text:
Un coup de dés
Autumn issue guest-edited
by Catalina Lozano
Winter issue guest-edited
by Zasha Colah
Spring issue guest-edited
by Moe Satt
Summer issue guest-edited
by Manuela Moscoso
of centres d'art
marking 30 years of
By art center
THE CRAC ALSACE - CENTRE RHÉNAN D'ART CONTEMPORAIN plays
THE FICTION
with Olivier Bosson
With the Brass Band, Then
The CRAC Alsace is located in a building still recognisable as a 19th-century secondary school - a context that naturally leads us to raise issues addressing art as a locus for alternative experiments in transmission. The CRAC with its last exhibition "Susan Vérité" brought together artists who "recheat", and whose specific methods for soaking up miscellaneous practices and disciplines mean they turn art into a curious tool for learning. Olivier Bosson is still "recheating" here a new html fiction.
IT'S WEDNESDAY
BACK FROM THE PRACTICAL ART WORKSHOP
MEREM IS HOME
PILIPA IS HOME
MEREM'S SOON GOING TO THE LA CUNETTE GYMNASIUM TO SEE THE BRASS BAND PLAYING
PILIPA: Yes, no, you're right, usually it's on Tuesday, that's why we never cross paths. So you're on video?
MEREM: Yes, video, great! But you know I actually started like you, with painting, and then I changed and…
PILIPA: You didn't like painting?
MEREM: Yes, yes I liked it, but…
PILIPA: But you wanted to try something else.
MEREM: Right, and then at the particular time, too, I realized that I had more and more cameras and that I wasn't using them.
PILIP: Umm… you mean webcams and things?
MEREM: Yes, webcams, and others too: when we got back after our year in Romania they'd set up a relay aerial just beside where my father works. After six months, he started to have pains in his testicles, stronger and stronger pains, and my brother too! They made all sorts of claims, approaches etc, and absolutely nothing.
So at a certain moment I said to myself: that's a waste of time, I must do something else. And so I have.
Then from there, because I liked it a lot, I tried other connected activities, more collective, like flash mob in shops, destruction of altered plants, but in the end I've come back to dismantling, because it suits me.
PILIPA: Yes, you're autonomous.
MEREM: Right, autonomous. And because I also wanted something less heavy, I've arrived logically enough at cameras.
PILIPA: But it's still quite physical, isn't it?
MEREM: Physical, yes and no… already a lot less than the aerials (another thing altogether), all the more so because a lot of webcams are false and, honestly, a box is as light as a feather. And then in the end it's like everything: if you work and practice and train and choose your tools well, it's fine! Look at this thing for example. I got it for my birthday and I've never used it.
PILIPA: It's a present?
MEREM: Yes, I've kept it because I find it depressing to sell presents I don't like online.
PILIPA: One more, one less! It's too sad!
MEREM: Actually it's a laser pistol, it's sold for cameras: you stand facing the camera, you aim at your subject, you shoot, you explode the lens. Of course paper's very good, but in reality not that good.
PILIPA: Why? It's not powerful enough?
MEREM: Yes, yes, but the problem is a method, you can never be sure of the result behind it, because nothing's visible. This is why we also prefer to dismantle the camera.
PILIPA: And on the shelf behind you, all those we can see, it's you who've dismantled them?
MEREM swivels clockwise: Yes, well most of them! Some of them were dismantled by several of us together, or else they may be swaps—you quickly end up with lots of doubles, in particular everything to do with the street, usually you have the same two or three models everywhere. No, to find rare ones you have to go private.
MEREM swivels anti-clockwise: But if not, yes, it's fun to be several of you too. Do you want to come along? I'll pay for your baptism, sister?
PILIPA: Yeah, I don't know if my husband will be too keen, he's rather traditional.
MEREM: Umm…well, you decide!
PILIPA: …
MEREM: Hey, it's a quarter to! Excuse me a minute, I've got to go or else I'll miss the brass band… but we can still talk if you like, I'll switch you to the mobile?
PILIPA: Can you follow me on your phone?
MEREM: Yes yes yes, no problem! Talk in a minute!
PILIPA: Okay, talk soon!
MEREM GOES
MEREM: Pilipa? It's me again, can you hear me?
PILIPA: Yes, perfect, and you, the picture's okay?
MEREM: Yes, great. I wanted to tell you: your make-up's fabulous! No, really, I think it's really great!
PILIPA: Do you mean it? thanks :-)
PILIPA: – thanks :-)
MEREM: Oh yes, really very beautiful! Did you do it yourself?
PILIPA: Yes, well, it's based on a model of course.
MEREM: Oh yes? Tell me, I'm interested. Where did you find it?
PILIPA: They're camouflage designs for boats, they used them to disguise warships in the First World War. Check it out, you'll see, there are pages and pages. And it works well. With that everything's cool, there's no software that can identify you.
PILIPA: – They're camouflage designs for boats […] Check it out, you'll see
MEREM: I didn't know about those boat things….
PILIPA: Let me tell you the history: in May 1913, at Brest, two young soldiers became naval officers. Imagine, two chums, they were really pleased, they decided to go to Paris and go out on the town to celebrate. In fact they had three really wild days, really partying all the time, and when it was time to go back to Brest they missed the train. Not by much, you know—but missed is missed. In a word, all of a sudden, there they were at Montparnasse station with no train before that evening. Not too good, right. So because they had lots of time on their hands, they said come on let's go for a walk in the neighbourhood. They walked and walked, in the streets, you can imagine the streets. And at a certain moment they came upon a sort of little shop where there was an exhibition of paintings. With weird pictures. Okay, they went in and it was in fact an art exhibition with modern-type things, Cubists and so on. and for them that was an experience that unsettled them. For example, they realized that looking at a cubist picture, they didn't recognize anything, they were unable to understand what they were seeing, it was all sort of swallowed up. Even a picture depicting a female nude in an explicit posture, imitated by the very relaxed gallery owner… they looked it in vain for a long time, and didn't see it! So a really strange sensation.
MEREM WALKS
PILIPA: Then war breaks out in Europe and war, needless to say, is something that involves lots of military people. So a few days later the two officers have to pack their bags and go to sea and as they're looking through their things, one of the two (history, ever ungrateful, does not know which, ha bloody ha!) one of the two finds his old cubist flier with above it, in black and white, the incomprehensible erotic image. And that gives him an idea for the night.
PILIPA: That night he goes to the officers' mess with the flier in his pocket. After soup in the mess there's often a pause and that night he uses it to circulate the image. It does the rounds, from hand to hand, everyone looks at it and it works: nobody understands a thing! Even once he's explained that the image depicts a female nude, etc, nobody can see it, and the sexual allusions flop. And then as every night, it starts: they talk about camouflage—because, yes, I didn't tell you, but at that particular moment the camouflage issue in the French fleet was continually exercising the minds of naval NCOs.
PILIPA: What happens? Next day at 10 a.m. we find our young officer with his flier in the admiralty offices. There, same thing, he shows the image to the admiral, and once again: nothing. Ten days later, a circular from the Ministry of War invited the navy's painters to copy the manner of the masters of modern art, Braque, Léger and even the swarthy Picasso.
PILIPA: Obviously the military artists weren't at all happy with this order at first. A normal reaction from rather classic, conservative professionals who were even in general quite rigid in their minds, who all felt outraged and insulted by this invitation to anarchy coming through the official channels of the very summit of the state. A bit the way you might imagine the reaction of parents of pupils when they have to sign the document where the headmistress announces that on Tuesday morning Dr. Pasteur will come and inoculate all the schoolchildren with cholera. Anyway, the army is also an organization where when you're told to do something, you don't think about it, you do it. So our painters heaved a last sigh, got over their pride, and did what they were told. We know from reports that they made rapid progress, and not only progress but they even worked wonders, so excited were they, and so bewitching was the spell working through them: the power to cause all the ships in the French fleet to disappear one after the other.
Legend has it that in Lorient, they achieved such a degree of skill that one April day in 1915, in that beautiful roadstead at Lorient (I don't know if you know it? Lorient? A large roadstead with a seawall all round it?) two battleships collided: the Wagram ripped open the Bourgogne. In the manner of Juan Gris, it is said. Well, there you are, that's the legend.
MEREM: the brass band video!
Music: traditional arrangement
Int. : F. Lewyllie et la BFM de Coudekerque Branche
Tout à coup et comme par jeu
Mademoiselle qui voulûtes
Ouïr se révéler un peu
Le bois de mes diverses flûtes
(Extract from Feuillet d'Album by S. Mallarmé)
Fab's comment :
Hi, Merem, your story reminds me of Rueil-Malmaison where they've visibly closed the art school to finance municipal video-surveillance equipment, because that in fact tallied at the budget level..
Agnieszka D's comment:
Yes, well it's never been proved either.
Yes, if you like but….
CRAC Alsace – Centre rhénan d'art contemporain
Olivier Bosson
Bupropion Tablets For Sale – Fast Worldwide Shipping – 24/7 Drugstore
D.C.A
by Catalina Lozano (Bogota, Colombia)
by Zasha Colah (Bombay, India)
by Moe Satt (Yangon, Myanmar)
by Manuela Moscoso (Sao Paulo, Brazil)
ORGANIZING UN COUP DE DÉS
, and lies listen to,, at the she said as a form of, while he said ? . a , .
For the summer edition of uncoupdedés.net magazine, I have let myself be inspired by Mallarme´s dice play to shift away from a regular textual introduction. In favor of the actual produced material and the heterogonous spirit I found in the magazine, I limited myself to use what is already existing – titles and content – to produce a minimal intervention: , and lies listen to,, at the, she said, as a for of, while he said ? . a , . The economy of words deploys a visual and musical dimension of the assemblage, flames the collective effort, fulfills magical strategies, provokes memorization or, perhaps, simply incorporates the fundamental action given by this invitation: ORGANIZING UN COUP DE DÉS.
Manuela Moscoso
O ,
THE CENTRE D'ART CONTEMPORAIN DE LA FERME DU BUISSON
THE CENTRE D'ART CONTEMPORAIN - LA SYNAGOGUE DE DELME
and G .
THE CNEAI= CENTRE NATIONAL EDITION ART IMAGE
N lies
THE CENTRE D'ART CONTEMPORAIN D'IVRY - LE CRÉDAC
THE CENTRE D'ART LE PAVÉ DANS LA MARE
Listen to Z ,
MICRO ONDE, CENTRE D'ART DE L'ONDE
I ,
LE LAIT, LABORATOIRE ARTISTIQUE INTERNATIONAL DU TARN
THE CENTRE D'ART IMAGE/IMATGE
at the G . She said
L'ESPACE DE L'ART CONCRET
THE 3 BIS F - CENTRE D'ART CONTEMPORAIN
as a form of N , while he said
LE JEU DE PAUME
THE CAC BRÉTIGNY - CENTRE D'ART CONTEMPORAIN DE BRÉTIGNY
O ?
THE CENTRE D'ART BASTILLE
THE CENTRE NATIONAL D'ART CONTEMPORAIN DE LA VILLA ARSON
P .
LA MAISON DES ARTS GEORGES POMPIDOU
THE CENTRE RÉGIONAL D'ART CONTEMPORAIN LANGUEDOC-ROUSSILLON
LA CRIÉE, CENTRE D'ART CONTEMPORAIN
THE BBB CENTRE D'ART
E ,
LA GALERIE - CENTRE D'ART CONTEMPORAIN DE NOISY-LE-SEC
LE QUARTIER, CENTRE D'ART CONTEMPORAIN DE QUIMPER
Bolstered by its success and visibility, uncoupdedés.net is restarting and subjecting existing content to new voices. In 2014 and 2015, several personalities from outside France will be asked to become our editorial writers for one season. Their task will be to place the contents of the whole magazine in perspective, presenting them differently through the prism of their subjectivity and their own work contexts. Catalina Lozano (Colombia), Zasha Colah (India), Moe Satt (Myanmar) and Manuela Moscoso (Brazil): each guest editor will reformulate the actions of the centres d'art, various aspects of which they will have been able to perceive through the magazine. Each editor-in-chief will "roll off" a cross-cutting text, presenting an original re-examination of the resolutely fluid geography of the centres d'art. uncoupdedés.net repeats the challenge from the poet Mallarmé, resurrected in the cinematographic art of Jean-Marie Straub and Danièle Huillet (Every Revolution is a Roll of the Dice, 1977). The guest editors, coming from a variety of disciplines, will widen the circle of expression even more. Choral and fragmentary, uncoupdedés.net takes just as much after puzzles as it does after memories, and naturally calls for cut-outs of every kind…
(Sao Paulo, Brazil)
Manuela Moscoso is a Brazil-based curator. Recently she has curated 12 Bienal de Cuenca, Ecuador; Yael Davis in the Museo de Arte do Rio Brazil; Fisicisimos, Universidad Torcuato di Tella,The Queens Biennale in the Queens Museum New York; or Before Everything in CA2M (Madrid). Together with Sarah Demeuse is Rivet, a curatorial office investigating notions of deployment, circulation, exercise, and resonance. Their research has materialized in projects in Spain, Norway, Lebanon and the US. Manuela Moscoso holds an MA from Center for Curatorial Studies at Bard College.


Grounded in our commitment to peace, unity, and justice, Youth Together is proud to present our 2018 Unity Day!
Unity Day is an annual event put on by Youth Together that started as a day to address racial tension and violence on high school campuses in Oakland back in 2001. Unity Days are way for our community to come together and arm our students with knowledge & tools they need to fight for our collective liberation. This year's theme for Unity Day is "Pump Up the Volume: Power in Youth Voice." We build YOUTH POWER through agitating, educating, and mobilizing youth to address inequities they see in their homes, schools, & communities. Whether it is encouraging students to be civically engaged & registering to vote, providing space to learn about different cultures, or educating them on their rights as students, Youth Together hopes to empower young people to PUMP UP THE VOLUME & use their voice, knowledge, resources & community all as tools to create positive school & community change.
If you're interested in getting involved, or would like to talk about the possibility of bringing Unity Day to YOUR school site, make sure to reach out to Meesh Cabal at meesh@youthtogether.net!
Cultural Cuisine & Storytelling Pt. 2: Guest Chef, Nancy Phan!


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In order to log in, please follow the steps below.
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Fresh from winning the Les Enfants terribles "Greenwich theatre partnership award", Incognito Theatre Company returns to Pleasance Islington for a second time with their explosive physical energy to explore a tale of the frustrated and disenfranchised youth of 1920's London in Tobacco Road.
what is tobacco road about?
We follow a gang of five disillusioned but resourceful young men and women as they attempt grind out a place in the murky underworld of a brutal and industrial city. Their naive and disorientated desire to belong collides with the sheer brute nature of a world in which men and women do whatever they can to get by. Their individual truths, struggles and insecurities are laid bare throughout as each gang member attempts to come to terms with vicious demons that plague their being.
"this piece of physical theatre tells a more important story than perhaps any of us dare to imagine."
***** "escapism or something more insightful-it's up to you"
13th February - 17th February 2019 18:15pm.
Venue: the network theatre as part of the vault festival.


text:
#ifndef DALI_GRAPHICS_CONTROLLER_H
#define DALI_GRAPHICS_CONTROLLER_H

// EXTERNAL INCLUDES
#include <memory>
#include <vector>

// INTERNAL INCLUDES
#include "graphics-buffer-create-info.h"
#include "graphics-command-buffer-create-info.h"
#include "graphics-framebuffer-create-info.h"
#include "graphics-memory.h"
#include "graphics-pipeline-create-info.h"
#include "graphics-program-create-info.h"
#include "graphics-reflection.h"
#include "graphics-render-pass-create-info.h"
#include "graphics-render-target-create-info.h"
#include "graphics-sampler-create-info.h"
#include "graphics-shader-create-info.h"
#include "graphics-sync-object-create-info.h"
#include "graphics-texture-create-info.h"

namespace Dali
{
namespace Integration
{
class GlAbstraction;
class GlContextHelperAbstraction;
} // namespace Integration

namespace Graphics
{
class Command;
class CommandBuffer;
class Buffer;
class Framebuffer;
class Memory;
class Pipeline;
class RenderPass;
class RenderTarget;
class Sampler;
class Shader;
class SyncObject;
class Texture;

/**
 * @brief Controller class controls render loop
 *
 * Controller class is responsible for executing render calls
 * and controlling pipeline state.
 */
class Controller
{
public:
  // Temporary until graphics api is complete
  virtual Integration::GlAbstraction&              GetGlAbstraction()              = 0;
  virtual Integration::GlContextHelperAbstraction& GetGlContextHelperAbstraction() = 0;

  /**
   * @brief Destroys controller
   */
  virtual ~Controller() = default;

  /**
   * @brief Submits array of command buffers
   *
   * Submits command buffers to the graphics pipeline. Submitted commands
   * may be executed instantly or postponed.
   *
   * @param[in] submitInfo Valid SubmitInfo structure
   */
  virtual void SubmitCommandBuffers(const SubmitInfo& submitInfo) = 0;

  /**
   * @brief Presents render target
   * @param renderTarget render target to present
   */
  virtual void PresentRenderTarget(RenderTarget* renderTarget) = 0;

  /**
   * @brief Waits until the GPU is idle
   */
  virtual void WaitIdle() = 0;

  /**
   * @brief Lifecycle pause event
   */
  virtual void Pause() = 0;

  /**
   * @brief Lifecycle resume event
   */
  virtual void Resume() = 0;

  /**
   * @brief Lifecycle shutdown event
   */
  virtual void Shutdown() = 0;

  /**
   * @brief Lifecycle destroy event
   */
  virtual void Destroy() = 0;

  /**
   * @brief Executes batch update of textures
   *
   * This function may perform full or partial update of many textures.
   * The data source may come from:
   * - CPU memory (client side)
   * - GPU memory (another Texture or Buffer)
   *
   * UpdateTextures() is the only way to update unmappable Texture objects.
   * It is recommended to batch updates as it may help with optimizing
   * memory transfers based on dependencies.
   *
   */
  virtual void UpdateTextures(const std::vector<TextureUpdateInfo>&       updateInfoList,
                              const std::vector<TextureUpdateSourceInfo>& sourceList) = 0;

  /**
   * Auto generates mipmaps for the texture
   * @param[in] texture The texture
   */
  virtual void GenerateTextureMipmaps(const Texture& texture) = 0;

  /**
   * @brief Enables depth/stencil buffer
   *
   * @param[in] enableDepth True to enable depth
   * @param[in] enableStencil True to enable stencil
   * @return True on success
   */
  virtual bool EnableDepthStencilBuffer(bool enableDepth, bool enableStencil) = 0;

  /**
   * @brief Runs garbage collector (if supported)
   *
   * @param[in] numberOfDiscardedRenderers number of discarded renderers
   */
  virtual void RunGarbageCollector(size_t numberOfDiscardedRenderers) = 0;

  /**
   * @brief Discards unused resources
   */
  virtual void DiscardUnusedResources() = 0;

  /**
   * @brief Tests whether discard queue is empty
   *
   * @return True if empty
   */
  virtual bool IsDiscardQueueEmpty() = 0;

  /**
   * @brief Test if the graphics subsystem has resumed & should force a draw
   *
   * @return true if the graphics subsystem requires a re-draw
   */
  virtual bool IsDrawOnResumeRequired() = 0;

  /**
   * @brief Creates new Buffer object
   *
   * The Buffer object is created with underlying memory. The Buffer
   * specification is immutable. Based on the BufferCreateInfo::usage,
   * the memory may be client-side mappable or not.
   *
   * The old buffer may be passed as BufferCreateInfo::oldbuffer, however,
   * it's up to the implementation whether the object will be reused or
   * discarded and replaced by the new one.
   *
   * @param[in] bufferCreateInfo The valid BufferCreateInfo structure
   * @param[in] oldBuffer The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   * @return pointer to the Buffer object
   */
  virtual UniquePtr<Buffer> CreateBuffer(const BufferCreateInfo& bufferCreateInfo, UniquePtr<Buffer>&& oldBuffer) = 0;

  /**
   * @brief Creates new CommandBuffer object
   *
   * @param[in] bufferCreateInfo The valid BufferCreateInfo structure
   * @param[in] oldCommandBuffer The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   * @return pointer to the CommandBuffer object
   */
  virtual UniquePtr<CommandBuffer> CreateCommandBuffer(const CommandBufferCreateInfo& commandBufferCreateInfo, UniquePtr<CommandBuffer>&& oldCommandBuffer) = 0;

  /**
   * @brief Creates new RenderPass object
   *
   * @param[in] renderPassCreateInfo The valid RenderPassCreateInfo structure
   * @param[in] oldRenderPass The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   * @return pointer to the RenderPass object
   */
  virtual UniquePtr<RenderPass> CreateRenderPass(const RenderPassCreateInfo& renderPassCreateInfo, UniquePtr<RenderPass>&& oldRenderPass) = 0;

  /**
   * @brief Creates new Texture object
   *
   * @param[in] textureCreateInfo The valid TextureCreateInfo structure
   * @param[in] oldTexture The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   * @return pointer to the TextureCreateInfo object
   */
  virtual UniquePtr<Texture> CreateTexture(const TextureCreateInfo& textureCreateInfo, UniquePtr<Texture>&& oldTexture) = 0;

  /**
   * @brief Creates new Framebuffer object
   *
   * @param[in] framebufferCreateInfo The valid FramebufferCreateInfo structure
   * @param[in] oldFramebuffer The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   * @return pointer to the Framebuffer object
   */
  virtual UniquePtr<Framebuffer> CreateFramebuffer(const FramebufferCreateInfo& framebufferCreateInfo, UniquePtr<Framebuffer>&& oldFramebuffer) = 0;

  /**
   * @brief Creates new Pipeline object
   *
   * @param[in] pipelineCreateInfo The valid PipelineCreateInfo structure
   * @param[in] oldPipeline The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   * @return pointer to the Pipeline object
   */
  virtual UniquePtr<Pipeline> CreatePipeline(const PipelineCreateInfo& pipelineCreateInfo, UniquePtr<Pipeline>&& oldPipeline) = 0;

  /**
   * @brief Creates new Program object
   *
   * @param[in] ProgramCreateInfo The valid ProgramCreateInfo structure
   * @param[in] oldProgram The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   * @return pointer to the Program object
   */
  virtual UniquePtr<Program> CreateProgram(const ProgramCreateInfo& programCreateInfo, UniquePtr<Program>&& oldProgram) = 0;

  /**
   * @brief Creates new Shader object
   *
   * @param[in] shaderCreateInfo The valid ShaderCreateInfo structure
   * @param[in] oldShader The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   * @return pointer to the Shader object
   */
  virtual UniquePtr<Shader> CreateShader(const ShaderCreateInfo& shaderCreateInfo, UniquePtr<Shader>&& oldShader) = 0;

  /**
   * @brief Creates new Sampler object
   *
   * @param[in] samplerCreateInfo The valid SamplerCreateInfo structure
   * @param[in] oldSampler The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   * @return pointer to the Sampler object
   */
  virtual UniquePtr<Sampler> CreateSampler(const SamplerCreateInfo& samplerCreateInfo, UniquePtr<Sampler>&& oldSampler) = 0;

  /**
   * @brief Creates new RenderTarget object
   *
   * @param[in] renderTargetCreateInfo The valid RenderTargetCreateInfo structure
   * @param[in] oldRenderTarget The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   * @return pointer to the RenderTarget object
   */
  virtual UniquePtr<RenderTarget> CreateRenderTarget(const RenderTargetCreateInfo& renderTargetCreateInfo, UniquePtr<RenderTarget>&& oldRenderTarget) = 0;

  /**
   * Create a synchronisation object.
   *
   * @return A pointer to an opaque sync object
   * @param[in] syncObjectCreateInfo The valid SyncObjectCreateInfo structure
   * @param[in] oldSyncObject The valid pointer to the old object or nullptr. The object will be reused or destroyed.
   */
  virtual UniquePtr<SyncObject> CreateSyncObject(const SyncObjectCreateInfo& syncObjectCreateInfo,
                                                 UniquePtr<SyncObject>&&     oldSyncObject) = 0;

  /**
   * @brief Maps memory associated with Buffer object
   *
   * @param[in] mapInfo Filled details of mapped resource
   * @return Returns pointer to Memory object or nullptr on error
   */
  virtual UniquePtr<Memory> MapBufferRange(const MapBufferInfo& mapInfo) = 0;

  /**
   * @brief Maps memory associated with the texture.
   *
   * Only Texture objects that are backed with linear memory (staging memory) can be mapped.
   * Example:
   * 1) GLES implementation may create PBO object as staging memory and couple it
   * with the texture. Texture can be mapped and the memory can be read/write on demand.
   *
   * 2) Vulkan implementation may allocate DeviceMemory and use linear layout.
   *
   * @param[in] mapInfo Filled details of mapped resource
   *
   * @return Valid Memory object or nullptr on error
   */
  virtual UniquePtr<Memory> MapTextureRange(const MapTextureInfo& mapInfo) = 0;

  /**
   * @brief Unmaps memory and discards Memory object
   *
   * This function automatically removes lock if Memory has been
   * previously locked.
   *
   * @param[in] memory Valid and previously mapped Memory object
   */
  virtual void UnmapMemory(UniquePtr<Memory> memory) = 0;

  /**
   * @brief Returns memory requirements of the Texture object.
   *
   * Call this function whenever it's necessary to know how much memory
   * is needed to store all the texture data and what memory alignment
   * the data should follow.
   *
   * @return Returns memory requirements of Texture
   */
  virtual MemoryRequirements GetTextureMemoryRequirements(Texture& texture) const = 0;

  /**
   * @brief Returns memory requirements of the Buffer object.
   *
   * Call this function whenever it's necessary to know how much memory
   * is needed to store all the buffer data and what memory alignment
   * the data should follow.
   *
   * @return Returns memory requirements of Buffer
   */
  virtual MemoryRequirements GetBufferMemoryRequirements(Buffer& buffer) const = 0;

  /**
   * @brief Returns specification of the Texture object
   *
   * Function obtains specification of the Texture object. It may retrieve
   * implementation dependent details like ie. whether the texture is
   * emulated (for example, RGB emulated on RGBA), compressed etc.
   *
   * @return Returns the TextureProperties object
   */
  virtual TextureProperties GetTextureProperties(const Texture& texture) = 0;

  /**
   * @brief Returns the reflection of the given program
   *
   * @param[in] program The program
   * @return The reflection of the program
   */
  virtual const Reflection& GetProgramReflection(const Program& program) = 0;

  /**
   * @brief Tests whether two Pipelines are the same.
   *
   * On the higher level, this function may help wit creating pipeline cache.
   *
   * @return true if pipeline objects match
   */
  virtual bool PipelineEquals(const Pipeline& pipeline0, const Pipeline& pipeline1) const = 0;

  /**
   * @brief Retrieves program parameters
   *
   * This function can be used to retrieve data from internal implementation
   *
   * @param[in] program Valid program object
   * @param[in] parameterId Integer parameter id
   * @param[out] outData Pointer to output memory
   * @return True on success
   */
  virtual bool GetProgramParameter(Graphics::Program& program, uint32_t parameterId, void* outData) = 0;

protected:
  /**
   * Creates controller
   */
  Controller() = default;
};
} // namespace Graphics
} // namespace Dali

#endif

redpajama_set_name: RedPajamaGithub


Hardware, Software Installations and Upgrades.
Troubleshooting, Computer Repair and Laptop Repair and Maintenance.
Wired or Wireless Networking Set-Up/Configuration.
Spyware Removal, Trojan Removal, Malware Removal and Virus Removal.
Operating System Upgrades or Installations.
Set-Up of Printers, Scanners and other Peripherals.


Iyengar yoga takes the name of its founder BKS Iyengar, who died in 2014, aged 95. Until only a few months before he died he was still practising yoga, and actively involved in the yoga institute at Pune, India. The teaching style that Iyengar developed is characterised by the use of props, precise instruction and a focus on alignment. We commonly use visual demonstrations and sometimes help with adjustments. Teachers of Iyengar yoga undergo many years of training to gain certification.
During a class we usually cover a range of poses (or asanas) and sometimes variations of the same pose.
Classes begin and end quietly, so students can walk out feeling invigorated, but relaxed.
Yoga requires us to be attentive and develops our ability to be mindful.
Yoga classes sometimes require strong physical exercise - but this is always geared to the student's level of experience and ability.
Poses are done in a way that will not cause injury. Students are given alternatives if certain poses are not suitable. And over time, through the practice of yoga, we learn how to modify poses with props or variations according to our needs.
We look to ensure the poses are done safely, while also exploring our limits - in this way we can find out something new about ourselves and our bodies.
Some classes are as short as 45 minutes, with the opportunity to do more than one class per week. This way, yoga becomes a regular part of our lives and facilitates the development of our practice.
In class, students can learn by hearing instructions and seeing demonstrations. Students may also benefit from receiving adjustments while in a pose.
Yoga is for everyone, regardless of age, health status, current fitness and flexibility. Props are used in the Iyengar style of yoga to help us find proper alignment and practice safely. Props assist us to get into poses and can be used to support us in restorative poses.
Demonstration - you may be asked to watch the teacher or another student do a pose.
Instruction - you may hear verbal instructions from the teacher.
Adjustment - the teacher may give adjustments to assist students in a pose.
Each of these methods can aid the learning process and students may experience one or all of these methods of teaching in class.
If students do not wish to be adjusted by a teacher, we encourage them to let him or her know. We are fully committed to respecting the needs and wishes of students.
To become an Iyengar yoga teacher, trainees go through a rigorous training process over many years. This involves study of anatomy and physiology, years of practice and an apprenticeship with an experienced, senior teacher. To gain certification, teachers must be assessed by a panel of senior Australian Iyengar teachers and gain their approval.


text:
'World's largest poem' is kids' tribute to Stoke Newington's radical history
Published: 9:49 AM June 20, 2016 Updated: 10:40 AM October 14, 2020
Eastenders and Holby City actor, Paul Bradley at the launch of the poetry mural at William Patten School - Credit: Archant
Kids' poems about Stoke Newington's radical history form part of a giant mural at William Patten Primary School.
The poetry mural at William Patten School - Credit: Archant
EastEnders actor Paul Bradley unveiled the artwork at the Church Street school on June 5.
Its design is inspired by faded "ghost signs" – Victorian ads painted onto the brickwork of old shops.
Sophy Rickett, who helped make it, said: "We think it might be the world's largest poem, although it costs £1,000 to find out, apparently.
"The children's participation has been central to the success of the whole project – from the history and writing workshops last autumn to the final launch this summer.
"We do hope the children understand this, and that they feel a sense of pride at having contributed to the history of their street in such an enduring, positive and inspiring way."

redpajama_set_name: RedPajamaCommonCrawl


An estimated 15-20pc of Pakistanis use bottled water because of fears of unsafe drinking water supplied in the system.
Rizwanullah Khan carries two steel katoris [bowls]; one that he purchased from Jodia Bazaar and the other that can hold both cold and hot beverages. The latter has the Quranic Ayat-e-Shifa [Verse of Healing] inscribed on it. It's the second one he uses to drink water from when he's on the go.
Since his primary mode of transport is a bicycle, he needs to get rehydrated often. And while he may drink water from any source, he says, his children carry water bottles around that are filled with boiled water from home. "We boil, strain and store the water for drinking purposes in a matka [earthenware pitcher]." This water is supplied to their home in the upscale Defence Housing Authority locality through tankers.
For Khan and his wife, though, health is not a primary concern. Living according to certain values that are a mix of "hippie/green and Sufi" that he and his sister imbibed from their parents, and which have now rubbed on to his wife too, theirs is a battle against anything that smells remotely of "corporatocracy." And in particular, against companies that have "commodified" water, selling it by "running aquifers dry" or "buying lakes in Africa", for example.
To the urbanised, consumerist and upwardly mobile bottled-water fed generation, people such as Khan are an anomaly and his lifestyle cumbersome, tedious, even strange.
"I don't think I am courageous enough to take my chance with drinking tap water from any city in Pakistan, especially not in Karachi!" says Salman Ahmed, a young entrepreneur.
And that may be the response one would get from a majority of the people residing in most urban centres in Pakistan, not just Karachi, which according to reports, is supplied the most contaminated potable water. Last year, over 83 percent of water in 14 of the 29 districts in Sindh was unsafe for drinking with Karachi scoring the highest in contamination at nearly 91 percent.
The June 2018 Pakistan Council of Research for Water Resources (PCRWR) report attributed 45 percent of infant deaths in Pakistan to diarrhoea and about 60 percent to overall infectious waterborne diseases in Pakistan.
But turning to the bottle because of health fears is not just found in Pakistan alone; globally more and more people are consuming water from the bottle, even where governments say tap water is safe. Today it's the fastest-growing beverage market in the world, valued at US$147 billion per year.
One would think bottled water is a fad with the rich but that notion does not hold in reality.
The fear of waterborne disease is so widespread in a city as mammoth as Karachi that even those living in katchi abadis [squatter settlements] buy the un-branded blue plastic barrels from their nearby neighbourhood grocery stores, thinking it's cleaner than that supplied from the municipality or private tankers.
Consider the case of 20-something Aasia Kamran, a young mother who works as domestic help. Living in Shirin Jinnah Colony, near Karachi's Clifton area, Kamran has never given her two-year-old son water from the 19-litre blue plastic barrel.
"I only use the 1.5-litre branded bottle, she says, "because the doctor told me very strictly never to give him any other or he will fall very sick!".
Their use of water is very judicious, in part due to the costs involved.
This differentiation is for potable water needs; the rest of their needs, including tea and for cooking (because they boil it), are met with water from tankers.
But the water that Kamran buys comes from groundwater and costs the company next to nothing. What she is paying for is actually the cost of drawing water from the source, the raw material used in the manufacture of the plastic bottle, energy used in treatment of water, energy used in cleaning, filling, labelling, refrigerating and, marketing, and transportation cost to retailers and then to the consumer.
A source from the water and beverage industry, on condition of anonymity, tells Eos: "On average, the production cost is about 30 percent. Trade discounts, selling and distribution expenses are 29 percent. Retailer and distribution margin is 15 percent." In addition, Kamran probably pays the 17 percent tax imposed by the government on the company as well as the five to six percent profit the company is likely making off selling water.
But, argue various companies, just because there is no fee for the abstraction of water, it does not mean that water comes to them completely free.
Many researchers point to the high water footprint (packaging, treatment, bottling, sanitisation) of the industry. According to one by FreshWaterWatch, plastic bottles need three times the water that they can actually hold. This means that three litre of water is needed to make a water bottle that only holds one litre!
Families such as Kamran's, despite paying dearly, might not be getting safe water to begin with.
Ghulam Murtaza, a research officer at the Karachi office of the Pakistan Council of Research for Water Resources (PCRWR), has been monitoring water quality – surface, ground and bottled water for over a decade now and is not duped by the unsullied appearance of the bottled water available around Karachi.
The council carries out quarterly laboratory tests of water from different sources which they share with the Ministry of Science and Technology.
For the bottled water, in particular, the ministry directs the Pakistan Standards and Quality Control Authority (PSQCA), working under it (and which gives licenses to bottling plants to sell their products after they meet certain standards), to seal those companies found not complying.
Ali Bux Soomro, project director of the Conformity Assessment Centre (CAC) of the south zone of the PQSCA, an organisation that provides product certification and inspection services in Sindh and Balochistan, tells Eos that in the two provinces under his watch, there are some 250 licensed brands available in the market. However, hundreds of unregistered brands are being sold in the market.
"It is illegal to operate a bottled water company without a PQSCA licence," says Soomro, adding that the government inspectors often raid set-ups and seal them. "But these companies quickly take on a new identity at a new location and carry on with unauthorized bottling of water," he says.
Many unregistered bottling companies have been found to simply fill the blue plastic barrels with water supplied for domestic consumption by services, such as WASA in Lahore or KWSB in Karachi, and sell it at prices slightly lower than the registered ones. Others use underground water and pass it through reverse osmosis (RO) plants, and mark up the price a little more.
Murtaza of the PCRWR, who is also the member of the taskforce set up by the judicial commission on water and sanitation (which was set up by the Supreme Court last year) tells Eos that two months ago the commission had directed the council to conduct tests on water samples collected from public hospitals and schools across Sindh.
"We found that 85.2 percent of the 250 water samples collected at public hospitals, in 22 districts of the province, including Karachi, had physicochemical or microbiological contaminants," he says. These samples included water from bottles, dispensers as well as other sources.
Irked about even bottled drinking water being contaminated, the commission directed the PSQCA, last month, to run another set of tests solely on the bottled water. In addition, it ordered the health department to cancel the contracts with companies supplying water to hospitals if they were not registered with the PSQCA, irrespective of the quality of the water.
The naming and shaming of the companies selling contaminated water by media continues but this has done little to disrupt the sale of bottled water.
"Our archaic water supply system has lost public trust. Despite being declared unfit for use, people continue to repose more trust in bottling companies over the government's water supply schemes," points out Sohaib Waseem, senior officer of WWF-Pakistan's Freshwater Programme.
Waseem argues that the government needs to use the conviction of science and technology to prove that their systems hold merit to supply safe drinking water to its citizens. "Until then, bottling water companies will continue to fill in the void created due to faulty government water supply systems," he says.
In addition, he believes that consumers equate clean drinking water (when impurities are not visible) to safe drinking water (fit for human consumption).
"When they see clean, bottled water, it is assumed that is possibly better for human consumption than the local supply," says Waseem, adding it was often more convenient than filtering or boiling the water.
While residents are clamouring for water and complaining of it paucity, it seems bottling companies have an endless supply to fill up their bottles and that too almost for free.
"There is no limit to how much the companies can extract," says WWF's Waseem.
Happily for anyone extracting groundwater, it remains unregulated in Pakistan.
"Unfortunately Pakistan does not have any law specific to groundwater abstraction," explains the WWF spokesperson, although he says references and sections pertaining to the "use of groundwater" are found in different laws and acts. The National Water Policy 2018, or the earlier Canal and Drainage Act 1873, the Provincial Irrigation and Drainage Authority Act 1997 or the Punjab Soil Reclamation Act 1952 have "scarce" mentions with words like "groundwater", "sub-soil" or "underground resources".
Last year the Punjab government's Irrigation Department had drafted the Punjab Groundwater Protection, Regulation, and Development Act (2017) to regulate groundwater extraction across Punjab province and had even started consulting with various stakeholders. When it will get a shot in the arm is anyone's guess.
That said, not only is there no limit to how much the bottling companies can extract, they also do not pay for what they pump out.
Instead, they pay a fixed monthly "commercial rate" based on the size of land prescribed under provincial development laws like the Punjab Development of Cities (Amendment) Act 2014, in case of Punjab, explained WWF's Waseem.
The IWMI spokesperson emphasises it is time Pakistan moved towards charging all sectors for water, including farmers, municipalities as well as the industrial sector.
The bottling companies say they would be happy to pay their due share if other users do too.
Most of the factories which sell bottled water are spread across Punjab, Sindh and portions of the Khyber Pakhtunkhwa and Balochistan as well. The larger factories are in Punjab and Sindh while smaller ones exist in Khyber Pakhtunkhwa and Balochistan. All bottling companies in Pakistan rely on groundwater extraction for sourcing their water and use RO treatment along with adding a dosage of minerals.
The environmental impact of bottling water as well as over-exploitation of groundwater for any purpose can be of significance, argue water activists, especially when water that is pumped is in excess of what is replenished.
A NASA-led study of 37 of the world's largest aquifers of the world between 2003 and 2013, found the Indus Basin aquifer to be the second-most overstressed, which was being depleted without getting recharged.
It becomes of consequence if a bottling industry (or any other industry) is drawing groundwater adjacent to small farmers with modest shallow wells and there the groundwater starts to fall. "That is where you do have impact upon the small farmer," points out Anwar.
And, says the WWF spokesperson, if the groundwater is not able to recharge at the same rate as it is exploited, eventually it is going to have a negative impact on the local environment. "The drying up of the Katas Raj pond due to over-abstraction of groundwater by local cement factories is a visually explicit example of such consequences," he says.
However, to be fair to bottling companies, some of the "more conscious" ones have static water level meters installed with their pumps that continuously monitor levels of their underground aquifer.
But Waseem argues that while these measurements do provide "a good entry point to assess the situation of groundwater" and need to be promoted, this factor, alone, was not enough. WWF-Pakistan, he says, had been voicing for water replenishment in this regard.
"Due to over-extraction, certain elements which were untraceable before, may become detectable due to increase in their concentrations" says Waseem giving the example of arsenic, for instance.
A research published in Science Advances last year, based on data from nearly 1,200 groundwater samples says "very high concentrations" of arsenic were found from across Pakistan with over 200 micrograms/litre found mainly in south. It further says that up to 60 million people were at risk of arsenic poisoning. Regular consumption of water containing high concentrations of arsenic leads to skin disorders, lung cancer, and cardiovascular diseases, say health experts. The World Health Organisation has established a level of 10 micrograms per litre as permissible concentration in drinking water, although the Pakistan government finds up to 50 micrograms per litre to be acceptable.
It's not just what's in the plastic bottle that is under endless discussion these days, but the container itself is getting bad rap. Environmentalists around the globe are urging people to stop their plastic binge. It is causing more harm to the earth and the oceans than even climate change, they fear.
A lot of the plastic on our earth has to do with our unsatiated thirst for bottled water. Nearly 20,000 bottles are bought every second and this number will only jump to another 20 percent by 2021. More than 480bn plastic drinking bottles were sold in 2016 across the world, up from about 300bn a decade ago. By 2021, this will increase to over 583bn according to leading independent provider of strategic market research Euromonitor International's global packaging trends report.
There are no exact figures to show how many plastic bottles are sold in Pakistan but WWF-Pakistan's Waseem says roughly 15-20 percent of population, that too in urban areas, use bottled water. Citing a study, Waseem says that Indus river carries an estimated 164,332 tons of plastic into oceans. It was ranked number two among the ten rivers which carry more than 90 percent of the plastic waste that ends up in the oceans. Of course, not all plastic is plastic water bottles.
The plastic used for bottling soft drinks and water are made from polyethylene terephthalate (Pet), a recyclable material from which new bottles can be made, but it isn't. A fraction of PET is recycled and the "yarn" used in clothes, carpet, toys, and packaging materials.
"Conventional plastic bottles can greatly choke sewers, increase stress on landfill sites, pollute oceans and rivers and cause harm to life under water and on land," says Waseem, adding: "Proper recycling or reuse of such plastic is vital." Sadly the recycling efforts have failed to keep pace with the huge number of bottles that is churned and discarded.
But plastic is not just harming the earth and the oceans, it is fast finding its way into the human food chain. Early this year, Orb Media, a non-profit journalism organization based in Washington, D.C found microplastics in bottled water. Last year they had found plastic particles in samples of tap water and in seafood among others.
In the West, discussion has now moved to encouraging people to turn to tap water, installing water fountains at public places and refilling their bottles, with bottle to be used only when necessary since water supplied through the tap is safe for drinking.
In Pakistan, given the water quality from the tap, people are not yet ready, but there are some initial efforts made at some people are making some effort.
"At my office, we really discourage water bottles. Even at meetings, we provide glasses so people can fill/refill the water available at the dispenser," says Hina Lotia, director programmes at Islamabad based Leadership for Environment and Development (LEAD) Pakistan.
At the British High Commission in Islamabad, the staff is encouraged to use recyclable bottles or use glasses to fill the water in. It is part of the "Foreign and Commonwealth Office's effort to ban avoidable single-use plastics from its estate by 2020," says Samuel Heath, heading the communications section at the BHC. "The ban includes our headquarters in London and our nearly 270 diplomatic posts, including Islamabad and Karachi." The FCO has already removed plastic straws, plastic bags and plastic cutlery and introduced reusable coffee cups, water bottles and straws.
In their own small way, two educational institutes in Karachi — the Habib University (HU) and the Institute of Business Management (IoBM) — are doing their bit in minimising the use of plastic water bottles. The HU has provided customised water bottles to all students, faculty and staff so that they can refill water for free from conveniently placed dispensers from a licensed bottling company all across its campus.
The days of expensive bottled water may well be numbered if the new start-up, by the name of PakVitae Solutions (PVS), has its way. Founded by a group of a mix of entrepreneurs and engineers, the youngsters claim to have invented a "low cost" technology to purify drinking water to 99.9999 percent, and that too without using electricity.
"There will be no need for bottled water, no need for boiling either once you get our purifying technology installed to your taps," Shayan Sohail, chief executive officer at PVS, tells Eos.
But they admit, the technology they use is not new. "It was developed in the 1990s, but even now it is very expensive. We've managed to bring the cost down to an extent that it's become affordable," says Sohail who is a chemical engineer with specialization in polymeric membranes.
They are competing directly with the bottled water industry, they emphasise.
They have received certification from WASA, PCRWR, PCSIR and the University of Engineering and Technology, Lahore.
The PVS spokesperson says the filter has a very long shelf life — a lifetime, according to him — while the cartridge needs to be replaced only once a year.
"For a household of anywhere between five to six people who only use bottled water for drinking purposes, the cost is conservatively coming to 30,000 rupees annually year," says Sohail, doing a quick back-of-the-envelope calculation. "If they install the PakVitae, the cost would be just 5,000 rupees or at most 8,000 rupees per year. Refining the design of the filter for home use, the spokesperson promised not only will it be "user-friendly" but "stylish"!
And including the filters connected to taps, the PVS has been working on filters for hand pumps, sweet water wells and water wheelies as well as filters for rural homes.
It is currently catering to a handful of NGOs, the Pakistan Army, some educational and health institutes and micro-entrepreneurs, but many more are interested. Last year, the start-up was honoured by the government with the most Innovative Technology award. What's even more heartening, PVS has made its presence felt internationally as well, especially at several international tech platforms including Hello Tomorrow, Falling Walls, and Young Water Solutions.
The bottle scam is clear proof of failure of government management in executing and maintenance of water supply schemes. People are made to pay one hundred times more for unsafe water.
There is plenty of water but not good management. Spending billions of ruppes on water bottles and helping Water tanker mafia is not long term solution.
Gov should install a water meter at every house and build water and severage lines. So consumer can pay how much water usage.
And connect those lines with big water recycling and filtration plants. Severage wastege use for agriculture production or generate electricity.
These kinds of reforms only possible if Public demand from politicians otherwise People should stop blaming water crisis and pay extra to buy water bottles and filling bank balance of water mafia.
Why not Government itself develop a system of extraction of drinkable water and supply it to the public? Why private companies and the local water suppliers are even allowed to extract from water resources that should have been under Government control. Definitely the corrupt in the Government and local authorities are benefiting from this mafia and earning their share through commisions and who knows they even own all this.
Water mafia will be our undoing. Let this be a test case that Hub Canal Khi has a politically connected tanker mafia. When Faisal Vawda threatened consequences; poor clueless Fishermen Sindhis were motivated to long march against gov. Thjs motivation came from Khursheed Shah and PPP assets who are openly against Dams and accountability.
the situation is sad, its the govt's duty to provide safe drinking water. Since 2-3 years, here in Bangalore and other cities in our state there are govt installed RO dispensers, the network well spread and its available every 2-3 kms. these are huge RO filters and it takes up a 10'x10' feet room. each location has borewell from which water is pumped to overhead tank. in our layout, and in many places the unused waste water is used to water the park around the dispenser. it is charged at Rs. 5 per 20Ltrs. The quality is excellent and the rs.5 charge goes to it maintenance. lot of people use it. Earlier it used to be the same situation as you people are, the clean drinking water is controlled by water tanker mafia including the politician..
It's too much lengthy with out any conclusion.
Good informative article. The small bottles of 1L or less are normally OK. The problem is in large pack of 10L or 19L, which are reused, without a proper sterilization. Often the water found stinky & smell in large packs. The water companies must improve their sterilization process to high standards, and keep RO well maintained,add standard minerals, otherwise it's OK.
I too drink from anywhere and say Bismillah - it's the most scientifically proven method of purification. Never fails.
Remember plastic containers are carcinogenic. Proven now.
Government must allow private RO plant to work anywhere in Pakistan and fixed reasonable rate after negotiation.Please ask Aga Khan hospital/ Shaukat Khanum Hospital/ Indus Hospital/Taba Hospital and similar hospital to monitor these RO plants.No government involvement.Atleast 30% less diseases less load on Hospitals.
Cheapest way to kill the bacteria and viruses in water is the fill clear plastic bottles with it and leave it flat on the side in hot sunshine for at least 6 hours and then refrigerate it. The sunshine will kill the germs. The cooled water should be consumed within 24 hours. Also if there visible particles in the water (like sand) the water should be filtered with a fine cloth first. I saw this in a science program on TV and this method is being used in Africa.
Bottled water has to be one of the best scams that any company has managed to pull off. Water is free as they are mining it most of the time, depleting the water tables, we are just paying for the cost of the bottle, add that to not enough safety and quality checks, its a fire sale !!!
How about around 1.2 million tube wells in Punjab and countless others in Balochistan running 24 hours for agriculture?


text:
Q: What are the pros of using a javascript bundler? I'm sorry if this question has been asked before, but I couldn't find a solid answer.
In essence, I'm building quite a large application in React that has loads of components and javascript files. The manager is pretty much pressing us to use Webpack, which I'm just starting to get my feet wet with right now.
So I suppose the question is, why go through the trouble of bundling loads and loads of already neatly separated javascript files to a few single massive files?

A: The main reason is it's a lot faster to load 1 single file. Let's assume you don't compress the concatenated single file at all, there's still overhead in setting up http connections, as well as maximum concurrent request limitations that prevent simultaneous downloading.
Another reason is that allows a compressor to parse an entire file. Assuming you compress each file in isolation, you could (possibly) run into naming collision issues.
You definitely want to compress your file because you'll be sending less bytes over the wire. Since you'll already need to do some post-processing of your files, compressing isn't much extra.

A: This is more of a larger architecture related QandA it seems.
But in essence, bundling is great if
1) you have complex folder structure where each module is separate file
2) want to deliver only one file to optimize http requests and cache
3) if you utilize some sort of module export syntax.
4) With webpack you can also do hotreloading of JS and CSS with dev server, very neat.
5) also can plug in transpiler and use ES6

redpajama_set_name: RedPajamaStackExchange


text:
Q: Dependency property not updating Silverlight 4 I'm having some trouble updating a dependency property of a UserControl/View.
I have a main view (MainView.xaml) that has a series of other user controls declared inside it. One of them looks as follows:
<local:Snapshot BrandID="{Binding Path=Session.Test}" />

My Snapshot.xaml has a a TextBlock:
<TextBlock Text="Sample text" x:Name="brandIDTBlock" />

And my Snapshot.xaml.cs has the following dependency property:
public string BrandID
{
    get { return (string)GetValue(BrandIdProperty); }
    set { SetValue(BrandIdProperty, value); }
}

public static readonly DependencyProperty BrandIdProperty = DependencyProperty.Register("BrandID", typeof(string), typeof(Snapshot), new PropertyMetadata(new PropertyChangedCallback(OnBrandIdChange)));

private static void OnBrandIdChange(DependencyObject d, DependencyPropertyChangedEventArgs e)
{
    var control = (Snapshot)d;
    control.brandIDTBlock.Text = (string)e.NewValue;
}

Session is a property of the MainView and I want my brandIDTBlock TextBlock to be updated when the Test property is changed in the Session object.
The Test property is declared like so:
private string _test = "Test Value Binding";

public string Test
{
    get { return _test; }
    set { _test = value; }
}

Right now somehting is working as when I run the app I see "Test Value Binding" correctly being displayed in my view, the problem is that when the value of Test changes in my Session object the change does not propagate to the view.
I also tried to implement the INotifyPropertyChanged interface like so:
public string Test
{
    get { return _test; }
    set
    {
        _test = value;
        OnPropertyChanged("Test");
    }
}

public event PropertyChangedEventHandler PropertyChanged;

protected void OnPropertyChanged(string name)
{
    PropertyChangedEventHandler handler = PropertyChanged;
    if (handler != null)
    {
        handler(this, new PropertyChangedEventArgs(name));
    }
}

but it's still not updating.
UPDATE: It turns out that it was a nooby mistake, again. In my Snapshot.xaml.cs I was changing the data context in a piece code that handled a pie chart. I worked around it by changing my binding epression in so that the binding element would be the parent of Snapshot.xaml, in my case the StackPanel 'sp' ({Binding ElementName=sp, Path=DataContext.Session.Test}). Apart from this silly mistake, what was really missing from my original code was the INotifyPropertyChanged implementation, TwoWay binding was unnecessary.
Thanks
Luis

A: You need to add Mode=TwoWay to your binding:
<local:Snapshot BrandID="{Binding Path=Session.Test, Mode=TwoWay}" />

OneWay is the default and that allows the UI to update the bound value only. To get the UI to change after the bound value is changed you need TwoWay.
You also need to raise the property changed event to let the UI know that something has changed.
The only other thing is to check that you've set the DataContext of your view up correctly.

A: The binding is not correct. By using a {Binding} with just a path you try to bind to the data exposed through the DataContext. Did you set the DataContext?
EDIT
There is more wrong in your code:
control.brandIDTBlock.Text = (string)e.NewValue;
This line does not belong in the PropertyChanged handler. And might cause you to think that binding is working.
I do not have the time to add a correct example so here is a link that should get you started.

A: When the value of Test changes in your view model is it "changing" because you have replaced the object being returned the the Session property of your main view model.  If so you would need the main view model to alse implement INotifyPropertyChanged and call PropertyChanged when the Session property is updated.


text:
Q: Inapp Billing in android I have used demo of Inappbilling from developer site
but i have one question in that i don't have any idea about that
If once user install the app and purchase some items using in app billing
after some time he uninstall the app and again install app
At that time does all previous purchased items will be shown?
Is there any service for that give data about purchased items of particular user?
Thanks in advance

A: Here
http://developer.android.com/guide/market/billing/billing_overview.html
I found this:

RESTORE_TRANSACTIONS This request retrieves a user's transaction
  status for managed purchases. You should send this request only when
  you need to retrieve a user's transaction status, which is usually
  only when your application is reinstalled or installed for the
  first time on a device.


text:
Home | News Tuesday 3 August 2010
FIFA tells Sudan to re-run polls of national football body
August 2, 2010 (KHARTOUM) – Sudan has been given an ultimatum by the FIFA to hold fresh polls for the national football association within 12 days or face suspension from the most-popular game worldwide over perceived government interferences in the elections as well as hefty fees required from candidates.
Last month, Sudan organized elections for the executive committee of the national football association after disqualifying the association's ex-president, Kamal Shaddad, from standing in the elections.
The federal commission for the bodies and youth associations, which excluded Shaddad, cited article 16(3) of the Youth and Sports law which says that a candidate cannot run for a third term unless he held an international football job recognized by the sports ministry.
Shaddad has strongly protested the decision and blamed it on government's interferences. "Interferences by the Sudanese government aim to exclude from the elections" he told Al-Rayaam newspaper.
He also slammed the "excessive" nomination fee which was originally set at 25,000 Sudanese pounds (about $10,000) before being reduced to 10,000 pounds (about $4,000).
Moatassim Ja'afar was declared winner of the elections for the football association in Sudan after stiff competition with the former head of Al-Hilal club Salah Idriss.
Idriss also happens to be the owner of the Al-Shifaa Pharmaceutical factory which was bombed by the U.S. in 1998 for allegations that was producing deadly chemical weapons and that ties existed between the owners and Al-Qaeda group headed by Osama Bin Laden.
The FIFA's warning yesterday set 15 august as a deadline for Sudan to hold fresh polls "without any influence of third parties" or face ban of its national and club teams from international competition.
The FIFA already warned Sudan last month that it would not recognize the elections' results.
"Any election without respecting the SFA [Sudanese Football Association] statutes and/or under governmental interference will not be recognized by FIFA," FIFA said in a statement released on 23 July.
The federal commissioner for the bodies and youth associations, Al-Rayah Widatallah, has shrugged off the FIFA's threats, saying that the FIFA does not scare them and has no right to meddle in internal affairs.
He told Al-Sada sport newspaper that the elections were legal and nobody can annul them except the constitutional court.
In the past world governing body FIFA has banned nations due to political interference. FIFA has a range of possible punishments if it does decide to sanction Sudanese football, not just suspension.
Nigeria faced a similar threat when President Goodluck Jonathan said he would withdraw the team from international football for two years, before backing down.
Kenya and Guinea have also been suspended in the past for government interference in football.
Sudan, currently ranked as 121 on the FIFA ranking of soccer teams worldwide, is due to host the African Nations Championship and African Confederation congress in 2011.


Tonight the Champions League ball will be rolling again and as always adidas' two hosts Layla Anna-Lee and Roman Kemp have been out talking to some of the biggest stars in the adidas family. This ninth episode is a special Bayern Munich edition.
In today's episode we get a unique insight into what goes on behind scenes, at the German giants from Bayern Munich. We meet the Spanish speaking trio Javi Martinez, Juan Bernat and Pepe Reina, talk to iconic manager Pep Guardiola, get to know how David Alaba deals with haters, while Thomas Müller reveals who spends the longest time doing their hair before a game. And then we also have a look at the newest f50 Tattoo Pack. See it all in the episode of Gamedayplus above.
Do you have haters – or would you like some? – Check out adidas' selection of football boots here.
Bayern Munich have everything to play for when they host Shaktar Donetsk tomorrow. Tonight there's another German club in action, Schalke 04 have to overturn a deficit at the Santiago Bernabeu. Who do you think will progress to the quarter finals of the Champions League?


text:
{{Programa de TV
| Imatge =
| Nom = Sé lo que hicisteis...
| Títol = Sé lo que hicisteis...
| Gènere = Humor sobre actualitat
| Primer = 29 de març 2006 (setmanal) 9 d'abril 2007 (diari)
| Últim = 20 de maig de 2011|
| Episodis = 1010 diaris (fins al 20 de maig) de 2011, 51 setmanals (fins 3 d'abril de 2007)
| Duració = 95' aprox.
| Empresa = Globomedia
| País = Espanya
| Idioma = castellà
| Creador =
| Productor = Juan Andrés García Ropero
| Director = Juan Andrés García Ropero
| Presentadors = Patricia CondeÁngel Martín GómezMiki NadalDani MateoBerta Collado Alberto Casado Mario Díaz José LozanoCristina PedrochePaula PredesLeo HarlemDavid GuapoJordi Mestre
| Época =
| Cadenes = laSexta
| Premi = {{mida|1=* Premi a la contra - (Premis Desè Aniversari ATV)* Home de l'any 2006 (Ángel Martín) - (Revista "Men's Health")* Cómic de l'any 2007 (Ángel Martín) - (Ja Ja Festival)* Antena d'Or 2006 (Patricia Conde) - (Associació de Radio i Televisió Espanyola)* Premi al millor programa d'entreteniment - (Premis ATV 2006)* Premi al millor presentador d'entreteniment (Patricia Conde i Ángel Martín) - (Premis ATV 2006)* Premi a la millor reportera de televisió (Pilar Rubio) - (Premi Jove 2007* Premi Elegance (Revista Elegance) - (Premis Elegance 2008)* Premi al millor programa d'entreteniment - (Premis TP d'Or 2007)* Premi al millor presentador (Ángel Martín) - (Premis TP d'Or 2007)* Premi al millor programa d'entreteniment - (Premis Zapping 2007)* Premi al millor presentador (Ángel Martín) - (Premis Zapping 2007) * Millor programa d'entreteniment - (Premis ATV 2007)* Premi al millor programa d'entreteniment - (Premis TP d'Or 2009)}}
| Lloc = http://www.lasexta.com/programas/se-lo-que-hicisteis
| Imdb = 0786885
}}Sé lo que hicisteis...' (abans Sé lo que hicisteis la última semana) va ser un programa de televisió de La Sexta, en dues hores que durava s'hi barrejava el món rosa amb l'humor. S'emetia diàriament de dilluns a divendres, de 15:50 a 17:10. El programa es va acabar el 20 de maig de 2011 en el programa 1010.

 Estructura del programa
Patricia Conde és la presentadora del programa, apareixent durant tot el programa (105 minuts en els seus inicis com a programa setmanal, actualment 120 minuts), acompanya els diversos col·laboradors del programa, cadascun d'ells amb la seva pròpia secció, i presenta les seccions que no en tenen. Patricia interpreta el paper d'una nena de casa bona amb certs desajustaments mentals; per exemple, troba normal parlar amb ninots, aixecar-se de la taula donant poques o cap explicació (el que en realitat és una forma còmica de donar pas a publicitat) o donar un cop d'ampolla al seu company Ángel perquè "un senyor m'ha dit que la violència fa pujar l'audiència".

A partir del 9 d'abril, el programa va passar a ocupar les tardes de La Sexta. Actualment, el programa s'emet diàriament de 15:30 a 17:30, allargant la seva durada a dues hores, canviant lleugerament la seva estructura i escurçant el nom (en concret, llevant les paraules "la última semana"). Patricia Conde en segueix sent la presentadora principal al costat d'Ángel Martín Gómez, qui ara comparteix la presentació durant gran part del programa. S'han espaiat algunes seccions que van apareixent en dies alterns, deixant gairebé exclusivament tot el pes del programa en els vídeos d'Ángel. Entre vídeo i vídeo van apareixent la resta de col·laboradors, Pilar Rubio,Berta Collado, Dani Mateo, Miki Nadal, Rober Bodegas, Alberto Casado i Cristina Urgel. Un resum de l'emissió diària s'emet en horari estel·lar els dissabtes, de 17:30 a 18:55, amb el títol original complet (Sé lo que hicisteis la última semana).

 Col·laboradors
 Ángel Martín Gómez: És l'encarregat de la secció més prolongada del programa. S'encarrega de comentar amb cinisme i humor les pífies dels programes del cor sense cap mena de compassió més que la justa. La seva secció és la que té més èxit del programa. L'únic que exaspera més a Ángel que els programes del cor, és el comportament infantil i esbojarrat de la seva companya Patrícia; i no li falta raó, ja que l'esbojarrada de la seva cap ha arribat a "agredir-lo" amb ampolles o amb les pròpies mans (mai fora del guió, és clar), i cada programa ha de suportar les incomptables interrupcions de la noia amb alguna cosa fora de lloc o alguna ximpleria. Les seves frases més conegudes són Madre mía (la qual ja ha deixat de dir bastant) i te voy a decir una cosa mentre es posa un dit als llavis i adopta un posat d'alerta. Cada dia pateix les burles de la Patrícia, que el presenta amb frases com y ahora nuestro colaborador, un hombre tan pequeño, que no vive en un piso, vive en una maqueta''. I anteriorment, la seva secció acabava quan el Miki entrava i el feia fora a cops i empentes.

 Pilar Rubio: La reportera del programa, encarregada de fer reportatges a les gales i festes dels famosos, com estrenes de pel·lícules o gales. La seva personalitat s'assembla molt a la de Patrícia, de fet, es porten molt bé entre elles. Molts cops, irrompeix a la secció de l'Ángel per donar el seu suport a la Patrícia i defensar-la, o simplement per burlar-se d'ell amb la seva companya. Quan la Pilar apareix al plató, sona Find My Baby, de Moby.

 Berta Collado: Una altra reportera del programa. Aquesta, arribada el 5 de setembre de 2007, (el segon dia de la temporada) es fa càrrec dels esdeveniments polítics i esportius. Cada cop guanya més popularitat. A finals de l'any 2008 va ser declarada 6è personatge més simpàtic de la televisió segons la llista GECA.

 Dani Mateo: Comentarista de notícies d'actualitat política i esportiva. A vegades és anomenat "avioncitos" degut al decorat del deu darrere on surten avions de paper.

 Miki Nadal: la seva secció tracta de vídeos curiosos i divertits no relacionats amb el món del cor. Molts cops són vídeos que es poden trobar a Internet, o imatges curioses. Anteriorment, acostumava a entrar quan acabava la secció de l'Ángel per fer-lo fora a empentes i cops i així tenir la seva part del programa lliure.

 Pepe Macías: cada divendres, Pepe té un reportatge a presentar de notícies del cor internacionals. Va desaparèixer misteriosament a l'inici de la temporada 2008-2009.

 Rober Bodegas: va començar com a guionista del programa després d'haver guanyat el concurs de monòlegs "El rey de la comedia" emès per TVE1. Més tard, a l'estiu de 2008 va començar una secció on, bàsicament feia un monòleg (amb interrupcions) sobre un tema determinat de qualsevol temàtica. La seva secció (quan la fa, que no és ni de bon tros sempre) se sol emetre els dijous

A més, els col·laboradors i la mateixa Patrícia actuen en gags que apareixen en alguns moments del programa.

Referències

Enllaços externs

 Pàgina oficial del programa, a la web de laSexta

Programes de televisió en castellà
Sèries de televisió acabades el 2011

redpajama_set_name: RedPajamaWikipedia


text:
Q: DSA signature c# CertificateI have a Certificate
This is the text i have to verify:

B5080F731EE89EC82FD2E8B22E9_I_CANNOT_SHOW_THE_REAL_TEXT

This is the signed:

MIIBUwYJKoZIhvcNAQcCoIIBRDCCAUACAQExCzAJBgUrDgMCGgUAMAsGCSqGSIb3DQEHATGCAR8wggEbAgEBMG8wZDELMAkGA1UEBhMCREUxHDAaBgNVBAoTE1NBUCBUcnVzdCBDb21tdW5pdHkxEzARBgNVBAsTClNBUCBXZWIgQVMxFDASBgNVBAsTC0kwMDIwMjEyMzYwMQwwCgYDVQQDEwNFMTUCByASBQYIEQgwCQYFKw4DAhoFAKBdMBgGCSqGSIb3DQEJAzELBgkqhkiG9w0BBwEwHAYJKoZIhvcNAQkFMQ8XDTE4MDYyNzE5MzcyNVowIwYJKoZIhvcNAQkEMRYEFDgpp0877pKaChyIGVw5sPeD0W03MAkGByqGSM44BAMEMDAuAhUA4PH8bdBPHHtuPHvhJxjei%2BFrJYUCFQCnZ6IABDiRlctS9E9N3IQK60JLIg%3D%3D

Can´t find a way to do verify the signature with c#.  When i use the "normal" DSACryptoServiceProvider I always get the error saying the signature size should be 40 bytes.
I just need to know were to go. wath to use
I know is DSA.
I know the signature is around 500bytes
this is the code i'm trying:
DSACryptoServiceProvider csp = (DSACryptoServiceProvider)CurrentCer.csp.PublicKey.Key;

SHA1Managed sha1 = new SHA1Managed();
byte[] data = Encoding.UTF8.GetBytes(ToSign);
byte[] hash = sha1.ComputeHash(data);

var base64EncodedBytes = System.Convert.FromBase64String(signature);
result = csp.VerifyHash(hash, CryptoConfig.MapNameToOID("SHA1"), base64EncodedBytes);

DSASignatureDeformatter verifier = new DSASignatureDeformatter(csp);
verifier.SetHashAlgorithm("SHA1");
bool valid = verifier.VerifySignature(hash, base64EncodedBytes);

A: Your data isn't a signature, per se.  It's a query-string-encoded base64-encoded representation of a CMS Signed-Data with detached content, and it happens to have been signed with DSA.
str = Uri.UnescapeDataString(str);
byte[] signatureMessage = Convert.FromBase64String(str);
ContentInfo content = new ContentInfo(yourDataHere);
SignedCms signedCms = new SignedCms(content, detached: true);
signedCms.Decode(signatureMessage);

SignerInfoCollection signers = signedCms.SignerInfos;

if (signers.Count != 1 || signers[0].Certificate != null)
{
    // Reject it, this isn't what you're looking for.
    // At least, based on the sample you gave.
    //
    // You could, for Count == 1, accept Certificate == null or
    // Certificate.RawData.SequenceEqual(CurrentCer.RawData),
    // if you're so inclined.
}

// This throws if the signature doesn't check out.
signedCms.CheckSignature(new X509Certificate2Collection(CurrentCer), verifySignatureOnly: true);


This has been a bad year for Britain and its royal family. And here is why it will get much worse—before it gets better than you can even imagine!
Will Canada Keep the Monarchy?
Since Great Britain ceded control to China, is Hong Kong better off?
Open your eyes to the injustice around you—and reach out to our last and only hope for making it right.
The media went into a frenzy when America was caught spying on Germany. Why then do they ignore revelations that Berlin is spying on America?
Almost all resources come from the ground. But what happens when we destroy the ground?
Why has society changed its attitude toward people who hear voices?
Is this classic account limited only to Genesis?
You can tell—if you pay attention to just one hour of conversation.
America has lost one of the world's most valuable commodities.


Dr. Charles Smith » Kohler Foundation Inc.
Dr. Charles Smith has developed a powerful social and artistic vision, and a consistent, cohesive body of work on his property in Aurora, Illinois. Using concrete, found items, and other materials, he created an art environment of more than 600 sculptures that was an expression of a collective cultural experience. His African American Heritage Museum and Black Veteran's Archive chronicled both well-known and obscure events in African American history, each related to individuals, incidents, or places in African American history.
His mother, now deceased, was an inspiration and vital force in his life. He elected to leave his home and the art environment he called the African American Heritage Museum when she was in her late 80s and in poor health. He moved back to New Orleans to care for her. It was at this juncture in 2001 that Kohler Foundation became involved in the preservation of Dr. Smith's work.
Unfortunately, for many practical and political reasons, the site was not able to be preserved in situ. Plus, it was Dr. Smith's dream to see his work placed in museums and other venues across the country to spread his message and share his dream. His dream came true with approximately 500 sculptures being preserved and placed in 19 institutions, including the collections of the John Michael Kohler Arts Center, Houston Museum, African-American Heritage Museum, Joslyn Art Museum, Intuit, National Vietnam Museum and the Smithsonian Anacostia Museum and Center for African American History and Culture.
Both his art environment and work have received local, state, and national acclaim. Dr. Smith's art has been exhibited at galleries and museums across the country. He continues to create from his home in Hammond, Louisiana where he remains a strong advocate for the arts and seeks to inspire and motivate children to study, to learn, to understand their history, and to create. He is an inspiration.


In-flight dining has reached new heights. Hot on the heels of Odette's placing as Asia's best restaurant ion 2019 comes another exciting announcement. Its acclaimed two-Michelin-starred chef and co-owner Julien Royer has a year-long partnership with Air France.
The 12 newly created dishes are only available from the Singapore to the Paris Charles De Gaulle route from April 2019 to March 2020. In Business Class, two highlights that stand out are the simple yet delicate grilled scallops, carrot mousseline and saffron nage, as well as sea bass served with a confit onion jam, ratatouille and squid with confit lemons.
That's not all. A one-of-a-kind experience awaits passengers on board Flight AF 257 on 9 April. Chef Julien will share about his menu and even interact with guests for a truly unique flight, as part of Oh my Chef! — the airline's signature event that celebrates celebrity chefs.


The color signal images which did not carry on correcting the atmosphere are equal to the space photographs to the ground the ground objects are covered with blue mist which is formed by rayleigh scattering.
Abstract: a16-channel temperature detection apparatus with platinic resistance is presented.the method of the down-lead elimination of the platinic resistance and nonlinear correction with positive feedback are discussed.
Abstract: this paper has recounted the technique for correcting the attitude of plunging fold strata in the application of paleomagnetism to the study of geological structure and derived the conversion formula for experts "reference.
The school is organizing a study hall.
And the school was giving its yearly performance.
An equipment that corrects the time base errors in video tape recorders.
Unlike the early stereo film-based recordings modern techniques are heavily dependent on digital processing which corrects for camera-projection inaccuracies resulting in significantly enhanced stereo display.
Each rtk station generated and broadcasted corrections via uhf radio to the respective users on a1hz frequency 24hours a day.
As far as the choice of the1c is concerned the pfc and pwm controller combo that is popular at the present time is chosen because it can simplify designs and being synchronized trigger mode adopted it can make peak to peak ripple voltage much small even on the condition of small capacitance.
Set vehicle on straightening bench.
The method of preprinting image quality control was introduced from three aspects of images scanning color separation and calibration and output equipment calibration.
In light of cheng's balance container for measuring boiler barrel water-level a new type instrument is introduced from its principle characteristics and system composition etc.. This new instrument has self-correcting funcion of water-level based on drum pressure; and is of a high precision instrument for monitoring water-level of boiler barrels.
Schools in this area are piloting the new math course.
To solve the problem of zr-heads ageing its easily changing of character and the difficulty of correction a new method of design of zirconium oxide which has the characteristics of no potentiometer atuo-correcting and compensating for zr-heads ageing by program is presented to avoid the disadvantages above.
Work out and implement the calibration period of monitoring and measuring device.


Parses a file for namespaces/use/class declarations.
Gets the next non whitespace and non comment token.
Parse a single use statement.
$docCommentIsComment If TRUE then a doc comment is considered a comment and skipped. If FALSE then only whitespace and normal comments are skipped.
array The token if exists, null otherwise.
array A list with all found class names for a use statement.
string $namespaceName The namespace name of the reflected class.
array A list with all found use statements.


Be the master of strategy. Be the ultimate fighter. Be the complete warrior! Enter the world of Little Tournament Over Yonder. Play as a young Prince or Princess leading your team through numerous battles. Plan and deploy your units to gain strategic advantages. Launch real-time battles between units and fight hard, fight fast, fight smart. Build your team, hire new units with different powers; groom them with battle experience to gain level. This is a game that involves strategy-planning and real-time fast-paced fighting. This is the game for the complete warrior, one who works his mind and his muscles. Go for Single-Player Tournament quest and glory, or challenge your friend in a 2-Player Versus match.
The graph below charts the compatibility with Little Tournament Over Yonder since Dolphin's 2.0 release, listing revisions only where a compatibility change occurred.
This page was last edited on 19 January 2018, at 01:00.


Features and Benefits of TatJacket Tattoo Cover Up include easily and Temporarily cover up tattoos anywhere on your body using our tattoo cover sleeves, tattoo cover concealer makeup or our Eclipse temporary tattoo covers. Tatjacket tattoo cover-up is perfect for employment or special occasions where exposed tattoos are unacceptable. Tatjacket tattoo cover-up sleeves are cool, lightweight, flexible and breathable. TatJacket cover-up sleeve products not only cover up tattoos, but are also UV Protection Clothing that protects your tattooing from discoloration due to sunlight.
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Even without rules prohibiting visible tattoos, TATJACKET� tattoo cover up allows you to protect your tattoo's vibrant color and sharp lines from the rays of the sun to help slow fading and discoloration often associated with exposure to the sun.
"Because You Love Your Ink But Your Boss Doesn't."


I just want to thank you and the team again for everything. I'll tell you before the training there were a lot of people who were hesitant that they couldn't do it or didn't need it. After the class they were all raving about it and how much they liked it and believed in it. Thank you again.
Thanks again for everything. You have a great thing going and I'm sure we will be in contact in the future. All the guys cannot stop talking about how good the training was.
I just wanted to reach out and thank you for helping us out with the completion of our mandatory classes. Jim is a great instructor, we were very pleased with his teaching style, and his knowledge of the material. I look forward to working with All Hands Fire in the near future.
The members and I were extremely satisfied with the training. The training team that was assembled to instruct us was second to none. I watched every member become more comfortable and confident from one jump to the next. Hopefully none of our members will ever have to utilize their personal escape system, however if that day should ever come I am confident that the men of the North Haledon Fire Dept. will be able to recall the training they received from your team of instructors to make it out safely.
I am a Houston Firefighter and I just ordered the Gemtor harness class II for use at my job. I watched the informative video on the AllHandsFire YouTube channel and I decided I HAD to have it for my personal safety and also to make my job easier. I didn't think it could have been used to for drags as well, but I suppose I wasn't thinking outside of the box. Anyhow, I enjoyed the short video and it was enough to convience me I couldn't wait for my department to issue and train. So as I stated I purchased right away. I would also like to purchase any training videos if they are available. Thank you for your time and assistance.
On behalf of my company, Richmond Engine, I would like to express to you and your staff how pleased we were with the training especially the instructors who were by far excellent.
Personally, this is my second class with All Hands Fire, and again I am very impressed with the instructors and there knowledge on the subject matter.
We look forward to the second group of guys completing the training with All Hands Fire and other future classes.
Just wanted to say that it was great to see you the other day. Thanks again for all of your help with the class. It would not have gone as good as it did without the guidance we got from you and Jim. We've been getting nothing but great feedback on the class. Thanks again.
Our fire company recently took part in a Petzl EXO – End User Course (for Personal Safety Systems) when we requalified 16 members and introduced it to 8 new members. All Hands Fire Equipment supplied our new members with the Gemtor 541NYC Harnesses and Petzl EXO's. as far as authorized training, All Hands Fire, in cooperation with FDT, did a great job training and challenging each of us. Jim was the lead instructor, and the lecture materials were relevant and useful. The instructors on the practical day were focused, experienced, and took the time to ensure each participant was well-prepared and critqiued for each evolution. Not surprisingly, by the end of the course everyone indicated they were competent and comfortable with the equipment and their skills should the need arise to deploy. I highly recommend All Hands Fire for all of you escape system needs.
I would also like to thank you for coming to help with our Petzl EXO Training Class. The class flowed alot better. Now we know how to handle the stations and ensure everyone gets the training. See you soon.
I took the Mayday Class in Wall Township last night. It was one of the best classes that I have ever taken. Thank you.
I wanted to drop you a note and let you know the training last weekend went great. Your guys were really on top of their game and did a great job with the class!
— Not sure if I would like this or any other system, but I am now a believer!
— Knowledge of instructors and building block approach was excellent.
— Class good as is. Knowledgeable instructors, step by step instruction.


Home» SOFTWARES » AP TS Teachers And ALL Type's Of Employees Automatic Advancement Scheme PRC 2015 Special Grade Post Scale Software.
AP TS Teachers And ALL Type's Of Employees Automatic Advancement Scheme PRC 2015 Special Grade Post Scale Software.
AP TS Teachers And ALL Type's Of Employees Automatic Advancement Scheme PRC 2015 Special Grade Post Scale )Z.P/ Govt /Muncipality /Aided Teachers and Staff AAS (Automatic Advancement Scheme software) Download.
AP & TS TEACHER And ALL Type's Of Employees Automatic Advancement Scheme PRC 2015 Pay fixation - 2015 Special Grade Post Scale (6 years) - S.P.P-IA/SA.PP-IA ( 12 years ) - S.P.P-I.B/SA.PP-I.B ( 18 years ) And Special Promotion Post Scale –II (S.P.P-II) (24 years ) Z.P/ Govt /Muncipal /Aided Teachers and Staff A.A.S (Automatic Advancement Scheme software) Download.
The individual who completed 6 years of service in the same cadre eligible to get Special Grade Post Scale and allowed new scale .
The employee who completed 12 years of service in the same cadre, is allowed to get new scale in the next promotion.
( i ) Automatic Advancement Scheme 12 Years S.P.P-IA Pay Fixation after Completion of 12 Years form under FR 22(a)(i) read with FR 31(2) Post Scale.
( ii )Next AGI will be accrued after 1year .Let us know how to fix their Scale and Pay with respect to the Fundamental Rules and Norms.
The employee, who completed 24 years, as per service rules is allowed to get SPP- II, that is equal to next promotion scale. And the individual must require qualifications as per the next promotion post.
GET DOWNLOAD A.A.S SOFTWARE FOR TEACHERS.
GET DOWNLOAD A.A.S SOFTWARE FOR ALL TYPE'S OF EMPLOYEES.


How do New Mexico laws treat probate litigation matters?
As with all other legal practice areas, probate litigation regulations differ vastly from state to state. New Mexico laws affect a number of probate litigation areas and require detailed understanding in order to ensure you are acting in accordance with local laws, as well as ensuring that the will itself was written in accordance with local law.
The remainder of this article will cover how New Mexico probate litigation are specifically designed and enforced.
What are a spouse's automatic rights in New Mexico probate?
Also known as a Spousal Share, this area of probate litigation becomes more complex in community property states, of which New Mexico is one. In your state, if an official marriage licence doesn't exist between the deceased and a plaintiff, property owned by one spouse before a marriage remains "separate property"—property received through a gift or an inheritance that was separated from a couple's shared or jointly purchased possessions—and the plaintiff may not have an automatic claim to anything but their own separate property.
How are financial elder abuse claims handled in New Mexico courts?
In New Mexico, the victim or representative of the victim must prove that the defendant took, hid, appropriated, or retained the victim's property, and/or assisted in taking, hiding, appropriating, retaining the victim's property, for a wrongful use with the intent to defraud, and that the victim was harmed because of these actions.
Does New Mexico have a statute of limitations on filing challenges to an estate?
Because estate issues represent such a complex area of the law, with an endless list of various "but", "what if", and other semantic scenarios poised to reinterpret an executor's intent, the statute of limitations on filing challenges to an estate is subject to differences both slight and significant across each state. New Mexico's statute of limitations regarding probate litigation range from four to fourteen years, depending on the implications of your claim.
Different states assign different courts to handle probate issues and estate administration. In New Mexico, that court will be one of the 33 probate courts located throughout the state.