276P/Vorobjov (previously P/2012 T7 (VOROBJOV)) is a Jupiter-family comet discovered on 15 October 2012 by Tomáš Vorobjov on three 120-s images taken remotely using the 0.81-m f/7 Ritchey-Chretien Schulman Telescope located at the Mt. Lemmon SkyCenter via the Sierra Stars Observatory Network in the course of a minor-planet search survey undertaken as part of the International Astronomical Search Collaboration (IASC) school campaigns. After posting on the Minor Planet Center's NEOCP webpage, other observers have commented on the object's cometary appearance. The discovery was announced by the Minor Planet Center on 18 October, three days after the discovery.
On December 29, 2012, Robert Matson (Newport Coast, CA, USA) has identified NEAT observations of this comet obtained with the Palomar 1.2m Schmidt telescope on December 19, 2000 and January 20, 2001, and G. V. Williams (MPC) has confirmed the identity; Williams then identified prediscovery observations acquired by A. Boattini at Mount Lemmon (G96) on 2011 Nov 1. in incidental astrometry sent to the Minor Planet Center, when the object's magnitude was measured as being 21.1-21.8.
A confirmation set of images were taken by R. Holmes the following night with a 0.61-m f/4 astrograph from Westfield, IL (H21) and showed a 6″ coma and a tail 25″ long in PA 260°. Due to its cometary appearance, the object was posted on the NEO Confirmation Page under the temporary designation TOV7DD.
^ a b c d e f g h i "MPEC 2012-Y39: COMET P/2012 T7 (VOROBJOV)". IAU Minor Planet Center. 2012-11-16. Retrieved 2012-12-30.
^ "276P/Vorobjov Orbit". Minor Planet Center. Retrieved 2014-06-20.
^ "New Comet: P/2012 T7 (VOROBJOV)". Remanzacco. 2012-10-18. Retrieved 2012-10-18.
^ "New comet P/2012 T7 (Vorobjov)". Luca Buzzi. 2012-10-19. Retrieved 2012-10-19.
^ "MPEC 2012-U40 : COMET P/2012 T7 (VOROBJOV)". IAU Minor Planet Center. 2012-10-18. Retrieved 2012-10-18.


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Ultima Online (UO) Shards
UO Asia
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Please bring back Pigments of Tokuno (eg. as a gold sink sold by NPCs)
Thread starter Ah Beng
Please bring back Pigments of Tokuno (eg. as a gold sink).
It's unfortunate that popular and useful (and not game/pvp imbalancing in the least!) items such as Pigments of Tokuno are no longer spawnable (not even redeemable as Legacy Token items). These pigments are becoming extinct, and I pity the newer players (eg. those who started UO after the Tokuno events were over) who will never get a chance to color-customize their equipment to their own personal color scheme preferences, which is an important strength of UO - personal customization to uniqueness.
There has been a recent outcry for gold sinks, so how about making Pigments of Tokuno (eg. Shadow Dancer black, Luna White, etc) being sold by NPC vendors for 1-5 mil each? It would be a marvellous gold sink that draws money out of the game, and yet make popular and useful colored dyes available to everyone.
Please do this, it's clearly a win-win situation.
I've read everyone's comments, and I still think bringing back the Pigments of Tokuno is an excellent, at the very least - fair, idea, that I must request be taken into consideration by Jeremy and the Devs.
Some think 1-5 mil is too expensive, while others think it's too cheap - ie. it'll lower the value of their own collection, etc. The details can be ironed out later, that will satisfy most pple, but the idea basicaly, I feel, is a necessary one.
Look at Charger of Fallen, (*insert color*) Soulstones, Hooded Shrouds, etc. Evidently, the Devs agree with my idea that it doesn't make sense (especially to new players) that these are one-time-only items from the past, because then only a priviledge few can have them. Worse, because Pigments of Tokuno are usable with charges, and will be used up over time, this makes them even more needed to be respanwed (either all-the-time, or once-a-year Tokuno events spanning a month or so).
Some might argue that since it doesn't affect gameplay in the pvp-balance sense, it's strictly a luxury and therefore we can't use the new-players-deprived argument. But I argue, that precisely because it doesn't affect pvp-balance, it should be available to everyone (ie. make it spawn again).
And make it a gold sink too. Kill two harpies with one stone.

redpajama_set_name: RedPajamaCommonCrawl


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Hardback, [PU: Forgotten Books], Excerpt from By-Laws of Grand Council of Princes of Jerusalem, Sitting in the Valley of Albany, State of New York Knight of East and Sword and Prince of J eru salem, in this Council, shall be ten (10) dollars. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works., Yearbooks, Annuals, Almanacs
Hardback, [PU: Forgotten Books], Excerpt from By-Laws of Grand Council of Princes of Jerusalem, Sitting in the Valley of Albany, State of New York Knight of East and Sword and Prince of J… More...
Hardback, [PU: Forgotten Books], Excerpt from By-Laws of Grand Council of Princes of Jerusalem, Sitting in the Valley of Albany, State of New York Knight of East and Sword and Prince of J eru salem, in this Council, shall be ten (10) dollars. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works., Yearbooks, Annuals, Almanacs<
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First spotted on the menu at Alameda, one of our favorite Brooklyn cocktail establishments, the Spruce Goose didn't seem like much. Printed as a mixture of gin, lime, and Angostura, it wasn't exactly jumping off the page, and contributed to a cocktail indifference that lasted several visits. It took an extended stay, encompassing several rounds, to finally surface this drink. Of course, after the first one, we ordered nothing else the remainder of the night.
The Spruce Goose is a simple twist on a very old cocktail: the Alabazam. Like its older sibling, the Goose is transformed by copious amounts of bitters. Unlike the Alabazam, it calls for a base spirit of gin, a risky move that pays off in spades. The fragrant bouquet of good gin melds into Angostura's spicy clove for a scent that pursues divinity. The sip strikes a unique balance between spicy and refreshing. It's an exceptional twist on an old drink with some outside-the-box flavor pairing.
Best of all, the drink is not hard to make. Alameda makes their Spruce Goose with St. George's Terroir Gin, a move we emphatically endorse, but any decent stuff will do. If an American gin is in the house, spring for that. Last we checked, Alameda is serving their Gooses over ice. This is a fine way to drink them, but we prefer the big nose and silky texture obtained when the drink is served up.


Sheffield Wednesday are pleased to announce Early Bird Season Ticket details for the 2018/19 campaign – with adult prices frozen alongside significant savings for young Owls within the Family Enclosure in the Grandstand at Hillsborough.
Adults on the Kop will pay just £455 - or £19.78 per game – while under 11s in the Grandstand pay the equivalent of just £1 for every game with the new £23 Season Ticket.
Under 17s in the Family Enclosure will also see a reduction, paying only £75 – or £3.26 per game.
Juniors within all other home areas of the stadium remain at just £75 for under 11s and £150 for under 17s.
The Early Bird period is open from today until Monday 19 March (5.00pm in store and midnight online) and Season Tickets will then go back on sale at a later date at increased prices.
Remember, other than the Multi-Year Season Ticket, purchasing an Early Bird Season Ticket guarantees the best possible price to see every league game at Hillsborough in 2018/19.
Supporters should note that all Season Tickets are non-refundable.
Supporters have the chance to spread the cost of their 2018/19 Season Ticket over six or ten months with our finance partner V12 retail finance. An arrangement fee is included for each option which is taken out of the first payment. Interest rates are 6.25% for the six-month option and 6.5% for the ten-month option.
Early Bird Season Tickets for the 2018/19 campaign are on sale in person from the Ticket Office, at the Sheffield Wednesday Online Shop or by telephone on 03700 201867.


1. Slip a segment of PVC pipe inside one of the bottom port on the Slip Tee.
2. Push or tap into place until the pipe hits the stop inside of the Slip Tee.
3. Insert a segment of the same size PVC pipe into the 'sling' end of the Slip Tee. Do not secure in place with PVC cement or screws.
4. Rotate the perpendicular pipe segment to create a hinge, or slide the slip tee along the pipe to create a sliding mechanism.
Do not use PVC cement to secure the sling end, as it should remain loose to act as a hinge. The closed socket can be permanently connected with PVC cement to attach the PVC pipe and fitting. You can also temporarily connect the socket using a threaded screw inserted through where the pipe and fitting meet.


Marine environments are complex and dynamic social-ecological systems, where social perceptions of ocean stewardship are diverse, resource use is potentially unsustainable, and conservation efforts rely strongly on public support or acceptance. Decreasing trust in science in recent years has led to weakened social acceptance and approval of marine conservation science. Social licence is a concept that reflects informal, unwritten public expectations about the impacts and benefits of industry and government practises, including research, on natural resources, including the ocean. Working toward improving social licence may provide opportunity to bolster support for marine conservation, by allowing communities to engage with marine issues and marine science, and voice their concerns and views. Here, we argue that marine conservation requires social licence and we highlight science advocacy, accomplished through outreach, as a means to achieve this. We identify a role for marine conservation science to engage with the public through advocacy to improve understanding and perceptions of conservation. Drawing from the literature, we describe how science advocacy can enhance social licence for marine conservation research and outline four steps that can advise marine conservation scientists to achieve and promote social licence for their research and the wider marine conservation community.
Marine environments are complex and dynamic social-ecological systems, where social perceptions of ocean stewardship are diverse, resource use is potentially unsustainable, and conservation efforts rely strongly on public support or acceptance. Globally, there is increasing awareness that society must be engaged in efforts to tackle marine conservation challenges. In parallel, there are increasing calls for scientists to engage more actively with society, to address publicly identified issues and questions and to improve perceptions of legitimacy of marine conservation science (Lubchenco, 2017). Trust always matters in the public sphere and whilst scientists may be regarded as "competent," this does not infer that they are also considered trustworthy (Fiske and Dupree, 2014). Issues around the public legitimacy of science are not necessarily based around public ignorance or understanding of science (Kellstedt et al., 2008). Personal beliefs also shape public perceptions of science and are distinct from a poor, or lack of, understanding about science (Fiske and Dupree, 2014).
Social licence is a concept that may be used as a tool to incentivise the public to voice concerns on marine issues that may otherwise remain unnoticed or ignored (Cullen-Knox et al., 2016). To date, no consensus definition of the concept has been achieved however, we, in this paper, consider it "an unwritten social contract" (Moffat et al., 2015) that reflects broader community opinions and expectations on the impacts and benefits of industry and government practises, including research (Edwards and Lacey, 2014). Social licence provides opportunity for ongoing engagement and two-way negotiation with the public and thus, reflects the "changing strength and quality of acceptance and approval afforded by a community of stakeholders" (Hall et al., 2014). The concept is now considered essential for successfully establishing and running natural resource projects (Hall et al., 2014) and may have potential to foster engagement and stewardship in the marine space and for ocean conservation (Kelly et al., 2017).
Social licence is founded on meeting diverse and dynamic community (stakeholder) expectations, solid relationships and meaningful communication (Hall et al., 2014; Rooney et al., 2014). In exploring its use in marine conservation science, the need for social licence can necessitate the practise of effective scientific communication (Gallois et al., 2016), which can bolster outreach and advocacy efforts. Opening public discussion and providing more accessible scientific information can improve trust and strengthen relationships with society (Mason et al., 2016), and science advocacy is a means of public engagement that can improve public awareness of, and trust in, science. In this paper, we define science advocates as people who work for a scientific cause or group, and who engage in science outreach activities to inspire and teach about science (Carney, 2014).
Whilst social licence for conservation has been discussed in the literature (i.e., Kendal and Ford, 2017; Garnett et al., 2018), to date and to our knowledge, no literature has discussed a need for marine conservation scientists to "earn" social licence. Certainly, decreasing trust in science has weakened social acceptance and social licence for marine conservation and science in recent years, and scientific priorities are often misaligned with marine stakeholder priorities (i.e., Mason et al., 2016). Within science culture, scientists' engagement with society is often viewed as an inferior pursuit to research (Martin, 2017). The prevalent "publish or perish culture" commends academic accomplishment over public engagement when allocating tenure, and this is a structural limitation for scientists who recognise the value of public science engagement, but who will receive no accreditation for their efforts.
Another hurdle for scientists willing to engage is that scientists are trained to communicate their research via "the scientific method" (Green et al., 2018) and as a result, the readability of scientific papers is decreasing over time (Plavén-Sigray et al., 2017). Acknowledging uncertainty in research outputs is also a practise that is inherent to science, but which can diminish the perceived public legitimacy and authority of science (Zehr, 2000). The communication of marine conservation science will inevitably involve uncertainty and marine scientists should be aware as to how this can potentially undermine public incentive to respond to threats and deterioration in the marine environment. Scientific uncertainty may promote public disengagement and the deference of any responsibility and urgency for action (Morton et al., 2010).
Marine conservation scientists should not assume that the "public" (typically including coastal and fishing communities, indigenous groups, policy makers and others) share their world views and assumptions about marine environments and resources (Kohler and Brondizio, 2017). Gaps are often apparent between the public's and marine scientists' perceptions of threats to the marine environment (Lotze et al., 2018). Societies' lack of trust in expertise of all kinds, including science and government, has heightened globally in recent years (Nichols, 2017), with academics and their institutions regarded as ivory towers conducting research in isolated realms. Suppression and distrust in science is a global phenomenon and conservation science is increasingly seen as irrelevant (Parsons et al., 2015). Modern marine conservation challenges demand a "hands-on" approach, whereby scientists can respond to public needs transparently (Lubchenco, 2017).
The vast majority of marine science remains outside the public's direct experience and the public depend on other parties to inform and guide them in their interpretation of ocean science. Whilst science communicators have an invaluable role to play in science outreach (which we discuss below), scientists must also communicate their science to earn and maintain public trust. Third-party communication distances the public from science and may create distrust. Further, scientists risk their message being lost or miscommunicated by messengers who might not understand the true complexity of the science, or the importance of framing issues in context. Science outreach and advocacy, by marine conservation scientists, can engage communities in marine issues, and improve their perceptions of marine science and conservation.
Science outreach, more generally, centres around building capacity, fostering trust and developing scientific understanding (Varner, 2014). Science advocacy employs outreach, but focuses on ensuring that specific scientific outputs are shared with relevant people (i.e., a targeted "public") in formats that are clearly understandable to them (Parsons, 2013). Advocacy can be considered a more personal means of communication because scientists can voice personal elements of their work and research to form a connexion with the public, and build trust through this relatedness and transparency. Science advocacy may provide a means to build rapport with society and elicit a connexion, to earn legitimacy, support and thus, social licence for marine conservation science.
Science outreach and advocacy can also substantially impact upon scientists, who become more aware of public views relevant to their own science, and gain a variety of skills not formally taught in degree training (Beck et al., 2006). Further benefits may incentivise marine scientists to engage in outreach and advocacy activities. For example, the March for Science recognises this need for publicly communicated science and has become an international "force for science advocacy," that champions the role of science, to ensure its role and relevance in political decision-making. Scientific research remains largely publicly funded and society expects that its investment in science will yield the best science available, to produce something useful (Lubchenco, 1998). Outreach and advocacy are necessary to ensure that the public are informed about this best and useful science, and public engagement is increasingly an obligation for scientists. This is evidenced by funding schemes, such as the Australian Research Council's National Innovation and Science Agenda, which require supported researchers to engage with the end-users of their science.
Modern scrutiny of science requires scientists themselves to earn credibility. The ocean is often considered the "next frontier" of conservation but activities in conservation increasingly require public support and social licence to be successful (Bennett, 2018). Here, we argue that marine conservation requires social licence and that science advocacy (via outreach by marine conservation scientists) may provide a means to achieve this. We identify a role for science advocacy to enhance social licence for marine conservation research and highlight four key steps that can advise marine scientists to achieve and promote social licence for the research that informs and underpins marine conservation.
While not all scientists can, will, or need to engage in outreach and advocacy, marine conservation science in particular, as a field that is so germane to communities, needs to promote its research more clearly to the wider public. Developing respectful dialogue with society may allow marine conservation scientists to earn respect as a source of factual information and expertise. Passionate workers in their respective fields, many conservation scientists are likely already advocates without realising it (Parsons, 2016). Sharing this passion and advocacy with their wider community can enhance their credibility and promote social licence for marine conservation science. Below, we elucidate four steps for marine scientists to advocate their research, and build social licence for ocean research that underpins marine conservation.
The need for social licence highlights the important role of human dimensions and public perceptions in conservation (Kendal and Ford, 2017). A scientifically engaged society can empower and incorporate the public in constructing democratic, scientifically informed governance and decision-making, and this promotes social licence for science. The vast majority of marine conservation science occurs outside of the public sphere and the public depend on other parties to explain and guide their interpretation of marine science. We cannot expect that marine scientists and conservationists can expand their skills toward understanding public perceptions of science, and conducting science advocacy in response, on their own. Multidisciplinary discussions with social scientists, natural scientists, educators, psychologists, conservation marketing and others can connect diverse perceptions to enhance communication on marine conservation science and practise. Public perceptions research may be a valuable source of information to identify and understand society's diverse interpretations of marine science and conservation (Jefferson et al., 2015).
Interdisciplinary marine research is becoming more prevalent (i.e., Thébaud et al., 2017; Alexander et al., 2018). Marine protected areas research, as an example, has evolved from managing areas for biological conservation, to also incorporating social dimensions that promote sustainable resource protection adaptive to social and ecological needs (Agardy et al., 2003). Interdisciplinary marine research, similar to science advocacy, is not without its challenges (Alexander et al., 2018). However, interdisciplinary training (or at least, understanding) is a tool that allows a new generation of researchers to reconsider their research objectives, adopt new approaches that compliment other spheres of research and enhance socio-ecological outcomes that can promote social licence for marine conservation science. Early-career researchers are increasingly educated and encouraged to conduct more applied research, to collaborate across disciplines and to engage with local communities. Certainly, the global conservation community is adopting more collaborative and integrated approaches for conservation (Bennett and Roth, 2018) and there are increasing opportunities for researchers to collaborate across disciplines and with society, including workshops, summer schools and conferences, such as International Marine Conservation Congress.
The public funding that supports most scientists infers a social responsibility to address public needs and to share science with society to maintain a "social contract" or social licence for their research (Lubchenco, 1998). Be it with policy-makers or the public, scientists should acknowledge that scientific language can have variable applications and consequences, dependent on communicator, audience, and context (Gallois et al., 2016; Drakou et al., 2017). Jargon and slang can produce wedges of misunderstanding, not only excluding stakeholders but also eroding trust between them (Mason et al., 2016).
Effective communication requires speaking in "languages" that people understand, it is based heavily on trust and thus, scientists are required to communicate clearly and honestly (Cooke et al., 2017). Marine conservation scientists, perhaps more than other scientists, should to be willing to "leave [our] comfort zone behind," to communicate across different languages, research in new circles and welcome other opinions (Mascia et al., 2003). Marine conservation scientists can create and adopt new languages and in some cases, let go of their familiar definitions and assumptions and work to accept ambiguity, if this can create positive engagement with science (Fleming and Howden, 2016). For instance, improving the accessibility of scientific writing, to a range of audiences with different needs, can boost the impact of academic publications in a practical and applied sphere outside of the lab (Doubleday and Connell, 2017).
Inaccessibility is an oft-cited reason for lack of trust in information, particularly digitally available information (Hart and Liu, 2003). The online scientific newspaper "The Conversation" is a platform which allows scientists (and others) to communicate their research in easily-understandable formats, as a freely available resource. The paper's growing readership is indicative of the public legitimacy and trust it has achieved since its development. Marine conservation scientists, for example, can work to increase their relevance and legitimacy by sharing their science, via adapted research papers, with a broader public readership.
Marine conservation scientists should also be aware that online platforms continue to alter the means by which public information is accessed and opinions are formed. The internet has become the "go-to" and preferred source of public information on science. Online users are observed to focus on limited sets of websites and entrench themselves within distinct online communities, or "clusters" (Schmidt et al., 2017). This promotes "confirmation bias," the tendency for people to seek out and register information that confirms their worldview and ignore contradictory information, which can influence public perceptions of science (van der Linden et al., 2017). Meaningful, understandable and open scientific discussion with the public is necessary to maintain social licence than can evolve with society.
Science is founded on objective observation and description of the world around us and advocacy is tightly linked to subjective views and values on how that world should be. Yet, marine conservation scientists can engage in science outreach and advocacy without risking their scientific credibility or that of their scientific method (Kotcher et al., 2017). A large proportion of the public do want to know about science (Searle, 2014) and scientists could share their research through means that are more publicly accessible. Scientific communication that is fact-based, transparent and open can provide a tool for scientists to improve public understanding and appreciation of marine issues, without ever requiring persuasion.
"Proactive, persistent, clear and resonant messages are required" to promote trust in science (Gropp, 2017) and there are myriad ways that scientists can open science to the public. For example, Massive Open Online Courses (MOOCs) are free, open-enrollment web-based courses that are a resource for the public to learn about science directly from scientists. These courses provide a flexible way for the public to improve their own scientific knowledge, learning directly from experts from a wide range of scientific fields. MOOCs also facilitate scientists' ability to engage with large groups of interested public, often from the comfort of their own office.
"Skype A Scientist1" is another initiative that links scientists to classrooms and students across the globe. Its aim is to link students to "real scientists," to improve their understanding and appreciation of science and to interact with scientists. "Let Science Speak2" is a similar online platform that aims to "humanise and amplify the voices of real scientists." It provides public science information in various forms of media, including short videos, podcasts, editorials and social media, and aims to educate the public about current science and to foster support and social licence for scientists and their research.
Marine conservation scientists may also engage the services of professional science communicators, to inform themselves on best available knowledge and practise for disseminating their research, and which can save time for pursuing their important research further (Illingworth, 2017). Professional science communicators are qualified professionals who understand the need to address the context of particular marine science issues, and best means to connect theses message, to their public audiences. Whilst science is the focal message, the delivery and the messenger are also factors supporting the (un)sucessful uptake of information by any public audience. Engaging the public in science can provide a means to achieve a more ocean literate society and enhance marine citizenship, stewardship and social licence for marine conservation (McKinley et al., 2017).
Public platforms that encourage exchange of opinions and concerns (i.e., participatory meetings, citizen juries, MSC Certification for fisheries, opportunities for engagement with local government) are necessary to engage society and to promote social licence for marine conservation science. Science education in schools, which involves marine scientists in outreach and teaching, can also play an important role in enhancing ocean citizenship and literacy and public support for conservation science. Targeted events, such as "science camps," considerably increase youth interest in marine science and champion science as an acceptable and viable career path (Kataržyté et al., 2017).
As highlighted above, the internet is the preferred source of public information on science, thus, it is a valuable media on which to engage and communicate with the public. The #OceanOptimism campaign is an example of active public engagement on marine conservation science issues which aims to demonstrate that not all ocean news is "doom and gloom." The movement shares positive information about successful marine conservation efforts, including an online "monthly round-up" of positive ocean news. This collaborative movement has been hugely successful in communicating science to the public and to date, the hashtag has been seen by over 74 million internet users3.
Informal outreach can also be effective. For example, Science in the Pub is an Australia-wide initiative that brings evidence-based research to an interested public, who "weigh the evidence…with beer." Citizen science is another rapidly expanding phenomenon that can influence research questions and provide the public with a voice in local environmental decision-making (Bonney et al., 2016). Recent developments in citizen science have bolstered projects' abilities to reach and inform wide audiences on important local, national and global issues, including marine debris, ocean plastics and climate change (Nursey-Bray et al., 2018) and actively engage the public in marine conservation science. Citizen science may be instrumental in "breaking down the barriers" between science and the public (Vann-Sander et al., 2016), improving science literacy, enhancing legitimacy of science (McKinley et al., 2017) and promoting its social licence.
The need for social licence for marine conservation, and the science that informs it, necessarily opens science to the public. Scientific impact is not only a function of economic and industrial interests and uses, but of social factors too. Marine conservation science should demonstrate itself legitimate, credible and trustworthy because positive public perceptions of science are required to ensure it is relevant and robust. Undoubtedly, the public hold some responsibility for informing themselves about science. However, we argue that scientists can engage and appeal to the public, by advocating for marine conservation science and highlighting issues and threats to the marine environment.
Given the "wicked" complexity of most marine environmental problems and conservation challenges, adequate communication and cooperative effort between researchers from diverse disciplinary backgrounds is the way forward and time is of the essence. Marine conservation science needs social licence. Marine conservation scientists can engage and gain public support for their research and the conservation of marine spaces, systems and resources.
RK is the primary author and this work is a component of her Ph.D. thesis. AF and GP are her two supervisors and contributed to conceiving the topic of this paper and the development of the argument and writing.
Gallois, C., Ashworth, P., and Leach, J. (2016). The language of science and social licence to operate. J. Lang. Soc. Psychol. 36, 1–16.
Gropp, R. E. (2017). Time for collective action. Bioscience 67:587.
Moffat, K., Lacey, J., Zhang, A., and Leipold, S. (2015). The social licence to operate: a critical review. Forestry 89:cv044.
Nichols, T. (2017). The Death of Expertise: the Campaign Against Established Knowledge and why it Matters. Oxford: Oxford University Press.
Searle, S. D. (2014). How do Austrlians Engage With Science? Preliminary Results From a National Survey. Canberra: Australian National Centre for the Public Awareness of science (CPAS) The Australian National University.
Copyright © 2018 Kelly, Fleming and Pecl. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.


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Light and Dark in Apocalypse Now and Heart of Darkness Essays
Length: 1681 words (4.8 double-spaced pages)
Rating: Powerful Essays
Light and Dark in Apocalypse Now and Heart of Darkness
In Joseph Conrad's Heart of Darkness, Marlow chooses a brighter path than his counterpart in Francis Ford Coppola's Apocalypse Now, Capt. Willard. The two share in the duty of searching for and discovering Kurtz, as well as taking care of his memory, but their beliefs before encountering him place the characters at opposing ends of a theme. These opposing ends are light and dark, representing good and evil.
In the opening pages of Heart of Darkness, Marlow begins telling a tale of himself as nothing more than a sailor, who had a taste for adventure and saw the navigation of a river in such a distant and mysterious place as the Congo as a chance to find it. Capt. Willard however, had "prayed for a mission, and for [his] sins they gave [him] one"(AP). Marlow's disposition at the beginning of this journey is that of a bored young man, trying to fill his time: a noble and societally acceptable existence. Capt. Willard is beyond the bounds of normal society as he begins narrating Apocalypse Now from his hotel room in Saigon. He explains: "When I was here [at the war] I wanted to be there [back home]. When I was there all I could think of was getting back into the jungle"(AP). Willard is outside of society but is hanging on slightly by his connection to the Army. This connection is a weak one, because of the nature of war and the fact that in war the laws of normal society are not applicable. Kurtz though, has taken the final step by breaking away from the army; "he broke from them, and then he broke from himself. I'd never seen a man so broken up and ripped apart"(AP). Willard doesn't even know if he will oppose Kurtz when he meets him, because he sees Kurtz in himself...
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Heart of Darkness. Dir. Nicolas Roeg. Turner Network Television (TNT) Pictures, 1994.
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Apocalypse Now By Francis Ford Coppola Essay
- Yun 1 Scene Analysis: Apocalypse Now- Kurtz Compound begins 1:53:54-ends 1:58:43 Chunghee Yun, 2D04, May 2nd 2016 The film, Apocalypse Now, directed by Francis Ford Coppola is about not only the Vietnam War but also human nature in the war. In other words, it focuses on portraying the dark side of human nature in the Vietnam War rather than the reality of the War. The protagonist, U.S. Army Captain Willard, takes a secret mission from military superiors. The mission is to search for and terminate Colonel Walter E.... [tags: Apocalypse Now, Francis Ford Coppola]
Essay about Heart Of Darkness, By Joseph Conrad
- When asked what stands as some of the best movie adaptations of novels, what films come to mind. The Lord of the Rings, Harry Potter, and many other movies certainly come to mind, but there are always those select few that are untouched gems, somewhat left hiding in the dark. Francis Ford Coppola 's Apocalypse Now is a superb film, drawing certain plot points and inspiration from the equally superb novel Heart of Darkness, written by Joseph Conrad. In order to truly feel the masterpieces, however, the movie and novel should be paired together, for the combination allows the reader or viewer to make the connections between the two.... [tags: Apocalypse Now, Francis Ford Coppola]
Essay about Analysis Of Joseph Conrad 's Heart Of Darkness
- Anchored at the mouth of the Thames river, five old friends pause their journey to wait out a tide at sundown. As they repose, they reminisce about the many great men and ships that travelled on river to complete multiple voyages for trade. Marlow's excursion parallels that journey of the hero. He enters the Congo as an innocent sailor and leaves as a changed man. In Heart of Darkness, Joseph Conrad creates an allegory and archetypal journey that consists of: the task, the journey, the initiation, the fall, and the unhealable wound created during the expedition.... [tags: Heart of Darkness, Joseph Conrad, Apocalypse Now]
Essay about Heart of Darkness Versus Apocalypse Now: The Death of Kurtz
- Heart of Darkness Versus Apocalypse Now: The Death of Kurtz Joseph Conrad wrote Heart of Darkness to disguise his disapproval of European imperialism in the Congo. He describes the chaos and savagery found in the Congo to convince Europeans that they should stay out of Africa. Francis Ford Coppola made Apocalypse Now to disguise his disapproval of American involvement in Vietnam. He depicts the merciless slaughter of countless Vietnamese to show Americans that the United States does more harm than good in Vietnam.... [tags: Film Analysis, Conrad]
Apocalypse Now that mirrored Heart of Darkness: Novel Comparison Essay
- Francis Ford Coppola's Apocalypse Now portrays the brutality of the Vietnam War and American's perspective from therein. Coppola successfully produced this film parallel to Joseph Conrad's 1899 novella, Heart of Darkness. Both portray the effects of imperialism on a native land with respect to the imperialists' viewpoint. The scene of Apocalypse Now that mirrored Heart of Darkness with the most creative license, on the behalf of Coppola, is perhaps the final scene as Kurtz is slaughtered. Each creator successfully utilized the arts of their crafts to create a final production worthy of admiration while clearly stating their interpretation of imperialism.... [tags: francis coppola, joseph conrad, imperialism]
Essay about Movie versus Film: Heart of Darkness and Apocalypse Now
- Throughout the history of our technological age, film makers have spotted the brilliance of classic novels and have, thus, envisioned taking the work of literature and forming it into a film in hopes to portray the genius of the novel within their medium. One such example is that of Joseph Conrad's novel Heart of Darkness and Francis Ford Coppola's movie Apocalypse Now. In Conrad's work, his use of imagery, diction, and tone elevate his novel to the pinnacle of imperialistic writing while Coppola's film uses sound, light, visual stimulants, as well as facial expressions to craft his work while portraying the emotion felt within Conrad's piece.... [tags: movies, films, filmmakers, joseph conrad]
Light and Dark Sides of Jane Eyre Essay example
- The red hue is conjointly used in The Book of Revelations as the color of the seven headed dragon. "Then another sign appeared in heaven: and behold, a great red dragon having seven heads and ten horns, and on his heads were seven diadems" (Revelation 12:3). This dragon represents evil and esoteric darkness. The tenebrous serpent is Jane's burden due to her extreme passions and unpleasant aunt. While crimson is not traditionally associated with light-dark imagery, the red room was selected to illustrate both Jane's passion as a child and as the color of war and bloodshed.... [tags: Literary Analysis]
Apocalypse Now vs Heart of Darkness Essay
- Francis Ford Coppola's Apocalypse Now lacks the impact of its inspiration, Joseph Conrad's Heart of Darkness. While the basic elements of imperialism and human nature remain intact, the characters of the film bare little resemblance to their literary counterparts. The film serves as a re-interpretation of Conrad's novella, updated from 19th-century British imperialism in the Congo to a critique of 20th-century U.S. imperialism in Southeast Asia. Coppola's changes in setting and plot structure, however, force the film to sacrifice the character development so crucial in the literary work.... [tags: essays research papers]
Comparative Essay of Heart of Darkness and Apocalypse Now
- Comparative Essay of Heart of Darkness and Apocalypse Now The ties between Joseph Conrad's book, "Heart of Darkness" and Francis Coppola's movie, "Apocalypse Now" are unmistakable. Apocalypse Now's correctness in following the story line of the Heart of Darkness is amazing although the settings of each story are from completely different location and time periods. From the jungle of the Congo in Africa to the Nung river in Vietnam, Joseph Conrad's ideals are not lost. In both the book and the movie, the ideas of good and evil, whiteness, darkness, and racism are clear.... [tags: Racism Africa Movies Literature Essays]
Essay about Comparing Conrad's Heart of Darkness and Coppola's Apocalypse Now
- Similarities in Conrad's Heart of Darkness and Coppola's Apocalypse Now Sometimes, a work is so great that artists from other forms of expression are compelled to interpret that work in their own medium. Francis Ford Coppola took James Conrad's classic novel Heart of Darkness and updated it to the time of the Vietnam War. James Conrad's classic novella Heart of Darkness is a tale about a seaman who makes his way up the Congo river in search of a man and his ivory. In 1979, Francis Ford Coppola released Apocalypse Now, centered around an Army officer that has been ordered to assassinate an insane American officer.... [tags: Movie Film comparison compare contrast]
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A Hardie Grant Children's Publishing book
Jane Doe and the Key of All Souls
Jeremy Lachlan
Angus & Robertson
Dymocks
Paper Plus
The Nile
Whitcoulls
Strap in. Hold on tight. The follow-up to the award-winning Jane Doe and the Cradle of All Worlds is here!
Jane Doe is in more danger than ever before. Her father is still imprisoned. The Manor – the hallowed world between worlds – is still dying. The villainous Roth is still searching for the mythical, all-powerful Cradle Sea. Worst of all, Jane has learned that she is the key to stopping him and saving the Otherworlds. Problem is, she's stranded in the dying land of Arakaan – Roth's home – and its people have some surprising secrets of their own.
With a little help from her pyromaniac pal, Violet, and her doubtful ally, Hickory, Jane must find the courage to accept her destiny and face her darkest fears, even if it means losing everything she holds dear.
From the desolate plains of Arakaan to the shifting halls and devious booby traps of the Manor, Jane's Cradle quest is about to explode.
There are sandstorms. There are scorpions. There are new friends and foes. And every soul in every world hangs in the balance.
Love this? Share it around!
The Jane Doe Chronicles
Series No.:
Jeremy Lachlan was born and raised in Griffith, country NSW, Australia. He is a former bookseller who now calls Sydney home.
His debut novel, Jane Doe and The Cradle of All Worlds, was the 2019 Australian Book Industry Award winner for Book of the Year for Older Children, and he once took home $100 in a karaoke competition, of which he's equally proud.
He came up with the
The Boy I Am
Kathryn Kettle & K. L. Kettle
The High Republic: Into the Dark
A Users Guide to a Pandemic
Various Contributors
Stars Like Us
Frances Chapman
Wranglestone
Darren Charlton
When It Drops
Alex Dyson


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BREWERIES

BEERS

MY REVIEWS

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Easy for little ones to hold and carry, Best Friends Ella features a fair skin tone, tactile knit jersey pigtails, embroidered eyes, nose and mouth, delicately blushed cheeks, a removable dress, removable underwear and attached Mary Jane shoes.
Easy for little ones to hold and carry, Best Friends Ella features a fair skin tone, tactile knit jersey pigtails, embroidered eyes, nose and mouth, delicately blushed cheeks, a removable dress, removable underwear and attached Mary Jane shoes. Dressed in a pink ditsy floral printed dress, Ella's outer covering is made of soft, organic cotton knit jersey, and she's filled with a blend of organic cotton and sustainable corn fiber. Certified safe for infants and toddlers, and even pre-schoolers up to children aged 5 will love exploring their world with Ella!


There is also more long-term sickness, even though greater numbers of animals are being used in research. GET help, are you struggling with a Discursive Essay?
told me to go get my own Alan Moore project. Upon listening to it again recently, theres not doubt its a bit exaggerated and melo-dramatic, but still a fun little listen. A few months later I fulfilled my teenage dream of working with Alan Moore when I got the Top Ten job at Wildstorm. George. These days, you get much more distracted when you have the amount of other opportunities with covers and posters and what not where I can do more fully fleshed out illustrations of various characters, but with Kingdom Come I was taking the tact. One such morning, I stood in front of my mirror, a million similar thoughts and questions floating and gently colliding giving rise to more questions than answers. The flow was outward. He found a new job, we saved and made the apartment super homey while we dated and worked and took all our money to pay for a down payment on a house. Paul Levitz had the dictate of it had to be set in the present, but it will be about setting up to the world of Kingdom Come, should that ever come.
It was a difficult time for Mark. Wow, thats very cool.
Once I started reading about Kingdom Come, I was blown away and it inspired me to set-up a Kingdom Come fan site. The Graphitti Designs Collected edition of Kingdom Come. After our exchange, I did the thing one is often not well-advised to do and went over some heads to turn in my resignation letter for the project to Paul Levitz. I bailed out when disadvantage technology essay there was a dissolution of the working relationship I had had with the editor, Dan Raspler, and Mark Waid at that time. SO thank YOU. He really gave her his all, and I suspect her death left him devastated. The story evolved in a very different way from that original intention of mine, but when I see what theyre doing with Captain America and Iron Man and which side and the whole idea that theres this one, nuclear, devastating moment that sets off this. Thats why the projects of Marvels to Kingdom Come were an intended kind of metaphor from me, speaking out that we needed to connect much more with the real world. Is there any specific character from the series you wouldnt mind revisiting one day? The thing is, it wasnt like the editor was going to step-in and say, well, Marks really not into this thing at all. It included T-Shirts, the Graphitti Designs edition of Kingdom Come, action figures, collectable cards which, by the way, I thought were pretty cool at the time.
Where I see myself ten years from now.my life 10 years from now essay 2016 Topic: American essay writing companies Zurich College. Where do i see myself in five years i have many dreams and. Me five years from now essay 28 images how to write a personal statement. me introduce myself, raise them beers, Suffa MC, been doing this for more than ten years, Weve been through a lot to perfect this art.
Can't bear to influence your principal is like being a student. In 2005 in the UK 13 deaths and over 400 injuries were attributed to accidents..
Landing on the Moon is a fake. Innovation and democratic ideals was disappearing. Adrienne Kolb and Lillian Hoddeson, "A New Frontier in the Chicago Suburbs: Settling..


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LookatLao Studio
Geoffrey Smith
Top 15 Albums of 2017
I don't have a solid criteria for how this list comes about, but mostly it's just about what lingers in my head at the end of the year. There's so much great music out there if you put in the effort to find it, but these stood out in 2017 as great, fully formed albums. In no particular order:
Thundercat : Drunk
Funk and whimsy! You really can't go wrong with Thundercat. The album feels a bit rough around the edges in a good way—it's very loose and funky. Cameos from Kenny Loggins, Michael McDonald, Kamasi Washington, and Kendrick Lamar, among others.
Favorite Track: A Fan's Mail (Tron Song II)
LCD Soundsystem : American Dream
Talking Heads Remain In Light is probably my favorite album of all time. American Dream channels that album and then some—and I love everything about it. Makes you want to dance. It's good to have Murphy & Co. back making music again.
Favorite Track: Other Voices
The National : Sleep Well Beast
No other band I'd rather drink bourbon to. They keep making what is essentially the same album over and over again and I wouldn't have it any other way.
Favorite Track: Nobody Else Will Be There
Moses Sumney : Aromanticism
I actually bought the Sumney EP called Mid-City Island with the song "Plastic" back in 2014. The song reappears here again on Aromanticism alongside a bunch of new tracks. Quiet, soulful, sad, and a bit sparse—and really great production.
Favorite Track: Plastic
Kamasi Washington : Harmony of Difference
I don't listen to nearly enough modern jazz anymore for some reason, but occasionally somebody gets ahold of my earhole and I can't ignore it. Kamasi Washington has been doing this for several years now.
Favorite Track: Truth
Gabriel Garzón-Montano : Jardin
R&B with plenty of funk and pop—reminds me a lot of D'Angelo and there's a couple of songs that sound like they could have been written by Prince himself. I hadn't heard of Gabriel before 2017, but I'm looking forward to more. If there was a Top 3 this would be in there.
Favorite Track: Crawl
Aimee Mann : Mental Illness
I love pretty much everything Aimee does, and this album is no exception. It's just really good folk music, and we all need some—reminds me a lot of her earlier album Wise Up.
Favorite Track: Knock It Off
SZA : CTRL
Still working my way through this one, but it's an obvious choice. Pushing the borders of the genre in the same way that Frank Ocean did with Channel Orange. Great stuff.
Favorite Track: Love Galore
Lana Del Rey : Lust For Life
Haters, are indeed going to hate. I've enjoyed a small handful of Del Rey's songs over the years, but this feels like a solid album all the way through. Guest vocals from both Stevie Nicks and Sean Lennon are icing on the cake. I played this a lot over the summer—reminds me of California, natch.
Favorite Track: Heroin
Kiefer : Kickinit Alone
I spend a fair amount of time on Bandcamp and I occasionally find a gem. Kiefer Shackelford does really great jazz/soul with plenty of J Dilla inspired samples along the way. It's instrumental hip-hop with a smokey lounge vibe. Kiefer should be famous soon.
Favorite Track: Tubesocks
Kevin Morby : City Music
I'm still pretty new to Morby's stuff, but I like this album quite a bit (he was in a band called Woods a while back which I should probably listen to again). Anyway, just good songwriting all around.
Favorite Track: Dry Your Eyes
King Krule : The OOZ
I've been a huge Archy Marshall fan since I first heard The Noose of Jah City back in 2011. To be honest, I think this album needs some editing and refinement, but it's still King Krule, and that's all that really matters.
Favorite Track: Czech One
Sylvan Esso : What Now
I think this duo kind of found themselves by accident and the result is pretty great. Still listening to the old stuff currently, but I think I like it all. Feels like "electro-country" if that's thing.
Favorite Track: Kick Jump Twist
Kendrick Lamar : Damn.
I think there has already been a lot written about this one.
Favorite Track: Loyalty
Father John Misty : Pure Comedy
Every Top Fifteen list needs a meta-ironic court jester.
Favorite Track: Ballad of the Dying Man
Valerie June : The Order of Time
Valerie was new to me as well, as I hadn't heard any of the old stuff before. I like this quite a bit. Folk, country, gospel, blues, soul—all the good stuff.
Favorite Track: Astral Plane
Grimes : Art Angles
I didn't find this album until late 2016, but it's really the album I played the most last year. Grimes is probably my all out favorite thing of 2017. Claire Boucher deserves all of the accolades. Check out Kill V Maim or Venus Fly or even Oblivion from her previous album Visions. So good.
* There's actually 16 albums. Sorry.
Newer PostTop 15 Albums of 2018
Older PostTop Ten Music 2015
LookatLao Studio, Seattlegeoffrey@lookatlao.com


Abstract: This paper introduces the concept of 'certificateless public key cryptography' (CL-PKC). In contrast to traditional public key cryptographic systems, CL-PKC does not require the use of certificates to guarantee the authenticity of public keys. It does rely on the use of a trusted third party (TTP) who is in possession of a master key. In these respects, CL-PKC is similar to identity-based public key cryptography (ID-PKC). On the other hand, CL-PKC does not suffer from the key escrow property that seems to be inherent in ID-PKC. Thus CL-PKC can be seen as a model for the use of public key cryptography that is intermediate between traditional certificated PKC and ID-PKC.
We make concrete the concept of CL-PKC by introducing certificateless public key encryption (CL-PKE), signature and key exchange schemes. We also demonstrate how hierarchical CL-PKC can be supported. The schemes are all derived from pairings on elliptic curves. The lack of certificates and the desire to prove the schemes secure in the presence of an adversary who has access to the master key requires the careful development of new security models. For reasons of brevity, the focus in this paper is on the security of CL-PKE. We prove that our CL-PKE scheme is secure in a fully adaptive adversarial model, provided that an underlying problem closely related to the Bilinear Diffie-Hellman Problem is hard.
Note: Minor revisions to Sections 1.5 and 5.


It seems like every month goes by before I realize it. May was a little hectic with several things to take care of, but I managed to read a lot of good books. Outside of books, I started following the Couch to 5k program. I've never been a runner, and still can't call myself that, but I can jog longer than I've ever been able to before. During my past few workouts I've tried listening to an audiobook instead of music, and I think I may continue that. As for my blog, I realized I haven't had discussion posts like I hoped to in the past two months, and some weeks I haven't had as many reviews as I wanted. I hope to fix that in June!
Sadly, I didn't have any of these. If you have ideas for topics you'd like to see, please let me know! I do have some ideas for the upcoming weeks, if only I can find time to write them.
Blog Tour: Thorn Abbey by Nancy Ohlin - Guest Post: "How I Started (and Re-Started) Thorn Abbey"
What did your May look like? What books are you most excited about for June?
I loved Flowers in the Attic!! Classic!


Baskin Robbins: It's tough to turn down ice cream, especially a free scoop! Get one just for downloading the app.
Panera Bread: Download the app, and when you join the rewards club there, you receive a "sweet welcome" in the form a free pastry. You also get a free treat on your birthday.
Steak 'n Shake: The milkshakes are old-fashioned; the technology isn't. Download the app to get a free, regular-sized milkshake with your first app purchase.
Sonic: Download the app for the chain's signature sip, a free medium slush, then brace yourself for the ensuing brain freeze.
McDonald's: Whether your weakness is fries or a Big Mac (or both), you can enjoy a host of freebies through the app's instant coupons.
Quiznos: Toasty deals include a free small sub or gyro flatbread with any purchase after downloading the app.
Burger King: $30 in coupons, including buy-one-get-one offers, are yours just for downloading the app.
Chili's: It's fiesta time! Although technically not an app, this deal was too good not to include. The Chili's rewards program offers free chips and salsa or a free non-alcoholic beverage every time you visit a participating restaurant. Plus, you can redeem via the app and keep track of your other rewards as you earn them.
Krispy Kreme: Download app, check. Join rewards program, check. Eat free doughnut, double check.
7-Eleven: A quick stop can be a free stop with this app that provides points you can redeem for free road-trip food like a Big Gulp, medium coffee, taquito, chips, medium Slurpee, and more.
In addition to giving away free food just for getting their apps, the above restaurants continue to provide valuable offers, such as birthday freebies, buy-one-get-one specials, and points programs. These deals are definitely worth downloading.


We are a client-centered veterinary hospital who believes in caring for people by caring for their pets.
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We pledge to listen, educate, and offer what we feel to be an optimal care plan for your pet based on his/her stage of life and risk factors for disease.