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Q: .NET SCTP implementation I'm looking for a .NET implementation of the SCTP protocol.
A component or a C#/F# source code would be preferred, however if no such thing is available a VB.NET source code could probably work too.
The project I'm working on is targeting the .NET Framework v3.5 but anything that works with .NET v2 to v4 is welcome.

A: A .NET 4 assembly now gets installed with version 1.1.6 of SctpDrv; it provides an API that's similar to the Socket class but with new methods for SCTP.

A: I think you can use SctpDrv.
From the link
"SctpDrv is provided as a kernel driver which contains the SCTP stack. A Winsock provider dll is registered with Windows and gets called whenever an application wants to send data over SCTP. This way, the functionality is provided transparently to applications: IPPROTO_SCTP is just another protocol available in the socket (WSASocket) function call. The SCTP specific functions such as sctp_send are provided by linking to sctpsp.lib. "
I hope it helps.

A: I'm not sure if this helps you, but an alternative with some similar features to SCTP is the Lidgren Network library (C#, user-space component, custom protocol based on UDP).

A: I wasn't able to find anything in C# but there are some implementations in C++ and Java on SourceForge.

redpajama_set_name: RedPajamaStackExchange


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Boys Varsity Football · Oct 22 After serious injury, North Dallas freshman is back on sidelines to support his teammates
North Dallas coaches Leon Brigham (from left), Fred Johnson and Matthew Clay, along with teammates J'Vonn Hanson, and Trent Heard were among the visitors at Luis Rayas' home. Luis was injured Sept. 27 against Carter.
Freshman Luis Rayas is wearing his No. 31 jersey at the North Dallas football games. He can be seen sitting or standing on the sidelines at the games, showing his support for his Bulldog teammates. Luis isn't able to play because he's recovering from a "spinal cord bruise."
"I got to do it. Team, team," Luis said, walking slowly next to his mom, after Thursday's game against Wilmer-Hutchins.
Luis was involved in one of football's scariest moments on Sept. 27 during the third quarter of the North Dallas vs. Carter game at Franklin Field. He said he saw the Carter Cowboys running back going up the middle. He turned around and made an awkward attempt to make the tackle. But the Carter player's knee hit him in front of his helmet.
Luis just laid there. He said he couldn't get up. Team trainer Nicholas Saldivar and Dr. Luis Palacios checked on him. The game was delayed for a half hour or more, and the number of people surrounding Luis began to grow. His mom was at his side. An ambulance was called, and Luis was placed in a stretcher and taken to the hospital.
Saldivar said Luis was awake at the time and there was numbness on his right side. He was taken to Presbyterian Hospital that night, and then to Children's Medical Center on Sept. 28. He was released on Sept. 29 with a neck brace. He was able to walk and would be able to attend school the following week.
At the game against Hillcrest on Oct. 12, Luis sat on the bench wearing the neck brace. He was standing in his No. 31 jersey during the Wilmer-Hutchins game last Thursday.
"Everything is going right now better," he said after Thursday's game. "I can walk better and straight. I feel better. The neck brace came off Tuesday. I'm catching up on my grades and classes. Everything is going straight right now."
Luis Rayas (31) talks to Jaylen Newhouse as they watch the action against Wilmer-Hutchins.
On Sunday, Sept. 29, Luis talked about the play as he sat in his hospital bed at Children's Medical Center. He was watching the Cowboys-Lions game on TV, and was waiting to be released later that day.
"I was going for the tackle," he said, recalling the play. "I saw his knee on my neck. My neck just popped. When I tried to get up, my right side was like, hey, I couldn't move my right side. My whole body was wearing down.
"A lot of things went into my head. I thought I was going to die for a second."
The 14-year-old recalled that moment after the tackle.
"I was numb for a second. I couldn't feel my right side," he said. "I was trying to get up, and shake it off. It was just a hit and I'm going to get back in and make another tackle. But when I tried to get up, I couldn't feel my right side. So, the whole right side went down, I couldn't get up. I couldn't move at all. I could move the left side but the right was just off."
Luis said he wasn't scared playing linebacker against the bigger players from Carter.
"When I saw that they were big, well, they're big, and I was going to go for their legs," Luis said. "I always try for the legs. I wasn't really scared. A tackle is a tackle. Just get up and make another tackle. But that tackle was the last tackle for the whole season."
Luis was feeling better and was able to walk the next day, Sept. 28.
"I can feel my right side a little more. The strength is coming back," he said Sept. 29 at at Children's Medical Center.
Luis Rayas was preparing to go home from the hospital on Sunday, Sept. 29.
For North Dallas head coach Fred Johnson, the injury is an eye opener.
"In the second half, Luis got hurt and the kids played for him," Johnson said after the Carter game. "It was a moment where as a coach, you got to understand that this is somebody's child. This sport is about family and it hurts. My thoughts and prayers go out to the family."
Luis said he will be going to physical therapy and the recovery could take a "month or two" or longer. The therapy will include treatment to his right arm and right leg.
Luis was proud to be playing varsity football this season as a freshman. He filled as a kicker against Fort Worth Diamond Hill-Jarvis. He also got more playing time when the Bulldogs lost linebackers Franscisco Garcia, Cinqué Lampkin and Terrell Carter to injuries.
Asked on Sept. 29 what he would like to say to his teammates, Luis said, "I'm doing way better than Friday. I can feel my right side. I can move them now. I can walk way better. I'm progressing little by little but next thing you know, I'll be over there at school. I will be showing up at the games, not playing, but showing up to support them.
"Thank you to my teammates who came to support me, and for everyone who had me on their prayers. For the coaches who where there with me when all of this happen. But most of all my family who was by my side."
The Bulldogs play Pinkston at 7:30 p.m. Friday at Loos Complex in the Homecoming game.
Freshman Luis Rayas received a visit from his teammates J'Vonn Hanson (left), Trent Heard (right) and Hanson's mom at Children's Medical Center. (Photo provided by Cinthia Rayas)
By Gary Pina on Oct 22, 2018

redpajama_set_name: RedPajamaCommonCrawl


Amerishade was released in approximately 2002. It is a warm season turfgrass.
Amerishade spreads horizontally with stolons.
Amerishade can be established by sod, plugs, or sprigs. Sodding is by far the most common method. Plugging is sometimes used in smaller areas for patching in or refurbishing. Sprigging is most often done on sod farms when establishing a new field.
Amerishade does not produce a viable seed.
Coarse, but finer than many other St. Augustine varieties.
It is considered a "dwarf" cultivar.
Amerishade has very good shade tolerance.
Mow at a height of 1 1/2 to 2 inches with either a rotary or reel mower. Its slower growth rate means less frequent mowing.
Amerishade has poor cold tolerance. There are reports of serious winterkill during cold years.
Amerishade has good heat tolerance.
Amerishade will grow on a wide variety of soils. Its preferred pH range is 6.0 to 7.5.
There are many variables that can affect drought tolerance and watering requirements. Generally speaking, Amerishade is probably in the moderate range. It will usually require more frequent waterings to maintain vigor during dry spells, so an irrigation system is usually recommended.
Amerishade could be considered moderate in wear tolerance. Because of its slower growth rate, it is slower to recover from injury.
When healthy, Amerishade is very competitive with weeds because of its horizontal growth. There is more pressure from weeds when it has been injured because of its slower growth rate.


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Vaclav Havel's Film, Odchazeni (Leaving)
(posted by Greg)
The film version of Vaclav Havel's play Odchazeni (Leaving) – directed by Havel himself – premiered here in Prague a few weeks ago. I hadn't had a chance to see the play, which Havel wrote in 2005 and which has been the only play he's written since turning to politics in the wake of 1989. I was quite interested in seeing the film, in part because Havel's political career, to the surprise of those who knew his earlier work, has taken such an "establishment" turn. He has not only fully backed the policies of the world's sole superpower but, in addition, the politics of some of its most conservative, and powerful, political groupings (such as the neoconservatives). Thus, he fully backed the United States invasion of Iraq, the stationing of American soldiers and radars on the soil of the Czech Republic as a part of a Star Wars anti-missile system (and opposed the holding of a referendum on the issue), and has refused to condemn the American policies and practices in the prison camp at Guantanamo Bay. How then, would this film, which was about the chancellor of an unnamed country leaving office, as Havel had just done, play out, given Havel's continuing accommodation to the kind of establishment forces that he treated so ironically in his earlier plays? Curiously, in the play, no accommodation is made to these forces at all. It is in fact quite savage in its treatment of all the compromises and deceptions that one must make to keep one's position in the world of establishment politics. Havel does this quite brilliantly, and the fact that he utilized the best traditions of Absurdist Theater and the Theater of the Grotesque to accomplish this goal was quite gratifying for an irrealist such as me.
But the film does raise the question as to whether Havel, who continues to this day to play the same political game (now in the role of the revered ex-President statesman, very similar to what the protagonist in Odchazeni, Chancellor Vilém Rieger, was aiming for) that he so savagely condemns in the film, might not be a terribly conflicted person.
irrealcafe	Films, Plays	1 Comment May 1, 2011 May 1, 2011 1 Minute
Revolt of the Means Against the Ends
In the citation that appears on the homepage of The Cafe Irreal, Jean-Paul Sartre describes how, in a particular cafe of a fantastic nature, the "means" (e.g., cups of coffee) rebel against the "ends" (i.e. the purpose for being in the cafe), making the world topsy-turvy for the cafe's patrons. In fact, the setting of his description and the irreality that follows from it inspired us to name our publication The Cafe Irreal. I have been thinking of this citation as I've watched a strike (and the reaction to it) unfold in Tucson, the city to which I've returned after my recent trip to Prague. Specifically, the bus drivers and mechanics here have gone on strike over the city's reluctance to guarantee a certain level of job security, and the reaction of some members of the public to the strike is, true to form (I have noticed this during other strikes), similar to the way the patrons in Sartre's cafe would have reacted. That is to say, they are astonished and appalled that this "instrument" (e.g., the workers) who normally fill their assigned role of being a means to end (in this case getting from point A to point B), have suddenly refused to fulfill this function, causing some people's world to go topsy-turvy. (Many other people who ride the buses are sympathetic to the drivers, and their main concern is how to get around now that their primary means of transportation has been disrupted.)
Of course, the scenario I'm describing here in Tucson, unlike Sartre's fictional cafe, isn't irreal: it may be a rebellion by what some people would regard as the "means to an end," but in this case the means are human agents seeking a comprehensible end (job security), and thus lacks the irreality of the rebellion Sartre describes. In this very specific way the strike here plays out rather more in the way that the worker's rebellion played out in Fritz Lang's 1927 film Metropolis, though with vastly less melodrama and action. That film – which is currently featured in an exhibition at the University of Arizona Museum of Art that no doubt also inspired me to write on this theme — rather famously portrays the instrumentality of workers in the bourgeois scheme of things, as can be seen in this clip. Still, by the end of the film the factory owner has to acknowledge the human agency of the workers. In the same way, the people I'm describing here, once they recover from their initial astonishment, have to acknowledge the human agency of the strikers; unfortunately, this often takes the form of angry comments on, for example, the alleged greed of the strikers, or the belief that the strikers have their heads in the sand, or that they are communists because they're members of a trade union or thugs because they're Teamsters, etc.
Nonetheless, in that first reaction — that first astonishment at the rebellion of the means against the ends — there is, I believe, an irreal resonance.
irrealcafe	Films, The Irreal	Leave a comment August 9, 2010 2 Minutes
Alice has a father…so what?
As we mentioned previously, we're curious to see the new film version of Alice in Wonderland, which is opening this weekend in the United States. Or perhaps were curious is more the operative phrase here. Apparently director Tim Burton has said that he never felt a connection with the original Wonderland because it was always about a girl wandering around from one scene to another and so, he states, he has made it into more of a real story. And Alice, in the new film, is a nineteen-year-old woman "who doesn't quite fit into Victorian society and structure" and, moreover, is grieving over the death of her beloved father. To me this sounds simply awful, as it introduces various standard melodramatic elements into the irreality of the original that will effectively ruin what made the original interesting. However, as with so many other film versions of books, it is probably a better idea to go into this film pretending that there never was an Alice in Wonderland by Lewis Carroll and instead imagine it to be a wholly original fantasy film by Tim Burton. It would, after all, be extraordinary if the absurdity, undermining of reality, and (to use Clayton Koelb's term) alethic qualities inherent in the original survived a Hollywood production, and to focus on the lack of them would distract us from the interesting things that Tim Burton might be doing in the film.
One additional question comes out of this, however. Namely, what is it with this father theme? In the original book and its sequel, Through the Looking Glass, Lewis Carroll doesn't see a need to even mention Alice's father. And yet not only is there a father theme in this new film version, but it was also present in Syfy's re-make of Alice: in that mini-series the father had seemingly abandoned Alice (who also is now a young adult, and so too fits into that key 18-34 demographic). This causes her great distress, until their later reunion in which he nobly sacrifices himself to save her life. The father theme was also present in the recent television remake of The Prisoner, in which a major theme is the responsibility Number Two feels toward his son. But, again, in the original series with Patrick McGoohan, the issue of offspring never comes up for any of the primary characters. And I could go on. In fact, most films (and TV series) made over the past fifteen years have worked this theme in one way or the other. Try the remake of War of the Worlds, where the divorced protagonist played by Tom Cruise looks after his son and daughter (for whom, of course, he feels great responsibility) as he flees from and fights the alien invasion, though the protagonist in H.G. Wells original had no children, is accompanied by his brother through part of the adventure and is striving to reunite with his wife. Most absurdly, the 1998 remake of Godzilla also included a kind of father theme when the title creature took responsibility for the little godzillas around him which he, yes, he, had begotten. It's enough to make you wonder if there isn't some Central Committee somewhere decreeing that the father theme must be inserted into a film if the film project is to get the millions of dollars necessary to make it.
Of course, it's not the father theme per se that undoes the irreality of a work, Kafka's great breakthrough work, "The Judgement," contains an outstanding example of an irreal father theme. It is rather the forced imposition of the father theme onto so many films and TV shows, and its melodramatic, instructive nature, which is the problem for works of whatever genre. One suspects that if a modern day director were to make a film version of "The Hunger Artist," he or she would be compelled to attribute the protagonist's behavior to a lack of fatherly love. According to the text on the CD package for the film "The Search for Bobby Fischer" that I came across recently, the hero of the film "wasn't afraid of losing a match…just his father's love." Perhaps for our film version of "The Hunger Artist" it would read: "He didn't want to starve himself to death…he just wanted the nourishment of his father's love."
irrealcafe	Books, Films	Leave a comment March 6, 2010 March 6, 2010 3 Minutes
Rethinking Alice
Rethinking Alice in Wonderland: maybe Jan Svankmajer's Alice does manage to create a film from words. That's why it's one of our favorites.
irrealcafe	Films	Leave a comment December 16, 2009 December 17, 2009 1 Minute
Alice in Wonderland: a world made from words?
After noticing today the popularity of the preview for Tim Burton's upcoming film "Alice in Wonderland" (and we do have plans to view our tape of Sy Fy's miniseries "Alice" tonight) we've been thinking about Clayton Koelb's argument that Alice in Wonderland is the preeminent example of "logomimetic" fiction. In logomimetic fiction the reader knows that the words in the story don't correspond to the world, but solves the problem created by that disbelief by enjoying the world created by the words. But then we wondered: How do you make a film about a world made from words? How does an incredulous reader become an incredulous viewer?
irrealcafe	Books, Films, The Irreal, TV	Leave a comment December 16, 2009 December 17, 2009 1 Minute


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December Market Commentary
Introduction Is the end of November a time to celebrate? All the stock markets we cover in the Bulletin made significant gains in the month; the UK's second national lockdown ends this week and, as we write, Christmas is a little over three weeks away. Or is the glass half-empty? We're going to come out…
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Q: How large initial angular velocity is needed for pendulum to go completely around? If a pendulum is initially at its unstable equilibrium position, how large an initial angular velocity is necessary for it to go completely around?

A: Any non-zero velocity will do it, if you assume no friction or other dissipation forces. By conservation of energy it will reach the initial position after one turn with that same speed, and will keep rotating around forever. The maximum speed will be at the bottom, and the smallest speed at the top.


It is April 9, 2018 for just a short while longer.
I was downloading photographs off my Canon Powershot…birds, of course. I clicked something in the process of fiddling with the files on my desk top and images surfaced from past April 9ths and I take pause.
I'm going to slow this writing down a little. I'm going to back-track. Yesterday morning I was feeling downhearted. News has been very sad lately. We had just endured more bitterly cold days and another 15 cms. of snow. I was just heavy-hearted for a lot of reasons. I received a message from my friend Michael. He said that he was up for some naturing. The weather was taking a turn for the better and the sun was out.
We sat ourselves down on a bench at the river, after enjoying a leisurely walk right to the river's edge. I watched a Downy Woodpecker, from where we sat. The brilliant white gulls flew overhead. Michael plugged in a bit of Ram Dass and we took pause and listened. For both of us, Toe Knee came to mind. Then we talked about death. We talked about the releasing of everything…power, ego, money, objects, even friends and family. We grieved the loss of so many who suffer addiction, hopelessness, overdose, hunger…we talked about trauma. I know. It all seems pretty dark. But, truth is, we don't talk about some of the things that really matter. And that is why the pain sometimes continues to go on in the background.
Michael made me cry when he told me that the paintings that my students do are an expression of the artist in me. I was grateful for the remark. And so, today, I began my day by painting with grade threes…this, after walking Max, drinking my two cups of home brew and moving, dazed, through all of the morning rituals that began April 9, 2018.
First…my photograph of the little Mrs. She only pops her head out briefly during the morning, when Mr. heads out in search of sustenance. He is usually on guard at the vent, repeating his vocalizations again and again. This morning came with her sweet face.
The children are beautiful, as they enter into a magical silence and become completely consumed by the process of creating.
Small conversations about Easter break…hugs from friends I have made over the years…a really great conversation about Reconciliation and the Metis with a teacher I had met some years ago…a young student, now in grade five, putting out the question, "Do you remember me?" Number lines and plotting data, first events in stories, agendas, recess, mixing of paint, sunlight filling the room, fruit yogurt, spelling digraphs gh/ph/f…wallpaper in closets…dates in calendars…logging in and logging out…the drive to and from.
Max and I at the river…releasing. We stood under a tree and big chunks of wood began dropping onto both of us. He would shake. I would brush off. Again and again. I looked up to find this guy, ravenously chipping through the flesh of the tree.
…and this guy observing all.
…and this guy scooting into the tall grass.
…and this above and around me.
Not to mention, these two.
April 9 was a particularly beautiful day, as it turns out. My first born took a drive to Lethbridge today with my grandson and these two photographs, make my heart sing…Steven with his Great Granny Batsford and his Great Grampa Bergman….and soon he will meet his Great Grampa Moors. What a blessed boy! and how blessed we are by him!
And as I downloaded my photographs onto my desktop computer, April 9, 2013 photographs surfaced. I was given the memory of my mother's hands…and the memory of the work that she did in her life.
These were a little gift for me.
The day is almost gone and I am left with a feeling about just how powerful a single day can be. I hope to be mindful about each day I am given. I hope to remember the lesson that this day has given.
My daughter (now, a teacher) and I were sitting together while she was still cozy in her kitty jammies this morning…me, at the dining table, she, on the stairs…she was telling me about a very inspiring Convention session that she attended on Thursday of this past week. It turns out that the presenter was Ron Wigglesworth. As soon as I started exploring his posts on the internet, I realized how his contributions to education and to students has been exceptional. Anyone who has encouraged a connection between drawing and biology is great in my eyes…in fact, I'd have to say that he has done a lot of connecting between diverse disciplines.
I got thinking about archives of various projects and things that my students have explored in the past and I just thought I'd write a post that featured those. I had fun teaching and in retrospect, I'm pretty sure that I saw the students' hands, hearts and minds as extensions of my own. I'm grateful for their hard work, their talents and their commitment. For me, it was never about the marks. A sampling…digital…there's a load of stuff in my photo albums. And, today, I'm celebrating it all.
I've always used the word loosely. No incantations…nothing showing up out of a top hat. It's a way of being…a choice to live in delight…even when, like today, a 2 liter jug of eggnog spills out on the kitchen floor, just minutes before having to rush out the door. I've made an effort now and then to explain…but, it is too much about the un-explainable.
Yesterday, I painted with Grade Ones…tree ornaments…I thought these would be cool with a bit of an aluminum foil embellishment added. I still paint with kids around the city, every opportunity I get, but have stopped writing so much about it. Holding a brush is an important action…it's something important enough to become familiar…to practice…to enjoy. I like to paint with kids.
Every darned day that I am a guest teacher in someone's classroom, I am absolutely blown away by the mountain of responsibility and creativity that is observable in just moments of being in that someone's learning environment. I am in awe of the magic of the teaching experience, interaction and output, both by teachers and by their students.
I usually go over to the window first and open the blinds. I like to see how the light changes things. I also have the time to reflect, something that teachers who are steeped in their careers don't always have enough opportunity to do. I like to reflect about the spaces where I find myself enjoying, exploring and filling with hard work.
Yesterday, Amber generously shared her students (little guys) with me. Grade One! Wow! All I can remember about grade one is my coat hook and the fact that my brother ran so fast the first day of school, I felt really really panicked about catching up. I remember a man walking about the school yard, at a point, raising a hand bell high in the air and shooing us into the building. I still, to this day, want to call him Mr. Cannon.
I haven't asked permission (now I have), but would like to share a couple of images I snapped while the students went up to the music room for their very first time.
Just look at these…tell me what you think.
The students were full of energy, but we enjoyed our time together and really engaged the process of chalk drawing and painting. (There was no white in the supply cupboard so…I used yellow to brighten some of the colour…but, tints are just so lovely!) The students were very attentive as we went forward and I've captured a few little images of their work and their journal responses. Magic. And yes! Could be an Easter Egg…could be a kite…could be an ornament! In the 'end', it is about the means…and NOT the END! The experience of painting is wondrous. There! You heard it from me!
I asked the students if they might do a journal entry about their experience and the resulting pieces were pretty amazing. Lucas told me he didn't want me to photograph the following drawing until he had finished the light coming from the window.
Today, I left my paint bucket out in the car. I thought I'd meet Jen's Grade Six students before committing to an art experience in paint, this afternoon. I wasn't with them for ten minutes and I knew that they would enjoy and respond well with paint. Mayhaps it was the fact that the first wondrous thing I noticed, after looking out the window…were these!
I decided that I'd use the very same lesson that I did with the Grade Ones. As I delivered my lesson about tempera paint, I could have heard a pin drop. The students were totally engaged and I was pretty grateful. Nice people. So, as I publish the next photos, I was wondering if my readers are able to notice the differences, schematically.
The past two days have been blessing days.
Nigel left me a note. I'm over the moon about it. I treasured him years ago…and treasure his contact now.
I will always remember you as "Mrs H". I don't know if you remember me, but you taught me grade 7 art some years ago. I have been searching for you for some time, but it is only appropriate that I should find you now, as I am about to embark on a new adventure; teaching art. Would you be interested in a get together and perhaps imparting some of your wisdom to me?
What a beautiful exchange was had…looking forward to many inspiring conversations about art education with this new arts educator!
Painting With Kids Outdoors on a Windy Day!
As I continue with my "My Life Falls Out of Order" series of posts…I still find little nuggets in my archives about teaching, music, nature and art moments that I wish to put in some form of reflection.
Not much to say about this one that the photographs won't explain, but, it all began with good intentions. When the weather is nice and the year is grinding to a close, it's nice to get students outdoors as much as is possible. These experiences can be based on curriculum; you just need to think it through.
When painting a mural, it is the teacher's greatest responsibility to share with students the idea behind collaboration and elevation of the group's efforts over the familiar experience of elevating the self. Well before a project such as a group mural, lessons need to focus on the personality of line quality and the very specialization of mark making. In a group mural, it is explained, it is important to share your marks in a variety of locations. This will lead to a more successful piece, in that Unity will be accomplished through the weaving of many personal approaches to colour, design and line.
And…when the wind blows, just revise the initial plan. Don't get sad about a splatter, enjoy the impact of elements upon the collective result.
One of the components of the Alberta Elementary Art Curriculum is Expression. Here lies the opportunity for students to explore media, personal narratives and 'let 'er loose'. While I typically embed reflection and depiction in my lessons, as well as inherently guide the students to compose well (all of the strands are connected), sometimes I focus more on the act of painting or sculpting or learning what media can do. Seasonal celebrations lend themselves well to Expression. Those educators who lean heavily on Pinterest for their 'art ideas' need to remember that these are, for the most part, Expression lessons and often of the variety that focuses on the 'how to' rather on the child's personal interpretation of their internal narrative. We need to be wary of the 'paper cut out' approach for the sake of a 'pretty display'. I think it's essential the 'art idea' bank be balanced with more unpredictable outcomes and never sacrifice the experiences that come with Reflection, Depiction and Composition.
This month the students in my care, painted. The use of the brush continues to be a skill to be reckoned with. Turning the brush sideways for thin marks and flat for wider marks, another technique to practice. Dry brush and wet brush effects can be observed and discussed.
Creating candlelight separately, to be cut out and glued to the candle after drying…one idea…in the case that you have short bits of time for painting, instead of a sustained period of time.
The resulting collages, including a wreath of evergreen that has been created using green on green, studies in pattern. In this case a second candle will be added on the second week of Advent (taller), a Gaudete candle on the third week (taller still and pink in colour) and the fourth candle, the last week, leading to Christmas.
Fully painted Advent Wreaths, horizontally on large paper. Concept in composition was overlapping…we did a few exercises with our bodies before beginning this…talked a little about perception. Notice North, South, East and West marked at the compass points of the picture plane. These dots give the students reminders to stretch their images to touch each of those edges. Chalk allows the students to explore placement, change their minds and plan and scheme. Pencil is debilitating at this age. Erasers become appendages. lol Just get rid of both. White chalk rocks!
Smaller format…still, on coloured construction for an activated picture plane. Later, to have the candle flames whitened with chalk or white oil pastel…I would suggest that these smaller compositions might have oil pastel underlines or embellishments added after dry.
The Week in Review: Paint!
I was blessed to be asked to guest teach for the entire week in one school. I was so happy to be able to paint with children. It is a joy to mix colours in buckets and to share them with young people. Watching them journey through a process such as this is so gratifying. To pour paint colours straight out of the bottle would never be enough for me! I like to create a palette that sings!
Just a few photographs were collected this week, as most days I forgot my camera.
Grade Ones painted kites on the anniversary of my mother's passing. I could not help but think of Mom's spirit…soaring. The children had painted once before with me, so they nailed their technique!
Grade two paintings of hot air balloons…I added red and blue to Tuesday's palette.
Concentric lines around summer symbols. "When I call SNOWBALL, trade your paint bucket and move to a different spot!" Everything was wonderful until the wind picked our mural up like a kite and flipped it onto its face. Oh well, there was just a half hour left so we headed to the field for some kickball. The red, yellow and white are right out of the bottle and all of the other colours are mixed.
I think I was looking for my photograph archives from a trip I took with my son, the summer of 2009, when I came upon some images from the end of the teaching year and celebrations with my students; specifically, my grade nine art students, our life sized sculpture exhibit and my grade seven home room.
It was that year that I invited my students to bring in a special object for our prayer table…so, every Monday, it would be the next person's turn. It started with me…and a stone. Jarrett Alley, a former student of mine, had passed away in 1997 at the age of 13. His place in the classroom was two rows back, but directly across from the framed article that remained, for all of my teaching years, a tribute to his life.
I think I always intended to copy and pass on a photo to each student at the end of that year, but evidently that never happened!
I'm going to loop the photographs here. My students, of over thirty years of teaching, remain in my heart.
For the most part, I am out of touch with these students, so if my readers know any of them, please share.
Thank you, Jenn, for your wonderful class! They were amazing, respectful and so appreciative of everything I had to share with them. I enjoyed being in your class. I've collected a few ideas here that I thought other teachers might appreciate.
These art ideas are colourful and include subjects that grade three students adore, ANIMALS! I turned on Duke's LIVE Eagle Cam while the students wrote their journal pages this morning and they were amazed.
I browsed around as they worked and discovered some wonderful guidance in the word walls, the charts and the resources that are posted for student use throughout the classroom.
This afternoon, I spoke to the students a little bit about how we can sometimes feel abandoned by God, at times when big things happen, like the news of so many people having to leave their homes in Fort McMurray. This morning in Health, we had learned about several ways to calm ourselves down when life is stressful and we practiced a five minute meditation together. It was amazing how calming that time was!
So, we wondered this afternoon,'when something big happens, what are some ways that we can calm down the stressful feelings we are having?' Well, it is really helpful to know that there are kind and caring people around who are going to be there for us. I spoke to them about the Footprints prayer and that sometimes when we don't experience God close to us, "it is then that HE carries us". We are not alone. Look at the lilies of the fields. Look at the sparrows…the tiny birds…if our Father loves them, how much more does He love us?
I moved from this shared conversation into an art activity where I spoke to the students about observing a sparrow family in a vent across from my kitchen table. I've watched these sparrows for the past six years. At this point, there were all sorts of stories shared about nests/eggs/sparrows and I tried to listen to every one of them.
The students are really getting to appreciate that a visual journal is for practice and exploration. I was really impressed by their studies.
I handed out small-scale pieces of heavy toothed white paper for their final compositions. While students were drawing, they took turns painting swirling sky colour onto blue construction mural paper, in order to create a sense of spring and atmosphere. The students added colour with pencil crayon, to their final depictions and after observing several projected images of sparrows.
Collaborative projects are a way of displaying smaller projects that are skill oriented. Thanks for your class today, Jenn.


This is the second time I've been on a purple line train leaving Merchandise Mart at around 4:45PM.
But today — today, I have been introduced to "Uncle G".
It pales in comparison, however, my experience this afternoon. Again, my purple line train slowed between Chicago and Sedgwick, and again, the speaker clicked on in my car.
I want to ride the 505 forever.


Purchase a follow-up acupuncture treatment at Able Acupuncture, Lee stimulates the body's acupuncture points with very fine needles to promote natural healing. This treatment can enhance your immune system and your recuperative powers, support your physical and emotional health, and improve overall functioning and well-being. It is safe, painless, and it helps heal a variety of medical problems.


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Microsoft Throwing Party for Solitaire's 30th Anniversary
Dave Diamond
Great Big Story via YouTube
Have you been playing a lot of computer games during the never-ending pandemic? Maybe you've played a hand or two of Solitaire. Get ready to play some more because next Friday, May 22nd, National Solitaire Day, is the 30th Anniversary of Windows Solitaire and there's a record on the line.
I had been told a long time ago that the Solitaire game was added to the Microsoft Windows operating system to teach people how to use a mouse. That made sense, it involved left clicking, right clicking, dragging, all of the functions that the recently introduced mouse technology required us to do. It turns out that was just the official reason for putting into play. The real reason was, a Microsoft intern developed the game out of boredom.
That was back in 1988 and that intern was Wes Cherry. The game was included in the 1990 version of Windows 3.0 and the rest is history. At one time the game even had something called a "Boss Key", a special key you could hit that opened up a bogus spreadsheet for those times the boss walked in while you were playing Solitaire on the clock and you needed to instantly look like you were working on something important.
Wes no longer works with Microsoft, now he works with apples. The ones that grow on trees. He owns and operates a cidery in Washington state.
That non-essential bit of information aside, Microsoft would like you to play Solitaire on the 30th Anniversary of the computer game on Friday, May 22nd. The goal is to have more hands of Solitaire played on that day than any other day in history. The Microsoft Solitaire Collection even has an event page set up for it. Go ahead and join the event to get updates and reminders. Microsoft even has some giveaways going on in conjunction with the event.
So bust out your Microsoft Solitaire Collection app and brush up on your skills. You may need them to see the cards cascade across your screen next Friday.
NEXT: What Will McDonald's Be Like When it Reopens for Dine-In Service?
Categories: Lifestyle, Weird News, Wichita Falls News, World News


The first thing I ever shot thanks to my great friend and mentor Damian Wyvill. He was the main DOP and I shot B camera on 16mm. An incredible experience working with NK it was part of a short film we made for UK Fashion Week, I also did the editing.


The peel of the orange has been used for centuries to flavor foods. Our Sweet Orange Zest is finely minced using only the outer peel of the orange – no bitter pith – and minced with 50% sugar. This 'knuckle saver' ingredient base is every baker's friend! Sweet Orange Zest adds texture and mouth-feel along with natural orange flavor from the oil found in the rind. It offers a more intense orange flavor than orange juice, and makes delicious pastry and cake recipes just a bit more zesty!


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Title: Reemergence of new variant G3 rotavirus in Japanese pediatric patients, 2009-2011
Authors: Aksara Thongprachum
Wisoot Chan-it
Pattara Khamrin
Shoko Okitsu
Shuichi Nishimura
Hideaki Kikuta
Atsuko Yamamoto
Kumiko Sugita
Tsuneyoshi Baba
Masashi Mizuguchi
Niwat Maneekarn
Satoshi Hayakawa
Hiroshi Ushijima
Keywords: Agricultural and Biological Sciences;Biochemistry, Genetics and Molecular Biology;Immunology and Microbiology;Medicine
Abstract: The molecular epidemiology and characterization of rotaviruses obtained from non-hospitalized children with acute gastroenteritis in five different prefectures (Hokkaido, Saga, Tokyo, Osaka, and Kyoto) from July 2009 to June 2011 was investigated. Among 831 fecal specimens tested, rotavirus was found in 165 specimens (19.9%). The rotavirus detection rate in 2010-2011 (23.3%) was higher than those in 2009-2010 (16.0%). The highest prevalence of rotavirus was found in children aged 12 to 23. months. Rotavirus could be detected throughout the 8. month period with a peak in April. We found that G3P[8] was the most prevalent genotype (54.5%), followed by G1P[8] (29.1%), G9P[8] (9.1%), G3P[4] (3.0%), G2P[4] (2.5%), G1P[4] (1.2%), and G4P[8] (0.6%), respectively. Interestingly, G3 strains emerged as the most predominant genotype and replaced G1 rotavirus which had been reported as the most predominant genotype in the previous studies. Phylogenetic analysis revealed that G3 rotavirus strains were closely related to the " new variant G3" 5091 strain, which emerged in Japan in 2003-2004. A significant increase in the prevalence of rotavirus G3 found in this study indicates that rotavirus G3 strain is the major cause of infection in five geographical areas of Japan and may distribute globally in the near future. © 2012.


Revolution Precrafted, a homegrown company that designs and builds prefabricated structures for clients around the world, said it would start producing medical pop-up structures.
In a statement, it said it had signed a non-exclusive dealership agreement with African Tsaleach Private Ltd., a Zimbabwe-based investment firm. This marks its first market in Africa and its 25th globally.
"We are excited about the market interest in our prefab structures. We are happy to expand to Africa because we believe that our structures can make a difference in the lives of the people in the continent," Robbie Antonio, founder and CEO of Revolution Precrafted, said in a statement.
Antonio sees strong demand in this segment given the need for more medical facilities in the southern African country. Mosquito and water-borne diseases, along with other infectious conditions, affect thousands of locals in Zimbabwe every year. The company said the lack of medical centers made it difficult to administer treatment.
African Tsaleach initially ordered six industrial-type medical office facilities measuring at least 1,000 square meters each. These units will be converted to clinics and consultation centers to be stationed in Bulawayo, the second largest city in the country, with population of nearly 700,000.
"These medical centers will help medical workers in Zimbabwe reach out to the locals who are in much need of medical attention," he said.


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Digital Hive Mind was hired by Vertex Pharmaceuticals, a global biotech company headquartered in Boston, MA, to produce product photography to support the launch of SYMDEKO™, a new prescription medicine for the treatment of cystic fibrosis (CF). SYMDEKO was approved by the U.S. Food and Drug Administration (FDA) on February 12, 2018, and is the third CF medicine to be brought to market by Vertex Pharmaceuticals. Digital Hive Mind has partnered with Vertex to support each of their previously released CF drug therapies, including Kalydeco and Orkambi.


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Q: Bitmap from String Is there a way or How do I take a String and create a bitmap from it using Java for development for Android?
I had a look at the java api for bitmaps and couldnt find anything

A: You can use the decodebytearray method of bitmap factory like
byte[] imageAsBytes = Base64.decode(myImageData.getBytes());
Bitmap bp = BitmapFactory.decodeByteArray(imageAsBytes, 0, imageAsBytes.length);

Where myImageData is a base64 string.
If you have an array just pass that to the decodeByteArray method.

A: DrawText on canvas by creating bitmap.

A: Assuming that your image data is in a String called myImageData, the following should do the trick:
byte[] imageAsBytes = Base64.decode(myImageData.getBytes());
ImageView image = (ImageView)this.findViewById(R.id.ImageView);
image.setImageBitmap(
        BitmapFactory.decodeByteArray(imageAsBytes, 0, imageAsBytes.length)
);

For Base64 decoding, you can use http://iharder.sourceforge.net/current/java/base64/ as Android doesn't contain Base64-support prior to 2.2.
Note, I didn't actually run this code, so you'll have to doublecheck for errors.
more link:
using canvas
http://developer.android.com/reference/android/graphics/Canvas.html


MEGARA Left or right daybed, designed by Gordon Guillamier and manufactured by Driade, featuring a wooden structure and metal inserts, goose feather and different densities polyurethane foams padding. Available with removable velvet and fabric or fixed leather covers. Small cushions are not included.
W 38.9" x D 53.1" x H 33.4"


Grinding out quality post can be tough ask, constantly having to find a new angle and be creative along with your other duties can be exhausting. Creating a content calendar for social media is of utmost importance it gives you a place to fall back on. However the backbone of social media is viral content, it's what we all love and all hope to achieve. Nothing beats the feeling of seeing your campaign trend in the country, I would know since I've been lucky enough to be part of 3 of them and while creating viral content is the ultimate achievement, jumping on the bandwagon when something goes viral can work just as well.
There is often the assumption that data from one tool or platform is mutually exclusive and can only be used there. This is not the case, just because something is trending on Twitter or in search doesn't mean your Facebook Audience won't find it interesting. Taking trends and being the first to go cross-platform can put you ahead and set you apart from your competitors and show users that following you ensures they get the best quality content first. A social media manager knows the value of trends and to make it easier for you SMM's out there we decided to put together a list of tools to help you source and spot trends.
Find out why not making CRM part of your digital marketing strategy means you are leaving a lot of potential leads slip through your fingers.


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The internationalization of the Japanese economy, especially overseas expansion by Japanese companies and expansion into Japan by foreign companies, has inevitably led to an increase in the number of disputes involving Japanese companies that must be addressed through international arbitration. In addition, investment treaty arbitration based on ISDS (Investor-State Dispute Settlement) clauses of the TPP (Trans-Pacific Strategic Economic Partnership Agreement) is also attracting attention. Our firm's International Arbitration practice is spearheaded by a lawyer who has an excellent track record on par with foreign lawyers devoted to international arbitration practice (not only has he represented many clients in international arbitration, but he is also frequently appointed as an arbitrator in international arbitration cases), and N&A has been involved in a variety of arbitrations such as that related to M&A, joint ventures, and termination of contractual relationships such as distribution agreements and construction arbitration. We consider ourselves a leading law firm with the greatest pool of experience in international arbitration in Japan. With respect to investment treaty arbitration, one of our lawyers was seconded to the Ministry of Foreign Affairs and involved in negotiations with foreign countries regarding the TPP. Our firm continues to disseminate and collect information through international conferences and we keep abreast of the latest discussions regarding investment treaty arbitration.
Also, our firm's International Arbitration practice has been included in GAR 100, the guide to the top specialist arbitration firms worldwide, published by Global Arbitration Review (GAR). Our firm has been Japan's first-ever and only GAR entrant for the third year running.
Nishimura & Asahi successfully represented a client in an international post-M&A arbitration
International Arbitration Proceedings Concerning Contractual Disputes
The Guide to IP Arbitration - Second Edition
Speaking engagement: Frontiers of International Economic Dispute Resolution: Prospects and Challenges of Arbitration and Mediation
ICSID Rules and Regulations 2022
Energy Charter Treaty (ECT) - Agreement in Principle on the ECT Modernisation Negotiations, Future Developments and Outlook
Article: RWE and Uniper: (German) Courts Rule on the Admissibility of ECT-based ICSID Arbitrations in Intra-EU Investor-State Disputes
Effective Advocacy Skills in International Arbitration
Current Issues of ISD and ESG in International Trade and Economic Law
Case Notes on Investment Treaty Arbitration Awards and Decisions (149) A Case in Which a Tribunal Found a Breach of FET on the Basis of Retroactive Application of Domestic Law
Reform of the Energy Charter Treaty – what is changing?
Dispute Resolution Newsletter
Latest trends in intra-EU investor-state arbitration - a "strange animal" soon to be extinct?
US Supreme Court prohibits 28 U.S.C. § 1782 discovery for most international arbitrations
Vietnam: Refusal to enforce a foreign arbitral award on the ground of violation of fundamental principles of the laws of Vietnam
The New ICSID Rules and Regulations - an Overview
Protecting Investments in Russia
Vietnam: Legal issue of arbitration clauses in standard form contracts
SIAC Podcast Interview Series 2021 Episode 4
Amazon in dispute with Future Group: Contract risk in investment into India
Representation by registered foreign lawyers in international arbitration and mediation: Study Group report


text:
Uriga mannan gijeok (), noto anche con il titolo internazionale The Miracle We Met, è un drama coreano del 2018, trasmesso da KBS2 dal 2 aprile al 29 maggio dello stesso anno il lunedì e il martedì sera.

Trama
A causa di un incidente stradale, lo spirito di Song Hyun-chul si reincarna in quello di un altro uomo dal medesimo nome e con la stessa età, ma con una storia completamente diversa. Per Hyun-chul inizia così una vera avventura, ritrovandosi a doversi occupare contemporaneamente di due famiglie.

Altri progetti

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


29 September 2017: While many of the gadgets featured on The Jetsons, the futuristic cartoon launched in 1962, are now commonplace (think smart watch, video calls, flatscreen TVs and drones), we're still a long way off Rosie, the hard-working robotic maid according to one of the world's leading robotics vision experts. Or are we?
While we've made great strides in robotic evolution, the biggest challenge is enabling robots to see where they are so that they can carry out tasks in increasingly uncontrolled environments. The Australian Centre for Robotic Vision, headquartered at QUT, is a collaboration between researchers at QUT, the University of Adelaide, the Australian National University and Monash University and brings together the world's top researchers to unlock this critical challenge.
"To enable a robot to compare what it "sees" with a database of images in order to translate the situation into tasks involves a mind-bogglingly complex set of algorithms and advanced 3D geometry and machine learning," the Centre's Ian Reid says.
The Centre is making great progress in giving the next generation of robots the vision and understanding to help solve real global challenges. It is now working on the next evolution of Harvey, the capsicum-picking robot developed by Australian Centre for Robotic Vision last year, however there's still a lot of work to be done before we can enjoy the luxury of our very own Rosie.
"There's a fundamental disconnect between what we roboticists say and what the public perceives," Ian says.
So how soon will we see robots that move, understand and make decisions just like Rosie?
This means that "seeing" robots will slowly enter our lives, working first in semi-open environments where there are fewer variables.
Ian's colleague Rob Mahony is prepared to make some predictions.


9.30am – 3pm. This workshop will take place as part of the European Summer School in Game and Play Research: Identity and Interdisciplinarity in Games and Play Research to be hosted by Creative Territories project partner, Utrecht University. The workshop participants will benefit from engaging with researchers and students from across Europe, broadening the scope of investigations into cultural and industrial contexts of indie game development.
Session 3: 13.00 – 13.45: Workshop Groups prepare presentations of findings.
Workshop 1: What and Where is an Indie Game?
In this workshop we will explore how indie games are understood in relation to different notions of territory/place. The games make spaces for play, and they take place in digital and 'real' places where people live and work, computers are plugged in and wifi and packet data is transmitted. The goal will be to map some connections between places where indie game development, publishing and playing happen as a way of understanding them as digital objects that relate local and global networks together. Mapping the cultural, political-economic and ecological dimensions of this relation is the goal. We will try to develop a critical compass for navigating the maps using some ideas from philosopher Bernard Stiegler and materialist accounts of digital media and technoculture.
Workshop 2: Mario is from Kyoto and Fez is from Montreal: Colocation and collaboration.
This workshop will explore where and why games development is located. Firstly, we will explore gaming as a global industry that can be rooted in specific places and national contexts. Case studies from the Creative Territories network will then be shared to examine different environments for creative collaboration.
Workshop 3: How do Creative Territories Facilitate Participation and Inclusion?
In this session we will consider the extent to which creative hubs in general and games hubs in particular are successful in accommodating difference. Like the other sessions in this strand it would be very helpful if you could research creative territories in your own locale and bring with you an overview of what they do, some indication of the demographics (age, gender, ethnicity etc.) and any sessions, activities or initiatives they may run which appear to address issues of inclusion/participation.
Patrick Crogan teaches film and media at the University of the West of England and is a member of the Digital Cultures Research Centre there (www.dcrc.ork.uk). He wrote Gameplay Mode: War, Simulation and Technoculture (2011), and researches across the theory-practice interface on issues of digital technocultural transformation. with Auroch Digital and Janet Jones of Middlesex University, he worked on JtR125, a game/documentary hybrid project for the REACT 'Future Documentary' Sanbox. He leads the Creative Territories Network.
Helen Kennedy is Deputy Head of the School of Art, Design and Media in Brighton. Helen is a former President of DiGRA (2009 – 2012) and a key member of the Women in Games advisory board and advocacy community since its inception. Most recently Helen has been engaged in an international collaboration Feminists In Games and has staged the first all female games jam in 2012 as part of the London Games Festival. As well as participating in this network Helen is also working with an Architect to design challenging location based games in Brighton. And she is on the advisory board for Bristol Games Hub.
Dan Ashton is a senior lecturer at Bath Spa University and teaches on the Media Communications and Creative Media Practice degree programmes. His research explores working in the creative industries. He has published articles: on the transitions between studying in higher education and working in the videogames industry; forms of co-creation between videogames designers and players; and videogames walkthroughs as forms of expertise. He is also the co-editor of Cultural Work and Higher Education – a collection examining how students pursue and critically evaluate work in the creative industries.


text:
"""Main etest module."""
import datetime
import logging
import signal
import sys
import threading
from types import FrameType
from typing import Optional, Tuple

import click

from etest import docker, information, tests

logger = logging.getLogger(__name__)
logger.propagate = False
logger.addHandler(logging.NullHandler())

def echo_check(check: tests.Test) -> None:
    """Print a check status."""
    if check.failed:
        click.secho("F", nl=False, fg="red")
    else:
        click.secho("·", nl=False, fg="green")

def echo_check_verbose(check: tests.Test) -> None:
    """Print a check if verbose was requested."""
    click.echo("[", nl=False)
    if check.failed:
        click.secho("!!", nl=False, fg="red")
    else:
        click.secho("OK", nl=False, fg="green")
    click.echo("] ", nl=False)

    click.echo(check.name, nl=False)

    click.echo()

@click.command()
@click.option("-d", "--dry-run", is_flag=True, default=False, help="report actions but do not run tests")
@click.option("-f", "--fast", is_flag=True, default=False, help="stop at first failure")
@click.option("-j", "--jobs", default=1, help="number of test to run simultaneously")
@click.option("-q", "--quiet", is_flag=True, default=False, help="suppress all output")
@click.option("-v", "--verbose", is_flag=True, default=False, help="provide more output")
@click.version_option(information.VERSION)
@click.argument("ebuilds", nargs=-1)
def etest(dry_run: bool, fast: bool, jobs: int, quiet: bool, verbose: bool, ebuilds: Optional[Tuple[str]]) -> None:
    """Test one or more ebuilds."""
    signal.signal(signal.SIGINT, sigint_handler)

    failures = []
    elapsed_times = []

    output_lock = threading.Lock()
    jobs_limit_sem = threading.BoundedSemaphore(value=jobs)

    def _(check: tests.Test) -> None:
        if not dry_run:
            check.run()

        elapsed_times.append(check.time)

        if quiet:
            pass
        elif verbose:
            with output_lock:
                echo_check_verbose(check)
        else:
            with output_lock:
                echo_check(check)

        if check.failed:
            failures.append(check)

        jobs_limit_sem.release()

    for check in tests.Tests(ebuilds):
        jobs_limit_sem.acquire()

        if fast and len(failures):
            jobs_limit_sem.release()
            break

        threading.Thread(target=_, args=(check,)).start()

    while threading.active_count() > 1:
        threading.enumerate().pop().join()

    elapsed_time = sum(elapsed_times, datetime.timedelta())

    if not quiet:
        for check in failures:
            click.echo()
            click.echo()
            click.echo("=" * min(click.get_terminal_size()[0], 72))
            click.secho(check.name, bold=True)
            click.echo(check.failed_command)
            click.echo("-" * min(click.get_terminal_size()[0], 72))
            click.echo(check.output)
            click.echo()

        if not verbose:
            click.echo()

        click.echo("-" * min(click.get_terminal_size()[0], 72))
        click.echo("{} tests ran in {} seconds".format(len(elapsed_times), elapsed_time.total_seconds()))
        if len(failures):
            click.secho("{} tests FAILED".format(len(failures)), fg="red")

    sys.exit(len(failures))

def sigint_handler(signals: signal.Signals, frame: FrameType) -> None:
    """Interrupt signal handler."""
    docker.container.CREATE = False

    while len(docker.container.CONTAINERS):
        docker.container.stop(docker.container.CONTAINERS[0])

redpajama_set_name: RedPajamaGithub


text:
Q: Rails 4: Looping through Arrays I think I am doing something horribly wrong.
I get this error:
TypeError
no implicit conversion of nil into String

if I put this in my View (haml):
...

- ["Greg", "is", "cool", "ya"].each do |tag|
    .tagwrapper
        = link_to tag.to_s.gsub!(/[^0-9A-Za-z]/, ''), '/search?searchtags='+tag.to_s.gsub!(/[^0-9A-Za-z]/, ''), class: 'smaller half-stretched'

...

How am I supposed to do this instead?

A: gsub! returns nil if no substitutions were performed.
Remove ! so it becomes:
= link_to tag.to_s.gsub(/[^0-9A-Za-z]/, ''), '/search?searchtags='+tag.to_s.gsub(/[^0-9A-Za-z]/, ''), class: 'smaller half-stretched'
APIdock Reference

A: You should check that gsub! isn't returning nil in the event that no substitutions are made:
# Will make zero passes
replaced_tag = tag.to_s.gsub!(/[^0-9A-Za-z]/, '')
if replaced_tag
    = link_to tag, '/search?searchtags=' + tag, class: 'smaller half-stretched'

Alternatively, in you want to return the string even if no substitutions are made, you can use gsub (with the ! removed):
# Will make four passes, one for each ['Greg', 'is', 'cool', 'ya']
replaced_tag = tag.to_s.gsub(/[^0-9A-Za-z]/, '')
if replaced_tag
    = link_to tag, '/search?searchtags=' + tag, class: 'smaller half-stretched'


text:
Home > Manufacturing, Packaging & Materials > Week In Review: Manufacturing, Test
tag: ACM
Week In Review: Manufacturing, Test
By Mark LaPedus - 27 Aug, 2021 - Comments: 0
Chipmakers, OEMs Reports have surfaced that TSMC has delayed its 3nm process. But TSMC says the technology remains on track. Volume production for TSMC's 3nm is still scheduled for the second half of 2022. On the flip side, there is speculation that TSMC may increase its wafer prices by up to 20%, according to a report from the Taipei Times. Here's another report. This is due to chip shortag... » read more
Verilog HDL And Its Ancestors And Descendants
By Imperas - 23 Jun, 2021 - Comments: 0
This paper describes the history of the Verilog hardware description language (HDL), including its influential predecessors and successors. Since its creation in 1984 and first sale in 1985, Verilog has completely revolu- tionized the design of hardware. Verilog enabled the development and wide acceptance of logic synthesis. For large-scale digital logic design, previous schematic-based techniq... » read more
By Mark LaPedus - 20 Nov, 2020 - Comments: 0
Fab tools PDF Solutions has entered into a definitive agreement to acquire Cimetrix. Under the terms, PDF will pay a cash amount of $35.0 million, net of cash on Cimetrix's balance sheet as of closing, and subject to other closing adjustments. With the move, PDF will expand into new markets. Cimetrix is a provider of equipment connectivity products for smart manufacturing and Industry 4.0... » read more
Fab tools The U.S. Department of Commerce has announced new export control actions to prevent China, Russia, and Venezuela from obtaining U.S. technology for military purposes. This expands the "Military End Use/User Controls (MEU)" license requirement controls on China, Russia, and Venezuela, covering military end-users, as well as semiconductor equipment, sensors and other technologies. ... » read more
Week In Review: Design, Low Power
Tools & IP Codasip unveiled its Codasip SweRV Core EH1 Support Package, which provides support for Western Digital's open source RISC-V-based core. The support package provides a comprehensive set of tools and components needed to design, implement, test, and write software for a SweRV Core-based SoC with support for leading EDA open and commercial flows. A free basic version is available ... » read more
By Mark LaPedus - 20 Mar, 2020 - Comments: 0
The coronavirus (COVID-19) continues to have an impact on most, if not all, industries. This includes the electronics, semiconductor and related segments. International Data Corp. (IDC) has released a report on the company's view on the impact the COVID-19 virus will have on the semiconductor market. The report provides a framework to evaluate the market impact through four scenarios. "... » read more
System Bits: May 28
By Jeff Dorsch - 28 May, 2019 - Comments: 0
Home robotics get cozier Cornell University's Guy Hoffman was perplexed when he first saw social robots in stores. "I noticed a lot of them had a very similar kind of feature – white and plasticky, designed like consumer electronic devices," said Hoffman, assistant professor and the Mills Family Faculty Fellow in the Sibley School of Mechanical and Aerospace Engineering. "Especial... » read more
The Week In Review: Manufacturing
By Mark LaPedus - 15 Sep, 2017 - Comments: 0
Chipmakers Toshiba has changed its mind yet again about which group will buy its prized memory unit. On June 20, Toshiba chose a Japanese government-led consortium of INCJ/DBJ, Bain Capital and South Korea's SK Hynix. Then, Toshiba changed its mind and selected a similar group with Western Digital (WDC), leaving SK Hynix on the outside looking in. This week, Toshiba signed a deal with a B... » read more
Live From Austin—The DAC Exhibition Floor
By Michael MacNamara - 01 Jun, 2017 - Comments: 0
I've been attending DAC since 1992, and it's astonishing to me how each new year brings more and more compelling experiences for attendees. Of course DAC is rooted in a world-class IEEE and ACM sponsored conference program, but the activities in the exhibit hall just get more and more amazing and fun every June. The exhibit hall at this year's DAC is not just a place where exhibitors f... » read more
China's Fab Tool Biz Heats Up
By Mark LaPedus - 28 Oct, 2015 - Comments: 0
For years, China has been a steady growth market for suppliers of semiconductor equipment. Internally, though, the country is comprised of trailing-edge fabs and IC-assembly houses, which means equipment vendors sell relatively mature tools and compete on price. That's about to change, however. Today, the IC equipment business is heating up in China as the nation begins to upgrade and pour... » read more


Marketing Plan Business Fresh Proposal Template Free Powerpoint Example Uk Pharmaceutical, Plansr Services, Strategies - Use smartsheet to enhance responsibility with the aid of preserving consistency across channels and campaigns, keep time with centralized resources, and growth campaign velocity to market. Seamlessly join advertising and marketing efforts to roi, accelerate transport of advertising projects, and improve alignment with internal and external stakeholders.
But, commercial enterprise planning is an ongoing process and it have to be updated often to help in ahead planning, the challenge for the entrepreneur at the same time as getting ready a business plan is to speak his ideas and become aware of gaps in control information about their business, competitors and the market.
What your marketing plan looks like will depend on the dimensions and form of your business, but even small groups and nonprofits can benefit from careful making plans. Usually, the advertising department drives the strategy and creates the plan. But, due to the fact the advertising plan has so much concerning consumer attain and retainment, many different events will benefit from a sturdy advertising plan, which includes the income branch, cmos, directors, company owners, and experts or business enterprise account managers.
This digital advertising plan template consists of sections for on line advertising and marketing and analytics, content advertising and search engine optimization method, social media, and gear for monitoring metrics. The template is divided into months, so that you can create a timeline in your digital marketing plan. Use this template to create a complete plan of action for on line advertising and marketing.
If the phrase "making plans" conjures photographs of infinite conferences or hefty files, the simplicity of using a marketing plan template may additionally come as a comfort. Making plans must make a process easier, now not extra complicated. At its maximum simple, planning is about placing dreams and figuring out steps to gain them. Whether you're working on a brand new business, a advertising and marketing marketing campaign, or a party, having a plan of action permit you to recognise your favored outcome.
A legitimate advertising strategy is turning into increasingly important for groups in nowadays's aggressive marketplace, wherein the content a capability customer engages with in large part defines their selection to shop for. In truth, a 2014 forbes article posted some unexpected data:.


The donut hole, and no I'm not talking about something you order at a Tim Hortons or Dunkin Donuts. Although I love those things. I'm talking about one of the stages in a Prescription Drug Plan. Let me start by explaining that Medicare comes in 4 parts. Part A is hospital coverage that helps in the costs pertaining to inpatient care in hospitals and skilled nursing facilities. I'll just cover a few of the benefits in each part of Medicare, you can always get more detailed information by calling my office or going to the Medicare.gov website.
Medicare Part B covers the costs for doctors, out-patient care, lab tests, and some home health care services.
Medicare Part C which is offered by private insurance companies is also know as Medicare Advantage, and we now get to Medicare Part D which is the Prescription Drug coverage. This is also offered through private insurance companies and is specifically built to help pay for your prescription drug coverage. I won't get into all the Medicare rules on the type of coverage you can have to get a drug plan. For example, can I add a drug plan to my supplement plan ? Can I add a drug plan to my Advantage plan? What if I'm only on Medicare, can I still have a drug plan? Your insurance agent, if he's doing his job, should explain this to you.
Deductible: You pay all the drug costs till the deductible is met. All private insurance companies have different deductibles so it's wise to see what those levels are before making a decision on a particular drug plan. In 2018 the deductible cannot be more than $405 according to CMS.
Initial Coverage: You will pay a copay or a certain percentage of your drug costs and you plan pays the rest. This is the area where you are getting the full benefit of your plan and your costs are probably at their lowest. It's after you leave this stage where you get to The Donut Hole or as Medicare describes it The Coverage Gap.
Just so you have an understanding of how you reach this level, Medicare has set the coverage gap at $3,750. So when you and the drug plan reach this amount you enter the Donut Hole.
Coverage Gap: In this stage you will pay the greater share of the costs. You will pay 35% of the costs for brand name drugs and 44% of the costs for generic drugs until your costs reach $5,000. You end up reaching this stage quicker if you take quite a few prescriptions or if the prescriptions you take are brand name or specialty drugs.
At this stage is where I start getting call on why all of a sudden my drug costs went up. One of the things I tell my clients to do is to look at their monthly communication from their drug company. All of them should send you a current statement of where you are with your drug costs, What the current costs of your drugs are,and how far along are you in the different stages. This information is beneficial so that you can keep track of where you're at and will give you a heads up on increasing costs and maybe a consultation with your physician on if you can prevent entering the Coverage Gap.
Medicare can be overwhelming when you think of all the different areas people have to know and understand. That's part of the reason I got into this business, to help people make the best possible decision for their particular set of circumstances. Call Cornerstone if you have any questions on the topics I cover or any Medicare question you may have.


text:
Aneby kyrka är en kyrkobyggnad i som ligger i samhället Aneby i Bredestads socken, Aneby kommun. Den är församlingskyrka i Aneby församling, Linköpings stift.

Kyrkobyggnaden
Tidigare kyrka var en salkyrka som uppfördes 1958 efter ritningar av arkitekt Johannes Dahl. Numera används kyrkorummet som församlingssal. Nuvarande åttakantiga kyrka är ihopbyggd med gamla kyrkan och uppfördes åren 1996-1997 efter ritningar av arkitekt Lennart Arfwidsson. 11 oktober 1997 invigdes den nya kyrkan. Det åttakantiga kyrkorummet är orienterat i nordöstlig-sydvästlig riktning där bänkarna är vinklade mot altaret i sydväst. Golvet är belagt med rektangulära plattor av polerad brun kalksten. Kyrkorummets tak är klätt med omålad furuspont och bärs upp kraftiga böjda limträbalkar som är grönlaserade. På taket vilar en lanternin som har ljusinsläpp. Väggarna täcks av tunt laserade skivor av björkfanér. I kyrktorget utanför nya kyrkans ingång finns en korsformad dopgrav.

Inventarier
 Dopfunten av trä är målad i rött och guld. Funten har en korsformad fot som upptill övergår i en rundel med smidda armar som bär dopskålen.
 Ett fristående altare är av omålad ek.

Orgel
 Orgeln med tolv stämmor, två manualer och pedal är byggd 1963 av A Magnusson i Göteborg. Den är mekanisk och kyrkans första.

Bildgalleri

Externa länkar
 Svenska kyrkan - Aneby pastorat

Källor

Kyrkobyggnader i Linköpings stift
Kyrkobyggnader i Aneby kommun
Kyrkobyggnader invigda 1997
1997 i Sverige