text:
Q: Extending Facebook auth_token I get the following error while trying to extend an auth_token received from the Facebook JS SDK code..
URL : https://graph.facebook.com/oauth/access_token?client_id=229083900472938&client_secret=XXXXXXXXX&grant_type=fb_exchange_token&fb_exchange_token=AAADQWcCC7moBAPM9OlZCpOYnZBoxWnX7MwpP86HHMQM2QAe1DkW9cAI3AaSxVXEPNo7NOnljYCawSg3pgLWtvRph9dhfgZBqK4vt4YB5ZAYCpaiJu71o
{
   "error": {
      "message": "Cannot access application using the specified access_token",
      "type": "OAuthException",
      "code": 1
   }
}
if I change the URL to include a token generated using the Graph API explorer it works fine.
Any ideas?

A: I was experiencing this issue, and got some support direct from FB engineers. The most likely cause of this error is "demographic checks" for the user.
Our app had an age-gate as it was alcohol related. Certain users' profiles did not contain enough information for FB to ensure they were above the drinking age for their location, so the session creation failed. Why this only happened on this call and not on earlier ones, I don't know.
Does your app have an age-gate, or anything similar?

A: We faced to such problem when test our applications.
Facebook's test users have a bug on extending access token, but real users do not have.
the trouble was: we had restrictions by country and test users have not a country.
So check restriction of your app too.

A: Debug the token using the debugger and ensure it matches the APP ID provided above.
The message is clear, the token you are using is not for the access_token.
It could be that you are mixing up tokens with the Graph API Explorer App or another app.

A: Use the following code to generate the code; Once you have your access code, you can exchange it for an extended code. The last part of the code shows how to debug:
$app_id = "XXXXXXXXX";
$app_secret = "YYYYYYYYYYYY";
$redirect_url = "http://www.example.com/page.php";
$fb_code = $_REQUEST['code'];

if(!$fb_code)
{
    $login_dialog_url= "http://www.facebook.com/dialog/oauth?"
    . "client_id=" .  $app_id
    . "&redirect_uri=" . urlencode( $redirect_url)
    .  "&scope=read_friendlists,read_stream,xmpp_login,user_online_presence,friends_online_presence,create_event,publish_stream&response_type=code";
    echo("");
}
else
{
    $token_url="https://graph.facebook.com/oauth/access_token?"
    . "client_id=" . $app_id
    . "&redirect_uri=". urlencode($redirect_url)
    . "&client_secret=" . $app_secret
    . "&code=" . $fb_code;
    $response = file_get_contents($token_url);
    parse_str($response, $params);
    $access_token = $params['access_token'];
    echo 'Access Token: '.$access_token.'
';

Generate extende code here if required
    if($access_token)
    {
        $token_url="https://graph.facebook.com/oauth/access_token?"
        . "client_id=" . $app_id
        . "&redirect_uri=". urlencode($redirect_url)
        . "&client_secret=" . $app_secret
        . "&grant_type=fb_exchange_token"
        . "&fb_exchange_token=" . $access_token;
        $response = file_get_contents($token_url);
        parse_str($response, $params);
        $extended_access_token = $params['access_token'];
        echo 'Extended Access Token: '.$extended_access_token;
    }

Debug Extended Code here:
    $expires = "https://graph.facebook.com/debug_token?input_token=$access_token&access_token=$extended_access_token";
    $response = file_get_contents($expires);
    echo "
";
            print_r(json_decode($response));
    echo "
";

redpajama_set_name: RedPajamaStackExchange


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On Monday, 27 October, the bestselling author, historian and Yale professor Timothy Snyder was honoured with the Lithuanian Diplomacy Star during a ceremony at the Lithuanian Embassy in Washington, DC.
Lithuanian Ambassador to the USA Žygimantas Pavilionis presented the medal on behalf of Lithuania's Minister of Foreign Affairs, Mr. Linas Linkevičius. The "Lithuanian Diplomacy Star" has been awarded since 2010 and is presented to Lithuanian and foreign nationals and organisations for their outstanding contributions to broaden the name of Lithuania and thereby fostering the development of cross-border relations.
In his introduction, Ambassador Pavilionis gave a brief overview of the work of Professor Snyder. Timothy Snyder received his doctorate from the University of Oxford in 1997 where he was a British Marshall Scholar. Professor Snyder specialises in the political history of Central and Eastern Europe as well as the Holocaust. He is currently a Bird White Housum Professor at Yale. He is probably best known for his multiple award-winning book 'Bloodlands: Europe between Hitler and Stalin', translated into 25 languages, including Lithuanian.
Addressing the audience with a lecture "Ukraine, Russia, and Europe", Professor Snyder, addressed the facts as they have arisen during the last nine months in Ukraine, particularly the use of propaganda. Quoting Thomas Jefferson, he described a civil society as one that is based on rule-of-law. When rule-of-law becomes absent, a society becomes unpredictable, a type of situation that led to the Maidan. He went on the say that "The EU has an attraction to people in Ukraine as a social reality in that it stands for predictability, rule-of-law, properly organised schools, and businesses being able to carry trade on a daily basis".
Snyder described how the Maidan had echoes from the past in 'bourgeois' revolutions that took place in the late 60s and 70s and even the Solidarity movement in Poland. The Revolution as a spontaneous event, but with a new twist in that it involved middle class, often Russian speakers looking for a better and a more decent life. As such, it also created the emergence of a new type of nationalism not based on ethnicity or Ukrainian language when Western Ukrainians discovered that Russian speakers from Kiev had joined the Revolution, according to Professor Snyder.
Timothy Snyder pointed out the difference between people in Russia and Ukraine talking about the conflict. In Russia 70-year-old myths about Ukraine are still rampant generally laced with fallacies and propaganda, ignoring the new reality. Professor Snyder suggested that "Russian speaking people in Ukraine demanding a civil society based on rule-of-law may lead to similar demands in Russia, represents a real fear for Russian authorities". However, the reality goes much deeper, according to Timothy Snyder in that Russian government funds propaganda through a variety of tools and this represents a challenge, particularly for Europeans, Americans, and Russians. He described the gigantic scale that the propaganda war has taken on inside Russia. TV channels pretending to offer competing versions of the truth supply in reality a constant diet of the altered truth. He cited the example of a panel of 'experts' that commented on the downing of MH17 with none of the versions being true, whilst ranging from the ridiculous to the heinous. Taking part in such exercise, says Professor Snyder, is taking part in attacking the truth. It also leads people to question as to which channel or source offers the truth.
After the lecture, Professor Snyder answered questions from the audience, many dealing with various aspects of propaganda undermining the pursuit of the truth.
Timothy Snyder recently completed 'Black Earth', a history of the Holocaust; his articles have appeared in many academic publications and The New York Times, The International Herald Tribune, The Wall Street Journal, and other newspapers.


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The building surrounds a tropical courtyard encompassing a delightful two-tiered swimming pool complete with a waterslide, children's pool, waterfall and cave spa.
All Studio rooms are air-conditioned with ceiling fans and radio alarm clocks, a toaster, kettle and microwave, coffee/tea making facilities, bar size fridge, reading lamp, T.V and phone, and shower over bath.
Two Bedroom Apartments have air conditioning in the main bedroom with 1 double bed and the second bedroom has 2 single beds. The lounge has a ceiling fan and can accommodate a rollaway bed. It also has a T.V, phone, double sofa with coffee table. A full cane dining suite complement the fully equipped kitchen, which has a 4-burner stove & oven and a full size fridge.
The Waterfall Restaurant & Bar is situated poolside with a covered open-air setting. The art of Japanese Cuisine, Teppanyaki is available, reservation is required. Light meals are available as well as dining in a relaxed, casual and friendly atmosphere to the sounds of Fijian Serenaders in the evenings.


The only plan you have is the one you create yourself.
If you don't have a plan then you will fly by the seat of your pants. Most people don't work to a business plan and end up working long hours to make a mediochre living.
If you don't have a written down plan then you don't really have a plan. All you have is good intention to back up your ideas.
Creating a business plan or financial plan is the first step in creating positive change. At first, it might be no more than a written reflection of your aspiration and imagination, but subsequent research will reveal the obstacles and opportunities and make the probable possible. Your action will then make the possible real.
Check out my Aikido Secrets blog at http://www.aikido-secrets-to-calm-success.com/ to see how it can power you up!


Your full name, address, phone number(s), and email address.
Company names, full addresses, and phone numbers of the places you worked.
Your job titles (from when you were hired to when you left).
Dates of each position/role you held at each company. (Date, month and year). Some company's ask the date, month, and year, some just ask the month and year.
Each of your supervisor's name, title, and phone number.
Salary you made at each role (from when you started to when you ended the position).
Description of your job duties.
Reason you left the company.
Education and training, including all professional certifications and licenses.
Other skill sets, such as software and office equipment.
3 references: Name, company, full address, phone number, email, and years you have known them.
Driver's License Number. (This will be asked on some applications).
Salary requested. (If there is not an asterisk before this, then you can put down " open". If there is an asterisk, then this is a required field.
If you write all this down separately before starting the application, it makes it easier for you.
2. A resume is not a substitute for the application, so don't write "see resume" anywhere on your application. Similarly, an application is not a substitute for a resume. (You should have both ready).
3. If there is an asterisk (*) before anything on the application, it means this is a required field and must be filled out.
4. Fill out the application completely and thoroughly. If a section does not apply to you, write N/A (which means "not applicable").
5. After you fill out your application in its' entirety, check and correct spelling errors.
6. Once you fill out your application, and check spelling, then save the application .Then upload your resume in a doc (Microsoft Word) format. Also, cut/paste your cover letter, or upload your cover letter, if asked. The last step is to select "submit" or "apply" to the position. The company should send you an email verifying that you have applied to the position.
7. Once you save a copy of your application/resume on a company's website, you can easily apply to other positions in the company without redoing the application/resume, for at least 1 year, and can also update your application/resume with new information.
8. Keep your username and password standard throughout your online job search, so that you can easily remember it.
9. Print out a copy of your first application, so that you can have a record of what you wrote.
This entry was posted on October 14, 2013 at 2:16 pm and is filed under resumes.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


text:
News - Donald Trump Tax Returns: Ways and Means
Donald Trump Tax Returns: Ways and Means
Sushmita Delta
In this article, we have covered information about Donald Trump Tax Returns that a U.S. House panel will release soon.
So, keep reading to learn more about it –
1 Trump tax returns to be released by U.S. House panel on Friday
2 Trump tax returns to be released by the congressional committee
Trump tax returns to be released by U.S. House panel on Friday
Former and 45th President of the United States Donald Trump's effaced tax returns will be made public on Friday. The announcement was made by a spokesperson for the U.S. House of Representatives Ways and Means Committee on Tuesday.
On Friday morning, the tax returns will be deposited to the congressional record during a House pro forma meeting. The pro forma meeting will kick off around 9 a.m. ET on Friday, and there will also be an official declaration from the Committee as well.
The Democratic-controlled commission got the returns last month after investigating Trump's taxes.
The Committee issued a report into Trump's tax returns findings last week that depicted the Internal Revenue Service (IRS) didn't abide by its own rules and infringed it by not investigating Donald Trump for three of the four years of his presidential rule.
Trump tax returns to be released by the congressional committee
The documents that will be publicized on Friday are expected to include Trump's tax returns filed between the years 2015 and 2021. In these years, he served as the U.S. President and also ran for the presidential race.
The committee members said that Trump's tax returns were not disclosed, along with reports that were released a week, as they had some sensitive information that needed to be erased before publication.
Democrats on the Committee said that it was very crucial for them to make the returns public so the context of its report could be understood easily. The reports also included legislation that would command the IRS to examine President.
The Chairman of the Committee and Democrats said that the records they had depicted that the presidential audit program didn't work as planned. A Massachusetts Democrat named Neal charged that the whole required examination of Trump's taxes "did not occur" as his tax returns were only incarcerated to the required look-over once, in the year 2019, after Democrats inspected.
The Committee had not more than one week to conclude how to operate the returns once they collected them and before the Republicans took over the U.S. House again in January after gaining victory with a narrow margin in the midterm election held in November.
TagsDonald Trump Tax Returns
An introvert by choice, Miss Delta pours the words left unsaid in real life into her political articles. Her political ideology revolves around "doing what's right, rather than what's easy," -which is exactly what she idolizes about the Conservative agenda. The plain jane look's just camouflage though- she counts pursuit of martial arts as a "hobby" and aspires to join the army.
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redpajama_set_name: RedPajamaCommonCrawl


Also available in 5 lb size suitable for smaller/craft projects.
3/4" Bundled fiber for GFRC backcoats.
OC offers the AR glassfiber with the highest zirconia content available.
All OC alkali resistant glass fiber products are manufactured in compliance with ASTM C1666/C 1666M, EN 15422 and under recommendations of PCI and GRCA.
A first glance the answer seems simple: ¾" fiber will develop a better bond due it the longer length resulting in higher flexural strength vs. and equal dosage of ½" fiber.
One thing I've learned from 35 years of testing is never assume you know the answer without testing. We've invested 50K in lab equipment so we could dig a little deeper to find answers.
The mixes were both made with Trinic's TEC-10 admix and are about 25% higher than results typical of liquid polymers.
The results show just about equal flexural strength (ASTM C-947-3) between ½" and ¾" Owens Corning Cem-Fil 60 Glass fiber in Self Consolidating premix GFRC made with Trinic's TEC-10 Admixture.
• ½" OC fiber flows better than ¾" OC fiber, making it a better choice in SCC mixes.
• Both sizes of Owens Corning Cem-Fil 60 glass fiber have lower water demand than competitive fiber.
• Owens Corning Cem-Fil 60 has better abrasion resistance (less likely to break up during mixing).
Based on the results Trinic recommends ¾" Owens Corning Cem-Fil 60 glass fiber for vertical hand pack applications and flat SCC pours (so you don't need to stock two sizes) with ½" Owens Corning Cem-Fil 60 glass fiber recommended for SCC pours, especially vertical castings into small openings.


My name's Ruth, I'm the one writing this blog.
I was given the wonderful gift of life on the 21st of August 2000. I was born and raised here in Germany. Little did I know, that God was already preparing my first testimony just 3 days after my birth… The doctors told my parents that I had a congenital heart failure and that I wouldn't get older than just 3 months – but God didn't speak His last word.
Today, 18 years later, I'm still alive, living in a city somewhere in North Rhine- Westphalia and immensely blessed with a wonderful, BIG family: 5 Brothers and 2 Sisters !!! A patchwork family, the very best if you ask me!
My parents both come from the Democratic Republic of Congo.
I'm a senior and the spokeswoman of my grade in high school. A high school full of girls, only girls. Getting to know people – getting to know you is my absolute favorite.
By the way, did I mention that I speak 4 languages – German, of course, English, French, and my mother tongue Lingala – fluently? Okayyy, my Lingala isn't that fluent yet. But I'm working on it!
God's been teaching me many, many things during these past months and He's not finished teaching me yet, but I wanna share everything He teaches me with you, my friend, here. You know, I'm nobody special and I do not know much about life – except all those things God showed me these past few months – but I wanna share those little things I know with you here, because "The little things are infinitely the most important.", am I right, or am I right?


text:
Home Uncategorized Russian passenger jet crashes with 71 aboard dead
Russian passenger jet crashes with 71 aboard dead
MOSCOW, Feb. 13 — A Russian airliner carrying 71 people crashed
on Sunday shortly after taking off from the country's second-busiest
airport in Moscow, killing all the people on board.
The Antonov-148 of Saratov Airlines with 65 passengers and a crew of six
was en route from Domodedovo Airport in Moscow to Orsk of the Orenburg
Region in western Russia. Radio contact with the seven-year-old Russia-made
plane was lost at 14:21 Moscow time (1121 GMT), several minutes after
takeoff. "Tentatively, the plane has crashed near the village of Argunovo.
The crew and passengers had no chance to survive," a source in emergency
services told the Interfax news agency. At the scene near the village of
Argunovo, about 80 km away from Moscow, a Xinhua reporter saw the plane had
crashed into a forest there, and vehicles and personnel from the emergency
department, police and aviation and space search and relief forces were
busy with search.
A female witness told Xinhua that she first heard several dull thuds when
the crash occurred, then she ran to the vicinity of the forest. She saw
parts of the plane's wreckage were scattered on the ground and some small
parts floating in the air before disappearing in the snow. Her husband told
Xinhua that they saw neither naked flames nor blood, just smelled a burning
smell when they arrived at the scene.The wreckage was scattered within
around 150 square meters, he said, adding that police and helicopters
arrived later and sealed the scene, and large snow blowers worked in three
teams to open routes toward the center of the scene.It was reported that
one of the two black boxes, the flight data recorders, has been found
intact, but the cockpit voice recorder is still missing.
Witnesses in the village of Argunovo told news media that they saw a
burning plane falling from the sky, and the Interfax report said fragments
of two dead bodies have been found.Russian President Vladimir Putin has
offered "his profound condolences to those who lost their relatives in the
crash" and issued an order to set up a government commission to probe the
crash, Putin's press secretary Dmitry Peskov said. The Russian
Investigative Committee has opened an investigation into the crash and
Russian Transport Minister Maksim Sokolov has flown to the scene. The
Russian Transport Ministry told Interfax that several reasons are being
considered for the crash, including weather conditions and human
factors.The Antonov-148 is a regional high-wing jet with a maximum range of
about 2100-4400 km and passenger capacity of 68-85. The plane was designed
and built by Ukraine's Antonov company until 2017 and also built by Russia
since then. – XINHUA
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New blogs have this feature already installed but if you want to change (or changed) your template to a third party template, you will need to make some changes to your blog template.
Firstly go to Layout -> Edit HTML in dashboard.
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The Australia ICOMOS National Scientific Committee on Rock Art Australia (NSCRAA) was established in October 2017. It will support the ICOMOS International Scientific Committee on Rock Art (CAR) at a national level and in the Australian context.
CAR's objective is to promote international co-operation and to provide advice to ICOMOS and to UNESCO organs including the World Heritage Committee on their activities in the field of rock art. CAR initiates and co-ordinates world-wide actions in favour of the knowledge, the protection and rehabilitation of humankind's rock art heritage.
4. To provide a discussion forum for members in relation to contemporary issues and best practice relating to rock art documentation, research, management and conservation.
Through this activity NSCRAA seeks to discuss, study, promote, document, report on and above all encourage the conservation of Australian rock art. A basic principle governing all the activities of NSCRAA will be acknowledgement of the primary custodianship of the traditional owners of the rock art, and the importance of cooperative work with them, in accordance with their wishes.
Membership of NSCRAA is open to Australia ICOMOS members with an active interest in and/or whose professional practice touches on the area of rock art. Membership will initially draw on the Australian members of ICOMOS and can also include an invitation to members of ICOMOS National Committees in southeast Asia and the Pacific with similar interests – individuals who are members of National Committees other than Australia ICOMOS will be considered Affiliate members if they join the NSC.
B. Affiliate membership: Affiliate membership is open to individuals from outside Australia ICOMOS who are engaged in activities relevant to the objective of the NSC and who can contribute to the work of the NSC by bringing particular knowledge, expertise and/or experience to the group. Affiliate members do not have voting rights.
Download the Australia ICOMOS NSCRAA Terms of Reference.
Download the Australia ICOMOS NSCRAA information leaflet.
Download the AICOMOS NSC Rock Art – Membership form (Dec 2018).
If you are interested in joining this Committee, please email Prof Josephine McDonald or email Prof Sharon Sullivan.


text:
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Home > News > Tchaikovsky's Charmer IOLANTA Opens April 10th!
Tchaikovsky's Charmer IOLANTA Opens April 10th!
The Final Production in The Dallas Opera's
2014-2015 "Heights of Passion" Season
A ROMANTIC FAIRY TALE
BY PYOTR I. TCHAIKOVSKY
Libretto by Modest Tchaikovsky
OPENING FRIDAY, APRIL 10, 2015, 7:30 P.M.
The First of Four Performances
In This Exclusive Engagement
The Margot and Bill Winspear Opera House
At the AT&T Performing Arts Center
SINGLE TICKETS START AT $19
DALLAS, TX, MARCH 19, 2015 – The Dallas Opera 2014-2015 "Heights of Passion" Season closes with a charming and poignant—but rarely performed work—by Russia's greatest composer: Pyotr Ilyich Tchaikovsky's 1892 "gem," IOLANTA (Y?-LAWN-tah), a fairy tale romance with deeply serious undertones set in Medieval France.
Opening night will take place on Friday, April 10, 2015 at 7:30 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. Additional performances are Sunday, April 12 at 2:00 p.m., Wednesday, April 15 at 7:30 p.m., and Saturday, April 18 at 7:30 p.m. The Winspear Opera House is located at 2403 Flora Street, Dallas, Texas, 75201.
IOLANTA is a lyric opera in one act, where love and duty, deception and faith collide. Iolanta is a kind-hearted princess—blind since infancy—who has been sheltered from the world and, literally, "kept in the dark" about her condition by her over-protective father. When a young man enters her private garden, a love story begins, new insights and perspectives develop and lives are changed forever.
In an example of impeccable casting, IOLANTA stars Russian soprano Ekaterina Scherbachenko in the title role. Critic Santiago Martin Bermudez of ConcertoNet described her portrayal: "Ekaterina Scherbachenko interprets a princess full of tormented sweetness and delivers intense lyricism thanks to elegant phrasing, natural high notes and remarkable vibrato. All in all, her Iolanta is an absolute success." Iolanta's love interest, Count Vaudémont, will be performed by Sergey Skorokhodov, a highly regarded Russian tenor who has toured Europe performing this role in concert with the internationally renowned Anna Netrebko.
Making two American debuts in this production are Ukrainian baritone Andrei Bondarenko as Robert, the Duke of Burgundy, and baritone Vladislav Sulimsky from Belarus who will portray the role of the Moorish physician. This production also marks the returns of bass Mikhail Kolelishvili (Boris Godunov) as Iolanta's father—King Renè, tenor Andrew Bidlack (Everest, Die tote Stadt and The Lighthouse), and bass Jordan Bisch (Lucia di Lammermoor), a "Maria Callas Award" nominee.
Soprano, Joanna Mongiardo makes her TDO debut as Brigitta; mezzo-soprano, Lauren McNeese as Laura; and mezzo-soprano, Tamara Mumford in another company debut, stars as Marta.
IOLANTA will be staged by German director Christian Räth (Fidelio, Tristan & Isolde) and conducted by Dallas Opera Music Director Emmanuel Villaume (Carmen, The Marriage of Figaro).
"While IOLANTA is rarely performed in the U.S., it has a significant following in Europe and has been a particular favorite of TDO's Music Director, Emmanuel Villaume, who recently conducted a critically acclaimed recording of the work with Anna Netrebko for Deutsche Grammophon," explains Dallas Opera General Director and CEO Keith Cerny. "We know that this exquisite opera will delight patrons with the lush music of Tchaikovsky, and the fairy tale love story set in southern France. We are excited to be featuring the magnificent talent of several outstanding performers, including the brilliant Ekaterina Scherbachenko – a Bolshoi Theatre sensation – in the title role, and Sergey Skorokhodov, as her adoring love interest.
"Our superb design team is working to create a new production that will transport opera-goers to a special place and time that will beautifully enhance this enchanting story. This dazzling production is sure to bring our "Heights of Passion" Season to a thrilling close; leaving audiences eagerly anticipating next season!" added Mr. Cerny.
Classical music critic Catherine Womack of D Magazine had this to say about a recent performance conducted by Maestro Villaume. "TDO music director Emmanuel Villaume was spirited and alert, keeping everything and everyone on track with great success. It's clear that Villaume spent time going beyond the basics of rehearsing entrances with this orchestra and cast; the group as a whole seemed to have a clear understanding of exactly when and where phrases should lift or fall, swell or sigh, push or pull. It was great to hear such musicality from the pit and to hear it so thoughtfully mirrored in singer's voices."
IOLANTA is the last opera composed by the revered Russian genius, with a libretto written by his brother, Modest. Based on the Danish play King Renè's Daughter by Henrik Hertz, the work premiered on December 18, 1892 at the Mariinsky Theatre in Saint Petersburg, Russia on a double bill with Tchaikovsky's new ballet, The Nutcracker. It is a romanticized account of the life of Yolanda de Bar, a fifteenth-century Duchess of Lorraine. The work was performed outside Russia for the first time less than a month later, when conductor Gustav Mahler brought Iolanta to Hamburg. Mahler later conducted the work in Vienna as well. This opera was performed for the very first time at New York's Metropolitan Opera earlier this season.
"Tchaikovsky's final opera deserves to be known and performed more widely than it is," says Dallas Opera Music Director Emmanuel Villaume, "and not merely because it represents his final work in this much-loved art form. In it, the composer reveals the depth and breadth of his musicality as well as his tremendous compassion for the wounded, the broken-hearted, and the lost souls walking among us.
"The most intriguing aspect of IOLANTA is the way in which the music and drama in this opera reveal the complexity of human relationships, the danger of lies, and the enlightening power of love. Like the title character herself," Maestro Villaume adds, "we find ourselves seeking the light of truth at the heart of this tale."
A free pre-performance lecture ("The Joy and Ronald Mankoff Pre-Opera Talks") will be conducted one hour prior to curtain at most performances. The Dallas Opera Guild also hosts "Opera Insights," a lively panel discussion featuring artists, directors and designers, on the Saturday afternoon prior to opening.
IOLANTA will be performed in the original Russian with English translations (supertitles) projected above the stage.
Tickets start at just $19 and may be purchased conveniently online, 24/7, at www.dallasopera.org or by contacting the friendly professionals in The Dallas Opera Ticket Services Office at 214.443.1000.
For additional details, visit dallasopera.org.
IOLANTA KEY BIOS:
EMMANUEL VILLAUME (Conductor)
(Mrs. Eugene McDermott Music Director in honor of Graeme Jenkins)
Emmanuel Villaume is in his second season as music director of the Dallas Opera and conducted Mozart's The Marriage of Figaro this season. He made his debut with the company in 1998 conducting Faust and returned to conduct Le nozze di Figaro. He is a frequent guest conductor at the world's leading opera companies, including the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Los Angeles Opera, the Washington National Opera, Santa Fe Opera, London's Royal Opera, the Paris Opera, Monte Carlo Opera, Venice's La Fenice, the Munich Staatsoper, Berlin's Deutsche Oper, the Hamburg Staatsoper, Madrid's Teatro Real, and Buenos Aires' Teatro Colon. He has led the Montreal Symphony in Montreal and at Carnegie Hall, the Chicago Symphony, the Boston Symphony, the orchestras of Los Angeles, San Francisco, Houston, St. Louis, Detroit, Minnesota, Orchestre de Paris, Orchestre Philharmonique de Radio France, Beethovenhalle Orchestra of Bonn, and the China National Opera Orchestra for the 2008 Olympic Games. He is currently Chief Conductor of the National Slovak Philharmonic Orchestra. He served as the Spoleto Festival USA's Music Director for Opera and Orchestra from 2001 to 2010. Maestro Villaume has recorded for Deutsche Grammophon (including Iolanta featuring Anna Netrebko), Decca and EMI. In September, he will assume a new post as Music Director and Chief Conductor of the Prague Philharmonia, in addition to his work in Dallas.
Christian Räth (Stage Director and Scenic Designer) A native of Hamburg, director Christian Räth is renowned throughout the USA, Europe and Japan. His appearances at The Dallas Opera include Beethoven's Fidelio and Verdi's Luisa Miller. In 2012 Räth designed and directed the critically acclaimed production of Wagner's Tristan und Isolde. He returns in 2015 to direct Tchaikovsky's Iolanta. Other recent work elsewhere includes: Un Giorno di Regno (King for a Day) for the 2013 Glimmerglass Festival, Falstaff in Washington, Roméo et Juliette in Houston, Die Zauberflöte in Cairo and Carmen in Geneva. Future plans include projects with the Wiener Staatsoper, Metropolitan Opera, Washington National Opera, Teatro alla Scala, Milan, Portland Opera, Grand Théâtre de Genève, Opéra national du Rhin and Teatro Real, Madrid.
Ekaterina Scherbachenko (Iolanta) was the winner of the 2009 BBC Cardiff Singer of the World competition and member of the prestigious Bolshoi Theatre. At the Bolshoi, her roles have included Natasha Rostova in War and Peace, Mimi in La bohème, Liù in Turandot, Tatiana in Eugene Onegin, Micaela in Carmen and the title role of Iolanta. Outside her native Russia, Ms. Scherbachenko has appeared on tour with the Bolshoi at the Opéra de Paris (Palais Garnier) and at the Teatro alla Scala in Milan. She has also performed at the Opéra de Lyon, the Teatro Lirico di Cagliari, the Royal Opera House – Covent Garden, Opéra de Monte-Carlo, the Bayerische Staatsoper, and Teatro Real in Madrid. In 2014 she returned to the Glyndebourne Festival as Tatiana in Eugene Onegin, as well as to the Metropolitan Opera for La Bohème.
Sergey Skorokhodov (Count Vaudémont), tenor, makes his house debut at The Dallas Opera in this production of Tchaikovsky's Iolanta. The Russian native has sung this part many times at the Mariinsky Theater in St. Petersburg and all over the world, often alongside soprano Anna Netrebko. Recent engagements include Ivan in The Nose at the Metropolitan Opera, Alfredo in La traviata at the Deutsche Oper Berlin and Berlin State Opera, Grigorij in Boris Godonov at the Bavarian State Opera Munich and Bacchus in Ariadne auf Naxos in Taipei. In 2015 Mr. Skorokhodov appears with the Chicago Symphony Orchestra and conductor Riccardo Muti in a concert series and then goes on tour for Iolanta, again alongside Ms. Netrebko, in Monte Carlo and at the Royal Albert Hall London.
Joanna Mongiardo (Brigitta) is making her Dallas Opera debut with this role in Iolanta. Her 2014-2015 season includes a role debut in the title role of Rossini's Semiramide with Opéra Nice Côte d'Azur and a return to the Back Bay Chorale for Mozart's Mass in C minor. Ms. Mongiardo's signature roles include Sophie in Der Rosenkavalier, Juliette in Roméo et Juliette, Anne Trulove in The Rake's Progress and Blonde in Die Entführung aus dem Serail, which she has performed more than 30 times at companies including Grande Théâtre de Genève, Opéra Nice Côte d'Azur and Deutsche Oper am Rhein. Her signature concert work is Carmina Burana, which she has performed at orchestras including the Philadelphia Orchestra, National Symphony Orchestra, and Oratorio Society of New York.
Andrei Bondarenko (Robert, Duke of Burgundy) In the 2014-2015 season, engagements for this baritone include Count Almaviva in Le nozze di Figaro at the Teatro Real Madrid, Robert in Iolanta with the Gürzenich Orchestra, Marcello in La bohème at Bayerische Staatsoper Munich and the Opernhaus Zürich, Rachmaninov's Spring Cantata with the London Philharmonic Orchestra, Belcore in The Elixir of Love for Israeli Opera, Eugene Onegin in Sao Paolo and the title role of Billy Budd at the Cologne Opera. He will also record the title role in Don Giovanni for Sony Classics. Recent highlights include Eugene Onegin for Oper Köln, Staatstheater Stuttgart and Glyndebourne Festival, Andrei in War and Peace for the Mariinsky Theater and his solo recital debut at the Wigmore Hall accompanied by Gary Matthewman.
Mikhail Kolelishvili (King Renè), bass, returns to The Dallas Opera for this role in Iolanta. He previously sang Varlaam in Dallas Opera's production of Boris Godunov. In the fall of 2014, Mr. Kolelishvili made his Metropolitan Opera debut as Priest in Lady Macbeth from Mtsensk. In May 2015, he will sing the bass solo in Babi Yar with Maestro James Conlon and the Cincinnati Symphony. In 2015-2016, Mr. Kolelishvili makes his Paris Opera debut as Bonze in Madame Butterfly and Monterone in Rigoletto. He was a finalist of the BBC Cardiff voice competition and the winner of the World Voice Masters competition in Monte Carlo. Mr. Kolelishvili has sung principal guest roles at Opera Nacional de México, Opera Toulouse, Opéra Comique Paris, Opera Toulon and Israeli Opera among others.
Andrew Bidlack (Alméric), tenor, recently starred as Rob Hall in The Dallas Opera world premiere of Joby Talbot and Gene Scheer's Everest and as Albert in last season's Die Tote Stadt. He has also portrayed the roles of Tamino in Die Zauberflöte and Count Almaviva in Il barbiere di Siviglia at Florida Grand Opera and as Tonio in La fille du régiment at Palm Beach Opera. Mr. Bidlack recently had his Lyric Opera of Chicago debut as The Young Collector in A Streetcar Named Desire, which he also performed alongside Renée Fleming at Carnegie Hall. Among his roles in contemporary music are Ishmael in Moby-Dick and Tancredi in The Inspector at Wolf Trap. Future appearances include Rinuccio in Gianni Schicchi for Intermountain Opera Bozeman, and joining Cincinnati Opera's Morning Star.
Vladislav Sulimsky (Ibn-Hakia), baritone, makes his Dallas Opera debut in Iolanta. Last season, Mr. Sulimsky toured with Anna Netrebko in a series of Iolanta concerts in Europe. The same tour with Ms. Netrebko will be reprised in 2015. Also in 2014, Mr. Sulimsky made his Theater an der Wien debut as Prince Nikita in Tchaikovsky's The Enchantress. Mr. Sulimsky has appeared at Opera de Paris, Teatro alla Scala, Teatro Real Madrid and Teatro Regio Torino in the title role of Eugene Onegin. In 2009, Mr. Sulimsky was a Grammy Nominee for the Mariinsky Theatre recording of Shostakovich's The Nose. Mr. Sulimsky has been a soloist of the Mariinsky Theatre since 2004 and is also regularly invited to sing leading roles at the Bolshoi Theatre.
EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE
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VISIT WWW.DALLASOPERA.ORG
The Dallas Opera 2014-2015 Season presented by
Ticket Information for the 2014-2015 Dallas Opera Spring Season
All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described. Single Tickets range from $19 to $275. Family performance tickets are just $5. For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.
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Home News Politics Governor Abiodun: I won't run government of cronies, family
Governor Abiodun: I won't run government of cronies, family
Bankole Adewale
Ogun State Governor, Dapo Abiodun, has promised not to run a government of "cronies and family" but ensure equitable allocation of resources across the state.
Abiodun also noted that his administration will not hesitate to review suspected misuse of the commonwealth and hold accountable any individual or organisation found culpable.
He made this known, yesterday, in his address shortly after he was sworn-in as the fifth democratically elected governor of the state.
The governor, in company with his wife, Bamidele and children, was administered the oaths of office and allegiance by the Chief Judge, Mosunmola Dipeolu, at the MKO Abiola Int'l Stadium, Abeokuta.
The swearing in ceremony was attended by two former governors of the state, Gbenga Daniel and Segun Osoba, Speaker of the House of Assembly, Suraj Ishola Adekunbi, top civil servants, traditional rulers, leaders and members of the All Progressives Congress (APC) in the state and other dignitaries.
Abiodun, who noted that his path to the governorship was rough and bumpy, declared that government under his watch will be people-centred.
He, however, reiterated that all the ongoing projects embarked upon by his predecessor will be completed by his administration, based on their benefits to the people, priorities and available funds.
"I can assure all and sundry that the government under my watch will be people-centred. The government will be our government, not their government. I have experienced ups and downs of life like any of you. I can relate to your challenges.
"I can identify with your dreams. You want a government that works for you, and not for cronies and families. Let me pledge once again, that I, Adedapo Abiodun, will keep faith with the people. I will lead with integrity and sincerity," he said.
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Adedapo Abiodun
All Progressives Congress
Bamidele
Chief Judge
Dapo Abiodun
Gbenga Daniel
Ishola Adekunbi
MKO Abiola Int'l Stadium
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Mosunmola Dipeolu
Ogun State Governor
Segun Osoba
Suraj Adekunbi
Suraj Ishola
Suraj Ishola Adekunbi
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Game Cooks Launches Captain Oil, a Puzzle Game for iOS and Android
[prMac.com] Cupertino, California – Game Cooks introduces Captain Oil 1.1 for iOS and Android. In the game, users must work their brains to save the Oiley. In the new Puzzle game, Captain Oil, a fictional superhero comes with his spaceship and shoots special balls to save trapped Oileys in different worlds.
"The idea of the game came to us when we thought that Oil was the main problem in the world today!" Says Game Cooks CEO Lebnan Nader. "We worked on the Oil digging puzzle initially for the game then soon enough we shifted our development and ideas to something more fun, forgetting the world problems we wanted to highlight and focusing only on fun". The game is a 2D Puzzle type, full of feel-good music, physics, and challenges.
Captain Oil (the hero) travels different fictional worlds and challenges many factors to save his beloved Oileys (Mini cute one-eyed creatures) that are trapped in different mazes in the level. The game now contains 90 levels in three different worlds, with different difficulties and challenges.
But our hero's ride isn't easy, many factors will challenge him from fulfilling his tasks, such as wind fans, lasers, spikey blocks, bombs, but he can use other stuff for help such as wormholes, multi-balls and jumpers.
"Our new direction at Game Cooks is Puzzle and Brain-oriented games," says Nader. "The fun factor is a very important element in the game, but if we combine it with brain exercise and strategy, that would be the ideal pitch for us."
The game is fully integrated with Game Center, offering 90 challenging puzzles to crack and 20 achievements to finish.
* iPhone 3GS/4/4S/5, iPod touch (3rd/4th/5th generation), and iPad
* Universal app optimized for display on all iOS devices
* 33.6 MB
Captain Oil 1.1 is only $0.99 USD (or equivalent amount in other currencies) and available worldwide through the App Store in the Games category.Game Cooks
Captain Oil 1.1
Game Cooks is a Lebanese company based in Beirut, specialized in developing mobile games for iOS and Android. Game Cooks already launched Run for Peace and Dej Vu for iOS and Android and currently launching 2 new titles in April 2013. Copyright (C) 2013 Game Cooks. All Rights Reserved. Apple, the Apple logo, iPhone, iPod and iPad are registered trademarks of Apple Inc. in the U.S. and/or other countries.
###Mark Johnson
Total Downloader 1.4 for iOS: A Major Update With a Lot of New FeaturesTypinator 5.5 – Powerful Text Expansions with Embedded Calculations


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Flying Daggers is a 2003 Taiwanese-Chinese television series adapted from Gu Long's novel Feidao Youjian Feidao of the Xiaoli Feidao Series. The series is produced by Young Pei-pei and starred Julian Cheung, Ruby Lin and Dong Jie.

Plot
Li Huai is the illegitimate son of Li Manqing, an influential government official who is also well versed in martial arts. His grandfather, Li Xunhuan, was a highly revered martial artist who rose to fame for his signature dagger-throwing technique, the "Little Li Flying Dagger". Li Huai has never met his father before because he was raised far away from home by his mother, who died when he was still a child. He leads the life of a roaming street urchin with his two best friends, Zhao Chuan and Zhang Zhen.

Li Huai eventually meets his father and his family in town, but their reunion is an unhappy one. Li has never been properly educated since he was a child so he behaves in a rough and uncouth manner. His stepbrother and stepmother, who already despise him for his background, find his behaviour disgraceful to their family. Faced with constant prejudice and bullying from his stepbrother and stepmother, Li has no choice but to flee from home. Before he leaves, his father passes him the manual of the "Little Li Flying Dagger" and tells him to practise the skill on his own. His mother left him with an embroidered purse containing a treasure map before she died. Li finds the treasure and roams the jianghu to help the poor with his wealth and use his newly mastered martial arts to uphold justice.

Throughout his adventures, Li gets entangled in romantic relationships with two maidens. The first, Xue Caiyue, is an enemy of his family because his father killed her father, Xue Qingbi, in a duel several years ago. The second, Fang Keke, is indebted to him and has a crush on him because he changed her life from that of a beggar to a rich girl. At the same time, Li's two childhood friends also play significant roles in shaping his path: Zhao Chuan is kind and compassionate towards him, but he is secretly in love with Fang Keke; Zhang Zhen is scheming and ungrateful, and he exploits Li to achieve his goal of becoming the richest man in town.

Cast
 Julian Cheung as Li Huai
 Ruby Lin as Xue Caiyue
 Dong Jie as  Fang Keke
 Sun Xing as Xue Qingbi
 Gao Hongxian as Zhao Chuan
 Zheng Guolin as Zhang Zhen
 Kou Zhenhai as Li Manqing
 Cecilia Han as Leng Xiaoxing
 Yue Yueli as Fang Tianhao
 Liu Weihua as Han Jun
 Li Xueqing as Emperor

See also
 The Sentimental Swordsman
 The Romantic Swordsman (1978 TV series)
 The Romantic Swordsman (1995 TV series)

External links

Taiwanese wuxia television series
Chinese wuxia television series
2000s Taiwanese television series
2003 Chinese television series debuts
2003 Taiwanese television series debuts
2003 Chinese television series endings
2003 Taiwanese television series endings
Works based on Xiaoli Feidao (novel series)
Mandarin-language television shows
Television shows based on works by Gu Long

redpajama_set_name: RedPajamaWikipedia


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KALNIETIS, MANTAS
Zalgiris 9 Guard
Height: 1.95 Born: 6 September, 1986 Nationality: Lithuania
Totals 4 1 65:30 27 11/17 1/3 2/6 1 7 8 8 5 6 2 0 6 8 34
Averages 4 1 16:22 6.8 64.7% 33.3% 33.3% 0.3 1.8 2 2 1.3 1.5 0.5 0 1.5 2 8.5
17 vs Unicaja 8:15 2 1/4 2 2 1 3 -1
18 at Winterthur FC Barcelona 13:30 6 3/3 0/2 2 2 3 2 1 8
19 at Unicaja 24:00 15 5/6 1/3 2/2 3 3 3 2 2 3 21
20 * vs Olympiacos 19:45 4 2/4 0/2 1 1 1 3 4 2 1 4 6
4 Totals 65:30 27 11/17 1/3 2/6 1 7 8 8 5 6 2 0 6 8 34
Average 16:22 6.8 64.7% 33.3% 33.3% 0.3 1.8 2 2 1.3 1.5 0.5 0 1.5 2 8.5
Index rating 29 Montepaschi Siena vs. Zalgiris Kaunas 12/10/2008
Points 24 Khimki Moscow Region vs. Zalgiris Kaunas 12/23/2010
Offensive rebounds 5 Zalgiris Kaunas vs. Fenerbahce Istanbul 1/11/2007
Defensive rebounds 7 Zalgiris Kaunas vs. Karsiyaka Spor Kulubu 12/2/2015
Total rebounds 9 FC Barcelona vs. Zalgiris Kaunas 2/2/2012
Assists 8 Brose Bamberg vs. Zalgiris Kaunas 1/8/2016
Steals 4 Zalgiris Kaunas vs. Lokomotiv Kuban Krasnodar 10/23/2015
Blocks 2 Zalgiris Kaunas vs. ASVEL Villeurbanne 10/21/2009
Minutes 38 Maccabi Tel Aviv vs. Lokomotiv Kuban Krasnodar 12/5/2013
Grew up with Zalgiris Kaunas (Lithuania) juniors.
Made his debut with Zalgiris 2 Kaunas, in the LKAL, during the 2003-04 season.
Made his debut with Zalgiris Kaunas during the 2005-06 season.
Played there till October'12.
Moved to Russia for the 2012-13 season, signed by Lokomotiv Kuban.
Moved to Lithuania for the 2015-16 season, signed by BC Zalgiris Kaunas.
On January'16 moved to Italy, signed by Olimpia Milano.
Moved to Russia for the 2019-20 season, signed by Lokomotiv Kuban Krasnodar.
Won the 2013 EuroCup with Lokomotiv Kuban.
Won the 2003 Euroleague Basketball Adidas Next Generation Tournament with BC Zalgiris Kaunas.
Won the 2007 ULEB Summer League with BC Zalgiris Kaunas.
Named the 2007 ULEB Summer League MVP.
Member of the Lithuanian National Team.
Won the silver medal at the 2013 and 2015 European Championships.
Played at the 2006 and 2019 World Championship.
Won the 2006-07, 2007-08, 2010-11 and 2011-12 Lithuanian National Championship with BC Zalgiris Kaunas.
Won the 2015-16 Italian National Championship with Olimpia Milano.
Won the 2018-19 French National Championship with ASVEL Villeurbanne.
Won the 2007, 2008, 2011 and 2012 Lithuanian National Cup with BC Zalgiris Kaunas.
Won the 2016 and 2017 Italian National Cup with Olimpia Milano.
Won the 2016 Italian Super Cup with Olimpia Milano.
Won the 2008, 2010, 2011 and 2012 Baltic League with BC Zalgiris Kaunas.
Played the 2007, 2009, 2010, 2011 and 2012 Lithuanian All Star Game.
Played the 2007 and 2008 Baltic League All Star Game.
Won the silver medal at the 2005 European U-20 Championship.
Has been member of the Lithuanian University national Team.
Won the gold medal at the 2007 World University Games.
2005-06 Zalgiris 4 27 6.8 11/17 64.7 1/3 33.3 2/6 33.3 8 5 8 2
2006-07 Zalgiris 13 52 4 19/29 65.5 4/12 33.3 2/4 50 16 11 17 1
2007-08 Zalgiris 16 26 1.6 8/16 50 2/12 16.7 4/9 44.4 11 2 13 0
2008-09 Zalgiris 10 85 8.5 25/52 48.1 9/29 31 8/11 72.7 23 12 30 2
2009-10 Zalgiris Kaunas 16 144 9 43/67 64.2 14/51 27.5 16/20 80 45 16 58 3
2010-11 Zalgiris Kaunas 15 137 9.1 40/68 58.8 13/35 37.1 18/24 75 42 3 28 1
2011-12 Zalgiris Kaunas 16 122 7.6 39/75 52 10/45 22.2 14/22 63.6 40 9 59 1
2013-14 Lokomotiv Kuban Krasnodar 24 225 9.4 73/127 57.5 18/72 25 25/38 65.8 73 25 116 3
2015-16 Zalgiris Kaunas 14 95 6.8 22/54 40.7 15/50 30 6/7 85.7 31 10 58 1
2016-17 EA7 Emporio Armani Milan 26 188 7.2 42/85 49.4 28/76 36.8 20/30 66.7 59 20 76 2
2017-18 AX Armani Exchange Olimpia Milan 20 90 4.5 16/45 35.6 13/34 38.2 19/21 90.5 36 10 43 1
Totals 174 1191 6.8 338/635 53.2 127/419 30.3 134/192 69.8 384 123 506 17
Averages 174 1191 6.8 338/635 53.2 127/419 30.3 134/192 69.8 2.2 0.7 2.9 0.1
2012-13 Lokomotiv Kuban Krasnodar 12 161 13.4 53/89 59.6 14/47 29.8 13/26 50 35 5 59 3
2014-15 Lokomotiv Kuban Krasnodar 5 17 3.4 5/10 50 2/7 28.6 1/1 100 4 1 8 1
2015-16 EA7 Emporio Armani Milan 6 58 9.7 15/24 62.5 7/18 38.9 7/8 87.5 8 7 14 1
2018-19 LDLC ASVEL Villeurbanne 18 184 10.2 37/76 48.7 27/75 36 29/35 82.9 53 16 102 2
2019-20 Lokomotiv Kuban Krasnodar 10 69 6.9 16/31 51.6 8/27 29.6 13/16 81.3 23 5 35 2
2020-21 Lokomotiv Kuban Krasnodar 11 83 7.5 18/31 58.1 12/28 42.9 11/14 78.6 32 6 84 1
Totals 62 572 9.2 144/261 55.2 70/202 34.7 74/100 74 155 40 302 10
Averages 62 572 9.2 144/261 55.2 70/202 34.7 74/100 74 2.5 0.6 4.9 0.2
2002-03 U18 ZALGIRIS KAUNAS 3 21 7 9/14 64.3 1/2 50 0/2 0 3 3 2 0
2003-04 U18 ZALGIRIS KAUNAS 2 6 3 0/2 0 2/3 66.7 0/0 0 4 0 7 0
Totals 5 27 5.4 9/16 56.3 3/5 60 0/2 0 7 3 9 0
Averages 5 27 5.4 9/16 56.3 3/5 60 0/2 0 1.4 0.6 1.8 0
2005/06 Zalgiris 10 51 5.1 19/37 51.4 3/10 30.0 4/14 28.6 15 11 23 2
2006/07 Zalgiris 25 127 5.1 38/60 63.3 10/30 33.3 24/34 70.6 32 16 60 6
2008/09 Zalgiris 26 292 11.2 74/128 57.8 37/75 49.3 33/47 70.2 68 47 112 6
2009/10 Zalgiris 33 324 9.8 82/161 50.9 41/107 38.3 37/41 90.2 106 51 128 12
2010/11 Zalgiris 27 265 9.8 78/144 54.2 26/67 38.8 31/49 63.3 68 31 98 2
2012/13 Zalgiris 1 2 2.0 1/1 100.0 0/2 0.0 0/0 0.0 3 0 2 1
Lokomotiv Kuban-PBL 13 129 9.9 31/60 51.7 12/42 28.6 31/44 70.5 45 10 48 2
Lokomotiv Kuban-VTB 28 348 12.4 83/141 58.9 42/100 42.0 56/70 80.0 73 21 127 4
2013/14 Lokomotiv Kuban-VTB 18 160 8.9 47/92 51.1 16/47 34.0 18/24 75.0 56 16 98 0
2014/15 Lokomotiv Kuban 7 24 3.4 4/14 28.6 4/14 28.6 4/4 100.0 4 2 13 0
2015/16 Zalgiris 19 161 8.5 35/62 56.5 25/65 38.5 16/20 80.0 55 17 100 3
EA7 Emporio Armani 26 206 7.9 57/106 53.8 20/59 33.9 32/36 88.9 76 22 95 2
2016/17 EA7 Emporio Armani 30 218 7.3 43/88 48.9 39/90 43.3 15/22 68.2 84 18 122 4
2018/19 ASVEL Villeurbanne 42 322 7.7 59/119 49.6 58/152 38.2 30/48 62.5 108 28 228 6
2019/20 Lokomotiv Kuban 19 140 7.4 34/65 52.3 17/59 28.8 21/27 77.8 56 12 106 5


Subject: RE: Technical Documentation solutions?
Sean & Goober - Excellent! Thanks for taking the time to discuss this.
> maybe some FrameMaker still exists.
ask my boss as well.
> Powerpoint is an issue. IMO, it's a dead-end that narrows your choices.
> or PDF presentations, instead?
kept on our server, and just put a link on the corporate web.
>Master docs is broken. Visio has issues with PDF/PostScript output. Etc.
that time AND they can support when I am gone.
>And, don't forget, some of this has to do with what your deliverables are.
it is outdated within hours and therefore can't be trusted.
>I see bunches of mixed signals here . . ..
there I haven't a clue!
Thanks, man! Your ideas and comments really help.
>Subject: Re: Technical Documentation solutions?
be as current as his commentary.
it can't be done with that, then FM7 & WWP.
Thanx so much for your commentary!
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text:
9 December 2020 — City Desk
Council Briefs: Head of Homeless Services to Retire, Update on Clontarf Cycle Track, and More
File Photo by Lois Kapila
Retirement of Eileen Gleeson
Councillors paid tribute to two city council officials who are set to retire this month at the full monthly council meeting.
Lord Mayor and Green Party Councillor Hazel Chu thanked both Mary Clarke and Eileen Gleeson for their service to the city.
Clarke, an archivist, has worked in the council since 1979 and "has been a constant help to the councillors and staff at Dublin City Council", said Chu.
Social Democrats Councillor Mary O'Callaghan thanked Clarke for her contribution to the Arts and Culture Committee. "While listening to her and taking notes I decided that wasn't good enough, I had to turn on my voice recorder," she said. "The knowledge was just incredible."
Gleeson is the director of the Dublin Region Homeless Executive (DRHE).
"She has shown great professionalism and humanity in the work in these challenging times," said Chu.
Other councillors paid tribute to Gleeson's hard work, dedication, commitment and professionalism.
Sinn Féin Councillor Daithí Doolan wished her the best. "She has always maintained her humanity, her dignity and her professionalism."
The way Gleeson performed her duties had made a difference to the people who are most vulnerable in the city, he said.
Fianna Fáil councillor Deirdre Heney said Gleeson was "a top class official".
Heading up the DRHE "was one of the most thankless tasks that anyone could be handed", said Independents 4 Change Councillor Pat Dunne. "You were never going to win."
Gleeson was very hardworking and often responded to queries after hours and at weekends, he said.
"Sometimes she got bad press," he said. But we defended her on the housing committee, said Dunne.
In 2017, Gleeson drew criticism from some homeless campaigners when according to the Irish Times, she said that people became homeless as a result of "years of bad behaviour".
"She is a model public servant," said Fine Gael Councillor Ray McAdam. "The treatment dished out to Eileen Gleeson … was appalling."
Gleeson will finish up on Christmas Eve, said Chu.
Clontarf Cycle Scheme
The tender process for the Clontarf to City Centre Cycle Scheme, which will run from Clontarf Road to Talbot Street, could start this month, depending on approval by the council's Corporate Projects Governance Board, says a report presented to councillors at the monthly council meeting.
The tender process should take around three months and so a contractor should be selected in April 2021 and construction could start in July 2021, says the report.
The cycleway should be built in 18 to 21 months, says the report.
Traffic diversions will be needed to make way for construction works, which include significant public realm upgrades, says the report.
"Consultation with stakeholders, including residents and businesses, along the route will commence in January 2021."
Councillors welcomed the progress. It is "great news, full speed ahead on tendering the contract", said Fine Gael Councillor Naoise Ó Muirí.
Soap and Rebellion
The large red-brick building at 139-149 North King Street will be added to the record of protected structures following a recommendation from the Department of Culture, Heritage and the Gaeltacht.
The building near Smithfield was once a factory making soap and candles under the name of Phoenix Soap Factory in the late 1800s, says the report.
Part of the two-storey structure was owned by James Crean & Son in 1889 and according to the report was occupied by the military during the 1916 Rising.
A sketch of part of the property on a letterhead from 1916 shows that the "distribution of bays and profile of window opening appears largely unaltered … as well as the positions of the integral carriage arch and shopfront", says the report.
Originally made up of several buildings, James Crean & Son extended the factory in the early 1920s when they bought numbers 141 to 144, says the report.
Despite several extensions to the original, it looks like it was originally all one building.
"It is concluded that 139-149 North King Street was constructed over a number of phases with the earliest section dating to the latter decades of the nineteenth century," says the report.
"The later phases of the building's construction respected the design of the earlier building, creating a harmonious block that appears as a single building."
Council Briefs
Laoise Neylon: Laoise Neylon is a city reporter for Dublin Inquirer. You can reach her at [email protected]
9 December 2020 issue
Local Connection Rule Makes Little Sense, Says Homeless Advocate
An Artist Explores Her Palestinian Roots through Food and Embroidery
How Many Co-Living Complexes Have, Maybe, Beaten the Promised Ban?
A Gap in a Hedge at St Anne's Park Opens on to a Secluded Chinese Landscape


text:
MIT Dean of Engineering Nominated for NSF Director
June 3, 2010 /In: People /by Peter Harsha
This word just received from OSTP:
Subra Suresh, Nominee for Director, National Science Foundation
Subra Suresh is currently Dean of the School of Engineering and the Vannevar Bush Professor of Engineering at the Massachusetts Institute of Technology (MIT). From 2000 to 2006, Dr. Suresh served as the head of the MIT Department of Materials Science and Engineering. He joined MIT in 1993 as the R.P. Simmons Professor of Materials Science and Engineering and since then has held joint faculty appointments in the Departments of Mechanical Engineering and Biological Engineering, as well as the Division of Health Sciences and Technology. From 1983 to 1993, Dr. Suresh was a faculty member in the Division of Engineering at Brown University. He has been elected to the U.S. National Academy of Engineering, the American Academy of Arts and Sciences, the Indian National Academy of Engineering, the Indian Academy of Sciences in Bangalore, the Royal Spanish Academy of Sciences, the Academy of Sciences of the Developing World based in Trieste, Italy, and the German National Academy of Sciences. Dr. Suresh is the recipient of the 2007 European Materials Medal, the highest honor conferred by the Federation of European Materials Societies, and the 2006 Acta Materialia Gold Medal. He holds a bachelor's degree from the Indian Institute of Technology in Madras, an M.S. from Iowa State University, and a Sc.D. from the Massachusetts Institute of Technology. Dr. Suresh also holds honorary doctorate degrees from the Technical University of Madrid in Spain and Sweden's Royal Institute of Technology in Stockholm.
Tags: director, nsf, ostp, white house
ACTION ALERT: Urge Your Rep *NOW* to Support COMPETES PCAST Desires Public Input on Critical Infrastructures for Technology Innov...


text:
MHP reports 8 accidents Saturday-Monday
Published 4:48 pm Tuesday, August 4, 2020
Mississippi Highway Patrol:
Mississippi Highway Patrol Troop M responded to eight accidents Saturday-Monday.
• A single-vehicle accident with injuries Saturday at 7:13 a.m. on Hwy. 583 at Ruth Road.
• A single-vehicle without injuries Saturday at 1:12 p.m. on Hwy. 51 near Stoneybrook Trail.
• A single-vehicle accident without injuries Saturday at 8:41 p.m. on I-55 northbound south of exit 36.
• A single-vehicle accident without injuries Sunday at 9:10 p.m. on Hwy. 84 at Hwy. 27 overpass.
• A single-vehicle accident without injuries Sunday at 9:51 p.m. on Hwy. 61 at Hog Chain Road.
• A two-vehicle accident without injuries Monday at 11:04 a.m. on Hwy. 84 West at Fern Lane.
• A single-vehicle accident without injuries Monday at 11:21 a.m. on Hwy. 51 South north of Bogue Chitto School.
• A two-vehicle accident without injuries Monday at 4:20 p.m. on Hwy. 27 south of Barnes King Lane.
KDMC Ambulance Service:
King's Daughters Medical Center Ambulance Service reported 68 calls Friday-Monday. Seventeen were transfers, with four in the city, one in the county, nine to Jackson, one to Hattiesburg, one to McComb and one to Copiah County. There were 51 emergency calls; 35 medical, with 16 in the city and 19 in the county; 11 trauma, with six in the city and five in the county; five MVAs, with four in the city and one in the county.
Lincoln County Sheriff's Office arrests Newton man for burglary
The Lincoln County Jail Docket for Friday-Monday was as follows: • Jewel Pell, 01/18/1994, 681 Pine Ridge Road — arrested... read more


Informational interviewing has plenty of value to offer job searchers, career changers, or simply those looking to develop professionally while expanding their networks. Whether you're struggling to get your cover letter and resume noticed by your dream employer, or just aren't quite sure what to do next in your career, informational interviewing is a strategy worthy of adding to your repertoire. Formal job interviews rarely generate authentic connection; informational interviews can more closely resemble a mentor-mentee dynamic.
After hundreds of calls and appointments, I can confirm: people generally respond favorably to someone taking an interest in them or what they do. Whenever I've considered changing jobs or moving into a new field, I connect with as many people as possible whose work is even tangentially related. I've also found informational interviewing a fruitful place to reach for connections above my pay-grade. Look for second-degree connections, alumni of programs or institutions you've attended, or people whose interests uniquely align with your own. Most people remember the doldrums and drudgery from stages of their own career or past job searches. You might find yourself pleasantly surprised by who's willing to share some insights and make your process a little more positive.
Here are five keys to successfully landing informational interviews, learning others' stories, and building lasting professional relationships.
Quality initial outreach should ideally answer the questions "Who?" and "Why?" in the first line or two – as in, "Who are you?" and "Why should the two of you get together?". Without clear, concise, and authentic answers to those two queries, your message is assured an unceremonius transfer to the 'Trash' bin. This should go without saying, but I've seen plenty of directionless or presumptive outreach that proves otherwise.
Luke Chitwood here, reaching out because Cindy from Client X suggested we connect about our mutual interest in leadership development writing.
Prepare for a positive experience by setting clear expectations for a conversation. Craft your 'Ask' to communicate appreciation and acknowledgment of your counterpart's time investment – and reassure them they're not at risk of enduring an awkward two-hour appointment. A well-framed request doesn't ask or expect too much of the other person's time.
Good: I'm interested in learning more about your experience with [Industry, Job Title, or Company Name]. Do you have 15-20 minutes for a call or coffee in the next few weeks?
Bad: I really want to work for [Company Name]. When are you free to get lunch to talk about it?
Ugly: I have lots of expertise in [Industry/Field]. Let's get together to talk about it!
If you're approaching the conversation as an opportunity to make a good first impression and get insights on a few key questions, then a succinct, efficient conversation can easily accomplish your goals. It also subtly affirms the value of your connection's time and insights – you're saying that even as little as 15 minutes with them can help you, and you wouldn't presume to take more time than that out of their busy schedule. Last, but certainly not least, you're much more likely to hear a "Yes" in reply when you request less than 30 minutes of a person's workday.
If you have trouble imagining such a short conversation fulfilling your goals for the info interview, then pause for some additional reflection and editing of your own questions and expectations. Come with enough questions and conversation ideas for 45 minutes, but also know your must-ask items in case 10-15 minutes is all you get.
Long before an informational interview actually occurs, you have ample opportunities to show positive character qualities and traits, such as organization, communication skills, and proactiveness. This starts with your initial request to connect (likely an email, or some other form of electronic communication).
(D) a potential meeting place (a general area, if not a specific location) and/or medium (i.e a form of remote communication).
This isn't a cover letter or a job application – 1-2 sentences for item (A) should suffice. If you have a mutual connection or met at a specific event, briefly remind your contact of that here as well.
For scheduling, I recommend providing a range of 3-4 dates/times from at least two different weeks. This maximizes the possibility of connecting, without making it appear that you have nothing else scheduled. Tools like Calend.ly or Doodle are great for most forms of scheduling, but, for this type of outreach, it's best to keep all necessary information contained in one message or app.
As far as the location or type of meeting, I personally prefer to suggest an in-person conversation (since it offers great potential for meaningful connection), but still provide a softer 'ask' with a phone call or video chat as a backup option. Meeting up in-person requires more effort and planning on the part of both parties, which I've found actually makes follow-through on an appointment more likely. It's low-cost to cancel a phone call 15 minutes before it's scheduled to occur; doing so with a face-to-face meeting amounts to a much larger inconvenience and breach of social ettiquette, which your interviewee is (hopefully) less likely to do.
In scheduling, make sure to consider your time and other commitments. Your time is valuable as well, and it's good for the other person to realize this. This doesn't mean manufacturing fake commitments to appear busy or important – shams like that are unlikely to impress, and only serve to complicate the process unnecessarily. However, it's important to consider your own availability, and communicate honestly about what works for you. Overbooking yourself is a sure recipe for feeling flustered and distracted, and ultimately disappointing one or both of your appointments.
From an efficiency standpoint, it may suit your availability and personal preferences to schedule a number of networking or informational meetings in close proximity to one-another and/or within a focused time-frame. This certainly helps to minimize costs, especially in terms of transportation, and it offers the least drain on other work-related activities – and on your productivity in general. At the same time, make sure to balance efficient scheduling with providing room for flexibility, and ensuring you have time between appointments to relocate, recharge, and regroup, as necessary.
Congratulations! You followed the advice above and have lined up a number of informational interviews – and you're genuinely excited for the conversations to begin. You haven't written a single cover letter for a company to ignore, but you have networked yourself into meetings with several of your dream employers. How can you make the conversation itself as successful as the outreach process? Check back later this week to learn how to turn informational interviews into career-catalyzing opportunities.


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