At Dumpster Centre, we strive to bring you the best service at the best price available. We have a wide selection of dumpster sizes in stock in Saint David, IL, with flexible & timley pickup and delivery. Give us a call today for all your dumpster rental and roll off needs.
Your roll-off dumpster in Saint David, IL is only a phone call away. Don't delay!
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Ones den may be the place you go to, to get away from earth's every day worries. Maybe you take a seat in your family room to read a novel or the magazine. You may even provide clients into the den should you work from home. If it is the case, you require a den that is comfortable yet professional looking.
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After selecting the size, phase 2 will be to authenticate with the renter how much excess weight is helped in the container. It is crucial to pick the correct excess weight limit, just like the articles exceed the exact amount specified a different charge is usually added to the particular rental fee.
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The actual Portable Dumpster in Saint David, IL business is an effective one: you spend to rent and complete a dumpster, then a company pays off to dump the particular dumpster's contents to a landfill. Any time a company pays for everything that dumps, that either fades of its technique to dump as low as possible or it passes the costs regarding dumping almost everything onto their customers. Test to find a Portable Dumpster in Saint David, IL corporation that recycles or donates almost everything it can from its dumpsters before transporting them to the particular landfill. You won't just be certain that the particular Portable Dumpster in Saint David, IL company is seeking to save you by additional prices, but you thinks comfortable knowing that they're aiding to save the earth by rerouting trash from the landfills in to more eco-friendly techniques.


text:
1 16359/ERS PATNA EXP MEX S M T W T F S SA 06:15 ALD 01:00 42:45 2A 3A SL GN
How Many Trains run between SALEM JUNCTION (SA) & ALLAHABAD JUNCTION (ALD)
As of now, 1 trains run between from SALEM JUNCTION (SA) to ALLAHABAD JUNCTION (ALD).
What time does the first train leaves from SALEM JUNCTION (SA)
The first train from SALEM JUNCTION (SA) to ALLAHABAD JUNCTION (ALD) is ERS PATNA EXP (16359) that departs at 06:15 and runs 1 days a week
What time does the last train leaves from SALEM JUNCTION (SA) to ALLAHABAD JUNCTION (ALD)
The last train from SALEM JUNCTION (SA) to ALLAHABAD JUNCTION (ALD) is ERS PATNA EXP (16359) that departs at 06:15 and runs 1 days a week
Which is the fastest train to ALLAHABAD JUNCTION (ALD) and what is its timing?
The fastest train from SALEM JUNCTION (SA) to ALLAHABAD JUNCTION (ALD) is ERS PATNA EXP (16359) that departs at 06:15 and arrives to at 01:00. It takes approximately 42:45 hours.

redpajama_set_name: RedPajamaCommonCrawl


Small business owners have been protecting their business on hope for far too long. Most believe that their business is too small to attract the attention of a hacker. Very few employ a full-time IT department to handle common IT issues, and virtually none have a full-time IT person who focuses solely on securing business data. As a result, more and more small businesses are becoming victims of cybercrime. Even a tiny breach could mean the business must close down forever.
Malware is a common technique used by hackers to infiltrate a small business network and steal information or do damage to the computer systems. A computer can become infected by malware in many ways, and the malware can come in many shapes and sizes, each damaging the business in different ways. For this reason, it is not possible for the standard anti-virus program to be expected to protect the computer from malware. Anti-virus software protects against viruses, and viruses and malware are two entirely different threats.
Once a business is hit with a cyber attack, chances of them losing everything is great. Customers must be informed their information has been stolen. Employees must be told their personal, medical and financial information was accessed. Even vendors must be warned that some secret information could be in the wrong hands. When this happens, businesses have more to deal with than just cleaning a bad application off of their computer. They have five major issues that could force them to close the business.
Once a business must tell their customers that the customer's personal information is in the hands of a hacker, the customer losses all faith in doing business anymore. The customers can become so fearful of a new attack, they will never go back to that business again. The small business will also be responsible to pay for some type of credit monitoring service to help the customer fix any future attacks they are susceptible too due to the businesses negligence.
When a small business has a sharp decline in income, it is difficult to weather the storm. Small businesses do not have a large cushion to fall back on like larger enterprises. Losing most customers at once becomes a fatal blow and small businesses are forced to close their doors forever.
Small businesses must also inform their past and current staff of employees that their private records, including medical records and financial information, could be on the black market because it was not protected. Businesses must pay the expenses for locating and informing all the victims. Employees will lose faith that their employer can protect them and find employment elsewhere. Many will also sue the business for extra damages. The business must then pay a credit monitoring service for the employees as well as the customers.
The business owner is now forced to pay the expense of finding, hiring and training a new workforce. Meanwhile, there are very few customers left and no income to help with the expenses. If the business was prepared enough to continue operations with the loss of most of the customers, the loss of the workforce as well can be too much to overcome. With no way to pay for damages and rebuild, the business is forced to close.
People love doing business with small, local businesses because there is normally a unique benefit that larger corporations or chain stores do not provide. Some small businesses are successful because of innovative secrets that make them unique. When an attacker infiltrates a small business network, they can steal this sensitive data and release the information to the public by publishing it on the World Wide Web. They can also sell this information to the competition. When this happens, the edge the small business had to rebuild and gain more customers is ripped away. Without this edge, small businesses struggle to rebuild.
A solid reputation is one of the most critical pieces of any small business. When a business suffers from a cyber attack, people become too fearful to continue to do business with them. New or potential customers will quickly find a different supplier so that they will not also become victimized. It becomes hopeless for a small business to replace the lost customers and find new customers once trust is broken. With no way to gather new customers, small businesses can no longer stay open.
Malware is a serious threat to small businesses. It is so easy to become infected and impossible to fix once a breach has occurred. Businesses must take action immediately to protect against hackers. Many do not employ a full-time IT staff but can hire security specialists to help harden their systems. This issue cannot be fixed after it is too late. Only careful preplanning can prevent a thriving small business from closing.


text:
Friuli Colli Orientali
Ramandolo
Rosazzo
PRODUCTION REGULATIONS
Seasons and Grapes
Obligations pursuant to Article 1, section 125, of Law no. 124 of 4 August 2017
Map of the designations
Map of the soils
The territorial area of Friuli Colli Orientali was defined in 1970 with the approval of the production regulations of the Colli Orientali of Friuli DOC at that time. It includes the entire area of hills in the eastern part of the province of Udine, which, starting from the north, covers the territories of the municipalities of Tarcento, Nimis, Povoletto, Attimis, Faedis, Torreano, the eastern part of Cividale, San Pietro al Natisone and Prepotto. It then continues (south-westwards) to Premariacco, Buttrio, Manzano, San Giovanni al Natisone and Corno di Rosazzo.
These hills are situated at an altitude of between 100 and 350 metres asl, and have the same climatic conditions and geological origin. In ancient times (about 35-55 million years ago), the plain of Friuli was invaded by the sea and the coasts were very close to the current Julian Pre-Alps. Over the millennia, at the bottom of this archaic lagoon a slow process of sedimentation took place that gave rise to impressive formations that emerged from the waters when the sea retreated. Today, these deposits of Eocene origin are in the form of alternating layers of marls (calcareous clays) and sandstone (calcified sand) with a very typical appearance. These soils are exceptionally suited to viticulture due to their location and composition.
Over the centuries, the profile of the slopes has been shaped by the work of generations of vine-growers. Visitors are attracted to the steps and terraces planted with vines but they often admire the large wooded areas and look beyond the plain to the glistening sea on the horizon.
This is the best geographical location for viticulture, with the Julian Alps behind that protect vines against cold northerly winds, and the Adriatic Sea before them to ensure beneficial and continuous ventilation.
Within the region, countless microclimates exist: cooler and wetter in the north close to the mountains; milder and drier in the south where, just like twenty centuries ago, not only vines but also olive trees, the silent testimony of ancient farming traditions, grow and bear fruit.
The Consortium has about 200 members, of which approximately 3/4 are bottlers. Their vineyards (2,000 registered hectares) produce more than 80,000 hectolitres of DOC wine, of which at least 30% is sold abroad. The wine is mainly exported to European countries, to the USA and Japan.
Piazza 27 Maggio, 11 – 33040 Corno di Rosazzo.
info@colliorientali.com
From Mon. – Fri.: 8.30am – 12.30pm /2pm – 5.30pm
© Copyright 2019 - Consorzio tutela vini "Friuli Colli Orientali e Ramandolo" P.IVA: 02595090305 - Privacy | Credits
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The Perpetual Calendar by H. Moser & Cie. is best known for its simple design. It shows only the time, date, month and power reserve. It compensates mechanically for the differing number of days in the months, hence the name perpetual. The sapphire crystal caseback reveals the H. Moser HMC 341 movement as well as the leap year cycle.
The remarkable design of the Perpetual Calendar is possible in part due to the ingenious display for the month: this short central arrow hand uses the 12 hour indices to indicate the month. The H. Moser big date display is also very rare in that it is a Flash Calendar, generating the power to change the date in a fraction of a second.


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Man With One-Inch "Micro-penis" Shares His Heartbreaking Story
Sep 24, 2016 07:25pm EDT
Justine Chen
Men are very touchy when it comes to the subject of penis size. Unless they are well-endowed down there, they would rather not talk about their own inches and circumferences. This dude is different; he decided to talk about his "micro-penis" in order to send a message: stop "penis-shaming" and give men a break when it comes to the size of their members.
"Um…a little bit shorter than that…"
The 35-year old, who wrote for Cosmopolitan.com under the pseudonym "JF", admitted to having a "micro-penis" that is just 2.7 inches long when erect. He says that his size has left him emotionally traumatized. His one and only sexual experience was 12 years ago, with a student who "giggled" at the size of his penis.
"When I stripped, she stared at my micropenis, giggled, and put her hand to her mouth, muttering simply "OK" in a tone that suggested she was taken aback," he recalled.
"When it came to actually performing, first I found that the condom wouldn't stay on, but more frustratingly, my micropenis kept falling out every time I tried to penetrate her."
"Even when I was inside her, she kept asking me, "Is it in?" Every time she asked me that, I wanted to die. It was clear that she was getting nothing out of the experience."
Despite his best efforts, the girl eventually "huffed in an annoyed way and got up."
This is how he must have felt.
He felt the need to apologize back then; he walked 2 miles just to get to her house and delivered a box of chocolates. But he regretted the gesture afterwards because it made him feel like such a loser.
The experience left him so humiliated that he has not pursued a relationship ever since.
JF further revealed that his flaccid penis "resembles two raisins flat on top of each other".
"As it extends erect, I would guess that in length and girth, it would be the equivalent in volume of two cocktail sausages," he added.
He hears women mock penis sizes all the time, which added to his shame further.
"At one time, I actually overheard three or four of my colleagues at work all agreeing that "men with small dicks should be made to wear a sign warning women."
He said that just like women, men shouldn't be shamed for their bodies. When it comes to penis size, he wishes that "people could look past it, so I could too."
Related Topics:body shamingpenis size
The Average Penis Size is Increasing, Says Research
Woman Who Lost 350 Pounds Shares How She Was Body Shamed Because Of Sagging Skin
This Was How A Guy Defended His Girlfriend After She Was 'Fat-Shamed' Online
Science Has Finally Revealed The Ideal Manhood Size – And It's Smaller Than You Think
What Does Science Say About the Average Penis Sizes in Different Countries?
Guy Shamed a Woman and Got Dissed for it Big Time


We are ten professionals in the management and enhancement of cultural heritage.
We love aour activity and take care of places learning about them.
Four volunteers help us: they are essentials! They follow specific training programs on site.
Officine Culturali is an association created in 2009 and active in the valorisation of tangible and intangible cultural heritage. The idea of developing professionalism in the activities necessary for the governance and enhancement of heritage is at the basis of the work done to stimulate and diffuse knowledge about history and identity to transmit it to future generations.
"Everybody is right, but I am righter": or at least she believes it. To convince the people she talks to she uses written and digital words, pictures and shapes. since she can't play any instruments, her piano is the QWERTY keyboard and her pentagram is on the PC screen. She's able to stay quiet just in front of Adobe and pizza. Her mantra is "creativity and communication". At Officine Culturali she's the most long-winded guide and, for the reasons mentioned above, the one in charge of the communication.
She wanted to become a doctor but took a degree in modern languages: she realised to be in love with every 'ancient stone', and the beauties and traditions of her motherland. Her main passion is the middle age. Next of being one of the guides of Officine Culturali, she is responsible of the office organisation and the educational programs. She would like to become an expert on cultural heritage.
As a kid he wanted to be a lumberjack: that went wrong. Today he doesn't like so much the "stones" (as someone calls cultural heritage) but the people who extract, mold and put them on the ground following mysterious architectural visions. Above all, he is intrigued by the people that worked, lived and dreamt between the stones. With Officine Culturali he's trying to give a future to these stones, that today house human society. When he can, he goes back to the woods.
Graduated in foreign languages. Adopted by the city of Catania. She doesn't like asymmetries and those who don't respect conversational turns. According to her "three suspension points" suffice. Being in charge of the bookshop, she spends her days making the crooked magnets of the MonaStore straight. She fills excel files with numbers, chooses handicrafts and books for her bookshop always with her earphones on. Guys, proxemics is really important: one word is not enough but two are too many.
Archive of the "Fabbrica Museum"
He was born, he's living and probably is going to die. He works at Officine Culturali, specifically in the archive of the Fabbrica Museum. He graduated in communication very slowly, the irony is: when he communicates he does it at the speed of light. He loves cinema, literature and music, he doesn't understand a lot about them, but when he talks about them, it looks like he does.
She's the "high on heels" guide, the heels are necessary to reach her "inner" height. Wannabe art historian, she charms the travelers and the kids at the monastery with her guided tours, convincing them that "beauty will save the world". Between a guided tour and another, she works as a secretary in legal practices. She wants to multiply the hours of her day, and she would love not to say everything crossing her mind.
After getting a degree in economics, the PhDin cultural economics saved her from a quiet life and made her a wanderer searching for places and people to converse with about culture and its mise en valeur. With OfficineCulturali she realized her dream of putting into practice what she teaches. In the association she's the one using bulleted lists. Past-president of the association, because of her nomadism she works on planning, development, and research.
Graduated in Communication Sciences. From 2009 is founder member of Officine Culturali. She deals with the info-point and today she stresses her colleagues out. Her aim is to "catch" tourists trying to persuade them that the Monastery is the best place in the world. She often succeeds!
Info-point | Archive of the "Fabbrica Museum"
Graduated in Communication of Cultural Heritage, she considers herself the face and the voice of the info-point of the association. Her work deals with bookings and gives advice and information to tourists, with her fellow adventurer: Stefania. She is passionate about cutting her own hair, loves books, manuscripts and archives: with Nicola she organizes and gives shape to the Archive of the Museum of the Fabbrica founding out secrets and news in the monastery papers.
She's the youngest volunteer at OfficineCulturali, will graduate in modern literature soon. "Catanese DOC" (pure citizen of Catania) resolute and creative, not afraid of working hard, accepts challenges. She can talk for hours without getting tired. She has been working with children for years, and believes that playing is the best way to learn. She loves to be in contact with people and smile to life, charming visitors of every age. She enjoys watching the sea in silence and writes poems that nobody can read (her choice).
Born in Catania 25 years ago. Infant prodigy, skip the kindergarten, to train himself for primary school with intensive courses of cartoons and mummy's snacks. In love with the cathode ray tube, he obtains a degree in communication: passing from cartoons to books and TV shows. He hopes in a career in publishing and culture communication, right now is growing as a volunteer at Officine Culturali.
A social network lover, she takes note of everything in her moleskine. Ever-undecided, she isn't able to choose her ice cream flavor so she prefers the "arancino". She reads Calvino and sees Lars Von Trier movies just to put on airs. She has got a reflex named Isabel and thanks to it she gives shape to her thoughts. She is the factotum of Officine Culturali, but she has time to be a guide too. From her windows she can see the volcano Etna.


Nicki qualified as a Solicitor in 2010 having trained at Machins since 2008 and after having obtained a law degree at Brunel University and completing the Legal Practice Course in Oxford (gaining a Distinction). After spending a year in the Private Client department, Nicki qualified as a solicitor in 2010 into that team and in 2015 became an associate in the firm.
Since qualifying, Nicki has gained a wealth of experience in all aspects of non-contested private client work advising and assisting hundreds of clients in this area.
Outside of work Nicki is a dedicated showjumper and trains young horses to compete in various events. Nicki competes most weekends throughout the year and has qualified for the national finals. In any spare time she enjoys reading, aerobics, painting and much more.


'Gutting!' has never taken on such an accurate meaning.
One of the worst losses to humankind since records began. A sinister reminder and depiction of precisely how damaging and barbaric the Capitalist system is. Nothing can replace this tragedy. Heartbreaking for all the dedicated and brilliant people who committed so much of their lives to this collection.
l am also left heartbroken.


This topic contains 4 replies, has 4 voices. Last updated by TI Systems 3 years, 9 months ago.
I have read everywhere on how to do this and cannot seem to get it to work. I work for 2 publications and one is a paid publication in which we use WordPress to restrict access to the magazines and maintain subscriptions. Totally works great but the only downfall is we offer a digital subscription but no way to truly secure them. Right now the only security they have from paid and non-subscribers are the posts in which the links are on, are only available for paid subscribers.
The folders are just in a place on our server that I assume most people won't look for. I then figured out that s2member offers a file restriction option but it doesn't seem to work well with folders and HTML files that link to various other content. We currently have a little over a years worth of monthly magazines and would love to be able to block access to the folders to only paid members. I tried using all the mod_rewrites options, but they don't seem to work.
Is there something I'm missing or is just still not fully functional, or does someone know a workaround? I'd post some images of some more detailed information but it doesn't look like I can on here.
In order for s2member to protect your files, you will need to place your files in the s2member-files directory of the plugins folder. This folder is protected by s2member.
Without knowing exactly how your set-up works, that's the best direction I can give at the moment.
I have a digital magazine that I am trying to offer to paid subscribers. When I upload the collection of files and folders (created by UniFlip and accessed via thepinkpaper.com/wp-content/plugins/s2member-files/magazine/index.html) to the s2member-files folder, it sends paid subscribers who are logged in to the registration page and not the digital magazine.
I have tried putting the files in a directory other than the s2member-files and then use URI restrictions. That didn't work. I have tried every combination I can think of and spent hours scouring the forums for a similar issue. Tried a few – but still not luck.
Any help in the right direction would be greatly appreciated!
I get redirected to homepage. I've tried with different user levels but result is the same.
I've watched the whole video, and configured the membership signup and other page that needs to be chosen for welcome purpose.
I've also configured all access levels to have 999999 download(unlimited) and 365 days of access.
Thank you very very much. This framework is the only one that easy to configure and use.
I really needed a framework like this for my future projects and this is my first trial, If I can get this going, I'll be using this framework and definitely looking to be a pro member.
I just need some clarification..
I am using my domain without www.
so I was giving my links as http://mydomain.us/….
I was not supposed to put http:// infornt of my domain.


text:
Лара де Вит (Уит) () — австралийская пианистка, скрипачка, аранжировщик и композитор. В настоящее время работает в Австралийской опере на должности педагогога-репетитора. Лара де Вит широко известна своими альбомами на музыку из видеоигр, саундтреков и аниме, которыми она пополняет свой канал на YouTube под именем «Lara6683».

В 2012 году Лара опубликовала свой первый альбом «Game On: 2 Player mode» — коллекцию фортепианных и скрипичных кавер-версий из аниме и видеоигр. Альбом был создан и аранжирован вместе с американской скрипачкой Тейлор Дэвис. В этом же году Лара де Вит вместе с Тейлор Дэвис и Кайлом Лэндри была приглашена в качестве музыкального исполнителя на открытие шестнадцатой международной выставки компьютерных игр в Лос-Анджелесе.

В 2014 году Лара начала выпускать серию синглов.

Биография
Лара де Вит родилась в Дурбане, ЮАР. Когда она была ещё ребёнком, её семья переехала в Австралию, в Сидней. В шестилетнем возрасте Лара начала играть на фортепиано, удивив тем самым своих родителей. Мама записала её на занятия музыкой, после чего воспитательница из детского сада Лары сообщила им, что их дочь имеет неплохие музыкальные способности. На скрипке Лара начала играть в возрасте девяти лет. В то время она изучала «3 Unit Music» в средней школе Северного Сиднея для девочек (North Sydney Girls High School) и специализировалась на композиции. Окончив Associate in Music, Australia (AMusA) в 1999 году, Лара поступила в Университет Нового Южного Уэльса (UNSW) и окончила его со степенью бакалавра музыки с отличием по классу фортепиано.

Карьера
Лара де Вит четыре года была пианисткой/педагогом-репетитором гастрольной группы «Oz Opera» в Австралийской опере. Она выступала с Австралийским ансамблем на нескольких мероприятиях и гастролировала с выдающимися популярными артистами и артистами-кроссоверами. Будучи очень опытным аккомпониатором, Лара часто выступала на студенческих сольных концертах и экзаменах, а также аккомпанировала разным музыкальным группам, включая Collegium Musicum Choir в Университете Нового Южного Уэльса (UNSW). За плечами Лары более десяти лет опыта преподавания фортепиано и музицирования как в индивидуальном виде, так и в классе. Она была музыкальным руководителем многих музыкальных театральных постановок и клавишником в нескольких профессиональных постановках, в том числе на гастролях в Китае и Японии в 2011 году. Ей было поручено сочинять оригинальные мюзиклы для организаций юного музыкального театра, а также руководить и исполнять музыку в этих же постановках. Она получила несколько наград за высочайшее исполнение в собственных выступлениях. С 2014 года Лара работает в Австралийской опере Сиднейского оперного театра.

Утверждение на YouTube и открывшиеся возможности
Лара де Вит, страстная обожательница музыки из видеоигр (она получила свою первую игровую консоль Nintendo ещё в детстве), решила воспользоваться YouTube словно «витриной», чтобы поделиться своими размышлениями насчёт этого жанра. Она начала вести свой канал с 18 февраля 2009 года, и статистика канала такова: 195 опубликованных видео, более 148 тысяч подписчиков и более 24 миллионов просмотров видео. Признание, которое пришло с популярностью на YouTube, предоставило Ларе возможность продемонстрировать свой талант:
 В начале 2012 года она была приглашена вместе с другими музыкантами YouTube — Тейлор Дэвис и Кайлом Лэндри чтобы выступить на Выставке электронных развлечений 2012 (E3 Expo).
 В апреле 2014 года Лара вместе с пианистом Кайлом Лэндри участвуют в инструментальных концертах: «Ночь киномузыки» (Movie Music Night) и «Ночь аниме-музыки» (Anime Music Night) в Сингапуре.
 С 10 марта 2017 года Лара де Вит так же проводит прямые трансляции на платформе Twitch

Полная дискография

Альбомы

Game On: 2 Player Mode – Лара де Вит и Тейлор Дэвис (2012)
 Assassin's Creed 3 Theme
 Passion (из «Kingdom Hearts II»)
 Fairy Tail Theme
 Aeris' Theme (из «Final Fantasy VII»)
 Guile's Theme (из «Street Fighter II»)
 Sons of Liberty (из «Metal Gear Solid 2»)
 Roxas theme (из «Kingdom Hearts II»)
 Chocobo Medley
 To Galaxy (из «Halo 4»)
 An End, Once and for All (из «Mass Effect 3»)
 Pokémon Theme
 Eyes on Me (из «Final Fantasy VIII»)
 Song of Storms (из «Zelda OoT»)

Синглы

Сольные
 Walking in the Air (из мультфильма «Снеговик» (The Snowman))
 Game of Thrones (главная тема)
 Let It Go (из мультфильма «Холодное сердце» (Frozen))

с Тейлор Дэвис
 Assassin's Creed 3 Theme (релиз 7 ноября 2012)
 Halo 4: To Galaxy (релиз 9 ноября 2012)
 Phantom of The Opera Medley (релиз 27 августа 2013)

с Кайлом Лэндри
 Realm of Secrets (оригинальная композиция Кайла Лэндри)

со String Player Gamer
 'Vamo' alla flamenco (из Final Fantasy IX)
 Voices & Strings – feat. LadyGameLyric (из Final Fantasy IX)

Дискография позаимствована из iTunes и Loudr.

См. также
 Тейлор Дэвис
 Сиднейский оперный театр

Источники

Ссылки
 Канал Лары де Вит на YouTube
 Канал Лары де Вит на Twitch
 Лара де Вит на Loudr
 Музыкальная группа Лары де Вит на FaceBook

Выпускники Университета Нового Южного Уэльса

redpajama_set_name: RedPajamaWikipedia


text:
Q: SkiaSharp DrawPath, how to know what path the user has clicked I need to have in my android app an image where the user can click on a part of the image, and than that part will color different.
I searched a lot on this, but found no use-able solution, all I could find was that SkiaSharp might be the best option for this.
So I installed it and am trying now to get some result, I think I need to cut my image in the parts that the user can click on, and then display these parts so it looks like one complete image again.
On that part I have made some progress, I cut the parts from my image, save them and then use an online converter to get that image parts as svg
After many tries and googling I managed to show 3 parts from my image.
My next problem is, how can I know which image the user clicked on ?
I added a TabGestureRecognizer but it works for the complete canvas.
this is the xaml
<skia:SKCanvasView PaintSurface="OnCanvasViewPaintSurface" VerticalOptions="FillAndExpand" >
    <skia:SKCanvasView.GestureRecognizers>
        <TapGestureRecognizer x:Name="tapGestureRecognizer" />
    </skia:SKCanvasView.GestureRecognizers>
</skia:SKCanvasView>

and this is my c# code
void OnCanvasViewPaintSurface(object sender, SKPaintSurfaceEventArgs args)
{
    SKImageInfo info = args.Info;
    SKSurface surface = args.Surface;
    SKCanvas canvas = surface.Canvas;

    canvas.Clear();

    using (SKPaint paint = new SKPaint())
    {
        paint.Style = SKPaintStyle.StrokeAndFill;
        paint.Color = (Xamarin.Forms.Color.Black).ToSKColor();
        paint.StrokeWidth = 1;
        // region 72, the tire
        SKPath path = SKPath.ParseSvgPathData("M52 152.1c-8.8 1.5-19.4 7.1-25.9 13.7-24.4 25.1-14.7 66.8 18.3 78.2 28.1 9.6 58-8.3 62.6-37.4 4-25.5-12.2-48.7-37.8-54.2-7.5-1.5-9.3-1.6-17.2-.3zm19.7 19.8c19.8 9 23.8 34.3 7.7 49-12 11-29.9 10.2-40.8-1.9-11.1-12.3-10.7-30.2 1.1-41.1 6.5-6 11.4-7.9 20.3-7.9 5.2 0 8.8.6 11.7 1.9z");
        canvas.DrawPath(path, paint);

        paint.Style = SKPaintStyle.Stroke;
        paint.Color = StringToColor("#E7FFFF");
        paint.StrokeWidth = 1;
        // region 73, the wheel
        path = SKPath.ParseSvgPathData("M55.2 172c-1.3.6-2.8.8-3.3.4-.5-.3-.9 0-.9.6s-.4.8-1 .5c-.5-.3-1-.1-1 .4 0 .6-.9 1.1-1.9 1.1-1 0-2.1.7-2.5 1.5-.3.8-1.2 1.5-1.9 1.5-.8 0-1.9 1.1-2.5 2.5-.6 1.4-1.6 2.5-2.1 2.5-1.3 0-4.3 6.8-5.3 11.8-1.1 5.9 2 19.2 4.5 19.2.5 0 .6.4.3.9-.7 1.1 7.2 8.1 9.1 8.1.7 0 1.3.4 1.3.8 0 .5.6.9 1.3 1 .6.1 3.5.6 6.2 1.2 5.5 1.2 13.5.5 13.5-1.2 0-.6.3-.9.6-.5.4.3 1.3-.1 2.1-.9s1.9-1.2 2.4-.9c.5.4.9.1.9-.6s.3-1 .6-.6c.9.8 8.5-7.4 7.8-8.5-.3-.4 0-.8.7-.8s1-.3.6-.6c-.3-.4 0-1.2.7-2 3.5-3.5 2.5-19.3-1.6-23.8-1-1-1.5-2.4-1.1-2.9.3-.6.1-.7-.5-.3-.7.4-1.2.1-1.2-.8s-.5-1.5-1.2-1.4c-.7.2-1.2-.3-1.3-1 0-.6-.4-1.3-1-1.4-.5-.1-1.8-.9-2.8-1.8-3.3-3.1-15.6-5.6-19.5-4z");
        canvas.DrawPath(path, paint);

        paint.Style = SKPaintStyle.Stroke;
        paint.Color = (Xamarin.Forms.Color.Black).ToSKColor();
        paint.StrokeWidth = 1;
        // region 14, the black line around it anyway
        path = SKPath.ParseSvgPathData("M111 112.6c-20.7 2.6-23.5 3.6-32.6 11.5l-5.5 4.9h-7.3c-9.1 0-9.8.7-9.4 9.2l.3 6.3 7.5.8c29.3 3.2 50.1 25.6 50 54-.1 26-19.5 48.8-45 52.8-4.1.6-8.1 1.3-8.8 1.5-1.5.4-1.8 30.4-.2 30.4.6 0 1-5.5 1-14.4v-14.3l6.1-.7c22.7-2.6 41.7-19.7 47.5-42.6 2.2-8.7 1.5-23.2-1.6-31.5-3-8.1-10.1-18.6-15.8-23.5-9.4-8.1-24.3-13.9-35.5-14h-3.8l.3-5.8.3-5.7 6-.3c8.7-.3 9.8-.7 15.7-5.8 8.6-7.4 10.6-8.1 32.4-10.9 28.8-3.6 32.2-3.6 36.6-.3 2 1.5 4.5 4.7 5.7 7 3.6 7.5 17.2 75.7 26.7 133.5 2.6 16.1 5.2 29.3 5.6 29.3 1.3 0 1-2.6-4.6-36.2-6.4-37.6-12.7-71.1-19.5-103-4.2-19.4-5.4-23.3-8-27.2-1.8-2.5-4.5-5.3-6.1-6.1-4.1-2.1-15.8-1.8-38 1.1z");
        canvas.DrawPath(path, paint);

        paint.Style = SKPaintStyle.StrokeAndFill;
        paint.Color = StringToColor("#6699FF");
        paint.StrokeWidth = 1;
        // region 14, the rest
        path = SKPath.ParseSvgPathData("M133.5 112.6c-1.1.2-10.5 1.3-21 2.5-21.1 2.5-22.9 3.1-32.2 10.8-6 5-6.2 5.1-12.6 5.1-9.3 0-9.7.3-9.7 6.6v5.4h5.3c20.2 0 41.1 14.8 49.3 35 3.6 8.8 4.6 27.4 1.9 36.6-5.5 19.3-20.6 33.9-40 38.9-3.2.8-7.6 1.5-9.7 1.5H61v29h32v-20.1l4.3.3 4.2.3.3 9.7.3 9.8H186l-.5-2.8c-.3-1.5-3.2-18.7-6.5-38.2-5.9-35.7-13.2-73.8-19.6-103.5-5.3-24.6-10-29.4-25.9-26.9zM144 255v11h-8v-22h8v11z");
        canvas.DrawPath(path, paint);
    };

}

It looks like this in the emulator, I still have many parts to do but I want to know first if I can find out what image part the user clicked on.
In this example I need to know if he clicked on the blue part, or on the black part, or on the white circle inside the black part

So, how can I do this ?

redpajama_set_name: RedPajamaStackExchange


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text:
The Ares is single-handedly destroying Valorant's meta
Carver Fisher
Spirits were high going into launch day for Valorant patch 4.0. The newest Agent, Neon, was finally hitting live servers. Minor map changes were being implemented to both Breeze and Bind to make them a bit more balanced. A few of Valorant's eco weapons were being buffed to make them a more compelling purchase. Unfortunately, one of those eco weapons has taken over Valorant's meta at record pace: The Ares.
The Ares went from a bottom-tier gun to one of the best purchases overnight. What changes made the Ares such an oppressive weapon, and how are Valorant's best players making the most of it?
Spray and pray
The Ares is all about getting as many bullets down range as possible. It's been reserved almost solely for Sova players trying to wallbang on a budget since Valorant's release due to its slow windup and low headshot multiplier. Not that it'd be possible to get 3 headshots in a row with the Ares, but that's how many hits it'd take to kill through heavy armor. Before the buffs, it was hard to compete with the Vandal. The Ares buffs are as follows:
Removed spin up
Firing rate increased from 10 >>> 13
Not only did they remove the spin up that kept the Ares from being able to trade with other rifles at close range, they increased its fire rate to almost double that of the Vandal. 30 damage body shots combined with a 13 bullets per second fire rate gives the Ares a consistent time to kill of less than half a second. That, combined with a 50 round mag and a low price makes the Ares a choice that can actively compete with premium weapons like the Vandal, Phantom, and Operator.
A method to the madness
The Ares is a generally low-skill weapon, which makes this meta especially frustrating. While it's possible to outgun someone using an Ares with a well-placed headshot, it's difficult to warrant spending near double the amount of creds on a Vandal or Phantom when you can just spray someone down with an Ares. As a result, lobbies going as far up as Radiant rank have been ruined by this gun.
Seeing all Ares like this is common, and it's even worse in lower ranks where players' crosshair placement isn't as on-point as it is in Immortal and up. In Silver/Gold, a weapon like the Ares is sure to wreak havoc on the meta. However, it's not like the Ares requires no skill to use. There is a way to get the most of out of this weapon.
While firing from the hip is more accurate than you'd think, aiming down sights is the way to go with the Ares. It's possible to get its weapon spread down enough to consistently land shots at 20m+. It takes some time to get used to taming the Ares' wild recoil pattern, but, with a little practice, landing shots at longer ranges isn't too difficult. That said, ADSing reduces movespeed, making it much harder to jiggle peek with the Ares than a standard rifle like the Phantom or Vandal.
The Ares meta is one that embraces a low-skill, and it has completely thrown off the delicate balance required to keep a game like Valorant competitive. While the Ares still has a few weaknesses, its overall power level makes it too good of a purchase to pass up for most players. Hopefully we don't have to deal with the Ares meta for much longer.
PROJECT A
fpcarver@gmail.com
Carver is an esports journalist and analyst who specializes in Eastern League of Legends.


Who do you think you're callin' a dummy? Oh… you're just looking to hire a ventriloquist and their dummies for your next event? What a good choice! You'll be amazed at how these ventriloquists can manipulate their voices without even moving their mouth! And they are a perfect entertainment choice for basically any type of event. Kiddos will love a family friendly and even educational ventriloquist for their next birthday party, and you and your friends can enjoy a ventriloquist with more adult comedy at your next private or corporate event. Search for Ventriloquists in Towson, Maryland above.
Please note that these Ventriloquists may also travel to Lutherville, Riderwood, Timonium, Lutherville Timonium, Parkville, Brooklandville, Cockeysville, Overlea, Stevenson, Glen Arm, Nottingham, Long Green, Pikesville, Rosedale, Phoenix, Hunt Valley, Lochearn, Perry Hall, Garrison, Gwynn Oak, Hydes, Milford Mill, Fork, Windsor Mill, Baldwin, White Marsh, Essex, Sparks Glencoe, Randallstown, and Kingsville.


Ensign Darren Espree, a former member of the Media and Malware Analysis team at Navy Cyber Defense Operations Command (NCDOC), was recently honored with the Armed Forces Communications and Electronics Association (AFCEA) Technology Innovation Award at the Double Tree Hotel.Espree was nominated for the award based on his performance at a pilot internship with cybersecurity firm Telos as part of the National Defense University's MD5 National Security Technology Accelerator.
"Espree joined three other Sailors, a lieutenant junior grade and two enlisted, from Hawaii for 12 weeks where they were trained in some business-related concepts, introduced to Navy funded technology that had yet to be implemented, and "competed" with other interns representing various universities to develop cybersecurity solutions for government use," said Randy Rose, Intel Department (N2) Deputy Department Head.
Espree, then an enlisted second class, developed a method to collect and aggregate data across computer networks, and analyze the end results using a Graphical User Interface (GUI) that he developed himself. To prove the value of the product, he then developed a custom malware that allowed him to control a boat propeller from his phone.
Prior to the implementation of his security solution, the attack was completely undetected by a suite of traditional network security software with up-to-date signatures. Once installed and monitoring, his security suite detected all malicious actions in real-time.
Espree was announced as a winner on May 23, 2017. However, due to being accepted into Officer Candidate School (OCS), Espree was physically unable to accept the award from AFCEA until December.
U.S. 10th Fleet is the operational arm of Fleet Cyber Command and executes its mission through a task force structure similar to other warfare commanders. In this role, C10F provides operational direction through its Maritime Operations Center located at Fort George Meade Md., executing command and control over assigned forces in support of Navy or joint missions in cyber/networks, electronic warfare, cryptologic/signals intelligence and space.
For more news and information from Commander, U.S. Fleet Cyber Command / U.S. 10th Fleet, visit www.navy.mil/local/FCCC10F/ and follow us on Twitter @USLEETCYBERCOM.


I have been playing a lot of Elite Beat Agents lately. Or, rather, I was playing a lot of Elite Beat Agents a couple of weeks ago, when I was averaging about 10-12 hours per day on it; I've fallen off quite a bit since school started again.
Elite Beat Agents is a rhythm game for the Nintendo DS. It's a cheerleading game. You play as the members of an elite government task force of men who cheer for ordinary people in their times of need, thereby inspiring them to success.
The gameplay mostly consists of poking the DS's touch screen in time to various songs. Bubbles show up on the bottom screen along with a circle that slowly shrinks around the bubble. You have to poke the bubble at the moment when the circle overlaps with its outer edge.
The game will also throw sliders at you; these you have to poke in a manner similar to the bubbles, but after you do so you keep your stylus on the screen. A ball appears at the end that you poked and moves to the other end of the slider; you have to keep your stylus on the ball until it reaches the end.
Finally, the game sometimes drops everything and shows a giant wheel. These are spinners. When these show up, you have to touch your stylus to the screen and spin like mad to fill up a gauge in the background.
While all of this is going on you have to deal with the Elite Meter at the top of the screen. This starts full and steadily drains as you play. Every time you successfully poke a bubble it recharges a little; the closer you poke the bubble to the exact moment when the circle and bubble overlap, the more the meter refills. If your meter drops below the half-way point the Agents, who heretofore have been dancing in the background on the touch screen, bend over, exhausted, to catch their breaths until you can get the meter back over half full. If the meter ever empties, you immediately lose and have to start the song over.
This might not sound super-compelling, but believe me that it is. With the exception of the early introductory levels the poking of bubbles corresponds to either the beat of the song or the lyrics being sung, and the better you know the song in question the better you'll do. The game does a good job of very slowly ramping up the difficulty. The first song, played on easy, is very easy. The last song, played on Extra Hard, is unbelievably hard. Each song in the middle is a gradual step up, which means you're never at a point where the game suddenly goes from fun to frustrating.
Each song is accompanied by a story of some person in need whom the agents are cheering to victory. This ranges from a babysitter attempting to impress her football-player boyfriend to a washed-up baseball star, now working as a janitor at an amusement park, who has to defeat a giant fire-breathing golem who begins rampaging through the park. The stories are hilarious and at certain points in each song the action pauses and you get a cut-scene of the person's progress, which will be positive if you end the section in the top half of the Elite Meter and negative if you end it in the bottom half.
The oft-commented-upon weakness of the game is that the soundtrack may leave something to be desired. The songs were chosen with the goal of collecting music that most people would be familiar enough to that they could tap out the beat without much difficulty. This means that about half of the songs are recent top-40 hits and the other half are ear worms that you probably wish you weren't as familiar with as you are.
This isn't necessarily a bad thing, though. There's a certain stockholm syndrome that sets in as you play the game. On the more challenging levels you will find yourself having to replay songs dozens of times to successfully clear them. While you can get through on simple memorization of where the bubbles show up and when to hit them, that tends to be a brute-force struggle. The easiest way to do it is to get into the music, to know where the beats come in the song, and, yes, to sing along when necessary. The true path to EBA victory is not just to know the songs, but to love them.
The downside to all of this is that now, two weeks after I mostly put the game down, the songs still periodically find their way into my brain. I actually enjoy them now. I'm thinking of buying some, maybe all, of them on iTunes.
Here's an example of the gameplay from a video on YouTube. This is La La by Ashlee Simpson, played on Hard mode. The opening story is not included, sadly, because it's a replay. Ordinarily in the game you would actually be poking those bubbles with the stylus to make them explode.
This page contains a single entry by Zach published on January 18, 2007 10:53 PM.
Double was the previous entry in this blog.
Custom Soundtracks is the next entry in this blog.


A. Epistemological - a tentative affirmation, posed as explanation for a phenomenon. In the context of scientific method, a (scientific) hypothesis should be testeable by experience. When it's (up to some degree) tested, accepted, articulated within a rational system, it forms part of a scientific theory.
B. Logical - as in formal logic (and mathematics). Antecedent of a conditional proposition, premise of a theorem. Its truth is not relevant per se, only conditionally. If it's true, then the conclusion (or the thesis) is true.
This looks to me as artifical and wrong, as it mixes senses (epistomological sense of "hypothesis" and logical sense of "thesis"). And that "promotion", in reality, does not take place, not with those terms. As long as I see, the scientific community does not uses the word "thesis" in that sense.
Have you seen (or used) those terms in that sense? Do you think it's justified?
Browse other questions tagged epistemology terminology scientific-method or ask your own question.


text:
Career Stream
At Pennsylvania American Water, we take proactive measures today to continue to provide quality service for generations and remain a competitive employer in our local communities. We do this by offering scholarships, internships, and career outreach to help attract talented people to the water and wastewater industry. In 2022, the company expanded its Stream of Learning Scholarship Program to offer a more comprehensive talent development pipeline focused on attracting a diverse pool of potential future candidates with the skills and experience needed to succeed in the water industry. Like the convergence of three streams into one river, Pennsylvania American Water's Career Stream Program takes a three-pronged approach.
Stream of Learning Scholarship Program
At Pennsylvania American Water, we take measures today so that we can continue to provide quality service for generations to come. One way we do this is by offering scholarship assistance to help attract new talent to our industry. Through our Stream of Learning Scholarship Program, we offer $5,000 scholarships to individuals charting a course of study in fields critical to the water and wastewater industry. Beginning in 2022, we are specifically directing some of our available scholarships to students pursuing DEP-certified water or wastewater operator certification programs.
To apply for a scholarship, individuals must:
Be pursuing 2- or 4-year college, university or technical school degrees or certifications in environmental science, biology, engineering, chemistry or DEP-certified water/wastewater operation programs. More information about becoming a certified water or wastewater operator can be found here.
Be attending a Pennsylvania college, university or career/technical school in the 2022-2023 school year and maintain a permanent residence in Pennsylvania.
Family members of Pennsylvania American Water employees are not eligible.
Submissions must include the following:
Completed and e-signed application (online applications only)
Letter of recommendation from a teacher, employer, or community service leader
One-page essay on your career interests and how they benefit the water and/or wastewater industry
Official high school transcript
Proof of PA residency
DEADLINE AND MORE INFORMATION
Deadline to apply is April 30, 2022. Winners will be announced and scholarship presentations will be made in May 2022. Questions? Email: Pa.communityrelations@amwater.com
Pennsylvania American Water offers paid, full-time, 8-week summer internships in its operations, water quality and engineering departments. The internship program seeks to build a future talent pipeline, increase diversity, and bring new perspectives to the company while providing important real-life work experience to college students in local communities.
Internships are targeted toward college juniors and seniors pursuing STEAM-focused studies such as biology, chemistry, environmental science and engineering. Internship opportunities are posted annually in February through American Water's career opportunities portal. Hiring managers evaluate and interview candidates and offer the internship opportunities to the selected candidates by April of each year. Interns are announced when the program begins in June.
Career Outreach
Pennsylvania American Water conducts outreach throughout the year to educate students and adults alike about career paths and job opportunities in the water and wastewater industry. Career opportunity outreach places a special focus on diverse, underserved, and environmental justice communities and seeks to educate and attract a diverse field of students and adults to employment at Pennsylvania American Water.
The company also partners with schools, colleges, elected officials, government agencies and non-profits and statewide organizations to promote careers in the water industry through participation at school presentations, facility tours, career fairs, community events and more. To request a Pennsylvania American Water representative at an upcoming career fair or outreach event, please contact pa.communityrelations@amwater.com.


If your kids like worksheets, I highly recommend this worksheet generator site, called worksheetworks. My kids like the handwriting helps.
Despite the fact that a lot of schools are eliminating cursive from the curriculum, we are continuing to learn it for a few reasons. First of all, even if kids are spending more time on the computer these days, they will be faced with hand-written, cursive things to read at some point. Heck, all of my kids' mother's journals are in cursive so they'd better learn it or they'll never find out the truth about her tattoo (tramp).
Secondly, there is evidence that suggests a difference in how the brain processes information that is typed or printed versus written in cursive.
Finally, writing in cursive helps to build vital parts of the brain (as opposed to all those un-vital parts) — like memory and hand-eye coordination.
(When I hit a writer's block, I try and write a bit in cursive and it helps most of the time. If it doesn't work, I start typing insignificant details in parentheses until I get a new idea).
There is a great article here that expounds upon the latter two reasons.
The how of teaching cursive is a little more tricky. I have been lucky in that all three children have taken an interest in learning cursive, most likely because all of their mother's notes scattered about the house are written in cursive. They want to know what is on that perpetual shopping list on the refrigerator or the little reminders I scrawl while talking on the phone. They also want to read my old letters and photo albums.
In our case, I have simply capitalized on this interest and encouraged them to write me notes in cursive. Rhubarb grabbed a stencil we have and taught herself enough lettering to be able to do exactly that. It has taken her a little longer to master the reading of cursive, but she can read mine fluently. Eggplant has dabbled in his attempts at cursive over the years and has recently requested that I create worksheets from the aforementioned generator site, using his original stories. So I type his stories into the site and it creates a worksheet that allows him to trace over the grey words — his own grey words. His cursive is improving.
Blueberry is starting to write some letters in cursive. She also dictates stories for me to write in the handwriting worksheet generator. Ironically, she does not have the best hand-eye coordination so cursive might prove very helpful to her. She has been creating artistic renderings of portions of the Greek alphabet lately and that seems to be catapulting her printing of English into a more readable realm.
I like that my kids are interested in cursive. I find hand-written notes to be quite lovely and often lament that my own cursive is steadily declining aesthetically as I spend more time on the computer.
Montessori teaches cursive first, before printing. I think the theory is the fluid movement is more natural for kids. I wonder if the other brain development stuff is part of their reasoning as well.


For the past year and a half or so I have been working on various Angular.js applications for different clients. I've really enjoyed working in the Angular framework, and one of the really nice parts of that framework is the model-view binding that you get.
With model-view binding, you basically put some custom attributes on your HTML elements and the framework will then automatically handle persisting any changes to the model to the view or vice-versa. It makes capturing data from a user or displaying data to a user a snap!
Vue.js was released in early 2014 but didn't get it's 1.0.0 release version until October of last year (2015). I've been using it for about a week now and so far I'm quite happy with the functionality it's provided me. Coming from an Angular.js world, Vue.js was really easy to slip into after some basic tutorials. It's not nearly as large a framework as Angular.js, but that's exactly what I wanted – a light-weight model-view binding framework that would only give me the necessary basics.
Updates to the DOM will update the vueObj.data.prop property and vice versa (note that Vue.js proxies accessing any data object properties via the vueObj.prop shorthand).
So far I've only found one minor complaint. With Vue.js, if you don't define your properties on the data property of the Vue object then that property won't be "watched", which is to say changes between the view and model won't be persisted. I believe you only have to define top-level properties (so you don't have to defined all the sub-properties of an object you want to bind to) but it's still a minor annoyance to have to define all your data properties on the Vue object, even if it's just to set them all the null initially.
I feel like the still-quite-new Vue.js is a solid framework for model-view binding, especially for someone coming from an Angular.js background. The concepts and usages are very similar and take little ramp-up time. Additionally, Vue.js has a development version of the library that will warn you if you write some inefficient Vue.js code.


text:
Lockwood & Co. ending explained
Coronation Street's Melanie Hill reveals she battled to quit painkiller addiction
(Image credit: PA Wire/Press Association Images)
Coronation Street star Melanie Hill (opens in new tab) revealed she was secretly addicted to prescription painkiller drugs while filming Waterloo Road.
The actress became addicted to Co-codamol painkillers while starring in the BBC drama as she recovered from a hip replacement to treat her osteoarthritis.
Melanie, 53, told the Daily Mirror: "I needed a stick, but I had to get rid of it when I was shooting scenes. I carried on for two years because I didn't want to take time out."
She admitted that it took three months to wean herself off the drug, which contains the addictive opiate codeine.
Melanie as Maggie Budgen in Waterloo Road (Mark Mainz/BBC/Shed Productions)
"I was on the maximum dose of Co-codamol painkillers and, after two years, it was hard getting off them," she told Woman magazine (opens in new tab). "It took me three months to get completely weaned off them."
Melanie is no longer on the drugs and is happy to have begun a new role in Coronation Street as Roy Cropper's love interest Cathy Matthews.
Melanie enjoys an ice cream in Corrie with new love interest Roy Cropper (ITV)
She said: "When I got a call from my agent asking if I would like to be interviewed for Coronation Street I've never been as happy in my life because it's been a life-long ambition.
"I've grown up with it and I've got to a point in my life where I am happy to go into a long-running drama. Staying for a long time would be ideal for me."
Eurovision 2023: release date, host city, and everything we know
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Casualty spoilers: Ethan Hardy quits!
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A serial killer in Canada who pleaded guilty to sexually assaulting, strangling and dismembering eight people nearly had a ninth murder victim.
A survivor identified as "John" was found tied to Bruce McArthur's bed on the day of his arrest in 2018, according to CTV News in Toronto.
John had been invited to the killer's Toronto's home and was asked to quickly undress, according to the TV network. He was handcuffed and a bag was placed over his head.
Thankfully, investigators had been keeping close tabs on McArthur and arrested him when they realized he had the man in his home.
"A forensic analysis of Mr. McArthur's computer showed that on the day of Mr. Kinsman's murder, Mr. McArthur had searched for John and downloaded photographs of him from social media," Crown lawyer Michael Cantlon said during the sentencing hearing this week, according to CTV News.
McArthur, 67, pleaded guilty last week to killing Andrew Kinsman, Selim Esen, Majeed Kayhan, Dean Lisowick, Soroush Mahmudi, Skandaraj Navaratnam, Abdulbasir Faizi and Kirushna Kanagaratnam. Kinsman had been his final victim, according to prosecutors.
A prosecutor asked a judge Tuesday to sentence McArthur to consecutive life sentences so he would not be eligible for parole for 50 years.
The murders took place during a seven-year period as McArthur targeted men he met in Toronto's Gay Village district. Many of the disappearances attracted little attention.
"He preyed on the vulnerable and those who struggled with their personal issues whether it be homelessness, fear of deportation or leading a life that was not completely open," Harper said.
McArthur staged photos of some of his victims after they died, and would later access some of the photos.


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The Waterford News & Star is a local newspaper based in the Irish city of Waterford, first published as the Waterford Star in 1848.

In December 2007, it changed from a broadsheet to a tabloid. The Waterford News & Star in 2010/11 moved from their offices in Michael Street, Waterford City, to Gladstone House, Gladstone Street, Waterford. and covers stories from across the city and county.

John Cunningham was editor from 1982 to 1984. Another editor of the paper was Paddy O'Neill father of the present Irish Times Editor Paul O'Neill. Mary Frances Ryan is the present editor of the paper

The newspaper was part of the Thomas Crosbie Holdings group. Thomas Crosbie Holdings went into receivership in March 2013. The newspaper was acquired by Landmark Media Investments. In December 2017, a sale was agreed to The Irish Times pending regulatory approval. In July 2018, the sale of the title to The Irish Times was complete.

The sub-editing for the Waterford News & Star was provided by Wexford Echo Limited. Wexford Echo Limited went into liquidation in June 2017.

References

External links

1848 establishments in Ireland
Mass media in Waterford (city)
Newspapers published in the Republic of Ireland
Publications established in 1848
The Irish Times
Thomas Crosbie Holdings


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0 Up Down
Debian GNU/Linux powers Max Planck Institute 32.8 TFlops supercomputer
http://wiki.debian.org –
A team of scientists at the Max Planck Institute for Gravitational Physics have created Germany's 4th largest supercomputer by using Debian GNU/Linux.
Created by andremachado 10 years 50 weeks ago – Made popular 10 years 50 weeks ago
Category: High End Tags:
tflops
Sharing the Supercomputer Wealth
http://www.linuxinsider.com –
The M45, named for a star cluster, is considered one of the world's 50 fastest supercomputers. The Pittsburgh Supercomputing Center's Big Ben system, by comparison, debuted two years ago with capabilities for 10 trillion calculations per second.
Created by mark 11 years 26 weeks ago – Made popular 11 years 26 weeks ago
Category: Industry Tags:
Build an 8 PS3 supercomputer
http://blogs.zdnet.com –
Less than a 10th the cost per GFlop of the $2500 supercomputer
Take 8 PS 3 consoles, Yellow Dog Linux, a Gigabit Ethernet switch and your favorite protein folding or gravitational wave modeling codes and you're doing real science. On a Playstation!
Created by extra 11 years 29 weeks ago – Made popular 11 years 29 weeks ago
SGI and NASA ready most powerful Linux computer ever
http://www.linux-watch.com –
NASA has selected an SGI Altix supercomputer to help it meet future high-performance computing requirements. The new system will be the first supercomputer to operate 2,048 processor cores and 4TB of memory under control of one Linux kernel, creating the world's largest single-kernel Linux system, NASA and SGI announced this week.
Created by bluecheese 11 years 43 weeks ago – Made popular 11 years 43 weeks ago
sgi altix


The Commission of Fine Arts will be considering the concept designs today of one of the proposed office buildings and the glass entryway to the retail pavilion planned at L'Enfant Plaza. The proposed office building will be located along Frontage Road and 9th Street while the glass entryway will be in the plaza. These buildings are only a few of the changes planned for L'Enfant Plaza. More information on the renovation can be found here.
[Commissioner of the GSA's Public Buildings Service Robert] Peck said further development may come in available space on the south side of the National Mall. He said he is working with the National Capital Planning Commission to "create some building sites" there.
Perhaps he's referring to the four GSA parcels along the Maryland Avenue corridor as recommended in the Maryland Avenue Small Area Plan Draft? What about the Department of Energy's Forrestal Complex?
The memorial will be located in front of the Department of Education headquarters at Independence Avenue between 6th Street and 4th Street. Maryland Avenue runs through the site.


On this day in 1917, as World War I enters its fourth year, China abandons its neutrality and declares war on Germany.
From its inception, the Great War was by no means confined to the European continent; in the Far East, two rival nations, Japan and China, sought to find their own role in the great conflict. The ambitious Japan, an ally of Britain since 1902, wasted no time in entering the fray, declaring war on Germany on August 23, 1914 and immediately plotting to capture Tsingtao, the biggest German overseas naval base, located on the Shantung Peninsula in China, by amphibious assault. Some 60,000 Japanese troops, assisted by two British battalions, subsequently violated Chinese neutrality with an overland approach from the sea towards Tsingtao, capturing the naval base on November 7 when the German garrison surrendered. That January, Japan presented China with the so-called 21 Demands, which included the extension of direct Japanese control over most of Shantung, southern Manchuria and eastern Inner Mongolia and the seizure of more territory, including islands in the South Pacific controlled by Germany.
An internally divided China, struggling after revolution in 1911 and the fall of the powerful Manchu Dynasty the following year, was forced to accept all but the most radical of the 21 Demands; its new president, Sun Yat-sen, founder of the Kuomintang (KMT) or Nationalist Peoples' party, used Chinese anger over the demands to justify his bid for restoring the monarchy and installing himself as emperor. He reigned only briefly, however, before opposition from China's military leaders forced him to return the country to a republican form of government.
When China declared war on Germany on August 14, 1917, its major aim was to earn itself a place at the post-war bargaining table. Above all, China sought to regain control over the vital Shantung Peninsula and to reassert its strength before Japan, its most important adversary and rival for control in the region. At the Versailles Peace Conference following the armistice, Japan and China struggled bitterly to convince the Allied Supreme Council—dominated by the United States, France and Britain—of their respective claims on the Shantung Peninsula. A bargain was eventually struck in favor of Japan, who backed down from their demand for a racial-equality clause in the treaty in return for control over Germany's considerable economic possessions in Shantung, including railways, mines and the port at Tsingtao.
Though Japan promised to return control of Shantung to China eventually—it did so in February 1922—the Chinese were deeply outraged by the Allied decision to favor Japan at Versailles. A huge demonstration was held in Tiananmen Square on May 4, 1919, protesting the peace treaty, which Chinese delegates in Versailles refused to sign. "When the news of the Paris Peace Conference finally reached us we were greatly shocked," one Chinese student recalled. "We at once awoke to the fact that foreign nations were still selfish and militaristic and that they were all great liars." A year after the peace conference closed, radical Chinese nationalists formed the Chinese Communist Party, which under the leadership of Mao Tse-tung and Chou En-lai, as well as many other former leaders of the anti-Versailles Treaty demonstrations, would go on to win power in China in 1949.


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text:
TechStars NYC co-founder launches Spring, a brand-backed mobile marketplace
by Josh Ong — in Apps
David Tisch, the co-founder of TechStars NYC, today launched his new startup, Spring, an iOS-based ecommerce platform that has the support of several high-end brands.
Shopping on the Spring app (US-only for now) feels like scrolling through Instagram if you only followed fashion brands, or Pinterest without all the amateur crafts.
Product photos are meant to be edgy lifestyle images instead of your usual shots on a white background. At launch, Spring has over 100 brands on-board, including Warby Parker, Band of Outsiders and Hugo Boss.
"The only brands we're letting onto the platform is brands that care about the customer, brands that have a soul," Tisch said.
While the app contains a number of social media conventions, such as hearting products that you like, it's not actually a social experience. Instead, it's meant to be a one-to-one connection between you and the brands that you follow. Buying a product takes just a couple of swipes, and products ship directly from the retailers.
Spring's goal is to give brands direct access to their shoppers. According to Tisch, the current ecommerce field either requires brands to build their own apps or it forces them to place control in the hands of third-party retailers. Of course, Spring is also a third-party, but it does its best to get out of the way. Since it never touches the products, it's more of a matchmaker than a middleman.
My first impression of Spring is that it's dangerous. Tisch tells me I'm not alone, as it's a common response from testers. The app makes it all too easy to spend money. If you have self control, this dangerous can be a good thing, as it means that you're finding products that you're excited about. But, if you have a shopping addiction, Spring could cause all sorts of trouble for you. Consider yourself warned.
Spring is doing for the online shopping experience what the native movement is doing for advertising. It's content, storytelling and imaging as commerce.
Spring will naturally take a cut of sales on its platform, but Tisch claims that the startup will be "the most competitive way" for retailers to sell to customers outside of their own channels. Brands that offer free shipping or exclusive products on Spring can have their fees reduced further.
Brands won't be the only ones with voices on Spring's platform. The startup will include curated collections from influencers and publications. The app also organizes products based on algorithmic trends, so you could filter for items that are popular in LA.
Spring has raised a $7.5 million Series A round that includes backing from well-known luxury brands, including LVMH. The team currently has 30 members, including 12 engineers and three full-time designers.
Read next: Why the UK's new local TV stations are doomed to fail
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Last.fm Still Growing. Thanks, Free Music.
The folks at CBS seem to be happy with the acquisition of music-sharing and recommendation site Last.fm. The company has released the numbers today, and it looks like Last.fm has sustained 59% growth while increasing page views, which have gone up to 58%. That equals a reported 21 million active users across the globe, on a monthly basis.
The positive numbers were pretty much expected for Last.fm given the recent initiatives the site has pushed forward. After a couple of months of waiting around to see how the media company would integrate Last.fm since acquiring it last year, CBS and Last.fm came out with a fairly big release, offering free, on-demand streaming music for users. Considering the changes CBS has been making to its online radio services, it's clear that online music and music-sharing is an important way in which CBS is looking to grow a far-reaching online strategy.
The free, streaming music was met with a strong, positive response from its user base, and CBS is looking to continue such a response, while finding ways to utilize this recommendation model in other areas of CBS' media house. It's a concept we've seen with FOX and NBC, which have seen success with Hulu for video and are rumored to potentially be applying its strategy to free music as well. Just when we thought online music was hitting a brick wall.


We would love to hear from you through e-mail or skype!
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Loved your pictures. You have a great blog of all your daily activities! It makes me feel as though I have visited with you.
Sending my new email address.


This will be the easiest entry in this series. This is a reblog of an article I wrote last year.
XMLA can be used to manage the structure of your multidimensional databases. While many developers use Visual Studio (BIDS), to deploy changes, as systems move to production or need to be more clearly managed, XMLA comes into play.
Some of the most common DDL type uses for XMLA including partition management, deploying changes, and promoting between environments. In all of these cases, objects within Analysis Services need to be created, altered or deleted.
Before we dig into the details, I wanted to call out that the Execute method will be used and, keep in mind, that the full syntax is not required when using SQL Server Management Studio (SSMS). (See X on XMLA: ii. Basic Structure of XMLA for more details.) Furthermore, in SSMS, you can generate Create, Alter, and Delete XMLA by right clicking on the deployed object and choosing the Script To option. If you have questions about syntax, definitely use this function to discover more about the syntax and the object you are working with.
The following sections are using the Sales Channel dimension from the Adventure Works sample database to illustrate the command syntax. (This sample database is available on CodePlex).
The Create command is used to create new objects in the database. To child elements that are required are ParentObject and ObjectDefinition. The ParentObject specifies the list of objects that are the parent. In our illustration below, the parent object is the database. This is true because the dimensions in Analysis Services belong to the database. However, if we were creating a partition, the parent would be structured, database then cube then measure group. This is true because the partition belongs to a specific measure group. The order of the parent objects matter as they are read top to bottom in the XMLA.
The Alter command is used to modify existing objects in the database. The Alter command uses two child elements, Object and ObjectDefinition. The Object defines the object that is targeted. This, like the ParentObject, is structured from top to bottom with the last object in the list as the object being targeted for alteration.
The ObjectDefinition specifies the changes to make to the object. The changes to the structure MUST include all of the parts of the structure you want to keep the same. I cannot emphasize how important it is that you keep this in mind. You cannot send a simple change via XMLA. You must send the new version in its entirety. This is true at all levels including the database. Where this commonly creates some issues is in the user objects at the database level and the partitions in the measure groups. If you have specific users at the database level that are different between environment, which you should have, you need to update the alter for each environment. If you are modifying a measure group that you have added partitions to, you must make sure these new partitions are in your script as well.
The Delete command is used to remove existing objects in the database. It only has one child element – Object. This is the simplest of the commands here and only needs the proper object definition. Like the ParentObject and Object elements above, you need to have the proper order to delete the correct object. Use caution as this command will contain the database through the targeted object. If you execute the command at the database level you will delete your database.
Not really conclusive. Error messages are also returned in an XML format and often contain some relevant information as to why the script failed. Be sure to read it closely as some times multiple errors are returned and the root cause may not be plainly evident.
The second post in the XMLA series focuses on the basic structure of XMLA. At its heart, XMLA is XML. As a result it is usually not a comfortable work environment for most database developers or administrators. It is no different for Analysis Services developers or administrators. While a discussion on XML formatting is out of scope for this conversation, I will break down the XML structures used in XMLA so you can see how the basic construction of the language works.
In XML, a namespace is required to help the tools understand how to interpret the content. The namespace used is urn:schemas-microsoft-com:xml-analysis. Usage of the namespace is handled at the method level.
There are two methods supported in the XMLA standard – Discover and Execute.
The Discover method will return XML-formatted results. The Discover statement is similar in function to a SELECT statement in SQL. Discover can be used to query the data within the multidimensional database as well as server information.
Within the Discover method, the following properties are supported which are implemented as child elements: RequestType, Properties, and Restrictions. The RequestType property determines the schema rowset to be returned. The Properties property is a collection of options that can be implemented which are determined by the RequestType. Finally, the Restrictions property can be used to restrict the results returned by the Discover Statement.
Here is an example of getting the list of dimensions from the Adventure Works sample cube (available on CodePlex.com).
The Execute method executes statements against the multidimensional database. The Execute statement can be used to process, deploy and execute MDX statements. It too returns its results in an XML format, including error messages.
The Execute method supports two properties which are implemented as child elements: Command and Properties. The Command property contains the actual command that is being implemented. Properties, like for Discover, enables Command specific properties which can be used to direct the command.
This method is implemented two ways in Management Studio. In the first example, the syntax is explicitly called.
In this example, you can see that Management Studio will wrap execute statements with the Execute and Command elements making it simpler for you to work with Execute methods.
What I do not discuss in this blog is the SOAP implementation. As most of us use Management Studio or similar tools which don't look at the SOAP envelope, I did not cover it. However, if you need more details on SOAP or on the XMLA standards refer to http://xmla.org for more details.
As some of you know, I am really excited about the data appliances Microsoft and HP have released this year. I really believe that they make it even easier to get MSBI projects up and running while minimizing the complexity of building out servers. Read more about my thoughts on this in an article I wrote for Magenic: Microsoft Data Appliances Lower the Entry Bar for MSBI Adoption.


We made a David's Tea pit stop this week to stock up on some of the summer flavors, particularly for iced tea. My dad got me an awesome infuser jug for my birthday and it works perfect. I love having the option of a healthier drink that still feels like a treat. The new summer collection flavors are good. Sangria tea? Yes, please.
On Friday night we had supper with a group of my girlfriends and their husbands. One of these friends flew in from the U.S. so this visit was extra special. She surprised me with a belated birthday gift; a spatula with my blog name on it! It was so thoughtful and unique.
Call me crazy, but I've been loving the weather lately. I don't love it when it's hot unless I can be at the beach, and I happen to like rain, so the recent circumstances have been ideal to me.
I met my old roommate for Saturday morning brunch at one of my favorite restaurants. We went right when it opened so it was empty and really peaceful. We had mimosas (of course!) and I got the most insane breakfast sandwich. Brunch is the best.
I know I've mentioned it before but I am obsessed with "The Secret" app. I can't tell you how many times I've been in a funk, checked the daily lesson and had it totally apply to whatever I was going through at that time. The lessons are short, but meaningful and they really help me get back on the right foot when I need it. They always leave me feeling inspired.
This week will be busy; we are prepping for an extra-long weekend at my family's cabin. We even went and bought a new airbed for comfier sleeping! I can't wait to hang out around the fire with everybody for a few days.


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Q: program a wall in which an object can not pass This is the code we have created so far for a Pacman type game:
`DynamicModule[{diskPosition = {250, 450}, diskRadius = 15,
  pacman = {9, 4}},
 EventHandler[
  Graphics[Dynamic[{Yellow, Disk[diskPosition, diskRadius, pacman]}],

   PlotRange -> {{0, 460}, {0, 590}}, Background -> Black],

  {
   "LeftArrowKeyDown" :> {(pacman = {9, 4}), (diskPosition[[
        1]] += -10)},

   "RightArrowKeyDown" :> {(pacman = {1, 6}), (diskPosition[[1]] +=
       10)},

   "UpArrowKeyDown" :> {(pacman = {2, 7}), (diskPosition[[2]] += 10)},

   "DownArrowKeyDown" :> {(pacman = {-2, -7}), (diskPosition[[
        2]] += -10)}

   }]]`

We want to create a grid which the pacman cannot pass through the barriers, creating a maze it must go through.

A: Before making a move, test if the new position is a valid position. A valid position is one where Pac-Man does not touch the walls. Mathematica has convenient functions that deal with regions, so we might consider creating a region and then using those functions. Regions can be built using Graphics primitives and then converted into regions with DiscretizeGraphics, therefore we will first create a graphics object of the map. I decided to start from this image:

I used some image processing functions to turn the map into a region, but note that you can create your map by hand using Rectangle, Line, Polygon or whatever you may want.
img = ImageCrop@Binarize@Import["http://wallpapercave.com/wp/6SKGas2.png"];
components = MorphologicalComponents[Thinning[img]];
indices = DeleteCases[DeleteDuplicates@Flatten[components], 0];
curvePathPlots = ListCurvePathPlot[Position[components, #]] & /@ indices;
lines = Cases[Show[curvePathPlots, PlotRange -> All], _Line, Infinity];

lines now contains Line objects corresponding to all the lines. We now create the map, for displaying as a background, and the region, for collision checking.
map = Graphics[{Thickness[0.004], White, lines}, Background -> Black];
region = DiscretizeGraphics[map];

Evaluate map to see what it looks like, put a white disk of radius 20 in as well for scale:
Show[
 map,
 Graphics[{White, Disk[{420, 425}, 20]}]
 ]

Because of a change of coordinate system we've rotated the image, but it doesn't matter. The one who cares about it, may fix it.
Now we need a function that will tell us if a Pac-Man, represented as a disk of radius 20, collides with the walls, if it is positioned at a certain position. Since it is a disk it is equivalent to checking whether the distance to the wall is larger than 20:
freeQ[{x_, y_}] := RegionDistance[region, {x, y}] > 20

Now, an event in the EventHandler may look like this:
"LeftArrowKeyDown" :> If[freeQ[diskPosition - {10, 0}],
  pacman = {9, 4};
  diskPosition[[1]] += -10
  ]

This says "if the new position will not cause Pac-Man to collide with any wall, make the move." Here is your updated code:
DynamicModule[
 {
  diskPosition = {510, 470},
  diskRadius = 20,
  pacman = {9, 4}
  },
 EventHandler[Show[
   map,
   Graphics[
    Dynamic[{Yellow, Disk[diskPosition, diskRadius, pacman]}],
    PlotRange -> {{0, 460}, {0, 590}}
    ]
   ],
  {
   "LeftArrowKeyDown" :> If[freeQ[diskPosition - {10, 0}],
     pacman = {9, 4};
     diskPosition[[1]] += -10
     ],
   "RightArrowKeyDown" :> If[freeQ[diskPosition + {10, 0}],
     pacman = {1, 6};
     diskPosition[[1]] += 10;
     ],
   "UpArrowKeyDown" :> If[freeQ[diskPosition + {0, 10}],
     pacman = {2, 7};
     diskPosition[[2]] += 10
     ],
   "DownArrowKeyDown" :> If[freeQ[diskPosition - {0, 10}],
     pacman = {-2, -7};
     diskPosition[[2]] += -10
     ]
   }]]

A: Here's a maze for the pacman to operate in (which is taken from here)
style = {Background -> GrayLevel[0],
   BaseStyle -> {Directive[White, EdgeForm[], Opacity[1]]},
   VertexShapeFunction -> (Rectangle[#1 + .16, #1 - .16] &),
   EdgeShapeFunction -> (Rectangle[#1[[1]] + .16, #1[[2]] - .16] &)};
embedding = GraphEmbedding[GridGraph[{20, 30}]];
g = GridGraph[{20, 30}, EdgeWeight -> RandomReal[10, 1150]];
tree = FindSpanningTree[{g, 1}];
maze = Binarize[Image[Rasterize[Graph[tree, VertexCoordinates->embedding, style],
       RasterSize -> 1000], ImageSize -> 1000]];
m = 5;

Now the pac man in-the-maze, constrained with the If[] statements to the white portions of the maze.
DynamicModule[{diskPosition = {250, 450}, diskRadius = 15, pacman = {9, 4}},
 EventHandler[
  Show[maze, Graphics[Dynamic[{Yellow, Disk[diskPosition, diskRadius, pacman]}],
     PlotRange -> {{0, 200}, {0, 300}}]],
{"RightArrowKeyDown" :>
    If[PixelValue[maze, {diskPosition[[1]] + m, diskPosition[[2]]}] == 1,
                  pacman = {1, 6}; diskPosition[[1]] += m],
 "LeftArrowKeyDown" :>
    If[PixelValue[maze, {diskPosition[[1]] - m, diskPosition[[2]]}] == 1,
                  pacman = {9, 4}; diskPosition[[1]] += -m],
 "UpArrowKeyDown" :>
    If[PixelValue[maze, {diskPosition[[1]], diskPosition[[2]] + m}] == 1,
                  pacman = {2, 7}; diskPosition[[2]] += m],
 "DownArrowKeyDown" :>
    If[PixelValue[maze, {diskPosition[[1]], diskPosition[[2]] - m}] == 1,
                  pacman = {-2, -7}; diskPosition[[2]] += -m]}]]

A: here is an idea..crude but may show how to proceed.
box = {{50, 200}, {300, 200}, {300, 400}, {50, 400}, {50, 200}};
up[p_] :=
 Module[ {t = p + {0, 10}},
  If[ 200 - 15 < t[[2]] < 400 + 15 && 50 < t[[1]] < 300 , 0, 10]]
left[p_] :=
 Module[ {t = p - {10, 0}},
  If[ 200 < t[[2]] < 400 && 50 - 15 < t[[1]] < 300 + 15, 0, -10]]
right[p_] :=
 Module[ {t = p + {10, 0}},
  If[ 200 < t[[2]] < 400 && 50 - 15 < t[[1]] < 300 + 15, 0, 10]]
down[p_] :=
 Module[ {t = p - {0, 10}},
  If[ 200 - 15 < t[[2]] < 400 + 15 && 50 < t[[1]] < 300 , 0, -10]]
DynamicModule[
 {diskPosition = {250, 450}, diskRadius = 15, pacman = {9, 4}},
 EventHandler[
  Graphics[{Dynamic[{Yellow, Disk[diskPosition, diskRadius, pacman]}],
     Thick, White, Line[box]}, PlotRange -> {{0, 460}, {0, 590}},
   Background -> Black], {
   "LeftArrowKeyDown" :> {(pacman = {9, 4}), (diskPosition[[1]] +=
       left[diskPosition])},
   "RightArrowKeyDown" :> {(pacman = {1, 6}), (diskPosition[[1]] +=
       right[diskPosition])},
   "UpArrowKeyDown" :> {(pacman = {2, 7}), (diskPosition[[2]] +=
       up[diskPosition])},
   "DownArrowKeyDown" :> {(pacman = {-2, -7}), (diskPosition[[2]] +=
       down[diskPosition])}}]]

as noted in comment it may be better to define a permissible path, which would amount to a list of permissible positions on a 10x10 grid. Then as you do each update you check if the updated position is in the permissible list ( MemberQ maybe. )
grid = Table[ {i, 450}, {i, 100, 400, 10}]~Join~
   Table[ {100, j}, {j, 100, 500, 10}];
up[p_] := Module[ {t = p + {0, 10}}, If[ MemberQ[grid, t] , 10, 0]]
left[p_] := Module[ {t = p - {10, 0}}, If[ MemberQ[grid, t] , -10, 0]]
right[p_] := Module[ {t = p + {10, 0}}, If[ MemberQ[grid, t] , 10, 0]]
down[p_] := Module[ {t = p - {0, 10}}, If[ MemberQ[grid, t] , -10, 0]]
DynamicModule[
 {diskPosition = {250, 450}, diskRadius = 15, pacman = {9, 4}},
 EventHandler[
  Graphics[{Dynamic[{Yellow, Disk[diskPosition, diskRadius, pacman]}],
     White, Point[grid]}, PlotRange -> {{0, 460}, {0, 590}},
   Background -> Black], {
   "LeftArrowKeyDown" :> {(pacman = {9, 4}), (diskPosition[[1]] +=
       left[diskPosition])},
   "RightArrowKeyDown" :> {(pacman = {1, 6}), (diskPosition[[1]] +=
       right[diskPosition])},
   "UpArrowKeyDown" :> {(pacman = {2, 7}), (diskPosition[[2]] +=
       up[diskPosition])},
   "DownArrowKeyDown" :> {(pacman = {-2, -7}), (diskPosition[[2]] +=
       down[diskPosition])}}]]


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