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In December: Upcoming opera and theater events, VAC exhibits, National Theatre's "Timon of Athens," Jazz Party wrap-up.
Runyan Gallery
Dec. 8-30 - 22nd Annual Pushpin Community Art Show
The 22nd Annual PushPin Show, sponsored by OCCA, welcomes Lincoln County artists of all ages and levels of experience to show their artwork in the Runyan Gallery at the Newport Visual Arts Center (VAC).
An opening reception is set for 5 to 7 p.m. Friday, Dec. 8 at the VAC.
All Lincoln County residents including amateur and professional artists, hobbyists and dabblers, youngsters, oldsters, students and retirees are invited to participate. Artwork includes visual and literary arts.
PushPin Show Rules:
The artwork must be original. No prints or facsimiles.
You must be able to hang your artwork with just four or fewer pushpins. Each artist should hang their own work.
Work should be no larger than 48" x 48" so there is enough wall space for everyone.
This is a family-oriented community show, and OCCA asks that the work be appropriate for all audiences.
Artwork may be for sale, and OCCA encourages you to put a price on your work. OCCA retains a 30% commission if you are an OCCA member and a 35% commission for those who are not members.
To enter the show, bring your artwork to the Runyan Gallery at the VAC on Friday, Dec. 7 from 11 a.m. to 5 p.m. or Saturday, Dec. 8 between 11 a.m. and 4 p.m.
The original PushPin Show was the brainchild of local artist and art activist Jimmy Frankfort. And while it has grown over the years, it still adheres to an inclusive, all-county, community show that exemplifies part of the OCCA mission to build an "art bridge" between the arts and the community.
By bringing together the resources of the VAC, the diverse talents of the many community artists, and the public, all can share in the creation, celebration and support of local art.
Visitors to the PushPin Show have the opportunity to vote for their favorite piece. The "People's Choice" winner and runners-up, determined by votes submitted throughout the show, will be announced at the gallery opening reception in January.
See more at the OCCA website, coastarts.org, or contact OCCA Director/ Visual Arts Center Sally Houck at 541-265-6569 or vac@coastarts.org.
Quilts by the Sea II
"Quilts by the Sea II," sponsored by Oregon Coast Council for the Arts, will showcase unique quilted items for home decorating and display and personal garments made by a number of talented guild members. Limitless patterns in myriad colors are inspirational and functional as well. A variety of pieces will be for sale.
The Oregon Coastal Quilters Guild was founded in February 1991 to promote fellowship among quilters; to promote knowledge and appreciation of quilts and quilt making through educational programs and meetings; and to sponsor and support quilting activities.
The guild has an annual calendar filled with activities including monthly general meetings, friendship group meetings around the county, Block of the Month, workshops and demonstrations, quilting retreats, and two annual potlucks.
Guild members participate in "Community Quilts," making quilts for those in need in Lincoln County; participate in the "Pillow Project," making pillows for patients at the hospital; and collect pet beds and pet bed bedding for the Lincoln County Animal Shelter. Guild members also follow a Big Sister program for new members.
For more information about the guild, please visit their website at oregoncoastalquilters.org.
COVAS Gallery
Tillamook's Dennis Worrel
"Landscapes: On the Wet Side"
Oregon Coast Council for the Arts (OCCA) welcomes Tillamook County artist Dennis Worrel and his "Landscapes: On the Wet Side" to the Coastal Oregon Visual Artists Showcase and Video Archive at the Newport Visual Arts Center (VAC). An opening reception for the artist will be held from 5 to 7 p.m. Dec. 8; refreshments will be served. The video of the artist's technique and other work will be shown on the touch screen computer near the showcase.
Dennis Worrel has a master's degree in fine arts from San Francisco Art Institute and has recently shown at Portland's Gallery 114. He has won several art awards including a judge merit and purchase at the Umpqua Valley Arts Association's Plein Air Competition and Exhibition earlier this year. Worrel was a member of the San Francisco Museum of Modern Art Artists Gallery for over 10 years. His work is in many private and corporate collections in both California and Oregon.
About this new body of work, Worrel says, "These landscape paintings are of western Oregon, primarily the Oregon Coast Range. They are works on paper started outdoors and finished in the studio using mixed media including acrylic ink, fluid acrylic paint, graphite, and watercolor pencil. They were completed in the late summer and fall of 2012. I was brought to the town of Tillamook about fourteen years ago to work on the Northwest Forest Plan as a soil scientist. The job requires a good understanding of soil and landscapes relationships… one can find unexpected beauty, sometimes even awe-inspiring, in these dense lush woods."
New Call for Proposals
Call for Visual Artists: Be one of the first artists in your county to exhibit in the new Coastal Oregon Visual Artists Showcase for Mid-Career Artists. Plus, have a video capturing your work and process that becomes a permanent part of the Coastal Oregon Visual Artist Archive.
The Invitation: Mid-career Oregon artists from all 7 coastal counties - Curry, Coos, Douglas (Reedsport School District), Lane (Siuslaw School District), Lincoln, Tillamook and Clatsop counties - who meet certain criteria are invited to submit a proposal to exhibit in the Coastal Oregon Visual Artists Showcase. Submissions must be postmarked or emailed by Friday, January 18, 2013.
Other conditions apply: contact Sally Houck at the Newport Visual Arts Center or visit the OCCA website for a complete list of requirements.
Plummer Shines in Luce's "Barrymore"
Oregon Coast Council for the Arts is thrilled to announce a screening of "Barrymore," starring Christopher Plummer, at 2 p.m. Dec. 16 at the Newport Performing Arts Center.
The play is an unforgettable portrayal of legendary actor John Barrymore, a man of colossal talent and contradictions and one of the greatest Shakespearean actors of all time. Playwright William Luce will give a public talk at 1:30 p.m., and "Backstage with Barrymore," a documentary featuring Helen Mirren, Julie Andrews and Zoe Caldwell, will follow the screening.
Visit the OCCA website for more details. Call 541-265-ARTS (2787) for more info and tickets.
Met Opera Excitement!
The 2012-2013 opera season continues at the Newport Performing Arts Center (PAC) and excitement runs through the Silverman Theatre.
At 10 a.m. Dec. 8, Verdi's vivid drama of jealousy and vengeance "Un Ballo in Maschera," hosted by Gloria Hutchins and Bernice Isham, is one of Verdi's greatest and most brilliant scores with a variety of different colors, says opera director David Alden. This new production "pulls it all together with unbelievable theatrical energy. Ballo is theatrical dynamite."
Verdi's iconic opera "Aida" (at 10 a.m. Dec. 15), hosted by an anonymous opera lover, follows. Ukrainian powerhouse soprano Liudmyla Monastyrask makes her Met debut as the enslaved Ethiopian princess. This spectacular staging uses the full theatrical capabilities of the Met stage to immerse the audience in the grandeur of ancient Egypt.
January 5 sees the first Met Opera of the new year, Berlioz's vast epic "Les Troyens," at 9 a.m. Hosted by John and Melody Lavrakas, this opera features a starry cast including Deborah Voigt, Susan Graham, Marcello Giordani, and Dwayne Croft.
Call 541-265-2787 for tickets. Check www.coastarts.org for more opera information including synopses.
PSU Team Sees Met Opera
Met Opera Season Benefactors Bill and JoAnn Barton treated the Portland State University men's basketball team, coaches and athletic director to Donizetti's "L'Elisir d'Amore" at the Newport Performing Arts Center. For most, it was the first opera they'd ever experienced. At intermission, team members said they liked the music and thought that opera was "pretty good." The team also enjoyed the backstage intermission interviews at the Met.
Team members studied the plot and characters ahead of time to better understand the production and, in the process, learned some interesting tidbits. It turns out that Martin Luther King's April 1958 March on Montgomery archives reflect that Donizetti was one of Dr. King's favorite composers. Additionally, the song "Love Potion #9," recorded by The Searchers in 1959, is based on a melody in this opera.
The team was in Newport for the first weekend of NCAA-approved practice. They worked from 9 p.m. to midnight Friday night at the Newport Recreation Center. After the opera, the team was back to work for three more hours of practice. This is the second year the Bartons have sponsored the team for opening practice in Newport.
Catherine's Cues
Cultural Trust Makes A Difference
By Catherine Rickbone, OCCA Executive Director
In this season of giving and getting the Oregon Cultural Trust (OCT) is one of the best bangs for your buck. Please read on to find out why and how.
The Oregon Cultural Trust is a champion for culture in Oregon. It leads in building an environment in which cultural organizations are sustained and valued as a core part of Oregon's vibrant communities and economy.
An innovative public-private fundraising and grant-making program, OCT relies on donations from Oregonians to create the funds for its annual grant cycle. The Trust recently announced $1,543,092 million in statewide grants benefiting 60 cultural nonprofits, 42 county and tribal coalitions and five state cultural partners. Last year alone the Trust helped over 500,000 Oregonians participate in arts, heritage or humanities experiences.
These grants are made possible entirely by donors like you and me who give to the Trust and to any number of Oregon's 1,300 cultural nonprofits to earn Oregon's unique cultural tax credit. The cultural tax credit makes Trust gifts free and gives donors the power to create grants that benefit the cultural nonprofits they already value.
How does this translate for Lincoln County? Our Lincoln County Cultural Coalition receives monies from the Cultural Trust to re-grant to Lincoln county nonprofits.
The Oregon Cultural Trust is the only cultural funding program of its kind in the nation. No other state has an integrated cultural funding plan that supports statewide arts, heritage and humanities interests.
Won't you join me this holiday season by donating to OCCA, (contact Polly Ivers at 541-574-2655), or any of the other worthy Lincoln County nonprofits, and then making a matching donation to the Trust? You can claim your entire contribution to the Trust as a tax credit, reducing your Oregon tax bill. For more information go to culturaltrust.org/give and donate. Thank you for valuing the arts in our lives.
National Theatre's "Timon of Athens" Set for Dec. 27
The Oregon Coast Council for the Arts (OCCA) is pleased to announce the upcoming National Theatre Live in HD event "Timon of Athens," hosted anonymously in honor of Edward van Aelstyn, at 7 p.m. Thursday, Dec. 27 at the Newport Performing Arts Center (PAC), 777 W. Olive St. in Newport. Call 541-265-ARTS (2787) for tickets.
Just after Christmas is the National Theatre's production of Shakespeare's strange fable of debt, consumption, and ruin. Wealthy friend to the rich and powerful, patron of the arts, and ostentatious host, Timon is surrounded by free-loaders and sycophants.
National Theatre Live is an initiative by the UK's National Theatre to broadcast live performances onto cinema screens around the world. OCCA appreciates the support of the Jeannette Hofer Fund at the Oregon Community Foundation, the City of Newport, and its members, which makes it possible to show NT Live in HD and By Experience productions at the PAC.
Coastal Profile: Latimer Quilt and Textile Center
Oregon Coast Council for the Arts welcomes the membership of the Latimer Quilt and Textile Center in Tillamook. The Center offers exhibits of antique and contemporary quilts, weaving and spinning demonstrations, and instruction in various textile arts.
The Center hosts meetings of the Oregon Coast Fiberartisans, the Ocean Breeze Rugkrafters Guild, and the Tillamook County Quilters Guild. There is a research library for on site use, a climate controlled textile repository, and a gift shop with hand-made items, books and vintage and hand-dyed fabric.
The Latimer Center has made great progress since its opening in 1991. It is now a non-profit institution, which has already completed the first two phases of the American Association of Museums Assessment Program, and is well on the way toward museum accreditation. Latimer employs a manager to run the center and to oversee volunteer help, and a part-time employee to fill in during the summer months.
The fully restored Maple Leaf School, now the Latimer Quilt and Textile Center, is one-quarter mile east of Highway 101, just south and east of the Tillamook Cheese Factory, which attracts visitors into the Center from all over the world. Learn more at latimerquiltandtextile.com.
OCCA Seeks Jazz Party Artwork
Oregon Coast Council for the Arts (OCCA), as the regional arts council for the 363 miles of the Oregon coast, seeks jazz images from coastal Oregon artists for OCCA's 10th annual international Oregon Coast Jazz Party in Newport.
OCCA invites all Oregon Coast visual artists to submit concepts for the 2013 jazz poster and related promo pieces. The images should represent jazz scenes, jazz instruments, etc., without overlaid text or lettering. Original artwork may be in any two-dimensional medium and must be suitable for reproduction in print.
Submission deadline is Jan. 7, 2013. Only digital submissions will be considered in a PDF or JPEG not exceeding 2 megabytes in size. Send to Catherine Rickbone at crickbone@coastarts.org.
OCCA and the Oregon Coast Jazz Party Committee will select the winner by Jan. 11, 2013. Final digital artwork of at least 25" at shortest side and at a minimum resolution of 300 dpi, must be submitted in either EPS or high-quality PDF format on a CD or by large-file email delivery service by Jan. 18, 2013.
For full details, please contact Catherine Rickbone, (541) 574-2652 or crickbone@coastarts.org.
Jazz Party 2012: Best One Yet!
Jazz Committee members meet and plan all year. Their dedication is remarkable. From left to right: Joseph Swafford, Kym Jacobson, Sandee Staufenbeil, Catherine Rickbone, Suzan Brewer. Back row: Jim Hamblin, Dave Jacobson, Neal Staufenbeil, Randy Madnick, Peter Lawson and David Jones, Chair. (Not pictured: Frank Geltner, Sandy Post) (All Photos by Nancy Jane Reid)
Joseph Swafford, owner of Champagne Patio, provided a wine table in the lobby and servers Dyanne Brooks (left) and Susan Andersen.
Once again the Jazz Panel, moderated by Music Director Holly Hofmann, is a resounding success, with over 90 attending. Panelists included John Clayton, Jeff Hamilton, Ken Peplowski and Kenny Washington.
Jazz Party Underwriter Rev. Carol Stubbs Smith is flanked by Music Director Holly Hofmann (right) and OCCA Executive Director Catherine Rickbone. OCCA thanks Rev Carol for her support and her passion for jazz.
Judy & Jim Hamblin and Lou & Karen Yardumian (all Jazz Club members) enjoyed a special Jazz Club reception prior to the first set of the Oregon Coast Jazz Party, "TGIF Opening Night." The 43 Jazz Club members help the Jazz Party survive and thrive.
See more photos online on the Jazz Party Facebook page.
Season of Thanks
We, the staff of the Oregon Coast Council for the Arts, Newport Performing Arts Center and the Newport Visual Arts Center, are very thankful to our members, sponsors, advertisers, volunteers, donors, parents, students, the City of Newport, artist groups, individual artists and our audiences who make it possible for us to be of service in this community and to the arts.
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Copyright © 2012 Oregon Coast Council for the Arts, All rights reserved.
OCCA is grateful for the support of its members. You help us celebrate, promote and develop community arts. Thank you!
OCCA accepts up to five advertisements per month to help defray the cost of production of this e-newsletter. Please call Catherine Rickbone at 541-574-2652, or email her for details and a copy of the rate card. Thank you for your support!
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So you're thinking about downsizing. Great. (So are we!) But can you really get by in a home that's half as big?
The resounding answer is Yes! But don't underestimate the challenges.
Here's what we mean. If you're like most of us, you occasionally look in your closet and say, "I could make do with half these clothes." Easy to say, but hard to do—as you know if you've ever waded into that same closet and faced the tough decisions on what to keep and what to donate.
And that's one closet. The house you've lived in for 20 or more years, the house you've raised a family in … well, it's exponentially more challenging.
With this in mind, we've put together a 3-part blog series on downsizing, starting … right now!
When you're downsizing, it's all about your mindset. Do you at look at everything you've collected over the past 20 years and think how much you'll be missing? Try focusing on the aspects of your current life that you love, and imagine how you'll build your new chapter around those. Compromising on space does not mean compromising on the future.
As a downsizer, ponder how you will create more joy in your life with less furniture. Our emotional attachment to our stuff can be strong, so you need to tune into what features and feelings of your old home you want to keep instead of what objects you want to take.
Consider which elements of your current space are most important to you. You can do this either room by room or in a general sense. A smaller space will only define what physically fits in your home and not what makes it feel like one. For example, do you really need a separate dining room? Or do you just need a welcoming area to congregate with family and friends.
Stay tuned for more blog posts on downsizing. Next time, we'll address the elephant in the room: In our corner of the world, in today's real estate market, can you downsize? Where can you go to make it work financially and emotionally? In Part 3 of our series, we'll tackle the creative ways you can make your new smaller space live just as large as the one you're leaving.


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HMI Gap 2016: Home
Posted by High Mountain Institute
Categories Gap
"One never reaches home,' she said. 'But where paths that have an affinity for each other intersect, the whole world looks like home, for a time." Our time has come and gone, as last week the tight-knit Gap 2016 family said our inevitable, but nonetheless difficult goodbyes. Some students and instructors stayed in South America, while others returned home, all readying themselves for the next adventure. And while the home that we created in the last 80 days amongst the mountains of Colorado, Wingate walls of the desert southwest, and wild wind-swept valleys of Patagonia will dissipate as quickly and suddenly as they formed, the paths have been established. Like a kind of social, communal neuroplasticity, we have been invariably altered by the other individuals that built and fostered this home. So while the band is no longer together, the music it made rings on.
[OK, enough waxing poetic, lets talk about climbing]
The last two weeks of our time in Patagonia was spent at a small estancia in the shadow of Piedra Parada, or Standing
Rock. It is a land, like much of Patagonia that is in transition. Neighbors are still distant and travel on horseback is still common, but signs of modernity are creeping in. Generators drone and decked-out camper vans with solar arrays line the banks of the Chubut River. Estancias that formerly subsisted by running cattle and sheep, now rent campsites to climbers and kayakers, in addition to their lineal professions. It is an ideal setting not only to climb, but also to examine how a place comes to embrace a new identity and economic driver, a theme that we have examined throughout Gap.
Most days we walked into a dramatic canyon lined with towering rock walls of seemingly endless climbing routes. In the afternoons, we waded in the Chubut River on the edge of camp, cooked dinner among an international cadre of climbers, and named and befriended the numerous dogs and cats that wandered the Estancia (Stumpy, GriGri and Buttons 1 and 2). In other words, we made it home. Needless to say, this was the most luxurious point of our journey, with sunny weather, 14-hours of daylight, bathrooms and showers at the campground, and incredibly fun and well-equipped sport climbing. But an easily overlooked part of its luxury was its simplicity, in which most evenings you could find students in hammocks or on makeshift benches chatting and reading books (by the end of the course, the book swapping market was humming).
And while every student on the course led sport climbs and built and cleaned anchors in our time in Piedra Parada, it was the authentic community built around simplicity that resonated throughout almost every student's Full Circle reflection (a closing piece of writing aimed at verbalizing the impact of the Gap experience). And so I want to return to the concept of home. As Robert Frost says, "Home is the place where, when you have to go there, they have to take you in." Yes, we were captive to the community, the home, of Gap 2016, but as we all return home from this incredible journey, we will carry with us the knowledge that through simplicity, kindness, and acceptance we can create a home wherever we are.
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EARLY CHRISTIAN CHURCH HISTORY #1: WHO'S WHO IN EARLY PRE-NICENE CHRISTIAN WRITERS
Larry Wessels, director of Christian Answers of Austin, Texas/ Christian Debater (YouTube channel: CANSWERSTV) and Steve Morrison, Ph.D, director of Research for Christian Answers (Steve is the creator of all 3 of our websites: BIBLEQUERY ORG, HISTORYCART COM & MUSLIMHOPE COM) take viewers on a journey through the portals of time, back to the first few centuries of the early Christian church. What did the early Christian Church teach & practice? Early pre-Nicene (before 325 AD) writers included: Ignatius, Clement of Rome, Polycarp, Justin Martyr, Melito, Iranaeus, Origen of Alexandria, Tatian, Athenagoras, Polycrates, Montanus, Tertullian, Hippolytus, Cyprian, Novatian, Lactantius, Arnobius, Eusebius, Dionysius of Rome, Dionysius of Alexandria, "To Diognetus," Papias, Theophilus of Antioch, Methodius, Adamantius, Gregory Thaumaturgus & others. Let's ask the following question. What could you prove about early Christianity if you had no Bible, but only the pre-Nicene church writers? Here is a consensus of what four or more writers said, and none contradicted, prior to 325 AD : The Bible – B1. Study or obey God's Word as an authority, B2. Old Testament has God's words; study it, B3. The Old Testament prophesied about Jesus, B4. Jesus superseded some Old Testament laws, B5. New Testament has God's words; study it,B6. Some parts of the Bible are allegorical, B7. Old Testament has types of Christ, B8. Melchizedek was a type of Christ, B9. Moses wrote the Law [Pentateuch, B10 …
Author adminPosted on April 7, 2012 Categories Church WebsitesTags Christian, Church, Early, History, PRENICENE, WHO'S, Writers9 Comments on EARLY CHRISTIAN CHURCH HISTORY #1: WHO'S WHO IN EARLY PRE-NICENE CHRISTIAN WRITERS
Great Hymn Writers Part 3
Newman was born in London on February 21st, 1801, the eldest of six children. His father, John Newman, was a banker. His mother, Jamima, was a member of the Fourdonier family. In 1808 he was enrolled at a private school in Ealing. As a boy he was a voracious reader, especially of the Bible. In 1816 he had a conversion experience. The religious background to this was of a somewhat evangelical character. This also was the year of the collapse of his father's banking business. It was only as the result of a scholarship that he was able to enter Trinity College, Oxford, in 1817. In 1822 he was elected a Fellow of Oriel College, Oxford. Edward Bouverie Pusey, with whom he was to be associated closely in later years, was elected the same year.
In 1825 Newman was ordained as a priest of the Church of England and 1828 he became Vicar of St. Mary the Virgin, Oxford. He retained this post until 1843. During the earlier years of his time at St. Mary's Newman began to question his former evangelical views. In 1833 he preached his famous sermon on 'National Apostasy', which could be regarded as the beginning of the Oxford Movement in the Church of England. The two other great figures were Keble and Froude, along with Pusey somewhat later. Newman published the first 'Tract for the Times' in the same year. A considerable number of tracts were written by these men, all priests of the Church of England over a number of years.
This resulted in the Oxford Movement also being known as 'Tractarianism'. They sought to recapture the Catholic heritage of the Church of England. In 1845, having finally come to the view that the Church of England could not be a true home to his Catholic beliefs, Newman was received into the Roman Church. In 1847 he was ordained to the Roman priesthood in Rome and was created a cardinal by Pope Leo XIII in 1878. He published his account of his journey of faith in the book entitled 'Apologia Pro Vita Sua' in1864. Newman founded the English Oratory in 1848. He preached his last sermon in 1888 and died in Birmingham on August 11th, 1890. The well known and frequently used hymns in Anglican hymnals which were written by Newman are, Firmly I believe and truly; Lead, kindly light and Praise to the holiest in the hight. He is also known for his translation of Come, Holy Ghost, who ever one.
JOHN MASON NEALE
J. M. Neale (1818 – 1866) was an English divine, scholar and hymn writer. He was born in London, his father being an Anglican priest, the Rev'd. Cornelius Neale. He was educated at Trinity College Cambridge where he was influenced by the Oxford Movement. He was ordained in 1841, but due to poor health was only able to take up an appointment in 1846 when he became warden of Sackville College. This was an alms-house in East Grinstead. He held this post until his relatively early death.
In 1854 Neale co-founded the Society of St. Margaret, a Church of England womens' religious nursing order. Many Anglicans at that period though were suspicious of anything suggestive of Roman Catholicism. The Tractarians had sought to re-establish the Catholic heritage of the Church of England, and just nine years previous to this one of the leaders of the movement, John Henry Newman had been received into the Roman Church. All this suggested to many that people such as Neale with their Catholic sympathies were in reality agents of the Vatican endeavouring to subvert Anglicanism from within. This backlash sometimes became violent, the Protestants encouraging mobs to invade services and the like. Neale was threatened with violence on several occasions. He was actually attacked once when conducting the funeral service for one of the Sisters. He encountered opposition also from Church authorities for the same reason, including a fourteen years inhibition by his bishop. He received no preferment or honour in England, and his doctorate was bestowed by an American college, Trinity College, Connecticut.
However, his basic goodness eventually won the confidence of many who had previously bitterly opposed him. The Sisterhood of St. Margaret survived and prospered. Neale translated the liturgies of the Eastern Church into English and wrote a mystical and devotional commentary on the Psalms. However, he is best remembered as a hymn writer, and especially as a translator of many ancient and medieval hymns from their original Latin and Greek. More than any other single person he enriched the worship of English-speaking congregations by making them aware of the heritage of centuries of Latin, Greek, Russian and Syrian hymns on which they could draw. His translations include: All Glory, Laud and Honour, Sing My Tongue, the Glorious Battle, To Thee Before the Close of Day, and O Come, O Come, Emmanuel! He is commemorated in Anglican Church Calendars on August 04 and in some Lutheran Calendars on July 01.
Sir Henry Williams BAKER, Bart.
Continuing the series on Hymn Writers of the Church: Sir H. W. Baker is a name we see frequently in our hymn books. As well as being a prolific hymn writer he was also an eminent priest of the Church of England. He was born in London in 1821, the son of Vice Admiral Sir Henry Loraine Baker. He was educated at Trinity College, Cambridge where he graduated BA in 1844. he took holy orders in 1844, and became vicar of Monkland, Herefordshire in 1851, which benefice he held until death. He succeeded to the baronetcy also in 1851. He is best known as editor in chief of Hymns Ancient and Modern, to which he contributed a number of his hymns.
This hymnal sold 60,000,000 copies and its successors Hymns Ancient and Modern Revised and Hymns Ancient and Modern New Standard (which we currently use) still enjoy considerable popularity throughout the Anglican Communion, with the exception of the Episcopal Church of the United States of American and the Church of Ireland. A critique of Baker's work says, 'Of his hymns four only are of the highest strain of jubilation, another four are bright and cheerful, and the remainder are very tender but exceedingly plaintive, sometimes even to sadness.' The language of his hymns is smooth and simple, the thought is correct and sometimes very beautifully expressed. Best known of his hymns, a number of which are frequently sung here in S. Margaret's, are O God of love, O King of peace, The King of love my Shepherd is, Praise, O praise, our God and King, Lord, thy word abideth, My Father, for another night, and O praise ye the Lord. Baker was also the translator of the version of O sacred head surrounded which we use in Holy Week.
He also wrote two well known hymn tunes, St. Timothy and Stephanos. Baker died on February 12, 1877. His last audible words were a quotation from the third verse of his own exquisite rendering of the twenty-third Psalm, The King of love my Shepherd is. Perverse and foolish, oft I strayed But yet in love he sought me, And on His shoulder gently laid, And home rejoicing brought me.
Dr Simon Harding and Rev'd Canon Denis Moss
www.biblon.com
www.anglicanbudapest.com
Author adminPosted on October 29, 2010 Categories Episcopal ChurchTags Great, Hymn, Part, Writers
Isidore of Seville: De Ecclesiasticis Officiis (Ancient Christian Writers)
In this book, Isidore describes and traces the origin of the Church offices, both liturgical and ministerial. In its present form, De Ecclesiasticis Officiis consists of two books with a total of seventy chapters. Book One is organized on the basis of the liturgical practice of Isidore's day and describes the Eucharistic liturgy with its components, the Divine Office and major liturgical feasts and church practices. The fact that these chapters are arranged in the order of Spain's seventh century liturgy provides modern day scholars and interested Catholics a fascinating glimpse into a vibrant liturgical prayer form which continues to be celebrated today, some 1500 years later. In Book Two of De Ecclesiasticis Officiis, Isidore studies the offices of those who exercised ministry in the Church of his day, describes other significant groups, and concludes by examining the Rite of Initiation. This Book provides a rare account of Church life and practice of seventh century Spain.
Uniqueness:
* This is the first complete English translation of this important work of Isidore, the last Latin Father of the Church.
* Isidore is one of the most influential Latin theologians in the West until Trent
* Isidore was a strong advocate of clerical education, a precursor of the Tridentine seminary system, and a reformer of Church life
* The book is the fullest description available of 7th-century Spanish liturgy and Church life and practice
* The book demonstrates the variety of Latin liturgies in the West
Rating: (out of 1 reviews)
Author adminPosted on September 19, 2010 Categories Roman ChurchTags Ancient, Christian, Ecclesiasticis, Isidore, Officiis, Seville, Writers1 Comment on Isidore of Seville: De Ecclesiasticis Officiis (Ancient Christian Writers)
Willamette Writers Winter 2005 Meetings Feature Authors Jennie Shortridge, Irene Radford, Mike Moscow, Mary Rosenblum, and Marc Acito
(PRWEB) December 17, 2004
Willamette Writers winter 2005 speaker series begins with Jennie Shortridge (Riding With the Queen) speaking about building a publishing career on Tuesday, January 4th at The Old Church, SW 11th and Clay, Portland, Oregon. Doors open at 6:30 PM. The meeting lasts from 7-8 pm.
Shortridge quit freelancing to focus on writing fiction and now has book number two under contract with Penguin to be released in September 2005 (Eating Heaven), and a TV/film option on Riding With the Queen. Book number three, about a freelance food writer with major food issues, is under way.
In addition to her writing, Shortridge has been a working musician on and off since she was sixteen. In the mid-1980's, while working day jobs, her band, The Untouchables, played nearly every week. Shortridge used her experiences of a hard life on the road to create the character of Tallie in Riding With The Queen.
For more information about Jennie's writing and schedule of events, visit www.jennieshortridge.com
On February 1st, Willamette Writers speaker series continues with a panel of Irene Radford, Mike Moscoe and Mary Rosenblum speaking about science fiction and fantasy. On March 1st, Marc Acito speaks about writing humor.
Willamette Writers chapter in Eugene holds meetings the first Thursday of the month. Cai Emmons speaks about Honoring Obsession on January 6th. Dan Gomez speaks about The Realities of Crafting and Selling a Marketable Script on Saturday, January 8th in Medford. Details about these meetings are available on the WW web site.
Willamette Writers' goal is to provide and encourage a creative environment and support system for current and aspiring writers. Since its beginning in 1965, Willamette Writers has provided meeting places for the exchange of ideas and information and has initiated programs designed to help writers increase skills related to the craft of writing. Both published and aspiring writers are invited to join. Dues are a year.
Author adminPosted on August 23, 2010 Categories Old ChurchTags 2005, Acito, Authors, Feature, Irene, Jennie, Marc, Mary, Meetings, Mike, Moscow, Radford, Rosenblum, Shortridge, Willamette, Winter, Writers


text:
HomeNews & Social MediaHainan NewsHainanese Janko Lam creates a fashion collection for Esprit with recycled stuffs
Hainanese Janko Lam creates a fashion collection for Esprit with recycled stuffs
Janko Lam's winning designs at the Ecochic Design Award in Hong Kong in 2011 earn her a project with Esprit to make a collection from the brand's own fabric waste. Provided to China Daily
A designer's collection reuses materials that would otherwise be thrown away. Tiffany Tan reports.
Garbage collectors must wish there were more designers like Janko Lam. The Hainan province native has just created a fashion collection for Esprit, using materials that would have ended up in a landfill.
She made jeans, T-shirts, shorts, dresses, vests, a skirt and a jacket from the brand's own fabric waste and unused clothing.
Lam's denim pieces incorporate patches in different shades of blue, while her T-shirts are in grainy pinks, purples and grays – a result of blending multicolored leftover fabrics. The T-shirts were purposely not re-dyed, Esprit says, to keep production as eco-friendly as possible.
"Using discarded materials really entails more discipline and creativity," Lam says by phone from Hong Kong, where she went to design school and has lived for the past 16 years.
"You have to follow sustainable guidelines, as well as experiment with a lot of patterns."
Fortunately, she has had practice.
Mutt Museum, the fashion label she co-founded in 2010, after working for a Hong Kong TV station designing costumes, primarily uses salvaged materials. Its cheongsams are also made from recycled fabric waste and its fashion accessories from wood scraps.
The designer, who's in her late 20s, bagged the Esprit project by winning last year's inaugural Ecochic Design Award in Hong Kong. The contest, organized by the fashion NGO Redress, aims to inspire "Asia's emerging fashion designers to create mainstream fashion with minimal textile waste".
Hong Kong, where Redress is based, dumps an average 234 tons of textile waste into landfills every day, according to 2010 figures from the city's environmental protection department.
On the mainland – the world's largest garment exporter – producers of cotton garments alone discard 800,000 tons of textile waste every year.
"And the figure is still increasing," Gong Yan, an associate professor at the Beijing Institute of Fashion Technology, who studies garment materials, says.
Chinese clothing factories, he says, dispose of unwanted textiles in various ways, including sending them to landfills, burning them and burying them. But these practices aren't sustainable.
"They limit the scope of recycling, as well as waste resources and produce pollution," Gong, a member of the All-China Environment Federation's research committee on environmental protection standards, says.
"Since synthetic fibers do not easily decompose, the soil where they are in the landfill will harden. At the same time, harmful particles from the textile waste will seep into the earth and groundwater. Burning, on the other hand, will generate a lot of dust and carbon dioxide, and affect the environment."
Using discarded or recycled materials as a response to environmental degradation is becoming more common in the fashion world. But designers like Lam are still rare in China.
"In general, the wealthy, developed countries produce the most waste, and perhaps for this reason, this (trend) is happening more in them," Timo Rissanen, assistant professor of fashion design and sustainability at Parsons The New School for Design in New York, tells China Daily.
This year, Redress has brought the Ecochic Design contest to the Chinese mainland. The winner, to be named during the Shanghai Fashion Week in October, will also create a recycled collection for Esprit, which wants to use its fabric waste. Like Lam's designs, these designer pieces will be sold only in selected Esprit stores in the country.
To assure shoppers that these recycled garments are not only eco-conscious but also new and hygienic, Redress came up with the R Certificate (patent pending).
"The need to identify to consumers that the recycled content was clean and 'factory fresh' is particularly important for Asian consumers, who, on the whole, tend to be more suspicious and conscious about wearing secondhand products," Christina Dean, the British founder and CEO of Redress, says.
She says more retailers are interested in obtaining the certification, which enables consumers to track where the garments were created, as well as how green they are.
Such initiatives, though still in the margins of the fashion universe, are votes for a cleaner choice.
"I think that what we are doing in terms of sustainable fashion is creating an alternative," Orsola de Castro, founder of the London-based sustainable fashion label From Somewhere, as well as a judge of the Ecochic contest, says.
"It's unbelievable now to think that cheap fashion, fast fashion … will suddenly disappear and everything will be eco-friendly. I think it's impossible to imagine. But equally, what we need to do is to make way for an alternative."
This is exactly what Lam is trying to do.
Previous news: China governs Sansha, attaches greater importance of Yongxing Island
Next news: 2012 World Celebrity Pro-Am in Haikou announces stronger star lineup


text:
Home / Nissan News, Reviews and Pricing
By Keith Griffin G+ Mar 18 2012 - 4:37pm
Nissan Wants to Make Manning a Titan
Nissan, which has its North American manufacturing facilities in Tennessee, wants to make Peyton Manning a Titan – whether it's as starting quarterback for the Nissan Titans or simply make him a pickup truck.
Nissan may be uniquely poised, among other corporate citizens of Tennessee, to make Manning interested in being a Titan. After all, as it points out in a letter posted on its website and Facebook page, "The Nissan Titan V-8 engine is built in Tennessee," said Brian Carolin, senior vice president of sales and marketing, Nissan North America. "And even more poetically for Mr. Manning, the Titan itself is assembled in a place called Canton."
As Nissan also points out, Manning played college football for the University of Tennessee. He is expected to be a first-ballot Hall of Fame inductee when he becomes eligible after retirement. The NFL Hall of Fame is located in Canton, Ohio.
Manning as a Titan may not be that far fetched. According to the Chicago Tribune, the former Indianapolis Colts star QB worked out for the Titans on Wednesday. Its GM Ruston Webster said, "I thought he looked comfortable throwing the ball and we had a good visit. This is another important step in the process." Manning sat out last season because of multiple surgeries for neck injuries.
Maybe the letter from Nissan North America is going to sway Manning's decision (well, that, and millions of dollars and a signed contract). Here is the text of the letter:
Dear Peyton,
We hope it's okay to be informal and call you Peyton. You've been like one of the family to sports fans, especially Tennesseans, since your record-setting college days at the University of Tennessee.
Like you, we at Nissan North America were not all born to Rocky Top. But it is now home to our corporate headquarters and three manufacturing facilities employing more than 6,000 Tennesseans.
At Nissan, we too have fans all over the U.S.A. and we appreciate them all. And like all of your fans, we're awaiting your decision on where to play next season. While we are in no position to sign you to any particular NFL franchise, we at Nissan North America want to make you a Titan – a 2012 Nissan Titan – as a gesture of gratitude recognizing your great accomplishments and philanthropic contributions to our national community.
We extend this offer on behalf of a nation of football fans and Nissan fans, not necessarily to influence your decision. So next time you're in Nashville, give us a call and we'll bring the keys.
In an effort to remain neutral, Nissan indicates it will make Manning a Titan regardless of the NFL team he chooses. Call it a guess but if he goes to another team, he probably doesn't show up in Tennessee to pick up the truck or, if somehow he does show up, it's going to be a stripper model. Odds are good it may not even have a radio.
Nissan News, Reviews and Pricing
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2022 Nissan Frontier Pro-X Crew Cab Review: Good Truck With Expected Restyling
The Renewed 2023 Nissan Altima Arrives With More Technology and Design Changes
The Most Affordable EVs And How Much They Can Save On Fuel Costs
2023 Nissan Rogue Platinum Review: Handsome Exterior and Gentle Nature
Study - Toyota Hybrids Offer Twice the Lifespan of Tesla Model S or Nissan Leaf EVs
2023 Nissan Patfinder Rock Creek: Family Fun Without Compromising Comfort
The Cheapest Electric Car for Sale in the Country
IIHS Finds Drivers Misusing Partially Automated Cars As Fully Self-Driving
The 2023 Nissan Z Evokes The 1st Versions of This Japanese Brand
2023 Nissan Ariya Price Announced - Here's How It Stacks Up To Competition
2023 Nissan Leaf SV Plus Review: Revise Exterior and a Reasonable Price
2022 Nissan Rogue Platinum FWD Review: Doing More For Less
Test Report - Nissan Z Fans Love the New 2023 Z Sports Coupe
Why the 2023 Nissan Z Makes a Perfect Last Gas Car
2023 Nissan Z Performance: Cheapest Way To Get Into The 400 Horsepower Club
Hyundai and Kia Offer The Most EV SUV And Crossover Models Under $50,000 MSRP


text:
var fortune = require('../lib/fortune')
  , RSVP = fortune.RSVP
  , crypto = require('crypto');

var pbkdf2 = {
  iterations: Math.pow(2, 16),
  keylen: Math.pow(2, 8)
};

/**
 * Example application that securely stores private information.
 * This example highlights a lot of custom application logic that
 * can be used for transforming resources as requests come in.
 */
var app = fortune({
  db: 'keystore'
})

/*!
 * Authentication middleware
 */
.use(authentication)

/*!
 * Define resources
 */
.resource('user', {

  name: String,
  password: String,
  salt: Buffer,
  keys: ['key'],
  tokens: ['token']

}).transform(

  // before storing in database
  function(request) {
    var user = this
      , password = user.password
      , id = user.id || request.path.split('/').pop();

    // require a password on user creation
    if(request.method == 'post') {
      if(!!password) {
        return hashPassword(user, password);
      } else {
        throw new Error('Password is required on user creation.');
      }
    }

    // update a user
    return new RSVP.Promise(function(resolve, reject) {
      checkUser(id, request).then(function(resource) {
        if(!password) return user;

        user = hashPassword(user, password);

        // clear tokens after password change
        RSVP.all((resource.links.tokens || []).map(function(id) {
          return app.adapter.delete('token', id);
        })).then(function() {
          resolve(user);
        }, reject);

      }, reject);
    });

    function hashPassword(user, password) {
      var salt = crypto.randomBytes(Math.pow(2, 4));
      user.password = crypto.pbkdf2Sync(
        password, salt, pbkdf2.iterations, pbkdf2.keylen
      );
      user.salt = salt;
      return user;
    }
  },

  // after retrieving from database
  function(request) {
    var user = this;
    delete user.password;
    delete user.salt;
    return new RSVP.Promise(function(resolve) {
      checkUser(user.id, request).then(function() {
        resolve(user);
      }, function() {
        delete user.links;
        resolve(user);
      });
    });
  }

)

.resource('token', {

  owner: 'user',
  value: String

}).transform(checkOwner, checkOwner).noIndex()

.resource('key', {

  name: String,
  privateKey: String,
  publicKey: String,
  owner: 'user'

}).transform(checkOwner, checkOwner).noIndex()

/*!
 * Start the API
 */
.listen(process.argv[2] || 1337);

/**
 * Custom authentication route. The request must have the header
 * `Content-Type: application/json`, and the request body must be
 * a JSON object that contain two fields: `name` and `password`.
 * It returns a token as the response body which should be
 * used as the `Authorization` header for subsequent requests.
 */
function authentication(req, res, next) {
  if(!req.path.match(/authenticate/i)) return next();
  if(req.header('content-type') != 'application/json') {
    return res.send(412);
  }
  var name, password;
  try {
    name = req.body.name;
    password = req.body.password;
  } catch(error) {
    res.send(400);
  }
  app.adapter.find('user', {name: name}).then(function(user) {
    var derivedKey = crypto.pbkdf2Sync(
      password, user.salt.buffer, pbkdf2.iterations, pbkdf2.keylen
    );
    if(derivedKey != user.password) return res.send(401);
    var token = {
      value: crypto.randomBytes(Math.pow(2, 6)).toString('base64'),
      links: {
        owner: user.id
      }
    };
    return app.adapter.create('token', token);
  }, function() {
    res.send(403);
  })

  .then(function(token) {
    res.send(200, token.value);
  }, function() {
    res.send(500);
  });
}

/**
 * Check if it's allowed to read/write based on the "owner" value.
 */
function checkOwner(request) {
  var resource = this;
  return new RSVP.Promise(function(resolve, reject) {
    checkUser(resource.links.owner, request).then(function() {
      resolve(resource);
    }, reject);
  });
}

/**
 * Check if a user is authorized.
 */
function checkUser(id, request) {
  return new RSVP.Promise(function(resolve, reject) {
    var user, authorization = request.get('Authorization');
    if(!authorization) return reject();

    app.adapter.find('user', id).then(function(resource) {
      user = resource;
      return app.adapter.findMany('token', resource.links.tokens);
    }, reject)

    .then(function(tokens) {
      var tokenFound = false;
      tokens.forEach(function(token) {
        if(token.value == authorization) {
          tokenFound = true;
          resolve(user);
        }
      });
      if(!tokenFound) reject();
    }, reject);

  });
}

redpajama_set_name: RedPajamaGithub


The Tom McCathy directorial, Spotlight won Best Film at the 2016 Oscars night. While accepting the trophy, the producers said, "This film gave a voice to survivors and this Oscar amplifies that voice which we hope will become a choir that will resonate all the way to the Vatican. Pope Francis, it's time to protect the children and restore the faith."
The film depicts the 2011 investigation of The Boston Globe's Spotlight team on Father John Geoghan, who is accused of molesting more than 80 boys. As they dig deeper and acknowledge their paper's own failings, the team uncovers a conspiracy of lawyers and government officials who helped the Boston Archdiocese hide the pedophilia of many priests and deny justice to the victims.
The film also received an award for Best Original Screenplay. The other nominations that this film received for the 88th Academy Awards included Actor in a Supporting Role, Actress in a Supporting Role, Directing and Film Editing.
Renowned journalist Piers Morgan took to his Twitter handle to applause the film saying, "Journalism, so often maligned, finally gets the credit it deserves. Congrats to those heroic Boston Globe staff. #spotlight"
Earlier this year, the movie also bagged Critics' Choice Movie Award for Best Picture.
The other movies fighting for this prestigious title were The Big Short, Bridge of Spies, Brooklyn, Mad Max: Fury Road, The Martian, The Revenant, and Room.


The project is designed to improve public transport services in the city of Oskemen (the "City") in East Kazakhstan Oblast via procurement of up to 85 new diesel buses (the "Project") by a municipal transport assets holding company LLP Transportnaya Kompaniya Goroda Ust'-Kamenogorska (the "Company"). The procured buses will be operated on the City bus routes by consortium(s) formed between the Company and experienced private public transport operator(s).
The EBRD is planning to provide the Company with a senior loan of up to KZT 3.5 billion co-financed by a capital grant from the administrative body of the East Kazakhstan Oblast (the "Oblast Akimat") of up to KZT 1.5 billion.
The Project's main objective is to improve public transport services in the City via fleet modernisation and the sector reforms.
Well Governed: Establishment of contractual relations between the City authorities and transport operators, stimulating service quality improvements.
Competitive: Enhanced private sector participation in service provision; improved operational and financial performance of the municipal transport company; increased financial performance of private transport operators.
The Company is a 100 per cent municipally owned entity established by the City Akimat.
Senior loan of up to KZT 3.5 billion to the Company. Remaining Project cost of up to KZT 1.5 billion, to be covered by the Oblast Akimat's grant co-financing.
The total Project cost is estimated at KZT 5.0 billion excluding technical cooperation.
Categorised B (2014 ESP). The environmental and social issues associated with the provision and operation of new buses can be readily identified and managed. Due diligence has been carried out with the assistance of an independent consultant who undertook an appraisal of the project and an audit of the existing bus operations in the City. The new buses will increase capacity and meet growing demand as well as reducing reliance on older and more polluting buses. The new buses will be diesel EURO 5, or higher depending on the availability of fuel.
Oskemen is a city of around 330 thousand people. Public transport is dominated by motor vehicles and there are currently around 500 buses operating from six depots. Around 1000 people are employed in bus operation.
The due diligence has identified a number of issues with the existing bus operations that need to be addressed. These include a lack of environmental or social management systems, limited EHS capacity, gaps in HR policies and poor practices with regard to emissions and waste management.
To address these issues two ESAPs have developed, one for the City bus company, which will own the buses, and one for the bus operators, which will operate them. These ESAPs address the EHS and HR management gaps identified and require company to introduce training on driving safety and disability awareness. It is possible that some job losses may result from the introduction of e-ticketing systems and so the ESAPs also include requirements for the development of Retrenchment Plans where required.
The EBRD will monitor the implementation of the ESAPs through annual reports from the client.
Project feasibility study including an environmental and social assessment. €195,000 was provided by the EBRD Shareholder Special Fund ("SSF").
Review of the legal and institutional structures. €50,000 financed by the EBRD.
Project Implementation Support. The assignment's cost is estimated at up to €295,000; proposed to be financed by an international donor or the SSF.
Corporate Development Programme. The assignment's cost is estimated at up to €600,000; proposed to be financed by an international donor or the SSF.
Pre-Shipment Inspection of the Buses. The assignment's cost is estimated at up to €150,000; proposed to be financed by an international donor or the SSF.
27 Kazakhstan Str., Oskemen, East Kazakhstan Region, Kazakhstan.


text:
Andrew Blackman, född 2 augusti 1956 i Brisbane, är australisk skådespelare och regissör. Under 2006-2007 spelade han Don Fry (Taylors pappa) i serien Pinsamheter.

Källor

Födda 1956
Australiska skådespelare under 2000-talet
Levande personer
Män
Skådespelare från Queensland
Personer från Brisbane

redpajama_set_name: RedPajamaWikipedia


Moving pictures : American art and early film, 1880-1910 / Nancy Mowll Mathews with Charles Musser ; contributions by Marta Braun ... [et al.].
New York : Hudson Hills ; [Garsington : Windsor, distributor], 2005.
Williams College. Museum of Art.


text:
Causes of Psoriasis
Symptoms and Types of psoriasis
Scalp Psoriasis
Treatment for Psoriasis
Psoriasis Homeopathy Treatment
Homeopathic Medicines for Psoriasis
Cortisone is not an answer to Psoriasis treatment
Adverse effects of Cyclosporine
Adverse effects of Cyclophosphamide
Adverse effects of Cortisone
Psoriasis: Adverse effects of Methotrexate
More About Psoriasis
Have psoriasis? Ask yourself
Is your Psoriasis masked?
Diet in psoriasis
psoriasis-treatment
Future of Psoriasis
Psoriasis Glossary
Psoriasis Photos
My skin got clear as earlier...
A 45 years old lady Mrs. LGK (Patient reference number 9586) reported to the center in August 2008, with complaints of Psoriasis. She had psoriasis on the legs, neck, scalp forehead and hands. Around 20 % of her body was affected.
The lesions were typical, red inflamed patches with silvery scales. She had severe itching and burning in her lesions. The itching was more in the night.
She would get sleep disturbance due to itching. There was occasional bleeding after scratching.
She also suffered from allergic rhinitis and sinusitis. She would get colds on and off and especially before her menses.
She stayed with her husband and one son and daughter. Her husband was in the shipping industry.
He was an irritable person. They were having quarrels over small issues.
He was a perfectionist and expected every thing spick and span. She had a laid back attitude. This and differences in raising the children lead to quarrels.
She was an irritable lady; she would brood over things. She was reserved in nature. Her husband was very social and talkative. If they had a quarrel, she would remain quiet for several days.
Mrs. LGK liked to be indoors. She avoided crowds; she disliked loud noise and music. She preferred to be alone. She often had sleep disturbances. She would prefer to go to bed early when she suffered from colds and sinusitis.
She liked to tie her head with a tight bandage, when she got sinus headaches.
She was sensitive to cold weather and she would get body aches after eating sour food such as lemon, oranges, pickles and tamarind.
Her husband was fun loving and liked to go out for parties and outings.
Dr Rajesh Shah studies her case in detail and prescribed Sepia 30c, along with a research based medicine.
In her first follow up she stated that she was feeling relief in her colds, but no relief in her psoriasis.
She was explained that this is the first indication that the remedy is acting favorable.
She had used local steroid creams for her psoriasis in the past.
She was explained to reduce the steroid cream gradually.
Slowly and steadily the scales reduced and later on the redness in her psoriasis lesions also reduced.
In around six months, there was very substantial relief in her psoriasis. The skin lesions completely healed. She was able to stop all her creams. She only applied Vaseline.
She stopped her treatment after six months.
She reported after two years again in August 2010. Her skin was fine. She did not suffer from psoriasis, frequent colds or sinusitis all these years.
A youngster got relief from psoriasis
Psoriasis is an immune-mediated disease (a disease with an unclear cause that is characterized by inflammation caused by dysfunction of the immune system) that causes inflammation in the body. There may be visible signs of inflammation such as raised plaques (plaques may look different for differ.....Read more
Homeopathy Restored The Harmony By Healing A Patient Of Palmoplantar Psoriasis
A 31-year-old male patient, Mr. C. M. (PIN: 13321) visited the Life Force clinic in February 2010 and started homeopathic treatment for his complaints of Palmo-planter psoriasis.
He was suffering from it for 1 year. The lesions of psoriasis were present on his hands and legs majorly. He.....Read more
Get Relieved Of Psoriasis Without Dependency On Conventional Medicines With Homeopathy
A 28-year-old patient, Mr. S.K. (PIN: 39840) came with complaints of psoriasis to the Santacruz branch of Life Force in Mumbai on 9th April 2019.
He was looking for treatment for psoriasis to work on its root cause and heal the skin condition completely to eliminate it from h.....Read more
Excellent experience at Life Force Team. Dr. Shah and his team are cooperative and well organized. I am happy with Dr. Shah's treatment. I was suffering with Psoriasis and by the grace of God and Dr. Shah treatment, I have recovered from this disease. Thanks to Life Force.
Alsulkar Ibrahim Shaikhali - Raigad, India
After starting treatment in Lifeforce my son has improved within 15 days and after continuous treatment, all spots over his body disappeared.
Kshitij Gangurde, Thane, India
Unbelievable! I can't believe that I have recovered (95%) till now from Psoriasis from which I was suffering from past 14 years. Dr. Rajesh and his homeopathic treatment are just excellent. I really hope that homeopathic treatment should also work out for cancer and AIDS. GOD BLESS YOU.
Renu Mann - Mumbai, India
My Psoriasis had drained me completely. I was frustrated with Psoriasis which i had for 15 years. I had even gone to the extent of thinking about suicide to get rid of Psoriasis. Then one day I took up homeopathic treatment with Dr Shah. The results were unbelievable for me and my suffering of all these years was completely gone within a span of just 1 year of homeopathic treatment. I am truly grateful to Dr Shah for helping my Psoriasis to be cured.
Mr. Hiralal Panchal - India
I have been taking medication for Psoriasis as directed and it has been working wonderfully. My foot, ankle, calf & thigh have either completely cleared or spots have almost all gone now with no more scaly skin! Thank you so much for the miracle medicine! My good fortune with homeopathic treatment of Psoriasis should be shared worldwide when 6 years of other various conventional treatments have provided me with no notable benefits except for some side effects. Again, thank you so much for giving my normal skin back!
Pai Young - AZ, United States
Dr Rajesh Shah sharing 28 years of experience in Psoriasis treatment


The first O.R.k. album was a pleasant surprise, presenting an imaginative take on the confluence of heavy rock with atmospheric production and strong vocals. Soul of an Octopus gives us nine more tracks of the same basic style, and while it is perhaps a little less immediately appealing, it is a no less rewarding release. The notable changes from Inflamed Rides are the increased use of acoustic guitar and electronic percussion. Certainly Carmelo Pipitone played acoustic guitar on the debut, but it seems more prominent now, with tunes like "Collapsing Hopes" featuring acoustic and slide to start with, though of course the heavy electric parts are bound to arrive before long. Pat Mastelotto is no stranger to electronic percussion, and his inclusion of it here is well within his style, though he avoided it for the previous O.R.k. album. These electronic elements do not overpower the rock element of the drumming, only serve as coloration at times. To a great extent, the sound is dominated by the vocals of Lorenzo Esposito Fornaseri, which are strong and capable of great range — and his lead parts are augmented by many backing parts, both harmonizing and offering counterpoint and commentary. The second defining factor comes from Pipitone's guitars, often with three or more parts worked expertly together, providing variations of tone as well as enriching the harmonies. You'll hear one or two acoustic parts with picked or strummed parts, a bluesy slide, and several distorted electrics with riffs and chords. One of the really nice elements of the band's sound comes from Colin Edwin's favoring fretless bass, which is not often heard in such heavy circumstances, but adds a lot of interest to the music. Add in some supportive keyboard parts (from Fornaseri), and you've got a lot going on. Fornaseri's production manages to make it all sound real and natural, full but not overdone, with each part fitting into its own sonic space. Soul of an Octopus is another great release from this great band, and should find a home in the playlists of fans of Porcupine Tree and other progressive music that is heavy but not in the realm of progressive metal.


text:
U.S. Army Soldier Killed in Combat Operations in Afghanistan
BAE Systems Awarded $45M U.S. Army Contract for Extended Range Cannon Artillery Prototype
DynCorp International Awarded Air Force Aviation Contract
Asia-Pacific Industry
Airbus Helicopters, Thai Aviation Industries Extend After-Sales Support for Military and Governmental Fleets
June 24, 2019 DP Press Releases	0 Comments Airbus, Airbus Helicopters, Thai Aviation Industries (TAI), Thailand
Airbus Helicopters and Thai Aviation Industries (TAI) have declared their common intention to extend the aftersales support of all Airbus helicopters operated by Thailand's military and government agencies.
Under this agreement, TAI will continue to be Airbus' approved provider of HCare support and services for Thailand's military and government helicopter fleets. HCare services already available to local operators will now include continuing airworthiness management organisation services (CAMO), connected services such as Flight Planner and Aerodata, as well as O-level (organisational) and I-level (intermediate) maintenance services.
Currently covering H125M, H145, H145M, AS365, H155 and H225M helicopters, the new agreement will be extended to Airbus' helicopters flown by governmental operators, benefitting around 50 helicopters with Airbus' comprehensive maintenance services.
Air Marshal Anun Chansongserm from Thai Aviation Industries said, "We are happy to have found in Airbus a reliable and trusted partner who shares our vision to build a strong maintenance operation and aftersales support chain in Thailand for our customers' benefit. We have worked extremely well together over the past two years, and we are looking forward to building a robust aviation ecosystem in the country, drawing from Airbus' rich technical expertise."
"This agreement extension underscores the excellent maintenance support provided through our partner, and demonstrates Airbus' commitment to build a strong local presence in Thailand that brings convenience to our customers," said Philippe Monteux, Head of Southeast Asia and Pacific of Airbus Helicopters.
"Thailand is an important market for Airbus, of which close to 90% of our helicopters are operated by the military and governmental sectors. It is in our interest to bolster our well-established support environment for our customers, and to improve the operational availability of their fleet, through our successful partnership forged here in Thailand," he added.
Spanning material management, helicopter maintenance and upgrades, technical support, training and flight operations, as well as connected services, the highly flexible HCare suite of helicopter services offered to Airbus customers ensures that each flight is performed successfully, with the highest levels of safety.
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Miami Beach Condos For Sale
Caribbean Condos FOR SALE
Caribbean - View from the Ocean
Pool in the Penthouse Unit
Beach, Pool and Ocean View from Unit
Direct Ocean View from unit at the Caribbean
Caribbean oceanfront pool and spa
Cigar Humidor
Wine Vault
Sunset over the Carribean, Miami Beach
Interested in Selling your Condo in Caribbean?
We are South Florida's leading condo sales experts and we will sell your Caribbean condo fast! With the expertise and proven track record, we market and sell properties quickly, and for top dollar! Contact me at: 305-494-1767 or Click Here to and get a FREE Condo market analysis
Caribbean in Miami Beach - Property Description
The Caribbean Miami Beach is one of the top new oceanfront condominiums in all of Miami Beach. Comprised of the 35 unit fully-restored and renovated historic Caribbean Hotel built in 1941, and a 68 unit nineteen-story all glass tower, the Caribbean is a true boutique property. Stunning views, convenient access to the hottest and most popular venues in Miami Beach and South Beach, and the opportunity to live in one of the most in-demand and affluent neighborhoods in South Florida. That is what you get when you live in a Caribbean Miami Beach Condo. The Caribbean offers residents a true Miami Beach Condo five-star oceanfront lifestyle.
The numbers of amenities that are offered by the Caribbean include a dizzying array of luxuries and conveniences. An elegant porte-cochere welcomes you into your building and the glamour of a bygone era. A high-speed elevator whisks straight up to your residence, where the amenities and luxuries continue. Floor-to-ceiling windows invite bright natural light into all units, most of which include views of the turquoise waters of the Atlantic Ocean. With 9-foot ceilings in the regular residences and 11-foot heights in the penthouse units, the sky will really be the limit of your view. West-facing condos have stunning vistas of Miami Beach, Indian Creek, Biscayne Bay, and the entrancing skyline of downtown Miami. Expansive terraces accentuate the views, and inside all systems will be ready for the latest electronics. A wireless touchpad concierge panel is featured that brings all the services and personal needs at the touch of the button. Units come equipped with Sub-Zero and Miele appliances, plus fine marble and granite kitchens and bathrooms. You're given two selections of European kitchen cabinets, so it's up to you to decide which is the better complement to the standard cappuccino machine and wine cooler! The Penthouses feature private rooftop terraces, swimming pools, summer grills and hot tubs.
The exterior façade of the North Tower reveals its original Black granite façade and the terrazzo floors in the main lobby. Interiors are decorated by world renowned Steven G Design. Christopher Ciccone, Madonna's brother and feted interior designer to the stars like Tony Bennett and Dolly Parton, will bring his celebrity-inspired design touches to the Caribbean. His influences, which also include styling Madonna's homes, are certain to sensualize this structure even more. Throughout the Caribbean, amenities have been selected for the sole purpose of making your life easier. Such amenities include a fire pit that is ideal for social gatherings, four private cabanas, sun decks, a resident lounge, a fitness center complete with state-of-the-art equipment, a whirlpool spa, heated swimming pool and business center. The Caribbean offers a wine vault with dedicated space of every resident. There is even a cigar humidor for those who enjoy a good cigar. Caribbean condo residences are available for sale or for rent, making suitable options available to cater every need.
Frequented by the Miami rich and famous during the "Rat Pack" days of the 1940's, The Caribbean Hotel was a hotspot for the ages. This historic oceanfront landmark has undergone a complete restoration into upscale condominium towers that recapture the glamour of a bygone era. Situated on the oceanfront in Miami Beach and only a few blocks from Arthur Godfrey Road, this ideal location of The Caribbean offers easy access to boutiques, shops and restaurants as well as all major highways. The very chic South Beach is only 5-minutes south and the newly revitalized downtown Miami is 10-minutes away. To the North you will find Bal Harbour and The Bal Harbour Shoppes, Sunny Isles, and Aventura. To the South experience the internationally known destination South Beach with its renowned nightlife, restaurants and hot nightclubs. Easy access to the Miami International airport, Downtown Miami and Brickell, Coconut Grove, Coral Gables, Fort Lauderdale and Boca Raton makes this destination location ideal. Enjoy an array of entertainment including the American Airlines Arena, Miami Performing Arts Center, Gusman Center for The Performing Arts, and Miami Children's Museum. World-class shopping is found nearby at Lincoln Road and the Bayside Marketplace. For the ultimate in oceanfront living, The Caribbean Miami Beach Condo is the premier choice!
Caribbean - Condos for Sale
Indicates Short Sale or Foreclosure
% Change from Original List Price
Condos For Sale in Caribbean
2 Bedroom Condos For Sale in Caribbean
Change Unit List
Price List $/s.f Bd/Bth Interior
Space Maint. Listing
Date Details
10% N-303 $1,230,000 $764 2/2/1 1,609 sf / 149.5 m² $2,060 1/31/2019 View
S1104 $1,650,000 $1,161 2/2/1 1,421 sf / 132.1 m² $1,908 6/13/2019 View
N-305 $1,699,000 $1,069 2/2/1 1,589 sf / 147.7 m² $2,034 1/15/2019 View
S-804 $1,775,000 $1,249 2/2/1 1,421 sf / 132.1 m² - 6/3/2019 View
S-1404 $1,850,000 $1,302 2/2/1 1,421 sf / 132.1 m² $1,820 6/18/2018 View
11% N-302 $1,999,900 $1,237 2/2/1 1,617 sf / 150.3 m² $2,071 2/20/2018 View
S-1003 $2,350,000 $1,450 2/2/1 1,621 sf / 150.7 m² $2,076 10/30/2018 View
S-602 $3,781,000 $1,626 3/3/1 2,326 sf / 216.2 m² $2,660 1/15/2019 View
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Condos Sold in Caribbean
1 Bedroom Condos Sold in Caribbean
Unit List Price Sold Price Sold $/s.f. Bd/Bth Interior
Space Sold Date
N-504 $999,000 $867,000 $882 1/1/1 1,133 sf / 105.3 m² 6/7/2019
S-603 $1,750,000 $1,550,000 $1,080 2/2/1 1,621 sf / 150.7 m² 7/31/2018
N-502 $2,350,000 $2,100,000 $1,453 2/2/1 1,617 sf / 150.3 m² 11/9/2018
S-1303 $2,630,000 $2,325,000 $1,622 2/2/1 1,621 sf / 150.7 m² 1/31/2019
Caribbean - Map
Caribbean Condos in Miami Beach area street map view
Caribbean - Information Request:
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Caribbean, Miami Beach, FL 33139
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Caribbean Condos Miami Beach website – sale home page
Miami Beach, FL 33139 (Miami Beach)
City Neighborhood: Miami Beach
Number of Stories: 19 in South Tower & 6 in North Tower
Caribbean Condo Miami Beach Building Amenities:
Elegant porte-cochere entrance restored to its original grandeur
Multi-level landscaping with prominent water features and ample green areas
Beautifully landscaped courtyard
Direct ocean access
Oceanfront, heated infinity-edge swimming pool and oversized spa
Sun deck with chaise lounges and shaded relaxation areas
Beach and towel service
Fire pit for social gatherings
New-age fitness center with state-of-the-art exercise equipment
Billiard lounge
Two business centers
High=speed elevators
24-hour concierge and security
Owner's storage
Caribbean Condo Miami Beach Residence Features:
Decorator-ready units with reinforced concrete floors
9-ft. ceilings in regular residences; 11-ft. ceilings in penthouses
Penthouses featuring private rooftop terraces and swimming pools
Floor-to-ceiling impact glass windows
Massive terraces
Wireless touchpad concierge panels
Pre-wired for electric, cable and high-speed internet
Individual high-efficiency water heaters and A/C system
Generous walk-in closets
Fire protection sprinkler system throughout
Caribbean Condo Miami Beach Kitchen Features:
Designer Italian kitchens
Two selections of kitchen cabinets
Sub-Zero refrigerator / freezers
Miele stainless steel appliances
Asko washer & dryers
Cappuccino maker
Stone countertops
Caribbean Condo Miami Beach Bath Design Elements:
Marble & stone baths
Walk-in showers with body jets & rain shower head
Duravit toilets & bidets
Seamless glass tub & shower enclosures
Steve Samuels is known as one of the premier Miami Beach Real Estate & Miami Beach Condo brokers in the South Florida market. His negotiation skills, market knowledge and no-nonsense, results-driven approach has made him one of the most sought after luxury condominium and single family waterfront realtors from Miami to Palm Beach County. View MLS Listings for Fisher Island Condos for Sale in South Florida and Miami Beach. CondosandCondos.com is one of the Leading South Florida Real Estate websites where you can find Ocean Front Condos for Sale & Rent . Search for Oceanfront Condos Luxury Condos in Miami, Miami Beach, South Beach, Sunny Isles, Hallandale, Key Biscayne, Bal Harbour, Fisher Island, Coral Gables, and all of South Florida.


I'm keen on bright colors and sharp angles. I once spent seven hours in an art museum. My workspace is littered with Post-It notes. And I'm fueled by black coffee. I love thrift shopping, comedy, and Elton John.
I am active on most media platforms. All of my public social media can be found under Leigh Catherine. I do not have a Twitter.


Ansible is such a powerfull tool that it can be easy to get lost in all the possibilities. Running your "network infrastructure as code" with full configs auto-generated and checked into git is the dream, but we can start simple with automating time-consuming tasks. This post will focus on getting ansible up and running with a playbook to configure new vlans across your switches.
First, we need to build our Ansible hosts file which is an inventory list of our network devices. We can categorize and group devices within the hosts file, which makes configuring the right devices easier down the road.
This simple playbook just runs a command (show vlan brief), registers the output of that command to a variable (show_vlan) and then displays the formatted value of the variable (stdout_lines).
Pretty simple! I currently only have a single device in my Ansible hosts file, but with multiple devices you can issue show commands across every switch in your network. You can also modify the playbook above with any "show" command.
We used the "ios_command" network module above, but to actually make changes, we will need to use the "ios_config" network module.
When creating playbooks for common tasks (like creating a vlan), I try to use variables as much as possible so the playbook is easy to reuse. You can see below that I define the vlan_id and vlan_name variable, which makes them very easy to change when needed - you don't need to edit anything else in the playbook.
As you can see, we added the VLAN configuration before our "Show VLAN" task. There are two parts to configuring a VLAN - the VLAN ID and the VLAN name. The first task configures the VLAN ID on the switch, then the second task tells Ansible to configure the VLAN name under the VLAN ID we just created. Since the VLAN name is part of a heirarchical configuration in Cisco IOS, we can use the "parents" feature in Ansible to let it know that the name is placed under the VLAN ID configuration.
After the VLAN configuration is completed, our "Show VLAN" task will display the VLAN database with our newly created VLAN.
Now when a new VLAN needs to be provisioned, just change the vlan_id and vlan_name vars, and you can configure a VLAN across your entire network in less than a minute.


The form Animated television programs represents a specific category or genre of resources found in Normal Public Library.
Heroes of the Bible!, Stand up, stand tall, stand strong!
Maggie and the ferocious beast, Let's play a game!


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– japoński wrestler znany z występów w New Japan Pro Wrestling. Najdłuższy posiadacz tytułu IWGP Heavyweight w historii.

Osiągnięcia
New Japan Pro Wrestling
IWGP World Heavyweight Championship  (1 raz)
IWGP Heavyweight Championship (5 razy, najdłuższy reign w historii)
G1 Climax (2012, 2014, 2021, 2022)
New Japan Cup (2013, 2019)
Pro Wrestling Illustrated
1 Miejsce w PWI 500 z 2017 roku
Match Of The Year (2017) vs. Kenny Omega z 4 Stycznia
Feud Of The Year (2017) vs. Kenny Omega
Tokyo Sports
Best Bout Award (2012) vs. Hiroshi Tanahashi z 16 czerwca
Best Bout Award (2014) vs. Shinsuke Nakamura z 10 sierpnia
Best Bout Award (2015) vs. Genichiro Tenryu z 15 listopada
Best Bout Award (2016) vs. Naomiji Marufuji z 18 Czerwca
Best Bout Award (2017) vs. Kenny Omega z 4 Stycznia
MVP Award (2012, 2013, 2015)
Toryumon Mexico
Young Dragons Cup (2005)
Wrestling Observer Newsletter
5 Star Match (2013) vs. Hiroshi Tanahashi z 7 kwietnia
5 Star Match (2013) vs. Hiroshi Tanahashi z 14 października
5 Star Match (2016) vs. Hiroshi Tanahashi z 4 stycznia
5 Star Match (2016) vs. Tomohiro Ishii z 6 Sierpnia
6 Star Match (2017) vs. Kenny Omega z 4 Stycznia
5 Star Match (2017) vs. Katsuyori Shibata z 9 Kwietnia
6¼ Star Match (2017) vs. Kenny Omega z 11 Czerwca
6 Star Match (2017) vs. Kenny Omega z 12 Sierpnia
Match of the Year (2013) vs. Hiroshi Tanahashi z 7 kwietnia
Match of the Year (2016) vs. Hiroshi Tanahashi z 4 Stycznia
Match of the Year (2017) vs. Kenny Omega z 4 Stycznia
Feud of the Year (2012, 2013) vs. Hiroshi Tanahashi
Feud of the Year (2017) vs. Kenny Omega
Best Wrestling Maneuver (2012, 2013) Rainmaker
Most Improved (2012)

Przypisy

Linki zewnętrzne
 Profil zawodnika na Profightdb

Japońscy wrestlerzy
Sportowcy związani z Anjō
Ludzie urodzeni w Anjō
Urodzeni w 1987


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By growing the assets of the foundation our club continues to work to assure that East Chapel Hill Rotary Club's future projects will be well-funded.
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