I read the first chapter of this book and then put it down. I was not ready for it. You might not be ready for it. For this is a book of unfettered honestly and brutal truth. It made me think and it made me supremely uncomfortable and sometimes it pissed me off. I can't even imagine what mental health professionals would have to say about it. But, in the end, it was eye opening for me. It was moments of band-aid ripping, and not the new band-aids with their easy-off adhesive, I mean the old fashioned kind from when you were a kid when you left them on for days because the alternative was too painful to think about. It was moments of OMG, I am not the only one. I am not alone. I am not a freak. It was moments of screaming YES in my head because, well, it all finally made crashing sense.
Burroughs opens his book with a chapter titled "How to ride in an elevator," in which he encounters a stranger who chirps "Whatever it is that happened, it can't possibly be as bad as it looks on your face. How 'bout trying on a smile for size. And if you're all out, I've got one you can borrow." during one of the most depressed periods of his life. He uses this to frame a discussion of why self-affirmations make miserable people actually feel worse. Which leads him to talk about how "In our superpositive society, we have an unspoken zero-tolerance policy for negativity." Which in turn leads to how we constantly have to lie to world and thus ourselves to just get by. And BAM smack in the face, I put the book down.
This is how you survive the unsurvivable, this is how you lose that which you cannot bear to lose, this is how you reinvent yourself, overcome your abusers, fulfill your ambitions and meet the love of your life: by following what is true, no matter where it leads you.
Brilliantly played Mr. Burroughs, brilliantly played.


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Clash of Clans: free-to-play mobile game that enchants
Clash of Clans is one of the most detailed strategic mobile games available at the time. It was initially released on August 2, 2012, developed and published by Supercell.
Clash of Clans is an online multiplayer game in which players all over the world form communities called "Clans", build their village and train troops (different fighting characters with certain unique fighting abilities and training time), and attack other player's villages to earn resources like Gold coins, Elixir, and Dark Elixir that helps them in upgrading their village.
This extraordinary game features strategic concepts, time management tactics, team synchronization plans, extensive detailing, and appealing graphics.
Clash of Clans can be easily downloadable from Google and Apple Playstore and is completely free for Android and iOS.
Clash of Clans Gameplay:
The gameplay of Clash of Clans is very comprehensive. The main concept of the gameplay is to build and upgrade your village. In the process, you have to attack other villages to gather supplies and defend your village from the opponents.
There are different types of troops with certain abilities designed for specific strategic attacks.
Moreover, there are four powerful heroes with special powers as well, which includes
Barbarian King
Archer Queen
Grand Warden
Royal Champion
As the name of the game shows, Players join a clan to get aid from the clanmates and participate in clan war battles. A 5 vs 5, 10 vs 10, or 15 vs 15 battles where each player has 2 attacks to destroy the corresponding enemy bases and more stars to win the war.
You can use ground troops, air troops, elixir army, dark elixir army, spells, heroes, and siege machines during the attack.
There are two bases in Clash of Clans,
Main Base
You can customize your base layouts in any way you want. The base layouts can be of three main types,
Trophy base (difficult to be attacked)
Farming base (saving resources)
Hybrid (mix-up of both)
Town Hall is the main building of the base and the level of Town Hall represents the progress and seniority in the game. In short, the gameplay of Clash of Clans is very detailed and players have to keep every aspect of the game in mind while playing.
A highly addictive game:
Clash of Clans is often considered an addictive game and demands significant time investment. The player's real-life revolves around the game, keeping the track of time for either the upgrades are completed or they have to train the army and participate in the war. Another reason for its addiction is that it is a mobile game and can be playable anywhere.
Is Clash of Clans Worth it?
Clash of Clans is an amazing mobile strategic game. Since it is a mobile game so it can be easily playable anywhere and it is free as well. The game really helps beginners in understanding the game with detailed tutorials and guides. It is very easy to play this game but very hard to master. It throughs so many things to remember while playing. Also, it is very addictive and players lost track of time while playing. With its detailed gameplay, Clash of Clans is fun to play and worth giving a try!
Articles Games Android Clash of Clans iOS Strategy Supercell Android iOS Clash of Clans Strategy Supercell

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Home » Articles » STD » Syphilis » Syphilis Through the Ages: The Origins, Types of Treatment, and Impact of the Disease
Syphilis Through the Ages: The Origins, Types of Treatment, and Impact of the Disease
January 27, 2020 January 27, 2020 by stdtests
Syphilis, through the ages, was one of the most stigmatized diseases in history. This infection caused countries to blame their neighbors for the outbreak.
The United Kingdom blamed the French for the infection; the French believed the Neapolitans were to blame, while the German called it a "Polish disease." The accusations often shifted from one country to the other, which led many to consider it the most disgraceful infection at the time. Read about the evolution of syphilis through the ages, where it came from, and how did people try to treat it over the years.
Syphilis Through the Ages: The Origins of the Infection
Before the 20th century, people believed that syphilis came from America when Christopher Columbus explored the New World in 1493.
The first official records of syphilis, however, date back to 1495, when a terrible infection emerged among the army of Charles VIII, the king of France, during the invasion of Naples. However, a different study from the 1980s stated that this infection is an old disease, but became more harmful in the 15th century.
How Did Syphilis Affect People in the Past?
Syphilis was nowhere as dangerous as the bubonic plague, but it was incredibly disgusting and painful for those infected. Anyone who carried the infection experienced severe pain, ulcers, and repulsive abscesses.
The infection began with genital ulcers that later turned into a fever, then rash, and finally, pain in the muscles. As the infection progressed, it manifested all over the body and created sores. The pain escalated during the night and became incredibly difficult to bear.
It was so difficult to live with that, many years later, during World War I, it became one of the most common reasons for soldiers to take a leave of absence. Around 10,000 men were discharged from service, and almost 7 million leave-days were taken for those infected. In the Vietnam war, syphilis was responsible for 1% of cases for loss of duty.
How Was the Syphilis In the Past Different from Today?
Syphilis through the ages was much more severe than it is today. Scholars back then described it as a serious and potentially life-threatening disease. If the infection was left to manifest in the body months after it was contracted, it could eat away the bones and destroy the eyes, lips, and nose. In many cases, it would also spread to the throat and mouth.
How Was Syphilis Treated in the Past?
There were hardly any available medications for treating syphilis through the ages. At the start of the 16th century, people used guaiacum as an ointment. This is something they referred to as "holy wood." They also took sweat baths to reduce the inflammation but experienced very few positive effects. Years later, rubbing mercury on the skin became the only available treatment. However, it often resulted in mercury poisoning.
To control the impact of the infection, scientists had to find other, more effective methods. It wasn't until 1943 (the era of antibiotics) that new health measures were implemented, and penicillin was used to treat the infection. With the penicillin, the impact of the disease declined.
Syphilis – Its early history and Treatment until Penicillin and the Debate on its Origins
https://www.acs.org/content/acs/en/education/whatischemistry/landmarks/flemingpenicillin.html
Categories STD, Syphilis Tags History, Syfilis infection, Syfilis symptoms, Symptoms, Syphilis, Treatment Post navigation
Gonorrhea and Pregnancy: How Does This Infection Affect Pregnant Women?
Dust Mite Allergy symptoms
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32-year-old Jimmy Rose from Kentucky has been singing ever since he was a kid but could never make a career out of it. Where he comes from theres only three ways to make it, thats either going into the military, working the coal mines or going to college.
He chose to go to the coal mines straight after he graduated at 18-years-old. A few months in it him him that it was very dangerous and if he was going to risk his life, he may swell risk it for his country.
He learned how to play the guitar while serving as a marine. His experiences changed and shaped him and now feels fortunate to be home and able to chase his dream.


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Today@Sam | SHSU Headlines | Calendar | Experts | Notices | News Archives
SHSU Update for Week of October 8
La Salle is Program Subject
Election 2000--Voting Made Easy
Wind Ensemble and Octubafests
Faculty Members Host Conference
Language Training Promoted
Candidates to Meet on Campus
Doctoral Graduate Honred
More than 300 years ago the explorer Rene Robert Cavelier, Sieur de la Salle got as far inland in Texas as Navasota, where he was killed, on a planned trip to Canada. Thursday his story comes to Huntsville in a Texas Historical Commission presentation.
The La Salle saga is a fascinating one--about France, Spain and Britain's competition for the riches they expected to find in the New World, about pirate captures and shipwrecks, about a river missed by 400 miles, about mutiny on Matagorda Bay and failed dreams.
Jim Bruseth, director of the archaeology division of the Texas Historical Commission, picked an appropriate date for his Thursday presentation in the Walker Education Center of the Sam Houston Memorial Museum project. Not only is it on the traditional Columbus Day (Oct. 12), but October is Archaeology Awareness Month.
Sponsored by the collections department of the Sam Houston Memorial Museum, the event begins with a reception at 7 p.m. and program at 7:30. The program is entitled: "La Salle Odyssey in Texas; Update on La Belle and Fort St. Louis Archaeology Projects."
One of La Salle's ship's was the La Belle, which sank in Matagorda Bay southeast of the present day city of Victoria. La Salle had arrived in that area to establish a colony at what he thought at first was the mouth of the Mississippi. By that time (about 1684) his effort had been a victim of both pirates and mutineers.
What was left of the 300 men, women and children he had brought from France, about 180 in number, established Fort St. Louis. They only lasted a few years, however, and when the empty settlement was found in 1689 by Spanish troops, they burned Fort St. Louis and built their own, La Bahia, on that very spot.
In 1995 the La Belle was found. A year later eight iron cannons that the Spanish had buried were found, drawing archaeologists closer to the Fort St. Louis remains. Since then they have been recovering artifacts and searching for the exact settlement location and its cemetery believed to contain 50 to 100 of the settlers.
The Texas Historical Commission estimates there are more than 1 million archaeological sites in Texas, including several dozen active ones, but the La Belle and Fort St. Louis projects are their most important.
A number of steps are being taken to assure that as many people as possible vote in this year's Nov. 7 general election, including several at Sam Houston State University.
For those qualified to vote in Walker County, early voting will be held from 8 a.m. to 5 p.m. Oct. 23 through Nov. 3 in the Walker County Courthouse Commissioner's Courtroom on the third floor. Early voting will be held in room 310 of the Lowman Student Center from 8 a.m. to noon Oct. 25 and noon to 5 p.m. Oct. 26.
Students who wish to vote by mail in their home counties may do so by picking up an application at the information desk on the second floor of the Lowman Student Center. Addresses of each county clerk or election administrator are also available there.
In order to vote early by mail in Walker County, the voting clerk must receive an application for a ballot by Oct. 31, the last day on which a ballot can be mailed out. Applications should be addressed to James D. Patton; Early Voting Clerk; PO Box 210; Huntsville, TX 77342-0210.
Ballots may also be requested by phone by calling 936.436.4922.
Three days of Octuba music, a tribute to Bach, and a student recital highlight this week's music schedule at Sam Houston State University.
The 66-member Wind Ensemble, under the direction of Matthew McInturf, will perform a piece by Johann Sebastian Bach in honor of the 250th anniversary of his death at their Thursday (Oct.12) concert at 7:30 p.m. in the Beto Criminal Justice Center Killinger Auditorium.
Robert Daniel and Henry Howey, SHSU's tubameisters, will present faculty recitals of traditional Octoberfest music at 7:30 p.m. Sunday, Monday and Tuesday (Oct. 8-10) in the Recital Hall.
Penny Kershaw will present a student recital at 7:30 p.m. Saturday (Oct. 14) in the Recital Hall.
SHSU music faculty member Peggy DeMers will be the featured French horn soloist for the Wind Ensemble concert, performing a concerto by American composer David Amram. Other works on the program are by Vincent Persichetti, Dan Welcher, and Gustav Holst.
Robert Chreste, a graduate teaching assistant for both the Wind Ensemble and the Bearkat Marching Band, will conduct the ensemble in Holst's "Second Suite for Military Band in F."
According to Chreste's concert notes, the suite was composed in 1911 but not performed until 1922, and is based on material from English folk songs and morris dances. Movements include "March," "Song without Words, 'I'll love My Love,' "Song of the Blacksmith," and "Fantasia on the 'Dargason.'"
The Octubafest concerts and student recital are free. Admission to the Wind Ensemble is $8, or $5 for students and free to SHSU students and employees with SHSU IDs and free to Friends of Music.
Sam Houston State University educators will play a key role in this week's 26th Annual Conference of the Research on Women and Education special interest group of the American Education Research Association in San Antonio.
SHSU will be the hosting institution for the three-day event (Oct. 12-14), and several faculty members will make or participate in presentations and discussions.
They include Joan Prouty, Marsha Harmon, Robin Zoubi, Kim Arp, Genevieve Brown, Marion Czaja, Beverly Irby, Stacey Edmonson, Alice Fisher, Fred Lunenburg, Ellene Polidore, Judy Christensen, Mary Nichter, Judy DeTrude, and Rebecca Robles Pina. Irby also serves as the group's chair elect.
The Research on Women and Education group, established in 1973, promotes scholarship on women and girls in education. It has two major purposes--to provide a structure within the American Education Research Association for the promotion of research concerning women and girls in education and to provide a mechanism to facilitate communication among researchers and practitioners who are concerned about women in education.
Irby and Brown also co-edit Advancing Women in Leadership, the Internet's first on-line, academic journal dedicated to examining and expanding feminine leadership worldwide.
Mary Gutermuth, coordinator of foreign languages, has announced that German and French are doing well under Sam Houston State University's emphasis on international activities.
"Both German and French have 41 beginning students this semester," said Gutermuth, "a sure sign of a healthy subject."
While the major in German may be phased out in five years, she said, the language will continued to be offered. And the French major will be reviewed in three years.
"Both German and French are pretty much essential in the sciences and in music so the service will continue no matter what may happen to the majors," she said.
Gutermuth believes in emphasizing foreign language training because of the internationalization of our economy and the increasing global interaction caused by the Internet and other factors.
National politics are marked this time of the election year by getting presidential and vice-presidential candidates together for an exchange of ideas and to answer questions. Huntsville will have its own version of that type event Oct. 18.
The Sam Houston State University chapter of the Texas Association of College Teachers will sponsor a forum for the two candidates for Texas State Representative, District 18.
Incumbent Dan Ellis (Democrat) and challenger Ben Bius (Republican) will be available for comments and audience questions from 3 p.m. to 4:30 p.m. in Austin Hall. The program includes refreshments and a social hour.
John Holcombe, a TACT officer, said the event is open to the entire university community.
Doctoral Graduate Honored
Michael Brown, a Sam Houston State University criminal justice doctoral graduate, has been named recipient of Southeast Missouri State University's Faculty Merit Award for excellence and distinction in teaching.
Brown will be honored at a dinner Oct. 20 during Southeast Missouri homecoming activities.
Brown, who has chaired the Department of Criminal Justice at Southeast Missouri for 12 years, was the first member of his family to earn a college degree. He earned his bachelor's at the University of Kansas, master's at Wichita State, and doctorate in criminal justice with a concentration in administration and management from SHSU.
SHSU Media Contacts: Frank Krystyniak, Julia May
Communications Coordinator: Julia May
Located in the SHSU University Advancement Building


I've said before that I love when characters that don't often interact spend time together on shows, and this episode allowed for a good deal of that. Steve was a perfect ally for Dustin, and I like that he coached him on how to go after the girl of his dreams. I think it's fair to say that Max believes what Lucas told her by this point, and they were definitely holding hands when things got very scary. Will being in such pain was hard to watch, but as Mike was quick to realize, he was acting as the spy and managed to create a pathway for the Demogorgons (if that's what they are – I'm still not really sure) to come dangerously close to the top of the lab and within view of Hopper, who hates those monsters a lot but I can't imagine actually understands them. We haven't seen Eleven in a while, and I hope that she realizes that this is exactly the time to come out of hiding since no one's looking for her given that they have much bigger fish to fry. It's good to see that Dr. Owens is one of the good guys on the bad side, open to the idea of Will being helpful and not ready to sacrifice his life for the greater good. I don't know how all this will play out with Nancy and Jonathan's expose given to the truly crazy Murray Bauman, but he did succeed spectacularly on one front, which was convincing Nancy and Jonathan that they should get over their hangups and just express their feelings already.


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Pseudofoenus unguiculatus är en stekelart som först beskrevs av John Obadiah Westwood 1841.  Pseudofoenus unguiculatus ingår i släktet Pseudofoenus och familjen bisteklar. Inga underarter finns listade i Catalogue of Life.

Källor

Bisteklar
unguiculatus

redpajama_set_name: RedPajamaWikipedia


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Split Enz was een Nieuw-Zeelandse band die met enig succes singles uitbracht eind jaren 70, begin jaren 80. Bekendste bandleden zijn de broers Tim en Neil Finn.

Biografie
De band begon in 1971 op de universiteit van Auckland, waar Tim samen met Mike Chunn, Robert Gillies, Philip Judd en Noel Crombie een bandje oprichtte. Vanaf 1972 werd de band een volledige baan en noemden ze zich Split Ends. Hun eerste optreden onder deze bandnaam vond plaats op 10 december 1972 voor 30 personen in de Wynyard Tavern in Auckland. Naast Tim (zang en piano), Phil (zang en gitaar) en Mike (basgitaar), bestond de lineup toen uit DIV Vercoe op drums, Miles Golding op viool en Mike Howard op fluit. Deze laatste drie werden in april 1973 vervangen voor Geoff Chunn op drums en Wally Wilkinson op gitaar. Tussen 1972 en 1977 was Tim samen met Phil de aanvoerder van de band. Mike Chunn was een vaste kracht als basgitarist, maar verder kende de band in de beginjaren een groot aantal personele wisselingen. Zo was Robert Gillies in deze beginperiode afwisselend dan weer wel en dan weer geen onderdeel van de band. Ook speelde Noel Crombie al af en toe mee als percussionist tot hij in juli 1974 vast bandlid werd.

De spelling van de bandnaam werd voor hun eerste Australische optredens in 1974 aangepast naar Split Enz om hun Nieuw-Zeelandse wortels aan te geven.

In 1975 was Split Enz het voorprogramma van concerten van onder meer Frank Zappa, Santana en Roxy Music. Phil Manzanera van Roxy Music zou in het volgende jaar in Londen hun tweede album Second Thoughts produceren. Dit album bevatte een aantal beter geproduceerde versies van nummers van het in 1975 snel opgenomen eerste album Mental Notes. De muziekstijl was eclectisch-new wave met invloeden van art rock, vaudeville, swing, punk, rock-'n-roll en popmuziek. De kostuums, haar en make-up waren onvergelijkbaar wild en kleurrijk.

Tims jongere broer Neil had in 1975 op de prille leeftijd van 17 jaar al in het voorprogramma van de band opgetreden. Toen Phil Judd de band in 1977 verliet mocht Neil de gelederen versterken. Vanaf die tijd verloor de band langzaam haar extravagante uiterlijk en ging ze meer mainstream popmuziek maken. Vanaf het album True Colours (1980) schreef Neil zelfstandig nummers, waaronder de grootste hits van de band, zoals doorbraaknummer I got you (van het album True Colours) en hun grootste hit in Nederland Message to my girl van het album Conflicting Emotions (1983). Tim deed daar niet voor onder en pende ook enkele hitsingles waaronder I hope I never van het album True Colours en Six months in a leaky boat van het album Time and Tide (1982). Dat laatste nummer was minder succesvol in het Verenigd Koninkrijk, waar het door sommige radiozenders werd geboycot omdat het werd gezien als kritiek op het Britse optreden in de Falklandoorlog.

Van 1977 tot 1981 kende de band een vrij constante lineup, bestaande uit Tim Finn (leadvocalen, piano en gitaar), Neil Finn (leadvocalen en gitaar), Eddie Rayner (keyboards en piano), Nigel Griggs (basgitaar), Malcolm Green (drums) en Noel Crombie (percussie). In 1981 werd drummer Malcolm Green ontslagen. Noel Crombie nam zijn plaats over totdat einde 1983 Paul Hester werd gevonden en Noel weer in zijn oude rol van percussionist kon terugvallen.

Nadat Tim in 1984 besloot de band te verlaten om een solocarrière te beginnen werd duidelijk dat Neil niet geloofde dat de band zonder hem verder kon. De band gaf in dat jaar aan ermee op te houden. Ze brachten nog wel een nieuw album uit met de veelzeggende titel See Ya 'Round en ze gaven hun laatste toer Enz with a Bang, waarbij Tim ook weer op het podium stond. Het laatste optreden vond plaats in de eerste week van december 1984 in Auckland.

Na Split Enz
 Phil Judd, Noel Crombie en Nigel Griggs vormden samen een nieuwe band met de naam Schnell Fenster, en brachten twee albums uit.
 Eddie Rayner maakte ook korte tijd deel uit van Schnell Fenster, maar besloot al snel een eigen band op te richten, dit werd The Makers. Ook zij brachten twee albums uit. Hij was ook verantwoordelijk voor de uitvoering van het ENZSO-project, waarbij leden van de band oude Split Enz nummers zongen met het Nieuw-Zeelandse Symfonie orkest. Er werden twee albums uitgebracht met live opnames van deze bijzondere concerten.
 Neil Finn vormde de band Crowded House, die ook wereldwijd bekend werd en waar na een aantal jaar ook Tim Finn bij kwam spelen. Na Crowded House begon hij een solocarrière. Ook heeft hij samen met zijn broer Tim albums uitgebracht onder de noemer Finn Brothers.
 Tim Finn begon een solocarrière, zijn grootste hit was Fraction too much friction. Hij was ook kort lid van Crowded House en onderdeel van de muzikale samenwerkingsprojecten ALT en Forenzics.

In 1993 kwam de band samen voor een reünietour om de twintigste verjaardag van de band te vieren. In 2002 verschenen ze voor een tv-optreden vanwege de dertigste verjaardag van de band. In 2006 maakte Split Enz opnieuw een reünietournee met de klassieke line-up van de periode 1977-1981: Tim Finn, Neil Finn, Nigel Griggs, Eddie Rayner, Noel Crombie, and Malcolm Green.

Bezetting

Discografie

Albums

Studioalbums
 Mental Notes (1975)
 Second Thoughts (1976)
 Dizrythmia (1977)
 Frenzy (1979)
 True Colours (1980)
 Waiata/Corroboree (1981)
 Time and Tide (1982)
 Conflicting Emotions (1983)
 See Ya 'Round (1984)

Livealbums
 The Living Enz (1985)
 Anniversary (1994)
 Live in America (2006)

Compilatiealbums
 The Beginning of the Enz (1979)
 Enz of an Era (1982)
 The Best of Split Enz - History Never Repeats (1987)
 Oddz and Enz (1992)
 Rear Enz (1992)
 The Best of Split Enz (1993)
 Spellbound (1997)
 Other Enz - Split Enz and Beyond (1999) (met diverse artiesten)
 The Rootin Tootin Luton Tapes (2007)

Singles

|-
|align="left"|I got you||1980||-||Tipparade||3||
|-
|align="left"|I hope I never||1980||-||30||4|| #30 in de Nationale Hitparade / #24  in de TROS Top 50
|-
|align="left"|Message to my girl||1984||-||13||7|| Veronica Alarmschijf Hilversum 3 / #18 in de Nationale Hitparade / #11 in de TROS Top 50
|}

NPO Radio 2 Top 2000

|-
|align="left"|I hope I never||1014||-||894||1106||1345||1347||1503||1503||1742||1490||1812||1789||1979||-||-||-||-||-||-||-||-||-||-||-
|-
|align="left"|Message to my girl||386||343||260||281||363||417||442||540||614||466||624||711||740||941||839||659||683||786||793||1143||1033||1175||1155||1251
|}

Externe links
Excellent Biography
Informatie over Finn en gerelateerde projecten

Referenties

Nieuw-Zeelandse band


Located within the vibrant inner west of Sydney, Ashfield's diversity and multiculturalism is evident throughout.
Since the rapid influx of Chinese residents in the late 1980s, Ashfield's population has boomed and accommodation has increased through the development of medium and high density apartment living. Transport and access is serviced by a train station (on the airport line) and ample bus routes. Arterial and shopping areas include Liverpool and Parramatta Roads and Ashfield Mall, and Ashfield is less than 3km from Westfield Burwood and 5km from Marrickville Metro Shopping Centre.


Looking to move to Norfolk , NE? We've got everything you want to know about the key factors that could make this the best place for you, including Norfolk , NE real estate. Let's start with the basics: Norfolk , NE is located in Madison County . It has a population of 24,393, and we have a cool graph below that shows the city's ethnic diversity, as well as other important facts and figures.
What about cost of living in Norfolk , NE? The median income in Norfolk , NE is $46,250 and the median home value is $119,500, which should give you a pretty good idea of its affordability. Norfolk , NE is also the perfect place to break in your new shoes, due to its WalkScore ® of 38.3848.


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Rosenior figuring out his own path
by Dan | Mar 13, 2007 | Uncategorized | 0 comments
It would be easy to conclude that Liam Rosenior's development into one of the Barclays Premiership's bright young talents was preordained. How could Fulham's tenacious full back and contender to succeed Gary Neville in the England side not have benefited from growing up in such a healthy football environment, one in which he received a helping hand from his father, Leroy, a striker with Fulham, Queens Park Rangers and West Ham United?
It is an association that provided an instant and invaluable lift when, as a toddler, Liam would join in a kickabout with his father, the other children and their professional footballer-fathers before West Ham's home matches.
But while Liam may have received every encouragement, the England Under21 defender has done it his way. And Leroy is as far removed from the stereotype of pushy parent as you could find.
Leroy, 42, was always certain that Liam would make a name for himself, in whatever field he chose. "He never used to play with normal toys on his own; we used to play Battleships, or intellectual things. And, from an early age, he translated that way of thinking into football. He's a very deep thinker about the game. He could have done anything he wanted, but he was obsessed with football," he said.
"I used to take Liam to the gym at West Ham — and his younger brother, Daron — when John Lyall was the manager, and before the game we'd warm up with our kids. There'd be Alvin Martin, Tony Gale, Liam Brady, Phil Parkes, all kicking the ball around. From then on he'd come with me to football."
Liam said: "We didn't understand what was going on, that our dad was playing for a first division club. But I wasn't pushed into football, it's something I loved since I could remember."
Leroy, the former manager of Torquay United and, until last November, Brentford, rarely watched Liam during his fledgeling career at Fulham because, as a former Craven Cottage favourite, he did not want to cramp his son's style or add to the expectation. They both had their own lives to lead. That philosophy has paid off.
When Leroy did take an active role, he did it with tough love. Liam played ten matches on loan under his father at Torquay at the end of the 2003-04 season, and Liam said: "It was weird. Away from training it was a father-and-son relationship. Anything to do with Torquay, he was the manager and I was the player.
"One game my dad dropped me but didn't tell me in the car on the way to training. Afterwards, he called me into his office and told me, as any manager would. I had a go at him and said things maybe I shouldn't have said. We got back in the car and went home. We didn't talk for a bit and then after that it was fine again. And that's the way it should be — my dad's always been fair and honest with me.
"Torquay was an amazing experience. My dad had no assistant and we washed our own kit. We trained on a racecourse, no white lines, no nets for the goals. Once we trained on the beach on a wet, windy day with people walking dogs through the pitch.
"When I came back [to Fulham] and saw the facilities here, it made me realise what I had and what I wanted — to play for Fulham and become a top player in the Premiership. I'll always be grateful to my dad for that."
Leroy, who once said that he wanted to be "the first black England manager", now works as a media pundit and with the World in Motion sports management agency. An eloquent spokesman on racism, football, and life in general, he has not ruled out a managerial return, but ideally would relish becoming an academy director, "helping kids develop". "There was always going to be a comparison between us at Fulham, so I stepped back and Liam's become a very good player in his own right," he said. "For the first year of his career, he was known as my son, which wasn't fair. Now, it's great being known as Liam's father."


text:
Our Approach to Elementary Education
Community School fosters the intellectual, emotional, and creative growth of young children and encourages their development as the leaders of the next generation.
Mission Statement: Nurturing the Gifts of Mind, Body & Spirit
Engaged Learning in an Environment of Love and Trust
We welcome children in a joyful environment of active, experiential learning rooted in their individual development and dedicated to academic excellence. We are a nurturing safe haven where young minds can make sense of the world as they move between the known and unknown, accompanied by trusted adults who cherish and support them.
Learn More About Our History
An Education Based on Exploration
We believe the world is to be explored, examined, and enjoyed. Community's approach reaches beyond rote learning, encouraging students to search for the hidden, uncover what gives meaning, and discover what differentiates and unites. Our expansive campus provides a perfect environment for the early exploration of a child's world and the development of an appreciation for the concepts underpinning our STEAM curriculum.
A Deeply Personal Approach to Learning, Tailored to the Individual Child
From our school's very inception we have held closely to the belief that each student is an individual with individual differences and an inherent right to develop those differences. Our master teachers focus on individual children, meeting them exactly where they are to chart a path forward in understanding. We personalize our curriculum for every student, making adjustments throughout the school year as the child advances.
Meet Our Educators and Staff
Cultivating a Lifelong Love of Learning
At Community School, we hold that education is not an aggregation of knowledge, but a way of observing the world. Our students dig deep into subjects, investigating ideas and the people and cultures that are inspired by them.
Our graduates emerge well equipped to succeed in the very best secondary schools and in life, not because they have amassed data, but because they have fallen in love with the joy of learning.
Learn About Academic Excellence at Community School
Ten Guiding Principles
1. The school should recognize the child as an individual with individual differences, and an inherent right to develop these differences.
2. The school should set up the schedule with freedom to develop these differences. There should be freedom, but freedom with control.
3. The school should see to it that the child must be trained to become an independent thinker, to express himself/herself freely and accurately, free of embarrassment or self-consciousness, and to assume responsibility and carry it through to a successful end.
4. The school should provide a classroom atmosphere of child-teacher cooperation, as opposed to the teacher-dominated classroom. The teacher should be a source of informed assistance to whom a child can go for direction in his/her search for desired material.
5. The school should have teachers sufficiently rich in background to enable them to provide classroom material that will spark a child's imagination, keep it alive, and encourage each child to want to know more.
6. The school should make a child aware of his/her immediate world, his/her place in that environment, and his/her responsibility in global issues.
7. The school should cultivate in each child a spirit of courtesy, an appreciation for individual differences, and respect for the opinion of others.
8. The school should open a child's eyes to the wonders of nature, the stars, the universe and the world around them.
9. The student must be led to appreciate the beauty in literature and the fine arts and should be encouraged to create any or all of them.
10. The child should be made to understand that the so-called tool subjects (reading, writing, and arithmetic) are means of securing the goals toward which one strives and to this end each child must become proficient.


The North Dakota Department of Health is stressing the importance of influenza vaccination after tests show a common treatment is no longer working on certain kinds of the flu.
Tests completed by the U.S. Centers for Disease Control and Prevention have shown that a common strain of the flu, known as type A H1N1, is becoming resistant to a common treatment. Data shows that of the 50 flu viruses tested, 49 (98 percent), could not be treated with the antiviral Tamiflu.
"Influenza can be very serious, causing extended periods of missed work or school and hospitalizations. Sometimes it can be serious enough to cause death," said Abbi Pierce, Immunization Surveillance coordinator for the Department of Health. "This year we will have even fewer options to treat influenza, so it's that much more important to prevent it and get vaccinated now."
So far this season, seven cases of influenza have been reported in North Dakota. As of Dec. 23, four confirmed cases occurred in Cass County, two have been confirmed in Burleigh County and one in McLean. One of those cases has been culture confirmed, meaning that more extensive lab tests were done to see what kind (or strain) of flu it was.
"The lab tests confirmed that it was an influenza A H1 strain, which is a normal strain that we see every flu season," said Michelle Feist, influenza surveillance coordinator. "That is important for us to know because the flu vaccine protects against these normally circulating strains of influenza. This helps us reinforce the importance of getting vaccinated against the flu."
Typical flu symptoms include fever, dry cough, sore throat, headache, muscle aches and extreme fatigue.
For information, contact Pierce or Feist at 701-328-2378 or visit http://www.ndflu.com. Reported influenza case numbers will be updated every Wednesday on the Web site.


text:
@(user: Option[models.User], page: models.pages.Page)(implicit request: RequestHeader, messages: Messages, webJarAssets: WebJarAssets, lang: Lang)

@import helper.CSRF

@main(page.title, user, page.keywords, page.description){
    @user.map{ usr =>
        @if(usr.isAdmin){
            <form action="@controllers.pages.routes.AdminPage.showAdminPage(page.url)" method="get" class="form-inline">
                @helper.CSRF.formField
                <button type="submit" class="btn btn-danger">@Messages("Edit")</button>
            </form>
        }
    }

        @{lang.code}

@{page.title}

@Html(page.html)

}

redpajama_set_name: RedPajamaGithub


text:
Fifth Business (Deptford Trilogy #1) (Paperback)
By Robertson Davies, Kelly Link (Foreword by), Michael Dirda (Introduction by)
This is book number 1 in the Deptford Trilogy series.
#2: The Manticore (Deptford Trilogy #2) (Paperback): $17.00
#3: World of Wonders (Deptford Trilogy #3) (Paperback): $17.00
The first book in Robertson Davies's acclaimed The Deptford Trilogy, with a new foreword by Kelly Link
Ramsay is a man twice born, a man who has returned from the hell of the battle-grave at Passchendaele in World War I decorated with the Victoria Cross and destined to be caught in a no man's land where memory, history, and myth collide. As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball or the teaching of card tricks to a small boy in the end prove neither innocent nor innocuous. Fifth Business stands alone as a remarkable story told by a rational man who discovers that the marvelous is only another aspect of the real.
Robertson Davies (1913-1995) had three successive careers during the time he became an internationally acclaimed author: actor, publisher, and, finally, professor at the University of Toronto. The author of twelve novels and several volumes of essays and plays, he was the first Canadian to be inducted into the American Academy of Arts and Letters.
"If you are the kind of reader who looks for traces of the marvelous and the unexpected in narrative as well as daily life, then soon you will, like me, treasure these novels."
"The Deptford Trilogy boldly commingles the extraordinary and the everyday, at times attaining what Davies once called, in talking about melodrama, 'the compelling immediacy of a dream.'"
—Michael Dirda
Publisher: Penguin Classics
Series: Deptford Trilogy
Fiction / Classics


text:
Q: Is there a way to use auth() or other function outside app\Http\Controllers folder? I want to use access keys for responsivefilemanager.
Since access keys can be seen by the users(example.com/filemanager/dialog.php?akey=usersaccesskeys), I want the access keys to be temporary(single use only). But I think I need "auth()" and other functions like "User::find($user_id)" to do this.
Anyways there is an error when I use auth() or controller functions in config file of the filemanager, "Call to undefined function auth() in /path/to/config/config.php".
I am stuck and I don't want to deploy my website like this.
Is there any other ways to make responsivefilemanager secure?
I have also tried using controller php file in app\Http\Controllers\RfmController.php
Other error shows "Uncaught Error: Class 'App\Http\Controllers\Controller'"
This is the function RfmController extends to.
I am running LAMP server.
PHP 7.3.7
Laravel 5.8
In my config.php
'access_keys' => array(auth()->user()->name),

by using controller.php
In my config.php
namespace App\Http\Controllers;
require('/path/to/app/Http/Controllers/RfmController.php');
$rfm = new RfmController;
.
.
.
'access_keys' => array(RFMClass::rfmakey()),

In RfmController.php
namespace App\Http\Controllers;
class RfmController extends Controller
{
    public function rfmakey()
    {
        return auth()->user()->id;
    }
{

I expected that rfmakey() would return the username

A: You need to use middleware. From the official laravel documentation:
If you are using controllers, you may call the middleware method from the controller's constructor instead of attaching it in the route definition directly:
public function __construct()
{
    $this->middleware('auth');
}

As an aside, I would stay away from putting dynamic values or code in my config.php file, like
auth()->user()->name

This is not a good practice.
Hope this solution helps you!

redpajama_set_name: RedPajamaStackExchange


text:
Developing News
By sir warren b leonhardt on March 15, 2011
'Stella and Sam' creator Marie-Louise Gay posted about her POV on developing her childrens' book into an animated property. A good read for anyone looking to start developing their own series and pitching. The main thing I got out of it was:
a) it took a decade.
b) she never waffled on what she wanted
c) Most importantly, she spent a lot of time fully developing her world before a supportive producer took her on as a partner to make the translation into animation.
Anyways, have a read, feel free to comment below. Yet another feather in the cap for Ottawa's Mercury Filmworks. They must be doing a series of things right over there, they seem to be getting some clout with artists:
"But how do you translate very detailed pencil, watercolor and collage illustrations that lie quietly on the page, waiting to be read and poured over and over again by small children, to another platform where computer images are created to move and talk and dance and play — all this without betraying the original concept? I guess the answer to that is to find artists who will respect the original work. Mercury Filmworks created the computer images of the characters, the landscapes, the colors, the movements and the visual identity of the show. They stayed as close as possible to the art in my books."
(thanks, Steve Lambe)
Published in commentary
sir warren b leonhardt
Warren Leonhardt spent too much time watching tv, reading comics, or doodling in his math textbooks to really pay attention, but he thinks he was raised the Kootenays of British Columbia by two grownups and a sister. After realizing that cartoons and animated films don't make themselves but were actually made by people, he decided to become one of those people. Over time he's managed to fool companies like House of Cool, Disney Canada, Spümcø, Sony Pictures Animation, Blue Sky Studios and Corus into actually paying him money to draw funny pictures and generally goof around as a storyboard artist for animated features and television. He currently lives in Collingwood, Ontario, Canada with his long-suffering wife and toddler. In between drawing till his hand falls off and fending off the wildlife invading his property, he interviews people more interesting than himself for CAR.CA.
More posts from sir warren b leonhardt
More from commentaryMore posts in commentary »


Digital technologies have transformed traditional filmmaking and refashioned the market. New and innovative technologies in both production and post-production have paved the way for a more versatile, cost effective and advanced workflow. The ZEISS Compact Prime CP.3 family is the latest contribution from ZEISS to support creative and progressive filmmaking with an affordable, future-proof and premium quality lens set. The ZEISS eXtended Data with CP.3 XD lenses extends the feature set with metadata-capable technology.
Visual effects specialist, producer and director Scott E. Anderson had a chance to test the ZEISS CP.3 XD lenses for the first time. In the interview below, Scott talks about his work and this new development in filmmaking.
ZEISS: What is your role on and off the set?
Scott: With Digital Sandbox we are focusing on helping storytellers tell stories. It's a simple mandate that usually involves a lot of different equipment! We especially focus on how to make use of all the advances in computer and filmmaking technologies. We want to make these new technologies available to independent filmmakers, no matter how big, or small, their budget might be.
In general, my role really varies depending on the production. I work as a visual effects supervisor on-set and in post, and at the same time, I am chasing opportunities as a director on my own projects and test pieces like this with the new ZEISS Compact Prime CP.3 Lenses. Sometimes I am just an advisor and also help executive produce feature films. At other times, Digital Sandbox is helping produce projects. As you can see my role now is much more wide reaching. Still, most people will recognize me as a visual effects supervisor.
In that role I am really involved in the whole range of both the art and science of filmmaking. We are experienced in using technologies that are newer than a lot of the industry is using. But really, I am trying to apply that to general filmmaking, making sure that the technologies do not stand out but help make the cinematic or storytelling world bigger. Sometimes it just helps filmmakers to get things done safely or on a budget.
http://dsbx.us/wp/wp-content/uploads/2016/03/dsbx_full_logo_v01_900x170_optimized.png 0 0 Matteo Saradini http://dsbx.us/wp/wp-content/uploads/2016/03/dsbx_full_logo_v01_900x170_optimized.png Matteo Saradini2017-05-19 12:48:542017-05-19 13:23:45Visual effects specialist, producer and director Scott E. Anderson had a chance to test the ZEISS Compact Primes CP.3 XD lenses.
Blackmagic Design just released a list of films this Summer that used their products and Digital Sandbox made the list!
"Fremont, CA – July 20, 2016 – Blackmagic Design today announced that more than 20 of this summer's hottest films used its digital film cameras, VFX and motion graphics software Fusion Studio and DaVinci Resolve Studio on set, editing, color correction and finishing tools to shoot, composite and grade the films.
The latest project for Digital Sandbox and VFX Supervisor Scott E. Anderson is making waves in Hollywood.
"In a rather surprise development, Sony shuffled The Shallows from its planned June 29th date to June 24th. The weekend of June 24th turns out to be a very crowded frame. You've got Broad Green Pictures and Amazon Studios's The Neon Demon apparently going at least semi-wide (it's a lot of fun if you know what you're getting into), you've got STX Entertainment's big summer offering Free State of Jones, and, oh yeah, you've got 20th Century Fox's Independence Day: Resurgence.


text:
Die Honschaft Itter, im 19. Jahrhundert auch Erste Dorfhonschaft Wald genannt, war im Mittelalter und der Neuzeit eine Honschaft im Kirchspiel und Gerichtsbezirk Wald innerhalb des bergischen Amts Solingen. Sie umfasste einen Teil des heutigen Solinger Stadtgebiet in den Stadtteilen Wald und Gräfrath.

Die Honschaft bestand bereits um das Jahr 1220, als Graf  Engelbert von Berg seine Grafschaft Berg in Gerichtsbezirke aufteilte. Die Honschaft Itter war bereits zu dieser Zeit eine von acht Honschaften des Kirchspiels Wald, das zugleich ab dieser Zeit einen Gerichtsbezirk bildete.

Nach Ende der französischen Besetzung zu Beginn des 19. Jahrhunderts und Auflösung des Großherzogtums Berg 1815 wurde die Honschaft Itter – unter Beibehaltung der von den Franzosen durchgeführten kommunalen Neugliederung des Herzogtums – schließlich als Landgemeinde der Bürgermeisterei Wald im Kreis Solingen des Regierungsbezirks Düsseldorf innerhalb der preußischen Rheinprovinz zugeordnet und war damit bis in das 19. Jahrhundert eine der untersten bergischen Verwaltungseinheiten. So kamen 1807 unter den Franzosen von der Honschaft Bavert die Wohnplätze Krausen, Am Friesenhäusgen und aufm Rolsberg zu der Honschaft.

1815/16 lebten 1.690 Einwohner in der Honschaft.

Laut der Statistik und Topographie des Regierungsbezirks Düsseldorf gehörten zu der Honschaft 1832 folgende Ortschaften und Wohnplätze (originale Schreibweise): Wald, Scheuer, Altenhof, Wiedenhof, Krausen, Friesenhaus, Rolsberg, Wittkull, Adamsfeld, Feld, Sorgenhaus, Honshaus, Stübben, Strauch, Delle, Buckert, Westersburg, Oben Itter, Sonnenschein, Igelsforst, Kninsbusch, Kotzert, Stöcken, Backhausheide, Mittel Itter, Holz, Gütgen, Fürkelrath, Eipaß, Buxhaus, Itterbruch, Bausmühle, Zieleskotten, Bauskotten, Eschbach, Ehrnermühle und Fuhr.

Zu dieser Zeit gab es zwei Kirchen, sechs öffentliche Gebäude, 368 Wohnhäuser, 14 Mühlen bzw. Fabriken und 249 landwirtschaftliche Gebäude. Es lebten 2.010 Einwohner in der Honschaft, davon 247 katholischen, 1.754 evangelischen und neun jüdischen Glaubens.

Mit der Erhebung der Bürgermeisterei Wald 1856 zur Stadt entfielen die Honschaften als Verwaltungseinheit.

Einzelnachweise

Geschichte (Solingen)
Itter


Bare Arms Gun Shop has gun shows in New York. It is always best practice to confirm information. Including gun show dates, times, location, admission, concealed classes, and vendor space. Please direct any questions directly to Bare Arms Gun Shop.


Third Wave Technology ("us", "we", or "our") operates http://ww.thirdwave.it (the "Site"). This page informs you of our policies regarding the collection, use and disclosure of Personal Information we receive from users of the Site.
While using our Site, we may ask you to provide us with certain personally identifiable information that can be used to contact or identify you. Personally identifiable information may include, but is not limited to your name ("Personal Information"). We do not sell your information to any other party.
We may use your Personal Information to contact you with newsletters, marketing or promotional materials and other information that we believe will be of value and interest to you.


Albert Drake was thrown when Gayle Halperin, board president of the Bruce Wood Dance Project, approached him about creating a piece for the company.
Drake, who's just 24, is a founding member of the Dallas troupe, joining when he was still a student at Southern Methodist University, and already has made a lasting impression in a number of Wood's physically and emotionally powerful works. Nonetheless, this was a big step.
"I did not think choreographing was in my plan, at least right now," he says in a phone interview less than a week before Whispers, his professional dance-making debut, is scheduled to premiere at Dallas City Performance Hall to open the Dance Project's fifth season.
Seen at a run-through at the company's Design District studio last week, the result is intense and interior, bearing some resemblance to local legend Wood's humanistic style and reflecting Drake's introverted nature. Often the dancers stand in place, intently turning in on themselves with pained expressions.
Drake came to dance late and reluctantly. Born and raised in Houston, he used to be taken by his older sister to her dance classes, where he would sit in the corner with his coloring books. Later, he became involved in sports and theater and started performing hip-hop moves he learned from YouTube.
"I was that guy who was battling people at parties," he says with a laugh.
It wasn't until his junior year at George Washington Carver Magnet High School that Drake began studying dance after a teacher offered him a position as a hip-hop instructor at the school's summer dance camp. Soon he was taking ballet classes and joined the school dance team. After graduation, he wound up at SMU on the advice of a visiting dancer.
He describes the choreography as a montage of images of people attempting to find purpose. The inspiration came from a flood of Wood's words that rushed into Drake's mind after Wood died unexpectedly last year.
Whispers will be presented between two Wood choreographies never performed in Dallas: his Mozart-inspired Requiem, from 2003, and 2002's Polyester Dreams, set to 1970s songs by Gladys Knight, the Jackson 5, the Village People and Marvin Gaye. Both were created for his first troupe, the Fort Worth-based Bruce Wood Dance Company, which ended an 11-year run in 2007.
Manuel Mendoza is a Dallas freelance writer.
8 p.m. Friday-Saturday at Dallas City Performance Hall, 2520 Flora St. $15-$100. 214-428-2263. brucewoodance.org.


Possibly the most famous shootout in the history of America's Wild West took place on this day – the Gunfight at the OK Corral in Tombstone, Arizona.
On the one side stood the so-called forces of law and order: Wyatt Earp, his brothers Virgil and Morgan, and Doc Holliday. By reputation these were power-hungry and ruthless men.
Opposing them were the outlaws Billy and Ike Clanton, Tom and Frank McLaury, and Billy Claiborne.
The Clantons and their ranch hands and associates were known as the "Cowboys", a gang numbering up to 300 members. They were rustlers and outlaws and the Clantons repeatedly threatened the Earps because they interfered with the Cowboys' illegal activities.
The Earp brothers held various law enforcement offices in and around Tombstone but were accused by their detractors of being just as guilty of rustling and stage robbery as the Clantons.
(John Henry) "Doc" Holliday, a dentist by trade, was a close friend of Wyatt Earp. A gambler and a gunfighter, Holliday had escaped a charge of murder in Dallas, Texas.
Wyatt (Berry Stapp) Earp was also a professional gambler, the owner of several saloons and a brothel-keeper. Once jailed for stealing a horse, he was one of five brothers, including Virgil who was a deputy US marshal and Tombstone's town marshal (police chief).
Virgil had spent three years fighting in the American Civil War and as a lawman in various towns, so he knew how to fight. By contrast, Wyatt had been involved in only one shootout and Morgan had never been in any gun battles.
So it was fitting that on the day of the OK Corral showdown, Wyatt and Morgan were simply temporary assistants to Virgil.
On the morning of October 25, Ike Clanton and Tom McLaury came into Tombstone for supplies. Over the next 24 hours, the two men had several violent run-ins with the Earps and Doc Holliday. The next day Ike's brother Billy rode into town to join them, along with Frank McLaury and Billy Claiborne.
Around 3pm, the Earps and Holliday spotted the five members of the Clanton-McLaury gang near the OK Corral and closed in for a confrontation.
The famous gunfight that ensued lasted for just 30 seconds or so, when around 30 shots were fired. Most reports say that it began when Virgil Earp pulled out his revolver and shot Billy Clanton point-blank in the chest, while Doc Holliday fired a shotgun blast at Tom McLaury.
When the dust cleared, Billy Clanton and the McLaury brothers were dead, and Virgil and Morgan Earp and Doc Holliday were wounded. Ike Clanton and Claiborne had run away.
According to the Earps, the fight was in self-defence because the Cowboys, armed in violation of local ordinance, aggressively threatened the lawmen and defied a lawful order to hand over their weapons. The Cowboys maintained that they raised their hands, offering no resistance, and were shot in cold blood by the Earps.
Sorting out who was telling the truth was difficult and remains so to this day.
One thing is certain: Wyatt Earp emerged from the battle with legendary status, enhanced over the years by flattering newspaper reports, books and – later – movies.
These included John Ford's highly fictionalised version of events in the 1946 film, My Darling Clementine, starring Henry Fonda as Wyatt Earp.
Then in 1957 director John Sturges took dramatic licence with the confrontation in Gunfight at The OK Corral, having his stars Burt Lancaster and Kirk Douglas shoot it out for nearly six minutes. The action included spectacular footage of Lancaster firing his rifle as he leapt through the air.
Contemporary newspaper reports state that during the (actual) 30-second shootout, some members of the two opposing parties were initially only about six feet (1.8m) apart.
More recent movie depictions of the shootout include Tombstone in 1993 starring Kurt Russell as Wyatt Earp and Val Kilmer as Doc Holliday.
The following year Kevin Kostner took the title role in the film, Wyatt Earp.
What Virgil would have thought about his brother receiving all this kudos can only be imagined.


Since 2014 Minitube belongs to the TOP companies of Lower Bavaria. The TOP companies of Lower Bavaria are characterized by a steady growth in turnover and employment, excellent international placement and the best career opportunities.
For many years, Minitube has been supporting the reconciliation of family and career through a family-friendly company culture. Since September 2017, we have been a member of the Familienpakt Bayern (Bavarian family pact), and we continue to dedicate ourselves to the task of supporting our employees with extensive family-conscious measures.
On May 14, 2018, Bavaria's Labor and Family Minister Kerstin Schreyer and Minister of Economic Affairs Franz Josef Pschierer honored Minitube as one of the 20 most family-friendly companies in Bavaria in the "Successful. Family-friendly" competition.
Mexitube Alemania, S.A. de C.V.


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To complete the look of every lover of the brand, Calvin Klein completes the clothes with luxury accessories of all kinds, including wristwatches.
Calvin Klein watches have a style strictly in line with all the products of the brand: simple and contemporary design but strong at the same time. The Calvin Klein watches go beyond the formal role of the timepieces, becoming true fashion accessories.
The new Calvin Klein models proposed in our online showcase are absolutely in line with the brand's unique and captivating aesthetic philosophy.
The proposed models are mostly made of metal, often combined with fashionable materials.
The operating movements use Swiss made mechanics with automatic or quartz ETA movement.
Our virtual catalog is enriched with an increasingly diverse assortment of models suitable for men and women: products carefully studied both in design and in the choice of materials.
The women's line, designed for those who like to be glamorous and feminine in every occasion, has been renewed with new models that are more and more seductive.
Particular attention is paid to the new classic models in steel with a metal or leather strap or watches with a rigid bracelet and dial available in various colors.
The new models dedicated to the male world, instead, are enriched with watches with regular and essential lines with the classic leather or steel strap. They are watches especially designed for those men with strong, determined and dynamic personalities.
The new assortment of CK watches in our online store includes all the timeless elegance of the brand.The watches for him and her designer Calvin Klein are available in three different sizes small medium and large, ranging in price range accessible to all budgets.


text:
CHO must start for Chelsea, stop the f**king season and more mails…
Get your mails into [email protected]…
FA Cup Chelsea thoughts…
Through to the next round after a routine win against League 2 opposition, has Frank Lampard finally found his level?
Okay all jokes aside, you can never take a result in the FA Cup to quickly to heart when you are playing much lower down the football pyramid side, but my takeaway from the game was Callum Hudson-Odoi must play ahead of Christian Pulisic based on form, the question now is can he sustain this form and take advantage?
Also what on earth does Fikayo Tomori need to do to earn a first team start? A player who was decent last season for us, as well as a reliable defender for Derby during Lampard's tenure, can see him being sold this month which I'd be gutted about, It is hard to judge where in the pecking order his talent is based on lack of games but surely he is a much better player than Andreas Christensen who can remain on the ground, cost the team a goal and yet still be seen as the better player by Frank.
Mikey, CFC
So what's the point in football?
Oh good. We've got the slew of "it's better to be out of the cup and focus on the league" emails.
Which raises a question for me. What's the point of football? Is it to have a consistent team that's ticking over in the middle of the top division, diving out of the cups at the earliest opportunity, avoiding the poisoned chalice of the Europa League?
Or is it to, you know, have fun?
Andrew from Canada posits that we'd be better off not winning anything and finishing midtable every year, holding up Wigan as some sort of dark fable. Well, I live close to Wigan. I speak to Wigan fans. And I can't think of any of them who celebrate their midtable finishes with the joy and gusto that they remember beating City in a Cup Final. Yes, it's a bit rubbish now, but it was fantastic then.
My favourite season as a Leeds fan was our first year in League One. Why? What joy could there be in beating Hartlepool at Elland Road while we were bottom of the table?
Because it was fun. We won most weeks, we overturned a 15 points deduction to stay up – and to make the playoffs. Those two playoff semi finals against Carlisle were as fun and dramatic and fantastic as the CL quarter finals against Deportivo. Oldham away might not be the San Siro, but a day out with your mates and a dramatic last minute winner is completely venue-agnostic. I enjoyed that season – and huge chunks of our time out of the Premier League – as much as I've enjoyed anything I've seen Leeds do in the top flight.
I'd ask my Canadian counterpart whether he'd swap the ups and downs of the past 16 years for the serene solidity of being an Everton fan during the same time period. Never really challenging for honours, never threatened with relegation. Just finishing round about half way, forever, and ever, and ever. Great for shareholders, but maybe lacking in drama for the fans?
So yes. Given the choice of seeing my team win the FA Cup for the first time in half a century at the expense of a few more years in a division I quite enjoyed, I'd take the glory thanks. Because I'd remember winning at Wembley for the rest of my life.
Although good on Bielsa for saving the cup run for a season when fans will be allowed in to enjoy it. Proper deep thinker, that man.
Andy (Leeds fan in Salford)
PS: If football is about having fun, I suggest Jonny Nic finds a new hobby. He's bloody miserable at the moment.
Johnny's latest piece…
Johnny's latest piece about the money gap being bigger than the talent gap in football was a fascinating one but I would argue it's somewhat flawed.
Johnny suggests that the biggest gap between the top flight and the lower levels is a fitness one rather than a skill one. I'd counter that by saying neither is the case and it's actually consistency that's the difference.
We saw in the massively one-sided Marine vs. Spurs game that there's a world of difference between a professional and a part-timer, despite Marine's tremendous efforts. But in reality, even Marine are a side who play in the eighth tier, are part-time, and would probably wipe the floor with a strong pub side. The strong pub side in turn would wipe the floor with a weaker pub side.
Basically what Johnny seems to forget is that there's literally thousands of blokes who play football (in a pre-Covid era anyway) every single weekend and so the cream of the crop aren't just Premier League players, they're actually anyone who's professional, i.e. Championship, League One and League Two players. Realistically, if you dropped an experienced League One player into a pub side, they'd look just as out of place as a top PL player.
So what's the difference between a top PL player and a solid League One player? Consistency. The PL player more often than not is going to do his job competently if not excellently against fellow consistently good players. PL players can make mistakes and misplace passes but that's because they're human.
Compare a PL game to a League One game and you'd probably see a similar amount of errors. But if you compared a massive sample, there'd be far more errors in the League One games – hence why the PL players are where they are. It's all about the consistency. And that's how the *real* greats like Ronaldo and Messi are then able to set themselves apart from even the best. If it were all about skill, someone like Dimitri Payet would be revered above Ronaldo, but it's not and he isn't that consistent despite all of his skills.
And in turn, of course a League One side can raise their game against a PL side in the FA Cup as its a one-off game, perhaps the most important fixture in a season for the lower side, and that means that the team's players are always going to try to perform at their best rather than their average.
Not everything in football is tainted by money like Johnny suggests. A lot of it is, but in this instance, he's talking a lot of nonsense.
VAR and ref seniority
One thing about VAR that doesn't get much attention is the psychology of the overruling of decisions by one ref over another. On judgement calls (penalties/red cards, not offsides), it's a bit like contradicting a colleague at work. In fact, it's that but also in front of your customers – and most people wouldn't be that comfortable doing that to someone more senior at work. That's why it seems a bit strange that there is often a big gap between the experience/seniority of the onfield ref and the VAR. Maybe it's a small sample, but two of the games where Liverpool have felt most aggrieved at the VAR were Everton (Pickford on VVD) and Southampton (a couple of penalty decisions and a possible red for Walcott). The referees in those games were two of the most experienced – Michael Oliver and Andre Marriner. But the VARs were two of the least experienced – David Coote and Andy Madley. Maybe it's not surprising that they wouldn't overrule their more illustrious colleagues on anything but 100% certainty (at least Michael Oliver seems to be owning the Everton mistake now).
By contrast, there were two red card decisions overturned by VAR at the weekend – Jon Moss's red card for Keogh at MK Dons and Chris Kavanagh's for Emile Smith Rowe at Arsenal. In both cases the VAR's were more experienced (Anthony Taylor and Andre Marriner). Marriner has 13 years more experience in the PL than Kavanagh – would Kavanagh be as likely to tell Marriner he got it wrong if the roles had been reversed?
These are only the ones I've noticed and maybe they're the exception, but it makes sense to me from a workplace psychology perspective. So any time you say to yourself 'how has the VAR not intervened there?', check if the VAR is a scary top dog or a trembling newbie too scared to say boo to Mike Dean.
Shappo
Covid postponements
Like many, I find managerial moaning an irritating and pointless by product of the football world. So the arrival of the Moaner Lisa himself at my beloved Spurs was hardly welcome. But even I must concede he's right to be miffed with our current situation.
Spurs are the busiest team in the league, having played 3-12 games more than any of our league opponents already. And with the cups we can expect that gap to grow. Needing to pack in 3 rescheduled matches in the run-in would be ridiculous.
I'm not in favour of forfeits, especially in the league, as it distorts the competition. And Villa and Fulham, whilst having outbreaks, weren't the ones with 3 players flaunting an illegal Christmas party. And we can expect the Covid wheel of fortune to land on most clubs eventually.
But the league must still do everything to minimise disruption. Decisions must be made days, not hours in advance, with clubs given a clear deadline. And schedules must be shifted, starting with us facing Fulham this week.
Damien, THFC
So instead of cancelling or suspending either cup competitions or, if sanity prevails, football entirely until thousands of people aren't dying every day from an infectious disease spread through close contact.. the FA are considering telling Fulham and Tottenham they are now playing each other, at 48 hours notice.
Fulham, after 2 weeks of C19 in their squad spreading faster than my lockdown waistline and ruining conditioning and training, have just played 120 minutes of a cup tie expecting not to have to play again until Friday. We still have players isolating, and personally I would not want to be anywhere near our players or staff currently.
Tottenham were expecting to play Aston Villa on Wednesday and so at least made team selections in the cup that took account of 48 hour turnaround to their next game.
But their preparations, selections, tactical training and individual assignments were based on playing Aston Villa, not Fulham.
This is just.. stupid. How is this remotely fair on either club, or on every other club in the league? There can be no equal levels of competition if the barriers clubs need to get over to win a game are so utterly random.
It's crap, and while I'm definitely more angry because I'm a Fulham fan, it will still be crap if we manage to get a point or a win against a Spurs side who had no chance to properly prepare.
Stop the fucking season, it's ridiculous
Source: football365.com
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text:
FEMSA initiated proceedings to have the remaining free float of Valora shares cancelled
EQS Group
Valora Holding AG / Key word(s): Miscellaneous
02-Nov-2022 / 07:00 CET/CEST
Release of an ad hoc announcement pursuant to Art. 53 LR
Ad hoc announcement pursuant to article 53 LR
With the completion of the public tender offer by its wholly-owned subsidiary Impulsora de Marcas e Intangibles, S.A. de C.V., on 7 October 2022 Fomento Económico Mexicano, S.A.B. de C.V. ("FEMSA"; BMV: FEMSAUBD.MX; FEMSAUB.MX; NYSE: FMX) reached a holding of 97.77% of the share capital of Valora Holding AG ("Valora"; SIX: VALN). Through its wholly-owned subsidiary, FEMSA has since exceeded the threshold of 98% of the share capital and votes. As a result, on 1 November 2022 FEMSA, via its wholly-owned subsidiary, initiated proceedings before the competent court to have the remaining free float of Valora share cancelled.
Upon completion of this process the remaining Valora shareholders will receive a cash settlement equivalent to the tender price of CHF 260.00 per share. Cancellation proceedings generally take five to six months.
As FEMSA announced in the Offer Prospectus of 26 July 2022, Valora will now apply to SIX Swiss Exchange AG to have Valora shares delisted with effect from the date on which the cancellation ruling takes effect and to be released from certain information and publicity regulations set out in the Listing Rules for the period up to the date of the delisting.
This ad hoc announcement is available online at www.valora.com/newsroom.
About Valora
Each and every day, around 15,000 employees in the Valora network work to brighten up their customers journey with a comprehensive foodvenience offering nearby, quick, convenient and fresh. The around 2,700 small-scale points of sale of Valora are located at highly frequented locations in Switzerland, Germany, Austria, Luxembourg and the Netherlands. The company includes, among others, k kiosk, Brezelkönig, BackWerk, Ditsch, Press & Books, avec, Caffè Spettacolo, Frittenwerk and the popular own brand ok. as well as a continuously growing range of digital services. Valora is also one of the worlds leading producers of pretzels and benefits from a well-integrated value chain in the area of baked goods. In 2021, Valora generated annual external sales of CHF 2.2 billion. The Valora Group with its registered office in Muttenz in Switzerland is the European retail unit of Fomento Económico Mexicano, S.A.B. de C.V. (FEMSA). The registered shares of Valora Holding AG (VALN) are traded on SIX Swiss Exchange AG.
More information is available at www.valora.com.
If you have any questions, please do not hesitate to contact:
Annette Carrer-Martin
Fon +41 61 467 21 23
ir@valora.com Media Relations
Martin Zehnder
media@valora.com
This document contains forward-looking statements referring to topics that are not based on historical fact and cannot otherwise be proven by referring to past events. Forward-looking statements are based on our current expectations and assumptions and are subject to uncertainties as well as known and unknown risks. These uncertainties and risks, along with other factors, may mean that actual future events and developments, including Valoras results, financial position and development, significantly deviate from what was explicitly or implicitly stated or assumed in the forward-looking statements. The information, opinions and forward-looking statements contained in this document only apply at the time of publication. Valora is not obligated to review or update forward-looking statements in light of new information or future developments or for any other reasons. This media release is not intended as a recommendation to buy securities.
End of Inside Information
1476881 02-Nov-2022 CET/CEST
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I've been looking for this Marconi 365 key for centuries ever since I Ieft the merchant marine. Only once I saw one of those keys and it wasn't for sale. I got this particular one several month ago and it comes from the classroom I took my morse lessons in the early 70ties. A thrilling idea! In the second picture is an old key (not a Marconi of course) from the same classroom just before the Marconi keys were ordered to replace them.
The lower picture is a Marconi build for Hispano Radio Maritima, S.A.


text:
Questa voce raccoglie le informazioni riguardanti l'Associazione Calcio Bellaria Igea Marina nelle competizioni ufficiali della stagione 2003-2004.

Rosa

Bibliografia

2003-2004


text:
I Am Groot teaser will reportedly be Thor Love and Thunder's post-credits scene
Thor: Love and Thunder is a highly anticipated Marvel movie. This film has the shortest promotion time. This movie will feature not just one, but one more Thor, Jane Foster's Mighty Thor, played by Natalie Portman. There are many things to show in this movie. But the teaser of the I am Groot Disney+ series is reportedly the post-credit scene of Thor: Love and Thunder.
Groot debuted in the Marvel Cinematic Universe in 2014 in the first Guardians of the Universe movie. In the first movie, Groot died and says his unique dialogue "We are Groot". From that film, a new journey began for Groot. Baby Groot appeared in the Guardians of the Galaxy Vol 2. The Baby Groot was very funny and cute. Then Guardians appeared in the Avengers: Infinity War. In that film, we get to grips with Groot as a teenager. And he likes to play games. He has a good relationship with Thor when Thor has gone to Nidavellir to make his new ax-like weapon called Stormbreaker. Thor decided to use the full power of the star to build Stormbreaker. After taking the power, Thor died and the Stormbreaker's handle was missing. Groot used his hands to make and carve the Stormbreaker's handle. And then Thor, Rocket Raccoon and Groot arrived in Wakanda for a high voltage battle. Now Groot's standalone series is coming to Disney+ on August 10. And rumor has it that the I am Groot teaser will be the post-credits scene of Thor: Love and Thunder, which will be released on July 8, 2022.
Has a teaser ever been released in the post-credit scene of a Marvel movie?
Groot and Thor are both fan favorite characters. Groot is played by Vin Diesel and Thor is played by Chris Hemsworth. Both are well-known actors. Groot and Thor both have a very good relationship. And we'll see them both in the upcoming movie Thor is Thor: Love and Thunder. Now, rumor has it, the I am Groot teaser will be released in the Thor: Love and Thunder post-credit scene. But now the question arises: Has that happened before in a movie in Marvel Cinematic Universe? And the answer is "Yes". This has happened before in the Marvel Cinematic Universe. The name of the movie is Spider-Man: No Way Home. There are two post-credit scenes of Spider-Man: No Way Home, in the first post-credit scene we get to see that Venom of Sony's Universe knew about the superheroes of this universe when Strange cast the spell on Peter Parker, Eddie to forget Brock has returned to his universe. But he left a little piece of Venom behind and Venom entered the Marvel Cinematic Universe. In the second post-credit scene, we get to see the teaser of Doctor Strange in the Multiverse of Madness which is now hitting theaters and Doctor Strange has a major role in Spider-Man: No Way Home. So it's happened before in the Marvel Cinematic Universe. If the rumor turns out to be true, then we expect there will be plenty of teasers in Marvel's upcoming movie. Thor: Love and Thunder will be released in theaters on July 8, 2022. And I am Groot can be streamed on Disney+ from August 10, 2022.
About I am Groot
The series of shorts follows the journey from Baby Groot's glory days growing up and getting into trouble, among the stars. Vin Diesel will play Groot. I am Groot was created by Ryan Little. The executive producers are Kevin Feige, Brad Winderbaum, James Gunn and Kristen Lepore. This is the second animated series of the Marvel Cinematic Universe and the fourteenth episode of Phase 4. I am Groot will be available to stream on Disney+ from August 10, 2022.
Fans are waiting for Thor: Love and Thunder to see Thor, Mighty Thor, King Valkyrie, Korg and one of the highly anticipated villains, Gorr The God Butcher. In that movie we get to see Guardians of the Galaxy. Rumor has it that I'm Great teaser to be the Thor: Love and Thunder post-credit scene. This has happened before in the Marvel Cinematic Universe in Spider-Man: No Way Home and in the post-credit scene we get to see the teaser of Doctor Strange in the Multiverse of Madness. So it can happen. Thor: Love and Thunder hits theaters on July 8, 2022. I am Groot will be available to stream on Disney+ from August 10, 2022.
Follow Dominique Clare for more updates.
1 Has a teaser ever been released in the post-credit scene of a Marvel movie?
2 About I am Groot
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1 I Am Groot teaser will reportedly be Thor Love and Thunder's post-credits scene
1.2 Has a teaser ever been released in the post-credit scene of a Marvel movie?
1.3 About I am Groot


Below I offer an account of the debate among the three candidates for Mayor in Coral Gables held on Tuesday at the Cosford Cinema. Yesterday I posted Coral Gables Candidate Debate: Part 1 – Commission Group 4 and Group 5 (Updated). Since then there has been writing about the debate elsewhere, notably George Volsky's dyspeptic but not unfair critique of the format in the Coral Gables Gazette, Chamber's Election 'Forum' A Bust. Candidates were limited to tiny short answers about complex subjects, were not actually allowed to engage each other (thus, it's not really a 'debate' at all), and the questions were somewhat limited in range.
Before the debate I had not been paying as much attention to the Mayor's race as to the Commission Group 4. One reason was that, as I have written before, I think the incumbent, Don Slesnick, has done an OK job. (I know many others disagree, but that's how I feel.) So I went in willing to be persuaded someone else was better, but not feeling that I had to have a change. I was willing to listen to challengers James Cason and Thomas Korge, but I was feeling skeptical. For all its faults, which were numerous, I thought the debate told me something useful about each of the three candidates. I left leaning fairly strongly towards one of them.
Who could resist a pitch like this?
A new dirty campaign mailer landed in my mailbox today, further muddying in the increasingly slimy race for Coral Gables Commission Group 4. The mailer purports to be from a new shady group, the "Committee for Coral Gables Future," and is aimed at a new target: Jim Cason.
The interesting question is who is behind this piece of high-minded electioneering.
The return address identifies the sender as "Committee for Coral Gables Future," a name unknown to Google. It is different from "The Accountability Project" which was the name used for last week's attack ad against Brad Rosenblatt.
What does Google know about the return address, 3606 S Waverly Circle, Tampa, Fl 33629? It seems to be a house.
Proximity is not proof of a relationship, but the inhabitants of that structure are said to be two companies: John Sample (sounds like a person?) and "The Jordy B Corporation". The officers of The Jordy B Corporation are Howard J Behlman and Jaynee I Behlman. The Jordy B Corporation was incorporated on Thursday, January 07, 1999 in the State of FL and is currently active. Howard J Behlman represents The Jordy B Corporation as their registered agent. The Behlmans seem to have some Chapter 11 action in the Bankruptcy Court.
None of these people have a connection to Coral Gables that I can see. So who is behind it?
Minutes after today's first robocall, I got a different robocall on my cell phone. It was one of those scam 'reminder that you received an official notice of an opportunity to reduce the interest on your credit card bills'. Time, the generic recorded voice warned, is about to run out on this great opportunity.
Of course, I never got any such offer, they don't actually mail them, they are trying to fleece you. But I pushed the button to talk to a person anyway, just because. It rang and rang and rang. And rang and rang. And the sound was like an old-time rotary phone. But eventally a woman with an odd accent that I couldn't place picked up.
Was I was responding to the offer to consolodate my Mastercard or Visa? I said yes.
Did I have more than $5,000 of credit card debt? I said I liked to know who I was talking to. She hung up instantly.
The caller ID says the call came from 21240715129, which is no doubt designed to look like it came from a New York area code. But in fact, given the extra digit, I have to presume it actually came from Marrakech, Morocco, from +212 (4) 071-5129. But not having free worldwide calling, I haven't tried to confirm that.
I did try Googling the number, but no luck. So I'm posting this. If they called you, I think you are safe assuming it is a scam: no one honest trying to sell you something hangs up if you ask who they are.
Needless to say, the association of Sanabria with the Governor of Florida did not make me more likely to vote for Sanabria, rather the reverse. And it's worse than that: I had no idea Sanabria was the only Republican in the nonpartisan race. After all, several of the other candidates, including Quesada, are sounding pretty Republican to me.
The call did not say it was paid for by the Sanabria campaign, in fact it did not identify who paid for it at all. I don't have caller ID on my land line so I can't identify the source that way either. (If anyone who does gets this call, please let us know.) Unless this is a false flag operation, someone is not spending their money at all wisely: if they can figure out that I live in the Gables from the voter records, it shouldn't be that hard to look up the fact that I'm registered as a Democrat and correlate that with my phone number.
Does anyone know who "Maria Nicholas" or the like might be? Is she a local GOP bigwig? Also, do independent political expenditures (if that's what paid for this) in a municipal election have any legal obligation to ID the source when doing robocalls? I know they would have that obligation in a federal election, but I don't know the relevant state/local law.
I went to the Coral Gables candidates' debate this evening, sponsored by the Coral Gables Chamber of Commerce. I walked in genuinely undecided about all the races, and in some cases pretty uninformed. I walked out knowing there was no choice in Group 5, and I think I may have figured out who to vote for in the Mayor's race, but I remain undecided in Group 4. Today I'll write about the Commission debate. I'll try to post my account of the Mayor's race debate tomorrow.


Many organizations today are turning to various types of data hubs to modernize their data management and integration infrastructures, as well as related semantics, tools, and data-driven business solutions.
A hub can contribute to the success of data-driven technical solutions and business best practices—but what kind of hub? This is a hard question to answer, because a hub can take many forms, depending on the use case, type of data, or functionality it focuses on.
For organizations struggling to modernize their DM efforts, the intelligent integration hub provides a flexible and scalable foundation that supports all data and emerging best practices demanded by business end users. This TDWI report examines the attributes and use cases of the intelligent integration hub.


Is JESUITRY a valid Scrabble word? Find dictionary definitions, synonyms, Scrabble and Words with Friends information, and more about the word JESUITRY below.
JESUITRY is a valid Scrabble word worth 18 points. Scrabble uses the TWL word list.
JESUITRY is a valid Words with Friends word worth 19 points. Words with Friends uses the ENABLE word list.
JESUITRY is a 8 letter word containing the letters e, i, j, r, s, t, u, y.