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Q: Xcode: failed to import bridging header with non Debug or Release configuration I have a project in Swift and importing some custom frameworks. I have added another configuration (testing). When I build for Debug or Release configuration I have no issues with the bridge header. But if build for testing configuration. I get the error "failed to import bridging header"
Any of you knows why this is happening with a non debug/release configuration?
I'll really appreciate your help

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Local hunter and archery store owner, Ronnie Kimbrough knows hunting fun and adventure! From Wyoming to home, this guy knows bow hunting and that "archery is a mental game, a one-on-one sport." He stresses the importance of practice and that all hunters should use a fall restraint harness when tree stand hunting. Kimbrough notes that hand-eye coordination and muscle memory are extremely important as an archer.
Having to prepare almost a year in advance for his first Wyoming trip, Kimbrough shot his bow and was also in the gym with cardio and weightlifting; he even began riding horses mid-year to accommodate the hunt. In preparation also, his team had to put in for licenses and preference points along with compiling the right gear for the trip.
Once outside of Jackson Hole, Wyoming on the six day excursion, Kimbrough and his team got up before dawn and rode horseback for a couple of hours in the pitch black only then to walk another hour to the hunting spot. They hunted all day, would walk an hour back, then ride the couple of hours back to the camp again in the dark. Once at camp, they would eat, sleep, and then get up and do it all over again! Kimbrough feels fortunate to have seen elk, moose, and grizzly bear; where they hunted is part of the migration route for elk. He is returning next year!
Every spring, Kimbrough hunts hog in Perry, Georgia at Henderson Village Resort. He calls this a "comfortable hunt," as each guest has their own room and the facilities are nice. In the morning the team is taken out to the 9,000 acres to enjoy their day. Kimbrough notes that baiting wild hog is legal in Georgia.
Kelso, Tennessee is where Kimbrough gets several good deer a year and has hunted for the past 15 years. In Tenn., a hunter can kill three does a day and three bucks total for the season with archery equipment. Kimbrough notes the quality of deer has gotten much better. One of his most recent proudest kills was a young, eight point buck he shot last year in Tennessee.


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It's my Birthday, I felt like doing an episode where I didn't have to run my mouth the whole time (or at all) so things are a little different this week. Do we like it? Should I consider doing more no-vocals content (which I'm told has "exploded" in popularity because it's phone and workplace-friendly? Let me know.


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Oscar Directors: Logan, Josh–Background, Career, Awards, Filmography (Cum Advantage, Pulitzer, Tony)
September 23, 2020 by EmanuelLevy
Josh Logan Career Summation
Occupational Inheritance:
Social Class:
Family: father committed suicide when he was 3
Formal Education: Culver Military Academy in Culver, Indiana,
Training: actor, 1932
First Film: I Met My Love Again, 1938, aged 30, co-directed; Mister Roberts, 1955, aged 47
Breakthrough:
First Oscar Nomination:
Gap between First Film and First Nom:
Other Oscars:
Other Oscar Nominations:
Oscar Awards: Pulitzer Prize, South Pacific
Nominations Span:
Genre (specialties):
Marriage: actress Barbara O'Neal; then Nedda
Joshua Lockwood Logan III (October 5, 1908 – July 12, 1988) was an American stage and film director, who shared Pulitzer Prize for co-writing the musical South Pacific and was involved in writing other musicals.
Logan was born in Texarkana, Texas, the son of Susan (née Nabors) and Joshua Lockwood Logan. When he was 3, his father committed suicide. Logan, his mother, and his younger sister, Mary Lee, then moved to his maternal grandparents' home in Mansfield, Louisiana, which Logan used 40 years later as the setting for his play The Wisteria Trees.
Logan's mother remarried 6 years after his father's death and he then attended Culver Military Academy in Culver, Indiana, where his stepfather served on the staff as a teacher. At school, he experienced his first drama class and felt at home. After his high school graduation he attended Princeton University. At Princeton, he was involved with the intercollegiate summer stock company, known as the University Players, with fellow student James Stewart and also non-student Henry Fonda. During his senior year, he served as president of the Princeton Triangle Club. Before his graduation, he won a scholarship to travel to Moscow to observe the rehearsals of Konstantin Stanislavski, and Logan left school without a diploma.
Logan began his Broadway career as an actor in Carry Nation in 1932. He was also in "I Was Waiting for You" (1933).
He then spent time in London, where he staged two productions and directed a touring revival of "Camille." He also worked as an assistant stage manager.
Back on Broadway he staged It's You I Want (1935) and To See Ourselves (1935) and was stage manager for Most of the Game (1935). He staged Hell Freezes Over (1935–36) and returned to acting with A Room in Red and White (1936).
He went to Hollywood where he did some dialogue coaching on "The Garden of Allah (1936)," History Is Made at Night (1937), and Suez (1938).
Logan was given the chance to co-direct the feature film I Met My Love Again (1938) for Walter Wanger.
Logan returned to Broadway where he had his first major success as a director with Paul Osborn's On Borrowed Time (1938), which ran for 321 performances. He followed it with the musical I Married an Angel (1938–39), which ran for 331 performances.
He directed Knickerbocker Holiday (1938), Stars in Your Eyes (1939), Osborn's Morning's at Seven (1939–40), Two For the Show (1940), and Higher and Higher (1940, 84 performances). None of these was a break-out success but his revival of Charley's Aunt (1940–41) went for 233 performances, and the Hart-Rodgers musical By Jupiter (1942–43) with Ray Bolger went for 427 performances.
In 1942, Logan was drafted by the U.S. Army. During his service in World War II, he acted as a public-relations and intelligence officer. Logan was selected to become an assistant director of Irving Berlin's This Is the Army and when in Europe organized "jeep shows" of entertainers serving as soldiers doing their shows near the front lines.
When the war concluded he was discharged with the rank of Captain, and returned to Broadway. He married his second wife, actress Nedda Harrigan, in 1945; Logan's previous marriage, to actress Barbara O'Neil, a colleague of his at the University Players in the 1930s, had ended in divorce.
Logan's directing career resumed with the musical Annie Get Your Gun (1946–49), which ran for 1,147 performances.
He followed it with Anita Loos' Happy Birthday (1948, 563 performances), and Norman Krasna's John Loves Mary (1948–49, 423 performances). Logan's golden run continued with Mister Roberts (1948–1951) which he co-wrote as well as directed; it ran for 1157 performances and earned him a Tony Award.
Then he directed and co-wrote South Pacific (1949–54), which went for 1,925 performances. Logan shared the 1950 Pulitzer Prize for Drama with Richard Rodgers and Oscar Hammerstein II for co-writing South Pacific. The show earned him a Tony Award for Best Director. Despite his contributions to the musical, The New York Times originally omitted his name as co-author, and the Pulitzer Prize committee initially awarded the prize to only Rodgers and Hammerstein. Although the mistakes were corrected, Logan wrote in his autobiography: "I knew then why people fight so hard to have their names in proper type. It's not just ego or 'the principle of the thing,' it's possibly another job or a better salary. It's reassurance. My name had been so minimized that I lived through years of having people praise South Pacific in my presence without knowing I had had anything to do with it."
Logan wrote, produced and directed The Wisteria Tree (1950), an adaptation of The Cherry Orchard, which was a minor success.
Logan cowrote, coproduced, and directed the 1952 musical Wish You Were Here. After the show was not initially successful, Logan quickly wrote 54 new pages of material, and by the ninth performance, the show looked new. In its fourth week of release, the show sold out, and continued to offer sell-out performances for the next two years.
He had another success with Picnic (1953–1954), the play by William Inge, which went for 477 performances. Krasna's Kind Sir (1953–54) lasted 166 performances, and Fanny (1953–1954) which Logan co-wrote, co-produced and directed, ran 888 performances.
When director John Ford became sick, Logan reluctantly returned to Hollywood to complete the filming of Mister Roberts (1955). It was a success commercially and critically.
Logan directed the film adaptation of his own Picnic (1955), which for which Logan received an Oscar nomination. Bus Stop (1956) with Marilyn Monroe, his next movie, was another hit.
Logan returned to Broadway, directing Middle of the Night by Paddy Chayefsky, which ran 477 performances.
He visited Japan to direct Marlon Brando in Sayonara (1957), which earned him a second Oscar nomination for Best Director. He did the movie version of South Pacific (1958).
Logan went back to Broadway and directed Blue Denim (1958, 166 performances) and the hugely popular The World of Suzie Wong (1958–1960, 508 performances). He produced Epitaph for George Dillon (1958).
Logan returned to Hollywood with Tall Story (1960), which introduced Jane Fonda to movie audiences. Back on Broadway, he directed There Was a Little Girl (1960), his first theatre flop in some years, running for only 16 performances. In Hollywood he did the movie adaptation of Fanny (1961).
In 1961, he was a member of the jury at the 2nd Moscow Film Festival.
Logan continued to alternate Broadway and Hollywood for the rest of the 1960s. He did the Broadway musicals All American (1962, 86 performances) and Mr. President (1962–1963, 265 performances), and Tiger, Tiger Burning Bright (1962–1963, 33 performances), then made the film Ensign Pulver (1964).
After Ready When You Are, C.B.! (1964–1965, 80 performances), he did the movies of Lerner and Loewe's Camelot (1967) and Paint Your Wagon (1969). Back on Broadway, he did Look to the Lilies (1970, 31 performances).
Logan's 1976 autobiography Josh: My Up-and-Down, In-and-Out Life gives a frank account of his bipolar disorder. He appeared with his wife in the 1977 nightclub revue Musical Moments, featuring Logan's most popular Broadway numbers. He published Movie Stars, Real People, and Me in 1978.
In 1979, he produced Larry Cohen's Trick on Broadway. He directed Horowitz and Mrs. Washington (1980), which ran for six performances.
From 1983 to 1986, he taught theater at Florida Atlantic University in Boca Raton, Florida. He was also responsible for bringing Carol Channing to Broadway in Lend an Ear!.
Logan experienced mood fluctuations for many years, which in the 1970s psychiatrist Ronald R. Fieve treated with lithium, and the two appeared on TV talk shows extolling its virtues.
Logan was married briefly (1939–1940) to actress Barbara O'Neil. After the couple divorced, he was married to Nedda Harrigan from 1945 until his death from progressive supranuclear palsy (PSP) in New York City in 1988.
In 2019, Jane Fonda, who starred in Logan's 1960 film Tall Story, claimed both she and Logan were in love with lead actor Anthony Perkins at the time of filming, causing tension during an already difficult shoot.
Logan, Joshua (1976). Josh: My Up and Down, In and Out Life. Delacorte Press, NY.
Logan, Joshua (1978). Movie Stars, Real People, and Me. Delacorte Press, NY.
Joshua Logan papers, 1723–1992 (bulk 1940–1980), held by the Library of Congress
Joshua Logan correspondence and ephemera, 1920–1989, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
Filed Under: OSCAR, PROFILE

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Essays & PapersLove in the Time of Cholera by Gabriel García Márquez Essay
Love in the Time of Cholera is a novel that endows its reader with truly gorgeous, lucent writing, full of brilliant stops and starts, majestic whirls, thrilling endings, splendor and humor, where the magical elements intertwine with psychological realism. Garcia Marquez is always associated with magical realism. In fact, he is considered the central figure of magical realism. In general terms, magical realism is used to describe fiction that juxtaposes the fantastic and the mythic with ordinary activities of daily life.
The important feature of magical realism is that behind the masterfully told stories lies a realistic universe where the individual think, love, and live and die for ideals they consider just. For the characters who inhabit the fictional world, and for the author who creates it, magic may be real and reality magical.
Love in the Time of Cholera by Gabriel García Márquez
Garcia Marquez's works are read as fiction, but his sources are factual. A lot of critics, though, tend to believe that Love in the Time of Cholera is not based on principles of "magical realism" as its prerequisite.
As Pynchon sees it in his review of the novel, the "reality" of love and the possibility of its ultimate extinction become novel's "indispensable driving forces," whereas magic in all its guises and forms becomes peripheralized or "at least more thoughtfully deployed in the service of an expanded vision, matured, darker than before but no less clement" (49). In this analysis we will try to explore what elements of magical realism can be traced in formation of the characters in the novel under analysis.
Despite numerous critical statements that Love in the Time of Cholera can hardly be treated as the best example of Marquez's magical realism, this is not to say that all trace of "magic" is missing in the novel: there is something ultimately "unreal" and comic in the narrator's casual calculation of Florentino's 622 "long-term liaisons, apart from … countless fleeting adventures" (Marquez, 152) during the romantic's life in seclusion from his "real" love, Fermina, for example.
Literary trait used by Garcia Marquez that testifies to the presence of realistic and unreal is the frequent use as characters of real peoples' names or personas. The literary context of Gabriel Garcia Marquez's characters is both real and imaginary. Perhaps the most interesting and beautiful depiction of the use of real peoples' personas in Garcia Marquez's character development can be found in Love in the Time of Cholera. Spanning the half-century roughly between 1880 and 1930, the novel is about love, in all its ages. Garcia Marquez is said to have modeled the romantic triangle on the courtship of his parents, though the years correspond more to the lives of his grandparents. (Stavans, 47)
His experience with real-life characters is the basis for the love story in the novel, although the names are all fictitious. In an interview (Relations and Portraits), he assures the viewer that the story is a true and literal retelling of the love story of his parents. His father, Eligio Garcia – like Florentino Ariza in the novel – had to overcome the hostility of his beloved's parents. Florentino Ariza, like Garcia Marquez's own father, plays the violin and writes poetry. Garcia Marquez's mother, Luisa Santiaga, was an only child, as is Fermina Daza in the novel. Also like Garcia Marquez's own mother, Fermina has a strong character. While Garcia Marquez's mother had eleven children, however, in the novel Fermina has only two. However, Gabriel Garcia Marquez has two children. Garcia Marquez's father, Eligio Garcia, was the town telegraph operator, as is Florentino Ariza in the novel. That in itself was reason enough for his mother's parents to reject him. On top of that, however, Eligio Garcia was a conservative. In real life, Eligio Garcia and Luisa Marquez did get married, but to keep up appearances they had to move out of town. In the novel, Fermina Daza's father never accepts Florentino Ariza, but the young man stays in town and never marries Fermina Daza. Nonetheless, in the end, true love prevails.
McNerney points out that the story is framed around an unusual love triangle (McNerney, 74). The love triangle can be called unusual because one of the lovers is not physically involved but instead waits more than fifty years for his turn. It is also an unusual novel because the greatest lovers of all time have always been depicted as young, not old.
Reading Garcia Marquez it is difficult to separate reality from fiction; they are inseparable. The same happens to Florentino Ariza and Fermina Daza in Love in the Time of Cholera. They seem to live in real life which intersects with the life lived by them in their letters. Theirs is a romance that appears to be woven by the memories of a bygone youth. Love letters from the man, Florentino Ariza, to the woman, Fermina Daza, are the thread that keeps them attentive to each other until – after more than four hundred pages – readers are presented with a change in the perception of the importance of the epistolary link. Florentino first goes to Fermina's house after he has sent her a letter he had written in a state of depression, caused by the embarrassment of anticipating his first visit to her house. The encounter goes smoothly, overcoming the difficulties that had caused the composition of the letter. After having been the only link between two characters who had been physically apart, the letters, through Fermina's reaction, enter into another realm. They become something different from the weighty reality that brought the lovers together, something that Florentino dares define as literature.
The novel thus gives its characters two routes to follow simultaneously: one that leads in the direction of literature, and the other portrayed as divergent, bringing readers closer to feelings seen as more real than the ones in the hypothetical book. The assumption of Love in the Time of Cholera serves to show that, at age seventy-two, Fermina Daza can still be a cunning reader and a blushing inspirer of courtship. She returns the letters to Florentino, thereby freeing herself from his "book." In returning the letters and safely confining them to a book, Fermina is able to make the transition from potential reader, that at the same time makes her a believer in illusions who is unable to take action, a dreamer unconnected to the present, to a credible lover.
Literature has been given a place; it has served the purpose of bringing Fermina and Florentino together and now must be pushed aside so that the romance may, indeed, continue. Fermina has been seduced by the letters but is capable of maintaining the kind of distance that leaves room for the reality of Florentino, the man, not the character constructed by the letters.
Fermina Daza and Florentino Ariza are developed from a social and psychological viewpoint. These viewpoints are strongly enriched by the moral and religious principles that the characters share. From the detailed information, the reader gains extensive knowledge of who Fermina and Florentino really are, but the author does not give his judgment to them; without judgment, the narrative includes their likes and dislikes, preferences, shortcomings, reactions, and ambitions.
In presentation characters' life stories Marquez employs one of the techniques typical of magical realism that is he distorts time so that it appears absent. Thus the story opens at time when the main characters are all rather old people. Then subsequent chapters take readers back in time to a story of love at first sight. If the novel followed a traditional linear plot line, it would have started with the second chapter, when Florentino, at age eighteen, meets Fermina, who is thirteen. At that time Fermina is described as long-boned, slim, with steelblue hair and clear almond eyes, and an inborn haughtiness, diligent, and of strong character (Marquez, 41). Fermina's haughtiness, stubbornness, and cleverness can be seen when her father sends her away, on a journey to forget (Marquez, 102).
However, the plan does not work, as the two young lovers find a way to communicate by telegraph. But, after receiving four years of love letters, poems, telegrams, and music written and played just for her, Fermina suddenly tells Florentino that what she feels is not love. It is all an illusion, a spell she no longer believes in and wants no part of. Her reaction seems as unexpected and childlike as her reaction when they first met. She turns her back on Florentino but he does not give up. Instead, he waits for the opportunity to reassure her of his love when they meet once again: fifty-one years, nine months, and four days later, at the funeral of Fermina's husband, Dr. Juvenal Urbino. Here the past is mirrored against present, the feature that characterizes magical realism. When this opportunity comes Fermina behaves as a respectable widow, mature and self-controlled, but Florentino eventually manages to win her over.
Of all the characters, Florentino is the one who feels love the most; he loves passionately and with tremendous abandonment. His love for Fermina has not changed, but neither has her stubbornness, for she rejects him again at her husband's funeral. This time, however, the rejection lasts only two weeks. Over the course of the following year, in the same way he did when they were young, Florentino writes Fermina 132 letters, and this time he wins her love. Florentino Ariza is given a second chance, and this time he is ready. She then gives herself totally, generously sharing with him a kind of love perhaps neither had ever experienced before Florentino Ariza, in very many ways, is the antithesis of Dr. Juvenal Urbino.
Such great detail, sometimes even comical, used in creation of those two characters, the course of their development that distorts conventional time course, abundant emotional description of characters as social constructs and what is more the open-ended conclusion are all the elements of magical realism that remained in Marquez's Love in the Time of Cholera.
García Márquez, Gabriel. Love in the Time of Cholera. Trans. Edith Grossman. New York: Knopf, 1988
McNerney, Kathleen. Understanding Gabriel García Márquez. Columbia: University of South Carolina Press, 1989.
Pynchon, Thomas. "The Heart's Eternal Vow." Review of Love in the Time of Cholera. New York Times Book Review 10 April 1988: 1, 47, 49
Stavans, Ilan. Art and Anger: Essays on Politics and the Imagination. Albuquerque: University of New Mexico Press, 1996
Tratos y Retrators: Relations and Portraits. Dir. Silvia Lemus. Trans. Carla V. Smallwood. Films for the Humanities and Sciences, 1998
Love in the time of cholera Essay
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Comparative Analysis: "the Concept of Love as a Destructive Force in Anna Karenina and One Hundred Years of Solitude, and to What Extent It Is Depicted in Each Novel." Essay
Analysis of – Chronicle of a Death Foretold Essay
Themes, Setting and Plot of Gabriel's Gift by Hanif Kureishi Essay
Cholera Outbreak in Zimbabwe Essay
Topic: Love in the Time of Cholera by Gabriel García Márquez Essay


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Александр Васильевич Василенко (; 21 августа 1914 год, село Зарог, Оржицкая волость, Лубенский уезд, Полтавская губерния — 8 апреля 1975 год, село Зарог, Оржицкий район, Полтавская область) — колхозник, бригадир тракторной бригады колхоза имени Ленина Оржицкого района Полтавской области, Украинская ССР. Герой Социалистического Труда (1966).

Биография
Родился 21 августа 1914 года в крестьянской семье в селе Зарог Полтавской губернии. Окончил четыре класса начальной школы в родном селе (1926). Трудовую деятельность начал в 15-летнем возрасте грузчиком на шахте «Штеровская» Луганской области. В 30-е годы возвратился в родное село, где стал работать трактористом и комбайнёром на Оржицкой МТС.

После освобождения Полтавской области от немецких оккупантов был назначен в 1943 году бригадиром тракторной бригады колхоза имени Ленина Оржицкого района. Трудился бригадиром до выхода на пенсию. В 1966 году был удостоен звания Героя Социалистического Труда «за успехи, достигнутые в увеличении производства пшеницы, ржи, гречихи и кукурузы и других зерновых и кормовых культур».

В 1975 году вышел на пенсию. Проживал в селе Зарог, где скончался в 1975 году.

Награды
 Герой Социалистического Труда — указом Президиума Верховного Совета СССР от 22 июля 1966 года
 Орден Ленина
 Орден «Знак Почёта» (1958)

Литература
 Слід у житті // Ленінське слово. — 1973. — 17 лист.

Ссылки

 Василенко Олександр Васильович. Герой Соціалістичної Праці (1966)

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Share this Story: Report: Auburn RB Bigsby won't play in Citrus Bowl
Report: Auburn RB Bigsby won't play in Citrus Bowl
Standout Auburn running back Tank Bigsby won't play Friday when the Tigers play No. 14 Northwestern in the Citrus Bowl, AL.com reported.
No reason was given for Bigsby's absence.
Report: Auburn RB Bigsby won't play in Citrus Bowl Back to video
Bigsby was named the Southeastern Conference's co-freshman of the year and ran for 834 yards and five touchdowns this season. He also returned 13 kicks for 306 yards.
A four-star recruit, Bigsby was the fourth-ranked running back and No. 40 overall player in the nation in the Class of 2020, per the 247Sports composite.
There have been rumblings that Bigsby might leave Auburn in the wake of coach Gus Malzahn's firing. Earlier this week, offensive coordinator Chad Morris said he wasn't sure Bigsby would play in the game.
"Well, we are hoping. We'll see on that," Morris replied. "He has definitely had a great year, a phenomenal year. A young man that has an incredible future ahead of him. When you are able to get the ball in his hands, he makes a lot of things right when they aren't right."
Shaun Shivers and D.J. Williams are expected to be the primary running backs without Bigsby.


I am not quite sure what to say about this book. Early on, you find out that Eva, the mother, regularly visits her son, Kevin, in prison--after a school massacre. Although the book builds up to the event, it's not just about Thursday. It's a study of motherhood and an unconventional family dynamic.
Eva never really wanted to be a mother—and certainly not the mother of a boy who ends up murdering seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage, in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
Probably not one I would enjoy, but appreciate the information!
I saw the movie with Tilda Swinton, but it moved in the opposite direction. You had no idea what was going on with Kevin until the very end.


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What Snow White and the Evil Queen Taught Me About Desire
by Julia Fine May 8, 2018 5 minutes
I was six when I first sat down to watch Disney's Snow White and the Seven Dwarfs. I was not impressed. Accustomed to the newer breed of Disney heroine—the Belles and Ariels, their animation sharper, their inner lives more vibrant—I had no concept of the film's history, and found Snow White lacking. The girl had barely any personality, an insipid smile and no ability to learn from past mistakes. Was this supposed to be our heroine? Her greatest wish was to be "found" by a prince (who proved equally boring). And yet I started watching the film regularly, because—despite Snow White's screen-time and her many housecleaning montages—Snow White was not really about Snow White. Snow White belonged to the Evil Queen.
I had many fears as a child, but none comes close to the absolute terror I felt toward Snow White's stepmother. That streaming cloak and crisp white collar, those swooping brows and purple lids, the points of her crown gleaming, razor-sharp. I pictured her standing in her underground lair, raising storms. I thought she watched me through our mirrors. I worried she knew my thoughts, and that to even think I am frightened would summon her. At night when I struggled to sleep I would repeat to myself, "I love the Queen," as if in supplication, the sort of fear that's tantamount to worship. I rewound her again and again on VHS. Where Snow White was bland and prim, her foil was fascinating.
The Evil Queen wanted the most: the most beauty, the most power. She wanted it so badly that she'd change her shape, she'd maim, she'd kill. She understood desire, and embraced it. I, too, have always had insatiable desires. I, too, have what creature comforts I need to be healthy and happy, yet strive constantly for more. I know wanting so deep that it is paralytic, frightening. I've been born with so much, while others are born with so little, that it feels selfish to have this much desire, to even say the words I want. It seems like karmic poison. But even as it seems selfish to want so much, I wonder if it is really selfish not to?
The largest commonality I see among the unhappiest of my peers is the shame they feel about their dark desires. It's easy to want the things you're supposed to want, the things everyone wants: a 401k, career success, a partner who loves you. It's harder to want things that are taboo, things that are gluttonous or cruel or self-seeking—two extra-large pizzas to be eaten alone in one sitting, time away from your child, sex with someone else's partner. American Puritanism filtered through Disney's lens in the 1930s tells us that the cure for such desire is cleaning house for working men, talking to bluebirds. It encourages denial, a revision of self that mirrors Disney's overarching revision of the dark folk stories that inspired its films. Yet for all this advice, for all our self-help books and self-discipline and self-denial, we continue wanting. As modern adults, we are presented with two choices: tamp down our distasteful desires until we're vacant-eyed Snow Whites, or fulfill them and suffer the Evil Queen's consequences. But what if there's a third choice: to acknowledge but not act, to give desires space and kindness without needing to fulfill them?
If there is a way out of the binary of desire—a choice other than ingénue or jezebel—it might be found through our relationship with fairy tales. Fairy tales are complicated, often nebulous things. You'd be hard pressed to find a standard definition for the term—like pornography, we know a fairy tale when we see it. My own first encounter with the genre (likely at far too young an age) was not the romanticized Disney, but a video recording of Stephen Sondheim and James Lapine's Into the Woods, the Broadway muscial that owes more to the Brothers Grimm's tales of stepsisters hacking at their feet to fit the glass slipper than mice sewing gowns for princesses. During Act One, the characters enter the woods to perform tasks that will help them get their wishes: a night at the prince's ball, a pregnancy, lost beauty. Upon succeeding, they return to their village, where Act Two begins devoid of the usual trappings of "happily ever after." Instead, the protagonists must face the literal music and acknowledge that their wishes have unforeseen impacts.
"Desire is scary—it is bodily and subconscious and disregards both logic and law."
Into the Woods is a story about desire: how to figure out what you want, how to get it, how to grapple with its consequences. The play opens with the words "I wish" and quickly demonstrates the world has little sympathy for wishes. And yet "I wish . . ." is also the show's closing line. It is these wishes, more than magical creatures or simplistic language, which define the fairy tale. A fairy tale is structured longing, a child's first verbalization of that ache in her chest when she the gap between what is and what could be. It is desire that draws us to fairy tale characters, that propels their resonance beyond the archetypes. It is Snow White and the Seven Dwarfs' treatment of desire that makes Snow White a cipher, while the Evil Queen seems real. The Queen is frightening not only because of her relentless vanity, her coldness and her sneering magic mirror. She is frightening because, in my heart of hearts, she's who I'd rather be: someone who wants more for herself, rather than a passive princess.
In the original Brothers Grimm tale, the Evil Queen was made to dance on hot coals at Snow White's wedding not because she had wild desires, but because she made wild decisions. Just because we want doesn't mean "we deserve," nor "we should have," nor "we will have." More often than not nothing will (or should) come of the vocalization of desire other than the catharsis of acknowledging the feeling. A child doesn't think that by saying "I want to be a princess" she'll become one. And fairy tales don't tell children to stop wanting—only to be careful.
As we get older, we come to recognize the moralistic elements of the fairy tales we're told as children, the other side of the coin: Little Red Ridinghood warns that bad things happen when we stray from the path. Beauty and the Beast, when originally told in French salons, was a directive to young brides to submit to arranged marriages. Hansel and Gretel proves that indulging our hungers leaves us vulnerable to the world's evils. While we celebrate the act of wanting, we are warned of the consequences. And therein lies the unexpected nuance: We tell fairy tales to imagine ourselves otherwise and escape from our existence, while simultaneously using them to draw reality's boundaries and make meaning of experience.
It is certainly simpler to read fairytales as either just escapism, or just a set of antiquated instructions. It is easier to say, "the Queen is bad, this thing you want is bad" or "Snow White is good, this thing you want is good" than to tackle the innate feeling of longing. Desire is scary—it is bodily and subconscious and disregards both logic and law. We can't want ourselves into wanting anymore than we can wish our eyes a different color or our bank accounts full. And we can't—despite directives to pray or pretend otherwise—want ourselves out of what we do want. We talk about desire in terms of what it provokes us to do: overeat, cheat, steal, abandon, poison, kill. But though unruly, the desire itself is not dangerous—the feeling itself, its recognition, is not something to fear. We simply must do as children do and learn to distinguish between the imaginary and the real, facing ourselves without shame.
At six years old I was a difficult child: prone to dramatic tantrums, diagnosed with ADHD, a biter. My emotions were intense and overwhelming. I felt everything fully. I needed a compatriot, an example, an Evil Queen to show me that I was not alone. I needed to see that my desire, while frightening, was also a source of untapped strength. It made me interesting, eventually made me a writer. As an adult, my fantasies are more tangible: more money, more acclaim, a life not tethered to a toddler. I have a vision of a parallel self—not a mother, sovereign over her own time, author of multiple bestselling novels. I do not chastise myself for imagining, for wanting. I inhale, I exhale; I acknowledge, I release. For I know it is only when we give ourselves the space to imagine the world that we desire, when we hold it simultaneously in mind with the world that exists, that we come face to face with our own power.
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'Once And Forever' Turns Familiar Fairy-Tale Ideas Upside Down
Kenji Miyazawa is a beloved author in Japan; this book — a reissue of a 1993 story collection — balances chaos and kindness, natural and supernatural to build a world in which anything might happen.
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DeVotchKa at the House of Blues
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All Blogs On The Download Ex-Television guitarist Richard Lloyd looking for metal henchmen: Some suggestions
Ex-Television guitarist Richard Lloyd looking for metal henchmen: Some suggestions
Published Apr 29 2010, 07:18 PM by Daniel Brockman
So today Richard Lloyd, who along with Tom Verlaine formed perhaps the most formidable two-guitar attack of the 70's in the band Television, circulated an e-mail via his publicist looking to form a new band:
I am looking for some heavy metal band members to form a band and record a record at my studio -- one or two guitars, bass, drums and vocalist. Must be willing to wear makeup and act outlandishly. Concept and songs are already partially written. If you are in the New York area, and this applies -- send me a private message.
Richard Lloyd
lloyd206@aol.com
Now, it may seem almost sad for someone as legendary as Lloyd resorts to a PR version of a Craigslist ad looking for new bandmates-- but perhaps he's just trying to move in different circles after his somewhat disastrous 2007 tour, in support of a new album that he described modestly as "a perfect record" at the time. So now he's trying to go metal, eh? Sounds like it could work, his git-slinging in both TV and Rocket from the Tombs has always proved that he has the chops-- but does he have what it takes to hold it together with a hired-gun metal mob? Only if he gets the right crew; here are some suggestions:
GUITAR: I can think of one metal guitarist who has allowed himself to act more outlandishly than any other metal guitarist period, and that would be Varg Vikernes a/k/a Burzum. This will work out perfectly, as long as this gig doesn't interfere with any tour in support of Burzum's new album Belus-- oh, and as long as Lloyd doesn't meet the fate of Burzum's last collaborator, Euronymous. Oh, and might want to steer the tour away from any churches.
OTHER GUITAR: Easy: Chris Holmes from WASP. I get the feeling that if Lloyd ever saw this scene from Decline 2, he'd be able to relate:
BASS: Oh, he should totally try to get the dude from Gauchos. Is there better metal bass playing than this?:
This video is a few years old, so I'm imaging that this kid is now old enough to do the tour without a parental waiver.
DRUMS: If Lloyd gets the Gauchos bassist, he could do far worse than to get Sara here. Any drummer who can rock out "YYZ" should be more than technical enough-- I'm sure she could absolutely crush any sesh dude that Richard could find.
VOCALS: Good thing he didn't state an age range, or it would have invalidated the natural choice of vocalist for this supergroup: Saruman himself, Christopher Lee, whose recent half-metal/half-History-Channel-re-enactment album Charlemagne needs to be heard to be believed:
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Person Page-Research
Ph.D. Florida State University
billeuler@uri.edu
Our primary studies are centered on the properties of thin films and interfacial effects. In particular, understanding the properties of materials used in chemical sensors drives our research. We use a variety of spectroscopic tools in our investigations including UV-vis-NIR, FTIR, Raman, and fluorescence spectroscopies. Two problems are currently of interest: use of xanthene dyes as chemical sensors and controlling the surface structure of polymer thin films.
Xanthene dyes are a class of fluorescent materials that are readily available and commonly used as laser dyes. These compounds have strong absorbance in the visible region of the spectrum and are highly emissive, with many having quantum yields in solution approaching 1. When cast as thin films the properties of these dyes change, with a typical response being a significant quenching of the fluorescent when the films are more than a few nm thick. Further, the underlying substrate can also influence the photophysics of the dye. By exploiting the interfacial structure of the dye, the fluorescent response can be used as a sensor for explosives, biomarkers, and other analytes.
Spin casting is a common method for creating smooth polymer films with thicknesses from hundreds of nanometers to tens of microns. Under certain circumstances, a spin-cast film can result in a structured surface that has the form of periodic wrinkles. We have found that the wrinkles have wavelengths on the order of tens of microns and amplitudes of tens of nanometers. The wrinkle pattern is influenced by the concentration of the polymer solution used in spin-casting, the angular velocity used, and the polymer molecular weight. The surface structure, especially the possibility of introducing quantum confinement, can be used to influence the properties of surface deposited species such as sensing dyes.
2017 Advanced Career Faculty Research and Scholarship Award in the Life Sciences, Physical Sciences, and Engineering
2014 Arts and Sciences Administrative Excellence Award
Link to Google Scholar
Industry Partners: The BioProcess Institute (North Kingstown)


BOSSES at a health board which was given a £23 million bailout from the Scottish Government said they do not expect to begin repaying the loan for at least three years.
The chief executive of NHS Ayrshire and Arran, John Burns, told MSPs that the health board was unlikely to balance its books until 2021 and would require additional brokerage over the next two years – including an estimated £20m before the end of 2018/19.
Mr Burns blamed a spike in A&E admissions and an increase in consultant vacancies which had to be plugged by more expensive locum doctors for the deterioration in the health board's finances.
NHS Ayrshire and Arran requested the cash boost from the Scottish Government in March when it became clear that it was facing a £23m budget shortfall for the 2017/18 financial year.
It is the first time that the health board has required brokerage – effectively interest-free taxpayer loans.
It is also the largest single amount dished out to date. NHS Highland was allocated £15m in 2017/18 and NHS Tayside has received a total of £45m in brokerage since 2012.
Giving evidence to the Scottish Parliament's Health and Sport Committee, Mr Burns said: "In 2016/17, we started to see some pressures in our system in relation to increasing demand for unscheduled care and we also started to see increasing difficulty in recruiting to some of our key medical posts. Those two elements demonstrated pressure in our system."
He said they were now trying to cut costs by reviewing the estate, procurement processes, prescribing and reducing reliance on locum and agency staff.
However, Mr Burns added that on current projections, NHS Ayrshire and Arran would not deliver a balanced budget for another three years and only then would be in a position to discuss repaying the loan.
Asked whether this meant the health board would require further brokerage in the meantime, Mr Burns said: "Regrettably, I believe that would be the case."
Derek Lindsay, the health board's director of finance, said they projected a shortfall of £20m in 2018/19, but stressed this could change depending on the value of NHS pay awards agreed by the Scottish Government.
NHS Ayrshire and Arran has come under fire over proposals to axe cancer services at Ayr Hospital, meaning that patients would have to travel to Crosshouse Hospital in Kilmarnock for chemotherapy.
Brian Whittle, Conservative MSP for South Scotland, said this would result in a three-hour round trip by public transport for a patient from Ballantrae and that even for patients making the journey by car, parking at the site was "inadequate".
Asked by Mr Whittle whether the move was financially motivated, Mr Burns insisted that no final decision had been taken.
He added: "I can say absolutely the drive for this is not about saving money – it's about delivering the right care and the best care to patients in Ayrshire."
Mr Burns said there was a possibility that some chemotherapy services which Ayrshire patients currently undergo in Glasgow might be "repatriated to Ayrshire" in future.
Asked by SNP MSP Emma Harper whether there was any research available on the impact of travel times on mortality from cancer, Mr Burns said: "It's not something I've looked at."
Meanwhile, representatives from Scotland's island health boards – NHS Shetland, Orkney and the Western Isles – laid bare the demographic pressures facing remote healthcare.
MSPs heard that a third of NHS Orkneys's workforce is aged over 50 while all four of the Western Isles' consultant anaesthetists are Polish, raising concerns over the potential impact of a hard Brexit.
Chris Anne Campbell, chief operating officer and nurse director at NHS Western Isles, said: "If they all left at the same time we would be in significant trouble."
Ralph Roberts, chief executive of NHS Shetland, added that the UK "hasn't trained doctors to work in rural areas" and this was something they had called on the General Medical Council to address.
He added that pupils from rural areas could be given help to study medicine.
Mr Roberts said: "All the evidence from across the world is that if you come from a rural area, you're much more likely to go back and work in a rural area.
"Within 'Access to Medical Schools' there's been quite a lot of work around kids from deprived areas being given support to get into medical school, quite rightly, but I would certainly look for that to be rolled out into rural areas."
Previous PostFears raised over loss of free-to-use cash machines in Scotland Next PostIain Macwhirter: What if MPs were to agree that Holyrood was right to say No?


With the help of Bridget Hunt, the Six Pack Chick fitness expert who has been helping women to take their power back and change their lives, you can achieve a washboard stomach too.... This is my six pack ab workout for women for all my lovely ladies who want to get those abs on fire! There are four main muscles of your abdominals ( refer to previous blog post here ). Your rectus abdominis are the �six pack� muscles at the top of your stomach.
This is my six pack ab workout for women for all my lovely ladies who want to get those abs on fire! There are four main muscles of your abdominals ( refer to previous blog post here ). Your rectus abdominis are the �six pack� muscles at the top of your stomach.... This is my six pack ab workout for women for all my lovely ladies who want to get those abs on fire! There are four main muscles of your abdominals ( refer to previous blog post here ). Your rectus abdominis are the �six pack� muscles at the top of your stomach.
23/02/2015�� Watch video�� Ranveer Singh, Arjun Kapoor & Karan Johar to be sentenced to jail for 3 years for their participation in the AIB Roast of Ranveer Singh & Arjun Kapoor. Bollywood actor Ranveer Singh smmooches his alleged Girlfriend Deepika Padukone in full public view at the AIB Knockout event which was aired on Youtube on 28th January 2015.
With the help of Bridget Hunt, the Six Pack Chick fitness expert who has been helping women to take their power back and change their lives, you can achieve a washboard stomach too.


The Department of Microbiology focuses on medical and pharmaceutical microbiology. The medical microbiology deals with the prevention, diagnosis and treatment of infectious diseases caused by bacteria, fungi, parasites & viruses and common infections such as skin/ respiratory/ urinary/ gastrointestinal/ STD, etc. We study the characteristics of pathogens, the mode of infection and growth of microorganisms in human. The medical microbiology provides investigational / clinical inputs to physicians including the emergence of drug resistance (MDR/XDR) and suggests the treatment options. The pharmaceutical microbiology deals with microbes & pharmaceuticals, microbial secondary metabolites as well as develop pharmacopoeal standards for generic and novel drugs etc. It compasses the R&D of anti-infective agents, antibiotics, the use of microorganisms in the pharmaceutical products and other related areas. This University has also established a Centre for Drug Design Discovery and Development (C4D) to carry out the Research and Development (R&D) activities to discover new drugs against infectious diseases of bacterial, viral and parasitic with a special focus for neglected diseases like TB, Kala azar, Dengue, Chikungunya, Malaria, etc.
Eligibility: Candidates must have passed graduation or an equivalent examination in any discipline in any field of Life Sciences / Microbiology / Biology / Biotechnology and Medical Laboratory Technology, or in their respective branch from UGC recognized University with 50% marks in aggregate.
Eligibility: Candidates must have passed Post graduation in the relevant discipline from a UGC recognized University with 50% marks in aggregate. However an applicant with M.Phil/CSIR-UGC/JRF/NET/SLET cleared in the relevant subject is exempted from Entrance test.
As per UGC notification of 5th May 2016 Minimum duration for Ph.D. is 3 years including course work and maximum of 6 years (full time / part time).


Thousands of people from across Oldham and beyond are set to enjoy a spectacular day of free entertainment at the world famous Whit Friday band contests on Friday 29th May.
Dubbed locally as 'the greatest free show on earth', this traditional event dates back to an earliest-recorded contest in 1884. Contests will run across 11 Saddleworth villages from around 4pm until 10.30pm – following on from the traditional morning 'Whit Walks'. To ensure everyone, residents and visitors alike, can enjoy the day in safety several months of planning has taken place between partners.
Councillor Jim McMahon, Leader of Oldham Council, said: "The Whit Friday Band contests are one of the highlights of the year. Thanks to the huge efforts made by the contest organisers and volunteers the event has been successful year on year and has firmly put the event on the musical map.
"We're delighted to be welcoming bands and visitors from across the Uk and Europe, to this fabulous free show. We even had one person who had travelled from Japan last year.
Greater Manchester Police Chief Superintendent Catherine Hankinson who is commander for the day, said: "The Saddleworth Band Contest is a great event for all of the family. The contest has a history in the area and with that in mind we are proud to work with the organisers to ensure that it is a fun, safe and enjoyable event for all involved.
Once the music has stopped there's also a huge clean-up operation implemented where council staff, working alongside an army of volunteers, clear away litter and empty street bins so that things can return to normal as quickly as possible.
The Saddleworth and Lees District Executive has been closely involved in organising the event and its' members have again given a significant financial contribution from their devolved funding from Oldham Council towards the costs of prizes, stewarding and other vital amenities.
GMP officers will be in attendance across the various contests. They advise all parents to keep in touch with children throughout the day so that you know where they are, who they are with and when you can expect them to return home. Any young person suspected to be in possession of alcohol may be searched. Anyone aware of young people planning to bring alcohol to the band contest is asked to report this to the police by calling 101. You do not need to provide any personal details.
The post Whit Friday Band Contest will hit all the right notes appeared first on Diggle News.


- It is one of the most popular app for Philips hue. It offers Friendly user interface, Widgets, Quick tiles, App shortcuts, Custom Scenes, Preset Scenes, Music sync, Animated scenes, Light Alarm, Routines, Accessories support and more.
Why do we need location Permission?
- We need the WiFi name so we can reconnect to the network when you come home. From Android 8, location permission is needed to read the wifi name.
- Please ensure location permission is provided to the app. If it is already provided, disable it and open HueHello. Goto Smart Notification -> click on Location permission and allow permission. It should work.
- A lot of features are free, and few features come up with trial. Please understand App development costs money.
Why shall I become pro?
- You can support the app development by becoming a pro user. We use the money to develop and support app.
I love it. How can I pay more?
In rare scenarios, we do not get update from Google about your payment status. If you are sure money is deducted, please kill app and restart OR restart the phone to restore the pro state.
Can I use my Pro app in multiple devices?
Google takes care of the Payment when you become pro. Your pro is associated with the google account of your phone. If you want to use Pro in multiple devices, please ensure you have same Google primary account in all the devices.
Can I share Pro state with my Family?
We encourage you to become pro and support development of this awesome app. But if you want to share the pro state with your family member, pro members can fill a form from inside the app and request a FREE code for family.
Some error occured while programming accessory?
Sometimes when you program an Hue accessory, you might face some error. It can happen because of various reasons. No space in the Bridge is one primary reason.
You can share the error with us by going to Settings -> HueHello Settings -> Feedback ->Error and we will try to solve.


Started in 2012, the collaboration between French Army and METRAVIB goes on. Thanks to a tight collaboration with RTD, 60 more SLATE units (Sniper Acoustic Localization System) systems were delivered at the end of 2014 thus complementing the equipment already supplied to the French Army.
In total, 200 SLATE units will be mounted on VAB armored vehicles produced by Renault Trucks Defense. METRAVIB acoustic gunshot detection systems are now recognized equipment by Army Forces worldwide and become an essential component in the protection of their personnel.
Read our press release. For more information on SLATE, please contact us.


Allied Brass Sag Harbor 30inch Towel Bar Hooks Chrome SG 41 30 PEG SCH $171.50 Crafted from the Finest Solid Brass Materials. Contemporary design with traditional design elements. Concealed screw mounting hardware installs easily. Clever design lets you dry towels before hanging on rod. Creative space saving design. Designer Finish will provide corrosion free performance.
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of the elements and demanding environments.
YUPO has grades for many applications.
YUPO is dimensionally stable for superior ink adhesion.
support team for every YUPO project.
shelf life of printed pieces is extended for overall value.
embossing and special metallizing processes with beautiful results.


Charge the latest high performance laptops from Dell with this high quality Dell charge tip. This single add-on laptop charging tip is the perfect addition to your current Cables4computer™ Universal AC Power Adapter (PWR-LAP-SP11).
Perfect addition to your current Cables4computer Universal AC Power Adapter (PWR-LAP-SP11).


Dedicated to the wellbeing of Montpelier and the surrounding community.
**For patient with pre-booked appointments only.
Surgery is CLOSED Wednesday lunchtimes and closes earlier on Fridays.
Who Do I See For My Condition?
Who to see: Doctor Advice: Please contact reception on 0117 942 6811.
Who to see: Nurse/Health Care Assistant/Practice Pharmacist Advice: The Nurse/Healthcare Assistant will consult the GP as necessary.
Who to see: Nurse/Walk in Centre Advice: Please contact reception on 0117 942 6811 or the walk in centre on 0117 909 9610.
Who to see: COPD Nurse Advice: Please contact reception to book an appointment on 0117 942 6811.
Who to see: Nurse or Well Women Clinics Advice: If you have been invited please contact reception on 0117 942 6811.
Who to see: Nurse/Health Visitor Advice: Please contact reception on 0117 942 6811.
Who to see: Nurse/Doctor Advice: Annual clinic appointment will be sent to all CHD patients, please ask for an appointment if worried.
Who to see: Pharmacist Advice: Antibiotics are not needed for the common cold as colds are caused by a virus.
Who to see: Well Women Clinic/Doctor Advice: Please contact reception to book an appointment on 0117 942 6811.
Who to see: Diabetic Nurse Advice: Routine annual clinic appointments will be sent to all our patients with diabetes. Patients are encouraged to book an appointment with our diabetes specialist nurse or their GP if they have any concerns at any other time and not to wait for their annual review.
Who to see: Nurse Advice: Please contact reception to book an appointment on 0117 942 6811.
Who to see: Doctor/Podiatrist Advice: Please contact reception to book an appointment on 0117 942 6811.
Who to see: Receptionist Advice: If you require your GP to complete and sign a form for you there will be a charge as this is not covered by the NHS, please take your form to a receptionist who will confirm the appropriate cost.
Who to see: Pharmacist or Walk in Centre Advice: Please contact your local pharmacy or walk in centre on 0117 909 9610.
Who to see: Nurse/Walk in Centre Advice: Please contact reception on 0117 942 6811 or walk in centre on 0117 909 9610.
Who to see: Inform the Receptionist Advice: Please bring your passport and photos to reception who will give to a GP that has known you for over 2 years, There will be a charge of £25. for this service.
Who to see: Doctor/Midwife Advice: Please contact reception to book an appointment on 0117 942 6811.
Who to see: Doctor/Milne Centre Advice: Please contact reception to book an appointment on 0117 942 6811 or the Milne Centre on 0117 342 6900.
Who to see: Inform the Receptionist Advice: You can self certificate for the first 7 days, you can obtain a private sick note for the cost of £10. For the first period of sickness you must see a doctor for a sick note.
Who to see: Inform the Receptionist Advice: Speak to a receptionist who can arrange for a continuation sick note to be issued by your GP for collection.
Who to see: Health Care Assistant/Phlebotomist Advice: Contact reception to book an appointment on 0117 942 6811.
Who to see: Nurse Advice: You will need to fill in a travel form in the first instance (also available from reception) these need to be returned to reception to make an appointment.
Who to see: Nurse Advice: Contact reception to book an appointment on 0117 942 6811.
> What is Self Care?


Choosing the right draw weight for your compound bow can be difficult. On one hand, a higher draw weight allows for less arc and more accurate shooting--up to a point. Conversely, a bow that is too heavy will reduce your ability to maintain posture, practice effectively, and repeat your motions.
That's why it can be a good idea to improve your overall strength. By training to effectively manage a high draw weight, your effectiveness as a shooter will improve significantly.
There are two things to consider when setting your training goals for increasing your draw weight. Experts suggest that a bow's draw weight be approximately 75% of what you can comfortably pull. Also, due to industry standards regarding arrow weight, there is a point of diminishing returns when your bow reaches a 60 pound draw weight.
That means your goal should be able to complete a pull of 80 pounds without too much strain. If you're a hunter, you could benefit from more strength under certain rare circumstances. However, your accuracy will not increase much from draw weight alone past this point--and accuracy is always the primary concern.
The only way to increase your comfortable draw capacity at a place like Wilcox Bait Tackle over time is to practice and exercise. No exercise can recreate the movement required to draw your bow by itself. That means there is no real substitute for time spent on the range. However, you'll always be pulling a comfortable draw weight when shooting, so you'll need to add targeted exercises to foster quick improvement.
Unfortunately, archery is not an isolated movement. Proper strength training for archery will always involve a total-body approach. The good news is that total-body strength doesn't have to take a long time. It also means that you have a lot of opportunities for strength gain--and you can maintain a balanced physique.
The most important muscles to focus on in the upper body are the back, shoulders, chest, and forearms. While it's possible to target each of these groups individually, the most effective means of strength training involve compound lifts. These lifts involve full range-of-motion lifts with free weights, and engage multiple muscles at the same time. All of these lifts should be completed in three sets of ten.
Bench Press--Using a flat bench and a barbell, lower the weight to your chest, then press upward until your arms are locked. Be sure to use a spotter when lifting heavy weight.
Overhead Press--While standing, raise a barbell from shoulder height over your head while locking your arms. Be sure to engage your core and your buttocks while doing so.
Lateral Raises--Hold dumbbells in your hands with your arms hanging at your side. Without bending your elbows, raise them so that your arms are straight out at shoulder height, then return to a relaxed, hanging position.
Just as with upper body exercises, compound lifts for your lower body are the best choice. These movements will also strengthen your core, providing more stability during your shots. Again, you'll want to complete three sets of ten lifts.
Squats--Place a barbell across your shoulders. While keeping your heels on the ground, lower your body into a squatting position. Keep the angle of your knees as close to parallel at the bottom of the movement.
Deadlifts--While standing over a barbell on the ground, squat down and grasp the bar. Keep your back straight and lift the weight to a standing position. Your arms should not move from a locked position--keep the lift in your legs and back.
All of these exercises can be completed in the same day--and should never be done more than three times per week. If you continue this routine over time, it won't be long before a 60 pound draw is an effortless experience for you!


I thought I'd give you an update on how things are going.
Gratitude has become an integral part of my life now and is such a powerful yet simple tool. I thank you so much for introducing the practice of gratitude into my life. Recently I have been reading a lot of material by Guy Finley and have found that it echoes of what you teach.
Realizing that we are not our thoughts was a major shock for me and really made me start asking the question: 'Who am I?' It was while I was contemplating this that I remembered the Free Session in the audio course you offer called 'The Attention'. I couldn't believe it, all my questions were answered….I had listened to it many times before but this time it made so much more sense. I realized that I have created so many different false selves that I have mistaken them for actually being the real me, but they are not the real me.
I was really excited when this awareness came to me but then I became scared….fear and anxiety kicked in big time. Since then the false self seems to have become louder and I think that this is because I am challenging its existence and it doesn't want to die. I know that the false self is not real but it does appear to be so much of the time because of the emotions I feel, especially anxiety. It feels that I haven't moved forward but I know this is also the trick of the false self.
I am confident that with my commitment and persistence with this process of self-awareness I shall succeed….it is inevitable.
Again, thank you Gary for the wisdom that you offer.
A big part of figuring out what you are involves figuring out who you are not. Notice that I say "what you are" and not "who you are." That's because "who you are" is very much a function of the false self.
It is astute of you to notice that the false self is playing this trick of telling you that you are not moving forward. The interpretations the false self makes of emotions is usually that you are moving backwards or getting worse.
Keep in mind that our emotions are real feelings, but the interpretations we make about them are not facts. In the beginning the assumptions we make about emotions are usually incorrect because the come from the false self, or what we can call ego mind. he truth is often about 180 degrees from what the false self thinks it is.
I agree with your assessment that the fear that you are feeling is the fear that the false self is generating. It is afraid of being found out and losing control of the Authentic You. I allude to this in a couple of my podcasts. I think it is on the podcast about on Overcoming Fear.
It is kind of amazing that the false self has an emotional reaction to being found out and then tricks us into thinking it is our emotion. It then gives us a false interpretation of what is causing "our" emotion. We believe the thoughts that aren't our own about emotions that aren't our own. This is a very clever trick and one that requires a good deal of self awareness to slip out of.
The journey to discover what you really are is mostly about discovering what you are not. When you dissolve all the illusions about your self, only the Truth is left.
About your commitment to succeed, be wary here. The idea or ideal of "success" can also be a trick of the false self. This is particularly true if we hold beliefs about failure in relation to our definition of success. When we use terms like success in this process we are often getting set up for some type of false self judgment about measuring progress and failure.
It would be wise to clearly understand what you have defined the symbolic word success to mean.
If you define success as love, peace, happiness, joy, compassion, and Truth, then yes, continue to use the word success. But if this is what you mean, then why not use these symbolic words instead.
By the way, in your quest to sort out all this false self stuff from the authentic you it might be helpful to be aware that only the False Self asks the question, "Who am I?" The authentic self doesn't bother with such questions.


text:
Taego Order
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The Taego Order or Taego-jong is the second largest order in Korean Seon, the Korean branch of Chan Buddhism.
태고종
太古宗
Revised Romanization
Taegojong
T'aegojong
CharacteristicsEdit
Seonamsa is one of the head monasteries of the Taego Order, which includes over 8,000 monastics and 3,100 temples.
What distinguishes the Taego Order from other forms of Korean Buddhism like the Jogye Order of Seon is that it allows ordained priests to marry, although nuns must remain celibate. This custom of married priests is a remnant of Korea under Japanese rule. However, not all Taego priests are married. This order also includes traditional monks. Monks tend to remain more separate from society and live in mountain temples, whereas the married clerics are more like parish priests, though this is not always the case.
According to the Patriarch of the Taego Order Overseas Parish, Venerable Dr. Jongmae Kenneth Park, the Taego and Jogye orders follow the same Prātimokṣa, the vinaya of the Dharmaguptaka also followed in Vietnam and China. There are 250 bhiksu precepts, 348 bhiksuni precepts, and 10 śrāmaṇera and śrāmaṇerī (novice) precepts. However, celibacy is optional.
Both the Taego and the Jogye use the Brahma Net Sutra, which contain 10 bodhisattva vows and 48 lesser precepts. Contrary to some misconceptions, the Taego Order does not use bodhisattva vows as the basis of its ordinations.
The Taego Order formed in the 1970s from the monks left out of the then Christian-dominated military government's officially recognized group of monks that became the Jogye Order. This group consisted of 300 celibate Seon practitioners. One result of this split was that the ritual masters all remained with what became the Taego Order. Today, the Taego Order preserves the full ritual tradition of Korean Buddhism, including the Yeongsanjae, which is a reenactment of the Buddha's preaching of the Lotus Sutra on Vulture Peak. This ritual is held each year at Bongwonsa on June 6, South Korea's Memorial Day, in part to pray for the dead from the Korean War.
Before 1945 the majority of Korean Buddhist monastics were descended from Taego Bou, especially within the Jogye Order, which was founded at the end of Goryeo. This unified order continued until 1954, when Syngman Rhee and a number of monks ordered a separation of the order into two parts, one composed of 300 celibate monks and the other a combination of celibate monks and priests, the latter of which would become the Taego Order.
The group of 300 celibate monks retained the name "Jogye Order" but changed the color of the kasa, the outer monastic robe worn over the left shoulder and under the right arm, to brown despite the fact that the traditional color of a Korean kasa was red. This was done to create a visual distinction between the orders. North Korean Buddhist clergy most often use the most traditional robes – a red kasa and a dark-blue or nearly black ceremonial robe.
After the separation of the orders, the monastics in the Jogye Order as well as the government suppressed the group that became the Taego Order, in part by forcing married clergy out of the temples so these disestablished priests had to establish a new order that would carry the characteristics of the original Jogye Order, including the use of the original red kasa, though allowing for marriage. In 1970 a new order was officially founded that was named for Taego Bou.[citation needed]
Of particular note in the Taego ritual tradition is the Yeongsanjae ritual. This is a reenactment of Shakyamuni Buddha's teaching of the Lotus Sutra on Vulture Peak. It involves a great deal of chanting and dancing. The full ritual is quite long, but is sometimes performed in an abbreviated fashion lasting just a few hours. This ritual is only preserved in the Taego Order and has been recognized as an intangible cultural asset by UNESCO.[citation needed]
Training for ClergyEdit
The training for Taego clergy is similar to that of the Jogye Order. Taego novitiates can study at a gangwon, which is a traditional academic institute similar to the Tibetan shedra. They can also attend the Central Sangha College run by the Jogye Order. Another option in both orders is to pursue a modern education, generally in Buddhist Studies.
For novice monastics who study at a gangwon or modern academic institution to fulfill their basic education requirement, four years of study/training are required. After this, they may be ordained a bhikkhu or bhikkhuni if they pass an examination and then either work at a temple in a capacity similar to that of a "parish priest," or continue their training and education. For students at a gangwon, they would then have the option to study for four years at a yulwon, which is a Vinaya school. Upon graduation they would be known as Vinaya masters. For this reason, yulwon students must be celibate. Taego monastics may also study at a yeombulwon, which is a ritual training school focusing on traditional chanting, ritual, music, and dance after taking full ordination. These students may request private tutoring for further training in ritual after graduation from the full four-year program, though some programs offer two- and three-year options as well. Fully ordained monastics may train at a Seonwon in meditation as well. This consists of two roughly 3-month retreats each year. In between retreats, these monastics would travel from temple to temple until the next retreat starts. Students in this system do not study under one master at one temple, but participate in retreats at different temples under different masters for many years.
For training in Seon, there is no "graduation" after a specific number of years. In rare cases, a student may receive dharma transmission or inka from a master of Seon after 20 or 30 years of practice. However, Dharma transmission in the Seon tradition is extremely rare.
America-Europe ParishEdit
As for foreign clergy, there are a growing number of Taego Order clergy in the U.S., Canada and Europe. According to the Taego Order website (listed below), international clergy (that is, those who are not Korean) can study for ordination from home in a two-year program through the Institute for Buddhist Studies. This is a two-year program leading to ordination as a samanera (though not necessarily with vows of celibacy) or samaneri (requiring a vow of celibacy). The ordinations are carried out in South Korea. Dharma teachers can also be ordained after completing this program. These ordinations are conducted in the West. (Graduation from the seminary does not itself guarantee ordination. In addition, the seminary itself does not conduct ordinations - the Korean Taego Order conducts the ordinations.) The website does not clarify the difference between regular clergy and Dharma teachers, however the primary difference is that Dharma Teachers have fewer obligations and cannot be abbots of temples. Dharma Teachers also do not perform ordinations, memorial chanting, the "eye-opening ceremony" (consecrating religious images), nor do they perform the Dharma transmission rite (Inka). In both the Taego and Jogye orders, only monastics are eligible to receive Inka.
The website currently lists more than 40 clergy in the America-Europe Parish (covering the U.S., Canada, and Europe) though a few are Koreans living overseas. There are also temples in New Jersey (Bogota and Warren), New York (Staten Island), Georgia (Hampton), Texas (Austin), Michigan (Royal Oak and Grand Rapids), Canada (Brampton, ON), California (Anaheim, Los Angeles, Seal Beach, and Pinion Hills), Idaho (Mountain Home), Missouri (St. Louis), the Washington, D.C. area, Hong Kong, and Germany in Solingen, Nuremberg and Munich).[1][2][3]
The first Westerner ordained as a Taego monk is Dae Il Sunim (Dr. David Zuniga). Dae Il Sunim is also the first board-certified Buddhist chaplain. He currently works as a psychologist in Texas. However, the majority of Taego clergy in the West are disciples or grand-disciples of Dr. Jongmae Park. Dr. Park retired from the faculty at Loyola Marymount University in the Los Angeles area as of 2014.
^ Robinson, Martin (2003). Seoul. Lonely Planet. p. 19. ISBN 1-74059-218-2.
^ Ford, James Ishmael (2006). Zen Master Who?. Wisdom Publications. p. 98. ISBN 0-86171-509-8.
^ Scoville-Pope, B. (2008). Go Tell It Off the Mountain: Missionary Activity in Modern Korean Buddhism. Rosemead, CA: University of the West (Master's Thesis).
Taego English Website
Muddy Water Zen Michigan
Dharma Gate Zen Michigan
*** Taego Zen Center New Jersey
So Shim Sa Zen Center New Jersey
Bodhidharma Tempel Nuremberg, Germany
Bodhidharma Tempel Munich, Germany
Retrieved from "https://en.wikipedia.org/w/index.php?title=Taego_Order&oldid=900685384"


MARYSVILLE – Once special needs students get through the high school and transition programs, some often lack things to do. That is one reason why teacher Jim Strickland is teaming with the Marysville Kiwanis Club to form the Marysville Tulalip Aktion Club.
Stickland noted at the first meeting that Aktion is spelled with a k for "Kiwanis" instead of the usual "c".
He also said that while 15 people were there and about five others have expressed an interest, he wants to get the word out to the entire community about the club.
Some adults with special needs may not be in a network where they would hear about it.
All special needs adults are welcome.
He said in school they often do community service, and this club will allow them to continue to do that.
Kiwanis Club president Steve Powell talked with the members about things that the organization does in the community, and how some Aktion Club members may be able to help out.
He mentioned community service projects like the maintenance of Kiwanis Park and the Kiwanis One Day, which this year will be at the dog park at Strawberry Fields.
He also mentioned events where Kiwanis sells food and gives out popcorn, such as Movies in the Park, Concerts in the Park, Touch a Truck, the Fishing Derby and the city's Fourth of July celebration.
Profits go to the club's scholarship fund of graduating high school seniors in Marysville.
"Kiwanis helps us, and we help them," Strickland said.
He showed a Kiwanis International video online that talks about the Aktion Clubs.
The club plans to meet every other week at the YMCA on Wednesdays at 12:30 p.m. Strickland asked members to think about projects they might want to do locally and issues they want to get involved in between now and the next meeting April 24.


text:
A look back at the 1979 total solar eclipse
Frank Reynolds anchored ABC's live coverage of the last total solar eclipse.
MORGAN WINSOR
Feb. 26, 1979: The US Northwest gets a view of the solar eclipseThis total solar eclipse was the last to be seen from the contiguous U.S. in that century.ABCNews.com
— -- Dressed in a dark blazer and a polka-dot tie, ABC News' Frank Reynolds anchored the network's live coverage of a total solar eclipse 38 years ago.
Although the celestial phenomenon on Feb. 26, 1979 was only visible from the Pacific Northwest, it was the last total solar eclipse over the contiguous United States to take place that century -- and just like this year, the rare event captured the imagination of the nation.
"Good morning. This is indeed a special events broadcast of a genuine special event," Reynolds said from ABC News' studio in New York City. "The last total eclipse of the sun over the continent this century. The moon is moving between the sun and the earth and across a relatively narrow strip of the northwestern United States and central Canada."
ABC News broadcast the solar eclipse live from various locations within the path of totality. Viewers watched as the moon's shadow blocked the sun's beaming face in broad daylight over Portland, Oregon, and the city plunged into darkness at around 8:14 a.m. PDT.
The experience lasted just over two minutes there.
"Welcome back to daylight, Portland," Reynolds laughed, as the live shot of the city showed a bright sky.
Total solar eclipse 2017: Everything to know about the upcoming celestial event
Total solar eclipse 2017: What is it and what will happen?
Best US cities to watch 2017 total solar eclipse
Total solar eclipse 2017: Tips for safe viewing with glasses, viewers, filters, projections
Photographing the total solar eclipse with a smartphone
Another live shot of the total solar eclipse from Montana's capital city of Helena captured the solar corona, the sun's outer atmosphere that is usually obscured by glare but appears as a ring of ethereal white wisps around the moon as it blocks the solar surface. Cheers and applause rang out from the crowd in Helena in the heart of the Rocky Mountains.
"The light here is eerie. It's a yellowish, gray on the horizon," ABC News' Ron Miller said while reporting on location.
Soon after, the sun emerged from behind the moon, creating the "diamond ring" effect over Helena, and the crowd roared in awe.
"So that's it -- the last solar eclipse to be seen on this continent in this century," Reynolds said before signing off. "And as I said not until August 21, 2017, will another eclipse be visible from North America. That's 38 years from now. May the shadow of the moon fall on a world in peace. ABC News, of course, will bring you a complete report on that next eclipse 38 years from now."
On Monday, starting at 10 a.m. PT/1 p.m. ET, ABC News' David Muir will lead the network's live coverage of the astronomical event from within the path of totality.


text:
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redpajama_set_name: RedPajamaGithub


1956: Antony Fisher founds the free-market Institute of Economic Affairs, having been inspired by Hayek. 1960: philosophy, sociology, psychology and anthropology. For example, Hayek's discussion in The Road to Serfdom (1944) about truth, falsehood �... THE ROAD TO SERFDOM ZOOMBCMXEXE PDF READ The Road To Serfdom Zoombcmxexe pdf. Download The Road To Serfdom Zoombcmxexe pdf. Ebooks The Road To Serfdom Zoombcmxexe pdf.
The Road To Serfdom should in fact unwittingly produce the very opposite of what we have been d and d 5th edition players handbook pdf Originally published in 1944, The Road to Serfdom has profoundly influenced many of the world's great leaders, from Orwell and Churchill in the mid-'40s, to Reagan and Thatcher in the '80s.
Recent Topics. The Road to Serfdom free book; High Performance Approach for Digital Signature free pdf; Wanderings in South America, the North-West of the United States, and the Antill the riot within my journey from rebellion to redemption pdf I've spent a lot of my time finding this sheets. Honestly u cant get them anywhere for free in this form. I found just one website where u can buy them.
Originally published in 1944, The Road to Serfdom has profoundly influenced many of the world's great leaders, from Orwell and Churchill in the mid-'40s, to Reagan and Thatcher in the '80s.


Cabo, Mexico is one of the most beautiful places I have ever visited! This says a lot considering how obsessed I am with island life.
I came to Cabo with a powerful group of female entrepreneurs for a business weekend.
I left Cabo with life-long travel buddies and friendships.
Cabo certainly gave a lot to me!
I started my trip by checking into the beautiful Riu Palace Cabo San Lucas Resort. I arrived mid-afternoon Thursday and was able to catch some lunch before I attended my first event: the Meet and Greet.
The next morning I woke up bright and early to catch the sunrise. It was so nice to be by the water and be with nature. I love the beach and although I am not a morning person when I am near a beach I ALWAYS wake up early enough to catch the sunrise.
I enjoyed a lovely breakfast (disclaimer the only good food at Riu is the breakfast and Lobster, everything else is tolerable). Then I headed to a small desert area to ride camels!
I am thoroughly pleased with our experience with Cabo Adventures excursions. We did the Outback and Camel Safari excursion and we had an AMAZING time! From having our amazing guide Christian to riding camels and eating amazing and AUTHENTIC Mexican food. This excursion was the highlight of my trip!
I have never seen a camel in person and it was such a cool experience to be so close to this animal. We only met the one hump camels (because the two-hump camels weren't old enough) and then went on a walking tour to learn about the local fauna.
In case you didn't know, the only cactus juice you can drink comes from a cactus that grows like a mound from the ground and has no arms or anything sticking out of it (besides flowers). The normal cacti you see are TOXIC to humans so don't drink from them!
After learning about cacti we had the opportunity to ride camels along the beach. Talk about magical!
They have an amazing gait that feels somewhat luxurious. That's the only way I can describe it.
From here we had lunch and did a tequila tasting!
On the last day I was in Cabo, I saw the sunrise (again) and as a group we did a boat tour! It was a very relaxing!
Overall Cabo was a work and play trip. I am amazed at how much work I was able to do even though technically I was on vacation.
I could get used to this digital nomad lifestyle!
Check out my video diary to see just how much fun I had. I didn't show myself working but just know, I got quite a few things done. It's totally possible to work and play as an entrepreneur!
2019 is all about taking ACTION and having new experiences! I have now made it my goal to visit 30 countries before I turn 30! I have 3 years to visit 22 more countries!
What countries have you visited? Have you ever been to Cabo? Where should I go next?


the spare cycles at the moment.
> > I'll be looking at this, of course. It looks like a tree-conflict bug.
> copy-and-translate the file "alpha.moved" which does not exist.
> descendants. Skip both newly-discovered and existing tree conflicts."
> This change doesn't touch that file "merge.c".
> That's where I've got to so far.
Next message: Stefan Küng: "copy with --parents creates bogus folder"
Previous message: Julian Foad: "Re: svn commit: r34318 - trunk/subversion/svn"
Reply: Neels Janosch Hofmeyr: "Re: 1.6 blocker? copy operation during update fails"


text:
Girl, 9, dies after being electrocuted by wire from pool light that was under repair
Private security hired to patrol Katy Trail
DALLAS - Private security has been hired to patrol Katy Trail during peak hours.
Off-duty Dallas Police Department officers had been patrolling the trail, but were pulled "to address more pressing matters."
Ameritex Guard Services security officers will now be patrolling the trail on bikes, or in a golf cart during inclement weather.
They will be patrolling Katy Trail from 5 p.m. to 9 p.m. on weekdays, and 7 a.m. to 5 p.m. on weekends.
These security officers will be working with Dallas PD to patrol the trail, and Dallas PD bike officers will still patrol the trail on occasions.
Tens of thousands of dollars were raised from people all over the country to help the family of a fallen officer.
The family of Grand Prairie Police Officer AJ Castaneda was presented with a $40,000 check on Wednesday. That money was raised in part by a t-shirt drive organized by the wife of a North Texas police chief.
Officer Casteneda's father, brother and niece all showed up to the presentation. They were joined by Grand Prairie police and officers from Fort Worth, Mansfield and Burleson. All of them were there to celebrate the support given to Officer Castaneda's family since his death.
Changes could be coming to Dallas PD's Expanded Neighborhood Patrol.
The Dallas Police Department's program lets neighborhoods hire off-duty officers to help fight crime.
A city audit of the so-called ENP last year uncovered problems with it. The department says it is looking at how the program is managed.


text:
Q: Trigger function updates all rows instead of one I have table "orders" and I want to change column "order_status" automatically when I add a value in column "tracking_code" (default value is null) but my trigger function changes all rows in column "order_status" I tried to change if statement in the function, but I hadn't any success. please help me with this question!
this is my table "orders":
id | order_status_id | tracking_code
----+-----------------+---------------
 12 |               2 | 123456
  9 |               2 |
  6 |               2 |
  7 |               2 |
 10 |               2 |
  8 |               2 |
 11 |               2 |

and table "order_statuses":
 id |   status
----+-------------
  1 | QUEUE
  2 | IN_PROGRESS
  3 | IN_DELIVERY
  4 | DELIVERED
  5 | CANCELED
  6 | RETURNED

this is my trigger and function:
CREATE or REPLACE FUNCTION status_function() RETURNS VOID AS $$
BEGIN
    UPDATE public.orders SET order_status_id = public.order_statuses.id
    FROM public.order_statuses
    WHERE status = 'IN_DELIVERY';
END
$$ LANGUAGE plpgsql;

CREATE or REPLACE FUNCTION status_update() RETURNS TRIGGER AS $$
BEGIN
    IF (old.tracking_code != new.tracking_code) THEN
        PERFORM status_function();
        RETURN new;
    ELSE
        RETURN old;
    END IF;
END;
$$ LANGUAGE plpgsql;

CREATE TRIGGER change_status
    AFTER UPDATE
        OF tracking_code
    ON orders
    FOR EACH ROW
EXECUTE PROCEDURE status_update();

A: Please try something like this to restrict the update to only the current row:
CREATE or REPLACE FUNCTION status_function(_id int) RETURNS VOID AS $$
BEGIN
    UPDATE public.orders SET order_status_id = public.order_statuses.id
      FROM public.order_statuses
     WHERE status = 'IN_DELIVERY'
       AND id = _id;
END
$$ LANGUAGE plpgsql;

CREATE or REPLACE FUNCTION status_update() RETURNS TRIGGER AS $$
BEGIN
    IF (old.tracking_code != new.tracking_code) THEN
        PERFORM status_function(old.id);
        RETURN new;
    ELSE
        RETURN old;
    END IF;
END;
$$ LANGUAGE plpgsql;

A: You need to pass the updated order id to the status_function:
CREATE or REPLACE FUNCTION status_function(bigint) RETURNS VOID AS $$
BEGIN
    UPDATE public.orders SET order_status_id = public.order_statuses.id
    FROM public.order_statuses
    WHERE status = 'IN_DELIVERY' AND public.orders.id = $1;
END
$$ LANGUAGE plpgsql;

And then, in the status_update:
PERFORM status_function(old.id);


You are at:Home»Online»The expanse cancelled into an array of Amazon it came with!
The expanse cancelled into an array of Amazon it came with!
The expanse series is the story and the fiction of the era, especially with the recent that you have the most successful sci-fi series was regarded as one of. In the last days of the array, which has a considerable fan base that has been canceled, SyFy was confirmed by the channel. Moreover, at present 3.the decision to cancel the show upset a lot of viewers as this season continues. Fans of the series who started the campaign on social media after the news of cancellation after this effort the good news is that Amazoncame from.
4 of the expanse series.the season is announced!
The National Space society isthe prerequisite of speaking at a conference, Amazonfounder and CEO Jeff bezos, the expanse of the series, they explained the rights, and then 4.the announcement of the season was held. "Series a half hour ago I spoke with the staff before dinner. Them the expanseto save on Amazon, we got into a lot of hard work, but we were unable to reach a conclusion yet told. During the meal, I received the news 10 minutes ago I can say that the expanse survived" with the words mujdelemis back from the cancellation of the series.
In the month of July 3.the season finale which will be held in the expanse series, on Amazon's publishing platform will continue. Of course 4.it is not yet clear when the season will be published.


This is a power point presentation that I created for my soccer website. In this presentation, I use images that I took of my daughter's soccer team. This is a good representation of using personal experience in a professional way. It was created to demonstrate basic skills needed for playing soccer.