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Q: Error when deployin a dash app to heroku, Nidaqmx.lib.DaqNotFoundError I am trying to remotely read data from an accelerometer using a NI9234. I am working in windows, and I am usnig plotly dash and nidaqmx on python. The whole thing works fine on the local host (is able to fetch the data and it's plotting it), however, when I try to deploy it on Heroku, my accelerometer is not reading anything at all. I think that the deployment is working, but I have this as my log --tail:
2021-06-19T01:12:23.045293+00:00 heroku[router]: at=info method=GET path="/_dash-component-suites/dash_core_components/async-plotlyjs.v1_16_0m1617903285.js" host=monitoreo-remoto.herokuapp.com request_id=cc5a2471-0689-4b93-91cb-a0d0eb796e82 fwd="187.190.230.255" dyno=web.1 connect=0ms service=325ms status=200 bytes=1034463 protocol=https
2021-06-19T01:12:28.412217+00:00 app[web.1]: Exception on /_dash-update-component [POST]
2021-06-19T01:12:28.412225+00:00 app[web.1]: Traceback (most recent call last):
2021-06-19T01:12:28.412226+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 2070, in wsgi_app
2021-06-19T01:12:28.412227+00:00 app[web.1]: response = self.full_dispatch_request()
2021-06-19T01:12:28.412227+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1515, in full_dispatch_request
2021-06-19T01:12:28.412228+00:00 app[web.1]: rv = self.handle_user_exception(e)
2021-06-19T01:12:28.412228+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1513, in full_dispatch_request
2021-06-19T01:12:28.412228+00:00 app[web.1]: rv = self.dispatch_request()
2021-06-19T01:12:28.412229+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1499, in dispatch_request
2021-06-19T01:12:28.412229+00:00 app[web.1]: return self.ensure_sync(self.view_functions[rule.endpoint])(**req.view_args)
2021-06-19T01:12:28.412230+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/dash/dash.py", line 1079, in dispatch
2021-06-19T01:12:28.412230+00:00 app[web.1]: response.set_data(func(*args, outputs_list=outputs_list))
2021-06-19T01:12:28.412231+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/dash/dash.py", line 1010, in add_context
2021-06-19T01:12:28.412232+00:00 app[web.1]: output_value = func(*args, **kwargs)  # %% callback invoked %%
2021-06-19T01:12:28.412232+00:00 app[web.1]: File "/app/Vib-easy-3.py", line 110, in update_output
2021-06-19T01:12:28.412233+00:00 app[web.1]: with nidaqmx.Task() as task:
2021-06-19T01:12:28.412233+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/task.py", line 84, in __init__
2021-06-19T01:12:28.412233+00:00 app[web.1]: self._handle = lib_importer.task_handle(0)
2021-06-19T01:12:28.412234+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 178, in task_handle
2021-06-19T01:12:28.412234+00:00 app[web.1]: self._parse_typedefs()
2021-06-19T01:12:28.412235+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 241, in _parse_typedefs
2021-06-19T01:12:28.412235+00:00 app[web.1]: version = system.driver_version
2021-06-19T01:12:28.412236+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/system/system.py", line 73, in driver_version
2021-06-19T01:12:28.412236+00:00 app[web.1]: return DriverVersion(self._major_version, self._minor_version,
2021-06-19T01:12:28.412236+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/system/system.py", line 108, in _major_version
2021-06-19T01:12:28.412237+00:00 app[web.1]: cfunc = lib_importer.windll.DAQmxGetSysNIDAQMajorVersion
2021-06-19T01:12:28.412237+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 166, in windll
2021-06-19T01:12:28.412238+00:00 app[web.1]: self._import_lib()
2021-06-19T01:12:28.412244+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 218, in _import_lib
2021-06-19T01:12:28.412244+00:00 app[web.1]: raise DaqNotFoundError(
2021-06-19T01:12:28.412252+00:00 app[web.1]: nidaqmx._lib.DaqNotFoundError: Could not find an installation of NI-DAQmx. Please ensure that NI-DAQmx is installed on this machine or contact National Instruments for support.
2021-06-19T01:12:28.418592+00:00 app[web.1]: 10.16.188.22 - - [19/Jun/2021:01:12:28 +0000] "POST /_dash-update-component HTTP/1.1" 500 290 "https://monitoreo-remoto.herokuapp.com/" "Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.106 Safari/537.36"
2021-06-19T01:12:28.418956+00:00 heroku[router]: at=info method=POST path="/_dash-update-component" host=monitoreo-remoto.herokuapp.com request_id=fde7d56c-acbe-45f9-a1a6-54293cb22e55 fwd="187.190.230.255" dyno=web.1 connect=0ms service=181ms status=500 bytes=463 protocol=https
2021-06-19T01:12:44.515889+00:00 app[web.1]: Exception on /_dash-update-component [POST]
2021-06-19T01:12:44.515899+00:00 app[web.1]: Traceback (most recent call last):
2021-06-19T01:12:44.515900+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 2070, in wsgi_app
2021-06-19T01:12:44.515901+00:00 app[web.1]: response = self.full_dispatch_request()
2021-06-19T01:12:44.515901+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1515, in full_dispatch_request
2021-06-19T01:12:44.515902+00:00 app[web.1]: rv = self.handle_user_exception(e)
2021-06-19T01:12:44.515902+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1513, in full_dispatch_request
2021-06-19T01:12:44.515903+00:00 app[web.1]: rv = self.dispatch_request()
2021-06-19T01:12:44.515903+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1499, in dispatch_request
2021-06-19T01:12:44.515904+00:00 app[web.1]: return self.ensure_sync(self.view_functions[rule.endpoint])(**req.view_args)
2021-06-19T01:12:44.515904+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/dash/dash.py", line 1079, in dispatch
2021-06-19T01:12:44.515905+00:00 app[web.1]: response.set_data(func(*args, outputs_list=outputs_list))
2021-06-19T01:12:44.515905+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/dash/dash.py", line 1010, in add_context
2021-06-19T01:12:44.515906+00:00 app[web.1]: output_value = func(*args, **kwargs)  # %% callback invoked %%
2021-06-19T01:12:44.515906+00:00 app[web.1]: File "/app/Vib-easy-3.py", line 110, in update_output
2021-06-19T01:12:44.515906+00:00 app[web.1]: with nidaqmx.Task() as task:
2021-06-19T01:12:44.515907+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/task.py", line 84, in __init__
2021-06-19T01:12:44.515907+00:00 app[web.1]: self._handle = lib_importer.task_handle(0)
2021-06-19T01:12:44.515916+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 178, in task_handle
2021-06-19T01:12:44.515917+00:00 app[web.1]: self._parse_typedefs()
2021-06-19T01:12:44.515917+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 241, in _parse_typedefs
2021-06-19T01:12:44.515918+00:00 app[web.1]: version = system.driver_version
2021-06-19T01:12:44.515918+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/system/system.py", line 73, in driver_version
2021-06-19T01:12:44.515919+00:00 app[web.1]: return DriverVersion(self._major_version, self._minor_version,
2021-06-19T01:12:44.515919+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/system/system.py", line 108, in _major_version
2021-06-19T01:12:44.515919+00:00 app[web.1]: cfunc = lib_importer.windll.DAQmxGetSysNIDAQMajorVersion
2021-06-19T01:12:44.515920+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 166, in windll
2021-06-19T01:12:44.515920+00:00 app[web.1]: self._import_lib()
2021-06-19T01:12:44.515920+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 218, in _import_lib
2021-06-19T01:12:44.515920+00:00 app[web.1]: raise DaqNotFoundError(
2021-06-19T01:12:44.515921+00:00 app[web.1]: nidaqmx._lib.DaqNotFoundError: Could not find an installation of NI-DAQmx. Please ensure that NI-DAQmx is installed on this machine or contact National Instruments for support.
2021-06-19T01:12:44.530403+00:00 app[web.1]: 10.16.188.22 - - [19/Jun/2021:01:12:44 +0000] "POST /_dash-update-component HTTP/1.1" 500 290 "https://monitoreo-remoto.herokuapp.com/" "Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.106 Safari/537.36"
2021-06-19T01:12:44.531107+00:00 heroku[router]: at=info method=POST path="/_dash-update-component" host=monitoreo-remoto.herokuapp.com request_id=4cd69bda-50c6-4bd5-8a33-3cd423c725d1 fwd="187.190.230.255" dyno=web.1 connect=1ms service=179ms status=500 bytes=463 protocol=https
2021-06-19T01:12:48.609521+00:00 app[web.1]: Exception on /_dash-update-component [POST]
2021-06-19T01:12:48.609530+00:00 app[web.1]: Traceback (most recent call last):
2021-06-19T01:12:48.609531+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 2070, in wsgi_app
2021-06-19T01:12:48.609531+00:00 app[web.1]: response = self.full_dispatch_request()
2021-06-19T01:12:48.609532+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1515, in full_dispatch_request
2021-06-19T01:12:48.609532+00:00 app[web.1]: rv = self.handle_user_exception(e)
2021-06-19T01:12:48.609533+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1513, in full_dispatch_request
2021-06-19T01:12:48.609533+00:00 app[web.1]: rv = self.dispatch_request()
2021-06-19T01:12:48.609534+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1499, in dispatch_request
2021-06-19T01:12:48.609534+00:00 app[web.1]: return self.ensure_sync(self.view_functions[rule.endpoint])(**req.view_args)
2021-06-19T01:12:48.609534+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/dash/dash.py", line 1079, in dispatch
2021-06-19T01:12:48.609535+00:00 app[web.1]: response.set_data(func(*args, outputs_list=outputs_list))
2021-06-19T01:12:48.609535+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/dash/dash.py", line 1010, in add_context
2021-06-19T01:12:48.609536+00:00 app[web.1]: output_value = func(*args, **kwargs)  # %% callback invoked %%
2021-06-19T01:12:48.609536+00:00 app[web.1]: File "/app/Vib-easy-3.py", line 110, in update_output
2021-06-19T01:12:48.609537+00:00 app[web.1]: with nidaqmx.Task() as task:
2021-06-19T01:12:48.609537+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/task.py", line 84, in __init__
2021-06-19T01:12:48.609537+00:00 app[web.1]: self._handle = lib_importer.task_handle(0)
2021-06-19T01:12:48.609538+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 178, in task_handle
2021-06-19T01:12:48.609538+00:00 app[web.1]: self._parse_typedefs()
2021-06-19T01:12:48.609539+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 241, in _parse_typedefs
2021-06-19T01:12:48.609539+00:00 app[web.1]: version = system.driver_version
2021-06-19T01:12:48.609540+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/system/system.py", line 73, in driver_version
2021-06-19T01:12:48.609540+00:00 app[web.1]: return DriverVersion(self._major_version, self._minor_version,
2021-06-19T01:12:48.609540+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/system/system.py", line 108, in _major_version
2021-06-19T01:12:48.609541+00:00 app[web.1]: cfunc = lib_importer.windll.DAQmxGetSysNIDAQMajorVersion
2021-06-19T01:12:48.609541+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 166, in windll
2021-06-19T01:12:48.609542+00:00 app[web.1]: self._import_lib()
2021-06-19T01:12:48.609542+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 218, in _import_lib
2021-06-19T01:12:48.609542+00:00 app[web.1]: raise DaqNotFoundError(
2021-06-19T01:12:48.609543+00:00 app[web.1]: nidaqmx._lib.DaqNotFoundError: Could not find an installation of NI-DAQmx. Please ensure that NI-DAQmx is installed on this machine or contact National Instruments for support.
2021-06-19T01:12:48.612660+00:00 app[web.1]: 10.16.188.22 - - [19/Jun/2021:01:12:48 +0000] "POST /_dash-update-component HTTP/1.1" 500 290 "https://monitoreo-remoto.herokuapp.com/" "Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.106 Safari/537.36"
2021-06-19T01:12:48.613854+00:00 heroku[router]: at=info method=POST path="/_dash-update-component" host=monitoreo-remoto.herokuapp.com request_id=5a31bc51-2eef-4370-91bf-e91b144e2b37 fwd="187.190.230.255" dyno=web.1 connect=0ms service=185ms status=500 bytes=463 protocol=https
2021-06-19T01:15:31.312757+00:00 app[web.1]: Exception on /_dash-update-component [POST]
2021-06-19T01:15:31.312766+00:00 app[web.1]: Traceback (most recent call last):
2021-06-19T01:15:31.312770+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 2070, in wsgi_app
2021-06-19T01:15:31.312770+00:00 app[web.1]: response = self.full_dispatch_request()
2021-06-19T01:15:31.312771+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1515, in full_dispatch_request
2021-06-19T01:15:31.312771+00:00 app[web.1]: rv = self.handle_user_exception(e)
2021-06-19T01:15:31.312771+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1513, in full_dispatch_request
2021-06-19T01:15:31.312772+00:00 app[web.1]: rv = self.dispatch_request()
2021-06-19T01:15:31.312772+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/flask/app.py", line 1499, in dispatch_request
2021-06-19T01:15:31.312773+00:00 app[web.1]: return self.ensure_sync(self.view_functions[rule.endpoint])(**req.view_args)
2021-06-19T01:15:31.312773+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/dash/dash.py", line 1079, in dispatch
2021-06-19T01:15:31.312774+00:00 app[web.1]: response.set_data(func(*args, outputs_list=outputs_list))
2021-06-19T01:15:31.312774+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/dash/dash.py", line 1010, in add_context
2021-06-19T01:15:31.312775+00:00 app[web.1]: output_value = func(*args, **kwargs)  # %% callback invoked %%
2021-06-19T01:15:31.312775+00:00 app[web.1]: File "/app/Vib-easy-3.py", line 110, in update_output
2021-06-19T01:15:31.312776+00:00 app[web.1]: with nidaqmx.Task() as task:
2021-06-19T01:15:31.312776+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/task.py", line 84, in __init__
2021-06-19T01:15:31.312777+00:00 app[web.1]: self._handle = lib_importer.task_handle(0)
2021-06-19T01:15:31.312777+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 178, in task_handle
2021-06-19T01:15:31.312778+00:00 app[web.1]: self._parse_typedefs()
2021-06-19T01:15:31.312778+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 241, in _parse_typedefs
2021-06-19T01:15:31.312779+00:00 app[web.1]: version = system.driver_version
2021-06-19T01:15:31.312779+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/system/system.py", line 73, in driver_version
2021-06-19T01:15:31.312780+00:00 app[web.1]: return DriverVersion(self._major_version, self._minor_version,
2021-06-19T01:15:31.312780+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/system/system.py", line 108, in _major_version
2021-06-19T01:15:31.312780+00:00 app[web.1]: cfunc = lib_importer.windll.DAQmxGetSysNIDAQMajorVersion
2021-06-19T01:15:31.312781+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 166, in windll
2021-06-19T01:15:31.312781+00:00 app[web.1]: self._import_lib()
2021-06-19T01:15:31.312781+00:00 app[web.1]: File "/app/.heroku/python/lib/python3.9/site-packages/nidaqmx/_lib.py", line 218, in _import_lib
2021-06-19T01:15:31.312782+00:00 app[web.1]: raise DaqNotFoundError(
2021-06-19T01:15:31.312783+00:00 app[web.1]: nidaqmx._lib.DaqNotFoundError: Could not find an installation of NI-DAQmx. Please ensure that NI-DAQmx is installed on this machine or contact National Instruments for support.
2021-06-19T01:15:31.317641+00:00 app[web.1]: 10.5.190.247 - - [19/Jun/2021:01:15:31 +0000] "POST /_dash-update-component HTTP/1.1" 500 290 "https://monitoreo-remoto.herokuapp.com/" "Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.106 Safari/537.36"
2021-06-19T01:15:31.315041+00:00 heroku[router]: at=info method=POST path="/_dash-update-component" host=monitoreo-remoto.herokuapp.com request_id=b613139d-c395-4571-923c-1f6c466a1b2d fwd="187.190.230.255" dyno=web.1 connect=1ms service=131ms status=500 bytes=463 protocol=https

I don't know which part is important, but the following line caught my eye:
nidaqmx._lib.DaqNotFoundError: Could not find an installation of NI-DAQmx. Please ensure that NI-DAQmx is installed on this machine or contact National Instruments for support.

I am using the free Heroku version, but I don't know if anyone in here have ran into this problem.

A: After many days without an answer I will be posting what I think it was happening, and also post a viable solution that doesn't involve heroku.
My theory:
nidaqmx library in python needs the download from National Instruments. if you do not have it, then it won't work. The installation is only available for windows. I guess the servers of Heroku don't have these files.
After Heroku, I tried to run my program in pythonanywhere, and even used Docker; none of these methods were working (perhaps I did something wrong, or perhaps it was kind of the same problem from above)
After many days of reading stuff, searching the web, and trying with different methods, I found a nice and easy solution; ngrok.
Basically you just need to register, download the zip, unzip it and paste the ngrok.exe in C:/Windows/system32. Add the path to your env variables (check answer from il0v3d0g), and later run your dash app in local server (port 3040 , for example) and finally run the ngrok command in another windows bash cmd
ngrok http 3040

This will create a "tunnel" between your local host (that is running your dash app) and any other computer from anywhere in the internet with the forwarding address that ngrok is creating.

This is a crude schematic of my "settings"

And in case anybody is wondering what the dash app looks like, I am adding it as well (in the case any engineer like myself is caught in the horrible task of working with remote data fetching)
#Working program, on dash program folder.
#Working with bootstrap instead of daq.
# Se debe instalar bootstrap: pip install bootstrap-core-components
import dash
import dash_bootstrap_components as dbc
import dash_core_components as dcc
import dash_html_components as html
from dash.dependencies import Input, Output
import plotly.graph_objects as go
from dash.exceptions import PreventUpdate
import nidaqmx
from nidaqmx.constants import AcquisitionType
import numpy as np

app = dash.Dash(__name__)

#Initial conditions to have something in the graph
trace_1 = go.Scatter(
    x = [],
    y = []
)

layout = go.Layout(title = 'Título de gráfica')
fig = go.Figure(data = [trace_1], layout = layout)

app.layout = dbc.Container(
    [
# Toma todo el espacio de arriba para el título.
        dbc.Row(
            dbc.Col(html.H3('Monitoreo Remoto V-0.3', className = 'text-center text-primary mb-4'), width = 12)
        ),
# Esto es otra fila que va a tener dos dropdowns y el botón en la misma columna
        dbc.Row(
            [
                dbc.Col(
                    [
                        dbc.Button(
                        'Capturar',
                        color = 'primary',
                        id = 'Swtc_1',
                        n_clicks = 0
                        ),
                        dcc.Dropdown(
                        id = 'f_muestreo',
                        value = '2048',
                        multi = False,
                        disabled = False,
                        persistence = 'string',
                        persistence_type = 'session',
                        options = [
                            {'label' : '2048', 'value':'2048'},
                            {'label' : '2560', 'value':'2560'},
                            {'label' : '3200', 'value':'3200'},
                            {'label' : '5120', 'value':'5120'},
                            {'label' : '6400', 'value':'6400'},
                            {'label' : '10240', 'value':'10240'},
                            {'label' : '12800', 'value':'12800'},
                            {'label' : '25600', 'value':'25600'}
                        ],
                        ),
                        dcc.Dropdown(
                        id = 'muestras',
                        value = '2048',
                        multi = False,
                        disabled = False,
                        persistence = 'string',
                        persistence_type = 'session',
                        options = [
                            {'label' : '2048', 'value':'2048'},
                            {'label' : '4096', 'value':'4096'},
                            {'label' : '8192', 'value':'8192'},
                            {'label' : '16384', 'value':'16384'},
                            {'label' : '32768', 'value':'32768'},
                            {'label' : '65536', 'value':'65536'},
                            {'label' : '131072', 'value':'131072'}
                        ],
                        ),
                    ], width = 2
                ),
# Dentro de la misma fila, se va a meter una nueva columna; para la gráfica.
                dbc.Col(
                    dcc.Graph(id = 'plot_id', figure = fig), width = 9
                )
            ],
        )
    ]
)
# interaction
@app.callback(
    Output('plot_id', 'figure'),
    [Input('Swtc_1', 'n_clicks'),
    Input('f_muestreo', 'value'),
    Input('muestras', 'value')]
)

def update_output(n_clicks, value_1, value_2):
    changed_id = [p['prop_id'] for p in dash.callback_context.triggered][0]
    if 'n_clicks' in changed_id:
        sample_rate = int(value_1)
        samples_to_acq = int(value_2)
        wait_time = samples_to_acq/sample_rate
# Name and channel of my NI 9234
        channel_name = 'cDAQBAYO1Mod1/ai0'
# Not using the trig yet
#        trig_name = 'cDAQBAYO1Mod1/ai1'
        cont_mode = AcquisitionType.CONTINUOUS
        units_g = nidaqmx.constants.AccelUnits.G
        with nidaqmx.Task() as task:
# Create accelerometer channel and configure sample clock and trigger specs
            task.ai_channels.add_ai_accel_chan(channel_name, units = units_g)
            task.timing.cfg_samp_clk_timing(sample_rate, sample_mode = cont_mode, samps_per_chan=samples_to_acq)
# Esto es para el tacómetro, de momento está omitido
#            task.triggers.start_trigger.cfg_dig_edge_start_trig(trigger_source = trig_name)

#   Reading data from sensor and generating time data with numpy
            ydata = task.read(number_of_samples_per_channel=samples_to_acq)
            xdata = np.linspace(0, wait_time,samples_to_acq)

            trace_1 = go.Scatter(
                x = list(xdata),
                y = list(ydata)
            )
            layout = go.Layout(title = 'Oscilograma')
            fig = go.Figure(data = [trace_1], layout = layout)
            n_clicks = 0
        return (fig)
    else:
        raise PreventUpdate

if __name__ == '__main__':
    app.run_server(debug = False, port = 3040)


AOL Canada Partners with Novator Systems for e-Retail - InternetNews.
Novator Systems Ltd., a Toronto-based e-retail services and software company, has been selected by AOL Canada Inc., to be its electronic retail solutions partner.
Novator will provide AOL Canada partners with e-retail strategy, design and engineering solutions and guide them in developing and managing their sites. It combines retail experience with software engineering and a strategic approach to interface design.
"More and more, Canadian consumers are making online shopping a part of their daily lives," said Stephen Bartkiw, CEO, AOL Canada. "For this reason, it is essential that Canadian companies understand the online shopping needs of Canadian consumers. By making Novator's e-retailing and customer service expertise available to AOL Canada's e-commerce partners, our members will experience an enjoyable, secure online shopping environment."
Founded in 1992, Novator is helping North American companies, including Sony Canada, Canada Life and FTD to gain a competitive edge on the Web by providing innovative and profitable online solutions.
AOL Canada Inc., is a strategic alliance between America Online, Inc. and Royal Bank, a Canadian global financial services group. It operates the two interactive online services, AOL Canada and CompuServe.


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text:
News, Team
Leivermann Advances; Jets Hire Burgess
by mlyttle
By Mason Lyttle (@MasonLyttle) | June 5, 2020 | 3:24pm
JANESVILLE, WI – The Janesville Jets, proud members of the North American Hockey League (NAHL), today announced changes to the coaching staff. Head coach Corey Leivermann has accepted the role of associate head coach with the Madison Capitols of the United States Hockey League (USHL), and will transition out of his Jets role this month.
The Jets have hired Parker Burgess as head coach, and promoted former assistant coach Lennie Childs to a new role of associate head coach. President and majority owner Bill McCoshen, general manager Joe Dibble, and owner Joe Pavelski led the hiring process.
"It has been a tremendous three years in Janesville," said Leivermann. "I have learned a lot during my time, and am extremely thankful to the Jets ownership group for giving me an opportunity to be a part of and lead this organization. I am indebted to Joe Dibble, Gary Shuchuk, and Lennie Childs for teaching me and growing me, not only as a hockey coach, but as a person. I am excited to start a new chapter of my coaching career, and look forward to continuing my relationship with the Jets as a member of the Capitols. I want to give a special thank you to everyone who welcomed me into the Janesville community in 2017. I can't thank enough the ownership group, hockey operations, business operations, billets, sponsors, fans, and players for making the past three seasons in Janesville unforgettable."
Over the course of June, Leivermann, Burgess, and Childs will work together to facilitate a smooth transition. The new roles and responsibilities for Burgess and Childs will be fully assumed by the Jets' pre-draft camp in Crystal Lake, Illinois, beginning on June 26.
Burgess, 35, joins the Jets from Nichols College of the NCAA's Commonwealth Coast Conference, where he served as head coach of the Bison since 2015. He guided the Bison to a 74-48-13 record in his five seasons, won the 2017-18 CCC Championship, and helped the program reach a national ranking as high as #7 in March of 2018. Previous to his role with Nichols College, the native of Red Deer, Alberta, spent four seasons with his alma mater, the University of St. Thomas, as associate head coach and recruiting coordinator.
"I am excited and honored to represent the Jets organization and the Janesville community," said Burgess. "I would like to offer my sincere appreciation to Bill McCoshen, Joe Pavelski, and Joe Dibble for this incredible opportunity. I am thrilled to get the chance to work with and coach alongside Lennie Childs. I am very fortunate to be a part of an organization where I am surrounded by so many great people and so much support.
"It is my intention to bring passion, positivity, and a relentless work ethic as head coach of the Jets. Our focus will be to develop players, advance players, and build a strong culture while pursuing our goal of bringing a Robertson Cup to Janesville. The Janesville Jets' brand is one of the most highly-regarded in all of junior hockey, and it is our job now to continue to enhance that brand and positively represent the city of Janesville. My wife, Jessie, is a Wisconsin native, and we are excited about getting back to the Midwest and immersing ourselves in the Janesville community."
"Parker Burgess brings a wealth of head coaching experience from the NCAA level to the Jets," said McCoshen. "His head coaching experience will serve our organization and our players extraordinarily well. We have a strong core of returning players, and the combination of Parker and Lennie will ensure we give our players the best opportunity to develop and gain exposure to NCAA D1 schools. We also believe we have the staff and roster to position the Jets for an opportunity to win the Robertson Cup next spring."
Childs' promotion emphasizes his importance to the organization, and will assign him responsibilities beyond those required from his role as assistant coach, which he began in November 2018.
"I want to thank the Jets organization for their trust in me as a coach and person," said Childs. "I am beyond excited to work with Parker in our pursuit to propel this program to new heights."
100+ NCAA commitments since 2009.
Jets Add Three Forwards in Supplemental Draft
Getting to Know New HC Parker Burgess

redpajama_set_name: RedPajamaCommonCrawl


text:
AiA Foundation
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It is with great pleasure that we inform you that the first issue of Authenticity Studies. International Journal of Archaeology and Art is online!
https://authenticity-studies.padovauniversitypress.it/
Chinese translation of Technical Art History.
A Handbook of Scientific Techniques for the Examination of Works of Art.
The Journal, created by the Department of Cultural Heritage of the University of Padua, is entirely free and freely accessible.
Authenticity Studies features a double-blind review system and an international scientific committee.
In a transversal and multidisciplinary way, the Journal investigates the themes of attribution, authenticity and provenance studies, from the ancient to the contemporary world.
AiA Online Congress 2021
Dedicated to the
Authentication in Art Foundation
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The Court of Arbitration for Art (CAfA) is very pleased to now be accepting applications to serve in either of its two expert pools, including in the areas of: (1) forensic science/materials analysis; and (2) provenance research/art history.
One of the unique features of the CAfA is that it offers these two areas of expertise to parties disputing the authenticity or title to visual art. An expert designated from one of these pools shall serve as the only admissible and testifying expert in that case.
We invite you to review the respective criteria for these expert pools as published on the CAfA website and, if appropriate, to apply for inclusion within one of the pools. Applications will be considered by a special committee of the CAfA on a rolling basis.
AiA's aim is to bridge the gap between the art market and the academic world, to better understand the financial, legal and intellectual consequences for those active in authentication research. AiA provides an impartial platform, free of bias and prejudice, for all who wish to join the discourse on authenticity research. AiA welcomes all points of view as long as they are within the limits of the law and are based on mutual respect
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This is a discussion for the topic Early alternator voltage reg on the board Parts Wanted.
Have a look for a type 25 one, they do the same but are cheaper.
same external regulator came on bay windows around 1972 and 411/412 or you can buy new digital ones which are fine, got one on the buggy.


UPLAND, Ind. – Taylor University is asking the public to be on the lookout for a missing student.
The Christian college in Upland, Indiana says Luke Skawski was last seen walking north on First Street near Reade Avenue at about 5 p.m. Wednesday.
WEST CREEK TOWNSHIP — Police are seeking information about a man who has been missing for more than a week.
Zakkary D. Bartell was last seen April 9 at the Apple Valley subdivision in an unincorporated area east of Lowell, Lake County sheriff's police said.
INDIANAPOLIS (WTHR) — Police in Indianapolis are searching for a teen who as been missing since April 5.
Malichi Hurley is 16 years old white male with brown hair and gray eyes. He is 5'8″ and weighs 180 pounds.
BARTHOLOMEW COUNTY, Ind. (WTHR) — The Bartholomew County Sheriff's Office is asking for your help to find a missing man.
Police say Matthew Jenkins is a white male with numerous tattoos, one of which is a neck tattoo.
MITCHELL, Ind. (WISH) — Indiana State Police are seeking help to find a missing 44-year-old Mitchell man last seen more than a month ago.
Mike James Leatherman is described as 5-feet-11 and 225 pounds with brown hair and blue eyes. Leatherman is shaved bald and has a goatee.
CROWN POINT, Indiana (WLS) — The remains of a missing 30-year-old Indianapolis area woman may have been found in Crown Point, Indiana, police confirmed Monday.
Najah Ferrell, of Avon, Indiana, was last seen at 3 a.m. March 15 at her residence, Avon police said.


Who is the maintainer of LIODBC for freebsd?
Previous message: Who is the maintainer of LIODBC for freebsd?
Next message: Who is the maintainer of LIODBC for freebsd?
> Who is the maintainer of LIODBC for freebsd?
There isn't a liodbc.  Did you mean libiodbc?
So, there is no maintainer.


Preview for filter shows preview for the whole image, even if there's selection. After clicking OK it applies only to selection, so the problem is only with preview.
It might seem minor, but I just wanted to use a filter (gaussian blur) on small part of big image. I had to wait about 5 seconds for preview, as it tried to apply filter to whole, big image (8 mpix or so) to visualize it, and after clicking ok, it was done almost instantly (0,2 mpix selection).
I'm talking here about inline preview, i.e. unchecked "apply to image".


When the Mathews-Middlesex Herald was founded in 1896, newspapers of one form or another had been around for a while, but the method of producing them had changed little over several centuries.
Romans had their scrolls as early as 59 B.C. and the Chinese had developed block type and published the world's first known book in 868 A.D., but the newspaper revolution really began when Johann Gutenburg introduced movable type during the 15th century in Germany.
At the new Herald, and for over 20 years after it became the Southside Sentinel, the paper was printed primarily with moveable type. Words were composed one letter at a time, by hand.
The rest of the work was tedious as well, all performed with muscle power, and mostly on Wednesday.
For most of its existence, the local paper has published on Thursdays. Readers have expected it to be there on that day, and it has hardly ever failed to arrive.
To make it so, however, some amazing things have happened in the newspaper office on Wednesdays, and even early Thursday mornings.
Our forebears would probably tell us we have it pretty easy these days, however.
The late editor Carl R. Tomlinson was one of the original employees when the new Mathews-Middlesex Herald was established, according to a column he wrote in 1950. He described himself as being the printer's "devil" in 1896, the industry term for a new employee just learning the trade.
He said the paper began with an old Washington hand press, some old type cases and other outmoded equipment, all brought to Urbanna from West Point by Capt. Joe Hurley's mule team.
Most of the time, the paper contained four pages each week.The front and back pages contained material provided by a syndicate. Local items, all set with hand type, appeared on pages two and three.
Tomlinson said the first compositor was R. B. Edwards, and hopefully he was trained in his profession. The type cases had several drawers, each containing a different type face.
Typically, the drawer was divided into 89 compartments to house the different lower case and upper case letters, numerals, punctuation marks, etc.
To set type efficiently, one had to know exactly where each piece of type was located. They weren't in any alphabetical order.
The type, including spaces between each word, was placed in a type stick set to the proper width. When an article or advertisement was complete, the type was most likely inked and some sort of impression made so that it could be proofread.
Later, all of the items were locked together in large metal chase to form the full page, ready for printing.
This had to be a scary time. Everything had to fit just right, or hours and hours of work could go tumbling onto the floor when the chase was moved to the press.
Once the paper was printed, the pages had to be "broken down" and the type replaced in the proper compartments, ready to begin work on the next issue.
Washington hand presses, perfected in the 1820's, brought journalism to the remotest corners of America. The one that arrived in Urbanna in 1896 had most likely been used somewhere else since faster cylinder presses were rapidly replacing these models throughout the country.
The Washingtons were indeed slow. Once the two full page forms were in place, the type was most likely inked by hand with a brayer and a flat sheet of newsprint placed over it. An impression was made by pulling a lever which forced a flat platen against the paper.
The procedure was repeated for every impression, and each sheet was hung over a frame to dry until the reverse side of the sheet could be printed.
The completed paper then had to be folded, most likely by hand in the early days.
When Ryland died and Tomlinson and Julian Brown took over in 1916, they acquired a better press which dould be run by power. Somewhere along the line, the Sentinel also acquired a mechanical folder to fold the large sheets of newsprint after they were printed.
Among those who assisted at the Sentinel on Wednesday nights, wild tales are told about paper floating around the press room, charged with static electricity, and efforts to control it with yards and yards of tinsel. The folding machine, particularly, would gobble up and mangle such sheets without mercy.
Syndicates became popular during the Civil War, according to an account in From Quill to Computer, The Story of America's Community Newspapers, by Robert F. Karolevitz. For many of America's pioneering newspapers, the syndicates created ready-to-print sheets already filled with national and state news on one side and the other left blank for the local printing of local news.
When the Herald began, it is believed that the syndicated material was shipped in by steamboat on lead stereotype plates which could be "edited" with a saw in case local news and advertisements were available for the front or back pages.
The first Mathews-Middlesex Herald, however, contained syndicated material entirely on its front and back pages.
To reduce the cost of preparing the material, syndicates also included advertising on their pages. "They sought products of univeral appeal, and that resulted in a preponderance of promotional material for patent medicines, dollar-a-bottle elixers and questionable quackery gadgets," wrote Karolevitz.
He noted that many of the potions widely advertised contained more than 25 percent alcohol, including Lydia Pinkham's Vegetable Compound for women (an item advertised in the first Herald).
The first Herald also includes an advertisement for Kilmer's Swamp Root which "cures all kidney and bladder problems." Ironically, the son of that company's founder would later purchase land in Middlesex and establish a horse farm here that was home to 1918 Kentucky Derby winner, Exterminator.
The Kilmer legend lives on through the community of Remlik, which is Kilmer spelled backwards.
The composition and printing of the now Southside Sentinel continued pretty much unchanged until 1923, when Tomlinson and Brown acquired a larger press which would print four pages on one side of a sheet and another four on the reverse. The Sentinel became an eight-page paper each week.
Another major advance occured at the same time: the Sentinel acquired its first Linotype machine. Described by Thomas Edison as "the Eighth Wonder of the World," the Linotype speeded composition by being able to create an entire line of type at once. The tedious process of setting type by hand was reduced to a minimum or eliminated completely.
Again after some trial and error by others, the Linotype had been invented by Otto Merganthaler in 1886. The 2,300-pound machine was a maze of gears and cams with a keyboard design that would baffle any normal typist.
The machine used an alphabet of brass matrices and space bands, each of which fell into place with a touch of the mysterious keyboard. When the line of words and spaces was complete, melted lead was forced against them, the lead instantly hardened, and a mold of the letters was created. The matrices and spaces ingeniously returned to their proper places to be used again and again.
The lead slugs were placed in the same types of metal chases for printing, then the lead was re-melted for use in creating the next week's paper. During this era, some photographs began appearing in the Sentinel, although most were supplied by syndicates or other outside sources. Local photos were few since expensive engraving equipment needed was in far off cities.
Line art and special headings used in advertisements soon became available on cardboard molds, or mats. Using a special casting box, melted lead was forced against the molds to create the castings and they were mounted on wood blocks to be printed.
The death in 1961 of Julian Brown, the editor and Linotype operator at the Sentinel, brought on several changes. Apparently no full time Linotype operator could be found who would stick with the job very long. Moonlighters from other papers and transients (often driven to drink) kept things going for several years, but it eventually got so bad that items for the paper had to be taken to a Richmond trade shop for typesetting.
Luckily, a new "offset" printing process was sweeping the country, and in 1967 the Sentinel decided to join the bandwagon. Through the new photographic process, pages could be created by typing the news, headlines and advertisements on plain paper, then cutting and pasting them into position on a full page layout. The entire page was then photographed, creating a negative from which the printing plate was made.
The composition method switched from "hot" lead type to "cold" type on paper.
The Sentinel began its offset production with a set of two Friden Justowriters to prepare the news copy. The first Justowriter, on which the articles were typed, produced a punched paper tape. The tape was then feed to the second Justowriter which "justified" the lines and printed them on plain paper using a carbon ribbon.
Headlines and advertisements were created one line at a time on a Headliner machine which used 35mm photographic paper. Letters were made from negatives encased in a circular piece of plastic. One simply dialed in the letter to be used, flipped a switch to turn on a light and expose it to the paper, and moved on to the next letter.
At the end of a session, a lever was flipped to cut the exposed paper from the cassette that had enclosed it, and the paper proceeded through developing solutions until it emerged from the side of the machine, soaking wet.
All of the items were coated with wax, trimmed with scissors and knives, and placed on the page. The wax coating allowed the items to be moved and rearranged several times if desired. This procedure is still in use.
Photographs were much easier to use with the new offset process and their reproduction was much clearer than with the old letterpress method. A variety of inks also were available and in the first offset issue published June 15, 1967 — over 71 years after the paper began — red spot color was used for the first time.
The purchase of a large offset press to print the Sentinel was not feasible, and that meant another big change: For the first time in over 71 years, the newspaper began to be printed at another location.
The procedure became common among rural papers across the nation. In many cases, several papers would join forces and purchase one press to print all of the papers. The "central plant" concept was begun, and continues today.
For several years beginning in 1967 the Sentinel was printed at the daily Star-Exponent in Culpeper. Wednesday night meant a new adventure. The drive was two hours each way and we waited three or four hours before the papers rolled off the speedy web press and were loaded in our truck.
Once the preliminary photography and platemaking were completed, the actual printing of the paper required only about 20 minutes. The press used large rolls of paper, printed both sides on a single pass and delivered the papers all folded and ready for addressing.
In contrast, the process on the now-retired flatbed cylinder press at the Sentinel took most of a day. The size was still limited to eight pages; four were printed on one side of a sheet, and later the other four were printed on the reverse side. Then the large sheets had to be sent through the ornery folding machine.
Nevertheless, the trips to Culpeper, through rain, wind, snow, and always the dark of night, resulted in some long Wednesday nights, which often stretched into early Thursday morning.
Later the Sentinel switched to the printing plant at the Virginia Gazette in Williamsburg, and then to the Gazette-Journal in Gloucester. Today it is again printed in Williamsburg.
In 1975, the Sentinel entered the computer age by replacing its old strike-on Justowriters and Headliner with a Compugraphic composing system. It included two computer terminals at which employees typed in the news, headlines and advertising material. The information was then sent to a separate typesetter which recorded it on photographic paper, later loaded into a processor for developing and drying.
The materials were then trimmed with scissors and knives, waxed and positioned on the pages.
The real computer revolution at the Sentinel began in 1989 with the arrival of Apple Macintosh computers. The Macintosh gained favor because of its capabilities in the graphic arts arena and the early WSIWG (what you see is what you get) software available for the machines. This later proved valuable in advertising composition because entire ads could be composed and printed, ready for paste-up without trimming.
At the Sentinel, Macintoshes first were used in the newsroom, replacing old typewriters and even handwritten news copy. An unwieldy interface system was required to convert Macintosh files to Compugraphic output while the old photographic typesetter remained in use.
Later in 1989 the photographic typesetter was retired in favor of a new laser printer which used plain paper. Expensive photographic paper and the chemicals used to process it were no longer needed.
At the same time, the advertising and circulation departments obtained Macintosh computers and the entire system was networked so the machines could communicate with each other and send files to the printer. Accounting and billing procedures were added later, and a computer can now be found on virtually every desk in the office.
G. F. Palmer and Walter Ryland probably wouldn't believe it.
When the year 2096 rolls around, the girations described above will probably seem hilarious to our successors. If technological advances continue at the current pace, drastic changes in the way news is delivered may occur even within the next two decades, however.
Since spot color hit the scene in 1967, technology has advanced to the point that each issue of the Sentinel now includes full color photographs on the front page. Black and white photographs may soon be a thing of the past.
Film faces the same destiny. Digital cameras are now on the scene which capture images electronically. The images can be downloaded to computers for viewing, adjusting and printing, and the camera reused again and again. Some models include removable disks on which the images are stored.
The resolution of most such cameras does not yet equal that of film, however, and digital photos in large sizes do not reproduce well on newsprint. Still, high resolution digital camera are used daily on large metropolitan papers.
Middlesex County is wired, as is most of the world, and that is leading to another revolution in communication. Phones and televisions are in virtually every home. When linked with computers or another type of interactive device, contact and information dissemination is immediate.
Today we call it the Internet. Through your phone line, it links your computer to every other computer.
Computers are now outselling television sets, and as more and more homes in Middlesex acquire the new technology an electronic version of the Southside Sentinel is inevitable.
Could the U.S. Postal Service bite the dust? Many computer users are now corresponding electronically; we call it e-mail (electronic mail). Type a letter, find the party's e-mail address, click a button and the letter is there, ready for the other party to read.
From your computer you will soon be able to submit news articles and advertisements, or order a subscription to the Sentinel via e-mail.
That's one prediction. In reality, your guess is as good as ours, but the Sentinel will continue to deliver the local news as conveniently as possible.
Of course, we're assuming everyone will still know how to read in 2096.


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text:
A Year of Passages
Irish America looks back at those we lost over the last year, and remembers the great influence each of these people had on the American Irish experience. ℘℘℘ Cardinal Edward M. Egan 1932 – 2015 Cardinal Edward M. Egan, the former archbishop of New York, died in March of cardiac arrest at the age of 82. He led the Archdiocese of New York from 2000 to 2009, years marked by sexual abuse...
Memorial Day Those We Lost
Gen. Martin Dempsey Gives Powerful Notre Dame Commencement Speech
Gen. Martin Dempsey's Notre Dame commencement speech is a powerful tribute to the importance of faith, country, and education. ℘℘℘ This past weekend, Gen. Martin E. Dempsey, former Chairman of the Joint Chiefs of Staff and 2016 Irish America Hall of Fame inductee, gave the commencement address at the University of Notre Dame's 171st commencement ceremony. Addressing the 2,163...
Joe Biden John Boehner Martin Dempsey University of Notre Dame
Support an Irish Non-Profit with California Wine
Irish humanitarian organization Concern Worldwide and Lot18, an online wine retailer, have partnered this month for a unique and drinkable fundraising effort – a limited-edition Concern label wine. For each bottle sold, more than $4 per bottle, 20% of the proceeds, will go directly to Concern. The partnership was developed by Kevin Fortuna, CEO of Lot18 and a long-time board member of Concern....
Concern Kevin Fortuna Lot18
Irish America to Celebrate Top 50 Power Women Awards
On June 30, Irish America magazine will celebrate its inaugural Top 50 Power Women Awards with a luncheon at the New York Yacht Club in Manhattan. The list recognizes the achievements of the most influential and innovative Irish and Irish American women across all fields. From finance and business professionals to media personalities, political figures, and healthcare workers, the women featured...
Anne Anderson Maureen Mitchell Top 50 Power Women
The Sinking of the Lusitania
Saturday, May 7 marks the 101st anniversary of the sinking of the R.M.S. Lusitania, the Liverpool-built passenger ship whose destruction sparked the United States' decision to enter World War I in 1917. "Enlist" (mother and child drowning), by Fred Spear, June 1915. WWI recruitment poster published by the Boston Committee of Public Safety just a month after the Lusitania sinking....
History Lusitania World War I


text:
2MATCH URL: https://assets.rappler.com/95DE1267307043AA999F33DD3A529996/img/8F6294EDE06C4FE6AAB1A0708B654D71/20200128_-_nadine_lustre_careless_music.jpg
5 songs that changed Nadine Lustre's life
The actress says she wants to take her music career to the next level in 2020 – and these songs tell us what we can expect from her
Amanda T. Lago
NADINE LUSTRE. The actress plans to lean in to her music career in 2020. Photo by Amanda Lago/Rappler
MANILA, Philippines – So far, Nadine Lustre's 2020 isn't something anyone could have predicted.
The actress – who rose to fame as one half of showbiz's most popular love teams – didn't just announce that she and on-and-off screen love James Reid had split up, but also that she has left the management of her longtime agency Viva.
While the issue of her management is still under contention with Viva threatening legal action against Nadine or others that do business with her directly, one thing's for sure: Nadine is taking her life into her own hands – and part of that is going back to what she says is her first love: music.
In December 2019, Nadine signed as a talent under James' music label Careless, and said that this year, she plans to take her music career to the next level.
SIGNED ARTIST. Nadine poses with the team at her label, Careless after signing a contract with them. Photo by Amanda Lago/Rappler
"A lot of people actually don't know this but I started with music talaga," Nadine told Rappler, sharing that she started out in showbiz as part of the girl group Pop Girls.
"This year, I wanna explore more on that side, I wanna go back to where I started," she said.
Nadine shared that she's working on an album – but can't share when she's going to release it just yet. "I'll just drop it when I feel like it," she laughed.
We may not know when this new album is coming, but Nadine clued us into the kind of stuff we can expect. It'll definitely be pop – perhaps to honor the "pop girl" in her – but this time, she'll veer away from bubblegum bops, and lean more into grown-up territory: pop with smatterings of house, R&B, and EDM.
Her 2018 single "St4Y Up" marks the direction she wants to head into musically. Her 2019 collaboration with rapper Ruby Ibarra, "No 32" doubles down on that signature sound.
The 5 songs that changed Nadine's life give us even more insight into her musical side. Her picks are a mix of pop, electronica, R&B and a hint of rock – but more than a particular sound, Nadine also seems to favor lyrics that speak of empowerment, hope, and love.
Here are choices, in no particular order, and her reasons for choosing them:
"Moments" by Jhene Aiko ft. Big Sean
"When I listen to that song, I feel fearless every time."
"Way Back," by Amber Mark
"What she's saying in the song is, it's like she was lost, but then now she's on her way back to finding herself again."
"Sky Full of Stars" by Coldplay
"Every time I listen to it I still cry. I saw [Coldplay] in Korea. It was the most beautiful show I've seen my entire life, but before that...I don't know that song makes you feel so free, especially when it drops. It makes you feel so free and loved at the same time. Coldplay's songs, it's really meant to be for the listeners, that's who they dedicate them to."
"Army of Me" by Björk
"It's a very empowering song. It's a bit rock. It's an old Björk song...'And if you complain once more, you'll meet an army of me,' that's the hook of the song."
"Digital Love" by Daft Punk
"I just grew up with that song. I have good memories with that song, memories with my dad also because he loves Daft Punk. I think that's where I got my love for music, from my dad, because he would listen to music everyday. He has a lot of vinyls, a lot of those cassettes, so when I was young, he'd play different ones every day."
Listen to Nadine's 5 picks here:


text:
Consumer Reports: Glucosamine, chondroitin no help for knee pain
WHITE PLAINS, N.Y. (WPVI) -- Americans spend $300 billion a year on pills, procedures and supplements to ease pain.
But a new report from Consumer Reports says there's one common treatment not worth the money.
Alejandra Morales says knee pain is hampering her life.
"I can't run like I used to run. I want to feel active," she says, rubbing her aching knee.
In fact, half of all adults will eventually develop knee pain from osteoarthritis.
In their search for relief, many people try supplements containing glucosamine and chondroitin.
But Consumer Reports medical adviser, Dr. Orly Avitzur, says they aren't likely to help.
"There's very little medical evidence that these two supplements will ease your pain," says Dr. Avitzur.
And glucosamine and chondroitin can pose risks that include an increase in blood sugar levels and a greater chance of bleeding when taken with blood thinners like warfarin.
They can also worsen high blood pressure and may trigger abnormal heart rhythms.
Consumer Reports and the American Academy of Orthopedic Surgeons released a "Choosing Wisely" report that encourages people with knee pain to talk with their doctor.
He or she may suggest you get moving with low-impact activities like walking or swimming, combined with exercises to stretch and strengthen the muscles around the joints.
"It's likely you'll still need something for flare-ups. We recommend over-the-counter, non-steroidal, anti-inflammatory drugs like ibuprofen or naproxen," says Dr. Avitzur.
And if you're still having pain, see an orthopedist, who can evaluate the actual damage to your joints.
In response to Consumer Reports concerns about glucosamine and chondroitin, a trade group for the supplement industry - the Council for Responsible Nutrition - said this: "For most people, these supplements help without safety concerns...However, people should be dialoguing with their doctor about their supplement use."
health & fitnesshealthcheckknee injury


Definition - What does Ping mean?
Ping is a network diagnostic tool used primarily to test the connectivity between two nodes or devices. To ping a destination node, an Internet Control Message Protocol (ICMP) echo request packet is sent to that node. If a connection is available, the destination node responds with an echo reply. Ping calculates the round-trip time of the data packet's route from its source to the destination and back, and determines whether any packets were lost during the trip.
The network ping tool was created by Mike Muuss in 1983. It contains almost one thousand lines of code and has become the standard packaged tool for various network applications and operating systems.
The ping utility works by generating an ICMP data unit that is then encapsulated into IP datagrams and transmitted over the network. After receiving the echo request, the destination node copies its payload, destroys the original packet and generates an echo reply with the same payload it received.
The payload of the echo request packet often consists of American Standard Code for Information Interchange (ASCII) characters with variable adjustable lengths. Round-trip time is calculated by noting the local time of the source node clock when the IP datagram leaves the source node, then subtracting that time from the time at which the echo reply arrives.
TTL Expired in Transit: Determines the maximum amount of time an IP packet may live over the network before being discarded if it has not reached its destination. To address this error, try to increase TTL value by using the ping -i switch.
Destination Host Unreachable: Indicates that the destination node is down or is not operating on the network. It may even occur due to the non-existence of a local or remote route for the destination host. To address this error, modify the local route table or switch the node on.
Request Timed Out: Indicates that the ping command timed out because there was no reply from the host. It indicates that no echo reply messages were received due to network traffic, failure of Address Resolution Protocol (ARP) request packet filtering or a router error. Increasing the wait time using the ping –w switch may address this problem.
Unknown Host: Indicates that the IP address or the host name does not exist in the network or that the destination host name cannot be resolved. To address this issue, verify the name and availability of the domain name system (DNS) servers.


text:
AAI to invest Rs 650 crore to build greenfield airport in Arunachal
By Sarkaritel October 12, 2020 19:56
Cabinet approval to return land to MP government
Oil Cos to strengthen profits as consumers suffer from rising fuel prices 0 15.Jul
Resolution period for large stressed assets extended by 90 days : RBI 0 17.Apr
Itanagar/Guwahati, Oct 12 The state-owned Airports Authority of India (AAI) has undertaken a Rs 650 crore project to develop a greenfield airport at Hollongi, near Arunachal Pradesh's capital Itanagar, officials said on Monday.
The Hollongi airport, 15 kms from Itanagar, will be the third airport in Arunachal Pradesh and would be completed by November 2022.
The state's other two existing airports are Tezu airport in Lohit district and Pasighat airport in East Siang district.
AAI officials said that with an area of 4100 sq meters, the new domestic terminal building of the Hollongi Airport would be able to handle 200 passengers per day during peak hours.
According to the AAI officials, from the terminal building of the airport the scenic beauty of the Himalayan foothills would be visible.
"Equipped with eight check-in counters, the terminal building would have all modern passenger facilities with an energy-efficient provision.
"The terminal building would be equipped with a rainwater harvesting system and sustainable landscape," an AAI release said.
The terminal building's envelope is influenced by the surrounding landscapes.
"Moving away from the strict geometry of straight lines and angles, the roof form is organic and establishes instant connection with the viewer. The building interior is designed to emanate a sense of calm to the passengers.
"This is achieved by providing free-flowing spaces, hidden service core and a glass facade that links the eye to the panoramic scenic beauty of the Himalayan foothills," the release added.
The airport project would be completed by November 2022.
Itanagar, situated in the foothills of the Himalayas, has no airport in its vicinity. The closest airport being Lilabari airport in Assam is at a distance of 80 km and takes around three hours to reach by road.
The AAI release said that an airport to connect the capital city is a much-needed aspiration of the local community which would also act as a primary gateway to the border state.
TAGS: AAIAirports Authority of Indiagreenfield airport in Arunachal
पानी की बर्बादी वाहनों को धोने में सबसे ज्यादा होती है, इससे बचने के लिए आपको हर दिन अपने वाहनों को कपड़े से साफ करते रहना चाहिए। जिससे वाहनों को धोने की जरूरत कम पड़ेगी।


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Carlson's Motor Sales provides Engine Diagnostics services to Concord, NH, Bow, NH, Hookset, NH, and other surrounding areas.
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In honor of National Pi Day…..and in honor of Albert Einstein's birthday….I encourage you to get outside and observe the wonders around you.
My good friend Skip mentioned that today is National Pi day. March 14 is apparently the day that math geeks everywhere celebrate the wonder that is Pi. There is even a Pi Day website for it.
In 2009, the Congressional resolution which officially named March 14th Pi Day, stressed the importance that math and science play in every child's education.
March 14th also marks the anniversary of the birth of Albert Einstein. And I have to admit that I am a much bigger fan of Einstein than I am of Pi (or even Pie, for that matter).
In any case, I encourage you to take some time today "reinforcing your science education" by going outside and observing the wonders. Let your senses take over as you observe the sights, sounds and scents around you.


text:
Library Foundation of Hillsboro
We are made up of community volunteers who are passionate about books and learning, and who have a deep and abiding respect for the roles libraries play in…
Lincoln City Cultural Center
The Lincoln City Cultural Center is a 17,000 square-foot center for creativity and community, in the historic brick Delake School Building. Upstairs you'll find a stage & auditorium,…
Lincoln County Foundation
The Lincoln County Foundation was established in 1965 to act as an umbrella 501 c 3 for donors to place funds in trust for the benefit of the…
Literary Arts Inc
Literary Arts has a 32-year history of engaging readers, supporting writers, and inspiring the next generation with great literature. Our programs reach 13,500 writers, readers, and students each…
Maude Kerns Art Center
McMinnville Area Community Foundation
To be a leader in the facilitation and development of philanthropy in the McMinnville area, to take such other actions for the benefit of the McMinnville area which…
Mcminnville City Club
The McMinnville City Club is a forum for the presentation and consideration of a range of perspectives on important issues in the arts, sciences, history and humanities.…
McMinnville Film Festival Foundation
The MSFF seeks to encourage the work of amateur and professional filmmakers and to provide a venue where their work can be seen. The festival exposes filmmakers to…
Media-Rites
MediaRites is an award-winning 501 c (3) nonprofit multicultural, multi-disciplinary production organization based in Portland, Oregon, dedicated to telling the stories of diverse cultures and giving voice to…
MetroArts Inc
MetroEast Community Media
MetroEast is a 501(c)(3) nonprofit community media hub based in East Multnomah County. We educate the public on how to leverage media & technology to create meaningful content…
Monroe Arts Association
We are a vehicle to inspire rural artistic communities by connecting artists from every genre and art enthusiasts to come together. With a mission to propel their community…


text:
Ain't no dormitory high enough
At Issue: Emerson hopes to build a new dorm on Boylston Place
Our Take: A good first step in guaranteeing more on-campus housing
If you're reading this from your fifth-floor Cambridge "apartment" with its fake fireplace and assorted kitsch from Sunday's Allston Christmas, after enduring a 40-minute ride on the Green Line to and from school — Emerson is working on a solution for more on-campus housing, although it'll probably be too late for you.
But if you're an underclassman living in a spacious Piano Row suite with an unparalleled view of the Common — you're in luck.
New plans to build an additional residence hall housing 407 students have been announced, with construction slated to begin in spring 2014. This new space will offer temporary housing to Little Building residents as that building undergoes renovations in summer 2014. The additional space provided by the new building, to be located at 1-3 Boylston Place, will not prompt an increase in enrollment, but offer more available housing for transfer students, upperclassmen, and other students now forced to live off-campus because of current limitations in our residence halls' capacities.
With nearly half the student body moving off campus after their sophomore years, Emerson lacks an overarching sense of community that many other institutions of higher education seem to have. This is a sense of community that cannot be gained through once-a-week meetings, occasional run-ins at Boloco, and a mutual disdain for Suffolk, but rather, a place we can all call home. With this new dormitory, more students will be able to have the full four-year college experience — allowing for a true college community at Emerson.
Incoming transfer students could find the struggle to find last-minute, off-campus housing relieved with the expansion. It costs $300 to be put on a waitlist for transfer housing at Emerson and it's a poor investment if you're a spring transfer with little-to-no possibility of housing. It is hard enough to integrate into a new school, and even more isolating to live off-campus. Despite the varied overall costs of Boston apartments, the difference in convenience between a two-mile walk and a two-flight walk can mean a lot to a busy student.
For students accustomed to a six-building campus that — situated adjacently — would span less than a city block, the inconvenience of living off-campus is a major issue. Being off-campus requires several lifestyle changes, including adjusting to an increased time spent commuting and scheduling classes in blocks of time maximizing junctures spent on campus. And although Emerson officially estimates that the cost of living off-campus is comparable to living in dorms, financial aid subsidies for housing can't always be transferred when students move away from the Common.
Although it's fun to pick out new furniture, having HBO, and argue with your landlord over whether that hole in the wall was there before you moved in, that can wait until after graduation.


text:
Q: Как оптимальнее распарсить kml координаты в PHP Добрый день! Подскажите как наиболее оптимально можно распарсить строку такого вида
    35.101318359375,53.994853965628,0
    34.595947265625,53.366942995161,0
    37.15576171875,52.459356636837,0
    37.41943359375,53.748710796899,0
    36.815185546875,53.865485508421,0
    35.974731445312,54.027133444125,0
    35.57373046875,54.204223304732,0
    35.211181640625,54.088395486699,0

мой код отвратителен, а больше всего я переживаю за то, что пока не могу его улучшить.
while (strripos($value, ","))
{
    $lon = floatval(stristr($value, ',', true));
    $value = stristr($value, ',');

    $value = mb_substr($value,1);

    $lat = floatval(stristr($value, ',', true));
    $value = stristr($value, ',');

    $value = mb_substr($value,1);

    substr($value,0);

    $alt = floatval(stristr($value, ' ', true));
    $value = stristr($value, ' ');

    echo $lat . " | " . $lon . " | " . $alt . "<br>";
}

Где $value вышеописанная строка.

A: Если данные в виде строки, то используйте explode() для разеделения ее по символу \n (конец строки), если это содержимое файла, используйте file() для считывания его по строкам в массив.
Далее используйте все тот же explode для разделения значений, в данном случае по символу , (запятой).
$str = "......" ; // ваша строка

foreach(explode("\n", $str) as $line){
    list($lat, $lon, $alt) = explode(',', trim($line));
    // [$lat, $lon, $alt] = ...;  для свежих версий пхп
    // echo ....
}

redpajama_set_name: RedPajamaStackExchange


text:
Q: jCarouselLite: How can I get the values of the currently displayed images? I want a jCarouselLite gallery to act as scrolling thumbnails and present a larger image next to it by somehow refering to it's currently displayed images (then selecting the first image through an array or similar). How would I approach this?

The current setup -

$('.carousel').jCarouselLite({
 btnNext: '.next',
 btnPrev: '.previous',
 auto: true,
 timeout: 500,
 speed: 500,
 vertical: true,
 visible: 3,
 circular: true,
 beforeStart: function(a) {
 //alert("Before animation starts:" + a);
 },
 afterEnd: function(a) {
  //fetch first image of the currently displayed images
//set html content of .display div to be that of the new image
 }
});

A: This might help - Showing the position in jCarouselLite
You can use the built in afterEnd and beforeStart functions to show you what's currently being displayed to the user.
$(".ccvi-carousel").jCarouselLite({
    btnNext: ".next",
    btnPrev: ".prev",
    speed:  800,
    //auto: 2000,
    afterEnd: function(a) {
        //look into the object and find the IDs of the list items
        left = $(a[0]).attr("id");
        mid = $(a[1]).attr("id");
        right = $(a[2]).attr("id");
        //Do something
        $('li#' + left + ' .cf-img').fadeIn();
        //alert("Left:" + left + "Middle:" + mid + "Right:" + right + "");
    }
});


Studying abroad is an amazing way to escape the occasional mundanity of university life.
Really, traveling while finishing your degree is an opportunity every student should take advantage of if they can.
Not only do you get to cross a country off your bucket list, but you get to immerse yourself in another culture, meet new people and maybe even find a new relationship while "studying."
However, despite all the unforgettable, occasionally clichéd moments I had when I studied abroad, all the great people I met and the gorgeous guy I fell madly in love with, I wish someone had warned me about the emotional repercussions of studying abroad.
1. Your actions will feel very selfish at times.
The day your best friend calls you crying over the phone saying she misses you and needs your help with boyfriend trouble, you'll start to feel kind of selfish.
When you miss your mom's birthday because you're out touring Paris, you'll feel really selfish.
While the people you care about are struggling with everyday life, you're out having the time of your life -- and that's not a very comfortable feeling.
You won't always be able to be there for your friends or your family in the way you always try to be, and although it's not your fault, you will feel guilty at times.
2. Say goodbye to some of your friends.
Two weeks have gone by and your so-called best friend still hasn't messaged. You give her the benefit of the doubt, yet a whole month later she still hasn't messaged to see how you are.
Wave goodbye to this so-called friend. Distance really demonstrates who your true friends are.
Distance can put a strain on any relationship, but a real friend will check up on you, even if it's only a few quick texts here and there.
Unless your friend has a good reason for not texting you as frequently as usual, it might be time to recognize the friendship as a temporary one.
3. Never expect too much from your time abroad.
Having ridiculously high expectations will only lead to dissatisfaction, and a desire to go back home where you can't be disappointed.
Traveling is what you make of it. Your time away will be full of great moments -- but only if you try.
If you search fantastic places to go to and try to make new connections, your time abroad will be amazing.
But every day can't be an adventure, and every thing you do won't live up to your expectations.
That's OK, though. As long as you keep your expectations reasonable, you wont be disappointed.
You're not going to be mistaken for an Italian pop star Lizzie-McGuire-style, but you still will get to run around Rome with your friends.
4. Not every day will be filled with a clichéd, Instagram-worthy moment.
Even though you're abroad, you're still living your life — and life can be really boring at times.
Some days may not be fun at all. Some days will be incredibly boring or flat out disastrous.
Not every single second will be worth an Instagram story, but there will be unforgettable moments, moments that will remain with you.
And that will make all the days stuck in your dorm doing homework worth it.
5. Try your hardest not to fall in love.
I know you personally may not be able to stop yourself, but saying goodbye to someone I had fallen in love with is something I would never wish on my worst enemy.
Realistically, study abroad relationships can't work. Long-distance relationships are infamously difficult, and if you don't have the financial means, it's basically impossible to try.
Your heart will break. Whenever your mind wanders, you'll always think, "I wonder if?"
But would I do it again? Absolutely.
All of it, despite the emotional setbacks, was completely worth it.


text:
In 'Venom,' Hardy and Ahmed Inhabit a Superhero Saga for Our Dark Times
Riz Ahmed and Tom Hardy star in "Venom." (Marvel/Sony Pictures)
The Los Angeles Times | By Jen Yamato
In Sony's Marvel action standalone "Venom" they battle it out as super-enemies over the fate of humanity as we know it. Last week in Beverly Hills, stars Tom Hardy and Riz Ahmed sat cozily side by side on a couch, embraced, and held each other for a beat.
"Have you been training?" Hardy, 41, exclaimed with a sly smile, gently squeezing Ahmed's bicep. Ahmed grinned, explaining that the decorated actors, two of the brightest talents of their generation, have known each other for over a decade -- even if it took a $100-million comic book movie to bring them together onscreen.
"He's always been very helpful to me," said Ahmed, 35. "When I had my first lead role, 'Bronson' had just come out and I was like, 'How does it work? There's a red carpet -- do I need to get a suit?' I called him up. He'd had that experience before me."
The potential franchise-starter "Venom," produced by Sony's Columbia Pictures in association with Marvel, introduces the character best known from the comics as Spider-Man's razor-toothed, lizard-tongued, alien symbiote nemesis. While critical reviews have been lackluster, box office analysts predict a robust opening over the Oct. 4 weekend that would make "Venom" the biggest October debut of all time -- not bad for a Spidey-less new origin saga unconnected to the Disney-owned Marvel Cinematic Universe.
That's not to say Venom doesn't have a nemesis in director Ruben Fleischer's film, and one who fundamentally mirrors and challenges his moral compass as the PG-13 carnage piles up.
Hardy plays rebellious investigative reporter Eddie Brock, who scours the mean streets of San Francisco digging up dirty doings by corporate villains -- until, in his desperation to take down shady tech philanthropist Carlton Drake (Ahmed), a fateful decision ruins his credibility and turns his life into shambles.
Then arrives Venom, an ever-hungry parasitic alien being from another planet who finds in Brock the perfect human host, merging with his body and giving the disgraced journalist superpowers and a renewed lease on life.
"They're both kind of parasitic in different ways," said Ahmed. "[Eddie Brock] has a messiah complex and is really self-serving. The ends justify the means. That's one thing that's quite cutthroat in how he goes about as a knight in shining armor. Venom is parasitic and feeds off of other people.
"But at least he's honest!" Hardy said and laughed, puffing on a vape pen.
When Ahmed signed on to the film to play Drake -- a space-obsessed visionary who also happens to be unafraid to sacrifice a few unwilling test subjects for the sake of the human race -- Hardy and Oscar-nominated actress Michelle Williams were already onboard. "He texted me and he was like, 'Yes, bro -- really glad you're doing this!'" said Ahmed.
The pair first met in 2007, their friendship bolstered by a number of mutual acquaintances. Then came "Sour Times." A decade before he'd win an Emmy and a Golden Globe nomination for his work on "The Night Of," Ahmed, who is also a musician, had written a spoken word rap about terrorism and extremism and enlisted Hardy to co-star in its music video.
Ten years later the two would reunite in "Venom," with a script by Jeff Pinkner, Scott Rosenberg and Kelly Marcel.
For Hardy, signing on to lead a comic book franchise was a careful choice, particularly after his genre favorite turns as the sinister villain Bane in Christopher Nolan's "The Dark Knight Rises" and the Wasteland hero Mad Max in George Miller's "Mad Max: Fury Road."
"You're going to be in this relationship for however many years... [and] nine times out of 10 with studios it's three-picture deals," he said. At least today's Hollywood stars don't have to sign exclusively to studios like their golden age predecessors did, he mused.
A range of acclaimed roles mark Hardy's last decade of work, running the gamut from his 2008 breakout in Nicolas Winging Refn's "Bronson" to "Tinker Tailor Soldier Spy," "Warrior," "Locke," "Dunkirk," an Oscar-nominated turn in "The Revenant" and the TV dramas "Peaky Blinders" and "Taboo," the latter of which he also co-created.
How he chooses his projects -- particularly the bigger, more demanding or time-intensive gigs -- involves intentional diversification, and good timing.
"For me, well, I'm 41 now. I'm not a door-kicker in the same way I was when I was a young buck coming up," said Hardy. "I'm not the first man in the room, pointing my weapon like, 'I'm hungry' -- I'm sort of team-leading in some aspects now, I know my position and I know where I've got to step back [because] that's not my position to shine."
"I can't go back around and be an inauthentic young, hungry actor that's ambitious to show you what I've got," added Hardy, who was appointed CBE this summer during Queen Elizabeth II's Birthday Honours.
"I've got to move forward and evolve. So naturally that goes into thinking about whether I'll get involved in a franchise."
Ahmed, too, came up in the U.K. indie scene with award-nominated turns in films such as 2008's crime drama "Shifty" and the 2010 terrorism satire "Four Lions." Roles in "Nightcrawler" and "Jason Bourne" led up to Ahmed's 2016 blockbuster debut in "Star Wars" prequel "Rogue One."
"Something that's in the ether [is] that there's a distinction between true art and entertainment, and there can be," said Ahmed. "But I think the real distinction between art and entertainment isn't so much scale or whether one's geared more towards commercial success."
He quoted an insight he'd read once from an unknown author that stuck. "They said that entertainment is going to confirm your assumptions about the world, and art is going to make you question them. As long as something's challenging you, and making you think..."
Hardy chimed in, exhaling a cloud of vapor. "You're looking for the hybrid though, aren't you? The hybrid is what we're seeking!"
They both say that blockbusters like "Venom," in which antihero Brock and villain Drake are kindred figures driven by similarly noble ideals, help chart a moral framework for a real world in which life doesn't fall within a good versus evil binary.
"It's not just about heroes and villains," said Ahmed. "It's about the shades of gray."
"You're absolutely right," said Hardy and nodded. "The concept of morality, of the symbolism of good versus evil -- thou shalt not kill... unless. And in the 'unless,' we unpack the pragmatism of living in an ethical framework, as opposed to a cut-and-dry good and bad."
He chuckled. "You laugh along with them until he's biting off heads, and that's it -- that's our hero! We've gotten to the point where that's OK, because there's some shiny virtue to him as well."
"I guess we're playing in a [real] world where no one's playing nice, people feel like they can't afford to play nice, and the gloves are coming off, aren't they?" added Ahmed. "The gloves seem to have come off, so it seems we expect that of our films as well."
It's within those gray areas of Eddie's soul where the fundamental conflicts of "Venom" take place. Mayhem and cinematic destruction, of course, abound once Venom is in the picture and at the helm of Eddie's body, making for CG-fueled action set pieces and some of Hardy's most impressive physical work to date.
But it's in coming to terms with the alien inside his head, Hardy says, that his character learns to see how his actions affect other people and becomes whole. In a way, Venom completes Eddie Brock.
"It's just like, hang on -- you can't be half a gangster here," he said. "You're virtuous, and you care, and that has to spread 360 degrees from the center of you or you're actually just a massive hypocrite. Venom turns up and holds his feet to the fire on that."
What makes "Venom" resonate, the actors say, is that it is a superhero movie -- or rather, an antihero movie -- very much of its time.
"It feels like [when] we came into the new century it was dark times -- the war on terror, the financial crash, people were looking for a kind of escape -- so we started seeking this escapism, this wish-fulfillment of, 'Someone's going to come and save the day,'" said Ahmed, looking back on a decade-plus worth of Hollywood's superheroics.
"I think we're quite deep into quite a dark century now at this point and the superhero genre is starting to evolve as well -- confronting the realization that it's not necessarily someone in a cape who's going to save us and that we need to learn to live pragmatically in a world that's full of moral compromises," he continued.
Ahmed actually ad-libbed one of Drake's more contemporaneous moments, reveals Hardy, while filming a scene in which Brock lobs a slew of criminal accusations at the tech mogul during a filmed interview.
Drake's response: "Fake news," turning President Trump's favorite dismissive name for his journalistic critics into a line uttered literally out of the mouth of a comic book villain.
"It just felt like that's what's going on right now," said Ahmed. "We're in an environment where the powerful, the politically powerful and the economically powerful are trying to swallow up journalists and discredit them, so I think it is very contemporary."
"Art is a safe place to play," added Hardy. "If you can't negotiate your terms in art, then nothing is sacred, and where can you?"
This article is written by Jen Yamato from The Los Angeles Times and was legally licensed via the Tribune Content Agency through the NewsCred publisher network. Please direct all licensing questions to legal@newscred.com.
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