Most people know exercise is good for kids, but do they know why? Not usually. Below, we've outlined some of the specific ways exercise helps kids develop healthy bodies, brains, and bones.
Adopting good exercise habits at a young age reduces kids' risk of developing some diseases later in life. For example, studies have shown that colon, prostate, uterine and breast cancer risk is reduced by exercise. By starting healthy exercise habits early on, your child will be well on their way to reducing their risk of disease.
Thanks to its ability to release serotonin and endorphins, exercise helps children's mental well-being.
In addition to its emotional effects, endorphin release, like that provided by exercise, improves alertness and cognition. One study even showed that kids who exercised 10-20 minutes before a math test performed better than kids who were inactive before the exam.
Exercise prompts muscles to transform glucose in the bloodstream into energy. This reduction of sugar in the blood lowers kids' risk of diabetes.
Kids' self-confidence and motor skills both get a great boost from steady exercise.
Bones develop through a person's mid-20s, so it's key to ensure healthy bone development at a young age. Exercise helps strengthen bones and increase bone density. This helps prevent osteoporosis later in life.
Team sports are a wonderful way to help children develop key interpersonal skills needed in all areas of life.
Aerobic exercise has interesting neurological benefits. Not only will it help prevent brain tissue loss as your child grows old, it boosts substances essential for the growth of brain cells, spurs the birth of new neurons, and increases the size of the hippocampus, a part of the brain that helps with memory, spatial navigation, and the regulation of emotions.
Exercise strengthens the heart, and lowers cholesterol and blood pressure. These benefits will help protect your child from heart disease, which is the leading cause of death among American adults according to the US Department of Human Services.
Incredible information, isn't it? We hope this article inspires you to get your children (and yourself!) out there and moving. And if you need some extra motivation, treat everyone to a few fitness-ready finds from our athletic apparel section! Or, help girls get the exercise they need by shopping our Girls on the Run Collection.
Between shuttling the kids to sports practice and preparing school lunches, it can be hard to plan spring break travel, let alone worry about what to pack when the day of departure arrives! To help you keep all your ducks in a row, we compiled spring break packing lists for a few popular destinations.
Have any family vacation packing tips? Share them below!
School music programs nationwide are disappearing, suffering at the hands of state-by-state budget cuts. Though it can be tempting to dismiss this as no big deal, the impact of eliminating music programs at schools is worse than you may imagine. March being Music in Our Schools Month (#MIOSM), we're sharing a list of five reasons why music education is incredibly important—and why, in turn, we here at Schoola donate 40% of proceeds to schools to keep programs like music, art, and PE alive!
1. Music education helps kids do better in school.
To get a perfected picture of what this means, let's look at some other studies. One study found that students who had a quality music education score an average of 63 points higher on verbal and 44 points higher on math on their SATS. Another discovered that, with good music programs, elementary school students did 22% better in English and 20% better in math across all geographic regions. Even basic music programs sparked improved academic achievement in comparison with schools that provided no music education at all.
Get excited…the #SchoolaStyle Contest is back! We're giving away a $50 coupon code each week to someone who shares their Schoola scores.
Snap a pic of your Schoola finds (bonus points for modeling them!).
Each Monday, we'll announce the week's lucky winner on Schoola's Facebook page and notify the winner by commenting on their winning post.
We can't wait to see your #SchoolaStyle. For inspiration, check out some of our past submissions above!
For complete list of official rules and guidelines, please head here.
With sweater weather on the horizon, we are so excited about one of our favorite items for fall. (Well, favorite besides a pumpkin spice latte). Of course, we're referring to the Athleta Merino wool sweater, which is the perfect layering piece to take you from day to night. This sweater is classic and cozy and comes in a beautiful Chianti color, which is one of the hottest colors for fall fashion.
Whether you're out and about running errands (did we mention it has thumb holes?), headed to the office, or out to dinner, this sweater is perfect for all of these occasions. It looks classy styled with black pants and your favorite pumps, or on the go with some skinny jeans and your favorite bag. For those extra cool evenings, pair it with a chic jacket.
Shop this look! Pick up your Athleta Sweater and pair with either black pants or denim. Is the weather feeling chilly? Layer on a jacket for extra warmth.
Complete your look with some chic boots or sandals and a handbag.
Big shout out to Ashley of DTK Austin who styled our favorite Athleta sweater for both a day out and a romantic date night.
Regardless of where your day or night takes you, there is no doubt – this sweater is ready to keep you feeling cozy and looking chic.
Leslie Beckhorn is the Visual Merchandising Manager at Schoola. One of Leslie's favorite subjects in school was art. It helped inspire her creativity and love of fashion. When she was in kindergarten, she took Vogue magazine to show and tell. Her love grew so much that she was inspired to get her degree in Fine Art with an emphasis in Art History. Now she is happy to bring her passion to Schoola.
We all know the most difficult part of online shopping is not knowing whether an item will fit us or not. It always seems so much easier if we can just jump into a fitting room and try it on. Well, I am here to tell you that you have no reason to worry about that anymore. We have compiled a list of women's size charts from some of our top-selling brands to make your purchasing decisions easier.
If your item arrives and you find it doesn't fit quite as you like, simply let our customer service team know by emailing help@schoola.com or calling 855-454-2956. We promise to provide store credit equal to the amount you paid for the item to help you find a replacement that does.
Petite is considered a proportion rather than a size. This means petite sizing affects not only the inseam, but also the rise.
In tall items, the most distinct difference is in the inseam.
Some pants, like skinny jeans, are designed to have a more tailored fit, and their cut reflects that, while others, like trousers, are cut to fit a bit looser.
When sizing bottoms, we look at measurements in three areas: waist, hips, and length (or inseam). Here is an example of what those look like, and how to measure yourself if you're not quite sure where you fall on a sizing chart.
Known for classic styles and specializing in petite and tall fits, the sizing tends a little toward the generous side, so you may find that you size down from your normal size. Sizing at sister brand Loft is very similar.
Sizes run similar to Ann Taylor.
I hope you found this helpful, and remember, if it doesn't fit, we'll help you find an item that does. Just let our customer service team know by emailing help@schoola.com or calling 855-454-2956, and we'll provide a store credit equal to the amount you paid for the item. Learn more about sizing here.


text:
Lithobius michoacanus är en mångfotingart som beskrevs av Chamberlin 1942. Lithobius michoacanus ingår i släktet Lithobius och familjen stenkrypare. Inga underarter finns listade i Catalogue of Life.

Källor

Stenkrypare
michoacanus

redpajama_set_name: RedPajamaWikipedia


text:
Movie Reviews, Movies, Reviews
[Blu-Ray Review] 'Ejecta': Now Available On Blu-Ray/ DVD Combo Pack From IFC Midnight & Scream Factory
Ejecta [Blu-Ray]
Director(s): Chad Archibald, Matt Wiele
Cast: Julian Richings, Adam Seybold, Lisa Houle
Release Date: Now Available on Blu-Ray + DVD Combo
A Review By: Kevin Lovell
Film Rating: 6/10
Disc Rating: 7/10
A horrific alien invasion forces two men to fight for their lives during one universe-altering night of terror. This nerve-shredding film stars Julian Richings (Cube, X-Men: The Last Stand) in a tour-de-force performance as William Cassidy, a man who, following decades of frightening extraterrestrial encounters, is now trapped in a living hell of fear and paranoia. On the evening of a massive solar flare, Cassidy invites paranormal researcher Joe Sullivan (Adam Seybold, Exit Humanity) to his secluded home in the woods. What occurs there will change both men—and possibly the Earth—forever.
William Cassidy (Richings) made contact with an unknown life form 39 years ago and while dismissed as a liar by many, he was also respected and well known in other circles. A recluse by choice, on the evening of a large solar flare, filmmaker Joe Sullivan (Seybold) is mysteriously invited via email to join the legendary William at his secluded cabin. Following the events of that night, William is abducted by a questionable group of individuals appearing to be military and strapped to a chair only to be questioned and subjected to brutal methods of torture and information extraction wherein he is forced to revisit the terrifying events from the previous night in which an extraterrestrial craft landed on his property, all of which was filmed by Joe.
Chad Archibald and Matt Wiele together directed 'Ejecta' and they do quite the competent job at the helm guiding a script by Tony Burgess (Pontypool), for the most part doing an impressive job of keeping everything looking solid and clean, regardless of the surely minimal budget. Julian Richings (TV's Supernatural) delivers a notable performance in his portrayal of the troubled William Cassidy, although the rest of the cast is more hit or miss, with a number of the performances bordering on comical which if intended (though not likely) seems oddly out of place.
'Ejecta' is a fun alien invasion tale which brings some refreshingly original ideas to the genre as it jumps between a critical night of extraterrestrial activity and the subsequent interrogation of an individual who was front and center for the whole fiasco. While 'Ejecta' is unique and features a fantastic performance by Julian Richings, some of the acting and random unexplained (or poorly explained) activity that occurs unfortunately does take away from the positive aspects to a degree. Overall, 'Ejecta' is an enjoyable and often quite bloody alien invasion thriller with some fresh ideas and is well worth a watch, especially for genre fans, although you might want to rent this one prior to picking up your copy to make certain it's up your alley.
The Blu-Ray release of 'Ejecta' features a full 1080p High Definition presentation utilizing a 2.00:1 Aspect Ratio, although the aspect ratio does shift throughout as the film jumps to and from interview recordings and current activity. The video presentation looks great as a whole, delivering a sharp and detailed presentation that holds up impressively during both the fast moving and darkly lit sequences which are so regular in the movie, never causing anything occurring on screen to become negatively affected or unintentionally rendered indiscernible or distorted. Overall, this is a top notch high definition video presentation complimented by a notably hefty bitrate.
The Blu-Ray release includes a lossless 5.1 channel DTS-HD Master Audio soundtrack. This lossless multichannel soundtrack sounds fantastic, providing a loud, aggressive and clean audio presentation throughout, utilizing all five available channels more often than not to surround the viewer with everything from a plethora of suitably creepy and random auditory effects, to birds signing and shifting during even the tamer moments; never resulting in any dialogue which may be occurring simultaneously to be rendered inaudible. Overall, this is an impressive 5.1 channel DTS-HD MA soundtrack that should easily satisfy the masses.
The Blu-Ray release of 'Ejecta' doesn't contain any extras, merely the Theatrical Trailer for the film.
*Please note that the above images are taken from the Blu-Ray and resized. They additionally will suffer quality loss as a result of .jpg compression. Larger versions of each image can be viewed by clicking on the image. All images and content included on this Blu-Ray release are the property of their respective owners.
'Ejecta' is now available to own on Blu-ray + DVD Combo Pack from IFC Midnight & Scream Factory
Purchase your copy of the Blu-Ray on Amazon (while also supporting our site) by clicking on the Amazon cart Icon immediately below!
Kevin Lovell August 21, 2015 Alien Invasion, Aliens, Blu-Ray, Chad Archibald, Ejecta, IFC Midnight, Julian Richings, Matt Wiele, Sci-fi, Science Fiction, Scream Factory, Shout Factory, Tony Burgess
Previous Previous post: [Blu-Ray Review] 'Batman Unlimited: Monster Mayhem': Own It Today On Blu-Ray Combo Pack From DC Comics & Warner Bros
Next Next post: Eli Roth Presents 'The Stranger'; Available On Blu-ray October 6, 2015 From IFC Midnight & Scream Factory

redpajama_set_name: RedPajamaCommonCrawl


text:
#1711: Willa Cather to Elizabeth Wolfe Huffmann, June 13, 1945
June 13, 1945 Dear Lizzie1:
I have wanted to write to you for such a long time, but you know my mail is always pretty heavy and all through this long dreary war, I have had to write a great many letters to homesick soldiers. Some of my books3 were taken over by the Government and put into all the soldier camps, and so many boys from Nebraska4, Kansas5, Colorado6 and New Mexico7 saw that I knew their home country pretty well and wrote to me when they were lonesome. I tried to answer most of the letters as best I could.
I often wonder whether your Richard8 is old enough to be in the Army. I would love to know where you are, and how things are with you. It is now nearly four years since I had a very serious operation9 - the removal of my gall bladder. The operation was perfectly successful, but since then I haven't been very strong. I am not sick, but I tire quickly - haven't the endurance I used to have when you knew me.
I often think of you, Lizzie. Perhaps I have never told you, just in so many words, how grateful I have always been to you for your kindness to my mother10 and father11 - especially to my mother when her health began to break up. I often remember the last Thanksgiving and Christmas12 that you and I had in the old house13 in Red Cloud14. What a happy time that was for me! I shall always think of the old house just as it was then - exactly as Father and Mother left it. As you know, I have a little house15 in Canada16, and I have lived in a good many places in the world, but no one place is as dear to me as that old house in Red Cloud was. You probably know that my sister Elsie17 has sold the house and most of the contents.
[missing]
I would be very grateful to you, Lizzie, if you would write me about yourself and your children. I still hear from Mrs. Creighton18 and from Mrs. Florance19. Mrs. Walter Sherwood20 writes me such nice letters whenever she has an hour of free time. You know she has managed the Red Cross for the county21 all through the war, and I wonder that she has had the strength to stand up to it. I think family disputes form the worst of her trouble - so many cases where there was a baby and the father was at war and his parents would not pay for the baby's keep and the mother's parents refused to have anything to do with the mother or baby. This, of course, is confidential to you, but there were certainly a great many such cases.
This address - 570 Park Avenue22, New York 21, N.Y.2 - will always reach me. When I am away my letters are always forwarded to me.
Your friend always Willa Cather
Elizabeth Wolfe Huffmann1
O Pioneers!, My Antonia, and Death Comes for the Archbishop were published in paperback Armed Services Editions.
Cather struggled with illness throughout the spring of 1942, and her gall-bladder and appendix were removed on 24 July 1942 by Dr. Allen Whipple at the Presbyterian Hospital (#2375).
Cather spent December 1931 and January 1932 in Red Cloud.
541 N. Seward Street (Red Cloud, NE): Built circa 1899, Cather's parents, Charles F. and Mary Virginia Boak Cather, purchased this home in 1903. Cather stayed here when she returned to Red Cloud to visit her parents, returning for the last time in 1931 following her mother's death. At that time, Cather's sister Elsie inherited the house, returning to Red Cloud for summer vacations for most of the 1930s. Willa Cather contributed to the maintenance of the property until Elsie sold the house in 1945 to W. H. Maynard. By 1946, it was being used as a local hospital. Willa Cather used the house as the prototype for the second Ferguesson house in her short story "The Best Years."
Huffman, Elizabeth M. Wolfe (1901-?) ("Lizzie"). Worker for the Cather family. Elizabeth and Raymond K. Huffman married in 1921. She worked in the households of the Charles F. Cather and Bernard McNeny families before moving to Stratton, in Hitchcock County, NE, by 1930; her family included a son, Richard, born in 1922, and a daughter, Emma Arlene, born in 1924. By 1940 the family was living in Haxton, CO.
Huffman, Richard K. (1922-after 1940). Elizabeth Huffman's son. Born in Nebraska to Raymond and Elizabeth Huffman, Richard Huffman lived in Stratton, Hitchcock County, NE, until after 1935, when the family moved to Haxtun, in Phillips County, CO, where he worked in a garage prior to World War II. His mother, "Lizzie," had worked for the Charles Cather family; when Willa Cather called on her to come from Stratton to help with the family house in 1935, she made suggestions for Richard's care. In 1945 Cather wrote to Lizzie and inquired after Richard, who was old enough to have served in World War II.
Cather, Elsie Margaret (1890-1964) ("Bobbie"). Cather's sister. Born in Red Cloud, NE, shortly before Willa Cather graduated from high school, Elsie attended the University of Nebraska in Lincoln from 1908 to 1910, before transferring to Smith College, in Northampton, MA, from which she graduated with an A.B. in English and Latin in 1912. She undertook graduate study at the University of Nebraska in 1914 and in 1916 received her A.M. with a major in philosophy and a minor in English. At both the undergraduate and the graduate level at Nebraska, she studied under Louise Pound. She began a career in high school teaching in 1912, when she took a position in Lander, WY, where her brother Roscoe then lived with his family. She also taught in Albuquerque, NM; Corning, IA; Cleveland, OH; and briefly Red Cloud, when illness in the family brought her home. Her longest tenure as a teacher was at Lincoln (NE) High School, where she began teaching in 1920, with Olivia Pound and Mariel Gere as colleagues. Willa Cather's expectation that Elsie be responsible for aging family and friends and for legal affairs after their parents' deaths sometimes brought the sisters into conflict. Elsie Cather retired from Lincoln High School in 1942. She died in Lincoln.
Creighton, Mary S. Miner (1873-1968). Clubwoman; Cather's friend from childhood. Born in Iowa, Mary Miner was the second daughter of James and Julia Miner, neighbors of the Cather family in Red Cloud, NE. Willa Cather later recalled that when she first moved into town with her family and enrolled in school in 1885, "Margie Miner was so jolly I wanted awfully to know her." They became lifelong friends and correspondents, and Mary's sisters Irene and Carrie were equally close to Cather. Mary Miner wed local physician E. A. Creighton in 1900 and lived the rest of her life in Red Cloud. She was the prototype for Julia Harling in My Ántonia (1918).
Florance, Beatrix Elizabeth Mizer (1875-1963) ("Trixie," "Trix"). Cather's childhood friend. Beatrix Mizer was born in Ohio in a German-American family. They moved to Red Cloud, NE, in 1884. Cather later recalled that when she first enrolled in school in Red Cloud, "Trix Mizer was the prettiest little girl I had ever seen." They acted together in an 1888 production of "Beauty and the Beast" at the Red Cloud Opera House. Mizer graduated from Red Cloud High School in 1893 and studied voice at the Chicago Conservatory of Music 1897-1898, qualifying as a music teacher, and at the Chicago College of Music 1899-1900. She married Sidney Florance in 1903. In 1909 the couple moved to Red Cloud, where they settled and raised a family. Beatrix's Chicago musical studies and return to Red Cloud may have inspired elements of Cather's novel Lucy Gayheart (1935). Cather's correspondence with both Florances began as early as 1914 and extended through the 1940s.
Webster County, Nebraska, United States


text:
The Charlatans to headline The Great Estate festival in Cornwall
The second garden fete with a difference promises to be bigger and better in 2018
Lee TrewhelaChief reporter
Get our ultimate guide on things to do with CornwallLive's FREE What's On newsletter
Cornwall's newest music festival, The Great Estate, has announced indie rock royalty The Charlatans as the first headline act to take to the main stage in 2018.
Returning to the prestigious grounds of Scorrier House, the eccentric and curious event will combine a variety of secret venues, contemporary arts, weird and wonderful happenings amongst an array of world class music. Taking place on Friday, June 1 to Sunday, June 3, 2018, tickets are available now.
Armed with an arsenal of hits, The Charlatans will take to the main stage on Saturday, June 2. Twenty-seven years since they first bagged a Number 1 album with Some Friendly, the band, led by mop-topped Tim Burgess, are still achieving fresh career highs.
Another 90s band will join Massive Attack, Bjork and Chemical Brothers in Cornwall
Having released new single Over Again'earlier this month, The Charlatans will showcase a mixture of their classic anthems plus a slice of their hugely successful 13th album Different Days with 2018 partygoers.
Eager revellers will also get the chance to control their own music mix at the Woodland Silent Disco. Hidden within a secret forest glade, the three-day fiesta will see DJs battle it out spinning the best in pop, rock and club classics.
Welcoming the Knights of Arkley to the wild meadows of Scorrier House, The Great Estate will thrill audiences with a medieval jousting display. Transporting festival guests back to the Middle Ages, the exhilarating performance is set to amaze.
18 for 2018: Festivals and big-name gigs you can't miss in Cornwall next year
Adding an air of sophistication to the party, Laurent-Perrier will host a VIP Champagne Lounge for guests wanting first-class, fizzy treatment. Prepare for a cork popping party at the newly added Octopus Lounge.
Discover The Great Estate's Secret Gin Garden and spend the afternoon soaking up the sunshine with the soft sound of music in the background. Hidden within a maze of decadent garden pathways, the pop-up gin bar is nestled within old walled gardens. Also home to the festival's Classical Corner, a carefully curated programme of classical music will fill the June weekend.
A vivacious variety of cabaret and burlesque awaits guests in Madame Wong's House of Wrong. Blending glitz, glamour, comedy, tassels and tease, audiences can expect everything from fire dancing to sword swallowing alongside an eclectic blend of world music.
The Great Estate's onsite wellness area will offer head-to-toe pampering for weary festivals goers. Boasting wood-fired hot tubs, a sauna yurt, sound bath healing, massage, yoga sessions, guided meditation classes and crystal healing, The Sanctuary is on hand to help rejuvenate tired minds.
Other attractions include an on-site tattoo parlour, children's area, barber shop and skate park.
Festival directors Ian Whittaker and Ben Hall said: "We were absolutely delighted by the success of our first garden fête. We certainly put the 'r' in rambunctious and we can't wait to open the gates to Scorrier House in 2018 for what is promising to be the most extravagant party to date. See you on the lawn."
Eden Sessions: We look back at all 87 from classics to disasters Oasis to Amy Winehouse
The Great Estate welcomed over 13,000 guests for the debut event in June 2017, quickly becoming one of the most talked about festivals in the Cornish calendar. Created by Newquay-based production company Quick Panda Productions, The Great Estate continues to add its eccentric mark on Cornwall.
Weekend Camping Tickets are currently on sale priced from £65.50 (plus £4.50 booking fee). Glamping options are also available. Please note The Great Estate operates a tiered ticket system with prices changing over time. An allocation of tickets is reserved for each tier, this will close when the allocation of tickets is sold out.
For further information and to purchase tickets visit the website.
EntertainmentITV's Cornwall and Devon Walks with Julia Bradbury to showcase West Country on primetime TVThe new eight-part series sees Julia Bradbury explore some of the region's best walking spots - from Land's End to Dartmoor
16 of the best beaches in Cornwall that could be mistaken for tropical paradises
Cornwall beachesCornwall is home to more than 400 beaches in total, attracting thousands of people to the county's seaside towns every summer
New This Fishing Life TV series on Cornwall's beleaguered industry starts tonight
BBCThe first episode shows life in Newquay harbour as lockdown begins to bite
The number of calories in fish and chips could put you off for life
CornwallThis is what else you can eat in comparison
Product recalls issued for items including toys, pasta and cheese
ShoppingTrading Standard have issued several warnings over the past week
Love IslandLucie Donlan's plea to Love Island fans after death threats over feud with Yewande BialaLucie accused Yewande of bullying but two Love Island stars backed Yewande saying Lucie 'refused to call her by her name because it was too difficult to pronounce'
The Cornish couple building homes for the birds and the bees
AnimalsKate and Gavin Christman are determined to put natural habitat back for our wildlife
BAFTA winning director Mark Jenkin talks about life after Bait and his new film Enys Men
EntertainmentIn an exclusive Q&A with CornwallLive Mark Jenkin has spoken about his next project after record-setting and widely acclaimed Bait
The famous faces from Devon and Cornwall that could be behind the mask on this week's Masked Singer
EntertainmentThese are the local stars we'd love to see on the hit ITV show


Am I now trying to win the approval of men, or of God? Or am I trying to please men? If I were still trying to please men, I would not be a servant of Christ (Galatians 1:10, NIV).
Most of us have read or heard of the childhood classic, The Velveteen Rabbit. Perhaps you first heard the story snuggled in your mother's lap or like me, as an adult with a child snuggled in your lap. Like many children's books, the message carries a profound truth that resonates more with adults than with kids.
"There was once a velveteen rabbit, and in the beginning he was really splendid. He was fat and bunchy, as a rabbit should be; his coat was spotted brown and white, he had real thread whiskers, and his ears were lined with pink sateen. On Christmas morning, when he sat wedged in the top of the Boy's stocking, with a spring of holly between his paws, the effect was charming.
"The boy loved the rabbit…for at least two hours, but then he was put on the nursery shelf with all the other toys. Because he was velveteen, some of the more expensive toys snubbed him. Some of the toys boasted about being fashioned as smaller models of real things, such as boats and soldiers. But the rabbit didn't even know that there was such a thing as a real rabbit. He thought all were just as he was, stuffed with sawdust. But one night, the rabbit made a fascinating discovery.
The Velveteen Rabbit wasn't even sure what a rabbit was supposed to do. He just knew there had to be more to life than being filled with sawdust and sitting on a shelf.
Being real. That's what really matters. I don't want to wait until most of my hair has fallen out and I've lost my stuffing. I want to be real right now. So what if I don't look as shiny as the other toys in the nursery.
Yes, sometimes it is painful to become real. It takes courage. But until we do, we'll find that our existence sitting on the shelves is just a dim reflection of the abundant life that Jesus came to give.
Let's chat. Click over to my Facebook page and tell me the name of one of the most real people you know.
Dear Heavenly Father, I know that You want me to be real and honest with those around me. Jesus was. He never pretended to be something that He wasn't and He didn't pretend not to be something that He was. I am Your child with many faults, failures, and foibles. I made mistakes in my past and will make mistakes in my future. I pray that I will always have the courage to be real with those around me and never participate in religious pretending because of concern over what others may think. I'm just me: saved, sealed, and delivered! In Jesus's name, amen.
Let's get into Scripture and see what we can learn about being real.
Read Genesis 25:23-34. Who was Jacob?
Jacob was pretending to be someone he was not. In the end, it caused much heartache.
Read Genesis 32:22-30 What question did God ask Jacob? How did he answer God differently than he answered his dad in Genesis 27?
What did God do once Jacob became real and stopped pretending to be someone he wasn't?
Being real is one of the themes of my book, Your Scars of Beautiful to God: Finding peace and purpose in the hurts of your past. God doesn't want us to hide our scars. He wants us to be real and use the scars of our past to impact those in our present! That's what makes them beautiful! Click here to learn more about this life-changing book.


Teresa Garcias runs a small grocery store (a miscellaneous store) in Nogales, Mexico. She buys products in bulk and sells them in her neighborhood. She has been living in Nogales for 19 years and started working with ProMex Group in 2006. Her current loan is for US$1,000.
She was selling products out of her home but recently started renting a store but has determined (with the help of ProMex Group) that she does not have enough sales to make it worth the rental cost. She will move back to selling from her home soon. Her business and sales have grown since working with ProMex Group and she is able to afford better food and clothing for her kids. She has a husband and two kids.
If you support creating economic opportunities along the Mexican border (in Mexico), consider supporting ProMex Group (charitable microfinance for the Mexican border). You can Donate, Lend, Donate items, allow us to Speak and Visit the project. Please contact us for more information.


This position is responsible for assisting the Technical Manager – Theaters with the operation of all programs and services offered by the Community Education Technical Theater Department.
Must have strong technical knowledge of sound reinforcement, lighting design, theatrical rigging systems and techniques, set design and construction, and technical theater and audiovisual equipment. Skills in routine maintenance and minor repair of audiovisual and theatrical equipment a plus. Must possesses strong interpersonal and communication skills.Must have basic knowledge of use of hand and power tools.


Prior to joining Myakka Pines as the Head Golf Professional in November, 1988, Frank graduated from the State University of New York (SUNY) where he was the captain of their collegiate golf team.Frank's passion for golf began at the age of 12 when he caddied in his hometown of Elmsford, New York at Knollwood Country Club. After college he started his professional career at Round Hill Club in Greenwich, Connecticut. In 1978 Frank relocated to the east coast of Florida, where he served as an Assistant Professional at the Country Club of Coral Springs. Moving his chosen profession forward, five years later Frank received the designation of becoming a PGA Class-A Professional and a mere twenty-five years later was inducted, with Honors, into the PGA's Quarter Century Club.
In addition to teaching, promoting and growing the game of golf, Frank contributes to PGA Magazine's "Making the Game Fun" feature. During the summer you can catch him cheering for the 27-time World Series Champions that play in the AL East. Please pardon any playing of New York, New York to the tune of Frank Sinatra in Frank's office.
2013 marked Frank's twenty-fifth year as Head Golf Professional at Myakka Pines Golf Club.
TK Matthews was born and raised in Tucson, Arizona. After high school, he attended the Air Force Academy where he played on the Division 1 basketball team and had hopes of becoming a pilot.
His introduction to the golf business was at the Arizona Biltmore Resort in Phoenix, Arizona. He then moved to Martha's Vineyard in Massachusetts where he started his PGA apprenticeship. Over the course of two years he traveled between Farm Neck Golf Club in Martha's Vineyard MA and The Vineyards in Naples FL to complete his PGA apprenticeship.
His first Head Professional position was at Country Creek in Estero where he spent one year as a head professional prior to receiving his PGA status. He was then named the Head Golf Professional at Black Diamond Ranch in Lecanto, Florida where he spent three years before he transitioned to Bear's Paw in Naples and spent the following eight years as their Head Golf Professional. Following Bear's Paw, TK spent three years as Head Professional at Grey Oaks, seven years as the Director of Golf at Countryside Golf & Country Club and recently 3 ½ years as the Director of Golf at Heritage Bay.
TK has been a PGA member since 1991. He was twice awarded the Southwest Chapter PGA Horton Smith award for his work in education. He is married to Jane who is a chef. His son Michael is a senior at Florida Gulf Coast University.


text:
CLASS({
  package: 'foam.net.proto',
  name: 'JSONProtoPropertyTrait',
  properties: [
    {
      name: 'protoField',
      documentation: 'Gives the protobuf field name corresponding to this ' +
          'property. If this property corresponds to a field buried in a ' +
          'nested proto, this can be an array of field names.',
      defaultValue: undefined,
      adapt: function(old, nu) {
        return typeof nu === 'object' ? nu : [nu];
      }
    },
    {
      name: 'protoModel',
      documentation: 'If this proto field contains a nested proto message, ' +
          'the <tt>protoModel</tt> is used as the model for that proto. For ' +
          'a repeated field, each element in the array becomes an instance ' +
          'of this model.',
    },
    {
      type: 'Boolean',
      name: 'forceWrite',
      documentation: 'If set, toProto will write back the property value ' +
          'even if it unset.'
    },
  ],

  methods: [
    function fromProto(obj) {
      if (this.protoField) {
        var o = obj;
        for (var i = 0; i < this.protoField.length; i++) {
          if (!o) break;
          o = o[this.protoField[i]];
        }

        if (o && this.protoModel) {
          var m = this.X.lookup(this.protoModel);
          if (m) {
            var f = (function(x) {
              if (m.getPrototype().fromProto) {
                var nu = m.create(null, this.Y);
                nu.fromProto(x);
                return nu;
              } else {
                return m.create(x, this.Y);
              }
            }).bind(this);

            return Array.isArray(o) ? o.map(f) : f(o);
          }
        }

        return o;
      } else {
        console.warn('fromProto on ' + this.name + ', which has no protoField defined.');
        return undefined;
      }
    },

    function toProto(obj, value) {
      if (this.protoField) {
        var o = obj;
        if (this.protoField.length > 1) {
          for (var i = 0; i < this.protoField.length - 1; i++) {
            if (typeof o[this.protoField[i]] !== 'object') {
              o[this.protoField[i]] = {};
            }
            o = o[this.protoField[i]];
          }
        }

        // Now o is the final object we want to put our value on.
        // If there's a protoModel defined, we'll have that model serialize
        // itself to JSON proto format.
        if (this.protoModel) {
          if (Array.isArray(value)) {
            value = value.map(function(x) { return x.toProto(); });
          } else {
            value = value.toProto();
          }
        }

        o[this.protoField[this.protoField.length - 1]] = value;
      } else {
        console.warn('toProto called on ' + this.name + ' which has no protoField defined.');
      }
    },
  ]
});

redpajama_set_name: RedPajamaGithub


text:
Q: Is it possible to add a free text note to a team city build? I'd like to be able to add free text notes to a given build, I know I can tag builds, but I'd like to be able to add notes like:

Deployed to client staging server 24/01/2011

If I try and do this as a series of tags teams city shows them back to me in alphabetical order, which isn't very helpful.

A: See "Comment" in "Build Actions" in toolbar on build results page.
I think this is what you need.

redpajama_set_name: RedPajamaStackExchange


Your purchases are completely secure.
We are fully committed to ensuring the security of your bank transactions. Place des Tendances has adopted the 100% secure CYBERMUT payment solution from Crédit Mutuel, which protects all the information that you provide to us and guarantees the confidentiality and security of each transaction.
Payment for your Place des Tendances order is made online when your order and basket contents are confirmed.
What is payment using a saved card or a saved PayPal account?
Securely save your card or PayPal account to make ordering easier!
When you make a payment, Place des Tendances allows you to securely save your bank or PayPal account details: This information is encrypted on your computer and sent in an unintelligible format to servers which alone are able to decrypt it. Permissions and data are then checked with your bank/PayPal in order to prevent misuse and fraud.
Place des Tendances' partners guarantee the security of your bank details.
Place des Tendances does not have access to your bank details.
You will be asked for a personal code prior to each payment to confirm the authenticity of your request.
How do I use a credit note or gift card?
You can pay for your order using a Place des Tendances gift card or a credit note valid for our site.
1. You must create an account and be logged in to use your gift card or credit note.
3. On the payment page, click on " I've got a gift card " or " I'm using a gift voucher/credit note "
4. Enter your activation code in the gift voucher field.
· Your credit note or gift voucher can be used more than once.
If the amount on your credit note or gift card is more than the total of your basket, a credit note for the remaining amount will be created automatically, and will appear on the " my secure payment " page the next time you place an order, and on the " my rewards " page in your account. If the amount on your credit note or gift card is less than the total of your basket, you can pay the remaining amount using another payment method or another Place des Tendances gift card.
· Gift cards and credit notes can be combined.
· Gift cards are valid for one year from the date of purchase.
· Credit notes are valid for six months from the date of creation.
Payment by three no-fee instalments is only available for residents of metropolitan France.
Occasionally, and depending on the circumstances, payment by three no-fee instalments using a bank card is possible. This offer is reserved for individuals (natural persons of full legal age) residing in France who hold a Visa or MasterCard bank card that is valid for the duration of the chosen payment plan.
2. On the " my secure payment " page, select " Three times without any fees "
3. You will be redirected to the website of our partner, Oney Bank. Your order will be accepted as soon as you click confirm, and your transaction will be completed when you are redirected to the Place des Tendances website.
Systematic authorisation cards such as Electron, Maestro, Nickel, etc., as well as e-cards, Indigo cards and American Express, are not accepted. This service is made available with the help of our partner, Oney Bank, SA with a capital of €50,601,985. Headquarters: 40 Avenue de Flandre 59 170 Croix - RCS Lille Metropole. SIREN No. 546 380 197, registered with the ORIAS (Registre des intermédiaires en assurance, banque et finance — French insurance, banking and finance register) under No. 07 023 261. Place des Tendances reserves the right to withdraw this service at any time.
After making your selection, simply click on the "Three times without any fees" button on the payment page. You will then be redirected to the website of our partner, Facily Pay, where you will see a detailed summary of your order and a personalised payment request, which you should then confirm. Enter your personal information or, if you have a Facily Pay account, log in using your Facily Pay log-in details. Please read the general terms and conditions of payment in instalment, which are provided in PDF format, enabling you to read, print and save them before accepting. You must tick the box to indicate that you accept the terms and conditions. Please note that double-clicking the tick box on the general terms and conditions indicates that you agree to the contract and constitutes full and irrevocable acceptance of the general terms and conditions of the product. Unless proven otherwise, the details saved by Oney Bank constitute proof of all transactions between you and Oney Bank. If you request to use a payment solution offered by Oney Bank, information relating to your order will be passed on to Oney Bank, who will use it for research purposes to grant, manage and recover credit. Oney Bank reserves the right to accept or refuse your request to pay in three no-fee instalments. You have 14 days to withdraw from this credit option.
- Two monthly payments, each amounting to one third of the value of the order, taken 30 and 60 days after.
Example: For a purchase with a value of €300 made on 01/11/2016, you would make a down payment of €100, then two monthly payments of €100 on 01/12/2016 and 01/01/2017. Credit for a period of two months with 0% fixed APR. Cost of finance: €0.
What happens if I cancel my order? If your order is cancelled, Oney Bank will refund any payments already taken. Future payments will be cancelled.


I know you have been struggling with your weight loss and confidence lately. I believe that you have the power to overcome your negative thoughts...the setbacks...the hurdles, and move on to a happier, healthier you.
You deserve to be healthy, confident, and strong. You DESERVE to be HAPPY!.
Just remember, I am always there to support you, and you can count on me to help you with this journey.


Precious moments like this what I live for. Unfortuately, I am busy with branding work to pick up the camera right now.
Amazing expression between the boy and his best friend. More defined separation between the dog and the background (because here they merge) would make this absolutely perfect.
Remember to enjoy your precious moments this holiday weekend.


text:
Life (1999 short film)
Life (Diamonds in the Dark)
Life (KRS-One album)
Life was a 1999 ani-jam short created by Mo Willems. It was released on November 12, 1999.
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Life_(1999_short_film)
"'Life (Diamonds in the Dark)" is a song by Swedish DJ and producer John Dahlbäck featuring Swedish recording artist Agnes. Dahlbäck originally released the instrumental version of the song called "Life" in February 2012, but later got Swedish singer Agnes to sing the vocals on the re-release. In an interview with American magazine "Billboard" Dahlbäck commented on the co-operation with Agnes; ""She's one of the biggest pop stars in Sweden, so for me it was a big honor to have her on the track. This may not be what she'd do normally, but she's very happy with the result."
The song is released together with three remixes that will accompany the February 25 release. Dahlback selected remixes from Australian upstarts Feenixpawl, fellow Swedish DJs Lunde Bros., and Canadian electro-house artist Lazy Rich.
(Released: February 25, 2013)
"Life (Diamonds in the Dark) - Original Mix " —
"Life (Diamonds in the Dark) - Feenixpawl remix " —
"Life (Diamonds in the Dark) - Lunde Bros. remix" —
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Life_(Diamonds_in_the_Dark)
Life is the eighth album released by KRS-One, and the eighth after abandoning the Boogie Down Productions name. The album is a collaboration with Tunnel Rats affiliates The Resistance, a little known production team, and Footsoldiers.
Instrumental Credits
"I'm On The Mic"
Scratches: Rhettmatic
"Life Interlude"
Scratches: DJ Wize
Life at Discogs
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Life_(KRS-One_album)
renewablelifecorp.com
liferenewable.com
renewablelifecompany.com
reggaelife.com
renewablelifegroup.com
daytodaylife.org
healthylivelife.com
denmarklifeinsurance.com
locking4life.org
certainlifeinsurancetrust.com
renewablelifeco.com
estonialife.com
cebucitylife.com
laplatalife.com
malibubeachlife.com
murcialife.com
feministlife.com
russialife.com
renewablesolars.com
lifeinsuranceceo.com


text:
Q: Postgresql: select rows by OR condition - including going through json array I have a table created by following query:
create table data
(
    id integer not null unique,
    owner text,
    users jsonb not null
);

The table looks like this:
+----+-------+---------------------------------------------+
| id | owner |                    users                    |
+----+-------+---------------------------------------------+
|  1 | alice | []                                          |
|  2 | bob   | [{"accountId": "alice", "role": "manager"}] |
|  3 | john  | [{"accounId": "bob", "role": "guest"}]      |
+----+-------+---------------------------------------------+

I need to get rows 1 and 2 on behalf of Alice.
Getting owner-based rows works perfect:
SELECT *
FROM data
WHERE owner = 'alice'

Getting jsonb-based rows is a little trickier though managable:
SELECT *
FROM data, jsonb_array_elements(users) x
WHERE (x ->> 'accountId') = 'alice'

But getting them together gets me just the jsonb-based ones:
SELECT *
FROM data, jsonb_array_elements(users) x
WHERE owner = 'alice' OR (x ->> 'accountId') = 'alice'

How do I get the selection that looks like following?
+----+-------+---------------------------------------------+
| id | owner |                    users                    |
+----+-------+---------------------------------------------+
|  1 | alice | []                                          |
|  2 | bob   | [{"accountId": "alice", "role": "manager"}] |
+----+-------+---------------------------------------------+

Even better if I can get a selection that looks like this
+----+----------+
| id |   role   |
+----+----------+
|  1 | owner    |
|  2 | manager  |
+----+----------+

A: The problem is with the empty json array, which evicts the corresponding row from the result set when cross joined with jsonb_array_elements(). Instead, you can make a left join lateral:
select d.*
from data d
left join lateral jsonb_array_elements(d.users) as x(js) on 1 = 1
where 'alice' in (d.owner, x.js ->> 'accountId')

Note that, if your array always contains 0 or 1 element, tyou don't need the lateral join - your query  would be simpler phrased as:
select d.*
from data d
where 'alice' in (d.owner, d.data -> 0 ->> 'accountId')

Demo on DB Fiddle - both queries return:

id | owner | users
-: | :---- | :------------------------------------------
 1 | alice | []
 2 | bob   | [{"role": "manager", "accountId": "alice"}]


White Widow, Afghan, and this plant is a blend of powerful White Queen gene is a very versatile and powerful buds. The seeds develop in cold or hot weathers and the THC level of 20% to 15% are capable to produce the bud.
It features a join of indica and sativa, it's a mostly sativa experience. A simple system to acquire your hands on these bad boys will develop with better advances.
Bianca marijuana seed is a hybrid of three species of cannabis. The initial system is to win the cup for power and marijuana is the most well-known white widow marijuana strains. The second turn of the variables that could withstand temperatures of hot and cold in the mountainous region, which is the emergence of a powerful Afghan strain, simple to develop difficulty. Bianca is the third strain of marijuana involved in the creation of the White Queen, weed is the Empress. This extremely fine hybrid strain of marijuana is now sold all over the world. The weed could develop very well insides or outsides. This plant develops to a medium height. Bianca marijuana flowering period is about 7 to 8 weeks. When the crystal content of the flowering tops and leaves of mature white makes layered like. The smell of smoke hash is floral with overtones. High is said to be uplifting.
Bianca cannabis taste with a hint of smoke, are mostly floral. Filling the room with a sweet and spicy flavor of the drug is strong and intense. The overall experience is often smokers creative and be capable to feel relaxed, uplifting and positive, as has been described. Level of experience, with a powerful after-shock is high. Strong and enthusiastic buzz in game mixed with the aroma filling the room, Bianca is a very cool and revives the plant. Do you have experience in one of the most powerful buds acquire ready for.
1. Bianca marijuana seed is a hybrid marijuana strain that came about as these three exceptional cannabis varieties were crossed- Royal White Widow, White Queen, and Afghani.
2. This strain produces a very powerful lofty that is uplifting and positive. Bianca buds have a high THC stage which is about 20% to 25%. Smoking the buds produces a mind-blowing result.
3. Despite being one of the most powerful cannabis varieties, Bianca has a mild smell and a dainty floral flavor.
4. Bianca is fast-growing cannabis having a short flowering time of 6 weeks. With just a short flowering time, it could give an impressive 500 grams/m2 of harvest.


text:
Labor Racial Justice
Dorian Warren: How can we build campaigns so we build power?
Steven Pitts
https://player.captivate.fm/episode/759eb866-71ab-4f2e-96bc-0f28c860944e
In this second episode of Black Work Talk, host Steven Pitts welcomes Dorian Warren, President of Community Change. Dorian talks about the organizational weakness of the Democratic Party and the subsequent growth of grass-roots groups at the local and state level to fill this void. We also talk about the need for a Third Reconstruction and the nature of democracy and freedom during this Third Reconstruction from the perspective of Black workers.
Carroll Fife: 'A Movement Person Having a Political Experience'
Organizing Practice
Building Resilient Organizations: Toward Joy and Durable Power in a Time of Crisis
Black Work Talk
Power Building
Kyra Greene and Branden Snyder: Making the PowerSwitch
and Steven Pitts
Steven Pitts is a long-time labor strategist. For 19 years, Steven led the UC Berkeley Labor Center, where he focused on a wide range of issues facing Black workers. He is a co-founder of the National Black Worker Center. Prior to joining the Labor Center, he taught economics for 15 years at the Houston Community College, and worked in a machine shop where he was active in the United Steelworkers of America. He received his Ph.D. in economics from the University of Houston in 1994.


text:
// !! combine the 2 reduce methods

public class RationalNumber {
	private int num, denom;

	public RationalNumber(int numerator, int denominator) {
		num = numerator;
		denom = denominator;

		if (denom == 0)
			denom = 1; // why? why not an error?

		if (denom < 0) {
			num *= -1;
			denom *= -1;
		}

		reduce(); // crashes if used with returning reduce method
	}

	public int getNumerator() {
		return num;
	}

	public int getDenominator() {
		return denom;
	}

	public void setNumerator(int numerator) {
		num = numerator;
	}

	public void setDenominator(int denominator) {
		if (denominator != 0)
			denom = denominator;
	}

	public RationalNumber reciprocal() {
		return new RationalNumber(denom, num);
	}

	public RationalNumber add(RationalNumber op2) {
		int commonDenominator = denom * op2.getDenominator();
		int numerator1 = num * op2.getDenominator();
		int numerator2 = op2.getNumerator() * denom;
		int sum = numerator1 + numerator2;

		return new RationalNumber(sum, commonDenominator);
	}

	public RationalNumber subtract(RationalNumber op2) {
		int commonDenominator = denom * op2.getDenominator();
		int numerator1 = num * op2.getDenominator();
		int numerator2 = op2.getNumerator() * denom;
		int diff = numerator1 - numerator2;
		return new RationalNumber(diff, commonDenominator);
	}

	public RationalNumber multiply(RationalNumber op2) {
		int num1 = num * op2.getNumerator();
		int denom1 = denom * op2.getDenominator();
		return new RationalNumber(num1, denom1);
	}

	public RationalNumber divide(RationalNumber op2) {
		return multiply(op2.reciprocal());
	}

	public boolean isLike(RationalNumber op2) {

		// This actually checks if the numbers are mathematically equal
		return (reducedForm().getNumerator() ==
				op2.reducedForm().getNumerator()
				&& reducedForm().getDenominator() ==
				op2.reducedForm().getDenominator());
	}

	public String toString() {
		String result;

		if (num == 0)
			result = "0";
		else if (denom == 1)
			result = Integer.toString(num);
		else
			result = num + "/" + denom;

		return result;
	}

	public static int gcd(int num1, int num2) { // recheck this
		while (num1 != num2) {
			if (num1 > num2)
				num1 -= num2;
			else
				num2 -= num1;
		}

		return num1;
	}

	// Returns the reduced form, doesnt update this
	private RationalNumber reducedForm() {
		int newNum = num, newDenom = denom;

		if (num != 0) {
			int common = gcd(Math.abs(num), denom);

			newNum = num / common;
			newDenom = denom / common;
		}

		return new RationalNumber(newNum, newDenom);
	}

	// Updates this, doesnt return
	private void reduce() {
		if (num != 0) {
			int common = gcd(Math.abs(num), denom);

			num = num / common;
			denom = denom / common;
		}
	}
}


text:
Q: Factoring out part of app into its own NPM package results in larger overall app size We are using create-react-app and Typescript within all of our projects and a slightly large module of commonly used React components has emerged. Trying to factor these out into its own NPM package (for easier maintenance and better reuse), here called PackageA, we have arrived at a situation where the overall size of a test app, here called TestApp, is larger than it was before (when the same code existed inside the code base of the same app). TestApp is a VERY rudimentary app which basically just showcases some (but not all) parts of the components in PackageA, formerly with the components inside the project itself, and now with this part removed and instead imported from privately published PackageA.
Sizes of initial JS chunks before factoring out PackageA with components from TestApp ("main" is assumed to be code from the project itself and the other chunk is believed to hold dependencies):

*

*Gzipped: "main" chunk ~ 31 kB, chunk with external dependencies ~ 193 kB (from output after building the app)

*Unzipped: "main" chunk ~ 93 kB, chunk with external dependencies ~ 653 kB (from browser)

Sizes after factoring out PackageA from TestApp:

*

*Gzipped: main chunk ~ 22 kB, chunk with external dependencies ~ 215 kB (from output after building the app)

*Unzipped: main chunk ~ 57 kB, chunk with external dependencies ~ 745 kB (from browser)

As can be seen, the overall size increases with 13 kB gzipped and 56 kB unzipped. This
corresponds to an increase of ~ 6% gzipped and ~ 8% unzipped. This is not insanely much but I would still expect them to be somewhat similar.
Further information

*

*The contents of PackageA is published as es6 modules to allow for tree-shaking which seem to work properly since unused parts of PackageA are not emitted into the output chunks of TestApp.

*Minification of PackageA is done by UglifyJS prior to publishing using both --compress and --mangle options.

*Source maps are not included in the source files of PackageA but only available separately.

*The only packages listed under dependencies in PackageA's package.json are NOT used anywhere else in TestApp and were subsequently removed from the TestApp's package.json at the same time as they were added to PackageA's package.json. The same versions were used. All other dependencies of PackageA are listed under peerDependencies.

*All sizes were verified after deleting the node_modules folder and running a fresh install of dependencies.

*The contents of PackageA is exactly the same as the deleted folder from TestApp with the exception of an added index.ts page which exports the contents of the other files. This file is < 3 kB unzipped in size.

What could be possible sources of this increase in size and where could we start looking? Perhaps this increase might lie in how the code is transpiled in the package and that create-react-app is somehow able to do this more efficiently for code included in the project itself than for imported code. I know this is a tough question that might have many answers and that is hard to reply to.
This is the tsconfig.json used in the factored out PackageA:
{
  "compilerOptions": {
    "target": "es6",
    "lib": ["es6", "dom"],
    "jsx": "react-jsx",
    "module": "es6",
    "rootDir": "./src",
    "moduleResolution": "node",
    "declaration": true,
    "sourceMap": true,
    "outDir": "./build/esm",
    "inlineSources": true,
    "allowSyntheticDefaultImports": true,
    "esModuleInterop": true,
    "forceConsistentCasingInFileNames": true,
    "strict": true,
    "skipLibCheck": true
  },
  "include": ["./src"],
  "exclude": ["**/*.test.tsx", "**/*.test.ts", "**/*.stories.tsx"]
}

A: I understand that this questions might be highly dependant on the situation you're in but still thought I'd share my process.
Measuring sizes
Usually when you build, your framework outputs the sizes of the built artifacts. In the case of create-react-app, these sizes seem to be the size of the gzipped versions.
You may also check your browser dev tools and note the sizes of the downloaded bundles which are typically NOT the gzipped sizes but the actual sizes.
When factoring something out or doing some sort of comparison, take notice of the different sizes before the change and after the change. Given some sort of intuition as to how these sizes should change evaluate if this is the case or not.
Analyzing the bundle
With NextJS you may use @next/bundle-analyzer, in most other cases you may use source-map-explorer. The latter uses source maps to map bundled code to sources; if the source itself has source maps, then these sources are used, otherwise you will see references to node_modules. With source-map-explorer, it might be worth both looking into the visual representation as well as the json representation since, with a lot of sources, the visual representation might suppress the participation of a certain component or library which the json representation will not.
With source-map-explorer you may make some valuable comparisons between different versions of an app.
Analyzing particular cases of source code to production code
After establishing with, for example, source-map-explorer that some source code expands more in some context that in another, you may want to research the issue further. Using source maps (either in development mode or in production mode if you have them available there), you may want to track the imprint of a certain portion of source code in the output bundle. A lot of browsers support mapping bundled code to source code (given source maps) but not all allow you to do the opposite. Firefox, however, has this feature and it allows you to, given bundled code, view the source code and vice versa. This is very useful when you're trying to track what some source code actually results in in the output.
What about my use-case?
Well, the following is a list of what caused the increased size in my case:

*

*I imported from an index in my package and the index imported all of the exports of the package. This should not be a problem with esm modules, but without the sideEffects: false flag in package.json there were some ambiguities. Even though the unused sources from MY package were not added to the output bundle, some indirect dependencies could not be ruled out as not having side effects, so these were added to the bundle, even though the component that imported them were not even used. Adding sideEffects: false to the package.json of my package solved this and reduced the package size.

*When keeping the components in my main project that was bundled using create-react-app, some convenience methods added by Babel in all transpiled files were removed thanks to the presence of @babel/plugin-transform-runtime plugin. This plugin removes these convenience methods, given that some Babel runtime was guaranteed to be present when running these files (from which they could be imported instead). When the same configuration was used for the factored out components, the size shrank even more.

*Finally, at the time of this writing, the tsc compiler seem to output more verbose code than Babel (see TypeScript: tsc transpiles jsx to more verbose code than babel). When transpiling the package I first used tsc and after started using Babel, the size shrank even more.
All in all, with the above changes, the output ended up being just 1.7 kB larger (unzipped) than before the refactoring which was a both understandable and acceptable result.


text:
Taxing insurance contributions will raise healthcare costs for employees
By Phil Albinus
June 20, 2017, 12:24 a.m. EDT
If the new healthcare law that replaces the Affordable Care Act were to tax employee insurance contributions, 67% benefit and HR managers believe that the cost of healthcare would rise, according to new research from the Society for Human Resource Management.
The SHRM study, which was conducted between February 9 and 24 and before the House of Representatives passed its AHCA bill, found that 60% of respondents predicted that out-of-pocket health costs could increase if both employer and employee insurance contributions were taxed. (The survey polled 918 benefit and HR professionals.)
"These results are in line with what we would expect," says Evren Esen, SHRM's director of workforce analytics. "We know healthcare costs are raising anyway and have been over five to 10 years. In 2017, respondents said healthcare costs increased by 11% [last year] and that is despite having a tax break or not having healthcare premiums taxed."
With healthcare costs increasing, employers would most likely pass those costs onto employees via more costly heath plans. "If they are taxed, that will definitely lead to increased costs overall," she adds.
Healthcare costs in 2017 increased for 79% of the survey's respondents.
When asked about what aspects to the ACA they would like to see remain in Congress's AHCA plan, respondents favored coverage for pre-existing conditions by a wide margin. SHRM found that 83% of respondents said it was important that employees and their dependents with pre-existing conditions not be excluded from receiving health insurance.
Survey respondents also favored preventive care coverage (52%), benefits for dependent children up to age 26 (37%), and no lifetime limits (also 37%) as the most important elements of Obamacare.
Despite the concern that costs for healthcare may continue to rise, Esen doesn't think that employers will gut the quality of healthcare plans.
"Based on the data, they will not cut healthcare but costs will increases and employees will be paying for that. I don't think companies are keen on cutting employee healthcare and benefits because it is something employees value," she says. "Even if they don't cut it, there will be increased costs and they will look to employees to pay some of those costs."
Fifty-five percent of survey respondents changed their healthcare coverage. Of those responding benefit managers, 39% modified their existing health plans and 17% added new insurance plans.
Esen believes that employers will continue to offer high-deductible health plans that will be supplemented by health savings and health reimbursement accounts.
HSAs and HRAs "do require that employees think a bit more about their healthcare options, so they are expected to be more informed about how much things cost and make decisions on their healthcare and medical procedures accordingly," she says.
"If they have a certain amount of money to cover medical needs, they are going to have to think if they have the sniffles and if they have money paid out of the HDHP plan to try to find some other options."
Phil Albinus
Former executive editor, SourceMedia
AHCAHealthcare plansHealthcare benefitsHealthcare industryHealthcare costsHealth insurance


Patience has always been a part of the Nicolas Jaar experience. His melodies and references reveal themselves slowly. Though he's been consistently active as an artist and label owner since his debut LP, Space Is Only Noise, a formal follow-up was slow to materialize. When Sirens arrived, its cover was obscured by scratch-off foil; the first track is an amorphous, 11-minute sound collage.
Sirens is more assured and aggressive than Space; "No," the album's centerpiece, is a lightly stepping pop song, sung in Spanish. Jaar has spoken eloquently about how Sirens straddles the political and the personal but in the music itself, the contradictions feel smaller and more ethereal. The first half of the album ends with "Leaves," another collage, wordless until he shares a snippet of himself, as a child, having a discussion with his father. This is peak Jaar: equal parts intimacy and obscurity.
You Want It Darker will always be linked with Leonard Cohen's death. Singing while seated in his living room medical chair, he calls himself "broken and lame." He looks back on his past, with regrets, and says goodbye on "Traveling Light" and "I'm Leaving the Table." Several times, he notes that he's out of the game. He's joined by the choir from his childhood Montreal synagogue and sings the same prayer that was offered at his funeral: "Magnified, sanctified be Thy holy name." You Want It Darker is one of the world's greatest poets putting his house in order.
Nick Cave's songs have always been the scrim between the visceral dark of this world and the promised light of another; the Australian songwriter, our high priest of goth, is the docent moving freely between them. He has for years offered this sweaty and bloody vision of life: at times bawdy and carnivalesque, other times fueled by ample heroin, libido, and hair gel. Though Skeleton Tree was released following the tragic death of his son Arthur, it is still another excavation of humanity, this time deeper and more austere, taking place in a zero-gravity cathedral of grief. Here, Cave steps into the hereafter to look beyond the simple rituals of mourning and into the state of the soul. Where goes love when it is interred?
Bon Iver's first two albums trafficked in distinct emotional impressions. They evoked three-dimensional spaces: whether or not one knew the real-life backstory, For Emma, Forever Ago conjured the den of a small backwoods cabin, while Bon Iver, Bon Iver rang out from a mountaintop. But 22, A Million takes place solely within its own stereo image: It's an electroacoustic obstacle course that constantly destroys and rebuilds itself, smudging out prospective mise-en-scènes before they can fully form. When the ol'-reliable, fingerpicking Justin Vernon rears his head at the beginning of "29 #Strafford APTS," he quickly falls victim to a series of elaborate pranks: Tracks speed and slow abruptly and non-sequitur horn fanfares, seemingly borrowed from a lost Moondog record, bleed into the mix. Versions of himself sing different lyrics on top of each other, rendering his emotional pleas inscrutable.


These posts are from March 2015 bu continues to receive views. The Poll below is still open and shows a a vast majority of protest. Some further articles/information on the WP changes are here.
With credit and thanks to blogger "imperialtwilight" for the initiative.
The previous forum thread of 32 pges (now closed) is here.
If you would be kind enough to Share, Post with a Link or Reblog, it will help to spread the opportunity to others. Spreading the word is very important if we are to avoid further problems.
The Poll is spreading well enough that, if WP ignore it, then it will be obvious to all that they have made a wrong turn. On that basis, maybe they will not ignore it.
Some further articles/information on the WP changes are here.
This entry was posted on March 31, 2015 by Graham in Hats. It was filed under Matt Mullenweg, WordPress Changes and was tagged with Editor Protest, New Editor, New Editor Protest, wordpress, wordpress changes, WordPress Editor, Wordpress New Editor, WP Changes, WP Editor, WP New Editor.
I truly don't understand why they're being mute/hard headed and keep trying to fix something that was not broken. What would happen if eveyrone stopped posting for a week to ten days?
perdon the typos…am using small screen..
and/or to edit an existing post (inserting your own blog name – do not click on this, it does not exist ).
Yep. They stopped providing a cookie that caused a redirect. The ones you have now should work OK and continue as bookmarks.
I'm sure that suspending posting would be very helpful. Unfortunately, at present, the feedback has not spread widely enough. But, it might in future.
Wouldn't that be all-but-magical if one day most of that WP world went silent? No 'new post' notifications or new material on the reader?
Since search engines already have everyone's prior articles, there would still be plenty for visitors to read at the numerous WP blogs.
So, better yet, all WP bloggers could declare a "sit in" by putting all their blogs on "private" for 7-10 days. That way, google would have no access to anything "new," nor anything "old" for that matter (except via google cache); & visitors would come up against basically "nothing to choose from" since all blogs went "underground" temporarily.
Thank you for your comment. Unfortunately it seems to have been cut short by a comment box limitation but interesting nonetheless.
Posts on this issue continue to receive hits even though otherwise inactive. At present there seems to b a "stand-off" but I expect WP will start to create nuisance again when they think that the furor has died down. Indeed, the colour pallet for fonts available to the classic editor has just been changed and reduced.
Your idea may become necessary although it would require a massive effort, it is not impossible.


Architect, engineer, builder, award-winning landscape designer… Henry Jekel could do it all.
Henry Jekel left his career as a designer and builder of skyscrapers in Chicago, Philadelphia, and Washington DC for the romance of an art-driven studio in Riverside, California. He realized his own California dream with his work in California. See the interiors, experience the landscapes that won national awards, devise your own tour of Jekel buildings using the map.
H. Vincent Moses is former director of the Riverside Metropolitan Museum and consulting historian for the California Citrus State Historic Park.
Catherine Whitmore is former curator of anthropology for the Riverside Municipal Museum and curator of history for the Riverside County Regional Parks and Open Space District.
Together they co-authored The Victoria Club; a Centennial Edition, and shared the senior coordinating editorship for Myth & Mirage: Inland Southern California, Birthplace of Spanish Colonial Revival.
To order email Inlandia Institute at inlandia@ inlandiainstitute. org. Be sure to specify how many copies and give us your contact information.
The book is also available at Cellar Door Books at Canyon Crest Plaza in Riverside. Also coming soon to Amazon books.


text:
Warmest Year On Record
By CIRCulator Editorial Staff
Reprinted from: The Climate CIRCulator
Image showing temperatures for 2015 by state. Oregon and Washington were two of four states that experienced record temperatures last year. (Image: National Oceanic and Atmospheric Administration.)
LAST YEAR Oregon and Washington experienced their warmest year on record. Here's what we know about 2015's anything-but-normal climate.
The big climatic event for the Northwest in 2015 was the severe drought. Many of our region's typically snow-covered mountains were reduced to bare ground. This meant that precipitation fell largely as rain, not as snow, leading to water scarcity. This was followed by devastating wildfires igniting large parts of our region.
At the root of these events was an abnormally warm calendar year. We're not just talking about the heat waves that stifled much of the region last summer, but the region's temperature averages all year long.
In fact, 2015 was so warm that two long-held temperature records were broken in both Oregon and Washington, making 2015 the warmest year ever recorded for both states according to the National Oceanic and Atmospheric Administration (NOAA). The 2015 records bested previous marks set in 1934. (If you're curious, Oregon and Washington essentially locked down the warmest year title by October. Anchored by the warm winter and hot summer, even a cooler-than-average November and December couldn't offset the warmth from the previous 10 months.)
That 2015 broke the Northwest's regional records isn't surprising. Last year was the warmest year on record globally as well, and headlines blaring the words "Warmest Year on Record" are almost commonplace these days. (See also the previous warmest years: 2005 and 2013—a near tie—and 2010 and 2014. In fact, ten of the hottest years on record globally have occurred since 1998, though 2015 now reigns supreme.)
While temperature stole the show in 2015, we can't ignore precipitation. Oregon, Washington, and Idaho all saw "near normal" precipitation (meaning slightly below normal) in 2015 according to NOAA. But really, it was a contrasting case of too much in the winter and too little in the summer. By the end of October, the region was on pace for one of its driest years on record, but a wet December helped 2015 come out near normal.
In late November, the region saw a shift when an active jet stream delivered a series of deluging winter storms across the region. This relentless precipitation caused flooding and landslides, particularly in western Oregon and Washington. But there's a silver lining—most of these storms were cold enough to produce abundant snow in the mountains—a big departure from the start of 2015's calendar year. And so it would seem that after multiple years of drought in Oregon, Washington, and Idaho, the snowpack in 2016 is now off to a great start. But there could be a catch.
El Niño events like this year's tend to mean warmer than normal temperatures early on in the calendar year, so as far as drought goes 2016 is not out of the woods yet. Still there's some hope our region's thirsty reservoirs may fill with this ample snowpack this winter. Regardless of what other climate events happen in 2016, it will be difficult to be worse than 2015's wild ride through drought, flood, landslides, and wildfires, even if 2016 finds ways to break records of its own.
This entry was posted in Variability, Weather, & Extreme Events on January 20, 2016 by Tara Zimmerman.
← Climate Model Series (Part 2 of 5)— "Top-down" and "bottom-up" perspectives of environmental systems Win-win math – Can anaerobic digestion make 2 + 2 = 10? →


Mr. Plosser is an expert in economics, finance, and public policy. From 2006 to 2015, he served as president and chief executive officer of the Federal Reserve Bank of Philadelphia. At the Federal Reserve, Mr. Plosser was a member of the Federal Open Market Committee, which is responsible for setting US monetary policy. He also chaired the committee on investment performance and was responsible for oversight of the entire Federal Reserve System's employee pension and thrift funds. Prior to joining the Federal Reserve, Mr. Plosser was a faculty member for nearly 30 years at the University of Rochester's William E. Simon Graduate School of Business, where he held positions such as the John M. Olin Distinguished Professor of Economics and Public Policy, director of the Bradley Policy Research Center, and served as dean from 1993 to 2003. Earlier in his career, he worked as a consultant to numerous corporations on topics ranging from strategic planning and forecasting to portfolio and pension fund management, capital budgeting, and financial analysis. Mr. Plosser is a former member of the New York State Board of Economic Advisors.


text:
Gaming With HughesNet®
When you think satellite Internet service, you may not necessarily think of gaming. You will be happy to know that with HughesNet® Gen5 service plans you will be able to perform game updates, download content and use the streaming video and music services offered through your gaming system, such as Netflix® and Hulu™
You will be able to play certain types of games online however, there are some limitations as to what you will be able to play. Here is an in-depth look at what types of games you can play online with HughesNet and what types of games are not recommended to use with HughesNet satellite Internet.
What Multiplayer Games Can I Play Online?
With HughesNet Gen5 you can play "turn-based" games, such as casual games/Facebook games, some MMO's, some Strategy games, online board games & others will work with HughesNet Gen5. This is because most games in those categories are not affected by latency. *You will need to refer to your gaming owner's manual to determine which internet speeds are supported with your particular game.*
Some Online Games That Will Work With HughesNet.
BoardKings
Candy Crush: Jelly Saga
Animal Crossing: New Leaf – Welcome to Amiibo
Trivia Crack
What Online Games Are Not Recommended With HughesNet And Why?
Games that are not recommended with HughesNet or any internet satellite provider are "real-time" games. This category is any type of game that requires fast-paced inputs that require immediate response. Such as First Person Shooters, Fighting Games, Racing, Action Games, Party Games, Sport Games & others.
To make it simple, your satellite signal travels back and forth 45,000 miles with a 1/2 second delay to reach your video game console. Although this short delay based on the great distance your request travels, "real-time" games require a higher ping rate or in other words the time it takes in between your online game to sends a request to the internet and the time it takes for that a response.
With HughesNet the ping rate it's perfect for downloading content, streaming video and internet browsing. However, it is not recommended for fast paced games that require fast inputs.
Here is a list of some games that are not recommended for HughesNet Gen5 to be played online. *You will still be able to play these games offline. If Offline mode is available*
Grand Theft Auto V Online
Dragon Ball: Xenoverse 2
Other HughesNet Gaming Options?
HughesNet is perfect for surfing the web, updating your games & downloading content. Along with streaming video and music to your console of choice such as PlayStation 4, Xbox ONE, PlayStation 3, Xbox 360, Nintendo Switch, Wii, WiiU, Nintendo 3DS, PlayStation Vita, Mobile Devices, iPad, Tablets, PC & Mac.
You can always update, install & play all your favorites single player games. Such as: Fallout 4, the Witcher 3: Wild Hunt, Bloodborne, Tomb Raider: Rise of the Raider, Assassin's Creed Syndicate & others. Just know that the online features of these games will not accessible.
You can also play your certain games in LAN (Local Area Connection) mode or in local multiplayer/co-op mode. You will need to refer to your game owner's manual to determine if this services is supported with your particular game.
HughesNet is ideal for most Internet-based activities. However, the majority of real-time, multiplayer games that people play on Xbox Live and PlayStation will not work on HughesNet or any satellite Internet service.
Videos, music, pictures—with HughesNet Gen5 you get a huge amount of data, so you're free to explore more of what the Internet has to offer. Plus, there are no hard data limits2!


text:
Check out "To Have and Have Not" at Guernsey Library!
From the Chenango Arts Council:
Stranger than fiction! William Faulkner co-wrote this screen adaptation of Ernst Hemingway's book. Despite the involvement of these two Nobel prize winning authors, much of the dialog was improvised by the cast.
The book was only adapted because it was considered Hemingway's weakest. He and Howard Hawks made a bet about whether the latter man could make a good movie even out of the former's worst story.
The film's stand-out scene was only written to serve as a screen test for new-comer Lauren Bacall. It and she were so impressive that the "Whistle" scene was written in the final script, along with a much larger part for the fledgling actress.
This movie would introduce Lauren Bacall not only to audiences but future husband Humphrey Bogart. The two would go on to make 3 more films together and remain married or the rest of Bogart's life.
Something old, something new: A climatic shootout scene cut from To Have and Have Not made its way into another Bacall/Bogart classic, Key Largo, four years later.
So nervous on the set of her first film that she physically trembled, Bacall learned to keep her head still by keeping her chin down and eyes up, which quickly evolved into the sultry look she was famous for.
A philanderer himself, Howard Hawks was so outraged at Bacall's affair with married Humphrey Bogart and its possible effect on her career that he threatened to sell her contract to another (much poorer) studio. It has been said that much of his disapproval stemmed from the fact that it was Bogart she fell for and not him.
Source: https://www.imdb.com/title/tt0037382/trivia


Dapur Babah, the first culinary outing by Indonesia's acclaimed Tugu Hotels Group, is set in a pair of refurbished 1940s shophouses located just off the city's central Merdeka Square on Jalan Veteran 1. This historic location was once one of old Batavia 's most fashionable streets, with most of its buildings owned by a rich sheik from Jemen. The restaurant exudes a floating out-of-the-world kind of romance from its every single corner, filled with beautiful artworks. Dapur Babah specializes in Dapur Babah cuisine, original recipes derived from the cross-cultural marriage of Chinese settlers and native Javanese women that emerged in the colonial area. Recipes and ingredients have been thoroughly researched from around the island, creating a medley of classic Peranakan specialties. Within the place, one can also have a drink or two at the intimate Tao Bar.
Jl.Veteran I/18 - 19, Central Jakarta 10110, Indonesia.
"dapur babah Review" JKTGO Dapur Babah is hands down, a must visit. An exotic Asian mystery is what you can expect - yet nostalgic and yet romantic. Fantastic services, and order the Nasi Campur Dapur Babah / Curry Crab.
One Of Jakarta's Hidden Charm!
Dapur Babah is hands down, a must visit. An exotic Asian mystery is what you can expect – yet nostalgic and yet romantic. Fantastic services, and order the Nasi Campur Dapur Babah / Curry Crab.
Reminisce the childhood memory in you.
A vibrant and colorful Peranakan dining place.


An exposure is defined as contact with blood or other potentially infectious materials to the eyes, nose, mouth and other mucous membranes, or non-intact skin.
1. Immediately wash exposed area with soap and water for 15 minutes, or flush eyes with water for 15 minutes at the nearest eye wash station. 2. Notify your supervisor. 3. Seek medical attention at one of the locations listed below and notify EH&S and RS of your exposure at (949) 824-6200 or (949) 824-9888.
This information is updated periodically. Call UCI Worker's Compensation Desk at (949) 824-9152 for the most current information.
Campus: Go to the Student Health Center (East Peltason & Pereira) or call (949) 824-5304 or (949) 824-5301.
After hours: Go to the nearest urgent care center or emergency room. Contact Student Health Center for follow-up care as soon as possible.
For further information, contact the UCI Student Health Center Insurance Program (GSHIP) or (USHIP) (949) 824-5301 or see the GSHIP or USHIP website at the Student Health Services website http://www.shs.uci.edu/.
Students with private health insurance instead of GSHIP or USHIP will be charged for services rendered at the Student Health Center and provided a receipt to obtain reimbursement.
Employees and supervisors must contact UCI Worker's Compensation Desk at (949) 824-9152 or by email at wcdm@uci.edu during regular working hours to obtain medical authorization within 24 hours of any injury.
Newport Urgent Care, (949) 752-6300. 1000 Bristol Street North, Suite 1-B, Newport Beach (Bristol & Jamboree) Hours: Mon-Fri 8 a.m. - 9 p.m.; Sat & Sun 8 a.m. - 8 p.m.; call for after-hours physician.
East Edinger Urgent Care, (714) 541-8464. 1530 E. Edinger Ave. Santa Ana. Hours: 8 a.m. - 6.p.m., Monday – Friday.


text:
Is there an Australian athlete in the 2008 Beijing olympic 100m?
No Australian athlete competed in the men's or woman's 100 meter dash at the 2008 Games in Beijing.
What were the cities and years of the Olympic Games which had terrorist disturbances
What is the correct definition for recovery heart rate
When is the ideal time to take a resting heart rate
What is another name for non-traditional sports
Q: Is there an Australian athlete in the 2008 Beijing olympic 100m?
What sports are Netherlands Antilles competing in the Beijing Olympic Games?
100m and 200m dashes
Who holds the record as the fastest Australian athlete over 100m?
Josh Ross currebtly holds the record
What sport did Jane Flemming play?
Jane Flemming is a former Australian Olympic track and field athlete. She competed in the heptathlon but also in her athletic career won championship medals in the long jump and 100m.
A male athletes name?
Usain Bolt is the jamican athlete who won gold in the 100m, 200m, and relay in the 2008 Beijing Olympics
Who has got the world record mens 100m ssprint?
Usaine Bolt, Jamaica. In the 2008 Beijing Olympic games, with a time of 9.69
Who holds the Olympic record for the 100m freestyle?
Men: Eamon Sullivan, Australia - 47.05 seconds at the 2008 Games in Beijing. Women: Britta Steffen, Germany - 53.12 seconds at the 2008 Games in Beijing.
Which swimmer finished 4th at 100m butterfly semi-finals in the Beijing olympic games?
Ryan Pini - first heat. Takuro Fujii - second heat.
Who holds the 100m freestyle mens Olympic records?
Eamon Sullivan of Australia with a time of 47.05 seconds set August 13, 2008 at the Beijing Olympics.
Who is the fastest gender on the planet a male athlete or a female athlete?
A male athlete. Usain Bolt. 9.58m in the 100m.
What were sally Pearsons achievements?
Sally Pearson attended in many athletic events and has got places in most of them. She is the first Australian woman to win an Olympic athletics title since Cathy Freeman in 2000. Sally Pearson got second at the 2008 Beijing Olympic games. She is also the reigning commonwealth 100m hurdles champion of 2010. She got Reigning IAAF world athlete of the year 2011. Sally Pearson is the Reigning 100m hurdles world champion and 60m hurdles world indoor champion. Sally got a Winning time of 12.28 seconds at the 2011 world titles in Daegu was the fastest by any woman in almost two decades. She is the 2012 London Olympic Games 100m hurdle winner. that is some of them
What is the olympic 100m dash?
it is a running event :)
Who won the mens running 100m final at the 2008 Olympics?
Usain Bolt won the 100m final at Beijing
What is the Olympic record for the women's 100m Backstroke?
The Olympic and world record for the 100m women's backstroke in the Long Course (50m - used exclusively in the Olympics versus the Short Course) is held by Kirsty Coventry of Zimbabwe. She captured it on August 11th, 2008 during the 2008 Summer Olympics in Beijing with a time of 58.77 seconds.
Who hold the olympic record for the 100m freestyle?
The current Olympic record in men's 100 meter freestyle swimming event is held by Eamon Sullivan of Australia with a time of 47.05 seconds. The record was set at the 2008 Beijing Olympic Games. The current Olympic record in women's 100 meter freestyle swimming event is held by Britta Steffen of Germany with a time of 53.12 seconds. The record was set at the 2008 Beijing Olympic Games.
Who won the men's 100m race in the olympic games in greek times?
Danish from Singapore won the 100m race in the olympic games in greek times.thx
Which jamaican athlete won gold for the 100m and the 200m?
What are Tommie Smith's Olympic achievements?
100m gold
How many Olympics medals has Jamaican Usain Bolt won?
Bolt won three gold medals at the 2008 Beijing Olympic Games. He won gold in the 100m, 200m and 4 x 100m relay. All races were won in world record time.
Who is the 100m sprint Australian champion?
Fastest female 100m winner at Beijing 2008?
Shelly Ann-Fraser
Who holds the record as the fastest woman 100m athlete?
Florence Griffiths-Joyner.
Who won 100m Gold in Beijing?
In 2008, in Beijing, China: Usain Bolt won the Olympic Gold Medal in the Men's 100m Dash. Bolt completed the race in 9.69 seconds, and consequently set a new world record. Shelly-Ann Fraser won the Olympic Gold Medal in the Women's 100m Dash. Fraser completed the race in 10.78 seconds. The world record time for the Women's 100m Dash is 10.54, held by the late Florence Griffith-Joyner AKA "Flo-Jo". Flo-Jo set the record in 1988, in Seoul, South Korea, and it has yet to be broken. Both Bolt and Fraser are from Jamaica.
Who won the 2008 100m Olympic sprints?
speed elephants
What is the fastest Olympic 100m hurdle times?
Who won 1996 olympic 100m?
Donavan Bailey of Jamaica
Created By Thad Mitchell
Created By Joel Labadie
Created By Cleve Schultz
Created By Fletcher Altenwerth


text:
Susannah McCorkle
By Leon Wieseltier
"For all we know / We may never meet again. / Before you go / Make this moment sweet again. . . . / Tomorrow was made for some, / Tomorrow may never come, / For all we know." A few months ago, over a so-so bottle of wine in a tranquil garden in Washington, D.C., Susannah McCorkle was praising Sam M. Lewis's lyrics for their directness. She had included "For All We Know" on her new record, and I was praising her direct way with the song's directness. Now the song is too bruising to hear. In the middle of the night on May 19th, having placed a will on her desk and a note in her pocket asking anybody who discovered her body to look after her cats, Susannah jumped out the window of her apartment, on West Eighty-sixth Street.
The thought of this gentle intelligence falling sixteen floors in the windy darkness is an evil thought. What affliction of her heart demanded this fatal remedy? Immediately, the explanations began to appear. Her record company had dropped her; she had been warring with cancer; she was lonely; she was depressed. Causes for despair, all, but Susannah belonged, or so I had believed, to the "Good morning heartache, sit down" school of her idol, the great stoic thinker Billie Holiday, who disarmed despair with familiarity, even with hospitality. Susannah seemed to inhabit a universe that often wounded but never warranted bitterness. In a recent letter about a "fledgling romance" that she had decided to "transform into a friendship," she had stoutly remarked, "I continue to expect to find my soulmate by not looking for him at all. Life has so many other pleasures." And in her music, too, Susannah seemed to have found a way to live with disappointment, to manage disillusion by making it lovely. (Consider her tenderly wised-up rendition of "Weren't We Fools," an undeservedly obscure song that Cole Porter wrote for Fanny Brice in 1927.)
Jazz singing has rarely prospered so richly from sweetness of temper. She was a doll. Her breath-beautiful, unexpectedly intimate, and fiercely discriminating voice was forever patrolling the frontier between girlishness and womanliness. The imp ran gladly with the vamp. Susannah was not a blues singer, even when she sang about the blues. Her achievement was based, instead, on an extraordinary intuition of the musicality of language. With a scholar's strain and a poet's liberty, she studied the words that she sang in their meanings and in their sounds, until meaning and sound became indistinguishable; and in this way she made speech into an experience of the senses. Susannah was certainly the most literary singer in the history of her art. She knew many languages, and translated from them. She wrote stories and learned articles about the traditions of American song—most recently, a fine exploration of the work of Irving Berlin. And she was working on a book, a big, delightful mess of a manuscript that was a memoir on its way to a novel, about her adventures in the nineteen-sixties, as a cool, delicate American chick prowling the Piazza Navona. It was a vivacious journal of a young woman's openness to the world. I recall her happy giggle when I told her that she should call it "Innocence, A Broad."
On her last visit to Washington, Susannah wanted to talk about books more than about songs; she holed up in her room with "The Education of Henry Adams" and a pile of old Faber & Faber volumes of poetry and the catalogue of the Wayne Thiebaud retrospective. She reported a little grimly that her situation as a singer was becoming very difficult (how could it be anything else, I thought, for somebody so utterly lacking in vulgarity?); but the impression of a foundering woman vanished when she reported cheerfully on the musical workshops she was conducting for children. Susannah conferred upon friendship the glamour of romance. She was finespun, without spin, a genuinely lyrical being, a heroine of the inner life born of city life. And then she went and smashed all these blessings on a Manhattan sidewalk. "I believe that no man ever threw away life, while it was worth keeping," a philosopher once observed. By what reason, this certainty? In an existence of illusions and mistakes, suicide, too, may be an illusion and a mistake. Life is worth keeping, for all we know.
Published in the print edition of the June 4, 2001, issue.
More:JazzMusiciansObituariesSingersSuicide
What Happened to the Washington Post?
After a decade of growth, the paper is laying off staff and was reportedly on track to lose money last year. Its publisher and C.E.O. says it's all part of a bold strategy.
By Clare Malone
Why Chief of Staff Is "the Hardest Job in Washington"
With news of Ron Klain's departure from the Biden Administration, our political roundtable looks at the power and pitfalls of running the White House.
Ron DeSantis Battles the African American A.P. Course—and History
The state's intent seems to be to provide white Floridians, from a young age, with a version of history that they can be comfortable with, regardless of whether it's true.


text:
WPP and Ogilvy claim Cannes 2014 network crowns
Posted by: Stephen Foster in Advertisers, Agencies, Creative, News June 21, 2014	Comments Off on WPP and Ogilvy claim Cannes 2014 network crowns
Cannes 2014: WPP is claiming the crown as 'holding company of the year' at Cannes 2014 and says that its star network, Ogilvy & Mather, is the highest-scoring network for the third year in a row, beating Omnicom's BBDO once again. WPP has now been top holding company four years in succession.
I haven't seen anything official from the Cannes organisers but I'll take their word for it.
WPP CEO Sir Martin Sorrell says: "We normally describe Cannes as our Oscars but this year it's the World Cup of advertising and marketing. We're thrilled to lift it for the fourth year in a row. Over the last 12 months there have been a few distractions for some in the industry, so it's good to focus on the core of our business: brilliant work for clients. Huge thanks and congratulations to all our winning people, agencies and networks."
WPP worldwide CCO John O'Keeffe (left) says: "A tough contest has come to a gratifying conclusion for WPP here in Cannes. The closeness of the result is testament not only to our own strength, but that of our competitors as well, who I know will be just as hard to beat next year. Congratulations to everyone whose work has made Cannes 2014 such an amazing showcase for our industry."
I presume the above means that WPP narrowly pipped Omnicom, in which case there might even be calls for a recount. Amir Kassaei, CCO of Omnicom's DDB network said…..whoops, we can't print that, we're a family publication these days.
As expected, Omnicom is claiming it won more big awards than WPP.
For those still interested, here's Dr Mumbo's painstaking (and quite funny) analysis in Australia's Mumbrella.
PS Just to make Omnicom feel better, here's a sweet pic.
WPP goes non-nude with new Thai acquisition
Publicis scoops first Cannes Grand Prix for Astra Zeneca
Miles Young quits Ogilvy and WPP for academe
R/GA wins Cannes Lions Agency of the Year
Coke creative follows Emirates into WPP
WPP does win holding company of the year at Cannes - Ogilvy is top agency once again
advertising featured ogilvy & mather omnicom WPP	2014-06-21


text:
Q: How to use not selector in jquery with multiple classes as one class I have in my HTML div with one class tag and one with 2 classes that look like one class.

Whats the proper way to use the not selector in jQuery to support all 4 div's and not ignore anything else in body.
I currently have
$('body:not(.ad-container,.ad-container.left,.mobile-ad.larger,.mobile-ad)')

It seems to work without any problems.
But something tells me I need to split the left and larger classes into seperate elements by comma.
Something like this
$('body:not(.ad-container,.left,.mobile-ad,.larger)')

Here is the full code:
     $(function () {
        $('body:not(.ad-container,.ad-container.left,.mobile-ad.larger,.mobile-ad)').on('selectstart', function (event) {
            event.preventDefault();
        });
    });

It's used to disable the left double click selection but still be able to click on ads.
Which one should I use?

A: I ended up using
$('body :not(.ad-container, .mobile-ad)')