text:
techbea
TECHNICAL ADDA
Motorola will be launching its new Moto G9 in India today, August 24, at 12:00 PM (noon). While the company hasn't revealed anything about the device, it's e-commerce partner Flipkart accidentally mentioned about Moto G9 in its listing URL last week. Also Read - Motorola Moto G9 with 48MP camera launched in India: Price, sale date, specifications
The Lenovo-owned company is also expected to launch the Moto E7 Plus smartphone alongside Moto G9. The same is likely to be available via Flipkart as well. Here are the details. Also Read - Infinix Hot 9 flash sale today at 12PM on Flipkart: Price, offers
Moto E7 Plus and Moto G9: Leaked specifications
As for the specifications, a previous leak revealed that the Moto E7 Plus would be powered by a Qualcomm Snapdragon 460 processor paired with 4GB RAM and 64GB of internal storage. There is also a large battery with a capacity of 5,000 mAh with support for 10 Watt charging. Meanwhile, the dual-camera setup on the back is reportedly equipped with the Night Vision feature to provide the best photos in low light conditions. Also Read - Online games helped in stress relief during lockdown, says Lenovo India's Executive Director
Moving on to the G9, we still know very little about this smartphone. However, we have seen the successor of the Moto G8 Plus get several certifications such as FCC, EEC, and TUV Rheinland. This smartphone is expected to have a 4,700mAh battery, which, according to the certification, is equipped with 30W fast charging system support.
page/http://facebook.com/vipul.rathor.31


text:
Updated: Monday June 02, 2014/AlEthnien Sha'ban 04, 1435/Somavara Jyaistha 12, 1936, at 12:41:57 PM
The Appropriation (Supplementary) Ordinance, 1961
ORDINANCE No XXVII OF 1961
[30th June, 1961]
An Ordinance to authorize payment and appropriation of certain sums from and out of the Federal Consolidated Fund for the service of the period beginning on the first day of July, 1960, and ending on the thirtieth day of June, 1961.
WHEREAS it is expedient to authorize payment and appropriation of certain sums from and out of the Federal Consolidated Fund for the service of the period beginning on the first day of July, 1960, and ending on the thirtieth day of June, 1961.
Now, THEREFORE, in pursuance of the Proclamation of the seventh day of October, 1958, and in exercise of all powers enabling him in that behalf, the President is pleased to make and promulgate the following Ordinance:---
1. Short title ---This Ordinance may be called the Appropriation (Supplementary) Ordinance, 1961.
2. Issue of Rs. 1,54,65,30,000 out of Federal Consolidated Fund for the period beginning on the first day of July, 1960, and ending on the thirtieth day of June, 1961.--From and out of the Federal Consolidated Fund there may be paid and applied sums not exceeding those specified in column (3) of the Schedule to this Ordinance, amounting in the aggregate to the sum of rupees one hundred and fifty-four crores, sixty-five lakhs and thirty thousand towards defraying the several charges which will come in course of payment during the period beginning on the first day of July, 1960, and ending on the thirtieth day of June, 1961, in respect of the services and purposes specified in column (2) of the Schedule.
3. Appropriation.---The sums authorized to be paid and applied from and out of the Federal Consolidated Fund by this Ordinance shall be appropriated for the services and purposes expressed in the Schedule in relation to the said period.
(See sections 2 and 3)
Sums-not exceeding
No. of Authorization.
Services and Purposes.
Authorized by the President.
Charged on the Federal Consolidated Fund.
Ministry of Commerce
Other Expenditure of the Ministry of Commerce
Capital Outlay on Jute and Cotton Purchases
Capital Outlay on Defence Services
Assistance to Educational Institutions
-- Debt Services
-- Audit
Superannuation Allowances and Pensions
Technical Assistance Schemes
Other Expenditure of the Ministry of Finance
Grants-in-Aid and Miscellaneous Adjustments between the Central and Provincial Governments
Capital Outlay on Currency
28-A.
Capital Outlay on Purchases of Salt
Miscellaneous Capital Investments
--Repayment of Debt
84,43,88,000
Loans and Advances by the Central Government
Capital Outlay on Purchases by the Ministry of Food and Agriculture
Other Expenditure of the Ministry of External Affairs
Ministry of Fuel, Power and Natural Resources
Other Expenditure of the Ministry of Fuel, Power and Natural Resources
Capital Outlay on Mineral Development
Capital Outlay on Irrigation and Electricity
Ministry of Health, Labour and Social Welfare (Health)
Ministry of Health, Labour and Social Welfare (Labour)
Other Expenditure of the Ministry of Health, Labour and Social Welfare (Labour)
Department of Supply and Development
Capital Outlay on Indus*trial Development
Capital Outlay on Printing Presses
Other Expenditure of the Ministry of Home Affairs
Ministry of Kashmir Affairs
Expenditure connected with Displaced Persons from Kashmir
Capital Outlay on Pur*chases by the Ministry of Kashmir Affairs
Ministry of Law
Other Expenditure of the Ministry of Law
Pakistan Broadcasting Service
Other Expenditure of the Ministry of National Reconstruction and Information
Capital Outlay on Broad-casting Service
President's Secretariat (Cabinet Division)
President's Secretariat (Establishment Division)
- Staff, Household and Allowances of the President
- Elections
- Federal Public Service Commission
Other Expenditure of the President's Secretariat
Pakistan Posts and Telegraphs Department .
Ministry of Rehabilitation and Works (Works)
Rehabilitation of Displaced Persons and Protection of Evacuee Property
Ministry of States and Frontier Regions
1,54,65,30,000
Go to Index | LL. B. – I | LL. B. – II | LL. B. – III | LL. B. Directory | Home

redpajama_set_name: RedPajamaCommonCrawl


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1-minute walk from Yokohama Municipal Subway Blue Line/Green Line Center-Kita Sta.
You can search for a car rental plan of Center Kita Station from the following area. You can select a pick-up site into a search box at the upper right and search for a car rental plan.


text:
package testclasses;

import de.unifreiburg.cs.proglang.jgs.support.DynamicLabel;
import utils.printer.SecurePrinter;

public class PrintMediumSuccess {
	public static void main(String[] args) {
		String med = "This is medium information";
		med = DynamicLabel.makeMedium(med);
		SecurePrinter.printMedium(med);

		String low = "This is low information";
		low = DynamicLabel.makeLow(low);
		SecurePrinter.printMedium(low);
	}
}

redpajama_set_name: RedPajamaGithub


text:
Sidewalk Improvement Program
As part of the planned construction improvements, the Town of Innisfil will be repairing various sidewalks within the Town beginning at the end of June 2021. The selected sections of sidewalk were chosen based on the results of the Sidewalk Needs Study, which is completed every 5 years. This study evaluates the sidewalk condition and rates each sidewalk section. Those that receive higher ratings are in worse condition than a section of sidewalk that has a lower rating.
Repair vs. Replace
By programming the repair of sidewalks, the Town can keep maintenance costs down as opposed to leaving the sidewalks to deteriorate. When sidewalks deteriorate, they require replacement instead of resurfacing which raises costs and so much more.
AODA Compliant
The sidewalks will be reconstructed and compliant with the Accessibility for Ontarians with Disabilities Act (AODA) including Tactile Warning Surface Indicator Plates that will be added at the intersections.
What sidewalks are being repaired?
The following sections of sidewalk will be constructed this year:
King Street South from Queen Street to Victoria Street West (West side of the road)
King Street South from Church Street to Hamilton Street (East side of the road)
Church Street from King Street to William Drive (South side of the road)
Church Street from Elizabeth St to 114m to the East (North side of the road)
Cook Avenue from Victoria Street East to Heritage Road (West side of the road)
How will this affect residents?
Sections of sidewalk that are being replaced or repaired will be closed to the public for the duration of the planned construction. Signage will be placed on the closed sections of the sidewalk and traffic disruptions may occur.
Residents can expect construction noise from Monday to Friday from 7:00am to 8:00pm. Due to the nature of construction, dust could occur during daytime hours.
Driveway access will be maintained throughout the construction, except for temporary disturbances when sidewalk is placed in front of residences. A minimum 48 hour notice will be provided to residents prior to this occurring.
For a map of the sidewalk sections, please see the below News Feed.
Sidewalks being repaired in 2021
CLOSED: This discussion has concluded.
Construction is scheduled to begin at the end of June 2021 and be completed at the end of August 2021. Notices to residents will be delivered or mailed out once the construction schedule is approved.
Bobbi-Jo Duncan
Email bduncan@innisfil.ca
Sidewalk Construction
June → August 2021


Nature has so many gifts to offer us. At the Natural Boutique we embrace the grace of her beauty in our selection of natural stone jewelry. It has been said that crystals are the blossoms of the mineral part of the Earth.
Natural stone jewelry is unique because no two pieces of stone or gems are alike. We offer artists that combine stylish designs with quality craftsmanship. The selection includes stones such as the rare Larimar and Sunstone to a variety of quartz crystals, jaspers, moonstones and more.
Featured artists include designers such as Marahlago, Charles Albert and Exclusive Inspirations. We select for quality of materials, stone type and design. Every stone has a story and a certain energy about it which all makes it a very personal accessory. Natural stone jewelry is not only beautiful and unique but it makes you feel good.
Known as the "dolphin stone", Larimar is more rare than tanzanite and found only in the Dominican Republic. Marahlago is the premiere designer of Larimar jewelry in the world. She promises each piece is of the highest quality stone and workmanship.
Her designs are influenced by nature and new pieces are presented during a few times a year. Registering your purchase of Maralago jewelry to her website enforces her guarantee. Each piece is signed guaranteeing the authenticity.
The store owner of The Natural Boutique fell in love with stone and the designs by Marahlago back in 2004 and have had it in the shop ever since. The beauty of the stone reminds some of the water and others of the sky. It becomes a very precious and personal purchase to own a Marahlago Larimar piece of jewelry. When gift shopping is in the works, our moto is "you never lose with Larimar".
Charles Albert has been one of our core designers since opening the store in 2003. Charles Albert has searched the globe to find the best in fossils, minerals and gemstones to set in fine sterling silver. Examples include Amethyst from Brazil, Ammonites from Madagascar, Peru and Morocco, Obsidian from Mexico and over 100 other fascinating stones.
The Charles Albert collection is meticulously handmade using .950 sterling silver by the finest silversmiths in the world. No casts, wax molds or glue is every used in the manufacturing of process. Each piece is signed by Charles Albert and they stand behind their work.
We hand pick the pieces we bring into our inventory looking for unique and rare stones. Each piece is unique as the person who falls in love with it. His collection is a geological wonder and should not be missed.
Wisconsin native Jenny Damrow is the artist behind the amazing and unique designs by Exclusive Inspirations. Unlike the other designers featured at The Natural Boutique, Jenny uses her artistic talents securing beautiful and rare stones and fossils in unique wire wrap designs. She combines mixed metals such as sterling silver, gold, rose gold and even copper.
Each piece is a one of a kind not to be duplicated. Twice a year we are lucky enough to have Jenny and her husband exhibiting their collection in the lower level of our store for your shopping pleasure.
If you are looking for a custom piece using natural stones or fossils, we can request it from Jenny and she will get the stones and metal you desire in a special one-of-a-kind piece.
We do carry other natural jewelry like the popular Zulu grass beads or the beautiful Waxing Poetic pieces. In addition we have a wide selection of chains so you can make your look unique and layer multiple pieces. We like to think of our jewelry selection and purpose for our mental health because it makes so many people happy.
At The Natural Boutique By Botanical Indulgence, we offer a diverse line of jewelry. We are one of the largest retailers of the very rare stone Larimar. Our jewelry artists provide one of a kind pieces we like to refer to as "wearable art".


text:
McAllen Personal Injury Attorneys
En Español We're Here to Take Your Call 24/7 956.254.7512
Civic Engagements
Need Help with Living Expenses?
Why Choose Stern Law Group?
Differences of Our Lawyers
Causes of Truck Accidents
Improper Loading of Commercial Trucks
Injuries Caused by Large Trucks
Truck Mechanical Failures
Why a Truck Accident Attorney
After a Motorcycle Accident
Investigating Motorcycle Accidents
Motorcycle Accident and Injury Stats
Recovering Fair Compensation
Ride Safe and Protect Yourself
Bed Bug Cases
Sexual Abuse Cases
We're Here to Take Your Call 24/7 956.254.7512
Jeffrey M. Stern
Adam H. Miller
Richard J. Nava
Adam J. Flood
Mark B. Levin
David M. Valetutto
Deborah L. Bradley
Joseph R. Corteguera
After 30,000 clients and 30 years of practicing law, Jeff is more passionate than ever about life and helping people. No matter what the cause is, he is there, whether assisting people that have been hurt, injured, taken advantage of or just a friend to talk to. Jeff graduated with an accounting degree, but upon graduation ...
Deborah L. Bradley is a native Texan and was born in San Antonio, Texas. In May 1981, Deborah graduated from East Texas State University with a B.B.A. in Marketing was named Marketing Student of the Year and was Vice President of Marketing of Pi Sigma Epsilon Fraternity. Deborah moved to Austin to begin a career in politics ...
Adam H. Miller, born Châteauroux, France (American Air Force Base) July 14, 1965; admitted to Texas State Bar in 1990. Adam graduated from the University of Texas with High Honors and a Plan II degree. During his undergraduate years, he was a member of the Zeta Beta Tau Fraternity and a Representative of the Liberal Arts ...
Mr. Richard J. Nava is a trial lawyer representing injured individuals in auto accidents, premises liability, sexual assault cases and other catastrophic injuries. He is a native Houstonian who graduated from Memorial High School and continued his studies earning a B.A. from Louisiana State University. GEAUX TIGERS! Upon ...
Mark B. Levin was born and raised in Hollywood, Florida. After High School, he attended Florida State University. He graduated from Florida State in 1981 with a B.S. in Criminology, and a minor in Sociology. After graduation, Mark worked as a private investigator, first on Miami Beach, then here in Houston. In 1985, He ...
"As a teenager, I was told I could argue with a fencepost. For the most part, that was true." During his undergrad studies at Baylor University, David made it his mission to turn his natural gift for debate into a career as an attorney for those who need representation most. His talent for debate and trial advocacy were ...
Joe Corteguera grew-up in South Florida where his parents settled after fleeing their homeland of Cuba during the communist revolution. After high school, he moved to New Orleans, Louisiana where he studied and worked for many years. Mr. Corteguera attended Tulane University where he majored in biology while completing ...
Adam J. Flood is a native Texan, having been born in Houston. He grew up though living all over the United States, including Chicago, IL, Monterey, CA, and landing back in Houston, where he continues to live today. Adam graduated from nearby at La Porte High School and later would attend the University of Houston's main ...
1100 East Jasmine, Suite 201 McAllen, TX 78504
Our Team is Ready to Listen
The sooner you take legal action, the better your chances of securing maximum compensation will be. To speak to a team member about your injury case, call 956.254.7512, or fill out the form below.
McAllan Personal Injury Lawyers
Tough Representation. Proven Results.
In the wake of a serious accident, who will you turn to for the professional help and reliable support you need? Who can be trusted to provide you with the resources you need to seek maximum compensation for the injuries you sustained? Questions like these shouldn't be taken lightly. Victims of serious injuries must take careful consideration when choosing the right attorneys to represent them. Without the right law firm on your side, it could be significantly more difficult to secure the full and fair compensation you're rightfully owed.
At Stern Law Group, it's our job to help accident victims in Texas. We're committed to doing whatever it takes to maximize the ultimate verdict or settlement offered to our clients in McAllan and throughout Texas. Backed by more than 150 years of combined experience and tens of thousands of satisfied clients, we're confident in our ability to help you obtain the financial compensation you both need and deserve after a serious accident of any kind.
To learn more about our legal services and how we can assist with your case, contact us today for a free case evaluation.
Explain Your Accident. We'll Explain How We Can Help.
Our legal team helps clients seek compensation to cover the costs of accident-related expenses including but not limited to:
Hospital and medical bills
Lost earning capacity
Time off work
We also provide reasonable living expenses, rental/car assistance & medical costs for qualified clients. After a serious accident, don't wait to align yourself with a proven legal team. Doing so could significantly improve your chances of obtaining maximum compensation for your case.
Types of Cases We Handle
Whether you were injured in a major car collision or your health is suffering from a dangerous drug, Stern Law Group is here to help. We represent all types of personal injury cases, from standard car collisions to complex maritime injuries. If you've been injured by the negligent or reckless actions of another, do not hesitate to contact an attorney at our office for help.
For more information about the types of cases we accept at Stern Law Group, click on any of the links to the left. If your accident or injury is not listed on our website, do not be discouraged – we may still be able to help. We encourage you to call our office to discuss the details of your case with a member of our team.
Contact Us for a Free Consultation in McAllan, Texas.
Stern Law Group's 24/7 response team is always available to take your call. Committed to our clients, we are ready to do whatever it takes to win sizable verdicts and settlements for the victims we represent in Texas. To request a free and confidential case evaluation with a McAllan personal injury attorney at our office, click here.
Helpful Answers for Your Questions
Assistance with Your Living Expenses
Benefits of Hiring Stern Law Group
Stern Law Group
McAllen Personal Injury Attorneys 1100 East Jasmine , Suite 201
956.254.7512 http://www.riograndevalleyinjuryfirm.com/
© All Rights Reserved.Powered by Scorpion
#SternLawGroup
Stern When You Need it Most
Now we are here to help you with your case wherever, whenever.


text:
Q: iOS - [NSConcreteValue doubleValue] crash (animation?) Hi there is a crash in my application that I am unable to figure out. I believe it has to do with animation. I don't know where the crash is happening so I have included where I think it happens, and a few methods that animation happens in.
In UICollectionViewFlowLayout subclass:
#define kTransformScale CATransform3DMakeScale(.8, .8, 1)
#define kTransformAngle M_PI

- (UICollectionViewLayoutAttributes *)initialLayoutAttributesForAppearingItemAtIndexPath:(NSIndexPath *)itemIndexPath
{
    UICollectionViewLayoutAttributes *attributes = [super initialLayoutAttributesForAppearingItemAtIndexPath:itemIndexPath];

    if ([self.insertIndexPaths containsObject:itemIndexPath])
    {
        // only change attributes on inserted cells
        if (!attributes)
        {
            attributes = [self layoutAttributesForItemAtIndexPath:itemIndexPath];
        }

        attributes.alpha = 0.0;

        if([_coordinator isCorporateTile:itemIndexPath.item])
        {
            attributes.transform3D = CATransform3DMakeTranslation([self collectionViewContentSize].width, 0, 0);
        }
        else
        {
            attributes.transform3D = CATransform3DRotate(kTransformScale, kTransformAngle, 0, 1, 0);
        }
    }

    return attributes;

}

+ (CABasicAnimation *)animationFromTransformation:(CATransform3D)fromTransformation
                                 toTransformation:(CATransform3D)toTransformation
                                   timingFunction:(CAMediaTimingFunction *)timingFunction
                                         duration:(NSTimeInterval)duration
{
    CABasicAnimation *animation = [CABasicAnimation animationWithKeyPath:@"transform"];
    animation.fromValue = [NSValue valueWithCATransform3D:fromTransformation];
    animation.toValue = [NSValue valueWithCATransform3D:toTransformation];
    animation.timingFunction = timingFunction;
    animation.duration = duration;

    return animation;
}

- (void)animateToTransform:(CATransform3D)toTransform
            timingFunction:(CAMediaTimingFunction *)timingFunction
                  duration:(NSTimeInterval)duration
                alterModel:(BOOL)alterModel
{
    CABasicAnimation *animation = [CABasicAnimation animationWithKeyPath:@"transform"];
    animation.fromValue = [NSValue valueWithCATransform3D:[(CALayer *)[self presentationLayer] transform]];
    animation.toValue = [NSValue valueWithCATransform3D:toTransform];
    animation.timingFunction = timingFunction;
    animation.duration = duration;

    if (alterModel)
    {
        self.transform = toTransform;
    }

    [self addAnimation:animation forKey:@"transform"];
}

2334 |   01:19:46:727 |$ ERROR: Uncaught Exception: -[NSConcreteValue doubleValue]: unrecognized selector sent to instance 0x1807fce0
2335 |  *01:19:46:727 |(
2336 |   00:00:00:000 |  CoreFoundation                      0x2e343e9b <redacted> + 154
2337 |   00:00:00:001 |  libobjc.A.dylib                     0x389ed6c7 objc_exception_throw + 38
2338 |   00:00:00:002 |  CoreFoundation                      0x2e3477b7 <redacted> + 202
2339 |   00:00:00:003 |  CoreFoundation                      0x2e3460af <redacted> + 706
2340 |   00:00:00:004 |  CoreFoundation                      0x2e294dc8 _CF_forwarding_prep_0 + 24
2341 |   00:00:00:005 |  QuartzCore                          0x30833ae5 <redacted> + 40
2342 |   00:00:00:006 |  UIKit                               0x30ced03b <redacted> + 226
2343 |   00:00:00:007 |  UIKit                               0x30cececb <redacted> + 14
2344 |   00:00:00:008 |  CoreFoundation                      0x2e28c803 <redacted> + 50
2345 |   00:00:00:009 |  CoreFoundation                      0x2e28621d <redacted> + 220
2346 |   00:00:00:010 | UIKit                               0x30af731f <redacted> + 526
2347 |   00:00:00:011 | UIKit                               0x30accd79 <redacted> + 196
2348 |   00:00:00:012 | UIKit                               0x30acb569 <redacted> + 7116
2349 |   00:00:00:013 | CoreFoundation                      0x2e30ef1f <redacted> + 14
2350 |   00:00:00:014 | CoreFoundation                      0x2e30e3e7 <redacted> + 206
2351 |   00:00:00:015 | CoreFoundation                      0x2e30cbd7 <redacted> + 630
2352 |   00:00:00:016 | CoreFoundation                      0x2e277471 CFRunLoopRunSpecific + 524
2353 |   00:00:00:017 | CoreFoundation                      0x2e277253 CFRunLoopRunInMode + 106
2354 |   00:00:00:018 | GraphicsServices                    0x32f7e2eb GSEventRunModal + 138
2355 |   00:00:00:019 | UIKit                               0x30b2c845 UIApplicationMain + 1136
2356 |   00:00:00:020 | nukonize.dylib                      0x0052df0f nukona_UIApplicationMain + 358
2357 |   00:00:00:021 | BrokerPresent                       0x00086c2b main + 70
2358 |   00:00:00:022 | libdyld.dylib                       0x38ee6ab7 <redacted> + 2
2359 |  *00:00:00:022 |)

redpajama_set_name: RedPajamaStackExchange


The Holmfirth wing chair takes the classic winged design we all know and love and gives it a modern twist. This stylish and elegant armchair would not look out of place in either a contemporary or traditional family living room or study.
The high back and extra deep seat makes this an extremely comfortable chair. The cushion is filled with soft foams for the ultimate levels of comfort and luxury. Simply choose you fabric and we will ensure your piece is crafted, upholstered and delivered to you within eight weeks of commission.


Our currently funded projects are generally based around mechanisms of Tat-DAT/NET interaction and Tat-induced neurocognition deficits and potentiation of cocaine reward in HIV-1 Tat transgenic mouse model. Our primary work investigates whether Tat-induced inhibition of DAT/NET is mediated by binding to allosteric binding site(s) on DAT/NET, not by interacting with the DA uptake site. Accordingly, attenuating Tat binding to DAT/NET would be expected to have minimal influence on physiological DA transport. A major goal is to identify and understand the recognition binding sites on DAT/NET for Tat and associated transporter conformational transitions. New projects are extending these findings to perform proof of concept studies using novel allosteric modulators to establish their potential for therapeutic application in HAND.
The Zhu Lab is also interested in exploring new theories about why some people may be more predisposed to addiction than others, and whether preemptive treatments could stop people from becoming addicted in the first place. Tobacco use is the number one preventable cause of death in the United States. This project is to study how environmental factors, through modulation of small RNAs and intracellular signaling, reduce nicotine's rewarding effects. This research project will provide insights into impact of a unique microRNA regulation in drug rewarding and has a high impact in the field of drug abuse research.


It is just that my worse is when I am drunk.
It is just that I can't pay the bills when I gamble.
It is just that I really hate you when I am with another woman.
While he said but babe we took a vow till death do us part.


Every now and then I find a story so incredible my heart bursts with emotion, and not only do I cry, I UGLY cry.
Do you ever UGLY cry even when you're happy? You might today (fair warning in case you're wearing mascara).
He was born way too early, and the obstacles he had to overcome were really big, but not bigger than our God.
This is a story of a mother's love for her baby.
A year ago from this Halloween he came home. I made this video to commemorate his first year and how far he has come. Today happens to be his mother's birthday... so I made this as a gift to her.
I want to thank all the doctors, nurses, and staff all over the world that make it their life's mission to help babies get better! It's because of you that my son ever stood a chance to make it home!


2019 Cougar by Keystone Model 34TSB Travel Trailer. WOW!! What an AWESOME LUXURIOUS FAMILY FRIENDLY trailer this one is folks!! It sleeps up to 11, has three slides, and is absolutely LOADED UP with high end features and options!! In the front of the unit you will find a private master bedroom with a walk around KING bed. Next you will discover a spacious walk through bathroom with a corner shower. Centrally located are the living and kitchen areas. This is the location of two large opposing slide outs. One slide houses the appliances and a large entertainment area that includes a flat screen tv and fireplace while the other houses a full booth dinette and luxurious sofa. There is also a large center island with a double sink. In the rear of the unit is a separate bunk room for the kids. This is the location of the third slide out that houses an upper bunk and lower sofa that easily converts into a bed. On the opposite side of the room are two more bunks. Again, this unit sleeps up to 11 people!! Options and equipment include ducted roof ac, stainless appliances, flat screen tv, fireplace, am/fm/cd/dvd, residential style fixtures and faucets, two power awnings with LED lighting, OUTSIDE KITCHEN, spare tire and carrier, and MORE! WE WANT YOUR BUSINESS FOLKS!! WE TAKE ALL TYPES OF TRADES!! WE CAN PROVIDE FAST AND EASY FINANCING!! CALL OR EMAIL NOW!!
See this Stock # S17452 - 2019 Keystone Cougar Half-Ton 34TSB on Delmarva RV Center in Seaford!
Check out Stock # S17452 - 2019 Keystone Cougar Half-Ton 34TSB on keystonervsource.com!


text:
<?php

namespace Aristos\PlazaBundle;

use Symfony\Component\HttpKernel\Bundle\Bundle;

class PlazaBundle extends Bundle
{
}


text:
Q: Tkinter - Cannot get radiobutton values after clicking a button which is not set by default I'm trying to read the content from a CSV file and create a setup window in which I can set new values in the radiobuttons and save them. For this, I've created a loop which creates N-1 rows from a CSV whose content is:
Row0;T
Row1;M
Row2;-
Row3;C
Row4;O

The problem is than when I try to get a new value by clicking a different radio button, I don't get that value. I've tried using the methods select, invoke, creating a function which prints what's selected, but nothing returns the correct value.
I think the problem is between lines 44 and 88
import pandas as pd
import os
from tkinter import *
import tkinter as tk
from tkinter import ttk
import platform

class Application(ttk.Frame):
    def __init__(self):
        root = Tk()
        root.geometry("555x490")
        root.resizable(0,0)
        self.notebook = ttk.Notebook(root)
        self.notebook.grid(sticky='news')
        self.notebook.pressed_index = None
        self.container = Frame(self.notebook)
        self.container.grid(sticky='news')
        self.notebook.add(self.container)

        self.canvas = Canvas(self.container, width=530, height=470)
        self.scroll = Scrollbar(self.container, command=self.canvas.yview)
        self.canvas.config(yscrollcommand=self.scroll.set, scrollregion=(0,0,100,1000))
        self.canvas.grid(row=0, column=0, sticky="news")
        self.scroll.grid(row=0, column=1, sticky='ns')

        self.frame = Frame(self.canvas, width=555, height=1000)
        self.canvas_window = self.canvas.create_window(555, 500, window=self.frame)

        self.container.bind("<Configure>", self.onFrameConfigure)                       #bind an event whenever the size of the container frame changes.
        self.canvas.bind("<Configure>", self.onCanvasConfigure)                       #bind an event whenever the size of the canvas frame changes.

        self.container.bind('<Enter>', self.onEnter)                                 # bind wheel events when the cursor enters the control
        self.container.bind('<Leave>', self.onLeave)                                 # unbind wheel events when the cursorl leaves the control

        self.onFrameConfigure(None)                                                 #perform an initial stretch on render, otherwise the self.scroll region has a tiny border until the first resize

        archive = pd.read_csv(os.getcwd()+"\\test.csv", sep=';', engine='python')
        y=0
        self.radioInbound = []
        self.radioInbound1 = []
        self.radioInbound2 = []
        self.radioInbound3 = []
        self.radioInbound4 = []
        for self.element in range(len(archive.index)):
            y+=20
            # El nombre de cada fila
            self.label = tk.Label(self.frame, text=(str(self.element+1)+' - '+archive.iloc[self.element,0])).grid(column=20, row=y)

            # Radio buttons para seleccionar el valor
            self.radioInbound.append(tk.IntVar())
            #print(self.radioInbound)
            if archive.iloc[self.element,1] == 'M':
                self.radioInbound[self.element].set(1)
            elif archive.iloc[self.element,1] == 'C':
                self.radioInbound[self.element].set(2)
            elif archive.iloc[self.element,1] == 'O':
                self.radioInbound[self.element].set(3)
            else:
                self.radioInbound[self.element].set(4)
        # Pinta los 4 radiobutton por cada self.elemento existente en el inbound
            self.radioInbound1.append(tk.Radiobutton(self.frame, text='M', variable=self.radioInbound[self.element], value=1, command=self.selected()))
            self.radioInbound1[self.element].grid(column=280,row=y)

            self.radioInbound2.append(tk.Radiobutton(self.frame, text='C', variable=self.radioInbound[self.element], value=2, command=self.selected()))
            self.radioInbound2[self.element].grid(column=310,row=y)

            self.radioInbound3.append(tk.Radiobutton(self.frame, text='O', variable=self.radioInbound[self.element], value=3, command=self.selected()))
            self.radioInbound3[self.element].grid(column=340,row=y)

            self.radioInbound4.append(tk.Radiobutton(self.frame, text='-', variable=self.radioInbound[self.element], value=4, command=self.selected()))
            self.radioInbound4[self.element].grid(column=370,row=y)
            #print(self.radioInbound1)

        # Mira el valor de cada celda para invocar el radiobutton correspondiente
            #if archive.iloc[self.element,1] == 'M':
            #    self.radioInbound1[self.element].select() ##hay que invocar al que esté en cada momento en el archivo csv
            #elif archive.iloc[self.element,1] == 'C':
            #    self.radioInbound2[self.element].select()
            #elif archive.iloc[self.element,1] == 'O':
            #    self.radioInbound3[self.element].select()
            #else:
            #    self.radioInbound4[self.element].select()

        #print(self.radioInbound)

        root.mainloop()
    def selected(self):
        #print(self.radioInbound[self.element].get())
        pass

    def onFrameConfigure(self, event):
        '''Reset the scroll region to encompass the inner frame'''
        self.canvas.configure(scrollregion=self.canvas.bbox("all"))                 #whenever the size of the frame changes, alter the self.scroll region respectively.

    def onCanvasConfigure(self, event):
        '''Reset the canvas window to encompass inner frame when required'''
        canvas_width = event.width
        self.canvas.itemconfig(self.canvas_window, width = canvas_width)            #whenever the size of the canvas changes alter the window region respectively.

    def onMouseWheel(self, event):                                                  # cross platform self.scroll wheel event
        if platform.system() == 'Windows':
            self.canvas.yview_scroll(int(-1* (event.delta/120)), "units")
        elif platform.system() == 'Darwin':
            self.canvas.yview_scroll(int(-1 * event.delta), "units")
        else:
            if event.num == 4:
                self.canvas.yview_scroll( -1, "units" )
            elif event.num == 5:
                self.canvas.yview_scroll( 1, "units" )

    def onEnter(self, event):                                                       # bind wheel events when the cursor enters the control
        if platform.system() == 'Linux':
            self.canvas.bind_all("<Button-4>", self.onMouseWheel)
            self.canvas.bind_all("<Button-5>", self.onMouseWheel)
        else:
            self.canvas.bind_all("<MouseWheel>", self.onMouseWheel)

    def onLeave(self, event):                                                       # unbind wheel events when the cursorl leaves the control
        if platform.system() == 'Linux':
            self.canvas.unbind_all("<Button-4>")
            self.canvas.unbind_all("<Button-5>")
        else:
            self.canvas.unbind_all("<MouseWheel>")

app = Application()

A: You have used same instance variable self.element in the for loop of creating those radiobuttons.  So after the for loop, self.element will refer to the last item of self.radioInbound.
Actually the instance variable self.element is not necessary.  And you need to pass the corresponding index to self.selected() for those radiobuttons using default value of lambda assigned to command option when creating those radiobuttons:
### actually don't need to inherited from ttk.Frame ###
#class Application(ttk.Frame):
class Application:
    def __init__(self):
        ...
        # just use a local variable instead of instance variable
        for idx in range(len(archive.index)):
            y+=20
            # El nombre de cada fila
            self.label = tk.Label(self.frame, text=(str(idx+1)+' - '+archive.iloc[idx,0])).grid(column=20, row=y)

            # Radio buttons para seleccionar el valor
            self.radioInbound.append(tk.IntVar())
            #print(self.radioInbound)
            if archive.iloc[idx,1] == 'M':
                self.radioInbound[idx].set(1)
            elif archive.iloc[idx,1] == 'C':
                self.radioInbound[idx].set(2)
            elif archive.iloc[idx,1] == 'O':
                self.radioInbound[idx].set(3)
            else:
                self.radioInbound[idx].set(4)
            # Pinta los 4 radiobutton por cada idxo existente en el inbound
            ### used lambda with argument with default value ###
            self.radioInbound1.append(tk.Radiobutton(self.frame, text='M', variable=self.radioInbound[idx], value=1, command=lambda i=idx:self.selected(i)))
            self.radioInbound1[idx].grid(column=280,row=y)

            self.radioInbound2.append(tk.Radiobutton(self.frame, text='C', variable=self.radioInbound[idx], value=2, command=lambda i=idx:self.selected(i)))
            self.radioInbound2[idx].grid(column=310,row=y)

            self.radioInbound3.append(tk.Radiobutton(self.frame, text='O', variable=self.radioInbound[idx], value=3, command=lambda i=idx:self.selected(i)))
            self.radioInbound3[idx].grid(column=340,row=y)

            self.radioInbound4.append(tk.Radiobutton(self.frame, text='-', variable=self.radioInbound[idx], value=4, command=lambda i=idx:self.selected(i)))
            self.radioInbound4[idx].grid(column=370,row=y)
        ...

    ### added argument idx ###
    def selected(self, idx):
        print(idx, self.radioInbound[idx].get())

    ...


With a vacancy rate of 25.06 per cent at the end of 2018, Calgary still has a major vacancy issue in its downtown office market and relief will not come until sustainable, believable confidence returns to the city, says commercial real estate firm Cresa.
In a year-end report, the company said market equilibrium, which is a 10 per cent vacancy rate, will be nearly impossible to achieve without some or all of the following: material job creation, major investment in the energy industry, and demolition or repurposing of office supply.
"Calgary requires almost 20,000 jobs to get back to a vacancy rate of 10 per cent. This is a staggering number and to get anywhere close to it, Calgary would need a full, sustainable recovery in order for capital to return to the market, leading to improved confidence, new projects and associated personnel," said Cresa's report.
"Despite moderate-to-high global energy prices through most of the last year, and several building redevelopments in the downtown core, vacancy still climbed higher in 2018. Though the city has made some strides recruiting new industries to Calgary – namely within the technology sector – those minor acquisitions cannot offset the bleeding from the energy industry. With workplace trends pushing more companies to utilize open space, and more employees working from home, it should only get more difficult to absorb vacancy in the downtown core.
Cresa said that at the risk of sounding alarmist, and after reviewing what has taken place over the past few years, it's difficult to foresee any material recovery for Calgary's downtown office market when looking at the next several years.
"While we have called for the stabilization of vacancy rates in the past – and are still doing so – we do not anticipate any positive absorption in the near term. While we keep looking for the bottom of the real estate market, it may have yet to be found," added the report.
"For 2019, we are forecasting the downtown market to experience negative absorption to the tune of 350,000 square feet, which would increase vacancy approximately 0.75 per cent. Though the last inventory adjustment was made in Q4 of 2018, as Telus Sky was delivered to market, we still foresee further bleeding within the downtown core. Between active merger and acquisition activity, financial failures, and anticipated pockets of ghost space, we have line of sight to nearly 250,000 square feet reaching the market.
Has Calgary's downtown office market hit its bottom?


With some of the most lavish sets, costumes and special effects ever to have been created for the stage, THE PHANTOM OF THE OPERA is a musical phenomenon. It received its world premiere at Her Majesty's Theatre in London on 9th October 1986 and has since played over 5,000 performances in London. Worldwide it has been seen in 90 cities and has won more than 50 major theatre awards.


text:
20th Century Fox Film Corporation
I'll Never Forget You (1951)
Directed by Roy Ward Baker
Genres - Fantasy, Romance | Sub-Genres - Romantic Fantasy | Run Time - 89 min. | Countries - United Kingdom | MPAA Rating - NR
Review ↓
Review by Craig Butler
A fairly haunting, if a bit slow, romance, I'll Never Forget You will most please those fans who like their romances tinged with a bit of science fiction or fantasy. Somewhat in the vein of the superior Portrait of Jennie, Forget is both a fish-out-of-water tale and a "two lives from different times" saga. It's an entertaining and fairly engrossing film, but it somehow falls short of being fully satisfactory. Part of the problem lies with Ranald MacDougall's screenplay, based upon a play (previously filmed) by John L. Balderston. It takes a little bit of time to get started, and even after it is started, we don't feel like we really understand why the lead character is as melancholy and dissatisfied as he is; had this been the kind of film in which such an enigmatic quality plays into the story, this would have been fine, but it's not. One also has a hard time believing that a man as intelligent as Peter would make some of the mistakes he does here. That said, there's plenty of romance and wistful longing here (played out in lush settings), and Tyrone Power is about all that one could wish of a hero of this sort. Ann Blyth is also quite winning, and Michael Rennie provides solid support; even better is Dennis Price, superlative and stealing scenes whenever given half a chance.


text:
Home Economy Qatar to Invest $150M to Build Dam in Southern Morocco
Qatar to Invest $150M to Build Dam in Southern Morocco
Rabat - Qatar will finance the construction of a dam at Guelmim, which is expected to cost $150 million.
Qatar Invests $150M to Build a Dam in Guelmim
Chaima Lahsini
Chaima Lahsini is freelance journalist and activist with the Al-Fam collective in Rabat.
Rabat – Qatar will finance the construction of a dam at Guelmim, which is expected to cost $150 million.
The dam will be located on Oued Sayad, one of the most important tributaries of Oued Asaka.
A Moroccan-Qatari partnership agreement on the construction of the Fask dam on the Oued Sayad in the Province of Guelmim was signed on Wednesday in Rabat by the Minister of the Interior Mohamed Hassad, the delegated Minister for Water, Charafat Afilal, and the Ambassador of the State of Qatar to Morocco, Abdallah Fellah Abdallah Daoussari.
With a capacity of 78 million m3, this dam, which will be constructed out 40 kilometers east of Guelmim, will allow the regularization of 19 million m3 of water.
The construction of the dam will take four years, from 2017 to 2021, according to the established schedule.
"This new dam, which will reinforce the hydraulic works of the region, will make access to drinking water safer for all the population of the region of Guelmim," said Charafat Afailal at the MAP.
Heavy Rainfall Rapidly Filling Morocco's Dams, Reservoirs
Abdelmoumen Dam: Key Reservoir Drying Up in Morocco's Souss Valley
Recent Rains Increase Dam Fill Rates to Reach 49.7%
Morocco Prepares for Drought With New Water-Saving Policy
300 Decision-Makers to Meet in Marrakech to Discuss Water Security
[getmostpop range="last7days"]
[getmostpop stats_date=1 category='84306,84309,84308,84989,84990,84996,84307′ range='last7days']


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text:
Israeli, Bahrain foreign ministers hold first public meeting in US
El Salvador judge gives new charges for El Mozote massacre
Iran FM says 'no information about losing a drone today'
Family, friends bid tearful goodbye to Indian boy died in school bus in Dubai
Light rains bring down mercury in some parts of India, heatwave toll in Bihar touches 76
Netherlands, Germany business community showed interest in investing in Himachal: CM
Press Trust of India | Shimla Last Updated at June 17, 2019 21:00 IST
https://mybs.in/2X6pYjs
Jai Ram Thakur visits food processing unit in Netherlands
BJP will win all four LS seats in Himachal: Jai Ram Thakur
Jai Ram Thakur lays stone for Shimla water scheme
HP CM lays foundation stone of various developmental projects
Jai Ram Thakur to present Himachal Pradesh's budget on Feb 9
The Himachal Pradesh government has got positive response from the business community of Germany and Netherlands as they showed keen interest to invest in the state, Chief Minister Jai Ram Thakur said.
Interacting with the media after his arrival from Germany and Netherlands, Thakur said the business community of both the countries showed interest to invest in various sectors, including agriculture, horticulture, food and fruit processing, tourism and hydroelectricity.
The chief minister said the Wageningen University in Netherlands showed keen interest to cooperate in post-harvest research and agro-food robotics in the state. He said the university was already engaged in some projects in the state, particularly in controlled atmosphere stores.
A memorandum of understanding (MoU) was also signed between the state government and the Frankfurt Innovation Zentrum, Germany, to explore areas of collaboration in the fields of precision medicine and precision agriculture, he added.
The chief minister stated an MoU was also signed with Assocham, Europe, in Netherlands to strengthen and expand in the area of agriculture, horticulture, logistic and infrastructure.
Thakur expressed hope that the roadshows held by him in both the countries would go a long way in attracting investments.
Before proceeding on his foreign visit, he had called on Prime Minister Narendra Modi and invited him for the two-day Global Investors' meet from November 7 in Dharamshala.
First Published: Mon, June 17 2019. 21:00 IST


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Perched in the heights of the Pointe Thalémont au François, the Plein Soleil 3* hotel-restaurant is an exceptional venue where guests can immerse themselves in an exceptionally Zen and cosy atmosphere.
Nestled in the heart of a tropical garden, overlooking the Baie de François and its mythical islets, this hotel-restaurant consists of the main house and 5 magnificent villas scattered in a park of almost 8000 m2. There are a total of 16 rooms and suites with a Creole design and modern furniture.
You will appreciate the warm and friendly spaces in the main residence.
You can also wander around the large lounge with its art deco style or linger in the reading room located on the mezzanine: magazines, books and works on Martinique are available and you can have a drink at the bar or in the salon near the poi carp pool.
The restaurant, located next to the main residence, opens on to the coral reef and the Atlantic Ocean: an irresistible beckoning to travel and dream.
The 50 m2 pool is equipped with sun loungers and parasols, perfect for basking in the surrounding nature and the Bay.
Location: 25 minutes from the International Fort-de-France Aimé Césaire airport.


text:
Q: How to import music into a music player from another partition? I've been having some problems on importing music to a music player. I have to import them manually every time I restart my computer. When I add music from Ubuntu's default music folder (/home/music), I don't have that problem. But when I try to add it from another partition (/dev/sda3), it keeps forgetting folder location. I have tried Rhythmbox and Lollypop so far; same issue in both of them.

A: Players such as Rhythmbox often "forget" additional media sources when they are no longer detected. Your additional media sources are in sda3 ("D:" in Windows. This partition is not automatically mounted.
In order to work around this behavior it is recommended to mount the partition on boot.
There are many ways to achieve that and - typically - advanced users would edit the fstab. But you can also do it entirely in a GUI by using the included Disks tool:

*

*Follow the instructions in this answer Is there a program to mount all of my drives automatically? but I suggest also enabling "Show in user interface" and in "Identify as" select the option Label in order to have a more "user friendly" name. Reboot. You may need to add the sources again because now it will have a different mount point and the programs may not recognize it as the same location. But once done is "set and forget".


text:
Is the flavor of artificial banana flavoring based on the "Gros Michel" banana?
I've heard the claim that artificial banana flavoring doesn't taste like bananas since it was based on a different cultivar than the one we know today. Until the 1950's the main banana cultivar commercially grown and sold was the Gros Michel or Big Mike. This would be the banana most people were familiar with. However, the Gros Michel was nearly wiped out by Panama Disease, so bananas you find in the stores today, are mostly all of the Cavendish variety, which can withstand the disease.
I've read and heard the claim that the artificial banana flavor used in candies and other food, is based on the taste and flavor of Big Mike. That, according to the claim, is the reason that banana flavored food tastes nothing like bananas. See for instance this article in Business Insider: "Strange Facts About Bananas".
In a thread on the Snopes forum someone offers the idea that the difference in taste is more likely due to use of a single flavoring, isoamyl acetate, instead of a richer palette of flavorings. But that doesn't exclude the possibility that the artificial banana flavoring was developed in the time of Gros Michel and based on its taste, and has changed little since, possibly because it became a flavor in its own right.
So, is the taste of artificial banana flavor more like the Gros Michel than the Cavendish?
And if so, is that because artificial banana flavor was developed to taste like the Gros Michel?
nutrition history plants
SQBSQB
Artificial banana flavor was derived from natural banana flavor; bananas, both Gros Michel and Cavendish, as well as other varieties including "wild" bananas, contain isoamyl acetate, amyl acetate and related compounds which result in their smell and taste.
The synthesis of isoamyl acetate from other sources (namely the reaction of isopentanol aka amyl alcohol with acetic acid as found in vinegar; the acid deprotonates the alcohol to form an ester) allowed for the replication of banana flavoring on a mass-producible scale without the need for natural banana extracts; however, because it's only one such compound in the full palette of "banana oil", it produces a one-note flavor. That flavor is recognizable as banana, by taste and smell, but it was never meant to be an accurate reproduction of any one variety of banana; merely a cheap reproduction of the species in general.
Other similar synthetics that have come to dominate use of the natural flavoring include methyl salicylate (the key ingredient of oil of wintergreen, and so close that hardly anybody bothers with the natural stuff anymore), and hydroxymethoxybenzaldehyde aka vanillin, used in place of natural vanilla extract in most brands of vanilla ice cream (and other flavors; it adds a creamier flavor to chocolate, for instance).
Source: Dr. Derek Lowe, synthetic organic chemist, and FDA documentation on artificial food flavorings.
KeithSKeithS
These references are impossible for us to check. One is an appeal to authority, and the other one is far too vague/broad. Could you improve them by being more specific, please? – Oddthinking♦ Mar 31 '14 at 22:46
Since the Gros Michel was the prevalent banana at the time of the isolation I would say that it most likely is true that the artificial flavor was based on it. Yes quite likely we would have the exact same artificial flavor if it was based on Cavendish but we wouldn't know for sure. The Gros Michel is known to taste much closer to the artificial extract than the Cavendish. So perhaps if the Cavendish was the most prevalent banana at the time people would not have been satisfied enough with the banana-ness to market it as Banana taste. (Perhaps it would have been blended with other esters.) ... – Kvothe Jun 3 '20 at 13:27
While there is no strong evidence to support the myth I would say that in this case the prior that it is true should be quite high because the banana taste being based on the Gros Michel is simply the most likely since it was the most common banana. – Kvothe Jun 3 '20 at 13:28
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text:
Panto-villain dukes, crafty maids – this is PROPER costume drama and the acting is better than the mannequins of Versailles: CHRISTOPHER STEVENS reviews last night's TV
By Christopher Stevens Reviews For The Daily Mail
Published: 02:40 EDT, 29 August 2016 | Updated: 09:44 EDT, 29 August 2016
Thank heavens for low standards. Fans of royal costume drama settled down to Victoria (ITV) knowing that it didn't have to scintillate — it just needed to be better than the preposterous palatial codswallop that was Versailles.
For ten weeks over the summer, we gawped in dismay at BBC2's rutting French aristocrats, who displayed all the acting ability of a bunch of shop mannequins on heat.
The servants and courtiers at Buckingham Palace needed to do nothing more than keep their clothes on and not fall over the furniture, and Victoria would trump Versailles.
New queen: Jenna Coleman's portrayal of Queen Victoria premiered on ITV last night - and is far better than the BBC's Versailles costume drama
The 95-minute opener, starring Jenna Coleman as the queen and Rufus Sewell as her wolfish Prime Minister Lord Melbourne, appears to be a hit
Sorry Harry, it looks like Jenna's found love with her TV... We definitely ARE amused! How the 'grumpy' Queen Victoria... A Queen that couldn't be controlled: the society sex scandal... Race to save crown for the nation: How ministers are backing...
They succeeded. A more critical eye might pick faults but, mindful of how much worse things could be, I was just grateful for a big-budget serial that stayed away from soft porn and philosophy.
Enemy: The Queen's uncle and pretender to her throne, the Duke of Cumberland (Peter Firth), was a pantomime villain with a facial scar to match
So what if the crown during the coronation scene appeared to be made from nylon, with plastic gems that had come out of a cheap Christmas cracker? And who cares that the Queen's uncle and pretender to her throne, the Duke of Cumberland (Peter Firth), was a pantomime villain with a facial scar to match?
This 95-minute opener, starring Jenna Coleman as the little queen and Rufus Sewell as her wolfish Prime Minister Lord Melbourne, was cautious and methodical, never straying very far from history.
To be strictly accurate, Victoria should have had a German accent, but that might have given the whole production an air of Fawlty Towers. Characters stopped each other in palace corridors to explain their motives, and were at such pains to identify themselves that they might as well have worn name badges and been done with it.
One scene broke free of the pedestrian level and whirled up like champagne bubbles. The 18-year-old Victoria got tipsy at her own coronation ball and danced with a Russian prince who was all hands, while the tallow candles in the chandeliers dripped melted mutton-fat on the courtiers. It was farcical and magical at the same time.
Most of the key facts were told in a rush, from the moment a horseman in a tricorn hat galloped out of the mist in London's Hyde Park to announce the death of the old king. Pace is no bad thing: Victoria follows the Downton Abbey template, with rapid cutting and short scenes.
Like Downton, the story took us below-stairs, where Eve Myles was a spiteful seamstress, filling her piggy bank by stealing the Queen's cast-offs to sell.
The 18-year-old Victoria was under pressure from her family and aristocrats all plotting to control her as her reign began
Episode one saw Victoria take over the throne from her uncle and presented to her people
But it was Coleman who had to carry the show, the focus of all the court's schemes and ambitions, as she grew from an adolescent with a daddy complex, to a flighty young woman with an imperious streak. She's done it before, of course: that's exactly the character she played in Doctor Who, as the Time Lord's companion, Clara.
But this time she must do it without the Tardis.
Paralympic gold medallist Ellie Simmonds, who was a world champion when she was barely into her teens, was also growing up before our eyes, in Swimming With Dolphins (ITV). Taking a break from her training for the Games in Rio, which start for paralympic athletes on September 7, she flew to Mozambique and learned to freedive, without breathing apparatus.
Unlike other Olympic documentaries, such as the one featuring Tom Daley that was obsessed with the diver's medal hopes, Ellie casually showed us her trophy cabinet, the size of a small caravan, and never referred to it again.
She's a smashing girl, at ease with everyone and possessed of an infectious giggle. She also made no effort to hide her fear of open water: a municipal swimming baths is one thing, the briny deep quite another.
She was uncomfortable on a sight-seeing boat in Cardigan Bay — skimming across the Indian Ocean in a powerboat, she was unashamedly terrified.
She saw her dolphins, though, and she swam like a mermaid under the water. A family friendly voice-over from Martin Clunes added to the charm.
This delightful show will have inspired a lot of children.
CHRISTOPHER STEVENS reviews last night's TV including ITV's Victoria


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Dionysios von Alexandria (auch Dionysios Periegetes) war ein möglicherweise aus Alexandria stammender griechischer Geograph des 2. Jahrhunderts n. Chr. Er ist der Verfasser der um 124 erschienenen Periegesis tes oikumenes (), einer Beschreibung der damals bekannten Welt in 1186 Hexametern.

Sein durch Reinheit und Eleganz der Sprache sich auszeichnendes Werk wurde von Avienus im 4. Jahrhundert n. Chr. für sein Werk Descriptio orbis terrae als Grundlage verwendet und von Priscian in lateinische Hexameter übersetzt. Eustathios von Thessalonike verfasste einen Kommentar. Bis ins Mittelalter blieb das Werk ein geschätztes und häufig kommentiertes Lehrbuch.

Lebensdaten und Identität des Verfassers waren lange Zeit Gegenstand von Unsicherheit und Diskussion. Jacob Burckhardt identifizierte Dionysios (wohl fälschlich) mit dem Verfasser der Bassarika, einem Epos über die Taten des Dionysos. Aufgrund eines Eintrages in Suda wurde Dionysios auch mit Dionysios von Byzanz identifiziert. Gottfried Bernhardy nahm an, dass er am Ende des 3. oder zu Beginn des 4. Jahrhunderts schrieb.

Durch neuere Studien von Ulrich Bernays kann die Herkunft aus Alexandria und der Zeitpunkt der Entstehung um 124 als gesichert gelten. Zwei Akrosticha nennen Namen des Dichters und Heimat (Vers 109–134), sowie Zeitpunkt der Entstehung ("als Hadrian in Samothrake eponymer König war", Vers 513–532).

Ausgaben und Übersetzungen
 Orbis descriptio. Jakob von Breda, Deventer um 1497. ()
 Gottfried Bernhardy (Hrsg.): Geographici Graeci minores … 1. Dionysius Periēgētes Graece et Latine cum vetustis commentariis et interpretationibus ex recensione et cum annotatione Godofredi Bernhardy. Leipzig 1828. Nachdruck: 2 Bände, Olms, Hildesheim 1974, ISBN 3-487-04910-4 (Band 1) und ISBN 3-487-04911-2 (Band 2)
 Karl Müller (Hrsg.): Geographici Graeci minores e codicibus recognovit prolegominis annotatione instruxit tabulis aeri incisis illustravit Carolus Mullerus … 2. Orbus descriptio … Bibliotheca scriptorum Graecorum Band 26. Didot, Paris 1861.
 Dionysios von Alexandria: Das Lied von der Welt. Griechisch und Deutsch. Herausgegeben von Kai Brodersen. Olms, Hildesheim 1994, ISBN 3-487-09893-8
 Ceporinus, Jacobus [Hrsg.], Linacre, Thomas [Übers.]: Dionysiu Oikomenes Periēgēsis. - Basileae : Johann Bebel, 1523. Digitalisierte Ausgabe der Universitäts- und Landesbibliothek Düsseldorf
 Christian Jacob: Le Description de la terre habitée de Denys d'Alexandrie ou la leçon de géographie. Albin Michel, Paris 1990, ISBN 2-226-03958-9 (französische Übersetzung mit Einleitung)
Jane L. Lightfoot: Description of the known world / Dionysius Periegetes. With introduction, text, translation and commentary. Oxford 2014, ISBN 978-0-19-967558-6 (maßgeblicher neuer Kommentar)

Literatur
 Ulrich Bernays: Studien zu Dionysius Periegetes. Winter, Heidelberg 1905 (Dissertation, Universität München, 1905).

 Ekaterina Ilyushechkina: Studien zu Dionysios von Alexandria. Dissertation, Universität Groningen, 2010 (Volltext).
 Didier Marcotte: La Periegesi di Dionigi tra Bisanzio e l'Italia nel sec. XII. In: Quaderni di storia. Jg. 35, Nr. 69 (2009), S. 89–104.

Einzelnachweise

Geograph der Antike
Grieche (Antike)
Geboren im 1. oder 2. Jahrhundert
Gestorben im 2. Jahrhundert
Mann

redpajama_set_name: RedPajamaWikipedia


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HxGN SPOTLIGHT >HxGN Blog > Our influence: Sustainability culture through action
Our influence: Sustainability culture through action
By John Gilbert on 16 September 2022 Innovation|Sustainability|Thought Leadership
Welcome back to the HxGN Spotlight blog for the second part in our 3-part series (Our journey, Our influence, Our impact) on Hexagon's journey to the present as we look forward to an autonomous, sustainable future.
Discussion of sustainability for industry is everywhere these days, but it hasn't always been that way. Carbon dioxide emissions have risen dramatically worldwide as a direct result of industrialisation. It took over 200 years for humanity to reach a 25% increase in the planet's CO2 levels, but constant growth accelerated the problem. Twenty-five years later, the planet reached a 40% increase in pre-industrialisation CO2 levels, and after just one additional decade, the global increase is approaching 50%.
Industry's impact on the climate cannot be ignored, nor can the blame be deflected. We know that human activity is responsible for the changing climate and that modifications are required to change the course of this looming crisis before it is too late. In his keynote at HxGN LIVE Global 2022, Hexagon President and CEO Ola Rollén addressed this fact head-on. "We do not want to go down in history as the CO2 generation, the generation that polluted this planet and destroyed it," Rollén said, pointing to data from the economic slowdown of the COVID-19 pandemic as proof that limiting human activity drastically lowered CO2 emissions. The message was clear – this damage to the environment is our fault, but it's possible for us to right the wrong.
None of this is new information, of course. Companies everywhere are talking about sustainability initiatives. However, better, incremental measures that create meaningful improvements in conventional markets will not move the needle fast enough. We must also adopt unconventional methods that bring different and exponential change. More importantly, we must address the root cause behind the slow transition to a more sustainable economy – profitability. If we cannot make sustainable change profitable, businesses will continue to be slow to adopt or quick to abandon sustainability efforts in the name of revenue. In order for industry to correct the trajectory we're on, sustainability efforts cannot simply be effective – they must also be profitable. This is where Hexagon sees great potential, as we believe sustainability is the biggest business opportunity of the 21st century.
We envision a future where business, industry and humanity sustainably thrive. Luckily, we find ourselves in a time where technology can motivate rapid change profitably while giving back to the planet. While our planet's natural resources may be finite, there is one resource that is constantly growing in volume and availability – data.
Humanity produces massive amounts of data daily, most of which are either lost or stored rather than leveraged. This data deluge is the invisible waste product of industry. The good news? It CAN be put to work – through the incredible power of autonomy.
Technology provides a framework for accelerating our ability to harness data while autonomy levels the playing field, leveraging artificial intelligence and machine learning to dissect and make sense of ALL data. This goes far beyond the capacity of normal human processing. Our brains are not meant to cope with this data. And when it takes humans out of the equation, it eliminates human errors and mistakes.
This leads to improvements in quality, efficiency, productivity, and safety – the antidotes to the status quo of waste, pollution, diminishing margins, and increased risk.
Hexagon's R-evolution, the sustainable innovation and green-tech investment subsidiary of Hexagon, is proof that industry can decisively address the sustainability crisis while supporting profitable economic growth. R-evolution is dedicated to mobilising tech-enabled solutions across profit-driven projects that can speed global adoption of renewable energy and storage, green hydrogen, carbon capture, plastic waste management, desalination, plant-based food, ecological monitoring, sustainable agriculture and circular economy transitions.
R-evolution's project portfolio, built on the premise of applying Hexagon's sensor, software and autonomous solutions to reduce the impacts of CO2 emissions, includes:
Exploring and scaling the potential of seagrass meadows as carbon sinks in partnership with Beneath the Waves
Building an 8.24 MWp photovoltaic solar park near Malaga, Spain, eventually expanding to a capacity of 40,000 bifacial solar panels and 16.44 MWp
Creating a blueprint for the digitalisation of wind energy production
Facilitating new advances in green hydrogen production, which has the potential to supply up to 25% of the world's energy needs by 2050
The contribution autonomy has to offer sustainability efforts doesn't stop at energy initiatives. From reducing agrochemical use and supporting more sustainable farming practices to improving manufacturing design processes and protecting cities from climate-influenced natural disasters, autonomous solutions by Hexagon are making an impact worldwide and influencing the next generation of sustainability initiatives by example.
Changing the world isn't easy. But committing to bettering our world is the first step in addressing the climate crisis, and Hexagon is dedicated to using our influence in the world of industry to show that there is a solution where everybody wins.
John Gilbert is a Senior Content Strategist with Hexagon AB in Atlanta, Ga. and is excited to be working at the intersection of brand, marketing, communications and all things digital. John enjoys writing about digital transformation, autonomy, digital reality and sustainability. Before joining Hexagon, John spent 20+ years in global B2B branding, communications and marketing roles; client-side, agency-side and with his own technology business.
Partnering for a smarter tomorrow
In this episode of HxGN Radio, we talk to experts from Hexagon and Fujitsu about their recently announced partnership


Boipeba is quite simply paradise on earth.
This amazing island off the coast of Salvador, Brazil is a mission to get to, but worth it for the pristine tropical beach and laid back atmosphere. There are no cars on the island, simply a series of tracks which criss-cross the island.
We first got a taxi from Barra in Salvador up to the ferry terminal. From there it is a 1 hour ferry ride to Itaperica (and we ain't talking cruising on the inter-islander here. Far from it.) Next we got on a 2 hour bus to Valenca. Not speaking Portuguese is a bit of a problem, so we wrote on a bit of paper 'can we get off at the bridge by the river to get a boat to Boipeba'. No the bus driver says. 'Rodoveira'. Meaning no, you have to go to the bus station. So we get to the bus station and then the thieving taxi drivers want 10 reials to take us back to the boats (the equivalent of $10NZD for about a 1.5km trip). Now who thinks the taxi drivers and bus drivers have a little scam going here?!
Anyway we get to the wharf and look for a speedboat going up the river to Boipeba. The speedboat turns out to be about as big as Kylie's dad's little fizz boat and we think – that's ok. Till we figure out that 8 other people are also going to be getting in the boat with us. Hmmm. So laden down with the back end of the boat (where we are sitting) only about 2 cm from actually being in the water, we head off. Just as a massive rainstorm hits. Fantastic.
Lets just say it wasn't the most comfortable 1.5 hour trip up the Rio Inferno (aptly named), a massive estuary with monster sized mangroves. We got absolutely soaked and it was pretty choppy at times. It was low tide, so in parts we had to slow down to a crawl and several times saw the propeller churning up the bottom. But it was an experience!!
Once we arrived in Boipeba, all was forgiven. It is an absolute paradise, no exaggeration. Miles of pristine white sand beaches with coconut palms and only a handful of other people around, just perfect. There are no cars on the island, just donkeys and horses for transport. We stayed in a beautiful place called Pousada Santa Clara that luckily had the best restaurant on the island. So every night we feasted on fish, prawns, scampi, and variations of the local dish moqueca – seafood cooked in a sauce made from coconut milk, tomatoes, red and green peppers, coriander and palm oil. Delicious.
Breakfast was so big that we mostly didn't eat lunch – full of beautiful fresh fruit, watermelon, mango, papaya, banana, rock melon and lovely fruit smoothies every morning.
So we had an amazing week of just reading, lying on the beach, walking and swimming. About halfway around the island was the local lobster stall where we had lunch a couple of days – fresh grilled lobster with a beer, sitting on the beach, it was perfect.
Here are some pictures of Boipeba in all her glory. The lovely guesthouse owners said to us "come back one day and bring your kids". We will indeed.
The beach bar where you can grab a cold beer or caipirinha (a cocktail made with sugar cane liquor and lime ). Yum!


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Stacy Martin, Hayley Squires Join Benedict Cumberbatch in 'Louis Wain' for Amazon, StudioCanal
Credit: StudioCanal
Sharon Rooney, Aimee Lou Wood, Adeel Akhtar, Julian Barratt and Asim Chaudhry have also been added to the cast of the upcoming biopic about the famed British painter.
Upcoming biopic Louis Wain, starring Benedict Cumberbatch and Claire Foy, has added a bumper crop of names to its cast.
Stacy Martin (Nymphomaniac, Vox Lux), Sharon Rooney (Dumbo), Hayley Squires (I, Daniel Blake) and Aimee Lou Wood (Sex Education) have joined the feature, which Amazon is releasing in the U.S. Adeel Akhtar (The Big Sick, Pan, Four Lions), Julian Barratt (Mindhorn, The Mighty Boosh) and Asim Chaudhry (People Just Do Nothing, Black Mirror: Bandersnatch) further round out the cast. Andrea Riseborough and Toby Jones had already been announced.
The film stars Cumberbatch (seen above in a first-look still) as British artist Louis Wain, famous for his distinctive paintings of cats that inspired hearts and minds around the globe, in the true story of a brilliant man inspired by both his love of the world and the love of his life, Emily, played by Foy.
BAFTA-nominated Will Sharpe (Flowers) directs from a script he co-wrote with Simon Stephenson. Producing are Guy Heeley (Locke, Denial), Adam Ackland (Patrick Melrose), Leah Clarke and Ed Clarke.
Louis Wain, currently shooting in and around London, is produced by Cumberbatch's own Sunnymarch banner and Shoebox Films and is financed by StudioCanal, Film4 and Amazon Studios. StudioCanal will release in its territories U.K., France, Germany and Australia/New Zealand while also selling the film worldwide.
UTA Independent Film Group negotiated the deal alongside StudioCanal.


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Q: Draw autoencoder structure using TikZ I am trying to draw a denoising autoencoder using TikZ. I do not need all the connections between different layers. Something simple as a block representation per layer is enough. I would ideally like to have two big blocks, that have encoder and decoder layers. So far I have only gotten so far..
    \begin{tikzpicture}
    [title/.style={font=\fontsize{18}{18}\color{black!45}},
    En/.style={rectangle, draw, fill=blue!23, rounded corners, minimum height=9em},
    De/.style={rectangle, draw, fill=blue!23, rounded corners, minimum height=9em}]
    % Place nodes
    \node [En, outer sep=8pt, align=center] (s1) at (5,8.3) {In};
    \node [En, outer sep=8pt, align=center] (s2) at (7.65,8.3) {E1};
    \node [En, outer sep=8pt] (s3) at (10.3,8.3) {E2};
    \node [draw=black!50, fit={(s1) (s2) (s3)}] (back) {};

    \node [De, outer sep=8pt, align=center] (s4) at (12.95,8.3) {D1};
    \node [De, outer sep=8pt, align=center] (s5) at (15.6,8.3) {D5};
    \node [De, outer sep=8pt] (s6) at (18.3,8.3) {Ot};
    \node [draw=black!50, fit={(s4) (s5) (s6)}] (back) {};
\end{tikzpicture}

Which gives me

What I want

Apologies, I did this in MS paint.

A: Just for fun:
\documentclass[tikz, border=2mm]{standalone}
\usetikzlibrary{shapes.misc, fit}

\begin{document}
\begin{tikzpicture}[
    circ/.style={circle, minimum size=1cm,
        draw=black!70, fill=red!80!black},
    cross/.style={circle, minimum size=1cm,
        draw=black!70, fill=white,
        path picture={\node[cross out, draw, ultra thick, red, minimum size=5mm]{};}},
    H/.style={rounded corners, fill=black!20, row sep=2mm},
    column/.pic={
        \matrix (#1) [H, label={[name=l#1]#1}]
        {\node[circ]{};\\
        \node[cross]{};\\
        \node[circ]{};\\
        \node[cross]{};\\
        \node[cross]{};\\
        \node[circ]{};\\};
        }
    ]

    \path (0,0) pic{column=Input};
    \path (1.5,0) pic{column=H1};
    \path (3,0) pic{column=H2};

    \node[fit=(Input) (lInput) (H2), draw, label=Encoder]{};

    \begin{scope}[xshift=5cm]
    \path (0,0) pic{column=H3};
    \path (1.5,0) pic{column=H4};
    \path (3,0) pic{column=Output};

    \node[fit=(H3) (lOutput) (Output), draw, label=Decoder]{};
    \end{scope}

\end{tikzpicture}
\end{document}


1. Retail stores have been putting out packs and blasters of 2019 Topps Series 1 baseball early. This isn't a new phenomenon but with the advent of social media, we are seeing just how prevalent it is. For the most part, this is not happening at an alarming rate but the isolated places that are doing it are adding up. As a collector, I think this adds to the enjoyment and excitement surrounding the release. As someone who used to be in the music business when CDs were all the rage, I question how this is happening at the bigger chains. Some products give an error when the barcode is scanned nullifying the purchase. I don't recall their being a major cost on the business end for this to happen so perhaps it is something that companies have not thought to do yet.
2. Topps has announced that they will be the exclusive distrubutor of Alliance of American Football cards. You can find a link to information here: https://www.blowoutcards.com/blog/alliance-of-american-football-opts-for-topps-football-cards/.
Let me start by saying that I want the release and the league to succeed but I am just not seeing it. The name players, and players with a chance to make a name for themselves, in the league will have already had cards put out. Unless they put energy in coach cards, I don't see a huge market for it. It will be a distant 3rd to Panini and Upper Deck (USA). Yes, the CFL has cards out but they have a country behind them. With the XFL coming back into the picture, I worry that Topps is investing in the wrong minor league. Speaking of CFL, in December blaster boxes were going for $3 on major card retailer sites; so are their cards even doing that well to begin with?
3. The entire 2019 Baseball Hall of Fame class has just 15 rookie cards. The link will take you to the Beckett article telling you what to look for if you are chasing them. This worries me. It makes me wonder if companies are not learning from the mistakes of the 90s.
Let's take a player that I personally collect this year and use him as an example. As of this writing, Ozzie Albies has 41 rookie cards when you put in his name in the COMC filter for rookie cards. This is not counting cards cards in his rookie year; when you account for that you get a whopping 425 cards. Only 1 of those rookie cards is an autograph; so in context you can say he has 40 rookie cards available. That is over-saturation times a 1000 to me.
Bonus: Crown Royale basketball was released this week. The cards look great. I wish that the price point came down because I would love to do a set of them.