Addiction, Abuse, and Misuse; Risk Evaluation and Mitigation Strategy (REMS); Life-threatening Respiratory Depression; Accidental Exposure; Neonatal Opioid Withdrawal Syndrome; Cytochrome P450 3A4 Interaction; Risk of Increased Fentanyl Absorption with Application of External Heat; and Risks From Concomitant Use of Benzodiazepines or Other CNS DepressantsFentanyl exposes users to risks of addiction, abuse, and misuse, which can lead to overdose and death. Assess patient's risk before prescribing, and monitor regularly for these behaviors or conditions.To ensure that the benefits of opioid analgesics outweigh the risks of addiction, abuse, and misuse, the Food and Drug Administration (FDA) has required a Risk Evaluation and Mitigation Strategy (REMS) for these products.Serious, life-threatening, or fatal respiratory depression may occur. Monitor closely, especially upon initiation or following a dose increase.Accidental exposure to fentanyl, especially in children, can result in fatal overdose of fentanyl.Prolonged use of fentanyl during pregnancy can result in neonatal opioid withdrawal syndrome, which may be life-threatening if not recognized and treated. If opioid use is required for a prolonged period in a pregnant woman, advise the patient of the risk of neonatal opioid withdrawal syndrome and ensure that appropriate treatment will be available.Concomitant use with CYP3A4 inhibitors (or discontinuation of CYP3A4 inducers) can result in a fatal overdose of fentanyl.Exposure of the fentanyl application site and surrounding area to direct external heat sources has resulted in fatal overdose of fentanyl. Warn patients to avoid exposing the fentanyl application site and surrounding area to direct external heat sources.Concomitant use of opioids with benzodiazepines or other CNS depressants, including alcohol, may result in profound sedation, respiratory depression, coma, and death. Reserve concomitant prescribing for use in patients for whom alternative treatment options are inadequate; limit dosages and durations to the minimum required; and follow patients for signs and symptoms of respiratory depression and sedation .
Warning: Life-Threatening Respiratory Depression; Ionsys REMS; Addiction, Abuse, and Misuse; Cytochrome P450 3A4 Interaction; and Risks from Concomitant Use with Benzodiazepines or Other CNS DepressantsSerious, life-threatening, or fatal respiratory depression may occur. Monitor closely, especially upon initiation. Only the patient should activate dosing.Fentanyl iontophoretic transdermal system is for use only in patients in the hospital. Discontinue fentanyl iontophoretic transdermal system before patients leave the hospital.Because of the risk of respiratory depression from accidental exposure, fentanyl iontophoretic transdermal system is available through a restricted program called the fentanyl iontophoretic transdermal system REMS Program. Healthcare facilities that dispense fentanyl iontophoretic transdermal system must be certified in this program and comply with the REMS requirements.Fentanyl iontophoretic transdermal system exposes users to risks of addiction, abuse, and misuse, which can lead to overdose and death. Assess patient's risk before prescribing, and monitor regularly for these behaviors and conditions.Concomitant use with CYP3A4 inhibitors (or discontinuation of CYP3A4 inducers) can result in a fatal overdose of fentanyl.Concomitant use of opioids with benzodiazepines or other CNS depressants, including alcohol, may result in profound sedation, respiratory depression, coma, and death. Reserve concomitant prescribing for use in patients for whom alternative treatment options are inadequate; limit dosages and durations to the minimum required; and follow patients for signs and symptoms of respiratory depression and sedation.
Fentanyl is available only under a restricted distribution program called the Opioid Analgesic REMS (Risk Evaluation and Mitigation Strategy) program.
Tell your doctor if you have ever had any unusual or allergic reaction to fentanyl or any other medicines. Also tell your health care professional if you have any other types of allergies, such as to foods, dyes, preservatives, or animals. For non-prescription products, read the label or package ingredients carefully.
Appropriate studies performed to date have not demonstrated pediatric-specific problems that would limit the usefulness of the Duragesic® patch in children 2 years of age and older. However, pediatric patients must be opioid-tolerant before using a fentanyl patch. Safety and efficacy have not been established in children younger than 2 years of age.
Appropriate studies have not been performed on the relationship of age to the effects of the Ionsys® patch in the pediatric population. Safety and efficacy have not been established.
Appropriate studies performed to date have not demonstrated geriatric-specific problems that would limit the usefulness of fentanyl skin patch in the elderly. However, elderly patients are more likely to have drowsiness and age-related lung, kidney, liver, or heart problems, which may require caution and an adjustment in the dose for patients receiving fentanyl skin patch.
Although certain medicines should not be used together at all, in other cases two different medicines may be used together even if an interaction might occur. In these cases, your doctor may want to change the dose, or other precautions may be necessary. When you are taking fentanyl, it is especially important that your healthcare professional know if you are taking any of the medicines listed below. The following interactions have been selected on the basis of their potential significance and are not necessarily all-inclusive.
Using fentanyl with any of the following medicines is not recommended. Your doctor may decide not to treat you with this medication or change some of the other medicines you take.
Using fentanyl with any of the following medicines is usually not recommended, but may be required in some cases. If both medicines are prescribed together, your doctor may change the dose or how often you use one or both of the medicines.
Using fentanyl with any of the following is usually not recommended, but may be unavoidable in some cases. If used together, your doctor may change the dose or how often you use fentanyl, or give you special instructions about the use of food, alcohol, or tobacco.
Use fentanyl only as directed by your doctor. Do not use more of it, do not use it more often, and do not use it for a longer time than your doctor ordered. This is especially important for elderly patients, who may be more sensitive to the effects of pain medicines. If too much of fentanyl is used for a long time, it may become habit-forming (causing mental or physical dependence) or cause an overdose.
The fentanyl skin patch is only used for opioid-tolerant patients. A patient is opioid-tolerant if oral narcotics have already been used for severe pain. Check with your doctor if you have questions about this.
It is very important that you understand the rules of the Opioid Analgesic REMS program to prevent addiction, abuse, and misuse of fentanyl. Fentanyl should also come with a Medication Guide and patient instructions. Read and follow these instructions carefully. Read it again each time you refill your prescription in case there is new information. Ask your doctor if you have any questions.
You will receive the Ionsys® patch while you are in a hospital. A nurse or other trained health professional will give you fentanyl after surgery. You will be taught how to use fentanyl in the hospital, but the patch will be removed by your healthcare provider before you leave the hospital. Do not leave the hospital with the patch on your skin.
Use fentanyl exactly as directed by your doctor. It will work only if it has been applied correctly.
Fentanyl should only be used on skin that is not irritated or injured. Do not put the patch in your mouth, chew it, or swallow it.
Fentanyl skin patches are packaged in sealed pouches. Do not remove the patch from the sealed pouch until you are ready to apply it.
When handling the skin patch, be careful not to touch the adhesive (sticky) surface with your hand. The adhesive part of the system contains some fentanyl, which can be absorbed into your body too fast through the skin of your hand. If any of the medicine does get on your hand, rinse the area right away with a lot of clear water. Do not use soap or other cleansers.
Be careful not to tear the patch or make any holes in it. Damage to a patch may allow fentanyl to pass into your skin too quickly. This can cause an overdose.
Apply the patch to a dry, flat skin area on your upper arm, chest, or back. Choose a place where the skin is not very oily and is free of scars, cuts, burns, or irritation. Do not apply fentanyl to areas that have received radiation treatment.
If you need to clean the area before applying the medicine, use only plain water. Do not use soaps, other cleansers, lotions, or anything that contains oils or alcohol. Be sure that the skin is completely dry before applying the medicine.
Remove the liner covering the sticky side of the skin patch. Then press the patch firmly in place, using the palm of your hand, for a minimum of 30 seconds. Make sure that the entire adhesive surface is attached to your skin, especially around the edges.
If the patch becomes loose, tape the edges with first aid tape.
If the patch falls off after applying it, throw it away and apply a new patch in a different area.
If you need to apply more than 1 patch at a time, place the patches far enough apart so that the edges do not touch or overlap each other.
Wash your hands with a lot of clear water after applying the medicine. Do not use soap or other cleansers.
Remove the patch after 3 days (72 hours), or as directed by your doctor. Choose a different place on your skin to apply the next patch. If possible, use a place on the other side of your body. Wait at least 3 days before using the first area again.
In young children or persons with decreased mental alertness, the Duragesic® patch should be put on the upper back to decrease the chance that the patch will be removed and placed in the mouth.
After a Duragesic® patch is applied, fentanyl passes into the skin a little at a time. A certain amount of the medicine must build up in the skin before it is absorbed into the body. Up to a full day (24 hours) may pass before the first dose begins to work. Your doctor may need to adjust the dose during the first few weeks before finding the amount that works best for you. Even if you feel that the medicine is not working, do not increase the amount of fentanyl skin patch that you apply. Instead, check first with your doctor.
You will probably need to take a faster-acting narcotic by mouth to relieve pain during the first few days of using fentanyl skin patch. You may also need another narcotic while your dose of fentanyl is being adjusted, and to relieve any "breakthrough" pain that occurs later on. Be sure you do not take more of the other narcotic, and do not take it more often than directed. Taking 2 narcotics together can increase the chance of serious side effects.
Grapefruit and grapefruit juice may increase the effects of fentanyl skin patch by increasing the amount of the medicine in your body. You should not consume grapefruit products while you are using fentanyl.
The dose of fentanyl will be different for different patients. Follow your doctor's orders or the directions on the label. The following information includes only the average doses of fentanyl. If your dose is different, do not change it unless your doctor tells you to do so.
Adults and children 2 years of age and older—Your doctor will decide which dose of the patch you need based on your present daily narcotic dose. The patch is applied to the skin and left in place for 3 days (72 hours). Your doctor may adjust your dose as needed.
Adults—Your doctor will decide which dose of the patch you need based on your present daily narcotic dose. The patch is applied by your healthcare provider to your upper outer arm or chest. Your doctor will show you how to adjust your dose as needed while in the hospital.
Remove the Duragesic® patch 3 days (72 hours) after applying it.
Your healthcare provider will remove the Ionsys® patch before you leave the hospital. The Ionsys® patch is not for use at home.
Fentanyl can cause serious unwanted effects or a fatal overdose if taken by children, pets, or adults who are not used to strong narcotic pain medicines. Make sure you store the medicine in a safe and secure place to prevent others from getting it.
To dispose of the Duragesic® patch, fold the patch in half with the sticky side inside. If the patch has not been used, take it out of the pouch and remove the liner that covers the sticky side of the patch before folding it in half. Ask your pharmacist about the best way to dispose of patches you do not use. Do not flush the pouch or the protective liner down the toilet. Put them in a trash can.
Your healthcare provider will dispose of the Ionsys® patch after removing it.
It is very important that your doctor check your or your child's progress while using fentanyl. This will allow your doctor to see if the medicine is working properly and to decide if you should continue to take it. Blood and urine tests may needed to check for unwanted effects.
Do not touch the sticky side of the patch or the gel. Fentanyl can be quickly absorbed through the eyes and mouth and can be extremely dangerous. If you do touch the sticky side of the patch or gel, let your nurse or doctor know right away and rinse the area with large amounts of water. Do not use soaps or other cleansers.
Check with your doctor at regular times while using fentanyl. Be sure to report any side effects.
After you have been using fentanyl for awhile, "breakthrough" pain may occur more often than usual, and it may not be relieved by your regular dose of medicine. If this occurs, do not increase the amount of fentanyl skin patch or other narcotic that you are using without first checking with your doctor.
Fentanyl will add to the effects of alcohol and other CNS depressants. CNS depressants are medicines that slow down the nervous system, which may cause drowsiness or make you less alert. Some examples of CNS depressants are antihistamines or medicine for hay fever, other allergies, or colds, sedatives, tranquilizers, or sleeping medicine, other prescription pain medicine or narcotics, benzodiazepines, medicine for seizures or barbiturates, muscle relaxants, or anesthetics, including some dental anesthetics. This effect may last for a few days after you stop using fentanyl. Check with your doctor before taking any of the medicines listed while you are using fentanyl.
The Ionsys® patch must be removed before a procedure called a magnetic resonance imaging (MRI) scan. It may cause skin burns if left in place during the procedure.
The Ionsys® patch may cause serious skin reactions. Call you doctor right away if you have blistering, lesions, a rash, redness, or swelling of the skin, especially at the site of application.
Fentanyl may cause some people to become drowsy, dizzy, or lightheaded, or to feel a false sense of well-being. Do not drive or do anything else that could be dangerous until you know how fentanyl affects you. These effects usually go away after a few days of treatment, when your body gets used to the medicine. However, check with your doctor if drowsiness that is severe enough to interfere with your activities continues for more than a few days.
Dizziness, lightheadedness, or even fainting may occur when you get up suddenly from a lying or sitting position. Getting up slowly may help lessen this problem. Also, lying down for a while may relieve dizziness or lightheadedness.
Nausea or vomiting may occur, especially during the first several days of treatment. Lying down for a while may relieve these effects. However, if they are especially bothersome or if they continue for more than a few days, check with your doctor. You may be able to take another medicine to help prevent these problems.
Using narcotics for a long time may cause severe constipation. To prevent this, your doctor may direct you to take laxatives, drink a lot of fluids, or increase the amount of fiber in your diet. Be sure to follow the directions carefully, because continuing constipation can lead to more serious problems.
Heat can cause the fentanyl in the patch to be absorbed into your body faster. This may increase the chance of serious side effects or an overdose. While you are using fentanyl, do not use a heating pad, electric blanket, heat or tanning lamps, sauna, a sunlamp, or a heated water bed, and do not sunbathe, or take long baths or showers in hot water. Also, check with your doctor if you get a fever.
Be careful about letting other people come in contact with your patch. The patch could stick to someone else, such as when you hug them or if someone helps you put the patch on. If any medicine gets on another person, wash it off right away with clear water.
Before having any kind of surgery (including dental surgery) or emergency treatment, tell the medical doctor or dentist in charge that you are using fentanyl. Serious side effects can occur if your medical doctor or dentist gives you certain other medicines without knowing that you are using fentanyl.
You may bathe, shower, or swim while wearing a fentanyl skin patch. However, be careful to wash and dry the area around the patch gently. Rubbing may cause the patch to get loose or come off. If this does occur, throw away the patch and apply a new one in a different place. Make sure the area is completely dry before applying the new patch.
If you have been using fentanyl regularly for several weeks or more, do not suddenly stop using it without first checking with your doctor. You may be directed to gradually reduce the amount you are using before stopping treatment completely to lessen the chance of withdrawal side effects.
Using too much fentanyl skin patch, or taking too much of another narcotic with fentanyl skin patch, may cause an overdose. If this occurs, get emergency help right away. An overdose can cause severe breathing problems (breathing may even stop), unconsciousness, and death. Serious signs of an overdose include: very slow breathing (fewer than 8 breaths a minute) and drowsiness that is so severe that you are not able to answer when spoken to, or, if asleep, cannot be awakened. Other signs of an overdose may include: cold, clammy skin, low blood pressure, pinpoint pupils of the eyes, and slow heartbeat. It may be best to have a family member or a friend check on you several times a day when you start using a narcotic regularly, and whenever your dose is increased, so that he or she can get help for you if you cannot do so yourself.
Do not use a fentanyl patch if you have taken a monoamine oxidase (MAO) inhibitor in the past 2 weeks. Some examples of MAO inhibitors are isocarboxazid (Marplan®), phenelzine (Nardil®), selegiline (Eldepryl®), and tranylcypromine (Parnate®). If you use the 2 medicines close together it may cause serious side effects like confusion, agitation, restlessness, stomach or intestinal symptoms, a sudden high temperature, an extremely high blood pressure, or severe convulsions.
Using fentanyl while you are pregnant may cause serious unwanted effects, including neonatal opioid withdrawal syndrome in your newborn baby. Tell your doctor right away if you think you are pregnant or if you plan to become pregnant while using fentanyl.
Using too much of fentanyl may cause reduced infertility (unable to have children). Talk with your doctor before using fentanyl if you plan to have children.


text:
By Member » Item 39 #7h
Chief Patron: Coyner
HB 280: Modification of Sentence for Marijuana-Related Offenses
Item 39 #7h
Judicial Department
Supreme Court FY2023 $100,000 FY2024 $0 GF
Page 27, line 3, strike "$15,511,010" and insert "$15,611,010".
(This amendment provides funding from the general fund in the first year for House Bill 280 which creates a process by which persons convicted of certain felony marijuana-related offenses committed prior to July 1, 2021, who are still incarcerated or on community supervision on July 1, 2022, may receive an automatic hearing to consider modification of their sentence. The bill contains a sunset clause to expire on July 1, 2024. This is a placeholder amendment until a final fiscal impact statement is produced.)
Pre-Trial, Trial, and Appellate Processes (32100) $15,511,010 $15,511,010
Appellate Review (32101) FY2023 $10,225,110 FY2024 $10,225,110
Other Court Costs And Allowances (Criminal Fund) (32104) FY2023 $5,285,900 FY2024 $5,285,900
Special FY2023 $179,280 FY2024 $179,280
Authority: Article VI, Sections 1 through 6, Constitution of Virginia; Title 17.1, Chapter 3 and § 19.2-163, Code of Virginia.
A. Out of the amounts for Appellate Review shall be paid:
1. The annual salary of the Chief Justice, $212,017 from July 1, 2022 to June 30, 2023, $212,017 from July 1, 2023 to June 30, 2024.
2. The annual salaries of the six (6) Associate Justices, each $198,865 from July 1, 2022 to June 30, 2023, $198,865 from July 1, 2023 to June 30, 2024.
3. To each justice, $13,500 the first year and $13,500 the second year, for expenses not otherwise reimbursed, said expenses to be paid out of the current appropriation to the Court.
B. There is hereby reappropriated the unexpended balance remaining at the close of business on June 30, 2022, in the appropriation made in Item 36, Chapter 552, Acts of Assembly of 2021, in the item detail Other Court Costs and Allowances (Criminal Fund) and the balance remaining in this item detail on June 30, 2023.
C.1. Out of the amounts appropriated in this Item, $5,175,000 the first year and $5,175,000 the second year from the general fund is included for increased reimbursements for court-appointed counsel pursuant to § 19.2-163, Code of Virginia.
2. The Director, Department of Planning and Budget, shall upon the request of the Executive Secretary of the Supreme Court of Virginia, transfer from the second year amount identified in Paragraph C.1. of this item to the first year an amount equal to the estimated shortfall for criminal fund waivers in the first year. Any such request shall be submitted by the Executive Secretary no later than May 1st of any fiscal year. Any amounts transferred shall be communicated to the Chairs of the House Appropriations and Senate Finance and Appropriations Committees no later than 30 days following any such transfer.
D. The Executive Secretary of the Supreme Court of Virginia shall encourage training of Juvenile and Domestic Relations District Court judges regarding the options available for court-ordered services for families in truancy cases prior to the initiation of other remedies.

redpajama_set_name: RedPajamaCommonCrawl


This is a determined plant with almost aggressive levels of THC. It has long, powerful branches and a strong, solid spine, producing potent buds with a reassuring reliability and vigour. The medicinal qualities betray its caring nature, however, with the K-Train being one of the most soothing indicas on the market.
Green House Seeds Co. K-Train is a cross between the well-established Trainwreck and an OG Kush. A pure indica plant that will be very suitable for those seeking a powerful sedative and/or pain relieving strain.
The K-Train has an indoor flowering time of 9 weeks and proves ideal for Screen of Green gardens, yielding around 800 g/m2. An outdoor growth will finish by the first week of October and produce up to 1000g per plant.
A sweet, earthy aroma with musky, mossy tones.
Gorgeously heavy stone in the finest of hard-hitting indica traditions.


text:
Paris Hilton's engagement ring is worth HOW MUCH?
Josh Newis-Smith January 3, 2018 12:14 pm
It really is THAT BIG...
Paris Hilton spent the holidays being swept up in a fairytale-worthy proposal from beau Chris Zylka on the top of a mountain in Aspen, and she's got the ring candy to show for it.
Zylka gave Hilton a gigantic diamond ring worth a whopping $2 million, and new details about the massive piece of jewelry have come to light.
People reports that the 20-carat pear-shaped stone—which includes another two carats of smaller diamonds around the main sparkler—was inspired by Hilton's mum Kathy's diamond. Jeweler Michael Greene gave all the details.
"Paris at one point in time told Chris she really loved her mother's pear-shaped diamond, and when Chris came to me that was his request," Greene told People. "The pear-shaped really jumped out for him and ultimately for her. He did some fishing, but in the end it was all him. He's a smart guy, and hangs out a lot with the family, and I think she realized how much she liked her mum's ring."
I said Yas! ?????? So happy & excited to be engaged to the love of my life. My best friend & soulmate. Perfect for me in every way. So dedicated, loyal, loving & kindhearted. I feel like the luckiest girl in the world! You are my dream come true! Thank you for showing me that fairytales do exist.?
A post shared by Paris Hilton (@parishilton) on Jan 2, 2018 at 7:45am PST
Hilton said herself that the entire proposal was a surprise, but it turns out that the surprise included the ring's design. Greene clarified that Hilton wasn't involved in the design process whatsoever.
"Paris was not involved. Chris did it all," Greene said. "He wanted to do everything so perfectly. He wants the best thing for his princess. And he did all the right things. He told me he had to set up a time to meet up with Paris's father to ask for her hand in marriage. He did the whole thing. All the traditions."
While a multimillion-dollar ring can hardly be part of the "simple life" Hilton was once known for, it seems to suit her just fine.


text:
Q: fetching a row from table Having this data:

I am running this code:
SELECT student_info.student_name,student_info.department,student_info.marks,
rank() over (order by student_info.marks desc) score  from student_info ;

and getting:

I want first two records alone with rank with out using rownum

A: Can you try this please, I think this is what you need
SELECT student_name, department, marks, score
  FROM (SELECT s.*, RANK() OVER (ORDER BY marks DESC) AS score
          FROM student_info s)
 WHERE score = 1

redpajama_set_name: RedPajamaStackExchange


The MOORE-AYERS line begins with William Moore and Priscilla Ayers. William Moore, born 6 June 1815 in Pennsylvania, was the grandson of Thomas and Eunice Bell Moore of Greene County, Pennsylvania and the son of William and Sarah "Nancy" Moore. William was born about 1790 in Greene County and married his wife about 1811. Her maiden name is unknown and no marriage record has been discovered (but it may have been Barnett, the given name of William and Sarah's first son).
Family oral history maintains that William Moore was accidentally killed by a horse. He and his wife had four children: Barnett, William, Eunice Belle, and John Moore, who may have been born a few months after his father died. William died before 16 October 1821 in Wayne County, Ohio, where his estate was probated. His widow, Priscilla Ayers Moore, subsequently married William Culbertson, who was appointed guardian of her children.
Barnett apparently never married, inherited his father's land when he came of age, and may have died at a relatively young age. Eunice Belle Moore married William DePew, who was a descendant of the DePew/DePuy family of New Amsterdam. John Moore married Rebeckah Johnson.
William, the second child, married Priscilla Ayers on January 8, 1835 in Wayne County, Ohio. Priscilla was the daughter of David Ayers (1770 - 1819) and Elizabeth Wells (1779 - 1847), and the granddaughter of Moses Ayers (c. 1732- 1803) & Dorcas Cox (1733 - 1814) and Lt. James Wells (1751 - 1826) & Rachel Letitia Leedom (1756 - 1840). According to family lore, Priscilla was a member of a staunch Episcopalian family that was fairly well-to-do for the time. Her family considered William beneath her, both socially and religiously, as he was a Quaker.
According to descendant Ethel Moore, "William was a Quaker and Grandma Priscilla was not. Grandma was pretty much of an aristocrat. Her father, David Ayers, was a captain on a river boat on the Ohio Canal. Mr. Ayers took a load of cargo to New Orleans and caught yellow fever and died."
Despite her family's opposition, Priscilla and William married and went on to have ten children together.
According to Ethel Moore, granddaughter of William and Priscilla Ayers Moore, Priscilla was a tall, slender, and very pretty woman with dark hair and eyes. She had a beautiful soprano voice and came from a family that was very gifted musically. Perhaps that's a gift that's passed down from generation to generation -- my mother often was asked to sing at weddings and other special occasions. I can still remember hearing my maternal grandmother's soprano voice from the church's choir loft when I was a child.
Several of Priscilla's family members also practiced medicine or nursing. Oral family history claims that one of her nephews was an outstanding doctor who practiced medicine in a town on the Ohio Canal. She herself was a practical nurse and it is said that two of her sisters were Red Cross nurses during the Civil War.
William and Priscilla Ayers Moore's wedding ceremony took place at Priscilla's mother's home. Their eldest child, Cyrene Jeraldine Moore, was born in the home of her great-grandmother, Elizabeth Wells Ayers (who would have been remarried by that time). After Cyrene's birth, William and Priscilla moved to Fort Wayne, Allen County, Indiana, where they had several additional children. Only Cyrene and Eunice Belle Moore were born in states other than Indiana. Cyrene was born in Ohio and Eunice Belle Moore was born in Iowa.
The Moores left Indiana in April 1854 to move to land on the Cedar River, close to Cedar Rapids, Iowa. In Indiana, they had lived in an area where sentiment over slavery issues was quite polarized, with many people favoring slavery and states' rights, and many others staunchly opposing slavery. William Moore, a Quaker, was on the side of those advocating abolition of slavery. But was it the political climate that sparked the move?
Ethel Moore relates (from stories passed down to her) that the main reason the Moores left Indiana was that Priscilla Ayers Moore didn't get along with William's family.
Family history asserts that because of his opposition to slavery and his concern over war, William Moore (the father of several boys who would likely be made soldiers if war came) decided to go to Oregon since it was free territory. He sold the farm in Bremer County, Iowa and began preparations to move west in 1857. The family moved first to St. Joseph, Missouri where wagon trains were assembled and the journey west began.
Once there, they learned of Indian troubles on the Oregon Trail, so William Moore rented a farm at Rosehill, Missouri. There was a school in Rosehill, where the school-age children were able to go to school. Their eldest daughter, Cyrene, and her husband Daniel Clayton accompanied William and Priscilla to Missouri and their first-born died in Rosehill. Their second son was only a baby when the extended family finally left St. Joseph by wagon train in April 1859.
Fifty wagons left St. Joseph. William and Priscilla Moore had two wagons; Daniel and Cyrene Moore Clayton had one wagon. Most of the wagons were pulled by oxen. The captain of the wagon train was said by Moore family elders to have been unable to handle wagon trains. After the wagon train had traveled far into the plains, there was dissention amongst members of the group. Eventually, the problem was solved by the group agreeing to split into two. The wagons pulled by horses went ahead except for the two wagons owned by the Jim Giles family and the Derrick family. Those families stayed with the wagons pulled by oxen. The reformulated group was fairly congenial after the departure of the "horse wagon people." The oxen and the horses were shod, as the Giles and Derrick's horses were having problems with their hooves. Eventually, the "oxen" portion of the original wagon train almost caught up with the "horse" portion, which had gone ahead.
Farther along the trail, three young men on horseback approached the wagon train and volunteered to do hunting in exchange for being able to travel with the wagon train. These men were Samuel Colwell, Sam's brother Frank, and John Nifong. These young men also acted as scouts for the wagon train, reconnoitering and keeping watch for hostile Indians. Sam Colwell was assigned to assist William Moore's wagon and in doing so, he met young Priscilla Jane Moore, whom he later married in Walla Walla, Washington in February 1860.
the wagon train's best weapons and rode to the Indian encampment. Someone in the group could communicate - at least to some extent - with the Shoshones. They told the chief that a mare had been stolen and they either wanted her returned or to have the thief turned over to them. The unfortunate thief came sneaking into camp about this time and the men identified him to the chief. Apparently, the young Indian was a troublemaker even within his tribe, so the chief determined where the horse was hidden and offered to have his son and a friend show them where the horse was. They led them to the place and brought the horse to the rescuers. They then accompanied the pioneers back to the wagon train. The young Native American boys were about 12 years old and apparently had fun playing with the children in the wagon train.
The wagon train departed after about two days. When it reached the Platte River, the river was flooded. The settlers propped the wagons up to the bolsters and then forced the oxen to swim acrosss the river. Two men went through the river with every team because the oxen were resistent. Water drenched the insides of the wagon boxes, so the wagon train had to stop on the far side of the river to dry out their goods and supplies.
When the wagon train reached Fort Boise, there was only a garrison stationed there. The wagon train stopped at the fort to learn about conditions further on. When they reached the Snake River at about the site of present-day Vale, Oregon, they moved the wagons, people, and goods across on rafts. By this point, it was late summer and the river was not very high so crossing was easier than it sometimes was. No doubt it was a much easier crossing than the Platte River adventure, because the oxen were able to hitch a ride instead of having to swim.
After crossing the Snake River, the wagon train followed the Burnt River Road to Emigrant Park in northeastern Oregon. By this time, Cyrene Moore Clayton was very ill. She had only recently given birth when the wagon trains left Missouri. Her husband Daniel Clayton had prepared a bed in the wagon for her and the baby, but Cyrene weakened progressively as the journey went on and by the time they reached Oregon, all in the family feared she would die before they got to Walla Walla.
William and Priscilla Ayers Moore filed a homestead claim on land southeast of the city limits of present day Walla Walla, Washington. Daniel and Cyrene Moore Clayton also lived in Walla Walla, Washington territory at the time of the 1860 Washington Territorial Census. In an 1867 Assessment and Statistical Roll of Walla Walla County, Daniel was shown as having personal property worth $750. There were 3 males and 3 females in his household. He had three horses, four meat cattle and two hogs; 12 acres of corn, 20 acres of wheat, 14 acres of oats, and 30 acres of barley.
By 1880, Daniel and Cyrene Clayton homesteaded land in Columbia County (northeast of Walla Walla County, its parent county) after living near Walla Walla for many years. Cyrene's parents William and Priscilla Moore sold their land in Walla Walla County and moved to Columbia County as well. Their son-in-law Daniel Clayton died in 1902 in Pomeroy, Garfield County, Washington. Cyrene Moore Clayton died January 17, 1917 in Asotin County, Washington.
For more information, see: Moore, Carl C. and Dorothy L. Descendants of William Moore. Ye Galleon Press, Fairfield, Washington - ISBN 0-87770-322-1, (c) 1984; see also: Luther, Ellen (Betty). Ancestors and Descendants. Self-published 1998. (Contains history of Moore, Ayers, Cox, Rockhill, and related families). .
William died in Columbia County on January 31, 1885 and is buried in the Turner Cemetery.
Priscilla Ayers Moore died in Prescott, Walla Walla County, Washington on March 8, 1896. She was buried next to her husband in the Turner Cemetery in Columbia County.
© 2019 Meri Arnett-Kremian. All rights reserved.


text:
YARD & MARINE FACILITIES
YARD & MARINE FACILITIES Stage 3 live at The Boat GCCM presses on with site expansion After the successful completion of its undercover work bays, Gold Coast City Marina & Shipyard (GCCM) in Australia has begun construction of new showrooms. The new marine hub is due for completion in August 2020. As a response to the growing demand for multi-use business units within the site, GCCM has committed to building three units that will provide new premises for leading marine contractors, adding to the 80 marine businesses already on site. The new units are in a prominent location at the entrance of the 17.5ha (43.2 acre) facility. Comprising a retail showroom with office space at the front and workshop at the rear, the design offers customer exposure through the workshop. The units are 240m² (2,580ft²) each and there is the option of tailored layouts to serve differing needs. "GCCM is a boatyard that accommodates marine craft from jet ski to superyacht and we continue to grow and attract leading marine contractors. These new units are designed to address the needs of businesses that operate a retail and service function who need frontage but prime access to the shipyard facilities," explained Luke McCaul, general manager of customer experience and facilities management. GCCM is celebrating its 20th year of operations in 2020 and, through the last two decades, has continued to invest in the site making it the most awarded shipyard and marina in Australia. The new marine hub comes immediately after the completion of undercover work bays plus significant investments, in recent years, to increase the lifting capacity of the yard plus services and amenities for boat owners and crew. Future investment plans that include a Stage 2 development, which will more than double the size and lift capacity, are also currently at design and approval stage. Works Since completion in February of the AU0 million superyacht yard at The Boat Works, Coomera, Queensland, positive demand has driven the start of Stage 3 of the project. All is on track to commence in August with a forecast for completion by the end of 2020 in time for the peak summer season. Stage 3 will be a million development comprising an additional 10,000m² (107,600ft²) of purpose-built marine workshops and retail facilities to complement the existing superyacht yard expansion. An additional 12 marine service workshops will cover half the space and include marine retail showrooms facilitating a range of marine professions, such as engineering, fabrication and refinishing works and custom trimmers – creating 250 new jobs. This will boost the number of trades and marine professionals on site to over 1,000 on any given day. The other 50% will consist of four new high bay 'Super Sheds' for specific controlled work environments for larger vessels. An expansive dedicated sandblast bay with unlimited height options for vessels up to 55m (180ft) in length complements the existing array of controlled work environments on offer. "We have fast-tracked Stage 3 due to demand following the new superyacht yard, which has been operating at capacity since May," explains general manager Shane Subichin. Since opening just five months ago, the new yard has proven popular with the region's superyachts, both privately owned and commercial, many of which took Cutting the ribbon (l to r): Tom Tate, Donna Gates and Tony Longhurst. 38 www.marinaworld.com - July/August 2020
advantage of the COVID-19 restrictions to undertake refit work and routine maintenance. "We made the decision in March to adapt to the realities of COVID-19 restrictions, offering a genuine stimulus to haul out and store vessels, including the local and visiting charter fleet who were unable to operate," says owner Tony Longhurst. "We have experienced an influx of vessels through both yards which kept us all afloat. Both yards are now operating to capacity." The city's mayor, Tom Tate, and deputy mayor, Donna Gates, were welcomed to join Longhurst for the official ribbon cutting ceremony. "It's exciting to be here to see this dream realised," the mayor said. "Our marine sector is going ahead in leaps and bounds and it is exciting to see a Gold Coast company like The Boat Works Creating marine jobs in Portsmouth Harbour UK-based Marina Projects is continuing its support of Portsmouth City Council's (PCC's) ambitious redevelopment of the Tipner West site on the edge of Portsmouth Harbour, England. The development will deliver a substantial marine employment site, of over 10ha (25 acres) within a ground-breaking new community. The proposals for Tipner West include the creation of a marine employment, training, education and research campus that will support approximately 2,000 jobs. The site has been earmarked for development for many years and, as well as including the marine sector proposals, will deliver a modern carfree community with approximately 4,000 new homes. To achieve this overall objective, significant reclamation into Portsmouth Harbour is proposed. Comprehensive transport plans include the use of water taxis to connect with local communities and other transport infrastructure. The project value exceeds £1.5 billion. Marina Projects' scope includes: • Site assessment to identify the optimum access to water opportunities to make best use of site for the marine sector • Market research of the marine employment market • Marine sector stakeholder engagement including the harbour authority and local boating clubs • Support to the concept design, masterplanning and project costings • Input to the complex consent regime and regulator consultation Marina Projects managing director, Mike Ward, explains: "There is a very strong case for marine employment at Tipner West. National policy to expand the sector recognises the Solent region as key to the UK's maritime economy and within the region there is a recognised shortage of waterfront marine employment sites." "Tipner West has all of the attributes to deliver a regionally significant marine employment site, including critical deep-water access, and our market research has identified numerous sectors with significant growth potential that are currently being constrained by lack of access to key infrastructure," he continues. "These include, among others, the commercial repair/refit market and superyacht sector. The site is at a key gateway into the city, and Portsmouth's maritime heritage and skills base will YARD & MARINE FACILITIES continuing to prosper, expand and create jobs during these difficult times." Today, the entire facility occupies 22.3ha (55 acres) with over 60 marine businesses and the Gold Coast's largest ship lift, a 300 tonne capacity Marine Travelift. The Boat Works is a vibrant, evolving community at the heart of the Coomera Marine Precinct and a proud contributor to the burgeoning economy of southeast Queensland. ensure the benefits delivered underpin the economic growth of the city and wider region. This is a project that is particularly important to me. We are a local marine sector business truly invested in assisting to deliver the potential of the sector." Megan Carter, senior regeneration manager at PCC adds: "As our exciting plans move forward, we continue to gain intelligence around what is required for this tremendous development. This would not be possible without having a team enriched with expertise and passion for success. Marina Projects are specialists who personify these qualities and they have provided us with the vital insight required to design and create this significant marine employment. We look forward to progressing through the next phase of work collaboratively." Marina Projects is working alongside PCC and a professional team, including planning consultants Savills, master planners Gensler, and WSP for engineering and design services. Ripe for development: CGI of Tipner West/Portsmouth Harbour site. www.marinaworld.com - July/August 2020 39


The mobile SDKs have two ways of creating end users. One type of end user is identified using an anonymous identity. The other type of end user is authenticated with a JWT identity.
Note the difference in terminology here, namely identified versus authenticated. Anonymous end users are untrusted and have some access restrictions. The rest of this articles assumes that your SDK application is configured in Zendesk Support for anonymous identities.
An anonymous identity can be created with absolutely no personally identifiable information. A UUID is created when you set an identity in the SDK, and this is used to identify the user.
Each event is described in more details below. The identity is deleted after any of these events. The next identity that you create will be a new user.
The SDKs are very strict when it comes to changing identities. We don't support adding data to an identity without considering it as a new identity. This is a common scenario where the integrators of our SDKs might not know their users at the start, but they would after their login process.
If at a later point you do the following, then the SDK treats this as a change of identity. It clears the user's data from the device. The SDK considers any addition (no email to having an email) or any change (foo@example.com to bar@example.com) as a new identity.
The identity, requests, and access token are stored locally on the end user's device. If the app is uninstalled, then the identity, requests, access token, and any other user data is cleared. The same happens if the app's data is cleared.
Is this a new user?
Is this an existing user?
This is really important because if it's an existing user, then the SDK doesn't update the end user. Here's an example.
This user doesn't already exist in your instance of Zendesk, so a user is created and the name and email address are set to the ones that the SDK provided.
A user with the email address of "jsmith@example.com" already exists at this point.
Leaves the user's name unchanged as "John Smith" rather than changing it to "Joanna Smith"
Zendesk Support does not update an end user when it finds that the user already exists. This is a security measure.
Find the user by email.
If the user is not found by email, then create the user.
If the end user is found by email, then Zendesk Support ignores the name.
The most important thing to remember in an anonymous identity is that all information is completely optional. Our recommendation is to only fill in the details that you know you definitely have.
If you need more control over user identities, consider using JWT authentication. See Authentication decision in the SDK integration checklist.


Late 60's radio transcript record, featuring artists interviewed by Martin Block. Along with the tracks listed below are Block's interviews with Judy from 1967 about the Palace engagement. The interview was recorded in one session, but was divided into four parts (the "GS" numbers listed below and as shown on the "air strip" to the right, and broadcast in four parts during November, 1967.
Judy is in great spirits, sounds wonderful, and doesn't seem phased when the announcer repeatedly refers to Judy's daughter Lorna as "Verna"!
except "I Feel A Song Coming On" which is the 1967 Palace version.


Get involved with Disciple Daily and rediscover biblical disciple-making.
Training reproductive disciples of Messiah Jesus is relationally driven, not institutionally organized.
Let us show you how to create a community that wins people to faith in Jesus and disciples believers to become disciple makers one person at a time, one story at a time. We conduct one-on-one, small group, and church-wide Stories of God training. If you would like to explore how to get our training either in person or via video-conferencing, indicate your interest using the form below.
Imagine your family, small group, or entire local congregation being able to remember the key people and events of the Bible from beginning to end? All it takes is a few hours and a little effort to make it happen. To find out how we can help you accomplish this, use the form below to indicate your interest.
Over the course of 14 days, not including flights, we explore the Promised Land by following the storyline of the Bible from Creation to Consummation. The people exploring Israel with us go home with much more than tans and trinkets. They return to family and friends equipped to impact eternity. Nobody does Israel like Disciple Daily. Nobody! If you want a serious Bible Land experience, contact us through the form below.


text:
damien kiberd
Read mes
Damien Kiberd: Austerity economics have us locked in Permaslump
"Families want to exit their own micro-bailouts too," writes new TheJournal.ie columnist Damien Kiberd.
By Damien Kiberd Tuesday 8 Oct 2013, 10:58 PM
Oct 8th 2013, 10:58 PM 52 Views 66 Comments
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HAS IRELAND BEEN turned into a fiscal laboratory to be used for the conduct of increasingly brazen experiments in austerity economics?
We're already attracting what you might call austerity tourism. Davy invited top US economist Dr Pippa Malmgren to give the keynote speech at its annual dinner last week. Her upbeat message to the suits was accompanied by a warning that people in the eurozone should brace themselves for "twenty years of no growth".
This sort of dystopian theorising makes the alleged argument between Michael Noonan and Brendan Howlin over the scale of next Tuesday's budget cuts seem almost academic. So the combined spending cuts and tax hikes will be "ahead of €2.5bn" instead of €3.1bn. Does it matter?
Why let a €500-600m spat among friends cause mayhem in a country which has shouldered almost €30bn in cutbacks and tax hikes since mid-2008?
"Less and less money in circulation"
The central problem is not the fine print of the 15 October budget. The conundrum is the pressing need to improve fundamentally the climate in which Irish business operates – and to do so without a functioning credit market and apparently with less and less money in circulation.
The monetary value of a year's national output was €180bn when the rot began in 2008. It's estimated at €168bn for 2013. If the economy had not gone off the rails the GDP, as it's called, would by now be well in excess of €200bn.
We used to have 2,150,000 people in paid employment, available to be taxed by the government.
That number is now 1,870,000 – a drop of 280,000 in just five years.
Noonan and Howlin are trying to complete their maths homework for the Troika against an astonishing backdrop:
the cutbacks imposed by their government and by their Fianna Fail predecessors have reduced disposable incomes for Irish families by 10% to 15%;
for the families of public servants hit by pay freezes and pension charges the drop has been even higher at close to 25%;
a lot of families cannot afford to save, and the banks are paying derisory rates for deposits. But those who can save are saving so much that the ratio of savings to disposable income is well over 10%. Many people have stopped spending;
the banks claim that they are willing to lend money to families and to small firms. But households, in defensive mood, have reduced their debts to the banks by over €30bn since the crisis began. And the figures issued by the Central Bank suggest that the net credit provided by Irish banks for mortgages and for the working capital needs of small firms continues to contract relentlessly at the end of each quarter.
The politicians like to call AIB and Bank of Ireland the "pillar" banks. But what are these pillars actually supporting? And how precisely do you "deleverage" a "pillar"?
"Where's the uplift going to come from on Budget Day?"
So if you can't get credit from the bank and the government – with its PRSI, Universal Social Charge and marginal income tax rates of up to 55% – is taxing you to death then where's the uplift going to come from on Budget Day?
The government should get due credit for its hard work.
Whatever way Noonan and Howlin sort out their problem the general government deficit for 2014 will come in well below the Troika's target of 5.1% of GDP.
We will achieve exit velocity needed to leave the bailout in 2015 unless international base rates explode and the global economy hits unexpected turbulence.
The Department of Finance and the NTMA have raised and stored away enough cash to pay the country's bills next year and again in 2015.
All that is good. But the whole country needs a massive lift. Consumer spending, which collapsed after the banking crisis began, is still flat as a pancake.
"Families want to exit their own micro-bailouts too"
The same people who spent the bling years marvelling at the prices achieved for neighbouring houses now swap horror stories about default and repossession down at the local coffee shop.
Families want to exit their own micro-bailouts too.
The problem is that Noonan and Howlin have no money to give them in Tuesday's budget. Instead taxpayers are looking at a full year's property tax in 2014 and a rapidly approaching train marked "urgent-water tax".
Our European masters might think we are the best boys in the class. They've given us a clean bill of health each time they've been asked. And they have also helped us to string out our debts into the distant future.
But that's only because the Department of Finance is ready, willing and able to cough up €8bn a year in loan interest, almost four times the interest it paid in 2008.
The national debt will end the current year at 123% of GDP or €207bn. That's why Dr Malmgren and other worthies fear we are locked into what economists describe as a condition called Permaslump.
See more articles by Damien Kiberd
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text:
Fresh Off the Boat Season 5 Episode 22
Series: Fresh Off the Boat
Episode Title: No Apology Necessary
Mighty Little Bheem
An innocent toddler's boundless curiosity – and extraordinary might – lead to mischief and adventure in his small Indian town.
Ink Master: Grudge Match
Ink Master: Grudge Match will pit former contestants of the original tattoo competition reality show against their biggest rivals.
A medical student who becomes a zombie joins a Coroner's Office in order to gain access to the brains she must reluctantly eat so that she can maintain her humanity….
Genre: Crime, Drama, Horror, Sci-Fi
A look at the personal and professional lives of the judges, lawyers, clerks, bailiffs and cops who work at an L.A. County courthouse.
See the rise of the Guadalajara Cartel as an American DEA agent learns the danger of targeting narcos in 1980s Mexico.
In the high-tech gold rush of modern Silicon Valley, the people most qualified to succeed are the least capable of handling success. A comedy partially inspired by Mike Judge's own…
A British civil servant agrees to spy on her own government for the Americans in the aftermath of WWII.
Three women living in three different decades: a housewife in the '60s, a socialite in the '80s and a lawyer in 2019, deal with infidelity in their marriages.
Four gritty no-holds-barred human stories of the streets, all linked together in some respect.
Follows the detectives of an elite murder investigation squad in London.
Bea Smith is locked up while awaiting trial for the attempted murder of her husband and must learn how life works in prison.
Flavorful Origins
Delve into the delectable world of Chaoshan cuisine, explore its unique ingredients and hear the stories of the people behind its creation.


Nice Link Home Furnishings is a fabric and furniture manufacturer focused on incredible customer comfort as well as superior functionality. Their new line of performance fabric, Nice N Clean, is built to do both. Nice Link called upon RocketBrand to create an informative one-sheeter advertisement to both excite and inform customers about this new product line.
Every ad needs to be able to emotionally connect with consumers. When looking at furniture, we devised a strategy that looks at furniture as more than just objects you sit on or utilize in your home—they're a part of your family. Family can sometimes be messy, but family also provides wonderful memories. Nice Link's new performance fabric line is all about becoming a part of the family, but it's no mess, and just memories. It's always there for you, whether it's a kids sleepover, or Sunday afternoon football with the guys.


text:
package com.google.gwt.inject.rebind.util;

import com.google.gwt.core.ext.TreeLogger;
import com.google.gwt.inject.rebind.binding.Dependency;
import com.google.inject.Key;
import com.google.inject.TypeLiteral;

import java.lang.annotation.Annotation;
import java.util.List;

/**
 * Pretty-printer that formats internal types for human consumption in error
 * messages.
 *
 *
{@link #format(String, Object...)} acts like {@link String#format}, except
 * that it detects and pretty-prints the following argument types:
 *
 *

 *
{@link Class}: formatted as "org.example.Class$SubClass"

 *
{@link Key}: formatted as "@org.example.Annotation org.example.Class$SubClass"

 *
{@link List<Dependency>}: formatted as a dependency path preceded by a newline.  If
 *     the path begins at {@link Dependency.GINJECTOR}, that key is hidden, and the context
 *     of the outgoing dependency is given as the context of the first key in the displayed
 *     path.

 *

 *
 * All other arguments are passed unchanged to {@link String#format}.
 */
public final class PrettyPrinter {

  private PrettyPrinter() {
  }

  /**
   * Log a pretty-printed message if the given log level is active.  The message
   * is only formatted if it will be logged.
   */
  public static void log(TreeLogger logger, TreeLogger.Type type, String formatString,
      Object... args) {
    if (logger.isLoggable(type)) {
      logger.log(type, format(formatString, args));
    }
  }

  /**
   * Generate a string based on a format template as {@link String#format}
   * would, using the pretty-printing rules specified in the class
   * documentation.
   */
  public static String format(String formatString, Object... args) {
    // Rewrites the varargs so that objects that need special formatting are
    // replaced with formatted strings, then hands off to {@link String#format}.

    Object[] formattedArgs = new Object[args.length];
    for (int i = 0; i < args.length; ++i) {
      formattedArgs[i] = formatObject(args[i]);
    }

    return String.format(formatString, (Object[]) formattedArgs);
  }

  /**
   * Pretty-print a single object.
   */
  private static Object formatObject(Object object) {
    if (object instanceof Class) {
      return formatArg((Class<?>) object);
    } else if (object instanceof Key) {
      return formatArg((Key<?>) object);
    } else if (object instanceof List) {
      List<?> list = (List<?>) object;
      // Empirically check if this is a List<Dependency>.
      boolean allDependencies = true;
      for (Object entry : list) {
        if (!(entry instanceof Dependency)) {
          allDependencies = false;
          break;
        }
      }

      if (allDependencies) {
        return formatArg((List<Dependency>) list);
      } else {
        return object;
      }
    } else {
      return object;
    }
  }

  private static String formatArg(Class<?> type) {
    // Make sure classes are formatted in a manner that's consistent with type
    // literals.
    return TypeLiteral.get(type).toString();
  }

  private static String formatArg(Key<?> key) {
    StringBuilder builder = new StringBuilder();
    formatArgTo(key, builder);
    return builder.toString();
  }

  /**
   * Formats a list of dependencies as a dependency path; see the class
   * comments.
   */
  private static String formatArg(List<Dependency> path) {
    StringBuilder builder = new StringBuilder();
    formatArgTo(path, builder);
    return builder.toString();
  }

  private static void formatArgTo(Key<?> key, StringBuilder builder) {
    Annotation annotation = key.getAnnotation();
    if (annotation != null) {
      builder.append(annotation);
      builder.append(" ");
    } else if (key.getAnnotationType() != null) {
      builder.append("@");
      builder.append(formatArg(key.getAnnotationType()));
      builder.append(" ");
    }
    builder.append(key.getTypeLiteral());
  }

  /**
   * Formats a list of dependencies as a dependency path; see the class
   * comments.
   */
  private static void formatArgTo(List<Dependency> path, StringBuilder builder) {
    if (path.isEmpty()) {
      return;
    }

    builder.append("\n");
    boolean first = true;
    Key<?> previousTarget = null; // For sanity-checking.
    for (Dependency dependency : path) {
      Key<?> source = dependency.getSource();
      Key<?> target = dependency.getTarget();

      // Sanity-check.
      if (previousTarget != null && !previousTarget.equals(source)) {
        throw new IllegalArgumentException("Dependency list is not a path.");
      }

      // There are two possible overall shapes of the list:
      //
      // If it starts with GINJECTOR, we get this:
      //
      // Key1 [context]
      //  -> Key2 [context]
      //  ...
      //
      // Otherwise (e.g., if we're dumping a cycle), we get this:
      //
      // Key1
      //  -> Key2 [context]
      //  -> Key3 [context]
      //  ...
      if (first) {
        if (source == Dependency.GINJECTOR) {
          formatArgTo(target, builder);
          builder.append(String.format(" [%s]%n", dependency.getContext()));
        } else {
          formatArgTo(source, builder);
          builder.append("\n -> ");
          formatArgTo(target, builder);
          builder.append(String.format(" [%s]%n", dependency.getContext()));
        }

        first = false;
      } else {
        builder.append(" -> ");
        formatArgTo(target, builder);
        builder.append(String.format(" [%s]%n", dependency.getContext()));
      }

      previousTarget = target;
    }
  }
}

redpajama_set_name: RedPajamaGithub


text:
Intuit's New Version Of Quicken Gets Mintified With Financial Data Insights And More
One of the reasons Aaron Patzer founded personal finance site Mint.com was because of his frustrations with Intuit's financial management software Quicken. Quicken, says Patzer wasn't user-friendly, and in Patzer's own words "felt like a product from 1996." Flash forward two years, and Patzer's Mint.com (which was also a TechCrunch50 winner) was bought by Intuit for $170 million in the Fall of 2009. Clearly, Intuit perhaps agreed with Patzer, who is now vice president and general manager of Intuit's personal finance group, that its own financial products needed a a makeover. Today, Quicken 2011 is debuting its software for Windows that includes more features from Mint.com.
This is the first version of Quicken to reflect the collaboration of the Quicken Desktop and Mint.com product and engineering teams since last fall. The new version for Windows users includes 360-degree financial view that brings together all accounts, including bank, credit card, investment and retirement. Intuit has also added support for 7,000 more banks and now lists 12,000 banks and credit union in the U.S.
Quicken's new automated engine categorizes transactions (i.e. business, clothes, groceries, etc.) Credit card payments are automatically matched to transfers from checking or savings, to ensure they're not double-counted. You can also create budgets within the software based on an individual's historical spending and the software will include expense alerts and a graph to project cash flow help users avoid late fees and penalties. Pricing for Quicken 2011 ranges from $29.99 to $89.99.
Patzer says of the new version: "It combines the best of Quicken with what we built into Mint.com to help ease the burden on people trying to manage their money…The product is customizable and intuitive, two things that people have come to expect from modern software."
One feature that is clearly lacking between Quicken and Mint is the ability to sync your Quicken desktop software with your Mint.com web account, and integrate the data (Quicken Online users are being merged to Mint.com). But Patzer says that this will soon be added to the suite of products. His goal is for Quicken and Mint to work seamlessly across all platforms, including mobile.
On another note, the Intuit acquisition doesn't seem to have stunted Mint.com's growth. Patzer says that the platform has grown from 1.7 million users in September of 2009 to 4.2 million users currently.


Discovered at the Colville Indian Reservation in Washington State!
A delicious heirloom garlic with a mild flavor.
Inchelium Red is a mid-season heirloom garlic with a mild flavor that's especially good for baking, roasting, or blending with mashed potatoes. A national taste-test winner in the softneck division, this large (2 inches or more), top-quality garlic is also prized for its long storage life -- 6 to 9 months. And its long stems make it perfect for braiding.
Inchelium Red was discovered on the Colville Indian Reservation in northern Washington and has quickly gained popularity. It's quite easy to grow, having very few problems with pests. Plant it in rich, well-drained soil -- garlic doesn't do well in dense soils with few nutrients. You should separate the cloves just prior to planting, placing them 4 to 6 inches apart and covering them with 1 to 2 inches of soil.
In the north, garlic is best planted in October, while southern regions should plant between November and January. Inchelium Red is a wonderful garlic that we're quite sure you'll want to plant year after year! 1/2 pound.


Click on the ward you want in the map, to view the details of the ward. Ward boundaries are visible in light blue. The wards are colour-coded according to the party that won the BBMP elections in 2010.
For some select wards, we have added details about the state of the ward — the demographics, infrastructure details, the tenders and development works executed, issues raised by citizens and more. We are also adding details of contesting candidates as we get info.
It is tiny compared to IPL's big bash, splash and blitz. But Indian volleyball has nevertheless gotten started on a major league that it hopes to build on.
Only the rarest cases of official abuse of power and negligence seem to result in stringent punishment and criminal conviction. In this interview, Lokayukta Santosh Hegde exposes legal truths that Bangalore's bosses would rather you not know.


text:
Southern Highlands Province
Information in this article has not yet been updated to take into account the effects of the creation of Hela Province.
Place in Papua New Guinea
Saden Halens (Angal Dialect)
Southern Highlands Province in Papua New Guinea
Coordinates: 6°10′S 143°20′E / 6.167°S 143.333°E / -6.167; 143.333
Mendi-Munihu District District
Imbonggu District
Kagua-Erave District
Ialibu-Pangia
Nipa-Kutubu District
• Governor
Suspended since 16 June 2018
15,089 km2 (5,826 sq mi)
(2011 census)
34/km2 (88/sq mi)
UTC+10 (AEST)
low · 21st of 22
Southern Highlands is a province in Papua New Guinea. Its provincial capital is the town of Mendi. According to Papua New Guinea's national 2011 census, the total population of Southern Highlands (after the separation of Hela Province) is 515,511 spread across 15,089 square kilometers (5,826 sq mi).
1 Ethnic groups
2 Split to create Hela Province
4 Districts and LLGs
5 Provincial leaders
5.1 Premiers (1978–1995)
5.2 Governors (1995–present)
6 Members of the National Parliament
7 2006 state of emergency
Ethnic groups[edit]
Before the split there were two major ethnic groups, the Huli Speakers and the Angal Speakers or Angal Heneng. Today the majority of the population in Southern Highlands is made up of Angal or Angal Heneng speakers. They occupy the three provinces of Southern Highlands (Nipa, Mendi, Lai Valley, Imbongu (lower Mendi)), Hela (Magarima) and Enga (parts of Kandep).[citation needed]
Split to create Hela Province[edit]
In July 2009, Parliament passed legislation to create two new provinces by 2012. One of these was to be created by removing the districts of Tari-Pori, Komo-Magarima, and Koroba-Kopiago from the Southern Highlands Province to form the new Hela Province.[2] Hela Province officially came into being on 17 May 2012.[3]
Regions[edit]
After the split of Hela, the province is divided into roughly three distinct geographic regions:
The West: which includes the Southern Highlands districts of Nipa, Mendi, Lai Valley, Imbogu (lower Mendi), Hela District of Magarima, Kutubu and part of Kendep (Enga Province), and is the home of the speakers of dialects of the Anggal Heneng language.
The East: which includes the districts of Kagua, Ialibu, Pangia and Erave, and is the home of the speakers of the Imbongu, Kewa, and Wiru languages, and home to the second highest mountain in Papua New Guinea, Mount Giluwe.
The Lowlands: which stretch across the southern part of the Southern Highlands province from the volcanic peaks of Mount Bosavi to include the oilfields of Lake Kutubu, and includes the language groups of Biami (shared with Western Province) Foe, and Fasu.
Districts and LLGs[edit]
There are five districts in the province. Each district has one or more Local Level Government (LLG) areas. For census purposes, the LLG areas are subdivided into wards and those into census units.[4][5][6]
District Capital
LLG Name
Ialibu-Pangia District
Ialibu
East Pangia Rural
Ialibu Urban
Kewabi Rural
Wiru Rural
Imbonggu
Ialibu Basin Rural
Imbonggu Rural
Lower Mendi Rural
Kagua
Erave Rural
Kagua Rural
Kuare Rural
Aiya Rural
Mendi-Munihu District
Karints Rural
Lai Valley Rural
Mendi Urban
Upper Mendi Rural
Lake Kutubu Rural
Mount Bosavi Rural
Nembi Plateau Rural
Nipa Rural
Poroma Rural
Provincial leaders[edit]
The province was governed by a decentralised provincial administration, headed by a Premier, from 1978 to 1995. Following reforms taking effect that year, the national government reassumed some powers, and the role of Premier was replaced by a position of Governor, to be held by the winner of the province-wide seat in the National Parliament of Papua New Guinea.[7][8]
Premiers (1978–1995)[edit]
Andrew Andaija 1978–1980
Tegi Ebeial 1980–1985
Yaungtine Koromba 1985–1990
Albert Mokai 1990–1992
provincial government suspended 1992–1995
Governors (1995–present)[edit]
Dick Mune 1995–1997
Anderson Agiru 1997–2000
Hami Yawari 2003–2006
William Powi 2012–present
Members of the National Parliament[edit]
The province and each district is represented by a Member of the National Parliament. There is one provincial electorate and each district is an open electorate.
Southern Highlands Provincial William Powi
Ialibu-Pangia Open Peter O'Neill
Imbonggu Open Pila Niningi
Kagua-Erave Open Wesley Raminai
Mendi Open Michael Nali
Nipa-Kutubu Open Jeffery Komal
2006 state of emergency[edit]
On 1 August 2006, the government of Papua New Guinea declared a state of emergency in the country's Southern Highlands region. According to Prime Minister Sir Michael Somare, troops were deployed to restore 'law, order and good governance' in the region, following accusations of corruption, theft and misuse of government buildings at the hands of the regional government.[9]
As a region rich in energy resources, the Southern Highlands was at the centre of plans to construct a gas pipeline to pump natural gas to Queensland in north Australia. The project would have resulted in much needed revenue for Papua New Guinea, and as it was believed that the instability in the region could jeopardise the project, the national government decided to intervene by declaring a state of emergency. The move was supported by Parliament, although some criticism was leveled at the government for restricting press access to the region while the state of emergency was in force. The companies involved subsequently opted for the current PNG Gas project which has export facilities outside Port Moresby. This is operated by Esso Highlands, a subsidiary of Exxon Mobil Corporation, and is expected to begin production in 2014.
Wikimedia Commons has media related to Southern_Highlands_Province.
^ "Sub-national HDI - Area Database - Global Data Lab". hdi.globaldatalab.org. Retrieved 2020-04-18.
^ "PNG to create two new provinces", Sydney Morning Herald, July 15, 2009
^ "PNG'S new province Hela, Jiwaka declared" Archived 2012-07-24 at the Wayback Machine, The National, 17 May 2012
^ National Statistical Office of Papua New Guinea
^ "Census Figures by Wards - Highlands Region". www.nso.gov.pg. 2011 National Population and Housing Census: Ward Population Profile. Port Moresby: National Statistical Office, Papua New Guinea. 2014.
^ "Final Figures". www.nso.gov.pg. 2011 National Population and Housing Census: Ward Population Profile. Port Moresby: National Statistical Office, Papua New Guinea. 2014.
^ May, R. J. "8. Decentralisation: Two Steps Forward, One Step Back". State and society in Papua New Guinea: the first twenty-five years. Australian National University. Retrieved 31 March 2017.
^ "Provinces". rulers.org. Retrieved 31 March 2017.
^ "State of emergency in PNG region". BBC News. 2006-08-01.
Provinces of Papua New Guinea
Chimbu (Simbu)
Enga
Jiwaka
Islands Region
Bougainville1
East New Britain
West New Britain
Momase Region
East Sepik
Sandaun (West Sepik)
Milne Bay
Oro (Northern)
National Capital District (Port Moresby)
1 Autonomous region
LLGs and Districts of Southern Highlands Province, Papua New Guinea
MBAREA: c8abad13-8f9b-4f39-b405-24772ea115f2
Retrieved from "https://en.wikipedia.org/w/index.php?title=Southern_Highlands_Province&oldid=994910414"


text:
Bird's eye view, Queensland Exhibition, 1876
Bird's eye view, Queensland Exhibition, 1876. This bird's eye view of the first show included inset 'now' and 'future' images of the Exhibition building. The Week, 26 August 1876.
State Library of Queensland image 4622
Premier Forgan Smith's show-eve message, 1939
Premier Forgan Smith's show-eve message, 1939. Truth, 13 August 1939, State Library of Queensland
The Royal National Association serves a truly national purpose in presenting to us each year, within the compass of less than 30 acres, a striking record of the progress of the State.
Each year's Show is a glowing tribute to the industry and enterprise of our people, reflecting also the energy and enthusiasm of its organisers.
The year 1938-39 has been a memorable one, in that our great primary industries have reached record productivity, bringing increased wealth to the whole community.
In all other spheres of industrial activity there has been a corresponding upward movement so that financially and economically, Queensland is in very sound position.
Courage and hard work have demonstrated to us all the possibilities that lie within our borders, and I have no doubt that the many thousands who visit the Show, during this week, will gather fresh inspiration from the evidence there of Queensland's remarkable progress.
Hon the Premier W. Forgan Smith, 1939
The fat girl, Royal Show, 1956
The fat girl, Royal Show, 1956. Human and animal 'freaks' were a feature of sideshow alley until the 1970s. Advertisement, Courier-Mail, 9 August 1956
Show ground, National Exhibition, Brisbane, c1911
Show ground, National Exhibition, Brisbane, c1911. Postcard showing crowds around the main ring. Postcard by Coloured Shell Series. Collection of the Centre for the Government of Queensland
Copyright © Collection of the Centre for the Government of Queensland
A living map, 1909
The Jubilee show of 1909 celebrated fifty years since Queensland's separation from New South Wales. Organisers declared that 'We intend to show our own people what is being done within and without the State, and we desire to demonstrate to our Sister States and to New Zealand what wealth lies in our fertile soil, in our ore and coal deposits, and in our forests'. In the main ring, the Children's Display involved 1200 girls performing callisthenics followed by 1500 boys who provided a display of physical drill.
District Exhibits: the Moreton District Exhibit, 1957
First held in 1891, the District Exhibits contest is now a show tradition.
Greg Dalton Collection
The 1949 Royal National Show (Ekka)
Bowen Park
Bowen Hills, QLD
Royal National Agricultural and Industrial Association of Queensland
Royal National Agricultural and Industrial Association of Queensland Archives
The 1949 Royal National Show. From the very first show, the organisers of the Brisbane Exhibition sought to represent all of Queensland. The front cover of the 1949 catalogue declared that the Exhibition 'covers Queensland' and featured a stylised image of the showgrounds imposed on a map of Queensland. Royal National Agricultural and Industrial Association of Queensland archives.
Exhibition Eccentricities, 1885
Och! the gorgeous condition
Of this year's Exhibition;
Och! the pyramids!


text:
Official Rules for the GIPHY 2018 Film Festival Contest ("Official Rules")
Please note that as of September 18, 2018, we've made a few small updates to the contest rules to account for an extension on the submissions contest period!
As of August 30, 2018, we've made a few small updates to the contest rules to account for the fact that Spotify will also be a sponsor of the event!
NO PURCHASE OR PAYMENT OF ANY KIND IS NECESSARY TO ENTER OR WIN THE GIPHY 2018 FILM FESTIVAL CONTEST (THE "CONTEST"). ENTRY INTO THE CONTEST CONSTITUTES YOUR ACCEPTANCE OF THESE OFFICIAL RULES. THE CONTEST IS VOID WHERE PROHIBITED OR RESTRICTED BY LAW OR WHERE BONDING, REGISTRATION, OR OTHER REQUIREMENTS WOULD BE REQUIRED BUT HAVE NOT BEEN MET. ALL APPLICABLE FEDERAL, STATE AND LOCAL LAWS APPLY. ODDS OF WINNING WILL DEPEND ON TOTAL NUMBER OF ENTRIES RECEIVED.
SPONSOR: The Contest is sponsored by Giphy, Inc., located at 416 West 13th Street, Suite 207, New York, NY 10014 ("Sponsor"). Additional promotional consideration provided by Squarespace, Inc., located at 225 Varick Street, 12th Floor, New York, NY 10014 (together with its affiliates, "Squarespace") and Spotify USA Inc., located at 45 W. 18th Street, 7th Floor, New York, NY 10011, USA(together with its affiliates, "Spotify").
THE CONTEST ENTRY DATES: The Contest will start on August 15, 2018 at 10 am EST and end on October 11, 2018 at 10 pm EST (the "Contest Entry Period"). Sponsor reserves the right to extend or shorten the Contest Entry Period at its sole discretion.
WHO MAY ENTER: Subject to these Official Rules, the Contest is only open to permanent U.S. legal residents physically residing in the fifty (50) United States of America and the District of Columbia, who are 18 years or older as of the date and time of entry. Contestants are subject to all notices posted online at www.filmfreeway.com/GIPHYFilmFestival (the "Site") and/or www.giphy.com, including but not limited to the Privacy Policy and Terms of Services of Sponsor. Employees of Sponsor, Squarespace, Spotify and their immediate family members and household members (including spouse, parent, child and sibling and each of their respective spouses, regardless of where they reside) are not eligible to enter or win the Contest. Sponsor has the right to verify the eligibility of each contestant.
CONTEST OBJECTIVE: The objective of the GIPHY Film Festival is to prove that audiovisual storytelling does not have to be feature-length or even short length; micro-films up to 18 seconds can be just as compelling, entertaining, creative, and professional-grade as any other film entering more famous film festivals.
CONTEST ENTRY: To enter, please submit your film (the "Entry") following the instructions laid out on the Site. Your entry must be submitted in video file format (H264, Apple ProRes or DNxHD) and be between 1 - 18 seconds in length (videos can either have sound or have no sound). Contestants must fill out all required fields on the Site to participate in the Contest. All Entries must be received during the Contest Entry Period; entries received after the end of the Contest Entry Period will be deemed void. For purposes of these Official Rules, "receipt" of Entry occurs when Sponsor's servers record the Entry information resulting from contestant's Entry being received via the Site.
Entry (1) must be contestant's original work, (2) may not have been previously published or if published previously must have first been published in the last two years prior to the date of Entry, (3) must not be commercial in nature or otherwise branded, (4) must not infringe upon the copyrights, trademarks, rights of privacy, publicity or other intellectual property or other rights of any person, (5) must not violate any law and (6) must otherwise comply with Sponsor's Community Guidelines (https://giphy.com/community-guidelines).
There are five Contest genre categories (each, a "Category"), including: Animated, Stop-Motion, Experimental, Narrative, and Other. Each contestant may only submit three entries per Category.
Mass entries generated by a script, macro or use of automated devices will be disqualified. Multiple contestants that submit the same Entries will be disqualified. Any late, lost, misdirected, incorrect or incomplete entries will be disqualified and Sponsor and its agents will not be responsible for such Entries. Sponsor reserves the right to disqualify any Entry for any reason, in its sole and absolute discretion.
By submitting an Entry, contestant agrees that the Entry and any other information provided by contestant or collected by Sponsor in connection with the Contest may be used by Sponsor in accordance with Sponsor's privacy policy (https://giphy.com/privacy) and may be shared with Sponsor's affiliated business entities. All information submitted to Sponsor as part of an Entry becomes the property of the Sponsor.
CAUTION: Any attempt by a contestant to deliberately damage Sponsor's website or undermine the legitimate operations of the Contest is a violation of criminal and civil laws. Should such an attempt be made, the Sponsor reserves the right to seek damages from any such contestant to the fullest extent permitted by the law and to disqualify such contestant from the Contest. Sponsor reserves the right, in its sole discretion, to cancel or suspend this Contest should viruses, bugs or other causes beyond their control corrupt the administration, security or proper operation of the Contest.
JUDGING: All Entries will be judged between October 12, 2018 and October 19, 2018 based on selected judges' determination of creating the most compelling, entertaining, creative, and professional-grade content in the Contest category. The top scoring Entries from each Category will be declared a Contest finalist (a "Finalist") and the top scoring Entry overall will be declared the Contest winner ("Winner"). In event of a tie in a Category, Winner will be determined based on the Sponsor's discretion using the same judging criteria. Judges' and Sponsor's decisions are final and binding.
The Contest will be conducted under the supervision of the Sponsor. The decisions of the Sponsor are final and binding in all matters relating to this Contest.
FINALISTS AND WINNER NOTIFICATION: Each of the Finalists and the Winner will be determined after the end of the Contest Entry Period no later than October 19, 2018 and will be notified by email and/or phone; provided, however, that Sponsor reserves the right to determine an alternate method of notification. Each Finalist's Entry will be screened at the Event. Winner must claim their prize within seventy-two (72) hours after the date of notification of such prize. At the discretion of Sponsor, any Finalist or Winner may be disqualified for any of the following reasons: if charged with or convicted of a felony or misdemeanor or is not eligible based on the eligibility requirements set forth above. In the event it is determined that the Winner has not complied with these Official Rules as determined in the sole discretion of Sponsor), has failed to respond within seventy-two (72) hours after being notified of winning, has failed to execute and return any required documents within the specified time period, including an Affidavit of Eligibility, has made false statements or a prize notification is returned as undeliverable, then the Winner will be disqualified and, at Sponsor's sole discretion, the Entry with the next highest score may then be declared the alternate Winner. The Finalists and Winner will be announced in a website blog posting. Contestants may also request the names of the Finalists and the Winner or a copy of the Official Rules by mail within three (3) months after the end of the Contest Entry Period by sending a self-addressed stamped envelope to Sponsor.
PRIZE & APPROXIMATE RETAIL VALUE ("ARV"): The Winner will receive a cash prize of ten thousand dollars ($10,000), a free Squarespace website for five years and the opportunity to curate an official Film and TV Favorites Spotify playlist. The Winner will also receive up to two tickets to the Giphy 2018 Film Festival event. The Squarespace website will be subject to the Squarespace Terms of Service available at https://www.squarespace.com/terms-of-service. Winner shall be required to complete relevant tax forms as a condition to the delivery of the prizes. The Winner is solely responsible for all expenses, costs or fees associated with acceptance and/or use of the prize not specified herein as being awarded, including without limitation, any and all federal, state and local taxes (if any), travel to the event on November 8, 2018, and all other costs and expenses which are not specifically listed as part of a prize in these Official Rules. This information is provided for informational purposes only and Winner is advised to consult with their own tax and/or accounting advisors. Winner is not a recipient of a prize until s/he has been verified as the Winner by the Sponsor. Upon fulfilling the prize, Sponsor will be deemed to have awarded the prize to the Winner and such Winner assumes full responsibility for the prize. All prize details are at Sponsor's sole discretion. Decisions of the Sponsor are final and binding with respect to all matters related to the Contest, including the prizes. ARV of all prizes awarded in the Contest is eleven thousand two hundred dollars ($11,200).
Contestants acknowledge that some events are beyond the control of the Sponsor and the Sponsor reserves the right to, at its discretion, reschedule the Contest, modify the Contest Entry Period, modify the entry procedures, modify the Official Rules, cancel the Contest, or modify the Prize(s) as necessary. Prize(s) are not redeemable for cash. Prizes are non-transferable and no substitutions are permitted, except that Sponsor reserves the right to substitute a prize of equal or greater monetary value for any prize specified herein if such prize should become unavailable for any reason. In no event shall the Sponsor be obligated to award any prizes other than the prizes specified in these Official Rules.
LICENSE OF RIGHTS: By entering into the Contest, contestant hereby grants to Sponsor a non-exclusive, royalty-free, fully paid-up, worldwide, perpetual license to use, copy, display, reproduce, perform, transmit, exhibit and distribute the Entry in any and all media and formats in connection with Sponsor's business at Sponsor's sole discretion. With respect to Entries, contestants will retain copyright and all other rights to the Entries subject to the license granted above to Sponsor. By submitting an Entry, contestant acknowledges and agrees that Sponsor may obtain many submissions under this Contest and that such entries may be similar or identical in theme, idea, format or other respects to others submitted under this Contest and/or other contests staged and/or sponsored by the Sponsor, and waive any and all claims contestant may have had, may have, and/or may have in the future, that any composition, design, video and/or other works accepted, reviewed and/or used by the Sponsor (or its respective designees) may be similar to his/her Entry. Contestant acknowledges and agrees that the Sponsor does not have now, nor shall any of them have in the future, any duty or liability, direct or indirect, vicarious, contributory, or otherwise, with respect to the infringement or protection of any copyright in and to contestant's Entry.
PUBLICITY: By participating in the Contest, the Finalists and the Winner grant Sponsor permission to use his/her name, likeness, voice, address (city and state), testimonials and/or images for publicity purposes, except where prohibited by law, in connection with future advertising for Sponsor, the Contest and/or other similar contests sponsored by the Sponsor in any and all media now or hereafter devised throughout the world in perpetuity, without additional compensation, notification or permission or any review or approval rights; and constitutes the Finalists' and the Winner's consent to disclose their personally identifiable information to third parties (including, without limitation, placing the Finalists and the Winner's name on a finalists' and winner's list).
INDEMNIFICATION AND LIMITATION OF LIABILITY: BY ENTERING THE CONTEST, EACH CONTESTANT AGREES TO INDEMNIFY, RELEASE AND HOLD HARMLESS SPONSOR, SQUARESPACE, SPOTIFY AND ALL THEIR RESPECTIVE PARENTS, AFFILIATES, SUBSIDIARIES, OFFICERS, DIRECTORS, EMPLOYEES, REPRESENTATIVES, ATTORNEYS AND AGENTS FROM ANY DAMAGES, LOSSES, DEATH, ACTIONS, DEMANDS, INJURIES OR OTHER LIABILITY (COLLECTIVELY, "CLAIMS") RESULTING IN WHOLE OR IN PART, DIRECTLY OR INDIRECTLY, FROM THAT CONTESTANT'S PARTICIPATION IN THE CONTEST AND THE ACCEPTANCE, POSSESSION, USE OR MISUSE OF ANY PRIZE THAT MAY BE WON, OR FROM ANY MISUSE OR MALFUNCTION OF ANY PRIZE AWARDED, REGARDLESS OF WHETHER SUCH CLAIMS, OR KNOWLEDGE OF THE FACTS CONSTITUTING SUCH CLAIMS, EXIST AT THE TIME OF ENTRY OR ARISE AT ANY TIME THEREAFTER. THE PRIZES ARE AWARDED "AS IS" AND SPONSOR DOES NOT MAKE ANY, AND HEREBY DISCLAIMS ANY AND ALL, REPRESENTATIONS OR WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, AS TO THE CONDITION, FITNESS OR MERCHANTABILITY OF THE PRIZE(S). NOTWITHSTANDING ANYTHING ELSE HEREIN OR OTHERWISE, SPONSOR AND/OR ITS VENDORS SHALL NOT BE LIABLE OR OBLIGATED WITH RESPECT TO ANY SUBJECT MATTER OF THIS AGREEMENT OR UNDER CONTRACT, NEGLIGENCE, STRICT LIABILITY OR OTHER LEGAL OR EQUITABLE THEORY FOR (A) ANY SPECIAL, INCIDENTAL, CONSEQUENTIAL, OR EXEMPLARY DAMAGES (INCLUDING, WITHOUT LIMITATION, LOSS OF REVENUE, GOODWILL, OR ANTICIPATED PROFITS), (B) DATA LOSS OR COST OF PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES, AND/OR (C) ANY MATTER BEYOND SUCH PARTIES' REASONABLE CONTROL.
ARBITRATION & CHOICE OF LAW: Except where prohibited by law, as a condition of participating in this Contest, contestant agrees that (1) any and all disputes and causes of action arising out of or connected with this Contest, or any prizes awarded, shall be resolved individually, without resort to any form of class action lawsuit, and exclusively by final and binding arbitration under the rules of JAMS and held at the JAMS regional office nearest the contestant; (2) the Federal Arbitration Act shall govern the interpretation, enforcement and all proceedings at such arbitration; and (3) judgment upon such arbitration award may be entered in any court having jurisdiction. Under no circumstances will contestant be permitted to obtain awards for, and contestant hereby waives all rights to claim, punitive, incidental or consequential damages, or any other damages, including attorneys' fees, other than contestant's actual out-of-pocket expenses (i.e., costs associated with entering this Contest), and contestant (or, if an eligible minor, his/her parent or legal guardian) further waives all rights to have damages multiplied or increased. All issues and questions concerning the construction, validity, interpretation and enforceability of these Official Rules, or the rights and obligations of contestants and Sponsor in connection with this Contest, shall be governed by, and construed in accordance with, the substantive laws of the State of New York, USA without regard to New York choice of law rules. Notwithstanding the foregoing, Sponsor may seek equitable relief in any court of competent jurisdiction.
MISCELLANEOUS CONDITIONS: Failure to comply with these Official Rules may result in disqualification from the Contest. Sponsor reserves the right to permanently disqualify any person it believes has intentionally violated these Official Rules. Contest subject to all federal, state and local laws and regulations, and by entering the Contest or accepting a prize, you agree to conform to all federal, state and local laws and regulations. Void where prohibited by law. When applicable, the Winner may be required to execute and return (and winning may be conditioned upon the Winner executing and returning) to Sponsor, within ten (10) business days, an Affidavit of Eligibility and a Liability and Publicity Release drafted by Sponsor to be eligible for the prize or an alternate Winner will be selected. Winner may be required to furnish proof of identity, address and birth date in order to receive a prize.
Participation in the Contest is at contestant's own risk. Sponsor shall not be liable for: (1) failed, returned or misdirected notifications based on inaccurate information provided by the Winner in connection with an Entry; (2) Entries and responses to winner notifications which are lost, late, incomplete, illegible, unintelligible, postage-due, misdirected, damaged or otherwise not received by the intended recipient in whole or in part or for computer or technical error of any kind; (3) any electronic miscommunications or failures, technical hardware or software failures of any kind, lost or unavailable network connections, or failed incomplete, garbled or delayed computer transmissions which may limit a contestant's ability to participate in the Contest; (4) any technical malfunctions of the telephone network, computer on-line system, computer equipment, software, program malfunctions or other failures, delayed computer transactions or network connections that are human, mechanical or technical in nature, or any combination thereof, including any injury or damage to a contestant's or any other person's computer or mobile device in connection with this Contest; or (5) any warranty with respect to any prize or any component thereof.
Any person attempting to defraud or in any way tamper with this Contest may be prosecuted to the full extent of the law. In the event of cancellation or suspension, Sponsor shall promptly post a notice on Site to such effect.
If any provision of these rules is held to be illegal or unenforceable, such provision shall be limited or eliminated to the minimum extent necessary so that these rules otherwise remain in full force and effect and enforceable.
Any questions, comments or complaints regarding the promotion should be directed to the Sponsor at filmfest@giphy.com or at the address above.


ISUTAMI KBK square flange linear bearings, also known as KBK square flange linear ball bearings or KBK square flange linear bushing bearings. KB is the code name for the European standard series in linear bearings. K means square. It is suitable for European markets using metric units, such as Germany and France.
KBK square flange linear bearing, its bushing and steel balls are made of high carbon bearing steel. The ball retainer is made of metal steel, stainless steel or POM material. The retaining ring, usually represented by U or P, is made of NBR. The ball retainer is installed in the bushing with the steel balls and sealed with a retaining ring from one side or both sides of the bushing.
KBK square flange linear bearing bushing surface is complete and seamless, there is not any outer stop groove, and there is a circular flange at one end of the bushing, with four circular connecting holes evenly distributed in the flange, to fix the bearing. The ball row number of the KBF European series supplied by ISUTAMI varies according to the bearing size, and ranges from 4 to 6. Inner diameter (dr) range and tolerance, outer diameter (D) range and tolerance, length (L) range and tolerance, maximum radial eccentricity, basic dynamic load rating (C) range, basic static load rating (Co) range, etc.,are all basically the same as KBF circular flange linear bearing, KB standard linear bearing and KB-AJ adjustment linear bearing. The specific parameters are shown in the table.
In addition, KBK square flange linear bearing, its flange length (K) ranges 22-106mm; the height of the flange is 5-18mm; because of the flange, its weight is larger than the KB standard linear bearing of the same specification.
The KBK flange linear bearing has a square flange with a bushing bearing as a whole, and the corresponding components make the axial positioning simple. It does not need to be fixed in the matching bearing pillow blocks like the non-flanged linear bearing. It becomes very economical and saves time, and it has also reduced the overall weight of the linear bearing assembly,to make operation smoother.
Unlike ball bearings, the basic static load rating of BKF circular flange linear bearings is greater than the basic dynamic load rating, and as the size increases, this value gap continues to expand, even up to 2 times.
Flange bearings are suitable for all kinds of industrial equipment, small rotary motors, office equipment, micro motor soft drives, pressure rotors, dental drills, hard disk motors, stepper motors, video recorder drums, toy models, pulleys, rollers, In transmission equipment, entertainment equipment, robots, medical equipment and other products.