text:
The 2017–18 Alabama A&M Bulldogs basketball team represented Alabama A&M University during the 2017–18 NCAA Division I men's basketball season. The Bulldogs, led by first-year head coach Donnie Marsh, played their home games at the Elmore Gymnasium in Normal, Alabama as members of the Southwestern Athletic Conference. The Bulldogs finished the season 3–28, 3–15 in SWAC play to finish in last place. Alabama A&M was ineligible for postseason play due to APR violations.

On May 11, 2018, Donnie Marsh resigned after just one season as head coach. Six days later, A&M associate head coach Dylan Howard was named interim head coach of the team for the 2018–19 season.

Previous season
The Bulldogs finished the 2016–17 season 2–27, 2–16 in SWAC play to finish in last place. They did not qualify for the SWAC tournament.

On March 7, head coach Willie Hayes resigned. He finished at Alabama A&M with a six year record of 54–121. On April 12, the school named Texas Southern assistant and former Florida International head coach Donnie Marsh the new head coach.

Roster

Schedule and results

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!colspan=9 style=|Non-conference regular season

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!colspan=9 style=| SWAC regular season

References

Alabama A&M Bulldogs basketball seasons
Alabama AandM


hey i loved beast and bezerk and can't wait 2 read the next one but i live in austrailia so will i get it at the same time?
This looks fantastic, Ally! Well done, you are now sixth on my favourite authors!!! But you are sure to move up when I read Bedlam! Fantastic work, keep it up!!
I cant say more than I love your books, I live in sweden, and I read your books in swedish, therefore my question: Do you know if any swedish book-corporation will accept Bedlam?
Im loving your books are you planning to write another one?
Do you going to write somthing about Selby?
I cant wait til Bedlam coming out on Swedish! I think it coming out after the summer.
I'm reading youre Bedlam now, and I think it's really great so far.
I live in Canada, Quebec and I read Beast and Berserk and I loved them! I speak in french and I don't know when Bedlam will be translated in french. Please, if you know some thing about this, tell me I love your books!
I picked up your book berserk in a library and started to read it, I really loved it! I loved it so much that 5 of my other friends wanted to read it then I read Beast and I want to buy Bedlam.
Are you going to write any more books related to them?
Hey Anonymous! am I going to write any more books relating to BEAST BERSERK and BEDLAM?
there is a Parsons brother I haven't dealt with yet, Selby, though his story will be a difficult one, as in BEAST, we learn he has died.
i really love your books, i'm even doing a presentation on BEAST at school. I'm trying to get my friends to read your books and hopefully they will!
Thanks Anonymous, I hope you get your mates to read them too! I'm busy writing a new teen novel now, hopefully publishing early next year.
There is a little more info about BEAST, that might be useful for your presentation.


Why not start with this video to find out more?
I don't yet know why you need my help.
Maybe you suffer from anxiety, depression, trauma, stress, insomnia, lack of confidence, a debilitating phobia, panic attacks, OCD, Chronic Pain, battle with your weight or can't give up smoking?
Maybe you can't quite put your finger on it but just know you want to feel different and better. More whole? Be more part of life rather than an observer? Less lonely? No longer held back?
Perhaps you've tried many times to make permanent changes and haven't yet succeeded.
Hypnotherapy uses hypnosis to produce a natural state of deep relaxation. This relaxation is in itself beneficial and can reduce stress and anxiety. Hypnosis also allows you access to your subconscious mind and it is this access that can enable permanent, positive changes to be achieved using hypnosis.
Our previous life experiences have influence on how we think and feel today. You probably won't consciously be aware of how your current difficulties are linked to past events. This is because these connections between past events and your current thoughts and feelings are made subconsciously.
Only trying to make changes at the conscious level may be the reason your previous attempts to make positive changes have not stuck, those subconscious connections keep dragging you back again. You work really hard to make positive changes but they don't have the lasting effect you hoped for.
Deep level changes at the subconscious level will leave all parts of your mind working in harmony and can enable positive, life changing, lasting change. You are then free to build the life you want.


'Houses 30% undervalued' – RBA …Really?
RBA says houses are 30% under-valued. What do they know that we don't?
Someone asked me what I made of the RBA claims last week that houses are 30% under-valued.
That's the word from the quaintly named Dr Tulip, senior research manager at the RBA. Dr Tulip has a model. That model says that house prices in Australia are currently 30% lower than you'd expect them to be.
Of course, people have flipped their lids. Houses are expensive! Everybody knows that. Have you tried to buy a house in Sydney lately? Are you nuts?
So do I agree with Dr Tulip?
Because economists' models are simplified abstractions of a world that's complex and constantly changing.
The world is just too complex to stuff into a model. It's like long-range weather prediction.
And the real estate market is constantly changing. Very few people saw the impact of Chinese buying on the horizon. Any model that failed to account for that factor would have been way out.
What they can be useful at is shining a light on trends and changes that are worth thinking about.
And this is where Dr Tulip's results are interesting. Because a few years ago, his model was saying that house prices in Australia were 'fairly priced'.
So how did we get from being around fair value to 30% under-valued?
Specifically, long-run interest rates. Tulip's suggestion is that our markets haven't caught up the new reality – a reality where interest rates stay lower for a very long time.
Because interest rates are central to the question of affordability. If interest rates are lower, people can afford bigger mortgages.
The lower interest rates go, the more we can bid up the price of housing.
But it's not the only factor at play.
Because longer-term interest rates (e.g 10-year government bonds) have fallen to some of the lowest levels on record.
And what that tells us is that no one in the market expects that interest rates are going to rise anytime soon.
Is that true? Well, who knows, but it's not an unreasonable expectation.
Because look at what's going on around the rest of the world. Interest rates are still at zero in the US, Europe and Japan.
In Japan they've been at zero for twenty years.
Australia has, in Glenn Stevens' words, interest rates at "the lowest levels in human history." But they're still high by international standards.
And in the US, the economy seems to have found its feet. Unemployment has fallen from over 10% to a little over 5%. And yet, interest rates are going nowhere.
No one anywhere expects interest rates to rise.
And so longer term interest rates have fallen to record lows.
That also feeds back into the banks' cost of funds – the cost of borrowing money on the wholesale market.
If the cost of capital falls, we can see mortgage rate reductions, even without an official rate cut from the RBA.
And that's what Dr Tulip is pointing out. In a world where interest rates stay lower for longer, house prices could have some way to rise.
But 30%? Look, who knows? It sounds pretty high. But I wouldn't get too hung up on the exact number.
And if you were to ask me if I thought house prices would rise 30% over the coming years, I would say yes.
Just don't ask me how many years it's going to take!
The point is house prices are what they are. People will pay what they will pay. The market will do what it will do.
Don't get too caught up on 'market timing'. Invest in good suburbs with growth potential. Manufacture your own growth.
And let the economist bicker over their models.
What do people think? Is '30% under-valued' way out?


I have a 31 foot Jim Brown SeaRunner Moored in SanRafael Yacht harbor, what would i have to pay to have someone transport the boat down the coast to the nearest Mexican Port where i could take delivery??
I'd deliver her to Ensenada for $2,500 plus expenses (flights, food, fuel). Email me at southernocean@juno.com if you're interested.
Though this is crew wanted I think you are asking question, yes?
I remember it being $4.00 A mile for licensed captain plus expenses. But my info my be dated.
You may want to post this in dollars and cents section if you are trying to get the fair market price.
Fax you a copy of their Masters Ticket (currently it looks like a passport but Red) A six pack should be OK but only have a one page certificate.
Cheap is NOT always the least expensive!!
Dont forget---References, references, references!!!!! A lot of six packs out there. I had a six pack at 28 years old, kinda easy to get ( My 2cents ). But references are not so easy to get and be sure to follow through and check them out. One boat I was crewing on, we picked up a crew who was supposed to have a six pack, my captain had a hard time getting through to all but one of his refences. He was a bad pick for crew, I doubt he had ever even been offshore. It made for a long two weeks in the Atlantic.
Sorry for the lecture, just voice of experience.
Good luck, love the SeaRunners, have fun on her.


text:
Arts Culture
The Dover Quartet Wants to Remind Us of Our Humanity Through Music
Virginia Croft September 19, 2017
Since their success at the 2013 Banff International String Quartet Competition, the Dover Quartet's career has only proven to shine and flourish. While their performances of powerful works by Shostakovich and Laks show incredible caliber, the quartet dabbles in more contemporary facets, including a stab at the world of Twin Peaks, just in time for Showtime's recent reboot.
Each member of the quartet brings a carefully honed approach to the spectacular works they tackle, as their honors display — their upcoming season includes their debut at Carnegie Hall, a return to the Kennedy Center, and year three of their residency at Northwestern University. On October 22nd, the quartet will be performing in Beacon, at the Howland Chamber Music Circle. The program includes works by Tchaikovsky, Danielpour, and Bartók. Camden Shaw, the quartet's cellist, spoke about music as a tool for peace, rehearsal schedules, and checking in with your bones.
Your latest release, Voices of Defiance 1943 1944 1945, examines the impact of World War II on composers. What drew you to look at the variable of war and music?
Voices of Defiance actually drew out of a strong desire to record Shostakovich's second quartet, written in 1944; it is an often overlooked quartet by one of our favorite composers. At the time we were discussing our second album, we were also touring with Viktor Ullman's incredible third quartet, written in 1943, and the gears started turning at the idea of an album exclusively of World War II music. I think retroactively the project, really emanating from the pieces themselves, made us think a lot about the relationship between war, or hardship in general, and the creation of art.
On that note, the general impact of government can be seen in music throughout history. With the current political tensions, do you feel yourselves, as a quartet, using music to make sense of it all?
I think music makes sense when all else seems to be madness. In fact, in our current political climate, a concert-going audience is a hopeful look at people coming together based on shared love and appreciation, rather than being divided. Music, along with all the arts, has such a capacity to remind us of our humanity, which in turn binds us together in a healing way.
I loved your rendition of the ever eerie Twin Peaks score. Were you all interested in the show, and Badalamenti's infamous compositions, prior to your recording?
I'm so glad you liked it! We had a great time working on that project. Dan Schlosberg, the composer who arranged some of Badalamenti's score and composed a wholly original fantasy based on it, was really the driving force behind the project. He loved the show and ever since we met him he'd been talking about it — so at his request we all started watching it, and really fell in love with the show's atmosphere and quirky quality.
You have an exciting season ahead of you, full of collaborations with musicians ranging from Amy Yang to Edgar Meyer. What is the process, and rehearsal schedule like for these performances?
Rehearsing with collaborators while maintaining a heavy touring schedule is very difficult. In most cases, you get one or two rehearsals maximum before being onstage together. We did a small tour with Edgar last year, though, and so in his case our concert together will be a sort of homecoming! I'm so glad you mentioned the collaboration with Amy — she is such an unbelievable pianist and we haven't been able to play with her yet. We've known each other well for years and admired one another's playing, so finally getting to perform together is almost a celebration in spirit.
The Dover Quartet formed while you were all college students at Curtis. What advice would you give to current college musicians, who are hoping to pursue a performance career?
This may not be the most fun-sounding advice, but I promise it's from the heart: I would make sure to examine why one is going into music as a career. I truly believe that you can make a career in music in countless ways, and have a positive relationship with music in your life; but several people very close to me have realized, after seven years of college, that they were really only in music because of some unspoken pressure from their parents or extended family, since they've been doing it very well since they were little kids. From what I've seen, that is a very common and very painful experience for music majors that needs to be more openly talked about. If you really feel in your bones that you're doing it for you, you're going to be great! But check your bones.
Related: Woodstock's Simi Stone Takes to Pastels While Waiting to Drop New Album
Out of the compositions on your 2017–18 roster, which piece feels the most powerful?
That's a tough one! Also, there are some pieces on the '17–'18 roster which we haven't performed yet, so it's even tougher to say. I think Zemlinsky's second quartet has one of the most powerful structures and sense of pacing of any piece I've heard (It all hangs together in one giant arch) and I suspect it will be goose-pimplingly cool to perform! But any piece can give you chills on the right night, and there's some magic in not knowing when a piece will really hit you full force.
150 Backpacks Filled With School Supplies Handed Out To Underprivileged Students
Im-pasta-bly Good Plates
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Tag: Breathless
Cut to 18: HER MENTOR EDITED "BREATHLESS"
Cut to:
Her Mentor Edited Breathless
Edited from a memorial post written by Mary Stephen a month after the passing of Cécile Decugis in June 2017:
Rohmer suggested I become an assistant editor on La Femme de l'Aviateur (so I could earn a little dough and stay in France)…When I knew that Cécile had edited A Bout de Souffle (Breathless), which is such a mythical work for cinephiles all over the world, I told Éric I would have been happy to sweep the floors for Cécile.
Cécile always maintained great gentleness with me, despite Éric's strong remonstrations: "She's making the other crew all cry, aren't you scared of her?"
Then followed years of friendship, much of it at a distance. She never made me cry; on the contrary she helped me get over youthful tears whenever there was a matter of heartbreak or slight at perceived injustices to me, as a young Chinese woman fresh from Canada.
When I went to visit her for the last time, the year before she died, she brought me into the house, she gave me a DVD of her film about the demolition of the Renault plant on the island of Seguin. Earlier she had asked me for my opinion about her new film about her father, a short but emotional piece. I was very moved by this film that she was going to such great pains to finish, with the editing formats, the sound mixing…It was incredible for me and my children to see this woman at 86 or 87 keeping the faith as a filmmaker, and being able to carry on with her work almost to the end. I would have liked to be able to say a last farewell.
Never postpone until tomorrow a telephone call you could make today….
DECUGIS, CÉCILE
Cécile Decugis
After making two short films, Cécile Decugis became the assistant editor to Marie-Josèphe Yoyotte on Truffaut's The 400 Blows. She then edited Godard's Breathless and Truffaut's Shoot the Piano Player (co-edited with Claudine Bouché), putting her in the same company as Agnès Guillemot, who also edited films for both directors. In 1960 she was arrested for renting an apartment to National Liberation Front militants* and spent two years in La Roquette prison. Decugis became the main editor for Éric Rohmer in 1969 and edited all his films until 1983, including My Night at Maud's, Claire's Knee (co-edited by Christine Lecouvette), Chloe in the Afternoon and Pauline at the Beach. She mentored Mary Stephen, who edited later Rohmer films. Decugis has thirty editing credits. In 2011, at age 77, she reworked a 1957 documentary film about Algerian refugees in Tunisia and rereleased it as Bread Distribution.
*The NLF supported the Algerian war of independence from France.
"Truffaut rarely came into the cutting room because he did not like it very much, whereas you could not imagine a film of Godard's being edited without him being present. Rohmer was there all the time because he did not like you to work a scene or even a shot without him being present…
When we went to the first screening [of Shoot the Piano Player], Truffaut was very happy. It did not change because there were not many ways to cut it. I hate the term "first cut" because you should always be cutting to make it work. I do not think you should be doing bad cutting. After this "first cut" of course you will make some modifications. In New Wave films the cutting style was not planned in advance. They had a concept of what the style would be and they worked from a script, but they did not know in advance exactly where the cuts would be made. They would have been against being so pre-planned. This is not to say that we were going into the cutting room to find and create something new. The concept of editing was part of the whole film like the style of the shoot and the acting. The editing does not exist in isolation. Sometimes in the cutting room you discover an innovation or you put right problems with the cut. However, in general what happens in the cutting room is a reflection of the film."
Credit page for My Night at Maud's
"They [Truffaut and Godard] were against conformity in French cinema. What we cut had to be as alive as possible, appearing spontaneous rather than worked out. Although often, that which appears most natural can require the most reflection. Truffaut was not so much interested in editing, rather he was interested in the idea of the film in general. He would return from a screening and say, "That particular scene is too long, you need to shorten it." He was fantastic with the overview of the film, but he got bored working with the detail. Godard on the other hand was incredible with cutting. For him cinema defined itself by editing, for Godard cinema is editing."
—Two excerpts from an interview with Decugis in "Editing and Post-Production Screencraft" by Declan McGrath. The full interview can be found in the Appendix.
ABOUT "EDITED BY"
I've been making films since 1978, so I know how critical editing is.
I've also known that women editors have played a significant role in the evolution of cinema, without knowing many details or having seen many photos like this one.
In January 2018, I came across a chapter about editing in a film history book in which every reference to a film mentioned the director's name, not the editor's. I looked up each film on IMDb and discovered an astonishing number of women editors, and set about doing the research which has resulted in this website. It isn't meant be comprehensive or exhaustive, but rather to be the beginning of a survey that others will continue to expand upon.
The first part of the website presents the "main editors"—women who were, or are, editors by profession. There are ninety-two women represented with full pages, as well as eighteen more who have smaller mentions (in relation to their work on films directed by Jean Rouch, or those starring Danièle Delorme).
The second part of the website presents the ninety-six "Filmmakers Who (always or sometimes) Edit."
The main editors are organized by date of birth. If someone's birth date wasn't in the public record, I made an estimation based on when she started working and grouped her within that decade.
On each editor's page, you'll find one or more photographs and the key facts about her work history, but no external links. However, the main Appendix has multiple links for each woman. These are either video interviews, articles that discuss the style in which she worked, or sometimes a text by the editor.
There are also several movie posters on each woman's page, which serve as a visual reference to some of the films she edited. And at the back of the website is the Poster Gallery, where you can see all of them arrayed together.
While researching the main editors, I happened upon some interesting facts or ideas that went beyond the specific biography of an editor. Those became the "CUT TO" pages, which are interspersed throughout the site.
The question of "getting credit where credit is due" was a prime motivation for making the site, so there is a Screen Credits Gallery at the back of the website, as well as some samples of screen credits on a few of the editors' pages.
For the launch party at Union Docs in Brooklyn, I created Edited by: The Companion Film, which has a one-minute clip from a film edited by each of the ninety-two main editors. There's a link to it on the Table of Contents page. I'm sorry to say that it doesn't include the other half of the editors on the site, the "Filmmakers Who (always or sometimes) Edit." Their work has also been pivotal in developing editing techniques, and I hope that can be a project for a later date.
There are four Appendices.
A: It's where you'll find further information about the individual editors.
B: There have been some good articles written about the history of women editors. They often talk about several women, and often include some of the women singled out in our pages, but rather than mix them into the first Appendix, we created Appendix B: The History of Women Editors, with links to those articles.
C: With the exception of the information on the "CUT TO" pages and the brief quotations from the editors on their individual pages, the site doesn't analyze or discuss specific editing techniques, or the complex working relationship between directors and editors, or explain how editing plays such major role in the creation of a film. I assume that some of you are fairly knowledgeable about editing, but that others might want to start learning more. To that end, we created Appendix C: Editing 101, which has links to online articles and videos that explain many of the fundamental concepts, concerns, and technical aspects of editing.
D: Everyone has their favorites, and it was utterly impossible to include everyone on the site, so we created Appendix D: The Collaborative Update, where names of editors will be added whenever we hear from a visitor about them.
I am grateful to Bes Arnaout, Lydia Cornett, Lili Dekker, Michael Jorgensen, Charlotte Maher Levy and Jane Pritchard for doing much of the end-stage research on the Appendices. They dug deep to find substantial, thorough information whenever possible in order to create a more focused way to learn about someone, rather than through a random google search.
There is also an index so that you can easily find any of the editors.
And finally, if you want to know who worked for a certain director or who edited a specific film, the search field lets you write in the name of a director–for example, Jean-Luc Godard–so that you can discover that nineteen of his films were edited either by Agnès Guillemot, Cécile Decugis, or Françoise Collin. (Amazing, eh?) Or you can write in a film title–like Breathless–and find out which one of those women shaped that masterpiece.
–Su Friedrich


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Eddie Redmayne Officially Starring In 'Fantastic Beasts And Where To Find Them'
Posted June 2nd, 2015 by Ben Silverio
Earlier this year, casting for the pre-Harry Potter wizarding film 'Fantastic Beasts And Where To Find Them' was in full swing. The movie directed by David Yates and written by J.K. Rowling was said to be looking at a number of actors to star as Newt Scamander, the magizoologist who went on to pen one of the most recognizable textbooks to any Hogwarts student (or Potterhead). While it was said that 'Doctor Who' star Matt Smith was an early favorite for the role, a different kind of doctor (and Academy Award winner) Eddie Redmayne quickly became the frontrunner. Now, Warner Bros. has announced who will officially play the author/adventurer as he studies magical creatures in various locations around the world including New York City during the 1920s.
According to Deadline, WB announced that Eddie Redmayne has landed the role of Newt Scamander in the upcoming magical prequel. The star of the Stephen Hawking biopic 'The Theory Of Everything' and the sci-fi space opera 'Jupiter Ascending' was said to actually be the studio's first choice for the part and the comments from Warner Bros. Pictures President of Creative Development and Worldwide Production Greg Silverman in the press release definitely allude to that. I mean, it definitely doesn't hurt to have an Oscar winner as part of a potential franchise, right?
"Eddie Redmayne has emerged as one of today's most extraordinarily talented and acclaimed actors. We are thrilled to welcome him into J.K. Rowling's Wizarding World, where we know he will deliver a remarkable performance as Newt Scamander, the central character in Fantastic Beasts and Where to Find Them."
Director Yates weighed in as well on behalf of himself and Rowling, who is making her screenwriting debut with 'Fantastic Beasts':
"Eddie is a fearless actor, brimming with invention, wit and humanity. I couldn't be more excited about the prospect of working with him as we start this new adventure in J.K. Rowling's wonderful world, and I know she feels the same way."
Even before this formal offer was issued, it was basically assumed that Redmayne had got the gig already. But now that the official word has been given about the film's star, we're likely to know who else will be joining him in the cast sooner rather than later. Until then, what do you think about Eddie Redmayne starring in 'Fantastic Beasts And Where To Find Them' as Newt Scamander? Share your thoughts in the comments below.
'Fantastic Beasts and Where to Find Them' apparates into theaters on November 18, 2016.
David Yates
Ben Silverio
Ben F. Silverio received a degree from Drexel University in the Screenwriting and Playwriting Program with a minor in Television Production. While at Drexel, Ben co-founded and co-hosted a film review show called The Pretentious Film Majors, which has evolved into a multi-format form of entertainment including blogs, podcasts on iTunes, articles in the school paper, and a potential tv show. Now armed with an extremely expensive piece of paper, Ben can begin climbing the treacherous ladder of the entertainment industry, which he hopes to do while streaming WWE wrestling matches, reading Marvel comics, and blogging about the excessive amount of movies and tv shows that he watches, all on the iPhone that is permanently attached to his hand.
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Penneys to reopen Irish stores on June 12
"Penneys can confirm that its stores with street access will open on Friday 12 June, and its remaining stores that are located in shopping centres across Ireland will open on Monday 15 June"
Kathy Prendeville
The original Penneys Store in Mary Street, Dublin, Ireland, which opened in 1989.
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Finally, it's the news we've all been waiting for! Penneys is working to re-open all of our stores in Ireland from 12 June, following the recent announcement by the Irish Government on Friday.
Penneys stores with street access will open on 12 June, while Penneys stores located in shopping centres will open on 15 June.
The news comes after Taoiseach Leo Varadkar announced that large retailers will be allowed to reopen three weeks ahead of schedule, in phase 2 rather than phase 3.
Penneys closed their doors back in March after the spread of the coronavirus and while said they would not be ready to open on June 8 as permitted, the stores will be opening from June 12 onwards. A representative for Penneys said:
'Penneys can confirm that its stores with street access will open on Friday 12 June, and its remaining stores that are located in shopping centres across Ireland will open on Monday 15 June.'
We can expect our trips to be a little bit different as the stores follow government health and safety advice:
'Employee and customer safety is the highest priority in our preparations for re-opening
'To help provide a safe environment in stores for our employees and as we welcome back customers, social distancing protocols, hand sanitiser stations, Perspex screens at tills and additional store cleaning will be among the measures in place.
IKEA to reopen Irish stores on Monday
'Strict social distancing protocols will be in place with limits on the number of customers in store at any one time to allow for the appropriate distance in between customers and employees.
'Clear signage and floor decals, as well as dedicated employees and additional security staff, to guide customers through the store in a way that limits contact with others.
'Every second till will be closed to allow more space between customers and between employees.'
Leo Varadkar shares big update on changes to roadmap phases
Fitting rooms, customer toilets as well as cafes and beauty concessions win stores which have them will remain closed.
'Hand sanitiser stations will be made available at the entrance and on the shop floor and back of house for employee and customer use. Face masks and gloves will be made available to all Penneys employees.
'Perspex screens have been installed on tills to protect customers and employees.'
Primark CEO, Paul Marchant, said:
Coronavirus Ireland: The new rules for social gatherings amongst friends and family
"As we re-open our stores in Ireland, nothing matters more than the health and wellbeing of our colleagues and customers.
"We have really missed our customers and we are delighted to be back trading again on our home soil. From 12 June we will be able to provide our customers with the quality, affordable products they love from Penneys.
"We know that life for our customers is going to look different for a while. We want our stores to be safe and reassuring places to shop and work. While it might take a little longer to get into our stores, once inside, customers will find all their favourite Penneys products and we have worked hard to make sure that clear signage and extra help will be there to guide them through the changes we have made to allow for social distancing.
Coronavirus Ireland: Hairdressers and barbers to remain closed until July 20th
"We will adopt all government safety advice as a minimum in our stores and have benefited from our experience in the other markets in Europe where we have already opened successfully. As we open, we will continue to look at best practice across the retail sector and amend our measures appropriately.
"I would like to thank all of our colleagues and partners for the commitment, strength and resilience they have shown through these challenging times."
rsvpmagazine
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Penneys


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Chances of IIM seat get slimmer
Kalpana Pathak in Mumbai | August 07, 2008 03:02 IST
Only one out of every 175 students who take the Common Admission Test will make it to the Indian Institutes of Management this year. The logic, note experts, is simple. Around 300,000 students are slated to appear for CAT this November.
Only 4,000 to 5,000 get an interview call going by the last few years' data. However, there are only 1,700 seats (last year, it was 1,500) for the next two-year management programme (2009-11), which warrants further elimination.
Despite such slim chances, industry players believe more students will try to crack CAT as the job situation is not at its best. The increase in the number of students taking the CAT exam this year will be around 20 per cent over last year when an estimated 250,000 students appeared for the exam.
"We believe more students will appear for CAT this year considering the slowdown and the fact that jobs will be at a premium. We had seen a similar situation in 2001, when there was an almost 100 per cent jump in the number of students appearing for CAT," said Shiv Kumar, director, Career Launcher, an MBA test-preparing institute.
CAT is a gateway to getting admission to IIMs and other leading B-schools. There are 116 non-IIM institutions, which will use CAT 2008 scores. These management institutes offer 13,000-15,000 seats.
"A large number of people who take CAT are from the IT industry, which is maturing. As the growth rate slows, people understand that technical skills alone will not help," said Jaideep Singh Chaudhary, product manager � CAT, TIME.
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Telecom, Media & Technology
Media Monitoring Software
Media Monitoring Software, By Deployment (Cloud-Based, On-Premises), By Offering (Integrated Platform, Standalone Software), By End-User (Large Enterprises, Small- and Medium-Sized Enterprise), By Application (Broadcast Monitoring, Social Media Monitoring, Online Monitoring, Print Monitoring), By Vertical (IT and Telecommunications, Retail and Consumer Goods, Banking, Financial Services, and Insurance (BFSI)Banking, Media and Entertainment, Travel and Hospitality) and By Region - Global Industry Perspective Comprehensive Analysis and Forecast, 2020-2026
MDTE73HA7E0N | Sep 13, 2019
In recent years, the media plays an essential role in the operations of any business. Social media monitoring software has features for tracking, listening, and gathering the required content from various social media platforms. Media monitoring software helps the business organization about changing consumer trends, track activities of competitors, to map sentiments, and understand social media presence. For improving the brand reputation, the media monitoring software helps to develop social media presence and collect demographic data for the same. The demand for media monitoring systems is increasing with significant investment in digital advertising, increasing customer focus for the advertisement of particular products, growth in the trend for personalized product content, increasing brand promotion on social media. Other factors fueling the market for media monitoring software are growing users of smartphones and rising advertisements through smartphones.
The Media Monitoring Software market report provides a detailed analysis of market trends, drivers, opportunities, and challenges. The market analysis includes the segmentation based on . It also includes company profiles, and competitive landscape, market share, and impact analysis of drivers, opportunities, and challenges. The Media Monitoring Software report also includes a detailed analysis of primary as well as secondary research. This report majorly analyses the leading players such as and their strategies, offerings, recent product innovations, partnerships, and acquisitions to estimate the Media Monitoring Software market.
Zoho Corporation
Bangkok Digital Services
Brand24 Global
CARMA International
20/Twenty by Circus
Galaseo
Isentia
Kantar Media UK
Linkfluence
Media Track
Meltwater
Sonar Social Media Monitoring Platform
Socialbakers
Sprinklr
Media Monitoring Software Segments
The Media Monitoring Software market is segmented as below
Integrated Platform
Standalone Software
Small- and Medium-Sized Enterprise
Broadcast Monitoring
Print Monitoring
and Insurance (BFSI)Banking
The qualitative analysis of Media Monitoring Software market report includes competitive landscape, key growth, and restraining factors. In addition to this, the PESTEL, Porter's Five, and Value chain analysis enables users to understand how the micro and macro-economic factors have influenced the Media Monitoring Software market. The Media Monitoring Software market analysis allows users to understand the competitive factors in the market, which help them to take strategic business decisions for sustainable growth.
In Media Monitoring Software market report the top-down and bottom-up approach has applied to estimate the Media Monitoring Software market. In the top-down and bottom-up approach, the report considered primary and secondary research. In the primary research, multiple interviews were conducted with CEOs, CFOs, and product managers of the leading players. The interviews also include the subject matter expert, investors, and end-user interviews. Secondary research includes company annual reports, press releases, whitepapers, market players' association news portal, government portal, and journals.
The comprehensive and detailed primary & secondary research followed by the qualitative analysis and quantitative analysis provides a 360-degree view of the market. It will help users to understand the competitive environment, potential segments which will create market opportunity in the coming future. The user finds the detailed analysis of leading players, including
and their offerings, strategies, and recent innovations in the company profile section of the report.
Chapter 1: Introduction to Media Monitoring Software Market
Chapter 4: Global Media Monitoring Software Market Estimation & Forecast By Deployment
Chapter 5: Global Media Monitoring Software Market Estimation & Forecast By Offering
Chapter 6: Global Media Monitoring Software Market Estimation & Forecast By End-User
Chapter 7: Global Media Monitoring Software Market Estimation & Forecast By Application
Chapter 8: Global Media Monitoring Software Market Estimation & Forecast By Vertical
Banking, Financial Services, and Insurance (BFSI)Banking
Chapter 9 Global Media Monitoring Software Market Estimation & Forecast By Region
Chapter 10 Competitive Landscape
Chapter 11 Recommendations
Chapter 12 Acronyms and Assumptions


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Post created Wed, 03/06/2019 - 06:55 by CommonAgenda USA
The defining political fact of our time is not polarization. It's the thwarting of a largely unified public.
By Tim Wu
Mr. Wu is a law professor.
We are told that America is divided and polarized as never before. Yet when it comes to many important areas of policy, that simply isn't true.
About 75 percent of Americans favor higher taxes for the ultrawealthy. The idea of a federal law that would guarantee paid maternity leave attracts 67 percent support. Eighty-three percent favor strong net neutrality rules for broadband, and more than 60 percent want stronger privacy laws. Seventy-one percent think we should be able to buy drugs imported from Canada, and 92 percent want Medicare to negotiate for lower drug prices. The list goes on.
The defining political fact of our time is not polarization. It's the inability of even large bipartisan majorities to get what they want on issues like these. Call it the oppression of the supermajority. Ignoring what most of the country wants — as much as demagogy and political divisiveness — is what is making the public so angry.
Some might counter that the thwarting of the popular will is not necessarily worrisome. For Congress to enact a proposal just because it is supported by a large majority, the argument goes, would amount to populism. The public, according to this way of thinking, is generally too ill informed to have its economic policy preferences taken seriously.
It is true that policymaking requires expertise. But I don't think members of the public are demonstrating ignorance when they claim that drug prices are too high, taxes could be fairer, privacy laws are too weak and monopolies are too coddled.
Others remind us that the United States is a democratic republic, not a direct democracy, and that the Constitution was designed to modulate the extremes of majority rule. Majorities sometimes want things — like bans on books, or crackdowns on minorities — that they should not be given.
This is true. It is also true that a thoughtful process of democratic deliberation and compromise can yield better policy outcomes than merely following the majority's will. But these considerations hardly describe our current situation. The invocation of constitutional principle has become an increasingly lame and embarrassing excuse. The framers of the Constitution, having experienced a popular revolution, were hardly recommending that the will of the majority be ignored. The Constitution sought to fine-tune majoritarian democracy, not to silence it.
The most obvious historical precedent for our times is the Progressive era. During the first decades of the 20th century, the American public voted for politicians who supported economic reforms like maximum-hour work laws and bans on child labor. But the Supreme Court struck down most of Congress's economic legislation, deeming it unconstitutional.
In our era, it is primarily Congress that prevents popular laws from being passed or getting serious consideration. (Holding an occasional hearing does not count as "doing something.") Entire categories of public policy options are effectively off-limits because of the combined influence of industry groups and donor interests. There is no principled defense of this state of affairs — and indeed, no one attempts to offer such a justification. Instead, legislative stagnation is cynically defended by those who benefit from it with an unconvincing invocation of the rigors of our system of checks and balances.
The president, because he is representative of more voters, might be thought an important remedy to this problem. And when running for office, Mr. Trump did gesture at his support for popular policies, promising to control drug prices, build public infrastructure and change trade policy to favor dispossessed workers. Yet since coming to power, Mr. Trump, with a few exceptions, like trade, has seemed to lose interest in what the broader public wants, focusing instead on polarizing issues like immigration that are not the public's main concerns but the obsessions of a loud minority faction.
As the United States begins the process of choosing the next president and Congress, we need to talk more openly about which candidates are most likely to deliver the economic policies that the supermajority wants. Yes, the people can be wrong about things, but so too can experts, embedded industry groups and divisive political factions. It is not a concession to populism, but rather a respect for democracy, to suggest that two-thirds of the population should usually get what they ask for.
Tim Wu (@superwuster) is a law professor at Columbia, a contributing opinion writer and the author, most recently, of "The Curse of Bigness: Antitrust in the New Gilded Age."
Original Article: https://www.nytimes.com/2019/03/05/opinion/oppression-majority.html


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Notes From Atlanta
POLITICS OF GRAMMAR COLUMN
MY SCHOLARLY WORKS
STUDY IN AMERICA
Buhari: Not a Clone but a Clown
By Farooq A. Kperogi, Ph.D.
Twitter:@farooqkperogi
Last Tuesday was an awkward day for me here in the United States. It wasn't just that President Buhari's ill-advised response to the insanely absurd IPOB whispering campaign that he is a body double from Sudan was the butt of hurtful jokes in the American news media, all that my students wanted to talk to me about was this issue.
"While your president certainly isn't a clone, he sure is a clown," one student said. Although this jibe jabbed at my national self-esteem, it's painfully accurate nonetheless. Why would someone who isn't a clone (IPOB actually called him a body double, not a clone) deign to dignify such implausible absurdity with a response— and in a foreign country, to boot?
Several readers of this column had importuned me to share my thoughts on the allegation that it's a Sudanese body double who is pretending to be our president, but I always responded that the suggestion is so ludicrous, so off-the-wall, and so patently illogical that even acknowledging it would be an exercise in the legitimization of stupidity. But the president, who is at the receiving end of this fatuous folly, chose to mainstream and legitimize it.
Many people said the president's protestation that he wasn't a clone was intended as good-natured banter. I believe them. It's obvious that Buhari fancies himself as possessing an uncommonly rich faculty of humor precisely because his inanely fawning aides habitually make exaggerated pretenses to finding his often unfunny jokes hilarious.
But it's part of the performances of power that sycophantic subordinates who want to ingratiate themselves with people in power have to learn to laugh at their bosses' jokes, even if the jokes are flat, unwitty, inappropriate, and humorless. This fact creates a false self-construal in the bosses of their matchless capacity for humor, and predisposes them to thoughtless, inapt jokes. When my American student said Buhari was a "clown," he was acknowledging that the president was joking when he said he wasn't a "clone," but he was also communicating the fact that the subject-matter of the joke was beneath the self-worth of a president.
Many times, Buhari comes across as someone with an insatiable gluttony for self-ridicule in his awkward attempts at humor. In the same Poland where he protested that he was not a clone, to give another example, he joked that he would no longer whine about the problems he inherited from PDP, which aggrandized his ineptitude before the world.
He also jokes about having an irresistible urge to run away from Nigeria when the obligations of governance get to him. In November 2016, for instance, he joked that he "felt like absconding because 27 out of 36 states in Nigeria cannot pay salaries." Again, in September 2017, he joked thathad farmers witnessed a poor harvest, "I must confide in you that I was considering which country to run to."
These are humorless jokes, especially because Buhari has the unflattering distinction of being Nigeria's president who has spent the most time abroad. In a September 16, 2017 column, I characterized this tendency as "Buhari's obsessive compulsive runawayism." Serious business of governance shouldn't be trivialized with unamusing jokes, especially by someone whose ineptitude is dramatized by these jokes, whose incompetence is on steroids.
Nevertheless, although it's utterly brainsick to even imagine that a Sudanese body double could successfully take the place of Buhari, this whole notion of a Buhari imposter in the Presidential Villa resonates because it captures the vast disconnect between the Buhari Nigerians thought they elected in 2015 and the bungling, wimpy, aloof, unjust, and inept Buhari that we have as president now.
Buhari had an unearned reputation as a firm, fearless, just, disciplined leader who was animated by a restless thirst to transform Nigeria, to build enduring institutions, to wipe out or at least minimize corruption, and to bequeath a legacy of justice, fair play, and national cohesion.
But he has turned out to be an infirm leader who looks the other way when injustice is committed by his close associates, who disdains the poor, who defends and praises corruption when it's committed by people who are loyal to him, who lies interminably, who has not a clue how to glue the nation and transform lives, and who is consumed by a monomaniacal obsession to perpetuate himself in power.
For people who invested hopes in an idealized Buhari that never existed, the Buhari they see now is figuratively a clone. Even his wife, Aisha Buhari, casts him as a helpless, ineffective, and isolated leader who is held prisoner by an evil, sneaky, corrupt, vulturous, and conniving two-man cabal.
In a speech she delivered at a conference on Tuesday, the Wife of the President said her husband's administration "achieved a lot but could have achieved more or even achieved all it had in one year but for two people in government who will never allow things to move fast," adding that she was "disappointed in men who rather than fight these two men will go to them in the night begging for favour."
This isn't new information for many of us who are familiar with the disabling dysfunction and cronyism in the Presidential Villa, but coming from the president's wife, even Buhari's hardcore admirers are discomfited by the image of an ineffectual Buhari who is inexorably hamstrung by no-good, unelected puppeteers that he appointed. Even to these hardcore supporters, the Buhari they see now is figuratively a clone of the Buhari they elected.
Buhari is also the first and only Nigerian president on record who has openly confessed to being disaffiliated from many of the signature policies of his own administration. For instance, he publicly disagreed with the devaluation of the naira. "How much benefit can we derive from this ruthless devaluation of the naira?" he told business leaders who paid him a visit at the Presidential Villa on June 27, 2016. "I'm not an economist neither a businessman - I fail to appreciate what is the economic explanation."
So, get this: we have a president whose wife says is controlled and crippled by two unelected people that he appointed. This same president is also disconnected from, and obviously makes no input to, the major policies of his administration. How is he different from a clone or a body double? The hard, painful truth is that Nigeria has no president now. Buhari is merely a figurehead who is battling with the ravages of aging and who is unaware of what is going on in the country and around him.
If there is anything that this unhinged "cloning" or "double-body" narrative has dramatized, it is that we have a president who isn't in charge, who holds the horns of the cow while others milk it, who should be resting, not ruling. This is dangerous for the country. Four more years of this will sink Nigeria irretrievably.
Posted by Farooq A. Kperogi at 12:00 AM No comments: Links to this post
Labels: body double, cabal, clone, Daily Trust on Saturday, Farooq Kperogi, Jubril of Sudan, Nigerian Tribune on Saturday, President Muhammadu Buhari, Saturday with Farooq Kperogi
Ibrahim Waziri: From HND in Nigeria to PhD in America
By Farooq A. Kperogi, Ph.D. Twitter: @farooqkperogi What you will read below is the inspirational story of a 29-year-old Nigerian from ...
Aisha Buhari's Embarrassing Grammatical Infelicities at USIP
By Farooq A. Kperogi, Ph.D. Twitter: @farooqkperogi I am aware that this article won't endear me to several of my thin-skinned Buhar...
Biggest Scandal in Oil "Subsidy Removal" Fraud
By Farooq A. Kperogi, Ph.D. Twitter: @farooqkperogi To begin with, the idea that the Nigerian government is subsidizing fuel for t...
Fried Chicken and Watermelon: Racism Through Food in America
By Farooq A. Kperogi In the two-part series I did titled "Eighteenth-century racism in twenty-first America," I cited a racist picture ...
Aisha Buhari and the Evil Aso Rock Cabal
By Farooq A. Kperogi, Ph.D. Twitter: @farooqkperogi Mrs. Aisha Buhari bucked tradition by openly criticizing the political appointme...
HND and American Universities
By Farooq A. Kperogi Twitter: @farooqkperogi In the past few weeks, I have received no fewer than 10 emails from readers of this colum...
Fani-Kayode: Ministerial Rascality Taken Too Far!
The following first appeared in my column in the weekly Trust newspaper, Abuja, on October 7, 2006. By Farooq A. Kperogi Twitter: @far...
Divided by a Common Language: Comparing Nigerian, American and British English
By Farooq A. Kperogi This piece was originally serialized for eight weeks in my weekly column called "Notes from Atlanta" in t...
Petrol Price Hike: Time to Occupy Nigeria Again
By Farooq A. Kperogi, Ph.D. Twitter: @farooqkperogi In 2012 when the Goodluck Jonathan administration arbitrarily hiked the pump pri...
Patience Jonathan's Peculiar Grammar
By Farooq A. Kperogi, Ph.D. Nigeria's First Lady "Dame" Patience Jonathan has by now securely established well-deserved notoriety for ...
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Farooq A. Kperogi
Dr. Farooq Kperogi is a professor, journalist, newspaper columnist, author, and blogger based in Greater Atlanta, USA. He received his Ph.D. in communication from Georgia State University's Department of Communication where he taught journalism for 5 years and won the top Ph.D. student prize called the "Outstanding Academic Achievement in Graduate Studies Award." He earned his Master of Science degree in communication (with a minor in English) from the University of Louisiana at Lafayette and won the Outstanding Master's Student in Communication Award. He earned his B.A. in Mass Communication (with minors in English and Political Science) from Bayero University, Kano, Nigeria, where he won the Nigerian Television Authority Prize for the Best Graduating Student. He writes a weekly column for the Nigerian Tribune. His research has won top awards. Read more about him here: https://www.farooqkperogi.com/p/about-me.html
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Disclaimer: The views and opinions expressed in this article are those of the author and do not necessarily reflect those of Orange County Cerebral Palsy Association, d.b.a. Inspire.
This is Stefanie and Matt.
Stefanie and Matt have been working together for almost six years. Stefanie supports Matt and his family in Respite services. I love this picture because it captures their relationship so well! They were spending time outside together, which is something Matt doesn't get to do often due to the heat. They were waving at cars that passed by and talking about all the fun things that they like to do together.
When I asked Matt what his favorite thing to do with Stefanie was he told me that he liked to play games with Stefanie. They play Planco and the Price is Right together; Matt is also a champion bowler both on the Wii and at the bowling alley! Stefanie and Matt spend a lot of time laughing and talking. It is so great to see!
About Disability & Family Support Services at Inspire: Inspire believes that the most important support an individual with a disability receives comes from his or her family and support system. Inspire offers a variety of programs and services onsite, within the community, and in individuals' private homes. Some services are provided during the weekend with the goal of enriching the lives of people with disability and their families.
Read more about Disability & Family Support Services at Inspire here.


All footballers in Spain are due to strike from April 16 in support of colleagues who have not received their pay.
Typically Spanish reported that the Spanish Footballers Association (AFE) is about to call a strike in all categories of professional football in the country for the weekend of April 16-18.
The dates coincide with the 33rd round of the Primera Liga and Segunda División when Real Madrid should be playing Valencia in the Santiago Bernabéu and Espanyol will host Barcelona in the Catalan derby.
The reason the strike is being called is because of the massive debts which have been accumulated by the football clubs with their players, and reports indicate that the strike call will be supported completely by all the professional players.
Excellent! Thanks for reporting this one Steve.
Why couldn't this have started last night?
i wonder if the greedy premiership players will feel solidarity with there european brothers ?
what does a footballer spend his £150,000 per week on anyway ??


A lengthy court case into a serious accident in the centre of Glossop has finally reached the end of the road.
Charges were brought against tow truck driver Michael Bowcock and the recovery firm he was working for following the accident which happened back in May 2014.
The tow truck was pulling a broken down bus when it collided with a row of shops in Victoria Street, Glossop, at tea time on a busy Tuesday evening.
The single decker Stagecoach bus, which was being hauled to a depot from Hayfield, took out the shop fronts of taxi firm Padtax and the Red Dragon take-away.
While the recovery truck ended up wedged between a lamp post and the street corner of Lloyds Bank.
Miraculously nobody was seriously injured and following the crash Mick was hailed a hero for managing to avoid town centre traffic, something Glossop people said had saved lives.
He said the brakes had failed as he travelled down the Chunal hill.
A Facebook appeal was even set up by local residents to raise funds to thank him for his brave actions, with collection boxes placed at local businesses.
At a court last week the recovery firm was eventually acquitted of two charges brought against it.
GM Recovery Ltd, based on the Froxmer Street Industrial Estate, Manchester, was cleared of two charges relating to brakes and the way the load was secured, following a trial, held over three days before a District Judge sitting at the magistrates court in Buxton.
Similar charges against the driver, Michael, 45, of The Glen, Middleton, were dismissed back in December last year after no evidence was offered.
Both the firm and Michael had denied all charges throughout the lengthy legal proceedings.
Picking the Bones with Margaret Holbrook.


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After months of tweeting, many CambsHour networkers who had never physically met before came together for a captivating day of networking, coworking and inspiring talks when CambsHour Day came to Cambridge Business Lounge on Friday 8th March.
Transferring or commencing to trade through a company may provide taxation benefits. This will depend on the level of profits generated and whether there is any value that can be attributed to the goodwill element of the trade. There are various commercial advantages to trading through a company which should override the tax implications. However, each business should be reviewed independently to ascertain the best entity to trade through from a tax perspective.
Action Point: Wait until after the budget on 20 March 2013 and then review your business to identify what trading entity is best for you from both a commercial and tax perspective.
The less you talk about yourself the more interesting people will find you. If you are asked about yourself make your answer intimate, revealing and authentic, not a sales pitch.
Action Point: The purpose of networking is to collect contacts and share them. Actively seek opportunities to be useful to every member of your network by connecting people, not in the hope that you will benefit but just because you can.
The talk covered a brief look at technology history and the problems each successive development overcame, but also caused. Also at how some 'evolution' technologies were unexpectedly 'disruptive' to some industries, whilst causing new ones to start up. Using this information we discussed what technologies could be used to move a business forward. Predicting the future is not rocket science! It does require vision, and so do business owners. To decide what technology a business owner should employ, requires they know where their business is going. So – map out business first, then look at the tools to make it happen.
Action Point: Make sure you plan your business first (not looking for 5 years, just 6 months – 1 year) then implement an IT strategy. If required – Ask Ken!
The best public speaking prop is a confident speaker, not Powerpoint! We addressed techniques to become focused and effective and how to overcome nerves. Jim demonstrated good and bad eye contact and effective breathing techniques. The event culminated in all attendees deliberately facing the audience in silence for 10 seconds ( it felt much longer! ) and delivering an impromptu speech of around 90 seconds, followed by audience applause. Very positive feedback received from all.
In this edition of The CBL Interviews, Neil Hamilton-Meikle from The Safebox joins Ed to talk about the value of protecting critical data for small (if not all) businesses.
To watch the video, visit: The CBL Interviews – Data Protection for Small Businesses and if you'd like to take part in a future edition of The CBL Interviews, aimed at providing help and information to for small businesses, email info@cambridgebusinesslounge.com.
Water Coolers, Yahoo and You!
CEO of Yahoo, Marissa Mayer recently hit the headlines by requesting that all employees down tools at home and all head back to the office. When the world is calling out for more flexibility in the work place, what is the reason behind her demand?
In short, Marissa wants people to share their experiences and knowledge, and believes that great ideas can be born in the corridors and during conversations at water coolers…and I have to say that I agree. However, how does that help people who work for themselves, from home in Cambridgeshire? The resting cat in the corridor at home has little to say on which social media platform is most affective for your business, and a poor opinion on how crowd funding can help you with your cash flow.
What the media and Marissa Mayer seems to have forgotten, is that there is a third option. A place that is near to home, where water cooler moments can provide important inspiration and where you could meet your next key client. This third option is a co-working space.
Here at Cambridge Business Lounge, our days are fueled by the enthusiasm of co-workers meeting new people, hearing them bounce ideas around and collaborate with each other, interspersed with the determined tap of their keyboards.
"I have achieved more in the last 6 weeks co-working, than in the last 6 months working from home" , commented one regular co-worker. Another has "achieved more in two hours than in an entire afternoon working from my kitchen table." A notion accepted by all who work at Cambridge Business Lounge.
Whatever the experience of the co-worker and whatever their industry, co-working brings businesses together who may not have had the opportunity to meet without a shared space.
Connecting with other businesses can see the birth of a long term professional relationship or even lead to spontaneous brainstorming, problem solving and discussion.
Perhaps the most poignant benefit of co-working is the self-confidence it provides. Interaction, the sharing of ideas, even the commute to a co-working space can all increase this aspect and in turn help to increase your number of clients. Often this results in improved confidence in your brand, concept and product.
Whether there's a need to work for just one day, just for professional interaction, or a place to work from more regularly, there is a third space. Marissa Mayer and you might just be surprised by how beneficial that third space can be.
Networking is like Marmite, some love it, some hate it. One thing is undeniable, it is a key tool in boosting your business' profile and recognition and a fantastic way to meet like-minded people who may be offering a service that is vital to you and your business.
For those who understand the benefits of networking, but are yet to dip their toe in the water, speed-networking at Cambridge Business Lounge is the answer; a fun and informal event at a welcoming and professional venue.
In true collaborative fashion, two of the region's most enthusiastic advocates of networking have joined forces to bring the success of Saffron Walden's speed-networking events to the centre of Cambridge.
The concept is simple – think speed-dating – participants are asked to go and introduce themselves to someone they have never met before. On the blow of the whistle, that person has one minute to talk about their business and product, before the whistle blows and roles are reversed. Business cards are exchanged, the one minute rule if often stretched a little, and then everyone rotates to meet another new face.
After nine or ten introductions the evening comes to close and there is more time for everyone to catch up with their new acquaintances. Business partnerships are born and often develop into lasting and profitable collaborations.
Speed-networking is a great introduction into the world of networking. Perhaps, it can be used as an opportunity to meet people you have already connected with on LinkedIn, Facebook or Twitter.
If you would like to take part in the event, it is on Wednesday 7 March at Cambridge Business Lounge, 52 Burleigh Street, Cambridge and is priced at £14. Arrive at 19:00 for a prompt 19:15 start. The ticket price includes a voucher for four hours co-working at Cambridge Business Lounge (worth £10).


There are many requirements students must meet to be eligible for financial aid. See the list in our subsection entitled Student Eligibility Requirements. One very important requirement applies to the federal Pell grant, and is described below.
Students are only eligible to receive a Pell Grant for a maximum of 12 full-time semesters or the equivalent. If you have already exceeded the maximum lifetime eligibility, you will not be eligible for additional Pell Grants. Your utilization will be expressed as a percentage, equating the 12 full time semester limit to a maximum lifetime eligibility used of 600%. Your utilization will be calculated by adding together each of the annual percentages of your previous Pell annual scheduled awards that were actually disbursed to you.
Full time student - If you were a full time student both Fall and Spring in the 2017-2018 year and Fall and Spring in the 2018-2019 year, you would have received two years of 100% each of your award. Therefore, you would have used a total of 200% of your total 600% lifetime limit.
Part time student - If you were only enrolled for one full time semester for the 2017-2018 year, you would have received 50% of your award for that year. Then, in 2018-2019, if you were enrolled only three-quarter time both semesters, you would have received 75% of your award for that year. Together, you would have used a total of 125% of your total 600% lifetime limit.


The links that follow are to pages of butterflies and moths that I have raised and photographed at various stages of their development. I hope to be able to add to these pages as the years go by showing more species. Each page has about 200 to 300KB of images to load.
I have found butterfly raising to very easy as long as you can find the eggs or young caterpillars and that can be easier said than done. I've had the most luck planting the foodplant for a particular species in my yard and waiting for the butterflies to come by and lay eggs. The Anise Swallowtail was my first success. Only a few months after transplanting four young Fennel plants to my garden I found the first eggs on the plants. These plants turned out to be very popular and by the end of the summer I estimated up to 15 different females had laid eggs on the plants. At one time I had 50 eggs on the plants. I also found out that the predators are many and only a half dozen or so eggs out of a couple hundred made it to adult butterflies. Roving spiders get the young caterpillars and birds get the larger ones. If you want a lot of butterflies the best thing to do is raise them indoors.
Raising silk moths has been easier than raising butterflies. Many people don't realize that these amazing creatures are likely to be in their neighborhood because most only fly at night and the adults live for only a few days. The adult moths do not eat and their whole purpose is to mate and start the next generation. Females emit pheromones that the males can detect up to several miles and they stay quiet conserving their energy waiting for a male to come. The night after mating they part and the female searches out the food plant and lays her eggs. She dies shortly thereafter.
I have placed polyphemus females in a cage with large holes and have seen the males come flying into the yard attracted by the female. Nothing distracts them. If they have trouble locating the female they leave the yard and return shortly for another attempt. I grabbed a male on one of its passes and released it only to have it return a minute later. Its an amazing sight to witness these huge moths in flight. As soon as the male locates the female they couple and remain quiet.
The females are happy to lay their eggs in a paper bag so they're easy to collect. My eggs hatched in about 10 days. I placed the hatchlings on the food plant in a container with the stems sticking through the bottom into water. The top of the container is mostly covered to prevent the caterpillars from walking out and dying. They also must be prevented from reaching the water or they will drown themselves. I changed the foodplant every few days when they were small and everyday when they were large because they ate all the leaves everyday! Once the caterpillars make their cocoons, I placed them in a cage outside in the shade. Some silk moths have only one generation a year and some have multiple generations. Nearly all overwinter in a cocoon and hatch in the spring.


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Cougars Rebound for Win at WSC No. 7
By Jesse Muñoz/COC Sports Information Director
GLENDALE, CALIF. — College of the Canyons captured another tourney win as freshmen Jones Comerford and Michael Lotta finished second and third, respectively, in the individual standings at Western State Conference (WSC) No. 7 played at Oakmont Country Club on Monday.
Comerford fired a round of 74 to continue an impressive streak of individual performances. The freshman earned medalist honors at WSC No. 6 at Antelope Valley Country Club on March 12, with a season-low score of 69. He has not turned in a score higher than 75 in the last four conference events.
Lotta, who was competing in his first conference event of the season, finished with a round of 75 to place third at the event.
Clemente Yanes and Corey Haase were right behind the leaders with identical rounds of 76, while Justin Buenaventura added a score of 79 to round out the Canyons top-five.
Michael Lindgren also competed, but had his score of 83 dropped from the final tally.
In the team standings, Canyons carded a five-man score of 380 to top second place Ventura College at 394. VC sophomore Joey Herrera was the event medalist with a round of 69.
Allan Hancock College (403) was third after winning a tiebreaker with fourth place Glendale College (403) and Bakersfield College (405) took fifth.
The Cougars have now finished first in five of seven conference events. COC finished in second place at last week's WSC No. 6 before rebounding for a first place finish on Monday.
Canyons will next compete at WSC No. 8 hosted by Victor Valley College at Spring Valley Lakes Country Club on Monday, Mar. 26.
1. Canyons (380) 2. Ventura (394) 3. Hancock (403 - better 6th-man score) 4. Glendale (403) 5. Bakersfield (405) 6. SBCC (419) 7. Citrus (482) 8. Antelope Valley (475) 9. Victor Valley (496).
CANYONS INDIVIDUAL SCORES
Jones Comerford (74 – 2nd overall), Michael Lotta (75 – third overall), Clemente Yanes (76), Corey Haase (76), Justin Buenaventura (79), Michael Lindgren (83).
Stay up to date on all this season's action by following the College of the Canyons Athletic department on social media at @COCathletics on Twitter, Instagram, Facebook and YouTube.


Faraday, from his extensive experimentation with electric and magnetic phenomena, conceived the notion of field as "lines of force" that originated from and terminated at material points. To Faraday, field provided a resolution to the mystery of "action at a distance" that troubled Newton.
Maxwell formulated the mathematical basis that supported the results from Faraday's extensive experimentation and his notion of the field. He developed the mathematical equations that showed light to be electromagnetic in nature. Maxwell confirmed that Faraday's field, which carried force, was real. This put many discoveries of radiative phenomena into perspective as electromagnetic spectrum of increasing frequency.
Maxwell's equations describe the electromagnetic cycle of the basic space as follows.
∇⃗ ⋅ is the divergence operator that provides measure of the flow of a vector field.
∇⃗ × is the curl operator that provides measure of the rotation of a vector field.
Charge generates Electrical lines of force that flow out linearly.
The magnetic lines of force appear as circles around the electrical lines of force.
The linear flow of electrical lines of force converts into rotating magnetic lines of force.
The rotating magnetic lines of force convert back into linear flow of electrical lines of force.
Something called "charge" triggers the electromagnetic cycle. This cycle is an oscillation between electrical flow and magnetic rotation. The electrical flow winds up as magnetic rotation. The magnetic rotation then unwinds back as electrical flow.
Thus, there is an oscillation between electric flow and magnetic rotation that acquires increasing frequency as one moves up the electromagnetic spectrum.
Einstein's discovery of light quanta simply means that the continuous wave like characteristics of electromagnetic cycles starts to appear more particle-like at higher frequencies. This established the field as a real substance besides matter.
In the widespread low frequency field, areas of high frequency appear to be more compact and substantial. Thus high frequency areas appear as "particles" within the low frequency "wave" background. Neither the "particle" nor the "wave" aspect of the field is absolute or separate. Both aspects are part of the same field continuum. They are simply the manifestation of different frequencies that exist side by side.
The quantization of electromagnetic field appears mostly in the gamma range of the electromagnetic spectrum. All quantum particles including electrons and the nucleons of the atom appear in this range. Such particles are not separate in themselves. They exists in continuum with the background field. This field model seems to resolve the wave and particle confusion and the results from the double slit experiment.
The de Broglie hypothesis may be used to show the gradual quantization throughout the electromagnetic spectrum and beyond.


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