Lifeintheusa.com is ranked #880,003 among the most popular web sites, the lower the rank indicator the more popular is the web site and the more visitors it has. Lifeintheusa.com is registered in 1999-11-18 owned by Elliot Essman, website's age 19 years, 5 months, 2 days years. The number of unique users visiting this website every day is 556. Each individual visits 2.2 unique pages per day. Approximate time spent on a web site 01:17. It has an average of 1,860 pages indexed in major search engines like Google™. It has 286 backlinks according to Alexa. Lifeintheusa.com daily advertisement revenue is $11 USD. According to our analysis the approximate value of the website is $4,003 US Dollars. Most popular search engine request "life in america". Website's IP address is 207.150.212.21 which is hosted by Affinity Internet, site server is located in Fort Lauderdale FL in United States. Google PageRank™ of the website is 0 of 10. Lifeintheusa.com reputation rank is 22 of 100. The web site is listed in DMOZ open directory project.
Lifeintheusa.com is visited by around 556 unique visitors per day. Every visitor of this website viewing approximately 2.2 pages per day.
We found 286 backlinks to Lifeintheusa.com from other web sites. The largest number of backward links are 0, the smallest number of links are 0, the average number of links are 0 refer to this web site.
Using information from users, and other reliable sources, Lifeintheusa.com has the reputation 90 out of 100.
The top queries driving traffic to Lifeintheusa.com from search engines.
Visitor's map indicates that Lifeintheusa.com has 556 daily visitors from 1 countries, 36.80% of visitors come from United States .
The IP address of Lifeintheusa.com is 207.150.212.21.
From the HTTP headers of Lifeintheusa.com, you will know that HTTP status code is HTTP/1.1 200 OK, server name is Apache.
The chart shows how Lifeintheusa.com indexed in major search engines.


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Makin' You LOL Since 2013
OZY Cracks a Good One
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Square pegs. Round holes.
Because Charlie Chaplin said it best: "Life is a tragedy when seen in close-up but a comedy in long-shot."
By OZY Editors
It's open mic all the time at OZY, and we've been laughing the whole way. Who doesn't need a healthy dose of smart, punchy comedy to roll into the weekend a little early?
Ali G is Back in February
Booyakasha. We missed him too. Before Hollywood and the paparazzi, before the statuesque wife and the "richest men in Britain" lists, Sacha Baron Cohen made his name as Ali G. And he was brilliant. He's returning to his roots this winter as nascent American TV network FXX announced a deal for Ali G: Rezurection, airing old episodes with new introductions by Baron Cohen, plus episodes never before seen in the U.S. The mayhem kicks off in February.
Start Laughing, and Stop Saving Africa
South Park meet foreign aid. Though she's British, Jane Bussmann has lived in Kenya for the past few years — and has been a prominent, if thoroughly unconventional, aid critic for longer. Her book, The Worst Date Ever, Or How It Took a Comedy Writer to Expose Africa's Secret War, describes how she set off to woo a hunky American human rights activist, was dissed, and more or less stumbled into an investigation of Joseph Kony and the Lord's Resistance Army in Africa. Bussmann, by the way, calls it the "poverty industry," a take that's less controversial in aid-dependent countries than in rich ones. After all, saving suffering Africans is a winning pitch. Refugees are "cash cows, useful, a currency" that governments and agencies "deliberately create" to plump their coffers and extend their careers. Not a subversive notion in, say, the Great Lakes region of Africa, but it can shock her first-world audiences.
In the wake of a major disaster, it takes people about one month before we can crack jokes about something pretty devastating. Researchers studied participants' reactions to blasts from a joke Hurricane Sandy account. Pre-storm, the tweets were funniest. During the fiercest part of the storm, people laughed considerably less. But roughly four weeks later, the jokes were back to being about as funny as they were in the lead-up to the storm — until no one was laughing at all, approximately 100 days after the disaster.
OZY Editors, OZY Author	Contact OZY Editors
OZYWildcard
The Man Who Performed 815 Autopsies in a Single Night
Nobody wants to earn the moniker "Doctor of Death."
Is 'Lolita' a Horror Story, or a Love Story? It Depends
OZY's Eugene S. Robinson addresses queries from the love-weary in "Sex With Eugene."
I Make Gun-Shaped Dildos: Deal With It
If you want a sex toy that matches the zeitgeist of in-your-face danger, look no further.
Take OZY's Annual Survey!
It will only take 10 minutes, and you'll have the chance to win one of three $100 Amazon gift cards — or even an all-inclusive trip to meet the OZY team in California.
The OZY News Quiz
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Canada's foreign-language submission is a searing classroom drama about grief that should be an Oscar front-runner.
In this year's race for best foreign-language film, a few of the likely contenders -- A Separation from Iran, In Darkness from Poland, Footnote from Israel -- have been making the rounds on the festival circuit all year. Now, a lesser-known title from Canada, Philippe Falardeau's Monsieur Lazhar, seems likely to join the list of front-runners. This nearly perfect gem begins as a tiny slice of life, but sneaks up on you and packs a wallop by the time it reaches its conclusion. The film already has opened to good business in Canada, and word-of-mouth might propel it in the U.S. as well when Music Box releases the film this spring.
Lazhar opens with a quietly shocking image. A young boy is bringing a supply of milk to his elementary school classroom when he is startled by what he sees in the doorway: His beloved teacher has hanged herself in the empty classroom. The repercussions of this act spread and deepen throughout the rest of the film. School authorities bring in a psychologist to help the children deal with this trauma, and things seem to be headed in the right direction when a new teacher from Algeria, Bachir Lazhar (Mohamed Fellag), offers to take over the class.
It turns out that Bachir has survived a trauma of his own in his native Algeria, and as secrets gradually are revealed during the course of the next 90 minutes, the new teacher and his charges help each other to heal.
Bachir's main contribution to the classroom is in encouraging the young students to confront the teacher's death, which the school administrators would prefer to slip under the rug.
And though the pacing of the first half of the movie is overly deliberate, it's because Falardeau eschews showy theatrics so that the emotions the story generates are earned.
This has been a season with a number of child actors featured prominently in films such as Hugo, Extremely Loud & Incredibly Close and We Bought a Zoo. Good as some of those child actors are, none surpasses the performances that Falardeau has drawn from Sophie Nelisse and Emilien Neron as the students who were closest to the dead teacher.
They both seem impassive at first, but as the pain they feel bubbles to the surface, the film achieves scalding power. The scene in which young Neron finally breaks down as he reveals the irrational guilt he harbors over his teacher's suicide is as devastating a piece of acting as anything seen this year.
Although the film hews closely to the specific details of this tale, it implicitly raises a host of larger issues: the tremendous responsibility that teachers bear toward their students, the blindness of parents who have no idea of what transpires away from home, the questionable new codes of conduct that forbid any physical contact between teachers and pupils, and finally the disruptions of a world where political upheavals can insinuate themselves into everyday life even a continent away. These are ambitious themes for a 90-minute movie -- the stubborness of grief is not the usual point of films in the inspiring-teacher genre -- but Falardeau's style and the eloquence of the performances put the bloated epics of this holiday season to shame.