A popular mobile game in online in China and North America is going to launch in France. The text/story of the game will be translated into Fre...You'll need to edit it for the French market so that it's appealing to mobile gamers. You'll need to be a native french speaker, regular game player, either Chinese/English proficiency will be a big plus.


Bola B25 Gloss Black Alloy Wheels. The B25 is a directional look wheel, new to the Bola range for 2017. Alternating with half the spokes extending straight and the other half angling bringing a modern take on the classic 10 spoke design.


We're delighted to announce that there'll soon be a new addition to the family of Carmelita wines.
Carmelita Vista Malbec 2012 will be the first varietal to be released from a collection of Carmelita Vista wines currently in development.
Wines in the Carmelita Vista range balance structure and complexity to perfectly express the potential of each varietal.
Carmelita Vista Malbec 2012 will be available for purchase in Spring 2013 directly from us and through our selected stockists.
The 'Carmelita' name is reserved exclusively for our top wines which exhibit elegance and complexity in an ultimate expression of the terroir in the Uco Valley. Our excitedly awaited Carmelita Malbec 2011 is currently available to preorder and will arrive in the UK in early 2013.


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Q: Execute Git commands using Java and Docker on Jenkins I am trying to execute some git commands running a java project in a docker image. I already added the git package into the docker file like this:
RUN apk add --no-cache git &&
apk info git
And I have a class in Java in order to execute git commands like this:
public String getCurrentGitBranch() throws IOException, InterruptedException {
    return runCommand("git rev-parse --abbrev-ref HEAD");
}

However, when running the project on Jenkins all the information from git is null.
Am I missing somethind?
Could you help me please.
I am expecting to execute the git commands and get the correct information.

A: There could be a few reasons why the information from git is null when running the project on Jenkins. Some possible reasons are:
The working directory is not set to the repository: Make sure that the working directory is set to the root of the repository where the git repository is located, otherwise git may not be able to find the repository.
The repository is not initialized: Make sure that the repository is initialized and the local branch is checked out.
Jenkins is not running in the correct user context: Jenkins might be running as a different user or with a different environment than your local machine. Ensure that the user running Jenkins has access to the repository and has the correct environment variables set up.
Jenkins does not have access to the git executable: Make sure that the git executable is installed and accessible in the Jenkins environment. You can check this by running which git on the Jenkins machine.
Git configuration is not set up: Make sure that the Git configuration is set up correctly, including the user name and email, otherwise git might not be able to identify the user.
You may also want to add logging statements to your Java code to see if there are any error messages or exceptions being thrown, which could give you a better idea of what's going wrong.

redpajama_set_name: RedPajamaStackExchange


text:
/*
  This file is licensed to You under the Apache License, Version 2.0
  (the "License"); you may not use this file except in compliance with
  the License.  You may obtain a copy of the License at

  http://www.apache.org/licenses/LICENSE-2.0

  Unless required by applicable law or agreed to in writing, software
  distributed under the License is distributed on an "AS IS" BASIS,
  WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
  See the License for the specific language governing permissions and
  limitations under the License.
*/

namespace net.sf.xmlunit.diff {
    /// <summary>
    /// Is notified of comparisions and their results.
    /// </summary>
    public delegate void ComparisonListener(Comparison comparison,
                                            ComparisonResult outcome);
}

redpajama_set_name: RedPajamaGithub


Our resource is dedicated to the design of quantitative magnetic resonance (MR) acquisition and processing technology to assess tissue changes and alterations in function, metabolism, and physiology as the brain changes during neurodevelopment or neurodegeneration. This technology development is done in collaboration with a large community of clinicians and neuroscientists at several institutions in Maryland and throughout the USA. The technologies being developed are disseminated to investigators nationwide and throughout the world. This is accomplished through publications, training courses, and by making software and databases available.
Research Highlights: To view larger images, please click directly on this slideshow.
We are supported by NIH grant P41 EB015909 (formerly P41 RR015241).


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Modern American School (MAS; ) is a private, co-educational day school in , Coyoacán, Mexico City. It serves kindergarten and preschool through senior year of high school. The Modern American School ranked 3rd out of more than 50 private schools in the 2020 Reforma Mexico City High School rankings.

The school was established in 1952 by teacher María Vilchis Barroso de Rodríguez and her husband Javier Rodríguez Rodríguez.  Since its foundation MAS has been a co-ed, non-religious and bilingual (English and Spanish) institution.

The school's goal is to give students an education that promotes the development of their intellectual, emotional, physical, artistical, and ethical capacities. The Modern American School aims to create a workplace of honesty, cooperation and excellence that allows its students to succeed in an ever-more-competitive world.

Notable alumni
Nora Volkov (born 1956), director of the US National Institute on Drug Abuse.
Arturo Sarukhán Casamitjana (born 1963), former Ambassador of Mexico to the United States.
Pablo Kuri-Morales (born 1961), former Deputy Secretary of Health.
Monica Lavín (born 1955), award-winning author and journalist.
Alfredo Rimoch (born 1954), CEO at Liomont Laboratories.

References

External links
 Modern American School
  Modern American School

High schools in Mexico City

redpajama_set_name: RedPajamaWikipedia


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Hervé Poncharal explains how busy pre-season is for a MotoGP team
© Philip Platzer
By Fábio Fialho
Herve Poncharal commands Tech3 and is aware of everything that has been happening in his MotoGP team in these last few months of hard work in preparation for the 2022 World Championship.
The frenchman says that pre-season is always a time when there are many questions that need an urgent answer, given the necessary preparation for the tests that mark this time of year, as well as for the season that starts now in March.
'Contrary to what you might think, [the winter break] is a very busy time for us and, apart from the holidays, I can tell you that we aren't on a standstill. From the end of the Jerez tests in november, we are already planning the next season as the logistics are heavy. We have to anticipate trips around the world, prepare the trucks that with the decorations change from one year to the next, the new hospitality that we will use in european races, the new costumes for the 40 people of the team with possible changes of sponsors, finalize all the contracts... In short, it's a time of a lot of activity for the teams, even if the fans don't see it', he said in an interview with GP Inside when asked how this winter break has been going for the satellite team.
Herve Poncharal
Tech3 KTM Factory Racing
Miguel Oliveira on Aprilia factory team in 2024? 'If that's available and I deserve it...'
'Alberto Puig asked me a lot of things about Iker Lecuona' - Herve Poncharal

redpajama_set_name: RedPajamaCommonCrawl


I've found that gluten-free mayonnaise can be difficult to find. Hellmann's makes good store-bought mayonnaise and label it as gluten free. However, with Jacob having so many other allergies – soy, dairy, etc., I had to find a way to get around store-bought mayonnaise. Luckily, my parents gave me a Julia Child cookbook. Here is her recipe for food-processor mayonnaise. So easy and so yummy!! Jacob compares it to a milder form of Bloomin' Onion sauce from Outback Steakhouse. Hmm … now I'm craving steak!
1. Break whole egg into the container of a food processor (or electric blender), add 2 egg yolks, and process 30-45 seconds, or until thick and lemon colored. This allows the eggs to "absorb" and "bind" to the oil.
2. With the machine running, add the lemon juice (or vinegar), mustard, salt, pepper and seasonings.
3. Still with the machine running, and by very small dribbles at first, start adding up to 2 cups of olive oil and/or vegetable oil. After about 1/2 cup has gone in, add the oil a little faster, until you have a thick mayonnaise. Taste carefully, processing in lemon or vinegar and seasonings as needed.
Refrigerate in a covered container; the sauce will keep for up to 2 weeks.
This entry was posted in Corn-Free, Dairy-Free, Fructose-Free, Lacto-Vegetarian, Meals Under $5, Nut-Free, Ovo-Vegetarian, Paleo/Primitive - Safe, Pescatarian, Recipes, Soy-Free, Sugar-Free, Vegetarian (lacto-ovo-vegetarian). Bookmark the permalink.


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Design & Living
Good Things to Buy This Month
Design & LivingAnOther Loves
Corinne Day, Model & Prostitute, Guatemala, 2002© Corinne Day
From charitable photographic prints to sustainable fashion collections, a list of brilliant things to spend your money on this July
TextAnOther
A Photographic Print
A number of photographic print sales have launched in past weeks to raise funds for anti-racism charities in the wake of the Black Lives Matter protests taking place around the world. These include See in Black (ending today), which comprises over 70 Black photographers and raises funds for vital civil rights charities in the US; Pictures From Ireland, which supports the Irish Network Against Racism; My Queer Blackness, My Black Queerness (MQBMBQ), a photo sale and digital journal which amplifies and raises money for the Black trans and queer communities; and Anti-Racism Photography Fundraiser, launching today, which supports charities uplifting Black communities in the UK.
18Anti-Racism Photography Fundraiser
Creatives 4 Systemic Change
A new project, Creatives 4 Systemic Change, sees a collective of designers, artists and photographers come together to raise money for organisations which amplify the Black trans community – namely, The Marsha P Johnson Institute, The Okra Project and For the Gworls. Each participant – including Martine Rose, Eckhaus Latta, Wales Bonner, Kiko Kostadinov, Parnell Mooney and more – has donated a piece which is then available to win by purchasing a raffle ticket for $10 (or $5 to be entered into a mystery draw; winners will be picked at random). But be quick – the sale finishes on July 4.
8Creatives 4 Systemic Change
JW Anderson has launched two new collaborations: the first is a capsule collection, designed to be worn across genders, with online retailer YOOX. Marking 20 years of YOOX, and ten years of JW Anderson, the collection finds inspiration in the brand's archive. "I kind of was like looking back at one of the very first press statements I had done, myself," designer Jonathan Anderson told Alexander Fury of the collaboration. "I made this manifesto and it was about this idea of a shared wardrobe. That clothing was whatever you wanted it to be." The second sees Anderson teaming up with the Tom of Finland Foundation, celebrating the work of the seminal queer artist on a trio of accessories which will raise money for HIV and Aids awareness charity, Visual Aids. "I think he is someone who has really changed queer culture," Anderson told AnOther on its release.
8JW Anderson x Tom of Finland
A new selection of men's jewellery arrives at Alexander McQueen this month, captured in a series of beautiful images by American photographer Ethan James Green. Comprising chunky hand-crafted necklaces, charm and crystal pendants and antique silver rings, set with insects trapped in resin, the pieces draw inspiration from the organic world.
6Alexander McQueen Spring/Summer 2020 Menswear
Since the coronavirus pandemic hit, designers and brands have taken the opportunity to rethink their practices – perhaps most prolifically, Alessandro Michele at Gucci who has set out a "new path" for the house, built upon a more sustainable approach to fashion. With that in mind, he launched Gucci's first Off the Grid collection, born from the newly conceived Gucci Circular Lines initiative, which champions the practice of circular production. Spanning genderless luggage, accessories, footwear and ready-to-wear, most of the collection is crafted in 100 per cent regenerated nylon created from recycled ECONYL® yarn, among other recycled materials and more sustainable alternatives such as metal-free tanned leather, recycled polyester thread and lining, and recycled brass.
5Gucci Off the Grid
Ready Made Merchandise
Ready Made Merchandise has launched a new collection of T-shirts that pay homage to punk icons. Now available at MACHINE-A, the pieces nod to "real rebels, artists, and anarchists", while subverting the idea of tour T-shirts. "Although some of these heroes and heroines are more known than others," says designer Thomas Alsop, "Ready Made Merchandise encourages the audience to take on their own exploration into why these figures are so important, what makes them iconoclasts, and why we have recognised them in our Anarchy Archives."
6Ready Made Merchandise
Gucci isn't the only brand committing to a circular economy: this month, sustainable fashion pioneer Stella McCartney launched a collection of exclusive, one-off pieces crafted from leftover fabric. Each bearing a special note from McCartney herself, sewn into the fabric, the collection demonstrates the designer's ongoing commitment to sustainable practices, including the re-use and recycling of fabric so that nothing goes to waste. Captured here by photographer Richard Jenson on model Lena Hardt, the collection is available at the brand's Old Bond Street store.
14Stella McCartney
Aries x Hillier Bartley
Streetwear label Aries and luxury brand Hillier Bartley have joined forces for the second time to create a playful capsule collection of jewellery charms. Melding Aries' skate influences and Hillier Bartley's simple, refined style, the collaboration features seven 14 karat gold-plated charms which are designed to attach to Hillier Bartley's signature paper clip earring, or a gold chain created for the capsule collection. As a part of their collaboration, Aries and Hillier Bartley invited students from City and Islington College to a multidisciplinary arts workshop, which focused on industry skills such as branding, product development, fashion communication, art, and photography, while also giving students an opportunity to present their work. Images from the workshops taken by photographer Clare Shilland are set to be released in an upcoming book.
10Aries x Hillier Bartley
Launched last year, Sterling Ruby's fashion label S.R. STUDIO. LA. CA. was formed as an evolution of the California-based artist's creative practice, which has historically included fabric elements such as quilts, bleach-sprayed fabrics, and soft sculpture. Ruby's artistic approach to fashion design is felt particularly in Ruby's latest project, UNIQUE, which sees the designer release a series of one-off, handcrafted pieces which double as both garment and artwork. Like a painting, each UNIQUE piece is tagged with a signature, date, plus an inventory number entered into the same database used for tracking Sterling Ruby's artwork catalogue. In a time of isolation and global protest, the collection sees Ruby reflect on the world of today with the incorporation of timely book covers into the pieces, including Hannah Arendt's On Violence and Men in Dark Times, George Orwell's Notes on Nationalism, Audre Lorde's The Master's Tools Will Never Dismantle The Master's House, Jack Kerouac's Piers of the Homeless Night, and James Baldwin's Dark Days, among others.
11S.R. STUDIO. LA. CA. UNIQUE
Ralph Lauren's Design for Good Polo Shirt Project
Ralph Lauren has released a limited edition polo shirt as part of its new Design for Good initiative, which is inspired "by the hope and optimism that has been expressed and witnessed by people around the globe" during these tumultuous past few months. After inviting people to submit an original design concept inspired by the world today, the American heritage brand selected the work of artist Michelle Smith for the new Polo, whose piece Just Let Me Breathe portrays her son wearing a face mask. "Figuratively speaking, my son struggled to breathe in a racially charged society; now there is the physical mask needed to stay safe from the virus," the artist says of the design. "There are days he feels as if he cannot win, but there is always hope waiting to move." 100 per cent of proceeds will be going to the Covid-19 Solidarity Response Fund for the World Health Organisation, plus Ralph Lauren has donated $25,000 to the UNCF (United Negro College Fund).
The Polo Project: Design for GoodCourtesy of Ralph Lauren
Givenchy's Antigona Bag Collection
Celebrating ten years since its initial release, Givenchy has reissued its 2010 it-bag Antigona, which has been favoured by celebrities and fashion fans alike over the course of the last decade. Alongside the reissue, the French house has given the Antigona bag – named after the Greek heroine, Antigone – a modern-day update, with the release of the more curvaceous Antigona Soft style as well a miniature version of the bag, both of which come in a pleasing array of colours.
8Givenchy Antigona
Design & LivingAnOther LovesPhotographyJW AndersonAlexander McQueenGucci Stella McCartney
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Republican presidential hopeful Donald Trump posted his first television commercial for his campaign to his website on Jan. 4. It was titled "GREAT AGAIN TV SPOT."
The school is an important venue for Republican candidates looking to boost their profiles with key evangelical Christian voters: Cruz used the convocation that Trump will appear at to launch his own presidential bid last March. Jeb Bush delivered the commencement address in May and Carson spoke there in November.
From Carly Fiorina's rise in the Republican presidential race to Donald Trump's infamous comment about Mexicans, it has been an interesting year for politicians. Check out the top ten pivotal political moments of 2015.
Democratic presidential candidate Bernie Sanders, a self-proclaimed democratic socialist, made a pitch at the school in September, arguing that tackling economic inequality could unite even parties that disagree on many other issues, including abortion and gay marriage.


At The Tanning Store we supply our clients with high quality spray tan equipment from Aviva Labs. From spray tan machines, to spray tan guns, to pots and seals and even spray tan tents we have the spray tanning equipment to suit your needs. All of our spray tan equipment is supplied to us by Aviva Labs who specialise in creating durable, light weight and exceptionally well made spray tanning equipment. At The Tanning Store our motto 'Beauty Today. Health for Life' not only applies to our clients' glowing skin, but also to our equipment that remains working as well as it did on day one for years to come.
The Tanning Store has a range of spray tan equipment that are light weight and portable, ideally suited for home use or as part of a mobile business. The Aviva Labs spray tan tent is an excellent asset to any mobile business, it is easy to set up and can be taken down in minutes, meaning that you don't have to struggle with your spray tanning equipment in the presence of your clients. The tent is easy to clean, and incredibly durable, allowing you to transport it and use it over and over again safe in the knowledge that it will continue to perform for you.
The spray tan machines in our range are specifically designed to provide maximum comfort to those using them, and also those being sprayed. They are ergonomically designed, and create a highly atomised, very fine mist that is easily directed over the skin, leaving a perfect flawless glow. The accompanying spray tanning equipment, from pots to seals, is durable, hardwearing and incredibly easy to clean.


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Home / Painters and Illustrators / CROFTS, Ernest. 18248
CROFTS, Ernest. 18248
CROFTS, Ernest. 18248 quantity
Autograph Letter Signed, to E.W.Cooke R.A., accepting an invitation to dine, and providing train times. 2 pp. 6 x 4 inches, fine. 16 Adam Street, Manchester Square, 2 May 1879. Ernest Crofts (1847-1911) was one of the leading military-historical painters of the late Victorian and Edwardian periods, exhibiting well over forty paintings at the Royal Academy and numerous scenes at other exhibitions depicting soldiers in battle or on campaign.
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With over forty years experience in the antiquarian book and manuscript trade, Julian Browning Ltd specializes in the sale of autograph letters, historical documents and manuscripts dating from about 1450 to 1950. Our regular printed catalogues have now been superseded by our on-line catalogue.
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MONGKUT, Rama IV, King of Siam. 19761 £3,500
SACHER-MASOCH, Leopold von. 19742 £450
LEWIS, Wyndham. 19744 £350
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Home » OUT PUT SOURCE » Nabati Foods ramps up production with plant-based eggs launch slated for late summer 2021
Nabati Foods ramps up production with plant-based eggs launch slated for late summer 2021
Nabati Foods, a portfolio company of Eat Beyond Global Holdings, recently transitioned from its pilot plant to its new production facility in Edmonton, Canada, where it will be able to produce 1.2 million pounds of its plant-based cheese product and 1 million pounds of plant-based meat (available frozen in retail stores) annually.
The company used a portion of its $7.7m capital infusion from a recent oversubscribed financing round to fund the project.
With the new production facility, Nabati will be able to expand its distribution across North America and eventually introduce its products to European markets.
Nabati will also house its research and development department in the new facility with plans to expand the team by 150% to 15 members.
Full plant-based product portfolio
Nabati Foods' early days began in farmer's markets where the founders would sell their plant-based energy bites and cheesecakes. While popular and still part of the company's portfolio today, Ahmad Yehya, CEO of Nabati Foods told FoodNavigator-USA, "We didn't just want to be a dessert company or bakery."
"We picked and focused on areas where we knew we could fill a gap in the market. I don't think the market is yet saturated with plant-based brands and shelf-space is still very limited," said Yehya.
The company developed and introduced its next two product lines, plant-based cheese and meat alternatives (beef, chicken, and fish).
According to Yehya, the incumbent brands lacked the characteristic taste, texture, and appearance of regular dairy cheese.
Nabati's plant-based 'cheeze' line is made from organic tapioca starch and coconut oil, and less than 2% of Kappa Carrageenan.
A notorious difficult product to develop, Yehya notes how its plant-based cheese products melt just like dairy cheese.
"It stretches, but we focus more on melt," he said.
"People love it because it really competes with dairy cheese rather than just another cheese alternative," Yehya claimed, adding that the company is working its way through a months-long waitlist of wholesale orders from foodservice customers and retailers across Canada.
The other gap in the plant-based market, Nabati is aiming to address is in plant-based chicken and fish, says Yehya.
"What's out there in terms of chicken and fish, it's [mostly] all breaded and made using either soy or gluten protein…there's no real consumer choice," said Yehya.
Nabati's chicken and fish plant-based alternatives are made with pea protein and not breaded giving consumers the freedom to choose how they'd like to prepare it.
Up next: plant-based eggs
"We're on track to launch our plant-based eggs where's there's still a huge market opportunity," adds Yehya.
Nabati plans to launch plant-based eggs made from lupin protein and fortified with vitamins and minerals, in late summer, said Yehya.
"Our aim is to be an affordable, innovative brand. We don't people to struggle to eat healthy," he said.
Record Numbers of Bikes Sold
Many Pre-Surgery Tests Are Useless, So Why Are They Still Done?


PUBG sets the world on fire now a days. Everywhere, everyone is playing PUBG. It's really weird if you didn't hear about this game yet. PUBG or Player Unknown's Battlegrounds is an online Action game brought to us by Tencent Games. It's a Battle Royale Multiplayer game where you parachutes in a remote island, along with 99 other players from all over the world. You can choose the location wherever you want to land. After landing in island scavenge for weapons, armor, helmet, supplies, etc. and start your fight with others. In this 100 player death match only last-man-standing will win.
The game starts with a big playing area, but quickly shrinks as the game goes on. So, you can't hide in this game for too long. You must need to face other players.
You can play this game together with your friends and can create a team of up to four players. Playing with friends is definitely much exciting.
If this game not supporting in your device because of low end device then you can try PUBG Mobile Lite which is specially build for low end devices.
I am posting this game here at the time when PUBG rival Fortnite release is near for Android. And t's looking like this game is also going to break all previous records. So, enjoy PUBG right now at its best, before Fortnite release.
Install PUBG Mobile from Google Play and enjoy.


This is rare Jupiter engraving done by Jacob Matham, after Hendrick Goltzius, in 1597. The listing is for one high quality large canvas Fine Art reproduction.
This Jupiter Engraving Fine Art Reproduction was created by Jacob Matham (15 October 1571 – 20 January 1631), of Haarlem, a famous engraver and pen-draftsman.
He was the stepson and pupil of painter and draftsman Hendrik Goltzius, and brother-in-law to engraver Simon van Poelenburgh, having married his sister, Marijtgen. He made several engravings after the paintings of Peter Paul Rubens from 1611-1615, and also a series after the work of Pieter Aertsen. In 1613, engraver Jan van de Velde was apprenticed to him. He was the father of Jan, Theodor and Adriaen Matham, the latter of whom was a notable engraver in his own right.


Terrell Cooper, (behind) poses with his sons and his students of Terrell's Championship Karate School after competing in the Dunlap School of Karate's Annual Father's Day Tournament on June 6 at Brunswick Center. All four of the young men Dominic Gassaway, Daerion Dickson, Jordan Gassaway and Christopher Gassaway earned 1st, 2nd and 3rd place trophies in Kata, Weapons and Fighting during the tournament.
Terrell Cooper, instructor and owner of Terrell's Championship Karate School has been involved in the sport of karate for 16 years of his life. With a third degree black belt and countless trophies and awards from around the country, he is now sharing his expertise with his children who have become karate enthusiasts.
Cooper's children Eric Gassaway, Jordan Gassaway, Christopher Gassaway, Dominic Gassaway and La'Veya Louis have all earned belts in various colors over the years under his tutelage.
Jordan says he is ranked higher than his brothers and sister. Christopher, age 11, is currently testing for his first black belt. Dominic, age 9, has a purple belt, Eric, age 16, has a blue belt and his sister La'Veya, age 8, has a white belt.
Christopher, a soon to be 6th grader at Merrillville Intermediate School, says the best things to him about karate are the uniforms and learning Kata. He says Kata is the art of imaginary fighting. "I've been taking lessons for 7 years. I started because I thought it was cool and I wanted to learn how to do it. It is not hard. I practice four times a week or sometimes two times a week for two hours. I already know most of it so now I'm helping to teach others," he said.
When he's not practicing or participating in a tournament, Christopher says he enjoys watching TV especially karate, playing basketball or football. His favorite karate person is Raymond Daniels, a kick boxer who started out in karate.
Christopher says he has close to 50 trophies in the areas of Kata, Weapons and Fighting, but it is Kata that he likes best because it gives him a burst of energy. He says when he grows up he wants to be an engineer who builds things for companies.
Terrell says the sport of karate teaches discipline, courage and respect. He said, "We work to not only grow you or your child physically, but mentally and spiritually, as well. The martial arts are not just about fighting, but about growing into a model citizen." Terrell says he also teaches anti-bullying and women's self-defense.
Classes are held at the Hudson Campbell Sports Complex, 455 Massachusetts Street. For more information, call (219) 293-6774 or visit terrellschampionshipkarate-.com.


This is kind of technical but, in a nutshell, it's describing the way Five Eyes countries are en masse infecting/colonising innocent computers in order to create their own massive botnet. Bruce Schneier has an accessible rundown of what's going on and why.
Bonus points: of course the name for this program (HACIENDA) would be racist on at least two levels. Because of course it would be.


Richard Kirshenbaum must be a Libra. The man behind the moneyed television program "Creative Lunch" (a show where rich people dined on expensive lunches and expounded on creativity), has balanced himself out.
The KBS+P namesake was Friday's WSJ Donor of the Day for creating a scholarship with the Torch program, which works with underserved New York City high school students. Camille Crawford, a freshman at Pace University, will be the first recipient of the $20,000 scholarship and summer internship at KBS+P. Congratulations Camille!
In case you missed it, the subtext here is Richard and MDC, which is also helping five additional students a year, are talking about supporting minority students. Why ?
Dear Richard you are so right! U.S. Agencies need to diversify, so that they can actually offer deep insights, while leveraging the changing cultural landscape of the United States for their clients. The ad world could use a little diversification across all disciplines from women to gender-bending Blasians.
So, um Richard? This means that you should probably take a closer look at your own staff. Over at the KBS+P website, one is able to see all of the company's shining, happy employees. Let's see here… There is a graphic artist and a very cute business manger, as well as a production billing coordinator and media payable manager working at the agency. All of these folks are clearly minorities. However, it's disappointing to see that none of these people are in positions where those "creative voices" Richard was talking about would come into play.
That's alright. We're betting on Camille to bring a new generation of mixed-up culture to KBS+P. Right, Camille?
Do you want to support Torch? Find out more about the outstanding program here.


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Thetford News Brandon News Things to do Sport Lifestyle Support Us
Thetford and Brandon Times > News
Town's historic Guildhall set to become heritage hub
Published: 10:10 AM June 7, 2020
The Guildhall in Thetford is set to become a heritage hub. Photo: Sonya Duncan - Credit: Archant
A town's historic guildhall is set to become an "important" heritage site for future generations.
Thetford Guildhalll. - Credit: Archant © 2011
Thetford's grade II listed Guildhall will soon become a heritage hub as part of a project to celebrate the town's "rich history" and regenerate its marketplace.
The Guildhall Heritage Hub, funded by the National Lottery Heritage Fund, will include professional displays on important figures throughout the town's history, including the Duleep Singh family, the introduction of a heritage officer and an education programme and community activities.
A selection of paintings from Prince Frederick's collection, and talking portraits of Princess Sophia and Prince Frederick will also be displayed, along with an exhibition of letters, artefacts, photos, quotes and newspaper coverage of the Sikh royal family.
A spokesman from Thetford Town Council said: "The town has hosted three Sikh community festival events in 2018 and 2019 and this has led to lots of interest in developing the heritage information for Sikh visitors.
Mayor of Thetford, Councillor Mark Robinson. Photo: Thetford Town Council - Credit: Thetford Town Council
"We are keen to build on this momentum and take on the legacy of these projects by installing a permanent tribute to the civic contribution made to the town by the Duleep Singh family."
This comes as the town's marketplace, located at the front of the Guildhall, has seen a decline in traders with revenue dropping by 25pc over the last three years.
1 Woman accused of stealing £11k of printer ink across East Anglia
2 Driver sustains neck injuries in two-vehicle crash near Thetford
3 Schoolgirl racially abused by boys in Mildenhall play park
4 The artist who paints portraits to honour frontline workers
6 Robber armed with Taser steals cash from Mildenhall shop
7 'Dishonest to the core' burglar jailed for four years
8 The photographer with an eye for catching dogs in flight
10 Jab campaign focuses on vaccine-hesitant hotspots
But now the town council hopes this new project will "excite" the community and encourage more people to visit the area.
Mayor of Thetford, Mark Robinson, said: "The Guildhall has been part of the fabric of civic life in Thetford for many centuries.
"I'm delighted this project enables us and future Thetfordians to enjoy this historic building for many years to come."
Chair of Civic, Jane James, added: "I am delighted that this project is now able to move to its next phase.
"The Guildhall and its environs have played an important role in Thetford's history down the ages.
"This development will help ensure that while looking back in preserving part of our rich heritage, we look forward as a town, adapting it sympathetically for future generations to ensure it remains the heart of the town through the sharing of Thetford's civic legacy and its continuing significance."
Police at scene of two-vehicle crash in Thetford
Grace Piercy
Three youths caught in possession of drugs in town
Person taken to hospital after farm vehicle crashes into wall
Deer killed in collision that left motorcyclist in hospital
Robbie Nichols


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Jake D asked Do i need a new motherboard?
I recently bought a new hp pavilion dv9000 laptop and found out that it wont charge. I tested the battery and the power cord and they are working fine. A guy from geek squad told me that i need a new motherboard, but before i go spend $200 on a new one, i would like some confirmation that a motherboard would solve my problem.
It could be, that a power surge or brownout (perhaps from a recent lightning storm?) has hit and your surge protector has failed and passed it along to your power supply and / or your other components. the first thing I would do, is reset the CMOS then reset them to enabled if necessary. If no luck, then I would have a full off-line diagnostic run on the system to eliminate any windows specific problems. A common tool to do this is knoppix linux, a bootable operating system that can recognize your hardware on the fly. A good guide to using knoppix is "Computer First Aid Using Knoppix" http://www.shockfamily.net/cedric/knoppi... which shows basic file recovery methods - however since it does a decent job of detecting your pc hardware the sound and usb should also fare well. I would try it without the sound card (to see if the on-board sound is working) then again disable the on-board sound in BIOS and put in the card and see if that works as well.
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You are visiting the placeholder page for Crystal Benton. This page is here because someone used our placeholder utility to look for Crystal Benton. We created this page automatically in hopes Crystal Benton would find it. If you are not Crystal Benton, but are an alumni of Peoria High School Peoria, AZ, register on this site for free now.


In a double U-turn this week, councillors of Purbeck District Council and East Dorset District Council, two of three authorities, which were opposed to council reorganisation in the county, have voted to withdraw their opposition.
Leader of East Dorset District Council, Spencer Flower: "We have moved a step closer to local government reorganisation in Dorset"
In Purbeck councillors voted 19 to 5, with one abstention and in East Dorset the margin was narrower with 14 to 12 and one abstention. Both councils will now write to the Secretary of State to accept his 'minded-to' decision.
Previously, in January 2017, both councils voted to not support submission to the Secretary of State of a case to change local government in Dorset. Six other Dorset councils supported the submission and asked the Secretary of State for Communities and Local Government to implement a reorganisation by the formation of two unitary councils.
He has invited representations until 8 January, after which if he reaffirms his decision to support local government reorganisation in Dorset, the new unitary councils will be formed on 1 April 2019.
If the merger plan goes ahead, it will reduce the number of councils from nine to two with the aim of saving £200m by 2019.
Councillor Gary Suttle, Leader of Purbeck District Council, said, "Our job is to provide services to our residents and maintain those services at a reasonable cost and level of efficiency.
Although Purbeck District Council had previously not supported the proposal, it recently became a member of a Dorset Area Joint Committee, comprising Dorset councils, enabling it to participate in discussions about working together on the delivery of services.
Cllr Suttle said he had recently raised a number of concerns with the chairman of the Dorset Joint Committee, Cllr Rebecca Knox. The concerns covered harmonisation of council tax; the important role played by town and parish councils; safeguarding existing Local Plans; management of local development; and safeguarding local decision making. He said that Cllr Knox has given a number of assurances that these are being addressed.
Following East Dorset District Council's full council meeting on 11 December, the leader of the council, Spencer Flower, said, "I am pleased that the majority of members recognise that following the Secretary of State's 'minded-to' decision we have moved a step closer to local government reorganisation in Dorset. Our priority moving forward has to be getting the best for our residents and by accepting his decision we are showing we are committed to this.
Christchurch Council, the third council to originally oppose the reorganisation is holding a local poll to obtain the views of its residents, which closes tomorrow [14 December].
David McIntosh, chief executive of Christchurch and East Dorset Councils said, "Councillors are keen to gain a clear understanding of whether or not Christchurch residents support the current proposal which would see Christchurch become part of a single unitary with Bournemouth and Poole.


We teach students to "do" math, not to understand it. : Instructional Rounds practitioner sharing and support.
Copyright 2016 Instructional Rounds: Lesson Observation & Analysis. All Rights Reserved.
We teach students to "do" math, not to understand it.
Conceptual understanding of math is rarely found in American classrooms. Math is most often taught (regardless of the level of technology used) as content over which students are expected to gain command by applying the correct procedures to get the right answers. Too many students graduate by scoring well enough to pass tests but with little understanding of math concepts. Students leave us with a fear of taking math in college because they know they do not understand the content.
tff: "So what are you working on?"
s: "My computer is still loading, but it's a worksheet."
tff: "How will you solve this?"
s: "I have no idea."
tff: "So what are you going to do?"
tff: "So did the computer message help you?"
s: "No, not at all."
s: "I'm going to guess again."
tff: "If you don't know what else to do, guessing is one place to start."
The student and I look at each other. He laughs, and I can't help but laugh with him.
tff: "So what is your next step?"
tff: "So now do you understand it?"
tff: "If you are given another one of these problems, what is the likelihood that you will be able to solve it?"
s: "I think it's about 50-50."
Accomplishing conceptual understanding requires restructured lessons with authentic applications that take more classroom time to teach...time that is often hard to come by because of the pacing and testing schedules. The necessary lessons must be structured and guided by teachers who themselves have a conceptual understanding of the content. And just as a doctor cannot diagnose a condition and help a patient get well unless the doctor ascertains the patient's symptoms and pains, teachers must seek out misunderstandings and misconceptions of each individual student in order to bring about their understanding and learning.
This is the first of several blogs over the coming months that will explore procedural versus conceptual understanding.
This was illuminating on how computers and even real life teachers can miss how students understand information. The computer could be programmed to show the flaw in the logic of their wrong answers just as they could be programmed to show the logic of the right answer. And then to follow up with another question to make sure they understand. That same flow could help real-live teachers as well.
I laughed,too,at the"nice work" comment.(Only a computer could say that.) One thing this vignette shows to me is that conceptual learning often takes more time. Now that I'm retired and don't work from bell ring to bell ring,and can study as long as it takes, I see more fully how restraining time is.


The architecture of mutualistic networks facilitates coexistence of individual participants by minimizing competition relative to facilitation1, 2. However, it is not known whether this benefit is received by each participant node in proportion to its overall contribution to network persistence. This issue is critical to understanding the trade-offs faced by individual nodes in a network3, 4, 5. We address this question by applying a suite of structural and dynamic methods to an ensemble of flowering plant/insect pollinator networks. Here we report two main results. First, nodes contribute heterogeneously to the overall nested architecture of the network. From simulations, we confirm that the removal of a strong contributor tends to decrease overall network persistence more than the removal of a weak contributor. Second, strong contributors to collective persistence do not gain individual survival benefits but are in fact the nodes most vulnerable to extinction. We explore the generality of these results to other cooperative networks by analysing a 15-year time series of the interactions between designer and contractor firms in the New York City garment industry. As with the ecological networks, a firm's survival probability decreases as its individual nestedness contribution increases. Our results, therefore, introduce a new paradox into the study of the persistence of cooperative networks, and potentially address questions about the impact of invasive species in ecological systems and new competitors in economic systems.
Saavedra, Serguei, Daniel Stouffer, Brian Uzzi, and Jordi Bascompte. 2011. Strong Contributors to Network Persistence Are Most Vulnerable to Extinction. Nature. 478: 233-235.


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Published on: January 9, 2023 | by J. Ross Pepper
The Court of Appeals of Tennessee recently issued an opinion in an easement case involving an issue of first impression in Tennessee regarding the transferability of an express easement. Here are the key facts:
In 1980, Mahaffey acquired a tract known as the "Holt Farm"
Holt Farm was 107 acres
Holt Farm was landlocked
A lane ("Holt Lane"), ran along the eastern section of Holt Farm
Before connecting to a public roadway, known as Horse Mountain Road, Holt Lane ran across property adjoining Mahaffey's which was not owned by Mahaffey
The adjoining property which Holt Lane ran across was owned by Robertson-Magill
Robertson-Magill sued Mahaffey in the Bedford County Chancery Court to prevent Mahaffey from using the part of Holt Lane on the Robertson-Magill property
In 1983, the Chancery Court in the Mahaffey/Robertson-Magill lawsuit ordered that Mahaffey had an easement for ingress and egress to use the portion of Holt Lane located on the Robertson-Magill property
The order of the Chancery Court was filed with the Bedford County Register of Deeds
After the order was entered, Mahaffey acquired an additional 640 acres which adjoined the 107-acre Holt Farm Mahaffey owned
In 2007, Mahaffey sold the Kelloggs a 9.76-acre tract
The 9.76 acre tract was not part of the 107 acres originally owned by Mahaffey, but was derived from the additional 640 acres purchased by Mahaffey
In a document, Mahaffey granted what was called a "permanent right-of-way easement" to the Kelloggs, which grant purported to give an easement to the Kelloggs to use the same portion of Holt Lane to which Mahaffey had been granted an easement for ingress and egress by the Chancery Court
The Robinsons ("Plaintiffs") purchased the Robertson-Magill property
Heated disputes arose between the Robinsons and the Kelloggs regarding the Kelloggs' use of the portion of Holt Lane located on the Robinsons' property
The Robinsons filed a lawsuit against the Kelloggs
The trial court ruled that the easement granted to Mahaffey in the 1983 Chancery Court order amounted only to an easement in gross. Therefore, the trial court held that the easement did not run with the land and did not benefit the Kelloggs.
The two broad categories of easements in Tennessee are easements in gross and easements appurtenant. In Tennessee, easements appurtenant are favored over easements in gross. An easement in gross is a personal right to use the land of another. Easements in gross do not run with the land as there is almost never a dominant estate where there is an easement in gross. Easements appurtenant benefit a dominant estate and burden a servient estate. Critically, easements appurtenant run with land and may be enforced by subsequent purchasers of the dominant estate.
The Court of Appeals started its opinion with an excellent summary of the difference between easements in gross and easements appurtenant. It then held that the easement granted by the 1983 Chancery Court order was not an easement in gross, but was an easement appurtenant.
The fact that the trial court had erred in finding that the easement received by Mahaffey was an easement in gross did not end the inquiry of the Court of Appeals. Although that finding established that the easement created in the 1983 Chancery Court order ran with the land, with the land being Mahaffey's land (the dominant estate), it did not necessarily establish that the Kelloggs were entitled to the rights to the easement granted to Mahaffey in the 1983 order.
Since the 9.76 acres the Kelloggs purchased from Mahaffey was not part of the 107 acres that benefitted from the ingress/egress easement created by the 1983 Chancery Court order, i.e., it was not part of the dominant estate established by that order, the Robinsons argued that the Kelloggs had no rights to the easement.
The Court of Appeals, relying on the case law of other states and the RESTATEMENT (THIRD) OF PROPERTY: SERVITUDES, agreed with the Robinsons. In reaching its decision, it approved the general rule that the benefits of an easement appurtenant cannot be severed from the dominant estate. The rationale for the general rule is that a servient estate is not to be overburdened: Along those lines, no additional burdens beyond those contemplated when it was granted should be placed on the servient estate.
Tennessee easement lawyers should note that there is a Tennessee case, Rawdon v. Johnston (Tenn. Ct. App. 2010), in which the owner of the dominant estate was allowed to expand the use of the easement to contiguous property he owned that was not part of the original dominant estate. The difference between the Rawdon case and the above-discussed case was that the expansion would not have increased the burden on the servient estate in the Rawdon case. In Rawdon, the easement right was to draw water from a pipe. In that case, the Court of Appeals determined that the expansion of the easement benefits to the adjoining parcel would not result in any additional burden because the water use was limited to one pipe.
Updated: January 9, 2023 8:38 am
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The acquisition adds telephone interpreting, website translation and mobile app localization to Paragon's already diverse service offerings, in addition to strengthening the company's medical device, manufacturing and tech sector client base. The acquisition of In Every Language substantially increases Paragon's clientele and operations on the East Coast.
Paragon has been helping clients big and small break down language barriers and connect with audiences around the world since 1991. Providing premium translation, localization and interpreting solutions in over 90 languages, Paragon attributes its rapid growth to its dedicated clients, loyal staff and expert translators, making the company one of Los Angeles' best to work with and for.
In Every Language helped clients move translation from a cost center to a profit driver. They were an internationally-recognized, professional provider of translating, interpreting and localization solutions in over 180 languages, serving clients in the US, Canada and Europe. Founded in Louisville, KY in 2005, In Every Language moved to Washington, DC in 2014.


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Canadian Chemical Management Plan
CPCA: Enhancing Compliance, Mitigating Risk
We cannot emphasise enough how important it is to consider how we tackle the challenges before the coatings industry in Canada. The paint and coatings industry is certainly among the most heavily impacted when it comes to issues such as chemicals management with the ongoing assessment of more than 500 substances used in a wide range of product formulations, out of a total 1540 in Phase 3 of CMP. That is just the CMP, there are other challenges on substances used for in-can and film preservation, key registered biocides under the PMRA. The federal government is now looking at chemicals management beyond 2020 and what that might mean for further regulations in the sector. The demand for data by the federal government will certainly not diminish, as they continue to gather relevant data to make informed assessments of the chemicals used in products. In that regard, CPCA and its members continue to lobby for reliance on strong evidence-based data for better regulatory outcomes for our industry.
Before looking at some of the ongoing challenges ahead, it is instructive to look at a few successes in 2018, which shows our sector can get positive outcomes when the industry is united and focused on the things that matter.
Positive Outcome for Important Biocides: CPCA worked closely with members over the past year to secure the reversal of a decision on restrictions of two key biocides CMIT/MIT. These were restored to their original use levels necessary for effectiveness in coatings formulations. We also provided new data gathered from members in support of a study provided by registrants, which could also see the ban lifted on another critical biocide preservative, OIT, before it comes into effect. If so it would preclude the need for increased costs for product reformulations in future. This would benefit both Canadian suppliers and manufacturers in Canada and prevent negative impacts on cross-border imports of products manufactured in the United States where they do not have the same restrictions for OIT. As such regulatory alignment is critical and we continue to work with the Regulatory Cooperation Council on addressing this matter within the context of the new trade agreement. CPCA made a pre-budget submission in August raising this concern, which was reflected in one of the recommendations in the Parliamentary Committee on Finance Report (December 6) as follows: "Review the legislation under which the Pest Management Regulatory Agency (PMRA) operates to include consideration of the impacts of PMRA on the competitiveness of Canadian firms and provide additional resources for pesticide re-evaluations." All of this work lays the groundwork for a renewed lobby on this important issue in 2019, in concert with our colleagues at the American Coatings Association as it relates to cross-border alignment.
New Cluster Approach for Assessment of Biocides: As part of the ongoing challenges related to biocides for paint, CPCA worked with officials and established a 'cluster approach' for the scheduled re-evaluation of other important biocides used as in-can and film preservatives. This will ensure ALL relevant information is used in future decisions limiting the potential for further bans or use restrictions. The eight biocides in question for full attention by CPCA in the upcoming re-evaluation period for the coatings industry in 2019 are: folpet, dazomet, chlorothalonil, diodofon, ziram, sodium omadine, MMY, DMY. Before proposed decisions are reached in August 2019, CPCA plans to hold quarterly meetings with agency officials to monitor the entire re-evaluation process. This will ensure that the risk assessors are effectively using comprehensive industry data in their paint scenarios and are applying proper safety factors and assumptions in all cases. We do not want more decisions impacting our product formulations.
Secured Tariff Exemption on Steel: The federal government countermeasures taken on US tariffs for steel and aluminum would have negatively impacted paint cans and lids imported into Canada. The industry was fortunate to get a tariff exemption that prevented increased cost of paint cans and lids sold in Canada, thereby preventing increased costs for manufacturers of 25% for those materials. Some have estimated the total costs without the exemption would have been in the millions given that there are no suppliers in Canada.
Proposed Metro Vancouver Bylaw Amendment Halted: In October CPCA was informed by officials in the City of Vancouver that Metro Vancouver would not be proceeding with the proposed air quality bylaw amendment to cancel an important active ingredient in auto refinishing paint. This was based on several interventions and submissions made by CPCA over the course of the past 18 months. This saved in the order of $4 million for the 400 body shops impacted as a result of the decision and prevented increased costs and a negative image for the auto-refinishing sector. Moreover, prevented a bad precedent being set wherein municipal jurisdictions impose regulations that exceed existing federal regulations as would have been the case with the substance already having a VOC-exempt status federally.
Exempted from Proposed Regulatory Action on Acetone: There were a number of detailed discussions with the Natural Resources Canada and CPCA, with the latter providing specific coatings industry insight on the extensive use of acetone in the sector. This included the role of acetone in reducing VOC emissions, as a VOC-exempt compound. The result was an exemption from the proposed amendment for paint and coatings. This would have led to increased administrative burden and costs for both manufacturers and retailers of acetone.
No Amendments to CEPA for Chemicals Management: The federal government's response to the Parliamentary Committee recommendations announced in 2018 confirmed that the federal government would not proceed with amendments to CEPA on chemicals management in this session of Parliament. While this was part of a multi-industry lobby effort, CPCA was very active in making submissions and interventions over the course of last year and throughout 2017 with an outcome that will benefit the coatings sector as the most heavily impacted sector under the Chemicals Management Plan.
While there were successes this past year, as noted above, the level of data and input required to secure positive outcomes can be overwhelming for staff and members. An example of the level of data required with respect to chemicals management includes the government's national survey on the MEKO Code of Practice coming in January, assessing the success of the Code agreed to by industry in 2014. Then there are two other ongoing mandatory CMP surveys on quaternary compounds and coal tars. The government will also be rolling up information gathering requirements related to 1400 substances contained in multiple 'inventory updates' for the federal Domestic Substances List. At the same time, a new microplastics survey will be launched to determine the level of use and potential exposure of microplastics in paint and coatings. Our members will also have to comply with a mandatory flame retardant survey to be completed in the New Year for the coatings industry. A survey was also initiated in 2018 on the 1-litre exemption for VOCs in paints and stains in Canada. For this one, our members will need sufficient time to respond, as the type of information sought is not always readily available. CPCA also continued collecting data on three substances used in some adhesives and sealants products, which should be formally proposed for addition to Schedule I of CEPA and, if so, two of them (DP and DBDPE) could be added to a long list of substances to be targeted in a proposed amendment to the Prohibition of Certain Toxic Regulations, 2012, such as PBDEs, HBCD, PFOS, PFOA, etc.
The federal government will also launch a national survey on VOC content in Architectural and Industrial Maintenance (AIM) paint products sold in Canada for comparison with VOC limits in effect in other North American jurisdictions. Other mandatory surveys under CEPA 1999 for the Chemicals Management Plan will be issued later in 2019 along with other reporting requirements scheduled for the year. There is little development to report with respect to the Federal VOC Agenda 2010-2020, which aims to cover seven industrial categories of products emitting substantial VOCs in Canada. While the current focus is on three major VOC emissions contributors (asphalt cutbacks and printing and portable fuel containers), there have been only limited discussions with federal officials to date regarding the remaining four categories: industrial adhesives and sealants, cars/vans/light truck/assembly coating/auto parts coatings, rubber product manufacturing and plastic parts coatings and aerosol coatings. CPCA continues to monitor this important development and will prepare to respond and inform members as required.
As usual, the industry continues to comply with significant requirements, as they always have, to ensure continued production of sustainable and high-performance products for their customers. CPCA is gearing up to ensure members are fully informed and supported in gathering the data needed for more informed chemical assessment and ultimately better decisions based on science. To help address these challenges CPCA has developed a comprehensive "Canada CoatingsHUB" for members to ensure they have all the tools needed to comply with regulatory requests such as those noted above and more. This new Hub is a robust and relevant platform to help members deal with the flood of data requests in a timely manner, all on a functional, digital platform. This will include a compliance calendar with all the dates noted to ensure targets are not missed and risk is mitigated. It will allow members to select priority issues on which they would like to receive updates and provide a searchable database of relevant information for the coatings industry in Canada. Members can access and search the relevant data via their individual CoatingsHUB dashboard, when and how they wish to. This new digital communications platform was custom-designed for the coatings industry and the first of its kind for more effective association management.
View the CFCM Full Article Here!
Categories: Canadian Chemical Management Plan, Canadian Manufacturers, CPCA: From the President, Regulatory Alignment, Technology
Tags: biocides, Canada Coatings, Canada CoatingsHUB, Canadian Chemical Management Plan, CPCA
CPCA Member Companies gain insight and information they need to sell their products in Canada.


The title of this article and the name of my style of dance was put to me by a student of mine at the end of a class I was giving. She said, "Rachida, this is not just bellydance, what you do is oriental contemporary!"
Since then I've adopted this name for what I do. I began to mix different techniques spontaneously as I was learning them and it was more a bodily and expressive need than an intentional idea to innovate. At that time I took classical, jazz and contemporary classes to compensate the work of oriental dance, a work that is characterized by its sinuous movements, isolations, work of the internal musculature and feminine energy. Working with the corporal lines of classical and jazz and integrating the play of weight and impulses of contemporary dance, helped me to find a new way to express myself and also to feel. Now I realize that in a world in constant change, you can also change your needs and your way of expressing yourself.
The new generations of oriental musicians and artists don't hesitate to integrate Western instruments or mix genres in their creations like jazz, rock, hip-hop or classical music, and I wonder, why oriental dance can't do it?
When we talk about Raks Sharki or Raks al Asaya we know perfectly what we're going to dance and the music that we're going to use. Instead what I try to offer in my workshops are tools to be able to work the movement from another perspective and be able to invent and reinvent ourselves when we're dancing, without leaving aside the essence of oriental dance.
Maybe the fact that I'm the daughter of immigrants who grew up between two cultures is why I do what I do today with my artistic expression.
If you're interested and you'd like to deepen your experience of movement and emotion, I look forward to seeing you in my workshop!!
Oriental dance gives us subtleties, sensuality, delicacy, feminine energy and a meticulous work of the internal musculature. Jazz and contemporary offer us a work with wider movements, more lines and changes in weight, which by the force involved and the amplitude of movements, counteracts and complements the work of oriental dance.
After a good warm-up, we'll work on the relationship with the ground and how we can use it in our choreographic compositions. The ground has always been represented as mother earth, a fertile place, a place to lay the foundations for growth. We'll gently begin to work the energy involved in the ground with a small choreographic sequence.
We'll also work the line and the curve, contraction and expansion, sustained and sudden time, to give more strength to our expression. The line offered by jazz technique, impulses and games with the weight of contemporary dance will help us to enrich our repertoire of movement. With diagonals we'll break the line of work to give the body a rest, and we'll finish the workshop with a small choreography where everything we've learnt during the workshop will come together.
Newer Post5 TIPS TO IMPROVE YOUR DANCE TECHNIQUE IMMEDIATELY!


An attempt to reconstitute the current electoral commission for bungling the presidential elections will hit snag or create a constitutional crisis if it succeeds.
The constitutional provisions governing the removal of the commissioners and the role of President Uhuru Kenyatta in the process makes it impossible for the Wafula Chebukati-led team to exit at this time.
Friday, the Supreme Court ordered IEBC to organise and conduct a fresh presidential election within 60 days in strict conformity with the Constitution and applicable laws.
However, even as they hailed the landmark ruling, NASA leaders, led by Raila Odinga, turned their guns on IEBC saying they had no faith in the commission as currently constituted and that they could not trust the poll agency with the mandate to hold fresh presidential elections within 60 days as directed by the court.
"We have no faith in the electoral commission as currently constituted. They have committed criminal acts; most of them actually belong to jail and, therefore, we shall ask for prosecution," Raila said shortly after the judgment.
The law stipulates that a commissioner can only be removed from office through death, resignation and end of their tenure or through setting up a tribunal.
In case of a tribunal, Parliament will receive a petition, and if MPs are satisfied, they will forward the petition to the President, who will then suspend the commissioner(s) and appoint a tribunal to investigate any adverse claims.
However, Article 134 of the Constitution gives the President remarkably limited power during temporary incumbency.
Under that Article, President Uhuru became a caretaker president soon after the Supreme Court verdict.
Temporary incumbency is defined as a person who holds the office of President or who the Constitution authorises to exercise the powers of the President; during the period commencing on the date of the first vote in a presidential election, and ending when the newly-elected president assumes office.
Some of the powers taken from President Uhuru now include; the nomination or appointment of judges of superior courts; the nomination or appointment of any other public officer and the nomination, appointment or dismissal of Cabinet Secretaries.
This means that even if the political class agrees to push out IEBC like they did last year when they sent home the Isaack Hassan-led team, the law ties Uhuru's hands.
Friday, Chebukati sought to exonerate the seven commissioners from any culpability, saying his team only assumed office seven months before the polls while inviting the Director of Public Prosecutions (DPP) to probe officers who bungled the elections.
"There are certain issues that will be raised concerning the errors. Whoever was part of the problem will have to take individual responsibility. As of now, I did not hear, in the judgement, I did not hear any mention with regard to the electoral commission chairman," Chebukati said.


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The Tarragon Times
Foster's Art Collection
Monochrom (Typ 246)
Tesla at Chadstone
Queen's Dresses 60 Years
GH1 Portrait – How it was done
Portrait – December 2014
My Photography Background
Old HTML Home page
My Excite Bookmarks
My Old Bookmarks
The Making of Steinway L1037
Coronation of Queen Elizabeth II – 2nd June 1953 – The Day
19 September, 2020 2 June, 2013 by John
The Coronation of Queen Elizabeth II took place 60 years ago today. I had looked forward to it for about a year after reading about the history and traditions, in The Illustrated London News special issues and weekly editions, in Mum's copies of The Australian Women's Weekly (and it was weekly in those days) and in newspapers and in newsreels at the two picture theatres in Mount Gambier. In those days we didn't have television in Australia, so we listened to the BBC radio broadcast relayed via the ABC. And in those days you had to buy an annual licence to listen to the radio. They had inspectors travelling around in vans with equipment to detect if any homes were receiving radio and didn't have a licence.
So, on the night of Tuesday, 2nd June 1953, at our home in Mount Gambier, my parents and I listened to the Coronation of our Queen on the radio. Bear in mind that the Coronation service is a solemn religious ceremony with a Holy Communion service forming part of it (a Mass in Roman Catholic terms), and that the Queen is the Head of the Church of England. I am an Anglican and did my Catechism training and was attended a service of Confirmation in 1949 conduction by the Bishop of Adelaide. So bear in mind that the Queen is not only our Head of State but is also the Head of my church.
My father was a church warden and did a lot of work for the local church, including organizing working bees. He followed the Coronation service during the radio broadcast with a book presented to him by Canon Gooden.
And here is the book, albeit a little faded after 60 years.
The above photo shows some of the text of the service and then the music that follows the prayer on the left. A large part of the book is taken up with the music pages. One of my favourite pieces of music from the Coronation service is Zadok the Priest by Handel. It follows the Anointing.
I am now going to let you experience part of the Coronation service as we heard it on the radio. Firstly, the Introduction to the broadcast by the Archbishop of Canterbury – in which he explains the importance of the Anointing – and then that part of the ceremony. Oh yes, it's years before stereo. But this is a recording of the real thing. And unlike many (dare I say most) recordings of Zadok the Priest, this one ends with a huge church organ coming in.
Note the volume control on the left of the audio player.
The Introduction by the Archbishop of Canterbury
The last part of the Anointing ceremony
At the end of the service there is a Recess in which the Queen and her six Maids of Honour withdraw to the Chapel of St Edward the Confessor behind the altar. The Commonwealth Prime Ministers and some senior members of the Royal family and the Duke of Edinburgh then begin to leave in a formal procession. This is the first recording below. In the second recording the Queen then emerges from the Chapel with her Maids of Honour to the sounds of God Save The Queen. She is wearing the Imperial State Crown and is wearing a long purple and ermine train.
The Recess
The Queen emerges from room behind the altar in full regalia.
Shown above is my set of 3 LPs of the complete service. Each album cover has a royal Coat of Arms on the left side of the "His Master's Voice" logo and a royal Coat of Arms on the right side of the logo. They are both different. The one on the left is the Coat of Arms of King George VI, and the one on the right is that of his mother, Queen Mary. The mp3 recordings in this post were recorded from the CD version of the above albums.
Interestingly, the Coat of Arms and wording relating to the appointment by Queen Mary is shown a little smaller on the record album cover than that of her son King George VI. It reminded me of the late 1960's and early 1970's when I used to assist with the preparation of the Elders-GM annual report. On the pages on which the names of senior executives were listed, very careful attention was paid to the size of type and location on the pages for each of each name according to the status and hierarchical ranking of the executive concerned. On the HMV record albums, I suspect there is a distinction between the appointments by King George VI who was a sovereign, and Queen Mary who was a Consort (of King George V).
(The above photos were taken with my Canon 5D Mark III and Canon EF 100mm f2,8L IS USM lens.)
A week or so after the Coronation black & white newsreel footage was shown at the two picture theatres in Mount Gambier, but it was a while before the feature length colour movie A Queen is Crowned arrived and was shown at the Odeon theatre.
The main part of the documentary, narrated by Laurence Olivier, is on YouTube as a single video with 7 parts that begins with part 1 and when that finishes playing it automatically moves to the next part, and so on until the end of the 7th part. Here it is:
Please note that this documentary is feature length – about 70 minutes – not full length. Large parts of the Coronation service have been shortened or left out entirely, including most of the prayers, the Communion service and hymns. As an example, the Anointing is mentioned, and the Queen is shown dressed in the white robe for it, and we see four Knights of the Garter bring out a canopy of cloth of gold for the Anointing, but the words of the Archbishop and the Anointing itself is not included, nor the music and singing of Zadok the Priest immediately afterwards (as you can hear in the Anointing recording extract above). But the documentary plays a little of this music at an earlier part of the service where the Queen moves to kneel at the Altar to kiss the Bible and a document confirming that she will keep the Oaths she has just taken.
Something to think about when watching the service is not just the pageantry and ceremony, but the reasons behind the Recognition, the various Oaths and the Anointing. If you have watched the TV series The Tudors or other TV series or movies about the times that followed, or read about them, you'd know that it would be wise to get the new monarch to take some oaths to protect the people and the church, and to kiss the Bible and sign a declaration promising to keep those oaths. But in those days, I suppose the ruling monarch, be it King or Queen, took their oaths as seriously as politicians these days keep their election promises. Queen Elizabeth II has kept all her oaths.
Another thing to think about when watching the Coronation service is to note all the robes and trains the Queen wears from the time she leaves Buckingham Palace until the time she reappears after the service from the Chapel of St Edward the Confessor and follows the procession leaving the Abbey. Also, when leaving the Palace she is wearing the George IV diadem, and then is crowned with the heavy gold and gem encrusted St Edwards Crown, and finally leaves wear the Imperial State Crown. It must have been difficult to remain totally poised and composed for so long, under such close scrutinity.
If you would like another way of looking at the above video, where you can select each part of its 7 parts individually, then go to the YouTube link here.
The following is a much shorter, black & white film of the Coronation.
After the Coronation, The Illustrated London News had a special issue on Saturday, June 6, 1953:
One of the double spreads in this issue was about news before the day of the Coronation.
The left page was about the historic climbing of Mount Everest for the first time, and the right page showed more photos of the decorations in London. The capital cities in Australia also had some decorations. The 60th anniversary of the climbing of Mount Everest and reaching the summit on 29 May 1953 has received a lot of publicity in the past week on the date of the anniversary. However, in 1953, the news of this historic achievement did not reach London until the morning of the Coronation.
The above spread shows the Queen seated with her Maids of Honour for taking the Oaths; below that the Queen's red train has been removed and she is now wearing the gold cloth robe for the crowning and the overhead photo on the right shows the whole scene in the Abbey at the moment of crowning, with St. Edward's Crown raised above her head.
Here is a sketch of the same scene, at a lower angle. The Archbishop and the Queen are to the left of the middle of the spread, with the Queen seated on the chair of St. Edward the Confessor. On the right page is the throne, which the Queen is later lifted onto by the bishops. You can see the throne and steps leading up to it in the overhead view in the spread above this one. After the Queen is seated on throne, the Homage begins. A painting of it from a later issue of The Illustrated London News is at the bottom of this post.
The above spread in The Illustrated London News shows photos of the Queen and the Queen Mother leaving the Abbey.
The Queen's procession after leaving the Abbey was preceded by an amazing succession of troops and military bands from all Commonwealth countries and a host of dignitaries and members of the Royal family. Sir Winston Churchill in his Garter robes was among them, and Queen Salote of Tonga was a hugely popular with the public.
Official Portraits by Cecil Beaton
I have owned Cecil Beaton The Royal Portraits by Roy Strong since it was published by Thames and Hudson in 1988 and I saw it at the Angus & Robertson bookshop in Prahran (suburb of Melbourne). It cost $49.95 and has been well worth it for the enjoyment I have had from it over the years. It is still available at varying prices, and can be bought from Amazon.com or Amazon.co.uk if it can't be found at a local bookstore. The author's narrative is well-researched and well-written, as befits Roy Strong who was director of the Victoria & Albert Museum until 1987. It has 290 photos, 20 in color (although not rich colour), with some not seen before, and it includes many extracts from Beaton's unpublished diaries, in which he writes frankly about the photo shoots / portrait sittings and his subjects.
Beaton was thrilled to be appointed the official portrait photographer for the Coronation:
The call from the Palace to say the Queen wanted me to do the Coronation photographs for posterity was such a relief as well as a joy and thrill. Another lease of life given me in my photographic career. "Would you please not tell anyone about it yet as when the news gets out so many people will ring up to know why they aren't being asked — and the Queen wants you". That night at a Ball I saw the young Queen and thanked her — "No, I'm very glad you're going to take them" she said, "but we'll be with circles down to here by then (she pointed halfway down her cheeks) then the crown comes right down to here (to the eyes) then the court train comes bundling up here and I'm out to here (sticks stomach out). There are layers upon layers — skirt and mantles and trains". She spoke like a young girl, full of high spirits and wonder — without any feeling of the weight of tradition …
The above portrait taken by Cecil Beaton of the Queen on the day of the Coronation is probably the most famous portrait of the event. It was taken in a room at Buckingham Palace against a studio type background.
The book has the colour photo, and also the black and white photo:
Here is part of what Beaton had to say about it in his diary:
Then the Queen came in with her ladies, cool, smiling, mistress of the situation — but tired — I suggested that she sit alone for some pictures by herself against my Abbey background. The lighting wasn't very good but no time to readjust — every minute of importance. Yes, I was banging away — getting pictures in the can at a great rate, but I had only the foggiest notion of what I was doing — if taking black and white or colour. If giving the right exposure. The Queen looked very small under her robes and crown, her nose and hands rather pink — also her eyes somewhat tired. Yes in reply to my question, the crown does get rather heavy. One couldn't imagine that she had been wearing it now for nearly 3 hours. The Duke of E stood by making wry jokes … He doesn't like me, would have preferred his friend Baron to take the snaps, and therefore was adopting a rather ragging attitude towards the proceedings. However, I tried in the few seconds at my disposal ( like a vaudeville comedian establishing contact with his audience) to keep the situation light and movement so that no one could settle down . . . Like a juggler I moved the groups about — I took some of the Queen and the Duke and he had a grin on his face which ruined a few pictures but kept him in a good mood. Once I said in a cursory manner to the Queen what shall we do now? Will you go into the corner Ma'am ? Go into the corner? She looked at me with wide eyes and a wide smile. No time for explanations. I took some of the Duke alone and they should be good — because he was nevertheless in spite of his preconceived notions about me, flattered by my attentions. He looked extremely handsome. Now to the other side of the room. The Queen and her ladies — Quickly, quickly, because this is just about the end. You must be tired Ma'am — yes — but this is the last thing we have to do — Now with the ladies in waiting — Can't we have the Duke? a slight alteration — You don't want me there do you — Oh yes — Oh no — well later. He went to get the Queen a glass of champagne. When they returned to watch the fly past (which we watched too from the inner balcony) Bill and my assistants drank the glass of the champagne which the Queen had only sipped — Back for more pictures — then the Gloucesters, but they were hurried off quickly for the Queen — again — only a few more of the Queen sitting at a table on which were my by now rather sad Etoile d'Hollande roses and clematis from Reddish — Now that's all. All over except the Kents … mother nagging children, children nor mother ever still — oh my feet — oh I'm so tired — oh you moved Eddie … You ruined that one Alexandra ! … Oh Oh Oh ! — so that was all —
In this page of the book you can see Beaton in his morning coat taking the above portrait. You can his lighting equipment, the background, and part of the room they are in. Below that on the page are proofs of some of the approved photos he took.
This might show Beaton's proofs in the book more clearly. I could show it better if I bought another copy of the book and ripped its page out to scan them, but that isn't going to happen.
The above photo shows the Queen Mother in the robes she wore at the Coronation of her daughter. They are the same robes that she wore at the Coronation of her husband King George VI in 1937 – the year I was born.
Shown above is the colour photo that Cecil Beaton took of the Queen and her six Maids of Honour.
In the months after the Coronation I bought several other books about the event, and I treasure them all, but one that stands out is Elizabeth Crowned Queen. My book is in a plain cardboard carton addressed to me. I think I would have ordered the book from an advertisement in The Advertiser, Adelaide's broadsheet main newspaper which we had delivered to our home in Mount Gambier every day, around midday or early afternoon.
I've chosen only one spread from the book:
On the left page it shows the crowds waiting to see the procession – and the umbrellas needed in the rainy day. On the right it shows the Coronation Coach proceeding through Trafalgar Square. Note the huge crowds, and Nelson's column.
Back to The Illustrated London News –
CLICK ON THE CROPPED PHOTOS BELOW TO SEE IN FULL
The above spread from The Illustrated London News shows the main participants in the Coronation ceremony watching the flyover from the Buckingham Palace balcony. Below is a Cecil Beaton portrait of the whole Royal Family who attended the Coronation. I think this is an amazing photograph. Just think about it if you were the sovereign and this was your family.
Categories Experiences, General, Music, Royal, video Tags audio, books, Coronation, Experiences, music, Royal, YouTube Post navigation
Coronation of Queen Elizabeth II – 2nd June 1953 – The lead-up
Coronation of Queen Elizabeth II – 2nd June 1953 – Looking back
2 thoughts on "Coronation of Queen Elizabeth II – 2nd June 1953 – The Day"
5 June, 2013 at 1:53 am
Marvellous John!
This has certainly brought me up-to-date on your devotion to British Royalty and all its traditions. Sir Laurence Olivier certainly had a great script to work with to his usual very high standard.
Queen Elizabeth looked so composed at all times and her Duke looked so much younger than I have grown accustomed to seeing him. And the Queen Mother looked so proud in church and in control of proceeding on the Royal Balcony too.
Listening to these recordings has made up for the lack of ceremony & documentaries on TV this time around.
You have some prized memeories and keepsakes of your Father to go with this special occasion.
Am I right in hearing that the words of "Zadok the Priest by Handel" included regular refrains of "God save the King"?
Only thing is … I did see even one "short-tailed weasel (ermine)" in any "train" in above videos at all.
Keep up the enjoyable and highly informative works John.
Cheers, Ralph
5 June, 2013 at 11:41 pm
Hi Ralph.
You are correct in hearing the words "God Save the King" repeated in the coronation anthem Zadok the Priest. It was composed by George Frederick Handel for the coronation of George II in 1727 at Westminster Abbey (where he is buried). The anthem is traditionally performed after the anointing. The words are based on the following text from the King James Bible – I KINGS: 1 38-40 –
38. So Zadok the priest, and Nathan the prophet, and Benai'ah the son of Jehoi'ada, and the Cher'ethites, and the Pel'ethites, went down, and caused Solomon to ride upon king David's mule, and brought him to Gihon.
39. And Zadok the priest took a horn of oil out of the tabernacle, and anointed Solomon. And they blew the trumpet; and all the people said, God save king Solomon.
40. And all the people came up after him, and the people piped with pipes, and rejoiced with great joy, so that the earth rent with the sound of them.
The opening words of the anthem are:
Zadok the Priest, and Nathan the Prophet anointed Solomon King.
And all the people rejoic'd, and said:
God save the King! Long live the King!
May the King live for ever.
Unfortunately, the technology of the day used to record such a large choir in a cathedral, and then reduced to mp3 for the audio in my post, make it difficult or impossible to hear that the anthem is about the anointing of King Solomon.
Solomon was played by Yul Brynner in the 1959 movie Solomon and Sheba.
Vale our beloved Queen
Fleet Foxes again
Ralph on Vale our beloved Queen
John on Vale our beloved Queen
Stuart Halsey on Music 2
John on Music 2
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Tanang - Sangli
Tanang Population - Sangli, Maharashtra
Tanang is a large village located in Miraj Taluka of Sangli district, Maharashtra with total 824 families residing. The Tanang village has population of 3772 of which 1994 are males while 1778 are females as per Population Census 2011.
In Tanang village population of children with age 0-6 is 391 which makes up 10.37 % of total population of village. Average Sex Ratio of Tanang village is 892 which is lower than Maharashtra state average of 929. Child Sex Ratio for the Tanang as per census is 926, higher than Maharashtra average of 894.
Tanang village has higher literacy rate compared to Maharashtra. In 2011, literacy rate of Tanang village was 84.27 % compared to 82.34 % of Maharashtra. In Tanang Male literacy stands at 91.85 % while female literacy rate was 75.72 %.
As per constitution of India and Panchyati Raaj Act, Tanang village is administrated by Sarpanch (Head of Village) who is elected representative of village. Our website, don't have information about schools and hospital in Tanang village.
Tanang Data
Population 3,772 1,994 1,778
Child (0-6) 391 203 188
Schedule Tribe 46 27 19
Total Workers 1,669 1,163 506
Main Worker 1,422 - -
Marginal Worker 247 120 127
Schedule Caste (SC) constitutes 24.39 % while Schedule Tribe (ST) were 1.22 % of total population in Tanang village.
In Tanang village out of total population, 1669 were engaged in work activities. 85.20 % of workers describe their work as Main Work (Employment or Earning more than 6 Months) while 14.80 % were involved in Marginal activity providing livelihood for less than 6 months. Of 1669 workers engaged in Main Work, 568 were cultivators (owner or co-owner) while 294 were Agricultural labourer.