the general agencies." The mandate is the latest in a series of efforts by General Conference over the years to improve the operation and coordination of churchwide ministries.
The council's conciliar officer, Cecelia M. Long, explained that in fulfilling this assignment, input was sought from annual conferences, central conferences, general agencies and others from across the church. The council has offices in Dayton, Ohio.
"GCOM believes 'Living Into the Future' provides the most effective setting for visioning, discernment and decision-making by members with a holistic view of the church," Long said.
"This proposal is an initial step, not the final step. The Connectional Table would determine what further changes are needed," she said. The table would recommend any such changes to the General Conference for approval.
The document is closer to current structure than were several proposals that surfaced within the General Council on Ministries in 2000, soon after the agency began working on the assignment. One idea called for dissolving the boards of most of the denomination's 14 agencies into one "General Board of the United Methodist Church." Council directors also discussed and set aside the idea of proposing a bicameral (two-part) legislative structure with a lay/clergy "house" and a "House of Bishops."
"Living Into the Future" evolved through several council meetings, regional hearings and drafts by a writing team. The council adopted it in September 2003 for referral to the General Conference.
One of the document's most insistent critics is the council's own elected secretary. The Rev. Andy Langford, senior pastor of Central United Methodist Church in Concord, N.C., acknowledges that the proposal "suggests a closer relationship between finances and ministry" but leaves a group of general agencies "even more distant from people in the pew and (leaves) even more distrust and inertia throughout the (whole church) connection."
In a 4,500-word written response, Langford said he hopes that the Pittsburgh gathering "will set aside 'Living Into the Future' and make the serious reforms that our denomination so badly needs." He indicated that the preferred model would be "smaller, less expensive and less centralized."
The Advance Daily Christian Advocate, a compilation of all the legislation going to General Conference, includes at least two proposals labeled as alternative Connectional Table plans. One calls for a smaller table - with 29 members instead of the 131 to 134 possible under "Living Into the Future" - with no budgetary authority. The other emphasizes evangelism and social action as key areas of focus and proposes that the new entity plan an annual convocation "where all United Methodists are invited to conduct the business" of the table.
Like all proposals for changes in United Methodist Church law, "Living Into the Future" will go first to the appropriate legislative committee, in this instance the 95-member General Conference Committee on General Administration. The committee could decide to accept "Living Into the Future," develop a different restructure proposal or retain the status quo.
*Lovelace is a writer and editor in Dallas. He has covered eight United Methodist General Conferences. News media can contact Tim Tanton at (615) 742-5470 or newsdesk@umcom.org.


What services should a company outsource and how?
What services should a company outsource and in what conditions?
In my opinion, companies that are working in critical business areas cannot be open to outsourcing their IT services, or to the external development of their core product. And this is understandable, as there is sensitive data that needs to be managed and protected.
All of the above business areas are quite specific and restrictive, but there are many other domains where all of the above mentioned types of services can be outsourced. We can mention Education, Healthcare, Constructions, Telecommunications, and Insurance.
If you are thinking of outsourcing some of your software development services, we can help you understand what would be the best approach for doing this, from the point of view of your business. Just let us know!


Children's Aid Society—Carrera Project provides after-school activities five days a week for teens age 13 and older. Program activities include Job Club (students receive stipends and employment experience), academic assistance (available every day), classes in family life and sexuality, an arts component, and individual sports one could continue throughout life. In addition, the program provides mental health care, medical care, and full dental care.
The effects of this program are based on three years of participation. Annual per-participant cost from Philliber et al. (2002). Preventing Pregnancy and Improving Health Care Access Among Teenagers: An Evaluation of the Children's Aid Society-Carrera Program. Perspectives on Sexual and Reproductive Health, 34(5), 251.
Philliber, S., Kaye, J., & Herrling, S. (2001). The national evaluation of the Children's Aid Society Carrera-Model program to prevent teen pregnancy. Accord, NY: Philliber Research Associates.
Philliber, S., Kaye, J. W., Herrling, S., & West, E. (2002). Preventing pregnancy and improving health care access among teenagers: An evaluation of the Children's Aid Society-Carrera program. Perspectives on Sexual and Reproductive Health, 34(5), 244-251.


Heaped on my hands, my only hands.
Gloves, calling for help. I know who you are.
I know. I will not wear gloves.
This entry was posted in poetry and tagged blisters, calluses, cuts, garden, gloves, hands, musing, poem, sirens. Bookmark the permalink.


text:
Bayern Due for Revenge vs. Arsenal in a High-scoring Soccer Lines Clash
Written by Jordan Walters on November 4, 2015
Soccer Betting News
This Wednesday night, football lovers have another opportunity to enjoy some midweek soccer betting odds action when the UEFA Champions League returns with a bang. Top of our online sportsbetting soccer books this Wednesday is a mouthwatering clash between Bayern Munich and Arsenal (free stream link here). The Germans finally have an opportunity to make amends of their two-goal loss to Arsenal two weeks ago. With The Bavarians hell-bent on revenge, they are expected to come out with all guns blazing, but they must be wary of the Gunners cannons that are always ready to fire, given the slightest of opportunities.
Good omen? #FCBayern have scored at least 3 goals in each of their last 5 #UCL home games. #packmas! #FCBARS pic.twitter.com/fq1ZZHo0RS
— FC Bayern English (@FCBayernEN) November 4, 2015
A win for the Germans will guarantee their progress to the next stage of the Champions League. The visitors, on the other hand, are in a situation where they must win or get stuck at the bottom of the table. Keeping that in mind, here is a short preview of the matchup, complete with free soccer betting tips and picks.
Bayern Munich vs Arsenal UCL Game Information anf Soccer Lines
Venue: Allianz Arena, Munich Date: Wednesday, November 4, 2015 Time: 19:45 PM BST TV: Fox Sports 1 and ESPN Deportes Soccer Lines: Bayern to win 2/5, Draw 15/4 , Arsenal to win 6/1
Bayern vs. Arsenal Wednesday Soccer Betting Guide
Bayern Munich are sitting at the top of Group F with six points, even after the humbling loss to Arsenal at the Emirates Stadium. Before that, Bayern Munich had gone unbeaten in all competitions on the season. Since that loss, they have rebounded back with a solid run in the Bundesliga, though they recently saw their 100 percent league winning record dented by a draw against Eintracht Frankfurt over the weekend. Even so, they are still on top of the German league with a five-point lead. Offensively, they are the strongest in the group, having scored 8 goals in three games, but they will be meeting an Arsenal defense that had conceded five before their last encounter at the Emirates, yet they could not manage to score any goal. Arsenal, on the other hand, have been average, if not poor, in Europe this season despite beating Bayern Munich. With a 1-2 win-loss record in the competition so far, they must wake up and give another solid performance if they are to harbor their ambitions of progressing to the next stage. The Gunners have scored five goals in three games in Europe and will be facing a Bayern side that has conceded just two. It will be a mountainous task to repeat another winning performance over Bayern away from home, but after beating all soccer odds to win in the first leg, it would be ill-advised to write them off completely.
Which are the main injury concerns?
Bayern: Mario Goetze, Holger Badstuber, Benatia and Kirchhoff.
Arsenal: Bellerin, Welbeck, Wilshere and Rosiscky
Bayern Munich are 2-1 in Europe this season
Bayern Munich failed to score for the first time in the league this season in the nil-nil draw against Eintracht Frankfurt
Bayern Munich have only lost once this season in all competition
Arsenal are the only team to have beaten Bayern Munich this season
Arsenal are the only team to have scored two goals against Bayern this season
Writer's Bayern Munich vs Arsenal Soccer Lines Predictions
Bayern are more endowed talent-wise, but Arsenal look like the better side, going by their recent form. It would therefore not be a surprise if Arsenal won the game. That said, I believe the host will take advantage of Arsenal's right wing, given the solid Hector Bellerin will be out of the game and the shaky Mathieu DeBuchy will be taking over. And for that reason, Bayern will ease to a convincing win, with the likes of Douglas Costa and Arjen Robben causing terror all night, with the game total going OVER in the soccer lines.
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A medley of voices, instruments, ages and genres took to the stages of the Crowsnest Pass Public Art Gallery, Isabelle Sellon School, Horace Allen School and the Crowsnest Community Christian Centre for the Crowsnest Pass Music Festival, an annual talent showcase that celebrates the musical talent in the community.
Four adjudicators were flown in from all over Alberta to listen to the performances and offer critiques and professional input on the piece. All adjudicators came highly recommended by the Alberta Music Festival Association.
Adjudicators also scored each performance, determining whether the act moves on to Provincial Festival taking place in May and June.
While the CNP Music Festival certainly has that competitive aspect, President Tynan Groves says the mandate is focused on education more so than simply winning.
This was Groves' first year as president of the festival, replacing Deb Goldstein, who formerly held the position for two years. With the talented Board of Directors and Groves at the helm, the week of music performances went off without a hitch.
The names of performers and groups who will be progressing to Provincials will be announced at the Grand Concert on March 23 at 7 p.m. at Isabelle Sellon School, where those who missed last week's festival can see a summary of the week.
Tickets for the Grand Concert are $5 and can be purchased at Isabelle Sellon School in advance and at the door.


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Kiara Debuts On Koffee With Karan As Karan And Shahid "Manifest" Her Wedding
Another week and arguably one of the most talked about shows of the year has a new episode as Karan Johar hosts Shahid Kapoor and Kiara Advani on Koffee With Karan
Nobody would have thought that this is the first time that Kiara Advani has made it to Koffee With Karan. She has been in the industry for a very long time and made her debut with the movie "Fugly" in 2014. She gained fame in the industry by doing roles in MS Dhoni : The Untold Story and Lust stories. These roles were just a starting point of her success in the industry. She has never looked back since then and has delivered box office hits one after another. Kiara Advani gained further recognition for her roles in the comedies Good Newz and the romantic drama Kabir Singh, two of the highest-grossing Hindi movies of 2019. Her roles in the movies Shershaah (2021), Bhool Bhulaiyaa 2 (2022), and Jugjugg Jeeyo (2022) reinforced this popularity. Her companion to the show was her good friend and a Koffee With Karan Veteran, Shahid Kapoor. He is one of the only two people who has come on all seasons of the show, alongside Kareena Kapoor Khan (his ex-girlfriend).
According to Kiara, it was because of Lust stories that people started to recognize her
Karan Johar, the host didn't let the debutant, Kiara Alia Advani feel comfortable at all. His questions come at a rapid pace and are quite difficult to dodge but Kiara did try her best to change the topic of discussion. Knowing how Karan Johar is, he in the end, almost made Kiara admit that she and Siddharth Malhotra are a couple and have been dating for a while. Even though she didn't explicitly admit to the relationship, she didn't deny it either. Like Sid, Kiara attempted to sweep the issue under the rug, and like Vicky Kaushal, Shahid was unable to suppress his grin. On the other side, Karan had a triumphant grin on his face. Kiara was forced to acknowledge her connection with her Shershaah co-star by Karan, who claimed that hiding your relationship is a thing of the past.
Kiara admitted that her and Siddharth Malhotra are "more than close friends"
Since it was Kiara's first appearance on the show, we learned a few intriguing facts about her. She revealed embarrassing moments from the past to the present time where her friends finally acknowledged her as a celebrity. Most of the fans didn't know that Juhi Chawla was a very close friend of Kiara and she made it to the industry through her. She revealed a very embarrassing incident of hers when she met a director at a success party and how she felt ashamed after what she had done. She also revealed that her friends finally started acknowledging her as a fine actress after she made it to the Koffee With Karan couch.
Kiara said that this was her most embarassing moment in the industry and Juhi Chawla was stunned at what she was doing
The main topic of discussion throughout the show, just like last week, was around Siddharth Malhotra and Kiara Advani's relationship. Shahid also joined Karan in the discussion instead of her helping her friend out. It was a very fun segment as Kiara tried to deny the relationship but ended up revealing a lot more than what was expected. When Karan asked a question on marriage on the show, Kiara continued the topic by saying she supports the institution of marriage. "I have seen beautiful marriages around me, and I see that happen in my life too. But I will not reveal when that is happening," she said.Given that the rumor is virtually certain to be true, Karan and Shahid confirmed their invitation and declared that they will dance to the song "Dola re Dola" whenever the wedding transpires.
Shahid claimed that Kiara will make a big announcement soon this year and it is certainly not a movie
However, one amusing moment from Kiara's rapid-fire has been one of the best parts of the entertaining show. In the rapid-fire round, when Karan asked Kiara which celebrity she would most want to have in her bride squad at her wedding, Kiara replied, "Alia Bhatt," with great affection. Kiara said, "I'd really love Alia Bhatt to be in my bride squad. I love her, she is so cute." Karan then got confused, and said, "In your bride squad? Marrying Sidharth Malhotra?" He then said, "Marrying Sidharth Malhotra with Alia Bhatt in the bride's squad is quite cool".
This was also one of the most funny moments from the episode as Kiara admits her frustration towards Shahid during the shooting of Kabir Singh
Talking about the most anticipated segment of every episode, the rapid fire round. This week, the rapid fire was literally rapid and the answers given by both actors were the ones desired by the audience and jury. The famed Rapid Fire round was won by a debutant on the couch after a very long time, and they did it while sitting next to a Koffee veteran who has appeared on the couch every season since the show's inception (seven times). Shahid received 43% of the vote in the round, while Kiara received 57% as the latter won the glorious hamper. Nevertheless, Shahid triumphed in the gaming round as Kiara was left with blank answers to several of the questions.
Shahid in his rapid fire revealed that he and Mira regularly fight over the speed of the fan and A/C which the audience found to be hilarious and relatable
By releasing two solid episodes back-to-back, Koffee With Karan has raised the stakes. The latter two episodes held the audience's interest throughout and were highly fascinating. The dull talk of how the celebrities struggled and how they succeeded throughout some of the earlier episodes didn't hold the fans' attention. The chemistry between Kiara Advani and Shahid Kapoor in the most recent episode left the audience in awe of their relationship. The supporters believed they had a similar connection like the one shared by Alia Bhatt and Ranveer Singh. Simply put, the previous two episodes were the finest, and Karan Johar may need to provide an even better performance to maintain fans' interest.
AliaBhatt'sFriends | Aliabhattfriends | aliacrush | KaranJohar | KaranJoharsavageresponse | KiaraAdvani | kiaraadvanisidharthmalhotra | KiaraandSidhharth | Kiarabreakuprumours | koffeewithkaran | Koffeewithkarancontroversy | koffeewithkaranseason7
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This Friday I am taking part in a panel discussion in the beautiful George Gilbert Scott-designed chapel at King's College London, with Stuart Brisley and Maya Balcioglu and Dr Sanja Perovic. The event is part of the King's College London Arts & Humanities Festival 2014: Underground, and is a rare opportunity to hear Brisley and Balcioglu in conversation, and to hear about The Cenotaph Project.
In addition, as part of the proceedings I shall be reading a new short story published to mark the event, entitled 'The Holborn Cenotaph'. A limited edition of fifty signed proofs will be published by Piece of Paper Press to mark the event. Here is the information taken from the A&H Festival brochure. Please click-through for the Eventbrite bookings page.


Application of active source seismology to the structure, composition, and physical properties of the Earth's crust and upper mantle; seismic wave propagation and imaging; petroleum exploration; environmental geophysics; CO2 sequestration (CCS); hydrogeophysics; physical properties of petroleum related marine gas hydrates; Geographic Information Systems.
05/13 – 07/18 Director, Earth Sciences and Resources Institute, University of South Carolina.
01/13 – 07/18 Professor, School of the Earth, Ocean, and Environment, University of South Carolina.
08/09 - 12/12 Associate Professor, Department of Earth and Ocean Sciences, University of South Carolina.
01/03 - 08/09 Assistant Professor, Department of Geological Sciences, University of South Carolina.
06/00 - 12/02 Research Assistant Professor, Department of Geological Sciences, University of South Carolina.
08/96 - 05/00 Research Assistant/Teaching Assistant, Geophysics, Dept. of Geological Sciences, Cornell Univ.
06/98 - 09/98 Geophysicist, Chevron Overseas Petroleum Inc., USA.
08/95 - 06/96 Visiting Scientist (Fulbright), Cornell University.
07/90 – 05/00 Research Scientist, National Institute for Earth Physics, Romania.