September saw me heading to Slovakia for the European Championships with team England who were sponsored a pair of superb COSTA polarised glasses each.
It was 5 river venues with wild Grayling and wild Brown and Rainbow Trout. Some beats on two of the venues had stocked browns introduced due to lower numbers of wild fish. The 3 venues were the River Poprad, River Vah and River Bella. We fished in the beautiful surroundings of the Liptovsky region where wild bears roam!! One section of the Bella had bear alerts so we had to be cautious!
I have fished in the World and European teams now for 15 years and have to say that this region of Slovakia has the most prolific fishing I have ever come across. The River Vah in practice would produce anything from 20 – 50 fish in a 3hr practice session in the right conditions. The Poprad would produce 60-80 grayling an hour at least!! On the first day of practice we fished the Poprad, a small river only approx 10 yards wide at best. We fished for 3.5 hrs and had over 900 fish to the hand for the squad of 7! I fished single dry fly, changing every 10 fish and took 40 in under an hour. I watched as the others caught half as much again if not double on nymphs. I switched to nymphs and the catch rate soared astronomically. Small nymphs on a 16 – 18 and 2.5mm beads seemed best in the small often skinny river. A hint of colour, orange, red or pink certainly helped the catch rates.
The Vah is more of the typical river. Fast runs, deep holes, slow glides and long slow pools. We spent many days on this river in practice as 3 of the 5 sessions were on this river. Upper, Middle and Lower Vah sections.
7 days back to back fishing took it's toll and the team had earned a much needed rest. team Jacuzzi's and Saunas and killer pool sessions on the table offered the perfect tonic of rest and play. Not too much rest I hasten to say as the manager had us all tying flies for almost 14hrs that day, not that the team needed prompting. I roomed with Andrew Scott who was tying flies at 0530 every morning without fail! Good job I get up early for London every morning and am used to it!
The competition was upon us and the team were confident. A day of heavy rain and snow in the mountains before the competition days put some depth to the river and the dreaded colour. Despite this, we were ready!
As with all pegged events you have good and bad beats.This was one for me to forget! I drew 5 of the lowest scoring pegs in the competition with the best position being an 8th by the overall winners, a Chech republic angler. He had 22 from my beat on the lower Vah and I followed with 16 despite their techniques I call 'hoovering the beat!'. I caught just 4 in the main flow of the river where he had obviously fished. On returning a fish to the controller I stumbled across a 2 foot or so deeper channel in some very shallow fast water. I managed to get 12 fish from this small bit of water that had obviously been missed as the 12 fish came in about 15 minutes.
I had a fast rip of water on the Bella and managed 13 with fellow angers around me fairing with 7-11. The top end beats all produced 30-40+ fish!
Day 1 saw England lying 6th well within striking distance. Andrew Scott got off to a flyer with a 1st and 2nd in his first two sessions netting 89 fish in the process!
Day 2 saw me get the one I had been waiting for, the Poprad. I avoided the lower beats again which had taken 50-70 fish in the first two sessions and drew the last peg on the stretch. It looked good but had only produced 8,3 and 11 fish so far. I took 11 matching the best to date.
It only went down hill as more poor beats followed and it didn't fair too great for fellow team members. Andrew Scott drew another good beat and got a superb 2nd position but his luck run out with two average pegs which knocked him off a certain individual medal. He finished a very respectable individual 12th position. The team slipped to 11th.
The Czechs came out team winners with Spain taking the top individual. The Czechs fished small nymphs, often within a few feet of the margins to take the gold.
The rivers are starting to cool now and the grayling shoal so now is the time to contemplate some river fishing. It may be cooler but always carry some dries with you as even in the coldest of days fish will rise to any hatch that occurs during the warmest part of the day.


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text:
Q: how to using codes to send different events I used the codes below to send event
[myButton setAction:@selector(eventButton:)];

It lookes like only for mouse click.
but how to send event for 'double click' and 'key press'?
Welcome any comment
Thanks
interdev

A: Buttons don't respond to double-clicks or keypresses. (A button considers a double-click to be simply two clicks.)
You need to implement a custom view and implement the relevant responder methods in that view's class.
You could make a button double-clickable, but nobody will think to try that. Discoverability is an important factor; even if you have a valid use case for your button to be double-clickable, if no-one will try it, it is of no value.
On the matter of keypresses, you should also watch the WWDC 2010 video for session #145. (You can do this even if you didn't go to WWDC 2010—you just need to log into your ADC account.)

redpajama_set_name: RedPajamaStackExchange


"I'm having pain in my right breast since getting breast implants. What should I do?"
Question: I'm having pain in my right breast since getting breast implants. What should I do?
Hello, I had BA 1.5 years ago. I suffered from my right breast during my healing process. It healed so slowly and there was always pain. After I while I was feeling better. But for last 3-4 weeks it started to pain again. It is so discomfort. When I sleep none of the positions is good for me. There is sth like inside and pushes the implant. I had mammography and ultrason 1 week ago. There is nothing. Everything seems so healthy. Also since my surgery there is still hypersensivity in my right breast. What should I do?
That's a tough one. Without being able to do an exam, I can't provide a ton of benefit. I will say that most sudden onset pain this far after an augmentation seems to be muscle related and temporary, though it can take a while to go away.
If you are being seen and followed by someone near you who can do an exam and provide some specific guidance, I would lean that way.
Have a great day and I wish you nothing but the best!
Thank you so much Dr.Jeremy. I forgot to say that my implants are over the muscle. Do you think it can be related with muscle? Or any other muscle in my body? For instance I have a rotator cuff injury on my right shoulder and I have also pain there. May it affect my right breast?
Thanks for the update. It's one of those things I could tell you with a quick exam but which I can't tell you over the internet. Have you talked with your surgeon about it?


I haven't used a drawing board in a very long time, so long in fact that I couldn't honestly confess to the last time I did. When I started out on this career path more years ago than I would care to admit, the drawing board was still a prevalent tool of the trade, found everywhere, and used and loved by most. Nowadays though they are an increasing rarity, a relic of the past pushed into obscurity by nothing more than the advancement of technology. We still have one or two drawing boards in the TSL design offices, though now serving as places to store drawings rather than create them, with the days of set-squares and razor blades consigned largely to the past.
Technology is changing design, it is changing architecture and it is changing construction. Computer-based 2D design software has been around for some time, but the turn of the millennium saw it really start to gain momentum, putting paid to the more traditional techniques and changing how people approached and thought about design. Here was a tool that offered so many new possibilities and routes into the industry for people, it made architecture and design more approachable and more accessible. It provided the capability to design with previously impossible precision and to instantly make changes to drawings. The more widespread the prevalence of computer aided design software became, the more ambitious and creative people could be, with their ideas now able to be translated and presented more easily.
And the advance of technology hasn't stopped there. Now, whilst 2D design software is still the industry standard and still widely used, 3D design software is becoming more and more advanced and more and more prevalent. This software, which allows interactive walk-throughs and photo-realistic renders of buildings to be produced, will eventually take over from 2D as the accepted standard by which all buildings are designed. This software also brings the benefit of real-time clash detection, meaning co-ordination between the many design disciplines involved in a project can be smoother and more assured. With the advent of 3D printing technology this also means that a scale model of a building, in a tangible, tactile form can be produced at the literal touch of a button. At TSL, we use both forms of software in order to produce our building designs, applying the most appropriate tool to the task at hand in order to achieve the best results.
If we look to the future however and the many huge technological leaps forward that appear to be on the horizon, this is where TSL will look to embrace and incorporate new technologies and new ways of working into the way we design buildings. Never before in the industry have there been so many new technologies that can offer so much to both the designer and the end user. Augmented Reality software, where seemingly innocuous 2D printed images, when viewed through the correct device with the correct app installed, suddenly burst forth into a fully interactive 3D visualisation that can be viewed, inspected and manipulated. This offers endless possibilities to collaborative design with clients, the ability to bring each room in a building to life in turn, to view the finishes, fixtures and fittings in a full 3D interactive world.
The next step up from this, and something TSL is also looking forwards to embracing is full virtual reality. Most people may already be familiar with the not uncommon 'VR' headsets aimed towards the gaming and film industries, but the benefits Virtual Reality can bring to the construction industry are numerous, and if 2D and 3D software made design more accessible, virtual reality will turn it into a full-blown sensory experience. Using the headsets and the more advanced full VR pods, clients and designers can walk around their new building without even putting a spade into the ground. What would previously have been an idea on paper can now be a full size visual interpretation of their project. Anything that can be imagined or wildly dreamt up, can be achieved and visualized in virtual reality, and this is the forebear to a world where motion capture can be used to create bio-responsive buildings and spaces.
All of these new technologies that TSL will look to embrace over the coming weeks, months and years, will serve to improve upon the design capabilities that we already have and importantly improve the product and experience we can provide to our end users and clients. It is an exciting time to be a designer, an exciting time to be a client, and perhaps the demise of the drawing board might just be worth it after all.


What Are Chemical Peels? What Does It Do for Your Skin?
What Is A Chemical Peel and What Does It Do For Your Skin?
Chemical peels are a form of exfoliation that have a number of benefits, primarily to improve the appearance of dull, aging skin and lessening fine lines and wrinkles. Chemical peels work because they are highly acidic, dissolving and eradicating dead cells on the skin's surface, and revealing younger cells below. Peels used to be something that were more aggressive and rarely done at resort spas, but the emergence of lighter peels have made them more available.
There is a wide range of chemical peels and they peel to different depths: very superficial, superficial, moderate, and deep. The depth of the peel is determined by three factors: how acidic it is (also known as the ph), the percentage or strength of the peel (20% glycolic vs 70% glycolic) and how long it stays on the skin.
Lighter peels exfoliate on the outermost layer of skin, called the epidermis. Moderate and deep peels go down into the skin's living tissue, called the dermis, and involve more risk, more discomfort, and more healing time.
The chemical peels offered in a day spa are classified as "very superficial" and "superficial" peels, because estheticians can only work on the skin's epidermis. But just because they are "superficial" doesn't mean you won't have results.
Your skin should just look smoother, softer, and brighter. Light chemical peels can provide dramatic results on middle-aged to older clients who haven't been exfoliating. They can also be good for un-clogging pores and increasing cell turnover on acneic skin. These light chemical peels are usually done in a series of four to six, a week or two apart.
Superficial chemical peels may tingle or feel a little hot, but they don't require the downtime and healing required of moderate and deep peels. Examples of very superficial or gentle peels include a 20% glycolic or a 25% lactic acid peel. A superficial peel can range from a 30 to 50% glycolic peel. The most aggressive "superficial" peel is a Jessner's, which is not offered in most spas.
Moderate to deep peels can reach into the dermis, or living part of the skin. Because they have a doctor on staff, medical spas generally offer more aggressive peels, including "moderate" peels like TCA (trichloroaetic acid) and 60-70% glycolic peels. A popular TCA peel is the Blue Peel developed by Dr. Zen Obaji.
Deep peels are limited to phenol peels, the strongest of the chemical solutions, and should only be performed in a plastic surgeon's office. While it has the potential to have the most dramatic results, there are more risks, and you need to be prepared for a week to ten days of downtime as new skin forms.
No matter what the depth of the chemical peel, it is important to protect your skin from the sun afterwards. It's better not to get one one on a vacation when you want to spend time outdoors. Be sure to wear sunscreen after your peel.


text:
Jazz Pharmaceuticals Receives FDA Complete Response Letter Regarding JZP-6 For Treatment Of Fibromyalgia
Published	 Friday 15 October 2010	 Published	Fri 15 Oct 2010
Jazz Pharmaceuticals, Inc. (Nasdaq: JAZZ) announced that the U.S. Food and Drug Administration (FDA) has sent the company a complete response letter (CRL) regarding the company's New Drug Application (NDA) for JZP-6 (sodium oxybate) for the treatment of fibromyalgia. The CRL states that the FDA cannot approve the NDA in its present form. In the letter, the FDA discusses a number of topics, including the need for additional clinical studies, the appropriate patient population, methods for ensuring safe use, and the proposed REMS, concentration and trade name for the product.
"We have requested a meeting with FDA in order to discuss and clarify the contents of the CRL and will then evaluate our next steps for JZP-6," said Bruce Cozadd, chairman and chief executive officer of Jazz Pharmaceuticals. "We continue to believe there is a significant unmet medical need among fibromyalgia patients that could be met by JZP-6 if it were approved by FDA."
"Safe Harbor" Statement under the Private Securities Litigation Reform Act of 1995
This press release contains forward-looking statements, including but not limited to statements related to Jazz Pharmaceuticals' JZP-6 (sodium oxybate) product candidate, including statements related to Jazz Pharmaceuticals' plans to meet with the FDA, the outcome of any such meeting and all future regulatory matters, including its future approval and the future development of JZP-6. These forward-looking statements are based on the company's current expectations and inherently involve significant risks and uncertainties. Jazz Pharmaceuticals' actual results and the timing of events could differ materially from those anticipated in such forward-looking statements as a result of these risks and uncertainties, which include, without limitation, risks related to the uncertain and time-consuming regulatory approval process for JZP6, risks related to potential further development of JZP-6, and other risks detailed from time-to-time under the caption "Risk Factors" and elsewhere in Jazz Pharmaceuticals' Securities and Exchange Commission filings and reports, including in its Quarterly Report on Form 10-Q for the quarter ended June 30, 2010 filed by Jazz Pharmaceuticals with the Securities and Exchange Commission on August, 11, 2010. Jazz Pharmaceuticals undertakes no duty or obligation to update any forward-looking statements contained in this release as a result of new information, future events or changes in its expectations.
Source: Jazz Pharmaceuticals, Inc
Brain structure may play key role in psychosis New research finds a link between the size and structure of a brain region called the choroid plexus and the development of psychosis. Read now
These diets and supplements may not really protect the heart Do common dietary interventions and nutritional supplements really help protect against cardiovascular events? A new meta-analysis answers in the negative. Read now
Regulatory Affairs / Drug Approvals Pharma Industry / Biotech Industry
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Visit our Fibromyalgia category page for the latest news on this subject, or sign up to our newsletter to receive the latest updates on Fibromyalgia.
Pharmaceuticals, Jazz. "Jazz Pharmaceuticals Receives FDA Complete Response Letter Regarding JZP-6 For Treatment Of Fibromyalgia." Medical News Today. MediLexicon, Intl., 15 Oct. 2010. Web.
Pharmaceuticals, J. (2010, October 15). "Jazz Pharmaceuticals Receives FDA Complete Response Letter Regarding JZP-6 For Treatment Of Fibromyalgia." Medical News Today. Retrieved from
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redpajama_set_name: RedPajamaCommonCrawl


text:
Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934
Date of Report (Date of earliest event reported): May 5, 2008
HSBC USA INC.
Commission File Number 1-7436
Identification Number)
(Address of principal
executive offices)
Registrant's telephone number, including area code (716) 841-2424
Item 8.01 Other Events.
HSBC Bank USA, National Association (the "Bank"), the registrant's primary subsidiary, is subject to supervision and examination by the Office of the Comptroller of the Currency. The Bank is required to submit to the Federal Deposit Insurance Corporation (the "FDIC") certain reports entitled "Consolidated Reports of Condition and Income" (each, a "Call Report" and collectively, the "Call Reports"). The Bank's Call Reports are prepared in accordance with regulatory instructions issued by the Federal Financial Institutions Examination Council and consist of a balance sheet, income statement, changes in equity capital and other supporting schedules as of the end of the period to which each such Call Report relates. The publicly available portions of the Bank's Call Reports are on file with, and publicly available at, the Federal Deposit Insurance Corporation (the "FDIC"), 550 17th Street, N.W., Washington, D.C. 20429 and on the FDIC's website at www.fdic.gov.
On May 5, 2008, the Bank filed its Call Report for the period ended March 31, 2008. The registrant anticipates the Call Report will be available on the FDIC's website on or about May 6, 2008.
/s/ Joseph R. Simpson
Joseph R. Simpson
Executive Vice President and Controller


text:
Butcher Earns Whelen Southern Modified Rookie Award
Tops Mike Norman in Battle for Top Rookie Crown
Series PR Report
NASCAR announced today that Greg Butcher has earned 2010 Sunoco Rookie of the Year honors in the NASCAR Whelen Southern Modified Tour.
Butcher, from Mockville, N.C., finished the season with four top-15 finishes highlighted. His best finish was at Bristol Motor Speedway in August, where he was the 12th-place Whelen Southern Modified Tour driver in the combination race with the Whelen Modified Tour.
Butcher finished 13th in the season standings behind the wheel of the No. 0 Butcher Racing Chevrolet, a team owned by Frank Edwards.
In five of the 10 races, Butcher earned the Sunoco Rookie of the Race Award.
Butcher finished three points ahead of Mike Norman in the final Sunoco Rookie of the Year standings. Norman was 14th in the overall season points with a pair of 14th-place finishes.
Butcher will be recognized for his accomplishments as part of the festivities surrounding the NASCAR Night of Champions Touring Awards Gala on Dec. 11 at the Charlotte Convention Center's Crown Ballroom in the NASCAR Hall of Fame.
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Alexa von Tobel, Founder and CEO of LearnVest, is a mother of two, a New York Times bestselling author and the financially fearless leader of a company of over 400 people. Oh, and she just may be the patron saint of work-life balance. Here we catch up with Alexa on what makes her feel #INCHARGE.
You dropped out of Harvard Business School to create LearnVest. Were you always a risk-taker?
When I was an undergrad, I worked in The Happiness Lab—yes, The Happiness Lab was a thing—and one of the things that they did was interview people when they were ninety and ask them 'What would you change? What do you regret?' And what's so amazing, people at the end of their life, when they look back, there's very few things that they regret except for the risks that they didn't take. They regret the things that they didn't do, not the things that they did. So you don't regret kissing that boy or the fact that you went to that party or traveled. You regret the things you didn't do, which is really the risks that you didn't take. So, for me, I have this ninety-year-old Alexa who sits on my shoulder and gives me the courage to see through all of the noise, see through all of the anxiety and just take the risks that I know I need to take.
Ninety-year-old Alexa is so fun!
With LearnVest, you hope to simplify financial planning for the 99%. Is being in control of one's finances something that's particularly important for women?
Financial planning, financial empowerment is important for every single human that lives on this earth. It's particularly important for women for a variety of historical reasons. Finances have always tended to be a male-dominated thing, and it's just not how we live today in 2018.
Have you found in your research and your experience that men and women approach money differently? How so?
Unfortunately since financial literacy, financial planning is not taught in high school, college or graduate programs across the country, most people are undereducated. Most people lack the financial wherewithal to be able to feel empowered when it comes to their wallet. Women do have a specific issue which is on average, women live 6.2 years longer than men, which means, plain and simple, that women actually need to be more thoughtful about financial planning because they have to be able to pay for six more years of their life.
I truly find inspiration in everything, whether it's the story of a Diane von Furstenberg or the people I meet in my everyday life. Some of the people I'm most inspired by are the people I work with and watching how much they care about our mission. I'm also inspired by my mom. She was a single parent raising three kids, working full-time as a pediatric nurse practitioner who still wants to work everyday because she feels like we have God-given talents and we should use them to make people's lives better. So I seek inspiration from everywhere, but especially my mom.
Diane is a big believer in mantras and the power of words. Do you have any words that you live by?
Get up. Dress up. Show up. It's that simple. Get up: Get up early. If you wake up early, the day's already on your side. You're already winning. Dress up: Dress the part. Whatever your day entails, put on some make-up, put on a dress, feel good, it gives you confidence all day. It changes how you feel. Show up. The show up piece is the most important. Show up with a good attitude. Show up with a winning attitude. Positivity is so underrated. I am a supreme optimist. I think life can be tackled, life is always on your side, go win, dream big. And I think having that positive attitude is truly a skill set that I hope every smart young woman out there has every day, because it really can change your life.
You founded LearnVest in your early twenties. What advice would you give to young women who know they want to make an impact, but might not have such a specific vision in mind?
I think my most important advice for people is really to have resilience. I built LearnVest. I sold LearnVest. In so many ways, it's such a positive story, but if you get past the positivity underneath it all was an incredible amount of hard work and resilience. Tons of people told me 'no.' I once had an employee tell me 'Alexa, you almost get punched in the face every day, and you get back up.' But the truth is that having resilience and betting on yourself is the most important thing that anybody can do. Have resilience. When people knock you down, get right back up. Remember to seek out really good people around you, good advisors who will tell you the hard things that you need to fix, and listen to them. Don't keep getting back up and running into the same wall. You've 'gotta run differently. But get back up and don't let it break your spirit.
What sort of leader are you? How has your style evolved since you founded LearnVest?
I was not always a perfect leader. I made a lot of mistakes. But what I think is really important is that the leader I strive to be is willing to keep learning and most importantly, I like to surround myself with people that are better than me and smarter than me and then listen to them. And I'm very loyal. When someone bets on me, I bet on them and follow them back to the end of the earth to make sure that they have the best life they can.
I know you recently had your second child. Congratulations! And what advice would you give other working mothers?
I've been asked that question so many times and just like everyone else, I didn't have the perfect answer. It's messy. It's hard. It's all of those things. This morning was one of the most chaotic mornings I've had. But my best advice really is this: love your job. If you're a working mom and you love your job, you will make it all work. It's really hard to be a working mom if you're really unhappy in your career or your job. The secret to work-life balance, because you're going to love your kids, right, and hopefully you love your spouse and you love your family, but love your job. If you love your job, that's the puzzle piece that makes the entire juggle worth it.
I've always known that I cared about helping other people and changing the world and using my God-given talents to do something that is not just about myself. And that has been the true north. And I've always known that I love being challenged and hard work and growing. And a lot of what I had hoped for has happened, but I don't know what the next thirty, forty, fifty years hold and I do know I am still in the process of becoming. The growth I still feel, the challenges I still feel and one of my key notes to myself is that every day I want to be a little bit nervous. If everyday I'm a little bit nervous it means I'm actually pushing myself out of my comfort zone and life really does happen out of your comfort zone.
And while we have you, what are your top three pieces of financial advice?
1)	No credit card debt.
2)	Contribute to retirement as soon as possible as much as possible.


text:
Q: Start docker multicontainer on Elastic Beanstalk with cloudformation I want to start docker multicontainer on Elastic Beanstalk (EBS) with couldformation.
From what I understood from this doc is that I have create docker images. Push it to ECR. Then create a Dockerrun.aws.json at the root of my project. Then link the ECR path in the Dorckerrun.aws.json file. ...and that's it?
So I created the docker images and pushed it to ECR. I also created the Dockerrun.aws.json with the corresponding values (some I'm not quite sure... e.g. what is the difference between mountPoints and host.sourcePath).
{
  "AWSEBDockerrunVersion": 2,
  "volumes": [
    {
      "name": "myApplication1",
      "host": {
        "sourcePath": "/var/app/current/myApplication1"
      }
    },
    {
      "name": "myApplication2",
      "host": {
        "sourcePath": "/var/app/current/myApplication2"
      }
    },
    {
      "name": "myApplication3",
      "host": {
        "sourcePath": "/var/app/current/myApplication3"
      }
    }
  ],
  "containerDefinitions": [
    {
      "name": "myApplication1",
      "image": "123456789.dkr.ecr.eu-central-1.amazonaws.com/myDocker/myApplication1",
      "essential": true,
      "memory": 128,
      "mountPoints": [
        {
          "sourceVolume": "????",
          "containerPath": "????",
          "readOnly": true
        },
        {
          "sourceVolume": "awseb-logs-myApplication1",
          "containerPath": "/var/log/myApplication1"
        }
      ]
    },
    {
      "name": "myApplication2",
      "image": "123456789.dkr.ecr.eu-central-1.amazonaws.com/myDocker/myApplication2",
      "essential": true,
      "memory": 128,
      "portMappings": [
        {
          "hostPort": 80,
          "containerPort": 80
        }
      ],
      "links": [
        "myApplication1", "myApplication3"
      ],
      "mountPoints": [
        {
          "sourceVolume": "????",
          "containerPath": "????",
          "readOnly": true
        },
        {
          "sourceVolume": "?????",
          "containerPath": "????",
          "readOnly": true
        },
        {
          "sourceVolume": "awseb-logs-myApplication2",
          "containerPath": "/var/log/myApplication2"
        }
      ]
    },
    {
      "name": "myApplication3",
      "image": "123456789.dkr.ecr.eu-central-1.amazonaws.com/myDocker/myApplication3",
      "essential": true,
      "memory": 128,
      "mountPoints": [
        {
          "sourceVolume": "?????",
          "containerPath": "?????",
          "readOnly": true
        },
        {
          "sourceVolume": "awseb-logs-myApplication3",
          "containerPath": "/var/log/myApplication3"
        }
      ]
    }
  ]
}

But I was wondering how to start it in cloudformation? My assumption is that I have to define EBS in cloudformation template (yaml) and reference the resource Dockerrun.aws.json somewhere. If so, how? I haven't found a template for that purpose (only for single docker container).

A:
Volumes on the instance
  Creates volumes from folders in the Amazon EC2 container instance, or from your source bundle
  (deployed to /var/app/current). Mount these volumes to paths within your Docker containers using mountPoints in the container definition.

Mount is the docker mount of the Volume on the ec2 host.

Volumes from the Amazon EC2 container instance to mount, and
  the location on the Docker container file system at which to mount them.
  When you mount volumes that contain application content, your container can read
  the data you upload in your source bundle. When you mount log volumes for writing
  log data, Elastic Beanstalk can gather log data from these volumes.

For Cloud formation you need to create the following.
ElasticBeanstalk Environment
{
   "Type" : "AWS::ElasticBeanstalk::Environment",
   "Properties" : {
      "ApplicationName" : String,
      "CNAMEPrefix" : String,
      "Description" :  String,
      "EnvironmentName" :  String,
      "OptionSettings" : [ OptionSetting, ... ],
      "PlatformArn" : String,
      "SolutionStackName" : String,
      "Tags" : [ Resource Tag, ... ],
      "TemplateName" : String,
      "Tier" : Environment Tier,
      "VersionLabel" : String
   }
}

Docker platforms
https://docs.aws.amazon.com/elasticbeanstalk/latest/dg/concepts.platforms.html#concepts.platforms.docker
ElasticBeanstalk Application
{
   "Type" : "AWS::ElasticBeanstalk::Application",
   "Properties" : {
      "ApplicationName" : String,
      "Description" : String,
      "ResourceLifecycleConfig" : ApplicationResourceLifecycleConfig

   }
}

https://docs.aws.amazon.com/AWSCloudFormation/latest/UserGuide/aws-properties-beanstalk.html
ElasticBeanstalk Application Version
{
  "Type" : "AWS::ElasticBeanstalk::ApplicationVersion",
  "Properties" : {
    "ApplicationName" : String,
    "Description" : String,
    "SourceBundle" : { SourceBundle }
  }
}

https://docs.aws.amazon.com/AWSCloudFormation/latest/UserGuide/aws-properties-beanstalk-version.html
You can upload your application code and the Docker run.
https://docs.aws.amazon.com/AWSCloudFormation/latest/UserGuide/aws-properties-beanstalk-sourcebundle.html
ElasticBeanstalk ConfigurationTemplate
{
  AWS::ElasticBeanstalk::ConfigurationTemplate
    {
      "Type" : "AWS::ElasticBeanstalk::ConfigurationTemplate",
      "Properties" : {
        "ApplicationName" : String,
        "Description" : String,
        "EnvironmentId" : String,
        "OptionSettings" : [ ConfigurationOptionSetting, ... ],
        "PlatformArn" : String,
        "SolutionStackName" : String,
        "SourceConfiguration" : SourceConfiguration
      }
    }
}

https://docs.aws.amazon.com/elasticbeanstalk/latest/dg/create_deploy_docker_image.html
https://docs.aws.amazon.com/elasticbeanstalk/latest/dg/create_deploy_docker_v2config.html


Buck Fever examines an intense connection between a young couple, Gabriel and Mary Jen, after having a one-night stand. When Mary Jen's mother, Estelle, and stepfather, Aaron, arrive at Mary Jen's studio apartment unexpectedly, a furiously paced, humorous tale unfolds, unearthing dark secrets from the lovers' pasts. Confronted with their demons, Mary Jen and Gabriel each find freedom from their past and salvation in the other person.
"(Buck Fever) is tightly written. Sanchez has a great ear for modern dialogue, with just enough quirks given to the characters to make them unique."
"Charlotte Purser, as the flighty Mary Jen...comes off as a severely neurotic, spoiled little girl/woman. As her own story becomes clear, she attains a sympathy and sorrow from both Gabriel and the audience."
"Ron Garcia is likeable, wide-eyed, and painfully earnest."
"Karin Wolfe, who plays the mother Estelle, is wonderful."
"Gregory Seel is exceptionally slimy, and I mean that as a compliment."
"terraNOVA is to be commended for having the guts to produce a play that covers some really uncomfortable subjects. I look forward to seeing what they offer us next."


ENTR'2 MARCHES | LE MAGAZINE EMISSION DU 14 MAI 2016 from Lemon Tree Education on Vimeo.
ENTR'2 MARCHES ÉMISSION DU 16 MAI 2016 from Lemon Tree Education on Vimeo.
ENTR'2 MARCHES | LE MAGAZINE | EMISSION DU 18 MAI 2016 from Lemon Tree Education on Vimeo.
ENTR'2 MARCHES | LE MAGAZINE | EMISSION DU 19 MAI 2016 from Lemon Tree Education on Vimeo.
ENTR'2 MARCHES | INTERVIEW AVEC STEVEN BRANDON from Lemon Tree Education on Vimeo.
ENTR'2 MARCHES | LE MAGAZINE | ÉDITION SPÉCIALE from Lemon Tree Education on Vimeo.


The Brighton-based musician and business-owner has been a much-valued supporter of the charity for many years and fronted the Snowdogs by the Sea campaign of 2016 with joy and enthusiasm; recently launching Snailspace for the hospice in October.
"I've discovered personally since then, by being involved with Snowdogs by the Sea in 2016 and now Snailspace is that the people who make Martlets tick are truly a pleasure to be around.
I am often a bit stuck for words when it comes to serious subjects, but they make it easy and have always bought a huge amount of fun to the projects that I've been involved with.
I'm honoured to have been asked to represent Martlets as an Ambassador."


text:
Q: Can I do a swipe (left or right) in Chrome (PC) with a mouse? I'm building out my jquery mobile app out and have been testing in Chrome.  Its the best for me because the debugging is great.
I was using a TAPHOLD event but decided to go away from that for a swipe-right event.
Chrome actually registered the taphold, so I was hopeful that it would register a swipe right with the mouse.  But I cannot get it to register unless I have to do something else... anyone?

A: Update: this appears to be enabled in Chrome by default (37.0.2062.120 as of September 2014) you do the following:

*

*Open Developer Tools

*Click the little phone icon next to the search icon in the upper left (next to the Elements tab)

*In the Emulation tab on the bottom choose a device model from the drop down

Previous answer:
To get this working in the current version of Chrome (32.0.1700.107 as of Feb 2014) you do the following:

*

*Open Developer Tools

*Click the gear icon in the upper right

*Select the Overrides tab on the left

*Click on Show 'Emulation' view in console drawer

*Close the Settings popup

*Open the Console (button to the left of the gear)

*Click the Emulation tab in the console (next to Console and Search)

*Choose a device and click on Emulate (and click Reset to cancel emulation)

A: By now the actual chrome developer tools (tried chrome 20) can emulate touch and swipe events.
You can activate that behavior through the tool options, accessible via the little gear-wheel in the bottom corner.
Just check "Emulate touch events" from the options. Then you can also swipe with your mouse.

A: In desktop browsers I tend to use the right mouse button testing swipes. It will open a context-menu but it actually works (I normally use Chrome 17 and Firefox 10).
For instance when left-clicking and then swiping on an image in Chrome or Firefox it selects the image and you are then moving around the transparent thumbnail of the image. But when right-clicking and swiping the swipe event is fired.
UPDATE
This update is pretty late to the punch but this just shouldn't be necessary anymore. In fact the Chrome developer tools (the ones I'm used to using) have gotten a lot better about emulating devices.

A: A lot of the answers here are old and out of date.  As of Chrome 63, swipe is built-in as long as you are in responsive mode with developer tools open.  So open Developer Tools (3 dots->tools->developer tools), then click the phone/tablet icon on the left to put Chrome into a mobile mode.  Then if you left click and hold, you will see the cursor changed to a dot, and you can swipe.


This recipe appeared some years ago in The Times Magazine, for whom Gordon Ramsay then wrote regularly. I like it so much that I even braise chicken portions in sherry left over from tastings, specially for it. If the meat is already cooked, it's a quick assembly job and a colourful platter for a buffet supper.
This, for me, really is rosé territory but a gutsy white will do well too provided your chorizos are not too incandescent.
Heat the oil in a non stick pan over moderate heat. Throw in the chorizo and fry for 2-3 mins until it releases its oils into the pan and starts to turn golden.
Add the garlic, paprika and tomatoes and fry for 2-3 mins. Deglaze the pan with the sherry vinegar then stir in the chickpeas and olives. Toss everything together for 1-2 mins.
Cut the chicken into thin strips. Remove the pan from the heat then add the chicken and parsley. Check for seasoning, leave to cool and to allow the flavours to infuse.


text:
Conga è un singolo del gruppo musicale statunitense Miami Sound Machine, pubblicato nel settembre 1985 come primo estratto dal nono album in studio Primitive Love.

Descrizione
Il singolo fu pubblicato in tutto il mondo nel 1985, ed ottenne un enorme successo, contribuendo in massima parte a far conoscere Gloria Estefan e i Miami Sound Machine anche al di fuori dall'America. Il singolo arrivò alla decima posizione della Billboard Hot 100 e ottenne il primo posto alla quindicesima edizione annuale del Tokyo Music Festival in Giappone.

Il singolo fu certificato disco d'oro dalla RIAA negli Stati Uniti per aver venduto oltre  copie.. In seguito Conga fu registrato nuovamente in un Mash-up insieme al brano Dr. Beat nel 2001, e pubblicato in un greatest hits della Estefan pubblicato nel 2001. In Spagna questa nuova versione del brano è stata pubblicata come singolo con il titolo Y-Tu-Conga.

Versioni ufficiali e remix

Tracce
U.S. Vinyl 7" Single (34 05457)

U.S. Vinyl 12" Single (49 05253)

Europe Vinyl 12" Single (A12.6361)

Holland Vinyl 7" Single (650060 7)

Classifiche

Utilizzo nei media
Il brano è stato utilizzato nel cartone animato Futurama nell'episodio 50 della serie, intitolato Il gioco del Se fossi 2. Inoltre è possibile udire il brano anche in una sequenza del film Piume di struzzo, in cui l'effeminato personaggio di Agador, interpretato da Hank Azaria, si scatena sulle note del brano. Nel film Lo spaccacuori, nella scena del viaggio in automobile, il personaggio di Lila (Malin Åkerman), canta incessantemente il brano, alternandolo ad altre canzoni fra cui Wannabe delle Spice Girls. È utilizzato nei  titoli di testa del film Simpatici e antipatici diretto da Cristian De Sica.

Note

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


text:
Breasts of Burden
Breasts of Burden is the first episode in Derek's Celebrity Jeopardy: Daria Edition series. It features Alex Trebek as the host (carried over from the original Saturday Night Live "Celebrity Jeopardy" skits) and Kevin Thompson, Jake Morgendorffer, and Sean Connery as the contestants. It is not as wild as later episodes as it was written entirely by Derek. At the end of the episode, Trebek goes postal and beats Connery with his own writing board. Because of this, Trebek went to prison and Derek took over as host for all subsequent episodes.
Retrieved from "https://dariawiki.org/w/index.php?title=Breasts_of_Burden&oldid=5208"


text:
Q: Is 2 a quadratic residue modulo $r=\frac{p^m+1}{2}$? Suppose that $$r=\frac{p^m+1}{2}$$ is a prime number, where $p$ is also prime. Does the equation $$p^{2}-2\equiv 0 \pmod{r}$$ have any solutions?
Thanks in advance.

A: For any prime $\,q\,$, the equation $\,x^2=2\pmod q\,$ has a solution iff $\,q=\pm 1\mod 8\,$ . As I am assuming that in "$\,p^2-2=0\pmod r\,$" you actually  meant $\,x^2-2=0\pmod r\,$ (if I'm wrong in my assumption please disregard this post), I'll give you two examples with different outcomes:
== for $\,\displaystyle{\,p=3\,,\,m=4\,,\,r=\frac{3^4+1}{2}=41=1\pmod 8\,\,}$ , so your equation has solution
== for $\,\,\displaystyle{p=5\,,\,m=2\,\,,\,r=\frac{5^2+1}{2}=13\neq \pm1\pmod 8}\,\,$ , and your equation has no solution here.
Thus I believe you must either change your question or impose further conditions.

A: I'm going to assume the question as posed is the question intended.
$p^2-2\equiv0\pmod r$ requires $r\lt p^2$. But $r=(p^m+1)/2$ almost requires $r\gt p^2$, so the two relations are nearly mutually exclusive. The only ways they can both hold are

*

*$m=1$. Then $r=(p+1)/2$; $p=2r-1$; $p^2-2=4r^2-4r-1\equiv-1\pmod r$, so no solutions here.

*$m=2$. Then $r=(p^2+1)/2$; $p^2=2r-1$; $p^2-2=2r-3\equiv-3\pmod r$; so the only way this is going to work is if $-3\equiv0\pmod r$, which says $r=3$, but this leads to $p=\pm\sqrt5$, which is nonsense, so no solutions here, either.
And that's it. If $m\ge3$ then you'll find that $r=(p^m+1)/2\gt p^2$, so there are no other cases to look at.
In summary, with the problem as posed, the congruence has no solutions.

A: If you are asking whether $2$ is a quadratic residue of $r$, it is easy to find by treating each of the following 8 cases: when $p \equiv 1, 3, 5, 7, 9, 11, 13, 15 (\bmod\, 16)$ respectively.
Suppose $r=(p^m+1)/2$ is a prime, then the condition for $2$ being a quadratic residue of $r$ is
when $p=16n+1$, $m$ can be any natural number
when $p=16n+3$ or $16n+11$, $m\equiv 0\, (\bmod\, 4)$
when $p=16n+5$, $m\equiv 0\ \mbox{or}\ 3\, (\bmod\, 4)$
when $p=16n+7$ or $16n+9$ or $16n+15$, $m$ can be any even number
when $p=16n+13$, $m\equiv 0\ \mbox{or}\ 1\, (\bmod\, 4)$
The principle is to raise the least residues to (at most) power $4$, plus $1$ then divide by $2$, and find those which $\equiv \pm 1\, (\bmod\, 8)$


text:
Shiva Shakti
Venue: Peepul Centre Leicester
Daksha Sheth Dance Company present Shiva Shakti at Let's Dance International Festival
Genre: Dance
Daksha Sheth Dance Company from Kerala mixes dance, circus, aerial work and live percussion in 'Shiva Shakti'.
A show inspired by the ancient Indian philosophy of Tantra where shiva (the male principle) and shakti (the female principle) coexist in every atom of the universe.
In the ancient Indian philosophy of Tantra, it is said that the Kundalini Shakti, not only exists in every atom of every human being but also in every atom of the universe.
Shiva is the male principle, pure consciousness, the un-manifest, denoted in Tantric texts by the white upward facing triangle. Shakti is the dynamic feminine energy, the manifest, denoted by the red downward facing triangle. The universe in all its diversity arises from the union of these two principles.
In its dormant state, Kundalini Shakti is represented by a coiled snake, nestled at the base of the spine. When this energy is awakened, it ascends through the 7 chakras to unite above the crown of the head with Shiva. This consummation creates an experience of bliss. This Kundalini Shakti in each one of us, unites us and connects us in the dance of Shiva.
Daksha Sheth Dance Company
Daksha Sheth Company carved a prestigious reputation for themselves in the world of Kathak for 20 years before the company began to explore a range of movement idioms and performed with excellence in so many diverse styles. Today, being in the field of dance 45 years, Daksha as the choreographer draws from her experience in Kathak, Mayurbhanj Chhau, and Martial art of Kalaripayattu from Kerala, aerial technique of Mallakhamb to aesthetically combine tradition with Contemporary Indian Dance.
The Sangeet Natak Akademi awarded her for Daksha creative and experimental explorations in the field of dance on 28th September 2010. Each of her dance productions has been a product of such experiments and together they represent a continuous evolution of a dance language. This evolving dance vocabulary is the signature of her work: Daksha Sheth Company was the first to introduce aerial technique (since 1996) in the Indian dance and she blends it beautifully into her own productions.
Moreover, each production has radical changes in the context of: music costume, staging, themes, music, lighting design etc. Daksha Sheth's choreography which along with the conceputaluization, visual and aural direction, has seen the birth of some of the most exciting and visually spectacular productions to have come out of India, which have earned critical acclaim both in India and abroad.
As a dancer and choreographer, Daksha strength comes from her command and love of rhythm, a natural flexibility and balance and an instinctive capacity to project a range of emotions from sheer joy to vibrant power. She wants to capture the vitality and rawness of folk and ritual performing arts, and combine this with the sophistication and precision of the classical forms and has developed an entirely original movement vocabulary over the years.
An excerpt from her diary: " I am a gambler by nature, and love the risk of experimenting, improvising, trying new things, both in life and in art. I am comfortable with uncertainty, and enjoy moving in new and unknown territory. I enjoy success, but I don't fear failure."
The Daksha Sheth Dance Company has presented their Indian contemporary dance work in more than 30 different countries and in more than 25 international festivals.
Isha is the lead dancer in the company and is a leading aerial dancer in India today. She has trained for over 15 years in Kathak, Chau, Kalaripayattu, Yoga, Rope and Pole Mallakhamb. Isha is also an actress, her latest film, Luck by Chance, was directed by Zoya Akhtar and released in February 2009.
The Classical Indian forms I have studied, like Kathak (a dance form developed during the Mughal period) and Chhau (a dance form developed during the pre-colonial era) are over 100 years old. Beautiful as they are in their classical state, I do not identify with those formats, which is why I feel that contemporary Indian dance, even though in its nascent state, is a relevant means of dance expression. Preservation of our heritage by making it more identifiable to our day and age is what will take us forward. Completely dismissing classical forms and aping the West is not something I would want to do, for my body is an Indian one and I want to do contemporary Indian work, which appeals to the people of my generation using our rich, ancient Indian heritage and tradition.
The training Isha have undergone like the rest of the company involves multiple classical dance forms, Yoga and Martial arts that contribute to the signature dance style of the Daksha Sheth Dance Company.


text:
Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami)
Next: Asakusa Rice Field...
Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami)
Utagawa Hiroshige 歌川 広重
Woodblock print; ishizuri-e, section of harimaze sheet
Cuckoo and pinks, c. 1843/46
Macaw on a pine branch, c. 1835
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34
Yoshiwara: Mount Fuji on the Left (Yoshiwara, hidari Fuji), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34
Snow at Akabane Bridge in Shiba (Shiba Akabane no yuki), from the series "Famous Places in the Eastern Capital (Toto meisho)", c. 1843/47
No. 28: Nagakubo, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38
Sparrows and Camellia in Snow, c. 1831/33
Descending Geese at Katada (Katada rakugan), from the series "Eight Views of Omi (Omi hakkei no uchi)", c. 1834
No. 19: Karuizawa, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38
No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38
No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38
Fukagawa Susaki and Jumantsubo (Fukagawa Susaki Jumantsubo), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857
Sudden Shower over Shin Ohashi Bridge and Atake (Ohashi Atake no yudachi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857


text:
Visca mutila är en insektsart som beskrevs av Navás 1927. Visca mutila ingår i släktet Visca och familjen myrlejonsländor. Inga underarter finns listade i Catalogue of Life.

Källor

Myrlejonsländor
mutila


orange silk flowers - Summer flowers can be a stunning addition to some summer wedding. You can find many beautiful blossoms that will readily complement your distinctive moment. The truth is that a majority of brides decide to get married at the summertime. June is very common.
Summer weddings may combine a wide range of gorgeous blossoms that can be bought all season together using all the exclusive and both lovely flowers that are available only through the summer months. Many brides additionally decide to stick with all the blossoms available in the summer just as they create their floral structures. What you may opt for they can earn a stunning addition to your own wedding structures.
Some flowers available only during the summer months include: gladiola, hydrangea, lisianthus, peony, statice, sweetpea and yarrow. Other amazing blossoms which pair nicely with summertime flowers include: freesia, mum, orchid and improved. Any combo of the blossoms may be used to generate stunning arrangements for the own wedding aroma, figurines, boutonnieres, and also other floral demands.
Some of the advantages of deciding to marry in summer time is that your wealth of summer flowers that is available. Summertime gets an ideal growth conditions for several delightful blossoms. Additionally, the current weather is more great and lends it self to delightful outside weddings and receptions. Summertime wedding blossoms are amazing irrespective of the place, however they truly have been stunning flowers to-use to match the outdoor reception or wedding.
In addition to outside weddings,they can also look especially beautiful during romantic and relaxed activities. They work nicely with formal and classy weddings. Whatever manner of wedding ceremony which you decide on, summer season flowers can make a delightful add-on.
In the event you are interested in possessing them at your wedding, then the most best idea is to speak to your florist and explain your own wants. They will be able to describe which flowers will undoubtedly be available during your precise wedding period. Moreover, they will be able to explain cost of each summer flower. Various flowers carry different prices and your breeder is going to soon be a superb resource that will enable you to get the blossoms you would like at the budget you are able to afford.
As you create suggestions for your wedding bouquets and centerpieces, it is recommended to talk with your florist premature on. Each blossom has specified strengths and abilities plus is important that you understand what will be available to you prior to making some final conclusions. Speak with your florist on your need to have summer flowers early on and after that work with them and soon you create the exact arrangements that you want. Summer blossoms are sometimes a beautiful match into your summer weddingday.


Mass notification systems (MNS) have been quietly entering a new generation. Most security professionals point to the 2007 shootings at Virginia Tech as pivotal in the push for systems that are faster, more reliable and scalable enough to reach tens of thousands of people within a few minutes.
IP networking has been a boon to achieving these goals because the conventional mass notification approach, right up to the Virginia Tech shooting, was centered on "great voice." Only afterward did security officials realize how the pervasiveness of personal communications, such as wireless phones, email, Web and other networking platforms, could be incorporated into MNS.
After Virginia Tech, MNS strategies began to concentrate on integrating "great voice" models--loudspeakers, digital signage and TV monitors--with personal communications equipment closer or even personal to the individual. CSOs have been working with IT departments to link human resources and other personnel databases into centralized announcement systems that can deliver emergency alerts in a number of ways.
In the two years that have elapsed since the Virginia Tech incident, universities and corporate campuses that take in thousands of employees, contractors, students and visitors on a daily basis have been learning new lessons about how best to operate an IP-centric MNS.
Based on our producers' interviews with a variety of MNS users and vendors during the last year, including the large stalwarts moving to IP-based solutions and younger start-ups with a pure IP focus, I've culled seven basic practices to keep in mind when planning or upgrading a system. My hope is to begin a dialogue here. Feel free to share your own insights and comments.
Most organizations have general emergency procedures in place, including designated personnel who are responsible for assuring all employees are accounted for. Fire drills traditionally train and sharpen group responses to an emergency. Regular drills incorporating MNS should not be much of a change. However, they will train employees to turn to their personal devices for information. Newer MNS systems allow command center personnel to use pre-set messages. That allows policies and procedures to be in place that are tied to many MNS situations. Syracuse University and NASA's Johnson Space Center have "branded" their emergency response systems (Orange Alert and SyREN, respectively) to reinforce awareness.
In an emergency situation, people will be emotional, scared and prone to panic. Initial messages should be short, direct, authoritative commands that provide accurate information about the situation and specific instructions. A typical message might be "Hazmat release in Building A, Shelter in Place." or "Fire in Building C. If you are in Building 10, exit via Doors 2, 3 or 5. All others stay clear of the area."
Panic results from lack of information. While messages should be short, do not be afraid to provide regular updates. If those sheltering in place know they are across campus from the actual incident, that fact can alleviate tension caused by uncertainty. For those at the center of an emergency, a message that first responders are on the scene and in the building will keep people in one place and increase the likelihood of a successful and complete evacuation.
Most people carry their mobile phones with them. Therefore text messaging is among the fastest ways to get information to a large number of people. It has proved effective during shooting incidents at Syracuse University and Northern Illinois University. Registration is critical to successful text messaging. Some people are reluctant to share cell phone numbers, but that reticence may fade when the request is presented in the context of emergency communications. Because cell phone numbers change, it doesn't hurt to nag employees to keep their information up to date. This can be managed through easy-to-use Web-based interfaces that students and staff can use to update their own records.
Right now, mass notification is all outbound. Security professionals would like a mechanism whereby employees can pro-actively communicate with a command center to indicate they are OK or need help even if they did not receive an initial notification. The AtHoc MNS used by the Johnson Space Center provides an easy way for respondents to immediately reply on their status. This aids the command center in accounting for people and determining where to concentrate response efforts.
The goal is to reach 100 percent of the affected population. Systems should be geared to send messages via text, email, phone, signage, cable TV and any other personal and mass communications media used on campus. Of these, keep in mind that voice calls take the longest. Generally, phone servers can deliver 500 calls per minute. That means 10,000 calls would take 20 minutes. The benefit of converged systems is that, being managed from a single point, they allow messages to be consistent across all platforms. There's no conflicting information or directives.
When an emergency hits, you are going to put a lot of strain on the network. Syracuse University's MNS must encompass 27,000 users; NIU, 23,000; NASA's Johnson Space Center, 15,000. A wireless system could interpret a burst of MNS traffic as a denial of service attack and immediately throttle down the very cell sites needed to transmit emergency messages. Security and IT departments recommend advising local wireless service providers about your mass notification plan so this won't happen. Likewise, mail and web servers need to be configured to handle the commensurate huge load of traffic. NIU has six dedicated servers in place to support MNS. Other options include the use of hosted servers in data centers located around the country, an approach Syracuse University uses with its vendor, Mir3.
As your kids might say, texting is so 2008! Social networking sites such as MySpace, Facebook and Plaxo, and microblogs such as Twitter are just as much as part of everyday communications as email and text. These, too, can be brought into an MNS environment (think redundancy). During and after the Virginia Tech shootings, it turned out these platforms were among the first to have accurate information about the shooter and the victims rather than the university itself. Keep up with the technology your personnel and visitors use.


text:
Q: How to save the cell values returned by GoogleFinance( ) API in Google sheets I am trying to download 1 year price data for all NSE stocks in google sheets using Google Finance API.
I just want the API to run only once (not on each sheet load)and populate the data. I want to save the data. I tried to copy paste the data into another sheet, but I get error telling max cells have reached.
Is there a way to run google finance api only once and have it run only on manual trigger instead of sheet load ?


Some recent hacking attempts directed toward North Dakota University System email accounts have Core Technology Services leadership reminding users to remain vigilant.
Attempts to lure users to click on links in emails or offer personal or work information through falsified emails is commonly referred to as "phishing." The attacker uses emails or malicious websites in an attempt to steal passwords or other credentials by pretending to be from a trustworthy organization. Thousands of these phishing attempts are made each day by financially-motivated cybercriminals.
Brad Miller, CTS director of information security, said one example of phishing could be a person claiming to be from the NDUS IT helpdesk requesting that the recipient click on a link to verify account information. The helpdesk does not request account verification through an email link, Miller advised.
Due to the sheer volume of attempts, NDUS doesn't track the total number reported or received. However, a few recent reported attempts have prompted system officials to remind users about the hidden dangers of such emails.
Chancellor Mark Hagerott drew on his experience at the Naval Academy's Center for Cyber Security Studies to remind everyone in the system office and CTS to remain wary of any email soliciting information.
Originally, phishing emails started as relatively unsophisticated mass mailings, but have evolved since then. While early methods to gather general data are still in use, now phishers are also employing "spear-phishing" methodologies, or those that directly target specific individuals, groups or organizations.
There are a few ways to recognize phishing emails including looking for improper spelling, bad grammar, or threatening language. Official-looking logos or graphics can easily be replicated, and should not be taken as a sign of legitimacy, nor should the "From" address field, which can be "spoofed." The best advice is to never click on a link in an email or provide information on a website that looks or feels suspicious.
If a user suspects he or she is being targeted in a phishing attempt, Miller said the user should forward the email as an attachment to NDUS Information Security at infosec@ndus.edu. Those emails could also be forwarded to the Federal Trade Commission at spam@uce.gov, or the Anti-Phishing Working Group at reportphishing@antiphishing.org.
"Often, reporting leads to investigation or notifications that can prevent others from falling victim to the phishing email," Miller noted, adding that once the email is forwarded, delete it and don't ever reply.
He said some basic tactics in dealing with any suspected phishing attempt include never giving your personal information out through email. If someone asks you to provide information over the phone, make sure you are providing it to authorized personnel.
If your NDUS username/password was involved, go to https://helpdesk.ndus.edu/ndusaccount/ or contact the NDUS helpdesk at 866-457-6387 to change your password. If you use this same password on any of your other personal accounts, you may want to change those also, and remember never to use that password again.
If your financial accounts were compromised, contact your financial organization immediately for assistance.


text:
Schools in Maryland
Business Management Schools in Maryland
Business Management Schools in Hyattsville, MD
With an overall population of 14,733 and a student population of 37,861, approximately 37,347 of Hyattsville students attend one of Hyattsville's schools that offer business management programs.
The largest business management school in Hyattsville, by student population, is University of Maryland-University College. In 2010, approximately 223 students graduated from the Business Management program at University of Maryland-University College.
A reported 227 students graduated with credentials in business management in Hyattsville in 2010. If you decide to attend a business management school in Hyattsville, you can expect to pay an average yearly tuition of $5,760.
In addition to tuition costs, plan on spending an average of $1,000 for business management related books and supplies each year.
Business Management Salaries and Career Outlook in Hyattsville
Many business management graduates choose to work as general managers after graduation. If you choose to follow that path and remain in Hyattsville, your job prospects are good. In 2010, there were 24,630 general managers in Maryland. Of these general managers, 48,030 were working in the greater Hyattsville area. By the year 2018, the number of general managers is expected to increase by 13% in Hyattsville. This anticipated change is faster than the projected nationwide trend for general managers.
The average salary you can expect to earn as a general manager in Hyattsville is $92,020 per year, which is higher than the average for general managers state-wide.
Business Management Degree in Hyattsville
Associates Degree in Business Management
Bachelors Degree in Business Management
Business Management Classes
Business Management schools in Baltimore, Maryland
Business Management schools in Washington DC
Business Management schools in Reston, Virginia
Business Management schools in Takoma Park, Maryland
Business Management schools in Arnold, Maryland
Business Management schools in Laurel, Maryland
Public Administration Schools in Hyattsville
Business Administration Schools in Hyattsville
Healthcare Management Schools in Hyattsville
International Business Schools in Hyattsville
Business Management Schools in Hyattsville, Maryland
1 University of Maryland-University College
3501 University Blvd East, Adelphi, Maryland 20783-8010


text:
Die Lux-Lesebogen waren eine Heftreihe für Jugendliche.

Wenige Monate nach dem Ende des Zweiten Weltkriegs erhielt der Verleger Sebastian Lux von der damaligen Militärregierung die Erlaubnis zur Publikation einer Heftreihe für die Jugend. Von 1946 bis 1964 erschienen 18 Jahre lang vierzehntäglich insgesamt 410 Hefte.

Sebastian Lux Verlag
Nachdem der Verlag Sebastian Lux 1944 in München ausgebombt worden war, verzog er mit seinem Verlag nach Murnau, südlich von München. Er publizierte dort eine Reihe praktischer Ratgeber, ein Wörterbuch in 23 Sprachen und ein Fünf-Sprachen-Wörterbuch (Deutsch-Englisch-Französisch-Italienisch-Russisch). Besondere verlegerische Leistungen waren die vierzigbändige Weltgeschichte "Bild der Jahrhunderte" aus der Feder des Münchner Historikers Otto Zierer und die erste technisch-naturwissenschaftliche Zeitschrift Deutschlands "Orion", die in 30 Ländern Verbreitung fand.

Konzept der Lux-Lesebogen
Jedes der insbesondere für Jugendliche handlichen Hefte im Format 10,5 mal 15 cm behandelte ein in sich geschlossenes Thema aus verschiedenen Bereichen der Natur- und Geisteswissenschaften. Der Umfang betrug jeweils 32 Seiten, was zwei Druckbögen entsprach. Entscheidend für den Erfolg war in der wirtschaftlich problematischen Nachkriegszeit der auch damals niedrige Preis von zunächst 20, dann 25 und schließlich 30 Pfennigen. Die Auflagenhöhe betrug pro Heft 30.000 bis 60.000 Stück.

Autoren
Die Autoren der einzelnen Hefte waren kompetente Wissenschaftler, Journalisten, Museumsdirektoren, Künstler und Forschungsreisende. Der sachkundige Lektor Erich Lasswitz gestaltete bereits vor dem Zweiten Weltkrieg das technische Feuilleton der Frankfurter Zeitung.

Fritz Bolle, der beim Verlag Droemer Knaur tätig gewesen war und dort Johannes Mario Simmel, Peter Bamm und Jürgen Thorwald betreut hatte, war Autor und wichtiger Lektor. An die 50 Hefte verfasste der Historiker Otto Zierer (u. a. Livingstone der Menschenfreund Heft 266). Als weitere wichtige Persönlichkeit zeichnete Karlheinz Dobsky für die Gestaltung der Heftumschläge fast aller Hefte verantwortlich. Seine modernen, graphisch feinen Entwürfe trugen sicherlich zum Erfolg der Heftreihe bei.

Publikationsgeschichte
Mit Blick auf die angepeilte Leserschaft hießen die ersten Ausgaben der Lux-Lesebogen "Lux-Jugend-Lesebogen". Da sich herausstellte, dass auch immer mehr Erwachsene die Hefte kauften, wurden sie ab Heft 45 in "Lux-Lesebogen" umbenannt. Für die ersten Heftumschläge verwendete man historische Grafiken, ab Heft 63 schuf dann Karlheinz Dobsky modern gestaltete Grafiken, die perfekt auf das Thema des Hefts abgestimmt waren. Auffallend an den ersten Heften ist, dass selbst der Text in unterschiedlichen  Farben gedruckt wurde. Ab Heft 70 erhielten viele Ausgaben um das eigentliche Heft einen vierseitigen weißen Umschlag mit der Heftnummer sowie interessante Nachrichten aus Natur und Technik. Nachdem sich diese Heftreihe rasch als Sammelobjekt erwiesen hatte und immer mehr Nachbestellungen beim Verlag eingegangen waren, begann man die vergriffenen Hefte mit einem modernen Umschlag nachzudrucken. Für die zahlungskräftigere Klientel edierte man schließlich 15 Bände in normalem Buchformat zu 600 Seiten, die einem Thema gewidmet waren. Außerdem band man 24 auf ein einziges Thema ausgerichtete Lux-Lesebogen mit einem farbigen Kunststoffumschlag zusammen.

Bilanz
Innerhalb der ersten drei Jahre erreichte die Gesamtauflage bereits vier Millionen Hefte. Als am 15. März 1964 das letzte Heft der Lux-Lesebogen erschienen war, konnte der Verlag 25 Millionen verkaufte Ausgaben verbuchen. Die Bedeutung dieser Heftreihe für viele junge Menschen in diesen Jahren ohne Fernseher und Computer lässt sich nicht in Zahlen ausdrücken. Sie war auf jeden Fall ein unschätzbarer Beitrag zur Neuvermittlung komplexen Wissens nach dem kulturellen Vakuum des Zweiten Weltkriegs.

Literatur
 Michael Schekalla: 18 Jahre "Lux-Lesebogen" 1946–1964. Das visuelle Erscheinungsbild. August Dreesbach Verlag, München 2013. ISBN 978-3944334-02-8.
 Trödler, Das große Marktmagazin (GEMI Verlag, Reichertshausen), Ausgabe April 2008, S. 28–33.

Weblinks
  Lux-Jugend-Lesebogen auf "Bücherkiste von Christine und Detlef Heinsohn"
  18 Jahre Lux-Lesebogen Diplomarbeit von Michael Schekalla mit allen von Karlheinz Dobsky gestalteten Umschlägen

Sachliteratur
Heftreihe (Literatur)
Jugendliteratur
Ersterscheinung 1946
Erscheinen eingestellt 1964


text:
Скалы Куш-Кая (Ласпи) расположены к северу от Батилимана урочища и побережья на Южном берегу Крыма.

Наибольшие высоты: г. Куш-Кая (664,3 м), г. Кокия-Кая-Баш (Кокия-Кала) (558,5 м).

Гора Куш-Кая (664,3 м) — «Птичья скала», расположена над урочищем Батилиман, к юго-западу от Ласпинского перевала. Куш-Кая замыкает с запада бухту Ласпи.  Название происходит от тюрк. куш — птица и кая — скала. Куш-Кая — это один из крупнейших рифов Крыма и Европы, который образовался около 140—165 млн лет назад на дне древнего океана Тетис из колоний кораллов и губок. Значительная часть горы покрыта соснами и можжевельником. Весной здесь много пионов. Вершина горы совершенно безлесная. На почти голой скале растут редкие можжевельники.

В давние времена в окрестностях горы собирались перед перелетом большие стаи дроф. Сегодня об этом напоминает лишь название, поскольку местные охотники быстро их истребили. Благодаря Куш-Кая, которая закрывает урочище от северных ветров, Батилиман славится своеобразным микроклиматом. Это заметнее всего зимой: когда наверху, на Ласпинском перевале может лежать снег и дуть пронзительный ветер, в это время внизу, под скалами Куш-Кая, стоит замечательная теплая погода.

Примечания

Источники
 Крым. Географические названия
 Байцар А. Л. География Крыма : учеб.-метод. пособие / А. Л. Байцар. — Львов : ЛНУ имени Ивана Франко, 2017. — 358 с.

География Балаклавского района
Скалы Крыма


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I've been looking for nice Santa Claus beaded dolls but didn't like any of them really much.
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I drew my own peyote charts and I am very proud of the result!
vero?! l'ho adorato dal 1 momento!


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We so rarely see what we do not look for, and are so apt, on the other hand, to see exactly what we desire, fertility that a theory having been once formed, or a doctrine espoused, we seldom fail to furnish ourselves with" facts" to support it. He was placed on his reclining chair for three-quarters of an hour, estrogen and seemed to enjoy it very much.
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Electricity is rarely of service: estradiol. Many of these men are recruits, and so have their pharmacy military as well as their hospital duties to learn. Seventy-five per gout cent of cases begin before the age of twenty, but it can occur at any age. Also during these conferences the mother was encouraged to talk about her pregnancy and how she felt when told her baby would picture added up clearly to a child failing developmentally free due to emotional deprivation because her child and had worked this through before delivery. He considered the papers very commendable, but did not think the patient ought to be kept the on the operating table too long.
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Twelve years before (at the time of her marriage) she had had the four front teeth drawn and an artificial set attached to a plate, with obturator to fit over the cleft in the hard palate and a portion of the side rent in the soft. On the other hand, most of the involuntary muscles, like those of intestines, require to act slowly and continuously, and are consequently made up of the smooth kind of fibre (clinic).
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text:
Continental Shelf Programme
About Data shop Products/Services Visualization News & Events
Background to UNCLOS
- Recommendations
- Preliminary Information
The law of the sea developed from the struggle between coastal states, who sought to expand their control over marine areas adjacent to their coastlines. By the end of the 18th century, it was understood that states had sovereignty over their territorial sea. The maximum breadth of the territorial sea was generally considered to be three miles - the distance that a shore-based cannon could reach and that a coastal state could therefore control.
After the Second World War, the international community requested that the United Nations International law Commission consider codifying the existing laws relating to the oceans. The commission began working towards this in 1949 and prepared four draft conventions, which were adopted at the first UN Conference on the Law of the Sea:
The First United Nations Conference on the Law of the Sea (UNCLOS I) from February 24 until April 29, 1958. UNCLOS I adopted the four conventions, which are commonly known as the 1958 Geneva Conventions:
The Convention on the Territorial Sea and Contiguous Zone;
The Convention on the High Seas;
The Convention on Fishing and Conservation of the Living Resources of the
High Seas; and
The Convention on the Continental Shelf.
While considered to be a step forward, the conventions did not establish a maximum breadth of the territorial sea.
The Second United Nations Conference on the Law of the Sea (UNCLOS II) from March 17 until April 26, 1960. UNCLOS II did not result in any international agreements. The conference once again failed to fix a uniform breadth for the territorial or establish consensus on sovereign fishing rights.
The Third United Nations Conference on the Law of the Sea (UNCLOS III) from 1973 to 1982. UNCLOS III addressed the issues bought up at the previous conferences. Over 160 nations participated in the 9-year convention, which finally came into force on November 14, 1994, 21 years after the first meeting of UNCLOS III and one year after ratification by the sixtieth state. The first sixty ratifications were almost all developing states.
A major feature of the convention included the definition of maritime zones- the territorial sea, the contiguous zone, the exclusive economic zone, the continental shelf, the high sea, the international sea-bed area and archipelagic waters. The convention also made provision for the passage of ships, protection of the marine environment, freedom of scientific research, and exploitation of resources.
Text of the treaty http://www.un.org/Depts/los/convention_agreements/texts/unclos/closindx.htm
List of countries that have ratified LOS conventions http://www.un.org/Depts/los/reference_files/chronological_lists_of_ratifications.htm
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Carrie Cleveland - Looking Up LP + 7"
Vinyl LP + Bonus 7"
Carrie Cleveland's privately released masterpiece of lo-fi Bay Area soul finally gets the reissue treatment after years of originals exchanging hands for insane amounts of money amongst rich collector dorks. Recorded with her husband and some old school drum machines in their East Oakland backyard, Looking Up is an exercise in absolute intimacy, a lounge singer finding her voice and truth via hauntingly thin disco funk. Also features alternate 7" mixes and the previously impossible to find single "I've Got a Feeling."


Many tunnel authorities have an outdated tunnel lighting installation that urgently needs to be refurbished, but have only limited budget available. We are able to fulfill their requirements. TubePoint is the result of years of experience in tunnel lighting combined with the latest technologies developed by Philips. With its modular design and modern LED architecture, TubePoint Core is a versatile, cost-effective luminaire that meets all the basic tunnel lighting requirements. It is made of high-quality components that are dedicated for tunnels, thus ensuring a long lifetime and low maintenance costs. Part of Philips' comprehensive solution for tunnel lighting, TubePoint Core provides effective, safe illumination while at the same time cutting energy and maintenance bills.


text:
Q: Having join or multiple resultsets I have the following 2 tables with a one to many relationship. The table ORDER and ORDER_DETAILS. I am using C# to call a stored procedure to do some processing but eventually it should return the orders with its corresponding details.
So the question is which one of the 2 below is more optimized.

*

*Select the orders and joining with the order details, and then having the data in c#.

*Having 2 result sets, 1 orders and the order order details, then building up the data in c#.

My guess is that since the join will repeat the same columns in the order table each order details, the 2nd option is best.
What are your views on the above.

A: @Steve asked the right question. You need to clarify that.
But I would in most of cases go for first option. Joining both the tables at database end and selecting only necessary columns for the front end.
In this way you need to transport lesser amount of data and in normal scenario it should be faster than getting data from both tables and building it in front end. But without knowing your proper context it might not be the best possible solution.


GREE Forum > Forums > Modern War > General > Could a mod sticky this?
View Full Version : Could a mod sticky this?
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It saves psyconaz posting it every time someone needs login solution.
Anyone figure out why this is happening?
Not yet, different devices are affected from updating to iOS9... the workarounds work for some but not others.
What's the point of waiting an hour?
Another thing to try is hit home button twice to bring up background apps then swipe up to delete.
Oh ok, thanks... curious, but whatever works.


Take your classroom to Cockatoo Island and sleep under the stars.
As one of Australia's most historically and culturally significant sites, Cockatoo Island offers the perfect destination for your school group.
The island's history starts with Aboriginal occupation and encompasses many of the major landmarks of colonial and post-colonial Australian history. Its structures and relics tell the stories of convicts and orphans, of workers and wars, offering a unique opportunity for your students to interact with living history through our engaging primary and secondary programs.
As a UNESCO World Heritage site, Cockatoo Island presents a unique opportunity for students to engage with living history – and have fun – while still being in the heart of Australia's largest city.
Our campground makes the learning experience even more fun. Cockatoo Island has all the amenities your school group needs — including hot showers,a large camp kitchen, ten BBQs, fridges, microwaves and access to boiling water.
To register your school or group for camping at the Cockatoo Island campground, please read our Teacher's Information Pack and compete our online booking form.


text:
Michael Jackson a Broadway
This new musical celebrates the artistry of Michael Jackson
DON'T STOP 'TIL YOU GET ENOUGH - BROADWAY
This new musical celebrates the artistry of Michael Jackson. Featuring over 25 of Michael Jackson's biggest hits, it combines the singular talent of a cultural icon with the powerful storytelling of contemporary theatre.
Sign-up for updates: http://bit.ly/2FHOKWy
DON'T STOP 'TIL YOU GET ENOUGH - PREMIERE CHICAGO FALL 2019 Playing at: James M. Nederlander Theatre - 24 W. Randolph Dates: October 29 - December 1, 2019 DON'T STOP 'TIL YOU GET ENOUGH is the new musical that celebrates the artistry of Michael Jackson, featuring a book by two-time Pulitzer Prize winner Lynn Nottage (Sweat, Ruined) and directed and choreographed by Tony Award winner Christopher Wheeldon (An American in Paris).
The show takes audiences behind the scenes as Michael prepares for the 1992 Dangerous Tour, providing an in-depth look at his process. As Michael and his collaborators rehearse their epic setlist, we are transported to pivotal creative moments from his career.
Featuring over 25 of Michael Jackson's biggest hits, DON'T STOP 'TIL YOU GET ENOUGH combines the singular talent of a cultural icon with the powerful storytelling of contemporary theatre.
All patrons, regardless of age, must have a paid ticket for admission. DON'T STOP 'TIL YOU GET ENOUGH is recommended for ages 8+.
https://dontstoponbroadway.com/
http://www.broadwayinchicago.com/show/dont-stop-til-you-get-enough/


text:
<Youssef sees an Egypt 'exhausted' from democracy, seeking stability in status quo
Sacred Song brings Christmas to July>
Entertainment, Sunday Afternoon Entertainment
NYSSSA Choral students return to the Amp
Sara Tothon July 18, 2014 /Comments closed
April Hartung | Provided photo
Students in the NYSSSA School of Choral Studies, outside the Athenaeum Hotel in 2013, return to Chautauqua at 2:30 p.m. Sunday in the Amphitheater.
The New York State Summer School of the Arts School of Choral Studies has been performing for Chautauqua audiences for as long as Jared Berry can remember, taking the Amphitheater stage to perform songs both classical and contemporary.
At 2:30 p.m. Sunday in the Amp, 64 students in the NYSSSA program will continue that tradition, but this time, things will be a little different.
"This year is special, not just for the choral program but for NYSSSA itself," said Berry, associate director for the choral studies program.
About a month ago, NYSSSA held a Kickstarter campaign, crowd-sourcing about $11,000 for the filming of a documentary about the arts school. On Sunday, film crews and a producer from Mountain Lake PBS will be in tow, filming the choral students in action.
"It's our hope that the documentary will be shown throughout the state and people will really get a chance to see, other that at Chautauqua, what goes into the NYSSSA programs," Berry said.
NYSSSA is made up of seven schools throughout the state that offer studies in ballet, choral studies, dance, media arts, orchestral studies, theater and visual arts disciplines.
In the choral studies program, Berry said the students range in age from rising high school freshmen to rising college freshmen, from all across New York state.
"We have students who go on to pursue vocal performance careers, or go into musical theater or become music teachers," Berry said. "We also have students who are just passionate about music. It's those students who become strong advocates for the arts down the road."
Students in NYSSSA programs must go through a "very selective" application and audition process, Berry said. The intensive, six-days-a-week, four-week choral studies program is filled with voice classes, choir rehearsals, ensemble work, seminars, faculty recitals and private lessons.
"It's very robust," Berry said. "There's a lot going on all the time."
The Chautauqua performance comes one week before the end of the program, Berry said, and the students will travel to the grounds from Fredonia, where the choral studies program is based. They've already made the trip to Chautauqua once this summer to see Madam Butterfly and to talk to Chautauqua Opera Artistic/General Director Jay Lesenger.
"It's nice for the kids to see what it's like in that performance space," Berry said. "And Jay is always so welcoming when he speaks to the kids. It gives them an opportunity to learn about the artistic decision-making and the administrative decision-making he does. For these students going into these fields, it's great to hear."
When the students themselves take the Amp stage, they'll be performing everything from classical songs to more modern pieces, some in foreign languages, Berry said. The program for the afternoon includes "i carry your heart with me," by David Dickau, Adre Caplet's "Santus" from Messe a Trois Voix, Bogoroditse Devo from Sergei Rachmaninoff, the spiritual "Jerusalem" and a Scottish folk song "Loch Lomond," arranged by Alice Parker and Robert Shaw.
"It's really something," Berry said. "Audiences are going to see students who love being here and love to perform. We hope to convey to the audience how much music means to us and the students. Hopefully, it will impact them as audience members as much as it impacts us."
Tagged: chautauqua institution Chautauquan Daily Jared Berry New York State Summer School of the Arts School New York State Summer School of the Arts School of Choral Studies NYSSSA Sara Toth sunday afternoon entertainment
Author Bio—Sara Toth
This is Sara Toth's second summer as Daily assistant editor — the best job in the world (second-best is her off-season job as lecture and literary arts associate). A Gannon University alum, she interned at the Daily for three summers before spending nearly four years reporting for the Baltimore Sun Media Group. She lives in the newsroom and makes a mean pot of coffee.


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The full Community Engagement, Resilience and Health Service Development in Annandale and Eskdale (CERAE) Example of Practice (Update) is available here .


Talk about a mobile revolution.
A growing software movement is quietly taking hold on Android-based devices, allowing people to customize smartphones and tablets more to their liking.
What's known as Android "software mods" can soup up devices with mobile Wi-Fi hot spots, new looks, alternative text messaging and more. Personalizing Google's operating system has morphed beyond geeky obsession as a means to add new features.
Startup Cyanogen is leading the way. With "tens of millions" of installs, today it announced $23 million in funding for its popular CyanogenMod mobile software.
"Currently, we're like Android on steroids and LSD. There's a bunch of features that you can't get on stock Android ... that you just can't do with any other OS," says CEO Kirt McMaster.
Formed in 2009, Cyanogen is the brainchild of founder Steve Kondik, who launched his Android modification, now dubbed CyanogenMod, into the open-source software community. Developers can make their own modifications to the code to bring new features, and such enthusiast ideas can be adopted by Cyanogen.
"There's kind of a whole underworld," says Gartner analyst Brian Blau of those modifying operating systems. "It totally makes sense, but they have a lot of competition."
Cyanogen's development team wants to make customizing Android phones more accessible to the masses. The startup last month launched an installer in an effort to automate the installation process that was otherwise reserved for the ultra-tech savvy.
"The market is speaking, a revelation is under way here in the sense that users want a 100% compatible OS that is all about customization and personalization," says Peter Levine, a partner with Andreesen Horowitz. "I believe that trend will only continue."
Cyanogen's McMaster says the startup's variant of Android can boost battery life on devices. But he also says that there are a lot ways that apps will be able to communicate and work together to enhance device capabilities in ways standard Android versions and Apple's iOS can't.
Andreessen Horowitz led the funding round in Cyanogen and included participation from Benchmark Capital, Repoint Capital and China's Tencent. The investment in Cyanogen will be used to hire developers to boost the software's functions and ease of use. The investment round brings Cyanogen's total funding to $30 million.


text:
27-ма гвардійська мотострілецька Омсько-Новобузька Червонопрапорна ордена Богдана Хмельницького дивізія  — з'єднання Радянської армії чисельністю у дивізію, що існувало у 1957—1992 роках. Дивізія входила до складу Групи радянських військ у Німеччині (ГРВН), дислокованої у Німецькій Демократичній Республіці.

У 1992 році, під час розпаду СРСР, виведена зі Східної Німеччини до Самарської області.

Історія

У 1957 році з 21-ї гвардійської механізованої дивізії у м. Галле, Східна Німеччина, була створена 21-ша гвардійська мотострілецька дивізія.

У 1964 році перейменована на 27-му гвардійську мотострілецьку дивізію.

У 1992 році, під час розпаду СРСР, виведена зі Східної Німеччини до Російської РСФСР до м. Тоцьке і м. Самара.

Склад

Примітки

Джерела

Військові формування, засновані 1957
Мотострілецькі дивізії СРСР


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Q: Why was mysql-cluster removed from 12.04 and how can I install it? I was hoping to get a MySQL cluster up and running on 12.04, but for some reason, the package is marked deleted, and there is no alternative. I also trying searching for the ndb_mgm command, and there are no suggested packages.
Did it get yanked for a licensing reason? compatibility?
Is there any way to run a cluster on Precise short of building from sources? Does that even work?

A:
Did it get yanked for a licensing reason? compatibility?

It was deleted because it was not being actively maintained. See Launchpad Bug #921152.

Is there any way to run a cluster on Precise short of building from sources? Does that even work?

Building from source should work because the package wasn't removed for FTBFS ("failure to build from source") -- it was removed for quality reasons.
There is an easier option: the pages saying "deleted" for the client and server also contain links to deb files for the packages, which are still available and can be installed via dpkg.
Before installing, use dpkg -I package.deb | grep Depends to find out the dependencies and then install them first using apt-get.