Hover over a room and click for hardwood flooring inspiration for your home.
No matter your style, we have hardwood flooring that will set the stage for your culinary creations.
Hardwood flooring is gaining popularity in the bedroom, especially for its anti-allergy properties.
Hardwood flooring is excellent for entryways because it's easy to clean, can handle the traffic, and let's not forget, it looks beautiful!
Our hardwood flooring works well in the family room, especially with open concept layouts that are popular in home design.
Yes, even in your bathrooms! RCF Hardwoods engineered hardwood flooring can stand the test of time, even in your powder room, so long as you take care of it.
Hardwood flooring is great for dining rooms and eat-in kitchens.
Hardwood flooring is a cozy and easy-to-clean option for your library or office.
Your office/guest bedroom is a breeze to clean with hardwood flooring from RCF Hardwoods. Cozy and durable, you won't worry about spills or scratches either.
RCF's hardwoods work well in family bedrooms, especially as kids grow out of furniture and styles over the years. Your flooring will always be in style, hypoallergenic, and durable for moving furniture and handling stains.


Skiathos is the first island of the Sporades Islands complex, approximately 4 n.m from the coasts of Pelion (Katigiorgi-Platanias). The distance from Volos port is approximately 38n.m and the trip duration by boat is approximately 2.30hrs by ferryboat and 1.30 hrs by fast boat (hydrofoil). Please note that daily ferry boats/flying dolphin service is available from Agios Kostandinos port.
Getting to Skiathos from Athens, via Agios Kostandinos is easy; daily bus service combined with ferryboat or hydrofoil from Agios Kostandinos is available year around. For more details on how to come to Skiathos please visit the relative "Travel to Skiathos" section of this site.
Given that Skiathos is best know as the "Emerald of the Aegean", visitors get "their money's worth" by just glancing on the amazing scenery Skiathos offers, while approaching the port of Skiathos by sea. 69 golden beaches covering approximately 45 kilometres, limitless land covered with green plantation and pine trees and many historical monuments dating back to the 1800 make a scenery worth visiting and enjoying, on an island that has so many attractions and beauties to offer, while covering only approximately 45 square kilometres of area. Also it is worth noting that Skiathos has approximately five thousand local inhabitants.
Skiathos economy had been based on farming and agriculture for many decades (since the ancient years) with olives being the main agricultural product. Many people became writers, novelists and poets with Alexandros Papadiamandis and Alexandros Moraitidis being the most famous. Through their novels, both Alexandros Papadiamandis and Alexandros Moraitidis praised the local religious and cultural traditions. In turn, locals of Skiathos, known for their religious beliefs followed all traditions religious and cultural providing "food to the soul/spirit".
On the south side of Skiathos island, visitors can choose between many fully "organized" beaches, all of which offer an array of water sports and restaurants, giving a send of ultimate luxury, while on the north side of Skiathos, visitors can get a "wild feeling" of solidarity ideal for relaxation; both cases offer superb escape opportunities from the daily city routine.
For our friends that like hiking and walking, Skiathos offers numerous walkways through small rivers and around the mountains, many of which can lead you to old chapels and monasteries that date back to the 1800's.
Wondering throughout the town of Skiathos lets the visitor enjoy the cosmopolitan sense that the numerous restaurants, shops and night clubs offer. Continuing their walks through the traditional stone paved small streets (Kalderimia), visitors can see much of the traditional island style of building with many stone built homes with nice gardens. It is worth visiting the most traditional neighbourhood of Skiathos Plakes, and do not forget to visit the home of Alexandros Papadiamandis, along the main street of Skiathos, near the waterfront.
In closing, we would like to assure all guests that Skiathos is a great and safe place to be, as police and all medical authorities of the island strive to offer a great environment for your vacation.
We thank you for choosing the island of Skiathos for your vacation and promise that when leaving from our island you will have the bet summer vacation memories to cherish.


Today's post is the seventh in a 10-part series involving serendipitous and mysterious events and occurrences involving the date of Nov. 14th (the same date my mother died). These posts will be categorized as events that happened before Nov. 14, the day of Nov. 14th, and after Nov. 14, 2013. Enjoy!
The seventh serendipitous occurrence after Nov. 14th takes place in Peru and I can't think of a better place. Many of you may not be aware that Latin America (and Peru especially), has a mystical past that has been hidden from the general population. Horace Butler, author of When Rocks Cry Out, theorizes that when you read the ancient descriptions of the layout of Jerusalem, the Saksaywaman ruins in Cusco, Peru can be said to be the true location of Jeru(Peru)-salem of the Bible.
Given this information, I couldn't think of a better place to be doing my yearly 10-day Vipassana silence retreat than Peru. From Dec. 28th to Jan. 7th, I had the opportunity to send out energy during the last days of my mom's 49 day transitional period and pray for her peaceful and prosperous ascension. I'd like to share two powerful personal experiences in Peru related to a previous post (part 3 of 10) where I mentioned that my personal menstruation cycle began the day of Nov. 14th. Well, to continue the story, I started to become concerned when I noticed that my next cycle was way late and this has never happened in the past. Everyone told me that it must be related to stress related to my mother's death, but I wasn't certain because I thought I was processing everything well. Five weeks came, six weeks came and still no cycle. So, I just released my concern about the whole thing and focused on my goals during the silence retreat.
When January 1st came (the day of her ascension), I awoke like clock work at 11 pm (12am where my mother was living) to the sound of fireworks and tipped toed outside my room to watch the night sky light up in celebration of a new year. I had the most powerful, lucid dream just before then, and it was as if she was giving me instructions on how to handle four things that would come up in the future. After receiving that omen, I felt happy and assured that she had ascended with "flying colors." The fireworks, the New Year and the New Moon of January 1, 2014 just added to the story. My meditation for the whole day was great and I felt such joy in my soul to know that my mother had incarnated or ascended to a better place. So lo and behold, on Jan 2nd at around 12am, my cycle came like clockwork. To me, this symbolized the beginning of a new chapter in my life that is actually connected to the past.
And this brings me to my second powerful personal experience. Back in 1998 on Jan. 2nd, I had just completed my first silence retreat and it was on that day that I received the revelation to write a book of which I share the story on my first blog Coming Full Circle Countdown. The icing on the cake for me was when on Jan. 2nd, the llama in this picture shows up at the retreat for the first time to share a message with me. When I looked up the significance of llama animal medicine, it mentioned that the llama brings the energies of hard work, responsibility and endurance and reminds us to take balanced action with patience and persistence. These have been the exact traits needed in order to manifest my desire of creating the financial legacy needed to honor my mother's legacy with the Pushing Daisy Drive. Until next time!
Today's post is the sixth in a 10-part series involving serendipitous and mysterious events and occurrences involving the date of Nov. 14th (the same date my mother died). These posts will be categorized as events that happened before Nov. 14, the day of Nov. 14th, and after Nov. 14, 2013. Enjoy!
In order to share the sixth serendipitous occurrence to take place after Nov. 14th, I have to jump ahead of the story a bit. There are several other events that take place before the one I'll share today, but this one has a lot of relevance to last week's post. I'm kind of surprised I didn't see this one earlier; however, after spending 20 Days of Silence at a Vipassana retreat, there isn't much of anything that doesn't come up to the surface!
In April, I had an opportunity to attend my first 20-Day Vipassana silence retreat in Onalaska, Washingtion. I have been to 10 Day silence retreats in the past, but this was the first time that I would be in silence for 20 days! Needless to say, it was an amazing experience. It gave me the opportunity to truly process the death of my mother. I reminisced on all the good times growing up and all the hard and soft lessons I've learned that have helped to shape me into the person I am today. As I was flowing on this feast of feel good memories, the thought finally occurred to me to count the days from my mother's birthday on Sept. 26th to the day of her death. You guessed it! From Sept. 26th to Nov. 13th makes exactly 49 days! That was her last complete 49 day cycle on the earth plane. Now how does it get any stranger than that? Until next time!
Today's post is the fifth in a 10-part series involving serendipitous and mysterious events and occurrences involving the date of Nov. 14th (the same date my mother died). These posts will be categorized as events that happened before Nov. 14, the day of Nov. 14th, and after Nov. 14, 2013. Enjoy!
To make a long story short, I was at lunch with my friend in Peru explaining how my book Prayers of a Virgin: 52 Weeks of Poetic Inspiration and Personal Planetary Guidance with the Destiny Cards was motivated by my mother's death, when she reminded me that in the Tibetian tradition, a deceased person's spirit lingers in the spirit world for 49 days before it makes its transition to another realm or another reincarnation. From that conversation, I wondered what date 49 days from my mother's death was. You guessed it! It was January 1st! What made this special was that for 2014, January 1st was a new moon and a new year! How does it get any stranger than that? Until next time!
Today's post is the fourth in a 10-part series involving serendipitous and mysterious events and occurrences involving the date of Nov. 14th (the same date my mother died). These posts will be categorized as events that happened before Nov. 14, the day of Nov. 14th, and after Nov. 14, 2013. Enjoy!
The fourth serendipitous occurrence took place after Nov. 14th and has to do with my grandmother's death date. I had been spending days and hours organizing and clearing out all of my mother's belongings from where she was staying in St. Thomas, VI. This in itself was a challenging experience; however, nothing prepared me for the shocking surprise that forced my person to lie down for minute to process.
As I was going through one of my mother's files, I happened to come across my grandparent's death certificates. I discovered that my mother's mother also died on November 14th 56 years ago! This is amazing because not only was it the same date of the year (Nov. 14th) , but when I looked it up, I found it was also the same day of the week (Thursday). In my last post of this series, I mentioned how my mother and I believed that I had my grandmother's spirit, so this was a very personal and special revelation for me. Until next time!
Today's post is the third in a 10-part series involving serendipitous and mysterious events and occurrences involving the date of Nov. 14th (the same date my mother died). These posts will be categorized as events that happened before Nov. 14, the day of Nov. 14th, and after Nov. 14, 2013. Enjoy!
The third serendipitous occurrence took place the day of Nov. 14th and has to do with my cycle, as in my personal menstruation cycle. My mother was in intensive care the night before, and I remember staring out of my best friend's balcony the whole night praying that G.O.D's will be done and asking for acceptance in whatever the outcome. There was a part of me that was in denial that my mother could actually be leaving this planet. I never thought the day would come, especially now, especially like this.
I noticed a particular star outside that seemed to be twinkling and talking to me solely. Whatever it conveyed to me telepathically seemed to give me the courage to completely surrender the outcome in G.O.D's most capable hands, releasing attachment in every way. It felt like I was breathing my last breath to be surrendering like this, but I knew it was necessary to embrace the reality of the moment.
As you can guess, getting that call at 5:34 am from my brother telling me my mother passed away was a major blow, but there was also a sense of peace because I had that faith in knowing this was G.O.D's will. A circle of pain, confusion and disbelief may have been hoovering all around the surface of my existence, but at the center there was an indescribable faith and knowing that a new and necessary chapter in my life had begun as my mother's had ended. You see, I believe me and my mother have been traveling together across lifetimes, and she even told me that I reminded her of her mother the day I was born. Whatever the reason for this phenomena, I sense the purpose has been to protect, prepare and promote each other's spiritual development as we go.
So, as I said farewell (for now), to my fellow life traveler on this earth plane, it would make sense, symbolically, that I'd start my menstruation cycle on the same day. Yet, it doesn't end there. There is another event that I'll share later that makes this even more serendipitous and mysterious. Until next time.
Today's post is the second in a 10-part series involving serendipitous and mysterious events and occurrences involving the date of Nov. 14th (the same date my mother died). These posts will be categorized as events that happened before Nov. 14, the day of Nov. 14th, and after Nov. 14, 2013. Enjoy!
The second serendipitous occurrence to take place before Nov. 14th has to do with a KTL BlogTalkRadio broadcast on Nov. 6th, 2013. The first and most obvious thing to note is that the twins that host the show, Blue Pill and Red Pill, were born on Nov. 14th! But then it gets deeper.
Since each Saros family happens every 18 years, the one that happened previously was on Oct. 24, 1995 (the same date as the last day of Durga Puja that I wrote about when my mother was first hospitalized a year earlier). The next one in this series will take place (you guessed it) on Nov. 14, 2031. All the while I was listening intrigued by the significance this eclipse had for the Pill's family, little did I know what it would mean for me in about a week! Until next time.
Today's post is the first in a 10-part series involving serendipitous and mysterious events and occurrences that have taken place on Nov. 14th (the day my mother died). These posts will be categorized as events that happened before Nov. 14, the day of Nov. 14th, and after Nov. 14, 2013. Enjoy!
The first serendipitous occurrence to take place before Nov. 14th has to do with the Destiny Cards, an ancient astrological system hidden in the ordinary deck of playing cards. For over 15 years, I have studied and assisted individuals in understanding their life cycles to make better choices through traditional astrology and this fascinating system. In the Destiny Card system, there are 13 year cycles, 7 years cycles, yearly cycles, 52 day cycles, 7 week cycles and weekly cycles that are all calculated based on a mathematical formula. Each personal cycle begins on the day of the week that you were born (or on your birthday for the yearly cycle).
Before my mother passed away, I vaguely remember looking at my upcoming cycles on my computer software and noticing that a new 7 week cycle would begin for me on Thursday, Nov. 14th. At that time, I didn't know how important this would be (for more than one reason) until months later!


A lean operation produces just what is needed, when it is needed, with no additional labor, costs, inventory, or time. Gain an understanding of the benefits that lean management can bring to your organization. Learn the fundamentals of lean methodology, define the core principles, and explain the concept of waste.
Take the next step forward in quality improvement! This interactive, easy-to-navigate course will start with the basics and build on learned knowledge with each section. Learners will discover what lean is, why it is important, and how it can benefit an organization. Then, they will walk through the key principles of lean that distinguish it from all other quality improvement techniques, including people, value, flow, efficiency, pull, and perfection. Building on this knowledge, learners will explore the sources of waste that can be prime targets for meaningful quality improvement initiatives.
ASQ also offers this course as part of the Lean Essentials bundle. Get all six lean courses in one bundle and save!
Anyone who is interested in learning how lean can have a positive effect on achieving quality improvement goals, or anyone who needs a refresher on the basics of lean.
This is an online, self-paced course that can be started at any time.


The Comptroller's Office assists and advises the Supervisor and Town Board on financial matters. We are responsible for disbursement of town funds in accordance with the budget, auditing all claims for payment, preparing the town's payroll, investing town funds, securing loans, and maintaining financial records.
We work closely with the Town Supervisor and department personnel to prepare the annual operating and 5 year capital budgets. We meet with the Town's bond rating agency to review and discuss the Town's finances leading to the Town's Bond Rating and issuance of bonds. We prepare the Annual Financial Statement, assemble documentation and manage the Annual Independent Audit.
We monitor and account for the Town's capital program and expenditures and grant activities. Additionally we manage the Town's risk mitigation program for Workers Compensation claims, including employee training, assistance with claim filings and access to medical treatments for injured employees.
We work closely with the town assessor and the receiver of taxes to prepare the Real Property Tax Warrant each year. By law, the town collects all real property taxes and distributes them to town funds, Suffolk County, fire districts, and various special districts.


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Amphimonhystera is a genus of nematodes belonging to the family Xyalidae.

The species of this genus are found in Europe and Southern America.

Species:

Amphimonhystera anechma
Amphimonhystera bella
Amphimonhystera circula
Amphimonhystera galea
Amphimonhystera marisalbi
Amphimonhystera molloyensis
Amphimonhystera pallida
Amphimonhystera parachnema
Amphimonhystera paranechma

References

Nematodes

redpajama_set_name: RedPajamaWikipedia


Members of the older demographic seek products that confer health benefits and/or that may prolong the quality of an independent life.
People aged 60 years and older make up the fastest-growing segment of the US population and the food industry has an important role to play during this critical era of people's lives. First and foremost, healthy aging and the prevention of chronic disease is heavily dependent on proper nutrition. There are also significant opportunities for R&D pipelines to help improve the quality-of-life and length of independence of older adults, by addressing the sensory, social and physical changes associated with aging.
Compared to the US, the older adult populations of many other countries matured earlier. According to UN's "World Population Prospects: 2015 Revisions," the 60-and-older demographic made up 20.7 percent of the total US population in 2015. To compare, Japan, Germany and Finland reached a 60-and-older population makeup of 23.3 percent, 23.1 percent and 19.1 percent, respectively, in 2000. Reviewing marketing experiences in countries that have already experienced disproportionate growth in the older population could point the way for opportunities in the US.
Indeed, marketers in Japan, Germany and Finland provide numerous examples of how food companies can address the needs of older adults.
Outside of Japan, older adults are choosing foods that suit them in the absence of deliberate marketing messages. German baby-food company Hipp, for example, found that one-quarter of the individuals consuming its products were adults. As a result, the company's profits increased by €90 million from 2009 to 2010 – even with birth rates declining in Germany. This success suggests that there are opportunities to develop a market strategy directly targeting the aging adult population.
In Finland, VTT Technical Research of Finland (VTT) initiated a large study consisting of focus groups, taste tests and surveys to determine what type of packaged meals would be preferable for older adults. Results revealed that seniors thought packaged meals did not provide enough nutrition. The study also clarified the taste preferences of older adults and established that packaging needs to be easy to read. The research was completed in 2014 and product development is ongoing for a line of older adult products.
By understanding the aging consumer, food companies can innovate to meet the needs of aging populations in multiple global markets. Initiatives targeted at an overall healthy eating approach rather than individual nutrient segmentation can optimize healthy aging. Marketers can develop educational resources to help translate scientific information into practical resources. And they can directly engage their consumer base by leveraging social media to encourage older individuals to embrace the aging process, by adopting effective weight-management strategies, good nutrition, physical activity and a positive attitude.
The social, economic, physical and psychological changes of aging present opportunities for the food industry to ad- dress. According to AARP Foundation's 2014 report, "Findings on Nutrition Knowledge and Food Insecurity Among Older Adults," approximately 10 million older adults are food insecure, meaning they are without reliable access to a sufficient quantity of affordable, nutritious food.
The report included a survey of 1,000 adults who are 50 and older and earn below 200 percent of the federal poverty line. Respondents identified affordable fruits and vegetables, recipe ideas and more time to cook as ways to help them eat more nutritious foods.
Obesity is already one of the fastest growing public-health epidemics, and incidence in older adults is no exception. Food insecurity creates a "double burden" of obesity and hunger. Partnerships across the public and private sector to address this paradox can provide meaningful outcomes in this population.
While the importance of nutrition increases with age, taste acuity drops. The aging process leads to decreased sensory perception, including olfaction (smell), gustation (taste), vision and textural senses. Creating flavorful, nutritious food that older adults want to eat can be difficult.
These factors are important as food scientists, product developers and marketers strive to meet the needs and wants of the older demographic. One promising avenue to explore is the addition of herbs and spices to improve the palatability of nutrient-dense foods.
While aging is often associated with isolation and a decrease in social activities, older adults seek products to maintain independence. A recent AARP Founda- tion report, "50+ Consumer Survey High- lights: Healthy Living and Diet Perceptions, Food Purchasing and Consumption," showed "the desire to be healthy" as a top food choice value. Respondents defined "healthy" as maintenance of physical abilities and avoiding illnesses. Further, the report showed indicators of health shift across the lifespan. Independence is more valued as a health marker than a healthy weight, as age increases.
Additionally, although age is the strongest risk factor for dementia, Alzheimer's disease is a not a normal part of aging. Maintaining a healthy lifestyle can reduce the free radical damage to brain cells, thought to contribute to cognitive decline. Specific nutrient intake, including omega 3 fatty acids may be an avenue to address cognition, by reducing inflammation and oxidation in the brain. Choline is another nutrient that is involved in cell signaling in the brain and is thought to help prevent age-related cognitive decline. Only 1 in 10 Americans get the recommended amounts of choline, which is 550mg/day.
Regulations may present challenges for new products developed for the aging population. Many "healthy aging" products feature claims describing the content of a specific nutrient present. Examples include "a good source of calcium," "high fiber" and "low in saturated fat." These claims are called "nutrient content claims" and fall under strict FDA regulation.
An alternative approach for food manufacturers to address age-related concerns is through new product development directed toward a whole diet. Products designed to fit a dietary pattern, such as the DASH diet (Dietary Approaches to Stop Hypertension) or MyPlate for Older Adults (see figure on page 56) may offer simpler, easy-to-understand approaches to healthy eating, and can help shift older adults towards healthier diets.
For example, liquid vegetable oil falls within the MyPlate for Older Adults dietary pattern and can contribute to the health promise associated with this pattern. In the US, food products geared toward optimal aging are regulated by FDA in the same manner as other foods. Dietary supplements, such as nutrition shakes, are subject to dietary supplement regulations. In contrast with drugs, manufacturers of foods and dietary supplements are not required to obtain FDA approval before putting their products on the market.
However, apprehension surrounding marketing messages among older consumers and their healthcare providers may result in decreased acceptance of these products. One specific concern falls around the lack of clinical trials to evaluate prescription drug interactions, which underscores the role that purposeful scientific research has in substantiating the risks and benefits of foods marketed to the older demographic is needed.
The market expansion is just beginning in the US "As affluent boomers pass 70, the opportunities for the food industry with older adults will grow," Ruff said.
Modifying a food's taste, texture and marketplace positioning to make it more appealing to aging consumers is a promising business opportunity for food manufacturers worldwide, provided that formulators tap consumer insights and current nutrition science to delineate how any given product fits the needs and preferences of this demographic and supports the adoption of healthy lifestyles.
Erin DeSimone, MS, RD, LDN, FAND, is senior vice president and group lead, and Haley Hickman, MS, RD, is a member of the staff at FoodMinds, a division of PadillaCRT, in Chicago.


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Q: Is it possible to disable CPU/Laptop fan through Device Manager? My laptop's a bit old now and it's fan is very noisy now, I don't have time or money yet to either open, clean or get this to repair shop rn, it's not a n option for me right now? It also frequently stops and doesn't run even on startup, maybe bc it's stucked or something but when the laptop gets moved, it starts to run again. Is it possible to disable the fans through Device Manager by disabling like the driver that makes it run? Besides, I got a real electric fan beside my laptop right now, and the climate's cold so it's working and well ventilated. I need to disable it so I can't hear this loud noise again and able to work on this laptop again? Is it possible? Any way?

A: No, it is not possible through Device Manager.  Some BIOSes will allow you to throttle it, but I've never seen one that will allow you to turn it off completely due to overheating.
You should always run the internal fan as it removes heat from the CPU, without which, the CPU would fry.  I recommend getting some compressed air and blowing out the fan/vents.

A: You can prevent your computer from overheating as much by setting the maximum processor frequency to a lower amount and changing the system cooling policy to passive to prevent your laptop fans from turning on in your Power plan in Control Panel. You might need to change the registry value in HKEY_LOCAL_MACHINE\SYSTEM\CurrentControlSet\Control\Power\CSenabled from 1 to 0.

A: No, you won't be able to control the fan through the device manager. Computer fans don't have drivers the same way that a mouse or keyboard does.
Some fans do provide support for changing the speed or disabling the fan though. If your computer supports that, you should be able to turn the fans off or down low with a utility such as speedfan.
That being said, I would strongly advise that you do not ever do this. Seriously, you'll burn out your CPU in no time. It doesn't matter how cold it is in the room, if it's not designed for passive cooling it will overheat in short order without air flow. You would be much better off spending the 15 minutes it would take to clean out or replace the fan. Or if you really can't be bothered, at least go buy a can of air duster and blow the fans and heatsinks out. You don't even need to open the case.

redpajama_set_name: RedPajamaStackExchange


I've learned the hard way that the best way to look foolish is to try and look trendy and cool.
I don't know what is sadder: that a bunch of guys put on mom jeans and made a video or that they look better in mom jeans than actual moms in mom jeans.
You are right. I tend to be pretty comfortable at marching to my own drummer and not give a fig about what others think. The good part of that is I have pretty tame tastes that don't stick out in the crowd.
That tune got stuck in my head...I thought the whole thing was pretty funny.
HA!! My mom wears "It's Not Your Daughters Jeans" - and they look fabulous on her.
As someone who lives her life in pajamas and/or pajama jeans, I haven't got clue as to what's acceptable age appropriate clothing. I just need and want to be comfortable!
I can't be bothered with all that nonsense.


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Snow Jazz Gastein ist ein internationales Jazzfestival, welches im Jahr 2002 ins Leben gerufen wurde. Das hochalpine Festival, bei dem Konzerte an diversen Lokalitäten im Gasteinertal (Sägewerk Bad Hofgastein, Hotels, Skihütten) in bis zu 2200 m Seehöhe stattfinden, hat sich zu einem festen Bestandteil des regionalen Kulturkalenders entwickelt.
Wintersport, insbesondere Skilauf, mit zeitgenössisch-kulturellen Ereignissen zu verbinden war und ist der gedankliche Ansatz für dieses Festival. Tagsüber unterhalten in den Ski-Hütten und -Restaurants den Wintersportler Bands (zum Nulltarif), während abends in Konzertsälen, Clubs und Hotelbars internationale Jazz-Größen wie Erika Stucky, Theo Bleckmann, Ray Anderson, Carlo Actis Dato, Gianluigi Trovesi & Gianni Coscia, Michel Godard, Mario Rom, Céline Bonacina, Danilo Rea, Flavio Boltro, The Tiptons Sax Quartet, Jan Galega Brönnimann oder Andreas Schaerer auftreten.

Das Festival findet jährlich im März statt.

Weblinks
 Webpräsenz
 Ankündigung 2018 (mica)
 Festival-Besprechung (Jahrgang 2012)

Jazzfestival in Österreich
Musik (Land Salzburg)
Erstveranstaltung 2002


If I had to pick my favourite fashion/beauty decade of the past century, it would be the 1960's. I'm a vintage girl at heart and would love to go back in time for a little stomp around Woodstock. Every time I get the chance to get my hair put up, I practically scream 'beehive me' to the hairdresser (slightly embarrassing), so I can just imagine myself there.
Festival season is still in high swing and the people over at New Look have put together a cool infographic showing some festival fashions throughout the decades. The 60s/70s looks are my favourite, but if you could pick one era, which one would you choose?
Come and visit me at Beautyqueenuk!


Mireille Delunsch sings Elettra with a bloody vengeance in the 61st Festival d'Aix-en-Provence Idomeneo. Mozart's opera seria is in a new production by Olivier Py, conducted by Marc Minkowski, and opens on July 4.
Not gonna lie, we really liked Delunsch in Peter Mussbach's Traviata, her Violetta crafted as a tragic Marilyn Monroe doppelgänger in a neon-etched David Lynchian dystopia. 'Tho if memory serves well, it was marginally less bloody, and there was less ~socialite hair~.
Bringing-out the fatwa: This will not end well.
Hans Neuenfels' September, 2006 Berlin Deutsche Oper Idomeneo made international news, igniting the Islamific ire of several Muslim-rights groups and assorted threats, demanding Deutsche Oper to pull the plug on the entire production, which they eventually conceded to. The cancellation was invoked by shouts of blasphemy; specifically a scene where Idomeneo displays Mohammed's disembodied head (along with the severed heads of Neptune, Jesus, and Buddha).
Finally, Idomeneo will make its return in a handful of days, opening at the Berlin Deutsche Oper this Monday, December 18, 2006. Spiegel has the article, along with a five-image photo gallery displaying the never-before-seen, newly-veiled DJ Mohammed chillaxing with the other super-deities.
And here's something quite delightful: A small bit of mischief is circulating around the workshops within the Deutsche Oper House, as last week, "four scandal-ridden severed heads vanished without a trace…triggering an opera house-wide search for the missing heads." If the severed heads don't turn-up, replacement props will be made. O RLY? Take that, blasphemers!


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The Lower Loup NRD reminds producers in Water Quality Area 28 that 2018 crop year annual reports are due January 31st and the 2018 deep soil sample nitrate analyses are due February 1st, 2019. Area 28 stretches from southwest of Fullerton to south of Columbus and is the District's lone Phase III Water Quality Area. Annual reports are required on forms provided by the District. The soil samples should be taken following the 2018 crop.
The analyses are used to make a nitrogen recommendation for the 2019 crop year. The correct handling of soil samples is important. Storage in a warmed office, shop or pickup cab further increases the chances that organic matter will be converted to nitrate. The University of Nebraska nitrogen recommendations have been based on soil samples that were collected and processed correctly.
If soil samples cannot be taken to the lab within 24 hours after collection, they should be dried, refrigerated or frozen, (University of Nebraska NebGuide G1740). Questions or concerns regarding the soil sampling or annual report should be directed to the NRD Field office in Fullerton (308) 536-2456 ext. 3.


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Éramos pocos ist ein spanischer Kurzfilm aus dem Jahr 2005. Bei der Oscarverleihung zwei Jahre darauf war er in der Kategorie Bester Kurzfilm nominiert.

Handlung
Eines Sonntags verlässt Julia ihren Mann Joaquín und ihren erwachsenen Sohn Fernando, aber nicht ohne vorher noch den Fernsehapparat und andere Sachen auf die Straße geworfen zu haben. Da sie auf sich allein gestellt nicht zurechtkommen, beschließen Joaquín und Fernando, Julias Mutter aus dem Altersheim zu sich zu holen. Lourdes kocht wie gewünscht und ist zufrieden, wieder zu Hause zu sein. Als sie nach einem ausgelassenen Essen versucht, Joaquín zu küssen, ruft er am nächsten Tag seine Frau an. So erfährt er, dass die Frau bei ihm zu Hause nicht seine Schwiegermutter sein kann und sie somit jemand Fremden aus dem Altersheim geholt haben. Er überlegt zunächst, seinen Sohn davon zu unterrichten, beschließt dann aber sich einfach weiterhin an den Kochkünsten der vermeintlichen Schwiegermutter zu erfreuen.

Weblinks

Kurzfilm
Filmtitel 2005
Spanischer Film


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The Democrats just got some really bad news from a noted liberal legal scholar. Writing a terrifying op-ed for the left, he shows clearl...
Legal Scholar Finds Skeletons In Obama's Closet That Guarantee Trump Wins Wall Fight In Court
The Democrats just got some really bad news from a noted liberal legal scholar. Writing a terrifying op-ed for the left, he shows clearly that using Obama's precedent, Trump will win the wall fight in the courts.
This would be a devastating blow to the opposition and it will happen, according to Jonathan Turley, because the courts will have to decide in Trump's favor based on Obama's precedent.
Turley titled his piece, "Why Trump will win the wall fight" and he makes a strong case. He wrote:
"Justice Oliver Wendell Holmes once said, "If my fellow citizens want to go to hell, I will help them. It is my job." What he was expressing is the limited role of courts in challenges to federal law. It is not their task as judges to sit as a super legislature to question the priorities or policies of the political branches. They will gladly send Congress to hell. It only needs to be clear about the destination.
In the matter of the border wall, Congress could not have been more clear where it was heading. It has long put itself on the path to institutional irrelevancy, and it has finally arrived. While I do not agree that there is a national emergency on the southern border, I do believe President Trump will prevail. This crisis is not the making of Donald Trump. It is the making of Congress.
For decades, Congress frittered away control over its inherent powers, including the power of the purse. I have testified repeatedly before Congress, warning about the expansion of executive power and the failure of Congress to guard its own authority. The two primary objections have been Congress giving presidents largely unchecked authority and undedicated money. The wall controversy today is a grotesque result of both failures.
In 1976, however, Congress gave presidents sweeping authority to declare national emergencies under the National Emergencies Act. While this law allows for an override by Congress, the authority to declare a national emergency is virtually unfettered. It is one of many such laws where Congress created the thin veneer of a process for presidential power that, in reality, was a virtual blank slate.
At the same time, Congress has continued to give the executive branch billions of dollars with few conditions or limitations. That is why President Obama was able not only to go to war in Libya without a declaration but to fund the entire war from billions of undedicated funds. At the time, neither House Speaker Nancy Pelosi (D-Calif.) nor most of the current Democratic leadership made a peep of objection. Democrats have indicated they will rely on the ruling in House of Representatives versus Sylvia Burwell, in which a court not only ruled that the House of Representatives had standing to sue over executive overreach but that Obama violated the Constitution in ordering the payment of billions to insurance companies without authorization from Congress.
I was the lead counsel for the House of Representatives in that case. Ironically, Pelosi vehemently opposed the litigation as a frivolous and unfounded challenge to presidential authority. We won. Superficially, the Burwell case may look like the current controversy. Obama sought funds from Congress and, when unsuccessful, acted unilaterally. The difference is that Obama ordered the money directly from the Treasury as a permanent appropriation, like the money used annually to pay tax refunds. Congress never approved such payments.
Conversely, Trump is using appropriated funds. Like the authority under the National Emergencies Act, Congress gave this money to the executive branch without meaningful limits. Trump now has more than $1.3 billion in newly approved funds for border protection. He has identified about $8 billion in loosely dedicated funds for military construction, drug interdiction and forfeitures. Even if a court disagreed with the use of some of this money, Trump has the authority and funds to start major construction of the wall.
Congress has yielded more and more power to the executive branch over decades. In many areas, it has reduced the legislative branch to a mere pedestrian in government, leaving real governing decisions to a kind of "fourth branch" of federal agencies. For their part, presidents have become more and more bold in circumventing Congress. When Obama gave a State of the Union address proclaiming his intention to circumvent Congress after it failed to pass immigration and other measures, Democrats applauded rapturously.
Many of them, like Pelosi, denounce this unilateral action by Trump yet ecstatically supported the unilateral actions by Obama, including his funding of critical parts of the Affordable Care Act after Congress denied any funds. Democrats insist Trump can be challenged on his use of emergency authority since they do not believe an emergency exists on the border. They will fail in spectacular fashion if the case gets to the Supreme Court. While the source of funding can be challenged, there is no compelling basis to challenge the declaration itself.
That brings us back to Holmes. Congress has the authority to rescind the declaration of Trump with a vote of both chambers. It should do so. If it cannot muster the votes, however, a federal judge is unlikely to do so. Simply put, the courts were not created to protect Congress from itself. Congress has been heading to hell for decades, and it is a bit late to complain about the destination", Turley concluded to devastating effect.
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1 Like A Rolling Stone
KRIS KRISTOFFERSON: I was living in Nashville when I first heard "Like A Rolling Stone". By then, well, nothing he did surprised me. I just loved it: it was like an anthem. I didn't want to hear the rumours of who was who and what was what. It just worked. I was there when he did Blonde On Blonde, and I was the only songwriter in Nashville allowed in the building – because I was the janitor! None of my friends could get past the police. Those were the wildest sessions I'd ever seen in Nashville, you were expected to get three or four songs during a three-hour session. They ran it in-and-out, because time is money. And, God, Bob went into the big A-studio at Columbia and sat at the piano for hours while the musicians were out playing ping pong and cards – and he's writing a song. It was the most bizarre behaviour anybody in Nashville had ever seen, because he didn't record the damn thing until the sun came up. I wasn't there for all of the Nashville Skyline sessions. I know that I didn't see him do "Lay Lady Lay", because I remember Bob Johnston playing it for me later in the studio, and just being knocked out. But I was there when he cut a thing with John. "Girl Of The North Country". And, Jesus. you need to understand these were very heady times for me: I was still barely four years out of the military, and I felt like history was happening before my eyes. Johnny Cash was very elusive at the time – he was like catching lightning in a bottle. And to get them both together, it was like watching two pieces of lightning.
IAN MacDONALD: More closely controlled than many of Dylan's most ambitious lyrics of the 1965-66 period, "Like A Rolling Stone" is a brilliantly caustic cameo of the fall into self-discovery rendered in four lengthy stanzas. Here, music and lyric are equally outstanding, going so well together that it's hard to imagine them apart. Thunderous on the 1965-66 world tour, the performance cements the effect, riding the concept as if in a carnival-painted cadillac. One of the top 10 singles of all time.
HOWARD DEVOTO: Me and this song is like the cliché of romantic comedy, where initial loathing masks true love. I was 13 in 1965 and it had been hate at first sight between me and Mr Dylan's first two singles ["The Times They Are A-Changin'" and "Subterranean Homesick Blues"]. Then three or four months later, for some reason, I buy "Like A Rolling Stone". Next thing I know I'm hovering over the record player, moving the needle back and forth, trying to write down the lyrics line by line. The organ was a hugely important factor in the impact the single had. Me and my only friend of the time, who was a Dylan fan, were fixated by a little rising organ phrase in the third verse which I'm hard-pressed to hear at all these days. You can't help but believe it was Dylan hearing Alan Price's playing on The Animals' "House Of The Rising Sun" that made him prick up his ears when Al Kooper – apparently unbidden – started noodling around on the organ during the recording session. And sorry to get nerdy but you really have to hear it in the original mono.
GRANT-LEE PHILLIPS: This probably would have been the first song that l was ever exposed to of Dylan's. It works on so many different levels. Firstly there's the energy of this wild, twister-like thing that whips up, taking everything with it, and the singer only has this brief moment to convey his essential plea, which is to look life squarely in the eye and recount the judgements that we might have harboured about those things we have no experience with. Although it's really heavy, you tend to get swept up in the spirit of the song. Perhaps it could be said that Dylan appeared to be this character, the rolling stone who is the spirit of Woody Guthrie, Jack Kerouac and others who found similar potential in the quest for self out on the big dusty road. All of that made for a very romantic sketch of who exactly Bob Dylan was. It's still the song l'd play for the alien who just landed, asking to be taken to our songwriting leader.
CP LEE: l was 15 when this came out and to hear it over the radio, for the very first time ever, is one of those moments that, for the rest of my life, makes me grateful to have shared the planet with the man who wrote this. As far as I'm concerned, it's the greatest single ever. lts effect in 1965 was cataclysmic. That rimshot from the drum kicking it off is just staggering. It signalled the revolution in lots and lots of ways. It's a privilege to be on the same planet as the man who wrote that.
STEVIE JACKSON: Probably a lot of people's favourite, and I know most of the others in Belle & Sebastian love Dylan and this in particular. I remember Stuart [Murdoch] DJing one time and he played this in his set. Isobel [Campbell] is a really big fan too. Sometimes she wears her Dylan dress, which is really cool – just a dress with a picture of Dylan on it circa '66, with the dark shades. At Belle & Sebastian gigs we always do impromptu covers, and I seem to remember we did try "Like A Rolling Stone" one time. Well, I say "we", but actually it was mainly me!
ADAM SWEETING: Al Kooper, who bluffed his way into playing Hammond organ on Highway 61 Revisited, reported that Dylan sessions at the time were like strategy meetings to plan the course of the counterculture. This landmark recording succeeds almost despite itself, with some of the players almost tripping over each other as the track threatens to fall apart, but Dylan strides on regardless. lmperious, contemptuous and apparently all-knowing, Dylan was gazing down from a height nobody else had ever reached as he delivered this unsparing put-down of some overreaching female acquaintance. "How does it feel?" he demanded. Somebody should have asked Bob the same question.
GERRY LOVE: Hearing this was like hearing The Beatles for the first time, just so instantly transforming. What struck me was the choice of instruments, and plus I didn't know how they did it. It features just a classic sound of Hammond, piano, bass and drums but played in a very inspired way. There's something magical about the way they're all put together. It's not carefully arranged but spontaneous and raw. If you have 15 takes of one song, all you've got is 15 different versions going on at the same time. There's so much character to what he does, and the waltz beats and melody is really unusual on this as well. Not many people write in 3/4 time.
MARC 'LARD' RILEY: I reckon this song is beyond justification. If I were to try I'd probably say that from the opening snare drum crack you know this is going to be one of the greatest songs of all time. Can a song be classed as an icon? If so, this is one.
DAVE MARSH: The Live 1966 version is as powerful as any piece of music made in American history.
THEA GILMORE: l was always really intrigued by this song after finding out it was originally written in 3/4 because it is the pulling of the words against the rhythm when it was put into 4/4 which makes it such a jagged and exciting sound.
DAN BERN: It got to Number Two on the charts (his highest ever) and it was about twice as long as anything else on the radio. You think you know the song inside out, and then you hear it again and it's brand new. The form of the song is huge, and the chorus keeps going up and up and up.
LYNDON MORGANS: Seems almost a cliché to pick this, but it is one of the finest things ever recorded by anybody. Ever. It set a whole new standard of achievement, and came out over a year before "Good Vibrations" and 18 months before "Strawberry Fields Forever", its peers in the god-like genius stakes. It's haunting and claustrophobic and unprecedented . . . Bob's the Solomon of the slag-off. (Costello's no slouch at it either, but with Dylan it's so apparently effortless. With Costello you can feel how he's winding himself up…)
EILEEN ROSE: This is one of the three songs Dylan debuted live at the 1965 Newport Folk Festival when he freaked out all the folkies. Everybody else is writing love songs, and he comes out spitting and fuming about social aspiration and the fall-out from self-betrayal. What does it feel like to have recorded a song that gets labelled 'the most important and revolutionary' record ever made? He knew it too. Even Dylan himself was quoted as saying: "I'm not going to be able to make a record better than this one." I wonder if he heard the sound in his head first, or stumbled on it. Doesn't matter. It still rocks and I really wish I'd written it.
JAMIE CATTO: The first song that got me into Dylan, and one of the first songs that I remember literally throwing me around the room with emotion and exhilaration. When I first heard it – the Live At Budokan version, sorry purists – I just played it over and over again. It was the first time a track had done that to me.
NICK JOHNSTONE: Timeless and astonishing even on the thousandth listen, it's a song that probably every person over a certain age knows. It's more an icon than a song at this point. It should be classified as the Eighth Wonder Of The World. The music, the cool factor, the lyrics the delivery, that huge sweeping authentic chorus: it's everything you could ever wish for in a pop song, a rock song, any type of song.
PETE YORN: l have a soft spot for this song because we opened for Bob in Atlanta last year. Our tour bus was parked right behind the stage because it was an outdoor venue and he started playing it just as my new girlfriend and l were getting it on for the first time. Through the open window of the bus you could hear Bob scream "How does it feel!", and I thought to myself, "This feels fucking great".
MICK FARREN: The hit, the classic, came with a song structure and rhyme pattern that boldly went where no other rock tune had gone before, and imagery that touched the imagination of every teenage malcontent in the western hemisphere. Although the song was Dylan's first major outing with the full Fender guitar, Hammond organ rock'n'roll band, the power of the actual song is easily cross-referenced by the versions from Jimi Hendrix and The Rolling Stones.
TIM BURGESS: A rude, long and unforgiving statement, just tellin' it like it is…
SIMON NICOL: The best song anyone has ever written. Gershwin, Porter and Strauss included.
IAN MCCULLOCH: It's one of the first Dylan songs I heard. Not that l was old enough to remember it when it came out, but later, probably something me older brother had on tape. Hearing it as a kid, even though you'd been told about this Bob Dylan fella being some great poet and sage, that song was a breath of fresh air, even as a 12-year-old into me Bowie and Lou Reed. It's probably the song that most people into Dylan would've first heard and gone, "Hang on. I like this bloke". Whereas if you'd heard "Gates Of Eden" first it'd probably have put you off. Sometimes I think his lyrics are terrible, all that waffling-on stuff, but this is great. All that spite and venom really comes across. The sound is just so exciting, particularly with the Hammond, and I think more than most other Dylan tracks it's got a real band feel to it. It's of its time, but it's still not dated. I don't know what else was going on when it was released but it certainly wasn't anything like what The Beatles and The Rolling Stones were doing, because back in the Sixties Dylan was the leader. He influenced The Beatles. And then he went crap.
STEPHEN PASTEL: Completely fantastic. He was so 'on' at that moment. There's something really Method Man about Bob Dylan. He kind of knew how to position himself and a lot of it was pretty strategic. But he always managed to make these fantastic leaps into the dark, like there was almost something kinetic about the music. There's so much energy in that song, a real enthusiasm and joy of playing. Triumphant!
JIM SCLAVUNOS: Once again, Dylan upped the ante for rock music.
DAVID PAJO: A fantastic record – but have you heard the Isle Of Wight version? It's unrecognisable, the phrasing is awesome.
GAVIN MARTIN: An indomitable example of Dylan as a catalytic force. The original recording is so alive that 30, 40 years later you can still feel the energy flying round the studio. Though he had been pilloried for deserting the protest movement at its hour of need, "Like A Rolling Stone" is a furious blast at all the shallow duplicity and venal ugliness that the world can offer. It's timeless – his greatest rebel song. This is raw, unvanquished love; real love – bloody and hard-earned – borne out of careering heartlessness and truth-telling. You get an epiphany – "You're invisible now, you've got no secrets to conceal" – a real state of grace after the treachery, the acid bath, the public hanging and the other untold torments. It's a universal anthem, but when he plays it live Dylan seldom allows it to become a great big 'altogether now' singalong. That is not its fate – like all great works of art, it holds an endless fascination, a mystery which he feels belongs to him. So when he plays it there's always the feeling that he steals it back and reshapes it. The startling imagery is brought newly alive, the drama of action and consequences revitalised. Maybe tonight he'll get close to unlocking its secret, maybe tomorrow he'll get even closer.
PETE WYLIE: I always try and do that thing of listening to records and pretending you've never heard them before – it's a game – y'know – but "Like A Rolling Stone" is stunning every time. It's everything that's great about Dylan. The words are fantastic because it's a rallying cry AND a massive put-down. It's direct, you know exactly what he's talking about even though it's wrapped up in all manner of mystery and intrigue. Is he talking about you? Is he talking about himself? Is he talking about a girl? The great thing is that it's all of those things, he's got all the truths in one basket. The first time I was aware of this was in the early Seventies when I started buying records. It was through Bowie at first, after "Song For Bob Dylan" on Hunky Dory, that I started paying more attention. That was the thing about Bowie which me and Ian McCulloch both had, that anything to do with Bowie you wanted to get to know. Dylan and "Like A Rolling Stone" connected with me right away. I've seen him live God knows how many times, and he's not always great, but it's really hard to ruin that song, although he has managed a couple of times. But the last thing I'll say about "Like A Rolling Stone" is that it still manages to buzz me. It's got that thing which, when you hear Dylan, you think, how the fuck did he do that? How did he write that? Those words? It's like when Hendrix plays guitar or you hear Stevie Wonder or Aretha Franklin sing. You just can't scientifically map it out, know what I mean?
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Archdiocesan high schools are administered by principals, and where applicable, presidents. Parish high schools are administered by pastors and principals. All high schools in the archdiocese, whether archdiocesan, parish, or private, are missioned to serve the young people from the entire archdiocesan community and those from outside the archdiocese who attend the school.
Archdiocesan high schools are organized and governed by the archdiocese through the Department of Catholic Schools.
Parish high schools are organized and financially supported by specific parishes but serve the community of students who attend. The principal of a parish high school is responsible to the pastor and accountable to the Department of Catholic Schools for the implementation of archdiocesan policies and procedures.
Private high schools are directly accountable to the religious institute or the governing board that owns and sponsors the school according to its individual bylaws. Private schools exist in the Archdiocese of Los Angeles with the approval of the archbishop.
All high schools in the archdiocese have a written statement of philosophy that explains the purpose of the institution. The philosophy is based on the archdiocesan mission for Catholic education, follows the guidelines of the Western Catholic Education Association and Western Association of Schools and College, and is approved by the Department of Catholic Schools.


text:
Happy times as children in a rural community in Eastern Equatoria State receive three new classrooms for their school. Photos: Okello James/UNMISS
Rural Community school in Eastern Equatoria State receives new classrooms
"We have the right to eat, we have the right to live, we have the right to education!"
Magic in the making: the joy of pressing the right keyboard button can be rather overwhelming, as this girl at a Malakal primary school can testify. Photos: Samuel Adwok/UNMISS
Indian peacekeepers in Malakal teach computer skills to pupils at Bander Primary School
Pupils at the Bander Primary School in Malakal have taken an important step towards "future-proofing" themselves: Indian peacekeepers serving with the United Nations Mission in South Sudan recently spent a week of thei
Frequent patrols in the Western Equatorian area currently experiencing unrest is one of many actions by UNMISS to deter violence and protect civilians. Photos: Denis Louro Oliver & Felix Katie/UNMISS
UNMISS calls on political and security leaders to act urgently to quell fighting in Tambura
The United Nations Mission in South Sudan is appealing to national and local leaders to resolve tensions in Tambura and the wider Western Equatorian region after a fresh outbreak of fighting.
UNMISS peacekeepers from Ethiopia guarding church premises in Tambura where internally displaced persons are seeking protection from ongoing violence. Photos: Felix Katie/UNMISS
UNMISS peacekeepers continue to protect displaced families in Tambura
As conflict continues to plague parts of Western Equatoria, tens of thousands of people have fled their homes to seek refuge together in temporary displacement camps.
Working in partnership with the South Sudan Women's Empowerment Network and donors, UNMISS hosted a workshop for young female members of parliament to build their capacity. Photos: Isaac Billy/UNMISS
Women parliamentarians aspire to lead the way in transforming South Sudan after years of conflict
Women across South Sudan suffered immense harm as the result of the civil war. Many lost their lives, their families, their homes, and their jobs.
South Sudan's Reconstituted Transitional National Legislative Assembly holding its opening session, reaching a milestone in the implementation of the peace agreement.
South Sudan's Transitional National Legislative Assembly opens for business
Almost three years after the signing of the peace deal, South Sudan's Transitional National Legislative Assembly has been reconstituted in a formal ceremony presided over by President Salva Kiir.
Peacekeepers patrolling the road between Tambura and Ezo. Some 17,000 of the estimated 40,000 people who have fled violence in Tambura have made their way to Ezo. Photos: Denis Louro Oliver/UNMISS
UNMISS concerns on protection of children amidst conflict in greater Tambura
The United Nations Mission in South Sudan (UNMISS) is worried about the safety and wellbeing of children and other vulnerable people amidst conflict in the greater Tambura area in Western Equatoria State.
Getting ready for a big day: the inauguration of UNMISS-funded, much-improved prison facilities in Wau, Western Bahr-el-Ghazal State. Photos: Alahayi Nemaya/UNMISS
Quick Impact Project decongests prison in Wau, offering better conditions for female inmates
While serving time in jail is unlikely to feature on anyone's bucket list, inmates at the central prison in Wau have recently been given a reason to celebrate: the addition of a ward capable of hosting 80 female law offenders is expected to significan
There was a lot of passion on display as women in Koch County discussed peace, security and political representation. Photos: Roseline Nkwelle Nzelle Nahvoma/UNMISS
Koch County women determined to fight for political participation and representation
"What is it that men do that we supposedly cannot do? What we cannot do is to continue to suffer by the hands of men ten years after South Sudan gained independence.
New police station in Anyidi in Jonglei brings hopes that displaced people will return home
"A functional police station in Anyidi means that even we, as women, will have our needs and concerns addressed.


text:
Forbes' "30 Under 30 Who Are Changing The World 2014"
written by DeAdele VIII.I
Dave is among this year's Forbes magazine's "30 Under 30" list under the category Hollywood & Entertainment.
FORBES.COM – Presenting our third annual 30 Under 30, a tally of the brightest stars in 15 different fields under the age of 30. This is an exhilarating time to be young and ambitious. Never before has youth been such an advantage. These founders and funders, brand builders and do-gooders aren't waiting around for a proper career bump up the establishment ladder. Their ambitions are way bigger — and perfectly suited to the dynamic, entrepreneurial, and impatient digital world they grew up in. Meet the 450 prodigies reinventing the world right now.
Franco developed a cult following writing, producing and starring in original shorts for Funny or Die. A role in the action-comedy "21 Jump Street" was a big break, and now he's sharing the screen with Hollywood's A-list comedians. Next summer he'll appear with Seth Rogen and Zac Efron in "Neighbors," and he's currently filming "Business Trip" with Vince Vaughn.
January 08 Dave Polls
COMPLEX: 25 Breakout Actors You Need to Know
written by DeAdele XXVI.III
Notable Role: Eric Molson in 21 Jump Street (2012)
It's easy to look past Dave Franco's brotherly connection to James Franco, especially while watching the 27-year-old, multi-talented actor's hilarious, scene-stealing work in 21 Jump Street, the 2012 comedy hit that's currently playing nonstop on cable. The funny business is by now second nature for Franco, whose brief appearances in Superbad and Ben Stiller's indie flick Greenberg prefaced his memorably clever, self-made Funny or Die viral videos, including "You're So Hot."
This year, Franco is getting his character-actor on with a pair of supporting roles in two high-profile movies: the Twilight-meets-Zombieland comedy Warm Bodies and the magician heist thriller Now You See Me (also starring Jesse Eisenberg, Morgan Freeman, and Woody Harrelson). As 2013 progresses, don't be surprised to see Franco's name announced as the leading man in future projects. A good-looking dude who's both funny and able to produce his own material? You'd be a fool to bet against someone like that.
March 26 Dave Polls
breadband
Launched in 2018, Breadband is a company co-founded by Dave. It is described as the simplest wallet ever designed for its extremely minimalist style and can hold up to 15 cards and cash. The Breadband is available in three different colors - black, blue & watercolor - for just $25. breadband.com
Ed Poole
Ed Poole is prevented from taking his own life by the news that his brother has killed himself first. Due to the devastation losing two sons would cause his mother, on top of the fact that, years ago, his father had also committed suicide, Ed must discover how to live in "The Now" and find new meaning in his life. UpdatesIMDb
Jack Wilder
A third installment of the 'Now You See Me' franchise. Plot undisclosed. IMDb
Directorial Debut
The thriller begins as two couples embark on a weekend getaway to a seemingly perfect house they've booked online. What begins as a celebratory weekend for the quartet turns into something far more sinister, as secrets they've kept from each other are exposed. It also becomes clear they may not be alone in the house. UpdatesIMDb
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Energy Centre Home
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Energy Centre >
Adrian Guerin
Adrian is a PhD Candidate in Business, Economics, and Public Policy at the Ivey Business School. His research interests are in the areas of environmental issues, policy and program evaluation, and applied econometrics.
Akash Jain
Akash is in his 4th year of the PPE program (Politics, Philosophy and Economics) at Western University. Akash is Vice President, Advocacy for the Social Science Students' Council at Western University.
Luis Mazzali
Luis is in his 4th year of the PPE program (Politics, Philosophy and Economics) at Western University.
Allan Muriuki
Allan is a 3rd year student in the department of Economics at Western University. He is pursuing an Honors specialization in Global Economics.
Sorena Rahi
Sorena is a PhD Candidate in Business, Economics, and Public Policy at the Ivey Business School. His research with the Energy Centre involves studying the investment climate for Canada's energy sector, as well as investment conditions within Canada's clean energy technology sector.
Murat Sirin
Murat is a PhD Candidate in Business, Economics, and Public Policy at the Ivey Business School. His research interests include renewable energy policies, firm strategies in electricity markets, and the role of business in energy transition.
Kartik Rao
Kartik received his PhD from the Ivey Business School in 2019. His research interests lie at the intersection of firm strategy and public policy with an emphasis of firms' interactions with political and societal stakeholders in the non-market environment.
Ramin Alahdad
Ramin is a PhD Candidate in Business, Economics, and Public Policy at the Ivey Business School. He holds a Master's degree in Economics from Sharif University of Technology.
Jiya Hai
Jiya is a dual degree undergraduate student, studying Political Science and Business at Western University. She is a Policy Analyst at the Leadership and Democracy Lab, a think tank at Western University. Her work with the Ivey Energy Policy and Management Centre involves writing and editing Policy Briefs, blog posts, and research papers.
Sorena is a PhD Candidate in Business, Economics, and Public Policy at the Ivey Business School. He holds a Master's degree in Economics, and is interested in how firms integrate their strategies in both the market and non-market environment to achieve their desired policy outcomes.
Jordan Tepper
Jordan is an undergraduate student studying Business Administration at the Ivey Business School. He is pursuing the Ivey Sustainability Certificate.
Jerry Zhou
Jerry is an undergraduate student pursuing a dual HBA-BESc degree at Western University. Zhou's main project is a survey studying the investment climate for the energy sector in Canada.
Kartik was a PhD Candidate in Business, Economics, and Public Policy at the Ivey Business School. He completed his PhD in 2019. His research with the Ivey Energy Policy and Management Centre involved examining the effects of Ontario's Green Energy Act on the wind turbine development process. As part of his PhD thesis, he examined how competition between electric utility firms shapes regulatory outcomes.
Joseph Arya
Joseph received his HBA from the Ivey Business School in 2017. His research with the Energy Centre involved analyzing capacity market structures and regulatory costs involved with pipeline project development.
Andrew received his HBA from the Ivey Business School in 2017. His research with the Energy Centre involved examining electricity capacity markets in different jurisdictions, and researching renewable portfolio standards for all US states between 1990 and 2015.
Jack Swadron
Jack's experience in the Corporations and Society course at the Ivey Business School led him to develop a greater interest in energy policy. His work with the Energy Centre involved exploring the governance of local electricity distribution companies in Ontario.
Alexander Cebulski
Alex holds a Bachelor of Science degree in Geographic Information Science at Western University. He previously worked for the Catchment Research Facility assisting with field work and computer modelling techniques to understand human impacts on the landscape. Using his expertise in mapping and spatial analysis, he assisted the Energy Centre with quantifying social resistance to wind farms in Ontario.
Caley Savage
Caley holds a dual honours degree in Geography and Business Administration from the Ivey Business School. She has worked as a market risk analyst as well as conducted studies on First Nations' responses to nuclear waste. Caley worked with the Energy Centre on quantifying social resistance to wind farms in Ontario.
Faye Zhou
Originally from China, Faye is a recent graduate of the Honors Business Administration program at the Ivey Business School. She has worked as a M&A and Project finance analyst and conducted market research on wind and thermal power plants for Northland Power Inc. Faye worked with the Energy Centre on studying factors that influence utility rate case decisions in the United States.
Regan Christensen
Regan holds a dual degree in Law and Business Administration from Western Law and the Ivey Business School. His research with the Energy Centre focused on corporate governance structures and strategic decision-making of various Local Distribution Companies within Ontario.
Nick Cummings
Nick holds a dual degree in Law and Business Administration from Western Law and the Ivey Business School. His research with the Energy Centre also focused on corporate governance structures and strategic decision-making of various Local Distribution Companies within Ontario.
Gareth Everard
Gareth holds an Honors Bachelor of Science degree, specializing in environmental science at Western University. He worked with the Ivey Building Sustainable Value Centre and the Network for Business Sustainability from 2013-2015. His research with the Energy Centre generated a report on the impact of social factors on wind turbine project development.
Chad holds a dual degree in Chemical Engineering and Business Administration. He is pursuing his P.Eng designation with TransCanada as a project engineer. His research with the Energy Centre focused on factors affecting wind farm development in Ontario.
Pradeep Venkatesh
Originally from British Columbia, Pradeep holds an Honors Bachelor of Science degree, majoring in Applied Mathematics (Financial Modeling) and Global Political Economy. He is a Scholars Elective student and holder of the W.S. Fyfe Faculty of Science Scholarship. His research with the Energy Centre focused on defining the international importance of Canada's energy sector.
Emily Ng
Emily completed a combined Honors Business Administration and Juris Doctor degree from the Ivey Business School and Western Law. Her research with the Energy Centre involved determining how business covenants impact regulatory approvals of M&A transactions between American electric utilities.
André Wilkie
André graduated from the Ivey Business School's Honors Business Administration program in June 2014. His research interests included how energy companies manage stakeholder relations, especially with Aboriginal communities.
Daniel Berry
Daniel is a graduate of the Ivey Business School. He now works as a Specialist at Plains Midstream Canada. His research with the Energy Centre involved a case on StormFisher Biogas, and a policy brief on wind energy in Canada.
Anisha George
Anisha is a graduate of the Ivey Business School. She now works as a Quality Control Officer at Tanzania Renewable Energy Association. Her research with the Energy Centre involved writing a policy brief titled, "Trends in Academic Research on Canadian Energy Policy, 2000-2012."
Patrick McNaught
Patrick is a graduate of the Ivey Business School. He now works as a Business Analyst at Alta Gas. His research with the Energy Centre involved contributing to a policy brief on wind energy in Canada.
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Classical Literature and Learning in Medieval Irish Narrative
Ralph O'Connor (Editor)
Celtic & Anglo Saxon
This edited volume will make a major contribution to our appreciation of the importance of classical literature and learning in medieval Ireland, and particularly to our understanding of its role in shaping the content, structure and transmission of medieval Irish narrative." Dr Kevin Murray, Department of Early and Medieval Irish, University College Cork. From the tenth century onwards, Irish scholars adapted Latin epics and legendary histories into the Irish language, including the Imtheachta Aeniasa, the earliest known adaptation of Virgil's Aeneid into any European vernacular; Togail Troí, a grand epic reworking of the decidedly prosaic history of the fall of Troy attributed to Dares Phrygius; and, at the other extreme, the remarkable Merugud Uilixis meic Leirtis, a fable-like retelling of Ulysses's homecoming boiled down to a few hundred lines of lapidary prose. Both the Latin originals and their Irish adaptations had a profound impact on the ways in which Irish authors wrote narratives about their own legendary past, notably the great saga Táin Bó Cúailnge (The Cattle-Raid of Cooley). The essays in this book explore the ways in which these Latin texts and techniques were used. They are unified by a conviction that classical learning and literature were central to the culture of medieval Irish storytelling, but precisely how this relationship played out is a matter of ongoing debate. As a result, they engage in dialogue with each other, using methods drawn from a wide range of disciplines (philology, classical studies, comparative literature, translation studies, and folkloristics).
D. S. Brewer
Published - 20 Nov 2014
Studies in Celtic History
Fingerprint Dive into the research topics of 'Classical Literature and Learning in Medieval Irish Narrative'. Together they form a unique fingerprint.
Classical Literature Arts & Humanities
Middle Ages Arts & Humanities
Latin Epic Arts & Humanities
Latin Language Arts & Humanities
Lapidary Arts & Humanities
Irish Language Arts & Humanities
History Arts & Humanities
Folkloristics Arts & Humanities
Ralph O'Connor
School of Language, Literature, Music & Visual Culture, Celtic & Anglo Saxon - Professor in the Literature and Culture of Britain, Ireland & Iceland
School of Divinity, History & Philosophy, History - Professor in the Literature and Culture of Britain, Ireland & Iceland
School of Language, Literature, Music & Visual Culture, English - Professor in the Literature and Culture of Britain, Ireland & Iceland
O'Connor, R. (Ed.) (2014). Classical Literature and Learning in Medieval Irish Narrative. (Studies in Celtic History). D. S. Brewer.
Classical Literature and Learning in Medieval Irish Narrative. / O'Connor, Ralph (Editor).
Cambridge : D. S. Brewer, 2014. 254 p. (Studies in Celtic History).
O'Connor, R (ed.) 2014, Classical Literature and Learning in Medieval Irish Narrative. Studies in Celtic History, D. S. Brewer, Cambridge.
O'Connor R, (ed.). Classical Literature and Learning in Medieval Irish Narrative. Cambridge: D. S. Brewer, 2014. 254 p. (Studies in Celtic History).
O'Connor, Ralph (Editor). / Classical Literature and Learning in Medieval Irish Narrative. Cambridge : D. S. Brewer, 2014. 254 p. (Studies in Celtic History).
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Home/celebrity/Lucille Ball's Results Is In Building the Unbelievable Plausible
Lucille Ball's Results Is In Building the Unbelievable Plausible
I Like Lucy is a tv present that has stood the test of time, managing in nearly continuous syndication given that it initially debuted on television in 1951. In the a long time due to the fact then, generations of gals have been released to the comedic genius of Lucille Ball — getting inspiration, humor, and, of course, a lot of laughter.
I Adore Lucy continues to be as popular as at any time to this day, and several enthusiasts are keen to master additional about how Ball was ready to seize lightning in a bottle. In truth, her brilliance can be attributed to numerous distinctive items — with a person individual ability of hers serving to to make some of the show's most outrageous tales thoroughly plausible.
Lucille Ball began her profession as a B-motion picture actress
Connected: The 1st Factor Lucille Ball Did Right after 'I Love Lucy' Finished
Ball was born in Jamestown, New York, in 1911. Her profession started out as a design, with the younger lady working as a clotheshorse for many manner firms all over New York.
Experience a desire to express herself creatively, Ball started a executing job on Broadway, inevitably transitioning to film roles in the '30s and '40s. She struggled to make a identify for herself in the Hollywood studio technique, and she cycled by means of several kinds, hair shades, and personas, without having ever really discovering a person that stuck.
Nonetheless, Ball showed talent as a comic, and right after acquiring accomplishment on the radio in a demonstrate called My Favorite Husband, showrunners began courting Ball to surface in a television adaptation of the series. Ball was open up to the plan, but she experienced a person big caveat just before she would agree to look in the new series — she required her husband, Desi Arnaz, to be her co-star.
'I Really like Lucy' permitted Lucille Ball to flex her comedy muscle groups
Lucille Ball as Lucy Ricardo listens as Desi Arnaz as Ricky Ricardo pours a cup of espresso in the kitchen in 'I Like Lucy' | CBS Photograph Archive/Getty Visuals
Linked: 'I Love Lucy': 1 Solution Placement Was Irresponsible
After last but not least acquiring the community to concur to her requires, Ball's new demonstrate, I Adore Lucy, premiered on television. Right away, viewers realized that this display was like almost nothing they had ever observed right before.
Ball, a spectacular actor, willingly threw herself into mad situations and scenarios that had been definitely outrageous — but also hilarious.
There was no stunt that Lucy Ricardo would not attempt, which includes dressing as a clown in buy to test to land a place in a tv show, having burlesque classes, unintentionally gluing a white beard to her deal with, and attaching prosthetics to her facial area in buy to test to idiot celebs like William Holden. No issue how crazy the cases acquired, having said that, viewers usually believed them.
Lucille Ball created outrageous storylines plausible
Associated: 'I Appreciate Lucy' Biopic Casts Marvel Actor as Fred Mertz
I Love Lucy historian and skilled Geoffrey Mark has a very simple explanation for why viewers were usually in a position to invest in into Lucy Ricardo's strategies. "Vivian is so excellent as Ethel Mertz is the identical explanation Lucille Ball is so great as Lucy Ricardo: they weren't stand up comedians. They ended up incredible actresses who knew how to perform comedy and knew how to participate in farce, because on I Really like Lucy things that shouldn't have took place, did, and Lucy and Ethel get the audience to think that what couldn't maybe be actual, is," Mark detailed to Closer Weekly.
Mark mentioned some of the show's outlandish storylines, which include the episode that noticed Lucy and Ethel baking up a much larger-than-existence loaf of bread. "It's just amazing creating, but with two lesser lights you would not imagine these factors are happening," Mark said.
Clearly, supporters concur, given that they are even now savoring the stunts showcased in I Adore Lucy to this really working day.
Below Deck Sailing Yacht's Alli Dore Reveals the Most 'Intimate Job' but Also Awkward Times on the Boat
Sandra Oh Reveals if She'll Make a Cameo on the Present Now That It can be Renewed for Time 18
Grandma Ran His Supporter Club
Sam Heughan and Caitriona Balfe After Called Their 'Outlander' Sexual intercourse Scenes 'Slightly Awkward'
New Blood' Finale Is the Cheapest-Rated Episode At any time


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The Castaways – amerykańska grupa garażowa z Twin Cites w stanie Minnesota, twórcy hitu "Liar, Liar".

Grupa The Castaways powstała w latach 60, a jej pierwszym i jedynym hitem jest "Liar, Liar". Członkami zespołu byli James Donna (keybord), Robert Folschow i Dick Boby (gitary), Rob Hensley (gitara basowa) i Dennis Craswell (bębny). Ich utwór występował w wielu filmach, m.in. w Good Morning, Vietnam i Lock, Stock and Two Smoking Barrels. W latach 80 Folschow i Crawell założyli własny zespół w Pismo Beach, kontynuując tradycję zespołu z lat 60.
Rob Hensley zmarł w roku 2005, lecz zespół nie rozpadł się. Gra do dziś i posiada własną stronę internetową.

Linki zewnętrzne
Oficjalna strona zespołu

Amerykańskie zespoły rockowe


The medications used to treat these conditions have a side effect of causing dry mouth (xerostomia). Saliva reduces 90% of the plaque that forms on the teeth. If saliva is reduced, more plaque and bacteria are present to attack the teeth. This ultimately results in more cavities, tooth loss, and extensive dental treatment. Proper dental preventive measures need to be employed as well as possibly saliva substitutes to help reduce the destructive effects of xerostomia to the mouth.