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Q: Error on converting enum from Typescript to JavaScript I have an enum in Typescript let's say
export const enum CarType {
    SED = "Sedan"
}

The JavaScript code after build :
"use strict";
Object.defineProperty(exports,"_esModule, { value: true })

:
So basically the js code doesn't  have the logic, instead only the .d.ts file has the same.
When I build it using tsc command and export the JavaScript code to a react app, while accessing this enum like: CarType.SED, it is giving an error like - Cannot read property SED of undefined
What could be the reason for the same. I understood that the typescript has a declaration file(of extension .ts). How can I use this in a purely JS project?

A: From the documenation:

Const enums can only use constant enum expressions and unlike regular enums they are completely removed during compilation. Const enum members are inlined at use sites. This is possible since const enums cannot have computed members.

Removing the const keyword should work. The inlining can only work if you use the enum in another TypeScript file.

A: You can set the compiler option (TSC options) "preserveConstEnums" as true:
tsconfig.json:
{
  "compilerOptions": {
    "preserveConstEnums": true,
    ...
  },
  ...
}

Or command line:
tsc --preserveConstEnums true path/to/some_file.ts

constant enum spec

redpajama_set_name: RedPajamaStackExchange


This recipe is great for a crowd too—just double it, add a salad and some fresh fruit.
The only thing better than a savory breakfast is breakfast for dinner. Or lunch. Or anytime, really. That's why we love this frittata. It's easy and delicious and you can eat it whenever the mood strikes.
2. In an 8-inch oven-proof frying pan, melt the ghee over medium heat. Add the onion and a pinch of salt and let cook for about and hour on medium-low heat, stirring occasionally so that the onions evenly reduce and caramelize.
3. Once fully caramelized, add the greens and sauté until they have softened. Then add the lemon juice.
4. Add the beaten egg mixture to the pan and let it cook on the stovetop for about 5 minutes, then transfer it to the oven for another 8 minutes.
5. To serve, slice and sprinkle with flaky sea salt, aleppo chili, and a drizzle of olive oil.


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Dealing with a chipped tooth? Don't panic! Read our blog to learn more about what to do next and what your options are. We're here to help you feel confident about your smile.
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Crown tattoos: A symbol of power, wealth, glory and triumph, the crown dates back to Ancient Egypt and the Roman Empire. Made from precious metals and sparkling jewels, these status symbols represent the top elite of society. The Crown Jewels in Great Britain attract millions of visitors each year in the Tower of London.
They include the crowns of Sovereigns, Consorts and Princes of Wales, both past and present, with the most famous being the Imperial State Crown. This was re-made for the coronation of The Queen's father, King George VI, and is set with over 3,000 gems! Royal crowns sometimes feature flowers, thorns or oak leaves, formed into the shape of a wreath. The diversity and rich history of crowns provide a tattoo artist with endless possibilities in designs. Crowns can be made to look masculine or feminine, super intricately detailed or rather simple and can vary in size and location.
Crown tattoos can be feminine and intricately detailed, I love the pink ribbon that seems to breezily flow through the crown in this tattoo. This piece rules!
This wrist tattoo is lovely. The beauty of the design and overall symbolism of the crown make this piece a winner for ages and ages to come. Crown tattoos really are beautiful.
Put a bow on it! I absolutely love the use of color here and the overall design of this crown tattoo. It's an example of how easy it is to add variety to these designs and truly make it your own. You'll notice this crown, and many others, includes a cross detail at the very top which traditionally symbolizes the Christian nature of the monarchy of that country. Not all crowns, even in monarchies, associated with Christianity used a cross as its top decoration, with some French crowns using other national symbols. Decorative crosses are most often associated with the British Crown Jewels and Papal Tiaras.
I love this piece. The colors, the design and the overall message make these kind of crown tattoos fit for royalty. It's a good reminder in a society where so many people strive to be the best of the best, just to be known or famous for something. You don't need to literally live in a castle or own crowned jewels to validate the meaning of your life and those around you. I'm not promoting the idea of self-centeredness, but rather a positive view of self-worth. Let this tattoo be a reminder that we are the kings, queens, princes and princesses of the world – all deserving of love, loyalty and happiness.
There's something about animals in crowns that I find utterly amusing and genuinely wonderful. I mean, we humans are a part of the animal kingdom, right? Call this buck Prancer, Dancer or Blitzen because he's clearly a "reign deer." Get it? Get it!? Reigning over the animal kingdom, of course! I adore the placement of this tattoo and the detail work is fabulous. As the owner of a dog named Rudolph (yes, really), I have a person love for all deer, reindeer and "reign deer." Definitely one of my favorites.
Simple, yet elegant in detail, this small crown is an ode to 'the prince,' whomever that may be.
I love how this tattoo genuinely appears to sparkle on this woman's ankle. Pretty and feminine with touches of pink and diamond accents, this crown certainly symbolizes wealth and power.


Bothrochilus boa is a medium size python species. The color pattern consists of a series of brilliant orange and black rings in juveniles, but this fades in about a year as the snakes mature. Adults are usually a shade of golden brown with black rings, or a uniform blackish brown.
Usually, there is a light spot behind the eye. Some specimens may have black rings that are irregular, incompletely formed or even absent. The scales are highly iridescent.
I keep my Bothrochilus boa in 1.8 x 0.6 x 0.6 meters (6 x 2 x 2 feet) enclosures, due to their high humidity requirements it is essential that the enclosure is well sealed or preferably plastic. I kept my hatchlings in a 18 litre Really Useful Box, then upgrading to a 50 litre Really Useful Box at approximately 1 year of age. Once the python is around the 1 meter (3.5 feet) mark I move them into their larger 1.8 x 0.6 x 0.6 meters (6 x 2 x 2 feet) enclosures.
I use natural logs and the foliage of the plants inside the enclosure to create natural hides.
I use a natural deep substrate, which consists of soil, coco fibre, peat, leaf litter, orchid bark and sphagnum moss. I feel that this proves a great natural touch and enables them to burrow. It is important that the substrate is kept damp and not wet, wet substrate can lead to many health issues such as skin infections and will lead to a build up of bacteria.
These pythons require the temperature to be a little cooler than most other pythons. I keep my Bothrochilus boa with an ambient temperature of around 28-29 °C (82-84 °F), with a basking spot of around 30-31 °C (86-88 °F). To provide this I use a 150watt ceramic bulb with a bulb guard to prevent the snake from harming itself.
For lighting I use 2% UV T5, 0.6 meters (2 feet) long.. 12 hours on, 12 hours off.
I provide the animals with fresh water daily. Each day the bottle bowl is cleaned and refilled, whilst this may seem excessive to most i find that these reptiles cannot refuse a drink of fresh water, keeping them hydrated. Water that has gone stagnant i tend to find gets ignored and only used for soaking in! This also ensures that there is no build up of bacteria in the water bowl is a great husbandry practice.
I keep the humidity around 60 to 80%, because these pythons have fairly thin skin you should refrain from letting their enclosures dry out. If regular spraying isn't possible a moist hide or a moss box should be provided.
Bismarcks are very food-minded, if it moves – it is a potential meal. If it does not move, it may also be a potential meal too! I tend to feed my adults every 3-4 weeks with a large sized prey this may very from a Rat, a Quail, a Chicken or even sometimes a smaller Rabbit. My younger animals tend to be fed every 10-14 days with an appropriate sized meal. Hatchling animals have very high metabolisms and may have to be fed slightly more frequently.
Bothrochilus boa like previously mentioned are very food orientated because of this nature I always handle my Bismarcks with a suitable sized snake hook. I find this creates less stress than me just grabbing the animal out its enclosure and also enables me to control the snake with limited risk of being bitten. Once out of enclosure it is possible to free handle them however I would not totally trust them not to try their luck!
Here at ReptileTalk we recommend Get Hooked LLC for custom made handling tools. Handle your snake with the right tools.
I keep my Bismarcks on a bio active substrate, some of my clean up crew contains many different isopods like springtails, dwarf white woodlice and tropical grey woodlice. Because I keep this way, I only have to spot clean as and when the bugs fail to cope.
These pythons also have a fairly thin skin so giving them the chance to burrow in a substrate which holds moisture well, enables them to keep them from drying out which leads to healthy ecdysis (shedding).


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You are here: Home / Warcraft / Ladder Changes in Diablo II: Resurrected Patch 2.4 and Beyond
Ladder Changes in Diablo II: Resurrected Patch 2.4 and Beyond
Last updated December 21, 2021 | Follow us on Pinterest
Blizzard made the decision last week to modify their Diablo 2 ladder system and implement changes in patch 2.4, which will make it possible for players who have invested heavily into a single class build to be rewarded with superior items by playing that character exclusively. The developers also announced an entirely new season-based ranking system that rewards players based on performance over time, as well as some major balance adjustments across all classes and builds. This article discusses these announcements and how they impact veteran D2 players.,
In Diablo II: Resurrected Patch 2.4, the developers have made some changes to the ladder system. The patch has also introduced new items and a new game mode. Read more in detail here: diablo 2 release date.
Design Lead Rob Gallerani, Senior Game Producer Matthew Cederquist, and Global Community Development Lead Adam Fletcher discussed the first Ladder seasons of Diablo II: Resurrected in a recent Developer Interview with MrLlamaSC.
D2:R players will be able to start again with Patch 2.4, enjoy special content, and compete for top ladder finishes. We go through the key elements of the interview and speculate on what to anticipate with the release of Ladder Season 1.
MrLlamaSC Interview with D2:R Developer
Release Date for Diablo II: Resurrected Ladder Season 1
So, when will the first Ladder Season in Diablo II: Resurrected begin?
Unfortunately, the Patch 2.4 interview did not provide a definite response. However, Rob Gallerani did reveal that ladder seasons would be extended to four months. Despite the apparent reality that three seasons may fit into one calendar year, Gallerani believes that a four-month period finds the sweet spot of allowing more casual players enough time to participate while also entertaining the highly committed playerbase.
Highlights of Diablo II: Resurrected Patch 2.4: Ladder Coming Soon, Class Changes
Diablo II: Resurrected adds another more layer to the massive Blizzard release cycle by introducing fresh ladder seasons. Team 2 will strive to maintain player retention as low as possible, which is a key to success in online ARPGs, and the release of fresh material will be a key to success in this respect. Throughout the discussion, the creators stressed that Season 1 is just the beginning, and that despite releasing one of Diablo II's largest content updates ever, they are working hard to maintain the game's original vision.
Patch 2.4 for Diablo II: Resurrected. Public Test Realm
The development team will set up a Public Test Realm to test the significant changes coming with Patch 2.4. This will provide players the opportunity to submit significant input on planned content, similar to WoW's PTR management.
But first, Team 2 wants players to try out the long-awaited solutions to D2:database R's problems. Login lines, unexpected disconnects, and missing characters have plagued gamers even weeks after the game's debut. The developers at the time gave an in-depth look at the problems, noting that they are working on remedies that involve extensive database and software restructuring.
According to speculation, the first PTR candidate should arrive in the first two weeks of the new year, with the 2.4 PTR patch arriving in the third or fourth week. Again, we should have a release date somewhere in February as a result of this.
Season 1 Exclusive Content for Diablo II: Resurrected Ladder
Stash Tabs for Ladder Season
Gallerani discusses the development team's thoughts on Stash management throughout and after Ladder Season 1 before moving on to unique material. Stash tabs should, in general, behave as follows:
1. Ladder Season 1 begins; you create a Ladder character and have access to three stockpile tabs. 2. The first season of Ladder comes to a conclusion. Your Ladder character will be changed to a Non-Ladder one. Your three stash tabs will be transferred to your Non-Ladder stash, however it will only be available for withdrawal. 3. The second season of Ladder begins. You make a new Ladder character, complete with a new stockpile and three tabs. 4. The second season of Ladder comes to a close. Your Non-Ladder characters now have seven stash tabs, including your personal stockpile, three Non-Ladder tabs, and three withdraw-only stash tabs from Season 1. Your Season 1 withdraw-only stash tabs will be destroyed as soon as Season 2 concludes, and replaced with your Season 2 stash tabs, which will be withdraw-only as well.
Remove-only stash tabs aren't a new concept in the ARPG universe. However, it gives a Diablo II Ladder Season a whole new level of significance. Most importantly, things earned throughout your ladder journey will transfer to your main stockpile, making your season's time commitment much more beneficial.
Exclusive to the Ladder Season Runewords
With the release of Patch 2.4, Gallerani and Cederquist unveiled the inclusion of ladder-exclusive runewords. Several people questioned whether they will be able to manufacture these runewords in single-player mode as well during the interview. After the conclusion of the season with which they are linked, Cederquist believes that runewords will most likely roll over into other game types. They also said that with each new season, the team intends to release a few new runewords.
Diablo II: Resurrected's Runewords
In Diablo games, exclusivity may be a double-edged sword. While it's fantastic to learn that after the season is over, everyone will be able to make these gleaming new runewords, it's a sad that "offline" gamers will have to wait. Finally, we expect to see more season-specific content, as well as general game adjustments, to keep both Non-Ladder and Ladder players interested and involved.
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Marvel Masterpieces 1994 Edition Trading Cards by The Hildebrandt Brothers, cards #26-50 | 'TAIN'T THE MEAT… IT'S THE HUMANITY!
Marvel Masterpieces 1994 Edition was a set of trading cards released by Fleer that featured painted renditions of Marvel Comics' characters as interpreted by celebrated fantasy artists the Brothers Hildebrandt. This batch features cards #26-50.
The original set comprised of 140 full colour trading cards measuring 2½ x 3½ inches that shipped in blind gold foil packs of ten cards per pack. Each card featured a painting on one side with a gold foil logo, along with a character bio and short caption by the brothers on the reverse. Along with the base set of 140 cards several chase sets were also inserted randomly into packs, including gold, silver, bronze and red holofoils.
The front cover to the 1976 J.R.R Tolkien Calendar — notice the misspelling of 'illustrations'.
The Brothers Hildebrandt were twins Greg and Tim, born in Detroit in 1939. From an early age the twins shared a deep love of science-fiction movies and animation. After leaving school they worked as documentary film makers and dabbled in animation before turning to book cover illustration in the early 1970's. Their big break came in 1975 when they were commissioned by Ballantine Books to provide 14 paintings for the 1976 J.R.R Tolkien Calendar. The calendar was a huge hit and became the best selling calendar of all time, propelling the brothers into the big leagues of fantasy art. In 1977 they provided both the cover and interior illustrations to Terry Brooks' The Sword of Shannara, the biggest selling fantasy novel of the 1970's. That along with painting the Star Wars poster won the brothers worldwide fame and attention.
The Brothers Hildebrandt's only novel, Urshurak.
Two more hugely successful Tolkien calendars followed in 1977 and 1978 before the brothers bowed out of the world of Middle-Earth to concentrate on their own fantasy project. Their novel Urshurak, written in conjunction with Jerry Nichols, was published in 1979 and also became a bestseller. The brothers planned to turn the novel into an animated film, but despite hundreds of storyboards and preparatory drawings being made the film failed to find a backer and the project faltered. In 1981 Tim and Greg went their separate ways: Tim concentrated on advertising work while Greg continued working as a book illustrator. They eventually reunited to work on this Marvel Masterpieces 1994 Edition trading card collection.
There are some great paintings in this second batch of cards. Fan favourites Daredevil (card #26), Deadpool (#28), Hawkeye (#49) and the Hulk (#50) all make an appearance, along with a somewhat sinewy Elektra (#34) and an evil looking Green Goblin (#44). I'm a great fan of both Deathlok (#29) and Ghost Rider (#42 and #43) and both are well represented here (although Deathlok's head is clearly too small). The Hildebrandt's are masters of warm tones and fire effects and there are some great examples of both in this batch — Galactus (#40) presiding over an exploding planet is suitably awesome.
Here are cards #26-50 of the Marvel Masterpieces 1994 Edition by the Hildebrandt Brothers, both front and back. The next 25 cards are here.


Shower and cooling system digests and absorbs similar equipment technology,according to customer's product characteristic, the system uses hot water sterilization and cooling process,sterilization and cooling time according to user needs frequency control, automatic control of highly automated. The shower and cooling system is equipped with a temperature control system, cold and hot water circulating system.
As bottle tilting sterilizing system is one of the higher-content in packaging system equipment,the bottle tilting sterilizing machine has been carefully researched and manufactured by Well Machinery. According to the process requirements of high temperature filling, the products tilts and erected automatically after filling and capping, and using the heat of the product itself, in a certain period of time to cap for secondary sterilization, to ensure product quality.
Empty Bottle Air Conveyor System is Well Machinery's according to customer's factory,customize the air conveyor, conveyor system, reasonably use the pressureless transmission, automatic bottle dividing device and other equipment, to improve the efficiency of filling production line during production process without blocking bottles, squeezing bottles, and falling bottles ,etc.


Orlando offers two worthy vegetarian delights — one South Indian and one Chinese.
Woodlands is South Indian cuisine and a totally pure veggie adventure. The genuine adventure is due to the authentic South Indian style and presentation of their offerings. Most, perhaps even 98 %, of our choices for Indian cuisine in the U.S. are of North Indian and Pakistan style restaurants. It's special to have Indian fare that looks this different, although most taste and sensations are familiar.
Every newcomer will be wowed by the extravagant Dosai selection. These huge rice crepes (about two feet long and 4 to 5 inches across) come served on a platter accompanied by condiments. Unforgettable and unique!
The other truly opulent items are called "Thali." This is a presentation of numerous — a dozen to 20 — different samplings of dishes, each served in its own silver serving dish. Think of the Thali as a mini tour of the menu. It can be fun to be overwhelmed!
Spice lovers will be in heaven here, and lightweights like me can request tolerable levels.
Woodlands is definitely an eating adventure!
The Garden Café, with Chef David Chan, delivers fine art with Chinese style creations featuring novel and exciting uses of meat substitutes. Mr. Chan's art will please non-vegetarians just aw well as veggies — that's his promise.
The Garden Café menu tours the Chinese favorites and classics — through seafood, poultry, pork, beef and lamb. Of course, all ingredients are purely vegetarian.
These offerings involve great creativity and always impress with the beauty of the finished dish. I've enjoyed everything I've tried, but need more study to arrive at favorites. Truly, it's tough to find a chef who creates, all vegetarian, shark fin soup, squid with X.O. sauce and ham in honey sauce.
OK folks, I like elaborate productions at the table, and being a long term veggie, most fancy food productions leave me out. Thank you Chef Chan for going to these lengths to create some genuine novelties for my tribe!
Next up — Double Delights in Dallas!


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The Massacre of Civilians in Gaza Is Deja Vu All Over Again
Max Blumenthal,
Nation Books
Max Blumenthal's Goliath: Life and Loathing in Greater Israel (Image: Nation Books)Max Blumenthal's Goliath: Life and Loathing in Greater Israel is a benchmark book in US journalism. Fearlessly – and with detailed research and anecdotal accounts – Blumenthal offers an audaciously honest alternative to the narrative of Israel being a victim state built upon a foundation of morality and humanity.
What Blumenthal uncovered does not necessarily represent the majority of Jewish Israelis, but it does account for the political context that showed widespread support for the latest opportunistically manipulated slaughter of the innocents in Gaza – and a growing intense racism toward Palestinians that includes advocates of exiling and murdering them.
Blumenthal, who is of Jewish heritage, did not fall prey to writing a sensationalistic book; he follows the journalistic story and writes whatever the facts reveal. His perspective on an Israel that has denied the humanity and grievances of the Palestinians since pre-Israeli statehood days has not been welcome by the US book promotion machine, even among many progressive outlets.
In an October 2013, Truthout interview with Rania Khalek, Blumenthal commented on the cold reception Goliath has received by many media figures:
Pro-Israel partisans in the US typically get hysterical about books like this because the real Israel is really impossible for them to grapple with. It shatters the dream castle Israel that goes to the heart of their identity as tribalistic, secular American Jews. I really believe that they are determined to ignore this book for as long as they can.
The other more obvious and salient reason why I'm not getting the same mainstream attention I got with Republican Gomorrah is because people like Rachel Maddow and Terry Gross, who can really move books, are simply afraid of the Israel issue and what it can do to their careers and the kind of pushback they'll get from pro-Israel partisans behind the scenes. What we're seeing is cowardice at the top of a hollow media establishment that extends into public radio. . . . Even people who don't agree with my conclusions about what should happen in Israel-Palestine are hungry for this kind of information.
In order to expose more readers to Goliath, Truthout is offering the book with a contribution of $35. Click here to receive. No book could be more timely.
The following is an excerpt – which focuses on an Israel Defense Forces (IDF) attack on the Gaza Strip – from the first chapter of Goliath: Life and Loathing in Greater Israel, one of several such military campaigns in the past few years (including, of course, the current one) known in Israel as "mowing the lawn" of Hamas:
By the end of 2008, the 1.5 million residents of the Gaza Strip had been left to fend for themselves. Gaza was surrounded on all sides by Israeli sniper towers, electrified fences, concrete walls, and a naval blockade that prevented fishermen from trawling waters more than 3 kilometers from shore. Weaponized drones hovered overhead night and day, humming an incessant single note dirge that served as a constant reminder of Israeli control. Heeding Israeli government pledges to push Gaza's economy "to the brink of collapse," army bureaucrats in Tel Aviv developed complex mathematical formulas to regulate the caloric intake of each person trapped inside the coastal strip. Gazans were forbidden from exporting products and prevented from importing cardamom, potato chips, seeds and nuts, cement, fruit preserves, ginger, fishing nets, notebooks, musical instruments, size A4 paper, and toys.
"It's like an appointment with a dietician," Dov Weissglass, an Israeli government aide, joked during a meeting of top military and intelligence officials. "The Palestinians will get a lot thinner but won't die."
With the blockade tightening, a student at the Islamic University of Gaza named Yousef Aljamal watched helplessly as his younger sister was denied a permit to leave Gaza for a basic surgery on her gall bladder. Denied entry on the grounds that she was a "security threat," she died days later.
"During the time of the siege," Aljamal wrote in his diary, "Gaza was turned into an open air prison, walls were built to prevent the shine of the sun, tanks were on the borders prepared to shell, and soldiers observed the hungry and sick people inside but still prevented them from getting their food and medicine, much in the same way they prevented them from getting their freedom."
For a few hundred Gazan police cadets, December 27, 2008, held the promise of a short relief from the suffocating climate of the siege. That morning in Gaza City, the cadets assembled to celebrate their graduation from Hamas's new police academies. They stood as a symbol of the order that finally presided over Gaza after years of gangland-style corruption and repression by the Fatah-controlled Palestinian Authority (PA). After winning what the US Congressional Research Service called a "free and fair election," then fending off a US-backed Fatah coup attempt, Hamas, the Islamist political party, sought to consolidate its control over Gaza, faithfully observing a ceasefire with Israel. In November, Hamas's armed wing, the Al Qassam Brigades, al-Quds Brigades (from the Palestinian Islamic Jihad), and the Popular Front for the Liberation of Palestine (PFLP) fired dozens of rockets at Israeli military bases and towns in the western Negev Desert in retaliation for an Israeli army operation that killed six Hamas members in Gaza. The Israeli raid occurred on November 4, violating the ceasefire on US election day, when Western media were almost entirely focused on the outcome of the presidential election. The Hamas rocket attacks caused consternation but did not kill any Israelis.
A brass band assembled as the police cadets prepared to march before their commander, Major General Tawfiq Jaber. Many of the cadets' parents hurriedly made their way to the ceremony from across Gaza. Just as the band struck up a martial tune, an Israeli F-16 roared across the sky, launching a laser-guided missile into the center of the ceremonial procession. When the choking plumes of thick smoke cleared, a scene of terrible carnage came into view. At least forty police officers, including General Jaber, lay dead on the concrete. Survivors squirmed around helplessly, writhing in pain, their uniforms stained with the flesh and blood of their comrades.
Sixty more Israeli F-16s were now in the air, on their way to target police stations and civilian installations across the Gaza Strip. Within a matter of minutes, Israeli forces killed 240 Palestinians, including a score of children while they were leaving school. The initial volley of precision-guided weapons was aimed at civilian targets, from universities to factories to family homes. Earlier in the year, Israeli Minister of Defense Matan Vilnai warned the people of Gaza that they "will bring upon themselves a bigger Holocaust because we will use all our might to defend ourselves."
In Bethlehem, just over the Israeli separation wall in the occupied West Bank, a twenty-seven-year-old Texas transplant named George Hale lit his customary morning cigarette and hustled through the brisk mountain air to his job at Ma'an News Agency, a Palestinian wire service. Two days earlier the city center had been lit up with Christmas decorations. Thousands of local Christian worshippers and international pilgrims had descended upon the Church of Nativity, fully restored from the destruction wreaked by Israeli troops that had besieged it during the Second Intifada.
Now the streets were nearly empty. Hale wandered into the modest office, hung over from drinking late with a few of his ex-pat coworkers. He sank into his chair, expecting to spend another day curating reports about ordinary Israeli violence and intra-Palestinian spats. Suddenly, his e-mail in-box began to fill with panicked messages from Ma'an's Gaza bureau. The first e-mail read, "Israel attacking. Hundreds dead." Hale blurted out in disbelief, "Hundreds? Bullshit!" With Hale's outburst, the office flew into chaos. Editors grabbed their phones and dialed up Ma'an's Gaza contacts, seeking details about the horror taking place. It was worse than they had heard: Israel was pounding the Gaza Strip with the full capacity of its navy and air force. A land invasion was likely on the way. "Hardly anyone outside Palestine read our website," Hale said. "Then, on the first day, our traffic lit up like we'd never seen before. It almost crashed our server. All of a sudden, the whole world was watching, which basically meant all eyes were on Gaza."
As reports of atrocities in Gaza spread throughout the Fatah-controlled Palestinian Authority in the West Bank, Palestinians rushed to organize protests, demanding an end to the rivalry between Fatah and Hamas. Mahmoud Abbas had taken to the local media to howl about the "massacre and act of criminal aggression" by the Israelis.
But the conduct of his security forces, which had been trained by the US General Keith Dayton and coordinated with the Israeli army, belied his militant histrionics. As crowds of Palestinians gathered in downtown Nablus, Hebron, and in Ramallah's Manara Square, the epicenter of Mahmoud Abbas's mini-fiefdom, Palestinian Authority forces swarmed the protesters, arresting them in droves, attacking some with pepper spray, and even killing one demonstrator. Elsewhere in the West Bank, Israeli troops dispersed stone-throwing youths with rubber bullets and teargas. Calls for the Palestine Liberation Organization (the umbrella group known as the PLO) to break diplomatic ties with Israel were virtually absent from the Palestinian news agency, Wafa, the official media organ of the PA, which instead projected an image of widespread protests to Arabic language audiences. In fact, Israel's Defense Ministry had given Abbas advance notice of the assault on Gaza, beseeching him to take control of the coastal strip after it vanquished Hamas. Though Abbas refused, he kept the governors of Gaza in the dark about the coming onslaught.
With the West Bank quieted by a blanket of internal repression, and the Gaza Strip transformed into a theater of human despair, Israeli society was witnessing some remarkable developments.
Copyright by Max Blumenthal. Not to be reprinted without permission of the publisher, Nation Books.
Max Blumenthal is an award-winning journalist whose work has appeared in The New York Times, the Los Angeles Times, The Daily Beast, The Nation, The Huffington Post, the Independent Film Channel, Salon.com, Al Jazeera English, and other publications. He is the author of the bestselling book Republican Gomorrah. His last book before The 51 Day War was Goliath: Life and Loathing in Greater Israel (Nation Books).
The Desert of Israeli Democracy: A Trip Through the Negev Desert Leads to the Heart of Israel's National Nightmare
The Prawer Plan is a blueprint for the expulsion of 40,000 indigenous Bedouin citizens of Israel from their ancestral Negev Desert communities that promised to "concentrate" them in…
Author Max Blumenthal Offers Unfiltered View Into Israel's Commitment to Ethnic Supremacy
Journalist Max Blumenthal offers a rare and unfiltered lens into the hideous implications of Israel's commitment to Jewish supremacy.
Rania Khalek,


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The Start of a Movement January 2, 2023
Filed under: Nonfiction Titles — oneilllibrary @ 8:00 am
On the evening of June 19, 1982, Vincent Chin was beaten in the middle of a street in Detroit, Michigan after going to a club for the evening. He was going to be married in a little over a week. Instead of people attending his wedding, they went to his funeral. The question is raised was Vincent killed because he was Asian? At this time in America, there was a lot of anti-Asian sentiment in part due to the fact that the United States car industry was beginning to face stiff competition from countries like Japan. Of course, the United States has had a long history of having racist tendencies toward immigrants and citizens of Asian ancestry, including going back to the 1882 Chinese Exclusion Act which was the first time the country put immigration limits on who could enter based on race.
For the first time, across America, Asian Americans were unified in wanting to make sure justice was served. However, there were many obstacles in the way to making this happen. The fact that Vincent Chin was of Chinese ancestry led the government beginning to question if Chin's civil rights had been violated because of his race.
From a Whisper to a Rallying Cry by Paula Yoo is a remarkable book focusing on another Civil Rights movement in the United States and one that many probably have never heard about.
Throw Away the Key September 19, 2022
As a young boy growing up in Florida from 1900 until 2011, it was possible to be sentenced to the Dozier School for Boys if you committed a crime, or just skipped school a lot. Boys as young as six could be found at the Dozier school, and while many came in, it was hard to get out, at least in the time that was in accordance to their sentence. Many boys stayed well after the time they were supposed to be released.
The Dozier school was supposed to educate the boys in jobs and in school, but often inmates who were black were simply given menial jobs such as working the farm, in the slaughter house, and doing all the daily chores whereas the white inmates were able to learn actual trades. To the outside world, the school was doing its job. But for many of the boys living within its grounds, it became a place of torture and terror. Many boys, as they grew into men, told stories of abuse at the hands of the administrators of the school, often when they were finally released. However, many families chose not to believe the boys returning, or felt they must be exaggerating. It wouldn't be until years later that the truth of much of what occurred at the school finally was revealed.
The Dozier School for Boys: Forensics, Survivors, and a Painful Past by Elizabeth Murray tells a little known story of incarceration for children and how it went on for over a century. This is a fascinating, quick nonfiction read.
Recommended for 8th grade and up due to some of the abuse that occurred.
Pain, Inside and Out September 5, 2022
Growing up, Rex was used to pain. Hunger pains, pains from bruises left from being hit either by his mom, or his mom's boyfriend, and the pain of feeling like he had to hide his family's situation from the world. In fact, at times, it feels like to Rex, there will never be a time when he doesn't have some kind of pain.
Heading into 6th grade, Rex is worried about the pain of humiliation that he will feel each time he gets free lunch at school. See, his mom signed him up for the program because they don't have enough money for him to buy lunch and really not enough food at home for him to bring it each day. Which means Rex has to say each day to the lunch lady that he gets a free lunch and she has to look it up, each day, in the red folder. In front of everyone. Not only does Rex have to contend with this each day, but he never knows what is going to set off his mom at home. Will she be okay, or will she get into a fight with Sam, her boyfriend, or Rex will say or do something that sets her off. And money. Money is what will get her going more than anything. And Rex is expected to take care of his younger brother Ford a lot of the time, sometimes for days at a time.
Free Lunch by Rex Ogle is a stark and illuminating book showing how abuse comes in many forms and how each and every day, kids are living situations they are trying to navigate to the best of their abilities. While this book is nonfiction and documenting Ogle's life starting in 6th grade, there are some very mature references in the book and that needs to be understand before embarking on reading it. That said, this is such a great book, readers will fly through it, wanting to know what will happen to Rex next, and always, always hoping for something good among all the bad.
Recommended for mature 8th graders and up.
When They Fell… January 10, 2022
Filed under: graphic novel,Nonfiction Titles — oneilllibrary @ 8:00 am
The twentieth anniversary of the Twin Towers falling and the attack on the Pentagon and the flight that went down in Pennsylvania just happened. This book In the Shadow of the Fallen Towers by Don Brown is a graphic novel that takes the reader onto the front lines of the disaster as it was happening, moment by moment, and then also looks at the aftermath for many of the first responders.
Some don't know that a film crew was documenting the work of firefighters when the Twin Towers were first hit and so there is actual footage of the first moments when personnel learned of the crashes and the confusion as to what was happening. The book shows how some people were able to survive the falling of the towers and how many – most – did not.
If you are looking for a quick, powerful read, this is the book for you.
Recommended for grades 7 and up due to subject matter.
A Meeting Gone Very Wrong November 29, 2021
When the sharecroppers got together to discuss how to unionize, they knew they were doing something dangerous. After all, black people in the United States didn't just decide they wanted to get a fair shake of things. After all, historically speaking, why would they think that was even possible? And in 1919, especially in the South, there was no way they were going to get fair prices for the cotton they had spent months growing and cultivating, unless they worked together. Even as they headed into the meeting at the church, they were nervous. Nervous enough to hire guards to be on the look out. But what happened was beyond their worst imaginings.
A white mob of law enforcement as well as other members of the town of Elaine, Arkansas began shooting into the church and ran off the people in it – including women and children. Many fled for their lives into the surrounding woods and fields and many more were gunned down as they tried to run. It is estimated around 250 blacks were killed over that night and the next few days.
Many black men were arrested and falsely charged with inciting a race riot. The white citizens of Elaine demanded that the black men be executed and if they didn't get their way, they planned to storm the jail and lynch them all. A panel of white men decided they would hold trials quickly and find them all guilty of murder. It looked completely hopeless for twelve men in particular.
Enter Scipio Africanus Jones, a man who had been born into slavery and through perseverance and determination, became a self taught lawyer. Scipio Jones, by 1919 was a well known lawyer from Little Rock, and had gained the respect of quite a few white lawyers and judges in that area because he was just that impressive in his knowledge and his eloquence. Jones began what became one of the most important fights of his life, the fight to save the Elaine 12 from certain execution in the electric chair. His journey would be at a huge personal cost and would eventually lead him to the Supreme Court of the nation, and ultimately change the course of constitutional law and the application of the 14th amendment of the Constitution to black Americans.
And So it Began July 26, 2021
Race, in America, is a complicated and divisive subject. How can we talk about it, if we don't exactly know how it all came about, and where so many of the ideas we still believe today actually had their origins? When we look back at the history of enslaved people in our country, how is it that so many beliefs that were started hundreds of years ago to justify this horrific economic machine are still around, over 150 years after the abolition of the official practice?
Hopefully, you've heard of Martin Luther King, Jr. and Malcolm X, but what about W.E.B. Du Bois and Angela Davis? And did you know that the guy who played a big part in the Salem Witch Trials, also played a huge role in shaping how people who lived in the colonies viewed people who were black and the ideas about enslaving people? My guess is you didn't, and neither did I – at least about Cotton Mather – the Salem Witch guy. Even the movies you might have grown up with helped to reinforce many of the ideas that are centuries old, and still have tremendous power to this very day.
Stamped: Racism, Antiracism and You by Jason Reynolds and Ibram X. Kendi says it isn't a history book, but it certainly does give you a history of how ideas and people have shaped the institutions and systems that we have in place today which keep racism alive in America.
They Came By Submarine April 27, 2020
We often hear about saboteurs during World War II in Europe or in the Pacific Theater (the war as it was fought in the Pacific Ocean) but rarely do we hear about it happening on U.S. soil. But in fact, Hitler was very much interested in stopping the large manufacturing machine that the United States had in place. He realized that the U.S. could help win the war simply by producing all the things that were needed to win a war – airplanes, guns, bombs, tanks, etc. It became a goal of the Nazis to place saboteurs in the United States with the sole purpose of disrupting the manufacturing of goods that were important to war.
Enter a man named George Dasch. He was a man who was born in Germany but left when he couldn't find a good job. He came to America and stayed for many years, mostly working as a waiter. He even married an American woman. However, he never felt he was doing anything really important. So when his mother came for a visit from Germany and saw that he wasn't doing anything super special, he decided to move back to Germany. What George didn't realize was that Germany under Hitler had become a very repressive country and he was even more limited in what he could do. He did have one skill though and that was that he had lived in America for many years and could speak English and knew about America life and culture. He was just the sort of man that Hitler and the Nazis were looking for to infiltrate the U.S. and start taking out the manufacturing structure.
Nazi Saboteurs: Hitlers Secret Attack on American by Samantha Seiple is a really interesting look at a little known event and about group of men, all with connections to the United States who were tapped to influence the outcome of the war. However, as a reader, you realize the impacts of what these men did continues to play out in our world today.
Between Two Worlds April 13, 2020
Her mother had it hard, being a single mother in South Korea. When Chuna was little she didn't understand just how bad the sigma was, however as she was going to school and got older, it became apparent quickly that to be a child without a dad at home was considered very strange. This made things really hard for both of them living in South Korea.
When Chuna and her mother decided to go on a trip to American and to the state of Alabama, Chuna didn't think much of it. After all, she and her mother were always going on trips outside of South Korea. However, when her mother tells her she is going to marry a man and they are now going to live in America, Chuna's world falls apart. She knows hardly any English, and her new "cousins" and stepsister are distant and not open to helping her at all navigate this new world.
Almost American Girl by Robin Ha is a coming of age story where a girl struggles to find herself in two worlds that she doesn't seem to fit in. How do you find your place when you have no place? This is a graphic novel and based on the author's real life experiences of living in two different countries.
Gotcha! March 23, 2020
What do Joan of Arc, Caravaggio, Blackbeard and Rasputin all have in common? They were all CAUGHT! All of these people were famous for something and they all got too "caught" up in what they were doing, and it led to their downfall.
Caught: Nabbing history's most wanted by Georgia Bragg is a fun, fast read, just like her other books, How They Croaked and How They Choked. If you enjoyed one of those, or both, this book will be a nice addition to your nonfiction knowledge.
For instance, did you know that for all Blackbeard was feared, he didn't actually kill anyone? And what did finally bring Al Capone down? Could it be he never paid his taxes? And who the heck was Caravaggio, and why do we care how he ended up caught? Not to mention, some people were "caught" for doing things that they didn't even do! Or they claimed to be someone they actually weren't! This read will keep you interested from the beginning page to the last.
Missing Treasure February 10, 2020
Before and during World War II, when Germany was marching across the continent and bringing terror to civilians and military leaders alike, they had a list of things they wanted. Specific things. Art things. Hitler, who had started out trying to get into art school, considered himself a lover of art and an artist, and as such, he wanted to get certain pieces and keep them in a new museum, in his former hometown of Linz, Austria. It would be called Gemaldegalerie Linz, but soon, it became known as the Fuhrermuseum – of course nicknamed after the Fuhrer himself, Hitler. The problem was, where would he get all these masterpieces to put in this amazing museum? Most of them were already in other museums and private collections. So it was determined that as Germany and the Nazis went into areas and occupied them, they would work from a list and gather as many of the pieces Hitler wanted as possible. And so it began.
Thousands of pieces of priceless artwork, including the Mona Lisa, and important works of cultural importance for many areas were stolen and then moved, often hidden to be retrieved later for the museum.
However, as the tide of the war turned, and Hitler and Nazis were fighting a defensive battle rather than an offensive one, they were forced to move things several times. Many people knew about these thefts and when new areas were taken back over by the allied, a small group of dedicated art historians, museum curators, and others were determined to find these stolen treasures and return them to their original owners. Little did they know the huge undertaking they were about to embark upon.
The Greatest Treasure Hunt In History by Robert M. Edsel is a meticulous recounting of the adventures, risks, and down right dangerous situations these Monuments Men (as they were later dubbed) faced in their race to save some of the world's most precious work from war torn lands.
Recommended for serious history junkies and for 8th grade and up only because of the complexity of the story.


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(aussi connu comme 改-KAI- REMIX01) est un album de remix du groupe de rock japonais Dir En Grey sorti le . Les chansons remixées proviennent des deux premiers albums studio de Dir En Grey, Gauze et Macabre, ainsi que le single Ain't Afraid to Die. Certains des titres sont remixés par les membres de Dir En Grey eux-mêmes.

Liste des titres

Album de Dir En Grey
Album de remix
Album musical sorti en 2001

redpajama_set_name: RedPajamaWikipedia


Announcing Montana Giving Project Grants!
We are proud to announce our 2012 Montana Giving Project Grants going to Indian People's Action and Native Action. Congratulations to the grantees AND to the 5 hardworking members of the Montana Giving Project, who raised over $18,000 to support progressive community organizing in Montana!


"If Koku had consulted me, I would have asked him to go for another position…it was a wrong move. It was a wrong move. Koku is a nice guy; he is a very nice gentleman but it is a wrong move.
"You see it is like father and son…somebody that you have worked with closely and you go and you want to contest that person. It's never the best…Every aspect of life there is that lesson," he said.
But Mr Anyidoho justified his move on PM Express citing examples in Ghana's politics of defeated candidates who have returned -- sometimes after many tries -- to clinch a victory eventually.
"You think that when President Kufuor lost in 1996 it was a political miscalculation? You think that when President [John Evans Atta] Mills did not win in 2000 it was a miscalculation? Or you think that when Nana Akufo-Addo did not win in 2008 and 2012 it was a miscalculation?
"Like I said, if you observe the trend, President Kufuor didn't win 1996 he came back and won 2000. President Mills didn't win in 2000, he won 2008. Nana Akufo-Addo didn't win 2008, 2012 he won 2016. So there is nothing suicidal about it. It's an election. I don't think anybody has a patent to any position. So the [position] was open and I chose to contest," he told show host, Evans Mensah.


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Choose YOUR FAMILIES location
Extras Needed for Major TV Drama
The Crown is currently filming in Liverpool, and a casting company is looking for extras for a major TV drama set in the 1960s. Coincidence?
We love period drama The Crown, and can't wait for it to be back on our screens. The bad news is that filming for series 3 is only just taking place in Liverpool, so we still have a while to wait, but the good news is they will also be filming series 4 straight after. This means we shouldn't have to wait so long for the fourth season to grace our screens..
Following on from the first two seasons, which covered the early years of Queen Elizabeth II's reign, seasons 3 and 4 will look at her life during the period 1964-76.
We're incredibly excited that we'll get to see Liverpool's The Cunard Building standing in for Washington in the new series.
Now we've heard that a casting company is urgently searching for adults of all ages to star in a "major TV Drama set in the 1960s." Could it be a coincidence? We hope not!
Promising good rates of pay, this could be a fantastic opportunity not to be missed....you might even get to see yourself on TV.So if you think you fit the bill, here's what you need to do.
Who Are They Looking for?
It sounds like the casting company are after a good variety of people. They're asking for men and women of all ethnicities, ages 17 right through to 90. However, you must live in Liverpool.
All applicants must have a valid National Insurance number, be legally allowed to work in the UK and be over 16 years old (and if 16 completed GCSEs)
How Can I Apply?
If you want to be an extra in a "major TV drama" which might, or might not be The Crown, see here to apply.
Keep up-to-date by following our Facebook page and if you have an event that you think families would enjoy, don't forget you can add it for free on our website.
See what's going on for families in Liverpool here
A Grange Hill exhibition has arrived in Liverpool
Publish date: 17/09/2018 12:00 PM Rachael Sneddon
More news and features
DATE13 Nov 2017
DISABILITY ACTIVITY DAY
Venue: The New Derry Social Club, Liverpool
Advertise on Families Liverpool


Stunning designer owned and decorated two bedroom, two bath apartment within walking distance to the beach of Beaulieu and port of Cap Ferrat. Newly gut-renovated with pristine craftsmanship, bespoke furnishings, and all the modern comforts you would want in a luxury residence in the Riviera. Beautiful salt water heated pool only steps from the front door. All rooms have access to a spectacular terrace with an unrivaled and unobstructed view on Beaulieu-sur-Mer and Saint-Jean Cap-Ferrat.
1. Master: Extra large King size bed, custom drapes & writing desk with direct access to terrace with cinematic views.
2. Second: Queen size bed, custom drapes with direct access to terrace with cinematic views.
1. Master: Ensuite to the Master Bedroom; Luxurious tiled bathroom comprised of a tub, fixed rain-shower head, sink & toilet.
2. Second: Directly across from Guest Bedroom; Luxurious tiled bathroom with free-standing rain-shower, sink and toilet.
Fully equipped open-style kitchen with custom cabinetry, top-of-the-line appliances including a Nespresso machine, wine cooler, induction cooktop, dishwasher and double wall oven. Enjoy morning meals with a view from the breakfast bar or dine al fresco on the gorgeous 215 sqft terrace with captivating views of the sea, Beaulieu and Cap d'Ail.
Chic design runs throughout the home and really comes together in the living room with the modern furnishings complementing the ancient sculptures. You won't be able to resist the magnificent views which reach beyond the horizon. Unwind on the plush sofa or venture out on to the terrace - under the shaded canopy if you prefer - where there is plenty of room to revel in the lush landscape.
This luxury apartment is located on the 2nd floor US (1st floor French) in an elevator building with an on-site concierge and heated salt water swimming pool.
The apartment is perfectly located, you can easily walk to three separate lovely villages, each with it's own unique character, beaches, shopping, fine cafes and restaurants. A bus stop is located a four minute walk from the apartment that will take you anywhere you want to go along the Riviera. A train station is a 10 minute walk if you want to venture further afield. You may experience the culture of the city of Nice which is only 20 minutes by bus from the apartment and come back to the villages for a swim - all in an afternoon or have breakfast in the principality of Monaco, lunch in Italy and be home for a swim and dinner on the terrace of the apartment with a magnificent view of beach and the sea.
A shared swimming pool is accessible to guests from April until October. Parking is available however walking is strongly recommended as it is the easiest way to get around town and everything is so close!
1 month minimum stay during HIGH Season. 2 week minimum stay during MID & LOW Season. Less than 14 night bookings will only be considered on a case by case basis if there is a gap in calendar or booking within 14 days of arrival. Please inquire for pricing.


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Category Archives: Artists representation
19 January, 2019 olivier
Badajoz, 1994
Lives and works in Barcelona
The works by Pablo del Pozo have a strong autobiographical character, linked to the experiences of the artist. The feeling of belonging to a place, displacement and nostalgia are subjects that concern him. From the characteristics of the materials used (clay, plaster, pigments and also found objects), he seeks to talk about the precariousness of life, thus generating a reflection on the daily reality.
Artists representation arranz-bravo, artist, badajoz, barcelona, bbaa, emergent, extremadura, fase, fundacio, hospitalet, sala d'art jove, sculptor, spain, young artist
20 September, 2018 galeria
Lisbon, 1956
Lives and works in Lisbon
Cabrita's complex work can be characterized by an idiosyncratic philosophical and poetical discourse embracing a great variety of means: painting, photography, drawing, and sculptures composed of industrial materials and found objects.
His work has steadily received international acknowledgement, thus becoming crucial and decisive for the understanding of sculpture from the mid-1980's onwards. By using simple materials that are submitted to constructive processes, Cabrita recycles almost anonymous reminiscences of primordial gestures and actions repeated in everyday life. Centered in questions relative to space and memory, his works gain a suggestive power of association which reach a metaphorical dimension by going beyond the visual.
The complex theoretical and formal diversity of the work of Cabrita proceeds from an anthropological reflection, which is contrary to the reductionism of sociological discourse. In fact, it is on silences and indagations that the work of Cabrita is based and built on.
Artists representation artist, artista, cabrita reis, found objects, installation, lisboa, materials, pedro cabrita reis, portugal, sculpture
12 January, 2017 dosgrapas
Palos, Cuba, 1964
Lives and works in Los Angeles
Enrique Martínez Celaya works with painting, developing it from the perspective of scientific thought, philosophical, poetic and intellectual.
His work brings a permanent concern about experience and representation to light. It is an answer to the surrounding world, especially to nature, the environment of being, and his own perception through ideas that appear over and over again: the child, the sea, the trees, the mountains, the animals, the birds.
Enrique Martínez Celaya's works exposes the possibilities and limits of representation at the same time. His paintings are a poetic way to explore notions such as confidence, symbolism, displacement, fragmentation, integrity, time, memory and identity.
Artists representation art fair, arte, artist, artista, cuba, cuban, cuban artist, Enrique Martínez Celaya, exhibition, painter, painting, pintor, pintura
Barcelona, 1983
Lola Lasurt's artistic activity focuses on painting and video and many times also on collaborative processes that confer a universal projection, to her works of a more personal character.
The project about the 'des-time' can be understood as the analysis and the questioning of a time period, previous to hers. This is one of the main axis of her work, that frequently uses as a starting point elements from the material and aesthetic culture, that reveal behavioral patterns and ideological parameters of a determined era.
Her pieces revolve around the themes of the memory and the oblivion, the nostalgia and the amnesiac need. Lola Lasurt is interested in the historical individual time and its relationship with the guidelines of the hegemonic culture and the construction of collective symbols.
Artists representation abstract painting, arte, artist, artista, barcelona, catalan, exhibition, galeria Joan Prats, lola lasurt, painter, painting, pintor, spanish, video, videoart, young artist
Kopf, Alicia
Girona, 1982
From the exercise of drawing and writing, Alicia Kopf reflects on apparently individual issues that have become generational concerns.
The expressive dimension of her work is related to her studies in Fine Arts and Comparative Literature, studies that allow her to get closer to subjects as diverse as poor housing or the epic of polar exploration from a position that combines both awe and ironic distance.
Alicia Kopf's work arises from a metaphor, which allows her to perform an analytic exercise that will finally lead to different associations. Thus, in her project Articantàrtic, from the appropriation and the reshaping of graphical and narrative documents, Alicia Kopf turns a historical account into a first person narrative concerning resistance, obsession and the idea of conquest.
Artists representation Alicia Kopf, artist, artista, autora, barcelona, brother in ice, catalan, drawing, drawings, exhibition, galeria Joan Prats, germa de gel, Girona, ice, ink on paper, painter, painting, pintor, spanish, video, writer, writing, young artist
Achim, Germany, 1984
Lives and works in Hamburg
Annika Kahrs is a Hamburg-based artist who primarily works with film, performance and photography.
In her work Annika Kahrs examines representation and interpretation; she is interested in both social and scientific constructs, as well as evolved organic relations such as those between humans and animals. Her films oscillate between obvious staging and documentary-like observation; a distinctive implication in Kahrs' videos is that she never hides herself in the film, even if her presence is only unveiled in a short glance from an actor to the director, it reveals a singular approach to her environment almost guided by a mathematical process.
Kahrs' videos are like composed choreographies. Music often plays a role in her films, not only presented pictorially or on the audio track, but converted into image; through her selection and the ensuing adjustments during the process of editing partitur turns to film, and, subsequently, this film as partitur can turn into another film in the viewer's mind.
Artists representation Annika Kahrs, galeria Joan Prats, Hamburg, hamburgo, kahrs
Barcelona, 1931-2005
Joan Hernández Pijuan started painting during the sixties with a style related to expressionism. Nevertheless, during the seventies the empty space started gaining prominence in his paintings such as the geometrical figures. As he mentioned himself, `the space´ became the objective of his work; `I'd say that a constant preoccupation is, and has been finding a space as total protagonist of the canvass. (…) A space as a living element and not as a surface upon which one draws or places himself.´
The landscape of his childhood in the town of Folquer have become a pictorial motive in his adult age: Hernández Pijuan resorts to a memory exercise to recreate it synthetically in his painting.
The objective of this painter was never to achieve a descriptive or narrative painting, but to emphasize through the monochrome the pictorial technique itself.
Artists representation abstract painting, barcelona, catalan, catalan artist, folquer, galeria Joan Prats, Hernández Pijuan, painter, painting
Seville, 1934
Lives and works in Madrid
Luis Gordillo started his career during the fifties when he travelled to Paris and got acquainted with the European art of the time, in particular with artists such as Wols, Dubuffet, Michaux and Fautrier. In his first works the influence of surrealism and Tàpies can be appreciated to which an early seventies Pop art associated iconography would be incorporated in later years.
Gordillo becomes one of the permanently renovating painters of the pictorial language and one of the artists that during the early seventies reincorporate figuration. It's likewise in that moment, when he starts to work with photographic images, that this, in some way or another, is introduced in the process of creation in his paintings.
Both ideas, that of the process and the continuous construction as resource of accumulation, are elements that are permanently present in his work.
Artists representation abstract painting, art fair, arte, artist, artista, barcelona, exhibition, galeria Joan Prats, gordillo, luis gordillo, painter, painting, photography, pintor, spanish
Olot, 1970
Carles Congost's work revolves around the construction of personality and the behaviour codes and it is noted by the redevelopment of cinematographic, photographic and musical stereotypes. His work is developed in a harmonic way along with different disciplines –photographs, videos, sound and drawing- incorporating at the same time a classical and ironical treatment to the image.
The art world constitutes one of the themes that Congost has incorporated to his recent work, from the theatrical stagings that question the mechanisms, to the dynamics and stereotypes of the art world itself.
Artists representation barcelona, carles congost, clubculture, congosound, congost, congostsound, galeria Joan Prats, music, nightclub, olot, photograph, pop, subculture, teen, the congosound, video, youth
Lives and works between London and Níjar (Almería, Spain)
Hannah Collins is one of the pioneer artists in the use of the large format in the photographic discipline. She became known in the international scene during the early nineties.
The size of her works is often monumental, however the portrayed theme is often seemingly close to the spectator, incorporating a reflection around the fleetingness of present time and its survival through the memory of places.
From 2000, Hannah Collins began to introduce film and video often projected over multiple screens incorporating constructed musical soundtracks. She has maintained a performative element in her work and has expanded her interest in those people and places who inhabit the limit or margins of society and in the future of the human species. Her still images are often located between documentation and precise acted performance. Migration and modern attempts to improve our vision of the future have been subjects in recent works including The Fertile Forest (2015) a work made in the Colombian Amazon, I will make up a Song (2018) and The Earth Beneath My Feet (2022).
Artists representation 16 mm film, black and white photo, brancusi, contemporary photo, documentary film, experimental documentary, hannah collins, large scale photo, noah purifoy, photographer, photography, rain forest, true stories, urban landscape
9 January, 2017 dosgrapas
Port de Sagunt, Valencia, 1955
Lives and works between New York and Saro (Cantabria)
Victoria Civera's career began in the seventies, working mainly photomontage. Over the next decade she focused on painting, abstract at first, but then introduced figurativism. In the middle of this decade Victoria Civera moves to New York and integrates photography and sculpture to her practice. Her creations undergo a transformation, making them more introspective.
Because of the iconography of her work, focused on the feminine universe, and because of her oneiric content, Victoria Civera has achieved a personal language, full of nuances. She moves in between large-scale pieces, in which she uses industrial materials, and suggested and poetic understatement pieces, often incorporating ordinary household objects.
Artists representation Antoni Muntadas, art fair, arte, artist, artista, Civera, exhibition, fabric, feminino, figuration, galeria Joan Prats, painter, painting, pintor, spanish, tejido, textile, València, Victoria Civera, woman, woman artist
Helena Cabello (Paris, 1963) and Ana Carceller (Madrid, 1964)
Live and work in Madrid
Cabello/Carceller's work is set in a territory from which they question, reflect and/or fracture the roles or stereotypes associated to gender. They understand identity as something built in conflict or in consonance with a social, cultural, political and economic environment. They point at an `I´ that is always found according to the `others´, this idea vertebrates their production.
In their works the patterns, which are linked in a static way to either masculine or feminine roles, are revised. In this way, images are subverted in their works along with behavioral codes and attitudes, associated to that which is commonly considered as masculine or feminine.
The rereading that Cabello/Carceller's work forms in the mentioned models, position the spectator facing multiple prejudice, assumed values and contradictions that manage to effectively destabilize a univocal vision of reality.
Artists representation art fair, arte, artist, artista, cabello, cabello/carceller, carceller, exhibition, galeria Joan Prats, genre, madrid, photographer, photography, political, political art, spanish, video, videoart
Barcelona, 1931 – Sabadell, 2020
Alfons Borrell is one of the most prominent representatives of lyrical abstraction in Catalonia.
After attending the studio of Anglada Camarasa and the School of Fine Arts of Sant Jordi in Barcelona, Alfons Borrell began his artistic career in the fifties, within figuration at first. His work evolved into abstract expressionism and, already in the sixties, to the gestural painting.
In the mid-seventies he developed the style of its own, detached of any label, characterized by a sober chromatism that is consciously disassociated from the material informality. In his painting, the color is imposed on the form, from a language that waives any reference, craving and seeking restraint and rigor.
Artists representation abstract, abstract painting, abstraction, Alfons Borrell, art fair, arte, artist, artista, barcelona, catalan, catalan artist, chromatism, exhibition, galeria Joan Prats, lyrical abstraction, painter, painting, pintor, Sabadell, spanish
Pauline Bastard creates complex narratives developed through installations, films and sculptures containing and relating to her experiments. Through collaborations she questions the construction of the self and its place in the contemporary world.
Pauline Bastard creates stories, making them happen, using situations as matter and taking seemingly unrealizable experiences as material for production.
15 December, 2016 dosgrapas
Madrid, 1958
Chema Madoz's work, close to visual poetry, shows a constant inclination towards symbolism, using images that are characterized by a subtle play of paradoxes and metaphors.
With regards to the 'Still Life' conventions, his photographs show objects that contain "life" and discover a new dimension of meaning through contextualization, relocation or juxtaposition of common and everyday appearances. In this manner, Chema Madoz shapes an imaginary that challenges our credulity in the picture, and in the existence of an intangible reality.
Artists representation artist, black and white photo, BW, bw photo, Chema Madoz, contemporary photo, Fotografía, galeria Joan Prats, joan prats, madoz, photographer, photography
Mexico City, 1974
Erick Beltrán analyzes and reflects on the edition concept and the discourse constructions. He investigates the power that the different graphic means exert in their distribution of information, as well as explicit treatment on different conducts and values.
He works with diverse formats as the multiple or the book; he experiments and investigates the link between public art and the diverse graphic languages.
The archive, the museum and the library are tools and natural means in their investigation process. A process in which the edition concept focuses all the work, understanding it as the mechanism with which communication through images that create political, economical and cultural discourses in contemporary societies are defined, evaluated, classified and reproduced.
Artists representation art fair, arte, artist, artista, barcelona, conceptual, conceptual art, erick beltran, exhibition, galeria Joan Prats, México
27 October, 2016 dosgrapas
Lives and works between Barcelona, New York and Venice.
Antoni Muntadas's work has developed from its beginning –early seventies– a constant criticism towards the languages and messages of the media as clear instruments of power.
Since the first moment he used the video as useful tool to dissect and make the mechanisms of communications visible, referring to television and the designated `media landscape´. This genuine study and treatment turned him into an early pioneer in the audiovisual artistic field.
Likewise, Muntadas has analyzed and questioned the relationships that are established between the public and the private through his video works, photographs and multimedia installations; it's from the early nineties that he incorporates internet to this list.
Also, since the 90s, he initiates new kinds of long-term. In each of these projects a principal concept is developed, which extends through different stages and contexts.
Artists representation Antoni Muntadas, arte, artist, barcelona, catalan, conceptual art, idiomas, language, languages, mass media, media, Muntadas, power, traduccion, Translation
Sant Pol de Mar, 1957
Lives and works in Sant Pol de Mar
Perejaume started to exhibit his work during the late seventies and since then he has been developing it in parallel, either in visual disciplines or in literary extension.
The landscape is a recurring subject analyzed and explored in his work, retaking and reevaluating the presence it has had most of all, in its literary and visual production. Through this approach, his relationship with the landscape is examined from diverse points of view none of which are exempt of irony. Points of view that are shaped through painting, sculpture, photography, installations, video or the intervention on the natural environment itself.
For Perejaume, man is part of the landscape, he isn't an outsider to it and he is yet another agent in its conformation and evolution, as if the geologic time would have been accelerated.
Artists representation abstract painting, arte, artist, artista, barcelona, català, catalan, catalan artist, exhibition, galeria Joan Prats, landart, landscape, literature, painter, painting, paisaje, Perejaume, photography, pintor, poet, premio acca, sculpture, spanish, video, videoart
Zaragoza, 1964
Javier Peñafiel's work, drawings, videos, texts and sculptures make up a linguistic system parallel to a reality to which he is unconnected.
All through his career, Javier Peñafiel has built up a universe inhabited by characters; by sentences that work autonomously, such as phrases that have the duty to bother the quiet and routine based use of the language by the spectator; or videos where diverse elements are combined in the shape of tableaux, sharing a space but keeping at the same time their identity separate.
The works of Javier Peñafiel show the necessity and the difficulty in direct communication. His works investigate the double identity – as obstacle and as a bridge- that the language represents in such communication.
Artists representation abstract painting, art fair, arte, artist, artista, barcelona, drawing, drawings, exhibition, galeria Joan Prats, ink, ink on paper, intimicy, Javier Peñafiel, painter, painting, pintor, spanish, video, videoart, zaragoza
Santiago de Chile, 1967
In his work Fernando Prats "paints" or, we'd rather say, recreates nature; he deals with registering tracks, making the invisible visible, giving voice and image to what was present but kept unnoticed.
Using seismographs, traces, photographs, videos… he registers the beat of different realities on smoked supports, from the flight of birds to the wild jet of a geyser, the deep coal of mines or the powerful waves that break against the cliff. Thus, Fernando Prats holds an unorthodox relationship with painting, both for the choice of his instruments and for the intervention of chance.
His work is formalized in actions which himself registers, that show the creative processes intrinsic to his work. Fernando Prats paintings are time-objects, as they condense in their finished form a story, the one of its creation, whose times often have nothing to do with the ones of the artist, but with the natural rhythms.
Artists representation abstract painting, actions, art fair, arte, artist, artista, barcelona, Chile, exhibition, Fernando Prats, galeria Joan Prats, painter, painting, photographer, photography, pintor, smoke, smoked paper, tracks, video
Lives and works in São Paulo
The register of a high-speed changing nature is one of the subjects that articulates Caio Reisewitz's photographic work and, in this sense, his images are placed in a tradition in which photographic means are witnesses and capture ephemeral realities. The activity of man on the planet, and in certain areas in particular, radically modifies the appearance of the landscape.
His photographs, which are mostly large format, are characterized by their frontality and by a spectacular clarity that shows an exuberant nature and an unreal utopian beauty. On one occasion he himself commented: 'sometimes these images don't seem real, utopian they are, but they are true, it is the pure reality'.
Artists representation Altamira, amazon, amazon forest, analog, artist, artista, bosque, Brasil, Caio Reisewitz, climate change, contemporary photo, ecology, galeria Joan Prats, global warming, landscape, large format, photographer, photography, rainforest
Besides his long pictorial career which has boosted him internationally, Albert Ràfols Casamada has another creative side as a literary poet. It is of no surprise that his multidisciplinary character attracts him to teaching and pedagogy in the world of fine Art.
In his painting, modernity's fragile equilibrium has been developed and maintained: his work, of classical origin, incorporates at the same time the legacy of the avant-gardes.
During the early seventies he abandoned figuration to work in the field of abstract painting that would take him, during the eighties and nineties, to develop a more lyrical abstraction. This process would lead to what is his most recognized stage in his artistic career.
On the other hand, Ràfols Casamada has had a fundamental role in the renewal of the arts teaching in Spain being the founding member of the Eina School in Barcelona in 1967.
Artists representation abstract painting, arte, artist, artista, barcelona, catalan, exhibition, galeria Joan Prats, painter, painting, pintor, Ràfols Casamada, spanish
Lisbon, 1948- Estoril, 2021
From the early seventies, Julião Sarmento has explored the possibilities of painting, photography, sculpture, installation and video. There is a process of suggestive hiding in his works that situates the spectator not only as an observer but also as a participant of his narrative.
The woman is a recurring motive in his works and from it he elaborates concepts linked to sexuality, desire or seduction. The relationships he evokes, on latent tension, violence, obsession or mystery, are obtained from a meticulous dynamic between the participating agents in the physical space, in the case of installations, or in the edition, in case of films and videos. The resulting works unleash all the detached intrigue of the images in constant suspense and tension.
Artists representation abstract painting, art fair, arte, artist, artista, collage, exhibition, galeria Joan Prats, Julião Sarmento, lisbon, painter, painting, photographer, photography, pintor, portugal, sculpture, silkscreen, video, videoart, woman
José María Sicilia was one of the most significant representatives of Spanish painting in the eighties who identified himself with the young generation of artists that at the beginning of that decade, took up the practice of a `material´ perspective in painting
From 1985, Sicilia initiates a new series of works on the subject of flowers, by which he is specially recognized in Spain. This new thematic development would take him deeper in an investigation focused in the analysis of the shape, the construction of space and the structure of light.
In the abstract painting that this artist has developed lately, the use of wax acquires a main role for its possibilities of dialogue with light and the creation of spaces in the pictorial surface.
Artists representation abstract painting, art fair, arte, artist, artista, cera, el instante, exhibition, galeria Joan Prats, jose maria sicilia, la locura del ver, la luz que se apaga, light, madrid, painter, painting, phasma, pintor, silk, spanish, wax
Santander, 1954
Lives and works in New York and Saro (Cantabria)
Juan Uslé´s painting is based on his urban experience, particularly New York, where he moved in the late eighties. Visual perception, liquid – so mobile and fluid – and light structures and spaces, greatly influenced him, bringing forth a combination of geometric elements and organic elements in his compositions.
Juan Uslé works mixing his own colors and applying them by dispersion on canvas, building abstract images from geometric patterns, light and color. In each of his compositions he combines the search of an organization and structure, along with the appearance of the unexpected.
The painting of Juan Uslé analyzes, rather than expresses, the origin of his own images based on the urban experience. His practice is based on the interplay between formal antitheses, and so his work is defined as opposing dynamics.
Artists representation abstraction, asbtract, barcelona, cantabria, galeria Joan Prats, international, Juan Uslé, lyrical abstraction, new york, painter, painture, saro, soñe que revelabas, spanish, uslé
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text:
The reason for which Fighters win Pacific league in 2016 season
8/18/2016 9/24/2016 Baseball
There was the game of Fukuoka Softbank Hawks vs Saitama Seibu Lions at Kyosera Dome, in August 18. Starting pitcher was Nao Higashihama of Hawks and Shinzaburo Tawada of Lions. Hawks was the 1st place of Pacific League until April, but recently they could not get thier engine going. So Hawks lost to Lions on this day that score of 6-3.
In the same day, There was the game of Hokkaido Nipponham Fighters vs Orix Buffaloes at Sapporo Dome. Starting pitcher was Hirotoshi masui of Fighters and Takahiro Matsuba of Buffaloes. Fighters was the 2nd place of Pacific League, and they are 4-game winning streak. Fighters took 6 point on this day, they won in the score of 6-1.
As a result, there was no games back in both team. Because the difference in winning percentage, Hawks was the 1st place barely. Fighters was 11 and a half games behind of Hawks on June 19, but Fighters caught up between two months. During the last 20 years, there were 2 times of the same situation for this year. Let's introduce these.
The first is the season of 1996. Yomiuri Giants was 11 and a half games behind of Hiroshima Carp on July 6. Carp was the first place at that time, but Giants rised to the top on August 20. After that, Giants got the championship of Central league.
The second is the season of 2008. Giants was 13 games behind of Hanshin Tigers on July 8. Tigers was the first place at that time, but Giants rised to the top on September 21. After that, Giants got the championship of Central league.
FAV.SPORTS predicate that Fighters get the championship of Pacific league in 2016 season. Because there is a common point between this year and 2008 & 1996. These both is a year in which the Olympic Games will be held. But Giants was used up a force in the league on season both, they losed in the Japan Series. So the champion team of Central league will win the Japan Series in this year.
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text:
Home World News Inside Africa UN, partners aid Burkina Faso, Mali, Niger hit by conflict, COVID-19
UN, partners aid Burkina Faso, Mali, Niger hit by conflict, COVID-19
The United Nations and humanitarian agencies are helping 1.2 million internally displaced people and 107,000 refugees in the border areas of the Central Sahel suffering from conflict and COVID-19, a UN spokesman said on Monday.
Additionally, more than 3 million people are severely food insecure and the number of displaced where the borders of Burkina Faso, Mali and Niger meet has increased to four times what it was one year ago, said Stephane Dujarric, spokesman for UN Secretary-General Antonio Guterres.
The rise in armed violence is not only forcing people to flee their homes but as schools and health care centers have been targeted, vulnerable communities have been deprived of critical services, Dujarric said. The virus transmission risks are also heightened in densely populated areas, such as displacement sites that do not have adequate access to shelter, clean water, hygiene and basic sanitation.
"This year, 7.5 million people in the affected regions need urgent assistance," he told reporters at a regular, virtual briefing. "We, along with our humanitarian partners, remain on the ground to deliver life-saving assistance, but urgent resources are needed."
As of late April, only 12 percent of the 988 million U.S. dollars required for the humanitarian response had been received, the spokesman said.
The UN Central Emergency Response Fund allocated 42 million U.S. dollars to the Central Sahel countries since the beginning of the year, mainly to provide food and nutrition, water, hygiene and sanitation, shelter, protection and health care.
"In Burkina Faso, the UN Refugee Agency (UNHCR) tells us that they have condemned violence against Malian refugees that left at least 32 people injured," he said. The incident took place over the weekend at the Mentao refugee camp, which hosts some 6,500 refugees close to Burkina Faso's border with Mali.
The injured are being treated in a health center and the UNHCR has called for an urgent investigation into the incident. Enditem
Stephane Dujarric
UN Secretary-General Antonio Guterres
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The host of this podcast, Kim, is a wonderful person that has a punny sense of humor and details the horrors of her life as a travelling nurse. She lights a new celebrity prayer candle every episode to get in the mood, and delivers amazing stories alongside helpful medical advice.
Since Jan 2018! Just a little youngling podcast in this great big podcast world.
My nurse friends and I, being travel nurses, were talking about what we listen to on our long drives from assignment to assignment, going from state to state. So I started listening to podcasts. Then I some of my same friends were just talking around a campfire one night of some of the strangest things we've seen in the human body and swapping some of our more memorable stories working in the ER particularly. And that's when I had an ah-ha moment and thought about telling these stories but also explaining the medical part behind why this happens. And so the seed was planted towards what would become the podcast.
Medical cases and topics are my bread and butter. So I've covered things such as being tased, sleep disorders, and genital trauma. Things that I see to some extent in the ER and I've seen all of the above in the ER at some point. Also covered are the different aspects and roles that go into working in a hospital. I've interviewed a flight nurse, respiratory therapist, and I'm working on getting more interviews across the board with different nursing capabilities as well as other healthcare providers outside of doctors.
So there's a few phrases you hear pop up regularly in the ER regarding people and it's not uncommon to hear a provider say to another provider after walking out of a patient's room, "man, people are wild" and that stuck with me and so here we are.
Genital Hospital mostly because I got to talk about some of the penile trauma I've seen over the years. In fact there will probably be a part 2 of that at some point because of what I've seen.
Trying to reign in all the content I want to cover.
When I went to my cousin's wedding not too long ago, her now father-in-law gave me a hug and then whispered in my ear "I love listening to your podcast" and it was hilarious and unexpected at the same time to hear that in that way. Out of all the things you expect to hear from someone, "I love your podcast" is the very last on my list.
I exist on twitter (still couldn't believe that handle wasn't taken) and you can email me at any time, peoplearewildpod@gmail.com. Also if you go outside and yell into the sky, I'll probably hear you as well.
Kim is someone we all need in our lives and you should go follow her on every platform and go listen to her podcast!