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Good news for love-seekers this Valentine's Day. In a bit of odd timing, users of the dating app Coffee Meets Bagel woke up this morning to find an email in their inboxes warning that their account information had been stolen by a third-party who gained unauthorized access to the company's systems. The email keeps most details about the situation vague, saying only that some data from users' accounts "may" have been acquired by a third-party who gained access to a partial list of user details. It doesn't say how that breach occurred, or how many users were affected. This breach was discovered as part of a larger data dump of some 617 million account details, which recently went up for sale on the dark web. According to the seller, the stolen account databases came from a number of sites, including also Dubsmash, MyFitnessPal, MyHeritage, Whitepages, Animoto, HauteLook, 500px, and several others. The Coffee Meets Bagel breach reportedly included 673MB of data taken in late 2017 and mid-2018. Earlier reports indicated that it could include a name, email, age, registration data and gender. According to the Coffee Meets Bagel email sent out to users overnight, however, the affected information only included names and emails prior to May 2018. The company also reminded users that it never stores any financial information or passwords, which means the impact of this particular breach is relatively minor. (In fact the most newsworthy thing about it could be why the company chose to disclose the breach today of all days!) Coffee Meets Bagel says it's now taking several steps to better protect its community going forward, including the hiring of forensic security experts to audit its systems and infrastructure, and its vendor and external systems. In addition, the company notes it's still monitoring for suspicious activity and engaged with law enforcement about the incident. And it's working to enhance its systems to better detect and prevent unauthorized access in the future. Users were reminded to be extra precautious about any unsolicited communications that ask for personal data or direct you to a web page where personal data is collected. But user passwords were not being proactively reset, according to this notice. Coffee Meets Bagel isn't the only dating app under attack as of late. This week, TechCrunch's Zack Whittaker reported that many users were complaining their OKCupid accounts had been hacked, as well. However, OKCupid denied a security breach had taken place. That means those account takeovers could be the result of hackers using login information they discovered by way of some other breach – that is, users had re-used the same email/password combination when signing up for OKCupid as had been leaked through another attack on another site. We've asked Coffee Meets Bagel if it would disclose how many accounts were impacted and other details. We're told that approximately 6 million users were impacted. A spokesperson also offered the following comment: "With online dating, people need to feel safe. If they don't feel safe, they won't share themselves authentically or make meaningful connections. We take that responsibility seriously, so we informed our community as soon as possible—regardless of what calendar date it fell on—about what happened and what we are doing about it." Coffee Meets Bagel is one of the smaller dating apps with nearly 7 million installs as of December, according to data from Sensor Tower. But its popularity is still growing. The company to date has grossed over $25 million by the end of last year, with users spending $900,000 in the app in November 2018, up 30 percent over the year prior. The startup has raised just under $20 million and has been more recently trying to position itself as an "anti-Tinder" by focusing on richer profiles that emphasis the text, not just the photos, and changes to how conversations work. The full email from Coffee Meets Bagel is below: Hello, We recently discovered that some data from your Coffee Meets Bagel account may have been acquired by an unauthorized party. We would like to make sure you have the facts about what happened, what information was involved, and the steps we are taking to help protect you. What happened? On February 11, 2019, we learned that an unauthorized party gained access to a partial list of user details. Once we became aware, we quickly took steps to determine the nature and scope of the problem. What information was involved? The affected information only includes your name and email address prior to May 2018. As a reminder, we never store any financial information or passwords. What are we doing We have taken steps to protect our community, including the following: • We have engaged forensic security experts to conduct a review of our systems and infrastructure. • Vendor and external systems are being audited and reviewed to ensure there are no compliance issues or third party breaches. • We continue to monitor for suspicious activity and we are coordinating with law enforcement authorities regarding this incident. • We continue to make enhancements to our systems to detect and prevent unauthorized access to user information. What you can do As always, we recommend you take extra caution against any unsolicited communications that ask you for personal data or refer you to a web page asking for personal data. We also recommend avoiding clicking on links or downloading attachments from suspicious emails. The security of your information is important to us, and we apologize for any inconvenience this may have caused you. As always, if you have any questions or need any additional information, please do not hesitate to contact us at contact@coffeemeetsbagel.com
BIG DATA DATA
7 Ways Non Profit As Well As Profit Corporations Can Grow Using Digital Marketing


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Utah Has Closed the Biggest Loophole in Digital Privacy
Utah's governor has signed a bill, HB57, requiring police to get search warrants before accessing data held by third parties, including social media networks and cloud computing services. Though the bill was signed into law on March 28, it hasn't attracted much attention nationally. But its implications are huge: The law is an effort to correct what some see as a fundamental flaw in the enforcement of the U.S. Bill of Rights.
The problems with existing legal precedent, and the new law's potential impact, are nicely laid out by Nick Sibilla of the Institute for Justice, a libertarian public-interest law firm. A precedent known as the "third-party doctrine" has, since the 1970s, allowed law enforcement to access personal data including bank and phone records without a warrant. The Supreme Court's logic in establishing the doctrine was that individuals had forfeited their expectation of privacy by giving information about their behavior to third parties.
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From where we stand today, that sounds patently insane—we entrust massive amounts of very personal data to third parties, down to the granular data about online behavior handled by our internet service providers. To a large degree, this means that the Fourth Amendment, which protects against "unreasonable search and seizure" when it comes to things like your house, car, or pockets, simply doesn't apply to data compiled about you by digital services.
The same principle does apply to local digital devices—police need a warrant to open your phone storage without your consent, for instance. As Jay-Z once put it: "My glove compartment is locked, and so's the trunk in the back. I know my rights, so you gon' need a warrant for that."
But for data stored by third parties, things are pretty close to a free-for-all.
Related: People Don't Care About Financial Privacy As Much As You Think
Invasive digital surveillance has been normalized in part thanks to enduring post-9/11 fears about terrorism. But it has become increasingly clear that mass data collection by bodies including the National Security Agency provides little or no advantage over traditional, warrant-authorized investigative techniques. In 2012, for instance, a Senate investigation found that Department of Homeland Security "fusion centers," which collate data including information obtained from warrantless digital surveillance, had "not yielded significant useful information to support federal counterterrorism intelligence efforts." What such techniques did accomplish, according to Senator Tom Coburn in the same report, was "wast[ing] money and stepp[ing] on American's civil liberties."
Such findings don't seem to have much impact on the government's ghoulish hunger for more ways to surveil people. The CLOUD Act, passed last year, even allows foreign governments to access user data held by U.S. technology companies, without going through U.S. courts—and gives special privileges to the U.S. in requests for foreign data.
There is a growing awareness, however, that the third-party doctrine that allows this sort of behavior is flawed, especially when applied to contemporary technology. In June of 2018, the Supreme Court ruled that detailed cell-phone location data could not be freely accessed by law enforcement under the third-party doctrine, because that would essentially open the door to full-time, warrantless monitoring of people's movements. The opinion also inevitably raised broader questions about the third-party doctrine in an era when we all depend on remote digital services to go about our daily lives.
Utah's new law is another meaningful step towards redressing the encroachment of state power into the digital realm. There are major caveats: First, the new law doesn't apply to financial data or health records. And it only applies to Utah's own state-level law enforcement agencies, according to lawyer Peter Jaffe. That means the Provo Sheriff's office or Salt Lake PD can't peek at your Twitter DMs without a warrant, but your friends at the FBI still can.
Update 4/22/19: This story has been updated to reflect exceptions to Utah's law for health and financial data.
People Don't Care About Financial Privacy As Much As You Think

redpajama_set_name: RedPajamaCommonCrawl


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The sixth-grade girls and boys from Savannah Country Day School won titles in the Savannah Parochial Athletic League's postseason BB Division basketball tournament.
The Country Day girls finished the season with a 10-1 record. They defeated Hancock, 23-4, behind the 19-point scoring of Amari Oliver. They then topped Blessed Sacrament, 29-16, in the finals. Oliver led the Hornets with 13, and teammate Allie Anderson added six.
The Lady Hornets were coached by Michael Hinckner.
Other team members were Briana Carney, Emma Holtzclaw, Gabby Lauretti, Taylor Parker, Chandler Royal, Elise Spellman and Kirby Wheat.
The Country Day boys ended the season with an 11-2 record. They defeated Pinewood Christian, 41-40, Savannah Christian, 28-24, and St. James, 41-40, in overtime to win the title.
Against Pinewood, Al Pesto III led the Hornets with 10 points. Aidan Hegarty added nine.
Against Savannah Christian, Pesto led the Hornets with 11 points.
In their thrilling victory over top-seeded St. James, Aidan Hegarty led Hornets in scoring with 10 points. Pesto added nine. Stephen Gavin had three key blocked shots for the Hornets.
The team was coached by Kevin Gavin.
Other team members were Jack Barnes, Heyward Berry, Sam Bromley, Grayson Finlay, Brenton Ford, Julian Gladney, Tristan Tait and Jake Templeton.
The fifth-grade girls from Calvary Day School went undefeated during the season and defeated St. Andrew's, 12-8, in the finals to win their first SPAL B Division postseason basketball title.
The Lady Cavs were coached by Patricia Arnsdorff.
Team members were Jessica Arnsdorff, Kelcey Black, Nora Bowden, Haley Clark, Rachael Cowart, Eden Fussell, Ashley Keller, Shelby Padgett, Taylor Rice, Caroline Squires and Courtney Turner.
The fifth-grade boys from Calvary won the boys' portion of the B Division postseason tourney. They defeated St. Andrew's in the finals. The team was coached by Tony Sharp.
Charlie Ferrelle was inadvertently omitted from the list of players for the St. James seventh-grade boys basketball team in last week's edition of the Closeup.
Contact me with all of your local sports news. Send e-mail to markbeasley.goodsports@yahoo.com.


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Tag Archives: africa
He said that was the cool thing about art. Very cool photo effect. Also never interfere with the natural behavior of the animals in order to take a better photo! I agree that it can change a photo that has average lighting to a feature photo, but I still prefer b&w. In spite of hybrid apps, developers can create native user experience. Art is a human activity consisting in this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that others are infected by these feelings and also experience them. Nonetheless, the cinema brewery/dine-in theater experience is one that has caught fire in recent years & become a major trend in the movie-watching business. The trick is to make the pieces separate, keeping, for example, the cinema concession stand separate from the cafe and not offering an extensive menu of "finger foods" for cinema viewing – this trend is now passe. The low price tag will make purchasers and pique their fascination in hunting a lot more closely.
Pop art uses everyday objects (eg: Andy Warhol painted soup cans) or people everyone will recognise (like celebrities), that's why it's call Popular Art. Your home is one of the biggest investments you will still ever have. Superior texture and suitable display of an object is one method to decorate. The ability to observe properly is one of the most important tools that an artist has. In the case of multiple artist / collaborative artist combinations in the credits, always split them into all their individual artists unless there is clear evidence that a combined artist name was intended to be legally credited for the role. There wasn't any artificial lighting, so performances had to take place during the day where there was a lot of lighting. There are pros and cons to both film and digital photography. Angular Angular brushes are basically flat brushes with angled bristles at the toe.
If the photos are a little blurred increase the shutter speed, if they are too dark adjust the aperture or increase the ISO. The lens is a Leica DC Vario-Elmar with an f/3.3-f/8 aperture range. On the other hand lets say that you use your lens to focus closely on the petals leading away from the rose's center. Why not do all these things in the lavishness and use Maryland charter bus? Painting and power can keep your home looking clean, fresh, and new. However, Picasso didn't know or witnessed the bombing firsthand, the inspiration for this painting was an article written by South African-British journalist George Steer for The Times. Let me know your suggestions. Here's a video explaining everything you could ever want to know about master studies. Miller modern art's ability to disturb, excite, and illicit a number of other emotions from an audience captures many people's fascination.
This Chapel in Alora receives a large number of tourists every year. Updated on October 6, 2016 SweetiePie moreContact Author Walking around in the San Bernardino Mountains is a wonderful respite from the city. Updated on July 30, 2017 Cleo Burch moreContact Author What is post mortem photography? The telephonic services of the site have shortened the distance of customers in remote areas. Do not really feel like you have to pay for a expert photoshoot. In 2013, art news from blogs, tv, newspapers and websites were all dominated by headlines of record breaking art sales from auction houses like Christie's, Sotheby's and Bonhams. The family owned & operated jewelry and watch business frequently commands the pages of established fashion magazines like Vogue, Harpers Bazaar & Town & Country, its jewelry being adorned by Supermodel Kate Moss & others. 4. This is a tough area with many enemies that, although are easy to kill, can also dish out a lot of damage very quickly.


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Tchaikovsky & Glasunov: Violin Concertos
Label: PROFIL
Catalog: PH21052
Pochekin, Ivan; Russian National Orchestra; Pletnev, Mikhail
This recording features the works of Russian composers who were outstanding personalities in the musical life of their country during their lifetime: The Violin Concerto in D major, op. 35, by Tchaikovsky and the Violin Concerto in A minor, op. 82, by Glazunov. Each of the two composers wrote only one concerto for violin and orchestra respectively, as did Beethoven or Brahms as well. The two concertos by Tchaikovsky and by Glazunov each quickly gained admirers in the West. The image of Tchaikovsky is well-known, who closely emulated Western European music, especially music originating in Italy, France and Germany. Glazunov, who had no conservatory training, acquired his skills as a composer with Rimsky-Korsakov. He was one of the members of the "Mighty Handful" of five composers who banded together in Saint Petersburg in 1862 and called themselves novators, or innovators. They championed and strongly supported a national style of Russian classical music. There were therefore contrasts in style at the time. Yet Tchaikovsky, who was accused of "Western leanings", was also an adherent of other contemporary Russian composers and his stance towards the novators was generally positive, though differentiated. And Glazunov, the pupil of Rimsky-Korsakov? The attitude he upheld was based on the maxim: "I am possessed by music." To use the slightly overstated words of Vladimir Fédorov: "Glazunov can be seen as a type of musician who thinks only in musical terms, 'feels' through music and knows of no other interests than this music ... to him in music there is nothing else but themes, rhythms, development, form, plasticity of the musical material and tonal color of the orchestra. He thus focused almost exclusively on instrumental music, which thanks to its brilliance ensured him a special position among Russian composers of his day."


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Gabriel Orozco, né le  à Xalapa, est un artiste contemporain mexicain postminimaliste.

Biographie

Orozco est né en 1962 à Veracruz, au Mexique, de l'union de Cristina Félix Romandía et de Mario Orozco Rivera, peintre de peintures murales et professeur d'art à l'université de Veracruz.

Quand Orozco avait six ans, sa famille a déménagé dans le quartier San Ángel de Mexico afin que son père puisse travailler avec l'artiste David Alfaro Siquieros sur diverses commandes de peintures murales. Son père l'emmena à des expositions dans des musées et pour travailler avec lui. Au cours de cette période, Orozco entendit de nombreuses conversations sur l'art et la politique.

Orozco a étudié à la Escuela Nacional de Artes Plásticas entre 1981 et 1984, mais a jugé le programme trop conservateur. En 1986, il a déménagé à Madrid et s'est inscrit au Circulo de Bellas Artes. Là, ses instructeurs lui ont présenté un large éventail d'artistes de l'après-guerre travaillant dans des formats non traditionnels desquels il s'est par la suite inspiré en s'en éloignant ou en adoptant une méthode de travail similaire.

Travail
Orozco est dit "artiste du monde" sans atelier fixe. En effet, la plupart de ses œuvres sont inspirées de ses voyages et le thème du déplacement est donc fondamental.

Cette idée est développée dans l'œuvre Turista Maluco de 1991, installation fondée sur une expérience de collecte dans un marché. Une fois, les commerçants partis, il a disposé une orange sur chaque étal, s'inspirant du lieu, un espace de commerce, d'échange et de communication.

Orozco s'inspire du quotidien et de ce qui l'entoure, il développe donc des œuvres d'art autour de la relation entre le paysage urbain et le corps humain, la poésie du hasard, de l'infiniment petit et l'infiniment grand et la place de l'homme dans la société actuelle. « L'un des thèmes importants de ma démarche est la prise en compte de l'échelle humaine au regard de celle de l'environnement naturel comme de la société, et de l'interaction qui en découle. »

En 1993, il crée DS, une voiture réduite en son milieu du tiers de ses dimensions originales. Jouant toujours sur l'idée du déplacement, de ses moyens... il crée en 1994 Four Bicycles (there is always one direction), quatre vélos assemblés, leur enlevant ainsi toute utilité. En 1995, il photographie sa Scwalbe jaune (mobylette) à côté d'une autre équivalente Until you find another yellow Schwalbe. La même année, il réalise Habemus vespam, un scooter en pierre de la marque italienne Vespa et la formulation latine qui annonce l'élection d'un nouveau Pape. Il manie donc avec humour religion et société de consommation.

Entre 2000-2005, il réalise ses Working Tables sur lesquelles sont accumulés des objets dont les liens reposent sur des matériaux, des grammes chromatiques... Il s'agit d'une forme de représentation concrète de la pensée fragmentée de l'artiste.

Rapidement, il utilise la photographie qu'il associe à d'autres matériaux, modifier, découper, assembler, comme sur ses Working Tables notamment avec l'œuvre Atomist: Asprilla, Atomists series, 1996. Il s'en sert également comme un outil de travail, afin de rendre compte de certaines de ses œuvres et expériences artistiques comme pour My Hands Are My Heart, 1991. Il dit notamment : « J'ai utilisé la photographie à l'époque où j'explorais les matériaux et les objets autour de moi, sans penser à la photographie comme solution conceptuelle spécifique. J'essayais simplement d'explorer ces objets. […] Il est important pour moi que mon œuvre soit un « sous-produit », un amoncellement de situations spécifiques. C'est probablement pour cela que je ne peux pas dissocier la photographie de ma pratique sculpturale. »

Œuvres
 Mis manos son mi corazon (1991)
Turista Maluco (1991)
 Breath on piano (1993)
 Horses Running Endlessly, (1995)
 Oval Billiard Table (1998)
 6 Mesas de trabajo (Tables de travail), 1990-2000, MNAM, Paris.La DS (1993)Working Tables (2000 - 2005), MoMA.
 Mobile Matrix (2006)Visible Labor (2015), installation, Venise. Atomist: Asprilla, Atomists series'', 1996.

Références

Plasticien mexicain contemporain
Naissance en avril 1962

redpajama_set_name: RedPajamaWikipedia


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Het seizoen 2004/05 van de Nederlandse Eerste divisie ging van start op 13 augustus 2004 en eindigde op 20 mei 2005. De play-offs begonnen op 25 mei.

Heracles Almelo werd kampioen en promoveerde. Sparta Rotterdam promoveerde via de nacompetitie.

Reguliere competitie

Uitslagen

Eindstand

Legenda

Topscorers

Scheidsrechters

Nacompetitie

Groep A

Eindstand

Legenda

Uitslagen

Groep B

Eindstand

Legenda

Uitslagen

Eerste divisie voetbal
Nederlands voetbalseizoen 2004/05
Nederlands competitievoetbal 2004/05


In R or Python, How do I implement an allele sequence "autocomplete" tool given a dictionary of possible allele sequence matches?
Question: In R or Python, How do I implement an allele sequence "autocomplete" tool given a dictionary of possible allele sequence matches?
Ideally, the tool will search through the dictionary values as a tree search rather than exhaustively comparing the incomplete string with each dictionary entry. In other words, upon comparison of the first letter of alleles 2 and 3, they are automatically eliminated from consideration given that the first nucleotide does not match with the original string.
There's a lot of ways to do it, depending how large your dictionary is, or how often/quickly those are queried.
My intuition is that you probably want to use a Trie structure where you would insert all your alleles, and then query your trie once it's built.
Amazing! I am new to computer programming and learning these things really help me add new skills to my toolbox. So for that, thank you!
[Help]: Extracting Sequence From Fasta Using Blast Informations?
Is Matching Blastn Output A Requirement For Alternative Sequence Matching Implementations?


In this workshop, two innovative food processing technologies, Pulsed Electric Field preservation (PEF-P) and Low Shear Extrusion, will be presented, including a pilot scale demonstration, with conditions in a near to operational industrial environment.
It's presented by German Institute of Food Technologies (DIL) and Elea. They are core partners of the EU project i³-food.


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What Is It In Hentai Where Weon
What Is It In Hentai Where Weon Frequently when an individual hears the term hentai, they may question what it suggests. The real word has several different significances.
Typically translated as pervert or creep, the Japanese term " hentai " describes manga or anime which portrays unusual or gross porn. This subgenre is often related to extreme pornography, such as gang rapes and aliens.
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Historically, hentai has had a massive impact on Japanese pop culture. It has likewise become an incredibly popular term worldwide of sex and sexuality. Understood for its fetishes and odd acts of sexual intercourse, hentai works have actually become more popular than sushi and geisha.
The term hentai is in fact a mistranslation of the Japanese term hentai seiyoku, which indicates ' graphic sexual intercourse '. It was initially utilized to explain an erotica called The Dream of the Fisherman 's Wife.
During the 19th century, shunga erotica was reduced by shoguns. This meant that the production of such works had to stop. However, the interest in erotics continued to grow in Japan, particularly during the Showa duration.
By the end of the 1950s, stories about male homosexuality and cross-dressing were the significant fixations in publications. The OVA market, which was a precursor to the video game market, allowed the release of adult anime.
The Lolita anime series is based on a serialised manga in the lolicon magazine. It was the very first erotic anime to get an American audience.
The term hentai has been used to define a range of sexual anime, manga, and doujinshi. While some are regarded as being a hoax, others are valid pieces of category history.
The term hentai also spawned its own literary category. The History of Hentai is a book by Kimi Rito, a manga and Eromanga scholar. The book is written from numerous viewpoints, consisting of a take a look at the history of hentai outside of Japan. It is published by FAKKU in late 2022. It is one of the couple of hentai manga academic works to be translated into English.
Aside from the history of hentai, the book also covers the indie comics scene and the ahegao movement. The book is not for the faint of heart, however.
Throughout the Meiji Period (1868-1912) the letter " h " was utilized to mean " hubby ". Throughout the early 20th century, hentai seiyoku was reduced to " hentai " in colloquial speech, which started to develop into a sexual meaning.
It is not uncommon for westerners to associate hentai with adult anime, nevertheless the Japanese definition of the word is far more diverse. In Japan, hentai is often utilized in colloquial speech to describe uncommon kinks. It is also utilized to describe a particular individual, such as a teen boy, or to describe a game, such as baseball. It is likewise used to explain a particular action or scene in a movie or manga.
The Japanese term ecchi is a variation of the word hentai. Throughout the mid-1950s, it came into broader use in colloquial speech, and it was ultimately shortened to hentai.
Why Won't Hentai Haven Thumbnails Show
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The very first known erotic representations of hentai remained in Wonderkid 's Lolita Anime. This was also the first anime to embrace both of the meanings of hentai. In other contexts, ecchi can be complicated, because it is often conflated with San Ci, which means three-dimensional porn. What Is It In Hentai Where Weon
Er Ci Yuan is a slang term for two-dimension porn. It is usually contracted to Er Ci. It is frequently utilized to explain a sexually charged scene or a sexual activity.
Other subgenres of hentai are tenshitachi no gogo, etsuchinaDong Hua, ero manga, and yaoi manga. These subgenres have various levels of sexuality. They are characterized by oversexualized characters, and some have extreme elements. They are considered to be porn in the west, but may be acceptable to some people.
The Japanese term ecchi comes from the letter " H ". It can be katakanized as ecchi, and it is mainly related to fanservice.
' Hentai ' () is a Japanese term describing any type of manga with sensual content. The word is utilized to describe manga that has odd fetishes and uncommon porn. The term is usually reserved for extreme pornography, however manga that features more typical sexual fetishes also exist.
The very first traces of hentai in Japanese history date back to the 16th century. A number of magazines were dedicated to the discussion of perverse sexuality.
The title " Hentai " relates to bondage, which is a theme in a lot of hentai titles. These works are often self-published and are intended at an audience of individuals who enjoy manga.
The genre was especially popular in the 1960s, when stories of lesbianism were a significant preoccupation in magazines. Azuma Hideo 's Cybelle series specified the movement. These works were mainly self-published, although some were serialized in publications.
Throughout the Showa duration (1945-1968), the interest in perverse sexuality continued. The Japanese press embraced this decadence by developing a variety of publications, including nikutai bungaku, which did without wartime literature and concentrated on decadent styles.
In the 1980s, the lolicon boom started, which contributed to a thriving pornographic market. The Lolita anime series was based upon a manga serialised in a lolicon publication.
Toshio Maeda, called the ' god of tentacle hentai ', pushed the limits of censorship by utilizing beasts and tentacles in his work. His works featured beasts with various genitalia.
While Kimi Rito has written a book focusing on the hentai manga genre, he is likewise included in the media criticism and bishoujo manga criticism scenes in Japan. He is a member of the Japan Society for Studies in Cartoons and Comics and the coterie magazine " Ero Manga no Gemba ".
Typically translated into English as " pervert ", hentai has a variety of significances. The term is most typically utilized to refer to raunchy manga and anime. It also has a variety of sub-genres.
For example, yuri is a type of hentai involving 2 or more females in a homosexual relationship. Yuri involves a great deal of blushing and blushing.
In Japan, hentai is a term for manga, anime and porn. It is commonly taken in through doujinshi (manga), computer game, and virtual reality. Usually paired with graphic images, the hentai genre tells a dream story with specific plots.
Hentai is generally a form of adult home entertainment, however it is thought about less harmful than regular pornography. It is essential to keep in mind that a hentai image is not necessarily the very same as a human image. What Is It In Hentai Where Weon
Hentai is likewise utilized to describe the sexually explicit style of Japanese animation. It is sometimes called h-anime, and is characterized by oversexualized characters, over-exaggerated body parts, and explicit plots.
In Japan, hentai has a long history. It originated in the early twentieth century, when hentai was utilized to explain sexual perversion. In the 1980s, it was used to describe sex. It is also connected to ecchi, which indicates to have sex. The word ecchi is stemmed from the very first letter of hentai.
Unlike conventional pornography, hentai typically illustrates fetishes that are not practical. In addition, hentai is also a sexualized form of rape.
While hentai is connected with adult anime, it does not represent the genre itself. The goal of hentai is to cause lust in the audience. The category 's appeal is partially due to its association with sexology. Throughout the sexualization of Japan, hentai became stabilized in daily life. Throughout the 1990s, hentai entered into widespread use in the United States.
It is very important to note that while hentai may have more of an effect on a consumer than traditional porn, it might not be as mentally impacting. Furthermore, a hentai customer would likely score higher on accessory stress and anxiety than a non-porn consumer.
The term hentai is really a mistranslation of the Japanese term hentai seiyoku, which indicates ' graphic sexual intercourse '. The very first known erotic representations of hentai were in Wonderkid 's Lolita Anime. The title " Hentai " relates to bondage, which is a theme in the majority of hentai titles. While Kimi Rito has actually composed a book focusing on the hentai manga genre, he is also involved in the media criticism and bishoujo manga criticism scenes in Japan. Frequently translated into English as " pervert ", hentai has a variety of significances.


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How To Make A Perfect Choice | Best MBA Colleges In West Bengal
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If you are looking for top ranking Private engineering Colleges in West Bengal we will help you to make a perfect choice. There are various factors which you need to consider before you choose your college. By the end of the year students start searching for top and best colleges which fulfills all their needs....


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Down in the Weeds: Colorado
DIARY / davenj1 // Posted at 7:04 am on January 11, 2020 by davenj1
In the wake of the 2018 midterms, Colorado Republicans met to discuss the results. Failed gubernatorial candidate Walker Stapleton called for greater unity. Mike Coffman, who lost his House seat, blamed his loss on Trump. The outgoing state AG said he was leaving behind a great office. Full of excuses and short on strategy, one fact remains: Every Republican lost a statewide race. As soon as the new legislature was installed in 2019 along with Democrat governor Jared Polis in the lead, they passed a red flag law in the area of gun control, joined the electoral college compact pledging Colorado's votes to the winner of the national popular vote, and took aim at the energy industry in the state.
The state had been drifting from purple to blue status over the past decade. An influx of transplants has made the electorate younger, more diverse, and more educated. In the two most important counties, politically-speaking, Jefferson and Arapahoe, there is an ongoing battle for control that may dictate the future of the GOP. Republican turnout in all elections is usually higher than that of Democrats. In Colorado, although a younger electorate leans toward the liberal side, in reality they favor neither party and remain unaffiliated. Unfortunately, the GOP's realization that Republicans have higher turnout rates led them to somewhat disregard the unaffiliated voters over the past decade and it has cost them.
The proof is in the numbers from the 2018 midterm elections. For the first time ever, unaffiliated voters (879,496) beat out Republicans and Democrats. In fact, Republican turnout was the lowest among the three groups. Of course, that could change in 2020 with two factors in mind: the presidential election and a ballot issue (more on that in a second).
According to some pundits, the unaffiliated voters turned out en masse to take out their dislike of Trump by rejecting Republicans down the ballot. However, in many state districts where Trump lost in 2016, Republicans managed to hold their seats by wide margins. Some have pointed to sophisticated Democrat strategies like ballot harvesting led by groups like MoveOn.org and Planned Parenthood which target independent voters.
So what is a Republican to do if they hope to win statewide elections in Colorado? Leaving aside Trump, the strategy for Cory Gardner, who is running for reelection to the Senate, may prove instructive, and runs through five counties. The strategy and message is:
Denver county- hell will freeze over before any Republican takes the most populous and liberal county. Message: Everyone likes money, even liberals, and touting the tax cuts could make inroads with voters.
Jefferson and Arapahoe counties- These are the suburbs of Denver that have been drifting Left. Taking about 50% of the votes would be awesome. Message: Tout the $300 million in federal funds for transportation projects here Gardner helped secure.
Pueblo county- Gardner did not win Pueblo county in 2014, but Trump did. This county identifies with the blue collar ethos and the oil and gas industry. Message: Both Trump and Gardner advocate for this sector.
Weld county- GOP domination in Weld county is a must. Message: The trade deal with Japan opened up the beef market in that country. As a result, Weld county sold $1.1 billion worth of cattle and calves making it the second most prolific county in this area in the country.
In short, the message is economics, the economy and above all else, the economy!
The GOP has identified 175,000 voters who showed up to vote in 2016 but who sat out the 2018 midterms. As the figures from the midterms indicate, most of these voters were Republican. By re-energizing these voters with Trump at the top of the ticket, emphasizing an economic message, and matching Democrat GOTV efforts, there actually is a viable pathway to victory. Perhaps this is why the Trump campaign already has about a dozen campaign staffers on the ground with more to come in 2020.
And Gardner does not necessarily have to run away from Trump. In the Senate, he has a 90% agreement rate in votes with the Trump preference or position. Although he occasionally criticizes Trump's rhetoric, he has positioned himself through what amounts to pork barrel legislation that brings money to Colorado. Further, he can use the far Left shift of the Democrats as a stick in getting votes. That is where the ballot question- known as Initiative CC- enters the scene. Some pundits have characterized it as a blunder by the Democrats and a Leftist overreach by Polis and company.
During the most recent legislative sessions, the Democrats attempted to weaken the Taxpayer Bill of Rights (TABOR). That 1992 mandate requires taxpayer approval for new taxes and limits the amount of revenue Colorado can collect. If they collect anything above the ceiling, the excess is returned to the taxpayers in the form of a refund. Democrats decided to put Proposition CC on the ballot to permanently end the refunds so that they can fund their pet projects, particularly those aimed at education. According to one poll, about 54% of voters intend to vote "yes" on the initiative. That can be overcome.
Since it was announced it would be on the ballot, conservative groups immediately began a campaign to kill the initiative. One group has spent over $400,000 on advertising. Killing Proposition CC by the GOP and conservatives will not necessarily translate into electoral success, but it will increase GOP turnout and refocus the state party on the very issues that brought them success in the 1990s in Colorado- low taxes and smaller government.
Thus far, the Colorado GOP appears ready for a fight on the presidential and senatorial fronts. For example, the state GOP has never dispatched a field director to any county as early as 18 months before an election, but they did so in 2019 when Alex Inscoe was sent to Jefferson county. Dedicated to an intensive digital campaign aimed at younger voters, it is meant to strengthen the GOP brand as one of lower taxes, less government, and telling voters that the Republican Party was the one that ended slavery. It also includes a lot of door-to-door canvassing to get the message out. It also likely includes avoidance of social issues like abortion and gun control. The days of the GOP political machine dictating the message, Kristi Burton Brown- vice chair of the state GOP- said, are over.
Next: Wyoming
Is He Serious? Joe Biden Explains Who He Likes For His V.P. Choices.
Woman Tries Using Red Flag Law On Cop Who Shot Her Son
Pro-tip for Amtrak: Don't kick the president of the NAACP Legal Defense Fund out of her seat for no reason
The Middle East: What You Need to Know


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Home Parents News The Best School In The North!
St Martins Preparatory School maintains Sunday Times Top 100 Status
The Parent Power list ranks 2000 of the most academically successful schools in the country across both state and independent sectors. St Martins Preparatory School appeared in the top 3 schools nationally and outshone regional schools to rank as the best school in the north.
Lucy Harris, the Headmistress at St Martins said 'I am delighted that the efforts of our staff and parents in shaping our school has been recognised once again. As a small non-selective school, we are extremely proud of this achievement. Year on year we are recognised in this prestigious league: I dedicate this award to all the staff at St Martins who inspire our pupil's love of learning and engage them to achieve their potential.'
Ali Khan, the Chair of Governors at St Martins said 'Over the last few years, the Alpha Schools Group has gone through a fantastic transformation. Our values of delivering engaging content to deliver increased performance has been recognised by the latest Parent Power list. To rank in the top three for two consecutive years is an honour for St Martins Preparatory School. I commend the efforts of the staff for making this wonderful achievement a reality.'
22 NOVEMBER 2020 Previous


As hectic as it is, fall is a great time for cheese. On the make end, now that the cheesemakers have finally got a handle on the seasonal changes in the milk, we're putting out some beautiful batches; on the sales end, we're selling cheeses made in August and September, the very beginning of fall milk, and as always they're some of the best cheeses of the year. Fall is also the best time of year for the cellar; full to the brim with cheeses of all ages, a veritable feast for the cellar microflora who in turn repay us with rich textures and beautiful rinds.
It's a great time of year for cheesemakers — and for cheese!


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Home / Reviews / Movie Review / Tag (2018)
Tag (2018)
(On Cable TV, January 2019) As far as contemporary comedies go, Tag holds its own as an enjoyable entry in the genre. Starting with an off-beat premise inspired by real events (a group of guys playing a lifelong game of tag), it stocks its ensemble cast with known comic personas, features a script that exploits the nooks and crannies of the premise and wraps it all up in sequences that have more cinematic depth than most other comedies. As a comedy/action hybrid (naturally, with the "tag" hook), it features enough CGI and gags stolen from other action movies (including the Sherlockian slow-motion voice-over options analysis) to act as a semi-satire. The film does a credible job at rationalizing its unlikely premise, from how the game was created to the various rules that make it a bit more complex. To support that intent, it also features a coterie of observers (including a journalist played by Annabelle Wallis in a thankless role that is reduced to being the audience's surrogate) to highlight how crazy the main characters can become in playing the game. The cast was clearly chosen for their established personas, whether we're talking about Jon Hamm's propensity for comedy, Isla Fisher's energetic enthusiasm, Ed Helms as the goofy straight man, and Jeremy Renner to make use of his action-movie credentials in a more serious character than the other. The result is funny enough, although the third-act turn into drama is suspect in the way movies written according to screenwriting rules feel obliged to hit specific emotional turns. Tag is an enjoyable comedy, with set-pieces more ambitious than is the norm for many flatter comedies. The dialogue shows signs of having been written rather than improvised, which usually improves the results.
Post Tags: #Annabelle Wallis#Ed Helms#Isla Fisher#Jeremy Renner#Jon Hamm
Tiny House of Terror (2017)
All About Steve (2009)


I use your ultimate facebook plugin and I'm happy with it so far. Now I wanted to use the widget pack and activated the "Activity feed widget". But the feed wasn't displayed, I only got recommendations, but.... haven't checked the recommendation box in the settings.
I only want to have the activity log feed. How can I do that?
Have you checked to be sure you are logged into Facebook? You won't see any activity unless you are.


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Чертоза —  на итальянском.

 Чертоза — картезианский монастырь по дороге из Павии на Милан, в современной итальянской провинции Павия.
 Чертоза — монументальное кладбище картезианского монастыря в Болонье.


Although we're accustomed to thinking of the science of electricity as having a long history, the fact of it is that what we now know as electronics didn't really exist until 1877, when Alexander Graham Bell and his partners established the world's first telephone company.
Yes, certainly, everybody knows that more than a century before that, in 1752, Ben Franklin flew a kite in a lightning storm to prove (alas, some weeks after the French experimenter, Thomas-François Dalibard, had beaten him to the punch) that lightning and electricity were the same thing. There are even some who believe that there's evidence from two millennia before that that the Mesopotamians and ancient Egyptians may have had galvanic cells (batteries). And, there's even one source (http://www.bibliotecapleyades.net/ciencia/ciencia_hitech02a.htm) that asserts that "The Coso Artifact," found in the Coso mountains of California in 1961 (which some geologist has dated, based on the surrounding strata, from sometime 250,000 to 500,000 years BCE), may have been a prehistoric (or even pre-human [sic]) attempt at the construction of a superconductor.
Whether or not any of these more extreme conjectures have merit, there can be no doubt that electrical experimentation goes back at least as far as 600 B.C., when Thales of Miletus wrote about how amber can be given (what he didn't then know was) a static charge by rubbing it. It's similarly certain that in 1600 AD, English scientist William Gilbert coined the term "electricity" from the Greek word for amber; that in 1729, Stephen Gray discovered electrical conduction; and that, just a few years later, the Frenchman, duFay discovered what Benjamin Franklin (among others) later re-named "positive" and "negative" electrical charges. All of these great things and more were done, and even more great discoveries were made by Volta, by Ampere, by Ohm, Maxwell, Faraday, and a whole host of others over the centuries.So how can I possibly say that electronics didn't have its real beginning until that first time, so many years later, when a telephone rang?
It's simple: until then—with only very limited exception—everybody who had worked with or theorized about electricity had been an experimenter, a scientist, or an accidental discoverer, but not a technician, and not trying to actually do anything with it!
Until the telegraph (first commercial use in 1837), even such important discoveries as the Leyden jar (1745) and the electric generator and electric motor (by various inventors in the 1830s and 40s) were motivated not by commerce, but by curiosity. Nobody actually used electricity for anything. In spite of valiant but failed attempts (such as an electric locomotive in 1851), other than the telegraph electricity was all theory and experimentation, and not utilization or commercial development. Even the telegraph, itself, was so simple in its application—essentially just sending a DC pulse down-line to operate a solenoid—that to call it "electronic" would be to stretch that word beyond its limits.
The Edison incandescent lamp, when it came along just a little later, in 1879, was another application that, like the telegraph, was certainly electrical, but that could hardly be described as electronic. Initially it involved nothing more than a simple low-voltage DC current. For citywide distribution, though, DC current presented a problem of resistive line-losses and was soon replaced by the Tesla-developed system of alternating current (AC), which, by using very high transmission voltages and low current (later, near its destination, converted by transformers to 240 volts and high current in a three-phase system) allowed for very long lines with much lower resistive losses.
Really, the only problems that power lines and the telegraph had stemmed from the distances that electricity had to travel for them to operate. Obviously, that could range up to—for a transcontinental telegraph system—thousands of miles, and might mean, regardless of the gauge of the wire used, quite significant resistance and quite significant resistive losses. For either the power system or the telegraph to work, though, at least as long as the power system remained DC, resistance—plus the occasional "short" or "open" circuit or other physical damage—were the only electrical problems that had to be considered, and neither capacitive nor inductive reactance was a factor.
This remained substantially the case even after the conversion of the power system from DC to AC because, at the system's very low fixed operating frequency (50 or 60Hz, depending on specific locale), reactive elements still remained somewhat inconsequential, even for relatively long distances.
For the telegraph, all that was being transmitted was a series of pulses and breaks (similar to the ones and zeroes of digital, but of an entirely different kind and context); for the power grid (after conversion), it was an essentially constant low-frequency sinewave; but with the telephone, all of that changed. For the first time ever, a length of wire was called upon to carry, not just an intermittent current, or even a relatively constant level of single-frequency AC, but a voice or music signal constantly varying in amplitude, and covering more than three full octaves of bandwidth!
To put this into perspective, to increase the range of a modern electronic product by the same number of octaves as the telephone company's new bandwidth did back in the Nineteenth Century would require extending its upper frequency limit from 20kHz to 224kHz—more than a full order of magnitude, and almost a quarter of a million cycles per second.
Increased frequency range and other performance increases brought with them new problems: Characteristic impedance (Z0), for example, which had been both unknown and utterly irrelevant before the telephone company took over the neighborhood's communications, suddenly became, with the new higher frequencies and the fact that now even a short telephone line was likely to be miles long, a real problem that (because of impedance mismatches and reflections due to the wavelengths of the signal and the finite length of the wire) could create "drop-outs," standing waves, and other significant transmission problems.
Drawing heavily on all of the experimental learning of the past, coupled with new knowledge gained from current problems and the solutions that telephone scientists had been able to find for them, Electrical Engineering was quickly—especially in that booming time of newly electrified and telephone-equipped homes and a public hugely impressed by the fruits of science and clamoring to buy more of them—adopted by the country's universities and offered to an eager student body as the career of the future.
What the universities didn't tell anybody, though, was that what they were teaching was not some new engineering knowledge acquired by divine revelation or developed in a vacuum, but, specifically, telephone company electrical engineering, developed to solve telephone company problems.
And that meant that what it tended to mean, when it referred to wires, was long wires.
When the telephone company thinks of wire, the odds are overwhelming that it will be thinking at least in hundreds of meters, if not hundreds of miles. High-end audio designers, on the other hand—and I want to emphasize the word "audio" here, and remind readers that this refers to frequencies well below the RF range—are more likely to think in lengths of a few inches to a few feet. To them, a whole hundred feet is as huge a number as it was a tiny one to the men of the telephone company back in the days when electrical engineering was first being formulated. And that may be a source of problems.
Regardless of what you may have heard, in at least some things, size does matter. That's because, in those things, more or less is not just more or less of the same thing, but actually becomes something different!
Diamonds, for example, are lovely for jewelry or for cutting glass or, in industrial applications, for cutting almost anything else, but when the diamond is not a stone, but a thin film, it actually reverses its nature in at least two important respects: While diamond is normally extremely rigid, as evidenced by, among other things, Dynavector's use of it as the cantilever material for some of its phono cartridges, thin-film diamonds are exactly the opposite, and demonstrate an admirable degree of flexibility. Also, while diamonds as we normally think of them are a good (but obviously expensive) electrical insulator, thin films of diamond can be made to be excellent electrical conductors, and thin-film-diamond-coated-electrodes are becoming increasingly important in a number of industrial and even medical applications (http://www.qmed.com/mpmn/article/bright-future-ahead-flexible-diamond-coated-electrode).
Another material that changes its characteristics substantially with size is copper oxide (CuO). If you've ever seen a penny that has gotten wet and turned green with oxidation, what has happened is that the copper in that penny, normally a conductor second only to silver, has grown itself a quite effective insulating jacket. Thick films of copper oxide are non-conductive, and a green penny makes a fine insulator. Very thin films of CuO, on the other hand—the kind covering virtually every piece of unprotected copper that has ever, even briefly, been exposed to the atmosphere, and that may be found in the junctures between the crystals of most copper wire—are not insulators, at all, but semi-conductors; whole gangs of tiny diodes that do affect the passage of signal through the wire (especially stranded wires, where electrons, always seeking the straightest path, will jump from wire-to-wire in a stranded conductor, passing, in the process, through two such tiny diodes with every jump. (Do you remember what two diodes are? The answer is a rectifier, which does exactly the same kind of filtration in a wire as it would do in the power supply section of any piece of electronic equipment.) For the wires in a hi-fi system, the result can be a quite noticeable loss of detail.
Like those other things, wires (or cables, if we're talking not about single conductors, but about integrated systems for carrying signal) are significantly different in long and short lengths. Certainly, as their length increases so, proportionally, do their resistance (R), capacitance (C), and inductance (L), but so, also, does (here it comes again!) the problem of characteristic impedance. That's not because different lengths of the same wire have a different Z0—all lengths of the same wire have exactly the same characteristic impedance (that's why it's said to be "characteristic"). Instead it's because the problematic effects of characteristic impedance are frequency-related, becoming (after a quite considerable "lag" range encompassing virtually all audio frequencies) more and more important as the wavelength of the frequency approaches, equals, and eventually becomes smaller than the length of the cable.
Just as an example, the nominal wavelength of an electrical signal of 20kHz, assuming, for convenience, that it will be propagated in the cable at 100% of the speed of light (300,000,000 meters/second) is 15,000 meters (300,000,000 ÷ 20,000 = 15,000). Obviously no audio cable is ever going to get to anywhere near that length in a hi-fi system, but 15,000 meters equals 49,212 feet, or 9.32 miles, which is no big deal at all for a telephone line. And even at the frequency limits of the earliest telephones (around 3.5kHz), it's still only 53.29 miles, so it's easy to see why, as the system grew, Z0 became a killer problem for the telephone company and thus a crucial consideration for electrical engineers.
For (by consumer electronics' standards) very high frequencies, like digital or video, it can be important, too. Even a short cable (one or two meters) can be long enough relative to the wavelength of the signal it's carrying for "nodes" and "anti-nodes" to be created and to make characteristic impedance a necessary consideration. For audio frequencies, though, it's not only not a factor; it may also even be impossible to deal with. Speakers, for example, and with very few exceptions (including certain planar magnetics, like those from Magnepan) present a very complex load to an amplifier, with—despite whatever nominal impedance they may be rated at—an impedance that changes with frequency and, typically, a strong impedance peak at the fundamental or system resonance of every driver. Although some companies have claimed to offer "impedance matching" speaker cables, such a thing is simply not possible. The speaker (system) doesn't have a matchable impedance, and even if it did, the output impedance of the amplifier (which for a no-loss transmission line to be achieved would also have to be matched) would still be different (and typically much lower than) that of the speaker, and no match would be possible.
For interconnects, too, if they are to be used with unbalanced ("single-ended," usually with RCA connectors) lines, audio-frequency impedance matching is not possible. Unbalanced audio circuits are normally "loaded," meaning that a low source impedance (typically in the range of 50 to 250 ohms) is terminated with a high load impedance (typically 7k to 10k for line level or 47k to 100k ohms for phono), and so, again, there's nothing there to match.
Where audio-frequency impedance matching is used is in balanced lines (usually, in the U.S., with an XLR connector), for microphones, and professional or high-end audio equipment. The original 600-ohm standard came (surprise!) from the telephone company, but when radio came along and started with (because that was all that was initially available) telephone company equipment, it became the radio standard, too. The same thing occurred when, with the advent of electrical recording, recording studios adopted radio station equipment (again, the only thing initially available) and 600-ohm balanced lines as their standard. Radio certainly had RF frequencies to justify impedance matching, but for the recording industry and high-end audio, the choice of balanced (differential) lines was made not out of any concern for characteristic impedance, but for improved signal-to-noise-ratio (s/n). Because both sides of a balanced or differential circuit are driven out-of-phase with each other (there is no customary "hot" or "ground" to a differential circuit, but both sides change polarity with the signal, each acting as "ground" for the other, and with the whole thing "floating" above chassis ground) there's twice as much current and twice as much voltage conveyed. This results in a 6dB s/n ratio improvement, which may be augmented in high (electrical) noise environments by balanced circuitry's natural and inherent ability to cancel external noise. Both make balanced lines an ideal choice for high-quality audio applications.
With very long lines and characteristic impedance problems essentially irrelevant, other aspects of wire and cable design assume an importance that the telephone company may never have considered. The short (at least by comparison) cables used by high-end audio go far beyond just R, C, and L in their design. One must look closely at metal purity (with special concern for copper-oxide mini-diodes); the actual length of the conductor's individual metallic crystals (longer is better); the mass and plating on the connectors used (less mass is better, and gold is better than silver for audio but silver is better than gold for RF and above); all of the aspects of the cable's dielectric that can contribute to degradation of the transmitted signal due to capacitive discharge and other effects; and any number of other things that the telephone company never considered in the past but that, perhaps paradoxically, modern electrical engineers are being forced to learn about as signal frequencies—now up in the gigahertz range for some military, communications, and computer applications (and spiraling ever higher)—force them to examine things that hi-fi cable designers have known about for years.
Think how much faster things might have developed, and where we might have been today, in all aspects of electronics, if the universities had just told the engineers that what they were teaching them was telephone company electrical engineering.
Roger Skoff claims to be retired, but nobody believes him. And even if anybody did, they wouldn't know what to say he had retired from: As an economist and entrepreneur, Roger has started and operated nearly two dozen successful companies of his own and has been involved in more industries than anyone would care to throw rocks at—including everything from aerospace to franchising, to healthcare, to motorcycles, to Holstein dairy cattle breeding, to oil and gas drilling, to publishing, and, finally, to high-end audio, where he was founder and designer for cable manufacturer XLO Electric, which he sold in 2002.
Roger has consulted to companies as diverse as Procter & Gamble, Motown Records, and Onkyo, holds U.S. and world patents in several disciplines, and, having made basic discoveries in interactive field theory and capacitive-discharge effects in cables, is considered to be one of the world's leading authorities on the performance and electrical characteristics of short lengths of wire.


For more than 20 years I have squeezed my photography into the spaces available between my professional work and family life.
This has been in places as far apart as my homeland of New Zealand and my current home in Germany.
I never cease to find joy and wonder in the land and water around us, the birds in the water and sky and the architecture man has created on our fragile planet.
There is now time to organise and concentrate on my photography and I would like to share it with people of similar interests.
I hope you enjoy browsing through my stuff and would like to hear from you if you have comments or questions. If you would like to be included on my mailing list for updates (or would like to be removed from it) please mail from the contact tab.


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    <title>TypeConverterAttribute Members</title>
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            log4net SDK Reference

TypeConverterAttribute Members

        TypeConverterAttribute overview

Public Instance Constructors

              TypeConverterAttribute

            Overloaded. Initializes a new instance of the TypeConverterAttribute class.

Public Instance Properties

ConverterTypeName	 The string type name of the type converter

TypeId (inherited from Attribute)
         When implemented in a derived class, gets a unique identifier for this Attribute.

Public Instance Methods

Equals (inherited from Attribute)

GetHashCode (inherited from Attribute)
        Returns the hash code for this instance.

GetType (inherited from Object)
        Gets the Type of the current instance.

IsDefaultAttribute (inherited from Attribute)
         When overridden in a derived class, returns an indication whether the value of this instance is the default value for the derived class.

Match (inherited from Attribute)
         When overridden in a derived class, returns a value indicating whether this instance equals a specified object.

ToString (inherited from Object)
        Returns a String that represents the current Object.

See Also

        TypeConverterAttribute Class | log4net.Util.TypeConverters Namespace

          Copyright 2001-2006 The Apache Software Foundation.

Generated from assembly log4net [1.2.10.0]

redpajama_set_name: RedPajamaGithub


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The Writing of Art, The Art of Writing
By Buzz PoolePosted July 16, 2010 ∙ 3 min. read
The heated comment thread on HTMLGIANT that came up when Michael Jacobson's new book, The Giant's Fence, was mentioned, raises a great point about how we approach language. Jacobson advocates a form of writing that he calls "asemic writing"—that is, writing with no semantic content.
No one stares at a canvas of abstract art expecting to "read" a message. But when a book of asemic writing is presented, some people gripe and blow it off as a gimmick because there is nothing to read. Looking at examples by other asemic authors, I'm reminded of the artists Leon Ferrari and Mira Schendel—featured in MoMA's 2009 retrospective, Tangled Alphabets—whose lettering work is mostly illegible. I'm also reminded of petroglyphs from the American Southwest, John Cage's illustrated musical scores, graffiti, and even T.S. Eliot's Four Quartets—all of which revere movement within a form and remind us that meaning and messages are not always obvious, or intended.
Trained to see and process the world in very specific ways when it comes to textual and visual communication, we recognize hints of the familiar and assume that it is familiar, assume that we indeed recognize the form and understand it. This relates to one of my other endeavors – Madonna of the Toast, an ongoing exploration of the visual manifestations of religious and secular icons.
In the Tangled Alphabets catalog, no one ever talks about either of the artist's "writing messages"; their works that deal with language are drawings and paintings. Schendel said of her work, "I wouldn't know how to theoretically distinguish an aesthetic object from a utilitarian one, because a utilitarian object can also be aesthetic."
Graffiti totally supports Schendel's statement and serves as the perfect link between this writing vs. art tension that some clearly bothers some people. The earliest tags were little more than a name and number (which represented the street that the writer called home). The markings were not particularly stylized at first but then folks like STAYHIGH 149 embellished their tags, paving the way for the elaborate burners that covered the trains and remain popular today. The folks that got up all over New York City starting in the 1970s did so to assert their individual presence. Other writers learned to read one another's tags, but whether or not those out of the loop could read the tags was a non-issue. Graffiti is now part of the art world establishment, but the originators were not concerned with how those outside of the community saw the work.
Because The Giant's Fence is presented as a book, the expectation is that it can be read in the traditional sense. It can't, but that doesn't make it any less interesting. In fact, its essence seems to be the fact that it cannot be read.
In the Tangled Alphabets catalog, Andrea Giunta writes of Ferrari's work: "Accumulations, rhythms, and repetitions suggest a code, a language. Arrayed in rows, forms repeat abstractly, linked together in a simulation of writing, but Ferarri's code condenses their meanings so that they become more than words. Indeed, his work constitutes a persistent, continuous investigation into the limits and powers of language."
Today, graffiti hangs in museums and galleries, but its creators are still known as "writers." In this sense, there is nothing wrong or inaccurate about calling those interested in asemic writing "authors." Such naming might challenge our preconceptions about language, but at the end of the day, all language really does is remind us of its shortcomings.
Posted inDesign Books ∙ Graffiti and Street Art ∙ Illustration Design ∙ Print Design Articles


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The Secret to Curing Sunday Scaries Is Actually Very Fun
Hannah-Rose Yee
he thing you need to know is that, at some point in the not-so-distant past, I became a person who works on the weekends. This is bad. I know this. It happened by virtue of circumstance and then unspooled into habit until, a few months in, working became as much a Sunday ritual of mine as making polite small talk about the weather at the corner store while I buy the newspapers before heading back to my flat and plunging the cafetiere down with a satisfying ploooosh.
In part, the working is by necessity: I have too much of it. But it's also a way of minimizing the stress of a Monday morning. By spending a few hours sifting through small tasks on Sunday, I can stay on top of everything. But recently, I've noticed myself avoiding making plans on Sunday because I think that I have to — or is that should? — work. Not good.
So when I stumbled upon this article in Well+Good advising stressed-out people to rebrand weekends as vacations, it felt like that oft-told story of a person in dire straits begging God for a sign. According to the cited research, those who spent their weekends as if they were on holiday returned to their desks on Monday rejuvenated and refreshed, while those who went about it in their usual manner were decidedly less so, and probably suffered Sunday scaries as well.
This was a sign! It was time to reclaim my weekend and treat it like the routine-break it ought to be, mostly because I thought it would do me some good. I just didn't realize it would be so hard.
"You're not working?" my flatmate said, suspiciously, as she walked into the kitchen on Sunday morning.
"No," I replied serenely.
"So what are you doing then?" she asked.
It was a good question. Usually by about this time on a Sunday I would be ensconced at the table with my coffee, my computer, and all of my weary despair. But because I was ostensibly on vacation, I had banished my laptop to a drawer, in the hope that it being out of sight might drive it out also of my mind. It wasn't working. I had retreated to the kitchen where I was watching the kettle boil in an attempt to take my mind off my inbox.
When you're in a foreign place on holiday, it's easy to unlearn all the bad habits of your beige Monday-Friday.
I want the record to reflect that I am a good vacationer. I could vacation for the Olympics, if only they'd make it a sport. I am the girl who plans for forthcoming trips with Google maps so strewn with stars for tucked-away gelato spots and kitschy wine bars that the app starts to resemble a George Seurat painting.
I used to treat my weekends with the same curiosity and sense of adventure as I do my holidays. But when I started working for myself, one of the unexpected side effects was an acute understanding of the monetary value of my time. (Thank you, capitalism.) When you're in a foreign place on holiday, it's easy to unlearn all the bad habits of your beige Monday-Friday. Everything feels fizzy and fresh again. But when you're in your own city and you have deadlines creeping up on you like a jump scare in a Jordan Peele movie, it can all seem impossible. And that's when my weekends stopped feeling like opportunities and started feeling like lost time.
"Holidays provide us with an opportunity to switch off and give us permission to relax," counselling psychologist Dr. Sarah Davies explains. "The change of routine and scenery can play a part, but it's vital that we give ourselves permission to switch off and relax on a regular basis like this at home too. Without proper rest we never give ourselves time to process our day-to-day experiences fully or recover from stress."
To that end, I went on a monster of a walk, all the way down to a part of London that I had never spent any time in, full of hidden gelato spots and kitschy wine bars and cafes serving oat milk flat whites by the carton. It was the sort of day a friend of mine would call a "passport shredder," so drenched in sunshine and good humor you couldn't imagine living anywhere else.
Usually, at this point in a vacation, I would head to some corner of a park, belly full of local delicacies, to read. But I had, er, read that the only way to truly disengage from work and get into a vacation mindset is to give the skills that you utilize in your day job a rest while on "holiday." For me, that meant no writing and, unfortunately, no reading.
I decided to visit an art gallery instead, something that I love to do on vacation but rarely do on my weekends, and began the slow cross country march to my destination in another part of town. By the time I reached the gallery, it had sold out its daily allocation of tickets. Feet aching and pavement baking, I retreated to a pub and ordered a beer. I could feel an anxious, nervous itch on my skin knowing that I had wasted a day doing nothing more or less than walking from one end of the city to the other.
As I sat and sipped, Dr. Davies' voice was in my ear: "Give yourself permission to rest and relax." Why did I feel the need to monetize every moment of my life? Why couldn't I spend a weekend doing nothing but exploring? Why did I think that the only productive use of my time was at a desk in front of a computer?
In fairness, Dr. Davies had warned me. She told me that technology and the changing way that most people work makes it hard to switch off. "There's constant distractions," she counselled, "and constant regular engagement or stimulation that never allows our brains to rest." And from there, the only way out is burnout. That's why it's so important to slip into a vacation mindset every now and then. It is a chance for us to untangle ourselves from an obsession with work and to reset our priorities.
Crucially, we shouldn't wait until we're on actual vacation to do so. By treating our weekends as if they are mini holidays, we can achieve the same results. It just takes time to unlearn our emotional and logistical dependence on productivity. If I wanted to see real results, I'd have to try another weekend and another, and another, until, maybe, all my weekends could be spent that way, without me having to think too seriously about it at all.
As I sat in the sun, I ignored my anxious itch by drinking a second beer, watching London walk by at a pace Miranda Priestly would have a problem with. And then I picked up my bag and went home. A low breeze had kicked in and flowers from the blossom trees were drifting lazily through the air. At home, when I took off my jacket, I noticed that little millennial pink petals had settled all over the collar and cuffs.
I swept them onto the floor and climbed into bed. And I have never slept so well in my life.
Illustrations by Pauline de Roussy de Sales.
Hannah-Rose Yee is a writer and podcaster living in London
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This literary lifetime of the best-loved of the entire significant Romantic writers makes use of Coleridge's personal Biographia Literaria as its start line and vacation spot. the main sustained feedback and impressive idea that had ever been tried in English, the Biographia used to be Coleridge's significant assertion to an embattled literary tradition within which he sought to outline and guard, not only his personal, yet all creative lifestyles.
Questions of risk examines the actual kinds that modern American poets prefer and people they overlook. The poets' offerings exhibit either their pursuits and their boundaries, the hot percentages they detect and the traditions they locate unbelievable. via shut awareness to the sestina, ghazal, love sonnet, ballad, and heroic couplet, this learn advances a brand new realizing of latest American poetry.
This creation provides the key issues, types and types of Russian poetry. utilizing examples from Russia's maximum poets, Wachtel attracts on 3 centuries of verse, from the beginnings of secular literature within the eighteenth century to the current. summary: This advent offers the foremost issues, kinds and types of Russian poetry.
Revered by way of his friends and highly profitable the world over in his personal time, André Maurois is now rarely learn. average and conciliatory in every thing, together with his literary variety, he appealed to the informed reader of his time, yet did these very characteristics hinder him from attaining lasting contrast and impression?
When Burma tells us in chapter one that he has not worked in many months, or that his name has not recently appeared in the newspapers, the reader sympathizes with him. If, by chapter four, there is no murder (as in M'as-tu vu en cadavre), we start to grow as impatient as Burma himself, disappointed that the person he assumed dead was just out of town. We can read about his other enquêtes and filiatures, such as the pursuit of philandering husbands and vengeful blackmailers, but these subplots, while most are eventually woven in with the murder, are not as interesting as those involving murder, where Burma is truly in his element.
95 The narration of this chapter is the only one of the 93 François Bott, "La guinche des antinomies," Le Monde 8 Aug. 1975: 7. Francis Lacassin, Sous le masque de Léo Malet (Amiens, Encrage, 1991) 53. 95 Lacassin, Masque 79. 94 52 From Surrealism to Less-Exquisite Cadavers series in third person and speaks of an adolescent we assume to be Burma, but it could just as easily be Malet himself: L'adolescent qui écrasait son visage contre la vitre ne comprenait pas qu'on se soit donné tant de mal .
Chapter One Expanding Boundaries Taking his cue from the American style of Dashiell Hammett and Raymond Chandler, Léo Malet launched the French roman noir with Nestor Burma, who, for the first time, narrated a hardboiled crime story set in France. The world that he portrayed was not to be found in a Michelin Green Guide;51 it did, however, exist for those who read local news coverage and crime reports and for those who lived on the fringes of postwar society. Whether imported from England or the United States, or produced in France under pseudonym, hardboiled crime fiction appealed to those readers, both streetwise and intellectual, touched by crime in their everyday lives.


With WECU's Direct Debit Bill Paying Service you can prearrange payment of an authorised sum to a nominated recipient at nominated intervals.... 1/08/2012�� I used a Woolworths prepaid card. (no direct debit or credit card). I check on line on the Woolworths site and I got the $2 withdrawn but I got a 16 digit number.
1/08/2012�� I used a Woolworths prepaid card. (no direct debit or credit card). I check on line on the Woolworths site and I got the $2 withdrawn but I got a 16 digit number.


text:
Malleshwaram traffic police station is now a
Malleshwaram traffic police station is now a 'massage parlour'
By Reya MehrotraReya Mehrotra, Bangalore Mirror Bureau | Updated: Nov 19, 2019, 13:58 IST
Managing city's traffic is a high-pressure job
Dancer-cum-masseur who volunteered for the job will charge Rs 150 for a foot massage and Rs 250 for a full-body one
What do our over-worked traffic policemen need after a day in the gruelling sun, managing unmanageable motorists? Maybe to put their feet up, have a refreshing beverage and a quick nap, perhaps? Now, they will be able to do all that right inside the police station.
On Monday, images of traffic policemen sprawled on the floor or getting a relaxing foot massage flooded the internet. These were officials from the Malleshwaram traffic police station which was the first one to start the programme, a brainchild of police commissioner Bhaskar Rao and Joint Commissioner of Police (Traffic) BR Ravikanthe Gowda. The two have instructed all traffic inspectors in the city to find masseurs for relieving the stress of traffic cops after long hours of work.
Our boys stand for long hours, doing their duty. Standing on their feet for long hours has adverse effects on their health. Massages will help them rejuvenate after a stressful day at work.
— BR Ravikanthe Gowda, Joint Commissioner of Police (Traffic)
Said Gowda: "Our men stand during their duty time for long hours. Standing for long hours in traffic has a number of adverse effects on the health of the policemen so we decided on a few welfare measures for them. Massages will help them rejuvenate after a stressful day at work. If the traffic police officials are stress free, the work quality will automatically improve."
Malleshwaram Traffic Police Inspector RP Anil told Bangalore Mirror: "This is basic concern towards constables and other traffic police officials who stand for 8-10 hours in traffic managing vehicles. It is a very stressful job. There is a lot of impact on their health physically and mentally and that is why it is important for traffic police officials to de-stress with massages."
POLLShould authorities implement massage programmes for traffic policemen in the whole city?
Yes No Can't say
Anil roped in a dancer-cum-Ayurvedic masseur Dinesh Babu for the job. Babu said he "loved the idea of giving massages" to traffic police officials who spend long, punishing hours on the job.
But here's the rub. Babu charges the police officials Rs 150 for a foot or back massage and Rs 250 for a full-body one.
The traffic police chief said the department was in the process of tying up with government Ayurvedic hospitals to provide massages to the traffic cops at concessional rates. "We want the massages to be conducted regularly for them. We are also providing regular health check-ups for all our officials to ensure their good health." On Monday, Dinesh Babu gave foot and back massages to around 25 traffic police cops in Malleshwaram traffic police station; he also used hot water packs to soothe their muscles. "One of our colleagues was suffering from severe pain in the shoulder due to some injury. There was relief after the massage," said Anil.
A dancer-cum-Ayurvedic masseur who has been roped in for the job, said he loved the idea of giving massages to cops
Babu said the most common problem he encountered among the police officials he serviced was ankle pain as they have to stand constantly.
Babu said he plans to visit a different traffic police station and give massages to officials. On Tuesday, he plans to visit Peenya traffic police station and then the ones at Banashankari, Yeshwanthpur, Rajajinagar and Jalahalli on every subsequent day.
A relaxing massage isn't the only thing; traffic police officials will also get day-and-night vision glasses to protect them from the glaring sun and the high beams of vehicles. Looks like the good days are finally here for our traffic police officials.
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