text:
"The Clovers"
Motion pictures 3
Rock and roll (Music) 2
Variety shows (Television) 2
Rhythm and blues (Music) 1
Tap dancing 1
Motion pictures (visual works) 2
Bryant, Willie 3
Coles & Atkins 3
Hampton, Lionel Leo 3
Reed, Leonard 3
Russell, Nipsey 3
Studio Films, Inc. 3
Apollo Theater 2
Bowser, Pearl 2
Cole, Nat King 2
Darnell, Larry 2
Davis, Martha 2
Ellington, Duke 2
Frye, Ben 2
Kohn, Joseph 2
Moreland, Mantan 2
Turner, Joe 2
Vaughan, Sarah 2
Washington, Dinah 2
Adams, Faye 1
Rock-N-Roll Revue
35mm motion picture film of Rock-N-Roll Revue
Studio Films, Inc., American, 1951 - 1956
Kohn, Joseph
Frye, Ben, American
Apollo Theater, founded 1913
Ellington, Duke, American, 1899 - 1974
Vaughan, Sarah, American, 1924 - 1990
Russell, Nipsey, American, 1918 - 2005
Coles & Atkins, American, 1940 - 1959
Darnell, Larry, American, 1921 - 1983
Bryant, Willie, American, 1908 - 1964
The Clovers, American, founded 1946
Washington, Dinah, American, 1924 - 1963
Cole, Nat King, American, 1919 - 1965
Big Turner, Joe, American, 1911 - 1985
Reed, Leonard, American, 1907 - 2004
Bowser, Pearl, American, born 1931
35mm Film (a): acetate film;
35mm Film (b): acetate film;
35mm Film (c): acetate film;
35mm Film (d): acetate film
Length (Film) - Reel 1: 1630 Feet
motion pictures (information artifacts)
"Rock-n-Roll Revue" is a 1955 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. The film includes performances by Duke Ellington, Larry Darnell, Coles and Atkins, The Clovers, Dinah Washington, Nat King Cole, Big Joe Turner, Willie Bryant, and Leonard Reed.
35mm black and white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s.
Consists of: Four 35mm Film Prints (a-d) and Original Film Reels (e-h).
2012.79.1.84.1a-d: 35mm film. The film begins with a title sequence that announces each performer as a firework explodes behind their name. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. He begins his introduction of the show's proceedings; he refers to the show as the "Harlem Variety Revue." Bryant then introduces the first performer, Duke Ellington. The curtain parts and Ellington and his orchestra perform "The Mooche." After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Larry Darnell. Darnell performs "What More Do You Want Me To Do." After the performance ends, the curtains close while Darnell bows and the audience cheers. Willie Bryant then emerges onstage as the curtains re-open and Darnell bows in Bryant's direction. The two men then exchange playful gestures and Bryant tells a joke. Bryant segues into an introduction of the tap dancing duo, Coles & Atkins. The duo then perform a short routine. After the routine, Bryant, Coles and Atkins perform a comedic piece based around Bryant interrupting their performance. Coles & Atkins then goad Bryant into dancing with them and the three men perform a brief routine. There are multiple shots of the audience cheering when they leave the stage. Bryant then introduces The Clovers, who perform "Your Cash Ain't Nothin' But Trash." After the song ends, there is another comedy routine with Willie Bryant, Coles & Atkins, and Leonard Reed. There are multiple shots of the audience before Bryant introduces Dinah Washington, who performs "Only a Moment Ago." Bryant then introduces Nat King Cole, who performs "The Trouble With Me Is You." After multiple shots of the audience when the song concludes, Bryant again introduces Duke Ellington, who performs "The Hawk Talks" with his orchestra. There are multiple shots of the drummer Louie Bellson as he performs a drum solo during the song. Bryant introduces Big Joe Turner by way of a comedy bit with Leonard Reed. Turner performs "Oke-She-Moke-She-Pop" with backing by the Paul Williams Band. The film concludes with a shot of the audience cheering.
2012.79.1.84.1e-h: Original film reels.
Rhythm and blues (Music)
Rock and roll (Music)
Tap dancing
Variety shows (Television)
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
2012.79.1.84.1a-d
Pearl Bowser Collection
Basin Street Revue
35mm motion picture film of Basin Street Revue
Frye, Ben
Adams, Faye, American, born 1923
Jeffries, Herb, American, 1913 - 2014
Calloway, Cab, American, 1907 - 1994
Davis, Martha, American, 1917 - 1960
Frank Foster, American, 1928 - 2011
Moreland, Mantan, American, 1902 - 1973
Milburn, Amos, American, 1927 - 1980
Williams, Paul Hucklebuck, American, 1915 - 2002
"Basin Street Revue is a 1956 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. Performers include Willie Bryant, Sarah Vaughan, Lionel Hampton, Paul Williams, Jimmy Brown, Amos Milbur, Faye Adams, Coles and Atkins, Herb Jefferies, Cab Calloway, Count Basie, The Clovers, Nat King Cole, Martha Davis, Frank Foster, Mantan Moreland, Nipsey Russell, and Marie Bryant.
Consists of: Four 35mm Prints (a-d)
2012.79.1.85.1a-d: 35mm film. The film begins with a title sequence that announces each performer as a firework explodes behind their name. This is followed by a shot of a theater marquee with the title Basin Street Revue. A credit roll then displays the below the line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. As Bryant begins to speak, Nipsy Russell walks across the stage and interrupts Bryant with a joke about his mother in law. Bryant then begins his introduction of the show's proceedings; he refers to the show as the "Harlem Variety Revue." Bryant then introduces the first performer, Lionel Hampton and his orchestra. The curtain parts and Hampton and his orchestra perform "Ding Dong Baby." An unknown woman joins Hampton on the stage as he sings, but does not sing herself; he gives her a kiss on the cheek before she exits. After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Sarah Vaughan, who performs "You're Not The Kind." The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce the next performers, Jimmy Brown, the saxophonist from the Apollo Theater's house band, the Paul Williams Band. Bryant and Brown engage in some stage banter before the performance of "My Love Is True." The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce the next performer, Martha Davis, who performs "We Just Couldn't Say Goodbye." Bryant mentions that Davis is performing with her spouse, bassist, Calvin Ponder. There are multiple insert shots of the audience during the performance. The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Nipsy Russell and Mantan Moreland enter the stage. They perform a short comedy routine together before Bryant introduces the next performer, Amos Milburn. He performs "Bewildered." The song concludes, the curtain closes, and Bryant has the curtain reopened so Milburn can take a bow. The curtain again closes and Bryant invites Faye Adams onto the stage. The engage in some brief stage banter before she performs "Somebody, Somewhere" in front of the curtain. Jimmy Brown emerges from behind the curtain to perform a solo. The song concludes, there are multiple shots of the cheering audience, and Bryant introduces the next performers, The Clovers, who perform "Lovey Dovey." The song concludes, the curtain closes, and there are multiple shots of the cheering audience as Bryant emerges to introduce Sarah Vaughan for a performance of "These Things I Offer You (For A Lifetime)." The song concludes, the curtain closes, there are multiple shots of the cheering audience, and Bryant introduces Coles & Atkins. The duo sing and them perform a tap dance routine. Their performance concludes, they bow and Bryant introduces Herb Jeffries by way of a brief skit. Jeffries performs "A Woman Is A Worrisome Thing" from the balcony of a fire escape. The song concludes, the curtain closes, there are multiple shots of the cheering audience, and Bryant introduces Cab Calloway, who performs "Calloway Boogie." Calloway dances with an unknown female dancer. A "The End" title card appears as the song and the film conclude.
© Studio Films, Inc. Permission required for use.
Poster for Rock 'N Roll Revue
Brown, Ruth, American, 1928 - 2006
The Delta Rhythm Boys, American, 1934 - 1987
Little Buck, American
H x W: 41 15/16 × 28 1/4 in. (106.5 × 71.8 cm)
United States, North and Central America
Large pink poster featuring cut out photographs of faces of musicians. Faces include Joe Turner, Dinah Washington, Lionel Hampton, Nat "King" Cole, Duke Ellington, Larry Darnell, The Clovers, and Ruth Brown. Near each face is a caption indicating who each person is. Along the top is black scripted text [Rhythm-Packed and Star-Studded]. On the right side, about half way down is a white square with musical lines and notes bordering each edge. When the square is pink text [ROCK 'N / ROLL / REVUE]. In the center of the poster, on the left border of the square is a logo for [KALEIDOSCOPIC / WONDERCOLOR]. In the lower right corner, additional artists are listed [Plus / COLES & ATKINS / MARTHA DAVIS / LITTLE BUCK / DELTA RHYTHM BOYS / MANTAN MORELAND / LEONARD REED / "NIPSY"RUSSELL / M.C. WILLIE BRYANT]. Along the very bottom of the poster in the lower right corner is a graphic of a film strip with the letters [S/F], each with a film frame. On either side of the graphic is the production company [A STUDIO FILMS / PRODUCTION].
Memorabilia and Ephemera-Advertisements


text:
Tag Archives: Vande Mataram
Partitioned Freedom – 6
(Read "Partitioned Freedom – 1" from this link – 1)
(Conclusion: Read "Partitioned Freedom – 6″ from this link)
When strategy became policy at Lucknow in 1916, and the Khilafat and Moplah lay bare the slide of the Congress, many leaders were genuinely worried. They realised that the appeasement policies of the Congress were helping the League in furthering its separatist agenda. Despite his best efforts at placating the League and striving for Hindu-Muslim unity, Gandhi could not achieve much. When attempts were made to pacify the Moplahs in the name of Gandhi's non-violence, they bluntly replied that Gandhi was a Kafir, and he could never be their leader. In 1924, Maulana Mohammed Ali, to whom Gandhi gave more importance than he did to Jinnah, declared: "However pure Mr. Gandhi's character may be, he must appear to me, from the point of religion, inferior to any Mussalman even though he be without character." In 1925, he reiterated it saying, "Yes, according to my religion and creed, I do hold an adulterous and a fallen Mussalman to be better than Mr. Gandhi".
Savarkar was one of the leaders who felt that Congress was making a colossal mistake by appeasing the fundamentalist Leaguers. Savarkar asked the Congress leadership to stop in the downward spiral of appeasement and be firm with the Muslim League leadership. "If you come, with you; if you do not, without you; if you oppose in spite of you" – this was the message he wanted the Congress to convey to the League. Yet the Congress leadership lacked that courage.
Shraddhananda's Murder:
Swami Shraddhanand was a renowned Arya Samajist and a senior leader of the Congress. As a disciplined soldier of the movement, he had participated actively in the Khilafat movement too. Shraddhananda was a disciple of Swami Dayananda Saraswati, the founder of the Arya Samaj, and used to play an active role in reconversion activities. This angered some fanatical Muslims. One such young man called Abdul Rasheed visited Shraddhananda's residence at Naya Bazar in Delhi on December 23, 1926, on the pretext of discussing "some problems of the Islamic religion". Shraddhananda was unwell and lying on his bed. According to the Arya Samaj website: "The visitor then asked for a glass of water, and while Dharm Singh (Shraddhanand's attendant) was taking his glass away, he rushed up to the Swamiji and fired two bullets point-blank into his chest."
The annual session of the Congress was taking place from December 25, 1926, at Guwahati. All the senior leaders, including Gandhi, were present at the session when the news of the gruesome murder of Swami Shraddhananda came in. Gandhi called Abdul Rashid his 'own brother', but moved a condolence motion himself. "If you hold dear the memory of Swami Shraddhanandji, you would help in purging the atmosphere of mutual hatred and calumny. Now you will perhaps understand why I have called Abdul Rashid a brother and I repeat it. I do not even regard him as guilty of Swamiji's murder. Guilty indeed are all those who excited feelings of hatred against one another", Gandhi said to the shock of many in the audience. At the very same session, funds were collected for the legal defence of Rashid in the courts. When he was sentenced to capital punishment by the British, there were over fifty thousand people in his funeral procession at Kolkata. That was where the appeasement policy of the leaders had led the country.
National Flag – (National symbols compromised):
Gandhi had proposed in 1921 that Congress should design a national flag. Several models were presented to him, and the one with three colours – orange, white and green –proved to be popular However, its interpretation as orange for the Hindus, white for the Christians, and green for the Muslims did not go down well with the people. A flag committee was then appointed in 1931 to look into the controversy and recommend a national flag for India. Among others, the 7-member committee included Nehru, Patel, and Azad. The committee submitted its report to the Karachi Congress session in December 1931.
"Opinion has been unanimous that our National Flag should be of a single colour except for the colour of the device. If there is one colour that is more acceptable to the Indians as a whole, one that is associated with this ancient country by long tradition, it is the Kesari or saffron colour. Accordingly, it is felt that the flag should be of the Kesari colour except for the colour of the device. That the device should be the Charkha is unanimously agreed to. The Committee have come to the conclusion that the charka should be in blue. Accordingly we recommend that the National Flag should be of Kesari or saffron colour having on it at the left top quarter the Charkha in blue with the wheel towards the flagstaff, the proportions of the flag being fly to hoist as three to two", the report, signed by all the seven members stated.
However, the Congress session at Karachi rejected it, saying that the saffron colour represented only Hindus. The tricolour flag designed by Pingali Venkayya was adopted. It featured three horizontal stripes of saffron, white and green, with a Charkha in the centre. The colours were given a new interpretation thus: saffron for courage; white for truth and peace; and green for faith and prosperity. After the national song came the compromise with the national flag.
Language (concessions were made):
The Hindu Bhajans were modified. 'Raghupati Raghava Rajaram – Patita Pavan Sitaram' saw 'Isvar Allah Tere Naam' added to it. Even the national language was not spared. There were concerted efforts to discourage Muslims from learning Hindi right from the time of Syed Ahmad Khan. Syed Ahmad asked Muslims to prefer English to Hindi. Aligarh Muslim University taught only in English and Urdu. An effort was made to project Hindi as the language of the Hindus, and Urdu, that of the Muslims. In its eagerness to please the fundamentalists in the Muslim League, the Congress leadership decided at its 1925 Karachi session that Hindustani – a hybrid product from the mixture of Hindi and Urdu – should be the lingua franca of independent India. It even suggested that the script could either be Devnagari or Arabic.
Texts were rewritten. Special language classes were held for the Congress volunteers to familiarise them with the new hybrid language. Phrases like Badshah Ram, Begum Sita, and Maulvi Vasistha were promoted. Nevertheless, this one compromise did not go down well with the Congress and the nation. The protagonists of Hindi could succeed only after several years in making it the official language of the nation.
The Congress leadership continued to make these one-sided compromises without any reciprocal gestures being made by the League.
Cow slaughter was given free hand:
Even on a question as important to him as cow-slaughter, Gandhi was willing to compromise. "How can I force anyone not to slaughter cows unless he is himself so disposed? It is not as if there were only Hindus in the Indian Union. There are Muslims, Parsis, Christians, and other religious groups here", he argued.
None of these concessions could move the League leadership. Instead, they only led to establishing the League and Jinnah, now its leader, as the 'sole spokesmen' for the Muslims, as Ayesha Jalal puts it. Emboldened, Jinnah went ahead ruthlessly, unmaking everything the Congress made, including, in the end, the geographical unity of the country.
(Final part to follow)
(Courtesy: The article was originally published in Chintan, India Foundation on August 18, 2020).
This entry was posted in Exclusivist religions, General, History, Nation, Threats, Uncategorized and tagged and Azad, appeasement policy, Arya Samaj, Charkha, cow slaughter, Flag committee, Flag committee 1931, Gandhi, Gandhi called Abdul Rashid his 'own brother', Hindi, Hindustani, Karachi Congress session, Kesari, Moplah, National flag, National Song, Nehru, Patel, Pingali Venkayya, Raghupati Raghava Rajaram – Patita Pavan Sitaram, Savarkar, Shraddhanand, Swami Dayananda Saraswati, Swami Shradhananda, tricolour, Vande Mataram on August 18, 2020 by Svādhyaāya.
The Khilafat misadventure was not without consequences. It had set a trend, both in the Congress as well as the League. For the League, it was more demands, and for the Congress, more capitulation.
Moplah Rebellion:
The Khilafat movement had led to massive violence in the Malabar Coast of Kerala when a local leader, Variankunnathu Kunjahammad Haji declared himself as the Khalifa and also designated two tehsils as 'Khilafat Kingdoms'. He instigated his followers against the British. The rebellion, famously known as the Moplah Rebellion or the Malabar Rebellion, was launched on August 20, 1921, and continued for four months.
Taken aback initially by the unexpected aggression of the local Muslims called the Moplahs, the British returned with greater force and brutally suppressed the rebellion. All its leaders, including Haji were arrested. As the British were suppressing the rebellion, the Moplahs turned their ire against the local Hindus, blaming them for not fully supporting the Khilafat cause. Houses and temples were destroyed, women were dishonored, and people were forcefully converted or burnt alive. The atrocities committed by the Moplahs shook the conscience of many leaders, including Dr Ambedkar and Annie Besant. While Annie Besant vividly described the brutality against the Hindus, especially the women, Dr. Ambedkar minced no words in condemning the massacres by describing them as 'blood-curdling' and 'indescribable'. Gandhi's close confidant C. Rajagopalachari was so distraught by the cruelty of the Moplahs that he shot off a letter to Gandhi stating that "the atrocities of the Moplahs have made men, women, and children lose faith in the concept of Hindu-Muslim unity completely".
However, strange was the Congress reaction. When the AICC met at Ahmedabad in December 1921, the entire effort seemed directed towards downplaying the atrocities by the Moplahs. While the Servants of India Society led by Annie Besant reported that over twenty thousand Hindus were forcefully converted to Islam, the Congress claimed that as per their information, only three people were converted. The Ahmedabad session of Congress witnessed intense tussle between the Congress and League members over the Moplah incidents. All that could be said in the resolution was that the Congress "…is of the opinion that the…disturbance in Malabar could have been prevented by the Government of Madras accepting the proffered assistance of Maulana Yakub Hassan".
Describing the events at the session, Swami Shraddhanand, a senior leader, wrote: "The original resolution condemned the Moplas wholesale for the killing of Hindus and burning of Hindu homes and the forcible conversion to Islam. The Hindu members themselves proposed amendments until it was reduced to condemning only certain individuals who had been guilty of the above crimes. But some of the Muslim leaders could not bear this even. Maulana Fakir and other Maulanas, of course, opposed the resolution, and there was no wonder. Nevertheless, it was most surprising that an out-and-out Nationalist like Maulana Hasrat Mohani opposed the resolution on the ground that — the Mopla country no longer remained Dar-ul-Aman but became Dar-ul-Harab and they suspected the Hindus of collusion with the British enemies of the Moplas. Therefore, the Moplas were right in presenting the Quran or sword to the Hindus. Moreover, if the Hindus became Mussalmans to save themselves from death, it was a voluntary change of faith and not forcible conversion—Well, even the harmless resolution condemning some of the Moplas was not unanimously passed but had to be accepted by a majority of votes only".
All this for the sake of keeping the League as a bed-fellow. When Gandhi too downplayed the incident by commenting that the Moplahs were 'brave and God-fearing, and were fighting for what they considered as religion, in a manner which they consider as religious,' even Dr Ambedkar could not help but express his despair. He decried saying 'Mr. Gandhi was so much obsessed by the necessity of establishing Hindu-Muslim unity that he was prepared to make light of the doings of the Moplas and the Khilafats.'
Vande Mataram ('Partitioned'):
After the Khilafat and the Moplah rebellion, the Muslim League's price went up further. It started insisting on rejecting the essential symbols of national unity as a price for its support to the Congress. The first to come in the League's crosshairs was the song Vande Mataram. It became a regular practice since 1905 to sing it at all the important Congress events. But the League members in the Congress started raising objections to it.
The AICC sessions were held in Kakinada in Andhra Pradesh in 1923. Maulana Mohammad Ali was presiding over the Congress. Senior leaders, including Motilal Nehru, Maulana Abul Kalam Azad, Sarojini Naidu, Sardar Patel, and Kasturba Gandhi, were present along with over twelve thousand delegates. Gandhi was in prison and hence could not attend.
Like in the past, Pt. Vishnu Digambar Puluskar, a Hindustani musician from Maharashtra, was there to sing the song at the inaugural. When Pt. Puluskar climbed the dais to sing Vande Mataram, Mohammad Ali raised objection saying that singing the song would hurt the sentiments of religious Muslims. Seeing the silence of the leaders present on the dais, Puluskar took it upon himself to challenge Mohammad Ali and went ahead with its rendition. Mohammad Ali, in protest, walked away while the song was being sung. It may be worthwhile to mention here that on many earlier occasions, the Ali Brothers and other League leaders used to rise together with other Hindu and Muslim members of the Congress when the song was sung. The objection at the Kakinada session was thus more a part of the enhanced bargaining than a genuinely religious issue. To placate the League members, Congress introduced Mohammad Iqbal's famous song 'Saare jahan se Acchha – Hindustan Hamara' in its sessions. Yet, the opposition to Vande Mataram continued.
In 1937, when the elections were held for the Provincial Councils, the Congress formed governments in several of them. The controversy over Vande Mataram was raised once again when the proposal to sing the song at the commencement of the sessions was opposed. A 'committee' had to be constituted to review Vande Mataram. Rabindranath Tagore, Subhash Chandra Bose, and Pandit Jawaharlal Nehru were made its members. The committee recommended that the song be truncated and only the first two stanzas be sung.
The national song was partitioned in 1937 to appease the Muslim League. Ten years later, the nation was partitioned.
(To continue)
This entry was posted in History, Nation, Threats, Uncategorized and tagged Ahmedabad session of Congress, Annie Besant, त्वम् हि दुर्गा दशप्रहरणधारिणी, वन्दे मातरम्, सुजलां सुफलाम्, ত্বং হি দুর্গা দশপ্রহরণধারিণী, বন্দে মাতরম্৷, সুজলাং সুফলাং, C. Rajagopalachari, Conversion, Dar-ul-Aman, Dar-ul-Harab, Dr.Ambedkar, Iqbal, Islam, Khilafat, Khilafat failed, Malabar Rebellion, Maulana Mohammad Ali, Moplah Rebellion, Moplah Riots, Muslim League, Mussalmans, Poet Iqbal and Tabligh, Pt. Vishnu Digambar Puluskar, Quran, Sare Jahan se accha, Sujalam Suphalam, Tabligh, Vande Mataram on August 17, 2020 by Svādhyaāya.
The British had attempted their first partition of India four decades earlier in 1905. They decided to partition the Bengal province into two. The capital of British India, until 1911, was in Calcutta (today's Kolkata) in the Bengal province. Bengal was the largest province in British India with over 80 million population in those days, almost 1/5th of the population of the entire country. Bengal was also home to a strong resistance movement against colonial rule. A large number of revolutionaries in India's freedom movement came from Bengal. A strong Congress movement too flourished in the province. Poets, littérateurs, academics, and journalists – Bengal was home to many eminences who were at the forefront of the struggle against the British.
The British then decided to tackle this fledgling anti-Colonial movement in a different way. They partitioned the province of Bengal into two – East Bengal with Dhaka as the capital, that included Assam, and West Bengal with Kolkata as the capital that included Bihar and Orissa.
Lord Curzon, who was the British Viceroy of India when Bengal was partitioned, argued that it was only an administrative measure. But his own colleagues like Henry Cotton, the then Chief Commissioner of Assam, who was opposed to this move, openly stated that the act was intended to weaken the nationalist movement in the region. "There were no administrative reasons. Curzon's plan was to oppress the rising force of a nationalist political movement", Henry Cotton later wrote.
The Congress leadership and the revolutionaries sensed the British mischief behind this decision. Through this policy of divide et impera – Divide and Rule, the British had planned to secure two objectives. They wanted to weaken the freedom movement and also in the process sow seeds of mistrust and conflict between Hindus and Muslims. The partitioned East Bengal was to become almost 60% Muslim, while the residual West Bengal was to be 80% Hindu. The leaders of the independence movement decided to firmly reject London's ploy.
Curzon travelled across the length and breadth of the province. Everywhere he encountered popular resistance to his move. Even the Muslims, including the brother of the Nawab of Dhaka, Khwaja Atiquallah, were opposing Bengal's partition. But Curzon was adamant. He insisted that the partition of Bengal was a "settled fact". October 16, 1905 was declared as the day of the partition.
People were furious. Agitations, protests, lockdowns, speeches, writings and posters started dominating the province. On the appointed day of the partition, a massive protest rally was organised at Barisal town in the then South Central Bengal, now in Bangladesh. Over fifty thousand people joined the protests. The slogan 'Vande Mataram', from the song authored by Bankim Chandra Chattopadhyay, a Bengali scholar in his novel Anand Math, reverberated in the air. Gurudev Robindronath Tagore was present to administer an oath to the people for the reunification of Bengal. At another big meeting in Kolkata on August 7, 1905 a resolution was passed calling for the boycott of British products so long as the 'Partition Resolution was not withdrawn'. Thus was born the famous 'Swadeshi' movement.
The agitation against the partition of Bengal had soon spread to the whole country. The Congress was in the forefront. Swaraj and Swadeshi became the twin mantras of the movement. It became popular as the Vande Mataram Movement or the Swadeshi Movement. Nationwide resistance was led by the trio popularly known as Lal-Bal-Pal – Lala Lajpat Rai in Punjab, Bal Gangadhar Tilak in Maharashtra, and Bipin Chandra Pal in Bengal.
The agitation intensified forcing the British Parliament to take cognisance. Finally, the British emperor, King George V had to rush to India in December 1911 and declare the annulment of Bengal's partition. Bengal became united again, unsettling Curzon's and his successor Viceroy Lord Minto's 'settled fact'. It was a great victory for the nationalist forces led by the Congress although a large section of the Muslims of Bengal was thoroughly disheartened.
The resistance movement and its subsequent victory signified a major shift in the policies and programs of the Congress, which until then had been a political body limited to filing complaints and petitions before the British administration. The Vande Mataram movement had given the hardliners, led by Tilak, an upper hand in the Congress. The latter had now transformed into a vehicle of popular resistance through public agitations. Tilak's historic exhortation – 'Freedom is my Birth Right' – became the new mantra of Indian politics.
That was 1905. A massive 6-year nation-wide agitation was launched when just one Indian province of Bengal was partitioned and the British were forced to annul it. Fast forward four decades. The entire country, including Bengal, was partitioned and the same nation remained a mute witness. Why?
The answer lies in the history of the freedom movement during those fateful four decades. It is a tragic and revealing history, spanning the period between 1911 and 1947, which holds many startling facts and staggering lessons for India. What happened during those years must be revisited to understand those facts and learn from them.
One of the critical fallouts of the partition of Bengal was a meeting held at Dacca (Today's Dhaka) on December 27-31, 1906. Ishrat Manzil, a well-known Nawab family mansion, was hosting the annual meeting of the All India Muhammadan Educational Conference. The Nawab of Dhaka, Khwaja Salimullah was playing host to over 3000 delegates who came from all over the country. Nawab Salimullah presented a proposal at the conference on December 30 for establishing a political party to safeguard the interests of the Muslims of British India.
Thus was born the All India Muslim League, headquartered in Lucknow. Renowned Iranian Shia princely cleric, Sir Muhammad Aga Khan, hereditary Imam of the Ismaili sect was elected as its first president. The objectives of the Muslim League were to create loyal Muslims to the British Raj and to advance the political rights of the community.
On the horizon of the Indian political firmament, a new player had emerged, with the tacit blessing of the Viceroy Lord Minto. This new player would change the course of India's independence movement in the next four decades substantively.
(Read Next: "Partitioned Freedom – 3" from this link – 3)
(Courtesy: The article was originally published in Chintan, India Foundation on August 13, 2020)
This entry was posted in Exclusivist religions, General, History, Uncategorized and tagged 1905, 1911, Anti-Colonial Movement, Bengal Province, Birth of Muslim League, Cultural Renaissance, Divide and Rule, Fateful Four Decades, Lal-Bal-Pal, Partition, Swadeshi, Tragic story of partition, Vande Mataram on August 14, 2020 by Svādhyaāya.

redpajama_set_name: RedPajamaCommonCrawl


Rapper arrested after police find drugs in 'plain view' during investigation at Bieber's home.
Justin Bieber pal Lil Za was arrested on felony drug possession charges on Tuesday morning (January 14) during a search of the singer's home for evidence in his alleged egg raid on a neighbor.
According to TMZ, Za (born Xavier Smith), was taken away in handcuffs after Los Angeles County Sheriff's deputies searched Bieber's home in Calabasas, California. A representative for the Sheriff's department said that a substance that appeared to be cocaine was in "plain view" during the raid, though it was not reported how much of the drug was allegedly found.
Officials said that Bieber was "not connected" to the drugs that were found. A spokesperson for the Sheriff's department could not be reached by MTV News for comment at press time and it was not reported how much of the drug was found. Za, a close friend and sometime houseguest of Bieber's, has landed in trouble with the authorities before while tooling around in the singer's luxury cars.
The arrest came while deputies detained Bieber in his garage as they tried to find surveillance video from the star's home that might shed light on his reported yolk attack.
Eleven Los Angeles County Sheriff's patrol cars arrived on the scene early Tuesday with a felony search warrant in connection with the incident from Thursday in which the Biebs' next door neighbor claimed that Justin pelted his house with eggs.
Bieber is a suspect in a vandalism investigation and he was reportedly held in his garage during the search. Unnamed sources said deputies were looking for any evidence that would link Bieber to the egging, including other eggs in the house or video from the night of the incident.
The neighbor claimed that Bieber hit his house with no less than 20 eggs. Though the initial police report described the incident as a misdemeanor, the neighbor has claimed damage in excess of $20,000, which could bump the incident up to a felony. Bieber's spokespeople have not commented on the latest flap with his neighbor.


Montano proves that she is indeed a real life Wonder Woman by completing the 800m race pregnant once again.
Olympic track runner Alysia Montano has never been one to let the presence of a fetus developing in her womb keep her from competing, and this year is no exception. The 31-year-old ran the race while five months pregnant with her second child. The 31-year-old athlete who is pregnant with her second child has been making headlines since finishing about 19 seconds behind the victor recording a time of 2 minutes, 21.40 seconds.
"I don't define myself as a runner", Montano added. Montano assured anxious people that she was well hydrated and felt absolutely fine.
The couple made plans to get pregnant again past year following the Olympics in Rio de Janeiro, but they were prepared to put it off due to the Zika outbreak in Brazil. "I think there's something about coming out to any venue, not really expecting to win, but just going along with the journey and seeing what comes out of it".
Montano seems to have more patience than I would, saying that she takes care of herself, and besides, "I'm not super-duper delicate", she said.
Back in 2014, she competed in the 800 meters while eight months along because she wanted to show women that they should still be active while pregnant.
"I thought it (the film) was fantastic", Montano said.
Like I just said, it's going to come down to who executes. "I do believe it certainly would have changed that inning". Zack Hess , who had saves in the Tigers' first three CWS wins, came in and wasn't almost as sharp as he had been.


Lychee Martini is a group that fuses dance and Latin grooves, dub ambience and beautiful melodies with a jazz sensibility.
The band's sophisticated and inviting sound has seen them travel to Hong Kong, Singapore, Taiwan and Malaysia to play for high fashion shows and special nightclub events. They have played for Gucci, Chanel and Frank Muller's famed 'Nocturnal Haven' parties.
Locally they have played residencies in numerous venues around Melbourne including Don't Tell Tom, Spleen Bar, The Social Bar and The Kitten Club, as well as for art exhibitions at ACCA and Federation Square.


When developing maps consider using XSLT as the preferred language for describing your transformations by either using Custom XSLT, Scripting Functoids or even when developing Custom Functoids. This will result in maps that are faster to run and easier to debug.
Using the out of the box functoids is sometimes hard or impossible to implement the necessary transformations leaving developers a lot of options on how to overcome those limitations. Using custom XSLT as a full map, a inline XSLT scripting functoid or developing a functoid that outputs XSLT is in the majority of the times the best option due to the end result being just on single XSLT that needs to be compiled and run just like any other simple map without any need for external components.


I begin the new year looking back at my reasons for beginning this column. Horror had been my favorite genre for many, many years and then—not. I know why I lost interest, why it no longer stirred me. Formula. Besides making sure that I read at least eight books a year unrelated to my own work, this column provides a good reason to take the time from other writing to conduct a focused search of the current horror landscape for new growth that stands out from the other trees in the forest, to rekindle my interest in my own field, some flash of color or twist of limb that draws my attention to something unprecedented that might herald unforeseen new life.
I've found work well worth sharing so far, but as I begin looking anew each quarter, I find list after list of the newest releases of existing series, or launches of new ones. Not many novels that exist on their own merit, simply to tell one unique and memorable tale, as if that singular and circumscribed portion of his or her character's lives is the only period the writer deems worthy of ever being shared with readers.
I have nothing against the modern marketing mania in mainstream media for hooking readers on a selling author's work by linking each release to the last. I myself am guilty of committing two thirds of a trilogy I'm in the process of finally finishing. Even as I work to find a way into my current novel that doesn't exclude those who have not read the first two, I find myself reticent to review the latest tales in serial stories I'm unfamiliar with, with obvious popular followings or they wouldn't exist. There will be and already have been exceptions, even if they have so far only proved the rule for me, and reinforced my urge to go beyond them.
So I made an extra effort this year to find work intended to stand alone. As I read familiar sounding plot descriptions online, I remembered conversations of the last year with other writers about the standardized state of current horror fiction and films, and my fear that we are trapped in tropes we can't break free of—that not only are there no new stories, there are no new ways to tell them. Get Out and The Babadook had excited me in film for their audacious ability to refresh old formats with new themes and content that refracted familiar images into new shapes, but they were still using old languages. Nonetheless, a first step in a new direction is better than none, and I know there are books and authors out there I don't know yet that will help me break free of my own confines by providing examples to follow, not in form, but in their freedom.
As I read the two novels for this column, I also found myself examining the purposes and nature of horror—is it meant to frighten or enlighten, to engage my emotions or intellect? While neither book achieves the Lovecraftian sense of creeping dread that makes you leave the lights on at night, both employ horrific imagery and events in their stories that more than qualify them for inclusion in the genre on either score. I'll examine the broader spectrum of horror in greater depth in future columns.
Some time ago I read comments by Truman Capote, which I can no longer locate, that in writing Unanswered Prayers and Handcarved Coffins he had tried to throw away everything he'd learned in fifty years of writing and start fresh. In reading them I understood what he meant, saw what he'd accomplished, and his success became my literary white whale, a wish to reinvent my work in a similar manner, by leaping so far out into the void that I'd have no choice but to write my way down. It's a terrifying and invigorating idea; to consciously abandon everything I've learned about craft and art, to hurl myself into a story with the faith that it alone could and would carry me where I need to go by some means as yet unknown.
I'm not there yet, though I'm about to attempt it on a small scale as I begin the rewrite of the first draft of my latest novel. I am giving myself permission to jettison as much as I must of what I have already written, and of what I know, to reach not home, but exotic and more interesting new shores. As I searched for unknown stars to guide me, I found two books to recommend this month that have made headway in reinventing or refreshing what I consider to be modern horror fiction.
It would be too easy to dismiss a new writer with a name like Danger Slater that screams pseudonym, and a flip one at that—though it's seemingly not—as someone not to be taken seriously. There is a slyly casual, insouciant tone to the writing that occasionally fell just short of confirming my worst fears, as he repeatedly warned me that what I was reading was a fiction.
Harrison Moss swallowed a seed. It didn't taste very good, but he swallowed it nonetheless. It traveled down his esophagus and into his stomach, where it germinated, inside of his body.
Then he started digging a hole in his backyard and he didn't know why. There is simplicity in that opening and art . . . an inciting incident, a consequence, action that will carry us forward, and the mystery of why. It reads like a fairy tale as it lays out the lives of Harrison and his wife, Tabitha, in an all too pleasant suburban Hell we've visited before, in movies like Edward Scissorhands, or TV shows like Fargo or Twin Peaks. They all tell us that too much normal is abnormal, maddening, that ordinary life wears away at us like acid, until we break apart.
Inspired to dig by the seed sprouting inside him, Harrison uses a power tool to shred his hands away, yet somehow still jams the handles of gardening tools into the stumps to excavate deeper and better. Wounded flesh heals to make them part of his body, as James Woods' hand grew around a gun in David Cronenberg's Videodrome. The novel is filled with bodily transformations worthy of early Cronenberg, or Sam Raimi, at their most morphic.
Harrison's wife curiously reacts more with indignation than horror, as if he's merely let a penchant for home brewing take over her kitchen. When a neighbor couple is consumed by the hole after a casual dinner together, the Mosses follow them into a world that mirrors our own, only darker, decaying, inhabited by human sized worms with just enough clothes and human qualities to live like us. The dead neighbors are found again as well, in a new and awful form, only vaguely aware that anything has changed.
Tabitha's indignation finally turns to rage and a separation for the couple in a world where anyone would recommend staying together as the better course of survival. Harrison's inner plant continues to grow; consuming everything but his consciousness, and his estranged wife surrenders to the inevitable as she too swallows a seed, and opens the door to an unexpected climax. I will tell you only that as many times as the tale seemed about to derail entirely, it didn't, and had an ending that was, despite the peculiar twists and turns it took to get there, eminently satisfying.
I realize that what I've described might sound as if the novel's a grim foray into icky organic entropy, but the tone is curiously light, often amusing, occasionally flip, told as simply as a fairy tale, with the same ability to keep enough hold of the dark to make you shudder as you snicker.
As is often the case, the name Frankenstein is applied to the creature, not its maker. The title of the novel turns out to be the headline on a local news magazine article about events in the titular town by the closest thing the book has to a main character. If anyone is the hero of this ensemble tale, it is Mahmoud, a young journalist for al Haqiqa magazine who becomes the monster's amanuensis, even if only by virtue of publishing second-hand tales delivered to him on his digital recorder by Hadi, a used furniture dealer. He unintentionally made the monster by sewing together pieces of assorted bodies blown up by terrorist bombs, so that the single restored corpse could be given a proper burial.
The novel took me on a tour of Baghdad and its primary players before the story really began as Hadi sewed a nose onto the body to complete it. It's not his fault that the passing spirit of a guard killed in another nearby truck bombing animates the dead flesh and walks away with it. From the best of intentions rises a tale of revenge beyond any thought possible, as the revenant sets off to kill all those responsible for the death of its component parts. As each is avenged, the parts from that body dissolve away—but if not avenged fast enough, they also rot away—so the creature must be continuously restored from its own victims, setting the composite off on fresh missions of vengeance for each, never ending as long as it replenishes itself with new flesh.
Can there be a better metaphor for the mess we left in Iraq after the fall and death of Saddam Hussein? This is the English translation of a novel released to deserved acclaim in 2014 in its original language. It favorably reminded me of one of my top five favorite novels, if not my number one, Mikhail Bulgakov's The Master and Margarita, in that it artfully paints a detailed picture of everyday life under an oppressive regime in the guise of a supernatural adventure.
The monster is connected either by events or relation to a community of characters we follow for the rest of the book—Elishva, a grieving old woman convinced her dead son Daniel will return from a war he died in decades ago, who talks to a picture of St. George that talks back; Hadi, the second-hand furniture dealer who lives on the discards of his neighbors in a Jewish ruin; Faraj the realtor, expanding his holdings as neighboring residents flee the beleaguered city; Mahmoud's manipulative editor in chief, Ali Baher al-Saidi; the filmmaker Nawal al-Wazir, Saidi's alluring and mysterious mistress; Brigadier Majid, his powerful cohort, head of the secretive Tracking and Pursuit Division that hunts terrorists with psychics . . . and of course, Mahmoud and his journalist friends, tracking the course of their world as it changes daily.
Like the assembled body parts of Whatsitsname (as Hadi dubs him), The One Who Has No Name (as the astrologers call him), or Criminal X (on the news), they are all collected at random, but connected by the unfolding events in Baghdad as surely as if they were themselves all sewn together. The Frankenstein theme is even echoed in the body of the narrative, stitched from multiple descriptions of events by its assortment of locals.
Long before its end, I had a far better idea of the effects of the last decades on Iraq, and what life there has become since Saddam Hussein, than in all the news reports I've seen or read. I've always felt that the fiction of any age, in depicting the daily lives of its characters, does a better job of telling us the truth of a time and place better then than any history. Histories are the stories of kings and heads of government, fiction is about the people who live under them, regardless of the circumstances they're put in.
There were times when I felt a particular phrase or image may possibly have been more poetic in its original tongue, but the translator does a good job of rewriting the novel into English in a way that does it more than sufficient justice to appreciate the story.
Horror has become commercial enough for the mainstream to codify and replicate successes, and thus kill it, if we're not careful. Its worst enemy is predictability. As soon as we know what's lurking in the dark, we stop fearing it. These novels are the beginning of my search for more daring, original work in the field, and I welcome any and all suggestions you may have of new favorites you think should be shared, emotional or intellectual. Send me down a dead end, and you will learn what true horror is . . . Thrill me, and I will thank you.


At Cattywampus Crafts we offer an inspiring mix of all natural materials for making along with beautiful, hand crafted goods for the home and to wear. We don't have a web shop available for placing orders online yet, but we welcome orders over the phone or email. Please call us at 805-633-9222 or email crew@cattywampuscrafts.com.


A businesslike syndicate runs all the gambling joints in town; least profitable is honest Mike Lee's. Under pressure to allow cheating, Mike "walks out," leaving tough-minded daughter Lady Lee to earn a living the only way she knows. She soon becomes a success gambling among the rich, but, falling out with the syndicate, she considers the marriage proposal of blueblood Garry Madison. Can such a match work despite snobbery and old associations?


text:
package yitian.study.mediator;

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    private String name;

    public User(String name) {
        this.name = name;
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    public void sendMessage(Message message, ChatRoom chatRoom) {
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redpajama_set_name: RedPajamaGithub


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Q: Adding template directory in django I just wanted to understand something about adding a templates folder in django. This is the code for including my templates folder, that django conveniently made for me:
TEMPLATE_DIRS = (
    # This includes the templates folder
    os.path.join(os.path.dirname(__file__), '..', 'templates').replace('\\','/'),
)

What I do not understand is the part with 'templates', why is it not '/templates', or even \\templates in the case of something Unix based? I come here after reading this article, in particular the part about Template Loading.

A: os.path.join is building the absolute path based on the operating system being used.
Here, Django is computing the templates directory by getting the path. Here, windows would have included a \\, hence the .replace
You can read more about it here

redpajama_set_name: RedPajamaStackExchange


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text:
what to do after a tsunami brainly
Take your pets with you if you can do so safely. your own Pins on Pinterest Elevate the furnace, water heater and electric panel in your home if you live in an area that has a high flood risk. Be sure to consider each speech's purpose and use of rhetorical appeals. After a tsunami. These are some of the things you need to know and to do before, during and after an earthquake. 5. Stay away from damaged buildings, roads and bridges. Exit the building once the shaking has stopped and you know it's safe. If evacuated, return only when authorities say it is safe to do so. If you do nothing else: 1. The Culture Pop and Psy cine-club is proposed by … Take your getaway kit with you if possible. If you're in a high-rise building after an earthquake hits, do not use the elevators to exit. Berikut kronologi bencana tsunami itu. You may not have access to clean, running water during and after a tsunami, but include personal hygiene products, such as toothpaste, toothbrushes, and deodorant. Give first aid where appropriate. Let friends and family know you're safe. After a tsunami, local officials will assess the damage and tell you when it is safe to return. Register yourself as safe on the Safe and Well website. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. Performance & security by Cloudflare, Please complete the security check to access. • Continue to listen to the radio for civil defence advice and do not return to the evacuation zones until authorities have given the all-clear. And lastly after the tsunami find your family and your hope to continue living despite of what happened. The diaphragm relaxes allowing the same air in the chest cav … ity.B. Staying Safe After a Tsunami. A tsunami occurs when a large body of water, such as an ocean or sea, experiences displacement that causes a long-wavelength wave of water to reach the shore. - 4845445 singlesera20 is waiting for your help. Cloudflare Ray ID: 6264431d2b364c1a AFTER THE ERUPTION. Al Roker. The waves that follow the first one may also be bigger. Staying Safe After a Tsunami. Tsunami warning: Britain could be hit by 30m wave - Professor warns of hazards to Britain BRITAIN could be hit by a mega-tsunami measuring up to 30 metres tall – but scientists do … Performance & security by Cloudflare, Please complete the security check to access. AFTER A TSUNAMI. They can also happen anywhere else as long as the causing agents are available. Biology; 5 points; Please explain to me the basic difference between … It is important to remember that after most earthquakes, there are smaller earthquakes, called aftershocks that tend to happen. Help others if you … • Know the sound of the alert and make sure all in your family are familiar with it and what to do. Discover (and save!) Apr 14, 2016 - Hopefully by now you've read What to Do Before a Tsunami to learn what you can do now to prepare yourself for a tsunami and What to Do During a Tsunami to learn Make sure to add several rolls of toilet paper as well. Write two to four sentences comparing the excerpts from Queen Elizabeth's speeches. Contact your municipality to know the risks, evacuation and alerting system in your community. To prepare for a flood, you should: 1. Avoid building in a floodplain unless you elevate and reinforce your home. The Philippine Institute of Volcanology and Seismology (PHIVOLCS-DOST) release this posters in their Facebook Page. PLEASE PLEASE PLEASE HELP ME ASAP!!!!! Drop, Cover, then Hold On. If there is a lot of damage, it may be days before it is safe to return (or before you … A tsunami is a string of immense waves that appear after earthquakes, volcanic eruptions, underwater landslides, and even asteroid impacts. Nature … Continue listening to a NOAA Weather Radio, Coast Guard emergency frequency station, or other reliable source for emergency information. The tsunami may have damaged roads, bridges, or other places that may be unsafe. Visual of the Cine-club evening at Brady Cinéma - Focus Features. Sep 8, 2015 - This Pin was discovered by holidayme.com. If you're not yet aware of, for the past two days, there has been series of strong earthquakes happening in Luzon and Visayas. Another way to prevent getting this page in the future is to use Privacy Pass. Answering questions also helps you learn! Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. 3. When big geophysical events happen - a huge earthquake, tsunami, or volcanic eruption - we're reminded of that. Even though the danger of the tsunami has passed, other dangers may remain. la140125 la140125 03/16/2015 Geography High School How do tsunamis occur? Please enable Cookies and reload the page. What to do before during and after tsunami - 4730707 Before First, protect yourself from an Earthquake. Consider installing "check valves" to prevent flood water from backing up into the drains of your home. Build an emergency kit and make a family communications plan. Emergency blankets, sleeping bags, rain gear, and changes of clothing for everyone in the family are also important. What to do this 09/15/2020 in Paris? You may need to download version 2.0 now from the Chrome Web Store. We still carry this old caveman-imprint idea that we're small, nature's big, and it's everything we can manage to hang on and survive. The structure may have already been severely … Do not leave your home or indoor shelters until notified by the local government that it is safe to do so. No one knows if tsunami is coming so before that all we have to do is to be ready to this kind of situations. We can do it for our own citizens. Evacuate to safer grounds only when notified. See more ideas about garden art, yard art, garden totems. Shoneitszeliapink . Gelombang raksasa tsunami menghancurkan Aceh 26 Desember 2004. Wear protection. Be aware that there may be more than one wave and it may not be safe for up to 24 hours, or longer. What to do after tsunami 1 See answer Shamsy8 Shamsy8 Answer: Be aware of the risk of electrocution. 4. If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. Tsunami's are triggered when a massive amount of land is displaced akin to a brick being dropped in a bucket of water. Effort World Never. Nov 4, 2020 - Explore Anne Reid's board "What to do with a tree trunk in my garden" on Pinterest. Slowly descend the stairs of … In deep waters, tsunamis travel up to 500 miles per hour but slow as their height increases to over 32 … Hier sollte eine Beschreibung angezeigt werden, diese Seite lässt dies jedoch nicht zu. A tsunami is a sort of wave-train that results from forceful interference with the ocean floor. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Tsunami triggers are most often earthquakes or volcanic eruption but may also be caused my meteorite landing or calving icebergs, though these are rare. Do not travel into the areas at risk to get your kit or belongings. 2. It is crucial to contact the local emergency agency or Red Crossin a specific area to identify the regions that are most susceptible to tsunamis. Tidal waves can be experienced on a daily basis, particularly in the coastal areas. Tsunamis. If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. Please enable Cookies and reload the page. Aftershocks occur when stress is added to the earthquake stress and it triggers the shakes again. What to Do After a Tsunami. Tell family and friends you're OK. Keep tuned in to official information sources or local media. Click here to get an answer to your question  How do tsunamis occur? Sebelumnya terjadi gempa hebat di dasar laut dekat Pulau Simeuleu. Culture> Screening - 5-8 euros . Here's what you should do before, during and after a tsunami to stay safe.Full story: http://abc7.la/2G8iUiAProduced by LA Blake You may need to download version 2.0 now from the Chrome Web Store. Tsunamis are frequent in the Pacific Ocean, and it is estimated that 80% of all the tsunamis develop in the Pacific Ocean. Move immediately to the nearest higher ground, or as far inland as you can. Essentially, one should ascertain the vulnerable motels, workplaces, hotels, schools, campsites, or homes. Use masks, glasses/goggles, long sleeves, pants, and shoes when clearing … If you live in an area that has been recently hit by a tsunami, recovering may seem like a … Help the community by sharing what you know. Don't assume the danger is over after the first wave. Although tsunamis may not be accurately predicted, there are some signs that … Keep a watchful eye on your kids or loved ones who may be tempted to go out to see what's going on outside. The structure of the building you're in may have been weakened by the initial earthquake, so you should exit in case of any aftershocks that could cause more damage to the building. Check yourself for injuries and get first aid if needed. The diaphragm relaxes … James Balog. The most common cause of a tsunami is an underwater earthquake, but … thank you ty po New questions in Science. 3. In partnership with Toot Sweet, discover great tips: where to go out, exhibitions, flea markets, aperitifs and other experiences! Help injured or trapped persons. When a tsunami occurs, it can be disastrous to the point of demolishing entire cities. Eternal Sunshine of the Spotless Mind - Pop and Psychic Culture. Continue listening to local news or a NOAA Weather Radio for updated information and instructions. Add your answer and earn points. During uhm fight for your life. Your IP: 138.197.69.132 A. Date and Time: 22 Apr 2019 – 05:11 PM … During a tsunami. Your IP: 149.202.143.89 We can do it for tsunami victims half a world away. To the Troops: Let tyrants fear, I have always so behaved myself, that, under God, I have placed my chiefest strength and safeguard in the loyal hearts and good will of my … Additionally, it is crucial to find out th… Cloudflare Ray ID: 6264431fcff33dc1 • What happens to the diaphragm when a person breathes in or inhale? Call for help. The Brainly community is constantly buzzing with the excitement of endless collaboration, proving that learning is more fun — and more effective — when we put our heads together. If … This occurs after earthquakes, landslides, volcanic eruptions and other disasters that occur near bodies of water. 2. What to do after a tsunami? Aftershocks and Tsunamis. • So be cautious not to enter any structures immediately after an earthquake. If feasible, construct barriers to stop floodwater from entering the building and se… Do not move seriously injured persons … Understanding how tsunamis form after an earthquake helps scientists predict whether one will be generated by a particular tremor. Another way to prevent getting this page in the future is to use Privacy Pass. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. 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On the safe and well website also happen anywhere else as long as the causing agents are available the are! You if you can do so safely trunk in my garden '' Pinterest... When big geophysical events happen - a huge earthquake, tsunami, local officials will assess the damage tell! Has passed, other dangers may remain of that cloudflare, Please complete the security to... For emergency information higher ground, or other what to do after a tsunami brainly source for emergency information chest cav ….! Tidal waves can be disastrous to the diaphragm relaxes allowing the same air in the coastal.. Events happen - a huge earthquake, tsunami, or other reliable source for information. Tsunami, local officials will assess the damage and tell you when it important! Cav … ity.B other places that may be more than one wave and triggers. Well website the coastal areas until authorities have given the all-clear shakes.. This posters in their Facebook page rolls of toilet paper as well kit... 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More than you wanted to know: Aries | Wisecrack Zodiac: Your Snarky Guide to the Stars!
You're so hard-headed, angry mobs could grab your feet and use you to batter down the doors of criminal dens and medieval castles. When your goal is in sight, you are focused like a laser, until you change your mind, of course, and find a new goal. Some days you're like a Pink Floyd laser light show, and others could find you a tad overwhelming. When you see your co-workers start crowding around you and reaching for your feet, invite them all over for dinner and drinks so you can show off your skills in cooking and Guitar Hero. It wouldn't hurt to let them see you cry over a Kodak commercial, either, so they can see your softer side.
Good love matches include Taurus the bull, although the two of you will clash horns on occasion; Cancer, as long as you're both not on the same mood swings; and earthy Aquarius, who grounds you and helps you go with the flow. Try to avoid Leos, though, or you'll both be continually pulling your pants down and reaching for the ruler–you're both showy and competitive. But hey, if you fall for a Leo, it'll be one wild ride.
I am an Aries and I am happy that I was born as an Aries. I have read some about Horoscope and it was interesting for me to find out that many of the qualities (both positive and negative) of Aries fit into me so superbly. I want to add here that if you are a true Aries then be prepared to suffer a lot of emotional stress until you are in your 30s. I came to your blog as a part of AW comment chain and then ended up in reading the 4 entries you have written about Aries.
Good to see another person ^ who acknowledges these truths and embraces the Aries curse. You gotta be aware of what's in your nature, and others', I think. I've never heard these love matches before, in fact I've heard some of the opposite…hmm. I've been with a Leo for almost 3 years, and while passion is high between the two of us, I wish someone warned me of these things before I got addicted to her. It's been challenging for sure, a rollercoaster and a complete nightmare at times. But, like many Aries, I'm super committed in love and brush things off relatively quick. Your blog is hilarious btw, you really deserve more readers. I visit weekly for the wisecracks. Keep it up!
Yes, sometimes love matches aren't as easy as we think, but they're often worth it. Thanks for stopping by!


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You can't do everything, but you can do something. That's our motto and the reason why we founded Reused Remade: offering a sustainable, washable and durable textile bag made out of 100% reused hotel bed linen for the conscious consumer.
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