text:
Robin Pierce OnLine
Addressing the Geek Nation......
Piercing the Veil Podcast
Cult Corner
Shocktober Film Fest
Shocktober Crypt
Common Page
Wonder Woman 84 Review
The Hunt Review
Underwater Review
Birds of Prey Review
The Grudge Review
The Good, the Bad and the Fugly 2019
Star Wars Ep IX: The Rise of Skywalker Review
It Chapter 2 Review
The Banana Splits Movie Review
Once Upon a Time... In Hollywood Review
Hobbs & Shaw Review
Midsommar Review
Spider-Man: Far from Home Review
Brightburn Review
X-Men Dark Phoenix Review
Ma Review
Godzilla King of the Monsters Review
Batman (1989) Review
The Curse of La Llorona Review
Hellboy Review
Shazam! Review
Captain Marvel Review
Alien 40th Anniversary Screening Review
Aquaman Review
Overlord Review
Halloween 40th Anniversary Screening review
Venom Review
The House With a Clock in its Walls Review
Slender Man Review
Christopher Robin Review
The Meg Review
Ant-Man and the Wasp Review
Jurassic World: Fallen Kingdom Review
Solo Review
Avengers -Infinity War Review
A Quiet Place Review
Ready Player One Review
The Shape of Water Review
Black Panther Review
Well, THAT was a tumultuous year of movies.
I've been to the cinema more times than I have in several years, a total of 43 screenings. Some of the films, I saw twice. I can say that with the exception of one film that I just couldn't get into, more on that later – I haven't regretted seeing a single one of them. Even the cheesiest of them (and I'm looking squarely at Dwayne Johnson and Jason Statham) had great effects and an absurd entertainment level.
I kept a list of every film I saw at the multiplex, and this was supposed to make my end of year list an easier task. But my top ten changed over and over. Proving that it ain't over till the fat lady sings and I've seen my last movie of the year, this list is slightly different from the list I submitted to Starburst magazine for their 2018 top 40, because due to the publishing deadlines, there were still some movies to watch – and one of them made my final list, so one had to be dropped. And it was never just a matter of changing number ten – I had to figure where exactly in the list it went. (As it happens, pretty damn high.)
So, without further ado, as they say – here's my list for 2018.
10) Solo – Okay, it's surprising to me too that this film is rated as the lowest on my top ten, but bear in mind that I was indifferent to seeing this movie. I thought it was a mistake bordering on sacrilege to have anyone other than Harrison Ford play Han Solo, and I'm not really a fan of those films where you see an established character as a younger version, and there were those reports of a troubled production and reshoots and Ron Howard having to salvage the movie. Nothing about it sounded good. But all in all, it was a far more entertaining and satisfying a film than last year's Last Jedi, which I get conflicted about however many times I see it. The cameo near the end sealed the deal and made me want to see a sequel.
9) Mission: Impossible Fallout – Over the years, the M:I films have become my spy films of choice. They're bold, brash, colourful, they have ingenious plot twists, incredible stunt work, often undertaken by Cruise himself, exotic locations and are precisely what the Bond films should be, but sadly aren't. 007 hasn't been as entertaining since Daniel Craig took the role, but Ethan Hunt and the IMF team have more than filled that void. Fallout showed that you can have instalments follow one another without it becoming as tedious as the last four Bond movies we've endured.
8) Halloween – Another one I didn't really think would work. Halloween (1978) is my favourite horror movie of all time ever. I've grown used to watching it, Halloween 2 and Halloween H20 as a trilogy in October, but last October all that changed when the 40 years later sequel which sweeps away all the other sequels was released. Hey, it's god to have a choice, right? So now you can either watch the aforementioned trilogy or the original and this. This new option works just as well, it's been checked – we saw the 40th anniversary re-release of Halloween at the multiplex the week prior to this.
7) Deadpool 2 – For a comic book character I didn't read until recently, I sure get a blast out of the films. It's impossible to imagine anybody other than Ryan Reynolds in the role of the relentlessly wisecracking "Merc with a Mouth". Josh Brolin almost stole the show with his portrayal of Cable, but seriously – nobody can outdo Reynolds. If I were to choose an actor of the year, though it would be Brolin without a doubt. I love the crazy amount of fourth wall breaking that is pulled off in the Deadpool movies – they're smart, crazy, clever, funny, action packed and completely anarchic. They completely mock both 20th Century Fox AND Marvel – but it's all tongue in cheek. Hopefully, if the merger of Fox and Disney goes ahead, we can look forward to further adventures. Maybe Reynolds will get his wish and Hugh Jackman can be lured back as Wolverine one more time. We can dream.
6) Ant-Man & the Wasp – Easily the goofiest character in the Marvel movie canon. The first film was just that, goofy fun with awesome special effects. Ant-Man is the everyman super-hero. Sadly, after the events of Captain America: Civil War, he's under house arrest but is summoned to action. But of course, the authorities can't know. What intrigued me the most about this one was the burning question – how would it play against the ending of Avengers: Infinity War where literally everything changed. Would this film be a major downer? Nope. Not at all. And it plays perfectly against the events of Infinity War. If you haven't seen it already, check out the sting at the end.
5) Christopher Robin – I'm as surprised as anyone to see this one on the list. Originally, I thought this would be just another dreary live action remake of a much-loved Disney animated classic, just like Jungle Book and more especially Beauty and the Beast. I mean, really, why do they bother? But happily, I was wrong. Christopher Robin is now grown up, has served in WW2, and is getting, as a lot of grown ups do, cynical. Pooh, in the meantime, goes looking for him. It's a lot deeper than I would've ever thought and carries a potent message. The highlight for me was Pooh's inarguable, yet gentle logic which try as one might, cannot be faulted. I've recommended this film to several people – none of them have told me I was wrong.
4) Aquaman – The most boring, bland superhero in DC's line-up, not to mention the whole affinity with fish came roaring on to the screen, breaking like a tsunami under James Wan's direction, with a charismatic Jason Momoa in the lead. One of the handful of films I recommend seeing in 3D, because it works THAT well (for your reference, the others are Avatar and Gravity) I thought that it was the best-looking film since Peter Jackson visited Middle Earth, and the battle scenes were beyond anything I'd ever seen. This was the latest entry to the list and a movie that filled the gap left by Star Wars not releasing a film this Christmas.
3) The Shape of Water – I love Del Toro's films. The man is a visual tone poet in some of his films, Crimson Peak, Pan's Labyrinth spring to mind – and yet he's a master of monster movies like Hellboy and Pacific Rim. In the Shape of Water, he blended both with a haunting visual style and score. Yet, on the flip side of the coin we have a film that could easily pass for a sequel to Universal's Creature from the Black lagoon – one of my favourite monster movies. No pun intended, but this was one of those films that you don't so much watch, but allow to wash over you. This was the first of the year's films to get that elusive number one spot. And there it stayed, until I saw…..
2) Ready Player One – At its heart, a quest. But what a quest. A quest through a bewildering array of pop culture references and cameos. Every time I see this, I spot something in the background or at the periphery that I had missed before. Seeing it for the first time was a virtual assault on my senses, from marvelling at a car race which included the time travelling DeLorean, Mad Max's V8 Interceptor AND the 1966 Batmobile among a variety of others, to a climactic battle that included ray Harryhausen's Cyclops from The 7th Voyage of Sinbad, MechaGodzilla, the Iron Giant and Chucky – the film was a complete geekgasm of images. We even saw a downed Martian warship from 1953's War of the Worlds. An absolute delight of a film by Spielberg, finally returning to "our" kind of movie. It was a shame that John Williams didn't compose the score, but hell, I loved the Alan Silvestri one we got. It often plays in the background here at Geek Central. Ready Player One nudged The Shape of Water from its top spot and stayed there until everything changed.
1) Avengers: Infinity War – This was the big one. The one we all hoped wouldn't suck. The one that we desperately needed not to disappoint. Ten years of a build up – and it all came down to this one movie. Just about everybody in the Marvel Movie Universe was involved. Thanos, the Mad Titan finally revealed his plan. We finally got to know why he had, for years in the films, been collecting Infinity Stones.
When placed in a gauntlet, he could wield ultimate power and put his master plan into action. His plan was crazy, yes – but also had an absurd logic to it. Thanos instantly became the cinema's greatest villain not because of his nefarious deeds, and the fact that he succeeded – but he felt the weight of what he was doing, and didn't do it lightly. One finger snap of the glove and half of all living things everywhere are instantly dusted, giving the surviving half a better chance with the universe's dwindling resources.
Since 1977, Darth Vader has been my ultimate villain of choice – until Thanos. Moreso than even the sacrifice he makes, the line "You should've gone for the head" followed by THE CLICK. There followed a cull of our favourite Marvel superheroes. Characters we never thought we'd see go – just like that. I've never seen a film where as the audience left, the place was shrouded in a stunned silence as characters we've cheered on over the years simply died.
The dusting instantly became the biggest cliffhanger in the history of cinema, and I knew as soon as I saw this epically epic movie that I wouldn't see a better, more effective or indeed affecting film this year – if ever.
Now, for the Bad and Fugly – I can honestly say that I only saw one film this year that I really didn't like, but hell, I tried.
The Greatest Showman – There, I've said it. Thankfully, I didn't travel to the multiplex for this one, but rather watched it on Sky Premiere at home over Christmas. I'm not the world's biggest fan of musicals, but I'd enjoyed rewatching both Mary Poppins and Chitty Chitty Bang Bang over the festive season, so I figured it'd be now or never for The Greatest Showman. I'd be in the zone, in the right frame of mind and could check it out to see what all the fuss was about, and why so many people seemed to revel joyously in the film and its songs.
Nope. Nada. Nothing. I didn't like the story, hated the songs – no appeal to me on any level. I just failed to engage with it on any level, and to be completely honest, couldn't remember any of the songs afterward.
So, there we have it. Onward and upward to 2019 and a whole new slew of cinematic viewing on the slate.
Happy new year, everyone – and happy viewing.
Copyright © 2010 - 2019 Robin Pierce. All Rights reserved.


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Q: How to: CRUD for custom post types in the front end? Is there an easy way to modify custom post types on the frontend? Maybe you can direct me to a plugin?
For example, I have a custom post type called "Product". The examples I see online show how I can perform CRUD on products in the dashboard, but is there a way I let a user modify a product on the frontend of the site?
Do I need to write my own crud code for the front end?

A: I'm from the World of Django, where CRUD is King, so I had a similar question. The best answer I've found so far is Pods and the associated Pods UI. Unlike "Custom Posts", which are kind of weird once you take a look under the hood, Pods actually creates real tables with real fields. Furthermore, you can crate relations! What a concept! Try that with Custom Fields. I haven't done this for a user-facing page yet, but it makes for a very nice admin-facing input form.
Update in response to comment:
WP doesn't really have an ORM to speak of. It has meta tables (wp_usermeta, wp_postmeta, and wp_commentmeta) to store "extra" information in (this is where new fields are stored for Custom Post Types), but there is none of the very nice lazy-dereferencing you have in a proper ORM.
Although relationships (foreign key, one-to-one, and many-to-many) are not natively supported by WP, there are a handful of plugins that address this issue and one of them that may make this situation palatable for you. I haven't used any of them (yet) so I can't speak for their relative strengths and weaknesses.

*

*http://wordpress.org/extend/plugins/posts-to-posts/ This plugin is by scribu, one of the WP core developers. I don't if that makes it better, but it's a data point.

*http://wordpress.org/extend/plugins/relation-post-types/

*http://wordpress.org/extend/plugins/custom-post-relationships/

A: I know plugin Front-end Editor that allows to edit different things on front-end, but not sure how compatible it is with custom post types.

redpajama_set_name: RedPajamaStackExchange


April 8-9 at five venues in downtown Staunton.
STAUNTON – Puppets. Shindigs. Lectures. Performance. Dance. Art. Music. Film. Theater.
These are just some of events unfolding during the Shenandoah Fringe Festival happening Sunday and Monday, April 8-9, at five venues in downtown Staunton. Presenting bold, curious and risky work, the festival returning for its third year includes unique offerings in performance, film and visual arts.
"ShenFringe aims to be a home for the wild wondrous and weird in this region. A place where you can embrace every part of your identity — artist, refugee, student, barista, patron – without invalidating the others," said Carmel Clavin, the festival's founder.
Here is the festival's calendar of events from Shenandoah Fringe Festival for Sunday and Monday.
3 p.m. Piti Theatre: "To Bee or Not To Bee"
3 p.m. Heartbreak double feature: "Entra, Silvio" and "Stella"
5:45 p.m. Live music double feature: "Dressful of Dreams" and "Simultaneities I"
7:15 p.m. "The Pink Hulk: One Woman's Journey to Find the Superhero Within"
8:30 p.m. Caravanserai: "Pierrot Illuminated by the Moon"
3 p.m. Caravanserai: "Pierrot Illuminated by the Moon"
3 p.m. "The Pink Hulk: One Woman's Journey to Find the Superhero Within!"
4:30 p.m. Piti Theatre: "To Bee or Not To Bee"
7:30 p.m. Heartbreak double feature: "Entra, Silvio!" and "Stella"
7:30 p.m. Live music double feature: "Dressful of Dreams" and "Simultaneities I"
For descriptions and locations for each event, visit shenfringe.com.
ShenFringeHQ gallery and box office, 32 N Augusta St.
The Kettle, 19 W. Beverley St.
Central United Methodist Church, 14 N. Lewis St.
Visulite Cinema, 12 N. Augusta St.
Stuart Hall School, 235 W. Frederick St.
Ticket packages available at https://squareup.com/store/spectacle-and-mirth.


Some were of opinion, that as the French (notwith- flanding the adventurer's then late misfortunes and mifcar- riages in Scotland) had, and ever will have, defigns of in- vafion on this kingdom, whenever they are in a condition to carry them into execution, they perfuaded. This ever was, and ever will bej I hope, my true and natural difpofi- tion, which I can boaft of without vanity, I, therefore, again comforted him, by telling him this trouble would foon be over ; and that I looked upon it. An attempt to aflaffinate the king could not be doubted of; and the defign to aflailinate the young pretender was as little queftioned« Hence the concluiion, that thofe prbjeds flowed originally from the fame fburce, though conveyed, by dif- ferent channels. My applications were renewed from time to time, which were nfwered with the like promifes as before ; and patience was iflrongly cecommendedi but patience being exhaufled, I went one Sunday afternoon to wait on the duke, in order to eak to him s and. I Hkewife add- ed, that as it might probably happen, that I might be car- ried away from thence to the BaJlilCf or to fome I'emote prifbn in the country, where I fhould be no more heard of, that, if fuch misfortune fhould happen. My dlfcoveries ruined* their grand fcheme to deftroy this nation, which fiad coft France many millions. Time alone could heal and reflpre the ftate to that good plight and condition, in which it had formerly been ; the re«eftabli(hment of which (he did not defpair of, as her laft projedt, in which her whole dependence lay, and which fhe counted upon. I likewife have reiftibfi to believe, that he- mentioned the buflnefs to dfoft he diovrgfrt it moft concerned ; but as I returned to Paris in two or three days after, I xlid not at that jun6lure ftrther importune him. Ancbe pafteur ii Ratiibon. Jpoiling hand- f)f en cm i e t and i nv ad er s, A c -army routed, the nobility provoked, the people mirerable and murmuring, the king diftrefled, and his honour loft.
Sociale medier massage køn nær ved aalborg Hef read it, and faid, it was very well ; and dcfired that I would meet him at the great place (the parade) before the troops marched off. Pleafe to tell his lordfliip, it is a trade I never underftood, nor oeyer wiUlegra; and tfaAtJ. Pointing at The Secrbt tod True MotivUs, which precipitated the Negociations and Condufion of the laft Peace. Marine of Dimkirk f except of thofe poor people, whofe huibands, fons. They looked upon aky from die firft, with an evil and iiiG- picious eye i nor were they in the lead ignorant of his ad- ventures and condud at London ; and having found him a weaky ignorant man, to fay no worfe of him.
Is certain, that it was. I then took my leave of his excellency, but never faw him afterwards. Her graceful and lovely perfon; her religious pradices, freed from every tindlure of hypocrily; her charity to the needy and necefiitous, where the widow and orphan are her firft care, without hew or oftentation : her gencrofity equal to that of a Ibvereign princeiS ;. The ftores and neceflaries lent to Scotland arrived at the army on the 26th of Marcb 1746 ; and your committee tapnot but take notice of the great condefcenfion of his royal VoLcH. As* ' L 2 gainft 76 gainft the time of tiis coming, whatever priefts were in and about the houfc and gardens, which were large and fump« tuous, were ordered away ; the gates were made faft, ex- cept that by which the fervants entered. Crimes ; yt was this bufineis ftiiled in its birrh by diifelving that parCament; and the perfon moft fttfpe fced of the guilt, not only continned in royd favour and autho* rity, but was again promoted to greater wealth and power than what he had.
Put to death, without a fair and public trial, can fucb proceedings be agreeable to juftice, honour, and nobility? Providence, however, had Ibng fihcc withdrawn her aid! He fhewed a defire to write to the count. M hia C 82 his moft fincer« and intimate friends. I 193 fabfiftence, tiU my recompenee (houU be paidt.-wbk paid me but one pound fire jfhiUiogs » week; retwoiiig reft under pretence of fees or perqoifitcSy MS you wiU m particularlj know, in a fubiequent letter letter HE sixtieth. Part o the natioa a9 tlie city of Ldrndm. F 129 J who, on pafling the bridge, turned to the right without mjr obferving it, had not drove a time half fufficient to arrive at the BaJHIe when the coach, which went at a fmart pace, on a fudden flopped. 259 efcapedi confirmed every fufpicion and left no room for doubt in the minds of thofe minifters, who were informed of the defign : with which, and the meafures the young pretender purfued, by reprefentations and folicitations, he fbon raifed and worked up the anger. Marihal Saxe and who is only of the fame name with the vidorious admiral Hawke's Conjlans. 35.o p o At Hamburgh, from Mi'.StragbOf; ».- * - -x.
De Sartine told me, he was to go ih two days to Verfailks and was to be with the duke fineis; that he fhouldjiot return, he believed, till Tuefday ; but at all events deuced i to caU upon him on that day, about five. Prevot appeared forry to hear what I had related ; and, unable to refufe my requeft, he went ta the count, and informed him of what Ihadfaid and demanded. This was the only quarrel that ever happened between us : in no otherjeipel: did I ever.offend or difoblige him. if i 33 if the perfon obnoxious to the f ui/ic be in any degree of fa- vour at court. Do not assume that just because we believe a book is in the public domain for users in the United States, that the work is also in the public domain for users in other countries. The motives of this rafh and unfortunate alion vvere the terrors he was under, at the xkhgc he faw me receive, with the apprcheniions of his meeting widi the fame fate. Chance and his horfe, to conduft him to fome afylum,- where he might for fome time continue. Being reftored, betrayed the fame pif- - fion for defpotic power, the fame' defire' of oppreiling his fubjeds, and violating the conflitution and its laws, as had appeared in any of his predecefibrs and progenitors, or i ever ever had been pradifed b them* Thefe. But how hardened his humanity, how con* trary his difpofition, is to every- thing of that nature, will be fufficiently feen in the fequel. He feemed in a hurry, and faid, he could not flay a minute with me, having been fent for by the miniflers the night before. It place jttiis was? Port» r and towns in Pranc not Xo molcH Mawreace FamienAos. That this fearful imprecation "broisg down, this juflicc of God upon himfelf by his. Before I enter further on the detail of this bufinefs, it will not, I hope, be difagreeable to you, that I fhould fay, in this place, a word or two touching the cha- rafter of this lady and her fpoufe, and of the true motives. There is. Hq faid» he did not know : which augmented my uneaiinefs and iurprife. In my next I (hall proceed to give you the reft of Dumonfs condu and intelhgence. 25 heisse schwägerin dolce vita bordell o o Ditto,. The perfon to be obferved fpeaks often of the Jefuits, and particularly of father Fleuriau, who» he fays has done him many good offices : it will be neceflary ingenu- ' ouily to know where he lives and in what convent.


text:
Q: Incluir archivos en librería TypeScript Estoy creando una librería en TypeScript y necesito incluir algunos assets que son necesarios para el funcionamiento de la librería. Concretamente es una librería para trabajar con PDF. El caso es que la librería generará un PDF y le añadirá un botón al final. Este botón lo toma de otro fichero PDF. La librería la "tengo hecha" y funciona todo bien. Pero para generarla y publicarla no veo que añada el fichero PDF del botón. Por diferentes motivos no puedo compartir el código, pero os comparto lo que puedo.
La estructura de archivos del proyecto:
dist
 |_index.d.ts
 |_index.js
lib
 |_assets
   |_button.pdf
 |_index.ts
node_modules
.gitignore
package-lock.json
package.json
tsconfig.json

package.json:
{
  "name": "libraryName",
  "version": "1.0.0",
  "description": "",
  "main": "dist/index.js",
  "types" : "dist/index.d.ts",
  "scripts": {
    "build": "tsc"
  },
  "author": "buclefor",
  "license": "ISC",
  "devDependencies": {
    "@types/node": "^14.14.32",
    "typescript": "^4.2.3"
  },
  "dependencies": {
    "axios": "^0.21.1",
    ...
  }
}

Los import's de la librería (lib/index.ts):
import ...
import axios from 'axios';
const button = require('./assets/button.pdf');

Lo que necesito es que la librería al instalarla incluya todo lo que necesita para funcionar.
Solucion:
Al final he conseguido solucionarlo, he usado
const button = require('./assets/button.pdf');

para incluir el botón, eso es posible gracias a file-loader de webpack, os dejo un link
Luego en el package.json hay que poner lo siguiente:
  "files": [
    "dist/*",
    "assets/*"
  ],

de esta forma, al publicar se incluyen los archivos que necesito.


Abstract: The objective of this research is to reduce the proportion of production cycles that need unnecessary quality improvement related to tinting, touch dry time over limit and viscosity over limit problems with the lowest the quality improvement cost. These problems caused long production time of Enamel paint production process. This research consists of 5 phases, 1) Define phase: important problems were selected and defined. 2) Measure phase: the accuracy and precision of color difference, viscosity and touch dry inspection systems were analyzed. In addition, key process variables were brainstormed and selected. 3) Analysis phase: hypothesis testing was performed to test the significance of these variables. 4) Improve phase: Color Matching technic, Central Composite Design of Experiment (CCD) and Regression analysis were analyzed to improve of problems. 5) Control phase: confirmatory experiment was performed and control plan was created. After improvement, production time of Enamel paint production process was reduced from 843 to 582 minutes. In addition, it was found that the proportion of production cycles that need unnecessary quality improvement from tinting problem, touch dry problem and viscosity problem were reduced from 85% to 33%, 72% to 22% and 76% to 20% respectively. The quality improvement cost was reduced 495,820 bath per year.


text:
Q: How do I create a database programmatically in SQL Server? How can I create a new database from my C# application?
I'm assuming once I create it, I can simply generate a connection string on the fly and connect to it, and the issue all the  CREATE TABLE statements.

A: KB307283 explains how to create a database using ADO.NET.
From the article:
String str;
SqlConnection myConn = new SqlConnection ("Server=localhost;Integrated security=SSPI;database=master");

str = "CREATE DATABASE MyDatabase ON PRIMARY " +
    "(NAME = MyDatabase_Data, " +
    "FILENAME = 'C:\\MyDatabaseData.mdf', " +
    "SIZE = 2MB, MAXSIZE = 10MB, FILEGROWTH = 10%) " +
    "LOG ON (NAME = MyDatabase_Log, " +
    "FILENAME = 'C:\\MyDatabaseLog.ldf', " +
    "SIZE = 1MB, " +
    "MAXSIZE = 5MB, " +
    "FILEGROWTH = 10%)";

SqlCommand myCommand = new SqlCommand(str, myConn);
try
{
    myConn.Open();
    myCommand.ExecuteNonQuery();
    MessageBox.Show("DataBase is Created Successfully", "MyProgram", MessageBoxButtons.OK, MessageBoxIcon.Information);
}
catch (System.Exception ex)
{
    MessageBox.Show(ex.ToString(), "MyProgram", MessageBoxButtons.OK, MessageBoxIcon.Information);
}
finally
{
    if (myConn.State == ConnectionState.Open)
    {
        myConn.Close();
    }
}

A: CREATE DATABASE works


text:
Archbishop says progress on same-sex marriage in CoE will be frozen – Toksvig
Sheep kill by almost 8% while prices fall by €1/kg
Home/Entertainment/Hollywood studios pull upcoming releases in Russia
Hollywood studios pull upcoming releases in Russia
Several major Hollywood entertainment companies have said they are pausing the release of upcoming films in Russia in response to the ongoing "humanitarian crisis" in Ukraine.
arner Bros, Sony Pictures, The Walt Disney Company and Paramount Pictures announced the news as Russian military forces continued their attacks on the country.
Violence continues to rage across the region, with thousands of citizens forced to flee their homes across the country's borders.
Not long after sunrise, a Russian military offensive hit central Kharkiv, Ukraine's second-largest city, with at least six bodies pulled from the rubble, an emergency official said. said.
On Tuesday, Paramount Pictures announced that the highly anticipated action comedy The Lost City – starring Channing Tatum, Sandra Bullock and Daniel Radcliffe – will not be shown in Russia.
Similarly, they have paused the release of Sonic The Hedgehog 2, which stars the voices of Idris Elba and Jim Carrey.
"As we witness the tragedy unfolding in Ukraine, we have decided to pause theatrical screening of our upcoming films in Russia, including The Lost City and Sonic the Hedgehog," the studio said. 2.
"We stand with all those affected by the humanitarian crisis across Ukraine, Russia and our international markets and will continue to monitor the situation as it unfolds."
Warner Bros. says it is pausing the release of its highly-anticipated superhero blockbuster The Batman, starring Robert Pattinson and Zoe Kravitz (Ian West/PA)
Warner Bros. has also said it is pausing the release of superhero blockbuster The Batman, starring Robert Pattinson and Zoe Kravitz.
A spokesman said: "Amid the humanitarian crisis in Ukraine, WarnerMedia is suspending the release of Batman feature film in Russia.
"We will continue to monitor the situation as it develops. We hope for a speedy and peaceful resolution to this tragedy. "
Sony Pictures also announced the postponement of screenings of its films in Russia, including the vampire superhero film Morbius.
A spokesperson for SPE said: "Due to the ongoing military action in Ukraine and the ongoing uncertainty and humanitarian crisis in that area, we will be suspending our planned theatrical operations. in Russia, including the upcoming release of Morbius".
To my friends and family in Ukraine – my heart breaks that this conflict has escalated in such a brutal way. Please be as careful and safe as possible. Sending thoughts to you and your loved ones during this tumultuous and tumultuous time. pic.twitter.com/UXyu0lOzNa
– JARED LETO (@JaredLeto) February 25, 2022
"Our thoughts and prayers go out to all who have been affected and hope this crisis will be resolved quickly."
Earlier, the film's star Jared Leto urged his family and friends entangled in the "devastating" conflict to stay "as safe as possible".
"Sending thoughts to you and your loved ones during this time of turmoil and disruption," he tweeted.
In addition to pausing the release of its films, Disney said it will work with its NGO partners to provide "emergency assistance and other humanitarian assistance" to refugees.
"Due to the unprovoked invasion of Ukraine and the tragic humanitarian crisis, we are suspending theatrical release of films in Russia, including Pixar's upcoming Turning Red," a statement posted online of the company said.
"We will make future business decisions based on the evolving situation.
"Meanwhile, given the scale of the refugee crisis emerging, we are working with our NGO partners to provide emergency assistance and other humanitarian assistance to refugees. ."
https://www.independent.ie/entertainment/movies/hollywood-studios-pull-upcoming-releases-in-russia-41400599.html Hollywood studios pull upcoming releases in Russia
Russia Ukraine War: All your questions answered as experts predict what might happen next - World News
BBC iPlayer users complain it's 'not working' as broadcaster admits 'technical issues'
Sophie Austin and Shayne Ward share their first look at the nursery before the birth of their second child
Inside Ricky Champ's romantic weekend spa in EastEnders with wife Sammy after she revealed she was pregnant
Jon Batiste sings for Macron at Biden's first state dinner
Piers Morgan launches new attack on Prince Harry after 'bitter' ITV interview

redpajama_set_name: RedPajamaCommonCrawl


text:
Archaeology, oriental and primitive art
Discover and colour
Junior catalogues
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Art cities
Merchandising Skira
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Sergio Vacchi
Web offer:
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Skira points: 3060
When you make this purchase you'll earn 383 Skira Points
Enrico Crispolti
Arte contemporanea. Cataloghi
Contemporary art, Catalogues Raisonnés
Bilingual (English-Italian)
Colour illustrations:
Carmelo Zotti
Michele Beraldo;Franca Bizzotto;Brigitte Brand;Dino Marangon
Catalogo ragionato dei dipinti 1948-2008
Il catalogo generale della produzione pittorica del visionario artista del Novecento.
This comprehensive monograph on painting by Sergio Vacchi (Castenaso, Bologna, 1925; lives in Castello di Grotti, near Siena) is a work in three parts. The first consists of an extensive, historical-critical introductory essay (with a reconstruction by Paolo Campiglio of the artist's critical success), and a biography.
The second and third parts are dedicated to cataloguing the iconographic, technical, and historical details of the works; set out chronologically over 21 chapters, they document the multiple aspects of the artist's very original vision. Each chapter corresponds to a period or to one or more of the many imaginative series constituting Vacchi's sixty years of work, which constantly reflects in a powerful way a passionate desire to be rooted in the deepest reality of its time. As a whole, the catalogue offers an iconographical - documentary impression of almost 4000 works, including paintings, painted papers and large drawings. During the second part of the 1950s the young Vacchi was a protagonist of the European "informal" movement, where his personal, organic and material based work had strong existential significance; then, from the early 1960s and throughout a long creative career, his critically different aspirations produced a new, vibrant and visionary figuration which in Europe constituted one of the most forceful manifestations of a "new expressionism". His work, initially through the 1960s with the famous series Concilio, Brindisi, Federico II di Hohenstaufen and Galileo semper, scenically demystified historical images of power (imagining an anthropological "weight of history" against an actualistic conception of "one dimensional man"). However, from the mid 1970s he developed a more heightened process of immersion into interiority, intended in terms of a "self-devouring". This led to a visionary dimension whose intensity turned an extreme subjectivity into a deeply ambiguous archetypal objectivity recognised as the condition of our time, and shamanically claimed as fate against any stance on globalising homologation. This is reflected in captivating series of paintings: particular from the Piscine lustrali of the 1970s to the Stanze della Nekyia of the 1980s, the Leonardo codice verso dating from the 1990s, and the Comunicationis religio and Ombrelli capovolti from the early years of the twentyfirst century. They are disturbing images of alternative monitory actuality.
Offer valid through 30th April 2012
Enrico Crispolti (Rome, 1933), is Emeritus Professor in Contemporary Art History at the University of Siena, where he has been director of the School of Specialisation in Art History for many years. He is an expert on Vacchi's work, which he has been following since the late 1950s. He is a leading art historian and critic of our time, and has produced works on Futurism, the Informal movement, Neo-expressionism, Pop Art, and Environmental Art. He has written catalogues on the works of Fontana, Baj, and Guttuso.
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Q: tense for past job experience? When talking about a past job experience, can we use present perfect tense?
For example; "after I started working for x co., i have had experiences on ... (I want to emphasize that i stil have these qualifications, but I am not working for that x company now. Or should I use past tense?

A: The present perfect means that you are choosing to present the events as having some present relevance: the exact meaning of that relevance is variable.
I have had experience on ...  generally means that your experiences are over a period that includes the present.
A likely interpretation is that you are still in the relevant job:

Since I joined XYZ, I have had experience on ...

sets up a strong presumption that you are still there.
However, you could be using it over your career (a period that includes the present). If so you would need to choose words to make it clear that you were not referring to a single job, eg

From the time I was at XYZ, and subsequently, I have had experience on ...

But if you are talking about experience at a job that is in the past, the past simple is much more natural.

A: You can, but simple past is more concise and more forceful.
For example: After I took this position, I obtained the Microsoft cert and the Cisco Networking cert.
People will assume that any certifications that you have obtained are still valid; if they were no longer valid, you would not mention them, right?

A: "after I started working for x co., i have had experiences on ... "
That is unidiomatic. Present perfect expresses what has happened up to the current time. When it's used to discuss a duration after some point in time, "since" is used, rather than "after". Also, in this context, "experience" should remain singular, and it takes the preposition "in", rather than "on".
In this context, "experience" refers to the state of having done a certain type of work. The work happened in the past, but the experience is present tense: you currently are in the state of having done the work. So you can say "I have experience in X from my position Y". You can also say "I gained experience in X from doing Y" or "I have gained experience in X since starting Y".


Full Toyota service history just carried out at 18374 miles. Toyota warranty until March 2020! Has air conditioning, touch-screen multimedia with Bluetooth handsfree, DAB, rear parking camera, leather multi-function steering wheel, speed limiter, electric windows, electric mirrors, remote central locking, alloy wheels and more... ZERO ROAD TAX TOO!Inspected in our own workshop and offered with the remainder of Toyota's 5 year/100k warranty included in the price - please ask for details of warranty extension/upgrade.
SPECIAL 2-4-1 OFFER - This car is available with an additional, extended Toyota Warranty for 2years/20k miles inc. full Toyota Roadside Assistance and MOT insurance - please ask for more details.


text:
La saison 1972-1973 de la Coupe du Trône est la dix-septième édition de la compétition.

Le Fath Union Sport de Rabat remporte la coupe au détriment de l'Ittihad Khemisset sur le score de 3-2 au cours d'une finale jouée pour la première fois au Stade Al Inbiâate à Agadir. Le Fath Union Sport de Rabat remporte ainsi cette compétition pour la seconde fois de son histoire.

Déroulement

Huitièmes de finale

Quarts de finale

Demi-finales

Finale
La finale oppose les vainqueurs des demi-finales, le Fath Union Sport de Rabat face à l'Ittihad Khemisset, le  au Stade Al Inbiâate à Agadir.

Notes et références

1972
Maroc
1972 au Maroc
1973 au Maroc

redpajama_set_name: RedPajamaWikipedia


While talking about a website, many people ignores that many facts are acting in before being operational, that is easily separated between the client and the server side. As known, everyone is face to the client side, which certainly needs server-side scripts, in order to be operational.
The server side is a solution used by a million of developers or php programmer, in order to perform a full functional website, according to the internet standard, which is particularly used on the web server. Anyway, script is, however, a way used, in order to collect some data from a database and integrate it into a specific web project accessible from an HTML page. However, server-side script is mostly executed by programming in C, Perl, and some line command script, which are interpreted by the server operating system, before sending it from the right webserver to the specified navigator. Mostly used in order to perform a great dynamic website, server-side script language is used while using a database is required. Anyway, this method must imperatively pass by a software which is the particularly of php programmer in order to adapt the website, with each user usage.
As said, usage of server-side scripts is highly recommended in website developing, especially for its capacity to perform a great functional dynamic website. Most of the times, this language is used for adapting a website to each user's recommendations and requirements, mostly for interpreting items from a database, without using any technological supports from clients. Anyway, apart php programmer, active server pages, common gateway interface and java server pages are the most server-side scripts used, adding ruby and python which are greatly increasing now. However, server-side scripts using, are also acting on website, in order to make it more rational for the server and considerably reduce his task and its needed resources.
Complexes but rapid, server-side scripts usage is therefore more useful for all developers, contrarily to each older way.
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text:
Scott Morrison elected Prime Minister for the next 6 months
Damon Berg
twitter: @damonleeberg1
By Damon Berg
The nation is in shock today, following news that a Prime Minister has lasted more than three months in the job, a feat thought near impossible by election analysts and pollsters across the country.
"I am here for the long run. Just because every leader in the past decade was stabbed in the back, does not mean that will happen to me," said an ecstatic Morrison declaring victory last night. "Jesus fucking chri… oh Dutton sorry didn't see you there lurking in the dark behind me! Gave me quite the fright. What are you doing with that knife? Cutting me some election victory cake?"
A quick ad
However, Morrison's victory may be short lived, with reports that there are already plans within the Liberal Party to roll him following what was seen as a complete failure of an election campaign. "We were supposed to lose!" said Mathias Cormann on the condition of anonymity. "Jesus Christ what are we going to do now when that budget surplus we predicted magically vanishes again! That was supposed to be Labors problem. Scott really messed this one up."


Piano, Vocal & Guitar (Right-Hand Melody). Download or print The Bobbettes Mr. Lee sheet music notes, chords. Pop Sheet Music includes 4 page(s). SKU of the score is 16569. Check if it is transposable. Originally published in the key of F.


Are you looking for the map of Cienfuegos? Find any address on the map of Cienfuegos or calculate your itinerary to and from Cienfuegos, find all the tourist attractions and Michelin Guide restaurants in Cienfuegos. The ViaMichelin map of Cienfuegos: get the famous Michelin maps, the result of more than a century of mapping experience.


text:
Third season of "Daredevil" rises above expectations
The third season of "Daredevil" succeeded by enhancing the aspects of the show that everyone enjoyed
Wikimedia, Creative Commons
Matt Murdock poses in the poster for "Daredevil's" third season
Sol Doyscher, Opinions Editor
Daredevil follows the exploits of Matthew Murdock (Charlie Cox), a blind lawyer who possesses superhuman physical abilities, and his quest to protect his New York City neighborhood of Hell's Kitchen. After the events of the Marvel Netflix special, The Defenders, Matt Murdock finds himself broken and alone. He ends up back where he grew up. Suffering mentally and physically, Murdock is about ready to throw in the towel. But he steps back into the ring when an old adversary returns and threatens those closest to Murdock. Donning his familiar black mask, Matt Murdock springs back into action as the feared vigilante of Hell's Kitchen.
The show sees the return of the cast mainstays, as well a few notable cast additions; Jay Ali (The Fosters) as clean-cut, morally upstanding FBI agent Rahul "Ray" Nadeem, and Wilson Bethel (Hart of Dixie, The Young and the Restless) as the unstable FBI agent Benjamin "Dex" Poindexter.
I might as well just say it, this season is absolutely amazing. Almost every good aspect of the previous two seasons is magnified, and every negative aspect is barely present. Story-wise, this is easily the best Marvel Netflix show season. Matt Murdock's character arc is incredibly compelling. We see a darker, more cynical side of Matt reflecting on the events of past seasons, and his growth into a hero is incredibly well-structured. This season sees each character pushed to the breaking point, as the main villain exploits their weaknesses and faults. Every character in the main cast, including the antagonists, has a satisfying character arc and highlights Daredevil season three's focus on the people over the action. The new additions to the cast are great, and the new characters of Ray Nadeem and Ben Poindexter helped elevate the show.
I might as well just say it, this season is absolutely amazing. "
— Sol Doyscher
Not to say that the action isn't a priority. In fact, this season has some of the best fight choreography I've ever seen in a comic book superhero show. The fights are brutal, grounded and expertly shot with no awkward angles or wasted frames. A staple of Daredevil is each season having a fight in a hallway, and this season is no different. The hallway fight is incredible, and every move the hero, Daredevil, makes is impactful and artful in its precision. I especially like how Matt Murdock spends time recovering from his injuries, and how his fatigue is shown in every tough scrap he is in.
I will spoil one thing. Wilson Fisk is back. In what capacity, I won't say, but it's likely not difficult to figure out if you have watched any previews. Vincent D'Onofrio is absolutely incredible as Wilson Fisk, and he brings such an intensity and presence to the role that I find it impossible to imagine anyone else playing Kingpin.
I give this season four-and-a-half hallway fights out of five. A stellar season that managed to transcend my expectations, and delivered the best Netflix Marvel season yet.
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text:
The Hobbit: On set as the Battle of Five Armies unfolds
26 Nov, 2014 11:00 PM 7 minutes to read
From Academy Award®-winning filmmaker Peter Jackson comes "The Hobbit: The Battle of the Five Armies," the third in a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien.
Dominic Corry is a freelance entertainment writer and film critic.
When Peter Jackson went to film his final battle in Middle-earth, Dominic Corry was there.
When it comes to war, Peter Jackson is a true veteran. If Middle-earth gave out campaign medals, his would be engraved with names like Hornburg, Isengard, Pelennor Fields and Morannon.
• Read more: The Clash: You shouldn't split one book into many films
The Lord of the Rings films delivered some of the biggest battle scenes ever committed to screen. He looks set to outdo himself once again for The Hobbit: The Battle of the Five Armies, which promises a climactic conflict so gargantuan, the film's title was changed - from the decidedly less exciting There and Back Again - to reflect it.
Flashback: It's the last chunk of shooting on Jackson's sixth Tolkien-derived epic. TimeOut has joined the director and his cast and crew on the outdoor set of the Smaug-desolated town of Dale to witness the filming of a particularly critical moment in the titular conflict.
Without spoiling anything major, the scene features Martin Freeman's Bilbo, Ian McKellen's Gandalf and Luke Evans' Bard The Bowman in the midst of battle.
After fighting off some goblins (who, pre-Weta Digital-wizardry are stuntmen in black leotards), Bilbo addresses a crisis of faith in his compatriots by giving a short, inspiring speech and symbolically planting an acorn.
The act speaks directly to Tolkien's theme of greatness coming from the smallest of things, and it's fascinating to witness Jackson and Freeman's discussion of the scene between takes.
They're cycling through various tonal interpretations - the first take is deadly serious. The second, a little more comically exasperated on Bilbo's part. The third take has a poetic solemnity.
The Hobbit features on the cover of this week's TimeOut:
"Sometimes it needs that," Freeman later says about the scene's evolution. "Ideally, it's a collaborative process, and I think it works best when it is. Because [the scene] did get better. So, yeah, there's a lot of that.
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"If there's something not working, I will always say it. Pete wants to hear it, and I certainly want to say it. Something that works okay when you read it to yourself is very, very different from playing it out."
The scene is one of the more intimate moments in what promises to be a Middle earth-shattering throwdown: The vast treasure of the Lonely Mountain (aka Erebor) that featured so heavily in The Desolation of Smaug is up for grabs, and everyone wants a piece.
The dwarves have been planning to reclaim it from the get-go, but that doesn't stop the Mirkwood Elves (led by Lee Pace's Thranduil) and the Men of Lake-town (led by Bard) from setting out to get theirs.
Once the goblins enter the picture, epic hell breaks loose. As for who (or what) makes up the fifth army - well, you'll just have to see the movie. Or read the book.
Although it takes up barely 10 pages in The Hobbit (including flashbacks), the "very terrible" Battle of the Five Armies is reportedly to be 45 minutes of screen time in the finished film. Once again, greatness is destined to come from something small. But there was plenty to work from, according to Jackson.
"Tolkien described the battle in its strategic terms quite well and we're sort of reasonably following his blueprint," he says. "Dale is a city outside of Erebor and it's a strategic location in the battle. It's almost like one of those situations where the forces that control Dale will control the battle. So the fighting's sort of fiercest in this city." That's not to say there'll be any lack of large-canvas warfare - quite the opposite in fact. And Jackson and his collaborators are applying the lessons learned on The Lord of the Rings to ensure the conflict remains captivating cinema.
"When we were doing the battles of Helm's Deep and Minas Tirith, when we are actually in the cutting room editing a battle together, you don't want to go for more than two or three shots without seeing one of your lead characters. Once you're just watching extras, or stunt people or CGI fighting, fighting, fighting ... Two or three of those shots, you really feel like you need to go back to the story.
"And the characters also have to be driving the story. So just having Gandalf or Bard or whatever fighting, that's okay to a point, but it doesn't carry plot. So what we do try and do is to have our storylines of the film carrying on through the middle of the battle, because at least then you are still following the story even though there's suddenly a battle raging around, there's still characters on a journey, and relationships and conflicts."
Freeman agrees that the conflict can't succeed on spectacle alone: "The battle is the size of London, it just goes on forever, involving hundreds of thousands of combatants. But the fun bit for me is when you see it's the human or hobbit moments within that you make a connection with.
"It's what I always think Peter is good at. He will cut away from a huge action scene to actually see what the human cost of something is, so that you're actually relating to a character as opposed to just a guy doing fighting."
Readers of the book will be aware that Bilbo is knocked unconscious early on in the battle, missing most of the action. Which was never going to be appropriate for the protagonist of a movie.
"Yeah, I think you see Bilbo a bit more [in the film's version of the battle]," says Freeman. "He definitely gets involved. Yeah, because he's covered in blood, orc blood, so he has been amongst it. He's been making himself known. Yeah, so he has clearly got better at fighting. I think he's still shaky, but miraculously, he has learnt how to defend himself."
The artistic licence extends to what threats Bilbo will be defending himself against - things never before glimpsed in Jackson's Tolkien films.
"Huge battle trolls, massive warmongering creatures. Insane levels of military-bred creatures," Weta head honcho Richard Taylor tells TimeOut.
"Some would argue, 'Yeah, but that wasn't written about in The Hobbit.' You have to go deep into Tolkien's literary history and all of it has basis in his writing. None of it is not touched by what he described at some level. This is a journey movie that culminates in an epic battle of significant proportions, possibly one of the bigger battles ever seen on screen. It will be the most complex battle scene on screen, and I would imagine because Tolkien wrote of such a unique piece of military stratagem."
Now that the cinematic saga is finally coming to a close (nobody mention The Silmarillion), Jackson's mind is on the films' legacy.
"I think that making these films in the order that we did, I'm glad that we didn't do The Hobbit first, because if you took that book on by itself, you would tend to naturally make a children's story because it's very much a children's book. And if you went on after that and tackled The Lord of the Rings, there'd be a sort of a difference. You'd be suddenly going into something much darker. But because we've done it back-to-front it's actually quite interesting the way that we can start The Hobbit with that slightly more whimsical, you know, lightweight tone at the beginning but we can slowly, as the story progresses, be taking it to where it's going to be: naturally a successor to The Fellowship of the Ring. At the end of the day, people are going to look at six movies and a box set, in years to come. So I sort of wanted consistency."
Who: Peter Jackson, Martin Freeman and others
What: The Hobbit: The Battle of the Five Armies
When and where: Opens at cinemas on December 11
Also: World premiere in London on December 1 (Dec 2 NZ time)
Photos: Courtesy of Warner Bros.
* Follow TimeOut on Facebook
- TimeOut
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Today I was on the tour for the Cincinnati Playhouse in the park. Please see Jane's blog for photos! What is amazing about this theater, is their uncanny ability to turn a challenge of the space, the example being the Mark theater having NO wing space, and turn it into an artistic advantage. Their extensive use of lifts in order to move scenery resulted in the creation and design of dozens of lift units, trap doors, and software creation. The software they created to control the lifts was brilliant. It could control up to 8 lifts and up to 24 on/off switches, and all cue based. It's quite similar to how light cues are set in a board. On top of that, the lift was QUIET!
Tomorrow I plan on hitting the Expo floor early, and hopefully make some discoveries about 3-D CAD drafting. Additionally, the class on plagiarism is not until Saturday morning.


In February 2017, crude oil exports from the US hit the highest level in the country's history with 1,116 kb/d of oil leaving the US border. While Congress liberalized crude exports about a year and half ago, exports have really only bounded up in 2017 from their 2014-2016 averages. Following the surge in tight oil production, most exports moved to Canada, effectively the only legally accessible export market prior to 2016. However, throughout 2016 and going into 2017, the destinations of American crude exports began to vary, with non-Canadian volumes primarily heading for Atlantic basin markets but also several locations in Asia. In February, about a third of crude exports were headed for China.
With such buoyant February export numbers, the US has actually surpassed several members of OPEC in terms of crude oil exports. Although February data is missing for the UAE, Venezuela, and Libya, American crude exports trailed those of Saudi Arabia, Iraq, Iran, Kuwait, Nigeria, and Angola.
US exports surpassed those of OPEC members Algeria, Ecuador, Qatar and other exporters such as Azerbaijan, Colombia, and Oman.
As US crude oil production rebounds in 2017 and going forward, exports are likely to climb even higher through the year and into 2018, especially as requisite infrastructure comes into place and per barrel transportation costs are driven lower.


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Here at ChunkyGlasses, we're made up of a diverse group of music lovers, with widely varied tastes. So it should come as no surprise that occasionally we don't see eye to eye on things. Usually we're able to just talk through it and agree to disagree, but sometimes...well sometimes theres only one real way to settle our disputes: THUNDERDOME.
"Listen all! This is the truth of it. Fighting leads to killing, and killing gets to warring. And that was damn near the death of us all. Look at us now! Busted up, and everyone talking about hard rain! But we've learned, by the dust of them all... Bartertown learned. Now, when men get to fighting, it happens here! And it finishes here! Two men enter; one man leaves. "
Now, without further ado, let the games begin as Justin and Kevin battle to the death over Jeff the Brotherhood's latest release, Hypnotic Nights.
Your opinion of Hypnotic Nights, JEFF the Brotherhood's seventh studio album, will depend largely on your appreciation of mid-to-late 90s alternative music. If you're just head-over-heels about Weezer (or the Toadies or Dishwalla, for that matter, which, if that's the case, please seek help) you will love Hypnotic Nights. If, however, you're of the opinion that it's been more than a decade since music this remarkably devoid of personality was necessary, you'll sit this one out.
It's a shame, as there was potential for a breakout record here. JEFF the Brotherhood is indeed two brothers, Jamin and Jake Orrall of Nashville, offspring of singer/songwriter Robert Ellis Orrall. (This is by no means indicative of musical genius; the elder Orrall penned the abhorrent Lindsey Lohan song "Ultimate.") The album was produced by Black Key Dan Auerbach, who has always been skilled behind a soundboard. The band's previous releases, especially 2011's We Are the Champions, illustrated their progressing "psychedelic-Weezer-Meets-Ramones-Lite" sound. There were high hopes that they could transport that vibe to their major label debut.
They don't. At all. The album kicks off with two sarcastic three-chord crapburgers, "Country Life" and "Sixpack," that profess to embrace life in the boonies but is clearly poking fun at the romanticism of country livin'. But its lazy sarcasm and the mind-meltingly awful lyrics ("I want to cool out and get wasted") don't get any better as the album progresses.
"Mystic Portal II" starts out interestingly enough with a simple guitar riff and xylophone, but after 38 seconds devolves into yet another flaccid Rivers Cuomo love fest. The song could charitably be compared to music by another band of siblings - Stoned and Dethroned-era Jesus and Mary Chain - but that's giving JEFF entirely too much credit.
One can easily run through the rest of the songs and immediately cite the obvious influences. "Hypnotic Mind" and "Dark Energy" channel Weezer songs that themselves channeled the Pixies. "Leave Me Out" channels Alice in Chains. "Staring at the Wall" channels early Foo Fighters; not necessarily a bad thing, but the song takes a turn for the insane in its final minute as Auerbach apparently begins randomly turning dials on his soundboard.
Hypnotic Nights' biggest crime, however, is saved for its final track, a wildly misguided cover of Black Sabbath's "Changes." Replacing the original's iconic piano with what sounds like a six year-old noodling with a cheap synthesizer, the song is a slow five-minute train wreck. Employing several gospel singers who are apparently singing neither "Changes" nor the same song as each other makes matters that much worse.
It's been argued that Hypnotic Nights works best as background music at the bar or barbecue. In reality, you're better off putting on the Ramones, or Pinkerton, or even "Counting Blue Cars." If this is the kind of music JEFF the Brotherhood wants to make, they're better off moving to that country cabin and "smoking meats;" at least that would be creating something worthwhile.
and death is listening, and will take the first man that screams.
"I want a place where I can smoke meats." is the line that kicks of Nashville's JEFF the Brotherhood's Hypnotic Nights, their seventh album, and that may be all you need to know about the record. Glam-packed with odes to simple L-I-V-I-N and a stylistic air that can only be described as vanitude (see this link for a good idea of what I'm talking about) Nights is the sweaty bro album that you probably didn't even know you were waiting for.
But now that it's here…Well shucks: LET'S PARTY!
With song titles like "Six Pack", "Mystic Portal II", "Country Life" (from whence the meat smoking line comes from) and "Region of Fire" there can most assuredly be no mistaking this for what some might call "high art." No this is the stuff that rock and roll was founded on. Youth. Angst. Psychedelics. Sci-fi. Dungeon masters and Jocks alike are welcome here, as the actual brothers Jake and Jamin Orrall slam down the fuzz pedal and transport the listener to the bedroom of a some anonymous nerdly fourteen year old in a way that hasn't been this effective since the days when Weezer only came in blue and pink(erton).
JEFF the Brotherhood being enjoyed the way nature intended them to be.It shouldn't be surprising then, that large portions of Hypnotic Nights borrow liberally, if not outright apes those elder statesmen of nerdcore's sound, right down to the expertly placed "ooh's and ahh's" that float through "Six Pack", and crushing rhythm guitars, of, well, just about every song on the record. And while Hypnotic Nights at no point approaches the grandeur and atom bomb sized emotional devastation of Pinkerton – and truthfully what really can – it does manage to repurpose the best parts of the Blue album for a crowd that is less concerned with bearing their feelings than they are changing the brakes on their 1968 VW Van while Rikki searches the back seat/makeshift couch cushions for that number that seems to have gone missing, so everyone can blaze up before the bonfire tonight.
Whether Hypnotic Nights is the result of intentional homage, or just a case of wearing your influences VERY transparently on your sleeve is beside the point. It's refreshing to see the Brotherhood spark these familiar sounds with a sweaty new life, especially on the album closer, a cover of Black Sabbath's "Changes" a foggy, post party jam with some friends that, more than any other track on the album, lets you know where the brothers Orrall are coming from.
Rock doesn't always have to be important or super angsty – sometimes it just has to be fun. JEFF the Brotherhood have clearly taken that lesson to heart, and in doing so have created a record that isn't as deep or important as it is endearing. So while it's likely that Hypnotic Nights isn't going to find a home next to heavyweight albums of years gone by, it most certainly will find a permanent home in your spiritual van. Ready to roll anytime you feel like just cutting loose with some bros.
And there you have it. Is there a clear winner? Are both Justin AND Kevin right or did they both perish in the dome? Let us know your thoughts, including any albums YOU would like to see in the Thunderdome, in the comments section below.


text:
Anniversary Games 2021
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2021 TOUR OF BRITAIN
The Tour of Britain, the UK's most prestigious cycle race, takes place between Sunday 5 to Sunday 12 September with Cornwall hosting the grand depart.
Official Event Website
UCI TRACK CYCLING NATIONS CUP 2021
The Nations' Cup will consist of three events over three continents. Newport, Great Britain, will host the first and then onto Hong Kong and Columbia.
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text:
package com.whitebearsolutions.imagine.wbsairback.configuration;

import java.io.BufferedReader;
import java.io.File;
import java.io.FileInputStream;
import java.io.FileOutputStream;
import java.io.IOException;
import java.io.InputStreamReader;
import java.util.Map;

import org.slf4j.Logger;
import org.slf4j.LoggerFactory;

import com.whitebearsolutions.imagine.wbsairback.NetworkManager;
import com.whitebearsolutions.imagine.wbsairback.ServiceManager;
import com.whitebearsolutions.imagine.wbsairback.io.FileSystem;
import com.whitebearsolutions.util.Command;

public class DrbdCmanConfiguration {
	public final static int FENCE_NONE = 0;
	public final static int FENCE_IPMI = 1;
	public final static int FENCE_DRAC = 2;
	public final static int FENCE_VMWARE = 3;

	public final static String tmpRdata = "/tmpRdataDrbd";

	private final static Logger logger = LoggerFactory.getLogger(DrbdCmanConfiguration.class);

	public static void cmanInit(int _fenceType, Map<String, String> _fenceAttributes) throws Exception {
		ServiceManager.fullStop(ServiceManager.CLUSTER);
        try {
        	cmanSetClusterConfiguration(_fenceType, _fenceAttributes);
        } catch (Exception ex) {
        	throw new Exception("slave: "+ex.getMessage());
        }
	}

	public static void cmanSetClusterConfiguration(int _fenceType, Map<String, String> _fenceAttributes) throws Exception {
		StringBuilder _sb = new StringBuilder();
		String domainId = null;
		if (_fenceType != FENCE_NONE) {
			domainId = "wbsab"+_fenceAttributes.get("virtual_address").substring(_fenceAttributes.get("virtual_address").indexOf(".", _fenceAttributes.get("virtual_address").indexOf(".")+1)+1);
			_sb.append("<?xml version=\"1.0\"?>\n");
			_sb.append("<cluster config_version=\"27\" name=\""+domainId+"\">\n");
			_sb.append("\t<cman broadcast=\"yes\" two_node=\"1\" expected_votes=\"1\" />\n");
			_sb.append("\t<fence_daemon clean_start=\"0\" post_fail_delay=\"3\" post_join_delay=\"300\"/>\n");
			_sb.append("\t<fencedevices>\n");
		}
		switch(_fenceType) {
		    default:
		    	throw new Exception("invalid fence type");
		    case FENCE_NONE: {
			    	_sb = new StringBuilder();
					_sb.append("<?xml version=\"1.0\"?>\n");
					_sb.append("<cluster alias=\"wbsairback\" config_version=\"27\" name=\"wbsairback\">\n");
					_sb.append("</cluster>\n");

					FileSystem.writeFile(new File(WBSAirbackConfiguration.FILE_CLUSTER), _sb.toString());
					return;
		    	}
		    case FENCE_DRAC: {
		    		if(_fenceAttributes.get("master_address") == null || !NetworkManager.isValidAddress(_fenceAttributes.get("master_address"))) {
		    			throw new Exception("incorrect master address");
		    		}
		    		if(_fenceAttributes.get("slave_address") == null || !NetworkManager.isValidAddress(_fenceAttributes.get("master_address"))) {
		    			throw new Exception("incorrect slave address");
		    		}
		    		if(_fenceAttributes.get("master_login") == null || _fenceAttributes.get("master_password") == null ||
		    				_fenceAttributes.get("master_login").isEmpty() || _fenceAttributes.get("master_password").isEmpty()) {
		    			throw new Exception("incorrect master login/password");
		    		}
		    		if(_fenceAttributes.get("slave_login") == null || _fenceAttributes.get("slave_password") == null ||
		    				_fenceAttributes.get("slave_login").isEmpty() || _fenceAttributes.get("slave_password").isEmpty()) {
		    			throw new Exception("incorrect slave login/password");
		    		}
					_sb.append("\t\t<fencedevice agent=\"fence_drac5\" cmd_prompt=\"admin1->\" secure=\"1\" action=\"off\" ipaddr=\"");
					_sb.append(_fenceAttributes.get("master_address"));
					_sb.append("\" login=\"");
					_sb.append(_fenceAttributes.get("master_login"));
					_sb.append("\" name=\"masterfence\" passwd=\"");
					_sb.append(_fenceAttributes.get("master_password"));
					_sb.append("\"/>\n");
					_sb.append("\t\t<fencedevice agent=\"fence_drac5\" cmd_prompt=\"admin1->\" secure=\"1\" action=\"off\" ipaddr=\"");
					_sb.append(_fenceAttributes.get("slave_address"));
					_sb.append("\" login=\"");
					_sb.append(_fenceAttributes.get("slave_login"));
					_sb.append("\" name=\"slavefence\" passwd=\"");
					_sb.append(_fenceAttributes.get("slave_password"));
					_sb.append("\"/>\n");
				}
				break;
			case FENCE_IPMI: {
					if(_fenceAttributes.get("master_address") == null || !NetworkManager.isValidAddress(_fenceAttributes.get("master_address"))) {
		    			throw new Exception("incorrect master address");
		    		}
		    		if(_fenceAttributes.get("slave_address") == null || !NetworkManager.isValidAddress(_fenceAttributes.get("master_address"))) {
		    			throw new Exception("incorrect slave address");
		    		}
		    		if(_fenceAttributes.get("master_login") == null || _fenceAttributes.get("master_password") == null ||
		    				_fenceAttributes.get("master_login").isEmpty() || _fenceAttributes.get("master_password").isEmpty()) {
		    			throw new Exception("incorrect master login/password");
		    		}
		    		if(_fenceAttributes.get("slave_login") == null || _fenceAttributes.get("slave_password") == null ||
		    				_fenceAttributes.get("slave_login").isEmpty() || _fenceAttributes.get("slave_password").isEmpty()) {
		    			throw new Exception("incorrect slave login/password");
		    		}
					_sb.append("\t\t<fencedevice agent=\"fence_ipmilan\" ipaddr=\"");
					_sb.append(_fenceAttributes.get("master_address"));
					_sb.append("\" login=\"");
					_sb.append(_fenceAttributes.get("master_login"));
					_sb.append("\" name=\"masterfence\" passwd=\"");
					_sb.append(_fenceAttributes.get("master_password"));
					_sb.append("\"/>\n");
					_sb.append("\t\t<fencedevice agent=\"fence_ipmilan\" ipaddr=\"");
					_sb.append(_fenceAttributes.get("slave_address"));
					_sb.append("\" login=\"");
					_sb.append(_fenceAttributes.get("slave_login"));
					_sb.append("\" name=\"slavefence\" passwd=\"");
					_sb.append(_fenceAttributes.get("slave_password"));
					_sb.append("\"/>\n");
				}
				break;
			case FENCE_VMWARE: {
					if(_fenceAttributes.get("master_address") == null || !NetworkManager.isValidAddress(_fenceAttributes.get("master_address"))) {
		    			throw new Exception("incorrect master address");
		    		}
		    		if(_fenceAttributes.get("slave_address") == null || !NetworkManager.isValidAddress(_fenceAttributes.get("master_address"))) {
		    			throw new Exception("incorrect slave address");
		    		}
		    		if(_fenceAttributes.get("master_login") == null || _fenceAttributes.get("master_password") == null ||
		    				_fenceAttributes.get("master_login").isEmpty() || _fenceAttributes.get("master_password").isEmpty()) {
		    			throw new Exception("incorrect master login/password");
		    		}
		    		if(_fenceAttributes.get("slave_login") == null || _fenceAttributes.get("slave_password") == null ||
		    				_fenceAttributes.get("slave_login").isEmpty() || _fenceAttributes.get("slave_password").isEmpty()) {
		    			throw new Exception("incorrect slave login/password");
		    		}
		    		if(_fenceAttributes.get("master_vmname") == null || _fenceAttributes.get("master_vmname") == null) {
		    			throw new Exception("incorrect master virtual machine name");
		    		}
		    		if(_fenceAttributes.get("slave_vmname") == null || _fenceAttributes.get("slave_vmname") == null) {
		    			throw new Exception("incorrect slave virtual machine name");
		    		}
					_sb.append("\t\t<fencedevice agent=\"fence_vmware\" ipaddr=\"");
					_sb.append(_fenceAttributes.get("master_address"));
					_sb.append("\" login=\"");
					_sb.append(_fenceAttributes.get("master_login"));
					_sb.append("\" name=\"masterfence\" passwd=\"");
					_sb.append(_fenceAttributes.get("master_password"));
					_sb.append("\" vmname=\"");
					_sb.append(_fenceAttributes.get("master_vmname"));
					_sb.append("\"/>\n");
					_sb.append("\t\t<fencedevice agent=\"fence_vmware\" ipaddr=\"");
					_sb.append(_fenceAttributes.get("slave_address"));
					_sb.append("\" login=\"");
					_sb.append(_fenceAttributes.get("slave_login"));
					_sb.append("\" name=\"slavefence\" passwd=\"");
					_sb.append(_fenceAttributes.get("slave_password"));
					_sb.append("\" vmname=\"");
					_sb.append(_fenceAttributes.get("slave_vmname"));
					_sb.append("\"/>\n");
				}
				break;
		}
		_sb.append("\t</fencedevices>\n");
		_sb.append("\t<clusternodes>\n");
		_sb.append("\t\t<clusternode name=\"master\" nodeid=\"1\" votes=\"1\">\n");
		_sb.append("\t\t\t<fence>\n");
		_sb.append("\t\t\t\t<method name=\"1\">\n");
		_sb.append("\t\t\t\t\t<device name=\"masterfence\"/>\n");
		_sb.append("\t\t\t\t</method>\n");
		_sb.append("\t\t\t</fence>\n");
		_sb.append("\t\t</clusternode>\n");
		_sb.append("\t\t<clusternode name=\"slave\" nodeid=\"2\" votes=\"1\">\n");
		_sb.append("\t\t\t<fence>\n");
		_sb.append("\t\t\t\t<method name=\"1\">\n");
		_sb.append("\t\t\t\t\t<device name=\"slavefence\"/>\n");
		_sb.append("\t\t\t\t</method>\n");
		_sb.append("\t\t\t</fence>\n");
		_sb.append("\t\t</clusternode>\n");
		_sb.append("\t</clusternodes>\n");
	    _sb.append("\t<rm>\n");
	    _sb.append("\t\t<failoverdomains>\n");
	    _sb.append("\t\t\t<failoverdomain name=\""+domainId+"\" nofailback=\"0\" ordered=\"0\" restricted=\"0\">\n");
	    _sb.append("\t\t\t\t<failoverdomainnode name=\"master\" priority=\"1\"/>\n");
	    _sb.append("\t\t\t\t<failoverdomainnode name=\"slave\" priority=\"1\"/>\n");
	    _sb.append("\t\t\t</failoverdomain>\n");
	    _sb.append("\t\t</failoverdomains>\n");
	    _sb.append("\t\t<resources>\n");
	    _sb.append("\t\t\t<script file=\"/etc/init.d/wbsairback-volumes-ha\" name=\"wbsairback-volumes-ha\"/>\n");
	    _sb.append("\t\t</resources>\n");
	    _sb.append("\t\t<service autostart=\"1\" domain=\""+domainId+"\" exclusive=\"0\" name=\"wbsairback-volumes-ha\" recovery=\"relocate\">\n");
	    _sb.append("\t\t\t<script ref=\"wbsairback-volumes-ha\"/>\n");
	    _sb.append("\t\t</service>\n");
	    _sb.append("\t</rm>\n");
	    _sb.append("</cluster>\n");

	    FileSystem.writeFile(new File(WBSAirbackConfiguration.FILE_CLUSTER), _sb.toString());
	    DrbdCmanConfiguration.killCmanAssociatedProcesses();
	}

	public static void restartCmanServices() {
		killCmanAssociatedProcesses();
	    try {
	    	ServiceManager.start(ServiceManager.CLUSTER);
	    } catch (Exception ex) {}
	}

	public static void killCmanAssociatedProcesses() {
	    try {
	    	ServiceManager.fullStop(ServiceManager.CLUSTER);
	    } catch (Exception ex) {}
		try {
			Command.systemCommand("killall -9 corosync");
		} catch (Exception ex){}
		try {
			Command.systemCommand("killall -9 fenced");
		} catch (Exception ex){}
		try {
			Command.systemCommand("killall -9 fence_tool");
		} catch (Exception ex){}
	}

	public static void drbdConfigureAll(String node, String myAddress, String pairAddress) throws Exception {
		// DRBD: cargamos el modulo
    	drbdLoadModules();
    	// DRBD: Creamos metadatos y generamos la configuración
    	drbdInitMetaData();
    	drbdWriteDrbdConf(myAddress, pairAddress, node);
    	// DRBD: ejecutamos secuencia para inicializar el servicio drbd
        drbdInitAfterMetadata(node);
	}

	public static String getDRBDSynchronization() {
		File _f = new File("/proc/drbd");
		if(!_f.exists()) {
			return new String();
		}

		try {
			BufferedReader _reader = new BufferedReader(new InputStreamReader(new FileInputStream(_f)));
	        String _line;
			while((_line = _reader.readLine()) != null) {
				if(_line.contains("ds:UpToDate/UpToDate")) {
					return new String();
				}
				if(_line.contains(" sync'ed:")) {
					_line = _line.substring(_line.indexOf(" sync'ed:") + 10);
					return _line.substring(0, _line.indexOf("%") + 1);
				}
			}
		} catch(IOException _ex) {
			return new String();
		}
		return new String();
	}

	public static void drbdWriteDrbdConf(String myAddress, String pairAddress, String node) throws Exception {
		StringBuilder _sb = new StringBuilder();
        _sb.append("global {\n");
        _sb.append(" usage-count no;\n");
        _sb.append("}\n\n");
        _sb.append("resource rdata {\n");
        _sb.append("  protocol C;\n\n");
        _sb.append("  handlers {\n");
        _sb.append("    pri-on-incon-degr \"echo 'DRBD: primary requested but inconsistent!' | wall; /etc/init.d/heartbeat stop; reboot -f\";\n");
        _sb.append("    pri-lost-after-sb \"echo 'DRBD: primary requested but lost!' | wall; /etc/init.d/heartbeat stop; reboot -f\";\n");
        _sb.append("  }\n\n");
        _sb.append("  startup {\n");
        _sb.append("    degr-wfc-timeout 10;\n");
        _sb.append("    wfc-timeout 10;\n");
        _sb.append("  }\n\n");
        _sb.append("  disk {\n");
        _sb.append("    on-io-error   detach;\n");
        _sb.append("  }\n\n");
        _sb.append("  net {\n");
        _sb.append("    timeout 120;\n");
        _sb.append("    connect-int 20;\n");
        _sb.append("    ping-int 20;\n");
        _sb.append("    max-buffers     2048;\n");
        _sb.append("    max-epoch-size  2048;\n");
        _sb.append("    ko-count 30;\n");
        _sb.append("    cram-hmac-alg sha1;\n");
        _sb.append("    shared-secret \"4ir84ck\";\n");
        _sb.append("    after-sb-0pri discard-zero-changes; # If both nodes are secondary, just make one of them primary\n");
        _sb.append("    after-sb-1pri discard-secondary; # If one is primary, one is not, trust the primary node\n");
        _sb.append("    after-sb-2pri call-pri-lost-after-sb; # If there are two primaries, make the unchanged one secondary\n");
        _sb.append("  }\n\n");
        _sb.append("  syncer {\n");
        _sb.append("    rate 330M;\n");
        _sb.append("    al-extents 257;\n");
        _sb.append("  }\n\n");
        _sb.append("  on master {\n");
        _sb.append("    device    /dev/drbd0;\n");
        _sb.append("    disk      " + HAConfiguration.systemDevice() + "3;\n");
        if (node.equals("master")) {
        	 _sb.append("    address   " + myAddress + ":7788;\n");
        } else {
        	_sb.append("    address   " + pairAddress + ":7788;\n");
        }
        _sb.append("    meta-disk internal;\n");
        _sb.append("  }\n\n");
        _sb.append("  on slave {\n");
        _sb.append("    device    /dev/drbd0;\n");
        _sb.append("    disk      " + HAConfiguration.systemDevice() + "3;\n");
        if (node.equals("master")) {
        	_sb.append("    address   " + pairAddress + ":7788;\n");
        } else {
        	_sb.append("    address   " + myAddress + ":7788;\n");
        }
        _sb.append("    meta-disk internal;\n");
        _sb.append("  }\n\n");

        FileOutputStream _fos = new FileOutputStream("/etc/drbd.conf");
        _fos.write(_sb.toString().getBytes());
        _fos.close();
	}

	public static void drbdInitAfterMetadata(String node) throws Exception {
		Command.systemCommand("/sbin/depmod -a");
        Command.systemCommand("/sbin/modprobe drbd");
        try {
        	Command.systemCommand("/etc/init.d/drbd restart");
        } catch (Exception ex) {
        	throw new Exception ("Error restarting drbd on"+node);
        }
        try {
        	Command.systemCommand("/sbin/drbdadm detach rdata");
        } catch (Exception ex) {}
        try {
        	Command.systemCommand("/sbin/drbdadm disconnect rdata");
		} catch (Exception ex) {}
        try {
        	Command.systemCommand("/sbin/drbdadm down rdata");
        } catch (Exception ex) {}
        Command.systemCommand("/bin/echo -e \"yes\" | /sbin/drbdadm -- --force create-md rdata");
	}

	public static void buildTmpRdata() throws Exception {
		Command.systemCommand("mkdir -p "+tmpRdata);
		logger.info("Ejecutado: mkdir -p "+tmpRdata);

		try {
			Command.systemCommand("rm -r "+tmpRdata+"/*");
			logger.info("Ejecutado: rm -r "+tmpRdata+"/*");
		} catch (Exception ex){}

		try {
			logger.info("Copiando datos ...");
			Command.systemCommand("cp -p -r /rdata/* "+tmpRdata+"/");
			logger.info("Ejecutado: cp -p -r /rdata/* "+tmpRdata+"/");
		} catch (Exception ex) {
			logger.error("Error al ejecutar: cp -p -r /rdata/* "+tmpRdata+"/ ex:"+ex.getMessage());
			throw new Exception("Error copying data to tmpRdata lun: "+tmpRdata+"/ -- ex:"+ex.getMessage());
		}
	}

	public static void setDrbdDiskAsRdata() throws Exception {
		logger.info("Inicio de creacion de nuevo /rdata en el disco drbd compartido");
		try {
			logger.info("Creamos el filesystem ...");
			Command.systemCommand("mkfs.ext3 -F /dev/drbd0 >> /dev/null");
			logger.info("Ejecutado: mkfs.ext3 -F /dev/drbd0");
		} catch (Exception ex) {
			logger.info("Error al ejecutar: mkfs.ext3 -F /dev/drbd0 ex:"+ex.getMessage());
			throw new Exception("Error trying to generate new ext3 filesystem on: /dev/drbd0. Ex:"+ex.getMessage());
		}

		try {
			Command.systemCommand("mount /dev/drbd0 /rdata/");
			logger.info("Ejecutado: mount /dev/drbd0 /rdata/");
		} catch (Exception ex) {
			logger.error("Error al ejecutar : mount /dev/drbd0 /rdata/ ex:"+ex.getMessage());
			throw new Exception("Error mounting drbddisk -- ex:"+ex.getMessage());
		}

		try {
			logger.info("Copiando datos de directorio temporal...");
			Command.systemCommand("cp -p -r "+tmpRdata+"/* /rdata/");
			logger.info("cp -p -r "+tmpRdata+"/* /rdata/");
		} catch (Exception ex) {
			logger.error("Error al ejecutar: cp -p -r "+tmpRdata+"/* /rdata/ ex:"+ex.getMessage());
			throw new Exception("Error copying tmpRdata to new rdata on drbd disk -- ex:"+ex.getMessage());
		}

		try {
			logger.info("Desmontamos rdata...");
			HAConfiguration.rdataForceUmount();
			logger.info("Rdata desmontado.");
		} catch (Exception ex) {
			logger.error("Error desmontando rdata. Ex: {}", ex.getMessage());
			throw new Exception ("Error umounting rdata. Ex: "+ ex.getMessage());
		}
	}

	/*public static void rdataRecoverFromDrbdDisk() throws Exception {
		logger.info("Inicio de recuperacion de /rdata en formato drbd a disco original");
		try {
			String originalDisk = HAConfiguration.systemDevice() + "3";

			File f = new File("/rdata");
			if (!f.exists() || f.listFiles() == null || f.listFiles().length <=0) {
				logger.error("Atencion, la particion rdata en /dev/drbd0 que deberia contener los datos de /rdata para traspasarlos al disco original, parece estar vacia!!");
				throw new Exception("Error, partition /rdata with system data is empty!!");
			}

			Command.systemCommand("mkdir -p "+tmpRdata);
			logger.info("Ejecutado: mkdir -p "+tmpRdata);

			try {
				Command.systemCommand("rm -r "+tmpRdata+"/*");
				logger.info("Ejecutado: rm -r "+tmpRdata+"/*");
			} catch (Exception ex){}

			try {
				logger.info("Copiando datos a temporal ...");
				Command.systemCommand("cp -p -r /rdata/* "+tmpRdata);
				logger.info("Ejecutado: cp -p -r /rdata/* "+tmpRdata);
			} catch (Exception ex) {
				logger.error("Error al ejecutar: cp -p -r /rdata/* "+tmpRdata+" ex:"+ex.getMessage());
				throw new Exception("Error copying data to tmp directory: "+tmpRdata+"-- ex:"+ex.getMessage());
			}

			drbdUnconfigure();

			try {
				logger.info("Creado filesystem ");
				Command.systemCommand("mkfs.ext3 -F "+originalDisk+" >> /dev/null");
				logger.info("Ejecutado: mkfs.ext3 -F "+originalDisk);
			} catch (Exception ex) {
				logger.info("Error al ejecutar: mkfs.ext3 -F "+originalDisk+" ex:"+ex.getMessage());
				throw new Exception("Error trying to generate new ext3 filesystem on: /dev/sda3 -- ex:"+ex.getMessage());
			}

			try {
				logger.info("Montando rdata.. ");
				Command.systemCommand("mount "+originalDisk+" /rdata");
				logger.info("Ejecutado: mount "+originalDisk+" /rdata");
			} catch (Exception ex) {
				logger.info("Error al ejecutar: mount "+originalDisk+" /rdata ex:"+ex.getMessage());
				throw new Exception("Error mounting disk /dev/sda3 on /rdata-- ex:"+ex.getMessage());
			}

			try {
				logger.info("Copiando datos de temporal a /rdata...");
				Command.systemCommand("cp -p -r "+tmpRdata+"/* /rdata/");
				logger.info("Ejecutado: cp -p -r "+tmpRdata+"/* /rdata");
			} catch (Exception ex) {
				logger.error("Error al ejecutar: cp -p -r "+tmpRdata+"/* /rdata/ ex:"+ex.getMessage());
				throw new Exception("Error copying data from tmp directory: "+tmpRdata+"-- ex:"+ex.getMessage());
			}

		} catch (Exception ex) {
			logger.error("No se pudo recuperar /rdata a la particion original "+ex.getMessage());
		}
	}*/

	public static void drbdInitMetaData() throws Exception {
		File _f = new File("/var/lib/drbd/meta-disk.raw");
        if(_f.exists()) {
        	_f.delete();
        }
        Command.systemCommand("/bin/dd if=/dev/zero of=/dev/sda3 bs=1k count=307200");
	}

	public static void drbdLoadModules() throws Exception {
		BufferedReader _reader = new BufferedReader(new InputStreamReader(new FileInputStream(new File("/etc/modules"))));
		StringBuilder _sb = new StringBuilder();
		String line;
		while((line = _reader.readLine()) != null) {
			if(!line.contains("drbd")) {
				_sb.append(line + "\n");
			}
		}
        _sb.append("drbd\n");

        FileOutputStream _fos = new FileOutputStream("/etc/modules");
        _fos.write(_sb.toString().getBytes());
        _fos.close();
	}

	public static void drbdUnLoadModules() throws Exception {
		BufferedReader _reader = new BufferedReader(new InputStreamReader(new FileInputStream(new File("/etc/modules"))));
		StringBuilder _sb = new StringBuilder();
		String line;
		while((line = _reader.readLine()) != null) {
			if(!line.contains("drbd")) {
				_sb.append(line + "\n");
			}
		}

        FileOutputStream _fos = new FileOutputStream("/etc/modules");
        _fos.write(_sb.toString().getBytes());
        _fos.close();

        try {
        	Command.systemCommand("modprobe -r drbd");
		} catch (Exception ex){}
	}

	public static String drbdGetSynchronizationStatus() throws Exception {
		return Command.systemCommand("/bin/echo \"\n\" | /sbin/drbdadm dstate rdata");
	}

	public static void drbdUnconfigure() throws Exception {
        try {
        	Command.systemCommand("/sbin/drbdadm detach rdata");
        } catch (Exception ex){}
        try {
        	Command.systemCommand("/sbin/drbdadm disconnect rdata");
		} catch (Exception ex){}
        try {
        	Command.systemCommand("/sbin/drbdadm down rdata");
		} catch (Exception ex){}

        Command.systemCommand("/etc/init.d/drbd stop");
        ServiceManager.remove(ServiceManager.DRBD);
		ServiceManager.remove(ServiceManager.WBSAIRBACK_DRBD);
        drbdUnLoadModules();
	}
}

redpajama_set_name: RedPajamaGithub


Literacy Art by Iris ROCKS! Back to School!
Welcome! It's an anxious time of year. Not because of a birthday, holiday, or celebration. It's because of that day at the end of May or early June when so many students are delighted that school has ended. Yet, after a couple of months of endless television, social media, theme parks, family reunions, and the like, many students are ready to go back to school. Each with their own interpretation of what that means.
What are the students' expectations?
What are the parents' expectations?
What are the teachers' expectations?
Although this is a time when new school clothes, backpacks, lunchboxes, special binders, animated notebooks, paper, and pencils are purchased, the excitement and expectations of the students can easily be diminished once they walk through the door of their classrooms and are greeted feeling not welcomed.
First appearances, questions, statements, gestures can yell very loud what students think they may face daily when they come to school.
Make their first day and everyday a place they will remember, not because of the shiny glittery decorations on the classroom walls or their new clothes and backpacks, but because they know this place they come five days a week is one of the safest learning environments they will interact in with some of the most cooperative, collaborative and engaging individuals.
When you read the phrase, "back to school", what are your expectations, as a student, a parent, a teacher?
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Here is a collection of 10 Free 4th of July Subway Art Printables to use to help add a little more detailing to your 4th of July décor. I love using printable Subway Art to add those subtle details to my holiday decorations no matter what the season. Its a great use of frames that I pick up at yard sales which I paint in neutral colors that will not clash with any season. I use different size frames but always use 81/2 x 11 printables compensating for the size differential with matting material. All I have to do is swap out the seasonal and holiday subway art with my collection that I have organized in folders in my file cabinet by holiday and season. Easy-peasy holiday décor!
Click on the picture or the text below it to go to each blog where you can download the free 4th of July Subway Art Printable.
I love this flag from the Copy Cat Crafter Blog, patriotism plus!
Eye Candy Creative Studio has some great free printables. This free subway art printable for the Fourth of July is really festive. I use a dark blue frame with a mat of matching red to make this a striking addition to my family room wall.
This 4th of July Subway Art Creation from Today's Fabulous Finds Blog is one of my favorites as it is available in a number of color combinations. Her attention to detail is wonderful and her blog is full of so many great craft and décor ideas that it is a "must visit".
I really love the detail in this piece of 4th of July Subway Art by HMH Designs. Her blog is worth a visit with lots of craft, sewing, and cooking projects. This free 4th of July Printable will keep people engaged with all there is to read.
Our next offering is from the Crafting Chicks Blog. Its basic and colorful and makes a nice colorful 4th of July statement with this unique piece of free printable subway art. The Crafting Chicks have lots of great holiday ideas!
My next selection is from my favorite blog "On Sutton Place" written by the very creative Ann Drake. This woman's blog is visually stunning, and full of wonderful creative ideas. She is the queen of the understated, incredibly tasteful traditional décor.
The next piece of 4th of July Printable Subway Art is from the Free Time Frolics Blog.
Another favorite blog of mine is Just A Girl and her Blog. I love her selfless sharing of information even down to the income and expenses of her blog by month. She and her husband have written some great E-Books about blogging, and home organization ( and I always need help with that). I love this piece of subway art because of its very clean, neutral, and understated color scheme. I've even printed it in all red and all blue just to change it up a bit dependent on where I am going to display it.
Our next piece of free 4th of July Subway Art is from the blog, Our Knight Life (cute play on words). I just love the barbecue grill graphic. Its theme makes it great for a fun family backyard gathering – informal and fun!
And do we leave the best for last, well not so much as they are ALL great but this offering from Bits of Everything Blog which is just the most interesting potpourri of wonderful ideas for décor, crafts, sewing. and recipes. Now I love this printable but I also love her recipe Caramel Apple Cookies. We're talking Caramel here and that caught my eye. And its something that I can claim is healthy -LOL- as it has apple in it!
So there are 10 great pieces of art to help pull your 4th of July holiday decorations together and add a more festive mood to your party. Have a Happy 4th of July!


text:
Attila Grószpéter (* 9. Juni 1960) ist ein ungarischer Schach-Großmeister.

Grószpéter erhielt im Jahr 1986 den Großmeistertitel. Für die ungarische Nationalmannschaft nahm er an drei Schacholympiaden teil, 1982, 1984 und 1990, sowie je zweimal an den Mannschaftsweltmeisterschaften (1985 und 1989) und Mannschaftseuropameisterschaften (1983 und 1989). Grószpéter wurde 1993 und 1995 Zweiter bei der ungarischen Schachmeisterschaft.

Grószpéter siegte oder belegte vordere Plätze in mehreren Turnieren: I. Platz in Plowdiw (1982), I-II. Platz in Kecskemét (1992), I-III. Platz in Zalakaros (1996), I. Platz in Gyula (1998), I-II. Platz in Hampstead (1998), I. Platz in Paks (2001), I-III. Platz in Zalakaros (2002), I-IV. Platz in Szombathely (2004), erneut I. Platz in Paks 2007 und I-II. Platz in Zalakaros (2008).

Seine Elo-Zahl beträgt 2453 (Stand: Januar 2015), damit belegt er Platz 41 in der Elo-Rangliste Ungarns. Im Januar 1996 erreichte er seine höchste Elo-Zahl von 2565.

Vereine

In Ungarn spielte Grószpéter bis 2007 beim Csuti Antal SK Zalaegerszeg, mit dem er 2002, 2003, 2004, 2005 und 2006 Meister wurde, seit 2007 spielt er bei ASE Paks. Mit Zalaegerszeg nahm er auch sechsmal am European Club Cup teil, er erreichte 2003 das drittbeste und 2004 das beste Einzelergebnis am sechsten Brett.
In der österreichischen Bundesliga spielte Grószpéter von 1997 bis 1999 sowie erneut in den Spielzeiten 2000/01 und 2004/05 für RbEJ Gleisdorf, in der Saison 2008/09 für den Meister Husek Wien.

Weblinks

Einzelnachweise

Schachspieler (Ungarn)
Schachspieler
Ungar
Geboren 1960
Mann