text:
The Various Kinds of Water Fed pole guideline
Water Heating System Repair or Replace
What Happened To Claire Abbott?, Famous Instagram Model And Where Is She Now?
Last Modified date: November 24, 2019
Claire Abbott
It is always challenging and tough for people to get famous on Instagram but it was a piece of cake for the Instagram model Claire Abbott. The Canadian teenage started off her journey by posting a bikini picture of her on Facebook and without her knowing it became viral on the internet and made her famous. This marked her famous journey on social media but her famous life lasted for a short period of time. She then went ahead to join Twitter, youtube, and Instagram and started sharing her life with people around the world by posting pictures.
1 Passionate about sharing her lifestyle
2 A talent for Music and struggles in her Life
3 Questionable Acquaintances
4 The Horrible Turn in Claire's Life
5 The Aftermath
Passionate about sharing her lifestyle
As she started posting pictures of her online she realized that people were curious about how she lives her daily life. From her traveling trips to her fashion choices, she shared almost everything about her on her social media accounts. She became an open book to all her Instagram followers and there was nothing hidden about her life. The instafamous people often tend to show an inclination towards show business and intend on pursuing acting or singing. Most such people don't have much talent and they are just all talk. Claire was an exception she had the talent in her and had the potential to make it big in other fields.
A talent for Music and struggles in her Life
Clair was an amazing singer and she often posted videos of her singing different hit numbers. Her voice was sweet and had the melody that could match singers of a professional level. But the unfortunate thing was that she was suffering from severe anxiety, depression and even had a bipolar diagnosis. Bad mental health can take a toll on a common person so it definitely can have worse effects on a celebrity who is known by millions of people. She was already suffering from a bad mental state and to have all the increasing attention all the time things must have been hard on her.
Questionable Acquaintances
In 2015 pictures of Claire and an internet-famous person with the name of Dan Bilzerian came to light. The guy had a controversial background and it was rumored that his dad has built a trust fund for him and with that money he travels around the world. His social media accounts are full of pictures with multiple women from around the world. He is a drug addict and has suffered from 2 heart attacks even before reaching the age of 30. He is currently 38 years old. Claire pictured with this guy made all her fans worry because he was a controversial man and getting close to him could be dangerous for her.
The Horrible Turn in Claire's Life
In 2017 all her accounts stopped functioning and she became inactive on social media. This made her fans very curious and people kept wondering about her whereabouts. Soon after that, a statement was released that Claire never wanted to become a model and she wants to focus on her music career. Many went on to speculate that she might be dead and isn't alive anymore. These speculations don't really seem to be true because someone is dead their records can be easily found and a death confirmation can be made anytime.
Read More: Evelyn Lozada Net Worth
People are still guessing about her whereabouts and still hoping that she would return someday. Her old pictures and videos are still viral on the internet and are even used on many dating sites by scams and frauds. We hope that she is somewhere in Canada enjoying her life and music and she might return to the world of social media someday.
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noNexistent nothiNg: who am i?
I oughtn't to be made to do things against my wishes.
Its a violation of my spiritual integrity.
I oughtnt to be made to work without passion.
Its a non consummation of my mental sensuality.
I oughtnt to be made to spend my life at the stake.
Its an insinuation at my immortality.
I am but a co-existent duality.


text:
What does FOAM stand for?
FOAM stands for Foam Optics and Mechanics
See other definitions of FOAM
We have 22	other meanings of FOAM in our Acronym Attic
FOAM
MLA style: "FOAM." Acronym Finder. 2021. AcronymFinder.com 18 Jan. 2021 https://www.acronymfinder.com/Foam-Optics-and-Mechanics-(FOAM).html
Chicago style: Acronym Finder. S.v. "FOAM." Retrieved January 18 2021 from https://www.acronymfinder.com/Foam-Optics-and-Mechanics-(FOAM).html
APA style: FOAM. (n.d.) Acronym Finder. (2021). Retrieved January 18 2021 from https://www.acronymfinder.com/Foam-Optics-and-Mechanics-(FOAM).html
Foundations of Aspect Languages (workshop)
Freak on A Leash (song by Korn)
Friends of Animals League (UK)
Friends of Appleton Library (Appleton, WI)
Friends of the Alexandria Library (London, England, UK)
Fast Ocean Atmosphere Model (research project)
Fiber-Optic Gamma Ray Alpha Measurement
Finnish Open Air Museum (Haukivuori, Finland)
First Office Action on the Merits (USPTO)
First Office Application Manual
Forecasting Ocean Assimilation Model (British Navy meteorological model)
Formant of Apparent Morphology
Friends of Arcata Marsh (Arcata, CA)
Fundamentals of Advanced Math
Friends of Airedales Memorial Fund
Fraternal Order of Air Mail Pilots
Friends of African Nursing (UK)
Friends of American Old-Time Music and Dance (UK)
Father of All Posters
Friends of Abandoned Pets (Canada)

redpajama_set_name: RedPajamaCommonCrawl


As information technologies evolve, continuing education is essential for current and new IT professionals to enhance their skills in programming, database technology and administration, web development and networking.
Our Certificate in Applied Studies (CAS) in Information Systems prepares IT professionals for these challenges. The certificate provides a credential for students changing careers, professional development for seasoned IT professionals or the prerequisites for graduate study in information technology or management.
The CAS in Information Systems requires at least 21 semester hours, generally taken in six or seven classes. Those seeking to address prerequisites for graduate programs in IT or business can take classes in telecommunications or LAN, systems analysis and database design in order to address those requirements.
As a post-bachelor's certificate, the CAS is a valued credential to employers seeking professionals who maintain their skills through on-going learning and professional development. The CAS also demonstrates to graduate school admissions personnel a commitment to remaining abreast of the latest theory and practice in information systems.
Our small class sizes (the average is 12-15) combined with our adjunct professors who are themselves professionals working in information systems fields provide opportunities for personalized attention, mentoring and networking with peers and professors.
Check out the careers available to those who earn credentials in information systems.
An earned bachelor's degree is prerequisite to enrollment in this certificate program.
21 semester hours from the courses listed. Students considering future graduate study should check entrance requirements for several programs before making selections. Graduate programs generally require ISYS 302U, ISYS 306U, ISYS 311U, and/or ISYS 355U as undergraduate prerequisites.


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Home Register Schedule About Expo Contact Sitemap
Mon 09 Feb
Tue 10 Feb
Wed 11 Feb
Location: Manhattan Ballroom (8th Floor)
Continental Breakfast (1h)
Introduction to XML for Publishers
Location: Columbia -Duffy (7th Floor) Level:
Eric Severson (Flatirons Solutions)
Back by popular demand, this tutorial discusses how XML is central to many exciting publishing initiatives, especially bringing existing content to new media and devices. For nearly all publishers, forging into the future will involve XML. High-level and business-oriented, this session will peek under the hood to see what's happening without dwelling on technical details. Read more.
Location: Broadway North (6th Floor) Level:
Chris Brogan (New Marketing Labs)
You're worried about cost, control, and being consumed by the effort that blogging and social media seems to take. Or maybe you've heard that this is what you should do but don't have actionable first steps. Come to this session a novice and leave a knowledgeable implementer of social media strategies and tools. Read more.
eBooks I: Business Models and Strategy
Location: Broadway South (6th Floor) Level:
Michael Smith (International Digital Publishing Forum), Kenneth Brooks (Cengage Learning), Leslie Hulse (HarperCollins Publishers), Cynthia Cleto (Springer Science+Business Media)
Get a comprehensive overview of the basics of eBooks including business issues driving ePublishing, business characteristics, business models, areas of experimentation, challenges and trends. In association with the International Digital Publishing Forum (IDPF), we'll consider each of these aspects across Trade, Higher Education, Reference and STM Publishing. Read more.
Copyright in Today's Digital Age
Location: Chelsea-Gotham (7th Floor) Level:
Dru Zuretti (Copyright Clearance Center), Christopher Kenneally (Copyright Clearance Center)
Produced specifically for the publishing community, this tutorialfocuses on the basics of U.S. copyright law, including a copyright holder's privileges and obligations, and when permission may be required. The session will include topic overviews, examples, and opportunities for discussion. Read more.
Location: Atrium (8th Floor)
Lunch (1h 30m)
XML in Practice: Formats, Tools, and Techniques
Norman Walsh (MarkLogic Corporation ), Bill Kasdorf (Apex Content Solutions), Bob Kelly (The American Physical Society), John Gardner (ViewPlus Technologies, Inc.), Marisa DeMeglio (DAISY Consortium)
This tutorial will demonstrate practical solutions for producing content in formats that are friendly to a wide audience while still maintaining quality. Focusing on different models of "book" presentation, we'll explore everything from eBook and audio book production to DAISY, SVG, and even VoiceML generation, demonstrating how all of these advances in publishing tie into XML accessibility. Read more.
Building Communities Around Content
Francois Gossieaux (Beeline Labs & Society for New Communications Research), Ed Moran (Deloitte Services LP)
Original content is an excellent catalyst for web community development, which means publishers are uniquely positioned to build relationships with established communities, and perhaps even grow their own. In this session, we'll look at ways content can form the foundation of a web community effort. Read more.
eBooks II: Formats, Standards, and Implementation
Joshua Tallent (eBook Architects, now Firebrand Technologies), Keith Fahlgren (Safari Books Online), Garth Conboy (eBook Technologies, Inc.)
The second of our two-part series on eBooks, this tutorial is all about implementation. We'll show you how to make your books into digital masterpieces; cover the ePub format, discussing its special features and unfortunate pitfalls; and we'll take a look at the capabilities of the current ePub readers and how you can make them work for your particular eBooks. Read more.
Understanding and Profiting from Print On Demand
Ashley Gordon (Mockingbird Publishing)
Print on demand (POD) can counter rising costs and inefficiencies, but publishers shouldn't view it as the cure to all their ills. In this session we'll take a realistic look at POD technology, business models, strengths and weaknesses, and innovative uses. Read more.
Opening Cocktail Reception (hosted by Mediabistro.com and O'Reilly Media)
Location: Zanzibar (9th Ave and 45th Street) Level:
We're kicking off the conference with a cocktail reception Monday evening at Zanzibar (9th Ave and 45th St.) Read more.
Continental Breakfast - Sponsored by codeMantra (1h)
A Book is a Place...
Bob Stein (Institute for the Future of the Book)
tbd Read more.
Literature as a (Web) Service
Peter Brantley (BookServer Project)
The explosion of publications on the web, in combination with increasingly ubiquitous broadband networks, accessible from ever-more mobile computing platforms, leads us to consider how literature might serve as a collection of data to enable new services on the web. Read more.
Digital Distribution and the Whip Hand: Don't Get iTunesed with your eBooks
Cory Doctorow (EFF)
Location: Exhibit Hall (6th Floor)
Morning Break - Sponsored by Ingram (30m)
Verso Reader Channels™: Building Bestsellers Through Targeted Vertical Ad Networks
Jack McKeown (Books & Books Westhampton Beach), Tom Thompson (Verso Advertising)
Learn how to optimize the online reach and cost-effectiveness of your book marketing campaigns. Verso's vertical ad network targets and engages the consumers you want to capture, utilizing the latest in contextual, demographic, behavioral and retargeting technology and more than 4,300 specialty content websites with over 110 million monthly unique visitors. Read more.
Google Book Search: Past, Present, and Future
Jon Orwant (Google)
Google is trying to make every book in the world findable on the web, and so far has digitized seven million of them. In this talk, I'll describe some of the features we provide for publishers, and give a sneak peek at some upcoming developments. Read more.
Extending the Publishing Ecosystem, Sharing Greater Wealth
Dan Gillmor (The Guardian/Arizona State University's Cronkite School of Journalism & Mass Communication)
We know now that many books, especially timely non-fiction, can become major elements of intellectual ecosystems -- including blogs, websites, magazine excerpts, speaking gigs, consulting and more. In the future those various activities could become part of a business ecosystem as well, where all work to the benefit of each other in more direct financial ways Read more.
Taking Open Source Publishing Further: Tools from the Open Publishing Lab at the Rochester Institute of Technology
Patricia Albanese (Rochester Institute of Technology), Matthew Bernius (Open Publishing Lab at the Rochester Institute of Technology), Michael Riordan (Open Publishing Lab at the Rochester Institute of Technology), Tona Henderson (Rochester Institute of Technology)
RIT's Open Publishing Lab will present a suite of open-source applications, currently under development, that enhance and extend current publishing platforms, including a tool to automatically convert wikis and blogs into ready-to-print books, Drupal extensions that allow near-instantaneous news gathering and publishing across multiple media, and a game that uses print to enable social networking. Read more.
Authoring Challenges in a Multiplatform World
Location: Empire-Hudson (7th Floor) Level:
Scott Meyers (Independent Author and Consultant)
How should authors approach their task, given that what they produce may or may not appear in printed form, may or may not have color available, may or may not be able to display dynamic content, may or may not have Internet access available, and may be viewed on devices ranging from widescreen monitors to cell phones -- unless it's consumed as audio? Read more.
Interactive Data Works Smarter, Not Harder with Intelligent Agents
Location: Harlem (7th Floor) Level:
Matt Jacobson (Connotate), Michael Hunziker (Interactive Data Corporation)
Interactive Data deployed hundreds of intelligent software Agents to address the recurring manual processes of data monitoring, collection, alerting and file download. Connotate's Agents increased overall quality and timeliness of data while reducing staff hours required for daily processing. Acting as productivity amplifiers, Agents deliver strong ROI by enabling a "Work Smarter" culture. Read more.
Sparking an E-Book Revolution through a Self-Serve Model
Sameer Shariff (iPublishCentral)
Electronic publishing is the future. Publishers are stepping up efforts to implement their online strategies to gain visibility, understand their customer and establish a direct relationship with them. Publishers are looking for a solution that removes high costs and time barriers and offers a way to experiment with different online business models. Read more.
Bringing Sexy Back to The Book Party in the Digital Age
Laurel Touby (mediabistro.com)
Remember the book party? It's the one-night only, martini-fueled marketing tool publishers have used for decades as a platform for building buzz around a fresh new book. They're seen as the lavish French kiss publishers give their authors before the long road of big book sales. There's just one problem- they don't work. Read more.
Building a Better Web-based Book
CJ Rayhill (Safari Books Online), Travis Alber (Publicis Lifebrands Medicus / Digitas Health), Aaron Miller (ReadSocial), Liza Daly (Safari), Ben Vershbow (New York Public Library), Dave Gray (XPLANE)
Developing a digital reading interface raises social, aesthetic and technical challenges. Panelists in this session will talk about interface development (web-based vs. client-based), technical decisions, community requirements and intellectual property issues. Read more.
How Progress Happens: Leading the Human Side of Change
Scott Berkun (Berkun Consulting)
Talking about change is easy - making change happen in most organizations is ridiculously hard. But there are things we can learn from the history of technology, political revolution and change, and there is a playbook we can reuse to help us avoid easy mistakes and seemingly popular, but actually self-defeating approaches. Read more.
Adapting Your Financial Models for eBooks
Stephanie van Duin (Hachette Book Group)
Publishers, authors, and retailers all want to know: Do eBooks require a different cost structure? Using examples from actual projects, this session will look at the affect eBooks have on profit and loss development, business models, and costs. Read more.
The Google Settlement: Opportunities for Publishers through New Online Business Models
William Rosenblatt (GiantSteps Media Technology Strategies), John Kreisa (Mark Logic)
The recent landmark settlement between Google and book publishers has the potential to revolutionize online publishing; it sets the stage for a vast array of new business models. Will you be ready to reap the rewards? Will you be able to organize and deliver your content in the way that Google – and other online services – can use it to increase your revenue and exposure? Read more.
Lunch - Sponsored by DPCI (1h 20m)
Adobe Digital Publishing: Authoring to Distribution to the Mobile eBook Customer
Bill McCoy (Adobe Systems Incorporated)
This session will present Adobe's open, cross-platform digital publishing solution, demonstrating content creation tools for PDF and EPUB, servers, Rich Internet Applications for downloadable distribution as well as new mobile support for EPUB and PDF distribution. The focus will be on Adobe's vision for the future of digital texts beyond "print page replica" models and traditional eBooks, Read more.
The Rise of eBooks
Mark Coker (Smashwords, Inc.), Joe Wikert (O'Reilly Media, Inc.), April Hamilton (April Hamilton), David Rothman (TeleRead.org), Russell Wilcox (E Ink)
eBooks, written off just a few years ago as a massive failure, are on the rise again. According to the latest industry data, ebooks are the fastest growing segment in an otherwise stagnant trade book industry. This panel discussion, moderated by Mark Coker, will cover the latest trends in the ebook business and provide publishers with actionable strategies to profit from the rise of ebooks. Read more.
Rights and Licensing Amidst Digital Change
Edward Colleran (Copyright Clearance Center), Nancy Wiley (John Wiley & Sons), Greg Merkle (Dow Jones Enterprise Media Group), Hadrien Gardeur (Feedbooks)
Digital publishing creates opportunities for ancillary products, customization, sharing within online communities and mashups to name a few, but it also opens the door to new rights, licensing and copyright questions. Read more.
Riding the Social Networking Wave to Democratize Book Distribution and Increase Profits: How Social Networking Connects Self-Published Authors to Their Audience
Krishna Motukuri (Lulu.com), Mike McGuinness (Scribd)
Author Storefronts, Widgets and Social Networking Apps, Oh My! "This panel discussion will feature Krishna Motukuri, SVP at Lulu.com,and weRead founder discussing how POD advances made self-publishing a viable alternative to the traditional publishing model – giving authors more control over their book's future. Read more.
If Shakespeare Had a Hard Drive: The Challenge of the Born-Digital Belletrist
Matthew Kirschenbaum (University Maryland)
This talk will consider the collision of the born-digital and traditional belles-lettres. What happens to authors' original "manuscripts" when they're written electronically? Who saves multiple drafts and revisions of the files? Are writers beginning to turn over their computers to archives as part of their "papers?" What will happen when scholars work with this material years down the road? Read more.
Optimizing Distribution + Maximizing Control + Channel Transformation = The Perfect Trifecta for Publishers
Russell P. Reeder (Media Temple, Inc.), Chris Odom (LibreDigital)
The digital revolution has often provoked more questions than answers. That's because content owners have always needed to balance a desirable breadth of distribution options with the need to exercise control over copyrights and a profound and correct perspective on where proprietary content has been distributed. Read more.
Large Print and Beyond: Accessing New Markets through Accessible Format Publishing
Tricia Roth (ReadHowYouWant)
Technological innovation⎯digitization, XML, POD⎯together with a growing legion of baby boomers, have opened the doors and created demand for accessible publishing. New technologies enable publishers to offer books in any way readers want to read them. Ebooks, large print, super large print, braille, DAISY & audio formats are the future of publishing Read more.
What's Your Mobile Strategy?
Kate Eltham (Queensland Writers Centre), Marc Prud'hommeaux (Lexcycle), Brent Lewis (Harlequin), Peter Brantley (BookServer Project)
More than half the world's population now has a mobile phone. What are the benefits of integrating a mobile content strategy into your publishing process? Can you afford to ignore it, or push it to the edges of your business? Read more.
Smart Women Read eBooks
Kassia Krozser (Booksquare.com), Angela James (Carina Press), Sarah Wendell (Smart Bitches, Trashy Books LLC)
While the publishing industry waits for ebooks to become the next big thing, a thriving ebook market targeted largely toward women has developed a loyal reader base, moved into territory traditionally occupied by mainstream publishers, and changed the rules when it comes to pricing books and compensating authors for their work. Discover how you can learn from these success stories. Read more.
XML Recommendations and Lessons Learned: The StartWithXML Project
Mike Shatzkin (The Idea Logical Company, Inc.), Laura Dawson (Bowker), Brian O'Leary (Magellan Media), Ted Hill (THA Consulting)
Based on the results of six months of research, surveys, interviews, and analysis, the StartwithXML project offered a clear argument for developing intellectual property as XML documents from the outset. Read more.
Pricing Digital Products
AN AN (O'Reilly Media, Inc.), Sara Lloyd (Pan Macmillan), Neelan Choksi (Lexcycle)
Is $9.99 the new "normal" for ebook pricing? Or is the sweet spot closer to $3.99, or $1.99, through the iTunes store? As the age of ebooks dawns, publishers are struggling to find pricing that works for their customers and their business models. Read more.
Dynamic Publishing: Addressing the Evolution of Publishing Head-On
Rainer Heckmann (Quark, Inc. )
Due in large part to the proliferation of communication channels – print, Web, email, mobile - today's publishers face dramatically evolving requirements for the creation, production, and distribution of content. Dynamic publishing offers benefits across the publishing value chain to help organizations meet these market pressures. Read more.
Afternoon Break - Sponsored by Sterling Commerce (45m)
What Would Google Do with Publishing?
Jeff Jarvis (Buzzmachine.com)
Manifesto 2.0: What Does the Future Look Like for Publishers?
Sara Lloyd (Pan Macmillan)
Exploring a book publisher's manifesto for the twenty first century. Read more.
Jason Fried (37signals)
Technology and Human Nature
Jason Epstein (On Demand Books)
Exhibit Hall Reception
Location: Exhibit Hall (6th Floor) Level:
Have a drink and mingle with fellow TOC participants and visit with sponsors during this informal evening event. Read more.
Expanding on Sara Lloyd's "A Book Publisher's Manifesto for the 21st Century"
Moderated by : David Wilk
Come join us as we examine and debate elements of Sara Lloyd's "A Book Publisher's Manifesto for the 21st Century." Read more.
Lightning Demos / Roundtables
Tuesday's evening events continue with Lightning Demos and Roundtables. Read more.
How to Help Authors Sell Books: An Author Platform Checklist
Moderated by : Christina Katz
What are basic elements of an author's platform that need to be in place prior to a book's launch? Based on her book, GET KNOWN BEFORE THE BOOK DEAL, Christina Katz will cover the steps every author must take in order to lay a solid platform foundation and then open up the discussion to address challenges, strategies, and how publishers and technology can help. Read more.
Managing Change: When Soft Skills are the Hard Part!
Moderated by : Ann Michael
The hardest part of implementing a publishing system is not the technology. It's the people! Explore a holistic approach to managing change in a publishing environment. Discuss how to identify and overcome change resistance regardless of its source. Consider how to manage the competing needs of different departments. Learn from others' experiences, both the triumphs and the failures. Read more.
Standards Impacting Publishing Technology - Update on Ongoing Projects
Moderated by : Todd Carpenter
Standards impact publishing in a variety of ways, from content formats such as .epub, NLM DTD, and other XML styles; to identifiers for content and subscribers, to interoperability, metadata, search and authentication. There is a variety of ongoing work at the national and international levels that will impact-hopefully improve-the publishing community. This roundtable will explore these projects. Read more.
Location: Shubert Level:
Moderated by : Scott Meyers
A companion to Scott Meyers' talk of the same name, this roundtable is for people interested in the challenges authors face in writing manuscripts designed for publication in print, electronic, and in audio forms. Topics aren't limited to those in Scott's talk, and everyone is welcome, regardless of whether they attended Scott's presentation. Read more.
Distributed Sales Channels: Leveraging the Network to Sell More Books
Moderated by : Fraser Kelton
The web is vast. Are you leveraging the distributed nature of the web to drive more sales? Traditionally, online book communities have been viewed as tools to market and promote books. This roundtable will explore a few case-studies on how to turn these distributed communities into direct sales channels, driving book sales. Read more.
Strategies for XML Content Management Initiatives
Moderated by : Kathy Shannon
With a mandate to implement XML, and content management across your organization, how do you develop a strategies for a successful initiative? And what are the pitfalls that detract from success? Read more.
How to Formulate Your Online Strategy
Moderated by : Sameer Shariff
As the Internet permeates the publishing industry, the traditional publishing model has been turned on its side. This roundtable provides a platform for discussion on challenges faced by publishers in digital publishing and the evolving trends and business models. Read more.
Technology Roundtable: Q&A on Best Practices in Content Technologies
Moderated by : Joseph Bachana
This roundtable will be focused on reviewing what companies are doing today with regard to digital asset management, web content management, XML repositories, natural language processing tools, and multi-channel/mashup applications. The hope with this session will be to cut past the hypothetical and get more into the real-life scenarios for implementing a next-generation content platform. Read more.
Building a New World Publishing Business: Lessons from Stanza
Neelan Choksi (Lexcycle)
In this keynote, Lexcycle's Chief Operating Officer Neelan Choksi will share the lessons learned from delivering the Stanza Reader iPhone Application to the market. Read more.
The Narrative is Changing: Sensors, Social Editors and the New Storytelling
Nick Bilton (The New York Times R&D Labs)
Reasons To Be Excited
Tim O'Reilly (O'Reilly Media, Inc.)
Morning Break (45m)
Doing More with Safari Books Online
CJ Rayhill (Safari Books Online)
Safari Books Online is an on-demand digital library that provides one integrated source for over 7300 expert reference and learning materials from leading publishers. This session will provide actual interaction with the site, which includes exclusive access to the collections of O'Reilly Media, Peachpit Press, Cisco Press, Addison-Wesley, Read more.
CEO Roundtable: The Changing Role of the Publisher
Joe Wikert (O'Reilly Media, Inc.), Clint Greenleaf (Greenleaf Book Group), Michael Hyatt (Thomas Nelson), Bob Young (Lulu.com), Eileen Gittins (Blurb)
The goal of this session is to talk about the evolving landscape of publishing and how the worlds of traditional publishers and self-publishers are converging. Author platform is more important than ever before. How do both types of publishers leverage this? What are each doing to help authors build their platforms? Read more.
eBooks: How Soon Is Now
Peter Balis (Wiley)
The digital landscape has changed dramatically over the past few years and Wiley, like many other publishers has worked tirelessly to stay ahead of the curve by anticipating trends in technology and consumer behavior while managing costs and workflows. It is at once an extremely exciting time and a difficult time as seemingly every day brings a new eReader or proprietary format to the fray. Read more.
New Reading Habits, New Distribution Models
Peter Brantley (BookServer Project), Susan Danziger (DailyLit), Sol Rosenberg (Value Chain International, Ltd.), David Wilk (Booktrix), Caroline Vanderlip (SharedBook Inc.), Jamie Carter (Publisher Alley)
We are in a transitional period: basic reading and distribution patterns are carrying over from traditional models, but these methods are also being shaped by new habits and systems that are only beginning to emerge. This panel will discuss the implications of this reading/distribution transition, the new economics at play, and the impact technology will have on future reading. Read more.
Survey of Current E-Readers
Liza Daly (Safari), Keith Fahlgren (Safari Books Online), Anusha Nirmalananthan (Plastic Logic, Inc. )
What's it like to read your books on a Kindle? Can consumers put your content on their Sony Reader? Could you stand to read War and Peace on an iPod Touch? In this session, we'll review the current set of popular e-readers with a focus on the reading experience: ease of use and purchase, navigation, fonts and layout. Read more.
Unleashing The Power of the Unbound Book
Walter Walker (codeMantra LLC), Melissa Lutchkus (CodeMantra, LLC)
Gone are the days when a book was simply a physical assembly of folded and gather pages, bound as a series of chapters in a case or paperback perfect binding. Gone are the days when the only formats publishers had to concern themselves with were hard cover, trade paperback or mass market paperback. In today's world a book can be a file format; Read more.
Striking the Right Balance - Print, POD and Digital
David Taylor (Lightning Source, Inc.), Frank	Daniels (Ingram Digital)
Publishers are increasingly faced with decisions about where to make the investments to maximize their opportunities. Consumers are demanding more flexibility and speed in the ways that they purchase content. Digital options continue to emerge, while print is very much with us. Developing the right balance is difficult. Read more.
The Long Tail Needs Community
Gavin Bell (gavinbell.com)
Working the long tail of sales is an excellent plan in these leaner times. The other pieces are falling into place, ebooks and on demand printing, but how can you find out what is happening inside the long tail. Social networks are an effective means of interacting with your community. This talk will explain the what, why, and how of creating a successful community and how to make better books. Read more.
Challenging Notions of "Free"
Brian O'Leary (Magellan Media), Mac Slocum (O'Reilly), Chelsea Vaughn (Random House)
As digital content has become more available and more commonly distributed in book publishing, fears of piracy and lost sales have grown. The rise of peer-to-peer file sharing sites has likely amplified these fears. While the debate over the impact of "free" content has been at times heated, the discussions are more often than not characterized by a lack of hard data. Read more.
Lessons from a Book's Simultaneous Publication in Print and on the Web
Stephen Smith (Zondervan)
Learn how Crossway Books managed a simultaneous print and web launch of a new reference book. We'll focus on how integrating digital planning into our workflow resulted in a better product at lower cost, and why other publishers should consider doing something similar to gain digital expertise. Read more.
Understand Your Consumer BEFORE You Define Your Strategy
Angela D'Agostino (Proquest), David Thompson (Random House Publishing, Inc.)
Publishers historically have had little information on the end consumer (the reader) of their products (books). The times as well as the tools have changed that are now available to inform strategic decisions. Come and listen to interesting stats on consumer book buyer behavior and how publishers are using this data to inform decisions about how to best target their audience online and offline. Read more.
How Design-driven, Automated Publishing Can Improve Your Product
Chandi Perera (Typefi Systems)
It is a misconception that automated publishing inherently means bland or apparent cookie-cutter design. By creating a standard taxonomy, leveraging industry-standards such as XML, Word and InDesign, it is possible to create highly-designed products that are capable of easily changing based on market demands. Read more.
A Post-Hype Playbook: Compete to Win in the eBook Marketplace
Vincent Henderson (Innodata Isogen)
For years, eBook sales have failed to match the lofty visions of industry observers. But now, as sales of eBooks are expected to continue growing in 2009 and beyond, many leading media, e-commerce and publishing companies are making plans to take advantage of this market's potential. Read more.
The Future of News
Andrew Nachison (We Media), Nick Bilton (The New York Times R&D Labs), Jeff Jarvis (Buzzmachine.com), susan mernit (HACK THE HOOD), Matt Thompson (Reynolds Journalism Institute)
If we accept that media will never return to its pre-Internet form, what lies ahead for news? How will we use current and future digital tools to craft and disseminate information? What lessons can publishers of all types learn from the news industry's digital transition? A panel of media experts will discuss these topics and others in this forward-looking session. Read more.
What Happens When Anyone Can Edit Your Book, Online?
John Broughton (Author of an O'Reilly book)
The book "Wikipedia: The Missing Manual" teaches readers how to edit online Wikipedia articles. O'Reilly Media, the publisher, and the Wikimedia Foundation, the owner of Wikipedia, agreed to post this book online, on the Wikipedia website, as fully editable content. This talk discusses the challenges of getting a book into wiki format, to be editable, and what happened after the book went online. Read more.
If at First You Don't Succeed: Using Agile to Relaunch XML at Cengage Learning
Greg Shepherd (Cengage Learning)
Making change, like implementing XML in a publishing environment, is never easy but how change is introduced can have a big impact on its success. This talk will tell the story of the human challenges Cengage Learning faced when it used a top-down model to implement XML-based workflows. It will also discuss how using Agile principles to relaunch XML has turned users into change agents. Read more.
Building Old World Publishing Values into New World Automated Workflows
Phil Zuckerman (Applewood Books)
As more and more of the publishing process is automated, how does a publisher insure the kind of quality that can maintain or build a brand of excellence? Through real examples of challenges and solutions, publishers will be led step by step through the planning and development process of a small reprint publisher in its pursuit of business scale without loss of quality. Read more.
Anatomy of a Content Platform
Joseph Bachana (DPCI)
As publishers are increasingly moving to make investments in their digital strategy, there are questions about what are the technologies that will best support that strategy. Mr. Bachana will present how DAM, XML servers, Web content management systems, text mining engines and multi-channel technologies support the publishers' digital needs, which you need today and which are not as critical. Read more.
SamePage: SaaS Production Management Workflow
Steve Jewett (Appingo)
SamePage is web based, schedule-driven, and addresses the common publishing production management issues. SamePage tracks status, tasks, reporting, budgeting, talent sourcing, content management, and forecasting with a sane user experience. SamePage is built on a foundation of scalable, open source technologies, including the Apache web server, PostgreSQL RDBMS, and Python programming language. Read more.
Success Stories and Failures in Digital Publishing
Mike Shatzkin (The Idea Logical Company, Inc.), Maria Bonn (University of Michigan University Library), D.C. Denison (The Boston Globe), Jesse McDougall (Me), Andrew Bolwell (HP), Andrew Malkin (Overbrook Consulting Group)
A growing industry requires experimentation, and experimentation inevitably leads to stories of success and failure. In this frank discussion, panelists will recount their digital content wins, losses, and lessons learned. Read more.
Greening the Book Industry: The Environmental Challenge and How We're Responding
Michael Healy (Book Industry Study Group), Andrew Van Der Laan (Random House, Inc.), Kevin Spall (Thomson Shore)
This session will feature a round-table discussion with industry experts explaining the ways in which the book industry is responding to the mounting pressure to "green the presses." Read more.
Making an Impact with Travel Content - in Print, Online, and Mobile
Rob Flynn (John Wiley & Sons), Brice Gosnell (Lonely Planet Publications), Cree Lawson (Travel Ad Network), Nathan Clapton (TripAdvisor), Ensley Eikenburg (Frommer's )
Travel publishers have been particularly successful in leveraging their content in multiple formats, while continuing to maintain book sales. Why have travel publishers been successful and what can other publishers learn from them? A panel of experts will discuss how multiple platforms can strengthen brands and grow vibrant publishing businesses. Read more.
Speaking the Same Language: Universal Technology Standards in Publishing and Bookselling
Kevin Smokler (Kevin Smokler enterprises), Otis Chandler (Goodreads.com), Tim Spalding (LibraryThing), Kirk Biglione (Oxford Media Works), Colette Vogele (Vogele & Associates)
Increasingly the publicity and operations of the book business involve the movement of data as much as physical product. This talk discusses the use of universal technical standards for all stages of the publishing supply chain, particularly for publishing professionals who have no idea what universal standards are. Read more.
Where Do You Go with 40,000 Readers? A Study in Online Community Building
Ron Hogan (Shelf Awareness), John Scalzi (Scalzi Consulting), Patrick Nielsen Hayden (Tor Books), Tobias Buckell (self-employed)
John Scalzi is the science fiction author whose personal blog, Whatever, has built up an audience of approximately 40,000 daily readers and won a Hugo for best fan writing. Patrick Nielsen Hayden is the editor at Tor who saw a novel Scalzi published online and saw a future "New York Times" bestseller in the making. Publishing industry observer Ron Hogan talks with them about how it all happened. Read more.
Youth and Creativity: Emerging Trends in Self-expression and Publishing
Evangeline Haughney (Adobe Systems Incorporated), Bill Westerman (Create with Context)
Youth are approaching digital self-expression and publishing from a more organic, collaborative angle than previous generations. They jump right in when the creative urge strikes, collaborating with others from around the globe, and "publishing" an ongoing stream of of-the-moment, mashed-up, throw-away media. Learn more about the research findings on youth and the future of creativity. Read more.
Blogging as a Tool for Change
Michael Hyatt (Thomas Nelson)
Veteran blogger Michael Hyatt shares the basics of blogging. He will share why he believes blogging is an important tool for businesses today and then introduce how to get started blogging. Read more.
Topics from the TOC Tag Cloud
Mac Slocum (O'Reilly), Kassia Krozser (Booksquare.com), Kirk Biglione (Oxford Media Works), Brian O'Leary (Magellan Media), Kat Meyer (O'Reilly Media, Inc. )
The tag cloud featured on the Tools of Change for Publishing blog is an organic representation of the important topics, companies and themes that consistently bubble up in TOCcoverage: e-readers, ebooks, mobile devices, revenue streams (or lack thereof), and more. Read more.
Afternoon Break (35m)
Good News from the Worst Writing Contest in the World
Chris Baty (NaNoWriMo)
National Novel Writing Month founder Chris Baty will talk about NaNoWriMo's improbable ten-year history and share some of the event's deeply hopeful signs for the publishing industry. Read more.
The Open-Source Coffee Table Book: Publishing Pop Culture in the Digital Age
Nina Paley (Nina Paley Productions, LLC)
Why should techies have all the fun? The few publishers to embrace open content focus primarily on technical books. But an increasing number of artists and pop culture creators are seeking alternatives to copy restricting their works. What works for Cory Doctorow's science fiction can also work for graphic novels, art and coffee table books. Read more.
View a complete list of TOC contacts


text:
Criterio de Selección
We prepare, connect, and accompany social entrepreneurs to raise the capital they need to scale up their impact.
A world where sustainable social businesses have access efficiently and fairly to good capital.
What does Kaya mean?
Kaya means save and multiply in Mixteco, an ancient language and group of Mesoamerican people from Oaxaca, Guerrero, and Puebla. Kaya also has a positive significance in other languages around the world, including: home in Zulu, village in Swahili, prosperity in indonesian, and rock in turkish.
Antoine Cocle
Antoine is the CEO and founder of Kaya, where he leads the growth of the company as well as the investment advisory services. Before founding Kaya, Antoine led SVX Mexico's Venture Services and was the Managing Director and Co-Founder. Previously, Antoine consulted for a Mexican High Net Worth family helping them develop an impact investment thesis and was Director of Entrepreneur Services at Agora Partnerships, where he managed the accelerator and the Capital Advisory Services area. Before dedicating himself to fostering social entrepreneurship, he was working in the financial sector, at AXA and JPMorgan.
Antoine has a Master's in Public Administration from Columbia University and a Master in Business Engineering from the Solvay Business School (Belgium).
Natalie Vergara
Director of Operations and Development
Natalie is Director of Operations and Development at Kaya, managing client relationships and investment advisory services. She has 9+ years of experience in finance and business consulting. Before joining Kaya, she worked for the Food and Agriculture Organization of the United Nation (FAO) promoting inclusive business models that generate social and economic value. Previously, she was at Accenture on capital market consulting services. She has also spent time as a business consultant for startups and provided advisory services on financial risk management.
Natalie has a Master's in Development Economics from Tor Vergata University (Italy) and a Bachelor´s in Industrial Engineering.
Anne Rambaud
Anne is Senior Associate at Kaya. She has over 6 years of experience in consulting in finance and strategy. She worked in 3 different countries, and co-founded 2 social consulting organizations in France and Mexico. Before joining Kaya, Anne worked at Agora Partnerships where she directly advised +10 social entrepreneurs in strategy and finance to prepare them for investment and Due diligence processes. Previously she was Manager in Strategy and M&A Consulting at Deloitte Mexico and she also worked as a consultant in Corporate Finance-M&A at PricewaterhouseCoopers Mexico.
Anne has a Master in Corporate Finance and Strategy from Sciences Po Strasbourg, France
Javier Peralta
Javier is an Associate at Kaya. Javier has 1.5+ years of experience working as a financial analyst and 2+ years as a sales analyst. Before joining Kaya Javier worked 2+ years as a sales analyst and sales manager at Grupo Resuelve and 1.5+ years as a financial analyst and CFO at Uhma Salud.
Javier studied an Economics BA at the Instituto Tecnológico Autónomo de México.
Héctor Mendoza
Héctor is an Associate at Kaya. He has 2+ years of experience working in management consulting. Before joining Kaya, he worked at Oliver Wyman advising various financial institutions across Latin America.
Héctor has a Bachelor's degree in Industrial Engineering and Systems from Tecnológico de Monterrey.
Alger Torres
Alger is a Financial Analyst at Kaya. He manages our databases; helps in the development of financial models and efficiency measurement tools. He obtained the first place in "Fondo BBVA Bancomer", a university competition, where he designed an investment strategy that outperformed the "Indice Rentable".
Alger has a Bachelor's degree in Finance from Tecnológico de Monterrey.


text:
Valor Kand es un cantante, músico y compositor australiano, más conocido por ser el vocalista de la banda de deathrock Christian Death desde 1986. Ha estado además envuelto en otros proyectos musicales, como Pompeii 99 y Lover of Sin.

Vida personal
Kand es un examante de Gitane Demone, con la que tuvo dos hijos, Sevan Kand y Zara Kand. Por otro lado Rozz Williams sirvió como su padrino.

Discografía

Pompeii 99
 Look at Yourself (1982)
 Ignorance Is the Control 7" EP (1982)

Christian Death
 catastrophe ballet (1984)
 Ashes (1985)
 The Decomposition Of Violets - Live In Hollywood (1985)
 The wind kissed pictures E.P.(1985)
 Atrocities (1986)
 An Official Anthology Of "Live" Bootlegs (1986)
 The Scriptures' (1986)
 Sex and Drugs and Jesus Christ  (1988)
 All the Love All the Hate (Part 1 - All the Love) - 1989
 All The Love All The Hate (Part 2 - All the Hate) - 1989
 The Heretics Alive (1989)
 The Wind Kissed Pictures - Past And Present (1990)
 Insanus, Ultio, Proditio, Misericordia que (1990)
 Sexy Death God  (1994)
 Amen "live in Mexico city" (1995)
 Prophecies (1996)
 Pornographic Messiah (1998)
 Born Again Anti-Christian (2000)
 American Inquisition (2007)
 The Root Of All Evilution (2015)

Lover of Sin
 Lover of Sin (2002)

Referencias

Cantantes de rock de Australia
Cantantes en inglés
Músicos de rock gótico

redpajama_set_name: RedPajamaWikipedia


text:
Payday special offers on Switch and 2DS consoles from Nintendo's UK store
Update 24/04/2018: Adding to the offers that went live yesterday, the official Nintendo UK store is now offering up some pre-order bundles on upcoming Switch games.
Specifically, you can get yourself a copy of Donkey Kong: Tropical Freeze on Switch alongside a free Donkey Kong tall mug thrown in, a copy of Harvest Moon: Light of Hope Special Edition – which will cost you ?34.99 – or even the Collector's Edition of that Harvest Moon title, which comes with a tote bag, mug, pins and other trinkets, all housed in a barn collector's box. That version will run you ?64.99.
While you're there, it's worth noting that this is currently the last chance to pre-order copies of Nintendo Labo in order to get it in time for this Friday's release. Nintendo UK Store pre-orders of Labo come with bonus pencils and pencil cases and the prices are the same as they currently are over at Amazon.
Original Story: This week, Nintendo's official UK store is celebrating the end of the month with a set of Payday Special Offers, mostly involving some Nintendo Switch bundles, a handful of Nintendo 2DS offers and a set of freebies thrown in for good measure. If any of that sounds like your kind of thing, read on, for there is more to talk about.
Firstly, as the banner image just above might have given away, you can get yourself a free Mario, Luigi or Pikachu T-shirt when you pick up a New Nintendo 2DS XL console, all of which will cost you ?134.99 (essentially making the shirt ?5).
After that, you can take a look at a pair of Nintendo Switch console bundles. For ?299.99, you can pick up a Switch Neon console and a copy of Mario and Rabbids Kingdom Battle. Alternatively, ?10 extra will replace Kingdom Battle with copies of Snipperclips and Overcooked in their boxed forms.
If you have the occasion to buy a Nintendo 2DS console (the non XL form), you'll be able to grab yourself one of two Mario-themed cat plushies – either Mario himself or Rosalina in cat form – for free with your bundled console.
Last but not least, the store's 'Game and Gift' promotion has been extended, allowing you to pick up a variety of 3DS titles and get some nice free Nintendo merch thrown in for good measure.
If all of that wasn't enough, you can check out the rest of today's best deals over at Jelly Deals, which today includes Marvel vs Capcom Infinite for under ?14, Overwatch GOTY for ?18, and more.
Black Ops 4 battle royale could be great – but Call of Duty is no longer the trendsetter
E3 2018 schedule guide – all conference times, stream links and predictions


That turncoat Cheney is trying to put out a book. He better not tell certain things or I'll write one with lots of funny pictures I've drawn of his bald head while in office.
Not that his bald head was in office. Oh, you know what I mean.
Never could have a decent press conference with that thing reflecting the sun in my eyes.
Cheney invested with Bernie Madoff! There I said it and I'm glad. So who's the pretty one now?
Hee Hee I remember the day Cheney told me, "Better come on over George, Bernie PROMISES 10%!"
Oh no I told him. I can get a safe 9 percent at the bank.
Well hecky dern I got that all balled up.
I put one-third of our moneys in THREE different banks at 3% and that adds up to nine percent.
I still got all my money plus that 9 percent.
Who's the pretty one now?


Since the first great dispersion started after the year 1045, the Armenian people have gone through multiple and varied forms of migration and exile. The diversity of words used in the Armenian language to name the diaspora, according to Khachich Tölölyan, is a testimony to and a result of this plurality of experiences. Spurk, arderkir, tz'ronk, gharib, gaghut -suggestively related to the Hebrew term galut- are each related to different moments and modes of life in foreign lands. The lexical proliferation is a mark of this complex and multilayered history. A plurality to be associated not so much with lack and longing, but with the vitality and dynamism of the diasporic condition. A dispersion, as any other dissemination, acquires through language a fecund meaning. As if spreading seeds, migration allows the expansion of cultural artefacts and values and turns the diaspora into a fertile space. The word, this portative treasure able to extend, adapt, and be fruitful in remote places, enabled those moments of great cultural development that Armenian communities enjoyed around the world. Thus, the first newspaper written in Armenian language, published in Madras, India in 1794, is a sign of this vitality and shows how common shared culture offered spaces to recreate itself and, hence, symbolic realms to inhabit. This permanent recreation of Armenian existence in the diaspora, together with the increasing discrediting of the concepts of "nation" and "identity", nowadays displaced by notions such as global deterritorialization and cultural hybridity, led to the current turn to the idea of Armenia as a transnation. The diaspora can be no longer viewed as exile and orphanhood, a peripheric missing of the distant homeland, but rather as a net which includes, but exceeds, the physical Armenian territory; not a geographically located place, but the collective weaving of an endless web. Not a promise projected to the future but a permanent construction today.
To acknowledge the creative potential implicit in the diaspora does not mean to ignore the destructive force displayed in it by persecution and extermination. The memory of the genocide is, as well as the word, a fundamental trace in the permanent weaving of the transnation. Along with the diasporic experience and the key role of the lettered tradition, this shows the affinity between the Armenian and the Jewish peoples. As in the legacy of the Shoah, the duty to remember parallels the challenge of recreating the collective identity beyond the evocation of the death, of finding positive ways to bind the sense of cultural belonging. The curatorial work of "Under construction" takes care of this rich and complex heritage in a responsible and loving manner. The artists' commitment, initiated already as an exchange platform on the web - a powerful resource and altogether a metaphor for this rhizomatic construction of the transnation - proposes images which do not claim the univocity and solidity of national symbols, but aim to be like strings composing a plot. Their work could not have found a better shelter than the walls of a monastery which was the site of flourishing Armenian cultural life. And not a better place than Venice, a port which was hospitable to a prosperous community in accordance with its mercantile lineage and its character of exchange knot between distant worlds. For as the water city, collective identity does not rely on firm ground, but on a copious archipelago, crossed by numerous canals like bonds weaving a never ending web.To acknowledge the creative potential implicit in the diaspora does not mean to ignore the destructive force displayed in it by persecution and extermination. The memory of the genocide is, as well as the word, a fundamental trace in the permanent weaving of the transnation. Along with the diasporic experience and the key role of the lettered tradition, this shows the affinity between the Armenian and the Jewish peoples. As in the legacy of the Shoah, the duty to remember parallels the challenge of recreating the collective identity beyond the evocation of the death, of finding positive ways to bind the sense of cultural belonging. The curatorial work of "Under construction" takes care of this rich and complex heritage in a responsible and loving manner. The artists' commitment, initiated already as an exchange platform on the web - a powerful resource and altogether a metaphor for this rhizomatic construction of the transnation - proposes images which do not claim the univocity and solidity of national symbols, but aim to be like strings composing a plot. Their work could not have found a better shelter than the walls of a monastery which was the site of flourishing Armenian cultural life. And not a better place than Venice, a port which was hospitable to a prosperous community in accordance with its mercantile lineage and its character of exchange knot between distant worlds. For as the water city, collective identity does not rely on firm ground, but on a copious archipelago, crossed by numerous canals like bonds weaving a never ending web.


> The Bond Market Calls Draghi's Bluff. What's Next?
> 2017 Was The Year Of Gold's Consolidation, So What Will 2018 Present?
> Is the Everything Bubble About to Burst?
> Are ICOs Replacing IPOs?
> SWOT Analysis: How Will Gold Move Into 2018?
> Are You Infuriated Yet?
> "Great Rotation" Ahead; Will it Be Inflationary or Deflationary?


This page is dedicated to my family.
Indi, 5, and Sam, 3, ready to hit the waves!
Katie Petrelis, Zorba's mother and Yia Yia to her triplet grandchildren. Born in Alexandria to Cypriot father and Lebanese mother. A great cook and spoke five languages as a child. Greek-Cypriot.
Zorba is my husband Andrew John Petrelis, (only just) 40-something, IT Systems Administrator, dedicated Hawthorn AFL silver member, professional eater, Greek. Or Cypriot, or Lebanese or Egyptian. Depends on who he is talking to and what mood he's in.
Marnie Paoliello, 40-something, Zorba's little sister, qualified accountant, mum to triplet boys. If you wear nice things around Marnie, she'll ask to borrow them.
Con Paoliello, 40-something, Marnie's husband, partner in a large multinational accounting firm. Father to triplet boys. An organiser. Italian – yay!
Ah…Positano, our favourite pizza restaurant just down the road from home!
OMG, do you live in Positano? One of my favourite places on the planet!
Crikey, no…Sydney, Pizza restaurant at Beecroft called Positano's !!


Up to 6,000 women will need to undergo a repeat smear test due to delays processing their original smears following the CervicalCheck scandal, the Health Service Executive (HSE) has said.
Dr Peter McKenna, clinical director of HSE Women and Infant's Health programme, said slides from women retaking smear tests would be processed as a matter of "priority" by laboratories.
The HSE said both repeat and routine smear tests were experiencing delays due to increased demand. In the past, it took four to six weeks for a result, but currently, results were taking an average of 22 weeks, and some are taking slightly longer.
In the immediate aftermath of the CervicalCheck controversy last spring, the Government promised that all women could avail of a free smear test, leading to a large increase in smears to be processed, putting pressure on the system.
Dr McKenna said it was a "precaution" that some women would be recalled for a second test, due to the length of time it took to process their first one.
He said "evidence shows that HPV tests of this kind are effective outside the manufacturer's recommended timeframe," however the HSE would likely be asking some women to take repeat smears, to provide the screening service with "reassurance".
Quest Laboratories, one of the labs contracted by the HSE under the CervicalCheck screening programme, informed the HSE of the issue in late November.
The lab told CervicalCheck of "a specific problem in relation to standard HPV tests that have been carried out outside of the manufacturer's recommended timeframe since secondary HPV screening was introduced," a spokeswoman for the HSE said.
Damien McCallion, interim director of the HSE National Screening Service, said an expert clinical team had been established to review the situation. Mr McCallion said by the end of next week the screening service would be writing to affected women, who will need to attend their GP for a second smear test.
"We sincerely apologise for any concern that that may arise as a result of this," he said, adding the service was committed to communicating openly with all women affected.
Speaking in the Dáil on Wednesday, Fianna Fáil leader Micheál Martin said the screening programme, which had saved many lives, was "now in crisis mode" and it was his information that the programme was in jeopardy.
Demanding Minister for Health Simon Harris come into the Dáil and give a full explanation, he asked Taoiseach Leo Varadkar when he had been told about the delays.
Mr Varadkar said Mr Harris's offer of free smear tests was a response to the anxiety of many women that their tests may have been misread in the wake of the controversy over false negative results.
"It was done in good faith for good reasons. It was never intended to be a permanent offering," and the free testing ended in December, Mr Varadkar said.
Mr Martin said the decision taken by Mr Harris to offer re-testing to women concerned about their smear results was taken against official advice.
It was the expert advice that the re-testing would "damage the efficacy of the programme, would delay and cause backlogs and was not clinically warranted".
Some 230,000 smears are checked every year but the decision added an extra 90,000 to 100,000 to that without any additional resources, he said.


- for the team with the best name - the judges decision will be final!
Free drinks and nibbles will be served from 17.30 and the quiz will start at 18.00 finishing at 19.30. Please register using the form on the right.


Premier MOT's Award in MOT Test Centre Management, has been developed with DVSA/VOSA to give learners the knowledge and skills required to manage MOT Vehicle Test Stations.
This Award will not expire, and holders will be considered professionally competent for their life time.
The MOT Manager Training qualification is primarily developed for learners who wish to run an MOT Vehicle Test Station (VTS), or who will have direct responsibility for MOT operations at the VTS in the future.
Premier MOT will run the MOT Manager Training qualification over 3 days' face to face teaching and a pre course study element online.
The MOT Manager Training qualification will be of interest to those individuals wishing to set up an MOT testing Station, or who may already be a MOT Tester and wish to advance their career further.
There are no formal entry requirements for the MOT Manager Training qualification.
Successful completion of the Award in MOT Centre Management will give you a valuable academic qualification recognised by the DVSA that demonstrates your skill. It will teach you what you need to know in order to successfully run and manage an MOT station day to day, as well as fully understand the DVSA legislative and compliance requirements.
The content of this qualification has been designed to reflect the contents of the National Occupational Standards for MOT Managers.
And test centre quality systems and audits.


When hiring an Agile Transformation Consultancy company it would be good to have clear why are you doing it, what do you expect to achieve with it in the business goals perspective and in the company culture too. Based on your goals and time to reach them, it would be great to organize an interview asking to the potential candidates their level of experience towards your specific context and goals. With those answers, you would be able to compare them in a matrix.
When hiring an external consultancy company for an Agile Transformation process, it is extremely important to look at their customer portfolio and previous strategies per customer industry. Are our goals really the same as their previous customers? What we want really to achieve? Are we seeking for more adaptability to new business conditions? More seeking for more predictability on our deliverables? More quality? More team satisfaction and team empowerment for technical decisions? What are the company drivers and what is the experience and results from this consultancy company to match my goals?
Is it my business comparable with Spotify business? Maybe not! Is it my company culture comparable with a less than a decade founded company? What is the average age and education of my employees?
Have I the same employees profile like Spotify (high educated, multi-cultural, open-minded)? Or have I a more conservative profile? (A company used with a classical hierarchy and a culture of command and control, where we don't see many women in management positions, where multiculturalism and diversity are not representative, specially in the higher hierarchical levels).
This is the moment when the executives explain why and what they want to achieve with this transformation. This is official "diagnostic moment"for the consultancy company. Here they will build an opinion about the level of knowledge in the company about what is Agile, what is and Agile Organization, what implies an Agile Transformation. After this phase, the consultancy company, should be able to tell them where they see risks, how they should make stronger the cooperation and mitigate them. Basically is when the Agile Transformation Consultants will brief about the required support from the executives.
I never have been personally in the side of the consultancy company, but I would never start such huge challenge without the executive support and the engagement of internal respected influencers. Those, by their history, successful past deliverables in the company can validate and strengthen the proposed strategy.
← Previous Previous post: Why should be an external consultant managing the Agile Transformation?


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"Blood Rider" - Natural Light at its Best
"Blood Rider" is a short documentary directed by Jon Kasbe and DP'd by David Bolen. Their film won the mention at Camerimage as the best photographed short doc of the year.
David and Jon are both Cinematographers, and their tandem on this film is an example of what's possible to achieve, even in natural light and chaotic situations. David was kind enough to answer my questions.
I recommend that you read his answers before playing the movie, at the end of this post.
La traduction en français se trouve ici.
If you had to summarize the look of this film, how would you describe it?
In general, our goal with this film was to make it feel as intimate and realistic as possible. We primarily shot on a 35mm prime lens, which forced us to stay close to the action rather than relying on zoom lenses to get close.
When we wanted a close-up of a character, we had to physically get close to them, and I think the audience can feel that intimacy in the visual style.
We shot handheld for the entire film, and embraced the chaos and instability that came with that.
We wanted the audience to feel the madness of what it's like riding motorcycles at high speed through Lagos.
And in order to achieve this "mood board", what was your strategy to control your pictures in the chaotic life of Lagos?
Controlling the look is always really challenging in documentary filmmaking because you're dealing with natural light and available in most situations.
We wanted a moody and poetic look throughout, and typically tried to avoid front light.
My approach was pretty simple. Whenever possible, we tried to shoot exterior shots at dusk or dawn.
For interiors, I always tried to turn off all the lights, and use natural light from the windows. This creates amazing contrast and always looks beautiful.
In situations where windows weren't an option, I tried to turn off overhead lights in the foreground to help create pools of light around our characters. It's always about trying to create contrasting areas of darkness and light within an image.
The color palette is unusual and puts "blood reds" in the foreground, but in a very subtle way. Red is normally an aggressive color, and simply desaturating it makes it look brown. How did you control that?
The color red obviously plays a huge role in this film as it's a representation of life.
On a more simplistic level, it's also the color of blood. We were lucky that the riders had red uniforms, and we tried to keep them in that outfit as much as possible. It created a great pop of color that separated them from the chaotic backgrounds of Lagos.
To go with our gritty look, we desaturated the red slightly in post, so that it didn't feel too vibrant or distracting. To answer the question honestly, we got very lucky.
The gritty atmosphere of the "Joseph part" of the picture seems to come from your use of available light. Did you add "film sources" and/or practicals?
For the most part, I try to use available practical lights. My approach is simple - turn off all the practicals behind the camera, and turn on all the practicals behind the subjects. This creates a beautiful rim light on the characters.
This particular location mostly just had overhead lights, which didn't look great. As a simple lighting kit, I brought a few batteries powered quasar LEDs to most locations. I turned off all the overheads, and placed a 2-foot quasar in the far background. You can see this adding some rim light to Joseph's face.
You caught Joseph in unusual places for his interview, lying on his bed for example. On another occurrence, two people speaking seem to have been placed far apart and at 90% to provide silhouettes and blurs, regardless of spatial coherence. This seems highly unrealistic yet totally convincing.
Of course, it reflects the Director's choices, but how did you collaborate to seem so symbiotic? (Jon Kasbe the Director seems to also have a very strong eye)
Jon is an incredible director, and a really fantastic cinematographer as well. We shoot two cameras, he operates one and I operate one. At this point, we've shot thousands of hours together, and can communicate with simple eye gestures.
We understand each other's movements, and typically can stay out of each other's shots while still getting very intimate images. It's an amazing feeling when I have an idea to shift angles, and realize that Jon has already found the shot I was about to take.
We are very in sync on a visual level. This scene was simple in a way - we turned off all the lights, and used the windows behind them as a key light - when shooting profiles, this put them in silhouette, and when shooting frontals, this gave them fantastic half-light.
This is a dramatic scene, as the characters discuss the stakes of the job, and the lives that are at risk. It seemed suitable to play them in darkness as they reflect on this idea.
A double question: how far are you aware of what's possible in color grading (reframing included), and in what way does this knowledge affect your shooting habits?
Color grading is always very important to me as a cinematographer, and I typically expose images to give us the most room to play around once we get into the grade.
For this project specifically, we shot on the Sony FS7 - it's a great little camera for a documentary, and allows you to get cinematic images with a small/lightweight body.
The only issue is that it gets very noisy when you underexpose, or even normally expose. For this reason, we shot everything highly overexposed to where we were just under the point of clipping the highlights. This gave us a much cleaner image, and more latitude in the color grade. In post, we darkened everything significantly, and desaturated the colors to give it the atmospheric tones that you see in the final film.
What is your favorite shot and why?
Here's my favorite shot:
To me, this was a magical moment. The baby is seen clearly for the very first time, and it's unclear whether he's breathing or not. Then, finally, he begins crying and there is a deep relief as we finally know the baby is okay, and the rider's job is done.
Capturing moments like these make me feel extremely lucky to be a cinematographer.
What Camera / Lenses & Lighting package did you use?
Camera: Sony FS7 w/ Canon L-Series Lenses (35mm, 50mm, 24-105mm)
Lighting: Battery-Powered Quasar Kit (2ft, 1ft, 6inch)
A more general question: could you show us a picture that you've displayed prominently in your home, that resonates a lot with you, even in mysterious ways? And comment on it, if you feel inclined to.
I'm a huge fan of Todd Hido, especially his House Hunting photo series. I keep all his books on my coffee table, and they constantly serve as a point of inspiration and reference.
This image in particular has always spoken to me. The dim color, the fog, and the glowing light from the interior of the house are all quite meaningful.
There's so much mystery to the image - I often find myself wondering what's happening inside. Some days I feel like it's something joyful, while other days I feel there's something tragic inside.
To me, a beautiful image can mean many things depending on the day that you look at it.
Libellés : Analyse d'un film, Interview, News
Christopher Doyle on Life, Beer and Messy Beds
Blood Rider - la lumière apprivoisée


Impeccable 4 bedroom, 2.1 bath colonial in Huron River Highlands. This charmer features huge great room that leads you into kitchen and cozy family room with gas fireplace. Breakfast nook open to heated three seasons room which offers extra space for entertaining year round. Potential 4th bedroom/office on main floor. Upstairs bedrooms are great sizes too! Recent updates include completely renovated master bath with granite counter tops and tiled shower, fresh paint throughout, new carpet, newer hot water heater, & new roof in 2016. Spacious finished basement with built-in bar and back room which could double as a workshop. Basement also has tons of storage. Large .69 acre lot with in-ground sprinklers, invisible fence for dogs, and deck with built-in gas grill. Perfect location! Pinckney schools. This charm even has access to Huron River. Don't wait! This is a must see!


Even for a curious local Kuchingite like me, there are still places here I haven't been. One of these is The Bishop's House. I have seen it from afar, and always admired it's architecture. However it is the private residence of the Anglican Bishop of Kuching and generally not open to the public, so I tried to keep a respectful distance.
Located behind the St Thomas Church, sitting on a small hill - The Bishop's House actually occupies one of the most prominent sites in Kuching town. From here you get a clear sight-line to the Astana, now the official residence of the Governor but in the old days the abode of the White Rajahs. I can imagine the old Bishop and the Rajahs greeting each other from afar in the mornings.
The hill where Bishop's House stands is known as College Hill. The hill and the surrounding area which make up the Anglican Mission was given by Rajah James Brooke in September 1848 to Reverend Francis Thomas McDougall who arrived from England with his wife Harriette in the same year. The Bishop's House and Chapel were designed by Rev. McDougall himself and it was put together with local labour and materials under close supervision by a German shipwright carpenter named Theodore Auguste Stahl who found himself out of work after the ship he was employed on was shipwrecked in the Straits of Malacca. Rev. Mcdougall hired Stahl when they met in Singapore before heading over to Sarawak. Stahl's knowlegde of carpentry was to prove invaluable in the years to come. Stahl eventually married Elizabeth Richardson who was a maid to Harriette McDougall and even taught classes in industry and carpentry in the new school. He returned to Singapore with his wife in 1858 after spending 10 years in Kuching.
The Bishop's House was completed in 1849. It is believed to be the oldest European-style dwelling house in Sarawak and the only building from the period of James Brooke still standing. The building has served a wide variety of uses since its first conception. Not only was it the residence of the missionaries, it also served a role as school, store, dormitory, girl's and matron's rooms and the first dispensary in Kuching with Rev. McDougall as the doctor. It was most likely Rev. McDougall's role as a doctor which saved the Bishop's House from being attacked during the Chinese Miner's Rebellion on 18th February 1857. The rebels did not attack the building although they targeted all the houses of the Europeans. The Bishop's House ended up being a safe refuge during the terrifying few days for Europeans as well as converted Chinese Christians who feared for their safety.
The Bishop's House was originally constructed all of wood. In 1885, the ground floor was reinforced with brick, mortar and plaster. In 1912 it was again renovated with the addition of a garage, bathrooms and a porch which was an extension of the sitting room upstairs. Today the Bishop's House serves as the Anglican Bishop's residence upstairs with his offices on the ground floor.
Rev. Francis and Harriette McDougall.
Old views of The Bishop's House.
The house has undergone some renovations recently. Though it was not carried out strictly according to conservation principles, fortunately it is relatively intact.
Evidence of shipwright carpentry in the details.
Though The Bishop's House is not officially open to the public, the gates are usually open and it is quite easy to get into the compounds to take a look around. Just be very discreet.
Don't forget next door is the Diocesan centre - the former family home of ONG Ewe Hai the prominent Hokkien trader (1830-1899). It sits towards the main bazaar with commanding views up river and across to the Astana.


text:
Home Forex Brokers Forex Sports Sponsorship: Blackwell Global backs Everton FC
Forex Sports Sponsorship: Blackwell Global backs Everton FC
Brokers June 29, 2017 —by Valentina Kirilova 0
Multi-asset brokerage Blackwell Global announced today a partnership deal with Everton Football Club. With aims to increase its global footprint, this is its first sporting sponsorship, as well as the Club's first Official Forex and Brokerage Partner.
This move is meant to increase Blackwell's profile in the UK, after the company received its FCA license last year.
Collaborating with the Club on many fronts, such as home match brand
exposure and digital communication channels, trading clients and Club supporters stand to benefit from Everton-related promotions, events and experiences.
I'm immensely proud to partner with Everton Football Club in our first ever sporting partnership. It's an honour to be working with a club recognised for their rich history and steadfast commitment and dedication to their worldwide fanbase," said Michael Chai, Chairman of Blackwell Global Group. "These are values we cherish and we look forward to a fruitful friendship in the coming years.
Blackwell Global identifies with Everton's motto, "Nil Satis Nisi Optimum" meaning "Nothing but the best is good enough". Founded in 1878, Everton Football Club competes in the top flight of English football – the Premier League, and is one of U.K.'s most established sides. With an illustrious history, the club is decorated with nine league titles and five FA Cups to their name.
Alan McTavish, Head of Commercial at Everton, said:
We're delighted to welcome Blackwell Global to our growing family of commercial partners. Blackwell Global is the Club's first Official Forex and Brokerage Partner and we are pleased to announce a partner in a new market sector category for the club and the partnership represents another positive development in our commercial strategy as we continue to grow.
Blackwell Global is an award-winning multi-asset broker with a global client base, we look forward to a successful partnership on and off the pitch.
Patrick Latchford, CEO of Blackwell Global (UK), added:
It is very exciting and thrilling for us to be in partnership with such a respected football club. In this modern era, everyone is connected digitally and there is no sport that does this better than football and the Premier League.
Blackwell Global will be offering its clients and ardent fans of Everton prizes and up-close experiences of the Club at Goodison Park, Liverpool, through its upcoming #DidYouKnow campaign and range of 'Blues
Blackwell global
Patrick Latchford
Alan McTavish
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We are structured around three primary categories: Direct (Raw Materials, Energy & Packaging), Indirect, and Logistics.
Each area is led by a global director, and within each of these buy spaces are global managers who work closely with the various DuPont businesses and functions to procure the many, many categories of materials and services needed.
Execution Authority is needed for anyone to procure materials or services on behalf of DuPont.
This authority is granted to personnel in buying roles and on buying teams.
Only someone with the proper Execution Authority can establish an agreement that commits DuPont funds to be paid to a supplier.
Someone without Execution Authority cannot "buy" on behalf of DuPont.
DuPont S&L is sought after and admired, internally and externally, for creating value.


text:
Sir Hugh Jamieson Elles, KCB, KCMG, KCVO, DSO (* 27. April 1880 in Indien; † 11. Juli 1945 in London) war ein britischer Panzergeneral.

Leben und Wirken
Elles war der Sohn von General Edmond Elles. Seine Schulzeit absolvierte er am Clifford College (Bristol) und kam dann als Kadett an die Royal Military Academy Woolwich in London.

Elles war im Ersten Weltkrieg im Rang eines Brigadegenerals Kommandierender General des seit Juni 1917 so benannten britischen Royal Tank Corps und entwarf gemeinsam mit seinem Stabsoffizier Lieutenant Colonel JFC Fuller und dem Artilleriegeneral Henry Hugh Tudor den Plan zur ersten Panzerschlacht der Geschichte, der Schlacht von Cambrai (20. November 1917).

Ziel des Plans war es, an einem ruhigen Abschnitt der Westfront, der durch seine festen Kreideböden für Panzer besser geeignet war als die morastigen Böden Flanderns, durch den massierten Einsatz von Panzern (insg. ca. 400) die dreifach gestaffelten Grabensysteme der deutschen Hindenburglinie zu durchbrechen und sofort mit Infanterie und Kavallerie durch die entstandene Lücke vorzustoßen.

Nach dem Krieg wurde Elles 1923 Inspekteur der Panzertruppe und von 1934 bis 1937 Master General of the Ordnance (Generalquartiermeister). 1938 nahm er seinen Abschied aus dem aktiven Dienst.

Ehrungen (Auswahl)
 Knight Commander des Order of the Bath
 Knight Commander des Order of St. Michael and St. George
 Knight Commander des Royal Victorian Order
 Companion des Distinguished Service Order
 British War Medal
 Ritter der Ehrenlegion
 Großoffizier des Kronenordens (Belgien)
 Orden der Aufgehenden Sonne (Japan)

Generalleutnant (British Army)
Person im Zweiten Burenkrieg
Befehlshaber im Ersten Weltkrieg (Vereinigtes Königreich)
Absolvent des Staff College Camberley
Knight Commander des Order of the Bath
Knight Commander des Order of St. Michael and St. George
Knight Commander des Royal Victorian Order
Companion des Distinguished Service Order
Träger des Ordens der Aufgehenden Sonne
Träger des belgischen Kronenordens (Kommandeur)
Mitglied der Ehrenlegion
Brite
Geboren 1880
Gestorben 1945
Mann


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blackcat wrote: hope your 2yo is ok LP.
Cheers BC. All good. Kinda glad i was kept away from the tigers losing, i just don't know what the problem is. Who does? They've proven this year that on their night they can get it done against well rated opposition like freo and the hawks, but they seem to have trouble with the games they're expected to win.
Will they persist with Hardwick you think?
If history is anything to go by a west coast GF win will make living in WA unbearable for the next 10-15 years.
See my avatar for my "the morning after west coast GF win" face.
imo, stability is more important than winning a final. dont pull the trigger on the coach. Benny Gale went thru the dark times. So he knows what is required, and can keep the back office operating well. I think he went to Mallesons which with Freehills was the top white shoe firm in the country, before he went over to the PA. I would not have minded if he headed the AFL as their CEO instead of Gillon.
leftover pie wrote: If history is anything to go by a west coast GF win will make living in WA unbearable for the next 10-15 years.
and Saffa fans too? Perth, South Africans, and more South Africans.
Tough luck for the Dockers. Ross Lyon just can't catch a break in finals.
This week's GF is really hard to predict. I favour West Coast slightly due to their week off in week two; might just run over the top of Hawthorn in the second half.
I lived in Perth for two years until the end of last year and can tell you that WA has nothing on Queerlanders when it comes to living vicariously through their football teams!
bulldogs into the GF. . . can you believe it?
another enthralling season has just concluded with Richmond breaking their 30 odd year premiership drought with a big win over Adelaide in front of 100,021 people at the MCG.