text:
Tag: corona
03Feb 2022 by geekshelp
Coronavirus – Omicron Variant
Since December 2019, when the coronavirus started in Wuhan, we are surrounded by a virus which is also called Covid-19. It infected millions, and we also lost many people. Since its beginning, The coronavirus is mutating itself continuously as we have seen the variants like Alpha, Delta, and now Omicron. Emergence of Omicron The center for disease control and prevention has been using genomic surveillance throughout the pandemic to track variants of SARS-CoV-2. On November 24, 2021, A new variant of coronavirus, B.1.1.529, was reportedly found and was reported to the World Health Organization (WHO). This new variant was first detected in samples collected on November 11, 2021, in South Africa. On 26 November 2021; WHO named the B.1.1.529 variant Omicron. From December 1, 2021; The U.S. started to observe…


Fantastic opportunity for a Commis Chef who has worked previously in a high-quality establishment. The ideal candidate must be passionate about food and eager to learn new skills in the culinary world. In return you receive attractive salary package of up to £23,000 and excellent career progression opportunities.
Please quote the reference given/ Commis Chef * 2AA Rosette Restaurant in the subject line of your email. Due to the volume of applications in the London hospitality and catering industry we regret that only successful candidates will be contacted.


text:
Sculpture group with the Amsterdam City Maiden, river gods and inaugural text in the Vierschaar of the Town Hall on Dam Square, Hubert Quellinus, 1719 - 1783 Canvas Print
Sculpture group on the northern wall of the Vierschaar in the City Hall on Dam Square in Amsterdam. In the middle the Amsterdam City Maiden on a pedestal. On her head the emperor's crown and an eagle, in her hands the coat of arms of the city and a caduceus, at her feet two lions. To her left the arms of Burnt Pancras (above) and Sybrant Valckenier (bottom); on the right the weapons of Jacob de Graeff (above) and Pieter Schaep (bottom). These four Amsterdam regents, all sons or cousins of the incumbent mayors from the year 1648, laid the first stone of the town hall in the same year. On the pedestal the inaugural text, which refers to the Peace of Munster and the first stone laying. To the left of the pedestal the river god (personification) of the IJ, including a ship's crown, fishing net, anchor and rudder. On the right the river god (personification) of the Amstel, including a oar, grappling hook, aquatic plants and a beaver - which as a dam-building animal refers to the dam over the Amstel river to which the city owes its name. The Vierschaar was a public court that was used by schout and schepenen only for the issuing of death sentences. Numbered at the bottom right: XXIV.
12X9 - $ 34.62 USD 16X12 - $ 44.72 USD 20X15 - $ 56.27 USD 24X18 - $ 44.72 USD 28X21 - $ 89.47 USD 32X24 - $ 102.45 USD 35X26 - $ 111.12 USD 36X27 - $ 114.00 USD 39X29 - $ 122.67 USD 40X30 - $ 86.58 USD

redpajama_set_name: RedPajamaCommonCrawl


Www.digitalplayspace.com - Used Postage Stamps For Animal Charities. A cartoon is defined as a visual shift in a scene with respect to time. The visual change in the spectacle is not only associated with the change in the position of this object, but additionally using its shape, color, transparency, texture and structure. An important point about animation is that it usually signifies the hand drawn or artificially drawn series of pictures, which contrasts to the pictures where actors performances with real-world scenes are recorded.
3D Cartoon animation has appear up as one among by far the most endorsed systems in the present computer age. It is a variety of graphic imaging that has taken about 2d or scale design puppets also as drawings which have been typically referred to as stop motion animation. Over the many years, there has been an at any time escalating demand for cartoon movies in addition given that the utilization of 3D cartoon animation within the media for endorsement of brand names that has initiated superior and much more advanced imaging software's in the market.
Should you ended up to talk to a lot of people what their preferred productions were being little doubt just about every might have their own personal individual lists. You would probably be surprised on the variety of animated kinds that may be integrated. So if who ever claimed that cartoons are for kids? They're something which touches the hearts from the younger and old for possibly gender. This is relevant to Used Postage Stamps For Animal Charities.
This information talks regarding the big difference of cartoon and anime, as well as the definition of each in various groups. Anime, generally from Japan, displays alone to get a great deal further and well thought-out in plot and character development than those people of cartoons.
Similar to Used Postage Stamps For Animal Charities, Animation is fast becoming an extremely popular career choice for all those interested in combining their love for art by using their love for computing. With pictures such as Monsters Inc. and Cars holding the interest of kids and adults alike, so it's not surprising that animation technicians are becoming popular after.


Are you out of Brother HL-3070CW toner cartridges? With Inkfarm.com on your side, you can stay stocked up on the toner you need and save money at the same time.
We offer remanufactured Brother HL-3070CW toner in individual cartridges – including black, cyan, magenta and yellow – as well as in a variety four-pack. All of our compatible Brother ink & toner cartridges feature high-quality vibrant colors and their page yield is guaranteed to meet or beat the original. We take pride in our products and put your satisfaction first! When you buy your Brother HL-3070CW toner from Inkfarm.com, you can save up to 70 percent off compared to other in-store prices.
Inkfarm.com has been the go-to printing product provider for individuals and small businesses across the U.S. since 1999. From Brother ink & toner to Dell & Epson ink, we have a wide selection of cartridges and printing accessories. Along with top-of-the-line genuine and remanufactured toner, we offer unparalleled deals and customer service. We also offer $3.85 flat rate shipping on all orders. Stock up on your Brother HL-3070CW toner cartridges today and reap the Inkfarm.com benefits for yourself!


You remain awake, but the part of your body that will be operated upon is made numb to pain. This loss of pain sensation is produced by directly injecting the area to be treated with numbing medication.
You will be given pain medication and/or a sedative, in conjunction with a local anesthetic, to keep you comfortable during the procedure.
Patients often recover quickly from this type of anesthesia.
You may remain awake or undergo IV sedation, but the entire area of your body affected by the surgery is made free of pain.
Regional anesthetics such as spinal, epidural or caudal are most commonly used in obstetrics and surgical procedures of the lower abdomen, pelvis and lower extremities.
Nerve Blocks are a type of regional anesthesia most commonly used to numb a single extremity such as one arm or one leg.You may also receive sedatives to ease your anxiety. These sedatives do not cause unconsciousness, but may leave you with little or no memory of the procedure.
You are asleep and your whole body is made free of pain.
It is given by intravenous injection of medications and inhalation of anesthetic gases.
You may be given either local, MAC, regional, general anesthesia or a combination of one or more types of anesthesia.
Your surgeon and your anesthesiologist will discuss with you the type of anesthesia, which will meet your needs during your surgery.
Anesthesia can cause you to lose feeling or sensation during the operation with or without loss of consciousness.
Mild nausea or vomiting for a day or two after surgery is not uncommon. It is more likely to occur if you have a history of nausea and vomiting with past surgeries, if you are susceptible to motion sickness or if you had any type of laparoscopic procedure.
Depending on the type of anesthesia you receive, you may experience a sore throat, headache, drowsiness, muscle ache and/or fatigue for a few days after your procedure.
A board certified anesthesiologist will administer anesthesia during your procedure.
You will have an opportunity to speak with an anesthesiologist the morning of your surgery.
To get the best results, work with your doctors and nurses to choose the method that will work best for you. We want to make your surgery as pain free as we can. But you are the key to getting the best pain relief because pain is personal. The amount or type of pain you feel may not be the same as others feel, even those who have had the same operation.
Being prepared helps put you in control.
Will there be much pain after surgery?
Talk about pain control methods that have worked well or not so well for you before.
You will meet your anesthesiologist in the pre-operative area just prior to your procedure to discuss any concerns about how your discomfort will be managed.
Your anesthesiologist and operating room nurse are responsible for keeping you comfortable during your procedure.
Your Post Anesthesia Care Unit/Recovery Room (PACU) nurse and an anesthesiologist will manage your discomfort after surgery.
The amount of discomfort you have is usually related to the type of surgery you've had.
Regional anesthesia can cause you to lose feeling or sensation during the operation with or without loss of consciousness. Sensation will return in the recovery room.
In the PACU you will be given pain medication as needed.
You can expect to have some discomfort, but it should be tolerable.
Often you will be given a dose of the pain medication that you will be taking when you are discharged to home.
The anesthesia group at Presidio Surgery Center is the Northern California Anesthesia Physicians (NCAP). The anesthesiologists are a private practice physician group and are NOT employees of the surgery center or your surgeon.
NCAP participates in most health insurance plans. You may verify whether NCAP participates in your plan by either calling your insurance company directly, or by contacting NCAP's billing management at 858-244-1058. Please note that participation in a plan is not a guarantee of payment or coverage from your insurance company. After your procedure, NCAP will bill your insurance directly. Terms of coverage vary among plans; please consult your policy for details. For procedures covered by insurance, the health plan generally pays a portion of the anesthesia charges and the subscriber pays the balance, provided the plan's deductible amount has been met. For plans in which NCAP is an "in-network" provider, charges are discounted according to the terms of the contract. You may be liable for payment of a deductible, co-pay, or non-covered services.
If you have any questions or medical concerns about your medical care at the facility, you can call our medical director at (415) 346-1218.


Today I welcome Cindy Bates as a guest blogger who shares some interesting sites for creative writing. Take it away, Cindy!!
Finding inspiration as a creative writer most probably helps unleash creative imagination that is vital for anybody using content online. You have to learn how to use this feeling to improve your writing productivity. As many creative writers already know, it can be quite challenging sometimes to come up with content that is worth reading. Alternatively, when inspired it is like you are possessed with a force that taps into your imagination. This helps one have ideas that are important to improve your creative writing efforts. If you need inspiration, listed are some of the best Sites to find inspiration for creative writing.
Wridea is an ideal site to visit if you are interested in finding a way to improve and save your ideas. Users have an opportunity to achieve a lot with their ideas. Wridea puts its user in control with contact groups and privacy settings allowing them to share ideas with the chosen collection of people.
This site encourages idea improvement as well as idea saving, which helps nurture great things in future. Wridea offers a variety of simple features, which are very effective. The best part about the site is that they are free of charge. You don't need to pay to create a Wridea account. All features are available to its members.
Books don't market themselves; neither do publishers do everything for you if you have gone that route. On the other hand, if you are a self-published novelist, the entire or most burden of marketing gets your shoulders.
It's understandable that it might be difficult to determine the methods that pay off even after you have made them. At times book sales can happen by a combination various different methods. Therefore, it is recommended to visit WritersNet, which is a great website to promote your book and interact with other writers, both unpublished and published.
Is a good site route for creative writers seeking to interact with great publishers in their chosen field of writing. Being part of A-Writer gives creative essayists access to useful content; thus, helping them stay current every time.
The story starter is a great tool that helps writers generate new ideas for writing plays, short stories, or other writing task. In order to generate an idea with the story starter, just click on the "click here for random stories sentence" and you will be given a new idea.
Aldaily is quite a good site to keep oneself updated with the current trends in creative writing. From aldaily, you will learn high-quality words and appropriate expressions. You simply have to make it a habit to keep checking it from time to time. The frequency varies from one person to another depending on her wants.
Normal Mode: With normal mode, if you stop writing, you'll be played the most unpleasant sound, which will only stop if you continue writing.
Gentle Mode: after you stop writing for some time, a box pops up, reminding you to continue writing.
This is among the simplest sites that will help you publish a text webpage. The site does not require a sign up. Instead, you only define a post's URL and create a password; thus, users are able to create their pages in a short time. Images are dragged in place, and one can create many posts simply by using a tag.
Pages may contain an e-book, a tutorial, or even a poem. Page editing is quite simple and needs no code. Users can as well add videos or even create new pages by following directions given by the site. After edits, users can easily save them in a single click, making the page get automatically updated.
The above mentioned are great platforms to find inspiration for creative writing. They can as well improve your creative writing skills, and even help you turn your leisure pursuit into a source of income.
Cindy Bates works as a freelance writer and editor. She used to write articles and share her knowledge and experience in educational sphere. You are invited to connect with Cindy via Google+.
Thanks to Cindy for sharing this fantastic list of sites that encourage creative writing. I'm checking these out. How about you?


At Moretons we believe our staff set us apart from the competition, in order to get the best, you have to offer the best. We offer thorough, structured training with excellent working conditions and clear objectives, we very much believe in a team environment and provide great support and career progression throughout your time at Moretons.
There are currently no positions available but if you think you have what it takes to work for the best agency in SW1 please send your CV and covering letter to info@moretons.co.uk.


text:
Thoughts That Move
Empathizing with an ideologically opposed film
On September 3, 2017 September 3, 2017 By Tim RattrayIn Film, Insights
One of the ways in which people contextualize themselves within society is by their ideological persuasions. Ideology acts as an internalized code of ethics, morals, principles and ideals through which people build an identity. In this process, we instinctually seek out people and things that uphold our beliefs while averting those that don't. This can be quite polarizing. It's easy to misunderstand or even fear other perspectives when you've constructed walls around yourself to keep them out. That's why sometimes the best way to gain an understanding of another perspective is through storytelling. By removing the weight of reality, stories can leave us open to considering ideas that we might instantly reject in other contexts.
Given my own ideological persuasions, I was trepidatious about watching Silence when recommended to me. A film about unwelcome Christian missionaries in 17th century Japan hiding from a regime under which Buddhism is decree? Neither side of that struggle sounded like one I could root for or identify with. Indeed, this mindset echoed within the movie-going public and helped cause the film to flop in theaters last year despite widespread praise from critics. If it hadn't been for the combination of Martin Scorsese in the director's chair, a great cast and my general interest in Japan, I may not have watched the film. However, after doing so I was able to contextualize the morality of its factions and– even if I may not agree– empathize.
To be clear: I'm an atheist, even if I've come to despise the masquerading that some do on behalf of the term (the whole idea of atheism is that it's non-belief in gods and religion; it's not something to parade around as if a religion in its own right). Christianity and Buddhism are ideologies that I do not associate with or believe in. Muddying matters further, Jesuit priests going to a country they aren't welcome in to spread their beliefs out of a false sense of morality is at face value something I'm entirely opposed to. Going into the film, I'm predisposed to have contempt for both sides, particularly the film's missionary protagonists; even if you take the religious element out of the story, they're still invaders.
And yet I came to care about the priest characters, not because I believed in their purpose but because of how the film framed the world around them. Instead of justifying the actions of the priests, it instead portrays the imperial Japanese empire as brutish and relentless, constantly exercising new torturous ways to make examples out of killing Christian infidels. While multiple scenes in the film's third act in particular shine a light on the Japanese ruling class' perspective– that Buddhism is inseparably ingrained in Japanese culture and Christians posed a thread to the very fabric of their society– they're ultimately painted as oppressors. Lo and behold, our natural instinct as humans is to defy oppression. We seek free will. Watching one side of a conflict– even if they're technically on the defense– brutally murder and suppress while the other acts peacefully is going to make your average audience member view the peaceful instigators positively. It's just how we're wired to instinctually react.
What makes this all palatable to outsider views is that while the characters narrate themselves as wandering saviors adhering to a moral code, the film questions those morals at every turn. Examples of this are the scene I previously alluded to between our main priest and the Imperator, and another wherein the priest finally meets with a missionary captured and converted 15 years prior who now believes as the Imperator does that Japanese culture and Christianity are incompatible. In a climactic scene, the priest must step on a fumi-e (a slab with a crucifix carved into it), committing apostasy in order to save a group of Japanese Christians facing torture and death. His story ends with him having betrayed the faith he so deeply believed in, which is to say that this isn't a film looking to reaffirm the beliefs of any ideology but rather present a pseudo-accurate portrayal of a conflict.
In that moment where the priest commits apostasy we're able to empathize because it becomes a question of one being forced to give up their ideology, or more importantly, their identity. People of any worldview can relate to how it would feel to have the things they love be suppressed by society. A relevant example to many readers of this blog is how many in Western culture have a misconception of what anime is and as such some feel the need to keep their passion for the medium discreet. Sure, the ramifications for enjoying anime may not be violent nor is it being imposed by a ruling power, but expressing your love for it could come with scorn by those around them who misunderstand it. Point is, in our own ways we can relate and thus empathize. The broader concept of forced conformism is one that transcends religious connotations. Context becomes secondary.
As previously stated, storytelling mediums are perhaps the best way to humanize conflicting ideologies explicitly because they aren't real. Even a story steeped in non-fiction such as Silence works in this regard because we're watching a writer's embellished retelling of events that very likely played out quite differently from how they're being presented (non-fiction is very much fiction, but let's explore this in future). Through the emotional distance created by blurred reality, we're able to remove our own code of morals from what's being displayed and thus role-play. It's what makes anti-heroes work; by feeling no moral quandary in pretending to be something else for a few hours we can bend our minds to justify somebody's actions and, if the material is well crafted, come to an understanding about why they are how they are. I may never see eye-to-eye with a religious missionary, but I can understand how their own moral code drives them to believe their actions righteous, such as how my own moral code would makes me feel the same. I came to see them as fallible human beings like the rest of us.
All of this is to say that Silence and stories like it that challenge my own ideological stances hold an important value to me. They're the types of media that can widen my own grasp of other people and ideas. I may not have walked away from the film with my mind changed in the slightest, nor was it the film's goal to convince people on the merits of missionaries and their ideologies, but that comes secondary to developing a mutual understanding on a human level. While storytelling does bring with it embellishment and as such can't be directly applied to reality, taking a look at another walk of life in any regard can be eye-opening in its own right.
Streaming Stumbles: How each major anime service can improve
My first-ever published writing
13 thoughts on "Empathizing with an ideologically opposed film"
humbleace
Great stuff.
I sometimes indulge this thinking.
Though I haven't seen this work, the way you describe it makes me feel like I need to be in a certain set of desires (mood, etc.) to even want to watch it. But putting that aside, empathy is an active thing where you must actually set out to do it – though, as in your case here, there are works that can pull it out from you.
I feel like I've very little to add to this discussion (beyond that), only to say that posts like this are what make this such a great blog. Glad to have you back!
Tim Rattray
How you say the pulled it out of me is interesting. I think empathy is somewhat passive, that it can just happen to a degree, but you're right that you need to engage those feelings of empathy to look past moral differences. I feel most audiences would watch this film and find both sides morally questionable, but it's not presenting unlikeable characters either which means you're very likely to find yourself rooting for at least somebody (probably the focal priest as he's the one framed as the sympathetic character). While you may disagree with the meta, the minutiae is that you naturally form that human mind-linking that happens with great, relatable characters.
WeekendOtaku
I'm simultaneously surprised and not surprised that this film didn't do well.
A critic's job is to assess a film's quality. Whether they can do that apart from their own moral and ideological views isn't guaranteed, but from your short description of the film's content I can imagine what a critic might find appealing about this film. Being a fan of history, regardless of which side is made to look good, I'm always interested in stories like this. Japan's resistance to Christianity and westernization is a very intriguing subject that had far reaching consequences for its modern development, but I digress.
Ideology of any kind is an intrinsically divisive concept. Along with being used to build an identity, it can replace the identity of those that espouse a belief different from your own. Suddenly it's much easier to refer to an entire group as /those/ people.
Films about religion, or where religion is a prominent topic, are thus especially vulnerable to divisive rhetoric and preconception. The very thought that a belief not matching your own will be idolized (or vilified if you share it) can become an instant barrier in your mind. Understanding that there is a human element behind every opinion, every belief, and every ideology sometimes has to be a conscious exercise of will than a natural rational response. Unfortunately that's something many people are unwilling to put an effort toward.
This film sounds like it explores that human element very well. I'm glad you were able to check it out and talk about it in this context. I hope to see it myself sometime.
First, on its flop, it's definitely a bit surprising consider its Scorsese but at the same time it wasn't widely marketed (from what I saw) and was an ideological film in a rough time for many people. Also, I've seen it assessed elsewhere that there were just too many dramas at the time and it was overshadowed.
On the rest, you're right on. I found the film interesting in that while it wasn't vouching for any religion, it also didn't scrutinize it heavily as I feel is most common in media that uses religion as a central theme. And it was refreshing for that, even though I do quite like mocking as much as anyone else of my persuasion. It got me actively thinking about religion and the people who practice it, not labeling them as "those" as you mention. And I think that's the power of the film. I think we could all use this reminder from time to time.
Hope you get a chance to look at it! It sounds like you'd dig it
wakalapi
This was a nice read. I hadn't even heard of this film and now I want to watch it. Although I can't say that my ideology would make it difficult to watch this one in particular, there are certainly some that I'd rather not watch for their ideology. Manifest destiny is/was slice of ideology that is completely absurd and genocidal, for example and anything that promotes this in a positive light I won't stomach. Sometimes though I might have to watch this stuff, just to be able to see what horrible crap is out there. Otherwise, I'm none the wiser.
For what it's worth, I don't think it's a "positive" light rather than (as I've overused at this point) a human one, one that can make you relate to a character you might not agree with the actions/beliefs of. As I noted, ultimately it's a story, not reality, so it all needs to be taken with a grain of salt.
Yeah, for me its a matter of what the film makers say overall with the film, even if its vague or even accidental, as opposed to what they are depicting in their film. Schindler's List depicts Nazism, but as an evil. Others might depict manifest destiny, as an evil. Now if they promote it, even accidentally, that's when I tend to stay away from them.
I generally agree, though I do think there's a limit. It's not that hard for a film or show to sway me towards a character whose ideology I disagree with, except when I find that ideology patently disgusting on its face. As irrelegious as I am I don't hold any antipathy towards religion, so I can easily be motivated to like a religious character and root for them in their goals, religious or otherwise. A fascist or racist character on the other hand would be hard for me to empathize with no matter what, since I see their ideology not just as evil but as a direct threat to my own life. I suppose some of this depends on whether the character's ideas are presented as right or merely as their ideas, but I think most films are bound to make the protagonist's ideas sympathetic merely because we need to sympathize with them.
Anyways, love the piece and glad to see you back!
Yeah, I totally understand you there. That's most likely a gap I could not get over either. However, take Tony Soprano. Outside of other qualities we would often consider dangerous (like, he's a violent family head), he's definitely racist. Just look at he treats her daughter's boyfriends throughout that series as one of many examples. But we can still find way to relate to him (and tbf his racism never really manifests in a dangerous way). Also look at Don Draper, a habitual cheater who's job it is to literally deceive people. Definitely not a moral dude. That said, a dangerous racist or fascist (of which all are dangerous) could be a different story.
The Writer Sits in the Back
Great read Tim. Was always interested in this film, but just never got around to watching it. Just from reading plot synopses and reviews, it does indeed sound like a polarizing movie that highlights a conflict of Eastern and Western religion. I'm a Protestant, so I found it particularly interesting that the Catholics in the film were so distraught about stepping on the stone crucifix. They seem to value the symbols of Christ more than I thought and this inherent conflict definetly helps me see a different side to things at that time.
It's interesting too, because the Japanese officers (or whatever their positions are) who tell them to step on the slabs tell them that the act is just a formality, that it's meaningless, and to them it is. Yet the faith of the Christian characters is so embedded within them that it's the ultimate sin to them. Actually, talking about how the film approaches sin is an interesting line of discussion in its own right.
Pingback: Mel's Round-Up Week 50 | Mel in Anime Land
Vigour of Film Lines
"It's what makes anti-heroes work; by feeling no moral quandary in pretending to be something else for a few hours we can bend our minds to justify somebody's actions."
Great sentence, you nailed it with this one! I love your thoughts on the film; personally, I find it ethnocentric and problematic. There are numerous examples; one is when Liam Neeson's character says that there is much "knowledge" in Japan.
I wouldn't say that the essence of Japanese culture at the time (I believe that it is the Tokugawa period, correct me if I'm wrong) is in amassing knowledge – generalized facts about reality; for example medicine as we know it came to Japan from the Dutch through Nagasaki.
What Japanese culture is about, and the reason why we love it, is its aesthetics, a sense for beautiful and sublime – kami, relationship with nature (Shintoism). Poetry was always valued in Japan, poets were honoured almost like semi-gods. And the priest says – knowledge…
Fleeting Thoughts, vol. 1 (Game of the Year, Aerith's duality, & passivity's plight)
I've Played Animal Crossing: New Horizons For 400 Hours. Here Are The Changes I Want To See.
Recommending a Game-of-sorts to Ease Quarantine Loneliness
The Problems and Possibilities of Final Fantasy VII Remake's Ending
The Best Lego Game is One You've Likely Never Played


text:
Friday 19 Jul 2019 / Tehran - 16:54 / GMT - 12:24
Old FNA Advanced Search
Ar | En | Fa | Tr |Af
Politico-Defense
Politics -
Foreign Policy -
Defense -
Society -
Culture -
Space -
Nano -
Medicine -
Technology -
Interviews & Commentaries
Interviews -
Photo -
http://fna.ir/d9nv8a
Sun May 19, 2019 3:2
Terrorists Resolutely Oppose Ankara's Latest Deadline Request from Damascus to Implement Sochi Agreement
TEHRAN (FNA)- The terrorist groups have launched a new wave of massive attacks on Syrian Army's military positions in Hama and Idlib to show their opposition to a request by Turkey from Syria to implement its commitments of the Sochi Agreement, media reports said.
The Arabic-language version of the Russian Sputnik news agency quoted informed sources in the Syrian Army as saying that the recent truce in Hama and Idlib has been enforced after the Turkish government with Russia's mediation asked the Syrian government to give the latest deadline to Ankara to implement its commitments under Sochi agreement and reopen the Aleppo-Hama-Lattakia international highway.
Meantime, the local sources in Idlib province said that several terrorist commanders decided to reject the ceasefire after holding a meeting and the spokesman for Ankara-backed National Liberation Front (NFL) terrorist group Naji al-Mostafa confirmed that the terrorist groups have rejected the call for truce in Northern Syria.
Meantime, the terrorist groups launched rocket and mortar attacks on Jabaleh region in Lattakia and Russia's Humeimem base and al-Zalaqiat in Northern Hama.
The Syrian Army units also thwarted massive attacks by Tahrir al-Sham terrorists towards military points in Abu al-Dhohour in Southeastern Idlib and Jabal Shahshabou in Northwestern Hama, inflicting heavy losses on them.
In a relevant development on Saturday, media reports said that a 72-hour temporary ceasefire has been declared in Northern Syria after the Syrian Army made rapid advances in terrorists' key military bases in the region.
The Sputnik News Agency quoted a battlefield commander as saying that truce has been announced in battlefronts of Idlib, Hama and Lattakia for the next three days.
However, no further details of the reasons and the manner of implementing the truce have been announced.
In the meantime, the Syrian Army troops warded off attacks by Tahrir al-Sham al-Hay'at (the Levant Liberation Board or the Al-Nusra Front) terrorists on the towns of al-Masaseneh, al-Sahrieh and al-Amiqeh in Northwestern Hama, forcing them to retreat after killing a large number of the militants.
Meanwhile, the Syrian Army took full control of most vital military bases in Northern Hama after inflicting heavy losses on a large number of battlefield commanders.
Syria in Last 24 Hours: Ankara Planning to Build New Military Bases in Aleppo's Afrin Region
Fierce Clashes Break Out Between Turkish Army, Allied Militants with Kurds in Aleppo
US Sends Fresh Military Convoys to Kurdish-Controlled Areas in Eastern Syria
Hundreds More Flee US-Controlled Refugee Camp in Homs
US Army Sends Military Equipment to Military Base in Western Iraq from Jordan
Terrorists Launch Massive Attacks on Syrian Army in Violation of Truce
Syria in Last 24 Hours: Ankara Sends Thousands of Terrorists to Hama from Aleppo to Reinforce Tahrir al-Sham
Tahrir Al-Sham's Ringleader Issues Distress Call to Terrorist Groups in Aleppo
Turkish Army, Allied Militants Hit Hard Kurdish Positions in Aleppo
Several US-Backed SDF Militants Killed, Injured in Attacks by Unknown Assailants in Raqqa
US Looking for Increasing Troops, Military Bases in Iraq
Truce Declared in Northern Syria After Terrorists' Heavy Defeat from Army
Syrian Army's Air Defense Downs Israel's Drone Near Damascus
Syria in Last 24 Hours: Army Troops Arrive in Lattakia for Offensive on Tahrir Al-Sham's Military Base
LATEST STORIES (50)
Iran, Pakistan Vow to Increase Border Cooperation
Zarif Reminds US' Irrelevant Military Presence in Persian Gulf
Sources: Iran to Disclose More Information Collected by Drone
FM Zarif, UN Chief Guterres Discuss Regional, Int'l Developments
Iran to Release Images Taken from US Warship by IRGC Drone
UN Slams Saudi, Emirati 'Hypocrisy' over Yemeni Aid
Syria in Last 24 Hours: Turkey Preparing for Military Operations in Manbij
President Rouhani: Iran Serious to Pursue Interests under N. Deal
Ocasio-Cortez: Trump 'Put Millions of Americans in Danger' with Attacks on Minority Lawmakers
IRGC Warns Enemies: Miscalculation to Turn Iran's Defensive Strategy into Offensive
Russia Blames US Pressure Campaign on Iran, Warns Situation in Persian Gulf Fraught with Outbreak of Conflict
Iranian Armed Forces: US Drone Claim Aimed at Raising Tensions in Int'l Waterways
Tehran Rejects Trump's Claim, No Iranian Drone Lost
Omar Brands Trump 'FASCIST' After 'Send Her Back' Chants at His Rally
Turkey to Study Possibility of Purchase of Russia's Su-35s
TEHRAN (FNA)- Representatives from the foreign ministries of Iran and Pakistan met in Islamabad where the two sides agreed to bolster joint efforts against insecurity along the two countries' shared borders through new measures.
TEHRAN (FNA)- Iranian Foreign Minister Mohammad Javad Zarif posted a map in a tweet to highlight the borders of his country and the US, stressing that the US military presence in the Persian Gulf along the borders of the Islamic Republic is not justifiable.
TEHRAN (FNA)- An informed source said that the Islamic Revolution Gauds Corps (IRGC) will release footage recorded by the drone, which US President Donald Trump claimed to have been downed by its forces in the Strait of Hormuz, to expose the White House lies.
TEHRAN (FNA)- Iranian Foreign Minister Mohammad Javad Zarif and UN Secretary General António Guterres, in a meeting in New York, exchanged views on regional and international developments, particularly the US moves against Tehran and UK's conformity with Washington's measures against the Islamic Republic.
TEHRAN (FNA)- The Islamic Revolution Gauds Corps (IRGC), in a statement on Friday, described the US president's claim about downing an Iranian drone as "ridiculous", and declared that it will release the footage and images taken by its drone from the US warship to prove the falsity of Washington's claims.
TEHRAN (FNA)- The United Nations slammed Saudi Arabia and the United Arab Emirates for undermining the UN's relief operations in Yemen by ditching humanitarian aid pledges to the war-torn country.
TEHRAN (FNA)- Ankara is preparing its forces for an imminent military operations against the Kurdish militants in Manbij region in Eastern Aleppo, sources said.
TEHRAN (FNA)- Iranian President Hassan Rouhani, in a telephone conversation with his French counterpart Emmanuel Macron, reiterated that Tehran's commitment to the nuclear deal is conditioned on the fact that the Islamic Republic will legitimately benefit from the promises stipulated in the accord.
TEHRAN (FNA)- Rep. Alexandria Ocasio-Cortez (D-N.Y.) stated that President Donald Trump put "millions of Americans in danger" after a "send her back" chant targeting Rep. Ilhan Omar (D-Minn.) broke out at his rally in North Carolina.
TEHRAN (FNA)- Commander of the Islamic Revolution Guards Corps (IRGC) Major General Hossein Salami warned Tehran's adversaries in the Persian Gulf that the country's armed forces will immediately shift from defensive pose to an offensive one should any miscalculated move be made against Iran.
TEHRAN (FNA)- Moscow regrets that Washington continues to escalate tensions in the region and put pressure on Tehran, Russian Deputy Foreign Minister Sergei Ryabkov told reporters on Friday, commenting on Washington's claim about destroying an Iranian drone.
TEHRAN (FNA)- Spokesman for the Iranian Armed Forces Brigadier General Abolfazl Shekarchi rejected US President Donald Trump's claim that a US warship had shot down an Iranian drone in the Strait of Hormuz, adding that the false claim is intended to increase tensions in international waterways.
TEHRAN (FNA)- Tehran totally dismissed the claim made by US President Donald Trump that an Iranian Unmanned Aerial System (UAS) has been downed by an American warship in the Strait of Hormuz, reiterating that there has been no report on a lost drone in military units of the country.
TEHRAN (FNA)- Rep. Ilhan Omar accused the US president of being "racist" and of "spewing fascist ideology" after Donald Trump's supporters were heard chanting "send her back" during a rally as he was lambasting the Democratic congresswoman.
TEHRAN (FNA)- Turkish President Recep Tayyip Erdogan will study a possibility of purchase of Russia's Su-35 fighter jets, according to a Turkish military source.
Fars News Agency is licensed under a Creative Commons Attribution 4.0 International License


text:
Robertson Homes launches new Lenzie development
The new Meadows development, located at the town's Auchinloch Road, consists of just 60 stylish four- and five-bedroom homes from Robertson's Home Artistry collection.
The company's sales team have confirmed this week that a large number of the new homes in phase one of the development were snapped up by people who had registered even before the public launch on 21st October.
Sharon Spinelli, Sales and Marketing Director at Robertson Homes, says:
"East Dunbartonshire has always been a hugely popular area. However, there's a real impetus to the local housing market at present and that's definitely reflected in the high levels of interest we're seeing, with a significant percentage of new homes already reserved.
"That's why we're encouraging people to visit our website and register their interest as that gives them the first opportunity to reserve a home, as well as to receive regular updates on the development and advance news on home incentives."
Robertson Homes has been building family homes at prestigious sites across Scotland for more than fifty years. The firm is part of Robertson Group, a privately-owned group of companies which employs 2,200 people in construction, infrastructure and support services across Scotland and the North and Midlands of England.
The company has been recognised through multiple, national awards including "Housebuilder of the Year 2017*", "Family Home of the Year 2017*" and "Showhome of the Year 2017**.
"We've built our reputation on building outstanding properties in high quality locations" says Sharon Spinelli.
"Lenzie is already amongst Scotland's most sought after destinations for homebuyers.
"The town is an excellent option for families thanks to its highly regarded schools and first class local amenities including shops, golf and tennis clubs. It also offers easy access to the surrounding beautiful countryside including the nearby Campsie Hills. It is, however, its proximity to fast rail links to both Glasgow and Edinburgh which make Lenzie particularly popular with commuters.
"Our first Lenzie showhome is planned to open in the new year."
The new homes from Robertson's Home Artistry collection will boast the outstanding specifications which are standard in all the company's properties.
These include open-plan kitchen/dining areas with fully integrated Siemens appliances, bathrooms featuring sleek sanitaryware by Villeroy & Boch with chrome-edged Porcelanosa tiling and luxurious Hansgrohe taps and mixers and ensuite master bedrooms with fitted wardrobes.
Sharon Spinelli continued:
"Our Lenzie homes will benefit from the attention to detail and high quality specifications which our customers expect and which provide the foundation for our successful creation of communities of homes across Scotland."
The development is launching from Robertson Homes' recently sold out Hepburn Gate development in Bothwell. For further information on The Meadows, Lenzie please visit the Bothwell site or register online before the sales office opens on 21st October or call 0333 005 0481.
Prices will range from £428,000
Showhomes are due to open in the new year
Dependent on house type, Robertson standard features, fixtures and fittings include Siemens kitchen appliances, sanitaryware by Villeroy & Boch and Porcelanosa bathroom tiling and single/double integral and stand-alone garages. Alarm systems, smoke and carbon monoxide detectors and gated timber fencing are fitted as standard
*Homes For Scotland Awards 2017
** The Herald Property Awards 2017
Guest blog from Ali Campbell, international life coach
Celebrity life coach, Ali Campbell explains why your kitchen is the most important room in your house.
Our first development in England opens its doors
Scotland's Home Builder of the Year 2017 has taken its wares into England with the launch of Robertson Homes south of the border.


text:
Gaffney: Legal Immigration 'Dooms Our Constitutional Republic'
By Miranda Blue | February 13, 2014 1:54 pm
On Secure Freedom Radio yesterday, Frank Gaffney invited Phyllis Schlafly to discuss her new Eagle Forum report making the case that Republicans should oppose immigration reform because immigrants will always vote Democratic.
Schlafly repeated her usual talking points that people from other countries don't "understand the concept of limited government" so expanding legal immigration would be "suicide for the conservative movement and the Republican party."
Gaffney agreed, adding that if immigration reform "dooms" the Republican Party it also "dooms our constitutional republic that that party has historically been there to serve and advance."
As you know, the freedom of America is based on limited government –"Bind him down from mischief," as Jefferson said – and the conservative movement believes in government's too big and too expensive. And the people coming in will just vote the other way. And that's why I think the Democrats are so eager to bring them up, they see millions of Democratic votes coming in through this amnesty.
It's of course not just people who are not in this country and will come in if there's an amnesty and the borders remain open, it's also the numbers of undocumented people already here – it seems to be 11 million, but God only knows what it actually is.
Well, that's right, it's the people who are already here, and they come from countries — well, America is not only exceptional, it's unique in that we believe in limited government and cutting down on government spending, and there's just a large bloc of the world that has other experiences and doesn't even understand the concept of limited government. So, when they come in they will vote Democratic, which is what they showed. And this is also true of the Asians who are coming in, although not in as large numbers as the Hispanics, and that is because that's all they know and they think government should be big in their life, and conservatives don't feel that way. So I think that the amnesty, which would bring in millions of legal and illegal immigrants would just be suicide for the conservative movement and the Repbulican party.
Gaffney: I want to commend you again and urge everyone to check out at eagleforum.org 'How Mass Legal Immigration Dooms a Conservative Republican Party,' and I would argue – and I think you would too, Phyllis Schlafly, dooms our constitutional republic that that party has historically been there to serve and advance.
Tags: Frank Gaffney Phyllis Schlafly Immigration Center for Security Policy Eagle Forum
William Gheen: Immigration Will 'Overthrow The American Republic'
Steve King Threatens Government Shutdown, Impeachment Over Immigration Executive Action
Trent Franks: Obama's Immigration Move Triggers 'The Death Of The Republic'
Conservative Activist: Immigration Action Will Trigger 'Civil War'


An aftermarket seat made by Knoedler Manufacturing in Streator, IL and marketed for Ferguson tractors seems to have found it's way onto a lot of 8Ns over the years. This seat is more comfortable than the regular 8N seat, but not if you had long legs. The rearward adjustment was a little lacking.


text:
Q: mixing JQuery and Objective C Is it possible to use the JQuery effects in the existing Xcode project?
Please let me know if it is possible.

A: Short answer without more details is probably no, inasmuch as Objective-c is a compiled language that produces a runtime package that will run on the appropriate devices and JQuery is a set of javascript libraries that are interpreted when run in a browser or or on a server side javascript engine such as NodeJs.
It's possible you might be writing an application in Xcode that users a browser window so once you are inside a browser then the answer might be yes you can run JQuery inside that but this supposes that you are writing html/js inside this area.
THe other question would be why do you want to? If you are writing XCode then you have full access to all the Apple UI's which are native to the touch devices you are developing for and probably (certainly) give you a much wider set of options.

redpajama_set_name: RedPajamaStackExchange


No worries—this emoticon has a prescription in a state where it's perfectly legal to float away on a cloud of smoke. If you like this emoticon, be sure to use it in a message next time you're on Facebook. The world can be a tense and uptight place; sometimes you just need to kick back and relax.


Every business and every person struggles with getting the right work done at the right time.
Ambiguous priorities. Interruptions. Lack of focus. Overload.
Modus classes solve today's stickiest problems.
Interested in group online training for your organization? Click the button to schedule a call with our director of sales or just email us for more info.


It's not always easy to find the right people. But we can help take away some of the pressure through our innovative pre-recruitment skills training programme.
Working in partnership with Jobcentre Plus, our programme is well suited to the hospitality sector to fill positions on a seasonal or event permanent basis. Once agreeing a training programme with you, we will interview prospective candidates on your behalf and then begin some initial training within the areas of expertise you require, which may include food safety, customer service or teamwork.
Our involvement Jobcentre Plus and any pre-employment training we agree with you is fully funded by this programme.


text:
Book Review: After Extinction edited by Richard Grusin
What comes after extinction? In After Extinction, editor Richard Grusin brings together contributors to address this question by considering extinction within cultural, artistic, media and biological debates. This is a timely contribution to contemporary discussions regarding the future of our planet, writes Anda Pleniceanu, that will leave readers with a renewed perspective on the relevance of the humanities to understanding our present environmental and humanitarian predicament.
After Extinction. Richard Grusin (ed.). University of Minnesota Press. 2018.
After Extinction is a timely contribution to contemporary discussions regarding the future of our planet. The volume, edited by Richard Grusin, comprises nine papers from a conference inspired by the question of 'what comes after extinction?' While many of the contributions are informed by ecological discussions, in the book the notion of extinction is treated more broadly and includes the extinction of languages, cultures and many non-material aspects of life on Earth.
Due to its connections to fields outside of ecology, the notion of extinction becomes strongly associated with that of the archive, making possible a more substantive inquiry that leaves the reader with a sense of scope that the repeated slogans of disaster, prevalent in popular culture and media, do not provide. In fact, I would argue that, besides the obvious topic of extinction, the question that runs through the book is this: what can the different fields of the humanities contribute to the present environmental and humanitarian context? Or, to put it in utilitarian terms, what do the humanities have to offer to a world in crisis?
As this book is based on an interdisciplinary conference, the above question comes with its very own supplement, an unspoken deliberation on what the humanities actually are in the twenty-first century. Each chapter, I would argue, offers a distinct approach to answering this inquiry, and, in the end, the reader is left with a renewed perspective of the humanities, of their continued relevance and of the power of critical, interdisciplinary and historical research, but also of some of the limitations that inevitably appear when the boundaries of knowledge are pushed.
Although the contents of the book are not partitioned into sections, the nine chapters could be split into two groups, with the first five offering a more speculative examination of the different aspects related to extinction and the last four providing a more dissecting approach, with each chapter based on a specific and current area in scholarship. The two sections complement each other, and overall the book is useful for both those who are only starting to get to know the field and those who are already familiar with it and looking to engage in more depth.
Image Credit: (Jez Arnold CC BY SA 2.0)
The first article, by William E. Connolly, criticises the gradualist, linear and human-exceptionalist aspects of sociocentrism. Instead, he proposes a nonlinear, contingency-based model of entangled humanism that opposes both aggressive nihilism – the conservative and belligerent reaction to any evidence that threatens faith and familiarity, resulting in carrying on with business as usual – and passive nihilism – incapable of taking any counter-action whatsoever due to an excess of doubt, which also results in business as usual. Connolly is insightful in articulating the problems that appear when evolution is projected along a continuous and gradual line of development, which leads to species extinction events being conceptualised in terms of the anthropic principle. If humans are taken to be the crowning glory of the evolutionary line, then extinction events are merely meant to reinforce the supremacy of the survivor. To counter this view, Connolly looks at two extinction events – one 250 million years ago that wiped out the majority of life on Earth, and the more recent extinction of the Neanderthals – to put into perspective our current era of climate change.
Combining elements of object-oriented ontology and posthumanism, with a pinch of Deleuzian spiritualist enchantment, Connolly calls for human agents to recognise an entangled and fragile world by expanding our capabilities to experience said world. This is to be achieved by, for example, 'becoming attuned' to the vultures in India, whose population is endangered:
Their extinction will shut down a symbiotic relation whereby humans provide cattle for them [the vultures] to scavenge, the scavenging protects the populace against disease, the cleaned bones provide the poor with items to collect and sell as fertilizer, and the feral dog and rat populations are kept within manageable limits (18).
It would be an understatement to call this argument problematic, as it fails to consider that when issues of class, race and gender are taken into account, the rhizomatic assemblage becomes knotted rather than smoothly entangled.
Jussi Parikka asks what kinds of time imaginaries sustain our understanding of the extinction horizon, or how we conceive the future in temporal and political terms. The chapter draws on the Finnish artist and philosopher Erkki Kurenniemi's vision of a post-planetary future as a grand archival project where the Earth-dwellers become fixed curiosities as well as on the book The Collapse of Western Civilization by Naomi Oreskes and Erik Conway. Parikka relies on the device of the chronoscape, whereby 'the concept of the posthistorical refracts into multiple historical and temporal ecologies that are not merely linear directions but atmospheres of time' (39). It is unclear, however, what this device is supposed to achieve in more concrete terms other than, echoing Connolly's article, a supposedly rejuvenated imagination via a totalising 'entanglement' of everything.
In the third chapter, Joanna Zylinska compellingly draws the event of extinction closer to the present. She juxtaposes photography and fossilisation as two practices of impressing softer matter onto a harder surface and describes photography 'as containing an actual material record of life rather than just its memory trace' (52). The author then considers what happens to human thought and art if we take extinction not only as real and present, but also, in light of the material traces it produces, as generative.
Zylinska cautions against 'a view that ends up smuggling back the (usually white, straight, male) human into the debate under the umbrella of its supposed nonhuman perspective' (53), which, in my opinion, comes at the right time in the book and offers a balancing perspective after the first two chapters. Zylinska's exploration of photography as nonhuman technicity, while poetic and speculative, is well-grounded in theory and in examples taken from the works of four contemporary photographers who also explore the different aspects of extinction.
Joseph Masco's contribution to the volume provides a critique of the currently popular practice of conceptualising the planetary future using the geological term 'Anthropocene'. He remarks that this concept has had a great impact on the humanities over the past few years, where it has been used 'both as an era and a qualifier – linking water, air, land, society, culture, the humanities, Schelling, feminisms, megafauna, and bats as Anthropocenic subjects' (74). While recognising the concept's significance, Masco raises multiple concerns, noting that the geological term rings somewhat uneasily when used in the humanities. One of his most discerning points is that, as we lack the understanding and the narrative to conceptualise the current environmental crisis, the tropes used for dealing with climate change are often drawn from the era of the Cold War and its nuclear imagery, which is a complete misrepresentation of the slow yet cumulative development of industrialism and its consequences.
Cary Wolfe's text is an inspiring deconstructive exploration of extinction based on a series of photographs of fourteen dead California condors who perished due to lead poisoning. The photographs were part of Bryndís Snæbjörnsdóttir and Mark Wilson's exhibition Trout Fishing in America and Other Stories (2014–15). I was very sceptical when, at the beginning of the chapter, Wolfe laid out the main themes in a personal (and characteristic) fashion: 'I felt a powerful resonance between Derrida's explorations of death, mourning, responsibility, and the concept of ''world'' […] and the condor photographs' (109). However, this is one of the most moving chapters in the book as Wolfe, by the magic that is Derridean spectrality, turns the perspective of the reader from a personal engagement to an expanded sense of the world and the archive as a scene of responsibility. Reading this chapter, one is left thinking that supposedly 'dated' fields in the humanities, such as deconstruction, have at least as much to offer as the most cutting-edge approaches.
Opening the book's second part, which focuses more directly on the political, Nicholas Mirzoeff's contribution identifies the Anthropocene as a term rooted in the history of slavery and colonialism. He starts by asking: 'What does it mean to say #BlackLivesMatter in the context of the Anthropocene?' (123) Echoing Zylinska's criticism of the so-called neutrality of the nonhuman and universalist turn in the humanities, Mirzoeff cautions against turning away from issues of race and colonialism. His argument is that the scientific notions of the geological era, and the Anthropocene in particular, are largely determined by another 'natural' concept – that of the distinction of races among humans and the colonial history that is often erased in discussions of 'humanity', 'the world' and 'the planet'. Mirzoeff's argument is convincing and troubling: it shows the importance of proceeding with a lot more caution when naturalising discourses of extinction and negating, or at least sidestepping, their bloody histories.
Claire Colebrook starts her chapter by noting that the idea of extinction implies the questions of 'what life is worth living?' and 'what is worth saving?' She connects the notion of extinction with that of disability, arguing that humans' intrinsic dependence not only determines existence but informs and orients extinction as well. Criticising the utilitarian aspect of liberal politics and tracing its origins to the Greek idea of the rational and capable subject, Colebrook argues that the very question of whether a life is worth living is 'offensive' in the military sense of the term, as an attack aimed to exclude those who do not fit a narrow idea of the 'normal' (153). Extinction and its salvation, by having to measure the importance of those who die and live, itself becomes associated with genocide. Colebrook's chapter is lucid, compelling and clearly argued. I would urge everyone to read it, whether they're familiar with the philosophical language deployed by Colebrook or not.
Ashley Dawson's contribution shows a few ways in which mainstream environmentalism uses the extinction crisis towards neoliberal ends. Dawson paints a grim picture, whereby extinction narratives are co-opted by biocapitalism – further strengthened by Silicon Valley's 'California Ideology' (185) that celebrates the emancipatory potential of Big Data and Big Tech – in its acceleration towards infinite growth and expansion. While the intensifying exploitation of natural resources is ongoing, Indigenous populations (Dawson specifically discusses the peoples of the Amazonian Basin) and, generally, the populations of the Global South suffer the brunt of the damage wrought by biocapitalism. As a solution, Dawson argues for an anti-capitalist movement against extinction, one that 'must be framed in terms of a refusal to turn land, people, flora, and fauna into commodities' (195). While offering a sobering analysis of green capitalism, the chapter falls, towards the end, into generalised talk of anti-capitalist resistance, reminiscent of Michael Hardt and Antonio Negri–style rhetoric. As previous contributions in the book point out, totalising concepts are the easiest to co-opt, often to the most violent ends.
The closing chapter by Daryl Baldwin, Margaret Noodin and Bernard C. Perley analyses the problematic aspects of extinction discourse from the viewpoint of endangered language communities and the colonial histories that brought them to the brink of extinction. The authors show that extinction, as related to these communities and their languages, has behind it a long and violent history of displacement and invasion, and that languages suffer enormous harm when their natural context is destroyed. They argue that, in order to address the extinction crisis of Indigenous languages, documentation is not enough; rather, linguistic and cultural revitalisation must take place. Instead of documenting frozen language fragments, the authors propose the concept of emergent vitality, which focuses on diversifying and expanding language and culture by reintegration and continuity. This concept brings the focus back to the community of speakers and their wellbeing rather than isolating morsels of language after its extinction.
In the end, After Extinction offers not only an expanded understanding of the concept of extinction, but also provides an excellent overview of the state of the humanities today. While cutting-edge approaches to scholarship that intend to reinvent the entire university along with the whole world (of which speculative realism-inspired research is only one example) have their place to stimulate and renew theory (and, perhaps, the imagination), we should not be so quick to dismiss the methods and scholars of the past. 'Dated' approaches, from 'old-school' critical debunking of popular discourse to hermeneutics and deconstruction, still have relevance today, as clearly shown by the chapters in this collection. By combining the old and the new, the speculative and the historical, the humanities have the capacity to provide insights that are not available via quantified, empirical and naturalised explanations. In the face of possible extinction, a variety of intellectual weapons to oppose the forces of reckless capitalism and reactionary politics can only be a welcome development.
This review originally appeared at the LSE Review of Books.
Note: This article gives the views of the authors, and not the position of USAPP– American Politics and Policy, nor of the London School of Economics.
Shortened URL for this post: http://bit.ly/390qQkr
Anda Pleniceanu – Centre for the Study of Theory and Criticism
Anda Pleniceanu is a PhD candidate at the Centre for the Study of Theory and Criticism in Ontario, Canada. Her dissertation project attempts to rethink subjectivity via the concept of radical negativity.
December 22nd, 2019|Anda Pleniceanu, Book Reviews, Environment|1 Comment
Frish December 23, 2019 at 1:13 am - Reply
Thanks. Great read.
While you are figuring out philosophy, what is stopping our inevitable extinction by 2100?
Humans do nothing sustainably. (My Archaeologist experience suggests we NEVER HAVE done anything sustainably)
There are 7.5 bn of us, going to almost 10bn by 2050.
How many articles are written DAILY suggesting "there's still time if we act NOW.
NO ONE'S ACTING.
to have a chance at survival we'd need to Manage Resources, instead of Exploit them.
Our "management of fisheries", sees a non-economic result by 2050, no fish.worth catching,, also sees the ocean with equal weight plastic to biomass.
It is beyond philosophy, to manage resources, worldwide requires elimination of private property.
That's not happening
I await the not so distant future when the suggestions of those in the know to not have children, by anyone, anymore since our impending extinction is obvious and is the only moral plan!
What about technology? It's always "saved us" (allowed us to overcome natural limits). Whoops, this time our technology is generating the crisis, OVERWHELMING nature's capability to support human life.
More tech digs a bigger hole faster.
We are rapidly moving the environment from that under which we evolved, to a different regime, that doesn't include us.
Evolution and humans don't represent any Pinnacle.
The importance of evolution is non-directional, what's LEFTOVER IS WHATS IMPORTANT.
I'm sure you'll characterize my stance under whatever categories you choose, no one can refute what I claim.
Book Review: The Global Interior: Mineral Frontiers and American Power by Megan Black
The road to zero emissions
When it comes to harmful air pollution, denser cities aren't greener cities.
War rhetoric is rarely the best way to communicate about climate change


text:
Chris Pratt was "blown away" by the Super Mario movie teaser
Ahead of the Super Mario movie teaser's reveal at NYCC, Chris Pratt had some huge words to describe the trailer that should be getting fans very excited
Nathan Ellingsworth
We've known about the Super Mario Movie coming from Nintendo and Minion's 2: Rise of Gru creators Illumination for some time, and it feels like only yesterday that Miyamoto took centre stage in a Nintendo Direct and broke the internet with the wildest cast announcement the world has ever seen. Well, we're slowly nearing the movie's 2023 release, and the man playing Mario himself, Chris Pratt, is very excited.
It's now official. The very first Super Mario movie teaser unveiling is at New York Comic Con on October 6th, at 4 pm ET/9 pm BST, ahead of the movie's full release on April 7, 2023. While we're still yet to see so much as an image from the movie, the curtain of secrecy will finally be lifted, and the world can learn just what it looks like when you get Jack Black to play Bowser, Seth Rogen to portray Donkey Kong, and Charlie Day to play Luigi. Honestly, we can't wait.
To get fans excited for the upcoming teaser, Chris Pratt took to social media to share his thoughts on the teaser, saying "I just saw the teaser trailer for the very first time myself. I am simply blown away. You will be too, I promise you. This one is VERY special. Cannot wait!!!" Now obviously, Pratt wants to promote a project he's involved in, but we're cautiously optimistic that under the scrutiny of Miyamoto and the infamously watchful eyes of Nintendo execs, the Super Mario movie might finally bring Mario to our screens in a way that does the world justice. Sorry Bob Hoskins, it wasn't your fault.
When does the Super Mario movie teaser debut?
The very first look at the Super Mario movie teaser is set to debut on October 6th, at 4 pm ET/9 pm BST at New York Comic Con, ahead of the movie's full release on April 7, 2023.
If you're looking for some more Mario gaming goodness to tide you over, check out the trailer for Super Mario 3D Land + Bowser's Fury if you haven't picked up this piece of platforming perfection yet.
If you're jumping for joy just like us as we excitedly think about the Super Mario movie, be sure to check out our guide to the best Mario games on Switch.
A Dragon Age mobile game was in the works over a decade ago
Nathan got his start with print publications before freelancing for various sites such as Nintendo Life and TheGamer. He's obsessed with Pokémon and anything Nintendo, ask to see his amiibo collection if you want to lose a few hours


Evidently, this guy is a pretty big deal. He wasn't supposed to be released until September, but Amazon keeps getting him in stock, and quickly selling out. Others have reported seeing him in stores recently as well.
Some are saying that the Lloyd ZX set will be one of the hot toys of the holiday season, that they only other way to get him is in the expensive $120 set, Epic Dragon Battle, and that every kid wants to be the Green Ninja, who is a kid as well.


4 Products to Make Life Easier This Winter - the glu.
From beautiful sunny days in January to snow storms in March, Chicago is a place of unpredictable weather. Make your life easier with these 4 products perfect for the winter months.
From heavy snow to puddles of icy slush, your boots go through a lot in the winter. By the end of the season they are worn down, smell bad, and rub your ankles the wrong way. The boot dryer uses gentle thermal convection to not only remove contaminants that cause skin irritation and deteriorate the shoe but also removes odor caused by bacteria. This product will keep your feet warm, comfortable, and extend the life of your boots immensely.
Instead of shoveling for hours at a time, use this easy cordless snow blower to clear snow from sidewalks, large driveways and walkways. This snow blower provides easy and convenient, gas-free and cord-free operation for all winter long.
A dead car battery is a common and bad occurrence during the cold weather season. This 3 Amp built-in and automatic charging system makes recharging a fast and hassle-free task. The Jump-N-Carry Starter also features dual USB outlets and a high intensity LED task light for further functionality.
Do you suffer from dry skin or chapped lips? This occurs due to the lack of moisture in the air during the winter season. This winter, choose to cleanse and hydrate with this personal travel humidifier. The device attaches to a standard size water bottle through a USB cord and adds moisture into the dry air to provide relief from itchy dry skin to the common cold.


text:
class PasswordResetsController < ApplicationController

  def new
  end

  def create
    user = User.find_by(email: params[:email])
    user.send_password_reset if user
    redirect_to root_url, notice: t('user.password_reset.sent')
  end

  def edit
    @user = User.find_by(password_reset_token: params[:token])
  end

  def update
    @user = User.find_by(password_reset_token: params[:token])
    if user_params[:password].empty?
      flash[:error] = t('user.errors.empty_password')
      return render 'edit'
    end
    if @user.password_reset_sent_at < 2.hours.ago
      redirect_to new_password_reset_path, flashh[:alert] = t('user.password_reset.expired')
    elsif @user.update_attributes(user_params)
      sign_in(@user)
      redirect_to root_url, notice: t('user.password_reset.sent')
    else
      render 'edit'
    end
  end

  private

  def user_params
    params.require(:user).permit(:password, :password_confirmation)
  end

end

redpajama_set_name: RedPajamaGithub


text:
Entertainment of Sunday, 15 January 2023
Source: lindaikejisblog.com
Sina Rambo's mother-in-law calls out Davido over alleged threats to her daughter
Davido
Mother of singer, Sina Rambo's estranged wife, Korth, has called out Davido over alleged threats made to her daughter, who has been accused of mentioning Davido's wife, Chioma's name, during her recent rant against Sina.
Queen who claimed that Korth has received many threat messages, stated that Davido should be held responsible should anything happen to her daughter.
The singer's mother-in-law also told those with proof that her daughter mentioned Chioma's name during her rant, to present it.
She wrote, "I want the whole world to know that if anything happens to my daughter, Davido Adeleke should be held responsible as he has threatened to deal with her. My daughter is a German citizen by birth and nationality and I am tagging everybody including the bloggers to come out and present proof that my daughter Heidi insulted or called chioma out directly.
"I have so many threat messages to my daughter which we have ignored over a couple of days but this time, we are not ignoring this. As a mother this time I am NOT ignoring any threat to my daughter. I want the whole world to see this. We have had Enough and nobody will take my silence for granted."


On September 10, 2010, the International Bluegrass Music Museum in Owensboro, Kentucky will observe what would have been the 99th birthday of Bill Monroe (September 13 the actual date of his birth) with a special exhibit that will run for two years and contain relics, music and information about the Father of Bluegrass Music.
Going on public display for the first time as part of this exhibit will be Monroe's iconic original headplate from his 1923 Lloyd Loar mandolin, the one he carved out the word "Gibson" with a pocket knife in or around 1951, subsequently repaired by Gibson. Thought to be lost or thrown away during the headstock restoration in 1980, the headplate surfaced for auction at Christie's in December, 2009, and sold to an undisclosed bidder.
The owners are Laura Weber Cash and husband John Carter Cash. Yes, that Cash, the daughter-in-law and son of Johnny Cash and June Carter. This icon of bluegrass music—a piece of a simple mandolin—found a home in a family with roots reaching deeply into the history of Country Music.
At the age of 17, Laura took first place in the Junior Division at the National Fiddle Championships in Weiser, Idaho. In 2009 she returned 20 years after that win to take first place in the Adult Division.
A seasoned fiddle player with a lengthy resume in Nashville, Laura has toured with Patty Loveless, Pam Tillis, James House, Chalee Tennison, Sarah Evans, Brad Paisley, and has recorded two albums in the traditional country style. She has appeared on the Grand Ole Opry with the late Roy Acuff and his "Smoky Mountain Boys," as well as Ray Price and his "Cherokee Cowboys." Ten years ago, she was invited to play fiddle with June Carter-Cash on a tour to promote the album Press On. She has also recorded with Kris Kristofferson, Loretta Lynn, George Jones, Earl Scruggs, Billy Joe Shaver, Mac Wiseman, and many others.
Thanks to Bruce Harvie and the Mandolin Archive for the following audio segment of Bill Monroe talking about acquiring his famous mandolin and subsequent relationship with Gibson over the years when the headplate was replaced.
Mandolin Cafe: You shared a wonderful story about your childhood in connection to Bill Monroe and his music in preparation for this interview.
Laura Weber Cash: As far back as I can remember, Bill Monroe's music was a part of our home. We moved from northern Illinois to Oregon in 1978. My dad, a banjo and guitar player at the time, found the bluegrass music scene to be prominent in the Willamette Valley. When the album Bean Blossom '79 came out, I was at the age where I started taking a more serious interest. As an 8-year-old girl, I began to talk like Bill. My parents found it a bit strange, but amusing. I had memorized every word of his monologue... "Here's a number that we like to feature a lot... Here's a number we'd like to do in memory of Lester Flatt entitled The Little Cabin Home On The Hill." To this day, I can just hear him saying those words. I haven't actually owned a copy of that record in my adult life, but it sure did make its mark in my memory before I ever picked up a fiddle.
Mandolin Cafe: As a professional musician living in and around the Nashville, did you have the opportunity to see him perform?
Laura Weber Cash: When I moved to Nashville in 1989, I soon discovered Bill Monroe played every Wednesday night at the Bell Cove Club in Hendersonville. I couldn't believe it! When I wasn't on the road, every Wednesday night, without fail, I was there. One night, I brought Benny Martin out there to see Bill. Another night Jimmy Martin showed up. He asked me to play fiddle for him, and he played everything in A flat and F sharp. He was in some condition, telling jokes. Bill got up and left in the middle of Jimmy's set, and oh, that made Jimmy so mad. There was a family of regulars always there on Wednesday nights. We sure had a great time watching the old man passing out quarters to the kids. He gave one to LeAnne Perkins, Larry Perkins daughter, with a big grin on his face, then looked at me, scowled and said, "Now, you let her keep that," in true Monroe form.
I was thrilled and humbled to be on the guest list when he started having picking get-togethers at his farm in his last years. What a sweet time for him. It was quite endearing to witness his transformation. He seemed to soften up quite a bit.
Bill Monroe hosted this jam session at his cabin in Goodlettsville, Tennesee. A number of the people in this photo are prominent bluegrass musicians including members of the Del McCoury Band, David Grier, Mike Compton and others. Laura Weber Cash is pictured on the far right with fiddle. Click for enlarged version.
Mandolin Cafe: In your decision to purchase the headplate, was there ever a moment where you thought it might be headed out of the country, or was there some other personal reason why you thought it important to acquire?
Laura Weber Cash: Yes, I suppose that was part of the reason. It's one of those things that should stay close to home. I imagine it seems somewhat presumptuous, but our deepest intentions are pure and dedicated to historical preservation. We are committed to take the best care possible while it's in our hands.
Mandolin Cafe: We can think of several museums in the United States that would jump at the chance to display the headplate. The museum in Owensboro made no secret of the fact they were one of the bidders. Did that play a role in your sharing it with them for this extended display, or was there another connection?
Laura Weber Cash: When we were bidding, we had no idea that we were bidding against the museum. We were the final 2 bidding parties. If we had known, we would not have kept going. John Carter and I are very dedicated to music history and it's preservation. I'm captivated by music history. I had actually put in an application in the archives at the Country Music Hall Of Fame long before I ever met John Carter. And, of course, he has the history on both sides: his father being Johnny Cash, as well as the rich musical history from his mother, June's side, the Carter Family.
Mandolin Cafe: Did you have an opportunity to inspect the headplate prior to the auction?
Laura Weber Cash: I had flown to New York last September and had an opportunity to view the headplate in person at Christie's. When I saw it, my mind couldn't believe it. I had heard the story my whole life of how Bill had been angry with Gibson after taking months to do minor repairs on his mandolin, and gouged out their name from his headstock with his pocketknife. His Lloyd Loar! And left it that way for nearly 30 years! I loved Bill from the moment I heard that story. In my imagination, he was a strong force of a man I would never want to cross. This tale was larger than life, almost seeming like a myth to a young girl. Given that no one had seen his actual handiwork since Gibson repaired the headstock for him in 1980, finally seeing it in person was a huge thrill. I've heard some bluegrassers call it the Holy Grail.
Bill Monroe's mandolin headplate as photographed by Christie's Auction House. There is a high resolution version of the above image here.
Mandolin Cafe: Your ownership of it has been a pretty closely guarded secret.
Laura Weber Cash: We initially held off advertising we had bought it for many reasons. First, we went through the 'we're not worthy' stage. It took a while for us to come to the conclusion that it was OK, as long as we shared it. As soon as it made its way to Tennessee, we had it reframed, floated, on an acid-free matte with museum glass in a beautiful handcrafted Italian dark wooden frame. We wanted to present it properly. We felt strongly that we needed to find a place for it so that others could enjoy it as much as we have. When we were contacted by the Bluegrass Museum in Owensboro, we were relieved to have a direction. They asked us to consider a loan to coincide with their two-year exhibit on Bill Monroe, beginning in September, and we happily obliged.
Mandolin Cafe: The Country Music Hall of Fame has a "Precious Jewels" collection made up of Monroe's mandolin and the guitars of Johnny Cash and Mother Maybelle Carter, some of the most famous acoustic instruments in country music history. Did you make that connection in the process of acquiring it?
Laura Weber Cash: No, actually, we really didn't know what we would do with it, but we knew there would be plenty of options. I didn't occur to me the CMHOF may be interested in obtaining this as part of that "Precious Jewels" collection. Those are key instruments that built the roots and sounds of country music. This headplate, now a piece of memorabilia, didn't seem a fit.
L-R: Jonita Aadland, Bill Monroe and Laura backstage at the Grand Ole Opry in the early 90s. Click to enlarge.
Editor's note: according to Mick Buck, curator for the CMHoF, the museum did not have an acquisition fund for this kind of property at the time of its sale and did not have an interest in acquiring the headplate. This quote appears in an interview we did with Mick in February, 2010.
Mandolin Cafe: What is known about the connection between Bill Monroe, Johnny Cash and June Carter? They surely had many opportunities to meet over the years.
Laura Weber Cash: You know, there's really not much of a personal connection there that I'm aware of. Of course John Carter's family knew Bill. John and June would invite him to occasional pickin' parties at their home in Hendersonville. John had a great respect for Bill's music since his youth.
I do recall that Bill was inducted into the Country Music Hall of Fame the same day as the Original Carter Family, in 1970, and Johnny dedicated a 4 or 5 song tribute to him on the Johnny Cash Show with help from John Hartford, Vassar Clements, and Norman Blake, among others in 1969.
Mandolin Cafe: Have you had a chance to review any of the artifacts that will be on display as part of the exhibit with the headplate?
Laura Weber Cash: I understand The Bill Monroe Exhibit opens on September 10, just three days before what would have been Bill's 99th birthday at the museum at 6:00 p.m. I heard Uncle Pen's fiddle will be displayed, as well as some of Bill's clothing, records, and other personal artifacts.
Mandolin Cafe: The headplate will have a life beyond us all. Have you had time to think of your desire for this icon of American music say 75 years down the road and what kind of role you might want it playing in music history?
Laura Weber Cash: No, we hadn't really made long term plans for it. We know that many, many people hold this precious item close to their hearts. We expect that fate will play a part in its future and will also share a large part in where it may end up. We will do our best to see that its transfer from our hands is to the right place, at the right time.
That certainly is a good story of custodianship for a venerated piece of the Blue Grass Music.
Good article; neat photo! "... and others." Would that be Ricky Skaggs a bit past Bill's left shoulder?
I'm so glad that this interview happened. Many folks have wondered what happened to that Iconic headstock overlay... I'd also like to know what happened to that headstock overlay to get to where it is now... Did Charlie have it in his shop, or? Thanks for going after this story Scott..
I'd like to say thanks to Laura and John for preserving this piece of music history.
Ken, it wasn't Charlie that had it. I've seen the name of that individual and can probably dig it up later today. The gentleman that sold it was known to have been the person that performed the repair on it while at Gibson.
Also, I'd like to publicly thank Ken for his help in setting up this interview. I found out independently who the owner was shortly after it sold and just by chance in a discussion with Ken learned that he knew who the owner was and happened to be personal friends with Laura. Ken really made this interview possible and it has been in the works for around two months now.
Also like to say that Laura was a totally classy lady to work with doing this interview. And, if you haven't had a chance to hear some of her fiddle work, you owe it to yourself. She has major league chops and taste. Great stuff.
Laura is one of the nicest people I've ever met and a great fiddler.
I'm impressed that she won a national fiddle contest in the junior section and then went back twenty years later and won again as an adult. You have to have the goods to do that.
mandomedic - there was a heap of discussion when this was coming up for auction, and you can read about it here: http://www.mandolincafe.com/forum/showthread.php?57104 I believe someone posted a link to an article about how it was saved from the scrap heap.
I'd tell you who those folks are but in just re-reading the article, I think it's worth your time if you're interested to just read that entire story once more.
I agree. That was part of why I mentioned the thread - along with our usual jibber-jabber, there was some interesting related information (plus that link, natch). Always more to learn from than bullet points.
Serious bit of Mojo there.
And after two years, where will the headstock veneer go?
So how does that square with the audio recording of Monroe in his own voice (at the outset of this article) explaining about being upset at the amount of time Gibson had the mandolin in their possession?
Having heard versions of the headstock defacing since the sixties, I remembered, upon reading this interview, a detail that I have not heard discussed: Mr. Monroe, I was told, placed a 99 cent price tag right over the Flower Pot inlay to further denigrate the brand. It was said to be a Rexall Drug Store tag.
See MCA Records "Bluegrass Instrumentals" and "Blue Grass Style" cover photos, the tag is clearly visible.
Anyone else know a version of this tale?
This is one of those interesting pieces that tends to be forgotten. On this anniversary of its publication three years ago thought worth bringing to the top for a bit of fresh air. Haven't followed up to see where the head plate is these days, if its visit to the Owensboro Museum was extended or if it is back with the owners.
The gentleman on the far right in the jam session photo is the late George Chestnut. He was an extraordinary bass and fiddle luthier and close friend of Bill Monroe.
Noting the anniversary of this feature article published this date 2010.


The 205 rooms of the Andaman Club are decorated with a timeless sense of comfort and luxury that will make your stay special and memorable. Simple yet elegant, bright and airy, each room features its own large balcony overlooking either a spectacular sea view or the luxuriant tropical landscape. The bathroom is furnished in rich marble and fittings are modern and functional. Wireless high-speed internet connection, International cable T. V. channels and music are offered in each spacious room.
Note: First 9 holes now complete, and the 9 final holes to be completed at end of 2011.
This unique tropical island is devoted only to Andaman Club resort and its guests. The resort meets all demands for facilities, meetings and recreation that you could imagine. A large, bright and airy venue is available for up to 1, 200 attendees with shutter doors that open to the view or which can be closed for video viewing. It is also complete with audio-visual and necessary facilities and experienced operators to assist your presentation.


Gaylene Place is an apartment block located just off Pembina Highway. This is an affordable housing complex with one and two bedroom units. Conveniently located near grocery stores, bus routes and family restaurants.


Attorney James M. Burke has more than 37 years experience providing quality, reasonable legal advice to individuals, small businesses, and corporate clients, in Southeastern Massachusetts. During his career, he served as an Assistant District Attorney for the County of Plymouth, Public Administrator for the Commonwealth, and legal counsel for the Brockton Redevelopment Authority.
Attorney Burke has tried matters before the United States District Court, Federal Bankruptcy Court, and various trial courts of the Commonwealth including the Superior Court, District Court, Land Court, and various Probate Court Departments. He has appeared before the Appellate Tax Board for the Commonwealth. He has successfully argued matters before the Circuit Court of Appeals for the First Circuit, Supreme Judicial Court, Appeals Courts, and the Appellate Division of the District Courts. He is a member of the Bar of the Supreme Court of the United States.
Attorney Burke prides himself on the many long term/client attorney relationships which have developed from his personalized approach to legal practice.


Hollywood is about to get a whole lot more musical. Two biopics about legendary musicians/entertainers Sammy Davis Jr. and Marvin Gaye are currently in development. The Sammy Davis Jr. biopic is being developed under Paramount, while Dr. Dre is working on the Marvin Gaye biopic.
Paramount has set up a Sammy Davis Jr. biopic with producer Lorenzo di Bonaventura (Transformers) set to oversee the film about the famed Rat Pack member, according to Deadline. Lionel Richie, who reportedly played a large part in getting the rights to Davis' story, will be joining Bonaventura, Mike Menchel, and Davis' heirs on the producing team.
The project is currently being fast-tracked through development, with a director and writer set to be hired soon, Deadline reports.
The movie will be based in large part on the 1965 memoir Yes I Can: The Story of Sammy Davis, Jr. that the multi-hyphenate entertainer penned with Jane and Burt Boyar. Davis was a hugely influential icon in Hollywood and the music industry, notably becoming one of the first black entertainers to cross over into mainstream pop culture amidst a racially divided America.
One of Davis' biggest major pop hits was "The Candy Man," which was written for the film Willy Wonka and the Chocolate Factory. The song (which you can see above) held onto the No. 1 spot on the charts for three weeks. As a part of the 1960s Rat Pack, Davis had famed musicians and actors Frank Sinatra, Dean Martin, Peter Lawford, and Joey Bishop by his side, which helped him rise from a Harlem-born musician to one of the biggest celebrities of the day.
Meanwhile, over in Motown, a Marvin Gaye biopic is in the works. Variety reports that Dr. Dre, who recently made his mark on the film industry as a producer and inspiration for 2015's Oscar-nominated Straight Outta Compton, is working on a biopic about the legendary soul singer.
Dr. Dre, whose real name is Andre Young, is reportedly in the early stages of developing this project. Sources told Variety that the rights to use Gaye's music have been secured. Sony/ATV Music Publishing currently holds the rights to Gaye's songwriting credits.
This wouldn't be the first time an attempt has been made to give Marvin Gaye the biopic treatment. Directors from F. Gary Gray, Cameron Crowe, James Gandolfini, Scott Rudin, and actors including Jesse L. Martin and Lenny Kravitz have tried to bring Gaye's story to the screen, but none had been authorized by Gaye's family. The Gaye estate did sign off on a limited series from Jamie Foxx in 2016, but there hasn't been a peep out of that project since.
Drama, Paramount Pictures, True Story, Dr. Dre, Marvin Gaye, Sammy Davis Jr.


War-torn Syria is showing signs of stabilizing. Monday, April 30th, Storting heard ministerial declaration addressing potential calls of Norwegian participation with any near-future reconstruction efforts within Syria & Iraq.
"Cruel war-crimes have been committed during the 7 year war in Syria. It's important that those responsible for such crimes be held responsible for their actions." – concluded Minister Søreide.
More than 13 million people need humanitarian aid in Syria. Over five million of these are children.
Norway does intend to contribute and help facilitate projects that seek to find evidence in Syria of international humanitarian & human rights law violations.
Peter Maurer of the Red Cross told reporters yesterday, May 2nd in Geneva that the Syrian conflict appears to be entering a new phase, with fewer "big battles" and with more of a sense of normalcy for displaced Syrian's after 7 years of real devastation.
"The Syria of today is different than the Syria of 2 years ago," said Maurer.
The Syrian Civil War is an ongoing multi-sided armed conflict fought primarily between the government of President Bashar al-Assad and opposing rebel forces. The Syrian unrest began during the 2011 Arab Spring and escalated after protests calling for Assad's removal were suppressed with brute force, almost 8 years ago.
Be the first to comment on "Søreide: No Helping Assad"


text:
Red Pitaya shortlisted at Elektra awards 2021
The Elektra Awards are a ceremony where companies and individuals are rewarded and recognised for their excellent performance, innovation and contribution to the global electronics industry. These awards also provide a platform for like-minded and key industry professionals to gather in one place to network, share ideas and celebrate the achievements of the industry.
19 years after its debut, the Elektra Awards still embrace their reputation for being a prestigious and credible awards ceremony and remains an annual highlight in the electronics industry events calendar.
We are very proud to say that this year, Red Pitaya has been shortlisted as a finalist in three categories: Best campaign of the year, Test product of the year and the Educational support award.
In the past year, we have put a lot of our efforts towards supporting professors and students in the transition towards working from home. We have prepared special campaigns and teaching materials that were available for free and have helped students around the world have an uninterrupted learning process.
We have also recently introduced the newest product of the Red Pitaya family - SIGNALlab 250-12. Red Pitaya's SIGNALlab 250-12 is a multifunction, open-source software-defined test instrument that solves many of the problems engineers and researchers have with its affordability and exceptional performance, all while being small enough to carry in your laptop bag. Because it is an open-source device there is no license fee, and users can customize it to meet their needs indefinitely.
We want to congratulate all winners, this was really a great selection of companies competing for the award.
Newer Nuclear warhead verification
Older Red Pitaya at the heart of a 3D Robotic Ultrasound System
Red Pitaya is a finalist for Elektra Awards
This year marks the 20th anniversary of the electronics industry's premier awards ceremony. Since the inaugural event in 2003, the Electronics Weekly Elektra Awards have showcased...
Red Pitaya Won the Academic Support Award
The Electronics Industry Awards is an important event in the industry to celebrate the very best professionals, products, projects and companies from across the electronics...


text:
iPhone 8 Said To Feature Smart Connector For Wireless Charging And AR/VR Accessories
By Oliver Haslam | April 8th, 2017
A new rumor is circulating that has Apple ready to announce the iPhone 8 with a new Smart Connector on board, allowing for wireless charging and connectivity to new AR/VR accessories.
The rumor, which is obviously unconfirmed at this point, comes via Isreali blog The Verifier.
This is not the first time that an iPhone has been rumored to have a Smart Connector built in. Before the launch of the 2016 iPhone, an iPhone 7 Plus leak cropped up which showed versions of the device with the connector built in.
This obviously did not come to fruition and the smartphone shipped with a Lightning connector alone, but it is clear at this stage that Apple has at least pondered the inclusion of such a connector in the past. So far, however, the Smart Connector has remained an iPad-only affair.
As for wireless charging, rumors tying Apple's next big iPhone release with some form of wireless charging capabilities have been bubbling along nicely for months now. While talk of a Smart Connector has been minimal, such an interface would certainly provide a conduit through which power could be sent although it is unclear whether the connector is designed for the kinds of power draw needed in order to charge an iPhone with a large battery without it taking 12 hours to do so.
The Verifier also reports that Apple's inclusion of the Smart Connector on the iPhone 8 would also prove of use for augmented and virtual reality applications and accessories, while it also notes that the Apple TV and AirPlay will play roles in Apple's upcoming work in those fields. What that may mean is anyone's guess, but it sure has is interested.
Apple has been rumored to have plans for AR and VR for a good while now, and we expect the iPhone 8 to show at least some signs of that being the case.
(source: The Verifier [Google Translate] | Top image: iPhone 8 concept by Computer Bild)
Windows 10 Product Key And Activation: How To Find It And How It Works
Jailbreak iOS 10.3.1 / 10.3 / 10.2.1 For iPhone And iPad [Latest Status Update]
Pokemon Go 1.31.0 And 0.61.0 Hack Available To Download Now
Download: Pokemon GO 1.31.0 For iOS, 0.61.0 For Android Released
Download iOS 10.3.1 / 10.3 Final IPSW Links For iPhone And iPad


Harilo - Wishlist does not work.
The "Add URL to Wish List" button on the following Url does not work.
Re: Wishlist does not work.
should be working now - please let us know if there are any more issues. thanks for the heads up!