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Q: How can Booker and Comstock meet? If the two worlds in which Booker/Comstock exists are completely separate, how did one get into the other? What exactly happens in the ending? Why is there a reference to Rapture from the first Bioshock game?

 Booker DeWitt is actually Zachary Comstock, as they are both the same person. Booker Dewitt, after going through war (Battle of Wounded Knee), a gambling addiction, and alcoholism, loses his child Anna to repay some debts.  After questioning himself, he decides to go for a baptism. However, at the last second in one universe, Booker rejects the baptism, and in another universe, he goes through with it and is "reborn" as Zachary Comstock. What I'm more curious about is how does Zachary Comstock enter Booker DeWitt's world.

There had to be a reason why Zachary Comstock did not want Booker Dewitt to capture Elizabeth; he had to label Booker as a false prophet.  Was this to keep their society alive (if Booker showed Elizabeth the "truth", would everything they created cease to exist)?

A: What a lot of people don't seem to realize is that Comstock is a completely different person that the Booker we play as. Yes, they are the same person physically, but mentally they went on to live completely different lives after a turning point in their lives. We don't even know his original purpose in kidnapping Elizabeth from our Booker. I'm sure it has something to do with the Lutece twins though and his need for an heir.
My theory is that Comstock has his reasons for wanting to purge the world in fire(most likely because of what happened at the Battle of Wounded Knee). So at some point he probably meets the Letece twins and they help him create the machine to go into other worlds. Now we also know that he needed an heir for his throne according to the Arc Angel Gabriel, well the problem is, he's sterile. So he most likely gets the idea to kidnap Anna/Elizabeth from our Booker. He uses Booker's debt as a means to acquire her from him.
So now that Comstock has Elizabeth he has to get rid of anyone who knows the truth i.e. the Letece twins and Lady Comstock. But the Twins are aware that they exist in more than one universe and because of that they use Booker to undo all the wrong they did. Thus the events of the game unfold. The same thing applies to Elizabeth, at the end of the game she realizes that she is a constant force in every universe, that is also why she says she can see through all the doors and see each outcome.
Comstock's reasons for keeping Elizabeth locked up are:
A) He does not want Booker getting to her
B) He is preparing her to take over as his heir
So back to the ending we learn that Booker is just a pawn in a never ending cycle that is slightly different each time, hence why they say "Constants and variables". The Constants are Elizabeth, Booker and Comstock and the variables are all the small changes that happen to him. So now that Booker learns he will always become Comstock and always stay as Booker Dewitt he let's Elizabeth kill him to stop everything from happening. By doing this he cancels out the cycle stopping any of these events from happening.
But by doing this he creates a new cycle where he keeps Anna/Elizabeth as a baby. This also means he most likely has no memory of anything that happened in the game.
The reason I think Elizabeth has all these powers is possibly because she came from a different universe and grew up reading books on Quantum Physics enabling her with the ability to manipulate the fabric of time.
Now one of my theory on the visit to Rapture in the end is that it's just another outcome of "Constants and Variables". Andrew Ryan is Comstock, Booker DeWitt is Atlas and Elizabeth is Jack and Rapture in Columbia. Now you also have to take into account all the different variables that could have happened to lead to this outcome.
It is also possible that Bioshock 1 and 2 could just be another part of the cycle and have nothing to do with Infinite besides the fact that they exist in the same universe.
The whole thing makes your head hurt when you try to figure it out, which is what makes me love the story so much. Nothings better than a game that gets you thinking. I will say though the story in this game really takes away from the first 2, It's like why do those stories even matter, but I guess the best way to look at it is a new story in a never ending book. Also this is all just my take on what happened and how I think everything went down.
The title also makes sense now, It's called Bioshock Infinite because there is an infinite number of possibilities.

A:
What I'm more curious about is how does Zachary Comstock enter Booker DeWitt's world. If the two worlds in which Booker/Comstock exists are completely separate, how did one get into the other?

"One man goes into the waters of baptism. A different man comes out, born again. But who is that man who lies submerged? Perhaps that swimmer is both sinner and saint, until he is revealed unto the eyes of man."
– Zachary Hale Comstock, "Everyman, All at Once"
"A young Booker participates in the massacre at Wounded Knee and is tramautized by the experience.  Booker considers baptism as a means of escaping his sin. In one universe ... Booker refuses, believing that a baptism cannot erase sin. In another universe ... Booker accepts the baptism and is 'born again' as Comstock. The crucial split occurs here. Comstock and Booker both reflect on their actions at Wounded Knee (though nobody remembers Comstock being there since he assumed a new identity, Comstock reflects on his time at Wounded Knee in one of his Voxophone voice records)."***
The baptized Booker DeWitt (now known as Comstock) has funded Rosalind Lutece's (whose research allowed for technology that makes Columbia fly) research of Lutece Fields (which led to the tears), which is how he gleaned through other worlds and where he got his "prophecies". The tears made him sterile and grow prematurely old. This is why Comstock looks way older than unbaptized Booker, even though they should have been the same age, which is 38 during most of the events of the game).
From his "prophecies" he learned that "it is his 'seed' that will essentially bring about the next apocalypse by raining fire on the land below and having Columbia serve as the next 'ark'".***
This made Comstock hatch a plan to take his alternate universe counterpart's (unbaptized Booker DeWitt) baby (Anna/Elizabeth) and groom her to be his successor, with the assistance of and using the technology (tears) made by Rosalind Lutece.
Comstock and Rosalind Lutece was assisted by Rosalind Lutece's alternate universe counterpart, Robert Lutece (same universe as unbaptized Booker DeWitt), who has been able to communicate with Rosalind Lutece by communicating through "Lutece Fields", which he also discovered in his universe.
Booker DeWitt (unbaptized) feeling guilty about the events of the Wounded Knee massacre, dealt with his guilt by gambling. He then built up a huge debt to "people one would not want to owe money to".
To forward Comstock's plan, Robert Lutece approached Booker DeWitt claiming that he will "wipe away the debt" if Booker sold his baby (Anna) to Comstock. Booker DeWitt realizes/remembers in the end of the game that it was Robert Lutece who asked him to "bring us the girl and wipe away the debt".
Booker DeWitt agreed to the terms and gave up Anna to Comstock. (Comstock traveled through a tear to get Anna.) However, Booker tried to stop Comstock from taking Anna in the last minute, but failed to do so. More info regarding this event here: How did Elizabeth lose her small finger?

Why is there a reference to Rapture, from Bioshock 1?

"Rapture story is a variable of this story in an alternative universe, but they're not the same people and not in the same time (by the way, that would put Andrew Ryan in his 90's during the events of the first game, which obviously isn't true). Elizabeth said there's always a man and always a city, but she didn't say it was always the same man and city. There are an infinite number of possible variations of men and cities, each with their own infinite variations. That's the multiverse theory: infinite worlds with infinite possibilities."
Source: comment at Reddit /r/BioShock post, "My detailed ending explanation. My attempt at the most accurate ending explanation/discussion. [Ultimate Spoilers]" by Reddit user, brokenbirthday
"Andrew Ryan is related to Comstock in a universe that plays out with different 'variables':
Throughout BioShock, the bathyspheres are used by Jack as a mode of transportation to travel around Rapture and its 'abandoned' city sections. It is revealed that Jack can use the bathyspheres only because his genetic signature is close enough to Ryan's that the security system doesn't deny him access. Sullivan clearly states this in one of his Audio Diaries 'Sisters, cousins — anyone in the ballpark genetically will be able to come and go as they see fit.'
--- Booker is able to use the bathysphere to reach the surface. This occurs after the civil war when genetic restrictions on Bathysphere travel were put in place to stop rebels/dissidents from escaping."***
"Elizabeth needed a place to destroy Songbird, and the best place would be deep underwater, where he wouldn't be able to survive under immense pressure. This is seen in many of Fink's blueprints concerning Songbird and Songbird's reaction to water, seen the first time he attacks you when you and Elizabeth crash into Battleship Bay.
Another reason is to tie Columbia and Rapture thematically. Rapture, like Columbia, is very much a dystopia, and the game BioShock holds many similarities with BioShock Infinite. This suggests that Rapture is an alternate dimension of Columbia. This is further exemplified when Elizabeth mentions 'There's always a lighthouse, there's always a city, there's always a man"' pointing to the main thematic similarities between both cities, and the overarching themes of the series and possible future iterations of the series."
Source: Reddit /r/BioShock post, "Bioshock Infinite: The Ultimate Spoiler FAQ" by Reddit user, awchern

There had to be a reason why Zachary Comstock did not want Booker Dewitt to capture Elizabeth; he had to label Booker as a false prophet. Was this to keep their society alive (if Booker showed Elizabeth the "truth", would everything they created cease to exist)?

"It is one thing to imagine one's future, and another to see it. I have seen the seeds of fire that will prepare the Sodom below for the coming of the Lord. But Elizabeth shall sow those seeds, not I. I will fall before the job is done...but she shall take up my mantle. The Lord is calling me home. I feel His love in every tumor, because they are the train which takes me to his station. And I go with joy, knowing that Elizabeth will take my earthly place. But the False Shepherd is coming to lead my Lamb astray. I will not board that train until she is safe from his deceptions."
– Zachary Hale Comstock, "A Reward, Deferred"
"And the Lord saw the wickedness of man was great. And He repented He had made man on the Earth." Rain! Forty days and forty nights of the stuff. And He left not a thing that walked alive. You see, my friends, even God is entitled to a do-over. And what is Columbia if not another Ark, for another time?"
– Zachary Hale Comstock, "Another Ark for Another Time"
Comstock has received "a prophecy that it is his 'seed' that will essentially bring about the next apocalypse by raining fire on the land below and having Columbia serve as the next 'ark'".***
Booker DeWitt has seen this event in a dream (New York in flames) and has actually seen it when an older Elizabeth (from an alternate universe where Booker failed to rescue her) showed it to him. The older Elizabeth in that alternate universe was broken by prolonged capture and hopelessness because Booker failed to rescue her, that she gave in to that universe's Comstock's indoctrination. Comstock doesn't want Booker to stop this "prophecy" of his from happening.

What exactly happens in the ending?

This BioShock Infinite Timeline posted in the Reddit /r/BioShock subreddit by Reddit user, haettenschweiler, gives a great explanation of that:
(click on image preview below to view complete, original-size image)

Other questions with answers where the ending is expounded upon are:

*

*How does the ending fix anything?

*What was up with the coin flip question?

*How is the after credits scene possible? (Spoiler)

* Source: Reddit /r/BioShock post, "My detailed ending explanation. My attempt at the most accurate ending explanation/discussion. [Ultimate Spoilers]" by Reddit user, Jusicarchon

A: Here's what I've worked out so far:
There is a single moment in Booker's history that forks into two sets of multiple universes.
In one set, he does not go through with the baptism, so all his sins from the war still weigh on him, making him spiral out of control into drinking and gambling. Some time after the (failed) baptism he gets married and has Anna (I don't know if there is an official source that says he has Anna before the baptism, but everything works if he had her after)
In the other set, he goes through with it, he becomes Comstock, builds Columbia, becomes sterile, needs an heir, and decides to buy Anna from a Booker in the previous set.
This happens a lot of times, in a lot of universes, with always the same (similar) results.
The first Booker regrets the decision, tries to get her back, and everything that happens in the game unfolds as he tries to find her with the help of Luteces, who have their own agenda (to undo what they did, specifically, building the machine which is tearing the space-time continuum).
So, the only reason to stop the multiverse from collapsing, is to avoid building the machine, ie, stopping Columbia from being built.
What we see at the end, is Elizabeth drowning all the Bookers from the second set, all versions that would become Comstock are killed (smothered while being born, as Booker says near the end).
I believed they only killed the ones from that set, so the original Bookers are still alive, but they never sold their Annas, and that's what we see in the scene at the end (post credits)

A: From what I understood, Comstock is Booker, Booker is Comstock, Comstock being Booker if he had been baptized in a different parallel universe. Comstock entered the universe you play in through a machine (shown in the cinematic where = Elizabeth/Anna's finger is cut off) that created a portal to that universe.
EDIT: Booker + baptism = Comstock = No Elizabeth/Anna
Booker - baptism = Booker = Elizabeth/Anna
Booker + Comstock + Portal Machine = Bioshock: Infinite
Basically Booker let himself get killed by Elizabeth/Anna to kill every Comstock.

A: Booker becomes comstock because he gave his daughter away and gets baptised to rid himself of his "sins" aka all the stuff in the war, the gambling, drinking then giving her away ect..
Rebaptised as Zachery Comstock he became obsessed with getting his daughter back and other fanatical ideas through redemption of religion.
As Comstock the prophet he gains wealth and funds the Scientist/physicist Lutece's time tear portal machine. Comstock travels back to a troubled booker who has been gambling and drinking(and i assume lost his wife everything)Then gets the Luteces to offer to wipe his debts/sins for the Girl(his daugher Anna who will become Elizabeth) and Comstock takes her back to his timeline.
i assume Elizabeth has time tearing skills due to being a child from a past/different timeline being brought into one she isnt supposed to be in through a time portal.
The Lutece's question their actions as wrong after being killed by Comstock but realising they still exist in different timelines.
The Lutece's send The Booker(our booker we know) that gave his child away to the future, but his memories are muddled and he thinks hes going "to get the girl to wipe his debt"..
In the end he realises this time line will keep happening as he will become comstock no matter what because this booker GAVE AWAY ELIZABETH. So he lets them drown him to end this timeline.
after the credits it is implied he wakes up to have anna/Elizabeth in the next room.. meaning a NEW COMSTOCK FREE timeline has begun because now he wont give her away and wont become comstock.
its all basically to do with Quantum Physics, mind blowing when you think about it all!

A: As I writed in other answer, looking at this ending without post-credit scene is not complete experiance.
This last moments make me think that DeWitt earns his redemption by killing all wrong/bad possibilities or maybe like a Siren he lives between death and living in his dream with Anna.

A: what i got from it was that comstock was sterile after the baptism, and needed an heir, and as comstock is booker anna/elizabeth is a suitable heir. the reason that anna/elizabeth drowned booker was to prevent the future of comstock and booker therfor destroying all that has happened and preventing the wars, however there would still be a realm where he has decided that he wont be drowned and live on making booker and comstock again.

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In addition to worrying about everyday tasks and activities, people with GAD might worry about punctuality, conformity and perfectionism, the latter making them so unsure of themselves that they need to redo tasks in order to meet their perceived level of perfection.
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Operating at a heightened level of anxiety also makes those who suffer from GAD more prone to being on edge, and thus, more easily startled. When combined with fatigue or feeling exhausted from lack of quality sleep, it can increase the tendency to be moody or irritable.


Dublin Doc Fest is a short documentary film festival and screenings based in Dublin, Ireland, showcasing the work of both Irish and International filmmakers. Founded in 2013 by documentary filmmaker Tess Motherway, the festival's objective is to create a new platform for short documentary film in Ireland – to give it its own space and context for exhibition – in carefully curated programmes. We believe Ireland fosters a high standard of documentary filmmaking. We want to create opportunities for these films to have a longer life – to place Dublin firmly on the map as an international destination for documentary film.
Each screening brings together unique stories from some of the most original voices working in documentary film today. We love non-traditional screening spaces and always strive to exhibit our films against the backdrop of Dublin's most iconic and beloved spaces. Previous venues include The Sugar Club, The Reading Room of The National Library of Ireland, City Assembly House & Teeling Whiskey Distillery.


Cardiology and vascular disease clinical trials are extremely important since as of 2007 heart disease is ranked as the number one cause of death in the U.S., England, Canada, and Wales. It accounts for approximately 25% of deaths each year.
Cardiology and vascular disease clinical trials look at symptoms such as the heart not getting enough blood, irregular heartbeats and chest pains. These are often caused by common heart disorders like angina, atrial fibrillation, high blood pressure (hypertension), high cholesterol, and peripheral vascular disease. If you have been diagnosed with a vascular disease or other heart disorder you may qualify to participate in a cardiology and vascular disease clinical trial.
What is Cardiology / Vascular Disease?
Cardiology is a field of medicine that diagnoses and treats disorders of the heart. Vascular disease is a specific area of cardiology dealing with heart disorders that affect the blood vessels. Common ailments that the field of cardiology and vascular disease deal with include angina, atrial fibrillation, high blood pressure (hypertension), high cholesterol, and peripheral vascular disease.
Doctors in this field are known as cardiologists, not to be confused with cardiac surgeons. Since there are several different areas of the heart that can be affected by disease there are many cardiology and vascular disease clinical trials. Different areas that are studied include the heart muscle, the outer lining, the heart valves, and the blood vessels. Devices used to help cardiologists treat heart disorders include things like pacemakers, defibrillators and artificial hearts.


FARGO, ND – A trio of power play goals proved too much for the Youngstown Phantoms to overcome as they dropped Game One of the Clark Cup Final 4-1 to the Fargo Force Friday night at Scheels Arena. Fargo leads the best-of-five series one-game-to-none.
Youngstown got on the board with a power play goal of their own at 17:35. Michael Joyaux blasted a one-timer from center point past Strauss Mann (24 saves) to cut the Phantoms' deficit in half at 2-1 but Youngstown would get no closer. Fargo stretched their lead back to two with another power play goal, this one from Ben Meyers 3:43 into the third, and Garrett Van Wyhe scored an empty netter at 17:51 to push Fargo to victory.
Game Two of the Clark Cup Final will be tomorrow night at Scheels Arena with puck drop scheduled for 8:10pm Eastern. The game will be broadcast on HockeyTV and simulcast on YPHR.


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"The Department of Defense is on its way to building an elite, modern cyberforce," Hagel said in a speech prepared for the retirement of Gen. Keith Alexander as head of the U.S. Cyber Command and NSA. "This force is enhancing our ability to deter aggression in cyberspace, deny adversaries their objectives, and defend the nation from cyberattacks that threaten our national security."
"Our nation's reliance on cyberspace outpaces our cybersecurity," Hagel said. "Our nation confronts the proliferation of destructive malware and a new reality of steady, ongoing and aggressive efforts to probe, access or disrupt public and private networks, and the industrial control systems that manage our water, energy and food supplies."


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Schwerin - Swerin en baix alemany - és una ciutat del nord d'Alemanya. És la capital de l'estat de Mecklemburg-Pomerània Occidental. El 2005 tenia una població de 97.045 habitants.

Història
Schwerin està envoltat de llacs. El més gran d'aquests llacs és el Schweriner See, amb una àrea de 60 km². Al mig dels llacs hi havia un assentament dels obotrites al principi del . L'àrea s'anomenava Zuarin, i el nom Schwerin se'n deriva.

El 1160 Enric el Lleó derrotà els obotrites i capturà Schwerin. La ciutat va esdevenir un poderós centre regional. El 1358 Schwerin esdevé part del ducat de Mecklemburg, convertint-se en la seva capital des de llavors. Al voltant del 1500 comença la construcció del castell de Schwerin, serà la residència dels ducs. Després de la divisió de Mecklemburg (1621), Schwerin es convertí en la capital del ducat de Mecklemburg-Schwerin, tret del període 1765 – 1837 que la capital s'establia a la ciutat de Ludwigslust.

Quan l'estat federat de Meklemburg Pomerània Occidental fou establert en 1990, Schwerin es convertí en la capital.

Persones de Schwerin
Nascudes
 Friedrich Tamms (1904-1987), arquitecte nazi
 Frederich Schröeder (1744-1816), actor i dramaturg
 Carl Lührss (1820-1882), compositor
 Thomas Mancinus (1550-1612), compositor
 Carl Schulz-Schwerin (1845-1913), pianista, pedagog musical i compositor.

Assassinades
 Marianne Grunthal, penjada el 2 de maig del 1945, durant un crim de la fase final per la SS per què s'havia alegrat de la mort de Hitler i de la pau imminent.

Referències

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James Reid on 'love and support' for Nadine Lustre: 'Let's focus on positivity'
James Reid calls for more positive energy for girlfriend Nadine Lustre
James Reid made a rare statement calling for positivity last night, December 14, not just as a boyfriend of Nadine Lustre, but as her creative collaborator in Careless Music Manila, of which he is a co-founder.
The actor took to Twitter last night, December 14, to make a strong declaration of support for Nadine, as well as his other Careless artists, seemingly directed at bashers of their groundbreaking musical collaboration. He wrote, "I love and support Nadine. Careless too. Don't question that. Of course, we don't condone any hateful comments towards anyone. Honestly I don't think it's worth anyone's time addressing them. Let's focus on positivity. Careless won't be working with anyone that insults my artists."
I love and support nadine. Careless too. Don't question that. Ofcourse we don't condone any hateful comments towards anyone. Honestly I don't think it's worth anyone's time addressing them. Let's focus on positivity ❤ Careless won't be working with anyone that insults my artists
— James Reid (@tellemjaye) December 14, 2018
The statement was met with glowing reviews from the JaDine fandom, receiving upwards of 250 replies as of writing.
He also announced that he will be releasing a new single called "Filipina Girl" which he co-wrote with Nadine. He said:
Can't wait for #filipinagirl! Can't take all the credit for the lyrics tho. Nadine helped me with the Tagalog 😂
James and Nadine made an appearance at the ABS-CBN Christmas Special last Tuesday, December 11. Their last big screen outing under Star Cinema was in the 2015 Vice Ganda comedy, "Beauty and the Bestie."
EXCLUSIVE: KierVi's Love Team Playlis starcinema.abs-cbn.com/2018/12/13/news/exclusive-kiervis-love-team-playlist-46176
DRESSING ROOM OF THE STARS: What happened behind-the-scenes at the ABS-CBN Christmas Special starcinema.abs-cbn.com/2018/12/12/photos/dressing-room-of-the-stars-what-happened-behind-t-46111
James Reid, alam na alam talaga ang magugustuhan ni Nadine! starcinema.abs-cbn.com/2018/12/2/news/james-reid-alam-na-alam-talaga-ang-magugustuhan-n-45696
Who's that guy?! James, nahuli si Nadine! starcinema.abs-cbn.com/2018/11/20/news/whos-that-guy-james-nahuli-si-nadine-45384
Did James Reid buy Nadine Lustre a sports car as a birthday gift? starcinema.abs-cbn.com/2018/11/2/news/did-james-reid-buy-nadine-lustre-a-sports-car-as-a-44949
Tags: celebrity jadine nadine lustre james reid careless music manila careless love team celebrity couple philippine movies philippine showbiz

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Watch Basketball or Nothing Full Series Online. The lives of the Chinle High School boys' basketball team based on the Navajo Nation reservation in Arizona.
Trailer: Shahs of Sunset


Click the link below to download the programming manual for this ESC. We strongly recommend you read this manual prior to using your ESC as some settings (such as cell type) must be set before operation. With the 18A Suppo ESC, the default cell type is "NiMh" and the default brake setting is "disabled." If using a lipoly battery, the cell type parameter must be changed prior to use. All parameters can be set using your transmitter.


text:
2016-2017 Goizueta Foundation Graduate Fellowships
Announcement published by M. Mendez on Monday, January 11, 2016
Area Studies, Atlantic History / Studies, Ethnic History / Studies, Latin American and Caribbean History / Studies, Immigration & Migration History / Studies
The Goizueta Foundation Graduate Fellowship Program provides assistance to doctoral students who wish to use the research resources available in the University of Miami Cuban Heritage Collection (CHC) in support of dissertation research. The goal of the Goizueta Foundation Graduate Fellowships is to engage emerging scholars with the materials available in the CHC and thus contribute to the larger body of scholarship in Cuban, American, Latin@, hemispheric, and international studies.
Launched in 2010 with a grant from The Goizueta Foundation, the program has grown to support the research of 67 emerging scholars from 35 universities. In 2015 the Foundation made a $1 million gift to endow the program as part of the University's Momentum2 campaign, allowing the CHC to continue awarding research funding to doctoral candidates from across the United States. The 2016-2017 award recipients will be the first class of Goizueta Fellows.
Graduate Pre-Prospectus Summer Fellowships
Pre-Prospectus Summer Fellowships will allow doctoral students to determine how the Cuban Heritage Collection may serve their research needs as they prepare the dissertation prospectus. These are exploratory fellowships to determine if research resources in the CHC will support a dissertation.
Fellowships of $1,500 will be granted for one month in residence between June 1 and August 31 of 2016.
Graduate Research Fellowships
Research Fellowships will support doctoral students who wish to use the Cuban Heritage Collection as a primary resource for a dissertation. Doctoral students applying for these fellowships will have completed their course work and passed their qualifying examinations. They will be prepared to pursue research based on an approved prospectus.
Fellowships of $3,000 per month will be granted for periods of one to three months. These fellowships will take place between June 1, 2016 and May 31, 2017.
All recipients must be in residence during the course of the fellowship and may not hold concurrent teaching positions.
Applications will be evaluated by independent reviewers based on
merit of the proposal
applicant's qualifications
demonstrated need to access the Cuban Heritage Collection's particular holdings
All U.S. citizens and permanent residents of the United States who are doctoral candidates enrolled at a university in the U.S. are eligible to apply.
Foreign nationals residing in the United States on F-1 student visas who are doctoral candidates enrolled at a university in the U.S. are eligible to apply.
Former Graduate Pre-Prospectus Fellows may apply for a Graduate Research Fellowship.
Applicants may be required to provide positive proof of residence.
All application materials must be received by Monday, February 1, 2016, and submitted electronically on Interfolio. Attachments are preferred as PDF files. Fellowship applicants must submit the following:
research statement: a project abstract of no more than 300 words
proposal: a project description of no more than 1,500 words
research plan: a list of Cuban Heritage Collection materials to be consulted during the fellowship period. The list need not be comprehensive but should demonstrate your specific need to carry out research at the Cuban Heritage Collection.
three confidential letters of reference
Apply here: http://apply.interfolio.com/32692
Questions about the fellowships program or application instructions should be directed to chc@miami.edu.
Annie Sansone-Martinez
chc@miami.edu
http://library.miami.edu/chc/fellows/


This program is designed to prepare students for initial employment as production assistants, audio/video equipment technicians, video/TV camera operators, video editors, multi-media artists/ animators and broadcast technicians. Students get hands-on training in the latest techniques for digital videography including professional video camera operation, on- and off-line editing, scripting, lighting, field/studio production, and video editing.
Audio & Video Equipment Technicians: Set up, or set up and operate audio and video equipment including microphones, sound speakers, video screens, projectors, video monitors, recording equipment, connecting wires and cables, sound and mixing boards, and related electronic equipment for concerts, sports events, meetings and conventions, presentations, and news conferences.
Camera Operators, Television, Video, & Motion Picture: Operate television, video, or motion picture camera to record images or scenes for various purposes, such as TV broadcasts, advertising, video production, or motion pictures.
Film & Video Editors: Edit moving images on film, video, or other media. May edit or synchronize soundtracks with images. Excludes "Sound Engineering Technicians".


Does this plugin have the ability to have multiple ticket types with different prices? For example: Members pay $20 & Non-members pay $30. Thanks!
I've looked and can't find an answer - but I am super stressed right now and further searching is not worth the nervous breakdown . . . so thanks for answering what might be a simple question that is probably staring me in the face.
You can absolutely create variable pricing for seats in an event. First of all, you need to activate MarketPress and enable the MarketPress addon from your Events+ settings. Secondly, create a MarketPress product with variations. Then navigate to your Event edit screen, set it as paid and select the product with the variations from the pricing. Please refer to this screenshot.
Thanks Nahid! Where is the screenshot?
Hi! Ok, I am still having issues with this. I'm going to try to get someone on chat.
I can't get it to get it to have multiple prices.


text:
\subsection{Feedback from the Royal Society Summer Science Exhibition 2017}
\label{sec:impactRoyalSociety}
As described in Section~\ref{sec:rsInstall}, the RSSE is an annual, week-long festival celebrating innovation and advancements in science, technology, engineering and mathematics (STEM) research by British research groups and companies.
It is open to all and free.
The audience ranges from school groups and the general public to politicians and celebrities.

In 2017, $10,123$ members of the public, $2002$ students and $262$ teachers visited the RSSE~\cite{RSSEdemo}.
School groups (age 14+) are required to register in advance to attend the dedicated sessions, bringing up to $25$ students per group~\cite{RSSE_2017_schoolguide}.
This means that students at the RSSE are more likely to be from schools with proactive class teachers who were motivated to pursue out-of-classroom activities, and the students themselves are a sub-selection from their year group or class (e.g., most interested, most likely to benefit from attending, etc.), biasing the sample compared to the entire population of schoolchildren.
The audience at the RSSE is therefore not ideal for engaging hard-to-reach demographics with research.

The Exhibition was an opportunity to showcase the LIGO Scientific Collaboration's work to both the public and to high-profile individuals.
The high foot-fall and many in-person interactions provided an occasion to gather feedback and measure the impact of our exhibit.

We created two types of survey that were used throughout the week.
The first used an established electronic survey platform, completed via a pair of tablets at the exhibit stand.
This targeted individuals or small groups, typically older teenagers or adults.
Questions typically asked the user to rate their opinion on a Likert scale from $1$ to $5$.
The second survey format was on paper, aimed at younger attendees by using a range of graphical question formats rather than the traditional multiple choice questionnaire.
This format was also better suited to large groups since the paper forms could be distributed quickly to an entire class.
The surveys were created to be short, with eight and ten questions for the paper and electronic versions respectively.
Both versions took no more than a few minutes to complete.

The questions within each of the two survey types were not identical (due to the different survey formats); however, both aimed to assess change in the individual's interest in physics and gravitational-wave research, as well as their interest in specific parts of the \textit{Listening to Eintein's Universe} stand.
The demographics of those surveyed through both formats are summarised in Table~\ref{tab:RSDemog}.
A conscious effort was made to maintain a gender balance across each session of those surveyed over the course of the week.

\begin{table}
\begin{tabular}{r|l}
\hline
\hline
\textbf{Survey respondents} & \textbf{Total (Paper $|$ Electronic)} \\
\hline
Total responses & $171$ ($63$ $|$ $102$)\\
\\
Identifying as:       & \\
               female   & $39\%$ ($34\%$ $|$ $40\%$)   \\
                 male   & $55\%$ ($52\%$ $|$ $58\%$) \\
  other/not specified   & ~$6\%$ ($14\%$ $|$ $2\%$) \\
\\
Aged 18 or under & $51\%$ ($84\%$ $|$ $31\%$) \\
\hline
\hline
\end{tabular}
\caption{\label{tab:RSDemog}
Demographic overview of survey respondents at the RSSE 2017.
The labels Paper and Electronic signify whether the information was gathered via paper form (used mostly for younger people) or the electronic form via tablet.
}
\end{table}

\begin{table*}
\begin{tabular}{r|ccc}
\hline
\hline
How much has your knowledge of gravitational waves changed? & \emph{No change} & \emph{Large increase} \\
                                                  (Electronic)  & $1\%$       & $80\%$ \\
\\
\hline
How much has your knowledge of LIGO changed? & \emph{No change} & \emph{Large increase} \\
                                    (Electronic) & $7\%$         & $66\%$ \\
\\
\hline
Rate your interest in physics before \& after visiting the RSSE$^*$ & 1-step increase & 2-step increase$^{**}$ \\
                                                                       (Paper) & $49\%$     & $13\%$     \\
\\
\hline
\hline
\end{tabular}
\caption{\label{tab:RSresults}
Selected survey results from the RSSE 2017. The left column shows the question where the labels Electronic and Paper are as described in Table~\ref{tab:RSDemog}. The right columns show some key results. \\
\scriptsize{
* $83\%$ of those specifying no change were already \emph{Highly} or \emph{Very highly} interested in physics before attending the RSSE.
Most people described their interest before the RSSE as \emph{OK} ($32\%$) or \emph{High} ($32\%$), and after the RSSE as \emph{Very highly} ($51\%$).
Percentage increase in interest across genders: female $75\%$, male $48\%$, other/undisclosed $75\%$.\\
** All of those specifying a 2-step increase were aged 11--16 ($22\%$ of 14--16 year-olds and $8\%$ of 11--13 year-olds)
}}
\end{table*}

A summary of responses to key survey questions is given in Table~\ref{tab:RSresults}.
While the surveys generally discussed the exhibit as a whole, many people spent a significant fraction of their time at the interferometer model, and, therefore, the results are considered reflective of the model gravitational-wave detector.

According to questions from the electronic survey,
 we found that \textit{Listening to Eintein's Universe} was successful in both its core goal of increasing people's awareness of gravitational waves ($80\%$ \emph{Large increase}), and in informing them about LIGO ($66\%$ \emph{Large increase}), which was just one of several research projects mentioned at the exhibit.
Similarly, the paper survey
 indicated that $62\%$ of those asked were more interested in physics than they were previously, while a large majority of the rest were already \emph{Highly interested} in physics before they arrived.
Further analysis was possible using the data from the paper forms.
The exhibit was particularly effective at engaging some of the 11--16 age range: all of those indicating a large increase in interest in physics ($8$ of the $63$ people surveyed) were in this age bracket.
It also effectively engaged girls, $75\%$ of whom indicated increased interest.
It is possible that this is a result of our efforts to deliberately include both male and female volunteers in every session of the exhibition.

These results indicate that we had a positive impact on those who attended, but cannot tell us more, such as long-term impact on the attendees, how we might improve our engagement with the public using the interferometer in the future, or how to reach audiences who have less prior interest in, or access to, STEM subjects.
This is an area of active exploration for the group in the future.

\subsection{Feedback from the Thinktank Futures Gallery Installation}

We now consider our exhibit installation in the Thinktank, with a focus on the audience reached and the changes we made over the course of the installation.
With a long-term installation, the exhibit can come into contact with more people over a prolonged duration.

In order to gauge the impact of our exhibit in this setting, we monitored visitor interactions with the exhibit and performed a short survey in the museum.
The number of survey participants was small, and thus robust conclusions could not be drawn based on response statistics.
Despite the small participation, we found some useful information and several areas of improvement were clear from observations of museum visitor behaviour and interaction.

In its first iteration, the exhibit was placed towards the back of the Futures Gallery in a relatively dark corner.
Opposite this position was one of the museum highlights: \emph{RoboThespian}, a talking, singing robot.
Many visitors were observed to head directly for the robot, skipping the back corner of the gallery entirely~\cite{FalkDierking2013}.
On the day of the survey, only $13$ of $200$ people who entered the gallery interacted with our exhibit.
In light of this behaviour, we have worked with the museum to place our exhibit closer to the gallery entrance, providing both a more prominent position, where visitors are liable to spend more time~\cite{FalkDierking2013}, and also offering better lighting to attract the visitor.

Of $13$ people who interacted with the exhibit, nine took part in the survey.
They were asked about their prior knowledge of gravitational waves.
We found that three had not heard of gravitational waves before seeing the exhibit and none had any awareness of the University of Birmingham's involvement in the discovery of gravitational waves.
All found the exhibit at least \emph{Quite informative} and \emph{Fairly easy to use}.

Our observations at the Thinktank, and our experiences at the RSSE, led us to make modifications to improve upon the museum installation design.
The initial installation did not have interaction buttons, or a navigable touch screen.
The only means of interaction with the exhibit was through a roller-ball mouse and a single click button.
In the RSSE, we found that the interaction worked well through the arcade-style buttons.
The subsequent addition of a touch screen has brought the exhibit more up-to-date with modern technology and, therefore, more familiar to the visitor~\cite{doi:10.1080/09500690701494050}.

Our future work will included continued monitoring of visitor interaction with the exhibit to assess the success of the modifications and new position, as well as further areas of improvement.

\subsection{Wider Impact}

We also consider the wider impact of this work.
The experience gained in designing, implementing and evaluating the exhibit, as well as exposure to science communication professionals, has enabled us to explore new means of sharing gravitational-wave science to non-expert audiences in engaging and accessible ways.
It has also led to further work beyond the exhibit itself.

One such project is an interdisciplinary collaboration with audio--visual digital artist Leon Trimble~\cite{LeonTrimbleurl}.
The project, \textit{Gravity Synth}, is a musical instrument combining a Michelson interferometer with a modular synthesiser~\cite{GravitySynth}.
The interference pattern from this interferometer is converted into sound via a photodiode, and processed through a modular synthesiser, exploring the relationship between gravitational waves, vibrations and sound.
The Gravity Synth has been performed at a variety of events ranging from arts and music festivals such as Lunar Festival (2018), Future Everything (2018) and The Superposition (2017), to science orientated events including Cheltenham Science Festival (2019), Pint of Science (2017), Interact Engagement Symposium (2017) and was featured on the BBC's Digital Planet 18th birthday show (2019)~\cite{GravitySynthBBC}.

We have also formed collaborations with other university departments who are keen to include a Michelson interferometer as part of their own public engagement schemes.
As a result of this work, our group has built a similar interactive interferometer for the University of East Anglia as well as additional smaller, more portable variations for our own use.
Our website~\cite{michWebsite} details component lists and instructions for use by others to build their own interferometer.
Alongside this, we are investigating making low-cost interferometer kits with novelty elements such as building blocks as a more affordable and fun means for schools to create their own Michelson interferometers similar to existing examples from the LIGO EPO group which use magnets ~\cite{LIGOIFOMagnets} and glue ~\cite{LIGOIFOGlue}.

\end{document}

\section{Introduction and Overview}
\label{sec:introAndOverview}

\subfile{introduction.tex}

\section{Design Considerations}
\label{sec:coreDesign}
\subfile{CoreDes.tex}

\section{Technical Design}
\label{sec:technicalDesign}
\subsection{Hardware}
\label{sec:directInteraction}
\subfile{directInteraction.tex}

\subsection{Software}
\label{sec:techSoftware}
\subfile{technicalSoftware}

\section{Long-term Installation at the Thinktank Birmingham Science Museum}
\label{sec:museumInstallation}
\subfile{museumInstallation.tex}

\section{The Royal Society Summer Exhibition}\label{sec:rsInstall}
\subfile{rsInstallation}

\section{Impact}\label{sec:impact}
\subfile{impact.tex}

\section{Conclusions and Future Activities}\label{sec:conclusionsAndFuture}
\subfile{conclusions.tex}

\section*{Acknowledgements}\label{sec:acknowledgements}
\subfile{acknowledgements.tex}

\bibliographystyle{myunsrt}

redpajama_set_name: RedPajamaArXiv


text:
Raindrops and Daydreams
A personal blog which documents a UK-based Sengoku Basara freak's ongoing quest to become even more immersed in anime, manga and games.
Sengoku Basara News
News roundup: Once again, even more Mame Sengoku Basara goodies are on the way
The range of Mame Sengoku Basara merchandise continues to expand
Fans of Mame Sengoku Basara continue to have an expensive year as the new merchandise just keeps on coming! Here are the latest additions.
Nine different Mame Sengoku Basara multi-purpose cloths priced at ¥600 each. They'll be available from mid-November 2014.
Three different Mame Sengoku Basara glasses priced at ¥1,200 each. They'll be released in mid-November 2014.
Another Mame Sengoku Basara tote bag, this time featuring Motonari and Motochika. It's due for release in December 2014 priced at ¥1,500.
A pair of Mame Sengoku Basara sports towels priced at ¥2,000 each. They'll be released in mid-November 2014.
Listings appear for a second Sengoku Basara 4 novel adaptation
Online bookstore Manga Oh has listed a new book for release on 8th November 2014 titled Sengoku Basara 4: Saikyou-Chouhan-hen ('Western Misfortune/Cho-han Arc'). There's a note that the title is not yet confirmed but given that it perfectly matches that of the previous book I think it's safe to assume it will stick, and the content will focus on Ishida Mitsunari and Shima Sakon. Takase Mie is credited as the writer and Haibara Yak will be providing illustrations once again.
I was wondering whether the novel series would continue just the other day so I looked it up; what a coincidence!
Need something warm and tasty on the battlefield? Try this spicy houtou stew!
Takeda Shingen's delicious houtou is the latest regional dish to be made available in official Sengoku Basara 4 packaging. As the stew is a speciality closely associated with the land of Kai, the kits went on sale on 8th October 2014 aimed at the tourist market in what is now Yamanashi Prefecture.
A Sengoku Basara stamp rally event will be held in Ueda
Sengoku Basara's Sanada Yukimura already adorns tourist sites all over Ueda, Nagano Prefecture, and now between 18th October and 30th November 2014 he's going to be the face of the Shinshuu Ueda x Sengoku Basara Stamp Rally ~Part 1 - Battle of Ueda: The Tokugawa Army Repelled~ campaign. There are two different ways that visitors to Ueda can participate in the stamp rally; they can either collect a stamp card and run around collecting stamps the old fashioned way to receive a B2 poster, or they can use their mobile phones to earn a smartphone wallpaper. If the mobile phone participants complete a survey they'll be entered into a draw to win one of the B2 posters as well.
Updates on the latest Ichiban Kuji prize draws
I was beginning to wonder whether the upcoming Ichiban Kuji V lottery had been cancelled as it had been such a long time since it was first announced! However, it turns out that Ichiban Kuji V: Sengoku Basara Judge End ~The Battle of Sekigahara~ is still going ahead on 15th November 2014 as planned and it's now been added to the official website. Entry slips will be sold in a variety of stores for ¥390 once the campaign commences.
In addition, the Judge End bath towels will start to appear in amusement arcades from 6th November 2014.
The Sengoku Basara 3 -Bloody Angel- manga goes on sale in Italy
I'm grateful to thebasariankaoru on Tumblr for mentioning this and sharing a picture as I hadn't realised that Panini Comics had begun publishing Itou Ryuu's Sengoku Basara 3 -Bloody Angel- series in Italy under their manga label! It seems to have an official publication date of 9th October 2014, and it's probably much easier for fans in the west to obtain than the Japanese editions - at least within Europe.
The English-speaking world is definitely lagging behind when it comes to official translations of the many Sengoku Basara manga spin-off series. I imagine that the grim tone of Sengoku Basara 3 -Bloody Angel- would be reasonably popular with English-speaking manga readers even if the original game is relatively obscure.
Labels: News, Sengoku Basara
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