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Board index ‹ Clans / Guilds / Crews ‹ TeamOne Gaming [T1SG]
Games: Battlefield 3, BlackShot, Modern Warfare 3, and District 187
Moderator: BryanChung
by BryanChung » Thu Jan 03, 2013 5:48 pm
About TeamOne
Back in early 2011, it started with two friends – Bryan Chung and Dean Ong, casually playing BlackShot Online almost every night. Slowly they invited more friends to play along. From a pair of gaming partner, the number of players started to increase. With that, the thoughts of creating a clan in BlackShot birth-forth. After brainstorming many clan names, they decided on TeamOne. When it started, Dean was the clan master. However due to his busy commitments in studies, he handed the ownership to Bryan.
In mid-2011, Bryan recruited his ex-polytechnic classmate Habib Rehman to come on-board. With Habib's experience in IT knowledge and programming languages, Bryan knew he is going to be a valuable member of the fast-growing clan. The first step of expansion was the creation of our TeamOne's website – http://www.teamone.sg. The domain name and hosting were all sponsored by Habib. Initially when launched, we had barely 50 visitors per day. However that number had since grew to a monthly average of almost 5000 visitors. On 18 August 2011, TeamOne Facebook Page was launched. Our objective for the page was to create a greater online presence not just in BlackShot but also in the social-media. As of July 2012, almost one year into the launch of our Facebook page, we have more than 1,500 Likes!
From the humble beginning of two friends playing BlackShot Online, TeamOne has since expanded to playing other games such as Call of Duty: Modern Warfare 3, Left 4 Dead 2 and many more. We are constantly looking for games to venture into to create our presence in that game. The future of TeamOne is an exciting one! With more games to come and greater things to achieve!
Clan's Motto
TEAMWORK AND OVERCOME
The clan's motto, "Teamwork and Overcome" derives from the team's core value of working together as a team. Where each individual having the discipline to understand his role within the team. Overcoming challenges along the way – all part of our efforts to better fulfill our missions during games.
What makes TeamOne different from other clans?
Based on our motto, TeamOne truly emphasize a lot on working together as a team. Hence being a team player is extremely important. That will also mean that each member knows one another not only in the cyber world but also in the real world. There are many other stronger and larger clans out in the gaming world – take for example BlackShot Online. Where a clan can be up to 80 – 100 members in size. However have you ever wonder how many of their members actually know one another other than their online name? Hence being in such a large clan can probably make one feel as though he is still playing "alone" although you have "friends" (clan members) to play with. We limit the number of players within each game is so that we are continue to stay as a close-knit gaming family. A family where we know one another, chats with one another via voice-communication – in and out of games, have fun together while gaming. And also to go out for gatherings together to create better bonds! So you will not be just gaming with some cyber friends. And that is also why our recruitment process is a stringent one to ensure the players who recruit are of quality.
BryanChung
Return to TeamOne Gaming [T1SG]
Jump to: Select a forum ------------------ SGamers.org Announcements Platforms Playstation (PS4 Pro, PS4, PS3, Vita, etc) Xbox (Scorio, One, 360, etc) Nintendo (Switch, Wii, Wii U, 3DS, etc) PC (Windows, Mac, Linux) Mobile Gaming (Android, iOS, WM, etc) Off-topic General Chat In-forum Activities Marketplace Clans / Guilds / Crews Interested to have a sub-forum for your Clans / Guilds / Crews? [Closed] Shadow of the Darkside [SotD] Synapse [SYN] TeamOne Gaming [T1SG] Temasek Thugs [TeTh] Ѵḁӣgêl

redpajama_set_name: RedPajamaCommonCrawl


Ben Haber addressing Community Board 9 on Tuesday night, Mr. Haber urged Parks Committee and full Board to reject the USTA's expansion application.
The USTA's strategy for that night was to parade the union construction trades, business representatives and people affiliated with the USTA who filled the room.
In a strange turn of events the communty board had the public speek before the USTA presentation. How the public is qualified to speak about a proposal that they have not yet heard was troublesome.
"Last year the USTA made $275 million and paid the city a paltry $2.5 million – an amount I suspect is less than the city's annual budget for chalk. In short ladies and gentlemen, we are not talking about something that represents an insignificant intrusion in our park, but one that is major. "
Ed Westley, Jackson Heights Beautification Group president and CB 3 member spoke out against the project.
"If Henry Stern were here he would be blocking this with his body, " Mr. Westley said referring to the former parks commissioner.
Councilwoman Karen Koslowitz came spoke in favor of the project. Councilwoman Karen Koslowitz came spoke in favor of the project.
The expansion of the National Tennis Center in Flushing Meadows Corona Park dominated Tuesday's meeting of Community Board 9 at the Kew Gardens Community Center, as board members unloaded a barrage of questions to the Parks Department and United States Tennis Association about the plan, according to the Queens Chronicle.
Though very little of the park sits in CB 9, which includes Woodhaven, Ozone Park, Kew Gardens and Richmond Hill, board members expressed concern about the potential effects of the project on the park itself, especially when considered alongside the proposed soccer stadium and and shopping mall plan near Citi Field. The USTA is seeking to expand its presence by taking less than an acre of parkland near the Unisphere.
Discussion of the plan came after a lengthy public hearing in which a few local residents expressed their opposition to the idea, while others, including union workers and members of a local tennis program, pushed the importance of the plan to the economy and the sport.
Most notably, Councilwoman Karen Koslowitz (D-Forest Hills) threw her support behind the idea at the meeting, becoming the first Queens council member to speak openly in favor of it.
Jack Friedman, executive vice president of the Queens Chamber of Commerce, also endorsed the plan at the meeting.
"This project will bring good-paying union jobs to Queens," Friedman said. He added that the USTA allowed the Chamber to put up a kiosk at last year's US Open promoting Queens businesses.
But one local resident, Benjamin Haber, asked the board to oppose the expansion, arguing that the US Open often leads to more traffic in the community and said it offered little benefit. He also noted USTA moved its headquarters from Manhattan to Westchester County.
"So much for loyalty to New York City," he said.
Geoffrey Croft of NYC Parks Advocates said the USTA had promised in the 1990s to not expand their campus onto more parkland, a concern shared by CB 9 member Alexander Blenkinsopp.
"How are we sure you won't come back and ask for more land in the future?" Blenkinsopp asked.
USTA COO Dan Zausner (L) and Joshua Laird.
Joshua Laird, assistant commissioner for planning and parkland at the Parks Department, said the plan would require 0.68 acre of what is currently mapped as parkland between the tennis center and the Unisphere. Laird said many of the trees that will be removed for the project may be replanted elsewhere in the park.
"There are ways for us to transplant the trees so we don't lose them," he said.
The board is expected to vote on the proposal at their March meeting.
My name is Ben Haber. I am here tonight to urge your Parks Committee and this Board to reject the USTA's current application concerning Flushing Meadows Corona Park. Please keep in mind the application is not simply a request for 0.68 acre of parkland on top of the 42 acres it already has, but in addition it is to build a new stadium to replace the grand stand and to rebuild a much larger Louis Armstrong Stadium. We are talking about constructing two new garages including a 423 space 2 level garage and a 270 space 3 level garage. We are talking about removing hundreds of trees. We are talking about a major increase in vehicular traffic in the area. We are not talking about reducing the exorbitant fees the USTA charges residents to use their courts in our park. Last year the USTA made $275 million and paid the city a paltry $2.5 million – an amount I suspect is less than the city's annual budget for chalk. In short ladies and gentlemen, we are not talking about something that represents an insignificant intrusion in our park, but one that is major.
When the USTA decided to leave Forest Hills, it did not do so to serve a public purpose. It did not do so out of any desire to help government. It did so to make money. It saw an opportunity to do so by taking free of charge, a huge portion of Flushing Meadows Corona Park (FMCP) that if we were talking about selling off park land, would be worth billions of dollars. The taking was an economic steal of taxpayer property. The USTA promised at the time it would not thereafter ask for more park property, a promise that turned out to be as worthless as a dead tennis ball, because it did in fact come back and extort more park land. After its initial taking, the USTA promptly moved its head office out of Manhattan to Harrison in Westchester County; so much for its loyalty to New York City.
Comes now the USTA for a further intrusion in the park. Enough is enough, the time has come to say NO. Do not be swayed by the NYC Parks Department. Its treatment of FMCP is a national disgrace, one that in my opinion should cause it to be indicted for malfeasance in office. And do not be influenced by unfounded claims of an economic windfall for the taxpayers of this city. Sports activities in this city do not account for more than 7/10th of one percent of the city's gross economic product, an amount that can be equated with the tip one gives the youngster who delivers your groceries. It does not put more police or fire fighters on the streets, or more and better class rooms and staff. Fans catch the game and when its over they catch the train home. They do not stop to shop in Queens. If you need any proof that sports activities in this city do not in any significant economic way affect the standard of living of New Yorkers, keep in mind that when the Jets, the Giants and the Dodgers left, New York City did not fall into bankruptcy. We flourished without them. There is no reason to be intimidated by the USTA.
Do not be concerned that if you say no, the USTA will move out of the park. Greedy they are, but not stupid. They will not give up what for them, "as is", is a great deal, and should be more than ample. They will stay put. If you do not believe parks are the lifeblood of an urban society, then give it away. But if that is what you want to do, please do not settle for pennies. If you approve the continued abuse of Flushing Meadows Corona, you should press the City to de-list it as a park in our municipal system, The land can them be sold to the highest bidder which will involve hundreds of billions of dollars, an amount that will balance our city's budget for decades. Of course the cost will also be the destruction of a much needed park that serves the poor and the middle class, but who cares about them? With due respect, your obligation is to protect the park for not just the current residents of Queens, but for generations as yet unborn.
There is no justification for the USTA's request, other than they want to make more money, the bulk of which goes into the pockets of the professional players and the USTA's commitments throughout the United States, not Queens. Please do not buy into this nonsense that it is okay to keep dumping on FMCP because it is different. It is not different. There is nothing in the City Charter that designates it is different from any other park in the municipal system. This is a political ploy manufactured by Donald Manes, the late discredited Queens Boro President when he wanted to construct a Grand Prix race track in the park, and thereafter claimed by inept politicians who viewed their constituents as real estate and big business cronies and not the little people who need the park. Finally, in the depths of the Great Depression of the 1930s New York City did not sell or alienate park land for so-called economic reasons. and under no circumstances should responsible public officials equate public park land with private for-profit businesses. It would be akin to mixing oil and water. .
Please do the right thing and reject the request. Thank you for giving me this opportunity to speak. I am leaving copies of my remarks and ask they be considered part of your record.


New York City explosion causes fire in East Village.
Firefighters fight a fire near where a residential apartment building collapsed and was engulfed in flames in New York City's East Village neighborhood March 26, 2015.
An explosion in New York City's East Village Thursday caused a five-story apartment building to catch fire and collapse causing at least a dozen injuries, several of them critical. The New York Fire Department said early reports indicate the fire was caused by a gas explosion and some 250 firefighters were actively fighting the seven alarm fire. CNN is reporting that several people may be trapped inside the burning building.
As firefighters battled the blaze, thick smoke clouded the city skyline. Portions of the neighborhood, near New York University, have been evacuated.


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Five lawyers from the Chicago law firm of Corboy & Demetrio have been selected by their peers for inclusion in The Best Lawyers in America, 2012 Edition. Corboy & Demetrio is the only personal injury law firm in Illinois with five attorneys chosen as Best Lawyers in America.
Thomas A. Demetrio, Philip Harnett Corboy, Jr. and Michael K. Demetrio were selected as Best Lawyers in the area of personal injury litigation. David R. Barry, Jr. was selected in the Best Lawyers category of medical malpractice Law. Rene A. Torrado, Jr. was selected in the Best Lawyers category of commercial litigation. All five are partners at the Illinois law firm with long records of success in representing victims.
This is the 25th consecutive year that Thomas A. Demetrio, a founding partner of Corboy & Demetrio, has been chosen for Best Lawyers. Mr. Demetrio was also selected as Medical Malpractice Lawyer of the Year for 2011 by Best Lawyers in America. Mr. Demetrio has settled or litigated cases on behalf of his clients in excess of $1 billion.
Since its inception in 1983, Best Lawyers has become universally regarded as the definitive guide to legal excellence. Because Best Lawyers is based on an exhaustive peer-review survey in which more than 41,000 leading attorneys cast almost 3.9 million votes on the legal abilities of other lawyers in their practice areas, and because lawyers are not required or allowed to pay a fee to be listed, inclusion in Best Lawyers is considered a singular honor. Corporate Counsel magazine has called Best Lawyers "the most respected referral list of attorneys in practice."
Corboy & Demetrio attorneys are routinely selected among the best of the best. Eleven firm partners and two associates, more than any other personal injury firm in Illinois, were selected as members of the Leading Lawyers Network, a peer reviewed network which recognizes only the top 5% of all Illinois lawyers.
Thomas Demetrio was further honored by being selected as one of the Top Four of all Illinois Consumer Lawyers in 2011, as well as one of the Top Three plaintiff personal injury attorneys in the state.
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Also, the nationally prestigious Lawdragon has selected 11 Corboy & Demetrio partners in the Top 3000 attorneys in the country, more than any other personal injury firm in Illinois. Thomas Demetrio and Patrick Murphy were selected to be included in the Top 500 lawyers nationwide.
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Antonio Corencia. The present case suggests that one of these genes is situated on the short arm of chromosome Opens Tues. A total of 1, Anopheles mosquitoes were collected using human landing catches during 8 months in Two further, richly illustrated essays describe the conservation of the work and analyse the way in which Carracci? Architectural drawings selected from the archives of the Fondation Le Corbusier.
That mantillas serve as a source of national pride is reinforced by the presence of this item as part of the often heavily ornamented headdresses worn by polychromed sculptures of Virgins, such as the Virgen de la Esperanza Macarena in Seville, paraded around Spanish cities and towns during Holy Week celebrations. Though Juan justified his shooting story by saying it was his former partner's actions, the journalist reveals him to have actually been a brutal enforcer for Franco's secret police force, and to have once been known as 'The Crow'. Cystic fibrosis CF is a lethal monogenic disease caused by mutations in the cystic fibrosis transmembrane conductance regulator CFTR gene that entails the diagnostic increase in sweat electrolyte concentrations, progressive lung disease with chronic inflammation and recurrent bacterial infections, pancreatic insufficiency, and male infertility. Moreover, specific political events of the s fostered a departure from the preference for imported French styles. Jack H. London; New York: At midnight.
Singer Desiree Estrada rocked a beauty pageant gown and oversized accessories. McTighe, Sheila. They are uniquely characterized by four nontrivial parameters: The Root. Essays on Dressing and Transgressing in Eighteenth-century Culture.
Of 13 pollen assemblage zones, the earliest representing the Oldest Dryas chronozone 14 14C yr BP records impoverished steppe with decreasing frequencies and loss of southern beech Nothofagus. They also served as ideal models of national norms, providing accessible examples to follow. The Paso del Norte segment of the Rio Grande experiences two seasons per year; the wet irrigation season and the dry non-irrigation season. El experimento MINERA esta orientado, entre otras cosas, a hacer una correcta caracterizacion de secciones de choque neutrino-nucleon por medio del. OR for the lowest quintile was 0. Pedro, openly critical of Spain's past during the Francoist State , has a problem with authority figures, while Juan seems not to care, though he has a troubled past of his own. Directed by Gene Saks.
Such nice white teeth you have my dear.


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Krisztina Laki, Matti Salminen, Anton Scharinger, Trudeliese Schmidt, Rachel Yakar, Friedrich Gulda, Alice Harnoncourt, Walter Pfeiffer, Herbert Tachezi, Arnold Schoenberg Choir, Chor Und Orchester Des Opernhauses Zürich, Concertgebouworkest, Concentus Musicus Wien, Konzertvereinigung Wiener Staatsopernchor, Chamber Orchestra of Europe
Retracing the path of a musical prodigy: On 27 January 1756 a child was born in Getreidegasse 9 in Salzburg who would go down in history as one of the greatest music talents of all time. Mozart's first important compositions were written in Salzburg and it is from there that he s
Retracing the path of a musical prodigy: On 27 January 1756 a child was born in Getreidegasse 9 in Salzburg who would go down in history as one of the greatest music talents of all time. Mozart's first important compositions were written in Salzburg and it is from there that he set off as a wunderkind to conquer Europe and the world. Listen to a selection of the most outstanding and beloved works from the output of the Salzburg master.
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Blog: Pemberton Heights Open House!
We are proud to announce that this Nov 13th, 12:00 PM to 12:00 PM we will be hosting an Open House at 2431 George Street in the Pemberton Heights neighborhood, North Vancouver. This is an opportunity to visit this excellent House for sale in beautiful Pemberton Heights.
Please come with any questions you may have. In the meantime you can take a virtual tour of this Pemberton Heights House for sale.


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Q: Getting body bytes from HttpResponse in Netty client I am trying to create HTTP client using netty and everything work, but i have hard time parsing the body. My pipeline looks like this:
      pipeline.addLast(new HttpClientCodec())
      pipeline.addLast(new HttpContentDecompressor())
      pipeline.addLast(new HttpObjectAggregator(1024*10))
      pipeline.addLast(new HttpClientHandler[A](key, metrics))

and client handler (written in scala)
class HttpClientHandler[A: BodyParser](key: AttributeKey[Callback[A]], metrics: Metrics)
    extends SimpleChannelInboundHandler[FullHttpResponse]
    with LazyLogging {

  override def channelRead0(ctx: ChannelHandlerContext, msg: FullHttpResponse): Unit = {
    val callback = ctx.channel().attr(key).get()
    if (callback != null) {
      val response = buildResponse(msg)
      callback(response)
    } else {
      throw new Exception("Callback not present in channel context ... this is a bug")
    }
  }

  private def buildResponse(msg: FullHttpResponse): Either[Throwable, Response[A]] = {
    val result = {
      try {
        val parsedBody = BodyParser[A].parse(msg.content().asReadOnly())
        if (msg.status() == HttpResponseStatus.OK) {
          Right(Response.Ok(parsedBody))
        } else {
          Right(Response.Other(msg.status().code(), parsedBody))
        }
      } catch {
        case e: Throwable =>
          Left(e)
      }
    }
    result.fold(metrics.bodyParseFailure, metrics.successfulResponse)
    result
  }

  override def exceptionCaught(ctx: ChannelHandlerContext, cause: Throwable): Unit = {
    logger.warn(s"error observed for channel ${ctx.channel()}, closing", cause)
    ctx.channel().attr(key).get().apply(Left(cause))
  }

}

The main issue is that msg.content() also contains Http data (method, version, headers ...) but im only interested in body. What am i doing wrong? Thanks!

A: That's super strange... msg.content() is a ByteBuf which only should have the payload of the request / response included.

A: Turns out this was caused by testing this against echo server which repeats the whole http request back, as proven by:
$ curl -X POST localhost:3000/a/b/c -v
*   Trying ::1...
* TCP_NODELAY set
* Connected to localhost (::1) port 3000 (#0)
> POST /a/b/c HTTP/1.1
> Host: localhost:3000
> User-Agent: curl/7.64.1
> Accept: */*
>
< HTTP/1.1 200 OK
< Date: Sat, 19 Dec 2020 09:50:56 GMT
< X-Http-Echo-Server-Id: 9fcf5d57-2ac7-4a92-8aed-775879bf3ac2
< Content-Type: text/plain;charset=utf-8
< Transfer-Encoding: chunked
< Server: Jetty(9.4.24.v20191120)
<
POST /a/b/c HTTP/1.1
Accept: */*
User-Agent: curl/7.64.1
Host: localhost:3000

* Connection #0 to host localhost left intact
* Closing connection 0

redpajama_set_name: RedPajamaStackExchange


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Q: How to write SQL query to put specific results on each n-th position in PostgreSQL Let's imagine I have a table of products looking like this:
id | product_name
1 | Product 1
2 | Product 2
3 | Product 3
4 | Product 4
5 | Product 5
6 | Product 6
...

Is it possible to select all these records but, for example, I want Product 5 to appear at the 3rd position in the result set so that it would look like this:
1 | Product 1
2 | Product 2
5 | Product 5
3 | Product 3
4 | Product 4
6 | Product 6

EDIT: added real issue explanation
I am asking this because I have a big table of products (100 000+ records) and I need to make query that makes few certain products (3 of them with IDs X,Y,Z) get displayed at every 4th position of my result set so that my final result looks like:
1 | Product 1
2 | Product 2
3 | Product 3
X | Product X
4 | Product 4
5 | Product 5
6 | Product 6
Y | Product Y
7 | Product 7
8 | Product 8
9 | Product 9
Z | Product Z
10 | Product 10
...

A: You can do this using window functions. The idea is to add a "grouping" to each set of rows.  For the ids you care about, this is simply row_number().  The rest requires arithmetic.
You can do all of this in the order by clause:
order by (case when id in (x, y, z)
               then row_number() over (partition by (id in (x, y, z)) order by id)
               else ceiling(row_number() over (partition by (id in (x, y, z)) order by id) / 3.0)
          end),
         (id in (x, y, z)), id

Note that the groups have a size of 3 for the rest of the ids (there are 3 of them and then one special id).  The second order by key puts the special ids at the end of each group.


Join the PTFB Facebook Group!
The Parent Teacher Fellowship & Boosters (PTFB) is run by an elected group of DCHS parents. Learn more.
PTFB is a vital part of the DCHS community. In addition to providing a forum for open, sincere, and supportive communication between the school staff and parents, it is the part of the school where parents and teachers can come together to undergird the school in prayer. Learn more.
Stay connected! Become a member of the PTFB group on Facebook for PTFB news updates, photo postings, and meeting reminders. It is also a great way for parents to share ideas or ask questions about DCHS. Click here to join!
Meetings are held the second Monday of the month, starting in August and ending in May. Learn more.
First of all: pray! Please pray for DCHS and the students, the PTFB, and also how you can help. There are many opportunities for volunteering. Learn more.
The concessions stand, located in the Arts & Athletics Center, is opened during the fall, winter, and spring sports seasons. Learn more.
This fundraiser runs from the beginning of the school year in August through mid-November. Learn more.
The Legacy Serve-a-Thon brings together all DCHS parents, staff, and students for a powerful, school-wide family event with the purpose of generating funds for DCHS while serving the community. Learn more.
The PTFB is a DCHS parent-run organization that teams up with school administration, faculty, and staff. The PTFB helps raise funds for DCHS with two major events each school year: the Royal Connection Discount Card Fundraiser and the Legacy Classic. Funds collected from these two events enable the PTFB to provide the students of DCHS with opportunities in purchasing items such as microscopes and other classroom needs, buses, senior gifts, athletic equipment and uniforms, and much more! Whether it is All Sports Day: Feed the Teams, Harvest Fest, or another school event, the PTFB and all of its volunteers help, support, and serve with a loving heart!
Meetings are held in the DCHS Student Union on the second Monday of the month, beginning in August and ending in May. Meetings run from 6:00-7:00 p.m. If school is closed on a regular meeting night, then the meeting will be on Tuesday of that same week. If a meeting is to change time, date, or location, a notice will be sent out.
First of all: pray! Please pray for DCHS and the students, the PTFB, and also how you can help. There are many opportunities for volunteering. A great way to get involved with the PTFB is to attend the monthly meetings. At the meetings, you will learn how the PTFB works, get a deeper understanding of the school, and meet other parents who are passionate about supporting DCHS. Throughout the school year, the PTFB also needs volunteers to help out during events, stuff envelopes for Legacy Classic, work in the concessions stand, and, sometimes, to simply bake brownies! It all counts.
The concessions stand, located in the Arts & Athletics Center, is opened during the fall, winter, and spring sports seasons. Most games are played on weekday afternoons, with some Saturday morning games. Parents and students alike are encouraged to volunteer to help sell food and drinks. If you would like to learn more about volunteering for the concessions stand, please click here to e-mail Rachel Vonhof, the PTFB volunteer coordinator.
The Royal Connection Discount Card Fundraiser runs from the beginning of the school year in August through mid-November. At the Family BBQ in August, each family is given a "Purple Pack." Inside this packet is a letter with short instructions and 10 Royal Connection Discount Cards. The cards list offers & discounts from area businesses and sell for $10 each. The PTFB asks that each family sell all of their cards or buy their cards upfront and then sell or gift them. 100% of the money earned from these cards goes back to the PTFB–which, in turn, goes back to our students. It's a win-win!


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News » Kate Upton, Emily Ratajkowski, Irina Shayk: Models already preparing for bikini 2015 battle
Published: April 28 2014 18:20
Kate Upton, Emily Ratajkowski, Irina Shayk: Models already preparing for bikini 2015 battle
We are only a third of the way into 2014 so far
People are already looking ahead to the Summer 2015
There will be plenty of models in bikini's
While we are not even a third of the way through 2014 yet, with Summer 2014 still yet to arrive, some people are already looking ahead to 2015 and what bikini's some of the most beautiful women in the world will be going for. We are going to see plenty of bikini's this Summer but that has not stopped people from looking even further into the future.
Kate Upton is a top model
It is not just the fans who are already looking to 2015 but also some of the biggest publications around are preparing for next year. As you probably already know, Sports Illustrated Swimsuit Issue are already looking for some of the models that they want to have in their 2015 edition, interviewing a number of up and coming models for their Rookie section.
One model who knows all about the Rookie section is Emily Ratajkowski, who has become one of the most talked about models on the planet recently. Emily was in the Rookie section of Sports Illustrated Swimsuit Issue 2014 but missed out on Rookie of the year, which went to Sara Sampaio.
Emily Ratajkowski was a Sports Illustrated rookie
Another model, who has become almost synonymous with Sports Illustrated over the past few years, is the gorgeous Kate Upton. As well as becoming one of the biggest models on the face of the Earth, Kate is also enjoying her rise as a Hollywood actress, much like Emily Ratajkowski.
Meanwhile, one model who is admired by women all over the world and has one of the best bikini bodies around is Irina Shayk. We have no doubt that we will see plenty of Irina Shayk in a bikini in 2014, not to mention seeing the model flashing the flesh in 2015.
Who do you think has the best bikini body in the business?
200 Fan Uploads: Bikini 2015 and Kate Upton Gallery
Logan Lerman
Kate Upton's body down to hard work and dedication
Kate Upton has an amazing body and it is all down to her hard work and dedication
Emily Ratajkowski defends Kim Kardashian sex tape
5th June 2018 @ 06:53am
Emily Ratajkowski has spoken out to defend those who criticise Kim Kardashian for her sex tape
Emily Ratajkowski talks marriage and making movies
11th May 2018 @ 08:45am
Emily Ratajkowski has been talking about her marriage and how she wants to be taken seriously as an actress
Emily Ratajkowski is loving married life
20th April 2018 @ 09:23am
Emily Ratajkowski has been married for a few months now and she is clearly loving the married life
The Men Who Made the Movies: William A. Wellman
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Canopy by Hilton Washington, D.C. Bethesda North provides a comfortable stay for guests in search of thoughtfully local experiences in the energetic D.C. suburb of North Bethesda. This exciting new hotel offers 177 rooms including 12 suites and two spectacular, three-bay Presidential suites, each inspired and influenced by its local surroundings. With 6,500 square feet of meeting space including a 3,100 square foot ballroom, known as The Outlook, the is an attractive destination for meetings and groups. In addition, Pike's Perspective offers 3,200 square feet of outdoor terrace space which can be tented and Collaboration Station provides an intimate meeting space for up to 16 people. The flexibility and versatility of the meeting and event space will allow it to be one of the D.C. area's most innovative venues, a distinctive departure from traditional hotel ballroom spaces.
Located at the center of Pike & Rose, a new mixed-use development featuring a sophisticated blend of restaurants, retailers, and live performance venues, the area is rapidly becoming a popular entertainment destination. Canopy by Hilton Washington, D.C. Bethesda North is home to an innovative and chef-drive bistro highlighting some of the D.C. Metro area's favorites with ingredients sourced from Maryland farms located within 100 miles of the hotel. At the bar, travelers can sip on local spirits, beers and wine from innovative distilleries, breweries and wineries.


President Donald Trump's 'America First' economic policy seems to be working as more American manufacturing workers are employed today than at any time within the last ten years.
The 'America First' economy seeks to protect U.S. industry and jobs with tariffs, less immigration, and tax relief.
Last month, Trump's booming economy created 36,000 manufacturing jobs for American workers despite deafening silence amongst mainstream media outlets.
The new jobs are welcomed by American workers, many of whom have had their livelihoods destroyed by job-killing free trade deals like NAFTA and KORUS.
According to Breitbart: Specifically, in the metals manufacturing industry, Trump's tariffs on imported steel, aluminum, and Chinese electronics seems to have boosted U.S. job growth — with 7,000 new jobs in manufacturing fabricated metal products, 5,000 new jobs in manufacturing computer and electronic products, and 3,000 new jobs in manufacturing primary metals.
Additionally, 12,000 car and vehicle parts manufacturing jobs were created in June.
In the past year, there have been 285,000 new manufacturing jobs added to the U.S. economy as Trump encourages and incentivizes companies to move production back to the country.
There are now 12.8 million Americans working in the U.S. manufacturing industry, a ten year high for the economy.
The last time that many Americans were working in manufacturing was back in December 2008. At that time, 12.8 million Americans had jobs in the industry.
Compare Trump's economy to the Obama economy when it comes to the manufacturing industry.
At the end of Obama's last term in office, the former president was pushing — along with the Republican establishment and Democrats — the Trans-Pacific Partnership (TPP) free trade deal.
TPP, if it had been implemented, would have wiped out not only millions of U.S. working and middle-class jobs but also would have driven down wages for remaining American workers.
The free trade deal would have readily opened up additional foreign markets in underdeveloped nations, allowing multinational corporations to further outsource and offshore American jobs.
Obama, though, was pushing for TPP when U.S. manufacturing jobs had remained stagnant at around 12.3 to 12.4 million workers in the industry throughout nearly all of 2015 and most of 2016.


Hepatitis C is a liver disease caused by infection due to hepatitis C virus. Hepatitis C infection predominantly affects the liver; however, other parts of the body are also affected such as the brain and the digestive system. Hepatitis C virus is an RNA virus belonging to the family Flaviviridae and genus hepacivirus. It has a positive-sense, single-stranded RNA molecule enveloped by a lipid bilayer. Hepatitis C can lead to acute infection or chronic infection. Nearly 80 percent of the infected individuals suffering from acute infection are asymptomatic. Symptoms manifested in the rest include nausea, dark urine, fever, anorexia, gray-colored faces, abdominal pain, and joint pain. Nearly 20 percent of infected individuals develop jaundice, which is characterized by the yellowing of skin and eyes. Nearly 15-45 percent of acutely infected individuals recover from the infection spontaneously within the first six months of infection. This happens because the immune system mediated the clearance of the virus from the body.
The remaining 55-85 percent of infected individuals who fail to clear the virus within six months develop chronic hepatitis C phase. Chronic infection can lead to mild-to-moderate symptoms or chronic symptoms such as liver fibrosis, liver cirrhosis, and hepatic cancer. The World Health Organization (WHO) estimates that globally, 130-150 million people suffer from chronic hepatitis B. It also reported that every year 350,000-500,000 infected individuals die because of hepatitis C-related hepatic disorders. Currently, there is no vaccine for the prevention of hepatitis C infection; however, various treatment options for hepatitis C infection are available.
TechNavio's analysts forecast the Global Hepatitis C market to grow at a CAGR of 19.20 percent over the period 2013-2018.
This report covers the present scenario and the growth prospects of the Global Hepatitis C market for the period 2014-2018. To calculate the market size, the report considers the revenue generated through sales of various drugs administered to treat chronic hepatitis caused by genotype 1-6 of hepatitis C virus.
TechNavio's report, the Global Hepatitis C Market 2014-2018, has been prepared based on an in-depth market analysis with inputs from industry experts. The report covers the Americas, and the APAC and EMEA regions; it also covers the Global Hepatitis C market landscape and its growth prospects in the coming years. The report includes a discussion of the key vendors operating in this market.


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Oregon Lands Exceptional Talent with Track Recruit Kate Murphy
August Howell November 30, 2016 Recruiting
The Oregon Track and Field program has a long history of attracting top tier talent. It has been that way for a while, from the days of Bill Bowman and Steve Prefontaine. There was definitely a noticeable presence of current and former Ducks at the 2016 Rio Olympics.
After a disappointing end to the Men's Cross Country season at the NCAA Cross Country Nationals, the team will look to the track to redeem themselves. I actually feel badly for runners who go against an angry Edward Cheserek, who missed the chance to win a forth consecutive NCAA D1 tittle.
The Women of Oregon, however, after being ranked twelfth in the country coming into the race, won by a single point over the University of Michigan! So how do the women follow up on this amazing accomplishment? By signing one of the top high school runners in the country.
Kate Murphy, a senior from Lake Braddock High School, Virginia, gave a verbal commitment to run for the Ducks earlier this October via Twitter.
Super excited to be apart of the duck family at the University of Oregon next year! GO DUCKS! 𞢀𞢀𞠀 pic.twitter.com/SmYxTrcBaG
— Kate Murphy (@trackmurph) October 12, 2016
This past Saturday, Head Coach Robert Johnson announced via GoDucks.com that Murphy, along with 10 other high school recruits had formally signed.
There are sometimes a lot of bluster and premature hyping when a big time recruit signs with a school, and when things don't pan out the way the team wanted, it can get a little awkward. However, I don't think that's a likely scenario here.
Apparently wrestling isn't the only sport in which belts can be won. Murphy celebrates after running her 4:07 1500m race at the Boston Games.
Murphy is an exceptional runner. She's actually making history, as her 4:07 1500m at the Adidas Boost Boston Games put her at number three all time for high schoolers. She's right on par with some of the great pros of Track and Field, such as Mary Cain, formerly of the Nike Oregon Project, and Alexa Efraimson, winner of the 1500m in the 2014 World Junior Championships.
Murphy was not done with the 1500m after that race. That historic time qualified her for the 2016 U.S. Olympic Trails. At the trials, she raced her way into the semifinals, and just missed the next qualifying spot by placing forth with a time of 4:14. After her race, in which she qualified for the semifinals, Murphy said in her post race interview, she felt comfortable racing from behind becasue, "I always have that extra gear at the end when I know I need to get a certain spot in order to advance."
Alan Versaw
Rainsberger and Murphy, after their 3000m race in Poland. They will be a great combination at Hayward Field in the future.
It's hard to comprehend how talented the Oregon Track team will be next year, with both Katie Rainsberger and Murphy racing together in the 1500m. They have raced against each other last season, in the 3000m at the IAAF World Championships in Poland.
Rainsberger won while setting a new US junior record on an outdoor track by running 9:00.62. Murphy had a strong race, finishing twelfth with a time of 9:17. That's not quite her best, but then again, the 1500m is her stronger event.
While watching footage of Murphy race, it's easy to see where her strength lies: It's her final kick. What makes her even more special is that she is strong enough to keep up with a fast pack, then use her phenomenal kick to beat the other runners. It sounds so simple, but you don't often find those two qualities so greatly personified, especially in a distance runner. Watch her at the 2015 USATF Junior Outdoor Nationals, where she puts on a clinic in her 1500m race (starts at 1:52).
Another intriguing thing about Murphy is how young she is. She has already done so much: Olympic Trials, World and National Junior Championships, and state titles. And she is just now becoming an Oregon Duck. She is just 16 years old.
This past spring, Murphy won the 3000m at the USA Track and Field Junior Outdoor Championships by running a personal best in 9:10.51. That is the fifth-fastest time ever for a high schooler.
The combined talent of Rainsberger and Murphy will be a sight to behold on Historic Hayward Field next season. If you want to see how Murphy's last year of high school cross country is going, watch her workout with her team in humid conditions in Virginia courtesy of MileSplit.
The future is bright for the Ducks!
August Howell
Eugene, Oregon (From Half Moon Bay, CA)
Top Photo Credit: FloTrack
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August Howell is a sophomore at the University of Oregon and is in the process of studying journalism. He was raised in the small coastal town of Half Moon Bay, California where he discovered his passion for surfing and running. Since the beginning high school, August has competed in Cross Country and Track and Field and is currently is a very active member on the UO Running Club.
Originally, August's writing was based entirely on his love of surfing, but now he is becoming a more diversified writer as he follows professional basketball and football. August loves talking about the Ducks with anyone who wants to join in the conversation.
Hayward FieldKate MurphyKatie RainsbergerOregon RecruitingOregon Track and Field RecruitingRobert Johnson


Travelers! This Sunday, Plaça de Sants Square will hold a human tower performance at 12 midday. This is a catalan tradition, a team work activity, a huge family working together to build towers making it look easy and simple.
In this performance, there will be three teams: one coming from the same Sants neighbourhood, and two other teams which are invited by Sants. Those teams belong to other villages, one is Sitges and the other one is Terrassa.
The celebration commemorates Palm Sunday, and there will be many places where to get drinks and cheap snacks and tapas in the cafeterias and restaurants surrounding Plaça de Sants Square.
I won't miss it! Will you?


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En toponymie, on distingue :

 l'hydronyme Lez, apparenté au basque leize « torrent », qui produit des toponymes en Lez mais aussi de multiples variantes telles que le Léès ou Lées, le Léez, la Leza, la Lèze, le Lis ou Lys, le Lis, la Lizonne ou Nizonne, le Néez de Saint-Créac, le Neez de Gan, la Neste

 et le terme lez qu'on retrouve également dans des toponymes comme Bougy-lez-Neuville : il s'agit d'une variante de lès (qui signifie « près de »).

Communes

 Lez, ancienne commune française de Haute-Garonne, aujourd'hui intégrée à Saint-Béat-Lez,
 Lez, ancienne commune française de l'Aveyron, aujourd'hui intégrée à Taussac,
 Lez, village du Kosovo situé dans la municipalité de Prizren, district de Prizren.

Cours d'eau

 le Lez, fleuve côtier dans l'Hérault.
 le Lez, affluent du Salat (Pyrénées).
 le Lez, affluent du Rhône dans la Drôme puis le Vaucluse.

Autres
 lez : lezguien (langue), selon la norme ISO 639 des codes des langues.
 LEZ : Low Emission Zone, soit en français zone à faibles émissions, une norme de qualité de l'air.
 lès.

Voir aussi
 Lez Bomb, film américain de Jenna Laurenzo, sorti en 2018.
 The Big Lez Show, web-série australienne de Jarrad Wright, commencée en 2016.
 Lez-Fontaine : commune française, située dans le département du Nord.
 Castelnau-le-Lez, Montferrier-sur-Lez et Prades-le-Lez : communes de l'Hérault situées sur le parcours du fleuve Lez.

 L'Èze : affluent de la Durance dans le Vaucluse puis les Bouches-du-Rhône.
 L'Aïse ou Hyse : affluent de l'Ariège.

Homonymie de toponyme
Homonymie d'hydronyme

redpajama_set_name: RedPajamaWikipedia


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Everything About Fiction You Never Wanted to Know.
Crowners
Tear Jerker
All Subpages
Awesome Music
"Take this! The flame of retribution!"
Sakai Yuji thought he was an Ordinary High School Student... until time stopped one day and everyone around him was turned into light and consumed by a huge monster, right before his eyes. He was saved by a girl with long red hair who drove the monster off with sword and flame. "You don't exist anymore", she told him.
The Denizens of the Crimson World are monsters from another world who consume the "power of existence" of humans. The power of a human that is leftover becomes a Torch, a shell of their former self, destined to disappear without a trace -- physical or mental -- when their remaining power burns away. Flame Haze are independent humans who have allied themselves with the kings of the other world, gaining the power to fight back.
But Yuji is no ordinary Torch, and the minion fought that day is only the beginning of the troubles his city is about to face...
Shakugan no Shana is based on a series of novels by Takahashi Yashichirou. The anime has run for two seasons to date: the first aired in 2005, and the second in 2007. A movie re-adaptation of the first novel was released in Japan on April 21st, 2007. Starting on October 2009, OVAs have been released every four months or so under the name Shakugan no Shana S. The third and final season of the anime premiered in Fall of 2011.
An series of omake called Shana-tan and Hecate-tan have been released which parody the events of the series with Super-Deformed characters. The humour tends to run crude. There is already a Shana-tan episode paralleling the new series, called (appropriately enough) Shakugan no Shana-tan G.
Tropes used in Shakugan no Shana include:
All Just a Dream - The second season starts with Yuji trapped inside a dream (created by the real first villain of the season). Yuji picks up on some deja vu, but when complete scenes and defeated villains from the first season start showing up, then he knows something's wrong. No one will listen to him or tell him anything he--the one the dream is based on--doesn't already know. The dream falls apart once he pieces everything together.
Alternate Continuity - The movie provides a closer adaptation of the events of the first novel than the anime, thus differing in a few respects, such as using an important plot point that the anime reserves until the end of the first season.
Anti-Hero - The Snake of the Festival is Type III.
Artificial Riverbank - Where the Ominous Floating Castle first appears. Also where Shana gets Impaled with Extreme Prejudice.
Babies Make Everything Better - Yuji's upcoming sibling lifts the family's spirits.
The Bad Guy Wins - A rare example that directly results in a happy ending; if you consider Snake of Festival to be the bad guy then this applies since he was able to create Xanadu. Shana and Yuuji still end up together on that world to do their best so that Flame Hazes and Citizens can get along. So the Big Bad gave everyone a happy ending. Weird.
Sort of, as his ultimate goal did not ultimately prevent humans from being devoured, which was the primary concern of Shana and Alastor. It was more of a situation that required compromise from both parties.
Battle Couple - Shana (Action Girlfriend) and Yuuji (Mission Control).
BFS - Sorath's (and later Yuuji's) Blutsauger.
Beach Episode - Well, water park, anyway. Also qualifies as a Breather Episode considering the intensity of action in the previous episodes.
Betty and Veronica - Yoshida is the Betty while Shana is the Veronica.
Big Badass Battle Sequence - The war between Flame Hazes and Crimson Denizens in season 3.
Big Good - The final light novel's resolution and ending reveals that Snake of the Festival Yuji is closer to this than the Big Bad.
Blade Brake - Provided the page picture.
Bland-Name Product - Buying CDs at HNV.
Boss Subtitles - Pretty much every character with powers has a title, and everyone constantly addresses everyone else by full title and name.
Awesome McCoolname
Chekhov's Gun - The anti-flame ring. After being forgotten for most of the first season it ends up saving Yuji when Shana summons Alastor.
City of Adventure - The first villain started it, hanging around Misaki City as part of some sinister scheme and gaining Shana's notice. Shana and Yuji being who and what they are tends to attract the rest of the attention. Lampshaded in the second season by speculation that Misaki City has become some sort of naturally-occurring nexus of misfortune. Later gets turned into a warzone, though.
Clingy MacGuffin - The Reiji Maigo. Yuji needs it to live, and removing such treasures in general is supposed to be dangerous.
Clothing Damage - To varying degrees.
Critical Existence Failure - Not existing any more is not as debilitating as it sounds.
Curb Stomp Battle - Snake of the Festival Yuji delivers one to Shana and the Hazes, the beatdown was so severe that Shana couldn't believe that Yuji hadn't had his mind taken over by Snake of The Festival, Yuji insists that there is only him in control and later tries to apologize for using force against her.
The Flame Haze army is decisively routed at the battle of the Sereiden. So many are killed or demoralized that, with the exception of a few renegade Flame Haze led by Shana, they are knocked out of the war.
Dead to Begin With - As impatiently explained by Shana, the original Yuji's life was consumed before the anime started, and he is just a Torch--the remainder of that lifeforce, a placeholder to preserve the balance while quietly fading away.
Demonic Invaders
Did You Just Cut Cthulhu?: In episode 13 of season 3, Shana manages to cut Snake of the Festival Yuji and make him bleed. This is the first time anybody has managed to get in a decent hit on him, much less hurt him.
And in subsequent episodes, Shana manages to fight him on more equal footing.
Does This Remind You of Anything? - Hecate and her interaction with Yuji at the end of the first season.
Which leaded into the Youtube-Nickname "Orgasm Girl".
The omake picks up on this interaction with a slew of impromptu H-scenes.
One scene begins with Margery Daw making sounds of pleasure while the camera pans up from her curled toes... she's actually getting a massage.
Dueling Shows - With Kaze no Stigma.
Enemy Mine - Shana and Kazumi form a quirky alliance in response to Konoe's perceived usurping of Yuji's affections, although they spend more time moping about it than doing anything constructive. Eventually their understanding of each other extends beyond the non-combative theatre of operations; whether the nascent friendship survives Yuji eventually choosing Shana remains to be seen.
Eyes Always Shut - Yuji's Mom, she does open them once in a while.
Tanaka opens his eyes only under extreme stress.
Face Heel Turn Yuji. To be fair, there wasn't any other choice, to fulfill its dream live on with Shana forever in peace
Fan Service: Was there any reason logical reason to have Sorath neatly slice Shana's clothing while she is restrained?
Giving the class girls a shower scene during Season 2's school festival also counts. Groping is involved.
First Episode Spoiler - The first episode reveals that Yuji is a Torch. Yuji being the hero, this is a big deal to the rest of the series. You can't describe this series to anyone without spoiling the plot twist of that first episode.
For some reason, they decided to put Yuji's apparent Face Heel Turn before Yuji's permanent death and reincarnation in the first few minutes of the final season.
Flaming Sword - The titular artifact, Shana's name comes from the sword.
While its true that Shana got her name from her sword, the title of the series, which translates to "Burning-Eyed Shana", refers to Shana the girl, not Shana the sword.
Mathilde (Shana's predecessor) can make swords, axes and shields with her flames. Hell she can even summon an army of knights complete with armour, horses and rams made out of fire.
Floating Continent - Bal Masque's headquarters, Seireiden, as well as the Tendokyuu, where Shana received her training.
Forbidden Chekhov's Gun - A Flame Haze awakening/summoning their sponsoring Lord's full power into this world, killing them from inability to contain their Lord's massive power. As revealed by the movie, the first villain was using a gun that induced this to kill off the Flame Hazes who came after him--thus forcing their Lords to depart or else risk destroying the balance. Used as a suicide attack in the anime's Backstory by Alastor's previous vessel.
The cross pendant that Kazumi receives from Pheles will summon Pheles at the cost of the summoner's life.
Foreshadowing: Didn't watch the S episodes and wondering what's up with Season 3? S are relevant, but the significant lines are few and rare. In order:
Episode 1 involves the relationship with Shana and Yuji, and how much they have progressed and understand each other. Notice anything strange about the length of time they've been together?
Episode 2 looks at Wilhelmina's side, and she wonders about Yuji's personality.
Episodes 3 and 4 acts as foils to the main series, as they focus on the past of Shana on another Tomogara from a different time. That ending... is rather open.
Freaky Friday Flip - In the first Shakugan no Shana S OVA, Yuji accidentally uses the artifact Reshuffle to bodyswap with Shana. Naturally, Yuji-as-Shana is endearingly deredere, while Shana's usual Tsundere antics come across as mildly repulsive. They spend the entire episode trying to keep the swap a secret under Alastor's orders, because Reshuffle only works if there are no barriers between the users' hearts and he doesn't want their relationship to go public.
Freak-Out - Invoked by Yuji when he is apprehended by Zarovee. This may fall into Narm, depending on your viewpoint.
One character plays this horrifically straight: Tanaka, when he sees Ogata lose an arm and a leg after being blasted by Margery Daw in her blind rage.
Freeze-Frame Bonus - In the third episode of season 1 when Shana trashes various teachers, one of them looks like Adolf Hitler.
Friend to All Living Things - Konoe
Furo Scene - Episode 7
Geodesic Cast - Every Flame Haze has a weapon, a Crimson Lord, and a magical object through which the Lord speaks. And in Season Three, there are a whole damn lot of Flame Hazes.
Giant Food: Season 2 filler episode. All of the student characters met and ate at a restaurant that super sized everything. The bowls looked like they were meant for real giants and not puny humans.
Grey and Gray Morality: The final arc which featured the final war between the Flame Haze as led by Shana on one side and Bal Masqué as led by Snake of the Festival Yuji on the other. Bal Masqué wants to create a paradise called Xanadu with limitless Power of Existence, allowing Crimson Denizens to coexist peacefully with humans in that world. With the unlimited Power of Existence and the humans not being devoured, the distortions that threaten Earth and the Crimson World's existence will cease. The Flame Haze, however, believe that the Crimson Denizens lack the self-restraint to not eat humans even with limitless Power of Existence, and feel that Xanadu will only exacerbate the distortions. Both sides oftentimes show little regard for humanity, with Flame Haze just as willing to use humans' Power of Existence as Crimson Denizens if it suits their purposes. In short, Shana and company view Yuji and the Snake of the Festival as too naïve, while Yuji and the Snake view the Flame Haze as too cynical. Ultimately, the Crimson Denizens win the war, but having come to admire humanity, allow the Flame Haze to input a code into Xanadu's blueprints preventing them from eating humans.
Happily Married - The Sakai parents.
Hero Antagonist - Yuji Sakai.
Heroic BSOD - Wilhelmina has this in the last episode of season one when she thinks Shana died summoning Alastor. She literally can't stand up without Margery's support.
Heroic Sacrifice:
Yuji offers up part of his own Power of Existence early in the series so Shana can repair the classroom and students damaged by Friagne, rather than let Shana use a human's Power of Existence, which would have erased them from existence. At the time, neither Yuji or Shana knew that he had the Reiji Maigo, which replenishes his Power of Existence, and assumed that this would hasten his death. This is a critical first step in challenging Shana's protect-the-balance-over-humanity worldview, as well as an important step in Shana's evolving crush on Yuji.
Later in the series, Kazumi utilizes a Treasure Tool that, while calling Pheles for aid, will use up all of her Power of Existence. She still does it.
Also, the Bal Masqué general Decarabia. While Decarabia doesn't deliberately die, he is willing to risk, and ultimately lose, his life to hold off the Flame Haze long enough for a Bal Masqué army to come to defend Seireiden, Bal Masqué's headquarters.
Holding Back the Phlebotinum - In the form of Alastor, because he's used as a MacGuffin or weapon as opposed to a person in this instance.
I Have the High Ground - Most non-humans with the necessary jumping ability exhibit this.
I Just Want to Be Normal - Tanaka goes through a period of this after he starts going out with Ogata because he doesn't want to see her maimed again. In the end, he goes through with it.
Ignored Confession: Overlaps with Love Confession.
Impaled with Extreme Prejudice: Shana, Taking the Bullet for Yuji
Instant Runes - Often in the form of growing, encircling ribbons of blue runes.
By Final, rune circles have become most common display, and with much more variety than the standard circle from season one.
Infant Immortality - Subverted in the very first episode, but never done to the same extent again.
It Got Worse - Snake of the Festival. Long story short, Yuji betrays the Flame Hazes soon after confessing to Shana and became the final, ultimate antagonist.
Just A Torch - quite a few Flame Hazes and Denizens share this view, in particular, Shana to Yuji at the start, and Yuji to Yuji later on as well.
Nodachis Are Just Better - Shana wields a nodachi (Japanese longsword).
Kiai - Margery Daw's howl in her werewolf form (it looks more like a bear though)
Shana's battle cry right before she 'finished off' Sabrac sounded a lot like a high-pitched version of the "Punch" of "Falcon Punch"
Last-Name Basis - Strangely, Ike and Sakai. They're supposedly best friends, but only ever refer to each other by last name.
Lethal Chef - Wilhelmina. CABBAGE ROLL OF DOOM.
Shana as well, but she learns better.
Lie to the Beholder - Shana either does something like this or rewrites everyone's memories of Yuji's classmate to fit her appearance; it's unclear which.
Life Energy - Called Power/Flames of Existence
Love Triangle - Shana-Yuji-Kazumi.
Long Runners - Barely.
Matchmaker Crush - Ike tries to help Kazumi to have time and hook up with Yuji. When he chastises Yuji for leading her on, Yuji confronts Ike about his own feelings for her. It isn't until the second season that Ike tries to do anything for himself, though. But even so, Kazumi still hold her heart for Yuji.
Meido - Wilhelmina ~de arimasu.
Mission Control: Tanaka, Satou, and sometimes Yuji. The former two use the Haridan when the frontline requires a sitrep.
Muggle and Magical Love Triangle: Yuuji is in this scenario with Shana (magical) and Kazumi (normal).
No Export for You - The novels. Viz owns the rights to release them in english. Viz released the first two novels in english, then lost interest (even though they're still releasing the manga). No-one else can release the novels while Viz own the english rights, whether they use them or not. Damn.
Omake - DVD specials: two mini-episodes of "Shakugan no Shana-tan" and one of "Itadaki no Hecate-tan", featuring a pocket-sized version of the titular character that spoofed events in the main series.
Opening Narration - By Alastor in the first season: "Infinite time stopped beating its heart, and humans burnt away without making any noise. Not one person notices as the world becomes dislocated and is covered in the flames of The Crimson World."
In the dub; "A heartbeat that lasts for eternity, lives consumed in soundless balls of fire. No one is aware as the world is displaced, and the flames of the Crimson World sweep over all."
Opt Out - Eita Tanaka in season 2.
He's back in Season 3.
Ordinary High School Student - Yuji, or so he thought.
Panty Shot - 3 in quick succession during the final battle in the first season. And a quick shot during the first OP. Also a couple slips during season 2's battle penultimate battle. You know the show is almost over when they start upskirting Shana.
Don't forget the one in episode six of the first season
They also do it somewhat less discreetly and more often during the Shana S ova. Blue with white stripes
Again in the first episode of the third season. We actually see her strip down to her panties, which have a rather childish anime character on their seat.
Pettanko - Shana is pretty and very flat.
Amplified by the fact that almost every other female character is most certainly not flat.
Phantom Zone - Fuzetsu barriers. Everything inside the barrier is frozen in place, while everyone outside the barrier temporarily forgets about and subconsciously avoids the enclosed area. This only applies to normal people, of course. Also, any environmental damage done inside a fuzetsu can be undone, given sufficient energy.
Phrase Catcher - Marcosius seems to refer to Margery as "My (adjective/verbing) (noun), Margery Daw" quite a lot.
Pigeonholed Voice Actor - Recently, Kugimiya Rie (Shana's VA) has become known for her wrathful loli Tsundere roles, which also include Louise (The Familiar of Zero), Nagi (Hayate the Combat Butler) and Taiga (Toradora!).
Playing with Fire - This is a major part of Shana's motif. She can even use her powers to draw Torches together.
POV Boy, Poster Girl - There are some scenes from Shana's POV, but it's still mostly from Yuji.
Power Gives You Wings - Shana grows a pair in her rematch with Margery (first season).
"Previously On..." - Oh god the second season. Every episode in the second season begins with Alastor summarizing everything, this is particularly grating when the episode itself replays the events that happened previously.
Rank Inflation - During a trip to an amusement park, Shana uses her powers to cheat at a swordfighting virtual reality game, maxing out the score counter and earning a rank of SSS.
Rapunzel Hair - Shana
Yuji's as Snake of the Festival is longer than hers, actually is as long as he wants to be.
Redheaded Hero
Retcon - Shana confessing to Yuji right before using the Forbidden Chekhov's Gun at the (anime-original) end of the first season. The second season has him turning out to have not heard it, thus maintaining status quo.
Ret-Gone - The ultimate fate of a Torch.
Shana Clone: The Trope Maker. Shana herself averts this, being the original.
Sharing a Body - Sakai Yuji and Snake of the Festival, but when Yuji becomes SotF he is pretty much in control, but due his ruthless nature, Shana and the Hazes doubt this.
Ship Sinking - Kazumi x Yuji didn't have much chance of happening anyway, but it was officially destroyed later in the novels when Yuji finally made his move on Shana, this happened shortly after he joined The Dark Side, now pretty much all "normal" characters have been pushed aside and the conflict between Balmasque and Flame Haze is now the main focus of the storyline; it's all about Love and War between those two.
Shut up (you fool), Shut up (you fool), SHUT UP (YOU FOOL)!!
Sitting on the Roof - Yuji and Shana, who at first is content to stay up there until Yuji invites her inside.
Slice of Life - It has moments. The beginning of season 2 is largely without conflict and instead focuses on the whole group's antics during normal life.
Spell My Name with an "S" - Wilhelmina's name is spelled and pronounced "Wirhelmina" in the dub.
Sphere of Destruction: Robots that Dantalion deploys in the final battle can blow up and vaporize everything in a 30-meter radius.
Split Personality Takeover - Averted, Snake of the Festival Yuji VS. some of the Flame Hazes, Yuji was the one delivering the beat down, but when he utterly destroyed Shana, she started to think Snake of The Festival took over Yuji's body as Shana just can't believe Yuji could be that violent, Yuji in response says he's totally in control.
Story-Breaker Power - Alastor. To avoid breaking the story, he's only ever used one time at which point he pops out of his amulet, says hi and saves the world. He doesn't even do anything. Oh, and bringing him out is supposed to be fatal; that's how Shana's predecessor died.
The Snake of the Festival Yuji is the God of Creation, whose power equals Alastor's, and he seems to have no problems showing off: infinite power, immunity to flame, Prehensile Hair, and a sword that causes anyone who tries blocking it to sustain heavy injuries (Blutsager). Plus the whole "Creator" bit.
Stock Sound Effects - Paying close attention will reveal the "de-rezzing" sound from Tron and the good ol' proton pack charge-up sound from Ghostbusters.
Surprisingly Good English: I'll Believe by ALTIMA, the ending to the third season, has a 45-second intro and several lines sung in almost-perfect English. And then there's motsu. Check it out.
Sweet Tooth - Shana, if her eating two super duper extra ginormous servings of ice cream sundae is any indication (One is almost as tall as she is!). Her thing for melon bread may also count. She also consumes a "couple dozen" ice cream bars during the Shana S ova and thinks that Yuji's body is weak for getting sick afterward.
Taking the Bullet - Shana intercepting Wilhelmina's spear after Yuji gets captured. She's a Flame Haze, though, so she's good to go again after a little time off to heal.
The Talk - Averted hard.
Shana:What's wrong? Chigusa's having a baby, right? Teach me how to make one.
(camera pans across the shocked faces of the Sakai family)
Yuji (blushing): ...eh-heh...
Kantarou: ...we can't teach you without other people's consent... right Chigusa-san?
Chigusa: ...yes, we need to speak with Carmel-san and Arasu-Touru-san...
The Trope Without a Title - Just about all Tomogara and Flame Hazes.
Theme Naming - All of the beings from the Crimson World in Shakugan no Shana take names out of various mythologies. Just to name a few: there's the "Seeking Professor", Dantalion; Margery's battle-hungry lord, Marchosias; and Shana's lord, "God of Judgment" and "Flame of Heaven", Alastor.
The Extremist Was Right- Snake of the Festival Yuji succeeds in his/their plan to create a duplicate world for Crimson Denizens to live without needing to feed on humans' Power of Existence. The Crimson Denizens go a step further and, admiring humanity and wishing to coexist with it, allow the Flame Haze to create a limiter preventing them from devouring humans. An uncountable number of people are saved from future harm. Since Crimson Denizens no longer feed on humans and threaten the balance of the world, the need for the Flame Haze to fight them are gone, allowing them to finally be people instead of walking weapons. Yuji is able to have a relationship with Shana that is not marred by endless conflict that would have probably resulted in her death one day, and the Forever War is ended.
They Call Him "Sword" - 'Shana' comes from the name of her sword, Nietono no Shana.
They Do: Shana and Yuji end up romantically involved by the end of the series.
Third Option Love Interest - Fumina Konoe
Through His Stomach - Kazumi to Yuji. Shana soon catches on.
Time Stop - See Phantom Zone, above. Time doesn't really stop, but it's a convincing impression, with everything frozen in place and recast in gray.
Too Good for This Sinful Earth - Yuri, in Margery Daw's flashback. Unlike all other Flame Hazes, who are hellbent on vengeance and killing Tomogara, Yuri, a young boy, just wants to save people and seems to completely lack fighting spirit. I mean, really, what self-respecting Flame Haze actually cares about humans?
Trademark Favorite Food - Melon bread, for Shana. Anything with alcohol for Margery.
Tsundere - Shana.
Unlucky Childhood Friend - Kazumi and by extension Ike.
Unstoppable Rage: In one of the more recent Shana novels, Yuji goes completely insane, and brutally attacks and almost kills Wilhelmina with Blutsauger after the latter's attempt to make Shana give up on him by force.
Verbal Tic - Wilhelmina ends nearly every sentence with "de arimasu", an archaic form of "desu" usually restricted to writing de arimasu. It gets a little annoying de arimasu.
This was changed to 'indeed' in the dub. And you thought Teal'c used the word a lot.
Well-Intentioned Extremist - The Flame Haze and Yuji. The entire war is an example of Grey and Gray Morality.
The Wiki Rule - Shakugan no Shana Wiki.
Wham! Episode - Volume 16: Yuji is now the Big Bad. And another in Volume 22, the final light novel: Yuji wins, but the Crimson Denizens decide to compromise with the Flame Haze and allow their paradise, Xanadu, to have a built-in limit preventing them from devouring humans' Power of Existence.
White-Haired Pretty Boy
When the Clock Strikes Twelve - The Reiji Maigo refills the bearer's power of existence every midnight. It apparently makes its own time zone adjustment, since it was created in Europe...
Yamato Nadeshiko - Kazumi. Also, Yuji's mom, Chigusa.
Your Mind Makes It Real - See All Just a Dream, above. Also, if the dreamweaver dies, it's Nonstandard Game Over for everyone inside.
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Q: WCF Comunication Exception when passing string array I have a wcf service and i want to pass a string[] through it. I am receiving the below error. Can someone point me in the right direction ?
The error :

There was an error while trying to serialize parameter http://services.csssoftware.com/2.0/ComFacades:arParams. The InnerException message was 'Type 'System.String[]' with data contract name 'ArrayOfstring:http://schemas.microsoft.com/2003/10/Serialization/Arrays' is not expected. Consider using a DataContractResolver or add any types not known statically to the list of known types - for example, by using the KnownTypeAttribute attribute or by adding them to the list of known types passed to DataContractSerializer.'.  Please see InnerException for more details.

If you need more data plese let me know and i will edit the question.

A: For others who get to the same error, the fix was to add :[ServiceKnownType(typeof(string[]))] in my interface class.
For  more information about this problem you can read : HERE


text:
Readings in Syrian Prison Literature
by MESPI Editors | Jul 9, 2021 | 0
R. Shareah Taleghani, Readings in Syrian Prison Literature: The Poetics of Human Rights (Syracuse: Syracuse University Press, 2021).
R. Shareah Taleghani (RST): Although I was originally planning another topic for my dissertation, I had taken a seminar on Arabic prison literature and also became involved in a collective project to translate Faraj Bayraqdar's poetry collection Dove in Free Flight. I became interested in the topic as I read more works written by authors who had endured and survived detention in Syria. I also had the opportunity to meet with several writers who very kindly and generously answered my questions and provided me with copies of their writings (before digital publishing was prevalent). In large part, I wrote this book because I found these texts, and the life stories of the writers powerful, inspiring, and moving.
I had also always had an interest in human rights issues, including detention, particularly in Iran where part of my family is from, and as a high school student and undergraduate, I had originally thought of becoming a human rights activist or lawyer. Yet, I also developed an awareness of the critiques of human rights, especially the US government's exploitation and manipulation of the language of human rights, and the human rights regime that was even more blatantly apparent in the early 2000s in the massively destructive and lethal trajectory of the so-called "war on terror." At the time, there was not much scholarly work in English on Syrian "prison literature" or "prison writing" (the terms are problematic ones as I discuss in my book)—just a few articles, including those by Miriam Cooke and Isabella D'Afflitto. Also, very little of the literature had been translated into English. In the process of writing the book, I also drew inspiration from other scholars' work, such as Alexandra Moore and Joseph Slaughter, on the relationship between literature and human rights or the humanities and human rights that developed in the US academe in recognition of US human rights violations in the aftermath of 9/11, as well as US-based critical carceral studies. In the process of my research, I found that Arab literary critics had made this connection between literature about prison and human rights discourse much earlier than the post-9/11 emergence of the subfield of literature and human rights in the United States.
RST: Using an interdisciplinary approach, my book focuses on works of literature produced in, about, and through the experience of detention in Syria from 1970 to 2015. It analyzes the intersections of prison narratives, political opposition, Arabic literary experimentalism, and global human rights discourse. I provide a series of close readings of literary texts in tandem with human rights reportage. Rather than focusing on how such texts act as a literature of witnessing or counter-history (and, of course, it can and should be read as such), my study examines how particular works of prison literature both echo and challenge the generic conventions and limitations of human rights discourse. It also explores the ways in which individual authors experiment with literary form to depict the experience of detention and the detainee as a speaking subject. The book is organized thematically, with chapters on the genre of prison literature as a problematic construction, vulnerability and recognition, representations of torture, depictions of prison space and life, and the relationship between carceral metafiction and exile. There is also a separate chapter on the notorious Tadmur Military Prison.
RST: Generally, much of my research has centered on examining the intersections of political opposition and dissent, forms of cultural production, and aesthetics. While my other work does not really address how forms of cultural production relate to human rights discourse, I have always been interested in exploring how particular cultural producers and dissidents generate creative interventions against regimes of power through their artistic works.
RST: It is my hope that the book will reach both an academic and more general audience—particularly those with an interest in Syria and the culture and the history of political dissent there. I would like for it to be read by students and scholars interested in modern Syrian and Arabic literature and cultural production, comparative literature, and the subfield of literature and human rights, as well as critical carceral studies. I also hope it will be read by those who have an interest in politics and cultural production in the Middle East generally and Syria in particular. I plan to publish an Arabic translation of it as soon as possible. Because it addresses a limited number of texts in a vast body of literature produced by detainees in Syria in the twentieth and twenty-first centuries, I hope that it sparks more interest in the topic, more studies of these works, and more translations into English of these texts, especially since so few have been translated so far.
RST: Currently, I am finalizing a co-edited and co-translated collection of poetry by Faraj Bayraqdar's Dove in Free Flight, which will hopefully be out in the winter or spring of 2021. A colleague and I are also planning a special issue for CLC Web Comparative Literature and Culture on humor and the absurd in Middle Eastern cultural production. In my new larger research project, I am returning to the topic of my master's thesis, and I am focusing on examining the intersections of satire, nostalgia, and dissent in works of Middle Eastern cultural production—not just literature, but also film and drama. I want to explore how particular works fuse satire with a nostalgic rather than utopian impulse.
J: Why do you use the terms "Readings" and the "Poetics of Human Rights" in the title?
RST: First, with the term "readings" I wanted to convey the sense that the focus of the book is precisely that—a series of readings and textual/thematic analyses of particular works of literature about prison. In the introduction, I point out that the book is not intended to be a history of Syrian prisons, human rights movements in Syria, oral histories of former prisoners of conscience, or the autobiographies of very important figures in the Syrian opposition and human rights movements. All of those are very important topics, and while many of them have been the focus of critical study in Arabic, the field of Syria studies in English is still very small. Additionally, the book only addresses a limited set of texts in a vast and varying body of literature that can be approached and read through many different angles and viewpoints. In using the phrase "poetics of human rights," I wanted to indicate the connection between these works of literature and human rights, but also evoke "poetics" in the sense of a systematic study of literature, as well as the notion of understanding how texts achieve certain effects on readers.
Excerpt from the book (from Chapter 5: "On the 'Kingdom of Death and Madness:' Sousveillance and Surrealism in Tadmur Military Prison")
Several organizations, from Human Rights Watch to the Syrian Human Rights Committee, have made Tadmur Military Prison the subject of special reports since the early 1990s. These reports follow the conventional patterns of the human rights reportage. Using as much verifiable detail as possible, drawn from mostly (and necessarily) anonymous witnesses, these reports document, chart, measure, and map the total number of prisoners held, their names and ideological or party affiliations when available, and the official length of their sentences. They also describe the measurable structures and architecture of the prison; the size and specific numbers of detainees crammed into overcrowded communal cells, where prisoners are forced to take turns standing, sitting, or sleeping sword-style due to lack of space; the lack of food to the point of starvation; the horrendous conditions prisoners live under, including poor sanitation and freezing and blisteringly hot temperatures; the rapid and deadly spread of communicable diseases such as tuberculosis and cholera; the myriad forms of daily torture improvised by guards; and the number of prisoners killed in a given time period—whether arbitrarily through torture or by execution. Most of these conditions have existed at other prisons in Syria, but at Tadmur they were more frequent, more systematic, more intense, and more lethal than at any other prison until its reported closure in 2001. Now, after the 2011 Revolution, Tadmur Military Prison's notoriety has been surpassed by that of Saydnaya and other detention centers.
In the same way that it has been the distinctive concern of human rights organizations, Tadmur Military Prison occupies a haunting, nearly mythical position in Syrian prison literature, much like that of Abu Ghrayb in Iraqi prison literature. Tadmur's infamy is highlighted by the common saying: "The one who enters it dies, and the one who leaves it is reborn." As al-Haj Saleh writes: "Let us imagine a prison without visits, without books and pens, without means of entertainment and without 'tools of production' of any sort, without domestic facilities—kitchen fixtures, stoves—without hot water . . . just a closed place that doesn't open up except for food and . . . punishment. That is Tadmur prison: the Syrian shame that is indelible. In this prison, time does not pass. It accumulates over the prisoners and suffocates them."
Other former detainees echo al-Haj Saleh in the numerous memoirs composed about the prison, in addition to essays, novels, short stories, plays, and poetry. They continue to publish works even now, with some who were detained there in the 1980s and 1990s being motivated to tell or publicly circulate their stories since the 2011 Revolution. Though much of the writing produced about Tadmur shares traits in content and form with texts about other prisons in Syria and the Arab world, the literature about the prison is unique not only in its emphasis on the level of the state's grotesque acts of depravity perpetrated against detainees there, but also in its reflections on the incomprehensibility of, absurdity of, and difficulty of describing of such acts. Authors of such works are generating a body of testimonial literature and producing a collectively written, mosaic-like history of the prison. They are also making Tadmur Military Prison and the forms of suffering they endured there visible to their reading publics, an act and process that have become even more imperative in light of the prison's alleged destruction by Da'ish and the fact that the Asad regime has retaken the city of Tadmur and remains firmly entrenched in power.
But how, then, do former detainees make Tadmur visible? How do they reconstruct and revisualize their experiences of surviving the prison? In writing of their own and others' survival in detention, how do they see the prison and how do they make it seen for their audiences? These questions are complicated by the fact that in Tadmur, as in other prisons, making oneself visible meant making oneself vulnerable, with often lethal consequences. Prisoners were under constant surveillance and threat of torture and death, in addition to being confined in the same dark, usually windowless cells for years. They were often forced to wear blindfolds or hoods, including when they slept. When in the yards, they were also consistently ordered to keep their heads bowed in a display of abject submission and humility, including when they were forced into stress positions for hours at a time. Guards forbade them to glance around their environment or to look up unless specifically ordered to. For prisoners to dare to meet the eyes of their jailers and torturers, to peer around them, or to stand out in any way meant risking becoming marked (mu'allam) for additional brutal punishments by the guards. Being marked would result in, at the very least, some form of degrading or excruciating physical torture and, at the very worst, being tortured to death. As Bayraqdar notes of his experiences at Tadmur, "To raise your eyes would be to raise your own casket and prepare to march at the front of the funeral." In some prisoners' descriptions of their inability to see and their constant awareness of being under the guards' unending visual and aural scrutiny, the system of discipline and punishment at Tadmur enacts a kind of panopticism, albeit with variations, especially the incorporation of the daily physical torture inflicted on prisoners. Under persistent threat of death, Tadmur prisoners were ordered not to look in certain directions and not to speak, and such commands would diminish the detainees' agency and subjectivity, especially considering the fact that vision is of "central importance for an inmate's attempt to 'make space' within the prison environment."
Despite all of the limitations on prisoners' field of vision, most authors describe the physical structures of the prison, or at least the parts of the prison they encounter in visual terms during their detention. Especially in nonfiction works, authors such as Muhammad Salim Hammad, Bara Sarraj, Ali Abou Dehn ('Ali Abu Dahn), and Khalid Fadil describe the spaces they are forced to dwell in with minute detail and exact measurements, much like the documentary style of human rights reports. Yet once writers have described the physical attributes of the parts of the compound they have seen, usually upon their entry, the material, architectural spaces of Tadmur Military Prison are effaced, except for brief references. Authors of the prison literature about Tadmur document everything from obscene acts of torture, to the names and numbers of those executed, to the consistent, often minute forms of resistance they enact. They describe the emotional ties they establish with one another, and the multiple ways prisoners created to survive despite the harsh regime of the prison indicating "how people cope, how they carve out spaces for themselves in the space of the prison," even in a site of extreme deprivation and violence, like the desert prison. For other writers, making Tadmur visible for their audience means inaugurating and inscribing a mode of countersurveillance or sousveillance, like the "hidden observer" protagonist of Mustafa Khalifa's novel The Shell (al-Qawqa'a, 2008). At the same time, there are those, such as Bayraqdar in his memoir, The Betrayals of Language and Silence (Khiyanat al-Lugha wa-l-Samt, 2006) who make Tadmur visible by interrogating the possibility of ever fully capturing what he and others experienced there.


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Children learn expressions by mirror neurons. Imitating what they see. Thus we will find that normally the faces and gestures of the children are very similar to those of the parents.
A very important game in children under 3 years. It is working with the mirrors. Thus the child recognizes himself and sees the gestures that he himself is doing. Although these are innate. It is easier if he sees his own face. And he can compare it with that of others.
To work the expressions. It is critical that children feel empathy. Something vital in education. Since if the child does not have it, even if he sees a face of sadness in a friend, he will not feel anything. Since you can not put yourself in his place. We need to make him see the importance of helping others. This will serve you not only for the bad. But when you have someone happy around, the child will feel good.
When we start, we always make 4 faces on a piece of cardboard. And we put a toothpick. Each mask, will have very well marked the factions of each emotion. And so it will be easier for you to recognize each expression from the beginning. Since each one we make them more or less expressive. In this way it will always be the same and with the key points of each one.
We only have the children to learn in English. Something very simple. Since we have very little vocabulary. And it will be just a matter of repeating again and again each of the emotions in English, according to the mask we have made. Once you start to understand it. We leave the faces to the child. And it will be him who has to use them. So we can expose a situation and you have to choose between a mask as it is sad, happy … And of course you will have to tell us in English.