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On the surface, the Samsung Galaxy Tab 2 7.0 appears to be little more than a low-key refresh of its six-month-old predecessor, the in-betweener Galaxy Tab 7.0 Plus. And while that's true, the Tab 2's noticeably lower cost—at $250, it dropped in price by 38 percent from the 7.0 Plus--coupled with its numerous features give it a clear advantage over leading value tablet competitors Amazon Kindle Fire and Barnes and Noble Nook Tablet.
On the surface, the Samsung Galaxy Tab 2 7.0 appears to be little more than a low-key refresh of its six-month-old predecessor, the in-betweener Galaxy Tab 7.0 Plus. And while that's true, the Tab 2's noticeably lower cost - around £250 but as low as £175 on eBay - coupled with its numerous features give it a unique selling point.
With that sizable drop, the 7-inch Galaxy Tab 2 marks the first time a premium Android tablet maker like Samsung has gone full-bore after the value space. The Galaxy Tab 2 is competitively priced against the Kindle Fire and Nook Tablet (only available in the US). Those popular 7-inch tablets each use their own customised versions of Android. These variants on Android can provide a more integrated experience for some tasks, such as reading books and magazines, or acquiring media, but it comes at the cost of the wider compatibility of the Android app universe; both Amazon and Barnes & Noble require you to purchase apps only via their respective storefronts.
The Galaxy Tab 2 runs Android 4.0, unlike those other inexpensive Android tablets (the Nook and Kindle Fire both run variants built on Android 2.3; that means it can handle standard Android phone and tablet apps in the Google Play store. It also offers features that neither the Kindle Fire nor Nook Tablet do, among them an infrared port and a rear-facing camera. Samsung sacrificed built-in storage capacity (just 8GB, same as the other two value tablets and half of the 16GB provided on the Tab 7.0 Plus) to achieve the Tab 2's low price, but that doesn't detract from the Tab 2's widespread appeal.
The Galaxy Tab 2 7.0 is an evolutionary step over the extremely similar Galaxy Tab 7.0 Plus. Both models weigh 0.76 pounds, and both feature a similar design and build quality, and both have similar dimensions. Both measure 4.8 by 7.6 inches, but the Tab 2 is slightly thicker at 0.41 inches, compared to the 7.0 Plus' 0.39 inches. The balance and weight are such that this tablet isn't onerous to hold one-handed, though I'd like to see the weight get lighter-still.
Only subtle tweaks distinguish the two. For example, the Tab 2's plastic bezel curves around to the front of the screen, giving the front-face of the tablet a pleasing look. Tab 2 also has a larger infrared port, located along the top edge of the tablet when holding the tablet in landscape mode; the port now wraps around the back of the tablet, presumably to improve communications between the tablet and your entertainment components. The power button and volume rocker, also along that same edge, have a more rounded, easier-to-press shape. The microSD Card slot door is slightly (by millimetres) wider, too, and ever so slightly easier to open, but you'll still need to do so using a fingernail. You can add up to 32GB of storage via microSD, a big benefit over Kindle Fire, which lacks any expansion slot for local storage.
The back of the Tab 2's case is a light, "titanium"-shaded plastic, as opposed to the darker brushed gray of the earlier model. And while the rear-camera is the same, at 3 megapixels, the Tab 2 lacks the flash found on the 7.0 Plus.
Scrapping the flash is just one thing that the Tab 2 sacrificed to achieve its low price. Inside, the Tab 2 has a 1GHz dual-core processor, down from the Galaxy Tab 7.0 Plus' 1.2-GHz dual-core processor. The processor change might account for why in tests the Tab 2 took 14 seconds longer to boot up than the Tab 7.0 Plus; and it turned in noticeably slower framerate on the two GL Benchmark tests we run.
Other sacrifices: As noted earlier, the Tab 2 has just 8GB of memory, down from 16GB of memory found on the Tab 7.0 Plus. At 8GB, the Tab 2's built-in storage is on a par with Kindle Fire and Nook Tablet. And the front-facing camera drops from 2-megapixels on the Galaxy Tab 7.0 Plus to a mere 640 by 480 resolution on the Tab 2 — a significant real-world quality drop that resulted in pixellated conversations when using the camera for video chat.
Samsung's Plane to Line Switching (PLS) display is 1024 by 600 pixels, same as on the Galaxy Tab 7.0 Plus before it. At this point, this display is merely average, as several 7-inch tablets with 1200 by 800 resolution are now available. I noticed colors were slightly off on the Tab 2 compared to how they appeared on the older 7.0 Plus model; detail in images viewed in the native Google Gallery app appeared slightly worse, too, although the tablets still scored closely on our display subjective tests. I'm currently investigating this issue. Some of the differences may be attributable to the display itself; or, they may have some root in how Google has changed Android's image handling between Android 3.2 (which shipped on the Tab 7.0 Plus) and Android 4.0.3 (which shipped on the Galaxy Tab 2).
Another interesting difference between the two tablets: The Tab 2 has better audio output. Music sounded fuller, and not in an over-processed way. The Tab 2 does have an equalizer option, which the 7.0 Plus lacked, but none of the effects were on.
As a bonus over its Kindle Fire and Nook Tablet competition, the Tab 2 adds Bluetooth and GPS, too. Together with some of the other features already discussed, the Tab 2 is ahead of the Fire and Nook when it comes to features.
The Tab 2 series is Samsung's first to ship with Android 4.0 Ice Cream Sandwich. In addition to Android 4.0, Samsung includes its own TouchWiz UX overlay with convenient pop-up launcher tweaks for fast access to a sliding bar of widget-like apps provided by Samsung (such as calculator, email, and world clock). TouchWiz also provides an easy screen-capture utility and super-handy customisations to the settings pop-up, along with some Samsung-specific software apps, such as AllShare for DLNA network media sharing, and Samsung's own app stores for games, media, books, and music.
In addition to the Samsung-branded apps, the Galaxy Tab 2 comes with a handful of useful Android apps pre-installed. Among them: Dropbox (with a year of 50GB Dropbox service included); the Peel Smart Remote app for use with the infrared port; and Polaris Office. The Peel app is a mixed experience, though; while it makes it easy to discover content visually, configuring the settings can be frustrating, and browsability could be improved. Ultimately, Samsung would do far better to write its own, more basic remote control app, as Sony has done on its Tablet S.
If you own a Samsung Wi-Fi camera or a HDTV, you may be able to benefit from some additional capabilities of the Tab 2that tie into Samsung's product stable. Remote Viewfinder works with Samsung's Wi-Fi cameras. The Remote Viewfinder feature could have some interesting applications for group photos, for example; with this capability, you can use Wi-Fi Direct to form a connection between the tablet and the camera, and together with an app on the tablet, you can then use the tablet to control the viewfinder, shutter, zoom, and flash of the camera. Smart View lets you mirror content from your TV on the tablet, but this only works with Samsung 7000 series LED HDTVs, circa 2011 and beyond.
Even though the Samsung Galaxy Tab 2 7.0 has some nifty features like the infrared port and Wi-Fi Direct, it is neither a premium tablet nor a pure-play budget tablet. The big question is whether full Android compatibility and those extras are worth paying more than what you'd pay for an Amazon Kindle Fire or a Barnes & Noble Nook Tablet. The answer: A resounding yes, with a catch.
The catch, of course, lies with what lies around the corner in tablets — namely, Asus's upcoming tablet that's expected to have 1200 by 800 resolution and a Tegra 3 processor. That model still doesn't have an announcement date beyond "second-quarter," so for the moment, the Samsung Galaxy Tab 2 is safely in the lead among inexpensive 7-inch Android tablets. It has flaws, but it delivers the most full-featured set of options among its current competitive set.


Most of my players did not do well this week but the one heartbreak was when Rory McIlroy lost in the final round of match play against Hunter Mahan. Mahan is an excellent golfer, but up until now he is probably better known as one of the "golf boys," so it was fun to see him win.
(1) Luke Donald — Number one player in the world taken out in the first day by Ernie Els (a player that only got into the tournament because Phil Mickelson went on vacation with his family).
(2) Ben Crane — So much for being the number one putter on tour (based on PGA Stats.) He was taken out by Bubba Watson on day one.
(3) Rory McIlroy — My favorite European player. If he had won in the final match he would have been the new number one player in the world but it did not happen.
(4) Tiger Woods –Tiger did not have his "A-game" this weekend and lost in the second round to Nick Watney.
You have to love the name of the winner of the Mayakoba — John Huh. Fans are already wearing T-shirts with Huh? on the back. Not only is his name a good "story" but his year so far is a good story. He qualified for the tour via Q-School and he has made every cut in the 5 tournaments he has played — culminating with a win this weekend. It was not an easy win — he won in an eight-hole playoff against Robert Allenby. My picks, on the other hand, ended the weekend very far down on the leaderboard.
(1) Johnson Wagner — Tied for 30th with a final of four under par.
(2) Brian Gay – Tied for 54th place with one over par.
(3) Jerrod Lyle — Tied for 37th with two under par.
(4) Cameron Beckman — Tied for 63rd place shooting a 4 over par.
These are awful scores given the leader was at thirteen under par. I had good reasons for these picks but you never can tell how players will perform from week to week.
There are two PGA tournaments going on this week. The Mayakoba Golf Classic in Cancun Mexico and the World Golf Championships (WGC) Accenture Match Play Championship.
This is an interesting week because of the WGC Accenture Match Play. Basically the top 65 players in the world play in head to head matches. If a player loses his match, he goes home. So day one — 65 players in the field, day two — 32 players, etc. Until it is down to the final two players on Sunday. Match play is exciting to watch because anything can happen but it is really hard to pick for fantasy golf. But, here it goes.
(1) Luke Donald — He is the number one player in the world.
(2) Ben Crane — He is the number one putter on tour (based on PGA Stats.) Match play is supposed to be "won or lost" in the putting game so that is why I pick Crane.
(3) Rory McIlroy — My favorite European player. He did not do that well last year but I think he has what it takes to win it all.
(4) Tiger Woods — He loves match play and did well at the Presidents Cup.
Update on match play — the first round is over and Luke Donald and Ben Crane are out. I can't believe the number one player in the world is out.
So none of the top players in the world are in this tournament so it gives other players a chance to make their name.
(1) Johnson Wagner — He is the defending champion and is playing well this year so I am hoping for back to back wins.
(2) Brian Gay – Won Mayakoba in 2008 and was tied for 5th last year.
(3) Jerrod Lyle — Tied for 5th last year at Mayakoba.
(4) Cameron Beckman — Tied for 12 last year at Mayakoba. He is my "What the heck" pick this week.
Why Spit on a Golf Course?
During the playoff at the Northern Trust Open Keegan Bradley spit incessantly. And it is not just my opinion. One of the TV commentators said something like, "You wouldn't think he had any spit left." The other commentator was questioning the fact that Bradley must know he has cameras on him so why is he spitting with everyone watching. And then they noted that he will certainly be spoken to when he gets off the course. There was so much buzz about it that Bradley actually tweeted an apology.
So I give Bradley credit for apologizing but it did make me wonder if this was against the rules of golf. In my research I found that it is not listed in any rules but tournament officials do have discretion (based on code of conduct) to fine a player. To my knowledge Bradley was not fined but I wondered if any player has ever been fined. The answer is yes. Tiger Woods was fined last year, in February at the Dubai Desert Classic.
Tiger spit on the green (of all places) and the commentator was spot on with his analysis. The well-known British golf announcer, Ewen Murray said "…there are some parts of him (Tiger) that are just arrogant and petulant. Somebody now has to come behind him and maybe putt over his spit. It does not get much lower than that." The amount Tiger was fined was not disclosed, and like Keegan Bradley, Tiger apologized via twitter but it is still disgusting and unprofessional.
Some online comments, at the time, were saying that it was wrong to fine Tiger. Most of them seemed to feel that spitting is just part of sports. Yes, many professional athletes spit when playing sports (you see it in football and baseball when the show the players on the sidelines or in the dugout) but is it really necessary or just a bad habit?
I can't speak for other sports fans. I can only speak as a golf fan. For me, golf is supposed to be a "gentleman's sport" and spitting is not a trait of a gentlemen. Spitting is just plain gross and incredibly disrespectful of the group coming up behind you on the course.
It is not just the professionals that have this bad habit. Unfortunately, if you have played golf, you have probably seen a guy spit on the course. So to all the guys out there that have this "bad habit" — why don't you try to "conquer it" and give the group behind you some respect.
Yet, did I have him as a pick this week? No, because he was playing so poorly. But I don't care if my fantasy results suffered because it was so much fun to see Lefty playing great shots. I'm just hoping he plays as well at the Masters (which is when I planned to consider him again for fantasy golf). I'm now hoping "four" is Lefty's lucky number (at least this year) because he has won the Masters three times. If he wins this year, it would be his 4th Masters.
How did my picks do? Well, Tiger Woods did not have a good Sunday shooting a 75 (which was a shame since he was under par for the rest of the tournament). It was a double whammy for Tiger because he was playing with Mickelson who shot a 64 (11 shots better than Tiger). Tiger ended tied for 15th which was better than D. A. Points (tied for 67). Both Bud Cauley and James Driscoll missed the cut and did not play on the weekend.
My Omega Dubai Desert Classic picks did much better. Stephen Gallacher tied for 2nd (which surprised me), Rory McIlroy tied for 5th at 14 under par (a disappointment since I was sure he would win), Branden Grace tied for 51st, and Ricardo Gonzalez tied for 66th (at least Grace and Gonzalez made the cut).
Not a great week for my predictions but watching the "Phil and Tiger" show was great!


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Post Road Farm
Looking for a sustainable way to manage the manure and pelleted straw bedding from her three horses, Kristina M. constructed this O2Compost system and says "It works perfectly". Most of the finished compost is given to a local organic farmer. What he doesn't take is used on the fields and paddocks or given to neighbors for their small gardens. Kristina elected to build two more 2-bin benchmark compost systems just like this one. The extra space allows the compost to remain in the bin a full 90 days for curing instead of having to transfer it to allow room for a new batch.

redpajama_set_name: RedPajamaCommonCrawl


Heavy-duty non-reversible welded steel pallets.
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Model HSPL-3636 has a 4-way entry allowing access for both fork and pallet trucks. Models HSPL-4048, HSPL-4248, and HSPL-4848 have a 2-way entry and allow access for fork trucks only. Hot dipped galvanized finish offers rust resistance for longer life. FOB Shipping Point.
Capacities listed are for Uniformly Supported weights.
48 x 48 x 4-3/4"48 48 4-3/4"


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The calendar, which will be voted on at the next meeting, is a county-wide calendar very similar to this year's calendar, according to Assistant Superintendent David Havird. Havird chairs the committee which is comprised of 10 members from across the five Anderson County school districts.
The calendar reflects an effort to prepare for core curriculum across the state and includes traditional family holidays. Christmas/winter holidays will be a bit later to include full weeks with school ending on Friday, Dec. 21 rather than on a Wednesday, Havird said. Classes will end on June 6.
The calendar will be presented at the next board meeting at the end of the month. Some county school districts have already approved it, Havird said.


ANN ARBOR, Mich. -- The storyline about players becoming giddy when they first arrive at the site of the Winter Classic is not a cliché. It's real.
The proof could be found in both dressing rooms and on the ice Tuesday at Michigan Stadium.
"You can tell as soon as everyone walked in here, it was like a bunch of 13- and 14-year-olds in here," Detroit Red Wings goalie Jimmy Howard said after practicing at Michigan Stadium. "We were all excited and messing around with our new stuff, the eye black, the hats and everything. Everyone is pretty fired up."
The buildup for the 2014 Bridgestone NHL Winter Classic between the Red Wings and Toronto Maple Leafs will finally end shortly after 1 p.m. ET on Wednesday (NBC, CBC, RDS) when the puck is dropped at The Big House.
More than 105,000 are expected to file into the stadium to set a record for attendance at a hockey game.
Howard will be in the Red Wings' net playing opposite Toronto goalie Jonathan Bernier, who will be starting in his fourth straight game for the first time in his NHL career.
Two teams, each with 45 points through 41 games, will be battling for an important two points in an atmosphere which should be as raucous as it is frigid. The expected temperature should be somewhere in the mid-teens with overcast skies, some wind and snow flurries possible at the start of the game.
There will be kids skating on an auxiliary rink, award-winning musical artists performing the national anthems, and a military flyover.
This Winter Classic, the NHL's sixth edition of the outdoor extravaganza, a tradition started in a Buffalo blizzard in 2008, might just have it all.
"You don't remember everything in life, but you remember moments," Red Wings coach Mike Babcock said. "This should be one."
The event Wednesday can be more than just an unforgettable moment for the players and coaches. It can be a game that springboards one of these teams to better days ahead, because right now the Red Wings and Maple Leafs are teams stuck in neutral through December and have had their warts exposed in HBO's "24/7" series.
"There's no better way than to get outside in an event like this, play a good game, use it and build off of that," Toronto forward James van Riemsdyk said. "There's a lot that goes into it and it is a big event, but you enjoy it more if you win the game."
Detroit won four of 13 games in December (4-7-2) and is coming off a 6-4 loss to the Nashville Predators on Monday. Toronto won six of 14 games in December (6-6-2), but at least comes into the Winter Classic having won back-to-back games and owning a 3-0-2 record in its past five.
The Red Wings are in fourth place in the Atlantic Division only because they have three more regulation/overtime wins than the fifth-place Maple Leafs.
"We've just been inconsistent, but I think it can be a game where it can hopefully bring us together," Red Wings forward Justin Abdelkader said. "You have to go out and enjoy it, but obviously it is a big game for us, a division game and both us and Toronto are fighting for our playoff lives. That's what you want. You want a meaningful game, and hopefully this can be a turn in the right direction for us."
They will, of course, have to deal with a whole set of elements which are never a concern when they play inside.
Will the expected snow bother the goalies?
"What's the forecast for [Wednesday]? Three to five inches?" Howard said. "I guess we'll see."
Maple Leafs forward Joffrey Lupul said the best game plan will be to shoot the puck as much as possible.
"It's safe to say a good plan would be getting a lot of pucks on the net because this is certainly a different environment for the goalies," Lupul said. "You never know how they're going to react with snow, sun, all those different things."
How will the wind affect the players when they are skating into it?
"The wind certainly plays a factor," Lupul said. "You could tell when you were skating into it."
"Not concerned one bit," Babcock said. "I thought the snow was great [Tuesday]. It adds to the atmosphere. It adds to the memory. It is going to be the same for both teams.
"We're going to play and we're going to play hard and try to find a way to win. I'm sure they're going about it the same way."
The ice is also different. It's made on top of aluminum pans, not cement.
"It feels different than the buildings we play in typically, but it was good," Lupul said. "It was fast and the puck slid well. You could shoot. Everything was good as far as that goes."
In the end, it just comes down to who handles the elements better, and even more to the point, which team plays better.
The event is massive. The atmosphere inside Michigan Stadium could be like nothing ever experienced at a NHL game before. The players do feel like kids again, skating in the freedom of the outdoors.
But putting all of that aside and focusing on the two points at hand might be the difference in one of these two teams righting their season early in 2014.
"It's a huge game," Red Wings forward Dan Cleary said. "We understand it's a divisional opponent. We know where we sit. We know where Toronto sits. We know where we need to be, but we need to get going. We've been kind of very sporadic.
"I mean, we all understand this is a big event in terms of the fans and Winter Classic, but you have to go out and play well on the ice to make everything worthwhile."


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Some trash haulers will pick up the trees from their customers. Or you can haul it to a facility yourself. Either way, get rid of it before the end of January, or keep it until spring. Do we really want our trees going to the landfills?
About 30 million real Christmas trees are sold each year in the United States.
A forum for the exchange of information and ideas to promote producer responsibility programs, and develop and recommend practical local and statewide product stewardship strategy, education, and leadership.


For our little pumpkin's first Halloween, we chose the easy route for Cameron's costume and bought an outfit on sale from Disney. I've always loved their body suit costumes for babies – they are just so cute!
Enter Captain America – saving the world… until naptime.
We used Cam's costume to guide our pumpkin carving selection. As always, I started with the patterns at Zombie Pumpkins. Every year I use their patterns and they never let me down!
But this year, I made a mistake like I've never made before. Keep reading to find out about my total facepalm moment.
'Tis the season for making gourd-eous jack-o–lanterns! Pumpkin carving is my favorite holiday activity. Digging into an easy creative medium. Pulling out the pumpkin guts. Transforming a simple pumpkin into a work of art. And of course, roasting the pumpkin seeds afterward for a delicious snack!
Need further proof of my love? Check out my Pumpkin Carving Gallery!
My favorite day of the year has finally come and I had so much fun carving pumpkins this year! Sticking with the Harry Potter theme (did you see Jax's adorable Dobby costume?!), I had planned to make Mad Eye Moody and Snape pumpkins. However, my local Sprouts only carried these beautifully perfect round gourds and I faced some pattern sizing issues.


GP The Musical is a show written by Drs Genevieve Yates and Gerard Ingham. Initially performed at a medical conference, the response was so good that it made its public debut at the Melbourne International Comedy Festival.
My contribution was to record the drums for the soundtrack. The music is pre-recorded but the singing is all performed live.
Celebrating the humour, the pathos and the colourful characters that inhabit doctors' surgeries, 'GP the Musical' takes a typical day in general practice and injects it with music and fun.
The writers, director and performers are all practising GPs, who are taking time out from their day job to sing and dance about their day job.
Although particularly relevant to those working in health care, anyone who has ever sat in a doctors' waiting room should relate to and be entertained by the storyline and characters.


Today I have a polish from CG from their holiday collection last year.
This is 3 amazing coats of 'Glistening Snow'.
'Glistening Snow' is made up of silver holo micro glitter.
After a top coat, it's positively dazzling!
If only my camera could completely capture what the sun does.
Anyway, this bad boy is awesome.


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Viirelaid (deutscher Name: Paternoster) ist eine estnische Insel in der Ostsee südöstlich der Insel Muhu (Mohn).

Die Fläche der Insel beträgt 81 Hektar. Sie liegt bis zu 4,5 m über dem Meeresspiegel und ist sehr eben. Die Insel diente in früheren Zeiten als Orientierungspunkt für die Seeschifffahrt. Sie zeigte den von Süden kommenden Schiffen den Weg ins Väinameri.

Auf der Insel befindet sich ein 1881 gebauter Leuchtturm (Renovierung 2002). Der nach dem Holzbau von 1857 errichtete 11 Meter hohe heutige Turm ist wahrscheinlich der älteste erhaltene Metallturm Estlands.

Weblinks
 Geschichte des Leuchtturms von Viirelaid (estnisch)

Insel (Europa)
Insel (Estland)
Unbewohnte Insel
Insel (Ostsee)
Muhu

redpajama_set_name: RedPajamaWikipedia


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Being apart has given us the opportunity to appreciate the good times we had together and heal from the blows we inflicted on one another during the worst of times.
The gift season is coming around and you may be asking yourself what should you get your loving one?
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Love it or hate it, messaging is here to stay and the rules are being made up as we go along.


This exhibition explores the traditions of the Mbuti through their vital and expressive paintings, which are usually made by women. The Mbuti people, of the Ituri rain forest in Africa, are one of the few remaining hunter-gatherer cultures in the world. Ancient testimony proves that the Mbuti have inhabited the same territory for four thousand years, and were known even in those times for highly developed music and dance. Despite their long history in the region, ethnologists did not encounter these nomadic Pygmies until the end of the 19th century, and very few of their paintings were taken out of the country before 1976.
Originally created as loincloths for ceremonies and dances, these intricate works are sophisticated abstract compositions. The women who make them believe that their art provides music, movement and splendor to nature itself. To our eyes, these works might also embody the qualities of improvisation and syncopation that are associated with African art and music.
This exhibition is one of a series that have explored the artworks of other cultures. Previous shows have included African throwing knives, Japanese lacquer ware, and Korean ceramics.


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The team from Lviv "Lions" and team from Kyiv "Zherebtsi" met during the tournament.
The host team prevailed, as "Lions" is one of the favourites of the championship. When the team from Kyiv takes part in such competition for the first time. The team of Roman Tkach, the main coach of Lviv players, finished the match with a certain victory by a score of 46:6. The team from Kyiv managed to make one touchdown only, and the team from Lviv seven times had a ball in the rival touchdown zone.
About 1000 spectators gathered to support their favourite teams! The fans could enjoy a bright show program with the performance of the cheerleaders of Lviv team and the contest, where the memberships to a fitness club of Sport Life network were the main prizes.
So far, both teams played 3 games in the regular season and 3 matches are still to be played. It should be reminded that "Lions" have three victories after the played matches: the team from Lviv beat "Yastruby" away in the first tournament 8:50, then cut around "Sloviany" from Kyiv 0:39. The Playoffs round and final games will be held next.


Hear Worshipper's New Single "Darkness"
Boston-based heavy rockers Worshipper are readying their debut full-length album, Shadow Hymns, for release on August 26 via Tee Pee Records. Below, we're pleased to offer up an early listen of that record's first single "Darkness."
" 'Darkness' was the first song that we wrote as a band, but it almost got scrapped when we couldn't find the right groove to compliment the big Sabbathy chorus riff that Bob (Maloney, Worshipper bassist) wrote," says guitarist John Brookhouse. "Once we figured out where to go with it, all the pieces fell into place and the song became an epic journey that is always fun to play live. You have your 'self-destruct fuzz solo' at the top and a nice little guitarmony before the final chorus. It's our love song to the 70s."
Boston-based metal band WORSHIPPER has signed to NYC's Tee Pee Records, the independent record label known for releasing landmark albums from acts such as Graveyard, Earthless and Sleep. WORSHIPPER will release its full-length debut, Shadow Hymns, on August 26. Recorded at Q Division, Mad Oak, and Converse Rubber Tracks Studios with producers Benny Grotto (Aerosmith, Orange Goblin) and David Minehan (The Replacements), the LP showcases the group's melodically thunderous sound that The Obelisk says "balances classic metal riffs and doom tendencies with soaring-style clean vocals and fast-moving grooves, as much Candlemass as High on Fire".
Boasting a sound described as "darkly epic", which has called for comparison to luminary artists such as Scorpions, UFO and Judas Priest,WORSHIPPER has earned consistent accolades since its formation, being named the "Metal Artist of the Year" at the 2015 Boston Music Awards and being chosen over 23 other participating bands as champions of the 2016 "Rock and Roll Rumble", a competition hailed as "The World Series of Boston Rock" that has taken place annually since 1979 (read more via Vanyaland here). Through its unique mix of contemporary and classic influences, WORSHIPPER prove that the horn-throwing soul of melodic heavy music's past still burns brightly.
"'Shadow Hymns' is a document of four guys melding four unique artistic and sonic imaginations into one vision," comments guitarist Alejandro Necochea. "The sound is loud and familiar. We favor classic guitars played through classic amps, with melodies and heroics; not unlike the records we grew up on. This is exactly the record we wanted to make and we are beyond thrilled that people will finally get to hear it."


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Home PAKISTAN Imran Khan summons PTI MNAs on Dec 28 to chalk out strategy...
Imran Khan summons PTI MNAs on Dec 28 to chalk out strategy on resignations
ISLAMABAD, DEC 25: Pakistan Tehreek-e-Insaf (PTI) Chairman Imran Khan, on Sunday, summoned all his party's MNAs to the Khyber Pakhtunkhwa (KP) House in Islamabad on December 28 to chalk out a strategy of their resignations.
PTI Senior Vice President Fawad Chaudhry, confirmed that the party chairman had summoned the session, adding that Imran Khan would address the MNAs via a video link from Zaman Park Lahore.
Sources told that the former premier and MNAs would discuss their strategy regarding their resignations from the assembly.
PTI had announced to reach out to NA Speaker Raja Parvez Ashraf and verify their resignations on December 22; however, they postponed the move after Governor Punjab's denotification of Chief Minister Punjab.
Speaker to summon MNAs again
On Thursday, the National Assembly Secretariat notified that the speaker would again summon the party's MNAs into his chamber one by one.
PTI's members of the National Assembly will be called in for verification of their resignations in pursuance of "Paragraph (b) of Sub-Rule (2) of Rule 43 of the Rules of Procedure and Conduct of Business in NA, 2007".
According to an official statement, the NA secretariat also responded to PTI Vice-Chairman Shah Mahmood Qureshi's letter, which he wrote on December 15. The NA speaker received a letter from Qureshi for an appointment to submit PTI's request to accept all resignations. It would be responded to the due course after careful consideration.
The speaker said that PTI lawmakers conveyed to him not to accept their resignations.
Earlier in June, the speaker invited the Imran Khan-led party's MNAs to verify their resignations, but no one turned up.
Later in July, the speaker accepted 11 resignations of PTI members under Article 64(1) of the Constitution of Pakistan. Raja had de-sealed the resignations to decide their fate according to the Constitution, law and rules.
The development came several weeks after the party's lawmakers tendered their resignations en masse after Imran Khan's government was ousted through a no-confidence motion in April.
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Son of Saul / **** (2015)
The sad and disquieting holocaust tragedy "Son of Saul" compels us to ponder a myriad of difficult questions, but none greater than this: what is it about a person's face that gives a movie such decisive emotional meaning? The great Ingmar Bergman believed expressions were the passage to one's very soul – a device that mirrored the pain and confusion of the human experience – and his movie camera frequently studied them as a means in dealing with agonizing moral complexities. If that doctrine rings true in the minds of more modern thinkers, then it is little wonder László Nemes, the impassioned Hungarian filmmaker behind this endeavor, carved his picture in the image of that sentiment. This isn't a straightforward retelling of one man's struggle in the hell of a Nazi concentration camp, as a reading of the premise would suggest – it is an observation of behavior that is dictated by a terrifying pattern of military orders, murder and persecution, and how one's endurance can reduce such realities to a blur of confusion when the hope for a good deed lingers beyond the line of sight of an unending massacre.
As an act of defiance against the pattern he has been anchored to, this impulse also plays like an obligatory death sentence. Yet the movie isn't concerned with any of the details of such a bleak nightmare, even as the periphery of his observations is molded by them. For nearly two hours, the lens stares firmly in the direction of Saul Ausländer without blinking, as it obscures what goes on around him in order to focus entirely on how a face watches, deals and briefly shows emotion in the face of relentless violence. That disruption is caused early on, following a prologue in which loud voices thunder through an urgent gathering of prisoners and officers. Saul's figure is shown marching silently through crowds as if sleepwalking through a fog. The nearby dialogue is insistent, and not without some level of cruel irony: "Undress now. Remember your hook number. Shower now before the soup gets cold." On the other side of the door is a chamber that will ultimately become their tomb, and after the doors slam shut, Saul's emaciated face stiffens into stony ambivalence, even as those on the other side bang against the metal frame in cries of horror. Then, when the Germans demand that he and his fellow workers clear the chamber of bodies, he discovers a young boy who survived the ordeal, possessing him to nurture the child in his last minutes before burying him with some level of dignity.
The underlying narrative structure – recalling Tim Blake Nelson's "The Grey Zone" – is familiar lore to all those versed in the histories of the holocaust: within the walls of Auschwitz, a group of Jews (known as the "Sonderkomando") are offered a short reprieve from death in exchange for their assistance in directing waves of prisoners towards the gas chambers, all before disposing of their bodies in ovens and mass burial sites. Then, as the pattern reaches the peak of its grotesque monotony, two key events transpire: 1) a child survives the gassing, inspiring false hopes of miracles, and 2) an uprising within the crematoriums builds to a climactic showdown between prisoners and soldiers. Understanding the framework of this reality is not necessary in dealing with the reality of "Son of Saul," but having it as an added facet of awareness certainly anchors the perspective of our observations. As these realities ebb and flow through the hushed determination of the Sonderkomando, Saul's obsession with the boy takes him beyond the reality of merciless Nazi occupation and right into the dying heart of a group of Jewish survivors; when he begins asking around for a Rabbi to assist in a burial, a peer coldly retorts: "why, isn't the one at the stove good enough?"
There is a challenge in dealing with such a premise on some level as a moviegoer. Though it is consistent with our perceptions to see how people can be made to suffer in the hands of oppressors, it is far more ambiguous to accept the manipulation of a scenario where the persecuted can be forced to participate in the slaughter of their own culture. But those are realities we must face for the sake of the historical context, otherwise we simply spin in the loop of our reservations. "The Grey Zone" dealt with these in the milieu of a story swirling in intrigue and strategy, and did not flinch in the face of its paralyzing hopelessness. While "Son of Saul" knows the inevitability of how this all must play out, it places the burden of a response entirely in the hands of one person, a face we come to depend on as a single point of possibility in a world that wants to turn him into a statistic. That gives his dogged pursuit an air of admiration more than it does one of sickness. Others resolved to their fates feel the burden of Saul's choices, but when there are so few ones to make to begin with, who can indeed begrudge him the chance to act on a feeling of responsibility, however delusional?
The dramatic edge of the film is almost suffocating in its sincere delivery. For Géza Röhrig, the man who plays Saul, this isn't a mere performance by an actor – it is the personification of one's profound humility, recalling the simplistic endurance of Maria Falconetti in "The Passion of Joan of Arc." How did Nemes draw such subliminal vigor out of such a relatively new face? A sense that the material could rouse most gifted actors into the upper tiers of overzealousness is not too inaccurate a description; in most hands, all of this could have come across as implausible, lacking the intensity of restraint. If Röhrig possesses a quality above most possible candidates, it's that his solemn demeanor helps to emphasize the weathered features of his face. This isn't just a collection of blank stares or pursed lips dominating the view of the camera; there are abundant nuances across a plethora of tense plot points, and the face transitions between all of the obligatory reactions so seamlessly that we are glued to the gaze with the utmost curiosity, never sure about what will come next as the events grow darker with each passing minute.
The audacity of the director's technical choices is rare, but sound. Like Bergman, he sees the face of his subject as the only means in connecting with the feeling of such an indescribable event. Like Carl Dreyer, he is content to build an elaborate production without catching much of it in camera view; there are few establishing shots and even fewer pull-backs to perspective, because they are irrelevant to him and his protagonist. What's most remarkable about that approach, perhaps, comes down to the assuredness of his intention. Wouldn't most movies dealing with this subject matter be tempted to pan back for more insight? Wouldn't they be all too eager to emphasize the details, or create actual victims and villains out of the shouting figures in the backdrop? To him, anyone seeing the film already knows what atrocities are occurring behind Saul's shoulders. If there is something about the holocaust that is destined to be lost as time marches on, it has little to do with facts and more to do with instinct. There is a scene towards the end so heartbreaking in this realization that it left me swelled in tears: as the Sonderkomando rush to escape the camp, the camera follows Saul as he attempts to bury the boy on a hill, using his only available tool – his hands – to pull soil away from the Earth. How sobering to consider what people will do to retain what little shred of humanity they clutch beneath the deadened exteriors.
Dozens of films have been made about the tragedies of war. Passable ones can shed light on events that seem foreign or inconclusive. Good ones bring us closer to understanding the undercurrents that went into them. But great ones, I think, are those that don't bother with the formality of cinematic pacing or formula; they are created out of a need in others to build our emotional awareness, hopefully for the sake of expanding our compassion beyond the limits of motion picture escapism. Of those that deal directly with the casualties of Nazi Germany, few – other than "Shoah" (a documentary) or "The Pianist" or "Schindler's List" (dramatizations) – have left us in such silent contemplation of human cruelty. "Son of Saul" easily joins their company. It is a modern masterpiece, full of awe and pathos, and justly sworn to a cause that reveals more about ourselves than we might be willing to deal with in isolation.
Drama/War (Hungary); 2015; Rated R; Running Time: 107 Minutes
Géza Röhrig: Saul Ausländer
Levente Molnár: Abraham Warszawski
Urs Rechn: Oberkapo Biederman
Todd Charmont: The Rabbi
Produced by Krisztina Pintér, Gábor Rajna, Gábor Sipos, Judit Stalter and Robert Vamos; Directed by László Nemes; Written by László Nemes and Clara Royer
Labels: ****, 2015, DRAMA, ESSENTIAL CINEMA, HISTORICAL, NAZI GERMANY, REVIEWS, SIGNATURE SERIES, TRAGEDY, WAR, WORLD WAR II
The Wrong Man / ***1/2 (1956)
Lessons from Criterion:"12 Angry Men" by Sidney Lumet
Captain America: Civil War / *** (2016)
Seven / **** (1995)
Hello, My Name is Doris / *** (2016)
Town & Country / 1/2* (2001)


The cheaper lens is the older film camera model from 2004. It doesn't have vibration reduction or a built in auto focus motor (which means manual focus only) and the lens coatings are not as good (anti glare and flare reduction). That aside it should work with the D5000. The 'Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR' is the one I have, it has vibration reduction (VR) and a built in auto focus motor (AF-S) and the (ED) coating is the latest type for superior sharpness and color correction, also it has internal focusing (IF) which means the lens doesn't get longer as you zoom.
With any lens the rule of thumb is the minimum shutter speed should be the same as the lens length. A 70-300mm lens (at 300mm) on a DX body like the D5000 (the 1.5x crop factor means it's approx 450mm) it would be 1/500th second without VR, with VR you could hand hold at 1/125th second and get a sharp image.
If you can afford it go for the more expensive 'Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR'. It has one more advantage, because it's a full frame lens it will work on all Nikon cameras, so if you upgrade to a full frame camera like a D3 or D700 at a later date it will work fine unlike the DX lenses which are designed for the smaller sensor found on your D5000 and my D90.
You need to focus on the models eyes, most of the wedding images have sharp focus on the dresses but the eyes are out of focus, in situations like this use spot focusing. The shot with the two spotlights is dark because the cameras sensor has been fooled, either recompose to cut out the lights, use EV compensation to add +1 or +2 EV to allow for the lights or add some fill in flash. Some of the images look like camera shake rather than missed focus, make sure you use a fast enough shutter speed to freeze the action. The group shots in front of the carriage are nice and crisp, maybe opening up the shutter would have thrown the background a bit more out of focus to concentrate on the main subjects. The single shots in front of the carriage could also use some fill in flash to put some sparkle into the brides eyes and reduce the shadows. One of the differences between a DSLR and a compact camera is focusing, the compact because of its smaller sensor and higher maximum f stop is more forgiving of slight errors in focusing the DSLR not so much. There's nothing wrong that a bit of practise won't sort out, and the joy of digital is that it won't cost anything in film processing to take hundreds of practise shots. When you look at a 'bad' image check the EXIF data and try and see where you went wrong, shoot it again and correct the error. As they say practise makes perfect.
Only post your best shots to online sites like Flickr, don't let anyone else see the bad shots. I'm really, really critical of my images, I guess my shot to post percentage is something like 5% or less.
I hope you find the above useful, but remember it's only my opinion and what the heck do I know.
I have a Nikon s6 digital camera.I have a Nikon s6 digital camera.
we have a canon rebel xs and we looove it!!
Canon D 7, canon 5, leica m6, voigtlander r3a, mamiya rz67, olympus 35sp, yashica c, holga, sproket rocket, spinner 360 and my most recent sony nex 6.
My primary camera is a Panasonic DMC-TZ1. It is about as easy to use as it gets, with a 10X optical zoom & image stabilization. It can be used to take video, too, and digitally store quite a lot on its SD card. Yes, it is very OLD (10 years), but the only thing wearing out is some of the printed markings and the sticker on it. Zero maintenance costs. If it ever disappoints me, can get replaced with +/- $50 on eBay.
Other cameras -on cell phone, laptop, webcam, and a few I don't use anymore that take film and cost $$$ to have developed.


Crushed stone is exactly what it sounds like, rocks that have been crushed or broken down by crushing machines. Its main uses are as an aggregate for construction and landscaping purposes. Its main uses are as an aggregate for construction and landscaping purposes.
You may not immediately think of concrete countertops as stone, but concrete is a mixture of finely crushed stone, sand, cement, and water. The mixture is poured into a mold, and after drying, forms a durable solid surface.
A special type of limestone crushed stone is dense grade aggregate, or DGA, also known as crusher run, or colloquially as "crush and run". This is a mixed grade of mostly small crushed stone in a matrix of crushed limestone powder.
A crushed stone plant differs somewhat from a sand and gravel plant. Raw material is brought f rom a quarry to a prim ary crusher by rear dum p haul tru cks.
3/8" (#8) crushed stone refers to stone that has been crushed and screened through a 3/8" screen so that all individual stones in the mix are relatively uniform in size. Once sized, the stone is run through a machine to clean it to remove smaller particles and residue, which is why it is sometimes referred to as washed stone or clean stone.
Gravel is also a good option for a ditch, such as crushed stone (mechanically cut rocks), and gravel cut in many sizes. You can also consider a French drain , which is a ditch dug at an angle to draw water away from an area, then lined with gravel and topped with sand or sod.
Keep in mind that the smaller the stones are at the surface, down to sand-sized particles, the less water it takes to wash them away. Be sure that the top surface of the driveway doesn't have too much angular sand in it, or a heavy rain will cause erosion.
stone glass raw material quartz sand quartz sand .Gold Plus Supplier The supplier supports Trade Assurance.crushed quartz sandDouble Layer Filter Profess. how to wash shale from crushed rock This sizing and wash plant make different Crushed stone shipping products . mini mobile gravel wash plants for sale - Gold Ore Crusher,.
May 07, 2003· Around here road base is 5/8" minus crushed rock, which is crushed gravel ranging in size from 5/8" all the way down to sand particles. It's these smaller fine particles that allow the mix to bind and crush down into a nice firm driveable surface.
Multi colored crushed stone with some uncrushed rounded stone. Up to 9/16″ in diameter stone. Suitable for mixing concrete, top of leach fields, drainage, driveways, walkways and landscaping.
Crushed stone exists in a variety of different sizes, and we offer both 3/8″ and 3/4″ clean crushed stone for both pickup and bulk delivery. 3/8″ Clean Crushed Stone 3/8″ crushed stone is typically used for driveway gravel, walkways, drainage and in asphalt.
contractors - DIY way to wash sand/clay out of driveway gravel ... Removing the fines will loosen the gravel, and unless you have a .... As for removing sand and clay, the only option is physical removal.
Hedrick Industries produces many types of crushed rock, gravel and sand. Our products are used in a variety of residential, commercial and industrial construction projects as well as public works projects such as highways, bridges, roads, railroad lines, airports, dams and water-sewer systems.
Just power wash it regularly with a detergent ment for cleaning pavers; add sand and re-seal as needed. Regular sand is way, WAY cheaper than poly sand. In the long run you save money, but have to put in a little more elbow grease.
A Guide to Pea Gravel, Gravel, Crushed Stone, River Rocks and Decomposed Granite for Landscaping - Gardening Channel Like the edging. By Julie Christensen There are four materials commonly used for driveways – gravel, asphalt, concrete and pavers.
The rigid surfaces allow the stones to be tamped, rolled or even vibrated into place until they lock and form a more stable surface, unlike when using a smooth surfaced material such as gravel. Crushed stone is a versatile material and can also be used for many commercial, residential and DIY projects.
Some stone will be washed with water to clean it so it can be used in cement and other types of building products. Washing removes fine grains of sand, clay and dirt from the rock. After crushing, screening and washing, the crushed stone is conveyed or hauled to stock piles.
Although many references suggest excavating 6 to 8 inches for a gravel path and layering crushed rock, sand, and then gravel, most designers don't use this method. They say the smaller pieces inevitably work their way up, spoiling the clean look of the gravel.
Our 3/8″ clean crushed stone is cleaned thoroughly to ensure that it is free from stone dust and other residues. Prior to the cleaning process, our 3/8″ clean stone is crushed, reduced in size and screened through a 3/8" square screen.
A crushed stone plant differs somewhat from a sand and gravel plant. Raw material, of various sizes, is brought from a quarry, to a primary crusher, by haul units.
60/40 sand stone mixture. Premixed for use with Portland cement to make concrete. Wash Stone [stones were rinsed at time of photo and color will vary when dry. Click on photos for large view] ... 21AA Crushed concrete: 1-1/2″ max. in size and predominately used as a top dressing for driveways. 2).


text:
Valentia Island Travel Guide
Valentia Island
Separated from the mainland by a long, narrow channel that's now bridged, VALENTIA barely feels like an island. For such a small, remote spot, it boasts a surprising number of claims to fame: as well as being known from the radio shipping forecasts and for Valentia slate, which was used for the Houses of Parliament in London and the Paris Opera House, it was from here that the first transatlantic telegraph cable was laid in 1866. To add to the island's repute, the oldest fossilized footprints in the northern hemisphere, the so-called Tetrapod Trackway, were discovered here in 1992 by a Swiss geology student. Most of the island's amenities are in or around Knightstown at the northeastern tip, which provides dramatic views of the Iveragh Mountains, as well as a seasonal ferry link to the mainland.
Killarney National Park and the Gap of Dunloechevron_right
Valentia Islandchevron_right
Killarney and aroundchevron_right
The Iveragh Peninsula: the Ring of Kerrychevron_right
Kenmare and aroundchevron_right


Are you different by design?
Do you stand out from the crowd by design? Here are two examples of clever 'Stand-Outism,' from Jaguar's design, and from a career-perspective.
Douglas is the author of six business books, including two on the topic of expert-positioning: 'Own Your Industry,' and 'What Makes Them Great?' He is a multiple award-winning international speaker and a member of Mensa.
Watch Douglas's inspiring presentations, or book him as the motivational speaker for your next event, by visiting www.douglaskruger.com.


text:
/**
 * Bundles ki.js, ki.extend, CSSClass + a few polyfills
 */

/*!
 * ki.js - jQuery-like API super-tiny JavaScript library
 * Copyright (c) 2014 Denis Ciccale (@tdecs)
 * Released under MIT license
 */
!function (b, c, d, e, f) {

  // addEventListener support?
  f = b['add' + e]

  /*
   * init function (internal use)
   * a = selector, dom element or function
   * d = placeholder for matched elements
   * i = placeholder for length of matched elements
   */
  function i(a, d, i) {
    for(d = (a && a.nodeType ? [a] : '' + a === a ? b.querySelectorAll(a) : c), i = d.length; i--; c.unshift.call(this, d[i]));
  }

  /*
   * $ main function
   * a = css selector, dom object, or function
   * http://www.dustindiaz.com/smallest-domready-ever
   * returns instance or executes function on ready
   */
  $ = function (a) {
    return /^f/.test(typeof a) ? /in/.test(b.readyState) ? setTimeout('$('+a+')', 9) : a() : new i(a)
  }

  // set ki prototype
  $[d] = i[d] = {

    // default length
    length: 0,

    /*
     * on method
     * a = string event type i.e 'click'
     * b = function
     * return this
     */
    on: function (a, b) {
      return this.each(function (c) {
        f ? c['add' + e](a, b, false) : c.attachEvent('on' + a, b)
      })
    },

    /*
     * off method
     * a = string event type i.e 'click'
     * b = function
     * return this
     */
    off: function (a, b) {
      return this.each(function (c) {
        f ? c['remove' + e](a, b) : c.detachEvent('on' + a, b)
      })
    },

    /*
     * each method
     * a = the function to call on each iteration
     * b = the this value for that function (the current iterated native dom element by default)
     * return this
     */
    each: function (a, b) {
      for (var c = this, d = 0, e = c.length; d < e; ++d) {
        a.call(b || c[d], c[d], d, c)
      }
      return c
    },

    // for some reason is needed to get an array-like
    // representation instead of an object
    splice: c.splice
  }
}(document, [], 'prototype', 'EventListener');

/**
 * @link http://jsperf.com/map-reduce-named-functions/2
 * map3: "My own simple implementation"
 *
 * Also see @link http://stackoverflow.com/questions/22182454/javascript-performance-of-array-map
 */

if( !Array.map ) {
	Array.map = function(callback, thisArg ) {
	  'use strict';
	  if (typeof callback !== 'function') {
		throw new TypeError();
	  }

	  var thisArg = arguments.length >= 2 ? arguments[1] : void 0;

	  for (var i = 0, len = this.length; i < len; i++) {
		this[i] = callback.call(thisArg, this[i], i, this);
	  };
	};
}

/**
 * Polyfill Array.filter
 * @link https://gist.github.com/eliperelman/1031656
 */

[].filter||(Array.prototype.filter=function(a,b,c,d,e){c=this;d=[];for(e in c)~~e+''==e&&e>=0&&a.call(b,c[e],+e,c)&&d.push(c[e]);return d})

/**
 * @link https://github.com/EarMaster/CSSClass
 */

(function () {
	// add indexOf to Array prototype for IE<8
	// this isn't failsafe, but it works on our behalf
	Array.prototype.CSSClassIndexOf = Array.prototype.indexOf || function (item) {
		var length = this.length;
		for (var i = 0; i<length; i++)
			if (this[i]===item) return i;
		return -1;
	};
	// check if classList interface is available (@see https://developer.mozilla.org/en-US/docs/Web/API/element.classList)
	var cl = ("classList" in document.createElement("a"));
	// actual Element prototype manipulation
	var p = Element.prototype;
	if(cl) {
		if(!p.hasClass)
			p.hasClass = function(c) {
				var e = Array.prototype.slice.call(this.classList);
				c = c.split(' ');
				for(var i=0; i<c.length; i++)
					if(!this.classList.contains(c[i]))
						return false;
				return true;
			};
		if(!p.addClass)
			p.addClass = function(c) {
				c = c.split(' ');
				for(var i=0; i<c.length; i++)
					if(!this.hasClass(c[i]))
						this.classList.add(c[i]);
				return this;
			};
		if(!p.removeClass)
			p.removeClass = function(c) {
				var e = this.className.split(' ');
				c = c.split(' ');
				for(var i=0; i<c.length; i++)
					if(this.hasClass(c[i]))
						this.classList.remove(c[i]);
				return this;
			};
		if(!p.toggleClass)
			p.toggleClass = function(c) {
				c = c.split(' ');
				for(var i=0; i<c.length; i++)
					this.classList.toggle(c[i]);
				return this;
			};
	} else {
		if(!p.hasClass)
			p.hasClass = function(c) {
				var e = this.className.split(' ');
				c = c.split(' ');
				for(var i=0; i<c.length; i++)
					if(e.CSSClassIndexOf(c[i])===-1)
						return false;
				return true;
			};
		if(!p.addClass)
			p.addClass = function(c) {
				c = c.split(' ');
				for(var i=0; i<c.length; i++)
					if(!this.hasClass(c[i]))
						this.className = this.className!==''?(this.className+' '+c[i]):c[i];
				return this;
			};
		if(!p.removeClass)
			p.removeClass = function(c) {
				var e = this.className.split(' ');
				c = c.split(' ');
				for(var i=0; i<c.length; i++)
					if(this.hasClass(c[i]))
						e.splice(e.CSSClassIndexOf(c[i]), 1);
				this.className = e.join(' ');
				return this;
			};
		if(!p.toggleClass)
			p.toggleClass = function(c) {
				c = c.split(' ');
				for(var i=0; i<c.length; i++)
					if (this.hasClass(c[i]))
						this.removeClass(c[i]);
					else
						this.addClass(c[i]);
				return this;
			};
	}
	var pl = NodeList.prototype;
	if (!pl.hasClass)
		pl.hasClass = function (c, all) {
			if (all===undefined) all = true;
			for (var i=this.length-1; i>=0; --i) {
				var hc = this[i].hasClass(c);
				if (all && !hc) return false;
				if (!all && hc) return true;
			}
			return true;
		};
	if (!pl.addClass)
		pl.addClass = function (c) {
			for (var i=0; i<this.length; ++i)
				this[i].addClass(c);
		};
	if (!pl.removeClass)
		pl.removeClass = function (c) {
			for (var i=0; i<this.length; ++i)
				this[i].removeClass(c);
		};
	if (!pl.toggleClass)
		pl.toggleClass = function (c) {
			for (var i=0; i<this.length; ++i)
				this[i].toggleClass(c);
		};
})();

/*!
 * ki.extend.js
 * extend ki.js with jQuery style prototypes
 * @author James Doyle (james2doyle)
 * @license MIT
 * Resource for prototypes
 * http://youmightnotneedjquery.com/
 */

(function() {

$.each = function(arr, callback) {
  var i = 0, l = arr.length;
  for(; i < l; ++i) {
    callback.call(arr[i], i, arr[i]);
  }
  return this;
};

// map some classlist functions to the jQuery counterpart
var props = ['addClass', 'removeClass', 'toggleClass'],
maps = ['add', 'remove', 'toggle'];

props.forEach(function(prop, index) {
  $.prototype[prop] = function(a) {
    return this.each(function(b) {
      b.classList[maps[index]](a);
    });
  };
});

$.prototype.hasClass = function(a) {
  return this[0].classList.contains(a);
};

$.prototype.append = function(a) {
  return this.each(function(b) {
    b.appendChild(a[0]);
  });
};

$.prototype.prepend = function(a) {
  return this.each(function(b) {
    b.insertBefore(a[0], b.parentNode.firstChild);
  });
};

$.prototype.hide = function() {
  return this.each(function(b) {
    b.style.display = 'none';
  });
};

$.prototype.show = function() {
  return this.each(function(b) {
    b.style.display = '';
  });
};

$.prototype.attr = function(a, b) {
  return b === []._ ? this[0].getAttribute(a) : this.each(function(c) {
    c.setAttribute(a, b);
  });
};

$.prototype.removeAttr = function(a) {
  return this.each(function(b) {
    b.removeAttribute(a);
  });
};

$.prototype.hasAttr = function(a) {
  return this[0].hasAttribute(a);
};

$.prototype.before = function(a) {
  return this.each(function(b) {
    b.insertAdjacentHTML('beforebegin', a);
  });
};

$.prototype.after = function(a) {
  return this.each(function(b) {
    b.insertAdjacentHTML('afterend', a);
  });
};

$.prototype.css = function(a, b) {
  if (typeof(a) === 'object') {
    for(var prop in a) {
      this.each(function(c) {
        c.style[prop] = a[prop];
      });
    }
    return this;
  } else {
    return b === []._ ? this[0].style[a] : this.each(function(c) {
      c.style[a] = b;
    });
  }
};

$.prototype.first = function() {
  return $(this[0]);
};

$.prototype.last = function() {
  return $(this[this.length - 1]);
};

$.prototype.get = function(a) {
  return $(this[a]);
};

$.prototype.text = function(a) {
  return a === []._ ? this[0].textContent : this.each(function(b) {
    b.textContent = a;
  });
};

$.prototype.html = function(a) {
  return a === []._ ? this[0].innerHTML : this.each(function(b) {
    b.innerHTML = a;
  });
};

$.prototype.parent = function() {
  return (this.length < 2) ? $(this[0].parentNode): [];
};

$.prototype.remove = function() {
  return this.each(function(b) {
    b.parentNode.removeChild(b);
  });
};

$.trim = function(a) {
  return a.replace(/^\s+|\s+$/g, '');
};

$.prototype.trigger = function(a) {
  if (document.createEvent) {
    var event = document.createEvent('HTMLEvents');
    event.initEvent(a, true, false);
    this.each(function(b) {
      b.dispatchEvent(event);
    });
  } else {
    this.each(function(b) {
      b.fireEvent('on' + a);
    });
  }
};

$.prototype.is = function(a) {
  var m = (this[0].matches || this[0].matchesSelector || this[0].msMatchesSelector || this[0].mozMatchesSelector || this[0].webkitMatchesSelector || this[0].oMatchesSelector);
  if (m) {
    return m.call(this[0], a);
  } else {
    var n = this[0].parentNode.querySelectorAll(a);
    for (var i = n.length; i--;) {
      if (n[i] === this[0]) {
        return true;
      }
    }
    return false;
  }
};

"filter map".split(" ").forEach(function(m) {
  $[m] = function(a, b) {
    return a[m](b);
  };
});

$.stop = function(e) {
  if (!e.preventDefault) {
    e.returnValue = false;
  } else {
    e.preventDefault();
  }
};

$.param = function(obj, prefix) {
  var str = [];
  for(var p in obj) {
    var k = prefix ? prefix + "[" + p + "]" : p, v = obj[p];
    str.push(typeof v == "object" ? $.param(v, k) : encodeURIComponent(k) + "=" + encodeURIComponent(v));
  }
  return str.join("&");
};

// var p = new $.Deferred();
// p.resolve(n);
// return p.promise();

$.ajax = function(a, b, c) {
  var xhr = new XMLHttpRequest();
  var p = new $.Deferred();
  // 1 == post, 0 == get
  var type = (typeof(b) === 'object') ? 1: 0;
  var gp = ['GET', 'POST'];
  xhr.open(gp[type], a, true);
  var cb = (!type) ? b: c;
  if (typeof(c) === 'undefined' && typeof(b) !== 'function') {
    cb = function(){};
  }
  xhr.onerror = function() {
    p.reject(this);
    cb(this, true);
  };
  xhr.onreadystatechange = function() {
    if (this.readyState === 4) {
      if (this.status >= 200 && this.status < 400){
        p.resolve(this.response);
        cb(this.response, true);
      } else {
        p.reject(this);
        cb(this, true);
      }
    }
  };
  if (type) {
    xhr.setRequestHeader('Content-type', 'application/x-www-form-urlencoded');
    xhr.send($.param(b));
  } else {
    xhr.send();
  }
  xhr = null;
  return p.promise();
};

/**
 * Deferred and When for ki.js by James Doyle (james2doyle)
 * ---
 * ki.js homepage https://github.com/dciccale/ki.js
 * Almost a straigh copy from
 * https://github.com/warpdesign/deferred-js by Nicolas Ramz
 */
(function(ki) {
  function isArray(arr) {
    return Object.prototype.toString.call(arr) === '[object Array]';
  }

  function foreach(arr, handler) {
    if (isArray(arr)) {
      for (var i = 0; i < arr.length; i++) {
        handler(arr[i]);
      }
    } else
      handler(arr);
  }

  function D(fn) {
    var status = 'pending',
      doneFuncs = [],
      failFuncs = [],
      progressFuncs = [],
      resultArgs = [],

      promise = {
        done: function() {
          for (var i = 0; i < arguments.length; i++) {
            // skip any undefined or null arguments
            if (!arguments[i]) {
              continue;
            }

            if (isArray(arguments[i])) {
              var arr = arguments[i];
              for (var j = 0; j < arr.length; j++) {
                // immediately call the function if the deferred has been resolved
                if (status === 'resolved') {
                  arr[j].apply(this, resultArgs);
                }

                doneFuncs.push(arr[j]);
              }
            } else {
              // immediately call the function if the deferred has been resolved
              if (status === 'resolved') {
                arguments[i].apply(this, resultArgs);
              }

              doneFuncs.push(arguments[i]);
            }
          }

          return this;
        },

        fail: function() {
          for (var i = 0; i < arguments.length; i++) {
            // skip any undefined or null arguments
            if (!arguments[i]) {
              continue;
            }

            if (isArray(arguments[i])) {
              var arr = arguments[i];
              for (var j = 0; j < arr.length; j++) {
                // immediately call the function if the deferred has been resolved
                if (status === 'rejected') {
                  arr[j].apply(this, resultArgs);
                }

                failFuncs.push(arr[j]);
              }
            } else {
              // immediately call the function if the deferred has been resolved
              if (status === 'rejected') {
                arguments[i].apply(this, resultArgs);
              }

              failFuncs.push(arguments[i]);
            }
          }

          return this;
        },

        always: function() {
          return this.done.apply(this, arguments).fail.apply(this, arguments);
        },

        progress: function() {
          for (var i = 0; i < arguments.length; i++) {
            // skip any undefined or null arguments
            if (!arguments[i]) {
              continue;
            }

            if (isArray(arguments[i])) {
              var arr = arguments[i];
              for (var j = 0; j < arr.length; j++) {
                // immediately call the function if the deferred has been resolved
                if (status === 'pending') {
                  progressFuncs.push(arr[j]);
                }
              }
            } else {
              // immediately call the function if the deferred has been resolved
              if (status === 'pending') {
                progressFuncs.push(arguments[i]);
              }
            }
          }

          return this;
        },

        then: function() {
          // fail callbacks
          if (arguments.length > 1 && arguments[1]) {
            this.fail(arguments[1]);
          }

          // done callbacks
          if (arguments.length > 0 && arguments[0]) {
            this.done(arguments[0]);
          }

          // notify callbacks
          if (arguments.length > 2 && arguments[2]) {
            this.progress(arguments[2]);
          }
        },

        promise: function(obj) {
          if (typeof(obj) === 'undefined') {
            return promise;
          } else {
            for (var i in promise) {
              obj[i] = promise[i];
            }
            return obj;
          }
        },

        state: function() {
          return status;
        },

        debug: function() {
          console.log('[debug]', doneFuncs, failFuncs, status);
        },

        isRejected: function() {
          return status === 'rejected';
        },

        isResolved: function() {
          return status === 'resolved';
        },

        pipe: function(done, fail, progress) {
          return D(function(def) {
            foreach(done, function(func) {
              // filter function
              if (typeof func === 'function') {
                deferred.done(function() {
                  var returnval = func.apply(this, arguments);
                  // if a new deferred/promise is returned, its state is passed to the current deferred/promise
                  if (returnval && typeof returnval === 'function') {
                    returnval.promise().then(def.resolve, def.reject, def.notify);
                  } else { // if new return val is passed, it is passed to the piped done
                    def.resolve(returnval);
                  }
                });
              } else {
                deferred.done(def.resolve);
              }
            });

            foreach(fail, function(func) {
              if (typeof func === 'function') {
                deferred.fail(function() {
                  var returnval = func.apply(this, arguments);

                  if (returnval && typeof returnval === 'function') {
                    returnval.promise().then(def.resolve, def.reject, def.notify);
                  } else {
                    def.reject(returnval);
                  }
                });
              } else {
                deferred.fail(def.reject);
              }
            });
          }).promise();
        }
      },

      deferred = {
        resolveWith: function(context) {
          if (status === 'pending') {
            status = 'resolved';
            var args = resultArgs = (arguments.length > 1) ? arguments[1] : [];
            for (var i = 0; i < doneFuncs.length; i++) {
              doneFuncs[i].apply(context, args);
            }
          }
          return this;
        },

        rejectWith: function(context) {
          if (status === 'pending') {
            status = 'rejected';
            var args = resultArgs = (arguments.length > 1) ? arguments[1] : [];
            for (var i = 0; i < failFuncs.length; i++) {
              failFuncs[i].apply(context, args);
            }
          }
          return this;
        },

        notifyWith: function(context) {
          if (status === 'pending') {
            var args = resultArgs = (arguments.length > 1) ? arguments[1] : [];
            for (var i = 0; i < progressFuncs.length; i++) {
              progressFuncs[i].apply(context, args);
            }
          }
          return this;
        },

        resolve: function() {
          return this.resolveWith(this, arguments);
        },

        reject: function() {
          return this.rejectWith(this, arguments);
        },

        notify: function() {
          return this.notifyWith(this, arguments);
        }
      }

    var obj = promise.promise(deferred);

    if (fn) {
      fn.apply(obj, [obj]);
    }

    return obj;
  }

  var when = function() {
    if (arguments.length < 2) {
      var obj = arguments.length ? arguments[0] : undefined;
      if (obj && (typeof obj.isResolved === 'function' && typeof obj.isRejected === 'function')) {
        return obj.promise();
      } else {
        return D().resolve(obj).promise();
      }
    } else {
      return (function(args) {
        var df = D(),
          size = args.length,
          done = 0,
          rp = new Array(size); // resolve params: params of each resolve, we need to track down them to be able to pass them in the correct order if the master needs to be resolved

        for (var i = 0; i < args.length; i++) {
          (function(j) {
            var obj = null;

            if (args[j].done) {
              args[j].done(function() {
                rp[j] = (arguments.length < 2) ? arguments[0] : arguments;
                if (++done == size) {
                  df.resolve.apply(df, rp);
                }
              })
                .fail(function() {
                  df.reject(arguments);
                });
            } else {
              obj = args[j];
              args[j] = new Deferred();

              args[j].done(function() {
                rp[j] = (arguments.length < 2) ? arguments[0] : arguments;
                if (++done == size) {
                  df.resolve.apply(df, rp);
                }
              })
                .fail(function() {
                  df.reject(arguments);
                }).resolve(obj);
            }
          })(i);
        }
        return df.promise();
      })(arguments);
    }
  };
  /**
   * bind these new functions to ki
   */
  ki.Deferred = D;
  ki.when = D.when = when;
})($);
})();

// end of ki.extend

/**
 * Simple data attribute access for ki.js
 *
 * @version 0.2
 * @author Fabian Wolf (@link http://usability-idealist.de/)
 * @require ki.extend.js
 */

/**
 * Is data attribute set?
 */
(function() {

	$.prototype.hasData = function( a ) {
		return this[0].hasAttribute( 'data-' + a );
	};

	/**
	 * Retrieve OR set given data attribute (multi-purpose ;))
	 */
	$.prototype.data = function( a, b ) {
		if( typeof( b ) != 'undefined' ) { // b is set, thus its set
			$(this[0]).setData( a, b );
		} else { // b is not set, thus its get
			return $(this[0]).getData( a );
		}
	};

	$.prototype.getData = function( a ) {
		//return $(this[0]).data( a );
		return this[0].getAttribute( 'data-' + a );

	};

	/**
	 * Set given data attribute to specific value
	 */

	$.prototype.setData = function( a, b ) {
		this[0].setAttribute( 'data-' + a, b );
	};

	$.prototype.addData = function( a, b ) {
		var c = this[0].getAttribute( 'data-' + a );

		c = ( typeof( c ) != 'undefined' ? c + b : b );

		this[0].setAttribute( 'data-' + a, c );
	}

})();

redpajama_set_name: RedPajamaGithub


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