As a response to the "me too" movement I have decided to share a scribe, which I have not yet published, as I wanted to use it for a specific purpose and now seems the moment. It adresses the programming, that women have been subject to and the "legalised" abuse of women, that has taken place thru thousands of years up till date. It is time not only to speak up and stand tall in our power, but to reclaim our "lost virginity", because that is basically what has happened. We have been raped and molested not only on a physical or energetical level, but we have been declassified as less-than and made into "ownership" of men and the patriachy. It is time this comes to an end and so I will share some insights, that will help you to see these patterns within self and to understand why it is vital to heal these wounds.
and the need for healing of the divine feminine to reinstore divine union within.
After the fall of Atlantis the controlling forces started a program to erase the divine feminine. This was aimed to take over controle and using the wisdom for egoistic agendas and getting into power.
This program was systematically imprinted in the collective mind of humanity and supported by several key beliefs, that was created to amputate humanity (removing our sovereign power) and create division from Source, God/Goddess and the divine self thru fear. But also to obliterate the Cosmic Sisterhood, the divine shepard of earth´s evolution and the divine feminine aspect of creation itself.
The feminine per se is guilty, less-than, not worthy, undeserving, unreliable and shameful.
Sexuality is only to be used for the purpose of procreation.
Sexuality is surrounded by much shame especially in regards to women.
Feelings are not to be trusted, only what is linear hands-on visible is valid.
Intuition is not to be trusted and is misleading.
Women are nothing without a man and dependent on him.
The female gender is weak and lacking power and wisdom.
In the course of history women have experienced much condemning, persecution and abuse apart from the consistent manipulation, that has systematically taken place. (This applies for both men and women) as men currently incarnated in a male body have had these experience in other timelines (incarnations) as women but also thru the collective mindbody we are all imprinted with these energies.
The womb is a portal to the cosmic field of consciousness and the keeper of divine truth, an ever evolving consciousness, an akashic record held alive by the divine feminine and sisterhood of all cultures and races, the Cosmic Sisterhood, throughout the ages. Those of us that are currently incarnated in female bodies are connected thru this vast field of consciousness thru our gift of intuition, we can access this field, as wisdom keepers and conduits of the sacred grail codes, the sacred wisdom held in our womb. As such we are librarians with access to the fountain of life, the lifegiving force that reigns the multiverse of all life. As women incarnates we are obligated as patrons of the divine wisdom, that governs and creates all life and thru our body awareness, we can access this wisdom and indeed it is our very purpose to do so, to serve the planet. It is our galactic role as the divine feminine is the naturel principal for the evolution of the universe.
Living from the heart. Doing thru being, the way of the divine feminine. Feelings the language of the heart.
The divine feminine source is indeed powerful and a great manifestor, however she manifestates in a different manner than the divine masculine, that is naturally more controling, outward, active and lead by linear thinking and logic (left brain). The divine feminine is more of an instrument, she listens, intuits and surrenders and aligns/communicates with the flow of life and is lead from within by her emotions (right brain) and her connection to the cosmic field of consciousness (womb wisdom). So you may say things happen more thru her being than thru her doing. Whereas the divine masculine as her counterpart, acts in the opposite way. Thru her womb the divine feminine is aligned with the cosmic wisdom field of consciousness, which guides her and governs her being.
Originally when we left source we were no-gender beings, but as we left source, we adapted into beings with a female and masculine side, two aspects, that were both important to keep us connected and aligned to source and being in divine balance and unity with all-that-is. This is what caused the search for our other half or twin. Actually the twinflame is nothing but a re-union of our divine feminine and masculine aspects within. This divine union indeed can be reflected on the outside when achieved thru a person by a lover, that mirrors this back to us. This however is often connected with much pain, when the inner divine union of the two into one is incomplete. But that is another discussion.
Those who had a secret agenda to take over dominion knew of the role of the divine feminine and also knew of the principle and power of the divine feminine as the holy key to creation itself… as the leading principle. The divine feminine is the keeper of divine wisdom and the cauldron, the womb from which all life evolves, she holds the gestation seed to all life as she is an expression of Shakti, the primordal sexual energy, which is nothing less than the creative life force itself. It is the most powerful expression of the divine…. hence all the talk about women being the weaker gender is a total joke and the reminiscence of this old programming. This primordal energy has been worshipped in many cultures as deities Pele (hawaian), Kali (hindu), Innana (sumeria), Ishtar (greek), Ostara (germanic) to name a few.
These two images were imprinted for us to identify with and along with that we were already impregnated with guilt and shame alone by being women, so inevitably we took over the image of ourself as the shameful one (the whore). Along that hundreds of years of persecution and killing of empowered women (visionaries, psychichs, medicine women, healers, priestesses, witches ect). kept us in fear of taking on our feminine power, using our gifts of clairvoyance and intuition and expressing our truth. This was all aimed to keep us small and dependent on men and the leading priesthood, that took copyright on being intermediates of God).
And in several other cultures the women have a lesser status than men. I am just focusing on christianity as this came to be the most important religion in modern times, because of a systematic propaganda that swept over the planet aiming to erase the divine feminine from earth´s surface and pollute existing (native) religions.
The divine feminine wound is not only imprinted in the collective mind, but is also handed over by conception thru the dna. As this programming has been the foundation of the paradigm of the piscean age, which is an evolutionary stage in humanity´s consciousness, we have mostly grown up in environments, where the divine feminine attributes were repressed, rejected and denied. This again caused deep wounds on the inner child, as it was punished and condemned, when aligned with the divine feminine within… it was conditioned to not show its feelings, conditioned to believe feelings are not trustworthy and that anything that is not explainable and provable intellectually is not valid and non-sense. By moving our focus from our heart into our head we lost access to our intuition and the womb wisdom, that is our innate connection to source and to our divine purpose as wisdom keepers and patrons of earth´s evolution. It is thru marrying the two, thought and emotion, that we become whole balanced beings, it thru thinking with our heart, that we become empowered co-creators with the divine.
Children are naturally connected to the cosmic kundalini energy, that flows thru all life as an expression of the divine feminine. But as this energy was deliberately turned into something shameful and called sexual energy, the kundalini channels that caters for the distribution of the kundalini energy between the chakras (energy centers in the body) often become blocked and or closed down. And the child that is judged and condemned in its naturel expression starts to adapt the patterns of judging and condemning self, it begins to reject these unwanted parts of self and so the I-dentity starts to become fragmented and divided within and most of all separated from the inner divine source of love wisdom. This creates a split personality feeling lack of self love and feeling shameful of itself, which keeps it disempowered and fearful of being itself. (self alienation) All these aspects that have been rejected needs to be embraced and integrated for us to become whole beings again, for us to return home to our divine innocence.
How do you know if you still carry wounds on the divine feminine aspect in you (goes for men and women)….? Well if you are in a relationship have a deeper look or if not how is your relation and interaction with the other gender in generel? Do you feel honored and respected, do you feel seen and loved unconditionally for who you are, do you feel free to speak up your truth and share your emotions freely without fear of repurcussions, or do you feel restricted and limited in your self expression, do you often feel hurt, rejected or belittled or emotionally abused, then there is an evidence of one or more wounds on your divine feminine aspect of self.
So to reclaim our power and to reinstore whole-ness within it is critical, that we heal the wounds on the divine feminine and erase the shame-programming in our body, mind and emotional bodies. Shame (is a very destructive expression of fear) is the most powerful mean to keep someone small, disempowered and most of all keep us divided from the womb wisdom, that we have naturel access to when we cultivate our intuition and the divine feminine attributes and making use of our ability to feel. To become the powerful co-creators that in truth we are, we must reclaim our right to be free expressions and embodiments of the divine feminine, to embrace our purpose as being shepards of divine wisdom and cauldrons for the Shakti energy. It is thru feeling that we are given access to our womb wisdom, the akashic field of consciousness.
We must allow ourself to being free expressions of the Shakti energy and no longer respond to the projections of the shadowself of the repressed divine feminine and being shameful of showing our light, speaking our truth and standing in our power. We must trust and communicate thru our feelings and live from our heart. We must transcend the conditioning of living in the head from a linear logic mindset, but give both mind and heart equal rights to come to word. It is in the merging of the two, that our true potential is born.
Sexual energy is a wonderful and beautiful energy if used with wisdom and loving intent either it be to procreate life or to create art or tools of empowerment, beauty or harmony for the benevolence of all involved. It is only when it is used in a manipulative way for sexual egoic lust and personal gain, that it looses its beauty and true purpose. And indeed it is a means of attaining higher states of consciousness, if used in this sacred manner between lovers, a sacred gateway to God/Goddess. The sacred art of tantra was also practiced by Mary Magdalen and Jeshua to attain higher states of consciousness and merge with source and the vast field of divine intellegence and is was practiced in ancient India and Egypt as a tool for enlightenment.
It is vital that we embrace our purpose and step up as the naturel leaders and wisdom keepers, that we are. Mary Magdalen spoke to me of the importance for women to step up as leaders, as the divine feminine principle is the leading principle and what insures divine harmony and the ascension of the planet to a new consciousness. The divine feminine in its healed form is naturally caring, nurturing and always considering what honors the whole and women have the divine insight thru their sacred womb to harvest the inspiration and wisdom needed to cultivate harmony, prosperity to all life without compromising anyone or anything. She is the leading principle, which acts out of oneness and always keeps in mind what honors the whole. The mother that loves all her children equally and unconditionally and keeps evolution alive and balanced. She is the promise of the new heaven-on-earth, where all life is honored as sacred, where nothing is more valuable or valid than other things. Divine equilibrium on all levels. She is the return of the christ en masse in the garment of the feminine christ. The re-emergence of the goddess beside God at the throne of One. Now is the time of the returning of the scepter to the divine feminine.
I most recently had a dream where I experienced a profound, deep & intense feeling of sexuality, sensuality & spirituality all together & through out my whole "body." In this dream I was "dancing" with a tree!!! It was amazing!!!
Wow this was so moving and powerful for me to read- and in Divine synchronistic timing for me as well as I was really calling for assistance to understand this better – in the midst of making an important decision. As I was reading I kept saying quietly inside- "Yes!" This is the most resonate I have felt to any writing about this important topic. THANKYOU SO VERY MUCH!!! I feel so much more clear, ready to release and heal imbalances and claim my Goddess Energy! Thank you so very much!
Werken aan het vrouwelijke aspect met geometrische vormen. Zodat je sneller in je energie en geaard blijft, tijdens het ascentie/ transformatie proces naar de hoge vrouwelijke energieën, is een aanrader. Zeker als kundalini aan het werken is, is het goed om jezelf te aarden. Kundalini heeft aarding nodig, we kunnen dit doen met geometrische vormen en symbolen.
This is powerful and extemely accurate! Thank you so much for writing this! With permission, I would like the High Priestesses of the Order of the White Rose to be able to read portions of this out loud as part of the Order of the White Rose Initiation Ceremonies. Credit, of course, will be given to you.
THANK YOU FOR SHARING !!!! I agree that everything you have said here is TRUE !!!!!


OK, you granted to enthusiasm poker online. What should you stroke first? Start searching for websites of poker rooms where you can be in poker online. You can type "combat-engagement poker online" in Google, Yahoo, Bing or others search engines and discover the websites you throbbing to feint.
All sites and all games have their own rules, for instance, some sites that you obsession to compensate a association go into detail and begin in a bid resolved of money for each game. Remember to learn the terms and rules of the game earlier you partner a site and authorize portion in a game. Poker is fun and a game to be sprightly, but a lot of people make fine-freshen maintenance playing online.
Most of all sites propose a campaigning and / or published instructions to accustom how they take appear in for them, because everyone is singular, and the games they come happening following the money for. If you have never played online poker yet, it is recommended first spend some era breakdown the site in interchange forgive-rolls tournaments and become comrade taking into account, rather than stepping taking place up in a game and begin playing once concrete maintenance.


UPJN Admit Card 2016 :- Uttar Pradesh Jal Nigam, Lucknow has announced UPJN Hall Ticket 2016 on the official site. UP Jal Nigam exam will take place from 05.08.2016 to 07.08.2016. Applicants who are appearing in the examination can download their UPJN Admit Card from the official site of Uttar Pradesh Jal Nigam Department.
Uttar Pradesh Water Department (उत्तर प्रदेश जल निगम विभाग) is organizing competitive written test on 398 vacancies of Routine Clerk and Stenographer. Applicants who are appearing in the examination can download their UP JN Stenographer Admit Card now from the official links. Call Letter download steps, Written Exam dates, Examination and Exam Centre Details are mentioned in the below information. read out the whole article carefully.
UPJN Stenographer Recruitment 2016 :- Uttar Pradesh Jal Nigam-UPJN has issued notification 1019/16 dated 18.06.2016 on the official site to invite applications on 398 vacancies of Stenographer and Routine Clerk. Online registration process was adopted to accept applicants against UPJN Stenographer Bharti 2016. Last date for sending online forms was 11.07.2016. Now the department has finalized the examination process and organizing UP JN Exam 2016 on 05th to 07th August 2016. Candidates who are willing to appear in the exam can check the UPJN Admit Card 2016 from the official links given at the end.
UPJN Admit Card Information :- An Admit Card of the applicants can be downloaded from upjn.org official portal. Admit Card of the applicants can be downloaded by entering the Login ID and Password. This will generate your upjn admit card on screen. Applicants should check all the information printed in the admit card are correct or not. If you find any problem in generating your UP JN Admit Card 2016 or some printing mistake then immediately inform the authorities on the contact no given on the official site.
a. Applicants should download the UP Jal Nigam Hall Ticket on A4 size paper.
b. He/She should bring it to the UP Exam Centre.
c. Admit Card of the applicants should not be decayed (गला हुआ), raucous (फटा हुआ).
d. UPJN Hall Ticket should be in proper format.
e. Applicants should download the UPJN Admit Card 2016 before the exam date.
UPJN Exam 2016 Details :- Candidates need to phase Written Examination, Typing Test and Personal Interview. Applicants who are appearing in the written examination should note that written test will be organized for 40 marks. Nature of examination will be objective multiple choice questions. Those who qualify the written examination will be called for Typing Test. It will be conducted on the Computer or Laptop. Then the final stage is Personal Interview which will held for 100 marks. After these process Merit List will be prepared to shortlist the applicants on Stenographer and Routine Clerk vacancies.
Applicants who are appearing in the examination are informed that it is necessary to bring your exam admit card at the exam centre. Without admit card participants can not write the UP JN Exam 2016. It is also compulsory for the applicants to carry their ID proofs at the exam centre for verification purposes.
01. Log on the official site of Uttar Pradesh Jal Nigam at www.upjn.org.
02. On the home go in the UPN Stenographer Recruitment 2016.
03. It will show Download Admit Card link in the right side.
04. Enter your Login ID and Password.
06. Admit card will appear on the screen then.
07. check all the information and take print out.
Conclusion :- UPJN Admit Card 2016 for 398 posts of Stenographer and Routine Clerk. Exam will held from 05.08.2016 to 07.08.2016. UPJN Hall Ticket are available now.


text:
Architecture and music | old articles from pantheon//
The link between architecture and music
Once in a while we will publish an old article from a previous edition of pantheon//. This week's article was written in january 2019, by Dorsa Ghaemi, relating the theme "FUNK".
Now that the title of this edition of our architectural magazine is a music genre, let us look for the link between music and
architecture. Is there any relationship between Music and Architecture? If we ask this question from very well known Architects such as Vitruvius, Xenakis and Libeskind.
Let us start with Vitruvius: 'When the German Philosopher Friedrich Wilhelm Joseph von Schelling looked into the work of Vitruvius reflected that "Architecture is frozen music". He proposed that the link between music and architecture has an ancient origin where Vitruvius used harmonic proportions in his architectural design influenced by earlier Greek musical theorists such as Aristoxenus and Pythagoras. Vitruvius in his 'ten-volume treatise De Architectura' explores how columns in temples should be designed by analogy with the various musical genera, how stone theatres can be made to resonate like musical instruments, and how the cords of a catapult should be tuned to a precise musical pitch. Vitruvius proposes a number of ways in which the musical-architectural theories he describes can be applied in everyday architectural practice.
In one example, he suggests that the different architectural orders determining the types of columns used in architectural design (Doric, Ionic, Corinthian) are analogous to the musical tetrachords. In music theory, a tetrachord (Greek: τετράχορδoν) is a series of four notes separated by three intervals. Vitruvius proposes a number of ways in which the musical-architectural theories he describes can be applied in everyday architectural practice. Vitruvius enumerates the disciplines in which the architectural practitioner should be trained. Music theory is for him of central importance: "The architect should know music [musicen] in order to have a grasp of harmonic and mathematical relations [uti canonicam rationem et mathematicam notam habeat], and besides that, to calibrate ballistae, catapults, and [the small catapults called] scorpiones. In theatres, , likewise, the bronze vessels—the ones Greeks call echea—which are enclosed underneath the seats are placed according to mathematical principle based on their pitch.
Let's move forward to Iannis Xenakis: 'Iannis Xenakis was a Greek-French composer, music theorist, architect, performance director and engineer. He is considered an important post-World War II composer whose works helped revolutionize 20th century classical music. Xenakis was born to Greek parents and the ancient Greek culture, be it drama, architecture, philosophy or mathematics, influenced his thought.
Later on he studied civil engineering in Athens and fled to Paris during the Greek civil war. In Paris he studied with composers such as Honegger, Milhaud and Messiaen and Also met the architect Le Corbusier. He was offered a job in Le Corbusier's studio, that initially consisted in the computation of concrete elements for the Unite d habitation de Marseille. Later on he became more and more involved in the architectural aspects and he became one of the le Corbusier's principal project architects.
As Xenakis said: "I discovered on coming into contact with Le Corbusier that the problems of architecture, as he formulated them, were the same as I encountered in music." And elsewhere he said: "With Le Corbusier I discovered architecture; being an engineer I could do calculations as well, so I was doing both. This is quite rare in the domain of architecture and music. Everything started coming together and I also asked musical and philosophical questions."
Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music.He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances.' [4]
Lets look into Daniel Liebeskinds architecture. 'Music as Inspiration: Daniel Libeskind's analytical work operates in the field of architecture's second invariant, defined by Bruno Zevi as the study of asymmetry and dissonance that is realized in the conscious application of a design method which results, on one hand, from the illogical chains produced by liberal associations of the mind and, on the other, from the logic of the deformation as a singular case of the variation of the composed theme, of the topological order, of the deconstruction. A direct consequences of this is what is defined as a rarefaction or dissolution of the architectural sign, which in reality leads to an abstraction that is often extreme, but also to a closure that architecture shares with all other forms of artistic expression. The consequential and inevitable reduction to silence in "compositional writing" has been compared to
other, more recent musical forms where the paroxysmal crescendo of the sound are contrasted by sudden long pauses, both metaphoric expressions of the contemporary condition.
These concepts may be expressed in a slightly cryptic way in a collection of drawings that Libeskind entitled "Chamber Works",1 in the same cryptic way that some contemporary scores adopt a system of notes without the staff. The title "Chamber Works" in itself evokes a "chamber architecture" in the same way in which we might speak of "chamber music", a complete composition in all its parts, realized through the use of a reduced number of elements, only those absolutely necessary to give body to the logic of the written text. The two series of these drawings,
the horizontal and the vertical, form a continuum of graphic inventions that Kurt W. Foster [Libeskind 1991] defines as "spatial music", a kaleidoscopic collection of lines and symbols that represent the same double axial structure of sounds; melody and/or chords, horizontal and/or vertical structure, regulated by the common principle of liberal variation. This methodological process, experimented in the pictorial form in "Chamber Works", is also applied in the project of the extension of the Berlin Museum with the section dedicated to the Jewish Museum Department [Libeskind 1992], where even in a constructed architecture the permanence of a design idea derived from the chance vicinity of apparently heterogeneous graphical points, is realized.' [2] In the House of 40 knots, the façade was made out of firebricks. In order to work the façade dry.
When we look into the works of great architects who had music as a source of inspiration source Music and analyze them we
come to conclusion that music and architecture have many things in common such as rhythm, texture, harmony, proportion, and
dynamics.of great architects who had music as a source of inspiration source Music and analyze them we come to conclusion that and dynamics. 'Rhythm and architecture are similar in many ways. Rhythm has much to do with pattern. Patterns can be found in
both music, through beat and repetition, but can also be found in shapes or structural elements in architecture. [3]
Texture is also a key concept of architecture and music. Texture in music has to do with the layering of different sounds and
rhythms by different instruments. Materials in architecture can also display texture. The combination of different materials can show a wide variety of different textures and how they can interact with each other. Architecture and music also have harmony in
common. Harmony can be from balance in a musical work or it can also be through a balance of a part to a whole.
Architecture can show harmony through the successful use of different materials or designs in a space together to become one
unified space. Proportion in my opinion relates to harmony in many ways. The right proportions in music in intervals and notes can help create a harmony throughout the work. Proportions with materials in architecture also create a balance. The correct
balance can harmonize an architectural setting. Architecture and music also share dynamics. Dynamics deals with quality.
Music and architecture need certain qualities and standards to make the works worthwhile and meaningful. Music and architecture
can be paralleled in many more ways than one. Rhythm, texture, harmony, proportion, and dynamics all are tied into the arts in into the arts in some way; whether it is through buildings, or songs. Either way, the overall qualities shared between music and
architecture can help inspire each other. The more qualities in common, the more influence music and architecture can have on
each other through emotions and the overall meanings of works.'[1]
1 Brink, D. (2014, 10 mei). The Relationship Between Music and Architecture – Architecture and Design. Geraadpleegd op 28 oktober 2019, van https://blogs.lt.vt.edu/danabrink/2014/05/10/the-relationship-between-music-and-architecture/
2 Capanna, A. (2011). Music and Architecture: A Cross between Inspiration and Method. NEXUS NETWORK JOURNAL.
3 Fauvel, J., Flood, R., & J. Wilson, R. J. (2006). Music and Mathematics: From Pythagoras to Fractals. Oxford: Oxford University Press.
4 Sterken, S. (2007). Music as an Art of the Space: Interactions between Music and Architecture in the work of Iannis Xenakis. Ames, USA: Culici-
dae Architectural Press.
5 Walden, D. K. S. (2014). Frozen Music: Music and Architecture in Vitruvius' De Architectura. Greek and Roman Musical Studies 2.From
Pythagoras to Fractals. Oxford: Oxford University Press. Sterken, S. (2007). Music as an Art of the Space: Interactions between Music and Architecture in the work of Iannis Xenakis. Ames, USA: Culicidae Architectural Press.
Heather photo by Ilan Besor, in the Talks.
Reviewing Architectural Education
GIVING AND RECEIVING FEEDBACK, HOW? | EXPERIENCE
What do we want for your education? | Lijst Beta
Dorsa Ghaemi

redpajama_set_name: RedPajamaCommonCrawl


Wipe away the winter blues with a trip to the glorious Pocono Mountains to enjoy some casino fun, a delectable buffet that will satisfy even the pickiest person and a fabulous musical tribute to Barry Manilow and Bette Midler. Next, two of music's legendary performers, Barry Manilow & Bette Midler are celebrated today with a musical tribute performance, "The Magic of Manilow and Midler".
This dynamic show spans more than a decade of Motown Classics. The Motown Years creates the sound and excitement of the artists you loved during that era such as: The Four Tops, Temptations, The Contours, Sam Cooke and Stevie Wonders.
Enjoy the peaceful tranquility of the breathtaking scenery or ramp up the excitement with the thrill of interactive casino action, Rocky Gap Casino Resort is your best bet for a time to remember. Whether you're here to play video poker, slots or table games, Rocky Gap Casino Resort is your best bet for a day to remember.
Mohegan Sun at Pocono Downs has grown into one of the biggest gaming destinations in the region featuring slot machines, table games and live harness racing.


text:
Home › News and Features › Industry Insights › Nosa Eke: 'You don't need to wait for those gatekeepers to say yes.'
Nosa Eke: 'You don't need to wait for those gatekeepers to say yes.'
The writer, director and self-described 'platform agnostic,' on her craft, the people who have motivated her, and the importance of doing things your own way.
Nosa main.jpg
Nosa Eke is a multifaceted filmmaker with a knack for bending genre and conventional narratives to her will. An auspicious storyteller, she took her first steps into filmmaking as the creator of pulsing digital series The Grind.
Her short film Something In The Closet is an empathetic study of being young and queer that doesn't sacrifice its genre roots, and played on the big screen at the BFI London Film Festival.
NETWORK caught up with Nosa to learn about her craft, the people who have motivated her, and the importance of doing things your own way.
You describe yourself as a platform agnostic, what does that mean?
It means that I'll tell stories on pretty much any platform. When I was getting into this industry, I didn't have any contacts so I would watch people on YouTube who were just doing it by themselves. I saw that I didn't necessarily need money or a broadcaster, that I could just put stuff out on a lot of different platforms. These processes are very democratic; when you are telling a story on YouTube it can't be told in the same way as on the Amazon Alexa. I would always tie-in the mechanics to the narrative and the story structure. For me that's what being platform agnostic is all about.
Those platforms democratising filmmaking are so recent. Which filmmakers have inspired you?
On YouTube, I started off watching all the really early stuff of Issa Rae and Lena Waithe. As a young Black queer woman, their work spoke to me. Also Catherine Bray; I went to an early screening of the essay documentary Beyond Clueless that she produced and messaged her on Twitter afterwards.
I asked if we could meet up so she could give me some tips, and she was really nice and did. I was working on a digital series called The Grind at the time, and she came on board and executive produced it and was so helpful in bringing it out into the world. She showed me you don't need to wait for those gatekeepers to say yes and give you the money, that you could do it yourself. There's the technology to do that.
It's so irritating when people espouse the importance of shooting on film because hardly anyone can afford it.
It's a tool to keep cinema elitist! If we want to bring new voices into this space then we need to not hold things to such an arbitrary standard.
How did you end up shadowing Destiny Ekaragha on The End of The F***ing World?
Destiny and I go way back. I was in my first year of uni studying film and TV production, and I got tickets to see her debut feature film Gone Too Far. I loved it so much that I just had to meet her. I spoke with her at the post-screening Q&A and we bonded over how we were both second generation Nigerians, and as I got more integrated into the industry, we started moving in the same circles.
When she was hired to direct four episode of TEOTFW, Destiny asked if I wanted to come on board and shadow her, as she knew that I needed a step up. I was with Destiny for about two months before shooting and again in post where we had time to sit down and talk about this industry and how she's navigated it.
Your short film Something In The Closet is the story of a young Black queer girl who struggles with her sexuality, which manifests as a monster. Is this story personal to you?
I had the phrase "in the closet" in my mind and I also really love genre, and so I wanted to bring the two things together. As a Black filmmaker, there's an assumption that your work is based upon your trauma and pain, but that's not how I operate.
Instead, I wanted to use a metaphor. From there I built a storyline and the characters rather than taking anything from my own life. In coming out stories, the queer person isn't always at the centre; instead it's about that person telling their experiences to someone else. I wanted to make this about you telling your experiences to yourself, which is the most important bit.
As a Black queer writer-director, you have an opportunity to tell stories centred on Black queer women who are so often ignored. Are you worried that you'll be pigeonholed?
Once you've done one thing people are very quick to put you in a box, and then the worry is that you're then stuck there forever. It's weird, even after making In The Closet, I don't get sent queer scripts; I get sent scripts that centre on Blackness. There are certain projects that I get approached with, and I wonder if the people who have sent me those scripts have actually taken a look at what I do. I have certain sensibilities. I'm really lucky at the moment to be paid to work on my own stuff and subvert what is expected of me.
What's up next for you?
I'm working on a genre TV show about Black experiences where we get into nuances and microagressions of being Black, but with a twist. I'm also writing a script for my debut feature film with the BFI and with my producer Nell, who is out of this world. I'm really excited for it!
TIFF Writers' Studio 2021: Applications now open
TriForce Creative Network
TriForce & Amazon Prime Video team up for WriterSlam to search for new writers for a paid development commission!
Neal Street Productions
Neal Street Film & TV Screenwriting Bursary - Open to emerging Black, Asian and minority ethnic screenwriters
Giles Pilbrow: "Peppa Pig boasts very sophisticated writing really"


Your primary values define who you are at this time in your life.
Uncover your values and make sure the work you are doing is aligned with your prosperity goals. Is there something you want to do, something you are thinking of doing, something you are dreaming of doing, but are hesitant to take action on? This workshop will help you uncover some of your blind spots and shed light on what has been holding you back. Untangle concerns by creating a plan to jumpstart your prosperity journey.
As women, we are stopped from owning our own Badass-self! When I talk to women about their prosperity journey, I notice a lot of commonality in the discussions: I hear frustration from having to stay in dissatisfying jobs; fears of the unknown and insecurities of the unknown. These fears can hold women back from even dreaming that prosperity is possible!
Your best years are ahead of you! For those of you who have deep resignation and believe that the future is a scary and fearful place, click here now to Own Your Badassery: Design Your Path to Success. Begin to uncover your authentic and unapologetic self to uncover what Stops your Creativity and create new strategies for getting "unstuck". The time is now to to uncover your blind spots and align your personal aspirations with your values and life purpose.
Improve your personal and professional outcomes right now by registering below!
Design your path to success and fullfillment!
Participants include a diverse group of women looking to transform how they think about their prosperity.
Register 1 month in advance to take advantage of this amazing price offer!
Exceptional pricing for a full day interactive and transformative course with like minded women!


text:
Candida, or Cándida (Spanish), may refer to:

Biology and medicine
 Candida (fungus), a genus of yeasts
 Candidiasis, an infection by Candida organisms
 Malvasia Candida, a variety of grape

Places
 Candida, Campania, a comune in Avellino, Italy
 Candida Casa, a church in Whithorn, Dumfries and Galloway, Scotland
 Aguas Cándidas, a municipality in Burgos, Castile and León, Spain

People
 Candida (given name)
 Aldoino Filangieri di Candida (died 1283), nobleman in the Kingdom of Naples
 Candida Maria de Jesus (1845–1912), Spanish nun and saint
 Candida, pen name of Eibhlín Ní Bhriain (1925–1986)

Theatre, film and performing arts
 Candida (play), by George Bernard Shaw
 Candida (1962 film), an Australian television adaptation
 Cándida (1939 film), a 1939 Argentine musical film drama directed by Luis Bayon Herrera
This film was followed by several others featuring the same character played by Nini Marshall including:
 Los Celos de Cándida, a 1940 sequel
 Cándida millonaria, a 1941 sequel
 Cándida, la mujer del año, a 1943 sequel
 Cándida (2006 film), a 2006 Spanish comedy by Javier Fesser
 "Candida Esperanzada", an episode of the Mexican series Mujeres Asesinas
 Candida, a character on the television series Phil of the Future

Music
 Candida (album), by Dawn 1970
 "Candida" (song), its title track
 "Candida", a song by Ultra Vivid Scene from their 1992 album Rev

Other
 Candida (typeface)
 SS Empire Candida, a cargo ship

See also
 Candide (disambiguation)
 Candidus (disambiguation)

redpajama_set_name: RedPajamaWikipedia


text:
Q: How can I plot values over a raster map? I have a US raster map with certain range of values that I imported

I want to overlay points on it that come from a CSV file in this format: dput(droplevels(head(points,10))) :
    points <- structure(list(lat = c(37.423333, 37.423333, 35.896667, 32.834722,
32.834722, 32.834722, 32.834722, 32.834722, 32.834722, 32.834722
), lon = c(-122.188333, -122.188333, -121.087222, -116.622222,
-116.622222, -116.622222, -116.622222, -116.622222, -116.622222,
-116.622222)), .Names = c("lat", "lon"), row.names = c(NA, 10L
), class = "data.frame")

etc.
I tried fortify(prcp) but that led to this error:
Error: ggplot2 doesn't know how to deal with data of class RasterLayer
How can I do it?
TRY:
library(raster)
library(sp)

coordinates(points) = ~lon+lat
proj4string(points) <- CRS("+proj=longlat +datum=WGS84 +ellps=WGS84 +towgs84=0,0,0")

r <- getData("worldclim",var="bio",res=10)
r<-r[[12]] #Annual Precipitation
names(r) <- c("Prec")
r <- crop(r, extent(-130, -60, 20, 60))
spplot(r) + layer(panel.points(x, y, col="green", cex=0.1, pch=1), data=points)

But the output is all green somehow even though points should have only 9000 points.

A: Try this solution:
library(raster)
library(sp)
library(latticeExtra)

points <- structure(list(lat = c(37.423333, 37.423333, 35.896667, 32.834722,
32.834722, 32.834722, 32.834722, 32.834722, 32.834722, 32.834722
), lon = c(-122.188333, -122.188333, -121.087222, -116.622222,
-116.622222, -116.622222, -116.622222, -116.622222, -116.622222,
-116.622222)), .Names = c("lat", "lon"), row.names = c(NA, 10L
), class = "data.frame")

coordinates(points) = ~lon+lat
proj4string(points) <- CRS("+proj=longlat +datum=WGS84 +ellps=WGS84 +towgs84=0,0,0")

r <- getData("worldclim",var="bio",res=10)
r<-r[[12]] #Annual Precipitation
names(r) <- c("Prec")
r <- crop(r, extent(-130, -60, 20, 60))

spplot(r)+spplot(points, col.regions="green")

redpajama_set_name: RedPajamaStackExchange


This past summer I've had so much fun watching Rosetta go through her little routine of washing eggs. It's one of those little moments I've wanted to capture and remember forever because it's so precious.
As part of the girls' daily chores... wait, scratch that... as part of the girls' daily chores when we aren't really busy and we actually stick to our daily chore list, the girls help take care of the chickens. Jillian is old enough now to fill the water and feed troughs, and Rosetta gathers the eggs and washes them. She has a routine she always follows of setting up a little assembly station, which consists of her egg basket, a bowl full of soapy water, and a towel that she organizes outside.
With hands full of soapy water, I don't really think they consider this a "chore". ;-) But we take this egg washing business serious here!
Ever inquisitive, the chickens always come over to see what we are up to.
I've been hanging onto those last days of summer, but Fall has arrived and soon we'll be walking on crunchy leaves in the cool air. Eating pumpkin muffins with warm drinks. Soup for dinner, and maybe lunch too. Taking advantage of the sun in the afternoon. Searching for the perfect pumpkins and decorating the porch with mums. Savoring new fall memories.
This week when I should have been packing, doing laundry, or any of the many more important things on my to-do list, you could find me in my kitchen... organizing shelves and cabinets. I called Justus at work and asked if there was something wrong with me, that every time I know I have to leave our home for a few days, I go into nesting mode. It's not that I don't enjoy going away for a few days, because I do, but there's nothing quite like home, is there?
Our home is so imperfect on so many levels. There are what seems like a never-ending list of things that need to be done to improve this little place of ours, and there are days I wouldn't mind moving to a brand new house where I didn't have to think about painting, or tearing down wallpaper (and to think those are just the easy things on the list) . And yet... I love this old house. And whenever I need a little grounding, I just come into my kitchen, the heart of our home, where the light floods the room in abundance. I wash dishes, I cook, I organize a shelf or two, and I realize I have so, so much to be thankful for. It doesn't take long for everything to be put into perspective once again.
I think one of the best things about having a small kitchen it that it has forced me to only keep those items that are most useful and most loved. I never come home with anything for my kitchen that I haven't already thought through in my head where its home will be. My house truly isn't the most organized, but I do like to keep the kitchen very tidy, and have a particular place for every item. This helps so much when it comes to putting meals on each day, from food prep to grocery shopping to doing the dishes.
The above home was my favorite. It's named the Kingston House, circa 1845, of the late Federal period. The top floor consisted of living, dining, and bedrooms and the bottom floor the kitchen.
When I first walked in, I turned to Justus and said, "This is why I live in an old house!" Sometimes I find it easy to get bogged down by the never-ending projects and the imperfections, instead of embracing the sweet character of an old home. It felt good to be reminded of the reasons I love our old house.
I loved the logs on this Doctor's Cabin. We read that the logs are locked into place, making the corners of the cabin strong enough to withstand tornadoes!
This is the Dickey House, circa 1840, of neoclassical architecture, which was fascinating to tour. It has 14 rooms with 6250 square feet and was lived in by descendants of the family until the 1960s! I think we read that it traveled to this location in four different pieces!
An arched hallway, so beautiful.
The fabric in this master bedroom was gorgeous. This wool coverlet was woven in 1836!
I wanted to climb into this garden and pick every one of these beauties!
This was the plantation office, although it looks like a building I would gladly make my home!
The favorite building of our girls was the one room schoolhouse (circa 1875) and they had a lot of fun playing here and pretending they were the teacher. Despite the heat, I think they could have played here for hours!
I think some of the same things that fascinate my girls about an earlier time period are the same things that fascinate me. Imagining what life must have been like and the people that would have walked and lived in these same rooms. Right now we're reading the Little House books, and it makes me laugh because I love reading those old stories just as much as my girls do!
I took this picture of the three girls together in the formal garden. What a fun weekend we had... we packed in quite a bit, visiting many of the attractions at Stone Mountain.
I took this picture on my cell phone, so it's not the best quality, but you can see the Confederate Memorial carving in the mountain.
On Mother's Day this year, a hammock was hung from my favorite tree in our yard.
It's been our favorite place this summer. While the girls play on their play set outside after supper, Justus and I usually make a run for it and lay here watching the girls, talking about the day while enjoying the evening as the weather cools down. Inevitably, the girls will also run over after a while and join us for some giggles and swinging.
The most perfect Mother's Day gift - I love it even more because it's something we can all enjoy. Justus did say he picked out the hammock that most looked like something I would like (simple...and white ;-) ). Jillian even painted the post one afternoon for me.
As I lay here and stare up at the sky, I sometimes feel like I'm swinging under the largest tree there ever was. The girls and I often find ourselves out here in the afternoon, enjoying a spot of shade and relaxing as the sounds of summer pass us by.
Fall is on the horizon, but we're still soaking in the last of these warm summer days and I'm storing these perfect summer memories away.
I hope your week has been wonderful! Thank you for your warm welcome back!


I am a big believer in unselfishly helping others to get ahead in the workplace. You might be surprised at how often this is not the case for other people.
I've come across many people who decide it's not in their best interest to support someone else's efforts to advance in an organisation. Perhaps that person is a threat to their own advancement, or perhaps they simply do not like them. Understandable reasons, I suppose.
I remember way back when, in the very early days after I'd graduated from university. It was about this time that I lamented about not being very academic and not having enough work experience to help me secure a proper job in science. I was miserably stuck in a retail job that I was completely sick of and I felt trapped.
I'd applied for dozens and dozens of jobs and had rarely heard so much as a 'thanks but no thanks' to show for it.
Some months down the track, one of my retail workmates, who had studied a similar degree as me and had found a job very quickly, came to visit me at work. She was so happy in life at that time, but I couldn't share her happiness because I felt to sad about my own dire situation.
However it wasn't long before things turned around for me. She said that there was a job available at her place of work, and if I was interested she'd put in a good word for me and send me some details.
I met up with her boss and after what was one of the easiest interviews of all time, I got a job in the team. My life in science was finally beginning, almost a year after graduating university.
It taught me that it's not what you know, it's who you know. Yes, that famous quote that we all know and hate.
Soon there was another role available in the team so I reached out to my old uni mates, many of whom were also struggling to break in to the industry. One was interested and I helped him get the job. In turn, he helped a friend of his get a job there too.
It's been a long time since that first job of mine out of university, but I have never forgotten the kindness shown to me by a friend. That job was life changing and it opened up so many doors further down the path. I've never forgotten the difference it made in my life then.
To this day I continue to help others progress or advance, and I actively encourage my workmates to embrace all the possibilities available to them. Sometimes all someone needs is support to give them the confidence they need to make change in their lives.


text:
Voßheide ist ein Ortsteil der Stadt Lemgo im Kreis Lippe in Nordrhein-Westfalen.

Geschichte

Ortsname
Voßheide wurde 1359 als Vosheyde erstmals schriftlich erwähnt.Folgende Schreibweisen sind im Laufe der Jahrhunderte ebenfalls belegt: Vossesheyde (1470/71, im Möllenbecker Güterverzeichnis), Voszheyde (1487), Vosheide (1536) sowie Voßheiyde (1576).

20. Jahrhundert
Am 1. Oktober 1921 wurde die Gemeinde Voßheide durch den Zusammenschluss der Gemeinden Hasebeck, Kluckhof und Lütte neu gebildet.

Bis zur Eingemeindung nach dem Lemgo-Gesetz am 1. Januar 1969 war Voßheide eine selbstständige Gemeinde im Kreis Lemgo. Dieser wurde am 1. Januar 1973 aufgelöst und mit dem Kreis Detmold zum Kreis Lippe zusammengeschlossen.

Religion
Die evangelisch-reformierte Kirchengemeinde Voßheide gehört zur Klasse Nord der Lippischen Landeskirche.

Einzelnachweise

Weblinks
 Alte Hausinschriften in Voßheide

Ortsteil von Lemgo
Ehemalige Gemeinde (Kreis Lippe)
Gemeindegründung 1921
Gemeindeauflösung 1969
Ersterwähnung 1359


"The commitment of Wildcountry Consultants to ensuring your expedition runs as it should is unparalleled: with Wildcountry Consultants you no longer have to 'hope' that everything runs according to plan."
"Wildcountry Consultants run a very professional organisation, offering high standards of expedition training and delivery to DofE participants at all levels."
"We have been very impressed by the personalised approach of Wildcountry Consultants, not only in the way the expeditions were planned to meet the needs of our school and teams but also in the way that the participants visibly grew in confidence as they progressed."
"Using the real world is the way learning has happened for 99.9% of human existence. Only in the last hundred years have we put it into a little box called a classroom."
"I was really impressed with the way your trainer interacted with the students, getting the balance right, and sharing his knowledge with them in a quiet and unassuming way, so they learnt a lot from him."


Marketed by Hackney & Leigh - Grange-Over-Sands.
Marketed by Hackney & Leigh - Kendal.
Marketed by Milne Moser - Milnthorpe.
A well presented ground floor apartment located in this popular development in the heart of Grange-over-Sands with it's numerous amenities on the doorstep. There is one double bedroom, sitting/dining room, kitchen, shower room, utility room and allocated off parking. EPC Rating C.
Marketed by Thomson Hayton Winkley Estate Agents - Grange-Over-Sands.
With open views over playing fields and countryside, this one bedroom first floor flat is an ideal first time buy and is being sold at 95.39% of current market value as part of South Lakeland District council's affordable housing scheme.
A one double bedroom, ground floor retirement flat presented in very good order throughout. Recently refurbished shower room and kitchen. Close proximity to shops, situated on the level. Early inspection recommended.


It gives me great pleasure to provide a reference for Bruce Sullivan.
In December 1994 we held our annual convention at Kingfisher Bay Resort with an aim to develop a stronger and more united team. As we have near 100 personnel, this was no easy task but with Bruce's help, guidance and involvement, our objective was achieved.
Bruce facilitated activities to help us enhance interaction between personalities and build team spirit and company morale.
I truly appreciate Bruce "touching base" on regular intervals since our convention to monitor our progress. He genuinely cares about our people – our company.
I would be delighted to verbally expand on this reference if required.


text:
package com.phaxio.example.entities;

import com.fasterxml.jackson.annotation.JsonProperty;

public class Barcode {
    @JsonProperty("type")
    public String type;

    @JsonProperty("page")
    public int page;

    @JsonProperty("value")
    public String value;

    @JsonProperty("identifier")
    public String identifier;

    @JsonProperty("metadata")
    public String metadata;
}

redpajama_set_name: RedPajamaGithub


I am doing a webpage project for my web design class. The code will not show anything in a webpage. I have saved the file and went to file manager and double clicked the file. The webpage is empty when loaded. I see no mistakes.
That's a perfectly valid HTML document, as far as I can see.
The only thing I can think of is, I noticed that * before the file path in the title bar… did you save the file before opening it in your browser?


text:
Slain soldiers taken from Sirte to Benghazi
byMichel Cousins
By Libya Herald staff.
Tripoli, 14 March 2104:
The bodies of five soldiers killed in Sirte on Wednesday were taken to Benghazi for [restrict]an autopsy and identification yesterday ahead of burial. All were members of the Zawia Martyrs Brigade.
For were killed when a heat-seeking missile hit their vehicle. According to a source at the Benghazi Medical Centre, the five had been burned beyond recognition.
They have been named as Captain Omar Ramadan Al-Manfi, Lieutenant Ibrahim Abdelsalam Mahjoub and three NCOs: Saleh Attargi, Abdel-Aziz Muftah Abdel-Maula Wahishi and Ahmed Bahlouq Aggouri. All were from Benghazi except Captain Al-Manfi who was from Tobruk.
Six updated 130 km long Benghazi metro routes approved
It is not known who fired the missile.
The Benghazi brigade, which is attached to the Saiqa force, was assigned to ensure stability in Sirte in early 2012 but has itself become the target of remaining Qaddafi supporters and others. The town is regarded as the third most dangerous in the country.
Last week five members of a group of suspected Qaddafi loyalists accused to being behind a number of assassinations in the town were arrested.
Ansar Al-Sharia has also become a major power in the town
The latest rebuff to Sirte's struggle for peace and stability was the arrival last week of Ibrahim Jadhran forces who took over the airbase to the south of the town. They were then were forced out on Tuesday by Misrata's Libya Shield Central Brigade, deployed there on the orders of the Chief of Staff.
When they arrived, they were said to have mistakenly attacked the Zawia Martyrs Brigade headquarters but then apologised and left.
Meanwhile, according to the Libyan news agency LANA, a source at the Defence Ministry has said there was an explosion last night in a heavy weapons and ammunition depot in Sirte. No one was reported injured. [/restrict]
Tags: BenghaziLibyaSirteZawia Martyrs Brigade
Mixed messages from Ajdabiya as Maghraba tribe try to negotiate Misrata pullback from Sirte
"Kidnapped" Egyptians detained for visa checks


text:
Q: Select Nth value in access database (SQL) I'm trying to select specific values in an Access database.
So the database contains many colums, I'm only able to select the first values, or last:
SELECT Column1, First(Column7) AS Column7_1, First(Column8) AS FirstOfColumn8, [Column1] & [Column7_1] AS [Column1&Column7]
FROM [Table1]
GROUP BY Column1;

Now what I'm trying to figure out is how to get the nth values in those columns. What would be perfect is if SQL would recognize third(Column7)...
I tried the following:
SELECT Column1, First(Column7) AS Column7_1, First(Column8) AS FirstOfColumn8, [Column1] & [Column7_1] AS [Column1&Column7]
FROM [Table1]
WHERE Column7 > (SELECT First(Column7) FROM [Table1]) AND Column8 > SELECT First(Column8) FROM [Table1])
GROUP BY Column1;

But this is not getting me there. the values from the different columns do not correspond anymore.
Any guess on how I could get this?
Thanks

A: AFAIK, selecting a column by column number with the aforementioned syntax is not really supported with SQL.
Something similar to the following could do the trick (with dynamic SQL):
get list of column names in given table*
for each column name
  do this
end

*The below query could be of use!
SELECT s.NAME SchemaName,
       t.NAME TableName,
       c.NAME ColumnName
FROM   sys.columns c
       INNER JOIN sys.tables t
               ON c.object_id = t.object_id
       INNER JOIN sys.schemas s
               ON t.schema_id = s.schema_id

A: thanks for the replies,
what I forgot to specify is that I'm actually not trying the nth cell in a column; it's more about getting the nth value contained in a specific colmn.
For example, take the following table
Column1  Column2  Column3
A1       Prop1     20
A1       Prop1     20
A2       Prop2     15
A2       Prop1     20
A3       Prop2     15
A3       Prop3     5
A3       Prop3     5
A4       Prop1     20
A4       Prop2     15
A4       Prop3     5
A4       Prop4     10

I would therefore like to select the nth values from column 2 for each column1id, so that to get for
first element:
Column1  Column2  Column3
A1       Prop1     20
A2       Prop1     20
A3       Prop2     15
A4       Prop1     20

for second element:
Column1  Column2  Column3

    A2       Prop2     15
    A3       Prop3     5
    A4       Prop2     15

and for the fourth:
Column1  Column2  Column3

    A4       Prop4     10

hope it makes sense


Recently YouTube announced that all annotations that existed on old videos will be removed. This followed a sudden change that resulted in YouTube users being unable to add annotations to their videos. It seems like YouTube is about to make another big change. A lot of video creators might have noticed that they can't add credits to their YouTube videos anymore. These credits allowed users to display whoever is starring in your video, along with who the director is. This was supposed to be useful for people that wanted to display the cast and crew of their videos in the description.
However, it seems like most people were not using this feature as much as YouTube thought they would. Hence, the video sharing platform decided to sunset the option entirely in order to streamline the uploading experience, and is now going to remove old video credits as well in order to clean things up.
"We're discontinuing video credits after January 31, 2019. We're working on new features to let you tag other creators in your videos. You can still get credit for subtitle and closed caption contributions." announced YouTube in a support page. Adding further, "As of November 26, you can no longer create or edit video credits. Existing video credits will still be available. After January 31, 2019, existing video credits will be deleted."
It's pretty clear that YouTube is trying to focus on raw functionality above all else, and wants to remove features that are not being used and are making the platform seem less professional and efficient than it actually is. Video credits looked cool, but one must admit that it was a rather unnecessary feature. After all, you can just type the credits out in the description if you really need to display them.
Since there was an easy replacement for the credit section and the feature itself wasn't popular in the first place, it seems understandable that YouTube decided to dispense with it entirely. Time will tell what other changes YouTube will be making to its platform, but it's pretty clear that creators are going to have to adapt to these new changes.
Read Next: Learn to Make Awesome YouTube Banners – 5 Practical Tips!


China Cone Crusher manufacturer, Jaw Crusher, Stone .
Crusher - Crusher Suppliers, Buyers, Wholesalers and .
Crusher directory ☆ Crusher manufacturers, . SINGLE TOGGLE JAW CRUSHER WITHOUT MOTOR . Ltd is a leading manufacturer of crushing and screening equipments in China.
China Crusher manufacturer, Cone Crusher, Rock Crusher .
China Impact Crusher manufacturer, Jaw Crusher, Cone .
China Impact Crusher supplier, Jaw Crusher, Cone Crusher Manufacturers/ Suppliers - Shanghai DENP Industrial Co., Ltd.
pe 150 250 jaw crusher manufacturer china - rock .
pe 150 and 250 jaw crusher manufacturer china. pe 150 x 250 jaw crusher manufacturer china. Jaw crusher machine, operation, working principle, parameter .
mining crusher china jaw crusher, crusher view reliable mining crusher manufacturers on made in china . this category presents jaw crusher, crusher, from china .
China Ball Mill manufacturer, Mining Machine, .
Ball Mill, Mining Machine, Classifying Equipment manufacturer / supplier in China, offering Direct Factory Primary Jaw Crusher for Mining Machine, China Factory .
Tradesparq helps connect buyers with jaw crusher manufacturers and suppliers in China. Visit us to view our directory listings and reviews online now.
China Jaw Crusher, China Jaw Crusher Manufacturers .
China Jaw Crusher, China Jaw Crusher Suppliers and Manufacturers Directory - Source a Large Selection of Jaw Crusher Products at ice crusher,stone crusher jaw .
China Crusher Part manufacturer, Jaw Plate, Concave .
China Crusher Part supplier, Jaw Plate, Concave Manufacturers/ Suppliers - Lanxi Sinco Import and Export Co., Ltd.
China Guangming Expert Lab Equipment Jaw Crusher .
China Guangming Expert Lab Equipment Jaw Crusher Manufacturer, Find details about China Jaw Crusher, Laboratory Jaw Crusher from Guangming Expert Lab Equipment Jaw Crusher Manufacturer - Jiangxi .
Mar 13, 2013 · Jaw Crusher Manufacturer India . Jaw Crusher PEV, one of the best design in China . MBMMLLC: Jaw crusher module for 15-60 tons of .
China Jaw Crusher manufacturer, Impact Crusher, Ball .
China Brand Small Portable Jaw Crusher Manufacturer .
jaw crushers impact crushers manufacturer . shanghai Manufacturer machinery factory is a high quality supplier small vertical shaft impact crusher specialize in .
High Performance PE Jaw Crusher China Manufacturer, Find details about China Jaw Crusher, Stone Crusher from High Performance PE Jaw Crusher China Manufacturer - Tangshan Dacheng Machinery Manufacturing Co., Ltd.
China Crusher Parts manufacturer, Concave, Mantle .
China Crusher Parts supplier, Concave, Mantle Manufacturers/ Suppliers - WUYI SLON MACHINERY CO., LTD.
Jaw Crusher - Shandong Jiuchang Heavy Industry .
China Jaw Crusher catalog of Jaw Crusher for Mine Energy Saving Stone Mining Crusher with ISO, High Quality Stone Ore Coal Crushing Machine Jaw Crusher provided by China manufacturer - Shandong Jiuchang Heavy .
Pe Jaw Crusher Machine,Stone Jaw Crushers price,China .
Jaw crusher is mainly used for coarse crushing and medium crushing in the departments of mining, building materials and infrastructure construction. According to the .
China Jaw Crusher manufacturer, Crusher, Impact Crusher .
China Jaw Crusher supplier, Crusher, Impact Crusher Manufacturers/ Suppliers - Zhejiang Wujing Machine Manufacture Co., Ltd.
Jaw Crusher manufacturers, China Jaw Crusher suppliers .
Find Jaw Crusher manufacturers and suppliers from China. Source high quality Jaw Crusher supplied by verified and experienced manufacturers. Contact reliable .
Crusher Manufacturers, Suppliers, Exporters from China .
Crusher directory, provide high quality crusher products and reliable crusher manufacturers and suppliers from China for worldwide crusher purchasers.
China, Henan Professional Jaw Crusher Manufacturers .
China, Henan Professional Jaw Crusher Manufacturers, Find details about China Jaw Crusher Manufacturers, Jaw Crusher Price from China, Henan Professional Jaw Crusher Manufacturers - Zhengzhou Machinery Co., Ltd.
jaw crusher manufacturers coimbatore This page is about jaw crusher manufacturers coimbatore, click here to get more infomation about jaw.
jaw crusher manufacturers tradesparqtradesparq helps connect buyers with jaw crusher manufacturers and suppliers in china. visit us .


text:
Moscow Stars ist ein russisches Radsportteam.

Die Mannschaft wurde 2005 unter dem Namen Omnibike Dynamo Moscow gegründet. 2007 fuhr sie unter dem Namen Moscow Stars als Continental Team und nahm hauptsächlich an Rennen der UCI Europe Tour teil. Manager ist Alexei Siwakow, und als Sportliche Leiter unterstützten ihn Gleb Groisman, Alexander Tolkatschow und Andrei Toporischtschew.

Erfolge 2007

Team 2007

Platzierungen in UCI-Ranglisten
UCI Africa Tour

UCI Europe Tour

Weblinks
Website des Teams (russisch, englisch)

Ehemaliges UCI Continental Team
Radsportteam in Russland
Stars
Gegründet 2005


Job Discussion Forums :: View topic - Hey Cafe. Couple of newbie questions.
Hey Cafe. Couple of newbie questions.
Posted: Tue Jul 26, 2016 2:48 am Post subject: Hey Cafe. Couple of newbie questions.
Hi. Glad to be registered with this site. It looks like there's a lot of experienced people in the field I hopefully will have a future in. I have a lot to say, but I'll try to sum it up as short as possible.
About a year ago, a buddy at work told me about how he sold all his stuff to travel abroad. He visited countries in Europe and Asia. I liked the way he spoke about his experience. It sounded like a type of freedom I want to experience.
I got a passport and got a ticked to Korea. The ticket for me to leave was a couple of weeks after my lease would end and I figured Korea would be a good place to start because I have family there (my mom's Korean). From there, I would go wherever I wanted to. Maybe China, maybe Thailand. The closer I got to my leave date, the more nervous I became. I don't know about visa's, native languages and courtesies, currencies, etc.
Instead, I've decided to stay at my current job and continue my research. I kept my ticket and I'll be visiting Korea in September so I can get an idea of what traveling abroad will be like.
Long story short, I want to quit my job and sell my stuff to travel to different countries. Because I didn't want to spend all my money with no income, I was thinking about teaching English. Not sure if it'll be my cup of tea, but I have two Associate degrees (one of which is a technical degree), I train new hires at my workplace because I have what co-workers have described as "an enormous amount of patience," and I like to think I have decent grammar.
1) I notice there are several teaching certifications out there. My buddy I mentioned earlier said that once you're already in the country, jobs are real easy to get. A quick interview over the phone and you're hired. The company then gets all the visa's and paperwork needed to work overseas. Is that true? If not, which teaching certificate would be the most versatile? I was thinking of possibly teaching in Korea, China, or Thailand.
2) I mentioned I have two Associate degrees. Would that be the equivalent to a Bachelor's?
3) I like to think I'm a good worker. I try hard at what's expected of me; however, I do have a criminal record. I was convicted of two DUI's when I was younger, but I've kept my nose clean for 6 years now. Will these dings hurt my ability to get hired for any job overseas? I've read that Canada won't even let people into their country if convicted of a DUI (except for Bush Jr. when was president).
4) What would be the best credit card to use overseas? I'm trying to avoid any international or cash advance fees. I read that Discover has some good cards, but I'm interested in rewards too.
5) One of the posts on this site mentioned that paperwork (transcripts, resumes, etc.) is important for getting hired. My buddy I mentioned earlier said he didn't need anything, but if required, I'm not sure how safe I feel keeping all that paperwork on me. Would keeping all that information on a thumb drive or as attachments in an email be a better idea?
I think I've said enough for for now. I don't want to scare anyone who has some knowledge in these areas to be scared off by long posts.
Thanks in advance for any tips or advice any of you have to give. I really want to give traveling for an indeterminate amount of time a try, but I don't want to end up broke and lost in another country.
1)I was thinking of possibly teaching in Korea, China, or Thailand.
Unfortunately, a bona fide bachelor's degree is the required minimum for legal employment in the countries you're interested in. In fact, without a BA, you're limited to where in the world you can teach.
Posted: Tue Jul 26, 2016 9:44 am Post subject: Re: Hey Cafe. Couple of newbie questions.
1) IF you have the qualifications then it is just about that easy IN ASIA provided you do not look Asian. Racial bias is alive and well over here.
2) No. When it comes to immigration services and visas there is no "equivalent to". Either you have the necessary paperwork or you do not.
For most of Asia now you NEED to have a bachelor's degree. If it doesn't say "bachelor of >>>>> then you don't get a visa. For Korea there is one exception and that is the TaLK program. Google it. You can get started with an associate but it won't last lone, doesn't pay as well and is not portable to other countries.
3) This one is a deal breaker in most countries. Right off the top you can rule out Korea, China, Taiwan, Vietnam, Thailand, Brunei, and Indonesia (all of which now require a clean police check to get a proper visa).
4) If you want it to work in Asia then VISA or MasterCard. JCB is an option in some countries. What is a Discover Card?
5) Again, it is an immigration and visa issue if you want legal work. They WANT to see the physical, original, hard copies of your documents.
I guess I'm not surprised. These blemishes kill a lot of job opportunities for me over here too.
Well, thanks for the quick replies. They're disappointing to hear, but at least now I know I made a better decision to keep my job instead of quitting and diving head first into the world of travel. I'm going to look into the Korea TaLK program just as an option, but I really wanted to be more versatile because I don't know where I was going to end up. Asia was just going to be the beginning.
Now I know I made a better decision to keep my job instead of quitting and diving head first into the world of travel.
I really wanted to be more versatile because I don't know where I was going to end up. Asia was just going to be the beginning.
If you're young, look into getting a job with the airline or travel industry.
No BA and a criminal record is a huge problem you, unfortunately (and if you look Asian to boot, that's a third strike).
I am wondering if you could qualify for a Korean F4 visa (ancestry). You'll need to register in the Korea forum.
On a side note, without even the bare minimum qualifications, any job you will land will probably be misery in another city. Respectable employers will not be interested. Consider taking that AA to a BA, if you're serious.


text:
About Alegría
Latinx Power
ALEGRIA MOBILE BOOKSTORE
ALEGRIA PUBLISHING
Home People	Julio Iglesias To Receive An Honorary Doctor Of Music Degree From The Renowned Berklee College of Music
Peoplespotlight
Julio Iglesias To Receive An Honorary Doctor Of Music Degree From The Renowned Berklee College of Music
written by Davina Ferreira
Julio Iglesias Is One Of The Top-Ten Best-Selling Artists of All-Time And The #1 Selling Latin Music Artist In History
– With Global Music Sales Of Over 300 Million Albums.
Julio Iglesias, Doug Morris, Harvey Mason, Dee Dee Bridgewater
to Receive Honorary Degrees at Berklee Commencement May 9
Berklee College of Music president Roger H. Brown will present Julio Iglesias, Doug Morris, Harvey Mason, and Dee Dee Bridgewater with honorary doctor of music degrees at Berklee's commencement ceremony, Saturday, May 9, at the 7,000-seat Agganis Arena at Boston University. More than 900 Berklee graduates, their parents, and invited guests will be in attendance.
This year's honorary doctorate recipients are being recognized for their achievements and influences in music, and for their enduring contributions to American and international culture. Past recipients include Duke Ellington (the first, in 1971), Aretha Franklin, Dizzy Gillespie, Quincy Jones, Jimmy Page, Smokey Robinson, Steven Tyler, Loretta Lynn, David Bowie, Juan Luis Guerra, Annie Lennox, Paco de Lucia, Carole King, Willie Nelson, Alison Krauss, George Clinton, Plácido Domingo, and A.R. Rahman.
On commencement eve, May 8, as is Berklee's tradition, students will pay tribute to the honorees by performing music associated with their careers at the Agganis. The concert and ceremony are not open to the public.
Julio Iglesias is the most celebrated figure in Latin music history and one of the top 10 best-selling artists in the world, with over 300 million records sold during a career that has spanned almost five decades. He has set two Guinness World Records: the first in 1983 for having sold the most records in the most languages in history, and the second in 2013 for being the best-selling male Latin artist. That year, he was also recognized as China's most popular international artist of all time, an award presented by Sony Music China. Iglesias has sung in 14 languages and released over 80 albums. His most popular songs include "Hey!," "1110 Bel Air Place," "Non Stop," "Starry Night," "Abrázame," and "Crazy," and his duets with Frank Sinatra ("Summer Wind"), Willie Nelson ("To All the Girls I've Loved Before"), Diana Ross ("All of You"), Stevie Wonder ("My Love"), and Dolly Parton ("When You Tell Me That You Love Me").
Doug Morris is CEO of Sony Music Entertainment, the world's second largest music company and home to a broad array of international superstars, including Adele, Alicia Keys, Beyoncé, Bruce Springsteen, Daft Punk, Justin Timberlake, P!nk and One Direction. He also is the founder of Vevo, the world's leading all-premium music video and entertainment platform. Over his career, he has served as CEO of all three major music companies. Prior to joining SME in 2011, he spent 16 years as Chairman/CEO of Universal Music Group. Previously he served as Chairman/CEO of Warner Music U.S. and the Atlantic Recording Group. Before that, he was founder and owner of Big Tree Records, which was later acquired by Atlantic. A member of the Songwriters Hall of Fame, his songwriting and producer credits include the Chiffons' "Sweet Talkin' Guy" and Brownsville Station's "Smokin' in the Boys Room." Over his career he has worked with many of the most popular and influential artists of all time.
Harvey Mason is among the most recorded, versatile, and in-demand drummers of all-time. A legendary, multi-Grammy nominated session drummer, producer, composer and recording artist, he has worked with a pantheon of musical giants, including Barbra Streisand, James Brown, Herbie Hancock, Beyonce, Christina Aguilera, Usher, Jennifer Hudson, Frank Sinatra, Ray Charles, Bjork, Carlos Santana, Michael Jackson, John Legend, Carole King, James Taylor, George Benson, and the London Symphony Orchestra. He has composed music for film, TV, and commercials, and written songs recorded by artists ranging from Nancy Wilson, Herbie Hancock, and Mary J. Blige to the Notorious B.I.G., Lupe Fiasco, Nelly, P. Diddy and T.I. Mason's groundbreaking, distinctive style has influenced generations of drummers. The recipient of the 2015 Modern Drummer Readers Poll award for best fusion drummer, he remains active as co-leader and founding member of the jazz supergroup Fourplay, as well as with his newest recording project, Chameleon.
Dee Dee Bridgewater is a three-time Grammy Award-winning singer-songwriter and producer, a Tony Award-winning stage actress known for her role as Glinda in the Broadway production of The Wiz, the host of National Public Radio's syndicated radio show JazzSet with Dee Dee Bridgewater, as well as a United Nations Ambassador for the Food and Agriculture Organization. A true Renaissance woman, she is also the founder and president of DDB Records, an independent record label specializing in jazz, world, and alternative music, and DDB Productions, Inc., a boutique production and personal management company. She has performed with such music legends as Ray Charles, Sonny Rollins, Dizzy Gillespie, Dexter Gordon, Max Roach, and Rahsaan Roland Kirk, among others.
Julio Iglesias To Receive An Honorary Doctor Of Music Degree From The Renowned Berklee College of Music was last modified: April 17th, 2015 by Davina Ferreira
Davina Ferreira
Jennifer Lopez rinde tributo a Selena en Los Premios BILLBOARD
BOMBA ESTEREO:The New Wave of Latin Music
UNA FLOR es el tema de la nueva...
USAID names GRAMMY-WINNING Carlos Vives as its first...
Panama International Film Festival L.A.
Bárbara Padilla Debuta en el TOP # 3...
LUIS FONSI PUSO EL BROCHE DE ORO A...
Latino Stars Speak Out For Inclusive Hollywood, Immigration...
ANDRES CALAMARO Wins the Latin Grammy Award In...
CARLOS VIVES & SHAKIRA "LA BICICLETA"
CAPTURE PRICELESS TRIPS AND ADVENTURES OF A LIFETIME...
NUEVO LOGRO DE SESAC LATINA J Balvin #1...
Free Digital Version
Alegria's Videos
Alegria Live Series: Interview with Aura Vasquez
To celebrate LatinX Heritage Month, Alegria Multimedia debuts a new series of video interviews with Latinx & Multicultural Leaders who are making a difference in our community.
In this interview, Aura Vasquez shares with us her story & life experiences as an AfroLatina, Community Leader and Advocate for Racial & Environmental Issues. She is also the first Female and AfroLatina running for LA District Council for District 10. She shares how all of her experiences have shaped her campaign as a candidate for city council and what she proposes to make a real change in the community.
Alegria Live Series: Interview with Mariana Marroquin- LGBTQ Activist
To celebrate LatinX Heritage Month, Algeria Multimedia debuts a new series of video interviews with Latinx & Multicultural Leaders who are making a difference in our community.
In this interview, Mariana Marroquin shares with us her life experiences growing up Transgender in Guatemala and how coming to the USA impacted her life as she tried to survive in this new country and make change happen. She shares her inspiring story as an LGBTQ Activist wanting to create change in our community.
Alegria Live Series: Interview with Daniela Solorio from Compton Health Bar
In this interview, Daniela Solorio owner & founder of Compton Health Bar shares with ALEGRIA about her inspiration to create this business, which helps people live a life of health & wellness.
Alegria Live Series: Interview with Dr. Bidhan from Words Uncaged
In this interview, Dr. Bidhan Chandra Roy founder of Words Uncaged shares with ALEGRIA about his inspiration to create this program, which helps people in prison create empowering narratives for themselves and their families through creative writing.
Get the latest ALEGRIA news!
Copyright © 2017 - ALEGRIA Magazine - Privacy Policy


There are more than 20 Million Indians overseas. Our community is growing!. If you want to add a link to your State or local community, please Click here. It's Free.
Other countries have 2 year membership term.


text:
URBAN IDENTITY
Professor, Anthropology at Universiteit van Amsterdam, Netherlands
Administrative areas: Tuvalu, Tonga, Wallis and Futuna, American Samoa, Australia, New Zealand, New Caledonia
Keywords: Gender, Sexuality, Globalization, Body Theory, Food and Nutrition, Sport, Morality, Christianity, Conflict, Economic Anthropology
Research Fellow, Institute for Human Security and Social Change at La Trobe University, Australia
Administrative areas: Papua New Guinea, Solomon Islands, Kiribati, Fiji
Keywords: Christianity, Citizenship, Class, Climate Change, Cultural Change, Democracy, Development, Development Media, Economic Anthropology, Economy and Finance
Sebastian T. ELLERICH
Lecturer, Musicological Department at University of Cologne, Germany
Administrative areas: Fiji, Vanuatu
Keywords: Agriculture, Bislama, History, Identity, Indigenization, Kava, Language Ideology, Music, Music and Languages, Nationalism
Karin Louise HERMES
PhD Student, American Studies at Humboldt University of Berlin, Germany
Administrative areas: Papua New Guinea, Hawaii, Indonesia
Keywords: Youth, Urban Identity, Social Movement, Social Change, Self-Determination, Nationalism, Migration, Interethnic Relations, Identity, Ethnicity
Ruth KROLZIG
, Institue of Ethnology at Westfälische-Wilhelms-Universität Münster, Germany
Administrative areas: Australia, Northern Territory (Australia), Papua New Guinea, Milne Bay (Papua New Guinea)
Places: Australia (area), Arnhem Land, Melanesia
Keywords: Tourism, Kinship, Relatedness, Urban Identity, Cosmology, Perception, Anthropology of Ontology, Knowledge, Law and Culture, Spirituality
Jari KUPIAINEN
Principal lecturer, Media Studies at Karelia University of Applied Sciences, Finland
Administrative areas: Solomon Islands, Rennell and Bellona (Solomon Islands), Western (Solomon Islands)
Keywords: Art, Audiovisual and Media, Agency, Christianisation, Cognitive Anthropology, Colonial Discourse, Complexity, Contemporary Indigenous Art, Cultural Heritage, Cultural Production
Géraldine LE ROUX
Lecturer, Department of Ethnology at Université de Bretagne Occidentale , France
Administrative areas: Australia, New Caledonia, Solomon Islands
Places: Polynesia, Melanesia, Australia (area)
Keywords: Art, Colonial Imagination, Contemporary Indigenous Art, Diasporas, Identity, Indigenous/non-Indigenous Relations, Indigenous Politics, Museums, Performance, Post-Colonialism
Tate LEFEVRE
Associate Professor, Department of Anthropology at Franklin and Marshall College, United States
Places: Melanesia, New Caledonia
Keywords: Citizenship, Identity, Nationalism, Post-Colonialism, Politics, Personhood, Social Change, State, Visualization and Representation, Youth
Billie Jane LYTHBERG
Research Fellow, Mira Szaszy Research Centre for Maori and Pacific Economic Development at University of Auckland, New Zealand
Keywords: Contemporary Indigenous Art, Cosmology, Cultural Heritage, Diasporas, Economic Anthropology, First Contacts, Local Nomenclature, Material Culture, Museums, Natural Resources
Jonathon PRASAD
, Department of Religious Studies at Lancaster University, United Kingdom
Administrative areas: Fiji
Keywords: Body Theory, Cognitive Anthropology, Colonial Discourse, Colonial Imagination, Conceptual Model, Cultural Geography, Dance, Death and Bereavement, Diasporas, Epistemology
Ralph REGENVANU
Independent researcher, Parliament of Vanuatu at Parliament of Vanuatu, Vanuatu
Administrative areas: Vanuatu, Malampa (Vanuatu), Penama (Vanuatu), Sanma (Vanuatu), Shefa (Vanuatu), Tafea (Vanuatu), Torba (Vanuatu)
Places: Melanesia, Vanuatu, Port Vila
Keywords: Agenda Building, Art, Bislama, Bureaucratization, Class, Community Development, Contemporary Indigenous Art, Corruption, Cultural Heritage, Cultural Policy
Benedicta ROUSSEAU
Lecturer, Anthropology Programme at University of Waikato, New Zealand
Administrative areas: Vanuatu
Keywords: Disaster, Economic Anthropology, Leadership, Law and Culture, Morality, Sovereignty, Urban Identity, Elections, Kastom, Infrastructure
Dominik SCHIEDER
Lecturer, Department of Social Sciences at University of Siegen, Germany
Administrative areas: Fiji, Samoa
Places: Fiji Islands, Samoa
Keywords: Migration, Social Organization, Agency, Applied Anthropology, Class, Colonial Discourse, Colonial Imagination, Colonialism, Complexity, Conflict
Leslie VANDEPUTTE
Assistant Professor, College of Education at the American University in the Emirates, United Arab Emirates
Administrative areas: Vanuatu, New Caledonia, Shefa (Vanuatu)
Places: Melanesia, Vanuatu, Port Vila, New Caledonia
Keywords: Linguistic Anthropology, Evolution of Language, Contact Linguistic, Digital Resources, Urbanization, Urban Identity, Nationalism, Creoles, Identity, Bislama


Great insoles for my backpacking trips!
I bought these insoles to go hiking 200 miles in Spain. I've read the reviews and they seem to be my best option. I'm excited to have happy feet on my 200 mile backpacking adventure.


text:
Home Unlabelled Review: Her Last Move by John Marrs
Review: Her Last Move by John Marrs
Publisher: Thomas & Mercer (November 08, 2018)
From Goodreads.com: He hides in the shadows, waiting for the perfect moment. Each kill is calculated, planned and executed like clockwork.
Struggling to balance her personal and professional life, young DS Becca Vincent has landed the biggest case of her career – and she knows that it will make or break her. But how can she identify one face in a sea of thousands? With the help of Police Super Recogniser Joe Russell, she strives to catch a glimpse of the elusive murderer, but he's watching her every move.
Time is not on their side. The body count is rising, and the attacks are striking closer and closer to home. Can Becca and Joe uncover the connection between the murders before the killer strikes the last name from his list?
I have gone back and forth with my rating on this for a while now. Mainly because there are some things that I really enjoyed about this story, but then there were also some things that I absolutely HATED.
Let's begin with the characters. I liked Joe. I liked how he had demons he was trying to face. I liked how he had an underlying medical condition which I feel is partly why he pushes himself as hard as he does. I liked how he had a stable home life, and a husband that so obviously cared about him. Becca on the other hand? I couldn't stand her. On the job front; she comes across as someone who was willing to do the work, but with a giant chip on her shoulder. She lashes out at Joe for "undermining" her when it's her own fault she hadn't checked her email and wasn't up to date. She accuses him of not understanding just how difficult it is for her to be a cop as well as a single mother. Only guess what? She's not a single mother. Her own mother is living with her and doing the majority of the child-rearing (my guess would be so that Becca can work and provide for them). I could probably overlook that, except Becca's attitude towards her daughter (which isn't even her daughter, but her niece) is so abhorrent that I spent most of this story hoping she would get knocked down a peg or four. You see, Becca's "daughter"? Has down syndrome. But instead of that being a side note, it is a major contributing factor to why Becca feels a "disconnect" from her. In fact, several times we see Becca playing the "what if" game wondering if she would love Maise more if she didn't have special needs. What kind of "mother" does that?
As for the story, I found that it flowed smoothly from one part to the next making it easy to understand not only what was going on, but from whose point of view we were experiencing things. The passages written from the killer's POV were obviously darker and more chilling than the others, but that worked to not only keep the reader guessing, but also to move the story along as we started to piece together how their mind worked.
I will admit to having one strong "SON OF A B*TCH" moment when I pieced together something just moments ahead of the police force.
One thing I think it is important to mention is that one of the major plot twists at the end of this novel was something that was an extremely risky move on the author's part. I know there will be a lot of people who hated it, but for me, it added a different layer to an already complex story. And the very last line of this story? Man, it was a doozy.
I do think this will appeal to those who enjoy well-written police procedurals that have more than one surprising twist (and who can overlook the few things I mentioned above). I would read more from this author!
Her Last Move is available from Amazon.com


text:
B.1.1.6 VS B.1.160
Following recent articles published by German online newspapers about a so called Norwegian-Luxembourgish variant, B.1.1.6, the LNS would like to clarify that under this lineage number, described as a US (Texan) lineage, no sequence is registered that corresponds to a Luxembourgish-Norwegian variant in the official international database PANGO lineages.
Furthermore, LNS has received confirmation from authorities in Germany that the variant in question, and discussed in the newspapers, belongs to B.1.160 and not B.1.16. In fact, B.1.160 is one of many variants of the virus and has been circulating as part of a larger European lineage in many countries, including in Luxembourg, where it was first detected in September 2020. Hence, variant B1.160 has not emerged in Luxembourg.
Details on the actual detected variants by the LNS can be found in the respiratory viruses surveillance weekly update ReViLux.
The technical briefing can be downloaded HERE.
End of the LNS COVID-19 sampling centre
Opening hours of the LNS COVID-19 drive-in test center
Scientific briefing: SARS-CoV-2 Variants Update


text:
Eltham Funeralcare
Last reviewed 1 week ago
Eltham Funeralcare is an ethical, member-owned funeral director in London. Co-op Funeralcare is the UK's largest funeral services provider, with...
Co-op Funeralcare, Grays
Co-op Funeralcare, Grays is an ethical, member-owned funeral director in Essex. Co-op Funeralcare is the UK's largest funeral services provider,...
Dagenham Funeralcare
Dagenham Funeralcare is an ethical, member-owned funeral director in Essex. Co-op Funeralcare is the UK's largest funeral services provider, with...
Highams Park Funeralcare
Highams Park Funeralcare is an ethical, member-owned funeral director in London. Co-op Funeralcare is the UK's largest funeral services provider,...
Co-op Funeralcare, Collier Row
Last reviewed 3 weeks ago
Co-op Funeralcare, Collier Row is an ethical, member-owned funeral director in Essex. Co-op Funeralcare is the UK's largest funeral services...
F.A. Albin Deptford
Offering families kind and compassionate assistance, covering Deptford, Blackheath, Greenwich, Lewisham and South East London.
The Co-operative Funeralcare, Sydenham
The Co-operative Funeralcare, Sydenham is an ethical, member-owned funeral director in London. Co-op Funeralcare is the UK's largest funeral services...
Hackney Funeralcare
Last reviewed 11 hours ago
Hackney Funeralcare is an ethical, member-owned funeral director in London. Co-op Funeralcare is the UK's largest funeral services provider, with...
Stephen P Gay Funeral Service, Dartford
Last reviewed 1 day ago
Stephen P Gay Funeral Service is a funeral director in Dartford, owned and run by Stephen and his sons, David...
Albin & Hitchcock
Last reviewed 2 days ago
Established in 1900, serving Plaistow, East Ham, Barking, Canning Town and Essex with care and compassion.
Christine Hodges 1 day ago
On the day the workers carried out our families wishes . The undertakers were kind and considerate and very patient with me . Kevin was ver thoughtful and has offered to collect my sons ashes when they are ready .Thank you
Rosemary Wildish 2 days ago
I would reccomend this funeral director for the way they explained everything I needed to know about a funeral.I was advised about the prices at every step of the way,they kept in touch on a regular basis to tell me what was happening and to make sure I was okay.On the day David was extremely sensitive and guided me through the whole process which allowed me to relax that everything would be fine.
Nancy Cooper 3 days ago
Very good service, sensitive and nice people, would recommend
Ian Ross 1 week ago
Firstly Lilian, and then Monica, helped us with absolutely everything and their customer service was excellent. This meant that everything leading up to and including the funeral itself went really smoothly. Thank you.
Peter Cummings 1 week ago
Everything was arranged easily and in the manner that you would expect especially during a pandemic very helpfully and supportive funeral directors did a great job before and on the day of the funeral which was arranged very quickly considering limited dates and times


Since 1990, McCombe Body Shop has been Columbus's trusted auto body repair shop. No matter how the damage occurred, our team of highly skilled mechanics can get it repaired on time and on budget. We guarantee paint match and specialize in unibody repair.
Was your car damaged in a hail storm? McCombe Body Shop specializes in a paintless dent repair system created specifically for hail damage. When you trust McCombe Body Shop, you can be sure you'll get amazing repairs at a great price.
We are passionate about cars and over the years we have worked on numerous vehicle of all brands, sizes and models. We are can repair anything that rolls into our shop.
An accident or collision always been tough. Not only it leave your vehicle in bad shape, it also disturb your mind. This is when you need trust worthy technicians to restore you vehicle back to new condition. At McCombe Body Shop you can get high-quality collision repair services at competitive prices. We will help to navigate every step of auto body repair process, including insurance claim.
To learn more about our auto body repair services, give us a call at (614) 702-7998.
Call Us Today For Complete Auto Body Repair Services.
Copyright © 2018 mccombebodyshop.net All rights reserved.


One more factor you need to be trying when you use the net is to search for and get the details about the companies that sell the products. Go to the company's site and navigate to their contact page. The best way to win a coupon is by giving the company some compliments as to how much you like the products of this company.
Every company is different and some will offer you coupons as a way of saying thanks. If you prefer doing online shopping and if you are searching for coupons that can be used during your purchase, then there is something known as promo codes which is great for this purpose. These promo codes can be found on the net can be used on your purchases, and thereby you will have a discount offered to you when you make a purchase. There are a lot of sites that will offer you these promo codes which will also provide you with free shipping of your product and there are other promo offers that give a percentage of discounts on the purchase you make online. This is probably the best way to buy products online. This will certainly save you a lot of time and of course money.


text:
HIV Health and Wellness, Fear and Loathing
US: I Was Tortured in Gay Conversion Therapy.
Sam Brinton is the head of advocacy and government affairs at the Trevor Project, which provides crisis intervention and suicide prevention services to L.G.B.T.Q. youth.
In the early 2000s, when I was a middle schooler in Florida, I was subjected to a trauma that was meant to erase my existence as a newly out bisexual. My parents were Southern Baptist missionaries who believed that the dangerous and discredited practice of conversion therapy could "cure" my sexuality.
For over two years, I sat on a couch and endured emotionally painful sessions with a counselor. I was told that my faith community rejected my sexuality; that I was the abomination we had heard about in Sunday school; that I was the only gay person in the world; that it was inevitable I would get H.I.V. and AIDS.
But it didn't stop with these hurtful talk-therapy sessions. The therapist ordered me bound to a table to have ice, heat and electricity applied to my body. I was forced to watch clips on a television of gay men holding hands, hugging and having sex. I was supposed to associate those images with the pain I was feeling to once and for all turn into a straight boy. In the end it didn't work. I would say that it did, just to make the pain go away.
I have begun to repair the damage that conversion therapy caused me and my family. But the failed promise of change has very likely caused a permanent tear in our relationship.
Many think that conversion therapy — the snake oil idea that you can forcibly change someone's sexual orientation or gender identity — is an artifact of the past, a medieval torture practice. But in fact it is still legal in 41 states, including so-called progressive ones like New York and Massachusetts. New York City fully banned the practice only last month.
Today I am proudly bisexual and gender fluid, and I serve as the head of advocacy and government affairs for the Trevor Project, the world's largest suicide prevention and crisis intervention organization for L.G.B.T.Q. youth. Read more via New York Times
Tagged: conversion therapy, mental health, family, legislation, op-ed, USA
Newer PostUS: Thousands of teens will undergo 'conversion therapy' in near future, study estimates
Older PostCanada: Alberta considers funding HIV prevention drug