The employer/company from the abroad who wants to hire workers from Nepal must issue the following five (5) set of papers on behalf of Aashirbad Overseas. These papers should be printed in company's letter head, duly signed/stamped by authorized person of the company and then should be attested from the Chamber of Commerce and nearest Embassy of Nepal.
On the receipt of original attested papers, we submit these papers to Department of Foreign Employment (DOFE), Ministry of Labor and Employment, Government of Nepal for taking the Pre Labor Approval/Permission to deploy the workers from Nepal. In some cases, the DOFE may directly contact to the employer/company, on such occasions, we kindly request you for your cooperation in verification process.
Once the permission granted by DOFE the following formal process will go ahead: The vacancy announcement will be published in any authorized national daily newspapers (mandatory). Pre/Final Interview (direct/online) and Trade Test (if applicable) of potential candidates will be taken by the client (employer).


American sterling silver basket weave napkin ring by Wood and Hughes Silversmiths, c.1875. This handsome napkin ring is 1 7/8" in diameter, 1 3/4" tall and weighs 31 grams or 1 oz. Troy. There is an applied, fancy scroll cartouche with a period monogram: L Monogrammed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
American sterling silver ladle in an unknown hand chased foliate scroll pattern b George W. Shiebler, c.1880. This ornate ladle has a gilt, fluted scalloped edge bowl and is 7 5/8" long and weighs 57 grams or 1.8 ozs. Troy. The soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear, crisp detail, with no monograms, removals, repairs or alterations, make this an especially attractive offering.
American sterling silver beaded dome top sauce ladle by the Whiting Division of Gorham Silversmiths, c.1865. This especially nice ladle has a beaded dome top finial flanked by two beaded collars on a hexagonal shaft terminating into another beaded collar out of which comes a three wire mount on a double spouted, gilt fluted bowl. This special ladle is 7 1/2′ long and weighs 31 grams or 1 oz. Troy. The soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear, crisp detail, with no monograms, removals, repairs or alterations, make this an especially attractive offering.
American sterling silver baby cup featuring repousse children playing Follow the Leader in the forrest made by Gorham Silversmiths c.1911. This darling cup measures 2 1/4" tall, 4 1/4" across the handle, 3 1/8" in diameter and weighs 99 grams or 3.2 ozs Troy. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering. Inscribed Charles Meldrum Gray on the bottom of the cup, the soft, warm, original finish is present, with no buffing or machine polishing. Charles Meldrum Gray was born August 1, 1904 in Columbus Ohio. His parents were Eugene gray and Mabel Sturgeon Gray.
American sterling silver, cast, open work, floral, scroll and shell Bob Bob serving spoon, c.1900. This 1st quality, nicely detailed spoon is marked; STERLING 7 and is 8 3/8" long with a bowl 3 1/2" wide and 3 1/4" long. It weighs 130 grams or 4.2 ozs. Troy, with a nicely detailed back side. The soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear, crisp detail, with no monograms, removals, repairs or alterations, make this an especially attractive offering.
English sterling silver baroque Floral napkin ring with a beaded edge by Henry Williamson, Ltd, having a full set of Birmingham Hallmarks for 1917. This elegant napkin ring has nice even rims and is 1 7/8" in diameter, 1 1/8" tall and weighs 14 grams. The soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear, crisp detail, with no monograms, removals, repairs or alterations, make this an especially attractive offering.
American sterling silver Arts and Crafts acid etched floral and foliate napkin ring with a touch of the Art Nouveau by International Silversmiths, c.1910. This ornate but subdued napkin ring is 1 3/4" in diameter, 1 3/8" tall and weighs 37 grams or 1.2 ozs. Troy. The soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear, crisp detail, with no monograms, removals, repairs or alterations, make this an especially attractive offering.
American sterling silver napkin ring having an applied beaded border atop wasted rims and a slightly tapered body, c.1910. This handsome napkin ring is monogrammed, in period script: MLP and is 1 3/4" in diameter, 1 3/8" tall and weighs 27 grams. Monogrammed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
American coin silver Aesthetic beaded napkin ring, inscribed Hattie, c.1875. This attractive napkin ring is 1 3/4" in diameter, 1 3/8" tall and weighs 12 grams. Inscribed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
American coin silver floral, foliate and scroll napkin ring with applied milled borders, inscribed within a scroll work cartouche with the family name: Andrade. This elegant tapered body napkin ring has excellent detail and is 2" in diameter, 1 1/2" tall and weighs 34 grams or 1.1 ozs. Troy. Inscribed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
American coin silver engine turned napkin ring, monogrammed within an oval cartouche: MGB. This handsome napkin ring is 1 7/8" in diameter, 1 1/8" tall and weighs 23 grams. Monogrammed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
American sterling silver, hand wrought, hand hammered, Arts and Crafts napkin ring by the Randahl Shops of Chicago, Illinois, c.1920. This handsome napkin ring has a fabulous finish, is inscribed: Frederick Cummer, and is 2" in diameter, 1" tall, weighing 32 grams or 1 oz. Troy. Inscribed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
South American sterling silver hand hammered Arts and Crafts style napkin ring inscribed: Rodolfo. Made in Argentina, Columbia, Brazil, Peru?, who knows, but this handsome napkin ring definitely has a South American look about it. Narrow plain borders set of an allover hammered finish with a shield shaped cartouche containing the inscription: Rodolfo. Weighing 33 grams or 1.1 ozs. Troy, this handsome napkin ring is 1 3/4" in diameter and 1 5/8" tall. Inscribed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
American coin silver figural open salt dishes pair by Gorham Silversmiths. c.1860. Each of these delightful open salts has three cast winged lion and paw feet on a cauldron shaped body. Weighing a total of 113 grams or 3.6 ozs. Troy, Each salt is 2 7/8" in diameter and 1 1/2" tall. The soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear, crisp detail, with no monograms, removals, repairs or alterations, make this an especially attractive offering.
American sterling silver porringer or baby bowl by the Kalo Shops, Park Ridge Illinois, c.1910. According to author Darcy Evon, Kalo started producing some metalwork in 1900, along with other crafts, and used the PARK RIDGE mark above only from 1909-1912. This fabulous, early Kalo porringer is 5" in diameter, 7" across the handle, 1 5/8" deep and weighs a substantial 182 grams or 5.9 ozs. Troy. The top of the tab handle is inscribed: Jean III. Inscribed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
English sterling silver and whalebone Toddy ladle, c.1770. A nice Toddy ladle with a 1762 1/4 Guinea Love Token gold coin mounted in the center of the cauldron shaped bowl. The back of the strap handle is monogrammed in period block letters: B over W*S. The twist handle is in excellent condition, with the original silver tip present. There is the ubiquitous old repair where the handle mounts to the bowl. The 1/4 Guinea is a scarce gold coin, only being minted in 1718 and 1762 and was valued at the time @ 5 Shillings and 3 Pence. 5s 3d from 1762 is worth £30.60 using the retail price index £417.00 using average earnings. This interesting Toddy ladle is 13 1/2" long and weighs 42 grams or 1.4 ozs. Troy.
Unmarked 18th Century sterling silver and twisted whalebone Toddy Ladle, c.1790. This elegant Toddy ladle has a 1780 1/2 Real Spanish coin in the bowl, with the ladle likely by an English maker. This special ladle still has its original silver finial and is 16 1/2" long, having a spouted bowl 3 1/4" wide and weighing 49 grams or 1.6 ozs. Troy. The soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear, crisp detail, with no monograms, removals, repairs or alterations, make this an especially attractive offering.
American coin silver bud vases pair c.1865. Each of these attractive and useful vases has a scalloped, flared rim on an urn shaped body supported by a large ball atop a narrow stam sitting on a circular, stepped base. Weighing a total of 152 grams or 4.9 ozs. Troy, each vase is 6 1/8" tall and 2 3/8" in diameter at the base. Unmarked as to silver content or maker, one of the vases has scratch marks under the base from the silversmith: #440 2/10 OLA Guaranteed to be as represented. The soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear, crisp detail, with no monograms, removals, repairs or alterations, make this an especially attractive offering.
Aesthetic Bird Insect Floral Napkin Ring, American coin silver, c.1870, likely by John R. Wendt. This special napkin ring features a wide band of Aesthetic decoration with three birds perched on Dogwood branches, one bird having snake in its bill, a large butterfly, stylized floral and foliate embellishments and three Dogwood blossoms in a large Greek Urn, all on a stippled background. There is an applied beaded border under each rolled rim. Weighing a substantial 39 grams or 1.25 ozs. Troy, this impressive napkin ring is 1 7/8" in diameter and 1 1/4" tall. There is an applied, elongated shield with a period inscription GUY. Inscribed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
American sterling silver double waisted napkin ring, inscribed M. C. Boutell 1903. This elegant, double waisted napkin ring has beaded bands under the unusual egg and ring flared rims. Weighing 31 grams, this attractive, antique napkin ring is 1 13/16" in diameter and 1 1/2" tall. Inscribed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
American sterling silver napkin ring with Aesthetic engraved floral and scroll decorations surrounding a Pallet shaped cartouche containing the monogram MYH. Weighing 24 grams, this elegant napkin ring is 1 3/4" in diameter and 1 1/2" tall. Monogrammed as described above, the soft, warm, original finish is present, with no buffing or machine polishing. The excellent original condition and clear detail, with no removals, repairs or alterations, make this an especially attractive offering.
American sterling silver napkin ring in the Mount Vernon pattern by Lunt, 1905. This handsome napkin ring is monogrammed Eula Inlow and measures 1 5/8" in diameter, 1/2" tall and weighs 12 grams. The excellent original condition and clear, crisp detail, with no removals, repairs or alterations, make this an especially attractive offering. Monogrammed as described above, the soft, warm, original antique finish is present, with no buffing or machine polishing.
American coin silver napkin ring, c.1890. This handsome napkin ring is monogrammed Edgel and measures 1 3/4", 1 1/8" tall and weighs 17 grams. The excellent original condition and clear, crisp detail, with no removals, repairs or alterations, make this an especially attractive offering. Monogrammed as described above, the soft, warm, original antique finish is present, with no buffing or machine polishing.
American coin silver napkin ring c 1880. This handsome napkin ring measures 1 3/4" in diameter 1 1/2" tall and weighs 29 grams. The excellent original condition and clear, crisp detail, with no monograms or removals, repairs or alterations, make this an especially attractive offering.


text:
Solparken Aurora är ett solcellskraftverk på gränsen mellan Skurups och Trelleborgs kommuner med en planerad årlig produktion på cirka 18MW (19GWh). Anläggningen driftsattes i januari 2022. Solparken invigdes officiellt den 16 maj samma år.  Parken var vid driftsättningen Sveriges största solcellspark.

Beskrivning och uppförande
Solparken ligger väster om Skurup i Skåne på mark som tillhör Näsbyholms slott.

Området är på 28,6 hektar, vilket motsvarar ca 26 fotbollsplaner, men det är är inte solpaneler på hela den ytan. Solparken innehåller circa  solpaneler.Solparken tillför 19 GWh till elnätet, vilket motsvarar den årliga hushållselen i  normalstora villor och  lägenheter per år.

Alight har byggt, äger och driver solparken, och Martin & Servera köper genom ett elprisavtal all producerad el, vilket motsvarar 50 procent av Martin & Serveras totala elförbrukning i Sverige.

Referenser

Solkraftverk i Sverige
Skurups kommun
Trelleborgs kommun
Solenergianläggningar

redpajama_set_name: RedPajamaWikipedia


Hangzhou Trenchant decoration design co., LTD., founded in 2010 so far. The specialty is engaged in the commercial space, public space, the real estate space, visual art and design. Provide business positioning, decoration design, mechanical and electrical design,Lighting design, visual design, soft outfit design and other special services. With "design innovation of design concept, strict management, toadapt to the market of design achievements" to work standards, with "whether can complete the ground project Is the perfect desig "for the inspection standard execution of each project, works for many years with high level is active in the commercial design market, obtained good reputation in the industry. XuanChi design tocreate national line designAs the goal, has cooperation with many international professional design companies, and with greentown group, shimaogroup, transfar group, hangzhou metro group co., LTD., xing yao construction, starbucks to reach a long-term strategy As a partnership.


text:
#ifndef ENTITY_H
#define ENTITY_H

#include "ecs/system.h"
#include "entity_base.h"
#include "utility.h"
#include "utility/asserts.h"

#include <iostream>

/*
Overhead of the Entity Component System:
	One Id per Entity and Component + 1 function pointer per Component
	Components are stored in one vector per type
	Ids are stored in one vector per component type
	Putting components and Ids into the same vector would work, not sure if it would be better. Probably depends on component size.
*/

namespace ECS {
	struct Entity_handle;
	//an Entity can have any type of component added to it
	//note that you cannot add multiple components with the same type, use vector<component> or array<component> to get around that
	struct Entity : private Impl::Entity_base {
		Entity()
			: Entity_base(++id_counter) {}
		Entity(Entity &&other) noexcept
			: Entity_base(std::move(other)) {}
		Entity &operator=(Entity &&other) noexcept {
			std::swap(id, other.id);
			return *this;
		}

		~Entity() {
			assert_all(std::is_sorted(begin(removers), end(removers))); //make sure removers are still sorted
			auto entity_range = std::equal_range(begin(removers), end(removers), id);
			removers.erase(entity_range.first, entity_range.second);
			assert_all(std::is_sorted(begin(removers), end(removers)));          //make sure removers are still sorted
			assert_all(!std::binary_search(begin(removers), end(removers), id)); //make sure we deleted all removers with our id
		}
		//clears all components from all entities
		//must call this at the end of main before destructors of static Entities run, otherwise it may crash due to static initialization order fiasco
		static void clear_all() {
			removers.clear();
		}
		//transfer ownership of this entity to the ECS. It is passed a function that takes an Entity& and returns a bool iff the entity should be destroyed now
		inline void make_automatic(bool (*function)(Entity_handle)) &&;
		static void make_automatic(Entity &&entity, bool (*function)(Entity_handle)) {
			std::move(entity).make_automatic(function);
		}
		//turn to handle
		Entity_handle to_handle() {
			return Entity_handle{id};
		}
		//inherit from Entity_base
		using Entity_base::add;
		using Entity_base::emplace;
		using Entity_base::get;
		using Entity_base::is_valid;
		using Entity_base::remove;
	};

	struct Remove_checker {
		Remove_checker(bool (*function)(Entity_handle), Entity &&entity)
			: function(function)
			, entity(std::move(entity)) {
			assert_fast(this->function);
			assert_fast(this->entity.is_valid());
		}
		//Remove_checker(Remove_checker &&) = default;
		Remove_checker(Remove_checker &&other)
			: function(other.function)
			, entity(std::move(other.entity)) {
			assert_fast(this->function);
			assert_fast(this->entity.is_valid());
		}
		//Remove_checker &operator =(Remove_checker &&) = default;
		Remove_checker &operator=(Remove_checker &&other) {
			assert_fast(other.entity.is_valid());
			std::swap(entity, other.entity);
			std::swap(function, other.function);
			assert_fast(this->function);
			assert_fast(this->entity.is_valid());
			return *this;
		}
		bool (*function)(Entity_handle);
		Entity entity;
	};

	void ECS::Entity::make_automatic(bool (*function)(Entity_handle)) && {
		assert_fast(is_valid());
		System::get_components<Remove_checker>().push_back(Remove_checker{function, std::move(*this)});
	}
} // namespace ECS

#endif // ENTITY_H

redpajama_set_name: RedPajamaGithub


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In this DIY tutorial, you will learn how to replace car battery on Chrysler Crossfire. Instructions in this guide will help you replace the battery on a model such as Crossfire produced in 2004 2005 2006 2007 2008.
Before you get started we recommend that you read the important notes on how to change a car battery. It is important to have the correct battery size for your Chrysler Crossfire.
Before you get started replacing the car battery on your Chrysler Crossfire, step one is to turn off the ignition. Chrysler can be sensitive to voltage drops and keep the key in the ignition can cause electrical problems.
Open hood. In your Chrysler Crossfire, the battery is located under the hood. Pull the hood release to open the hood.
On a Crossfire the battery is located in the engine bay.
Disconnect the negative battery terminal on your Chrysler.
Next, disconnect the positive battery terminal.
Remove battery hold down bracket. Here is a close up picture of the battery bracket on your Chrysler Crossfire.
Remove the bracket. Remove the old battery. Be carefull when lifting up the old battery. It is heavy and if it falls it can hurt you or damage the car.


text:
Why Global Shipping Needs to Improve Security
Categories: BCO/Shipper, Freight Forwarder, Port Drayage, Uncategorized.
Believe it or not, the high seas are still among the world's least regulated and governed spaces — a hotbed for black market business, crime, and other unsavory practices. Though over 90 percent of the world's trade is transported by sea, the prevailing attitude in the maritime world, in terms of security, is surprisingly lax. Because isolated ships crossing open water go largely unobserved, knowing what goes on between ports presents a real challenge.
The global security landscape in 2016 is rife with danger, so it's especially important for every industry to evaluate and update its security practices to keep pace with emerging threats. According to the World Economic Forum, "As society becomes more complex and interconnected, it is essentially becoming more vulnerable."
For an industry like shipping that is already sailing on rough waters, 2016 should be a wakeup call that security at sea (and in the port) needs to improve drastically to match the elevated threat level.
There are a lot of high-tech solutions to the problem of shipping security, but there are also plenty of simple steps shippers can take to improve the situation right away. The new Customs Trade Partnership Against Terrorism (C-TPAT), established after the 9/11 attacks, offers some valuable basic guidelines to shippers looking for ways to shore up security at sea and in the port.
Using checklists to repeatedly ensure your ship is secure seems like a no-brainer, but it's a great start in terms of improving security. Establishing a step-by-step security procedure can help thwart many potential breaches and guarantee the safety of your cargo.
In general, remaining alert and aware of potential security risks can make them considerably less likely to occur. Being prepared for situations like piracy, which has a real economic impact on global shipping, can make a major difference in response. Regular security training for your staff, conducted under guidelines approved by a qualified expert, can help prepare you to protect your cargo against diverse threats.
Stronger Connections
According to the Financial Times, this past January, "540 cargo ships entered European ports after passing through the territorial waters of terrorist hotspots Syria and Libya, as well as Lebanon, for unclear or uneconomic reasons during the course of their voyages." These ships are largely unmonitored at sea because the vast expanse of the oceans makes oversight logistically impossible.
To combat this, ships are becoming more connected and using new technology to stay in constant contact with monitoring stations on land. By streaming a wealth of sensor information to the cloud, it's possible for large ships to be monitored around the clock using automated systems manned by trained security personnel.
However, with this new connectivity comes new risks. As ships become increasingly automated, electronic connections with the outside world can create new vulnerabilities. The new technology on ships makes them safer, more efficient, and reliable, but it's important for shipping companies to engage with new cybersecurity partners in order to ensure any new vulnerabilities are identified and eliminated.
If you need a partner to help you safely and successfully move your products out of port and onto their final destinations, download our ebook — Speeding Time-to-Shelf and Cutting Costs — a must read for today's logistics managers.
< Older Posts Newer Posts >

redpajama_set_name: RedPajamaCommonCrawl


We are so proud of all our teams!! Player efforts are easily seen in the success of our teams!
We have created a page to share team success, stories, standout players, and coaches as well as referees!!
We would love to share your success!!


text:
News » Children » Vietnam
Vietnamese Catholics draw on abuse summit
Bishop supports role for governments and civil laws to combat clerical child sex abuse
Pope Francis prays during the opening of the child protection summit at the Vatican on Feb. 21. (Photo by Vincenzo Pinto/AFP)
ucanews.com reporter, Ho Chi Minh City
The head of Vietnam's bishops, who attended the recent Vatican child protection summit, has called on local Catholics to work together to combat clerical sex abuse.
Archbishop Joseph Nguyen Chi Linh, president of the Catholic Bishops' Conference of Vietnam, said some 194 participants at the February summit, not least Pope Francis, showed bravery in facing up to the challenge.
The archbishop, writing March 1 on a church website, said he was deeply moved by victims who maintained their strong faith while wanting the Church to listen to their accounts of suffering.
The universal Church was ready to tackle abuse cases in a spirit of Christian charity, he added.
Archbishop Linh, 69, noted that sex abuse occurred against a background of different cultures and traditions around the world, so it was difficult to find a "comprehensive solution" to the problem.
A panacea needed to take account of such differences, with local bishops' conferences being given more power to deal with clerical child sex abuse.
He noted that the problem of abuse had not arisen from the Vatican, Western churches or a particular region, but was global in nature. For this reason, governments, legislative structures and political systems should all be involved in responding.
He said the Vatican summit provided an opportunity to strengthen church communion in the fight to protect minors.
Archbishop Linh called on local Catholics to keep calm, willingly listen to victims and "care for abuse offenders".
The prelate also asked them to trust in the "instruction and leadership" of Pope Francis as a symbol of unity in the Catholic Church.
A senior priest from southern Ho Chi Minh City told ucanews.com that he appreciated Archbishop Linh's suggestions.
He said sexual abuse of minors, nuns and women had surely been inflicted by some local priests because the crime exists commonly in a society where people ignored human values to satisfy sexual desires.
"Abuse cases in the country have not come to light because culturally Vietnamese people hide them so as to uphold the honor of victims, priests, families, parishes and communities," the priest said.
Some parents banned their daughters who had sexual relations with priests from going public and even threatened people who knew about such cases.
The priest warned that holding sex abusers to account would take time as people raised their voices to protect victims and prevent the scale of problems that had occurred in some Western churches.
He said the recent Vatican abuse summit would set alarm bells ringing for the Church in Vietnam. It was important for Vietnamese Catholics to become well informed on theological issues involved and the plight of victims.
The priest said the local Church should also give guidelines on "pastoral healing" to victims and not simply transfer clerical offenders in order to hide abuses.
Bishop says he suffered sexual abuse at hands of clergy
Asia's Catholics back pope over sex abuse scandal
Vatican summit to create child protection task force


text:
Religion & Fortune
The YouTuber Revealed That She is Bi-sexual, Here's How The Nation Reacted
Shreyashi Das
It is the lack of awareness in the society that leads to pigeonholing the people whose sexualities are different from the mainstream concept. The soceity still adheres to the archaic concept of man-woman relationship and anybody that violates the preconceived norm, is observed with veiled and awkward curiosity. YouTuber Lilly Singh chose to give them, the moral police cold shoulder and decided to come out of the closet. She admitted that she is bi-sexual and we are completely in awe for her.
Let us give you a brief introduction about Lilly Singh who goes by the stage name 'Superwoman'. She revelaed on social media that she is bi-sexual and called it her 'Superpower'. How cool is that?
Lilly Singh is an Indian-Canadian artiste who excelled and made a name for herself as a comedian, author and UNICEF goodwill ambassador, took to Twitter on Sunday to write: "Female. Coloured. Bi-sexual". The tweet came tailored with three checkboxes ticked green.
She further added, "Throughout my life, these have proven to be obstacles from time to time. But now I'm fully embracing them as my superpowers. No matter how many 'boxes' you check, I encourage you to do the same."
Ever since Lilly Singh's tweet came out in the light, it was retweeted for at least 8,000 times while garnering a whopping 72,000 likes. To tell you, Lilly has over 14 million followers on YouTube. The bestseller book, "How to be a Bawse" is ascrived to her as well. She also bagged a role in HBO's film adaptation of "Farenheit 451" and in 2017, She secured the zenith position in the Forbes Magazine Top Influencers List in the entertainment category.
Here is the much-lauded Tweet of Lilly Singh that really inspired us!
✅ Female
✅ Coloured
✅ Bisexual
Throughout my life these have proven to be obstacles from time to time. But now I'm fully embracing them as my superpowers.
No matter how many "boxes" you check, I encourage you to do the same x
❤🧡💛💚💙
— Lilly Singh (@IISuperwomanII) February 25, 2019
The tweet grabbed eyeballs and the female fans of Lilly Sigh poured congratulatory messages in her Twitter account. They said they really like the spirit of Lilly Singh for speaking her heart out. Many people from the LGBTQIA + community cheered her and she received enormous support from her fans. Lilly Singh didn't forget to thank her fans with a follow-up message. She said that she acknowledge all the love.
Here are some fan messages that could not help gushing over her:
Ahhhh!!! Mee!!! pic.twitter.com/Ye41VgznJ4
— StefyB💚 (@StefyMBrand) February 25, 2019
No wonder, Lilly Singh is a girl boss!
Lilly Singh · YouTuber
4 Reasons Why You Should Not Exit ULIPs Just After the Lock-In Period
A typical day in the year of 2050
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 Linum trigynum (Southern Flax) : MaltaWildPlants.com - the online Flora of the Maltese Islands.
Glabrous annual; stems 10-30 cm, erect or ascending. Leaves 1-2(-3) mm wide, linear-lanceolate to narrowly elliptical, with smooth margins. Sepals 3-4 mm, shortly acuminate with glandular-ciliate margins and setaceous apex. Petals 4-6 mm, yellow. Stigmas linear. Capsule c. 2 mm, subglobose; beak c. 0•3 mm. Homostylous.
S. Europe, extending northwards to C. France and E. Czechoslovakia.


text:
Q: a good way to fill my form, after getting json data i'm working on a small project using VueJs, so i fetch the Mysql data using axios. and i'm going to make the edit option, to edit user profile, i would like to know the better way to fill the form after getting mysql data in json.
my question  is :
what is the best way to fill the form after getting json data. i'm looking for something as vform plugin. or any good way

A: You shouldn't need a plug-in.
In VueJS, you can bind data to a form element using v-model.
So let's say you have an object:
view: {
    foo: 'bar'
}

You can use this ...
<input type="text" v-model="view.foo" />

In this case, when foo is set by your axios callback, the text box will automatically update its value. And likewise, when you change the text in the input, your object will update. This is called two-way binding.

redpajama_set_name: RedPajamaStackExchange


The Girard High School basketball team brought home the Trojans 1st ever Class 3A State Championship this season and now they'd like to bring home the rings!
Each and every one of these boys as well as their coaches worked hard to earn this championship. They all played a huge part in the Trojans success on the court and they all deserve to take home a remembrance of this historic achievement. Each ring is estimated to cost approximately $300 – $400 and we would like to make sure each player and coach are able to have one they can wear with pride. Let's pay it forward to our team and coaches!
Please join many of our local businesses in donating a portion of your sales on Saturday, March 30, 2019 to help fund these purchases. If you would like to donate directly please feel free to mail your donation to Girard USD#248 , 415 N Summit St., Girard, KS 66743. Please make your checks payable to the Girard Booster Club (PLEASE INDICATE IN THE MEMO: RING FUND) or you may drop it off at American Family Insurance 100 S Ozark St., Girard, KS 66743.
The Booster Club is also sponsoring a meet and greet with the team and coaches on Saturday, March 30th. Please see flyer for details.


text:
Robert Massin (13 October 1925 – 8 February 2020) was a French graphic designer, art director and typographer, notable for his innovative experimentation with expressive forms of typographic composition. Massin stopped using his first name in the 1950s.

Biography

Massin was born in 1925 in Bourdinière-Saint-Loup, a commune in the Eure-et-Loir department in north-central France. He began working as a designer following World War II. Massin's immediate influence in the 1950s was innovative French book designer Pierre Faucheux. Faucheux emphasized the idea that each new book should be a new object determined by type choice, proportion and déroulement, the development of a visual concept over several pages. Faucheux also emphasized the idea that the choice of typeface should have some relationship to the meaning of the text. These ideas are apparent in much of Massin's most famous work.

For over twenty years Massin acted as art director of Éditions Gallimard, one of the leading French publishers of books. An early, important work for Massin at Gallimard was his 1963 design for Raymond Queneau's Exercices de style, a book of 99 retellings of the same story, each presented different graphically. Another famous design appeared in 1964 in Massin's graphic interpretation of Eugène Ionesco's play, La Cantatrice chauve (translated as The Bald Prima Donna or The Bald Soprano). The book was a major work of expressive typography, presenting the dialogue of a single play through hundreds of pages of innovative graphic compositions. Massin not only used mixtures of typefaces and new compositional methods to present dialogue, he also formally manipulated dialogue by stretching and bending.

In addition to a large body of visual work, Massin also wrote several books including La Lettre et l'Image (Letter and Image). (His entry in the French Wikipedia presents a more thorough bibliography.) Writing in Eye magazine in a review of a book on Massin, Jan Middendorp credited La Cantatrice and La Lettre et l'Image as follows: "These two masterpieces of typographic eccentricity became hot items among designers and art directors on both sides of the Atlantic, and were especially influential in America, where they helped trigger the post-functionalist approach of graphic design that eventually culminated in the eclecticism of the late 1980s and 1990s."

A 2007 major monograph of his work, Massin, written by Laetitia Wolff and published by Phaidon, was the first Massin monograph to appear in English.  Massin died in Paris on February 8, 2020.

Work

Notable books designed by Massin:
 Exercices de style, by Raymond Queneau, Gallimard, 1963.
 La Cantatrice chauve, by Eugène Ionesco, Gallimard, 1964.
 Délire à deux, by Eugène Ionesco, Gallimard, 1966.
 Conversation-sinfonietta, by Jean Tardieu, Gallimard, 1966.
 Les Mariés de la tour Eiffel, by Jean Cocteau, Hoëbeke, begun in 1966 and published in 1994.

Notable books written by Massin:
 La Lettre et l'Image, Gallimard, 1970.

References

 Hollis, Richard, Massin: Language Unleashed. Eye, No. 16, Vol. 4, edited by Rick Poynor, Emap Construct, London, Spring 1995.
 Heller, Steven, Massin's Typographic Voices. Baseline 37, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2002
 Middendorp, Jan, The Man on Every French Bookshelf. Eye, No. 65, Vol. 17, edited by John L. Walters, Haymarket, London, Autumn 2007.
 Wolff, Laetitia, Massin, Phaidon, 2007. ()

1925 births
2020 deaths
French graphic designers
People from Eure-et-Loir