The Henry Clay People are a rock and roll band from Los Angeles. With common comparisons to Pavement andThe Replacements they play a type of no-frills, pretention-free rock that has sorely been missing from LA. The band is made up of brothers Joey (vocals, guitar) and Andy (guitar, vocals) Siara, Jonathan Price (bass, vocals) and Eric Scott (drums).
Last year, the group released Blacklist the Kid with the Red Moustache to much critical acclaim. The album was produced by Howard Bilerman (Arcade Fire, British Sea Power) and Colin Stewart (Frog Eyes, Pretty Girls Make Graves). Over the past year they have taken that momentum and have further firmed their hold on Los Angeles with plays on Indie103.1, KROQ and Sirius Satellite radio, a residency at The Echo, high profile shows alongside the likes of The Whigs, Bodies of Water, Quasi, Frog Eyes, Broken West and a spot at this summer's Sunset Junction Fest with !!!, Beachwood Sparks, Black Keys, Cold War Kids and more. A standout set at SXSW in March highlighted their chaotic-but-still-all-in-good-fun live show that led Esquire to declare them "the most intoxicated band in Austin" and that "the usually amazing band was made even more amazing by the fact that they could barely stand." This is The Henry Clay People. A band that plays every show with the same amount of energy and love whether it's to a crowd of hundreds or to a crowd of a few.
For Cheap or For Free is a family affair. Recorded at different studios in LA with the help of Joe Napolitano (Le Switch), Dave Newton (The Little Ones, The Movies), Raymond Richards (Broken West, The Weather Underground) and Wendy Wang (The Sweet Hurt, Correatown) it also feature's guests from local bands Le Switch, The Sweet Hurt, I Make This Sound and Idaho Falls. The songs on the album feature bright telecasters, honky tonk piano, Heartbreakers worthy drumming and the occasional pedal steel. As a twenty something himself, Joey Siara's lyrics deal with the issues one would expect; growing up, being broke, being in love, caring about the future but also trying to resist it. "Working Part Time" is an ode to merely getting by, the beauty in the little things, as he sings "I was broke but still alive, yeah, I was fine." In "This Ain't A Scene" he talks about not settling down until he's seen everything and on "Fine Print" touches on faith and feeling lost, "we got caught believing, we were tired of leaving our futures up to fate." Green chimes in too on his tune "Bull Through" as he sings "We were doing nothing but paying our rent." Straight for the throat rockers and anthems mesh well with country ballads and ramshackle living room numbers. The Henry Clay People have delivered a vital album full of celebratory rock and roll for an audience that is desperate for just that.


- "Your identity could not be verified. Please contact Customer Service at the telephone number below so that we may assist you with your password."
- Go back to log in, enter info, get that ^^ message again.
I've called the number, but it's just telling me stupid things like oh you might have caps lock on or something. Odameyer said something about having to enter a confirmed CC number, but I've been using this account for years and have never had this problem. As I said, I only get this when trying to pay for something via paypal and can log in by just going to the site. Without fixing this problem I won't be able to buy anything, so has anyone else had this problem? Whatta I do?
Not much you can do, if it's related to the bug that I think it is.
Customers trying to use Paypal at our store were having the same problems last Friday. After hours of checking out our code and several calls to our Paypal rep we finally got an answer from one of their techs -- Paypal bug. There's a temporary fix, but it must be implemented by the store.
Did you try clearing your cache?
Hm, that's weird. Well it was doing it with Steam too.
That I did. Still messing up.


text:
John Clive Titles, Movies and Posters
The Bride of Frankenstein
CAST: James Whale, Boris Karloff, Elsa Lanchester, Ernest Thesiger, Colin Clive, Una O'Connor, Valerie Hobson, Dwight Frye, John Carradine, E.E. Clive, O.P. Heggie, Gavin Gordon, Douglas Walton, Billy Barty,
CAST: James Whale, Boris Karloff, Colin Clive, Mae Clarke, John Boles, Dwight Frye, Edward Van Sloan, Frederick Kerr, Lionel Belmore,
CAST: James Whale, Claude Rains, Gloria Stuart, Dudley Digges, William Harrigan, Una O'Connor, E.E. Clive, Dwight Frye, Henry Travers, Holmes Herbert, John Carradine,
CAST: Stanley Kubrick, Malcolm McDowell, Patrick Magee, Adrienne Corri, Michael Bates, Warren Clarke, Aubrey Morris, James Marcus, Steven Berkoff, David Prowse, John Clive, Carl Duering,
CAST: Hough, John, Roddy McDowall, Pamela Franklin, Clive Revill, Gayle Hunnicutt, Peter Bowles, Roland Culver,
CAST: John Ford, John Wayne, Jeffrey Hunter, Vera Miles, Natalie Wood, Ward Bond, John Qualen, Harry Carey Jr., Olive Carey, Antonio Moreno, Henry (Kleinbach) Brandon, Hank Worden, Lana Wood, Dorothy Jordan,
CAST: Joan Kemp-Welch, Christopher Neame, Ann Hasson, Laurence Payne, Mary Kenton, Peter Dyneley, Simon MacCorkindale, Arthur Hewlett, Clive Swift, Roger Tallon, Michael Macowan, Mark Rogers, Martin Read, Trevor St. John Hacker, Stephen Churchett,
CAST: Irvin Kershner, Mark Hamill, Carrie Fisher, Harrison Ford, Billy Dee Williams, Alec Guinness, David Prowse, Kenny Baker, Frank Oz, Anthony Daniels, Peter Mayhew, Clive Revill, Julian Glover, John Ratzenberger,
The Girl From 10th Avenue
CAST: Alfred E. Green, Bette Davis, Ian Hunter, Colin Clive, Alison Skipworth, John Eldredge,
The Private Life of Sherlock Holmes
CAST: Billy Wilder, Robert Stephens, Colin Blakely, Geneviève Page, Christopher Lee, Tamara Toumanova, Clive Revill, Irene Handl, Mollie Maureen, Stanley Holloway, Catherine Lacey, Peter Madden, Michael Balfour, James Copeland, John Garrie,
Move Over Darling
CAST: Richard Lester, Margaret Rutherford, Ron Moody, Bernard Cribbins, David Kossoff, Terry-Thomas, June Ritchie, John Le Mesurier, John Phillips, Eric Barker, Roddy McMillan, Tom Aldredge, Michael Trubshawe, Peter Sallis, Clive Dunn,
Charlie Chan At The Circus
CAST: Harry Lachman, Warner Oland, Keye Luke, George Brasno, Olive Brasno, Francis FordMaxine Reiner, John McGuire, Shirley Deane, Paul Stanton, J. Carrol Naish Boothe Howard, Drue Leyton, Wade Botele,
Sleepwalkers
CAST: Garris, Mick, Brian Krause, Madchen Amick, Alice Krige, Jim Haynie, Cindy Pickett, Lyman Ward, Ron Perlman, Stephen King, Tobe Hooper, Mark Hamill, Glenn Shadix, Joe Dante, Clive Barker, John Landis,
Scandal Sheet
CAST: John Cromwell, George Bancroft, Kay Francis, Clive Brook, Regis Toomey, Lucien Littlefield, Gilbert Emery, Harry Beresford, Mary Foy, Jackie Searl,
CAST: Hitchcock, Alfred, Jon Finch, Barry Foster, Barbara Leigh-Hunt, Anna Massey, Alec McCowen, Vivien Merchant, Billie Whitelaw, Jean Marsh, Bernard Cribbins, Michael Bates, Rita Webb, Jimmy Gardner, Clive Swift, Madge Ryan, George Tovey,
CAST: Deran Sarafian, Bruce Abbott, Beatrice Ring, Teagan Clive, John Armstead,
Bulldog Drummond Comes Back
CAST: Louis King, John Barrymore, John Howard, Louise Campbell, Reginald Denny, E.E. Cliv,
Treasure Island (TV)
CAST: Fraser Clarke Heston, Charlton Heston, Christian Bale, Oliver Reed, Christopher Lee, Richard Johnson, Julian Glover, Isla Blair, Clive Wood, Nicolas Amer, John Abbott, James Cosmo, James Coyle, Michael Halsey, Michael Thoma,
Never Too Young To Rock
CAST: Dennis Abey, Peter Denyer, Freddie Jones, Sheila Steafel, Joe Lyneh, John Clive, Peter Noone, Scott Fitzgerald,
The Four Feathers
CAST: Zoltan Korda, Alexander Knox, John Clements, Ralph Richardson, Sir C. Aubrey Smith, June Duprez, Donald Gray, Jack Allen, Allan Jeayes, Frederick Culley, Hal Walters, Henry Oscar, John Laurie, Clive Baxter, Robert Rendel, Derek Elphinstone, Norman Pierce,
CAST: Frank Lloyd, Diana Wynyard, Clive Brook, Herbert Mundin, Una O'Connor, Ursula Jeans, Beryl Mercer, Merle Tottenham, Frank Lawton, John Warburton, Margaret Lindsay,
My Own Pal
CAST: John G. Blystone, Tom Mix, Olive Borden, Tom Santschi,
Smashing Time
CAST: Desmond Davis, Rita Tushingham, Lynn Redgrave, Michael York, Anna Quayle, Irene Handl, Ian Carmichael, Jeremy Lloyd, Toni Palmer, George A. Cooper, Peter Jones, Arthur Mullard, Ronnie Stevens, John Clive, Mike Lennox,
Footlights and Shadows
CAST: John W. Noble, Olive Thomas, Alex Onslow, Ivo Dawson, Mr. Farrell,
Henry Aldrich Plays Cupid
CAST: Hugh Bennett, Jimmy Lydon, Charles Smith, John Litel, Olive Blakeney,
Henry Aldrich's Little Secret
CAST: Géza von Radványi, John Kitzmiller, Herbert Lom, Olive Moorefield, O.W. Fischer, Catana Cayetano DIRECTED BY: Radványi,
Henry Aldrich Swings It
CAST: Hugh Bennett, Jimmy Lydon, Charles Smith, John Litel, Olive Blakeney, Mimi Chandler, Vaughan Glaser, Marian Hall, Beverly Hudson, Fritz Feld, Charles Arnt,
Mouse on the Moon
The Beyond
CAST: Lucio Fulci, Catriona MacColl, David Warbeck, Cinzia Monreale, Antoine Saint-John, Veronica Lazar, Anthony Flees, Giovanni De Nava, Al Cliver, Michele Mirabella, Gianpaolo Saccarola, Maria Pia Marsala,
Parole Girl
CAST: Edward F. Cline, Mae Clarke, Ralph Bellamy, Marie Prevost, Hale Hamilton, Ferdinand Gottschalk, Ernest Wood, Sam Godfrey, John Paul Jones,
Adventures in Diamonds
CAST: George Fitzmaurice, George Brent, Isa Miranda, John Loder, Nigel Bruce, Elizabeth Patterson, Matthew Boulton, Rex Evans, Cecil Kellaway, Walter Kingsford, Ernest Truex, Ralph Forbes, Genia Nikolaieva, Charles Irwin, E.E. Clive,
CAST: Cyril Frankel, Sybil Thorndike, Kathleen Harrison, Estelle Winwood, Stanley Holloway, Liam Redmond, Marjorie Rhodes, Richard Harris, Olive McFarland, John Salew, Eric Pohlmann, Colin Gordon, Joyce Carey, Anita Sharp-Bolster, Paul Farrell,
The Frightened City
CAST: Lemont, John, Herbert Lom, John Gregson, Sean Connery, Alfred Marks, Yvonne Romain, Kenneth Griffith, Olive McFarland, Frederick Piper, John Stone, David Davies, Tom Bowman, Robert Cawdron,
CAST: Freddie Francis, Patrick Wymark, Margaret Johnston, John Standing, Alexander Knox, Judy Huxtable, Don Borisenko, Thorley Walters, Robert Crewdson, Colin Gordon, Tim Barrett, Frank Forsyth, Olive Gregg, Harold Lang, Gina Gianelli,

redpajama_set_name: RedPajamaCommonCrawl


Christoffers Flowers is a New Jersey-based floral design boutique with 40+ years in the wedding industry. We strive to create a memorable experience as well as exquisite floral arrangements. We design only one event at a time; therefore, your wedding day is our sole focus! Our designers consult with you, listen to your needs, and deliver floral solutions that delight you and your guests.
Let Christoffers fulfill your dream wedding with fresh and rare flowers from the finest growers.
For more information or to book a wedding consultation, call us at 908.233.0500, email us at christoffersflowers860@gmail.com, or visit christoffersflorist.com.
It is difficult to put into words how incredibly happy we were with our wedding flowers. We met with Ishani and Laura to talk about our vision, and they completely nailed it. Lines of communication were always open, and they never missed a step. I was literally OBSESSED with my bouquet, and the boutonnieres and wristlets were absolutely gorgeous!!! The delivery was prompt and friendly, and everything was just perfect!! The wristlets were so cool because they were arranged on decorative slap bracelets, which made for easy on and off and switching of hands as needed. It also made it easy for the kids in our bridal party. Everyone's professionalism and execution were unmatched, and we would definitely recommend them for any of your floral needs.
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This new biner is strong enough to hold you ridgeline while only weighing in at just 2 grams.
It is made of titanium with a professional stainless steel spring gate this is the mightiest biner so far.
Put it on your hammock ridgeline and you will forget it is there until you want to disconnect it to turn your hammock into a lounger.
They also work well to connect your tarp to your ridgeline, your quilt to your suspension, or fasten anything to the back of your pack.


The gilets jaunes (Yellow Jacket) anti-tax riots in France escalated over the past weekend, again citing the impact of higher taxes on fossil fuels –and high levels of taxation in general – on everyday life. French citizens, already subject to the highest taxes in the OECD, are being crushed by both new and systematically increasing taxes, and have taken to the streets by the hundreds of thousands in a "citizen's revolution". Recommendations to declare a state of emergency have for the time being been tabled.
Media images depicting the tax insurrection are dominated by burning cars, graffiti on the Arc de Triomphe, and clashes with police - despite the fact that the majority of the 136,000 protestors on Saturday were disruptive but peaceful.


If you are traveling to see me you can always call the place I'm playing or me 207-266-2494 to be sure. This List is a recent history in chronological order with additional info to that on my home page of upcoming engagements. Scroll to the end for upcoming gigs.
Admission $7.00 Adult / Under 12 Free/ One Admission Good for All 3Days.
Huge 3 Day Holiday Weekend Event!
Lovely Historic Town Common on easy to find Route 1!
Late Friday Hours for this "Booming" Event in Worcester!
One Admission Good for Both Days!!
Last Great "Shopping Show" of the Year!!
set up next to the food.
I'll play your requests and you can sit down, eat and enjoy it all!!
Usually the 2nd Tuesday of every month.
Beautiful, Cape Cod Location in lovely Orleans.
Fiddling and Sing Along as well!!
I'll be performing on� Stage at some point.
I'll let you know when when I know when.
Free CD to the first 5 Parties Every Day I play!!
One Day Only This Year!!!!
1st 5 parties get a free CD!!!!!
gourmet foods, glass art, floral arrangements, & lots more!!!
I'll be performing on�Stage at some point.
More info as the plans develop and I get a schedule.
Back to Two Days This Year!!!!
$7.00 Adult / Good for all 3 days.
Formally known as CT Golf Land, Vernon, Ct.
luncheon from 11:30 - 1pm.


text:
Palkanlu () may refer to:
 Palkanlu-ye Bala, North Khorasan Province
 Palkanlu-ye Pain, North Khorasan Province
 Palkanlu-ye Olya, Razavi Khorasan Province
 Palkanlu-ye Sofla, Razavi Khorasan Province

redpajama_set_name: RedPajamaWikipedia


Hopefully you are still into Call Of Duty: Infinite Warfare's multiplayer and all of the extras with it as it looks like the next bit of DLC is about to drop. At least on the PS4 as the Continuum DLC will be out from Infinity Ward on April 18th for those players. There is still the PS4 first deal going on for Activision so all of you Call Of Duty fans on the Xbox One and PC will have to wait most likely another month to get it. This is the world we live in now, so we'll have to all just make due and hold out. That and fall behind on the experience of the four new maps landing for the game. Hopefully you all can play catch-up really well but as it is not cross-platform there shouldn't be too much of an issue.
Here are all of the maps, and some fun gameplay for them, coming to Call Of Duty: Infinite Warfare next week. Or this week depending on when you are checking this article out. Or maybe they already dropped and we are well past April 18th now and we can say hello to all those people in the future. Hi.
Four bold new maps are coming in Call Of Duty: Infinite Warfare's second DLC Pack, including the long-awaited reimagining of Modern Warfare 2's Rust as the sprawling metropolis of Excess. Engage in frenetic firefights in the post-futurist art gallery of Archive, flip your perspective in gravity-defying sniper perches in Scrap, and hunt your enemies throughout the elite resort of Turista.
Turista — A plush spa and resort, Turista is nestled in the middle of a giant skeleton of an ancient creature. With sniper spots scattered across a majestic, central waterfall, Turista also boasts tight interiors for fans of close-quartered combat and a three-lane design that caters to a variety of play styles.
Scrap — Set in an abandoned junkyard on the Moon, Scrap features a combination of extended sightlines and tactical pathways that reward players who engage in both long and short range combat.
Archive — Fast, frenetic engagements set the pace in Archive, a post-futurist art gallery where tight engagements contrast with open exterior battlegrounds in this wide three-lane style map.
Excess — Perched atop a gilded penthouse in a sprawling future metropolis, Excess is a small, circular map re-imagined from the classic Modern Warfare 2 map, Rust, that retains the intense, fast-paced combat from the original.
Which of these new maps for Call Of Duty: Infinite Warfare do you like the most here? Are you glad to see the Rust map coming back in a different way or would you rather have a completely new map instead? Will you actually play through the maps as we see here or will you just always be running and gunning as is the usual case? Let us know down in the comments and then discuss. For more on Call Of Duty be sure to stick around here as we will bring it all to you. You don't want to miss out on any of that.


text:
Ritwik Ghatak's Lesser Known Prowess of Writing Plays
'Five Plays' is a translated compilation of Ritwik Ghatak's select works in Bengali. It is a welcome addition despite its shortcomings owing to the lack of supplementary material to study the lives and careers of major artistic figures in India.
Ritwik Ghatak began with theatre, and dabbled in it occasionally even after earning repute as a filmmaker. Credit: Facebook/Cinema mon amour
Sudhanva Deshpande
Picture this. It is 1942–43. The streets of Calcutta are full of hungry and dying people. They are the victims of the great Bengal famine, a result of colonial policy, not drought. A young journalist, Bijon Bhattacharya, walks to work and back, his eyes firmly to the ground right in front of him. He can't bear to look up, left or right. There are living skeletons all around. It is hard to make out the living from the dead.
One day as he walks, he hears laughter. A famished family is reminiscing about the aroma of rice after the fresh harvest. Just that – the memory of an aroma – fills, metaphorically, their devastatingly hungry stomachs. When he walks past the spot the next day, there is no family. Have they gone elsewhere in search of food? Are they dead?
The young journalist has no experience of playwriting. Yet, this single image, of the family laughing at the memory of the aroma of the rice of the fresh harvest, seems to coalesce in his mind. It is the poetic distillation of the humongous tragedy all around him. It leads him, in a frenzy, to write a play. It is called Nabanna (fresh harvest).
Nabanna was produced by the Indian People's Theatre Association and co-directed by Bijon Bhattacharya and Shombhu Mitra. It became a landmark of Indian theatre and played to mass audience, bringing home to them the reality of the economic genocide perpetrated by the colonial state. The second production of the play, for Shombhu Mitra's group (yet to be named Bohurupee) in 1948, featured a young actor who went on to become a trailblazer in cinema: Ritwik Ghatak.
Ghatak's formative years were marked by two genocidal tragedies which followed one another in less than half a decade. Barely had Bengal managed to burn and bury its (roughly) three million famine victims when the land was divided into East and West. Mass migrations on both sides, coupled with horrific bloodletting, again tore asunder the land and its people.
An entire generation of Bengali intelligentsia was traumatised by these twin tragedies – the Great Famine and Partition. This trauma could well have dissolved into despondency and empty rage, into nihilism and even fascism, had it not been for the Communist Party of India and its peasant wing, the All India Kisan Sabha, which led, in 1946–47, a mass uprising against the oppressive jotedars, the Tebhaga Andolan. Colossal, man-made tragedy was confronted with the socialist alternative. This radicalised that generation of the Bengali intelligentsia.
Ritwik Ghatak was in his late teens at the time of the Bengal Famine and in his early twenties at the time of Partition. In his life of 51 years, he made eight full-length feature films. He also worked as a scriptwriter – his biggest commercial success, in fact, was for the script of the Bimal Roy-directed, Dilip Kumar–Vyajantimala Hindi reincarnation romance, Madhumati (1958).
A still from Madhumati. Credit: IMDB
Ghatak himself only made films in Bangla. Though he had already made Nagarik in 1952, his first commercial release was Ajantrik (1958), possibly one of the first science fiction movies in India. His classic works were a trilogy made in a frantic creative burst – Meghe Dhaka Tara (1960), Komal Gandhar (1961) and Subarnarekha (1965). While the first was a success, the other two didn't do well at the box office. Finding no producer, Ghatak did not make another film for the rest of the 1960s.
He did, however, teach at Pune's Film and Television Institute of India for a while in the mid-60s, where the next generation of alternative filmmakers, Kumar Shahani and Mani Kaul, were his students. He returned to feature films in the 1970s with Titas Ekti Nadir Naam (1973) and Jukti Takko Aar Gappo (1974). In between all this, he took to the bottle and descended into madness, spending a while in a mental asylum.
The experiences of dislocation, migration, poverty and being a refugee mark his entire filmography. In his best works, there's a seamless coming together of a stark realism – almost documentary-like in its feel – with heightened emotion and mythic references.
Ritwik Ghatak was a master of the soundtrack – not only did he have a superlative grasp of music, his innovations in the use of sound are still studied – and much copied, one should add. For instance, in Meghe Dhaka Tara, when the protagonist Nita learns that the man she had loved and who has now been wooed away by her sister still harbours feelings for her, she abruptly walks away, realising the impossibility of their union. As she walks, we hear the sound of a whip being lashed repeatedly. Now, this is against the rules of realism – there is no action in the scene or the mise en scène suggesting where this sound might emanate from. It is as if we have entered Nita's own tortured soul.
With portrayals like these and because of his extremely lyrical use of the camera, Ritwik Ghatak's position among the triumvirate of the first generation of the Bengali New Wave, along with Satyajit Ray and Mrinal Sen, is secure. What is, however, lesser known, is that Ghatak began with theatre, and dabbled in it occasionally even after earning repute as a filmmaker. After acting in Nabanna, he went on to join the Indian People's Theatre Association in 1951 and the Communist Party of India soon after. It is known that he wrote a play called Kalo Sayar (The Dark Lake) in 1948, but the script is now lost. He also acted in, and/or directed about half a dozen other plays.
Bijon Bhattacharya's influence is writ large on Ghatak's writing, of whom he says: "Bijon Bhattacharya was the first to show us how to register in theatre one's commitment to the people, how to achieve collectivity in performance, and how to create on stage the seamless totality of a slice of reality…It was a massive turbulence that ran like an electric shock through the whole of Bengal from one end to another."
Five Plays,
Translated from Bengali by Amrita Nilanjana,
Niyogi Books, 2018
Ritwik Ghatak scripted five plays that focus especially on the Bengal Famine and the aftermath of the Partition. These works have been translated into English and compiled into a single volume: 'Charter' (original title Dalil), 'Communication' (Sanko), 'Agony' (Jwala), 'Ablaze' (Jwalanta) and 'That Woman' (Shei Meye). Regrettably, the book does not provide the dates of writing, or details of performance, if any. (It is also marked by shoddy proofreading, with stage directions appearing as dialogue in some places and so on.) While Samik Bandyopadhyay's foreword pithily places Ghatak and his theatre work in historical context, the translator doesn't seem particularly interested in anything except the actual translation – which itself appears patchy, though one can't be sure, on account of not having access to the original.
Samik Bandyopadhyay is right in calling Ghatak a "marginal presence in Bengali theatre, in no way comparable to his formidable – and controversial – iconic status in Indian cinema." And yet, it is precisely because of that iconic and formidable presence in cinema, that this volume of his plays is fascinating. They reprise the well-known themes of his films – in particular, his preoccupation with the Partition and migration.
The first two plays, 'Charter' and 'Communication', are based explicitly on the theme of Partition. The third, 'Agony', is about a series of suicides that took place in Kolkata in 1950. In that sense, it has a documentary feel to it. The fourth, 'Ablaze', about madness and violence, has a chaotic and quite unplayable quality to it, but it is still interesting in the use of placards that drop from above and film clips being projected at the backdrop. The last, 'That Woman', is a short study in madness and a heartfelt plea for society's acceptance of people afflicted by it. Interestingly, though he had himself experienced a mental asylum, Ghatak doesn't place the play in one, instead choosing to place it in a hospital. Also, in line with many of his films, the protagonist is a woman.
In our country, there is a relative lack of supplementary material to study the lives and careers of major artistic figures. In that sense, this volume is a welcome addition, despite its shortcomings. And since we live in a time when nasty, right-wing politics seems to impinge on every aspect of our lives – often violently – it is inspiring to see an artist of Ghatak's calibre trying to shift, through his entire oeuvre, in cinema and theatre, society in the direction of freedom and socialism.
What Ghatak said of Bijon Bhattacharya could just as well be said of Ghatak himself: "All that he has had for his capital is pristine honesty. And with that honesty for his approach, whenever a problem stares him in the face, he immerses himself in it to the very depths…He is not concerned about reputation. It is not in his nature to seek to set up a school with a label to it. In other words, this gentleman hasn't learnt to cheat."
Sudhanva Deshpande is an editor with LeftWord Books and an actor and director with Jana Natya Manch.


text:
Q: Adding Git Remote to Different Directory So I am writing a script that initializes a git repository in ~/.cfi, adds a remote, and pulls it down from the server.
Creating the directory, and initializing the repository work fine. The issue is adding the remote and doing a pull.
From the documentation, it doesn't look like git remote add has a directory parameter. Same goes for git pull. Is there a simple way to execute these two commands on the above directory without cding to it?

A: Yes, with the --git-dir and --work-tree options.
And since git 1.8.5, you even can use -C (shorter option).
See "Use git log command in another folder"
git --git-dir=/path/to/repo/.git --work-tree=/path/to/repo remote add xxx
git --git-dir=/path/to/repo/.git --work-tree=/path/to/repo pull

Or:
git -C /path/to/repo remote add xxx
git -C /path/to/repo pull

A: git itself has parameters --git-dir for the .git directory and --work-tree for your working copy:
git --git-dir /where/ever remote add ...

redpajama_set_name: RedPajamaStackExchange


The Fairbanks Medical Office Plaza was conceptualized as part of the development of Dr. Mark Wade's outpatient medical facility with a sophisticated level of surgical technology and patient care in Fairbanks. The modern-style one-story "L" shaped building creates a separate wing for the outpatient surgery center and the medical office suites. A southwest-facing two-story lobby conjoins these two elements, providing connectivity and allowing maximum natural light to filter into the building.
The facility is approximately 38,500 square feet; 18,000 square feet is occupied by several physicians who conduct or assist with procedures in the adjacent outpatient surgery center. The convenience in co-locating the surgery center and the medical office suites gives doctors the ability to save time in moving seamlessly from office visits, to surgery and recovery. This adjacency saves patients time and reduces costs.


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Swati Argade is a New York City-based designer, retailer and entrepreneur with over 15 years of experience in the fashion industry.
She owns and operates Brooklyn-based ethical fashion label Bhoomki. In 2011, Argade opened Bhoomki Boutique, one of New York City's leading ethical fashion destinations. The shop carries clothing and accessory brands dedicated to environmental and/or social responsibility, including its in-house line designed by her and her team. Bhoomki partners with companies supporting traditional artisanship in over 18 countries. Argade's collections are known for incorporating sustainable fabrics with classic and tailored silhouettes. She mainly manufactures her clothing in New York's Garment District.
Argade lectures frequently on sustainability and the fashion industry-at-large at educational institutions including: University of California-Berkeley, Parsons School of Design at The New School, Pratt Institute, Fashion Institute of Technology, University of the Arts, Duke University, and the Ms. Foundation. She earned her B.A. from the University of North Carolina at Chapel Hill, her M.A. from the University of California-Berkeley, and studied patternmaking and draping at the Fashion Institute of Technology.


text:
Autunit, kalkuranglimmer, hydratiserat kalcium-, uran-, fosfatmineral med den kemiska sammansättningen Ca(UO2)2(PO4)2·10 12H2O.

Autunit har en gul-grön färg med gult streck och är fluorescent. Mineralet har en hårdhet på 1–1,5 och en matt glans. Autunit kristalliseras i ett tetragonalt system med kvadratiska, tavelformade kristaller.

Den höga halten av uran gör autunit starkt radioaktivt och mineralet används också som uranmalm. Om autunit får torka ut ombildas det till meta-autunit-I som om det upphettas kan ombildas till meta-autunit-II. Dessa två mineral är mycket ovanliga i naturen.

Autunit upptäcktes 1852 nära den franska staden Autun.

Bland fyndorterna kan förutom Autun nämnas Schneeberg och Johanngeorgenstadt i Sachsen i Tyskland; Northern Territory i Australien, Cornwall i Storbritannien; Washington i USA och Jáchymov i Tjeckien.

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text:
Pleuranthodium hellwigii is a monocotyledonous plant species that was first described by Karl Moritz Schumann, and given its current name by Rosemary Margaret Smith. Pleuranthodium hellwigii is part of the genus Pleuranthodium and the family Zingiberaceae.

The species' range is in Papua New Guinea. No subspecies are listed in the Catalog of Life.

References

hellwigii
Taxa named by Rosemary Margaret Smith