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For a website to work, and be viewed by the targeted and intended audience, there has to be a plan in place to begin with. With a well-planned website design, you will not only be able to create traffic to your website but also generate multiple streams of revenue.
Sadly, many websites turn into online duds simply because they were built in a hurry without much thought put in the process. These websites, then just end up in cyberspace with no soul to it and sadly…no visitors to.
The whole idea of planning your website is to ensure that you optimise it for revenue as well as getting targeted traffic to the site.
One such way is to decide exactly whom you are targeting and what industry/ business sector you are targeting. This will help you with the content section of your website and laying out the website effectively. You can visit your competitor's website and see what relevant sections they have to make sure you are headed in the right direction. Just make sure that you do not directly copy content form any website as this may result in your website being banned and blacklisted from search engines.
Keywords are often overlooked in a hurry to create a website. This is extremely relevant for a business website. It will be business harakiri not to invest in keyword research. You can always perform a search in search engines to see what keywords your competitors are using or simply visit their websites to view their source code. This is not illegal as the information is available in the public arena. Some websites disable their source code but you will still be able to find some keywords by reading the content.
If you have the marketing budget, it is best to employ the professional services of a website development company who perform keyword searches for their clients and prepare reports for them to advise the best keywords to use ; with the least amount of competition for their website content.
One of the most important thing people forget is sitemaps. This is a map of the entire site. It is crucial to have this in place and a good website company will ensure that a sitemap is created before the site is designed to ensure that all elements of the website is captured. Search engines favour a sitemap and their spiders crawl through the site map to check for relevance. Visitors also click in sitemaps to get a quick guide of all the pages on the website and are able to narrow down on the information they are looking for.
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text:
const ActionTypes = {
  FETCH_FAILURE: '@@fetch/FETCH_FAILURE',
  FETCH_REQUEST: '@@fetch/FETCH_REQUEST',
  FETCH_SUCCESS: '@@fetch/FETCH_SUCCESS',
};

export default ActionTypes;

redpajama_set_name: RedPajamaGithub


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Notes: Suspected rare immigrant, or perhaps accidentally imported, from southern Europe and most frequently recorded in houses, garden centres, nurseries and glass houses. In Hampshire the female illustrated below is the second county record, with one from the Isle of Wight. The fact that it was found indoors is important as several of the previous UK records have also been found indoors, indicating that records are likely to originate from imported plant material. Wingspan 19-21 mm. Unmistakable. Larva feeds on house plants, causing sufficient damage to be a serious pest in some areas, occurrence should be reported to MAFF Plant Health and Seeds Inspectorate, no evidence of breeding in the UK. There is an article in Atropos 10: April 2000 giving details of the damage to horticultural crops that it can cause in nurseries and glasshouses.


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Q: on click of iFrame container div I'm trying to check if an iFrame has been clicked to hide a div that's overlayed over the top of it. I thought I'd be able to check if the div I placed around the iFrame has been clicked and then fire off my code, but it doesn't seem to work.
Here's the code I have so far.
I'm using wp_oembed_get(); to display the embedded video that goes in the iframe.
$('.fitvid').on('click', function() {
    if( $('.video-title').is(':visible') ) {
        $('.video-title').fadeOut('2000');
        $('.fitvid').addClass('playing');
    } else {
        $('.video-title').fadeIn('2000');
        $('.fitvid').removeClass('playing');
    }
});

Any ideas?
[EDIT]
As requested, the HTML I have is the following:

        <?php
            $embed = get_post_meta( get_the_ID(), '_ht_pf_video_oembed', true );
            echo wp_oembed_get($embed);
        ?>

<?php the_title(); ?>

I've noticed that if I click over the video-title div, it runs the JS, but clicking around the actual iFrame doesn't run it. So if I pause the video the title doesn't appear again.

redpajama_set_name: RedPajamaStackExchange


I'm Marc. In 2007 I cycled from Turkey through the Silkroad countries to Tibet and further. With this website you can join me on my travels, catch the ride!
We finally made a selection and put the pictures of the wedding online.


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Sniper Elite 5 Review
We think it's time Karl Fairburne asked for a raise, because his remit firmly falls outside of simply being a sniper now.
Building on the more open structure of Sniper Elite 4, this latest entry in the prominent sniping series offers up maps that are more open than ever. And, being set in France, they're wonderfully picturesque. But an increased focus on stealth may leave some hell-bent on busting Nazi skulls at range a little disappointed.
Keeping with the World War 2 setting, the story of Sniper Elite 5 feels like it treads old ground. You know the score by now: Hitler and his henchmen have a dastardly plan up their sleeves, and it's up to you to find out what it is and put a stop to it. Cue a campaign where you travel across scenic France to gather intel and assassinate key targets.
At the start of each mission you're plopped onto a map with a main objective to compete, which often demands you to travel to numerous locations. And while it's ultimately up to you how you approach your task, stealth is generally required. That is to say, you can go out all-guns-blazing if you wish, but you're likely to be overrun pretty quickly. You could also try to advance while sniping any Nazi that makes themselves known, but the noise caused by your weapon is likely to attract unwanted attention unless it's masked.
Despite Karl Fairburne being a skilled sniper, then, the use of his rifle needs to be measured. Some missions do thankfully let you get a good position to pop some skulls, but for the most part, you're going to be so close to your enemies that you can virtually smell them. Then, whether you sneak past them or murder/incapacitate them is up to you.
Still, while you might not be doing quite as much sniping as you'd expect in Sniper Elite 5, it still remains an engaging and enjoyable experience. It helps that alongside each main objective, missions also have side objectives to be discovered, as well as kill list challenges. There are rewards for completing them, too, including weapons and parts to customise them. And an experience system rewards all of your actions with skill points that can be used to develop your abilities.
Related: The Best Stealth Games on PS4
Also to consider is that fact that there's much more to Sniper Elite 5 than simply a campaign, which can also be played in co-op. There's a wave-based survival mode, for example, which is a fun way to waste hours with friends. And there's also a suite of competitive multiplayer modes. Will they have legs? Probably not. But they'll entertain a core group of ardent sniping fans for a while.
It's the introduction of a new invasion mechanic that's perhaps the most exciting. Like in games such as Dark Souls and Deathloop, you can now jump into a player's campaign as a Nazi, with the aim of hunting them down and putting an end to their exploits. It's devilishly rewarding to do so, too, though we imagine many players will turn off the invasion mechanic once they've had their progress thwarted a time or two.
We've played the PS5 version of Sniper Elite 5 for review, and it certainly has a bit of a next-gen feel. While character models and animations don't particularly impress, the environments are wonderfully designed and look photo-realistic. Loading times are fairly brisk as well, but it's the DualSense implementation that stands out the most.
Aside from various immersive rumbles such as when planes pass overhead, providing great sniping cover, excellent use has been made of the adaptive triggers. Pull the left trigger halfway, for instance, and you aim in third person, while a full pull will let you aim down the sights. The right trigger, meanwhile, offers some resistance, making the act of shooting more realistic and eventful.
While Sniper Elite 5's campaign feels a little familiar, and largely more focused on sneaking than sniping, we can't help but be impressed by the overall package. With co-op, competitive multiplayer modes and a new invasion mechanic, Sniper Elite 5 has something for everybody. And a range of difficulty settings make it suitable for all skill levels. So, unless you go into it expecting to snipe everything that moves, chances are you won't be disappointed.
Sniper Elite 5 Review: GameSpew's Score
This review of Sniper Elite 5 is based on the PS5 version of the game, via a code provided by the publisher. It's available on PS4, PS5, Xbox One, Xbox Series X/S and PC.
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redpajama_set_name: RedPajamaCommonCrawl


who's the fav next week?
Murfield's list of Champions in the last 60 years is all Hall of Famers: Nicklaus, Trevino, Watson, Player, Els, Faldo. So from that standpoint, history here has shown its a course where the cream rises, and I think its because from what Ive read "what you see is what you get" no run offs to unseen bunkers or burns etc so some of the "fluke" things you can occasionally see are gone. That said, the depth of professional golf these days with guys who can win tournaments is pretty ridiculous.
- Tee Times and weather can be an issue too, remember Murfield was where Tiger shot the 80+ round in the 3rd round of the 02 Open, when going at that time for 3 in a row, he had won the Masters and then US Open at Bethpage.
- I like Mickelson he has been playing well in May and June in strong field events, but not sure about his mentality to win it right now coming off some disappointments this year, most notably the US Open, but he also had a good chance to win Quail Hollow which is one of the more prestigous tour stops and he piddled that one away too.
The Open Championship for a couple years served as a place where good players broke through and won a major, even Americans: Justin Leonard, David Duval, Tom Lehman and some others. Wouldnt shock me to see a 1st time American breakthrough here this week though none of these have been playing particularly well: Hunter Mahan, Rickie Fowler, Nick Watney, Dustin Johnson.
Well to update this, Mickelson won yesterday in Europe winning the Scottish Open, but again his ability to "close the deal" is in question. One shot lead, par 5, 2-putt from 20 feet for the win and he blows the first putt 5 feet by misses and goes to playoff. He clutched up in playoff hit a sweet chip off thin lie, really cool little check and spin for a tap in birdie on same Par 5 18th.


The Cavs, like everyone else in the NBA, have no readily available solutions to stop Kevin Durant and the Warriors.
Cleveland was locked in from the opening tip against Golden State on Monday night. Players were flying around on defense. LeBron James scored 16 points in the opening quarter. And the fans helped create an atmosphere not unlike a playoff game. None of it mattered. The Warriors still left with a double-digit win, completing a season sweep of the Cavaliers with a 118–108 victory. If the Cavs hope to avenge these defeats, they'll have to wait until a potential Finals rematch, for which they've given no indication they'll be anything besides substantial underdogs.
There's one extremely obvious issue for Cleveland whenever it plays Golden State: Kevin Durant, who scored 32 points on 9-of-16 shooting Monday. Durant's length on both sides of the court gives the Cavs fits, and it looks like LeBron and Co. have zero answers for KD.
On the offensive side of the ball, a complete performance from Durant is enough to overcome average performances from Stephen Curry and Klay Thompson. Steph and Klay still played very well Monday, but Thompson cooled off after a hot start, and Curry never really put his stamp on the game the way he typically does with his three-point barrages. Of course, the defensive attention on the backcourt makes Durant's life easier, and he took full advantage against the Cavs, attacking relentlessly. Cleveland simply has nobody to guard Durant. Even James, who has been the ultimate defensive counter for his entire career, doesn't seem to have the length to truly bother KD from getting any shot he wants.
Durant's frame created just as many issues for the Cavs' offense. Cleveland scored well for stretches on Monday, but their offense was often bogged down by Durant. KD's playing the best help defense of his career, and his presence in the paint clearly discouraged Isaiah Thomas from shooting on numerous occasions. That's notable, because while Thomas should be enough for Cleveland to make it through the East in the playoffs, he could be a significant downgrade from Kyrie Irving specifically in matchups with Golden State. Thomas's height was rarely a problem last season, but it appeared to catch up with him a bit on Monday. Thomas, typically a great finisher, had stage fright every time he saw Durant in the paint, and the Cavs lost easy looks they would normally have against other teams.
When the Warriors won 73 games in a season, they were still vulnerable in the Finals, thanks in large part to LeBron's individual brilliance. As has been obvious for the last season and a half however, Durant takes the Warriors to what seems like an unstoppable level. On his own, KD is a nightmare matchup. Surrounded by two of the best shooters in NBA history (Curry and Thompson) and one of the smartest players in the league (Draymond Green), Durant becomes unguardable.
The Cavs, like everyone else in the NBA, have no readily available solutions. If Cleveland's trade to acquire Paul George in the offseason hadn't fallen through, it's possible the conversation is slightly different right now. George could have given Cleveland the defender needed to slow down KD, while also helping ease LeBron's burden on offense. As currently constructed, the Cavs' decision to play five perimeter players isn't helping them defensively against Golden State, and they haven't proven they can keep up offensively as well. Someone like DeAndre Jordan could provide some slight relief, but he's hardly enough to flip the conversation.
For now, barring any serious moves that add length and defensive ability to the perimeter, Cleveland doesn't look like it can overcome its Durant problem any time soon. And as is the case for most of the league, the gap between the Cavs and Warriors only appears to be widening.


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Le Maître des demi-figures féminines, ou Maître des demi-figures, est un peintre anonyme des Pays-Bas du début du .

Tentatives d'identification

Les tentatives d'identification du Maître des demi-figures sont toutes restées infructueuses.

On compte parmi celles-ci :
 Jean Clouet par Franz Wickhoff en 1901 ;
Lucas de Heer par Alfred Wolfgang von Wurzbach en 1906 ;
 Vereycke par Ludwig von Baldass en 1930 ;
 Hans Vereycke par Otto Benesch en 1943 ;
 Groupe anonyme dont un des peintres serait Marcellus Coffermans par  en 1960.

Style
Le style de ce peintre non identifié, actif à Anvers vers 1530-1560, se caractérise par ses représentations, souvent à mi-corps, de personnages de l'histoire sainte (Madeleine, Marie, Joseph, Jésus, etc.) ou antique (Lucrèce), reconnaissables à leurs jolis visages idéalisés de forme ovale tournés de trois quarts aux yeux mi-clos, qui peuvent s'inscrire dans un paysage vu en plongée. Ses figures sont assez proches de celles d'Ambrosius Benson ou du Maître au perroquet.

Ses paysages évoquent ceux de Joachim Patinier, avec lequel il a été, et reste, souvent confondu. La perspective atmosphérique de ses paysages est cependant plus réaliste que celle de ce dernier. En outre, quelques motifs spécifiques que le Maître des demi-figures féminines intègre volontiers dans ses tableaux, permettent souvent d'identifier ses œuvres : arbres de premier plan qui sortent du cadre mais laissent voir quelques feuilles en haut de la composition, herbes et fleurs se détachant sur le vert sombre du premier plan, châteaux massifs avec tours rondes et crénelées sur des collines de second plan, fontaines dorées dans le bas de la peinture qui évoquent le Manneken-Pis, pont en arc aux abords duquel cheminent paysans, cavaliers ou caravanes.

Les trois musiciennes
Deux tableaux représentant un groupe de trois musiciennes sont à l'origine du catalogue des œuvres du maître anonyme découvert par G. F. Waagen. L'un d'eux est conservé au  en Basse-Autriche (fig. A) et l'autre au musée de l'Ermitage à Saint-Pétersbourg (fig. B).

Les trois musiciennes de la collection Harrach du château de Rohrau jouent et chantent L'Adolescence, pièce identifiée grâce aux partitions. Il s'agit d'un poème de Clément Marot mis en musique par Claudin de Sermisy.

Au moins trois autres tableaux également attribués au Maître des demi-figures et représentant approximativement la même scène sont parvenus jusqu'à nous. L'un d'eux est conservé au Los Angeles County Museum of Art.

Œuvres
Depuis 1866, date à laquelle Waagen a publié une courte notice sur Les trois musiciennes de la collection du comte d'Harrach où il évoque le style de ce peintre non identifié, le corpus des œuvres du Maître s'est progressivement enrichi au fil des ans grâce à Scheibler et à Justi d'abord, puis à Friedländer, et à de nombreux autres contributeurs ensuite, jusqu'à intégrer abusivement des œuvres de suiveurs et d'artistes anonymes proches par le style, comme le Maître au perroquet. On compte aujourd'hui plus d'une centaine de tableaux attribués au Maître des demi-figures.
 Les trois musiciennes, huile sur panneau de chêne (fragment), , Collection Harrach, , Basse-Autriche.
 Les trois musiciennes, huile sur panneau, 53,2 х 37,5 cm, The State Hermitage Museum, Saint-Pétersbourg, inv. ГЭ-435.
 Les trois musiciennes, huile sur panneau, , Los Angeles County Museum of Art, Los Angeles, inv. AC1992.152.142.
 Repos pendant la fuite en Égypte, vers 1550, huile sur panneau, , Kunsthistorisches Museum, Gemäldegalerie, Wien, inv. GG 950 (cf. Galerie : 1).
 Triptyque avec l'adoration des mages, huile sur panneau de chêne, panneau central : , panneaux latéraux : , Gemäldegalerie, Berlin, inv. 1863 (cf. Galerie : 2).
 Triptyque de la nativité (panneau central), vers 1520-1540, , Musée des Beaux-Arts, Strasbourg, inv. 366 (cf. Galerie : 3).
 Saint Jean à Patmos, vers 1525-1550, huile sur panneau de chêne, , National Gallery, London, inv. NG717 (cf. Galerie : 4).
 Repos pendant la fuite en Égypte, vers 1525-1550, huile sur panneau de chêne, , National Gallery, London, inv. NG720 (cf. Galerie : 5).
 Repos pendant la fuite en Égypte, vers 1520-40, huile sur panneau, , Philadelphia Museum of Art, Philadelphia, inv. 389 (cf. Galerie : 6).
 Vierge à l'Enfant, Première moitié du , huile sur panneau, , The State Hermitage Museum, Saint-Pétersbourg, inv. ГЭ-4090 (cf. Galerie : 7).
 Vierge des sept douleurs, Seconde moitié du , huile sur panneau, , Museu Nacional d'Art de Catalunya, Barcelona, inv. 008327-000 (cf. Galerie : 8).
 Jeune Femme lisant, Première moitié du , huile sur panneau, 42 × 54 cm, Musée du Louvre, Paris, inv. RF 1973-32 (cf. Galerie : 9).
 Vierge à l'Enfant, vers 1520-1540, huile sur panneau, , Rijksmuseum, Amsterdam, inv. SK-A-3130 (cf. Galerie : 10).
 Marie-Madeleine écrivant, vers 1530, huile sur panneau, , Musée Czartoryski, Cracovie, inv. XII-254 (cf. Galerie : 11).
 Sainte Marie-Madeleine à son écritoire, panneau, , Galerie De Jonkheere, Paris.
 Marie-Madeleine jouant du clavicorde, vers 1530, huile sur panneau, National Museum, Poznań, inv. Mo 115 (cf. Galerie : 12).
 Jeune Femme écrivant, Collection Bentick-Thyssen.
 Descente de croix, , huile sur panneau, , Musée des beaux-arts de Montréal, Montréal, inv. 1945.900.
 Repos pendant la fuite en Égypte, vers 1525, huile sur panneau, 64,, Statens Museum for Kunst, Copenhague, inv. KMS1743.
 Paysage avec saint Jérôme pénitent, huile sur panneau, , The Nelson-Atkins Museum of Art, Kansas City, inv. 61-1.

Galerie

Bibliographie
Articles
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Catalogues
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Ouvrages
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Notes

Références

Annexes

Liens externes

Peintre de la Renaissance
Peintre flamand (avant 1830)
Peintre paysagiste flamand
demi-figures

redpajama_set_name: RedPajamaWikipedia


Brighton boss Chris Hughton has called on football's decision-makers to ensure another generation of talented BAME coaches is not lost to the game.
Despite black footballers representing over a quarter of all professional players in England, there are just six BAME managers across the 92 league clubs in England and Wales.
Hughton - the longest serving of the six - and Wolves counterpart Nuno Espirito Santo are the only black managers in the top two tiers of English football.
"If anything, the influence of black and ethnic players has become more and more [in recent years]," Hughton told Sky Sports News.
"To have that incredible imbalance between playing, and coaching and management is something that is not right.
"We've lost out on generations of really influential black and ethnic players who could have had real influences. It's only the game that can change that."
Brighton also have a black manager - former England boss Hope Powell - in charge of their women's team.
Powell has been no stranger to discrimination during her career as a player and a manager but credits educating herself and upskilling as a coach in helping her cope in the face of adversity.
"I am two-fold. I am black and I am a female, so I think all my life I have been in environments where of course I have experienced discrimination," she said.
"How have I managed that? I do not ever ignore it, I just try and present myself in the best possible way that I can.
"In my culture, my mum was all about education. People can't ignore education. It's a way out. It's a way of moving forward and I've always believed in that."
Research from the Sports People's Think Tank (2017) highlighted the scale of the inequality on the touchline, revealing only 22 out of 482 senior frontline coaching positions are held by people from the BAME community.
Nine of the 22 (41%), are employed at just four clubs - Brighton, Crystal Palace, Reading, and Queens Park Rangers.
Brighton chief executive and deputy chairman Paul Barber says he feels a responsibility to ensure BAME coaches feel they have a fair shot at landing a coaching job when an opportunity arises.
"I grew up in a very ethnically diverse area of north London and I didn't really see or notice people's different skin colours or religions at that time," he said.
"We're trying to hire the best coaches for the job. You don't stay in the Premier League or the Women's Super League by not having the best possible coaches or the best possible candidates.
"Therefore, all we are looking to do is to make sure there are no barriers, to make sure everyone feels like they can apply for roles here, everyone feels they can get a fair interview, and everyone feels that if they are the best person for the job, they will be hired."


GENEVA, Feb 24 (Reuters) World Trade Organisation chief Pascal Lamy was quoted on Friday as saying he was optimistic that stumbling blocks to a global trade deal can be overcome by mid-year, leading to a full pact by the end of 2006.
But Lamy, in a newspaper interview, said political leaders must convince electorates that painful concessions -- including further cuts to politically explosive farm supports -- would be rewarded with greater access for certain goods and services.
The 149-member WTO is struggling to agree on a new deal, known as the Doha round, by year-end. Negotiators face an April 30 deadline to clinch formulas for cutting farm and industrial goods tariffs and reducing trade-distorting subsidies.
''It has to be the first part of this year,'' Lamy told the International Herald Tribune in Paris. ''The notion that this might be the end-game has created focus and a bit of heat.'' Lamy said negotiators realised a deal was crucial before politically-sensitive national elections in the United States, Brazil and Mexico in the second half of this year.
His remarks follow a meeting between EU Trade Commissioner Peter Mandelson and U.S. Trade Representative Rob Portman to try to bridge differences on farm issues, the main stumbling block.
Mandelson said on Wednesday that both transatlantic powers could modify their agricultural stances in the talks if major developing countries made better offers to open their services and industrial goods markets.
''What is on the table is clearly not enough,'' Lamy said. ''But we are moving steadily toward the necessary top-ups,'' he added, referring to more concessions for farm subsidies in the United States, farm tariffs in the EU and industrial tariffs in developing countries.
After week-long talks on agriculture, New Zealand's envoy Crawford Falconer, who chairs the negotiations, said last Friday there had been slight progress but a deal was still distant.
Brazil's ambassador to the WTO, Clodoaldo Hugueney, speaking in Washington a day later, said the negotiations could yield results by the April deadline and lead to broader agreement.
Ministers from six key WTO players -- the EU, the United States, Brazil, India, Australia and Japan -- will meet in London from March 10-12.
Lamy told the paper that the outline of a deal could emerge during that gathering.


text:
Q: Update property of an Observable object (Angular) I'm about to ask a probably dummy question, but I really have issues with Observables, so I try.
I have an object which I want to be an Observable. Let's assume that the Object is of kind example like this :
export class Example {
  public property1: string;
  public property2: string;
}

In a component.ts I have something like this :
export class Component {
  public myExample: Observable<Example>;

  constructor(){}

  myFunction() {
    this._translateService.service
     .get('SOMETHING')
     .subscribe(response =>
       myExample.property1 = response);
  }
}

The _translateService is returning an Observable.
This example is not working. How can I implement something to reproduce this behavior ?
Thanks for any help.

A: Use the map operator :
export class Component {
  public myExample: Observable<Example>;

  constructor(){}

  myFunction() {
    this.myExample = this._translateService.service
     .get('SOMETHING')
     .map(response => {
          let example = new Example();
          example.property1 = response;
          return example
      })

}


Currently all Toys sold on our website are 100% Original and Imported from USA. The prices are loaded with shipping charges and for free home delivery. Incase you wish to procure any Toy besides what is available from any part of the world kindly send us details on info@thehousebee.com and we will be Happy to procure it for you.


In a January 31, 2019 Pioneer Press article, Jeff Hahn state's that this cold snap is "definitely going to have negative effects on the emerald ash borer", with Rob Venette adding that it will "definitely help ash trees". Venette and Abrahamson have shown that winter mortality for emerald ash borer is definitely temperature dependent; the larvae can supercool to a certain point, but they die if they freeze, and there is variability in tolerance among individual insects. This is promising news, but at what point will they actually freeze? And what does supercooling mean? Do all bugs have this super power? Luckily there is an updated fact sheet "Tough Buggers: Insect strategies to survive winter in Minnesota" that will help explain these mysteries.


text:
package org.languagetool.tools;

import org.languagetool.JLanguageTool;
import org.languagetool.Language;
import org.languagetool.rules.Category;
import org.languagetool.rules.CategoryId;
import org.languagetool.rules.ITSIssueType;
import org.languagetool.rules.RuleMatch;
import org.languagetool.rules.patterns.AbstractPatternRule;

import java.util.List;

import static org.languagetool.tools.StringTools.*;

/**
 * Generate XML to represent matching rules.
 *
 * @since 2.5 (as 'RuleAsXmlSerializer' up to 3.1)
 * @deprecated don't use for new use cases, the only place this should still be used is for the API mode of the command-line client (deprecated since 3.5)
 */
public class RuleMatchAsXmlSerializer {

  private static final int CAPACITY = 200;

  /**
   * Get the string to begin the XML. After this, use {@link #ruleMatchesToXmlSnippet} and then {@link #getXmlEnd()}
   * or better, simply use {@link #ruleMatchesToXml}.
   */
  public String getXmlStart(Language lang, Language motherTongue) {
    StringBuilder xml = new StringBuilder(CAPACITY);
    xml.append("<?xml version=\"1.0\" encoding=\"UTF-8\"?>\n")
            .append("<!-- THIS OUTPUT IS DEPRECATED, PLEASE SEE https://dev.languagetool.org/http-server FOR A BETTER APPROACH -->\n")
            .append("<matches software=\"LanguageTool\" version=\"" + JLanguageTool.VERSION + "\"" + " buildDate=\"")
            .append(JLanguageTool.BUILD_DATE).append("\">\n");
    if (lang != null || motherTongue != null) {
      String languageXml = "<language ";
      String warning = "";
      if (lang != null) {
        languageXml += "shortname=\"" + lang.getShortCodeWithCountryAndVariant() + "\" name=\"" + lang.getName() + "\"";
        String longCode = lang.getShortCodeWithCountryAndVariant();
        if ("en".equals(longCode) || "de".equals(longCode)) {
          xml.append("<!-- NOTE: The language code you selected ('").append(longCode).append("') doesn't support spell checking. Consider using a code with a variant like 'en-US'. -->\n");
        }
      }
      if (motherTongue != null && (lang == null || !motherTongue.getShortCode().equals(lang.getShortCodeWithCountryAndVariant()))) {
        languageXml += " mothertongueshortname=\"" + motherTongue.getShortCode() + "\" mothertonguename=\"" + motherTongue.getName() + "\"";
      }
      languageXml += "/>\n";
      xml.append(languageXml);
      xml.append(warning);
    }
    return xml.toString();
  }

  /**
   * Get the string to end the XML. Use after {@link #ruleMatchesToXmlSnippet} and {@link #getXmlStart}.
   */
  public String getXmlEnd() {
    return "</matches>\n";
  }

  /**
   * Get the XML snippet (i.e. not a complete XML document) for the given rules.
   * @see #getXmlStart
   * @see #getXmlEnd()
   */
  public String ruleMatchesToXmlSnippet(List<RuleMatch> ruleMatches, String text, int contextSize) {
    StringBuilder xml = new StringBuilder(CAPACITY);
    //
    // IMPORTANT: people rely on this format, don't change it!
    //
    ContextTools contextTools = new ContextTools();
    contextTools.setEscapeHtml(false);
    contextTools.setContextSize(contextSize);
    String startMarker = "__languagetool_start_marker";
    contextTools.setErrorMarker(startMarker, "");

    for (RuleMatch match : ruleMatches) {
      String subId = "";
      if (match.getRule() instanceof AbstractPatternRule) {
        AbstractPatternRule pRule = (AbstractPatternRule) match.getRule();
        if (pRule.getSubId() != null) {
          subId = " subId=\"" + escapeXMLForAPIOutput(pRule.getSubId()) + "\" ";
        }
      }
      xml.append("<error fromy=\"").append(match.getLine()).append('"')
              .append(" fromx=\"").append(match.getColumn() - 1).append('"')
              .append(" toy=\"").append(match.getEndLine()).append('"')
              .append(" tox=\"").append(match.getEndColumn() - 1).append('"')
              .append(" ruleId=\"").append(match.getRule().getId()).append('"');
      xml.append(subId);
      String msg = match.getMessage().replaceAll("</?suggestion>", "'");
      xml.append(" msg=\"").append(escapeXMLForAPIOutput(msg)).append('"');
      if (!match.getShortMessage().isEmpty()) {
        xml.append(" shortmsg=\"").append(escapeXMLForAPIOutput(match.getShortMessage())).append('"');
      }
      xml.append(" replacements=\"").append(escapeXMLForAPIOutput(
              String.join("#", match.getSuggestedReplacements()))).append('"');
      String context = contextTools.getContext(match.getFromPos(), match.getToPos(), text);
      // get position of error in context and remove artificial marker again:
      int contextOffset = context.indexOf(startMarker);
      context = context.replaceFirst(startMarker, "");
      context = context.replaceAll("[\n\r]", " ");
      xml.append(" context=\"").append(escapeForXmlAttribute(context)).append('"')
              .append(" contextoffset=\"").append(contextOffset).append('"')
              .append(" offset=\"").append(match.getFromPos()).append('"')
              .append(" errorlength=\"").append(match.getToPos() - match.getFromPos()).append('"');
      if (match.getRule().getUrl() != null) {
        xml.append(" url=\"").append(escapeXMLForAPIOutput(match.getRule().getUrl().toString())).append('"');
      }
      Category category = match.getRule().getCategory();
      if (category != null) {
        xml.append(" category=\"").append(escapeXMLForAPIOutput(category.getName())).append('"');
        CategoryId id = category.getId();
        if (id != null) {
          xml.append(" categoryid=\"").append(escapeXMLForAPIOutput(id.toString())).append('"');
        }
      }
      ITSIssueType type = match.getRule().getLocQualityIssueType();
      if (type != null) {
        xml.append(" locqualityissuetype=\"").append(escapeXMLForAPIOutput(type.toString())).append('"');
      }
      xml.append("/>\n");
    }
    return xml.toString();
  }

  /**
   * Get an XML representation of the given rule matches.
   * @param text the original text that was checked, used to get the context of the matches
   * @param contextSize the desired context size in characters
   */
  public String ruleMatchesToXml(List<RuleMatch> ruleMatches, String text, int contextSize,
                                 Language lang, Language motherTongue) {
    return getXmlStart(lang, motherTongue) + ruleMatchesToXmlSnippet(ruleMatches, text, contextSize) + getXmlEnd();
  }

  /**
   * Get an XML representation of the given rule matches.
   * @param text the original text that was checked, used to get the context of the matches
   * @param contextSize the desired context size in characters
   */
  public String ruleMatchesToXml(List<RuleMatch> ruleMatches, String text, int contextSize, Language lang) {
    return getXmlStart(lang, null) + ruleMatchesToXmlSnippet(ruleMatches, text, contextSize) + getXmlEnd();
  }

  /**
   * Get an XML representation of the given rule matches.
   *
   * @param text the original text that was checked, used to get the context of the matches
   * @param contextSize the desired context size in characters
   * @param unknownWords unknown words to be printed in a separated list
   * @since 3.0
   */
  public String ruleMatchesToXml(List<RuleMatch> ruleMatches, String text, int contextSize, ApiPrintMode xmlMode, Language lang, List<String> unknownWords) {
    String xmlSnippet = ruleMatchesToXmlSnippet(ruleMatches, text, contextSize);
    switch (xmlMode) {
      case START_API:
        return getXmlStart(lang, null) + xmlSnippet;
      case CONTINUE_API:
        return xmlSnippet;
      case END_API:
        return xmlSnippet + getXmlUnknownWords(unknownWords) + getXmlEnd();
      case NORMAL_API:
        return getXmlStart(lang, null) + xmlSnippet + getXmlUnknownWords(unknownWords) + getXmlEnd();
    }
    throw new IllegalArgumentException("Unknown XML mode: " + xmlMode);
  }

  private String getXmlUnknownWords(List<String> unknownWords) {
    StringBuilder xml = new StringBuilder(CAPACITY);
    if (!unknownWords.isEmpty()) {
      xml.append("<unknown_words>\n");
      for (String word : unknownWords) {
        xml.append("    <word>");
        xml.append(escapeForXmlAttribute(word));
        xml.append("</word>\n");
      }
      xml.append("</unknown_words>\n");
    }
    return xml.toString();
  }

  private static String escapeXMLForAPIOutput(String s) {
    // this is simplified XML, i.e. put the "<error>" in one line:
    return escapeForXmlAttribute(s).replaceAll("[\n\r]", " ");
  }

}


text:
Middle East Retail & Hospitality Outlets 3 - Saudi Arabia
Delivered July 10th, 2019. Contributors: Jasleen A. and
While there are 1,255 supermarkets in Saudi Arabia, there are 9,000 drugstores and 484 hospitals and clinics in the country. The estimated total number of retail stores in Saudi Arabia is 41,833.
NUMBER OF RETAIL OUTLETS BY SECTOR
The number of SuperMarkets in Saudi Arabia is 1,255.
The number of DrugStores in Saudi Arabia is 9,000.
The number of Hospitals/Clinics in Saudi Arabia is 484.
Research Strategy:
To identify the number of retail outlets in the grocery stores, specialty retailers, clothing stores, auto retailers, and home furnishing retailers in Saudi Arabia, we commenced our research by looking through media articles, news publications and press releases for the mentions of retail sectors. We scoured through sources such as Saudi Gazette, Gulf News, and Wamda.com among many others. This strategy helped us to identify the number of retail outlets for supermarkets, drug stores, and hospitals & clinics in Saudi Arabia. For the other sectors such as grocery stores, specialty retailers, clothing stores, auto retailers and home furnishing retailers, the articles and journals only discussed their growth in terms of revenue, market leaders and market shares. However, the number of outlets were not advised.
Next, we referred to market reports of grocery stores, specialty retailers, clothing stores, auto retailers, and home furnishing retailers in Saudi Arabia in sources such as Euromonitor and TechSciResearch. The overview of the contents only reflected the growth in terms of revenue and the market leaders in these sectors. The number of stores and other details was locked behind a paywall. Therefore, we could not identify the number of grocery stores, specialty retailers, clothing stores, auto retailers, and home furnishing retailers in Saudi Arabia using this means.
We then decided to triangulate an estimate for each retail category by identifying the total number of retail outlets in Saudi Arabia and then finding the market share of each sector. We used the following calculation to determine the total number of retail outlets in Saudi Arabia.
*Calculation*
-Supermarkets account for 3% of the total number of retail outlets in Saudi Arabia
-Number of Supermarkets in Saudi Arabia: 1,255
-3% of the total number of retail outlets in Saudi Arabia = 1,255
-Total number of retail outlets in Saudi Arabia = (1,255*100)/3
-Total number of retail outlets in Saudi Arabia = 41,833
After determining the total number of retail outlets in Saudi Arabia, we then tried to find the percent of grocery stores, specialty retailers, clothing stores, auto retailers, and home furnishing retailers that account for the total number of retailers. We scoured through industry related articles, market researches, media publications, press releases, among others, but we could not locate the percentages market share of these retail categories. Hence, using triangulation to estimate the number for the missing groups was not possible.
Finally, we tried to use the number of listings for all sectors including grocery stores, specialty retailers, clothing stores, auto retailers and home furnishing retailers in online directories such as Expat.com and KSA Business Directory among others. Unfortunately, the number of listings in these directories was exceptionally low (ranging between 1 and 10) for the required sectors, and it was implied that the list was not comprehensive and was, therefore, not used to identify grocery stores, specialty retailers, clothing stores, auto retailers and home furnishing retailers in Saudi Arabia.
The reason for unavailability of information could be because the retail sector in Saudi Arabia is studied as an entire industry, and the bifurcations in terms of various categories are usually studied in terms of revenue and market leaders. Thus, there is no public available data on this or it may have been published in articles behind paywall. We have completed the information that was available to the attached spreadsheet and have marked those not found as N/A.
Grocery Retailers in Saudi Arabia | Market Research Report | Euromonitor
euromonitor.com
Retail In Saudi Arabia
bordbia.ie
"The total number of supermarkets is 1,255 outlets or about 3% of the total number of retail outlets. "
Saudi Arabia adds 14 new hospitals in 2017
argaam.com
Saudi pharmacy graduates recount struggle for jobs
saudigazette.com.sa
techsciresearch.com
Retailing in Saudi Arabia | Market Research Report | Euromonitor
The distribution network in Saudi Arabia - Buying and Selling - Nordea Trade Portal
nordeatrade.com
Clothing stores in Saudi Arabia
expat.com
Saudi Clothing Companies in KSA | KSA Online Directory
ksadirectoryonline.com
Middle East Retail & Hospitality


text:
Judges Rick, O'Brien, and Patel; Per Curiam
Compulsory Insurance Requirements for Owners or Registrants of Motor Vehicles Required to Be Registered [§3101(1)]
Ophelia Epps suffered injuries as a result of her vehicle being rear-ended by two separate vehicles, driven by Destiny Johnson and Tammy Jones, respectively. At the time of the accident, Epps had been living in Georgia for approximately seven years and insured her vehicle under a Georgia automobile insurance policy, but she registered the vehicle in Michigan. After the accident, Epps filed an auto negligence action against Johnson and Jones, and Johnson and Jones moved for summary disposition, arguing that Epps did not maintain the security required by MCL 500.3101(1) on her vehicle and was therefore barred from recovery in tort by MCL 500.3135(2)(c). Epps argued, in response, that because she was an out-of-state resident who had not been in the state for 30 days, she was not "required" to register her vehicle under a Michigan no-fault insurance policy for purposes of MCL 500.3101(1), and that, as a result, MCL 500.3135(2)(c) did not apply. The trial court ultimately granted Johnson and Jones's motion.
The Court of Appeals affirmed the trial court's summary disposition order, holding that nonresident vehicle owners who register their vehicles in Michigan must maintain the security required by MCL 500.3101(1). Having failed to do so, the Court further held that Epps was precluded from recovery in tort by the unambiguous language of MCL 500.3135(2)(c).
"However, nonresident owners are required to register their vehicle in Michigan under certain circumstances. See i.e., MCL 257.243(4) (requiring a nonresident owner of a pleasure vehicle to register their vehicle when operated in the state for more than 90 days). This Court has recognized that 'Michigan residents must register their vehicles and maintain adequate insurance under the act, and out-of-state residents must obtain Michigan no-fault coverage if they operate a vehicle in Michigan for more than 30 days in a calendar year pursuant to MCL 500.3102(1).' Tienda v Integon Natl Ins Co, 300 Mich App 605, 620 n 3; 834 NW2d 908 (2013). Therefore, it follows that an alleged nonresident owner who registered their vehicle in Michigan must maintain the required insurance under the Michigan no-fault act to remain eligible for benefits under the Michigan no-fault insurance system. See id. Because plaintiff registered her vehicle in Michigan, she was required to maintain the required coverage under MCL 500.3101(1).
'The language of MCL 500.3135(2)(c) is unambiguous: individuals injured while operating a motor vehicle that is both owned by them and uninsured in violation of MCL 500.3101 are not entitled to recover damages.' Brickey v McCarver, 323 Mich App 639, 648; 919 NW2d 412 (2018). In the trial court, plaintiff acknowledged that the Georgia policy did not include Michigan PIP benefits. Because plaintiff failed to maintain the required coverage under MCL 500.3101(1), her third-party claims were barred by MCL 500.3135(2)(c). Therefore, the trial court did not err by granting summary disposition in favor of defendants."


The Rangers have added a reliever.
Texas has agreed to a one-year, $2.5 million contract with reliever Shawn Kelley, according to a report from MLB.com. The deal includes a team option for 2020, the report says.
Source: RHP Shawn Kelley has a one-year deal with the Rangers and has passed his physical. Deal is for $2.5M base salary, with a $2.5M club option for 2020 ($250K buyout). So he's guaranteed $2.75M. Contract also has performance bonuses that can make each year worth almost $3M.
Kelley was sent from the Nationals to the Athletics in early August. He tallied a 2-0 record and a 2.94 ERA in 54 total appearances last season.
The 34-year-old right hander has also pitched for the Mariners, Yankees and Padres over his 10-year career.
The Rangers finished 2018 with a 67-95 record and missed the playoffs for a second straight season.


text:
package org.apache.shardingsphere.data.pipeline.mysql.importer;

import org.apache.shardingsphere.data.pipeline.api.config.rulealtered.ImporterConfiguration;
import org.apache.shardingsphere.data.pipeline.api.datasource.config.PipelineDataSourceConfiguration;
import org.apache.shardingsphere.data.pipeline.api.ingest.channel.PipelineChannel;
import org.apache.shardingsphere.data.pipeline.api.ingest.record.Column;
import org.apache.shardingsphere.data.pipeline.api.ingest.record.DataRecord;
import org.apache.shardingsphere.data.pipeline.core.datasource.PipelineDataSourceManager;
import org.apache.shardingsphere.data.pipeline.mysql.ingest.binlog.BinlogPosition;
import org.junit.Test;
import org.junit.runner.RunWith;
import org.mockito.Mock;
import org.mockito.junit.MockitoJUnitRunner;

import java.util.Collections;

import static org.hamcrest.CoreMatchers.is;
import static org.junit.Assert.assertThat;
import static org.mockito.Mockito.mock;
import static org.mockito.Mockito.when;

@RunWith(MockitoJUnitRunner.class)
public final class MySQLImporterTest {

    @Mock
    private ImporterConfiguration importerConfig;

    @Mock
    private PipelineDataSourceManager dataSourceManager;

    @Mock
    private PipelineChannel channel;

    @Test
    public void assertCreateSqlBuilder() {
        when(importerConfig.getDataSourceConfig()).thenReturn(mock(PipelineDataSourceConfiguration.class));
        MySQLImporter mysqlImporter = new MySQLImporter(importerConfig, dataSourceManager, channel);
        String insertSQL = mysqlImporter.createSQLBuilder(Collections.emptyMap()).buildInsertSQL(mockDataRecord());
        assertThat(insertSQL, is("INSERT INTO `t_order`(`id`,`name`) VALUES(?,?) ON DUPLICATE KEY UPDATE `name`=VALUES(`name`)"));
    }

    private DataRecord mockDataRecord() {
        DataRecord result = new DataRecord(new BinlogPosition("binlog-000001", 4), 2);
        result.setTableName("t_order");
        result.addColumn(new Column("id", 1, true, true));
        result.addColumn(new Column("name", "", true, false));
        return result;
    }
}


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Meghan Markle Finally Announced Her Royal Patronages
posted by Jessica Goodman - Jan 10, 2019
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Today, Meghan Markle finally announced her 4 Royal Patronages according to the Kensington Palace's Instagram and Cosmopolitan magazine.
What is a Royal Patronage you ask?
"Fount of honour, a representative of a sovereign or formerly sovereign entity who, by virtue of his or her official position, has the exclusive prerogative of conferring legitimate titles of nobility and orders of chivalry to other persons."
In English - it is basically Royal duties or Royal held positions that contribute to things that are close to their passions which if you know Meghan Markle, you know that she has a few things she feels strong about.
"Issues with which she has long been associated including the arts, access to education, support for women and animal welfare."
1. National Theatre - power of the arts (hence the fact Markle used to be an actress!)
2. Association Of Commonwealth Universities - "accessible education"
3. Smart Works - works with unemployed women to help them get back in the workforce
4. Mayhew - this is an animal organization
See The First Photos Of Meghan Markle & Prince Harry's Countryside Home
Meghan Markle and Prince Harry's countryside home is truly fit for a Duke and Duchess.


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I embarked on a short visit to Manila in late November from Perth, a prelude to a project called the life and wandering times of arnulfo tikb-ang, a performance work-in-progess. The purpose of the visit was to track and bring together people I had not seen for many years—people who worked closely with my father, a piano-maker, who passed away 20 years ago. Taking my video documentation and recorded conversations along with old photographs, personal objects and mementos from the past, I packed my gear in the middle of a familiar, raging typhoon and embarked on a flight to Singapore for Future of Imagination 2.
Coordinated and directed by Lee Wen and Jason Lim, Future of Imagination, initially staged at the Substation in 2003, was re-launched as Singapore's first international performance art event in December 2004. This ambitious 5 day event aimed to provide an expanded platform for the revival of performance art. It was an inspiring undertaking, a creative collaboration made possible by the generosity of the local artist community and its growing support network of students and volunteers.
Bringing together artists from 14 countries in Europe, North America and South East Asia, FOI2 was a welcome opportunity for local audiences to experience and actively engage with a diversity of practices of live and time-based art. It was also a community celebration, a milestone marking the lifting of an effective ban on performance art through the no-funding policy of the state—the punitive action imposed by the National Arts Council for 10 years following an overblown and sensationalised attack by the conservative press on the pubic-hair snipping performance by Joseph Ng in 1994.
Staged in Chapel Gallery at Sculpture Square, a late 19th century Methodist church, there couldn't be a more fitting venue for the resurrection of faith in this marginalised artform. In his welcome, Lee Wen improvised an illustration of the state of cultural affairs in Singapore with regards to live art. Holding a benevolent looking, soft white-haired grandma doll in his right hand and a rather cheeky looking red devil with a hammer in the other he randomly picks victims from the congregation, pounds his prey on the head, recoils and squeezes the wheezing, mocking doll against his cheek. The devil takes on many victims from the assembly, each one submissively accepting its blows. A religious style rant follows about an archaic obscenity law in the Penal Code designed "to protect the man on the street", on which the restrictions on performance are based. Just who is this man? Lee backs off, jokingly blaming the chapel for his behaviour. Nervous laughter. Opening night was a curiously ambivalent but intensely engaging affair, an occasion for jubilation, but the policing of performance persists.
In background: Lee Wen, Jason Lim
Lee collaborates with Jason Lim on a symbolic hair-shaving, an historical rewind, refreshing the audience's memory of the infamous pubic-hair-snipping incident. With an electric clipper they take turns to shave each other's heads while 3 teenage performers dance to high-octane hip hop, the sound of the clipper powerfully amplified. Then Lim burns joss sticks in a trance-like, body purification ritual, running the bundle over his body, with only the groin escaping the burning tips. Lee takes a bird from a cage, hobbles it with a string, tying leg to neck. The bird frantically flutters, heads up towards the beams overhead and falls exhausted to the floor. Lim shaves his exposed body forcing the clippers into his skin. An angry young woman emerges from the audience with scissors and cuts the string. The performance is aborted. Lee Wen regains his composure and asks the woman to complete the removal of the string before she releases the bird outside. It was a disconcerting and poignant moment as I too was dislodged from my own role—I had been asked earlier by the artist to assist in cutting the string, on cue, just before this intervention occurred. What was the performance about now? I was aware that it had a very personal meaning for Wen about the suicide of a very close friend a month earlier, something more than the issue of censorship and 'the man on the street.' More accusations dogged the artist that night, prompting him to post an open email to explain and contextualise the work.
Ironically, no one intervenes as Lim's skin reddens from his aggressive shaving but the collective relief is palpable when the clipper is turned off. He stretches out on the floor like a model in a photo session, applies waxing strips and rips the remaining hair from his body. The performance ends.
While the opening performance focused on issues of censorship, freedom of expression and state power, Silent Logistics explored the dynamics of power between individuals in personal relationships. Performing a series of repetitive actions, Canadian partners Julie Andree T and Dominic Gagnon defined the central area of the chapel as a temporal stage, cordoning it with elastic lines stretched mid-level between walls. The domestic setting included kitchen objects, a water-filled plastic bucket, a glass mixing bowl, a brown paper bag, flour, a tray of eggs and 3 durian fruits, the smell distinctly reminding us of the season, 2 more buckets, newspaper strewn under the table, and an empty chair nearby. In sustained silence, the protagonists mirror the other's gestures, position their mouths against the elastic line and walk towards each other. The illusion of the squared-off area is broken as the lines stretch and literally form a cross. The performers lean forward and fall together, shoulder to shoulder—the stretched cross-line presenting an illusion of two bodies suspended in space.
A series of actions, including being slapped while holding eggs in the mouth, is followed by the man covering his head in pink slush from a bucket while the woman splits open the durian fruit and cups the flesh under her shirt, dramatically enlarging her breasts before immersing her head in the pink liquid. The pair return to their opening positions, the elastic line in their mouths, and suddenly and aggressively lunge at each other with an intense animal cry. The display gradually becomes a sustained, passionate kiss, with the two pink heads amazingly morphing as a single entity, reminding us of Magritte's iconic surrealist painting The Lovers, with the sludge substituting for the cloth. They slowly manouver a release from the locked kiss and pivot their heads in opposite directions while remaining balanced together, the crossed lines still in tight tension. They slip and fall. A cigarette is lit. The act is consumated. The intensity of this piece draws its power from the multitude of metaphors animated in this temporal space.
A number of works from the region were participatory and playful. Using different flavoured icy poles, China's He Cheng Yao instructs participants through an interpreter to join her in an intimate game of sucking, later asking them to write a description of the experience, which is then projected onto a wall. The effect was relaxing, animated by teasing, physical humour and shared laughter. Yuan Mor'o (Philippines) offered ritualised walking on a narrow path in a maze-like floor mandala made from rice seeds before throwing a spherical object into the surrounding space. A similar strategy was deployed by emerging Singaporean artist Dennis Tan with his dust-collecting performance inside the chapel. This later developed into a participatory walk around the physical architecture of Sculpture Square, climbing and traversing surrounding sidewalks, footpaths, walls and the rooftop ledge. Ray Langenbach's (Malaysia/USA) engaging work took the form of an illustrated academic lecture, in drag, on information systems as the apparatus of state hegemony and the way transgressions of performance art are assimilated back into the system. He demonstrated this by re-enacting Vincent Leow's urine drinking action (a precursor of the 1994 Ng incident), in which Leow would ask the volunteers from the audience to go on stage and urinate in a plastic cup which he/they would later drink. This was a performative illustration of the feedback response to the body, a recontextualisation of performative, critical art practise within a politically conservative state.
Sakiko Yamaoka (Japan) performed a mesmerising 4 part action, a poetic meditation about the cycles of time, about permanence and change. Grains of salt crushed between her hands fell onto a mirror on the floor. In the repetitive passing of water between 2 vessels, a basin and a cardboard box, until the water finally disappers, the box is reduced to mushy pulp. A brown bag is cradled until it breaks open and pours out its contents—granules of seeds, beads, and marbles, scattering and colliding in all directions. The final segment was a poetic orchestration of previous elements with repetitive cycles of emptying, falling, crushing and retrieval as Sakiko climbs up and down a tall ladder, emptying her coat pockets of apples and descending to retrieve the fallen objects. The higher she goes the greater the battering until the apples too are reduced to pulp. The act of watching became a highly pleasurable experience, engaging all my senses in a heightened awareness of detail, colour, texture, movement.
I had a similar experience with the powerful durational work of Alastair Maclennan (Northern Ireland) who performed in the small windowless, air-conditioned space of the Lower Gallery. Two hospital beds are littered with animal body parts. Rows of heads, claws and feet from chickens, pigs, rabbits and fish as well as well as burnt limbs from plastic dolls are neatly arranged for forensic examination. Known for his early works commemorating people who have died from the political conflict in Northern Ireland, Maclennan invites us to reflect on the fragility of life and our own mortality. Clad in black balaclava, trenchcoat and a pile of 6 bowler hats on his head, the performer slowly moves like a masked shadow haunting the walls of this space, fixing a propped fishing rod, arranging upturned hats, filling them up with burnt debris. The overpowering smell of dead flesh is punctuated by the haunting squawking of animal cries. The audience was allowed to view the work between other performances in the chapel. Experiencing it at various intervals created a disconcerting perceptual dislocation as the earlier images were later recreated in the opposite corner of the space, the slow and suspended replay creating a state of temporal confusion.
Roddy Hunter's (UK) Joy of Life was similarly structured in a gruelling 8 hour duration. While MacLennan used 'mirror-objects' as fixed markers via which the slow moving masked body navigates, Hunter employed life-size 'mirror-image' video projections of himself. Standing near one corner of the room (with the words "Joy of Life" spray-painted on his right), he faces a video camera, the shot projected to the opposite wall by the other corner, juxtaposed with the same words. The presence of a blinking camera makes it appear as if this is occurring in real time. Hunter slowly raises his arms at intervals, which also appears to be a time measuring device. But the projected image betrays our perception as it is not synchronised with the live action. Recorded earlier, it runs as a loop accompanied by the artist's soliloquy about the future of the imagination.
Future of Imagination is a significant development in contemporary art practice not only in Singapore but also in the South East Asian region. While performance art has been around since the 1960s, its recent popularity may be attributed to the parallel socio-cultural and political climate of the region. A significant number of regional artists at FOI have also been actively engaged in the advocacy of political and social awareness in their respective countries regarding issues on human rights, the environment, AIDS and globalisation.
After reassembling and returning a borrowed piano and naming and finding a temporary home for Foi, the beautiful rooster who assisted me in my storytelling event, it was time to pack my gear and head back to Perth with inspiring memories and stories shared with new friends and with the many creative people who made Future of Imagination a profoundly rewarding and enriching experience.
Future of Imagination 2, An International Performance Event, curator-performers Lee Wen (Singapore/Japan), Jason Lim (Singapore), performers Alastair Maclennan (N. Ireland), Alwin Reamillo (Australia/Philippines), Andrée Weschler (Singapore/ France), Ben Denham (Australia), Cassandra Schultz (Singapore/ Australia), Dennis Tan (Singapore), Dominic Gagnon (Canada), He Cheng Yao (China), Irma Optimist (Finland), Iwan Wijono (Indonesia), Jeremy Hiah (Singapore), Julie Andrée T (Canada), Juliana Yasin (Singapore), kAI Lam (Singapore), Lynn Lu (Singapore) Marilyn Arsem (U.S.A.), Padungsak Kotchasumrong (Thailand), Ray Langenbach (U.S.A./Malaysia) Roddy Hunter (UK), Sakiko Yamaoka (Japan), Yuan Mor'o Ocampo (Philippines); Sculpture Square, Singapore, Dec 8-12, 2004, http://www.foi.sg/
Alwin Reamillo collaborated with a live rooster and an open piano and was assisted by Lee Sze-Chin. Reamillo lives and works in Fremantle, Western Australia. His works have been widely exhibited in Australia and the Philippines, including Semena Santa Cruxtations, reviewed in RealTime 45, October-November 2001.
RealTime issue #65 Feb-March 2005 pg. 33-
© Alwin Reamillo; for permission to link or reproduce apply to realtime@realtimearts.net


Description: Cuban composer Alén writes in a completely accessible tonal idiom in which classical styles are heavily inflected by the rhythms and harmonies of Cuban music, especially Afro-Cuban jazz. The two sets of Theme and Variations, both based on melodies by Cuban composers, exemplify this, with the Rodriguez variations in particular examining the charming song in various styles both traditionally Cuban and in movements marked prelude, étude, fughetta, nocturne and toccatina. The Milanés variations are a good deal more pianistically demanding, producing a highly effective concert piece with more of the concert hall and less of the jazz lounge about it than the other works here. Unison is the real 'odd piece out'; a piano transcription of a movement from Alén's Saxophone Quartet, it is a fast-running perpetuum mobile lasting all of a minute. The Preludes, which were not composed as a set but as discrete pieces which can be played in any combination and any order, are brief, characterful studies in typical syncopated Cuban rhythms and the sonorities and harmonies of Afro-Cuban jazz bands. William Villaverde (piano).


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Q: Ngif Condition to Search Array of Object I tried implementing a message if no search is found. The ngif condition works a bit fine. However, the problem here is that when the page loads it shows the message even before the customer clicks on the search button. The condition set here if the filteredBook length == 0 then the message "No Book search found"  Below is HTML code

  No book search found

A: Initialize filteredBook with undefined, which is falsy.
Then when you click the button you receive a value for filteredBook, which is truthy, even if the length of the array is null.
You can do something like this:

A: Working demo
 filteredBook: any;     // right now it is falsy  value

Declare a variable, your api response set it to  filteredBook
api.getBooks((resp) => {
  this.filteredBook = resp;
});

In template file - add one more condition against  filteredBook

  No book search found


Breast augmentation involves making the breasts larger by placing an implant either under the breast tissue or behind the muscle on which the breast lies. The implant is usually inserted through incisions in the inframammary fold. Incisions may also be made in the armpit or around the areola.
Possible reasons for having a breast augmentation are underdevelopment during puberty, loss of volume after pregnancy, difference in size between the two breasts and loss of breast size after losing weight.
The Breast Augmentation surgery takes place in the modern Spire Little Aston Hospital near Birmingham.
A breast implant is made of an outer layer of silicone and may be filled with silicone gel or salt water.
Some implants are round while others are anatomical.
Further information on breast implants.
It is necessary to wear a non-under-wired support bra, worn day and night for 4 weeks and avoid vigorous exercise for the same period.
It is prudent to avoid aspirin/ibuprofen in the pre and postoperative period.
Complications of surgery include infection of the wound and slow healing of the wound and bleeding. Most women have some degree of asymmetry between breasts and breast augmentation may occasionally exaggerate this difference.
The capsule which the body normally forms around the implant can become thickened and contracted. The newer designs of implants are textured and reduce the chances of this happening.Significant capsule formation can lead to pain and hardness that may occasionally require surgical intervention. Breast augmentation does not usually interfere with breast feeding.


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Qatar to go double-daily Doha-Manila
Qatar Airways will be adding six extra flights per week between Doha and Manila starting from 26 October following an expanded Air Service Agreement signed between the State of Qatar and the Republic of Philippines. The Doha-based carrier is currently flying eight flights per week to Ninoy Aquino International Airport in Manila.
With the increase in weekly flights, Qatar Airways will operate a full twice-daily service to Manila, in addition to its daily flights between Clark and Doha. The Doha – Manila route is operated by the B777 aircraft.
Qatar Airways group chief executive, Akbar Al Baker, said: "The increase in flight frequencies on the Doha–Manila route serves to further strengthen commercial and trade links between our two countries and we are delighted to be able to provide our Philippines-based passengers with greater connectivity options when they choose to fly with Qatar Airways.