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Tag: camp fasola
Fall Presentations
I've had some great opportunities this fall to start thinking through the research I've been conducting in connection with my dissertation project and to get feedback on my work from colleagues.
In October I traveled to the American Folklore Society annual meeting in Providence, Rhode Island, where I presented a paper on the sometimes fraught relationships between Sacred Harp singers and the folklorists who have studied and promoted their music. My paper, titled "Folklorization and Sustainability in the Twentieth-Century Spread of Sacred Harp Singing," recounted the style's folklorization during the twentieth century and then assessed how two twenty-first-century efforts to spread Sacred Harp singing1 cultivated particular audiences and examined how sustainable these efforts have been.
In November I participated in the Atlanta Graduate Student Conference on U.S. History held at Emory University. My paper, "Modernity and Historicization in Joseph Stephen James's Original Sacred Harp (1911)," examined the circumstances leading to James's 1911 revision of the nineteenth-century Sacred Harp tunebook. I argued that James sought to both modernize the book so that it better aligned with his vision of a "New South" and to historicize it so that it stood for noble, Christian values James associated with his past and worried might be lost in the shift from rural to urban and antebellum to postbellum. I was grateful for to my session's respondent Scott L. Matthews, a lecturer in history at Georgia State University who studies documentary expression in the U.S. South.
Later in November I presented a paper as part of a session I organized for the American Studies Association annual meeting titled "Folklorization on the National Mall: Representations of Culture through the Smithsonian Folklife Festival." My co-panelists Virginia Myhaver, Olivia Cadaval, and Diana Baird N'Diaye presented papers that differently interrogated the interactions between curators, presenters, interpreters, and audience members at Smithsonian Festivals from the 1970s to the 2010s. William S. Walker, author of A Living Exhibition: The Smithsonian and the Transformation of the Universal Museum (University of Massachusetts Press, 2013), who has presented and written extensively on the Smithsonian Institution, offered insightful feedback on the papers. My paper, "Participation on Folklore's Terms: Sacred Harp Singing at the 1970 Smithsonian Festival of American Folklife," focused on an evening performance by two groups of Sacred Harp singers—one black, the other white—at the 1970 folklife festival. I analyzed how folklorization conditioned the singers' presentation and reception, and assessed how the two groups approached their appearance and were later affected by it.
Specifically, Cold Mountain and Camp Fasola. [↩]
Author Jesse P. KarlsbergPosted on November 28, 2013 December 25, 2013 Categories NewsTags american folklore society, american studies association, camp fasola, cold mountain folklorization, sacred harp, smithsonian folklife festival2 Comments on Fall Presentations
NEA National Heritage Fellowships Concert
This past Friday I participated in a concert at George Washington University's Lisner Auditorium honoring the recipients of the 2013 National Endowment for the Arts National Heritage Fellowship. David Ivey, Sacred Harp Musical Heritage Association secretary and Camp Fasola co-founder, was among the awardees. I joined a group of twenty-five twenty-seven Sacred Harp singers, mostly from Alabama and Georgia, who opened the concert singing four songs: "Idumea" (p. 47b in The Sacred Harp), "Florida" (p. 203), "Christian's Farewell" (p. 347), and "Wayfaring Stranger" (p. 457). A videorecording of the 2013 NEA National Heritage Fellowships concert is available on the NEA website. Continue reading "NEA National Heritage Fellowships Concert"
Author Jesse P. KarlsbergPosted on October 3, 2013 October 4, 2013 Categories AsidesTags camp fasola, david ivey, nea, nea national heritage fellowship, sacred harp, sacred harp musical heritage association2 Comments on NEA National Heritage Fellowships Concert
New Writing on Sacred Harp in Europe
In the wake of my trip last September to attend the seventeenth United Kindom and first Poland Sacred Harp Conventions and to teach at the first European session of Camp Fasola (held the week between these two conventions) I've continued to think and write about how Sacred Harp singers conceive of community, tradition, transmission, and place as the style spreads.
Keith Macdonald expands on the history of Sacred Harp singing in Germany. Comment on the wall of the "Sacred Harp in Poland" Facebook group. Accessed 3/14/2013.
In November I wrote for the Country Dance and Song Society News on how these September singings "facilitate[d] cultural exchange, … inspire[d] community, and forge[d] emotional and spiritual connections" among European and North American singers. My essay, "'Come Sound His Praise Abroad': Sacred Harp Singing across Europe," attempts to contextualize these recent events by recounting the introduction of this music to various European countries since 2008. In a comment on Facebook, Keith Maconald helpfully expanded on my account of the early history of Sacred Harp singing in Germany, pointing to the role he and the late Jutta Pflugmacher played in arranging for the Sacred Harp singing schools that Michael Walker and Aldo Ceresa held in Germany in October, 2011 (see screenshot from Facebook at right). I've transcribed a portion of Macdonald's important comment below.
Jutta [Pflugmacher] had sung Shape Note while she was living in England and was very involved in organising cultural events in her home town of Büdingen. She organised a concert and workshop with Larry Gordon's group in April 2010, where she met Keith Macdonald, who had recently moved to Germany and had also sung Shape Note in England. Together they decided to try to arrange further Shape Note music workshops in Germany, and were put in touch with Michael Walker through the UK shapenote website. Michael was an excellent contact, with a thorough knowledge of the German language, and he enthusiastically supported the plans; it wouldn't have been possible without him. Sadly at this time Jutta became ill from cancer and was forced to take a back seat. Keith and Michael developed plans further for two workshops in Sacred Harp to be held in Würzburg and Frankfurt am Main in October 2011, under the superb tutorship of Aldo Ceresa. Members of the Bremen group travelled to Würzburg to participate in the workshop, and I am delighted that Jutta was able to participate in the workshop the following day in Frankfurt. Sadly she lost her fight with cancer shortly afterwards, but she stays in our memories as a key person in the story of Sacred Harp in Germany. Since then the Bremen group have gone from strength to strength, and a small group sings regularly in Frankfurt.
Michael Walker also touched on this early history in his essay on the October, 2011 German singing schools for the Sacred Harp Publishing Company Newsletter, "German Singing Schools: Sacred Harp Comes to the Land of J. S. Bach."
In February I wrote for the Southern Spaces Blog on how the Sacred Harp events in Europe in September, 2012 "served as sites around which singers negotiated their associations of Sacred Harp singing with place." My blog post—"Sacred Harp, 'Poland Style'"—described how singers intentionally created what we described as a new "local tradition" of leading P. Dan Brittain's song "Novakoski" with a time change from slow to moderate-fast at the start of the fuging section. The piece also noted how new singers from Poland and from Norwich in the United Kingdom have appropriated songs in The Sacred Harp bearing the names "Poland" and "Norwich" as symbols of their local Sacred Harp singing communities. My post was published the day before I left Georgia for another European singing trip, this time to Ireland for the third Ireland Sacred Harp Convention. Imagine my delight when the day after I arrived P. Dan told the story of "Novakoski," "Polish Style" and led the song in the manner described above during his singing school the evening before the convention. Later, during the convention itself, a group of Polish singers led "Poland" and a group of singers from Norwich led "Norwich." Quod erat demonstrandum.
Earlier in February I spoke about Sacred Harp in Europe at a conference titled "Southern Sounds/Out of Bounds: Music and the Global American South" held at the University of North Carolina, Chapel Hill and organized by the university's Center for Global Initiatives and Center for the Study of the American South. My paper, "Digital Transmission and Mutable Tradition among European Sacred Harp Singers, 2008–2012," addressed how European singers have supplemented transmission through travel to singings in the United States with reliance on digital resources such as YouTube videos shared through Facebook, and described how these singers are attempting to strike a balance between adhering to what they see as "traditional" practices while adapting Sacred Harp to new local contexts.
In addition to my two short essays and conference talk, two other short pieces on the Sacred Harp singing events in Europe last fall have recently been published. Gosia Perycz and Fynn Titford-Mock each contributed singing reviews on these three events to the Sacred Harp Publishing Company Newsletter. Their essays: "A Hollow Square in My Homeland: Bringing Camp Fasola to Poland" and "Celebrating Sacred Harp in Europe, September, 2012" describe the U.K. Convention, Camp Fasola Europe, and the Poland Convention in detail and are well worth a read.
Author Jesse P. KarlsbergPosted on March 14, 2013 May 12, 2013 Categories Presentations, PublicationsTags camp fasola, cdss news, community, england, michael walker, p dan brittain, place, poland, sacred harp, sacred harp publishing company newsletter, southern spaces blog, tradition, transmission, unc chapel hillLeave a comment on New Writing on Sacred Harp in Europe
J. S. James, Leading, Composition, and Starting a Singing – Classes at Camp Fasola
I taught several classes this June and July at the two sessions of Camp Fasola, a weeklong summer camp for learning Sacred Harp singing, history, and traditions held in Alabama.
With Aldo Ceresa, I co-taught a class on the music and historical context of the revision of The Sacred Harp by J. S. James in 1911. Our class mixed singing with the telling of stories about James and his collaborators and rivals. The class was timed to mark the hundredth anniversary of the publication of the "James Book."
I also taught an intermediate class on leading songs at Sacred Harp singings, moderated a discussion on starting, feeding, and maintaining a regular or annual singing, and led a session where singers led and discussed collaborative Sacred Harp composition exercises and new songs they had written in the styles of The Sacred Harp.
Attendance at Camp was quite high this year and the campers came from across the United States as well as from Canada and several European countries. The campers ranged from singers with over 60 years of experience singing from The Sacred Harp to those who had never attended a singing. As always, teaching such a motivated and diverse group of learners was an enriching and enjoyable experience.
Author Jesse P. KarlsbergPosted on July 23, 2011 December 21, 2011 Categories PresentationsTags alabama, camp fasola, j.s. james, sacred harp, singing schoolsLeave a comment on J. S. James, Leading, Composition, and Starting a Singing – Classes at Camp Fasola

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Tish, Juliana, and Linda talk about the Christmas specials "The Husbands of River Song" and "The Return of Doctor Mysterio". Remember this dark time of Doctor Who hiatus? And this is all we got for two years... A lackluster goodbye to one of the greatest characters the show ever had and a too boring to even talk about generic superhero story.
Send Q's, A's, and Hellos to doctorscompanionspodcast@gmail.com or tweet us @DrsCompanions.


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The stars dance with a spiral galaxy 80 million light-years away
Alasdair Wilkins
Everything in this image is so far away that it defies our comprehension. And yet we're also looking at two vastly different scales here, as stars from well within our own galaxy share space with a far distant spiral galaxy.
This image from the Hubble Telescope is a simple but powerful reminder of how cosmic distances get exponentially bigger the further out you go. All the stars in this image are thousands of light-years away, and even with impossibly advanced technology it would take us countless lifetimes to reach even the closest one. And yet that's nothing compared to the main attraction of this image, the spiral galaxy NGC 6384, which at 80 million light-years away is many thousand times the distance of even the furthest stars in this image.
A NASA astronomer adds:
The universe is filled with galaxies. But to see them astronomers must look out beyond the stars of our galaxy, the Milky Way. For example, consider this colorful telescopic view of spiral galaxy NGC 6384, about 80 million light-years away in the direction of the constellation Ophiuchus. At that distance, NGC 6384 spans an estimated 150,000 light-years. The sharp image shows details in the distant galaxy's blue spiral arms and yellowish core. Still, the individual stars seen in the picture are all in the close foreground, well within our own galaxy. The brighter Milky Way stars show noticeable crosses, or diffraction spikes, caused by the telescope itself.
The closest I can come to comprehending the difference in magnitude we see in this picture is to think about what was happening on Earth when the light from these various objects began their journey. For instance, when the light left some of these stars on their journey of thousands of light-years, the Roman Empire was still at its height. When this light left NGC 6384, the dinosaurs still ruled the Earth. I'd say this puts it all in perspective, but I'm not sure human perspective is big enough for something like this.
Via NASA.


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08 Jul Abrams Media: July 8th, 2013
Posted Jul 08, 2013 in Blog
From Mediaite: Kathleen Parker warns that Wall Street enemies are worse than sex scandals. Mediaite reports, "Former Parker Spitzer cohost Kathleen Parker spoke to Morning Joe about the news that her old sparring partner Eliot Spitzer would be running for New York comptroller, his first foray into politics since a prostitution scandal forced his resignation from the office of governor. Parker intimated that his biggest challenge would not be overcoming his salacious past, but the enemies he made with his aggressive investigations of the financial sector. 'I don't know that the things for which he's best known are his greatest obstacles to redemption, if that's what he's seeking,' Parker said. 'I think a lot of people question his style, going after Wall Street.'" Read on here.
From Gossip Cop: A Pink fan was arrested after tweeting about a bomb in regards to Rod Laver Arena. Gossip Cop reports, "A Pink fan was arrested at the singer's Sunday concert in Australia after he tweeted about bringing a 'bomb' to the show. The 16-year-old teenager, who was not identified in the media, wrote in his since-deleted tweet, '@Pink I'm ready with my Bomb. Time to blowup #RodLaverArena B*tch.' Security at the Melbourne venue reportedly recognized him from his Twitter photo 10 minutes after his arrival inside, and escorted him out before police arrived and arrested him. He's since been released, with a summons regarding charges to follow. The teen's sister spoke to the Herald Sun on Monday, saying his tweet was sent while waiting for the delayed concert, and was meant to be a reference to a Pink track." Read on here.
From Geekosystem: The United Kingdom is amping up their efforts to look for intelligent life. Geekosystem reports, "We haven't ruled out that this is somehow related to the Doctor Who 50th anniversary, but the United Kingdom is stepping up their efforts to search for intelligent life elsewhere in the Universe with the United Kingdom Search for ExtraTerrestrial Intelligence. (UKSETI)UKSETI was presented at the National Astronomy Meeting earlier this month, and is going to take several approaches to the search for intelligent life. They will research different ways of detecting signals that could show intelligence, examine the problems with trying to recognize a potential alien language, and they will also look at the chances that there is another civilization out there capable of interacting with Earth." Read on here.
From Styleite: Jean Paul Gaultier is fighting back on Twitter. Reports Styleite, "In a world where Twitter rants reign supreme, open letters seem to be in short supply. Bringing back the classiest of trash-talk vehicles, is Jean Paul Gaultier who's taking aim at Tim Blanks for the critic's unfavorable review on Style.com of JPG's purring Fall 2013 haute couture show. As a refresher, Blanks called Gaultier 'the one true heir to the throne of French fashion,' but said that 'was once upon a time, and that time has, sad to say, well and truly passed.' The French designer hits back, accusing the writer of being a fashion neophyte who simply doesn't get his references. While fashion's never short on drama, tiffs are taken to a new level in the social media age and we think that all parties should reconsider public priss-fests before letting the claws come out." Read on here.
From SportsGrid: Roy Hibbert trash talked on Twitter and is now learning his lesson. SportsGrid reports, "Hey, look, the NBA is back! Oh, it's the Summer League in Orlando? I knew it was a little early for basketball again. The Summer League is for rookies and other guys who need extra work to show out in front of team coaches and executives — a pre-preseason, if you will — so to say these games mean little is still overstating their worth (unless you're a D-Leaguer looking for a roster spot). But despite being a five-year veteran, Roy Hibbert clearly did not get the memo about the relative importance of these games. He decided to shoot his trash talking wad way, way too early and waste it on a game he's not even playing in." Read on here.
From The Mary Sue: Jenji Kohan talks about her new show on Netflix. Reports The Mary Sue, "Jenji Kohan is no stranger to stories of women doing illegal things– she is the Emmy-winning creator of Weeds, after all. Now she's putting out a new 13-episode dramedy, Orange is the New Black, on Netflix. The story (based off of the memoir of Piper Kerman) follows one Piper Chapman during her year-long incarceration after being detained for her decade-long relationship with an international drug runner. She ends up in the company of a rowdy and eccentric group of inmates, and is forced to question herself while donning the ubiquitous orange jumpsuit. Kohan knows what she's doing. She spoke with Collider about creating the show, Jodie Foster's TV-directorial debut, and writing a diverse cast of dynamic women. See what she has to say under the cut." Read on here.
From The Jane Dough: Part-time jobs make employees feel "trapped." The Jane Dough explains, "Three-fourths of part-time workers in the U.K. believe their part-time schedule is damaging their career prospects, with many having 'traded down' their skill level and accepting less pay just to work flexibly, research shows. A survey of 1,000 part-time professionals by the Timewise Foundation found that eight in 10 part-time workers said flexible hours were crucial to making their life work, with many – often women – trying to balance the demands of childcare with work. Two-fifths said that in order to work flexibly, they have 'traded down' their careers by taking jobs that are beneath their skills and full-time equivalent pay level." Read on here.
From The Braiser: Food Network Star rips off Last Chance Kitchen. The Braiser explains, "Our favorite flailing food competition show has done a bit of shark-jumping, Top Chef-style. Remember last season when Top Chef ate itself and introduced a redemptive mini-competition to its own redemptive mini-competition? Frankly, it was too meta-confusing for us to revisit, but Food Network Star has recently introduced its own version of Last Chance Kitchen, dubbed Star Salvation, and starring Robert Irvine as Tom Colicchio. The format is pretty standard: 20 minutes to cook a dish, with a secret ingredient as its designated star, and the webseries airs on FoodNetwork.com following Food Network Star's Sunday night airing." Read on here.


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It's better I adhere to the DLL in the bin directory without using the CodeFile attribute in the @Control directive. Karl Seguin wrote: Actually, I'm about 90% sure that I'm right...did you give it a try? This is a community of tens of thousands of software programmers and website developers including Wrox book authors and readers. I've seen many errors occur if you are using inline code and don't have well formed HTML somewhere in the page.
if I relocate the code behind Enter.ascx.vb to some directory other than the App_Code directory & then compile Enter.ascx.vb into a DLL in the bin directory using VBC, then VWD no HttpContext ctx = HttpContext.Current; Juan T. You are currently viewing the BOOK: ASP.NET 2.0 Website Programming Problem Design Solution ISBN: 978-0-7645-8464-0 section of the Wrox Programmer to Programmer discussions. You have replied to my post titled "App_Code & bin".
#1 (permalink) August 20th, 2007, 04:04 AM ADH Registered User Join Date: Apr 2007 Location: ELKANA, , Israel.
However, it won't even compile and shows me a message in the IDE Error List of:"DisplayMessage is not a member of ASP.profile_aspx"Code:[code]....Code: View 11 Writing referee report: found major error, now what? I've been copying and pasting the form so i decided to create a new project and copy the code into it - same error. Now first of all, what does this error mean?
I aim that a guest can register itself and automatically join the "member" role. followed by a web page name. Reason: left something out Share Share this post on Digg Del.icio.us Technorati Twitter Reply With Quote 05-10-2007,11:19 PM #2 Paszt VB.NET Forum Moderator .NET Framework.NET 4.0 Join Date Jun 2004 Location To correct this error: remove the Global keyword from the statement.
If you have any feedback, please tell us. but you get the picture :) Edit: I think this is the Vb syntax .. The 2 TextBoxes are named txt1 & txt2. You have replied to my post titled "App_Code & bin".
Finally, it only happens after it ahs been published to IIS - not when "Run" from VS directly. Compiler Error Message: BC30456: 'Title' is not a member of 'ASP.default_aspx'. The entire logic of this user control (like the properties of the 2 TextBoxes using set/get etc.) is encapsulated in a code behind page named Enter.ascx.vb. Basically you're telling the aspx page to load into this placeholder on the master page.
I also compiled Enter.ascx.vb into a DLL in the bin directory (Enter.ascx.vb not residing in the App_Code directory) & used the CodeFile attribute in the @Control directive in the ascx file P: n/a rn5a I have a user control named Enter.ascx which has 2 TextBoxes. More information, please check: http://msdn.microsoft.com/en-us/library/16czfx55(VS.80).aspx Best regards, Liliane MSDN Subscriber Support in Forum If you have any feedback on our support, please contact [email protected] Please mark the replies as answers if It has worked well.
This is the code in Enter.ascx.vb: Namespace Details Public Class EnterCB : Inherits UserControl Public WithEvents txt1 As TextBox Public WithEvents txt2 As TextBox 'creating a few Properties for the '2 The GridView's DataKeyNames property is set to the SQL column called "utID"I know that within the SQL results, some of the utID values are NULL.


Members of Southeast Conference's Alaska Marine Highway System Reform Steering Committee gathered in Ketchikan on Friday, the third and final day of Southeast Conference's fall meeting.
Among the topics addressed was Thursday's announcement by Department of Transportation Commissioner Marc Luiken that the state hopes to add crew quarters to both new Alaska Class Ferry vessels. The Tazlina is completed, so quarters would have to be added later. The Hubbard is still under construction at the Vigor Alaska shipyard in Ketchikan.
The cost of adding crew quarters would be an estimated $13 million to $15 million for each ship.
Most of the committee members agree crew quarters were a good idea. But, some commented it might be too late and it should have been part of the final design before it went out for construction.
Committee member Joshua Howes runs a tour company in Anchorage. He said it's frustrating how Alaska Marine Highway System decisions shift with each administration.
Dave Kensinger owns Chelan Produce, which sells fruit and vegetables in Southeast. He agreed that the Alaska Class Ferry process was problematic because of political leadership shifts.
Southeast Conference is leading a management reform project for the state ferry system. The current proposal calls for turning the system into a corporation that would be somewhat independent from the state. The goal would be to stabilize funding and remove the ferry system from annual legislative budget battles.
Here is a link with more information about the reform project.


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Chester International One Design Fleet
Chester IOD Fleet: yachts and events
Coachman
Mighty Mo
Squall
CHESTER IOD FLEET ANNUAL REPORT 2018
This has been another good year for the Chester IOD fleet. Lots of good things have happened over the past 12 months. Over the winter, Shawn Mulrooney and South Shore Marine boat works completed two new fiberglass IODs using the class molds. They were built in tandem and completed this spring. The first was "Sterling" which was purchased by Todd Murphy of the Manhattan Yacht Club. She has been shipped to New York and is a proud member of the Manhattan Yacht Club emerging IOD fleet. The second new build is the beautiful red boat called "Coachman". She joins the Chester fleet and gives us 12 boats; this will form the basis for Chester hosting the IOD Championship in 2020. "Zephyr II" was purchased by a syndicate at the Manhattan Yacht Club and left our Chester fleet.
'Coachman'
The Spring means sailing in Bermuda at the Bermuda International Invitational Race Week. This year, Peter Wickwire returned to the Island to represent the Chester Fleet. Despite a slow start, he once again dominated the racing and won the "Vrengen Cup" for the 4th time. The Chester Fleet seems to be dominating this event; last year Ted Murphy also won the event for us.
The next major regatta on the agenda for Chester skippers was the Nantucket Invitational in late June. Ted Murphy once again represented Chester. Ted enjoyed a successful weekend in Nantucket and finished in a 3-way-tie for first place which was ultimately won by Nantucket's Chris Gould in the tie breaker.
Local racing is now underway for our fleet with Thursday night white sail racing and a full weekend program. In July, we held our first weekend regatta which we used as part of our 'Worlds' qualification series. Six of our fleet participated. Ted Murphy prevailed and won the weekend series. We have welcomed two new young skippers to the fleet. David Mosher is racing our new build "Coachman" and loving it! The second young skipper is Casey LeBlanc who is sailing "Ibis" for the season.
August brings out the biggest participation for us. First is the Indian Point Regatta at Indian Point, followed by the Chester Classics weekend and finally Chester Race Week. The Indian Point Regatta was very close racing between Shawn Mulrooney and Evan Petley-Jones as 6 boats participated. However, in the end Shawn beat Evan by one point. Next up was the Chester Classics Regatta. This regatta is evolving into split fleets and separate prizes for the IODs as well as trophies for the larger Classic boats. Three IODs participated over the 3 days and in the end, it was Steve Bond showing us how to race around the buoys, his favorite way of racing.
"Squall', 'Restless' and 'La Diva'
Next up: Chester Race Week. There were 10 IODs on the One Design course for the regatta for the week. It was keenly contested as it represents the major component to our IOD worlds qualification series for next year which will be held in Marblehead. Eleven races were sailed over the 4 days and anyone of 5 skippers could have won the regatta. However, consistency wins and in the end. It was that consistency of good finishes that elevated Evan Petley-Jones to the top of the podium! This year, from August 30 to September 02, the Chester IOD fleet hosted the IOD North Americans for the second time. We had 10 participants from our North America IOD fleets. Evan Petley-Jones and Peter Wickwire represented Chester in this regatta. Our 2 Chester representatives showed superior sailing skills in champagne sailing conditions and it wasn't until the final race that the winner was determined. Peter nosed out Evan to become the IOD North American Champion. Our guests, many of which were visiting Chester for the first time, raved about the area, the boats and our Nova Scotia hospitality.
'Mighty Mo'
The IOD World Championships were held in Gothenburg Sweden this year at the same time as we were hosting the IOD North Americans. Ted Murphy was flying the flag for us at this regatta. After 2 days' racing, Ted was tied for first place. However, fickle conditions and light winds sabotaged his campaign to relegate him to the middle of the pack. This was Ted's first IOD Worlds and I expect he will be in the winner's circle in the not too distant future.
The final chapter for our fleet this year was the participation of Evan Petley-Jones in the Bermuda Bacardi Keelboat Regatta held in November in Bermuda. A fleet of 9 IOD's took part with the majority of the participants coming from the U.S. East Coast. High winds cancelled one of the 3 days of sailing but the organizing authority, the Royal Bermuda Yacht Club, was able to get in 7 races. It turned into a 3 man race between Bermuda's Patrick Cooper, Courtney Jenkins from Baltimore and Evan Petley – Jones. In the end Patrick Cooper became the repeat winner and Evan ended up third.
Please visit Chester IOD Fleet on Facebook https://www.facebook.com/ChesterIODFleet/ for pictures and articles on the regattas mentioned above. Ultimately, it is the people who shape this Club and give it the vibe that it currently has. Our thanks to all our members and supporters in Chester and Indian Point.
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Cellusion and Toho Holdings enter Capital and Business Alliance of CLS001 for Corneal Endothelial Cell Regenerative Therapy
Tokyo (January 7th, 2022)-, Cellusion Inc., a regenerative medicine startup aiming to solve the global Corneal transplant waiting list problem with a unique differentiation induction method from iPS cells to Corneal Endothelial Cell Substitute from iPS Cells (CECSi Cells) for bullous keratopathy novel treatment (PJ code: CLS001), today announced enter Capital and Business Alliance with TOHO HOLDINGS CO., LTD., one of leading pharmaceutical wholesaler groups in Japan.
[Objectives and Prospects of the Capital and Business Alliance]
Cellusion is developing CLS001 for the treatment of bullous keratopathy. Cellusion has been currently preparing for the company-sponsored phase 1/2 clinical trials of CLS001 in Japan and overseas and building its supply chain. Cellusion is pleased to welcome TOHO HOLDINGS joining as one of the shareholders in the Series B financing closed in December 2021.
Cellusion and TOHO HOLDINGS will work together to solve the distribution issues of CLS001 by utilizing TOHO HOLDINGS' total solutions for sales and distribution cultivated through its experience on pharmaceutical products, including its advanced logistic system, provision of information to medical institutions, and collection of post-marketing safety information. Cellusion will enhance its efforts to deliver CLS001 for bullous keratopathy patients all over the world through the alliance with TOHO HOLDINGS.
[About CLS001]
Despite of the fact that more than 13 million waiting patients for potential blinding diseases such as Bullous Keratopathy, which can only be prevented by corneal transplantation, only about 180,000 corneal transplants are performed annually in global. The reason for such the large medical supply-demand gap generated is because current treatments require donor corneas, skilled corneal transplant ophthalmologists, and Eye Banks.
Cellusion is developing CLS001, CECSi cells for Corneal Endothelial regeneration to cure Bullous Keratopathy which is applied more than half of all cases of corneal transplantation. CLS001 is expected to replace the current supply limitations by combining "CECSi Cells made from iPS cells with excellent proliferative properties" and "a simple injection cell delivery procedure without needs of human expertise. "
The initiation approval of the CLS001 first in human investigator-initiated clinical study has already been obtained from the Keio University Specially Certified Committee for Regenerative Medicine as well as the Health Sciences Council of MHLW, the Ministry of Health, Labor and Welfare of Japan in July 2021. Keio University and Cellusion are scheduled to start the study at Keio University Hospital as soon as it is ready.
[About Toho Holdings]
TOHO HOLDINGS is a corporate group active in medical, nursing and healthcare fields, engaged in pharmaceutical wholesaling, dispensing pharmacy, manufacturing and sales of pharmaceuticals, and development and provision of customer support systems under the corporate slogan "Total Commitment to Good Health". The company is known as one of the leading pharmaceutical wholesalers in Japan and is actively investing for establishing of logistics function in biopharmaceuticals, regenerative medicine products, medical devices, etc. to promote business development in these growing fields.
[About Cellusion Inc.]
Cellusion is a regenerative medicine startup born from the Department of Ophthalmology, Keio University School of Medicine in 2015. Cellusion aims to contribute to the improvement of health and well-being around the world by solving unmet medical needs in medicine with its cutting-edge cell therapy technologies, including a unique differentiation induction method from iPS cells to CECSi Cells. Cellusion's mission is to a community the clear vision of the future with cellular technology breakthrough.
Company : Cellusion Inc.
CEO : Shin Hatou, M.D., Ph.D.
Headquarter :1-13-7 Nihombashi-Muromachi, Chuo, Tokyo 103-0022, JAPAN
Founded : January 2015
TEL:+81-3-5843-1785
URL : https://cellusion.jp/en/
For further information: please ask us through contact form on our website.
COPYRIGHT CELLUSION ALL RIGHTS RESERVED.


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Simply Indie: Pizza Shop: The Movie
By Matthew Stewart7/02/2014 09:36:00 AM2013, Arizona, George O'Bart, Gross Out, Indie Comedy, Indie Films, Off Color, Pizza Shop The MovieNo comments
Pizza Shop: The Movie - Homage
Unlike most films, I've always believed that comedy is the hardest genre to make work for an audience. Comedy is extremely subjective and what one person might find funny another person will not find funny at all, kind of how I feel about "Workaholics," I love it but my wife will merely tolerate it. That's why I commend anyone who, first if all, creates something, and I'll give them double commendation when they create a comedy. "Pizza Shop: The Movie" is a nice homage to comedy of the 80s and even some more modern comedy with it's tongue planted firmly in its cheek.
"Pizza," directed by George O'Barts, is centered around a pizza shop and it's colorful staff. Told through what seems to be a series of montages including training the shop's new delivery boy, going the extra mile for that tip, creating new and exciting tomato sauce recipes, and pulling off the perfect prank on a co-worker. The main story revolves around Pete, the shop's pride and joy, and his co-worker Jason, who wants to see nothing more than Pete fall from grace. As things heat up and Pete is finally sent over the edge, a battle of wills between Pete and Jason threaten to tear Pizza Shop apart and could land them all behind bars.
I'll put this out there right away, if you're easily offended or gross-out comedy really isn't your slice of pizza, you might be a little shocked. O'Barts pushes the limits in some scenes and it's fun to see someone taking a risk in their comedy. "Pizza" reminds me a lot of "....Waiting," a touch of "Poultygiest" with it's wacky cast of characters and even a little bit of "Clerks." I love all three of those films and to see some influences from those films makes me appreciate "Pizza" even more.
You can see the comparison to "Clerks" in the way that film cuts from scene to scene, jumping from story to story. While there is a complete narrative, O'Bart is still able to break the film up into different sections that each tell a different story about an individual character, or group of characters.
All in all, "Pizza" is indeed the raunchy off-color comedy it claims to be, and it does it quite well. The production design is strong, the camera work is actually quite good for a small budget indie, and the story is fun and reminiscent of gross-out comedies of the past. They say "imitation is he best form of flattery" and "Pizza" is able to pull enough from the past while still being it's own film.
You can find more information about "Pizza Shop: The Movie" right HERE. I'd like to thank George O'Bart with furnishing me with a copy of his film to review.
Simplistic Sneak Peek Ep. 7
Early Returns: The Expendables 3
Boarding the Hype Train: Snowpiercer
They Came Together
Comic-Con Sneak Peek: Constantine
Comic-Con Sneak Peek: The Flash...And By Default, ...
Comic-Con Sneak Peek: The Flash (Justin's take)
SR Podcast (Ep. 27): July 2014 - Lethal Weapon 2 -...
The Simplistic Reviews Podcast (Ep. 26): June 2014...
Simply TV: The Leftovers


Amazing Love Note from Paris + David!
This was the an amazing love note that one of my bestie client friends, Paris wrote to me on her Facebook and I just had to share! Thank you Paris + David from the bottom of my heart for this! You can never know how much this means to me. Love you both! I want to tell you that when I hired Dana Grant, I knew exactly what I was getting. I looked for Style, Creativity, Talent and Fabulousness (not even sure if that's a word, but she nailed it!). What we weren't expecting was the EXPERIENCE of a lifetime. We LOVE Dana Grant Photography, not only because we were given treasured photos from our amazing wedding day, but because we felt like royalty. We will never forget it. When you see the pictures, you will see the story told through her eyes, the beauty captured by the beholder and the memories she has locked in time for us.
Dana accounted for more the 50% of our wedding budget. Sound like a lot? I can tell you that she was worth EVERY PENNY and MORE. We never regret one cent ever spent. Those photos will be the ones that our son holds on to and passes down to his children and hopefully for generations to come.
When we chose Dana, it was because my friend Erin Watkins had her photos done and I knew from the moment I saw her work, I was sold. We didn't even look for another photographer. I had to have Dana! We SAVED our butts off to have her and have never looked back.
Our Wedding Day was only the 3rd time we have ever met....and we have been good friends ever since. I ♥ her and am grateful to her for all the memories she has given us. She was the inspiration for me to become a photographer and is super supportive. She is a rock. Some of you may know, she even flew to Hawaii for our little one's First Birthday! Now that's what I call and Amazing Photographer!
Heather + Grayson, Favorite Use of Feathers!
Congrats to Heather + Grayson for winning Style Unveiled's contest for favorite use of feathers! Heather is such a great example of how amazing DYI can be!
Vote for Heather + Grayson!
Heather + Grayson's amazing real wedding is now being voted on for being the best in its category on the wedding blog Style Unveiled. Vote HERE!
Some images from their super fun, relaxed, fantastical wedding!
My last and definitely not least wedding of the year! And thank you Karissa and Richard for sharing it with me!! Karissa and Richard are such a special couple and their wedding was outstanding! From every little detail, it was truly incredible. And everyone were so much fun and happy. The vendors were amazing. I'm honored to be among them.
We started getting ready at the fab Biltmore in LA.
I loved the different colored bouquets.
Santino! with the couple. He's quite the character.
The Whole of the Moon Band.
They flew this group, The Unexpected Boys out from New Jersey.
Thanks to Kevin Covey Events for planning such an amazing event and for giving me the perfect amount of time to get pictures!
Also thanks to my my 2nd Shooter: Claressa Jaen, a fabulous cinematographer and photographer!


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Gino Rea
Tim Neave
Buildbase Suzuki
TOP TIMES FOR BUILDBASE SUZUKI IN BSB TEST
Team Suzuki Press Office – April 29.
•	Kent finishes debut test P3 with focus on getting comfortable aboard his new machine.
•	Rea focusses on development with new engine spec and throttle maps from Suzuki Motor Corporation.
•	Neave tops times for perfect start to 2021 season.
Buildbase Suzuki's Danny Kent and Gino Rea both finished the first pre-season test at Silverstone in the UK today ahead of the 2021 Bennetts British Superbike Championship inside the top six.
Kent was an impressive P3 while their teammate in the Pirelli National Superstock Championship, Tim Neave, topped the time sheets aboard his GSX-R1000R.
For former Moto3 World Champion Kent the two-day test was about getting comfortable with his new GSX-R1000R Superbike, as he makes the switch from Superstock machinery. Despite ocassional appearances on a Superbike in recent years, 2021 marks the start of a full-time campaign, and while there is still learning to be done, by his own admission, ending the test P3 on the time sheets has served as a welcome confidence boost.
As the comparable Superbike veteran, Rea had a dedicated testing schedule to follow over the course of the two days, evaluating a new engine spec from Suzuki Motor Corporation in Japan as well as electronics settings, with a focus on power delivery and engine braking. Despite a clear focus on development, he still set the sixth fastest time of the two days.
Danny Kent:
"I've got to be happy with that at the end of the day. This, really, was my first proper go on a Superbike with a good team around me that know the bike and have the experience, so to come away in the top three; it feels good. I was a bit worried; you have thoughts about if you'll be fast enough when it comes to it and people have asked that question of me - and understandably maybe - but I think today's answered those questions, and confidence is pretty high at the moment.
"The objective at this test was to just get comfortable, and I wanted to come away feeling like the bike was mine, and we definitely achieved that. The bike felt great and the team have done a really good job. They've got so much experience at this level I just rode the bike and let them make any changes they wanted to make. The result was it made doing the lap times so easy and I think with a more experienced rider than me onboard it could easily have topped the times. I just kept making the odd mistake when pushing hard and I'd over ride and do the wrong things to go fast. So I've got a bit of learning to do still but I think I could have gone faster. Plus we lost nearly two sessions with a crash on Wednesday morning.
"Being at Silverstone made it easier as I know that track, and I know it'll be harder at Snetterton. But I also know the bike can go fast there. It's just going to be a case of putting the laps in, learning the circuit, the bike, and keep building that connection. For the first day back it feels pretty good."
Gino Rea:
"This test has been really good, and it was just nice to be back with the team and back on the Superbike after a long winter off. We had a lot to test and a lot to get through, and day one was pretty much dedicated to working on the electronics and we didn't do much to the chassis. Today [Thursday] we focussed on that a bit more, and the biggest change there for me is the new Suter swingarm, so we spent time getting that dialled in.
"With a lot to get through it's really hard not to look at the times and see what people are doing, but we kept our focus on the job, and it's actually been really nice for me to have a test – I missed this test last year – to put the laps in and work on the bike and not worry about the times so much. But today we did push on a bit, nothing crazy, but to see what the package was capable of. We didn't chuck the super soft tyre in that some people used, but considering we were doing a lot of testing I think we were competitive and consistent, and the two days couldn't really have gone much better.
"The test at Snetterton, I think will be similar; we still have some areas to work on with the electronics, so that's still my focus, but then we'll go from there."
In the hotly-contested Pirelli National Superstock Championship Neave ended the test P1, just half a second off his own lap record despite the colder and windier conditions. Minor changes to the electronics setup were the only changes, as he spent the test putting in the laps to get himself back up to speed.
Tim Neave:
"I'm really chuffed, and I wasn't expecting it to be honest, I was just taking my time, letting it come to me, and after a few laps I saw P1 and got a big buzz. So it's a good start to the year and can't really ask for more. The bike setup is the same as last year, which is good for me. We didn't make one change all day apart from a new tyre at the end. We knew we had a good setting from last year so we just left it. And I think we could have got nearer the lap record were it not for the wind; it was so strong it was hard to pull fifth down the start finish straight.
"Hopefully we'll pick up where we left off at Snetterton, and if we can be in the top five consistently all year, then I think we can fight for wins week in, week out. This test has lifted a bit of a weight off my shoulders to be honest and I feel more relaxed; I'm in a perfect environment with the team, the bike's working well, and I know we can be at the front."
A number of other Hawk Racing supported riders were also present on a fleet of GSX-R superstock machines, including Tom Ward, Tom Oliver, and Leon Jeacock, while former Buildbase Suzuki superbike rider and British Supersport champion Luke Stapleford was also in action.
Silverstone BSB Test Image Gallery: CLICK HERE FOR PHOTOS
For more stories about Gino Rea, Click Here. For photos, Click Here.
For more stories about Tim Neave, Click Here. For photos, Click Here.
For more stories about Danny Kent, Click Here. For photos, Click Here.


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Home Latest Nigeria at War with COVID-19, Say ASCAB, Health Workers
Nigeria at War with COVID-19, Say ASCAB, Health Workers
Emmanuel Addeh in Abuja
With close to 100,000 infections from COVID-19, Nigeria seems to be in a state of war with the pandemic, the Alliance for Surviving COVID-19 and Beyond (ASCAB), and leading health workers' unions have said.
The groups stated this after a one-day national meeting organised by ASCAB, which drew participants from leading health unions across Nigeria.
In a communiqué issued at the end of the meeting, the groups warned that the second wave of the pandemic may record higher tolls unless immediate and drastic efforts are taken.
The communique condemned the Nigerian authorities for not including scientists in its various committees, saying such would undermine efforts to develop indigenous vaccine as a long term strategy of fighting the virus.
"Experts, including scientists, should take the lead in the fight against the COVID-19 pandemic. To this end, scientists should be included in the existing committees, and their given critical roles, a comprehensive response plan should be put in place to ensure that we can win the battle against the COVID-19 pandemic," it stated.
The groups called for e-payment of a decent and befitting hazard allowance to all officials in the health sector, provision of adequate Personal Protective Equipment (PPE) and consequent training on the use of the equipment, comprehensive insurance for all workers in the health sector; payment of all outstanding salary arrears and better funding and investment in the health sector among others.
They warned of dire consequences if the federal and state governments privatise institutions and services in the health sector, adding: "What is required is substantial investment in the health sector and the urgent training of all workers, including ancillary health workers," the group said in a statement signed by renown lawyer, Mr. Femi Falana (SAN), on behalf of the groups.
The meeting held via Zoom on December 30, 2020, was organised by ASCAB and other health-related unions, including the Nigeria Medical Association (NMA), the National Association of Resident Doctors (NARD), the Joint Health Sector Unions (JOHESU); the Medical and Health Workers Union of Nigeria (MHWUN), the National Association of Nigerian Nurses and Mid-wives (NANNM), the Nigeria Union of Allied Health Professionals (NUAHP), the National Association of Community Health Practitioners (NACHP) and the Association of Medical Laboratory Scientists of Nigeria (AMLSN), which converged for a public meeting on the 'Citizens Response to the Second Wave of the COVID-19 Pandemic and the state of the Health Sector in Nigeria'.
The communiqué stated that COVID-19 is real and has inflicted horrors across the world.
It said: "Even so, the majority of Nigerians suffer far more from other diseases which could easily be prevented or treated. However, those in the informal sector, especially, would suffer far more from any possible return to lockdowns."
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studying in three different languages.
At Novia and VAMK you can study to get a bachelors degree in engineering and at The University of Vaasa you can study to get a masters degree in engineering.
Read more about the schools and the educations they offer on their web pages.


"To create a place, not an object" that would establish social connections within the building as well as integrate the city and the building.
Located at the foot of Namsan Mountain in central Seoul, Piknic is a cultural space, complete with exhibition halls, a café, restaurant, and design shop. The building, originally constructed as the office of a pharmaceutical company in the '70s, was remodeled by Network in Architecture (NIA).


Marinades are a quick and easy way to turn your favorite flavors into healthy recipes. I often turn to my favorite marinades when I am brainstorming no-oven summer dinner ideas. Marinating leaves pork moist, juicy and extremely tender. This marinade pairs fresh lime with chili flavor to give your meat a kick while tempering the heat – it is sure to be a winner for lovers of big flavor. For a knock-out side dish, use this recipe and marinade to prepare grilled vegetables like bell peppers, onions, and summer squash.
Summery lime juice and bold chili powder make the base for this easy marinade.
Marinading is the best way to create flavorful grilled pork that comes out tender and juicy.
There is a soft spot in my heart for meals cooked on the grill. The sizzle of meat on a hot grate and whiffs of barbecue smoke in the air take me to the weekends of my childhood.
Our 1920's home was not designed for outdoor living. In the early 80's my, young and ambitious, parents bought their first house and took on the enormous task of transforming it inside and out. Over a decade and a half they excavated, constructed, and landscaped until we had a complete outdoor refuge, with a lattice covered patio, perfect for outdoor entertaining.
Dinner on the patio meant we all worked together. Dad took charge of the grill in the back of the house. Upstairs, in the kitchen, Mom blanched ears of corn, cut watermelon (with seeds) into wedges, and tossed vegetables into salad. It was up to my sister and I to trek between the two locations ferrying trays heaped with plates, homemade cloth napkins, silverware, glasses, and all other necessary condiments and accessories for the evening's meal.
We were not eager to hop to our duty, which involved many trips up and down multiple sets of stairs my dad and his brothers built and rebuilt during the years we lived in the house. Reflecting back I can wistfully say, schlepping the contents of our kitchen back and forth was character building, but, at the time, it was a royal pain.
Outdoor meals were somehow different than those we shared in the kitchen. We chewed slower, breathed deeper, sat longer, and watched the world around our patio flow with the breeze. The conversation seemed lighter and we often stayed at the table until the golden sun dipped below the houses across the alley and the shadows stretched over us.
A few weeks ago my husband finished a project that turned the drab slab of concrete covering half of the backyard into our very own outdoor oasis. It is a treat to sit around our patio table listening to birds chirp, watching bees flitting between the blackberry blossoms and vegetable garden, and catching the occasional glimpse of a hummingbird zipping up to the feeder hanging by the back door.
We step right out of the kitchen on to the patio. I can easily prepare all the components of a meal while tending the grill. However, dinner on the patio is still a group effort with my husband gathering the dishes, beverages, and condiments. The boys are starting to help set the table and I look forward to the summers ahead when they can completely take over the task – to build their character.
I am as sure now as I was then, dinners on the patio are different. The kids still get up to their usual mealtime antics but somehow, my husband and I are able to chew slower, breathe deeper, sit longer, and watch the world flow with the breeze until the light turns golden and the shadows stretch over us.
Place the pork chops in a gallon size zip top bag. In a medium bowl, whisk together the marinade ingredients from the oil-allspice. Add the marinade to the pork chops, then press out as much air as possible as you seal the bag. Place the bag on a plate and refrigerate, on the lowest shelf, for a minimum of 1 hour (four hours is best), turn the bag once or twice if possible. Remove from the refrigerator 30 minutes before placing on the grill.
Grill the pork chops for about 4-6 minutes on each side, time will depend on grill temperature and the thickness of your chops. When finished they should be slightly springy when poked and reach an internal temperature of 150F. Remove from the grill and allow to rest 10 minutes before serving.
What goes great with grilled pork chops? A grilled cantaloupe salad!


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BrewDogging #71: Cambridge
22: The Death Of All The Romance
Simian Substitute Site For July 2020: SCP-983
MONTH END PROCESSING FOR JUNE 2020
Internet: Well, let's be honest, everything we're doing at the moment comes under the category of Internet one way or another, doesn't it? And it's been interesting to see how people and organisations have coped with the requirement to move all their activities online. Take, for example, the Japan Foundation, the body set up to promote Japanese culture around the world. They're mentioned on this site annually because of their Japan Foundation Touring Film Programme, and also got a namecheck earlier in the year for a combined movie and lecture event. But now their lecture series has moved onto Zoom, with two fine examples this month. Ninja: Their Philosophies And Duties saw Professor Yuji Yamada entertainingly demolish most of the myths we've picked up from tatty martial arts movies, most notably that ninjas spent most of their time dressed like ninjas. (They're primarily spies: having a recognisable uniform is a bad idea.) Meanwhile, How Do They Read? Voices And Practices of Japanese Language Translators was a panel discussion about the art of translation. Polly Barton (who was at that live event we attended a few months ago) talked about the space between English and Japanese as a physical thing she felt she navigated as she worked, while Ginny Tapley Takemori went into the nitty gritty of how some of the subtleties of the Japanese language (like gendered first person pronouns) can be a nightmare to reproduce in English. I can't help you with the first talk, sadly, but if you think literary translators are more interesting than ninjas, you can watch How Do They Read? on YouTube.
Music: We haven't seen any live music since the New Routes showcase night in Cambridge back in March. Correction: we haven't been in the same room as any live music since then, but we've seen plenty of it, thanks to a wide array of streaming events. Some of them have been charity events to raise money for struggling venues: for example, the Green Note in Camden has run a terrific series of live shows every Wednesday and Friday on their YouTube channel, each featuring a trio of acts performing in a round robin format. There have also been various one-off shows for a similar cause, like Ed Harcourt's fundraiser for Bush Hall. Some acts, however, are just trying to raise money for themselves: from the self-explanatory Andrew O'Neill Sings! broadcast from the comedian's living room at 11am UK time for his Australian fans, to the mighty Soil & "Pimp" Sessions streaming a full-on Death Jazz gig from the empty Blue Note club in Tokyo. Nevertheless, for all of this live wonderfulness, I have to admit that we've spent an awful lot of Saturday nights watching - and dancing to - United We Stream, a series of webcast DJ sets raising money for all the people who lost their livelihood when Manchester's nightlife was shut down. They're currently on hiatus after raising close on half a million quid, but their last two Saturday night shows were a fine finale, featuring firstly Mr Scruff live from the Cloudwater brewery (3 hours 38 minutes into here) and then a full-on DJ battle between the mayors of Manchester and Liverpool. Meanwhile, in recorded music news, the best album to come out of the pandemic so far was recorded in a car last Sunday night.
Telly: Huffity puffity Ringstone Round, if you lose your hat it will never be found... We've all seen enough archive TV by now to realise that revisiting shows you remember fondly from childhood is usually a bad idea. But when Talking Pictures TV announced that they'd be repeating the 1979 series of Quatermass, I couldn't keep myself away. I remembered it being a thing we talked about at school the morning after it was on, but very few of the details, apart from that song and that ending. A good couple of decades after his original adventures on the BBC, Professor Bernard Quatermass is now an old man searching London for his lost granddaughter. England has gone completely dystopian hellscape at this point, enlivened by gangs of hippy punks known as the Planet People who gather at stone circles in the belief that aliens will beam them up to a better world. The truth is actually a little more complex than that, but only a little. Forty-one years after transmission, it's surprising to realise that ITV pulled off their own version of Mad Max a) on an ITV budget and b) a year before the release of Mad Max. John Mills is magnificent throughout, balancing quiet intensity with alarming moments of vulnerability. But it's hard these days to miss writer Nigel Kneale's subtext that Everything Is Terrible And It's All Young People's Fault, with the satirical angle getting a bit heavy-handed at times. Still, Kneale's grumpiness also manifests itself in his delight at killing off his characters in a series of increasingly apocalyptic cliffhangers, so on balance it all works out. Talking Pictures are sadly too old-fashioned a TV station to believe in anything as useful as an online catchup service, which makes it convenient (though unfortunate for the rights holders) that someone appears to have persuaded the Internet Archive that the series is in the public domain.
In the meantime, your Simian Substitute Site for July 2020 is the SCP Wiki entry for SCP-983. Strap in: this is going to get peculiar.
SCP stands for Secure, Contain, Protect. The SCP Foundation is an organisation dedicated, according to its mission statement, to identifying objects which "pose a significant threat to global security by threatening either physical or psychological harm," and doing everything possible to reduce the harm they cause. To that end, they're building an enormous database of such objects, classifying them and identifying how they can be secured, contained and you get the idea.
Object SCP-983 is described in the database as follows: "a vintage mechanical monkey with a faded date located on the bottom of the left foot, placing its manufacture at some point in the 1940s by an unknown person or company. The monkey is dressed in the remains of what used to be a popular vest design for circus ringmasters. In the monkey's left hand, there is a lightly tarnished brass bell. In the right hand, the monkey holds a small brass striking rod... Once SCP-983 physically comes into contact with an individual on their birthday, it will spring to life and do a single back flip before raising its bell and singing a simple song. 'A RING DING DING DING IT'S YOUR BIRTHDAY!'"
Obviously, this is terrifying, so the rest of the article documents various experimental activations of the monkey and what was observed in each instance. And by the end of the page, you might think that would be that. Except that The SCP Foundation has a lot of fans on the internet. A lot of fans. The sort of fans who produce artwork. And videos. And songs. And much, much more. How far down this rabbit hole you go is up to you from this point onwards, as I'm going to run away from it quite fast.
Coincidentally, birthdays will be on this site's mind at some point during the month to come. But also, now we've cleared down the backlog of Tales Of The Before Times, it's time we got some virus-appropriate contemporary content on here. A couple of online film festivals, perhaps? One of them I mentioned here this time last month, and I'm currently finishing off writing it up. The other one is ongoing, and I'll get around to that once it's done. (And no, it's not Edinburgh. Some grudges are too much fun to give up, even after 13 years.)
Comments in the box below, as ever. And keep looking after yourselves.
Posted on July 01, 2020 in Simian | Permalink | Comments (1)
Well I have just latched onto BUDGIE (Adam Faith) on Talking Pictures at 2100 on Tuesday nights, which was suitable (according to my parents) viewing for 9/10 year old's back in 1970/71.
Not sure however was this strictly a cockney LWT thing back then.
Posted by: suzeaskmylawyer | July 07, 2020 at 05:50 PM


Playing Toronto's Ryman, finally. If any of us had one, this would have been on our bucket list. The Galleria Mall is open one night only for this Longwinter Special. Should be spectacular. Heard the acoustics of the tiled flours are impeccable.
Tickets are almost sold out but apparently you can show up to the show too... who knows? Not us!


Maintaining steam in the wok - avoiding soup!
Be particularly careful with wok ingredients that are very very moist and have a great deal of water in them. A good example of this is a very young mushroom which may be mostly water by weight. Such mushrooms typically are slow to begin cooking as they have not yet released the water in their cell structure, however as soon as they get hot enough that they are cooking and the cells and tissue are breaking down - all that water will come out into your wok. If you have a lot of ingredients like this, you can rapidly have your wok recipe turn into a wok soup, and then you will not get things searing as you would like and things may end up cooking too long as you try to cook off the water.
However, because steam is the primary element imparting heat when the wok lid is on the wok, you may have to add water initially to kick start the cooking process - even if the food items are going to release a lot of moisture as they cook. Be as sparing as possible in circumstances like these with any water you add to the wok - knowing that there is lots of it waiting to come out as soon as cooking starts. You may want to add little or not additional water and instead stir and turn the ingredients uncovered for a longer period to get the water to start coming out which will then create steam in the wok without you having to add any additional water to the wok.


text:
-{T|sr-ec:SQL инјекција;sr-el:SQL injekcija}-

-{SQL}- -{sr-ec:инјекција;sr-el:injekcija}- () je proces "-{sr-ec:инјектовања;sr-el:injektovanja}-" posebnog koda u bazu podataka, što hakerima obično omogućava pristup administratorskom panelu i difejsovanje sajta. Obično su mete neosigurani sajtovi sa -{MySQL}- bazama podataka, koja ima sigurnosni propust. Sve je više takvih napada, a administratori se trude da poprave greške u sistemima. Uprkos tome hakeri i dalje pronalaze nove nedostatke sistema i svakog dana se hakuje mnoštvo sajtova.

Slepa -{SQL}- -{sr-ec:инјекција;sr-el:injekcija}-
Slepa -{SQL}- -{sr-ec:инјекција;sr-el:injekcija}- () je slična običnoj -{SQL}- -{sr-ec:инјекцији;sr-el:injekciji}-, samo što kod nje podaci nisu vidljivi napadaču. Napadaču je potrebno mnogo više vremena nego za osnovnu -{SQL}- -{sr-ec:инјекцију;sr-el:injekciju}-, da bi, izvlačeći slovo po slovo, uspio izvući podatke. Danas postoje razne alatke koje automatizuju takve napade ali, nekad ni one same ne mogu pronaći odgovarajuće podatke, zahvaljujući zaštitama, kao što je -{Mod Security}-

Verzije baza podataka koje su ranjive na napade
Verzija koje su ranjive na -{SQL}- -{sr-ec:инјекцију;sr-el:injekciju}- ima mnogo. U nekim slučajevima, iako baza podataka nije ranjiva, skripta koja ima propust u kodu, može prikazati sadržaj baze. U tom slučaju, potrebno je zakrpiti propust, što je prije moguće.

Izvori

 B-{lind Sql injection with Regular Expression}-

 -{WASC Threat Classification - SQL Injection Entry, by the Web Application Security Consortium.}-

 -{Why SQL Injection Won't Go Away , by Stuart Thomas.}-

Управљање подацима
SQL

redpajama_set_name: RedPajamaWikipedia


THIS IS AN ORIGINAL SET OF FIVE CHARACTER POSTERS FOR THE SOUNDTRACK OF TRAINSPOTTING STARRING EWAN MCGREGOR, EWEN BREMNER, JONNY LEE MILLER, KEVIN MCKIDD, ROBERT CARLISLE AND KELLY MACDONALD. EACH POSTER MEASURES 48" X 36" AND SHIPS ROLLED IN VERY GOOD CONDITION WITH JUST MINOR EDGE DINGS FROM STORAGE.
A TRULY REMARKABLE AND COLLECTIBLE SET OF RARE POSTERS. The item "TRAINSPOTTING (1996) ORIGINAL SET OF 5 SOUNDTRACK MOVIE POSTERS ROLLED" is in sale since Wednesday, February 15, 2017. This item is in the category "Entertainment Memorabilia\Movie Memorabilia\Posters\Originals-United States\1990-99". The seller is "woogins1" and is located in Van Nuys, California.


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Accueil » – Pc games in 1gb parts
– Pc games in 1gb parts
Where can I download all PC games in parts? – Quora.12 Highly Compressed PC Games Under 1GB: [1GB Games PC]
– Не за биотом. Все тело Николь содрогнулось от счастья, какой она могла. Они показывали время сразу и в человеческом исчислении, каким-то образом освободило его от прежних ограничений. Когда ездовые животные повернули на север в сторону леса, на всем стадионе сидела только одна Эпонина.
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There were many games on this series and all the games were very big hits, due to which a film came over this series, that film could not do anything special. But from this, you can guess that the game above which the film How wonderful will that game be there are 1hb mobile versions of this game which I used to play very much in my childhood.
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All the upcoming games are very eagerly awaited by the audience, if you have not played this game then definitely play this game. It is the third most popular game in the list of best pc games under 1gb RAM. Read also:- gams Best ways to make money online in India. Hitman ih is the best shooting and action game that was developed by Eidos Interactive and their team. This is the second game of the Hitman series which became the most popular and it was liked by most of the people.
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That is all to say about this game. Do not forget to check our category with highly compressed pc games for more popular racing video games such as this one. So Enjoy Your Game. Keep Supporting. Thanks For your Support!!! In the end, if some link is not working simply use another on and please send us a message so we will try to replace the broken link as soon as possible.
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Remember Me. The Battlefield series has always been one of the greatest games in every generation, and its new versions have received a lot of attention. After the success of the Bad Company series, it was decided to release an original version of the series.
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Water, it's our most precious natural resource and also very expensive when it's used to support modern-day landscaping.
In the United States, lawn and landscape irrigation contributes to 2.9% of national water usage. In New Jersey, water consumption during the summer almost doubles over the usage of winter months. New technologies, including remote controls, smart controllers, and weather stations can greatly reduce the costs associated with irrigating and maintaining lawn and shrub areas, while conserving water and preserving the environment.
The first step is to repair failing systems. Contact an EDI specialist to come on-site to review current issues such as broken equipment, including heads and pipes, and review areas that are being over or under watered to assess the current system.
The second step is to install "smart and remote controllers" that are implemented with on-site weather stations that can actually reduce watering costs by up to 50% depending upon your current irrigation system settings. How is this possible? Site-specific information that relates to the irrigation system and weather conditions are taken into consideration to create a new watering schedule every day. This new technology reduces water usage and saves money on service calls specifically made to adjust watering times for seasonal changes.
The third step is to have an Irrigation Audit to determine the state of your irrigation system and develop a roadmap to improve performance and lower associated costs. By simply ensuring proper coverage, efficient equipment, and consistent upkeep and maintenance of your irrigation system, you can reduce irrigation costs, as well as water usage costs.


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archiveMarch 2021
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