text:
O. Reg. 452/05: GENERAL
under Film Classification Act, 2005, S.O. 2005, c. 17
current December 8, 2020 – (e-Laws currency date)
July 27, 2020 – December 7, 2020
October 1, 2019 – July 26, 2020
August 31, 2005 – September 30, 2019
July 29, 2005 – August 30, 2005
Film Classification Act, 2005
ONTARIO REGULATION 452/05
Historical version for the period August 31, 2005 to September 30, 2019.
Categories and Classification
Classification by Film Board
Certificate of classification
Classification by Software Board
Reconsideration for non-adult sex films
Adult sex films
Reconsideration
Disentitlement to licence
Notice of Tribunal's order
Term of licence
Regulation of Licensees
Conditions of licences
Labelling of films for distribution
Records for adult sex films
Advertising of films for exhibition
Signs for films for exhibition
Certificate to be kept with film
Exemption determination
Exemption from classification
Exemption from licence
Classification symbols
1. (1) In this Regulation,
"adult sex film" means a film that has, as its main object, the depiction of explicit sexual activity; ("film à caractère sexuel pour adultes")
"cassette" means the physical structure that contains a film and includes a video tape, video disk, or other similar thing; ("cassette")
"exterior container" means the packaging that is designed or intended to contain a cassette of a film for display purposes; ("jaquette")
"Film Board" means the Ontario Film Review Board; ("Commission cinématographique")
"film festival" means an event that is held for the purpose of the appreciation of film as an art form, that is held not more than twice in a year for a period of no more than 14 days and that is organized by a corporation that,
(a) does not have gain for any of its objects,
(b) has a board of directors composed of members of the community that the event intends to serve, and
(c) receives funds to support the event from a municipal, provincial or federal government in Canada; ("festival de films")
"public art gallery" means a corporation that has as its primary objective the collection, preservation, interpretation or exhibition of works in the visual arts and that,
(b) has a board of directors composed of members of the community that the gallery intends to serve,
(c) has been incorporated for at least one year or has been exhibiting film for at least one year,
(d) receives funds to support its primary objective from a municipal, provincial or federal government in Canada, and
(e) has fixed premises from which it conducts its activities; ("musée d'art public")
"public library" means a public library established or continued under the Public Libraries Act; ("bibliothèque publique")
"school" means a private school and a school within the meaning of subsection 1 (1) of the Education Act and includes a College of Applied Arts and Technology and a post-secondary educational institution; ("établissement d'enseignement")
"Software Board" means the Entertainment Software Rating Board; ("Commission des logiciels de loisirs")
"trailer" means a film that is used for advertising purposes in connection with the distribution or exhibition of another film; ("bande-annonce")
"video game" means a film in the format of an interactive game of skill, dexterity or knowledge where the player of the game varies the nature or sequence of the visual images by operating the device producing the images, which device may include a computer, a gaming system, a console or other technology. ("jeu vidéo") O. Reg. 452/05, s. 1 (1).
(2) In the Act and this Regulation,
"licence" means a licence issued for the purposes of section 13 of the Act; ("permis")
"licensee" means the holder of a licence; ("titulaire de permis")
"offer to distribute", as a verb, includes to expose for distribution, to have in possession for distribution and to make available for distribution, and as a noun has a corresponding meaning. ("offrir de distribuer") O. Reg. 452/05, s. 1 (2).
(3) In the absence of evidence to the contrary, a film is presumed to be an adult sex film if there are words, images or a combination of them on the cassette or exterior container of the film that would lead a reasonable person to believe that the film is an adult sex film. O. Reg. 452/05, s. 1 (3).
(4) A payment-based amusement device producing interactive digital images that can be varied by the person operating the device, a device that is commonly known as an arcade game, is exempted from the definition of "film" in section 1 of the Act. O. Reg. 452/05, s. 1 (4).
2. The following categories of film are prescribed:
1. Adult sex films.
2. Video games.
3. Films other than adult sex films and video games. O. Reg. 452/05, s. 2.
3. (1) The Film Board is designated to review and classify films, other than video games that the Software Board has classified. O. Reg. 452/05, s. 3 (1).
(2) The Film Board shall not review and classify an adult sex film if a person other than a Class B Distributor licensee submits it to the Board for review and classification. O. Reg. 452/05, s. 3 (2).
(3) A person who under this section submits a film to the Film Board for classification shall pay the fee that the Minister orders. O. Reg. 452/05, s. 3 (3).
(4) A panel of the Film Board composed of the number of members whom the chair specifies may do the review and classification. O. Reg. 452/05, s. 3 (4).
(5) The following are the classifications for all films classified by the Film Board:
1. "General", "Général" or "G".
2. "Parental Guidance", "Surveillance parentale recommandée" or "PG".
3. "14A".
5. "Restricted", "Réservé aux adultes" or "R". O. Reg. 452/05, s. 3 (5).
(6) A film classified as "General", "Général" or "G" is one that is appropriate for viewing by a person of any age. O. Reg. 452/05, s. 3 (6).
(7) A film classified as "Parental Guidance", "Surveillance parentale recommandée" or "PG" is one where parents should exercise discretion in permitting a child to view. O. Reg. 452/05, s. 3 (7).
(8) A film classified as "14A" shall not be exhibited except to persons 14 years of age or older or to persons younger than 14 years of age who are accompanied by an adult. O. Reg. 452/05, s. 3 (8).
(9) A film classified as "18A" shall not be distributed except to persons 18 years of age or older and shall not be exhibited except to persons 18 years of age or older or to persons younger than 18 years of age who are accompanied by an adult. O. Reg. 452/05, s. 3 (9).
(10) A film classified as "Restricted", "Réservé aux adultes" or "R" shall not be distributed or exhibited except to persons 18 years of age or older. O. Reg. 452/05, s. 3 (10).
(11) The Film Board may classify a film on the basis of documentation, without reviewing the film, if,
(a) the film is to be exhibited for a limited period of time or at a specified premises;
(b) the film is to be exhibited only at a film festival, in and under the sponsorship of a public library or at the fixed premises occupied by a public art gallery;
(c) the film promotes political goals or religious practices or beliefs;
(d) the film is ordinarily intended for viewing by all children;
(e) the film consists of a record of a concert, a theatrical stage production or a cultural, sporting or athletic event;
(f) the film has previously been transmitted in a manner capable of being received in Ontario by home receptors in the version that it was transmitted;
(g) the film is designed to provide information, education or instruction;
(h) the film is designed for the purpose of advertising, demonstrating or instructing in the use of products or services and is not a trailer; or
(i) the film has previously been classified and includes portions of film added to the film since it was classified and the documentation identifies and describes the added portions. O. Reg. 452/05, s. 3 (11).
(12) If a film is classified under clause (11) (a) or (b), the exhibition of the film is restricted to the period of time and the premises that the Film Board specifies in the certificate of classification of the film issued under subsection 4 (1). O. Reg. 452/05, s. 3 (12).
(13) The classification of a trailer is subject to the restriction that no person shall exhibit the trailer with another film if the classification of the trailer is described in a paragraph of subsection (5) with a higher number than the paragraph of that subsection that describes the classification of the film. O. Reg. 452/05, s. 3 (13).
(14) The classification of a film made under the Theatres Act before the day that section 51 of the Film Classification Act, 2005 comes into force is continued under the latter Act except that a film classified as "adult accompaniment" before that day is continued as the classification "14A" under the latter Act. O. Reg. 452/05, s. 3 (14).
4. (1) On classifying a film under section 3, the Film Board shall issue a certificate of classification of the film to the person who submitted the film for classification. O. Reg. 452/05, s. 4 (1).
(2) If the film is an adult sex film that the Film Board has approved under section 8, the certificate of classification shall indicate that the Board has approved the film. O. Reg. 452/05, s. 4 (2).
(3) The Film Board shall issue a copy of a certificate of classification for a film to a person who submitted the film for classification and who pays the fee that the Minister orders. O. Reg. 452/05, s. 4 (3).
5. (1) The Film Board is designated to hear an appeal of a classification decision with respect to a film, other than a video game that the Software Board has classified. O. Reg. 452/05, s. 5 (1).
(2) To appeal a classification decision, a person shall, within 14 days of receiving a certificate of classification of the film,
(a) resubmit the film to the Film Board;
(b) give the Board a written notice of appeal or make an oral request of appeal to the Board; and
(c) pay the fee that the Minister orders. O. Reg. 452/05, s. 5 (2).
(3) The Film Board may require that the appellant provide the Board with written or oral grounds for the appeal. O. Reg. 452/05, s. 5 (3).
(4) A panel of the Film Board composed of the number of members that the chair specifies, which shall be no fewer than three, may hear the appeal. O. Reg. 452/05, s. 5 (4).
(5) The Film Board may allow the appellant to make and respond to submissions orally, in writing or through whatever other means the Board specifies. O. Reg. 452/05, s. 5 (5).
(6) On deciding the appeal, the Film Board shall,
(a) issue a new certificate of classification that complies with section 4 to the appellant, if the Board changed the classification on the appeal; or
(b) give a notice of decision to the appellant, if the Board did not change the classification on the appeal. O. Reg. 452/05, s. 5 (6).
6. (1) The classification decisions that the Software Board has made for video games that are not adult sex films are classifications for the purposes of the Act. O. Reg. 452/05, s. 6 (1).
(2) A video game that the Software Board has classified as "Mature" shall not be distributed or exhibited except to persons 17 years of age or older. O. Reg. 452/05, s. 6 (2).
(3) A video game that the Software Board has classified as "Adults Only" shall not be distributed or exhibited except to persons 18 years of age or older. O. Reg. 452/05, s. 6 (3).
7. (1) The Film Board is designated to reconsider a classification decision with respect to a film that is not an adult sex film if the director is of the opinion that the classification should be reconsidered. O. Reg. 452/05, s. 7 (1).
(2) A panel of the Film Board composed of the number of members that the chair specifies, which shall be no fewer than three, may reconsider the classification decision. O. Reg. 452/05, s. 7 (2).
(3) On deciding a reconsideration, the Film Board shall,
(a) give a written notice of the decision to the director and to the person who submitted the film to the Board for classification; and
(b) issue a new certificate of classification that complies with section 4 to the person, if the Board changed the classification on the reconsideration. O. Reg. 452/05, s. 7 (3).
8. (1) Films of the category "adult sex film" are designated for the purposes of section 7 of the Act. O. Reg. 452/05, s. 8 (1).
(2) The Film Board is designated to review and approve or to refuse to approve adult sex films. O. Reg. 452/05, s. 8 (2).
(3) A panel of the Film Board composed of the number of members that the chair specifies may review and approve or refuse to approve a film under this section. O. Reg. 452/05, s. 8 (3).
(4) For the purposes of clause 7 (1) (c) of the Act, in exercising its powers to review and approve or refuse to approve a film under this section, the Film Board shall consider the film in its entirety, take into account the general character of the film and consider whether the film includes a depiction of,
(a) explicit sexual activity coupled with violence;
(b) explicit sexual activity that is degrading or dehumanizing; or
(c) a person who is under the age of 18 years or is intended to represent someone under that age and the person appears,
(i) nude or partially nude in a sexually suggestive context, or
(ii) in a scene of explicit sexual activity. O. Reg. 452/05, s. 8 (4).
(5) The Film Board shall approve a film under this section if it does not include a depiction described in subsection (4) and may refuse to approve a film under this section if it includes such a depiction. O. Reg. 452/05, s. 8 (5).
(6) On refusing to approve a film, the Film Board shall give notice of the decision to the person who submitted the film for approval and the Board shall not classify the film. O. Reg. 452/05, s. 8 (6).
(7) On approving a film, the Film Board shall retain a copy of the film and forward the film to the director. O. Reg. 452/05, s. 8 (7).
(8) At the time that the director considers appropriate, the director may destroy or dispose of films that the director receives under subsection (7). O. Reg. 452/05, s. 8 (8).
(9) The director may retain, for the time that the director considers appropriate, all films that the Director under the Theatres Act was retaining under that Act on the day section 51 of the Film Classification Act, 2005 comes into force and may destroy or dispose of the films after that time. O. Reg. 452/05, s. 8 (9).
(10) An adult sex film that was approved under the Theatres Act before the day that section 51 of the Film Classification Act, 2005 comes into force shall be deemed to be approved under this section. O. Reg. 452/05, s. 8 (10).
9. (1) The Film Board is designated to hear an appeal of an approval decision with respect to a film. O. Reg. 452/05, s. 9 (1).
(2) To appeal an approval decision, a person shall, within 14 days of receiving notice of the decision,
(6) On deciding the appeal, the Film Board shall give a notice of decision to the appellant. O. Reg. 452/05, s. 9 (6).
10. (1) The Film Board is designated to reconsider an approval decision with respect to a film if the director is of the opinion that the decision should be reconsidered. O. Reg. 452/05, s. 10 (1).
(2) A panel of the Film Board composed of the number of members that the chair specifies, which shall be no fewer than three, may make the reconsideration. O. Reg. 452/05, s. 10 (2).
(3) On making the reconsideration, the Film Board shall give a notice of decision to the director. O. Reg. 452/05, s. 10 (3).
11. (1) The following classes of licences are established:
1. Class A Exhibitor.
2. Class B Exhibitor.
3. Class C Exhibitor.
4. Class A Distributor.
5. Class B Distributor.
6. Class A Retailer.
7. Class B Retailer. O. Reg. 452/05, s. 11 (1).
(2) A Class A Exhibitor licence authorizes the licensee to exhibit or offer to exhibit films, other than adult sex films, at the premises specified in the licence. O. Reg. 452/05, s. 11 (2).
(3) A Class B Exhibitor licence authorizes the licensee to exhibit or offer to exhibit adult sex films at the premises specified in the licence. O. Reg. 452/05, s. 11 (3).
(4) A Class C Exhibitor licence authorizes the licensee to exhibit or offer to exhibit films, other than adult sex films, at premises, commonly known as a drive-in theatre, where the public views the films from vehicles. O. Reg. 452/05, s. 11 (4).
(5) A Class A Distributor licence authorizes the licensee to distribute or offer to distribute films, other than adult sex films, to other persons for the purposes of distributing or exhibiting the films. O. Reg. 452/05, s. 11 (5).
(6) A Class B Distributor licence authorizes the licensee to distribute or offer to distribute,
(a) films, other than adult sex films, to other persons for the purposes of distributing or exhibiting the films; or
(b) adult sex films only to a Class B Exhibitor licensee, a Class B Distributor licensee or a Class B Retailer licensee. O. Reg. 452/05, s. 11 (6).
(7) A Class A Retailer licence authorizes the licensee to distribute or offer to distribute films, other than adult sex films, to the public. O. Reg. 452/05, s. 11 (7).
(8) A Class B Retailer licensee shall not distribute or offer to distribute an adult sex film unless the licensee has obtained it from a Class B Distributor licensee. O. Reg. 452/05, s. 11 (8).
(9) A Class B Retailer licence authorizes the licensee to distribute or offer to distribute films, including adult sex films, to the public. O. Reg. 452/05, s. 11 (9).
(10) A licence issued under the Theatres Act that is specified in Column 1 of the following Table and that was in force immediately before section 51 of the Film Classification Act, 2005 comes into force is continued as a licence that is specified in Column 2 of the Table opposite it under the latter Act:
Column 1 - Licence issued under the Theatres Act
Column 2 - Licence issued under the Film Classification Act, 2005
Class A theatre licence
Class A and B Exhibitor licence
Class B theatre licence
Class C theatre licence
Class C Exhibitor licence
Film exchange — distributor licence as defined in Regulation 1031 made under the Act
Class B Distributor licence
Film exchange — retailer licence as defined in Regulation 1031 made under the Act
Class B Retailer licence
O. Reg. 452/05, s. 11 (10).
12. (1) An application for a licence or a renewal of a licence shall be accompanied by the fee that the Minister orders under clause 46 (1) (f) of the Act. O. Reg. 452/05, s. 12 (1).
(2) For the purposes of subsection 18 (2) of the Act, an applicant for the issuance or renewal of a licence who is an individual must be at least 18 years of age. O. Reg. 452/05, s. 12 (2).
(3) If the Director, on a hearing under subsection 6 (1) or section 12, 14, 41, 44 or 52 of the Theatres Act, has not made a decision to issue or refuse to issue or renew a licence or to suspend or cancel a licence by the day on which section 51 of the Film Classification Act, 2005 comes into force, those provisions of the Theatres Act, as applicable, continue to apply to the film until the time that the Director makes a decision under them. O. Reg. 452/05, s. 12 (3).
13. (1) The following persons are prescribed for the purposes of clause 19 (1) (d) of the Act:
1. A person who is an interested person in respect of the applicant.
2. A person who, alone or together with another person, at any time has a direct or indirect controlling interest in the applicant. O. Reg. 452/05, s. 13 (1).
(2) For the purposes of this section, a person shall be deemed to be an interested person in respect of another person if, in the opinion of the registrar,
(a) the person has or may have a beneficial interest in the other person's business;
(b) the person exercises or may exercise control either directly or indirectly over the other person; or
(c) the person has provided or may have provided financing either directly or indirectly to the other person's business. O. Reg. 452/05, s. 13 (2).
(3) In determining whether a person or a person together with another person has a controlling interest in an applicant that is a corporation, the total number of equity shares of the corporation that are beneficially owned or controlled shall be calculated as the total number of all shares that are beneficially owned or controlled but each share that carries the right to more than one vote shall be calculated as the number of shares equalling the total number of votes that it carries. O. Reg. 452/05, s. 13 (3).
14. On making an order with respect to a licence under subsection 23 (6) of the Act, the Tribunal shall give a copy of its order to the person who requested the hearing before the Tribunal and to the registrar. O. Reg. 452/05, s. 14.
15. (1) A licence expires on the day specified in the licence unless the registrar suspends, revokes or cancels it in accordance with the Act. O. Reg. 452/05, s. 15 (1).
(2) The time prescribed for the purposes of subsection 26 (2) of the Act is the time period of two weeks from the day specified in a licence for the expiration of the licence. O. Reg. 452/05, s. 15 (2).
16. (1) A licence is subject to the conditions set out in this section. O. Reg. 452/05, s. 16 (1).
(2) A licensee shall not carry on a business with respect to films under a name other than the name appearing on the licence. O. Reg. 452/05, s. 16 (2).
(3) A licensee shall not carry on a business with respect to films at more than one premises in Ontario unless the licensee obtains a separate licence for each premises and each licence is valid only for the premises specified in the licence. O. Reg. 452/05, s. 16 (3).
(4) A licensee who does not carry on a business with respect to films at premises in Ontario shall maintain a permanent address for service in Ontario. O. Reg. 452/05, s. 16 (4).
(5) A licensee who carries on a business with respect to films through a website shall state the licence number and the class of the licence on the website. O. Reg. 452/05, s. 16 (5).
(6) A licensee shall notify the registrar, in the form and manner that the registrar specifies, within at least five days of making a change in the information contained in the licensee's application for a licence or a renewal of a licence. O. Reg. 452/05, s. 16 (6).
17. (1) No person shall distribute or offer to distribute a film classified on or after January 1, 2006, including a film whose classification the Film Board has reconsidered after that day but not including a film approved or deemed to be approved under section 8 or a film distributed for the purpose of exhibition only, unless the cassette or exterior container of the film indicates the classification of the film. O. Reg. 452/05, s. 17 (1).
(2) If the film is not a video game, the indication of the classification of the film required under subsection (1) shall,
(a) be done using the symbol set out in Schedule 1 that corresponds to the classification of the film; or
(b) be in the form authorized by the Canadian Home Video Rating System. O. Reg. 452/05, s. 17 (2).
(3) If the film is a video game that the Film Board has classified, the indication of the classification of the film required under subsection (1) shall be done using the symbol set out in Schedule 1 that corresponds to the classification of the film. O. Reg. 452/05, s. 17 (3).
(4) The symbol required by clause (2) (a) or subsection (3) shall be the symbol in English and, if the person who distributes or offers to distribute the film so wishes, may also be the symbol in French. O. Reg. 452/05, s. 17 (4).
(5) No person shall distribute or offer to distribute a film approved or deemed to be approved under section 8 unless a sticker that includes the classification and approval of the film and that is issued by the director or in a form approved by the director is affixed to,
(a) the exterior container; and
(b) the cassette, unless the director is of the opinion that affixing the sticker would cause damage to the film or the Film Board approved the film before August 31, 2005. O. Reg. 452/05, s. 17 (5).
(6) If, for the purposes of subsection (5), the person distributing or offering to distribute the film uses a sticker that the director has issued, the person shall pay the fee that the Minister orders. O. Reg. 452/05, s. 17 (6).
(7) No person shall distribute or offer to distribute a film approved or deemed to be approved under section 8 that has affixed to it or the exterior container of it a sticker relating to another film. O. Reg. 452/05, s. 17 (7).
(8) The sticker that is affixed to the exterior container of a film approved or deemed to be approved under section 8 shall be in a conspicuous place on the outside of the container and under shrink wrapping, if any. O. Reg. 452/05, s. 17 (8).
(9) No person, other than the Class B Distributor licensee who submitted the film to the Film Board for classification and approval, its agent authorized in writing or a person designated by the registrar, shall purchase and affix an adult sex film sticker described in subsection (5) to a film approved or deemed to be approved under section 8. O. Reg. 452/05, s. 17 (9).
(10) A Class A or B Retailer licensee may not be an agent of a Class B Distributor licensee for the purposes of subsection (9). O. Reg. 452/05, s. 17 (10).
(11) No person shall affix an adult sex film sticker to a film that has not received classification and approval. O. Reg. 452/05, s. 17 (11).
(12) If the licence of a Class B Distributor licensee expires or if the registrar refuses to renew the licence or suspends, revokes or cancels it, the licensee shall return all unused adult sex film stickers in its possession to the registrar or, at the request of an inspector, to the inspector. O. Reg. 452/05, s. 17 (12).
18. (1) A Class B Distributor licensee shall maintain a record that includes an inventory of all adult sex films that the licensee distributes or offers to distribute including,
(a) the name and licence number of the licensee;
(b) the title of each film;
(c) the issuance number, if any, of the certificate of classification issued for each film under subsection 4 (1); and
(d) the batch numbers of the adult sex film stickers that the licensee has obtained for the purpose of affixing them to films. O. Reg. 452/05, s. 18 (1).
(2) A Class B Retailer licensee shall maintain a record that includes an inventory of all adult sex films that the licensee distributes or offers to distribute including,
(c) the number of copies of each film; and
(d) the name and licence number of the Class B Distributor licensee from whom the licensee obtained the film. O. Reg. 452/05, s. 18 (2).
(3) A licensee who is required to keep records under this section shall,
(a) keep them at the premises specified on the licence or, if the registrar specifies another premises, at that premises; and
(b) make them available for inspection and copying by an inspector during regular business hours at the address shown for the premises described in clause (a). O. Reg. 452/05, s. 18 (3).
(4) A licensee may maintain the records required under this section by means of an electronic device if a paper copy of the records can be readily produced for inspection and copying. O. Reg. 452/05, s. 18 (4).
19. (1) Every person who displays or otherwise uses advertising matter, except a trailer, in connection with the exhibition of a film shall indicate on the advertising,
(a) the classification of the film;
(b) the symbol set out in Schedule 1 that corresponds to the classification of the film; and
(c) if the Film Board has issued a content advisory for the film under subsection 6 (5) of the Act, the content advisory. O. Reg. 452/05, s. 19 (1).
(2) The symbol required by clause (1) (b) shall be the symbol in English and, if the person who uses advertising matter in connection with the exhibition of the film so wishes, may also be the symbol in French. O. Reg. 452/05, s. 19 (2).
20. (1) A Class A, Class B or Class C Exhibitor licensee that exhibits a film, other than a trailer, shall display a sign at all times in a conspicuous place at the principal entrance to the premises where the licensee exhibits the film. O. Reg. 452/05, s. 20 (1).
(2) The sign shall indicate,
(3) The sign shall be in English and, if the person who exhibits the film so wishes, may also be in French. O. Reg. 452/05, s. 20 (3).
(4) The symbol required by clause (2) (b) shall be the symbol in English and, if the person who exhibits the film so wishes, may also be the symbol in French. O. Reg. 452/05, s. 20 (4).
21. A licensee who exhibits a film shall ensure that the certificate of classification for the film issued under subsection 4 (1) or a copy of the certificate issued under subsection 4 (3) is kept with the film. O. Reg. 452/05, s. 21.
22. The Film Board is designated to review a film to determine whether it is exempt from a provision of the Act or the regulations if the director is of the opinion that an exemption determination should be made. O. Reg. 452/05, s. 22.
23. (1) A person is exempt from section 10 of the Act in respect of a particular film that the person distributes or offers to distribute if the film,
(a) promotes political goals or religious practices or beliefs;
(b) consists of animated images ordinarily intended for viewing by all children;
(c) consists of a record of an event or occasion provided to a person participating in the event or occasion;
(d) has previously been transmitted in a manner capable of being received in Ontario by home receptors without the use of satellite dishes, electronic descramblers or other devices used for the same purpose in the version that it was transmitted;
(e) is distributed only to a hospital or medical practitioner for use in medical education or treatment;
(f) is distributed only to a school for educational purposes;
(g) is distributed only to a public library;
(h) is designed to provide information, education or instruction and is not a film described in clause (e), (f) or (g);
(i) is designed for the purpose of advertising, demonstrating or instructing in the use of products or services and is not a trailer; or
(j) is a video game that the Software Board has not classified. O. Reg. 452/05, s. 23 (1).
(2) A person is exempt from section 10 of the Act in respect of a particular film that the person exhibits if,
(a) the film is an integral part of a concert, a theatrical stage production or a cultural, sporting or athletic event;
(b) the film is a transmission of a live concert, a live theatrical stage production or a live cultural, sporting, athletic or other similar type of event;
(c) subject to subsection (3), the person exhibits the film only at a film festival or in and under the sponsorship of a public library;
(d) subject to subsection (3), a public art gallery exhibits the film only at the fixed premises occupied by the gallery;
(e) the film is designed to provide information, education or instruction;
(f) the film is designed for the purpose of advertising, demonstrating or instructing in the use of products or services and is not a trailer;
(g) the film is transmitted to a private residence or premises for rented sleeping accommodation and is received only at the residence or premises; or
(h) the film is a video game that the Software Board has not classified. O. Reg. 452/05, s. 23 (2).
(3) Clauses (2) (c) and (d) do not apply if,
(a) the Film Board has previously classified the film;
(b) a sign is not displayed at the principal entrance to the premises where the film is being exhibited that indicates that persons under the age of 18 years are not permitted on the premises; or
(c) a person apparently under the age of 18 years is present at the exhibition. O. Reg. 452/05, s. 23 (3).
(4) Despite anything in clause (1) (a), (b), (h), (i) or (j) or (2) (a), (b), (e), (f), (g) or (h), a person is not exempt from section 10 of the Act in respect of a particular film that the person distributes, offers to distribute or exhibits if the film,
(a) contains the graphic depiction of violence involving bloodletting, torture, mutilation, or criminal activity;
(b) contains a scene of intense horror;
(c) contains the explicit depiction of urination, defecation or vomiting;
(d) contains a scene depicting the taking of a drug or other illegal substance in a manner that encourages its unlawful use;
(e) contains coarse language;
(f) advocates terrorism or hatred based on a prohibited ground of discrimination under Part I of the Human Rights Code;
(g) contains a scene where an animal has been abused in the making of the film;
(h) contains a scene depicting the genital organs of a person;
(i) contains the depiction of explicit sexual activity;
(j) contains the depiction of the physical abuse or humiliation of human beings for purposes of sexual gratification or as pleasing to the victim; or
(k) contains a scene where a person who is or is intended to represent a person under the age of 18 years appears nude or partially nude in a sexually suggestive context. O. Reg. 452/05, s. 23 (4).
24. (1) A person is exempt from section 13 of the Act if,
(a) the person distributes or offers to distribute fewer than 50 films;
(b) none of the films that the person distributes or offers to distribute are adult sex films; and
(c) the distribution of films is ancillary to the person's main business. O. Reg. 452/05, s. 24 (1).
(2) A person is exempt from section 13 of the Act if the person exhibits or offers to exhibit,
(a) a film that is an integral part of a concert, a theatrical stage production or a sporting or athletic event;
(b) a film that is a transmission of a live concert, a live theatrical stage production or a live cultural, sporting, athletic or other similar type of event;
(c) a film at a film festival or in and under the sponsorship of a public library;
(d) a film, other than an adult sex film, at premises not regularly used for exhibiting films that are required to be classified; or
(e) a film that is transmitted to a private residence or premises for rented sleeping accommodation and that is received only at the residence or premises. O. Reg. 452/05, s. 24 (2).
(3) A person is exempt from section 13 of the Act if the person distributes, offers to distribute, exhibits or offers to exhibit no films other than films that,
(a) are designed to provide information, education or instruction;
(b) are designed for the purpose of advertising, demonstrating or instructing in the use of commercial or industrial products or services;
(c) are video games; or
(d) have previously been transmitted in a manner capable of being received in Ontario by home receptors without the use of satellite dishes, electronic descramblers or other devices used for the same purpose in the version that it was transmitted. O. Reg. 452/05, s. 24 (3).
(4) A public art gallery or public library that distributes or exhibits film as part of the activity of the gallery or library is exempt from section 13 of the Act. O. Reg. 452/05, s. 24 (4).
25. (1) On issuing a certificate of classification of a film, the Film Board shall post information regarding the classification on the Internet. O. Reg. 452/05, s. 25 (1).
(2) On issuing a content advisory for a film, the Film Board shall post information regarding the content advisory on the Internet. O. Reg. 452/05, s. 25 (2).
(3) On giving a written notice of decision on a reconsideration under clause 7 (3) (a), the Film Board shall post a copy of the notice on the Internet. O. Reg. 452/05, s. 25 (3).
(4) The registrar shall post on the Internet information about licensees, including the names and business names of all licensees and, for each licence issued or renewed, the address and licence number indicated on the licence. O. Reg. 452/05, s. 25 (4).
26. (1) Any notice, written request, order or document that, under the Act or this Regulation, is given to a person or body or that is served on a person or body is sufficiently given or served if it is,
(a) delivered personally;
(b) sent by registered mail;
(c) sent by ordinary mail, fax or any other electronic means, if it is a notice, written request, order or document described in subsection (2); or
(d) sent by another manner if the sender can prove receipt of the notice, request, order or document, as the case may be. O. Reg. 452/05, s. 26 (1).
(2) Clause (1) (c) applies to,
(a) a certificate of classification of a film issued under subsection 4 (1);
(b) a written notice of appeal of a classification decision given under clause 5 (2) (b);
(c) a new certificate of classification of a film issued under clause 5 (6) (a);
(d) a notice of decision of an appeal of a classification decision given under clause 5 (6) (b);
(e) a written notice of decision of a reconsideration under clause 7 (3) (a);
(f) a notice of decision to refuse to approve a film given under subsection 8 (6);
(g) a written notice of appeal of an approval decision given under clause 9 (2) (b); or
(h) a notice of decision of an appeal given under subsection 9 (6). O. Reg. 452/05, s. 26 (2).
(3) If service is made by registered mail, the service shall be deemed to be made on the third day after the day of mailing unless the person on whom service is being made establishes that the person did not, acting in good faith, through absence, accident, illness or other cause beyond the person's control, receive the notice, request, order or document until a later date. O. Reg. 452/05, s. 26 (3).
27. (1) An order of an inspector under subsection 4 (3) of the Theatres Act is continued as an order of an inspector under subsection 28 (1) of the Film Classification Act, 2005. O. Reg. 452/05, s. 27 (1).
(2) A warrant issued to an inspector under subsection 4 (6) of the Theatres Act is continued as a warrant issued to an inspector under subsection 29 (1) of the Film Classification Act, 2005. O. Reg. 452/05, s. 27 (2).
(3) If a judge of the Superior Court of Justice has not made a decision on an appeal under section 54 of the Theatres Act by the day on which section 51 of the Film Classification Act, 2005 comes into force, the Theatres Act continues to apply to the appeal until the judge makes a decision on it. O. Reg. 452/05, s. 27 (3).
28. Omitted (revokes other Regulations). O. Reg. 452/05, s. 28.
29. Omitted (provides for coming into force of provisions of this Regulation). O. Reg. 452/05, s. 29.
Insert regs\Graphics\Source Law\2005\452\452SCH1FGae.tif
O. Reg. 452/05, Sched. 1.
Text alternative: Table containing the English and French versions of the five classification symbols. For the English version, the first symbol is the letter "G" in white in a grey circle to the left of the text "Suitable for all". The second symbol is the letters "PG" in white in a dark grey square to the left of the text "Parental guidance advised". The third symbol is the letters "14A" in black in an inverted light grey triangle to the left of the text "Persons younger than 14 must be accompanied by an adult". The fourth symbol is the letters "18A" in black in an inverted dark grey triangle to the left of the text "Persons younger than 18 must be accompanied by an adult". The last symbol is the letter "R" in white in a grey octagon to the left of the text "Restricted to persons 18 or older". Each of the symbols is enclosed in a rectangle with rounded edges. The French versions of these symbols are the same as their English counterparts, but with the accompanying text translated into French. This text alternative is provided for convenience only and does not form part of the official law.


text:
Mehetabel was the name of two minor biblical figures.

 The wife of Hadar (Genesis 36:39)
 A patriarch (Nehemiah 6:10)

The name in Hebrew means 'how good is God' or 'has done good to us'.

Mehetabel is also a given name. Notable people with the name include:

 Mehetabel Newman (1822–1908), New Zealand missionary and teacher
 Mehetabel Wesley Wright (1697–1750), English poet, the fourth daughter of Samuel Wesley (father of John and Charles Wesley).

References

redpajama_set_name: RedPajamaWikipedia


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Freebiester Amy: Purex 31 Days of Fun, 31 Days of Winners!
Purex 31 Days of Fun, 31 Days of Winners!
The time has come Purex is starting a fabulous giveaway for the whole month of August and they have AHHHmazing prizes !!
These aren't just "any" prizes.If you take a moment to browse the calendar you will notice an Xbox One and even a Kitchen Aid mixer up for grabs. Don't forget, to enter you MUST be a Facebook fan of Purex!
**Disclosure: I am participating in this promotion as a Purex Insider. No compensation was received for this post. All opinions are my own.


Heavenly Father, thank you for this time we have together. I thank You for the many blessings You've poured into my life, known and unknown, and praise You for the work you've begun in me. Quiet my mind and thoughts, that I can hear only You. Amen.
As I read these verses, I immediately identified with the woman. For a while, I was raised by a single Mom, and I saw first-hand the challenges that a single mother faces. Mom relied on members of our extended family (my sweet Uncle Howard, just two doors down from us, to name one) and our church family after we lost my father to leukemia. We had many people to love and support us. But I remember Mom saying that she often felt left out when surrounded by couples her own age. The woman who Elijah was staying with had many more challenges – a different society, who didn't respect her just because she was a woman, and "blamed" her for being a single mother. Plus, she was poor, so poor that she was ready to "eat and die". She simply worried about existing… She must have thought Elijah was a little nuts when he told her not to worry ("Do not fear…"), to make some bread, she would NOT run out of flour and oil. God made a miracle through Elijah to show her how much she is loved and how much He cared for her and her son.
And then I identified with her because Jim and I have been blessed with three sons. I love them very much, and thinking about one of them becoming ill and dying just makes me shudder. When our boys have struggled or been ill, I have to admit that I wondered what I did wrong, or how I could have been a better parent. This woman has lost everything, and in that culture, she's blaming herself when Elijah revives the son from the dead and, again, God makes a miracle through Elijah to show His faithfulness to her. He showed her that it had nothing to do with her, that HE was in charge of her life.
This woman absolutely needed relief from worry and grief. This is the person God chose to help Elijah. God didn't send Elijah to the richest, most healthy and wealthy family in the town, He sent Elijah to this poor widow. She was living a very difficult life, and the best thing she did was LISTEN to Elijah. She could have told him to get lost and leave her alone. Instead she listened, and I imagine a part of her was hoping that what this stranger said to her was true. God worked in her life through Elijah in a very powerful way. She became a believer by listening, trusting, and obeying.
Does God still do this? Does he work in our lives in this kind of powerful way today? I think he has, and can. This story makes me wonder about the ways in which God might have used me in a powerful way, but I wasn't faithfully listening and obeying.
I believe that we experience small miracles all the time, but don't slow down or listen enough to realize it! Has God made a miracle in your life through someone, because you were faithfully listening? I'd love to hear about it!
8.7.14 "Rejoice in the LORD!"


The dictionary definition of pica in medicine is the "pathological craving for substance unfit for food" Dictionary.com.
I would hardly interpret Wilson's ingesting of inappropriate items as a 'craving'. It's not constant. From my questioning the behaviour is likely to happen under certain circumstances.
Five weeks ago the wonderful young Bernese Mountain Dog had to be cut open for a second time to remove a buildup of things he had swallowed – a child's sock and a dummy.
Just fourteen months old, Wilson suffers from IBD in the small intestine. He was referred to a specialist vet for his stomach issues and is on daily steroids. For medical reasons they won't be able to open him up again.
If he gets another blockage it will be curtains for the wonderful Wilson.
Are there degrees of pica?
If from time to time the swallowing of inappropriate objects is pica, then that's what Wilson has. However, if pica is defined by being a craving, it may not actually be pica.
Not being a vet or expert in this I can't say. Perhaps someone will enlighten me. There is a list of possible medical causes for pica of which IBD is one.
Malnutrition or vitamin deficiency is another – pica can be caused by lack of nutrition. In this case it does seem a bit chicken and egg. The dog has a delicate stomach so can only eat certain things without an upset so his diet could be better and possibly he doesn't digest it properly.
In addition to this, I can see a strong behavioural element. Mainly it's when Wilson becomes frustrated, bored or stressed that the lifting of anything he can put in his mouth objects is triggered. He lives in a family with two very young boys. Noise and excitement could well cause Wilson to steal toys and any rubbish.
The walk situation gives a big clue to the main trigger.
Because he is mostly walked by the lady with a buggy, the big dog's pulling could be disastrous. He wears a Halti. He hates it. All the way until he's is let off lead he is trying to scrape it off on the ground.
To see him so unhappy with it is distressing for the lady also.
One can imagine that when he does get the instrument of torture and restriction removed, Wilson will be brimming with frustration and built-up tension.
He is free! The lady may well then be paying attention to the little children. Not to Wilson. About six weeks ago he took the tiny boy's sock as it dangled from his foot, ran off with it and swallowed it. Later he picked up the child's dummy from the ground and ate it. Neither items passed through.
When Wilson is walked minus children he is less inclined to pick things up. So long as they call him soon enough he will usually come back. He now has to be much more motivated to listen to them and come away from things every time when called, rewarding to him in terms of food, fun or both.
I suggest they train him to the whistle – something a lot more piercing. Even if the walks have to be shorter, one of them should walk him alone more often and give him their full attention.
They must abandon that Halti. With a bit of practice he will walk a lot better on a Perfect Fit harness with a training lead fastened front and top than he does on a head halter, and they will have just as much physical control. Wilson will then arrive at the park happy and in a good state of mind.
A muzzle is a must.
As it's so vital he swallows nothing else that might get stuck, if they are walking with the children or any other time they can't give him their full attention, they must muzzle Wilson so that he simply can't pick things up.
I feel that, medical issues aside, psychologically Wilson is trying to find some fulfillment in one way that he has control over – by swallowing things. It's exacerbated by frustration and boredom. It earns attention of a sort. He's a clever dog lacking sufficient mental activity. This vacuum in his life needs to be filled by his humans with activities that provide him with healthy stimulation.
One walk a day may not be enough. Two shorter ones may be better.
To help him de-stress he needs lots of 'allowed' things to chew – marrow bones, Stagbars, stuffed Kongs and so on. They can be rotated to retain novelty value. He needs plenty of games and training in bringing things, 'give', 'drop' and exchanging things.
With plenty of company and loving owners you would think Wilson had a perfect life, but it's mostly about fitting in with the family and children. In essence, while he's young and energetic, Wilson needs more 'Wilson' time.
Then he will become a more fulfilled dog with less need to find inappropriate ways of fulfilling himself.


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text:
I Can See Clearly Now
I Can See Clearly Now (Gospel Gangstaz album)
I Can See Clearly Now (Johnny Nash album)
"I Can See Clearly Now" is a song written and recorded by Johnny Nash. It was a single from the album of the same name and achieved success in the United States and the United Kingdom when it was released in 1972, reaching number one on the Billboard Hot 100 chart. It was covered by many artists throughout the years, including a 1993 hit version by Jimmy Cliff, who re-recorded it for the motion picture soundtrack of Cool Runnings, where it reached the top 20 at No. 18 on the Billboard Hot 100.
Johnny Nash version
Nash recorded it in London with members of the Fabulous Five Inc.
"I Can See Clearly Now" — 2:44
"How Good It Is" — 2:38
"Cupid" — 3:30
Chart performance
After making modest chart advances for a month, the RIAA-certified gold single unexpectedly took only two weeks to vault from No. 20 to No. 5 to No. 1 on the Billboard Hot 100 on November 4, 1972, remaining atop this chart for four weeks, and also spent the same four weeks atop the adult contemporary chart.
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/I_Can_See_Clearly_Now
I Can See Clearly Now is the Grammy-nominated third album released by Gospel Gangstaz. It was released on May 18, 1999 for B-Rite Records and featured production by Mr. Solo, Tik Tokk, Chillie' Baby, DeMarie "Meech" Sheki, Twenty20 and Trackmasters. I Can See Clearly made it to three Billboard charts, 25 on the Top Heatseekers, 11 on the Top Christian Albums and 3 on the Top Gospel Albums. I Can See Clearly Now was a critical success and remains the group's most successful album. At the 42nd Grammy Awards, the album was nominated for the Best Rock Gospel Album, however it lost to Rebecca St. James' Pray.
"Amazin' Grace" – :32
"I Call Your Name" – 4:18
"Once Was Blind" – 4:32
"Questions" – 4:31
"One Way" – 4:23
"What'cha Gonna Do?" – 4:21
"They Don't Believe That I'm Saved" – 4:24
"Interlude No. 1" – 2:13
"Operation Liquidation" – 3:47
"Live It Up" – 5:20
"Let Us Pray" – 4:26
"I'll Be Good" – 4:26
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/I_Can_See_Clearly_Now_(Gospel_Gangstaz_album)
I Can See Clearly Now is an album by American singer Johnny Nash, released in 1972. The album included two of his biggest hit singles, the title track ("I Can See Clearly Now") and "Stir It Up." The song "I Can See Clearly Now" hit number one on the Billboard Hot 100 on November 4, 1972. Nash's backing band for the album was the Jamaican reggae group Fabulous Five Inc..
"Stir It Up" (Bob Marley)
"That's the Way We Get By" (John "Rabbit" Bundrick)
"Guava Jelly" (Bob Marley)
"So Nice While It Lasted" (Bill Nash)
"Ooh Baby You've Been Good to Me" (Johnny Nash)
"You Poured Sugar on Me" (Bob Marley, Johnny Nash)
"I Can See Clearly Now" (Johnny Nash)
"Comma Comma" (Bob Marley)
"We're All Alike" (John "Rabbit" Bundrick)
"How Good It Is" (Johnny Nash)
"The Fish and the Alley of Destruction" (Johnny Nash) [On original pressings, later replaced by the song below]
"Cream Puff" (Johnny Nash) [On later pressings, replacing the above]
"There Are More Questions Than Answers" (Johnny Nash)
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/I_Can_See_Clearly_Now_(Johnny_Nash_album)
source: Westbrook Park United Methodist Church
source: Hungry 4 God Church Podcast
source: Belligerent Christianity with Randall Sims
source: Down at the Grove
source: J.Talks To The People Radio Program
source: Laura Erickson's For the Birds
source: The Father's House with Bishop Quintin Moore
source: First Universal Christian Church Podcast
source: Mi-15 Morning Inspiration
source: Freedom Ministries Church Podcast
Episde 32: I Can See Clearly Now....
source: Para-talk Podcast with East Tn Ghost Seekers
I can see clearly now the judgement is gone
source: Mundane Magic
I can See Clearly Now: Vision for the Future
source: Black Woman Be Whole Podcast
I Can See Clearly Now – Johnny Nash
source: Cover Me
2020 Vision: I Can See Clearly Now
source: NewSpring Church | Wichita, Kansas
Ep. 44: I Can See Clearly Now The...
source: Unleash Your Hussle Podcast
Elway to Marino: I Can See Clearly Now
source: Word on the Street: A Baltimore Sports Short Podcast
I can see clearly now that my vision is on.
source: RELEASING THE CHAMPIAM
I Can See Clearly Now, Tom Jones
I Can See Clearly Now, Neil Finn
I Can See Clearly Now, Ray Conniff
I Can See Clearly Now, Drifters
I Can See Clearly Now, Lee Towers
I Can See Clearly Now, Maxi Priest
I Can See Clearly Now, Screeching Weasel
I Can See Clearly Now, Holly Cole
I Can See Clearly Now, Johnny Nash
I Can See Clearly Now, Willie Nelson
I Can See Clearly Now, Salena Jones
I Can See Clearly Now, Jimmy Cliff
I Can See Clearly Now, Soundtrack
I Can See Clearly Now, Beat Crusaders
I Can See Clearly Now, Cher
I Can See Clearly Now, Anne Murray
I Can See Clearly Now, Daniel O'donnell
I Can See Clearly Now, Cool Runnings Soundtrack
I Can See Clearly Now, Everlife
I Can See Clearly Now, Harder They Come Soundtrack
I Can See Clearly Now, Big Mountain
I Can See Clearly Now, Roger Whittaker
I Can See Clearly Now, Dobie Gray
I can see clearly now, the rain is gone,
I can see all obstacles in my way
Gone are the dark clouds that had me blind
It's gonna be a bright (bright), bright (bright)
Sun-Shiny day.
I think I can make it now, the pain is gone
All of the bad feelings have disappeared
Here is the rainbow I've been prayin' for
Look all around, there's nothin' but blue skies
Look straight ahead, nothin' but blue skies [really
long!]

redpajama_set_name: RedPajamaCommonCrawl


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TODO: Write a gem description

## Installation

Add this line to your application's Gemfile:

    gem 'rober'

And then execute:

    $ bundle

Or install it yourself as:

    $ gem install rober

## Usage

TODO: Write usage instructions here

## Contributing

1. Fork it
2. Create your feature branch (`git checkout -b my-new-feature`)
3. Commit your changes (`git commit -am 'Add some feature'`)
4. Push to the branch (`git push origin my-new-feature`)
5. Create new Pull Request

## Changes

2018-01-10 0.0.6
fix dbm primary keys

2018-01-10 0.0.5
fix path

2018-01-10 0.0.4
fix comment nil and path downcase

2018-01-10 0.0.3
add dbm file for pgmodeler

2014-01-06 0.0.2
modify CRLF to "and charp 10 semicolon"

2013-12-27 0.0.1
first release

redpajama_set_name: RedPajamaGithub


text:
Чу́вство ю́мора — психологическая особенность человека, заключающаяся не только в примечании противоречий в окружающем мире, но и в оценке их с комической точки зрения. Отсутствие чувства юмора может выступать объектом иронии со стороны социального большинства и нарекаться фанатизмом.

Формирование
Чувство юмора начинает проявляться и развивается в раннем детстве под влиянием окружающей среды, анекдотов и т. п. Отсутствие предпосылок для его развития приводит к формированию прямолинейного характера, человек с таким крайним типом личности может иметь проблемы в социальной адаптации.

Измерение
Существуют исследования, в которых была предпринята попытка измерить чувство юмора у разных людей и связать его с другими характеристиками человека.

Оценки чувства юмора производятся с точки зрения различных научных дисциплин, таких как лингвистика, социология, психология, антропология. Существует порядка сотни теорий юмора. Многие теории утверждают, что назначение юмора в том, чтобы разряжать напряженность и стресс, а также в том, чтобы побуждать к поиску новых интерпретаций ситуаций. Согласно этим теориям, каждая шутка сопровождается нарастающим вниманием по мере её изложения с последующей разрядкой, когда шутка высказана. Новые интерпретации возникают потому, что шутка показывает неожиданную ассоциацию несвязанных или даже конфликтующих обстоятельств. Некоторые теории утверждают, что юмор позволяет разрядиться агрессии. Однако во многих сообществах людей (солдаты на войне, полиция, уголовники, врачи) процветает особый юмор, иногда называемый чёрным; таким образом, чувство юмора субъективно.

Чувство юмора определяют как способность человека видеть смешное в рассказе, окружении или ситуации. Выделяют также способность шутить. Это тенденция человека делать юмористические комментарии либо вести себя смешно в каких-то ситуациях. Исследователи полагают, что юмор является физиологической защитной функцией.

Литература

На русском языке
 Фрейд З. Остроумие и его отношение к бессознательному. М., 1924
  Лук О чувстве юмора и остроумии. — М., Искусство, 1968
  Дмитриев А. В. Социология юмора: Очерки. — М., 1996
  Юмор//Человек. Философско-энциклопедический словарь.- М: Наука, 2000
  Редозубов А. «Логика эмоций». СПб.: «Амфора» , 2012
 Криштафов И.А «Теория юмора»

На других языках
 Boyle GJ, Joss-Reid JM (2004) Relationship of humour to health: a psychometric investigation. Br J Health Psychol 9(Pt 1):51-66. Связь юмора и здоровья: психометрическое исследование.  Влияние юмора на здоровье было исследовано у 504 человек, разбитых на три группы (общее население, студенты университетов и больные). Были проверены гипотезы: (1) юмор связан со степенью здоровья; (2) лица с большим чувством юмора здоровее; (3) оценка факторов многомерной шкалы юмора будет значима по вопросам, специфичным для Австралии. Результаты подтверждают, что чувство юмора связано со здоровьем, а также показывают, что многомерная шкала юмора является полезна для численных оценок.
 Clark A, Seidler A, Miller M (2001) Inverse association between sense of humor and coronary heart disease. Int J Cardiol 80(1): 87-88.
 Kelly WE (2002) An investigation of worry and sense of humor. J Psychol 136(6): 657—666. Исследование волнений и чувства юмора.  С целью исследования связи между волнениями и чувством юмора, авторы использовали вопросник волнений (Worry Domains Questionnaire, WDQ; F. Tallis, M. Eysenck, & A. Matthews, 1992) и многоуровневую шкалу чувства юмора (Multidimensional Sense of Humor Scale, MSHS; J. A. Thorson & F. C. Powell, 1993) в опросе 140 студентов. Волнения отрицательно коррелировали с чувством юмора. Результаты обсуждаются в контексте когнитивной модели Келли и Миллера (W. E. Kelly and M. J. Miller, 1999)
 Sayre J (2001) The use of aberrant medical humor by psychiatric unit staff. Issues Ment Health Nurs 22(7):669-689.
 Thorson JA, Powell FC (2001) Undertakers' sense of humor. Psychol Rep. 89(1): 175—176.

Ссылки

Примечания

Способности
Юмор
Черты личности


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text:
Stroop Road bridge now open in Kettering
VIDEO: Stroop Road bridge now open in Kettering VIDEO: Stroop Road bridge now open in Kettering
KETTERING — UPDATE @ 3:19 p.m. (Jan. 4):
The Stroop Road bridge has reopened in Kettering, officials said.
"I think a lot of people are happy," Rick Hauser from Kettering said Thursday afternoon in response to the bridge opening.
Like several other commuters, Hauser has had to use different shortcuts and detours to get home, especially since he lives on Stroop Road.
RELATED: Major Kettering road to close in both directions for months
"It's hampered me a little bit -- in a way it's been nice because there hasn't been a bunch of traffic," Hauser said. "We live on Stroop (Road) so it's sort of nice but we're glad it's opened up because we sure use it a lot."
UPDATE @ 8:59 a.m. (Jan. 3):
The Montgomery County Engineer's Office said the opening of the Stroop Road bridge has been delayed until at least Thursday as workers wait for the delivery of some final materials to complete the bridge work.
The engineer's office is aiming to reopen the bridge Thursday afternoon, officials announced.
UPDATE @ 3:44 p.m. (Dec. 29):
Weather conditions and delivery of some materials to complete the bridge project has delayed the opening from Friday to Jan. 3, according to the Montgomery County Engineer's Office.
INITIAL REPORT:
The Stroop Road bridge over the Little Beaver Creek just east of Woodman Drive is scheduled to reopen Friday by the end of the day after the bridge there was replaced, according to the Montgomery County Engineer's Office.
The engineer's office said the planned Friday reopening is weather dependent as there is some finishing work that must be completed, a spokesperson said.
Montgomery County officials estimated the bridge replacement cost at $1.4 million.
Stroop Road has been closed since September from Woodman Drive, near Routsong Funeral Home, to the Glenheath/Braddock intersection a half-mile east, just shy of Indian Riffle Park.


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text:
Stories 1 - 20 | Next >>
It's Wedding Bells for Fox Sports' Erin Andrews
Sportscaster walks down the aisle with former NHL-er Jarret Stoll
(Newser) - Sportscaster Erin Andrews and former NHL player Jarret Stoll have tied the knot. The AP reports that the 39-year-old Fox Sports sideline reporter and Dancing with the Stars co-host married the 35-year-old Stoll over the weekend. People magazine first reported the nuptials. According to the magazine, the wedding was held... More »
Erin Andrews Hid Cancer Diagnosis for 5 Months
She underwent surgeries for cervical cancer in late 2016
(Newser) - Erin Andrews was in the operating room of a Los Angeles hospital on Oct. 11, about to undergo surgery for cervical cancer that had been discovered only a few weeks earlier during a routine checkup, when she told her oncologist, "I'm not missing the Super Bowl." Days... More »
Erin Andrews Settles With Hotel Over Peephole Videos
But we'll probably never know how much she got
(Newser) - Erin Andrews has settled her lawsuit against the owner and operator of the hotel where she was recorded through a door peephole in 2008. The former ESPN reporter was awarded $55 million in her lawsuit against those business entities as well as Michael David Barrett, the stalker who filmed her.... More »
Erin Andrews: Nashville Hotel Should Pay Me Full $55M
Attorneys cite liability law to push hotel companies to pay stalker's share of judgment
(Newser) - A jury awarded $55 million to Fox Sports reporter and Dancing With the Stars co-host Erin Andrews earlier this month in her suit against the stalker who secretly recorded nude video of her at a Tennessee hotel. The stalker, Michael David Barrett, was found 51% responsible, while West End Hotel... More »
Erin Andrews Will Get Nowhere Near $55M
One estimate predicts closer to $6M
(Newser) - Fox sportscaster Erin Andrews won an unprecedented $55 million on Monday over the peeping tom videos taken of her in a hotel room—but she shouldn't expect to collect anything near that. For one thing, about half is supposed to come from stalker Michael David Barrett, whose lawyer has... More »
Erin Andrews Gets $55M in Nude Video Lawsuit
Fox Sports reporter weeps on hearing the verdict
(Newser) - A jury awarded Erin Andrews $55 million on Monday in her lawsuit against a stalker who bought a hotel room next to her and secretly recorded a nude video, finding that the hotel companies and the stalker shared in the blame, the AP reports. After a full day of deliberations,... More »
16.8M People Have Seen Nude Videos of Erin Andrews
A computer scientist testifies
(Newser) - A civil trial is underway against the Nashville Marriott where the man who stalked Erin Andrews took nude peephole videos of her, and on Thursday, a computer scientist testified that those videos—or still pictures taken from them—have been viewed by more than 16.8 million people. Bernard "... More »
Erin Andrews Drops Huge Claim on Hotel Over Peeping
She holds Marriott chain responsible, seeks $75M
(Newser) - Erin Andrews wants Marriott to pay up in a big way over the peeping Tom who filmed her in her hotel room seven years ago. The Fox Sports reporter and Dancing With the Stars co-host this week amended her 2011 lawsuit against the hotel chain to specify that she'... More »
Erin Andrews Almost Cries Touting Stalker Law
'There is hope,' she says
(Newser) - Erin Andrews appeared on Capitol Hill today to speak out in favor of a new, tougher federal stalking law, and nearly came to tears in the process. "These stories are not easy to talk about," said the ESPN reporter, flanked by members of Congress. "It's so funny.... More »
Erin Andrews Sues Hotel Chains, Stalker
ESPN reporter seeks civil remedies from Marriott, Radisson
(Newser) - Erin Andrews is suing the insurance exec who stalked her as well as the hotels where he videotaped her nude, alleging they gave out her room number and allowed him to book rooms next to hers. The ESPN reporter and Dancing With the Stars competitor wants "to hold accountable... More »
Did Vanity Fair Punk Erin Andrews?
Creepy interview seems like a bad joke
(Newser) - Vanity Fair contributing editor George Wayne and his bizarre questions/comments made for possibly one of his weirdest interviews yet with Erin Andrews. The ESPN analyst even tweeted afterward that she felt like she was "being punked." Highlights:
Wayne calls her father a "stage daddy" who is
... More »
Nicole Scherzinger Wins DWTS
Evan Lysacek takes second, Erin Andrews, third
(Newser) - Nicole Scherzinger and Derek Hough, frontrunners from the start, were crowned Dancing With the Stars champs last night. "I feel like I just won a Grammy," Scherzinger said. "A dancing Grammy!" The pair had earned a perfect score for their final dance, a jive (watch it... More »
ESPN Wants $300K From Erin Andrews' Stalker
Michael David Barrett owes for security expenses, says network
(Newser) - It's nice that Michael David Barrett, the guy who admitted to stalking Erin Andrews , is in jail, but that ain't paying the bills over at ESPN. The sports network has filed a claim demanding Barrett pony up $327,442.27 to pay for all the security hired to protect Andrews... More »
Hasselbeck Cries, Apologizes to Erin Andrews
'The View' co-host got schooled by her 5-year-old
(Newser) - Elisabeth Hasselbeck may have made Erin Andrews cry when she slammed her skimpy Dancing With the Stars outfits Tuesday, but yesterday on The View Hasselbeck was the one crying. "Today Mommy hurt someone's feelings. Mommy feels really bad," Hasselbeck said she explained to her daughter, who astutely... More »
Elisabeth Hasselbeck Makes Erin Andrews Cry
The View panelist slams barely-there DWTS costumes
(Newser) - Watch out, Elisabeth Hasselbeck: You're on the bad side of the entire Dancing With the Stars cast after insulting Erin Andrews' outfits and making her cry. Hasselbeck, the famously conservative member of The View panel, criticized the ESPN reporter for wearing "next to nothing" while dancing and said... More »
Chilling Details Bared in Andrews Gun Threat
Sick fan wants her to 'dance through hail of gunfire'
(Newser) - Things keep getting scarier for Erin Andrews: A sick fan apparently told the ESPN reporter that he'd like to see her "dance her way through a hail of gunfire" in one of her appearances on Dancing With the Stars. He adds: "Better yet, I would love to shoot... More »
Kate Channels 'Superbitch From Hell'
Gosselin once again near bottom on Dancing With the Stars
(Newser) - Kate Gosselin once again found herself in second-to-last place on Dancing With the Stars last night, but at least this time judge Bruno Tonioli had some kind words for her…sort of. "I think, for once, you played the character!" he said of her paso doble, which told... More »
Despite Threats, Erin Andrews Will Perform
ESPN sportscaster: 'I don't quit.'
(Newser) - Despite recent death threats , Erin Andrews will compete tonight on Dancing With the Stars. "I don't want to let Maks down, I don't want to let my family down, and I don't want to let myself down," the ESPN correspondent tells People . "I'm not going to stop... More »
Death Threats Target Erin Andrews
FBI investigates as 'Dancing With the Stars' beefs up security
(Newser) - The FBI is investigating death threats against reporter Erin Andrews, TMZ reports. Within the past week, a Virginia man has emailed threats to The Dan Patrick Show, which airs on both radio and TV. Security is beefed up on the set of Dancing With the Stars, on which Andrews is... More »
Kate 'Terrible' on DWTS Debut
Watch performances by Gosselin, Doherty, and more
(Newser) - Kate Gosselin made her debut on Dancing With the Stars last night, and if you were hoping she'd score sweet revenge on Jon by wowing the world, don't hold your breath. Judge Bruno Tonioli called her technique "terrible," adding, "It looked like Tony was pushing... More »
7.7 Quake Triggers Tsunami Threat
Reports: Husband Accused of Murder Attempts Suicide


One common aspect of all social trade-offs pits personal benefit and rights of the individual, on one side, against the general social good, on the other.
Trade-offs are not always between desirable possibilities. Sometimes social and personal trade-offs require accepting an unwanted outcome to avoid some other unwanted one.


text:
Q: GoJS canvas (canvas2d) blurry on 100% zoom I'm trying to use GoJS to create some nodes using rounded rectangles and some text. This results in the following blurry rendering (at 100% zoom):

Not changing anything except opening the dev console (this acts like decreasing zoom it seems) results in the sharp image:

A similar look is achievable when zooming out to 80%. Is there any setting, ... I can adjust to get the crisp look at 100% zoom?
The same is true for the attribution text in the upper left corner:

A: This might have to do with the pixel ratio, but it's not quite clear to me why.
You can query the pixel ratio GoJS uses by calling myDiagram.computePixelRatio() in the console. This typically changes dynamically during drag operations.
You can customize the pixel ratio GoJS uses by setting it to a new function:
myDiagram.computePixelRatio = function() { return 3; }

redpajama_set_name: RedPajamaStackExchange


text:
'use strict';

define([
  'backbone'
], function(Backbone){

  var PillarScoreCollection = Backbone.Model.extend({

    url: function() {
      return 'countries-by-pillar/' + this.pillarId;
    },

    getPillarScores: function(pillarId, callback) {
      var onError, onSuccess;
      this.pillarId = pillarId;
      onSuccess = function(collection) {
        if (typeof callback === 'function' && callback) {
          return callback(undefined, collection);
        }
      };
      onError = function(xhr, err) {
        if (typeof callback === 'function' && callback) {
          return callback(err);
        }
      };

      this.clear();

      this.fetch({
        dataType: 'json',
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    }
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  return PillarScoreCollection;
});


Went to an art exhibit of Albert von Keller's, a German painter from the turn of the twentieth century who was captivated by seances, the occult, attempts at communicating with the dead. Funny to think. A new world of technology in 1900. Rows of gramophones and recording equipment, cameras and X-ray machines, all hooked up to each other beneath a table of people trying to talk to dead relatives. One fella has the brains to invent the first record player. Another fella decides to place a dog at the speaker, then plays a wax cylinder of its dead master's voice. Ladies and gents, science is thah fewtchaah.


text:
Q: Manpulate $_session with AJAX I'm sure there is a solution for that, I've already try to google what I'm looking for but no anser yet, So here is my little problem, I have a form with captcha, the captcha put it's orignal string in $_SESSION['PASSWORD'], so I'd like to verify that user tape the same string as in the $_SESSION['PASSWORD'].
Well I think I need a little ajax here, before I submit the form I have to check The $_SESSION['PASSWORD'] with the ajax and compare it with what user tape
Any help please, 'I'm not pro in ajax ' it would be great that you make it very simple form me.

A: Create a new php file and do a ajax request to that file. Than check if you get true or false back.
session_start();
if($_SESSION['PASSWORD'] == $_POST['PASSWORD']) {
  echo "true";
}
echo "false";

Note: this is not very safe. It's better to check it when you submit your form (assuming thats the reason you use captcha). It doesn't matter if you post the form with ajax or normal way of submitting forms. If you only check captcha with ajax than posting data is still possible with a custom http request or even more simple by disabling javascript (what most bots do).

A: HTML
<input type="text" id="captcha" name="captcha"> <!-- This is your captcha input -->

JQuery:
$.get('verify.php', { captcha: $('#captcha').val() }, function(data){
    if(data === 'OK'); //Validation is ok
    else; //Validation is wrong
});

PHP (verify.php):
<?php
    session_start();
    if($_GET['captcha'] === $_SESSION['password']) echo 'OK';
    else echo 'ERROR';
    exit();
?>

That's it, hope you accept the answer seeing your acceptance rate is just 20%


Maybe your period started, and you didn't have time to clean it before the stain set in. Or a wound opened up, causing you to bleed out upon the mattress. Regardless of how the blood stains got there, a surprising number of people need to know how to get old blood stains out of a mattress. We'll provide detailed instructions on how to do just that.
The first step is removing all your blankets and sheets from the bed. Rinse the stains as much as possible before tossing them in the washing machine. Run them a couple of times. The first step to cleaning the mattress itself is taking paper towels and trying to dab up as much wet blood as possible. Don't rub, or you'll spread this difficult to remove stain.
The protein in blood makes it hard to get out with conventional cleaning solutions, but we'll share several with you that you can use.
One solution is an oxygenated enzyme cleaner.If you can't find that at the store, You can make enzyme cleaner easily if you know how to make enzyme cleaner.you could use pet stain remover.
The compounds in that made to break down poop and vomit stains works surprisingly well on blood, as well. Don't spray the compound directly on the stain. Instead, spray it on a towel and pat that on the stain instead. This prevents you from spraying so much stain remover on the mattress that stains it instead.
Another option is a mix of baking soda and white vinegar. Pour the baking sodaon the stain, putting on much more than the general dusting you use to control odors. Then spray the affected area with white vinegar. The mixture will start bubbling up. Leave it alone to do that for at least thirty minutes. Then use either a vacuum attachment to vacuum up the mix or a damp clean cloth to try to dab away the solution.
Some people swear that a mixture of one cup corn starch and a half cup of hydrogen peroxide work just as well. This mix requires two table spoons of salt to work. The end result is a paste you just apply to the stain. Again, leave it on for thirty minutes as it bubbles.
This mixture is particularly effective when you use a toothbrush to scrub it into a stubborn stain and in the fine crevices of the mattress. You'll be able to remove the mass with a cold wet cloth before trying to remove the traces of the blood stain from the mattress.
When you're using a damp clean cloth to push some water into the mattress to break up the stain, you'll use a clean one to pull that liquid out like a sponge. Twist the towel out in a sink, rinse it, squeeze it again to get the extra liquid out, and then go back to the bed to repeat the process. You'll need to continue this process until you don't smell the vinegar or enzyme cleaner any more.
Blood stains may not smell as bad as vomit, pee and poop stains, but you may want to minimize the odors and sterilize the area as much as possible. Applying baking soda or talcum powder paste to the area will do both.
Let the baking soda powder sit on the stained area for an hour or until the area is dry, then vacuum it up. If you're using talcum powder paste, remove the paste with a towel or broom, then vacuum up the remainder.


text:
ACCEPTED

#### According to
Integrated Taxonomic Information System

#### Published in
Syn. fl. west. states 51. 1835

#### Original name
null

### Remarks
null


text:
ACCEPTED

#### According to
Index Fungorum

#### Published in
Syll. fung. (Abellini) 4: 87 (1886)

#### Original name
Haplaria nivea Lév.

### Remarks
null


Sega announces Sonic Mania Plus in the south by Southwest 2018 panel. The panel began the session with a good news for everyone who all wanted the physical version of 2D throwback Sonic Mania. They announced that the wish of everyone is going to be fulfilled in the form of Sonic Mania Plus. The release of the Sonic Mania Plus will be available for Xbox One, PlayStation 4 and Nintendo Switch for $29.99.
The panel also said that in spite of having a positive reaction to the game, they got lots of complaints about the disc or cartridge version. The Sega will have a boxed version of the game which includes a 32-page art book, holographic cover, a reversible cover of Genesis-style. The attractive part of the game is the two famous creatures Mighty the Armadillo and Ray the Flying Squirrel is added as playable heroes. The Sega does not reveal about the controls of the characters or any change in existing level or unique mechanics.
The additional content will include a new "encore" mode and a new version of "competition mode" which will allow four players to race side by side. Sega said that the owners can pay to unlock the Plus content but the company has not yet finalized the price for the same.
The panel also announced a new game in the form of the image. The image starts with black and then it exploded with single letter 'R' in the end. The image followed by showing a number of headlights of the car and sounds of the engine. The panel said that the game is not the sequel to an existing game. This image making the rumor true which was there about Sonic and Sega All-Stars Racing.


text:
Friday Fight Facts
Asia MMA
Home News Breaking UFC announces major expansion in Asia
UFC announces major expansion in Asia
Matt Eaton
UFC Hall of Famer and VP of athlete development, Forrest Griffin will play a big role in the initiative.
Ahead of its debut event in Beijing, the UFC has announced big plans to expand its business across the great Asia region.
A new 93,000 square-foot UFC Performance Institute will open in Shanghai in 2019 to serve as an elite athlete training and performance hub to develop and support MMA athletes from mainland China and the greater Asia-Pacific region.
UFC will also utilise the building as its headquarters in Asia, housing UFC employees and UFC Performance Institute staff, including experts in the fields of MMA, strength and conditioning, sports science, physical therapy and nutrition.
The announcement comes as UFC brings its first-ever event to Beijing this week. UFC Fight Night Beijing: BLAYDES vs. NGANNOU 2 will be held at the Cadillac Arena on Saturday, 24 November.
UFC says it is laying the foundations for the sport in China for the next several decades.
UFC Performance Institute Shanghai will also have built-in advanced production capabilities with spectator seating that will allow UFC to produce and distribute live events and other original programming.
Additional features will include hospitality suites, dining, retail services and a fan experience area.
When completed, the multi-million-dollar facility will be around three times the size of the original UFC Performance Institute in Las Vegas.
"I could not be more excited about the UFC Performance Institute opening in Shanghai," UFC president Dana White said in a press statement.
"We know there is a ton of talent throughout Asia and now we will be able to find them and offer them all the incredible training, nutrition, and physical therapy that UFC fighters are getting in the Performance Institute at our headquarters in Las Vegas, right there in China. This is another game changer for the sport, UFC, and potential athletes throughout Asia."
UFC Performance Institute Shanghai will serve as a catalyst for athlete development in Asia, aiming to rapidly accelerate the skill level and UFC-readiness of mixed martial artists in the region. A full MMA coaching staff will implement a sport-specific training system developed in consultation with former UFC light heavyweight champion, UFC Hall of Famer, and current UFC Vice President of Athlete Development, Forrest Griffin. This integrated, inter-disciplinary combat sports performance team will offer an unparalleled level of support to athletes.
UFC opened the first UFC Performance Institute in Las Vegas in 2017 as the world's first MMA multi-disciplinary research, innovation, and training center.
Through the first 17 months of operation, over 400 athletes on the UFC roster have utilized the facility and the services provided remotely. In addition, several dozen NFL, NBA, NHL, MLB and Olympic sports athletes have visited the facility for support during their off-season training.
In June 2018, the UFC Performance Institute unveiled the first-ever comprehensive study of the sport of MMA entitled "A Cross-Sectional Performance Analysis and Projection of the UFC Athlete." The findings examined more than 30,000 performance metrics and data points to reveal the best approach to train and prepare for MMA competition.
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Matt Eaton writes about sport and business for magazines and newspapers across Asia.
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