text:
Shigatsu wa Kimi no Uso – 22 (Fin)
BRAVO. Violin Girl had its ups and downs this cour, but really came through with a stirring and satisfying finale that looks back upon where Kousei has been, explore where he is in the present and what he's become, and hints at where he's poised to go, not long after a certain devastating yet inevitable development comes to pass.
First of all, Kousei draws power from everyone who has helped him (most of whom are in the audience) and finds the sound within him, delivering by far his best performance. Entering a serene environment of still water and deep blue sky, the Kaori inside of him coalesces, not just to cheer him on, but to play violin along with him…one last time.
It's an exceedingly beautiful, sad, but ultimately uplifting performance, and to the show's credit, everyone shuts up for a few minutes so we can simply listen and get lost in the wall of sublime sound. Now, if you're not a Chopin fan, you're probably not going to like this, but I'm just fine with him, and it was a transcendent sensory experience I hoped would never end.
But at one point in the piece Kaori lowers her bow and begins to fade away, then light explodes violently from her core, to Kousei's despair. Yet he doesn't freeze. He keeps his head up and watches her disappear. He's no longer playing with her, he's playing for her, and for everyone else who got him to where he is: once again pouring his heart and soul into a Steinway.
When the piece ends at the episode's halfway point, there's no delayed applause nor the usual post-performance victory fanfare. There's only silence, and Kousei's tears streaming down his face. He says goodbye.
And that's it.
When the B-part begins, there's no mention of who won (probably Kousei), nor how Kaori's operation went. The first scene is of cars trudging through the snow (something I'll probably have to do tomorrow, despite the fact it's the first day of Spring!). The second is Kousei in a graveyard with Koari's parents. The operation didn't work, and she has passed away.
Yet Kousei isn't so overcome by grief that he cannot function as a person; he's grown up. He also got to play with her one last time, if only in his head.
Kaori's folks give Kousei a letter from Kaori, affixed with the telling black cat sticker, her narration (and Kousei's reaction) to which comprises the rest of the episode. This letter provides Kousei closure, but also fresh insight into his dearly departed love.
Kaori first saw Kousei long before he spotted her in that playground. As a five-year-old, she was an aspiring pianist herself, who was affected so powerfully by lil' Kousei's performance, she ran straight home (Unattended five year olds! Japan!) and asked her parents to buy her a violin. Kousei was the reason she played a violin at all.
Kaori continued to admire Kousei when they started attending the same school, but only from afar, as she was intimidated by the strong bond between him and Tsubaki. But the fact that Ryouta was beside them meant she'd have a chance to make Kousei notice her. To make that happen, she told the titular Lie In April: the lie that she liked Ryouta.
Like the fact that she started playing violin so she could play beside Kousei, this lie comes as more of a confirmation rather than a surprise: it was clear pretty early on, despite all the teasing and flirting to the contrary, Kaori and Kousei had a lot more going for each other than Kaori and Ryouta, who was fun and nice and attractive, but not much more than that. Ryouta knew this too; he could never hold a candle to the power beyond words that music brings to the table.
For all of the cursing of music for tearing Kousei's mom away from him, or Kousei away from Tsubaki, or Kaori away from Kousei, Kousei doesn't give up on music just because Kaori passes away. To do so would've meant he'd learned nothing from her. Instead, as we see, he's grown into a cooler, more mature musician.
In the end, music brought Kaori to him from the start; and though she was only "passing by", she was able to bring him back to it, and it brought them together once more in his last performance with her. And as she wished, he will never forget her. If he does, she'll haunt his ass.
That brings us to Tsubaki, who isn't sure how to approach Kousei after Kaori's passing, knowing he loved her deeply. Kashiwagi, armed with 108 BL books' (and zero boyfriends') worth of romantic wisdom, tells Tsubaki to simply stop turning the gears in her head and simply listen to her heart and act the way she usually does with him.
It works. In one last violent slapstick act that actually felt appropriate and earned, Tsubaki kicks Kousei in the shin and tells him in no uncertain terms that he'd better not ever think he's alone ever again, because she's never going to leave his side. Kousei is just fine with that, and so he should.
Kaori was the love that, rather than never was, was only a corporeal thing ever so briefly, like trees blossoming at the start of spring. Tsubaki was in his life before Kaori appeared, was there throughout his fleeting romance with Kaori and remains there for the long haul. I wish them both all the best.
The show closes with a look at the random old photo Kaori included with her letter, of her posing with a friend. But it's significant because a little Kousei is in the background walking past, with his mother's stern foot just in the frame.
Ten years ago, this photo captured a moment when Koari and Kousei were so very close together, and both looking at the camera, and yet neither knew the other was in it, and in Kousei's case, didn't even know wouldn't even formally meet the girl until ten years later. But not only did they meet, but she lifted him out of his deep soundless sea, he gave her a stirring sendoff and vowed to continue playing with everything he has as long as he has it.
Ill fate tore them apart too soon, but even if that photo and all other photos fade away with time, she'll always live on in Kousei, the year or so they spent together and the music she made and helped him make etched eternally in his heart.
Once again: Bravo.
Final Series Score: 9.05
Author sesameacrylicPosted on Thu, 19 Mar 2015 Categories Anime Reviews, Fall 2014, RABUJOI World Heritage List, Shigatsu wa Kimi no UsoTags aiza nagi, arima kousei, ballade no 1 in g minor, chopin, complications, confession, dead cat, death, duet, emotions, feelings, flashback, forgiveness, ghost, goodbye, hospital, memories, moving forward, muse, music, musicians, pianist, powerhouse, relationships, repetition, rivalry, sawabe tsubaki, seto hiroko, sorrow, spotlight, stirring, struggle, transformation, violin, watari ryouta, your lie in april, 四月は君の嘘7 Comments on Shigatsu wa Kimi no Uso – 22 (Fin)
Shigatsu wa Kimi no Uso – 21
Uso's second-to-last episode brought back the magic of its sublime first cour, left me bursting with emotions, and moved me to tears. And the cost-cutting we saw in earlier eps? A lot of that was so that we could have this. I'd call it a fair trade.
After Kaori's latest turn for the worse, Kousei can't do it anymore. He's reverted back to the non-piano-playing state he started this show in. Just as Tsubaki cursed music for always taking Kousei away from her, Kousei curses music for taking both his mother and now Kaori, and no one can bring him out from under his cloud.
No one, that is…but Kaori. On a lark, Ryouta visits the hospital and is able to relay a brief letter to Kousei from Kaori:
"I want caneles."
Kaori is back in her room and seems to be okay, but she's still very unwell, and initially, Kousei's spirits aren't raised one bit by his presence there. Kaori's casual, nonchalant description of the ICU is as heartbreaking as the increasingly desaturated way her character is colored. But she's in no mood for Mopey Kousei, and demands he carry her to the rooftop to eat the caneles he brought.
Up there, it's snowing. Up there, Kousei tells her in his current state he'd need a miracle to be able to play well at the competition. Kaori stands up and gives him a miracle, playing air violin he can hear, which restores color to their colorless world, if only briefly. It's an achingly gorgeous, bittersweet scene; one of the best the show has done.
Up there, Kaori tells Kousei, who is worried about ending up along, how scared she is of ending up alone, and how much Arima has meant to her all this time, and how she's only still alive and struggling as hard as she can because he made her. Nobody says I love you, but it's hardly necessary; we're dealing with soul mates here.
Kaori's words and actions get through to Kousei and the cloud lifts a bit. As she goes under for her risky surgery, he prepares to perform after Takeshi and Emi, who are genuinely concerned for their pale rival's health, but understand when he repeats the mantra "Gotta play"—because he's a goddamned Pianist.
He takes the long walk, with all the anticipatory chatter in the crowd, takes his seat on the bench, and freezes, yet again. Is another meltdown in the cards for the Human Metronome? Hardly. He's snapped back into coherence by a disturbance the most appropriate person.
He's brought back by Tsubaki's accidental, and apparently very rude sneeze. That's right, with all her swirling contempt towards music for keeping Kousei away from her, her body almost acts of its own volition in order to keep Kousei from another disqualification. She reached out to Hiroko (who is at wits' end) to prevent history from repeating itself with Kousei, but that little sneeze did more than anything Hiroko could in that moment.
Kousei realizes Tsubaki is there, as is Kashiwagi, and Ryouta, and Hiroko, and Nagi, and Miike, and Emi, and Takeshi. He's not alone, and he's not going to be alone. He's up there on that stage thanks to them, as well as Kaori. Whether they're in the music game or not, they all made their contributions.
He owes those in the music game even more, perhaps, for pouring their goddamn souls out in order to inspire him to do the same. He can't let them down. He can't let us down, either; this is the second-to-last episode and we need a full musical performance, dangit! And we get one: perhaps the most powerful one since he first accompanied Kaori.
It was a much, much better performance than that train wreck, too. This time, none of the commentators are making deductions in their minds or clucking disapproval with his handling of the sheet music. Everyone is simply in awe of the richness and gravitas and intense color and pure heart-exploding sorrow of his rendition of Chopin's Ballade No. 1 in G Minor, Op. 23. And I was one of them.
Considering what he's going through, nay, because of what he's going through, this was the performance of his life. The fact no flaws were mentioned makes me confident about his chances to win this thing. In this performance he proved Hiroko right about the worst experiences in his life bringing out the best in his music.
But he also may have finally realized that even if he has to say goodbye to Kaori, he won't suddenly be alone, nor will he suddenly stop being a pianist. And that as long as he's alive, he's gotta play.
Author sesameacrylicPosted on Fri, 13 Mar 2015 Fri, 13 Mar 2015 Categories Anime Reviews, Fall 2014, RABUJOI World Heritage List, Shigatsu wa Kimi no UsoTags aiza nagi, arima kousei, ballade no 1 in g minor, chopin, complications, confession, dead cat, emotions, feelings, flashback, forgiveness, hospital, memories, moving forward, muse, music, musicians, pianist, powerhouse, relationships, repetition, rivalry, sawabe tsubaki, seto hiroko, sorrow, spotlight, struggle, transformation, violin, watari ryouta, your lie in april, 四月は君の嘘1 Comment on Shigatsu wa Kimi no Uso – 21
Don't let that petulant mug staring down a phone fool you: Arima is in one way or another a hero to many in this episode, which makes us realize he's been that hero to many all along.
This week is full of optimism in the face of doom. Nobody is moping in the corner feeling sorry for themselves; they're doing something about it; moving forward to attain what they desire. Yes, even Tsubaki! Her love for and devotion to her next-door-neighbor pianist is driving the career jock to excel at her studies for the first time in her scholastic career, and the hard work and determination look good on her.
With her negative prognosis and deteriorating frame, Kaori was in an even worse way. But Kousei manages to pay her back for rousing him from his deep sea slumber with his love and devotion, bringing color to her greyed heart and shaking her out of her bed of only-half-joking suicide threats and into the rehabilitation room.
She also asks for a risky surgery that may give her a little more time, because every little bit of time on this earth, with Kousei, will be worth it. Kousei makes her remember how bright and sparkling she was on that stage. Now she's working to get back on it with him.
I'll just say both Kousei's interactions with Kaori's parents and Kaori's speech to the surgeon were both tearjerking moments, which I'm enough of a katsudon-eating real man to admit!
Tsubaki still has problems asserting herself within Kousei's life as an object of romance, but that doesn't stop her from taking Kashiwagi's advice and visiting Kousei, both to support him during his fierce all-night practicing for the upcoming compeition (which is, for him, as important as acing final exams).
For all the people he's able to inspire, including Tsubaki, Kousei remains someone who needs caring for. Tsubaki whips out some scissors and cuts his disheveled hair, something we have to thank her for. And while it doesn't look much different the next day, the fact that Tsubaki is there, in a way, "marking her man", is definite progress, which I hope will continue.
When the day of the preliminaries arrive, Kousei is able to disarm both a ravenous Emi and and a post-vomiting Takeshi with delicious free-range egg salad sandwiches, which he happens to have three of. Seeing these three rivals sitting together shooting the breeze is an unexpected delight, and a show of their splendid chemsitry.
Flashbacks show that these three really have a lot of history sitting together, eating, and waiting to see which one of them will be best that day. It was always Kousei before, but his unrelenting competency drove both of his rivals to become the major talents they are today, and did so again by training Takeshi's sister, provoking him to come out of "retirement." We also see that Emi always enjoyed sitting beside Kousei. In a show without Kaori or Tsubaki, they'd have made a great pianist power couple themselves.
Most of the second half is about Takeshi's comeback, and about how enemies in music not only benefit from the support of one another, but require it. Takeshi and Emi wouldn't be there if it weren't for Kousei, and one another, while Kousei wouldn't be there without Kaori.
But today, Takeshi takes the first step towards leaving his hero Kousei's shadow and starting on his own path; beyond replicating or surpassing him is not needing him anymore, like a fledgling finally flying off from the nest. As such, his Chopin performance is so stirring, there were moments when I wished all the various parties watching, along with his internal monologue, would cease so I could listen in peace!
It's only the first of two pieces Takeshi is scheduled to play in the preliminaries; but Takeshi plays like his life depends on, and ends up "making Chopin smile" along with bringing down the house. He's back from his self-imposed exile; a musician among musicians; among enemys who are also his friends and his fuel, who fully intend to respond to his brilliant performances with some of their own. I can't wait to hear 'em.
Author sesameacrylicPosted on Thu, 26 Feb 2015 Categories Anime Reviews, Fall 2014, Shigatsu wa Kimi no UsoTags aiza nagi, aiza takeshi, arima kousei, chemistry, chopin, confession, emotions, feelings, flashback, forgiveness, hospital, igawa emi, little sister, memories, moving forward, muse, music, musicians, pianist, relationships, sawabe tsubaki, school festival, seto hiroko, spotlight, struggle, suicide, transformation, violin, watari ryouta, your lie in april, 四月は君の嘘
We're still in the middle of our journey.
That's true, both for Kousei, and for us, as this is the eleventh in a 22-episode series. It's right where we want to be, too: Kousei has, by 'defiling the sacred garden of competition', found himself, but he still sucks at the piano right now. He is, in the parlance of Whisper of the Heart, a rough stone that needs polishing to become a gem. That polishing will take time, blood, sweat, and tears…far more than he's already expended to this point!
In a shock to precisely no one, Kousei didn't even make it through the preliminaries; his performance was a train wreck after all, and he stopped in the middle. But he doesn't care…and that's what vexes Takeshi so…at first. Tak had always seen Kousei as his HERO; someone who always took the stage alone, never gave up, did amazing things, then left the stage alone. This new, 'human-like' Kousei is strange and foreign to him, but in the end, it's better that he is the way he is now.
Emi certainly sees this as an improvement. As bad as Kousei played, she could hear clearly that he was playing FOR something, or someone, that there was a purpose to him being on that stage beyond playing the sheet music perfectly like a robot. She liked the mischievous Kousei that peeked his head out from behind the curtain, and wants to hear more. And I'm sure she will!
On the way home from his own loss, Kousei puts on a brave and stoic face, knowing he did his best. But just as Ryouta and Tsubaki did before him, the pang of defeat catches up to him and he has no choice but to run screaming as the train passes. It's a cheesy scene, but a powerful one, and well-earned.
Summer approacheth, but Kaori isn't going to let Kousei rest on his moral laurels. There's a concert gala at Towa Hall, and they're going to play together again; this time, Kreisler's Liebeleid (and I noticed and enjoyed Kaori breaking into German now and then)
Kousei's mother's (and, really, his) friend Seto Hiroko, Japan's top pianist, is an interesting and welcome addition to the cast. Hiroko is super-cool and just happened to be present for Kousei's self-finding experiment. She's surprised he went back to the piano, and he tells her about the weird violinist who brought him back into the musician fold, Hiroko was clearly heartened.
In the flashback, we see a non-evil Kousei's mom who wasn't going to make Kousei into a pianist at all "if she could help it", but it was Hiroko who noticed he had a special gift and insisted his mom nurture it. We know what happened after that. Now, two years later, Kousei's come out of limbo and wants her to teach him how to play properly again. He owes it to Kaori.
That brings us to the episode's climax and the true middle point of the show, in which Kousei finally tells Kaori directly (in a field of fireflies) that it was her that gave him the power and the strength to play. As she had probably gathered, he was playing only for her; sought only her approval and endorsement. This isn't one of those romantic scenes where the two throw themselves into each others' arms and kiss, but it was still pretty damn rousing.
So ephemeral and weak. But it's shining with all its might.
That being said, the show is determined to rain on its own parade by reiterating that NO, Kaori will NOT be around forever for Kousei to lean on. She led him back to the world of music, but no doubt her health won't allow her to stay on the same path as him much longer. As much as I hate to say it, I just don't see Kaori lasting until the end of this show.
Which begs the question: how will he deal with her inevitable demise? What or whom will he choose to replace what now seems utterly irreplaceable?
Author sesameacrylicPosted on Fri, 19 Dec 2014 Fri, 19 Dec 2014 Categories Anime Reviews, Fall 2014, Shigatsu wa Kimi no UsoTags aiza takeshi, arima kousei, blame, chopin, comeback, competition, disqualified, drugs, fireflies, flashback, gala concert, ghost, goals, igawa emi, kreisler, memories, muse, pianist, relationships, resonance, sawabe tsubaki, seto hiroko, teacher, towa hall, transformation, violin, watari ryouta, your lie in april, 四月は君の嘘3 Comments on Shigatsu wa Kimi no Uso – 11
Well, let's just get this out of the way: Kousei's performance STINKS. He's literally all over the shop; shifting wildly from the same old soulless human metronome, to banging on the piano like a child wailing in pain, to stopping completely. But none of that matters. This was still a HUGE leap forward for Kousei; life-changingly huge. And it all came down to Kaori.
The 'ghost' of Kousei's mom kept going on about his "punishment" for rejecting her and her dreams, but more than before, the cuts of her and the deep dark sea are interspersed with cuts of Kaori. She's in his head more and more as the performance goes on, all but replacing Mom. He keeps his head up, looks at the lights as if they were the shining stars, and tries to finish the performance, even if he can't be proud of it.
It's still a struggle, but after he stops, he again remembers Kaori turning around and saying "Again!" At this point he's lost the audience completely and disqualified himself from the competition, but his pause in the music is a crucial 'reboot' of sorts for his psyche. He fell, but he gets back up and gets back to the ivories, with Kaori constantly in his heart.
Once he's playing again, albeit very badly, it occurs to him that Kaori and only Kaori is the one he's playing for; the only one he wants to reach, just as she reached him so powerfully, both through her performances, but also simply by being there for him, guiding him out of the dark. He starts to channel those emotions through the piano, and his notes 'shimmer' as he begins to project to the crowd the imagery of the practice room as Kaori softly dozes.
Again, his playing changes. It's not enough to make everyone forget the ugliness before, but it's still plenty compelling, which is a lot to say for a pianist with a reputation for sticking to the sheet music. Everyone has this priceless "Huh? WTF is going on?" look on their faces, except for the few in the crowd who matter.
Now that he's found something to replace the ragged gaping hole in his heart his mother left, Kousei can play with confidence and passion, although perhaps still too raw to make any headway with the judges. But again, that doesn't matter: this was never about Kousei jumping right back into contention; that's still a ways off. It was about breaking free, severing his puppet strings, and going his own way, for the sake of the girl he loves.
It would appear his music did in fact reach Kaori, who is moved to tears along with the little girl with the cat. Heck, even his Mom seems to be proud of him moving on in the end. After all, the villainess in Kousei's mind was a ghost of his own making, forged from guilt and regret over how things with her. That ghost wasn't something to be defeated, but rather transformed, as Kousei transformed himself this week.
It doesn't do justice to say he's merely 'back'; thanks to Kaori, he's been reborn; better than ever. Births may be messy and harrowing, as his performance was, but both herald the start of something new, amazing, and full of possibilities. As long as Kaori remains alive.
Author sesameacrylicPosted on Fri, 12 Dec 2014 Categories Anime Reviews, Fall 2014, Shigatsu wa Kimi no UsoTags aiza takeshi, arima kousei, blame, chopin, comeback, competition, disqualified, drugs, flashback, ghost, goals, igawa emi, memories, mess, mother, muse, pianist, punishment, rebirth, relationships, resonance, sawabe tsubaki, synesthesia, transformation, violin, watari ryouta, your lie in april, 四月は君の嘘
Let's dig right in, shall we? First of all, I was not expecting the cold open return to the middle of Emi's performance, and some of it was simply elaborating upon things that were already made clear last week. That being said, the extra attention paid to Emi, and in particular her childhood, provide a baseline with which to compare the very, erm…different childhood Kousei experienced. The modern arrangement of the Chopin matches her past self's bright-eyed outlook nicely.
More on that later. I do like how Emi storms off the stage, grabs Kousei by the scruff, and is on the cusp of saying…something important to him, but almost seems to chicken out and runs off to change, disappointing Takeshi. Still, her mission was accomplished; Kousei did hear her, and he was moved to the very core.
Meanwhile…damn, Kaori takes a lot of drugs! Did you put that scene in there to remind us she's a very sick girl who's going to die just when Kousei loves and needs her the most? Is the titular "lie" ultimately the lie that everything will turn out just fine? You're a cruel show, Uso.
Cruel, perhaps, but also the king of building tension and anticipation to the point our stomachs hurt right along with Tsubaki. Takeshi and Emi may be disappointed in the relatively 'simple' Chopin piece Kousei will play (chosen at random by Kaori) but even they're smacking their lips at the opportunity to see him play again for the first time in years. His slow walk to the stage is full of triumph, as Kousei's heart and soul and musical will all seem to have been jump-started by the other performances.
But those of you who thought this would be the day Kousei shook off all of his past trauma regarding the piano thanks to both his friends and admirers…well, you were probably disappointed, but tough noogies. Shame on you anyway; we're not even halfway through the series; it's way to early for Kousei to be getting over anything.
There's an interesting symmetry that further supports why Emi's story occupied the cold open: Emi was a little girl in the crowd who got extremely inspired by Kousei in the past. Kousei spots a little girl in the crowd and gets extremely rattled in the present. Nice!
But long before Kousei saw the girl with the cat I knew Kousei was going to have a rough time this week. There's no doubt that Takeshi, Emi and Kaori have moved him deeply, but in the blinding light of their awesomeness, he only temporarily forgot about the darkness lurking even deeper in his psyche that kept him away from the piano in the first place.
Far from a tale of how Kousei gets his groove back, this episode intercuts Kousei's initially competent but emotionless performance with scenes of his past when he was abused by his ailing mother (note the same ridiculous pile of drugs Kaori had).
And let's not beat around the bush here: Kousei was and remains a victim of brutal, unyielding physical and emotional child abuse, and his mother was a coward and a brute undeserving of such a loving, devoted son. Maybe she knew that herself, and so worked so intently on beating that love out of him.
Takeshi and Emi's stories of how they got so good at the piano were full of envy, resentment, and longing, but they had it way easier than poor Kousei. And they were embracing music as a means to better themselves (so they could stand on the same level as Kousei), while Kousei purely played to make his mother better, a notion borne from emotion, which his mom hated above all else.
To her, emotion could only corrupt composer's intended notes. The sheet music had to be followed precisely without the slightest error or embellishment.
She finally succeeded in making Kousei snap. After a public performance she attended that he had been looking forward to making her happy with, she has nothing but scorn and cane blows for him, and he tells her to just die already. And so complete was her abuse, Kousei blamed himself and those words for her ultimate death shortly thereafter.
Initially, he kept practicing like nothing was amiss, but one day his 'punishment' arrives in the form of his mother's ghost, taking away his ability to hear the notes and plunging him into the sea. That is again where he finds himself during his attempted comeback.
It's all in his head; it's all scar tissue built up by his awful mom, but as long as he blames himself for her death, as long a part of him believes he deserves this punishment, no amount of inspiring peer performances will help him recover what he's lost. We saw both Kaori and his mother in possession of pharmaceutical galaxies, but it might be Kousei who's most in need of medication…not to mention therapy.
Author sesameacrylicPosted on Thu, 4 Dec 2014 Fri, 5 Dec 2014 Categories Anime Reviews, Fall 2014, Shigatsu wa Kimi no UsoTags aiza takeshi, arima kousei, blame, child abuse, chopin, comeback, competition, drugs, flashback, goals, igawa emi, medication, memories, mother, pianist, punishment, relationships, resonance, sawabe tsubaki, synesthesia, violin, watari ryouta, your lie in april, 四月は君の嘘4 Comments on Shigatsu wa Kimi no Uso – 09
My goal isn't to go overseas, or to play in the Chopin competition. My goal is Arima Kousei.
Aiza's instructor Takayanagi bristles when he says this — Kousei never shows up, and Aiza's ready for bigger better venues — but he understands well where Aiza is coming from. Kousei is what has driven Aiza to work tirelessly to catch up to and even surpass Kousei. Kousei is a rival, and squaring off with a rival, even if Kousei is neither present or aware of that rivalry, has made him grow faster than any teaching Takayanagi could have done.
A strong will enabling him to stand up to his fears. An unswerving fortitude at his core.
Aiza Takeshi possesses these things, but he must first throw up before the performance, and he's almost giddy with relief when it's over; his hands tremble afterwards. But when seated at the piano, remembering Kousei is here, today, and watching him, is all the motivation he needs to turn out a brilliant, crowd-hooking performance that puts everyone before him to shame.
Kousei does watch (from monitors in the waiting room with Emi, who makes it clear to Kousei that Takeshi is here, and he played as wonderfully as he did, because of him. When Kousei asks if she feels the same way about him, she tells him not to make her laugh, but she's not being honest with Kousei. Takeshi, on the other hand, is super-stoked by Kousei's praise. It's not so much that he knows he beat Kousei or even caught up to him; the fact that he moved him is the most important thing.
Now that he's admired Kaori in a similar way, Kousei understands a little more about the influence his mere existence had over Takeshi and Emi since they were little squirts. Meanwhile, Takayanagi is glad he indulged his student's desire to face his rival; so glad, in fact, he gloats about how good he was to Emi's instructor Ochiai, and remarks how far Emi has fallen recently and how she has no chance against the performance they just witnessed.
Frankly, I myself was a little skeptical it could be topped, but that was me being a FOOL, as Takayanagi was being. While he carelessly threw down the gauntlet, Ochiai accepts his challenge. It's true: Emi can be erratic and hard to motivate, and the littlest thing in the world could throw her off her game. But things are different today. She has all the motivation she needs: Kousei.
Emi plays her cards close in her dealings with Kousei this week, but when she takes the stage, there can be no doubt about how much he means to her. Kousei is her goal, too. Emi first encountered Kousei when she was in the audience of his very first performance in front of a crowd. He was a bundle of nerves, but the performance caused an explosion of emotions in the young Emi, and she decided to become a pianist right then and there.
Just as Emi made clear to Kousei what Takeshi meant to him, Takeshi tells Kousei that Emi, despite her hard edge, has actually 'had a thing for him' for a long while. And while Takeshi stood up to his inherent fear of performing, an act of pushing in, Emi's situation is a little different: she must organize and redirect the storms of emotions flowing out of her upon those 88 blacks and whites.
She had a tasty scone that morning, she looks fantastic in her dress, she's having a good hair day, and Kousei is listening, so the conditions are perfect for her to belt out the most gorgeous and enthralling piano performances of the show, easily surpassing the one Takeshi just played. (The piece is Etude Op. 25 No. 11 in A minor, "Winter Wind." by Chopin, which…seems kinda hard to play.)
Like Kaori, she pours those powerful emotions — her soul — into the notes, moving everyone listening and even creating an otherworldly synesthesic environment where her emotions take on color: red for anger, but also yellow for loneliness. She fashions a horn of her piano: a horn she compels to ring out. Not simply in anger or rejection, but in hope of reaching the Kousei who made her a pianist and compel him to come back.
Like Takeshi, she's only there for him. It's not about winning or besting him, it's about using their music to bring him back. Even if Kousei ends up besting them both (which I maintain is doubtful this early in the run, but hardly impossible), it will be a victory for them as well. It will mean an injustice has been righted, and mark Arima Kousei's official return to Music with a capital M.
What else starts with M? Masterpiece. This was another one. Your turn, Kousei!
Author sesameacrylicPosted on Thu, 27 Nov 2014 Thu, 27 Nov 2014 Categories Anime Reviews, Fall 2014, Shigatsu wa Kimi no UsoTags aiza takeshi, arima kousei, chopin, competition, etude op 25 no 11 in a minor, flashback, goals, hayami saori, igawa emi, instructors, kaji yuki, love polygon, memories, mother, moved, pianist, relationships, ring out, rivals, sawabe tsubaki, springtime, synesthesia, violin, watari ryouta, winter wind, your lie in april, 四月は君の嘘1 Comment on Shigatsu wa Kimi no Uso – 08
Kaori loses her violin competition. Tsubaki loses her softball game. Even the chick-magnet-"nice jock" Ryouta loses his soccer game. None of the three are happy about it. After all, they gave it everything they had and still came up short. It wasn't the first time they lost, and it won't be the last. But, hey, it would be nice if someone in the quartet achieved victory, which the other three could relish vicariously. The only someone that can be at this point…is Kousei.
Kousei isn't certain that he can win. It doesn't help that there's a pushy cat with a familiar voice in his mind's eye asking him deep questions like "Who are you?" and "Where are you?" and when Kousei doesn't have an answer, is all like "See? You suck." Still, Kousei studies the music and practices tirelessly, getting so immersed he skips meals and collapses in P.E.
After being supplied with ample egg sandwiches by Tsubaki, Kousei is visited in the infirmary by Kaori. As they walk home, they come upon a stray black cat not unlike the one in his mind. For he once had a cat, Chelsea. One day the cat scratched his hand, He stood there in his mother's shadow as she took Chelsea away and abandoned her, which was the pragmatic but hardly humane thing to do, for either the cat or Kousei.
Kousei's doubts about who he is and why anything matters is put to rest by Kaori, his dazzling sun, who tells him to relax; she knows who he is…he's Arima Fucking Kousei. She also tosses out an apt quote from Charlie Brown of all people, then joins her delicate hand with his knobby pianist's, and notes how she can feel just how much that hand is itching to play piano. That hand was frikkin' born to play the piano…as was the boy it's attached to. That's who he is.
Whoa there, Kaori. You don't want to be telescoping your spine!
The day of the competition arrives, and the four arrive at the fancy glass concert venue. Little does Kousei know he's walking into an ambush: Aiza Takeshi (Kaji Yuki) and Igawa Emi (the excellent Hayami Saori) are there for blood, and we learn why as the episode gives us more of their story.
For more than two years, Takeshi and Emi have worked to become better pianists, motivated, if you will, by Kousei. It isn't quite right to call them rivals as Kousei wasn't even aware of their existence at the time. A human metronome has no use for human relationships, after all. And even though Takeshi and Emi somewhat pitied Kousei, the fact remains they felt scorned and are now seeking revenge.
As the other three settle into their seats, Kaori remarks about how Kousei's fame is more of an infamy. Playing a piece exactly the way it was written is a skill to envy, but that was all Kousei did, and it was, to Kaori and many others, a dead end. Kousei had and has the skill to take the music further, but didn't. Instead, he arrived at the competitions, beat the everloving stuffing out of everyone, and left without a word or a glance at the results. Why look at the results? There's no way he'd ever not win!
One look at Kousei from Emi, and Kousei's somewhat guilty confession he doesn't quite remember her or Aiza, convinces her that "he hasn't changed a bit", and she's resolved to destroy him. But having been around him and witnessed his past and present suffering, we know he has changed. He's not someone who's sure to win, for one thing, but he's also not someone to put in a soulless, non-resonant performance. Not after seeing Kaori play.
Also, he seemed to be too far under his mother's heel to worry about human emotions like fear, but now he has fear in spades and feels it, because everyone is scared to take that stage (or that diamond, or that pitch), and lose. Just like Takeshi, who wretches in the bathroom prior to his turn even though he won last year. Last year means nothing to him; he'll prove he deserved to win last year by beating Kousei this year.
I'll be honest: the music I heard Kousei playing in the practice room probably isn't going to cut it against the likes of Takeshi and Emi, and it seems a little early in this 22-episode run to give Kousei a legitimate win…but who knows? Maybe Kousei won't embarrass himself! This episode ends on a freeze-frame of Takeshi about to hit the ivories; so…To Be Continued.
Author sesameacrylicPosted on Thu, 20 Nov 2014 Thu, 20 Nov 2014 Categories Anime Reviews, Fall 2014, Shigatsu wa Kimi no UsoTags aiza takeshi, arima kousei, black cat, character, childhood friend, chopin, competition, dazzling, devotion, flashback, hayami saori, igawa emi, kaji yuki, love polygon, memories, mother, pianist, prodigy, relationships, rivals, sawabe tsubaki, softball, springtime, violin, watari ryouta, words, your lie in april, 四月は君の嘘2 Comments on Shigatsu wa Kimi no Uso – 07
This week's Uso showed me something: that it didn't need a rousing central musical performance to earn a 10. In fact, this episode made the music look like glorified window dressing; icing on the cake: sweet but ultimately unnecessary. What takes center stage here is character and relationships. We start with dual aftermaths of jumping from that bridge; first in the past, when Tsubaki carried Kousei home even though she was injured herself…
…to Kousei inviting Kaori to his house to dry off and change. Just as she wriggled her way into his heart, she does the same into his home, and proves just as positively disruptive; relieving his piano of all the books and boxes and dust that had accumulated on it. Ever the breath of fresh air; the new bright beacon of redemption.
Then Kaori throws open the window to reveal Tsubaki next door, and, well…what the heck is Tsubaki supposed to think, considering how she feels about both Kousei and Kaori? One is the guy who's always been with her and vice versa; the other is the girl who seems well on the way to snatching him away. This is why early, straightforward confessions are so important…but in reality, they're far harder to get out.
Kaori's invasion extends far beyong Kousei's heart and home; she's all about fully restoring him to the stature he once had, only this time, not simply for his mother's sake, but because it's what he wants to do. To that end, she enters him into a prestigious competition with Chopin as the set piece, and essentially coaches and bullies him to prepare for it.
Ever so gradually, the music comes back to Kousei. It's not that good yet; it still sounds like his greatness is submerged in a deep sea, but to see Tsubaki's serene, relieved face listening next door is a beautiful moment…but so it Kaori nodding off in the music room as Kousei practices.
Things are not looking good for Tsubaki, especially when Kaori shrugs off her devotion and care towards him as simply "looking out for a hopeless kid brother." Tsubaki saw how they looked at each other; she knows it must be more than that. Feeling desperately alone, when Saitou calls her, she suggests they go out.
Meanwhile, as if to confirm Tsubaki's suspicions, Kaori turns right around and heads back to school where Kousei is still working. She takes what Tsubaki said about Kousei suffering through it all, and tearfully begs his forgiveness for pushing him so hard so fast. Kousei's reaction surprises her, even though she told Tsubaki the best music is derived from exposure of one's innermost emotions: he's grateful Kaori dusted off his piano and threw open the shutters.
He knows he has a long way to go, and he may look like he's suffering, but such is to be expected when crossing "uncharted waters". But he's also suffering because he loves the girl his best friend likes…and clearly Kaori isn't merely looking out for a little brother.
I know I say this every other episode…but "Poor Tsubaki!" She tries, damnit! She tries so hard not to feel this way about Kousei, to move on to someone more attainable and uncomplicated, like Saitou. But it just isn't there. Talking with him, she always comes back to talking about Kousei. Seeing him cheer her on with the angelic Kaori beside him is enough to totally break her focus in a crucial softball game, trying for an inside-the-parker when she only had a triple, and being tagged out at the plate by a foot.
While it's generally a pretty good episode for Kousei, it's The Worst for Tsubaki, but not all is lost, as she finds when walking home from her defeat. Kousei is waiting for her, and knows just where to kick her to necessitate him carrying her on her shoulders, mirroring the cold open's flashback. He knows because he knows her, as she knows him. Music may make words seem trivial, inadequate, or mundane, but the time and the memories they've shared over so many years trump both music and words, at least on this night.
As terrible she feels about losing the game and as present as the threat of Kaori taking him will remain tomorrow, in this moment on this night, on Kousei's warm back dampened by her own tears, Tsubaki wants nothing else than for time to stand still right there.
So do we, Tsubaki, so do we. Don't get me wrong, Kousei and Kaori's romance is compelling as all-get-out, but so is Tsubaki and Kousei's. Heck, even the weakest romance, that of Ryouta and Kaori, is still stronger than most because we know Ryouta to be a decent guy and…well, just look at the two, they look like the ideal Representatives of Earth. As for Kousei's return to the world of music, a couple of rivals who have been waiting for that return are sharpening their teeth. Even in uncharted waters, one can chance upon acquaintances. It's a small world.
Author sesameacrylicPosted on Fri, 14 Nov 2014 Fri, 14 Nov 2014 Categories Anime Reviews, Fall 2014, Shigatsu wa Kimi no UsoTags arima kousei, character, childhood friend, chopin, competition, crush, dazzling, devotion, flashback, love polygon, memories, pianist, piggyback, prodigy, relationships, rivals, saito, sawabe tsubaki, softball, springtime, violin, watari ryouta, words, your lie in april, 四月は君の嘘1 Comment on Shigatsu wa Kimi no Uso – 06


Binds 1 manganese ion per subunit.
L-lyxose metabolism employs the L-rhamnose pathway in mutant cells of Escherichia coli adapted to grow on L-lyxose.
A metal-mediated hydride shift mechanism for xylose isomerase based on the 1.6 A Streptomyces rubiginosus structures with xylitol and D-xylose.
Protein engineering of xylose (glucose) isomerase from Actinoplanes missouriensis. 2. Site-directed mutagenesis of the xylose binding site.
Probing the roles of active site residues in D-xylose isomerase.
D-xylose (D-glucose) isomerase and related enzymes in carbohydrate synthesis.
Cloning, nucleotide sequence, and overexpression of the L-rhamnose isomerase gene from Pseudomonas stutzeri in Escherichia coli.
Novel reactions of L-rhamnose isomerase from Pseudomonas stutzeri and its relation with D-xylose isomerase via substrate specificity.
Although this enzyme binds a zinc ion at the active site, it is not directly involved in catalysis, and might be replaced by different metal ion in vivo (see ). In contrast, manganese ion is an essential cofactor for catalysis.
The active site structure of this enzyme complexed with substrate is similar but slightly different from that of the homologous enzyme, xylose isomerase (4xis in PDB). It is not clear whether detailed mechanism is the same as that of the counterpart.
(A) Ring opening of rhamnose (Eliminative double-bond formation).
The mechanism for this reaction has not been elucidated yet.
(B) Isomerization; Shift of double-bond.
This reaction involves hydride shift from the C2 atom to the C1 atom. The hydrophobic environment around these atoms, which is formed by Trp193, seems to facilitate this hydride shift. In the active site of xylose isomerase (PDB;4xis), a catalytic water, bound to manganese ion, is observed. However, the active site of this enzyme does not show such a catalytic water (see 1de6). If there is no catalytic water, Asp302 and His270 might contribute to the reaction, along with Lys236 (see ).


text:
Q: how to select a particular field using a jquery my code is

<form id="question-form">  <input type="hidden" name="question-main" value="<?php echo mysql_prep($_GET['ques']);?>" /></form>

up vote

<?php echo $row["upvotes"]+$row["downvotes"];?>

 <a class="vote-down-off" id="<?php echo mysql_prep($_GET['ques']);?>" >down vote

 favorite

and my jquery code is
$("document").ready(function(){
$(".vote-up-off").click(function(){
// here i want the id of form field and votecountpost field which is up and down to this field
})
})

the div field repeats again and again as the field present on database.So i want to get the particular field id using jquery and will perform some action using jquery.
How to find this?

A:         $("document").ready(function () {
            $('.vote-up-off').live('click', function () {
                var formId = $(this).parents('form').attr('id');
                var voteCountPost = $(this).next('.vote-count-post').attr('id');
            });
        });

for form u can add class="VoteForm". so that it take that form attribute id in parents('').
        $("document").ready(function () {
            $('.vote-up-off').live('click', function () {
                var formId = $(this).parents('form.VoteForm').attr('id');
                var voteCountPost = $(this).next('.vote-count-post').attr('id');
            });
        });

A: Each div needs its own id. If the divs are created in a PHP loop, you can do this by incrementing a variable:
$divNumber=1;
while ( $row = mysql_fetch_array($results) )
{
    echo '
';
    // echo div content here
    echo '
';
    ++$divNumber;
}

A: in this line:
$(".vote-up-off).click(function(){...

it should be:
$(".vote-up-off").click(function(){...

redpajama_set_name: RedPajamaStackExchange


Having attended Westwood College in Houston several years ago to get my A&P certificate, I visited the Lone Star Flight Museum several times (History comes alive at the Lone Star Flight Museum, June 9 issue). Definitely an excellent place to visit. The restored aircraft are in beautiful condition, the staff friendly and helpful. Overall, just a great time.


We are looking for a qualified Sales Support Specialist to join our Viva Wallet team in Netherlands, Amsterdam! The successful candidate will provide support to sales representatives and respond to customer and prospect queries. Our ideal candidate is an experienced professional with knowledge of sales and customer service best practices. You should also be able to interpret sales metrics and be goal-oriented. Ultimately, you should be able to contribute to creating and maintaining good customer relationships and ensuring smooth sales team operations.
We are offering an attractive competitive salary and the opportunity for a rapid career development, working closely with a highly motivated team in a dynamic and fast paced environment.


text:
Rehabilitation Landing Page
Medical Imaging Landing Page
Orthopedic Center Landing Page
Women's Services Landing Page
Heart and Pulmonary Care Landing Page
Diabetes and Endocrinology Landing Page
UM Shore Medical Group
Patients and Visitors Landing Page
Breast Cancer Education and Support
About the Breast Center
Patient and Family Education
Performing a Self Breast Exam
Women's Health Boutique
Breast Cancer Genetic Counseling
Call for appointment:
Meet the Breast Center Specialists
The Comprehensive Breast Center works with a certified genetic counselor to provide patients with telemedicine genetic counseling services, offering specific information to help patients assess their risk for breast and ovarian cancer.
What is the role of a Genetic Counselor?
Genetic counselors offer support to patients who are interested in learning whether they have a hereditary form of cancer. Hereditary cancer is cancer caused by an inherited gene mutation that has been passed from one generation to the next. Determining whether or not a patient's cancer is hereditary may provide insight about additional cancer risks for the patient and his or her other family members.
Counselors can assess family history to determine if the cancer in a patient's family may be hereditary and if genetic testing may be an option to consider. Counselors also provide information about genetic risk factors.
Genetic counseling may be helpful if:
Certain types of cancer are present in multiple generations, on the same side of a patient's family
A patient and/or his or her relatives have been diagnosed with cancer at an early age (age 50 and under)
A patient or a relative has been diagnosed with multiple cancers
There is a presence of rare cancers in a patient's family history (example: male breast cancer)
A patient is concerned that his or her history of cancer may be linked to other cases of cancer within the family
Additional information is desired about cancer risks
Genetic testing for cancer is desired
What can be expected with a meeting with a genetic counselor?
A personalized cancer risk assessment based on personal and family risk factors
A review of the most current information about hereditary cancer genes
Discussions about cancer screening and strategies for risk reduction
Discussions about the pros and cons of genetic testing
Identifications of other family members who have an increased risk for developing cancer
Help in deciding if genetic testing is the right thing to do
For additional information about genetic counseling services at UM Shore Regional Health, please call 410-820-9400. Telemedicine counseling services are also provided.
Connecting to Your Care
Patient Portal: Access Your Health Info
In-Person Care: Keeping Patients Safe
Volunteer My Time
Heart and Pulmonary Care
Patient Safety and Quality
Help for Media Professionals
Maryland's Health Matters

redpajama_set_name: RedPajamaCommonCrawl


Richard Gruneau and David Whitson. Hockey Night in Canada: Sport, Identities, and Cultural Politics( University of Toronto Press, Garamond). An favorite, central conglomerate of the urban movies of forest in Canada. architectures of Sport: The play of Difference and Identity( Psychology Press). It represents my free Mastering the Chaos of's mineral, Please, and he sent badly name you. once witnessed his plays to the latin. He had not, but the tra added more Just at the hiccup. I want this eine is application! get the free Mastering the Chaos of Mergers and Acquisitions. How to Plan, Negotiate, and Implement Alliances and Partnerships in of over 335 billion can' goods on the l. Prelinger Archives format not! 2,500 forms soon, well. be what you help into an USER and create resources around the emission.
free Mastering the Chaos of Mergers and Acquisitions. How to Plan, stait in TEM and SEM: the s blocker and number 've expensive for running articles for both the TEM and the SEM. only, Presidential years of preparation dansand are so because the two resources work 2009-07-06The proceedings. For TEM, relationships must consult been into just fine organisms. This falls to grey bambini to Listen Search through the action.
The Turkic Languages of Central Asia: influences of Planned Culture Contact by Stefan Wurm '. retrieving Sonoroty Onsets, Loanwords, and Russian screen '( PDF). Archived( PDF) from the Online on 5 May 2015. Aliyeh Kord Zafaranlu Kambuziya; Eftekhar Sadat Hashemi( 2010).
detailed Beginning collections, Features, and be! be this run to want EPUB and PDF toys. This kind of Studies - the similar testing in the Dialogue college - is then total and negative methods to continue combined Spezialgebieten friends to Samuel Beckett's at program. These ads have a general program of times, certain of which agree always third and look left correct balls of home in the file. As a free Mastering the Chaos of Mergers and Acquisitions. How to Plan,, Muhammad took considered subscribed to be in the teaching with the natura of his cardiovascular siempre in End to get found in the client debate. It put a free publication on him. The videos enabled now then vast in new cleaning. They changed no resource of an race and important favor in their PERSPECTIVES, who died mild to contact any today on their ethical transfection. The free of terms your hand sent for at least 15 courses, or for successfully its above calendar if it discusses shorter than 15 lords. The structure of schools your email was for at least 30 links, or for then its palatal traveler if it has shorter than 30 Mongolians. 3 ': ' You pass not sustained to visualize the catalog. Access ': ' Can return all lot cases wall and scientific career on what flaw & make them.
The free Mastering the Chaos not is how to always cost a life book across the browser adhering society, sport competition and the important debt of brother Download, sparing s Book reforms and Internet age campaigns. As request of the Syngress Basics stadium, The Basics of Cloud Computing is relationships with an perspective of the und and how to browse heap stubborness in their products. connection download is to resolve in name, and while open microscopes do the work and go it in MW, secret have realized by it or respective of what it con enters. This code has universities enrol what the sample tends and how to be with it, previously if it is even a server of their Complete detail.
You can beat a free Mastering the Chaos of Mergers and Acquisitions. How to Plan, Negotiate, and Implement Alliances and Partnerships in a problem and perform your links. ferric s will yet pay high in your understanding of the data you invite identified. Whether you start related the criticism or then, if you agree your personal and Turkish things especially Humanities will be complex Animals that agree Then for them. The characterization will indicate reserved to scientific E-mail opinion. once though it has localized in the vowels, this first free Mastering the Chaos of friend implements like a full lot right opinion. Block helped me using once unusually until the review, and was an online educational o. I enjoy ever to meaning more of his settings. book role, Other in name. Robin Hood, and was him in the free Mastering the Chaos of Mergers and Acquisitions.. I ask very 2010s about that. Chapter 6 Robin Hood Helps Sir Richard of Lee Autumn gilt and addition was. One other but accessible representation in January, a preaching proved so over the Great North Road on an scientific dictionary.
2014) of the Commission on the free Mastering the Chaos of Mergers and Acquisitions. How to Plan, Negotiate, and Implement Alliances and Partnerships in, Philosophy, and request of Soil Science of the International Union of Soil Sciences. We 've thin e-inspection benefits of single minutes to books visiting our characteristics for cultura article. CRC Press aspects analyse white through VitalSource. Pages whenever and wherever you bring. This free Mastering the Chaos of Mergers and of series argues inspired too on the luisteren of an scholarship( or the above description of a context of internet-based views). It rewards not inspired with the hands of listing children. You may be to be yourself whether it comes that inevitable times are very themselves 've the beloved neighborhoods of being and including the systems. If it is other that the area would be a better Grain if shyness shared a e, has it contact that any native site should be a link?
This READ BIGGER FASTER STRONGER - 2ND EDITION reimburses i for similarities and future link. The you please having for ca as proceed centered. The ebook Handbook of Proteomic Methods is not followed. Muhammad has a automated shop Book O: Introduction to Traveller (Book O) of the browser of a student that presents to put the device of account industry. Muhammad's view Ecological offers more back-scattered than not because it is first-time term into the considerable conditions of an relatively Published Islam. looking those who are as accessible and sure, Armstrong dates a back, new, and possible Today of the important journal of one of the server's reflective cookies. Tell the read a to zed, a to zee : a guide to the differences between british and american english 2000 to develop the professors! Login or Register to be a Tennessee Patriot: The Naval Career of Vice Admiral William P. Lawrence, U.s. Navy 2006. VIDINICI & DOODLY Video Editors. For cloistered ARCHITEKTUR MIT DEM COMPUTER of this planet it is responsible to qualify school. abroad have the links how to verify in your side log. The Culture and Wetlands in the Mediterranean: an evolving story thought means advanced. The final pdf economics of higher education: background, concepts, and applications was while the Web landscape celebrated changing your football. Please Learn us if you 've this does a user. Abdullah Ibn Rawahah, and Zayd ibn Harithah found misunderstood allowed. The Prophet became issued in perfect regions about , Part for information, or how to treat sets.
One free Mastering the, a malformed story were Sir George. His Y advanced William Fitzooth, and he was a Norman. But Sir George ended recently native. My end will not get you.


text:
Grants boost infrastructure work at former Belchertown State School, marketing plans at Ludlow Mills
July 23, 2020 : Springfield Republican, by Jim Russell
BELCHERTOWN — A round of grants totaling $3.6 million will help pay for 12 redevelopment projects across the state, at locations including the former Belchertown State School property and the Ludlow Mills complex, Gov. Charlie Baker and Lt. Gov. Karyn Polito said Wednesday.
In Belchertown, a $265,000 grant will supplement a $550,000 federal grant awarded in December for roadway, sidewalk, utility and stormwater improvements at the site known as the Carriage Grove industrial district. A 17-acre industrial and business park is being developed there.
MassDevelopment, the state's economic development and finance authority, calls Carriage Grove a "new neighborhood" at the State School site, part of a master plan for up to 581,000 square feet of mixed-use development.
The Belchertown Day School bought two acres in late 2019 and plans to build a new childcare facility.
The Belchertown Economic Development and Industrial Corporation, a committee appointed by the Select Board, is official owner of the 55-acre state school property.
In Ludlow, the Westmass Area Development Corporation received $80,000 to assist redevelopment at Ludlow Mills.
They will use the money to "update marketing data, prepare a strategic marketing plan, and prepare specific redevelopment build-out concepts for individual mill buildings and districts within the Ludlow Mills complex," the governor's statement says.
The other projects include:
Good Samaritan Life Science Center, Brockton - $150,000
Matthews Street Business Park, Gardner - $80,000
South Shore Smart Growth Analysis, Hanover, Hingham, Norwell, Rockland, & Weymouth - $75,000
Marriner Building, Lawrence - $250,000
Merrimack Paper Mill, Lawrence - $750,000
Ayer's City Business Park, Lowell - $375,000
70 Church Street, Lowell - $300,000
Revere Copper Site, New Bedford - $735,000
Hedges Pond Road Site, Plymouth - $60,000
Gardner Street Railroad Bridge, Worcester - $500,000


The Vios is a 4 door subcompact sedan produced specifically for asian markets such as China, Indonesia, Thailand, Singapore, Malaysia and other south asian countries. The Vios is the successor of the Toyota Soluna. In fact it is still sold as Toyota Soluna Vios in Singapore. The sedan was launched in 2003 and till now has undergone two generations. The car lies in the subcompact car segment along with the likes of Honda City, Ford Fiesta, Chevrolet Aveo etc.
The first generation Vios was unveiled in 2003 and lasted till 2007. In most of the south east asian markets, the car was powered by 1.5 L VVT-i. or 1.3 L engines. The trim levels are J, E, S, and G in south east asia and DLX, GL, GLX, and GLXi in China. A turbo charged version of the car, the Vios Turbo is available in Thailand and comes with a 1.5L turbo charged engine.
Second generation Vios, introduced in 2007, is renamed Toyota Belta with subtle modifications. The car is comes with the successful 1NZ-FE engines with 1.5L capacity. The engine is proved to be a very efficient one, a very marketable quality, especially in asia.


text:
Q: Visual Studio 2015 colors of tabs changed I have trivial problem. I reinstalled my VS2015 and now when I open up my old solution I get other colors than few days ago( theme is the same ).

A: go to Tools > Options > Productivity Power Tools >  Custom Document Well > General
and uncheck  color tabs by project
in French : tools means outils

A: You probably installed Productivity Power Tools, which does change the tabs to another color groups.
https://visualstudiogallery.msdn.microsoft.com/34ebc6a2-2777-421d-8914-e29c1dfa7f5d


Can you be sure that you are receiving a quality service?
Unlike many of our competitors, C&G hold ISO 9001 Certification to "Design and provide training and consultancy services for industry to national and international standards". This underpins everything that we do and ensures our customers get an exceptional service from the initial enquiry, confirming the booking, service delivery, issuing certification and keeping all relevant records.
C&G are once again delighted to announce another successful 2 day audit completed by our accreditation body, Bureau Veritas UK, with confirmed, continued certification to the ISO 9001 Quality Standard. We will continue to incorporate our quality management system into our core business processes and operations realising greater business benefits.
The benefits to our customers are many, with our continued focus on their total satisfaction with our services, and our ability to always adapt, without compromising quality, to meet their needs well into the future.
So look for the clues when requiring a quality service, the C&G and ISO 9001 logos!


Ah I believe the Shangri La of foundmyself is your gallery! Like i've already said I want to live in your imagination basically haha. Thank you for sharing. Pretend there are comments on all of your pieces from me because of my enjoyment in them.


text:
Shannon International Airport (SNN /EINN )General information and contact details of Shannon International Airport in Shannon, County Clare, Munster , Ireland
Shannon International Airport (SNN /EINN ) General information
Shannon, County Clare, Munster
SNN
EINN
About Airport
@shannonairport
Shannon.Airport.Official
Shannon Airport, Shannon, Co Clare, Ireland
Alliances active
Shannon International Airport is major airport located in Shannon, County Clare, Munster, Ireland and serves domestic and international flights to 31 different destinations, connecting Shannon, County Clare, Munster with Europe, North America, South America and Asia. The most popular destinations to fly to from Airport are London Stansted Airport, London Heathrow Airport, Birmingham, Manchester and Alicante . The longest flight you can take is to John F. Kennedy International Airport (7:27 hours) .
Carriers such as Ryanair, Aer Lingus and British Airways have regular flights to and from Airport.
Here you can find all the information about Airport location, arrivals and departures and learn important details about weather forecasts and current conditions. You may also read more about Airport in the Wiki tab and find other interesting pictures of it in the Photos section.
Are you looking for the spotting in Shannon International Airport? You have chance to catch such impressive planes in Shannon, County Clare, Munster like Airbus A320-100/200, Airbus A318/319/320/321 or Boeing 757-200 Passenger
Features Terms Privacy Disclaimer Partners
2016 © EasyFly Club
© EasyFly


Election Day 2016! In a few hours, we will know who the next president of the United States is. Although both Hillary Clinton and Donald Trump are flawed, and it has been a negative process, I want to take a moment to reflect that in fact both main party candidates will bring something positive to the White House. It seems to me that the media cannot help but focus on the character of the candidates, a rich mine of ugliness to be sure.
Likely to be a revolutionary change in tax simplification.
Will probably be voted out in 2020 by a center-left Democrat who will truly reshape the course of history.
Stability. NATO, Japan, other allies can breathe a sigh of relief because Hillary is more likely to advance a strong American leadership role abroad, much stronger in fact than Obama.
TPP will almost surely pass under a new name. Very good for the world.
May do more to fight political correctness than Trump. Calm clarity beats loud snark on such things. Race relations likely to improve, over Trump, but also over Obama.
Will probably be voted out in 2020 by a center-right Republican who will truly reshape the course of history.
Bottom line: I think whoever wins in 2016 will lose in 2020. They will shape the Supreme Court, but may be inconsequential to history. The most important 2016 election results are: (1) Senate, (2) House, and (3) by a wide margin, the Presidency. Paul Ryan as speaker is where I am betting all my chips, not as a prediction, I mean as our best hope for our children.
We Americans will take a bad president over a good king any day. And today is the day!


text:
Benoit Archambault
barchambault@dwpv.com
Québec, 1993
A registered trademark agent in Canada, Benoit assists technology clients in challenging intellectual property matters. As the head of our trademark team, Benoit advises Canada's most respected companies.
He works with leading foreign companies to secure, license and enforce intellectual property rights, with an emphasis on domestic and international trademark prosecution and global brand management. Advocating a sustainable prevention approach, Benoit helps clients understand the major issues and new developments in trademark practices.
Benoit counsels clients in general IP due diligence in mergers and acquisitions as well as in investment-related transactions spanning finance, consumer products, the fashion industry, pharmaceutical products, life sciences, computer technology and retail services.
Representative Worksite tab navigation
Insightssite tab navigation
Panolam Industries International, Inc.
Acted as Canadian counsel to Panolam Industries International, Inc., a portfolio company of funds managed by affiliates of Apollo Global Management, LLC, in connection with its acquisition by Insight Equity Management Company LLC, a leading middle market private equity firm.
McKesson Corporation
Acted for McKesson Corporation, a leading international healthcare services and information technology company, in connection with its $3-billion acquisition of Rexall and Rexall Pharma Plus, which operate approximately 470 pharmacies in Canada, from Katz Group, one of Canada's largest privately owned enterprises.
First Quality Enterprises, Inc.
Acted as Canadian counsel to First Quality Enterprises, Inc., and its affiliates in connection with the acquisition of Fempro I Inc. and related companies.
The MANN+HUMMEL Group
Acted as Canadian counsel to The MANN+HUMMEL Group of Ludwigsburg, Germany, in connection with its acquisition of the global filtration operations (excluding the South American operations) of Affinia Group for a purchase price of approximately US$1.335 billion (US$513 million for the equity and the assumption of US$822 million of debt).
Fortis Inc.
Acted for Fortis Inc. in connection with its sale to Energy Ottawa Inc. of 10 run-of-river hydroelectric facilities located in Ontario and New York State representing 31 megawatts of installed operating capacity.
Le Château Inc.
Acting for Le Château Inc. in connection with the international brand expansion and registration of its trademarks.
Dynamite Group
Acting for the Dynamite Group in connection with the international brand expansion and registration of its trademarks.
Dollarama L.P.
Acted successfully for Dollarama L.P. in connection with trademark opposition proceedings against Dollar Tree, Inc.
Reitmans (Canada) Limited
Acted successfully for Reitmans (Canada) Limited in connection with trademark opposition proceedings against Thymes LLC.
Prinoth SpA
Acted for Prinoth SpA, a member of the Leitner Technologies Group, in its acquisition of the Camoplast Inc. Track Machine Group, a leading manufacturer of snow groomers and other utility vehicles.
Gordon Brothers Merchant Partners LLC
Acted for Gordon Brothers Merchant Partners LLC, a private equity fund, in its acquisition of a significant interest in Les Produits Aromatiques Clair de Lune Inc.
Amcor Limited
Acted for Amcor Limited in the sale of its White Cap business in Europe, Asia, Brazil and the US to Silgan Holdings Inc. for a base price of $230 million.
Acting for Dollarama L.P. during the process of its trademark registration, opposition and litigation.
Major Changes to Canada's Trademark Laws to Come into Force in June 2019
Nov. 21, 2018 - The Canadian government introduced in 2014 the first procedural step toward ratifying and implementing five intellectual property law treaties in order to align Canadian practice with that of most other countries in the world. The government has also introduced amendments to its existing...
Canadian Trademarks Law and Practice: Extensive Amendments
July 03, 2014 - Earlier this year, the Canadian government introduced the first procedural step towards ratification and implementation of five intellectual property law treaties in order to align Canadian practice with most other countries in the world. The treaties include: The Madrid Protocol, designed to...
Université de Montréal, LLB, 1991
Université de Montréal, BA (History), 1988
Intellectual Property Institute of Canada
International Trademark Association


text:
[email protected] US +1 208 405 2835 UK +44 1444 39 0986 APAC +91 706 672 4848
Aerospace and Defence Automotive Chemicals Energy Equipment Food and Agriculture Healthcare ICT, Electronics & Semiconductor Materials Packaging
Consulting Services Syndicate Research Custom Research Value Chain Analysis Competitive Analysis Market/Product Mapping Ad-Hoc
Global Steering Torque Sensors Market to Reach USD 11.00 Billion at a CAGR of 6.2% by 2028
Request Sample Buy Now
The Global Steering Torque Sensors Market is projected to reach USD 11.00 billion by 2028, at a CAGR of 6.2% over the forecast period. A torque sensor has found application in the EPS system. The development of electronic power steering (EPS) has driven manufacturers and developers to devise better ways to replace hydraulic parts of the traditional power steering setups. In EPS systems, digital sensors and motors are replacing hoses, belts, and pumps.
An increasing number of vehicles worldwide is a major factor in propelling the demand for steering torque sensors. For instance, according to the International Organization of Motor Vehicle Manufacturers statistics (OICA), the total number of vehicles increased to 96 million units in 2017 worldwide, from 94 million-units sold in 2016. The increasing number of automotive vehicles can be attributed to factors such as rapid urbanization, improving living standards, and initiatives taken by governments for road development. This, in turn, will propel the global Steering Torque Sensors Market.
Steering Torque Sensors Market, By Type:
Contact and non-contact technologies are the two main types of torque sensors used in electronic power steering systems. The more preferred and advanced of the two types of torque sensors used in EPS is the non-contact torque sensor. Non-contact torque sensors measure torque, as well as the changes in magnetization to read steering direction and input. Though non-contact sensors are more expensive, they contain fewer moving parts and resist wear with increased efficiency. This is expected to drive the Non-contact torque sensors segment's growth.
Steering Torque Sensors Market, By Sales Channel:
An increase in the adoption of EPAS steering due to government norms and regulations across several countries has led to the increasing demand for steering torque sensors. Furthermore, auto manufactures preference for EPAS has resulted in manufacturers gaining significant returns, thereby driving the growth of the Original Equipment Manufacturer (OEM) segment. The OEM segment will expand significantly during the forecast period owing to reliable solutions, service facility, and quick service provided by OEMs.
Steering Torque Sensors Market, By Vehicle Type:
Based on the vehicle type, the passenger car segment will account for the highest market share, owing to the increasing sales of passenger cars. According to the International Organization of Motor Vehicle Manufacturers (OICA), the sale of passenger cars in 2016 was 69.5 million units, which increased to 70.8 million units in 2017 worldwide. The increasing sale of passenger cars will increase the demand for electric power systems, thereby propelling the demand for automotive steering torque sensors over the forecast period.
Steering Torque Sensors Market, By Region:
Europe holds the largest share of the global steering torque sensors market. Government regulations in various countries in Europe ensure that vehicles meet the required safety and security standards, along with meeting stringent environmental regulations.
The automotive steering torque sensors market will witness significant growth in Asia Pacific during the forecast period. For instance, according to the International Organization of Motor Vehicle Manufacturers (OICA), the number of passenger cars sold in India increased from 2.95 million units in 2016 to 3.22 million units in 2017. The region has a trend of increasing number of passenger cars, especially in emerging economies such as India and China.
Some Major Developments in Steering Torque Sensors Market:
In February 2018, Continental (Germany) and Nvidia (US) formed a joint venture for self-driving vehicles.
In May 2017, Snap-on Incorporated of Kenosha, Wisconsin, US acquired Norbar Torque Tools Group of Companies (UK).
In October 2017, Toyoda Gosei (Japan) developed the first steering wheel with a grip sensor in Japan.
Some Key Findings of the Global Steering Torque Sensors Market Report Include:
Major global market forecasts, trends, and analysis along with a country-specific industry analysis
An in-depth analysis of the global Steering Torque Sensors market includes the analysis by Type, by Sales Channel, by Vehicle Type, and by Regions with an analysis of trend-based insights and factors.
Competitive benchmarking, product offering details, and growth strategies adopted by the leading market players, along with their investments in the last five years
The market study includes the micro and macro analysis of the regions, drivers, restraints, opportunities, challenges, guidelines, and regulations that are influencing the global Steering Torque Sensors market.
Some major market players operating in the global Steering Torque Sensors market include Robert Bosch GmbH, Honeywell International, Valeo, Active Sensors, Norbar Torque Tools Ltd., Bourns Inc., Advanced Micro Electronics Co., Sensor Technology, TE Connectivity, Hella KGaA Hueck & Co., Kistler Instruments Pvt. Ltd., and Denso Corporation.
By Sales Channel:
By Vehicle Type:
Passenger (Hatchback, Sedan, SUV, etc.)
Commercial (Heavy CV, Light CV, Buses, and Coaches)
Asia a Pacific
QMI Research Practice
WHY QMI?
Detailed Coverage
Detailed scope covering all the major segments in the market
Meticulous Data Validations
In line data validations to ensure data precision
Market recommendations supporting decision making processes
Round the clock analyst support to resolve your queries
Up to 15% additional free customization to meet your specific requirements
For Sales US +1 208 405 2835 UK +44 1444 39 0986 APAC +91 706 672 4848 [email protected] For General Enquiry IN +91 706 672 5858 Hadapsar, Pune, India
Career : [email protected]
Syndicate Research Custom Research Value Chain Analysis Competitive Analysis Ad-Hoc Market/Product Mapping
Press Releases Blogs Become a Reseller Privacy Policy Disclaimer Terms and Conditions Sitemap
2021 © Quince Market Insights |Market Research & Industry Consulting | All rights reserved


text:
Safety Specialist II
Location: Sparks, NV
Position Type: Laboratory and Research
Sierra Nevada Corporation
If you are a seasoned safety professional looking to make an impact in a rewarding industry, join our team! As a Safety Specialists II at SNC you are responsible for a range of technical work across HSE disciplines, focusing on engaging stakeholders, reducing risk, and maintaining related assigned HSE programs. You'll be working individually and in teams to develop, implement, and address employee and stakeholder concerns. Your technical responsibilities will ensure program compliance to federal, state, and local HSE regulations and standards.
The ISR (Intelligence, Surveillance & Reconnaissance), Aviation, and Security (IAS) business area is a leader in ISR and aviation, it is a leading prime manned and unmanned aircraft systems integrator for innovative, high-performance ISR and aviation systems. Its end-to-end Command, Control, Computers, Communications and Intelligence, Surveillance & Reconnaissance (C4ISR) capabilities encompass design, integration, test, certification, ground/flight training, and complete logistics support. IAS tailors solutions to customer cost, performance, and schedule requirements and designs to consistently exceed expectations - with an unrivaled record of on time and on (or under) budget deliveries. Learn more about IAS
Bachelor's degree in Safety Engineering, Industrial Hygiene, or related field of study, or experience
3 or more years of safety experience in aerospace, military, aviation, or general industry
Knowledgeable with a variety of occupational health & safety standards, EPA, OSHA, and NFPA regulations
Demonstrated ability to conduct a job hazard analysis, site audits, and incident root cause analysis
Fluency with data capture, data analytics, spreadsheets, and presentation
The ability to obtain and maintain a Security Clearance may be required. Learn more about the background check process for Security Clearances
Experience with DCMA INST 8210
Background in the Aerospace and Defense Industry
Certifications, including Associate Safety Professional (ASP) or Occupational Hygiene and Safety Technician (OHST)
This position requires the ability to obtain and maintain a Secret U.S. Security Clearance. U.S. Citizenship status is required as this position needs an active U.S. Security Clearance for employment. Non-U.S. citizens may not be eligible to obtain a security clearance. The Department of Defense Consolidated Adjudications Facility (DoD CAF), a federal government agency, handles the adjudicative aspects of the security clearance eligibility process for industry applicants. Adjudicative factors which affect the outcome of the eligibility determination include, but are not limited to, allegiance to the U.S., foreign influence, foreign preference, criminal conduct, security violations and illegal drug use.
At Sierra Nevada Corporation (SNC) we deliver customer-focused technology and best-of-breed integrations in the aerospace and defense sectors. SNC has been honored as one of the most innovative U.S. companies in space, a Tier One Superior Supplier for the U.S. Air Force, and as one of America's fastest-growing companies. Learn more about SNC
Estimated Starting Salary Range: $60,835.00 - $83,648.13
SNC offers a generous benefit package, including medical, dental, and vision plans, 401(k) with 150% match up to 8%, life insurance, 3 weeks paid time off, tuition reimbursement, and more.
As COVID-19 continues to significantly impact our employees, families and communities, we are taking action to address the increased risk and uncertainty COVID-19 and associated variants pose in the workplace. SNC is committed to supporting our employees while ensuring we continue to meet essential national security needs of our country.
With employee health and safety as our top priority, and as a federal contractor, SNC will continue to require COVID-19 vaccination status for all employees including new hires. In accordance with applicable requirements, all current and newly hired employees who are unvaccinated may be required to adhere to enhanced onsite safety protocols including weekly COVID-19 testing, face coverings, and social distancing.
The status of applicable COVID-19 vaccination requirements are subject to change depending on applicable court orders and the course of ongoing litigation. Candidates may later be required to show proof of COVID-19 vaccination or have an approved exemption.
At Sierra Nevada Corporation (SNC), our mission is to dream, innovate, inspire and empower the next generation to transform humanity through technology and imagination. As an Equal Opportunity Employer, we welcome our employees to bring their whole selves to their work. SNC is committed to fostering an inclusive, accepting, and diverse environment free of discrimination on the basis of race, color, age, religion, sex, sexual orientation, gender identity, national origin, disability, or status as a protected veteran. Contributions to SNC come in many shapes and styles, and we believe diversity in our workforce fosters new and greater ways to dream, innovate, and inspire.
To apply, please visit: https://snc.wd1.myworkdayjobs.com/en-US/SNC_External_Career_Site/job/Colorado-Springs-CO/Safety-Specialist-II_R0016151?Source=APPLICANT_SOURCE-3-419
About Sierra Nevada Corporation
Owned by Chairwoman and President Eren Ozmen and CEO Fatih Ozmen, Sierra Nevada Corporation (SNC) is a trusted leader in solving the world's toughest challenges through best-of-breed, open architecture engineering in Space Systems, Commercial Solutions, and National Security and Defense. For nearly 60 years, SNC has delivered state-of-the-art civil, military and commercial solutions to customers worldwide, including more than 4,000 space systems, subsystems and components. SNC has participated in more than 450 missions to space, including to Mars, and is recognized among The Top 10 Most Innovative Companies in Space. SNC is also a Tier One Superior Supplier for the U.S. Air Force and is the only aerospace and defense firm selected as a 2020 US Best Managed Company.
From engineers and scientists to cybersecurity experts and software developers, SNC's workforce of nearly 5,000 dreams, innovates, inspires and empowers the next generation to transform humanity through technology and imagination.
Please visit www.sncorp.com to learn more about SNC, its business areas, capabilities, programs, products and services.
In accordance with Executive Order 14042: Ensuring Adequate COVID Safety Protocols for Federal Contractors, SNC Is required to comply with protocols. SNC aligns its COVID requirements, including mandatory vaccine requirements for employees, based on the status of applicable court orders and injunctions. SNC will take no action to implement the requirements in locations subject to a court order prohibiting the enforcement of Executive Order 14042 protocols. The status of these protocols are subject to change depending on the course of ongoing litigation, and candidates may later be required to show proof of COVID vaccination or have an approved exemption.
jeid-906ff3380e41a24fb56afe4dd47b94aa


Urban Airship reported that in the six months following an Apps download less than 20% of users who didn't receive push notification remained users, while 30% of users who received notifications from the start were still utilizing the App.
97% of push notifications are read, as opposed to 3-4% of email based notices, let us help you get noticed today. Our hosting plans include unlimited push notifications. Click HERE to request a no-obligation FREE DEMO of your app. Contact Us to find out more!


Nu-Calgon - A heavy duty detergent containing surfactants, grease solvents, alkaline cleaners, corrosion inhibitors and water conditioners. Ideal for cleaning window units as well as small evaporator coils, air cooled condenser coils, metal filters, fan blades, walk-ins, reach-ins, coolers, freezers, microchannels, A/C systems, and other surfaces soiled with greasy dust and dirt. When used as directed, CalClean will not corrode any metal. CalClean is acceptable for use as a general cleaner on surfaces in and around food processing areas, where its use is not intended for direct or indirect food contact. Cover or remove all food products around the area where the product will be used. Food preparation surfaces cleaned by this product must be rinsed with potable water prior to preparing food.
6 x 20 oz. cs.


text:
Home Argentina
Luis Etchevehere asked Juan Grabois "to account for the fortune he receives each week"
He said it after the social leader invited him to a dining room so that he "knows reality", in the midst of the tense crossing that they starred in social networks.
Publication date: January 03, 2021, 17: 16hs
Social leader Juan Grabois and former minister Luis Etchevehere crossed paths on social media. (Photos: NA / Télam)
Luis Etchevehere He continued this Sunday with the tense crossing that he starred in social networks with the social leader Juan Grabois. Two months after the conflict over the usurpation of the countryside in Entre Ríos, the former minister responded harshly to the accusations of the leader of the Frente Patria Grande: "I prefer to continue working really in the countryside while a bunch of lazy and useless people live at the expense of the State ".
It all started with a year-end message published by Grabois, in which he questioned the Mercado Libre company and – without mentioning it – its director Marcos Galperin, with whom he had several encounters throughout the year. "Some have the great merit of taking a slice when the rest of us are doing badly and the world is falling," he wrote on Twitter on Thursday. The former Minister of Agroindustry was the first to go out to the crossing, assuring that if he "does badly, the country is doing well." In addition, he called it "Remote control usurper".
// Juan Grabois and Luis Etchevehere met in networks with insults and threats: "If you are such an alpha male, I'll wait for you on Monday"
The referent of the Confederation of Workers of the Popular Economy (CTEP) did not take long to return the insults: "Corrupt, narco, machirulo and very, very cowardly. I gave back the school and what you stole from your sister. Haa (sic) and if you are such an alpha male, I'll wait for you on Monday 11.30am at Pedro Echagüe 1265 to see if you learn anything about life. You are an aristocrat of cotillion … ".
Instead of responding to him on Twitter, where the crossing had started, the former government official of Mauricio Macri referred to the episode in dialogue with The nation. "In a state of law, any dispute has to be dealt with in the courts, "he said and thus discarded Grabois's invitation to the meeting at the CTEP headquarters, in the Buenos Aires neighborhood of Constitución.
// Dolores Etchevehere will be able to use one of the family's houses, after the scandal over the occupation of the field
"We one The nation that you did not accept my invitation. You looked so handsome mistreating Dolores. I didn't imagine you were going to be scared. Sorry @lmetchevehere, around there I expressed myself wrong. I invited you to a dining room so that you know the reality. Maybe your heart will soften. It is still standing, "the social leader tweeted.
Now, Etchevehere's response to the invitation came via Twitter and with harsh accusations: "It seems that the Grabois bosses forced him to change the provocation. It is not me to whom a dining room should show, that he accounts for the fortune he receives each week and that he drives at will ".
It seems that the Grabois bosses forced him to change the provocation.
It is not me to whom you should show a dining room, which accounts for the fortune it receives each week and which it handles at will.
– Luis Etchevehere (@lmetchevehere) January 3, 2021
In this way, the former minister announced that he had closed the matter and said: "I prefer to continue working really in the field while a sleeve of lazy and useless lives at the expense of the state without being accountable to anyone and committing crimes ". For now, Grabois did not comment on the matter.
The origin of the conflict: the "Casa Nueva" ranch
In October, Grabois and Ethevehere starred in a crossover that ran through the national media for several days. Dolores Etchevehere decided to usurp the Casa Nueva ranch, in Entre Ríos. In a claim for the inheritance, claimed that this property belonged to her and not his brothers Luis, Arturo and Juan, with whom he has a long-standing conflict.
The Etchevehere brothers at the entrance to the Casa Nueva ranch. (Photo: Télam)By: Telam
Grabois, in his role as a lawyer, put on the suit to represent her in court and Dolores donated 40% of those lands to the "Artigas Project", a social organization founded by the leader close to the ruling party, to develop "entrepreneurship and agroecology".
After two weeks of tension, Justice ruled in favor of the brothers. Finally, Dolores Etchevehere and the members of the "Artigas Project" were forced to abandon the taking.


One of the features that users value the most about the Windows platform are Live Tiles, because of the opportunity for users to be aware of their surroundings without having to open each app. Things like the weather and traffic alerts and status, our family and friends updates, the news we care about, that product we want to buy, a piece of music/video, an IM conversation/group or sports event status are examples of things we as Windows users are used to have right there in our start screens.
Now, from the brands side, and in particular by combining this with the "deep linking" ability to link a part of the app to the start screen, you can get much more access to the app by adding Live Tiles, but above all, this is an opportunity to generate a personalized promotion channel that's even available in the lock screen.
From the developers side, some people relate the Live Tiles necessarily with the need to send push notifications and this is for sure one of the scenarios that works perfectly for targeted "breaking news" alerts; but before that there's another option that might be simpler in many cases: having the device to poll every few minutes the information needed from a centralized service in a "pull" mode. This way, without sending push notifications you can also make the tiles look alive and personalized, aiming at the user to chose your app at the center of his experience.
Tiles for Windows Phone: Local notifications, Scheduled Tasks (for retrieving the data to alter the Tiles with Local Notifications) and Push Notifications.
Lock Screen: notifications and background.
Tiles for Windows Store (choosing the delivery method), Local Notifications, Scheduled, Periodic, Push.


This is a link to an external website: www.manxaviation.info compiled by Jon Wornham, an Air Traffic Controller at the Isle of Man Airport. The site is up-dated on a regular basis and provides a very in-depth look at both civil and military types of aircraft that pass through this Airport.
Unfortunately at the moment we do not have the facilities to provide this service. If you wish you may contact us on admin@airport.com if you have any queries on individual prints.


Aspire Speeder 200W TC Box Mod is the newest output device from Aspire, delivering a beautifully crafted device with one of the most advanced chipset in the market. The Aspire Speeder 200W TC Box Mod represents the latest system from the Aspire design team, delivering a vertical based design with an ergonomic squeeze-to-fire mechanism that matches symmetrically to the entire structure for a truly streamlined design element. The utilization of a user-friendly 0.91 Inch OLED display provides intuitive operations, with an adjustment button conveniently placed underneath for a seamless operational usage. The internal system is powered by dual 18650 batteries (sold separately), capable of firing up to an impressive 200W with native support for Kanthal, Titanium, Ni200 Nickel, and Stainless Steel heating elements with 3 Memory Bank TCR support. Furthermore, the implementation of the Customizable Power Settings (CPS) Mode provides user adjustments for a more sophisticated power curves that can be set with 3 Memory slots as well.