text:
Q: Replace character in a message So, basically I'm trying to replace all the characters in a message which will be input by the user. For example, if user input "dog" and input the code number "4", then the new message will be "hsk". d, e, f, g, h, same as o, p, q, r, s. Here is my code:
import java.util.*;

public class Lab6 {
    public static void main(String[] args) {

    int codeNum;
    String msg;

    Scanner in = new Scanner(System.in);
    Scanner read = new Scanner(System.in);

    System.out.println("Please enter a message");
    msg = read.nextLine();
    System.out.println("Please enter a value for coding");
    codeNum = in.nextInt();

    System.out.println("New message = " + getMsg(msg, codeNum));

    }

    public static String getMsg(String msg, int codeNum) {

    char[] Upper_Case_Array = {'A', 'B', 'C', 'D', 'E', 'F', 'G', 'H', 'I', 'J', 'K', 'L', 'M', 'N', 'O', 'P', 'Q', 'R', 'S', 'T', 'U', 'V', 'W', 'X', 'Y', 'Z'};
    char[] Lower_Case_Array = {'a', 'b', 'c', 'd', 'e', 'f', 'g', 'h', 'i', 'l', 'k', 'l', 'm', 'n', 'o', 'p', 'q', 'r', 's', 't', 'u', 'v', 'w', 'x', 'y', 'z'};
    char[] digArray = {'0', '1', '2', '3', '4', '5', '6', '7', '8', '9'};
    char[] charArray = msg.toCharArray();

    for (int i = 0; i <= charArray.length; i++) {
        if (charArray[i] == ' ') {
            continue;
        }
        for (int j = 0; j <= Upper_Case_Array.length; j++) {
            if (charArray[i] == Upper_Case_Array[j]) {
                charArray[i] = Upper_Case_Array[j + codeNum];
            }
        }
        for (int h = 0; h <= Lower_Case_Array.length; h++) {
            if (charArray[i] == Lower_Case_Array[h]) {
                charArray[i] = Lower_Case_Array[h + codeNum];
            }
        }

        for (int u = 0; u <= digArray.length; u++) {
            if (charArray[i] == digArray[u]) {
                charArray[i] = digArray[u + codeNum];
            }
        }

    }
    return new String(charArray);
    }
}

It does ask the user to input message and code number, but after that I get
Exception in thread "main" java.lang.ArrayIndexOutOfBoundsException: 26
    at Lab6.getMsg(Lab6.java:39)
    at Lab6.main(Lab6.java:22)
How should I fix this?

A: It sounds me like it is a boundary problem. So what you should do in this case is being careful about boundies of array. Well, apparently you have those lines in your code:
charArray[i] = Upper_Case_Array[j + codeNum];

and
charArray[i] = Lower_Case_Array[h + codeNum];

and
charArray[i] = digArray[u + codeNum];

Let's consider the last example. So, u being 24 will cause trouble because 24 + 4 is 28, which is greater than 26 (Since 26 letters in the English alphabet, I didn't count your array but just assumed). You may have to give explicit control for each for loop in order not to happen in this way.
But what I will suggest you, on the other way around, characters are integers so just add the integer value (codeNum) to character you have and have yours new characters by just doing that operation. I don't know if there are rules that you cannot make use of it but it gotta be worked. So specifcally, you may want to make use that line:
chararray[i] = charArray[i] + 4;

Hope it helps.

A: Replace your getMsg() method if this code
public static String getMsg(String msg, int codeNum) {

            char[] Upper_Case_Array = {'A', 'B', 'C', 'D', 'E', 'F', 'G', 'H', 'I', 'J', 'K', 'L', 'M', 'N', 'O', 'P', 'Q', 'R', 'S', 'T', 'U', 'V', 'W', 'X', 'Y', 'Z'};
            char[] Lower_Case_Array = {'a', 'b', 'c', 'd', 'e', 'f', 'g', 'h', 'i', 'l', 'k', 'l', 'm', 'n', 'o', 'p', 'q', 'r', 's', 't', 'u', 'v', 'w', 'x', 'y', 'z'};
            char[] digArray = {'0', '1', '2', '3', '4', '5', '6', '7', '8', '9'};
            char[] charArray = msg.toCharArray();

            for (int i=0; i<charArray.length; i++) {
                int newIndex = 0;
                if (getIndex(Upper_Case_Array, charArray[i]) != -1) {
                    newIndex = i + codeNum;
                    if (newIndex >= Upper_Case_Array.length) {
                        newIndex = newIndex - Upper_Case_Array.length ;
                    }
                    charArray[i] = Upper_Case_Array[newIndex];
                } else if (getIndex(Lower_Case_Array, charArray[i]) != -1) {
                    newIndex = i + codeNum;
                    if (newIndex >= Lower_Case_Array.length) {
                        newIndex = newIndex - Lower_Case_Array.length ;
                    }
                    charArray[i] = Lower_Case_Array[newIndex];
                } else if (getIndex(digArray, charArray[i]) != -1) {
                    newIndex = i + codeNum;
                    if (newIndex >= digArray.length) {
                        newIndex = newIndex - digArray.length ;
                    }
                    charArray[i] = digArray[newIndex];
                }
            }

            return new String(charArray);
        }

        public static int getIndex(char[] source, char filter) {
            int result = -1;
            for (int i=0; i<source.length; i++) {
                if (source[i] == filter) {
                    result = i;
                    break;
                }
            }
            return result;
        }

A: If you understand the ASCII code for your inputs:
'0' - '9' = 48 - 57
'A' - 'Z' = 65 - 90
'a' - 'z' = 97 - 122
// All other characters are not affected by the code number

Then you'll know that after adding the code number to the ASCII value of the character you can possibly pass the maximum value of '9', 'Z', or 'z' and you would want to start back over to either '0', 'A', or 'a'.
If you know this, than you can simply your getMsg() and not have to worry about having arrays of uppercase, lowercase, or digits; and you don't have to do so many loops.  Something like the following:
public static void main(String[] args) throws Exception {
    Scanner input = new Scanner(System.in);

    System.out.print("Please enter a message: ");
    String message = input.nextLine();
    System.out.print("Please enter a value for coding: ");
    int codeNumber = input.nextInt();

    System.out.println(getMsg(message, codeNumber));
}

public static String getMsg(String message, int codeNumber) {
    char[] characters = message.toCharArray();

    for (int i = 0; i < characters.length; i++) {
        for (int j = 0; j < codeNumber; j++) {
            int charCode = characters[i] + 1;
            // Only apply the modification to letters or numbers
            if (Character.isUpperCase(characters[i])) {
                characters[i] = charCode > 'Z' ? 'A' : (char)charCode;
            } else if (Character.isLowerCase(characters[i])) {
                characters[i] = charCode > 'z' ? 'a' : (char)charCode;
            } else if (Character.isDigit(characters[i])) {
                characters[i] = charCode > '9' ? '0': (char)charCode;
            }
        }
    }
    return new String(characters);
}

Results:
Please enter a message: dog zebra 7890
Please enter a value for coding: 4
hsk difve 1234

redpajama_set_name: RedPajamaStackExchange


text:
fantasy, action/adventure
Jason Momoa Compares Game of Thrones and See Battle Scenes
An adaptation of author George R.R. Martin's "A Song of Ice and Fire" medieval fantasies about power struggles among the Seven Kingdoms of Westeros.
Kit Harington and Rose Leslie Only Have Eyes for Each Other on the Golden Globes Red Carpet
01:30 — Jason Momoa isn't a stranger to a good fight scene, but here he tells why battling on (more…)01:30 — Jason Momoa isn't a stranger to a good fight scene, but here he tells why battling on his new Apple TV+ series See was much harder than his time on HB (more…)
Game of Thrones Photographer Takes Us Behind the Scenes of Battle of the Bastards
01:27 — Game of Thrones photographer Helen Sloan shares some behind-the-scenes moments from sh (more…)01:27 — Game of Thrones photographer Helen Sloan shares some behind-the-scenes moments from shooting the epic Battle of the Bastards and shares some new glimp (more…)
The Best TV Shows of the Decade (2010-2019)
02:47 — Our list of the best TV shows of the decade
Season 4: Game Of Thrones: Season 4 - Trailer
Season 2: Game Of Thrones: Clip 8 - Scene Or Clip
Book of the Stranger - Trailer
The Children - Trailer
Garden of Bones - Trailer
Lysa Confronts Sansa - Scene Or Clip
Season 8: Game Of Thrones: For The Throne - Trailer
Stark Reunion - Scene Or Clip
Dany Confronts Jorah - Scene Or Clip
Season 7: Game of Thrones: Inside Game of Thrones: Euron's Proposal - Behind the Scenes
The Hound & Arya - Scene Or Clip
Second Sons - Trailer
Dany's Speech - Scene Or Clip
The Climb - Trailer
Games of Thrones: Inside Winterfell - Behind the Scenes
The Last of the Starks - Trailer
Home - Trailer
High Sparrow - Trailer
This list is unimpeachable

redpajama_set_name: RedPajamaCommonCrawl


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MOCADI is a Monte Carlo simulation program to calculate the transport of primary beams, projectile fragments, and fission fragments through ion optical systems described by third order transfer matrices and through layers of matter. The ion optical matrices can be calculated with the program GICOSY. Currently, input data describing the FRS from the target to F4, F6, Cave B and Cave C are available for a variety of ion optical settings. Atomic interactions  and nuclear interactions of relativistic heavy ions with matter are calculated according to . Charge state distributions are not calculated but have to be given explicitly as an imput parameter. They can be obtained from the programs CHARGE or GLOBAL. In the case of projectile fragments the calculation of cross sections via the EPAX formula is included. CERN-standard histograms (HBOOK) and list-mode ouput (Ntuple) for particle mass, charge, rigidity, energy, positions, angles, TOF, and more are available at any position along the optical system. They can conveniently be analyzed with PAW.
where <filename> is the name of the MOCADI input file. The default extension of the input file is ".in" and can be omitted. For more details see the MOCADI manual. To download an example input file or for information about the available ion optical settings go to the MOCADI download area.
H. Geissel holds the copyright for MOCADI, except for the subroutine for the calculation of the atomic interactions, which is copyrighted by C. Scheidenberger and P. Malzacher. If you are interested to run MOCADI on LINUX or a DEC alpha station in your institute you are welcome to contact H. Geissel to obtain a copy of the executable. However, in order to prevent unauthorized modifications we decided not to distribute the source codes.
As of November 1999 H. Weick will take care of MOCADI at GSI. Please don't hesitate to send all comments, suggestions, or bug reports to him.
The program was developed in PL/I by T. Schwab, H. Geissel, and A. Magel at Giessen University in Germany. N. Iwasa translated MOCADI 1.34 into C on a DEC VMS operating system and developed it further. N. Iwasa thanks K. Suemmerer and T. Baumann for their help on writing the MOCADI manual. N. Iwasa is grateful to M. Dahlinger for his help on programming (in particular, CERN-library and C-fortran). Many thanks are due to P. Malzacher and C. Scheidenberger for providing the splines calculated by ATIMA-1.0.
C. Scheidenberger et al., Phys. Rev. Lett. 73, 50 (1994); C.Scheidenberger et al., Phys. Rev. Lett. 77, 3987 (1996).
N. Iwasa et al., Nucl. Instr. Meth. B126 (1997) 284.


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text:
Nick Redfern: U.S. Government Could Be Working with Ancient Astronaut Theorists on Immortality Elixir
Nick Redfern's prose is clunky, and he has an infuriating habit of writing articles in a disorganized and roundabout style that serves only to obscure what ought to be clear. Sometimes I think he is simply a bad writer, but more often I think that it is an intentional affectation designed to allow him to hide the thinness of his research and the threadbare nature of the stories he retells. Reading his recent article on an alleged U.S. government immortality research program derived from Mesopotamian technology left an impression that there was more to the story than the facts allow, and I think that was Redfern's goal.
Scotty Roberts: Anunnaki Descendants Mated with Israelites, Migrated to Ireland
I should start today with the sad news of the passing of Leonard Nimoy, best known for Star Trek but influential in the world of fringe history as the narrator of In Search Of... and the host of Ancient Mysteries on A&E. He introduced many people over the past four decades to both science fiction and the pseudo-historical fantasies built from sci-fi parts.
Before I get into the main topic for today, I have a brief review of last night's episode of Expedition Unknown S01E08 "Code to Gold," which followed almost exactly the Freemason conspiracy treasure hunting format used by many of last season's episodes of America Unearthed on a rival channel. By contrast, when host Josh Gates heads off to Virginia to look for the fictitious Beale Treasure—a vast hoard of gold supposedly buried in Bedford County around 1819—the show gives a fair airing to a number of different perspectives on the treasure, including what I am certain is the correct solution: that it never existed.
Alan Butler and Janet Wolter Claim Baseball Diamonds Are Goddess Worship Cult Sites
Are you as "excited" as I am for Alan Butler's and Janet Wolter's new book America: Nation of the Goddess? Destiny Books, the publisher, has put up a description of the forthcoming title on parent company Inner Traditions' website, and it's as chock full of crazy claims as you'd expect. The two authors posit that a "secret cabal" of related families are secretly running the United States on the twin principles of "sacred geometry" and "goddess worship." It's almost as though Robert Graves's White Goddess and Margaret Murray's Witch-Cult in Western Europe had a ménage à trois with Holy Blood, Holy Grail.
Revisiting "In Search of Ancient Astronauts" and the Popular Appeal of Pseudo-History
I have a piece of good news to share today. The editor of the forthcoming Encyclopedia of American Folklore and Mythology (ABC-CLIO) has asked me to write the entry for Chariots of the Gods, which will serve as the encyclopedia's coverage of the ancient astronaut theory. The volume is intended as a reference work for university libraries and is aimed at an undergraduate readership. Unfortunately, due to the publisher's deadline, I have just over two weeks to complete the 1,500-word discussion of the ancient astronaut theory's origin and impact on American folklore.
CNN International Website Asks If "Aliens or Atlantis" Created Costa Rican Stone Spheres
Due to ongoing computer problems, I am once again forced to keep today's entry brief. Dell has scheduled repair of my computer for today, and I spent a good chunk of this morning watching my computer get disassembled and rebuilt. At least it went a little faster than the last time the motherboard gave out (last June), which turned into a weeklong nightmare of bungling, incompetence, and confusion. During that mess, Dell sent the wrong part and the technician ended up breaking something in the computer while trying to install the motherboard, requiring several follow-ups with more and more new parts. Today, things went smoothly, and (so far) the computer seems to be functioning OK with its new parts.
Scotty Roberts's Forgotten Ghost Hunting TV Pilot
Today has been an exceptionally busy day. I spent more than an hour this morning in Dell hell after my computer lost power. It seems that the motherboard is going and needs to be replaced. It's intermittently losing its connection to the AC power and the battery. After being transferred to four different departments (partly through my own fault when they asked if there were anything else wrong with the computer), giving my service tag six (!) times, and discovering that Dell (a) had no record of my warranty and (b) were planning to ship replacement parts to an address I haven't lived at for five years, the parts are on their way.
Kathleen McGowan's Legal Headaches; Plus: Aliens and Anti-Semitism at "Veterans Today" Magazine
Regular readers will remember Kathleen McGowan-Coppens, the widow of ancient astronaut theorist Philip Coppens and regular History Channel commentator who believes that she is a lineal descendant of Jesus Christ and Mary Magdalene. McGowan-Coppens (who also goes by the un-hyphenated name Kathleen McGowan for some purposes) made an official statement on her Facebook page yesterday afternoon claiming that a "delusional" author named Suzanne Olsson has been stalking her since 2006. Olsson accused McGowan-Coppens of plagiarism of her own work, which advocates the nineteenth century hoax that Jesus survived the crucifixion and traveled to India. (Given that Olsson's work is inspired by Nicolas Notovich's 1894 hoax, I'm not sure what was "plagiarized"!) Olsson has filed lawsuits against McGowan-Coppens, who claims Olsson files suits in faraway jurisdictions or when she is out of the country in the hope of winning a default judgment. Olsson claims that she won a default judgment against McGowan-Coppens in Los Angeles and is actively asking for help to find the author in order to serve her with papers so she can place a lien on McGowan-Coppens's property.
A "Giant" Unearthed in Early Nineteenth Century Sicily
I'd like to thank Edward Babinski for drawing my attention to an interesting account of the discovery of a fossilized "giant." His interest in the story is a little different than mine, but I think you'll find that both perspectives offer some insight into the zany world of giant hunting.
A+E Networks Launches "Ancient Aliens" Fashion Line
I guess I should start off with a capsule recap of Expedition Unknown S01E07 "Captain Morgan's Lost Gold," but I frankly have nothing interesting to say about it. This hour saw host Josh Gates travel to Panama to retrace the steps of the Welsh pirate Henry Morgan in search of Morgan's sunken ship, the Satisfaction. The enjoyable hour provided a fun tour of Panama and some interesting glimpses at some of the underwater archaeology being done off the country's coasts. It, of course, turned up nothing related to Morgan, and the big set-piece shipwreck Gates investigated was that of a sixteenth century Spanish vessel. This is actually something of a bit of news, at least if you rely on Wikipedia, since the initial discovery of the ship in 2011 (the foundation for this episode) suggested that it was Morgan's vessel. Recent analysis concludes that it was not, a fact not yet reported on Henry Morgan's Wikipedia page as of this writing.
American Heroes Channel Sets March 2 Air Date for My Episode of "Codes and Conspiracies"
Good news, everyone! You will be able to watch me on TV on Monday, March 2 at 10 PM ET when the American Heroes Channel debuts the "Ancient Astronauts" episode of Codes and Conspiracies, which will examine the history of the ancient astronaut theory and some of the shady elements of Erich von Däniken's criminal past. I shot commentary for the show back in September, and unless producers were happy to throw out all the money they spent coming out to Albany to film (and pay) me, I should actually be in this episode.
Here is the episode description:
Did aliens help build the Pyramids and other monuments? Or does the "ancient astronauts" idea go back to Swiss author Erich von Daniken, whose books challenge religion and science? Who were his enemies? What were his influences? Why was he jailed?


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Contest #2 winner 🏆
Submitted by Amy Pellegrino to Contest #2 in response to: Write a story about someone who defies social conventions.... view prompt
When Cassie was sixteen, she had her first boyfriend. They dated for one year. Toward the end of their relationship, the subject of kids came up because one of his cousins had announced that she was pregnant. "Do you want to have kids?" Cassie asked him. They were in his bedroom with the door open. He sat in his desk chair, and she was on the floor, playing with his family's cat.
"Yeah, a couple, maybe three," David said nonchalantly, eyes still on his computer screen.
That sounds terrible, said Cassie's brain, before she even realized she was thinking it. "Why?" she asked.
David looked at her funny. "It's just what you do," he replied, in a tone that clearly implied that she should know this.
They broke up not long after that conversation. Cassie told her friends that it was because they were going off to different colleges and didn't want to be in a long-distance relationship, which was true. In the back of her mind, though, she knew that they weren't compatible. She wasn't what he would want, in the end.
Cassie went to a small liberal arts college in the northeast. It was close enough to home that she could take the train in and out of the city without much trouble, but far enough that she had some distance from her parents. She felt at home at school almost right away. Her roommate was a pink-haired girl named Vanessa, and she introduced Cassie to clove cigarettes and hard seltzer. Before Thanksgiving break, she painted blue streaks in Cassie's light brown hair, which upset Cassie's mother, but now that Cassie was eighteen all she could do was grimace and look away.
Cassie avoided dating during college because she was so confused and concerned about her disdain for the standard life script that she was expected to follow — marriage, house, dog, kids, white picket fence. She distracted herself by experimenting with her appearance and becoming an active member of the college student body. The blue streaks in her hair became fire engine red a few weeks later, and she was a bleached blonde for a short time during her sophomore year. She pierced her eyebrow, her tongue, her belly button, and subsequently got tired of the piercings and let them close. She joined the art club and the Political Action Committee. She eventually declared political science as her major.
In her junior year, Vanessa, who Cassie had become close with and continued to room with, confided in Cassie that she was pregnant. This happened late one Sunday afternoon while Cassie was studying for an exam the following day in her Political Theory class. Vanessa didn't bother to knock on Cassie's door, she opened it and slipped inside in one motion, closing the door behind her. "I think I fucked up," she said.
"What's wrong?" Cassie asked, putting her pen down. She could hear the panic in Vanessa's voice.
Vanessa bit her lip and said, "I think I'm pregnant."
Cassie felt her eyes widen. "Oh my god." She closed her eyes. "Okay. I think there's a Planned Parenthood like twenty minutes away." She opened her laptop to look up the address.
"What? No," Vanessa said, closing the laptop again. "I can't do that."
Cassie stared, not understanding what her friend was saying. "What are you talking about? You're in college. Like, you can't." The idea was so absurd, she couldn't help but laugh.
Vanessa shook her head. "I told Brad. I mean, we both want kids someday anyway. And it's not like school's going well. I'm about to get put on academic probation." She picked at her chipped blue nail polish. "Brad thinks I should be a stay at home mom and he'll get a job when he graduates. So we don't have to use daycare." She smiled slightly, in a far off way that Cassie had never seen before. "I hope it's a girl," Vanessa said.
Years later, Cassie would look back on this moment as a turning point. She felt her respect for her friend deplete when she chose to leave school and have a baby with someone who, in Cassie's opinion, didn't even treat her very well. She felt lost because the person who she thought she had so much in common with — they weren't so much alike after all.
Cassie graduated with her Bachelor of Science in Political Science. Vanessa attended graduation and sat in the audience with her baby.
Cassie's college career had been successful — she'd joined clubs, had internships, made a lot of friends and some potential networking connections. She'd gotten drunk and high for the first time. She'd already been on two job interviews. But she had not dated, her fear of the future or even discussion of the future so strong that she had no choice but to stay away from it. All she could do was hope that she'd grow into acceptance of a real adult future, in the same way that she grew into high school and college and every other part of normal life.
Cassie moved to D.C. for her first real job. She rented a tiny apartment and lived life essentially the same way she had in college — she made friends, went to happy hours, joined a gym. Her coworkers occasionally asked her if she was dating anyone. "God no, I'm way too busy," Cassie would say.
The years went on. Cassie got a promotion and rented an apartment that had more than two rooms.
She went on a handful of first dates and zero second dates. Her dates were guys that she let her friends or coworkers set her up with, and her routine was the same for each date. They'd meet at one of the local bars for happy hour after work. Cassie would order a martini and a second martini. She'd make polite conversation and laugh at her date's jokes. After exactly two drinks, she'd make an excuse ("Ugh, sorry, I've had such a long day, I have so much work to do"), hug them goodnight, and head home.
She felt bad because they were perfectly nice. But she knew what they were looking for. She could see it in their eyes, it was so was obvious. They were in their mid-twenties, after all. They wanted what they were supposed to want — marriage and family. And she wasn't sure if she could give it to them.
When she was out, she saw women her age with kids. They looked stressed and tired. They wore sweatpants and an extra twenty pounds. Cassie, from afar, allowed herself to think Nothing about that looks fun, she thought, sipping her iced tea as she sat outside at a coffee shop, watching a woman trying to wrangle two toddlers and an infant.
Cassie liked her life. She liked her job. She wasn't sure if she could give it up.
Cassie met Evan at the coffee shop. She was sitting outside like she always did, reading and drinking iced tea. He asked her how she liked her book. He'd read it before. Eventually, he sat down at her table, and they continued to chat through the afternoon. He bought Cassie a pastry and another iced tea.
At one point, their conversation was interrupted by a crying baby, and a young mother trying to shush it, anxiously looking around, aware that people were eyeing her with annoyance. Evan glanced at her, then back at Cassie. "Yikes," he said. "That doesn't look fun."
Something slid into place in Cassie's mind. "Do you want to have dinner with me tomorrow night?" she asked.
Cassie eventually told Evan that she didn't want to have children. It was the first time she'd told anyone and admitted it out loud. Evan was supportive. He agreed that he wasn't sold on the idea of having kids. He liked his freedom too much, he said.
After two years of dating, Evan proposed, and Cassie happily accepted. They married six months later.
About a year after they got married, during dinner one night, Evan mentioned that his brother and his girlfriend were expecting. "That's cool," Cassie said, stabbing into her salad with her fork and taking a bite.
"I think it would be really cool if their baby had a cousin close to his age," Evan said, taking a sip of water.
Cassie paused. She put her fork down. "What are you talking about?"
"I mean, we're almost thirty. Our careers are stable. The apartment is plenty big enough. Why not?" Evan said.
"I don't want to have kids," Cassie said. "You know that. We talked about it. You said you didn't either."
Evan shrugged and looked almost embarrassed by what he said next. "I guess I changed my mind."
It took a while, but Evan eventually wore Cassie down. He told her what a good mom she'd be, she could continue to work, they'd find great daycare, pregnancy wouldn't be so bad, they'd figure it all out, he'd do all of the nighttime feedings if she wanted.
Cassie stopped taking her birth control pills. She felt lost and scared, despite her secure, happy life. Her brain yelled at her to run away. She ignored it.
Several months later, Cassie wasn't pregnant, and Evan was distraught. "I'm afraid something's wrong," he said, rubbing his forehead anxiously. He sat on the edge of their bed one night, where Cassie lay, reading a book.
Cassie had never considered whether or not she was capable of physically having children. She'd never had to. Never thought she'd have to, she thought forlornly. "I'm sure everything's fine," she said halfheartedly, trying to sound reassuring. "These things take time."
A couple of months later, Cassie was peeing on a stick behind the closed bathroom door. Her period was late. She couldn't figure out if her nausea was because she was pregnant, or because she was sick with fear.
When she was done peeing, she placed the pregnancy test on the bathroom counter and started the timer on her phone. She couldn't stop jiggling her leg nervously. She had to force herself not to look at the test until the timer chirped.
She closed her eyes and inhaled deeply before opening them and looking at the test.
Two pink lines.
Later that night, Cassie lay in bed next to a sleeping Evan, staring at the ceiling fan above her. She had promptly thrown away the pregnancy test and taken out the trash, so there was no chance of Evan finding it.
She thought about her life. She about what she wanted from her life. She thought of how much she loved Evan, and how happy he made her. She thought about the adventures they could have together.
The next morning, getting ready for work, Evan looked closely at Cassie while she was brushing her teeth and he was drying off from his shower. "You okay?" he asked.
She kissed his cheek. "I'm great," she said.
At work, she settled into her desk and checked her email. Then she opened her web browser and entered Planned Parenthood into the Google search bar.
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6 points Dannie m Olguin
15:09 Aug 26, 2019
Congratulations, Amy! I applaud you for doing the most terrifying thing a writer can do: Putting your work out there for public comment. You now have people talking about something that clearly resonates deeply with them, and you deserve kudos for that, as well. My main critique on this piece is that I feel like I'm kept at a distance from Cassie. We span fifteen years in under 2k words, and it almost feels more like a biography than a short story. I longed for an emotional connection to Cassie, but I was never given the opportunity to con... read more
Show 0 replies
3 points Kai Hu
I enjoyed reading your story very much. As someone who is about 98% sure that I don't want to have children, I feel this story is very relevant to my life, espescially that bit about dating. I was a bit conflicted about the ending, but I suppose it's served its purpose in making the reader think.
3 points Patrick Herbert
I thought the story was a great interpretation of the theme but I was a little put off by the pacing and the matter-of-fact way that much of the story was told. i felt like we were both rushing through things and taking too long to get to the point in some places. It may be the word limit that was the constraint though.
3 points Agnes Sharan
Interesting story, I think it pretty aptly describes the real emotions that go into place when a person is against such social norms.
2 points Bobby Gupta
17:33 Oct 09, 2019
I read your story. And after reviewing all the comments, it made me reread your story with an educated perspective. I liked the story a lot. It made me feel for Cassie, the second time around, because she felt conflicted and unsure about her future. I could see her leaving Evan. The story's main point was centered on kids, throughout the piece, even to the degree of how Cassie felt incompatible and unwanted. And pushed further to the extent she felt there was no commonality because of the one issue: having kids or not having them. Congratula... read more
2 points Emily Krebs
18:02 Sep 02, 2019
An interesting read! I'm personally really glad that it didn't end with Cassie going through with having a kid and changing her mind about them. Mainly because it's still so rare and frowned upon for women to not have kids (and do so because they choose not to). It still would have been a fine story, but one which I think is much more common. A couple of typos, but given that there was only a week to write this, overall, I thought it was constructed really well! Personally, I've always been a fan of the more "distanced" style as I like to a... read more
2 points Kirsten Baltz
I like this. I think it could use a bit more editing, but get I hints of Morrison in this. She never to tip-toed around the difficult subjects. And this is a difficult subject. I really enjoy how you take Cassie's life from a birds-eye, almost scientific view. I also enjoyed how you ended it. I, unlike many of the commenters here, find it to be more open-ended. I don't know what Cassie is going to choose to do. Anyways, thank you for sharing, it's not often that us kid-free people get a story.
2 points Rachel Baer
Wow! what a powerful story. I really enjoyed reading this, it certainly makes you think. I also laughed at the description of the women with kids looking tired & plus twenty pounds, I used to be one. We all have choices & desires in life, don't change who you are to fit in.
1 points Crystabel Lynx
As a woman who knew as a teenager that I never wanted kids and have stuck to my guns, I adore this! I wouldn't have gone so far as Cassie did in getting pregnant, but I understand you wanted to show the full range of experience. I've known friends who were in relationships with people who'd agreed they didn't want kids but changed their minds. Terrible situation. I'd consider it a contract broken, but procreation persists as the "norm" despite the population soaring beyond the planet's ability to provide for all.
1 points Kath Collingswood
Amazing story, I felt that it really fit the prompt and was really well written.
1 points Violet Anne
Ooh! I like this. I love how it shifts to one year to another each paragraph, and has amazing detail meanwhile. I hope I make sense.
1 points Jocelyn Woods
It would help if we knew more about _why_ she is so opposed to the idea of having kids. It seems like it goes deeper than just a lifestyle preference. Her feelings, without context, seem extreme. Also I find it somewhat disturbing that this is in response to a Toni Morrison prompt. I'm not sure if it's deliberate, but there is an echo of the plotline of Morrison's Beloved in this story. In the novel Sethe runs away from slavery but is hunted down. Seeing no hope of escape, she chooses to kill her baby rather than let her go back to the plan... read more
1 points Donna Golladay
Every writing experience is a learning experience, so keep practicing. It's not easy to put a story in public. I just cringe at stories like this "winning" because of the appearance of bias. Amy, I hope you understand my position here. However, it does raise some decent points, and maybe a young person will think before they act? Let's hope - I'm 57 years old, and had four children. So I know a little bit about the struggle. Keep writing!
1 points Bethany Robertson
The part about the women her age wearing an extra twenty pounds made me want to both laugh AND cry. I am one of those women, always looking worn down and stressed out. There is such a social stigma against women who do not want kids, and that is so wrong. I think that this was a brave, but important story to write. Thank you for sharing it.
0 points Diane Garner
0 points Rebekah Hamilton
And this site is not for bulling so I suggest you stop, it is to have fun and to talk about writing with others that enjoy it. If you are not here to say kind words to others and to help them in there writing and support, you should have no business on here.
Christian Mccul!och, I don't think you were being very nice to Chris. Also, Cassie's husband should have had a say in what she did to the baby. And it does not matter how long Chris made his sentence he was just trying to make a point, and I think he made a great one.
0 points Ledezma Dreiss
I love this story, so glad I found this site. Great story, kept me wanting more but I'm 43, married, have no kids, and never wanted any. Life couldn't be better!
Also the sentence Chris type does not matter how long it is he was trying to make a point, and I think he made a great one.
Christian, what you said about Chris was mean and you should take it back. Also Cassie had no right not telling her husband, he should of had a say in what she did to the Baby.
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Игорь Александрович Росселевич — советский хозяйственный, государственный и политический деятель, Герой Социалистического Труда, доктор технических наук.

Биография
Родился в 1918 году в Петрограде. Член КПСС.

С 1939 года — на хозяйственной, общественной и политической работе. В 1939—1990 гг. — в лаборатории радиопередатчиков, на радиозаводе № 619 в Ленинграде, начальник радиостанции, младший командир в стрелковой роте 268-й стрелковой дивизии, заместитель начальника мастерских связи войсковой части, инженер на заводе № 212 в Ленинграде, ведущий инженер, начальник Специального конструкторского бюро на заводе № 616, директор Всесоюзного научно-исследовательского института телевидения Министерства промышленности средств связи СССР, председатель Ленинградского областного правления Российского научно-технического общества радиотехники, электроники и связи имени А. С. Попова.

Указом Президиума Верховного Совета СССР от 6 сентября 1978 года присвоено звание Героя Социалистического Труда с вручением ордена Ленина и золотой медали «Серп и Молот».

Лауреат Государственной премии СССР (1982).

Умер в Ленинграде в 1991 году.

Ссылки
 Росселевич

Директора научно-исследовательских институтов

redpajama_set_name: RedPajamaWikipedia


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Great Arc's custom application provides a custom PDF view of each individual villa plot, displaying the dimensions of the plot sides and the distance from the street centerline along the plot's location within a neighborhood overview locator map. An overview map and a location map are automatically created, formatted, and placed on the PDF map book layout. Additionally, the application creates feature-linked annotation and distance-to-centerline data for each villa plot, which is provided in a file geodatabase format for inclusion in the master GIS database.


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Q: What form of emphasis was used before printing? Nowadays we use bold, italics <u>underline</u>(but not on SE) and even monospacing to emphasise words. However, before the invention of typewriters what emphasis could they use other than underlining?
If you've ever tried to embolden text on paper you will know that it is very tricky and ends up with a big blob of ink obscuring half of your sentence. Italics are also tricky as many handwriting styles are written at a slight slant and it is difficult to distinguish whether or not text is italicised.
How would a writer be able to emphasise text?

A: Handwritten script can be manipulated (by a suitably skilled scrivener) to be large, small, stretched, compact, elaborate, plain.  See, for instance, the US Constitution.

A: Being this is the holiday season for the Jews, I'll bring up the example of the Torah. The production of the first five books of the Bible took place in the desert about 3200 years ago. The making of a new Torah replicates the efforts of Moses: it is still printed by hand onto animal skin parchment, for instance.
A Wikipedia search of Canaanite languages will give you a fascinating overview of the pains people went to keep records on stone, parchment, or papyrus, and no, none of them take ink very well.
The Torah contains no vowels and minimal punctuation (just the colon, I think, used as a full stop). Written Hebrew has had three different 22-letter alphabets since the Jews left Egypt, but none of them had case or emphasis options other than font size.
This was important since biblical Hebrew had no future tense or mood, so there had to be a way to tell the difference; such as "I am the Lord your God" (present), "Honor your father and mother" (imperative), and "Thou shalt not kill" (future).
The solution is in the cadence. Those reading the Torah knew the incantations. (Hebrew prayers are generally not spoken; they are sung, even the Bible readings.) The author was taught the cadence from the rabbi above him--a form of apostolic succession since (Orthodox) Jews believe Moses received the cadence as part of the Oral Tradition directly from God while in the desert, and this has been dutifully passed down to the present.
To answer your question: it was difficult; especially in language without case. In Hebrew, it required fairly complex intonations in the spoken word to convey difference in mood or tense. As an example of cadence, of which there are about a dozen different maneuvers, consider the eight seconds it takes Mick Jagger to sing Honky in "Honkytonk Women," which is more approximate than what's-her-face singing the Os in "Xs and Os."

A: I notice the following techniques in the Declaration of Independence:

*

*Initial Caps

*Small Caps

*All Caps

*Larger Text Size

*Font Change (script vs something that's more like black lettering)

*Stylized Swashes

*White Space

Each of which serves to give a sense of emphasis.

A: The rosetta stone features cartouches to call out the names of the rulers:

This was the ancient Egyptian version of bold-faced names in gossip columns. Champollion was able to use this as a clue in his translation of the hieroglyphics.
I don't believe the cartouche was a general purpose emphasis tho.

A: There are loads of ways, but they fit a few categories.
(Heck, here's a similar list on Wikipedia)
Most of these stand out only if the writer is consistent enough that the change is unexpected as part of the previous pattern.
Color: when colors contrast, the eye catches a difference. Red is especially good for standing out.
(e.g. Rubrication & Gilding)
You waste your gold and your time if you gild every letter on the page unless that entire page happens to be worth calling out from the rest of the book. (Pictures of some manuscripts)
Weight: I don't know what methods you've attempted, but it's not that tricky to increase line weight if you aren't already pushing the limits of legibility for your letter size.
You can also go down in weight for emphasis, too, if you do find your line weight too high to increase it.
There have multiple nibs for writing for centuries at least, and carving a quill allows one to make these adjustments to taste.
Scale: You want something to pop, it's hard to beat simply making it bigger. Drop caps are one example, but so are using capital letters at all. Again, disruption catches the eye, so dropping size stands out, too.
Different letterforms: (Capitals are actually a combination of this and scale.) If your hand changes enough, it can stand out. That's the principle behind using italics, which has an old pedigree. If your writing in italics, you can switch to a block script for emphasis.
(Discussion of "fonts" in manuscripts)
Symbols and graphics: Underlining is a special case of adding small graphical signifiers around the letters you want to call out. Other examples are diacritics, asterisks, and daggers. Dashes, parentheses, periods, and every other punctuation mark, too. Line or dot leaders for lists helps to distinguish parts. Inline art of other sorts is used, too, such as borders or section divisions using rules or marks.
Flow and layout: the last general case is simply placing the text somewhere other than expected. Sidebars or headings sitting off on their own are examples of this. Drop caps & paragraphs called out by margins and spaces are some more.
Simply adding extra space around things you wish to emphasize (say, the end of a sentence) is a pretty gentle approach to emphasize it.
You might recall that very old manuscripts often lack any punctuation and whitespace. Standards for such were added over time as precisely this sort of graphical embellishment: ways to call out important spots in the text, like where a reader should pause for a period (period) or when they should stop the thought. (comma)
(I'm not sure how we reversed comma and period, but we did)
Rules for punctuation are simply elevation of what worked to a widely accepted standard. It's true that a lot of our formal rules came from typesettters, but many came from their copyist predecessors.
(Most of this is pretty common knowledge, I think, but I intend to come back and insert some references for the less obvious stuff.)

A: No one has yet mentioned letterspacing: inserting narrow space between letters within a word.  I've only seen this in print (mostly from Germany) but there's no reason it couldn't be done in handwriting – though stretching the letters themselves might be more natural.


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My own personal zombie story: TV, eh? comes back to life
by Diane | Jul 30, 2014 | Canadian TV | 0 comments
I've had a couple of conversations lately about the value of blogging, which is kind of hilarious given how little of it I've done lately. I just told a recent graduate in an information interview that blogging was a great way to hone her writing, explore what she's interested in, and enter into a community around the topic.
I've written about that before. I've written (sincerely yet tongue in cheek) about how blogging has changed my life. And now I'm realizing that even so, I've undervalued the connections I've made online. Literally.
I retired TV, eh? at the end of last year because after 7+ years I was tired. It was a hobby, I had other interests and opportunities, and it was starting to feel like a burden. Then TV Guide Canada went dark. The Canadian TV world lost two voices within half a year, and I acquired a partner who could not just help relieve much of the burden but help take the site up another level in terms of original, professional content as well as monetization — a word and work I hate.
While Greg looked into advertising, grants and sponsorship, I thought a crowdfunding campaign might be an easy way to help show potential funders that there was a supportive audience for the site, and a way to test the notion that people would pay for professional TV writing, even if not via a traditional model.
I had always felt appreciated in my time running the site (well, not always by everyone). I knew it was valued. I just didn't know that value would have significant dollar figures attached.
I originally put $1,000 as our goal – enough to get us up and running, pay for expenses and our time, tide us over until we got some steady income. Then I thought I should dream big and put $2,500, allowing us a real head start with the ability to pay some professional contributors. Then I got spooked at the humiliation of failure — and the increased Indiegogo fees if you don't hit your goal — so I compromised at the posted goal of $1,500.
After 5 days and 3 stretch goals later we have over $14,000 in contributions, with 25 days left to go. We're stretching to $20,000 now.
I posted to my social networks, Greg posted to his, and from there our stalwart supporters took over, drumming up donations from writers, producers, agents, directors, actors, guilds … anyone who makes a living in Canadian TV was encouraged (sometimes heckled) to donate. Dedicated Canadian TV fans have donated. This isn't from our friends and family (though a few of them have donated too). This is from people who read the site, who miss the site, who want the site back.
I'm sincerely grateful and sincerely overwhelmed. Our little test balloon has turned into a rocketship, and I'm scrambling to keep up with it emotionally and logistically.
I don't know how to begin to thank people. I mean, most of the donors get a perk but how do I convey what their support means, whether it's financial or spreading the word or just cheering us on? It's validation of my work for the last 8 years — we really raised $14,000 in 5 days and 8 years — plus Greg's work over the last 15 years, plus the promise of what we can do together.
Which is a whole lot more, now. Our dreams are expanding with our Indiegogo totals, always with an eye to how to sustain what we start, how to keep the momentum without exhausting the crowdfunding model, how to seize the opportunities coming at us, how to make this business model work to support professional-quality Canadian TV coverage and have people paid fairly for their work.
All while stunned at the generous support from this community of people I've been lucky to be a part of for the last 8 years. All while working on it during gorgeous summer weekends and evenings, via cross-country email and Skype conversations.
We have a plan. We have the passion. And we have a plethora of people whose support means more than a blog post could say. Thanks everyone.


Choose from a 1/4 oz, 1/3 oz, 1/2 oz, a full one ounce or a Sample Pack. The * denotes essential oils.
All of our high grade fragrance and essential oils are available in four sizes or a Sample Pack. Oils may be blended to create your own original fragrance. Please note the blend you would like in the Comments/Custom Blend Field.
If ordering a Sample Pack, choose your first fragrance from the drop down menu and add 4 more in the Comments/Custom Blend Field. (Please no custom blending for samples).
"Standalone oils & blends are wonderful!"


A special Valentine's event just for couples. Stroll through the candle-lit cave and enjoy sweet treats and live music along the way. Live music performances include harpist, classical guitarist, and vocalists. Stop for a kiss in the Cathedral Room and make a wish at Dream River. Enjoy a champagne toast and a pair of truffles in the North Cavern before returning to the surface. Warm up by the fireplace and enjoy live jazz standards by the Nighttime Quartet. Cash bar, featuring Wisconsin beer and wine, will be available throughout the reception. Taste delicious light hors d'oeuvres and sweet treats! Each couple will also receive a red rose, a souvenir photo taken inside the cave and a special Gemstone Mining bag filled with unique treasures. Cave After Dark is a popular series of themed events for adults 21 and older at Cave of the Mounds – National Natural Landmark. Each event includes a unique at-your-own-pace in-cave experience and theme-related reception in our Visitor Center with cash bar. These special events sell out fast, so reservations are required.


This site has been established to detail my experience with Marc Holder, certified personal trainer in Dorchester, MA. I first met Marc when he became a personal trainer at the Dorchester YMCA. He was very personable, knowledgeable and helpful. He teaches a number of classes there – Torch, which is a super intense cardio workout, Sculpt and Tone which uses light weights to create body definition, and Body Explosion which is a circuit of at least 15 exercises that participants engage in for 30 seconds before moving on to the next station. I started off by taking Marc's sculpt and tone class. When I started, I struggled!!! I couldn't even hold planks for the requested time. I was drenched in sweat and was just exhausted during and especially after the class!!! Over time, and with Marc's encouragement, my stamina improved and I got stronger and more defined. Sculpt and Tone is on Monday evenings, however, one Monday I had plans on Monday evening, but I was available on Monday morning, which is when Torch is taught. (It's also taught on Wednesdays. Both days at 10:15am) I asked Marc if I could switch one class for the other. He said I could. I'm not gonna lie….I was more than anxious when I got my equipment (step, mat, weights). I'd heard how hard this class was, and the regulars were "the beautiful people" of the Y. Somehow I didn't feel like I belonged there. It wasn't as bad as I'd thought it would be, but it definitely lives up to his name. That was in April 2014. 7 months later, I'm 4 dress sizes smaller. I still attend Torch twice a week. I also attend Sculpt & Tone for good measure. These classes are a part of my YMCA membership.
However, Marc also sees clients privately, of which I am proud to say I am one. In addition to the 5 hours I spend with him at the Y, he trains me and 2 of my girlfriends on Thursday nights and Saturday mornings. As of this writing, he charges $75/week which is an amazing deal. That $75 covers all the training that you can get from him for a week!!!! He is very flexible and accommodating. In addition to the 2 hours in his studio, I sneak in an additional 2 hours at the Y!!! So for $75 a week, I get 4 hours of hands on personal trainer from one of the best certified personal trainers in Dorchester, MA. If you're interested in meeting with Marc to begin your own quest for physical fitness, contact him at www.fever4thefitness.com. You definitely won't regret it!!!
So this blog will chronicle my several hours of training with Marc. From the YMCA classes to my private training sessions. I'll try to include photos so you can get a sense of the progression of our time together. I think this will be especially helpful for me as winter is fast approaching and with the end of daylight savings time, I've found that I've become more sedentary while consuming lots of comfort foods…..mac & cheese, pizza, fried chicken, etc. Not to mention the feasts that I'm looking forward to for Thanksgiving and Christmas. So this blog will become my journal to keep me aware of my intake vs. my outtake.


Note: In the paid version of Orient for devices with built-in camera, you can select AR mode, which displays direct direction and distance of designated places piercing the earth, overlapping with camera image.
In default setting, 18 cities are selected, of which 10 cities are displayed. In the main compass screen, direction and distance following the great circle of the earth is shown. You can easily add or move places in the "Select Places" screen. Red pins are places displayed in the main compass screen, and purple pins are places not displayed in the main screen. Drag the pins to exact places you like. In the "Edit Places" screen, you can change/delete names and display/hide places. Select your distance unit, km or miles. Select from two color variations, mainly white and mainly black.


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Fully Automated Luxury Gay Space Communism
Fully Automated Luxury Gay Space Communism is a meme – it's a joke, but it's also a dream. It's leftist futurism taken to the extreme. But would you prefer to envision a future of mostly manual labor, poverty, compulsory heterosexuality, and super-late capitalism on boring old Earth? I think not!
Consider this article as a launch pad and a full tank of ideological powdered aluminum to rocket your mind into a radical future – radical in the sense of favoring drastic political, economic, and social reforms, but also radical as in totally flipping sweet.
Come on and slam, and welcome to the jam
*Original poster by NASA JPL, text added by the internet*
"Fully Automated Luxury Communism," (we'll get to the gay space parts in a bit) entered the internet's lexicon thanks to one Aaron Bastani, a British political commentator who discussed the idea with The Guardian in March of 2015. In the article, he joins an ever-increasing group of people worrying about what will happen to society as automation replaces jobs, but proposes a rosy solution: "the only utopian demand can be for the full automation of everything and common ownership of that which is automated... a 10- or 12-hour working week, a guaranteed social wage, universally guaranteed housing, education, healthcare and so on."
Bastani isn't the first to suggest a universal basic income as an answer to automation – this short infographic from Futurism.com explains which countries and industries are predicted to feel the effects of job loss due to automation most acutely, alongside some experiments in universal basic income conducted in 2016 in Kenya, Finland, Switzerland, and the Netherlands. And the concept of UBI has been steadily picking up steam in the last couple of years, particularly among the tech elite who are ushering in the age of robots. Even famed champion of workers (sarcasm) Elon Musk publicly voiced his support for universal basic income.
But a period of UBI-enabled socialism is only the gateway to Fully Automated Luxury Communism, because the end result should be a redistribution not only of wealth, but of all the resources of our planet – before we turn to seizing the resources of the rest of the cosmos. This assumes a complete restructuring of society and the economy as we know it under capitalism and the prerequisite of a post-scarcity economy.
In a paper presented to the World Future Society conference in 2009, Stephen Aguilar-Milan, the director of research for the European Futures Observatory, claimed that we could be living in a post-scarcity economy as soon as 2050-2075. Aguilar-Milan and his team posit that the current age of scarcity (the condition of a majority of global citizens not having access to the basic resources required to live, much less thrive), due to the inequalities fundamental to the structure of global capitalism, will reach a point that most other economic theorists call "Peak Oil," but which they term "Peak Just About Everything" between 2015 and 2040. This period of economic turmoil is the catalyst they see being able to upset the entrenched systems of global capitalism and encourage a radical redistribution of resources.
Of course, with the introduction of fracking and other alternative methods of natural resource extraction, peak oil hasn't quite arrived the way we expected it; but the acceleration of the effects of climate change due to these new extraction technologies are positioned to serve as a catalyst just as well.
Way back in 1858, a little guy you may have heard of called Karl Marx also predicted that automation would usher in the post-capitalist era. In a section of the Grundrisse known as the "Fragment on Machines," he lays out that since capitalism relies on the surplus of labor and accelerates technology to accomplish this labor, it will eventually create the conditions of its own undoing: labor time will be reduced to almost nothing, and workers will be free to develop themselves as individuals.
Think of Amazon reinvesting its revenue for the last 20 years and Jeff Bezos now standing at the head of a global empire of algorithmically-directed warehouses chock full of robots. When it's no longer a requirement that Amazon's warehouses require humans to operate under inhumane conditions, and let's say Amazon takes over the world and automates humans out of work for every industry, what will the workers of the world do with all of their time?
Seize the memes of production
Here we are at Fully Automated Luxury Communism, and now the fun stuff can happen (the gay stuff, in space).
One reason the internet loves FALGSC is purely for the aesthetic: Soviet-era images of what communist life in space would look like still tickle the imagination, and the memeification of political ideologies and historial events is relentless. If you don't believe me, consider an offering from College Humor entitled "Seize the Means of Production With These 18 Communist Memes" or this explainer from Broadly about "How Meme Culture Is Getting Teens Into Marxism". And although both articles were published nearly a year ago, the memery at /r/fullcommunism continues unabated, and the real edgelords on the internet now primarily joke about endorsing Posadism.
Ironically professing love of communism for the aesthetic has likely reached its peak in the inevitable wave-postfixed music genre L A B O R W A V E, a spinoff of Vaporwave's slowed-down 80s pop music that overlays Soviet Era propaganda.
Space travel is taken as an inevitable outcome of FALC, but where does the "gay" part come in? All of the thinkers proposing UBI or full communism inevitably have to wonder what people will do if they're no longer subjected to labor, and they come to similar conclusions.
Elon Musk said, "People will have time to do other things and more complex things, more interesting things," and Karl Marx called it, "The free development of individualities." Although some would like to substitute "queer" for "gay" in FALGSC to be more inclusive, it isn't meant to literally mean compulsory homosexuality, but that in a freer futuristic society, categories like gender will become completely meaningless because people will be able to do whatever they want.
And the internet has concluded that means doing more gay stuff in space, which brings a whole new meaning to the illustration from The Jetsons used in the Guardian article that started it all: Jane Jetson and Rosie enjoying an afternoon of watching television while other machines tend to Jane's hair and nails and a drone bearing snacks hovers nearby.
A future without work where you can also have a fulfilling lesbian relationship with your robot maid: Fully Automated Luxury Gay Space Communism today.
Verisimulators: videogames that exactly replicate the mudanity of real life (and they're the future of work and play) →
← THE MONTAGE Podcast Episode 9: Have your remains turned into a diamond and fired into space; PLUS: antique burps!


It seems self-evident. The government can debase the currency and thereby be able to pay off its astronomical debt in cheaper dollars. But as I will explain below, things don't work that way. In order to use the debasement of paper currencies to repay the debt more easily, governments will need to issue and use the gold bond (wherever I refer to gold, I also mean silver. For the sake of brevity and readability I will only say gold in most cases).
I give credit for the basic idea of using gold bonds to solve the debt problem to Professor Antal Fekete, as proposed in his paper: "Cut the Gordian Knot: Resurrect the Latin Monetary Union." My paper covers different ground than Fekete's, and my proposal is different as well. I encourage readers to read both papers.
For example, gold should not go into backwardation. This is another big (if not widely appreciated) piece of evidence that confidence in the ability of debtors to pay is waning. Gold and silver went into backwardation in 2008 and have been flitting in and out of backwardation since then. Backwardation develops when traders refuse to take a "risk free" profit. That is, the trade is free from all risks except the risk of default and losing one's metal in exchange for a defaulted futures contract. See my paper for a full treatment of this topic.
Another key problem is duration mismatch. Today, every bank and financial institution borrows short to lend long, many corporations borrow short to finance long-term projects, and every government is borrowing short to fund perpetual debts. Duration mismatch can cause runs on the banks and market crashes, because when depositors demand their money, banks must desperately sell any asset they can into a market that is suddenly "no bid". In two papers («Fractional Reserve is not the Problem» and «Falling Interest Rates And Duration Mismatch«), I cover duration mismatch in banks and corporations in more depth.
And of course the motivation for building this broken system in the first place is the desire by nearly everyone to have a welfare state, without the corresponding crippling taxation. It has been long believed by most people a central bank is just the right kind of magic to let one have this cake and eat it too, without consequences. Well, the consequences are now becoming visible. See my papers («The Laffer Curve and Austrian Economics» and «A Politically Incorrect Look at Marginal Tax») discussing what raising taxes will do, especially in the bust phase like we have now.


Cross-posted on Love of All Wisdom.
This entry was posted in Comparative Philosophy, Ethics, Hermeneutics, Methodology, Psychology, Spiritual Practice, Theravāda by Amod Lele. Bookmark the permalink.
Thank you, Amod, for this interesting post. I have the feeling, we have been discussing about similar topics for years now, thus, I hope not to be too repetitive: I am not sure that an ontological approach (saying what is X) must precede a deontic one (prescribing that X). The priority of the ontological over the deontic is the mainstream approach in European philosophy, but not necessarily so in South Asia, see the Prābhākara Mīmāṃsā.
Thanks, Elisa. I think that point is compatible with the main point here: even if one takes the deontic as primary, one must still establish deontic truth – that is, which injunctions are the proper injunctions to follow. For example, I would be very leery of cultivating the habits and capacities that a Mīmāṃsā text is designed to cultivate; I think it is bad to preserve a cosmic-ritual-social order divided sharply and fundamentally by hierarchies of varṇa and gender! I think many Mīmāṃsā claims about what a human being should do are false, and I think you do too. That matters.
thanks for the prompt answer. Your position is very close to the Viśiṣṭādvaitin reinterpretation of Mīmāṃsā: deontic must be based on truth (i.e., prescriptive statements logically depend on descriptive ones). This is a philosophically intriguing position, as it solves many philosophical problems (such as that of the truth of prescriptive statements), but it is by no means the only possible way of dealing with deontics. I, for one, am a non-reductionist (prescriptions are fundamentally not reducible to descriptive statements, no matter how long you try, just because the "is" does not translate into the "ought").
Incidentally, I also do not think that Mīmāṃsakas mainly aimed at preserving a social-order based on a hierarchy of varṇas and gender. For instance, PMS 6.1 explains that women (and animals) are equal to men as for their being full-fledged subjects ("person"), since they can desire, and therefore can be rational agents (kartṛ). The reasons for their inferiority are, according to the same book, accidental, insofar as women have no property. More in general, as we discussed in a different context (concerning the use of masculine pronouns for a generic subject in Sanskrit, Latin, pre-20th c. English, etc.), I am not sure we should not distinguish between the historically given background of a given philosophy and its innovative aspects.
If you don't want to talk about the truth of deontic injunctions, we can talk about their goodness and badness, or even appropriateness and inappropriateness. Some deontic injunctions should not be followed. Period. Even the staunchest Mīmāṃsaka would believe that. And we need to be able to tell which we should follow and which we shouldn't. That's the heart of my point here.
yes, some will not be followed. But a Prābhākara would say that this depends on their source, the Veda or the cheating talks of the Buddhists, the Pāñcarātrins, the Śaivas etc. (I am not saying I subscribe to this view!!). If one had a criterion to decide about which injunction to follow, than this criterion would be higher than the Veda, and this cannot be the case.
I might have misunderstood you, but I thought you were looking for something within the content of the prescriptions themselves, something about what they prescribe and the fact that it must be true… (coming back to the original post: "we also need a vision of what being a better person actually is!"). Their source might be a criterion, but has nothing to do with deciding about the validity of each prescription on the basis of whether its content is true/fits some background assumption about what it means "being a good person" and so on.
I did put it in those terms originally, but modified and generalized the point in the earlier comment. My larger point is that we are not doing philosophy – Indian or otherwise – if we are merely content to describe the effects a text has or the practices it enjoins. We must evaluate them. I happen to think their truth or falsity is important to the evaluation, and I think most Buddhist, Advaitic or Naiyāyika texts would agree with me on that point about truth or falsity. It is fair to point out that the Mīmāṃsakas would disagree with it, but even enlarging the discussion to include them, the larger point still stands.
This post and the previous one are intended together as a response to Andrew's apparent recommendation that we ask of Indian texts merely "Who are the subjects addressed here? What are they supposed to actually do? How do the social, the ethical, and the aesthetic relate to each other? How would these texts have been used?" Even from a Mīmāṃsaka perspective, these questions are not enough; what a bauddha text enjoins its subject to do is bad, and making that judgement of such a text is important to Mīmāṃsā thought.