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Rumor: Rudy Gobert could become available in trade talks if he doesn't sign extension with Jazz
big Old Bear and what feels like something that's had a little bit, at least from the rumor standpoint, let eggs over the last handful of months.
Um, you know, you go all the way back will take a second here just to make sure that we give Ah, Matt an opportunity to join when he's thready.
But when you go back to the time frame around Kobe 19 when it was first coming up, right, And, of course, Rudy Gobert sat there, two news podium made a joke about it.
It was a little bit cavalier, touched down on all the microphones and then left.
She ended up, of course, testing positive.
And then some of the team of the Utah Jazz also came down with it.
So that was kind of the little bit of a nugget, right? That was the thing that made some of maybe the other issues beyond.
That starts a bubble to the surface and Donovan Mitchell, the hot on the scene, saying, I have some problems here and he came out immediately, of course at the time and said, I'm not necessarily excited about the idea of having a player like this who was so cavalier around around the cove in 19 situation.
But even beyond that, it was more to the point of these guys have had issues just in game and feeling like they were having a I'll say cohesive communication, working well together.
Ah, that being the case now, you're starting to have these conversations about a contract year a year from now.
One more season for Rudy Gobert before he enters into a potential extension.
And the idea of what might the Jazz look to do here? Obviously, he still has tremendous upside.
Ah, and he pairs well and complements well to Donovan Mitchell's gained.
But Donovan Mitchell is the future, while Rudy Gobert has been the Stallworth there for a while.
What is it going to look like if you need to move on from him? Potentially so we'll take one second here just to make sure that we get this link, set up four Matt Brooks to join in, and then we will start to talk a little bit about what our expectations are as far as the possibilities of where we think, ah player like Rudy Gobert could be traded.
What teams might be in a position toe look at him as the short term answer in terms of championship goals.
Utah Jazz.
I don't know if rate now or in this next window of a couple of years feel like they're at that championship caliber level.
You look out there in the West and you think about the Clippers.
You think about the L A Lakers and maybe if you want to be, ah, GM or organization that tries to not just think about things right now, but goes a little bit further down the line.
You say, Listen, we love what Rudy Gobert has done for us, but if we're not going to be at Western Conference finals finals appearance ready, then at that stage, we need to consider about the value that we can get back for this player.
So you know, the first thing we take that I don't want to take a look at here was, who else is gonna fall into that class? And also, where do the Utah Jazz stand? From a cap standpoint, Currently, this year, active roster cap is at 118 million.
They have about a little over eight million in debt cap, so total coming with 1 27 and they have just under 20 million in cap cities.
Well, you look over this roster, you know that you've got ah, Connolly.
Goldberg got Bogdanovich.
There is Well, some of the bigger numbers that are on here that are probably movable ones might be something like a Jordan.
Clarkson is 27 taking up nearly 13.
5 1,000,000 on the cap.
Beyond that, though, then you get into you know, Joe Ingles.
He's 31 now, but only costing you just under 12 year that the bigger numbers are Rudy Gobert a 25 million, essentially ah, 32 million for Connolly Bogdanovich there at 17 million.
By the way, a lot of Mitchell remember on that contract was 23 years old, making 3.
6 million.
So it's not like we're really getting, you know, a really a big hit there right now for them, so maximizing that value is important as well.
And as we see Matt Brooks has joined him.
I'm away for him to sit down here, and it's perfect, because this way, I don't have to go too.
Deep down this rabbit hole before I get Matt on.
There is if it quite that hair buddy court that here right up as they will get himself situated there on our of course SportsCastr co hosting feature, and will continue to kick around some of these numbers.
And then I already started to have some of these thoughts around possible trade partners in this.
And if they were going to go that route, I also have my more maybe specific thoughts around the idea as if this is ever going to be the case for Rudy Gobert being moved on from from the Utah Jack.
We'll find out soon enough.
Hello? Hello, sir.
How are you? Hello, Good, sir.
Did I know you're a good man off into this? Well, what have you been that? That's the best part about the new SportsCastr Coast feature.
Is that you? Just my God, You come rate in it.
Just like a moderate like that. Sorry.
Yeah, I did it out yet.
Oh, that's right. It No.
All right, well, listen, this is true.
This is traveling fire.
Thanks for coming in.
Thanks for coming into my head is a globe.
Right now this thing is I have never looked.
Have never looked more zoomed into It is their right.
It zoom out of this.
I don't know from adjustment standpoint.
I think that's you, man. This is it.
This is just comparatively.
My head has never felt more reasonably sized than it does right now. That's ridiculous.
I don't know why.
I don't know why wasn't your movement.
You're the face, the face of the franchise, you know? I mean, you got to get that.
You got to get out of the camera's.
Yeah, I guess so.
This is this is my head shot right here.
That yet? You're good.
What? What did I what did I bounce it on? Just out of nowhere? Well, that was no.
So I was glad you came in is quick as you did because I was just started.
Scratch the surface of it.
The idea of this now saying the trade trade rumors right around Goldberg.
This popped, um um after cove in 19.
It seemed like that was the breaking point for maybe Thompson Mitchell, where he was like, case.
You're wondering I've had a problem, this guy for a while, and this is just like the straw that broke the camel's back for him.
And that's where all this stuff it started to bubble up about those Mitchell really like playing with him? And would the Jazz be in the march to possibly move on from home? So the first thing, the first thing I just highlight it was the cap space right now for the Jazz.
They got about 20 million, including the dead cap.
So they have.
They have some real flexibility because Mitchell is on such a reasonable team deal right now, Um, and there's somebody like a Jordan Clarkson making 13.
5 1,000,000 on.
Then you really just get into the Connelly's and, you know, go Bayer at 25 there.
So they have some flexibility as far as during being able to bring in some other big name bodies.
But let's just on the surface Do you think that there's riel potential legs to this, because the one thing that I started to question myself was, do the Utah Jazz look at this roster right now and think we're Western Conference finals were finals appearances over next couple of years because you got both L.
A teams, and if you don't.
Then I think that that's the first card to say maybe moving Goldberg would make sense that, um, it's tricky because he's a big part of what they dio.
So that's kind of like why I'm not really sure what they look like without him in a lot of ways.
So if you move somebody like Rudy Gobert, I mean, who honest of the Jazz like defensively really tailed off quite a bit this year? That's kind of been there, what they're built off of.
So if you move somebody like Rudy, go bare, what is your identity exactly? Like Donovan Mitchell's have had a very nice year.
Um, efficient volume score, which is what you're looking for.
Ah Bogdanovich is a really nice player, a little bit older, and then after that, it's like I don't really know what this team is in a lot of ways, So I would assume what they would do before they move Rudy go bare or, you know, if if they don't because the thing is like if they don't agree to an extension, then it becomes a little bit of like, OK, Rudy, go bear.
He's been an All Star this last year.
Um, he's always in the running for all India at his position.
This is a guy that thinks most likely pretty highly of himself as a player, and he deserves it.
He's one defensive players of the year.
He's, I think, the big reason the Jazz are where they are.
But if they aren't able to agree to an extension, I would wonder about him leaving.
But my assumption is that they try to move that Conley deal and just it's not gonna be easy.
But if there's a way to move that and move money around that way and bring somebody in that fits them a little bit better, they were just better when they had the ball on Donovan Mitchell's hands.
That's kind of like what this came down to this year was like, you know, there was all this.
It was funny because last year you watched them in the playoffs and you know Donovan Mitchell.
He has this horrifically horrific playoff experience playoff, I guess, the second playoff experience and it all came down to like, well, there's just not enough help around him.
Mike Conley.
I don't know if that was the help you needed.
I think Brooke on a ***** was a much better suit to that.
It wasn't necessarily a backcourt partner.
He needed a guy like Bogdanovich who can create his own shot a little bit.
I also really, really works well off the ball and doesn't require the bonnet stands.
Might have been the perfect fit for somebody like Donovan Mitchell.
So I would you would move it that way.
They wouldn't trade really go there just yet.
No one, Because you think, too, that, like, maybe that was the experiment that you thought was gonna work out of having Donovan not have to be on the ball all the time.
And all of a sudden it will free him up and make it easier with Connolly there, then just trial.
But, you know, trial by error, you find out.
Oh, actually, we needed to have the ball in his hands, which makes Connolly.
They look like a little bit of a of the worst move there to get him in the door.
The only thing, I guess, cause the hard thing is too is you're right.
It's like, say that you're you want to move on from Conley.
No matter what. Because the max contract.
And then if you rule on for ago bear like you're talking about, then just sitting Mitchell.
Alright, man. Thank you.
It's you on this island that I don't think that that's a market where you can afford to give up something.
Give up what you know for the unknown.
And then maybe find yourself two or three years down the line being like boy we've really loved without of the Mitchells given us and unfortunately, there are enough pieces around it.
And a lot of those pieces, like you mentioned Joe Ingles like all these guys were getting older.
So now you're talking about meeting Teoh infused with youth around him.
The interesting thing that I will say so the first thing is Gobert and Mitchell.
Even if they don't like each other, they complement each other perfectly like rapture, rapture, making something that I've been like, Really, I have enjoyed noodling around lately uh, Mitchell net negative on the defensive end, but really good on the offensive end.
Gobert giving you nothing offensively necessarily but extremely efficient on the defense event number one and wrapped a rating in the league So that's that balance of of what? You don't have to worry about his Mitchell, and not that you're looking for entity defending at the rim or something.
But that's the compliment that you're getting out of these guys right now.
If I go away, if I go down the road of the possibility because I think idea of, if they don't sign him, would they consider trading well, of course they could.
They would, because we don't have him on the extension.
You're not just going to play out his final year and then say thanks so much, you know, enjoy the open market.
He's an expiring contract at that point.
Attractive, still now attractive.
Just about anybody, especially in this market.
Which, by the way, could be, um, could be tricky the next two year.
Yeah, there's a lot of other.
There's a lot of other things happening around that, too, as far as what other teams will look to dio.
So I'll throw this idea because I started to think about what some of the other teams that line up in the same range that will have young centers that potentially could be a nice swap if these air teams that are looking to win championships.
This came up there along the way.
At some point, of course, I'll go Homer the Brooklyn Nets, or, you know that's an attractive scenario where you go Jared Allen, a guy that I'm a fan of.
But, hey, you want to get a young center that isn't nearly as proven and you want a Spencer game with your cares liver, whatever these other pieces may look like, the Nets are in a win now mode over the next couple of years and already well into luxury tax.
So they're not gonna buy up a little bit extra the other one.
That, though, that the scratch my brain was the Miami Heat and saying, and it's not a like for like necessarily like Obama auto Bio again, another young player that personally I would keep them, I think, because of so that the Heat are an interesting team because they are like we talked about how the the Jazz or between eras almost there between errors.
But like in a way, that's positively kind of what the Celtics we're shooting for within that Kyrie and they had Jalen and and Jayson Tatum kind of representing that Nextera.
I like the heat for.
In that way, I would I would probably refrain from doing that just yet.
T cut you well, but that's so interesting, right? Like when? When Miami brings in Butler, it re infuses them in a way.
But I think you're like, I think you're right, though he's really the stem the Tide guy for them while they're while some of these younger pieces get ready to take over the team as opposed to being like, I don't know, I attorneys to think that Pat Riley with how they feel, But I don't in my mind, I don't look at it as we brought in Butler for a championship run.
I look at it more as it keeps its really competitive, keeps it in the playoffs, which is the with the Miami Heat.
Have done a great John it.
Right? So another one, I'm thinking I'm just trying.
Think it seems that could use him on could use a center.
Um, Golden State would be an interesting destination.
I don't know, like if they could dio, if you're going about where their pick lands, If they got that pick and say Wiggins to make salary match or if they were like, Yeah, I mean, you could even do like a dream money.
So that was pretty interesting to me.
Just thinking of this off the top of my head.
I'm just trying to like spitballs something quick, but that's pretty cool.
But even like you said, like you think about because I think everyone's consensus is kind of like Draymond Green is the first guy that's gonna fall off a cliff if he hasn't kind of already shown that.
You know that little inclusion like this is not going to look good. And neither is that contract.
But for the downside, there is, like in Let that pick folds in a really sweet spot for Utah.
It's gonna take more like, Hey, do you wanna down? So you want a down sliding Draymond green for the Utah Jazz like that? That's the problem.
Action that up.
But even just the top of your head throwing that out there of the Golden State warriors, injuring themselves into a lottery pick and then using it to bring in a 28 29 year old Rudy Gobert that immediately they get catapulted right back up and you talking about the Western three.
The West dominated by three teams, all in California.
It's pretty sweet.
That seems pretty sweet because, I mean, you think about like what he isn't and that's pretty much an offensive threat.
I'm trying like I'm just gonna think of a destination where that really wouldn't matter all that much.
I mean, you worry a little bit about, like, if they're gonna be that switch double, but I mean, you know what then? Like, I think that dream is kind of done it, or it will be done in the next couple of years, depending upon what Draymond looks like.
It's an interesting way to give it into the next generation.
I guess, of warriors basketball.
It's a deficit.
And I think it's a total philosophy change in a way offensively, that you just get so much out of clay and stuff that I think that you almost you don't really worry about having him in the in the ah, in crunch time.
Those guys just can I really that twosome is incredible, but defensively they be different.
It would be a different look.
A team that would shift toe like a drop coverage team almost.
And I don't know.
I have to go to a veteran team that says he said, taking a big swing it for things.
And what better team is there in the league right now at that, then Golden State? Yeah.
I don't know why I just thought about Ah, uh I thought about how many pieces how many players are movable on what other perspectives like, for example, Anthony Davis doesn't like to play center real them.
He likes to be a power forward, okay? And LeBron can be really dominant if you if you slide him down to the shooting for the beautiful Orbit.
Like if I want to have fun, you know, if you know, maybe on they just don't get it over with Lakers and let him be a dominant defensive anchor for them and create the three piece there like anything, even if it is for a two year, You know that short two year stint like that tight window that you're talking about.
I take like Dwight and travails minutes effectively.
You know, it's just like it's also about teams that are willing to throw totally into the idea of Brooklyn about whether that works, Not just like, who don't care right now.
Money is no object.
We'll deal with whatever the ramifications are.
We just want to try to bank some championships as quickly as we can, Like those of the teams that have you willing to sacrifice because one of the other ones like looking at those young contract that are coming up and you come across, like, 18 there in Phoenix.
We're like, Yeah, but what is Phoenix want gold? What? I won't go bare for on Phoenix right now as opposed to whatever eight is gonna turn into over the course of it.
So, like, those are some of the interesting ones, too.
I wanted to, man.
This time that was I want to pull up Boston's.
I would I would get about that if you would not be funny.
If Hayward was back in Utah, I think sends a factor.
The third guy, that was really Yeah.
See you later, man.
We'll start our rebuild and then three years looking to go, I think they'll be interesting.
Like if you if you throw him and they're just is like one more cow because they needed that rebounder and, uh, and just like I, I think there's a couple of things that they could use.
I think they could use another shooter, So obviously you're not getting that.
But you do get a rebounder and, like Total Rim protector.
Although I liked ice, I think he's really good.
I think he's an underrated player, but ah, you know, if you give them one more option like they have, like the switch Hable you know, so a little bit stretchy center.
And then you also have like a Rudy Go Bear.
That's a pretty that teams got like one or two guys at every single position, which is a total bounty tohave.
So who's looking at it as a total aside, that, like that Boston team, is just so funny to see, like how well balanced they've been over the years and then now, like it's like Tatum is just about ready to really launch himself off.
And you're like, Oh, so I guess we'll just be good now for another like there, another 5 to 7 years away from having real concerns about not being a top four seed knees.
Yeah. Which is Feels insulting as the next man.
I mean, you know, it is.
It is only a couple of nets fix doing all the dirty work, So, uh, yeah, yeah, it even worse.
So I was just thinking about, like, on the surface.
This is a Nets fan in general, let alone the fact that they're being fueled by literally.
Aren't what could have been our roster fix? How about ah, How about the pelicans? So you're taking me What? Would you What would you be moving? Would you be moving? Oh, my Already on a movie? Actually, I'll move the oddly young, Uh, Jalil Okafor, who I just realized is only 24 years old.
And I'm not saying that there's a like for, like, value there, but that be more of an ass.
It's probably thing right.
Like you're probably you're probably moving some of those residual assets you got from the Lakers for a D and Sam.
Okay, here's lawyers picks for you, and we'll get back.
Oh, look, because if you're the pelicans make, you could make the case that it looked like you were just sniffing it and the NBA's set up perfectly for them to take his eight game run and get into the playoffs.
And then it makes the case for, you know, like like having holiday on this team and not feeling like you could move off for him cause you a little bit older, like, unfortunately, I don't think that it makes you, ah, Western Conference Final team necessarily.
But it's also based on the fact that you don't really know what this roster entirely can accomplish yet, because you only got what you know four or five games at his eye on.
So you don't know what that looks like yet plugging Goldberg and know that the defensive end is kind of anchored for you.
Kick around, start becoming a top four top five team, knowing that the Rockets are a year away from stripping, acting apart, probably, and seeing Westbrook maybe got like I don't know what they're going to do and outside owes L.
A Z l A teams, and maybe what Golden State does in a reboot like you know, the other thing about it to me, is to if you're some of these teams you think about like the big market teams who are like, man, we want to win a championship.
But then you think about other other markets that go.
Can we make ourselves just competitive? You know, can we make ourselves a top five seed in either conference and know that that could be something we hang our hat on for a few years? Because that's that's Justus, valuable for a mid market team, as opposed to risking falling into like, a relevance.
I've been like, Hello.
We're not attracting free agents on a standstill.
So you do that, that risk reward thing off.
We're gonna bring a guy here and hope that we can sell them on on what we have shown the value.
And then we get to signed that extension with a couple teams have done that in the last couple of years and, like it didn't work out for Toronto.
But they it didn't work out for Toronto.
They got a championship, but they took the risk of bringing Kaleigh and saying We'll take whatever we get for this season.
Unfortunately, I don't think the pelicans are local.
Bear away from being like check champion to Yeah, I mean, they have.
I think they're by the time.
He's really like.
By the time I think the pelicans will be ready.
He'll be in a different stage of his career.
Like at best, I think in a couple of years he can try to do like, a little bit what Marcus scolded for the Raptors.
And, yeah, I have a little bit of a local dead money, but a lot of money is still on his books, but sort of be treated as, like this role playing mid level asset, even though he makes it, obviously.
And ah, and maybe that would be what his role would be.
It wouldn't necessarily be is a pivotal piece.
I think he is at, like, 1 to 2 years left.
I would assume of Riel, not, yeah, I mean, you could say star level production.
I wouldn't take offense that well, it isn't that the problem to write like if you're Utah right now, because one of the things they're saying was like Mitchell and Gilbert armed from a talent standpoint, they're not the next, you know, stocking him alone.
Talent wise, maybe, yes, but they're not coming up at the same time.
So the 80 age you're not doing it together where it's like, Oh, and then we'll extend you together and you'll play this career together.
And even if you don't win a championship, we're still gonna have quality play because the point that you bring up about about Goldberg and what the co high end quality play is left on him.
That's the danger, I think, for Utah of signing him to that extension, it being a relatively large number and and then fall him falling off a little bit and saying, Now you end up just being kind of a cap liability for us.
It's a tough spot to be in if you're Utah man, like, if you get, if you get rid of them in the short term, you're not gonna be a good A team.
And if you keep him in the long term, you're probably going to then end up putting yourself in a tricky spot of maybe wasting some of Mitchell's prime years.
Because you're saddled with this center that isn't quite as effective.
Anybody any, really is only a one ends guy, right? He's a defensive presence.
He's not going to give you a lot of value on the offensive end.
He's not extending out his game and with perimeter shooting as well.
Like so it's also where the MBA has gone the last few years.
That pigeonholes him a little bit.
In some ways, I'm also not sure how high on Mitchell I am like, I kind of fluctuate quite a bit.
I think that the vision for what they would be doing this year, or I guess, in the next two years, if they were to keep go Bear was like hope that you get a sort of like 2006 Miami Heat run at it where you have this really ball dominant guard.
You run everything through him.
He trots, valleys against to the room, and then you have just like a big man.
I'm not saying, you know, even late Career Shack is comparable to go bare from a scientific point alone.
Just that that's a similar bills.
But I mean, I guess that would be the vision of it, but I don't know.
I don't know if I see Mitchell getting there till, like that level of being an 06 d Wade type of player.
I don't know I was okay, you know, what I have my doubts with him, like there's a couple of things like this recent, the recent thing about him just wanting to, like, get a Max contract that's always worried about right now, which is like, All right, I mean, I guess that's the statements that that are gonna come out about.
I love a lot of money, Please.
I think he's the classic like labeled as a total defensive guy and he's just like, where did become a little bit of a liability on that end of the floor? There's just a couple things where I'm like, I don't know and it may just be that he's exerting so much effort on offense.
But this year he had a little bit of more.
So I just thought he had more support around him in terms of the offense and I don't know how is my favorite thing when I feel like a guy loses sight of like what he's was brought into the link to Dio in a lot of ways.
Well, because it's one of things I wonder about.
It's like the deal thing right where they go on this do just doesn't care about defense and you're like, Well, it could also be that it's a product of the system that they're just like, Listen, based on what we have here, you're not gonna worry about defense.
We want you to do offensively. Now.
You'd like to think that because you have Gobert on the Jazz.
If Mitchell was really homed in, that could become something that they anchor themselves around.
Uh, we get the door on this snowman.
Guards are very as, ah, as I think, as my as my as my podcast, Cohoes.
Doug was like, These are guys that you confined.
You can find players that serve those roles, finding whether or not there's some limitations to his game.
Ah, gold Bayer that can really impact the defensive end of the floor for you.
Is there any Is there any world where if you were the ah, if you were the Utah Jazz, you would you be open to moving Mitchell before you end up re upping that big contract and saying, you know, what's the big picture for us? Do we look better in the short term as an older team with Connolly and Goldberg and Angles and Name X, Other players.
They're going to say even that Golden State thing.
Not that this is a like for like, but it's like, Oh, we could get a get a Wiggins in.
You know, we can get in a couple of other pieces from another roster and we'll see what happens.
But if we don't see ourselves as a deep playoff run team with Mitchell, regardless of moving gold or not, when do when do we make that choice right? It's like in the Southern teams.
Never do is, like, pull the trigger on young talent.
Relatively speaking, Um, and it's not like his floor was ever as low as Wigan's got God with this time with generals.
But it's something interesting, right? Looks like What is the best summation of parts for us Toe? Have success, And how do you maybe give the public ridicule being like I can't believe you traded away a 23 year old car, You know, I think he's not quite, but I just think there's too much of a track record with him now.
Of like him being a successful player on DSA, Someone at least feels like he can lead an offense to like be a really, like miss player on a playoff team, so I would probably say right now, no, Um, I don't think he's like a Tyreke Evans or somebody like that, Kind of like a flash in the pan type of guy.
It just seems like there's real proven MBA talent, so and if they were to deal of now, I would I would come down on them pretty hard to be like, I just don't know, like where you're going to start over and basically hope to get another Donovan Mitchell like.
That's kind of I always worry about doing that.
It was like when the Knicks traded for Zynga's.
It's like, Why? Why would you do that? Like you're just gonna What are you hoping for your hoping to get another poor Zynga's in a draft, where it's like, you know, he's one of the three most promising players in his class, maybe four.
I guess we'll get the next most promising guy.
It's like I don't know.
I mean, I don't know, So I know who gets to move t move, go bare if you can't repair it between those guys.
But I you know, maybe I'm being done here, but I would try to run it back and see if there's if it's just a weird situation with the MBA right now, like I don't know what it's gonna look like in the next couple of years.
Um, so you may.
You may not Getting Mitchell on a Max deal that ends up being a book.
14 friend Leo Curry Curries deal when he signed it for the Warriors, weirdly enough to bring them up for the third unexpected time to bring up the the Golden State Warriors stream that we're doing here, I think you're I think it's It's unfortunate and I think you're right, like it's like, This is the nature of some of these things.
You end up, you give Mitchell Max contract, and it's not because he's not good, but like that's what you dio and you and then you see, you see what the next couple of years look like.
You see how you move Connelly's contact, if you can.
When does go bare fall off a little bit? Can you then move his contract a little bit later on his extension? And unfortunately for some of these market teams like This is just what happens.
You end up with a really good player in Mitchell and you try to shuffle pieces.
But you don't necessarily ever have the opportunity to go into free agency and say, Oh, you know, what I'd love to do is challenge the Lakers to be ableto who wanted, obviously, bring back a G.
We love to be able to put a pack attracting here, and he's just never gonna do it.
He's never going to make that move.
So you're always gonna have Teoh hope you strike in the lottery.
Hope you strike in the draft.
And that's why smaller market teams, even when you have a stalking him alone, never quite get over the hump.
And you fall prey to some of the other teams that just bigger and better around the league.
That being the case man, first and foremost, welcome to the coolest feature on SportsCenter, happy that I just air dropped in here.
No headphones camera very focused, and you can see my pathetic excuse for facial hair today.
It's it's great a mailing it today.
I'm checking so many boxes you cannot obviously check out Matt on nets daily and on his personal at Matt Brooks nb a stream here on SportsCastr on everywhere on social media but incredibly active.
You can follow me wherever you want.
Starts on a big deal either way, but the bottom line is gold bears getting traded.
So if Jonathan Mitchell so is ah, like Connelly, you thought, stripping it down, we will, of course, as we always say, Be back here talking all things MBA on SportsCastr news.
Check us out wherever you can.
Happy to have finally got back on on with Matt here.
We've been doing a lot of solo stuff, so it's always easier talk together. Friends.
We will be back soon.
Talking all thing is N B A.
As we said, Thank you so much for checking in with us.
The rift between Rudy Gobert and Donovan Mitchell could be cause for some headaches within the Utah Jazz, yet not many believe their recent tiff will be a driving factor in roster decisions the franchise makes in the near future. "I think it's fine," an Eastern Conference executive told ESPN's Tim Bontemps. "The Jazz have […]
The post Rumor: Rudy Gobert could become available in trade talks if he doesn't sign extension with Jazz appeared first on ClutchPoints.... Read Article
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text:
RAR je proprietární bezeztrátový kompresní algoritmus, souborový formát a zároveň název komerčního programu pro MS-DOS, jenž byl pro komprimaci, resp. archivaci, souborů tímto algoritmem původně – v roce 1993 – vyvinut. Jak algoritmus, tak program je dílem ruského programátora Jevgenije Rošala (odtud pojmenování Roshal ARchive). Spolu s formátem 7-Zip dosahují kompresní poměry RAR ve vztahu k jiným kompresním algoritmům velmi dobrých výsledků.

Ve srovnání s jinými rozšířenými kompresními algoritmy, jakými jsou kupř. ZIP, 7z, TAR nebo GZIP, specifikem RARu je, že vytvářet jeho archivy umí pouze stejnojmenný program, který se ovládá z příkazového řádku, komerční program s grafickým uživatelským rozhraním WinRAR, určený pro Microsoft Windows, a dále v principu jen program, jehož autor má souhlas licensora RARu Alexandra Rošala. Tato vlastnost RARu je dána právě uzavřeností jeho zdrojových kódů. Volně disponibilní je toliko kód dekompresního algoritmu.

Oficiální programy pro práci s formátem RAR, tedy RAR a WinRAR, nabízí řadu pokročilých funkcí, např. vícesvazkové nebo samorozbalovací archivy, kterými konkurenční komprimační a archivační programy obvykle nedisponují.

MIME typ pro RAR je application/x-rar-compressed.

Dekompresní programy
Díky tomu, že kód dekompresního algoritmu není uzavřený, je obsah souborů RAR možné prohlížet a dekomprimovat i v jiných programech než RAR a WinRAR, nezávisle na platformě. Mezi takové programy patří 7-Zip, File Roller, Ark nebo Xarchiver.

Související články
 7-Zip
 ZIP

Externí odkazy
 Domovská stránka programu RAR

Kompresní formáty
Kompresní programy

redpajama_set_name: RedPajamaWikipedia


The Global Awards 2019 final nominees announced: Vote now!
Voting is now open for The Global Awards 2019!
We're excited to announce the final voting shortlist in various categories covering news and entertainment, and you have until midnight on February 17th to vote for your favourites.
Take That, Olly Murs, Lady Gaga, Sam Smith, Little Mix, Stereophonics and Arctic Monkeys are among the nominated stars this year.
All Global's radio stations including Gold, Capital, Heart, Classic FM, Radio X, Capital XTRA, Smooth and LBC will come together to celebrate the biggest stars of music, news and entertainment at The Global Awards 2019 with Very.co.uk.
The prestigious ceremony takes place on one huge night in London on March 7th at Hammersmith's Eventim Apollo.
Some of the world's greatest artists will take to the stage to perform for fans and stars alike at the ceremony including the world's biggest girl band (and triple winners at the inaugural Global Awards) Little Mix, the inimitable superstar pianist Lang Lang, and two of the most successful British acts of recent years - Blossoms and Anne-Marie.
General sale tickets for this year's prestigious are on sale now.
This category recognises the best in news reporting or a news moment that really stood out in 2018. More details are coming soon.
This is the song that has enjoyed the most airplay across the Global group of stations in the period from December 12th 2017 – December 11th, 2018. The winner will be revealed on the night of The Global Awards 2019 with Very.co.uk.


text:
Frank Lloyd
Director, Author, Producer, Actor - USA
Born February 2, 1889 in Glasgow, Scotland
Died August 10, 1960 in Santa Monica, California, USA
Mini-Biography:
Frank Lloyd was born on February 2, 1889 in Glasgow, Scotland. He was an American Director, Author, Producer, Actor, known for Mutiny on the Bounty (1935), Forever and a day (1943), Under two flags (1936), Frank Lloyd's first movie on record is from 1913. Frank Lloyd died on August 10, 1960 in Santa Monica, California, USA. His last motion picture on file dates from 1955.
Biographical Notes in German: nach anderen Quellen am 2. Februar 1888 (Filmlexikon degli autori e delle opere) oder 1998 (IMDb) geboren
Frank Lloyd Filmography [Auszug]
1955: [] The last command (Director), with Sterling Hayden, Anna Maria Alberghetti, Richard Carlson,
1954: [09.01] The Shanghai Story (Director), with Ruth Roman, Edmond O'Brien, Richard Jaeckel,
1945: [] Blood in the Sun (Director), with James Cagney, Robert Armstrong,
1943: [01.21] Forever and a day (Director), Directed by Robert Stevenson, with Cedric Hardwicke, Buster Keaton, Charles Laughton,
1940: [] The Howards of Virginia (Director), with Tom Drake, Elisabeth Risdon, Irving Bacon,
1938: [] If I were King (Producer), with Ronald Colman, Basil Rathbone, Frances Dee,
1937: [/ /1] The maid of Salem (Director), with Fred MacMurray, Claudette Colbert,
1936: [04.30] Under two flags (Director), with Ronald Colman, Claudette Colbert,
1935: [/ /1] Mutiny on the Bounty (Director), with Ivan F. Simpson, Spring Byington, Francis Lister,
1933: [09.15] Berkeley Square (Director), with Leslie Howard, Heather Angel, Irene Browne,
1933: [] Cavalcade (Director), with Diana Wynyard, Clive Brook, Una O'Connor,
1932: [08.26] A passport to Hell (Burnt Offering, Undesirable Lady (Working title)) (Director), with Elissa Landi, Paul Lukacs, Warner Oland,
1931: [] East Lynne (Director), with Ann Harding, Clive Brook, Conrad Nagel,
1931: [] The Right of Way (Director), with Conrad Nagel, Loretta Young, Fred Kohler,
1930: [] Son of the Gods (Director), with Richard Barthelmess, Constance Bennett,
1930: [] The Way of all Men (Director),
1929: [] The Divine Lady (Director), with Corinne Griffith, Victor Varconi, H.B. Warner,
1928: [12.02] Adoration (Director), with Billie Dove, Antonio Moreno,
1927: [] Children of Divorce (Director), with Clara Bow, Gary Cooper, Esther Ralston,
1925: [12/06] Splendid Road (Director), with Anna Q. Nilsson, Robert Frazer, Lionel Barrymore,
1925: [08.16] Winds of Chance (Director), with Anna Q. Nilsson, Ben Lyon, Viola Dana,
1924: [10.05] The Silent Watcher (Director), with , Bessie Love, Hobart Bosworth,
1924: [06.02] The Sea Hawk (Director), with Milton Sills, Enid Bennett, Lloyd Hughes,
1923: [12.29] Black Oxen (Director), with Corinne Griffith, Conway Tearle, Tom Ricketts,
1923: [01.28] The Voice from the Minaret (Director), with Norma Talmadge, Eugene O'Brien, Edwin Stevens,
1922: [10.30] Oliver Twist (Director), with Jackie Coogan, Lon Chaney, ,
1922: [09.17] The eternal flame (Director), with Norma Talmadge, Adolphe Menjou, Wedgwood Nowell,
1921: [11/13] The Grim Comedian (Director), with Jack Holt, , Gloria Hope,
1921: [] A Tale of Two Worlds (The Water Lily (Working title)) (Director), with Leatrice Joy, J. Frank Glendon, Wallace Beery,
1921: [04.00] (Director), with Pauline Frederick, John Bowers, Richard Tucker,
1920: [09.26] Madame X (Director), with Pauline Frederick, William Courtleigh, Casson Ferguson,
1920: [] The Woman in Room 13 (Director), with Pauline Frederick, Richard Tucker, Charles Clary,
1919: [12.07] The Loves of Letty (Director), with Pauline Frederick, John Bowers, Lawson Butt,
1919: [09.07] The World and its woman (The Golden Song) (Director), with Geraldine Farrar, Lou Tellegen, Mae Giraci,
1919: [03.02] The Man Hunter (Director), with William Farnum, Louise Lovely, Charles Clary,
1918: [12.29] For Freedom (Director), with William Farnum, Coit Albertson, Rubye de Remer,
1918: [11.01] United States Fourth Liberty Loan Drive (Director), with Dorothy Dalton, William Farnum, William Faversham,
1918: [10.27] The Rainbow Trail (Director), with William Farnum, Ann Forrest, Mary Mersch,
1918: [10.05] His Extra Bit (Director), with Wallace Reid, Dorothy Davenport, Wallace Reid jr.,
1918: [10.00] William Farnum in a Liberty Loan Appeal (Director), with William Farnum,
1918: [09.01] Riders of the Purple Sage (Director), with William Farnum, William Scott, Marc Robbins,
1918: [05.05] True Blue (Director), with William Farnum, Kathryn Adams, Charles Clary,
1918: [03.06] The Blindness of Divorce (The Law of Man (Working title)) (Director), with Charles Clary, Rhea Mitchell, Nancy Caswell,
1917: [12.15] The Heart of a Lion (Director), with William Farnum, Mary Martin, William Courtleigh Jr.,
1917: [10.28] When a man sees red (Director), with William Farnum, Jewel Carmen, ,
1917: [] A Tale of Two Cities (Director), with William Farnum, Jewel Carmen, Charles Clary,
1917: [] The Kingdom of Love (Director), with Jewel Carmen, Nancy Caswell, Genevieve Blinn,
1917: [04.30] American Methods (Director), with William Farnum, Jewel Carmen, Bertram Grassby,
1917: [01.08] The Price of Silence (Director), with William Farnum, Frank Clark, Vivian Rich,
1917: [12.03] Les Misérables (Director), with William Farnum, Hardee Kirkland, Jewel Carmen,
1916: [11.06] Sins of Her Parent (Sins of the Parents) (Director), with Gladys Brockwell, William Clifford, Carl von Schiller,
1916: [08.13] The Stronger Love (Nell of Thunder Mountain (Working title)) (Director), with Vivian Martin, Edward Peil,
1916: [07.23] An International Marriage (Director), with Rita Jolivet, Marc Robbins, Elliott Dexter,
1916: [06.08] The Making of Maddalena (Director), with Edna Goodrich, Forrest Stanley, John Burton,
1916: [04.30] David Garrick (Director), with Dustin Farnum, , Herbert Standing,
1916: [02.06] Madame la Presidente (Madame President) (Director), with Anna Held, Forrest Stanley, Herbert Standing,
1916: [01.23] The Call of the Cumberlands (Director), with Dustin Farnum, , Herbert Standing,
1916: [01.06] The Tongues of Men (Director), with Constance Collier, Forrest Stanley, Herbert Standing,
1915: [12.16] The Reform Candidate (Director), with Macklyn Arbuckle, Forrest Stanley, Myrtle Stedman,
1915: [12.06] Jane (Director), with Charlotte Greenwood, Sydney Grant, Myrtle Stedman,
1915: [11.28] The Gentleman from Indiana (Director), with Dustin Farnum, , Herbert Standing,
1915: [08.21] A Double Deal in Pork (Director), with Rex de Rosselli, Marie Walcamp, William Clifford,
1915: [08.08] The Source of Happiness (Director), with Charles Manley, Millard K. Wilson, Gretchen Lederer,
1915: [06.13] Little Mr. Fixer (Billy's Cupidity) (Director), with Millard K. Wilson, Olive Carey, Gordon Griffith,
1915: [05.30] Their Golden Wedding (Director), with Charles Manley, May Benson, Marc Robbins,
1915: [05.02] $100,000 (Director), with Helen Leslie, Mildred Adams,
1915: [04.11] Life's Furrow (Director), with Millard K. Wilson, Helen Leslie, May Benson,
1915: [04.07] His Captive (Director), with Millard K. Wilson, Marc Robbins,
1915: [03.14] Martin Lowe, Financier (Director), with Gretchen Lederer, Millard K. Wilson,
1915: [03.14] The Black Box (Cast: Ian MacDougal), Directed by Otis Turner, with Herbert Rawlinson, Ann Little, William Worthington,
1914: [11.23] Damon and Pythias (Cast: Dionysius), Directed by Otis Turner, with William Worthington, Herbert Rawlinson, Cleo Madison,
1914: [09.20] A Prince of Bavaria (Director), with Herbert Rawlinson, Ann Little,
1914: [07.28] The Love Victorious (Cast: (--??--)), Directed by Wilfred Lucas, with George Larkin, Cleo Madison, Ray Hanford,
1914: [07.16] The Sob Sister (Cast: Frank Bradley ), Directed by Otis Turner, with Herbert Rawlinson, Ann Little,
1914: [06.25] The Woman in Black (Cast: Cranley - Byrd's Confederate), Directed by Otis Turner, with Herbert Rawlinson, Edna Maison, William Worthington,
1914: [06.00] The Spy (Cast: Jake Parsons ), Directed by Otis Turner, with Herbert Rawlinson, Edna Maison, Ella Hall,
1914: [05.29] The Feud (The Last of Their Race) (Cast), Directed by N. N., with Cleo Madison, George Larkin, ,
1914: [04.15] The Test (Cast: The Rich Man), Directed by Wallace Reid, with Wallace Reid, Dorothy Davenport,
1914: [03.11] The Mexican's Last Raid (Director), with Cleo Madison, J. Farrell MacDonald,
1914: [02.14] Unjustly Accused (Scenario), Directed by David M. Hartford, with David M. Hartford, Cleo Madison,
1914: [02.14] The Law of His Kind (Director), with Herbert Rawlinson, Cleo Madison, Rex de Rosselli,
1914: [01.07] The Deadline (Cast: William Jones - the Sheepman), Directed by David M. Hartford, with Allan Forrest, David M. Hartford,
1913: [12.30] The Buccaneers (Scenario), Directed by Otis Turner, with David M. Hartford, Cleo Madison,
1913: [12.02] Under the Black Flag (Cast: Jack Teach), Directed by Otis Turner, with David M. Hartford, Cleo Madison,
1913: [11.04] Captain Kid (Cast: William Moore), Directed by Otis Turner, with David M. Hartford, Cleo Madison, Howard C. Hickman,
1913: [10/09] Shadows of Life (Cast: The Groom), Directed by Phillips Smalley, Lois Weber, with Lois Weber, Rupert Julian, Cleo Madison,
1913: [05.22] The Foreman of the Jury (Cast: Member of the Jury (/xx/) ), Directed by Mack Sennett, with Ford Sterling, Mabel Normand, Fred Mace,
Filmography Frank Lloyd nach Kategorien
Produzent Regie Drehbuch Story Art Director Darsteller
Frank Lloyd in other Database records: IMDb
The copyright lies with the authors of these quotes - Frank Lloyd - KinoTV
More on Frank Lloyd

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text:
Peter Sarsgaard and Vera Farmiga star as a couple who adopt a 9-year-old girl after losing their own baby ... then slowly discover their new daughter is not nearly as innocent as she claims to be. The tragic loss of their unborn child has devastated Kate (Vera Farmiga--The Departed) and John (Peter Sarsgaard--Rendition, Kinsey), taking a toll on both their marriage and Kate's fragile psyche as she is plagued by nightmares and haunted by demons from her past. Struggling to regain some semblance of normalcy in their lives, they decide to adopt another child. At the local orphanage, both John and Kate find themselves drawn to a young girl named Esther (Isabelle Fuhrman) ... but Esther is not what she appears to be. Kate desperately tries to get John and others to see past Esther's sweet facade. Now, as her warnings go unheeded until it may be too late -- for everyone.
Susan Downey
Jennifer Davisson Killoran
Don Carmody
Michael Ireland
David Leslie Johnson
Vera Farmiga, Peter Sarsgaard, Isabelle Fuhrman, CCH Pounder, Jimmy Bennett, Aryana Engineer
TOMATOMETER®
Critics Consensus: While it has moments of dark humor and the requisite scares, Orphan fails to build on its interesting premise and degenerates into a formulaic, sleazy horror/thriller.
Roll Credits
Nikki Baughan
Orphan is refreshing for its skilled execution and genuinely disturbing atmosphere that permeates...
Micheal Compton
A creepy, yet fun, alternative to a testosterone-filled summer, a small but effective little thril...
Rob Hunter
It does squander a strong setup though with an increasing amount of camp.
IGN Movies
Christopher Monfette
The movie looks and sounds pretty, but that's not enough to warrant giving it a shot.
TheHorrorShow
Scott Weinberg
Directed crisply and with a palpable air of mid-'70s paranoia thriller.
Steve Newton
Dump a murderous psycho brat with a corny Russian accent into that troubled mix and you've got a r...
Ben Kenigsberg
Dread Central
Heather Wixson
If you are a huge fan of the evil kid sub-genre of horror flicks, then this movie is definitely go...
ComingSoon.net
Joshua Starnes
Weak adult characters and lame ending aside, Orphan succeeds more often than not, mainly thanks to...
If we could all stop for a moment and think about how excellent and uplifting garbage can be, Amer...
More on Rotten Tomatoes
Common Sense Says
Bad Seed-style horror movie is gory and ludicrous.
Parents need to know that Orphan is a gory horror movie centers on extremely violent, sexual acts carried out by a 9-year-old girl. While the film's ultimate twist negates some of the queasy, sleazy feeling that comes from watching this kind of material, the bulk of the movie revolves around the shock value of seeing a child doing horrible things. Plus, there's lots of swearing (including "f--k" and "s--t"), as well as smoking, drinking, and sexual scenes between adults. Note: This review is of the version of the movie shown in theaters, not the unrated version with an alternate ending available on DVD.
Show LessShow More
A Lot or A Little?
The parents' guide to what's in this movie.
Positive Messages
Positive Role Models
Drinking, Drugs & Smoking
More on Common Sense Media
Release Date:July 24, 2009
Captions:English
The Other Side of the Door
Everybody Knows (Todos lo saben)
Magic Magic
The Bye Bye Man (Unrated)
Curse of La Llorona, The
Strait-Jacket
Thirteen Ghosts
A Perfect Getaway - Unrated Director's Cut


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After launching two years ago, Kenner-based Entronix, an energy management platform providing real-time energy usage data of commercial facilities, has expanded to multiple states and landed a contract in Canada.
Will Kenner's new zoning code help or hurt developers?
The Kenner City Council passed a new zoning code that took effect April 4 and replaced its nearly four-decade old one.
Will Kenner property owners see lower insurance premiums?
Kenner will get its first look at new flood insurance rate maps in April.
A bill that would authorize the Port of South Louisiana in LaPlace to regulate commerce and traffic in Jefferson Parish would help it join efforts to redevelop Avondale Shipyard, according to parish officials.
In the shadow of Louis Armstrong International Airport, dozens of acres of green space vacant since the late 1980s now have the potential for new development, but Kenner officials want to ensure any new projects are planned properly.
The Kenner City Council will consider appointing Leigh Roussel as the city attorney to replace Mike Power, who is leaving to join Jefferson Parish's government.
The city of Kenner will break ground later this month on the first of eight corridor development projects stemming from its 2030 strategic growth plan.
The city of Kenner has secured state funding to complete a $1.1 million drainage project to solve neighborhood flooding problems along Lake Trail Drive, one of the first streets developed in northeast Kenner.
Kenner is the 10th most ethnically and racially diverse small city in the U.S., according to a new study conducted by WalletHub.com, a finance website targeted to consumers and small business owners.


Forum Integrum Consulting :: Zobacz temat - Internet constantly dropping , don't know why.
Internet constantly dropping , don't know why.
Wysłany: Sro Wrz 27, 2017 16:36 Temat postu: Internet constantly dropping , don't know why.
So now I'm suspecting the modem. Again it's a Cisco DPC3208 that was installed by the Charter guy. I didn't suspect the modem at first because when the internet drops all the lights on the modem are perfectly normal. However one inconsistency I noticed is that whenenever I try connecting the modem directly to my laptop, the link light turns orange instead of its usual green (this happens whether the internet is down or not). If anyone has any idea how to fix my issue or even knows what my issue is then I'd appreciate it. I really don't want to go through the hassle of getting a Charter IT guy down here if it's not completely necessary.


text:
Added on June 28, 2019 Bondo Wyszpolski long beach , newsletter
Aquarium of the Pacific – Our ocean and our sustainable future
The ocean-blue Pacific Visions wing at the Aquarium of the Pacific. Photo by 2019 Tom Bonner
by Bondo Wyszpolski
Aquarium of the Pacific gets bigger and better
Twenty-one years after opening, the Aquarium of the Pacific in Long Beach has just completed its first major expansion project, a new wing (or fin, in this case) called Pacific Visions. It's a two-story, 29,000 square foot building with a blue-paneled facade and a fluid shape that's somewhat like a violin case and somewhat like a huge dollop of seawater.
It was designed by EHDD out of San Francisco, an architectural and urban design firm whose other projects include the Monterey Bay Aquarium and the John G. Shedd Aquarium in Chicago. So clearly, EHDD knows how to swim with the fishes, so to speak.
The addition has a price tag of $53 million, including $2 million from Peninsula philanthropists Dr. Allen and Charlotte Ginsburg. And it's not just another set of glass tanks with more marine life. Pacific Visions provides "a platform for aquarium visitors to imagine a sustainable future that balances the needs of a rapidly growing human population with ocean stewardship and conservation of nature."
Inside the Honda Pacific Visions Theater. Photo © 2019 Tom Bonner
The face behind the project, the visionary behind the vision, is Dr. Jerry Schubel, president and CEO of the Aquarium of the Pacific. If anyone has been responsible for enlightening the public as to our responsibilities to the ocean and the life it contains, it's him.
The cornerstone of Pacific Visions is the Honda Pacific Visions Theater, with stadium seating for over 300 people and a curved movie screen that's 32 feet tall and 130 feet wide. The auditorium is capable of producing effects, such as wind, fog, lightning, and even a rumbling in the seats that isn't simply the guy behind you kicking your chair.
There's also a large oval-shaped disc on the floor that can be used for images — or for dances and other live events.
An orientation gallery precedes one's entry into the theater itself, and features a short matter-of-fact film that outlines our connection to the ocean. This is followed by an eight-minute film in the auditorium called "Designing Our Future." I wouldn't say it's completely upbeat, but it's narrated by a pretty young woman who at least puts an optimistic face on what's ahead.
Dr. Jerry Schubel, President and CEO of the Aquarium of the Pacific. Photo by Bondo Wyszpolski
And what is it that's ahead? On the one hand there are the creative innovations necessary to ensure a viable future for our children and grandchildren. But opposing that is climate change and, as quoted above, "a rapidly growing human population." Currently there are about 7.7 billion of us on this planet, but by mid-century that number is expected to rise to 10 billion. The film doesn't say it, of course, but someone needs to come in and mow the lawn, and that someone is us. What's the good of incremental improvements (banning straws, etc.) if more and more people are being born and demanding their rights?
Nonetheless, a defeatist attitude doesn't help matters one bit. At the top of the Pacific Visions Theater is the Culmination Gallery, and it highlights a number of interactive displays and educational games. There are also a couple of live animal exhibits, and these include delta smelt, yellowtail, Pacific and Olympic oysters. Why this particular assortment?
The delta smelt are native to the Sacramento-San Joaquin River Delta, but may now be extinct from the wild. The yellowtail are here to show us that, if correctly farmed off the Southern California coast, they could serve as a better alternative to burgers and fries: That is, if we ate them instead of Whoppers and Big Macs the environmental impact would be less. What the oysters do, especially if we had beds and mattresses of them off the coast, is filter pollutants from the water. In other words, we can work with and utilize sea life rather than simply exploit it to the point of extinction.
Pacific Visions isn't only for our amusement, but for making every one of us aware of what's at stake as we continue to adapt to an ever-changing world. There's a big challenge we're facing, and no one's saying it's going to be easy.
A mirrored exhibit called "Infinity Coral," created by Convivial Studio. Photo by Bondo Wyszpolski
Pacific Visions opens to the public on Friday. The Aquarium of the Pacific is located at 100 Aquarium Way, Shoreline Aquatic Park, in Long Beach. For details and information, go to aquariumofpacific.org.


text:
2017, Betty White, LA Life and Style, LA Life and Style Entertainment News, Los Angeles Life and Style, Los Angeles Life and Style Entertainment News, The Paley Center
Betty White to be Honored at The Paley Honors in Hollywood: A Gala Celebrating Women in Television, October 12, 2017
September 29, 2017 Los Angeles Life and Style	Leave a comment
Betty White will be honored at The Paley Honors in Hollywood: A Gala Celebrating Women in Television, October 12, 2017.
Paley Center News:
Beverly Hills, Calif. – Betty White is set to be honored at The Paley Honors in Hollywood: A Gala Celebrating Women in Television in Hollywood on October 12. The gala event is designed to celebrate eight decades of groundbreaking accomplishments of women in television, across genres, and will feature a look back at White's seven-decades long career.
"I am thrilled to be honored by the Paley Center," Betty White said in a statement. "To be acknowledged for working in a business I love for as long as I have is truly a privilege. I'm proud to share this evening with these amazing and talented women."
They will look back over television history from the antics of Lucille Ball in "I Love Lucy" to Ellen Degeneres' groundbreaking coming out moment on her sitcom to record-setting achievements from athletes like Billie Jean King and Jackie Joyner-Kersee and global reporting from the likes of Katie Couric, Rachel Maddow, Diane Sawyer and Barbara Walters.
"The Paley Center is so proud to honor this incredible group of women at this once-in-a-lifetime event," Maureen J. Reidy, The Paley Center for Media's president and CEO, said in a statement. "No other medium has brought people together the way television has, and this is the perfect time to celebrate the pioneering entertainers, groundbreaking series, and current hit shows that have sparked conversations, educated audiences, and thrilled generations."
Presenters and participants for the event include Kristin Chenoweth, Nadia Comăneci, Allison Janney, Debra Messing, Rita Moreno, Wanda Sykes and Lynn Whitfield, with additional guests to include Pamela Adlon, Diane Guerrero, Marilu Henner, Linda Lavin, Wendi McLendon-Covey and more.
Proceeds from the evening will benefit the Paley Center's programming dedicated to women in television, as well as the expansion of the women's collection in the Paley archive, which with more than 160,000 programs, is the nation's largest publicly accessible archive of television and radio programming.
2017Betty White to be Honored at The Paley Honors in Hollywood: A Gala Celebrating Women in TelevisionBeverly HillsLos Angele Life and StyleLos Angeles Life and Style News and EntertainmentOctober 12
2017, 69th Emmy Awards, Awards Ceremony, LA Life and Style Entertainment News, Los Angeles Life and Style
Stephen Colbert to Host the 69th Emmy Awards, Airing on CBS, Sunday September 17, 2017
Stephen Colbert to Host the 69th Emmy Awards, Airing on CBS, Sunday September 17, 2017 Photo/Academy of Television Arts and Sciences.
Stephen Colbert to Host the 69th Emmy Awards
Annual Special Will be Broadcast LIVE from the Microsoft Theater in Los Angeles.
Los Angeles, Calif. – CBS and the Television Academy today announced that Emmy Award winner Stephen Colbert, the multi-talented host of The Late Show with Stephen Colbert, will host the 69th Primetime Emmy Awards, marking his first time as Master of Ceremonies for the event. The Emmy Awards will be broadcast LIVE from the Microsoft Theater in Los Angeles Sunday, Sept. 17, 2017 (8:00-11:00PM, live ET/5:00-8:00PM live PT) on the CBS Television Network.
"We're excited to kick off the new season and celebrate the top achievements in television with Stephen Colbert as host of the Primetime Emmys," said Jack Sussman, Executive Vice President, Specials, Music and Live Events, CBS Entertainment. "Stephen is the ultimate master of ceremonies with award-winning creative talents; and as we've seen the past few months, he has a fearless passion for live television. We look forward to honoring television's best while entertaining audiences with the creative energy and sharp comedy of Stephen Colbert."
"We are thrilled that Stephen Colbert will be bringing his Emmy-winning comedic talent to hosting this year's Emmy Awards," said Television Academy Chairman and CEO Hayma Washington. "He's a formidable showman and we are delighted to begin working with him and the entire CBS team."
"This will be the largest audience to witness an Emmys, period," said Stephen Colbert. "Both in person and around the globe."
Stephen Colbert is the host, executive producer and writer of The Late Show with Stephen Colbert, which launched in September 2015 on the Network. Previously, he served as host, executive producer and writer of the long-running, multiple Emmy and Peabody Award-winning series The Colbert Report, on Comedy Central. Colbert has written multiple New York Times bestsellers, including I AM AMERICA (And So Can You!) (2007) and AMERICA AGAIN: Re-Becoming The Greatness We Never Weren't (2012). He also won a Grammy Award in 2010 for his one-hour original musical holiday special, "A Colbert Christmas: The Greatest Gift of All!"
In addition to the upcoming Primetime Emmy Awards, Colbert recently hosted the The 39th Annual Kennedy Center Honors on CBS, and Stephen Colbert's Live Election Night Democracy's Series Finale: Who's Going to Clean Up This Sh*t? on SHOWTIME.
Nominations for the 69th Primetime Emmy Awards will be announced Thursday, July 13 from the Academy's Wolf Theatre at the Saban Media Center.
CHEAT TWEET: Just in! @StephenAtHome to host the #Emmys LIVE 9/17/17 from Microsoft Theater 8PM ET/5PM PT on #CBS @TelevisionAcad
201769th Emmy AwardsAiring on CBSStephen Colbert to Host the 69th Emmy AwardsSunday September 17


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African-American and African Studies
History - American History
History - African American History
Michigan and the Great Lakes
The Black Musician and the White City
Race and Music in Chicago, 1900-1967
Amy Absher
This open access version made available with the support of libraries participating in Knowledge Unlatched.
Amy Absher's The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s.
Absher's work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city's music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago's physical lines of segregation and the geography of black music in the city over the years. Third, Absher's use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers's Institute of Jazz Studies, and Tulane's Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organizers, and critics of their own story.
Cover photograph: "The Pekin Rag," 1904. Courtesy of the Music Division of the Library of Congress.
Amy Absher is a SAGES Fellow at Case Western Reserve University in Cleveland, Ohio, where she teaches history and writing.
"Absher is at her best and most useful on the racial history of Chicago's musicians unions… Recommended ."
--Choice
"Absher's book adds significantly to the historiography of black musicians in Chicago and nationally."
--Tony Gass, Oxford University Press Journal of American History
"...a lively, well-written overview of a perennially fascinating subject. The author convincingly demonstrates how black musical lives mattered then as they do now, not only for the aesthetic delights they produce and the pleasure and inspiration they bring, but also for what African American musicians have contributed to Chicago and the nation as members of larger communities and collectives striving to prevail despite challenging conditions of discrimination and limited opportunity."
--Derek W. Vaillant, American Historical Review
"This is an important addition to the growing shelf of books on the musical contributions of Chicago's African American community."
--Journal of the Illinois State Historical Society
"Absher crafts an academically rigorous but eminently readable book about how African American musicians strived to make a living from their art in one of the most segregated cities in America— Chicago— where an invisible but palpable color line determined where you lived, where you shopped, where you took your leisure and, in the case of popular and clas- sical musicians, where you worked."
-- Middle West Review
Dameronia
The Black Arts Enterprise and the Production of African American Poetry
Music Is My Life
Paul Robeson and the Cold War Performance Complex
DOI: 10.3998/mpub.3974910
2 B&W Halftones, 8 maps, 4 figures.
Chicago, African-American, American Federation of Musicians, Pekin Theater, segregation, racism, American history, music history, jazz, blues, Black Chicago, Association for the Advancement of Creative Musicians, 1920's-1960's


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An American in Scotland: MacIain #3 by Karen Ranney with Giveaway
Today I have the third book in Karen Ranney's Historical romance MacIain series, Please read on for my review and an excerpt from the book, be sure to check the tour stops to see what other readers thought of the title and be sure to enter the tour wide giveaway where you could win a print copy of AN AMERICAN IN SCOTLAND and $25 gift card to e-book retailer of winner's choice. But first …
An American in Scotland
The third book in this series that uses the backdrop of the American Civil War as an entrée into Scottish society and trade. Each story does stand alone, providing a clear plot for each of the protagonists who are linked by trade and mercenary interest until love enters the picture. By 1863, the Confederacy was low on funds, people were struggling to survive under restrictions and blockades and Rose is determined to keep her sister's family alive. Posing as a widow arriving on the doorstep of her brother-in-law's relations. She is determined to bring back money and trade guarantees for the cotton grown in the South Carolina plantation.
Duncan McIain is a successful businessman, convinced that Rose is family and a profit can be made, if only the matter of war, trade embargoes and blockades can be avoided. Nearly all of the drama and conflict in this story is provided by background elements of war and political climate, not from the intended pairing of Rose and Duncan. These two show an instant attraction, tempered only with Rose's early reluctance to fall too far.
After a lengthy voyage where the two actually started to become closer and more connected, the story winds through the Bahamas and on through the blockade only to arrive in a Charleston devastated by war and fire. Confronted with the realities that war has wrought, a despicable human being in Duncan's cousin / Rose's brother in law and the devastation around them, the two bond even closer together to convince a family, which wants no help, to accept it.
History provides a solid backdrop to this story, while framing the romance without taking precedence. Rose and Duncan are wonderfully well suited to one another, and her small deception is never more than a blippet in their journey to happy ever after. Moments that bring earlier couples from the series into the plot, a nice moment to check in with earlier friends. It's a curious world that Ranney has built here: political opinions and moral judgments on the slavery issue are non-existent and left for the reader to make: a situation in which I am sure those of the time were more concerned with their everyday life and decisions to survive than the larger questions involved in the reasons for war. Smooth writing, polished story and descriptions that bring the worlds alive, this is a series that manages to cross continents and stereotypical gender roles for the time.
Title: An American in Scotland
Author: Karen Ranney
Series: MacIain #3
Also in this series: Scotsman of My Dreams
Published by: Avon
Published on: February 23rd 2016
Get Your Copy: Amazon ♦ AllRomance ♦ Barnes&Noble ♦ iTunes ♦ Kobo ♦ Downpour ♦ Book Depository ♦ Google
New York Times bestselling author Karen Ranney returns with the third heart-stirring novel in her latest series, a tale of deceit, desperate measures, and delirious desire
Rose MacIain is a beautiful woman with a secret. Desperate and at her wits' end, she crafts a fake identity for herself, one that Duncan MacIain will be unable to resist. But she doesn't realize that posing as the widow of the handsome Scotsman's cousin is more dangerous than she knew. And when a simmering attraction rises up between them, she begins to regret the whole charade.
Duncan is determined to resist the tempting Rose, no matter how much he admires her arresting beauty and headstrong spirit. When he agrees to accompany her on her quest, their desire for each other only burns hotter. The journey tests his resolve as their close quarters fuel the fire that crackles between them.
When the truth comes to light, these two stubborn people must put away their pride and along the way discover that their dreams of love are all they need.
See the MacIain Series on GoodReads
My darling sons,
When you each came into the world, I marveled at the miracle that created you. I held you in my arms and knew I would cherish you until the breath left my body.
Now I must bid farewell to all three of you at once.
The Almighty has indeed challenged me this day.
I know you go on a great adventure and do so with eagerness and enthusiasm. The Highlands offer less opportunity to you of late. I know this and mourn the circumstances of your leaving even as I know you will do honor to the MacIain name.
When someone asks me about my sons, I'll speak proudly of you. My eldest son, I'll say, remained in Scotland, a few days' journey away. But one of my sons traveled to England to make peace with the conqueror, while the other set sail for America.
You will have children of your own, each of them carrying the MacIain blood and name. Tell them about our history, how we dreamed of an empire. Tell them about the place from which we came, a corner of Scotland known for its men of greatness and nobility.
Mention your mother, if you will, who bravely relinquished her sons to the future.
The Almighty has not given us the power of foresight, but I cannot help but think years from now, your children and your children's children will be proud MacIains, as formidable as their ancestors
Love sometimes means sacrifice, and I feel that truly on this day. I sacrifice you to honor, to your heritage, and to a future only you can create. Go with God, my darling sons. May your dreams be realized and may He always protect you.
Anne Summers MacIain
Rose thanked the driver as she exited the carriage and made her way down the path to the door. She didn't know what she expected, but the three-story structure with its curved front surprised her. The bay windows, one on each side of the house, were curved as well. She had the thought that it was a friendly place, that the windows were almost like eyes. The two columns on either side of the front steps created an open mouth, almost as if the house were saying: Who are you? A stranger? Welcome anyway.
What if he refused to see her? What if he sent her away?
That couldn't happen. She couldn't allow it to happen.
She'd come so far.
Scotland surprised her, almost as much as its people. Everyone, from the porter to her fellow travelers on the train, had been a delight, genial and exceedingly helpful. While it was true they were curious, almost intrusively so, she didn't mind repeating that, yes, she was an American. Yes, the war was a terrible thing. Thankfully, most of the discussions of her country ended there. She didn't have to explain where she came from, what she truly thought about the war, and why she wore mourning. Because she was unaccompanied, no doubt most assumed she was a widow.
Assumptions were wonderful things. They kept her from lying.
Rose had expected a country filled with unique vistas: tall, craggy mountains and heather bedecked glens. She saw those and more, heart-stopping bridges that arched over gorges and rivers crashing over rocks to settle in placid pools. Sections of Scotland were green and verdant. Other places were brown, gray, and black.
When they arrived in Glasgow, her opinion of Scotland underwent a transformation.
Here was a place as bustling as New York. Cranes and spires filled the horizon. The sound of hammering and shouting obscured the call of the seabirds overhead. Docks and ships, long buildings and bustling people, wagons and carriages, all gave the appearance of frenetic activity.
She had no idea Glasgow was so large, so hilly, or so crowded.
After carefully consulting the letter in her reticule, she gave the hired driver the address to the MacIain house.
How odd that after all these weeks, all she felt was an incredible urge to sleep.
The voyage from Nassau to England had been relatively swift, and a great deal less stressful than running the blockade from Charleston outward to the Bahamas.
The train from London had been a marvel of speed and efficiency. Had she been on a different errand, she would've enjoyed herself immensely. As it was, each day sounded like a gong in the back of her mind, a deep-throated noise to alert her to how long she'd been gone.
Time was not on her side.
About Karen Ranney
I'm a writer who's been privileged to have attained the New York Times and USA Today Bestseller Lists. I write romance under Karen Ranney and romantic suspense and mysteries under my pseudonym, Katherine Storm.
I believe in the power of the individual, the magnificence of the human spirit, and always looking for the positive in any situation. I write about people who have been challenged but who win in the end.
Website | Blog | Twitter | Facebook | Goodreads | Amazon | Pinterest
By Karen Ranney
MacIain Series
The English Duke: Duke Trilogy #2 by Karen Ranney
The Scottish Duke: Duke Trilogy #1 by Karen Ranney
Scotsman of My Dreams: MacIain #2 by Karen Ranney with Excerpt and Giveaway
In Your Wildest Scottish Dreams by Karen Ranney with Excerpt and Giveaway
Return to Clan Sinclair: Clan Sinclair #3.5 by Karen Ranney with Excerpt and Giveaway
The Rogue of Fifth Avenue: Uptown Girls #1 by Joanna Shupe
Rebel: Women Who Dare #1 by Beverly Jenkins
A Duke in Disguise: Regency Imposters #2 by Cat Sebastian
A Prince on Paper: Reluctant Royals #3 by Alyssa Cole
Bridal Boot Camp: Little Bridge Island #0.5 by Meg Cabot
Fix Her Up: Hot and Hammered #1 by Tessa Bailey
« Kiss Me in Christmas: Christmas, Colorado #6 by Debbie Mason with Giveaway
Unruly: Knights in Black Leather #2 by Ronnie Douglas with Giveaway »


Hong Kong-based Fucen Sewing Machine, specialising in the complete range of garment , footwear, home furnishing machines, is exhibiting its entirely new range at Garment Technology Expo 2019.
The company is also showcasing its varied range of other sewing machines with high speed and efficiency at the apparel technology show, being held in New Delhi, India, from February 22-25.
Markedly, Fucen is a renowned name in the industrial machines and garment, apparel technology.
The company has been participating in the technology show from last 20 years.
"We are always happy with the outcome. This year also we are expecting the same positive response from the show," Narang underlined.


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Mike Martinez – On My Own: R&B Pop Riddled in Romanticism
On My Own featuring The Ready Set is the fresh new track from R&B Urban Soul artist Mike Martinez which flows as one of the most succinct melodies I've heard this year. The almost bashful lyrics are as relatable as they come from the humbly sweet artist. His inspiration for his tracks come from his passion to inspire creativity in others, can a musician get any more adorable? Probably not. I've fallen a little bit in love with the Pop singer songwriter with all of his charming sensibilities that have allowed him to travel across American with his music since he released his first album back in 2016. Long after this Pop track fades out the catchy lyrics from this anthemic hit will stick with you. In short, On My Own is a sensational feel good track that will leave you more empowered than when you first hit play.
Check out the lyric video to On My Own via YouTube using the link below:
https://www.youtube.com/watch?v=lK0_FkS58hQ&feature=youtu.be
Link up with the stunningly sweet Pop artist on Facebook and keep up to date with all his live tours and new releases:
https://www.facebook.com/mikemartinezmusic/
17th Letter – Really Really: The Evolution of EDM Hip Hop
Good Korpse Bad Korpse provide a fresh hit of Psychobilly Surf Punk with "Trailer Trash"
LEDA – Not a Love Song: Sonorously Sultry Synth Pop


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Q: Prove that $\lim\limits_{n\to\infty}\frac{n}{\sqrt[n]{n!}}=e$ I tried using $\liminf_{n\to\infty} \frac{a_{n+1}}{a_n} \leq \liminf_{n\to\infty} \sqrt[n]{a_n} \leq \limsup_{n\to\infty} \sqrt[n]{a_n} \leq \limsup_{n\to\infty} \frac{a_{n+1}}{a_n}$ for $a_n\geq 0$.
So i started like this:
$$\frac{\frac{n+1}{\sqrt[n+1]{(n+1)!}}}{\frac{n}{\sqrt[n]{n!}}}=\frac{(n+1)\cdot \sqrt[n]{n!}}{\sqrt[n+1]{(n+1)!}\cdot n}=\frac{(n+1)\cdot \sqrt[n]{n!}}{\sqrt[n]{n!(n+1)}\cdot \sqrt{n!(n+1)}\cdot n}=\frac{(n+1)\cdot \sqrt[n]{n!}}{\sqrt[n]{n!}\cdot \sqrt[n]{n+1}\cdot \sqrt{n!}\cdot \sqrt{n+1}\cdot n}=\frac{n+1}{\sqrt[n]{n+1}\cdot \sqrt{n!}\cdot \sqrt{n+1}\cdot n}$$
I don't see how this would help me - any ideas?

redpajama_set_name: RedPajamaStackExchange


They talk about a place where monasteries sit alone on huge boulders, where your breath is stolen by the landscape but you gasp the crisp, clean air provided by nature, where the non-religious fall to their knees searching for spiritual existence, where man-made constructions blend into nature's harmony.
This was enough to spark the lively curiosity of Vera Frommelt and the impatience of me and Jack Cowles to photograph these landscapes.
We departed from Thessaloniki to reach Kalambaka, the small city at the feet of the rocks.
In the hostel El Greco, Dora, a funny hospitable lady, welcomed us. On the wall, there were pictures with timetables for the monasteries. Dora, maybe with the past of a tour guide, she showed us how to reach them and sent information flowing to us.
Comfortable shoes and eyes ready to embrace the beauty we take the bus from Kalambaka to reach the summit.
Reaching the summit we were left by the bus at the monastery of Grande Meteore before a short walk to enter into Varlaam. Upon entering Varlaam monastery, women were told to wear the provided skirts. The cloth was well worn and faded colours of whites, reds and greens were checked lightly on the fabrics.
Inside the monastery, there is an airy atmosphere of defused prayers and tones echoing throughout the walls of the darkened chambers.
You may enter Varlaam monastery from 09:00 – 16:00 paying just three euros but it is closed on Fridays.
From Varlaam we walked through the road bringing you to the other five monasteries. You should also dedicate some time to finding the caves that sit hidden along the path down toward Kalambaka and the surrounding area.
During your visit I am sure you would love to eat out the Greek way but be careful: most tavernas here are fairly priced but some places can change their prices when they see tourists.


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Column: Why can't the Blackhawks be fixed this season? Let's count the 6 ways.
By Jimmy Greenfield
A little optimism is not a bad thing when a season is crumbling before your eyes.
That's a team captain's responsibility, and Jonathan Toews has been one of the NHL's best for more than a decade. When he's inevitably inducted into the Hockey Hall of Fame years from now, his leadership will be one of the attributes that gets him in.
So when Toews was asked following Saturday's collapse against the Blues whether the Blackhawks' problems are fixable, he didn't hesitate to respond.
"Why not?" he asked.
Good question. And Toews provided his answer.
"It's easy to look at the storyline and get really discouraged and come up with the wrong mentality in your mind about what can happen going forward," he said. "But it's the wrong way to go about it. We've just got to focus on (Sunday) night and build off the things we keep doing well. Each guy has to look at himself and try to find ways to bring more out of himself every night."
There's nothing wrong with believing in your team, especially when more than half the season remains and it's faced with 3½ months of playing out the string.
But that doesn't make many of the problems facing the Hawks fixable in the short term or even the long term.
Why not? Here's why not.
1. Because too many important players are hurt.
We'll start with one that provides the Hawks some cover. The loss of Duncan Keith (groin), Andrew Shaw (concussion), Calvin de Haan (shoulder) and Drake Caggiula (concussion) for lengthy periods has been difficult. None has a return date scheduled, and according to one report de Haan will miss the rest of the season.
The Hawks are 2-6-1 since Keith was injured on Nov. 29. They lost de Haan near the end of the first period Tuesday against the Golden Knights and were outscored 14-6 in the next eight periods while losing three straight.
Injuries matter. Which leads us to the next reason why the Hawks aren't fixable.
2. Because they don't have adequate replacements for injured players.
The Hawks spoke of having more depth at the NHL level this season and believed Rockford was well-stocked to help if needed. That hasn't been the case.
Adam Boqvist, Matthew Highmore, Dylan Sikura, Dennis Gilbert and Anton Wedin have joined the Hawks from Rockford in the last few weeks — all but Wedin are still with the club — and have combined for no goals and two assists in that time.
Gilbert has been a physical presence, but the others, including Boqvist, have contributed little.
3. Because even when healthy the team isn't good enough.
Even before Keith's injury, the Hawks were hardly world-beaters. They were 10-9-5 prior to Keith getting hurt, and after opening the season 0-2-1 haven't spent a day in playoff position.
If a number of players were having career years the Hawks would be in a different situation, but you could say that for every team.
Last season, Patrick Kane, Jonathan Toews, Alex DeBrincat and Erik Gustafsson had remarkable offensive campaigns. All of them — even Kane, who hardly has been a problem — are well off that pace, and nobody else has picked up the slack.
Even the goaltending of Robin Lehner and Corey Crawford has come back to earth after their terrific starts. In their last four starts, Lehner has an .887 save percentage and Crawford is a tad above at .896.
4. Because the team isn't responding to Jeremy Colliton.
The Hawks coach has tried countless line combinations and defensive pairings, and after the slow start he changed a key part of their defensive structure. That adjustment initially led to more offense, but the Hawks have scored only 28 goals in their last 13 games entering Sunday's game against the Wild.
X's and O's aside, Colliton's style hasn't produced a consistent effort night in and night out.
Too many times following a loss, Colliton has had to point out that his team didn't work hard for a full 60 minutes. Too many periods have inexplicably been taken off when it could have been the difference in the game.
After Thursday's 5-2 loss to the Coyotes — a game in which the Hawks fell behind 3-0 after one period and never were in the game — captain Jonathan Toews referred to the team's lack of energy.
"When that energy is there and we want the puck and are tough on the puck battles everything falls into place for us," he said. "Hasn't been there these past two games."
5. Because the future is in doubt.
It's dangerous to look too far down the road and make predictions, but it's hard to see when the Hawks will emerge from their status as a perennial lottery team.
Kane and Toews aren't getting any younger. The defense is in flux with Keith in his mid-30s, Brent Seabrook a shadow of his former self and no clear future No. 1 in the organization. Boqvist could fill that role, but at 19, it's not happening soon.
Most worrisome might be the future of Lehner and Crawford, both of whom are are free agents after the season. It's not out of the realm of possibility that Crawford retires and Lehner signs elsewhere.
The Hawks are in decent shape with the salary cap to re-sign either Lehner or Crawford, give Dylan Strome a deserved raise when he becomes a restricted free agent this summer and maybe add a free agent. They'll have to do that with the minors barren of top-tier prospects.
6. Because nothing lasts forever.
Part of the angst over the Hawks' demise is the incredulity about how far and fast they have fallen. They were very good for a very long time, but the good times are over, at least for the time being.
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Breaking down Patrick Kane's milestone points, from No. 1 to No. 1,000
It's also painful for Hawks fans to see teams they used to compete with for Stanley Cups — the Penguins, Bruins and Lightning — maintaining excellence. Time will get them eventually. Just ask the Kings, Red Wings and Devils.
[Most read in Sports] No. 21 Illinois wins its 5th straight, 79-62 at Purdue, behind double-doubles by Kofi Cockburn and Ayo Dosunmu »
But that shouldn't comfort fans who look at the Hawks these days and can't muster the optimism to ask, Why not?
Instead, most are asking a more honest question: When will change come?
It's a fair question. And if the Hawks are wise, they'll start to provide answers soon.


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Grundstoffe (, ) sind unbearbeitete oder lediglich geringfügig bearbeitete materielle Güter, die als Vorleistungsgut für die Weiterverarbeitung oder als Endprodukt zum Verbrauch bestimmt sind.

Allgemeines
Es handelt sich um Rohmaterial, Halbfabrikate, Halbzeuge oder Zwischenprodukte, die als Ausgangsmaterial für das verarbeitende Gewerbe dienen. Der erweiterten volkswirtschaftlichen Definition der Havanna-Charta (März 1948) zufolge sind Grundstoffe "jedes Erzeugnis der Landwirtschaft, der Forstwirtschaft oder der Fischerei und jedes Mineral, einerlei, ob dieses Erzeugnis sich in seiner natürlichen Form befindet oder ob es eine Veränderung erfahren hat, die im Allgemeinen für den Verkauf in bedeutenden Mengen auf dem internationalen Markt notwendig ist".

Die Abgrenzung zwischen Rohstoffen, Grundstoffen und Halbfabrikaten ist schwierig, weil es sich um einen fließenden Prozess handelt; Industrierohstoffe sind stets auch Grundstoffe für einen weiteren industriellen Fertigungsprozess über mehrere Verarbeitungsstufen. Auch Halbfabrikate nach der ersten Verarbeitungsstufe (wie Roheisen und Rohkupfer) werden ebenfalls noch als Grundstoffe betrachtet, weil sie Ausgangsstoffe für eine Weiterverarbeitung darstellen.

Arten
Im Wesentlichen unterscheidet man zwei Hauptgruppen von Grundstoffen:
 Die in der Agrarproduktion der Landwirtschaft, Forstwirtschaft und der Plantagenwirtschaft aus der Natur gewonnenen Stoffe (Naturprodukte).
 Die im Bergbau gewonnenen Abbauprodukte einschließlich der Gewinnung von Sand sowie der Fertigung von Zement, Kalk, Ziegeln, Glas etc. aus mineralischen Abbauerzeugnissen sowie der in der chemischen Industrie gewonnenen Basis-Syntheseprodukte.
Manche Grundstoffe wie Kohle bedürfen nach ihrem Abbau lediglich einer geringen Weiterverarbeitung, bevor sie dem Verbrauch zugeführt werden können. Eine wesentliche Weiterverarbeitung erfolgt dagegen in der Grundstoffindustrie.

Sonstiges
Gotthard Oswald Marbach sah 1853 Grundstoffe als Synonym für chemische Elemente an, denn "Grundstoffe heißen in der Chemie diejenigen Stoffe oder Körper, welche noch nicht als chemische Verbindungen aus anderen Stoffen haben nachgewiesen, noch nicht weiter haben zerlegt werden können". Sie sind jedoch keine Grundstoffe, sondern Reinstoffe, die mit chemischen Methoden nicht mehr in andere Stoffe zerlegt werden können.

Literatur

Siehe auch
 Chemie
 Montanindustrie
 Vorläuferstoffe

Einzelnachweise

Material
Rohstoffwirtschaft
Verfahrenstechnik
Wirtschaftliche Güter


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'Star Wars: The Screaming Citadel' Wins Diamond Gem Award
It's not just the Star Wars films that are winning awards these days, but the Star Wars comics as well. Diamond Publishers announced the winners of their annual Gem Awards for the best comics of 2017, and Star Wars: The Screaming Citadel #1 picked up the award for Best Licensed Comic Book of the Year! The book was written by Kieron Gillen with art by Marco Checchetto.
The Screaming Citadel was a crossover event, which featured the cast and creative teams of the main Marvel Star Wars series and the Star Wars: Doctor Aphra series. The even ran for five issues, with the (award winning) first issue being released as a standalone book and the following four issues being released in the Star Wars and Aphra series'.
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Source: Diamond Publishers
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